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[ "Vienna Boys' Choir", "Recent history", "Where does the Vienna Boys Choir perform?", "I don't know." ]	C_7eda8404fd0a46bf8f1b757cd1a79658_0	How large is the Vienna Boys Choir?	2	How large is the Vienna Boys Choir?	Vienna Boys' Choir	Gerald Wirth became the choir's artistic director in 2001. However, since then, the choir has come under pressure to modernize and has faced criticism of their musical standards, leading to a split with the Vienna State Opera. The choir has for the first time had to advertise for recruits after a rival choir school was established by Ioan Holender, director of the opera company. He complained of both falling standards and poor communication with the choir. He said that the State Opera sometimes trained boys for particular stage roles, only to find out on the day of performance that they were unavailable as they had gone on tour with the choir. Some boys were attracted to the rival choir school by the prospect of a more relaxed atmosphere and of performance fees being paid directly to them. The Vienna Boys' Choir has sought to update its image, recording pop music selections and adopting an alternative uniform to the sailor suits used since the 1920s, allowing the boys to dance as they sing. After Eugen Jesser died in May 2008, Walter Nettig became the choir's president. Gerald Wirth has been the artistic director since 2001, and he also became the choir's president in 2013. In 2010, following sexual abuse allegations from two former choristers stemming from the late 1960s and early 1980s, the Vienna Boys' Choir opened a confidential phone and e-mail hotline to allow others to come forward. Eight possible victims came forward saying they were abused, either by staff or other choir members. CANNOTANSWER	The choir has for the first time had to advertise for recruits	The Vienna Boys' Choir () is a choir of boy sopranos and altos based in Vienna, Austria. It is one of the best known boys' choirs in the world. The boys are selected mainly from Austria, but also from many other countries. The choir is a private, non-profit organization. There are approximately 100 choristers between the ages of nine and fourteen. The boys are divided into four touring choirs, named after Austrian composers Bruckner, Haydn, Mozart and Schubert, which combined perform about 300 concerts each year before almost 500,000 people. Each group tours for about nine to eleven weeks. Some pieces include "Good Morning" and "Merry Christmas from Vienna Boys". Early history The choir is the modern-day descendant of the boys' choirs of the Viennese Court, dating back to the late Middle Ages. The Wiener Hofmusikkapelle was established by a letter from Emperor Maximilian I of the Holy Roman Empire on 30 June 1498, instructing court officials to employ a singing master, two basses and six boys. Jurij Slatkonja became the director of the ensemble. The role of the choir (numbering between 24 and 26) was to provide musical accompaniment for the church mass. Additionally, the Haydn brothers were members of the St. Stephen's Cathedral choir, directed at the time by Georg Reutter II, who used this choir in his duties for the imperial court, which at the time had no boy choristers of its own. Over the centuries, the choir has worked with many composers, including Heinrich Isaac, Hofhaimer, Biber, Fux, Caldara, Gluck, Salieri, Mozart, Franz Schubert and Bruckner. In 1920, following the fall of the Austrian Empire, the Hofkapelle (court orchestra) was disbanded. However, the rector at the time, Josef Schnitt, sought a continuation of the tradition. In 1924, the Vienna Boys' Choir was officially founded, and it has evolved into a professional music group. The choir adopted the now-famous blue-and-white sailor suit, replacing the imperial military cadet uniform that included a dagger. The composer HK Gruber is one of the graduates of the reformed choir. Since 1948, Palais Augarten has served as the rehearsal venue and boarding school, which goes from kindergarten level up to middle school level. In 1961, Walt Disney filmed Almost Angels, a fictional drama about (and starring) the Vienna Boys' Choir, set and filmed in the Palais Augarten. It was Disney who, for cinematographic reasons, persuaded the Austrian government to allow the boys to legally wear the Austrian national emblem on the breast of their uniform, a tradition that continues to this day. Recent history Gerald Wirth became the choir's artistic director in 2001. However, since then, the choir has come under pressure to modernize and has faced criticism of their musical standards, leading to a split with the Vienna State Opera. The choir has for the first time had to advertise for recruits after a rival choir school was established by Ioan Holender, director of the opera company. He complained of both falling standards and poor communication with the choir. He said that the State Opera sometimes trained boys for particular stage roles, only to find out on the day of performance that they were unavailable as they had gone on tour with the choir. Some boys were attracted to the rival choir school by the prospect of a more relaxed atmosphere and of performance fees being paid directly to them. The Vienna Boys' Choir has sought to update its image, recording pop music selections and adopting an alternative uniform to the sailor suits used since the 1920s, allowing the boys to dance as they sing. After Eugen Jesser died in May 2008, Walter Nettig became the choir's president. Gerald Wirth has been the artistic director since 2001, and he also became the choir's president in 2013. In 2010, following sexual abuse allegations from two former choristers stemming from the late 1960s and early 1980s, the Vienna Boys' Choir opened a confidential phone and e-mail hotline to allow others to come forward. Eight possible victims came forward saying they were abused, either by staff or other choir members. Selected discography Christmas Frohe Weihnachten (2015) Wiener Sängerknaben Goes Christmas (2003) Frohe Weihnacht (Merry Christmas) (1999) Christmas in Vienna / Heiligste Nacht (1990) Merry Christmas from the Vienna Choir Boys (1982) Christmas with the Vienna Choir Boys (with Hermann Prey) Christmas with the Vienna Boys' Choir, London Symphony Orchestra (1990) Weihnacht mit den Wiener Sängerknaben (Hans Gillesberger 1980) The Little Drummer Boy (TV 1968) Die Wiener Sängerknaben und ihre Schönsten ... (1967) Frohe Weihnacht (1960) Christmas Angels (RCA Gold Seal) Silent Night Pop music I Am from Austria (2006) Wiener Sängerknaben Goes Pop (2002) Other recordings Orff: Carmina Burana (with André Previn and the Vienna Philharmonic Orchestra) (1994) Angelic Voices (1998) "Doraemon no Uta" for the animated motion picture Doraemon: Nobita and the Legend of the Sun King (2000) Silk Road: Songs Along the Road and Time (Music from the Motion Picture) (with Yulduz Usmanova and Nursultan Saroy) (2008) LG G2 Theme song and ringtone (2013) Strauss For Ever (2018) The Vienna Boys' Choir performed the song "The Little Drummer Boy" in the Rankin/Bass TV special of the same name. Feature Films Kleine Grosse Stimme (Little big voice) (2015) Songs for Mary (2014) Bridging the Gap (2013) Silk Road (2008) Almost Angels (1962) When the Bells Sound Clearly (1959) Der schönste Tag meines Lebens (The best day of my life) (1957) Voices of Spring (1952) Singenden Engel (The singing angels) (1947) Boys of the Prater (1946) Concert in Tirol (1938) An Orphan Boy of Vienna (1936) Featured composers Johann Sebastian Bach Ludwig van Beethoven Heinrich Ignaz Franz Biber Benjamin Britten Anton Bruckner Antonio Caldara Jacobus Gallus George Frideric Handel Joseph Haydn Wolfgang Amadeus Mozart Franz Schubert Salomon Sulzer Smaller works based on anthologies Anton Bruckner, Christus factus est Anton Bruckner, Locus iste Anton Bruckner, Os justi Anton Bruckner, Virga Jesse Joseph Leopold Eybler, Omnes de Saba venient Gabriel Fauré, Pie Jesu Jacobus Gallus, Natus est nobis Jacobus Gallus, Pueri concinite Jacobus Gallus, Repleti sunt Georg Friedrich Händel, Zadok the Priest Joseph Haydn, Du bist's, dem Ruhm und Ehre gebühret Joseph Haydn, Insanae et vanae curae Michael Haydn, Lauft, ihr Hirten allzugleich Jacbus de Kerle, Sanctus – Hosanna – Benedictus Wolfgang Amadeus Mozart, Kyrie Es-Dur KV 322 Wolfgang Amadeus Mozart, Kyrie d-moll KV 341 Wolfgang Amadeus Mozart, Misericordias Domini KV 222 Wolfgang Amadeus Mozart, Sub tuum praesidium Giovanni Nascus, Incipit lamentatio Giovanni Pierluigi da Palestrina, Hodie Christus natus est Michael Praetorius, In natali Domini Franz Schubert, Salve Regina D 386 Franz Schubert, Tantum ergo D 962 Franz Schubert, Totus in corde langueo D 136 Giuseppe Verdi, Laudi alla Vergine Maria Giuseppe Verdi, Pater noster Tomás Luis de Victoria, O regem coeli Tomás Luis de Victoria, Una hora See also Vienna Girls' Choir Drakensberg Boys' Choir School References External links School's official website Friends of the Vienna Boys Choir 1490s establishments in the Holy Roman Empire 1498 establishments in Europe 15th-century establishments in Austria Austrian choirs Boys' and men's choirs Choirs of children Musical groups from Vienna Musical groups established in the 15th century Organisations based in Vienna EMI Classics and Virgin Classics artists	true	[ "The Mozart Boys' Choir (also known as \"The Mozart Boys' Choir of Vienna\" or \"The Mozart Vienna Boys' Choir\"), ) is an Austrian choir of boys founded in 1956 to commemorate the 200 birth anniversary of Wolfgang Amadeus Mozart. Originally it was named Mozart Sängerknaben and now is one of the most famous choirs in Europe and has gained recognition internationally.\n\nHistory\n\nIn 1956 to mark the 200 anniversary of Mozart's birthday, Prof. Erich Schwartzbauer founded \"The Mozart Boys' Choir\", which was directed primarily to perform works by Mozart and Viennese traditional music. Unlike the Vienna Boys' Choir, the boys from the Mozart's choir do not live in a boarding school, but they are allowed to go home after musical instruction and attend a school of their choice in his own neighbourhood. Although the members of the choir come together only once a week for rehearsals and performances, the choir has achieved high standards of quality.\nIn 1995 the community ceased activities due to the death of its founder, so that the choir disappeared. Then, given some legal issues not solved properly the original name of \"Mozart Sängerknaben\" could not be in use anymore, so the musical director of the institution Peter Lang took over the responsibility and in collaboration with parents reorganized the choristers under the new name of \"Amadeus Boys' Choir of Vienna\".\nIn 2006, coinciding with the 250 anniversary of the birth of Mozart, the choir celebrated obtaining its name back, and it is now known again as the Mozart Boys' Choir of Vienna, and it can be clearly distinguished by its 18th knight costume uniform.\n\nRepertoire\n\nMozart's compositions have a special place in choir's selection but it also comprises other composers from the classical period such as Joseph Haydn and Franz Peter Schubert. Audiences are delighted with the extraordinary performances of popular Austrian and German songs and Johann Strauss waltzes and polkas as well. The boys are also trained to perform works by contemporary composers to make them available to its fans.\n\nConcerts and tours\n\nChoir performances are given in a wide range of venues not only in Vienna but around the world. Choirboys have trodden stages as important as the Vienna State Opera, the Vienna Volksoper, the Musikverein's golden hall, among other greatest theaters around the world. They sing in private events or in charming soirées at the Vienna Palais sharing with guests their fine art.\n\nFeatured participations\n\nThe Mozart Boys' Choir has had the opportunity to sing together with the best orchestras of Vienna, like the Vienna Philharmonic, the Vienna Symphonic and the Radio Symphony Orchestra, all of them under the baton of famous conductors. Mozart choristers have also taken part in Christmas Concerts, Austrian films and TV commercials.\n\nExternal links\nOfficial homepage of Mozart Boys' Choir\n\nMozart music ensembles\nAustrian choirs\nBoys' and men's choirs\nChoirs of children\nMusical groups from Vienna\nMusical groups established in 1956\n1956 establishments in Austria", "The Wilten Boys' Choir () is a part of the Premonstratensian , at the foot of Bergisel in Innsbruck, Austria. Founded in the mid-13th century, it is one of the oldest boys' choirs in Europe.\n\nHistory \nThe choir shares a common history with the Vienna Boys' Choir. According to contemporary sources, Emperor Maximilian I in 1498 established a court orchestra at Hofburg Palace in Vienna, including a choir which largely consisted of boys descending from Wilten in the County of Tyrol.\n\nIn 1946, the Wilten Boys' Choir was reestablished by Norbert Gerhold.\n\nEducation \nThe choir currently consists of about 150 members, the youngest of which are about 6 years old. Following the change of voice, the boys can join the male voices and stay in the choir. The \"concert choir\" of the Wilten Boys' Choir is a special division of the Tiroler Landeskonservatorium.\n\nSince 1991, Johannes Stecher is the choir's artistic director. Martin Pleyer and Vinzenz Arnold are in charge of organizational matters.\n\nRepertoire \nThe choir's repertoire includes a wide range, from sacred music to traditional alpine folk songs and opera.\n\nDuring many concert tours, they have performed in Switzerland, Germany, Italy, France, Great Britain, Denmark, Romania, Israel and Japan.\n\nExternal links \n Official website\n\nAustrian choirs\nChoirs of children\nBoys' and men's choirs\nOrganisations based in Innsbruck\nMusical groups established in the 13th century" ]
[ "Vienna Boys' Choir", "Recent history", "Where does the Vienna Boys Choir perform?", "I don't know.", "How large is the Vienna Boys Choir?", "The choir has for the first time had to advertise for recruits" ]	C_7eda8404fd0a46bf8f1b757cd1a79658_0	Were they able to get enough recruits to keep going?	3	Were the Vienna Boys' Choir able to get enough recruits to keep going?	Vienna Boys' Choir	Gerald Wirth became the choir's artistic director in 2001. However, since then, the choir has come under pressure to modernize and has faced criticism of their musical standards, leading to a split with the Vienna State Opera. The choir has for the first time had to advertise for recruits after a rival choir school was established by Ioan Holender, director of the opera company. He complained of both falling standards and poor communication with the choir. He said that the State Opera sometimes trained boys for particular stage roles, only to find out on the day of performance that they were unavailable as they had gone on tour with the choir. Some boys were attracted to the rival choir school by the prospect of a more relaxed atmosphere and of performance fees being paid directly to them. The Vienna Boys' Choir has sought to update its image, recording pop music selections and adopting an alternative uniform to the sailor suits used since the 1920s, allowing the boys to dance as they sing. After Eugen Jesser died in May 2008, Walter Nettig became the choir's president. Gerald Wirth has been the artistic director since 2001, and he also became the choir's president in 2013. In 2010, following sexual abuse allegations from two former choristers stemming from the late 1960s and early 1980s, the Vienna Boys' Choir opened a confidential phone and e-mail hotline to allow others to come forward. Eight possible victims came forward saying they were abused, either by staff or other choir members. CANNOTANSWER	The Vienna Boys' Choir has sought to update its image,	The Vienna Boys' Choir () is a choir of boy sopranos and altos based in Vienna, Austria. It is one of the best known boys' choirs in the world. The boys are selected mainly from Austria, but also from many other countries. The choir is a private, non-profit organization. There are approximately 100 choristers between the ages of nine and fourteen. The boys are divided into four touring choirs, named after Austrian composers Bruckner, Haydn, Mozart and Schubert, which combined perform about 300 concerts each year before almost 500,000 people. Each group tours for about nine to eleven weeks. Some pieces include "Good Morning" and "Merry Christmas from Vienna Boys". Early history The choir is the modern-day descendant of the boys' choirs of the Viennese Court, dating back to the late Middle Ages. The Wiener Hofmusikkapelle was established by a letter from Emperor Maximilian I of the Holy Roman Empire on 30 June 1498, instructing court officials to employ a singing master, two basses and six boys. Jurij Slatkonja became the director of the ensemble. The role of the choir (numbering between 24 and 26) was to provide musical accompaniment for the church mass. Additionally, the Haydn brothers were members of the St. Stephen's Cathedral choir, directed at the time by Georg Reutter II, who used this choir in his duties for the imperial court, which at the time had no boy choristers of its own. Over the centuries, the choir has worked with many composers, including Heinrich Isaac, Hofhaimer, Biber, Fux, Caldara, Gluck, Salieri, Mozart, Franz Schubert and Bruckner. In 1920, following the fall of the Austrian Empire, the Hofkapelle (court orchestra) was disbanded. However, the rector at the time, Josef Schnitt, sought a continuation of the tradition. In 1924, the Vienna Boys' Choir was officially founded, and it has evolved into a professional music group. The choir adopted the now-famous blue-and-white sailor suit, replacing the imperial military cadet uniform that included a dagger. The composer HK Gruber is one of the graduates of the reformed choir. Since 1948, Palais Augarten has served as the rehearsal venue and boarding school, which goes from kindergarten level up to middle school level. In 1961, Walt Disney filmed Almost Angels, a fictional drama about (and starring) the Vienna Boys' Choir, set and filmed in the Palais Augarten. It was Disney who, for cinematographic reasons, persuaded the Austrian government to allow the boys to legally wear the Austrian national emblem on the breast of their uniform, a tradition that continues to this day. Recent history Gerald Wirth became the choir's artistic director in 2001. However, since then, the choir has come under pressure to modernize and has faced criticism of their musical standards, leading to a split with the Vienna State Opera. The choir has for the first time had to advertise for recruits after a rival choir school was established by Ioan Holender, director of the opera company. He complained of both falling standards and poor communication with the choir. He said that the State Opera sometimes trained boys for particular stage roles, only to find out on the day of performance that they were unavailable as they had gone on tour with the choir. Some boys were attracted to the rival choir school by the prospect of a more relaxed atmosphere and of performance fees being paid directly to them. The Vienna Boys' Choir has sought to update its image, recording pop music selections and adopting an alternative uniform to the sailor suits used since the 1920s, allowing the boys to dance as they sing. After Eugen Jesser died in May 2008, Walter Nettig became the choir's president. Gerald Wirth has been the artistic director since 2001, and he also became the choir's president in 2013. In 2010, following sexual abuse allegations from two former choristers stemming from the late 1960s and early 1980s, the Vienna Boys' Choir opened a confidential phone and e-mail hotline to allow others to come forward. Eight possible victims came forward saying they were abused, either by staff or other choir members. Selected discography Christmas Frohe Weihnachten (2015) Wiener Sängerknaben Goes Christmas (2003) Frohe Weihnacht (Merry Christmas) (1999) Christmas in Vienna / Heiligste Nacht (1990) Merry Christmas from the Vienna Choir Boys (1982) Christmas with the Vienna Choir Boys (with Hermann Prey) Christmas with the Vienna Boys' Choir, London Symphony Orchestra (1990) Weihnacht mit den Wiener Sängerknaben (Hans Gillesberger 1980) The Little Drummer Boy (TV 1968) Die Wiener Sängerknaben und ihre Schönsten ... (1967) Frohe Weihnacht (1960) Christmas Angels (RCA Gold Seal) Silent Night Pop music I Am from Austria (2006) Wiener Sängerknaben Goes Pop (2002) Other recordings Orff: Carmina Burana (with André Previn and the Vienna Philharmonic Orchestra) (1994) Angelic Voices (1998) "Doraemon no Uta" for the animated motion picture Doraemon: Nobita and the Legend of the Sun King (2000) Silk Road: Songs Along the Road and Time (Music from the Motion Picture) (with Yulduz Usmanova and Nursultan Saroy) (2008) LG G2 Theme song and ringtone (2013) Strauss For Ever (2018) The Vienna Boys' Choir performed the song "The Little Drummer Boy" in the Rankin/Bass TV special of the same name. Feature Films Kleine Grosse Stimme (Little big voice) (2015) Songs for Mary (2014) Bridging the Gap (2013) Silk Road (2008) Almost Angels (1962) When the Bells Sound Clearly (1959) Der schönste Tag meines Lebens (The best day of my life) (1957) Voices of Spring (1952) Singenden Engel (The singing angels) (1947) Boys of the Prater (1946) Concert in Tirol (1938) An Orphan Boy of Vienna (1936) Featured composers Johann Sebastian Bach Ludwig van Beethoven Heinrich Ignaz Franz Biber Benjamin Britten Anton Bruckner Antonio Caldara Jacobus Gallus George Frideric Handel Joseph Haydn Wolfgang Amadeus Mozart Franz Schubert Salomon Sulzer Smaller works based on anthologies Anton Bruckner, Christus factus est Anton Bruckner, Locus iste Anton Bruckner, Os justi Anton Bruckner, Virga Jesse Joseph Leopold Eybler, Omnes de Saba venient Gabriel Fauré, Pie Jesu Jacobus Gallus, Natus est nobis Jacobus Gallus, Pueri concinite Jacobus Gallus, Repleti sunt Georg Friedrich Händel, Zadok the Priest Joseph Haydn, Du bist's, dem Ruhm und Ehre gebühret Joseph Haydn, Insanae et vanae curae Michael Haydn, Lauft, ihr Hirten allzugleich Jacbus de Kerle, Sanctus – Hosanna – Benedictus Wolfgang Amadeus Mozart, Kyrie Es-Dur KV 322 Wolfgang Amadeus Mozart, Kyrie d-moll KV 341 Wolfgang Amadeus Mozart, Misericordias Domini KV 222 Wolfgang Amadeus Mozart, Sub tuum praesidium Giovanni Nascus, Incipit lamentatio Giovanni Pierluigi da Palestrina, Hodie Christus natus est Michael Praetorius, In natali Domini Franz Schubert, Salve Regina D 386 Franz Schubert, Tantum ergo D 962 Franz Schubert, Totus in corde langueo D 136 Giuseppe Verdi, Laudi alla Vergine Maria Giuseppe Verdi, Pater noster Tomás Luis de Victoria, O regem coeli Tomás Luis de Victoria, Una hora See also Vienna Girls' Choir Drakensberg Boys' Choir School References External links School's official website Friends of the Vienna Boys Choir 1490s establishments in the Holy Roman Empire 1498 establishments in Europe 15th-century establishments in Austria Austrian choirs Boys' and men's choirs Choirs of children Musical groups from Vienna Musical groups established in the 15th century Organisations based in Vienna EMI Classics and Virgin Classics artists	true	[ "Spy is a British television programme originally made by Wall to Wall for BBC Three in 2004. It has been one of the most-exported United Kingdom television shows; according to the Producers' Alliance for Cinema and Television (PACT), it had been sold to 129 countries by April 2005.\n\nThe series follows a group of real-life volunteers as they are trained by former spies in espionage techniques, including maintaining a false identity, surveillance, persuasion and recruitment. The programme's psychological challenges, dramatic tension, high production values, and personable cast led to its being called 'the most addictive thing on TV at the moment' by The Daily Telegraph.\n\nThe series further develops a format that first appeared in the Wall to Wall television productions Spymaster (2002; UK) and Spymaster USA (2003; USA).\n\nSPY: A Handbook, a companion book written by Harry Ferguson, a trainer featured on the show, was published in 2004 by Bloomsbury in the UK ().\n\nCandidates and competition \n\nOver 5,000 candidates from across the United Kingdom applied to be on the show. The candidates were narrowed down to a pool of eight recruits before the start of the show. As the show progressed, recruits who failed to demonstrate sufficient potential as agents were unceremoniously dismissed from the competition.\n\nIn the final episode, Nicola Jackson emerged as the winner, but there was no prize other than the satisfaction of knowing that they had what it takes to be a real spy.\n\nThe recruits, in alphabetical order, were:\n\n Daboh, Austin (19, male)\n Dhiri, Reena (28, female)\n Dilworth, Simon (35, male)\n Glantz, Suzi (58, female)\n Jackson, Nicola (24, female)\n Moule, Jennie (27, female)\n van Schweiger, Max (35, male)\n Winn, Gabriel (24, male)\n\nThe three experts, called their \"tutors\", who devised the training missions, trained the recruits, and evaluated their performance were:\n\n Mike Baker, a former CIA field operations officer\n Sandy Williams, a former Intelligence Officer\n Harry Ferguson, formerly of MI6\n\nAdditional training was conducted by John Potter, and narration was provided by Paul Brightwell.\n\nEpisodes \nTen hour-long episodes were originally produced. The show was then recut into a series of 15 half-hour episodes. Broadcasters in some markets air the original series, while broadcasters in other markets air the other.\n\nSummaries published for the original ten episodes follow:\n\n #101 – Into the Unknown Stripped of their old identities, the raw recruits meet for the first time in London on day one. They receive their first briefing from their 'tutors.' With no time to unpack, they are sent on their first mission: a real test used by Mossad, the Israeli Secret Service. They are given just 10 minutes to talk their way into a stranger's flat and be seen by their trainers drinking a glass of water on the balcony. After only 24 hours on the course, the recruits must learn a vital lesson: every spy can break under pressure. Without warning they are abducted from their safe-houses in the middle of the night and interrogated by intelligence professionals. They must stick to their cover names and avoid giving away any details about their real lives.\n #102 – Open Your Eyes The wannabe spies hone their skills at 'going grey' – the art of mingling in a crowd without being noticed. The trainers instruct them in using effective body language and building an instant rapport with strangers. The recruits then embark on their toughest mission yet, which will test their skills of persuasion, nerve and the ability to think on their feet. They attempt to gain access to an office building (during working hours) and take photographs of confidential documents without getting caught.\n #103 – Under Cover The greatest spies in history are those who blend effortlessly into any new environment. Will the recruits be up to the job? Their mission brief is simple – go undercover, assume a new identity and fool those around them into believing that they're someone they're not. Their trainers, real former spies, are monitoring their progress and have a devious trap to find the recruits out. Will all of them make it through?\n #104 – The Confidence of Strangers The recruits continue their quest to master the spying game. Following the dismissal of the first candidate, the remaining recruits struggle with their feelings as they are taught the ruthless art of cultivation – how to lie and manipulate others. Whether it's gaining confidential information from a hotel receptionist or getting a total stranger to look after a sensitive document for them, the recruits will need all their skills of charm and persuasion to pull it off. The recruits' final, highly confidential mission is to win the trust of each other's nearest and dearest. They are to manipulate the person to gain entry into the family home and photograph the master bedroom without being detected.\n #105 – Too Close for Comfort The art of surveillance is a core skill for any would-be spy. Working in teams, the recruits practice the basics of following targets without being noticed or drawing attention to themselves. The would-be spies are tested as the trainers watch and judge them on their triumphs and failures. For their latest mission, the recruits must use all their spy skills and put their professionalism to the ultimate test in a one-on-one surveillance mission in Brighton. They don't realize until the last minute that their target is actually their closest friend or family member whom they haven't been allowed to see since starting the course. If they allow their personal feelings to compromise the mission, they risk being thrown out of spy school.\n #106 – Safe as Houses Having mastered observation and surveillance skills, the recruits are now faced with their first 36-hour mission. They have to mount a surveillance operation on the occupants of two target houses. They must break into target properties, plant secret cameras and bugs and fix tracking devices to cars. Split into teams, the recruits' relationships are put to the test as they share cramped and claustrophobic living conditions for the duration of their stake-out.\n #107 – Crossing the Line The art of cultivating an agent is the core work of an intelligence officer. Teaming up in pairs, the six remaining recruits take temporary jobs at a barber shop, a gym and a clothing store. Their fellow employees are unaware that their new coworkers are spies. After working undercover cultivating and befriending a complete stranger in order to turn them into their agent, it is time for the recruits to complete their mission. They will have to manipulate their target and get them to cross the line of morality, by persuading them to lie, sign a fake document or help them in a legally questionable way.\n #108 – The Enemy Within After six weeks on the course, the recruits have learned to rely on each other and have come to appreciate the value of trust and collaboration. But this time they will have to embrace the darker side of spying: betrayal. Two recruits are the subjects of internal investigations and it is up to their fellow spies to set a trap and gather incriminating evidence. For some this will mean the end of the course. Spy school is closed and the recruits are about to graduate to their final mission, but first they must pass the ultimate test of loyalty. They find out what it's like when a spy thinks their organization has turned against them, and that they've been left out in the cold.\n #109 – Out in the Cold The tension mounts as the four remaining recruits are exposed to their most dangerous scenario to date and their loyalty is tested to the limit. The trainers have assigned all the recruits a mission that is truly impossible. Each recruit is led to believe that, having failed, they must leave the project. The recruits must keep their heads among false sex scandals and offers of vast sums of money from PR consultant Max Clifford. At their most vulnerable, will they give in to greed and hunger for instant fame, fall into the trap and betray their organization by selling secrets to the tabloids? As in the real world of espionage, any recruit who betrays their organization will face the consequences.\n #110 – End Game The final three recruits have been tested to their limits and beyond in their bid to come to grips with the spying game. With their training now complete, the trio must undertake a final confidential mission abroad, working against professionals. Without the support of their trainers and unsure if they can trust each other, they must complete their mission without being detected by their target or the local authorities. There is also a final twist in the tale, as the recruits and their cameraman are taken by police for questioning at local jail. Only one recruit will return from this mission as the perfect spy.\n\nSee also\n Aldwych tube station, where portions of the show were produced\n Lindsay Moran, book details some training corresponding to the show\n\nExternal links\nSpy information on BBC Three (archived)\nSpy information on New Zealand TV One\n\nSpy\n2000s British reality television series\n2004 British television series debuts", "The 2009–10 Miami RedHawks basketball team will represent Miami University in the college basketball season of 2009–10. The team is coached by Charlie Coles and will play their homes game in Millett Hall.\n\nBefore the season\n\nRoster Changes\nThe RedHawks lost two starters from last season, however they were able to keep one when forward Kenny Hayes was able to earn a Medical Redshirt and return to the team in 2009–10. The two players that Miami lost were 2009 MAC Basketball Player of the Year Michael Bramos and Tyler Dierkers, who earned the team a combined 28.1 points per game. They will be replaced by four new recruits one being Allen Roberts who Led Middletown \"Middies\" Ohio to a 19-3 record in 2008-09 and ended the regular season as the No. 3-ranked in the State (Rivals)\n\nRecruiting\n\nRoster\nRoster current as of September 15, when their summer prospectus was published.\n\nCoaching staff\n\nSchedule\n\n\|- style=\"background:#f9f9f9;\"\n\| colspan=10 \| *Non-Conference Game. #Rankings from AP Poll. All times are in Eastern Time Zone.\n\|}\n\nReferences\n\nMiami RedHawks men's basketball seasons\nMiami RedHawks" ]
[ "Vienna Boys' Choir", "Recent history", "Where does the Vienna Boys Choir perform?", "I don't know.", "How large is the Vienna Boys Choir?", "The choir has for the first time had to advertise for recruits", "Were they able to get enough recruits to keep going?", "The Vienna Boys' Choir has sought to update its image," ]	C_7eda8404fd0a46bf8f1b757cd1a79658_0	How have they changed their image?	4	How have the Vienna Boys' Choir changed their image?	Vienna Boys' Choir	Gerald Wirth became the choir's artistic director in 2001. However, since then, the choir has come under pressure to modernize and has faced criticism of their musical standards, leading to a split with the Vienna State Opera. The choir has for the first time had to advertise for recruits after a rival choir school was established by Ioan Holender, director of the opera company. He complained of both falling standards and poor communication with the choir. He said that the State Opera sometimes trained boys for particular stage roles, only to find out on the day of performance that they were unavailable as they had gone on tour with the choir. Some boys were attracted to the rival choir school by the prospect of a more relaxed atmosphere and of performance fees being paid directly to them. The Vienna Boys' Choir has sought to update its image, recording pop music selections and adopting an alternative uniform to the sailor suits used since the 1920s, allowing the boys to dance as they sing. After Eugen Jesser died in May 2008, Walter Nettig became the choir's president. Gerald Wirth has been the artistic director since 2001, and he also became the choir's president in 2013. In 2010, following sexual abuse allegations from two former choristers stemming from the late 1960s and early 1980s, the Vienna Boys' Choir opened a confidential phone and e-mail hotline to allow others to come forward. Eight possible victims came forward saying they were abused, either by staff or other choir members. CANNOTANSWER	recording pop music selections and adopting an alternative uniform to the sailor suits used since the 1920s,	The Vienna Boys' Choir () is a choir of boy sopranos and altos based in Vienna, Austria. It is one of the best known boys' choirs in the world. The boys are selected mainly from Austria, but also from many other countries. The choir is a private, non-profit organization. There are approximately 100 choristers between the ages of nine and fourteen. The boys are divided into four touring choirs, named after Austrian composers Bruckner, Haydn, Mozart and Schubert, which combined perform about 300 concerts each year before almost 500,000 people. Each group tours for about nine to eleven weeks. Some pieces include "Good Morning" and "Merry Christmas from Vienna Boys". Early history The choir is the modern-day descendant of the boys' choirs of the Viennese Court, dating back to the late Middle Ages. The Wiener Hofmusikkapelle was established by a letter from Emperor Maximilian I of the Holy Roman Empire on 30 June 1498, instructing court officials to employ a singing master, two basses and six boys. Jurij Slatkonja became the director of the ensemble. The role of the choir (numbering between 24 and 26) was to provide musical accompaniment for the church mass. Additionally, the Haydn brothers were members of the St. Stephen's Cathedral choir, directed at the time by Georg Reutter II, who used this choir in his duties for the imperial court, which at the time had no boy choristers of its own. Over the centuries, the choir has worked with many composers, including Heinrich Isaac, Hofhaimer, Biber, Fux, Caldara, Gluck, Salieri, Mozart, Franz Schubert and Bruckner. In 1920, following the fall of the Austrian Empire, the Hofkapelle (court orchestra) was disbanded. However, the rector at the time, Josef Schnitt, sought a continuation of the tradition. In 1924, the Vienna Boys' Choir was officially founded, and it has evolved into a professional music group. The choir adopted the now-famous blue-and-white sailor suit, replacing the imperial military cadet uniform that included a dagger. The composer HK Gruber is one of the graduates of the reformed choir. Since 1948, Palais Augarten has served as the rehearsal venue and boarding school, which goes from kindergarten level up to middle school level. In 1961, Walt Disney filmed Almost Angels, a fictional drama about (and starring) the Vienna Boys' Choir, set and filmed in the Palais Augarten. It was Disney who, for cinematographic reasons, persuaded the Austrian government to allow the boys to legally wear the Austrian national emblem on the breast of their uniform, a tradition that continues to this day. Recent history Gerald Wirth became the choir's artistic director in 2001. However, since then, the choir has come under pressure to modernize and has faced criticism of their musical standards, leading to a split with the Vienna State Opera. The choir has for the first time had to advertise for recruits after a rival choir school was established by Ioan Holender, director of the opera company. He complained of both falling standards and poor communication with the choir. He said that the State Opera sometimes trained boys for particular stage roles, only to find out on the day of performance that they were unavailable as they had gone on tour with the choir. Some boys were attracted to the rival choir school by the prospect of a more relaxed atmosphere and of performance fees being paid directly to them. The Vienna Boys' Choir has sought to update its image, recording pop music selections and adopting an alternative uniform to the sailor suits used since the 1920s, allowing the boys to dance as they sing. After Eugen Jesser died in May 2008, Walter Nettig became the choir's president. Gerald Wirth has been the artistic director since 2001, and he also became the choir's president in 2013. In 2010, following sexual abuse allegations from two former choristers stemming from the late 1960s and early 1980s, the Vienna Boys' Choir opened a confidential phone and e-mail hotline to allow others to come forward. Eight possible victims came forward saying they were abused, either by staff or other choir members. Selected discography Christmas Frohe Weihnachten (2015) Wiener Sängerknaben Goes Christmas (2003) Frohe Weihnacht (Merry Christmas) (1999) Christmas in Vienna / Heiligste Nacht (1990) Merry Christmas from the Vienna Choir Boys (1982) Christmas with the Vienna Choir Boys (with Hermann Prey) Christmas with the Vienna Boys' Choir, London Symphony Orchestra (1990) Weihnacht mit den Wiener Sängerknaben (Hans Gillesberger 1980) The Little Drummer Boy (TV 1968) Die Wiener Sängerknaben und ihre Schönsten ... (1967) Frohe Weihnacht (1960) Christmas Angels (RCA Gold Seal) Silent Night Pop music I Am from Austria (2006) Wiener Sängerknaben Goes Pop (2002) Other recordings Orff: Carmina Burana (with André Previn and the Vienna Philharmonic Orchestra) (1994) Angelic Voices (1998) "Doraemon no Uta" for the animated motion picture Doraemon: Nobita and the Legend of the Sun King (2000) Silk Road: Songs Along the Road and Time (Music from the Motion Picture) (with Yulduz Usmanova and Nursultan Saroy) (2008) LG G2 Theme song and ringtone (2013) Strauss For Ever (2018) The Vienna Boys' Choir performed the song "The Little Drummer Boy" in the Rankin/Bass TV special of the same name. Feature Films Kleine Grosse Stimme (Little big voice) (2015) Songs for Mary (2014) Bridging the Gap (2013) Silk Road (2008) Almost Angels (1962) When the Bells Sound Clearly (1959) Der schönste Tag meines Lebens (The best day of my life) (1957) Voices of Spring (1952) Singenden Engel (The singing angels) (1947) Boys of the Prater (1946) Concert in Tirol (1938) An Orphan Boy of Vienna (1936) Featured composers Johann Sebastian Bach Ludwig van Beethoven Heinrich Ignaz Franz Biber Benjamin Britten Anton Bruckner Antonio Caldara Jacobus Gallus George Frideric Handel Joseph Haydn Wolfgang Amadeus Mozart Franz Schubert Salomon Sulzer Smaller works based on anthologies Anton Bruckner, Christus factus est Anton Bruckner, Locus iste Anton Bruckner, Os justi Anton Bruckner, Virga Jesse Joseph Leopold Eybler, Omnes de Saba venient Gabriel Fauré, Pie Jesu Jacobus Gallus, Natus est nobis Jacobus Gallus, Pueri concinite Jacobus Gallus, Repleti sunt Georg Friedrich Händel, Zadok the Priest Joseph Haydn, Du bist's, dem Ruhm und Ehre gebühret Joseph Haydn, Insanae et vanae curae Michael Haydn, Lauft, ihr Hirten allzugleich Jacbus de Kerle, Sanctus – Hosanna – Benedictus Wolfgang Amadeus Mozart, Kyrie Es-Dur KV 322 Wolfgang Amadeus Mozart, Kyrie d-moll KV 341 Wolfgang Amadeus Mozart, Misericordias Domini KV 222 Wolfgang Amadeus Mozart, Sub tuum praesidium Giovanni Nascus, Incipit lamentatio Giovanni Pierluigi da Palestrina, Hodie Christus natus est Michael Praetorius, In natali Domini Franz Schubert, Salve Regina D 386 Franz Schubert, Tantum ergo D 962 Franz Schubert, Totus in corde langueo D 136 Giuseppe Verdi, Laudi alla Vergine Maria Giuseppe Verdi, Pater noster Tomás Luis de Victoria, O regem coeli Tomás Luis de Victoria, Una hora See also Vienna Girls' Choir Drakensberg Boys' Choir School References External links School's official website Friends of the Vienna Boys Choir 1490s establishments in the Holy Roman Empire 1498 establishments in Europe 15th-century establishments in Austria Austrian choirs Boys' and men's choirs Choirs of children Musical groups from Vienna Musical groups established in the 15th century Organisations based in Vienna EMI Classics and Virgin Classics artists	true	[ "In psychology, the external image (also alien image, foreign image, public image, third-party image; ) is the image other people have of a person, i.e., a person's external image is the way they are viewed by other people. It contrasts with a person's self image (); how the external image is communicated to a person may affect their self esteem positively or negatively.\n\nDefinition \n\nAn external image is the totality of all perceptions, feelings, and judgments that third parties make about an individual. These interpersonal perceptions are automatically linked to earlier experiences with the person being observed, and with the feelings arising from these interactions and evaluations. The image that others have of a person shapes their expectations of this person, and significantly affects their mutual social interaction.\n\nExternal image and self image \n\nA person's external image, or more precisely, how this image is communicated to the individual, and how others react to the individual as a result of his or her external image, significantly affects the person's self image. Positive, appreciative external images strengthen an individual's self confidence and self esteem. In extreme cases, negative or conflicting external images can cause mental illness.\n\nThe external image is always different from an individual's self-image. From the two perspectives and the differences between them - or more accurately, the inferences that the two parties draw for themselves, social interactions evolve, influenced by the parties' own selves.\n\nIn group dynamics \n\nConscious handling of images about each other plays an important part in group dynamics. In feedback exercises, subjects are trained in giving and receiving external images. The Johari window describes the relationship between external and self images, and that between conscious and unconscious parts of these images. With mindful \"awareness exercises\", a person is trained to detect previously unconscious expectations of third parties, and with communication exercises, they are trained to reconcile their own and others' images and expectations of each other.\n\nIn psychotherapy \n\nPsychotherapy also deals with external images when treating depression or in dealing with the effects of trauma or bullying, or more generally in counseling members of marginalized groups.\n\nReferences\n\nSee also \n\n Constructivism\n Othering\n\nConceptions of self\nPerception\nCognitive psychology\nInterpersonal relationships\nInterpersonal communication", "Image-stabilized binoculars are binoculars that have a mechanism for decreasing the apparent motion of the view due to binocular movement.\nSuch binoculars are designed to minimize image shaking in hand-held applications. Higher-power binoculars magnify the image more, but the image shift is also increased. This means that even minor hand movements can cause huge image shifts. Image stabilization technology in binoculars ensures instant adjustment of the image to compensate for the motion. Major brands making image stabilized binoculars include Canon, Fujinon, Nikon, Carl Zeiss, and Bushnell.\n\nSeveral different mechanisms have been used for image stabilization.\n\nActive systems\nIn these systems the change in attitude of the binoculars is sensed electronically, and some part of the system is changed to correct this offset. A lens group may be shifted, or the angle of a fluid filled prism may be changed.\n\nPassive systems\nIn these systems there is no feedback from a sensor to the corrective element. The whole binocular may be stabilized by use of a gyroscope, or the binocular prisms may be disengaged from the housings, allowing them to be unaffected by binocular movement.\n\nUse\nImage-stabilized binoculars are frequently used when viewing from a moving object such as a boat or plane. They are also very helpful with high powered binoculars. Image stabilized binoculars have become popular with amateur astronomers.\n\nOther image-stabilized optics\nImage stabilization is also used in video and camera lenses.\n\nSee also\n Monocular\n Motion blur\n Telescope\n Spotting scope\n\nReferences\n\nExternal links\n\nUnderstanding Lenses: Image Stabilization\n\nBinoculars" ]
[ "Vienna Boys' Choir", "Recent history", "Where does the Vienna Boys Choir perform?", "I don't know.", "How large is the Vienna Boys Choir?", "The choir has for the first time had to advertise for recruits", "Were they able to get enough recruits to keep going?", "The Vienna Boys' Choir has sought to update its image,", "How have they changed their image?", "recording pop music selections and adopting an alternative uniform to the sailor suits used since the 1920s," ]	C_7eda8404fd0a46bf8f1b757cd1a79658_0	What is their uniform now?	5	What is the Vienna Boys' Choir uniform now?	Vienna Boys' Choir	Gerald Wirth became the choir's artistic director in 2001. However, since then, the choir has come under pressure to modernize and has faced criticism of their musical standards, leading to a split with the Vienna State Opera. The choir has for the first time had to advertise for recruits after a rival choir school was established by Ioan Holender, director of the opera company. He complained of both falling standards and poor communication with the choir. He said that the State Opera sometimes trained boys for particular stage roles, only to find out on the day of performance that they were unavailable as they had gone on tour with the choir. Some boys were attracted to the rival choir school by the prospect of a more relaxed atmosphere and of performance fees being paid directly to them. The Vienna Boys' Choir has sought to update its image, recording pop music selections and adopting an alternative uniform to the sailor suits used since the 1920s, allowing the boys to dance as they sing. After Eugen Jesser died in May 2008, Walter Nettig became the choir's president. Gerald Wirth has been the artistic director since 2001, and he also became the choir's president in 2013. In 2010, following sexual abuse allegations from two former choristers stemming from the late 1960s and early 1980s, the Vienna Boys' Choir opened a confidential phone and e-mail hotline to allow others to come forward. Eight possible victims came forward saying they were abused, either by staff or other choir members. CANNOTANSWER	allowing the boys to dance as they sing.	The Vienna Boys' Choir () is a choir of boy sopranos and altos based in Vienna, Austria. It is one of the best known boys' choirs in the world. The boys are selected mainly from Austria, but also from many other countries. The choir is a private, non-profit organization. There are approximately 100 choristers between the ages of nine and fourteen. The boys are divided into four touring choirs, named after Austrian composers Bruckner, Haydn, Mozart and Schubert, which combined perform about 300 concerts each year before almost 500,000 people. Each group tours for about nine to eleven weeks. Some pieces include "Good Morning" and "Merry Christmas from Vienna Boys". Early history The choir is the modern-day descendant of the boys' choirs of the Viennese Court, dating back to the late Middle Ages. The Wiener Hofmusikkapelle was established by a letter from Emperor Maximilian I of the Holy Roman Empire on 30 June 1498, instructing court officials to employ a singing master, two basses and six boys. Jurij Slatkonja became the director of the ensemble. The role of the choir (numbering between 24 and 26) was to provide musical accompaniment for the church mass. Additionally, the Haydn brothers were members of the St. Stephen's Cathedral choir, directed at the time by Georg Reutter II, who used this choir in his duties for the imperial court, which at the time had no boy choristers of its own. Over the centuries, the choir has worked with many composers, including Heinrich Isaac, Hofhaimer, Biber, Fux, Caldara, Gluck, Salieri, Mozart, Franz Schubert and Bruckner. In 1920, following the fall of the Austrian Empire, the Hofkapelle (court orchestra) was disbanded. However, the rector at the time, Josef Schnitt, sought a continuation of the tradition. In 1924, the Vienna Boys' Choir was officially founded, and it has evolved into a professional music group. The choir adopted the now-famous blue-and-white sailor suit, replacing the imperial military cadet uniform that included a dagger. The composer HK Gruber is one of the graduates of the reformed choir. Since 1948, Palais Augarten has served as the rehearsal venue and boarding school, which goes from kindergarten level up to middle school level. In 1961, Walt Disney filmed Almost Angels, a fictional drama about (and starring) the Vienna Boys' Choir, set and filmed in the Palais Augarten. It was Disney who, for cinematographic reasons, persuaded the Austrian government to allow the boys to legally wear the Austrian national emblem on the breast of their uniform, a tradition that continues to this day. Recent history Gerald Wirth became the choir's artistic director in 2001. However, since then, the choir has come under pressure to modernize and has faced criticism of their musical standards, leading to a split with the Vienna State Opera. The choir has for the first time had to advertise for recruits after a rival choir school was established by Ioan Holender, director of the opera company. He complained of both falling standards and poor communication with the choir. He said that the State Opera sometimes trained boys for particular stage roles, only to find out on the day of performance that they were unavailable as they had gone on tour with the choir. Some boys were attracted to the rival choir school by the prospect of a more relaxed atmosphere and of performance fees being paid directly to them. The Vienna Boys' Choir has sought to update its image, recording pop music selections and adopting an alternative uniform to the sailor suits used since the 1920s, allowing the boys to dance as they sing. After Eugen Jesser died in May 2008, Walter Nettig became the choir's president. Gerald Wirth has been the artistic director since 2001, and he also became the choir's president in 2013. In 2010, following sexual abuse allegations from two former choristers stemming from the late 1960s and early 1980s, the Vienna Boys' Choir opened a confidential phone and e-mail hotline to allow others to come forward. Eight possible victims came forward saying they were abused, either by staff or other choir members. Selected discography Christmas Frohe Weihnachten (2015) Wiener Sängerknaben Goes Christmas (2003) Frohe Weihnacht (Merry Christmas) (1999) Christmas in Vienna / Heiligste Nacht (1990) Merry Christmas from the Vienna Choir Boys (1982) Christmas with the Vienna Choir Boys (with Hermann Prey) Christmas with the Vienna Boys' Choir, London Symphony Orchestra (1990) Weihnacht mit den Wiener Sängerknaben (Hans Gillesberger 1980) The Little Drummer Boy (TV 1968) Die Wiener Sängerknaben und ihre Schönsten ... (1967) Frohe Weihnacht (1960) Christmas Angels (RCA Gold Seal) Silent Night Pop music I Am from Austria (2006) Wiener Sängerknaben Goes Pop (2002) Other recordings Orff: Carmina Burana (with André Previn and the Vienna Philharmonic Orchestra) (1994) Angelic Voices (1998) "Doraemon no Uta" for the animated motion picture Doraemon: Nobita and the Legend of the Sun King (2000) Silk Road: Songs Along the Road and Time (Music from the Motion Picture) (with Yulduz Usmanova and Nursultan Saroy) (2008) LG G2 Theme song and ringtone (2013) Strauss For Ever (2018) The Vienna Boys' Choir performed the song "The Little Drummer Boy" in the Rankin/Bass TV special of the same name. Feature Films Kleine Grosse Stimme (Little big voice) (2015) Songs for Mary (2014) Bridging the Gap (2013) Silk Road (2008) Almost Angels (1962) When the Bells Sound Clearly (1959) Der schönste Tag meines Lebens (The best day of my life) (1957) Voices of Spring (1952) Singenden Engel (The singing angels) (1947) Boys of the Prater (1946) Concert in Tirol (1938) An Orphan Boy of Vienna (1936) Featured composers Johann Sebastian Bach Ludwig van Beethoven Heinrich Ignaz Franz Biber Benjamin Britten Anton Bruckner Antonio Caldara Jacobus Gallus George Frideric Handel Joseph Haydn Wolfgang Amadeus Mozart Franz Schubert Salomon Sulzer Smaller works based on anthologies Anton Bruckner, Christus factus est Anton Bruckner, Locus iste Anton Bruckner, Os justi Anton Bruckner, Virga Jesse Joseph Leopold Eybler, Omnes de Saba venient Gabriel Fauré, Pie Jesu Jacobus Gallus, Natus est nobis Jacobus Gallus, Pueri concinite Jacobus Gallus, Repleti sunt Georg Friedrich Händel, Zadok the Priest Joseph Haydn, Du bist's, dem Ruhm und Ehre gebühret Joseph Haydn, Insanae et vanae curae Michael Haydn, Lauft, ihr Hirten allzugleich Jacbus de Kerle, Sanctus – Hosanna – Benedictus Wolfgang Amadeus Mozart, Kyrie Es-Dur KV 322 Wolfgang Amadeus Mozart, Kyrie d-moll KV 341 Wolfgang Amadeus Mozart, Misericordias Domini KV 222 Wolfgang Amadeus Mozart, Sub tuum praesidium Giovanni Nascus, Incipit lamentatio Giovanni Pierluigi da Palestrina, Hodie Christus natus est Michael Praetorius, In natali Domini Franz Schubert, Salve Regina D 386 Franz Schubert, Tantum ergo D 962 Franz Schubert, Totus in corde langueo D 136 Giuseppe Verdi, Laudi alla Vergine Maria Giuseppe Verdi, Pater noster Tomás Luis de Victoria, O regem coeli Tomás Luis de Victoria, Una hora See also Vienna Girls' Choir Drakensberg Boys' Choir School References External links School's official website Friends of the Vienna Boys Choir 1490s establishments in the Holy Roman Empire 1498 establishments in Europe 15th-century establishments in Austria Austrian choirs Boys' and men's choirs Choirs of children Musical groups from Vienna Musical groups established in the 15th century Organisations based in Vienna EMI Classics and Virgin Classics artists	true	[ "(ULPA is also an acronym for ultra-low penetration air (ULPA) filters.)\n\nThe Uniform Limited Partnership Act (ULPA), which includes its 1976 revision called the Revised Uniform Limited Partnership Act (RULPA), is a uniform act (similar to a model statute), proposed by the National Conference of Commissioners on Uniform State Laws (\"NCCUSL\") for the governance of business partnerships by U.S. States. The NCCUSL promulgated the original ULPA in 1916 and the most recent revision in 2001.\n\nNames of Prior Revisions\nThe NCCUSL promulgated the original ULPA in 1916, which is now called the Uniform Limited Partnership Act (1916) or ULPA (1916); a 1976 revision named the Revised Uniform Limited Partnership Act which is also now called the Uniform Limited Partnership Act (1976), ULPA (1976) or RULPA (1976); a 1985 revision named Uniform Limited Partnership Act (1976) with 1985 Amendments, which is also now called ULPA (1985) or RULPA (1985); and a 2001 revision that was colloquially called Re-RULPA during the drafting process but then was officially named the Uniform Limited Partnership Act (2001) or ULPA (2001). The acts may also be properly referred to without parentheses by placing the year after a hyphen, for example, ULPA-1916.\n\nSee also\nUniform Partnership Act\nList of Uniform Acts (United States)\nPartnership\n\nExternal links\nUniform Limited Partnership Act (2001) (Official site) (Microsoft Word Format) (WordPerfect Format)\nNCCUSL's Legislative Fact Sheet and list of states adopting ULPA)\nNCCUSL's ULPA Summary)\nNCCUSL's ULPA Archive Information, Prior Revisions, and Drafts)\nNCCUSL's Why States Should Adopt the ULPA)\nA User's Guide to the New Uniform Limited Partnership Act by law professor Daniel S. Kleinberger published in 2004\n\nPartnership\nPartnerships", "In graph theory, particularly in the theory of hypergraphs, the line graph of a hypergraph H, denoted L(H), is the graph whose vertex set is the set of the hyperedges of H, with two vertices adjacent in L(H) when their corresponding hyperedges have a nonempty intersection in H. In other words, L(H) is the intersection graph of a family of finite sets. It is a generalization of the line graph of a graph.\n\nQuestions about line graphs of hypergraphs are often generalizations of questions about line graphs of graphs. For instance, a hypergraph whose edges all have size k is called k-uniform. (A 2-uniform hypergraph is a graph). In hypergraph theory, it is often natural to require that hypergraphs be k-uniform. Every graph is the line graph of some hypergraph, but, given a fixed edge size k, not every graph is a line graph of some k-uniform hypergraph. A main problem is to characterize those that are, for each k ≥ 3.\n\nA hypergraph is linear if each pair of hyperedges intersects in at most one vertex. Every graph is the line graph, not only of some hypergraph, but of some linear hypergraph .\n\nLine graphs of k-uniform hypergraphs, k ≥ 3\n\n characterized line graphs of graphs by a list of 9 forbidden induced subgraphs. (See the article on line graphs.) No characterization by forbidden induced subgraphs is known of line graphs of k-uniform hypergraphs for any k ≥ 3, and showed there is no such characterization by a finite list if k = 3.\n\n characterized line graphs of graphs in terms of clique covers. (See Line Graphs.) A global characterization of Krausz type for the line graphs of k-uniform hypergraphs for any k ≥ 3 was given by .\n\nLine graphs of k-uniform linear hypergraphs, k ≥ 3\n\nA global characterization of Krausz type for the line graphs of k-uniform linear hypergraphs for any k ≥ 3 was given by . At the same time, they found a finite list of forbidden induced subgraphs for linear 3-uniform hypergraphs with minimum vertex degree at least 69. and improved this bound to 19. At last reduced this bound to 16. also proved that, if k > 3, no such finite list exists for linear k-uniform hypergraphs, no matter what lower bound is placed on the degree.\n\nThe difficulty in finding a characterization of linear k-uniform hypergraphs is due to the fact that there are infinitely many forbidden induced subgraphs. To give examples, for m > 0, consider a chain of m diamond graphs such that the consecutive diamonds share vertices of degree two. For k ≥ 3, add pendant edges at every vertex of degree 2 or 4 to get one of the families of minimal forbidden subgraphs of\n as shown here. This does not rule out either the existence of a polynomial recognition or the possibility of a forbidden induced subgraph characterization similar to Beineke's of line graphs of graphs.\n\nThere are some interesting characterizations available for line graphs of linear k-uniform hypergraphs due to various authors (, , , and ) under constraints on the minimum degree or the minimum edge degree of G. Minimum edge degree at least k3-2k2+1 in is reduced to 2k2-3k+1 in and to characterize line graphs of k-uniform linear hypergraphs for any k ≥ 3.\n\nThe complexity of recognizing line graphs of linear k-uniform hypergraphs without any constraint on minimum degree (or minimum edge-degree) is not known. For k = 3 and minimum degree at least 19, recognition is possible in polynomial time ( and ). reduced the minimum degree to 10.\n\nThere are many interesting open problems and conjectures in Naik et al., Jacoboson et al., Metelsky et al. and Zverovich.\n\nDisjointness graph \nThe disjointness graph of a hypergraph H, denoted D(H), is the graph whose vertex set is the set of the hyperedges of H, with two vertices adjacent in D(H) when their corresponding hyperedges are disjoint in H. In other words, D(H) is the complement graph of L(H). A clique in D(H) corresponds to an independent set in L(H), and vice versa.\n\nReferences \n\n.\n. Translated from the French.\n.\n\n.\n\n. (In Hungarian, with French abstract.)\n\n.\n\n.\n\n.\n\n.\n\n.\n\n.\n\n.\n\nGraph families\nHypergraphs" ]
[ "Vienna Boys' Choir", "Recent history", "Where does the Vienna Boys Choir perform?", "I don't know.", "How large is the Vienna Boys Choir?", "The choir has for the first time had to advertise for recruits", "Were they able to get enough recruits to keep going?", "The Vienna Boys' Choir has sought to update its image,", "How have they changed their image?", "recording pop music selections and adopting an alternative uniform to the sailor suits used since the 1920s,", "What is their uniform now?", "allowing the boys to dance as they sing." ]	C_7eda8404fd0a46bf8f1b757cd1a79658_0	What type of dancing do they do?	6	What type of dancing does the Vienna Boys' Choir do?	Vienna Boys' Choir	Gerald Wirth became the choir's artistic director in 2001. However, since then, the choir has come under pressure to modernize and has faced criticism of their musical standards, leading to a split with the Vienna State Opera. The choir has for the first time had to advertise for recruits after a rival choir school was established by Ioan Holender, director of the opera company. He complained of both falling standards and poor communication with the choir. He said that the State Opera sometimes trained boys for particular stage roles, only to find out on the day of performance that they were unavailable as they had gone on tour with the choir. Some boys were attracted to the rival choir school by the prospect of a more relaxed atmosphere and of performance fees being paid directly to them. The Vienna Boys' Choir has sought to update its image, recording pop music selections and adopting an alternative uniform to the sailor suits used since the 1920s, allowing the boys to dance as they sing. After Eugen Jesser died in May 2008, Walter Nettig became the choir's president. Gerald Wirth has been the artistic director since 2001, and he also became the choir's president in 2013. In 2010, following sexual abuse allegations from two former choristers stemming from the late 1960s and early 1980s, the Vienna Boys' Choir opened a confidential phone and e-mail hotline to allow others to come forward. Eight possible victims came forward saying they were abused, either by staff or other choir members. CANNOTANSWER	CANNOTANSWER	The Vienna Boys' Choir () is a choir of boy sopranos and altos based in Vienna, Austria. It is one of the best known boys' choirs in the world. The boys are selected mainly from Austria, but also from many other countries. The choir is a private, non-profit organization. There are approximately 100 choristers between the ages of nine and fourteen. The boys are divided into four touring choirs, named after Austrian composers Bruckner, Haydn, Mozart and Schubert, which combined perform about 300 concerts each year before almost 500,000 people. Each group tours for about nine to eleven weeks. Some pieces include "Good Morning" and "Merry Christmas from Vienna Boys". Early history The choir is the modern-day descendant of the boys' choirs of the Viennese Court, dating back to the late Middle Ages. The Wiener Hofmusikkapelle was established by a letter from Emperor Maximilian I of the Holy Roman Empire on 30 June 1498, instructing court officials to employ a singing master, two basses and six boys. Jurij Slatkonja became the director of the ensemble. The role of the choir (numbering between 24 and 26) was to provide musical accompaniment for the church mass. Additionally, the Haydn brothers were members of the St. Stephen's Cathedral choir, directed at the time by Georg Reutter II, who used this choir in his duties for the imperial court, which at the time had no boy choristers of its own. Over the centuries, the choir has worked with many composers, including Heinrich Isaac, Hofhaimer, Biber, Fux, Caldara, Gluck, Salieri, Mozart, Franz Schubert and Bruckner. In 1920, following the fall of the Austrian Empire, the Hofkapelle (court orchestra) was disbanded. However, the rector at the time, Josef Schnitt, sought a continuation of the tradition. In 1924, the Vienna Boys' Choir was officially founded, and it has evolved into a professional music group. The choir adopted the now-famous blue-and-white sailor suit, replacing the imperial military cadet uniform that included a dagger. The composer HK Gruber is one of the graduates of the reformed choir. Since 1948, Palais Augarten has served as the rehearsal venue and boarding school, which goes from kindergarten level up to middle school level. In 1961, Walt Disney filmed Almost Angels, a fictional drama about (and starring) the Vienna Boys' Choir, set and filmed in the Palais Augarten. It was Disney who, for cinematographic reasons, persuaded the Austrian government to allow the boys to legally wear the Austrian national emblem on the breast of their uniform, a tradition that continues to this day. Recent history Gerald Wirth became the choir's artistic director in 2001. However, since then, the choir has come under pressure to modernize and has faced criticism of their musical standards, leading to a split with the Vienna State Opera. The choir has for the first time had to advertise for recruits after a rival choir school was established by Ioan Holender, director of the opera company. He complained of both falling standards and poor communication with the choir. He said that the State Opera sometimes trained boys for particular stage roles, only to find out on the day of performance that they were unavailable as they had gone on tour with the choir. Some boys were attracted to the rival choir school by the prospect of a more relaxed atmosphere and of performance fees being paid directly to them. The Vienna Boys' Choir has sought to update its image, recording pop music selections and adopting an alternative uniform to the sailor suits used since the 1920s, allowing the boys to dance as they sing. After Eugen Jesser died in May 2008, Walter Nettig became the choir's president. Gerald Wirth has been the artistic director since 2001, and he also became the choir's president in 2013. In 2010, following sexual abuse allegations from two former choristers stemming from the late 1960s and early 1980s, the Vienna Boys' Choir opened a confidential phone and e-mail hotline to allow others to come forward. Eight possible victims came forward saying they were abused, either by staff or other choir members. Selected discography Christmas Frohe Weihnachten (2015) Wiener Sängerknaben Goes Christmas (2003) Frohe Weihnacht (Merry Christmas) (1999) Christmas in Vienna / Heiligste Nacht (1990) Merry Christmas from the Vienna Choir Boys (1982) Christmas with the Vienna Choir Boys (with Hermann Prey) Christmas with the Vienna Boys' Choir, London Symphony Orchestra (1990) Weihnacht mit den Wiener Sängerknaben (Hans Gillesberger 1980) The Little Drummer Boy (TV 1968) Die Wiener Sängerknaben und ihre Schönsten ... (1967) Frohe Weihnacht (1960) Christmas Angels (RCA Gold Seal) Silent Night Pop music I Am from Austria (2006) Wiener Sängerknaben Goes Pop (2002) Other recordings Orff: Carmina Burana (with André Previn and the Vienna Philharmonic Orchestra) (1994) Angelic Voices (1998) "Doraemon no Uta" for the animated motion picture Doraemon: Nobita and the Legend of the Sun King (2000) Silk Road: Songs Along the Road and Time (Music from the Motion Picture) (with Yulduz Usmanova and Nursultan Saroy) (2008) LG G2 Theme song and ringtone (2013) Strauss For Ever (2018) The Vienna Boys' Choir performed the song "The Little Drummer Boy" in the Rankin/Bass TV special of the same name. Feature Films Kleine Grosse Stimme (Little big voice) (2015) Songs for Mary (2014) Bridging the Gap (2013) Silk Road (2008) Almost Angels (1962) When the Bells Sound Clearly (1959) Der schönste Tag meines Lebens (The best day of my life) (1957) Voices of Spring (1952) Singenden Engel (The singing angels) (1947) Boys of the Prater (1946) Concert in Tirol (1938) An Orphan Boy of Vienna (1936) Featured composers Johann Sebastian Bach Ludwig van Beethoven Heinrich Ignaz Franz Biber Benjamin Britten Anton Bruckner Antonio Caldara Jacobus Gallus George Frideric Handel Joseph Haydn Wolfgang Amadeus Mozart Franz Schubert Salomon Sulzer Smaller works based on anthologies Anton Bruckner, Christus factus est Anton Bruckner, Locus iste Anton Bruckner, Os justi Anton Bruckner, Virga Jesse Joseph Leopold Eybler, Omnes de Saba venient Gabriel Fauré, Pie Jesu Jacobus Gallus, Natus est nobis Jacobus Gallus, Pueri concinite Jacobus Gallus, Repleti sunt Georg Friedrich Händel, Zadok the Priest Joseph Haydn, Du bist's, dem Ruhm und Ehre gebühret Joseph Haydn, Insanae et vanae curae Michael Haydn, Lauft, ihr Hirten allzugleich Jacbus de Kerle, Sanctus – Hosanna – Benedictus Wolfgang Amadeus Mozart, Kyrie Es-Dur KV 322 Wolfgang Amadeus Mozart, Kyrie d-moll KV 341 Wolfgang Amadeus Mozart, Misericordias Domini KV 222 Wolfgang Amadeus Mozart, Sub tuum praesidium Giovanni Nascus, Incipit lamentatio Giovanni Pierluigi da Palestrina, Hodie Christus natus est Michael Praetorius, In natali Domini Franz Schubert, Salve Regina D 386 Franz Schubert, Tantum ergo D 962 Franz Schubert, Totus in corde langueo D 136 Giuseppe Verdi, Laudi alla Vergine Maria Giuseppe Verdi, Pater noster Tomás Luis de Victoria, O regem coeli Tomás Luis de Victoria, Una hora See also Vienna Girls' Choir Drakensberg Boys' Choir School References External links School's official website Friends of the Vienna Boys Choir 1490s establishments in the Holy Roman Empire 1498 establishments in Europe 15th-century establishments in Austria Austrian choirs Boys' and men's choirs Choirs of children Musical groups from Vienna Musical groups established in the 15th century Organisations based in Vienna EMI Classics and Virgin Classics artists	false	[ "Atmosfear are a British jazz funk band formed in 1977. They consisted of bassist, and keyboardist Lester J. Batchelor, drummer Ray Johnson, guitarist Andy Sojka, saxophonist Stewart Cawthorne, and producer Jerry Pike. A year later singer and guitarist Tony Antoniou joined the main line up. Regular support musician / members of the band were keyboardist Peter Hinds, who has also been a member of UK jazz funk pioneers Light of the World and Incognito, and percussionist Leroy Williams, a member of UK soul band Hi-Tension and who also played with Level 42. They were sometimes joined by horn man Alan Rapoport, Frank Roccoti, Carol Kenyon, and Rick Dejong.\n\nTheir most notable release was \"Dancing In Outer Space\", which reached the Top 50 of the UK Singles Chart in 1979. A double A-sided single followed, \"Motivation\" / \"Extract\" which did not chart. This track also became BBC Radio 1 DJ, Pete Tong's club track of the year, when it was released where Tong appeared at a nightclub close to Brands Hatch. \n\nFollowing a major disagreement with Andy Sojka, the main group line up changed completely, when bassist Lester Batchelor left soon after the release of the single \"Xtra Special\" which he penned. The different version of the track was recorded in the United States with the vocals provided by Dolette McDonald.\n\nIn 2019, Bachelor debuted a new line-up of Atmosfear which aimed to be playing live throughout 2020.\n\nDiscography\n \"First\" / \"Foremost\" (12\" single) – Elite \t \n \"Dancing In Outer Space\" (7\" single) – MCA Records (1979)\n \"Dancing In Outer Space\" (12\") – Elite (1979)\n \"Dancing In Outer Space\" / \"Outer Space\" (12\" and 7\") – MCA Records (1979)\n \"Dancing In Outer Space\" / \"Can't Live Without Your Love\" (12\") – Elektra\t(1980)\n \"Motivation\" (12\") – Elite (1980)\n \"Motivation\" / \"Extract\" (12\") – MCA Records (1980)\n En Trance (LP) – MCA Records (1981)\n \"Invasion\" (12\") – Elite (1981)\n \"Xtra Special\" (12\") – Elite (1982)\n \"What Do We Do\" (12\") – Chrysalis (1983)\n \"What Do We Do\" (12\") – Elite (1983)\n \"Telepathy\" (12\") – Elite (1984)\n \"When Tonight Is Over\" (12\") – Elite (1984)\n \"Cuts Like a Knife\" (12\") – Elite (1986)\n \"Personal Column\" / \"Dancing In Outer Space\" (12\") – Elite (1986)\n \"Personal Column\" / \"Dancing In Outer Space\" (12\", Promo, W/Lbl, Sta) – Elite (1986)\n \"Kickin' It\" (12\") – JamToday (1988)\n \"Planet Mental (Outa This World)\" / \"Dancing In Outer Space\" (12\") – JamToday (1989)\n \"Dancing In Outer Space\" (12\", W/Lbl, Sta) – Chemical Discs (1991)\n \"The Re-Entry XP\" (12\") – Chemical Discs (1991)\n Dancing In Outer Space (The Finest Hour) (album) – Jump Cut (1995)\n \"Altered Slates – Part Five\" (12\") – Disorient (1997)\n \"Dancing In Outer Space (The Masters At Work Remixes)\" (various formats) – Disorient (1997)\n \"Altered Slates Part Three (François K Remixes)\" (12\") – Disorient (1998)\n \"Invasion\" (12\") – Discfunction (1998)\n \"Motivation (Dimitri From Paris Remixes)\" (12\") -\tDisorient (1998)\n \"Motivation (Dimitri From Paris Remixes) (2x12\", W/Lbl, Ltd) – Disorient (1998)\n Altered Slates (album) – Disorient (1999)\n Dancing In Outer Space (album) – Castle Music (2000)\n \"Dancing In Outer Space\" (12\") – Castle Music (2001)\n \"Ichi Sampler EP\" (12\", EP) – Disorient (2002)\n En Trance (album) – Discothèque (2) (2005)\n\nReferences\n\nExternal links\nPage about the band\n\nEnglish funk musical groups\nEnglish pop music groups", "Modern social round dance, or round dancing, is a choreographed and cued ballroom dance that progresses in a circular counter-clockwise pattern around the dance floor. The two major categories of ballroom dances found in round dancing are the smooth and international ballroom styles (such as foxtrot and waltz) and the Latin dances (such as cha-cha-chá, salsa, and rhumba). It is not to be confused with circle dancing, which is a type of folk dance in which dancers are connected in a circular chain.\n\nDescription \nRound dancing differs from free-style ballroom dancing in that each round dance has been fully choreographed ahead of time, and a \"cuer\" or leader at the front of the ballroom tells the dancers, as they dance, what steps to do. As the music plays, and just ahead of the beat, so the dancers have time to respond, the cuer names each dance figure in the choreography. As a consequence, all the dancers on the floor are dancing the same steps at the same time.\n\nTo create a round dance, a piece of music is selected by the choreographer, and the different steps or figures are chosen to fit the music. If the music swells and pauses briefly, then a dance step that rises and stretches is put into that place. If there is a little syncopation in another part of the music, then a quick step is inserted. The creation of a piece of choreography is like engineering a machine, with every gear and lever in just the right place to give smooth and flowing motion. The step-by-step instructions on how to dance this choreography are written out in what is called a cue sheet.\n\nTypes\nExamples of social dances that may be danced in \"round\" fashion are bolero, cha-cha-cha, foxtrot, hustle, jive, mambo, merengue, paso doble, quickstep, rhumba, salsa, samba, single swing, slow two step, tango, two step, waltz, Viennese waltz and West Coast swing.\n\nRoundalab, the International Association of Round Dance Teachers, Inc., has established a \"Phase Rating System\" of round dancing, in order to rate round dance figures according to difficulty and complexity.\n\nSalsa rueda, also referred to as casino de rueda, is a kind of round dance in which there is no complete pre-choreographed sequence, and the dance patterns are called out in a random order.\n\nSee also\n La Ronde (play)\n Rondeau (dance)\n Line dancing\n Romvong, a popular Cambodian round dance\n\nExternal links\n Round dance instruction\n Round dance server\n Cue sheets from All Over\n Roundalab\n Square and Round Dancing Australia/NZ - square and round dancing in Australia and NZ - Australian products and area information for square dancing, round dancing and clogging\n Queensland Round Dance Association (Australia)\n International Choreographed Ballroom Dance Association - formerly known as URDC]\n Square and Round Dancing United Kingdom - square and round dancing in Great Britain and associated Commonwealth Territories]\n\nGroup dances" ]
[ "Kenesaw Mountain Landis", "Judge (1905-22)" ]	C_84d50d4e83ca4878bc84ab036e1e9dea_0	How old was Landis when he became a judge?	1	How old was Kenesaw Mountain Landis when he became a judge?	Kenesaw Mountain Landis	Landis's courtroom, room 627 in the Chicago Federal Building, was ornate and featured two murals; one of King John conceding Magna Carta, the other of Moses about to smash the tablets of the Ten Commandments. The mahogany and marble chamber was, according to Landis biographer David Pietrusza, "just the spot for Landis's sense of the theatrical. In it he would hold court for nearly the next decade and a half." According to Spink, "It wasn't long before Chicago writers discovered they had a 'character' on the bench." A. L. Sloan of the Chicago Herald-American, a friend of Landis, recalled: The Judge was always headline news. He was a great showman, theatrical in appearance, with his sharp jaw and shock of white hair, and people always crowded into his courtroom, knowing there would be something going on. There were few dull moments. If Judge Landis was suspicious of an attorney's line of questioning, he would begin to wrinkle his nose, and once told a witness, "Now let's stop fooling around and tell exactly what did happen, without reciting your life's history." When an elderly defendant told him that he would not be able to live to complete a five-year sentence, Landis scowled at him and asked, "Well, you can try, can't you?" When a young man stood before him for sentencing after admitting to stealing jewels from a parcel, the defendant's wife stood near him, infant daughter in her arms, and Landis mused what to do about the situation. After a dramatic pause, Landis ordered the young man to take his wife and daughter and go home with them, expressing his unwillingness to have the girl be the daughter of a convict. According to sportswriter Ed Fitzgerald in SPORT magazine, "[w]omen wept unashamed and the entire courtroom burst into spontaneous, prolonged applause." Landis had been a lawyer with a corporate practice; upon his elevation to the bench, corporate litigants expected him to favor them. According to a 1907 magazine article about Landis, "Corporations smiled pleasantly at the thought of a corporation lawyer being on the bench. They smile no more." In an early case, Landis fined the Allis-Chalmers Manufacturing Company the maximum $4,000 for illegally importing workers, even though Winifred Landis's sister's husband served on the corporate board. In another decision, Landis struck down a challenge to the Interstate Commerce Commission's (ICC) jurisdiction over rebating, a practice banned by the Elkins Act of 1903 in which railroads and favored customers agreed that the customers would pay less than the posted tariff, which by law was to be the same for all shippers. Landis's decision allowed the ICC to take action against railroads which gave rebates. CANNOTANSWER	CANNOTANSWER	Kenesaw Mountain Landis (; November 20, 1866 – November 25, 1944) was an American jurist who served as a United States federal judge from 1905 to 1922 and the first Commissioner of Baseball from 1920 until his death. He is remembered for his handling of the Black Sox scandal, in which he expelled eight members of the Chicago White Sox from organized baseball for conspiring to lose the 1919 World Series and repeatedly refused their reinstatement requests. His firm actions and iron rule over baseball in the near quarter-century of his commissionership are generally credited with restoring public confidence in the game. Born in Millville, Ohio, Landis' given name was a spelling variation of the site of the Battle of Kennesaw Mountain, a major battle of the American Civil War in which his father had been wounded. Raised in Indiana, he became a lawyer, and then personal secretary to Walter Q. Gresham, the new United States Secretary of State, in 1893. He returned to private practice after Gresham died in office. President Theodore Roosevelt appointed Landis as a judge of the United States District Court for the Northern District of Illinois in 1905. Landis received national attention in 1907 when he fined Standard Oil of Indiana more than $29 million (approximately $800 million in 2021) for violating federal laws forbidding rebates on railroad freight tariffs. Though Landis was reversed on appeal, he was seen as a judge determined to rein in big business. During and after World War I, Landis presided over several high-profile trials of draft resisters and others whom he saw as opposing the war effort. He imposed heavy sentences on those who were convicted; some of the convictions were reversed on appeal, and other sentences were commuted. In 1920, Landis was a leading candidate when American League and National League team owners, embarrassed by the Black Sox scandal and other instances of players throwing games, sought someone to rule over baseball. Landis was given full power to act in the sport's best interest, and used that power extensively over the next quarter-century. Landis was widely praised for cleaning up the game, although some of his decisions in the Black Sox matter remain controversial: supporters of "Shoeless Joe" Jackson and Buck Weaver contend that he was overly harsh with those players. Others blame Landis for, in their view, delaying the racial integration of baseball. Landis was elected to the National Baseball Hall of Fame by a special vote shortly after he died in 1944. Early life and pre-judicial career (1866–1905) Boyhood and early career (1866–1893) Kenesaw Mountain Landis was born in Millville, Ohio, the sixth child and fourth son of Abraham Hoch Landis, a physician, and Mary Kumler Landis, on November 20, 1866. The Landises descended from Swiss Mennonites who had emigrated to Alsace before coming to the United States. Abraham Landis had been wounded fighting on the Union side at the Battle of Kennesaw Mountain in Georgia, and when his parents proved unable to agree on a name for the new baby, Mary Landis proposed that they call him Kenesaw Mountain. At the time, both spellings of "Kenesaw" were used, but in the course of time, "Kennesaw Mountain" became the accepted spelling of the battle site. Abraham Landis worked in Millville as a country physician. When Kenesaw was eight, the elder Landis moved his family to Delphi, Indiana, and subsequently to Logansport, Indiana, where the doctor purchased and ran several local farms—his war injury had caused him to scale back his medical practice. Two of Kenesaw's four brothers, Charles Beary Landis and Frederick Landis, became members of Congress. As "Kenny", as he was sometimes known, grew, he did an increasing share of the farm work, later stating, "I did my share—and it was a substantial share—in taking care of the 13 acres ... I do not remember that I particularly liked to get up at 3:30 in the morning." Kenesaw began his off-farm career at age ten as a news delivery boy. He left school at 15 after an unsuccessful attempt to master algebra; he then worked at the local general store. He left that job for a position as errand boy with the Vandalia Railroad. Landis applied for a job as a brakeman, but was laughingly dismissed as too small. He then worked for the Logansport Journal, and taught himself shorthand reporting, becoming in 1883 official court reporter for the Cass County Circuit Court. Landis later wrote, "I may not have been much of a judge, nor baseball official, but I do pride myself on having been a real shorthand reporter." He served in that capacity until 1886. In his spare time, he became a prize-winning bicycle racer and played on and managed a baseball team. Offered a professional contract as a ballplayer, he turned it down, stating that he preferred to play for the love of the game. In 1886, Landis first ventured into Republican Party politics, supporting a friend, Charles F. Griffin, for Indiana Secretary of State. Griffin won, and Landis was rewarded with a civil service job in the Indiana Department of State. While employed there, he applied to be an attorney. At that time, in Indiana, an applicant needed only to prove that he was 21 and of good moral character, and Landis was admitted. Landis opened a practice in Marion, Indiana, but attracted few clients in his year of work there. Realizing that an uneducated lawyer was unlikely to build a lucrative practice, Landis enrolled at Cincinnati's YMCA Law School (now part of Northern Kentucky University) in 1889. Landis transferred to Union Law School (part of Northwestern University) the following year, and in 1891, he took his law degree from Union and was admitted to the Illinois Bar. He began a practice in Chicago, served as an assistant instructor at Union and with fellow attorney Clarence Darrow helped found the nonpartisan Chicago Civic Centre Club, devoted to municipal reform. Landis practiced with college friend Frank O. Lowden; the future commissioner and his law partner went into debt to impress potential clients, buying a law library secondhand. Washington years and aftermath (1893–1905) In March 1893, President Grover Cleveland appointed federal judge Walter Q. Gresham as his Secretary of State, and Gresham hired Landis as his personal secretary. Gresham had a long career as a political appointee in the latter part of the 19th century; though he lost his only two bids for elective office, he served in three Cabinet positions and was twice a dark horse candidate for the Republican presidential nomination. Although Gresham was a Republican, he had supported Cleveland (a Democrat) in the 1892 election because of his intense dislike for the Republican nominee, President Benjamin Harrison. Kenesaw Landis had appeared before Judge Gresham in court. According to Landis biographer J.G. Taylor Spink, Gresham thought Landis "had something on the ball" and believed that Landis's shorthand skills would be of use. In Washington, Landis worked hard to protect Gresham's interests in the State Department, making friends with many members of the press. He was less popular among many of the Department's senior career officials, who saw him as brash. When word leaked concerning President Cleveland's Hawaiian policy, the President was convinced Landis was the source of the information and demanded his dismissal. Gresham defended Landis, stating that Cleveland would have to fire both of them, and the President relented, later finding out that he was mistaken in accusing Landis. President Cleveland grew to like Landis, and when Gresham died in 1895, offered Landis the post of United States Ambassador to Venezuela. Landis declined the diplomatic post, preferring to return to Chicago to begin a law practice and to marry Winifred Reed, daughter of the Ottawa, Illinois postmaster. The two married July 25, 1895; they had two surviving children, a boy, Reed, and a girl, Susanne—a third child, Winifred, died almost immediately after being born. Landis built a corporate law practice in Chicago; with the practice doing well, he deeply involved himself in Republican Party politics. He built a close association with his friend Lowden and served as his campaign manager for governor of Illinois in 1904. Lowden was defeated, but would later serve two terms in the office and be a major contender for the 1920 Republican presidential nomination. A seat on the United States District Court for the Northern District of Illinois was vacant; President Theodore Roosevelt offered it to Lowden, who declined it and recommended Landis. Other recommendations from Illinois politicians followed, and Roosevelt nominated Landis for the seat. According to Spink, President Roosevelt wanted "a tough judge and a man sympathetic with his viewpoint in that important court"; Lowden and Landis were, like Roosevelt, on the progressive left of the Republican Party. On March 18, 1905, Roosevelt transmitted the nomination to the Senate, which confirmed Landis the same afternoon, without any committee hearing; he received his commission the same day. Judge (1905–1922) Landis's courtroom, room 627 in the Chicago Federal Building, was ornate and featured two murals; one of King John conceding Magna Carta, the other of Moses about to smash the tablets of the Ten Commandments. The mahogany and marble chamber was, according to Landis biographer David Pietrusza, "just the spot for Landis's sense of the theatrical. In it he would hold court for nearly the next decade and a half." According to Spink, "It wasn't long before Chicago writers discovered they had a 'character' on the bench." A. L. Sloan of the Chicago Herald-American, a friend of Landis, recalled: The Judge was always headline news. He was a great showman, theatrical in appearance, with his sharp jaw and shock of white hair, and people always crowded into his courtroom, knowing there would be something going on. There were few dull moments. If Judge Landis was suspicious of an attorney's line of questioning, he would begin to wrinkle his nose, and once told a witness, "Now let's stop fooling around and tell exactly what did happen, without reciting your life's history." When an elderly defendant told him that he would not be able to live to complete a five-year sentence, Landis scowled at him and asked, "Well, you can try, can't you?" When a young man stood before him for sentencing after admitting to stealing jewels from a parcel, the defendant's wife stood near him, infant daughter in her arms, and Landis mused what to do about the situation. After a dramatic pause, Landis ordered the young man to take his wife and daughter and go home with them, expressing his unwillingness to have the girl be the daughter of a convict. According to sportswriter Ed Fitzgerald in SPORT magazine, "[w]omen wept unashamed and the entire courtroom burst into spontaneous, prolonged applause." Landis had been a lawyer with a corporate practice; upon his elevation to the bench, corporate litigants expected him to favor them. According to a 1907 magazine article about Landis, "Corporations smiled pleasantly at the thought of a corporation lawyer being on the bench. They smile no more." In an early case, Landis fined the Allis-Chalmers Manufacturing Company the maximum $4,000 for illegally importing workers, even though his wife's brother-in-law served on the corporate board. In another decision, Landis struck down a challenge to the Interstate Commerce Commission's (ICC) jurisdiction over rebating, a practice banned by the Elkins Act of 1903 in which railroads and favored customers agreed that the customers would pay less than the posted tariff, which by law was to be the same for all shippers. Landis's decision allowed the ICC to take action against railroads which gave rebates. Standard Oil (1905–1909) By the first decade of the 20th century, a number of business entities had formed themselves into trusts, which dominated their industries. Trusts often sought to purchase or otherwise neutralize their competitors, allowing the conglomerates to raise prices to high levels. In 1890, Congress had passed the Sherman Anti-Trust Act, but it was not until the Theodore Roosevelt administration (1901–09) that serious efforts were made to break up or control the trusts. The dominant force in the oil industry was Standard Oil, controlled by John D. Rockefeller. Modern-day ExxonMobil, Atlantic Richfield, Chevron, Sohio, Amoco and Continental Oil all trace their ancestry to various parts of Standard Oil. In March 1906, Commissioner of Corporations James Rudolph Garfield submitted a report to President Roosevelt, alleging large-scale rebating in Standard Oil shipments. Federal prosecutors in several states and territories sought indictments against components of the Standard Oil Trust. On June 28, 1906, Standard Oil of Indiana was indicted on 6,428 counts of violation of the Elkins Act for accepting rebates on shipments on the Chicago & Alton Railroad. The case was assigned to Landis. Trial on the 1,903 counts that survived pretrial motions began on March 4, 1907. The fact that rebates had been given was not contested; what was at issue was whether Standard Oil knew the railroad's posted rates, and if it had a duty to enquire if it did not. Landis charged the jury that it "was the duty of the defendant diligently in good faith to get from the Chicago & Alton ... the lawful rate". The jury found Standard Oil guilty on all 1,903 counts. The maximum fine that Landis could impose was $29,240,000. To aid the judge in determining the sentence, Landis issued a subpoena for Rockefeller to testify as to Standard Oil's assets. The tycoon had often evaded subpoenas, not having testified in court since 1888. Deputy United States marshals visited Rockefeller's several homes, as well as the estates of his friends, in the hope of finding him. After several days, Rockefeller was found at his lawyer's estate, Taconic Farm in northwestern Massachusetts, and was served with the subpoena. The tycoon duly came to Landis's Chicago courtroom, making his way through a mob anxious to see the proceedings. Rockefeller's actual testimony, proffered after the judge made him wait through several cases and witnesses, proved to be anticlimactic, as he professed almost no knowledge of Standard Oil's corporate structure or assets. On August 3, 1907, Landis pronounced sentence. He fined Standard Oil the maximum penalty, $29,240,000, the largest fine imposed on a corporation to that date. The corporation quickly appealed; in the meantime, Landis was lionized as a hero. According to Pietrusza, "much of the nation could hardly believe a federal judge had finally cracked down on a trust—and cracked down hard ". President Roosevelt, when he heard the sentence, reportedly stated, "That's bully." Rockefeller was playing golf in Cleveland when he was brought a telegram containing the news. Rockefeller calmly informed his golfing partners of the amount of the fine, and proceeded to shoot a personal record score, later stating, "Judge Landis will be dead a long time before this fine is paid." He proved correct; the verdict and sentence were reversed by the United States Court of Appeals for the Seventh Circuit on July 22, 1908. In January 1909, the Supreme Court refused to hear the case, and in a new trial before another judge (Landis recused himself), Standard Oil was acquitted. Federal League and Baby Iraene cases (1909–1917) A lifelong baseball fan, Landis often slipped away from the courthouse for a White Sox or Cubs game. In 1914, the two existing major leagues were challenged by a new league, the Federal League. In 1915, the upstart league brought suit against the existing leagues and owners under the Sherman Act and the case was assigned to Landis. Baseball owners feared that the reserve clause, which forced players to sign new contracts only with their former team, and the 10-day clause, which allowed teams (but not players) to terminate player contracts on ten days notice, would be struck down by Landis. Landis held hearings in late January 1915, and newspapers expected a quick decision, certainly before spring training began in March. During the hearings, Landis admonished the parties, "Both sides must understand that any blows at the thing called baseball would be regarded by this court as a blow to a national institution". When the National League's chief counsel, future Senator George Wharton Pepper referred to the activities of baseball players on the field as "labor", Landis interrupted him: "As a result of 30 years of observation, I am shocked because you call playing baseball 'labor.' " Landis reserved judgment, and the parties waited for his ruling. Spring training passed, as did the entire regular season and the World Series. In December 1915, still with no word from Landis, the parties reached a settlement, and the Federal League disbanded. Landis made no public statement as to the reasons for his failure to rule, though he told close friends that he had been certain the parties would reach a settlement sooner or later. Most observers thought that Landis waited because he did not want to rule against the two established leagues and their contracts. In 1916, Landis presided over the "Ryan Baby" or "Baby Iraene" case. The recent widow of a prominent Chicago banker, Anna Dollie Ledgerwood Matters, had brought a baby girl home from a visit to Canada and claimed that the child was her late husband's posthumous heir. Matters had left an estate of $250,000. However, a shop girl from Ontario, Margaret Ryan, claimed the baby was hers, and brought a writ of habeas corpus in Landis's court. Ryan stated that she had given birth to the girl in an Ottawa hospital, but had been told her baby had died. In the era before blood and DNA testing, Landis relied on witness testimony and awarded the child to Ryan. The case brought comparisons between Landis and King Solomon, who had judged a similar case. Landis was reversed by the Supreme Court, which held he had no jurisdiction in the matter. A Canadian court later awarded the child to Ryan. Although Landis was an autocrat in the courtroom, he was less so at home. In a 1916 interview, he stated, Every member of this family does exactly what he or she wants to do. Each one is his or her supreme court. Everything for the common good of the family is decided according to the wishes of the whole family. Each one knows what is right and each one can do whatever he thinks is best. It is purely democratic. Wartime cases (1917–1919) In early 1917, Landis considered leaving the bench and returning to private practice—though he greatly enjoyed being a judge, the salary of $7,500 was considerably lower than what he could make as an attorney. The entry of the United States into World War I in April ended Landis's determination to resign; a firm supporter of the war effort, he felt he could best serve the country by remaining on the bench. Despite this decision and his age, fifty, Landis wrote to Secretary of War Newton D. Baker, asking him to take him into the service and send him to France, where the war was raging. Baker urged Landis to make speeches in support of the war instead, which he did. The judge's son, Reed, had already served briefly in the Illinois National Guard; during the war he became a pilot, and eventually an ace. Landis's disdain for draft dodgers and other opponents of the war was evident in July 1917, when he presided over the trials of some 120 men, mostly foreign-born Socialists, who had resisted the draft and rioted in Rockford, Illinois. According to Pietrusza, Landis "was frequently brutal in his remarks" to the defendants, interrogating them on their beliefs. Landis tried the case in Rockford, and found all guilty, sentencing all but three to a year and a day in jail, the maximum sentence. The prisoners were ordered to register for the draft after serving their sentences—except 37, whom he ordered deported. On September 5, 1917, federal officers raided the national headquarters, in Chicago, of the Industrial Workers of the World (IWW, sometimes "Wobblies"), as well as 48 of the union's halls across the nation. The union had opposed the war and urged members and others to refuse conscription into the armed forces. On September 28, 166 IWW leaders, including union head Big Bill Haywood were indicted in the Northern District of Illinois; their cases were assigned to Landis. Some 40 of the indicted men could not be found; a few others had charges dismissed against them. Ultimately, Landis presided over a trial against 113 defendants, the largest federal criminal trial to that point. The trial began on April 1, 1918. Landis quickly dismissed charges against a dozen defendants, including one A.C. Christ, who showed up in newly obtained army uniform. Jury selection occupied a month. Journalist John Reed attended the trial, and wrote of his impressions of Landis: Small on the huge bench sits a wasted man with untidy white hair, an emaciated face in which two burning eyes are set like jewels, parchment-like skin split by a crack for a mouth; the face of Andrew Jackson three years dead ... Upon this man has devolved the historic role of trying the Social Revolution. He is doing it like a gentleman. In many ways a most unusual trial. When the judge enters the court-room after recess, no one rises—he himself has abolished the pompous formality. He sits without robes, in an ordinary business suit, and often leaves the bench to come down and perch on the step of the jury box. By his personal orders, spittoons are placed by the prisoners' seats ... and as for the prisoners themselves, they are permitted to take off their coats, move around, read newspapers. It takes some human understanding for a Judge to fly in the face of judicial ritual as much as that. Haywood biographer Melvyn Dubofsky wrote that Landis "exercised judicial objectivity and restraint for five long months". Baseball historian Harold Seymour stated that "[o]n the whole, Landis conducted the trial with restraint, despite his reputation as a foe of all radical groups." Landis dismissed charges against an elderly defendant who was in obvious pain as he testified, and allowed the release of a number of prisoners on bail or on their own recognizances. On August 17, 1918, following the closing argument for the prosecution (the defendants waived argument), Landis instructed the jury. The lead defense counsel objected to the wording of the jury charge several times, but Haywood believed it to have been fair. After 65 minutes, the jury returned with guilty verdicts for all of the remaining accused, much to their shock; they had believed that Landis's charge pointed towards their acquittal. When the defendants returned to court on August 29, Landis listened with patience to the defendants' final pleas. For the sentencing, according to Richard Cahan in his history of Chicago's district court, "mild-mannered Landis returned a changed man". Although two defendants received only ten days in jail, all others received at least a year and a day, and Haywood and fourteen others received twenty years. A number of defendants, including Haywood, obtained bail during the appeal; even before Haywood's appeals were exhausted, he jumped bail and took ship for the Soviet Union. The labor leader hung a portrait of Landis in his Moscow apartment, and when Haywood died in 1928, he was interred near John Reed (who had died of illness in Moscow after the Bolshevik Revolution) in the Kremlin Wall—they remain the only Americans so honored. President Calvin Coolidge commuted the sentences of the remaining incarcerated defendants in 1923, much to the disgust of Landis, who issued an angry statement. After leaving his judgeship, Landis referred to the defendants in the Haywood case as "scum", "filth", and "slimy rats". Landis hoped that the Kaiser, Wilhelm II would be captured and tried in his court; he wanted to indict the Kaiser for the murder of a Chicagoan who lost his life on the RMS Lusitania in 1915. The State Department notified Landis that extradition treaties did not permit the rendition of the Kaiser, who fled into exile in the Netherlands as the war concluded. Nevertheless, in a speech, Landis demanded that Kaiser Wilhelm, his six sons, and 5,000 German military leaders "be lined up against a wall and shot down in justice to the world and to Germany". Even with the armistice in November 1918, the war-related trials continued. The Socialist Party of America, like the IWW, had opposed the war, and had also been raided by federal authorities. Seven Socialist Party leaders, including Victor Berger, who was elected to Congress in November 1918, were indicted for alleged anti-war activities. The defendants were charged under the Espionage Act of 1917, which made it illegal "to utter, print, write, or publish any disloyal, profane, scurrilous or abusive language" about the armed forces, the flag, the Constitution, or democracy. The defendants, who were mostly of German birth or descent, moved for a change of venue away from Landis's courtroom, alleging that Landis had stated on November 1, 1918, that "[i]f anybody has said anything about the Germans that is worse than I have said, I would like to hear it so I could use it myself." Landis, however, examined the transcript of the trial in which the statement was supposedly made, failed to find it, declared the affidavit in support of the motion "perjurious", and denied the motion. While the jury was being selected, Berger was indicted on additional espionage charges for supposedly violating the law during an earlier, unsuccessful political campaign. At the conclusion of the case, Landis took an hour to dramatically charge the jury, emphasizing the secretive nature of conspiracies and pointing at the jury box as he noted, "the country was then at war". At one point, Landis leapt out of his seat, twirled his chair around, then sat on its arm. Later in his charge, he lay prone upon the bench. The jury took less than a day to convict Congressman-elect Berger and his four remaining codefendants. Landis sentenced each defendant to twenty years in federal prison. Landis denied the defendants bail pending appeal, but they quickly obtained it from an appellate court judge. The Seventh Circuit Court of Appeals declined to rule on the case itself, sending it on to the Supreme Court, which on January 31, 1921, overturned the convictions and sentences by a 6–3 vote, holding that Landis should have stepped aside once he was satisfied that the affidavit was legally sufficient, leaving it for another judge to decide whether it was actually true. Landis refused to comment on the Supreme Court's decision, which ordered a new trial. In 1922, the charges against the defendants were dropped by the government. Building trades award, controversy, and resignation (1920–1922) The postwar period saw considerable deflation; the shortage of labor and materials during the war had led to much higher wages and prices, and in the postwar economic readjustment, wages were cut heavily. In Chicago, employers in the building trades attempted a 20% wage cut; when this was rejected by the unions, a lockout followed. Both sides agreed to submit the matter to a neutral arbitrator, and settled on Landis, who agreed to take the case in June 1921. By this time, Landis was Commissioner of Baseball, and still a federal judge. In September, Landis issued his report, cutting wages by an average of 12.5%. To improve productivity, he also struck restrictions on machinery which saved labor, established a standardized overtime rate, and resolved jurisdictional conflicts between unions. The labor organizations were not completely satisfied, but Landis's reforms were adopted in many places across the country and were credited with reviving the building industry. Criticism of Landis having both the judicial and baseball positions began almost as soon as his baseball appointment was announced in November 1920. On February 2, 1921, lame duck Congressman Benjamin F. Welty (Democrat-Ohio) offered a resolution calling for Landis's impeachment. On February 11, Attorney General A. Mitchell Palmer opined that there was no legal impediment to Landis holding both jobs. On February 14, the House Judiciary Committee voted 24–1 to investigate Landis. Reed Landis later stated, "[n]one of the other congressmen wanted Father impeached but they did want him to come down and defend himself because they knew what a show it would be." Although Welty's departure from office on March 4, 1921, began a lull in criticism of Landis, in April, the judge made a controversial decision in the case of Francis J. Carey, a 19-year-old bank teller, who had pleaded guilty to embezzling $96,500. Carey, the sole support of his widowed mother and unmarried sisters, gained Landis's sympathy. He accused the bank of underpaying Carey, and sent the youth home with his mother. Two members of the Senate objected to Landis's actions, and the New York Post compared Carey with Les Misérables's Jean Valjean, noting "[b]etween a loaf of bread [Valjean was incarcerated for stealing one] and $96,500 there is a difference." A bill barring outside employment by federal judges had been introduced by Landis's foes, but had expired with the end of the congressional session in March; his opponents tried again in July, and the bill failed in the Senate on a tie vote. On September 1, 1921, the American Bar Association, a trade group of lawyers, passed a resolution of censure against Landis. By the end of 1921, the controversy was dying down, and Landis felt that he could resign without looking pressured. On February 18, 1922, he announced his resignation as judge effective March 1, stating, "There are not enough hours in the day for all these activities". In his final case, he fined two theatre owners for evading the federal amusement tax. One owner had refused to make restitution before sentencing; he was fined $5,000. The owner who had tried to make his shortfall good was fined one cent. Baseball Commissioner (1920–1944) Appointment Black Sox scandal By 1919, the influence of gamblers on baseball had been a problem for several years. Historian Paul Gardner wrote, Baseball had for some time been living uneasily in the knowledge that bribes were being offered by gamblers, and that some players were accepting them. The players knew it was going on, and the owners knew it was going on. But more important, the players knew that the owners knew—and they knew the owners were doing nothing about it for fear of a scandal that might damage organized baseball. Under such conditions it quite obviously did not pay to be honest. The 1919 World Series between the Chicago White Sox and Cincinnati Reds was much anticipated, as the nation attempted to return to normalcy in the postwar period. Baseball had seen a surge of popularity during the 1919 season, which set several attendance records. The powerful White Sox, with their superstar batter "Shoeless Joe" Jackson and star pitchers Eddie Cicotte and Claude "Lefty" Williams, were believed likely to defeat the less-well-regarded Reds. To the surprise of many, the Reds defeated the White Sox, five games to three (during 1919–21, the World Series was a best-of-nine affair). Rumors that the series was fixed began to circulate after gambling odds against the Reds winning dropped sharply before the series began, and gained more credibility after the White Sox lost four of the first five games. Cincinnati lost the next two games, and speculation began that the Reds were losing on purpose to extend the series and increase gate revenues. However, Cincinnati won Game Eight, 10–5, to end the series, as Williams lost his third game (Cicotte lost the other two). After the series, according to Gene Carney, who wrote a book about the scandal, "there was more than the usual complaining from those who had bet big on the Sox and lost". The issue of the 1919 Series came to the public eye again in September 1920, when, after allegations that a game between the Chicago Cubs and Philadelphia Phillies on August 31 had been fixed, a grand jury was empaneled in state court in Chicago to investigate baseball gambling. Additional news came from Philadelphia, where gambler Billy Maharg stated that he had worked with former boxer Abe Attell and New York gambler Arnold Rothstein to get the White Sox to throw the 1919 Series. Cicotte and Jackson were called before the grand jury, where they gave statements incriminating themselves and six teammates: Williams, first baseman Chick Gandil, shortstop Swede Risberg, third baseman Buck Weaver, center fielder Happy Felsch and reserve infielder Fred McMullin. Williams and Felsch were also called before the grand jury and incriminated themselves and their teammates. Through late September, the 1920 American League season had been one of the most exciting on record, with the White Sox, Cleveland Indians and New York Yankees dueling for the league lead. By September 28, the Yankees were close to elimination, but the White Sox and Indians were within percentage points of each other. On that day, however, the eight players, seven of whom were still on the White Sox, were indicted. They were immediately suspended by White Sox owner Charles Comiskey. The Indians were able to pull ahead and win the pennant, taking the American League championship by two games over Chicago. Search for a commissioner Baseball had been governed by a three-man National Commission, consisting of American League President Ban Johnson, National League President John Heydler and Cincinnati Reds owner Garry Herrmann. In January 1920, Herrmann left office at the request of other club owners, leaving the Commission effectively deadlocked between Johnson and Heydler. A number of club owners, disliking one or both league presidents, preferred a single commissioner to rule over the game, but were willing to see the National Commission continue if Herrmann was replaced by someone who would provide strong leadership. Landis's name was mentioned in the press for this role, and the influential baseball newspaper The Sporting News sought his appointment. Another proposal, known as the "Lasker Plan" after Albert Lasker, a shareholder in the Chicago Cubs who had proposed it, was for a three-man commission to govern the game, drawn from outside baseball. On September 30, 1920, with the Black Sox scandal exposed, National League President Heydler began to advocate for the Lasker Plan, and by the following day, four major league teams had supported him. Among the names discussed in the press for membership on the new commission were Landis, former Secretary of the Treasury William Gibbs McAdoo, former President William Howard Taft, and General John J. Pershing. The start of the 1920 World Series on October 5 distracted the public from baseball's woes for a time, but discussions continued behind the scenes. By mid-October, 11 of the 16 team owners (all eight from the National League and the owners of the American League Yankees, White Sox and Boston Red Sox) were demanding the end of the National Commission and the appointment of a three-man commission whose members would have no financial interest in baseball. Heydler stated his views on baseball's requirements: We want a man as chairman who will rule with an iron hand ... Baseball has lacked a hand like that for years. It needs it now worse than ever. Therefore, it is our object to appoint a big man to lead the new commission. On November 8, the owners of the eight National League and three American League teams which supported the Lasker Plan met and unanimously selected Landis as head of the proposed commission. The American League clubs that supported the plan threatened to move to the National League, away from Johnson, who opposed it. Johnson had hoped that the minor leagues would support his position; when they did not, he and the "Loyal Five" teams agreed to the Lasker Plan. In the discussions among the owners that followed, they decided that Landis would be the only commissioner–no associate members would be elected. On November 12, the team owners came to Landis's courtroom to approach him. Landis was trying a bribery case; when he heard noise in the back of the courtroom from the owners, he gaveled them to silence. He made them wait 45 minutes while he completed his docket, then met with them in his chambers. The judge heard out the owners; after expressing initial reluctance, he took the job for seven years at a salary of $50,000, on condition he could remain on the federal bench. During Landis's time serving as both judge and commissioner, he allowed a $7,500 reduction in his salary as commissioner, to reflect his pay as judge. The appointment of Landis was met with acclaim in the press. A tentative agreement was signed by the parties a month later—an agreement which itemized Landis's powers over baseball, and which was drafted by the judge. The owners were still reeling from the perception that baseball was crooked, and accepted the agreement virtually without dissent. Under the terms of the contract, Landis could not be dismissed by the team owners, have his pay reduced, or even be criticized by them in public. He also had nearly unlimited authority over every person employed in the major or minor leagues, from owners to batboys, including the ability to ban people from the leagues for life. The owners waived any recourse to the courts to contest Landis's will. Humorist Will Rogers stated, "[D]on't kid yourself that that old judicial bird isn't going to make those baseball birds walk the chalkline". Player and manager Leo Durocher later stated, "The legend has been spread that the owners hired the Judge off the federal bench. Don't you believe it. They got him right out of Dickens." Establishing control Banning the Black Sox On January 30, 1921, Landis, speaking at an Illinois church, warned: Now that I am in baseball, just watch the game I play. If I catch any crook in baseball, the rest of his life is going to be a pretty hot one. I'll go to any means and to anything possible to see that he gets a real penalty for his offense. The criminal case against the Black Sox defendants suffered unexpected setbacks, with evidence vanishing, including some of the incriminating statements made to the grand jury. The prosecution was forced to dismiss the original indictments, and bring new charges against seven of the ballplayers (McMullin was not charged again). Frustrated by the delays, Landis placed all eight on an "ineligible list", banning them from major and minor league baseball. Comiskey supported Landis by giving the seven who remained under contract to the White Sox their unconditional release. Public sentiment was heavily against the ballplayers, and when Jackson, Williams, Felsch, and Weaver played in a semi-pro game, The Sporting News mocked the 3,000 attendees, "Just Like Nuts Go to See a Murderer". The criminal trial of the Black Sox indictees began in early July 1921. Despite what Robert C. Cottrell, in his book on the scandal, terms "the mysterious loss of evidence", the prosecution was determined to pursue the case, demanding five-year prison terms for the ballplayers for defrauding the public by throwing the World Series. On August 2, 1921, the jury returned not guilty verdicts against all defendants, leading to happy pandemonium in the courtroom, joined by the courtroom bailiffs, with even the trial judge, Hugo Friend, looking visibly pleased. The players and jury then retired to an Italian restaurant and partied well into the night. The jubilation proved short-lived. On August 3, Landis issued a statement: Regardless of the verdict of juries, no player that throws a ball game; no player that undertakes or promises to throw a ball game; no player that sits in a conference with a bunch of crooked players and gamblers where the ways and means of throwing ball games are planned and discussed and does not promptly tell his club about it, will ever play professional baseball. Of course, I don't know that any of these men will apply for reinstatement, but if they do, the above are at least a few of the rules that will be enforced. Just keep in mind that, regardless of the verdict of juries, baseball is competent to protect itself against crooks, both inside and outside the game. According to ESPN columnist Rob Neyer, "with that single decision, Landis might have done more for the sport than anyone else, ever. Certainly, Landis never did anything more important." According to Carney, "The public amputation of the eight Sox was seen as the only acceptable cure." Over the years of Landis's commissionership, a number of the players applied for reinstatement to the game, notably Jackson and Weaver. Jackson, raised in rural South Carolina and with limited education, was said to have been drawn unwillingly into the conspiracy, while Weaver, though admitting his presence at the meetings, stated that he took no money. Both men stated that their play on the field, and their batting percentages during the series (.375 for Jackson, .324 for Weaver) indicated that they did not help to throw the series. None was ever reinstated, with Landis telling a group of Weaver supporters that his presence at the meetings with the gamblers was sufficient to bar him. Even today, long after the deaths of all three men, efforts are periodically made to reinstate Jackson (which would make him eligible for election to the National Baseball Hall of Fame) and Weaver (deemed by some the least culpable of the eight). In the 1990s, a petition drive to reinstate Jackson drew 60,000 signatures. He has been treated sympathetically in movies such as Eight Men Out and Field of Dreams, and Hall of Famers Ted Williams and Bob Feller expressed their support for Jackson's induction into the Hall. Landis's expulsion of the eight men remains in force. Cracking down on gambling Landis felt that the Black Sox scandal had been initiated by people involved in horse racing, and stated that "by God, as long as I have anything to do with this game, they'll never get another hold on it." In 1921, his first season as commissioner, New York Giants owner Charles Stoneham and manager John McGraw purchased Oriental Park Racetrack in Havana, Cuba. Landis gave Stoneham and McGraw an ultimatum—they could not be involved in both baseball and horse racing. They quickly put the track back on the market. Even before the Black Sox scandal had been resolved, Landis acted to clean up other gambling cases. Eugene Paulette, a first baseman for the Philadelphia Phillies, had been with the St. Louis Cardinals in 1919, and had met with gamblers. It is uncertain if any games were fixed, but Paulette had written a letter naming two other Cardinals who might be open to throwing games. The letter had fallen into the hands of Phillies President William F. Baker, who had taken no action until Landis's appointment, then turned the letter over to him. Paulette met with Landis once, denying any wrongdoing, then refused further meetings. Landis placed him on the ineligible list in March 1921. In November 1921, Landis banned former St. Louis Browns player Joe Gedeon, who had been released by the Browns after admitting to sitting in on meetings with gamblers who were trying to raise the money to bribe the Black Sox. When a minor league official asked if he was eligible, Landis settled the matter by placing Gedeon on the ineligible list. Two other player gambling affairs marked Landis's early years as commissioner. In 1922, Giants pitcher Phil Douglas, embittered at McGraw for disciplining him for heavy drinking, wrote a letter to Cardinals outfielder Leslie Mann, suggesting that he would take a bribe to ensure the Giants did not win the pennant. Although Mann had been a friend, the outfielder neither smoked nor drank and had long been associated with the YMCA movement; according to baseball historian Lee Allen, Douglas might as well have sent the letter to Landis himself. Mann immediately turned over the letter to his manager, Branch Rickey, who ordered Mann to contact Landis at once. The Giants placed Douglas on the ineligible list, an action backed by Landis after meeting with the pitcher. On September 27, 1924, Giants outfielder Jimmy O'Connell offered Phillies shortstop Heinie Sand $500 if Sand didn't "bear down too hard against us today". Sand was initially inclined to let the matter pass, but recalling the fate of Weaver and other Black Sox players, told his manager, Art Fletcher. Fletcher met with Heydler, who contacted Landis. O'Connell did not deny the bribe attempt, and was placed on the ineligible list. In total, Landis banned eighteen players from the game. Landis biographer Pietrusza details the effect of Landis's stand against gambling: Before 1920 if one player approached another player to throw a contest, there was a very good chance he would not be informed upon. Now, there was an excellent chance he would be turned in. No honest player wanted to meet the same fate as Buck Weaver ... Without the forbidding example of Buck Weaver to haunt them, it is unlikely Mann and Sand would have snitched on their fellow players. After Landis' unforgiving treatment of the popular and basically honest Weaver they dared not to. And once prospectively crooked players knew that honest players would no longer shield them, the scandals stopped. Ruth-Meusel barnstorming incident At the time of Landis's appointment as commissioner, it was common for professional baseball players to supplement their pay by participating in postseason "barnstorming" tours, playing on teams which would visit smaller cities and towns to play games for which admission would be charged. Since 1911, however, players on the two World Series teams had been barred from barnstorming. The rule had been leniently enforced—in 1916, several members of the champion Red Sox, including pitcher George Herman "Babe" Ruth had barnstormed and had been fined a token $100 each by the National Commission. Ruth, who after the 1919 season had been sold to the Yankees, and who by then had mostly abandoned his pitching role for the outfield, was the focus of considerable fan interest as he broke batting records in 1920 and 1921, some by huge margins. Ruth's major league record 29 home runs with the Red Sox in 1919 fell to his own efforts in 1920, when he hit 54. He then proceeded to hit 59 in 1921, leading the Yankees to their first pennant. Eight major league teams failed to hit as many home runs in 1921 as Ruth hit by himself. The Yankees lost the 1921 World Series to the Giants (Ruth was injured and missed several games) and after the series, the outfielder proposed to capitalize on fan interest by leading a team of barnstormers, including Yankees teammate Bob Meusel, in violation of the rule. According to Cottrell, [T]he two men clashed who helped the national pastime overcome the Black Sox scandal, one through his seemingly iron will, the other thanks to his magical bat. Judge Kenesaw Mountain Landis and Babe Ruth battled over the right of a ballplayer from a pennant-winning squad to barnstorm in the off-season. Also involved was the commissioner's continued determination to display, as he had through his banishment of the Black Sox, that he had established the boundaries for organized baseball. These boundaries, Landis intended to demonstrate, applied even to the sport's most popular and greatest star. Significant too, only Babe Ruth now contended with Commissioner Landis for the title of baseball's most important figure. Ruth had asked Yankees general manager Ed Barrow for permission to barnstorm. Barrow had no objection but warned Ruth he must obtain Landis's consent. Landis biographer Spink, who was at the time the editor of The Sporting News, stated, "I can say that Ruth knew exactly what he was doing when he defied Landis in October, 1921. He was willing to back his own popularity and well-known drawing powers against the Judge." Ruth, to the commissioner's irritation, did not contact Landis until October 15, one day before the first exhibition. When the two spoke by telephone, Landis ordered Ruth to attend a meeting with him; Ruth refused, stating that he had to leave for Buffalo for the first game. Landis angrily refused consent for Ruth to barnstorm, and after slamming down the receiver, is recorded as saying, "Who the hell does that big ape think he is? That blankety-blank! If he goes on that trip it will be one of the sorriest things he has ever done." By one account, Yankees co-owner Colonel Tillinghast Huston attempted to dissuade Ruth as he departed, only to be told by the ballplayer, "Aw, tell the old guy to jump in a lake." The tour also featured fellow Yankees Bob Meusel and Bill Piercy (who had been called up late in the season and was ineligible for the World Series) as well as Tom Sheehan, who had been sent to the minor leagues before the end of the season. Two other Yankees, Carl Mays and Wally Schang, had been scheduled to join the tour, but given Landis's position, according to Spink, "wisely decided to pass it up". Spink describes the tour as "a fiasco." On Landis's orders, it was barred from all major and minor league ballparks. In addition, it was plagued by poor weather, and was called off in late October. In early December, Landis suspended Ruth, Piercy, and Meusel until May 20, 1922. Yankee management was actually relieved; they had feared Landis would suspend Ruth for the season or even longer. Both the Yankees and Ruth repeatedly asked Landis for the players' early reinstatement, which was refused, and when Landis visited the Yankees during spring training in New Orleans, he lectured Ruth for two hours on the value of obeying authority. "He sure can talk", noted Ruth. When Ruth returned on May 20, he batted 0-for-4, and was booed by the crowd at the Polo Grounds. According to Pietrusza, "Always a politician, there was one boss Landis did fear: public opinion. He had no guarantee at the start of the Ruth controversy that the public and press would back him as he assumed unprecedented powers over baseball. Now, he knew they would." Policies as commissioner Major-minor league relations; development of the farm system At the start of Landis's commissionership, the minor league teams were for the most part autonomous of the major leagues; in fact the minor leagues independently chose to accept Landis's rule. To ensure players did not become mired in the minor leagues without a chance to earn their way out, major league teams were able to draft players who played two consecutive years with the same minor league team. Several minor leagues were not subject to the draft; Landis fought for the inclusion of these leagues, feeling that the non-draft leagues could prevent players from advancing as they became more skilled. By 1924, he had succeeded, as the International League, the final holdout, accepted the draft. By the mid-1920s, major league clubs were beginning to develop "farm systems", that is, minor league teams owned or controlled by them, at which they could develop young prospects without the risk of the players being acquired by major league rivals. The pioneer in this development was Branch Rickey, who then ran the St. Louis Cardinals. As the 1921 National Agreement among the major and minor leagues which implemented Landis's hiring lifted a ban on major league teams owning minor league ones, Landis was limited in his avenues of attack on Rickey's schemes. Developing talent at little cost thanks to Rickey, the Cardinals dominated the National League, winning nine league titles in the years from 1926 to 1946. Soon after Landis's appointment, he surprised the major league owners by requiring that they disclose their minor league interests. Landis fought against the practice of "covering up", using transfers between two teams controlled by the same major league team to make players ineligible for the draft. His first formal act as commissioner was to declare infielder Phil Todt a free agent, dissolving his contract with the St. Louis Browns (at the time run by Rickey, who soon thereafter moved across town to run the Cardinals); in 1928, he ruled future Hall of Famer Chuck Klein a free agent as he held the Cardinals had tried to cover Klein up by having him play in a league where they owned two affiliates. The following year, he freed Detroit Tigers prospect and future Hall of Famer Rick Ferrell, who attracted a significant signing bonus from the Browns. In 1936, Landis found that teenage pitching prospect Bob Feller's signing by minor league club Fargo-Moorhead had been a charade; the young pitcher was for all intents and purposes property of the Cleveland Indians. However, Feller indicated that he wanted to play for Cleveland and Landis issued a ruling which required the Indians to pay damages to minor league clubs, but allowed them to retain Feller, who went on to a Hall of Fame career with the Indians. Landis's attempts to crack down on "covering up" provoked the only time he was ever sued by one of his owners. After the 1930 season, minor leaguer Fred Bennett, convinced he was being covered up by the Browns, petitioned Landis for his release. Landis ruled that the Browns could either keep Bennett on their roster for the entire 1931 season, trade him, or release him. Instead, Browns owner Phil Ball brought suit against Landis in his old court in Chicago. Federal Judge Walter Lindley ruled for Landis, noting that the agreements and rules were intended to "endow the Commissioner with all the attributes of a benevolent but absolute despot and all the disciplinary powers of the proverbial pater familias". Ball intended to appeal, but after a meeting between team owners and Landis in which the commissioner reminded owners of their agreement not to sue, decided to drop the case. Landis had hoped that the large Cardinal farm system would become economically unfeasible; when it proved successful for the Cardinals, he had tolerated it for several years and was in a poor position to abolish it. In 1938, however, finding that the Cardinals effectively controlled multiple teams in the same league (a practice disliked by Landis), he freed 70 players from their farm system. As few of the players were likely prospects for the major leagues, Landis's actions generated headlines, but had little effect on the Cardinals organization, and the development of the modern farm system, whereby each major league club has several minor league teams which it uses to develop talent, proceeded apace. Rob Neyer describes Landis's effort as "a noble effort in a good cause, but it was also doomed to fail." Baseball color line One of the most controversial aspects of Landis's commissionership is the question of race. From 1884, black ballplayers were informally banned from organized baseball. No black ballplayer played in organized baseball during Landis's commissionership; Rickey (then running the Brooklyn Dodgers) broke the color line by signing Jackie Robinson to play for the minor league Montreal Royals in 1946, after Landis's death. Robinson became the first African-American in the major leagues since the 19th century, playing with the Dodgers beginning in 1947. According to contemporary newspaper columns, at the time of his appointment as commissioner, Landis was considered a liberal on race questions; two Chicago African-American newspapers defended him against the 1921 efforts to impeach him from his judgeship. However, a number of baseball authors have ascribed racism to Landis, who they say actively perpetuated baseball's color line. James Bankes, in The Pittsburgh Crawfords, tracing the history of that Negro league team, states that Landis, whom the author suggests was a Southerner, made "little effort to disguise his racial prejudice during 25 years in office" and "remained a steadfast foe of integration". Negro league historian John Holway termed Landis "the hard-bitten Carolinian Kennesaw Mountain Landis". In a 2000 article in Smithsonian magazine, writer Bruce Watson states that Landis "upheld baseball's unwritten ban on black players and did nothing to push owners toward integration". A number of authors say that Landis banned major league play against black teams for fear the white teams would lose, though they ascribe various dates for this action, and the Dodgers are known to have played black teams in and around their Havana spring training base as late as 1942. Landis's documented actions on race are inconsistent. In 1938, Yankee Jake Powell was interviewed by a radio station, and when asked what he did in the offseason, made comments that were interpreted as meaning he worked as a police officer and beat up African Americans. Landis suspended Powell for ten days. In June 1942, the Negro league Kansas City Monarchs played several games against the white "Dizzy Dean All-Stars" at major league ballparks, attracting large crowds. After three games, all won by the Monarchs, Landis ordered a fourth canceled, on the ground that the games were outdrawing major league contests. On one occasion, Landis intervened in Negro league affairs, though he had no jurisdiction to do so. The Crawfords lost a game to a white semi-pro team when their star catcher, Josh Gibson dropped a pop fly, and Gibson was accused of throwing the game at the behest of gamblers. Landis summoned the black catcher to his office, interviewed him, and announced that Gibson was cleared of wrongdoing. In July 1942, Dodger manager Leo Durocher charged that there was a "grapevine understanding" keeping blacks out of baseball. He was summoned to Landis's Chicago office, and after emerging from a meeting with the commissioner, alleged that he had been misquoted. Landis then addressed the press, and stated, Negroes are not barred from organized baseball by the commissioner and never have been in the 21 years I have served. There is no rule in organized baseball prohibiting their participation and never has been to my knowledge. If Durocher, or if any other manager, or all of them, want to sign one, or twenty-five Negro players, it is all right with me. That is the business of the managers and the club owners. The business of the commissioner is to interpret the rules of baseball, and to enforce them. In his 1961 memoir, Veeck as in Wreck, longtime baseball executive and owner Bill Veeck told of his plan, in 1942, to buy the Phillies and stock the team with Negro league stars. Veeck wrote that he told Landis, who reacted with shock, and soon moved to block the purchase. In his book, Veeck placed some of the blame on National League President Ford Frick, but later reserved blame exclusively for Landis, whom he accused of racism, stating in a subsequent interview, "[a]fter all, a man who is named Kenesaw Mountain was not born and raised in the state of Maine." However, when Veeck was asked for proof of his allegations against Landis, he stated, "I have no proof of that. I can only surmise." According to baseball historian David Jordan, "Veeck, nothing if not a storyteller, seems to have added these embellishments, sticking in some guys in black hats, simply to juice up his tale." In November 1943, Landis agreed after some persuasion that black sportswriter Sam Lacy should make a case for integration of organized baseball before the owners' annual meeting. Instead of Lacy attending the meeting, actor Paul Robeson did. Robeson, though a noted black actor and advocate of civil rights, was a controversial figure due to his affiliation with the Communist Party. The owners heard Robeson out, but at Landis's suggestion, did not ask him any questions or begin any discussion with him. Neyer noted that "Landis has been blamed for delaying the integration of the major leagues, but the truth is that the owners didn't want black players in the majors any more than Landis did. And it's not likely that, even if Landis hadn't died in 1944, he could have prevented Branch Rickey from bringing Jackie Robinson to the National League in 1947." The Baseball Writers' Association of America after Landis's death in 1944 renamed its Most Valuable Player Awards after Landis, but removed his name in 2020 with a vote of 89 percent of voting members in favor. The president of the association said Landis had "notably failed to integrate the game during his tenure". C.C. Johnson Spink, son of Landis biographer J.G. Taylor Spink and his successor as editor of The Sporting News, noted in the introduction to the reissue of his father's biography of Landis, K.M. Landis was quite human and not infallible. If, for example, he did drag his feet at erasing baseball's color line, he was grievously wrong, but then so were many others of his post-Civil War generation. World Series and All-Star Game; other innovations Landis took full jurisdiction over the World Series, as a contest between representatives of the two major leagues. Landis was blamed when the umpires called a game on account of darkness with the score tied during the 1922 World Series, even though there was still light. Landis decided that such decisions in future would be made by himself, moved forward the starting time of World Series games in future years, and announced that proceeds from the tied game would be donated to charity. In the 1932 World Series, Landis ordered that tickets for Game One at Yankee Stadium only be sold as part of strips, forcing fans to purchase tickets for all Yankee home games during that Series. Bad weather and the poor economy resulted in a half-filled stadium, and Landis allowed individual game sales for Game Two. During the 1933 World Series, he instituted a rule that only he could throw a player out of a World Series game, a rule which followed the ejection of Washington Senator Heinie Manush by umpire Charley Moran. The following year, with the visiting Cardinals ahead of the Detroit Tigers, 9–0 in Game Seven, he removed Cardinal Joe Medwick from the game for his own safety when Medwick, the left fielder, was pelted with fruit by Tiger fans after Medwick had been involved in a fight with one of the Tigers. Spink notes that Landis would most likely not have done so were the game within reach of the Tigers. In the 1938 World Series, umpire Moran was hit by a wild throw and suffered facial injuries. He was able to continue, but the incident caused Landis to order that World Series games and All-Star Games be played with six umpires. The All-Star Game began in 1933; Landis had been a strong supporter of the proposal for such a contest, and after the first game remarked, "That's a grand show, and it should be continued." He never missed an All-Star Game in his lifetime; his final public appearance was at the 1944 All-Star Game in Pittsburgh. In 1928, National League ball clubs proposed an innovation whereby each team's pitcher, usually the weakest hitter in the lineup, would not bat, but be replaced for the purposes of batting and base-running by a tenth player. There were expectations that at the interleague meetings that year, the National League teams would vote for it, and the American League teams against it, leaving Landis to cast the deciding vote. In the event, the proposal was withdrawn, and Landis did not disclose how he would have voted on this early version of the "designated hitter" rule. Landis disliked the innovation of "night baseball", played in the evening with the aid of artificial light, and sought to discourage teams from it. Despite this, he attended the first successful minor league night game, in Des Moines, Iowa, in 1930. When major league night baseball began in the late 1930s, Landis got the owners to restrict the number of such games. During World War II, many restrictions on night baseball were reduced, with the Washington Senators permitted to play all their home games (except those on Sundays and holidays) at night. World War II, death, and legacy With the entry of the United States into World War II in late 1941, Landis wrote to President Franklin D. Roosevelt, inquiring as to the wartime status of baseball. The President responded, urging Landis to keep baseball open, foreseeing that even those fully engaged in war work would benefit from inexpensive diversions such as attending baseball games. Many major leaguers enlisted or were drafted; even so Landis repeatedly stated, "We'll play as long as we can put nine men on the field." Although many of the teams practiced at their normal spring training sites in 1942, beginning the following year they were required to train near their home cities or in the Northeast. Landis was as virulently opposed to the Axis Powers as he had been towards the Kaiser, writing that peace would not be possible until "about fifteen thousand little Hitler, Himmlers and Hirohitos" were killed. Landis retained a firm hold on baseball despite his advancing years and, in 1943, banned Phillies owner William D. Cox from baseball for betting on his own team. In 1927, Landis's stance regarding gambling had been codified in the rules of baseball: "Any player, umpire, or club or league official or employee who shall bet any sum whatsoever upon any baseball game in connection with which the bettor had a duty to perform shall be declared permanently ineligible." Cox was required to sell his stake in the Phillies. In early October 1944, Landis checked into St. Luke's Hospital in Chicago, where his wife Winifred had been hospitalized, with a severe cold. While in the hospital, he had a heart attack, causing him to miss the World Series for the first time in his commissionership. He remained fully alert, and as usual signed the World Series share checks to players. His contract was due to expire in January 1946; on November 17, 1944, baseball's owners voted him another seven-year term. However, on November 25, he died surrounded by family, five days after his 78th birthday. His longtime assistant, Leslie O'Connor, wept as he read the announcement for the press. Landis is buried at Oak Woods Cemetery in Chicago. Two weeks after his death, Landis was voted into the National Baseball Hall of Fame by a special committee vote. American League President Will Harridge said of Landis, "He was a wonderful man. His great qualities and downright simplicity impressed themselves deeply on all who knew him." Pietrusza suggests that the legend on Landis's Hall of Fame plaque is his true legacy: "His integrity and leadership established baseball in the esteem, respect, and affection of the American people." Pietrusza notes that Landis was hired by the baseball owners to clean up the sport, and "no one could deny Kenesaw Mountain Landis had accomplished what he had been hired to do". According to his first biographer, Spink: [Landis] may have been arbitrary, self-willed and even unfair, but he 'called 'em as he saw 'em' and he turned over to his successor and the future a game cleansed of the nasty spots which followed World War I. Kenesaw Mountain Landis put the fear of God into weak characters who might otherwise have been inclined to violate their trust. And for that, I, as a lifelong lover of baseball, am eternally grateful. References Notes Bibliography External links A Brief Biography Lyrics to 'Kenesaw Mountain Landis' by Jonathan Coulton 1866 births 1944 deaths People from Butler County, Ohio Judges of the United States District Court for the Northern District of Illinois National Baseball Hall of Fame inductees Major League Baseball commissioners People from Cass County, Indiana Lawyers from Chicago American people of Swiss descent Northwestern University Pritzker School of Law alumni United States district court judges appointed by Theodore Roosevelt 20th-century American judges Illinois Republicans History of baseball in the United States Indiana Republicans	false	[ "Positively False is the autobiography by 2006 Tour de France champion Floyd Landis, published in June, 2007 \n\nThe book was written by Floyd Landis in association with Loren Mooney (the executive editor of Bicycling Magazine) and is put forward as the \"Real story of how I (Landis) won the Tour De France\".\n\nThe opening chapters outline Landis' upbringing in a Mennonite community in Farmersville, Pennsylvania. The Mennonites are similar to the Amish community, but embrace modern culture to a greater extent than the Amish. Landis tells us how his cycling initially caused some friction in his family but how his mother and father ended up supporting his ambitions to become a professional cyclist and eventually watched him win the Tour De France.\n\nThe book takes us through his early associations with various mountain biking teams and his transition into a world class road racer who eventually becomes Lance Armstrong's most dependable domestique on the US Postal cycling team helping Armstrong to win the 2002, 2003 and 2004 Tours.\n\nLandis mentions his right hip problems throughout the book. In 2003 he broke his hip in a cycling accident and it never really recovered. Landis did however manage to cycle four tours (and win one in the process) on a right hip bone that was slowly disintegrating and rotting away. He put off surgery in order to win the 2006 TDF even though he could barely walk, but eventually succumbed to the knife in Sept 2006 and had the hip replaced. Landis states that his ultimate aim will be to form a Floyd Landis Foundation whose aim will be to inform people about Severe Avascular Necrosis, the condition which attacked his hip.\n\nThe relationship between Landis and Armstrong is explored in great detail, from the earliest days when it appears that Landis was in awe of Armstrong to the eventual break up of their relationship in 2004-05 when Landis displayed his own ambitions to become leader of a team. Landis writes that Armstrong was \"The Boss\" of the professional cycling peloton and crushed any sign of personal ambition in any of his team mates. There was no room for anyone with a bigger ego or bigger ideas than Armstrong and Landis, it appears, had both.\n\nLandis led something of a revolt in the US Postal team by asking and exposing what each rider was earning, and when he did not consider he was being paid what he was worth Landis went looking elsewhere.\n\nLandis describes how US Postal tried to undermine his negotiations with the Phonak cycling squad by suggesting that Landis had signed a new contract with them (which was untrue), however Landis ended up as team leader of Phonak after Tyler Hamilton tested positive for doping and went into the 2006 Tour de France as one of the favorites.\n\nSurprisingly the 2006 Tour is not covered in huge detail until we get to the time of Landis' positive test after Stage 17. \nDuring Stage 16, while wearing the yellow jersey, Landis has a disastrous stage and loses time to second-placed rider Oscar Pereiro. Landis describes how he \"has nothing to lose\" and attacks from the start of Stage 17, eventually winning it by over 8 minutes and ultimately reclaiming the yellow jersey and the overall TDF title.\n\nUnfortunately for Landis, the urine sample he provides after Stage 17 shows an abnormally high level of synthetic testosterone (not occurring naturally in the body), but he does not get to know about this until after the tour has finished. Landis goes into great detail of how wronged he feels and how devastated he, his wife Amber, and his team are. He is sacked by Phonak and has not raced on the road since.\n\nThe last few chapters describe his fight against the cycling authorities. The World Anti Doping Association (WADA) and its president Dick Pound come in for some particular criticism, with Landis describing them as Judge, Jury and Executioner and labeling Pound as \"a liar\" who attempted to smear Landis by allegedly releasing information to the media undermining Landis' case. Pound apparently came up with the nickname \"Roid Floyd\" for Landis, the Roid part obviously referring to steroids.\n\nLandis states that the positive test was not \"a positive\" test at all, but was flawed and that his samples were mishandled by the French lab that carried out the tests. Landis describes how his defense team spent months going over the 370 page evidential packet from WADA and numbered many errors that the French lab appears to have made. He explains that he was seen by the USADA (United States anti doping agency) as \"guilty until proven innocent\" and warned by the UCI (world cycling federation) not to fight the case because he would lose and be bankrupted. Floyd does not attempt to explain why he tested positive because he can't, but strenuously denies doping.\n\nThe warning he receives proves to be prophetic as Landis explains that his defense has cost him over a million dollars and led to the formation of the Floyd Fairness Fund which aims to ensure that no one has to go through what Landis has had to because of what he claims is a flawed doping procedure. The book ends with Landis expressing hope of acquittal.\n\nLandis was stripped of his TDF title in September 2007; in May 2010 he confessed to doping and accused Lance Armstrong of doing the same, contradicting the entire premise of the book.\n\nReferences\n\nAmerican autobiographies\nCycling books", "Kenesaw Mountain Landis (; November 20, 1866 – November 25, 1944) was an American jurist who served as a United States federal judge from 1905 to 1922 and the first Commissioner of Baseball from 1920 until his death. He is remembered for his handling of the Black Sox scandal, in which he expelled eight members of the Chicago White Sox from organized baseball for conspiring to lose the 1919 World Series and repeatedly refused their reinstatement requests. His firm actions and iron rule over baseball in the near quarter-century of his commissionership are generally credited with restoring public confidence in the game.\n\nBorn in Millville, Ohio, Landis' given name was a spelling variation of the site of the Battle of Kennesaw Mountain, a major battle of the American Civil War in which his father had been wounded. Raised in Indiana, he became a lawyer, and then personal secretary to Walter Q. Gresham, the new United States Secretary of State, in 1893. He returned to private practice after Gresham died in office.\n\nPresident Theodore Roosevelt appointed Landis as a judge of the United States District Court for the Northern District of Illinois in 1905. Landis received national attention in 1907 when he fined Standard Oil of Indiana more than $29 million (approximately $800 million in 2021) for violating federal laws forbidding rebates on railroad freight tariffs. Though Landis was reversed on appeal, he was seen as a judge determined to rein in big business. During and after World War I, Landis presided over several high-profile trials of draft resisters and others whom he saw as opposing the war effort. He imposed heavy sentences on those who were convicted; some of the convictions were reversed on appeal, and other sentences were commuted.\n\nIn 1920, Landis was a leading candidate when American League and National League team owners, embarrassed by the Black Sox scandal and other instances of players throwing games, sought someone to rule over baseball. Landis was given full power to act in the sport's best interest, and used that power extensively over the next quarter-century. Landis was widely praised for cleaning up the game, although some of his decisions in the Black Sox matter remain controversial: supporters of \"Shoeless Joe\" Jackson and Buck Weaver contend that he was overly harsh with those players. Others blame Landis for, in their view, delaying the racial integration of baseball. Landis was elected to the National Baseball Hall of Fame by a special vote shortly after he died in 1944.\n\nEarly life and pre-judicial career (1866–1905)\n\nBoyhood and early career (1866–1893) \n\nKenesaw Mountain Landis was born in Millville, Ohio, the sixth child and fourth son of Abraham Hoch Landis, a physician, and Mary Kumler Landis, on November 20, 1866. The Landises descended from Swiss Mennonites who had emigrated to Alsace before coming to the United States. Abraham Landis had been wounded fighting on the Union side at the Battle of Kennesaw Mountain in Georgia, and when his parents proved unable to agree on a name for the new baby, Mary Landis proposed that they call him Kenesaw Mountain. At the time, both spellings of \"Kenesaw\" were used, but in the course of time, \"Kennesaw Mountain\" became the accepted spelling of the battle site.\n\nAbraham Landis worked in Millville as a country physician. When Kenesaw was eight, the elder Landis moved his family to Delphi, Indiana, and subsequently to Logansport, Indiana, where the doctor purchased and ran several local farms—his war injury had caused him to scale back his medical practice. Two of Kenesaw's four brothers, Charles Beary Landis and Frederick Landis, became members of Congress.\n\nAs \"Kenny\", as he was sometimes known, grew, he did an increasing share of the farm work, later stating, \"I did my share—and it was a substantial share—in taking care of the 13 acres ... I do not remember that I particularly liked to get up at 3:30 in the morning.\" Kenesaw began his off-farm career at age ten as a news delivery boy. He left school at 15 after an unsuccessful attempt to master algebra; he then worked at the local general store. He left that job for a position as errand boy with the Vandalia Railroad. Landis applied for a job as a brakeman, but was laughingly dismissed as too small. He then worked for the Logansport Journal, and taught himself shorthand reporting, becoming in 1883 official court reporter for the Cass County Circuit Court. Landis later wrote, \"I may not have been much of a judge, nor baseball official, but I do pride myself on having been a real shorthand reporter.\" He served in that capacity until 1886. In his spare time, he became a prize-winning bicycle racer and played on and managed a baseball team. Offered a professional contract as a ballplayer, he turned it down, stating that he preferred to play for the love of the game.\n\nIn 1886, Landis first ventured into Republican Party politics, supporting a friend, Charles F. Griffin, for Indiana Secretary of State. Griffin won, and Landis was rewarded with a civil service job in the Indiana Department of State. While employed there, he applied to be an attorney. At that time, in Indiana, an applicant needed only to prove that he was 21 and of good moral character, and Landis was admitted. Landis opened a practice in Marion, Indiana, but attracted few clients in his year of work there. Realizing that an uneducated lawyer was unlikely to build a lucrative practice, Landis enrolled at Cincinnati's YMCA Law School (now part of Northern Kentucky University) in 1889. Landis transferred to Union Law School (part of Northwestern University) the following year, and in 1891, he took his law degree from Union and was admitted to the Illinois Bar. He began a practice in Chicago, served as an assistant instructor at Union and with fellow attorney Clarence Darrow helped found the nonpartisan Chicago Civic Centre Club, devoted to municipal reform. Landis practiced with college friend Frank O. Lowden; the future commissioner and his law partner went into debt to impress potential clients, buying a law library secondhand.\n\nWashington years and aftermath (1893–1905) \n\nIn March 1893, President Grover Cleveland appointed federal judge Walter Q. Gresham as his Secretary of State, and Gresham hired Landis as his personal secretary. Gresham had a long career as a political appointee in the latter part of the 19th century; though he lost his only two bids for elective office, he served in three Cabinet positions and was twice a dark horse candidate for the Republican presidential nomination. Although Gresham was a Republican, he had supported Cleveland (a Democrat) in the 1892 election because of his intense dislike for the Republican nominee, President Benjamin Harrison. Kenesaw Landis had appeared before Judge Gresham in court. According to Landis biographer J.G. Taylor Spink, Gresham thought Landis \"had something on the ball\" and believed that Landis's shorthand skills would be of use.\n\nIn Washington, Landis worked hard to protect Gresham's interests in the State Department, making friends with many members of the press. He was less popular among many of the Department's senior career officials, who saw him as brash. When word leaked concerning President Cleveland's Hawaiian policy, the President was convinced Landis was the source of the information and demanded his dismissal. Gresham defended Landis, stating that Cleveland would have to fire both of them, and the President relented, later finding out that he was mistaken in accusing Landis. President Cleveland grew to like Landis, and when Gresham died in 1895, offered Landis the post of United States Ambassador to Venezuela. Landis declined the diplomatic post, preferring to return to Chicago to begin a law practice and to marry Winifred Reed, daughter of the Ottawa, Illinois postmaster. The two married July 25, 1895; they had two surviving children, a boy, Reed, and a girl, Susanne—a third child, Winifred, died almost immediately after being born.\n\nLandis built a corporate law practice in Chicago; with the practice doing well, he deeply involved himself in Republican Party politics. He built a close association with his friend Lowden and served as his campaign manager for governor of Illinois in 1904. Lowden was defeated, but would later serve two terms in the office and be a major contender for the 1920 Republican presidential nomination. A seat on the United States District Court for the Northern District of Illinois was vacant; President Theodore Roosevelt offered it to Lowden, who declined it and recommended Landis. Other recommendations from Illinois politicians followed, and Roosevelt nominated Landis for the seat. According to Spink, President Roosevelt wanted \"a tough judge and a man sympathetic with his viewpoint in that important court\"; Lowden and Landis were, like Roosevelt, on the progressive left of the Republican Party. On March 18, 1905, Roosevelt transmitted the nomination to the Senate, which confirmed Landis the same afternoon, without any committee hearing; he received his commission the same day.\n\nJudge (1905–1922) \n\nLandis's courtroom, room 627 in the Chicago Federal Building, was ornate and featured two murals; one of King John conceding Magna Carta, the other of Moses about to smash the tablets of the Ten Commandments. The mahogany and marble chamber was, according to Landis biographer David Pietrusza, \"just the spot for Landis's sense of the theatrical. In it he would hold court for nearly the next decade and a half.\" According to Spink, \"It wasn't long before Chicago writers discovered they had a 'character' on the bench.\" A. L. Sloan of the Chicago Herald-American, a friend of Landis, recalled:\n\nThe Judge was always headline news. He was a great showman, theatrical in appearance, with his sharp jaw and shock of white hair, and people always crowded into his courtroom, knowing there would be something going on. There were few dull moments.\n\nIf Judge Landis was suspicious of an attorney's line of questioning, he would begin to wrinkle his nose, and once told a witness, \"Now let's stop fooling around and tell exactly what did happen, without reciting your life's history.\" When an elderly defendant told him that he would not be able to live to complete a five-year sentence, Landis scowled at him and asked, \"Well, you can try, can't you?\" When a young man stood before him for sentencing after admitting to stealing jewels from a parcel, the defendant's wife stood near him, infant daughter in her arms, and Landis mused what to do about the situation. After a dramatic pause, Landis ordered the young man to take his wife and daughter and go home with them, expressing his unwillingness to have the girl be the daughter of a convict. According to sportswriter Ed Fitzgerald in SPORT magazine, \"[w]omen wept unashamed and the entire courtroom burst into spontaneous, prolonged applause.\"\n\nLandis had been a lawyer with a corporate practice; upon his elevation to the bench, corporate litigants expected him to favor them. According to a 1907 magazine article about Landis, \"Corporations smiled pleasantly at the thought of a corporation lawyer being on the bench. They smile no more.\" In an early case, Landis fined the Allis-Chalmers Manufacturing Company the maximum $4,000 for illegally importing workers, even though his wife's brother-in-law served on the corporate board. In another decision, Landis struck down a challenge to the Interstate Commerce Commission's (ICC) jurisdiction over rebating, a practice banned by the Elkins Act of 1903 in which railroads and favored customers agreed that the customers would pay less than the posted tariff, which by law was to be the same for all shippers. Landis's decision allowed the ICC to take action against railroads which gave rebates.\n\nStandard Oil (1905–1909) \n\nBy the first decade of the 20th century, a number of business entities had formed themselves into trusts, which dominated their industries. Trusts often sought to purchase or otherwise neutralize their competitors, allowing the conglomerates to raise prices to high levels. In 1890, Congress had passed the Sherman Anti-Trust Act, but it was not until the Theodore Roosevelt administration (1901–09) that serious efforts were made to break up or control the trusts. The dominant force in the oil industry was Standard Oil, controlled by John D. Rockefeller. Modern-day ExxonMobil, Atlantic Richfield, Chevron, Sohio, Amoco and Continental Oil all trace their ancestry to various parts of Standard Oil.\n\nIn March 1906, Commissioner of Corporations James Rudolph Garfield submitted a report to President Roosevelt, alleging large-scale rebating in Standard Oil shipments. Federal prosecutors in several states and territories sought indictments against components of the Standard Oil Trust. On June 28, 1906, Standard Oil of Indiana was indicted on 6,428 counts of violation of the Elkins Act for accepting rebates on shipments on the Chicago & Alton Railroad. The case was assigned to Landis.\n\nTrial on the 1,903 counts that survived pretrial motions began on March 4, 1907. The fact that rebates had been given was not contested; what was at issue was whether Standard Oil knew the railroad's posted rates, and if it had a duty to enquire if it did not. Landis charged the jury that it \"was the duty of the defendant diligently in good faith to get from the Chicago & Alton ... the lawful rate\". The jury found Standard Oil guilty on all 1,903 counts.\n\nThe maximum fine that Landis could impose was $29,240,000. To aid the judge in determining the sentence, Landis issued a subpoena for Rockefeller to testify as to Standard Oil's assets. The tycoon had often evaded subpoenas, not having testified in court since 1888. Deputy United States marshals visited Rockefeller's several homes, as well as the estates of his friends, in the hope of finding him. After several days, Rockefeller was found at his lawyer's estate, Taconic Farm in northwestern Massachusetts, and was served with the subpoena. The tycoon duly came to Landis's Chicago courtroom, making his way through a mob anxious to see the proceedings. Rockefeller's actual testimony, proffered after the judge made him wait through several cases and witnesses, proved to be anticlimactic, as he professed almost no knowledge of Standard Oil's corporate structure or assets.\n\nOn August 3, 1907, Landis pronounced sentence. He fined Standard Oil the maximum penalty, $29,240,000, the largest fine imposed on a corporation to that date. The corporation quickly appealed; in the meantime, Landis was lionized as a hero. According to Pietrusza, \"much of the nation could hardly believe a federal judge had finally cracked down on a trust—and cracked down hard \". President Roosevelt, when he heard the sentence, reportedly stated, \"That's bully.\" Rockefeller was playing golf in Cleveland when he was brought a telegram containing the news. Rockefeller calmly informed his golfing partners of the amount of the fine, and proceeded to shoot a personal record score, later stating, \"Judge Landis will be dead a long time before this fine is paid.\" He proved correct; the verdict and sentence were reversed by the United States Court of Appeals for the Seventh Circuit on July 22, 1908. In January 1909, the Supreme Court refused to hear the case, and in a new trial before another judge (Landis recused himself), Standard Oil was acquitted.\n\nFederal League and Baby Iraene cases (1909–1917) \n\nA lifelong baseball fan, Landis often slipped away from the courthouse for a White Sox or Cubs game. In 1914, the two existing major leagues were challenged by a new league, the Federal League. In 1915, the upstart league brought suit against the existing leagues and owners under the Sherman Act and the case was assigned to Landis. Baseball owners feared that the reserve clause, which forced players to sign new contracts only with their former team, and the 10-day clause, which allowed teams (but not players) to terminate player contracts on ten days notice, would be struck down by Landis.\n\nLandis held hearings in late January 1915, and newspapers expected a quick decision, certainly before spring training began in March. During the hearings, Landis admonished the parties, \"Both sides must understand that any blows at the thing called baseball would be regarded by this court as a blow to a national institution\". When the National League's chief counsel, future Senator George Wharton Pepper referred to the activities of baseball players on the field as \"labor\", Landis interrupted him: \"As a result of 30 years of observation, I am shocked because you call playing baseball 'labor.' \" Landis reserved judgment, and the parties waited for his ruling. Spring training passed, as did the entire regular season and the World Series. In December 1915, still with no word from Landis, the parties reached a settlement, and the Federal League disbanded. Landis made no public statement as to the reasons for his failure to rule, though he told close friends that he had been certain the parties would reach a settlement sooner or later. Most observers thought that Landis waited because he did not want to rule against the two established leagues and their contracts.\n\nIn 1916, Landis presided over the \"Ryan Baby\" or \"Baby Iraene\" case. The recent widow of a prominent Chicago banker, Anna Dollie Ledgerwood Matters, had brought a baby girl home from a visit to Canada and claimed that the child was her late husband's posthumous heir. Matters had left an estate of $250,000. However, a shop girl from Ontario, Margaret Ryan, claimed the baby was hers, and brought a writ of habeas corpus in Landis's court. Ryan stated that she had given birth to the girl in an Ottawa hospital, but had been told her baby had died. In the era before blood and DNA testing, Landis relied on witness testimony and awarded the child to Ryan. The case brought comparisons between Landis and King Solomon, who had judged a similar case. Landis was reversed by the Supreme Court, which held he had no jurisdiction in the matter. A Canadian court later awarded the child to Ryan.\n\nAlthough Landis was an autocrat in the courtroom, he was less so at home. In a 1916 interview, he stated,\n\nEvery member of this family does exactly what he or she wants to do. Each one is his or her supreme court. Everything for the common good of the family is decided according to the wishes of the whole family. Each one knows what is right and each one can do whatever he thinks is best. It is purely democratic.\n\nWartime cases (1917–1919) \n\nIn early 1917, Landis considered leaving the bench and returning to private practice—though he greatly enjoyed being a judge, the salary of $7,500 was considerably lower than what he could make as an attorney. The entry of the United States into World War I in April ended Landis's determination to resign; a firm supporter of the war effort, he felt he could best serve the country by remaining on the bench. Despite this decision and his age, fifty, Landis wrote to Secretary of War Newton D. Baker, asking him to take him into the service and send him to France, where the war was raging. Baker urged Landis to make speeches in support of the war instead, which he did. The judge's son, Reed, had already served briefly in the Illinois National Guard; during the war he became a pilot, and eventually an ace.\n\nLandis's disdain for draft dodgers and other opponents of the war was evident in July 1917, when he presided over the trials of some 120 men, mostly foreign-born Socialists, who had resisted the draft and rioted in Rockford, Illinois. According to Pietrusza, Landis \"was frequently brutal in his remarks\" to the defendants, interrogating them on their beliefs. Landis tried the case in Rockford, and found all guilty, sentencing all but three to a year and a day in jail, the maximum sentence. The prisoners were ordered to register for the draft after serving their sentences—except 37, whom he ordered deported.\n\nOn September 5, 1917, federal officers raided the national headquarters, in Chicago, of the Industrial Workers of the World (IWW, sometimes \"Wobblies\"), as well as 48 of the union's halls across the nation. The union had opposed the war and urged members and others to refuse conscription into the armed forces. On September 28, 166 IWW leaders, including union head Big Bill Haywood were indicted in the Northern District of Illinois; their cases were assigned to Landis. Some 40 of the indicted men could not be found; a few others had charges dismissed against them. Ultimately, Landis presided over a trial against 113 defendants, the largest federal criminal trial to that point.\n\nThe trial began on April 1, 1918. Landis quickly dismissed charges against a dozen defendants, including one A.C. Christ, who showed up in newly obtained army uniform. Jury selection occupied a month. Journalist John Reed attended the trial, and wrote of his impressions of Landis:\n\nSmall on the huge bench sits a wasted man with untidy white hair, an emaciated face in which two burning eyes are set like jewels, parchment-like skin split by a crack for a mouth; the face of Andrew Jackson three years dead ... Upon this man has devolved the historic role of trying the Social Revolution. He is doing it like a gentleman. In many ways a most unusual trial. When the judge enters the court-room after recess, no one rises—he himself has abolished the pompous formality. He sits without robes, in an ordinary business suit, and often leaves the bench to come down and perch on the step of the jury box. By his personal orders, spittoons are placed by the prisoners' seats ... and as for the prisoners themselves, they are permitted to take off their coats, move around, read newspapers. It takes some human understanding for a Judge to fly in the face of judicial ritual as much as that.\n\nHaywood biographer Melvyn Dubofsky wrote that Landis \"exercised judicial objectivity and restraint for five long months\". Baseball historian Harold Seymour stated that \"[o]n the whole, Landis conducted the trial with restraint, despite his reputation as a foe of all radical groups.\" Landis dismissed charges against an elderly defendant who was in obvious pain as he testified, and allowed the release of a number of prisoners on bail or on their own recognizances.\n\nOn August 17, 1918, following the closing argument for the prosecution (the defendants waived argument), Landis instructed the jury. The lead defense counsel objected to the wording of the jury charge several times, but Haywood believed it to have been fair. After 65 minutes, the jury returned with guilty verdicts for all of the remaining accused, much to their shock; they had believed that Landis's charge pointed towards their acquittal. When the defendants returned to court on August 29, Landis listened with patience to the defendants' final pleas. For the sentencing, according to Richard Cahan in his history of Chicago's district court, \"mild-mannered Landis returned a changed man\". Although two defendants received only ten days in jail, all others received at least a year and a day, and Haywood and fourteen others received twenty years. A number of defendants, including Haywood, obtained bail during the appeal; even before Haywood's appeals were exhausted, he jumped bail and took ship for the Soviet Union. The labor leader hung a portrait of Landis in his Moscow apartment, and when Haywood died in 1928, he was interred near John Reed (who had died of illness in Moscow after the Bolshevik Revolution) in the Kremlin Wall—they remain the only Americans so honored. President Calvin Coolidge commuted the sentences of the remaining incarcerated defendants in 1923, much to the disgust of Landis, who issued an angry statement. After leaving his judgeship, Landis referred to the defendants in the Haywood case as \"scum\", \"filth\", and \"slimy rats\".\n\nLandis hoped that the Kaiser, Wilhelm II would be captured and tried in his court; he wanted to indict the Kaiser for the murder of a Chicagoan who lost his life on the RMS Lusitania in 1915. The State Department notified Landis that extradition treaties did not permit the rendition of the Kaiser, who fled into exile in the Netherlands as the war concluded. Nevertheless, in a speech, Landis demanded that Kaiser Wilhelm, his six sons, and 5,000 German military leaders \"be lined up against a wall and shot down in justice to the world and to Germany\".\n\nEven with the armistice in November 1918, the war-related trials continued. The Socialist Party of America, like the IWW, had opposed the war, and had also been raided by federal authorities. Seven Socialist Party leaders, including Victor Berger, who was elected to Congress in November 1918, were indicted for alleged anti-war activities. The defendants were charged under the Espionage Act of 1917, which made it illegal \"to utter, print, write, or publish any disloyal, profane, scurrilous or abusive language\" about the armed forces, the flag, the Constitution, or democracy. The defendants, who were mostly of German birth or descent, moved for a change of venue away from Landis's courtroom, alleging that Landis had stated on November 1, 1918, that \"[i]f anybody has said anything about the Germans that is worse than I have said, I would like to hear it so I could use it myself.\" Landis, however, examined the transcript of the trial in which the statement was supposedly made, failed to find it, declared the affidavit in support of the motion \"perjurious\", and denied the motion. While the jury was being selected, Berger was indicted on additional espionage charges for supposedly violating the law during an earlier, unsuccessful political campaign. At the conclusion of the case, Landis took an hour to dramatically charge the jury, emphasizing the secretive nature of conspiracies and pointing at the jury box as he noted, \"the country was then at war\". At one point, Landis leapt out of his seat, twirled his chair around, then sat on its arm. Later in his charge, he lay prone upon the bench. The jury took less than a day to convict Congressman-elect Berger and his four remaining codefendants. Landis sentenced each defendant to twenty years in federal prison. Landis denied the defendants bail pending appeal, but they quickly obtained it from an appellate court judge. The Seventh Circuit Court of Appeals declined to rule on the case itself, sending it on to the Supreme Court, which on January 31, 1921, overturned the convictions and sentences by a 6–3 vote, holding that Landis should have stepped aside once he was satisfied that the affidavit was legally sufficient, leaving it for another judge to decide whether it was actually true. Landis refused to comment on the Supreme Court's decision, which ordered a new trial. In 1922, the charges against the defendants were dropped by the government.\n\nBuilding trades award, controversy, and resignation (1920–1922) \n\nThe postwar period saw considerable deflation; the shortage of labor and materials during the war had led to much higher wages and prices, and in the postwar economic readjustment, wages were cut heavily. In Chicago, employers in the building trades attempted a 20% wage cut; when this was rejected by the unions, a lockout followed. Both sides agreed to submit the matter to a neutral arbitrator, and settled on Landis, who agreed to take the case in June 1921. By this time, Landis was Commissioner of Baseball, and still a federal judge. In September, Landis issued his report, cutting wages by an average of 12.5%. To improve productivity, he also struck restrictions on machinery which saved labor, established a standardized overtime rate, and resolved jurisdictional conflicts between unions. The labor organizations were not completely satisfied, but Landis's reforms were adopted in many places across the country and were credited with reviving the building industry.\n\nCriticism of Landis having both the judicial and baseball positions began almost as soon as his baseball appointment was announced in November 1920. On February 2, 1921, lame duck Congressman Benjamin F. Welty (Democrat-Ohio) offered a resolution calling for Landis's impeachment. On February 11, Attorney General A. Mitchell Palmer opined that there was no legal impediment to Landis holding both jobs. On February 14, the House Judiciary Committee voted 24–1 to investigate Landis. Reed Landis later stated, \"[n]one of the other congressmen wanted Father impeached but they did want him to come down and defend himself because they knew what a show it would be.\"\n\nAlthough Welty's departure from office on March 4, 1921, began a lull in criticism of Landis, in April, the judge made a controversial decision in the case of Francis J. Carey, a 19-year-old bank teller, who had pleaded guilty to embezzling $96,500. Carey, the sole support of his widowed mother and unmarried sisters, gained Landis's sympathy. He accused the bank of underpaying Carey, and sent the youth home with his mother. Two members of the Senate objected to Landis's actions, and the New York Post compared Carey with Les Misérables's Jean Valjean, noting \"[b]etween a loaf of bread [Valjean was incarcerated for stealing one] and $96,500 there is a difference.\" A bill barring outside employment by federal judges had been introduced by Landis's foes, but had expired with the end of the congressional session in March; his opponents tried again in July, and the bill failed in the Senate on a tie vote. On September 1, 1921, the American Bar Association, a trade group of lawyers, passed a resolution of censure against Landis.\n\nBy the end of 1921, the controversy was dying down, and Landis felt that he could resign without looking pressured. On February 18, 1922, he announced his resignation as judge effective March 1, stating, \"There are not enough hours in the day for all these activities\". In his final case, he fined two theatre owners for evading the federal amusement tax. One owner had refused to make restitution before sentencing; he was fined $5,000. The owner who had tried to make his shortfall good was fined one cent.\n\nBaseball Commissioner (1920–1944)\n\nAppointment\n\nBlack Sox scandal \n\nBy 1919, the influence of gamblers on baseball had been a problem for several years. Historian Paul Gardner wrote,\n\nBaseball had for some time been living uneasily in the knowledge that bribes were being offered by gamblers, and that some players were accepting them. The players knew it was going on, and the owners knew it was going on. But more important, the players knew that the owners knew—and they knew the owners were doing nothing about it for fear of a scandal that might damage organized baseball. Under such conditions it quite obviously did not pay to be honest.\n\nThe 1919 World Series between the Chicago White Sox and Cincinnati Reds was much anticipated, as the nation attempted to return to normalcy in the postwar period. Baseball had seen a surge of popularity during the 1919 season, which set several attendance records. The powerful White Sox, with their superstar batter \"Shoeless Joe\" Jackson and star pitchers Eddie Cicotte and Claude \"Lefty\" Williams, were believed likely to defeat the less-well-regarded Reds. To the surprise of many, the Reds defeated the White Sox, five games to three (during 1919–21, the World Series was a best-of-nine affair).\n\nRumors that the series was fixed began to circulate after gambling odds against the Reds winning dropped sharply before the series began, and gained more credibility after the White Sox lost four of the first five games. Cincinnati lost the next two games, and speculation began that the Reds were losing on purpose to extend the series and increase gate revenues. However, Cincinnati won Game Eight, 10–5, to end the series, as Williams lost his third game (Cicotte lost the other two). After the series, according to Gene Carney, who wrote a book about the scandal, \"there was more than the usual complaining from those who had bet big on the Sox and lost\".\n\nThe issue of the 1919 Series came to the public eye again in September 1920, when, after allegations that a game between the Chicago Cubs and Philadelphia Phillies on August 31 had been fixed, a grand jury was empaneled in state court in Chicago to investigate baseball gambling. Additional news came from Philadelphia, where gambler Billy Maharg stated that he had worked with former boxer Abe Attell and New York gambler Arnold Rothstein to get the White Sox to throw the 1919 Series. Cicotte and Jackson were called before the grand jury, where they gave statements incriminating themselves and six teammates: Williams, first baseman Chick Gandil, shortstop Swede Risberg, third baseman Buck Weaver, center fielder Happy Felsch and reserve infielder Fred McMullin. Williams and Felsch were also called before the grand jury and incriminated themselves and their teammates. Through late September, the 1920 American League season had been one of the most exciting on record, with the White Sox, Cleveland Indians and New York Yankees dueling for the league lead. By September 28, the Yankees were close to elimination, but the White Sox and Indians were within percentage points of each other. On that day, however, the eight players, seven of whom were still on the White Sox, were indicted. They were immediately suspended by White Sox owner Charles Comiskey. The Indians were able to pull ahead and win the pennant, taking the American League championship by two games over Chicago.\n\nSearch for a commissioner \n\nBaseball had been governed by a three-man National Commission, consisting of American League President Ban Johnson, National League President John Heydler and Cincinnati Reds owner Garry Herrmann. In January 1920, Herrmann left office at the request of other club owners, leaving the Commission effectively deadlocked between Johnson and Heydler. A number of club owners, disliking one or both league presidents, preferred a single commissioner to rule over the game, but were willing to see the National Commission continue if Herrmann was replaced by someone who would provide strong leadership. Landis's name was mentioned in the press for this role, and the influential baseball newspaper The Sporting News sought his appointment.\n\nAnother proposal, known as the \"Lasker Plan\" after Albert Lasker, a shareholder in the Chicago Cubs who had proposed it, was for a three-man commission to govern the game, drawn from outside baseball. On September 30, 1920, with the Black Sox scandal exposed, National League President Heydler began to advocate for the Lasker Plan, and by the following day, four major league teams had supported him. Among the names discussed in the press for membership on the new commission were Landis, former Secretary of the Treasury William Gibbs McAdoo, former President William Howard Taft, and General John J. Pershing.\n\nThe start of the 1920 World Series on October 5 distracted the public from baseball's woes for a time, but discussions continued behind the scenes. By mid-October, 11 of the 16 team owners (all eight from the National League and the owners of the American League Yankees, White Sox and Boston Red Sox) were demanding the end of the National Commission and the appointment of a three-man commission whose members would have no financial interest in baseball. Heydler stated his views on baseball's requirements:\n\nWe want a man as chairman who will rule with an iron hand ... Baseball has lacked a hand like that for years. It needs it now worse than ever. Therefore, it is our object to appoint a big man to lead the new commission.\n\nOn November 8, the owners of the eight National League and three American League teams which supported the Lasker Plan met and unanimously selected Landis as head of the proposed commission. The American League clubs that supported the plan threatened to move to the National League, away from Johnson, who opposed it. Johnson had hoped that the minor leagues would support his position; when they did not, he and the \"Loyal Five\" teams agreed to the Lasker Plan. In the discussions among the owners that followed, they decided that Landis would be the only commissioner–no associate members would be elected. On November 12, the team owners came to Landis's courtroom to approach him. Landis was trying a bribery case; when he heard noise in the back of the courtroom from the owners, he gaveled them to silence. He made them wait 45 minutes while he completed his docket, then met with them in his chambers.\n\nThe judge heard out the owners; after expressing initial reluctance, he took the job for seven years at a salary of $50,000, on condition he could remain on the federal bench. During Landis's time serving as both judge and commissioner, he allowed a $7,500 reduction in his salary as commissioner, to reflect his pay as judge. The appointment of Landis was met with acclaim in the press. A tentative agreement was signed by the parties a month later—an agreement which itemized Landis's powers over baseball, and which was drafted by the judge. The owners were still reeling from the perception that baseball was crooked, and accepted the agreement virtually without dissent. Under the terms of the contract, Landis could not be dismissed by the team owners, have his pay reduced, or even be criticized by them in public. He also had nearly unlimited authority over every person employed in the major or minor leagues, from owners to batboys, including the ability to ban people from the leagues for life. The owners waived any recourse to the courts to contest Landis's will. Humorist Will Rogers stated, \"[D]on't kid yourself that that old judicial bird isn't going to make those baseball birds walk the chalkline\". Player and manager Leo Durocher later stated, \"The legend has been spread that the owners hired the Judge off the federal bench. Don't you believe it. They got him right out of Dickens.\"\n\nEstablishing control\n\nBanning the Black Sox \n\nOn January 30, 1921, Landis, speaking at an Illinois church, warned:\n\nNow that I am in baseball, just watch the game I play. If I catch any crook in baseball, the rest of his life is going to be a pretty hot one. I'll go to any means and to anything possible to see that he gets a real penalty for his offense.\n\nThe criminal case against the Black Sox defendants suffered unexpected setbacks, with evidence vanishing, including some of the incriminating statements made to the grand jury. The prosecution was forced to dismiss the original indictments, and bring new charges against seven of the ballplayers (McMullin was not charged again). Frustrated by the delays, Landis placed all eight on an \"ineligible list\", banning them from major and minor league baseball. Comiskey supported Landis by giving the seven who remained under contract to the White Sox their unconditional release. Public sentiment was heavily against the ballplayers, and when Jackson, Williams, Felsch, and Weaver played in a semi-pro game, The Sporting News mocked the 3,000 attendees, \"Just Like Nuts Go to See a Murderer\".\n\nThe criminal trial of the Black Sox indictees began in early July 1921. Despite what Robert C. Cottrell, in his book on the scandal, terms \"the mysterious loss of evidence\", the prosecution was determined to pursue the case, demanding five-year prison terms for the ballplayers for defrauding the public by throwing the World Series. On August 2, 1921, the jury returned not guilty verdicts against all defendants, leading to happy pandemonium in the courtroom, joined by the courtroom bailiffs, with even the trial judge, Hugo Friend, looking visibly pleased. The players and jury then retired to an Italian restaurant and partied well into the night.\n\nThe jubilation proved short-lived. On August 3, Landis issued a statement:\n\nRegardless of the verdict of juries, no player that throws a ball game; no player that undertakes or promises to throw a ball game; no player that sits in a conference with a bunch of crooked players and gamblers where the ways and means of throwing ball games are planned and discussed and does not promptly tell his club about it, will ever play professional baseball. Of course, I don't know that any of these men will apply for reinstatement, but if they do, the above are at least a few of the rules that will be enforced. Just keep in mind that, regardless of the verdict of juries, baseball is competent to protect itself against crooks, both inside and outside the game.\n\nAccording to ESPN columnist Rob Neyer, \"with that single decision, Landis might have done more for the sport than anyone else, ever. Certainly, Landis never did anything more important.\" According to Carney, \"The public amputation of the eight Sox was seen as the only acceptable cure.\" Over the years of Landis's commissionership, a number of the players applied for reinstatement to the game, notably Jackson and Weaver. Jackson, raised in rural South Carolina and with limited education, was said to have been drawn unwillingly into the conspiracy, while Weaver, though admitting his presence at the meetings, stated that he took no money. Both men stated that their play on the field, and their batting percentages during the series (.375 for Jackson, .324 for Weaver) indicated that they did not help to throw the series. None was ever reinstated, with Landis telling a group of Weaver supporters that his presence at the meetings with the gamblers was sufficient to bar him. Even today, long after the deaths of all three men, efforts are periodically made to reinstate Jackson (which would make him eligible for election to the National Baseball Hall of Fame) and Weaver (deemed by some the least culpable of the eight). In the 1990s, a petition drive to reinstate Jackson drew 60,000 signatures. He has been treated sympathetically in movies such as Eight Men Out and Field of Dreams, and Hall of Famers Ted Williams and Bob Feller expressed their support for Jackson's induction into the Hall. Landis's expulsion of the eight men remains in force.\n\nCracking down on gambling \n\nLandis felt that the Black Sox scandal had been initiated by people involved in horse racing, and stated that \"by God, as long as I have anything to do with this game, they'll never get another hold on it.\" In 1921, his first season as commissioner, New York Giants owner Charles Stoneham and manager John McGraw purchased Oriental Park Racetrack in Havana, Cuba. Landis gave Stoneham and McGraw an ultimatum—they could not be involved in both baseball and horse racing. They quickly put the track back on the market.\n\nEven before the Black Sox scandal had been resolved, Landis acted to clean up other gambling cases. Eugene Paulette, a first baseman for the Philadelphia Phillies, had been with the St. Louis Cardinals in 1919, and had met with gamblers. It is uncertain if any games were fixed, but Paulette had written a letter naming two other Cardinals who might be open to throwing games. The letter had fallen into the hands of Phillies President William F. Baker, who had taken no action until Landis's appointment, then turned the letter over to him. Paulette met with Landis once, denying any wrongdoing, then refused further meetings. Landis placed him on the ineligible list in March 1921. In November 1921, Landis banned former St. Louis Browns player Joe Gedeon, who had been released by the Browns after admitting to sitting in on meetings with gamblers who were trying to raise the money to bribe the Black Sox. When a minor league official asked if he was eligible, Landis settled the matter by placing Gedeon on the ineligible list.\n\nTwo other player gambling affairs marked Landis's early years as commissioner. In 1922, Giants pitcher Phil Douglas, embittered at McGraw for disciplining him for heavy drinking, wrote a letter to Cardinals outfielder Leslie Mann, suggesting that he would take a bribe to ensure the Giants did not win the pennant. Although Mann had been a friend, the outfielder neither smoked nor drank and had long been associated with the YMCA movement; according to baseball historian Lee Allen, Douglas might as well have sent the letter to Landis himself. Mann immediately turned over the letter to his manager, Branch Rickey, who ordered Mann to contact Landis at once. The Giants placed Douglas on the ineligible list, an action backed by Landis after meeting with the pitcher. On September 27, 1924, Giants outfielder Jimmy O'Connell offered Phillies shortstop Heinie Sand $500 if Sand didn't \"bear down too hard against us today\". Sand was initially inclined to let the matter pass, but recalling the fate of Weaver and other Black Sox players, told his manager, Art Fletcher. Fletcher met with Heydler, who contacted Landis. O'Connell did not deny the bribe attempt, and was placed on the ineligible list.\n\nIn total, Landis banned eighteen players from the game. Landis biographer Pietrusza details the effect of Landis's stand against gambling:\n\nBefore 1920 if one player approached another player to throw a contest, there was a very good chance he would not be informed upon. Now, there was an excellent chance he would be turned in. No honest player wanted to meet the same fate as Buck Weaver ... Without the forbidding example of Buck Weaver to haunt them, it is unlikely Mann and Sand would have snitched on their fellow players. After Landis' unforgiving treatment of the popular and basically honest Weaver they dared not to. And once prospectively crooked players knew that honest players would no longer shield them, the scandals stopped.\n\nRuth-Meusel barnstorming incident \n\nAt the time of Landis's appointment as commissioner, it was common for professional baseball players to supplement their pay by participating in postseason \"barnstorming\" tours, playing on teams which would visit smaller cities and towns to play games for which admission would be charged. Since 1911, however, players on the two World Series teams had been barred from barnstorming. The rule had been leniently enforced—in 1916, several members of the champion Red Sox, including pitcher George Herman \"Babe\" Ruth had barnstormed and had been fined a token $100 each by the National Commission.\n\nRuth, who after the 1919 season had been sold to the Yankees, and who by then had mostly abandoned his pitching role for the outfield, was the focus of considerable fan interest as he broke batting records in 1920 and 1921, some by huge margins. Ruth's major league record 29 home runs with the Red Sox in 1919 fell to his own efforts in 1920, when he hit 54. He then proceeded to hit 59 in 1921, leading the Yankees to their first pennant. Eight major league teams failed to hit as many home runs in 1921 as Ruth hit by himself. The Yankees lost the 1921 World Series to the Giants (Ruth was injured and missed several games) and after the series, the outfielder proposed to capitalize on fan interest by leading a team of barnstormers, including Yankees teammate Bob Meusel, in violation of the rule. According to Cottrell,\n\n[T]he two men clashed who helped the national pastime overcome the Black Sox scandal, one through his seemingly iron will, the other thanks to his magical bat. Judge Kenesaw Mountain Landis and Babe Ruth battled over the right of a ballplayer from a pennant-winning squad to barnstorm in the off-season. Also involved was the commissioner's continued determination to display, as he had through his banishment of the Black Sox, that he had established the boundaries for organized baseball. These boundaries, Landis intended to demonstrate, applied even to the sport's most popular and greatest star. Significant too, only Babe Ruth now contended with Commissioner Landis for the title of baseball's most important figure.\n\nRuth had asked Yankees general manager Ed Barrow for permission to barnstorm. Barrow had no objection but warned Ruth he must obtain Landis's consent. Landis biographer Spink, who was at the time the editor of The Sporting News, stated, \"I can say that Ruth knew exactly what he was doing when he defied Landis in October, 1921. He was willing to back his own popularity and well-known drawing powers against the Judge.\" Ruth, to the commissioner's irritation, did not contact Landis until October 15, one day before the first exhibition. When the two spoke by telephone, Landis ordered Ruth to attend a meeting with him; Ruth refused, stating that he had to leave for Buffalo for the first game. Landis angrily refused consent for Ruth to barnstorm, and after slamming down the receiver, is recorded as saying, \"Who the hell does that big ape think he is? That blankety-blank! If he goes on that trip it will be one of the sorriest things he has ever done.\" By one account, Yankees co-owner Colonel Tillinghast Huston attempted to dissuade Ruth as he departed, only to be told by the ballplayer, \"Aw, tell the old guy to jump in a lake.\"\n\nThe tour also featured fellow Yankees Bob Meusel and Bill Piercy (who had been called up late in the season and was ineligible for the World Series) as well as Tom Sheehan, who had been sent to the minor leagues before the end of the season. Two other Yankees, Carl Mays and Wally Schang, had been scheduled to join the tour, but given Landis's position, according to Spink, \"wisely decided to pass it up\". Spink describes the tour as \"a fiasco.\" On Landis's orders, it was barred from all major and minor league ballparks. In addition, it was plagued by poor weather, and was called off in late October. In early December, Landis suspended Ruth, Piercy, and Meusel until May 20, 1922. Yankee management was actually relieved; they had feared Landis would suspend Ruth for the season or even longer. Both the Yankees and Ruth repeatedly asked Landis for the players' early reinstatement, which was refused, and when Landis visited the Yankees during spring training in New Orleans, he lectured Ruth for two hours on the value of obeying authority. \"He sure can talk\", noted Ruth.\n\nWhen Ruth returned on May 20, he batted 0-for-4, and was booed by the crowd at the Polo Grounds. According to Pietrusza, \"Always a politician, there was one boss Landis did fear: public opinion. He had no guarantee at the start of the Ruth controversy that the public and press would back him as he assumed unprecedented powers over baseball. Now, he knew they would.\"\n\nPolicies as commissioner\n\nMajor-minor league relations; development of the farm system \n\nAt the start of Landis's commissionership, the minor league teams were for the most part autonomous of the major leagues; in fact the minor leagues independently chose to accept Landis's rule. To ensure players did not become mired in the minor leagues without a chance to earn their way out, major league teams were able to draft players who played two consecutive years with the same minor league team. Several minor leagues were not subject to the draft; Landis fought for the inclusion of these leagues, feeling that the non-draft leagues could prevent players from advancing as they became more skilled. By 1924, he had succeeded, as the International League, the final holdout, accepted the draft.\n\nBy the mid-1920s, major league clubs were beginning to develop \"farm systems\", that is, minor league teams owned or controlled by them, at which they could develop young prospects without the risk of the players being acquired by major league rivals. The pioneer in this development was Branch Rickey, who then ran the St. Louis Cardinals. As the 1921 National Agreement among the major and minor leagues which implemented Landis's hiring lifted a ban on major league teams owning minor league ones, Landis was limited in his avenues of attack on Rickey's schemes. Developing talent at little cost thanks to Rickey, the Cardinals dominated the National League, winning nine league titles in the years from 1926 to 1946.\n\nSoon after Landis's appointment, he surprised the major league owners by requiring that they disclose their minor league interests. Landis fought against the practice of \"covering up\", using transfers between two teams controlled by the same major league team to make players ineligible for the draft. His first formal act as commissioner was to declare infielder Phil Todt a free agent, dissolving his contract with the St. Louis Browns (at the time run by Rickey, who soon thereafter moved across town to run the Cardinals); in 1928, he ruled future Hall of Famer Chuck Klein a free agent as he held the Cardinals had tried to cover Klein up by having him play in a league where they owned two affiliates. The following year, he freed Detroit Tigers prospect and future Hall of Famer Rick Ferrell, who attracted a significant signing bonus from the Browns. In 1936, Landis found that teenage pitching prospect Bob Feller's signing by minor league club Fargo-Moorhead had been a charade; the young pitcher was for all intents and purposes property of the Cleveland Indians. However, Feller indicated that he wanted to play for Cleveland and Landis issued a ruling which required the Indians to pay damages to minor league clubs, but allowed them to retain Feller, who went on to a Hall of Fame career with the Indians.\n\nLandis's attempts to crack down on \"covering up\" provoked the only time he was ever sued by one of his owners. After the 1930 season, minor leaguer Fred Bennett, convinced he was being covered up by the Browns, petitioned Landis for his release. Landis ruled that the Browns could either keep Bennett on their roster for the entire 1931 season, trade him, or release him. Instead, Browns owner Phil Ball brought suit against Landis in his old court in Chicago. Federal Judge Walter Lindley ruled for Landis, noting that the agreements and rules were intended to \"endow the Commissioner with all the attributes of a benevolent but absolute despot and all the disciplinary powers of the proverbial pater familias\". Ball intended to appeal, but after a meeting between team owners and Landis in which the commissioner reminded owners of their agreement not to sue, decided to drop the case.\n\nLandis had hoped that the large Cardinal farm system would become economically unfeasible; when it proved successful for the Cardinals, he had tolerated it for several years and was in a poor position to abolish it. In 1938, however, finding that the Cardinals effectively controlled multiple teams in the same league (a practice disliked by Landis), he freed 70 players from their farm system. As few of the players were likely prospects for the major leagues, Landis's actions generated headlines, but had little effect on the Cardinals organization, and the development of the modern farm system, whereby each major league club has several minor league teams which it uses to develop talent, proceeded apace. Rob Neyer describes Landis's effort as \"a noble effort in a good cause, but it was also doomed to fail.\"\n\nBaseball color line \nOne of the most controversial aspects of Landis's commissionership is the question of race. From 1884, black ballplayers were informally banned from organized baseball. No black ballplayer played in organized baseball during Landis's commissionership; Rickey (then running the Brooklyn Dodgers) broke the color line by signing Jackie Robinson to play for the minor league Montreal Royals in 1946, after Landis's death. Robinson became the first African-American in the major leagues since the 19th century, playing with the Dodgers beginning in 1947.\n\nAccording to contemporary newspaper columns, at the time of his appointment as commissioner, Landis was considered a liberal on race questions; two Chicago African-American newspapers defended him against the 1921 efforts to impeach him from his judgeship. However, a number of baseball authors have ascribed racism to Landis, who they say actively perpetuated baseball's color line. James Bankes, in The Pittsburgh Crawfords, tracing the history of that Negro league team, states that Landis, whom the author suggests was a Southerner, made \"little effort to disguise his racial prejudice during 25 years in office\" and \"remained a steadfast foe of integration\". Negro league historian John Holway termed Landis \"the hard-bitten Carolinian Kennesaw Mountain Landis\". In a 2000 article in Smithsonian magazine, writer Bruce Watson states that Landis \"upheld baseball's unwritten ban on black players and did nothing to push owners toward integration\". A number of authors say that Landis banned major league play against black teams for fear the white teams would lose, though they ascribe various dates for this action, and the Dodgers are known to have played black teams in and around their Havana spring training base as late as 1942.\n\nLandis's documented actions on race are inconsistent. In 1938, Yankee Jake Powell was interviewed by a radio station, and when asked what he did in the offseason, made comments that were interpreted as meaning he worked as a police officer and beat up African Americans. Landis suspended Powell for ten days. In June 1942, the Negro league Kansas City Monarchs played several games against the white \"Dizzy Dean All-Stars\" at major league ballparks, attracting large crowds. After three games, all won by the Monarchs, Landis ordered a fourth canceled, on the ground that the games were outdrawing major league contests. On one occasion, Landis intervened in Negro league affairs, though he had no jurisdiction to do so. The Crawfords lost a game to a white semi-pro team when their star catcher, Josh Gibson dropped a pop fly, and Gibson was accused of throwing the game at the behest of gamblers. Landis summoned the black catcher to his office, interviewed him, and announced that Gibson was cleared of wrongdoing.\n\nIn July 1942, Dodger manager Leo Durocher charged that there was a \"grapevine understanding\" keeping blacks out of baseball. He was summoned to Landis's Chicago office, and after emerging from a meeting with the commissioner, alleged that he had been misquoted. Landis then addressed the press, and stated,\n\nNegroes are not barred from organized baseball by the commissioner and never have been in the 21 years I have served. There is no rule in organized baseball prohibiting their participation and never has been to my knowledge. If Durocher, or if any other manager, or all of them, want to sign one, or twenty-five Negro players, it is all right with me. That is the business of the managers and the club owners. The business of the commissioner is to interpret the rules of baseball, and to enforce them.\n\nIn his 1961 memoir, Veeck as in Wreck, longtime baseball executive and owner Bill Veeck told of his plan, in 1942, to buy the Phillies and stock the team with Negro league stars. Veeck wrote that he told Landis, who reacted with shock, and soon moved to block the purchase. In his book, Veeck placed some of the blame on National League President Ford Frick, but later reserved blame exclusively for Landis, whom he accused of racism, stating in a subsequent interview, \"[a]fter all, a man who is named Kenesaw Mountain was not born and raised in the state of Maine.\" However, when Veeck was asked for proof of his allegations against Landis, he stated, \"I have no proof of that. I can only surmise.\" According to baseball historian David Jordan, \"Veeck, nothing if not a storyteller, seems to have added these embellishments, sticking in some guys in black hats, simply to juice up his tale.\"\n\nIn November 1943, Landis agreed after some persuasion that black sportswriter Sam Lacy should make a case for integration of organized baseball before the owners' annual meeting. Instead of Lacy attending the meeting, actor Paul Robeson did. Robeson, though a noted black actor and advocate of civil rights, was a controversial figure due to his affiliation with the Communist Party. The owners heard Robeson out, but at Landis's suggestion, did not ask him any questions or begin any discussion with him.\n\nNeyer noted that \"Landis has been blamed for delaying the integration of the major leagues, but the truth is that the owners didn't want black players in the majors any more than Landis did. And it's not likely that, even if Landis hadn't died in 1944, he could have prevented Branch Rickey from bringing Jackie Robinson to the National League in 1947.\" The Baseball Writers' Association of America after Landis's death in 1944 renamed its Most Valuable Player Awards after Landis, but removed his name in 2020 with a vote of 89 percent of voting members in favor. The president of the association said Landis had \"notably failed to integrate the game during his tenure\".\n\nC.C. Johnson Spink, son of Landis biographer J.G. Taylor Spink and his successor as editor of The Sporting News, noted in the introduction to the reissue of his father's biography of Landis,\n\nK.M. Landis was quite human and not infallible. If, for example, he did drag his feet at erasing baseball's color line, he was grievously wrong, but then so were many others of his post-Civil War generation.\n\nWorld Series and All-Star Game; other innovations \n\nLandis took full jurisdiction over the World Series, as a contest between representatives of the two major leagues. Landis was blamed when the umpires called a game on account of darkness with the score tied during the 1922 World Series, even though there was still light. Landis decided that such decisions in future would be made by himself, moved forward the starting time of World Series games in future years, and announced that proceeds from the tied game would be donated to charity. In the 1932 World Series, Landis ordered that tickets for Game One at Yankee Stadium only be sold as part of strips, forcing fans to purchase tickets for all Yankee home games during that Series. Bad weather and the poor economy resulted in a half-filled stadium, and Landis allowed individual game sales for Game Two. During the 1933 World Series, he instituted a rule that only he could throw a player out of a World Series game, a rule which followed the ejection of Washington Senator Heinie Manush by umpire Charley Moran. The following year, with the visiting Cardinals ahead of the Detroit Tigers, 9–0 in Game Seven, he removed Cardinal Joe Medwick from the game for his own safety when Medwick, the left fielder, was pelted with fruit by Tiger fans after Medwick had been involved in a fight with one of the Tigers. Spink notes that Landis would most likely not have done so were the game within reach of the Tigers. In the 1938 World Series, umpire Moran was hit by a wild throw and suffered facial injuries. He was able to continue, but the incident caused Landis to order that World Series games and All-Star Games be played with six umpires.\n\nThe All-Star Game began in 1933; Landis had been a strong supporter of the proposal for such a contest, and after the first game remarked, \"That's a grand show, and it should be continued.\" He never missed an All-Star Game in his lifetime; his final public appearance was at the 1944 All-Star Game in Pittsburgh.\n\nIn 1928, National League ball clubs proposed an innovation whereby each team's pitcher, usually the weakest hitter in the lineup, would not bat, but be replaced for the purposes of batting and base-running by a tenth player. There were expectations that at the interleague meetings that year, the National League teams would vote for it, and the American League teams against it, leaving Landis to cast the deciding vote. In the event, the proposal was withdrawn, and Landis did not disclose how he would have voted on this early version of the \"designated hitter\" rule.\n\nLandis disliked the innovation of \"night baseball\", played in the evening with the aid of artificial light, and sought to discourage teams from it. Despite this, he attended the first successful minor league night game, in Des Moines, Iowa, in 1930. When major league night baseball began in the late 1930s, Landis got the owners to restrict the number of such games. During World War II, many restrictions on night baseball were reduced, with the Washington Senators permitted to play all their home games (except those on Sundays and holidays) at night.\n\nWorld War II, death, and legacy \n\nWith the entry of the United States into World War II in late 1941, Landis wrote to President Franklin D. Roosevelt, inquiring as to the wartime status of baseball. The President responded, urging Landis to keep baseball open, foreseeing that even those fully engaged in war work would benefit from inexpensive diversions such as attending baseball games. Many major leaguers enlisted or were drafted; even so Landis repeatedly stated, \"We'll play as long as we can put nine men on the field.\" Although many of the teams practiced at their normal spring training sites in 1942, beginning the following year they were required to train near their home cities or in the Northeast. Landis was as virulently opposed to the Axis Powers as he had been towards the Kaiser, writing that peace would not be possible until \"about fifteen thousand little Hitler, Himmlers and Hirohitos\" were killed.\n\nLandis retained a firm hold on baseball despite his advancing years and, in 1943, banned Phillies owner William D. Cox from baseball for betting on his own team. In 1927, Landis's stance regarding gambling had been codified in the rules of baseball: \"Any player, umpire, or club or league official or employee who shall bet any sum whatsoever upon any baseball game in connection with which the bettor had a duty to perform shall be declared permanently ineligible.\" Cox was required to sell his stake in the Phillies.\n\nIn early October 1944, Landis checked into St. Luke's Hospital in Chicago, where his wife Winifred had been hospitalized, with a severe cold. While in the hospital, he had a heart attack, causing him to miss the World Series for the first time in his commissionership. He remained fully alert, and as usual signed the World Series share checks to players. His contract was due to expire in January 1946; on November 17, 1944, baseball's owners voted him another seven-year term. However, on November 25, he died surrounded by family, five days after his 78th birthday. His longtime assistant, Leslie O'Connor, wept as he read the announcement for the press. Landis is buried at Oak Woods Cemetery in Chicago.\n\nTwo weeks after his death, Landis was voted into the National Baseball Hall of Fame by a special committee vote. American League President Will Harridge said of Landis, \"He was a wonderful man. His great qualities and downright simplicity impressed themselves deeply on all who knew him.\" Pietrusza suggests that the legend on Landis's Hall of Fame plaque is his true legacy: \"His integrity and leadership established baseball in the esteem, respect, and affection of the American people.\" Pietrusza notes that Landis was hired by the baseball owners to clean up the sport, and \"no one could deny Kenesaw Mountain Landis had accomplished what he had been hired to do\". According to his first biographer, Spink:\n\n[Landis] may have been arbitrary, self-willed and even unfair, but he 'called 'em as he saw 'em' and he turned over to his successor and the future a game cleansed of the nasty spots which followed World War I. Kenesaw Mountain Landis put the fear of God into weak characters who might otherwise have been inclined to violate their trust. And for that, I, as a lifelong lover of baseball, am eternally grateful.\n\nReferences\n\nNotes\n\nBibliography\n\nExternal links \n\n \n \n A Brief Biography\n \n Lyrics to 'Kenesaw Mountain Landis' by Jonathan Coulton\n\n \n \n\n1866 births\n1944 deaths\nPeople from Butler County, Ohio\nJudges of the United States District Court for the Northern District of Illinois\nNational Baseball Hall of Fame inductees\nMajor League Baseball commissioners\nPeople from Cass County, Indiana\nLawyers from Chicago\nAmerican people of Swiss descent\nNorthwestern University Pritzker School of Law alumni\nUnited States district court judges appointed by Theodore Roosevelt\n20th-century American judges\nIllinois Republicans\nHistory of baseball in the United States\nIndiana Republicans" ]
[ "Kenesaw Mountain Landis", "Judge (1905-22)", "How old was Landis when he became a judge?", "I don't know." ]	C_84d50d4e83ca4878bc84ab036e1e9dea_0	Where did he live when he became a judge?	2	Where did Kenesaw Mountain Landis live when he became a judge?	Kenesaw Mountain Landis	Landis's courtroom, room 627 in the Chicago Federal Building, was ornate and featured two murals; one of King John conceding Magna Carta, the other of Moses about to smash the tablets of the Ten Commandments. The mahogany and marble chamber was, according to Landis biographer David Pietrusza, "just the spot for Landis's sense of the theatrical. In it he would hold court for nearly the next decade and a half." According to Spink, "It wasn't long before Chicago writers discovered they had a 'character' on the bench." A. L. Sloan of the Chicago Herald-American, a friend of Landis, recalled: The Judge was always headline news. He was a great showman, theatrical in appearance, with his sharp jaw and shock of white hair, and people always crowded into his courtroom, knowing there would be something going on. There were few dull moments. If Judge Landis was suspicious of an attorney's line of questioning, he would begin to wrinkle his nose, and once told a witness, "Now let's stop fooling around and tell exactly what did happen, without reciting your life's history." When an elderly defendant told him that he would not be able to live to complete a five-year sentence, Landis scowled at him and asked, "Well, you can try, can't you?" When a young man stood before him for sentencing after admitting to stealing jewels from a parcel, the defendant's wife stood near him, infant daughter in her arms, and Landis mused what to do about the situation. After a dramatic pause, Landis ordered the young man to take his wife and daughter and go home with them, expressing his unwillingness to have the girl be the daughter of a convict. According to sportswriter Ed Fitzgerald in SPORT magazine, "[w]omen wept unashamed and the entire courtroom burst into spontaneous, prolonged applause." Landis had been a lawyer with a corporate practice; upon his elevation to the bench, corporate litigants expected him to favor them. According to a 1907 magazine article about Landis, "Corporations smiled pleasantly at the thought of a corporation lawyer being on the bench. They smile no more." In an early case, Landis fined the Allis-Chalmers Manufacturing Company the maximum $4,000 for illegally importing workers, even though Winifred Landis's sister's husband served on the corporate board. In another decision, Landis struck down a challenge to the Interstate Commerce Commission's (ICC) jurisdiction over rebating, a practice banned by the Elkins Act of 1903 in which railroads and favored customers agreed that the customers would pay less than the posted tariff, which by law was to be the same for all shippers. Landis's decision allowed the ICC to take action against railroads which gave rebates. CANNOTANSWER	Chicago	Kenesaw Mountain Landis (; November 20, 1866 – November 25, 1944) was an American jurist who served as a United States federal judge from 1905 to 1922 and the first Commissioner of Baseball from 1920 until his death. He is remembered for his handling of the Black Sox scandal, in which he expelled eight members of the Chicago White Sox from organized baseball for conspiring to lose the 1919 World Series and repeatedly refused their reinstatement requests. His firm actions and iron rule over baseball in the near quarter-century of his commissionership are generally credited with restoring public confidence in the game. Born in Millville, Ohio, Landis' given name was a spelling variation of the site of the Battle of Kennesaw Mountain, a major battle of the American Civil War in which his father had been wounded. Raised in Indiana, he became a lawyer, and then personal secretary to Walter Q. Gresham, the new United States Secretary of State, in 1893. He returned to private practice after Gresham died in office. President Theodore Roosevelt appointed Landis as a judge of the United States District Court for the Northern District of Illinois in 1905. Landis received national attention in 1907 when he fined Standard Oil of Indiana more than $29 million (approximately $800 million in 2021) for violating federal laws forbidding rebates on railroad freight tariffs. Though Landis was reversed on appeal, he was seen as a judge determined to rein in big business. During and after World War I, Landis presided over several high-profile trials of draft resisters and others whom he saw as opposing the war effort. He imposed heavy sentences on those who were convicted; some of the convictions were reversed on appeal, and other sentences were commuted. In 1920, Landis was a leading candidate when American League and National League team owners, embarrassed by the Black Sox scandal and other instances of players throwing games, sought someone to rule over baseball. Landis was given full power to act in the sport's best interest, and used that power extensively over the next quarter-century. Landis was widely praised for cleaning up the game, although some of his decisions in the Black Sox matter remain controversial: supporters of "Shoeless Joe" Jackson and Buck Weaver contend that he was overly harsh with those players. Others blame Landis for, in their view, delaying the racial integration of baseball. Landis was elected to the National Baseball Hall of Fame by a special vote shortly after he died in 1944. Early life and pre-judicial career (1866–1905) Boyhood and early career (1866–1893) Kenesaw Mountain Landis was born in Millville, Ohio, the sixth child and fourth son of Abraham Hoch Landis, a physician, and Mary Kumler Landis, on November 20, 1866. The Landises descended from Swiss Mennonites who had emigrated to Alsace before coming to the United States. Abraham Landis had been wounded fighting on the Union side at the Battle of Kennesaw Mountain in Georgia, and when his parents proved unable to agree on a name for the new baby, Mary Landis proposed that they call him Kenesaw Mountain. At the time, both spellings of "Kenesaw" were used, but in the course of time, "Kennesaw Mountain" became the accepted spelling of the battle site. Abraham Landis worked in Millville as a country physician. When Kenesaw was eight, the elder Landis moved his family to Delphi, Indiana, and subsequently to Logansport, Indiana, where the doctor purchased and ran several local farms—his war injury had caused him to scale back his medical practice. Two of Kenesaw's four brothers, Charles Beary Landis and Frederick Landis, became members of Congress. As "Kenny", as he was sometimes known, grew, he did an increasing share of the farm work, later stating, "I did my share—and it was a substantial share—in taking care of the 13 acres ... I do not remember that I particularly liked to get up at 3:30 in the morning." Kenesaw began his off-farm career at age ten as a news delivery boy. He left school at 15 after an unsuccessful attempt to master algebra; he then worked at the local general store. He left that job for a position as errand boy with the Vandalia Railroad. Landis applied for a job as a brakeman, but was laughingly dismissed as too small. He then worked for the Logansport Journal, and taught himself shorthand reporting, becoming in 1883 official court reporter for the Cass County Circuit Court. Landis later wrote, "I may not have been much of a judge, nor baseball official, but I do pride myself on having been a real shorthand reporter." He served in that capacity until 1886. In his spare time, he became a prize-winning bicycle racer and played on and managed a baseball team. Offered a professional contract as a ballplayer, he turned it down, stating that he preferred to play for the love of the game. In 1886, Landis first ventured into Republican Party politics, supporting a friend, Charles F. Griffin, for Indiana Secretary of State. Griffin won, and Landis was rewarded with a civil service job in the Indiana Department of State. While employed there, he applied to be an attorney. At that time, in Indiana, an applicant needed only to prove that he was 21 and of good moral character, and Landis was admitted. Landis opened a practice in Marion, Indiana, but attracted few clients in his year of work there. Realizing that an uneducated lawyer was unlikely to build a lucrative practice, Landis enrolled at Cincinnati's YMCA Law School (now part of Northern Kentucky University) in 1889. Landis transferred to Union Law School (part of Northwestern University) the following year, and in 1891, he took his law degree from Union and was admitted to the Illinois Bar. He began a practice in Chicago, served as an assistant instructor at Union and with fellow attorney Clarence Darrow helped found the nonpartisan Chicago Civic Centre Club, devoted to municipal reform. Landis practiced with college friend Frank O. Lowden; the future commissioner and his law partner went into debt to impress potential clients, buying a law library secondhand. Washington years and aftermath (1893–1905) In March 1893, President Grover Cleveland appointed federal judge Walter Q. Gresham as his Secretary of State, and Gresham hired Landis as his personal secretary. Gresham had a long career as a political appointee in the latter part of the 19th century; though he lost his only two bids for elective office, he served in three Cabinet positions and was twice a dark horse candidate for the Republican presidential nomination. Although Gresham was a Republican, he had supported Cleveland (a Democrat) in the 1892 election because of his intense dislike for the Republican nominee, President Benjamin Harrison. Kenesaw Landis had appeared before Judge Gresham in court. According to Landis biographer J.G. Taylor Spink, Gresham thought Landis "had something on the ball" and believed that Landis's shorthand skills would be of use. In Washington, Landis worked hard to protect Gresham's interests in the State Department, making friends with many members of the press. He was less popular among many of the Department's senior career officials, who saw him as brash. When word leaked concerning President Cleveland's Hawaiian policy, the President was convinced Landis was the source of the information and demanded his dismissal. Gresham defended Landis, stating that Cleveland would have to fire both of them, and the President relented, later finding out that he was mistaken in accusing Landis. President Cleveland grew to like Landis, and when Gresham died in 1895, offered Landis the post of United States Ambassador to Venezuela. Landis declined the diplomatic post, preferring to return to Chicago to begin a law practice and to marry Winifred Reed, daughter of the Ottawa, Illinois postmaster. The two married July 25, 1895; they had two surviving children, a boy, Reed, and a girl, Susanne—a third child, Winifred, died almost immediately after being born. Landis built a corporate law practice in Chicago; with the practice doing well, he deeply involved himself in Republican Party politics. He built a close association with his friend Lowden and served as his campaign manager for governor of Illinois in 1904. Lowden was defeated, but would later serve two terms in the office and be a major contender for the 1920 Republican presidential nomination. A seat on the United States District Court for the Northern District of Illinois was vacant; President Theodore Roosevelt offered it to Lowden, who declined it and recommended Landis. Other recommendations from Illinois politicians followed, and Roosevelt nominated Landis for the seat. According to Spink, President Roosevelt wanted "a tough judge and a man sympathetic with his viewpoint in that important court"; Lowden and Landis were, like Roosevelt, on the progressive left of the Republican Party. On March 18, 1905, Roosevelt transmitted the nomination to the Senate, which confirmed Landis the same afternoon, without any committee hearing; he received his commission the same day. Judge (1905–1922) Landis's courtroom, room 627 in the Chicago Federal Building, was ornate and featured two murals; one of King John conceding Magna Carta, the other of Moses about to smash the tablets of the Ten Commandments. The mahogany and marble chamber was, according to Landis biographer David Pietrusza, "just the spot for Landis's sense of the theatrical. In it he would hold court for nearly the next decade and a half." According to Spink, "It wasn't long before Chicago writers discovered they had a 'character' on the bench." A. L. Sloan of the Chicago Herald-American, a friend of Landis, recalled: The Judge was always headline news. He was a great showman, theatrical in appearance, with his sharp jaw and shock of white hair, and people always crowded into his courtroom, knowing there would be something going on. There were few dull moments. If Judge Landis was suspicious of an attorney's line of questioning, he would begin to wrinkle his nose, and once told a witness, "Now let's stop fooling around and tell exactly what did happen, without reciting your life's history." When an elderly defendant told him that he would not be able to live to complete a five-year sentence, Landis scowled at him and asked, "Well, you can try, can't you?" When a young man stood before him for sentencing after admitting to stealing jewels from a parcel, the defendant's wife stood near him, infant daughter in her arms, and Landis mused what to do about the situation. After a dramatic pause, Landis ordered the young man to take his wife and daughter and go home with them, expressing his unwillingness to have the girl be the daughter of a convict. According to sportswriter Ed Fitzgerald in SPORT magazine, "[w]omen wept unashamed and the entire courtroom burst into spontaneous, prolonged applause." Landis had been a lawyer with a corporate practice; upon his elevation to the bench, corporate litigants expected him to favor them. According to a 1907 magazine article about Landis, "Corporations smiled pleasantly at the thought of a corporation lawyer being on the bench. They smile no more." In an early case, Landis fined the Allis-Chalmers Manufacturing Company the maximum $4,000 for illegally importing workers, even though his wife's brother-in-law served on the corporate board. In another decision, Landis struck down a challenge to the Interstate Commerce Commission's (ICC) jurisdiction over rebating, a practice banned by the Elkins Act of 1903 in which railroads and favored customers agreed that the customers would pay less than the posted tariff, which by law was to be the same for all shippers. Landis's decision allowed the ICC to take action against railroads which gave rebates. Standard Oil (1905–1909) By the first decade of the 20th century, a number of business entities had formed themselves into trusts, which dominated their industries. Trusts often sought to purchase or otherwise neutralize their competitors, allowing the conglomerates to raise prices to high levels. In 1890, Congress had passed the Sherman Anti-Trust Act, but it was not until the Theodore Roosevelt administration (1901–09) that serious efforts were made to break up or control the trusts. The dominant force in the oil industry was Standard Oil, controlled by John D. Rockefeller. Modern-day ExxonMobil, Atlantic Richfield, Chevron, Sohio, Amoco and Continental Oil all trace their ancestry to various parts of Standard Oil. In March 1906, Commissioner of Corporations James Rudolph Garfield submitted a report to President Roosevelt, alleging large-scale rebating in Standard Oil shipments. Federal prosecutors in several states and territories sought indictments against components of the Standard Oil Trust. On June 28, 1906, Standard Oil of Indiana was indicted on 6,428 counts of violation of the Elkins Act for accepting rebates on shipments on the Chicago & Alton Railroad. The case was assigned to Landis. Trial on the 1,903 counts that survived pretrial motions began on March 4, 1907. The fact that rebates had been given was not contested; what was at issue was whether Standard Oil knew the railroad's posted rates, and if it had a duty to enquire if it did not. Landis charged the jury that it "was the duty of the defendant diligently in good faith to get from the Chicago & Alton ... the lawful rate". The jury found Standard Oil guilty on all 1,903 counts. The maximum fine that Landis could impose was $29,240,000. To aid the judge in determining the sentence, Landis issued a subpoena for Rockefeller to testify as to Standard Oil's assets. The tycoon had often evaded subpoenas, not having testified in court since 1888. Deputy United States marshals visited Rockefeller's several homes, as well as the estates of his friends, in the hope of finding him. After several days, Rockefeller was found at his lawyer's estate, Taconic Farm in northwestern Massachusetts, and was served with the subpoena. The tycoon duly came to Landis's Chicago courtroom, making his way through a mob anxious to see the proceedings. Rockefeller's actual testimony, proffered after the judge made him wait through several cases and witnesses, proved to be anticlimactic, as he professed almost no knowledge of Standard Oil's corporate structure or assets. On August 3, 1907, Landis pronounced sentence. He fined Standard Oil the maximum penalty, $29,240,000, the largest fine imposed on a corporation to that date. The corporation quickly appealed; in the meantime, Landis was lionized as a hero. According to Pietrusza, "much of the nation could hardly believe a federal judge had finally cracked down on a trust—and cracked down hard ". President Roosevelt, when he heard the sentence, reportedly stated, "That's bully." Rockefeller was playing golf in Cleveland when he was brought a telegram containing the news. Rockefeller calmly informed his golfing partners of the amount of the fine, and proceeded to shoot a personal record score, later stating, "Judge Landis will be dead a long time before this fine is paid." He proved correct; the verdict and sentence were reversed by the United States Court of Appeals for the Seventh Circuit on July 22, 1908. In January 1909, the Supreme Court refused to hear the case, and in a new trial before another judge (Landis recused himself), Standard Oil was acquitted. Federal League and Baby Iraene cases (1909–1917) A lifelong baseball fan, Landis often slipped away from the courthouse for a White Sox or Cubs game. In 1914, the two existing major leagues were challenged by a new league, the Federal League. In 1915, the upstart league brought suit against the existing leagues and owners under the Sherman Act and the case was assigned to Landis. Baseball owners feared that the reserve clause, which forced players to sign new contracts only with their former team, and the 10-day clause, which allowed teams (but not players) to terminate player contracts on ten days notice, would be struck down by Landis. Landis held hearings in late January 1915, and newspapers expected a quick decision, certainly before spring training began in March. During the hearings, Landis admonished the parties, "Both sides must understand that any blows at the thing called baseball would be regarded by this court as a blow to a national institution". When the National League's chief counsel, future Senator George Wharton Pepper referred to the activities of baseball players on the field as "labor", Landis interrupted him: "As a result of 30 years of observation, I am shocked because you call playing baseball 'labor.' " Landis reserved judgment, and the parties waited for his ruling. Spring training passed, as did the entire regular season and the World Series. In December 1915, still with no word from Landis, the parties reached a settlement, and the Federal League disbanded. Landis made no public statement as to the reasons for his failure to rule, though he told close friends that he had been certain the parties would reach a settlement sooner or later. Most observers thought that Landis waited because he did not want to rule against the two established leagues and their contracts. In 1916, Landis presided over the "Ryan Baby" or "Baby Iraene" case. The recent widow of a prominent Chicago banker, Anna Dollie Ledgerwood Matters, had brought a baby girl home from a visit to Canada and claimed that the child was her late husband's posthumous heir. Matters had left an estate of $250,000. However, a shop girl from Ontario, Margaret Ryan, claimed the baby was hers, and brought a writ of habeas corpus in Landis's court. Ryan stated that she had given birth to the girl in an Ottawa hospital, but had been told her baby had died. In the era before blood and DNA testing, Landis relied on witness testimony and awarded the child to Ryan. The case brought comparisons between Landis and King Solomon, who had judged a similar case. Landis was reversed by the Supreme Court, which held he had no jurisdiction in the matter. A Canadian court later awarded the child to Ryan. Although Landis was an autocrat in the courtroom, he was less so at home. In a 1916 interview, he stated, Every member of this family does exactly what he or she wants to do. Each one is his or her supreme court. Everything for the common good of the family is decided according to the wishes of the whole family. Each one knows what is right and each one can do whatever he thinks is best. It is purely democratic. Wartime cases (1917–1919) In early 1917, Landis considered leaving the bench and returning to private practice—though he greatly enjoyed being a judge, the salary of $7,500 was considerably lower than what he could make as an attorney. The entry of the United States into World War I in April ended Landis's determination to resign; a firm supporter of the war effort, he felt he could best serve the country by remaining on the bench. Despite this decision and his age, fifty, Landis wrote to Secretary of War Newton D. Baker, asking him to take him into the service and send him to France, where the war was raging. Baker urged Landis to make speeches in support of the war instead, which he did. The judge's son, Reed, had already served briefly in the Illinois National Guard; during the war he became a pilot, and eventually an ace. Landis's disdain for draft dodgers and other opponents of the war was evident in July 1917, when he presided over the trials of some 120 men, mostly foreign-born Socialists, who had resisted the draft and rioted in Rockford, Illinois. According to Pietrusza, Landis "was frequently brutal in his remarks" to the defendants, interrogating them on their beliefs. Landis tried the case in Rockford, and found all guilty, sentencing all but three to a year and a day in jail, the maximum sentence. The prisoners were ordered to register for the draft after serving their sentences—except 37, whom he ordered deported. On September 5, 1917, federal officers raided the national headquarters, in Chicago, of the Industrial Workers of the World (IWW, sometimes "Wobblies"), as well as 48 of the union's halls across the nation. The union had opposed the war and urged members and others to refuse conscription into the armed forces. On September 28, 166 IWW leaders, including union head Big Bill Haywood were indicted in the Northern District of Illinois; their cases were assigned to Landis. Some 40 of the indicted men could not be found; a few others had charges dismissed against them. Ultimately, Landis presided over a trial against 113 defendants, the largest federal criminal trial to that point. The trial began on April 1, 1918. Landis quickly dismissed charges against a dozen defendants, including one A.C. Christ, who showed up in newly obtained army uniform. Jury selection occupied a month. Journalist John Reed attended the trial, and wrote of his impressions of Landis: Small on the huge bench sits a wasted man with untidy white hair, an emaciated face in which two burning eyes are set like jewels, parchment-like skin split by a crack for a mouth; the face of Andrew Jackson three years dead ... Upon this man has devolved the historic role of trying the Social Revolution. He is doing it like a gentleman. In many ways a most unusual trial. When the judge enters the court-room after recess, no one rises—he himself has abolished the pompous formality. He sits without robes, in an ordinary business suit, and often leaves the bench to come down and perch on the step of the jury box. By his personal orders, spittoons are placed by the prisoners' seats ... and as for the prisoners themselves, they are permitted to take off their coats, move around, read newspapers. It takes some human understanding for a Judge to fly in the face of judicial ritual as much as that. Haywood biographer Melvyn Dubofsky wrote that Landis "exercised judicial objectivity and restraint for five long months". Baseball historian Harold Seymour stated that "[o]n the whole, Landis conducted the trial with restraint, despite his reputation as a foe of all radical groups." Landis dismissed charges against an elderly defendant who was in obvious pain as he testified, and allowed the release of a number of prisoners on bail or on their own recognizances. On August 17, 1918, following the closing argument for the prosecution (the defendants waived argument), Landis instructed the jury. The lead defense counsel objected to the wording of the jury charge several times, but Haywood believed it to have been fair. After 65 minutes, the jury returned with guilty verdicts for all of the remaining accused, much to their shock; they had believed that Landis's charge pointed towards their acquittal. When the defendants returned to court on August 29, Landis listened with patience to the defendants' final pleas. For the sentencing, according to Richard Cahan in his history of Chicago's district court, "mild-mannered Landis returned a changed man". Although two defendants received only ten days in jail, all others received at least a year and a day, and Haywood and fourteen others received twenty years. A number of defendants, including Haywood, obtained bail during the appeal; even before Haywood's appeals were exhausted, he jumped bail and took ship for the Soviet Union. The labor leader hung a portrait of Landis in his Moscow apartment, and when Haywood died in 1928, he was interred near John Reed (who had died of illness in Moscow after the Bolshevik Revolution) in the Kremlin Wall—they remain the only Americans so honored. President Calvin Coolidge commuted the sentences of the remaining incarcerated defendants in 1923, much to the disgust of Landis, who issued an angry statement. After leaving his judgeship, Landis referred to the defendants in the Haywood case as "scum", "filth", and "slimy rats". Landis hoped that the Kaiser, Wilhelm II would be captured and tried in his court; he wanted to indict the Kaiser for the murder of a Chicagoan who lost his life on the RMS Lusitania in 1915. The State Department notified Landis that extradition treaties did not permit the rendition of the Kaiser, who fled into exile in the Netherlands as the war concluded. Nevertheless, in a speech, Landis demanded that Kaiser Wilhelm, his six sons, and 5,000 German military leaders "be lined up against a wall and shot down in justice to the world and to Germany". Even with the armistice in November 1918, the war-related trials continued. The Socialist Party of America, like the IWW, had opposed the war, and had also been raided by federal authorities. Seven Socialist Party leaders, including Victor Berger, who was elected to Congress in November 1918, were indicted for alleged anti-war activities. The defendants were charged under the Espionage Act of 1917, which made it illegal "to utter, print, write, or publish any disloyal, profane, scurrilous or abusive language" about the armed forces, the flag, the Constitution, or democracy. The defendants, who were mostly of German birth or descent, moved for a change of venue away from Landis's courtroom, alleging that Landis had stated on November 1, 1918, that "[i]f anybody has said anything about the Germans that is worse than I have said, I would like to hear it so I could use it myself." Landis, however, examined the transcript of the trial in which the statement was supposedly made, failed to find it, declared the affidavit in support of the motion "perjurious", and denied the motion. While the jury was being selected, Berger was indicted on additional espionage charges for supposedly violating the law during an earlier, unsuccessful political campaign. At the conclusion of the case, Landis took an hour to dramatically charge the jury, emphasizing the secretive nature of conspiracies and pointing at the jury box as he noted, "the country was then at war". At one point, Landis leapt out of his seat, twirled his chair around, then sat on its arm. Later in his charge, he lay prone upon the bench. The jury took less than a day to convict Congressman-elect Berger and his four remaining codefendants. Landis sentenced each defendant to twenty years in federal prison. Landis denied the defendants bail pending appeal, but they quickly obtained it from an appellate court judge. The Seventh Circuit Court of Appeals declined to rule on the case itself, sending it on to the Supreme Court, which on January 31, 1921, overturned the convictions and sentences by a 6–3 vote, holding that Landis should have stepped aside once he was satisfied that the affidavit was legally sufficient, leaving it for another judge to decide whether it was actually true. Landis refused to comment on the Supreme Court's decision, which ordered a new trial. In 1922, the charges against the defendants were dropped by the government. Building trades award, controversy, and resignation (1920–1922) The postwar period saw considerable deflation; the shortage of labor and materials during the war had led to much higher wages and prices, and in the postwar economic readjustment, wages were cut heavily. In Chicago, employers in the building trades attempted a 20% wage cut; when this was rejected by the unions, a lockout followed. Both sides agreed to submit the matter to a neutral arbitrator, and settled on Landis, who agreed to take the case in June 1921. By this time, Landis was Commissioner of Baseball, and still a federal judge. In September, Landis issued his report, cutting wages by an average of 12.5%. To improve productivity, he also struck restrictions on machinery which saved labor, established a standardized overtime rate, and resolved jurisdictional conflicts between unions. The labor organizations were not completely satisfied, but Landis's reforms were adopted in many places across the country and were credited with reviving the building industry. Criticism of Landis having both the judicial and baseball positions began almost as soon as his baseball appointment was announced in November 1920. On February 2, 1921, lame duck Congressman Benjamin F. Welty (Democrat-Ohio) offered a resolution calling for Landis's impeachment. On February 11, Attorney General A. Mitchell Palmer opined that there was no legal impediment to Landis holding both jobs. On February 14, the House Judiciary Committee voted 24–1 to investigate Landis. Reed Landis later stated, "[n]one of the other congressmen wanted Father impeached but they did want him to come down and defend himself because they knew what a show it would be." Although Welty's departure from office on March 4, 1921, began a lull in criticism of Landis, in April, the judge made a controversial decision in the case of Francis J. Carey, a 19-year-old bank teller, who had pleaded guilty to embezzling $96,500. Carey, the sole support of his widowed mother and unmarried sisters, gained Landis's sympathy. He accused the bank of underpaying Carey, and sent the youth home with his mother. Two members of the Senate objected to Landis's actions, and the New York Post compared Carey with Les Misérables's Jean Valjean, noting "[b]etween a loaf of bread [Valjean was incarcerated for stealing one] and $96,500 there is a difference." A bill barring outside employment by federal judges had been introduced by Landis's foes, but had expired with the end of the congressional session in March; his opponents tried again in July, and the bill failed in the Senate on a tie vote. On September 1, 1921, the American Bar Association, a trade group of lawyers, passed a resolution of censure against Landis. By the end of 1921, the controversy was dying down, and Landis felt that he could resign without looking pressured. On February 18, 1922, he announced his resignation as judge effective March 1, stating, "There are not enough hours in the day for all these activities". In his final case, he fined two theatre owners for evading the federal amusement tax. One owner had refused to make restitution before sentencing; he was fined $5,000. The owner who had tried to make his shortfall good was fined one cent. Baseball Commissioner (1920–1944) Appointment Black Sox scandal By 1919, the influence of gamblers on baseball had been a problem for several years. Historian Paul Gardner wrote, Baseball had for some time been living uneasily in the knowledge that bribes were being offered by gamblers, and that some players were accepting them. The players knew it was going on, and the owners knew it was going on. But more important, the players knew that the owners knew—and they knew the owners were doing nothing about it for fear of a scandal that might damage organized baseball. Under such conditions it quite obviously did not pay to be honest. The 1919 World Series between the Chicago White Sox and Cincinnati Reds was much anticipated, as the nation attempted to return to normalcy in the postwar period. Baseball had seen a surge of popularity during the 1919 season, which set several attendance records. The powerful White Sox, with their superstar batter "Shoeless Joe" Jackson and star pitchers Eddie Cicotte and Claude "Lefty" Williams, were believed likely to defeat the less-well-regarded Reds. To the surprise of many, the Reds defeated the White Sox, five games to three (during 1919–21, the World Series was a best-of-nine affair). Rumors that the series was fixed began to circulate after gambling odds against the Reds winning dropped sharply before the series began, and gained more credibility after the White Sox lost four of the first five games. Cincinnati lost the next two games, and speculation began that the Reds were losing on purpose to extend the series and increase gate revenues. However, Cincinnati won Game Eight, 10–5, to end the series, as Williams lost his third game (Cicotte lost the other two). After the series, according to Gene Carney, who wrote a book about the scandal, "there was more than the usual complaining from those who had bet big on the Sox and lost". The issue of the 1919 Series came to the public eye again in September 1920, when, after allegations that a game between the Chicago Cubs and Philadelphia Phillies on August 31 had been fixed, a grand jury was empaneled in state court in Chicago to investigate baseball gambling. Additional news came from Philadelphia, where gambler Billy Maharg stated that he had worked with former boxer Abe Attell and New York gambler Arnold Rothstein to get the White Sox to throw the 1919 Series. Cicotte and Jackson were called before the grand jury, where they gave statements incriminating themselves and six teammates: Williams, first baseman Chick Gandil, shortstop Swede Risberg, third baseman Buck Weaver, center fielder Happy Felsch and reserve infielder Fred McMullin. Williams and Felsch were also called before the grand jury and incriminated themselves and their teammates. Through late September, the 1920 American League season had been one of the most exciting on record, with the White Sox, Cleveland Indians and New York Yankees dueling for the league lead. By September 28, the Yankees were close to elimination, but the White Sox and Indians were within percentage points of each other. On that day, however, the eight players, seven of whom were still on the White Sox, were indicted. They were immediately suspended by White Sox owner Charles Comiskey. The Indians were able to pull ahead and win the pennant, taking the American League championship by two games over Chicago. Search for a commissioner Baseball had been governed by a three-man National Commission, consisting of American League President Ban Johnson, National League President John Heydler and Cincinnati Reds owner Garry Herrmann. In January 1920, Herrmann left office at the request of other club owners, leaving the Commission effectively deadlocked between Johnson and Heydler. A number of club owners, disliking one or both league presidents, preferred a single commissioner to rule over the game, but were willing to see the National Commission continue if Herrmann was replaced by someone who would provide strong leadership. Landis's name was mentioned in the press for this role, and the influential baseball newspaper The Sporting News sought his appointment. Another proposal, known as the "Lasker Plan" after Albert Lasker, a shareholder in the Chicago Cubs who had proposed it, was for a three-man commission to govern the game, drawn from outside baseball. On September 30, 1920, with the Black Sox scandal exposed, National League President Heydler began to advocate for the Lasker Plan, and by the following day, four major league teams had supported him. Among the names discussed in the press for membership on the new commission were Landis, former Secretary of the Treasury William Gibbs McAdoo, former President William Howard Taft, and General John J. Pershing. The start of the 1920 World Series on October 5 distracted the public from baseball's woes for a time, but discussions continued behind the scenes. By mid-October, 11 of the 16 team owners (all eight from the National League and the owners of the American League Yankees, White Sox and Boston Red Sox) were demanding the end of the National Commission and the appointment of a three-man commission whose members would have no financial interest in baseball. Heydler stated his views on baseball's requirements: We want a man as chairman who will rule with an iron hand ... Baseball has lacked a hand like that for years. It needs it now worse than ever. Therefore, it is our object to appoint a big man to lead the new commission. On November 8, the owners of the eight National League and three American League teams which supported the Lasker Plan met and unanimously selected Landis as head of the proposed commission. The American League clubs that supported the plan threatened to move to the National League, away from Johnson, who opposed it. Johnson had hoped that the minor leagues would support his position; when they did not, he and the "Loyal Five" teams agreed to the Lasker Plan. In the discussions among the owners that followed, they decided that Landis would be the only commissioner–no associate members would be elected. On November 12, the team owners came to Landis's courtroom to approach him. Landis was trying a bribery case; when he heard noise in the back of the courtroom from the owners, he gaveled them to silence. He made them wait 45 minutes while he completed his docket, then met with them in his chambers. The judge heard out the owners; after expressing initial reluctance, he took the job for seven years at a salary of $50,000, on condition he could remain on the federal bench. During Landis's time serving as both judge and commissioner, he allowed a $7,500 reduction in his salary as commissioner, to reflect his pay as judge. The appointment of Landis was met with acclaim in the press. A tentative agreement was signed by the parties a month later—an agreement which itemized Landis's powers over baseball, and which was drafted by the judge. The owners were still reeling from the perception that baseball was crooked, and accepted the agreement virtually without dissent. Under the terms of the contract, Landis could not be dismissed by the team owners, have his pay reduced, or even be criticized by them in public. He also had nearly unlimited authority over every person employed in the major or minor leagues, from owners to batboys, including the ability to ban people from the leagues for life. The owners waived any recourse to the courts to contest Landis's will. Humorist Will Rogers stated, "[D]on't kid yourself that that old judicial bird isn't going to make those baseball birds walk the chalkline". Player and manager Leo Durocher later stated, "The legend has been spread that the owners hired the Judge off the federal bench. Don't you believe it. They got him right out of Dickens." Establishing control Banning the Black Sox On January 30, 1921, Landis, speaking at an Illinois church, warned: Now that I am in baseball, just watch the game I play. If I catch any crook in baseball, the rest of his life is going to be a pretty hot one. I'll go to any means and to anything possible to see that he gets a real penalty for his offense. The criminal case against the Black Sox defendants suffered unexpected setbacks, with evidence vanishing, including some of the incriminating statements made to the grand jury. The prosecution was forced to dismiss the original indictments, and bring new charges against seven of the ballplayers (McMullin was not charged again). Frustrated by the delays, Landis placed all eight on an "ineligible list", banning them from major and minor league baseball. Comiskey supported Landis by giving the seven who remained under contract to the White Sox their unconditional release. Public sentiment was heavily against the ballplayers, and when Jackson, Williams, Felsch, and Weaver played in a semi-pro game, The Sporting News mocked the 3,000 attendees, "Just Like Nuts Go to See a Murderer". The criminal trial of the Black Sox indictees began in early July 1921. Despite what Robert C. Cottrell, in his book on the scandal, terms "the mysterious loss of evidence", the prosecution was determined to pursue the case, demanding five-year prison terms for the ballplayers for defrauding the public by throwing the World Series. On August 2, 1921, the jury returned not guilty verdicts against all defendants, leading to happy pandemonium in the courtroom, joined by the courtroom bailiffs, with even the trial judge, Hugo Friend, looking visibly pleased. The players and jury then retired to an Italian restaurant and partied well into the night. The jubilation proved short-lived. On August 3, Landis issued a statement: Regardless of the verdict of juries, no player that throws a ball game; no player that undertakes or promises to throw a ball game; no player that sits in a conference with a bunch of crooked players and gamblers where the ways and means of throwing ball games are planned and discussed and does not promptly tell his club about it, will ever play professional baseball. Of course, I don't know that any of these men will apply for reinstatement, but if they do, the above are at least a few of the rules that will be enforced. Just keep in mind that, regardless of the verdict of juries, baseball is competent to protect itself against crooks, both inside and outside the game. According to ESPN columnist Rob Neyer, "with that single decision, Landis might have done more for the sport than anyone else, ever. Certainly, Landis never did anything more important." According to Carney, "The public amputation of the eight Sox was seen as the only acceptable cure." Over the years of Landis's commissionership, a number of the players applied for reinstatement to the game, notably Jackson and Weaver. Jackson, raised in rural South Carolina and with limited education, was said to have been drawn unwillingly into the conspiracy, while Weaver, though admitting his presence at the meetings, stated that he took no money. Both men stated that their play on the field, and their batting percentages during the series (.375 for Jackson, .324 for Weaver) indicated that they did not help to throw the series. None was ever reinstated, with Landis telling a group of Weaver supporters that his presence at the meetings with the gamblers was sufficient to bar him. Even today, long after the deaths of all three men, efforts are periodically made to reinstate Jackson (which would make him eligible for election to the National Baseball Hall of Fame) and Weaver (deemed by some the least culpable of the eight). In the 1990s, a petition drive to reinstate Jackson drew 60,000 signatures. He has been treated sympathetically in movies such as Eight Men Out and Field of Dreams, and Hall of Famers Ted Williams and Bob Feller expressed their support for Jackson's induction into the Hall. Landis's expulsion of the eight men remains in force. Cracking down on gambling Landis felt that the Black Sox scandal had been initiated by people involved in horse racing, and stated that "by God, as long as I have anything to do with this game, they'll never get another hold on it." In 1921, his first season as commissioner, New York Giants owner Charles Stoneham and manager John McGraw purchased Oriental Park Racetrack in Havana, Cuba. Landis gave Stoneham and McGraw an ultimatum—they could not be involved in both baseball and horse racing. They quickly put the track back on the market. Even before the Black Sox scandal had been resolved, Landis acted to clean up other gambling cases. Eugene Paulette, a first baseman for the Philadelphia Phillies, had been with the St. Louis Cardinals in 1919, and had met with gamblers. It is uncertain if any games were fixed, but Paulette had written a letter naming two other Cardinals who might be open to throwing games. The letter had fallen into the hands of Phillies President William F. Baker, who had taken no action until Landis's appointment, then turned the letter over to him. Paulette met with Landis once, denying any wrongdoing, then refused further meetings. Landis placed him on the ineligible list in March 1921. In November 1921, Landis banned former St. Louis Browns player Joe Gedeon, who had been released by the Browns after admitting to sitting in on meetings with gamblers who were trying to raise the money to bribe the Black Sox. When a minor league official asked if he was eligible, Landis settled the matter by placing Gedeon on the ineligible list. Two other player gambling affairs marked Landis's early years as commissioner. In 1922, Giants pitcher Phil Douglas, embittered at McGraw for disciplining him for heavy drinking, wrote a letter to Cardinals outfielder Leslie Mann, suggesting that he would take a bribe to ensure the Giants did not win the pennant. Although Mann had been a friend, the outfielder neither smoked nor drank and had long been associated with the YMCA movement; according to baseball historian Lee Allen, Douglas might as well have sent the letter to Landis himself. Mann immediately turned over the letter to his manager, Branch Rickey, who ordered Mann to contact Landis at once. The Giants placed Douglas on the ineligible list, an action backed by Landis after meeting with the pitcher. On September 27, 1924, Giants outfielder Jimmy O'Connell offered Phillies shortstop Heinie Sand $500 if Sand didn't "bear down too hard against us today". Sand was initially inclined to let the matter pass, but recalling the fate of Weaver and other Black Sox players, told his manager, Art Fletcher. Fletcher met with Heydler, who contacted Landis. O'Connell did not deny the bribe attempt, and was placed on the ineligible list. In total, Landis banned eighteen players from the game. Landis biographer Pietrusza details the effect of Landis's stand against gambling: Before 1920 if one player approached another player to throw a contest, there was a very good chance he would not be informed upon. Now, there was an excellent chance he would be turned in. No honest player wanted to meet the same fate as Buck Weaver ... Without the forbidding example of Buck Weaver to haunt them, it is unlikely Mann and Sand would have snitched on their fellow players. After Landis' unforgiving treatment of the popular and basically honest Weaver they dared not to. And once prospectively crooked players knew that honest players would no longer shield them, the scandals stopped. Ruth-Meusel barnstorming incident At the time of Landis's appointment as commissioner, it was common for professional baseball players to supplement their pay by participating in postseason "barnstorming" tours, playing on teams which would visit smaller cities and towns to play games for which admission would be charged. Since 1911, however, players on the two World Series teams had been barred from barnstorming. The rule had been leniently enforced—in 1916, several members of the champion Red Sox, including pitcher George Herman "Babe" Ruth had barnstormed and had been fined a token $100 each by the National Commission. Ruth, who after the 1919 season had been sold to the Yankees, and who by then had mostly abandoned his pitching role for the outfield, was the focus of considerable fan interest as he broke batting records in 1920 and 1921, some by huge margins. Ruth's major league record 29 home runs with the Red Sox in 1919 fell to his own efforts in 1920, when he hit 54. He then proceeded to hit 59 in 1921, leading the Yankees to their first pennant. Eight major league teams failed to hit as many home runs in 1921 as Ruth hit by himself. The Yankees lost the 1921 World Series to the Giants (Ruth was injured and missed several games) and after the series, the outfielder proposed to capitalize on fan interest by leading a team of barnstormers, including Yankees teammate Bob Meusel, in violation of the rule. According to Cottrell, [T]he two men clashed who helped the national pastime overcome the Black Sox scandal, one through his seemingly iron will, the other thanks to his magical bat. Judge Kenesaw Mountain Landis and Babe Ruth battled over the right of a ballplayer from a pennant-winning squad to barnstorm in the off-season. Also involved was the commissioner's continued determination to display, as he had through his banishment of the Black Sox, that he had established the boundaries for organized baseball. These boundaries, Landis intended to demonstrate, applied even to the sport's most popular and greatest star. Significant too, only Babe Ruth now contended with Commissioner Landis for the title of baseball's most important figure. Ruth had asked Yankees general manager Ed Barrow for permission to barnstorm. Barrow had no objection but warned Ruth he must obtain Landis's consent. Landis biographer Spink, who was at the time the editor of The Sporting News, stated, "I can say that Ruth knew exactly what he was doing when he defied Landis in October, 1921. He was willing to back his own popularity and well-known drawing powers against the Judge." Ruth, to the commissioner's irritation, did not contact Landis until October 15, one day before the first exhibition. When the two spoke by telephone, Landis ordered Ruth to attend a meeting with him; Ruth refused, stating that he had to leave for Buffalo for the first game. Landis angrily refused consent for Ruth to barnstorm, and after slamming down the receiver, is recorded as saying, "Who the hell does that big ape think he is? That blankety-blank! If he goes on that trip it will be one of the sorriest things he has ever done." By one account, Yankees co-owner Colonel Tillinghast Huston attempted to dissuade Ruth as he departed, only to be told by the ballplayer, "Aw, tell the old guy to jump in a lake." The tour also featured fellow Yankees Bob Meusel and Bill Piercy (who had been called up late in the season and was ineligible for the World Series) as well as Tom Sheehan, who had been sent to the minor leagues before the end of the season. Two other Yankees, Carl Mays and Wally Schang, had been scheduled to join the tour, but given Landis's position, according to Spink, "wisely decided to pass it up". Spink describes the tour as "a fiasco." On Landis's orders, it was barred from all major and minor league ballparks. In addition, it was plagued by poor weather, and was called off in late October. In early December, Landis suspended Ruth, Piercy, and Meusel until May 20, 1922. Yankee management was actually relieved; they had feared Landis would suspend Ruth for the season or even longer. Both the Yankees and Ruth repeatedly asked Landis for the players' early reinstatement, which was refused, and when Landis visited the Yankees during spring training in New Orleans, he lectured Ruth for two hours on the value of obeying authority. "He sure can talk", noted Ruth. When Ruth returned on May 20, he batted 0-for-4, and was booed by the crowd at the Polo Grounds. According to Pietrusza, "Always a politician, there was one boss Landis did fear: public opinion. He had no guarantee at the start of the Ruth controversy that the public and press would back him as he assumed unprecedented powers over baseball. Now, he knew they would." Policies as commissioner Major-minor league relations; development of the farm system At the start of Landis's commissionership, the minor league teams were for the most part autonomous of the major leagues; in fact the minor leagues independently chose to accept Landis's rule. To ensure players did not become mired in the minor leagues without a chance to earn their way out, major league teams were able to draft players who played two consecutive years with the same minor league team. Several minor leagues were not subject to the draft; Landis fought for the inclusion of these leagues, feeling that the non-draft leagues could prevent players from advancing as they became more skilled. By 1924, he had succeeded, as the International League, the final holdout, accepted the draft. By the mid-1920s, major league clubs were beginning to develop "farm systems", that is, minor league teams owned or controlled by them, at which they could develop young prospects without the risk of the players being acquired by major league rivals. The pioneer in this development was Branch Rickey, who then ran the St. Louis Cardinals. As the 1921 National Agreement among the major and minor leagues which implemented Landis's hiring lifted a ban on major league teams owning minor league ones, Landis was limited in his avenues of attack on Rickey's schemes. Developing talent at little cost thanks to Rickey, the Cardinals dominated the National League, winning nine league titles in the years from 1926 to 1946. Soon after Landis's appointment, he surprised the major league owners by requiring that they disclose their minor league interests. Landis fought against the practice of "covering up", using transfers between two teams controlled by the same major league team to make players ineligible for the draft. His first formal act as commissioner was to declare infielder Phil Todt a free agent, dissolving his contract with the St. Louis Browns (at the time run by Rickey, who soon thereafter moved across town to run the Cardinals); in 1928, he ruled future Hall of Famer Chuck Klein a free agent as he held the Cardinals had tried to cover Klein up by having him play in a league where they owned two affiliates. The following year, he freed Detroit Tigers prospect and future Hall of Famer Rick Ferrell, who attracted a significant signing bonus from the Browns. In 1936, Landis found that teenage pitching prospect Bob Feller's signing by minor league club Fargo-Moorhead had been a charade; the young pitcher was for all intents and purposes property of the Cleveland Indians. However, Feller indicated that he wanted to play for Cleveland and Landis issued a ruling which required the Indians to pay damages to minor league clubs, but allowed them to retain Feller, who went on to a Hall of Fame career with the Indians. Landis's attempts to crack down on "covering up" provoked the only time he was ever sued by one of his owners. After the 1930 season, minor leaguer Fred Bennett, convinced he was being covered up by the Browns, petitioned Landis for his release. Landis ruled that the Browns could either keep Bennett on their roster for the entire 1931 season, trade him, or release him. Instead, Browns owner Phil Ball brought suit against Landis in his old court in Chicago. Federal Judge Walter Lindley ruled for Landis, noting that the agreements and rules were intended to "endow the Commissioner with all the attributes of a benevolent but absolute despot and all the disciplinary powers of the proverbial pater familias". Ball intended to appeal, but after a meeting between team owners and Landis in which the commissioner reminded owners of their agreement not to sue, decided to drop the case. Landis had hoped that the large Cardinal farm system would become economically unfeasible; when it proved successful for the Cardinals, he had tolerated it for several years and was in a poor position to abolish it. In 1938, however, finding that the Cardinals effectively controlled multiple teams in the same league (a practice disliked by Landis), he freed 70 players from their farm system. As few of the players were likely prospects for the major leagues, Landis's actions generated headlines, but had little effect on the Cardinals organization, and the development of the modern farm system, whereby each major league club has several minor league teams which it uses to develop talent, proceeded apace. Rob Neyer describes Landis's effort as "a noble effort in a good cause, but it was also doomed to fail." Baseball color line One of the most controversial aspects of Landis's commissionership is the question of race. From 1884, black ballplayers were informally banned from organized baseball. No black ballplayer played in organized baseball during Landis's commissionership; Rickey (then running the Brooklyn Dodgers) broke the color line by signing Jackie Robinson to play for the minor league Montreal Royals in 1946, after Landis's death. Robinson became the first African-American in the major leagues since the 19th century, playing with the Dodgers beginning in 1947. According to contemporary newspaper columns, at the time of his appointment as commissioner, Landis was considered a liberal on race questions; two Chicago African-American newspapers defended him against the 1921 efforts to impeach him from his judgeship. However, a number of baseball authors have ascribed racism to Landis, who they say actively perpetuated baseball's color line. James Bankes, in The Pittsburgh Crawfords, tracing the history of that Negro league team, states that Landis, whom the author suggests was a Southerner, made "little effort to disguise his racial prejudice during 25 years in office" and "remained a steadfast foe of integration". Negro league historian John Holway termed Landis "the hard-bitten Carolinian Kennesaw Mountain Landis". In a 2000 article in Smithsonian magazine, writer Bruce Watson states that Landis "upheld baseball's unwritten ban on black players and did nothing to push owners toward integration". A number of authors say that Landis banned major league play against black teams for fear the white teams would lose, though they ascribe various dates for this action, and the Dodgers are known to have played black teams in and around their Havana spring training base as late as 1942. Landis's documented actions on race are inconsistent. In 1938, Yankee Jake Powell was interviewed by a radio station, and when asked what he did in the offseason, made comments that were interpreted as meaning he worked as a police officer and beat up African Americans. Landis suspended Powell for ten days. In June 1942, the Negro league Kansas City Monarchs played several games against the white "Dizzy Dean All-Stars" at major league ballparks, attracting large crowds. After three games, all won by the Monarchs, Landis ordered a fourth canceled, on the ground that the games were outdrawing major league contests. On one occasion, Landis intervened in Negro league affairs, though he had no jurisdiction to do so. The Crawfords lost a game to a white semi-pro team when their star catcher, Josh Gibson dropped a pop fly, and Gibson was accused of throwing the game at the behest of gamblers. Landis summoned the black catcher to his office, interviewed him, and announced that Gibson was cleared of wrongdoing. In July 1942, Dodger manager Leo Durocher charged that there was a "grapevine understanding" keeping blacks out of baseball. He was summoned to Landis's Chicago office, and after emerging from a meeting with the commissioner, alleged that he had been misquoted. Landis then addressed the press, and stated, Negroes are not barred from organized baseball by the commissioner and never have been in the 21 years I have served. There is no rule in organized baseball prohibiting their participation and never has been to my knowledge. If Durocher, or if any other manager, or all of them, want to sign one, or twenty-five Negro players, it is all right with me. That is the business of the managers and the club owners. The business of the commissioner is to interpret the rules of baseball, and to enforce them. In his 1961 memoir, Veeck as in Wreck, longtime baseball executive and owner Bill Veeck told of his plan, in 1942, to buy the Phillies and stock the team with Negro league stars. Veeck wrote that he told Landis, who reacted with shock, and soon moved to block the purchase. In his book, Veeck placed some of the blame on National League President Ford Frick, but later reserved blame exclusively for Landis, whom he accused of racism, stating in a subsequent interview, "[a]fter all, a man who is named Kenesaw Mountain was not born and raised in the state of Maine." However, when Veeck was asked for proof of his allegations against Landis, he stated, "I have no proof of that. I can only surmise." According to baseball historian David Jordan, "Veeck, nothing if not a storyteller, seems to have added these embellishments, sticking in some guys in black hats, simply to juice up his tale." In November 1943, Landis agreed after some persuasion that black sportswriter Sam Lacy should make a case for integration of organized baseball before the owners' annual meeting. Instead of Lacy attending the meeting, actor Paul Robeson did. Robeson, though a noted black actor and advocate of civil rights, was a controversial figure due to his affiliation with the Communist Party. The owners heard Robeson out, but at Landis's suggestion, did not ask him any questions or begin any discussion with him. Neyer noted that "Landis has been blamed for delaying the integration of the major leagues, but the truth is that the owners didn't want black players in the majors any more than Landis did. And it's not likely that, even if Landis hadn't died in 1944, he could have prevented Branch Rickey from bringing Jackie Robinson to the National League in 1947." The Baseball Writers' Association of America after Landis's death in 1944 renamed its Most Valuable Player Awards after Landis, but removed his name in 2020 with a vote of 89 percent of voting members in favor. The president of the association said Landis had "notably failed to integrate the game during his tenure". C.C. Johnson Spink, son of Landis biographer J.G. Taylor Spink and his successor as editor of The Sporting News, noted in the introduction to the reissue of his father's biography of Landis, K.M. Landis was quite human and not infallible. If, for example, he did drag his feet at erasing baseball's color line, he was grievously wrong, but then so were many others of his post-Civil War generation. World Series and All-Star Game; other innovations Landis took full jurisdiction over the World Series, as a contest between representatives of the two major leagues. Landis was blamed when the umpires called a game on account of darkness with the score tied during the 1922 World Series, even though there was still light. Landis decided that such decisions in future would be made by himself, moved forward the starting time of World Series games in future years, and announced that proceeds from the tied game would be donated to charity. In the 1932 World Series, Landis ordered that tickets for Game One at Yankee Stadium only be sold as part of strips, forcing fans to purchase tickets for all Yankee home games during that Series. Bad weather and the poor economy resulted in a half-filled stadium, and Landis allowed individual game sales for Game Two. During the 1933 World Series, he instituted a rule that only he could throw a player out of a World Series game, a rule which followed the ejection of Washington Senator Heinie Manush by umpire Charley Moran. The following year, with the visiting Cardinals ahead of the Detroit Tigers, 9–0 in Game Seven, he removed Cardinal Joe Medwick from the game for his own safety when Medwick, the left fielder, was pelted with fruit by Tiger fans after Medwick had been involved in a fight with one of the Tigers. Spink notes that Landis would most likely not have done so were the game within reach of the Tigers. In the 1938 World Series, umpire Moran was hit by a wild throw and suffered facial injuries. He was able to continue, but the incident caused Landis to order that World Series games and All-Star Games be played with six umpires. The All-Star Game began in 1933; Landis had been a strong supporter of the proposal for such a contest, and after the first game remarked, "That's a grand show, and it should be continued." He never missed an All-Star Game in his lifetime; his final public appearance was at the 1944 All-Star Game in Pittsburgh. In 1928, National League ball clubs proposed an innovation whereby each team's pitcher, usually the weakest hitter in the lineup, would not bat, but be replaced for the purposes of batting and base-running by a tenth player. There were expectations that at the interleague meetings that year, the National League teams would vote for it, and the American League teams against it, leaving Landis to cast the deciding vote. In the event, the proposal was withdrawn, and Landis did not disclose how he would have voted on this early version of the "designated hitter" rule. Landis disliked the innovation of "night baseball", played in the evening with the aid of artificial light, and sought to discourage teams from it. Despite this, he attended the first successful minor league night game, in Des Moines, Iowa, in 1930. When major league night baseball began in the late 1930s, Landis got the owners to restrict the number of such games. During World War II, many restrictions on night baseball were reduced, with the Washington Senators permitted to play all their home games (except those on Sundays and holidays) at night. World War II, death, and legacy With the entry of the United States into World War II in late 1941, Landis wrote to President Franklin D. Roosevelt, inquiring as to the wartime status of baseball. The President responded, urging Landis to keep baseball open, foreseeing that even those fully engaged in war work would benefit from inexpensive diversions such as attending baseball games. Many major leaguers enlisted or were drafted; even so Landis repeatedly stated, "We'll play as long as we can put nine men on the field." Although many of the teams practiced at their normal spring training sites in 1942, beginning the following year they were required to train near their home cities or in the Northeast. Landis was as virulently opposed to the Axis Powers as he had been towards the Kaiser, writing that peace would not be possible until "about fifteen thousand little Hitler, Himmlers and Hirohitos" were killed. Landis retained a firm hold on baseball despite his advancing years and, in 1943, banned Phillies owner William D. Cox from baseball for betting on his own team. In 1927, Landis's stance regarding gambling had been codified in the rules of baseball: "Any player, umpire, or club or league official or employee who shall bet any sum whatsoever upon any baseball game in connection with which the bettor had a duty to perform shall be declared permanently ineligible." Cox was required to sell his stake in the Phillies. In early October 1944, Landis checked into St. Luke's Hospital in Chicago, where his wife Winifred had been hospitalized, with a severe cold. While in the hospital, he had a heart attack, causing him to miss the World Series for the first time in his commissionership. He remained fully alert, and as usual signed the World Series share checks to players. His contract was due to expire in January 1946; on November 17, 1944, baseball's owners voted him another seven-year term. However, on November 25, he died surrounded by family, five days after his 78th birthday. His longtime assistant, Leslie O'Connor, wept as he read the announcement for the press. Landis is buried at Oak Woods Cemetery in Chicago. Two weeks after his death, Landis was voted into the National Baseball Hall of Fame by a special committee vote. American League President Will Harridge said of Landis, "He was a wonderful man. His great qualities and downright simplicity impressed themselves deeply on all who knew him." Pietrusza suggests that the legend on Landis's Hall of Fame plaque is his true legacy: "His integrity and leadership established baseball in the esteem, respect, and affection of the American people." Pietrusza notes that Landis was hired by the baseball owners to clean up the sport, and "no one could deny Kenesaw Mountain Landis had accomplished what he had been hired to do". According to his first biographer, Spink: [Landis] may have been arbitrary, self-willed and even unfair, but he 'called 'em as he saw 'em' and he turned over to his successor and the future a game cleansed of the nasty spots which followed World War I. Kenesaw Mountain Landis put the fear of God into weak characters who might otherwise have been inclined to violate their trust. And for that, I, as a lifelong lover of baseball, am eternally grateful. References Notes Bibliography External links A Brief Biography Lyrics to 'Kenesaw Mountain Landis' by Jonathan Coulton 1866 births 1944 deaths People from Butler County, Ohio Judges of the United States District Court for the Northern District of Illinois National Baseball Hall of Fame inductees Major League Baseball commissioners People from Cass County, Indiana Lawyers from Chicago American people of Swiss descent Northwestern University Pritzker School of Law alumni United States district court judges appointed by Theodore Roosevelt 20th-century American judges Illinois Republicans History of baseball in the United States Indiana Republicans	true	[ "Roger David Connor (born 8 June 1939) is a British judge.\n\nEarly life\nConnor was born in 1939, the son of Susie Violet (née Spittlehouse) and Thomas Bernard Connor. He attended Merchant Taylors' School in London, before studying at Brunel College of Advanced Science and Technology. He then studied law at The College of Law.\n\nLegal career\nConnor's professional career began as a solicitor. He did an apprenticeship with J. R. Hodder between 1963 and 1968, before working as an assistant solicitor. In 1970, he became a partner in Hodders Solicitors, a position he held until 1983. He served as a Metropolitan Stipendiary Magistrate between 1983 and 1991, acting as a recorder for the last four of these years. In 1991, he became a circuit judge. He retired in 2005, and was appointed a Deputy Lieutenant of Buckinghamshire.\n\nDuring his time as a judge, he was once suspended from a case for laughing during the speech of a defence counsel.\n\nViews\nWhen interviewed in 2005, Connor expressed his support of Drug Testing and Treatment Orders, which enable drug-related offenders to receive treatment in place of custodial sentences. Connor described these orders as \"wonderful when they work\", although they could only really be used \"when the defendant is sufficiently motivated\". Connor also expressed disagreement with judges who sentence mental health sufferers to prison terms, which he called a \"disgrace\".\n\nPersonal life\nConnor married Sandra Home Holmes in 1967. They have two sons. They live in Little Missenden in Buckinghamshire.\n\nConnor's interests include playing golf and gardening. He is a member of Beaconsfield Golf Club and East Devon Golf Club. and a Deputy Lieutenant of Buckinghamshire.\n\nReferences\n\n1939 births\nBritish judges\nDeputy Lieutenants of Buckinghamshire\nLiving people", "Quartus de Wet (10 March 1899 – 18 December 1980) was a South African judge who served as Judge President of the Transvaal Provincial Division of the Supreme Court of South Africa.\n\nEarly life and education\nBorn in 1899 in Pretoria, he was the son of Nicolaas Jacobus de Wet, Chief Justice of South Africa and acting Governor-General, and Ella Scheepers (his first wife), who is reputed to have composed the popular Afrikaans song Sarie Marais during the Anglo-Boer War. De Wet matriculated at Pretoria Boys' High School and attended the Transvaal University College and University of Cape Town, where he graduated with BA and LLB degrees.\n\nCareer\nIn 1922, De Wet was admitted as an advocate (the South African equivalent of a barrister) to the bar of Pretoria and after twenty three years in practice, in 1945, he took silk. He became a judge of the Transvaal Provincial Division in 1950, and he became the Judge President in 1961.\n\nHe is famous for presiding over the 1963 Rivonia Trial of Nelson Mandela and other anti-apartheid activists. During the Rivonia Trial, de Wet sentenced Mandela and other anti-apartheid activists to life imprisonment, instead of a possible death sentence, for sabotage as a result of the trial, and he noted as he passed sentence:\n\nDe Wet retired in 1969, and died in 1980; he did not (unlike the prosecutor, Percy Yutar) live to see Mandela's release in 1990.\n\nSee also\nList of Judges President of the Gauteng Division of the High Court of South Africa\n\nReferences \n\n1899 births\n1980 deaths\nAfrikaner people\nSouth African people of Dutch descent\nSouth African judges\nPeople from Pretoria\nSouth African Queen's Counsel" ]
[ "Kenesaw Mountain Landis", "Judge (1905-22)", "How old was Landis when he became a judge?", "I don't know.", "Where did he live when he became a judge?", "Chicago" ]	C_84d50d4e83ca4878bc84ab036e1e9dea_0	Was he a judge on a federal or state level?	3	Was Kenesaw Mountain Landis a judge on a federal or state level?	Kenesaw Mountain Landis	Landis's courtroom, room 627 in the Chicago Federal Building, was ornate and featured two murals; one of King John conceding Magna Carta, the other of Moses about to smash the tablets of the Ten Commandments. The mahogany and marble chamber was, according to Landis biographer David Pietrusza, "just the spot for Landis's sense of the theatrical. In it he would hold court for nearly the next decade and a half." According to Spink, "It wasn't long before Chicago writers discovered they had a 'character' on the bench." A. L. Sloan of the Chicago Herald-American, a friend of Landis, recalled: The Judge was always headline news. He was a great showman, theatrical in appearance, with his sharp jaw and shock of white hair, and people always crowded into his courtroom, knowing there would be something going on. There were few dull moments. If Judge Landis was suspicious of an attorney's line of questioning, he would begin to wrinkle his nose, and once told a witness, "Now let's stop fooling around and tell exactly what did happen, without reciting your life's history." When an elderly defendant told him that he would not be able to live to complete a five-year sentence, Landis scowled at him and asked, "Well, you can try, can't you?" When a young man stood before him for sentencing after admitting to stealing jewels from a parcel, the defendant's wife stood near him, infant daughter in her arms, and Landis mused what to do about the situation. After a dramatic pause, Landis ordered the young man to take his wife and daughter and go home with them, expressing his unwillingness to have the girl be the daughter of a convict. According to sportswriter Ed Fitzgerald in SPORT magazine, "[w]omen wept unashamed and the entire courtroom burst into spontaneous, prolonged applause." Landis had been a lawyer with a corporate practice; upon his elevation to the bench, corporate litigants expected him to favor them. According to a 1907 magazine article about Landis, "Corporations smiled pleasantly at the thought of a corporation lawyer being on the bench. They smile no more." In an early case, Landis fined the Allis-Chalmers Manufacturing Company the maximum $4,000 for illegally importing workers, even though Winifred Landis's sister's husband served on the corporate board. In another decision, Landis struck down a challenge to the Interstate Commerce Commission's (ICC) jurisdiction over rebating, a practice banned by the Elkins Act of 1903 in which railroads and favored customers agreed that the customers would pay less than the posted tariff, which by law was to be the same for all shippers. Landis's decision allowed the ICC to take action against railroads which gave rebates. CANNOTANSWER	Landis's courtroom, room 627 in the Chicago Federal Building,	Kenesaw Mountain Landis (; November 20, 1866 – November 25, 1944) was an American jurist who served as a United States federal judge from 1905 to 1922 and the first Commissioner of Baseball from 1920 until his death. He is remembered for his handling of the Black Sox scandal, in which he expelled eight members of the Chicago White Sox from organized baseball for conspiring to lose the 1919 World Series and repeatedly refused their reinstatement requests. His firm actions and iron rule over baseball in the near quarter-century of his commissionership are generally credited with restoring public confidence in the game. Born in Millville, Ohio, Landis' given name was a spelling variation of the site of the Battle of Kennesaw Mountain, a major battle of the American Civil War in which his father had been wounded. Raised in Indiana, he became a lawyer, and then personal secretary to Walter Q. Gresham, the new United States Secretary of State, in 1893. He returned to private practice after Gresham died in office. President Theodore Roosevelt appointed Landis as a judge of the United States District Court for the Northern District of Illinois in 1905. Landis received national attention in 1907 when he fined Standard Oil of Indiana more than $29 million (approximately $800 million in 2021) for violating federal laws forbidding rebates on railroad freight tariffs. Though Landis was reversed on appeal, he was seen as a judge determined to rein in big business. During and after World War I, Landis presided over several high-profile trials of draft resisters and others whom he saw as opposing the war effort. He imposed heavy sentences on those who were convicted; some of the convictions were reversed on appeal, and other sentences were commuted. In 1920, Landis was a leading candidate when American League and National League team owners, embarrassed by the Black Sox scandal and other instances of players throwing games, sought someone to rule over baseball. Landis was given full power to act in the sport's best interest, and used that power extensively over the next quarter-century. Landis was widely praised for cleaning up the game, although some of his decisions in the Black Sox matter remain controversial: supporters of "Shoeless Joe" Jackson and Buck Weaver contend that he was overly harsh with those players. Others blame Landis for, in their view, delaying the racial integration of baseball. Landis was elected to the National Baseball Hall of Fame by a special vote shortly after he died in 1944. Early life and pre-judicial career (1866–1905) Boyhood and early career (1866–1893) Kenesaw Mountain Landis was born in Millville, Ohio, the sixth child and fourth son of Abraham Hoch Landis, a physician, and Mary Kumler Landis, on November 20, 1866. The Landises descended from Swiss Mennonites who had emigrated to Alsace before coming to the United States. Abraham Landis had been wounded fighting on the Union side at the Battle of Kennesaw Mountain in Georgia, and when his parents proved unable to agree on a name for the new baby, Mary Landis proposed that they call him Kenesaw Mountain. At the time, both spellings of "Kenesaw" were used, but in the course of time, "Kennesaw Mountain" became the accepted spelling of the battle site. Abraham Landis worked in Millville as a country physician. When Kenesaw was eight, the elder Landis moved his family to Delphi, Indiana, and subsequently to Logansport, Indiana, where the doctor purchased and ran several local farms—his war injury had caused him to scale back his medical practice. Two of Kenesaw's four brothers, Charles Beary Landis and Frederick Landis, became members of Congress. As "Kenny", as he was sometimes known, grew, he did an increasing share of the farm work, later stating, "I did my share—and it was a substantial share—in taking care of the 13 acres ... I do not remember that I particularly liked to get up at 3:30 in the morning." Kenesaw began his off-farm career at age ten as a news delivery boy. He left school at 15 after an unsuccessful attempt to master algebra; he then worked at the local general store. He left that job for a position as errand boy with the Vandalia Railroad. Landis applied for a job as a brakeman, but was laughingly dismissed as too small. He then worked for the Logansport Journal, and taught himself shorthand reporting, becoming in 1883 official court reporter for the Cass County Circuit Court. Landis later wrote, "I may not have been much of a judge, nor baseball official, but I do pride myself on having been a real shorthand reporter." He served in that capacity until 1886. In his spare time, he became a prize-winning bicycle racer and played on and managed a baseball team. Offered a professional contract as a ballplayer, he turned it down, stating that he preferred to play for the love of the game. In 1886, Landis first ventured into Republican Party politics, supporting a friend, Charles F. Griffin, for Indiana Secretary of State. Griffin won, and Landis was rewarded with a civil service job in the Indiana Department of State. While employed there, he applied to be an attorney. At that time, in Indiana, an applicant needed only to prove that he was 21 and of good moral character, and Landis was admitted. Landis opened a practice in Marion, Indiana, but attracted few clients in his year of work there. Realizing that an uneducated lawyer was unlikely to build a lucrative practice, Landis enrolled at Cincinnati's YMCA Law School (now part of Northern Kentucky University) in 1889. Landis transferred to Union Law School (part of Northwestern University) the following year, and in 1891, he took his law degree from Union and was admitted to the Illinois Bar. He began a practice in Chicago, served as an assistant instructor at Union and with fellow attorney Clarence Darrow helped found the nonpartisan Chicago Civic Centre Club, devoted to municipal reform. Landis practiced with college friend Frank O. Lowden; the future commissioner and his law partner went into debt to impress potential clients, buying a law library secondhand. Washington years and aftermath (1893–1905) In March 1893, President Grover Cleveland appointed federal judge Walter Q. Gresham as his Secretary of State, and Gresham hired Landis as his personal secretary. Gresham had a long career as a political appointee in the latter part of the 19th century; though he lost his only two bids for elective office, he served in three Cabinet positions and was twice a dark horse candidate for the Republican presidential nomination. Although Gresham was a Republican, he had supported Cleveland (a Democrat) in the 1892 election because of his intense dislike for the Republican nominee, President Benjamin Harrison. Kenesaw Landis had appeared before Judge Gresham in court. According to Landis biographer J.G. Taylor Spink, Gresham thought Landis "had something on the ball" and believed that Landis's shorthand skills would be of use. In Washington, Landis worked hard to protect Gresham's interests in the State Department, making friends with many members of the press. He was less popular among many of the Department's senior career officials, who saw him as brash. When word leaked concerning President Cleveland's Hawaiian policy, the President was convinced Landis was the source of the information and demanded his dismissal. Gresham defended Landis, stating that Cleveland would have to fire both of them, and the President relented, later finding out that he was mistaken in accusing Landis. President Cleveland grew to like Landis, and when Gresham died in 1895, offered Landis the post of United States Ambassador to Venezuela. Landis declined the diplomatic post, preferring to return to Chicago to begin a law practice and to marry Winifred Reed, daughter of the Ottawa, Illinois postmaster. The two married July 25, 1895; they had two surviving children, a boy, Reed, and a girl, Susanne—a third child, Winifred, died almost immediately after being born. Landis built a corporate law practice in Chicago; with the practice doing well, he deeply involved himself in Republican Party politics. He built a close association with his friend Lowden and served as his campaign manager for governor of Illinois in 1904. Lowden was defeated, but would later serve two terms in the office and be a major contender for the 1920 Republican presidential nomination. A seat on the United States District Court for the Northern District of Illinois was vacant; President Theodore Roosevelt offered it to Lowden, who declined it and recommended Landis. Other recommendations from Illinois politicians followed, and Roosevelt nominated Landis for the seat. According to Spink, President Roosevelt wanted "a tough judge and a man sympathetic with his viewpoint in that important court"; Lowden and Landis were, like Roosevelt, on the progressive left of the Republican Party. On March 18, 1905, Roosevelt transmitted the nomination to the Senate, which confirmed Landis the same afternoon, without any committee hearing; he received his commission the same day. Judge (1905–1922) Landis's courtroom, room 627 in the Chicago Federal Building, was ornate and featured two murals; one of King John conceding Magna Carta, the other of Moses about to smash the tablets of the Ten Commandments. The mahogany and marble chamber was, according to Landis biographer David Pietrusza, "just the spot for Landis's sense of the theatrical. In it he would hold court for nearly the next decade and a half." According to Spink, "It wasn't long before Chicago writers discovered they had a 'character' on the bench." A. L. Sloan of the Chicago Herald-American, a friend of Landis, recalled: The Judge was always headline news. He was a great showman, theatrical in appearance, with his sharp jaw and shock of white hair, and people always crowded into his courtroom, knowing there would be something going on. There were few dull moments. If Judge Landis was suspicious of an attorney's line of questioning, he would begin to wrinkle his nose, and once told a witness, "Now let's stop fooling around and tell exactly what did happen, without reciting your life's history." When an elderly defendant told him that he would not be able to live to complete a five-year sentence, Landis scowled at him and asked, "Well, you can try, can't you?" When a young man stood before him for sentencing after admitting to stealing jewels from a parcel, the defendant's wife stood near him, infant daughter in her arms, and Landis mused what to do about the situation. After a dramatic pause, Landis ordered the young man to take his wife and daughter and go home with them, expressing his unwillingness to have the girl be the daughter of a convict. According to sportswriter Ed Fitzgerald in SPORT magazine, "[w]omen wept unashamed and the entire courtroom burst into spontaneous, prolonged applause." Landis had been a lawyer with a corporate practice; upon his elevation to the bench, corporate litigants expected him to favor them. According to a 1907 magazine article about Landis, "Corporations smiled pleasantly at the thought of a corporation lawyer being on the bench. They smile no more." In an early case, Landis fined the Allis-Chalmers Manufacturing Company the maximum $4,000 for illegally importing workers, even though his wife's brother-in-law served on the corporate board. In another decision, Landis struck down a challenge to the Interstate Commerce Commission's (ICC) jurisdiction over rebating, a practice banned by the Elkins Act of 1903 in which railroads and favored customers agreed that the customers would pay less than the posted tariff, which by law was to be the same for all shippers. Landis's decision allowed the ICC to take action against railroads which gave rebates. Standard Oil (1905–1909) By the first decade of the 20th century, a number of business entities had formed themselves into trusts, which dominated their industries. Trusts often sought to purchase or otherwise neutralize their competitors, allowing the conglomerates to raise prices to high levels. In 1890, Congress had passed the Sherman Anti-Trust Act, but it was not until the Theodore Roosevelt administration (1901–09) that serious efforts were made to break up or control the trusts. The dominant force in the oil industry was Standard Oil, controlled by John D. Rockefeller. Modern-day ExxonMobil, Atlantic Richfield, Chevron, Sohio, Amoco and Continental Oil all trace their ancestry to various parts of Standard Oil. In March 1906, Commissioner of Corporations James Rudolph Garfield submitted a report to President Roosevelt, alleging large-scale rebating in Standard Oil shipments. Federal prosecutors in several states and territories sought indictments against components of the Standard Oil Trust. On June 28, 1906, Standard Oil of Indiana was indicted on 6,428 counts of violation of the Elkins Act for accepting rebates on shipments on the Chicago & Alton Railroad. The case was assigned to Landis. Trial on the 1,903 counts that survived pretrial motions began on March 4, 1907. The fact that rebates had been given was not contested; what was at issue was whether Standard Oil knew the railroad's posted rates, and if it had a duty to enquire if it did not. Landis charged the jury that it "was the duty of the defendant diligently in good faith to get from the Chicago & Alton ... the lawful rate". The jury found Standard Oil guilty on all 1,903 counts. The maximum fine that Landis could impose was $29,240,000. To aid the judge in determining the sentence, Landis issued a subpoena for Rockefeller to testify as to Standard Oil's assets. The tycoon had often evaded subpoenas, not having testified in court since 1888. Deputy United States marshals visited Rockefeller's several homes, as well as the estates of his friends, in the hope of finding him. After several days, Rockefeller was found at his lawyer's estate, Taconic Farm in northwestern Massachusetts, and was served with the subpoena. The tycoon duly came to Landis's Chicago courtroom, making his way through a mob anxious to see the proceedings. Rockefeller's actual testimony, proffered after the judge made him wait through several cases and witnesses, proved to be anticlimactic, as he professed almost no knowledge of Standard Oil's corporate structure or assets. On August 3, 1907, Landis pronounced sentence. He fined Standard Oil the maximum penalty, $29,240,000, the largest fine imposed on a corporation to that date. The corporation quickly appealed; in the meantime, Landis was lionized as a hero. According to Pietrusza, "much of the nation could hardly believe a federal judge had finally cracked down on a trust—and cracked down hard ". President Roosevelt, when he heard the sentence, reportedly stated, "That's bully." Rockefeller was playing golf in Cleveland when he was brought a telegram containing the news. Rockefeller calmly informed his golfing partners of the amount of the fine, and proceeded to shoot a personal record score, later stating, "Judge Landis will be dead a long time before this fine is paid." He proved correct; the verdict and sentence were reversed by the United States Court of Appeals for the Seventh Circuit on July 22, 1908. In January 1909, the Supreme Court refused to hear the case, and in a new trial before another judge (Landis recused himself), Standard Oil was acquitted. Federal League and Baby Iraene cases (1909–1917) A lifelong baseball fan, Landis often slipped away from the courthouse for a White Sox or Cubs game. In 1914, the two existing major leagues were challenged by a new league, the Federal League. In 1915, the upstart league brought suit against the existing leagues and owners under the Sherman Act and the case was assigned to Landis. Baseball owners feared that the reserve clause, which forced players to sign new contracts only with their former team, and the 10-day clause, which allowed teams (but not players) to terminate player contracts on ten days notice, would be struck down by Landis. Landis held hearings in late January 1915, and newspapers expected a quick decision, certainly before spring training began in March. During the hearings, Landis admonished the parties, "Both sides must understand that any blows at the thing called baseball would be regarded by this court as a blow to a national institution". When the National League's chief counsel, future Senator George Wharton Pepper referred to the activities of baseball players on the field as "labor", Landis interrupted him: "As a result of 30 years of observation, I am shocked because you call playing baseball 'labor.' " Landis reserved judgment, and the parties waited for his ruling. Spring training passed, as did the entire regular season and the World Series. In December 1915, still with no word from Landis, the parties reached a settlement, and the Federal League disbanded. Landis made no public statement as to the reasons for his failure to rule, though he told close friends that he had been certain the parties would reach a settlement sooner or later. Most observers thought that Landis waited because he did not want to rule against the two established leagues and their contracts. In 1916, Landis presided over the "Ryan Baby" or "Baby Iraene" case. The recent widow of a prominent Chicago banker, Anna Dollie Ledgerwood Matters, had brought a baby girl home from a visit to Canada and claimed that the child was her late husband's posthumous heir. Matters had left an estate of $250,000. However, a shop girl from Ontario, Margaret Ryan, claimed the baby was hers, and brought a writ of habeas corpus in Landis's court. Ryan stated that she had given birth to the girl in an Ottawa hospital, but had been told her baby had died. In the era before blood and DNA testing, Landis relied on witness testimony and awarded the child to Ryan. The case brought comparisons between Landis and King Solomon, who had judged a similar case. Landis was reversed by the Supreme Court, which held he had no jurisdiction in the matter. A Canadian court later awarded the child to Ryan. Although Landis was an autocrat in the courtroom, he was less so at home. In a 1916 interview, he stated, Every member of this family does exactly what he or she wants to do. Each one is his or her supreme court. Everything for the common good of the family is decided according to the wishes of the whole family. Each one knows what is right and each one can do whatever he thinks is best. It is purely democratic. Wartime cases (1917–1919) In early 1917, Landis considered leaving the bench and returning to private practice—though he greatly enjoyed being a judge, the salary of $7,500 was considerably lower than what he could make as an attorney. The entry of the United States into World War I in April ended Landis's determination to resign; a firm supporter of the war effort, he felt he could best serve the country by remaining on the bench. Despite this decision and his age, fifty, Landis wrote to Secretary of War Newton D. Baker, asking him to take him into the service and send him to France, where the war was raging. Baker urged Landis to make speeches in support of the war instead, which he did. The judge's son, Reed, had already served briefly in the Illinois National Guard; during the war he became a pilot, and eventually an ace. Landis's disdain for draft dodgers and other opponents of the war was evident in July 1917, when he presided over the trials of some 120 men, mostly foreign-born Socialists, who had resisted the draft and rioted in Rockford, Illinois. According to Pietrusza, Landis "was frequently brutal in his remarks" to the defendants, interrogating them on their beliefs. Landis tried the case in Rockford, and found all guilty, sentencing all but three to a year and a day in jail, the maximum sentence. The prisoners were ordered to register for the draft after serving their sentences—except 37, whom he ordered deported. On September 5, 1917, federal officers raided the national headquarters, in Chicago, of the Industrial Workers of the World (IWW, sometimes "Wobblies"), as well as 48 of the union's halls across the nation. The union had opposed the war and urged members and others to refuse conscription into the armed forces. On September 28, 166 IWW leaders, including union head Big Bill Haywood were indicted in the Northern District of Illinois; their cases were assigned to Landis. Some 40 of the indicted men could not be found; a few others had charges dismissed against them. Ultimately, Landis presided over a trial against 113 defendants, the largest federal criminal trial to that point. The trial began on April 1, 1918. Landis quickly dismissed charges against a dozen defendants, including one A.C. Christ, who showed up in newly obtained army uniform. Jury selection occupied a month. Journalist John Reed attended the trial, and wrote of his impressions of Landis: Small on the huge bench sits a wasted man with untidy white hair, an emaciated face in which two burning eyes are set like jewels, parchment-like skin split by a crack for a mouth; the face of Andrew Jackson three years dead ... Upon this man has devolved the historic role of trying the Social Revolution. He is doing it like a gentleman. In many ways a most unusual trial. When the judge enters the court-room after recess, no one rises—he himself has abolished the pompous formality. He sits without robes, in an ordinary business suit, and often leaves the bench to come down and perch on the step of the jury box. By his personal orders, spittoons are placed by the prisoners' seats ... and as for the prisoners themselves, they are permitted to take off their coats, move around, read newspapers. It takes some human understanding for a Judge to fly in the face of judicial ritual as much as that. Haywood biographer Melvyn Dubofsky wrote that Landis "exercised judicial objectivity and restraint for five long months". Baseball historian Harold Seymour stated that "[o]n the whole, Landis conducted the trial with restraint, despite his reputation as a foe of all radical groups." Landis dismissed charges against an elderly defendant who was in obvious pain as he testified, and allowed the release of a number of prisoners on bail or on their own recognizances. On August 17, 1918, following the closing argument for the prosecution (the defendants waived argument), Landis instructed the jury. The lead defense counsel objected to the wording of the jury charge several times, but Haywood believed it to have been fair. After 65 minutes, the jury returned with guilty verdicts for all of the remaining accused, much to their shock; they had believed that Landis's charge pointed towards their acquittal. When the defendants returned to court on August 29, Landis listened with patience to the defendants' final pleas. For the sentencing, according to Richard Cahan in his history of Chicago's district court, "mild-mannered Landis returned a changed man". Although two defendants received only ten days in jail, all others received at least a year and a day, and Haywood and fourteen others received twenty years. A number of defendants, including Haywood, obtained bail during the appeal; even before Haywood's appeals were exhausted, he jumped bail and took ship for the Soviet Union. The labor leader hung a portrait of Landis in his Moscow apartment, and when Haywood died in 1928, he was interred near John Reed (who had died of illness in Moscow after the Bolshevik Revolution) in the Kremlin Wall—they remain the only Americans so honored. President Calvin Coolidge commuted the sentences of the remaining incarcerated defendants in 1923, much to the disgust of Landis, who issued an angry statement. After leaving his judgeship, Landis referred to the defendants in the Haywood case as "scum", "filth", and "slimy rats". Landis hoped that the Kaiser, Wilhelm II would be captured and tried in his court; he wanted to indict the Kaiser for the murder of a Chicagoan who lost his life on the RMS Lusitania in 1915. The State Department notified Landis that extradition treaties did not permit the rendition of the Kaiser, who fled into exile in the Netherlands as the war concluded. Nevertheless, in a speech, Landis demanded that Kaiser Wilhelm, his six sons, and 5,000 German military leaders "be lined up against a wall and shot down in justice to the world and to Germany". Even with the armistice in November 1918, the war-related trials continued. The Socialist Party of America, like the IWW, had opposed the war, and had also been raided by federal authorities. Seven Socialist Party leaders, including Victor Berger, who was elected to Congress in November 1918, were indicted for alleged anti-war activities. The defendants were charged under the Espionage Act of 1917, which made it illegal "to utter, print, write, or publish any disloyal, profane, scurrilous or abusive language" about the armed forces, the flag, the Constitution, or democracy. The defendants, who were mostly of German birth or descent, moved for a change of venue away from Landis's courtroom, alleging that Landis had stated on November 1, 1918, that "[i]f anybody has said anything about the Germans that is worse than I have said, I would like to hear it so I could use it myself." Landis, however, examined the transcript of the trial in which the statement was supposedly made, failed to find it, declared the affidavit in support of the motion "perjurious", and denied the motion. While the jury was being selected, Berger was indicted on additional espionage charges for supposedly violating the law during an earlier, unsuccessful political campaign. At the conclusion of the case, Landis took an hour to dramatically charge the jury, emphasizing the secretive nature of conspiracies and pointing at the jury box as he noted, "the country was then at war". At one point, Landis leapt out of his seat, twirled his chair around, then sat on its arm. Later in his charge, he lay prone upon the bench. The jury took less than a day to convict Congressman-elect Berger and his four remaining codefendants. Landis sentenced each defendant to twenty years in federal prison. Landis denied the defendants bail pending appeal, but they quickly obtained it from an appellate court judge. The Seventh Circuit Court of Appeals declined to rule on the case itself, sending it on to the Supreme Court, which on January 31, 1921, overturned the convictions and sentences by a 6–3 vote, holding that Landis should have stepped aside once he was satisfied that the affidavit was legally sufficient, leaving it for another judge to decide whether it was actually true. Landis refused to comment on the Supreme Court's decision, which ordered a new trial. In 1922, the charges against the defendants were dropped by the government. Building trades award, controversy, and resignation (1920–1922) The postwar period saw considerable deflation; the shortage of labor and materials during the war had led to much higher wages and prices, and in the postwar economic readjustment, wages were cut heavily. In Chicago, employers in the building trades attempted a 20% wage cut; when this was rejected by the unions, a lockout followed. Both sides agreed to submit the matter to a neutral arbitrator, and settled on Landis, who agreed to take the case in June 1921. By this time, Landis was Commissioner of Baseball, and still a federal judge. In September, Landis issued his report, cutting wages by an average of 12.5%. To improve productivity, he also struck restrictions on machinery which saved labor, established a standardized overtime rate, and resolved jurisdictional conflicts between unions. The labor organizations were not completely satisfied, but Landis's reforms were adopted in many places across the country and were credited with reviving the building industry. Criticism of Landis having both the judicial and baseball positions began almost as soon as his baseball appointment was announced in November 1920. On February 2, 1921, lame duck Congressman Benjamin F. Welty (Democrat-Ohio) offered a resolution calling for Landis's impeachment. On February 11, Attorney General A. Mitchell Palmer opined that there was no legal impediment to Landis holding both jobs. On February 14, the House Judiciary Committee voted 24–1 to investigate Landis. Reed Landis later stated, "[n]one of the other congressmen wanted Father impeached but they did want him to come down and defend himself because they knew what a show it would be." Although Welty's departure from office on March 4, 1921, began a lull in criticism of Landis, in April, the judge made a controversial decision in the case of Francis J. Carey, a 19-year-old bank teller, who had pleaded guilty to embezzling $96,500. Carey, the sole support of his widowed mother and unmarried sisters, gained Landis's sympathy. He accused the bank of underpaying Carey, and sent the youth home with his mother. Two members of the Senate objected to Landis's actions, and the New York Post compared Carey with Les Misérables's Jean Valjean, noting "[b]etween a loaf of bread [Valjean was incarcerated for stealing one] and $96,500 there is a difference." A bill barring outside employment by federal judges had been introduced by Landis's foes, but had expired with the end of the congressional session in March; his opponents tried again in July, and the bill failed in the Senate on a tie vote. On September 1, 1921, the American Bar Association, a trade group of lawyers, passed a resolution of censure against Landis. By the end of 1921, the controversy was dying down, and Landis felt that he could resign without looking pressured. On February 18, 1922, he announced his resignation as judge effective March 1, stating, "There are not enough hours in the day for all these activities". In his final case, he fined two theatre owners for evading the federal amusement tax. One owner had refused to make restitution before sentencing; he was fined $5,000. The owner who had tried to make his shortfall good was fined one cent. Baseball Commissioner (1920–1944) Appointment Black Sox scandal By 1919, the influence of gamblers on baseball had been a problem for several years. Historian Paul Gardner wrote, Baseball had for some time been living uneasily in the knowledge that bribes were being offered by gamblers, and that some players were accepting them. The players knew it was going on, and the owners knew it was going on. But more important, the players knew that the owners knew—and they knew the owners were doing nothing about it for fear of a scandal that might damage organized baseball. Under such conditions it quite obviously did not pay to be honest. The 1919 World Series between the Chicago White Sox and Cincinnati Reds was much anticipated, as the nation attempted to return to normalcy in the postwar period. Baseball had seen a surge of popularity during the 1919 season, which set several attendance records. The powerful White Sox, with their superstar batter "Shoeless Joe" Jackson and star pitchers Eddie Cicotte and Claude "Lefty" Williams, were believed likely to defeat the less-well-regarded Reds. To the surprise of many, the Reds defeated the White Sox, five games to three (during 1919–21, the World Series was a best-of-nine affair). Rumors that the series was fixed began to circulate after gambling odds against the Reds winning dropped sharply before the series began, and gained more credibility after the White Sox lost four of the first five games. Cincinnati lost the next two games, and speculation began that the Reds were losing on purpose to extend the series and increase gate revenues. However, Cincinnati won Game Eight, 10–5, to end the series, as Williams lost his third game (Cicotte lost the other two). After the series, according to Gene Carney, who wrote a book about the scandal, "there was more than the usual complaining from those who had bet big on the Sox and lost". The issue of the 1919 Series came to the public eye again in September 1920, when, after allegations that a game between the Chicago Cubs and Philadelphia Phillies on August 31 had been fixed, a grand jury was empaneled in state court in Chicago to investigate baseball gambling. Additional news came from Philadelphia, where gambler Billy Maharg stated that he had worked with former boxer Abe Attell and New York gambler Arnold Rothstein to get the White Sox to throw the 1919 Series. Cicotte and Jackson were called before the grand jury, where they gave statements incriminating themselves and six teammates: Williams, first baseman Chick Gandil, shortstop Swede Risberg, third baseman Buck Weaver, center fielder Happy Felsch and reserve infielder Fred McMullin. Williams and Felsch were also called before the grand jury and incriminated themselves and their teammates. Through late September, the 1920 American League season had been one of the most exciting on record, with the White Sox, Cleveland Indians and New York Yankees dueling for the league lead. By September 28, the Yankees were close to elimination, but the White Sox and Indians were within percentage points of each other. On that day, however, the eight players, seven of whom were still on the White Sox, were indicted. They were immediately suspended by White Sox owner Charles Comiskey. The Indians were able to pull ahead and win the pennant, taking the American League championship by two games over Chicago. Search for a commissioner Baseball had been governed by a three-man National Commission, consisting of American League President Ban Johnson, National League President John Heydler and Cincinnati Reds owner Garry Herrmann. In January 1920, Herrmann left office at the request of other club owners, leaving the Commission effectively deadlocked between Johnson and Heydler. A number of club owners, disliking one or both league presidents, preferred a single commissioner to rule over the game, but were willing to see the National Commission continue if Herrmann was replaced by someone who would provide strong leadership. Landis's name was mentioned in the press for this role, and the influential baseball newspaper The Sporting News sought his appointment. Another proposal, known as the "Lasker Plan" after Albert Lasker, a shareholder in the Chicago Cubs who had proposed it, was for a three-man commission to govern the game, drawn from outside baseball. On September 30, 1920, with the Black Sox scandal exposed, National League President Heydler began to advocate for the Lasker Plan, and by the following day, four major league teams had supported him. Among the names discussed in the press for membership on the new commission were Landis, former Secretary of the Treasury William Gibbs McAdoo, former President William Howard Taft, and General John J. Pershing. The start of the 1920 World Series on October 5 distracted the public from baseball's woes for a time, but discussions continued behind the scenes. By mid-October, 11 of the 16 team owners (all eight from the National League and the owners of the American League Yankees, White Sox and Boston Red Sox) were demanding the end of the National Commission and the appointment of a three-man commission whose members would have no financial interest in baseball. Heydler stated his views on baseball's requirements: We want a man as chairman who will rule with an iron hand ... Baseball has lacked a hand like that for years. It needs it now worse than ever. Therefore, it is our object to appoint a big man to lead the new commission. On November 8, the owners of the eight National League and three American League teams which supported the Lasker Plan met and unanimously selected Landis as head of the proposed commission. The American League clubs that supported the plan threatened to move to the National League, away from Johnson, who opposed it. Johnson had hoped that the minor leagues would support his position; when they did not, he and the "Loyal Five" teams agreed to the Lasker Plan. In the discussions among the owners that followed, they decided that Landis would be the only commissioner–no associate members would be elected. On November 12, the team owners came to Landis's courtroom to approach him. Landis was trying a bribery case; when he heard noise in the back of the courtroom from the owners, he gaveled them to silence. He made them wait 45 minutes while he completed his docket, then met with them in his chambers. The judge heard out the owners; after expressing initial reluctance, he took the job for seven years at a salary of $50,000, on condition he could remain on the federal bench. During Landis's time serving as both judge and commissioner, he allowed a $7,500 reduction in his salary as commissioner, to reflect his pay as judge. The appointment of Landis was met with acclaim in the press. A tentative agreement was signed by the parties a month later—an agreement which itemized Landis's powers over baseball, and which was drafted by the judge. The owners were still reeling from the perception that baseball was crooked, and accepted the agreement virtually without dissent. Under the terms of the contract, Landis could not be dismissed by the team owners, have his pay reduced, or even be criticized by them in public. He also had nearly unlimited authority over every person employed in the major or minor leagues, from owners to batboys, including the ability to ban people from the leagues for life. The owners waived any recourse to the courts to contest Landis's will. Humorist Will Rogers stated, "[D]on't kid yourself that that old judicial bird isn't going to make those baseball birds walk the chalkline". Player and manager Leo Durocher later stated, "The legend has been spread that the owners hired the Judge off the federal bench. Don't you believe it. They got him right out of Dickens." Establishing control Banning the Black Sox On January 30, 1921, Landis, speaking at an Illinois church, warned: Now that I am in baseball, just watch the game I play. If I catch any crook in baseball, the rest of his life is going to be a pretty hot one. I'll go to any means and to anything possible to see that he gets a real penalty for his offense. The criminal case against the Black Sox defendants suffered unexpected setbacks, with evidence vanishing, including some of the incriminating statements made to the grand jury. The prosecution was forced to dismiss the original indictments, and bring new charges against seven of the ballplayers (McMullin was not charged again). Frustrated by the delays, Landis placed all eight on an "ineligible list", banning them from major and minor league baseball. Comiskey supported Landis by giving the seven who remained under contract to the White Sox their unconditional release. Public sentiment was heavily against the ballplayers, and when Jackson, Williams, Felsch, and Weaver played in a semi-pro game, The Sporting News mocked the 3,000 attendees, "Just Like Nuts Go to See a Murderer". The criminal trial of the Black Sox indictees began in early July 1921. Despite what Robert C. Cottrell, in his book on the scandal, terms "the mysterious loss of evidence", the prosecution was determined to pursue the case, demanding five-year prison terms for the ballplayers for defrauding the public by throwing the World Series. On August 2, 1921, the jury returned not guilty verdicts against all defendants, leading to happy pandemonium in the courtroom, joined by the courtroom bailiffs, with even the trial judge, Hugo Friend, looking visibly pleased. The players and jury then retired to an Italian restaurant and partied well into the night. The jubilation proved short-lived. On August 3, Landis issued a statement: Regardless of the verdict of juries, no player that throws a ball game; no player that undertakes or promises to throw a ball game; no player that sits in a conference with a bunch of crooked players and gamblers where the ways and means of throwing ball games are planned and discussed and does not promptly tell his club about it, will ever play professional baseball. Of course, I don't know that any of these men will apply for reinstatement, but if they do, the above are at least a few of the rules that will be enforced. Just keep in mind that, regardless of the verdict of juries, baseball is competent to protect itself against crooks, both inside and outside the game. According to ESPN columnist Rob Neyer, "with that single decision, Landis might have done more for the sport than anyone else, ever. Certainly, Landis never did anything more important." According to Carney, "The public amputation of the eight Sox was seen as the only acceptable cure." Over the years of Landis's commissionership, a number of the players applied for reinstatement to the game, notably Jackson and Weaver. Jackson, raised in rural South Carolina and with limited education, was said to have been drawn unwillingly into the conspiracy, while Weaver, though admitting his presence at the meetings, stated that he took no money. Both men stated that their play on the field, and their batting percentages during the series (.375 for Jackson, .324 for Weaver) indicated that they did not help to throw the series. None was ever reinstated, with Landis telling a group of Weaver supporters that his presence at the meetings with the gamblers was sufficient to bar him. Even today, long after the deaths of all three men, efforts are periodically made to reinstate Jackson (which would make him eligible for election to the National Baseball Hall of Fame) and Weaver (deemed by some the least culpable of the eight). In the 1990s, a petition drive to reinstate Jackson drew 60,000 signatures. He has been treated sympathetically in movies such as Eight Men Out and Field of Dreams, and Hall of Famers Ted Williams and Bob Feller expressed their support for Jackson's induction into the Hall. Landis's expulsion of the eight men remains in force. Cracking down on gambling Landis felt that the Black Sox scandal had been initiated by people involved in horse racing, and stated that "by God, as long as I have anything to do with this game, they'll never get another hold on it." In 1921, his first season as commissioner, New York Giants owner Charles Stoneham and manager John McGraw purchased Oriental Park Racetrack in Havana, Cuba. Landis gave Stoneham and McGraw an ultimatum—they could not be involved in both baseball and horse racing. They quickly put the track back on the market. Even before the Black Sox scandal had been resolved, Landis acted to clean up other gambling cases. Eugene Paulette, a first baseman for the Philadelphia Phillies, had been with the St. Louis Cardinals in 1919, and had met with gamblers. It is uncertain if any games were fixed, but Paulette had written a letter naming two other Cardinals who might be open to throwing games. The letter had fallen into the hands of Phillies President William F. Baker, who had taken no action until Landis's appointment, then turned the letter over to him. Paulette met with Landis once, denying any wrongdoing, then refused further meetings. Landis placed him on the ineligible list in March 1921. In November 1921, Landis banned former St. Louis Browns player Joe Gedeon, who had been released by the Browns after admitting to sitting in on meetings with gamblers who were trying to raise the money to bribe the Black Sox. When a minor league official asked if he was eligible, Landis settled the matter by placing Gedeon on the ineligible list. Two other player gambling affairs marked Landis's early years as commissioner. In 1922, Giants pitcher Phil Douglas, embittered at McGraw for disciplining him for heavy drinking, wrote a letter to Cardinals outfielder Leslie Mann, suggesting that he would take a bribe to ensure the Giants did not win the pennant. Although Mann had been a friend, the outfielder neither smoked nor drank and had long been associated with the YMCA movement; according to baseball historian Lee Allen, Douglas might as well have sent the letter to Landis himself. Mann immediately turned over the letter to his manager, Branch Rickey, who ordered Mann to contact Landis at once. The Giants placed Douglas on the ineligible list, an action backed by Landis after meeting with the pitcher. On September 27, 1924, Giants outfielder Jimmy O'Connell offered Phillies shortstop Heinie Sand $500 if Sand didn't "bear down too hard against us today". Sand was initially inclined to let the matter pass, but recalling the fate of Weaver and other Black Sox players, told his manager, Art Fletcher. Fletcher met with Heydler, who contacted Landis. O'Connell did not deny the bribe attempt, and was placed on the ineligible list. In total, Landis banned eighteen players from the game. Landis biographer Pietrusza details the effect of Landis's stand against gambling: Before 1920 if one player approached another player to throw a contest, there was a very good chance he would not be informed upon. Now, there was an excellent chance he would be turned in. No honest player wanted to meet the same fate as Buck Weaver ... Without the forbidding example of Buck Weaver to haunt them, it is unlikely Mann and Sand would have snitched on their fellow players. After Landis' unforgiving treatment of the popular and basically honest Weaver they dared not to. And once prospectively crooked players knew that honest players would no longer shield them, the scandals stopped. Ruth-Meusel barnstorming incident At the time of Landis's appointment as commissioner, it was common for professional baseball players to supplement their pay by participating in postseason "barnstorming" tours, playing on teams which would visit smaller cities and towns to play games for which admission would be charged. Since 1911, however, players on the two World Series teams had been barred from barnstorming. The rule had been leniently enforced—in 1916, several members of the champion Red Sox, including pitcher George Herman "Babe" Ruth had barnstormed and had been fined a token $100 each by the National Commission. Ruth, who after the 1919 season had been sold to the Yankees, and who by then had mostly abandoned his pitching role for the outfield, was the focus of considerable fan interest as he broke batting records in 1920 and 1921, some by huge margins. Ruth's major league record 29 home runs with the Red Sox in 1919 fell to his own efforts in 1920, when he hit 54. He then proceeded to hit 59 in 1921, leading the Yankees to their first pennant. Eight major league teams failed to hit as many home runs in 1921 as Ruth hit by himself. The Yankees lost the 1921 World Series to the Giants (Ruth was injured and missed several games) and after the series, the outfielder proposed to capitalize on fan interest by leading a team of barnstormers, including Yankees teammate Bob Meusel, in violation of the rule. According to Cottrell, [T]he two men clashed who helped the national pastime overcome the Black Sox scandal, one through his seemingly iron will, the other thanks to his magical bat. Judge Kenesaw Mountain Landis and Babe Ruth battled over the right of a ballplayer from a pennant-winning squad to barnstorm in the off-season. Also involved was the commissioner's continued determination to display, as he had through his banishment of the Black Sox, that he had established the boundaries for organized baseball. These boundaries, Landis intended to demonstrate, applied even to the sport's most popular and greatest star. Significant too, only Babe Ruth now contended with Commissioner Landis for the title of baseball's most important figure. Ruth had asked Yankees general manager Ed Barrow for permission to barnstorm. Barrow had no objection but warned Ruth he must obtain Landis's consent. Landis biographer Spink, who was at the time the editor of The Sporting News, stated, "I can say that Ruth knew exactly what he was doing when he defied Landis in October, 1921. He was willing to back his own popularity and well-known drawing powers against the Judge." Ruth, to the commissioner's irritation, did not contact Landis until October 15, one day before the first exhibition. When the two spoke by telephone, Landis ordered Ruth to attend a meeting with him; Ruth refused, stating that he had to leave for Buffalo for the first game. Landis angrily refused consent for Ruth to barnstorm, and after slamming down the receiver, is recorded as saying, "Who the hell does that big ape think he is? That blankety-blank! If he goes on that trip it will be one of the sorriest things he has ever done." By one account, Yankees co-owner Colonel Tillinghast Huston attempted to dissuade Ruth as he departed, only to be told by the ballplayer, "Aw, tell the old guy to jump in a lake." The tour also featured fellow Yankees Bob Meusel and Bill Piercy (who had been called up late in the season and was ineligible for the World Series) as well as Tom Sheehan, who had been sent to the minor leagues before the end of the season. Two other Yankees, Carl Mays and Wally Schang, had been scheduled to join the tour, but given Landis's position, according to Spink, "wisely decided to pass it up". Spink describes the tour as "a fiasco." On Landis's orders, it was barred from all major and minor league ballparks. In addition, it was plagued by poor weather, and was called off in late October. In early December, Landis suspended Ruth, Piercy, and Meusel until May 20, 1922. Yankee management was actually relieved; they had feared Landis would suspend Ruth for the season or even longer. Both the Yankees and Ruth repeatedly asked Landis for the players' early reinstatement, which was refused, and when Landis visited the Yankees during spring training in New Orleans, he lectured Ruth for two hours on the value of obeying authority. "He sure can talk", noted Ruth. When Ruth returned on May 20, he batted 0-for-4, and was booed by the crowd at the Polo Grounds. According to Pietrusza, "Always a politician, there was one boss Landis did fear: public opinion. He had no guarantee at the start of the Ruth controversy that the public and press would back him as he assumed unprecedented powers over baseball. Now, he knew they would." Policies as commissioner Major-minor league relations; development of the farm system At the start of Landis's commissionership, the minor league teams were for the most part autonomous of the major leagues; in fact the minor leagues independently chose to accept Landis's rule. To ensure players did not become mired in the minor leagues without a chance to earn their way out, major league teams were able to draft players who played two consecutive years with the same minor league team. Several minor leagues were not subject to the draft; Landis fought for the inclusion of these leagues, feeling that the non-draft leagues could prevent players from advancing as they became more skilled. By 1924, he had succeeded, as the International League, the final holdout, accepted the draft. By the mid-1920s, major league clubs were beginning to develop "farm systems", that is, minor league teams owned or controlled by them, at which they could develop young prospects without the risk of the players being acquired by major league rivals. The pioneer in this development was Branch Rickey, who then ran the St. Louis Cardinals. As the 1921 National Agreement among the major and minor leagues which implemented Landis's hiring lifted a ban on major league teams owning minor league ones, Landis was limited in his avenues of attack on Rickey's schemes. Developing talent at little cost thanks to Rickey, the Cardinals dominated the National League, winning nine league titles in the years from 1926 to 1946. Soon after Landis's appointment, he surprised the major league owners by requiring that they disclose their minor league interests. Landis fought against the practice of "covering up", using transfers between two teams controlled by the same major league team to make players ineligible for the draft. His first formal act as commissioner was to declare infielder Phil Todt a free agent, dissolving his contract with the St. Louis Browns (at the time run by Rickey, who soon thereafter moved across town to run the Cardinals); in 1928, he ruled future Hall of Famer Chuck Klein a free agent as he held the Cardinals had tried to cover Klein up by having him play in a league where they owned two affiliates. The following year, he freed Detroit Tigers prospect and future Hall of Famer Rick Ferrell, who attracted a significant signing bonus from the Browns. In 1936, Landis found that teenage pitching prospect Bob Feller's signing by minor league club Fargo-Moorhead had been a charade; the young pitcher was for all intents and purposes property of the Cleveland Indians. However, Feller indicated that he wanted to play for Cleveland and Landis issued a ruling which required the Indians to pay damages to minor league clubs, but allowed them to retain Feller, who went on to a Hall of Fame career with the Indians. Landis's attempts to crack down on "covering up" provoked the only time he was ever sued by one of his owners. After the 1930 season, minor leaguer Fred Bennett, convinced he was being covered up by the Browns, petitioned Landis for his release. Landis ruled that the Browns could either keep Bennett on their roster for the entire 1931 season, trade him, or release him. Instead, Browns owner Phil Ball brought suit against Landis in his old court in Chicago. Federal Judge Walter Lindley ruled for Landis, noting that the agreements and rules were intended to "endow the Commissioner with all the attributes of a benevolent but absolute despot and all the disciplinary powers of the proverbial pater familias". Ball intended to appeal, but after a meeting between team owners and Landis in which the commissioner reminded owners of their agreement not to sue, decided to drop the case. Landis had hoped that the large Cardinal farm system would become economically unfeasible; when it proved successful for the Cardinals, he had tolerated it for several years and was in a poor position to abolish it. In 1938, however, finding that the Cardinals effectively controlled multiple teams in the same league (a practice disliked by Landis), he freed 70 players from their farm system. As few of the players were likely prospects for the major leagues, Landis's actions generated headlines, but had little effect on the Cardinals organization, and the development of the modern farm system, whereby each major league club has several minor league teams which it uses to develop talent, proceeded apace. Rob Neyer describes Landis's effort as "a noble effort in a good cause, but it was also doomed to fail." Baseball color line One of the most controversial aspects of Landis's commissionership is the question of race. From 1884, black ballplayers were informally banned from organized baseball. No black ballplayer played in organized baseball during Landis's commissionership; Rickey (then running the Brooklyn Dodgers) broke the color line by signing Jackie Robinson to play for the minor league Montreal Royals in 1946, after Landis's death. Robinson became the first African-American in the major leagues since the 19th century, playing with the Dodgers beginning in 1947. According to contemporary newspaper columns, at the time of his appointment as commissioner, Landis was considered a liberal on race questions; two Chicago African-American newspapers defended him against the 1921 efforts to impeach him from his judgeship. However, a number of baseball authors have ascribed racism to Landis, who they say actively perpetuated baseball's color line. James Bankes, in The Pittsburgh Crawfords, tracing the history of that Negro league team, states that Landis, whom the author suggests was a Southerner, made "little effort to disguise his racial prejudice during 25 years in office" and "remained a steadfast foe of integration". Negro league historian John Holway termed Landis "the hard-bitten Carolinian Kennesaw Mountain Landis". In a 2000 article in Smithsonian magazine, writer Bruce Watson states that Landis "upheld baseball's unwritten ban on black players and did nothing to push owners toward integration". A number of authors say that Landis banned major league play against black teams for fear the white teams would lose, though they ascribe various dates for this action, and the Dodgers are known to have played black teams in and around their Havana spring training base as late as 1942. Landis's documented actions on race are inconsistent. In 1938, Yankee Jake Powell was interviewed by a radio station, and when asked what he did in the offseason, made comments that were interpreted as meaning he worked as a police officer and beat up African Americans. Landis suspended Powell for ten days. In June 1942, the Negro league Kansas City Monarchs played several games against the white "Dizzy Dean All-Stars" at major league ballparks, attracting large crowds. After three games, all won by the Monarchs, Landis ordered a fourth canceled, on the ground that the games were outdrawing major league contests. On one occasion, Landis intervened in Negro league affairs, though he had no jurisdiction to do so. The Crawfords lost a game to a white semi-pro team when their star catcher, Josh Gibson dropped a pop fly, and Gibson was accused of throwing the game at the behest of gamblers. Landis summoned the black catcher to his office, interviewed him, and announced that Gibson was cleared of wrongdoing. In July 1942, Dodger manager Leo Durocher charged that there was a "grapevine understanding" keeping blacks out of baseball. He was summoned to Landis's Chicago office, and after emerging from a meeting with the commissioner, alleged that he had been misquoted. Landis then addressed the press, and stated, Negroes are not barred from organized baseball by the commissioner and never have been in the 21 years I have served. There is no rule in organized baseball prohibiting their participation and never has been to my knowledge. If Durocher, or if any other manager, or all of them, want to sign one, or twenty-five Negro players, it is all right with me. That is the business of the managers and the club owners. The business of the commissioner is to interpret the rules of baseball, and to enforce them. In his 1961 memoir, Veeck as in Wreck, longtime baseball executive and owner Bill Veeck told of his plan, in 1942, to buy the Phillies and stock the team with Negro league stars. Veeck wrote that he told Landis, who reacted with shock, and soon moved to block the purchase. In his book, Veeck placed some of the blame on National League President Ford Frick, but later reserved blame exclusively for Landis, whom he accused of racism, stating in a subsequent interview, "[a]fter all, a man who is named Kenesaw Mountain was not born and raised in the state of Maine." However, when Veeck was asked for proof of his allegations against Landis, he stated, "I have no proof of that. I can only surmise." According to baseball historian David Jordan, "Veeck, nothing if not a storyteller, seems to have added these embellishments, sticking in some guys in black hats, simply to juice up his tale." In November 1943, Landis agreed after some persuasion that black sportswriter Sam Lacy should make a case for integration of organized baseball before the owners' annual meeting. Instead of Lacy attending the meeting, actor Paul Robeson did. Robeson, though a noted black actor and advocate of civil rights, was a controversial figure due to his affiliation with the Communist Party. The owners heard Robeson out, but at Landis's suggestion, did not ask him any questions or begin any discussion with him. Neyer noted that "Landis has been blamed for delaying the integration of the major leagues, but the truth is that the owners didn't want black players in the majors any more than Landis did. And it's not likely that, even if Landis hadn't died in 1944, he could have prevented Branch Rickey from bringing Jackie Robinson to the National League in 1947." The Baseball Writers' Association of America after Landis's death in 1944 renamed its Most Valuable Player Awards after Landis, but removed his name in 2020 with a vote of 89 percent of voting members in favor. The president of the association said Landis had "notably failed to integrate the game during his tenure". C.C. Johnson Spink, son of Landis biographer J.G. Taylor Spink and his successor as editor of The Sporting News, noted in the introduction to the reissue of his father's biography of Landis, K.M. Landis was quite human and not infallible. If, for example, he did drag his feet at erasing baseball's color line, he was grievously wrong, but then so were many others of his post-Civil War generation. World Series and All-Star Game; other innovations Landis took full jurisdiction over the World Series, as a contest between representatives of the two major leagues. Landis was blamed when the umpires called a game on account of darkness with the score tied during the 1922 World Series, even though there was still light. Landis decided that such decisions in future would be made by himself, moved forward the starting time of World Series games in future years, and announced that proceeds from the tied game would be donated to charity. In the 1932 World Series, Landis ordered that tickets for Game One at Yankee Stadium only be sold as part of strips, forcing fans to purchase tickets for all Yankee home games during that Series. Bad weather and the poor economy resulted in a half-filled stadium, and Landis allowed individual game sales for Game Two. During the 1933 World Series, he instituted a rule that only he could throw a player out of a World Series game, a rule which followed the ejection of Washington Senator Heinie Manush by umpire Charley Moran. The following year, with the visiting Cardinals ahead of the Detroit Tigers, 9–0 in Game Seven, he removed Cardinal Joe Medwick from the game for his own safety when Medwick, the left fielder, was pelted with fruit by Tiger fans after Medwick had been involved in a fight with one of the Tigers. Spink notes that Landis would most likely not have done so were the game within reach of the Tigers. In the 1938 World Series, umpire Moran was hit by a wild throw and suffered facial injuries. He was able to continue, but the incident caused Landis to order that World Series games and All-Star Games be played with six umpires. The All-Star Game began in 1933; Landis had been a strong supporter of the proposal for such a contest, and after the first game remarked, "That's a grand show, and it should be continued." He never missed an All-Star Game in his lifetime; his final public appearance was at the 1944 All-Star Game in Pittsburgh. In 1928, National League ball clubs proposed an innovation whereby each team's pitcher, usually the weakest hitter in the lineup, would not bat, but be replaced for the purposes of batting and base-running by a tenth player. There were expectations that at the interleague meetings that year, the National League teams would vote for it, and the American League teams against it, leaving Landis to cast the deciding vote. In the event, the proposal was withdrawn, and Landis did not disclose how he would have voted on this early version of the "designated hitter" rule. Landis disliked the innovation of "night baseball", played in the evening with the aid of artificial light, and sought to discourage teams from it. Despite this, he attended the first successful minor league night game, in Des Moines, Iowa, in 1930. When major league night baseball began in the late 1930s, Landis got the owners to restrict the number of such games. During World War II, many restrictions on night baseball were reduced, with the Washington Senators permitted to play all their home games (except those on Sundays and holidays) at night. World War II, death, and legacy With the entry of the United States into World War II in late 1941, Landis wrote to President Franklin D. Roosevelt, inquiring as to the wartime status of baseball. The President responded, urging Landis to keep baseball open, foreseeing that even those fully engaged in war work would benefit from inexpensive diversions such as attending baseball games. Many major leaguers enlisted or were drafted; even so Landis repeatedly stated, "We'll play as long as we can put nine men on the field." Although many of the teams practiced at their normal spring training sites in 1942, beginning the following year they were required to train near their home cities or in the Northeast. Landis was as virulently opposed to the Axis Powers as he had been towards the Kaiser, writing that peace would not be possible until "about fifteen thousand little Hitler, Himmlers and Hirohitos" were killed. Landis retained a firm hold on baseball despite his advancing years and, in 1943, banned Phillies owner William D. Cox from baseball for betting on his own team. In 1927, Landis's stance regarding gambling had been codified in the rules of baseball: "Any player, umpire, or club or league official or employee who shall bet any sum whatsoever upon any baseball game in connection with which the bettor had a duty to perform shall be declared permanently ineligible." Cox was required to sell his stake in the Phillies. In early October 1944, Landis checked into St. Luke's Hospital in Chicago, where his wife Winifred had been hospitalized, with a severe cold. While in the hospital, he had a heart attack, causing him to miss the World Series for the first time in his commissionership. He remained fully alert, and as usual signed the World Series share checks to players. His contract was due to expire in January 1946; on November 17, 1944, baseball's owners voted him another seven-year term. However, on November 25, he died surrounded by family, five days after his 78th birthday. His longtime assistant, Leslie O'Connor, wept as he read the announcement for the press. Landis is buried at Oak Woods Cemetery in Chicago. Two weeks after his death, Landis was voted into the National Baseball Hall of Fame by a special committee vote. American League President Will Harridge said of Landis, "He was a wonderful man. His great qualities and downright simplicity impressed themselves deeply on all who knew him." Pietrusza suggests that the legend on Landis's Hall of Fame plaque is his true legacy: "His integrity and leadership established baseball in the esteem, respect, and affection of the American people." Pietrusza notes that Landis was hired by the baseball owners to clean up the sport, and "no one could deny Kenesaw Mountain Landis had accomplished what he had been hired to do". According to his first biographer, Spink: [Landis] may have been arbitrary, self-willed and even unfair, but he 'called 'em as he saw 'em' and he turned over to his successor and the future a game cleansed of the nasty spots which followed World War I. Kenesaw Mountain Landis put the fear of God into weak characters who might otherwise have been inclined to violate their trust. And for that, I, as a lifelong lover of baseball, am eternally grateful. References Notes Bibliography External links A Brief Biography Lyrics to 'Kenesaw Mountain Landis' by Jonathan Coulton 1866 births 1944 deaths People from Butler County, Ohio Judges of the United States District Court for the Northern District of Illinois National Baseball Hall of Fame inductees Major League Baseball commissioners People from Cass County, Indiana Lawyers from Chicago American people of Swiss descent Northwestern University Pritzker School of Law alumni United States district court judges appointed by Theodore Roosevelt 20th-century American judges Illinois Republicans History of baseball in the United States Indiana Republicans	true	[ "Uwe Scharen (born 9 August 1945 in Rockenau, Germany) is a German jurist. He was presiding judge at the Federal Court of Justice of Germany (Bundesgerichtshof) from 1 April 2009 until his retirement on 31 August 2010.\n\nAfter his legal education, Scharen started his career in 1974 in the senior justice service (German: Höherer Dienst) of the federal state of North Rhine-Westphalia. There, he was first judge on probation (German: Richter auf Probe) at the district court (German: Landgericht) of Düsseldorf, where he was also appointed judge in 1978. This was followed in 1984 by his appointment as judge at the Provincial Court of Appeal (German: Oberlandesgericht) of Düsseldorf, where he was assigned to a civil division (German: Zivilsenat) in charge of patent cases and competition law. In 1995 he was promoted as presiding judge of this court.\n\nOnly one year later, Scharen was appointed as judge at the Federal Court of Justice of Germany, where he was assigned to the 10th division (German: X. Zivilsenat), of which he was since 2004 the division's deputy. This division mainly handles patent law and public procurement cases. On 1 April 2009 Scharen was finally appointed chairman of this division by the President of Germany, on a proposal of the Presidium of the Federal Court of Justice. On 31 August 2010 he retired.\n\nReferences\n\nExternal links\n Pressemitteilung des Bundesgerichtshofes Nr. 71/2009 v. 1. April 2009\n\nLiving people\nGerman judges\n1945 births", "William Davies (July 8, 1775 – April 30, 1829) was a United States District Judge of the United States District Court for the District of Georgia.\n\nEducation and career\n\nBorn on July 8, 1775, in Savannah, Province of Georgia, British America, Davies read law. He engaged in private practice in Savannah, Georgia until 1798, from 1798 to 1804, and from 1811 to 1814. He was a member of the Georgia House of Representatives in 1798, from 1807 to 1808, and in 1814. He was a member of the Georgia State Senate from 1809 to 1810. He was an alderman for Savannah from 1804 to 1808, from 1809 to 1811, and from 1815 to 1818. He was the Mayor of Savannah in 1807. He was United States Attorney for the District of Georgia until 1819.\n\nFederal judicial service\n\nDavies was nominated by President James Monroe on January 11, 1819, to a seat on the United States District Court for the District of Georgia vacated by Judge William Stephens. He was confirmed by the United States Senate on January 11, 1819, and received his commission on January 14, 1819. His service terminated on March 9, 1821, due to his resignation.\n\nLater career and death\n\nFollowing his resignation from the federal bench, Davies resumed private practice in Savannah from 1821 to 1822, and from 1825 to 1826. He was an alderman for Savannah from 1822 to 1823. He was again a member of the Georgia State Senate from 1824 to 1825, and in 1827. He was a Judge of the Superior Court of Georgia for the Eastern Judicial Circuit from 1828 to 1829. He died on April 30, 1829, in Savannah.\n\nReferences\n\nSources\n \n\n1775 births\n1829 deaths\nGeorgia (U.S. state) state court judges\nMayors of Savannah, Georgia\nMembers of the Georgia House of Representatives\nGeorgia (U.S. state) state senators\nJudges of the United States District Court for the District of Georgia\nUnited States federal judges appointed by James Monroe\n19th-century American judges\nUnited States federal judges admitted to the practice of law by reading law" ]
[ "Kenesaw Mountain Landis", "Judge (1905-22)", "How old was Landis when he became a judge?", "I don't know.", "Where did he live when he became a judge?", "Chicago", "Was he a judge on a federal or state level?", "Landis's courtroom, room 627 in the Chicago Federal Building," ]	C_84d50d4e83ca4878bc84ab036e1e9dea_0	How long did he remain a judge?	4	How long did Kenesaw Mountain Landis remain a judge?	Kenesaw Mountain Landis	Landis's courtroom, room 627 in the Chicago Federal Building, was ornate and featured two murals; one of King John conceding Magna Carta, the other of Moses about to smash the tablets of the Ten Commandments. The mahogany and marble chamber was, according to Landis biographer David Pietrusza, "just the spot for Landis's sense of the theatrical. In it he would hold court for nearly the next decade and a half." According to Spink, "It wasn't long before Chicago writers discovered they had a 'character' on the bench." A. L. Sloan of the Chicago Herald-American, a friend of Landis, recalled: The Judge was always headline news. He was a great showman, theatrical in appearance, with his sharp jaw and shock of white hair, and people always crowded into his courtroom, knowing there would be something going on. There were few dull moments. If Judge Landis was suspicious of an attorney's line of questioning, he would begin to wrinkle his nose, and once told a witness, "Now let's stop fooling around and tell exactly what did happen, without reciting your life's history." When an elderly defendant told him that he would not be able to live to complete a five-year sentence, Landis scowled at him and asked, "Well, you can try, can't you?" When a young man stood before him for sentencing after admitting to stealing jewels from a parcel, the defendant's wife stood near him, infant daughter in her arms, and Landis mused what to do about the situation. After a dramatic pause, Landis ordered the young man to take his wife and daughter and go home with them, expressing his unwillingness to have the girl be the daughter of a convict. According to sportswriter Ed Fitzgerald in SPORT magazine, "[w]omen wept unashamed and the entire courtroom burst into spontaneous, prolonged applause." Landis had been a lawyer with a corporate practice; upon his elevation to the bench, corporate litigants expected him to favor them. According to a 1907 magazine article about Landis, "Corporations smiled pleasantly at the thought of a corporation lawyer being on the bench. They smile no more." In an early case, Landis fined the Allis-Chalmers Manufacturing Company the maximum $4,000 for illegally importing workers, even though Winifred Landis's sister's husband served on the corporate board. In another decision, Landis struck down a challenge to the Interstate Commerce Commission's (ICC) jurisdiction over rebating, a practice banned by the Elkins Act of 1903 in which railroads and favored customers agreed that the customers would pay less than the posted tariff, which by law was to be the same for all shippers. Landis's decision allowed the ICC to take action against railroads which gave rebates. CANNOTANSWER	CANNOTANSWER	Kenesaw Mountain Landis (; November 20, 1866 – November 25, 1944) was an American jurist who served as a United States federal judge from 1905 to 1922 and the first Commissioner of Baseball from 1920 until his death. He is remembered for his handling of the Black Sox scandal, in which he expelled eight members of the Chicago White Sox from organized baseball for conspiring to lose the 1919 World Series and repeatedly refused their reinstatement requests. His firm actions and iron rule over baseball in the near quarter-century of his commissionership are generally credited with restoring public confidence in the game. Born in Millville, Ohio, Landis' given name was a spelling variation of the site of the Battle of Kennesaw Mountain, a major battle of the American Civil War in which his father had been wounded. Raised in Indiana, he became a lawyer, and then personal secretary to Walter Q. Gresham, the new United States Secretary of State, in 1893. He returned to private practice after Gresham died in office. President Theodore Roosevelt appointed Landis as a judge of the United States District Court for the Northern District of Illinois in 1905. Landis received national attention in 1907 when he fined Standard Oil of Indiana more than $29 million (approximately $800 million in 2021) for violating federal laws forbidding rebates on railroad freight tariffs. Though Landis was reversed on appeal, he was seen as a judge determined to rein in big business. During and after World War I, Landis presided over several high-profile trials of draft resisters and others whom he saw as opposing the war effort. He imposed heavy sentences on those who were convicted; some of the convictions were reversed on appeal, and other sentences were commuted. In 1920, Landis was a leading candidate when American League and National League team owners, embarrassed by the Black Sox scandal and other instances of players throwing games, sought someone to rule over baseball. Landis was given full power to act in the sport's best interest, and used that power extensively over the next quarter-century. Landis was widely praised for cleaning up the game, although some of his decisions in the Black Sox matter remain controversial: supporters of "Shoeless Joe" Jackson and Buck Weaver contend that he was overly harsh with those players. Others blame Landis for, in their view, delaying the racial integration of baseball. Landis was elected to the National Baseball Hall of Fame by a special vote shortly after he died in 1944. Early life and pre-judicial career (1866–1905) Boyhood and early career (1866–1893) Kenesaw Mountain Landis was born in Millville, Ohio, the sixth child and fourth son of Abraham Hoch Landis, a physician, and Mary Kumler Landis, on November 20, 1866. The Landises descended from Swiss Mennonites who had emigrated to Alsace before coming to the United States. Abraham Landis had been wounded fighting on the Union side at the Battle of Kennesaw Mountain in Georgia, and when his parents proved unable to agree on a name for the new baby, Mary Landis proposed that they call him Kenesaw Mountain. At the time, both spellings of "Kenesaw" were used, but in the course of time, "Kennesaw Mountain" became the accepted spelling of the battle site. Abraham Landis worked in Millville as a country physician. When Kenesaw was eight, the elder Landis moved his family to Delphi, Indiana, and subsequently to Logansport, Indiana, where the doctor purchased and ran several local farms—his war injury had caused him to scale back his medical practice. Two of Kenesaw's four brothers, Charles Beary Landis and Frederick Landis, became members of Congress. As "Kenny", as he was sometimes known, grew, he did an increasing share of the farm work, later stating, "I did my share—and it was a substantial share—in taking care of the 13 acres ... I do not remember that I particularly liked to get up at 3:30 in the morning." Kenesaw began his off-farm career at age ten as a news delivery boy. He left school at 15 after an unsuccessful attempt to master algebra; he then worked at the local general store. He left that job for a position as errand boy with the Vandalia Railroad. Landis applied for a job as a brakeman, but was laughingly dismissed as too small. He then worked for the Logansport Journal, and taught himself shorthand reporting, becoming in 1883 official court reporter for the Cass County Circuit Court. Landis later wrote, "I may not have been much of a judge, nor baseball official, but I do pride myself on having been a real shorthand reporter." He served in that capacity until 1886. In his spare time, he became a prize-winning bicycle racer and played on and managed a baseball team. Offered a professional contract as a ballplayer, he turned it down, stating that he preferred to play for the love of the game. In 1886, Landis first ventured into Republican Party politics, supporting a friend, Charles F. Griffin, for Indiana Secretary of State. Griffin won, and Landis was rewarded with a civil service job in the Indiana Department of State. While employed there, he applied to be an attorney. At that time, in Indiana, an applicant needed only to prove that he was 21 and of good moral character, and Landis was admitted. Landis opened a practice in Marion, Indiana, but attracted few clients in his year of work there. Realizing that an uneducated lawyer was unlikely to build a lucrative practice, Landis enrolled at Cincinnati's YMCA Law School (now part of Northern Kentucky University) in 1889. Landis transferred to Union Law School (part of Northwestern University) the following year, and in 1891, he took his law degree from Union and was admitted to the Illinois Bar. He began a practice in Chicago, served as an assistant instructor at Union and with fellow attorney Clarence Darrow helped found the nonpartisan Chicago Civic Centre Club, devoted to municipal reform. Landis practiced with college friend Frank O. Lowden; the future commissioner and his law partner went into debt to impress potential clients, buying a law library secondhand. Washington years and aftermath (1893–1905) In March 1893, President Grover Cleveland appointed federal judge Walter Q. Gresham as his Secretary of State, and Gresham hired Landis as his personal secretary. Gresham had a long career as a political appointee in the latter part of the 19th century; though he lost his only two bids for elective office, he served in three Cabinet positions and was twice a dark horse candidate for the Republican presidential nomination. Although Gresham was a Republican, he had supported Cleveland (a Democrat) in the 1892 election because of his intense dislike for the Republican nominee, President Benjamin Harrison. Kenesaw Landis had appeared before Judge Gresham in court. According to Landis biographer J.G. Taylor Spink, Gresham thought Landis "had something on the ball" and believed that Landis's shorthand skills would be of use. In Washington, Landis worked hard to protect Gresham's interests in the State Department, making friends with many members of the press. He was less popular among many of the Department's senior career officials, who saw him as brash. When word leaked concerning President Cleveland's Hawaiian policy, the President was convinced Landis was the source of the information and demanded his dismissal. Gresham defended Landis, stating that Cleveland would have to fire both of them, and the President relented, later finding out that he was mistaken in accusing Landis. President Cleveland grew to like Landis, and when Gresham died in 1895, offered Landis the post of United States Ambassador to Venezuela. Landis declined the diplomatic post, preferring to return to Chicago to begin a law practice and to marry Winifred Reed, daughter of the Ottawa, Illinois postmaster. The two married July 25, 1895; they had two surviving children, a boy, Reed, and a girl, Susanne—a third child, Winifred, died almost immediately after being born. Landis built a corporate law practice in Chicago; with the practice doing well, he deeply involved himself in Republican Party politics. He built a close association with his friend Lowden and served as his campaign manager for governor of Illinois in 1904. Lowden was defeated, but would later serve two terms in the office and be a major contender for the 1920 Republican presidential nomination. A seat on the United States District Court for the Northern District of Illinois was vacant; President Theodore Roosevelt offered it to Lowden, who declined it and recommended Landis. Other recommendations from Illinois politicians followed, and Roosevelt nominated Landis for the seat. According to Spink, President Roosevelt wanted "a tough judge and a man sympathetic with his viewpoint in that important court"; Lowden and Landis were, like Roosevelt, on the progressive left of the Republican Party. On March 18, 1905, Roosevelt transmitted the nomination to the Senate, which confirmed Landis the same afternoon, without any committee hearing; he received his commission the same day. Judge (1905–1922) Landis's courtroom, room 627 in the Chicago Federal Building, was ornate and featured two murals; one of King John conceding Magna Carta, the other of Moses about to smash the tablets of the Ten Commandments. The mahogany and marble chamber was, according to Landis biographer David Pietrusza, "just the spot for Landis's sense of the theatrical. In it he would hold court for nearly the next decade and a half." According to Spink, "It wasn't long before Chicago writers discovered they had a 'character' on the bench." A. L. Sloan of the Chicago Herald-American, a friend of Landis, recalled: The Judge was always headline news. He was a great showman, theatrical in appearance, with his sharp jaw and shock of white hair, and people always crowded into his courtroom, knowing there would be something going on. There were few dull moments. If Judge Landis was suspicious of an attorney's line of questioning, he would begin to wrinkle his nose, and once told a witness, "Now let's stop fooling around and tell exactly what did happen, without reciting your life's history." When an elderly defendant told him that he would not be able to live to complete a five-year sentence, Landis scowled at him and asked, "Well, you can try, can't you?" When a young man stood before him for sentencing after admitting to stealing jewels from a parcel, the defendant's wife stood near him, infant daughter in her arms, and Landis mused what to do about the situation. After a dramatic pause, Landis ordered the young man to take his wife and daughter and go home with them, expressing his unwillingness to have the girl be the daughter of a convict. According to sportswriter Ed Fitzgerald in SPORT magazine, "[w]omen wept unashamed and the entire courtroom burst into spontaneous, prolonged applause." Landis had been a lawyer with a corporate practice; upon his elevation to the bench, corporate litigants expected him to favor them. According to a 1907 magazine article about Landis, "Corporations smiled pleasantly at the thought of a corporation lawyer being on the bench. They smile no more." In an early case, Landis fined the Allis-Chalmers Manufacturing Company the maximum $4,000 for illegally importing workers, even though his wife's brother-in-law served on the corporate board. In another decision, Landis struck down a challenge to the Interstate Commerce Commission's (ICC) jurisdiction over rebating, a practice banned by the Elkins Act of 1903 in which railroads and favored customers agreed that the customers would pay less than the posted tariff, which by law was to be the same for all shippers. Landis's decision allowed the ICC to take action against railroads which gave rebates. Standard Oil (1905–1909) By the first decade of the 20th century, a number of business entities had formed themselves into trusts, which dominated their industries. Trusts often sought to purchase or otherwise neutralize their competitors, allowing the conglomerates to raise prices to high levels. In 1890, Congress had passed the Sherman Anti-Trust Act, but it was not until the Theodore Roosevelt administration (1901–09) that serious efforts were made to break up or control the trusts. The dominant force in the oil industry was Standard Oil, controlled by John D. Rockefeller. Modern-day ExxonMobil, Atlantic Richfield, Chevron, Sohio, Amoco and Continental Oil all trace their ancestry to various parts of Standard Oil. In March 1906, Commissioner of Corporations James Rudolph Garfield submitted a report to President Roosevelt, alleging large-scale rebating in Standard Oil shipments. Federal prosecutors in several states and territories sought indictments against components of the Standard Oil Trust. On June 28, 1906, Standard Oil of Indiana was indicted on 6,428 counts of violation of the Elkins Act for accepting rebates on shipments on the Chicago & Alton Railroad. The case was assigned to Landis. Trial on the 1,903 counts that survived pretrial motions began on March 4, 1907. The fact that rebates had been given was not contested; what was at issue was whether Standard Oil knew the railroad's posted rates, and if it had a duty to enquire if it did not. Landis charged the jury that it "was the duty of the defendant diligently in good faith to get from the Chicago & Alton ... the lawful rate". The jury found Standard Oil guilty on all 1,903 counts. The maximum fine that Landis could impose was $29,240,000. To aid the judge in determining the sentence, Landis issued a subpoena for Rockefeller to testify as to Standard Oil's assets. The tycoon had often evaded subpoenas, not having testified in court since 1888. Deputy United States marshals visited Rockefeller's several homes, as well as the estates of his friends, in the hope of finding him. After several days, Rockefeller was found at his lawyer's estate, Taconic Farm in northwestern Massachusetts, and was served with the subpoena. The tycoon duly came to Landis's Chicago courtroom, making his way through a mob anxious to see the proceedings. Rockefeller's actual testimony, proffered after the judge made him wait through several cases and witnesses, proved to be anticlimactic, as he professed almost no knowledge of Standard Oil's corporate structure or assets. On August 3, 1907, Landis pronounced sentence. He fined Standard Oil the maximum penalty, $29,240,000, the largest fine imposed on a corporation to that date. The corporation quickly appealed; in the meantime, Landis was lionized as a hero. According to Pietrusza, "much of the nation could hardly believe a federal judge had finally cracked down on a trust—and cracked down hard ". President Roosevelt, when he heard the sentence, reportedly stated, "That's bully." Rockefeller was playing golf in Cleveland when he was brought a telegram containing the news. Rockefeller calmly informed his golfing partners of the amount of the fine, and proceeded to shoot a personal record score, later stating, "Judge Landis will be dead a long time before this fine is paid." He proved correct; the verdict and sentence were reversed by the United States Court of Appeals for the Seventh Circuit on July 22, 1908. In January 1909, the Supreme Court refused to hear the case, and in a new trial before another judge (Landis recused himself), Standard Oil was acquitted. Federal League and Baby Iraene cases (1909–1917) A lifelong baseball fan, Landis often slipped away from the courthouse for a White Sox or Cubs game. In 1914, the two existing major leagues were challenged by a new league, the Federal League. In 1915, the upstart league brought suit against the existing leagues and owners under the Sherman Act and the case was assigned to Landis. Baseball owners feared that the reserve clause, which forced players to sign new contracts only with their former team, and the 10-day clause, which allowed teams (but not players) to terminate player contracts on ten days notice, would be struck down by Landis. Landis held hearings in late January 1915, and newspapers expected a quick decision, certainly before spring training began in March. During the hearings, Landis admonished the parties, "Both sides must understand that any blows at the thing called baseball would be regarded by this court as a blow to a national institution". When the National League's chief counsel, future Senator George Wharton Pepper referred to the activities of baseball players on the field as "labor", Landis interrupted him: "As a result of 30 years of observation, I am shocked because you call playing baseball 'labor.' " Landis reserved judgment, and the parties waited for his ruling. Spring training passed, as did the entire regular season and the World Series. In December 1915, still with no word from Landis, the parties reached a settlement, and the Federal League disbanded. Landis made no public statement as to the reasons for his failure to rule, though he told close friends that he had been certain the parties would reach a settlement sooner or later. Most observers thought that Landis waited because he did not want to rule against the two established leagues and their contracts. In 1916, Landis presided over the "Ryan Baby" or "Baby Iraene" case. The recent widow of a prominent Chicago banker, Anna Dollie Ledgerwood Matters, had brought a baby girl home from a visit to Canada and claimed that the child was her late husband's posthumous heir. Matters had left an estate of $250,000. However, a shop girl from Ontario, Margaret Ryan, claimed the baby was hers, and brought a writ of habeas corpus in Landis's court. Ryan stated that she had given birth to the girl in an Ottawa hospital, but had been told her baby had died. In the era before blood and DNA testing, Landis relied on witness testimony and awarded the child to Ryan. The case brought comparisons between Landis and King Solomon, who had judged a similar case. Landis was reversed by the Supreme Court, which held he had no jurisdiction in the matter. A Canadian court later awarded the child to Ryan. Although Landis was an autocrat in the courtroom, he was less so at home. In a 1916 interview, he stated, Every member of this family does exactly what he or she wants to do. Each one is his or her supreme court. Everything for the common good of the family is decided according to the wishes of the whole family. Each one knows what is right and each one can do whatever he thinks is best. It is purely democratic. Wartime cases (1917–1919) In early 1917, Landis considered leaving the bench and returning to private practice—though he greatly enjoyed being a judge, the salary of $7,500 was considerably lower than what he could make as an attorney. The entry of the United States into World War I in April ended Landis's determination to resign; a firm supporter of the war effort, he felt he could best serve the country by remaining on the bench. Despite this decision and his age, fifty, Landis wrote to Secretary of War Newton D. Baker, asking him to take him into the service and send him to France, where the war was raging. Baker urged Landis to make speeches in support of the war instead, which he did. The judge's son, Reed, had already served briefly in the Illinois National Guard; during the war he became a pilot, and eventually an ace. Landis's disdain for draft dodgers and other opponents of the war was evident in July 1917, when he presided over the trials of some 120 men, mostly foreign-born Socialists, who had resisted the draft and rioted in Rockford, Illinois. According to Pietrusza, Landis "was frequently brutal in his remarks" to the defendants, interrogating them on their beliefs. Landis tried the case in Rockford, and found all guilty, sentencing all but three to a year and a day in jail, the maximum sentence. The prisoners were ordered to register for the draft after serving their sentences—except 37, whom he ordered deported. On September 5, 1917, federal officers raided the national headquarters, in Chicago, of the Industrial Workers of the World (IWW, sometimes "Wobblies"), as well as 48 of the union's halls across the nation. The union had opposed the war and urged members and others to refuse conscription into the armed forces. On September 28, 166 IWW leaders, including union head Big Bill Haywood were indicted in the Northern District of Illinois; their cases were assigned to Landis. Some 40 of the indicted men could not be found; a few others had charges dismissed against them. Ultimately, Landis presided over a trial against 113 defendants, the largest federal criminal trial to that point. The trial began on April 1, 1918. Landis quickly dismissed charges against a dozen defendants, including one A.C. Christ, who showed up in newly obtained army uniform. Jury selection occupied a month. Journalist John Reed attended the trial, and wrote of his impressions of Landis: Small on the huge bench sits a wasted man with untidy white hair, an emaciated face in which two burning eyes are set like jewels, parchment-like skin split by a crack for a mouth; the face of Andrew Jackson three years dead ... Upon this man has devolved the historic role of trying the Social Revolution. He is doing it like a gentleman. In many ways a most unusual trial. When the judge enters the court-room after recess, no one rises—he himself has abolished the pompous formality. He sits without robes, in an ordinary business suit, and often leaves the bench to come down and perch on the step of the jury box. By his personal orders, spittoons are placed by the prisoners' seats ... and as for the prisoners themselves, they are permitted to take off their coats, move around, read newspapers. It takes some human understanding for a Judge to fly in the face of judicial ritual as much as that. Haywood biographer Melvyn Dubofsky wrote that Landis "exercised judicial objectivity and restraint for five long months". Baseball historian Harold Seymour stated that "[o]n the whole, Landis conducted the trial with restraint, despite his reputation as a foe of all radical groups." Landis dismissed charges against an elderly defendant who was in obvious pain as he testified, and allowed the release of a number of prisoners on bail or on their own recognizances. On August 17, 1918, following the closing argument for the prosecution (the defendants waived argument), Landis instructed the jury. The lead defense counsel objected to the wording of the jury charge several times, but Haywood believed it to have been fair. After 65 minutes, the jury returned with guilty verdicts for all of the remaining accused, much to their shock; they had believed that Landis's charge pointed towards their acquittal. When the defendants returned to court on August 29, Landis listened with patience to the defendants' final pleas. For the sentencing, according to Richard Cahan in his history of Chicago's district court, "mild-mannered Landis returned a changed man". Although two defendants received only ten days in jail, all others received at least a year and a day, and Haywood and fourteen others received twenty years. A number of defendants, including Haywood, obtained bail during the appeal; even before Haywood's appeals were exhausted, he jumped bail and took ship for the Soviet Union. The labor leader hung a portrait of Landis in his Moscow apartment, and when Haywood died in 1928, he was interred near John Reed (who had died of illness in Moscow after the Bolshevik Revolution) in the Kremlin Wall—they remain the only Americans so honored. President Calvin Coolidge commuted the sentences of the remaining incarcerated defendants in 1923, much to the disgust of Landis, who issued an angry statement. After leaving his judgeship, Landis referred to the defendants in the Haywood case as "scum", "filth", and "slimy rats". Landis hoped that the Kaiser, Wilhelm II would be captured and tried in his court; he wanted to indict the Kaiser for the murder of a Chicagoan who lost his life on the RMS Lusitania in 1915. The State Department notified Landis that extradition treaties did not permit the rendition of the Kaiser, who fled into exile in the Netherlands as the war concluded. Nevertheless, in a speech, Landis demanded that Kaiser Wilhelm, his six sons, and 5,000 German military leaders "be lined up against a wall and shot down in justice to the world and to Germany". Even with the armistice in November 1918, the war-related trials continued. The Socialist Party of America, like the IWW, had opposed the war, and had also been raided by federal authorities. Seven Socialist Party leaders, including Victor Berger, who was elected to Congress in November 1918, were indicted for alleged anti-war activities. The defendants were charged under the Espionage Act of 1917, which made it illegal "to utter, print, write, or publish any disloyal, profane, scurrilous or abusive language" about the armed forces, the flag, the Constitution, or democracy. The defendants, who were mostly of German birth or descent, moved for a change of venue away from Landis's courtroom, alleging that Landis had stated on November 1, 1918, that "[i]f anybody has said anything about the Germans that is worse than I have said, I would like to hear it so I could use it myself." Landis, however, examined the transcript of the trial in which the statement was supposedly made, failed to find it, declared the affidavit in support of the motion "perjurious", and denied the motion. While the jury was being selected, Berger was indicted on additional espionage charges for supposedly violating the law during an earlier, unsuccessful political campaign. At the conclusion of the case, Landis took an hour to dramatically charge the jury, emphasizing the secretive nature of conspiracies and pointing at the jury box as he noted, "the country was then at war". At one point, Landis leapt out of his seat, twirled his chair around, then sat on its arm. Later in his charge, he lay prone upon the bench. The jury took less than a day to convict Congressman-elect Berger and his four remaining codefendants. Landis sentenced each defendant to twenty years in federal prison. Landis denied the defendants bail pending appeal, but they quickly obtained it from an appellate court judge. The Seventh Circuit Court of Appeals declined to rule on the case itself, sending it on to the Supreme Court, which on January 31, 1921, overturned the convictions and sentences by a 6–3 vote, holding that Landis should have stepped aside once he was satisfied that the affidavit was legally sufficient, leaving it for another judge to decide whether it was actually true. Landis refused to comment on the Supreme Court's decision, which ordered a new trial. In 1922, the charges against the defendants were dropped by the government. Building trades award, controversy, and resignation (1920–1922) The postwar period saw considerable deflation; the shortage of labor and materials during the war had led to much higher wages and prices, and in the postwar economic readjustment, wages were cut heavily. In Chicago, employers in the building trades attempted a 20% wage cut; when this was rejected by the unions, a lockout followed. Both sides agreed to submit the matter to a neutral arbitrator, and settled on Landis, who agreed to take the case in June 1921. By this time, Landis was Commissioner of Baseball, and still a federal judge. In September, Landis issued his report, cutting wages by an average of 12.5%. To improve productivity, he also struck restrictions on machinery which saved labor, established a standardized overtime rate, and resolved jurisdictional conflicts between unions. The labor organizations were not completely satisfied, but Landis's reforms were adopted in many places across the country and were credited with reviving the building industry. Criticism of Landis having both the judicial and baseball positions began almost as soon as his baseball appointment was announced in November 1920. On February 2, 1921, lame duck Congressman Benjamin F. Welty (Democrat-Ohio) offered a resolution calling for Landis's impeachment. On February 11, Attorney General A. Mitchell Palmer opined that there was no legal impediment to Landis holding both jobs. On February 14, the House Judiciary Committee voted 24–1 to investigate Landis. Reed Landis later stated, "[n]one of the other congressmen wanted Father impeached but they did want him to come down and defend himself because they knew what a show it would be." Although Welty's departure from office on March 4, 1921, began a lull in criticism of Landis, in April, the judge made a controversial decision in the case of Francis J. Carey, a 19-year-old bank teller, who had pleaded guilty to embezzling $96,500. Carey, the sole support of his widowed mother and unmarried sisters, gained Landis's sympathy. He accused the bank of underpaying Carey, and sent the youth home with his mother. Two members of the Senate objected to Landis's actions, and the New York Post compared Carey with Les Misérables's Jean Valjean, noting "[b]etween a loaf of bread [Valjean was incarcerated for stealing one] and $96,500 there is a difference." A bill barring outside employment by federal judges had been introduced by Landis's foes, but had expired with the end of the congressional session in March; his opponents tried again in July, and the bill failed in the Senate on a tie vote. On September 1, 1921, the American Bar Association, a trade group of lawyers, passed a resolution of censure against Landis. By the end of 1921, the controversy was dying down, and Landis felt that he could resign without looking pressured. On February 18, 1922, he announced his resignation as judge effective March 1, stating, "There are not enough hours in the day for all these activities". In his final case, he fined two theatre owners for evading the federal amusement tax. One owner had refused to make restitution before sentencing; he was fined $5,000. The owner who had tried to make his shortfall good was fined one cent. Baseball Commissioner (1920–1944) Appointment Black Sox scandal By 1919, the influence of gamblers on baseball had been a problem for several years. Historian Paul Gardner wrote, Baseball had for some time been living uneasily in the knowledge that bribes were being offered by gamblers, and that some players were accepting them. The players knew it was going on, and the owners knew it was going on. But more important, the players knew that the owners knew—and they knew the owners were doing nothing about it for fear of a scandal that might damage organized baseball. Under such conditions it quite obviously did not pay to be honest. The 1919 World Series between the Chicago White Sox and Cincinnati Reds was much anticipated, as the nation attempted to return to normalcy in the postwar period. Baseball had seen a surge of popularity during the 1919 season, which set several attendance records. The powerful White Sox, with their superstar batter "Shoeless Joe" Jackson and star pitchers Eddie Cicotte and Claude "Lefty" Williams, were believed likely to defeat the less-well-regarded Reds. To the surprise of many, the Reds defeated the White Sox, five games to three (during 1919–21, the World Series was a best-of-nine affair). Rumors that the series was fixed began to circulate after gambling odds against the Reds winning dropped sharply before the series began, and gained more credibility after the White Sox lost four of the first five games. Cincinnati lost the next two games, and speculation began that the Reds were losing on purpose to extend the series and increase gate revenues. However, Cincinnati won Game Eight, 10–5, to end the series, as Williams lost his third game (Cicotte lost the other two). After the series, according to Gene Carney, who wrote a book about the scandal, "there was more than the usual complaining from those who had bet big on the Sox and lost". The issue of the 1919 Series came to the public eye again in September 1920, when, after allegations that a game between the Chicago Cubs and Philadelphia Phillies on August 31 had been fixed, a grand jury was empaneled in state court in Chicago to investigate baseball gambling. Additional news came from Philadelphia, where gambler Billy Maharg stated that he had worked with former boxer Abe Attell and New York gambler Arnold Rothstein to get the White Sox to throw the 1919 Series. Cicotte and Jackson were called before the grand jury, where they gave statements incriminating themselves and six teammates: Williams, first baseman Chick Gandil, shortstop Swede Risberg, third baseman Buck Weaver, center fielder Happy Felsch and reserve infielder Fred McMullin. Williams and Felsch were also called before the grand jury and incriminated themselves and their teammates. Through late September, the 1920 American League season had been one of the most exciting on record, with the White Sox, Cleveland Indians and New York Yankees dueling for the league lead. By September 28, the Yankees were close to elimination, but the White Sox and Indians were within percentage points of each other. On that day, however, the eight players, seven of whom were still on the White Sox, were indicted. They were immediately suspended by White Sox owner Charles Comiskey. The Indians were able to pull ahead and win the pennant, taking the American League championship by two games over Chicago. Search for a commissioner Baseball had been governed by a three-man National Commission, consisting of American League President Ban Johnson, National League President John Heydler and Cincinnati Reds owner Garry Herrmann. In January 1920, Herrmann left office at the request of other club owners, leaving the Commission effectively deadlocked between Johnson and Heydler. A number of club owners, disliking one or both league presidents, preferred a single commissioner to rule over the game, but were willing to see the National Commission continue if Herrmann was replaced by someone who would provide strong leadership. Landis's name was mentioned in the press for this role, and the influential baseball newspaper The Sporting News sought his appointment. Another proposal, known as the "Lasker Plan" after Albert Lasker, a shareholder in the Chicago Cubs who had proposed it, was for a three-man commission to govern the game, drawn from outside baseball. On September 30, 1920, with the Black Sox scandal exposed, National League President Heydler began to advocate for the Lasker Plan, and by the following day, four major league teams had supported him. Among the names discussed in the press for membership on the new commission were Landis, former Secretary of the Treasury William Gibbs McAdoo, former President William Howard Taft, and General John J. Pershing. The start of the 1920 World Series on October 5 distracted the public from baseball's woes for a time, but discussions continued behind the scenes. By mid-October, 11 of the 16 team owners (all eight from the National League and the owners of the American League Yankees, White Sox and Boston Red Sox) were demanding the end of the National Commission and the appointment of a three-man commission whose members would have no financial interest in baseball. Heydler stated his views on baseball's requirements: We want a man as chairman who will rule with an iron hand ... Baseball has lacked a hand like that for years. It needs it now worse than ever. Therefore, it is our object to appoint a big man to lead the new commission. On November 8, the owners of the eight National League and three American League teams which supported the Lasker Plan met and unanimously selected Landis as head of the proposed commission. The American League clubs that supported the plan threatened to move to the National League, away from Johnson, who opposed it. Johnson had hoped that the minor leagues would support his position; when they did not, he and the "Loyal Five" teams agreed to the Lasker Plan. In the discussions among the owners that followed, they decided that Landis would be the only commissioner–no associate members would be elected. On November 12, the team owners came to Landis's courtroom to approach him. Landis was trying a bribery case; when he heard noise in the back of the courtroom from the owners, he gaveled them to silence. He made them wait 45 minutes while he completed his docket, then met with them in his chambers. The judge heard out the owners; after expressing initial reluctance, he took the job for seven years at a salary of $50,000, on condition he could remain on the federal bench. During Landis's time serving as both judge and commissioner, he allowed a $7,500 reduction in his salary as commissioner, to reflect his pay as judge. The appointment of Landis was met with acclaim in the press. A tentative agreement was signed by the parties a month later—an agreement which itemized Landis's powers over baseball, and which was drafted by the judge. The owners were still reeling from the perception that baseball was crooked, and accepted the agreement virtually without dissent. Under the terms of the contract, Landis could not be dismissed by the team owners, have his pay reduced, or even be criticized by them in public. He also had nearly unlimited authority over every person employed in the major or minor leagues, from owners to batboys, including the ability to ban people from the leagues for life. The owners waived any recourse to the courts to contest Landis's will. Humorist Will Rogers stated, "[D]on't kid yourself that that old judicial bird isn't going to make those baseball birds walk the chalkline". Player and manager Leo Durocher later stated, "The legend has been spread that the owners hired the Judge off the federal bench. Don't you believe it. They got him right out of Dickens." Establishing control Banning the Black Sox On January 30, 1921, Landis, speaking at an Illinois church, warned: Now that I am in baseball, just watch the game I play. If I catch any crook in baseball, the rest of his life is going to be a pretty hot one. I'll go to any means and to anything possible to see that he gets a real penalty for his offense. The criminal case against the Black Sox defendants suffered unexpected setbacks, with evidence vanishing, including some of the incriminating statements made to the grand jury. The prosecution was forced to dismiss the original indictments, and bring new charges against seven of the ballplayers (McMullin was not charged again). Frustrated by the delays, Landis placed all eight on an "ineligible list", banning them from major and minor league baseball. Comiskey supported Landis by giving the seven who remained under contract to the White Sox their unconditional release. Public sentiment was heavily against the ballplayers, and when Jackson, Williams, Felsch, and Weaver played in a semi-pro game, The Sporting News mocked the 3,000 attendees, "Just Like Nuts Go to See a Murderer". The criminal trial of the Black Sox indictees began in early July 1921. Despite what Robert C. Cottrell, in his book on the scandal, terms "the mysterious loss of evidence", the prosecution was determined to pursue the case, demanding five-year prison terms for the ballplayers for defrauding the public by throwing the World Series. On August 2, 1921, the jury returned not guilty verdicts against all defendants, leading to happy pandemonium in the courtroom, joined by the courtroom bailiffs, with even the trial judge, Hugo Friend, looking visibly pleased. The players and jury then retired to an Italian restaurant and partied well into the night. The jubilation proved short-lived. On August 3, Landis issued a statement: Regardless of the verdict of juries, no player that throws a ball game; no player that undertakes or promises to throw a ball game; no player that sits in a conference with a bunch of crooked players and gamblers where the ways and means of throwing ball games are planned and discussed and does not promptly tell his club about it, will ever play professional baseball. Of course, I don't know that any of these men will apply for reinstatement, but if they do, the above are at least a few of the rules that will be enforced. Just keep in mind that, regardless of the verdict of juries, baseball is competent to protect itself against crooks, both inside and outside the game. According to ESPN columnist Rob Neyer, "with that single decision, Landis might have done more for the sport than anyone else, ever. Certainly, Landis never did anything more important." According to Carney, "The public amputation of the eight Sox was seen as the only acceptable cure." Over the years of Landis's commissionership, a number of the players applied for reinstatement to the game, notably Jackson and Weaver. Jackson, raised in rural South Carolina and with limited education, was said to have been drawn unwillingly into the conspiracy, while Weaver, though admitting his presence at the meetings, stated that he took no money. Both men stated that their play on the field, and their batting percentages during the series (.375 for Jackson, .324 for Weaver) indicated that they did not help to throw the series. None was ever reinstated, with Landis telling a group of Weaver supporters that his presence at the meetings with the gamblers was sufficient to bar him. Even today, long after the deaths of all three men, efforts are periodically made to reinstate Jackson (which would make him eligible for election to the National Baseball Hall of Fame) and Weaver (deemed by some the least culpable of the eight). In the 1990s, a petition drive to reinstate Jackson drew 60,000 signatures. He has been treated sympathetically in movies such as Eight Men Out and Field of Dreams, and Hall of Famers Ted Williams and Bob Feller expressed their support for Jackson's induction into the Hall. Landis's expulsion of the eight men remains in force. Cracking down on gambling Landis felt that the Black Sox scandal had been initiated by people involved in horse racing, and stated that "by God, as long as I have anything to do with this game, they'll never get another hold on it." In 1921, his first season as commissioner, New York Giants owner Charles Stoneham and manager John McGraw purchased Oriental Park Racetrack in Havana, Cuba. Landis gave Stoneham and McGraw an ultimatum—they could not be involved in both baseball and horse racing. They quickly put the track back on the market. Even before the Black Sox scandal had been resolved, Landis acted to clean up other gambling cases. Eugene Paulette, a first baseman for the Philadelphia Phillies, had been with the St. Louis Cardinals in 1919, and had met with gamblers. It is uncertain if any games were fixed, but Paulette had written a letter naming two other Cardinals who might be open to throwing games. The letter had fallen into the hands of Phillies President William F. Baker, who had taken no action until Landis's appointment, then turned the letter over to him. Paulette met with Landis once, denying any wrongdoing, then refused further meetings. Landis placed him on the ineligible list in March 1921. In November 1921, Landis banned former St. Louis Browns player Joe Gedeon, who had been released by the Browns after admitting to sitting in on meetings with gamblers who were trying to raise the money to bribe the Black Sox. When a minor league official asked if he was eligible, Landis settled the matter by placing Gedeon on the ineligible list. Two other player gambling affairs marked Landis's early years as commissioner. In 1922, Giants pitcher Phil Douglas, embittered at McGraw for disciplining him for heavy drinking, wrote a letter to Cardinals outfielder Leslie Mann, suggesting that he would take a bribe to ensure the Giants did not win the pennant. Although Mann had been a friend, the outfielder neither smoked nor drank and had long been associated with the YMCA movement; according to baseball historian Lee Allen, Douglas might as well have sent the letter to Landis himself. Mann immediately turned over the letter to his manager, Branch Rickey, who ordered Mann to contact Landis at once. The Giants placed Douglas on the ineligible list, an action backed by Landis after meeting with the pitcher. On September 27, 1924, Giants outfielder Jimmy O'Connell offered Phillies shortstop Heinie Sand $500 if Sand didn't "bear down too hard against us today". Sand was initially inclined to let the matter pass, but recalling the fate of Weaver and other Black Sox players, told his manager, Art Fletcher. Fletcher met with Heydler, who contacted Landis. O'Connell did not deny the bribe attempt, and was placed on the ineligible list. In total, Landis banned eighteen players from the game. Landis biographer Pietrusza details the effect of Landis's stand against gambling: Before 1920 if one player approached another player to throw a contest, there was a very good chance he would not be informed upon. Now, there was an excellent chance he would be turned in. No honest player wanted to meet the same fate as Buck Weaver ... Without the forbidding example of Buck Weaver to haunt them, it is unlikely Mann and Sand would have snitched on their fellow players. After Landis' unforgiving treatment of the popular and basically honest Weaver they dared not to. And once prospectively crooked players knew that honest players would no longer shield them, the scandals stopped. Ruth-Meusel barnstorming incident At the time of Landis's appointment as commissioner, it was common for professional baseball players to supplement their pay by participating in postseason "barnstorming" tours, playing on teams which would visit smaller cities and towns to play games for which admission would be charged. Since 1911, however, players on the two World Series teams had been barred from barnstorming. The rule had been leniently enforced—in 1916, several members of the champion Red Sox, including pitcher George Herman "Babe" Ruth had barnstormed and had been fined a token $100 each by the National Commission. Ruth, who after the 1919 season had been sold to the Yankees, and who by then had mostly abandoned his pitching role for the outfield, was the focus of considerable fan interest as he broke batting records in 1920 and 1921, some by huge margins. Ruth's major league record 29 home runs with the Red Sox in 1919 fell to his own efforts in 1920, when he hit 54. He then proceeded to hit 59 in 1921, leading the Yankees to their first pennant. Eight major league teams failed to hit as many home runs in 1921 as Ruth hit by himself. The Yankees lost the 1921 World Series to the Giants (Ruth was injured and missed several games) and after the series, the outfielder proposed to capitalize on fan interest by leading a team of barnstormers, including Yankees teammate Bob Meusel, in violation of the rule. According to Cottrell, [T]he two men clashed who helped the national pastime overcome the Black Sox scandal, one through his seemingly iron will, the other thanks to his magical bat. Judge Kenesaw Mountain Landis and Babe Ruth battled over the right of a ballplayer from a pennant-winning squad to barnstorm in the off-season. Also involved was the commissioner's continued determination to display, as he had through his banishment of the Black Sox, that he had established the boundaries for organized baseball. These boundaries, Landis intended to demonstrate, applied even to the sport's most popular and greatest star. Significant too, only Babe Ruth now contended with Commissioner Landis for the title of baseball's most important figure. Ruth had asked Yankees general manager Ed Barrow for permission to barnstorm. Barrow had no objection but warned Ruth he must obtain Landis's consent. Landis biographer Spink, who was at the time the editor of The Sporting News, stated, "I can say that Ruth knew exactly what he was doing when he defied Landis in October, 1921. He was willing to back his own popularity and well-known drawing powers against the Judge." Ruth, to the commissioner's irritation, did not contact Landis until October 15, one day before the first exhibition. When the two spoke by telephone, Landis ordered Ruth to attend a meeting with him; Ruth refused, stating that he had to leave for Buffalo for the first game. Landis angrily refused consent for Ruth to barnstorm, and after slamming down the receiver, is recorded as saying, "Who the hell does that big ape think he is? That blankety-blank! If he goes on that trip it will be one of the sorriest things he has ever done." By one account, Yankees co-owner Colonel Tillinghast Huston attempted to dissuade Ruth as he departed, only to be told by the ballplayer, "Aw, tell the old guy to jump in a lake." The tour also featured fellow Yankees Bob Meusel and Bill Piercy (who had been called up late in the season and was ineligible for the World Series) as well as Tom Sheehan, who had been sent to the minor leagues before the end of the season. Two other Yankees, Carl Mays and Wally Schang, had been scheduled to join the tour, but given Landis's position, according to Spink, "wisely decided to pass it up". Spink describes the tour as "a fiasco." On Landis's orders, it was barred from all major and minor league ballparks. In addition, it was plagued by poor weather, and was called off in late October. In early December, Landis suspended Ruth, Piercy, and Meusel until May 20, 1922. Yankee management was actually relieved; they had feared Landis would suspend Ruth for the season or even longer. Both the Yankees and Ruth repeatedly asked Landis for the players' early reinstatement, which was refused, and when Landis visited the Yankees during spring training in New Orleans, he lectured Ruth for two hours on the value of obeying authority. "He sure can talk", noted Ruth. When Ruth returned on May 20, he batted 0-for-4, and was booed by the crowd at the Polo Grounds. According to Pietrusza, "Always a politician, there was one boss Landis did fear: public opinion. He had no guarantee at the start of the Ruth controversy that the public and press would back him as he assumed unprecedented powers over baseball. Now, he knew they would." Policies as commissioner Major-minor league relations; development of the farm system At the start of Landis's commissionership, the minor league teams were for the most part autonomous of the major leagues; in fact the minor leagues independently chose to accept Landis's rule. To ensure players did not become mired in the minor leagues without a chance to earn their way out, major league teams were able to draft players who played two consecutive years with the same minor league team. Several minor leagues were not subject to the draft; Landis fought for the inclusion of these leagues, feeling that the non-draft leagues could prevent players from advancing as they became more skilled. By 1924, he had succeeded, as the International League, the final holdout, accepted the draft. By the mid-1920s, major league clubs were beginning to develop "farm systems", that is, minor league teams owned or controlled by them, at which they could develop young prospects without the risk of the players being acquired by major league rivals. The pioneer in this development was Branch Rickey, who then ran the St. Louis Cardinals. As the 1921 National Agreement among the major and minor leagues which implemented Landis's hiring lifted a ban on major league teams owning minor league ones, Landis was limited in his avenues of attack on Rickey's schemes. Developing talent at little cost thanks to Rickey, the Cardinals dominated the National League, winning nine league titles in the years from 1926 to 1946. Soon after Landis's appointment, he surprised the major league owners by requiring that they disclose their minor league interests. Landis fought against the practice of "covering up", using transfers between two teams controlled by the same major league team to make players ineligible for the draft. His first formal act as commissioner was to declare infielder Phil Todt a free agent, dissolving his contract with the St. Louis Browns (at the time run by Rickey, who soon thereafter moved across town to run the Cardinals); in 1928, he ruled future Hall of Famer Chuck Klein a free agent as he held the Cardinals had tried to cover Klein up by having him play in a league where they owned two affiliates. The following year, he freed Detroit Tigers prospect and future Hall of Famer Rick Ferrell, who attracted a significant signing bonus from the Browns. In 1936, Landis found that teenage pitching prospect Bob Feller's signing by minor league club Fargo-Moorhead had been a charade; the young pitcher was for all intents and purposes property of the Cleveland Indians. However, Feller indicated that he wanted to play for Cleveland and Landis issued a ruling which required the Indians to pay damages to minor league clubs, but allowed them to retain Feller, who went on to a Hall of Fame career with the Indians. Landis's attempts to crack down on "covering up" provoked the only time he was ever sued by one of his owners. After the 1930 season, minor leaguer Fred Bennett, convinced he was being covered up by the Browns, petitioned Landis for his release. Landis ruled that the Browns could either keep Bennett on their roster for the entire 1931 season, trade him, or release him. Instead, Browns owner Phil Ball brought suit against Landis in his old court in Chicago. Federal Judge Walter Lindley ruled for Landis, noting that the agreements and rules were intended to "endow the Commissioner with all the attributes of a benevolent but absolute despot and all the disciplinary powers of the proverbial pater familias". Ball intended to appeal, but after a meeting between team owners and Landis in which the commissioner reminded owners of their agreement not to sue, decided to drop the case. Landis had hoped that the large Cardinal farm system would become economically unfeasible; when it proved successful for the Cardinals, he had tolerated it for several years and was in a poor position to abolish it. In 1938, however, finding that the Cardinals effectively controlled multiple teams in the same league (a practice disliked by Landis), he freed 70 players from their farm system. As few of the players were likely prospects for the major leagues, Landis's actions generated headlines, but had little effect on the Cardinals organization, and the development of the modern farm system, whereby each major league club has several minor league teams which it uses to develop talent, proceeded apace. Rob Neyer describes Landis's effort as "a noble effort in a good cause, but it was also doomed to fail." Baseball color line One of the most controversial aspects of Landis's commissionership is the question of race. From 1884, black ballplayers were informally banned from organized baseball. No black ballplayer played in organized baseball during Landis's commissionership; Rickey (then running the Brooklyn Dodgers) broke the color line by signing Jackie Robinson to play for the minor league Montreal Royals in 1946, after Landis's death. Robinson became the first African-American in the major leagues since the 19th century, playing with the Dodgers beginning in 1947. According to contemporary newspaper columns, at the time of his appointment as commissioner, Landis was considered a liberal on race questions; two Chicago African-American newspapers defended him against the 1921 efforts to impeach him from his judgeship. However, a number of baseball authors have ascribed racism to Landis, who they say actively perpetuated baseball's color line. James Bankes, in The Pittsburgh Crawfords, tracing the history of that Negro league team, states that Landis, whom the author suggests was a Southerner, made "little effort to disguise his racial prejudice during 25 years in office" and "remained a steadfast foe of integration". Negro league historian John Holway termed Landis "the hard-bitten Carolinian Kennesaw Mountain Landis". In a 2000 article in Smithsonian magazine, writer Bruce Watson states that Landis "upheld baseball's unwritten ban on black players and did nothing to push owners toward integration". A number of authors say that Landis banned major league play against black teams for fear the white teams would lose, though they ascribe various dates for this action, and the Dodgers are known to have played black teams in and around their Havana spring training base as late as 1942. Landis's documented actions on race are inconsistent. In 1938, Yankee Jake Powell was interviewed by a radio station, and when asked what he did in the offseason, made comments that were interpreted as meaning he worked as a police officer and beat up African Americans. Landis suspended Powell for ten days. In June 1942, the Negro league Kansas City Monarchs played several games against the white "Dizzy Dean All-Stars" at major league ballparks, attracting large crowds. After three games, all won by the Monarchs, Landis ordered a fourth canceled, on the ground that the games were outdrawing major league contests. On one occasion, Landis intervened in Negro league affairs, though he had no jurisdiction to do so. The Crawfords lost a game to a white semi-pro team when their star catcher, Josh Gibson dropped a pop fly, and Gibson was accused of throwing the game at the behest of gamblers. Landis summoned the black catcher to his office, interviewed him, and announced that Gibson was cleared of wrongdoing. In July 1942, Dodger manager Leo Durocher charged that there was a "grapevine understanding" keeping blacks out of baseball. He was summoned to Landis's Chicago office, and after emerging from a meeting with the commissioner, alleged that he had been misquoted. Landis then addressed the press, and stated, Negroes are not barred from organized baseball by the commissioner and never have been in the 21 years I have served. There is no rule in organized baseball prohibiting their participation and never has been to my knowledge. If Durocher, or if any other manager, or all of them, want to sign one, or twenty-five Negro players, it is all right with me. That is the business of the managers and the club owners. The business of the commissioner is to interpret the rules of baseball, and to enforce them. In his 1961 memoir, Veeck as in Wreck, longtime baseball executive and owner Bill Veeck told of his plan, in 1942, to buy the Phillies and stock the team with Negro league stars. Veeck wrote that he told Landis, who reacted with shock, and soon moved to block the purchase. In his book, Veeck placed some of the blame on National League President Ford Frick, but later reserved blame exclusively for Landis, whom he accused of racism, stating in a subsequent interview, "[a]fter all, a man who is named Kenesaw Mountain was not born and raised in the state of Maine." However, when Veeck was asked for proof of his allegations against Landis, he stated, "I have no proof of that. I can only surmise." According to baseball historian David Jordan, "Veeck, nothing if not a storyteller, seems to have added these embellishments, sticking in some guys in black hats, simply to juice up his tale." In November 1943, Landis agreed after some persuasion that black sportswriter Sam Lacy should make a case for integration of organized baseball before the owners' annual meeting. Instead of Lacy attending the meeting, actor Paul Robeson did. Robeson, though a noted black actor and advocate of civil rights, was a controversial figure due to his affiliation with the Communist Party. The owners heard Robeson out, but at Landis's suggestion, did not ask him any questions or begin any discussion with him. Neyer noted that "Landis has been blamed for delaying the integration of the major leagues, but the truth is that the owners didn't want black players in the majors any more than Landis did. And it's not likely that, even if Landis hadn't died in 1944, he could have prevented Branch Rickey from bringing Jackie Robinson to the National League in 1947." The Baseball Writers' Association of America after Landis's death in 1944 renamed its Most Valuable Player Awards after Landis, but removed his name in 2020 with a vote of 89 percent of voting members in favor. The president of the association said Landis had "notably failed to integrate the game during his tenure". C.C. Johnson Spink, son of Landis biographer J.G. Taylor Spink and his successor as editor of The Sporting News, noted in the introduction to the reissue of his father's biography of Landis, K.M. Landis was quite human and not infallible. If, for example, he did drag his feet at erasing baseball's color line, he was grievously wrong, but then so were many others of his post-Civil War generation. World Series and All-Star Game; other innovations Landis took full jurisdiction over the World Series, as a contest between representatives of the two major leagues. Landis was blamed when the umpires called a game on account of darkness with the score tied during the 1922 World Series, even though there was still light. Landis decided that such decisions in future would be made by himself, moved forward the starting time of World Series games in future years, and announced that proceeds from the tied game would be donated to charity. In the 1932 World Series, Landis ordered that tickets for Game One at Yankee Stadium only be sold as part of strips, forcing fans to purchase tickets for all Yankee home games during that Series. Bad weather and the poor economy resulted in a half-filled stadium, and Landis allowed individual game sales for Game Two. During the 1933 World Series, he instituted a rule that only he could throw a player out of a World Series game, a rule which followed the ejection of Washington Senator Heinie Manush by umpire Charley Moran. The following year, with the visiting Cardinals ahead of the Detroit Tigers, 9–0 in Game Seven, he removed Cardinal Joe Medwick from the game for his own safety when Medwick, the left fielder, was pelted with fruit by Tiger fans after Medwick had been involved in a fight with one of the Tigers. Spink notes that Landis would most likely not have done so were the game within reach of the Tigers. In the 1938 World Series, umpire Moran was hit by a wild throw and suffered facial injuries. He was able to continue, but the incident caused Landis to order that World Series games and All-Star Games be played with six umpires. The All-Star Game began in 1933; Landis had been a strong supporter of the proposal for such a contest, and after the first game remarked, "That's a grand show, and it should be continued." He never missed an All-Star Game in his lifetime; his final public appearance was at the 1944 All-Star Game in Pittsburgh. In 1928, National League ball clubs proposed an innovation whereby each team's pitcher, usually the weakest hitter in the lineup, would not bat, but be replaced for the purposes of batting and base-running by a tenth player. There were expectations that at the interleague meetings that year, the National League teams would vote for it, and the American League teams against it, leaving Landis to cast the deciding vote. In the event, the proposal was withdrawn, and Landis did not disclose how he would have voted on this early version of the "designated hitter" rule. Landis disliked the innovation of "night baseball", played in the evening with the aid of artificial light, and sought to discourage teams from it. Despite this, he attended the first successful minor league night game, in Des Moines, Iowa, in 1930. When major league night baseball began in the late 1930s, Landis got the owners to restrict the number of such games. During World War II, many restrictions on night baseball were reduced, with the Washington Senators permitted to play all their home games (except those on Sundays and holidays) at night. World War II, death, and legacy With the entry of the United States into World War II in late 1941, Landis wrote to President Franklin D. Roosevelt, inquiring as to the wartime status of baseball. The President responded, urging Landis to keep baseball open, foreseeing that even those fully engaged in war work would benefit from inexpensive diversions such as attending baseball games. Many major leaguers enlisted or were drafted; even so Landis repeatedly stated, "We'll play as long as we can put nine men on the field." Although many of the teams practiced at their normal spring training sites in 1942, beginning the following year they were required to train near their home cities or in the Northeast. Landis was as virulently opposed to the Axis Powers as he had been towards the Kaiser, writing that peace would not be possible until "about fifteen thousand little Hitler, Himmlers and Hirohitos" were killed. Landis retained a firm hold on baseball despite his advancing years and, in 1943, banned Phillies owner William D. Cox from baseball for betting on his own team. In 1927, Landis's stance regarding gambling had been codified in the rules of baseball: "Any player, umpire, or club or league official or employee who shall bet any sum whatsoever upon any baseball game in connection with which the bettor had a duty to perform shall be declared permanently ineligible." Cox was required to sell his stake in the Phillies. In early October 1944, Landis checked into St. Luke's Hospital in Chicago, where his wife Winifred had been hospitalized, with a severe cold. While in the hospital, he had a heart attack, causing him to miss the World Series for the first time in his commissionership. He remained fully alert, and as usual signed the World Series share checks to players. His contract was due to expire in January 1946; on November 17, 1944, baseball's owners voted him another seven-year term. However, on November 25, he died surrounded by family, five days after his 78th birthday. His longtime assistant, Leslie O'Connor, wept as he read the announcement for the press. Landis is buried at Oak Woods Cemetery in Chicago. Two weeks after his death, Landis was voted into the National Baseball Hall of Fame by a special committee vote. American League President Will Harridge said of Landis, "He was a wonderful man. His great qualities and downright simplicity impressed themselves deeply on all who knew him." Pietrusza suggests that the legend on Landis's Hall of Fame plaque is his true legacy: "His integrity and leadership established baseball in the esteem, respect, and affection of the American people." Pietrusza notes that Landis was hired by the baseball owners to clean up the sport, and "no one could deny Kenesaw Mountain Landis had accomplished what he had been hired to do". According to his first biographer, Spink: [Landis] may have been arbitrary, self-willed and even unfair, but he 'called 'em as he saw 'em' and he turned over to his successor and the future a game cleansed of the nasty spots which followed World War I. Kenesaw Mountain Landis put the fear of God into weak characters who might otherwise have been inclined to violate their trust. And for that, I, as a lifelong lover of baseball, am eternally grateful. References Notes Bibliography External links A Brief Biography Lyrics to 'Kenesaw Mountain Landis' by Jonathan Coulton 1866 births 1944 deaths People from Butler County, Ohio Judges of the United States District Court for the Northern District of Illinois National Baseball Hall of Fame inductees Major League Baseball commissioners People from Cass County, Indiana Lawyers from Chicago American people of Swiss descent Northwestern University Pritzker School of Law alumni United States district court judges appointed by Theodore Roosevelt 20th-century American judges Illinois Republicans History of baseball in the United States Indiana Republicans	false	[ "Carl Austin Weiss Sr. (December 6, 1906 – September 8, 1935) was an American physician from Baton Rouge, Louisiana, who allegedly assassinated U.S. Senator Huey Long at the Louisiana State Capitol on September 8, 1935.\n\nBaton Rouge doctor\nWeiss was born in Baton Rouge to physician Carl Adam Weiss and the former Viola Maine. Weiss's father was a prominent ophthalmologist who had once treated Senator Long. His family was Catholic; his father was of German descent, and his mother had French and Irish ancestry. Weiss was educated in local schools and graduated from St. Vincent's Academy. He then obtained his bachelor's degree in 1925 from Louisiana State University in Baton Rouge. He did postgraduate work in Vienna, Austria, and was thereafter awarded internships in Vienna and at Bellevue Hospital in New York City. In 1932, he returned to Baton Rouge to enter private practice with his father. He was president of the Louisiana Medical Society in 1933 and a member of the Kiwanis International.\n\nThe Pavy-Opelousas connection\nIn 1933, Weiss married Yvonne Louise Pavy (1908–1963) of Opelousas, the seat of St. Landry Parish. The couple had one son, Carl Austin Weiss Jr., who was born in 1934, shortly before his father's death, and he died August 2, 2019. Pavy was the daughter of Judge Benjamin Henry Pavy (1874–1943) and Ida Veazie (died 1941). The Pavy family was part of an anti-Long political faction. Judge Pavy's brother Felix Octave Pavy (1879–1962), a physician in Leonville and Opelousas, had run for lieutenant governor in 1928 on an intraparty ticket, and had been defeated by Paul N. Cyr, a Jeanerette dentist who was endorsed by Long.\n\nSimilarly, Judge Pavy, Weiss's father-in-law, was the Sixteenth Judicial District Court state judge from St. Landry and Evangeline parishes. He did not seek reelection in 1936, after Long had the legislature gerrymander the seat to include a majority of pro-Long voters within a revised district.\n\nMurder of Huey Long\n\nOn Sunday, September 8, 1935, Carl Weiss confronted and shot Huey Long in the Capitol building in Baton Rouge. At 9:20 p.m., just after passage of the bill effectively removing Judge Pavy, Weiss approached Long, and, according to the generally accepted version of events, fired a single shot with a handgun from four feet (1.2 m) away. Long was struck in the torso. Long's bodyguards, nicknamed the \"Cossacks\" or \"skullcrushers\", responded by firing at Weiss with their own pistols, killing him; an autopsy found that Weiss had been shot more than 60 times by Long's bodyguards.\n\nAlternative theories and denials of the assassination\n\nIn the years since the event, theories have arisen that Weiss did not actually murder Senator Long; with some speculating that Long was, in fact, killed by a stray bullet fired from the gun of one of his bodyguards.\n\nFamily denials\nAt the time, Weiss's wife and their families did not accept his guilt. Indeed, Weiss's parents indicated that he had seemed quite happy earlier on the day that Long was killed. Many people close to the family, as well as politicians of the time, doubted the official version of the shooting.\n\nWeiss's son, Carl Jr., an infant at the time of his father's death, had since vigorously disputed the assertion. In a 1993 interview on the NBC program Unsolved Mysteries, he asserted that Long was accidentally shot by one of his own bodyguards. Donald Pavy, a medical doctor and first cousin of Weiss's wife Yvonne Pavy, conducted a scientific study of the case and concluded in his book Accident and Deception: The Huey Long Shooting that Weiss did not shoot the governor-turned-senator.\n\nA Louisiana State University Professor, T. Harry Williams, wrote in his Pulitzer Prize-winning biography of Long:\n\nExhumation\nWith the approval of the family, the remains of Weiss were exhumed in 1991 and examined by James Starrs to attempt to determine if Weiss was the actual killer of Long. Starrs was also the publisher of the Scientific Sleuthing Review.\n\nPortrayal in literature\nThe character of Adam Stanton in Robert Penn Warren's fictitious All the King's Men is partially based on Weiss.\n\nIn her 1993 memoir, Marguerite Young mentions the murder of Huey Long and how she used to dance with Weiss as a college girl at Louisiana State University.\n\nFootnotes\n\nReferences\nConrad, Glenn R. 1988. A Dictionary of Louisiana Biography. Lafayette: Louisiana Historical Association.\nRichard D. White Jr., Kingfish (New York: Random House), pp. 258–259.\nDouglas H. Ubelaker, 1997. Taphonomic Applications in Forensic Anthropology. In: Haglund, W.D. & Sorg, M.H. (eds): Forensic Taphonomy: The Postmortem Fate of Human Remains. CRC Press, pp.: 77-90; Boca Raton.\nWilliams, T.H., 1969, Huey Long, New York: Alfred A. Knopf Inc.\nGremillion, E.A., 2011 Did Carl Weiss shoot Huey Long?\n\nExternal links\n C-SPAN program Death of Huey Long\n \n\n1906 births\n1935 deaths\nAmerican assassins\nPhysicians from Louisiana\nBurials in Louisiana\nPeople from Baton Rouge, Louisiana\nTulane University alumni\nLouisiana State University alumni\nDeaths by firearm in Louisiana\nHuey Long", "\"Here Comes the Judge\" is a 1968 song written by Shorty Long, Billie Jean Brown and Suzanne de Passe, and performed by Long. The song was Long's biggest hit, reaching No. 4 on the U.S. R&B chart and No. 8 on the Billboard Hot 100. It held the No. 10 spot on Cashbox for two weeks. The song stayed on the Hot 100 for 11 weeks and Cashbox for 9 weeks. The song also entered the UK chart in July 1968, and was a Top 30 hit, peaking at #30.\n\n\"Here Comes the Judge\" was inspired by a comic act on Rowan & Martin's Laugh-In about a judge by Pigmeat Markham, whose own \"Here Comes the Judge\" - a completely different song - charted two weeks after Long's did in June 1968, and became a Top 20 hit.\n\nCharts\n\nReferences\n\n1968 songs\n1968 singles\nMotown singles\nShorty Long songs\nSongs written by Shorty Long\nSongs about judges" ]
[ "Kenesaw Mountain Landis", "Judge (1905-22)", "How old was Landis when he became a judge?", "I don't know.", "Where did he live when he became a judge?", "Chicago", "Was he a judge on a federal or state level?", "Landis's courtroom, room 627 in the Chicago Federal Building,", "How long did he remain a judge?", "I don't know." ]	C_84d50d4e83ca4878bc84ab036e1e9dea_0	Did he have a reputation of being fair while he served as a judge?	5	Did Kenesaw Mountain Landis have a reputation of being fair while he served as a judge?	Kenesaw Mountain Landis	Landis's courtroom, room 627 in the Chicago Federal Building, was ornate and featured two murals; one of King John conceding Magna Carta, the other of Moses about to smash the tablets of the Ten Commandments. The mahogany and marble chamber was, according to Landis biographer David Pietrusza, "just the spot for Landis's sense of the theatrical. In it he would hold court for nearly the next decade and a half." According to Spink, "It wasn't long before Chicago writers discovered they had a 'character' on the bench." A. L. Sloan of the Chicago Herald-American, a friend of Landis, recalled: The Judge was always headline news. He was a great showman, theatrical in appearance, with his sharp jaw and shock of white hair, and people always crowded into his courtroom, knowing there would be something going on. There were few dull moments. If Judge Landis was suspicious of an attorney's line of questioning, he would begin to wrinkle his nose, and once told a witness, "Now let's stop fooling around and tell exactly what did happen, without reciting your life's history." When an elderly defendant told him that he would not be able to live to complete a five-year sentence, Landis scowled at him and asked, "Well, you can try, can't you?" When a young man stood before him for sentencing after admitting to stealing jewels from a parcel, the defendant's wife stood near him, infant daughter in her arms, and Landis mused what to do about the situation. After a dramatic pause, Landis ordered the young man to take his wife and daughter and go home with them, expressing his unwillingness to have the girl be the daughter of a convict. According to sportswriter Ed Fitzgerald in SPORT magazine, "[w]omen wept unashamed and the entire courtroom burst into spontaneous, prolonged applause." Landis had been a lawyer with a corporate practice; upon his elevation to the bench, corporate litigants expected him to favor them. According to a 1907 magazine article about Landis, "Corporations smiled pleasantly at the thought of a corporation lawyer being on the bench. They smile no more." In an early case, Landis fined the Allis-Chalmers Manufacturing Company the maximum $4,000 for illegally importing workers, even though Winifred Landis's sister's husband served on the corporate board. In another decision, Landis struck down a challenge to the Interstate Commerce Commission's (ICC) jurisdiction over rebating, a practice banned by the Elkins Act of 1903 in which railroads and favored customers agreed that the customers would pay less than the posted tariff, which by law was to be the same for all shippers. Landis's decision allowed the ICC to take action against railroads which gave rebates. CANNOTANSWER	CANNOTANSWER	Kenesaw Mountain Landis (; November 20, 1866 – November 25, 1944) was an American jurist who served as a United States federal judge from 1905 to 1922 and the first Commissioner of Baseball from 1920 until his death. He is remembered for his handling of the Black Sox scandal, in which he expelled eight members of the Chicago White Sox from organized baseball for conspiring to lose the 1919 World Series and repeatedly refused their reinstatement requests. His firm actions and iron rule over baseball in the near quarter-century of his commissionership are generally credited with restoring public confidence in the game. Born in Millville, Ohio, Landis' given name was a spelling variation of the site of the Battle of Kennesaw Mountain, a major battle of the American Civil War in which his father had been wounded. Raised in Indiana, he became a lawyer, and then personal secretary to Walter Q. Gresham, the new United States Secretary of State, in 1893. He returned to private practice after Gresham died in office. President Theodore Roosevelt appointed Landis as a judge of the United States District Court for the Northern District of Illinois in 1905. Landis received national attention in 1907 when he fined Standard Oil of Indiana more than $29 million (approximately $800 million in 2021) for violating federal laws forbidding rebates on railroad freight tariffs. Though Landis was reversed on appeal, he was seen as a judge determined to rein in big business. During and after World War I, Landis presided over several high-profile trials of draft resisters and others whom he saw as opposing the war effort. He imposed heavy sentences on those who were convicted; some of the convictions were reversed on appeal, and other sentences were commuted. In 1920, Landis was a leading candidate when American League and National League team owners, embarrassed by the Black Sox scandal and other instances of players throwing games, sought someone to rule over baseball. Landis was given full power to act in the sport's best interest, and used that power extensively over the next quarter-century. Landis was widely praised for cleaning up the game, although some of his decisions in the Black Sox matter remain controversial: supporters of "Shoeless Joe" Jackson and Buck Weaver contend that he was overly harsh with those players. Others blame Landis for, in their view, delaying the racial integration of baseball. Landis was elected to the National Baseball Hall of Fame by a special vote shortly after he died in 1944. Early life and pre-judicial career (1866–1905) Boyhood and early career (1866–1893) Kenesaw Mountain Landis was born in Millville, Ohio, the sixth child and fourth son of Abraham Hoch Landis, a physician, and Mary Kumler Landis, on November 20, 1866. The Landises descended from Swiss Mennonites who had emigrated to Alsace before coming to the United States. Abraham Landis had been wounded fighting on the Union side at the Battle of Kennesaw Mountain in Georgia, and when his parents proved unable to agree on a name for the new baby, Mary Landis proposed that they call him Kenesaw Mountain. At the time, both spellings of "Kenesaw" were used, but in the course of time, "Kennesaw Mountain" became the accepted spelling of the battle site. Abraham Landis worked in Millville as a country physician. When Kenesaw was eight, the elder Landis moved his family to Delphi, Indiana, and subsequently to Logansport, Indiana, where the doctor purchased and ran several local farms—his war injury had caused him to scale back his medical practice. Two of Kenesaw's four brothers, Charles Beary Landis and Frederick Landis, became members of Congress. As "Kenny", as he was sometimes known, grew, he did an increasing share of the farm work, later stating, "I did my share—and it was a substantial share—in taking care of the 13 acres ... I do not remember that I particularly liked to get up at 3:30 in the morning." Kenesaw began his off-farm career at age ten as a news delivery boy. He left school at 15 after an unsuccessful attempt to master algebra; he then worked at the local general store. He left that job for a position as errand boy with the Vandalia Railroad. Landis applied for a job as a brakeman, but was laughingly dismissed as too small. He then worked for the Logansport Journal, and taught himself shorthand reporting, becoming in 1883 official court reporter for the Cass County Circuit Court. Landis later wrote, "I may not have been much of a judge, nor baseball official, but I do pride myself on having been a real shorthand reporter." He served in that capacity until 1886. In his spare time, he became a prize-winning bicycle racer and played on and managed a baseball team. Offered a professional contract as a ballplayer, he turned it down, stating that he preferred to play for the love of the game. In 1886, Landis first ventured into Republican Party politics, supporting a friend, Charles F. Griffin, for Indiana Secretary of State. Griffin won, and Landis was rewarded with a civil service job in the Indiana Department of State. While employed there, he applied to be an attorney. At that time, in Indiana, an applicant needed only to prove that he was 21 and of good moral character, and Landis was admitted. Landis opened a practice in Marion, Indiana, but attracted few clients in his year of work there. Realizing that an uneducated lawyer was unlikely to build a lucrative practice, Landis enrolled at Cincinnati's YMCA Law School (now part of Northern Kentucky University) in 1889. Landis transferred to Union Law School (part of Northwestern University) the following year, and in 1891, he took his law degree from Union and was admitted to the Illinois Bar. He began a practice in Chicago, served as an assistant instructor at Union and with fellow attorney Clarence Darrow helped found the nonpartisan Chicago Civic Centre Club, devoted to municipal reform. Landis practiced with college friend Frank O. Lowden; the future commissioner and his law partner went into debt to impress potential clients, buying a law library secondhand. Washington years and aftermath (1893–1905) In March 1893, President Grover Cleveland appointed federal judge Walter Q. Gresham as his Secretary of State, and Gresham hired Landis as his personal secretary. Gresham had a long career as a political appointee in the latter part of the 19th century; though he lost his only two bids for elective office, he served in three Cabinet positions and was twice a dark horse candidate for the Republican presidential nomination. Although Gresham was a Republican, he had supported Cleveland (a Democrat) in the 1892 election because of his intense dislike for the Republican nominee, President Benjamin Harrison. Kenesaw Landis had appeared before Judge Gresham in court. According to Landis biographer J.G. Taylor Spink, Gresham thought Landis "had something on the ball" and believed that Landis's shorthand skills would be of use. In Washington, Landis worked hard to protect Gresham's interests in the State Department, making friends with many members of the press. He was less popular among many of the Department's senior career officials, who saw him as brash. When word leaked concerning President Cleveland's Hawaiian policy, the President was convinced Landis was the source of the information and demanded his dismissal. Gresham defended Landis, stating that Cleveland would have to fire both of them, and the President relented, later finding out that he was mistaken in accusing Landis. President Cleveland grew to like Landis, and when Gresham died in 1895, offered Landis the post of United States Ambassador to Venezuela. Landis declined the diplomatic post, preferring to return to Chicago to begin a law practice and to marry Winifred Reed, daughter of the Ottawa, Illinois postmaster. The two married July 25, 1895; they had two surviving children, a boy, Reed, and a girl, Susanne—a third child, Winifred, died almost immediately after being born. Landis built a corporate law practice in Chicago; with the practice doing well, he deeply involved himself in Republican Party politics. He built a close association with his friend Lowden and served as his campaign manager for governor of Illinois in 1904. Lowden was defeated, but would later serve two terms in the office and be a major contender for the 1920 Republican presidential nomination. A seat on the United States District Court for the Northern District of Illinois was vacant; President Theodore Roosevelt offered it to Lowden, who declined it and recommended Landis. Other recommendations from Illinois politicians followed, and Roosevelt nominated Landis for the seat. According to Spink, President Roosevelt wanted "a tough judge and a man sympathetic with his viewpoint in that important court"; Lowden and Landis were, like Roosevelt, on the progressive left of the Republican Party. On March 18, 1905, Roosevelt transmitted the nomination to the Senate, which confirmed Landis the same afternoon, without any committee hearing; he received his commission the same day. Judge (1905–1922) Landis's courtroom, room 627 in the Chicago Federal Building, was ornate and featured two murals; one of King John conceding Magna Carta, the other of Moses about to smash the tablets of the Ten Commandments. The mahogany and marble chamber was, according to Landis biographer David Pietrusza, "just the spot for Landis's sense of the theatrical. In it he would hold court for nearly the next decade and a half." According to Spink, "It wasn't long before Chicago writers discovered they had a 'character' on the bench." A. L. Sloan of the Chicago Herald-American, a friend of Landis, recalled: The Judge was always headline news. He was a great showman, theatrical in appearance, with his sharp jaw and shock of white hair, and people always crowded into his courtroom, knowing there would be something going on. There were few dull moments. If Judge Landis was suspicious of an attorney's line of questioning, he would begin to wrinkle his nose, and once told a witness, "Now let's stop fooling around and tell exactly what did happen, without reciting your life's history." When an elderly defendant told him that he would not be able to live to complete a five-year sentence, Landis scowled at him and asked, "Well, you can try, can't you?" When a young man stood before him for sentencing after admitting to stealing jewels from a parcel, the defendant's wife stood near him, infant daughter in her arms, and Landis mused what to do about the situation. After a dramatic pause, Landis ordered the young man to take his wife and daughter and go home with them, expressing his unwillingness to have the girl be the daughter of a convict. According to sportswriter Ed Fitzgerald in SPORT magazine, "[w]omen wept unashamed and the entire courtroom burst into spontaneous, prolonged applause." Landis had been a lawyer with a corporate practice; upon his elevation to the bench, corporate litigants expected him to favor them. According to a 1907 magazine article about Landis, "Corporations smiled pleasantly at the thought of a corporation lawyer being on the bench. They smile no more." In an early case, Landis fined the Allis-Chalmers Manufacturing Company the maximum $4,000 for illegally importing workers, even though his wife's brother-in-law served on the corporate board. In another decision, Landis struck down a challenge to the Interstate Commerce Commission's (ICC) jurisdiction over rebating, a practice banned by the Elkins Act of 1903 in which railroads and favored customers agreed that the customers would pay less than the posted tariff, which by law was to be the same for all shippers. Landis's decision allowed the ICC to take action against railroads which gave rebates. Standard Oil (1905–1909) By the first decade of the 20th century, a number of business entities had formed themselves into trusts, which dominated their industries. Trusts often sought to purchase or otherwise neutralize their competitors, allowing the conglomerates to raise prices to high levels. In 1890, Congress had passed the Sherman Anti-Trust Act, but it was not until the Theodore Roosevelt administration (1901–09) that serious efforts were made to break up or control the trusts. The dominant force in the oil industry was Standard Oil, controlled by John D. Rockefeller. Modern-day ExxonMobil, Atlantic Richfield, Chevron, Sohio, Amoco and Continental Oil all trace their ancestry to various parts of Standard Oil. In March 1906, Commissioner of Corporations James Rudolph Garfield submitted a report to President Roosevelt, alleging large-scale rebating in Standard Oil shipments. Federal prosecutors in several states and territories sought indictments against components of the Standard Oil Trust. On June 28, 1906, Standard Oil of Indiana was indicted on 6,428 counts of violation of the Elkins Act for accepting rebates on shipments on the Chicago & Alton Railroad. The case was assigned to Landis. Trial on the 1,903 counts that survived pretrial motions began on March 4, 1907. The fact that rebates had been given was not contested; what was at issue was whether Standard Oil knew the railroad's posted rates, and if it had a duty to enquire if it did not. Landis charged the jury that it "was the duty of the defendant diligently in good faith to get from the Chicago & Alton ... the lawful rate". The jury found Standard Oil guilty on all 1,903 counts. The maximum fine that Landis could impose was $29,240,000. To aid the judge in determining the sentence, Landis issued a subpoena for Rockefeller to testify as to Standard Oil's assets. The tycoon had often evaded subpoenas, not having testified in court since 1888. Deputy United States marshals visited Rockefeller's several homes, as well as the estates of his friends, in the hope of finding him. After several days, Rockefeller was found at his lawyer's estate, Taconic Farm in northwestern Massachusetts, and was served with the subpoena. The tycoon duly came to Landis's Chicago courtroom, making his way through a mob anxious to see the proceedings. Rockefeller's actual testimony, proffered after the judge made him wait through several cases and witnesses, proved to be anticlimactic, as he professed almost no knowledge of Standard Oil's corporate structure or assets. On August 3, 1907, Landis pronounced sentence. He fined Standard Oil the maximum penalty, $29,240,000, the largest fine imposed on a corporation to that date. The corporation quickly appealed; in the meantime, Landis was lionized as a hero. According to Pietrusza, "much of the nation could hardly believe a federal judge had finally cracked down on a trust—and cracked down hard ". President Roosevelt, when he heard the sentence, reportedly stated, "That's bully." Rockefeller was playing golf in Cleveland when he was brought a telegram containing the news. Rockefeller calmly informed his golfing partners of the amount of the fine, and proceeded to shoot a personal record score, later stating, "Judge Landis will be dead a long time before this fine is paid." He proved correct; the verdict and sentence were reversed by the United States Court of Appeals for the Seventh Circuit on July 22, 1908. In January 1909, the Supreme Court refused to hear the case, and in a new trial before another judge (Landis recused himself), Standard Oil was acquitted. Federal League and Baby Iraene cases (1909–1917) A lifelong baseball fan, Landis often slipped away from the courthouse for a White Sox or Cubs game. In 1914, the two existing major leagues were challenged by a new league, the Federal League. In 1915, the upstart league brought suit against the existing leagues and owners under the Sherman Act and the case was assigned to Landis. Baseball owners feared that the reserve clause, which forced players to sign new contracts only with their former team, and the 10-day clause, which allowed teams (but not players) to terminate player contracts on ten days notice, would be struck down by Landis. Landis held hearings in late January 1915, and newspapers expected a quick decision, certainly before spring training began in March. During the hearings, Landis admonished the parties, "Both sides must understand that any blows at the thing called baseball would be regarded by this court as a blow to a national institution". When the National League's chief counsel, future Senator George Wharton Pepper referred to the activities of baseball players on the field as "labor", Landis interrupted him: "As a result of 30 years of observation, I am shocked because you call playing baseball 'labor.' " Landis reserved judgment, and the parties waited for his ruling. Spring training passed, as did the entire regular season and the World Series. In December 1915, still with no word from Landis, the parties reached a settlement, and the Federal League disbanded. Landis made no public statement as to the reasons for his failure to rule, though he told close friends that he had been certain the parties would reach a settlement sooner or later. Most observers thought that Landis waited because he did not want to rule against the two established leagues and their contracts. In 1916, Landis presided over the "Ryan Baby" or "Baby Iraene" case. The recent widow of a prominent Chicago banker, Anna Dollie Ledgerwood Matters, had brought a baby girl home from a visit to Canada and claimed that the child was her late husband's posthumous heir. Matters had left an estate of $250,000. However, a shop girl from Ontario, Margaret Ryan, claimed the baby was hers, and brought a writ of habeas corpus in Landis's court. Ryan stated that she had given birth to the girl in an Ottawa hospital, but had been told her baby had died. In the era before blood and DNA testing, Landis relied on witness testimony and awarded the child to Ryan. The case brought comparisons between Landis and King Solomon, who had judged a similar case. Landis was reversed by the Supreme Court, which held he had no jurisdiction in the matter. A Canadian court later awarded the child to Ryan. Although Landis was an autocrat in the courtroom, he was less so at home. In a 1916 interview, he stated, Every member of this family does exactly what he or she wants to do. Each one is his or her supreme court. Everything for the common good of the family is decided according to the wishes of the whole family. Each one knows what is right and each one can do whatever he thinks is best. It is purely democratic. Wartime cases (1917–1919) In early 1917, Landis considered leaving the bench and returning to private practice—though he greatly enjoyed being a judge, the salary of $7,500 was considerably lower than what he could make as an attorney. The entry of the United States into World War I in April ended Landis's determination to resign; a firm supporter of the war effort, he felt he could best serve the country by remaining on the bench. Despite this decision and his age, fifty, Landis wrote to Secretary of War Newton D. Baker, asking him to take him into the service and send him to France, where the war was raging. Baker urged Landis to make speeches in support of the war instead, which he did. The judge's son, Reed, had already served briefly in the Illinois National Guard; during the war he became a pilot, and eventually an ace. Landis's disdain for draft dodgers and other opponents of the war was evident in July 1917, when he presided over the trials of some 120 men, mostly foreign-born Socialists, who had resisted the draft and rioted in Rockford, Illinois. According to Pietrusza, Landis "was frequently brutal in his remarks" to the defendants, interrogating them on their beliefs. Landis tried the case in Rockford, and found all guilty, sentencing all but three to a year and a day in jail, the maximum sentence. The prisoners were ordered to register for the draft after serving their sentences—except 37, whom he ordered deported. On September 5, 1917, federal officers raided the national headquarters, in Chicago, of the Industrial Workers of the World (IWW, sometimes "Wobblies"), as well as 48 of the union's halls across the nation. The union had opposed the war and urged members and others to refuse conscription into the armed forces. On September 28, 166 IWW leaders, including union head Big Bill Haywood were indicted in the Northern District of Illinois; their cases were assigned to Landis. Some 40 of the indicted men could not be found; a few others had charges dismissed against them. Ultimately, Landis presided over a trial against 113 defendants, the largest federal criminal trial to that point. The trial began on April 1, 1918. Landis quickly dismissed charges against a dozen defendants, including one A.C. Christ, who showed up in newly obtained army uniform. Jury selection occupied a month. Journalist John Reed attended the trial, and wrote of his impressions of Landis: Small on the huge bench sits a wasted man with untidy white hair, an emaciated face in which two burning eyes are set like jewels, parchment-like skin split by a crack for a mouth; the face of Andrew Jackson three years dead ... Upon this man has devolved the historic role of trying the Social Revolution. He is doing it like a gentleman. In many ways a most unusual trial. When the judge enters the court-room after recess, no one rises—he himself has abolished the pompous formality. He sits without robes, in an ordinary business suit, and often leaves the bench to come down and perch on the step of the jury box. By his personal orders, spittoons are placed by the prisoners' seats ... and as for the prisoners themselves, they are permitted to take off their coats, move around, read newspapers. It takes some human understanding for a Judge to fly in the face of judicial ritual as much as that. Haywood biographer Melvyn Dubofsky wrote that Landis "exercised judicial objectivity and restraint for five long months". Baseball historian Harold Seymour stated that "[o]n the whole, Landis conducted the trial with restraint, despite his reputation as a foe of all radical groups." Landis dismissed charges against an elderly defendant who was in obvious pain as he testified, and allowed the release of a number of prisoners on bail or on their own recognizances. On August 17, 1918, following the closing argument for the prosecution (the defendants waived argument), Landis instructed the jury. The lead defense counsel objected to the wording of the jury charge several times, but Haywood believed it to have been fair. After 65 minutes, the jury returned with guilty verdicts for all of the remaining accused, much to their shock; they had believed that Landis's charge pointed towards their acquittal. When the defendants returned to court on August 29, Landis listened with patience to the defendants' final pleas. For the sentencing, according to Richard Cahan in his history of Chicago's district court, "mild-mannered Landis returned a changed man". Although two defendants received only ten days in jail, all others received at least a year and a day, and Haywood and fourteen others received twenty years. A number of defendants, including Haywood, obtained bail during the appeal; even before Haywood's appeals were exhausted, he jumped bail and took ship for the Soviet Union. The labor leader hung a portrait of Landis in his Moscow apartment, and when Haywood died in 1928, he was interred near John Reed (who had died of illness in Moscow after the Bolshevik Revolution) in the Kremlin Wall—they remain the only Americans so honored. President Calvin Coolidge commuted the sentences of the remaining incarcerated defendants in 1923, much to the disgust of Landis, who issued an angry statement. After leaving his judgeship, Landis referred to the defendants in the Haywood case as "scum", "filth", and "slimy rats". Landis hoped that the Kaiser, Wilhelm II would be captured and tried in his court; he wanted to indict the Kaiser for the murder of a Chicagoan who lost his life on the RMS Lusitania in 1915. The State Department notified Landis that extradition treaties did not permit the rendition of the Kaiser, who fled into exile in the Netherlands as the war concluded. Nevertheless, in a speech, Landis demanded that Kaiser Wilhelm, his six sons, and 5,000 German military leaders "be lined up against a wall and shot down in justice to the world and to Germany". Even with the armistice in November 1918, the war-related trials continued. The Socialist Party of America, like the IWW, had opposed the war, and had also been raided by federal authorities. Seven Socialist Party leaders, including Victor Berger, who was elected to Congress in November 1918, were indicted for alleged anti-war activities. The defendants were charged under the Espionage Act of 1917, which made it illegal "to utter, print, write, or publish any disloyal, profane, scurrilous or abusive language" about the armed forces, the flag, the Constitution, or democracy. The defendants, who were mostly of German birth or descent, moved for a change of venue away from Landis's courtroom, alleging that Landis had stated on November 1, 1918, that "[i]f anybody has said anything about the Germans that is worse than I have said, I would like to hear it so I could use it myself." Landis, however, examined the transcript of the trial in which the statement was supposedly made, failed to find it, declared the affidavit in support of the motion "perjurious", and denied the motion. While the jury was being selected, Berger was indicted on additional espionage charges for supposedly violating the law during an earlier, unsuccessful political campaign. At the conclusion of the case, Landis took an hour to dramatically charge the jury, emphasizing the secretive nature of conspiracies and pointing at the jury box as he noted, "the country was then at war". At one point, Landis leapt out of his seat, twirled his chair around, then sat on its arm. Later in his charge, he lay prone upon the bench. The jury took less than a day to convict Congressman-elect Berger and his four remaining codefendants. Landis sentenced each defendant to twenty years in federal prison. Landis denied the defendants bail pending appeal, but they quickly obtained it from an appellate court judge. The Seventh Circuit Court of Appeals declined to rule on the case itself, sending it on to the Supreme Court, which on January 31, 1921, overturned the convictions and sentences by a 6–3 vote, holding that Landis should have stepped aside once he was satisfied that the affidavit was legally sufficient, leaving it for another judge to decide whether it was actually true. Landis refused to comment on the Supreme Court's decision, which ordered a new trial. In 1922, the charges against the defendants were dropped by the government. Building trades award, controversy, and resignation (1920–1922) The postwar period saw considerable deflation; the shortage of labor and materials during the war had led to much higher wages and prices, and in the postwar economic readjustment, wages were cut heavily. In Chicago, employers in the building trades attempted a 20% wage cut; when this was rejected by the unions, a lockout followed. Both sides agreed to submit the matter to a neutral arbitrator, and settled on Landis, who agreed to take the case in June 1921. By this time, Landis was Commissioner of Baseball, and still a federal judge. In September, Landis issued his report, cutting wages by an average of 12.5%. To improve productivity, he also struck restrictions on machinery which saved labor, established a standardized overtime rate, and resolved jurisdictional conflicts between unions. The labor organizations were not completely satisfied, but Landis's reforms were adopted in many places across the country and were credited with reviving the building industry. Criticism of Landis having both the judicial and baseball positions began almost as soon as his baseball appointment was announced in November 1920. On February 2, 1921, lame duck Congressman Benjamin F. Welty (Democrat-Ohio) offered a resolution calling for Landis's impeachment. On February 11, Attorney General A. Mitchell Palmer opined that there was no legal impediment to Landis holding both jobs. On February 14, the House Judiciary Committee voted 24–1 to investigate Landis. Reed Landis later stated, "[n]one of the other congressmen wanted Father impeached but they did want him to come down and defend himself because they knew what a show it would be." Although Welty's departure from office on March 4, 1921, began a lull in criticism of Landis, in April, the judge made a controversial decision in the case of Francis J. Carey, a 19-year-old bank teller, who had pleaded guilty to embezzling $96,500. Carey, the sole support of his widowed mother and unmarried sisters, gained Landis's sympathy. He accused the bank of underpaying Carey, and sent the youth home with his mother. Two members of the Senate objected to Landis's actions, and the New York Post compared Carey with Les Misérables's Jean Valjean, noting "[b]etween a loaf of bread [Valjean was incarcerated for stealing one] and $96,500 there is a difference." A bill barring outside employment by federal judges had been introduced by Landis's foes, but had expired with the end of the congressional session in March; his opponents tried again in July, and the bill failed in the Senate on a tie vote. On September 1, 1921, the American Bar Association, a trade group of lawyers, passed a resolution of censure against Landis. By the end of 1921, the controversy was dying down, and Landis felt that he could resign without looking pressured. On February 18, 1922, he announced his resignation as judge effective March 1, stating, "There are not enough hours in the day for all these activities". In his final case, he fined two theatre owners for evading the federal amusement tax. One owner had refused to make restitution before sentencing; he was fined $5,000. The owner who had tried to make his shortfall good was fined one cent. Baseball Commissioner (1920–1944) Appointment Black Sox scandal By 1919, the influence of gamblers on baseball had been a problem for several years. Historian Paul Gardner wrote, Baseball had for some time been living uneasily in the knowledge that bribes were being offered by gamblers, and that some players were accepting them. The players knew it was going on, and the owners knew it was going on. But more important, the players knew that the owners knew—and they knew the owners were doing nothing about it for fear of a scandal that might damage organized baseball. Under such conditions it quite obviously did not pay to be honest. The 1919 World Series between the Chicago White Sox and Cincinnati Reds was much anticipated, as the nation attempted to return to normalcy in the postwar period. Baseball had seen a surge of popularity during the 1919 season, which set several attendance records. The powerful White Sox, with their superstar batter "Shoeless Joe" Jackson and star pitchers Eddie Cicotte and Claude "Lefty" Williams, were believed likely to defeat the less-well-regarded Reds. To the surprise of many, the Reds defeated the White Sox, five games to three (during 1919–21, the World Series was a best-of-nine affair). Rumors that the series was fixed began to circulate after gambling odds against the Reds winning dropped sharply before the series began, and gained more credibility after the White Sox lost four of the first five games. Cincinnati lost the next two games, and speculation began that the Reds were losing on purpose to extend the series and increase gate revenues. However, Cincinnati won Game Eight, 10–5, to end the series, as Williams lost his third game (Cicotte lost the other two). After the series, according to Gene Carney, who wrote a book about the scandal, "there was more than the usual complaining from those who had bet big on the Sox and lost". The issue of the 1919 Series came to the public eye again in September 1920, when, after allegations that a game between the Chicago Cubs and Philadelphia Phillies on August 31 had been fixed, a grand jury was empaneled in state court in Chicago to investigate baseball gambling. Additional news came from Philadelphia, where gambler Billy Maharg stated that he had worked with former boxer Abe Attell and New York gambler Arnold Rothstein to get the White Sox to throw the 1919 Series. Cicotte and Jackson were called before the grand jury, where they gave statements incriminating themselves and six teammates: Williams, first baseman Chick Gandil, shortstop Swede Risberg, third baseman Buck Weaver, center fielder Happy Felsch and reserve infielder Fred McMullin. Williams and Felsch were also called before the grand jury and incriminated themselves and their teammates. Through late September, the 1920 American League season had been one of the most exciting on record, with the White Sox, Cleveland Indians and New York Yankees dueling for the league lead. By September 28, the Yankees were close to elimination, but the White Sox and Indians were within percentage points of each other. On that day, however, the eight players, seven of whom were still on the White Sox, were indicted. They were immediately suspended by White Sox owner Charles Comiskey. The Indians were able to pull ahead and win the pennant, taking the American League championship by two games over Chicago. Search for a commissioner Baseball had been governed by a three-man National Commission, consisting of American League President Ban Johnson, National League President John Heydler and Cincinnati Reds owner Garry Herrmann. In January 1920, Herrmann left office at the request of other club owners, leaving the Commission effectively deadlocked between Johnson and Heydler. A number of club owners, disliking one or both league presidents, preferred a single commissioner to rule over the game, but were willing to see the National Commission continue if Herrmann was replaced by someone who would provide strong leadership. Landis's name was mentioned in the press for this role, and the influential baseball newspaper The Sporting News sought his appointment. Another proposal, known as the "Lasker Plan" after Albert Lasker, a shareholder in the Chicago Cubs who had proposed it, was for a three-man commission to govern the game, drawn from outside baseball. On September 30, 1920, with the Black Sox scandal exposed, National League President Heydler began to advocate for the Lasker Plan, and by the following day, four major league teams had supported him. Among the names discussed in the press for membership on the new commission were Landis, former Secretary of the Treasury William Gibbs McAdoo, former President William Howard Taft, and General John J. Pershing. The start of the 1920 World Series on October 5 distracted the public from baseball's woes for a time, but discussions continued behind the scenes. By mid-October, 11 of the 16 team owners (all eight from the National League and the owners of the American League Yankees, White Sox and Boston Red Sox) were demanding the end of the National Commission and the appointment of a three-man commission whose members would have no financial interest in baseball. Heydler stated his views on baseball's requirements: We want a man as chairman who will rule with an iron hand ... Baseball has lacked a hand like that for years. It needs it now worse than ever. Therefore, it is our object to appoint a big man to lead the new commission. On November 8, the owners of the eight National League and three American League teams which supported the Lasker Plan met and unanimously selected Landis as head of the proposed commission. The American League clubs that supported the plan threatened to move to the National League, away from Johnson, who opposed it. Johnson had hoped that the minor leagues would support his position; when they did not, he and the "Loyal Five" teams agreed to the Lasker Plan. In the discussions among the owners that followed, they decided that Landis would be the only commissioner–no associate members would be elected. On November 12, the team owners came to Landis's courtroom to approach him. Landis was trying a bribery case; when he heard noise in the back of the courtroom from the owners, he gaveled them to silence. He made them wait 45 minutes while he completed his docket, then met with them in his chambers. The judge heard out the owners; after expressing initial reluctance, he took the job for seven years at a salary of $50,000, on condition he could remain on the federal bench. During Landis's time serving as both judge and commissioner, he allowed a $7,500 reduction in his salary as commissioner, to reflect his pay as judge. The appointment of Landis was met with acclaim in the press. A tentative agreement was signed by the parties a month later—an agreement which itemized Landis's powers over baseball, and which was drafted by the judge. The owners were still reeling from the perception that baseball was crooked, and accepted the agreement virtually without dissent. Under the terms of the contract, Landis could not be dismissed by the team owners, have his pay reduced, or even be criticized by them in public. He also had nearly unlimited authority over every person employed in the major or minor leagues, from owners to batboys, including the ability to ban people from the leagues for life. The owners waived any recourse to the courts to contest Landis's will. Humorist Will Rogers stated, "[D]on't kid yourself that that old judicial bird isn't going to make those baseball birds walk the chalkline". Player and manager Leo Durocher later stated, "The legend has been spread that the owners hired the Judge off the federal bench. Don't you believe it. They got him right out of Dickens." Establishing control Banning the Black Sox On January 30, 1921, Landis, speaking at an Illinois church, warned: Now that I am in baseball, just watch the game I play. If I catch any crook in baseball, the rest of his life is going to be a pretty hot one. I'll go to any means and to anything possible to see that he gets a real penalty for his offense. The criminal case against the Black Sox defendants suffered unexpected setbacks, with evidence vanishing, including some of the incriminating statements made to the grand jury. The prosecution was forced to dismiss the original indictments, and bring new charges against seven of the ballplayers (McMullin was not charged again). Frustrated by the delays, Landis placed all eight on an "ineligible list", banning them from major and minor league baseball. Comiskey supported Landis by giving the seven who remained under contract to the White Sox their unconditional release. Public sentiment was heavily against the ballplayers, and when Jackson, Williams, Felsch, and Weaver played in a semi-pro game, The Sporting News mocked the 3,000 attendees, "Just Like Nuts Go to See a Murderer". The criminal trial of the Black Sox indictees began in early July 1921. Despite what Robert C. Cottrell, in his book on the scandal, terms "the mysterious loss of evidence", the prosecution was determined to pursue the case, demanding five-year prison terms for the ballplayers for defrauding the public by throwing the World Series. On August 2, 1921, the jury returned not guilty verdicts against all defendants, leading to happy pandemonium in the courtroom, joined by the courtroom bailiffs, with even the trial judge, Hugo Friend, looking visibly pleased. The players and jury then retired to an Italian restaurant and partied well into the night. The jubilation proved short-lived. On August 3, Landis issued a statement: Regardless of the verdict of juries, no player that throws a ball game; no player that undertakes or promises to throw a ball game; no player that sits in a conference with a bunch of crooked players and gamblers where the ways and means of throwing ball games are planned and discussed and does not promptly tell his club about it, will ever play professional baseball. Of course, I don't know that any of these men will apply for reinstatement, but if they do, the above are at least a few of the rules that will be enforced. Just keep in mind that, regardless of the verdict of juries, baseball is competent to protect itself against crooks, both inside and outside the game. According to ESPN columnist Rob Neyer, "with that single decision, Landis might have done more for the sport than anyone else, ever. Certainly, Landis never did anything more important." According to Carney, "The public amputation of the eight Sox was seen as the only acceptable cure." Over the years of Landis's commissionership, a number of the players applied for reinstatement to the game, notably Jackson and Weaver. Jackson, raised in rural South Carolina and with limited education, was said to have been drawn unwillingly into the conspiracy, while Weaver, though admitting his presence at the meetings, stated that he took no money. Both men stated that their play on the field, and their batting percentages during the series (.375 for Jackson, .324 for Weaver) indicated that they did not help to throw the series. None was ever reinstated, with Landis telling a group of Weaver supporters that his presence at the meetings with the gamblers was sufficient to bar him. Even today, long after the deaths of all three men, efforts are periodically made to reinstate Jackson (which would make him eligible for election to the National Baseball Hall of Fame) and Weaver (deemed by some the least culpable of the eight). In the 1990s, a petition drive to reinstate Jackson drew 60,000 signatures. He has been treated sympathetically in movies such as Eight Men Out and Field of Dreams, and Hall of Famers Ted Williams and Bob Feller expressed their support for Jackson's induction into the Hall. Landis's expulsion of the eight men remains in force. Cracking down on gambling Landis felt that the Black Sox scandal had been initiated by people involved in horse racing, and stated that "by God, as long as I have anything to do with this game, they'll never get another hold on it." In 1921, his first season as commissioner, New York Giants owner Charles Stoneham and manager John McGraw purchased Oriental Park Racetrack in Havana, Cuba. Landis gave Stoneham and McGraw an ultimatum—they could not be involved in both baseball and horse racing. They quickly put the track back on the market. Even before the Black Sox scandal had been resolved, Landis acted to clean up other gambling cases. Eugene Paulette, a first baseman for the Philadelphia Phillies, had been with the St. Louis Cardinals in 1919, and had met with gamblers. It is uncertain if any games were fixed, but Paulette had written a letter naming two other Cardinals who might be open to throwing games. The letter had fallen into the hands of Phillies President William F. Baker, who had taken no action until Landis's appointment, then turned the letter over to him. Paulette met with Landis once, denying any wrongdoing, then refused further meetings. Landis placed him on the ineligible list in March 1921. In November 1921, Landis banned former St. Louis Browns player Joe Gedeon, who had been released by the Browns after admitting to sitting in on meetings with gamblers who were trying to raise the money to bribe the Black Sox. When a minor league official asked if he was eligible, Landis settled the matter by placing Gedeon on the ineligible list. Two other player gambling affairs marked Landis's early years as commissioner. In 1922, Giants pitcher Phil Douglas, embittered at McGraw for disciplining him for heavy drinking, wrote a letter to Cardinals outfielder Leslie Mann, suggesting that he would take a bribe to ensure the Giants did not win the pennant. Although Mann had been a friend, the outfielder neither smoked nor drank and had long been associated with the YMCA movement; according to baseball historian Lee Allen, Douglas might as well have sent the letter to Landis himself. Mann immediately turned over the letter to his manager, Branch Rickey, who ordered Mann to contact Landis at once. The Giants placed Douglas on the ineligible list, an action backed by Landis after meeting with the pitcher. On September 27, 1924, Giants outfielder Jimmy O'Connell offered Phillies shortstop Heinie Sand $500 if Sand didn't "bear down too hard against us today". Sand was initially inclined to let the matter pass, but recalling the fate of Weaver and other Black Sox players, told his manager, Art Fletcher. Fletcher met with Heydler, who contacted Landis. O'Connell did not deny the bribe attempt, and was placed on the ineligible list. In total, Landis banned eighteen players from the game. Landis biographer Pietrusza details the effect of Landis's stand against gambling: Before 1920 if one player approached another player to throw a contest, there was a very good chance he would not be informed upon. Now, there was an excellent chance he would be turned in. No honest player wanted to meet the same fate as Buck Weaver ... Without the forbidding example of Buck Weaver to haunt them, it is unlikely Mann and Sand would have snitched on their fellow players. After Landis' unforgiving treatment of the popular and basically honest Weaver they dared not to. And once prospectively crooked players knew that honest players would no longer shield them, the scandals stopped. Ruth-Meusel barnstorming incident At the time of Landis's appointment as commissioner, it was common for professional baseball players to supplement their pay by participating in postseason "barnstorming" tours, playing on teams which would visit smaller cities and towns to play games for which admission would be charged. Since 1911, however, players on the two World Series teams had been barred from barnstorming. The rule had been leniently enforced—in 1916, several members of the champion Red Sox, including pitcher George Herman "Babe" Ruth had barnstormed and had been fined a token $100 each by the National Commission. Ruth, who after the 1919 season had been sold to the Yankees, and who by then had mostly abandoned his pitching role for the outfield, was the focus of considerable fan interest as he broke batting records in 1920 and 1921, some by huge margins. Ruth's major league record 29 home runs with the Red Sox in 1919 fell to his own efforts in 1920, when he hit 54. He then proceeded to hit 59 in 1921, leading the Yankees to their first pennant. Eight major league teams failed to hit as many home runs in 1921 as Ruth hit by himself. The Yankees lost the 1921 World Series to the Giants (Ruth was injured and missed several games) and after the series, the outfielder proposed to capitalize on fan interest by leading a team of barnstormers, including Yankees teammate Bob Meusel, in violation of the rule. According to Cottrell, [T]he two men clashed who helped the national pastime overcome the Black Sox scandal, one through his seemingly iron will, the other thanks to his magical bat. Judge Kenesaw Mountain Landis and Babe Ruth battled over the right of a ballplayer from a pennant-winning squad to barnstorm in the off-season. Also involved was the commissioner's continued determination to display, as he had through his banishment of the Black Sox, that he had established the boundaries for organized baseball. These boundaries, Landis intended to demonstrate, applied even to the sport's most popular and greatest star. Significant too, only Babe Ruth now contended with Commissioner Landis for the title of baseball's most important figure. Ruth had asked Yankees general manager Ed Barrow for permission to barnstorm. Barrow had no objection but warned Ruth he must obtain Landis's consent. Landis biographer Spink, who was at the time the editor of The Sporting News, stated, "I can say that Ruth knew exactly what he was doing when he defied Landis in October, 1921. He was willing to back his own popularity and well-known drawing powers against the Judge." Ruth, to the commissioner's irritation, did not contact Landis until October 15, one day before the first exhibition. When the two spoke by telephone, Landis ordered Ruth to attend a meeting with him; Ruth refused, stating that he had to leave for Buffalo for the first game. Landis angrily refused consent for Ruth to barnstorm, and after slamming down the receiver, is recorded as saying, "Who the hell does that big ape think he is? That blankety-blank! If he goes on that trip it will be one of the sorriest things he has ever done." By one account, Yankees co-owner Colonel Tillinghast Huston attempted to dissuade Ruth as he departed, only to be told by the ballplayer, "Aw, tell the old guy to jump in a lake." The tour also featured fellow Yankees Bob Meusel and Bill Piercy (who had been called up late in the season and was ineligible for the World Series) as well as Tom Sheehan, who had been sent to the minor leagues before the end of the season. Two other Yankees, Carl Mays and Wally Schang, had been scheduled to join the tour, but given Landis's position, according to Spink, "wisely decided to pass it up". Spink describes the tour as "a fiasco." On Landis's orders, it was barred from all major and minor league ballparks. In addition, it was plagued by poor weather, and was called off in late October. In early December, Landis suspended Ruth, Piercy, and Meusel until May 20, 1922. Yankee management was actually relieved; they had feared Landis would suspend Ruth for the season or even longer. Both the Yankees and Ruth repeatedly asked Landis for the players' early reinstatement, which was refused, and when Landis visited the Yankees during spring training in New Orleans, he lectured Ruth for two hours on the value of obeying authority. "He sure can talk", noted Ruth. When Ruth returned on May 20, he batted 0-for-4, and was booed by the crowd at the Polo Grounds. According to Pietrusza, "Always a politician, there was one boss Landis did fear: public opinion. He had no guarantee at the start of the Ruth controversy that the public and press would back him as he assumed unprecedented powers over baseball. Now, he knew they would." Policies as commissioner Major-minor league relations; development of the farm system At the start of Landis's commissionership, the minor league teams were for the most part autonomous of the major leagues; in fact the minor leagues independently chose to accept Landis's rule. To ensure players did not become mired in the minor leagues without a chance to earn their way out, major league teams were able to draft players who played two consecutive years with the same minor league team. Several minor leagues were not subject to the draft; Landis fought for the inclusion of these leagues, feeling that the non-draft leagues could prevent players from advancing as they became more skilled. By 1924, he had succeeded, as the International League, the final holdout, accepted the draft. By the mid-1920s, major league clubs were beginning to develop "farm systems", that is, minor league teams owned or controlled by them, at which they could develop young prospects without the risk of the players being acquired by major league rivals. The pioneer in this development was Branch Rickey, who then ran the St. Louis Cardinals. As the 1921 National Agreement among the major and minor leagues which implemented Landis's hiring lifted a ban on major league teams owning minor league ones, Landis was limited in his avenues of attack on Rickey's schemes. Developing talent at little cost thanks to Rickey, the Cardinals dominated the National League, winning nine league titles in the years from 1926 to 1946. Soon after Landis's appointment, he surprised the major league owners by requiring that they disclose their minor league interests. Landis fought against the practice of "covering up", using transfers between two teams controlled by the same major league team to make players ineligible for the draft. His first formal act as commissioner was to declare infielder Phil Todt a free agent, dissolving his contract with the St. Louis Browns (at the time run by Rickey, who soon thereafter moved across town to run the Cardinals); in 1928, he ruled future Hall of Famer Chuck Klein a free agent as he held the Cardinals had tried to cover Klein up by having him play in a league where they owned two affiliates. The following year, he freed Detroit Tigers prospect and future Hall of Famer Rick Ferrell, who attracted a significant signing bonus from the Browns. In 1936, Landis found that teenage pitching prospect Bob Feller's signing by minor league club Fargo-Moorhead had been a charade; the young pitcher was for all intents and purposes property of the Cleveland Indians. However, Feller indicated that he wanted to play for Cleveland and Landis issued a ruling which required the Indians to pay damages to minor league clubs, but allowed them to retain Feller, who went on to a Hall of Fame career with the Indians. Landis's attempts to crack down on "covering up" provoked the only time he was ever sued by one of his owners. After the 1930 season, minor leaguer Fred Bennett, convinced he was being covered up by the Browns, petitioned Landis for his release. Landis ruled that the Browns could either keep Bennett on their roster for the entire 1931 season, trade him, or release him. Instead, Browns owner Phil Ball brought suit against Landis in his old court in Chicago. Federal Judge Walter Lindley ruled for Landis, noting that the agreements and rules were intended to "endow the Commissioner with all the attributes of a benevolent but absolute despot and all the disciplinary powers of the proverbial pater familias". Ball intended to appeal, but after a meeting between team owners and Landis in which the commissioner reminded owners of their agreement not to sue, decided to drop the case. Landis had hoped that the large Cardinal farm system would become economically unfeasible; when it proved successful for the Cardinals, he had tolerated it for several years and was in a poor position to abolish it. In 1938, however, finding that the Cardinals effectively controlled multiple teams in the same league (a practice disliked by Landis), he freed 70 players from their farm system. As few of the players were likely prospects for the major leagues, Landis's actions generated headlines, but had little effect on the Cardinals organization, and the development of the modern farm system, whereby each major league club has several minor league teams which it uses to develop talent, proceeded apace. Rob Neyer describes Landis's effort as "a noble effort in a good cause, but it was also doomed to fail." Baseball color line One of the most controversial aspects of Landis's commissionership is the question of race. From 1884, black ballplayers were informally banned from organized baseball. No black ballplayer played in organized baseball during Landis's commissionership; Rickey (then running the Brooklyn Dodgers) broke the color line by signing Jackie Robinson to play for the minor league Montreal Royals in 1946, after Landis's death. Robinson became the first African-American in the major leagues since the 19th century, playing with the Dodgers beginning in 1947. According to contemporary newspaper columns, at the time of his appointment as commissioner, Landis was considered a liberal on race questions; two Chicago African-American newspapers defended him against the 1921 efforts to impeach him from his judgeship. However, a number of baseball authors have ascribed racism to Landis, who they say actively perpetuated baseball's color line. James Bankes, in The Pittsburgh Crawfords, tracing the history of that Negro league team, states that Landis, whom the author suggests was a Southerner, made "little effort to disguise his racial prejudice during 25 years in office" and "remained a steadfast foe of integration". Negro league historian John Holway termed Landis "the hard-bitten Carolinian Kennesaw Mountain Landis". In a 2000 article in Smithsonian magazine, writer Bruce Watson states that Landis "upheld baseball's unwritten ban on black players and did nothing to push owners toward integration". A number of authors say that Landis banned major league play against black teams for fear the white teams would lose, though they ascribe various dates for this action, and the Dodgers are known to have played black teams in and around their Havana spring training base as late as 1942. Landis's documented actions on race are inconsistent. In 1938, Yankee Jake Powell was interviewed by a radio station, and when asked what he did in the offseason, made comments that were interpreted as meaning he worked as a police officer and beat up African Americans. Landis suspended Powell for ten days. In June 1942, the Negro league Kansas City Monarchs played several games against the white "Dizzy Dean All-Stars" at major league ballparks, attracting large crowds. After three games, all won by the Monarchs, Landis ordered a fourth canceled, on the ground that the games were outdrawing major league contests. On one occasion, Landis intervened in Negro league affairs, though he had no jurisdiction to do so. The Crawfords lost a game to a white semi-pro team when their star catcher, Josh Gibson dropped a pop fly, and Gibson was accused of throwing the game at the behest of gamblers. Landis summoned the black catcher to his office, interviewed him, and announced that Gibson was cleared of wrongdoing. In July 1942, Dodger manager Leo Durocher charged that there was a "grapevine understanding" keeping blacks out of baseball. He was summoned to Landis's Chicago office, and after emerging from a meeting with the commissioner, alleged that he had been misquoted. Landis then addressed the press, and stated, Negroes are not barred from organized baseball by the commissioner and never have been in the 21 years I have served. There is no rule in organized baseball prohibiting their participation and never has been to my knowledge. If Durocher, or if any other manager, or all of them, want to sign one, or twenty-five Negro players, it is all right with me. That is the business of the managers and the club owners. The business of the commissioner is to interpret the rules of baseball, and to enforce them. In his 1961 memoir, Veeck as in Wreck, longtime baseball executive and owner Bill Veeck told of his plan, in 1942, to buy the Phillies and stock the team with Negro league stars. Veeck wrote that he told Landis, who reacted with shock, and soon moved to block the purchase. In his book, Veeck placed some of the blame on National League President Ford Frick, but later reserved blame exclusively for Landis, whom he accused of racism, stating in a subsequent interview, "[a]fter all, a man who is named Kenesaw Mountain was not born and raised in the state of Maine." However, when Veeck was asked for proof of his allegations against Landis, he stated, "I have no proof of that. I can only surmise." According to baseball historian David Jordan, "Veeck, nothing if not a storyteller, seems to have added these embellishments, sticking in some guys in black hats, simply to juice up his tale." In November 1943, Landis agreed after some persuasion that black sportswriter Sam Lacy should make a case for integration of organized baseball before the owners' annual meeting. Instead of Lacy attending the meeting, actor Paul Robeson did. Robeson, though a noted black actor and advocate of civil rights, was a controversial figure due to his affiliation with the Communist Party. The owners heard Robeson out, but at Landis's suggestion, did not ask him any questions or begin any discussion with him. Neyer noted that "Landis has been blamed for delaying the integration of the major leagues, but the truth is that the owners didn't want black players in the majors any more than Landis did. And it's not likely that, even if Landis hadn't died in 1944, he could have prevented Branch Rickey from bringing Jackie Robinson to the National League in 1947." The Baseball Writers' Association of America after Landis's death in 1944 renamed its Most Valuable Player Awards after Landis, but removed his name in 2020 with a vote of 89 percent of voting members in favor. The president of the association said Landis had "notably failed to integrate the game during his tenure". C.C. Johnson Spink, son of Landis biographer J.G. Taylor Spink and his successor as editor of The Sporting News, noted in the introduction to the reissue of his father's biography of Landis, K.M. Landis was quite human and not infallible. If, for example, he did drag his feet at erasing baseball's color line, he was grievously wrong, but then so were many others of his post-Civil War generation. World Series and All-Star Game; other innovations Landis took full jurisdiction over the World Series, as a contest between representatives of the two major leagues. Landis was blamed when the umpires called a game on account of darkness with the score tied during the 1922 World Series, even though there was still light. Landis decided that such decisions in future would be made by himself, moved forward the starting time of World Series games in future years, and announced that proceeds from the tied game would be donated to charity. In the 1932 World Series, Landis ordered that tickets for Game One at Yankee Stadium only be sold as part of strips, forcing fans to purchase tickets for all Yankee home games during that Series. Bad weather and the poor economy resulted in a half-filled stadium, and Landis allowed individual game sales for Game Two. During the 1933 World Series, he instituted a rule that only he could throw a player out of a World Series game, a rule which followed the ejection of Washington Senator Heinie Manush by umpire Charley Moran. The following year, with the visiting Cardinals ahead of the Detroit Tigers, 9–0 in Game Seven, he removed Cardinal Joe Medwick from the game for his own safety when Medwick, the left fielder, was pelted with fruit by Tiger fans after Medwick had been involved in a fight with one of the Tigers. Spink notes that Landis would most likely not have done so were the game within reach of the Tigers. In the 1938 World Series, umpire Moran was hit by a wild throw and suffered facial injuries. He was able to continue, but the incident caused Landis to order that World Series games and All-Star Games be played with six umpires. The All-Star Game began in 1933; Landis had been a strong supporter of the proposal for such a contest, and after the first game remarked, "That's a grand show, and it should be continued." He never missed an All-Star Game in his lifetime; his final public appearance was at the 1944 All-Star Game in Pittsburgh. In 1928, National League ball clubs proposed an innovation whereby each team's pitcher, usually the weakest hitter in the lineup, would not bat, but be replaced for the purposes of batting and base-running by a tenth player. There were expectations that at the interleague meetings that year, the National League teams would vote for it, and the American League teams against it, leaving Landis to cast the deciding vote. In the event, the proposal was withdrawn, and Landis did not disclose how he would have voted on this early version of the "designated hitter" rule. Landis disliked the innovation of "night baseball", played in the evening with the aid of artificial light, and sought to discourage teams from it. Despite this, he attended the first successful minor league night game, in Des Moines, Iowa, in 1930. When major league night baseball began in the late 1930s, Landis got the owners to restrict the number of such games. During World War II, many restrictions on night baseball were reduced, with the Washington Senators permitted to play all their home games (except those on Sundays and holidays) at night. World War II, death, and legacy With the entry of the United States into World War II in late 1941, Landis wrote to President Franklin D. Roosevelt, inquiring as to the wartime status of baseball. The President responded, urging Landis to keep baseball open, foreseeing that even those fully engaged in war work would benefit from inexpensive diversions such as attending baseball games. Many major leaguers enlisted or were drafted; even so Landis repeatedly stated, "We'll play as long as we can put nine men on the field." Although many of the teams practiced at their normal spring training sites in 1942, beginning the following year they were required to train near their home cities or in the Northeast. Landis was as virulently opposed to the Axis Powers as he had been towards the Kaiser, writing that peace would not be possible until "about fifteen thousand little Hitler, Himmlers and Hirohitos" were killed. Landis retained a firm hold on baseball despite his advancing years and, in 1943, banned Phillies owner William D. Cox from baseball for betting on his own team. In 1927, Landis's stance regarding gambling had been codified in the rules of baseball: "Any player, umpire, or club or league official or employee who shall bet any sum whatsoever upon any baseball game in connection with which the bettor had a duty to perform shall be declared permanently ineligible." Cox was required to sell his stake in the Phillies. In early October 1944, Landis checked into St. Luke's Hospital in Chicago, where his wife Winifred had been hospitalized, with a severe cold. While in the hospital, he had a heart attack, causing him to miss the World Series for the first time in his commissionership. He remained fully alert, and as usual signed the World Series share checks to players. His contract was due to expire in January 1946; on November 17, 1944, baseball's owners voted him another seven-year term. However, on November 25, he died surrounded by family, five days after his 78th birthday. His longtime assistant, Leslie O'Connor, wept as he read the announcement for the press. Landis is buried at Oak Woods Cemetery in Chicago. Two weeks after his death, Landis was voted into the National Baseball Hall of Fame by a special committee vote. American League President Will Harridge said of Landis, "He was a wonderful man. His great qualities and downright simplicity impressed themselves deeply on all who knew him." Pietrusza suggests that the legend on Landis's Hall of Fame plaque is his true legacy: "His integrity and leadership established baseball in the esteem, respect, and affection of the American people." Pietrusza notes that Landis was hired by the baseball owners to clean up the sport, and "no one could deny Kenesaw Mountain Landis had accomplished what he had been hired to do". According to his first biographer, Spink: [Landis] may have been arbitrary, self-willed and even unfair, but he 'called 'em as he saw 'em' and he turned over to his successor and the future a game cleansed of the nasty spots which followed World War I. Kenesaw Mountain Landis put the fear of God into weak characters who might otherwise have been inclined to violate their trust. And for that, I, as a lifelong lover of baseball, am eternally grateful. References Notes Bibliography External links A Brief Biography Lyrics to 'Kenesaw Mountain Landis' by Jonathan Coulton 1866 births 1944 deaths People from Butler County, Ohio Judges of the United States District Court for the Northern District of Illinois National Baseball Hall of Fame inductees Major League Baseball commissioners People from Cass County, Indiana Lawyers from Chicago American people of Swiss descent Northwestern University Pritzker School of Law alumni United States district court judges appointed by Theodore Roosevelt 20th-century American judges Illinois Republicans History of baseball in the United States Indiana Republicans	false	[ "José Carlos Dívar Blanco (Málaga, December 31, 1941 – Madrid, November 11, 2017) was a Spanish magistrate. He served as the 46th President of the Supreme Court and 6th President of the General Council of the Judiciary from September 2008 to June 2012.\n\nPreviously, he had been President of the National Court (2001-2008), he being the only judge in Spain to have been President of the Audiencia Nacional and the Supreme Court. He resigned in June 2012 when it was uncovered a scandal of alleged misappropriation of public funds as a result of a series of trips he made to Marbella for several weekends that were not justified and paid with public money. The Prosecutor's Office of the Supreme Court did not consider his actions criminal, but his reputation was very affected and public opinion forced him to resign.\n\nReferences\n\n1941 births\n2017 deaths\nSpanish judges\nPresidents of the Supreme Court of Spain", "James Duke Cameron (March 25, 1925 – May 23, 2003) was a Justice of the Supreme Court of Arizona from January 4, 1971 to February 28, 1992. He served as Chief Justice from January 1975 to December 1975.\n\nBorn in Richmond, California, Cameron's family moved to Arizona in 1925. He served in the United States Army during World War II. Cameron later attended the University of California, Berkeley, graduating in 1950. Returning to Arizona he received his law degree from University of Arizona in 1954 and later earned an LL.M, from the University of Virginia in 1982. He entered private practice in Yuma after law school before becoming a Judge for the Superior Court in Yuma County, Arizona where he served from 1960 to 1961. In 1965 he became a Judge on Court of Appeals, where he served until he was appointed to Supreme Court in 1971 by Governor Paul Fannin.\n\nOn the bench Cameron \"gained a nationwide reputation as a judicial administrator.\" Cameron is the only Arizona chief justice to have served as chairman of the Conference of Chief Justices, which he did from 1978–1979. In 1986, President Ronald Reagan appointed Cameron to the Board of Directors of the State Justice Institute, where he served until 1994.\n\nCameron donated his legal papers to the Arizona Historical Society in 1992.\n\nPublications\n James Duke Cameron, Federal Review, Finalty of State Court Decisions, and a Proposal for a National Court of Appeals – A State Judge's Solution to a Continuing Problem, 1981 BYU L. Rev. 545 (1981).\n\nReferences\n\nJustices of the Arizona Supreme Court\n1925 births\n2003 deaths\nJames E. Rogers College of Law alumni\nChief Justices of the Arizona Supreme Court\n20th-century American judges" ]
[ "Jon Stewart", "Criticism of Fox News" ]	C_92a7f3853e814cb097eec281eee22435_1	What happened with the criticism of fox news?	1	What happened with Jon Stewart's the criticism of fox news?	Jon Stewart	Throughout his tenure on The Daily Show, Stewart has frequently accused Fox News of distorting the news to fit a conservative agenda, at one point ridiculing the network as "the meanest sorority in the world." In November 2009, Stewart called out Fox News for using some footage from a previous Tea Party rally during a report on a more recent rally, making the latter event appear more highly attended than it actually was. The show's anchor, Sean Hannity, apologized for the footage use the following night. A month later, Stewart criticized Fox & Friends cohost Gretchen Carlson - a former Miss America and a Stanford graduate - for claiming that she googled words such as "ignoramus" and "czar". Stewart said that Carlson was dumbing herself down for "an audience who sees intellect as an elitist flaw". Stewart stepped up his criticism of Fox News in 2010; as of April 24, The Daily Show had 24 segments criticizing Fox News' coverage. Bill O'Reilly, host of the talk show The O'Reilly Factor on Fox News, countered that The Daily Show was a "key component of left-wing television" and that Stewart loved Fox News because the network was "not boring". During an interview with Chris Wallace on June 19, 2011, Stewart called Wallace "insane" after Wallace said that Stewart's earlier comparison of a Sarah Palin campaign video and an anti-herpes medicine ad was a political comment. Stewart also said Fox viewers are the "most consistently misinformed" viewers of political media. This comment was ranked by fact-checking site PolitiFact as false, with conditions. Stewart later accepted his error. In 2014, Stewart engaged in an extended "call-out" of Fox News based on their perceived hypocritical coverage of food stamps and U.S. Government assistance. This culminated during the Bundy standoff involving multiple segments, across multiple episodes, specifically singling out Sean Hannity and Hannity's coverage of the event. Hannity would "return fire" by calling out Stewart for associating himself with Cat Stevens during his Rally in 2010. Stewart responded to this by calling out Hannity for frequently calling Ted Nugent a "friend and frequent guest" on his program and supporting Nugent's violent rhetoric towards Barack Obama and Hillary Clinton in 2007. In late August 2014, Stewart vehemently opposed the manner in which Fox News portrayed the events surrounding the shooting of teenager Michael Brown by police officer Darren Wilson in Ferguson, Missouri and the subsequent protests from citizens. CANNOTANSWER	Stewart has frequently accused Fox News of distorting the news to fit a conservative agenda,	Jon Stewart (born Jonathan Stuart Leibowitz; November 28, 1962) is an American comedian, writer, producer, director, political commentator, actor, and television host. He hosted The Daily Show, a satirical news program on Comedy Central, from 1999 to 2015. Stewart now hosts The Problem with Jon Stewart, which premiered September 2021 on Apple TV+. Stewart started as a stand-up comedian but branched into television as host of Short Attention Span Theater for Comedy Central. He went on to host You Wrote It, You Watch It (1992–1993) and then The Jon Stewart Show (1993–1995), both on MTV, until The Jon Stewart Show was retooled, dropped by the network and moved to syndication. Stewart has also appeared in several films, including Big Daddy (1999) and Death to Smoochy (2002), but did few cinematic projects after becoming host of The Daily Show in 1999. He also was a writer and co-executive producer of the show. After Stewart joined, The Daily Show steadily gained popularity and critical acclaim, and during his tenure, won 22 Primetime Emmy Awards, two Grammy Awards and also was nominated for news and journalism awards. Stewart hosted the 78th and 80th Academy Awards. He is the co-author of America (The Book): A Citizen's Guide to Democracy Inaction, which was one of the best-selling books in the US in 2004, and Earth (The Book): A Visitor's Guide to the Human Race, released in 2010. Since leaving The Daily Show, Stewart has mostly maintained a low profile in entertainment industry circles, but has used his celebrity and voice in a sustained advocacy for 9/11 first responders, and also for war veterans' health benefits. In 2019 he received the New York City Bronze Medallion for his "tireless advocacy, inspiration, and leadership (helping to) pass the permanent authorization of the September 11th Victim Compensation Fund Act". Early life and education Jon Stewart was born Jonathan Stuart Leibowitz on November 28, 1962, in New York City, to Marian (née Laskin), a teacher and later educational consultant, and Donald Leibowitz, an energy coordinator for the New Jersey Department of the Treasury. Stewart's family members are Jewish immigrants to America from Poland, Ukraine, and Belarus. One of his grandfathers was born in Manzhouli (now part of Inner Mongolia). He is the second of four sons, with older brother Lawrence, and younger brothers Dan and Matthew. Stewart's parents divorced when he was eleven years old, and Stewart was largely estranged from his father. Because of his strained relationship with his father, which in 2015 he described as "still 'complicated'", he dropped his surname and began using his middle name. Stewart stated, "There was a thought of using my mother's maiden name, but I thought that would be just too big a fuck you to my dad... Did I have some problems with my father? Yes. Yet people always view [changing my surname] through the prism of ethnic identity." He had his surname changed legally to Stewart in 2001. Stewart and his brother Lawrence, who was previously the chief operating officer of NYSE Euronext (parent company of the New York Stock Exchange), grew up in Lawrenceville, New Jersey, where they attended Lawrence High School. According to Stewart, he was subjected to anti-Semitic bullying as a child. He describes himself in high school as "very into Eugene Debs and a bit of a leftist." Stewart grew up in the era of the Vietnam War and the Watergate scandal, which inspired in him "a healthy skepticism towards official reports". His first job was working with his brother at a Woolworth's store, and jokingly says being fired by Lawrence was one of the "scarring events" of his youth. He has also credited legendary television producer Norman Lear as someone who "raised me." Stewart graduated in 1984 from The College of William & Mary where he initially majored in chemistry before switching to psychology. While at William & Mary, Stewart became a member of the Pi Kappa Alpha fraternity, but eventually began disassociating himself from them; leaving the fraternity altogether after six months. "My college career was waking up late, memorizing someone else's notes, doing bong hits, and going to soccer practice", he later said. He was a three-year starter in 1981, 1982 and 1983 with the Tribe men's soccer team. He had 10 goals and 12 assists on a squad that went 40–15–9 (.695) in his three seasons with the program. He is listed as Jon Leibowitz in official William & Mary Athletics records. The former head coach of the Tribe men's soccer team from 1971 to 2003, Al Albert, describes Jon as "athletic and feisty and quick" and added that he "wasn't the most technical or clinical player, but he could make things happen." After college, Stewart held numerous jobs: a contingency planner for the New Jersey Department of Human Services, a contract administrator for the City University of New York, a puppeteer for children with disabilities, a soccer coach at Gloucester High School in Virginia, a caterer, a busboy, a shelf stocker at Woolworth's, a bartender at the Franklin Corner Tavern (a local blue-collar bar), and a bartender at the legendary City Gardens in Trenton, New Jersey. He has said that working at City Gardens was a pivotal moment for him: "finding this place City Gardens was like, 'Oh, maybe I'm not a giant weirdo. Maybe there are other people who have a similar sense of yearning for something other than what they have now.' I think it inspired a lot of people, man. It was a very creative environment. It was a place of great possibility." Career Early work With a reputation for being a funny man in school, Jon Stewart returned to New York City in 1986 to try his hand at the comedy club circuit, but he could not muster the courage to get on stage until the following year. He made his stand-up debut at The Bitter End, where one of his comedic idols, Woody Allen, also began. He began using the stage name "Jon Stewart" by dropping his last name and changing the spelling of his middle name "Stuart" to "Stewart". He often jokes this is because people had difficulty with the pronunciation of Leibowitz or it "sounded too Hollywood" (a reference to Lenny Bruce's joke on the same theme). He has implied that the name change was due to a strained relationship with his father, with whom Stewart no longer had any contact. Stewart became a regular at the Comedy Cellar, where he was the last performer every night. For two years, he would perform at 2 a.m. while developing his comedic style. In 1989, Stewart landed his first television job as a writer for Caroline's Comedy Hour. In 1990, he began co-hosting Comedy Central's Short Attention Span Theater, with Patty Rosborough. In 1992, Stewart hosted the short-lived You Wrote It, You Watch It on MTV, which invited viewers to send in their stories to be acted out by the comedy troupe, The State. Stewart relates that his career did not take off until his March 6, 1992, appearance on NBC's Late Night with David Letterman. He was considered a finalist to take over Letterman's position upon his departure from the program, but instead, it was given to relatively unknown Conan O'Brien. He co-hosted MTV Spring Break '93 Blind Date from Daytona Beach with Melissa Rivers. The Jon Stewart Show Later in 1993, Stewart developed The Jon Stewart Show, a talk show on MTV, which was later dropped by the network and was syndicated for its last two years. The Jon Stewart Show was the first talk show on that network and was an instant hit, becoming the second-highest rated MTV show, behind Beavis and Butt-Head. In 1994, Paramount canceled The Arsenio Hall Show and, with new corporate sibling MTV (through MTV parent Viacom's acquisition of the studio), launched an hour-long syndicated late-night version of The Jon Stewart Show. Many local affiliates had moved Hall's show to 2 a.m. during its decline and Stewart's show inherited such early morning time slots in many cities. Ratings were dismal and the show was canceled in June 1995. Among the fans of the show was David Letterman, who was the final guest of The Jon Stewart Show. Letterman signed Stewart with his production company, Worldwide Pants. Stewart then became a frequent guest host for Tom Snyder on The Late Late Show with Tom Snyder, which was produced by Letterman and aired after the Late Show on CBS. This led to much speculation that Stewart would soon replace Snyder permanently, but instead, Stewart was offered the time slot after Snyder's, which he turned down. In 1996 Stewart hosted a short-lived talk show entitled, Where's Elvis This Week?, that was a half-hour, weekly comedy television program. It aired on Sunday nights in the United Kingdom on BBC Two. It was filmed at the CBS Broadcast Center in New York City and featured a set of panelists, two from the UK and two from the United States, who discussed news items and cultural issues. The show premiered in the UK on October 6, 1996; five episodes aired in total. Notable panelists included Dave Chappelle, Eddie Izzard, Phill Jupitus, Nora Ephron, Craig Kilborn, Christopher Hitchens, Armando Iannucci, Norm Macdonald, and Helen Gurley Brown. In 1997, Stewart was chosen as the host and interviewer for George Carlin's tenth HBO special, 40 Years of Comedy. The Daily Show In 1998, when Craig Kilborn left the show to replace Tom Snyder on The Late Late Show, Stewart began hosting The Daily Show on Comedy Central. The Daily Show blends humor with the day's top news stories, usually in politics, while simultaneously poking fun at politicians, newsmakers, and the news media. In an interview on The O'Reilly Factor, Stewart denied the show has any intentional political agenda, saying the goal was "schnicks and giggles" and that "[t]he same weakness that drove me into comedy also informs my show", meaning that he was uncomfortable talking without hearing the audience laugh. In his first Daily Show on-air appearance on January 11, 1999, Stewart told his guest that evening, Michael J. Fox, that he felt as if "this is my bar mitzvah". His style was described by one critic as, "Stewart does not offer us cynicism for its own sake, but as a playful way to offer the kinds of insights that are not permitted in more serious news formats that slavishly cling to official account of events." Until Trevor Noah permanently took over the show in 2015, Stewart hosted almost all airings of the program, except for a few occasions when correspondents such as Stephen Colbert, Rob Corddry, Jason Jones, and Steve Carell subbed for him, and during John Oliver's stint as host during the summer of 2013. Stewart won twenty Primetime Emmy Awards for The Daily Show as either a writer or producer, and two for producing The Colbert Report (2013–14), earning a total of twenty-two Primetime Emmy Awards, the most wins for a male individual. In 2005, Stewart and The Daily Show received the Grammy Award for Best Comedy Album for the audiobook edition of America (The Book): A Citizen's Guide to Democracy Inaction. In 2000 and 2004, the show won two Peabody Awards for its coverage of the U.S. presidential elections in those years, called "Indecision 2000" and "Indecision 2004", respectively. The show of September 20, 2001, the first show after the attacks of September 11th, 2001, began with no introduction. Before this, the introduction included footage of a fly-in toward the World Trade Center and New York City. The first nine minutes of the show included a tearful Stewart discussing his personal view on the event. His remarks ended as follows: In mid-2002, amid rumors that David Letterman was going to switch from CBS to ABC when his contract ran out, Stewart was rumored as Letterman's replacement on CBS. Ultimately, Letterman renewed his contract with CBS. On the March 9, 2002, episode of Saturday Night Live, hosted by Stewart, a Weekend Update sketch poked fun at the situation. In late 2002, ABC offered Stewart his own talk show to air right after Nightline. Stewart's contract with The Daily Show was near expiring, and he expressed strong interest. ABC, however, decided to give another Comedy Central figure, Jimmy Kimmel, the post-Nightline slot. On April 4, 2006, Stewart confronted U.S. Senator John McCain (R-AZ) on The Daily Show about his decision to appear at Liberty University, an institution founded by Jerry Falwell whom McCain previously had denounced as one of the "agents of intolerance". In the interchange, Stewart asked McCain, "You're not freaking out on us? Are you freaking out on us, because if you're freaking out ... and you're going into the crazy base world—are you going into crazy base world?" McCain replied, "Just– just– just a little" and "I'm afraid so." The clip was played on CNN, was noted and discussed in more detail in the blogosphere and was followed up on in the mainstream media. In 2007, The Daily Show was involved in former correspondent Stephen Colbert's announcement that he would run for president in 2008. In 2008, Stewart appeared on the news program Democracy Now!. A 2008 New York Times story questioned whether he was, in a phrase originally used to describe longtime network news anchor Walter Cronkite, "the most trusted man in America". On April 28, 2009, during a discussion on torture with Clifford May, Stewart expressed his opinion that former President Harry S. Truman was a war criminal for his use of the atomic bomb on Japan during World War II. He defended his assertion moments later: "Here's what I think of the atom bombs. I think if you dropped an atom bomb fifteen miles offshore and you said, 'The next one's coming and hitting you', then I would think it's okay. To drop it on a city, and kill a hundred thousand people? Yeah. I think that's criminal." On April 30, Stewart apologized on his program, and stated he did not believe Truman was a war criminal: "I shouldn't have said that, and I did. So I say right now, no, I don't believe that to be the case. The atomic bomb, a very complicated decision in the context of a horrific war, and I walk that back because it was in my estimation a stupid thing to say." In April 2010, Comedy Central renewed Stewart's contract to host The Daily Show into 2013. According to a Forbes list of celebrities in 2008, he was earning $14 million a year. On September 16, 2010, Stewart and Stephen Colbert announced a rally for October 30, known as the Rally to Restore Sanity and/or Fear. It took place on the National Mall in Washington, D.C. and attracted an estimated 215,000 participants. In December 2010, Stewart was credited by the White House, other media, and political news outlets for bringing awareness of the Republican filibuster on the James Zadroga 9/11 Health and Compensation Act to the public, leading to the ultimate passing of the bill that provides health benefits to first responders whose health has been adversely affected by their work at Ground Zero. On the show of January 10, 2011, Stewart began with a monologue about the shootings in Tucson, Arizona. He said he wished the "ramblings of crazy people didn't in any way resemble how we actually talk to each other on television". Before a commercial break, Stewart told viewers that the show would continue as usual the next night. After the commercial break, the show featured a rerun of a field piece done by Jason Jones two years earlier. The New York Times opined that Stewart is "the modern-day equivalent of Edward R. Murrow" and the UK national newspaper The Independent called him the "satirist-in-chief". In an interview, Senator John McCain described Stewart as "a modern-day Will Rogers and Mark Twain". Writer Wyatt Cenac said that Stewart cursed him out after Cenac acknowledged he was uncomfortable about a June 2011 Daily Show bit about Republican presidential candidate Herman Cain (reported in July 2015). In March 2013, it was announced that Stewart would be taking a 12-week hiatus from The Daily Show to direct the film Rosewater, which is based on the book Then They Came for Me by Maziar Bahari. Beginning June 10, 2013, The Daily Show correspondent John Oliver assumed primary hosting duties during Stewart's break. The TV Guide annual survey for 2013 star salaries showed that Stewart was the highest-paid late night host, making an estimated $25–30 million per year. On July 14, 2014, Stewart interviewed Hillary Clinton about the Middle East. Clinton's condemnations of Hamas led Stewart to ask her: "But don't you think they would look at that though as, they've given a lot of different things a chance and these are the only guys to them that are giving any resistance to what their condition is?" For Gazans living in that situation, he said Hamas could be viewed as "freedom fighters". Leaving The Daily Show During a taping of the show on February 10, 2015, Stewart announced he was leaving The Daily Show. Comedy Central president Michele Ganeless confirmed Stewart's retirement with a statement. Later, it was announced that South African comedian Trevor Noah would succeed Stewart as the host of the show. On April 20, 2015, Stewart indicated that his final show would be on August 6, 2015. On July 28, 2015, Darren Samuelsohn of Politico reported that twice, Stewart had been at the White House for previously unreported meetings with President Obama: once in October 2011 and once in February 2014. Michael D. Shear of The New York Times also picked up on the story. Stewart responded on his show by pointing out that the meetings were listed in the president's publicly available visitor log and that he has been asked to meet privately by many prominent individuals, including Roger Ailes of Fox News. He said Obama encouraged him not to make young Americans cynical about their government and Stewart said that his reply was that he was "skeptically idealistic". On June 19, 2015, in the wake of the Charleston Church Shooting, Stewart decided not to write jokes for the opening monologue. Elaborating on his decision, Stewart stated, "I honestly have nothing other than just sadness". Stewart spoke about the racial disparity and injustices in America, saying "The Confederate flag flies over South Carolina ... and the roads are named for Confederate generals" describing it as "racial wallpaper". Instead he designated a large portion of the show to his guest that night Malala Yousafzai, calling her "an incredible inspiration," and that "to be quite honest with you, I don't think there's anyone else in the world I would rather talk to tonight than Malala: So that's what we're going to do. And sorry about no jokes." On August 5, 2015, Stewart's friend of 30 years, comedian Louis C.K., was selected to be the last guest before the final Daily Show episode with Stewart helming the show. C.K. joked that he was there "representing comedy to say good job". The hour-long-plus final Daily Show on August 6 featured reunions with former correspondents Stephen Colbert, Steve Carell, John Oliver, Samantha Bee, Hasan Minhaj, Ed Helms, Kristen Schaal, Larry Wilmore, Jessica Williams, Aasif Mandvi, Lewis Black, John Hodgman, Rob Corddry, Olivia Munn, Josh Gad, Michael Che, and Mo Rocca and cameo video clips from people Stewart had targeted over the years, including Hillary Clinton, John McCain, Lindsey Graham, Chris Christie, John Kerry, Chuck Schumer, Bill O'Reilly, Wolf Blitzer, Joe Scarborough, and Mika Brzezinski. During the final episode, there was a pre-taped behind-the-scenes look at the show spoofing the long-take Copacabana scene from Goodfellas, featuring a brief appearance by Martin Scorsese. It concluded with a performance by Bruce Springsteen and the E Street Band. Post-Daily Show In November 2015, it was announced that Stewart signed a four-year deal with HBO that would include exclusive digital content for HBO NOW, HBO Go, and other platforms. HBO programming president Casey Bloys has said that "the idea is it will be an animated parody of a cable news network with an Onion-like portal." The team began working with the cloud graphics company, OTOY, to build a system for creating content. Confirmed to be working on the project included Mike Brown, Steve Waltien, Chelsea Devantez, Lucy Steiner, Kate James, and Robby Slowik. The team tested material in Red Bank, New Jersey at The Count Basie Theatre Performing Arts Academy. The show's premiere was moved several times, from fall 2016, to the first quarter of 2017, and then cancelled on May 23, 2017. The cancelation statement read: After his contract with HBO ended, Stewart signed a multi-year show deal with Apple. On September 30, 2021, Stewart's new series, The Problem with Jon Stewart, premiered on AppleTV. The series features hour-long, single-subject episodes. In addition to hosting the show, Stewart serves as executive producer through his company, Busboy Productions. Writing In 1998, Stewart released his first book, Naked Pictures of Famous People, a collection of humorous short stories and essays. The book reached The New York Times Best Seller List. In 2004, Stewart and The Daily Show writing staff released, America (The Book): A Citizen's Guide to Democracy Inaction, a mock high-school history textbook offering insights into the unique American system of government, dissecting its institutions, explaining its history and processes, and satirizing such popular American political precepts as, "one man, one vote", "government by the people", and "every vote counts". The book sold millions of copies upon its 2004 release and ended the year as a top-fifteen best seller. In 2005, Stewart provided the voice of President James A. Garfield for the audiobook version of Sarah Vowell's Assassination Vacation. In 2007, Stewart voiced Mort Sinclaire, former TV comedy writer and communist, on Stephen Colbert's audiobook version of I Am America (And So Can You!). In 2010, Stewart and The Daily Show writing staff released a sequel to their first book entitled, Earth (The Book): A Visitor's Guide to the Human Race. The book is meant to serve as a Baedeker travel guide for an alien civilization that discovers Earth after humanity has died out, most likely by its own hands. In March 2012, Stewart interviewed Bruce Springsteen for Rolling Stone. Acting Stewart's first film role was a bit part in the box-office bomb, Mixed Nuts. He landed a minor part in The First Wives Club, but his scene was deleted. In 1995, Stewart signed a three-year deal with Miramax. Stewart played romantic leads in the films, Playing by Heart and Wishful Thinking. He had a supporting role in the romantic comedy, Since You've Been Gone and in the horror film, The Faculty. Other films were planned for Stewart to write and star in, but they never were produced. Stewart maintained a relationship with Miramax founders Harvey and Bob Weinstein and appeared in films they produced including, Jay and Silent Bob Strike Back, Doogal, and the documentary, Wordplay. He appeared in Half Baked as an "enhancement smoker" and in Big Daddy as Adam Sandler's roommate; he has joked on the Daily Show and in the documentary The Aristocrats that to get the role, he slept with Sandler. Stewart often makes fun of his appearances in the high-profile flop, Death to Smoochy, in which he played a treacherous television executive; and the animated film Doogal, where he played a blue spring named Zeebad who shot a freeze ray from his mustache. In 2007, Stewart made a cameo appearance as himself in Evan Almighty, which starred former Daily Show correspondent Steve Carell. In the movie, Stewart was seen on a television screen in a fictional Daily Show episode poking fun at Carell's character for building an ark. Stewart had a recurring role in The Larry Sanders Show, playing himself as an occasional substitute and possible successor to late-night talk show host Larry Sanders (played by Garry Shandling). In 1998, Stewart hosted the television special, Elmopalooza, celebrating 30 years of Sesame Street. He has guest-starred on other sitcoms including The Nanny, Dr. Katz, Professional Therapist, Spin City, NewsRadio, American Dad!, and The Simpsons. He also has made guest appearances on the children's television series Between the Lions, Sesame Street, Jack's Big Music Show, and Gravity Falls. Producing In the mid-1990s, Stewart launched his own production company, Busboy Productions, naming the company in reference to his previous job as a busboy. Stewart signed a deal with Miramax to develop projects through his company, but none of his ideas have been produced. After Stewart's success as host and producer of The Daily Show, he revived Busboy Productions with Daily Show producers Ben Karlin and Rich Korson. In 2002, Busboy planned to produce a sitcom for NBC starring Stephen Colbert, but the show did not come to fruition. In 2005, Comedy Central reached an agreement with Busboy in which Comedy Central would provide financial backing for the production company. Comedy Central has a first-look agreement on all projects, after which Busboy is free to shop them to other networks. The deal spawned the Daily Show spin-off The Colbert Report and its replacement, The Nightly Show with Larry Wilmore. Other projects include the sitcom pilot Three Strikes, the documentary Sportsfan, the series Important Things with Demetri Martin, and the film The Donor. After Stewart's departure from The Daily Show, he was listed as an executive producer on The Late Show with Stephen Colbert. In addition, Stewart has presented occasional comedic monologues filled with political and media commentary. In July 2017, HBO announced Stewart would produce a stand-up comedy special for the network, his first stand-up special since 1996. Directing In March 2010, Stewart announced that he had optioned rights to the story of journalist Maziar Bahari, who was imprisoned in Iran for 118 days. On June 6, 2011, episode of The Daily Show, Stewart again hosted Bahari, and in March 2013, he announced that he was leaving the show for 12 weeks to direct the film version of Bahari's 2011 book, Then They Came For Me. Stewart's screenplay adaptation is entitled, Rosewater. It premiered at the September 2014 Toronto International Film Festival, receiving "generally favorable" reviews, and was released to general audiences on November 14, 2014. On directing, Stewart noted on Employee of the Month that The Daily Show influenced his directing process more than his acting gigs did. He said, "It's about the collaboration. It's about understanding. Doing a show taught me this process of clarity of vision, but the flexibility of process. So know your intention, know where you're wanting to go with the scene with the way that you want it to go, the momentum shifts, the emphasis, where you want it to be." He also expressed interest in directing more films. Stewart directed the political satire Irresistible, released in June 2020, which follows a demoralized Democratic strategist (played by Daily Show alumnus Steve Carell), who helps a retired veteran (Chris Cooper) run for mayor in a small, blue collar town in Wisconsin. Hosting and public speaking Stewart has hosted the Grammy Awards twice, in 2001 and in 2002, and the 78th Academy Awards, which were held March 5, 2006, at the Kodak Theatre in Hollywood. Critical response to Stewart's performance was mixed. Roger Ebert compared him favorably to legendary Oscar host Johnny Carson. Other reviewers were less positive; Tom Shales of The Washington Post said that Stewart hosted with "smug humorlessness". James Poniewozik of TIME said that Stewart was a bad host, but a great "anti-host" in that he poked fun at parts of the broadcast that deserved it, which lent him a degree of authenticity with the non-Hollywood audience. Stewart and correspondent John Oliver later poked fun at his lackluster reception on The Daily Show coverage of the 79th Academy Awards by saying that the "demon of last year's Oscars had finally been exorcised". Stewart returned to host the 80th Academy Awards on February 24, 2008. The reception to his performance was better received. Matthew Gilbert of the Boston Globe felt the ceremony was average, but praised Stewart, writing that, "It was good to see Jon Stewart being Jon Stewart. He is shaping up to be a dependable Oscar host for the post-Billy Crystal years. He's not musical, but he's versatile enough to swing smoothly between jokes about politics, Hollywood, new media, and, most importantly, hair." Variety columnist Brian Lowry lauded Stewart's performance noting that he "earned his keep by maintaining a playful, irreverent tone throughout the night, whether it was jesting about Cate Blanchett's versatility or watching Lawrence of Arabia on an iPhone screen. In December 2009, Stewart gave a speech at the John F. Kennedy Center for the Performing Arts honoring Bruce Springsteen, one of that year's Kennedy Center Honors recipients, and of whom Stewart is a fan. Stewart gave another speech paying tribute to Springsteen in February 2013 as part of the singer's MusiCares Person of the Year award ceremony. Stewart began a comedic feud with WWE wrestler Seth Rollins in March 2015, and appeared on WWE Raw during a Daily Show-styled segment hosted by Rollins. On August 23, 2015, Stewart returned to host the WWE's SummerSlam at the Barclays Center in Brooklyn, New York. Later, he got involved in the main event between Rollins and John Cena, helping Rollins retain his WWE World Heavyweight Championship, as well as winning Cena's United States Championship when he interfered and hit Cena with a steel chair. The next night on Raw, he explained his actions, saying he did it for Ric Flair (who was also present), which was to retain his world championship record. Cena then gave Stewart his finishing move, the Attitude Adjustment, to end the segment. Stewart returned at SummerSlam on August 21, 2016, as a special guest. In 2016, Stewart joined President Barack Obama, Michelle Obama, Vice President Joe Biden, Jill Biden, and David Letterman in honoring military families on May 5 at Joint Base Andrews, Maryland. The special celebration which marked both the USO's 75th anniversary and the fifth anniversary of Joining Forces. Stewart got into a Twitter war with then-presidential candidate Donald Trump, who in multiple tweets stated that Stewart's changing his name indicated that he was a fraud. Stewart and some analysts considered this to be anti-Semitic. Trump then tweeted that Stewart should be "proud of his heritage", and Stewart tweeted back, facetiously, that Trump's real name was "Fuckface Von Clownstick" and that Trump should be proud of the "Clownstick heritage". In June 2017, Stewart spoke at the funeral service for Ray Pfeifer, an FDNY firefighter from Hicksville, New York, who died after an eight-year battle with cancer as a result of service as a first responder at the September 11 attacks. Criticism of television journalists Stewart is known as an outspoken, humorous critic of personality-driven media shows, in particular, those of the U.S. media broadcast networks such as CNN, Fox News, and MSNBC. Critics say Stewart benefits from a double standard: he critiques other news shows from the safe, removed position of his "news satire" desk; Stewart asserts that neither his show nor Comedy Central purport to be anything other than satire and comedy. Crossfire appearance In a televised exchange with then-CNN correspondent Tucker Carlson on Crossfire on October 15, 2004, Stewart criticized the state of television journalism and pleaded with the show's hosts to "stop hurting America", and he referred to both Carlson and co-host Paul Begala as "partisan hacks". When posted on the internet, this exchange became widely viewed and was a topic of much media discussion. Despite being on the program to comment on current events, Stewart immediately shifted the discussion toward the show itself, asserting that Crossfire had failed in its responsibility to inform and educate viewers about politics as a serious topic. Stewart stated that the show engaged in partisan hackery instead of honest debate, and said that the hosts' assertion that Crossfire is a debate show is like "saying pro wrestling is a show about athletic competition". Carlson responded by saying that Stewart criticizes news organizations for not holding public officials accountable, but when he interviewed John Kerry, Stewart asked a series of "softball" questions (Stewart has acknowledged he voted for Kerry in the 2004 presidential election). Stewart responded that he didn't realize "the news organizations look to Comedy Central for their cues on integrity". When Carlson continued to press Stewart on the Kerry issue, Stewart said, "You're on CNN! The show that leads into me is puppets making crank phone calls! What is wrong with you?" In response to prods from Carlson, "Come on. Be funny." Stewart said, "No, I'm not going to be your monkey." Later in the show when Carlson jibed, "I do think you're more fun on your show", Stewart retorted, "You're as big a dick on your show as you are on any show." In response to Stewart's criticisms, Carlson said, "You need to get a job at a journalism school", to which Stewart responded, "You need to go to one!" Stewart discussed the incident on The Daily Show the following Monday: In January 2005, CNN announced that it was canceling Crossfire. When asked about the cancellation, CNN's incoming president, Jonathan Klein, referred to Stewart's appearance on the show: "I think he made a good point about the noise level of these types of shows, which does nothing to illuminate the issues of the day." On March 18, 2009, Carlson wrote a blog entry for The Daily Beast criticizing Stewart for his handling of the CNBC controversy (see below). Carlson discussed the CNN incident and claimed that Stewart remained backstage for at least "an hour" and "continued to lecture our staff", something Carlson described as, "one of the weirdest things I have ever seen". Criticism of CNBC Stewart again became a viral internet phenomenon following a March 4, 2009, The Daily Show sequence. CNBC canceled Rick Santelli's scheduled appearance on The Daily Show that day, so the show ran a short segment showing CNBC giving poor investment advice. Subsequent media coverage of exchanges between Stewart and Jim Cramer, who had been featured heavily in the original segment, led to a highly anticipated face-to-face confrontation on The Daily Show. The episode received much media attention and became the second most-viewed episode of The Daily Show, trailing only the 2009 Inauguration Day episode. It had 2.3 million total viewers, and the next day, the show's website saw its highest day of traffic in 2009. Although Cramer acknowledged on the show that some of Stewart's criticisms of CNBC were valid and that the network could "do better", he later said on The Today Show that Stewart's criticism of the media was "naïve and misleading." Criticism of Fox News Throughout his tenure on The Daily Show, Stewart frequently accused Fox News of distorting the news to fit a conservative agenda, at one point ridiculing the network as "the meanest sorority in the world". In November 2009, Stewart "called out" Fox News for using some footage from a previous Tea Party rally during a report on a more recent rally, making the latter event appear more highly attended than it was. The show's anchor, Sean Hannity, apologized for the footage use the following night. A month later, Stewart criticized Fox & Friends cohost Gretchen Carlson – a former Miss America and a Stanford graduate – for claiming that she googled words such as "ignoramus" and "czar". Stewart said that Carlson was dumbing herself down for "an audience who sees intellect as an elitist flaw". Stewart stepped up his criticism of Fox News in 2010; within five months, The Daily Show had 24 segments criticizing the Fox News coverage. Bill O'Reilly, host of the talk show The O'Reilly Factor on Fox News, countered that The Daily Show was a "key component of left-wing television" and that Stewart loved Fox News because the network was "not boring". During an interview with Chris Wallace on June 19, 2011, Stewart called Wallace "insane" for saying that Stewart's earlier comparison of the marketing techniques of a Sarah Palin campaign video and an anti-herpes medicine ad was a political comment. Stewart also said Fox viewers are the "most consistently misinformed" viewers of political media. This comment was ranked by the fact-checking site, PolitiFact, as false, with conditions. Stewart later accepted his error. In 2014, Stewart engaged in an extended "call-out" of Fox News, based on their coverage of food stamps and U.S. government assistance, opining that said coverage was biased. This culminated in segments across multiple episodes, specifically singling out Sean Hannity and his show's coverage of the Bundy standoff. Hannity would "return fire" by calling out Stewart for associating himself with Cat Stevens during his Rally in 2010. Stewart responded to this by criticizing Hannity for frequently calling Ted Nugent a "friend and frequent guest" on his program and supporting Nugent's violent rhetoric toward Barack Obama and Hillary Clinton in 2007. In late August 2014, Stewart criticized the manner in which Fox News portrayed the events surrounding the shooting of teenager Michael Brown by police officer Darren Wilson in Ferguson, Missouri, and the subsequent protests from citizens. Advocacy of the 9/11 First Responders Bill Over the years, Stewart sometimes used The Daily Show to argue for causes such as the treatment of veterans and 9/11 first responders. He is credited with breaking a Senate deadlock over a bill to provide health care and benefits for 9/11 emergency workers; the bill passed three days after he featured a group of 9/11 responders on the show. In March 2009, he criticized a White House proposal to remove veterans from Veterans Administration rolls if they had private health insurance; the White House dropped the plan the next day. In 2010, Stewart held an interview with a panel of four of the 9/11 first responders Kenny Specht with the FDNY, Chris Bowman NYPD, Ken George DOT, and Kevin Devlin, Operating Engineer of Heavy Equipment, who discussed their health problems with Stewart. In 2015 four months after leaving The Daily Show he returned to reunite the four, with Specht as the only panelist healthy enough to attend. Devlin had died and the two other panelists, Bowman and George, were too ill to make it to the show. In February and June 2019, Stewart again went to Congress to oppose the $7.375 billion limit in pay-outs to 9/11 responders through December 2020 and to lobby for permanent funding for the Victims Compensation Fund past December 2020, delivering a tearful testimony. Stewart continued to be a vocal advocate, appearing on late night shows such as The Late Show with Stephen Colbert, The Daily Show with Trevor Noah, and news programs such as Fox News Sunday with Chris Wallace, and The Fox Report with Shepherd Smith. On July 12, 2019, the House approved the bill overwhelmingly 402–12. The bill came to the Senate floor where it passed the 9/11 Victim Compensation Fund through 2092, virtually funding health care for 9/11 victims and first responders for life. The vote was 97–2 with Republican Senators Rand Paul (KY) and Mike Lee (UT) opposing. When hearing that the bill had been passed, Stewart responded by saying, "It has been the honor of my life working with the 9/11 first responders...these families deserve better...and I will follow you wherever your next adventure shall be". Writers Guild of America strike of 2007–2008 Stewart was an important factor in the unionization of the Comedy Central writers. The Daily Show writers were the first of Comedy Central's writers to be able to join the guild, after which other shows followed. Stewart supported the 2007–08 Writers Guild of America strike. On The Daily Show episode just before the strike, he sarcastically commented about how Comedy Central had made available all episodes for free on their website, but without advertising, and said, "go support our advertisers". The show went on hiatus when the strike began, as did other late-night talk shows. Upon Stewart's return to the show on January 7, 2008, he refused to use the title, The Daily Show, stating that The Daily Show was the show made with all of the people responsible for the broadcast, including his writers. During the strike, he referred to his show as A Daily Show with Jon Stewart until the strike ended on February 13, 2008. Stewart's choice to return to the air did bring criticism that he was undermining the writers of his show. Seth MacFarlane wrote an inside joke into an episode of Family Guy about this, causing Stewart to respond with an hour-long call in which he questioned how MacFarlane could consider himself the "moral arbiter" of Hollywood. Other former writers of The Daily Show such as David Feldman also have indicated that Stewart was anti-union at the time and punished his writers for their decision to unionize. The Writers Guild Strike of 2007–08 also was responsible for a notable mock feud between Stewart, Stephen Colbert, and Conan O'Brien in early 2008. Without writers to help fuel their banter, the three comedians concocted a crossover/rivalry to garner more viewers during the ratings slump. Colbert claimed that because of "the Colbert bump", he was responsible for Mike Huckabee's success in the 2008 presidential race. O'Brien claimed that he was responsible for Huckabee's success because not only had he mentioned Huckabee on his show, but also that he was responsible for Chuck Norris's success (Norris backed Huckabee). In response, Stewart claimed that he was responsible for the success of O'Brien since Stewart had featured him on The Jon Stewart Show, and in turn, the success of Huckabee. This resulted in a three-part comedic battle between the three pundits, with all three appearing on each other's shows. The feud ended on Late Night with Conan O'Brien with a mock brawl involving the three hosts. Influences Stewart has said his influences include George Carlin, Lenny Bruce, Woody Allen, David Letterman, Steve Martin, and Richard Pryor. Among comedians who say they were influenced by Stewart are Stephen Colbert, John Oliver, Hasan Minhaj, Samantha Bee, Larry Wilmore, Bassem Youssef, Trevor Noah, and Jordan Klepper. Personal life Stewart is irreligious, but of Jewish heritage. While making the 1997 film, Wishful Thinking, a production assistant on the film arranged for a blind date between Stewart and Tracey Lynn McShane. They dated for four years. Stewart proposed to her through a personalized crossword puzzle created with the help of Will Shortz, the crossword editor at The New York Times. They married in 2000. On June 19, 2001, Stewart and his wife filed a joint name change application and legally changed both of their surnames to "Stewart". With the help of in vitro fertilization, the couple has two children. In 2000, when he was labelled a Democrat, Stewart generally agreed, but described his political affiliation as "more socialist or independent" than Democratic, and Stewart has voted for Republicans, the last time being in the 1988 presidential election when he voted for George H. W. Bush over Michael Dukakis. He described Bush as having "an integrity about him that I respected greatly". He has been a vocal proponent of single-payer health care system. In 2013, Stewart and his wife bought a farm in Middletown, New Jersey, called "Bufflehead Farm". The Stewarts operate it as a sanctuary for abused animals. In 2015, Stewart began eating a vegetarian diet for ethical reasons; his wife is a long-time vegan. In 2017, Stewart and his wife received approval to open a 45-acre (18 ha) animal sanctuary in Colts Neck, New Jersey, a home to animals saved from slaughterhouses and live markets. Honors and awards Stewart and other members of The Daily Show have received three Peabody Awards for "Indecision 2000" and "Indecision 2004", covering the 2000 presidential election and the 2004 presidential election, respectively. He received his third Peabody in 2016 for his tenure at The Daily Show. The Daily Show received the Primetime Emmy Award for Outstanding Writing for a Variety, Music, or Comedy Program in 2001, 2003, 2004, 2005, 2006, 2009, 2011, 2012, and 2015 and Outstanding Variety, Music, or Comedy Series for 10 consecutive years from 2003 to 2012. In 2013, the award for both categories instead went to The Daily Show spin-off The Colbert Report. In 2015, The Daily Show resurfaced, winning both categories for one last time for Stewart's swan song as host. Stewart won the Grammy Award for Best Comedy Album in 2005 for his recording, America (The Book): A Citizen's Guide to Democracy Inaction. In the December 2003 New Year's edition of Newsweek, Stewart was named the "Who's Next?" person for 2004, with the magazine predicting that he would emerge as an absolute sensation in that year. (The magazine said they had been correct at the end of that year.) Stewart was named among the 2005 Time 100, an annual list of 100 of the most influential people of the year by Time magazine. In 2004, Stewart spoke at the commencement ceremonies at his alma mater, William and Mary, and received an honorary Doctor of Arts degree. Stewart was the Class Day keynote speaker at Princeton University in 2004, and the 2008 Sacerdote Great Names speaker at Hamilton College. Stewart and The Daily Show received the 2005 National Council of Teachers of English (NCTE) George Orwell Award for Distinguished Contribution to Honesty and Clarity in Public Language. Stewart was presented an Honorary All-America Award by the National Soccer Coaches Association of America (NSCAA) in 2006. On April 21, 2009, President of Liberia Ellen Johnson Sirleaf made Stewart a chief. On October 26, 2010, Stewart was named the Most Influential Man of 2010 by AskMen. For his advocacy on behalf of 9/11 victims and families, Stewart was one of eighteen individuals and organizations awarded the Bronze Medallion on December 16, 2019. The Bronze Medallion is the highest award conferred upon civilians by New York City. Filmography Film Television Bibliography Naked Pictures of Famous People (Rob Weisbach Books, 1998). . America (The Book): A Citizen's Guide to Democracy Inaction (Warner Books, September 2004). . Earth (The Book): A Visitor's Guide to the Human Race (Grand Central Publishing, 2010). . See also New Yorkers in journalism Political satire References Further reading David Marchese, "Jon Stewart Is Back to Weigh In", The New York Times Magazine, June 15, 2020. Lisa Rogak, Angry Optimist: The Life and Times of Jon Stewart. New York: Saint Martin's Griffin, 2014. . Bruce Watson, Jon Stewart: Beyond the Moments of Zen. New Word City, 2014. External links The Daily Show profile 1962 births 20th-century American comedians 21st-century American comedians 20th-century American male actors 20th-century American non-fiction writers 21st-century American male actors 21st-century American non-fiction writers American film producers American male comedians American male film actors American male non-fiction writers American male television actors American media critics American people of Belarusian-Jewish descent American people of Polish-Jewish descent American people of Ukrainian-Jewish descent American political commentators American satirists American male screenwriters American religious skeptics American social commentators American stand-up comedians American television talk show hosts American television writers Association footballers not categorized by position Comedians from New York City Criticism of journalism Film directors from New Jersey Film directors from New York City Grammy Award winners Jewish American male comedians Jewish American male actors Jewish American writers Jewish male comedians Late night television talk show hosts Lawrence High School (New Jersey) alumni Living people Male actors from New Jersey Male actors from New York City New Jersey Hall of Fame inductees American male television writers Peabody Award winners People from Lawrence Township, Mercer County, New Jersey Primetime Emmy Award winners Screenwriters from New York (state) Television producers from New York City William & Mary Tribe men's soccer players Writers from New Jersey Writers from New York City 20th-century American male writers 21st-century American male writers Television producers from New Jersey Association football players not categorized by nationality	false	[ "Media Buzz (stylized #mediabuzz) is an hour-long news media criticism program hosted by Howard Kurtz. The show airs live on Sunday mornings at 11:00 AM, airing in competition with CNN's Reliable Sources. The show replaces the similarly-themed Fox News Watch, the last edition of which aired on August 31, 2013. Media Buzz surpassed one million viewers in 2013, beating Reliable Sources.\n\nReferences\n\nExternal links \n \n\nFox News original programming\n2013 American television series debuts\n2010s American television news shows\nCriticism of journalism\nEnglish-language television shows", "What the (Bleep) Just Happened?: The Happy Warrior's Guide to the Great American Comeback is a 2012 book by Fox News contributor Monica Crowley. It was published by Broadside Books, a HarperCollins imprint. \n\nWhat the (Bleep) Just Happened? was a New York Times bestseller. In 2013, the book was re-released with an afterword and the title What the (Bleep) Just Happened... Again?: The Happy Warrior's Guide to the Great American Comeback.\n\nAccording to Crowley, the book's name came from a conversation she had with her friend about the Obama administration:\n\nReception \n\nKirkus Reviews panned the book, writing that Crowley's \"vitriol corrodes any basis for rational discussion.\" The review suggested that readers pass on the book unless they are Fox News junkies, saying it is \"just a restatement of similar xenophobic, snarkily presented sentiment.\" A review by Lauren Weiner in The Weekly Standard said that Crowley's arguments were overstated and employed doggerel. Weiner wrote further that after \"over 300 pages of cynical quips, Nixonian realism, and declarations that 'the romanticism of the Left is over',\" Crowley declared herself a \"happy warrior\".\n\nPlagiarism\nFollowing the announcement by the Donald Trump administration in December 2016 that Crowley would be appointed to the U.S. National Security Council, reports surfaced of plagiarism in What the (Bleep) Just Happened?. A January 7, 2017 report from CNN Money alleged numerous instances of plagiarism in the book, including over fifty incidents of copying from published sources without giving attribution. \n\nThe Trump transition team responded that:\n\nTwo days later, on January 9, 2017, a Politico report alleged a dozen instances of plagiarism in her 2000 Ph.D. dissertation on international relations at Columbia University. Crowley had previously been accused of plagiarism in 1999 related to a column on Richard Nixon she wrote for The Wall Street Journal containing \"striking similarities\" (according to the Journal) with a piece written eleven years earlier by Paul Johnson. The next day, HarperCollins announced that \"What the (Bleep) Just Happened?, which has reached the end of its natural sales cycle, will no longer be offered for purchase until such time as the author has the opportunity to source and revise the material.\" In 2019, it remained available from HarperCollins as an e-book download.\n\nReferences\n\n2012 non-fiction books\nAmerican political books\nBooks involved in plagiarism controversies\nBroadside Books books" ]
[ "Jon Stewart", "Criticism of Fox News", "What happened with the criticism of fox news?", "Stewart has frequently accused Fox News of distorting the news to fit a conservative agenda," ]	C_92a7f3853e814cb097eec281eee22435_1	Did this become a major controversy?	2	Did Stewart's accusation of Fox News distorting the news become a major controversy?	Jon Stewart	Throughout his tenure on The Daily Show, Stewart has frequently accused Fox News of distorting the news to fit a conservative agenda, at one point ridiculing the network as "the meanest sorority in the world." In November 2009, Stewart called out Fox News for using some footage from a previous Tea Party rally during a report on a more recent rally, making the latter event appear more highly attended than it actually was. The show's anchor, Sean Hannity, apologized for the footage use the following night. A month later, Stewart criticized Fox & Friends cohost Gretchen Carlson - a former Miss America and a Stanford graduate - for claiming that she googled words such as "ignoramus" and "czar". Stewart said that Carlson was dumbing herself down for "an audience who sees intellect as an elitist flaw". Stewart stepped up his criticism of Fox News in 2010; as of April 24, The Daily Show had 24 segments criticizing Fox News' coverage. Bill O'Reilly, host of the talk show The O'Reilly Factor on Fox News, countered that The Daily Show was a "key component of left-wing television" and that Stewart loved Fox News because the network was "not boring". During an interview with Chris Wallace on June 19, 2011, Stewart called Wallace "insane" after Wallace said that Stewart's earlier comparison of a Sarah Palin campaign video and an anti-herpes medicine ad was a political comment. Stewart also said Fox viewers are the "most consistently misinformed" viewers of political media. This comment was ranked by fact-checking site PolitiFact as false, with conditions. Stewart later accepted his error. In 2014, Stewart engaged in an extended "call-out" of Fox News based on their perceived hypocritical coverage of food stamps and U.S. Government assistance. This culminated during the Bundy standoff involving multiple segments, across multiple episodes, specifically singling out Sean Hannity and Hannity's coverage of the event. Hannity would "return fire" by calling out Stewart for associating himself with Cat Stevens during his Rally in 2010. Stewart responded to this by calling out Hannity for frequently calling Ted Nugent a "friend and frequent guest" on his program and supporting Nugent's violent rhetoric towards Barack Obama and Hillary Clinton in 2007. In late August 2014, Stewart vehemently opposed the manner in which Fox News portrayed the events surrounding the shooting of teenager Michael Brown by police officer Darren Wilson in Ferguson, Missouri and the subsequent protests from citizens. CANNOTANSWER	the meanest sorority in the world.	Jon Stewart (born Jonathan Stuart Leibowitz; November 28, 1962) is an American comedian, writer, producer, director, political commentator, actor, and television host. He hosted The Daily Show, a satirical news program on Comedy Central, from 1999 to 2015. Stewart now hosts The Problem with Jon Stewart, which premiered September 2021 on Apple TV+. Stewart started as a stand-up comedian but branched into television as host of Short Attention Span Theater for Comedy Central. He went on to host You Wrote It, You Watch It (1992–1993) and then The Jon Stewart Show (1993–1995), both on MTV, until The Jon Stewart Show was retooled, dropped by the network and moved to syndication. Stewart has also appeared in several films, including Big Daddy (1999) and Death to Smoochy (2002), but did few cinematic projects after becoming host of The Daily Show in 1999. He also was a writer and co-executive producer of the show. After Stewart joined, The Daily Show steadily gained popularity and critical acclaim, and during his tenure, won 22 Primetime Emmy Awards, two Grammy Awards and also was nominated for news and journalism awards. Stewart hosted the 78th and 80th Academy Awards. He is the co-author of America (The Book): A Citizen's Guide to Democracy Inaction, which was one of the best-selling books in the US in 2004, and Earth (The Book): A Visitor's Guide to the Human Race, released in 2010. Since leaving The Daily Show, Stewart has mostly maintained a low profile in entertainment industry circles, but has used his celebrity and voice in a sustained advocacy for 9/11 first responders, and also for war veterans' health benefits. In 2019 he received the New York City Bronze Medallion for his "tireless advocacy, inspiration, and leadership (helping to) pass the permanent authorization of the September 11th Victim Compensation Fund Act". Early life and education Jon Stewart was born Jonathan Stuart Leibowitz on November 28, 1962, in New York City, to Marian (née Laskin), a teacher and later educational consultant, and Donald Leibowitz, an energy coordinator for the New Jersey Department of the Treasury. Stewart's family members are Jewish immigrants to America from Poland, Ukraine, and Belarus. One of his grandfathers was born in Manzhouli (now part of Inner Mongolia). He is the second of four sons, with older brother Lawrence, and younger brothers Dan and Matthew. Stewart's parents divorced when he was eleven years old, and Stewart was largely estranged from his father. Because of his strained relationship with his father, which in 2015 he described as "still 'complicated'", he dropped his surname and began using his middle name. Stewart stated, "There was a thought of using my mother's maiden name, but I thought that would be just too big a fuck you to my dad... Did I have some problems with my father? Yes. Yet people always view [changing my surname] through the prism of ethnic identity." He had his surname changed legally to Stewart in 2001. Stewart and his brother Lawrence, who was previously the chief operating officer of NYSE Euronext (parent company of the New York Stock Exchange), grew up in Lawrenceville, New Jersey, where they attended Lawrence High School. According to Stewart, he was subjected to anti-Semitic bullying as a child. He describes himself in high school as "very into Eugene Debs and a bit of a leftist." Stewart grew up in the era of the Vietnam War and the Watergate scandal, which inspired in him "a healthy skepticism towards official reports". His first job was working with his brother at a Woolworth's store, and jokingly says being fired by Lawrence was one of the "scarring events" of his youth. He has also credited legendary television producer Norman Lear as someone who "raised me." Stewart graduated in 1984 from The College of William & Mary where he initially majored in chemistry before switching to psychology. While at William & Mary, Stewart became a member of the Pi Kappa Alpha fraternity, but eventually began disassociating himself from them; leaving the fraternity altogether after six months. "My college career was waking up late, memorizing someone else's notes, doing bong hits, and going to soccer practice", he later said. He was a three-year starter in 1981, 1982 and 1983 with the Tribe men's soccer team. He had 10 goals and 12 assists on a squad that went 40–15–9 (.695) in his three seasons with the program. He is listed as Jon Leibowitz in official William & Mary Athletics records. The former head coach of the Tribe men's soccer team from 1971 to 2003, Al Albert, describes Jon as "athletic and feisty and quick" and added that he "wasn't the most technical or clinical player, but he could make things happen." After college, Stewart held numerous jobs: a contingency planner for the New Jersey Department of Human Services, a contract administrator for the City University of New York, a puppeteer for children with disabilities, a soccer coach at Gloucester High School in Virginia, a caterer, a busboy, a shelf stocker at Woolworth's, a bartender at the Franklin Corner Tavern (a local blue-collar bar), and a bartender at the legendary City Gardens in Trenton, New Jersey. He has said that working at City Gardens was a pivotal moment for him: "finding this place City Gardens was like, 'Oh, maybe I'm not a giant weirdo. Maybe there are other people who have a similar sense of yearning for something other than what they have now.' I think it inspired a lot of people, man. It was a very creative environment. It was a place of great possibility." Career Early work With a reputation for being a funny man in school, Jon Stewart returned to New York City in 1986 to try his hand at the comedy club circuit, but he could not muster the courage to get on stage until the following year. He made his stand-up debut at The Bitter End, where one of his comedic idols, Woody Allen, also began. He began using the stage name "Jon Stewart" by dropping his last name and changing the spelling of his middle name "Stuart" to "Stewart". He often jokes this is because people had difficulty with the pronunciation of Leibowitz or it "sounded too Hollywood" (a reference to Lenny Bruce's joke on the same theme). He has implied that the name change was due to a strained relationship with his father, with whom Stewart no longer had any contact. Stewart became a regular at the Comedy Cellar, where he was the last performer every night. For two years, he would perform at 2 a.m. while developing his comedic style. In 1989, Stewart landed his first television job as a writer for Caroline's Comedy Hour. In 1990, he began co-hosting Comedy Central's Short Attention Span Theater, with Patty Rosborough. In 1992, Stewart hosted the short-lived You Wrote It, You Watch It on MTV, which invited viewers to send in their stories to be acted out by the comedy troupe, The State. Stewart relates that his career did not take off until his March 6, 1992, appearance on NBC's Late Night with David Letterman. He was considered a finalist to take over Letterman's position upon his departure from the program, but instead, it was given to relatively unknown Conan O'Brien. He co-hosted MTV Spring Break '93 Blind Date from Daytona Beach with Melissa Rivers. The Jon Stewart Show Later in 1993, Stewart developed The Jon Stewart Show, a talk show on MTV, which was later dropped by the network and was syndicated for its last two years. The Jon Stewart Show was the first talk show on that network and was an instant hit, becoming the second-highest rated MTV show, behind Beavis and Butt-Head. In 1994, Paramount canceled The Arsenio Hall Show and, with new corporate sibling MTV (through MTV parent Viacom's acquisition of the studio), launched an hour-long syndicated late-night version of The Jon Stewart Show. Many local affiliates had moved Hall's show to 2 a.m. during its decline and Stewart's show inherited such early morning time slots in many cities. Ratings were dismal and the show was canceled in June 1995. Among the fans of the show was David Letterman, who was the final guest of The Jon Stewart Show. Letterman signed Stewart with his production company, Worldwide Pants. Stewart then became a frequent guest host for Tom Snyder on The Late Late Show with Tom Snyder, which was produced by Letterman and aired after the Late Show on CBS. This led to much speculation that Stewart would soon replace Snyder permanently, but instead, Stewart was offered the time slot after Snyder's, which he turned down. In 1996 Stewart hosted a short-lived talk show entitled, Where's Elvis This Week?, that was a half-hour, weekly comedy television program. It aired on Sunday nights in the United Kingdom on BBC Two. It was filmed at the CBS Broadcast Center in New York City and featured a set of panelists, two from the UK and two from the United States, who discussed news items and cultural issues. The show premiered in the UK on October 6, 1996; five episodes aired in total. Notable panelists included Dave Chappelle, Eddie Izzard, Phill Jupitus, Nora Ephron, Craig Kilborn, Christopher Hitchens, Armando Iannucci, Norm Macdonald, and Helen Gurley Brown. In 1997, Stewart was chosen as the host and interviewer for George Carlin's tenth HBO special, 40 Years of Comedy. The Daily Show In 1998, when Craig Kilborn left the show to replace Tom Snyder on The Late Late Show, Stewart began hosting The Daily Show on Comedy Central. The Daily Show blends humor with the day's top news stories, usually in politics, while simultaneously poking fun at politicians, newsmakers, and the news media. In an interview on The O'Reilly Factor, Stewart denied the show has any intentional political agenda, saying the goal was "schnicks and giggles" and that "[t]he same weakness that drove me into comedy also informs my show", meaning that he was uncomfortable talking without hearing the audience laugh. In his first Daily Show on-air appearance on January 11, 1999, Stewart told his guest that evening, Michael J. Fox, that he felt as if "this is my bar mitzvah". His style was described by one critic as, "Stewart does not offer us cynicism for its own sake, but as a playful way to offer the kinds of insights that are not permitted in more serious news formats that slavishly cling to official account of events." Until Trevor Noah permanently took over the show in 2015, Stewart hosted almost all airings of the program, except for a few occasions when correspondents such as Stephen Colbert, Rob Corddry, Jason Jones, and Steve Carell subbed for him, and during John Oliver's stint as host during the summer of 2013. Stewart won twenty Primetime Emmy Awards for The Daily Show as either a writer or producer, and two for producing The Colbert Report (2013–14), earning a total of twenty-two Primetime Emmy Awards, the most wins for a male individual. In 2005, Stewart and The Daily Show received the Grammy Award for Best Comedy Album for the audiobook edition of America (The Book): A Citizen's Guide to Democracy Inaction. In 2000 and 2004, the show won two Peabody Awards for its coverage of the U.S. presidential elections in those years, called "Indecision 2000" and "Indecision 2004", respectively. The show of September 20, 2001, the first show after the attacks of September 11th, 2001, began with no introduction. Before this, the introduction included footage of a fly-in toward the World Trade Center and New York City. The first nine minutes of the show included a tearful Stewart discussing his personal view on the event. His remarks ended as follows: In mid-2002, amid rumors that David Letterman was going to switch from CBS to ABC when his contract ran out, Stewart was rumored as Letterman's replacement on CBS. Ultimately, Letterman renewed his contract with CBS. On the March 9, 2002, episode of Saturday Night Live, hosted by Stewart, a Weekend Update sketch poked fun at the situation. In late 2002, ABC offered Stewart his own talk show to air right after Nightline. Stewart's contract with The Daily Show was near expiring, and he expressed strong interest. ABC, however, decided to give another Comedy Central figure, Jimmy Kimmel, the post-Nightline slot. On April 4, 2006, Stewart confronted U.S. Senator John McCain (R-AZ) on The Daily Show about his decision to appear at Liberty University, an institution founded by Jerry Falwell whom McCain previously had denounced as one of the "agents of intolerance". In the interchange, Stewart asked McCain, "You're not freaking out on us? Are you freaking out on us, because if you're freaking out ... and you're going into the crazy base world—are you going into crazy base world?" McCain replied, "Just– just– just a little" and "I'm afraid so." The clip was played on CNN, was noted and discussed in more detail in the blogosphere and was followed up on in the mainstream media. In 2007, The Daily Show was involved in former correspondent Stephen Colbert's announcement that he would run for president in 2008. In 2008, Stewart appeared on the news program Democracy Now!. A 2008 New York Times story questioned whether he was, in a phrase originally used to describe longtime network news anchor Walter Cronkite, "the most trusted man in America". On April 28, 2009, during a discussion on torture with Clifford May, Stewart expressed his opinion that former President Harry S. Truman was a war criminal for his use of the atomic bomb on Japan during World War II. He defended his assertion moments later: "Here's what I think of the atom bombs. I think if you dropped an atom bomb fifteen miles offshore and you said, 'The next one's coming and hitting you', then I would think it's okay. To drop it on a city, and kill a hundred thousand people? Yeah. I think that's criminal." On April 30, Stewart apologized on his program, and stated he did not believe Truman was a war criminal: "I shouldn't have said that, and I did. So I say right now, no, I don't believe that to be the case. The atomic bomb, a very complicated decision in the context of a horrific war, and I walk that back because it was in my estimation a stupid thing to say." In April 2010, Comedy Central renewed Stewart's contract to host The Daily Show into 2013. According to a Forbes list of celebrities in 2008, he was earning $14 million a year. On September 16, 2010, Stewart and Stephen Colbert announced a rally for October 30, known as the Rally to Restore Sanity and/or Fear. It took place on the National Mall in Washington, D.C. and attracted an estimated 215,000 participants. In December 2010, Stewart was credited by the White House, other media, and political news outlets for bringing awareness of the Republican filibuster on the James Zadroga 9/11 Health and Compensation Act to the public, leading to the ultimate passing of the bill that provides health benefits to first responders whose health has been adversely affected by their work at Ground Zero. On the show of January 10, 2011, Stewart began with a monologue about the shootings in Tucson, Arizona. He said he wished the "ramblings of crazy people didn't in any way resemble how we actually talk to each other on television". Before a commercial break, Stewart told viewers that the show would continue as usual the next night. After the commercial break, the show featured a rerun of a field piece done by Jason Jones two years earlier. The New York Times opined that Stewart is "the modern-day equivalent of Edward R. Murrow" and the UK national newspaper The Independent called him the "satirist-in-chief". In an interview, Senator John McCain described Stewart as "a modern-day Will Rogers and Mark Twain". Writer Wyatt Cenac said that Stewart cursed him out after Cenac acknowledged he was uncomfortable about a June 2011 Daily Show bit about Republican presidential candidate Herman Cain (reported in July 2015). In March 2013, it was announced that Stewart would be taking a 12-week hiatus from The Daily Show to direct the film Rosewater, which is based on the book Then They Came for Me by Maziar Bahari. Beginning June 10, 2013, The Daily Show correspondent John Oliver assumed primary hosting duties during Stewart's break. The TV Guide annual survey for 2013 star salaries showed that Stewart was the highest-paid late night host, making an estimated $25–30 million per year. On July 14, 2014, Stewart interviewed Hillary Clinton about the Middle East. Clinton's condemnations of Hamas led Stewart to ask her: "But don't you think they would look at that though as, they've given a lot of different things a chance and these are the only guys to them that are giving any resistance to what their condition is?" For Gazans living in that situation, he said Hamas could be viewed as "freedom fighters". Leaving The Daily Show During a taping of the show on February 10, 2015, Stewart announced he was leaving The Daily Show. Comedy Central president Michele Ganeless confirmed Stewart's retirement with a statement. Later, it was announced that South African comedian Trevor Noah would succeed Stewart as the host of the show. On April 20, 2015, Stewart indicated that his final show would be on August 6, 2015. On July 28, 2015, Darren Samuelsohn of Politico reported that twice, Stewart had been at the White House for previously unreported meetings with President Obama: once in October 2011 and once in February 2014. Michael D. Shear of The New York Times also picked up on the story. Stewart responded on his show by pointing out that the meetings were listed in the president's publicly available visitor log and that he has been asked to meet privately by many prominent individuals, including Roger Ailes of Fox News. He said Obama encouraged him not to make young Americans cynical about their government and Stewart said that his reply was that he was "skeptically idealistic". On June 19, 2015, in the wake of the Charleston Church Shooting, Stewart decided not to write jokes for the opening monologue. Elaborating on his decision, Stewart stated, "I honestly have nothing other than just sadness". Stewart spoke about the racial disparity and injustices in America, saying "The Confederate flag flies over South Carolina ... and the roads are named for Confederate generals" describing it as "racial wallpaper". Instead he designated a large portion of the show to his guest that night Malala Yousafzai, calling her "an incredible inspiration," and that "to be quite honest with you, I don't think there's anyone else in the world I would rather talk to tonight than Malala: So that's what we're going to do. And sorry about no jokes." On August 5, 2015, Stewart's friend of 30 years, comedian Louis C.K., was selected to be the last guest before the final Daily Show episode with Stewart helming the show. C.K. joked that he was there "representing comedy to say good job". The hour-long-plus final Daily Show on August 6 featured reunions with former correspondents Stephen Colbert, Steve Carell, John Oliver, Samantha Bee, Hasan Minhaj, Ed Helms, Kristen Schaal, Larry Wilmore, Jessica Williams, Aasif Mandvi, Lewis Black, John Hodgman, Rob Corddry, Olivia Munn, Josh Gad, Michael Che, and Mo Rocca and cameo video clips from people Stewart had targeted over the years, including Hillary Clinton, John McCain, Lindsey Graham, Chris Christie, John Kerry, Chuck Schumer, Bill O'Reilly, Wolf Blitzer, Joe Scarborough, and Mika Brzezinski. During the final episode, there was a pre-taped behind-the-scenes look at the show spoofing the long-take Copacabana scene from Goodfellas, featuring a brief appearance by Martin Scorsese. It concluded with a performance by Bruce Springsteen and the E Street Band. Post-Daily Show In November 2015, it was announced that Stewart signed a four-year deal with HBO that would include exclusive digital content for HBO NOW, HBO Go, and other platforms. HBO programming president Casey Bloys has said that "the idea is it will be an animated parody of a cable news network with an Onion-like portal." The team began working with the cloud graphics company, OTOY, to build a system for creating content. Confirmed to be working on the project included Mike Brown, Steve Waltien, Chelsea Devantez, Lucy Steiner, Kate James, and Robby Slowik. The team tested material in Red Bank, New Jersey at The Count Basie Theatre Performing Arts Academy. The show's premiere was moved several times, from fall 2016, to the first quarter of 2017, and then cancelled on May 23, 2017. The cancelation statement read: After his contract with HBO ended, Stewart signed a multi-year show deal with Apple. On September 30, 2021, Stewart's new series, The Problem with Jon Stewart, premiered on AppleTV. The series features hour-long, single-subject episodes. In addition to hosting the show, Stewart serves as executive producer through his company, Busboy Productions. Writing In 1998, Stewart released his first book, Naked Pictures of Famous People, a collection of humorous short stories and essays. The book reached The New York Times Best Seller List. In 2004, Stewart and The Daily Show writing staff released, America (The Book): A Citizen's Guide to Democracy Inaction, a mock high-school history textbook offering insights into the unique American system of government, dissecting its institutions, explaining its history and processes, and satirizing such popular American political precepts as, "one man, one vote", "government by the people", and "every vote counts". The book sold millions of copies upon its 2004 release and ended the year as a top-fifteen best seller. In 2005, Stewart provided the voice of President James A. Garfield for the audiobook version of Sarah Vowell's Assassination Vacation. In 2007, Stewart voiced Mort Sinclaire, former TV comedy writer and communist, on Stephen Colbert's audiobook version of I Am America (And So Can You!). In 2010, Stewart and The Daily Show writing staff released a sequel to their first book entitled, Earth (The Book): A Visitor's Guide to the Human Race. The book is meant to serve as a Baedeker travel guide for an alien civilization that discovers Earth after humanity has died out, most likely by its own hands. In March 2012, Stewart interviewed Bruce Springsteen for Rolling Stone. Acting Stewart's first film role was a bit part in the box-office bomb, Mixed Nuts. He landed a minor part in The First Wives Club, but his scene was deleted. In 1995, Stewart signed a three-year deal with Miramax. Stewart played romantic leads in the films, Playing by Heart and Wishful Thinking. He had a supporting role in the romantic comedy, Since You've Been Gone and in the horror film, The Faculty. Other films were planned for Stewart to write and star in, but they never were produced. Stewart maintained a relationship with Miramax founders Harvey and Bob Weinstein and appeared in films they produced including, Jay and Silent Bob Strike Back, Doogal, and the documentary, Wordplay. He appeared in Half Baked as an "enhancement smoker" and in Big Daddy as Adam Sandler's roommate; he has joked on the Daily Show and in the documentary The Aristocrats that to get the role, he slept with Sandler. Stewart often makes fun of his appearances in the high-profile flop, Death to Smoochy, in which he played a treacherous television executive; and the animated film Doogal, where he played a blue spring named Zeebad who shot a freeze ray from his mustache. In 2007, Stewart made a cameo appearance as himself in Evan Almighty, which starred former Daily Show correspondent Steve Carell. In the movie, Stewart was seen on a television screen in a fictional Daily Show episode poking fun at Carell's character for building an ark. Stewart had a recurring role in The Larry Sanders Show, playing himself as an occasional substitute and possible successor to late-night talk show host Larry Sanders (played by Garry Shandling). In 1998, Stewart hosted the television special, Elmopalooza, celebrating 30 years of Sesame Street. He has guest-starred on other sitcoms including The Nanny, Dr. Katz, Professional Therapist, Spin City, NewsRadio, American Dad!, and The Simpsons. He also has made guest appearances on the children's television series Between the Lions, Sesame Street, Jack's Big Music Show, and Gravity Falls. Producing In the mid-1990s, Stewart launched his own production company, Busboy Productions, naming the company in reference to his previous job as a busboy. Stewart signed a deal with Miramax to develop projects through his company, but none of his ideas have been produced. After Stewart's success as host and producer of The Daily Show, he revived Busboy Productions with Daily Show producers Ben Karlin and Rich Korson. In 2002, Busboy planned to produce a sitcom for NBC starring Stephen Colbert, but the show did not come to fruition. In 2005, Comedy Central reached an agreement with Busboy in which Comedy Central would provide financial backing for the production company. Comedy Central has a first-look agreement on all projects, after which Busboy is free to shop them to other networks. The deal spawned the Daily Show spin-off The Colbert Report and its replacement, The Nightly Show with Larry Wilmore. Other projects include the sitcom pilot Three Strikes, the documentary Sportsfan, the series Important Things with Demetri Martin, and the film The Donor. After Stewart's departure from The Daily Show, he was listed as an executive producer on The Late Show with Stephen Colbert. In addition, Stewart has presented occasional comedic monologues filled with political and media commentary. In July 2017, HBO announced Stewart would produce a stand-up comedy special for the network, his first stand-up special since 1996. Directing In March 2010, Stewart announced that he had optioned rights to the story of journalist Maziar Bahari, who was imprisoned in Iran for 118 days. On June 6, 2011, episode of The Daily Show, Stewart again hosted Bahari, and in March 2013, he announced that he was leaving the show for 12 weeks to direct the film version of Bahari's 2011 book, Then They Came For Me. Stewart's screenplay adaptation is entitled, Rosewater. It premiered at the September 2014 Toronto International Film Festival, receiving "generally favorable" reviews, and was released to general audiences on November 14, 2014. On directing, Stewart noted on Employee of the Month that The Daily Show influenced his directing process more than his acting gigs did. He said, "It's about the collaboration. It's about understanding. Doing a show taught me this process of clarity of vision, but the flexibility of process. So know your intention, know where you're wanting to go with the scene with the way that you want it to go, the momentum shifts, the emphasis, where you want it to be." He also expressed interest in directing more films. Stewart directed the political satire Irresistible, released in June 2020, which follows a demoralized Democratic strategist (played by Daily Show alumnus Steve Carell), who helps a retired veteran (Chris Cooper) run for mayor in a small, blue collar town in Wisconsin. Hosting and public speaking Stewart has hosted the Grammy Awards twice, in 2001 and in 2002, and the 78th Academy Awards, which were held March 5, 2006, at the Kodak Theatre in Hollywood. Critical response to Stewart's performance was mixed. Roger Ebert compared him favorably to legendary Oscar host Johnny Carson. Other reviewers were less positive; Tom Shales of The Washington Post said that Stewart hosted with "smug humorlessness". James Poniewozik of TIME said that Stewart was a bad host, but a great "anti-host" in that he poked fun at parts of the broadcast that deserved it, which lent him a degree of authenticity with the non-Hollywood audience. Stewart and correspondent John Oliver later poked fun at his lackluster reception on The Daily Show coverage of the 79th Academy Awards by saying that the "demon of last year's Oscars had finally been exorcised". Stewart returned to host the 80th Academy Awards on February 24, 2008. The reception to his performance was better received. Matthew Gilbert of the Boston Globe felt the ceremony was average, but praised Stewart, writing that, "It was good to see Jon Stewart being Jon Stewart. He is shaping up to be a dependable Oscar host for the post-Billy Crystal years. He's not musical, but he's versatile enough to swing smoothly between jokes about politics, Hollywood, new media, and, most importantly, hair." Variety columnist Brian Lowry lauded Stewart's performance noting that he "earned his keep by maintaining a playful, irreverent tone throughout the night, whether it was jesting about Cate Blanchett's versatility or watching Lawrence of Arabia on an iPhone screen. In December 2009, Stewart gave a speech at the John F. Kennedy Center for the Performing Arts honoring Bruce Springsteen, one of that year's Kennedy Center Honors recipients, and of whom Stewart is a fan. Stewart gave another speech paying tribute to Springsteen in February 2013 as part of the singer's MusiCares Person of the Year award ceremony. Stewart began a comedic feud with WWE wrestler Seth Rollins in March 2015, and appeared on WWE Raw during a Daily Show-styled segment hosted by Rollins. On August 23, 2015, Stewart returned to host the WWE's SummerSlam at the Barclays Center in Brooklyn, New York. Later, he got involved in the main event between Rollins and John Cena, helping Rollins retain his WWE World Heavyweight Championship, as well as winning Cena's United States Championship when he interfered and hit Cena with a steel chair. The next night on Raw, he explained his actions, saying he did it for Ric Flair (who was also present), which was to retain his world championship record. Cena then gave Stewart his finishing move, the Attitude Adjustment, to end the segment. Stewart returned at SummerSlam on August 21, 2016, as a special guest. In 2016, Stewart joined President Barack Obama, Michelle Obama, Vice President Joe Biden, Jill Biden, and David Letterman in honoring military families on May 5 at Joint Base Andrews, Maryland. The special celebration which marked both the USO's 75th anniversary and the fifth anniversary of Joining Forces. Stewart got into a Twitter war with then-presidential candidate Donald Trump, who in multiple tweets stated that Stewart's changing his name indicated that he was a fraud. Stewart and some analysts considered this to be anti-Semitic. Trump then tweeted that Stewart should be "proud of his heritage", and Stewart tweeted back, facetiously, that Trump's real name was "Fuckface Von Clownstick" and that Trump should be proud of the "Clownstick heritage". In June 2017, Stewart spoke at the funeral service for Ray Pfeifer, an FDNY firefighter from Hicksville, New York, who died after an eight-year battle with cancer as a result of service as a first responder at the September 11 attacks. Criticism of television journalists Stewart is known as an outspoken, humorous critic of personality-driven media shows, in particular, those of the U.S. media broadcast networks such as CNN, Fox News, and MSNBC. Critics say Stewart benefits from a double standard: he critiques other news shows from the safe, removed position of his "news satire" desk; Stewart asserts that neither his show nor Comedy Central purport to be anything other than satire and comedy. Crossfire appearance In a televised exchange with then-CNN correspondent Tucker Carlson on Crossfire on October 15, 2004, Stewart criticized the state of television journalism and pleaded with the show's hosts to "stop hurting America", and he referred to both Carlson and co-host Paul Begala as "partisan hacks". When posted on the internet, this exchange became widely viewed and was a topic of much media discussion. Despite being on the program to comment on current events, Stewart immediately shifted the discussion toward the show itself, asserting that Crossfire had failed in its responsibility to inform and educate viewers about politics as a serious topic. Stewart stated that the show engaged in partisan hackery instead of honest debate, and said that the hosts' assertion that Crossfire is a debate show is like "saying pro wrestling is a show about athletic competition". Carlson responded by saying that Stewart criticizes news organizations for not holding public officials accountable, but when he interviewed John Kerry, Stewart asked a series of "softball" questions (Stewart has acknowledged he voted for Kerry in the 2004 presidential election). Stewart responded that he didn't realize "the news organizations look to Comedy Central for their cues on integrity". When Carlson continued to press Stewart on the Kerry issue, Stewart said, "You're on CNN! The show that leads into me is puppets making crank phone calls! What is wrong with you?" In response to prods from Carlson, "Come on. Be funny." Stewart said, "No, I'm not going to be your monkey." Later in the show when Carlson jibed, "I do think you're more fun on your show", Stewart retorted, "You're as big a dick on your show as you are on any show." In response to Stewart's criticisms, Carlson said, "You need to get a job at a journalism school", to which Stewart responded, "You need to go to one!" Stewart discussed the incident on The Daily Show the following Monday: In January 2005, CNN announced that it was canceling Crossfire. When asked about the cancellation, CNN's incoming president, Jonathan Klein, referred to Stewart's appearance on the show: "I think he made a good point about the noise level of these types of shows, which does nothing to illuminate the issues of the day." On March 18, 2009, Carlson wrote a blog entry for The Daily Beast criticizing Stewart for his handling of the CNBC controversy (see below). Carlson discussed the CNN incident and claimed that Stewart remained backstage for at least "an hour" and "continued to lecture our staff", something Carlson described as, "one of the weirdest things I have ever seen". Criticism of CNBC Stewart again became a viral internet phenomenon following a March 4, 2009, The Daily Show sequence. CNBC canceled Rick Santelli's scheduled appearance on The Daily Show that day, so the show ran a short segment showing CNBC giving poor investment advice. Subsequent media coverage of exchanges between Stewart and Jim Cramer, who had been featured heavily in the original segment, led to a highly anticipated face-to-face confrontation on The Daily Show. The episode received much media attention and became the second most-viewed episode of The Daily Show, trailing only the 2009 Inauguration Day episode. It had 2.3 million total viewers, and the next day, the show's website saw its highest day of traffic in 2009. Although Cramer acknowledged on the show that some of Stewart's criticisms of CNBC were valid and that the network could "do better", he later said on The Today Show that Stewart's criticism of the media was "naïve and misleading." Criticism of Fox News Throughout his tenure on The Daily Show, Stewart frequently accused Fox News of distorting the news to fit a conservative agenda, at one point ridiculing the network as "the meanest sorority in the world". In November 2009, Stewart "called out" Fox News for using some footage from a previous Tea Party rally during a report on a more recent rally, making the latter event appear more highly attended than it was. The show's anchor, Sean Hannity, apologized for the footage use the following night. A month later, Stewart criticized Fox & Friends cohost Gretchen Carlson – a former Miss America and a Stanford graduate – for claiming that she googled words such as "ignoramus" and "czar". Stewart said that Carlson was dumbing herself down for "an audience who sees intellect as an elitist flaw". Stewart stepped up his criticism of Fox News in 2010; within five months, The Daily Show had 24 segments criticizing the Fox News coverage. Bill O'Reilly, host of the talk show The O'Reilly Factor on Fox News, countered that The Daily Show was a "key component of left-wing television" and that Stewart loved Fox News because the network was "not boring". During an interview with Chris Wallace on June 19, 2011, Stewart called Wallace "insane" for saying that Stewart's earlier comparison of the marketing techniques of a Sarah Palin campaign video and an anti-herpes medicine ad was a political comment. Stewart also said Fox viewers are the "most consistently misinformed" viewers of political media. This comment was ranked by the fact-checking site, PolitiFact, as false, with conditions. Stewart later accepted his error. In 2014, Stewart engaged in an extended "call-out" of Fox News, based on their coverage of food stamps and U.S. government assistance, opining that said coverage was biased. This culminated in segments across multiple episodes, specifically singling out Sean Hannity and his show's coverage of the Bundy standoff. Hannity would "return fire" by calling out Stewart for associating himself with Cat Stevens during his Rally in 2010. Stewart responded to this by criticizing Hannity for frequently calling Ted Nugent a "friend and frequent guest" on his program and supporting Nugent's violent rhetoric toward Barack Obama and Hillary Clinton in 2007. In late August 2014, Stewart criticized the manner in which Fox News portrayed the events surrounding the shooting of teenager Michael Brown by police officer Darren Wilson in Ferguson, Missouri, and the subsequent protests from citizens. Advocacy of the 9/11 First Responders Bill Over the years, Stewart sometimes used The Daily Show to argue for causes such as the treatment of veterans and 9/11 first responders. He is credited with breaking a Senate deadlock over a bill to provide health care and benefits for 9/11 emergency workers; the bill passed three days after he featured a group of 9/11 responders on the show. In March 2009, he criticized a White House proposal to remove veterans from Veterans Administration rolls if they had private health insurance; the White House dropped the plan the next day. In 2010, Stewart held an interview with a panel of four of the 9/11 first responders Kenny Specht with the FDNY, Chris Bowman NYPD, Ken George DOT, and Kevin Devlin, Operating Engineer of Heavy Equipment, who discussed their health problems with Stewart. In 2015 four months after leaving The Daily Show he returned to reunite the four, with Specht as the only panelist healthy enough to attend. Devlin had died and the two other panelists, Bowman and George, were too ill to make it to the show. In February and June 2019, Stewart again went to Congress to oppose the $7.375 billion limit in pay-outs to 9/11 responders through December 2020 and to lobby for permanent funding for the Victims Compensation Fund past December 2020, delivering a tearful testimony. Stewart continued to be a vocal advocate, appearing on late night shows such as The Late Show with Stephen Colbert, The Daily Show with Trevor Noah, and news programs such as Fox News Sunday with Chris Wallace, and The Fox Report with Shepherd Smith. On July 12, 2019, the House approved the bill overwhelmingly 402–12. The bill came to the Senate floor where it passed the 9/11 Victim Compensation Fund through 2092, virtually funding health care for 9/11 victims and first responders for life. The vote was 97–2 with Republican Senators Rand Paul (KY) and Mike Lee (UT) opposing. When hearing that the bill had been passed, Stewart responded by saying, "It has been the honor of my life working with the 9/11 first responders...these families deserve better...and I will follow you wherever your next adventure shall be". Writers Guild of America strike of 2007–2008 Stewart was an important factor in the unionization of the Comedy Central writers. The Daily Show writers were the first of Comedy Central's writers to be able to join the guild, after which other shows followed. Stewart supported the 2007–08 Writers Guild of America strike. On The Daily Show episode just before the strike, he sarcastically commented about how Comedy Central had made available all episodes for free on their website, but without advertising, and said, "go support our advertisers". The show went on hiatus when the strike began, as did other late-night talk shows. Upon Stewart's return to the show on January 7, 2008, he refused to use the title, The Daily Show, stating that The Daily Show was the show made with all of the people responsible for the broadcast, including his writers. During the strike, he referred to his show as A Daily Show with Jon Stewart until the strike ended on February 13, 2008. Stewart's choice to return to the air did bring criticism that he was undermining the writers of his show. Seth MacFarlane wrote an inside joke into an episode of Family Guy about this, causing Stewart to respond with an hour-long call in which he questioned how MacFarlane could consider himself the "moral arbiter" of Hollywood. Other former writers of The Daily Show such as David Feldman also have indicated that Stewart was anti-union at the time and punished his writers for their decision to unionize. The Writers Guild Strike of 2007–08 also was responsible for a notable mock feud between Stewart, Stephen Colbert, and Conan O'Brien in early 2008. Without writers to help fuel their banter, the three comedians concocted a crossover/rivalry to garner more viewers during the ratings slump. Colbert claimed that because of "the Colbert bump", he was responsible for Mike Huckabee's success in the 2008 presidential race. O'Brien claimed that he was responsible for Huckabee's success because not only had he mentioned Huckabee on his show, but also that he was responsible for Chuck Norris's success (Norris backed Huckabee). In response, Stewart claimed that he was responsible for the success of O'Brien since Stewart had featured him on The Jon Stewart Show, and in turn, the success of Huckabee. This resulted in a three-part comedic battle between the three pundits, with all three appearing on each other's shows. The feud ended on Late Night with Conan O'Brien with a mock brawl involving the three hosts. Influences Stewart has said his influences include George Carlin, Lenny Bruce, Woody Allen, David Letterman, Steve Martin, and Richard Pryor. Among comedians who say they were influenced by Stewart are Stephen Colbert, John Oliver, Hasan Minhaj, Samantha Bee, Larry Wilmore, Bassem Youssef, Trevor Noah, and Jordan Klepper. Personal life Stewart is irreligious, but of Jewish heritage. While making the 1997 film, Wishful Thinking, a production assistant on the film arranged for a blind date between Stewart and Tracey Lynn McShane. They dated for four years. Stewart proposed to her through a personalized crossword puzzle created with the help of Will Shortz, the crossword editor at The New York Times. They married in 2000. On June 19, 2001, Stewart and his wife filed a joint name change application and legally changed both of their surnames to "Stewart". With the help of in vitro fertilization, the couple has two children. In 2000, when he was labelled a Democrat, Stewart generally agreed, but described his political affiliation as "more socialist or independent" than Democratic, and Stewart has voted for Republicans, the last time being in the 1988 presidential election when he voted for George H. W. Bush over Michael Dukakis. He described Bush as having "an integrity about him that I respected greatly". He has been a vocal proponent of single-payer health care system. In 2013, Stewart and his wife bought a farm in Middletown, New Jersey, called "Bufflehead Farm". The Stewarts operate it as a sanctuary for abused animals. In 2015, Stewart began eating a vegetarian diet for ethical reasons; his wife is a long-time vegan. In 2017, Stewart and his wife received approval to open a 45-acre (18 ha) animal sanctuary in Colts Neck, New Jersey, a home to animals saved from slaughterhouses and live markets. Honors and awards Stewart and other members of The Daily Show have received three Peabody Awards for "Indecision 2000" and "Indecision 2004", covering the 2000 presidential election and the 2004 presidential election, respectively. He received his third Peabody in 2016 for his tenure at The Daily Show. The Daily Show received the Primetime Emmy Award for Outstanding Writing for a Variety, Music, or Comedy Program in 2001, 2003, 2004, 2005, 2006, 2009, 2011, 2012, and 2015 and Outstanding Variety, Music, or Comedy Series for 10 consecutive years from 2003 to 2012. In 2013, the award for both categories instead went to The Daily Show spin-off The Colbert Report. In 2015, The Daily Show resurfaced, winning both categories for one last time for Stewart's swan song as host. Stewart won the Grammy Award for Best Comedy Album in 2005 for his recording, America (The Book): A Citizen's Guide to Democracy Inaction. In the December 2003 New Year's edition of Newsweek, Stewart was named the "Who's Next?" person for 2004, with the magazine predicting that he would emerge as an absolute sensation in that year. (The magazine said they had been correct at the end of that year.) Stewart was named among the 2005 Time 100, an annual list of 100 of the most influential people of the year by Time magazine. In 2004, Stewart spoke at the commencement ceremonies at his alma mater, William and Mary, and received an honorary Doctor of Arts degree. Stewart was the Class Day keynote speaker at Princeton University in 2004, and the 2008 Sacerdote Great Names speaker at Hamilton College. Stewart and The Daily Show received the 2005 National Council of Teachers of English (NCTE) George Orwell Award for Distinguished Contribution to Honesty and Clarity in Public Language. Stewart was presented an Honorary All-America Award by the National Soccer Coaches Association of America (NSCAA) in 2006. On April 21, 2009, President of Liberia Ellen Johnson Sirleaf made Stewart a chief. On October 26, 2010, Stewart was named the Most Influential Man of 2010 by AskMen. For his advocacy on behalf of 9/11 victims and families, Stewart was one of eighteen individuals and organizations awarded the Bronze Medallion on December 16, 2019. The Bronze Medallion is the highest award conferred upon civilians by New York City. Filmography Film Television Bibliography Naked Pictures of Famous People (Rob Weisbach Books, 1998). . America (The Book): A Citizen's Guide to Democracy Inaction (Warner Books, September 2004). . Earth (The Book): A Visitor's Guide to the Human Race (Grand Central Publishing, 2010). . See also New Yorkers in journalism Political satire References Further reading David Marchese, "Jon Stewart Is Back to Weigh In", The New York Times Magazine, June 15, 2020. Lisa Rogak, Angry Optimist: The Life and Times of Jon Stewart. New York: Saint Martin's Griffin, 2014. . Bruce Watson, Jon Stewart: Beyond the Moments of Zen. New Word City, 2014. External links The Daily Show profile 1962 births 20th-century American comedians 21st-century American comedians 20th-century American male actors 20th-century American non-fiction writers 21st-century American male actors 21st-century American non-fiction writers American film producers American male comedians American male film actors American male non-fiction writers American male television actors American media critics American people of Belarusian-Jewish descent American people of Polish-Jewish descent American people of Ukrainian-Jewish descent American political commentators American satirists American male screenwriters American religious skeptics American social commentators American stand-up comedians American television talk show hosts American television writers Association footballers not categorized by position Comedians from New York City Criticism of journalism Film directors from New Jersey Film directors from New York City Grammy Award winners Jewish American male comedians Jewish American male actors Jewish American writers Jewish male comedians Late night television talk show hosts Lawrence High School (New Jersey) alumni Living people Male actors from New Jersey Male actors from New York City New Jersey Hall of Fame inductees American male television writers Peabody Award winners People from Lawrence Township, Mercer County, New Jersey Primetime Emmy Award winners Screenwriters from New York (state) Television producers from New York City William & Mary Tribe men's soccer players Writers from New Jersey Writers from New York City 20th-century American male writers 21st-century American male writers Television producers from New Jersey Association football players not categorized by nationality	false	[ "Evangelical Lutherans in Mission (ELIM) was a liberal caucus within the Lutheran Church–Missouri Synod (LCMS). It was formed in 1973 as an oppositional group of clergy following sweeping victories by Jacob Aall Ottesen Preus II (J. A. O. Preus II) and the LCMS's conservative wing, known as Confessional Lutherans, at the synod's 1973 convention in New Orleans. It was not considered a major issue in the LCMS when it began because it originally lacked significant lay support. ELIM gained further momentum in the wake of the 1974 Seminex controversy at Concordia Seminary in St. Louis, Missouri. The organization dedicated a large portion of its resources to supporting the break-away Seminex institution. Only after the Seminex controversy did ELIM begin to gain lay support. However, immediately after the Seminex controversy both the Confessional Lutherans and the ELIM claimed they did not want a schism. But after Preus was easily reelected as president of the LCMS in 1976 ELIM decided to become a confessing movement within the LCMS.\n\nELIM, along with Seminex, did not fully support the Confessional Lutheran doctrine of Sola scriptura (by scripture alone), which states that all doctrine is derived from the Holy Scriptures, and Biblical innerrancy. The fight between the Confessional Lutherans and the liberals, most of whom held membership in ELIM, is commonly referred to as the Battle for the Bible. Confessional Lutherans claimed victory in the Battle for the Bible in that the smaller liberal wing later left the LCMS to join the Association of Evangelical Lutheran Churches. The Confessional Lutherans remaining in the LCMS viewed this victory as reaffirming the confessional nature of their denomination, as established by C. F. W. Walther, Wilhelm Löhe, and F. C. D. Wyneken.\n\nFor several years, ELIM published a newsletter entitled Missouri in Perspective, intended to provide liberal commentary on synodical affairs. Many of the leaders, ministers, and congregations that supported ELIM eventually left the LCMS in 1976 to form the Association of Evangelical Lutheran Churches (AELC), one of the three predecessor churches of the Evangelical Lutheran Church in America (ELCA). The organization survived as a cross-denominational group (composed of AELC and liberal LCMS members) until the ELCA came into existence in 1988.\n\nReferences\n\n20th-century Lutheranism\nLutheran Church–Missouri Synod", "This is a list of major political scandals in the Republic of Ireland:\n\nRepublic of Ireland\n1970s\n Arms Crisis\n Dublin and Monaghan bombings collusion controversy\n\n1980s\n Journalist phone tapping scandal\n Kerry babies incident\n\n1990s\n Iraq beef export credit insurance controversy\n Hepatitis C contamination of the blood product Anti-D controversy\n Infection of hemophiliacs with HIV and Hepatitis C from contaminated blood products\n Planning corruption (Mahon and Flood tribunals)\n Ben Dunne/Ansbacher controversy, see also: the Moriarty tribunal\n\n2000s\n Shooting of John Carthy by the Garda ERU\n Army deafness claims\n Haughey/Lowry corruption allegations\n Payments to Bertie Ahern controversy\n FÁS expenses scandal\n Anglo Irish Bank irregularities in loans to directors\n Anglo Irish Bank circular transactions controversy\n Corrib gas controversy\n\n2010s\n\n U.S. vulture fund Section 110 SPV tax avoidance scandal\n Garda whistleblower scandal\nCervicalCheck cancer scandal\n\n2020s\n\n Oireachtas Golf Society scandal\n Mother and Baby Homes Commission of Investigation\n Department of Health autism dossiers scandal\n Katherine Zappone controversy\n Mica scandal\n\n+" ]
[ "Jon Stewart", "Criticism of Fox News", "What happened with the criticism of fox news?", "Stewart has frequently accused Fox News of distorting the news to fit a conservative agenda,", "Did this become a major controversy?", "the meanest sorority in the world." ]	C_92a7f3853e814cb097eec281eee22435_1	Was it true that Fox News was actually distorting the news?	3	Was Jon Stewart's accusations true that Fox News was actually distorting the news?	Jon Stewart	Throughout his tenure on The Daily Show, Stewart has frequently accused Fox News of distorting the news to fit a conservative agenda, at one point ridiculing the network as "the meanest sorority in the world." In November 2009, Stewart called out Fox News for using some footage from a previous Tea Party rally during a report on a more recent rally, making the latter event appear more highly attended than it actually was. The show's anchor, Sean Hannity, apologized for the footage use the following night. A month later, Stewart criticized Fox & Friends cohost Gretchen Carlson - a former Miss America and a Stanford graduate - for claiming that she googled words such as "ignoramus" and "czar". Stewart said that Carlson was dumbing herself down for "an audience who sees intellect as an elitist flaw". Stewart stepped up his criticism of Fox News in 2010; as of April 24, The Daily Show had 24 segments criticizing Fox News' coverage. Bill O'Reilly, host of the talk show The O'Reilly Factor on Fox News, countered that The Daily Show was a "key component of left-wing television" and that Stewart loved Fox News because the network was "not boring". During an interview with Chris Wallace on June 19, 2011, Stewart called Wallace "insane" after Wallace said that Stewart's earlier comparison of a Sarah Palin campaign video and an anti-herpes medicine ad was a political comment. Stewart also said Fox viewers are the "most consistently misinformed" viewers of political media. This comment was ranked by fact-checking site PolitiFact as false, with conditions. Stewart later accepted his error. In 2014, Stewart engaged in an extended "call-out" of Fox News based on their perceived hypocritical coverage of food stamps and U.S. Government assistance. This culminated during the Bundy standoff involving multiple segments, across multiple episodes, specifically singling out Sean Hannity and Hannity's coverage of the event. Hannity would "return fire" by calling out Stewart for associating himself with Cat Stevens during his Rally in 2010. Stewart responded to this by calling out Hannity for frequently calling Ted Nugent a "friend and frequent guest" on his program and supporting Nugent's violent rhetoric towards Barack Obama and Hillary Clinton in 2007. In late August 2014, Stewart vehemently opposed the manner in which Fox News portrayed the events surrounding the shooting of teenager Michael Brown by police officer Darren Wilson in Ferguson, Missouri and the subsequent protests from citizens. CANNOTANSWER	Sean Hannity, apologized for the footage use the following night.	Jon Stewart (born Jonathan Stuart Leibowitz; November 28, 1962) is an American comedian, writer, producer, director, political commentator, actor, and television host. He hosted The Daily Show, a satirical news program on Comedy Central, from 1999 to 2015. Stewart now hosts The Problem with Jon Stewart, which premiered September 2021 on Apple TV+. Stewart started as a stand-up comedian but branched into television as host of Short Attention Span Theater for Comedy Central. He went on to host You Wrote It, You Watch It (1992–1993) and then The Jon Stewart Show (1993–1995), both on MTV, until The Jon Stewart Show was retooled, dropped by the network and moved to syndication. Stewart has also appeared in several films, including Big Daddy (1999) and Death to Smoochy (2002), but did few cinematic projects after becoming host of The Daily Show in 1999. He also was a writer and co-executive producer of the show. After Stewart joined, The Daily Show steadily gained popularity and critical acclaim, and during his tenure, won 22 Primetime Emmy Awards, two Grammy Awards and also was nominated for news and journalism awards. Stewart hosted the 78th and 80th Academy Awards. He is the co-author of America (The Book): A Citizen's Guide to Democracy Inaction, which was one of the best-selling books in the US in 2004, and Earth (The Book): A Visitor's Guide to the Human Race, released in 2010. Since leaving The Daily Show, Stewart has mostly maintained a low profile in entertainment industry circles, but has used his celebrity and voice in a sustained advocacy for 9/11 first responders, and also for war veterans' health benefits. In 2019 he received the New York City Bronze Medallion for his "tireless advocacy, inspiration, and leadership (helping to) pass the permanent authorization of the September 11th Victim Compensation Fund Act". Early life and education Jon Stewart was born Jonathan Stuart Leibowitz on November 28, 1962, in New York City, to Marian (née Laskin), a teacher and later educational consultant, and Donald Leibowitz, an energy coordinator for the New Jersey Department of the Treasury. Stewart's family members are Jewish immigrants to America from Poland, Ukraine, and Belarus. One of his grandfathers was born in Manzhouli (now part of Inner Mongolia). He is the second of four sons, with older brother Lawrence, and younger brothers Dan and Matthew. Stewart's parents divorced when he was eleven years old, and Stewart was largely estranged from his father. Because of his strained relationship with his father, which in 2015 he described as "still 'complicated'", he dropped his surname and began using his middle name. Stewart stated, "There was a thought of using my mother's maiden name, but I thought that would be just too big a fuck you to my dad... Did I have some problems with my father? Yes. Yet people always view [changing my surname] through the prism of ethnic identity." He had his surname changed legally to Stewart in 2001. Stewart and his brother Lawrence, who was previously the chief operating officer of NYSE Euronext (parent company of the New York Stock Exchange), grew up in Lawrenceville, New Jersey, where they attended Lawrence High School. According to Stewart, he was subjected to anti-Semitic bullying as a child. He describes himself in high school as "very into Eugene Debs and a bit of a leftist." Stewart grew up in the era of the Vietnam War and the Watergate scandal, which inspired in him "a healthy skepticism towards official reports". His first job was working with his brother at a Woolworth's store, and jokingly says being fired by Lawrence was one of the "scarring events" of his youth. He has also credited legendary television producer Norman Lear as someone who "raised me." Stewart graduated in 1984 from The College of William & Mary where he initially majored in chemistry before switching to psychology. While at William & Mary, Stewart became a member of the Pi Kappa Alpha fraternity, but eventually began disassociating himself from them; leaving the fraternity altogether after six months. "My college career was waking up late, memorizing someone else's notes, doing bong hits, and going to soccer practice", he later said. He was a three-year starter in 1981, 1982 and 1983 with the Tribe men's soccer team. He had 10 goals and 12 assists on a squad that went 40–15–9 (.695) in his three seasons with the program. He is listed as Jon Leibowitz in official William & Mary Athletics records. The former head coach of the Tribe men's soccer team from 1971 to 2003, Al Albert, describes Jon as "athletic and feisty and quick" and added that he "wasn't the most technical or clinical player, but he could make things happen." After college, Stewart held numerous jobs: a contingency planner for the New Jersey Department of Human Services, a contract administrator for the City University of New York, a puppeteer for children with disabilities, a soccer coach at Gloucester High School in Virginia, a caterer, a busboy, a shelf stocker at Woolworth's, a bartender at the Franklin Corner Tavern (a local blue-collar bar), and a bartender at the legendary City Gardens in Trenton, New Jersey. He has said that working at City Gardens was a pivotal moment for him: "finding this place City Gardens was like, 'Oh, maybe I'm not a giant weirdo. Maybe there are other people who have a similar sense of yearning for something other than what they have now.' I think it inspired a lot of people, man. It was a very creative environment. It was a place of great possibility." Career Early work With a reputation for being a funny man in school, Jon Stewart returned to New York City in 1986 to try his hand at the comedy club circuit, but he could not muster the courage to get on stage until the following year. He made his stand-up debut at The Bitter End, where one of his comedic idols, Woody Allen, also began. He began using the stage name "Jon Stewart" by dropping his last name and changing the spelling of his middle name "Stuart" to "Stewart". He often jokes this is because people had difficulty with the pronunciation of Leibowitz or it "sounded too Hollywood" (a reference to Lenny Bruce's joke on the same theme). He has implied that the name change was due to a strained relationship with his father, with whom Stewart no longer had any contact. Stewart became a regular at the Comedy Cellar, where he was the last performer every night. For two years, he would perform at 2 a.m. while developing his comedic style. In 1989, Stewart landed his first television job as a writer for Caroline's Comedy Hour. In 1990, he began co-hosting Comedy Central's Short Attention Span Theater, with Patty Rosborough. In 1992, Stewart hosted the short-lived You Wrote It, You Watch It on MTV, which invited viewers to send in their stories to be acted out by the comedy troupe, The State. Stewart relates that his career did not take off until his March 6, 1992, appearance on NBC's Late Night with David Letterman. He was considered a finalist to take over Letterman's position upon his departure from the program, but instead, it was given to relatively unknown Conan O'Brien. He co-hosted MTV Spring Break '93 Blind Date from Daytona Beach with Melissa Rivers. The Jon Stewart Show Later in 1993, Stewart developed The Jon Stewart Show, a talk show on MTV, which was later dropped by the network and was syndicated for its last two years. The Jon Stewart Show was the first talk show on that network and was an instant hit, becoming the second-highest rated MTV show, behind Beavis and Butt-Head. In 1994, Paramount canceled The Arsenio Hall Show and, with new corporate sibling MTV (through MTV parent Viacom's acquisition of the studio), launched an hour-long syndicated late-night version of The Jon Stewart Show. Many local affiliates had moved Hall's show to 2 a.m. during its decline and Stewart's show inherited such early morning time slots in many cities. Ratings were dismal and the show was canceled in June 1995. Among the fans of the show was David Letterman, who was the final guest of The Jon Stewart Show. Letterman signed Stewart with his production company, Worldwide Pants. Stewart then became a frequent guest host for Tom Snyder on The Late Late Show with Tom Snyder, which was produced by Letterman and aired after the Late Show on CBS. This led to much speculation that Stewart would soon replace Snyder permanently, but instead, Stewart was offered the time slot after Snyder's, which he turned down. In 1996 Stewart hosted a short-lived talk show entitled, Where's Elvis This Week?, that was a half-hour, weekly comedy television program. It aired on Sunday nights in the United Kingdom on BBC Two. It was filmed at the CBS Broadcast Center in New York City and featured a set of panelists, two from the UK and two from the United States, who discussed news items and cultural issues. The show premiered in the UK on October 6, 1996; five episodes aired in total. Notable panelists included Dave Chappelle, Eddie Izzard, Phill Jupitus, Nora Ephron, Craig Kilborn, Christopher Hitchens, Armando Iannucci, Norm Macdonald, and Helen Gurley Brown. In 1997, Stewart was chosen as the host and interviewer for George Carlin's tenth HBO special, 40 Years of Comedy. The Daily Show In 1998, when Craig Kilborn left the show to replace Tom Snyder on The Late Late Show, Stewart began hosting The Daily Show on Comedy Central. The Daily Show blends humor with the day's top news stories, usually in politics, while simultaneously poking fun at politicians, newsmakers, and the news media. In an interview on The O'Reilly Factor, Stewart denied the show has any intentional political agenda, saying the goal was "schnicks and giggles" and that "[t]he same weakness that drove me into comedy also informs my show", meaning that he was uncomfortable talking without hearing the audience laugh. In his first Daily Show on-air appearance on January 11, 1999, Stewart told his guest that evening, Michael J. Fox, that he felt as if "this is my bar mitzvah". His style was described by one critic as, "Stewart does not offer us cynicism for its own sake, but as a playful way to offer the kinds of insights that are not permitted in more serious news formats that slavishly cling to official account of events." Until Trevor Noah permanently took over the show in 2015, Stewart hosted almost all airings of the program, except for a few occasions when correspondents such as Stephen Colbert, Rob Corddry, Jason Jones, and Steve Carell subbed for him, and during John Oliver's stint as host during the summer of 2013. Stewart won twenty Primetime Emmy Awards for The Daily Show as either a writer or producer, and two for producing The Colbert Report (2013–14), earning a total of twenty-two Primetime Emmy Awards, the most wins for a male individual. In 2005, Stewart and The Daily Show received the Grammy Award for Best Comedy Album for the audiobook edition of America (The Book): A Citizen's Guide to Democracy Inaction. In 2000 and 2004, the show won two Peabody Awards for its coverage of the U.S. presidential elections in those years, called "Indecision 2000" and "Indecision 2004", respectively. The show of September 20, 2001, the first show after the attacks of September 11th, 2001, began with no introduction. Before this, the introduction included footage of a fly-in toward the World Trade Center and New York City. The first nine minutes of the show included a tearful Stewart discussing his personal view on the event. His remarks ended as follows: In mid-2002, amid rumors that David Letterman was going to switch from CBS to ABC when his contract ran out, Stewart was rumored as Letterman's replacement on CBS. Ultimately, Letterman renewed his contract with CBS. On the March 9, 2002, episode of Saturday Night Live, hosted by Stewart, a Weekend Update sketch poked fun at the situation. In late 2002, ABC offered Stewart his own talk show to air right after Nightline. Stewart's contract with The Daily Show was near expiring, and he expressed strong interest. ABC, however, decided to give another Comedy Central figure, Jimmy Kimmel, the post-Nightline slot. On April 4, 2006, Stewart confronted U.S. Senator John McCain (R-AZ) on The Daily Show about his decision to appear at Liberty University, an institution founded by Jerry Falwell whom McCain previously had denounced as one of the "agents of intolerance". In the interchange, Stewart asked McCain, "You're not freaking out on us? Are you freaking out on us, because if you're freaking out ... and you're going into the crazy base world—are you going into crazy base world?" McCain replied, "Just– just– just a little" and "I'm afraid so." The clip was played on CNN, was noted and discussed in more detail in the blogosphere and was followed up on in the mainstream media. In 2007, The Daily Show was involved in former correspondent Stephen Colbert's announcement that he would run for president in 2008. In 2008, Stewart appeared on the news program Democracy Now!. A 2008 New York Times story questioned whether he was, in a phrase originally used to describe longtime network news anchor Walter Cronkite, "the most trusted man in America". On April 28, 2009, during a discussion on torture with Clifford May, Stewart expressed his opinion that former President Harry S. Truman was a war criminal for his use of the atomic bomb on Japan during World War II. He defended his assertion moments later: "Here's what I think of the atom bombs. I think if you dropped an atom bomb fifteen miles offshore and you said, 'The next one's coming and hitting you', then I would think it's okay. To drop it on a city, and kill a hundred thousand people? Yeah. I think that's criminal." On April 30, Stewart apologized on his program, and stated he did not believe Truman was a war criminal: "I shouldn't have said that, and I did. So I say right now, no, I don't believe that to be the case. The atomic bomb, a very complicated decision in the context of a horrific war, and I walk that back because it was in my estimation a stupid thing to say." In April 2010, Comedy Central renewed Stewart's contract to host The Daily Show into 2013. According to a Forbes list of celebrities in 2008, he was earning $14 million a year. On September 16, 2010, Stewart and Stephen Colbert announced a rally for October 30, known as the Rally to Restore Sanity and/or Fear. It took place on the National Mall in Washington, D.C. and attracted an estimated 215,000 participants. In December 2010, Stewart was credited by the White House, other media, and political news outlets for bringing awareness of the Republican filibuster on the James Zadroga 9/11 Health and Compensation Act to the public, leading to the ultimate passing of the bill that provides health benefits to first responders whose health has been adversely affected by their work at Ground Zero. On the show of January 10, 2011, Stewart began with a monologue about the shootings in Tucson, Arizona. He said he wished the "ramblings of crazy people didn't in any way resemble how we actually talk to each other on television". Before a commercial break, Stewart told viewers that the show would continue as usual the next night. After the commercial break, the show featured a rerun of a field piece done by Jason Jones two years earlier. The New York Times opined that Stewart is "the modern-day equivalent of Edward R. Murrow" and the UK national newspaper The Independent called him the "satirist-in-chief". In an interview, Senator John McCain described Stewart as "a modern-day Will Rogers and Mark Twain". Writer Wyatt Cenac said that Stewart cursed him out after Cenac acknowledged he was uncomfortable about a June 2011 Daily Show bit about Republican presidential candidate Herman Cain (reported in July 2015). In March 2013, it was announced that Stewart would be taking a 12-week hiatus from The Daily Show to direct the film Rosewater, which is based on the book Then They Came for Me by Maziar Bahari. Beginning June 10, 2013, The Daily Show correspondent John Oliver assumed primary hosting duties during Stewart's break. The TV Guide annual survey for 2013 star salaries showed that Stewart was the highest-paid late night host, making an estimated $25–30 million per year. On July 14, 2014, Stewart interviewed Hillary Clinton about the Middle East. Clinton's condemnations of Hamas led Stewart to ask her: "But don't you think they would look at that though as, they've given a lot of different things a chance and these are the only guys to them that are giving any resistance to what their condition is?" For Gazans living in that situation, he said Hamas could be viewed as "freedom fighters". Leaving The Daily Show During a taping of the show on February 10, 2015, Stewart announced he was leaving The Daily Show. Comedy Central president Michele Ganeless confirmed Stewart's retirement with a statement. Later, it was announced that South African comedian Trevor Noah would succeed Stewart as the host of the show. On April 20, 2015, Stewart indicated that his final show would be on August 6, 2015. On July 28, 2015, Darren Samuelsohn of Politico reported that twice, Stewart had been at the White House for previously unreported meetings with President Obama: once in October 2011 and once in February 2014. Michael D. Shear of The New York Times also picked up on the story. Stewart responded on his show by pointing out that the meetings were listed in the president's publicly available visitor log and that he has been asked to meet privately by many prominent individuals, including Roger Ailes of Fox News. He said Obama encouraged him not to make young Americans cynical about their government and Stewart said that his reply was that he was "skeptically idealistic". On June 19, 2015, in the wake of the Charleston Church Shooting, Stewart decided not to write jokes for the opening monologue. Elaborating on his decision, Stewart stated, "I honestly have nothing other than just sadness". Stewart spoke about the racial disparity and injustices in America, saying "The Confederate flag flies over South Carolina ... and the roads are named for Confederate generals" describing it as "racial wallpaper". Instead he designated a large portion of the show to his guest that night Malala Yousafzai, calling her "an incredible inspiration," and that "to be quite honest with you, I don't think there's anyone else in the world I would rather talk to tonight than Malala: So that's what we're going to do. And sorry about no jokes." On August 5, 2015, Stewart's friend of 30 years, comedian Louis C.K., was selected to be the last guest before the final Daily Show episode with Stewart helming the show. C.K. joked that he was there "representing comedy to say good job". The hour-long-plus final Daily Show on August 6 featured reunions with former correspondents Stephen Colbert, Steve Carell, John Oliver, Samantha Bee, Hasan Minhaj, Ed Helms, Kristen Schaal, Larry Wilmore, Jessica Williams, Aasif Mandvi, Lewis Black, John Hodgman, Rob Corddry, Olivia Munn, Josh Gad, Michael Che, and Mo Rocca and cameo video clips from people Stewart had targeted over the years, including Hillary Clinton, John McCain, Lindsey Graham, Chris Christie, John Kerry, Chuck Schumer, Bill O'Reilly, Wolf Blitzer, Joe Scarborough, and Mika Brzezinski. During the final episode, there was a pre-taped behind-the-scenes look at the show spoofing the long-take Copacabana scene from Goodfellas, featuring a brief appearance by Martin Scorsese. It concluded with a performance by Bruce Springsteen and the E Street Band. Post-Daily Show In November 2015, it was announced that Stewart signed a four-year deal with HBO that would include exclusive digital content for HBO NOW, HBO Go, and other platforms. HBO programming president Casey Bloys has said that "the idea is it will be an animated parody of a cable news network with an Onion-like portal." The team began working with the cloud graphics company, OTOY, to build a system for creating content. Confirmed to be working on the project included Mike Brown, Steve Waltien, Chelsea Devantez, Lucy Steiner, Kate James, and Robby Slowik. The team tested material in Red Bank, New Jersey at The Count Basie Theatre Performing Arts Academy. The show's premiere was moved several times, from fall 2016, to the first quarter of 2017, and then cancelled on May 23, 2017. The cancelation statement read: After his contract with HBO ended, Stewart signed a multi-year show deal with Apple. On September 30, 2021, Stewart's new series, The Problem with Jon Stewart, premiered on AppleTV. The series features hour-long, single-subject episodes. In addition to hosting the show, Stewart serves as executive producer through his company, Busboy Productions. Writing In 1998, Stewart released his first book, Naked Pictures of Famous People, a collection of humorous short stories and essays. The book reached The New York Times Best Seller List. In 2004, Stewart and The Daily Show writing staff released, America (The Book): A Citizen's Guide to Democracy Inaction, a mock high-school history textbook offering insights into the unique American system of government, dissecting its institutions, explaining its history and processes, and satirizing such popular American political precepts as, "one man, one vote", "government by the people", and "every vote counts". The book sold millions of copies upon its 2004 release and ended the year as a top-fifteen best seller. In 2005, Stewart provided the voice of President James A. Garfield for the audiobook version of Sarah Vowell's Assassination Vacation. In 2007, Stewart voiced Mort Sinclaire, former TV comedy writer and communist, on Stephen Colbert's audiobook version of I Am America (And So Can You!). In 2010, Stewart and The Daily Show writing staff released a sequel to their first book entitled, Earth (The Book): A Visitor's Guide to the Human Race. The book is meant to serve as a Baedeker travel guide for an alien civilization that discovers Earth after humanity has died out, most likely by its own hands. In March 2012, Stewart interviewed Bruce Springsteen for Rolling Stone. Acting Stewart's first film role was a bit part in the box-office bomb, Mixed Nuts. He landed a minor part in The First Wives Club, but his scene was deleted. In 1995, Stewart signed a three-year deal with Miramax. Stewart played romantic leads in the films, Playing by Heart and Wishful Thinking. He had a supporting role in the romantic comedy, Since You've Been Gone and in the horror film, The Faculty. Other films were planned for Stewart to write and star in, but they never were produced. Stewart maintained a relationship with Miramax founders Harvey and Bob Weinstein and appeared in films they produced including, Jay and Silent Bob Strike Back, Doogal, and the documentary, Wordplay. He appeared in Half Baked as an "enhancement smoker" and in Big Daddy as Adam Sandler's roommate; he has joked on the Daily Show and in the documentary The Aristocrats that to get the role, he slept with Sandler. Stewart often makes fun of his appearances in the high-profile flop, Death to Smoochy, in which he played a treacherous television executive; and the animated film Doogal, where he played a blue spring named Zeebad who shot a freeze ray from his mustache. In 2007, Stewart made a cameo appearance as himself in Evan Almighty, which starred former Daily Show correspondent Steve Carell. In the movie, Stewart was seen on a television screen in a fictional Daily Show episode poking fun at Carell's character for building an ark. Stewart had a recurring role in The Larry Sanders Show, playing himself as an occasional substitute and possible successor to late-night talk show host Larry Sanders (played by Garry Shandling). In 1998, Stewart hosted the television special, Elmopalooza, celebrating 30 years of Sesame Street. He has guest-starred on other sitcoms including The Nanny, Dr. Katz, Professional Therapist, Spin City, NewsRadio, American Dad!, and The Simpsons. He also has made guest appearances on the children's television series Between the Lions, Sesame Street, Jack's Big Music Show, and Gravity Falls. Producing In the mid-1990s, Stewart launched his own production company, Busboy Productions, naming the company in reference to his previous job as a busboy. Stewart signed a deal with Miramax to develop projects through his company, but none of his ideas have been produced. After Stewart's success as host and producer of The Daily Show, he revived Busboy Productions with Daily Show producers Ben Karlin and Rich Korson. In 2002, Busboy planned to produce a sitcom for NBC starring Stephen Colbert, but the show did not come to fruition. In 2005, Comedy Central reached an agreement with Busboy in which Comedy Central would provide financial backing for the production company. Comedy Central has a first-look agreement on all projects, after which Busboy is free to shop them to other networks. The deal spawned the Daily Show spin-off The Colbert Report and its replacement, The Nightly Show with Larry Wilmore. Other projects include the sitcom pilot Three Strikes, the documentary Sportsfan, the series Important Things with Demetri Martin, and the film The Donor. After Stewart's departure from The Daily Show, he was listed as an executive producer on The Late Show with Stephen Colbert. In addition, Stewart has presented occasional comedic monologues filled with political and media commentary. In July 2017, HBO announced Stewart would produce a stand-up comedy special for the network, his first stand-up special since 1996. Directing In March 2010, Stewart announced that he had optioned rights to the story of journalist Maziar Bahari, who was imprisoned in Iran for 118 days. On June 6, 2011, episode of The Daily Show, Stewart again hosted Bahari, and in March 2013, he announced that he was leaving the show for 12 weeks to direct the film version of Bahari's 2011 book, Then They Came For Me. Stewart's screenplay adaptation is entitled, Rosewater. It premiered at the September 2014 Toronto International Film Festival, receiving "generally favorable" reviews, and was released to general audiences on November 14, 2014. On directing, Stewart noted on Employee of the Month that The Daily Show influenced his directing process more than his acting gigs did. He said, "It's about the collaboration. It's about understanding. Doing a show taught me this process of clarity of vision, but the flexibility of process. So know your intention, know where you're wanting to go with the scene with the way that you want it to go, the momentum shifts, the emphasis, where you want it to be." He also expressed interest in directing more films. Stewart directed the political satire Irresistible, released in June 2020, which follows a demoralized Democratic strategist (played by Daily Show alumnus Steve Carell), who helps a retired veteran (Chris Cooper) run for mayor in a small, blue collar town in Wisconsin. Hosting and public speaking Stewart has hosted the Grammy Awards twice, in 2001 and in 2002, and the 78th Academy Awards, which were held March 5, 2006, at the Kodak Theatre in Hollywood. Critical response to Stewart's performance was mixed. Roger Ebert compared him favorably to legendary Oscar host Johnny Carson. Other reviewers were less positive; Tom Shales of The Washington Post said that Stewart hosted with "smug humorlessness". James Poniewozik of TIME said that Stewart was a bad host, but a great "anti-host" in that he poked fun at parts of the broadcast that deserved it, which lent him a degree of authenticity with the non-Hollywood audience. Stewart and correspondent John Oliver later poked fun at his lackluster reception on The Daily Show coverage of the 79th Academy Awards by saying that the "demon of last year's Oscars had finally been exorcised". Stewart returned to host the 80th Academy Awards on February 24, 2008. The reception to his performance was better received. Matthew Gilbert of the Boston Globe felt the ceremony was average, but praised Stewart, writing that, "It was good to see Jon Stewart being Jon Stewart. He is shaping up to be a dependable Oscar host for the post-Billy Crystal years. He's not musical, but he's versatile enough to swing smoothly between jokes about politics, Hollywood, new media, and, most importantly, hair." Variety columnist Brian Lowry lauded Stewart's performance noting that he "earned his keep by maintaining a playful, irreverent tone throughout the night, whether it was jesting about Cate Blanchett's versatility or watching Lawrence of Arabia on an iPhone screen. In December 2009, Stewart gave a speech at the John F. Kennedy Center for the Performing Arts honoring Bruce Springsteen, one of that year's Kennedy Center Honors recipients, and of whom Stewart is a fan. Stewart gave another speech paying tribute to Springsteen in February 2013 as part of the singer's MusiCares Person of the Year award ceremony. Stewart began a comedic feud with WWE wrestler Seth Rollins in March 2015, and appeared on WWE Raw during a Daily Show-styled segment hosted by Rollins. On August 23, 2015, Stewart returned to host the WWE's SummerSlam at the Barclays Center in Brooklyn, New York. Later, he got involved in the main event between Rollins and John Cena, helping Rollins retain his WWE World Heavyweight Championship, as well as winning Cena's United States Championship when he interfered and hit Cena with a steel chair. The next night on Raw, he explained his actions, saying he did it for Ric Flair (who was also present), which was to retain his world championship record. Cena then gave Stewart his finishing move, the Attitude Adjustment, to end the segment. Stewart returned at SummerSlam on August 21, 2016, as a special guest. In 2016, Stewart joined President Barack Obama, Michelle Obama, Vice President Joe Biden, Jill Biden, and David Letterman in honoring military families on May 5 at Joint Base Andrews, Maryland. The special celebration which marked both the USO's 75th anniversary and the fifth anniversary of Joining Forces. Stewart got into a Twitter war with then-presidential candidate Donald Trump, who in multiple tweets stated that Stewart's changing his name indicated that he was a fraud. Stewart and some analysts considered this to be anti-Semitic. Trump then tweeted that Stewart should be "proud of his heritage", and Stewart tweeted back, facetiously, that Trump's real name was "Fuckface Von Clownstick" and that Trump should be proud of the "Clownstick heritage". In June 2017, Stewart spoke at the funeral service for Ray Pfeifer, an FDNY firefighter from Hicksville, New York, who died after an eight-year battle with cancer as a result of service as a first responder at the September 11 attacks. Criticism of television journalists Stewart is known as an outspoken, humorous critic of personality-driven media shows, in particular, those of the U.S. media broadcast networks such as CNN, Fox News, and MSNBC. Critics say Stewart benefits from a double standard: he critiques other news shows from the safe, removed position of his "news satire" desk; Stewart asserts that neither his show nor Comedy Central purport to be anything other than satire and comedy. Crossfire appearance In a televised exchange with then-CNN correspondent Tucker Carlson on Crossfire on October 15, 2004, Stewart criticized the state of television journalism and pleaded with the show's hosts to "stop hurting America", and he referred to both Carlson and co-host Paul Begala as "partisan hacks". When posted on the internet, this exchange became widely viewed and was a topic of much media discussion. Despite being on the program to comment on current events, Stewart immediately shifted the discussion toward the show itself, asserting that Crossfire had failed in its responsibility to inform and educate viewers about politics as a serious topic. Stewart stated that the show engaged in partisan hackery instead of honest debate, and said that the hosts' assertion that Crossfire is a debate show is like "saying pro wrestling is a show about athletic competition". Carlson responded by saying that Stewart criticizes news organizations for not holding public officials accountable, but when he interviewed John Kerry, Stewart asked a series of "softball" questions (Stewart has acknowledged he voted for Kerry in the 2004 presidential election). Stewart responded that he didn't realize "the news organizations look to Comedy Central for their cues on integrity". When Carlson continued to press Stewart on the Kerry issue, Stewart said, "You're on CNN! The show that leads into me is puppets making crank phone calls! What is wrong with you?" In response to prods from Carlson, "Come on. Be funny." Stewart said, "No, I'm not going to be your monkey." Later in the show when Carlson jibed, "I do think you're more fun on your show", Stewart retorted, "You're as big a dick on your show as you are on any show." In response to Stewart's criticisms, Carlson said, "You need to get a job at a journalism school", to which Stewart responded, "You need to go to one!" Stewart discussed the incident on The Daily Show the following Monday: In January 2005, CNN announced that it was canceling Crossfire. When asked about the cancellation, CNN's incoming president, Jonathan Klein, referred to Stewart's appearance on the show: "I think he made a good point about the noise level of these types of shows, which does nothing to illuminate the issues of the day." On March 18, 2009, Carlson wrote a blog entry for The Daily Beast criticizing Stewart for his handling of the CNBC controversy (see below). Carlson discussed the CNN incident and claimed that Stewart remained backstage for at least "an hour" and "continued to lecture our staff", something Carlson described as, "one of the weirdest things I have ever seen". Criticism of CNBC Stewart again became a viral internet phenomenon following a March 4, 2009, The Daily Show sequence. CNBC canceled Rick Santelli's scheduled appearance on The Daily Show that day, so the show ran a short segment showing CNBC giving poor investment advice. Subsequent media coverage of exchanges between Stewart and Jim Cramer, who had been featured heavily in the original segment, led to a highly anticipated face-to-face confrontation on The Daily Show. The episode received much media attention and became the second most-viewed episode of The Daily Show, trailing only the 2009 Inauguration Day episode. It had 2.3 million total viewers, and the next day, the show's website saw its highest day of traffic in 2009. Although Cramer acknowledged on the show that some of Stewart's criticisms of CNBC were valid and that the network could "do better", he later said on The Today Show that Stewart's criticism of the media was "naïve and misleading." Criticism of Fox News Throughout his tenure on The Daily Show, Stewart frequently accused Fox News of distorting the news to fit a conservative agenda, at one point ridiculing the network as "the meanest sorority in the world". In November 2009, Stewart "called out" Fox News for using some footage from a previous Tea Party rally during a report on a more recent rally, making the latter event appear more highly attended than it was. The show's anchor, Sean Hannity, apologized for the footage use the following night. A month later, Stewart criticized Fox & Friends cohost Gretchen Carlson – a former Miss America and a Stanford graduate – for claiming that she googled words such as "ignoramus" and "czar". Stewart said that Carlson was dumbing herself down for "an audience who sees intellect as an elitist flaw". Stewart stepped up his criticism of Fox News in 2010; within five months, The Daily Show had 24 segments criticizing the Fox News coverage. Bill O'Reilly, host of the talk show The O'Reilly Factor on Fox News, countered that The Daily Show was a "key component of left-wing television" and that Stewart loved Fox News because the network was "not boring". During an interview with Chris Wallace on June 19, 2011, Stewart called Wallace "insane" for saying that Stewart's earlier comparison of the marketing techniques of a Sarah Palin campaign video and an anti-herpes medicine ad was a political comment. Stewart also said Fox viewers are the "most consistently misinformed" viewers of political media. This comment was ranked by the fact-checking site, PolitiFact, as false, with conditions. Stewart later accepted his error. In 2014, Stewart engaged in an extended "call-out" of Fox News, based on their coverage of food stamps and U.S. government assistance, opining that said coverage was biased. This culminated in segments across multiple episodes, specifically singling out Sean Hannity and his show's coverage of the Bundy standoff. Hannity would "return fire" by calling out Stewart for associating himself with Cat Stevens during his Rally in 2010. Stewart responded to this by criticizing Hannity for frequently calling Ted Nugent a "friend and frequent guest" on his program and supporting Nugent's violent rhetoric toward Barack Obama and Hillary Clinton in 2007. In late August 2014, Stewart criticized the manner in which Fox News portrayed the events surrounding the shooting of teenager Michael Brown by police officer Darren Wilson in Ferguson, Missouri, and the subsequent protests from citizens. Advocacy of the 9/11 First Responders Bill Over the years, Stewart sometimes used The Daily Show to argue for causes such as the treatment of veterans and 9/11 first responders. He is credited with breaking a Senate deadlock over a bill to provide health care and benefits for 9/11 emergency workers; the bill passed three days after he featured a group of 9/11 responders on the show. In March 2009, he criticized a White House proposal to remove veterans from Veterans Administration rolls if they had private health insurance; the White House dropped the plan the next day. In 2010, Stewart held an interview with a panel of four of the 9/11 first responders Kenny Specht with the FDNY, Chris Bowman NYPD, Ken George DOT, and Kevin Devlin, Operating Engineer of Heavy Equipment, who discussed their health problems with Stewart. In 2015 four months after leaving The Daily Show he returned to reunite the four, with Specht as the only panelist healthy enough to attend. Devlin had died and the two other panelists, Bowman and George, were too ill to make it to the show. In February and June 2019, Stewart again went to Congress to oppose the $7.375 billion limit in pay-outs to 9/11 responders through December 2020 and to lobby for permanent funding for the Victims Compensation Fund past December 2020, delivering a tearful testimony. Stewart continued to be a vocal advocate, appearing on late night shows such as The Late Show with Stephen Colbert, The Daily Show with Trevor Noah, and news programs such as Fox News Sunday with Chris Wallace, and The Fox Report with Shepherd Smith. On July 12, 2019, the House approved the bill overwhelmingly 402–12. The bill came to the Senate floor where it passed the 9/11 Victim Compensation Fund through 2092, virtually funding health care for 9/11 victims and first responders for life. The vote was 97–2 with Republican Senators Rand Paul (KY) and Mike Lee (UT) opposing. When hearing that the bill had been passed, Stewart responded by saying, "It has been the honor of my life working with the 9/11 first responders...these families deserve better...and I will follow you wherever your next adventure shall be". Writers Guild of America strike of 2007–2008 Stewart was an important factor in the unionization of the Comedy Central writers. The Daily Show writers were the first of Comedy Central's writers to be able to join the guild, after which other shows followed. Stewart supported the 2007–08 Writers Guild of America strike. On The Daily Show episode just before the strike, he sarcastically commented about how Comedy Central had made available all episodes for free on their website, but without advertising, and said, "go support our advertisers". The show went on hiatus when the strike began, as did other late-night talk shows. Upon Stewart's return to the show on January 7, 2008, he refused to use the title, The Daily Show, stating that The Daily Show was the show made with all of the people responsible for the broadcast, including his writers. During the strike, he referred to his show as A Daily Show with Jon Stewart until the strike ended on February 13, 2008. Stewart's choice to return to the air did bring criticism that he was undermining the writers of his show. Seth MacFarlane wrote an inside joke into an episode of Family Guy about this, causing Stewart to respond with an hour-long call in which he questioned how MacFarlane could consider himself the "moral arbiter" of Hollywood. Other former writers of The Daily Show such as David Feldman also have indicated that Stewart was anti-union at the time and punished his writers for their decision to unionize. The Writers Guild Strike of 2007–08 also was responsible for a notable mock feud between Stewart, Stephen Colbert, and Conan O'Brien in early 2008. Without writers to help fuel their banter, the three comedians concocted a crossover/rivalry to garner more viewers during the ratings slump. Colbert claimed that because of "the Colbert bump", he was responsible for Mike Huckabee's success in the 2008 presidential race. O'Brien claimed that he was responsible for Huckabee's success because not only had he mentioned Huckabee on his show, but also that he was responsible for Chuck Norris's success (Norris backed Huckabee). In response, Stewart claimed that he was responsible for the success of O'Brien since Stewart had featured him on The Jon Stewart Show, and in turn, the success of Huckabee. This resulted in a three-part comedic battle between the three pundits, with all three appearing on each other's shows. The feud ended on Late Night with Conan O'Brien with a mock brawl involving the three hosts. Influences Stewart has said his influences include George Carlin, Lenny Bruce, Woody Allen, David Letterman, Steve Martin, and Richard Pryor. Among comedians who say they were influenced by Stewart are Stephen Colbert, John Oliver, Hasan Minhaj, Samantha Bee, Larry Wilmore, Bassem Youssef, Trevor Noah, and Jordan Klepper. Personal life Stewart is irreligious, but of Jewish heritage. While making the 1997 film, Wishful Thinking, a production assistant on the film arranged for a blind date between Stewart and Tracey Lynn McShane. They dated for four years. Stewart proposed to her through a personalized crossword puzzle created with the help of Will Shortz, the crossword editor at The New York Times. They married in 2000. On June 19, 2001, Stewart and his wife filed a joint name change application and legally changed both of their surnames to "Stewart". With the help of in vitro fertilization, the couple has two children. In 2000, when he was labelled a Democrat, Stewart generally agreed, but described his political affiliation as "more socialist or independent" than Democratic, and Stewart has voted for Republicans, the last time being in the 1988 presidential election when he voted for George H. W. Bush over Michael Dukakis. He described Bush as having "an integrity about him that I respected greatly". He has been a vocal proponent of single-payer health care system. In 2013, Stewart and his wife bought a farm in Middletown, New Jersey, called "Bufflehead Farm". The Stewarts operate it as a sanctuary for abused animals. In 2015, Stewart began eating a vegetarian diet for ethical reasons; his wife is a long-time vegan. In 2017, Stewart and his wife received approval to open a 45-acre (18 ha) animal sanctuary in Colts Neck, New Jersey, a home to animals saved from slaughterhouses and live markets. Honors and awards Stewart and other members of The Daily Show have received three Peabody Awards for "Indecision 2000" and "Indecision 2004", covering the 2000 presidential election and the 2004 presidential election, respectively. He received his third Peabody in 2016 for his tenure at The Daily Show. The Daily Show received the Primetime Emmy Award for Outstanding Writing for a Variety, Music, or Comedy Program in 2001, 2003, 2004, 2005, 2006, 2009, 2011, 2012, and 2015 and Outstanding Variety, Music, or Comedy Series for 10 consecutive years from 2003 to 2012. In 2013, the award for both categories instead went to The Daily Show spin-off The Colbert Report. In 2015, The Daily Show resurfaced, winning both categories for one last time for Stewart's swan song as host. Stewart won the Grammy Award for Best Comedy Album in 2005 for his recording, America (The Book): A Citizen's Guide to Democracy Inaction. In the December 2003 New Year's edition of Newsweek, Stewart was named the "Who's Next?" person for 2004, with the magazine predicting that he would emerge as an absolute sensation in that year. (The magazine said they had been correct at the end of that year.) Stewart was named among the 2005 Time 100, an annual list of 100 of the most influential people of the year by Time magazine. In 2004, Stewart spoke at the commencement ceremonies at his alma mater, William and Mary, and received an honorary Doctor of Arts degree. Stewart was the Class Day keynote speaker at Princeton University in 2004, and the 2008 Sacerdote Great Names speaker at Hamilton College. Stewart and The Daily Show received the 2005 National Council of Teachers of English (NCTE) George Orwell Award for Distinguished Contribution to Honesty and Clarity in Public Language. Stewart was presented an Honorary All-America Award by the National Soccer Coaches Association of America (NSCAA) in 2006. On April 21, 2009, President of Liberia Ellen Johnson Sirleaf made Stewart a chief. On October 26, 2010, Stewart was named the Most Influential Man of 2010 by AskMen. For his advocacy on behalf of 9/11 victims and families, Stewart was one of eighteen individuals and organizations awarded the Bronze Medallion on December 16, 2019. The Bronze Medallion is the highest award conferred upon civilians by New York City. Filmography Film Television Bibliography Naked Pictures of Famous People (Rob Weisbach Books, 1998). . America (The Book): A Citizen's Guide to Democracy Inaction (Warner Books, September 2004). . Earth (The Book): A Visitor's Guide to the Human Race (Grand Central Publishing, 2010). . See also New Yorkers in journalism Political satire References Further reading David Marchese, "Jon Stewart Is Back to Weigh In", The New York Times Magazine, June 15, 2020. Lisa Rogak, Angry Optimist: The Life and Times of Jon Stewart. New York: Saint Martin's Griffin, 2014. . Bruce Watson, Jon Stewart: Beyond the Moments of Zen. New Word City, 2014. External links The Daily Show profile 1962 births 20th-century American comedians 21st-century American comedians 20th-century American male actors 20th-century American non-fiction writers 21st-century American male actors 21st-century American non-fiction writers American film producers American male comedians American male film actors American male non-fiction writers American male television actors American media critics American people of Belarusian-Jewish descent American people of Polish-Jewish descent American people of Ukrainian-Jewish descent American political commentators American satirists American male screenwriters American religious skeptics American social commentators American stand-up comedians American television talk show hosts American television writers Association footballers not categorized by position Comedians from New York City Criticism of journalism Film directors from New Jersey Film directors from New York City Grammy Award winners Jewish American male comedians Jewish American male actors Jewish American writers Jewish male comedians Late night television talk show hosts Lawrence High School (New Jersey) alumni Living people Male actors from New Jersey Male actors from New York City New Jersey Hall of Fame inductees American male television writers Peabody Award winners People from Lawrence Township, Mercer County, New Jersey Primetime Emmy Award winners Screenwriters from New York (state) Television producers from New York City William & Mary Tribe men's soccer players Writers from New Jersey Writers from New York City 20th-century American male writers 21st-century American male writers Television producers from New Jersey Association football players not categorized by nationality	true	[ "Outfoxed: Rupert Murdoch's War on Journalism is a 2004 documentary film by filmmaker Robert Greenwald about Fox News Channel's and its owner's, Rupert Murdoch, promotion of right-wing views. The film says this bias belies the channel's motto of being \"Fair and Balanced\".\n\nThe documentary had a limited theatrical release, was distributed in DVD format by the political action committee MoveOn.org, and was sold online through Internet retailers such as Amazon.com. MoveOn.org had helped promote the DVD release by taking out a full-page advertisement in The New York Times.\n\nFollowing the release of Outfoxed, Greenwald and Brave New Films produced a related series of anti-Fox viral videos, collectively entitled Fox Attacks.\n\nIn an interview, Greenwald stated his goal in making the film: \"What we set out to do was to show that, in fact, the entire Fox News was not a news organization. The goal was not just to change that narrative but to change the impact that Fox News often had on legitimate journalists.\"\n\nSynopsis\nThe film examines the global growth of Murdoch's media enterprise in the context of concentration of media ownership considerations, and evaluates the effect of having one person in control of a large media conglomerate on freedom of the press.\n\nSome of Outfoxeds coverage includes:\n Review of Fox News's coverage during the lead-up to, and the aftermath of, the 2003 invasion of Iraq.\n Interviews with former Fox News journalists, discussing incidents where Fox News allegedly pressured journalists to slant their reports towards support for the Republican Party.\n Instances where Fox News commentators such as Bill O'Reilly intimidate guests with whom they disagree, such as author and activist Jeremy Glick.\n Studies which claim more airtime and coverage is consistently given to Republican politicians, particularly those in the George W. Bush administration, than to Democrats.\n Examination of whether Fox News' premature result-calling of the 2000 presidential election contributed to George W. Bush officially being elected.\n Scrutiny of Fox News management, including Murdoch and president Roger Ailes, both conservatives, in allegedly controlling the network's content, and editorial control from Murdoch on down allegedly ensuring which stories and issues are covered and the strongly conservative perspective of such coverage.\n\nFormer Fox News journalists appear in the film critiquing the methods and perceived integrity of their former employer. Jon Du Pre, a former reporter for Fox News's West Coast bureau, said that he had been suspended by Fox News management because his live shots from the Ronald Reagan Presidential Library on Ronald Reagan's birthday — which Du Pre described was like a \"holy day\" to Fox News's hierarchy — were not \"celebratory enough.\" A former Fox News military contributor, Larry C. Johnson, said that he was in high demand to give on-air analysis on the \"War on Terrorism\", until he called into question on Hannity & Colmes whether or not the United States could fight two wars (in Afghanistan and Iraq) simultaneously, an incident after which Johnson says he was ignored as a potential Fox News contributor.\n\nParticipants\n Alterman, Eric\n Brock, David\n Cheek, Douglas\n Clarke, Richard A.\n Cohen, Jeff\n Cronkite, Walter\n Du Pre, Jon\n Franken, Al\n Glick, Jeremy\n Nichols, John\n Sanders, Bernie\n Westin, Av\n\nReception\nOutfoxed received positive reviews from critics. On Rotten Tomatoes the film has a score of 85% based on reviews from 60 critics.\n\nVariety reviewer David Rooney wrote that the film \"provides stimulating evidence of how thoroughly news can be skewed, political agendas served and a climate of fear created by a news net selling itself as an objective information service.\" He compares it favorably to Michael Moore's documentary Fahrenheit 9/11, adding that without the \"media spotlight\" that surrounded Moore's film, Outfoxed \"appears unlikely to reach beyond a liberal audience with an already vehement aversion to Fox News' partisan coverage.\"\n\nHoward Kurtz of The Washington Post praised Greenwald's uncovering of \"...a handful of memos from a top Fox executive\", which he argued suggested network bias over the war in Iraq and the investigation of the September 11 attacks. Kurtz was critical of how Greenwald's allegations relied on \"orders, or attitudes, of an unnamed 'they'...\", and was critical of the filmmaker for making \"...no effort at fairness or balance himself.\"\n\nFox News' and Rupert Murdoch's response\nMegan Lehmann wrote in the New York Post, a newspaper owned by Rupert Murdoch's News Corporation, that the movie was a \"narrowly focused, unapologetically partisan documentary,\" and that it \"is so one-sided, it undermines its own integrity.\"\n\nFox News called the film \"illegal copyright infringement\" for its use of clips from Fox News Channel programs.\n\nFox also said the film misrepresented the employment of four people identified as former Fox News employees. Fox News said Alexander Kippen and Frank O'Donnell had actually been employees of WTTG, the Fox owned-and-operated station in Washington, D.C., and not employees of Fox News Channel. It said that Jon Du Pre, identified as a former anchor in the film, had actually been a reporter, and that his contract had not been renewed because he was \"a weak field correspondent and could not do live shots.\" It said that Clara Frenk, identified as a former producer in the film, had actually been a \"pool booker\" who \"expressed no concern about the editorial process\" while employed there. Fox also pointed out that Frenk had been a volunteer for Bill Clinton's 1992 Presidential campaign.\n\nFox News challenged any news organization that thought this was a major story to \"put out 100 percent of their editorial directions and internal memos [and] Fox News Channel will publish 100 percent of our editorial directions and internal memos, and let the public decide who is fair.\"\n\nSee also\n Alternative media (U.S. political right)\n Fox News controversies\n List of documentaries\n Media bias in the United States\n The medium is the message\n Politico-media complex\n Propaganda model\n\nReferences\n\nExternal links\n \n \n\n2004 films\n2004 documentary films\nAmerican documentary films\nAmerican films\nAmerican independent films\nDocumentary films about American politics\nDocumentary films about television\nDocumentary films about journalism\nDocumentary films about mass media owners\nFox News criticisms and controversies\nMass media-related controversies in the United States\nFilms directed by Robert Greenwald\nWorks about Fox News", "Fox News Talk is a satellite radio channel that showcases talk shows and news reports from Fox News Channel personalities, along with other Fox News and talk programming. Fox News Talk carries a combination of Fox News syndicated radio programming, Fox News Channel show audio simulcasts, and Fox newscasts at the top of the hour.\n\nFox News Radio programs carried include shows hosted by Brian Kilmeade (9 a.m. to 12 p.m. E.T.), Jimmy Failla (12 p.m. to 3 p.m. E.T.) and Guy Benson (3 p.m. to 6 p.m. E.T.). Each show is repeated late nights and on weekends.\n\nThe Sean Hannity Show, which predates the formation of the Fox News radio division, is not carried by Fox News Talk. Premiere Radio Networks produces and distributes the show, heard on satellite radio via Sirius XM Patriot Channel 125. The same was true of Glenn Beck's show during his time with Fox News Channel. Beck's show is currently heard on Sirius XM's \"Triumph\" Channel 132.\n\nHistory\nAfter an advertisement appeared from XM Satellite Radio stating that Fox News Channel would soon be \"only heard on XM Satellite Radio\" and another stated to hear Fox News Talk \"you can't be Sirius\", FNC's programming vanished from Sirius Satellite Radio for unknown reasons, then returned to Sirius later. Despite pleas made to Sirius listeners by hosts Tony Snow (then) and Alan Colmes to ask Sirius to keep Fox News Channel programming, on January 1, 2006, FNC programming again disappeared from the Sirius lineup. On January 2, 2006, Fox News Talk premiered only on XM Satellite Radio.\n\nAn agreement was reached between Fox and Sirius within a couple of months, and Fox News Talk was added to the Sirius lineup, along with the return of the Fox News Channel audio simulcast, on March 14, 2006.\n\nIn April 2006, morning show host Tony Snow left the network to pursue a career as the White House Press Secretary. Replacing him was the duo of Brian Kilmeade, and Andrew Napolitano, with their new show titled Brian and the Judge. Napolitano left the show in 2010, leaving Kilmeade to host solo.\n\nXM Radio Canada added the channel on June 1, 2007.\n\nIn September 2007, Tom Sullivan joined Fox News Radio and helped launch Fox Business. Ten years later, Sullivan left Fox News in 2017 to join a national syndicator with his radio show.\n\nAlso carried was Westwood One's syndicated The Radio Factor with former FNC personality Bill O'Reilly. O'Reilly was moved out of the live time slot on January 15, 2009, anticipating his departure from the show on February 26 of that year. Fox News announced it would move John Gibson to the noon-to-3 p.m. time slot, after Bill O'Reilly left the time slot. Gibson also left Fox News Talk in June 2017.\n\nOn May 4, 2011, Fox News Talk moved to XM 126 from XM 168 and to Sirius 126 from Sirius 145. It now airs on both Sirius and XM at Channel 450.\n\nAs of no later than October 12, 2019, Fox News Talk was removed from the SiriusXM lineup. Several posts on Facebook on October 12 asked SiriusXM why with no official response. The Lineup Card released on October 15 no longer shows the station listed.\n\nOver-the-air broadcasting\n\"Fox News Talk\" is also the name of the distribution service Fox provides to broadcast radio stations for the talk shows it produces. This service does not include Fox Across America, which airs only on satellite radio, and did not include The Radio Factor, which was syndicated to radio stations by Westwood One.\n\nReferences\n\nExternal links\n Official Web site\n Fox News Talk on Sirius XM Radio\n\nFox Corporation subsidiaries\nXM Satellite Radio channels\nSirius Satellite Radio channels\nDigital-only radio stations\nNews and talk radio stations in the United States\nRadio stations established in 2006" ]
[ "Jon Stewart", "Criticism of Fox News", "What happened with the criticism of fox news?", "Stewart has frequently accused Fox News of distorting the news to fit a conservative agenda,", "Did this become a major controversy?", "the meanest sorority in the world.", "Was it true that Fox News was actually distorting the news?", "Sean Hannity, apologized for the footage use the following night." ]	C_92a7f3853e814cb097eec281eee22435_1	What happened after that?	4	What happened after Sean Hannity apologized?	Jon Stewart	Throughout his tenure on The Daily Show, Stewart has frequently accused Fox News of distorting the news to fit a conservative agenda, at one point ridiculing the network as "the meanest sorority in the world." In November 2009, Stewart called out Fox News for using some footage from a previous Tea Party rally during a report on a more recent rally, making the latter event appear more highly attended than it actually was. The show's anchor, Sean Hannity, apologized for the footage use the following night. A month later, Stewart criticized Fox & Friends cohost Gretchen Carlson - a former Miss America and a Stanford graduate - for claiming that she googled words such as "ignoramus" and "czar". Stewart said that Carlson was dumbing herself down for "an audience who sees intellect as an elitist flaw". Stewart stepped up his criticism of Fox News in 2010; as of April 24, The Daily Show had 24 segments criticizing Fox News' coverage. Bill O'Reilly, host of the talk show The O'Reilly Factor on Fox News, countered that The Daily Show was a "key component of left-wing television" and that Stewart loved Fox News because the network was "not boring". During an interview with Chris Wallace on June 19, 2011, Stewart called Wallace "insane" after Wallace said that Stewart's earlier comparison of a Sarah Palin campaign video and an anti-herpes medicine ad was a political comment. Stewart also said Fox viewers are the "most consistently misinformed" viewers of political media. This comment was ranked by fact-checking site PolitiFact as false, with conditions. Stewart later accepted his error. In 2014, Stewart engaged in an extended "call-out" of Fox News based on their perceived hypocritical coverage of food stamps and U.S. Government assistance. This culminated during the Bundy standoff involving multiple segments, across multiple episodes, specifically singling out Sean Hannity and Hannity's coverage of the event. Hannity would "return fire" by calling out Stewart for associating himself with Cat Stevens during his Rally in 2010. Stewart responded to this by calling out Hannity for frequently calling Ted Nugent a "friend and frequent guest" on his program and supporting Nugent's violent rhetoric towards Barack Obama and Hillary Clinton in 2007. In late August 2014, Stewart vehemently opposed the manner in which Fox News portrayed the events surrounding the shooting of teenager Michael Brown by police officer Darren Wilson in Ferguson, Missouri and the subsequent protests from citizens. CANNOTANSWER	A month later, Stewart criticized Fox & Friends cohost Gretchen Carlson -	Jon Stewart (born Jonathan Stuart Leibowitz; November 28, 1962) is an American comedian, writer, producer, director, political commentator, actor, and television host. He hosted The Daily Show, a satirical news program on Comedy Central, from 1999 to 2015. Stewart now hosts The Problem with Jon Stewart, which premiered September 2021 on Apple TV+. Stewart started as a stand-up comedian but branched into television as host of Short Attention Span Theater for Comedy Central. He went on to host You Wrote It, You Watch It (1992–1993) and then The Jon Stewart Show (1993–1995), both on MTV, until The Jon Stewart Show was retooled, dropped by the network and moved to syndication. Stewart has also appeared in several films, including Big Daddy (1999) and Death to Smoochy (2002), but did few cinematic projects after becoming host of The Daily Show in 1999. He also was a writer and co-executive producer of the show. After Stewart joined, The Daily Show steadily gained popularity and critical acclaim, and during his tenure, won 22 Primetime Emmy Awards, two Grammy Awards and also was nominated for news and journalism awards. Stewart hosted the 78th and 80th Academy Awards. He is the co-author of America (The Book): A Citizen's Guide to Democracy Inaction, which was one of the best-selling books in the US in 2004, and Earth (The Book): A Visitor's Guide to the Human Race, released in 2010. Since leaving The Daily Show, Stewart has mostly maintained a low profile in entertainment industry circles, but has used his celebrity and voice in a sustained advocacy for 9/11 first responders, and also for war veterans' health benefits. In 2019 he received the New York City Bronze Medallion for his "tireless advocacy, inspiration, and leadership (helping to) pass the permanent authorization of the September 11th Victim Compensation Fund Act". Early life and education Jon Stewart was born Jonathan Stuart Leibowitz on November 28, 1962, in New York City, to Marian (née Laskin), a teacher and later educational consultant, and Donald Leibowitz, an energy coordinator for the New Jersey Department of the Treasury. Stewart's family members are Jewish immigrants to America from Poland, Ukraine, and Belarus. One of his grandfathers was born in Manzhouli (now part of Inner Mongolia). He is the second of four sons, with older brother Lawrence, and younger brothers Dan and Matthew. Stewart's parents divorced when he was eleven years old, and Stewart was largely estranged from his father. Because of his strained relationship with his father, which in 2015 he described as "still 'complicated'", he dropped his surname and began using his middle name. Stewart stated, "There was a thought of using my mother's maiden name, but I thought that would be just too big a fuck you to my dad... Did I have some problems with my father? Yes. Yet people always view [changing my surname] through the prism of ethnic identity." He had his surname changed legally to Stewart in 2001. Stewart and his brother Lawrence, who was previously the chief operating officer of NYSE Euronext (parent company of the New York Stock Exchange), grew up in Lawrenceville, New Jersey, where they attended Lawrence High School. According to Stewart, he was subjected to anti-Semitic bullying as a child. He describes himself in high school as "very into Eugene Debs and a bit of a leftist." Stewart grew up in the era of the Vietnam War and the Watergate scandal, which inspired in him "a healthy skepticism towards official reports". His first job was working with his brother at a Woolworth's store, and jokingly says being fired by Lawrence was one of the "scarring events" of his youth. He has also credited legendary television producer Norman Lear as someone who "raised me." Stewart graduated in 1984 from The College of William & Mary where he initially majored in chemistry before switching to psychology. While at William & Mary, Stewart became a member of the Pi Kappa Alpha fraternity, but eventually began disassociating himself from them; leaving the fraternity altogether after six months. "My college career was waking up late, memorizing someone else's notes, doing bong hits, and going to soccer practice", he later said. He was a three-year starter in 1981, 1982 and 1983 with the Tribe men's soccer team. He had 10 goals and 12 assists on a squad that went 40–15–9 (.695) in his three seasons with the program. He is listed as Jon Leibowitz in official William & Mary Athletics records. The former head coach of the Tribe men's soccer team from 1971 to 2003, Al Albert, describes Jon as "athletic and feisty and quick" and added that he "wasn't the most technical or clinical player, but he could make things happen." After college, Stewart held numerous jobs: a contingency planner for the New Jersey Department of Human Services, a contract administrator for the City University of New York, a puppeteer for children with disabilities, a soccer coach at Gloucester High School in Virginia, a caterer, a busboy, a shelf stocker at Woolworth's, a bartender at the Franklin Corner Tavern (a local blue-collar bar), and a bartender at the legendary City Gardens in Trenton, New Jersey. He has said that working at City Gardens was a pivotal moment for him: "finding this place City Gardens was like, 'Oh, maybe I'm not a giant weirdo. Maybe there are other people who have a similar sense of yearning for something other than what they have now.' I think it inspired a lot of people, man. It was a very creative environment. It was a place of great possibility." Career Early work With a reputation for being a funny man in school, Jon Stewart returned to New York City in 1986 to try his hand at the comedy club circuit, but he could not muster the courage to get on stage until the following year. He made his stand-up debut at The Bitter End, where one of his comedic idols, Woody Allen, also began. He began using the stage name "Jon Stewart" by dropping his last name and changing the spelling of his middle name "Stuart" to "Stewart". He often jokes this is because people had difficulty with the pronunciation of Leibowitz or it "sounded too Hollywood" (a reference to Lenny Bruce's joke on the same theme). He has implied that the name change was due to a strained relationship with his father, with whom Stewart no longer had any contact. Stewart became a regular at the Comedy Cellar, where he was the last performer every night. For two years, he would perform at 2 a.m. while developing his comedic style. In 1989, Stewart landed his first television job as a writer for Caroline's Comedy Hour. In 1990, he began co-hosting Comedy Central's Short Attention Span Theater, with Patty Rosborough. In 1992, Stewart hosted the short-lived You Wrote It, You Watch It on MTV, which invited viewers to send in their stories to be acted out by the comedy troupe, The State. Stewart relates that his career did not take off until his March 6, 1992, appearance on NBC's Late Night with David Letterman. He was considered a finalist to take over Letterman's position upon his departure from the program, but instead, it was given to relatively unknown Conan O'Brien. He co-hosted MTV Spring Break '93 Blind Date from Daytona Beach with Melissa Rivers. The Jon Stewart Show Later in 1993, Stewart developed The Jon Stewart Show, a talk show on MTV, which was later dropped by the network and was syndicated for its last two years. The Jon Stewart Show was the first talk show on that network and was an instant hit, becoming the second-highest rated MTV show, behind Beavis and Butt-Head. In 1994, Paramount canceled The Arsenio Hall Show and, with new corporate sibling MTV (through MTV parent Viacom's acquisition of the studio), launched an hour-long syndicated late-night version of The Jon Stewart Show. Many local affiliates had moved Hall's show to 2 a.m. during its decline and Stewart's show inherited such early morning time slots in many cities. Ratings were dismal and the show was canceled in June 1995. Among the fans of the show was David Letterman, who was the final guest of The Jon Stewart Show. Letterman signed Stewart with his production company, Worldwide Pants. Stewart then became a frequent guest host for Tom Snyder on The Late Late Show with Tom Snyder, which was produced by Letterman and aired after the Late Show on CBS. This led to much speculation that Stewart would soon replace Snyder permanently, but instead, Stewart was offered the time slot after Snyder's, which he turned down. In 1996 Stewart hosted a short-lived talk show entitled, Where's Elvis This Week?, that was a half-hour, weekly comedy television program. It aired on Sunday nights in the United Kingdom on BBC Two. It was filmed at the CBS Broadcast Center in New York City and featured a set of panelists, two from the UK and two from the United States, who discussed news items and cultural issues. The show premiered in the UK on October 6, 1996; five episodes aired in total. Notable panelists included Dave Chappelle, Eddie Izzard, Phill Jupitus, Nora Ephron, Craig Kilborn, Christopher Hitchens, Armando Iannucci, Norm Macdonald, and Helen Gurley Brown. In 1997, Stewart was chosen as the host and interviewer for George Carlin's tenth HBO special, 40 Years of Comedy. The Daily Show In 1998, when Craig Kilborn left the show to replace Tom Snyder on The Late Late Show, Stewart began hosting The Daily Show on Comedy Central. The Daily Show blends humor with the day's top news stories, usually in politics, while simultaneously poking fun at politicians, newsmakers, and the news media. In an interview on The O'Reilly Factor, Stewart denied the show has any intentional political agenda, saying the goal was "schnicks and giggles" and that "[t]he same weakness that drove me into comedy also informs my show", meaning that he was uncomfortable talking without hearing the audience laugh. In his first Daily Show on-air appearance on January 11, 1999, Stewart told his guest that evening, Michael J. Fox, that he felt as if "this is my bar mitzvah". His style was described by one critic as, "Stewart does not offer us cynicism for its own sake, but as a playful way to offer the kinds of insights that are not permitted in more serious news formats that slavishly cling to official account of events." Until Trevor Noah permanently took over the show in 2015, Stewart hosted almost all airings of the program, except for a few occasions when correspondents such as Stephen Colbert, Rob Corddry, Jason Jones, and Steve Carell subbed for him, and during John Oliver's stint as host during the summer of 2013. Stewart won twenty Primetime Emmy Awards for The Daily Show as either a writer or producer, and two for producing The Colbert Report (2013–14), earning a total of twenty-two Primetime Emmy Awards, the most wins for a male individual. In 2005, Stewart and The Daily Show received the Grammy Award for Best Comedy Album for the audiobook edition of America (The Book): A Citizen's Guide to Democracy Inaction. In 2000 and 2004, the show won two Peabody Awards for its coverage of the U.S. presidential elections in those years, called "Indecision 2000" and "Indecision 2004", respectively. The show of September 20, 2001, the first show after the attacks of September 11th, 2001, began with no introduction. Before this, the introduction included footage of a fly-in toward the World Trade Center and New York City. The first nine minutes of the show included a tearful Stewart discussing his personal view on the event. His remarks ended as follows: In mid-2002, amid rumors that David Letterman was going to switch from CBS to ABC when his contract ran out, Stewart was rumored as Letterman's replacement on CBS. Ultimately, Letterman renewed his contract with CBS. On the March 9, 2002, episode of Saturday Night Live, hosted by Stewart, a Weekend Update sketch poked fun at the situation. In late 2002, ABC offered Stewart his own talk show to air right after Nightline. Stewart's contract with The Daily Show was near expiring, and he expressed strong interest. ABC, however, decided to give another Comedy Central figure, Jimmy Kimmel, the post-Nightline slot. On April 4, 2006, Stewart confronted U.S. Senator John McCain (R-AZ) on The Daily Show about his decision to appear at Liberty University, an institution founded by Jerry Falwell whom McCain previously had denounced as one of the "agents of intolerance". In the interchange, Stewart asked McCain, "You're not freaking out on us? Are you freaking out on us, because if you're freaking out ... and you're going into the crazy base world—are you going into crazy base world?" McCain replied, "Just– just– just a little" and "I'm afraid so." The clip was played on CNN, was noted and discussed in more detail in the blogosphere and was followed up on in the mainstream media. In 2007, The Daily Show was involved in former correspondent Stephen Colbert's announcement that he would run for president in 2008. In 2008, Stewart appeared on the news program Democracy Now!. A 2008 New York Times story questioned whether he was, in a phrase originally used to describe longtime network news anchor Walter Cronkite, "the most trusted man in America". On April 28, 2009, during a discussion on torture with Clifford May, Stewart expressed his opinion that former President Harry S. Truman was a war criminal for his use of the atomic bomb on Japan during World War II. He defended his assertion moments later: "Here's what I think of the atom bombs. I think if you dropped an atom bomb fifteen miles offshore and you said, 'The next one's coming and hitting you', then I would think it's okay. To drop it on a city, and kill a hundred thousand people? Yeah. I think that's criminal." On April 30, Stewart apologized on his program, and stated he did not believe Truman was a war criminal: "I shouldn't have said that, and I did. So I say right now, no, I don't believe that to be the case. The atomic bomb, a very complicated decision in the context of a horrific war, and I walk that back because it was in my estimation a stupid thing to say." In April 2010, Comedy Central renewed Stewart's contract to host The Daily Show into 2013. According to a Forbes list of celebrities in 2008, he was earning $14 million a year. On September 16, 2010, Stewart and Stephen Colbert announced a rally for October 30, known as the Rally to Restore Sanity and/or Fear. It took place on the National Mall in Washington, D.C. and attracted an estimated 215,000 participants. In December 2010, Stewart was credited by the White House, other media, and political news outlets for bringing awareness of the Republican filibuster on the James Zadroga 9/11 Health and Compensation Act to the public, leading to the ultimate passing of the bill that provides health benefits to first responders whose health has been adversely affected by their work at Ground Zero. On the show of January 10, 2011, Stewart began with a monologue about the shootings in Tucson, Arizona. He said he wished the "ramblings of crazy people didn't in any way resemble how we actually talk to each other on television". Before a commercial break, Stewart told viewers that the show would continue as usual the next night. After the commercial break, the show featured a rerun of a field piece done by Jason Jones two years earlier. The New York Times opined that Stewart is "the modern-day equivalent of Edward R. Murrow" and the UK national newspaper The Independent called him the "satirist-in-chief". In an interview, Senator John McCain described Stewart as "a modern-day Will Rogers and Mark Twain". Writer Wyatt Cenac said that Stewart cursed him out after Cenac acknowledged he was uncomfortable about a June 2011 Daily Show bit about Republican presidential candidate Herman Cain (reported in July 2015). In March 2013, it was announced that Stewart would be taking a 12-week hiatus from The Daily Show to direct the film Rosewater, which is based on the book Then They Came for Me by Maziar Bahari. Beginning June 10, 2013, The Daily Show correspondent John Oliver assumed primary hosting duties during Stewart's break. The TV Guide annual survey for 2013 star salaries showed that Stewart was the highest-paid late night host, making an estimated $25–30 million per year. On July 14, 2014, Stewart interviewed Hillary Clinton about the Middle East. Clinton's condemnations of Hamas led Stewart to ask her: "But don't you think they would look at that though as, they've given a lot of different things a chance and these are the only guys to them that are giving any resistance to what their condition is?" For Gazans living in that situation, he said Hamas could be viewed as "freedom fighters". Leaving The Daily Show During a taping of the show on February 10, 2015, Stewart announced he was leaving The Daily Show. Comedy Central president Michele Ganeless confirmed Stewart's retirement with a statement. Later, it was announced that South African comedian Trevor Noah would succeed Stewart as the host of the show. On April 20, 2015, Stewart indicated that his final show would be on August 6, 2015. On July 28, 2015, Darren Samuelsohn of Politico reported that twice, Stewart had been at the White House for previously unreported meetings with President Obama: once in October 2011 and once in February 2014. Michael D. Shear of The New York Times also picked up on the story. Stewart responded on his show by pointing out that the meetings were listed in the president's publicly available visitor log and that he has been asked to meet privately by many prominent individuals, including Roger Ailes of Fox News. He said Obama encouraged him not to make young Americans cynical about their government and Stewart said that his reply was that he was "skeptically idealistic". On June 19, 2015, in the wake of the Charleston Church Shooting, Stewart decided not to write jokes for the opening monologue. Elaborating on his decision, Stewart stated, "I honestly have nothing other than just sadness". Stewart spoke about the racial disparity and injustices in America, saying "The Confederate flag flies over South Carolina ... and the roads are named for Confederate generals" describing it as "racial wallpaper". Instead he designated a large portion of the show to his guest that night Malala Yousafzai, calling her "an incredible inspiration," and that "to be quite honest with you, I don't think there's anyone else in the world I would rather talk to tonight than Malala: So that's what we're going to do. And sorry about no jokes." On August 5, 2015, Stewart's friend of 30 years, comedian Louis C.K., was selected to be the last guest before the final Daily Show episode with Stewart helming the show. C.K. joked that he was there "representing comedy to say good job". The hour-long-plus final Daily Show on August 6 featured reunions with former correspondents Stephen Colbert, Steve Carell, John Oliver, Samantha Bee, Hasan Minhaj, Ed Helms, Kristen Schaal, Larry Wilmore, Jessica Williams, Aasif Mandvi, Lewis Black, John Hodgman, Rob Corddry, Olivia Munn, Josh Gad, Michael Che, and Mo Rocca and cameo video clips from people Stewart had targeted over the years, including Hillary Clinton, John McCain, Lindsey Graham, Chris Christie, John Kerry, Chuck Schumer, Bill O'Reilly, Wolf Blitzer, Joe Scarborough, and Mika Brzezinski. During the final episode, there was a pre-taped behind-the-scenes look at the show spoofing the long-take Copacabana scene from Goodfellas, featuring a brief appearance by Martin Scorsese. It concluded with a performance by Bruce Springsteen and the E Street Band. Post-Daily Show In November 2015, it was announced that Stewart signed a four-year deal with HBO that would include exclusive digital content for HBO NOW, HBO Go, and other platforms. HBO programming president Casey Bloys has said that "the idea is it will be an animated parody of a cable news network with an Onion-like portal." The team began working with the cloud graphics company, OTOY, to build a system for creating content. Confirmed to be working on the project included Mike Brown, Steve Waltien, Chelsea Devantez, Lucy Steiner, Kate James, and Robby Slowik. The team tested material in Red Bank, New Jersey at The Count Basie Theatre Performing Arts Academy. The show's premiere was moved several times, from fall 2016, to the first quarter of 2017, and then cancelled on May 23, 2017. The cancelation statement read: After his contract with HBO ended, Stewart signed a multi-year show deal with Apple. On September 30, 2021, Stewart's new series, The Problem with Jon Stewart, premiered on AppleTV. The series features hour-long, single-subject episodes. In addition to hosting the show, Stewart serves as executive producer through his company, Busboy Productions. Writing In 1998, Stewart released his first book, Naked Pictures of Famous People, a collection of humorous short stories and essays. The book reached The New York Times Best Seller List. In 2004, Stewart and The Daily Show writing staff released, America (The Book): A Citizen's Guide to Democracy Inaction, a mock high-school history textbook offering insights into the unique American system of government, dissecting its institutions, explaining its history and processes, and satirizing such popular American political precepts as, "one man, one vote", "government by the people", and "every vote counts". The book sold millions of copies upon its 2004 release and ended the year as a top-fifteen best seller. In 2005, Stewart provided the voice of President James A. Garfield for the audiobook version of Sarah Vowell's Assassination Vacation. In 2007, Stewart voiced Mort Sinclaire, former TV comedy writer and communist, on Stephen Colbert's audiobook version of I Am America (And So Can You!). In 2010, Stewart and The Daily Show writing staff released a sequel to their first book entitled, Earth (The Book): A Visitor's Guide to the Human Race. The book is meant to serve as a Baedeker travel guide for an alien civilization that discovers Earth after humanity has died out, most likely by its own hands. In March 2012, Stewart interviewed Bruce Springsteen for Rolling Stone. Acting Stewart's first film role was a bit part in the box-office bomb, Mixed Nuts. He landed a minor part in The First Wives Club, but his scene was deleted. In 1995, Stewart signed a three-year deal with Miramax. Stewart played romantic leads in the films, Playing by Heart and Wishful Thinking. He had a supporting role in the romantic comedy, Since You've Been Gone and in the horror film, The Faculty. Other films were planned for Stewart to write and star in, but they never were produced. Stewart maintained a relationship with Miramax founders Harvey and Bob Weinstein and appeared in films they produced including, Jay and Silent Bob Strike Back, Doogal, and the documentary, Wordplay. He appeared in Half Baked as an "enhancement smoker" and in Big Daddy as Adam Sandler's roommate; he has joked on the Daily Show and in the documentary The Aristocrats that to get the role, he slept with Sandler. Stewart often makes fun of his appearances in the high-profile flop, Death to Smoochy, in which he played a treacherous television executive; and the animated film Doogal, where he played a blue spring named Zeebad who shot a freeze ray from his mustache. In 2007, Stewart made a cameo appearance as himself in Evan Almighty, which starred former Daily Show correspondent Steve Carell. In the movie, Stewart was seen on a television screen in a fictional Daily Show episode poking fun at Carell's character for building an ark. Stewart had a recurring role in The Larry Sanders Show, playing himself as an occasional substitute and possible successor to late-night talk show host Larry Sanders (played by Garry Shandling). In 1998, Stewart hosted the television special, Elmopalooza, celebrating 30 years of Sesame Street. He has guest-starred on other sitcoms including The Nanny, Dr. Katz, Professional Therapist, Spin City, NewsRadio, American Dad!, and The Simpsons. He also has made guest appearances on the children's television series Between the Lions, Sesame Street, Jack's Big Music Show, and Gravity Falls. Producing In the mid-1990s, Stewart launched his own production company, Busboy Productions, naming the company in reference to his previous job as a busboy. Stewart signed a deal with Miramax to develop projects through his company, but none of his ideas have been produced. After Stewart's success as host and producer of The Daily Show, he revived Busboy Productions with Daily Show producers Ben Karlin and Rich Korson. In 2002, Busboy planned to produce a sitcom for NBC starring Stephen Colbert, but the show did not come to fruition. In 2005, Comedy Central reached an agreement with Busboy in which Comedy Central would provide financial backing for the production company. Comedy Central has a first-look agreement on all projects, after which Busboy is free to shop them to other networks. The deal spawned the Daily Show spin-off The Colbert Report and its replacement, The Nightly Show with Larry Wilmore. Other projects include the sitcom pilot Three Strikes, the documentary Sportsfan, the series Important Things with Demetri Martin, and the film The Donor. After Stewart's departure from The Daily Show, he was listed as an executive producer on The Late Show with Stephen Colbert. In addition, Stewart has presented occasional comedic monologues filled with political and media commentary. In July 2017, HBO announced Stewart would produce a stand-up comedy special for the network, his first stand-up special since 1996. Directing In March 2010, Stewart announced that he had optioned rights to the story of journalist Maziar Bahari, who was imprisoned in Iran for 118 days. On June 6, 2011, episode of The Daily Show, Stewart again hosted Bahari, and in March 2013, he announced that he was leaving the show for 12 weeks to direct the film version of Bahari's 2011 book, Then They Came For Me. Stewart's screenplay adaptation is entitled, Rosewater. It premiered at the September 2014 Toronto International Film Festival, receiving "generally favorable" reviews, and was released to general audiences on November 14, 2014. On directing, Stewart noted on Employee of the Month that The Daily Show influenced his directing process more than his acting gigs did. He said, "It's about the collaboration. It's about understanding. Doing a show taught me this process of clarity of vision, but the flexibility of process. So know your intention, know where you're wanting to go with the scene with the way that you want it to go, the momentum shifts, the emphasis, where you want it to be." He also expressed interest in directing more films. Stewart directed the political satire Irresistible, released in June 2020, which follows a demoralized Democratic strategist (played by Daily Show alumnus Steve Carell), who helps a retired veteran (Chris Cooper) run for mayor in a small, blue collar town in Wisconsin. Hosting and public speaking Stewart has hosted the Grammy Awards twice, in 2001 and in 2002, and the 78th Academy Awards, which were held March 5, 2006, at the Kodak Theatre in Hollywood. Critical response to Stewart's performance was mixed. Roger Ebert compared him favorably to legendary Oscar host Johnny Carson. Other reviewers were less positive; Tom Shales of The Washington Post said that Stewart hosted with "smug humorlessness". James Poniewozik of TIME said that Stewart was a bad host, but a great "anti-host" in that he poked fun at parts of the broadcast that deserved it, which lent him a degree of authenticity with the non-Hollywood audience. Stewart and correspondent John Oliver later poked fun at his lackluster reception on The Daily Show coverage of the 79th Academy Awards by saying that the "demon of last year's Oscars had finally been exorcised". Stewart returned to host the 80th Academy Awards on February 24, 2008. The reception to his performance was better received. Matthew Gilbert of the Boston Globe felt the ceremony was average, but praised Stewart, writing that, "It was good to see Jon Stewart being Jon Stewart. He is shaping up to be a dependable Oscar host for the post-Billy Crystal years. He's not musical, but he's versatile enough to swing smoothly between jokes about politics, Hollywood, new media, and, most importantly, hair." Variety columnist Brian Lowry lauded Stewart's performance noting that he "earned his keep by maintaining a playful, irreverent tone throughout the night, whether it was jesting about Cate Blanchett's versatility or watching Lawrence of Arabia on an iPhone screen. In December 2009, Stewart gave a speech at the John F. Kennedy Center for the Performing Arts honoring Bruce Springsteen, one of that year's Kennedy Center Honors recipients, and of whom Stewart is a fan. Stewart gave another speech paying tribute to Springsteen in February 2013 as part of the singer's MusiCares Person of the Year award ceremony. Stewart began a comedic feud with WWE wrestler Seth Rollins in March 2015, and appeared on WWE Raw during a Daily Show-styled segment hosted by Rollins. On August 23, 2015, Stewart returned to host the WWE's SummerSlam at the Barclays Center in Brooklyn, New York. Later, he got involved in the main event between Rollins and John Cena, helping Rollins retain his WWE World Heavyweight Championship, as well as winning Cena's United States Championship when he interfered and hit Cena with a steel chair. The next night on Raw, he explained his actions, saying he did it for Ric Flair (who was also present), which was to retain his world championship record. Cena then gave Stewart his finishing move, the Attitude Adjustment, to end the segment. Stewart returned at SummerSlam on August 21, 2016, as a special guest. In 2016, Stewart joined President Barack Obama, Michelle Obama, Vice President Joe Biden, Jill Biden, and David Letterman in honoring military families on May 5 at Joint Base Andrews, Maryland. The special celebration which marked both the USO's 75th anniversary and the fifth anniversary of Joining Forces. Stewart got into a Twitter war with then-presidential candidate Donald Trump, who in multiple tweets stated that Stewart's changing his name indicated that he was a fraud. Stewart and some analysts considered this to be anti-Semitic. Trump then tweeted that Stewart should be "proud of his heritage", and Stewart tweeted back, facetiously, that Trump's real name was "Fuckface Von Clownstick" and that Trump should be proud of the "Clownstick heritage". In June 2017, Stewart spoke at the funeral service for Ray Pfeifer, an FDNY firefighter from Hicksville, New York, who died after an eight-year battle with cancer as a result of service as a first responder at the September 11 attacks. Criticism of television journalists Stewart is known as an outspoken, humorous critic of personality-driven media shows, in particular, those of the U.S. media broadcast networks such as CNN, Fox News, and MSNBC. Critics say Stewart benefits from a double standard: he critiques other news shows from the safe, removed position of his "news satire" desk; Stewart asserts that neither his show nor Comedy Central purport to be anything other than satire and comedy. Crossfire appearance In a televised exchange with then-CNN correspondent Tucker Carlson on Crossfire on October 15, 2004, Stewart criticized the state of television journalism and pleaded with the show's hosts to "stop hurting America", and he referred to both Carlson and co-host Paul Begala as "partisan hacks". When posted on the internet, this exchange became widely viewed and was a topic of much media discussion. Despite being on the program to comment on current events, Stewart immediately shifted the discussion toward the show itself, asserting that Crossfire had failed in its responsibility to inform and educate viewers about politics as a serious topic. Stewart stated that the show engaged in partisan hackery instead of honest debate, and said that the hosts' assertion that Crossfire is a debate show is like "saying pro wrestling is a show about athletic competition". Carlson responded by saying that Stewart criticizes news organizations for not holding public officials accountable, but when he interviewed John Kerry, Stewart asked a series of "softball" questions (Stewart has acknowledged he voted for Kerry in the 2004 presidential election). Stewart responded that he didn't realize "the news organizations look to Comedy Central for their cues on integrity". When Carlson continued to press Stewart on the Kerry issue, Stewart said, "You're on CNN! The show that leads into me is puppets making crank phone calls! What is wrong with you?" In response to prods from Carlson, "Come on. Be funny." Stewart said, "No, I'm not going to be your monkey." Later in the show when Carlson jibed, "I do think you're more fun on your show", Stewart retorted, "You're as big a dick on your show as you are on any show." In response to Stewart's criticisms, Carlson said, "You need to get a job at a journalism school", to which Stewart responded, "You need to go to one!" Stewart discussed the incident on The Daily Show the following Monday: In January 2005, CNN announced that it was canceling Crossfire. When asked about the cancellation, CNN's incoming president, Jonathan Klein, referred to Stewart's appearance on the show: "I think he made a good point about the noise level of these types of shows, which does nothing to illuminate the issues of the day." On March 18, 2009, Carlson wrote a blog entry for The Daily Beast criticizing Stewart for his handling of the CNBC controversy (see below). Carlson discussed the CNN incident and claimed that Stewart remained backstage for at least "an hour" and "continued to lecture our staff", something Carlson described as, "one of the weirdest things I have ever seen". Criticism of CNBC Stewart again became a viral internet phenomenon following a March 4, 2009, The Daily Show sequence. CNBC canceled Rick Santelli's scheduled appearance on The Daily Show that day, so the show ran a short segment showing CNBC giving poor investment advice. Subsequent media coverage of exchanges between Stewart and Jim Cramer, who had been featured heavily in the original segment, led to a highly anticipated face-to-face confrontation on The Daily Show. The episode received much media attention and became the second most-viewed episode of The Daily Show, trailing only the 2009 Inauguration Day episode. It had 2.3 million total viewers, and the next day, the show's website saw its highest day of traffic in 2009. Although Cramer acknowledged on the show that some of Stewart's criticisms of CNBC were valid and that the network could "do better", he later said on The Today Show that Stewart's criticism of the media was "naïve and misleading." Criticism of Fox News Throughout his tenure on The Daily Show, Stewart frequently accused Fox News of distorting the news to fit a conservative agenda, at one point ridiculing the network as "the meanest sorority in the world". In November 2009, Stewart "called out" Fox News for using some footage from a previous Tea Party rally during a report on a more recent rally, making the latter event appear more highly attended than it was. The show's anchor, Sean Hannity, apologized for the footage use the following night. A month later, Stewart criticized Fox & Friends cohost Gretchen Carlson – a former Miss America and a Stanford graduate – for claiming that she googled words such as "ignoramus" and "czar". Stewart said that Carlson was dumbing herself down for "an audience who sees intellect as an elitist flaw". Stewart stepped up his criticism of Fox News in 2010; within five months, The Daily Show had 24 segments criticizing the Fox News coverage. Bill O'Reilly, host of the talk show The O'Reilly Factor on Fox News, countered that The Daily Show was a "key component of left-wing television" and that Stewart loved Fox News because the network was "not boring". During an interview with Chris Wallace on June 19, 2011, Stewart called Wallace "insane" for saying that Stewart's earlier comparison of the marketing techniques of a Sarah Palin campaign video and an anti-herpes medicine ad was a political comment. Stewart also said Fox viewers are the "most consistently misinformed" viewers of political media. This comment was ranked by the fact-checking site, PolitiFact, as false, with conditions. Stewart later accepted his error. In 2014, Stewart engaged in an extended "call-out" of Fox News, based on their coverage of food stamps and U.S. government assistance, opining that said coverage was biased. This culminated in segments across multiple episodes, specifically singling out Sean Hannity and his show's coverage of the Bundy standoff. Hannity would "return fire" by calling out Stewart for associating himself with Cat Stevens during his Rally in 2010. Stewart responded to this by criticizing Hannity for frequently calling Ted Nugent a "friend and frequent guest" on his program and supporting Nugent's violent rhetoric toward Barack Obama and Hillary Clinton in 2007. In late August 2014, Stewart criticized the manner in which Fox News portrayed the events surrounding the shooting of teenager Michael Brown by police officer Darren Wilson in Ferguson, Missouri, and the subsequent protests from citizens. Advocacy of the 9/11 First Responders Bill Over the years, Stewart sometimes used The Daily Show to argue for causes such as the treatment of veterans and 9/11 first responders. He is credited with breaking a Senate deadlock over a bill to provide health care and benefits for 9/11 emergency workers; the bill passed three days after he featured a group of 9/11 responders on the show. In March 2009, he criticized a White House proposal to remove veterans from Veterans Administration rolls if they had private health insurance; the White House dropped the plan the next day. In 2010, Stewart held an interview with a panel of four of the 9/11 first responders Kenny Specht with the FDNY, Chris Bowman NYPD, Ken George DOT, and Kevin Devlin, Operating Engineer of Heavy Equipment, who discussed their health problems with Stewart. In 2015 four months after leaving The Daily Show he returned to reunite the four, with Specht as the only panelist healthy enough to attend. Devlin had died and the two other panelists, Bowman and George, were too ill to make it to the show. In February and June 2019, Stewart again went to Congress to oppose the $7.375 billion limit in pay-outs to 9/11 responders through December 2020 and to lobby for permanent funding for the Victims Compensation Fund past December 2020, delivering a tearful testimony. Stewart continued to be a vocal advocate, appearing on late night shows such as The Late Show with Stephen Colbert, The Daily Show with Trevor Noah, and news programs such as Fox News Sunday with Chris Wallace, and The Fox Report with Shepherd Smith. On July 12, 2019, the House approved the bill overwhelmingly 402–12. The bill came to the Senate floor where it passed the 9/11 Victim Compensation Fund through 2092, virtually funding health care for 9/11 victims and first responders for life. The vote was 97–2 with Republican Senators Rand Paul (KY) and Mike Lee (UT) opposing. When hearing that the bill had been passed, Stewart responded by saying, "It has been the honor of my life working with the 9/11 first responders...these families deserve better...and I will follow you wherever your next adventure shall be". Writers Guild of America strike of 2007–2008 Stewart was an important factor in the unionization of the Comedy Central writers. The Daily Show writers were the first of Comedy Central's writers to be able to join the guild, after which other shows followed. Stewart supported the 2007–08 Writers Guild of America strike. On The Daily Show episode just before the strike, he sarcastically commented about how Comedy Central had made available all episodes for free on their website, but without advertising, and said, "go support our advertisers". The show went on hiatus when the strike began, as did other late-night talk shows. Upon Stewart's return to the show on January 7, 2008, he refused to use the title, The Daily Show, stating that The Daily Show was the show made with all of the people responsible for the broadcast, including his writers. During the strike, he referred to his show as A Daily Show with Jon Stewart until the strike ended on February 13, 2008. Stewart's choice to return to the air did bring criticism that he was undermining the writers of his show. Seth MacFarlane wrote an inside joke into an episode of Family Guy about this, causing Stewart to respond with an hour-long call in which he questioned how MacFarlane could consider himself the "moral arbiter" of Hollywood. Other former writers of The Daily Show such as David Feldman also have indicated that Stewart was anti-union at the time and punished his writers for their decision to unionize. The Writers Guild Strike of 2007–08 also was responsible for a notable mock feud between Stewart, Stephen Colbert, and Conan O'Brien in early 2008. Without writers to help fuel their banter, the three comedians concocted a crossover/rivalry to garner more viewers during the ratings slump. Colbert claimed that because of "the Colbert bump", he was responsible for Mike Huckabee's success in the 2008 presidential race. O'Brien claimed that he was responsible for Huckabee's success because not only had he mentioned Huckabee on his show, but also that he was responsible for Chuck Norris's success (Norris backed Huckabee). In response, Stewart claimed that he was responsible for the success of O'Brien since Stewart had featured him on The Jon Stewart Show, and in turn, the success of Huckabee. This resulted in a three-part comedic battle between the three pundits, with all three appearing on each other's shows. The feud ended on Late Night with Conan O'Brien with a mock brawl involving the three hosts. Influences Stewart has said his influences include George Carlin, Lenny Bruce, Woody Allen, David Letterman, Steve Martin, and Richard Pryor. Among comedians who say they were influenced by Stewart are Stephen Colbert, John Oliver, Hasan Minhaj, Samantha Bee, Larry Wilmore, Bassem Youssef, Trevor Noah, and Jordan Klepper. Personal life Stewart is irreligious, but of Jewish heritage. While making the 1997 film, Wishful Thinking, a production assistant on the film arranged for a blind date between Stewart and Tracey Lynn McShane. They dated for four years. Stewart proposed to her through a personalized crossword puzzle created with the help of Will Shortz, the crossword editor at The New York Times. They married in 2000. On June 19, 2001, Stewart and his wife filed a joint name change application and legally changed both of their surnames to "Stewart". With the help of in vitro fertilization, the couple has two children. In 2000, when he was labelled a Democrat, Stewart generally agreed, but described his political affiliation as "more socialist or independent" than Democratic, and Stewart has voted for Republicans, the last time being in the 1988 presidential election when he voted for George H. W. Bush over Michael Dukakis. He described Bush as having "an integrity about him that I respected greatly". He has been a vocal proponent of single-payer health care system. In 2013, Stewart and his wife bought a farm in Middletown, New Jersey, called "Bufflehead Farm". The Stewarts operate it as a sanctuary for abused animals. In 2015, Stewart began eating a vegetarian diet for ethical reasons; his wife is a long-time vegan. In 2017, Stewart and his wife received approval to open a 45-acre (18 ha) animal sanctuary in Colts Neck, New Jersey, a home to animals saved from slaughterhouses and live markets. Honors and awards Stewart and other members of The Daily Show have received three Peabody Awards for "Indecision 2000" and "Indecision 2004", covering the 2000 presidential election and the 2004 presidential election, respectively. He received his third Peabody in 2016 for his tenure at The Daily Show. The Daily Show received the Primetime Emmy Award for Outstanding Writing for a Variety, Music, or Comedy Program in 2001, 2003, 2004, 2005, 2006, 2009, 2011, 2012, and 2015 and Outstanding Variety, Music, or Comedy Series for 10 consecutive years from 2003 to 2012. In 2013, the award for both categories instead went to The Daily Show spin-off The Colbert Report. In 2015, The Daily Show resurfaced, winning both categories for one last time for Stewart's swan song as host. Stewart won the Grammy Award for Best Comedy Album in 2005 for his recording, America (The Book): A Citizen's Guide to Democracy Inaction. In the December 2003 New Year's edition of Newsweek, Stewart was named the "Who's Next?" person for 2004, with the magazine predicting that he would emerge as an absolute sensation in that year. (The magazine said they had been correct at the end of that year.) Stewart was named among the 2005 Time 100, an annual list of 100 of the most influential people of the year by Time magazine. In 2004, Stewart spoke at the commencement ceremonies at his alma mater, William and Mary, and received an honorary Doctor of Arts degree. Stewart was the Class Day keynote speaker at Princeton University in 2004, and the 2008 Sacerdote Great Names speaker at Hamilton College. Stewart and The Daily Show received the 2005 National Council of Teachers of English (NCTE) George Orwell Award for Distinguished Contribution to Honesty and Clarity in Public Language. Stewart was presented an Honorary All-America Award by the National Soccer Coaches Association of America (NSCAA) in 2006. On April 21, 2009, President of Liberia Ellen Johnson Sirleaf made Stewart a chief. On October 26, 2010, Stewart was named the Most Influential Man of 2010 by AskMen. For his advocacy on behalf of 9/11 victims and families, Stewart was one of eighteen individuals and organizations awarded the Bronze Medallion on December 16, 2019. The Bronze Medallion is the highest award conferred upon civilians by New York City. Filmography Film Television Bibliography Naked Pictures of Famous People (Rob Weisbach Books, 1998). . America (The Book): A Citizen's Guide to Democracy Inaction (Warner Books, September 2004). . Earth (The Book): A Visitor's Guide to the Human Race (Grand Central Publishing, 2010). . See also New Yorkers in journalism Political satire References Further reading David Marchese, "Jon Stewart Is Back to Weigh In", The New York Times Magazine, June 15, 2020. Lisa Rogak, Angry Optimist: The Life and Times of Jon Stewart. New York: Saint Martin's Griffin, 2014. . Bruce Watson, Jon Stewart: Beyond the Moments of Zen. New Word City, 2014. External links The Daily Show profile 1962 births 20th-century American comedians 21st-century American comedians 20th-century American male actors 20th-century American non-fiction writers 21st-century American male actors 21st-century American non-fiction writers American film producers American male comedians American male film actors American male non-fiction writers American male television actors American media critics American people of Belarusian-Jewish descent American people of Polish-Jewish descent American people of Ukrainian-Jewish descent American political commentators American satirists American male screenwriters American religious skeptics American social commentators American stand-up comedians American television talk show hosts American television writers Association footballers not categorized by position Comedians from New York City Criticism of journalism Film directors from New Jersey Film directors from New York City Grammy Award winners Jewish American male comedians Jewish American male actors Jewish American writers Jewish male comedians Late night television talk show hosts Lawrence High School (New Jersey) alumni Living people Male actors from New Jersey Male actors from New York City New Jersey Hall of Fame inductees American male television writers Peabody Award winners People from Lawrence Township, Mercer County, New Jersey Primetime Emmy Award winners Screenwriters from New York (state) Television producers from New York City William & Mary Tribe men's soccer players Writers from New Jersey Writers from New York City 20th-century American male writers 21st-century American male writers Television producers from New Jersey Association football players not categorized by nationality	false	[ "Don Juan Manuel's Tales of Count Lucanor, in Spanish Libro de los ejemplos del conde Lucanor y de Patronio (Book of the Examples of Count Lucanor and of Patronio), also commonly known as El Conde Lucanor, Libro de Patronio, or Libro de los ejemplos (original Old Castilian: Libro de los enxiemplos del Conde Lucanor et de Patronio), is one of the earliest works of prose in Castilian Spanish. It was first written in 1335.\n\nThe book is divided into four parts. The first and most well-known part is a series of 51 short stories (some no more than a page or two) drawn from various sources, such as Aesop and other classical writers, and Arabic folktales.\n\nTales of Count Lucanor was first printed in 1575 when it was published at Seville under the auspices of Argote de Molina. It was again printed at Madrid in 1642, after which it lay forgotten for nearly two centuries.\n\nPurpose and structure\n\nA didactic, moralistic purpose, which would color so much of the Spanish literature to follow (see Novela picaresca), is the mark of this book. Count Lucanor engages in conversation with his advisor Patronio, putting to him a problem (\"Some man has made me a proposition...\" or \"I fear that such and such person intends to...\") and asking for advice. Patronio responds always with the greatest humility, claiming not to wish to offer advice to so illustrious a person as the Count, but offering to tell him a story of which the Count's problem reminds him. (Thus, the stories are \"examples\" [ejemplos] of wise action.) At the end he advises the Count to do as the protagonist of his story did.\n\nEach chapter ends in more or less the same way, with slight variations on: \"And this pleased the Count greatly and he did just so, and found it well. And Don Johán (Juan) saw that this example was very good, and had it written in this book, and composed the following verses.\" A rhymed couplet closes, giving the moral of the story.\n\nOrigin of stories and influence on later literature\nMany of the stories written in the book are the first examples written in a modern European language of various stories, which many other writers would use in the proceeding centuries. Many of the stories he included were themselves derived from other stories, coming from western and Arab sources.\n\nShakespeare's The Taming of the Shrew has the basic elements of Tale 35, \"What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\".\n\nTale 32, \"What Happened to the King and the Tricksters Who Made Cloth\" tells the story that Hans Christian Andersen made popular as The Emperor's New Clothes.\n\nStory 7, \"What Happened to a Woman Named Truhana\", a version of Aesop's The Milkmaid and Her Pail, was claimed by Max Müller to originate in the Hindu cycle Panchatantra.\n\nTale 2, \"What happened to a good Man and his Son, leading a beast to market,\" is the familiar fable The miller, his son and the donkey.\n\nIn 2016, Baroque Decay released a game under the name \"The Count Lucanor\". As well as some protagonists' names, certain events from the books inspired past events in the game.\n\nThe stories\n\nThe book opens with a prologue which introduces the characters of the Count and Patronio. The titles in the following list are those given in Keller and Keating's 1977 translation into English. James York's 1868 translation into English gives a significantly different ordering of the stories and omits the fifty-first.\n\n What Happened to a King and His Favorite \n What Happened to a Good Man and His Son \n How King Richard of England Leapt into the Sea against the Moors\n What a Genoese Said to His Soul When He Was about to Die \n What Happened to a Fox and a Crow Who Had a Piece of Cheese in His Beak\n How the Swallow Warned the Other Birds When She Saw Flax Being Sown \n What Happened to a Woman Named Truhana \n What Happened to a Man Whose Liver Had to Be Washed \n What Happened to Two Horses Which Were Thrown to the Lion \n What Happened to a Man Who on Account of Poverty and Lack of Other Food Was Eating Bitter Lentils \n What Happened to a Dean of Santiago de Compostela and Don Yllán, the Grand Master of Toledo\n What Happened to the Fox and the Rooster \n What Happened to a Man Who Was Hunting Partridges \n The Miracle of Saint Dominick When He Preached against the Usurer \n What Happened to Lorenzo Suárez at the Siege of Seville \n The Reply that count Fernán González Gave to His Relative Núño Laynes \n What Happened to a Very Hungry Man Who Was Half-heartedly Invited to Dinner \n What Happened to Pero Meléndez de Valdés When He Broke His Leg \n What Happened to the Crows and the Owls \n What Happened to a King for Whom a Man Promised to Perform Alchemy \n What Happened to a Young King and a Philosopher to Whom his Father Commended Him \n What Happened to the Lion and the Bull \n How the Ants Provide for Themselves \n What Happened to the King Who Wanted to Test His Three Sons \n What Happened to the Count of Provence and How He Was Freed from Prison by the Advice of Saladin\n What Happened to the Tree of Lies \n What Happened to an Emperor and to Don Alvarfáñez Minaya and Their Wives \n What Happened in Granada to Don Lorenzo Suárez Gallinato When He Beheaded the Renegade Chaplain \n What Happened to a Fox Who Lay down in the Street to Play Dead \n What Happened to King Abenabet of Seville and Ramayquía His Wife \n How a Cardinal Judged between the Canons of Paris and the Friars Minor \n What Happened to the King and the Tricksters Who Made Cloth \n What Happened to Don Juan Manuel's Saker Falcon and an Eagle and a Heron \n What Happened to a Blind Man Who Was Leading Another \n What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\n What Happened to a Merchant When He Found His Son and His Wife Sleeping Together \n What Happened to Count Fernán González with His Men after He Had Won the Battle of Hacinas \n What Happened to a Man Who Was Loaded down with Precious Stones and Drowned in the River \n What Happened to a Man and a Swallow and a Sparrow \n Why the Seneschal of Carcassonne Lost His Soul \n What Happened to a King of Córdova Named Al-Haquem \n What Happened to a Woman of Sham Piety \n What Happened to Good and Evil and the Wise Man and the Madman \n What Happened to Don Pero Núñez the Loyal, to Don Ruy González de Zavallos, and to Don Gutier Roiz de Blaguiello with Don Rodrigo the Generous \n What Happened to a Man Who Became the Devil's Friend and Vassal \n What Happened to a Philosopher who by Accident Went down a Street Where Prostitutes Lived \n What Befell a Moor and His Sister Who Pretended That She Was Timid \n What Happened to a Man Who Tested His Friends \n What Happened to the Man Whom They Cast out Naked on an Island When They Took away from Him the Kingdom He Ruled \n What Happened to Saladin and a Lady, the Wife of a Knight Who Was His Vassal \n What Happened to a Christian King Who Was Very Powerful and Haughty\n\nReferences\n\nNotes\n\nBibliography\n\n Sturm, Harlan\n\n Wacks, David\n\nExternal links\n\nThe Internet Archive provides free access to the 1868 translation by James York.\nJSTOR has the to the 1977 translation by Keller and Keating.\nSelections in English and Spanish (pedagogical edition) with introduction, notes, and bibliography in Open Iberia/América (open access teaching anthology)\n\n14th-century books\nSpanish literature\n1335 books", "What Happened to Jones may refer to:\n What Happened to Jones (1897 play), a play by George Broadhurst\n What Happened to Jones (1915 film), a lost silent film\n What Happened to Jones (1920 film), a lost silent film\n What Happened to Jones (1926 film), a silent film comedy" ]
[ "Pitbull (rapper)", "2006-2007: El Mariel and The Boatlift" ]	C_0aac1a7ebd264bc69eaeb5525913e13e_0	What was El Mariel?	1	Who was El Mariel?	Pitbull (rapper)	In January 2006, Pitbull guest-starred in UPN's South Beach. Pitbull recorded "Nuestro Himno" in collaboration with Wyclef Jean, Carlos Ponce, and Olga Tanon. On Listennn... the Album, the debut album by Terror Squad member and Miami radio personality DJ Khaled, Pitbull performed on three singles: "Holla at Me" and "Born-N-Raised" alongside other Southern-based rappers. He dedicated the album to his father, who died in May of that year. Along with the usual party-oriented tracks, Pitbull also included politically themed tracks in El Mariel. The album was released on October 31, 2006, and included singles "Bojangles", "Ay Chico (Lengua Afuera)", "Fuego", and duet with Puerto Rican singer Ken-Y, "Dime (Remix)". El Mariel topped the Billboard independent albums chart and peaked at No. 17 on the Billboard 200 and No. 2 on the rap chart. Pitbull's third album, titled The Boatlift, was released in November 2007, spawned by the single "Secret Admirer" featuring Lloyd on the chorus. Earlier, Pitbull announced that this album would have a more gangsta rap edge than his earlier albums. Subsequent singles included "Go Girl" featuring Trina, and "The Anthem" featuring and produced Lil Jon, that song sampling the hook from the song "El Africano" by Wilfrido Vargas and the beat from the song "Calabria" by Rune RK. "Go Girl" peaked at No. 80 on the Billboard Hot 100 and No. 36 on the Hot Rap Tracks chart; "The Anthem" No. 36 on the Hot 100 and No.11 on the Hot Rap Tracks. His variety show, Pitbull's La Esquina, debuted May 2007 and ran through 2009 on the mun2 cable network. Pitbull also appeared on DJ Laz' "Move Shake Drop" and DJ Felli Fel's "Feel It". CANNOTANSWER	CANNOTANSWER	Armando Christian Pérez (born January 15, 1981), known professionally by his stage name Pitbull, is an American rapper and singer. Pérez began his career in the early 2000s, recording reggaeton, Latin hip hop, and crunk music under a multitude of labels. In 2004, he released his debut album M.I.A.M.I. under TVT Records and the executive production of Lil Jon. Pitbull later released his second album, El Mariel, in 2006 and his third, The Boatlift, in 2007. His fourth album, Rebelution (2009), included his breakthrough hit single "I Know You Want Me (Calle Ocho)", which peaked at number two on the US Billboard Hot 100 and number four on the UK Singles Chart. After rebranding himself as a pop artist, Pitbull's next English-language album, Planet Pit (2011), featured his first US number one single "Give Me Everything" (featuring Ne-Yo, Afrojack and Nayer). The single from his next album, Global Warming: Meltdown (2013), titled "Timber" (featuring Kesha), hit No.1 in eighteen countries, including the US and UK. The next single from the album, "Feel This Moment" (featuring Christina Aguilera), was a Top 10 hit in the United States, Canada, Australia and the United Kingdom. He performed the song "We Are One (Ole Ola)" (with Jennifer Lopez and Claudia Leitte), which served as the official theme of the 2014 FIFA World Cup. Pitbull released his latest album Libertad 548 on September 27, 2019. The new album includes the RIAA Latin 9× Platinum hit single "No Lo Trates" (featuring Daddy Yankee and Natti Natasha). The album spawned RIAA Latin Platinum single "Me Quedaré Contigo" (also featuring Ne-Yo), and was certified RIAA Latin Platinum on January 28, 2021. Pitbull has sold over 25 million studio albums and over 100 million singles worldwide. He has over 15 billion views on YouTube as of May 2020. He was ranked by Billboard as the 45th Top Artist of the 2010s and the 24th Top Latin Artist of the 2010s. Pitbull's other ventures include brand ambassadorship and for various entities, activism and philanthropy in the Latino American community, a radio station (Pitbull's Globalization) on Sirius XM Radio and ownership of the Trackhouse Racing NASCAR team. As of May 2019, Pitbull has won 35 Billboard Latin Music Awards. Early life and background Armando Christian Pérez was born on January 15, 1981, in Miami, Florida, to Cuban immigrant parents. He is a first-generation American. Growing up, he was strongly encouraged by his family to "take advantage" of the privilege of living in America, and the opportunities it came with. His family has a history of fighting against the Castro regime in Cuba. When he was three, he could recite the works of Cuba's national hero and poet, José Martí, in Spanish. He learned English by watching Sesame Street as a child. His father was largely absent from his childhood; his parents separated when he was young, and he was raised mostly by his mother, later stating: "my mom is my father and my mother." He briefly stayed with a foster family in Roswell, Georgia. His parents struggled with substance abuse; as a teenager, he was also involved with drug use and dealing, which eventually led to him getting kicked out of the family house. He attended South Miami Senior High School and Miami Coral Park High School. Growing up, he was influenced by the Miami bass genre of pop music and has cited Celia Cruz and Willy Chirino as sources of inspiration, in addition to rappers such as Nas, Jay-Z, and Snoop Dogg. He credits the "melting pot" of a city that Miami is with introducing him to many different cultures and teaching him important life lessons, implying that he wouldn't be the person he is nowadays if it wasn't for growing up in Miami. He said he chose his stage name of Pitbull because the dogs "bite to lock. The dog is too stupid to lose. And they're outlawed in Dade County. They're basically everything that I am. It's been a constant fight". After meeting Lil Jon in Miami, Pitbull was featured on Lil Jon and the East Side Boyz' album Kings of Crunk in 2002. Pitbull's song "Oye" was featured on the soundtrack to the film 2 Fast 2 Furious the following year. In addition, Pitbull released several mixtapes, composed of freestyles and remixes of popular rap music. Pitbull also worked with Uncle Luke during his early career, being featured on Luke's 2001 album Somethin' Nasty, including the single "Lollipop" along with Lil' Zane. Career 2001–2003: Luke Records and TVT Records In 2001, Pitbull was signed to Luther Campbell's Luke Records by Jullian Boothe, then the label's vice-president of A&R. In 2001, Pitbull was introduced to Robert Fernandez of Famous Artist Music & Management, an independent label and management company specializing in developing artists, by the Diaz Brothers, a producer duo signed to the company. Fernandez "saw the eagerness and hunger he had" and, with the Luke Records deal ending, began working to develop Pitbull. Together they focused on creating a more radio-friendly sound. Fernandez later told HitQuarters: "At that time his music had a lot of verses and took a long time to get into the hook, and so we took time in getting the songs catchier and less on the rap side." Fernandez introduced Pitbull to Lil Jon, hoping to secure the rapper a small guest intro spot on Lil Jon's upcoming album Kings of Crunk. According to Fernandez, Jon took a liking to Pérez and offered him a track on the album; it is called "Pitbull's Cuban Ride Out." This track helped raise the young rapper's profile. 2004–2005: M.I.A.M.I. In 2004, Pitbull released his debut album M.I.A.M.I., with the lead single being "Culo" produced by Lil Jon and the Diaz Brothers. It peaked at No. 32 on the Billboard Hot 100 chart and No. 11 on the Hot Rap Tracks chart. Other singles included "Dammit Man", "Back Up", "Toma", and "That's Nasty" (both featuring Lil Jon). He joined the Anger Management Tour, the 2000 hip-hop concert tour headlined by Eminem and 50 Cent. Pitbull also appeared on the Ying Yang Twins' single "Shake", which peaked at No.41 on the Hot 100 and No.12 on the rap chart, Adassa's chart topping single "Kamasutra" & Twista's "Hit the Floor" (#94 Hot 100, No. 20 Rap). Remix album Money Is Still a Major Issue was released in November 2005; it included new track "Everybody Get Up", a duet with hip-hop/R&B group Pretty Ricky. TVT Records, Pitbull's label at the time, and Slip-n-Slide Records disputed over the release of Welcome to the 305, an unreleased album by Slip-n-Slide that Pitbull recorded in 2001. A Miami judge ruled that Slip-n-Slide had a legal right to release the album as it was recorded when Pitbull was a Slip-N-Slide artist, and prior to him signing with TVT Records. A US District Court judge affirmed the decision further. TVT was then ordered in March 2007 to pay Slip-n-Slide $9.1 million for attempting to block the album's release to record stores and digital download entities. In 2005, Pitbull and rapper Sean 'Diddy' Combs co-founded Bad Boy Latino, a subsidiary of Combs' Bad Boy Records label. It primarily focuses on Latin hip hop, Latin soul, Latin pop and other tropical music and has offices in New York and Miami, Florida. Along with co-founding it, Pérez currently heads the A&R division of the label. 2006–2007: El Mariel and The Boatlift In January 2006, Pitbull guest-starred in UPN's South Beach. Pitbull recorded "Nuestro Himno" in collaboration with Wyclef Jean, Carlos Ponce, and Olga Tañón. On Listennn... the Album, the debut album by Terror Squad member and Miami radio personality DJ Khaled, Pitbull performed on three singles: "Holla at Me" and "Born-N-Raised" alongside other Southern-based rappers. He dedicated the album to his father, who died in May that year. Along with the usual party-oriented tracks, Pitbull also included politically themed tracks in El Mariel. The album was released on October 31, 2006, and included singles "Bojangles", "Ay Chico (Lengua Afuera)", "Fuego", and duet with Puerto Rican singer Ken-Y, "Dime (Remix)". El Mariel topped the Billboard independent albums chart and peaked at No. 17 on the Billboard 200 and No. 2 on the rap chart. Pitbull's third album, titled The Boatlift, was released on November 27, 2007, spawned by the single "Secret Admirer" featuring Lloyd on the chorus. Earlier, Pitbull announced that this album would have a more gangsta rap edge than his earlier albums. Subsequent singles included "Go Girl" featuring Trina, and "The Anthem" featuring and produced Lil Jon, that song sampling the hook from the song "El Africano" by Wilfrido Vargas and the beat from the song "Calabria" by Rune RK. "Go Girl" peaked at No. 80 on the Billboard Hot 100 and No. 36 on the Hot Rap Tracks chart; "The Anthem" No. 36 on the Hot 100 and No.11 on the Hot Rap Tracks. His variety show, Pitbull's La Esquina, debuted May 2007 and ran through 2009 on the mun2 cable network. Pitbull also appeared on DJ Laz' "Move Shake Drop" and DJ Felli Fel's "Feel It". 2008–2010: Pitbull Starring in Rebelution and Armando For his fourth studio album Pitbull Starring in Rebelution, Pitbull released "I Know You Want Me (Calle Ocho)" through Ultra Records after his former label TVT Records went out of business. "Krazy" peaked at No. 30 on the Hot 100 and No. 11 on the Hot Rap Tracks charts. "I Know You Want Me" peaked at No. 2 on the Hot 100 and peaked within the top ten spots of charts in the UK, Canada, Italy, and the Netherlands. The song reached No. 1 in France and the European Hot 100 in the week ending August 29, 2009 according to Billboard magazine. "I Know You Want Me" ended at position 17 on the Billboard Year-End Hot 100 singles of 2009. He later signed with Polo Grounds Music through Sony Music and created his own label Mr. 305 Inc. The single "Hotel Room Service", which samples "Push the Feeling On", peaked at No. 9 on the Hot 100. The album went on to sell over 7.5 million worldwide digital singles and albums combined. On their second collaboration since "Go Girl", Pitbull appeared on the debut single of rapper David Rush (formerly Young Bo$$), "Shooting Star", also with Kevin Rudolf and LMFAO. An amateur video of Pitbull punching a disruptive audience member at a Colorado concert leaked onto the Internet in late May 2009. Pitbull explained to MTV News that it was because the fan kept throwing cash around the stage, and after Pitbull pulled him up to the stage, he threw a stash of money right in Pitbull's face. He was tapped by the Miami Dolphins to work alongside T-Pain and Jimmy Buffett to release a new fight song for the Dolphins. The city of Miami granted Pitbull a "Key to the City" honor on August 19, 2009. Another popular single from 2009 was "Blanco", featuring Pharrell Williams of The Neptunes from the soundtrack to the movie Fast & Furious. Pitbull recorded a remix with Mexican pop diva Paulina Rubio for her single "Ni Rosas Ni Juguetes" in November 2009. In 2010, Pitbull performed the rap section in the Haiti benefit song "Somos El Mundo", a Spanish version of "We Are the World", that included a huge group of Latin artists led by Emilio and Gloria Estefan. He was also a featured guest on Janet Jackson's "Heart, Beat, Love" in addition to "Armada Latina", the fourth single off the album Rise Up by Latin rap legends, Cypress Hill. The song was produced by Jim Jonsin and also features Marc Anthony. Pitbull then collaborated with Alexandra Burke on the single "All Night Long". He was also featured on "DJ Got Us Fallin' in Love" by Usher. Pitbull released his full-length debut Spanish-language album titled Armando on November 2, 2010. He was also one of the most nominated artists of the 2011 Billboard Latin Music Awards. He garnered 7 nominations for "Latin Rhythm Airplay, Song of the Year" for "Bon, Bon"; "Latin Rhythm Airplay, Artist of the Year, Solo Artist"; "Latin Rhythm Albums, Album of the Year" for Armando; "Latin Rhythm Albums, Artist of the Year, Solo Artist"; "Social 50, Latin Artist of the Year"; "Latin Digital Download of the Year" for "Bon, Bon" and "Hot Latin Song of the Year, Vocal Event" for the song "I Like It" alongside Enrique Iglesias. He also won Telehit's award for "Most Popular Artist". 2011: Planet Pit In April 2011, Jennifer Lopez released Love?, which featured Pitbull on two singles. "Fresh Out the Oven" did not meet with critical or popular success, but the second cut, "On the Floor", was a certified hit. The single went on to make its Billboard Hot 100 debut at number nine, becoming the highest debuting Hot 100 single of Lopez's career. Pitbull released Planet Pit on June 17, 2011. Pitbull collaborated with T-Pain on its first single, which became a moderate hit; "Hey Baby (Drop It to the Floor)", which peaked at No. 7 on the Hot 100. On March 22, 2011, Pitbull released his second single, "Give Me Everything", which features American R&B singer Ne-Yo, American singer Nayer and Dutch DJ Afrojack, who also produced the song and co-wrote it with Matt Howard, Pitbull and Ne-Yo.; three months later, the song became Pitbull's first single to top the Billboard Hot 100. It was ranked no. 5 on the 2011 Billboard Year-End Chart. In August 2011, Lindsay Lohan sued Pitbull, Ne-Yo and Afrojack in response to the song's lyrics referencing her name, "I've got it locked up like Lindsay Lohan." Lohan objected to the negative connotation of the line and claimed that she should have been compensated for the use of her name in the song. The case was dismissed by a federal judge, who ruled the tune's lyrics are protected by the First Amendment, which covers freedom of speech and creative expression. 2012–2013: Global Warming, Meltdown & Men in Black 3 On October 7, 2011, RCA Music Group announced it was disbanding J Records along with Arista Records and Jive Records. With the shutdown, Pitbull (and all other artists previously signed to these three labels) would release future material on the RCA Records brand. On May 8, 2012, he collaborated with the Italian DJ Gabry Ponte for the song "Beat on My Drum". Pitbull's seventh studio album was titled "Global Warming" and released on November 16, 2012. Pitbull explained that the title reflected the fact that, much like the phenomenon of global warming, he's been around for a while but all of a sudden, people are paying attention. The lead single from the album was "Get It Started" featuring singer Shakira. The third single was "Feel This Moment" featuring Christina Aguilera. The second single, entitled "Back in Time," was for the film Men in Black 3. It was the first lead single for the Men in Black franchise not performed by Will Smith. The song, which plays during the end credits but is not featured on the soundtrack album, samples "Love Is Strange" by Mickey & Sylvia. Pitbull supported the album with a world tour in the summer of 2013. In 2013, Pitbull released a diss track towards Lil Wayne called "Welcome 2 Dade County" shortly after Lil Wayne's rant on the Miami Heat. Pitbull made his film debut Epic with a voice role of the character "Bufo". He embarked on the North American/Australian Summer Tour with Kesha to promote both their albums, which extends from May to November. He released his song "Feel This Moment" featuring Christina Aguilera on January 18, 2013, and they performed it live at the 2013 Billboard Music Awards, as well as on the fourth season of The Voice. The song was a commercial success, peaking at No. 8 on the Billboard Hot 100. Later he released the final single from his Global Warming album, Outta Nowhere featuring Danny Mercer, in late May. At the 2013 Latin Grammy Awards, Pitbull won the award for Best Urban Performance for his song "Echa Pa'lla (Manos Pa'rriba)". Pitbull announced via Twitter that he would release the extended play to his studio album Global Warming, named Global Warming: Meltdown on November 25, featuring guest appearances from Kesha, Kelly Rowland, Inna, Mohombi and Mayer Hawthorne. The lead single, "Timber", featuring recording artist and tourmate Kesha, was released on October 7. The song peaked at #1 on the Billboard Hot 100 in 18 different countries. Pitbull was featured on the early summer single "Live It Up", marking his third collaboration with Jennifer Lopez and Redone. Lopez and Pitbull performed the song at the Billboard Music Awards, American Idol and Premios Juventud. He also made album appearances for Priyanka Chopra, Flo Rida, Jessica Mauboy, Belinda, Jason Derulo and other artists. Pitbull provided the post-race concert at the Formula 1 United States Grand Prix at Circuit of the Americas on November 17, 2013. Pitbull hosted the 2013 American Music Awards on November 24, 2013. 2014–2015: Globalization and Dale Pitbull, Jennifer Lopez and Claudia Leitte performed the song "We Are One" at the opening ceremony of the 2014 World Cup. On February 25, 2014, Pitbull released a new single titled "Wild Wild Love" featuring American recording artist group G.R.L. It has peaked at number 30 on the Billboard Hot 100. On April 15, 2014, Pitbull released a single featuring Jennifer Lopez and Claudia Leitte called "We Are One (Ole Ola) from the compilation album for the FIFA 2014 World Cup One Love, One Rhythm. In May 2014, it was announced that Pitbull would host and co-produce a live New Year's Eve concert special from Miami for Fox, Pitbull's New Year's Revolution, on December 31, 2014. On June 12, 2014, Pitbull performed at the Arena de São Paulo as part of the 2014 FIFA World Cup opening ceremony. This performance saw him joined by Jennifer Lopez and Claudia Leitte to perform the tournament's official song "We Are One (Ole Ola)". In June 2014, it was announced that Pitbull would be receiving a star on the Hollywood Walk of Fame. On July 8, 2014, Pitbull released a Spanish-language single titled "Como Yo Le Doy" featuring Don Miguelo. On July 23, 2014, Pitbull released another single titled "Fireball", which features singer John Ryan Produced by Honua Music. Around the same time, he announced his eighth studio album Globalization, which was released on November 21, 2014. On October 18, 2014, Pitbull released another single titled "Celebrate" which was included on the Penguins of Madagascar soundtrack and later included on the album Globalization. Globalization was released alongside single "Time of Our Lives", which was Pitbull's first top ten hit since "Timber", peaking at #9 on the Hot 100. It also topped the Hot Dance Club Songs, Hot Rap Songs, and Rhythmic charts. On November 20, 2014, Pitbull released another Spanish-language single titled "Piensas (Dile la Verdad)" featuring Gente de Zona. On April 21, 2015, Pitbull released his sixth single on the Globalization album titled "Fun" featuring Chris Brown and peaked at number 40 on the Hot 100. On May 8, 2015, Pitbull released a teaser video on Twitter of his upcoming second Spanish studio album and ninth studio album overall titled Dale. The album was officially released on July 17, 2015, and included the singles "Como Yo Le Doy", "Piensas (Dile la Verdad)", "El Taxi", and "Baddest Girl in Town". The album led to Pitbull winning his Grammy Award in the category of Best Latin Rock, Urban or Alternative Album. 2015–2018: Climate Change, Greatest Hits, and Gotti On October 26, 2015, Pitbull released a new single titled "Free.K", which samples Adina Howard's "Freak like Me" in the chorus. The song was set to be the first single off his tenth studio album titled Climate Change. On January 7, 2016, Pitbull premiered the second single from his new album titled "Freedom", which also samples The Rolling Stones song "I'm Free" in the chorus. To coincide with the release of the single, the artist also teased a 2017 Norwegian party cruise. There is a campaign that launched in January 2016 in support of the cruise that is expected to last until later in the year. On February 14, 2017, Pitbull announced that Climate Change will be released on March 17, with pre-orders starting on February 17. Pitbull collaborated with American girl group Fifth Harmony on "Por Favor" (released October 27, 2017) before announcing his 5th compilation album, titled Pitbull Greatest Hits. The thirteen track album features eleven of Pitbull's most successful leading artist songs, accompanied by "Jungle (with Stereotypes featuring Abraham Mateo and E-40)" and "Locas (featuring Lil' Jon)", two brand new Pitbull songs. The deluxe edition of the album released exclusively in Japan featured a 14th track, "Celebrate". The compilation album was released worldwide on December 1, 2017. Pitbull released his first full-length soundtrack album for the film Gotti alongside Jorge Gómez on June 16, 2018. Pitbull is featured on two tracks on the album, "So Sorry" and "Amore" (featuring Leona Lewis). 2019–2020: YouTube history and Libertad 548 Pitbull collaborated with Indian singer-songwriter Guru Randhawa on the song "Slowly Slowly", released by T-Series on April 19, 2019. The song's music video received 38 million views on YouTube within 24 hours, becoming one of the world's all-time most-viewed music videos in 24 hours. Pitbull's eleventh studio album, Libertad 548, was released on September 27, 2019. The album included the Spanish hit single "No Lo Trates" featuring Daddy Yankee and Natti Natasha, which is RIAA Latin certified 6x Platinum (360,000+ sales). The album's second single "3 to Tango" went viral for John Travolta's surprise guest appearance in the song's official music video. The album's third single "Me Quedaré Contigo" was premiered at the 2019 Latin American Music Awards, and peaked at #1 on the Latin Airplay and Latin Rhythm Airplay Billboard charts in the United States. The album's first promotional single, "Winning" featuring Yomil y El Dany, is a part of the Boost Mobile "Dale Más" advertising campaign. The album's fourth single "Get Ready" featuring Blake Shelton, which was premiered live by Pitbull at the Super Bowl LIV Tailgate Tropicale pre-game show, was later added to the "Dale Más" advertising campaign for a series of pre-game Super Bowl commercials for Super Bowl LIV, and a remixed version of the single serves as the official theme song for the 2020 NASCAR Cup Series. The album's second promotional single, "Cinco de Mayo" with Lil Jon featuring Chesca, was released on May 5, 2020. The promotional single was performed live at the Premio Lo Nuestro 2020, and the performance gained over 2 million views on YouTube as of July 2020. The album's fifth single, "Mueve La Cintura" featuring Tito El Bambino and Guru Randhawa, was released on June 8, 2020. An accompanying music video, which was filmed in 2019 and directed by David Rousseau, was also premiered on that same date. On July 17, 2020, the remix of "Mala", the original of which is found on Libertad 548, was released as a single. The song, titled "Mala (Remix)", features Becky G and additional guest vocals from De La Ghetto. In 2020, amid the COVID-19 pandemic, LiveXLive launched a partnership with Pitbull, which would grant the platform exclusive rights to concerts, behind-the-scenes, videos and more from Pitbull to be streamed to LiveXLive's premium subscribers. On August 14, 2020, Pitbull released a new single, titled "Te Quiero Baby (I Love You Baby)" with Latin pop singer Chesca and American singer Frankie Valli. The single serves as a Latin interpolation of the original Frankie Valli & The Four Seasons 1967 smash hit single "Can't Take My Eyes Off You". 2021–present: I Feel Good Tour On June 22, Pitbull announced across all of his official social media platforms the I Feel Good Tour, named after his single of the same name, and his first dedicated tour since 2017's Enrique Iglesias and Pitbull Live! North American tour. The 32 city tour featured special guest Iggy Azalea and began on August 20, 2021, in Clarkston, Michigan and spanned across the United States through October 13, 2021 in Tampa, Florida. On February 24, 2022, Pitbull performed with IAMCHINO and DJ Deorro on the live-debut of their late-2021 single, "Discoteca", at the 2022 Premio Lo Nuestro awards. The song samples "Around the World (La La La La La)" by Eurodance group ATC. Product endorsements In 2010, Pitbull took part in the "So Kodak" campaign for the Kodak brand with Drake, Rihanna, and Trey Songz. He also launched a partnership with the soft drink giant Dr Pepper as part of the campaign "Vida 23" for which he recorded a song that featured on his album Armando. Pitbull also announced he has become the spokesperson for Voli Vodka, in which he holds a majority equity stake, and Budweiser has chosen Pitbull to promote its Bud Light line of beer. The commercials currently highlight Pitbull dancing and gyrating on stage holding up a bottle of Bud Light. Pitbull has also purchased an equity stake in Miami Subs Pizza and Grill. In 2012, Pitbull was involved in an advertising campaign with Walmart, in which the Walmart store that received the most Facebook "likes" from June 18 to July 15, 2012, would have Pitbull visit and put on a show there. An orchestrated campaign entitled "#exilepitbull" started by The Boston Phoenix reporter David Thorpe and SomethingAwful.com writer Jon Hendren urged people to vote for a remote location, namely Kodiak, Alaska. In an email to the Associated Press, Walmart confirmed that Kodiak was the winning location. Pitbull visited Kodiak on July 30, where he received a key to the city from Mayor Patricia Branson and performed. David Thorpe, who had started the "#exilepitbull" campaign, was invited to attend and showed up. In November 2013, he started a fragrance with Jacavi Worldwide and Parlux Ltd. On May 19, 2015, Pitbull launched a new radio channel on Sirius XM Radio, called Pitbull's Globalization Radio, which is centered around Rhythmic, Dance/EDM, and R&B/Hip-Hop product from artists from around the world. The artist celebrated the channel's debut with a private concert at New York City's Apollo Theater. In addition to launching his customized radio station, Pitbull also plans to launch a pair of projects with Endemol for digital television. In 2019, Pitbull joined Boost Mobile to create a series of advertisements to expand Boost Mobile to Spanish communities. The promotional single "Winning" featuring Yomil y El Dany from Pitbull's 2019 album "Libertad 548" was used in the Boost Mobile "Dale Más" advertising campaign that has been actively rolling out advertisements starring Pitbull and his backup dance group The Most Bad Ones. The song "Get Ready" by Pitbull featuring Blake Shelton was later added to the advertising campaign, also from the Pitbull album Libertad 548. On February 2, 2020, Pitbull was featured in a Super Bowl commercial for Super Bowl LIV, alongside Jennifer Lopez, DJ Khaled, Alex Rodriguez, and Steven Van Zandt. The commercial was produced to promote Hard Rock and its affiliations; the commercial premiered during the 2nd quarter of Super Bowl LIV. The commercial showcases the Seminole Hard Rock Hotel & Casino, which is also where the music video for "Get Ready" by Pitbull featuring Blake Shelton was filmed. The music video was released on February 10, 2020. Controversies Pitbull has been criticized for the way women are depicted in some of his music. For example, song lyrics such as "She say she won't, but I bet she will," and "I like that when you fight back" have attracted discussion about whether or not they could be contributing to the "legitimization" of rape. Campaign described him as an artist "whose lyrics are routinely labeled sexist"; Complex similarly noted that "many view Pitbull as sexist." Pitbull's song "We Are One (Ole Ola)" (featuring Jennifer Lopez and Claudia Leitte), which served as the official FIFA World Cup 2014 song, drew some controversy for not being a good enough representation of Brazil, which was the host country of the World Cup that year. Critics condemned the song's lyrical content for being filled with cliches about Brazilian culture, as well as for not containing enough lyrics in Portuguese. Others called it a "bad, boring, replaceable pop song." In December 2019, Cuban music duo Gente de Zona were banned from performing at a New Year's Eve concert in Miami alongside Pitbull due to their support of the Cuban government. During the concert, Pitbull voiced his support for the duo amid the ban, stating that "music is music, politics is politics." He received immediate backlash for the comments, including from fellow Cuban musicians, such as Albita Rodríguez and Arturo Sandoval, and the Miami community. He later apologized, acknowledged he "screwed up," and claimed he wasn't fully aware of the extent of Gente de Zona's controversial political stances. In 2020, during the COVID-19 pandemic, Pitbull made an appearance in a podcast episode where he claimed the pandemic was a conspiracy, called it a "scamdemic, plandemic," and spread false claims about the origins of it. A shorter clip of the podcast episode started going viral in early 2021, as social media users shared it hundreds of thousands of times. He received backlash for spreading misinformation about the coronavirus, and was labeled a "conspiracy theorist" by some. Business activities On January 15, 2021, it was announced that Pitbull became a co-owner of the NASCAR Cup Series team Trackhouse Racing. Impact and activism Determined to help the Latino community in his hometown, Pitbull's social impact focus for the last decade has been closing the poverty gap through educational initiatives. He helped start a Tuition-Free Public charter for middle and high school called Sports Leadership and Management (SLAM!), which opened in 2013 in Miami's Little Havana, the neighborhood where Pitbull grew up. SLAM! now operates nationwide, including in Miami, Las Vegas and Atlanta, with a 96 percent graduation rate. The school will be run by the non-profit Mater Academy. Pitbull created the Sports Leadership and Management Charter School, which opened in 2013. In response to the destruction caused by Hurricane Maria, Pitbull announced he will use his private plane to bring cancer patients from Puerto Rico to the mainland United States for treatment. On April 13, 2020, Pitbull released a single titled "I Believe That We Will Win (World Anthem)" (which samples the "I believe that we will win!" chant) during the COVID-19 pandemic. The song inspires those affected by the COVID-19 outbreak to "face everything and rise". An accompanying music video was released on May 7, 2020, on YouTube, and made its television debut on MTV. Pitbull is donating all proceeds from song sales, streaming and views to Feeding America and the Anthony Robbins Foundation. On December 31, 2020, Pitbull performed for a crowd of first responders in Times Square during the COVID-19 pandemic for the famous New Year's Eve celebration. Discography M.I.A.M.I. (2004) El Mariel (2006) The Boatlift (2007) Pitbull Starring in Rebelution (2009) Armando (2010) Planet Pit (2011) Global Warming (2012) Globalization (2014) Dale (2015) Climate Change (2017) Libertad 548 (2019) Timeless (2022) Concert tours 2009–2011: Rebelution Tour 2012: Planet Pit World Tour 2013: North American Tour 2013 (with Kesha) 2015: Pitbull Live in Hong Kong 2016: The Bad Man Tour (with Prince Royce and Farruko) 2017: Enrique Iglesias and Pitbull Live! (with Enrique Iglesias) 2021: I Feel Good Tour (with special guest Iggy Azalea) Opening act 2014–2015: Enrique Iglesias – Sex and Love Tour 2018: Britney Spears – Piece of Me Tour Residencies 2015–2019: Pitbull: Time of Our Lives 2020 PPD: Pitbull: Get Ready Vegas LiveXLive Virtual Concert Series 2020: Pitbull: Live & Timeless Filmography Film Television Awards and nominations References External links Pitbull on Vevo Pitbull on YouTube Pitbull on Spotify 1981 births Living people 21st-century American male musicians 21st-century American rappers American entertainers of Cuban descent American hip hop singers American male pop singers American male rappers American musicians of Cuban descent American reggaeton musicians Grammy Award winners Hispanic and Latino American musicians Hispanic and Latino American rappers Latin Grammy Award winners Latin music songwriters Musicians from Miami NASCAR team owners Pop rappers Rappers from Miami RCA Records artists Songwriters from Florida Sony Music Latin artists Spanish-language singers of the United States TVT Records artists Victor Entertainment artists	false	[ "Mariel may refer to:\n\n Mariel (given name)\n Mariel, Cuba, a municipality and city\n Mariel boatlift, a 1980 exodus of Cubans to the United States\n Mariel of Redwall, a book in the Redwall series by Brian Jacques\n Mari-El, an autonomous republic of Russia\n El Mariel, second studio album by Cuban-American rapper Pitbull\n\nPeople with the given name\n Mariel Hemingway (born 1961), American actress and granddaughter of Ernest Hemingway\n Mariel Pamintuan (born 1998), Filipino actress\n Mariel Rodriguez (born 1984), Filipino host and an actress\n\nSee also \n Marial (disambiguation)", "Tornasol is the third studio album of the Chilean singer Mon Laferte. It was launched officially on 7 January 2013.\n\nBackground \nIn January 2013, Mon Laferte launched her second album Tornasol. The album features fourteen tracks, which include collaborations from different artists like Renee Mooi and Chilean musicians like Paz Quintana (Tizana), Mariel Villagra (Mariel Mariel), Sebastián Soto (El Viaje de Seth) and Pamela Sepúlveda (Fakuta); the album explores a variety of genres, including rock, reggae, pop, electronic, ballad, among others, in which it leaves a clear and remarkable artistic growth and personal stamp. On this occasion, Mon Laferte debuts as a producer, work made in joint with Mexican musician Mr. Cesar Ceja and the track Conexión Espiritual under the direction of Ernesto Kong (ex Ráza). The first single was Ángel Negro.\n\nIn addition to being the first single, \"Ángel Negro\" is the one to open fire to a production that shows the maturity and the professionalism of the singer. It is a song that enters a trip by distinct passages, excellent mixes and good collaborations with artists such as Mariel Mariel, Fakuta, and El Viaje de Seth.\n\nThe album can be listened to for free through Mon Laferte's official SoundCloud.\n\nTrack listing\n\nPromotion\n\nSingles \n Ángel Negro: The first single was launched in 2013, through iTunes and on Mon Laferte's official website, and YouTube published the corresponding video. The clip is quite rhythmic but with some dark tones, Mon comes out dancing in different angles or with different effects in a park of some kind, or forest at night.\n Hey Hey: The second single was launched in April 2013, through iTunes and on Mon Laferte's official website, and YouTube published the corresponding video. In it we can see Mon showing a bit of what occurs off-stage and the environment that goes on at her concerts, a super typical style used in artists as popular as Paramore for example.\n Tornasol: The third single was launched in August 2013, through iTunes and on Mon Laferte's official website, and YouTube published the corresponding video where Mon Laferte and Renee Mooi appear in a forest wearing colorful body paint reminiscent of the album cover.\n\nExternal links \n Official website of Mon Laferte\n Official place in Facebook of Mon Laferte\n\nReferences \n\n2013 albums\nMon Laferte albums" ]
[ "Pitbull (rapper)", "2006-2007: El Mariel and The Boatlift", "What was El Mariel?", "I don't know." ]	C_0aac1a7ebd264bc69eaeb5525913e13e_0	What is the Boatlift? Are these Pitbull's albums?	2	What was The Boatlift? Is The Boatlift one of Pitbull's albums?	Pitbull (rapper)	In January 2006, Pitbull guest-starred in UPN's South Beach. Pitbull recorded "Nuestro Himno" in collaboration with Wyclef Jean, Carlos Ponce, and Olga Tanon. On Listennn... the Album, the debut album by Terror Squad member and Miami radio personality DJ Khaled, Pitbull performed on three singles: "Holla at Me" and "Born-N-Raised" alongside other Southern-based rappers. He dedicated the album to his father, who died in May of that year. Along with the usual party-oriented tracks, Pitbull also included politically themed tracks in El Mariel. The album was released on October 31, 2006, and included singles "Bojangles", "Ay Chico (Lengua Afuera)", "Fuego", and duet with Puerto Rican singer Ken-Y, "Dime (Remix)". El Mariel topped the Billboard independent albums chart and peaked at No. 17 on the Billboard 200 and No. 2 on the rap chart. Pitbull's third album, titled The Boatlift, was released in November 2007, spawned by the single "Secret Admirer" featuring Lloyd on the chorus. Earlier, Pitbull announced that this album would have a more gangsta rap edge than his earlier albums. Subsequent singles included "Go Girl" featuring Trina, and "The Anthem" featuring and produced Lil Jon, that song sampling the hook from the song "El Africano" by Wilfrido Vargas and the beat from the song "Calabria" by Rune RK. "Go Girl" peaked at No. 80 on the Billboard Hot 100 and No. 36 on the Hot Rap Tracks chart; "The Anthem" No. 36 on the Hot 100 and No.11 on the Hot Rap Tracks. His variety show, Pitbull's La Esquina, debuted May 2007 and ran through 2009 on the mun2 cable network. Pitbull also appeared on DJ Laz' "Move Shake Drop" and DJ Felli Fel's "Feel It". CANNOTANSWER	album, titled The Boatlift,	Armando Christian Pérez (born January 15, 1981), known professionally by his stage name Pitbull, is an American rapper and singer. Pérez began his career in the early 2000s, recording reggaeton, Latin hip hop, and crunk music under a multitude of labels. In 2004, he released his debut album M.I.A.M.I. under TVT Records and the executive production of Lil Jon. Pitbull later released his second album, El Mariel, in 2006 and his third, The Boatlift, in 2007. His fourth album, Rebelution (2009), included his breakthrough hit single "I Know You Want Me (Calle Ocho)", which peaked at number two on the US Billboard Hot 100 and number four on the UK Singles Chart. After rebranding himself as a pop artist, Pitbull's next English-language album, Planet Pit (2011), featured his first US number one single "Give Me Everything" (featuring Ne-Yo, Afrojack and Nayer). The single from his next album, Global Warming: Meltdown (2013), titled "Timber" (featuring Kesha), hit No.1 in eighteen countries, including the US and UK. The next single from the album, "Feel This Moment" (featuring Christina Aguilera), was a Top 10 hit in the United States, Canada, Australia and the United Kingdom. He performed the song "We Are One (Ole Ola)" (with Jennifer Lopez and Claudia Leitte), which served as the official theme of the 2014 FIFA World Cup. Pitbull released his latest album Libertad 548 on September 27, 2019. The new album includes the RIAA Latin 9× Platinum hit single "No Lo Trates" (featuring Daddy Yankee and Natti Natasha). The album spawned RIAA Latin Platinum single "Me Quedaré Contigo" (also featuring Ne-Yo), and was certified RIAA Latin Platinum on January 28, 2021. Pitbull has sold over 25 million studio albums and over 100 million singles worldwide. He has over 15 billion views on YouTube as of May 2020. He was ranked by Billboard as the 45th Top Artist of the 2010s and the 24th Top Latin Artist of the 2010s. Pitbull's other ventures include brand ambassadorship and for various entities, activism and philanthropy in the Latino American community, a radio station (Pitbull's Globalization) on Sirius XM Radio and ownership of the Trackhouse Racing NASCAR team. As of May 2019, Pitbull has won 35 Billboard Latin Music Awards. Early life and background Armando Christian Pérez was born on January 15, 1981, in Miami, Florida, to Cuban immigrant parents. He is a first-generation American. Growing up, he was strongly encouraged by his family to "take advantage" of the privilege of living in America, and the opportunities it came with. His family has a history of fighting against the Castro regime in Cuba. When he was three, he could recite the works of Cuba's national hero and poet, José Martí, in Spanish. He learned English by watching Sesame Street as a child. His father was largely absent from his childhood; his parents separated when he was young, and he was raised mostly by his mother, later stating: "my mom is my father and my mother." He briefly stayed with a foster family in Roswell, Georgia. His parents struggled with substance abuse; as a teenager, he was also involved with drug use and dealing, which eventually led to him getting kicked out of the family house. He attended South Miami Senior High School and Miami Coral Park High School. Growing up, he was influenced by the Miami bass genre of pop music and has cited Celia Cruz and Willy Chirino as sources of inspiration, in addition to rappers such as Nas, Jay-Z, and Snoop Dogg. He credits the "melting pot" of a city that Miami is with introducing him to many different cultures and teaching him important life lessons, implying that he wouldn't be the person he is nowadays if it wasn't for growing up in Miami. He said he chose his stage name of Pitbull because the dogs "bite to lock. The dog is too stupid to lose. And they're outlawed in Dade County. They're basically everything that I am. It's been a constant fight". After meeting Lil Jon in Miami, Pitbull was featured on Lil Jon and the East Side Boyz' album Kings of Crunk in 2002. Pitbull's song "Oye" was featured on the soundtrack to the film 2 Fast 2 Furious the following year. In addition, Pitbull released several mixtapes, composed of freestyles and remixes of popular rap music. Pitbull also worked with Uncle Luke during his early career, being featured on Luke's 2001 album Somethin' Nasty, including the single "Lollipop" along with Lil' Zane. Career 2001–2003: Luke Records and TVT Records In 2001, Pitbull was signed to Luther Campbell's Luke Records by Jullian Boothe, then the label's vice-president of A&R. In 2001, Pitbull was introduced to Robert Fernandez of Famous Artist Music & Management, an independent label and management company specializing in developing artists, by the Diaz Brothers, a producer duo signed to the company. Fernandez "saw the eagerness and hunger he had" and, with the Luke Records deal ending, began working to develop Pitbull. Together they focused on creating a more radio-friendly sound. Fernandez later told HitQuarters: "At that time his music had a lot of verses and took a long time to get into the hook, and so we took time in getting the songs catchier and less on the rap side." Fernandez introduced Pitbull to Lil Jon, hoping to secure the rapper a small guest intro spot on Lil Jon's upcoming album Kings of Crunk. According to Fernandez, Jon took a liking to Pérez and offered him a track on the album; it is called "Pitbull's Cuban Ride Out." This track helped raise the young rapper's profile. 2004–2005: M.I.A.M.I. In 2004, Pitbull released his debut album M.I.A.M.I., with the lead single being "Culo" produced by Lil Jon and the Diaz Brothers. It peaked at No. 32 on the Billboard Hot 100 chart and No. 11 on the Hot Rap Tracks chart. Other singles included "Dammit Man", "Back Up", "Toma", and "That's Nasty" (both featuring Lil Jon). He joined the Anger Management Tour, the 2000 hip-hop concert tour headlined by Eminem and 50 Cent. Pitbull also appeared on the Ying Yang Twins' single "Shake", which peaked at No.41 on the Hot 100 and No.12 on the rap chart, Adassa's chart topping single "Kamasutra" & Twista's "Hit the Floor" (#94 Hot 100, No. 20 Rap). Remix album Money Is Still a Major Issue was released in November 2005; it included new track "Everybody Get Up", a duet with hip-hop/R&B group Pretty Ricky. TVT Records, Pitbull's label at the time, and Slip-n-Slide Records disputed over the release of Welcome to the 305, an unreleased album by Slip-n-Slide that Pitbull recorded in 2001. A Miami judge ruled that Slip-n-Slide had a legal right to release the album as it was recorded when Pitbull was a Slip-N-Slide artist, and prior to him signing with TVT Records. A US District Court judge affirmed the decision further. TVT was then ordered in March 2007 to pay Slip-n-Slide $9.1 million for attempting to block the album's release to record stores and digital download entities. In 2005, Pitbull and rapper Sean 'Diddy' Combs co-founded Bad Boy Latino, a subsidiary of Combs' Bad Boy Records label. It primarily focuses on Latin hip hop, Latin soul, Latin pop and other tropical music and has offices in New York and Miami, Florida. Along with co-founding it, Pérez currently heads the A&R division of the label. 2006–2007: El Mariel and The Boatlift In January 2006, Pitbull guest-starred in UPN's South Beach. Pitbull recorded "Nuestro Himno" in collaboration with Wyclef Jean, Carlos Ponce, and Olga Tañón. On Listennn... the Album, the debut album by Terror Squad member and Miami radio personality DJ Khaled, Pitbull performed on three singles: "Holla at Me" and "Born-N-Raised" alongside other Southern-based rappers. He dedicated the album to his father, who died in May that year. Along with the usual party-oriented tracks, Pitbull also included politically themed tracks in El Mariel. The album was released on October 31, 2006, and included singles "Bojangles", "Ay Chico (Lengua Afuera)", "Fuego", and duet with Puerto Rican singer Ken-Y, "Dime (Remix)". El Mariel topped the Billboard independent albums chart and peaked at No. 17 on the Billboard 200 and No. 2 on the rap chart. Pitbull's third album, titled The Boatlift, was released on November 27, 2007, spawned by the single "Secret Admirer" featuring Lloyd on the chorus. Earlier, Pitbull announced that this album would have a more gangsta rap edge than his earlier albums. Subsequent singles included "Go Girl" featuring Trina, and "The Anthem" featuring and produced Lil Jon, that song sampling the hook from the song "El Africano" by Wilfrido Vargas and the beat from the song "Calabria" by Rune RK. "Go Girl" peaked at No. 80 on the Billboard Hot 100 and No. 36 on the Hot Rap Tracks chart; "The Anthem" No. 36 on the Hot 100 and No.11 on the Hot Rap Tracks. His variety show, Pitbull's La Esquina, debuted May 2007 and ran through 2009 on the mun2 cable network. Pitbull also appeared on DJ Laz' "Move Shake Drop" and DJ Felli Fel's "Feel It". 2008–2010: Pitbull Starring in Rebelution and Armando For his fourth studio album Pitbull Starring in Rebelution, Pitbull released "I Know You Want Me (Calle Ocho)" through Ultra Records after his former label TVT Records went out of business. "Krazy" peaked at No. 30 on the Hot 100 and No. 11 on the Hot Rap Tracks charts. "I Know You Want Me" peaked at No. 2 on the Hot 100 and peaked within the top ten spots of charts in the UK, Canada, Italy, and the Netherlands. The song reached No. 1 in France and the European Hot 100 in the week ending August 29, 2009 according to Billboard magazine. "I Know You Want Me" ended at position 17 on the Billboard Year-End Hot 100 singles of 2009. He later signed with Polo Grounds Music through Sony Music and created his own label Mr. 305 Inc. The single "Hotel Room Service", which samples "Push the Feeling On", peaked at No. 9 on the Hot 100. The album went on to sell over 7.5 million worldwide digital singles and albums combined. On their second collaboration since "Go Girl", Pitbull appeared on the debut single of rapper David Rush (formerly Young Bo$$), "Shooting Star", also with Kevin Rudolf and LMFAO. An amateur video of Pitbull punching a disruptive audience member at a Colorado concert leaked onto the Internet in late May 2009. Pitbull explained to MTV News that it was because the fan kept throwing cash around the stage, and after Pitbull pulled him up to the stage, he threw a stash of money right in Pitbull's face. He was tapped by the Miami Dolphins to work alongside T-Pain and Jimmy Buffett to release a new fight song for the Dolphins. The city of Miami granted Pitbull a "Key to the City" honor on August 19, 2009. Another popular single from 2009 was "Blanco", featuring Pharrell Williams of The Neptunes from the soundtrack to the movie Fast & Furious. Pitbull recorded a remix with Mexican pop diva Paulina Rubio for her single "Ni Rosas Ni Juguetes" in November 2009. In 2010, Pitbull performed the rap section in the Haiti benefit song "Somos El Mundo", a Spanish version of "We Are the World", that included a huge group of Latin artists led by Emilio and Gloria Estefan. He was also a featured guest on Janet Jackson's "Heart, Beat, Love" in addition to "Armada Latina", the fourth single off the album Rise Up by Latin rap legends, Cypress Hill. The song was produced by Jim Jonsin and also features Marc Anthony. Pitbull then collaborated with Alexandra Burke on the single "All Night Long". He was also featured on "DJ Got Us Fallin' in Love" by Usher. Pitbull released his full-length debut Spanish-language album titled Armando on November 2, 2010. He was also one of the most nominated artists of the 2011 Billboard Latin Music Awards. He garnered 7 nominations for "Latin Rhythm Airplay, Song of the Year" for "Bon, Bon"; "Latin Rhythm Airplay, Artist of the Year, Solo Artist"; "Latin Rhythm Albums, Album of the Year" for Armando; "Latin Rhythm Albums, Artist of the Year, Solo Artist"; "Social 50, Latin Artist of the Year"; "Latin Digital Download of the Year" for "Bon, Bon" and "Hot Latin Song of the Year, Vocal Event" for the song "I Like It" alongside Enrique Iglesias. He also won Telehit's award for "Most Popular Artist". 2011: Planet Pit In April 2011, Jennifer Lopez released Love?, which featured Pitbull on two singles. "Fresh Out the Oven" did not meet with critical or popular success, but the second cut, "On the Floor", was a certified hit. The single went on to make its Billboard Hot 100 debut at number nine, becoming the highest debuting Hot 100 single of Lopez's career. Pitbull released Planet Pit on June 17, 2011. Pitbull collaborated with T-Pain on its first single, which became a moderate hit; "Hey Baby (Drop It to the Floor)", which peaked at No. 7 on the Hot 100. On March 22, 2011, Pitbull released his second single, "Give Me Everything", which features American R&B singer Ne-Yo, American singer Nayer and Dutch DJ Afrojack, who also produced the song and co-wrote it with Matt Howard, Pitbull and Ne-Yo.; three months later, the song became Pitbull's first single to top the Billboard Hot 100. It was ranked no. 5 on the 2011 Billboard Year-End Chart. In August 2011, Lindsay Lohan sued Pitbull, Ne-Yo and Afrojack in response to the song's lyrics referencing her name, "I've got it locked up like Lindsay Lohan." Lohan objected to the negative connotation of the line and claimed that she should have been compensated for the use of her name in the song. The case was dismissed by a federal judge, who ruled the tune's lyrics are protected by the First Amendment, which covers freedom of speech and creative expression. 2012–2013: Global Warming, Meltdown & Men in Black 3 On October 7, 2011, RCA Music Group announced it was disbanding J Records along with Arista Records and Jive Records. With the shutdown, Pitbull (and all other artists previously signed to these three labels) would release future material on the RCA Records brand. On May 8, 2012, he collaborated with the Italian DJ Gabry Ponte for the song "Beat on My Drum". Pitbull's seventh studio album was titled "Global Warming" and released on November 16, 2012. Pitbull explained that the title reflected the fact that, much like the phenomenon of global warming, he's been around for a while but all of a sudden, people are paying attention. The lead single from the album was "Get It Started" featuring singer Shakira. The third single was "Feel This Moment" featuring Christina Aguilera. The second single, entitled "Back in Time," was for the film Men in Black 3. It was the first lead single for the Men in Black franchise not performed by Will Smith. The song, which plays during the end credits but is not featured on the soundtrack album, samples "Love Is Strange" by Mickey & Sylvia. Pitbull supported the album with a world tour in the summer of 2013. In 2013, Pitbull released a diss track towards Lil Wayne called "Welcome 2 Dade County" shortly after Lil Wayne's rant on the Miami Heat. Pitbull made his film debut Epic with a voice role of the character "Bufo". He embarked on the North American/Australian Summer Tour with Kesha to promote both their albums, which extends from May to November. He released his song "Feel This Moment" featuring Christina Aguilera on January 18, 2013, and they performed it live at the 2013 Billboard Music Awards, as well as on the fourth season of The Voice. The song was a commercial success, peaking at No. 8 on the Billboard Hot 100. Later he released the final single from his Global Warming album, Outta Nowhere featuring Danny Mercer, in late May. At the 2013 Latin Grammy Awards, Pitbull won the award for Best Urban Performance for his song "Echa Pa'lla (Manos Pa'rriba)". Pitbull announced via Twitter that he would release the extended play to his studio album Global Warming, named Global Warming: Meltdown on November 25, featuring guest appearances from Kesha, Kelly Rowland, Inna, Mohombi and Mayer Hawthorne. The lead single, "Timber", featuring recording artist and tourmate Kesha, was released on October 7. The song peaked at #1 on the Billboard Hot 100 in 18 different countries. Pitbull was featured on the early summer single "Live It Up", marking his third collaboration with Jennifer Lopez and Redone. Lopez and Pitbull performed the song at the Billboard Music Awards, American Idol and Premios Juventud. He also made album appearances for Priyanka Chopra, Flo Rida, Jessica Mauboy, Belinda, Jason Derulo and other artists. Pitbull provided the post-race concert at the Formula 1 United States Grand Prix at Circuit of the Americas on November 17, 2013. Pitbull hosted the 2013 American Music Awards on November 24, 2013. 2014–2015: Globalization and Dale Pitbull, Jennifer Lopez and Claudia Leitte performed the song "We Are One" at the opening ceremony of the 2014 World Cup. On February 25, 2014, Pitbull released a new single titled "Wild Wild Love" featuring American recording artist group G.R.L. It has peaked at number 30 on the Billboard Hot 100. On April 15, 2014, Pitbull released a single featuring Jennifer Lopez and Claudia Leitte called "We Are One (Ole Ola) from the compilation album for the FIFA 2014 World Cup One Love, One Rhythm. In May 2014, it was announced that Pitbull would host and co-produce a live New Year's Eve concert special from Miami for Fox, Pitbull's New Year's Revolution, on December 31, 2014. On June 12, 2014, Pitbull performed at the Arena de São Paulo as part of the 2014 FIFA World Cup opening ceremony. This performance saw him joined by Jennifer Lopez and Claudia Leitte to perform the tournament's official song "We Are One (Ole Ola)". In June 2014, it was announced that Pitbull would be receiving a star on the Hollywood Walk of Fame. On July 8, 2014, Pitbull released a Spanish-language single titled "Como Yo Le Doy" featuring Don Miguelo. On July 23, 2014, Pitbull released another single titled "Fireball", which features singer John Ryan Produced by Honua Music. Around the same time, he announced his eighth studio album Globalization, which was released on November 21, 2014. On October 18, 2014, Pitbull released another single titled "Celebrate" which was included on the Penguins of Madagascar soundtrack and later included on the album Globalization. Globalization was released alongside single "Time of Our Lives", which was Pitbull's first top ten hit since "Timber", peaking at #9 on the Hot 100. It also topped the Hot Dance Club Songs, Hot Rap Songs, and Rhythmic charts. On November 20, 2014, Pitbull released another Spanish-language single titled "Piensas (Dile la Verdad)" featuring Gente de Zona. On April 21, 2015, Pitbull released his sixth single on the Globalization album titled "Fun" featuring Chris Brown and peaked at number 40 on the Hot 100. On May 8, 2015, Pitbull released a teaser video on Twitter of his upcoming second Spanish studio album and ninth studio album overall titled Dale. The album was officially released on July 17, 2015, and included the singles "Como Yo Le Doy", "Piensas (Dile la Verdad)", "El Taxi", and "Baddest Girl in Town". The album led to Pitbull winning his Grammy Award in the category of Best Latin Rock, Urban or Alternative Album. 2015–2018: Climate Change, Greatest Hits, and Gotti On October 26, 2015, Pitbull released a new single titled "Free.K", which samples Adina Howard's "Freak like Me" in the chorus. The song was set to be the first single off his tenth studio album titled Climate Change. On January 7, 2016, Pitbull premiered the second single from his new album titled "Freedom", which also samples The Rolling Stones song "I'm Free" in the chorus. To coincide with the release of the single, the artist also teased a 2017 Norwegian party cruise. There is a campaign that launched in January 2016 in support of the cruise that is expected to last until later in the year. On February 14, 2017, Pitbull announced that Climate Change will be released on March 17, with pre-orders starting on February 17. Pitbull collaborated with American girl group Fifth Harmony on "Por Favor" (released October 27, 2017) before announcing his 5th compilation album, titled Pitbull Greatest Hits. The thirteen track album features eleven of Pitbull's most successful leading artist songs, accompanied by "Jungle (with Stereotypes featuring Abraham Mateo and E-40)" and "Locas (featuring Lil' Jon)", two brand new Pitbull songs. The deluxe edition of the album released exclusively in Japan featured a 14th track, "Celebrate". The compilation album was released worldwide on December 1, 2017. Pitbull released his first full-length soundtrack album for the film Gotti alongside Jorge Gómez on June 16, 2018. Pitbull is featured on two tracks on the album, "So Sorry" and "Amore" (featuring Leona Lewis). 2019–2020: YouTube history and Libertad 548 Pitbull collaborated with Indian singer-songwriter Guru Randhawa on the song "Slowly Slowly", released by T-Series on April 19, 2019. The song's music video received 38 million views on YouTube within 24 hours, becoming one of the world's all-time most-viewed music videos in 24 hours. Pitbull's eleventh studio album, Libertad 548, was released on September 27, 2019. The album included the Spanish hit single "No Lo Trates" featuring Daddy Yankee and Natti Natasha, which is RIAA Latin certified 6x Platinum (360,000+ sales). The album's second single "3 to Tango" went viral for John Travolta's surprise guest appearance in the song's official music video. The album's third single "Me Quedaré Contigo" was premiered at the 2019 Latin American Music Awards, and peaked at #1 on the Latin Airplay and Latin Rhythm Airplay Billboard charts in the United States. The album's first promotional single, "Winning" featuring Yomil y El Dany, is a part of the Boost Mobile "Dale Más" advertising campaign. The album's fourth single "Get Ready" featuring Blake Shelton, which was premiered live by Pitbull at the Super Bowl LIV Tailgate Tropicale pre-game show, was later added to the "Dale Más" advertising campaign for a series of pre-game Super Bowl commercials for Super Bowl LIV, and a remixed version of the single serves as the official theme song for the 2020 NASCAR Cup Series. The album's second promotional single, "Cinco de Mayo" with Lil Jon featuring Chesca, was released on May 5, 2020. The promotional single was performed live at the Premio Lo Nuestro 2020, and the performance gained over 2 million views on YouTube as of July 2020. The album's fifth single, "Mueve La Cintura" featuring Tito El Bambino and Guru Randhawa, was released on June 8, 2020. An accompanying music video, which was filmed in 2019 and directed by David Rousseau, was also premiered on that same date. On July 17, 2020, the remix of "Mala", the original of which is found on Libertad 548, was released as a single. The song, titled "Mala (Remix)", features Becky G and additional guest vocals from De La Ghetto. In 2020, amid the COVID-19 pandemic, LiveXLive launched a partnership with Pitbull, which would grant the platform exclusive rights to concerts, behind-the-scenes, videos and more from Pitbull to be streamed to LiveXLive's premium subscribers. On August 14, 2020, Pitbull released a new single, titled "Te Quiero Baby (I Love You Baby)" with Latin pop singer Chesca and American singer Frankie Valli. The single serves as a Latin interpolation of the original Frankie Valli & The Four Seasons 1967 smash hit single "Can't Take My Eyes Off You". 2021–present: I Feel Good Tour On June 22, Pitbull announced across all of his official social media platforms the I Feel Good Tour, named after his single of the same name, and his first dedicated tour since 2017's Enrique Iglesias and Pitbull Live! North American tour. The 32 city tour featured special guest Iggy Azalea and began on August 20, 2021, in Clarkston, Michigan and spanned across the United States through October 13, 2021 in Tampa, Florida. On February 24, 2022, Pitbull performed with IAMCHINO and DJ Deorro on the live-debut of their late-2021 single, "Discoteca", at the 2022 Premio Lo Nuestro awards. The song samples "Around the World (La La La La La)" by Eurodance group ATC. Product endorsements In 2010, Pitbull took part in the "So Kodak" campaign for the Kodak brand with Drake, Rihanna, and Trey Songz. He also launched a partnership with the soft drink giant Dr Pepper as part of the campaign "Vida 23" for which he recorded a song that featured on his album Armando. Pitbull also announced he has become the spokesperson for Voli Vodka, in which he holds a majority equity stake, and Budweiser has chosen Pitbull to promote its Bud Light line of beer. The commercials currently highlight Pitbull dancing and gyrating on stage holding up a bottle of Bud Light. Pitbull has also purchased an equity stake in Miami Subs Pizza and Grill. In 2012, Pitbull was involved in an advertising campaign with Walmart, in which the Walmart store that received the most Facebook "likes" from June 18 to July 15, 2012, would have Pitbull visit and put on a show there. An orchestrated campaign entitled "#exilepitbull" started by The Boston Phoenix reporter David Thorpe and SomethingAwful.com writer Jon Hendren urged people to vote for a remote location, namely Kodiak, Alaska. In an email to the Associated Press, Walmart confirmed that Kodiak was the winning location. Pitbull visited Kodiak on July 30, where he received a key to the city from Mayor Patricia Branson and performed. David Thorpe, who had started the "#exilepitbull" campaign, was invited to attend and showed up. In November 2013, he started a fragrance with Jacavi Worldwide and Parlux Ltd. On May 19, 2015, Pitbull launched a new radio channel on Sirius XM Radio, called Pitbull's Globalization Radio, which is centered around Rhythmic, Dance/EDM, and R&B/Hip-Hop product from artists from around the world. The artist celebrated the channel's debut with a private concert at New York City's Apollo Theater. In addition to launching his customized radio station, Pitbull also plans to launch a pair of projects with Endemol for digital television. In 2019, Pitbull joined Boost Mobile to create a series of advertisements to expand Boost Mobile to Spanish communities. The promotional single "Winning" featuring Yomil y El Dany from Pitbull's 2019 album "Libertad 548" was used in the Boost Mobile "Dale Más" advertising campaign that has been actively rolling out advertisements starring Pitbull and his backup dance group The Most Bad Ones. The song "Get Ready" by Pitbull featuring Blake Shelton was later added to the advertising campaign, also from the Pitbull album Libertad 548. On February 2, 2020, Pitbull was featured in a Super Bowl commercial for Super Bowl LIV, alongside Jennifer Lopez, DJ Khaled, Alex Rodriguez, and Steven Van Zandt. The commercial was produced to promote Hard Rock and its affiliations; the commercial premiered during the 2nd quarter of Super Bowl LIV. The commercial showcases the Seminole Hard Rock Hotel & Casino, which is also where the music video for "Get Ready" by Pitbull featuring Blake Shelton was filmed. The music video was released on February 10, 2020. Controversies Pitbull has been criticized for the way women are depicted in some of his music. For example, song lyrics such as "She say she won't, but I bet she will," and "I like that when you fight back" have attracted discussion about whether or not they could be contributing to the "legitimization" of rape. Campaign described him as an artist "whose lyrics are routinely labeled sexist"; Complex similarly noted that "many view Pitbull as sexist." Pitbull's song "We Are One (Ole Ola)" (featuring Jennifer Lopez and Claudia Leitte), which served as the official FIFA World Cup 2014 song, drew some controversy for not being a good enough representation of Brazil, which was the host country of the World Cup that year. Critics condemned the song's lyrical content for being filled with cliches about Brazilian culture, as well as for not containing enough lyrics in Portuguese. Others called it a "bad, boring, replaceable pop song." In December 2019, Cuban music duo Gente de Zona were banned from performing at a New Year's Eve concert in Miami alongside Pitbull due to their support of the Cuban government. During the concert, Pitbull voiced his support for the duo amid the ban, stating that "music is music, politics is politics." He received immediate backlash for the comments, including from fellow Cuban musicians, such as Albita Rodríguez and Arturo Sandoval, and the Miami community. He later apologized, acknowledged he "screwed up," and claimed he wasn't fully aware of the extent of Gente de Zona's controversial political stances. In 2020, during the COVID-19 pandemic, Pitbull made an appearance in a podcast episode where he claimed the pandemic was a conspiracy, called it a "scamdemic, plandemic," and spread false claims about the origins of it. A shorter clip of the podcast episode started going viral in early 2021, as social media users shared it hundreds of thousands of times. He received backlash for spreading misinformation about the coronavirus, and was labeled a "conspiracy theorist" by some. Business activities On January 15, 2021, it was announced that Pitbull became a co-owner of the NASCAR Cup Series team Trackhouse Racing. Impact and activism Determined to help the Latino community in his hometown, Pitbull's social impact focus for the last decade has been closing the poverty gap through educational initiatives. He helped start a Tuition-Free Public charter for middle and high school called Sports Leadership and Management (SLAM!), which opened in 2013 in Miami's Little Havana, the neighborhood where Pitbull grew up. SLAM! now operates nationwide, including in Miami, Las Vegas and Atlanta, with a 96 percent graduation rate. The school will be run by the non-profit Mater Academy. Pitbull created the Sports Leadership and Management Charter School, which opened in 2013. In response to the destruction caused by Hurricane Maria, Pitbull announced he will use his private plane to bring cancer patients from Puerto Rico to the mainland United States for treatment. On April 13, 2020, Pitbull released a single titled "I Believe That We Will Win (World Anthem)" (which samples the "I believe that we will win!" chant) during the COVID-19 pandemic. The song inspires those affected by the COVID-19 outbreak to "face everything and rise". An accompanying music video was released on May 7, 2020, on YouTube, and made its television debut on MTV. Pitbull is donating all proceeds from song sales, streaming and views to Feeding America and the Anthony Robbins Foundation. On December 31, 2020, Pitbull performed for a crowd of first responders in Times Square during the COVID-19 pandemic for the famous New Year's Eve celebration. Discography M.I.A.M.I. (2004) El Mariel (2006) The Boatlift (2007) Pitbull Starring in Rebelution (2009) Armando (2010) Planet Pit (2011) Global Warming (2012) Globalization (2014) Dale (2015) Climate Change (2017) Libertad 548 (2019) Timeless (2022) Concert tours 2009–2011: Rebelution Tour 2012: Planet Pit World Tour 2013: North American Tour 2013 (with Kesha) 2015: Pitbull Live in Hong Kong 2016: The Bad Man Tour (with Prince Royce and Farruko) 2017: Enrique Iglesias and Pitbull Live! (with Enrique Iglesias) 2021: I Feel Good Tour (with special guest Iggy Azalea) Opening act 2014–2015: Enrique Iglesias – Sex and Love Tour 2018: Britney Spears – Piece of Me Tour Residencies 2015–2019: Pitbull: Time of Our Lives 2020 PPD: Pitbull: Get Ready Vegas LiveXLive Virtual Concert Series 2020: Pitbull: Live & Timeless Filmography Film Television Awards and nominations References External links Pitbull on Vevo Pitbull on YouTube Pitbull on Spotify 1981 births Living people 21st-century American male musicians 21st-century American rappers American entertainers of Cuban descent American hip hop singers American male pop singers American male rappers American musicians of Cuban descent American reggaeton musicians Grammy Award winners Hispanic and Latino American musicians Hispanic and Latino American rappers Latin Grammy Award winners Latin music songwriters Musicians from Miami NASCAR team owners Pop rappers Rappers from Miami RCA Records artists Songwriters from Florida Sony Music Latin artists Spanish-language singers of the United States TVT Records artists Victor Entertainment artists	true	[ "The Boatlift is the third studio album by Cuban-American rapper Pitbull. It was released on November 27, 2007 through TVT, Poe Boy and Bad Boy Latino. The album features production by Lil Jon, Mr. Collipark, Nitti, Diaz Brothers and Sean \"P. Diddy\" Combs who served as executive producer with Pitbull. It also features guest appearances by Trick Daddy, Lil Jon, Twista, Jim Jones, Jason Derulo and Don Omar among others.\n\nThe Boatlift spawned four singles: \"Go Girl\", \"The Anthem\", \"Secret Admirer\", and \"Sticky Icky\". The song \"Fuego (Remix)\" was featured on the video game Madden NFL 2008. The album received generally positive reviews from music critics but received small commercial success despite critical acclaim. It debuted at number 50 on the US Billboard 200 chart, selling 22,398 copies in its first week.\n\nCritical reception\n\nThe Boatlift garnered a positive reception from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 69, based on 5 reviews.\n\nPatrick Taylor of RapReviews praised the album's versatile production for going beyond crunk music and showing depth in club anthems, concluding that \"Pitbull continues to prove himself as an MC who is able to bridge Latin hip hop and Southern hip hop, creating a sound that should appeal to fans from both camps. He may not be the deepest lyricist on earth, and his attempts at bedroom music may fall flat, but he makes a mean soundtrack for a night out.\" DJBooth's Nathan Slavik praised Pitbull for exploring vastly different genres to create party tracks with a worldview appeal and doing them with a talented cast of featured artists and producers, saying that \"The Boatlift isn’t going to expand your intellectual or spiritual horizons, but it is without question a go-to album for all your booty-shakin needs.\" Jose Davila of Vibe also praised the album's genre-hopping production mixing well with Pitbull's bilingual, charismatic flow, saying that it \"solidifies Pitbull's position as one of the most diverse party MCs around. And little else.\"\n\nWilson McBee of Slant Magazine said that, \"For better or worse, the story of Boatlift concerns more the production and song structures than Pitbull’s own rapping. It’s clear he’d rather be a chorus-shouter than a verse-spitter, or at least he believes that will help him sell more records.\" AllMusic's David Jeffries commended the production and lyrical hooks for being catchy but felt that it lacked a sense of personality and talent compared to El Mariel, saying to consider The Boatlift \"a fun floor-filler, but just not up to Pitbull's usual standards.\" A writer for Music for America felt that Pitbull was wasting his talent throughout the record rhyming typical club tracks and party jams and would like to see him collaborate with artists like Little Brother, 2Mex, Deep Thinkers and Roots Manuva.\n\nCommercial performance\nThe Boatlift debuted at number 50 on the US Billboard 200 chart, selling 22,398 copies in its first week. In its second week, the album dropped to number 134 on the chart, selling an additional 9,686 copies. As of April 2009, the album has sold 131,000 copies in the United States.\n\nTrack listing \nTrack listing confirmed by iTunes, and songwriting credits was confirmed by AllMusic and the album's Liner Notes.\n\nSample credits\n\"Go Girl\" – Contains a sample of \"Big Poppa\" performed by The Notorious B.I.G., and \"Party Like a Rockstar\" performed by Trina.\n\"The Anthem\" – Contains a sample of \"El Africano\" performed by Wilfrido Vargas and \"Calabria 2007\" performed by ENUR and Natasja.\n\"Secret Admirer\" – Contains a sample of \"My Boo\" performed by Ghost Town DJ's.\n\"Fuego (DJ Buddha Remix)\" – Remix of \"Fuego\" from Pitbull's album El Mariel.\n\"Stripper Pole (Remix)\" – Remix of the Toby Love song \"Stripper Pole\" performed with KP Da Moneymaker; original version appears on Toby Love's self-titled album. \n\"Tell Me (Remix)\" – Remix of the Ken-Y song \"Dime\"; original version appears on the album Masterpiece.\n\nPersonnel\nUnless otherwise noted, Information is taken from AllMusic and the album's Liner Notes\nPitbull - lead vocals\nAIM - guest vocals (4)\nKori Anders - assistant audio mixing (16)\nKeith Bizz - audio mixing (5)\nLeslie Brathwaite - audio mixing (16)\nReather Bryant - percussion (14)\nAl Burna - recording engineer (1, 5, 8-9, 14, 17-18)\nJosh Butler - recording engineer (12)\nCasely - additional vocals (5)\nAlbert Castillo - recording engineer, audio mixing (7)\nJuan \"Juan Ya\" Chavis - background vocals (15)\nSteven Cruz - guitar (15)\nCubo - guest vocals, recording engineer (4)\nRyan Deaunovich - bongos\nJuan \"John Q.\" DeJesus - background vocals (15)\nMiguel DeJesus - background vocals (15)\nDJ Buddha - remixing (14)\nDJ Ideal - recording engineer (4)\nFabo - additional vocals (3)\nSteve Fisher - recording engineer (12)\nJonathan \"JaShell\" Gelabert - background vocals (15)\nAdam Gomez - bass guitar (15)\nDanny Guira - guiro\nEddie Hernandez - assistant audio mixing (2, 12, 14)\nLaMarquis Jefferson - bass guitar (6)\nHarold Jones - percussion (14)\nJulissa - background vocals (15)\nDawin Lapache - guitar, bass guitar (15)\nAri Levine - recording engineer (16)\nLil Jon - audio mixing (6)\nCraig Love - guitar (6)\nToby Love - vocal arrangement, background vocals (15)\nJose \"Jumanji Guira\" Martinez - guiro (15)\nRafael Martinez - background vocals (15)\nPing \"A. Fuegoski\" Montana - bongos (15)\nDetroit Nix - keyboards (6)\nSteve Obas - recording engineer (2)\nRich DJ Riddler Pangilinan - Audio Production, Producer (7)\nEddie \"Scarlito\" Perez - piano, all keyboards, vocal arrangement, recording engineer, audio mixing (15)\nRaulito - bongos \nLeroy S. Romans - piano, all keyboards, background vocals (15)\nAdrian \"Drop\" Santalla - recording engineer (2, 11, 13)\nYoung Rico Scott - percussion (14)\nRay Seay - audio mixing (2-3, 6, 9-12, 14, 17)\nStephen Siravo Jr. - assistant audio mixing (15)\nJustin Trawick - assistant audio mixing (16)\nTrina - additional vocals (2)\nYaharia Vargas - background vocals (15)\nAndrea Venezuela - additional vocals (16)\nMark Vinten - recording engineer (6, 10, 17)\n\nCharts\n\nReferences\n\nBibliography\n.\n\n.\n\n.\n\n.\n\n2007 albums\nPitbull (rapper) albums\nAlbums produced by Lil Jon\nAlbums produced by Mr. Collipark", "\"The Anthem\" is a song by Pitbull, released as the second single from his 2007 album The Boatlift. It features crunk rapper Lil Jon. The intro line, as well as the song's main hook, is taken from the 1970s Latin hit \"El Africano\" by Sonora Dinamita. It samples the song \"Calabria 2007\" by Danish producer DJ Rune Reilly Kølsch, also known as Enur.\n\n\"Defense\" (official remix to \"The Anthem\")\nThe official remix is entitled \"Defense (The Anthem)\"; it features Trinidadian soca singer Machel Montano with Pitbull and Lil Jon. The remix appears on Montano's album Flame on (Wining Season is the U.S. edition of the album). This song is notable because its primary beat is played by a synthesized saxophone, which covers a simple minor triad.\n\nMusic video\nThe music video for the song was shot in Trinidad and Tobago, Miami and Atlanta and became a dedication to Natasja Saad.\nE-40 made a cameo appearance.\n\nCharts\n\nReferences\n\n2007 singles\n2007 songs\n2008 singles\nLil Jon songs\nPitbull (rapper) songs\nSong recordings produced by Lil Jon\nSongs written by Pitbull (rapper)\nTVT Records singles" ]
[ "Pitbull (rapper)", "2006-2007: El Mariel and The Boatlift", "What was El Mariel?", "I don't know.", "What is the Boatlift? Are these Pitbull's albums?", "album, titled The Boatlift," ]	C_0aac1a7ebd264bc69eaeb5525913e13e_0	How well did these albums sell?	3	How well did El Mariel and The Boatlift albums sell?	Pitbull (rapper)	In January 2006, Pitbull guest-starred in UPN's South Beach. Pitbull recorded "Nuestro Himno" in collaboration with Wyclef Jean, Carlos Ponce, and Olga Tanon. On Listennn... the Album, the debut album by Terror Squad member and Miami radio personality DJ Khaled, Pitbull performed on three singles: "Holla at Me" and "Born-N-Raised" alongside other Southern-based rappers. He dedicated the album to his father, who died in May of that year. Along with the usual party-oriented tracks, Pitbull also included politically themed tracks in El Mariel. The album was released on October 31, 2006, and included singles "Bojangles", "Ay Chico (Lengua Afuera)", "Fuego", and duet with Puerto Rican singer Ken-Y, "Dime (Remix)". El Mariel topped the Billboard independent albums chart and peaked at No. 17 on the Billboard 200 and No. 2 on the rap chart. Pitbull's third album, titled The Boatlift, was released in November 2007, spawned by the single "Secret Admirer" featuring Lloyd on the chorus. Earlier, Pitbull announced that this album would have a more gangsta rap edge than his earlier albums. Subsequent singles included "Go Girl" featuring Trina, and "The Anthem" featuring and produced Lil Jon, that song sampling the hook from the song "El Africano" by Wilfrido Vargas and the beat from the song "Calabria" by Rune RK. "Go Girl" peaked at No. 80 on the Billboard Hot 100 and No. 36 on the Hot Rap Tracks chart; "The Anthem" No. 36 on the Hot 100 and No.11 on the Hot Rap Tracks. His variety show, Pitbull's La Esquina, debuted May 2007 and ran through 2009 on the mun2 cable network. Pitbull also appeared on DJ Laz' "Move Shake Drop" and DJ Felli Fel's "Feel It". CANNOTANSWER	No. 2 on the rap chart.	Armando Christian Pérez (born January 15, 1981), known professionally by his stage name Pitbull, is an American rapper and singer. Pérez began his career in the early 2000s, recording reggaeton, Latin hip hop, and crunk music under a multitude of labels. In 2004, he released his debut album M.I.A.M.I. under TVT Records and the executive production of Lil Jon. Pitbull later released his second album, El Mariel, in 2006 and his third, The Boatlift, in 2007. His fourth album, Rebelution (2009), included his breakthrough hit single "I Know You Want Me (Calle Ocho)", which peaked at number two on the US Billboard Hot 100 and number four on the UK Singles Chart. After rebranding himself as a pop artist, Pitbull's next English-language album, Planet Pit (2011), featured his first US number one single "Give Me Everything" (featuring Ne-Yo, Afrojack and Nayer). The single from his next album, Global Warming: Meltdown (2013), titled "Timber" (featuring Kesha), hit No.1 in eighteen countries, including the US and UK. The next single from the album, "Feel This Moment" (featuring Christina Aguilera), was a Top 10 hit in the United States, Canada, Australia and the United Kingdom. He performed the song "We Are One (Ole Ola)" (with Jennifer Lopez and Claudia Leitte), which served as the official theme of the 2014 FIFA World Cup. Pitbull released his latest album Libertad 548 on September 27, 2019. The new album includes the RIAA Latin 9× Platinum hit single "No Lo Trates" (featuring Daddy Yankee and Natti Natasha). The album spawned RIAA Latin Platinum single "Me Quedaré Contigo" (also featuring Ne-Yo), and was certified RIAA Latin Platinum on January 28, 2021. Pitbull has sold over 25 million studio albums and over 100 million singles worldwide. He has over 15 billion views on YouTube as of May 2020. He was ranked by Billboard as the 45th Top Artist of the 2010s and the 24th Top Latin Artist of the 2010s. Pitbull's other ventures include brand ambassadorship and for various entities, activism and philanthropy in the Latino American community, a radio station (Pitbull's Globalization) on Sirius XM Radio and ownership of the Trackhouse Racing NASCAR team. As of May 2019, Pitbull has won 35 Billboard Latin Music Awards. Early life and background Armando Christian Pérez was born on January 15, 1981, in Miami, Florida, to Cuban immigrant parents. He is a first-generation American. Growing up, he was strongly encouraged by his family to "take advantage" of the privilege of living in America, and the opportunities it came with. His family has a history of fighting against the Castro regime in Cuba. When he was three, he could recite the works of Cuba's national hero and poet, José Martí, in Spanish. He learned English by watching Sesame Street as a child. His father was largely absent from his childhood; his parents separated when he was young, and he was raised mostly by his mother, later stating: "my mom is my father and my mother." He briefly stayed with a foster family in Roswell, Georgia. His parents struggled with substance abuse; as a teenager, he was also involved with drug use and dealing, which eventually led to him getting kicked out of the family house. He attended South Miami Senior High School and Miami Coral Park High School. Growing up, he was influenced by the Miami bass genre of pop music and has cited Celia Cruz and Willy Chirino as sources of inspiration, in addition to rappers such as Nas, Jay-Z, and Snoop Dogg. He credits the "melting pot" of a city that Miami is with introducing him to many different cultures and teaching him important life lessons, implying that he wouldn't be the person he is nowadays if it wasn't for growing up in Miami. He said he chose his stage name of Pitbull because the dogs "bite to lock. The dog is too stupid to lose. And they're outlawed in Dade County. They're basically everything that I am. It's been a constant fight". After meeting Lil Jon in Miami, Pitbull was featured on Lil Jon and the East Side Boyz' album Kings of Crunk in 2002. Pitbull's song "Oye" was featured on the soundtrack to the film 2 Fast 2 Furious the following year. In addition, Pitbull released several mixtapes, composed of freestyles and remixes of popular rap music. Pitbull also worked with Uncle Luke during his early career, being featured on Luke's 2001 album Somethin' Nasty, including the single "Lollipop" along with Lil' Zane. Career 2001–2003: Luke Records and TVT Records In 2001, Pitbull was signed to Luther Campbell's Luke Records by Jullian Boothe, then the label's vice-president of A&R. In 2001, Pitbull was introduced to Robert Fernandez of Famous Artist Music & Management, an independent label and management company specializing in developing artists, by the Diaz Brothers, a producer duo signed to the company. Fernandez "saw the eagerness and hunger he had" and, with the Luke Records deal ending, began working to develop Pitbull. Together they focused on creating a more radio-friendly sound. Fernandez later told HitQuarters: "At that time his music had a lot of verses and took a long time to get into the hook, and so we took time in getting the songs catchier and less on the rap side." Fernandez introduced Pitbull to Lil Jon, hoping to secure the rapper a small guest intro spot on Lil Jon's upcoming album Kings of Crunk. According to Fernandez, Jon took a liking to Pérez and offered him a track on the album; it is called "Pitbull's Cuban Ride Out." This track helped raise the young rapper's profile. 2004–2005: M.I.A.M.I. In 2004, Pitbull released his debut album M.I.A.M.I., with the lead single being "Culo" produced by Lil Jon and the Diaz Brothers. It peaked at No. 32 on the Billboard Hot 100 chart and No. 11 on the Hot Rap Tracks chart. Other singles included "Dammit Man", "Back Up", "Toma", and "That's Nasty" (both featuring Lil Jon). He joined the Anger Management Tour, the 2000 hip-hop concert tour headlined by Eminem and 50 Cent. Pitbull also appeared on the Ying Yang Twins' single "Shake", which peaked at No.41 on the Hot 100 and No.12 on the rap chart, Adassa's chart topping single "Kamasutra" & Twista's "Hit the Floor" (#94 Hot 100, No. 20 Rap). Remix album Money Is Still a Major Issue was released in November 2005; it included new track "Everybody Get Up", a duet with hip-hop/R&B group Pretty Ricky. TVT Records, Pitbull's label at the time, and Slip-n-Slide Records disputed over the release of Welcome to the 305, an unreleased album by Slip-n-Slide that Pitbull recorded in 2001. A Miami judge ruled that Slip-n-Slide had a legal right to release the album as it was recorded when Pitbull was a Slip-N-Slide artist, and prior to him signing with TVT Records. A US District Court judge affirmed the decision further. TVT was then ordered in March 2007 to pay Slip-n-Slide $9.1 million for attempting to block the album's release to record stores and digital download entities. In 2005, Pitbull and rapper Sean 'Diddy' Combs co-founded Bad Boy Latino, a subsidiary of Combs' Bad Boy Records label. It primarily focuses on Latin hip hop, Latin soul, Latin pop and other tropical music and has offices in New York and Miami, Florida. Along with co-founding it, Pérez currently heads the A&R division of the label. 2006–2007: El Mariel and The Boatlift In January 2006, Pitbull guest-starred in UPN's South Beach. Pitbull recorded "Nuestro Himno" in collaboration with Wyclef Jean, Carlos Ponce, and Olga Tañón. On Listennn... the Album, the debut album by Terror Squad member and Miami radio personality DJ Khaled, Pitbull performed on three singles: "Holla at Me" and "Born-N-Raised" alongside other Southern-based rappers. He dedicated the album to his father, who died in May that year. Along with the usual party-oriented tracks, Pitbull also included politically themed tracks in El Mariel. The album was released on October 31, 2006, and included singles "Bojangles", "Ay Chico (Lengua Afuera)", "Fuego", and duet with Puerto Rican singer Ken-Y, "Dime (Remix)". El Mariel topped the Billboard independent albums chart and peaked at No. 17 on the Billboard 200 and No. 2 on the rap chart. Pitbull's third album, titled The Boatlift, was released on November 27, 2007, spawned by the single "Secret Admirer" featuring Lloyd on the chorus. Earlier, Pitbull announced that this album would have a more gangsta rap edge than his earlier albums. Subsequent singles included "Go Girl" featuring Trina, and "The Anthem" featuring and produced Lil Jon, that song sampling the hook from the song "El Africano" by Wilfrido Vargas and the beat from the song "Calabria" by Rune RK. "Go Girl" peaked at No. 80 on the Billboard Hot 100 and No. 36 on the Hot Rap Tracks chart; "The Anthem" No. 36 on the Hot 100 and No.11 on the Hot Rap Tracks. His variety show, Pitbull's La Esquina, debuted May 2007 and ran through 2009 on the mun2 cable network. Pitbull also appeared on DJ Laz' "Move Shake Drop" and DJ Felli Fel's "Feel It". 2008–2010: Pitbull Starring in Rebelution and Armando For his fourth studio album Pitbull Starring in Rebelution, Pitbull released "I Know You Want Me (Calle Ocho)" through Ultra Records after his former label TVT Records went out of business. "Krazy" peaked at No. 30 on the Hot 100 and No. 11 on the Hot Rap Tracks charts. "I Know You Want Me" peaked at No. 2 on the Hot 100 and peaked within the top ten spots of charts in the UK, Canada, Italy, and the Netherlands. The song reached No. 1 in France and the European Hot 100 in the week ending August 29, 2009 according to Billboard magazine. "I Know You Want Me" ended at position 17 on the Billboard Year-End Hot 100 singles of 2009. He later signed with Polo Grounds Music through Sony Music and created his own label Mr. 305 Inc. The single "Hotel Room Service", which samples "Push the Feeling On", peaked at No. 9 on the Hot 100. The album went on to sell over 7.5 million worldwide digital singles and albums combined. On their second collaboration since "Go Girl", Pitbull appeared on the debut single of rapper David Rush (formerly Young Bo$$), "Shooting Star", also with Kevin Rudolf and LMFAO. An amateur video of Pitbull punching a disruptive audience member at a Colorado concert leaked onto the Internet in late May 2009. Pitbull explained to MTV News that it was because the fan kept throwing cash around the stage, and after Pitbull pulled him up to the stage, he threw a stash of money right in Pitbull's face. He was tapped by the Miami Dolphins to work alongside T-Pain and Jimmy Buffett to release a new fight song for the Dolphins. The city of Miami granted Pitbull a "Key to the City" honor on August 19, 2009. Another popular single from 2009 was "Blanco", featuring Pharrell Williams of The Neptunes from the soundtrack to the movie Fast & Furious. Pitbull recorded a remix with Mexican pop diva Paulina Rubio for her single "Ni Rosas Ni Juguetes" in November 2009. In 2010, Pitbull performed the rap section in the Haiti benefit song "Somos El Mundo", a Spanish version of "We Are the World", that included a huge group of Latin artists led by Emilio and Gloria Estefan. He was also a featured guest on Janet Jackson's "Heart, Beat, Love" in addition to "Armada Latina", the fourth single off the album Rise Up by Latin rap legends, Cypress Hill. The song was produced by Jim Jonsin and also features Marc Anthony. Pitbull then collaborated with Alexandra Burke on the single "All Night Long". He was also featured on "DJ Got Us Fallin' in Love" by Usher. Pitbull released his full-length debut Spanish-language album titled Armando on November 2, 2010. He was also one of the most nominated artists of the 2011 Billboard Latin Music Awards. He garnered 7 nominations for "Latin Rhythm Airplay, Song of the Year" for "Bon, Bon"; "Latin Rhythm Airplay, Artist of the Year, Solo Artist"; "Latin Rhythm Albums, Album of the Year" for Armando; "Latin Rhythm Albums, Artist of the Year, Solo Artist"; "Social 50, Latin Artist of the Year"; "Latin Digital Download of the Year" for "Bon, Bon" and "Hot Latin Song of the Year, Vocal Event" for the song "I Like It" alongside Enrique Iglesias. He also won Telehit's award for "Most Popular Artist". 2011: Planet Pit In April 2011, Jennifer Lopez released Love?, which featured Pitbull on two singles. "Fresh Out the Oven" did not meet with critical or popular success, but the second cut, "On the Floor", was a certified hit. The single went on to make its Billboard Hot 100 debut at number nine, becoming the highest debuting Hot 100 single of Lopez's career. Pitbull released Planet Pit on June 17, 2011. Pitbull collaborated with T-Pain on its first single, which became a moderate hit; "Hey Baby (Drop It to the Floor)", which peaked at No. 7 on the Hot 100. On March 22, 2011, Pitbull released his second single, "Give Me Everything", which features American R&B singer Ne-Yo, American singer Nayer and Dutch DJ Afrojack, who also produced the song and co-wrote it with Matt Howard, Pitbull and Ne-Yo.; three months later, the song became Pitbull's first single to top the Billboard Hot 100. It was ranked no. 5 on the 2011 Billboard Year-End Chart. In August 2011, Lindsay Lohan sued Pitbull, Ne-Yo and Afrojack in response to the song's lyrics referencing her name, "I've got it locked up like Lindsay Lohan." Lohan objected to the negative connotation of the line and claimed that she should have been compensated for the use of her name in the song. The case was dismissed by a federal judge, who ruled the tune's lyrics are protected by the First Amendment, which covers freedom of speech and creative expression. 2012–2013: Global Warming, Meltdown & Men in Black 3 On October 7, 2011, RCA Music Group announced it was disbanding J Records along with Arista Records and Jive Records. With the shutdown, Pitbull (and all other artists previously signed to these three labels) would release future material on the RCA Records brand. On May 8, 2012, he collaborated with the Italian DJ Gabry Ponte for the song "Beat on My Drum". Pitbull's seventh studio album was titled "Global Warming" and released on November 16, 2012. Pitbull explained that the title reflected the fact that, much like the phenomenon of global warming, he's been around for a while but all of a sudden, people are paying attention. The lead single from the album was "Get It Started" featuring singer Shakira. The third single was "Feel This Moment" featuring Christina Aguilera. The second single, entitled "Back in Time," was for the film Men in Black 3. It was the first lead single for the Men in Black franchise not performed by Will Smith. The song, which plays during the end credits but is not featured on the soundtrack album, samples "Love Is Strange" by Mickey & Sylvia. Pitbull supported the album with a world tour in the summer of 2013. In 2013, Pitbull released a diss track towards Lil Wayne called "Welcome 2 Dade County" shortly after Lil Wayne's rant on the Miami Heat. Pitbull made his film debut Epic with a voice role of the character "Bufo". He embarked on the North American/Australian Summer Tour with Kesha to promote both their albums, which extends from May to November. He released his song "Feel This Moment" featuring Christina Aguilera on January 18, 2013, and they performed it live at the 2013 Billboard Music Awards, as well as on the fourth season of The Voice. The song was a commercial success, peaking at No. 8 on the Billboard Hot 100. Later he released the final single from his Global Warming album, Outta Nowhere featuring Danny Mercer, in late May. At the 2013 Latin Grammy Awards, Pitbull won the award for Best Urban Performance for his song "Echa Pa'lla (Manos Pa'rriba)". Pitbull announced via Twitter that he would release the extended play to his studio album Global Warming, named Global Warming: Meltdown on November 25, featuring guest appearances from Kesha, Kelly Rowland, Inna, Mohombi and Mayer Hawthorne. The lead single, "Timber", featuring recording artist and tourmate Kesha, was released on October 7. The song peaked at #1 on the Billboard Hot 100 in 18 different countries. Pitbull was featured on the early summer single "Live It Up", marking his third collaboration with Jennifer Lopez and Redone. Lopez and Pitbull performed the song at the Billboard Music Awards, American Idol and Premios Juventud. He also made album appearances for Priyanka Chopra, Flo Rida, Jessica Mauboy, Belinda, Jason Derulo and other artists. Pitbull provided the post-race concert at the Formula 1 United States Grand Prix at Circuit of the Americas on November 17, 2013. Pitbull hosted the 2013 American Music Awards on November 24, 2013. 2014–2015: Globalization and Dale Pitbull, Jennifer Lopez and Claudia Leitte performed the song "We Are One" at the opening ceremony of the 2014 World Cup. On February 25, 2014, Pitbull released a new single titled "Wild Wild Love" featuring American recording artist group G.R.L. It has peaked at number 30 on the Billboard Hot 100. On April 15, 2014, Pitbull released a single featuring Jennifer Lopez and Claudia Leitte called "We Are One (Ole Ola) from the compilation album for the FIFA 2014 World Cup One Love, One Rhythm. In May 2014, it was announced that Pitbull would host and co-produce a live New Year's Eve concert special from Miami for Fox, Pitbull's New Year's Revolution, on December 31, 2014. On June 12, 2014, Pitbull performed at the Arena de São Paulo as part of the 2014 FIFA World Cup opening ceremony. This performance saw him joined by Jennifer Lopez and Claudia Leitte to perform the tournament's official song "We Are One (Ole Ola)". In June 2014, it was announced that Pitbull would be receiving a star on the Hollywood Walk of Fame. On July 8, 2014, Pitbull released a Spanish-language single titled "Como Yo Le Doy" featuring Don Miguelo. On July 23, 2014, Pitbull released another single titled "Fireball", which features singer John Ryan Produced by Honua Music. Around the same time, he announced his eighth studio album Globalization, which was released on November 21, 2014. On October 18, 2014, Pitbull released another single titled "Celebrate" which was included on the Penguins of Madagascar soundtrack and later included on the album Globalization. Globalization was released alongside single "Time of Our Lives", which was Pitbull's first top ten hit since "Timber", peaking at #9 on the Hot 100. It also topped the Hot Dance Club Songs, Hot Rap Songs, and Rhythmic charts. On November 20, 2014, Pitbull released another Spanish-language single titled "Piensas (Dile la Verdad)" featuring Gente de Zona. On April 21, 2015, Pitbull released his sixth single on the Globalization album titled "Fun" featuring Chris Brown and peaked at number 40 on the Hot 100. On May 8, 2015, Pitbull released a teaser video on Twitter of his upcoming second Spanish studio album and ninth studio album overall titled Dale. The album was officially released on July 17, 2015, and included the singles "Como Yo Le Doy", "Piensas (Dile la Verdad)", "El Taxi", and "Baddest Girl in Town". The album led to Pitbull winning his Grammy Award in the category of Best Latin Rock, Urban or Alternative Album. 2015–2018: Climate Change, Greatest Hits, and Gotti On October 26, 2015, Pitbull released a new single titled "Free.K", which samples Adina Howard's "Freak like Me" in the chorus. The song was set to be the first single off his tenth studio album titled Climate Change. On January 7, 2016, Pitbull premiered the second single from his new album titled "Freedom", which also samples The Rolling Stones song "I'm Free" in the chorus. To coincide with the release of the single, the artist also teased a 2017 Norwegian party cruise. There is a campaign that launched in January 2016 in support of the cruise that is expected to last until later in the year. On February 14, 2017, Pitbull announced that Climate Change will be released on March 17, with pre-orders starting on February 17. Pitbull collaborated with American girl group Fifth Harmony on "Por Favor" (released October 27, 2017) before announcing his 5th compilation album, titled Pitbull Greatest Hits. The thirteen track album features eleven of Pitbull's most successful leading artist songs, accompanied by "Jungle (with Stereotypes featuring Abraham Mateo and E-40)" and "Locas (featuring Lil' Jon)", two brand new Pitbull songs. The deluxe edition of the album released exclusively in Japan featured a 14th track, "Celebrate". The compilation album was released worldwide on December 1, 2017. Pitbull released his first full-length soundtrack album for the film Gotti alongside Jorge Gómez on June 16, 2018. Pitbull is featured on two tracks on the album, "So Sorry" and "Amore" (featuring Leona Lewis). 2019–2020: YouTube history and Libertad 548 Pitbull collaborated with Indian singer-songwriter Guru Randhawa on the song "Slowly Slowly", released by T-Series on April 19, 2019. The song's music video received 38 million views on YouTube within 24 hours, becoming one of the world's all-time most-viewed music videos in 24 hours. Pitbull's eleventh studio album, Libertad 548, was released on September 27, 2019. The album included the Spanish hit single "No Lo Trates" featuring Daddy Yankee and Natti Natasha, which is RIAA Latin certified 6x Platinum (360,000+ sales). The album's second single "3 to Tango" went viral for John Travolta's surprise guest appearance in the song's official music video. The album's third single "Me Quedaré Contigo" was premiered at the 2019 Latin American Music Awards, and peaked at #1 on the Latin Airplay and Latin Rhythm Airplay Billboard charts in the United States. The album's first promotional single, "Winning" featuring Yomil y El Dany, is a part of the Boost Mobile "Dale Más" advertising campaign. The album's fourth single "Get Ready" featuring Blake Shelton, which was premiered live by Pitbull at the Super Bowl LIV Tailgate Tropicale pre-game show, was later added to the "Dale Más" advertising campaign for a series of pre-game Super Bowl commercials for Super Bowl LIV, and a remixed version of the single serves as the official theme song for the 2020 NASCAR Cup Series. The album's second promotional single, "Cinco de Mayo" with Lil Jon featuring Chesca, was released on May 5, 2020. The promotional single was performed live at the Premio Lo Nuestro 2020, and the performance gained over 2 million views on YouTube as of July 2020. The album's fifth single, "Mueve La Cintura" featuring Tito El Bambino and Guru Randhawa, was released on June 8, 2020. An accompanying music video, which was filmed in 2019 and directed by David Rousseau, was also premiered on that same date. On July 17, 2020, the remix of "Mala", the original of which is found on Libertad 548, was released as a single. The song, titled "Mala (Remix)", features Becky G and additional guest vocals from De La Ghetto. In 2020, amid the COVID-19 pandemic, LiveXLive launched a partnership with Pitbull, which would grant the platform exclusive rights to concerts, behind-the-scenes, videos and more from Pitbull to be streamed to LiveXLive's premium subscribers. On August 14, 2020, Pitbull released a new single, titled "Te Quiero Baby (I Love You Baby)" with Latin pop singer Chesca and American singer Frankie Valli. The single serves as a Latin interpolation of the original Frankie Valli & The Four Seasons 1967 smash hit single "Can't Take My Eyes Off You". 2021–present: I Feel Good Tour On June 22, Pitbull announced across all of his official social media platforms the I Feel Good Tour, named after his single of the same name, and his first dedicated tour since 2017's Enrique Iglesias and Pitbull Live! North American tour. The 32 city tour featured special guest Iggy Azalea and began on August 20, 2021, in Clarkston, Michigan and spanned across the United States through October 13, 2021 in Tampa, Florida. On February 24, 2022, Pitbull performed with IAMCHINO and DJ Deorro on the live-debut of their late-2021 single, "Discoteca", at the 2022 Premio Lo Nuestro awards. The song samples "Around the World (La La La La La)" by Eurodance group ATC. Product endorsements In 2010, Pitbull took part in the "So Kodak" campaign for the Kodak brand with Drake, Rihanna, and Trey Songz. He also launched a partnership with the soft drink giant Dr Pepper as part of the campaign "Vida 23" for which he recorded a song that featured on his album Armando. Pitbull also announced he has become the spokesperson for Voli Vodka, in which he holds a majority equity stake, and Budweiser has chosen Pitbull to promote its Bud Light line of beer. The commercials currently highlight Pitbull dancing and gyrating on stage holding up a bottle of Bud Light. Pitbull has also purchased an equity stake in Miami Subs Pizza and Grill. In 2012, Pitbull was involved in an advertising campaign with Walmart, in which the Walmart store that received the most Facebook "likes" from June 18 to July 15, 2012, would have Pitbull visit and put on a show there. An orchestrated campaign entitled "#exilepitbull" started by The Boston Phoenix reporter David Thorpe and SomethingAwful.com writer Jon Hendren urged people to vote for a remote location, namely Kodiak, Alaska. In an email to the Associated Press, Walmart confirmed that Kodiak was the winning location. Pitbull visited Kodiak on July 30, where he received a key to the city from Mayor Patricia Branson and performed. David Thorpe, who had started the "#exilepitbull" campaign, was invited to attend and showed up. In November 2013, he started a fragrance with Jacavi Worldwide and Parlux Ltd. On May 19, 2015, Pitbull launched a new radio channel on Sirius XM Radio, called Pitbull's Globalization Radio, which is centered around Rhythmic, Dance/EDM, and R&B/Hip-Hop product from artists from around the world. The artist celebrated the channel's debut with a private concert at New York City's Apollo Theater. In addition to launching his customized radio station, Pitbull also plans to launch a pair of projects with Endemol for digital television. In 2019, Pitbull joined Boost Mobile to create a series of advertisements to expand Boost Mobile to Spanish communities. The promotional single "Winning" featuring Yomil y El Dany from Pitbull's 2019 album "Libertad 548" was used in the Boost Mobile "Dale Más" advertising campaign that has been actively rolling out advertisements starring Pitbull and his backup dance group The Most Bad Ones. The song "Get Ready" by Pitbull featuring Blake Shelton was later added to the advertising campaign, also from the Pitbull album Libertad 548. On February 2, 2020, Pitbull was featured in a Super Bowl commercial for Super Bowl LIV, alongside Jennifer Lopez, DJ Khaled, Alex Rodriguez, and Steven Van Zandt. The commercial was produced to promote Hard Rock and its affiliations; the commercial premiered during the 2nd quarter of Super Bowl LIV. The commercial showcases the Seminole Hard Rock Hotel & Casino, which is also where the music video for "Get Ready" by Pitbull featuring Blake Shelton was filmed. The music video was released on February 10, 2020. Controversies Pitbull has been criticized for the way women are depicted in some of his music. For example, song lyrics such as "She say she won't, but I bet she will," and "I like that when you fight back" have attracted discussion about whether or not they could be contributing to the "legitimization" of rape. Campaign described him as an artist "whose lyrics are routinely labeled sexist"; Complex similarly noted that "many view Pitbull as sexist." Pitbull's song "We Are One (Ole Ola)" (featuring Jennifer Lopez and Claudia Leitte), which served as the official FIFA World Cup 2014 song, drew some controversy for not being a good enough representation of Brazil, which was the host country of the World Cup that year. Critics condemned the song's lyrical content for being filled with cliches about Brazilian culture, as well as for not containing enough lyrics in Portuguese. Others called it a "bad, boring, replaceable pop song." In December 2019, Cuban music duo Gente de Zona were banned from performing at a New Year's Eve concert in Miami alongside Pitbull due to their support of the Cuban government. During the concert, Pitbull voiced his support for the duo amid the ban, stating that "music is music, politics is politics." He received immediate backlash for the comments, including from fellow Cuban musicians, such as Albita Rodríguez and Arturo Sandoval, and the Miami community. He later apologized, acknowledged he "screwed up," and claimed he wasn't fully aware of the extent of Gente de Zona's controversial political stances. In 2020, during the COVID-19 pandemic, Pitbull made an appearance in a podcast episode where he claimed the pandemic was a conspiracy, called it a "scamdemic, plandemic," and spread false claims about the origins of it. A shorter clip of the podcast episode started going viral in early 2021, as social media users shared it hundreds of thousands of times. He received backlash for spreading misinformation about the coronavirus, and was labeled a "conspiracy theorist" by some. Business activities On January 15, 2021, it was announced that Pitbull became a co-owner of the NASCAR Cup Series team Trackhouse Racing. Impact and activism Determined to help the Latino community in his hometown, Pitbull's social impact focus for the last decade has been closing the poverty gap through educational initiatives. He helped start a Tuition-Free Public charter for middle and high school called Sports Leadership and Management (SLAM!), which opened in 2013 in Miami's Little Havana, the neighborhood where Pitbull grew up. SLAM! now operates nationwide, including in Miami, Las Vegas and Atlanta, with a 96 percent graduation rate. The school will be run by the non-profit Mater Academy. Pitbull created the Sports Leadership and Management Charter School, which opened in 2013. In response to the destruction caused by Hurricane Maria, Pitbull announced he will use his private plane to bring cancer patients from Puerto Rico to the mainland United States for treatment. On April 13, 2020, Pitbull released a single titled "I Believe That We Will Win (World Anthem)" (which samples the "I believe that we will win!" chant) during the COVID-19 pandemic. The song inspires those affected by the COVID-19 outbreak to "face everything and rise". An accompanying music video was released on May 7, 2020, on YouTube, and made its television debut on MTV. Pitbull is donating all proceeds from song sales, streaming and views to Feeding America and the Anthony Robbins Foundation. On December 31, 2020, Pitbull performed for a crowd of first responders in Times Square during the COVID-19 pandemic for the famous New Year's Eve celebration. Discography M.I.A.M.I. (2004) El Mariel (2006) The Boatlift (2007) Pitbull Starring in Rebelution (2009) Armando (2010) Planet Pit (2011) Global Warming (2012) Globalization (2014) Dale (2015) Climate Change (2017) Libertad 548 (2019) Timeless (2022) Concert tours 2009–2011: Rebelution Tour 2012: Planet Pit World Tour 2013: North American Tour 2013 (with Kesha) 2015: Pitbull Live in Hong Kong 2016: The Bad Man Tour (with Prince Royce and Farruko) 2017: Enrique Iglesias and Pitbull Live! (with Enrique Iglesias) 2021: I Feel Good Tour (with special guest Iggy Azalea) Opening act 2014–2015: Enrique Iglesias – Sex and Love Tour 2018: Britney Spears – Piece of Me Tour Residencies 2015–2019: Pitbull: Time of Our Lives 2020 PPD: Pitbull: Get Ready Vegas LiveXLive Virtual Concert Series 2020: Pitbull: Live & Timeless Filmography Film Television Awards and nominations References External links Pitbull on Vevo Pitbull on YouTube Pitbull on Spotify 1981 births Living people 21st-century American male musicians 21st-century American rappers American entertainers of Cuban descent American hip hop singers American male pop singers American male rappers American musicians of Cuban descent American reggaeton musicians Grammy Award winners Hispanic and Latino American musicians Hispanic and Latino American rappers Latin Grammy Award winners Latin music songwriters Musicians from Miami NASCAR team owners Pop rappers Rappers from Miami RCA Records artists Songwriters from Florida Sony Music Latin artists Spanish-language singers of the United States TVT Records artists Victor Entertainment artists	true	[ "Politics of the Business is the third album by American hip hop producer Prince Paul. This album is considered to be a concept album similar to A Prince Among Thieves. The concept for this album, however, is the concept of following-up a concept album that did not sell too well (that album being A Prince Among Thieves). The album features guest appearances from Ice-T, DJ Jazzy Jeff, MF Doom, Biz Markie, Chuck D, Dave Chappelle, Chris Rock, and more.\n\nTrack listing\n\nPersonnel\n\nReferences\n\n2003 albums\nPrince Paul (producer) albums\nAlbums produced by Prince Paul (producer)\nConcept albums", "How You Sell Soul to a Soulless People Who Sold Their Soul??? is the tenth studio album by American hip hop group Public Enemy, released August 7, 2007 on Slam Jamz Recordings in the United States. Its release coincided with the 20th anniversary of their career. The album debuted at number 49 on Independent Albums chart, and it received generally positive reviews from most music critics, based on an aggregate score of 71/100 from Metacritic. Music critic Robert Christgau named How You Sell Soul to a Soulless People Who Sold Their Soul??? his second favorite album that didn't make Rolling Stone's Top 50 albums of 2007. In September 2012 the album finally entered the UK chart at number 199, followed by success of the top 5 single 'Harder Than YouThink'.\n\nReception\nAlternative Press (p. 176) - 3.5 stars out of 5 -- \"Public Enemy remain fiercely independent and definitely seem revitalized.\"\nThe Wire (p. 75) - \"[T]his is PE's tenth studio album in their 20th year and their blunt anti-artiste, anti-materialist stance carries serious weight.\"\n\nTrack listing\n\"How You Sell Soul to a Soulless People Who Sold Their Soul???\" – 2:36\n\"Black Is Back\" – 2:42\n\"Harder Than You Think\" – 4:09\n\"Between Hard and a Rock Place\" – 0:59\n\"Sex, Drugs & Violence\" (feat. KRS-One) – 3:35\n\"Amerikan Gangster\" (feat. E.Infinite) – 4:03\n\"Can You Hear Me Now\" – 3:58\n\"Head Wide Shut\" – 1:31\n\"Flavor Man\" – 3:44\n\"The Enemy Battle Hymn of the Public\" – 3:24\n\"Escapism\" – 4:53\n\"Frankenstar\" – 3:23\n\"Col-Leepin\" – 3:58\n\"Radiation of a RADIOTVMOVIE Nation\" – 1:10\n\"See Something, Say Something\" – 3:46\n\"Long and Whining Road\" – 4:24\n\"Bridge of Pain\" – 3:07\n\"Eve of Destruction\" – 4:15\n\"How You Sell Soul (Time Is God Refrain)\" – 2:31\n\nPersonnel\nCredits adapted from Allmusic.\n\n James Bomb (S1W) – group member \n Chuck D – executive producer, group member, vocals \n Flavor Flav - group member, vocals\n Bernie Larsen – guitar\n Khari Wynn – guitar \n Michael Faulkner – drums \n Pop Diesel (S1W) – group member \n La Aerial Owens – vocals (background) \n E. Infinite – choir, chorus \n Gene Barge – saxophone\n Gebre Waddell - engineer\n Vincent Arbelet – photography \n Le Bijoutier – photography \n Mathieu Cavaliere – photography \n Derek Welte – photography\n Gary G-Wiz – Producer \n Mike \"mGee\" Gregoire – package design \n Earle Holder – mastering \n Walter Leapheart – liner notes \n Amani K. Smith – associate producer, mixing, producer \n Paul Stone – cover illustration \n Andrew Williams – sound technician \n Ron Wynn – liner notes\n\nChart performance\n\nReferences\n\nExternal links\n How You Sell Soul to a Soulless People Who Sold Their Soul??? at Discogs\n \n Album Review at South Florida Times\n\n2007 albums\nPublic Enemy (band) albums" ]
[ "Pitbull (rapper)", "2006-2007: El Mariel and The Boatlift", "What was El Mariel?", "I don't know.", "What is the Boatlift? Are these Pitbull's albums?", "album, titled The Boatlift,", "How well did these albums sell?", "No. 2 on the rap chart." ]	C_0aac1a7ebd264bc69eaeb5525913e13e_0	Did they work with any other artists at this time?	4	Besides El Mariel and The Boatlift, did Pitbull work with any other artists in 2006-2007?	Pitbull (rapper)	In January 2006, Pitbull guest-starred in UPN's South Beach. Pitbull recorded "Nuestro Himno" in collaboration with Wyclef Jean, Carlos Ponce, and Olga Tanon. On Listennn... the Album, the debut album by Terror Squad member and Miami radio personality DJ Khaled, Pitbull performed on three singles: "Holla at Me" and "Born-N-Raised" alongside other Southern-based rappers. He dedicated the album to his father, who died in May of that year. Along with the usual party-oriented tracks, Pitbull also included politically themed tracks in El Mariel. The album was released on October 31, 2006, and included singles "Bojangles", "Ay Chico (Lengua Afuera)", "Fuego", and duet with Puerto Rican singer Ken-Y, "Dime (Remix)". El Mariel topped the Billboard independent albums chart and peaked at No. 17 on the Billboard 200 and No. 2 on the rap chart. Pitbull's third album, titled The Boatlift, was released in November 2007, spawned by the single "Secret Admirer" featuring Lloyd on the chorus. Earlier, Pitbull announced that this album would have a more gangsta rap edge than his earlier albums. Subsequent singles included "Go Girl" featuring Trina, and "The Anthem" featuring and produced Lil Jon, that song sampling the hook from the song "El Africano" by Wilfrido Vargas and the beat from the song "Calabria" by Rune RK. "Go Girl" peaked at No. 80 on the Billboard Hot 100 and No. 36 on the Hot Rap Tracks chart; "The Anthem" No. 36 on the Hot 100 and No.11 on the Hot Rap Tracks. His variety show, Pitbull's La Esquina, debuted May 2007 and ran through 2009 on the mun2 cable network. Pitbull also appeared on DJ Laz' "Move Shake Drop" and DJ Felli Fel's "Feel It". CANNOTANSWER	DJ Laz' "	Armando Christian Pérez (born January 15, 1981), known professionally by his stage name Pitbull, is an American rapper and singer. Pérez began his career in the early 2000s, recording reggaeton, Latin hip hop, and crunk music under a multitude of labels. In 2004, he released his debut album M.I.A.M.I. under TVT Records and the executive production of Lil Jon. Pitbull later released his second album, El Mariel, in 2006 and his third, The Boatlift, in 2007. His fourth album, Rebelution (2009), included his breakthrough hit single "I Know You Want Me (Calle Ocho)", which peaked at number two on the US Billboard Hot 100 and number four on the UK Singles Chart. After rebranding himself as a pop artist, Pitbull's next English-language album, Planet Pit (2011), featured his first US number one single "Give Me Everything" (featuring Ne-Yo, Afrojack and Nayer). The single from his next album, Global Warming: Meltdown (2013), titled "Timber" (featuring Kesha), hit No.1 in eighteen countries, including the US and UK. The next single from the album, "Feel This Moment" (featuring Christina Aguilera), was a Top 10 hit in the United States, Canada, Australia and the United Kingdom. He performed the song "We Are One (Ole Ola)" (with Jennifer Lopez and Claudia Leitte), which served as the official theme of the 2014 FIFA World Cup. Pitbull released his latest album Libertad 548 on September 27, 2019. The new album includes the RIAA Latin 9× Platinum hit single "No Lo Trates" (featuring Daddy Yankee and Natti Natasha). The album spawned RIAA Latin Platinum single "Me Quedaré Contigo" (also featuring Ne-Yo), and was certified RIAA Latin Platinum on January 28, 2021. Pitbull has sold over 25 million studio albums and over 100 million singles worldwide. He has over 15 billion views on YouTube as of May 2020. He was ranked by Billboard as the 45th Top Artist of the 2010s and the 24th Top Latin Artist of the 2010s. Pitbull's other ventures include brand ambassadorship and for various entities, activism and philanthropy in the Latino American community, a radio station (Pitbull's Globalization) on Sirius XM Radio and ownership of the Trackhouse Racing NASCAR team. As of May 2019, Pitbull has won 35 Billboard Latin Music Awards. Early life and background Armando Christian Pérez was born on January 15, 1981, in Miami, Florida, to Cuban immigrant parents. He is a first-generation American. Growing up, he was strongly encouraged by his family to "take advantage" of the privilege of living in America, and the opportunities it came with. His family has a history of fighting against the Castro regime in Cuba. When he was three, he could recite the works of Cuba's national hero and poet, José Martí, in Spanish. He learned English by watching Sesame Street as a child. His father was largely absent from his childhood; his parents separated when he was young, and he was raised mostly by his mother, later stating: "my mom is my father and my mother." He briefly stayed with a foster family in Roswell, Georgia. His parents struggled with substance abuse; as a teenager, he was also involved with drug use and dealing, which eventually led to him getting kicked out of the family house. He attended South Miami Senior High School and Miami Coral Park High School. Growing up, he was influenced by the Miami bass genre of pop music and has cited Celia Cruz and Willy Chirino as sources of inspiration, in addition to rappers such as Nas, Jay-Z, and Snoop Dogg. He credits the "melting pot" of a city that Miami is with introducing him to many different cultures and teaching him important life lessons, implying that he wouldn't be the person he is nowadays if it wasn't for growing up in Miami. He said he chose his stage name of Pitbull because the dogs "bite to lock. The dog is too stupid to lose. And they're outlawed in Dade County. They're basically everything that I am. It's been a constant fight". After meeting Lil Jon in Miami, Pitbull was featured on Lil Jon and the East Side Boyz' album Kings of Crunk in 2002. Pitbull's song "Oye" was featured on the soundtrack to the film 2 Fast 2 Furious the following year. In addition, Pitbull released several mixtapes, composed of freestyles and remixes of popular rap music. Pitbull also worked with Uncle Luke during his early career, being featured on Luke's 2001 album Somethin' Nasty, including the single "Lollipop" along with Lil' Zane. Career 2001–2003: Luke Records and TVT Records In 2001, Pitbull was signed to Luther Campbell's Luke Records by Jullian Boothe, then the label's vice-president of A&R. In 2001, Pitbull was introduced to Robert Fernandez of Famous Artist Music & Management, an independent label and management company specializing in developing artists, by the Diaz Brothers, a producer duo signed to the company. Fernandez "saw the eagerness and hunger he had" and, with the Luke Records deal ending, began working to develop Pitbull. Together they focused on creating a more radio-friendly sound. Fernandez later told HitQuarters: "At that time his music had a lot of verses and took a long time to get into the hook, and so we took time in getting the songs catchier and less on the rap side." Fernandez introduced Pitbull to Lil Jon, hoping to secure the rapper a small guest intro spot on Lil Jon's upcoming album Kings of Crunk. According to Fernandez, Jon took a liking to Pérez and offered him a track on the album; it is called "Pitbull's Cuban Ride Out." This track helped raise the young rapper's profile. 2004–2005: M.I.A.M.I. In 2004, Pitbull released his debut album M.I.A.M.I., with the lead single being "Culo" produced by Lil Jon and the Diaz Brothers. It peaked at No. 32 on the Billboard Hot 100 chart and No. 11 on the Hot Rap Tracks chart. Other singles included "Dammit Man", "Back Up", "Toma", and "That's Nasty" (both featuring Lil Jon). He joined the Anger Management Tour, the 2000 hip-hop concert tour headlined by Eminem and 50 Cent. Pitbull also appeared on the Ying Yang Twins' single "Shake", which peaked at No.41 on the Hot 100 and No.12 on the rap chart, Adassa's chart topping single "Kamasutra" & Twista's "Hit the Floor" (#94 Hot 100, No. 20 Rap). Remix album Money Is Still a Major Issue was released in November 2005; it included new track "Everybody Get Up", a duet with hip-hop/R&B group Pretty Ricky. TVT Records, Pitbull's label at the time, and Slip-n-Slide Records disputed over the release of Welcome to the 305, an unreleased album by Slip-n-Slide that Pitbull recorded in 2001. A Miami judge ruled that Slip-n-Slide had a legal right to release the album as it was recorded when Pitbull was a Slip-N-Slide artist, and prior to him signing with TVT Records. A US District Court judge affirmed the decision further. TVT was then ordered in March 2007 to pay Slip-n-Slide $9.1 million for attempting to block the album's release to record stores and digital download entities. In 2005, Pitbull and rapper Sean 'Diddy' Combs co-founded Bad Boy Latino, a subsidiary of Combs' Bad Boy Records label. It primarily focuses on Latin hip hop, Latin soul, Latin pop and other tropical music and has offices in New York and Miami, Florida. Along with co-founding it, Pérez currently heads the A&R division of the label. 2006–2007: El Mariel and The Boatlift In January 2006, Pitbull guest-starred in UPN's South Beach. Pitbull recorded "Nuestro Himno" in collaboration with Wyclef Jean, Carlos Ponce, and Olga Tañón. On Listennn... the Album, the debut album by Terror Squad member and Miami radio personality DJ Khaled, Pitbull performed on three singles: "Holla at Me" and "Born-N-Raised" alongside other Southern-based rappers. He dedicated the album to his father, who died in May that year. Along with the usual party-oriented tracks, Pitbull also included politically themed tracks in El Mariel. The album was released on October 31, 2006, and included singles "Bojangles", "Ay Chico (Lengua Afuera)", "Fuego", and duet with Puerto Rican singer Ken-Y, "Dime (Remix)". El Mariel topped the Billboard independent albums chart and peaked at No. 17 on the Billboard 200 and No. 2 on the rap chart. Pitbull's third album, titled The Boatlift, was released on November 27, 2007, spawned by the single "Secret Admirer" featuring Lloyd on the chorus. Earlier, Pitbull announced that this album would have a more gangsta rap edge than his earlier albums. Subsequent singles included "Go Girl" featuring Trina, and "The Anthem" featuring and produced Lil Jon, that song sampling the hook from the song "El Africano" by Wilfrido Vargas and the beat from the song "Calabria" by Rune RK. "Go Girl" peaked at No. 80 on the Billboard Hot 100 and No. 36 on the Hot Rap Tracks chart; "The Anthem" No. 36 on the Hot 100 and No.11 on the Hot Rap Tracks. His variety show, Pitbull's La Esquina, debuted May 2007 and ran through 2009 on the mun2 cable network. Pitbull also appeared on DJ Laz' "Move Shake Drop" and DJ Felli Fel's "Feel It". 2008–2010: Pitbull Starring in Rebelution and Armando For his fourth studio album Pitbull Starring in Rebelution, Pitbull released "I Know You Want Me (Calle Ocho)" through Ultra Records after his former label TVT Records went out of business. "Krazy" peaked at No. 30 on the Hot 100 and No. 11 on the Hot Rap Tracks charts. "I Know You Want Me" peaked at No. 2 on the Hot 100 and peaked within the top ten spots of charts in the UK, Canada, Italy, and the Netherlands. The song reached No. 1 in France and the European Hot 100 in the week ending August 29, 2009 according to Billboard magazine. "I Know You Want Me" ended at position 17 on the Billboard Year-End Hot 100 singles of 2009. He later signed with Polo Grounds Music through Sony Music and created his own label Mr. 305 Inc. The single "Hotel Room Service", which samples "Push the Feeling On", peaked at No. 9 on the Hot 100. The album went on to sell over 7.5 million worldwide digital singles and albums combined. On their second collaboration since "Go Girl", Pitbull appeared on the debut single of rapper David Rush (formerly Young Bo$$), "Shooting Star", also with Kevin Rudolf and LMFAO. An amateur video of Pitbull punching a disruptive audience member at a Colorado concert leaked onto the Internet in late May 2009. Pitbull explained to MTV News that it was because the fan kept throwing cash around the stage, and after Pitbull pulled him up to the stage, he threw a stash of money right in Pitbull's face. He was tapped by the Miami Dolphins to work alongside T-Pain and Jimmy Buffett to release a new fight song for the Dolphins. The city of Miami granted Pitbull a "Key to the City" honor on August 19, 2009. Another popular single from 2009 was "Blanco", featuring Pharrell Williams of The Neptunes from the soundtrack to the movie Fast & Furious. Pitbull recorded a remix with Mexican pop diva Paulina Rubio for her single "Ni Rosas Ni Juguetes" in November 2009. In 2010, Pitbull performed the rap section in the Haiti benefit song "Somos El Mundo", a Spanish version of "We Are the World", that included a huge group of Latin artists led by Emilio and Gloria Estefan. He was also a featured guest on Janet Jackson's "Heart, Beat, Love" in addition to "Armada Latina", the fourth single off the album Rise Up by Latin rap legends, Cypress Hill. The song was produced by Jim Jonsin and also features Marc Anthony. Pitbull then collaborated with Alexandra Burke on the single "All Night Long". He was also featured on "DJ Got Us Fallin' in Love" by Usher. Pitbull released his full-length debut Spanish-language album titled Armando on November 2, 2010. He was also one of the most nominated artists of the 2011 Billboard Latin Music Awards. He garnered 7 nominations for "Latin Rhythm Airplay, Song of the Year" for "Bon, Bon"; "Latin Rhythm Airplay, Artist of the Year, Solo Artist"; "Latin Rhythm Albums, Album of the Year" for Armando; "Latin Rhythm Albums, Artist of the Year, Solo Artist"; "Social 50, Latin Artist of the Year"; "Latin Digital Download of the Year" for "Bon, Bon" and "Hot Latin Song of the Year, Vocal Event" for the song "I Like It" alongside Enrique Iglesias. He also won Telehit's award for "Most Popular Artist". 2011: Planet Pit In April 2011, Jennifer Lopez released Love?, which featured Pitbull on two singles. "Fresh Out the Oven" did not meet with critical or popular success, but the second cut, "On the Floor", was a certified hit. The single went on to make its Billboard Hot 100 debut at number nine, becoming the highest debuting Hot 100 single of Lopez's career. Pitbull released Planet Pit on June 17, 2011. Pitbull collaborated with T-Pain on its first single, which became a moderate hit; "Hey Baby (Drop It to the Floor)", which peaked at No. 7 on the Hot 100. On March 22, 2011, Pitbull released his second single, "Give Me Everything", which features American R&B singer Ne-Yo, American singer Nayer and Dutch DJ Afrojack, who also produced the song and co-wrote it with Matt Howard, Pitbull and Ne-Yo.; three months later, the song became Pitbull's first single to top the Billboard Hot 100. It was ranked no. 5 on the 2011 Billboard Year-End Chart. In August 2011, Lindsay Lohan sued Pitbull, Ne-Yo and Afrojack in response to the song's lyrics referencing her name, "I've got it locked up like Lindsay Lohan." Lohan objected to the negative connotation of the line and claimed that she should have been compensated for the use of her name in the song. The case was dismissed by a federal judge, who ruled the tune's lyrics are protected by the First Amendment, which covers freedom of speech and creative expression. 2012–2013: Global Warming, Meltdown & Men in Black 3 On October 7, 2011, RCA Music Group announced it was disbanding J Records along with Arista Records and Jive Records. With the shutdown, Pitbull (and all other artists previously signed to these three labels) would release future material on the RCA Records brand. On May 8, 2012, he collaborated with the Italian DJ Gabry Ponte for the song "Beat on My Drum". Pitbull's seventh studio album was titled "Global Warming" and released on November 16, 2012. Pitbull explained that the title reflected the fact that, much like the phenomenon of global warming, he's been around for a while but all of a sudden, people are paying attention. The lead single from the album was "Get It Started" featuring singer Shakira. The third single was "Feel This Moment" featuring Christina Aguilera. The second single, entitled "Back in Time," was for the film Men in Black 3. It was the first lead single for the Men in Black franchise not performed by Will Smith. The song, which plays during the end credits but is not featured on the soundtrack album, samples "Love Is Strange" by Mickey & Sylvia. Pitbull supported the album with a world tour in the summer of 2013. In 2013, Pitbull released a diss track towards Lil Wayne called "Welcome 2 Dade County" shortly after Lil Wayne's rant on the Miami Heat. Pitbull made his film debut Epic with a voice role of the character "Bufo". He embarked on the North American/Australian Summer Tour with Kesha to promote both their albums, which extends from May to November. He released his song "Feel This Moment" featuring Christina Aguilera on January 18, 2013, and they performed it live at the 2013 Billboard Music Awards, as well as on the fourth season of The Voice. The song was a commercial success, peaking at No. 8 on the Billboard Hot 100. Later he released the final single from his Global Warming album, Outta Nowhere featuring Danny Mercer, in late May. At the 2013 Latin Grammy Awards, Pitbull won the award for Best Urban Performance for his song "Echa Pa'lla (Manos Pa'rriba)". Pitbull announced via Twitter that he would release the extended play to his studio album Global Warming, named Global Warming: Meltdown on November 25, featuring guest appearances from Kesha, Kelly Rowland, Inna, Mohombi and Mayer Hawthorne. The lead single, "Timber", featuring recording artist and tourmate Kesha, was released on October 7. The song peaked at #1 on the Billboard Hot 100 in 18 different countries. Pitbull was featured on the early summer single "Live It Up", marking his third collaboration with Jennifer Lopez and Redone. Lopez and Pitbull performed the song at the Billboard Music Awards, American Idol and Premios Juventud. He also made album appearances for Priyanka Chopra, Flo Rida, Jessica Mauboy, Belinda, Jason Derulo and other artists. Pitbull provided the post-race concert at the Formula 1 United States Grand Prix at Circuit of the Americas on November 17, 2013. Pitbull hosted the 2013 American Music Awards on November 24, 2013. 2014–2015: Globalization and Dale Pitbull, Jennifer Lopez and Claudia Leitte performed the song "We Are One" at the opening ceremony of the 2014 World Cup. On February 25, 2014, Pitbull released a new single titled "Wild Wild Love" featuring American recording artist group G.R.L. It has peaked at number 30 on the Billboard Hot 100. On April 15, 2014, Pitbull released a single featuring Jennifer Lopez and Claudia Leitte called "We Are One (Ole Ola) from the compilation album for the FIFA 2014 World Cup One Love, One Rhythm. In May 2014, it was announced that Pitbull would host and co-produce a live New Year's Eve concert special from Miami for Fox, Pitbull's New Year's Revolution, on December 31, 2014. On June 12, 2014, Pitbull performed at the Arena de São Paulo as part of the 2014 FIFA World Cup opening ceremony. This performance saw him joined by Jennifer Lopez and Claudia Leitte to perform the tournament's official song "We Are One (Ole Ola)". In June 2014, it was announced that Pitbull would be receiving a star on the Hollywood Walk of Fame. On July 8, 2014, Pitbull released a Spanish-language single titled "Como Yo Le Doy" featuring Don Miguelo. On July 23, 2014, Pitbull released another single titled "Fireball", which features singer John Ryan Produced by Honua Music. Around the same time, he announced his eighth studio album Globalization, which was released on November 21, 2014. On October 18, 2014, Pitbull released another single titled "Celebrate" which was included on the Penguins of Madagascar soundtrack and later included on the album Globalization. Globalization was released alongside single "Time of Our Lives", which was Pitbull's first top ten hit since "Timber", peaking at #9 on the Hot 100. It also topped the Hot Dance Club Songs, Hot Rap Songs, and Rhythmic charts. On November 20, 2014, Pitbull released another Spanish-language single titled "Piensas (Dile la Verdad)" featuring Gente de Zona. On April 21, 2015, Pitbull released his sixth single on the Globalization album titled "Fun" featuring Chris Brown and peaked at number 40 on the Hot 100. On May 8, 2015, Pitbull released a teaser video on Twitter of his upcoming second Spanish studio album and ninth studio album overall titled Dale. The album was officially released on July 17, 2015, and included the singles "Como Yo Le Doy", "Piensas (Dile la Verdad)", "El Taxi", and "Baddest Girl in Town". The album led to Pitbull winning his Grammy Award in the category of Best Latin Rock, Urban or Alternative Album. 2015–2018: Climate Change, Greatest Hits, and Gotti On October 26, 2015, Pitbull released a new single titled "Free.K", which samples Adina Howard's "Freak like Me" in the chorus. The song was set to be the first single off his tenth studio album titled Climate Change. On January 7, 2016, Pitbull premiered the second single from his new album titled "Freedom", which also samples The Rolling Stones song "I'm Free" in the chorus. To coincide with the release of the single, the artist also teased a 2017 Norwegian party cruise. There is a campaign that launched in January 2016 in support of the cruise that is expected to last until later in the year. On February 14, 2017, Pitbull announced that Climate Change will be released on March 17, with pre-orders starting on February 17. Pitbull collaborated with American girl group Fifth Harmony on "Por Favor" (released October 27, 2017) before announcing his 5th compilation album, titled Pitbull Greatest Hits. The thirteen track album features eleven of Pitbull's most successful leading artist songs, accompanied by "Jungle (with Stereotypes featuring Abraham Mateo and E-40)" and "Locas (featuring Lil' Jon)", two brand new Pitbull songs. The deluxe edition of the album released exclusively in Japan featured a 14th track, "Celebrate". The compilation album was released worldwide on December 1, 2017. Pitbull released his first full-length soundtrack album for the film Gotti alongside Jorge Gómez on June 16, 2018. Pitbull is featured on two tracks on the album, "So Sorry" and "Amore" (featuring Leona Lewis). 2019–2020: YouTube history and Libertad 548 Pitbull collaborated with Indian singer-songwriter Guru Randhawa on the song "Slowly Slowly", released by T-Series on April 19, 2019. The song's music video received 38 million views on YouTube within 24 hours, becoming one of the world's all-time most-viewed music videos in 24 hours. Pitbull's eleventh studio album, Libertad 548, was released on September 27, 2019. The album included the Spanish hit single "No Lo Trates" featuring Daddy Yankee and Natti Natasha, which is RIAA Latin certified 6x Platinum (360,000+ sales). The album's second single "3 to Tango" went viral for John Travolta's surprise guest appearance in the song's official music video. The album's third single "Me Quedaré Contigo" was premiered at the 2019 Latin American Music Awards, and peaked at #1 on the Latin Airplay and Latin Rhythm Airplay Billboard charts in the United States. The album's first promotional single, "Winning" featuring Yomil y El Dany, is a part of the Boost Mobile "Dale Más" advertising campaign. The album's fourth single "Get Ready" featuring Blake Shelton, which was premiered live by Pitbull at the Super Bowl LIV Tailgate Tropicale pre-game show, was later added to the "Dale Más" advertising campaign for a series of pre-game Super Bowl commercials for Super Bowl LIV, and a remixed version of the single serves as the official theme song for the 2020 NASCAR Cup Series. The album's second promotional single, "Cinco de Mayo" with Lil Jon featuring Chesca, was released on May 5, 2020. The promotional single was performed live at the Premio Lo Nuestro 2020, and the performance gained over 2 million views on YouTube as of July 2020. The album's fifth single, "Mueve La Cintura" featuring Tito El Bambino and Guru Randhawa, was released on June 8, 2020. An accompanying music video, which was filmed in 2019 and directed by David Rousseau, was also premiered on that same date. On July 17, 2020, the remix of "Mala", the original of which is found on Libertad 548, was released as a single. The song, titled "Mala (Remix)", features Becky G and additional guest vocals from De La Ghetto. In 2020, amid the COVID-19 pandemic, LiveXLive launched a partnership with Pitbull, which would grant the platform exclusive rights to concerts, behind-the-scenes, videos and more from Pitbull to be streamed to LiveXLive's premium subscribers. On August 14, 2020, Pitbull released a new single, titled "Te Quiero Baby (I Love You Baby)" with Latin pop singer Chesca and American singer Frankie Valli. The single serves as a Latin interpolation of the original Frankie Valli & The Four Seasons 1967 smash hit single "Can't Take My Eyes Off You". 2021–present: I Feel Good Tour On June 22, Pitbull announced across all of his official social media platforms the I Feel Good Tour, named after his single of the same name, and his first dedicated tour since 2017's Enrique Iglesias and Pitbull Live! North American tour. The 32 city tour featured special guest Iggy Azalea and began on August 20, 2021, in Clarkston, Michigan and spanned across the United States through October 13, 2021 in Tampa, Florida. On February 24, 2022, Pitbull performed with IAMCHINO and DJ Deorro on the live-debut of their late-2021 single, "Discoteca", at the 2022 Premio Lo Nuestro awards. The song samples "Around the World (La La La La La)" by Eurodance group ATC. Product endorsements In 2010, Pitbull took part in the "So Kodak" campaign for the Kodak brand with Drake, Rihanna, and Trey Songz. He also launched a partnership with the soft drink giant Dr Pepper as part of the campaign "Vida 23" for which he recorded a song that featured on his album Armando. Pitbull also announced he has become the spokesperson for Voli Vodka, in which he holds a majority equity stake, and Budweiser has chosen Pitbull to promote its Bud Light line of beer. The commercials currently highlight Pitbull dancing and gyrating on stage holding up a bottle of Bud Light. Pitbull has also purchased an equity stake in Miami Subs Pizza and Grill. In 2012, Pitbull was involved in an advertising campaign with Walmart, in which the Walmart store that received the most Facebook "likes" from June 18 to July 15, 2012, would have Pitbull visit and put on a show there. An orchestrated campaign entitled "#exilepitbull" started by The Boston Phoenix reporter David Thorpe and SomethingAwful.com writer Jon Hendren urged people to vote for a remote location, namely Kodiak, Alaska. In an email to the Associated Press, Walmart confirmed that Kodiak was the winning location. Pitbull visited Kodiak on July 30, where he received a key to the city from Mayor Patricia Branson and performed. David Thorpe, who had started the "#exilepitbull" campaign, was invited to attend and showed up. In November 2013, he started a fragrance with Jacavi Worldwide and Parlux Ltd. On May 19, 2015, Pitbull launched a new radio channel on Sirius XM Radio, called Pitbull's Globalization Radio, which is centered around Rhythmic, Dance/EDM, and R&B/Hip-Hop product from artists from around the world. The artist celebrated the channel's debut with a private concert at New York City's Apollo Theater. In addition to launching his customized radio station, Pitbull also plans to launch a pair of projects with Endemol for digital television. In 2019, Pitbull joined Boost Mobile to create a series of advertisements to expand Boost Mobile to Spanish communities. The promotional single "Winning" featuring Yomil y El Dany from Pitbull's 2019 album "Libertad 548" was used in the Boost Mobile "Dale Más" advertising campaign that has been actively rolling out advertisements starring Pitbull and his backup dance group The Most Bad Ones. The song "Get Ready" by Pitbull featuring Blake Shelton was later added to the advertising campaign, also from the Pitbull album Libertad 548. On February 2, 2020, Pitbull was featured in a Super Bowl commercial for Super Bowl LIV, alongside Jennifer Lopez, DJ Khaled, Alex Rodriguez, and Steven Van Zandt. The commercial was produced to promote Hard Rock and its affiliations; the commercial premiered during the 2nd quarter of Super Bowl LIV. The commercial showcases the Seminole Hard Rock Hotel & Casino, which is also where the music video for "Get Ready" by Pitbull featuring Blake Shelton was filmed. The music video was released on February 10, 2020. Controversies Pitbull has been criticized for the way women are depicted in some of his music. For example, song lyrics such as "She say she won't, but I bet she will," and "I like that when you fight back" have attracted discussion about whether or not they could be contributing to the "legitimization" of rape. Campaign described him as an artist "whose lyrics are routinely labeled sexist"; Complex similarly noted that "many view Pitbull as sexist." Pitbull's song "We Are One (Ole Ola)" (featuring Jennifer Lopez and Claudia Leitte), which served as the official FIFA World Cup 2014 song, drew some controversy for not being a good enough representation of Brazil, which was the host country of the World Cup that year. Critics condemned the song's lyrical content for being filled with cliches about Brazilian culture, as well as for not containing enough lyrics in Portuguese. Others called it a "bad, boring, replaceable pop song." In December 2019, Cuban music duo Gente de Zona were banned from performing at a New Year's Eve concert in Miami alongside Pitbull due to their support of the Cuban government. During the concert, Pitbull voiced his support for the duo amid the ban, stating that "music is music, politics is politics." He received immediate backlash for the comments, including from fellow Cuban musicians, such as Albita Rodríguez and Arturo Sandoval, and the Miami community. He later apologized, acknowledged he "screwed up," and claimed he wasn't fully aware of the extent of Gente de Zona's controversial political stances. In 2020, during the COVID-19 pandemic, Pitbull made an appearance in a podcast episode where he claimed the pandemic was a conspiracy, called it a "scamdemic, plandemic," and spread false claims about the origins of it. A shorter clip of the podcast episode started going viral in early 2021, as social media users shared it hundreds of thousands of times. He received backlash for spreading misinformation about the coronavirus, and was labeled a "conspiracy theorist" by some. Business activities On January 15, 2021, it was announced that Pitbull became a co-owner of the NASCAR Cup Series team Trackhouse Racing. Impact and activism Determined to help the Latino community in his hometown, Pitbull's social impact focus for the last decade has been closing the poverty gap through educational initiatives. He helped start a Tuition-Free Public charter for middle and high school called Sports Leadership and Management (SLAM!), which opened in 2013 in Miami's Little Havana, the neighborhood where Pitbull grew up. SLAM! now operates nationwide, including in Miami, Las Vegas and Atlanta, with a 96 percent graduation rate. The school will be run by the non-profit Mater Academy. Pitbull created the Sports Leadership and Management Charter School, which opened in 2013. In response to the destruction caused by Hurricane Maria, Pitbull announced he will use his private plane to bring cancer patients from Puerto Rico to the mainland United States for treatment. On April 13, 2020, Pitbull released a single titled "I Believe That We Will Win (World Anthem)" (which samples the "I believe that we will win!" chant) during the COVID-19 pandemic. The song inspires those affected by the COVID-19 outbreak to "face everything and rise". An accompanying music video was released on May 7, 2020, on YouTube, and made its television debut on MTV. Pitbull is donating all proceeds from song sales, streaming and views to Feeding America and the Anthony Robbins Foundation. On December 31, 2020, Pitbull performed for a crowd of first responders in Times Square during the COVID-19 pandemic for the famous New Year's Eve celebration. Discography M.I.A.M.I. (2004) El Mariel (2006) The Boatlift (2007) Pitbull Starring in Rebelution (2009) Armando (2010) Planet Pit (2011) Global Warming (2012) Globalization (2014) Dale (2015) Climate Change (2017) Libertad 548 (2019) Timeless (2022) Concert tours 2009–2011: Rebelution Tour 2012: Planet Pit World Tour 2013: North American Tour 2013 (with Kesha) 2015: Pitbull Live in Hong Kong 2016: The Bad Man Tour (with Prince Royce and Farruko) 2017: Enrique Iglesias and Pitbull Live! (with Enrique Iglesias) 2021: I Feel Good Tour (with special guest Iggy Azalea) Opening act 2014–2015: Enrique Iglesias – Sex and Love Tour 2018: Britney Spears – Piece of Me Tour Residencies 2015–2019: Pitbull: Time of Our Lives 2020 PPD: Pitbull: Get Ready Vegas LiveXLive Virtual Concert Series 2020: Pitbull: Live & Timeless Filmography Film Television Awards and nominations References External links Pitbull on Vevo Pitbull on YouTube Pitbull on Spotify 1981 births Living people 21st-century American male musicians 21st-century American rappers American entertainers of Cuban descent American hip hop singers American male pop singers American male rappers American musicians of Cuban descent American reggaeton musicians Grammy Award winners Hispanic and Latino American musicians Hispanic and Latino American rappers Latin Grammy Award winners Latin music songwriters Musicians from Miami NASCAR team owners Pop rappers Rappers from Miami RCA Records artists Songwriters from Florida Sony Music Latin artists Spanish-language singers of the United States TVT Records artists Victor Entertainment artists	true	[ "Doreen or Dairine Vanston (19 October 1903 – 12 July 1988) was an Irish landscape artist who worked in a Cubist style.\n\nEarly life and education\nDairine Vanston was born in Dublin on 19 October 1903. She was the daughter of solicitor John S. B. Vanston, and sculptor Lilla Vanston (née Coffey). Vanston attended Alexandra College, going on to study at Goldsmith's College, London under Roger Bissière. She then went to Paris to the Académie Ranson, being sent there following the advice of Paul Henry. Whilst still in Paris she met Guillermo Padilla, a Costa Rican law student in the University of Paris. They married in 1926 and she took the name Vanston de Padilla. The couple lived for a time in Italy, before moving to San José, Costa Rica. The marriage broke down in the early 1930s, at which point Vanston returned to Paris with her son and studied with André Lhote. She was living in France at the outbreak of World War II with Jankel Adler, but was able to escape to London in 1940, and later to Dublin.\n\nArtistic career\nHer time in Paris left a lasting impression on Vanston's work, including use of primary colours and a strong Cubist influence. Vanston belonged to what the critic Brian Fallon the \"Franco-Irish generation of painters who looked to Paris\", along with Mainie Jellett, Evie Hone, and Norah McGuinness. Her time spent living in Costa Rica in the late 1920s and early 1930s imbued her work with tropical and highly toned colours. In Dublin in 1935, Vanston exhibited 17 paintings, largely Costa Rican landscapes, at Daniel Egan's gallery on St Stephen's Green. This was the closest thing to a solo show Vanston would mount, with this show also featuring Grace Henry, Cecil ffrench Salkeld, and Edward Gribbon.\n\nMeeting the English artist Basil Rakoczi, who was also living in Dublin during World War II, led her to becoming associated with The White Stag group. In November 1941, Vanston exhibited for the first time at a group show with 24 other artists, including Patrick Scott. One work that was shown at this exhibition was the painting Keel dance hall, which demonstrated that she spent time in the west of Ireland. The most important event staged by the group was the Exhibition of subjective art, which took place at 6 Lower Baggot St. in January 1944. The Dublin Magazine noted Vanston's work at this show as the most effective of the experimental vanguard. This work, Dying animal, was a Cubist work with semi-representation forms rendered in bold colours. In 1945, her work was featured in a White Stag exhibition in London of young Irish painters at the Arcade gallery, Old Bond St.\n\nIn 1947, Vanston spent almost a year in Costa Rica where she painted primarily in watercolours. Apart from this period, she lived and worked in Dublin, living at 3 Mount Street Crescent near St Stephen's Church. At the inaugural Irish Exhibition of Living Art in 1943, Vanston exhibited five works. At the first Exhibition of Independent Artists in 1960, of which Vanston was a founder, she exhibited three landscapes and a work entitled War. She largely exhibited with the Independent Artists, the Irish Exhibition of Living Art, and the Oireachtas, and did not exhibit with the Royal Hibernian Academy. Later in life, she exhibited with the Figurative Image exhibitions in Dublin, and was amongst the first painters chosen for Aosdána. A number of Vanston's works were featured in the 1987 exhibition, Irish women artists, from the eighteenth century to the present arranged by the National Gallery of Ireland and The Douglas Hyde Gallery.\n\nLater life and legacy\nVanston died on 12 July 1988 in a nursing home in Enniskerry, County Wicklow. Her work is greatly admired, but has received little by way of critical attention, which may have been to do with her slow rate of output. A number of her works have proved difficult to trace. Vanston was a private person, even refusing to cooperate with the Taylor galleries in the 1980s when they wanted to mount a retrospective of her work. The National Self-Portrait Collection in Limerick holds a work by Vanston.\n\nReferences\n\n1903 births\n1988 deaths\nArtists from Dublin (city)\n20th-century Irish painters\nIrish women painters\n20th-century Irish women artists\nPeople educated at Alexandra College\nAlumni of Goldsmiths, University of London", "Shanghai Kate Hellenbrand (born 1942) is an American tattoo artist who has worked in the industry for over 40 years, and she is widely considered to be “America’s Tattoo Godmother” since she worked with many individuals who pioneered American tattoo work.\n\nEarly years and education \n\nShanghai Kate grew up on a farm in Utah. She started drawing at the age of 4 and, as a child, she enjoyed going with her grandmother to the circus and carnivals where she first saw people who had tattoos. Later she went to art school at both ArtCenter College of Design and the Chouinard Art Institute.\n\nCareer \nWith a background in art, she gained a work in advertising in the 1960s at the agency Muller Jordan & Herrick in New York City. At a time when tattooing was still illegal in New York, Shanghai Kate and Michael \"Mike\" Malone (aka Rollo Banks) both contributed to organising the American Folk Art Museum's 1971 exhibition \"Tattoo!\". After the exhibition, Rollo Banks began his own tattoo work at their studio apartment and later opened Catfish Tattoo where Shanghai Kate originally helped him as a \"hostess\".\n\nShanghai Kate was not originally aware of any American women tattoo artists, only having heard of Australian-based Bev Robinson ('Cindy Ray') and England-based Rusty Skuse. Although Shanghai Kate felt that the tattoo industry was not welcoming of women tattoo artists at that time, she agreed to do her first tattoo for Tommy King when asked to do so by this regular client at Catfish Tattoo, drawing on her traditional background in art theory combined with her interest in this art form of tattooing and in the tools used by tattoo artists.\n\nShanghai Kate later went to work with Sailor Jerry Collins who she considered to be a mentor, and she has collaborated with many other famous tattoo artists, including Franklin Paul Rogers, Huck Spaulding, Ed Hardy, Zeke Owen, and Jack Rudy.\n\nShe ran Shanghai Kate's Tattoo in Austin Texas for over ten years.\n\nLegacy \nShanghai Kate is considered to be \"America's Tattoo Godmother\" since, starting in 1971, she has shaped the tattoo industry and has the longest career of any other female tattoo artist in the USA. She is passionate about preserving tattoo history as shown by how she frequently visits tattoo conventions, mentors younger tattoo artists (especially women), and gives talks about the evolution of tattooing.\n\nReferences \n\n1942 births\nAmerican tattoo artists\nLiving people" ]
[ "Pitbull (rapper)", "2006-2007: El Mariel and The Boatlift", "What was El Mariel?", "I don't know.", "What is the Boatlift? Are these Pitbull's albums?", "album, titled The Boatlift,", "How well did these albums sell?", "No. 2 on the rap chart.", "Did they work with any other artists at this time?", "DJ Laz' \"" ]	C_0aac1a7ebd264bc69eaeb5525913e13e_0	What was the most interesting aspect of the article?	5	What was the most interesting aspect of the article regarding Pitbull?	Pitbull (rapper)	In January 2006, Pitbull guest-starred in UPN's South Beach. Pitbull recorded "Nuestro Himno" in collaboration with Wyclef Jean, Carlos Ponce, and Olga Tanon. On Listennn... the Album, the debut album by Terror Squad member and Miami radio personality DJ Khaled, Pitbull performed on three singles: "Holla at Me" and "Born-N-Raised" alongside other Southern-based rappers. He dedicated the album to his father, who died in May of that year. Along with the usual party-oriented tracks, Pitbull also included politically themed tracks in El Mariel. The album was released on October 31, 2006, and included singles "Bojangles", "Ay Chico (Lengua Afuera)", "Fuego", and duet with Puerto Rican singer Ken-Y, "Dime (Remix)". El Mariel topped the Billboard independent albums chart and peaked at No. 17 on the Billboard 200 and No. 2 on the rap chart. Pitbull's third album, titled The Boatlift, was released in November 2007, spawned by the single "Secret Admirer" featuring Lloyd on the chorus. Earlier, Pitbull announced that this album would have a more gangsta rap edge than his earlier albums. Subsequent singles included "Go Girl" featuring Trina, and "The Anthem" featuring and produced Lil Jon, that song sampling the hook from the song "El Africano" by Wilfrido Vargas and the beat from the song "Calabria" by Rune RK. "Go Girl" peaked at No. 80 on the Billboard Hot 100 and No. 36 on the Hot Rap Tracks chart; "The Anthem" No. 36 on the Hot 100 and No.11 on the Hot Rap Tracks. His variety show, Pitbull's La Esquina, debuted May 2007 and ran through 2009 on the mun2 cable network. Pitbull also appeared on DJ Laz' "Move Shake Drop" and DJ Felli Fel's "Feel It". CANNOTANSWER	Pitbull also appeared on DJ Laz' "Move Shake Drop" and DJ Felli Fel's "Feel It".	Armando Christian Pérez (born January 15, 1981), known professionally by his stage name Pitbull, is an American rapper and singer. Pérez began his career in the early 2000s, recording reggaeton, Latin hip hop, and crunk music under a multitude of labels. In 2004, he released his debut album M.I.A.M.I. under TVT Records and the executive production of Lil Jon. Pitbull later released his second album, El Mariel, in 2006 and his third, The Boatlift, in 2007. His fourth album, Rebelution (2009), included his breakthrough hit single "I Know You Want Me (Calle Ocho)", which peaked at number two on the US Billboard Hot 100 and number four on the UK Singles Chart. After rebranding himself as a pop artist, Pitbull's next English-language album, Planet Pit (2011), featured his first US number one single "Give Me Everything" (featuring Ne-Yo, Afrojack and Nayer). The single from his next album, Global Warming: Meltdown (2013), titled "Timber" (featuring Kesha), hit No.1 in eighteen countries, including the US and UK. The next single from the album, "Feel This Moment" (featuring Christina Aguilera), was a Top 10 hit in the United States, Canada, Australia and the United Kingdom. He performed the song "We Are One (Ole Ola)" (with Jennifer Lopez and Claudia Leitte), which served as the official theme of the 2014 FIFA World Cup. Pitbull released his latest album Libertad 548 on September 27, 2019. The new album includes the RIAA Latin 9× Platinum hit single "No Lo Trates" (featuring Daddy Yankee and Natti Natasha). The album spawned RIAA Latin Platinum single "Me Quedaré Contigo" (also featuring Ne-Yo), and was certified RIAA Latin Platinum on January 28, 2021. Pitbull has sold over 25 million studio albums and over 100 million singles worldwide. He has over 15 billion views on YouTube as of May 2020. He was ranked by Billboard as the 45th Top Artist of the 2010s and the 24th Top Latin Artist of the 2010s. Pitbull's other ventures include brand ambassadorship and for various entities, activism and philanthropy in the Latino American community, a radio station (Pitbull's Globalization) on Sirius XM Radio and ownership of the Trackhouse Racing NASCAR team. As of May 2019, Pitbull has won 35 Billboard Latin Music Awards. Early life and background Armando Christian Pérez was born on January 15, 1981, in Miami, Florida, to Cuban immigrant parents. He is a first-generation American. Growing up, he was strongly encouraged by his family to "take advantage" of the privilege of living in America, and the opportunities it came with. His family has a history of fighting against the Castro regime in Cuba. When he was three, he could recite the works of Cuba's national hero and poet, José Martí, in Spanish. He learned English by watching Sesame Street as a child. His father was largely absent from his childhood; his parents separated when he was young, and he was raised mostly by his mother, later stating: "my mom is my father and my mother." He briefly stayed with a foster family in Roswell, Georgia. His parents struggled with substance abuse; as a teenager, he was also involved with drug use and dealing, which eventually led to him getting kicked out of the family house. He attended South Miami Senior High School and Miami Coral Park High School. Growing up, he was influenced by the Miami bass genre of pop music and has cited Celia Cruz and Willy Chirino as sources of inspiration, in addition to rappers such as Nas, Jay-Z, and Snoop Dogg. He credits the "melting pot" of a city that Miami is with introducing him to many different cultures and teaching him important life lessons, implying that he wouldn't be the person he is nowadays if it wasn't for growing up in Miami. He said he chose his stage name of Pitbull because the dogs "bite to lock. The dog is too stupid to lose. And they're outlawed in Dade County. They're basically everything that I am. It's been a constant fight". After meeting Lil Jon in Miami, Pitbull was featured on Lil Jon and the East Side Boyz' album Kings of Crunk in 2002. Pitbull's song "Oye" was featured on the soundtrack to the film 2 Fast 2 Furious the following year. In addition, Pitbull released several mixtapes, composed of freestyles and remixes of popular rap music. Pitbull also worked with Uncle Luke during his early career, being featured on Luke's 2001 album Somethin' Nasty, including the single "Lollipop" along with Lil' Zane. Career 2001–2003: Luke Records and TVT Records In 2001, Pitbull was signed to Luther Campbell's Luke Records by Jullian Boothe, then the label's vice-president of A&R. In 2001, Pitbull was introduced to Robert Fernandez of Famous Artist Music & Management, an independent label and management company specializing in developing artists, by the Diaz Brothers, a producer duo signed to the company. Fernandez "saw the eagerness and hunger he had" and, with the Luke Records deal ending, began working to develop Pitbull. Together they focused on creating a more radio-friendly sound. Fernandez later told HitQuarters: "At that time his music had a lot of verses and took a long time to get into the hook, and so we took time in getting the songs catchier and less on the rap side." Fernandez introduced Pitbull to Lil Jon, hoping to secure the rapper a small guest intro spot on Lil Jon's upcoming album Kings of Crunk. According to Fernandez, Jon took a liking to Pérez and offered him a track on the album; it is called "Pitbull's Cuban Ride Out." This track helped raise the young rapper's profile. 2004–2005: M.I.A.M.I. In 2004, Pitbull released his debut album M.I.A.M.I., with the lead single being "Culo" produced by Lil Jon and the Diaz Brothers. It peaked at No. 32 on the Billboard Hot 100 chart and No. 11 on the Hot Rap Tracks chart. Other singles included "Dammit Man", "Back Up", "Toma", and "That's Nasty" (both featuring Lil Jon). He joined the Anger Management Tour, the 2000 hip-hop concert tour headlined by Eminem and 50 Cent. Pitbull also appeared on the Ying Yang Twins' single "Shake", which peaked at No.41 on the Hot 100 and No.12 on the rap chart, Adassa's chart topping single "Kamasutra" & Twista's "Hit the Floor" (#94 Hot 100, No. 20 Rap). Remix album Money Is Still a Major Issue was released in November 2005; it included new track "Everybody Get Up", a duet with hip-hop/R&B group Pretty Ricky. TVT Records, Pitbull's label at the time, and Slip-n-Slide Records disputed over the release of Welcome to the 305, an unreleased album by Slip-n-Slide that Pitbull recorded in 2001. A Miami judge ruled that Slip-n-Slide had a legal right to release the album as it was recorded when Pitbull was a Slip-N-Slide artist, and prior to him signing with TVT Records. A US District Court judge affirmed the decision further. TVT was then ordered in March 2007 to pay Slip-n-Slide $9.1 million for attempting to block the album's release to record stores and digital download entities. In 2005, Pitbull and rapper Sean 'Diddy' Combs co-founded Bad Boy Latino, a subsidiary of Combs' Bad Boy Records label. It primarily focuses on Latin hip hop, Latin soul, Latin pop and other tropical music and has offices in New York and Miami, Florida. Along with co-founding it, Pérez currently heads the A&R division of the label. 2006–2007: El Mariel and The Boatlift In January 2006, Pitbull guest-starred in UPN's South Beach. Pitbull recorded "Nuestro Himno" in collaboration with Wyclef Jean, Carlos Ponce, and Olga Tañón. On Listennn... the Album, the debut album by Terror Squad member and Miami radio personality DJ Khaled, Pitbull performed on three singles: "Holla at Me" and "Born-N-Raised" alongside other Southern-based rappers. He dedicated the album to his father, who died in May that year. Along with the usual party-oriented tracks, Pitbull also included politically themed tracks in El Mariel. The album was released on October 31, 2006, and included singles "Bojangles", "Ay Chico (Lengua Afuera)", "Fuego", and duet with Puerto Rican singer Ken-Y, "Dime (Remix)". El Mariel topped the Billboard independent albums chart and peaked at No. 17 on the Billboard 200 and No. 2 on the rap chart. Pitbull's third album, titled The Boatlift, was released on November 27, 2007, spawned by the single "Secret Admirer" featuring Lloyd on the chorus. Earlier, Pitbull announced that this album would have a more gangsta rap edge than his earlier albums. Subsequent singles included "Go Girl" featuring Trina, and "The Anthem" featuring and produced Lil Jon, that song sampling the hook from the song "El Africano" by Wilfrido Vargas and the beat from the song "Calabria" by Rune RK. "Go Girl" peaked at No. 80 on the Billboard Hot 100 and No. 36 on the Hot Rap Tracks chart; "The Anthem" No. 36 on the Hot 100 and No.11 on the Hot Rap Tracks. His variety show, Pitbull's La Esquina, debuted May 2007 and ran through 2009 on the mun2 cable network. Pitbull also appeared on DJ Laz' "Move Shake Drop" and DJ Felli Fel's "Feel It". 2008–2010: Pitbull Starring in Rebelution and Armando For his fourth studio album Pitbull Starring in Rebelution, Pitbull released "I Know You Want Me (Calle Ocho)" through Ultra Records after his former label TVT Records went out of business. "Krazy" peaked at No. 30 on the Hot 100 and No. 11 on the Hot Rap Tracks charts. "I Know You Want Me" peaked at No. 2 on the Hot 100 and peaked within the top ten spots of charts in the UK, Canada, Italy, and the Netherlands. The song reached No. 1 in France and the European Hot 100 in the week ending August 29, 2009 according to Billboard magazine. "I Know You Want Me" ended at position 17 on the Billboard Year-End Hot 100 singles of 2009. He later signed with Polo Grounds Music through Sony Music and created his own label Mr. 305 Inc. The single "Hotel Room Service", which samples "Push the Feeling On", peaked at No. 9 on the Hot 100. The album went on to sell over 7.5 million worldwide digital singles and albums combined. On their second collaboration since "Go Girl", Pitbull appeared on the debut single of rapper David Rush (formerly Young Bo$$), "Shooting Star", also with Kevin Rudolf and LMFAO. An amateur video of Pitbull punching a disruptive audience member at a Colorado concert leaked onto the Internet in late May 2009. Pitbull explained to MTV News that it was because the fan kept throwing cash around the stage, and after Pitbull pulled him up to the stage, he threw a stash of money right in Pitbull's face. He was tapped by the Miami Dolphins to work alongside T-Pain and Jimmy Buffett to release a new fight song for the Dolphins. The city of Miami granted Pitbull a "Key to the City" honor on August 19, 2009. Another popular single from 2009 was "Blanco", featuring Pharrell Williams of The Neptunes from the soundtrack to the movie Fast & Furious. Pitbull recorded a remix with Mexican pop diva Paulina Rubio for her single "Ni Rosas Ni Juguetes" in November 2009. In 2010, Pitbull performed the rap section in the Haiti benefit song "Somos El Mundo", a Spanish version of "We Are the World", that included a huge group of Latin artists led by Emilio and Gloria Estefan. He was also a featured guest on Janet Jackson's "Heart, Beat, Love" in addition to "Armada Latina", the fourth single off the album Rise Up by Latin rap legends, Cypress Hill. The song was produced by Jim Jonsin and also features Marc Anthony. Pitbull then collaborated with Alexandra Burke on the single "All Night Long". He was also featured on "DJ Got Us Fallin' in Love" by Usher. Pitbull released his full-length debut Spanish-language album titled Armando on November 2, 2010. He was also one of the most nominated artists of the 2011 Billboard Latin Music Awards. He garnered 7 nominations for "Latin Rhythm Airplay, Song of the Year" for "Bon, Bon"; "Latin Rhythm Airplay, Artist of the Year, Solo Artist"; "Latin Rhythm Albums, Album of the Year" for Armando; "Latin Rhythm Albums, Artist of the Year, Solo Artist"; "Social 50, Latin Artist of the Year"; "Latin Digital Download of the Year" for "Bon, Bon" and "Hot Latin Song of the Year, Vocal Event" for the song "I Like It" alongside Enrique Iglesias. He also won Telehit's award for "Most Popular Artist". 2011: Planet Pit In April 2011, Jennifer Lopez released Love?, which featured Pitbull on two singles. "Fresh Out the Oven" did not meet with critical or popular success, but the second cut, "On the Floor", was a certified hit. The single went on to make its Billboard Hot 100 debut at number nine, becoming the highest debuting Hot 100 single of Lopez's career. Pitbull released Planet Pit on June 17, 2011. Pitbull collaborated with T-Pain on its first single, which became a moderate hit; "Hey Baby (Drop It to the Floor)", which peaked at No. 7 on the Hot 100. On March 22, 2011, Pitbull released his second single, "Give Me Everything", which features American R&B singer Ne-Yo, American singer Nayer and Dutch DJ Afrojack, who also produced the song and co-wrote it with Matt Howard, Pitbull and Ne-Yo.; three months later, the song became Pitbull's first single to top the Billboard Hot 100. It was ranked no. 5 on the 2011 Billboard Year-End Chart. In August 2011, Lindsay Lohan sued Pitbull, Ne-Yo and Afrojack in response to the song's lyrics referencing her name, "I've got it locked up like Lindsay Lohan." Lohan objected to the negative connotation of the line and claimed that she should have been compensated for the use of her name in the song. The case was dismissed by a federal judge, who ruled the tune's lyrics are protected by the First Amendment, which covers freedom of speech and creative expression. 2012–2013: Global Warming, Meltdown & Men in Black 3 On October 7, 2011, RCA Music Group announced it was disbanding J Records along with Arista Records and Jive Records. With the shutdown, Pitbull (and all other artists previously signed to these three labels) would release future material on the RCA Records brand. On May 8, 2012, he collaborated with the Italian DJ Gabry Ponte for the song "Beat on My Drum". Pitbull's seventh studio album was titled "Global Warming" and released on November 16, 2012. Pitbull explained that the title reflected the fact that, much like the phenomenon of global warming, he's been around for a while but all of a sudden, people are paying attention. The lead single from the album was "Get It Started" featuring singer Shakira. The third single was "Feel This Moment" featuring Christina Aguilera. The second single, entitled "Back in Time," was for the film Men in Black 3. It was the first lead single for the Men in Black franchise not performed by Will Smith. The song, which plays during the end credits but is not featured on the soundtrack album, samples "Love Is Strange" by Mickey & Sylvia. Pitbull supported the album with a world tour in the summer of 2013. In 2013, Pitbull released a diss track towards Lil Wayne called "Welcome 2 Dade County" shortly after Lil Wayne's rant on the Miami Heat. Pitbull made his film debut Epic with a voice role of the character "Bufo". He embarked on the North American/Australian Summer Tour with Kesha to promote both their albums, which extends from May to November. He released his song "Feel This Moment" featuring Christina Aguilera on January 18, 2013, and they performed it live at the 2013 Billboard Music Awards, as well as on the fourth season of The Voice. The song was a commercial success, peaking at No. 8 on the Billboard Hot 100. Later he released the final single from his Global Warming album, Outta Nowhere featuring Danny Mercer, in late May. At the 2013 Latin Grammy Awards, Pitbull won the award for Best Urban Performance for his song "Echa Pa'lla (Manos Pa'rriba)". Pitbull announced via Twitter that he would release the extended play to his studio album Global Warming, named Global Warming: Meltdown on November 25, featuring guest appearances from Kesha, Kelly Rowland, Inna, Mohombi and Mayer Hawthorne. The lead single, "Timber", featuring recording artist and tourmate Kesha, was released on October 7. The song peaked at #1 on the Billboard Hot 100 in 18 different countries. Pitbull was featured on the early summer single "Live It Up", marking his third collaboration with Jennifer Lopez and Redone. Lopez and Pitbull performed the song at the Billboard Music Awards, American Idol and Premios Juventud. He also made album appearances for Priyanka Chopra, Flo Rida, Jessica Mauboy, Belinda, Jason Derulo and other artists. Pitbull provided the post-race concert at the Formula 1 United States Grand Prix at Circuit of the Americas on November 17, 2013. Pitbull hosted the 2013 American Music Awards on November 24, 2013. 2014–2015: Globalization and Dale Pitbull, Jennifer Lopez and Claudia Leitte performed the song "We Are One" at the opening ceremony of the 2014 World Cup. On February 25, 2014, Pitbull released a new single titled "Wild Wild Love" featuring American recording artist group G.R.L. It has peaked at number 30 on the Billboard Hot 100. On April 15, 2014, Pitbull released a single featuring Jennifer Lopez and Claudia Leitte called "We Are One (Ole Ola) from the compilation album for the FIFA 2014 World Cup One Love, One Rhythm. In May 2014, it was announced that Pitbull would host and co-produce a live New Year's Eve concert special from Miami for Fox, Pitbull's New Year's Revolution, on December 31, 2014. On June 12, 2014, Pitbull performed at the Arena de São Paulo as part of the 2014 FIFA World Cup opening ceremony. This performance saw him joined by Jennifer Lopez and Claudia Leitte to perform the tournament's official song "We Are One (Ole Ola)". In June 2014, it was announced that Pitbull would be receiving a star on the Hollywood Walk of Fame. On July 8, 2014, Pitbull released a Spanish-language single titled "Como Yo Le Doy" featuring Don Miguelo. On July 23, 2014, Pitbull released another single titled "Fireball", which features singer John Ryan Produced by Honua Music. Around the same time, he announced his eighth studio album Globalization, which was released on November 21, 2014. On October 18, 2014, Pitbull released another single titled "Celebrate" which was included on the Penguins of Madagascar soundtrack and later included on the album Globalization. Globalization was released alongside single "Time of Our Lives", which was Pitbull's first top ten hit since "Timber", peaking at #9 on the Hot 100. It also topped the Hot Dance Club Songs, Hot Rap Songs, and Rhythmic charts. On November 20, 2014, Pitbull released another Spanish-language single titled "Piensas (Dile la Verdad)" featuring Gente de Zona. On April 21, 2015, Pitbull released his sixth single on the Globalization album titled "Fun" featuring Chris Brown and peaked at number 40 on the Hot 100. On May 8, 2015, Pitbull released a teaser video on Twitter of his upcoming second Spanish studio album and ninth studio album overall titled Dale. The album was officially released on July 17, 2015, and included the singles "Como Yo Le Doy", "Piensas (Dile la Verdad)", "El Taxi", and "Baddest Girl in Town". The album led to Pitbull winning his Grammy Award in the category of Best Latin Rock, Urban or Alternative Album. 2015–2018: Climate Change, Greatest Hits, and Gotti On October 26, 2015, Pitbull released a new single titled "Free.K", which samples Adina Howard's "Freak like Me" in the chorus. The song was set to be the first single off his tenth studio album titled Climate Change. On January 7, 2016, Pitbull premiered the second single from his new album titled "Freedom", which also samples The Rolling Stones song "I'm Free" in the chorus. To coincide with the release of the single, the artist also teased a 2017 Norwegian party cruise. There is a campaign that launched in January 2016 in support of the cruise that is expected to last until later in the year. On February 14, 2017, Pitbull announced that Climate Change will be released on March 17, with pre-orders starting on February 17. Pitbull collaborated with American girl group Fifth Harmony on "Por Favor" (released October 27, 2017) before announcing his 5th compilation album, titled Pitbull Greatest Hits. The thirteen track album features eleven of Pitbull's most successful leading artist songs, accompanied by "Jungle (with Stereotypes featuring Abraham Mateo and E-40)" and "Locas (featuring Lil' Jon)", two brand new Pitbull songs. The deluxe edition of the album released exclusively in Japan featured a 14th track, "Celebrate". The compilation album was released worldwide on December 1, 2017. Pitbull released his first full-length soundtrack album for the film Gotti alongside Jorge Gómez on June 16, 2018. Pitbull is featured on two tracks on the album, "So Sorry" and "Amore" (featuring Leona Lewis). 2019–2020: YouTube history and Libertad 548 Pitbull collaborated with Indian singer-songwriter Guru Randhawa on the song "Slowly Slowly", released by T-Series on April 19, 2019. The song's music video received 38 million views on YouTube within 24 hours, becoming one of the world's all-time most-viewed music videos in 24 hours. Pitbull's eleventh studio album, Libertad 548, was released on September 27, 2019. The album included the Spanish hit single "No Lo Trates" featuring Daddy Yankee and Natti Natasha, which is RIAA Latin certified 6x Platinum (360,000+ sales). The album's second single "3 to Tango" went viral for John Travolta's surprise guest appearance in the song's official music video. The album's third single "Me Quedaré Contigo" was premiered at the 2019 Latin American Music Awards, and peaked at #1 on the Latin Airplay and Latin Rhythm Airplay Billboard charts in the United States. The album's first promotional single, "Winning" featuring Yomil y El Dany, is a part of the Boost Mobile "Dale Más" advertising campaign. The album's fourth single "Get Ready" featuring Blake Shelton, which was premiered live by Pitbull at the Super Bowl LIV Tailgate Tropicale pre-game show, was later added to the "Dale Más" advertising campaign for a series of pre-game Super Bowl commercials for Super Bowl LIV, and a remixed version of the single serves as the official theme song for the 2020 NASCAR Cup Series. The album's second promotional single, "Cinco de Mayo" with Lil Jon featuring Chesca, was released on May 5, 2020. The promotional single was performed live at the Premio Lo Nuestro 2020, and the performance gained over 2 million views on YouTube as of July 2020. The album's fifth single, "Mueve La Cintura" featuring Tito El Bambino and Guru Randhawa, was released on June 8, 2020. An accompanying music video, which was filmed in 2019 and directed by David Rousseau, was also premiered on that same date. On July 17, 2020, the remix of "Mala", the original of which is found on Libertad 548, was released as a single. The song, titled "Mala (Remix)", features Becky G and additional guest vocals from De La Ghetto. In 2020, amid the COVID-19 pandemic, LiveXLive launched a partnership with Pitbull, which would grant the platform exclusive rights to concerts, behind-the-scenes, videos and more from Pitbull to be streamed to LiveXLive's premium subscribers. On August 14, 2020, Pitbull released a new single, titled "Te Quiero Baby (I Love You Baby)" with Latin pop singer Chesca and American singer Frankie Valli. The single serves as a Latin interpolation of the original Frankie Valli & The Four Seasons 1967 smash hit single "Can't Take My Eyes Off You". 2021–present: I Feel Good Tour On June 22, Pitbull announced across all of his official social media platforms the I Feel Good Tour, named after his single of the same name, and his first dedicated tour since 2017's Enrique Iglesias and Pitbull Live! North American tour. The 32 city tour featured special guest Iggy Azalea and began on August 20, 2021, in Clarkston, Michigan and spanned across the United States through October 13, 2021 in Tampa, Florida. On February 24, 2022, Pitbull performed with IAMCHINO and DJ Deorro on the live-debut of their late-2021 single, "Discoteca", at the 2022 Premio Lo Nuestro awards. The song samples "Around the World (La La La La La)" by Eurodance group ATC. Product endorsements In 2010, Pitbull took part in the "So Kodak" campaign for the Kodak brand with Drake, Rihanna, and Trey Songz. He also launched a partnership with the soft drink giant Dr Pepper as part of the campaign "Vida 23" for which he recorded a song that featured on his album Armando. Pitbull also announced he has become the spokesperson for Voli Vodka, in which he holds a majority equity stake, and Budweiser has chosen Pitbull to promote its Bud Light line of beer. The commercials currently highlight Pitbull dancing and gyrating on stage holding up a bottle of Bud Light. Pitbull has also purchased an equity stake in Miami Subs Pizza and Grill. In 2012, Pitbull was involved in an advertising campaign with Walmart, in which the Walmart store that received the most Facebook "likes" from June 18 to July 15, 2012, would have Pitbull visit and put on a show there. An orchestrated campaign entitled "#exilepitbull" started by The Boston Phoenix reporter David Thorpe and SomethingAwful.com writer Jon Hendren urged people to vote for a remote location, namely Kodiak, Alaska. In an email to the Associated Press, Walmart confirmed that Kodiak was the winning location. Pitbull visited Kodiak on July 30, where he received a key to the city from Mayor Patricia Branson and performed. David Thorpe, who had started the "#exilepitbull" campaign, was invited to attend and showed up. In November 2013, he started a fragrance with Jacavi Worldwide and Parlux Ltd. On May 19, 2015, Pitbull launched a new radio channel on Sirius XM Radio, called Pitbull's Globalization Radio, which is centered around Rhythmic, Dance/EDM, and R&B/Hip-Hop product from artists from around the world. The artist celebrated the channel's debut with a private concert at New York City's Apollo Theater. In addition to launching his customized radio station, Pitbull also plans to launch a pair of projects with Endemol for digital television. In 2019, Pitbull joined Boost Mobile to create a series of advertisements to expand Boost Mobile to Spanish communities. The promotional single "Winning" featuring Yomil y El Dany from Pitbull's 2019 album "Libertad 548" was used in the Boost Mobile "Dale Más" advertising campaign that has been actively rolling out advertisements starring Pitbull and his backup dance group The Most Bad Ones. The song "Get Ready" by Pitbull featuring Blake Shelton was later added to the advertising campaign, also from the Pitbull album Libertad 548. On February 2, 2020, Pitbull was featured in a Super Bowl commercial for Super Bowl LIV, alongside Jennifer Lopez, DJ Khaled, Alex Rodriguez, and Steven Van Zandt. The commercial was produced to promote Hard Rock and its affiliations; the commercial premiered during the 2nd quarter of Super Bowl LIV. The commercial showcases the Seminole Hard Rock Hotel & Casino, which is also where the music video for "Get Ready" by Pitbull featuring Blake Shelton was filmed. The music video was released on February 10, 2020. Controversies Pitbull has been criticized for the way women are depicted in some of his music. For example, song lyrics such as "She say she won't, but I bet she will," and "I like that when you fight back" have attracted discussion about whether or not they could be contributing to the "legitimization" of rape. Campaign described him as an artist "whose lyrics are routinely labeled sexist"; Complex similarly noted that "many view Pitbull as sexist." Pitbull's song "We Are One (Ole Ola)" (featuring Jennifer Lopez and Claudia Leitte), which served as the official FIFA World Cup 2014 song, drew some controversy for not being a good enough representation of Brazil, which was the host country of the World Cup that year. Critics condemned the song's lyrical content for being filled with cliches about Brazilian culture, as well as for not containing enough lyrics in Portuguese. Others called it a "bad, boring, replaceable pop song." In December 2019, Cuban music duo Gente de Zona were banned from performing at a New Year's Eve concert in Miami alongside Pitbull due to their support of the Cuban government. During the concert, Pitbull voiced his support for the duo amid the ban, stating that "music is music, politics is politics." He received immediate backlash for the comments, including from fellow Cuban musicians, such as Albita Rodríguez and Arturo Sandoval, and the Miami community. He later apologized, acknowledged he "screwed up," and claimed he wasn't fully aware of the extent of Gente de Zona's controversial political stances. In 2020, during the COVID-19 pandemic, Pitbull made an appearance in a podcast episode where he claimed the pandemic was a conspiracy, called it a "scamdemic, plandemic," and spread false claims about the origins of it. A shorter clip of the podcast episode started going viral in early 2021, as social media users shared it hundreds of thousands of times. He received backlash for spreading misinformation about the coronavirus, and was labeled a "conspiracy theorist" by some. Business activities On January 15, 2021, it was announced that Pitbull became a co-owner of the NASCAR Cup Series team Trackhouse Racing. Impact and activism Determined to help the Latino community in his hometown, Pitbull's social impact focus for the last decade has been closing the poverty gap through educational initiatives. He helped start a Tuition-Free Public charter for middle and high school called Sports Leadership and Management (SLAM!), which opened in 2013 in Miami's Little Havana, the neighborhood where Pitbull grew up. SLAM! now operates nationwide, including in Miami, Las Vegas and Atlanta, with a 96 percent graduation rate. The school will be run by the non-profit Mater Academy. Pitbull created the Sports Leadership and Management Charter School, which opened in 2013. In response to the destruction caused by Hurricane Maria, Pitbull announced he will use his private plane to bring cancer patients from Puerto Rico to the mainland United States for treatment. On April 13, 2020, Pitbull released a single titled "I Believe That We Will Win (World Anthem)" (which samples the "I believe that we will win!" chant) during the COVID-19 pandemic. The song inspires those affected by the COVID-19 outbreak to "face everything and rise". An accompanying music video was released on May 7, 2020, on YouTube, and made its television debut on MTV. Pitbull is donating all proceeds from song sales, streaming and views to Feeding America and the Anthony Robbins Foundation. On December 31, 2020, Pitbull performed for a crowd of first responders in Times Square during the COVID-19 pandemic for the famous New Year's Eve celebration. Discography M.I.A.M.I. (2004) El Mariel (2006) The Boatlift (2007) Pitbull Starring in Rebelution (2009) Armando (2010) Planet Pit (2011) Global Warming (2012) Globalization (2014) Dale (2015) Climate Change (2017) Libertad 548 (2019) Timeless (2022) Concert tours 2009–2011: Rebelution Tour 2012: Planet Pit World Tour 2013: North American Tour 2013 (with Kesha) 2015: Pitbull Live in Hong Kong 2016: The Bad Man Tour (with Prince Royce and Farruko) 2017: Enrique Iglesias and Pitbull Live! (with Enrique Iglesias) 2021: I Feel Good Tour (with special guest Iggy Azalea) Opening act 2014–2015: Enrique Iglesias – Sex and Love Tour 2018: Britney Spears – Piece of Me Tour Residencies 2015–2019: Pitbull: Time of Our Lives 2020 PPD: Pitbull: Get Ready Vegas LiveXLive Virtual Concert Series 2020: Pitbull: Live & Timeless Filmography Film Television Awards and nominations References External links Pitbull on Vevo Pitbull on YouTube Pitbull on Spotify 1981 births Living people 21st-century American male musicians 21st-century American rappers American entertainers of Cuban descent American hip hop singers American male pop singers American male rappers American musicians of Cuban descent American reggaeton musicians Grammy Award winners Hispanic and Latino American musicians Hispanic and Latino American rappers Latin Grammy Award winners Latin music songwriters Musicians from Miami NASCAR team owners Pop rappers Rappers from Miami RCA Records artists Songwriters from Florida Sony Music Latin artists Spanish-language singers of the United States TVT Records artists Victor Entertainment artists	true	[ "Papyrus Oxyrhynchus 243 (P. Oxy. 243 or P. Oxy. II 243) is a fragment containing a registration of a mortgage, written in Greek. It was discovered in Oxyrhynchus. The manuscript was written on papyrus in the form of a sheet. It is dated between 25 February and 24 March 79. Currently it is housed in the British Library (Department of Manuscripts, 790) in London.\n\nDescription \nThe document was written by Chairemon, son of Chairemon, and was addressed to the agoranymus. It describes a mortgage issued by Didymus to Dionysius of 1,300 silver drachmae with some real property as security for a term of one year at an interest rate of one percent per month.\n\nThe most interesting aspect of the document historically is that it states explicitly that the rate of exchange between copper drachmae and silver was, at the time, 1800 to 4. The measurements of the fragment are 235 by 112 mm.\n\nIt was discovered by Grenfell and Hunt in 1897 in Oxyrhynchus. The text was published by Grenfell and Hunt in 1899.\n\nSee also \n Oxyrhynchus Papyri\n\nReferences \n\n243\n1st-century manuscripts\nBritish Library collections", "Roland Robertson (born 1938) is a sociologist and theorist of globalization who lectures at the University of Aberdeen in Scotland. Formerly, he was a professor of sociology at the University of Pittsburgh, and in 1988 he was the President of the Association for the Sociology of Religion.\n\nRobertson's theories have focused significantly on a more phenomenological and psycho-social approach than that of more materialist oriented theorists such as Immanuel Wallerstein or Fredric Jameson. For Robertson, the most interesting aspect of the modern (or postmodern) era is the way in which a global consciousness has developed. He lays down a progression of \"phases\" that capture the central aspects of different eras in global history, asserting that the fifth phase, Global Uncertainty, has been reached.\n\nRobertson's main works are Globalization: Social Theory and Global Culture (1992) and the edited volume Global Modernities. In 1985, he was the first sociologist to use the term globalization in the title of a sociological article. His 1992 definition of globalization as \"the compression of the world and the intensification of the consciousness of the world as a whole\" has been credited as the first ever definition of globalization, though a more detailed analysis of the history of this term indicates it has many authors. He is also said to have coined the term glocalization in 1992.\n\nReferences\n\nExternal links\nUniversity of Aberdeen faculty information for Roland Robertson\nMore information on Roland Robertson\n\n1938 births\nAcademics of the University of Aberdeen\nBritish sociologists\nLiving people\nUniversity of Pittsburgh faculty" ]
[ "Pitbull (rapper)", "2006-2007: El Mariel and The Boatlift", "What was El Mariel?", "I don't know.", "What is the Boatlift? Are these Pitbull's albums?", "album, titled The Boatlift,", "How well did these albums sell?", "No. 2 on the rap chart.", "Did they work with any other artists at this time?", "DJ Laz' \"", "What was the most interesting aspect of the article?", "Pitbull also appeared on DJ Laz' \"Move Shake Drop\" and DJ Felli Fel's \"Feel It\"." ]	C_0aac1a7ebd264bc69eaeb5525913e13e_0	Who played with Pitbull?	6	What additional artists played with Pitbull?	Pitbull (rapper)	In January 2006, Pitbull guest-starred in UPN's South Beach. Pitbull recorded "Nuestro Himno" in collaboration with Wyclef Jean, Carlos Ponce, and Olga Tanon. On Listennn... the Album, the debut album by Terror Squad member and Miami radio personality DJ Khaled, Pitbull performed on three singles: "Holla at Me" and "Born-N-Raised" alongside other Southern-based rappers. He dedicated the album to his father, who died in May of that year. Along with the usual party-oriented tracks, Pitbull also included politically themed tracks in El Mariel. The album was released on October 31, 2006, and included singles "Bojangles", "Ay Chico (Lengua Afuera)", "Fuego", and duet with Puerto Rican singer Ken-Y, "Dime (Remix)". El Mariel topped the Billboard independent albums chart and peaked at No. 17 on the Billboard 200 and No. 2 on the rap chart. Pitbull's third album, titled The Boatlift, was released in November 2007, spawned by the single "Secret Admirer" featuring Lloyd on the chorus. Earlier, Pitbull announced that this album would have a more gangsta rap edge than his earlier albums. Subsequent singles included "Go Girl" featuring Trina, and "The Anthem" featuring and produced Lil Jon, that song sampling the hook from the song "El Africano" by Wilfrido Vargas and the beat from the song "Calabria" by Rune RK. "Go Girl" peaked at No. 80 on the Billboard Hot 100 and No. 36 on the Hot Rap Tracks chart; "The Anthem" No. 36 on the Hot 100 and No.11 on the Hot Rap Tracks. His variety show, Pitbull's La Esquina, debuted May 2007 and ran through 2009 on the mun2 cable network. Pitbull also appeared on DJ Laz' "Move Shake Drop" and DJ Felli Fel's "Feel It". CANNOTANSWER	DJ Laz	Armando Christian Pérez (born January 15, 1981), known professionally by his stage name Pitbull, is an American rapper and singer. Pérez began his career in the early 2000s, recording reggaeton, Latin hip hop, and crunk music under a multitude of labels. In 2004, he released his debut album M.I.A.M.I. under TVT Records and the executive production of Lil Jon. Pitbull later released his second album, El Mariel, in 2006 and his third, The Boatlift, in 2007. His fourth album, Rebelution (2009), included his breakthrough hit single "I Know You Want Me (Calle Ocho)", which peaked at number two on the US Billboard Hot 100 and number four on the UK Singles Chart. After rebranding himself as a pop artist, Pitbull's next English-language album, Planet Pit (2011), featured his first US number one single "Give Me Everything" (featuring Ne-Yo, Afrojack and Nayer). The single from his next album, Global Warming: Meltdown (2013), titled "Timber" (featuring Kesha), hit No.1 in eighteen countries, including the US and UK. The next single from the album, "Feel This Moment" (featuring Christina Aguilera), was a Top 10 hit in the United States, Canada, Australia and the United Kingdom. He performed the song "We Are One (Ole Ola)" (with Jennifer Lopez and Claudia Leitte), which served as the official theme of the 2014 FIFA World Cup. Pitbull released his latest album Libertad 548 on September 27, 2019. The new album includes the RIAA Latin 9× Platinum hit single "No Lo Trates" (featuring Daddy Yankee and Natti Natasha). The album spawned RIAA Latin Platinum single "Me Quedaré Contigo" (also featuring Ne-Yo), and was certified RIAA Latin Platinum on January 28, 2021. Pitbull has sold over 25 million studio albums and over 100 million singles worldwide. He has over 15 billion views on YouTube as of May 2020. He was ranked by Billboard as the 45th Top Artist of the 2010s and the 24th Top Latin Artist of the 2010s. Pitbull's other ventures include brand ambassadorship and for various entities, activism and philanthropy in the Latino American community, a radio station (Pitbull's Globalization) on Sirius XM Radio and ownership of the Trackhouse Racing NASCAR team. As of May 2019, Pitbull has won 35 Billboard Latin Music Awards. Early life and background Armando Christian Pérez was born on January 15, 1981, in Miami, Florida, to Cuban immigrant parents. He is a first-generation American. Growing up, he was strongly encouraged by his family to "take advantage" of the privilege of living in America, and the opportunities it came with. His family has a history of fighting against the Castro regime in Cuba. When he was three, he could recite the works of Cuba's national hero and poet, José Martí, in Spanish. He learned English by watching Sesame Street as a child. His father was largely absent from his childhood; his parents separated when he was young, and he was raised mostly by his mother, later stating: "my mom is my father and my mother." He briefly stayed with a foster family in Roswell, Georgia. His parents struggled with substance abuse; as a teenager, he was also involved with drug use and dealing, which eventually led to him getting kicked out of the family house. He attended South Miami Senior High School and Miami Coral Park High School. Growing up, he was influenced by the Miami bass genre of pop music and has cited Celia Cruz and Willy Chirino as sources of inspiration, in addition to rappers such as Nas, Jay-Z, and Snoop Dogg. He credits the "melting pot" of a city that Miami is with introducing him to many different cultures and teaching him important life lessons, implying that he wouldn't be the person he is nowadays if it wasn't for growing up in Miami. He said he chose his stage name of Pitbull because the dogs "bite to lock. The dog is too stupid to lose. And they're outlawed in Dade County. They're basically everything that I am. It's been a constant fight". After meeting Lil Jon in Miami, Pitbull was featured on Lil Jon and the East Side Boyz' album Kings of Crunk in 2002. Pitbull's song "Oye" was featured on the soundtrack to the film 2 Fast 2 Furious the following year. In addition, Pitbull released several mixtapes, composed of freestyles and remixes of popular rap music. Pitbull also worked with Uncle Luke during his early career, being featured on Luke's 2001 album Somethin' Nasty, including the single "Lollipop" along with Lil' Zane. Career 2001–2003: Luke Records and TVT Records In 2001, Pitbull was signed to Luther Campbell's Luke Records by Jullian Boothe, then the label's vice-president of A&R. In 2001, Pitbull was introduced to Robert Fernandez of Famous Artist Music & Management, an independent label and management company specializing in developing artists, by the Diaz Brothers, a producer duo signed to the company. Fernandez "saw the eagerness and hunger he had" and, with the Luke Records deal ending, began working to develop Pitbull. Together they focused on creating a more radio-friendly sound. Fernandez later told HitQuarters: "At that time his music had a lot of verses and took a long time to get into the hook, and so we took time in getting the songs catchier and less on the rap side." Fernandez introduced Pitbull to Lil Jon, hoping to secure the rapper a small guest intro spot on Lil Jon's upcoming album Kings of Crunk. According to Fernandez, Jon took a liking to Pérez and offered him a track on the album; it is called "Pitbull's Cuban Ride Out." This track helped raise the young rapper's profile. 2004–2005: M.I.A.M.I. In 2004, Pitbull released his debut album M.I.A.M.I., with the lead single being "Culo" produced by Lil Jon and the Diaz Brothers. It peaked at No. 32 on the Billboard Hot 100 chart and No. 11 on the Hot Rap Tracks chart. Other singles included "Dammit Man", "Back Up", "Toma", and "That's Nasty" (both featuring Lil Jon). He joined the Anger Management Tour, the 2000 hip-hop concert tour headlined by Eminem and 50 Cent. Pitbull also appeared on the Ying Yang Twins' single "Shake", which peaked at No.41 on the Hot 100 and No.12 on the rap chart, Adassa's chart topping single "Kamasutra" & Twista's "Hit the Floor" (#94 Hot 100, No. 20 Rap). Remix album Money Is Still a Major Issue was released in November 2005; it included new track "Everybody Get Up", a duet with hip-hop/R&B group Pretty Ricky. TVT Records, Pitbull's label at the time, and Slip-n-Slide Records disputed over the release of Welcome to the 305, an unreleased album by Slip-n-Slide that Pitbull recorded in 2001. A Miami judge ruled that Slip-n-Slide had a legal right to release the album as it was recorded when Pitbull was a Slip-N-Slide artist, and prior to him signing with TVT Records. A US District Court judge affirmed the decision further. TVT was then ordered in March 2007 to pay Slip-n-Slide $9.1 million for attempting to block the album's release to record stores and digital download entities. In 2005, Pitbull and rapper Sean 'Diddy' Combs co-founded Bad Boy Latino, a subsidiary of Combs' Bad Boy Records label. It primarily focuses on Latin hip hop, Latin soul, Latin pop and other tropical music and has offices in New York and Miami, Florida. Along with co-founding it, Pérez currently heads the A&R division of the label. 2006–2007: El Mariel and The Boatlift In January 2006, Pitbull guest-starred in UPN's South Beach. Pitbull recorded "Nuestro Himno" in collaboration with Wyclef Jean, Carlos Ponce, and Olga Tañón. On Listennn... the Album, the debut album by Terror Squad member and Miami radio personality DJ Khaled, Pitbull performed on three singles: "Holla at Me" and "Born-N-Raised" alongside other Southern-based rappers. He dedicated the album to his father, who died in May that year. Along with the usual party-oriented tracks, Pitbull also included politically themed tracks in El Mariel. The album was released on October 31, 2006, and included singles "Bojangles", "Ay Chico (Lengua Afuera)", "Fuego", and duet with Puerto Rican singer Ken-Y, "Dime (Remix)". El Mariel topped the Billboard independent albums chart and peaked at No. 17 on the Billboard 200 and No. 2 on the rap chart. Pitbull's third album, titled The Boatlift, was released on November 27, 2007, spawned by the single "Secret Admirer" featuring Lloyd on the chorus. Earlier, Pitbull announced that this album would have a more gangsta rap edge than his earlier albums. Subsequent singles included "Go Girl" featuring Trina, and "The Anthem" featuring and produced Lil Jon, that song sampling the hook from the song "El Africano" by Wilfrido Vargas and the beat from the song "Calabria" by Rune RK. "Go Girl" peaked at No. 80 on the Billboard Hot 100 and No. 36 on the Hot Rap Tracks chart; "The Anthem" No. 36 on the Hot 100 and No.11 on the Hot Rap Tracks. His variety show, Pitbull's La Esquina, debuted May 2007 and ran through 2009 on the mun2 cable network. Pitbull also appeared on DJ Laz' "Move Shake Drop" and DJ Felli Fel's "Feel It". 2008–2010: Pitbull Starring in Rebelution and Armando For his fourth studio album Pitbull Starring in Rebelution, Pitbull released "I Know You Want Me (Calle Ocho)" through Ultra Records after his former label TVT Records went out of business. "Krazy" peaked at No. 30 on the Hot 100 and No. 11 on the Hot Rap Tracks charts. "I Know You Want Me" peaked at No. 2 on the Hot 100 and peaked within the top ten spots of charts in the UK, Canada, Italy, and the Netherlands. The song reached No. 1 in France and the European Hot 100 in the week ending August 29, 2009 according to Billboard magazine. "I Know You Want Me" ended at position 17 on the Billboard Year-End Hot 100 singles of 2009. He later signed with Polo Grounds Music through Sony Music and created his own label Mr. 305 Inc. The single "Hotel Room Service", which samples "Push the Feeling On", peaked at No. 9 on the Hot 100. The album went on to sell over 7.5 million worldwide digital singles and albums combined. On their second collaboration since "Go Girl", Pitbull appeared on the debut single of rapper David Rush (formerly Young Bo$$), "Shooting Star", also with Kevin Rudolf and LMFAO. An amateur video of Pitbull punching a disruptive audience member at a Colorado concert leaked onto the Internet in late May 2009. Pitbull explained to MTV News that it was because the fan kept throwing cash around the stage, and after Pitbull pulled him up to the stage, he threw a stash of money right in Pitbull's face. He was tapped by the Miami Dolphins to work alongside T-Pain and Jimmy Buffett to release a new fight song for the Dolphins. The city of Miami granted Pitbull a "Key to the City" honor on August 19, 2009. Another popular single from 2009 was "Blanco", featuring Pharrell Williams of The Neptunes from the soundtrack to the movie Fast & Furious. Pitbull recorded a remix with Mexican pop diva Paulina Rubio for her single "Ni Rosas Ni Juguetes" in November 2009. In 2010, Pitbull performed the rap section in the Haiti benefit song "Somos El Mundo", a Spanish version of "We Are the World", that included a huge group of Latin artists led by Emilio and Gloria Estefan. He was also a featured guest on Janet Jackson's "Heart, Beat, Love" in addition to "Armada Latina", the fourth single off the album Rise Up by Latin rap legends, Cypress Hill. The song was produced by Jim Jonsin and also features Marc Anthony. Pitbull then collaborated with Alexandra Burke on the single "All Night Long". He was also featured on "DJ Got Us Fallin' in Love" by Usher. Pitbull released his full-length debut Spanish-language album titled Armando on November 2, 2010. He was also one of the most nominated artists of the 2011 Billboard Latin Music Awards. He garnered 7 nominations for "Latin Rhythm Airplay, Song of the Year" for "Bon, Bon"; "Latin Rhythm Airplay, Artist of the Year, Solo Artist"; "Latin Rhythm Albums, Album of the Year" for Armando; "Latin Rhythm Albums, Artist of the Year, Solo Artist"; "Social 50, Latin Artist of the Year"; "Latin Digital Download of the Year" for "Bon, Bon" and "Hot Latin Song of the Year, Vocal Event" for the song "I Like It" alongside Enrique Iglesias. He also won Telehit's award for "Most Popular Artist". 2011: Planet Pit In April 2011, Jennifer Lopez released Love?, which featured Pitbull on two singles. "Fresh Out the Oven" did not meet with critical or popular success, but the second cut, "On the Floor", was a certified hit. The single went on to make its Billboard Hot 100 debut at number nine, becoming the highest debuting Hot 100 single of Lopez's career. Pitbull released Planet Pit on June 17, 2011. Pitbull collaborated with T-Pain on its first single, which became a moderate hit; "Hey Baby (Drop It to the Floor)", which peaked at No. 7 on the Hot 100. On March 22, 2011, Pitbull released his second single, "Give Me Everything", which features American R&B singer Ne-Yo, American singer Nayer and Dutch DJ Afrojack, who also produced the song and co-wrote it with Matt Howard, Pitbull and Ne-Yo.; three months later, the song became Pitbull's first single to top the Billboard Hot 100. It was ranked no. 5 on the 2011 Billboard Year-End Chart. In August 2011, Lindsay Lohan sued Pitbull, Ne-Yo and Afrojack in response to the song's lyrics referencing her name, "I've got it locked up like Lindsay Lohan." Lohan objected to the negative connotation of the line and claimed that she should have been compensated for the use of her name in the song. The case was dismissed by a federal judge, who ruled the tune's lyrics are protected by the First Amendment, which covers freedom of speech and creative expression. 2012–2013: Global Warming, Meltdown & Men in Black 3 On October 7, 2011, RCA Music Group announced it was disbanding J Records along with Arista Records and Jive Records. With the shutdown, Pitbull (and all other artists previously signed to these three labels) would release future material on the RCA Records brand. On May 8, 2012, he collaborated with the Italian DJ Gabry Ponte for the song "Beat on My Drum". Pitbull's seventh studio album was titled "Global Warming" and released on November 16, 2012. Pitbull explained that the title reflected the fact that, much like the phenomenon of global warming, he's been around for a while but all of a sudden, people are paying attention. The lead single from the album was "Get It Started" featuring singer Shakira. The third single was "Feel This Moment" featuring Christina Aguilera. The second single, entitled "Back in Time," was for the film Men in Black 3. It was the first lead single for the Men in Black franchise not performed by Will Smith. The song, which plays during the end credits but is not featured on the soundtrack album, samples "Love Is Strange" by Mickey & Sylvia. Pitbull supported the album with a world tour in the summer of 2013. In 2013, Pitbull released a diss track towards Lil Wayne called "Welcome 2 Dade County" shortly after Lil Wayne's rant on the Miami Heat. Pitbull made his film debut Epic with a voice role of the character "Bufo". He embarked on the North American/Australian Summer Tour with Kesha to promote both their albums, which extends from May to November. He released his song "Feel This Moment" featuring Christina Aguilera on January 18, 2013, and they performed it live at the 2013 Billboard Music Awards, as well as on the fourth season of The Voice. The song was a commercial success, peaking at No. 8 on the Billboard Hot 100. Later he released the final single from his Global Warming album, Outta Nowhere featuring Danny Mercer, in late May. At the 2013 Latin Grammy Awards, Pitbull won the award for Best Urban Performance for his song "Echa Pa'lla (Manos Pa'rriba)". Pitbull announced via Twitter that he would release the extended play to his studio album Global Warming, named Global Warming: Meltdown on November 25, featuring guest appearances from Kesha, Kelly Rowland, Inna, Mohombi and Mayer Hawthorne. The lead single, "Timber", featuring recording artist and tourmate Kesha, was released on October 7. The song peaked at #1 on the Billboard Hot 100 in 18 different countries. Pitbull was featured on the early summer single "Live It Up", marking his third collaboration with Jennifer Lopez and Redone. Lopez and Pitbull performed the song at the Billboard Music Awards, American Idol and Premios Juventud. He also made album appearances for Priyanka Chopra, Flo Rida, Jessica Mauboy, Belinda, Jason Derulo and other artists. Pitbull provided the post-race concert at the Formula 1 United States Grand Prix at Circuit of the Americas on November 17, 2013. Pitbull hosted the 2013 American Music Awards on November 24, 2013. 2014–2015: Globalization and Dale Pitbull, Jennifer Lopez and Claudia Leitte performed the song "We Are One" at the opening ceremony of the 2014 World Cup. On February 25, 2014, Pitbull released a new single titled "Wild Wild Love" featuring American recording artist group G.R.L. It has peaked at number 30 on the Billboard Hot 100. On April 15, 2014, Pitbull released a single featuring Jennifer Lopez and Claudia Leitte called "We Are One (Ole Ola) from the compilation album for the FIFA 2014 World Cup One Love, One Rhythm. In May 2014, it was announced that Pitbull would host and co-produce a live New Year's Eve concert special from Miami for Fox, Pitbull's New Year's Revolution, on December 31, 2014. On June 12, 2014, Pitbull performed at the Arena de São Paulo as part of the 2014 FIFA World Cup opening ceremony. This performance saw him joined by Jennifer Lopez and Claudia Leitte to perform the tournament's official song "We Are One (Ole Ola)". In June 2014, it was announced that Pitbull would be receiving a star on the Hollywood Walk of Fame. On July 8, 2014, Pitbull released a Spanish-language single titled "Como Yo Le Doy" featuring Don Miguelo. On July 23, 2014, Pitbull released another single titled "Fireball", which features singer John Ryan Produced by Honua Music. Around the same time, he announced his eighth studio album Globalization, which was released on November 21, 2014. On October 18, 2014, Pitbull released another single titled "Celebrate" which was included on the Penguins of Madagascar soundtrack and later included on the album Globalization. Globalization was released alongside single "Time of Our Lives", which was Pitbull's first top ten hit since "Timber", peaking at #9 on the Hot 100. It also topped the Hot Dance Club Songs, Hot Rap Songs, and Rhythmic charts. On November 20, 2014, Pitbull released another Spanish-language single titled "Piensas (Dile la Verdad)" featuring Gente de Zona. On April 21, 2015, Pitbull released his sixth single on the Globalization album titled "Fun" featuring Chris Brown and peaked at number 40 on the Hot 100. On May 8, 2015, Pitbull released a teaser video on Twitter of his upcoming second Spanish studio album and ninth studio album overall titled Dale. The album was officially released on July 17, 2015, and included the singles "Como Yo Le Doy", "Piensas (Dile la Verdad)", "El Taxi", and "Baddest Girl in Town". The album led to Pitbull winning his Grammy Award in the category of Best Latin Rock, Urban or Alternative Album. 2015–2018: Climate Change, Greatest Hits, and Gotti On October 26, 2015, Pitbull released a new single titled "Free.K", which samples Adina Howard's "Freak like Me" in the chorus. The song was set to be the first single off his tenth studio album titled Climate Change. On January 7, 2016, Pitbull premiered the second single from his new album titled "Freedom", which also samples The Rolling Stones song "I'm Free" in the chorus. To coincide with the release of the single, the artist also teased a 2017 Norwegian party cruise. There is a campaign that launched in January 2016 in support of the cruise that is expected to last until later in the year. On February 14, 2017, Pitbull announced that Climate Change will be released on March 17, with pre-orders starting on February 17. Pitbull collaborated with American girl group Fifth Harmony on "Por Favor" (released October 27, 2017) before announcing his 5th compilation album, titled Pitbull Greatest Hits. The thirteen track album features eleven of Pitbull's most successful leading artist songs, accompanied by "Jungle (with Stereotypes featuring Abraham Mateo and E-40)" and "Locas (featuring Lil' Jon)", two brand new Pitbull songs. The deluxe edition of the album released exclusively in Japan featured a 14th track, "Celebrate". The compilation album was released worldwide on December 1, 2017. Pitbull released his first full-length soundtrack album for the film Gotti alongside Jorge Gómez on June 16, 2018. Pitbull is featured on two tracks on the album, "So Sorry" and "Amore" (featuring Leona Lewis). 2019–2020: YouTube history and Libertad 548 Pitbull collaborated with Indian singer-songwriter Guru Randhawa on the song "Slowly Slowly", released by T-Series on April 19, 2019. The song's music video received 38 million views on YouTube within 24 hours, becoming one of the world's all-time most-viewed music videos in 24 hours. Pitbull's eleventh studio album, Libertad 548, was released on September 27, 2019. The album included the Spanish hit single "No Lo Trates" featuring Daddy Yankee and Natti Natasha, which is RIAA Latin certified 6x Platinum (360,000+ sales). The album's second single "3 to Tango" went viral for John Travolta's surprise guest appearance in the song's official music video. The album's third single "Me Quedaré Contigo" was premiered at the 2019 Latin American Music Awards, and peaked at #1 on the Latin Airplay and Latin Rhythm Airplay Billboard charts in the United States. The album's first promotional single, "Winning" featuring Yomil y El Dany, is a part of the Boost Mobile "Dale Más" advertising campaign. The album's fourth single "Get Ready" featuring Blake Shelton, which was premiered live by Pitbull at the Super Bowl LIV Tailgate Tropicale pre-game show, was later added to the "Dale Más" advertising campaign for a series of pre-game Super Bowl commercials for Super Bowl LIV, and a remixed version of the single serves as the official theme song for the 2020 NASCAR Cup Series. The album's second promotional single, "Cinco de Mayo" with Lil Jon featuring Chesca, was released on May 5, 2020. The promotional single was performed live at the Premio Lo Nuestro 2020, and the performance gained over 2 million views on YouTube as of July 2020. The album's fifth single, "Mueve La Cintura" featuring Tito El Bambino and Guru Randhawa, was released on June 8, 2020. An accompanying music video, which was filmed in 2019 and directed by David Rousseau, was also premiered on that same date. On July 17, 2020, the remix of "Mala", the original of which is found on Libertad 548, was released as a single. The song, titled "Mala (Remix)", features Becky G and additional guest vocals from De La Ghetto. In 2020, amid the COVID-19 pandemic, LiveXLive launched a partnership with Pitbull, which would grant the platform exclusive rights to concerts, behind-the-scenes, videos and more from Pitbull to be streamed to LiveXLive's premium subscribers. On August 14, 2020, Pitbull released a new single, titled "Te Quiero Baby (I Love You Baby)" with Latin pop singer Chesca and American singer Frankie Valli. The single serves as a Latin interpolation of the original Frankie Valli & The Four Seasons 1967 smash hit single "Can't Take My Eyes Off You". 2021–present: I Feel Good Tour On June 22, Pitbull announced across all of his official social media platforms the I Feel Good Tour, named after his single of the same name, and his first dedicated tour since 2017's Enrique Iglesias and Pitbull Live! North American tour. The 32 city tour featured special guest Iggy Azalea and began on August 20, 2021, in Clarkston, Michigan and spanned across the United States through October 13, 2021 in Tampa, Florida. On February 24, 2022, Pitbull performed with IAMCHINO and DJ Deorro on the live-debut of their late-2021 single, "Discoteca", at the 2022 Premio Lo Nuestro awards. The song samples "Around the World (La La La La La)" by Eurodance group ATC. Product endorsements In 2010, Pitbull took part in the "So Kodak" campaign for the Kodak brand with Drake, Rihanna, and Trey Songz. He also launched a partnership with the soft drink giant Dr Pepper as part of the campaign "Vida 23" for which he recorded a song that featured on his album Armando. Pitbull also announced he has become the spokesperson for Voli Vodka, in which he holds a majority equity stake, and Budweiser has chosen Pitbull to promote its Bud Light line of beer. The commercials currently highlight Pitbull dancing and gyrating on stage holding up a bottle of Bud Light. Pitbull has also purchased an equity stake in Miami Subs Pizza and Grill. In 2012, Pitbull was involved in an advertising campaign with Walmart, in which the Walmart store that received the most Facebook "likes" from June 18 to July 15, 2012, would have Pitbull visit and put on a show there. An orchestrated campaign entitled "#exilepitbull" started by The Boston Phoenix reporter David Thorpe and SomethingAwful.com writer Jon Hendren urged people to vote for a remote location, namely Kodiak, Alaska. In an email to the Associated Press, Walmart confirmed that Kodiak was the winning location. Pitbull visited Kodiak on July 30, where he received a key to the city from Mayor Patricia Branson and performed. David Thorpe, who had started the "#exilepitbull" campaign, was invited to attend and showed up. In November 2013, he started a fragrance with Jacavi Worldwide and Parlux Ltd. On May 19, 2015, Pitbull launched a new radio channel on Sirius XM Radio, called Pitbull's Globalization Radio, which is centered around Rhythmic, Dance/EDM, and R&B/Hip-Hop product from artists from around the world. The artist celebrated the channel's debut with a private concert at New York City's Apollo Theater. In addition to launching his customized radio station, Pitbull also plans to launch a pair of projects with Endemol for digital television. In 2019, Pitbull joined Boost Mobile to create a series of advertisements to expand Boost Mobile to Spanish communities. The promotional single "Winning" featuring Yomil y El Dany from Pitbull's 2019 album "Libertad 548" was used in the Boost Mobile "Dale Más" advertising campaign that has been actively rolling out advertisements starring Pitbull and his backup dance group The Most Bad Ones. The song "Get Ready" by Pitbull featuring Blake Shelton was later added to the advertising campaign, also from the Pitbull album Libertad 548. On February 2, 2020, Pitbull was featured in a Super Bowl commercial for Super Bowl LIV, alongside Jennifer Lopez, DJ Khaled, Alex Rodriguez, and Steven Van Zandt. The commercial was produced to promote Hard Rock and its affiliations; the commercial premiered during the 2nd quarter of Super Bowl LIV. The commercial showcases the Seminole Hard Rock Hotel & Casino, which is also where the music video for "Get Ready" by Pitbull featuring Blake Shelton was filmed. The music video was released on February 10, 2020. Controversies Pitbull has been criticized for the way women are depicted in some of his music. For example, song lyrics such as "She say she won't, but I bet she will," and "I like that when you fight back" have attracted discussion about whether or not they could be contributing to the "legitimization" of rape. Campaign described him as an artist "whose lyrics are routinely labeled sexist"; Complex similarly noted that "many view Pitbull as sexist." Pitbull's song "We Are One (Ole Ola)" (featuring Jennifer Lopez and Claudia Leitte), which served as the official FIFA World Cup 2014 song, drew some controversy for not being a good enough representation of Brazil, which was the host country of the World Cup that year. Critics condemned the song's lyrical content for being filled with cliches about Brazilian culture, as well as for not containing enough lyrics in Portuguese. Others called it a "bad, boring, replaceable pop song." In December 2019, Cuban music duo Gente de Zona were banned from performing at a New Year's Eve concert in Miami alongside Pitbull due to their support of the Cuban government. During the concert, Pitbull voiced his support for the duo amid the ban, stating that "music is music, politics is politics." He received immediate backlash for the comments, including from fellow Cuban musicians, such as Albita Rodríguez and Arturo Sandoval, and the Miami community. He later apologized, acknowledged he "screwed up," and claimed he wasn't fully aware of the extent of Gente de Zona's controversial political stances. In 2020, during the COVID-19 pandemic, Pitbull made an appearance in a podcast episode where he claimed the pandemic was a conspiracy, called it a "scamdemic, plandemic," and spread false claims about the origins of it. A shorter clip of the podcast episode started going viral in early 2021, as social media users shared it hundreds of thousands of times. He received backlash for spreading misinformation about the coronavirus, and was labeled a "conspiracy theorist" by some. Business activities On January 15, 2021, it was announced that Pitbull became a co-owner of the NASCAR Cup Series team Trackhouse Racing. Impact and activism Determined to help the Latino community in his hometown, Pitbull's social impact focus for the last decade has been closing the poverty gap through educational initiatives. He helped start a Tuition-Free Public charter for middle and high school called Sports Leadership and Management (SLAM!), which opened in 2013 in Miami's Little Havana, the neighborhood where Pitbull grew up. SLAM! now operates nationwide, including in Miami, Las Vegas and Atlanta, with a 96 percent graduation rate. The school will be run by the non-profit Mater Academy. Pitbull created the Sports Leadership and Management Charter School, which opened in 2013. In response to the destruction caused by Hurricane Maria, Pitbull announced he will use his private plane to bring cancer patients from Puerto Rico to the mainland United States for treatment. On April 13, 2020, Pitbull released a single titled "I Believe That We Will Win (World Anthem)" (which samples the "I believe that we will win!" chant) during the COVID-19 pandemic. The song inspires those affected by the COVID-19 outbreak to "face everything and rise". An accompanying music video was released on May 7, 2020, on YouTube, and made its television debut on MTV. Pitbull is donating all proceeds from song sales, streaming and views to Feeding America and the Anthony Robbins Foundation. On December 31, 2020, Pitbull performed for a crowd of first responders in Times Square during the COVID-19 pandemic for the famous New Year's Eve celebration. Discography M.I.A.M.I. (2004) El Mariel (2006) The Boatlift (2007) Pitbull Starring in Rebelution (2009) Armando (2010) Planet Pit (2011) Global Warming (2012) Globalization (2014) Dale (2015) Climate Change (2017) Libertad 548 (2019) Timeless (2022) Concert tours 2009–2011: Rebelution Tour 2012: Planet Pit World Tour 2013: North American Tour 2013 (with Kesha) 2015: Pitbull Live in Hong Kong 2016: The Bad Man Tour (with Prince Royce and Farruko) 2017: Enrique Iglesias and Pitbull Live! (with Enrique Iglesias) 2021: I Feel Good Tour (with special guest Iggy Azalea) Opening act 2014–2015: Enrique Iglesias – Sex and Love Tour 2018: Britney Spears – Piece of Me Tour Residencies 2015–2019: Pitbull: Time of Our Lives 2020 PPD: Pitbull: Get Ready Vegas LiveXLive Virtual Concert Series 2020: Pitbull: Live & Timeless Filmography Film Television Awards and nominations References External links Pitbull on Vevo Pitbull on YouTube Pitbull on Spotify 1981 births Living people 21st-century American male musicians 21st-century American rappers American entertainers of Cuban descent American hip hop singers American male pop singers American male rappers American musicians of Cuban descent American reggaeton musicians Grammy Award winners Hispanic and Latino American musicians Hispanic and Latino American rappers Latin Grammy Award winners Latin music songwriters Musicians from Miami NASCAR team owners Pop rappers Rappers from Miami RCA Records artists Songwriters from Florida Sony Music Latin artists Spanish-language singers of the United States TVT Records artists Victor Entertainment artists	true	[ "\"Fireball\" is a song by American rapper Pitbull, featuring vocals from American singer John Ryan. It was released on July 23, 2014 as the second release from Pitbull's eighth studio album, Globalization (2014).\n\nMusic video\nAccording to Variety, the music video for the song includes a \"digital mashup\" with internet stars Jenna Marbles (who has a large following on her YouTube comedy channel and hosts the YouTube 15 weekly program on Sirius XM, who had previously made a parody impression video of Pitbull), Bart Baker (creator behind popular music parodies, including one of Pitbull), and Brittany Furlan (the most followed female video star on Vine before Vine shut down). All three appear in the \"Fireball\" official video. Pitbull's collaboration with Marbles, Baker, and Furlan was brokered by Endemol Beyond USA.\n\nSynopsis\n\nThe video begins with Pitbull leaving a car and entering a club. The video shows people dancing in black and white, and people firebreathing, along with Marbles and Baker dancing by Pitbull. Pitbull sees a woman (Alejandra Espinoza) coming down stairs and, when she enters the main room, the video turns to color. The woman looks very much like Jessica Rabbit. Many men (usually with women) stare at her. She walks over to Pitbull; they go to a dressing room and come closer to one another. The video then ends with Pitbull and the girl leaving the club in his car.\n\nChart performance\nThe song peaked at number 23 at the US Billboard Hot 100. As of January 2015, the single has sold one million copies in the US. On October 16, 2020, the single was certified triple platinum by the Recording Industry Association of America (RIAA) for combined sales and streaming equivalent units of over three million units in the United States. It was also certified Gold in Canada and Australia.\n\nIn popular culture\nThe song was featured in the trailer and TV spots of Aardman Animations' Shaun the Sheep Movie. It was also featured in television spots for Walt Disney Animation Studios' Zootopia and in the Sony Pictures Animation films The Emoji Movie and The Angry Birds Movie 2.\n\nThe song was used for the opening number of Miss Earth 2014.\n\nFrom 2015 to 2016, the song played every time a Colorado Rockies player hits a home run at Coors Field.\n\nThe song was featured in the pilot episode of The Catch.\n\nIt was also briefly heard in the Blue Sky Studios film Ice Age: Collision Course.\n\nThe song was used for the opening number of Miss Universe 2020.\n\nThis song has been played when the Chicago White Sox hit a home run. \n\nThe song was adopted by Celtic FC fans, with the lyrics \"Josip Juranovic, Josip Juranovic\".\n\nCharts\n\nWeekly charts\n\nYear-end charts\n\nCertifications\n\nReferences\n\n2014 singles\n2014 songs\nPitbull (rapper) songs\nEurodance songs\nSongs written by Pitbull (rapper)\nSongs written by John Ryan (musician)\nDutch Top 40 number-one singles\nSingle Top 100 number-one singles\nRCA Records singles\nSongs written by Axident\nSongs written by Ricky Reed\nSongs written by Ilsey Juber\nSongs written by Joe London\nSony Music singles", "Armando Christian Pérez (born January 15, 1981), better known by his stage name Pitbull, is a Grammy award-winning rapper, songwriter, and record producer.\n\nAmerican Music Awards\n\n\|-\n\| style=\"text-align:center;\" rowspan=\"2\"\| 2011\n\| rowspan=\"2\"\|Pitbull\n\| Favorite Pop/Rock Male Artist\n\| \n\|-\n\| Favorite Latin Artist\n\| \n\|-\n\| style=\"text-align:center;\" rowspan=\"2\"\| 2012\n\| rowspan=\"2\"\|Pitbull\n\| Favorite Pop/Rock Male Artist\n\| \n\|-\n\| Favorite Latin Artist\n\| \n\|-\n\nALMA Awards\n\n\|-\n\| style=\"text-align:center;\"\|2009\n\| Pitbull\n\|Best of the Year in Music\n\| \n\|-\n\| style=\"text-align:center;\"\|2011\n\| Pitbull\n\|Favorite Male Music Artist\n\| \n\|-\n\| style=\"text-align:center;\"\|2012\n\| Pitbull\n\|Favorite Male Music Artist\n\| \n\|-\n\nBillboard Music Awards\n\n\|-\n\|rowspan=\"2\"\|2011\n\|\|Pitbull\n\| Top Latin Artist\n\|\n\|-\n\|\| \"Bon, Bon\"\n\| Top Latin Song\n\|\n\|-\n\|rowspan=\"5\"\|2012\n\|\|Pitbull\n\| Top Latin Artist\n\|\n\|-\n\|rowspan=\"3\"\| \"Give Me Everything\"\n\| Top Radio Song\n\|\n\|-\n\| Top Rap Song\n\|\n\|-\n\| Top Hot 100 Song\n\|\n\|-\n\|\| \"Bon, Bon\"\n\| Top Latin Song\n\|\n\|-\n\|rowspan=\"2\"\|2013\n\|\|Pitbull\n\| Top Rap Artist\n\|\n\|-\n\|\| \"Bailando Por El Mundo\" (with Juan Magan)\n\| Top Latin Song\n\|\n\|-\n\|rowspan=\"2\"\|2014\n\|\|Pitbull\n\|Top Rap Artist\n\|\n\|-\n\|\|\"Timber\"\n\|Top Rap Song\n\|\n\nBillboard Latin Music Awards\n\n\|-\n\|\|2009\n\|\|Pitbull\n\| Latin Digital Download Artist of the Year\n\|\n\|-\n\|rowspan=\"2\"\|2010\n\|\|Pitbull\n\| Latin Rhythm Airplay Artist of the Year, Solo\n\|\n\|-\n\|\| \"I Know You Want Me (Calle Ocho)\"\n\| Latin Rhythm Airplay Song of the Year\n\|\n\|-\n\|rowspan=\"7\"\|2011\n\|rowspan=\"3\"\|Pitbull\n\| Social 50\n\|\n\|-\n\| Latin Rhythm Airplay\n\|\n\|-\n\| Latin Rhythm Albums\n\|\n\|-\n\|rowspan=\"2\"\| \"Bon, Bon\"\n\| Latin Digital Download of the Year\n\|\n\|-\n\| Latin Rhythm Airplay\n\|\n\|-\n\|\| \"Armando\"\n\| Latin Rhythm Albums\n\|\n\|-\n\|\| \"I Like It\" (with Enrique Iglesias)\n\| Hot Latin Song of the Year, Vocal Event\n\|\n\|-\n\|rowspan=\"10\"\|2012\n\|rowspan=\"4\"\|Pitbull\n\| Songs Artist of the Year, Male\n\|\n\|-\n\| Latin Rhythm Song Solo Artist of the Year\n\|\n\|-\n\| Latin Rhythm Album Solo Artist of the Year\n\|\n\|-\n\| Latin Pop Songs Solo Artist of the Year\n\|\n\|-\n\|rowspan=\"4\"\| \"Give Me Everything\"\n\| Latin Pop Song of the Year\n\|\n\|-\n\| Vocal Event Song of the Year\n\|\n\|-\n\| Song of the Year\n\|\n\|-\n\| Airplay Song of the Year\n\|\n\|-\n\|\| \"Armando\"\n\| Latin Rhythm Album of the Year\n\|\n\|-\n\|\| \"Bon, Bon\"\n\| Digital Song of the Year\n\|\n\|-\n\|rowspan=\"9\"\|2013\n\|rowspan=\"5\"\|Pitbull\n\| Song Artist of the Year, Male\n\|\n\|-\n\| Streaming Artist of the Year\n\|\n\|-\n\| Social Artist of the Year\n\|\n\|-\n\| Latin Rhythm Song of the Year, Solo\n\|\n\|-\n\| Latin Rhythm Album of the Year, Solo\n\|\n\|-\n\|rowspan=\"4\"\| \"Bailando Por El Mundo\" (with Juan Magan)\n\| Song of the Year\n\|\n\|-\n\| Vocal Event Song of the Year\n\|\n\|-\n\| Airplay Song of the Year\n\|\n\|-\n\| Latin Rhythm Song of the Year\n\|\n\|-\n\|rowspan=\"1\"\|2014\n\|rowspan=\"1\"\|Pitbull\n\| Social Artist of the Year\n\|\n\|-\n\|rowspan=\"3\"\|2016\n\|rowspan=\"1\"\|Pitbull\n\|Latin Rhythm Albums Artist of the Year, Solo\n\|\n\|-\n\|rowspan=\"1\"\|Pitbull & Enrique Iglesias\n\|Tour of the Year\n\|\n\|-\n\|rowspan=\"1\"\|\"Dale\"\n\| Latin Rhythm Album of the Year\n\|\n\|-\n\|rowspan=\"2\"\|2017\n\|rowspan=\"1\"\|Pitbull\n\|Latin Rhythm Albums Artist of the Year, Solo\n\|\n\|-\n\|rowspan=\"1\"\|“El Taxi” (with Sensato, Lil Jon & Osmani Garcia)\n\|Digital Song of the Year\n\|\n\|-\n\|rowspan=\"1\"\|2018\n\|rowspan=\"1\"\|Pitbull & Enrique Iglesias\n\|Tour of the Year\n\|\n\|-\n\nBMI Awards\n\n\|-\n\|rowspan=\"2\"\|2012\n\|rowspan=\"2\"\|I Like It\" (with Enrique Iglesias)\n\| Latin Songwriter of the Year\n\|\n\|-\n\| BMI Latin Award – Winning Song\n\|\n\|-\n\nGrammy Awards\n\n\|-\n\| style=\"text-align:center;\"\|2016\n\| Dale\n\| Best Latin Rock, Urban or Alternative Album\n\| \n\|-\n\niHeartRadio Music Awards\n\n\|-\n\| rowspan= \"1\" style=\"text-align:center;\"\|2015\n\| \"Timber\" ft. Kesha\n\| Best Collaboration\n\| \n\|-\n\| rowspan= \"1\" style=\"text-align:center;\"\|2016\n\| Himself\n\| Latin Artist of the Year\n\| \n\|-\n\| rowspan= \"1\" style=\"text-align:center;\"\|2017\n\|\"Ay Mi Dios\" ft. IAmChino, Yandel and El Chacal\n\| Latin Song of the Year\n\| \n\|-\n\nLatin American Music Awards\n\n\|-\n\| style=\"text-align:center;\" rowspan=\"2\"\|2015\n\|\"Como Yo le Doy\" ft. Don Miguelo\n\| Favorite Collaboration\n\| \n\|-\n\|\"Back It Up\" ft. Jennifer Lopez & Prince Royce\n\|Favorite Dance Song\n\| \n\|-\n\| style=\"text-align:center;\" rowspan=\"2\"\|2016\n\| rowspan=\"2\"\|\"Dale\n\| Album of the Year\n\| \n\|-\n\| Favorite Urban Album\n\| \n\|-\n\| style=\"text-align:center;\" rowspan=\"2\"\|2017\n\| rowspan=\"1\"\|Himself\n\| Dick Clark Achievement Award\n\| \n\|-\n\nLatin Music Italian Awards\n\n\|-\n\| style=\"text-align:center;\" rowspan=\"2\"\|2012\n\| \"Dance Again\" ft. Jennifer Lopez\n\| Best Latin Song of the Year\n\| \n\|-\n\| Pitbull\n\| Best Latin Male Artist of the Year\n\| \n\|-\n\| style=\"text-align:center;\" rowspan=\"1\"\|2013\n\| \"Feel This Moment\" ft. Christina Aguilera\n\| Best Latin Song of the Year\n\| \n\|-\n\| rowspan=\"9\" \|2014\n\|\"We Are One (Ole Ola)\" ft. Jennifer Lopez & Claudia Leitte\n\|Best Latin Song of the Year\n\|\n\|-\n\|\"Timber\" ft. Kesha\n\|Best Latin Male Video of the Year\n\|\n\|-\n\| rowspan=\"2\" \|\"Love You Te Quiero\" ft. Belinda\n\|Best Latin Female Video of the Year\n\|\n\|-\n\|rowspan=\"3\" \|Best Latin Dance of the Year\n\|\n\|-\n\|\"Fireball\"\n\|\n\|-\n\|\"I’m a Freak\" ft. Enrique Iglesias\n\|\n\|-\n\|\"Can’t Get Enough\" ft. Becky G\n\|Best Latin Collaboration of the Year\n\|\n\|-\n\| \"Yo quiero\" ft. Gente De Zona\n\|Best Latin Tropical Song of the Year\n\|\n\|-\n\| Pitbull\n\| Best Latin Male Artist of the Year\n\| \n\|-\n\| rowspan=\"9\" \|2015\n\|\"Time Of Our Lives\" ft. Ne Yo\n\|rowspan=\"2\" \|Best Latin Dance of the Year\n\|\n\|-\n\|rowspan=\"4\" \|\"Back It Up\" ft. Jennifer Lopez & Prince Royce\n\|\n\|-\n\|Best Latin Male Video of the Year\n\|\n\|-\n\|Best Latin Song of The Year\n\|\n\|-\n\|rowspan=\"2\" \|Best Latin Collaboration of the Year\n\|\n\|-\n\|rowspan=\"2\" \|\"El Taxi\" ft. Osmani Garcia, Sensato\n\|\n\|-\n\|Best Latin Urban Song of the Year\n\|\n\|-\n\|\"Dale\n\|Best Latin Male Album of The Year\n\|\n\|-\n\| Pitbull\n\| Best Latin Male Artist of the Year\n\| \n\|-\n\| rowspan=\"4\" \|2016\n\|\"Ay Mi Dios\" ft. IMChino, Yandel, Chacal\n\|rowspan=\"1\" \|Best Latin Urban Song of The Year\n\|\n\|-\n\|\"Greenlight\" ft. Flo Rida\n\|rowspan=\"1\" \|Best Latin Dance of the Year\n\|\n\|-\n\|rowspan=\"2\" \| Pitbull\n\| Best Latin Male Artist of the Year\n\| \n\|-\n\| Artist Saga\n\| \n\|-\n\| rowspan=\"1\" \|2017\n\|\"Hey Ma\" ft. Camila Cabello & J Balvin\n\|rowspan=\"1\" \|Best Latin Collaboration of the Year\n\|\n\|-\n\nLatin Grammy Awards\n\n\|-\n\| style=\"text-align:center;\" rowspan=\"2\"\|2011\n\| \"Armando\"\n\| Best Urban Music Album\n\| \n\|-\n\| \"Bon, Bon\"\n\| Best Urban Song\n\| \n\|-\n\| style=\"text-align:center;\"\|2012\n\| \"Crazy People\" (with Sensato)\n\| Best Urban Song\n\|\n\|-\n\|style=\"text-align:center;\" rowspan=\"1\"\|2013\n\|rowspan=\"1\"\|Echa Pa'lla (Manos Pa'rriba)\n\| Best Urban Performance\n\|\n\|-\n\| style=\"text-align:center;\"\|2017\n\| \"Hey Ma (Spanish Version)\" (with J Balvin & Camila Cabello)\n\| Best Urban Song\n\|\n\|-\n\nLos Premios MTV\n\n\|-\n\| style=\"text-align:center;\"\|2009\n\| Pitbull\n\| Best MTV Tr3's Artist\n\| \n\|-\n\nMP3 Music Awards\n\n\|-\n\|\|2009\n\|\| \"I Know You Want Me (Calle Ocho)\"\n\| Best Latin Song\n\|\n\|-\n\nMTV Video Music Awards\n\n\|-\n\|\|2010\n\|\|I Like It\n\| Best Electronic Dance Video\n\|\n\|-\n\|rowspan=\"2\"\|2011\n\|rowspan=\"2\"\|Give Me Everything\n\| Best Collaboration\n\|\n\|-\n\| Best Pop Video\n\|\n\|-\n\|\|2012\n\|\|Pitbull\n\| Best Latino Artist\n\|\n\|-\n\|rowspan=\"2\"\|2013\n\|\|Pitbull\n\| Best Latino Artist\n\|\n\|-\n\|\|Feel This Moment\n\| Best Collaboration\n\|\n\|-\n\|\|2014\n\|\|Timber\n\| Best Collaboration\n\|\n\nMTV Europe Music Awards\n\n\|-\n\|rowspan=\"2\"\|2011\n\|\|Pitbull\n\| Best Hip Hop\n\|\n\|-\n\|\| \"On the Floor\" (with Jennifer Lopez)\n\| Best Song\n\|\n\|-\n\|rowspan=\"2\"\|2012\n\|\|Pitbull\n\| Best Male\n\|\n\|-\n\|\| International Love\n\| Best Song\n\|\n\|-\n\nMTV Video Music Awards Japan\n\n\|-\n\| style=\"text-align:center;\"\|2013\n\| Back in Time\n\| Best Video from a Film\n\| \n\|-\n\| style=\"text-align:center;\"\|2014\n\| \"Live It Up\" (with Jennifer Lopez)\n\| Best Collaboration Video\n\|\n\nMuchMusic Video Awards\n\n\|-\n\|rowspan=\"2\"\|2011\n\|\| \"On the Floor\" (with Jennifer Lopez)\n\| International Video of the Year\n\|\n\|-\n\|\| \"DJ Got Us Fallin' in Love\" (with Usher)\n\| Most Watched Video\n\|\n\|-\n\| style=\"text-align:center;\"\|2012\n\| Give Me Everything (with Ne-Yo)\n\| International Video of the Year\n\| \n\|-\n\nNickelodeon Kids' Choice Awards\n\n\|-\n\|rowspan=\"1\" style=\"text-align:center;\"\|2014\n\|Pitbull\n\|Favorite Male Singer\n\| \n\|-\n\nNickelodeon Kids' Choice Awards Colombia\n\n\|-\n\|rowspan=\"1\"\|2017\n\|\"Hey Ma\"\n\|Favorite Collaboration\n\|\n\|}\n\nNickelodeon Kids' Choice Awards México\n\n\|-\n\|rowspan=\"1\"\|2017\n\|\"Hey Ma\"\n\|Favorite Collaboration\n\|\n\|}\n\nMeus Prêmios Nick\nThe Meus Prêmios Nick is an annual awards show that awards entertainers with a blimp trophy, as voted by kids on internet.\n\n!\n\|-\n\| 2017\n\| \"Hey Ma\"\n\| Favorite Collaboration\n\| \n\| style=\"text-align:center;\" \|\n\|-\n\|}\n\nNRJ Music Awards\n\n\|-\n\| style=\"text-align:center;\"\|2010\n\| \"I Know You Want Me (Calle Ocho)\"\n\| International Song of the Year\n\| \n\|-\n\| style=\"text-align:center;\"\|2012\n\| rowspan=\"2\"\| Pitbull\n\| rowspan=\"2\"\| International Artist of the Year\n\| \n\|-\n\| style=\"text-align:center;\"\|2013\n\| \n\|-\n\nPeople's Choice Awards\n\n\|-\n\| style=\"text-align:center;\"\|2012\n\| Pitbull\n\| Favorite Hip Hop Artist\n\| \n\|-\n\| style=\"text-align:center;\"\|2013\n\| Pitbull\n\| Favorite Hip Hop Artist\n\| \n\|-\n\nPremio Lo Nuestro\n\n\|-\n\| style=\"text-align:center;\"\|2011\n\| Pitbull\n\| Urban & General Artist of the Year\n\| \n\|-\n\|rowspan=\"2\"\|2012\n\|\| Pitbull\n\| Favorite Hip-Hop Artist\n\|\n\|-\n\|\| Armando\n\| Best Album of the Year\n\|\n\|-\n\|rowspan=\"2\"\|2013\n\|rowspan=\"2\"\| \"Bailando Por El Mundo\" (with Juan Magan)\n\| Urban Song of The Year\n\|\n\|-\n\| Collaboration of the Year\n\|\n\nPremios Juventud\n\n\|-\n\|\|2009\n\|\| \"Ay Chico (Lengua Afuera)\"\n\| My Favorite Ringtone\n\|\n\|-\n\|\|2010\n\| Pitbull\n\|\| The Best Dressed Award\n\|\n\|-\n\|rowspan=\"6\"\|2011\n\|rowspan=\"2\"\|Pitbull\n\| Best Urban Artist\n\|\n\|-\n\| Best Moves\n\|\n\|-\n\|\|\"I Like It\" (with Enrique Iglesias)\n\| The Perfect Combo\n\|\n\|-\n\|\|On the Floor\" (with Jennifer Lopez)\n\| The Perfect Combo\n\|\n\|-\n\|rowspan=\"2\"\| \"Bon, Bon\"\n\| Best Song\n\|\n\|-\n\| Best Ringtone\n\|\n\|-\n\|rowspan=\"7\"\|2012\n\|rowspan=\"3\"\|Pitbull\n\| Best Urban Artist\n\|\n\|-\n\| All Over the Dial\n\|\n\|-\n\| Best Moves\n\|\n\|-\n\|\|\"Euphoria\" (with Enrique Iglesias)\n\| My Favorite Concert\n\|\n\|-\n\|\|Planet Pit\n\| Everything I touch it\n\|\n\|-\n\|rowspan=\"2\"\| \"International Love\"\n\| The Perfect Combination\n\|\n\|-\n\| Best Ringtone\n\|\n\|-\n\|rowspan=\"5\"\|2013\n\|rowspan=\"3\"\|Pitbull\n\| Best Urban Artist\n\|\n\|-\n\| All Over the Dial\n\|\n\|-\n\| Best Moves\n\|\n\|-\n\|\|Planet Pit World Tour\n\| My Favorite Concert\n\|\n\|-\n\|\|\"Feel This Moment\"\n\| Favorite Hit\n\|\n\|-\n\|rowspan=\"3\"\|2014\n\|-\n\|rowspan=\"2\"\| Pitbull\n\| Best Urban Artist\n\|\n\|-\n\|Idolo de la Juventud\n\|\n\|-\n\|rowspan=\"3\"\|2015\n\|-\n\|rowspan=\"2\"\| Pitbull\n\| Best Urban Artist\n\|\n\|-\n\|Tour of the Year (with Enrique Iglesias & J Balvin)\n\|\n\|-\n\|rowspan=\"1\"\|2016\n\|rowspan=\"1\"\|\"Back it Up\" (with Jennifer Lopez & Prince Royce)\n\|The Perfect Combination\n\|\n\|-\n\|rowspan=\"1\"\|2017\n\|rowspan=\"1\"\|\"Hey Ma\" (with Camila Cabello & J Balvin)\n\| Best Song For Dancing\n\|\n\nLos Premios 40 Principales\n\n\|-\n\| style=\"text-align:center;\"\|2010\n\| Pitbull\n\| Best Latin Artist\n\| \n\|-\n\|rowspan=\"5\"\|2011\n\|\|Pitbull\n\| Best International Artist\n\|\n\|-\n\|\| \"Give Me Everything\"\n\| Best International Song\n\|\n\|-\n\|\|\"On the Floor\" (with Jennifer Lopez)\n\| Best International Song\n\|\n\|-\n\|rowspan=\"2\"\| \"Bailando Por El Mundo\" (with Juan Magan)\n\| Best Dance Act\n\|\n\|-\n\| Best Song\n\|\n\|-\n\|rowspan=\"3\"\|2012\n\|rowspan=\"3\"\|Pitbull\n\|Most Influential Latin Artist and Producer\n\|\n\|-\n\| Best Latin Artist\n\|\n\|-\n\| Best Spanish Language International Artist\n\|\n\|-\n\nPremios 40 Principales America\n\n\|-\n\| style=\"text-align:center;\"\|2012\n\| Pitbull\n\| Best Urban Artist\n\| \n\|-\n\nPremios Tu Mundo\n\n\|-\n\|rowspan=\"2\"\|2012\n\|\|\"International Love\"\n\| Party Song\n\|\n\|-\n\|\|\"Bailando Por El Mundo\" (with Juan Magan)\n\| Party Song\n\|\n\|-\n\|rowspan=\"3\"\|2013\n\|\|\"Sin Ti\" (with Dyland y Lenny)\n\| Presents Best Music Video\n\|\n\|-\n\|\|Pitbull\n\| I'm Sexy & I Know It\n\|\n\|-\n\|\|Pitbull (Epic)\n\| Film Presents: Latino Pride In Hollywood\n\|\n\|-\n\nTeen Choice Awards\n\n\|-\n\|\|2008\n\|\| \"The Anthem\"\n\| Rap/Hip-Hop Track\n\|\n\|-\n\|rowspan=\"2\"\|2009\n\|\|Pitbull\n\| Rap Artist\n\|\n\|-\n\|\|\"I Like It\" (with Enrique Iglesias)\n\| Hook Up\n\|\n\|-\n\|rowspan=\"2\"\|2010\n\|\| Pitbull\n\| Rap Artist\n\|\n\|-\n\|\|\"I Know You Want Me\"\n\| Rap/Hip-Hop Track\n\|\n\|-\n\|rowspan=\"3\"\|2011\n\|rowspan=\"2\"\|Pitbull\n\| R&B/Hip-Hop Artist\n\|\n\|-\n\| Summer Music Star: Male\n\|\n\|-\n\|\|\"Give Me Everything\"\n\| Single\n\|\n\|-\n\|rowspan=\"3\"\|2012\n\|rowspan=\"3\"\|Pitbull\n\| Male Artist\n\|\n\|-\n\| R&B/Hip-Hop Artist\n\|\n\|-\n\| Summer Music Star: Male\n\|\n\|-\n\|rowspan=\"4\"\|2013\n\|rowspan=\"3\"\|Pitbull\n\| Male Artist\n\|\n\|-\n\| Hip-Hop/Rap Artist\n\|\n\|-\n\| Music Star: Male\n\|\n\|-\n\|\|\"Feel This Moment\" (ft Christina Aguilera)\n\| Choice Single: Male Artist\n\|\n\|-\n\|rowspan=\"2\"\|2014\n\|Pitbull\n\|Choice Male Artist\n\|\n\|-\n\|\"Mmm Yeah\" (with Austin Mahone)\n\|Choice Single: Male Artist\n\|\n\|-\n\|2015\n\|Pitbull\n\|Choice Male Artist\n\|\n\|-\n\|2016\n\|\"Hey Ma\" ft. Camila Cabello & J Balvin\n\|Choice Latin Song\n\|\n\|}\n\nAmerican Academy of Achievement \n\nIn 2019, he received the Golden Plate Award of the American Academy of Achievement during the International Achievement Summit in New York City.\n\nSan Diego International Film Festival \n\nCeremony will be on October 18, 2019. Previous winners include Kenny Loggins.\n\nReferences\n\nPitbull" ]
[ "Pitbull (rapper)", "2006-2007: El Mariel and The Boatlift", "What was El Mariel?", "I don't know.", "What is the Boatlift? Are these Pitbull's albums?", "album, titled The Boatlift,", "How well did these albums sell?", "No. 2 on the rap chart.", "Did they work with any other artists at this time?", "DJ Laz' \"", "What was the most interesting aspect of the article?", "Pitbull also appeared on DJ Laz' \"Move Shake Drop\" and DJ Felli Fel's \"Feel It\".", "Who played with Pitbull?", "DJ Laz" ]	C_0aac1a7ebd264bc69eaeb5525913e13e_0	Did the band stay away from conterversay?	7	Did Pitbull stay away from controversy?	Pitbull (rapper)	In January 2006, Pitbull guest-starred in UPN's South Beach. Pitbull recorded "Nuestro Himno" in collaboration with Wyclef Jean, Carlos Ponce, and Olga Tanon. On Listennn... the Album, the debut album by Terror Squad member and Miami radio personality DJ Khaled, Pitbull performed on three singles: "Holla at Me" and "Born-N-Raised" alongside other Southern-based rappers. He dedicated the album to his father, who died in May of that year. Along with the usual party-oriented tracks, Pitbull also included politically themed tracks in El Mariel. The album was released on October 31, 2006, and included singles "Bojangles", "Ay Chico (Lengua Afuera)", "Fuego", and duet with Puerto Rican singer Ken-Y, "Dime (Remix)". El Mariel topped the Billboard independent albums chart and peaked at No. 17 on the Billboard 200 and No. 2 on the rap chart. Pitbull's third album, titled The Boatlift, was released in November 2007, spawned by the single "Secret Admirer" featuring Lloyd on the chorus. Earlier, Pitbull announced that this album would have a more gangsta rap edge than his earlier albums. Subsequent singles included "Go Girl" featuring Trina, and "The Anthem" featuring and produced Lil Jon, that song sampling the hook from the song "El Africano" by Wilfrido Vargas and the beat from the song "Calabria" by Rune RK. "Go Girl" peaked at No. 80 on the Billboard Hot 100 and No. 36 on the Hot Rap Tracks chart; "The Anthem" No. 36 on the Hot 100 and No.11 on the Hot Rap Tracks. His variety show, Pitbull's La Esquina, debuted May 2007 and ran through 2009 on the mun2 cable network. Pitbull also appeared on DJ Laz' "Move Shake Drop" and DJ Felli Fel's "Feel It". CANNOTANSWER	debuted May 2007 and ran through 2009	Armando Christian Pérez (born January 15, 1981), known professionally by his stage name Pitbull, is an American rapper and singer. Pérez began his career in the early 2000s, recording reggaeton, Latin hip hop, and crunk music under a multitude of labels. In 2004, he released his debut album M.I.A.M.I. under TVT Records and the executive production of Lil Jon. Pitbull later released his second album, El Mariel, in 2006 and his third, The Boatlift, in 2007. His fourth album, Rebelution (2009), included his breakthrough hit single "I Know You Want Me (Calle Ocho)", which peaked at number two on the US Billboard Hot 100 and number four on the UK Singles Chart. After rebranding himself as a pop artist, Pitbull's next English-language album, Planet Pit (2011), featured his first US number one single "Give Me Everything" (featuring Ne-Yo, Afrojack and Nayer). The single from his next album, Global Warming: Meltdown (2013), titled "Timber" (featuring Kesha), hit No.1 in eighteen countries, including the US and UK. The next single from the album, "Feel This Moment" (featuring Christina Aguilera), was a Top 10 hit in the United States, Canada, Australia and the United Kingdom. He performed the song "We Are One (Ole Ola)" (with Jennifer Lopez and Claudia Leitte), which served as the official theme of the 2014 FIFA World Cup. Pitbull released his latest album Libertad 548 on September 27, 2019. The new album includes the RIAA Latin 9× Platinum hit single "No Lo Trates" (featuring Daddy Yankee and Natti Natasha). The album spawned RIAA Latin Platinum single "Me Quedaré Contigo" (also featuring Ne-Yo), and was certified RIAA Latin Platinum on January 28, 2021. Pitbull has sold over 25 million studio albums and over 100 million singles worldwide. He has over 15 billion views on YouTube as of May 2020. He was ranked by Billboard as the 45th Top Artist of the 2010s and the 24th Top Latin Artist of the 2010s. Pitbull's other ventures include brand ambassadorship and for various entities, activism and philanthropy in the Latino American community, a radio station (Pitbull's Globalization) on Sirius XM Radio and ownership of the Trackhouse Racing NASCAR team. As of May 2019, Pitbull has won 35 Billboard Latin Music Awards. Early life and background Armando Christian Pérez was born on January 15, 1981, in Miami, Florida, to Cuban immigrant parents. He is a first-generation American. Growing up, he was strongly encouraged by his family to "take advantage" of the privilege of living in America, and the opportunities it came with. His family has a history of fighting against the Castro regime in Cuba. When he was three, he could recite the works of Cuba's national hero and poet, José Martí, in Spanish. He learned English by watching Sesame Street as a child. His father was largely absent from his childhood; his parents separated when he was young, and he was raised mostly by his mother, later stating: "my mom is my father and my mother." He briefly stayed with a foster family in Roswell, Georgia. His parents struggled with substance abuse; as a teenager, he was also involved with drug use and dealing, which eventually led to him getting kicked out of the family house. He attended South Miami Senior High School and Miami Coral Park High School. Growing up, he was influenced by the Miami bass genre of pop music and has cited Celia Cruz and Willy Chirino as sources of inspiration, in addition to rappers such as Nas, Jay-Z, and Snoop Dogg. He credits the "melting pot" of a city that Miami is with introducing him to many different cultures and teaching him important life lessons, implying that he wouldn't be the person he is nowadays if it wasn't for growing up in Miami. He said he chose his stage name of Pitbull because the dogs "bite to lock. The dog is too stupid to lose. And they're outlawed in Dade County. They're basically everything that I am. It's been a constant fight". After meeting Lil Jon in Miami, Pitbull was featured on Lil Jon and the East Side Boyz' album Kings of Crunk in 2002. Pitbull's song "Oye" was featured on the soundtrack to the film 2 Fast 2 Furious the following year. In addition, Pitbull released several mixtapes, composed of freestyles and remixes of popular rap music. Pitbull also worked with Uncle Luke during his early career, being featured on Luke's 2001 album Somethin' Nasty, including the single "Lollipop" along with Lil' Zane. Career 2001–2003: Luke Records and TVT Records In 2001, Pitbull was signed to Luther Campbell's Luke Records by Jullian Boothe, then the label's vice-president of A&R. In 2001, Pitbull was introduced to Robert Fernandez of Famous Artist Music & Management, an independent label and management company specializing in developing artists, by the Diaz Brothers, a producer duo signed to the company. Fernandez "saw the eagerness and hunger he had" and, with the Luke Records deal ending, began working to develop Pitbull. Together they focused on creating a more radio-friendly sound. Fernandez later told HitQuarters: "At that time his music had a lot of verses and took a long time to get into the hook, and so we took time in getting the songs catchier and less on the rap side." Fernandez introduced Pitbull to Lil Jon, hoping to secure the rapper a small guest intro spot on Lil Jon's upcoming album Kings of Crunk. According to Fernandez, Jon took a liking to Pérez and offered him a track on the album; it is called "Pitbull's Cuban Ride Out." This track helped raise the young rapper's profile. 2004–2005: M.I.A.M.I. In 2004, Pitbull released his debut album M.I.A.M.I., with the lead single being "Culo" produced by Lil Jon and the Diaz Brothers. It peaked at No. 32 on the Billboard Hot 100 chart and No. 11 on the Hot Rap Tracks chart. Other singles included "Dammit Man", "Back Up", "Toma", and "That's Nasty" (both featuring Lil Jon). He joined the Anger Management Tour, the 2000 hip-hop concert tour headlined by Eminem and 50 Cent. Pitbull also appeared on the Ying Yang Twins' single "Shake", which peaked at No.41 on the Hot 100 and No.12 on the rap chart, Adassa's chart topping single "Kamasutra" & Twista's "Hit the Floor" (#94 Hot 100, No. 20 Rap). Remix album Money Is Still a Major Issue was released in November 2005; it included new track "Everybody Get Up", a duet with hip-hop/R&B group Pretty Ricky. TVT Records, Pitbull's label at the time, and Slip-n-Slide Records disputed over the release of Welcome to the 305, an unreleased album by Slip-n-Slide that Pitbull recorded in 2001. A Miami judge ruled that Slip-n-Slide had a legal right to release the album as it was recorded when Pitbull was a Slip-N-Slide artist, and prior to him signing with TVT Records. A US District Court judge affirmed the decision further. TVT was then ordered in March 2007 to pay Slip-n-Slide $9.1 million for attempting to block the album's release to record stores and digital download entities. In 2005, Pitbull and rapper Sean 'Diddy' Combs co-founded Bad Boy Latino, a subsidiary of Combs' Bad Boy Records label. It primarily focuses on Latin hip hop, Latin soul, Latin pop and other tropical music and has offices in New York and Miami, Florida. Along with co-founding it, Pérez currently heads the A&R division of the label. 2006–2007: El Mariel and The Boatlift In January 2006, Pitbull guest-starred in UPN's South Beach. Pitbull recorded "Nuestro Himno" in collaboration with Wyclef Jean, Carlos Ponce, and Olga Tañón. On Listennn... the Album, the debut album by Terror Squad member and Miami radio personality DJ Khaled, Pitbull performed on three singles: "Holla at Me" and "Born-N-Raised" alongside other Southern-based rappers. He dedicated the album to his father, who died in May that year. Along with the usual party-oriented tracks, Pitbull also included politically themed tracks in El Mariel. The album was released on October 31, 2006, and included singles "Bojangles", "Ay Chico (Lengua Afuera)", "Fuego", and duet with Puerto Rican singer Ken-Y, "Dime (Remix)". El Mariel topped the Billboard independent albums chart and peaked at No. 17 on the Billboard 200 and No. 2 on the rap chart. Pitbull's third album, titled The Boatlift, was released on November 27, 2007, spawned by the single "Secret Admirer" featuring Lloyd on the chorus. Earlier, Pitbull announced that this album would have a more gangsta rap edge than his earlier albums. Subsequent singles included "Go Girl" featuring Trina, and "The Anthem" featuring and produced Lil Jon, that song sampling the hook from the song "El Africano" by Wilfrido Vargas and the beat from the song "Calabria" by Rune RK. "Go Girl" peaked at No. 80 on the Billboard Hot 100 and No. 36 on the Hot Rap Tracks chart; "The Anthem" No. 36 on the Hot 100 and No.11 on the Hot Rap Tracks. His variety show, Pitbull's La Esquina, debuted May 2007 and ran through 2009 on the mun2 cable network. Pitbull also appeared on DJ Laz' "Move Shake Drop" and DJ Felli Fel's "Feel It". 2008–2010: Pitbull Starring in Rebelution and Armando For his fourth studio album Pitbull Starring in Rebelution, Pitbull released "I Know You Want Me (Calle Ocho)" through Ultra Records after his former label TVT Records went out of business. "Krazy" peaked at No. 30 on the Hot 100 and No. 11 on the Hot Rap Tracks charts. "I Know You Want Me" peaked at No. 2 on the Hot 100 and peaked within the top ten spots of charts in the UK, Canada, Italy, and the Netherlands. The song reached No. 1 in France and the European Hot 100 in the week ending August 29, 2009 according to Billboard magazine. "I Know You Want Me" ended at position 17 on the Billboard Year-End Hot 100 singles of 2009. He later signed with Polo Grounds Music through Sony Music and created his own label Mr. 305 Inc. The single "Hotel Room Service", which samples "Push the Feeling On", peaked at No. 9 on the Hot 100. The album went on to sell over 7.5 million worldwide digital singles and albums combined. On their second collaboration since "Go Girl", Pitbull appeared on the debut single of rapper David Rush (formerly Young Bo$$), "Shooting Star", also with Kevin Rudolf and LMFAO. An amateur video of Pitbull punching a disruptive audience member at a Colorado concert leaked onto the Internet in late May 2009. Pitbull explained to MTV News that it was because the fan kept throwing cash around the stage, and after Pitbull pulled him up to the stage, he threw a stash of money right in Pitbull's face. He was tapped by the Miami Dolphins to work alongside T-Pain and Jimmy Buffett to release a new fight song for the Dolphins. The city of Miami granted Pitbull a "Key to the City" honor on August 19, 2009. Another popular single from 2009 was "Blanco", featuring Pharrell Williams of The Neptunes from the soundtrack to the movie Fast & Furious. Pitbull recorded a remix with Mexican pop diva Paulina Rubio for her single "Ni Rosas Ni Juguetes" in November 2009. In 2010, Pitbull performed the rap section in the Haiti benefit song "Somos El Mundo", a Spanish version of "We Are the World", that included a huge group of Latin artists led by Emilio and Gloria Estefan. He was also a featured guest on Janet Jackson's "Heart, Beat, Love" in addition to "Armada Latina", the fourth single off the album Rise Up by Latin rap legends, Cypress Hill. The song was produced by Jim Jonsin and also features Marc Anthony. Pitbull then collaborated with Alexandra Burke on the single "All Night Long". He was also featured on "DJ Got Us Fallin' in Love" by Usher. Pitbull released his full-length debut Spanish-language album titled Armando on November 2, 2010. He was also one of the most nominated artists of the 2011 Billboard Latin Music Awards. He garnered 7 nominations for "Latin Rhythm Airplay, Song of the Year" for "Bon, Bon"; "Latin Rhythm Airplay, Artist of the Year, Solo Artist"; "Latin Rhythm Albums, Album of the Year" for Armando; "Latin Rhythm Albums, Artist of the Year, Solo Artist"; "Social 50, Latin Artist of the Year"; "Latin Digital Download of the Year" for "Bon, Bon" and "Hot Latin Song of the Year, Vocal Event" for the song "I Like It" alongside Enrique Iglesias. He also won Telehit's award for "Most Popular Artist". 2011: Planet Pit In April 2011, Jennifer Lopez released Love?, which featured Pitbull on two singles. "Fresh Out the Oven" did not meet with critical or popular success, but the second cut, "On the Floor", was a certified hit. The single went on to make its Billboard Hot 100 debut at number nine, becoming the highest debuting Hot 100 single of Lopez's career. Pitbull released Planet Pit on June 17, 2011. Pitbull collaborated with T-Pain on its first single, which became a moderate hit; "Hey Baby (Drop It to the Floor)", which peaked at No. 7 on the Hot 100. On March 22, 2011, Pitbull released his second single, "Give Me Everything", which features American R&B singer Ne-Yo, American singer Nayer and Dutch DJ Afrojack, who also produced the song and co-wrote it with Matt Howard, Pitbull and Ne-Yo.; three months later, the song became Pitbull's first single to top the Billboard Hot 100. It was ranked no. 5 on the 2011 Billboard Year-End Chart. In August 2011, Lindsay Lohan sued Pitbull, Ne-Yo and Afrojack in response to the song's lyrics referencing her name, "I've got it locked up like Lindsay Lohan." Lohan objected to the negative connotation of the line and claimed that she should have been compensated for the use of her name in the song. The case was dismissed by a federal judge, who ruled the tune's lyrics are protected by the First Amendment, which covers freedom of speech and creative expression. 2012–2013: Global Warming, Meltdown & Men in Black 3 On October 7, 2011, RCA Music Group announced it was disbanding J Records along with Arista Records and Jive Records. With the shutdown, Pitbull (and all other artists previously signed to these three labels) would release future material on the RCA Records brand. On May 8, 2012, he collaborated with the Italian DJ Gabry Ponte for the song "Beat on My Drum". Pitbull's seventh studio album was titled "Global Warming" and released on November 16, 2012. Pitbull explained that the title reflected the fact that, much like the phenomenon of global warming, he's been around for a while but all of a sudden, people are paying attention. The lead single from the album was "Get It Started" featuring singer Shakira. The third single was "Feel This Moment" featuring Christina Aguilera. The second single, entitled "Back in Time," was for the film Men in Black 3. It was the first lead single for the Men in Black franchise not performed by Will Smith. The song, which plays during the end credits but is not featured on the soundtrack album, samples "Love Is Strange" by Mickey & Sylvia. Pitbull supported the album with a world tour in the summer of 2013. In 2013, Pitbull released a diss track towards Lil Wayne called "Welcome 2 Dade County" shortly after Lil Wayne's rant on the Miami Heat. Pitbull made his film debut Epic with a voice role of the character "Bufo". He embarked on the North American/Australian Summer Tour with Kesha to promote both their albums, which extends from May to November. He released his song "Feel This Moment" featuring Christina Aguilera on January 18, 2013, and they performed it live at the 2013 Billboard Music Awards, as well as on the fourth season of The Voice. The song was a commercial success, peaking at No. 8 on the Billboard Hot 100. Later he released the final single from his Global Warming album, Outta Nowhere featuring Danny Mercer, in late May. At the 2013 Latin Grammy Awards, Pitbull won the award for Best Urban Performance for his song "Echa Pa'lla (Manos Pa'rriba)". Pitbull announced via Twitter that he would release the extended play to his studio album Global Warming, named Global Warming: Meltdown on November 25, featuring guest appearances from Kesha, Kelly Rowland, Inna, Mohombi and Mayer Hawthorne. The lead single, "Timber", featuring recording artist and tourmate Kesha, was released on October 7. The song peaked at #1 on the Billboard Hot 100 in 18 different countries. Pitbull was featured on the early summer single "Live It Up", marking his third collaboration with Jennifer Lopez and Redone. Lopez and Pitbull performed the song at the Billboard Music Awards, American Idol and Premios Juventud. He also made album appearances for Priyanka Chopra, Flo Rida, Jessica Mauboy, Belinda, Jason Derulo and other artists. Pitbull provided the post-race concert at the Formula 1 United States Grand Prix at Circuit of the Americas on November 17, 2013. Pitbull hosted the 2013 American Music Awards on November 24, 2013. 2014–2015: Globalization and Dale Pitbull, Jennifer Lopez and Claudia Leitte performed the song "We Are One" at the opening ceremony of the 2014 World Cup. On February 25, 2014, Pitbull released a new single titled "Wild Wild Love" featuring American recording artist group G.R.L. It has peaked at number 30 on the Billboard Hot 100. On April 15, 2014, Pitbull released a single featuring Jennifer Lopez and Claudia Leitte called "We Are One (Ole Ola) from the compilation album for the FIFA 2014 World Cup One Love, One Rhythm. In May 2014, it was announced that Pitbull would host and co-produce a live New Year's Eve concert special from Miami for Fox, Pitbull's New Year's Revolution, on December 31, 2014. On June 12, 2014, Pitbull performed at the Arena de São Paulo as part of the 2014 FIFA World Cup opening ceremony. This performance saw him joined by Jennifer Lopez and Claudia Leitte to perform the tournament's official song "We Are One (Ole Ola)". In June 2014, it was announced that Pitbull would be receiving a star on the Hollywood Walk of Fame. On July 8, 2014, Pitbull released a Spanish-language single titled "Como Yo Le Doy" featuring Don Miguelo. On July 23, 2014, Pitbull released another single titled "Fireball", which features singer John Ryan Produced by Honua Music. Around the same time, he announced his eighth studio album Globalization, which was released on November 21, 2014. On October 18, 2014, Pitbull released another single titled "Celebrate" which was included on the Penguins of Madagascar soundtrack and later included on the album Globalization. Globalization was released alongside single "Time of Our Lives", which was Pitbull's first top ten hit since "Timber", peaking at #9 on the Hot 100. It also topped the Hot Dance Club Songs, Hot Rap Songs, and Rhythmic charts. On November 20, 2014, Pitbull released another Spanish-language single titled "Piensas (Dile la Verdad)" featuring Gente de Zona. On April 21, 2015, Pitbull released his sixth single on the Globalization album titled "Fun" featuring Chris Brown and peaked at number 40 on the Hot 100. On May 8, 2015, Pitbull released a teaser video on Twitter of his upcoming second Spanish studio album and ninth studio album overall titled Dale. The album was officially released on July 17, 2015, and included the singles "Como Yo Le Doy", "Piensas (Dile la Verdad)", "El Taxi", and "Baddest Girl in Town". The album led to Pitbull winning his Grammy Award in the category of Best Latin Rock, Urban or Alternative Album. 2015–2018: Climate Change, Greatest Hits, and Gotti On October 26, 2015, Pitbull released a new single titled "Free.K", which samples Adina Howard's "Freak like Me" in the chorus. The song was set to be the first single off his tenth studio album titled Climate Change. On January 7, 2016, Pitbull premiered the second single from his new album titled "Freedom", which also samples The Rolling Stones song "I'm Free" in the chorus. To coincide with the release of the single, the artist also teased a 2017 Norwegian party cruise. There is a campaign that launched in January 2016 in support of the cruise that is expected to last until later in the year. On February 14, 2017, Pitbull announced that Climate Change will be released on March 17, with pre-orders starting on February 17. Pitbull collaborated with American girl group Fifth Harmony on "Por Favor" (released October 27, 2017) before announcing his 5th compilation album, titled Pitbull Greatest Hits. The thirteen track album features eleven of Pitbull's most successful leading artist songs, accompanied by "Jungle (with Stereotypes featuring Abraham Mateo and E-40)" and "Locas (featuring Lil' Jon)", two brand new Pitbull songs. The deluxe edition of the album released exclusively in Japan featured a 14th track, "Celebrate". The compilation album was released worldwide on December 1, 2017. Pitbull released his first full-length soundtrack album for the film Gotti alongside Jorge Gómez on June 16, 2018. Pitbull is featured on two tracks on the album, "So Sorry" and "Amore" (featuring Leona Lewis). 2019–2020: YouTube history and Libertad 548 Pitbull collaborated with Indian singer-songwriter Guru Randhawa on the song "Slowly Slowly", released by T-Series on April 19, 2019. The song's music video received 38 million views on YouTube within 24 hours, becoming one of the world's all-time most-viewed music videos in 24 hours. Pitbull's eleventh studio album, Libertad 548, was released on September 27, 2019. The album included the Spanish hit single "No Lo Trates" featuring Daddy Yankee and Natti Natasha, which is RIAA Latin certified 6x Platinum (360,000+ sales). The album's second single "3 to Tango" went viral for John Travolta's surprise guest appearance in the song's official music video. The album's third single "Me Quedaré Contigo" was premiered at the 2019 Latin American Music Awards, and peaked at #1 on the Latin Airplay and Latin Rhythm Airplay Billboard charts in the United States. The album's first promotional single, "Winning" featuring Yomil y El Dany, is a part of the Boost Mobile "Dale Más" advertising campaign. The album's fourth single "Get Ready" featuring Blake Shelton, which was premiered live by Pitbull at the Super Bowl LIV Tailgate Tropicale pre-game show, was later added to the "Dale Más" advertising campaign for a series of pre-game Super Bowl commercials for Super Bowl LIV, and a remixed version of the single serves as the official theme song for the 2020 NASCAR Cup Series. The album's second promotional single, "Cinco de Mayo" with Lil Jon featuring Chesca, was released on May 5, 2020. The promotional single was performed live at the Premio Lo Nuestro 2020, and the performance gained over 2 million views on YouTube as of July 2020. The album's fifth single, "Mueve La Cintura" featuring Tito El Bambino and Guru Randhawa, was released on June 8, 2020. An accompanying music video, which was filmed in 2019 and directed by David Rousseau, was also premiered on that same date. On July 17, 2020, the remix of "Mala", the original of which is found on Libertad 548, was released as a single. The song, titled "Mala (Remix)", features Becky G and additional guest vocals from De La Ghetto. In 2020, amid the COVID-19 pandemic, LiveXLive launched a partnership with Pitbull, which would grant the platform exclusive rights to concerts, behind-the-scenes, videos and more from Pitbull to be streamed to LiveXLive's premium subscribers. On August 14, 2020, Pitbull released a new single, titled "Te Quiero Baby (I Love You Baby)" with Latin pop singer Chesca and American singer Frankie Valli. The single serves as a Latin interpolation of the original Frankie Valli & The Four Seasons 1967 smash hit single "Can't Take My Eyes Off You". 2021–present: I Feel Good Tour On June 22, Pitbull announced across all of his official social media platforms the I Feel Good Tour, named after his single of the same name, and his first dedicated tour since 2017's Enrique Iglesias and Pitbull Live! North American tour. The 32 city tour featured special guest Iggy Azalea and began on August 20, 2021, in Clarkston, Michigan and spanned across the United States through October 13, 2021 in Tampa, Florida. On February 24, 2022, Pitbull performed with IAMCHINO and DJ Deorro on the live-debut of their late-2021 single, "Discoteca", at the 2022 Premio Lo Nuestro awards. The song samples "Around the World (La La La La La)" by Eurodance group ATC. Product endorsements In 2010, Pitbull took part in the "So Kodak" campaign for the Kodak brand with Drake, Rihanna, and Trey Songz. He also launched a partnership with the soft drink giant Dr Pepper as part of the campaign "Vida 23" for which he recorded a song that featured on his album Armando. Pitbull also announced he has become the spokesperson for Voli Vodka, in which he holds a majority equity stake, and Budweiser has chosen Pitbull to promote its Bud Light line of beer. The commercials currently highlight Pitbull dancing and gyrating on stage holding up a bottle of Bud Light. Pitbull has also purchased an equity stake in Miami Subs Pizza and Grill. In 2012, Pitbull was involved in an advertising campaign with Walmart, in which the Walmart store that received the most Facebook "likes" from June 18 to July 15, 2012, would have Pitbull visit and put on a show there. An orchestrated campaign entitled "#exilepitbull" started by The Boston Phoenix reporter David Thorpe and SomethingAwful.com writer Jon Hendren urged people to vote for a remote location, namely Kodiak, Alaska. In an email to the Associated Press, Walmart confirmed that Kodiak was the winning location. Pitbull visited Kodiak on July 30, where he received a key to the city from Mayor Patricia Branson and performed. David Thorpe, who had started the "#exilepitbull" campaign, was invited to attend and showed up. In November 2013, he started a fragrance with Jacavi Worldwide and Parlux Ltd. On May 19, 2015, Pitbull launched a new radio channel on Sirius XM Radio, called Pitbull's Globalization Radio, which is centered around Rhythmic, Dance/EDM, and R&B/Hip-Hop product from artists from around the world. The artist celebrated the channel's debut with a private concert at New York City's Apollo Theater. In addition to launching his customized radio station, Pitbull also plans to launch a pair of projects with Endemol for digital television. In 2019, Pitbull joined Boost Mobile to create a series of advertisements to expand Boost Mobile to Spanish communities. The promotional single "Winning" featuring Yomil y El Dany from Pitbull's 2019 album "Libertad 548" was used in the Boost Mobile "Dale Más" advertising campaign that has been actively rolling out advertisements starring Pitbull and his backup dance group The Most Bad Ones. The song "Get Ready" by Pitbull featuring Blake Shelton was later added to the advertising campaign, also from the Pitbull album Libertad 548. On February 2, 2020, Pitbull was featured in a Super Bowl commercial for Super Bowl LIV, alongside Jennifer Lopez, DJ Khaled, Alex Rodriguez, and Steven Van Zandt. The commercial was produced to promote Hard Rock and its affiliations; the commercial premiered during the 2nd quarter of Super Bowl LIV. The commercial showcases the Seminole Hard Rock Hotel & Casino, which is also where the music video for "Get Ready" by Pitbull featuring Blake Shelton was filmed. The music video was released on February 10, 2020. Controversies Pitbull has been criticized for the way women are depicted in some of his music. For example, song lyrics such as "She say she won't, but I bet she will," and "I like that when you fight back" have attracted discussion about whether or not they could be contributing to the "legitimization" of rape. Campaign described him as an artist "whose lyrics are routinely labeled sexist"; Complex similarly noted that "many view Pitbull as sexist." Pitbull's song "We Are One (Ole Ola)" (featuring Jennifer Lopez and Claudia Leitte), which served as the official FIFA World Cup 2014 song, drew some controversy for not being a good enough representation of Brazil, which was the host country of the World Cup that year. Critics condemned the song's lyrical content for being filled with cliches about Brazilian culture, as well as for not containing enough lyrics in Portuguese. Others called it a "bad, boring, replaceable pop song." In December 2019, Cuban music duo Gente de Zona were banned from performing at a New Year's Eve concert in Miami alongside Pitbull due to their support of the Cuban government. During the concert, Pitbull voiced his support for the duo amid the ban, stating that "music is music, politics is politics." He received immediate backlash for the comments, including from fellow Cuban musicians, such as Albita Rodríguez and Arturo Sandoval, and the Miami community. He later apologized, acknowledged he "screwed up," and claimed he wasn't fully aware of the extent of Gente de Zona's controversial political stances. In 2020, during the COVID-19 pandemic, Pitbull made an appearance in a podcast episode where he claimed the pandemic was a conspiracy, called it a "scamdemic, plandemic," and spread false claims about the origins of it. A shorter clip of the podcast episode started going viral in early 2021, as social media users shared it hundreds of thousands of times. He received backlash for spreading misinformation about the coronavirus, and was labeled a "conspiracy theorist" by some. Business activities On January 15, 2021, it was announced that Pitbull became a co-owner of the NASCAR Cup Series team Trackhouse Racing. Impact and activism Determined to help the Latino community in his hometown, Pitbull's social impact focus for the last decade has been closing the poverty gap through educational initiatives. He helped start a Tuition-Free Public charter for middle and high school called Sports Leadership and Management (SLAM!), which opened in 2013 in Miami's Little Havana, the neighborhood where Pitbull grew up. SLAM! now operates nationwide, including in Miami, Las Vegas and Atlanta, with a 96 percent graduation rate. The school will be run by the non-profit Mater Academy. Pitbull created the Sports Leadership and Management Charter School, which opened in 2013. In response to the destruction caused by Hurricane Maria, Pitbull announced he will use his private plane to bring cancer patients from Puerto Rico to the mainland United States for treatment. On April 13, 2020, Pitbull released a single titled "I Believe That We Will Win (World Anthem)" (which samples the "I believe that we will win!" chant) during the COVID-19 pandemic. The song inspires those affected by the COVID-19 outbreak to "face everything and rise". An accompanying music video was released on May 7, 2020, on YouTube, and made its television debut on MTV. Pitbull is donating all proceeds from song sales, streaming and views to Feeding America and the Anthony Robbins Foundation. On December 31, 2020, Pitbull performed for a crowd of first responders in Times Square during the COVID-19 pandemic for the famous New Year's Eve celebration. Discography M.I.A.M.I. (2004) El Mariel (2006) The Boatlift (2007) Pitbull Starring in Rebelution (2009) Armando (2010) Planet Pit (2011) Global Warming (2012) Globalization (2014) Dale (2015) Climate Change (2017) Libertad 548 (2019) Timeless (2022) Concert tours 2009–2011: Rebelution Tour 2012: Planet Pit World Tour 2013: North American Tour 2013 (with Kesha) 2015: Pitbull Live in Hong Kong 2016: The Bad Man Tour (with Prince Royce and Farruko) 2017: Enrique Iglesias and Pitbull Live! (with Enrique Iglesias) 2021: I Feel Good Tour (with special guest Iggy Azalea) Opening act 2014–2015: Enrique Iglesias – Sex and Love Tour 2018: Britney Spears – Piece of Me Tour Residencies 2015–2019: Pitbull: Time of Our Lives 2020 PPD: Pitbull: Get Ready Vegas LiveXLive Virtual Concert Series 2020: Pitbull: Live & Timeless Filmography Film Television Awards and nominations References External links Pitbull on Vevo Pitbull on YouTube Pitbull on Spotify 1981 births Living people 21st-century American male musicians 21st-century American rappers American entertainers of Cuban descent American hip hop singers American male pop singers American male rappers American musicians of Cuban descent American reggaeton musicians Grammy Award winners Hispanic and Latino American musicians Hispanic and Latino American rappers Latin Grammy Award winners Latin music songwriters Musicians from Miami NASCAR team owners Pop rappers Rappers from Miami RCA Records artists Songwriters from Florida Sony Music Latin artists Spanish-language singers of the United States TVT Records artists Victor Entertainment artists	true	[ "\"Stay Away\" may refer to:\n\n \"Stay Away\" (Elvis Presley song), a song by Elvis Presley from the 1968 film Stay Away, Joe\n \"Stay Away\" (L'Arc-en-Ciel song), a 2000 song by L'Arc-en-Ciel\n \"Stay Away\", a song by Barbra Streisand from the 1978 album Songbird\n \"Stay Away\", a song by Kim Carnes from the 1979 album St. Vincent's Court\n \"Stay Away\", a song by The Angels from the 1983 album Watch the Red\n \"Stay Away\", a song by Toto from the 1988 album The Seventh One\n \"Stay Away\", a song by Nirvana from the 1991 album Nevermind\n \"Stay Away\", a song by Rooney from the 2003 album Rooney\n \"Stay Away\", a song by Pain from the 2005 album Dancing with the Dead\n \"Stay Away\", a song by Dave Barnes from the 2006 album Chasing Mississippi\n \"Stay Away\", a song by Chris Thile from the 2006 album How to Grow a Woman from the Ground\n \"Stay Away\", a song by The Honorary Title from the 2007 album Scream & Light Up the Sky\n \"Stay Away\", a song by Secondhand Serenade from the 2010 album Hear Me Now\n \"Stay Away\", a song by Elliott Yamin from the 2011 album Gather 'Round\n \"Stay Away\", a song by Charli XCX from the 2013 album True Romance\n \"Stay Away\", a song by Erik Hassle from the 2013 EP Mariefred Sessions\n \"Stay Away\", a song by Lee DeWyze from the 2013 album Frames\n \"Stay Away\", a song by Falling in Reverse from the 2015 album Just Like You\n \"Stay Away\", a song by E-40 from the 2016 album The D-Boy Diary: Book 1\n \"Stay Away\", a song by Styles P from the 2018 EP Nickel Bag\n \"Stay Away\", a song by Koryn Hawthorne from the 2018 album Unstoppable\n \"Stay Away\", a song by L.A. Guns from the 2019 album The Devil You Know\n \"Stay Away (It's Like That)\", a song by TV Girl from the 2020 album The Night in Question: French Exit Outtakes\n \"Stay Away\", a song by Carly Rae Jepsen from the 2020 album Dedicated Side B\n \"Stay Away\", a 2014 single by G Hannelius\n \"Stay Away\", a 2020 single by Randy Newman\n \"Stay Away\", a 2020 single by Mod Sun", "Big Ric was a short-lived rock band from Los Angeles, California. The band was formed in 1982 by lead singer Joel Porter. Keyboardist Kevin DiSimone previously did work on some of Barry Manilow's albums such as co-writing the song \"Stay\" from Manilow's album Here Comes the Night. Guitarist John Pondel also worked with Manilow as he played guitar on Manilow's album If I Should Love Again. The band would release one self-titled album in 1983. A single from the album, \"Take Away\" would chart at number 91 on the Billboard Hot 100 in late 1983. The band additionally released two more singles, \"Diana\" and \"How Does She Do It\" the latter of which was released as a promotional single. \"Take Away\" was also accompanied by a spy and espionage themed music video which was played on MTV and later MTV2.\n\nCharts\n\nReferences\n\nMusical groups from Los Angeles\nScotti Brothers Records artists\nMusical groups established in 1982\nMusical groups disestablished in 1983" ]
[ "Phil Hartman", "Style" ]	C_8f3ec4d0681842848fcf988fd7a2544b_0	What was Phil Hartman's style?	1	What was Phil Hartman's style?	Phil Hartman	In contrast to his real-life personality, which was described as "a regular guy and, by all accounts, one of show business' most low-key, decent people", Hartman often played seedy, vain or unpleasant characters as well as comedic villains. He noted that his standard character was a "jerky guy", and described his usual roles as "the weasel parade", citing Lionel Hutz, Bill McNeal, Troy McClure and Ted Maltin from Jingle All the Way as examples. Hartman enjoyed playing such roles because he "just want[ed] to be funny, and villains tend to be funny because their foibles are all there to see." He often played supporting roles, rather than the lead part. He said "throughout my career, I've never been a huge star, but I've made steady progress and that's the way I like it," and "It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame." Hartman was considered a "utility player" on SNL with a "kind of Everyman quality" which enabled him to appear in the majority of sketches, often in very distinct roles. Jan Hooks stated of his work on SNL: "Phil never had an ounce of competition. He was a team player. It was a privilege for him, I believe, to play support and do it very well. He was never insulted, no matter how small the role may have been." He was disciplined in his performances, studying the scripts beforehand. Hooks added: "Phil knew how to listen. And he knew how to look you in the eye, and he knew the power of being able to lay back and let somebody else be funny, and then do the reactions. I think Phil was more of an actor than a comedian." Film critic Pauline Kael declared that "Phil Hartman and Jan Hooks on Saturday Night Live are two of the best comic actors I've ever seen." Writer and acting coach Paul Ryan noted Hartman's work ethic with his impressions. He assembled a collection of video footage of the figure he was preparing to impersonate and watched this continually until he "completely embodied the person". Ryan concluded that "what made [Hartman's impressions] so funny and spot on was Phil's ability to add that perfect touch that only comes from trial and error and practicing in front of audiences and fellow actors." Hartman described this process as "technical." Journalist Lyle V. Harris said Hartman showed a "rare talent for morphing into [...] anybody he wanted to be". Ken Tucker summarized Hartman's comedic style: "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice an ironic lilt that delivered a punchline like a fast slider--you barely saw it coming until you started laughing." Hartman claimed that he borrowed his style from actor Bill Murray: "He's been a great influence on me - when he did that smarmy thing in Ghostbusters, then the same sort of thing in Groundhog Day. I tried to imitate it. I couldn't. I wasn't good enough. But I discovered an element of something else, so in a sick kind of way I made myself a career by doing a bad imitation of another comic." CANNOTANSWER	his real-life personality, which was described as "a regular guy and, by all accounts, one of show business' most low-key, decent people",	Philip Edward Hartman (né Hartmann; September 24, 1948 – May 28, 1998) was a Canadian-American actor, comedian, screenwriter, and graphic designer. Hartman was born in Brantford, Ontario, Canada, and his family moved to the United States when he was ten years old. After graduating from California State University, Northridge with a degree in graphic arts, he designed album covers for bands including Poco and America. In 1975, Hartman joined the comedy group The Groundlings, where he helped Paul Reubens develop his character Pee-wee Herman. Hartman co-wrote the film Pee-wee's Big Adventure and made recurring appearances as Captain Carl on Reubens' show Pee-wee's Playhouse. In 1986, Hartman joined the NBC sketch comedy show Saturday Night Live (SNL) as a cast member, and stayed for eight seasons until 1994. Nicknamed "Glue" for his ability to hold the show together and help other cast members, he won a Primetime Emmy Award for his SNL work in 1989. In 1995, he starred as Bill McNeal in the sitcom NewsRadio after declining to return to SNL. He also voiced various characters on The Simpsons, and had minor roles in the films Houseguest, Sgt. Bilko, Jingle All the Way, and Small Soldiers. After two divorces, Hartman married Brynn Omdahl in 1987, with whom he had two children. Their marriage was troubled due to Brynn's drug use and domestic violence against Phil, who was frequently absent from home. In 1998, while Hartman was sleeping in his bed, his wife shot and killed him, and later committed suicide. In the weeks following his murder, Hartman was celebrated in a wave of tributes. Dan Snierson of Entertainment Weekly wrote that Hartman was "the last person you'd expect to read about in lurid headlines in your morning paper ... a decidedly regular guy, beloved by everyone he worked with". He was posthumously inducted into the Canada and Hollywood Walks of Fame in 2012 and 2014. Early life Hartman was born Philip Edward Hartmann (later dropping one "n") on September 24, 1948, in Brantford, Ontario. He was the fourth of eight children of Doris Marguerite (née Wardell; July 17, 1919 – April 15, 2001) and Rupert Loebig Hartmann (November 8, 1914 – April 30, 1998), who sold building materials. The family was Catholic. As a child, Hartman found affection hard to earn: "I suppose I didn't get what I wanted out of my family life, so I started seeking love and attention elsewhere." Hartman was ten when his family moved to the United States. They first lived in Lewiston, Maine, then Meriden, Connecticut, and then on the West Coast, where he attended Westchester High School and frequently acted as the class clown. After graduating, he studied art at Santa Monica City College, dropping out in 1969 to become a roadie with a rock band. He returned to school in 1972 to study graphic arts at California State University, Northridge. He developed and operated his own graphic art business, creating more than 40 album covers for bands including Poco and America, as well as advertising and the logo for Crosby, Stills & Nash. In the late 1970s, he made his first television appearance on an episode of The Dating Game, where he won. Career Early career (1975–1985) Working alone as a graphic artist, Hartman frequently amused himself with "flights of voice fantasies". In 1975, seeking a more social outlet for his talents, he began attending evening comedy classes by the California-based improvisational comedy group The Groundlings. While watching one of their performances, he impulsively decided to climb on stage and join the cast. His first onscreen appearance was in 1978's Stunt Rock, an Australian film directed in Los Angeles by Brian Trenchard-Smith. After several years of training, paying his way by redesigning the group's logo and merchandise, Hartman formally joined The Groundlings and by 1979 was one of the show's stars. There Hartman befriended Paul Reubens, with whom he often collaborated on comedic material. Together they created the character Pee-wee Herman and developed The Pee-wee Herman Show, a live stage show that subsequently aired on HBO in 1981. Hartman played Captain Carl in the show, and reprised the role for the children's TV show Pee-wee's Playhouse. Reubens and Hartman made cameos in the 1980 film Cheech & Chong's Next Movie. Hartman co-wrote the script of the 1985 feature film Pee-wee's Big Adventure and had a cameo role as a reporter. He'd considered quitting acting at the age of 36 due to the challenges of finding work; but the success of Pee-wee's Big Adventure changed his mind. After a creative disagreement with Reubens, he left the Pee-Wee Herman project to pursue other roles. Hartman took more small roles in 1986 films such as Jumpin' Jack Flash and Three Amigos. He also worked as a voice actor in animated television programs, including The Smurfs, Challenge of the GoBots, The 13 Ghosts of Scooby-Doo, and in Dennis the Menace as characters Henry Mitchell and George Wilson. He developed a strong persona providing voice-overs for advertisements. Saturday Night Live (1986–1994) Hartman successfully auditioned to join NBC's variety show Saturday Night Live (SNL) in its 12th season, which began on October 11, 1986. He had been recommended for the show by fellow Groundlings and SNL cast members Jon Lovitz, and Laraine Newman as well as Jumpin' Jack Flash director Penny Marshall. He told the Los Angeles Times, "I wanted to do [SNL] because I wanted to get the exposure that would give me box-office credibility so I can write movies for myself." In his eight seasons with the show Hartman became known for his impressions, and performed as over 70 different characters. Hartman's original SNL characters include Eugene, the Anal Retentive Chef and Unfrozen Caveman Lawyer. His impressions include Frank Sinatra, Ronald Reagan, Ed McMahon, Barbara Bush, Charlton Heston, Phil Donahue, and Bill Clintonthe latter considered his best-known impression. Hartman first performed his Clinton impression on an episode of The Tonight Show. When he met Clinton in 1993, Hartman remarked, "I guess I owe you a few apologies", adding later that he "sometimes [felt] a twinge of guilt about [his Clinton impression]". Clinton showed good humor and sent Hartman a signed photo with the text: "You're not the president, but you play one on TV. And you're OK, mostly." Hartman copied the president's "post-nasal drip" and the "slight scratchiness" in his voice, as well as his open, "less intimidating" hand gestures. Hartman opted against wearing a larger prosthetic nose when portraying Clinton, as he thought it would be distracting. He instead wore a wig, dyed his eyebrows brighter, and used makeup to highlight his nose. In one of Hartman's sketches as Clinton, the president visits a McDonald's restaurant and explains his economic policies in the metaphor of eating other customers' food. The writers told him that he was not eating enough during rehearsals for the sketch – by the end of the live performance, Hartman had eaten so much he could barely speak. At SNL, Hartman's nickname of "Glue" was coined by Adam Sandler according to Jay Mohr's book Gasping for Airtime. However, according to You Might Remember Me: The Life and Times of Phil Hartman by Mike Thomas, author and staff writer for the Chicago Sun-Times, the nickname was created by SNL cast member and Hartman's frequent on-screen collaborator Jan Hooks. Hartman was very helpful to other cast members. For example, he aided Hooks in overcoming her stage fright. SNL creator Lorne Michaels explained the name: "He kind of held the show together. He gave to everybody and demanded very little. He was very low-maintenance." Michaels also added that Hartman was "the least appreciated" cast member by commentators outside the show, and praised his ability "to do five or six parts in a show where you're playing support or you're doing remarkable character work". Hartman won the Primetime Emmy Award for Outstanding Writing for a Variety, Music or Comedy Program for SNL in 1989, sharing the award with the show's other writers. He was nominated in the same category in 1987, and individually in 1994 for Outstanding Individual Performance in a Variety or Music Program. By 1993, almost every cast member who was there during Hartman's first year on SNL had left the show, including Jon Lovitz, Jan Hooks and Dana Carvey. Hartman said he felt "like an athlete who's watched all his World Series teammates get traded off into other directions ... It was hard to watch them leave because I sort of felt we were all part of the team that saved the show." This cast turnover contributed to his leaving the show in 1994. Hartman said he thought it was time to leave because the show was "getting less sophisticated" and his style of humor didn't fit with the less intellectual comedy of newer cast members like Adam Sandler. Hartman had originally planned to leave the show in 1991, but Michaels convinced him to stay to raise his profile; his portrayal of Clinton contributed to this goal. Jay Leno offered him the role of his sidekick on The Tonight Show but Hartman opted to stay on SNL. NBC persuaded him to stay on SNL by promising him his own comedy–variety show The Phil Show. He planned to "reinvent the variety form" with "a hybrid, very fast-paced, high energy [show] with sketches, impersonations, pet acts, and performers showcasing their talents". Hartman was to be the show's executive producer and head writer. Before production began, however, the network decided that variety shows were too unpopular and canceled the series. In a 1996 interview, Hartman noted he was glad, as he "would've been sweatin' blood each week trying to make it work". In 1998, he admitted he missed working on SNL, but had enjoyed the move from New York City to Southern California. NewsRadio (1995–1998) Hartman became one of the stars of the NBC sitcom NewsRadio in 1995, portraying radio news anchor Bill McNeal. He signed up after being attracted by the show's writing and use of an ensemble cast, and joked that he based McNeal on himself with "any ethics and character" removed. Hartman made roughly per episode of NewsRadio. Although the show was critically acclaimed, it was never a ratings hit and cancellation was a regular threat. After the completion of the fourth season, Hartman commented, "We seem to have limited appeal. We're on the edge here, not sure we're going to be picked up or not", but added he was "99 percent sure" the series would be renewed for a fifth season. Hartman had publicly lambasted NBC's decision to repeatedly move NewsRadio into different timeslots, but later regretted his comments, saying, "this is a sitcom, for crying out loud, not brain surgery". He also stated that if the sitcom were cancelled "it just will open up other opportunities for me". Although the show was renewed for a fifth season, Hartman died before production began. Ken Tucker praised Hartman's performance as McNeal: "A lesser performer ... would have played him as a variation on The Mary Tyler Moore Shows Ted Baxter, because that's what Bill was, on paper. But Hartman gave infinite variety to Bill's self-centeredness, turning him devious, cowardly, squeamish, and foolishly bold from week to week." Hartman was posthumously nominated for the Primetime Emmy Award for Outstanding Supporting Actor in a Comedy Series in 1998 for his work on NewsRadio, but lost to David Hyde Pierce. The Simpsons (1991–1998) Hartman provided the voices for numerous characters on the Fox animated series The Simpsons, appearing in 52 episodes. He made his first appearance in the second season episode "Bart Gets Hit by a Car". Although he was originally brought in for a one-time appearance, Hartman enjoyed working on The Simpsons and the staff wrote additional parts for him. He voiced the recurring characters Lionel Hutz and Troy McClure, as well as Duff man (on one occasion) and several background characters. His favorite part was that of McClure, and he often used this voice to entertain the audience between takes while taping episodes of NewsRadio. He remarked, "My favorite fans are Troy McClure fans." He added "It's the one thing that I do in my life that's almost an avocation. I do it for the pure love of it." Hartman was popular among the staff of The Simpsons. Showrunners Bill Oakley and Josh Weinstein said they enjoyed his work, and used him as much as possible when working on the show. To give Hartman a larger role, they developed the episode "A Fish Called Selma", which focuses on Troy McClure and expands the character's backstory. The Simpsons creator Matt Groening said that he "took [Hartman] for granted because he nailed the joke every time", and that his voice acting could produce "the maximum amount of humor" with any line he was given. Before his death, Hartman had expressed an interest in making a live action film about Troy McClure. Many of The Simpsons production staff expressed enthusiasm for the project and offered to help. Hartman said he was "looking forward to [McClure's] live-action movie, publicizing his Betty Ford appearances", and "would love nothing more" than making a film and was prepared to buy the film rights himself in order to make it happen. Other work Hartman's first starring film role came in 1995's Houseguest, alongside Sinbad. Other films include Greedy, Coneheads, Sgt. Bilko, So I Married an Axe Murderer, CB4, Jingle All the Way, Kiki's Delivery Service, and Small Soldiers, the latter of which is his final theatrically released film. At the same time, he preferred working on television. His other television roles include appearances on episodes of The John Larroquette Show, The Dana Carvey Show, 3rd Rock from the Sun, and the HBO TV film The Second Civil War as the President of the United States. He made a considerable amount of money from television advertising, earning $300,000 for a series of four commercials for the soft drink Slice. He also appeared in advertisements for McDonald's (as Hugh McAttack) and 1-800-Collect (as Max Jerome). Hartman wrote a number of screenplays that were never produced. In 1986, he began writing a screenplay for a film titled Mr. Fix-It, and completed the final draft in 1991. Robert Zemeckis was signed to produce the film, with Gil Bettman hired to direct. Hartman called it "a sort of a merger of horror and comedy, like Beetlejuice and Throw Momma From the Train", adding, "It's an American nightmare about a family torn asunder. They live next to a toxic dump site, their water supply is poisoned, the mother and son go insane and try to murder each other, the father's face is torn off in a terrible disfiguring accident in the first act. It's heavy stuff, but it's got a good message and a positive, upbeat ending." Zemeckis could not secure studio backing, however, and the project collapsed. Another film idea involving Hartman's Groundlings character Chick Hazard, Private Eye was also canceled. Style In contrast to his real-life personality, which was described as "a regular guy and, by all accounts, one of show business's most low-key, decent people", Hartman often played seedy, vain or unpleasant characters as well as comedic villains. He described his standard character repertoire as the "jerky guy" and "the weasel parade", citing Lionel Hutz, Bill McNeal, Troy McClure, and Ted Maltin from Jingle All the Way as examples. Hartman enjoyed playing such roles because he "just want[ed] to be funny, and villains tend to be funny because their foibles are all there to see". He often played supporting roles, rather than the lead part. He said "throughout my career, I've never been a huge star, but I've made steady progress and that's the way I like it", and "It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame." Hartman was considered a "utility player" on SNL with a "kind of Everyman quality" which enabled him to appear in the majority of sketches, often in very distinct roles. Jan Hooks stated of his work on SNL: "Phil never had an ounce of competition. He was a team player. It was a privilege for him, I believe, to play support and do it very well. He was never insulted, no matter how small the role may have been." He was disciplined in his performances, studying the scripts beforehand. Hooks added: "Phil knew how to listen. And he knew how to look you in the eye, and he knew the power of being able to lay back and let somebody else be funny, and then do the reactions. I think Phil was more of an actor than a comedian." Film critic Pauline Kael declared that "Phil Hartman and Jan Hooks on Saturday Night Live are two of the best comic actors I've ever seen." Writer and acting coach Paul Ryan noted Hartman's work ethic with his impressions. He assembled a collection of video footage of the figure he was preparing to impersonate and watched this continually until he "completely embodied the person". Ryan concluded that "what made [Hartman's impressions] so funny and spot on was Phil's ability to add that perfect touch that only comes from trial and error and practicing in front of audiences and fellow actors." Hartman described this process as "technical". Journalist Lyle V. Harris said Hartman showed a "rare talent for morphing into ... anybody he wanted to be". Ken Tucker summarized Hartman's comedic style: "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice an ironic lilt that delivered a punchline like a fast slider—you barely saw it coming until you started laughing." Hartman claimed that he borrowed his style from actor Bill Murray: "He's been a great influence on me – when he did that smarmy thing in Ghostbusters, then the same sort of thing in Groundhog Day. I tried to imitate it. I couldn't. I wasn't good enough. But I discovered an element of something else, so in a sick kind of way I made myself a career by doing a bad imitation of another comic." Personal life Hartman married Gretchen Lewis in 1970 and they divorced in September 1972. He married real estate agent Lisa Strain in 1982, and their marriage lasted three years. Strain told People magazine that Hartman was reclusive off screen and "would disappear emotionally ... he'd be in his own world. That passivity made you crazy." In 1987, Hartman married former model and aspiring actress Brynn Omdahl (born Vicki Jo Omdahl, April 11, 1958 – May 28, 1998), having met her on a blind date the previous year. They had two children, Sean and Birgen Hartman. The marriage had difficulties; she was reportedly intimidated by his success and was frustrated that she could not find any on her own, although neither party wanted a divorce. She was reported to have been jealous and often verbally and/or physically abusive, even sending a letter to his ex-wife, threatening to "rip [Strain's] eyes out" if she spoke to him again. Hartman considered retiring to save the marriage. Hartman tried to get Brynn acting roles, but she became progressively reliant on alcohol and narcotics, entering rehab several times. On multiple occasions, he removed their children from the household to stay with friends or family because of her drug- and alcohol-fueled outbursts. Because of his close friendship with SNL associate Jan Hooks, Brynn joked on occasion Hooks and Hartman were married "on some other level". Brynn had written threatening letters addressed to Hooks, warning her to not get close to her husband, but they appeared to have never even been sent, being discovered in her belongings following her death. Stephen Root, Hartman's NewsRadio co-star, said few people knew "the real Phil Hartman", as he was "one of those people who never seemed to come out of character," but he nevertheless gave the impression of a family man who cared deeply for his children. Hartman befriended Joe Rogan during his time on NewsRadio and confided his marital problems to him. Rogan said that he encouraged Hartman to divorce Brynn five times, but "[Hartman] loved his kids and didn't want to leave". Hartman stated in 1997, though a non-practicing Catholic, he displayed a sense of religiousness. In his spare time, he enjoyed driving, flying, sailing, marksmanship, and playing the guitar. Murder On May 27, 1998, Brynn visited the Italian restaurant Buca di Beppo in Encino, California, with producer and writer Christine Zander, who said Brynn was "in a good frame of mind." They had drinks. After returning home, Brynn had a "heated" argument with Phil, after which he went to bed. She entered his bedroom some time before PDT on May 28, 1998, and as he slept, fatally shot him once between the eyes, once in the throat, and once in the upper chest with a Charter Arms .38 caliber handgun. He was 49 years old. She was taking Zoloft, had been drinking alcohol, and had recently used cocaine. Brynn then drove to the home of her friend Ron Douglas and confessed to the killing, but he did not believe her. They drove back to the house in separate cars, and she called another friend and confessed a second time. On seeing Hartman's body, Douglas called 9-1-1 at Police arrived and escorted Douglas and the Hartmans' two children from the premises, by which time Brynn had locked herself in the bedroom. Shortly afterward, she committed suicide by a self-inflicted gunshot. The police stated Hartman's death was caused by "domestic discord" between the couple. A friend said Brynn "had trouble controlling her anger ... She got attention by losing her temper". A neighbor of the Hartmans told a CNN reporter that the couple had marital problems. Yet actor Steve Guttenberg said they had been "a very happy couple, and they always had the appearance of being well-balanced". A wrongful death lawsuit was filed in 1999 by her brother Gregory Omdahl, against Pfizer, the manufacturer of Zoloft, and against her child's psychiatrist, Arthur Sorosky, who had provided samples of the antidepressant to Brynn. Phil Hartman's friend and former SNL colleague Jon Lovitz has accused Hartman's then NewsRadio co-star Andy Dick of reintroducing Brynn to cocaine, causing her to relapse and suffer a nervous breakdown. Dick claims to have known nothing of her condition. Lovitz later said he no longer blamed Dick for Hartman's murder, but in 2006, Lovitz claimed Dick approached him at a restaurant and said, "I put the Phil Hartman hex on you; you're the next one to die." Lovitz then had him ejected from the restaurant. The following year at the Laugh Factory comedy club in Los Angeles, Lovitz and Dick had another argument, with Lovitz slamming Dick's head into the bar. Dick asserted he was not at fault in relation to Hartman's death. Brynn's sister Katharine Omdahl and brother-in-law Mike Wright raised the two Hartman children. Hartman's will stipulated each child would inherit money over several years after turning 25. The total value of Hartman's estate was estimated at . In accordance with his wishes, his body was cremated by Forest Lawn Memorial Park and Mortuary, Glendale, California, and his ashes scattered over Santa Catalina Island's Emerald Bay. Response and legacy NBC executive Don Ohlmeyer stated that Hartman "was blessed with a tremendous gift for creating characters that made people laugh. Everyone who had the pleasure of working with Phil knows that he was a man of tremendous warmth, a true professional and a loyal friend." Guttenberg expressed shock at Hartman's death, and Steve Martin said he was "a deeply funny and very happy person". Matt Groening called him "a master", and director Joe Dante said, "He was one of those guys who was a dream to work with. I don't know anybody who didn't like him." Dan Snierson of Entertainment Weekly concluded that Hartman was "the last person you'd expect to read about in lurid headlines in your morning paper" and "a decidedly regular guy, beloved by everyone he worked with". In 2007, Entertainment Weekly ranked Hartman the 87th greatest television icon of all time, and Maxim named him the top Saturday Night Live performer of all time. On the day of Hartman's death, rehearsals for The Simpsons were canceled as well as that night's performance by The Groundlings. The season five premiere episode of NewsRadio, "Bill Moves On", finds Hartman's character, Bill McNeal, has died of a heart attack, while the other characters reminisce about his life. Lovitz joined the show in his place beginning with the next episode. A special episode of Saturday Night Live commemorating Hartman's work on the show aired on June 13, 1998. Rather than substituting another voice actor, the writers of The Simpsons retired Hartman's characters. His final appearance on the show, the season ten episode "Bart the Mother", is dedicated to him, as is his final film, Small Soldiers. At the time of his death, Hartman was preparing to voice Zapp Brannigan, a character written specifically for him on Groening's second animated series Futurama. Even though the role was specifically made for him, Hartman still insisted on auditioning and Groening said he "nailed it." After Hartman's death, Billy West took over the role. Though executive producer David X. Cohen credits West with using his own take on the character, West later said that he purposely tweaked Zapp's voice to better match Hartman's intended portrayal. Hartman was planning to appear with Lovitz in the indie film The Day of Swine and Roses, scheduled to begin production in August 1998. In 2002, Laugh.com and Hartman's brother John published the album, Flat TV, a selection of comedy sketches recorded by Hartman in the 1970s, which had been kept in storage. John Hartmann commented: "I'm putting this out there because I'm dedicating my life to fulfilling his dreams. This [album] is my brother doing what he loved." In 2013, Flat TV was optioned by Michael "Ffish" Hemschoot's animation company Worker Studio for an animated adaptation. The deal came about after Michael T. Scott, a partner in the company, posted online a hand-written letter he had received from Hartman in 1997, leading to a correspondence between Scott and Paul Hartmann. In 2007, a campaign was started on Facebook by Alex Stevens and endorsed by Hartman's brother Paul, to have Phil inducted to Canada's Walk of Fame. Among the campaign's numerous publicity events, Ben Miner of the Sirius XM Radio channel Laugh Attack, dedicated the month of April 2012 to Hartman. The campaign ended in success and Hartman was inducted to the Walk of Fame on September 22, 2012, with Paul accepting the award on his late brother's behalf. Hartman was also awarded the Cineplex Legends Award. In June 2013, it was announced that Hartman would receive a star on the Hollywood Walk of Fame, which was unveiled on August 26, 2014. Additionally, a special prize at the Canadian Comedy Awards was named for Hartman. Beginning with the 13th Canadian Comedy Awards in 2012, the Phil Hartman Award was awarded to "an individual who helps to better the Canadian comedy community". In 2015, Rolling Stone magazine ranked Hartman as one of the top-ten greatest Saturday Night Live cast members throughout the show's forty-year history, coming in seventh on their list of all 141 members. Filmography Film Television Video games Theme park attractions Discography 1977 America, Harbor 1978 America, Silent Letter Poco, Legend 1980 Firesign Theatre, Fighting Clowns References Book sources External links Phil Hartman at Yahoo! Movies Phil Hartman at The New York Times Hartman's autopsy and death certificate Phil Hartman's final night: The tragic death of a “Saturday Night Live” genius, Mike Thomas, Salon, September 21, 2014 1948 births 1998 deaths 1998 murders in the United States 20th-century American male actors 20th-century Canadian male actors Album-cover and concert-poster artists American male comedians American male film actors American graphic designers American impressionists (entertainers) American male screenwriters American male television actors American television writers American male voice actors American sketch comedians California State University, Northridge alumni Canadian male comedians Canadian emigrants to the United States Canadian male voice actors Canadian murder victims Canadian sketch comedians Deaths by firearm in California Male actors from Los Angeles American male television writers Murder–suicides in California Naturalized citizens of the United States People from Brantford People murdered in Los Angeles Primetime Emmy Award winners Santa Monica College alumni Comedians from California Mariticides Westchester High School (Los Angeles) alumni Screenwriters from California 20th-century Canadian comedians 20th-century American comedians 20th-century American male writers 20th-century American screenwriters Comedians from Ontario	false	[ "Philip Edward Hartman (né Hartmann; September 24, 1948 – May 28, 1998) was a Canadian-American actor, comedian, screenwriter, and graphic designer. Hartman was born in Brantford, Ontario, Canada, and his family moved to the United States when he was ten years old. After graduating from California State University, Northridge with a degree in graphic arts, he designed album covers for bands including Poco and America. In 1975, Hartman joined the comedy group The Groundlings, where he helped Paul Reubens develop his character Pee-wee Herman. Hartman co-wrote the film Pee-wee's Big Adventure and made recurring appearances as Captain Carl on Reubens' show Pee-wee's Playhouse.\n\nIn 1986, Hartman joined the NBC sketch comedy show Saturday Night Live (SNL) as a cast member, and stayed for eight seasons until 1994. Nicknamed \"Glue\" for his ability to hold the show together and help other cast members, he won a Primetime Emmy Award for his SNL work in 1989. In 1995, he starred as Bill McNeal in the sitcom NewsRadio after declining to return to SNL. He also voiced various characters on The Simpsons, and had minor roles in the films Houseguest, Sgt. Bilko, Jingle All the Way, and Small Soldiers.\n\nAfter two divorces, Hartman married Brynn Omdahl in 1987, with whom he had two children. Their marriage was troubled due to Brynn's drug use and domestic violence against Phil, who was frequently absent from home. In 1998, while Hartman was sleeping in his bed, his wife shot and killed him, and later committed suicide. In the weeks following his murder, Hartman was celebrated in a wave of tributes. Dan Snierson of Entertainment Weekly wrote that Hartman was \"the last person you'd expect to read about in lurid headlines in your morning paper ... a decidedly regular guy, beloved by everyone he worked with\". He was posthumously inducted into the Canada and Hollywood Walks of Fame in 2012 and 2014.\n\nEarly life\n\nHartman was born Philip Edward Hartmann (later dropping one \"n\") on September 24, 1948, in Brantford, Ontario. He was the fourth of eight children of Doris Marguerite (née Wardell; July 17, 1919 – April 15, 2001) and Rupert Loebig Hartmann (November 8, 1914 – April 30, 1998), who sold building materials. The family was Catholic. As a child, Hartman found affection hard to earn: \"I suppose I didn't get what I wanted out of my family life, so I started seeking love and attention elsewhere.\"\n\nHartman was ten when his family moved to the United States. They first lived in Lewiston, Maine, then Meriden, Connecticut, and then on the West Coast, where he attended Westchester High School and frequently acted as the class clown. After graduating, he studied art at Santa Monica City College, dropping out in 1969 to become a roadie with a rock band. He returned to school in 1972 to study graphic arts at California State University, Northridge. He developed and operated his own graphic art business, creating more than 40 album covers for bands including Poco and America, as well as advertising and the logo for Crosby, Stills & Nash. In the late 1970s, he made his first television appearance on an episode of The Dating Game, where he won.\n\nCareer\n\nEarly career (1975–1985)\nWorking alone as a graphic artist, Hartman frequently amused himself with \"flights of voice fantasies\". In 1975, seeking a more social outlet for his talents, he began attending evening comedy classes by the California-based improvisational comedy group The Groundlings. While watching one of their performances, he impulsively decided to climb on stage and join the cast. His first onscreen appearance was in 1978's Stunt Rock, an Australian film directed in Los Angeles by Brian Trenchard-Smith. After several years of training, paying his way by redesigning the group's logo and merchandise, Hartman formally joined The Groundlings and by 1979 was one of the show's stars.\n\nThere Hartman befriended Paul Reubens, with whom he often collaborated on comedic material. Together they created the character Pee-wee Herman and developed The Pee-wee Herman Show, a live stage show that subsequently aired on HBO in 1981. Hartman played Captain Carl in the show, and reprised the role for the children's TV show Pee-wee's Playhouse. Reubens and Hartman made cameos in the 1980 film Cheech & Chong's Next Movie. Hartman co-wrote the script of the 1985 feature film Pee-wee's Big Adventure and had a cameo role as a reporter. He'd considered quitting acting at the age of 36 due to the challenges of finding work; but the success of Pee-wee's Big Adventure changed his mind. After a creative disagreement with Reubens, he left the Pee-Wee Herman project to pursue other roles.\n\nHartman took more small roles in 1986 films such as Jumpin' Jack Flash and Three Amigos. He also worked as a voice actor in animated television programs, including The Smurfs, Challenge of the GoBots, The 13 Ghosts of Scooby-Doo, and in Dennis the Menace as characters Henry Mitchell and George Wilson. He developed a strong persona providing voice-overs for advertisements.\n\nSaturday Night Live (1986–1994)\n\nHartman successfully auditioned to join NBC's variety show Saturday Night Live (SNL) in its 12th season, which began on October 11, 1986. He had been recommended for the show by fellow Groundlings and SNL cast members Jon Lovitz, and Laraine Newman as well as Jumpin' Jack Flash director Penny Marshall. He told the Los Angeles Times, \"I wanted to do [SNL] because I wanted to get the exposure that would give me box-office credibility so I can write movies for myself.\" In his eight seasons with the show Hartman became known for his impressions, and performed as over 70 different characters. Hartman's original SNL characters include Eugene, the Anal Retentive Chef and Unfrozen Caveman Lawyer. His impressions include Frank Sinatra, Ronald Reagan, Ed McMahon, Barbara Bush, Charlton Heston, Phil Donahue, and Bill Clintonthe latter considered his best-known impression.\n\nHartman first performed his Clinton impression on an episode of The Tonight Show. When he met Clinton in 1993, Hartman remarked, \"I guess I owe you a few apologies\", adding later that he \"sometimes [felt] a twinge of guilt about [his Clinton impression]\". Clinton showed good humor and sent Hartman a signed photo with the text: \"You're not the president, but you play one on TV. And you're OK, mostly.\" Hartman copied the president's \"post-nasal drip\" and the \"slight scratchiness\" in his voice, as well as his open, \"less intimidating\" hand gestures. Hartman opted against wearing a larger prosthetic nose when portraying Clinton, as he thought it would be distracting. He instead wore a wig, dyed his eyebrows brighter, and used makeup to highlight his nose. In one of Hartman's sketches as Clinton, the president visits a McDonald's restaurant and explains his economic policies in the metaphor of eating other customers' food. The writers told him that he was not eating enough during rehearsals for the sketch – by the end of the live performance, Hartman had eaten so much he could barely speak.\n\nAt SNL, Hartman's nickname of \"Glue\" was coined by Adam Sandler according to Jay Mohr's book Gasping for Airtime. However, according to You Might Remember Me: The Life and Times of Phil Hartman by Mike Thomas, author and staff writer for the Chicago Sun-Times, the nickname was created by SNL cast member and Hartman's frequent on-screen collaborator Jan Hooks. Hartman was very helpful to other cast members. For example, he aided Hooks in overcoming her stage fright. SNL creator Lorne Michaels explained the name: \"He kind of held the show together. He gave to everybody and demanded very little. He was very low-maintenance.\" Michaels also added that Hartman was \"the least appreciated\" cast member by commentators outside the show, and praised his ability \"to do five or six parts in a show where you're playing support or you're doing remarkable character work\". Hartman won the Primetime Emmy Award for Outstanding Writing for a Variety, Music or Comedy Program for SNL in 1989, sharing the award with the show's other writers. He was nominated in the same category in 1987, and individually in 1994 for Outstanding Individual Performance in a Variety or Music Program.\n\nBy 1993, almost every cast member who was there during Hartman's first year on SNL had left the show, including Jon Lovitz, Jan Hooks and Dana Carvey. Hartman said he felt \"like an athlete who's watched all his World Series teammates get traded off into other directions ... It was hard to watch them leave because I sort of felt we were all part of the team that saved the show.\" This cast turnover contributed to his leaving the show in 1994. Hartman said he thought it was time to leave because the show was \"getting less sophisticated\" and his style of humor didn't fit with the less intellectual comedy of newer cast members like Adam Sandler. Hartman had originally planned to leave the show in 1991, but Michaels convinced him to stay to raise his profile; his portrayal of Clinton contributed to this goal. Jay Leno offered him the role of his sidekick on The Tonight Show but Hartman opted to stay on SNL. NBC persuaded him to stay on SNL by promising him his own comedy–variety show The Phil Show. He planned to \"reinvent the variety form\" with \"a hybrid, very fast-paced, high energy [show] with sketches, impersonations, pet acts, and performers showcasing their talents\". Hartman was to be the show's executive producer and head writer. Before production began, however, the network decided that variety shows were too unpopular and canceled the series. In a 1996 interview, Hartman noted he was glad, as he \"would've been sweatin' blood each week trying to make it work\". In 1998, he admitted he missed working on SNL, but had enjoyed the move from New York City to Southern California.\n\nNewsRadio (1995–1998)\nHartman became one of the stars of the NBC sitcom NewsRadio in 1995, portraying radio news anchor Bill McNeal. He signed up after being attracted by the show's writing and use of an ensemble cast, and joked that he based McNeal on himself with \"any ethics and character\" removed. Hartman made roughly per episode of NewsRadio. Although the show was critically acclaimed, it was never a ratings hit and cancellation was a regular threat. After the completion of the fourth season, Hartman commented, \"We seem to have limited appeal. We're on the edge here, not sure we're going to be picked up or not\", but added he was \"99 percent sure\" the series would be renewed for a fifth season. Hartman had publicly lambasted NBC's decision to repeatedly move NewsRadio into different timeslots, but later regretted his comments, saying, \"this is a sitcom, for crying out loud, not brain surgery\". He also stated that if the sitcom were cancelled \"it just will open up other opportunities for me\". Although the show was renewed for a fifth season, Hartman died before production began. Ken Tucker praised Hartman's performance as McNeal: \"A lesser performer ... would have played him as a variation on The Mary Tyler Moore Shows Ted Baxter, because that's what Bill was, on paper. But Hartman gave infinite variety to Bill's self-centeredness, turning him devious, cowardly, squeamish, and foolishly bold from week to week.\" Hartman was posthumously nominated for the Primetime Emmy Award for Outstanding Supporting Actor in a Comedy Series in 1998 for his work on NewsRadio, but lost to David Hyde Pierce.\n\nThe Simpsons (1991–1998)\nHartman provided the voices for numerous characters on the Fox animated series The Simpsons, appearing in 52 episodes. He made his first appearance in the second season episode \"Bart Gets Hit by a Car\". Although he was originally brought in for a one-time appearance, Hartman enjoyed working on The Simpsons and the staff wrote additional parts for him. He voiced the recurring characters Lionel Hutz and Troy McClure, as well as Duff man (on one occasion) and several background characters. His favorite part was that of McClure, and he often used this voice to entertain the audience between takes while taping episodes of NewsRadio. He remarked, \"My favorite fans are Troy McClure fans.\" He added \"It's the one thing that I do in my life that's almost an avocation. I do it for the pure love of it.\"\n\nHartman was popular among the staff of The Simpsons. Showrunners Bill Oakley and Josh Weinstein said they enjoyed his work, and used him as much as possible when working on the show. To give Hartman a larger role, they developed the episode \"A Fish Called Selma\", which focuses on Troy McClure and expands the character's backstory. The Simpsons creator Matt Groening said that he \"took [Hartman] for granted because he nailed the joke every time\", and that his voice acting could produce \"the maximum amount of humor\" with any line he was given. Before his death, Hartman had expressed an interest in making a live action film about Troy McClure. Many of The Simpsons production staff expressed enthusiasm for the project and offered to help. Hartman said he was \"looking forward to [McClure's] live-action movie, publicizing his Betty Ford appearances\", and \"would love nothing more\" than making a film and was prepared to buy the film rights himself in order to make it happen.\n\nOther work\n\nHartman's first starring film role came in 1995's Houseguest, alongside Sinbad. Other films include Greedy, Coneheads, Sgt. Bilko, So I Married an Axe Murderer, CB4, Jingle All the Way, Kiki's Delivery Service, and Small Soldiers, the latter of which is his final theatrically released film. At the same time, he preferred working on television. His other television roles include appearances on episodes of The John Larroquette Show, The Dana Carvey Show, 3rd Rock from the Sun, and the HBO TV film The Second Civil War as the President of the United States. He made a considerable amount of money from television advertising, earning $300,000 for a series of four commercials for the soft drink Slice. He also appeared in advertisements for McDonald's (as Hugh McAttack) and 1-800-Collect (as Max Jerome).\n\nHartman wrote a number of screenplays that were never produced. In 1986, he began writing a screenplay for a film titled Mr. Fix-It, and completed the final draft in 1991. Robert Zemeckis was signed to produce the film, with Gil Bettman hired to direct. Hartman called it \"a sort of a merger of horror and comedy, like Beetlejuice and Throw Momma From the Train\", adding, \"It's an American nightmare about a family torn asunder. They live next to a toxic dump site, their water supply is poisoned, the mother and son go insane and try to murder each other, the father's face is torn off in a terrible disfiguring accident in the first act. It's heavy stuff, but it's got a good message and a positive, upbeat ending.\" Zemeckis could not secure studio backing, however, and the project collapsed. Another film idea involving Hartman's Groundlings character Chick Hazard, Private Eye was also canceled.\n\nStyle\n\nIn contrast to his real-life personality, which was described as \"a regular guy and, by all accounts, one of show business's most low-key, decent people\", Hartman often played seedy, vain or unpleasant characters as well as comedic villains. He described his standard character repertoire as the \"jerky guy\" and \"the weasel parade\", citing Lionel Hutz, Bill McNeal, Troy McClure, and Ted Maltin from Jingle All the Way as examples. Hartman enjoyed playing such roles because he \"just want[ed] to be funny, and villains tend to be funny because their foibles are all there to see\".\n\nHe often played supporting roles, rather than the lead part. He said \"throughout my career, I've never been a huge star, but I've made steady progress and that's the way I like it\", and \"It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame.\" Hartman was considered a \"utility player\" on SNL with a \"kind of Everyman quality\" which enabled him to appear in the majority of sketches, often in very distinct roles. Jan Hooks stated of his work on SNL: \"Phil never had an ounce of competition. He was a team player. It was a privilege for him, I believe, to play support and do it very well. He was never insulted, no matter how small the role may have been.\" He was disciplined in his performances, studying the scripts beforehand. Hooks added: \"Phil knew how to listen. And he knew how to look you in the eye, and he knew the power of being able to lay back and let somebody else be funny, and then do the reactions. I think Phil was more of an actor than a comedian.\" Film critic Pauline Kael declared that \"Phil Hartman and Jan Hooks on Saturday Night Live are two of the best comic actors I've ever seen.\"\n\nWriter and acting coach Paul Ryan noted Hartman's work ethic with his impressions. He assembled a collection of video footage of the figure he was preparing to impersonate and watched this continually until he \"completely embodied the person\". Ryan concluded that \"what made [Hartman's impressions] so funny and spot on was Phil's ability to add that perfect touch that only comes from trial and error and practicing in front of audiences and fellow actors.\" Hartman described this process as \"technical\". Journalist Lyle V. Harris said Hartman showed a \"rare talent for morphing into ... anybody he wanted to be\".\n\nKen Tucker summarized Hartman's comedic style: \"He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice an ironic lilt that delivered a punchline like a fast slider—you barely saw it coming until you started laughing.\" Hartman claimed that he borrowed his style from actor Bill Murray: \"He's been a great influence on me – when he did that smarmy thing in Ghostbusters, then the same sort of thing in Groundhog Day. I tried to imitate it. I couldn't. I wasn't good enough. But I discovered an element of something else, so in a sick kind of way I made myself a career by doing a bad imitation of another comic.\"\n\nPersonal life\nHartman married Gretchen Lewis in 1970 and they divorced in September 1972. He married real estate agent Lisa Strain in 1982, and their marriage lasted three years. Strain told People magazine that Hartman was reclusive off screen and \"would disappear emotionally ... he'd be in his own world. That passivity made you crazy.\" In 1987, Hartman married former model and aspiring actress Brynn Omdahl (born Vicki Jo Omdahl, April 11, 1958 – May 28, 1998), having met her on a blind date the previous year. They had two children, Sean and Birgen Hartman. The marriage had difficulties; she was reportedly intimidated by his success and was frustrated that she could not find any on her own, although neither party wanted a divorce. She was reported to have been jealous and often verbally and/or physically abusive, even sending a letter to his ex-wife, threatening to \"rip [Strain's] eyes out\" if she spoke to him again. Hartman considered retiring to save the marriage.\n\nHartman tried to get Brynn acting roles, but she became progressively reliant on alcohol and narcotics, entering rehab several times. On multiple occasions, he removed their children from the household to stay with friends or family because of her drug- and alcohol-fueled outbursts. Because of his close friendship with SNL associate Jan Hooks, Brynn joked on occasion Hooks and Hartman were married \"on some other level\". Brynn had written threatening letters addressed to Hooks, warning her to not get close to her husband, but they appeared to have never even been sent, being discovered in her belongings following her death.\n\nStephen Root, Hartman's NewsRadio co-star, said few people knew \"the real Phil Hartman\", as he was \"one of those people who never seemed to come out of character,\" but he nevertheless gave the impression of a family man who cared deeply for his children. Hartman befriended Joe Rogan during his time on NewsRadio and confided his marital problems to him. Rogan said that he encouraged Hartman to divorce Brynn five times, but \"[Hartman] loved his kids and didn't want to leave\".\n\nHartman stated in 1997, though a non-practicing Catholic, he displayed a sense of religiousness. In his spare time, he enjoyed driving, flying, sailing, marksmanship, and playing the guitar.\n\nMurder\nOn May 27, 1998, Brynn visited the Italian restaurant Buca di Beppo in Encino, California, with producer and writer Christine Zander, who said Brynn was \"in a good frame of mind.\" They had drinks. After returning home, Brynn had a \"heated\" argument with Phil, after which he went to bed. She entered his bedroom some time before PDT on May 28, 1998, and as he slept, fatally shot him once between the eyes, once in the throat, and once in the upper chest with a Charter Arms .38 caliber handgun. He was 49 years old. She was taking Zoloft, had been drinking alcohol, and had recently used cocaine.\n\nBrynn then drove to the home of her friend Ron Douglas and confessed to the killing, but he did not believe her. They drove back to the house in separate cars, and she called another friend and confessed a second time. On seeing Hartman's body, Douglas called 9-1-1 at Police arrived and escorted Douglas and the Hartmans' two children from the premises, by which time Brynn had locked herself in the bedroom. Shortly afterward, she committed suicide by a self-inflicted gunshot.\n\nThe police stated Hartman's death was caused by \"domestic discord\" between the couple. A friend said Brynn \"had trouble controlling her anger ... She got attention by losing her temper\". A neighbor of the Hartmans told a CNN reporter that the couple had marital problems. Yet actor Steve Guttenberg said they had been \"a very happy couple, and they always had the appearance of being well-balanced\".\n\nA wrongful death lawsuit was filed in 1999 by her brother Gregory Omdahl, against Pfizer, the manufacturer of Zoloft, and against her child's psychiatrist, Arthur Sorosky, who had provided samples of the antidepressant to Brynn. Phil Hartman's friend and former SNL colleague Jon Lovitz has accused Hartman's then NewsRadio co-star Andy Dick of reintroducing Brynn to cocaine, causing her to relapse and suffer a nervous breakdown. Dick claims to have known nothing of her condition. Lovitz later said he no longer blamed Dick for Hartman's murder, but in 2006, Lovitz claimed Dick approached him at a restaurant and said, \"I put the Phil Hartman hex on you; you're the next one to die.\" Lovitz then had him ejected from the restaurant. The following year at the Laugh Factory comedy club in Los Angeles, Lovitz and Dick had another argument, with Lovitz slamming Dick's head into the bar. Dick asserted he was not at fault in relation to Hartman's death.\n\nBrynn's sister Katharine Omdahl and brother-in-law Mike Wright raised the two Hartman children. Hartman's will stipulated each child would inherit money over several years after turning 25. The total value of Hartman's estate was estimated at . In accordance with his wishes, his body was cremated by Forest Lawn Memorial Park and Mortuary, Glendale, California, and his ashes scattered over Santa Catalina Island's Emerald Bay.\n\nResponse and legacy\nNBC executive Don Ohlmeyer stated that Hartman \"was blessed with a tremendous gift for creating characters that made people laugh. Everyone who had the pleasure of working with Phil knows that he was a man of tremendous warmth, a true professional and a loyal friend.\" Guttenberg expressed shock at Hartman's death, and Steve Martin said he was \"a deeply funny and very happy person\". Matt Groening called him \"a master\", and director Joe Dante said, \"He was one of those guys who was a dream to work with. I don't know anybody who didn't like him.\" Dan Snierson of Entertainment Weekly concluded that Hartman was \"the last person you'd expect to read about in lurid headlines in your morning paper\" and \"a decidedly regular guy, beloved by everyone he worked with\". In 2007, Entertainment Weekly ranked Hartman the 87th greatest television icon of all time, and Maxim named him the top Saturday Night Live performer of all time.\n\nOn the day of Hartman's death, rehearsals for The Simpsons were canceled as well as that night's performance by The Groundlings. The season five premiere episode of NewsRadio, \"Bill Moves On\", finds Hartman's character, Bill McNeal, has died of a heart attack, while the other characters reminisce about his life. Lovitz joined the show in his place beginning with the next episode. A special episode of Saturday Night Live commemorating Hartman's work on the show aired on June 13, 1998. Rather than substituting another voice actor, the writers of The Simpsons retired Hartman's characters. His final appearance on the show, the season ten episode \"Bart the Mother\", is dedicated to him, as is his final film, Small Soldiers.\n\nAt the time of his death, Hartman was preparing to voice Zapp Brannigan, a character written specifically for him on Groening's second animated series Futurama. Even though the role was specifically made for him, Hartman still insisted on auditioning and Groening said he \"nailed it.\" After Hartman's death, Billy West took over the role. Though executive producer David X. Cohen credits West with using his own take on the character, West later said that he purposely tweaked Zapp's voice to better match Hartman's intended portrayal. Hartman was planning to appear with Lovitz in the indie film The Day of Swine and Roses, scheduled to begin production in August 1998.\n\nIn 2002, Laugh.com and Hartman's brother John published the album, Flat TV, a selection of comedy sketches recorded by Hartman in the 1970s, which had been kept in storage. John Hartmann commented: \"I'm putting this out there because I'm dedicating my life to fulfilling his dreams. This [album] is my brother doing what he loved.\" In 2013, Flat TV was optioned by Michael \"Ffish\" Hemschoot's animation company Worker Studio for an animated adaptation. The deal came about after Michael T. Scott, a partner in the company, posted online a hand-written letter he had received from Hartman in 1997, leading to a correspondence between Scott and Paul Hartmann.\n\nIn 2007, a campaign was started on Facebook by Alex Stevens and endorsed by Hartman's brother Paul, to have Phil inducted to Canada's Walk of Fame. Among the campaign's numerous publicity events, Ben Miner of the Sirius XM Radio channel Laugh Attack, dedicated the month of April 2012 to Hartman. The campaign ended in success and Hartman was inducted to the Walk of Fame on September 22, 2012, with Paul accepting the award on his late brother's behalf. Hartman was also awarded the Cineplex Legends Award. In June 2013, it was announced that Hartman would receive a star on the Hollywood Walk of Fame, which was unveiled on August 26, 2014. Additionally, a special prize at the Canadian Comedy Awards was named for Hartman. Beginning with the 13th Canadian Comedy Awards in 2012, the Phil Hartman Award was awarded to \"an individual who helps to better the Canadian comedy community\". In 2015, Rolling Stone magazine ranked Hartman as one of the top-ten greatest Saturday Night Live cast members throughout the show's forty-year history, coming in seventh on their list of all 141 members.\n\nFilmography\n\nFilm\n\nTelevision\n\nVideo games\n\nTheme park attractions\n\nDiscography\n\n1977\nAmerica, Harbor\n1978\nAmerica, Silent Letter\nPoco, Legend\n1980\nFiresign Theatre, Fighting Clowns\n\nReferences\n\nBook sources\n\nExternal links\n\n \n Phil Hartman at Yahoo! Movies\n Phil Hartman at The New York Times\n Hartman's autopsy and death certificate\n Phil Hartman's final night: The tragic death of a “Saturday Night Live” genius, Mike Thomas, Salon, September 21, 2014\n\n1948 births\n1998 deaths\n1998 murders in the United States\n20th-century American male actors\n20th-century Canadian male actors\nAlbum-cover and concert-poster artists\nAmerican male comedians\nAmerican male film actors\nAmerican graphic designers\nAmerican impressionists (entertainers)\nAmerican male screenwriters\nAmerican male television actors\nAmerican television writers\nAmerican male voice actors\nAmerican sketch comedians\nCalifornia State University, Northridge alumni\nCanadian male comedians\nCanadian emigrants to the United States\nCanadian male voice actors\nCanadian murder victims\nCanadian sketch comedians\nDeaths by firearm in California\nMale actors from Los Angeles\nAmerican male television writers\nMurder–suicides in California\nNaturalized citizens of the United States\nPeople from Brantford\nPeople murdered in Los Angeles\nPrimetime Emmy Award winners\nSanta Monica College alumni\nComedians from California\nMariticides\nWestchester High School (Los Angeles) alumni\nScreenwriters from California\n20th-century Canadian comedians\n20th-century American comedians\n20th-century American male writers\n20th-century American screenwriters\nComedians from Ontario", "The twelfth season of Saturday Night Live, an American sketch comedy series, originally aired in the United States on NBC between October 11, 1986 and May 23, 1987.\n\nHistory\nThe season opened with Madonna, host of the previous season opener, reading a \"statement\" from NBC about season 11's mediocre writing and bad cast choices. According to the \"statement\", the entire 1985–86 season was \"...all a dream. A horrible, horrible dream.\"\n\nThe season included \"Mastermind,\" a skit written by Jim Downey and Al Franken, in which Phil Hartman portrayed two sides of Ronald Reagan; 25 years later Todd Purdum called the skit \"surely among the show's Top 10 of all time\".\n\nAlso during this season, singer David Johansen made several guest appearances as his famous persona, Buster Poindexter, performing with the SNL house band.\n\nA new logo was introduced for this season: it consisted of a yellow square and a small black rectangle; the yellow square had \"SATURDAY\" and \"LIVE\" in it; between them was a black rectangle with the word \"NIGHT\" in it. It was used only until the following season.\n\nCast\nMost of season 11's cast members were fired, except for A. Whitney Brown, Nora Dunn, Jon Lovitz and Dennis Miller. Al Franken was rehired as a writer. Franken also appeared in several episodes, but was not credited as a cast member this season. The new cast members included Dana Carvey, Phil Hartman, Jan Hooks, Victoria Jackson and Kevin Nealon. Phil Hartman helped write sketches in season 11's Thanksgiving episode hosted by Pee-wee Herman, and appeared in a sketch as a Pilgrim. Jan Hooks had auditioned for the show twice, firstly for season 10, but lost to Pamela Stephenson and the second time for season 11, but lost to Joan Cusack.\n\nCast roster\n\nRepertory players\nDana Carvey\nNora Dunn\nPhil Hartman\nJan Hooks\nVictoria Jackson\nJon Lovitz\nDennis Miller\n\nFeatured players\nA. Whitney Brown\nKevin Nealon\n\nbold denotes Weekend Update anchor\n\nWriters\n\nThis season's writers were Andy Breckman, A. Whitney Brown, E. Jean Carroll, Tom Davis, Jim Downey, Al Franken, Jack Handey, Phil Hartman, George Meyer, Lorne Michaels, Kevin Nealon, Herb Sargent, Marc Shaiman, Rosie Shuster, Robert Smigel, Bonnie Turner, Terry Turner, Jon Vitti and Christine Zander. Downey also served as head writer.\n\nEpisodes\n\nReferences\n\n12\n1986 American television seasons\n1987 American television seasons\nSaturday Night Live in the 1980s" ]
[ "Phil Hartman", "Style", "What was Phil Hartman's style?", "his real-life personality, which was described as \"a regular guy and, by all accounts, one of show business' most low-key, decent people\"," ]	C_8f3ec4d0681842848fcf988fd7a2544b_0	and what was his show style?	2	and what was Phil Hartman's show style?	Phil Hartman	In contrast to his real-life personality, which was described as "a regular guy and, by all accounts, one of show business' most low-key, decent people", Hartman often played seedy, vain or unpleasant characters as well as comedic villains. He noted that his standard character was a "jerky guy", and described his usual roles as "the weasel parade", citing Lionel Hutz, Bill McNeal, Troy McClure and Ted Maltin from Jingle All the Way as examples. Hartman enjoyed playing such roles because he "just want[ed] to be funny, and villains tend to be funny because their foibles are all there to see." He often played supporting roles, rather than the lead part. He said "throughout my career, I've never been a huge star, but I've made steady progress and that's the way I like it," and "It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame." Hartman was considered a "utility player" on SNL with a "kind of Everyman quality" which enabled him to appear in the majority of sketches, often in very distinct roles. Jan Hooks stated of his work on SNL: "Phil never had an ounce of competition. He was a team player. It was a privilege for him, I believe, to play support and do it very well. He was never insulted, no matter how small the role may have been." He was disciplined in his performances, studying the scripts beforehand. Hooks added: "Phil knew how to listen. And he knew how to look you in the eye, and he knew the power of being able to lay back and let somebody else be funny, and then do the reactions. I think Phil was more of an actor than a comedian." Film critic Pauline Kael declared that "Phil Hartman and Jan Hooks on Saturday Night Live are two of the best comic actors I've ever seen." Writer and acting coach Paul Ryan noted Hartman's work ethic with his impressions. He assembled a collection of video footage of the figure he was preparing to impersonate and watched this continually until he "completely embodied the person". Ryan concluded that "what made [Hartman's impressions] so funny and spot on was Phil's ability to add that perfect touch that only comes from trial and error and practicing in front of audiences and fellow actors." Hartman described this process as "technical." Journalist Lyle V. Harris said Hartman showed a "rare talent for morphing into [...] anybody he wanted to be". Ken Tucker summarized Hartman's comedic style: "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice an ironic lilt that delivered a punchline like a fast slider--you barely saw it coming until you started laughing." Hartman claimed that he borrowed his style from actor Bill Murray: "He's been a great influence on me - when he did that smarmy thing in Ghostbusters, then the same sort of thing in Groundhog Day. I tried to imitate it. I couldn't. I wasn't good enough. But I discovered an element of something else, so in a sick kind of way I made myself a career by doing a bad imitation of another comic." CANNOTANSWER	Hartman often played seedy, vain or unpleasant characters as well as comedic villains.	Philip Edward Hartman (né Hartmann; September 24, 1948 – May 28, 1998) was a Canadian-American actor, comedian, screenwriter, and graphic designer. Hartman was born in Brantford, Ontario, Canada, and his family moved to the United States when he was ten years old. After graduating from California State University, Northridge with a degree in graphic arts, he designed album covers for bands including Poco and America. In 1975, Hartman joined the comedy group The Groundlings, where he helped Paul Reubens develop his character Pee-wee Herman. Hartman co-wrote the film Pee-wee's Big Adventure and made recurring appearances as Captain Carl on Reubens' show Pee-wee's Playhouse. In 1986, Hartman joined the NBC sketch comedy show Saturday Night Live (SNL) as a cast member, and stayed for eight seasons until 1994. Nicknamed "Glue" for his ability to hold the show together and help other cast members, he won a Primetime Emmy Award for his SNL work in 1989. In 1995, he starred as Bill McNeal in the sitcom NewsRadio after declining to return to SNL. He also voiced various characters on The Simpsons, and had minor roles in the films Houseguest, Sgt. Bilko, Jingle All the Way, and Small Soldiers. After two divorces, Hartman married Brynn Omdahl in 1987, with whom he had two children. Their marriage was troubled due to Brynn's drug use and domestic violence against Phil, who was frequently absent from home. In 1998, while Hartman was sleeping in his bed, his wife shot and killed him, and later committed suicide. In the weeks following his murder, Hartman was celebrated in a wave of tributes. Dan Snierson of Entertainment Weekly wrote that Hartman was "the last person you'd expect to read about in lurid headlines in your morning paper ... a decidedly regular guy, beloved by everyone he worked with". He was posthumously inducted into the Canada and Hollywood Walks of Fame in 2012 and 2014. Early life Hartman was born Philip Edward Hartmann (later dropping one "n") on September 24, 1948, in Brantford, Ontario. He was the fourth of eight children of Doris Marguerite (née Wardell; July 17, 1919 – April 15, 2001) and Rupert Loebig Hartmann (November 8, 1914 – April 30, 1998), who sold building materials. The family was Catholic. As a child, Hartman found affection hard to earn: "I suppose I didn't get what I wanted out of my family life, so I started seeking love and attention elsewhere." Hartman was ten when his family moved to the United States. They first lived in Lewiston, Maine, then Meriden, Connecticut, and then on the West Coast, where he attended Westchester High School and frequently acted as the class clown. After graduating, he studied art at Santa Monica City College, dropping out in 1969 to become a roadie with a rock band. He returned to school in 1972 to study graphic arts at California State University, Northridge. He developed and operated his own graphic art business, creating more than 40 album covers for bands including Poco and America, as well as advertising and the logo for Crosby, Stills & Nash. In the late 1970s, he made his first television appearance on an episode of The Dating Game, where he won. Career Early career (1975–1985) Working alone as a graphic artist, Hartman frequently amused himself with "flights of voice fantasies". In 1975, seeking a more social outlet for his talents, he began attending evening comedy classes by the California-based improvisational comedy group The Groundlings. While watching one of their performances, he impulsively decided to climb on stage and join the cast. His first onscreen appearance was in 1978's Stunt Rock, an Australian film directed in Los Angeles by Brian Trenchard-Smith. After several years of training, paying his way by redesigning the group's logo and merchandise, Hartman formally joined The Groundlings and by 1979 was one of the show's stars. There Hartman befriended Paul Reubens, with whom he often collaborated on comedic material. Together they created the character Pee-wee Herman and developed The Pee-wee Herman Show, a live stage show that subsequently aired on HBO in 1981. Hartman played Captain Carl in the show, and reprised the role for the children's TV show Pee-wee's Playhouse. Reubens and Hartman made cameos in the 1980 film Cheech & Chong's Next Movie. Hartman co-wrote the script of the 1985 feature film Pee-wee's Big Adventure and had a cameo role as a reporter. He'd considered quitting acting at the age of 36 due to the challenges of finding work; but the success of Pee-wee's Big Adventure changed his mind. After a creative disagreement with Reubens, he left the Pee-Wee Herman project to pursue other roles. Hartman took more small roles in 1986 films such as Jumpin' Jack Flash and Three Amigos. He also worked as a voice actor in animated television programs, including The Smurfs, Challenge of the GoBots, The 13 Ghosts of Scooby-Doo, and in Dennis the Menace as characters Henry Mitchell and George Wilson. He developed a strong persona providing voice-overs for advertisements. Saturday Night Live (1986–1994) Hartman successfully auditioned to join NBC's variety show Saturday Night Live (SNL) in its 12th season, which began on October 11, 1986. He had been recommended for the show by fellow Groundlings and SNL cast members Jon Lovitz, and Laraine Newman as well as Jumpin' Jack Flash director Penny Marshall. He told the Los Angeles Times, "I wanted to do [SNL] because I wanted to get the exposure that would give me box-office credibility so I can write movies for myself." In his eight seasons with the show Hartman became known for his impressions, and performed as over 70 different characters. Hartman's original SNL characters include Eugene, the Anal Retentive Chef and Unfrozen Caveman Lawyer. His impressions include Frank Sinatra, Ronald Reagan, Ed McMahon, Barbara Bush, Charlton Heston, Phil Donahue, and Bill Clintonthe latter considered his best-known impression. Hartman first performed his Clinton impression on an episode of The Tonight Show. When he met Clinton in 1993, Hartman remarked, "I guess I owe you a few apologies", adding later that he "sometimes [felt] a twinge of guilt about [his Clinton impression]". Clinton showed good humor and sent Hartman a signed photo with the text: "You're not the president, but you play one on TV. And you're OK, mostly." Hartman copied the president's "post-nasal drip" and the "slight scratchiness" in his voice, as well as his open, "less intimidating" hand gestures. Hartman opted against wearing a larger prosthetic nose when portraying Clinton, as he thought it would be distracting. He instead wore a wig, dyed his eyebrows brighter, and used makeup to highlight his nose. In one of Hartman's sketches as Clinton, the president visits a McDonald's restaurant and explains his economic policies in the metaphor of eating other customers' food. The writers told him that he was not eating enough during rehearsals for the sketch – by the end of the live performance, Hartman had eaten so much he could barely speak. At SNL, Hartman's nickname of "Glue" was coined by Adam Sandler according to Jay Mohr's book Gasping for Airtime. However, according to You Might Remember Me: The Life and Times of Phil Hartman by Mike Thomas, author and staff writer for the Chicago Sun-Times, the nickname was created by SNL cast member and Hartman's frequent on-screen collaborator Jan Hooks. Hartman was very helpful to other cast members. For example, he aided Hooks in overcoming her stage fright. SNL creator Lorne Michaels explained the name: "He kind of held the show together. He gave to everybody and demanded very little. He was very low-maintenance." Michaels also added that Hartman was "the least appreciated" cast member by commentators outside the show, and praised his ability "to do five or six parts in a show where you're playing support or you're doing remarkable character work". Hartman won the Primetime Emmy Award for Outstanding Writing for a Variety, Music or Comedy Program for SNL in 1989, sharing the award with the show's other writers. He was nominated in the same category in 1987, and individually in 1994 for Outstanding Individual Performance in a Variety or Music Program. By 1993, almost every cast member who was there during Hartman's first year on SNL had left the show, including Jon Lovitz, Jan Hooks and Dana Carvey. Hartman said he felt "like an athlete who's watched all his World Series teammates get traded off into other directions ... It was hard to watch them leave because I sort of felt we were all part of the team that saved the show." This cast turnover contributed to his leaving the show in 1994. Hartman said he thought it was time to leave because the show was "getting less sophisticated" and his style of humor didn't fit with the less intellectual comedy of newer cast members like Adam Sandler. Hartman had originally planned to leave the show in 1991, but Michaels convinced him to stay to raise his profile; his portrayal of Clinton contributed to this goal. Jay Leno offered him the role of his sidekick on The Tonight Show but Hartman opted to stay on SNL. NBC persuaded him to stay on SNL by promising him his own comedy–variety show The Phil Show. He planned to "reinvent the variety form" with "a hybrid, very fast-paced, high energy [show] with sketches, impersonations, pet acts, and performers showcasing their talents". Hartman was to be the show's executive producer and head writer. Before production began, however, the network decided that variety shows were too unpopular and canceled the series. In a 1996 interview, Hartman noted he was glad, as he "would've been sweatin' blood each week trying to make it work". In 1998, he admitted he missed working on SNL, but had enjoyed the move from New York City to Southern California. NewsRadio (1995–1998) Hartman became one of the stars of the NBC sitcom NewsRadio in 1995, portraying radio news anchor Bill McNeal. He signed up after being attracted by the show's writing and use of an ensemble cast, and joked that he based McNeal on himself with "any ethics and character" removed. Hartman made roughly per episode of NewsRadio. Although the show was critically acclaimed, it was never a ratings hit and cancellation was a regular threat. After the completion of the fourth season, Hartman commented, "We seem to have limited appeal. We're on the edge here, not sure we're going to be picked up or not", but added he was "99 percent sure" the series would be renewed for a fifth season. Hartman had publicly lambasted NBC's decision to repeatedly move NewsRadio into different timeslots, but later regretted his comments, saying, "this is a sitcom, for crying out loud, not brain surgery". He also stated that if the sitcom were cancelled "it just will open up other opportunities for me". Although the show was renewed for a fifth season, Hartman died before production began. Ken Tucker praised Hartman's performance as McNeal: "A lesser performer ... would have played him as a variation on The Mary Tyler Moore Shows Ted Baxter, because that's what Bill was, on paper. But Hartman gave infinite variety to Bill's self-centeredness, turning him devious, cowardly, squeamish, and foolishly bold from week to week." Hartman was posthumously nominated for the Primetime Emmy Award for Outstanding Supporting Actor in a Comedy Series in 1998 for his work on NewsRadio, but lost to David Hyde Pierce. The Simpsons (1991–1998) Hartman provided the voices for numerous characters on the Fox animated series The Simpsons, appearing in 52 episodes. He made his first appearance in the second season episode "Bart Gets Hit by a Car". Although he was originally brought in for a one-time appearance, Hartman enjoyed working on The Simpsons and the staff wrote additional parts for him. He voiced the recurring characters Lionel Hutz and Troy McClure, as well as Duff man (on one occasion) and several background characters. His favorite part was that of McClure, and he often used this voice to entertain the audience between takes while taping episodes of NewsRadio. He remarked, "My favorite fans are Troy McClure fans." He added "It's the one thing that I do in my life that's almost an avocation. I do it for the pure love of it." Hartman was popular among the staff of The Simpsons. Showrunners Bill Oakley and Josh Weinstein said they enjoyed his work, and used him as much as possible when working on the show. To give Hartman a larger role, they developed the episode "A Fish Called Selma", which focuses on Troy McClure and expands the character's backstory. The Simpsons creator Matt Groening said that he "took [Hartman] for granted because he nailed the joke every time", and that his voice acting could produce "the maximum amount of humor" with any line he was given. Before his death, Hartman had expressed an interest in making a live action film about Troy McClure. Many of The Simpsons production staff expressed enthusiasm for the project and offered to help. Hartman said he was "looking forward to [McClure's] live-action movie, publicizing his Betty Ford appearances", and "would love nothing more" than making a film and was prepared to buy the film rights himself in order to make it happen. Other work Hartman's first starring film role came in 1995's Houseguest, alongside Sinbad. Other films include Greedy, Coneheads, Sgt. Bilko, So I Married an Axe Murderer, CB4, Jingle All the Way, Kiki's Delivery Service, and Small Soldiers, the latter of which is his final theatrically released film. At the same time, he preferred working on television. His other television roles include appearances on episodes of The John Larroquette Show, The Dana Carvey Show, 3rd Rock from the Sun, and the HBO TV film The Second Civil War as the President of the United States. He made a considerable amount of money from television advertising, earning $300,000 for a series of four commercials for the soft drink Slice. He also appeared in advertisements for McDonald's (as Hugh McAttack) and 1-800-Collect (as Max Jerome). Hartman wrote a number of screenplays that were never produced. In 1986, he began writing a screenplay for a film titled Mr. Fix-It, and completed the final draft in 1991. Robert Zemeckis was signed to produce the film, with Gil Bettman hired to direct. Hartman called it "a sort of a merger of horror and comedy, like Beetlejuice and Throw Momma From the Train", adding, "It's an American nightmare about a family torn asunder. They live next to a toxic dump site, their water supply is poisoned, the mother and son go insane and try to murder each other, the father's face is torn off in a terrible disfiguring accident in the first act. It's heavy stuff, but it's got a good message and a positive, upbeat ending." Zemeckis could not secure studio backing, however, and the project collapsed. Another film idea involving Hartman's Groundlings character Chick Hazard, Private Eye was also canceled. Style In contrast to his real-life personality, which was described as "a regular guy and, by all accounts, one of show business's most low-key, decent people", Hartman often played seedy, vain or unpleasant characters as well as comedic villains. He described his standard character repertoire as the "jerky guy" and "the weasel parade", citing Lionel Hutz, Bill McNeal, Troy McClure, and Ted Maltin from Jingle All the Way as examples. Hartman enjoyed playing such roles because he "just want[ed] to be funny, and villains tend to be funny because their foibles are all there to see". He often played supporting roles, rather than the lead part. He said "throughout my career, I've never been a huge star, but I've made steady progress and that's the way I like it", and "It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame." Hartman was considered a "utility player" on SNL with a "kind of Everyman quality" which enabled him to appear in the majority of sketches, often in very distinct roles. Jan Hooks stated of his work on SNL: "Phil never had an ounce of competition. He was a team player. It was a privilege for him, I believe, to play support and do it very well. He was never insulted, no matter how small the role may have been." He was disciplined in his performances, studying the scripts beforehand. Hooks added: "Phil knew how to listen. And he knew how to look you in the eye, and he knew the power of being able to lay back and let somebody else be funny, and then do the reactions. I think Phil was more of an actor than a comedian." Film critic Pauline Kael declared that "Phil Hartman and Jan Hooks on Saturday Night Live are two of the best comic actors I've ever seen." Writer and acting coach Paul Ryan noted Hartman's work ethic with his impressions. He assembled a collection of video footage of the figure he was preparing to impersonate and watched this continually until he "completely embodied the person". Ryan concluded that "what made [Hartman's impressions] so funny and spot on was Phil's ability to add that perfect touch that only comes from trial and error and practicing in front of audiences and fellow actors." Hartman described this process as "technical". Journalist Lyle V. Harris said Hartman showed a "rare talent for morphing into ... anybody he wanted to be". Ken Tucker summarized Hartman's comedic style: "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice an ironic lilt that delivered a punchline like a fast slider—you barely saw it coming until you started laughing." Hartman claimed that he borrowed his style from actor Bill Murray: "He's been a great influence on me – when he did that smarmy thing in Ghostbusters, then the same sort of thing in Groundhog Day. I tried to imitate it. I couldn't. I wasn't good enough. But I discovered an element of something else, so in a sick kind of way I made myself a career by doing a bad imitation of another comic." Personal life Hartman married Gretchen Lewis in 1970 and they divorced in September 1972. He married real estate agent Lisa Strain in 1982, and their marriage lasted three years. Strain told People magazine that Hartman was reclusive off screen and "would disappear emotionally ... he'd be in his own world. That passivity made you crazy." In 1987, Hartman married former model and aspiring actress Brynn Omdahl (born Vicki Jo Omdahl, April 11, 1958 – May 28, 1998), having met her on a blind date the previous year. They had two children, Sean and Birgen Hartman. The marriage had difficulties; she was reportedly intimidated by his success and was frustrated that she could not find any on her own, although neither party wanted a divorce. She was reported to have been jealous and often verbally and/or physically abusive, even sending a letter to his ex-wife, threatening to "rip [Strain's] eyes out" if she spoke to him again. Hartman considered retiring to save the marriage. Hartman tried to get Brynn acting roles, but she became progressively reliant on alcohol and narcotics, entering rehab several times. On multiple occasions, he removed their children from the household to stay with friends or family because of her drug- and alcohol-fueled outbursts. Because of his close friendship with SNL associate Jan Hooks, Brynn joked on occasion Hooks and Hartman were married "on some other level". Brynn had written threatening letters addressed to Hooks, warning her to not get close to her husband, but they appeared to have never even been sent, being discovered in her belongings following her death. Stephen Root, Hartman's NewsRadio co-star, said few people knew "the real Phil Hartman", as he was "one of those people who never seemed to come out of character," but he nevertheless gave the impression of a family man who cared deeply for his children. Hartman befriended Joe Rogan during his time on NewsRadio and confided his marital problems to him. Rogan said that he encouraged Hartman to divorce Brynn five times, but "[Hartman] loved his kids and didn't want to leave". Hartman stated in 1997, though a non-practicing Catholic, he displayed a sense of religiousness. In his spare time, he enjoyed driving, flying, sailing, marksmanship, and playing the guitar. Murder On May 27, 1998, Brynn visited the Italian restaurant Buca di Beppo in Encino, California, with producer and writer Christine Zander, who said Brynn was "in a good frame of mind." They had drinks. After returning home, Brynn had a "heated" argument with Phil, after which he went to bed. She entered his bedroom some time before PDT on May 28, 1998, and as he slept, fatally shot him once between the eyes, once in the throat, and once in the upper chest with a Charter Arms .38 caliber handgun. He was 49 years old. She was taking Zoloft, had been drinking alcohol, and had recently used cocaine. Brynn then drove to the home of her friend Ron Douglas and confessed to the killing, but he did not believe her. They drove back to the house in separate cars, and she called another friend and confessed a second time. On seeing Hartman's body, Douglas called 9-1-1 at Police arrived and escorted Douglas and the Hartmans' two children from the premises, by which time Brynn had locked herself in the bedroom. Shortly afterward, she committed suicide by a self-inflicted gunshot. The police stated Hartman's death was caused by "domestic discord" between the couple. A friend said Brynn "had trouble controlling her anger ... She got attention by losing her temper". A neighbor of the Hartmans told a CNN reporter that the couple had marital problems. Yet actor Steve Guttenberg said they had been "a very happy couple, and they always had the appearance of being well-balanced". A wrongful death lawsuit was filed in 1999 by her brother Gregory Omdahl, against Pfizer, the manufacturer of Zoloft, and against her child's psychiatrist, Arthur Sorosky, who had provided samples of the antidepressant to Brynn. Phil Hartman's friend and former SNL colleague Jon Lovitz has accused Hartman's then NewsRadio co-star Andy Dick of reintroducing Brynn to cocaine, causing her to relapse and suffer a nervous breakdown. Dick claims to have known nothing of her condition. Lovitz later said he no longer blamed Dick for Hartman's murder, but in 2006, Lovitz claimed Dick approached him at a restaurant and said, "I put the Phil Hartman hex on you; you're the next one to die." Lovitz then had him ejected from the restaurant. The following year at the Laugh Factory comedy club in Los Angeles, Lovitz and Dick had another argument, with Lovitz slamming Dick's head into the bar. Dick asserted he was not at fault in relation to Hartman's death. Brynn's sister Katharine Omdahl and brother-in-law Mike Wright raised the two Hartman children. Hartman's will stipulated each child would inherit money over several years after turning 25. The total value of Hartman's estate was estimated at . In accordance with his wishes, his body was cremated by Forest Lawn Memorial Park and Mortuary, Glendale, California, and his ashes scattered over Santa Catalina Island's Emerald Bay. Response and legacy NBC executive Don Ohlmeyer stated that Hartman "was blessed with a tremendous gift for creating characters that made people laugh. Everyone who had the pleasure of working with Phil knows that he was a man of tremendous warmth, a true professional and a loyal friend." Guttenberg expressed shock at Hartman's death, and Steve Martin said he was "a deeply funny and very happy person". Matt Groening called him "a master", and director Joe Dante said, "He was one of those guys who was a dream to work with. I don't know anybody who didn't like him." Dan Snierson of Entertainment Weekly concluded that Hartman was "the last person you'd expect to read about in lurid headlines in your morning paper" and "a decidedly regular guy, beloved by everyone he worked with". In 2007, Entertainment Weekly ranked Hartman the 87th greatest television icon of all time, and Maxim named him the top Saturday Night Live performer of all time. On the day of Hartman's death, rehearsals for The Simpsons were canceled as well as that night's performance by The Groundlings. The season five premiere episode of NewsRadio, "Bill Moves On", finds Hartman's character, Bill McNeal, has died of a heart attack, while the other characters reminisce about his life. Lovitz joined the show in his place beginning with the next episode. A special episode of Saturday Night Live commemorating Hartman's work on the show aired on June 13, 1998. Rather than substituting another voice actor, the writers of The Simpsons retired Hartman's characters. His final appearance on the show, the season ten episode "Bart the Mother", is dedicated to him, as is his final film, Small Soldiers. At the time of his death, Hartman was preparing to voice Zapp Brannigan, a character written specifically for him on Groening's second animated series Futurama. Even though the role was specifically made for him, Hartman still insisted on auditioning and Groening said he "nailed it." After Hartman's death, Billy West took over the role. Though executive producer David X. Cohen credits West with using his own take on the character, West later said that he purposely tweaked Zapp's voice to better match Hartman's intended portrayal. Hartman was planning to appear with Lovitz in the indie film The Day of Swine and Roses, scheduled to begin production in August 1998. In 2002, Laugh.com and Hartman's brother John published the album, Flat TV, a selection of comedy sketches recorded by Hartman in the 1970s, which had been kept in storage. John Hartmann commented: "I'm putting this out there because I'm dedicating my life to fulfilling his dreams. This [album] is my brother doing what he loved." In 2013, Flat TV was optioned by Michael "Ffish" Hemschoot's animation company Worker Studio for an animated adaptation. The deal came about after Michael T. Scott, a partner in the company, posted online a hand-written letter he had received from Hartman in 1997, leading to a correspondence between Scott and Paul Hartmann. In 2007, a campaign was started on Facebook by Alex Stevens and endorsed by Hartman's brother Paul, to have Phil inducted to Canada's Walk of Fame. Among the campaign's numerous publicity events, Ben Miner of the Sirius XM Radio channel Laugh Attack, dedicated the month of April 2012 to Hartman. The campaign ended in success and Hartman was inducted to the Walk of Fame on September 22, 2012, with Paul accepting the award on his late brother's behalf. Hartman was also awarded the Cineplex Legends Award. In June 2013, it was announced that Hartman would receive a star on the Hollywood Walk of Fame, which was unveiled on August 26, 2014. Additionally, a special prize at the Canadian Comedy Awards was named for Hartman. Beginning with the 13th Canadian Comedy Awards in 2012, the Phil Hartman Award was awarded to "an individual who helps to better the Canadian comedy community". In 2015, Rolling Stone magazine ranked Hartman as one of the top-ten greatest Saturday Night Live cast members throughout the show's forty-year history, coming in seventh on their list of all 141 members. Filmography Film Television Video games Theme park attractions Discography 1977 America, Harbor 1978 America, Silent Letter Poco, Legend 1980 Firesign Theatre, Fighting Clowns References Book sources External links Phil Hartman at Yahoo! Movies Phil Hartman at The New York Times Hartman's autopsy and death certificate Phil Hartman's final night: The tragic death of a “Saturday Night Live” genius, Mike Thomas, Salon, September 21, 2014 1948 births 1998 deaths 1998 murders in the United States 20th-century American male actors 20th-century Canadian male actors Album-cover and concert-poster artists American male comedians American male film actors American graphic designers American impressionists (entertainers) American male screenwriters American male television actors American television writers American male voice actors American sketch comedians California State University, Northridge alumni Canadian male comedians Canadian emigrants to the United States Canadian male voice actors Canadian murder victims Canadian sketch comedians Deaths by firearm in California Male actors from Los Angeles American male television writers Murder–suicides in California Naturalized citizens of the United States People from Brantford People murdered in Los Angeles Primetime Emmy Award winners Santa Monica College alumni Comedians from California Mariticides Westchester High School (Los Angeles) alumni Screenwriters from California 20th-century Canadian comedians 20th-century American comedians 20th-century American male writers 20th-century American screenwriters Comedians from Ontario	true	[ "Eddie Brown (1918–1992) was an American tap dancer.\n\nBeing Discovered\n\nWhen Brown was sixteen years old, he entered a talent contest that was held in his hometown.He won first place and was discovered by Robinson, who offered him a job in New York. Brown’s parents would not allow him to travel across the country to dance because he was still in school. But the young talent found the offer too good to refuse. He boarded a train and headed to New York City. Because Brown was still underage, he lived on the money that he made from dancing on the streets until he turned 18, when he joined Robinson’s show at the Apollo Theater in Harlem.\n\nCareer\n\nBrown danced professionally throughout the 1930s and 1940s as part of a trio with Carl Gibson and Jerry Reed, and was a solo dancer in nightclubs and with great swing and jazz musicians such as Jimmie Lunceford, Duke Ellington, and Dizzy Gillespie.Eddie Brown danced with Bill “Bojangles” Robinson, and toured with The Bill Robinson Revue for six years. The show traveled from New York to the West coast. The show fell apart when Robinson posed the idea of taking the group to Richmond, VA, and the dancers quit the tour because they were uncomfortable with the idea of performing in the south.\n\nSignature Style\n\nEddie Brown had a very distinct style of tap dancing, and was best known for his “scientific tap.” At the time when Brown was developing his style, many dancers in Omaha were dancing to swing music. This music consisted of fairly slow tempos, and the dancers were able to fit more beats into each bar of music. As Brown began to understand this style of tap dancing, he realized that it all came down to rhythm.\n\nAfter performing with Robinson, Brown danced as a soloist and developed his signature style. His dances were filled with syncopated steps and patterns. The specific style of tap that he performed and later taught to students was called “scientific rhythm.” Brown explained, “You heard all this music and rhythm but couldn’t see where it was coming from.” “A good ear ain’t good or bad, but a good ear is what you need. That’s why tap is scientific.”\n\nReferences \n\n1918 births\n1992 deaths\nArtists from Omaha, Nebraska\nAmerican tap dancers\n20th-century American dancers", "In Style was a Holsteiner gelding ridden by Canadian Equestrian Team member Ian Millar in the sport of show jumping. He was imported to Canada from the Netherlands in 2003. His full brother, VDL Atlantic, is also an international show jumper. Furthermore, VDL Atlantic was a Zangersheide-approved stallion with approved sons of his own. The dam of In Style and Atlantic is Diana, a full sister to Lord Z, himself a strong sire and FEI show jumper under Franke Sloothaak and John Whitaker.\nIn Style was reported to be a sensitive horse with a Thoroughbred-like disposition.\n\nIn Style was best known for representing Canada on the international scene. He and Ian Millar were members of silver medal teams at both the 2007 Rio de Janeiro Pan American Games and the 2008 Beijing Olympic Games.\n\nPedigree\n\nReferences \n\nShow jumping horses\nHorses in the Olympics\n1995 animal births\n2015 animal deaths\nOlympic silver medalists for Canada\nIndividual male horses\nHolsteiner horses" ]
[ "Phil Hartman", "Style", "What was Phil Hartman's style?", "his real-life personality, which was described as \"a regular guy and, by all accounts, one of show business' most low-key, decent people\",", "and what was his show style?", "Hartman often played seedy, vain or unpleasant characters as well as comedic villains." ]	C_8f3ec4d0681842848fcf988fd7a2544b_0	what shows did he act in?	3	what shows did Phil Hartman act in?	Phil Hartman	In contrast to his real-life personality, which was described as "a regular guy and, by all accounts, one of show business' most low-key, decent people", Hartman often played seedy, vain or unpleasant characters as well as comedic villains. He noted that his standard character was a "jerky guy", and described his usual roles as "the weasel parade", citing Lionel Hutz, Bill McNeal, Troy McClure and Ted Maltin from Jingle All the Way as examples. Hartman enjoyed playing such roles because he "just want[ed] to be funny, and villains tend to be funny because their foibles are all there to see." He often played supporting roles, rather than the lead part. He said "throughout my career, I've never been a huge star, but I've made steady progress and that's the way I like it," and "It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame." Hartman was considered a "utility player" on SNL with a "kind of Everyman quality" which enabled him to appear in the majority of sketches, often in very distinct roles. Jan Hooks stated of his work on SNL: "Phil never had an ounce of competition. He was a team player. It was a privilege for him, I believe, to play support and do it very well. He was never insulted, no matter how small the role may have been." He was disciplined in his performances, studying the scripts beforehand. Hooks added: "Phil knew how to listen. And he knew how to look you in the eye, and he knew the power of being able to lay back and let somebody else be funny, and then do the reactions. I think Phil was more of an actor than a comedian." Film critic Pauline Kael declared that "Phil Hartman and Jan Hooks on Saturday Night Live are two of the best comic actors I've ever seen." Writer and acting coach Paul Ryan noted Hartman's work ethic with his impressions. He assembled a collection of video footage of the figure he was preparing to impersonate and watched this continually until he "completely embodied the person". Ryan concluded that "what made [Hartman's impressions] so funny and spot on was Phil's ability to add that perfect touch that only comes from trial and error and practicing in front of audiences and fellow actors." Hartman described this process as "technical." Journalist Lyle V. Harris said Hartman showed a "rare talent for morphing into [...] anybody he wanted to be". Ken Tucker summarized Hartman's comedic style: "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice an ironic lilt that delivered a punchline like a fast slider--you barely saw it coming until you started laughing." Hartman claimed that he borrowed his style from actor Bill Murray: "He's been a great influence on me - when he did that smarmy thing in Ghostbusters, then the same sort of thing in Groundhog Day. I tried to imitate it. I couldn't. I wasn't good enough. But I discovered an element of something else, so in a sick kind of way I made myself a career by doing a bad imitation of another comic." CANNOTANSWER	SNL	Philip Edward Hartman (né Hartmann; September 24, 1948 – May 28, 1998) was a Canadian-American actor, comedian, screenwriter, and graphic designer. Hartman was born in Brantford, Ontario, Canada, and his family moved to the United States when he was ten years old. After graduating from California State University, Northridge with a degree in graphic arts, he designed album covers for bands including Poco and America. In 1975, Hartman joined the comedy group The Groundlings, where he helped Paul Reubens develop his character Pee-wee Herman. Hartman co-wrote the film Pee-wee's Big Adventure and made recurring appearances as Captain Carl on Reubens' show Pee-wee's Playhouse. In 1986, Hartman joined the NBC sketch comedy show Saturday Night Live (SNL) as a cast member, and stayed for eight seasons until 1994. Nicknamed "Glue" for his ability to hold the show together and help other cast members, he won a Primetime Emmy Award for his SNL work in 1989. In 1995, he starred as Bill McNeal in the sitcom NewsRadio after declining to return to SNL. He also voiced various characters on The Simpsons, and had minor roles in the films Houseguest, Sgt. Bilko, Jingle All the Way, and Small Soldiers. After two divorces, Hartman married Brynn Omdahl in 1987, with whom he had two children. Their marriage was troubled due to Brynn's drug use and domestic violence against Phil, who was frequently absent from home. In 1998, while Hartman was sleeping in his bed, his wife shot and killed him, and later committed suicide. In the weeks following his murder, Hartman was celebrated in a wave of tributes. Dan Snierson of Entertainment Weekly wrote that Hartman was "the last person you'd expect to read about in lurid headlines in your morning paper ... a decidedly regular guy, beloved by everyone he worked with". He was posthumously inducted into the Canada and Hollywood Walks of Fame in 2012 and 2014. Early life Hartman was born Philip Edward Hartmann (later dropping one "n") on September 24, 1948, in Brantford, Ontario. He was the fourth of eight children of Doris Marguerite (née Wardell; July 17, 1919 – April 15, 2001) and Rupert Loebig Hartmann (November 8, 1914 – April 30, 1998), who sold building materials. The family was Catholic. As a child, Hartman found affection hard to earn: "I suppose I didn't get what I wanted out of my family life, so I started seeking love and attention elsewhere." Hartman was ten when his family moved to the United States. They first lived in Lewiston, Maine, then Meriden, Connecticut, and then on the West Coast, where he attended Westchester High School and frequently acted as the class clown. After graduating, he studied art at Santa Monica City College, dropping out in 1969 to become a roadie with a rock band. He returned to school in 1972 to study graphic arts at California State University, Northridge. He developed and operated his own graphic art business, creating more than 40 album covers for bands including Poco and America, as well as advertising and the logo for Crosby, Stills & Nash. In the late 1970s, he made his first television appearance on an episode of The Dating Game, where he won. Career Early career (1975–1985) Working alone as a graphic artist, Hartman frequently amused himself with "flights of voice fantasies". In 1975, seeking a more social outlet for his talents, he began attending evening comedy classes by the California-based improvisational comedy group The Groundlings. While watching one of their performances, he impulsively decided to climb on stage and join the cast. His first onscreen appearance was in 1978's Stunt Rock, an Australian film directed in Los Angeles by Brian Trenchard-Smith. After several years of training, paying his way by redesigning the group's logo and merchandise, Hartman formally joined The Groundlings and by 1979 was one of the show's stars. There Hartman befriended Paul Reubens, with whom he often collaborated on comedic material. Together they created the character Pee-wee Herman and developed The Pee-wee Herman Show, a live stage show that subsequently aired on HBO in 1981. Hartman played Captain Carl in the show, and reprised the role for the children's TV show Pee-wee's Playhouse. Reubens and Hartman made cameos in the 1980 film Cheech & Chong's Next Movie. Hartman co-wrote the script of the 1985 feature film Pee-wee's Big Adventure and had a cameo role as a reporter. He'd considered quitting acting at the age of 36 due to the challenges of finding work; but the success of Pee-wee's Big Adventure changed his mind. After a creative disagreement with Reubens, he left the Pee-Wee Herman project to pursue other roles. Hartman took more small roles in 1986 films such as Jumpin' Jack Flash and Three Amigos. He also worked as a voice actor in animated television programs, including The Smurfs, Challenge of the GoBots, The 13 Ghosts of Scooby-Doo, and in Dennis the Menace as characters Henry Mitchell and George Wilson. He developed a strong persona providing voice-overs for advertisements. Saturday Night Live (1986–1994) Hartman successfully auditioned to join NBC's variety show Saturday Night Live (SNL) in its 12th season, which began on October 11, 1986. He had been recommended for the show by fellow Groundlings and SNL cast members Jon Lovitz, and Laraine Newman as well as Jumpin' Jack Flash director Penny Marshall. He told the Los Angeles Times, "I wanted to do [SNL] because I wanted to get the exposure that would give me box-office credibility so I can write movies for myself." In his eight seasons with the show Hartman became known for his impressions, and performed as over 70 different characters. Hartman's original SNL characters include Eugene, the Anal Retentive Chef and Unfrozen Caveman Lawyer. His impressions include Frank Sinatra, Ronald Reagan, Ed McMahon, Barbara Bush, Charlton Heston, Phil Donahue, and Bill Clintonthe latter considered his best-known impression. Hartman first performed his Clinton impression on an episode of The Tonight Show. When he met Clinton in 1993, Hartman remarked, "I guess I owe you a few apologies", adding later that he "sometimes [felt] a twinge of guilt about [his Clinton impression]". Clinton showed good humor and sent Hartman a signed photo with the text: "You're not the president, but you play one on TV. And you're OK, mostly." Hartman copied the president's "post-nasal drip" and the "slight scratchiness" in his voice, as well as his open, "less intimidating" hand gestures. Hartman opted against wearing a larger prosthetic nose when portraying Clinton, as he thought it would be distracting. He instead wore a wig, dyed his eyebrows brighter, and used makeup to highlight his nose. In one of Hartman's sketches as Clinton, the president visits a McDonald's restaurant and explains his economic policies in the metaphor of eating other customers' food. The writers told him that he was not eating enough during rehearsals for the sketch – by the end of the live performance, Hartman had eaten so much he could barely speak. At SNL, Hartman's nickname of "Glue" was coined by Adam Sandler according to Jay Mohr's book Gasping for Airtime. However, according to You Might Remember Me: The Life and Times of Phil Hartman by Mike Thomas, author and staff writer for the Chicago Sun-Times, the nickname was created by SNL cast member and Hartman's frequent on-screen collaborator Jan Hooks. Hartman was very helpful to other cast members. For example, he aided Hooks in overcoming her stage fright. SNL creator Lorne Michaels explained the name: "He kind of held the show together. He gave to everybody and demanded very little. He was very low-maintenance." Michaels also added that Hartman was "the least appreciated" cast member by commentators outside the show, and praised his ability "to do five or six parts in a show where you're playing support or you're doing remarkable character work". Hartman won the Primetime Emmy Award for Outstanding Writing for a Variety, Music or Comedy Program for SNL in 1989, sharing the award with the show's other writers. He was nominated in the same category in 1987, and individually in 1994 for Outstanding Individual Performance in a Variety or Music Program. By 1993, almost every cast member who was there during Hartman's first year on SNL had left the show, including Jon Lovitz, Jan Hooks and Dana Carvey. Hartman said he felt "like an athlete who's watched all his World Series teammates get traded off into other directions ... It was hard to watch them leave because I sort of felt we were all part of the team that saved the show." This cast turnover contributed to his leaving the show in 1994. Hartman said he thought it was time to leave because the show was "getting less sophisticated" and his style of humor didn't fit with the less intellectual comedy of newer cast members like Adam Sandler. Hartman had originally planned to leave the show in 1991, but Michaels convinced him to stay to raise his profile; his portrayal of Clinton contributed to this goal. Jay Leno offered him the role of his sidekick on The Tonight Show but Hartman opted to stay on SNL. NBC persuaded him to stay on SNL by promising him his own comedy–variety show The Phil Show. He planned to "reinvent the variety form" with "a hybrid, very fast-paced, high energy [show] with sketches, impersonations, pet acts, and performers showcasing their talents". Hartman was to be the show's executive producer and head writer. Before production began, however, the network decided that variety shows were too unpopular and canceled the series. In a 1996 interview, Hartman noted he was glad, as he "would've been sweatin' blood each week trying to make it work". In 1998, he admitted he missed working on SNL, but had enjoyed the move from New York City to Southern California. NewsRadio (1995–1998) Hartman became one of the stars of the NBC sitcom NewsRadio in 1995, portraying radio news anchor Bill McNeal. He signed up after being attracted by the show's writing and use of an ensemble cast, and joked that he based McNeal on himself with "any ethics and character" removed. Hartman made roughly per episode of NewsRadio. Although the show was critically acclaimed, it was never a ratings hit and cancellation was a regular threat. After the completion of the fourth season, Hartman commented, "We seem to have limited appeal. We're on the edge here, not sure we're going to be picked up or not", but added he was "99 percent sure" the series would be renewed for a fifth season. Hartman had publicly lambasted NBC's decision to repeatedly move NewsRadio into different timeslots, but later regretted his comments, saying, "this is a sitcom, for crying out loud, not brain surgery". He also stated that if the sitcom were cancelled "it just will open up other opportunities for me". Although the show was renewed for a fifth season, Hartman died before production began. Ken Tucker praised Hartman's performance as McNeal: "A lesser performer ... would have played him as a variation on The Mary Tyler Moore Shows Ted Baxter, because that's what Bill was, on paper. But Hartman gave infinite variety to Bill's self-centeredness, turning him devious, cowardly, squeamish, and foolishly bold from week to week." Hartman was posthumously nominated for the Primetime Emmy Award for Outstanding Supporting Actor in a Comedy Series in 1998 for his work on NewsRadio, but lost to David Hyde Pierce. The Simpsons (1991–1998) Hartman provided the voices for numerous characters on the Fox animated series The Simpsons, appearing in 52 episodes. He made his first appearance in the second season episode "Bart Gets Hit by a Car". Although he was originally brought in for a one-time appearance, Hartman enjoyed working on The Simpsons and the staff wrote additional parts for him. He voiced the recurring characters Lionel Hutz and Troy McClure, as well as Duff man (on one occasion) and several background characters. His favorite part was that of McClure, and he often used this voice to entertain the audience between takes while taping episodes of NewsRadio. He remarked, "My favorite fans are Troy McClure fans." He added "It's the one thing that I do in my life that's almost an avocation. I do it for the pure love of it." Hartman was popular among the staff of The Simpsons. Showrunners Bill Oakley and Josh Weinstein said they enjoyed his work, and used him as much as possible when working on the show. To give Hartman a larger role, they developed the episode "A Fish Called Selma", which focuses on Troy McClure and expands the character's backstory. The Simpsons creator Matt Groening said that he "took [Hartman] for granted because he nailed the joke every time", and that his voice acting could produce "the maximum amount of humor" with any line he was given. Before his death, Hartman had expressed an interest in making a live action film about Troy McClure. Many of The Simpsons production staff expressed enthusiasm for the project and offered to help. Hartman said he was "looking forward to [McClure's] live-action movie, publicizing his Betty Ford appearances", and "would love nothing more" than making a film and was prepared to buy the film rights himself in order to make it happen. Other work Hartman's first starring film role came in 1995's Houseguest, alongside Sinbad. Other films include Greedy, Coneheads, Sgt. Bilko, So I Married an Axe Murderer, CB4, Jingle All the Way, Kiki's Delivery Service, and Small Soldiers, the latter of which is his final theatrically released film. At the same time, he preferred working on television. His other television roles include appearances on episodes of The John Larroquette Show, The Dana Carvey Show, 3rd Rock from the Sun, and the HBO TV film The Second Civil War as the President of the United States. He made a considerable amount of money from television advertising, earning $300,000 for a series of four commercials for the soft drink Slice. He also appeared in advertisements for McDonald's (as Hugh McAttack) and 1-800-Collect (as Max Jerome). Hartman wrote a number of screenplays that were never produced. In 1986, he began writing a screenplay for a film titled Mr. Fix-It, and completed the final draft in 1991. Robert Zemeckis was signed to produce the film, with Gil Bettman hired to direct. Hartman called it "a sort of a merger of horror and comedy, like Beetlejuice and Throw Momma From the Train", adding, "It's an American nightmare about a family torn asunder. They live next to a toxic dump site, their water supply is poisoned, the mother and son go insane and try to murder each other, the father's face is torn off in a terrible disfiguring accident in the first act. It's heavy stuff, but it's got a good message and a positive, upbeat ending." Zemeckis could not secure studio backing, however, and the project collapsed. Another film idea involving Hartman's Groundlings character Chick Hazard, Private Eye was also canceled. Style In contrast to his real-life personality, which was described as "a regular guy and, by all accounts, one of show business's most low-key, decent people", Hartman often played seedy, vain or unpleasant characters as well as comedic villains. He described his standard character repertoire as the "jerky guy" and "the weasel parade", citing Lionel Hutz, Bill McNeal, Troy McClure, and Ted Maltin from Jingle All the Way as examples. Hartman enjoyed playing such roles because he "just want[ed] to be funny, and villains tend to be funny because their foibles are all there to see". He often played supporting roles, rather than the lead part. He said "throughout my career, I've never been a huge star, but I've made steady progress and that's the way I like it", and "It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame." Hartman was considered a "utility player" on SNL with a "kind of Everyman quality" which enabled him to appear in the majority of sketches, often in very distinct roles. Jan Hooks stated of his work on SNL: "Phil never had an ounce of competition. He was a team player. It was a privilege for him, I believe, to play support and do it very well. He was never insulted, no matter how small the role may have been." He was disciplined in his performances, studying the scripts beforehand. Hooks added: "Phil knew how to listen. And he knew how to look you in the eye, and he knew the power of being able to lay back and let somebody else be funny, and then do the reactions. I think Phil was more of an actor than a comedian." Film critic Pauline Kael declared that "Phil Hartman and Jan Hooks on Saturday Night Live are two of the best comic actors I've ever seen." Writer and acting coach Paul Ryan noted Hartman's work ethic with his impressions. He assembled a collection of video footage of the figure he was preparing to impersonate and watched this continually until he "completely embodied the person". Ryan concluded that "what made [Hartman's impressions] so funny and spot on was Phil's ability to add that perfect touch that only comes from trial and error and practicing in front of audiences and fellow actors." Hartman described this process as "technical". Journalist Lyle V. Harris said Hartman showed a "rare talent for morphing into ... anybody he wanted to be". Ken Tucker summarized Hartman's comedic style: "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice an ironic lilt that delivered a punchline like a fast slider—you barely saw it coming until you started laughing." Hartman claimed that he borrowed his style from actor Bill Murray: "He's been a great influence on me – when he did that smarmy thing in Ghostbusters, then the same sort of thing in Groundhog Day. I tried to imitate it. I couldn't. I wasn't good enough. But I discovered an element of something else, so in a sick kind of way I made myself a career by doing a bad imitation of another comic." Personal life Hartman married Gretchen Lewis in 1970 and they divorced in September 1972. He married real estate agent Lisa Strain in 1982, and their marriage lasted three years. Strain told People magazine that Hartman was reclusive off screen and "would disappear emotionally ... he'd be in his own world. That passivity made you crazy." In 1987, Hartman married former model and aspiring actress Brynn Omdahl (born Vicki Jo Omdahl, April 11, 1958 – May 28, 1998), having met her on a blind date the previous year. They had two children, Sean and Birgen Hartman. The marriage had difficulties; she was reportedly intimidated by his success and was frustrated that she could not find any on her own, although neither party wanted a divorce. She was reported to have been jealous and often verbally and/or physically abusive, even sending a letter to his ex-wife, threatening to "rip [Strain's] eyes out" if she spoke to him again. Hartman considered retiring to save the marriage. Hartman tried to get Brynn acting roles, but she became progressively reliant on alcohol and narcotics, entering rehab several times. On multiple occasions, he removed their children from the household to stay with friends or family because of her drug- and alcohol-fueled outbursts. Because of his close friendship with SNL associate Jan Hooks, Brynn joked on occasion Hooks and Hartman were married "on some other level". Brynn had written threatening letters addressed to Hooks, warning her to not get close to her husband, but they appeared to have never even been sent, being discovered in her belongings following her death. Stephen Root, Hartman's NewsRadio co-star, said few people knew "the real Phil Hartman", as he was "one of those people who never seemed to come out of character," but he nevertheless gave the impression of a family man who cared deeply for his children. Hartman befriended Joe Rogan during his time on NewsRadio and confided his marital problems to him. Rogan said that he encouraged Hartman to divorce Brynn five times, but "[Hartman] loved his kids and didn't want to leave". Hartman stated in 1997, though a non-practicing Catholic, he displayed a sense of religiousness. In his spare time, he enjoyed driving, flying, sailing, marksmanship, and playing the guitar. Murder On May 27, 1998, Brynn visited the Italian restaurant Buca di Beppo in Encino, California, with producer and writer Christine Zander, who said Brynn was "in a good frame of mind." They had drinks. After returning home, Brynn had a "heated" argument with Phil, after which he went to bed. She entered his bedroom some time before PDT on May 28, 1998, and as he slept, fatally shot him once between the eyes, once in the throat, and once in the upper chest with a Charter Arms .38 caliber handgun. He was 49 years old. She was taking Zoloft, had been drinking alcohol, and had recently used cocaine. Brynn then drove to the home of her friend Ron Douglas and confessed to the killing, but he did not believe her. They drove back to the house in separate cars, and she called another friend and confessed a second time. On seeing Hartman's body, Douglas called 9-1-1 at Police arrived and escorted Douglas and the Hartmans' two children from the premises, by which time Brynn had locked herself in the bedroom. Shortly afterward, she committed suicide by a self-inflicted gunshot. The police stated Hartman's death was caused by "domestic discord" between the couple. A friend said Brynn "had trouble controlling her anger ... She got attention by losing her temper". A neighbor of the Hartmans told a CNN reporter that the couple had marital problems. Yet actor Steve Guttenberg said they had been "a very happy couple, and they always had the appearance of being well-balanced". A wrongful death lawsuit was filed in 1999 by her brother Gregory Omdahl, against Pfizer, the manufacturer of Zoloft, and against her child's psychiatrist, Arthur Sorosky, who had provided samples of the antidepressant to Brynn. Phil Hartman's friend and former SNL colleague Jon Lovitz has accused Hartman's then NewsRadio co-star Andy Dick of reintroducing Brynn to cocaine, causing her to relapse and suffer a nervous breakdown. Dick claims to have known nothing of her condition. Lovitz later said he no longer blamed Dick for Hartman's murder, but in 2006, Lovitz claimed Dick approached him at a restaurant and said, "I put the Phil Hartman hex on you; you're the next one to die." Lovitz then had him ejected from the restaurant. The following year at the Laugh Factory comedy club in Los Angeles, Lovitz and Dick had another argument, with Lovitz slamming Dick's head into the bar. Dick asserted he was not at fault in relation to Hartman's death. Brynn's sister Katharine Omdahl and brother-in-law Mike Wright raised the two Hartman children. Hartman's will stipulated each child would inherit money over several years after turning 25. The total value of Hartman's estate was estimated at . In accordance with his wishes, his body was cremated by Forest Lawn Memorial Park and Mortuary, Glendale, California, and his ashes scattered over Santa Catalina Island's Emerald Bay. Response and legacy NBC executive Don Ohlmeyer stated that Hartman "was blessed with a tremendous gift for creating characters that made people laugh. Everyone who had the pleasure of working with Phil knows that he was a man of tremendous warmth, a true professional and a loyal friend." Guttenberg expressed shock at Hartman's death, and Steve Martin said he was "a deeply funny and very happy person". Matt Groening called him "a master", and director Joe Dante said, "He was one of those guys who was a dream to work with. I don't know anybody who didn't like him." Dan Snierson of Entertainment Weekly concluded that Hartman was "the last person you'd expect to read about in lurid headlines in your morning paper" and "a decidedly regular guy, beloved by everyone he worked with". In 2007, Entertainment Weekly ranked Hartman the 87th greatest television icon of all time, and Maxim named him the top Saturday Night Live performer of all time. On the day of Hartman's death, rehearsals for The Simpsons were canceled as well as that night's performance by The Groundlings. The season five premiere episode of NewsRadio, "Bill Moves On", finds Hartman's character, Bill McNeal, has died of a heart attack, while the other characters reminisce about his life. Lovitz joined the show in his place beginning with the next episode. A special episode of Saturday Night Live commemorating Hartman's work on the show aired on June 13, 1998. Rather than substituting another voice actor, the writers of The Simpsons retired Hartman's characters. His final appearance on the show, the season ten episode "Bart the Mother", is dedicated to him, as is his final film, Small Soldiers. At the time of his death, Hartman was preparing to voice Zapp Brannigan, a character written specifically for him on Groening's second animated series Futurama. Even though the role was specifically made for him, Hartman still insisted on auditioning and Groening said he "nailed it." After Hartman's death, Billy West took over the role. Though executive producer David X. Cohen credits West with using his own take on the character, West later said that he purposely tweaked Zapp's voice to better match Hartman's intended portrayal. Hartman was planning to appear with Lovitz in the indie film The Day of Swine and Roses, scheduled to begin production in August 1998. In 2002, Laugh.com and Hartman's brother John published the album, Flat TV, a selection of comedy sketches recorded by Hartman in the 1970s, which had been kept in storage. John Hartmann commented: "I'm putting this out there because I'm dedicating my life to fulfilling his dreams. This [album] is my brother doing what he loved." In 2013, Flat TV was optioned by Michael "Ffish" Hemschoot's animation company Worker Studio for an animated adaptation. The deal came about after Michael T. Scott, a partner in the company, posted online a hand-written letter he had received from Hartman in 1997, leading to a correspondence between Scott and Paul Hartmann. In 2007, a campaign was started on Facebook by Alex Stevens and endorsed by Hartman's brother Paul, to have Phil inducted to Canada's Walk of Fame. Among the campaign's numerous publicity events, Ben Miner of the Sirius XM Radio channel Laugh Attack, dedicated the month of April 2012 to Hartman. The campaign ended in success and Hartman was inducted to the Walk of Fame on September 22, 2012, with Paul accepting the award on his late brother's behalf. Hartman was also awarded the Cineplex Legends Award. In June 2013, it was announced that Hartman would receive a star on the Hollywood Walk of Fame, which was unveiled on August 26, 2014. Additionally, a special prize at the Canadian Comedy Awards was named for Hartman. Beginning with the 13th Canadian Comedy Awards in 2012, the Phil Hartman Award was awarded to "an individual who helps to better the Canadian comedy community". In 2015, Rolling Stone magazine ranked Hartman as one of the top-ten greatest Saturday Night Live cast members throughout the show's forty-year history, coming in seventh on their list of all 141 members. Filmography Film Television Video games Theme park attractions Discography 1977 America, Harbor 1978 America, Silent Letter Poco, Legend 1980 Firesign Theatre, Fighting Clowns References Book sources External links Phil Hartman at Yahoo! Movies Phil Hartman at The New York Times Hartman's autopsy and death certificate Phil Hartman's final night: The tragic death of a “Saturday Night Live” genius, Mike Thomas, Salon, September 21, 2014 1948 births 1998 deaths 1998 murders in the United States 20th-century American male actors 20th-century Canadian male actors Album-cover and concert-poster artists American male comedians American male film actors American graphic designers American impressionists (entertainers) American male screenwriters American male television actors American television writers American male voice actors American sketch comedians California State University, Northridge alumni Canadian male comedians Canadian emigrants to the United States Canadian male voice actors Canadian murder victims Canadian sketch comedians Deaths by firearm in California Male actors from Los Angeles American male television writers Murder–suicides in California Naturalized citizens of the United States People from Brantford People murdered in Los Angeles Primetime Emmy Award winners Santa Monica College alumni Comedians from California Mariticides Westchester High School (Los Angeles) alumni Screenwriters from California 20th-century Canadian comedians 20th-century American comedians 20th-century American male writers 20th-century American screenwriters Comedians from Ontario	true	[ "Shawn Mendes: The Tour was the fourth concert tour by Canadian singer Shawn Mendes, in support of his self-titled third studio album (2018). The tour began in Amsterdam, Netherlands at the Ziggo Dome on March 7, 2019, and concluded in Mexico City, Mexico at the Palacio de los Deportes on December 21, 2019.\n\nThe September 6 show at the Rogers Centre in Mendes' hometown of Toronto, Canada, was recorded and released as a Netflix-original concert film titled, \"Shawn Mendes: Live In Concert\", on November 25, 2020.\n\nBackground and development\nAfter the announcement of his self-titled third studio album, Mendes announced he would embark his fourth concert tour. Dates were first announced for Europe and North America on May 8, 2018. Due to overwhelming demand, extra dates were added to Amsterdam, Dublin, and London. On July 17, 2018, dates were announced for Oceania. Extra dates were added in Melbourne and Sydney due to high demand. On December 3, 2018, Mendes announced he would headline his first stadium show in his hometown of Toronto. In a matter of minutes, the show was sold out, marking his biggest show to date.\n\nOn January 16, 2019, dates were announced for Latin America. Additional dates in São Paulo, Buenos Aires, Santiago and Mexico City were added due to the high demand. On February 21, 2019, Mendes announced that the R&B singer and friend, Alessia Cara, would be the opening act for Europe and selected dates in North America. He also added 16 additional shows in North America that included new dates in Edmonton, Saskatoon, Winnipeg, Milwaukee, Ottawa, Columbus, Philadelphia, two shows in Uncasville, and second shows in Rosemont, Los Angeles, Oakland, Newark, Boston, Montreal, and Brooklyn. On March 28, 2019, Mendes announced American country duo Dan + Shay as the opening act for Oceania, with the exception of the Brisbane and Auckland shows where Australian singer-songwriter Ruel will perform. On April 22, 2019, dates were announced for Asia. On May 28, Mendes announced Alessia Cara as the opening act for the Canadian dates of the tour, making Alessia the opening act for all the North American concerts.\n\nCritical reception\nIn a positive review, Graeme Virtue, writing for The Guardian gave the concert 4 out of 5 stars, stating, “The unstoppable rise of the clean-cut Canadian continues with a set of confessional ballads and grand romantic gestures”, for the show at SSE Hydro, Glasgow. Leslie Ken Chu from Exclaim! praised Mendes for sharing \"uplifting, motivational messages about self-empowerment, but he bucked convention by keeping his verbiage short\", for the concert at Rogers Arena, Vancouver.\n\nAccolades\n\nSet list\nThis set list is representative of the show on July 6, 2019 in Los Angeles. It is not intended to represent all shows throughout the tour.\n \"Lost in Japan\"\n \"There's Nothing Holdin' Me Back\"\n \"Nervous\"\n \"Stitches\"\n \"Señorita\" / \"I Know What You Did Last Summer\" / \"Mutual\"\n \"Bad Reputation\"\n \"Never Be Alone\"\n \"I Wanna Dance with Somebody (Who Loves Me)\" / \"Because I Had You\" / \"A Little Too Much\" / \"Patience\" / \"When You’re Ready\"\n \"Life of the Party\"\n \"Like to Be You\"\n \"Ruin\"\n \"Treat You Better\"\n \"Particular Taste\"\n \"Where Were You in the Morning?\"\n \"Fallin’ All in You\"\n \"Youth\"\n \"If I Can't Have You\"\n \"Why\"\n \"Mercy\"\nEncore\n \"Fix You\" / \"In My Blood\"\n\nTour dates\n\nCancelled shows\n\nReferences\n\n2019 concert tours\nShawn Mendes concert tours", "The Pains of Growing Tour was the second concert tour by Canadian singer and songwriter Alessia Cara, staged in support of her second studio album, The Pains of Growing (2018). The tour began on May 11, 2019, in Ottawa, and concluded on November 20, 2019, in Houston.\n\nBackground and development\nOn February 1, 2019, Cara announced that she would embark on a 12-date Canadian tour in support of her second album, The Pains of Growing. Ryland James was announced as the opening act. With dates in May, she avoided conflicts with Shawn Mendes: The Tour, with whom she was the opening act. \n\nIn July, Cara announced that she would be releasing an EP, This Summer, and that she would be embarking on a US leg of the tour, performing 18 shows across the country. Ryland James was announced to be returning as the opening act, although Cara's tour guitarist Craig Stickland filled in as the opening act for one show in Prior Lake, Minnesota.\n\nSetlist \nThis setlist is representative of the show on October 21, 2019, in Boston. It does not represent all the shows from the tour.\n\n\"Growing Pains (Reprise)\"\n\"Growing Pains\"\n\"Here\"\n\"Ready\"\n\"Not Today\"\n\"Feeling Good\"\n\"Comfortable\"\n\"Girl Next Door\"\n\"A Little More\"\n\"I Don't Want To\"\n\"Rooting for You\"\n\"7 Days\"\n\"Nintendo Game\"\n\"How Far I'll Go\"\n\"Out of Love\"\n\"What's On Your Mind?\"\n\"Okay Okay\"\n\"Scars to Your Beautiful\"\n\"October\"\n\"Stay\"\n\"Growing Pains (Reprise)\"\n\nTour dates\n\nCancelled shows\n\nReferences\n\nAlessia Cara\n2019 concert tours" ]
[ "Phil Hartman", "Style", "What was Phil Hartman's style?", "his real-life personality, which was described as \"a regular guy and, by all accounts, one of show business' most low-key, decent people\",", "and what was his show style?", "Hartman often played seedy, vain or unpleasant characters as well as comedic villains.", "what shows did he act in?", "SNL" ]	C_8f3ec4d0681842848fcf988fd7a2544b_0	did he act in movies?	4	did Phil Hartman act in movies?	Phil Hartman	In contrast to his real-life personality, which was described as "a regular guy and, by all accounts, one of show business' most low-key, decent people", Hartman often played seedy, vain or unpleasant characters as well as comedic villains. He noted that his standard character was a "jerky guy", and described his usual roles as "the weasel parade", citing Lionel Hutz, Bill McNeal, Troy McClure and Ted Maltin from Jingle All the Way as examples. Hartman enjoyed playing such roles because he "just want[ed] to be funny, and villains tend to be funny because their foibles are all there to see." He often played supporting roles, rather than the lead part. He said "throughout my career, I've never been a huge star, but I've made steady progress and that's the way I like it," and "It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame." Hartman was considered a "utility player" on SNL with a "kind of Everyman quality" which enabled him to appear in the majority of sketches, often in very distinct roles. Jan Hooks stated of his work on SNL: "Phil never had an ounce of competition. He was a team player. It was a privilege for him, I believe, to play support and do it very well. He was never insulted, no matter how small the role may have been." He was disciplined in his performances, studying the scripts beforehand. Hooks added: "Phil knew how to listen. And he knew how to look you in the eye, and he knew the power of being able to lay back and let somebody else be funny, and then do the reactions. I think Phil was more of an actor than a comedian." Film critic Pauline Kael declared that "Phil Hartman and Jan Hooks on Saturday Night Live are two of the best comic actors I've ever seen." Writer and acting coach Paul Ryan noted Hartman's work ethic with his impressions. He assembled a collection of video footage of the figure he was preparing to impersonate and watched this continually until he "completely embodied the person". Ryan concluded that "what made [Hartman's impressions] so funny and spot on was Phil's ability to add that perfect touch that only comes from trial and error and practicing in front of audiences and fellow actors." Hartman described this process as "technical." Journalist Lyle V. Harris said Hartman showed a "rare talent for morphing into [...] anybody he wanted to be". Ken Tucker summarized Hartman's comedic style: "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice an ironic lilt that delivered a punchline like a fast slider--you barely saw it coming until you started laughing." Hartman claimed that he borrowed his style from actor Bill Murray: "He's been a great influence on me - when he did that smarmy thing in Ghostbusters, then the same sort of thing in Groundhog Day. I tried to imitate it. I couldn't. I wasn't good enough. But I discovered an element of something else, so in a sick kind of way I made myself a career by doing a bad imitation of another comic." CANNOTANSWER	CANNOTANSWER	Philip Edward Hartman (né Hartmann; September 24, 1948 – May 28, 1998) was a Canadian-American actor, comedian, screenwriter, and graphic designer. Hartman was born in Brantford, Ontario, Canada, and his family moved to the United States when he was ten years old. After graduating from California State University, Northridge with a degree in graphic arts, he designed album covers for bands including Poco and America. In 1975, Hartman joined the comedy group The Groundlings, where he helped Paul Reubens develop his character Pee-wee Herman. Hartman co-wrote the film Pee-wee's Big Adventure and made recurring appearances as Captain Carl on Reubens' show Pee-wee's Playhouse. In 1986, Hartman joined the NBC sketch comedy show Saturday Night Live (SNL) as a cast member, and stayed for eight seasons until 1994. Nicknamed "Glue" for his ability to hold the show together and help other cast members, he won a Primetime Emmy Award for his SNL work in 1989. In 1995, he starred as Bill McNeal in the sitcom NewsRadio after declining to return to SNL. He also voiced various characters on The Simpsons, and had minor roles in the films Houseguest, Sgt. Bilko, Jingle All the Way, and Small Soldiers. After two divorces, Hartman married Brynn Omdahl in 1987, with whom he had two children. Their marriage was troubled due to Brynn's drug use and domestic violence against Phil, who was frequently absent from home. In 1998, while Hartman was sleeping in his bed, his wife shot and killed him, and later committed suicide. In the weeks following his murder, Hartman was celebrated in a wave of tributes. Dan Snierson of Entertainment Weekly wrote that Hartman was "the last person you'd expect to read about in lurid headlines in your morning paper ... a decidedly regular guy, beloved by everyone he worked with". He was posthumously inducted into the Canada and Hollywood Walks of Fame in 2012 and 2014. Early life Hartman was born Philip Edward Hartmann (later dropping one "n") on September 24, 1948, in Brantford, Ontario. He was the fourth of eight children of Doris Marguerite (née Wardell; July 17, 1919 – April 15, 2001) and Rupert Loebig Hartmann (November 8, 1914 – April 30, 1998), who sold building materials. The family was Catholic. As a child, Hartman found affection hard to earn: "I suppose I didn't get what I wanted out of my family life, so I started seeking love and attention elsewhere." Hartman was ten when his family moved to the United States. They first lived in Lewiston, Maine, then Meriden, Connecticut, and then on the West Coast, where he attended Westchester High School and frequently acted as the class clown. After graduating, he studied art at Santa Monica City College, dropping out in 1969 to become a roadie with a rock band. He returned to school in 1972 to study graphic arts at California State University, Northridge. He developed and operated his own graphic art business, creating more than 40 album covers for bands including Poco and America, as well as advertising and the logo for Crosby, Stills & Nash. In the late 1970s, he made his first television appearance on an episode of The Dating Game, where he won. Career Early career (1975–1985) Working alone as a graphic artist, Hartman frequently amused himself with "flights of voice fantasies". In 1975, seeking a more social outlet for his talents, he began attending evening comedy classes by the California-based improvisational comedy group The Groundlings. While watching one of their performances, he impulsively decided to climb on stage and join the cast. His first onscreen appearance was in 1978's Stunt Rock, an Australian film directed in Los Angeles by Brian Trenchard-Smith. After several years of training, paying his way by redesigning the group's logo and merchandise, Hartman formally joined The Groundlings and by 1979 was one of the show's stars. There Hartman befriended Paul Reubens, with whom he often collaborated on comedic material. Together they created the character Pee-wee Herman and developed The Pee-wee Herman Show, a live stage show that subsequently aired on HBO in 1981. Hartman played Captain Carl in the show, and reprised the role for the children's TV show Pee-wee's Playhouse. Reubens and Hartman made cameos in the 1980 film Cheech & Chong's Next Movie. Hartman co-wrote the script of the 1985 feature film Pee-wee's Big Adventure and had a cameo role as a reporter. He'd considered quitting acting at the age of 36 due to the challenges of finding work; but the success of Pee-wee's Big Adventure changed his mind. After a creative disagreement with Reubens, he left the Pee-Wee Herman project to pursue other roles. Hartman took more small roles in 1986 films such as Jumpin' Jack Flash and Three Amigos. He also worked as a voice actor in animated television programs, including The Smurfs, Challenge of the GoBots, The 13 Ghosts of Scooby-Doo, and in Dennis the Menace as characters Henry Mitchell and George Wilson. He developed a strong persona providing voice-overs for advertisements. Saturday Night Live (1986–1994) Hartman successfully auditioned to join NBC's variety show Saturday Night Live (SNL) in its 12th season, which began on October 11, 1986. He had been recommended for the show by fellow Groundlings and SNL cast members Jon Lovitz, and Laraine Newman as well as Jumpin' Jack Flash director Penny Marshall. He told the Los Angeles Times, "I wanted to do [SNL] because I wanted to get the exposure that would give me box-office credibility so I can write movies for myself." In his eight seasons with the show Hartman became known for his impressions, and performed as over 70 different characters. Hartman's original SNL characters include Eugene, the Anal Retentive Chef and Unfrozen Caveman Lawyer. His impressions include Frank Sinatra, Ronald Reagan, Ed McMahon, Barbara Bush, Charlton Heston, Phil Donahue, and Bill Clintonthe latter considered his best-known impression. Hartman first performed his Clinton impression on an episode of The Tonight Show. When he met Clinton in 1993, Hartman remarked, "I guess I owe you a few apologies", adding later that he "sometimes [felt] a twinge of guilt about [his Clinton impression]". Clinton showed good humor and sent Hartman a signed photo with the text: "You're not the president, but you play one on TV. And you're OK, mostly." Hartman copied the president's "post-nasal drip" and the "slight scratchiness" in his voice, as well as his open, "less intimidating" hand gestures. Hartman opted against wearing a larger prosthetic nose when portraying Clinton, as he thought it would be distracting. He instead wore a wig, dyed his eyebrows brighter, and used makeup to highlight his nose. In one of Hartman's sketches as Clinton, the president visits a McDonald's restaurant and explains his economic policies in the metaphor of eating other customers' food. The writers told him that he was not eating enough during rehearsals for the sketch – by the end of the live performance, Hartman had eaten so much he could barely speak. At SNL, Hartman's nickname of "Glue" was coined by Adam Sandler according to Jay Mohr's book Gasping for Airtime. However, according to You Might Remember Me: The Life and Times of Phil Hartman by Mike Thomas, author and staff writer for the Chicago Sun-Times, the nickname was created by SNL cast member and Hartman's frequent on-screen collaborator Jan Hooks. Hartman was very helpful to other cast members. For example, he aided Hooks in overcoming her stage fright. SNL creator Lorne Michaels explained the name: "He kind of held the show together. He gave to everybody and demanded very little. He was very low-maintenance." Michaels also added that Hartman was "the least appreciated" cast member by commentators outside the show, and praised his ability "to do five or six parts in a show where you're playing support or you're doing remarkable character work". Hartman won the Primetime Emmy Award for Outstanding Writing for a Variety, Music or Comedy Program for SNL in 1989, sharing the award with the show's other writers. He was nominated in the same category in 1987, and individually in 1994 for Outstanding Individual Performance in a Variety or Music Program. By 1993, almost every cast member who was there during Hartman's first year on SNL had left the show, including Jon Lovitz, Jan Hooks and Dana Carvey. Hartman said he felt "like an athlete who's watched all his World Series teammates get traded off into other directions ... It was hard to watch them leave because I sort of felt we were all part of the team that saved the show." This cast turnover contributed to his leaving the show in 1994. Hartman said he thought it was time to leave because the show was "getting less sophisticated" and his style of humor didn't fit with the less intellectual comedy of newer cast members like Adam Sandler. Hartman had originally planned to leave the show in 1991, but Michaels convinced him to stay to raise his profile; his portrayal of Clinton contributed to this goal. Jay Leno offered him the role of his sidekick on The Tonight Show but Hartman opted to stay on SNL. NBC persuaded him to stay on SNL by promising him his own comedy–variety show The Phil Show. He planned to "reinvent the variety form" with "a hybrid, very fast-paced, high energy [show] with sketches, impersonations, pet acts, and performers showcasing their talents". Hartman was to be the show's executive producer and head writer. Before production began, however, the network decided that variety shows were too unpopular and canceled the series. In a 1996 interview, Hartman noted he was glad, as he "would've been sweatin' blood each week trying to make it work". In 1998, he admitted he missed working on SNL, but had enjoyed the move from New York City to Southern California. NewsRadio (1995–1998) Hartman became one of the stars of the NBC sitcom NewsRadio in 1995, portraying radio news anchor Bill McNeal. He signed up after being attracted by the show's writing and use of an ensemble cast, and joked that he based McNeal on himself with "any ethics and character" removed. Hartman made roughly per episode of NewsRadio. Although the show was critically acclaimed, it was never a ratings hit and cancellation was a regular threat. After the completion of the fourth season, Hartman commented, "We seem to have limited appeal. We're on the edge here, not sure we're going to be picked up or not", but added he was "99 percent sure" the series would be renewed for a fifth season. Hartman had publicly lambasted NBC's decision to repeatedly move NewsRadio into different timeslots, but later regretted his comments, saying, "this is a sitcom, for crying out loud, not brain surgery". He also stated that if the sitcom were cancelled "it just will open up other opportunities for me". Although the show was renewed for a fifth season, Hartman died before production began. Ken Tucker praised Hartman's performance as McNeal: "A lesser performer ... would have played him as a variation on The Mary Tyler Moore Shows Ted Baxter, because that's what Bill was, on paper. But Hartman gave infinite variety to Bill's self-centeredness, turning him devious, cowardly, squeamish, and foolishly bold from week to week." Hartman was posthumously nominated for the Primetime Emmy Award for Outstanding Supporting Actor in a Comedy Series in 1998 for his work on NewsRadio, but lost to David Hyde Pierce. The Simpsons (1991–1998) Hartman provided the voices for numerous characters on the Fox animated series The Simpsons, appearing in 52 episodes. He made his first appearance in the second season episode "Bart Gets Hit by a Car". Although he was originally brought in for a one-time appearance, Hartman enjoyed working on The Simpsons and the staff wrote additional parts for him. He voiced the recurring characters Lionel Hutz and Troy McClure, as well as Duff man (on one occasion) and several background characters. His favorite part was that of McClure, and he often used this voice to entertain the audience between takes while taping episodes of NewsRadio. He remarked, "My favorite fans are Troy McClure fans." He added "It's the one thing that I do in my life that's almost an avocation. I do it for the pure love of it." Hartman was popular among the staff of The Simpsons. Showrunners Bill Oakley and Josh Weinstein said they enjoyed his work, and used him as much as possible when working on the show. To give Hartman a larger role, they developed the episode "A Fish Called Selma", which focuses on Troy McClure and expands the character's backstory. The Simpsons creator Matt Groening said that he "took [Hartman] for granted because he nailed the joke every time", and that his voice acting could produce "the maximum amount of humor" with any line he was given. Before his death, Hartman had expressed an interest in making a live action film about Troy McClure. Many of The Simpsons production staff expressed enthusiasm for the project and offered to help. Hartman said he was "looking forward to [McClure's] live-action movie, publicizing his Betty Ford appearances", and "would love nothing more" than making a film and was prepared to buy the film rights himself in order to make it happen. Other work Hartman's first starring film role came in 1995's Houseguest, alongside Sinbad. Other films include Greedy, Coneheads, Sgt. Bilko, So I Married an Axe Murderer, CB4, Jingle All the Way, Kiki's Delivery Service, and Small Soldiers, the latter of which is his final theatrically released film. At the same time, he preferred working on television. His other television roles include appearances on episodes of The John Larroquette Show, The Dana Carvey Show, 3rd Rock from the Sun, and the HBO TV film The Second Civil War as the President of the United States. He made a considerable amount of money from television advertising, earning $300,000 for a series of four commercials for the soft drink Slice. He also appeared in advertisements for McDonald's (as Hugh McAttack) and 1-800-Collect (as Max Jerome). Hartman wrote a number of screenplays that were never produced. In 1986, he began writing a screenplay for a film titled Mr. Fix-It, and completed the final draft in 1991. Robert Zemeckis was signed to produce the film, with Gil Bettman hired to direct. Hartman called it "a sort of a merger of horror and comedy, like Beetlejuice and Throw Momma From the Train", adding, "It's an American nightmare about a family torn asunder. They live next to a toxic dump site, their water supply is poisoned, the mother and son go insane and try to murder each other, the father's face is torn off in a terrible disfiguring accident in the first act. It's heavy stuff, but it's got a good message and a positive, upbeat ending." Zemeckis could not secure studio backing, however, and the project collapsed. Another film idea involving Hartman's Groundlings character Chick Hazard, Private Eye was also canceled. Style In contrast to his real-life personality, which was described as "a regular guy and, by all accounts, one of show business's most low-key, decent people", Hartman often played seedy, vain or unpleasant characters as well as comedic villains. He described his standard character repertoire as the "jerky guy" and "the weasel parade", citing Lionel Hutz, Bill McNeal, Troy McClure, and Ted Maltin from Jingle All the Way as examples. Hartman enjoyed playing such roles because he "just want[ed] to be funny, and villains tend to be funny because their foibles are all there to see". He often played supporting roles, rather than the lead part. He said "throughout my career, I've never been a huge star, but I've made steady progress and that's the way I like it", and "It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame." Hartman was considered a "utility player" on SNL with a "kind of Everyman quality" which enabled him to appear in the majority of sketches, often in very distinct roles. Jan Hooks stated of his work on SNL: "Phil never had an ounce of competition. He was a team player. It was a privilege for him, I believe, to play support and do it very well. He was never insulted, no matter how small the role may have been." He was disciplined in his performances, studying the scripts beforehand. Hooks added: "Phil knew how to listen. And he knew how to look you in the eye, and he knew the power of being able to lay back and let somebody else be funny, and then do the reactions. I think Phil was more of an actor than a comedian." Film critic Pauline Kael declared that "Phil Hartman and Jan Hooks on Saturday Night Live are two of the best comic actors I've ever seen." Writer and acting coach Paul Ryan noted Hartman's work ethic with his impressions. He assembled a collection of video footage of the figure he was preparing to impersonate and watched this continually until he "completely embodied the person". Ryan concluded that "what made [Hartman's impressions] so funny and spot on was Phil's ability to add that perfect touch that only comes from trial and error and practicing in front of audiences and fellow actors." Hartman described this process as "technical". Journalist Lyle V. Harris said Hartman showed a "rare talent for morphing into ... anybody he wanted to be". Ken Tucker summarized Hartman's comedic style: "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice an ironic lilt that delivered a punchline like a fast slider—you barely saw it coming until you started laughing." Hartman claimed that he borrowed his style from actor Bill Murray: "He's been a great influence on me – when he did that smarmy thing in Ghostbusters, then the same sort of thing in Groundhog Day. I tried to imitate it. I couldn't. I wasn't good enough. But I discovered an element of something else, so in a sick kind of way I made myself a career by doing a bad imitation of another comic." Personal life Hartman married Gretchen Lewis in 1970 and they divorced in September 1972. He married real estate agent Lisa Strain in 1982, and their marriage lasted three years. Strain told People magazine that Hartman was reclusive off screen and "would disappear emotionally ... he'd be in his own world. That passivity made you crazy." In 1987, Hartman married former model and aspiring actress Brynn Omdahl (born Vicki Jo Omdahl, April 11, 1958 – May 28, 1998), having met her on a blind date the previous year. They had two children, Sean and Birgen Hartman. The marriage had difficulties; she was reportedly intimidated by his success and was frustrated that she could not find any on her own, although neither party wanted a divorce. She was reported to have been jealous and often verbally and/or physically abusive, even sending a letter to his ex-wife, threatening to "rip [Strain's] eyes out" if she spoke to him again. Hartman considered retiring to save the marriage. Hartman tried to get Brynn acting roles, but she became progressively reliant on alcohol and narcotics, entering rehab several times. On multiple occasions, he removed their children from the household to stay with friends or family because of her drug- and alcohol-fueled outbursts. Because of his close friendship with SNL associate Jan Hooks, Brynn joked on occasion Hooks and Hartman were married "on some other level". Brynn had written threatening letters addressed to Hooks, warning her to not get close to her husband, but they appeared to have never even been sent, being discovered in her belongings following her death. Stephen Root, Hartman's NewsRadio co-star, said few people knew "the real Phil Hartman", as he was "one of those people who never seemed to come out of character," but he nevertheless gave the impression of a family man who cared deeply for his children. Hartman befriended Joe Rogan during his time on NewsRadio and confided his marital problems to him. Rogan said that he encouraged Hartman to divorce Brynn five times, but "[Hartman] loved his kids and didn't want to leave". Hartman stated in 1997, though a non-practicing Catholic, he displayed a sense of religiousness. In his spare time, he enjoyed driving, flying, sailing, marksmanship, and playing the guitar. Murder On May 27, 1998, Brynn visited the Italian restaurant Buca di Beppo in Encino, California, with producer and writer Christine Zander, who said Brynn was "in a good frame of mind." They had drinks. After returning home, Brynn had a "heated" argument with Phil, after which he went to bed. She entered his bedroom some time before PDT on May 28, 1998, and as he slept, fatally shot him once between the eyes, once in the throat, and once in the upper chest with a Charter Arms .38 caliber handgun. He was 49 years old. She was taking Zoloft, had been drinking alcohol, and had recently used cocaine. Brynn then drove to the home of her friend Ron Douglas and confessed to the killing, but he did not believe her. They drove back to the house in separate cars, and she called another friend and confessed a second time. On seeing Hartman's body, Douglas called 9-1-1 at Police arrived and escorted Douglas and the Hartmans' two children from the premises, by which time Brynn had locked herself in the bedroom. Shortly afterward, she committed suicide by a self-inflicted gunshot. The police stated Hartman's death was caused by "domestic discord" between the couple. A friend said Brynn "had trouble controlling her anger ... She got attention by losing her temper". A neighbor of the Hartmans told a CNN reporter that the couple had marital problems. Yet actor Steve Guttenberg said they had been "a very happy couple, and they always had the appearance of being well-balanced". A wrongful death lawsuit was filed in 1999 by her brother Gregory Omdahl, against Pfizer, the manufacturer of Zoloft, and against her child's psychiatrist, Arthur Sorosky, who had provided samples of the antidepressant to Brynn. Phil Hartman's friend and former SNL colleague Jon Lovitz has accused Hartman's then NewsRadio co-star Andy Dick of reintroducing Brynn to cocaine, causing her to relapse and suffer a nervous breakdown. Dick claims to have known nothing of her condition. Lovitz later said he no longer blamed Dick for Hartman's murder, but in 2006, Lovitz claimed Dick approached him at a restaurant and said, "I put the Phil Hartman hex on you; you're the next one to die." Lovitz then had him ejected from the restaurant. The following year at the Laugh Factory comedy club in Los Angeles, Lovitz and Dick had another argument, with Lovitz slamming Dick's head into the bar. Dick asserted he was not at fault in relation to Hartman's death. Brynn's sister Katharine Omdahl and brother-in-law Mike Wright raised the two Hartman children. Hartman's will stipulated each child would inherit money over several years after turning 25. The total value of Hartman's estate was estimated at . In accordance with his wishes, his body was cremated by Forest Lawn Memorial Park and Mortuary, Glendale, California, and his ashes scattered over Santa Catalina Island's Emerald Bay. Response and legacy NBC executive Don Ohlmeyer stated that Hartman "was blessed with a tremendous gift for creating characters that made people laugh. Everyone who had the pleasure of working with Phil knows that he was a man of tremendous warmth, a true professional and a loyal friend." Guttenberg expressed shock at Hartman's death, and Steve Martin said he was "a deeply funny and very happy person". Matt Groening called him "a master", and director Joe Dante said, "He was one of those guys who was a dream to work with. I don't know anybody who didn't like him." Dan Snierson of Entertainment Weekly concluded that Hartman was "the last person you'd expect to read about in lurid headlines in your morning paper" and "a decidedly regular guy, beloved by everyone he worked with". In 2007, Entertainment Weekly ranked Hartman the 87th greatest television icon of all time, and Maxim named him the top Saturday Night Live performer of all time. On the day of Hartman's death, rehearsals for The Simpsons were canceled as well as that night's performance by The Groundlings. The season five premiere episode of NewsRadio, "Bill Moves On", finds Hartman's character, Bill McNeal, has died of a heart attack, while the other characters reminisce about his life. Lovitz joined the show in his place beginning with the next episode. A special episode of Saturday Night Live commemorating Hartman's work on the show aired on June 13, 1998. Rather than substituting another voice actor, the writers of The Simpsons retired Hartman's characters. His final appearance on the show, the season ten episode "Bart the Mother", is dedicated to him, as is his final film, Small Soldiers. At the time of his death, Hartman was preparing to voice Zapp Brannigan, a character written specifically for him on Groening's second animated series Futurama. Even though the role was specifically made for him, Hartman still insisted on auditioning and Groening said he "nailed it." After Hartman's death, Billy West took over the role. Though executive producer David X. Cohen credits West with using his own take on the character, West later said that he purposely tweaked Zapp's voice to better match Hartman's intended portrayal. Hartman was planning to appear with Lovitz in the indie film The Day of Swine and Roses, scheduled to begin production in August 1998. In 2002, Laugh.com and Hartman's brother John published the album, Flat TV, a selection of comedy sketches recorded by Hartman in the 1970s, which had been kept in storage. John Hartmann commented: "I'm putting this out there because I'm dedicating my life to fulfilling his dreams. This [album] is my brother doing what he loved." In 2013, Flat TV was optioned by Michael "Ffish" Hemschoot's animation company Worker Studio for an animated adaptation. The deal came about after Michael T. Scott, a partner in the company, posted online a hand-written letter he had received from Hartman in 1997, leading to a correspondence between Scott and Paul Hartmann. In 2007, a campaign was started on Facebook by Alex Stevens and endorsed by Hartman's brother Paul, to have Phil inducted to Canada's Walk of Fame. Among the campaign's numerous publicity events, Ben Miner of the Sirius XM Radio channel Laugh Attack, dedicated the month of April 2012 to Hartman. The campaign ended in success and Hartman was inducted to the Walk of Fame on September 22, 2012, with Paul accepting the award on his late brother's behalf. Hartman was also awarded the Cineplex Legends Award. In June 2013, it was announced that Hartman would receive a star on the Hollywood Walk of Fame, which was unveiled on August 26, 2014. Additionally, a special prize at the Canadian Comedy Awards was named for Hartman. Beginning with the 13th Canadian Comedy Awards in 2012, the Phil Hartman Award was awarded to "an individual who helps to better the Canadian comedy community". In 2015, Rolling Stone magazine ranked Hartman as one of the top-ten greatest Saturday Night Live cast members throughout the show's forty-year history, coming in seventh on their list of all 141 members. Filmography Film Television Video games Theme park attractions Discography 1977 America, Harbor 1978 America, Silent Letter Poco, Legend 1980 Firesign Theatre, Fighting Clowns References Book sources External links Phil Hartman at Yahoo! Movies Phil Hartman at The New York Times Hartman's autopsy and death certificate Phil Hartman's final night: The tragic death of a “Saturday Night Live” genius, Mike Thomas, Salon, September 21, 2014 1948 births 1998 deaths 1998 murders in the United States 20th-century American male actors 20th-century Canadian male actors Album-cover and concert-poster artists American male comedians American male film actors American graphic designers American impressionists (entertainers) American male screenwriters American male television actors American television writers American male voice actors American sketch comedians California State University, Northridge alumni Canadian male comedians Canadian emigrants to the United States Canadian male voice actors Canadian murder victims Canadian sketch comedians Deaths by firearm in California Male actors from Los Angeles American male television writers Murder–suicides in California Naturalized citizens of the United States People from Brantford People murdered in Los Angeles Primetime Emmy Award winners Santa Monica College alumni Comedians from California Mariticides Westchester High School (Los Angeles) alumni Screenwriters from California 20th-century Canadian comedians 20th-century American comedians 20th-century American male writers 20th-century American screenwriters Comedians from Ontario	false	[ "Gokulan is an Indian actor who appears in Malayalam films. He made his acting debut through the 2013 Malayalam movie Punyalan Agarbattis by doing the character of Jimbroottan, which became popular. As of 2021, he has so far acted in more than 30 Malayalam movies.\n\nCareer\nGokulan made his acting debut in 2013 with the film Punyalan Agarbattis. Even though he did a minor comedy role called Jimbrootan in the movie, which also had a less screen time, the character became very popular. Gokulan later did different minor roles in some movies. He also appeared in few character roles during this time. He went on to act in the films like Thoppil Joppan, Vaarikkuzhiyile Kolapathakam, Ente Ummante Peru, Punyalan Private Limited, Sapthamashree Thaskaraha, Pathemari, Ramante Edantottam and several others. But, it was the 2019 movie Unda (film) that gave him a new turn on his film career. Gokulan had a major character role in this movie. His performance in the 2020 movie Love was critically acclaimed. Gokulan then did the notable roles in the movies Innu Mudhal and Randu which was released in March and April 2021 respectively.\n\nPersonal life\nHe married his long time girlfriend Dhanya in May 2020.\n\nReferences\n\nIndian male film actors\nLiving people\nMale actors in Malayalam cinema\n20th-century Indian male actors\nFilm people from Kerala\nYear of birth missing (living people)", "Karikol Raju was a Tamil film veteran actor who appeared in Tamil-language films. He acted in more than 500 films in a career spanning over five decades. He had started his career as a dramatist and stage actor and went on to act as a character actor, villainous roles in films. He has acted along with four generation actors like as M. G. Ramachandran, Sivaji Ganesan, Gemini Ganesan, Jai Shankar, Muthuraman, Rajinikanth, Kamal Haasan, Vijayakanth, Mohan, K. Bhagyaraj, Arjun Sarja, Karthik, Prabhu.\n\nCareer \nKarikol Raju was apt for village character. he did mostly village panchayat leader like a roles. he acted most of Bharathiraja and K.Bhagyaraj's village movies. his notable movies such as Kadhalikka Neramillai, Madras To Pondichery, Kumari Kottam, Rickshawkaran, Thooral Ninnu Pochu, Kozhi Koovuthu.\n\nFilmography \nThis is a partial filmography. You can expand it.\n\n1950s\n\n1960s\n\n1970s\n\n1980s\n\n1990s\n\nReferences\n\nExternal links \n\nTamil actors\n1951 births\nLiving people" ]
[ "Phil Hartman", "Style", "What was Phil Hartman's style?", "his real-life personality, which was described as \"a regular guy and, by all accounts, one of show business' most low-key, decent people\",", "and what was his show style?", "Hartman often played seedy, vain or unpleasant characters as well as comedic villains.", "what shows did he act in?", "SNL", "did he act in movies?", "I don't know." ]	C_8f3ec4d0681842848fcf988fd7a2544b_0	what did critics have to say about his style?	5	what did critics have to say about Phil Hartman's style?	Phil Hartman	In contrast to his real-life personality, which was described as "a regular guy and, by all accounts, one of show business' most low-key, decent people", Hartman often played seedy, vain or unpleasant characters as well as comedic villains. He noted that his standard character was a "jerky guy", and described his usual roles as "the weasel parade", citing Lionel Hutz, Bill McNeal, Troy McClure and Ted Maltin from Jingle All the Way as examples. Hartman enjoyed playing such roles because he "just want[ed] to be funny, and villains tend to be funny because their foibles are all there to see." He often played supporting roles, rather than the lead part. He said "throughout my career, I've never been a huge star, but I've made steady progress and that's the way I like it," and "It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame." Hartman was considered a "utility player" on SNL with a "kind of Everyman quality" which enabled him to appear in the majority of sketches, often in very distinct roles. Jan Hooks stated of his work on SNL: "Phil never had an ounce of competition. He was a team player. It was a privilege for him, I believe, to play support and do it very well. He was never insulted, no matter how small the role may have been." He was disciplined in his performances, studying the scripts beforehand. Hooks added: "Phil knew how to listen. And he knew how to look you in the eye, and he knew the power of being able to lay back and let somebody else be funny, and then do the reactions. I think Phil was more of an actor than a comedian." Film critic Pauline Kael declared that "Phil Hartman and Jan Hooks on Saturday Night Live are two of the best comic actors I've ever seen." Writer and acting coach Paul Ryan noted Hartman's work ethic with his impressions. He assembled a collection of video footage of the figure he was preparing to impersonate and watched this continually until he "completely embodied the person". Ryan concluded that "what made [Hartman's impressions] so funny and spot on was Phil's ability to add that perfect touch that only comes from trial and error and practicing in front of audiences and fellow actors." Hartman described this process as "technical." Journalist Lyle V. Harris said Hartman showed a "rare talent for morphing into [...] anybody he wanted to be". Ken Tucker summarized Hartman's comedic style: "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice an ironic lilt that delivered a punchline like a fast slider--you barely saw it coming until you started laughing." Hartman claimed that he borrowed his style from actor Bill Murray: "He's been a great influence on me - when he did that smarmy thing in Ghostbusters, then the same sort of thing in Groundhog Day. I tried to imitate it. I couldn't. I wasn't good enough. But I discovered an element of something else, so in a sick kind of way I made myself a career by doing a bad imitation of another comic." CANNOTANSWER	" He was disciplined in his performances, studying the scripts beforehand.	Philip Edward Hartman (né Hartmann; September 24, 1948 – May 28, 1998) was a Canadian-American actor, comedian, screenwriter, and graphic designer. Hartman was born in Brantford, Ontario, Canada, and his family moved to the United States when he was ten years old. After graduating from California State University, Northridge with a degree in graphic arts, he designed album covers for bands including Poco and America. In 1975, Hartman joined the comedy group The Groundlings, where he helped Paul Reubens develop his character Pee-wee Herman. Hartman co-wrote the film Pee-wee's Big Adventure and made recurring appearances as Captain Carl on Reubens' show Pee-wee's Playhouse. In 1986, Hartman joined the NBC sketch comedy show Saturday Night Live (SNL) as a cast member, and stayed for eight seasons until 1994. Nicknamed "Glue" for his ability to hold the show together and help other cast members, he won a Primetime Emmy Award for his SNL work in 1989. In 1995, he starred as Bill McNeal in the sitcom NewsRadio after declining to return to SNL. He also voiced various characters on The Simpsons, and had minor roles in the films Houseguest, Sgt. Bilko, Jingle All the Way, and Small Soldiers. After two divorces, Hartman married Brynn Omdahl in 1987, with whom he had two children. Their marriage was troubled due to Brynn's drug use and domestic violence against Phil, who was frequently absent from home. In 1998, while Hartman was sleeping in his bed, his wife shot and killed him, and later committed suicide. In the weeks following his murder, Hartman was celebrated in a wave of tributes. Dan Snierson of Entertainment Weekly wrote that Hartman was "the last person you'd expect to read about in lurid headlines in your morning paper ... a decidedly regular guy, beloved by everyone he worked with". He was posthumously inducted into the Canada and Hollywood Walks of Fame in 2012 and 2014. Early life Hartman was born Philip Edward Hartmann (later dropping one "n") on September 24, 1948, in Brantford, Ontario. He was the fourth of eight children of Doris Marguerite (née Wardell; July 17, 1919 – April 15, 2001) and Rupert Loebig Hartmann (November 8, 1914 – April 30, 1998), who sold building materials. The family was Catholic. As a child, Hartman found affection hard to earn: "I suppose I didn't get what I wanted out of my family life, so I started seeking love and attention elsewhere." Hartman was ten when his family moved to the United States. They first lived in Lewiston, Maine, then Meriden, Connecticut, and then on the West Coast, where he attended Westchester High School and frequently acted as the class clown. After graduating, he studied art at Santa Monica City College, dropping out in 1969 to become a roadie with a rock band. He returned to school in 1972 to study graphic arts at California State University, Northridge. He developed and operated his own graphic art business, creating more than 40 album covers for bands including Poco and America, as well as advertising and the logo for Crosby, Stills & Nash. In the late 1970s, he made his first television appearance on an episode of The Dating Game, where he won. Career Early career (1975–1985) Working alone as a graphic artist, Hartman frequently amused himself with "flights of voice fantasies". In 1975, seeking a more social outlet for his talents, he began attending evening comedy classes by the California-based improvisational comedy group The Groundlings. While watching one of their performances, he impulsively decided to climb on stage and join the cast. His first onscreen appearance was in 1978's Stunt Rock, an Australian film directed in Los Angeles by Brian Trenchard-Smith. After several years of training, paying his way by redesigning the group's logo and merchandise, Hartman formally joined The Groundlings and by 1979 was one of the show's stars. There Hartman befriended Paul Reubens, with whom he often collaborated on comedic material. Together they created the character Pee-wee Herman and developed The Pee-wee Herman Show, a live stage show that subsequently aired on HBO in 1981. Hartman played Captain Carl in the show, and reprised the role for the children's TV show Pee-wee's Playhouse. Reubens and Hartman made cameos in the 1980 film Cheech & Chong's Next Movie. Hartman co-wrote the script of the 1985 feature film Pee-wee's Big Adventure and had a cameo role as a reporter. He'd considered quitting acting at the age of 36 due to the challenges of finding work; but the success of Pee-wee's Big Adventure changed his mind. After a creative disagreement with Reubens, he left the Pee-Wee Herman project to pursue other roles. Hartman took more small roles in 1986 films such as Jumpin' Jack Flash and Three Amigos. He also worked as a voice actor in animated television programs, including The Smurfs, Challenge of the GoBots, The 13 Ghosts of Scooby-Doo, and in Dennis the Menace as characters Henry Mitchell and George Wilson. He developed a strong persona providing voice-overs for advertisements. Saturday Night Live (1986–1994) Hartman successfully auditioned to join NBC's variety show Saturday Night Live (SNL) in its 12th season, which began on October 11, 1986. He had been recommended for the show by fellow Groundlings and SNL cast members Jon Lovitz, and Laraine Newman as well as Jumpin' Jack Flash director Penny Marshall. He told the Los Angeles Times, "I wanted to do [SNL] because I wanted to get the exposure that would give me box-office credibility so I can write movies for myself." In his eight seasons with the show Hartman became known for his impressions, and performed as over 70 different characters. Hartman's original SNL characters include Eugene, the Anal Retentive Chef and Unfrozen Caveman Lawyer. His impressions include Frank Sinatra, Ronald Reagan, Ed McMahon, Barbara Bush, Charlton Heston, Phil Donahue, and Bill Clintonthe latter considered his best-known impression. Hartman first performed his Clinton impression on an episode of The Tonight Show. When he met Clinton in 1993, Hartman remarked, "I guess I owe you a few apologies", adding later that he "sometimes [felt] a twinge of guilt about [his Clinton impression]". Clinton showed good humor and sent Hartman a signed photo with the text: "You're not the president, but you play one on TV. And you're OK, mostly." Hartman copied the president's "post-nasal drip" and the "slight scratchiness" in his voice, as well as his open, "less intimidating" hand gestures. Hartman opted against wearing a larger prosthetic nose when portraying Clinton, as he thought it would be distracting. He instead wore a wig, dyed his eyebrows brighter, and used makeup to highlight his nose. In one of Hartman's sketches as Clinton, the president visits a McDonald's restaurant and explains his economic policies in the metaphor of eating other customers' food. The writers told him that he was not eating enough during rehearsals for the sketch – by the end of the live performance, Hartman had eaten so much he could barely speak. At SNL, Hartman's nickname of "Glue" was coined by Adam Sandler according to Jay Mohr's book Gasping for Airtime. However, according to You Might Remember Me: The Life and Times of Phil Hartman by Mike Thomas, author and staff writer for the Chicago Sun-Times, the nickname was created by SNL cast member and Hartman's frequent on-screen collaborator Jan Hooks. Hartman was very helpful to other cast members. For example, he aided Hooks in overcoming her stage fright. SNL creator Lorne Michaels explained the name: "He kind of held the show together. He gave to everybody and demanded very little. He was very low-maintenance." Michaels also added that Hartman was "the least appreciated" cast member by commentators outside the show, and praised his ability "to do five or six parts in a show where you're playing support or you're doing remarkable character work". Hartman won the Primetime Emmy Award for Outstanding Writing for a Variety, Music or Comedy Program for SNL in 1989, sharing the award with the show's other writers. He was nominated in the same category in 1987, and individually in 1994 for Outstanding Individual Performance in a Variety or Music Program. By 1993, almost every cast member who was there during Hartman's first year on SNL had left the show, including Jon Lovitz, Jan Hooks and Dana Carvey. Hartman said he felt "like an athlete who's watched all his World Series teammates get traded off into other directions ... It was hard to watch them leave because I sort of felt we were all part of the team that saved the show." This cast turnover contributed to his leaving the show in 1994. Hartman said he thought it was time to leave because the show was "getting less sophisticated" and his style of humor didn't fit with the less intellectual comedy of newer cast members like Adam Sandler. Hartman had originally planned to leave the show in 1991, but Michaels convinced him to stay to raise his profile; his portrayal of Clinton contributed to this goal. Jay Leno offered him the role of his sidekick on The Tonight Show but Hartman opted to stay on SNL. NBC persuaded him to stay on SNL by promising him his own comedy–variety show The Phil Show. He planned to "reinvent the variety form" with "a hybrid, very fast-paced, high energy [show] with sketches, impersonations, pet acts, and performers showcasing their talents". Hartman was to be the show's executive producer and head writer. Before production began, however, the network decided that variety shows were too unpopular and canceled the series. In a 1996 interview, Hartman noted he was glad, as he "would've been sweatin' blood each week trying to make it work". In 1998, he admitted he missed working on SNL, but had enjoyed the move from New York City to Southern California. NewsRadio (1995–1998) Hartman became one of the stars of the NBC sitcom NewsRadio in 1995, portraying radio news anchor Bill McNeal. He signed up after being attracted by the show's writing and use of an ensemble cast, and joked that he based McNeal on himself with "any ethics and character" removed. Hartman made roughly per episode of NewsRadio. Although the show was critically acclaimed, it was never a ratings hit and cancellation was a regular threat. After the completion of the fourth season, Hartman commented, "We seem to have limited appeal. We're on the edge here, not sure we're going to be picked up or not", but added he was "99 percent sure" the series would be renewed for a fifth season. Hartman had publicly lambasted NBC's decision to repeatedly move NewsRadio into different timeslots, but later regretted his comments, saying, "this is a sitcom, for crying out loud, not brain surgery". He also stated that if the sitcom were cancelled "it just will open up other opportunities for me". Although the show was renewed for a fifth season, Hartman died before production began. Ken Tucker praised Hartman's performance as McNeal: "A lesser performer ... would have played him as a variation on The Mary Tyler Moore Shows Ted Baxter, because that's what Bill was, on paper. But Hartman gave infinite variety to Bill's self-centeredness, turning him devious, cowardly, squeamish, and foolishly bold from week to week." Hartman was posthumously nominated for the Primetime Emmy Award for Outstanding Supporting Actor in a Comedy Series in 1998 for his work on NewsRadio, but lost to David Hyde Pierce. The Simpsons (1991–1998) Hartman provided the voices for numerous characters on the Fox animated series The Simpsons, appearing in 52 episodes. He made his first appearance in the second season episode "Bart Gets Hit by a Car". Although he was originally brought in for a one-time appearance, Hartman enjoyed working on The Simpsons and the staff wrote additional parts for him. He voiced the recurring characters Lionel Hutz and Troy McClure, as well as Duff man (on one occasion) and several background characters. His favorite part was that of McClure, and he often used this voice to entertain the audience between takes while taping episodes of NewsRadio. He remarked, "My favorite fans are Troy McClure fans." He added "It's the one thing that I do in my life that's almost an avocation. I do it for the pure love of it." Hartman was popular among the staff of The Simpsons. Showrunners Bill Oakley and Josh Weinstein said they enjoyed his work, and used him as much as possible when working on the show. To give Hartman a larger role, they developed the episode "A Fish Called Selma", which focuses on Troy McClure and expands the character's backstory. The Simpsons creator Matt Groening said that he "took [Hartman] for granted because he nailed the joke every time", and that his voice acting could produce "the maximum amount of humor" with any line he was given. Before his death, Hartman had expressed an interest in making a live action film about Troy McClure. Many of The Simpsons production staff expressed enthusiasm for the project and offered to help. Hartman said he was "looking forward to [McClure's] live-action movie, publicizing his Betty Ford appearances", and "would love nothing more" than making a film and was prepared to buy the film rights himself in order to make it happen. Other work Hartman's first starring film role came in 1995's Houseguest, alongside Sinbad. Other films include Greedy, Coneheads, Sgt. Bilko, So I Married an Axe Murderer, CB4, Jingle All the Way, Kiki's Delivery Service, and Small Soldiers, the latter of which is his final theatrically released film. At the same time, he preferred working on television. His other television roles include appearances on episodes of The John Larroquette Show, The Dana Carvey Show, 3rd Rock from the Sun, and the HBO TV film The Second Civil War as the President of the United States. He made a considerable amount of money from television advertising, earning $300,000 for a series of four commercials for the soft drink Slice. He also appeared in advertisements for McDonald's (as Hugh McAttack) and 1-800-Collect (as Max Jerome). Hartman wrote a number of screenplays that were never produced. In 1986, he began writing a screenplay for a film titled Mr. Fix-It, and completed the final draft in 1991. Robert Zemeckis was signed to produce the film, with Gil Bettman hired to direct. Hartman called it "a sort of a merger of horror and comedy, like Beetlejuice and Throw Momma From the Train", adding, "It's an American nightmare about a family torn asunder. They live next to a toxic dump site, their water supply is poisoned, the mother and son go insane and try to murder each other, the father's face is torn off in a terrible disfiguring accident in the first act. It's heavy stuff, but it's got a good message and a positive, upbeat ending." Zemeckis could not secure studio backing, however, and the project collapsed. Another film idea involving Hartman's Groundlings character Chick Hazard, Private Eye was also canceled. Style In contrast to his real-life personality, which was described as "a regular guy and, by all accounts, one of show business's most low-key, decent people", Hartman often played seedy, vain or unpleasant characters as well as comedic villains. He described his standard character repertoire as the "jerky guy" and "the weasel parade", citing Lionel Hutz, Bill McNeal, Troy McClure, and Ted Maltin from Jingle All the Way as examples. Hartman enjoyed playing such roles because he "just want[ed] to be funny, and villains tend to be funny because their foibles are all there to see". He often played supporting roles, rather than the lead part. He said "throughout my career, I've never been a huge star, but I've made steady progress and that's the way I like it", and "It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame." Hartman was considered a "utility player" on SNL with a "kind of Everyman quality" which enabled him to appear in the majority of sketches, often in very distinct roles. Jan Hooks stated of his work on SNL: "Phil never had an ounce of competition. He was a team player. It was a privilege for him, I believe, to play support and do it very well. He was never insulted, no matter how small the role may have been." He was disciplined in his performances, studying the scripts beforehand. Hooks added: "Phil knew how to listen. And he knew how to look you in the eye, and he knew the power of being able to lay back and let somebody else be funny, and then do the reactions. I think Phil was more of an actor than a comedian." Film critic Pauline Kael declared that "Phil Hartman and Jan Hooks on Saturday Night Live are two of the best comic actors I've ever seen." Writer and acting coach Paul Ryan noted Hartman's work ethic with his impressions. He assembled a collection of video footage of the figure he was preparing to impersonate and watched this continually until he "completely embodied the person". Ryan concluded that "what made [Hartman's impressions] so funny and spot on was Phil's ability to add that perfect touch that only comes from trial and error and practicing in front of audiences and fellow actors." Hartman described this process as "technical". Journalist Lyle V. Harris said Hartman showed a "rare talent for morphing into ... anybody he wanted to be". Ken Tucker summarized Hartman's comedic style: "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice an ironic lilt that delivered a punchline like a fast slider—you barely saw it coming until you started laughing." Hartman claimed that he borrowed his style from actor Bill Murray: "He's been a great influence on me – when he did that smarmy thing in Ghostbusters, then the same sort of thing in Groundhog Day. I tried to imitate it. I couldn't. I wasn't good enough. But I discovered an element of something else, so in a sick kind of way I made myself a career by doing a bad imitation of another comic." Personal life Hartman married Gretchen Lewis in 1970 and they divorced in September 1972. He married real estate agent Lisa Strain in 1982, and their marriage lasted three years. Strain told People magazine that Hartman was reclusive off screen and "would disappear emotionally ... he'd be in his own world. That passivity made you crazy." In 1987, Hartman married former model and aspiring actress Brynn Omdahl (born Vicki Jo Omdahl, April 11, 1958 – May 28, 1998), having met her on a blind date the previous year. They had two children, Sean and Birgen Hartman. The marriage had difficulties; she was reportedly intimidated by his success and was frustrated that she could not find any on her own, although neither party wanted a divorce. She was reported to have been jealous and often verbally and/or physically abusive, even sending a letter to his ex-wife, threatening to "rip [Strain's] eyes out" if she spoke to him again. Hartman considered retiring to save the marriage. Hartman tried to get Brynn acting roles, but she became progressively reliant on alcohol and narcotics, entering rehab several times. On multiple occasions, he removed their children from the household to stay with friends or family because of her drug- and alcohol-fueled outbursts. Because of his close friendship with SNL associate Jan Hooks, Brynn joked on occasion Hooks and Hartman were married "on some other level". Brynn had written threatening letters addressed to Hooks, warning her to not get close to her husband, but they appeared to have never even been sent, being discovered in her belongings following her death. Stephen Root, Hartman's NewsRadio co-star, said few people knew "the real Phil Hartman", as he was "one of those people who never seemed to come out of character," but he nevertheless gave the impression of a family man who cared deeply for his children. Hartman befriended Joe Rogan during his time on NewsRadio and confided his marital problems to him. Rogan said that he encouraged Hartman to divorce Brynn five times, but "[Hartman] loved his kids and didn't want to leave". Hartman stated in 1997, though a non-practicing Catholic, he displayed a sense of religiousness. In his spare time, he enjoyed driving, flying, sailing, marksmanship, and playing the guitar. Murder On May 27, 1998, Brynn visited the Italian restaurant Buca di Beppo in Encino, California, with producer and writer Christine Zander, who said Brynn was "in a good frame of mind." They had drinks. After returning home, Brynn had a "heated" argument with Phil, after which he went to bed. She entered his bedroom some time before PDT on May 28, 1998, and as he slept, fatally shot him once between the eyes, once in the throat, and once in the upper chest with a Charter Arms .38 caliber handgun. He was 49 years old. She was taking Zoloft, had been drinking alcohol, and had recently used cocaine. Brynn then drove to the home of her friend Ron Douglas and confessed to the killing, but he did not believe her. They drove back to the house in separate cars, and she called another friend and confessed a second time. On seeing Hartman's body, Douglas called 9-1-1 at Police arrived and escorted Douglas and the Hartmans' two children from the premises, by which time Brynn had locked herself in the bedroom. Shortly afterward, she committed suicide by a self-inflicted gunshot. The police stated Hartman's death was caused by "domestic discord" between the couple. A friend said Brynn "had trouble controlling her anger ... She got attention by losing her temper". A neighbor of the Hartmans told a CNN reporter that the couple had marital problems. Yet actor Steve Guttenberg said they had been "a very happy couple, and they always had the appearance of being well-balanced". A wrongful death lawsuit was filed in 1999 by her brother Gregory Omdahl, against Pfizer, the manufacturer of Zoloft, and against her child's psychiatrist, Arthur Sorosky, who had provided samples of the antidepressant to Brynn. Phil Hartman's friend and former SNL colleague Jon Lovitz has accused Hartman's then NewsRadio co-star Andy Dick of reintroducing Brynn to cocaine, causing her to relapse and suffer a nervous breakdown. Dick claims to have known nothing of her condition. Lovitz later said he no longer blamed Dick for Hartman's murder, but in 2006, Lovitz claimed Dick approached him at a restaurant and said, "I put the Phil Hartman hex on you; you're the next one to die." Lovitz then had him ejected from the restaurant. The following year at the Laugh Factory comedy club in Los Angeles, Lovitz and Dick had another argument, with Lovitz slamming Dick's head into the bar. Dick asserted he was not at fault in relation to Hartman's death. Brynn's sister Katharine Omdahl and brother-in-law Mike Wright raised the two Hartman children. Hartman's will stipulated each child would inherit money over several years after turning 25. The total value of Hartman's estate was estimated at . In accordance with his wishes, his body was cremated by Forest Lawn Memorial Park and Mortuary, Glendale, California, and his ashes scattered over Santa Catalina Island's Emerald Bay. Response and legacy NBC executive Don Ohlmeyer stated that Hartman "was blessed with a tremendous gift for creating characters that made people laugh. Everyone who had the pleasure of working with Phil knows that he was a man of tremendous warmth, a true professional and a loyal friend." Guttenberg expressed shock at Hartman's death, and Steve Martin said he was "a deeply funny and very happy person". Matt Groening called him "a master", and director Joe Dante said, "He was one of those guys who was a dream to work with. I don't know anybody who didn't like him." Dan Snierson of Entertainment Weekly concluded that Hartman was "the last person you'd expect to read about in lurid headlines in your morning paper" and "a decidedly regular guy, beloved by everyone he worked with". In 2007, Entertainment Weekly ranked Hartman the 87th greatest television icon of all time, and Maxim named him the top Saturday Night Live performer of all time. On the day of Hartman's death, rehearsals for The Simpsons were canceled as well as that night's performance by The Groundlings. The season five premiere episode of NewsRadio, "Bill Moves On", finds Hartman's character, Bill McNeal, has died of a heart attack, while the other characters reminisce about his life. Lovitz joined the show in his place beginning with the next episode. A special episode of Saturday Night Live commemorating Hartman's work on the show aired on June 13, 1998. Rather than substituting another voice actor, the writers of The Simpsons retired Hartman's characters. His final appearance on the show, the season ten episode "Bart the Mother", is dedicated to him, as is his final film, Small Soldiers. At the time of his death, Hartman was preparing to voice Zapp Brannigan, a character written specifically for him on Groening's second animated series Futurama. Even though the role was specifically made for him, Hartman still insisted on auditioning and Groening said he "nailed it." After Hartman's death, Billy West took over the role. Though executive producer David X. Cohen credits West with using his own take on the character, West later said that he purposely tweaked Zapp's voice to better match Hartman's intended portrayal. Hartman was planning to appear with Lovitz in the indie film The Day of Swine and Roses, scheduled to begin production in August 1998. In 2002, Laugh.com and Hartman's brother John published the album, Flat TV, a selection of comedy sketches recorded by Hartman in the 1970s, which had been kept in storage. John Hartmann commented: "I'm putting this out there because I'm dedicating my life to fulfilling his dreams. This [album] is my brother doing what he loved." In 2013, Flat TV was optioned by Michael "Ffish" Hemschoot's animation company Worker Studio for an animated adaptation. The deal came about after Michael T. Scott, a partner in the company, posted online a hand-written letter he had received from Hartman in 1997, leading to a correspondence between Scott and Paul Hartmann. In 2007, a campaign was started on Facebook by Alex Stevens and endorsed by Hartman's brother Paul, to have Phil inducted to Canada's Walk of Fame. Among the campaign's numerous publicity events, Ben Miner of the Sirius XM Radio channel Laugh Attack, dedicated the month of April 2012 to Hartman. The campaign ended in success and Hartman was inducted to the Walk of Fame on September 22, 2012, with Paul accepting the award on his late brother's behalf. Hartman was also awarded the Cineplex Legends Award. In June 2013, it was announced that Hartman would receive a star on the Hollywood Walk of Fame, which was unveiled on August 26, 2014. Additionally, a special prize at the Canadian Comedy Awards was named for Hartman. Beginning with the 13th Canadian Comedy Awards in 2012, the Phil Hartman Award was awarded to "an individual who helps to better the Canadian comedy community". In 2015, Rolling Stone magazine ranked Hartman as one of the top-ten greatest Saturday Night Live cast members throughout the show's forty-year history, coming in seventh on their list of all 141 members. Filmography Film Television Video games Theme park attractions Discography 1977 America, Harbor 1978 America, Silent Letter Poco, Legend 1980 Firesign Theatre, Fighting Clowns References Book sources External links Phil Hartman at Yahoo! Movies Phil Hartman at The New York Times Hartman's autopsy and death certificate Phil Hartman's final night: The tragic death of a “Saturday Night Live” genius, Mike Thomas, Salon, September 21, 2014 1948 births 1998 deaths 1998 murders in the United States 20th-century American male actors 20th-century Canadian male actors Album-cover and concert-poster artists American male comedians American male film actors American graphic designers American impressionists (entertainers) American male screenwriters American male television actors American television writers American male voice actors American sketch comedians California State University, Northridge alumni Canadian male comedians Canadian emigrants to the United States Canadian male voice actors Canadian murder victims Canadian sketch comedians Deaths by firearm in California Male actors from Los Angeles American male television writers Murder–suicides in California Naturalized citizens of the United States People from Brantford People murdered in Los Angeles Primetime Emmy Award winners Santa Monica College alumni Comedians from California Mariticides Westchester High School (Los Angeles) alumni Screenwriters from California 20th-century Canadian comedians 20th-century American comedians 20th-century American male writers 20th-century American screenwriters Comedians from Ontario	true	[ "\"What They'll Say About Us\" is a song by American singer-songwriter Finneas. It was released by OYOY as a single on September 2, 2020. The song was written and produced by Finneas. A lullaby-influenced ballad, the lyrics were inspired by the Black Lives Matter protests and Nick Cordero's death due to COVID-19. \"What They'll Say About Us\" was noted by music critics for its lyrical content. A music video for the song was released alongside the song and was directed by Sam Bennett in one take. It is the first single from his debut studio album Optimist.\n\nBackground and development\nFinneas wrote and produced \"What They'll Say About Us\". It was inspired by the spark of Black Lives Matter protests after racial inequality in the United States and the death of Canadian actor Nick Cordero, who died at the age of 41 from the ongoing COVID-19 pandemic. Finneas wrote the track in June 2020 while in quarantine. In an interview over Zoom with The Wall Street Journal, he said: \"I wrote this song in June after spending the day at a protest in Downtown LA, filled with hope with the prospect that millions of people were coming together from all over the world to fight against institutionalized racism and inequality\". He further stated: \"The other component of the song was [that] I was very closely following Nick Cordero's story on Instagram, via his wife [Amanda Kloots], and Nick and his wife were not people I'd ever met. I don't know them at all. I saw the headlines about his health, just like everybody else did. I just became incredibly attached to this family that I’d never met before. I kind of wrote this song as if you were singing to your loved one who was in a hospital bed while the world was protesting outside. I did make a point to keep the song fairly ambiguous because I know everybody's sort of going through different circumstances of the same things right now\".\n\nComposition and lyrics\n\"What They'll Say About Us\" begins \"calmly and reassuringly\": \"You're tired now, lie down/I'll be waiting to give you the good news/It might take patience/And when you wake up, it won't be over/So don't you give up\". However, as the beat and other instruments begin to arrive, the soundstage changes to be hazy. John Pareles, writing for The New York Times, says it \"mortality begins to haunt the song, all the way to a devastating last line\", noting the lyrics, \"It might take patience/And if you don't wake up/I'll know you tried to/I wish you could see him/He looks just like you\".\n\nReception\nIn a review for DIY magazine, the staff labeled \"What They'll Say About Us\" as \"poignant\" and an \"ode to human strength\". Writing for Billboard magazine, Jason Lipshutz said while the production on the track is \"effectively restrained\", people should credit Finneas for going \"full-on showstopper when he draws out the line, 'We've got the time to take the world / And make it better than it ever was\". Emily Tan of Spin magazine described the track as a song that \"aims to offer comfort to those who have lost someone due to Covid-19\".\n\nMusic video\nA music video for \"What They'll Say About Us\" was released to Finneas' YouTube channel on September 2, 2020. The video was directed by Sam Bennett and shot in one take. In the visual, lights and rain swirl around Finneas as he sings and offers comfort to people who have lost someone they love from COVID-19. Spins Emily Yan described the visual as \"simple\" and \"intimate\".\n\nCharts\n\nReferences\n\n2020s ballads\n2020 singles\n2020 songs\nSong recordings produced by Finneas O'Connell\nSongs written by Finneas O'Connell\nSongs in memory of deceased persons\nFinneas O'Connell songs", "\n\nTrack listing\n Opening Overture\n \"I Get a Kick Out of You\" (Cole Porter)\n \"You Are the Sunshine of My Life\" (Stevie Wonder)\n \"You Will Be My Music\" (Joe Raposo)\n \"Don't Worry 'bout Me\" (Ted Koehler, Rube Bloom)\n \"If\" (David Gates)\n \"Bad, Bad Leroy Brown\" (Jim Croce)\n \"Ol' Man River\" (Jerome Kern, Oscar Hammerstein II)\n Famous Monologue\n Saloon Trilogy: \"Last Night When We Were Young\"/\"Violets for Your Furs\"/\"Here's That Rainy Day\" (Harold Arlen, E.Y. Harburg)/(Matt Dennis, Tom Adair)/(Jimmy Van Heusen, Johnny Burke)\n \"I've Got You Under My Skin\" (Porter)\n \"My Kind of Town\" (Sammy Cahn, Van Heusen)\n \"Let Me Try Again\" (Paul Anka, Cahn, Michel Jourdan)\n \"The Lady Is a Tramp\" (Richard Rodgers, Lorenz Hart)\n \"My Way\" (Anka, Claude Francois, Jacques Revaux, Gilles Thibaut)\n\nFrank Sinatra's Monologue About the Australian Press\nI do believe this is my interval, as we say... We've been having a marvelous time being chased around the country for three days. You know, I think it's worth mentioning because it's so idiotic, it's so ridiculous what's been happening. We came all the way to Australia because I chose to come here. I haven't been here for a long time and I wanted to come back for a few days. Wait now, wait. I'm not buttering anybody at all. I don't have to. I really don't have to. I like coming here. I like the people. I love your attitude. I like the booze and the beer and everything else that comes into the scene. I also like the way the country's growing and it's a swinging place.\n\nSo we come here and what happens? We gotta run all day long because of the parasites who chase us with automobiles. That's dangerous, too, on the road, you know. Might cause an accident. They won't quit. They wonder why I won't talk to them. I wouldn't drink their water, let alone talk to them. And if any of you folks in the press are in the audience, please quote me properly. Don't mix it up, do it exactly as I'm saying it, please. Write it down very clearly. One idiot called me up and he wanted to know what I had for breakfast. What the hell does he care what I had for breakfast? I was about to tell him what I did after breakfast. Oh, boy, they're murder! We have a name in the States for their counterparts: They're called parasites. Because they take and take and take and never give, absolutely, never give. I don't care what you think about any press in the world, I say they're bums and they'll always be bums, everyone of them. There are just a few exceptions to the rule. Some good editorial writers who don't go out in the street and chase people around. Critics don't bother me, because if I do badly, I know I'm bad before they even write it, and if I'm good, I know I'm good before they write it. It's true. I know best about myself. So, a critic is a critic. He doesn't anger me. It's the scandal man who bugs you, drives you crazy. It's the two-bit-type work that they do. They're pimps. They're just crazy, you know. And the broads who work in the press are the hookers of the press. Need I explain that to you? I might offer them a buck and a half... I'm not sure. I once gave a chick in Washington $2 and I overpaid her, I found out. She didn't even bathe. Imagine what that was like, ha, ha.\n\nNow, it's a good thing I'm not angry. Really. It's a good thing I'm not angry. I couldn't care less. The press of the world never made a person a star who was untalented, nor did they ever hurt any artist who was talented. So we, who have God-given talent, say, \"To hell with them.\" It doesn't make any difference, you know. And I want to say one more thing. From what I see what's happened since I was last here... what, 16 years ago? Twelve years ago. From what I've seen to happen with the type of news that they print in this town shocked me. And do you know what is devastating? It's old-fashioned. It was done in America and England twenty years ago. And they're catching up with it now, with the scandal sheet. They're rags, that's what they are. You use them to train your dog and your parrot. What else do I have to say? Oh, I guess that's it. That'll keep them talking to themselves for a while. I think most of them are a bunch of fags anyway. Never did a hard day's work in their life. I love when they say, \"What do you mean, you won't stand still when I take your picture?\" All of a sudden, they're God. We gotta do what they want us to do. It's incredible. A pox on them... Now, let's get down to some serious business here...\n\nSee also\nConcerts of Frank Sinatra\n\nFrank Sinatra" ]
[ "Phil Hartman", "Style", "What was Phil Hartman's style?", "his real-life personality, which was described as \"a regular guy and, by all accounts, one of show business' most low-key, decent people\",", "and what was his show style?", "Hartman often played seedy, vain or unpleasant characters as well as comedic villains.", "what shows did he act in?", "SNL", "did he act in movies?", "I don't know.", "what did critics have to say about his style?", "\" He was disciplined in his performances, studying the scripts beforehand." ]	C_8f3ec4d0681842848fcf988fd7a2544b_0	Did he enjoy working in comedies?	6	Did Phil Hartman enjoy working in comedies?	Phil Hartman	In contrast to his real-life personality, which was described as "a regular guy and, by all accounts, one of show business' most low-key, decent people", Hartman often played seedy, vain or unpleasant characters as well as comedic villains. He noted that his standard character was a "jerky guy", and described his usual roles as "the weasel parade", citing Lionel Hutz, Bill McNeal, Troy McClure and Ted Maltin from Jingle All the Way as examples. Hartman enjoyed playing such roles because he "just want[ed] to be funny, and villains tend to be funny because their foibles are all there to see." He often played supporting roles, rather than the lead part. He said "throughout my career, I've never been a huge star, but I've made steady progress and that's the way I like it," and "It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame." Hartman was considered a "utility player" on SNL with a "kind of Everyman quality" which enabled him to appear in the majority of sketches, often in very distinct roles. Jan Hooks stated of his work on SNL: "Phil never had an ounce of competition. He was a team player. It was a privilege for him, I believe, to play support and do it very well. He was never insulted, no matter how small the role may have been." He was disciplined in his performances, studying the scripts beforehand. Hooks added: "Phil knew how to listen. And he knew how to look you in the eye, and he knew the power of being able to lay back and let somebody else be funny, and then do the reactions. I think Phil was more of an actor than a comedian." Film critic Pauline Kael declared that "Phil Hartman and Jan Hooks on Saturday Night Live are two of the best comic actors I've ever seen." Writer and acting coach Paul Ryan noted Hartman's work ethic with his impressions. He assembled a collection of video footage of the figure he was preparing to impersonate and watched this continually until he "completely embodied the person". Ryan concluded that "what made [Hartman's impressions] so funny and spot on was Phil's ability to add that perfect touch that only comes from trial and error and practicing in front of audiences and fellow actors." Hartman described this process as "technical." Journalist Lyle V. Harris said Hartman showed a "rare talent for morphing into [...] anybody he wanted to be". Ken Tucker summarized Hartman's comedic style: "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice an ironic lilt that delivered a punchline like a fast slider--you barely saw it coming until you started laughing." Hartman claimed that he borrowed his style from actor Bill Murray: "He's been a great influence on me - when he did that smarmy thing in Ghostbusters, then the same sort of thing in Groundhog Day. I tried to imitate it. I couldn't. I wasn't good enough. But I discovered an element of something else, so in a sick kind of way I made myself a career by doing a bad imitation of another comic." CANNOTANSWER	He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice	Philip Edward Hartman (né Hartmann; September 24, 1948 – May 28, 1998) was a Canadian-American actor, comedian, screenwriter, and graphic designer. Hartman was born in Brantford, Ontario, Canada, and his family moved to the United States when he was ten years old. After graduating from California State University, Northridge with a degree in graphic arts, he designed album covers for bands including Poco and America. In 1975, Hartman joined the comedy group The Groundlings, where he helped Paul Reubens develop his character Pee-wee Herman. Hartman co-wrote the film Pee-wee's Big Adventure and made recurring appearances as Captain Carl on Reubens' show Pee-wee's Playhouse. In 1986, Hartman joined the NBC sketch comedy show Saturday Night Live (SNL) as a cast member, and stayed for eight seasons until 1994. Nicknamed "Glue" for his ability to hold the show together and help other cast members, he won a Primetime Emmy Award for his SNL work in 1989. In 1995, he starred as Bill McNeal in the sitcom NewsRadio after declining to return to SNL. He also voiced various characters on The Simpsons, and had minor roles in the films Houseguest, Sgt. Bilko, Jingle All the Way, and Small Soldiers. After two divorces, Hartman married Brynn Omdahl in 1987, with whom he had two children. Their marriage was troubled due to Brynn's drug use and domestic violence against Phil, who was frequently absent from home. In 1998, while Hartman was sleeping in his bed, his wife shot and killed him, and later committed suicide. In the weeks following his murder, Hartman was celebrated in a wave of tributes. Dan Snierson of Entertainment Weekly wrote that Hartman was "the last person you'd expect to read about in lurid headlines in your morning paper ... a decidedly regular guy, beloved by everyone he worked with". He was posthumously inducted into the Canada and Hollywood Walks of Fame in 2012 and 2014. Early life Hartman was born Philip Edward Hartmann (later dropping one "n") on September 24, 1948, in Brantford, Ontario. He was the fourth of eight children of Doris Marguerite (née Wardell; July 17, 1919 – April 15, 2001) and Rupert Loebig Hartmann (November 8, 1914 – April 30, 1998), who sold building materials. The family was Catholic. As a child, Hartman found affection hard to earn: "I suppose I didn't get what I wanted out of my family life, so I started seeking love and attention elsewhere." Hartman was ten when his family moved to the United States. They first lived in Lewiston, Maine, then Meriden, Connecticut, and then on the West Coast, where he attended Westchester High School and frequently acted as the class clown. After graduating, he studied art at Santa Monica City College, dropping out in 1969 to become a roadie with a rock band. He returned to school in 1972 to study graphic arts at California State University, Northridge. He developed and operated his own graphic art business, creating more than 40 album covers for bands including Poco and America, as well as advertising and the logo for Crosby, Stills & Nash. In the late 1970s, he made his first television appearance on an episode of The Dating Game, where he won. Career Early career (1975–1985) Working alone as a graphic artist, Hartman frequently amused himself with "flights of voice fantasies". In 1975, seeking a more social outlet for his talents, he began attending evening comedy classes by the California-based improvisational comedy group The Groundlings. While watching one of their performances, he impulsively decided to climb on stage and join the cast. His first onscreen appearance was in 1978's Stunt Rock, an Australian film directed in Los Angeles by Brian Trenchard-Smith. After several years of training, paying his way by redesigning the group's logo and merchandise, Hartman formally joined The Groundlings and by 1979 was one of the show's stars. There Hartman befriended Paul Reubens, with whom he often collaborated on comedic material. Together they created the character Pee-wee Herman and developed The Pee-wee Herman Show, a live stage show that subsequently aired on HBO in 1981. Hartman played Captain Carl in the show, and reprised the role for the children's TV show Pee-wee's Playhouse. Reubens and Hartman made cameos in the 1980 film Cheech & Chong's Next Movie. Hartman co-wrote the script of the 1985 feature film Pee-wee's Big Adventure and had a cameo role as a reporter. He'd considered quitting acting at the age of 36 due to the challenges of finding work; but the success of Pee-wee's Big Adventure changed his mind. After a creative disagreement with Reubens, he left the Pee-Wee Herman project to pursue other roles. Hartman took more small roles in 1986 films such as Jumpin' Jack Flash and Three Amigos. He also worked as a voice actor in animated television programs, including The Smurfs, Challenge of the GoBots, The 13 Ghosts of Scooby-Doo, and in Dennis the Menace as characters Henry Mitchell and George Wilson. He developed a strong persona providing voice-overs for advertisements. Saturday Night Live (1986–1994) Hartman successfully auditioned to join NBC's variety show Saturday Night Live (SNL) in its 12th season, which began on October 11, 1986. He had been recommended for the show by fellow Groundlings and SNL cast members Jon Lovitz, and Laraine Newman as well as Jumpin' Jack Flash director Penny Marshall. He told the Los Angeles Times, "I wanted to do [SNL] because I wanted to get the exposure that would give me box-office credibility so I can write movies for myself." In his eight seasons with the show Hartman became known for his impressions, and performed as over 70 different characters. Hartman's original SNL characters include Eugene, the Anal Retentive Chef and Unfrozen Caveman Lawyer. His impressions include Frank Sinatra, Ronald Reagan, Ed McMahon, Barbara Bush, Charlton Heston, Phil Donahue, and Bill Clintonthe latter considered his best-known impression. Hartman first performed his Clinton impression on an episode of The Tonight Show. When he met Clinton in 1993, Hartman remarked, "I guess I owe you a few apologies", adding later that he "sometimes [felt] a twinge of guilt about [his Clinton impression]". Clinton showed good humor and sent Hartman a signed photo with the text: "You're not the president, but you play one on TV. And you're OK, mostly." Hartman copied the president's "post-nasal drip" and the "slight scratchiness" in his voice, as well as his open, "less intimidating" hand gestures. Hartman opted against wearing a larger prosthetic nose when portraying Clinton, as he thought it would be distracting. He instead wore a wig, dyed his eyebrows brighter, and used makeup to highlight his nose. In one of Hartman's sketches as Clinton, the president visits a McDonald's restaurant and explains his economic policies in the metaphor of eating other customers' food. The writers told him that he was not eating enough during rehearsals for the sketch – by the end of the live performance, Hartman had eaten so much he could barely speak. At SNL, Hartman's nickname of "Glue" was coined by Adam Sandler according to Jay Mohr's book Gasping for Airtime. However, according to You Might Remember Me: The Life and Times of Phil Hartman by Mike Thomas, author and staff writer for the Chicago Sun-Times, the nickname was created by SNL cast member and Hartman's frequent on-screen collaborator Jan Hooks. Hartman was very helpful to other cast members. For example, he aided Hooks in overcoming her stage fright. SNL creator Lorne Michaels explained the name: "He kind of held the show together. He gave to everybody and demanded very little. He was very low-maintenance." Michaels also added that Hartman was "the least appreciated" cast member by commentators outside the show, and praised his ability "to do five or six parts in a show where you're playing support or you're doing remarkable character work". Hartman won the Primetime Emmy Award for Outstanding Writing for a Variety, Music or Comedy Program for SNL in 1989, sharing the award with the show's other writers. He was nominated in the same category in 1987, and individually in 1994 for Outstanding Individual Performance in a Variety or Music Program. By 1993, almost every cast member who was there during Hartman's first year on SNL had left the show, including Jon Lovitz, Jan Hooks and Dana Carvey. Hartman said he felt "like an athlete who's watched all his World Series teammates get traded off into other directions ... It was hard to watch them leave because I sort of felt we were all part of the team that saved the show." This cast turnover contributed to his leaving the show in 1994. Hartman said he thought it was time to leave because the show was "getting less sophisticated" and his style of humor didn't fit with the less intellectual comedy of newer cast members like Adam Sandler. Hartman had originally planned to leave the show in 1991, but Michaels convinced him to stay to raise his profile; his portrayal of Clinton contributed to this goal. Jay Leno offered him the role of his sidekick on The Tonight Show but Hartman opted to stay on SNL. NBC persuaded him to stay on SNL by promising him his own comedy–variety show The Phil Show. He planned to "reinvent the variety form" with "a hybrid, very fast-paced, high energy [show] with sketches, impersonations, pet acts, and performers showcasing their talents". Hartman was to be the show's executive producer and head writer. Before production began, however, the network decided that variety shows were too unpopular and canceled the series. In a 1996 interview, Hartman noted he was glad, as he "would've been sweatin' blood each week trying to make it work". In 1998, he admitted he missed working on SNL, but had enjoyed the move from New York City to Southern California. NewsRadio (1995–1998) Hartman became one of the stars of the NBC sitcom NewsRadio in 1995, portraying radio news anchor Bill McNeal. He signed up after being attracted by the show's writing and use of an ensemble cast, and joked that he based McNeal on himself with "any ethics and character" removed. Hartman made roughly per episode of NewsRadio. Although the show was critically acclaimed, it was never a ratings hit and cancellation was a regular threat. After the completion of the fourth season, Hartman commented, "We seem to have limited appeal. We're on the edge here, not sure we're going to be picked up or not", but added he was "99 percent sure" the series would be renewed for a fifth season. Hartman had publicly lambasted NBC's decision to repeatedly move NewsRadio into different timeslots, but later regretted his comments, saying, "this is a sitcom, for crying out loud, not brain surgery". He also stated that if the sitcom were cancelled "it just will open up other opportunities for me". Although the show was renewed for a fifth season, Hartman died before production began. Ken Tucker praised Hartman's performance as McNeal: "A lesser performer ... would have played him as a variation on The Mary Tyler Moore Shows Ted Baxter, because that's what Bill was, on paper. But Hartman gave infinite variety to Bill's self-centeredness, turning him devious, cowardly, squeamish, and foolishly bold from week to week." Hartman was posthumously nominated for the Primetime Emmy Award for Outstanding Supporting Actor in a Comedy Series in 1998 for his work on NewsRadio, but lost to David Hyde Pierce. The Simpsons (1991–1998) Hartman provided the voices for numerous characters on the Fox animated series The Simpsons, appearing in 52 episodes. He made his first appearance in the second season episode "Bart Gets Hit by a Car". Although he was originally brought in for a one-time appearance, Hartman enjoyed working on The Simpsons and the staff wrote additional parts for him. He voiced the recurring characters Lionel Hutz and Troy McClure, as well as Duff man (on one occasion) and several background characters. His favorite part was that of McClure, and he often used this voice to entertain the audience between takes while taping episodes of NewsRadio. He remarked, "My favorite fans are Troy McClure fans." He added "It's the one thing that I do in my life that's almost an avocation. I do it for the pure love of it." Hartman was popular among the staff of The Simpsons. Showrunners Bill Oakley and Josh Weinstein said they enjoyed his work, and used him as much as possible when working on the show. To give Hartman a larger role, they developed the episode "A Fish Called Selma", which focuses on Troy McClure and expands the character's backstory. The Simpsons creator Matt Groening said that he "took [Hartman] for granted because he nailed the joke every time", and that his voice acting could produce "the maximum amount of humor" with any line he was given. Before his death, Hartman had expressed an interest in making a live action film about Troy McClure. Many of The Simpsons production staff expressed enthusiasm for the project and offered to help. Hartman said he was "looking forward to [McClure's] live-action movie, publicizing his Betty Ford appearances", and "would love nothing more" than making a film and was prepared to buy the film rights himself in order to make it happen. Other work Hartman's first starring film role came in 1995's Houseguest, alongside Sinbad. Other films include Greedy, Coneheads, Sgt. Bilko, So I Married an Axe Murderer, CB4, Jingle All the Way, Kiki's Delivery Service, and Small Soldiers, the latter of which is his final theatrically released film. At the same time, he preferred working on television. His other television roles include appearances on episodes of The John Larroquette Show, The Dana Carvey Show, 3rd Rock from the Sun, and the HBO TV film The Second Civil War as the President of the United States. He made a considerable amount of money from television advertising, earning $300,000 for a series of four commercials for the soft drink Slice. He also appeared in advertisements for McDonald's (as Hugh McAttack) and 1-800-Collect (as Max Jerome). Hartman wrote a number of screenplays that were never produced. In 1986, he began writing a screenplay for a film titled Mr. Fix-It, and completed the final draft in 1991. Robert Zemeckis was signed to produce the film, with Gil Bettman hired to direct. Hartman called it "a sort of a merger of horror and comedy, like Beetlejuice and Throw Momma From the Train", adding, "It's an American nightmare about a family torn asunder. They live next to a toxic dump site, their water supply is poisoned, the mother and son go insane and try to murder each other, the father's face is torn off in a terrible disfiguring accident in the first act. It's heavy stuff, but it's got a good message and a positive, upbeat ending." Zemeckis could not secure studio backing, however, and the project collapsed. Another film idea involving Hartman's Groundlings character Chick Hazard, Private Eye was also canceled. Style In contrast to his real-life personality, which was described as "a regular guy and, by all accounts, one of show business's most low-key, decent people", Hartman often played seedy, vain or unpleasant characters as well as comedic villains. He described his standard character repertoire as the "jerky guy" and "the weasel parade", citing Lionel Hutz, Bill McNeal, Troy McClure, and Ted Maltin from Jingle All the Way as examples. Hartman enjoyed playing such roles because he "just want[ed] to be funny, and villains tend to be funny because their foibles are all there to see". He often played supporting roles, rather than the lead part. He said "throughout my career, I've never been a huge star, but I've made steady progress and that's the way I like it", and "It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame." Hartman was considered a "utility player" on SNL with a "kind of Everyman quality" which enabled him to appear in the majority of sketches, often in very distinct roles. Jan Hooks stated of his work on SNL: "Phil never had an ounce of competition. He was a team player. It was a privilege for him, I believe, to play support and do it very well. He was never insulted, no matter how small the role may have been." He was disciplined in his performances, studying the scripts beforehand. Hooks added: "Phil knew how to listen. And he knew how to look you in the eye, and he knew the power of being able to lay back and let somebody else be funny, and then do the reactions. I think Phil was more of an actor than a comedian." Film critic Pauline Kael declared that "Phil Hartman and Jan Hooks on Saturday Night Live are two of the best comic actors I've ever seen." Writer and acting coach Paul Ryan noted Hartman's work ethic with his impressions. He assembled a collection of video footage of the figure he was preparing to impersonate and watched this continually until he "completely embodied the person". Ryan concluded that "what made [Hartman's impressions] so funny and spot on was Phil's ability to add that perfect touch that only comes from trial and error and practicing in front of audiences and fellow actors." Hartman described this process as "technical". Journalist Lyle V. Harris said Hartman showed a "rare talent for morphing into ... anybody he wanted to be". Ken Tucker summarized Hartman's comedic style: "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice an ironic lilt that delivered a punchline like a fast slider—you barely saw it coming until you started laughing." Hartman claimed that he borrowed his style from actor Bill Murray: "He's been a great influence on me – when he did that smarmy thing in Ghostbusters, then the same sort of thing in Groundhog Day. I tried to imitate it. I couldn't. I wasn't good enough. But I discovered an element of something else, so in a sick kind of way I made myself a career by doing a bad imitation of another comic." Personal life Hartman married Gretchen Lewis in 1970 and they divorced in September 1972. He married real estate agent Lisa Strain in 1982, and their marriage lasted three years. Strain told People magazine that Hartman was reclusive off screen and "would disappear emotionally ... he'd be in his own world. That passivity made you crazy." In 1987, Hartman married former model and aspiring actress Brynn Omdahl (born Vicki Jo Omdahl, April 11, 1958 – May 28, 1998), having met her on a blind date the previous year. They had two children, Sean and Birgen Hartman. The marriage had difficulties; she was reportedly intimidated by his success and was frustrated that she could not find any on her own, although neither party wanted a divorce. She was reported to have been jealous and often verbally and/or physically abusive, even sending a letter to his ex-wife, threatening to "rip [Strain's] eyes out" if she spoke to him again. Hartman considered retiring to save the marriage. Hartman tried to get Brynn acting roles, but she became progressively reliant on alcohol and narcotics, entering rehab several times. On multiple occasions, he removed their children from the household to stay with friends or family because of her drug- and alcohol-fueled outbursts. Because of his close friendship with SNL associate Jan Hooks, Brynn joked on occasion Hooks and Hartman were married "on some other level". Brynn had written threatening letters addressed to Hooks, warning her to not get close to her husband, but they appeared to have never even been sent, being discovered in her belongings following her death. Stephen Root, Hartman's NewsRadio co-star, said few people knew "the real Phil Hartman", as he was "one of those people who never seemed to come out of character," but he nevertheless gave the impression of a family man who cared deeply for his children. Hartman befriended Joe Rogan during his time on NewsRadio and confided his marital problems to him. Rogan said that he encouraged Hartman to divorce Brynn five times, but "[Hartman] loved his kids and didn't want to leave". Hartman stated in 1997, though a non-practicing Catholic, he displayed a sense of religiousness. In his spare time, he enjoyed driving, flying, sailing, marksmanship, and playing the guitar. Murder On May 27, 1998, Brynn visited the Italian restaurant Buca di Beppo in Encino, California, with producer and writer Christine Zander, who said Brynn was "in a good frame of mind." They had drinks. After returning home, Brynn had a "heated" argument with Phil, after which he went to bed. She entered his bedroom some time before PDT on May 28, 1998, and as he slept, fatally shot him once between the eyes, once in the throat, and once in the upper chest with a Charter Arms .38 caliber handgun. He was 49 years old. She was taking Zoloft, had been drinking alcohol, and had recently used cocaine. Brynn then drove to the home of her friend Ron Douglas and confessed to the killing, but he did not believe her. They drove back to the house in separate cars, and she called another friend and confessed a second time. On seeing Hartman's body, Douglas called 9-1-1 at Police arrived and escorted Douglas and the Hartmans' two children from the premises, by which time Brynn had locked herself in the bedroom. Shortly afterward, she committed suicide by a self-inflicted gunshot. The police stated Hartman's death was caused by "domestic discord" between the couple. A friend said Brynn "had trouble controlling her anger ... She got attention by losing her temper". A neighbor of the Hartmans told a CNN reporter that the couple had marital problems. Yet actor Steve Guttenberg said they had been "a very happy couple, and they always had the appearance of being well-balanced". A wrongful death lawsuit was filed in 1999 by her brother Gregory Omdahl, against Pfizer, the manufacturer of Zoloft, and against her child's psychiatrist, Arthur Sorosky, who had provided samples of the antidepressant to Brynn. Phil Hartman's friend and former SNL colleague Jon Lovitz has accused Hartman's then NewsRadio co-star Andy Dick of reintroducing Brynn to cocaine, causing her to relapse and suffer a nervous breakdown. Dick claims to have known nothing of her condition. Lovitz later said he no longer blamed Dick for Hartman's murder, but in 2006, Lovitz claimed Dick approached him at a restaurant and said, "I put the Phil Hartman hex on you; you're the next one to die." Lovitz then had him ejected from the restaurant. The following year at the Laugh Factory comedy club in Los Angeles, Lovitz and Dick had another argument, with Lovitz slamming Dick's head into the bar. Dick asserted he was not at fault in relation to Hartman's death. Brynn's sister Katharine Omdahl and brother-in-law Mike Wright raised the two Hartman children. Hartman's will stipulated each child would inherit money over several years after turning 25. The total value of Hartman's estate was estimated at . In accordance with his wishes, his body was cremated by Forest Lawn Memorial Park and Mortuary, Glendale, California, and his ashes scattered over Santa Catalina Island's Emerald Bay. Response and legacy NBC executive Don Ohlmeyer stated that Hartman "was blessed with a tremendous gift for creating characters that made people laugh. Everyone who had the pleasure of working with Phil knows that he was a man of tremendous warmth, a true professional and a loyal friend." Guttenberg expressed shock at Hartman's death, and Steve Martin said he was "a deeply funny and very happy person". Matt Groening called him "a master", and director Joe Dante said, "He was one of those guys who was a dream to work with. I don't know anybody who didn't like him." Dan Snierson of Entertainment Weekly concluded that Hartman was "the last person you'd expect to read about in lurid headlines in your morning paper" and "a decidedly regular guy, beloved by everyone he worked with". In 2007, Entertainment Weekly ranked Hartman the 87th greatest television icon of all time, and Maxim named him the top Saturday Night Live performer of all time. On the day of Hartman's death, rehearsals for The Simpsons were canceled as well as that night's performance by The Groundlings. The season five premiere episode of NewsRadio, "Bill Moves On", finds Hartman's character, Bill McNeal, has died of a heart attack, while the other characters reminisce about his life. Lovitz joined the show in his place beginning with the next episode. A special episode of Saturday Night Live commemorating Hartman's work on the show aired on June 13, 1998. Rather than substituting another voice actor, the writers of The Simpsons retired Hartman's characters. His final appearance on the show, the season ten episode "Bart the Mother", is dedicated to him, as is his final film, Small Soldiers. At the time of his death, Hartman was preparing to voice Zapp Brannigan, a character written specifically for him on Groening's second animated series Futurama. Even though the role was specifically made for him, Hartman still insisted on auditioning and Groening said he "nailed it." After Hartman's death, Billy West took over the role. Though executive producer David X. Cohen credits West with using his own take on the character, West later said that he purposely tweaked Zapp's voice to better match Hartman's intended portrayal. Hartman was planning to appear with Lovitz in the indie film The Day of Swine and Roses, scheduled to begin production in August 1998. In 2002, Laugh.com and Hartman's brother John published the album, Flat TV, a selection of comedy sketches recorded by Hartman in the 1970s, which had been kept in storage. John Hartmann commented: "I'm putting this out there because I'm dedicating my life to fulfilling his dreams. This [album] is my brother doing what he loved." In 2013, Flat TV was optioned by Michael "Ffish" Hemschoot's animation company Worker Studio for an animated adaptation. The deal came about after Michael T. Scott, a partner in the company, posted online a hand-written letter he had received from Hartman in 1997, leading to a correspondence between Scott and Paul Hartmann. In 2007, a campaign was started on Facebook by Alex Stevens and endorsed by Hartman's brother Paul, to have Phil inducted to Canada's Walk of Fame. Among the campaign's numerous publicity events, Ben Miner of the Sirius XM Radio channel Laugh Attack, dedicated the month of April 2012 to Hartman. The campaign ended in success and Hartman was inducted to the Walk of Fame on September 22, 2012, with Paul accepting the award on his late brother's behalf. Hartman was also awarded the Cineplex Legends Award. In June 2013, it was announced that Hartman would receive a star on the Hollywood Walk of Fame, which was unveiled on August 26, 2014. Additionally, a special prize at the Canadian Comedy Awards was named for Hartman. Beginning with the 13th Canadian Comedy Awards in 2012, the Phil Hartman Award was awarded to "an individual who helps to better the Canadian comedy community". In 2015, Rolling Stone magazine ranked Hartman as one of the top-ten greatest Saturday Night Live cast members throughout the show's forty-year history, coming in seventh on their list of all 141 members. Filmography Film Television Video games Theme park attractions Discography 1977 America, Harbor 1978 America, Silent Letter Poco, Legend 1980 Firesign Theatre, Fighting Clowns References Book sources External links Phil Hartman at Yahoo! Movies Phil Hartman at The New York Times Hartman's autopsy and death certificate Phil Hartman's final night: The tragic death of a “Saturday Night Live” genius, Mike Thomas, Salon, September 21, 2014 1948 births 1998 deaths 1998 murders in the United States 20th-century American male actors 20th-century Canadian male actors Album-cover and concert-poster artists American male comedians American male film actors American graphic designers American impressionists (entertainers) American male screenwriters American male television actors American television writers American male voice actors American sketch comedians California State University, Northridge alumni Canadian male comedians Canadian emigrants to the United States Canadian male voice actors Canadian murder victims Canadian sketch comedians Deaths by firearm in California Male actors from Los Angeles American male television writers Murder–suicides in California Naturalized citizens of the United States People from Brantford People murdered in Los Angeles Primetime Emmy Award winners Santa Monica College alumni Comedians from California Mariticides Westchester High School (Los Angeles) alumni Screenwriters from California 20th-century Canadian comedians 20th-century American comedians 20th-century American male writers 20th-century American screenwriters Comedians from Ontario	true	[ "Sarik Garnikovich Andreasyan (; ; born 1984) is a Russian-Armenian director, producer and screenwriter who has worked on films and commercials. He is the founder of Enjoy Movies. In May 2017, Andreasyan left Enjoy Movies studio to start another studio, Bolshoe Kino (Big Movies in Russian).\n\nHis early movies were mostly low budget comedies. However, since 2015, Sarik began to move towards science fiction, action and dramas.\n\nReception\nMost of Andreasyan's films were met with negative critical reception in Russian media, according to review aggregators Kritikanstvo and Megacritic. Notable exceptions are the drama Earthquake and anthology film duology Moms, that received more positive reviews. Only two movies by Andreasyan were rated by Rotten Tomatoes, both American Heist and Guardians have a \"rotten\" rating.\n\nHis early comedies, such as The Pregnant ($8.3M Gross), Moms ($7.8M Gross), What Men Do! ($11.3M Gross), were commercial hits. Andreasyan's recent high-budget movies, however, are considered box office bombs, according to various Russian media. This includes American Heist, Mafia: The Game of Survival, and Guardians.\n\nAndreasyan's disaster drama film Earthquake was selected as the Armenian entry for the Best Foreign Language Film at the 89th Academy Awards, but was disqualified by the Academy.\n\nFilmography\n\nReferences\n\nExternal links\n \n\nLiving people\nFilm people from Yerevan\nRussian people of Armenian descent\nRussian film directors\n1984 births", "King-Bee Films Corporation was a film production company in the U.S. that released two-real short film comedies during the silent film era. The company's stars included Billy West, a Charlie Chaplin imitator. Louis Burstein was the company's president and general manager. He established it in 1917 after the breakup of Vim Comedy Company to produce comedies starring West. Oliver Hardy and Ethelyn Gibson also acted for the company. It operated a studio in Jacksonville, Florida, then Bayonne, New Jersey and finally at 1329 Gordon Street in Hollywood, California. Its offices were in New York.\n\nKing-Bee had offices in New York and Hollywood, California. The company's production sites included Jacksonville, Florida. Arvid E. Gillstrom directed for King-Bee. Members of the company on their way to Hollywood were entertained in Chicago by members of the Standard Films Corporation.\n\nKing Bee's Billy West comedies were in such demand it wanted him to work on two at a time.\n\nFilmography\nThe Hero 1917 a Billy West comedies film\nThe Villain 1917 a Billy West comedies film\n The Slave 1917 a Billy West comedies film\n The Pest 1917 a Billy West comedies film\nThe Millionaire 1917 a Billy West comedies film\nDough Nuts 1917 a Billy West comedies film\nThe Candy Kid 1917 a Billy West comedies film\nBack Stage a Billy West comedies film\nThe Pest (1917), extant\n The Orderly 1918 a Billy West comedies film\n The Stranger 1918 a Billy West comedies film\n The Messenger 1918 a Billy West comedies film\nHis Day Out (1918), extant\n\nReferences\n\nSilent film studios\nDefunct companies based in California\nDefunct companies based in New York City" ]
[ "Phil Hartman", "Style", "What was Phil Hartman's style?", "his real-life personality, which was described as \"a regular guy and, by all accounts, one of show business' most low-key, decent people\",", "and what was his show style?", "Hartman often played seedy, vain or unpleasant characters as well as comedic villains.", "what shows did he act in?", "SNL", "did he act in movies?", "I don't know.", "what did critics have to say about his style?", "\" He was disciplined in his performances, studying the scripts beforehand.", "Did he enjoy working in comedies?", "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice" ]	C_8f3ec4d0681842848fcf988fd7a2544b_0	did audiences like his work?	7	did audiences like Phil Hartman's work?	Phil Hartman	In contrast to his real-life personality, which was described as "a regular guy and, by all accounts, one of show business' most low-key, decent people", Hartman often played seedy, vain or unpleasant characters as well as comedic villains. He noted that his standard character was a "jerky guy", and described his usual roles as "the weasel parade", citing Lionel Hutz, Bill McNeal, Troy McClure and Ted Maltin from Jingle All the Way as examples. Hartman enjoyed playing such roles because he "just want[ed] to be funny, and villains tend to be funny because their foibles are all there to see." He often played supporting roles, rather than the lead part. He said "throughout my career, I've never been a huge star, but I've made steady progress and that's the way I like it," and "It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame." Hartman was considered a "utility player" on SNL with a "kind of Everyman quality" which enabled him to appear in the majority of sketches, often in very distinct roles. Jan Hooks stated of his work on SNL: "Phil never had an ounce of competition. He was a team player. It was a privilege for him, I believe, to play support and do it very well. He was never insulted, no matter how small the role may have been." He was disciplined in his performances, studying the scripts beforehand. Hooks added: "Phil knew how to listen. And he knew how to look you in the eye, and he knew the power of being able to lay back and let somebody else be funny, and then do the reactions. I think Phil was more of an actor than a comedian." Film critic Pauline Kael declared that "Phil Hartman and Jan Hooks on Saturday Night Live are two of the best comic actors I've ever seen." Writer and acting coach Paul Ryan noted Hartman's work ethic with his impressions. He assembled a collection of video footage of the figure he was preparing to impersonate and watched this continually until he "completely embodied the person". Ryan concluded that "what made [Hartman's impressions] so funny and spot on was Phil's ability to add that perfect touch that only comes from trial and error and practicing in front of audiences and fellow actors." Hartman described this process as "technical." Journalist Lyle V. Harris said Hartman showed a "rare talent for morphing into [...] anybody he wanted to be". Ken Tucker summarized Hartman's comedic style: "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice an ironic lilt that delivered a punchline like a fast slider--you barely saw it coming until you started laughing." Hartman claimed that he borrowed his style from actor Bill Murray: "He's been a great influence on me - when he did that smarmy thing in Ghostbusters, then the same sort of thing in Groundhog Day. I tried to imitate it. I couldn't. I wasn't good enough. But I discovered an element of something else, so in a sick kind of way I made myself a career by doing a bad imitation of another comic." CANNOTANSWER	CANNOTANSWER	Philip Edward Hartman (né Hartmann; September 24, 1948 – May 28, 1998) was a Canadian-American actor, comedian, screenwriter, and graphic designer. Hartman was born in Brantford, Ontario, Canada, and his family moved to the United States when he was ten years old. After graduating from California State University, Northridge with a degree in graphic arts, he designed album covers for bands including Poco and America. In 1975, Hartman joined the comedy group The Groundlings, where he helped Paul Reubens develop his character Pee-wee Herman. Hartman co-wrote the film Pee-wee's Big Adventure and made recurring appearances as Captain Carl on Reubens' show Pee-wee's Playhouse. In 1986, Hartman joined the NBC sketch comedy show Saturday Night Live (SNL) as a cast member, and stayed for eight seasons until 1994. Nicknamed "Glue" for his ability to hold the show together and help other cast members, he won a Primetime Emmy Award for his SNL work in 1989. In 1995, he starred as Bill McNeal in the sitcom NewsRadio after declining to return to SNL. He also voiced various characters on The Simpsons, and had minor roles in the films Houseguest, Sgt. Bilko, Jingle All the Way, and Small Soldiers. After two divorces, Hartman married Brynn Omdahl in 1987, with whom he had two children. Their marriage was troubled due to Brynn's drug use and domestic violence against Phil, who was frequently absent from home. In 1998, while Hartman was sleeping in his bed, his wife shot and killed him, and later committed suicide. In the weeks following his murder, Hartman was celebrated in a wave of tributes. Dan Snierson of Entertainment Weekly wrote that Hartman was "the last person you'd expect to read about in lurid headlines in your morning paper ... a decidedly regular guy, beloved by everyone he worked with". He was posthumously inducted into the Canada and Hollywood Walks of Fame in 2012 and 2014. Early life Hartman was born Philip Edward Hartmann (later dropping one "n") on September 24, 1948, in Brantford, Ontario. He was the fourth of eight children of Doris Marguerite (née Wardell; July 17, 1919 – April 15, 2001) and Rupert Loebig Hartmann (November 8, 1914 – April 30, 1998), who sold building materials. The family was Catholic. As a child, Hartman found affection hard to earn: "I suppose I didn't get what I wanted out of my family life, so I started seeking love and attention elsewhere." Hartman was ten when his family moved to the United States. They first lived in Lewiston, Maine, then Meriden, Connecticut, and then on the West Coast, where he attended Westchester High School and frequently acted as the class clown. After graduating, he studied art at Santa Monica City College, dropping out in 1969 to become a roadie with a rock band. He returned to school in 1972 to study graphic arts at California State University, Northridge. He developed and operated his own graphic art business, creating more than 40 album covers for bands including Poco and America, as well as advertising and the logo for Crosby, Stills & Nash. In the late 1970s, he made his first television appearance on an episode of The Dating Game, where he won. Career Early career (1975–1985) Working alone as a graphic artist, Hartman frequently amused himself with "flights of voice fantasies". In 1975, seeking a more social outlet for his talents, he began attending evening comedy classes by the California-based improvisational comedy group The Groundlings. While watching one of their performances, he impulsively decided to climb on stage and join the cast. His first onscreen appearance was in 1978's Stunt Rock, an Australian film directed in Los Angeles by Brian Trenchard-Smith. After several years of training, paying his way by redesigning the group's logo and merchandise, Hartman formally joined The Groundlings and by 1979 was one of the show's stars. There Hartman befriended Paul Reubens, with whom he often collaborated on comedic material. Together they created the character Pee-wee Herman and developed The Pee-wee Herman Show, a live stage show that subsequently aired on HBO in 1981. Hartman played Captain Carl in the show, and reprised the role for the children's TV show Pee-wee's Playhouse. Reubens and Hartman made cameos in the 1980 film Cheech & Chong's Next Movie. Hartman co-wrote the script of the 1985 feature film Pee-wee's Big Adventure and had a cameo role as a reporter. He'd considered quitting acting at the age of 36 due to the challenges of finding work; but the success of Pee-wee's Big Adventure changed his mind. After a creative disagreement with Reubens, he left the Pee-Wee Herman project to pursue other roles. Hartman took more small roles in 1986 films such as Jumpin' Jack Flash and Three Amigos. He also worked as a voice actor in animated television programs, including The Smurfs, Challenge of the GoBots, The 13 Ghosts of Scooby-Doo, and in Dennis the Menace as characters Henry Mitchell and George Wilson. He developed a strong persona providing voice-overs for advertisements. Saturday Night Live (1986–1994) Hartman successfully auditioned to join NBC's variety show Saturday Night Live (SNL) in its 12th season, which began on October 11, 1986. He had been recommended for the show by fellow Groundlings and SNL cast members Jon Lovitz, and Laraine Newman as well as Jumpin' Jack Flash director Penny Marshall. He told the Los Angeles Times, "I wanted to do [SNL] because I wanted to get the exposure that would give me box-office credibility so I can write movies for myself." In his eight seasons with the show Hartman became known for his impressions, and performed as over 70 different characters. Hartman's original SNL characters include Eugene, the Anal Retentive Chef and Unfrozen Caveman Lawyer. His impressions include Frank Sinatra, Ronald Reagan, Ed McMahon, Barbara Bush, Charlton Heston, Phil Donahue, and Bill Clintonthe latter considered his best-known impression. Hartman first performed his Clinton impression on an episode of The Tonight Show. When he met Clinton in 1993, Hartman remarked, "I guess I owe you a few apologies", adding later that he "sometimes [felt] a twinge of guilt about [his Clinton impression]". Clinton showed good humor and sent Hartman a signed photo with the text: "You're not the president, but you play one on TV. And you're OK, mostly." Hartman copied the president's "post-nasal drip" and the "slight scratchiness" in his voice, as well as his open, "less intimidating" hand gestures. Hartman opted against wearing a larger prosthetic nose when portraying Clinton, as he thought it would be distracting. He instead wore a wig, dyed his eyebrows brighter, and used makeup to highlight his nose. In one of Hartman's sketches as Clinton, the president visits a McDonald's restaurant and explains his economic policies in the metaphor of eating other customers' food. The writers told him that he was not eating enough during rehearsals for the sketch – by the end of the live performance, Hartman had eaten so much he could barely speak. At SNL, Hartman's nickname of "Glue" was coined by Adam Sandler according to Jay Mohr's book Gasping for Airtime. However, according to You Might Remember Me: The Life and Times of Phil Hartman by Mike Thomas, author and staff writer for the Chicago Sun-Times, the nickname was created by SNL cast member and Hartman's frequent on-screen collaborator Jan Hooks. Hartman was very helpful to other cast members. For example, he aided Hooks in overcoming her stage fright. SNL creator Lorne Michaels explained the name: "He kind of held the show together. He gave to everybody and demanded very little. He was very low-maintenance." Michaels also added that Hartman was "the least appreciated" cast member by commentators outside the show, and praised his ability "to do five or six parts in a show where you're playing support or you're doing remarkable character work". Hartman won the Primetime Emmy Award for Outstanding Writing for a Variety, Music or Comedy Program for SNL in 1989, sharing the award with the show's other writers. He was nominated in the same category in 1987, and individually in 1994 for Outstanding Individual Performance in a Variety or Music Program. By 1993, almost every cast member who was there during Hartman's first year on SNL had left the show, including Jon Lovitz, Jan Hooks and Dana Carvey. Hartman said he felt "like an athlete who's watched all his World Series teammates get traded off into other directions ... It was hard to watch them leave because I sort of felt we were all part of the team that saved the show." This cast turnover contributed to his leaving the show in 1994. Hartman said he thought it was time to leave because the show was "getting less sophisticated" and his style of humor didn't fit with the less intellectual comedy of newer cast members like Adam Sandler. Hartman had originally planned to leave the show in 1991, but Michaels convinced him to stay to raise his profile; his portrayal of Clinton contributed to this goal. Jay Leno offered him the role of his sidekick on The Tonight Show but Hartman opted to stay on SNL. NBC persuaded him to stay on SNL by promising him his own comedy–variety show The Phil Show. He planned to "reinvent the variety form" with "a hybrid, very fast-paced, high energy [show] with sketches, impersonations, pet acts, and performers showcasing their talents". Hartman was to be the show's executive producer and head writer. Before production began, however, the network decided that variety shows were too unpopular and canceled the series. In a 1996 interview, Hartman noted he was glad, as he "would've been sweatin' blood each week trying to make it work". In 1998, he admitted he missed working on SNL, but had enjoyed the move from New York City to Southern California. NewsRadio (1995–1998) Hartman became one of the stars of the NBC sitcom NewsRadio in 1995, portraying radio news anchor Bill McNeal. He signed up after being attracted by the show's writing and use of an ensemble cast, and joked that he based McNeal on himself with "any ethics and character" removed. Hartman made roughly per episode of NewsRadio. Although the show was critically acclaimed, it was never a ratings hit and cancellation was a regular threat. After the completion of the fourth season, Hartman commented, "We seem to have limited appeal. We're on the edge here, not sure we're going to be picked up or not", but added he was "99 percent sure" the series would be renewed for a fifth season. Hartman had publicly lambasted NBC's decision to repeatedly move NewsRadio into different timeslots, but later regretted his comments, saying, "this is a sitcom, for crying out loud, not brain surgery". He also stated that if the sitcom were cancelled "it just will open up other opportunities for me". Although the show was renewed for a fifth season, Hartman died before production began. Ken Tucker praised Hartman's performance as McNeal: "A lesser performer ... would have played him as a variation on The Mary Tyler Moore Shows Ted Baxter, because that's what Bill was, on paper. But Hartman gave infinite variety to Bill's self-centeredness, turning him devious, cowardly, squeamish, and foolishly bold from week to week." Hartman was posthumously nominated for the Primetime Emmy Award for Outstanding Supporting Actor in a Comedy Series in 1998 for his work on NewsRadio, but lost to David Hyde Pierce. The Simpsons (1991–1998) Hartman provided the voices for numerous characters on the Fox animated series The Simpsons, appearing in 52 episodes. He made his first appearance in the second season episode "Bart Gets Hit by a Car". Although he was originally brought in for a one-time appearance, Hartman enjoyed working on The Simpsons and the staff wrote additional parts for him. He voiced the recurring characters Lionel Hutz and Troy McClure, as well as Duff man (on one occasion) and several background characters. His favorite part was that of McClure, and he often used this voice to entertain the audience between takes while taping episodes of NewsRadio. He remarked, "My favorite fans are Troy McClure fans." He added "It's the one thing that I do in my life that's almost an avocation. I do it for the pure love of it." Hartman was popular among the staff of The Simpsons. Showrunners Bill Oakley and Josh Weinstein said they enjoyed his work, and used him as much as possible when working on the show. To give Hartman a larger role, they developed the episode "A Fish Called Selma", which focuses on Troy McClure and expands the character's backstory. The Simpsons creator Matt Groening said that he "took [Hartman] for granted because he nailed the joke every time", and that his voice acting could produce "the maximum amount of humor" with any line he was given. Before his death, Hartman had expressed an interest in making a live action film about Troy McClure. Many of The Simpsons production staff expressed enthusiasm for the project and offered to help. Hartman said he was "looking forward to [McClure's] live-action movie, publicizing his Betty Ford appearances", and "would love nothing more" than making a film and was prepared to buy the film rights himself in order to make it happen. Other work Hartman's first starring film role came in 1995's Houseguest, alongside Sinbad. Other films include Greedy, Coneheads, Sgt. Bilko, So I Married an Axe Murderer, CB4, Jingle All the Way, Kiki's Delivery Service, and Small Soldiers, the latter of which is his final theatrically released film. At the same time, he preferred working on television. His other television roles include appearances on episodes of The John Larroquette Show, The Dana Carvey Show, 3rd Rock from the Sun, and the HBO TV film The Second Civil War as the President of the United States. He made a considerable amount of money from television advertising, earning $300,000 for a series of four commercials for the soft drink Slice. He also appeared in advertisements for McDonald's (as Hugh McAttack) and 1-800-Collect (as Max Jerome). Hartman wrote a number of screenplays that were never produced. In 1986, he began writing a screenplay for a film titled Mr. Fix-It, and completed the final draft in 1991. Robert Zemeckis was signed to produce the film, with Gil Bettman hired to direct. Hartman called it "a sort of a merger of horror and comedy, like Beetlejuice and Throw Momma From the Train", adding, "It's an American nightmare about a family torn asunder. They live next to a toxic dump site, their water supply is poisoned, the mother and son go insane and try to murder each other, the father's face is torn off in a terrible disfiguring accident in the first act. It's heavy stuff, but it's got a good message and a positive, upbeat ending." Zemeckis could not secure studio backing, however, and the project collapsed. Another film idea involving Hartman's Groundlings character Chick Hazard, Private Eye was also canceled. Style In contrast to his real-life personality, which was described as "a regular guy and, by all accounts, one of show business's most low-key, decent people", Hartman often played seedy, vain or unpleasant characters as well as comedic villains. He described his standard character repertoire as the "jerky guy" and "the weasel parade", citing Lionel Hutz, Bill McNeal, Troy McClure, and Ted Maltin from Jingle All the Way as examples. Hartman enjoyed playing such roles because he "just want[ed] to be funny, and villains tend to be funny because their foibles are all there to see". He often played supporting roles, rather than the lead part. He said "throughout my career, I've never been a huge star, but I've made steady progress and that's the way I like it", and "It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame." Hartman was considered a "utility player" on SNL with a "kind of Everyman quality" which enabled him to appear in the majority of sketches, often in very distinct roles. Jan Hooks stated of his work on SNL: "Phil never had an ounce of competition. He was a team player. It was a privilege for him, I believe, to play support and do it very well. He was never insulted, no matter how small the role may have been." He was disciplined in his performances, studying the scripts beforehand. Hooks added: "Phil knew how to listen. And he knew how to look you in the eye, and he knew the power of being able to lay back and let somebody else be funny, and then do the reactions. I think Phil was more of an actor than a comedian." Film critic Pauline Kael declared that "Phil Hartman and Jan Hooks on Saturday Night Live are two of the best comic actors I've ever seen." Writer and acting coach Paul Ryan noted Hartman's work ethic with his impressions. He assembled a collection of video footage of the figure he was preparing to impersonate and watched this continually until he "completely embodied the person". Ryan concluded that "what made [Hartman's impressions] so funny and spot on was Phil's ability to add that perfect touch that only comes from trial and error and practicing in front of audiences and fellow actors." Hartman described this process as "technical". Journalist Lyle V. Harris said Hartman showed a "rare talent for morphing into ... anybody he wanted to be". Ken Tucker summarized Hartman's comedic style: "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice an ironic lilt that delivered a punchline like a fast slider—you barely saw it coming until you started laughing." Hartman claimed that he borrowed his style from actor Bill Murray: "He's been a great influence on me – when he did that smarmy thing in Ghostbusters, then the same sort of thing in Groundhog Day. I tried to imitate it. I couldn't. I wasn't good enough. But I discovered an element of something else, so in a sick kind of way I made myself a career by doing a bad imitation of another comic." Personal life Hartman married Gretchen Lewis in 1970 and they divorced in September 1972. He married real estate agent Lisa Strain in 1982, and their marriage lasted three years. Strain told People magazine that Hartman was reclusive off screen and "would disappear emotionally ... he'd be in his own world. That passivity made you crazy." In 1987, Hartman married former model and aspiring actress Brynn Omdahl (born Vicki Jo Omdahl, April 11, 1958 – May 28, 1998), having met her on a blind date the previous year. They had two children, Sean and Birgen Hartman. The marriage had difficulties; she was reportedly intimidated by his success and was frustrated that she could not find any on her own, although neither party wanted a divorce. She was reported to have been jealous and often verbally and/or physically abusive, even sending a letter to his ex-wife, threatening to "rip [Strain's] eyes out" if she spoke to him again. Hartman considered retiring to save the marriage. Hartman tried to get Brynn acting roles, but she became progressively reliant on alcohol and narcotics, entering rehab several times. On multiple occasions, he removed their children from the household to stay with friends or family because of her drug- and alcohol-fueled outbursts. Because of his close friendship with SNL associate Jan Hooks, Brynn joked on occasion Hooks and Hartman were married "on some other level". Brynn had written threatening letters addressed to Hooks, warning her to not get close to her husband, but they appeared to have never even been sent, being discovered in her belongings following her death. Stephen Root, Hartman's NewsRadio co-star, said few people knew "the real Phil Hartman", as he was "one of those people who never seemed to come out of character," but he nevertheless gave the impression of a family man who cared deeply for his children. Hartman befriended Joe Rogan during his time on NewsRadio and confided his marital problems to him. Rogan said that he encouraged Hartman to divorce Brynn five times, but "[Hartman] loved his kids and didn't want to leave". Hartman stated in 1997, though a non-practicing Catholic, he displayed a sense of religiousness. In his spare time, he enjoyed driving, flying, sailing, marksmanship, and playing the guitar. Murder On May 27, 1998, Brynn visited the Italian restaurant Buca di Beppo in Encino, California, with producer and writer Christine Zander, who said Brynn was "in a good frame of mind." They had drinks. After returning home, Brynn had a "heated" argument with Phil, after which he went to bed. She entered his bedroom some time before PDT on May 28, 1998, and as he slept, fatally shot him once between the eyes, once in the throat, and once in the upper chest with a Charter Arms .38 caliber handgun. He was 49 years old. She was taking Zoloft, had been drinking alcohol, and had recently used cocaine. Brynn then drove to the home of her friend Ron Douglas and confessed to the killing, but he did not believe her. They drove back to the house in separate cars, and she called another friend and confessed a second time. On seeing Hartman's body, Douglas called 9-1-1 at Police arrived and escorted Douglas and the Hartmans' two children from the premises, by which time Brynn had locked herself in the bedroom. Shortly afterward, she committed suicide by a self-inflicted gunshot. The police stated Hartman's death was caused by "domestic discord" between the couple. A friend said Brynn "had trouble controlling her anger ... She got attention by losing her temper". A neighbor of the Hartmans told a CNN reporter that the couple had marital problems. Yet actor Steve Guttenberg said they had been "a very happy couple, and they always had the appearance of being well-balanced". A wrongful death lawsuit was filed in 1999 by her brother Gregory Omdahl, against Pfizer, the manufacturer of Zoloft, and against her child's psychiatrist, Arthur Sorosky, who had provided samples of the antidepressant to Brynn. Phil Hartman's friend and former SNL colleague Jon Lovitz has accused Hartman's then NewsRadio co-star Andy Dick of reintroducing Brynn to cocaine, causing her to relapse and suffer a nervous breakdown. Dick claims to have known nothing of her condition. Lovitz later said he no longer blamed Dick for Hartman's murder, but in 2006, Lovitz claimed Dick approached him at a restaurant and said, "I put the Phil Hartman hex on you; you're the next one to die." Lovitz then had him ejected from the restaurant. The following year at the Laugh Factory comedy club in Los Angeles, Lovitz and Dick had another argument, with Lovitz slamming Dick's head into the bar. Dick asserted he was not at fault in relation to Hartman's death. Brynn's sister Katharine Omdahl and brother-in-law Mike Wright raised the two Hartman children. Hartman's will stipulated each child would inherit money over several years after turning 25. The total value of Hartman's estate was estimated at . In accordance with his wishes, his body was cremated by Forest Lawn Memorial Park and Mortuary, Glendale, California, and his ashes scattered over Santa Catalina Island's Emerald Bay. Response and legacy NBC executive Don Ohlmeyer stated that Hartman "was blessed with a tremendous gift for creating characters that made people laugh. Everyone who had the pleasure of working with Phil knows that he was a man of tremendous warmth, a true professional and a loyal friend." Guttenberg expressed shock at Hartman's death, and Steve Martin said he was "a deeply funny and very happy person". Matt Groening called him "a master", and director Joe Dante said, "He was one of those guys who was a dream to work with. I don't know anybody who didn't like him." Dan Snierson of Entertainment Weekly concluded that Hartman was "the last person you'd expect to read about in lurid headlines in your morning paper" and "a decidedly regular guy, beloved by everyone he worked with". In 2007, Entertainment Weekly ranked Hartman the 87th greatest television icon of all time, and Maxim named him the top Saturday Night Live performer of all time. On the day of Hartman's death, rehearsals for The Simpsons were canceled as well as that night's performance by The Groundlings. The season five premiere episode of NewsRadio, "Bill Moves On", finds Hartman's character, Bill McNeal, has died of a heart attack, while the other characters reminisce about his life. Lovitz joined the show in his place beginning with the next episode. A special episode of Saturday Night Live commemorating Hartman's work on the show aired on June 13, 1998. Rather than substituting another voice actor, the writers of The Simpsons retired Hartman's characters. His final appearance on the show, the season ten episode "Bart the Mother", is dedicated to him, as is his final film, Small Soldiers. At the time of his death, Hartman was preparing to voice Zapp Brannigan, a character written specifically for him on Groening's second animated series Futurama. Even though the role was specifically made for him, Hartman still insisted on auditioning and Groening said he "nailed it." After Hartman's death, Billy West took over the role. Though executive producer David X. Cohen credits West with using his own take on the character, West later said that he purposely tweaked Zapp's voice to better match Hartman's intended portrayal. Hartman was planning to appear with Lovitz in the indie film The Day of Swine and Roses, scheduled to begin production in August 1998. In 2002, Laugh.com and Hartman's brother John published the album, Flat TV, a selection of comedy sketches recorded by Hartman in the 1970s, which had been kept in storage. John Hartmann commented: "I'm putting this out there because I'm dedicating my life to fulfilling his dreams. This [album] is my brother doing what he loved." In 2013, Flat TV was optioned by Michael "Ffish" Hemschoot's animation company Worker Studio for an animated adaptation. The deal came about after Michael T. Scott, a partner in the company, posted online a hand-written letter he had received from Hartman in 1997, leading to a correspondence between Scott and Paul Hartmann. In 2007, a campaign was started on Facebook by Alex Stevens and endorsed by Hartman's brother Paul, to have Phil inducted to Canada's Walk of Fame. Among the campaign's numerous publicity events, Ben Miner of the Sirius XM Radio channel Laugh Attack, dedicated the month of April 2012 to Hartman. The campaign ended in success and Hartman was inducted to the Walk of Fame on September 22, 2012, with Paul accepting the award on his late brother's behalf. Hartman was also awarded the Cineplex Legends Award. In June 2013, it was announced that Hartman would receive a star on the Hollywood Walk of Fame, which was unveiled on August 26, 2014. Additionally, a special prize at the Canadian Comedy Awards was named for Hartman. Beginning with the 13th Canadian Comedy Awards in 2012, the Phil Hartman Award was awarded to "an individual who helps to better the Canadian comedy community". In 2015, Rolling Stone magazine ranked Hartman as one of the top-ten greatest Saturday Night Live cast members throughout the show's forty-year history, coming in seventh on their list of all 141 members. Filmography Film Television Video games Theme park attractions Discography 1977 America, Harbor 1978 America, Silent Letter Poco, Legend 1980 Firesign Theatre, Fighting Clowns References Book sources External links Phil Hartman at Yahoo! Movies Phil Hartman at The New York Times Hartman's autopsy and death certificate Phil Hartman's final night: The tragic death of a “Saturday Night Live” genius, Mike Thomas, Salon, September 21, 2014 1948 births 1998 deaths 1998 murders in the United States 20th-century American male actors 20th-century Canadian male actors Album-cover and concert-poster artists American male comedians American male film actors American graphic designers American impressionists (entertainers) American male screenwriters American male television actors American television writers American male voice actors American sketch comedians California State University, Northridge alumni Canadian male comedians Canadian emigrants to the United States Canadian male voice actors Canadian murder victims Canadian sketch comedians Deaths by firearm in California Male actors from Los Angeles American male television writers Murder–suicides in California Naturalized citizens of the United States People from Brantford People murdered in Los Angeles Primetime Emmy Award winners Santa Monica College alumni Comedians from California Mariticides Westchester High School (Los Angeles) alumni Screenwriters from California 20th-century Canadian comedians 20th-century American comedians 20th-century American male writers 20th-century American screenwriters Comedians from Ontario	false	[ "Alexander Gough (fl. 1626 – 1655), also Goughe or Goffe, was an English actor in the Caroline era. He started out as a boy player filling female roles; during the period of the English Civil War and the Interregnum (1642–1660) when the theatres were closed and actors out of work, Gough became involved in the publication of plays.\n\nAlexander Gough was born in 1614, the son of Robert Gough, an actor with the King's Men. Like some other sons of actors (Theophilus Bird; Robert Pallant), Gough started acting as a boy — in his case, with his father's company. Alexander Gough played:\n\n Caenis in Massinger's The Roman Actor, 1626\n Acanthe in Massinger's The Picture, 1629\n Eurinia in Wilson's The Swisser, 1631\n Lillia-Bianca in Fletcher's The Wild Goose Chase, the 1632 revival.\n\nGough also had roles in Ford's The Lover's Melancholy (1628) and Clavell's The Soddered Citizen (1630). Gough remained with the company at least until 1636, and perhaps longer, probably playing minor adult roles.\n\nin 1642, at the start of the Civil War, the Puritan regime forced the closure of the London theatres. Theatrical activity did not cease entirely; rather, actors staged clandestine performances, often at the private houses of sympathetic citizens. In so doing, the actors faced a major and obvious problem: how to find audiences for \"secret\" performances (ideally, audiences that did not contain informers who would betray them to the authorities). During this period, Alexander Gough reportedly functioned as what was then called a \"jackal\" — he helped to gather audiences for these clandestine performances.\n\nLater in the Commonwealth era, Gough was active in publication, specifically of plays. He was not the only actor who shifted to publishing; Andrew Pennycuicke and William Cartwright did the same. Most notably, Gough wrote an introduction to Humphrey Moseley's 1652 first edition of The Widow; his preface \"To the Reader\" re-iterated the title-page attribution of that play to John Fletcher, Ben Jonson, and Thomas Middleton. Modern scholars and critics have strongly rejected the attribution to Fletcher and Jonson, and recognize The Widow as a solo work by Middleton.\n\nGough was also involved with the first editions of The Queen (1653), a play assigned to John Ford, and Lodowick Carlell's The Passionate Lovers (1655).\n\nReferences\n\nEnglish male stage actors\n17th-century English male actors\n1614 births\nYear of death unknown", "Edmund Elias Merhige, known as E. Elias Merhige (, pronounced like marriage; born June 14, 1964), is an American film director born in Brooklyn, New York City.\n\nWork\nMerhige is known to mainstream audiences for his work on the 2000 film Shadow of the Vampire and to underground audiences for the cult 1989 film Begotten. He has also directed music videos for Marilyn Manson.\n\nMerhige started in the New York theatre scene, and first conceived Begotten as a work of experimental theatre, casting many actors from his company in supporting roles. Following the release of his last feature film Suspect Zero, Merhige has mostly returned to work in the theatre.\n\nHe is currently supervising a reconstruction of the 1979 film Caligula, titled Gore Vidal’s Caligula, that adheres more closely to Gore Vidal’s screenplay.\n\nCritical reception\nEugene Thacker, writing about Begotten, placed Merhige's work \"between genre horror and performance art,\" marking Begotten as a \"ritual in cinematic time,\" and concluding that the next step in Merhige's art offering \"presumably, would be to allow everything to dissolve - human into non-human, body into environment, image into emulsions of gelatin, crystal, and camphor.\"\n\nFilmography\n\nFeatures\n Begotten (1989)\n Shadow of the Vampire (2000)\n Suspect Zero (2004)\n\nShort films\n Implosion (1983)\n Spring Reign (1984)\n A Taste of Youth (1985)\n Din of Celestial Birds (2006)\n\nMusic videos \n \"Cryptorchid\" – Marilyn Manson\n \"Antichrist Superstar\" – Marilyn Manson\n \"The Heinrich Maneuver\" – Interpol\n \"Serpentia\" – Danzig\n\nReferences\n\nExternal links\n\nAmerican music video directors\n1964 births\nLiving people\nPeople from Brooklyn\nHorror film directors\nFilm directors from New York City" ]
[ "Phil Hartman", "Style", "What was Phil Hartman's style?", "his real-life personality, which was described as \"a regular guy and, by all accounts, one of show business' most low-key, decent people\",", "and what was his show style?", "Hartman often played seedy, vain or unpleasant characters as well as comedic villains.", "what shows did he act in?", "SNL", "did he act in movies?", "I don't know.", "what did critics have to say about his style?", "\" He was disciplined in his performances, studying the scripts beforehand.", "Did he enjoy working in comedies?", "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice", "did audiences like his work?", "I don't know." ]	C_8f3ec4d0681842848fcf988fd7a2544b_0	what else is interesting about him?	8	what else is interesting about Phil Hartman besides work?	Phil Hartman	In contrast to his real-life personality, which was described as "a regular guy and, by all accounts, one of show business' most low-key, decent people", Hartman often played seedy, vain or unpleasant characters as well as comedic villains. He noted that his standard character was a "jerky guy", and described his usual roles as "the weasel parade", citing Lionel Hutz, Bill McNeal, Troy McClure and Ted Maltin from Jingle All the Way as examples. Hartman enjoyed playing such roles because he "just want[ed] to be funny, and villains tend to be funny because their foibles are all there to see." He often played supporting roles, rather than the lead part. He said "throughout my career, I've never been a huge star, but I've made steady progress and that's the way I like it," and "It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame." Hartman was considered a "utility player" on SNL with a "kind of Everyman quality" which enabled him to appear in the majority of sketches, often in very distinct roles. Jan Hooks stated of his work on SNL: "Phil never had an ounce of competition. He was a team player. It was a privilege for him, I believe, to play support and do it very well. He was never insulted, no matter how small the role may have been." He was disciplined in his performances, studying the scripts beforehand. Hooks added: "Phil knew how to listen. And he knew how to look you in the eye, and he knew the power of being able to lay back and let somebody else be funny, and then do the reactions. I think Phil was more of an actor than a comedian." Film critic Pauline Kael declared that "Phil Hartman and Jan Hooks on Saturday Night Live are two of the best comic actors I've ever seen." Writer and acting coach Paul Ryan noted Hartman's work ethic with his impressions. He assembled a collection of video footage of the figure he was preparing to impersonate and watched this continually until he "completely embodied the person". Ryan concluded that "what made [Hartman's impressions] so funny and spot on was Phil's ability to add that perfect touch that only comes from trial and error and practicing in front of audiences and fellow actors." Hartman described this process as "technical." Journalist Lyle V. Harris said Hartman showed a "rare talent for morphing into [...] anybody he wanted to be". Ken Tucker summarized Hartman's comedic style: "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice an ironic lilt that delivered a punchline like a fast slider--you barely saw it coming until you started laughing." Hartman claimed that he borrowed his style from actor Bill Murray: "He's been a great influence on me - when he did that smarmy thing in Ghostbusters, then the same sort of thing in Groundhog Day. I tried to imitate it. I couldn't. I wasn't good enough. But I discovered an element of something else, so in a sick kind of way I made myself a career by doing a bad imitation of another comic." CANNOTANSWER	He often played supporting roles, rather than the lead part. He said "throughout my career, I've never been a huge star, but	Philip Edward Hartman (né Hartmann; September 24, 1948 – May 28, 1998) was a Canadian-American actor, comedian, screenwriter, and graphic designer. Hartman was born in Brantford, Ontario, Canada, and his family moved to the United States when he was ten years old. After graduating from California State University, Northridge with a degree in graphic arts, he designed album covers for bands including Poco and America. In 1975, Hartman joined the comedy group The Groundlings, where he helped Paul Reubens develop his character Pee-wee Herman. Hartman co-wrote the film Pee-wee's Big Adventure and made recurring appearances as Captain Carl on Reubens' show Pee-wee's Playhouse. In 1986, Hartman joined the NBC sketch comedy show Saturday Night Live (SNL) as a cast member, and stayed for eight seasons until 1994. Nicknamed "Glue" for his ability to hold the show together and help other cast members, he won a Primetime Emmy Award for his SNL work in 1989. In 1995, he starred as Bill McNeal in the sitcom NewsRadio after declining to return to SNL. He also voiced various characters on The Simpsons, and had minor roles in the films Houseguest, Sgt. Bilko, Jingle All the Way, and Small Soldiers. After two divorces, Hartman married Brynn Omdahl in 1987, with whom he had two children. Their marriage was troubled due to Brynn's drug use and domestic violence against Phil, who was frequently absent from home. In 1998, while Hartman was sleeping in his bed, his wife shot and killed him, and later committed suicide. In the weeks following his murder, Hartman was celebrated in a wave of tributes. Dan Snierson of Entertainment Weekly wrote that Hartman was "the last person you'd expect to read about in lurid headlines in your morning paper ... a decidedly regular guy, beloved by everyone he worked with". He was posthumously inducted into the Canada and Hollywood Walks of Fame in 2012 and 2014. Early life Hartman was born Philip Edward Hartmann (later dropping one "n") on September 24, 1948, in Brantford, Ontario. He was the fourth of eight children of Doris Marguerite (née Wardell; July 17, 1919 – April 15, 2001) and Rupert Loebig Hartmann (November 8, 1914 – April 30, 1998), who sold building materials. The family was Catholic. As a child, Hartman found affection hard to earn: "I suppose I didn't get what I wanted out of my family life, so I started seeking love and attention elsewhere." Hartman was ten when his family moved to the United States. They first lived in Lewiston, Maine, then Meriden, Connecticut, and then on the West Coast, where he attended Westchester High School and frequently acted as the class clown. After graduating, he studied art at Santa Monica City College, dropping out in 1969 to become a roadie with a rock band. He returned to school in 1972 to study graphic arts at California State University, Northridge. He developed and operated his own graphic art business, creating more than 40 album covers for bands including Poco and America, as well as advertising and the logo for Crosby, Stills & Nash. In the late 1970s, he made his first television appearance on an episode of The Dating Game, where he won. Career Early career (1975–1985) Working alone as a graphic artist, Hartman frequently amused himself with "flights of voice fantasies". In 1975, seeking a more social outlet for his talents, he began attending evening comedy classes by the California-based improvisational comedy group The Groundlings. While watching one of their performances, he impulsively decided to climb on stage and join the cast. His first onscreen appearance was in 1978's Stunt Rock, an Australian film directed in Los Angeles by Brian Trenchard-Smith. After several years of training, paying his way by redesigning the group's logo and merchandise, Hartman formally joined The Groundlings and by 1979 was one of the show's stars. There Hartman befriended Paul Reubens, with whom he often collaborated on comedic material. Together they created the character Pee-wee Herman and developed The Pee-wee Herman Show, a live stage show that subsequently aired on HBO in 1981. Hartman played Captain Carl in the show, and reprised the role for the children's TV show Pee-wee's Playhouse. Reubens and Hartman made cameos in the 1980 film Cheech & Chong's Next Movie. Hartman co-wrote the script of the 1985 feature film Pee-wee's Big Adventure and had a cameo role as a reporter. He'd considered quitting acting at the age of 36 due to the challenges of finding work; but the success of Pee-wee's Big Adventure changed his mind. After a creative disagreement with Reubens, he left the Pee-Wee Herman project to pursue other roles. Hartman took more small roles in 1986 films such as Jumpin' Jack Flash and Three Amigos. He also worked as a voice actor in animated television programs, including The Smurfs, Challenge of the GoBots, The 13 Ghosts of Scooby-Doo, and in Dennis the Menace as characters Henry Mitchell and George Wilson. He developed a strong persona providing voice-overs for advertisements. Saturday Night Live (1986–1994) Hartman successfully auditioned to join NBC's variety show Saturday Night Live (SNL) in its 12th season, which began on October 11, 1986. He had been recommended for the show by fellow Groundlings and SNL cast members Jon Lovitz, and Laraine Newman as well as Jumpin' Jack Flash director Penny Marshall. He told the Los Angeles Times, "I wanted to do [SNL] because I wanted to get the exposure that would give me box-office credibility so I can write movies for myself." In his eight seasons with the show Hartman became known for his impressions, and performed as over 70 different characters. Hartman's original SNL characters include Eugene, the Anal Retentive Chef and Unfrozen Caveman Lawyer. His impressions include Frank Sinatra, Ronald Reagan, Ed McMahon, Barbara Bush, Charlton Heston, Phil Donahue, and Bill Clintonthe latter considered his best-known impression. Hartman first performed his Clinton impression on an episode of The Tonight Show. When he met Clinton in 1993, Hartman remarked, "I guess I owe you a few apologies", adding later that he "sometimes [felt] a twinge of guilt about [his Clinton impression]". Clinton showed good humor and sent Hartman a signed photo with the text: "You're not the president, but you play one on TV. And you're OK, mostly." Hartman copied the president's "post-nasal drip" and the "slight scratchiness" in his voice, as well as his open, "less intimidating" hand gestures. Hartman opted against wearing a larger prosthetic nose when portraying Clinton, as he thought it would be distracting. He instead wore a wig, dyed his eyebrows brighter, and used makeup to highlight his nose. In one of Hartman's sketches as Clinton, the president visits a McDonald's restaurant and explains his economic policies in the metaphor of eating other customers' food. The writers told him that he was not eating enough during rehearsals for the sketch – by the end of the live performance, Hartman had eaten so much he could barely speak. At SNL, Hartman's nickname of "Glue" was coined by Adam Sandler according to Jay Mohr's book Gasping for Airtime. However, according to You Might Remember Me: The Life and Times of Phil Hartman by Mike Thomas, author and staff writer for the Chicago Sun-Times, the nickname was created by SNL cast member and Hartman's frequent on-screen collaborator Jan Hooks. Hartman was very helpful to other cast members. For example, he aided Hooks in overcoming her stage fright. SNL creator Lorne Michaels explained the name: "He kind of held the show together. He gave to everybody and demanded very little. He was very low-maintenance." Michaels also added that Hartman was "the least appreciated" cast member by commentators outside the show, and praised his ability "to do five or six parts in a show where you're playing support or you're doing remarkable character work". Hartman won the Primetime Emmy Award for Outstanding Writing for a Variety, Music or Comedy Program for SNL in 1989, sharing the award with the show's other writers. He was nominated in the same category in 1987, and individually in 1994 for Outstanding Individual Performance in a Variety or Music Program. By 1993, almost every cast member who was there during Hartman's first year on SNL had left the show, including Jon Lovitz, Jan Hooks and Dana Carvey. Hartman said he felt "like an athlete who's watched all his World Series teammates get traded off into other directions ... It was hard to watch them leave because I sort of felt we were all part of the team that saved the show." This cast turnover contributed to his leaving the show in 1994. Hartman said he thought it was time to leave because the show was "getting less sophisticated" and his style of humor didn't fit with the less intellectual comedy of newer cast members like Adam Sandler. Hartman had originally planned to leave the show in 1991, but Michaels convinced him to stay to raise his profile; his portrayal of Clinton contributed to this goal. Jay Leno offered him the role of his sidekick on The Tonight Show but Hartman opted to stay on SNL. NBC persuaded him to stay on SNL by promising him his own comedy–variety show The Phil Show. He planned to "reinvent the variety form" with "a hybrid, very fast-paced, high energy [show] with sketches, impersonations, pet acts, and performers showcasing their talents". Hartman was to be the show's executive producer and head writer. Before production began, however, the network decided that variety shows were too unpopular and canceled the series. In a 1996 interview, Hartman noted he was glad, as he "would've been sweatin' blood each week trying to make it work". In 1998, he admitted he missed working on SNL, but had enjoyed the move from New York City to Southern California. NewsRadio (1995–1998) Hartman became one of the stars of the NBC sitcom NewsRadio in 1995, portraying radio news anchor Bill McNeal. He signed up after being attracted by the show's writing and use of an ensemble cast, and joked that he based McNeal on himself with "any ethics and character" removed. Hartman made roughly per episode of NewsRadio. Although the show was critically acclaimed, it was never a ratings hit and cancellation was a regular threat. After the completion of the fourth season, Hartman commented, "We seem to have limited appeal. We're on the edge here, not sure we're going to be picked up or not", but added he was "99 percent sure" the series would be renewed for a fifth season. Hartman had publicly lambasted NBC's decision to repeatedly move NewsRadio into different timeslots, but later regretted his comments, saying, "this is a sitcom, for crying out loud, not brain surgery". He also stated that if the sitcom were cancelled "it just will open up other opportunities for me". Although the show was renewed for a fifth season, Hartman died before production began. Ken Tucker praised Hartman's performance as McNeal: "A lesser performer ... would have played him as a variation on The Mary Tyler Moore Shows Ted Baxter, because that's what Bill was, on paper. But Hartman gave infinite variety to Bill's self-centeredness, turning him devious, cowardly, squeamish, and foolishly bold from week to week." Hartman was posthumously nominated for the Primetime Emmy Award for Outstanding Supporting Actor in a Comedy Series in 1998 for his work on NewsRadio, but lost to David Hyde Pierce. The Simpsons (1991–1998) Hartman provided the voices for numerous characters on the Fox animated series The Simpsons, appearing in 52 episodes. He made his first appearance in the second season episode "Bart Gets Hit by a Car". Although he was originally brought in for a one-time appearance, Hartman enjoyed working on The Simpsons and the staff wrote additional parts for him. He voiced the recurring characters Lionel Hutz and Troy McClure, as well as Duff man (on one occasion) and several background characters. His favorite part was that of McClure, and he often used this voice to entertain the audience between takes while taping episodes of NewsRadio. He remarked, "My favorite fans are Troy McClure fans." He added "It's the one thing that I do in my life that's almost an avocation. I do it for the pure love of it." Hartman was popular among the staff of The Simpsons. Showrunners Bill Oakley and Josh Weinstein said they enjoyed his work, and used him as much as possible when working on the show. To give Hartman a larger role, they developed the episode "A Fish Called Selma", which focuses on Troy McClure and expands the character's backstory. The Simpsons creator Matt Groening said that he "took [Hartman] for granted because he nailed the joke every time", and that his voice acting could produce "the maximum amount of humor" with any line he was given. Before his death, Hartman had expressed an interest in making a live action film about Troy McClure. Many of The Simpsons production staff expressed enthusiasm for the project and offered to help. Hartman said he was "looking forward to [McClure's] live-action movie, publicizing his Betty Ford appearances", and "would love nothing more" than making a film and was prepared to buy the film rights himself in order to make it happen. Other work Hartman's first starring film role came in 1995's Houseguest, alongside Sinbad. Other films include Greedy, Coneheads, Sgt. Bilko, So I Married an Axe Murderer, CB4, Jingle All the Way, Kiki's Delivery Service, and Small Soldiers, the latter of which is his final theatrically released film. At the same time, he preferred working on television. His other television roles include appearances on episodes of The John Larroquette Show, The Dana Carvey Show, 3rd Rock from the Sun, and the HBO TV film The Second Civil War as the President of the United States. He made a considerable amount of money from television advertising, earning $300,000 for a series of four commercials for the soft drink Slice. He also appeared in advertisements for McDonald's (as Hugh McAttack) and 1-800-Collect (as Max Jerome). Hartman wrote a number of screenplays that were never produced. In 1986, he began writing a screenplay for a film titled Mr. Fix-It, and completed the final draft in 1991. Robert Zemeckis was signed to produce the film, with Gil Bettman hired to direct. Hartman called it "a sort of a merger of horror and comedy, like Beetlejuice and Throw Momma From the Train", adding, "It's an American nightmare about a family torn asunder. They live next to a toxic dump site, their water supply is poisoned, the mother and son go insane and try to murder each other, the father's face is torn off in a terrible disfiguring accident in the first act. It's heavy stuff, but it's got a good message and a positive, upbeat ending." Zemeckis could not secure studio backing, however, and the project collapsed. Another film idea involving Hartman's Groundlings character Chick Hazard, Private Eye was also canceled. Style In contrast to his real-life personality, which was described as "a regular guy and, by all accounts, one of show business's most low-key, decent people", Hartman often played seedy, vain or unpleasant characters as well as comedic villains. He described his standard character repertoire as the "jerky guy" and "the weasel parade", citing Lionel Hutz, Bill McNeal, Troy McClure, and Ted Maltin from Jingle All the Way as examples. Hartman enjoyed playing such roles because he "just want[ed] to be funny, and villains tend to be funny because their foibles are all there to see". He often played supporting roles, rather than the lead part. He said "throughout my career, I've never been a huge star, but I've made steady progress and that's the way I like it", and "It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame." Hartman was considered a "utility player" on SNL with a "kind of Everyman quality" which enabled him to appear in the majority of sketches, often in very distinct roles. Jan Hooks stated of his work on SNL: "Phil never had an ounce of competition. He was a team player. It was a privilege for him, I believe, to play support and do it very well. He was never insulted, no matter how small the role may have been." He was disciplined in his performances, studying the scripts beforehand. Hooks added: "Phil knew how to listen. And he knew how to look you in the eye, and he knew the power of being able to lay back and let somebody else be funny, and then do the reactions. I think Phil was more of an actor than a comedian." Film critic Pauline Kael declared that "Phil Hartman and Jan Hooks on Saturday Night Live are two of the best comic actors I've ever seen." Writer and acting coach Paul Ryan noted Hartman's work ethic with his impressions. He assembled a collection of video footage of the figure he was preparing to impersonate and watched this continually until he "completely embodied the person". Ryan concluded that "what made [Hartman's impressions] so funny and spot on was Phil's ability to add that perfect touch that only comes from trial and error and practicing in front of audiences and fellow actors." Hartman described this process as "technical". Journalist Lyle V. Harris said Hartman showed a "rare talent for morphing into ... anybody he wanted to be". Ken Tucker summarized Hartman's comedic style: "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice an ironic lilt that delivered a punchline like a fast slider—you barely saw it coming until you started laughing." Hartman claimed that he borrowed his style from actor Bill Murray: "He's been a great influence on me – when he did that smarmy thing in Ghostbusters, then the same sort of thing in Groundhog Day. I tried to imitate it. I couldn't. I wasn't good enough. But I discovered an element of something else, so in a sick kind of way I made myself a career by doing a bad imitation of another comic." Personal life Hartman married Gretchen Lewis in 1970 and they divorced in September 1972. He married real estate agent Lisa Strain in 1982, and their marriage lasted three years. Strain told People magazine that Hartman was reclusive off screen and "would disappear emotionally ... he'd be in his own world. That passivity made you crazy." In 1987, Hartman married former model and aspiring actress Brynn Omdahl (born Vicki Jo Omdahl, April 11, 1958 – May 28, 1998), having met her on a blind date the previous year. They had two children, Sean and Birgen Hartman. The marriage had difficulties; she was reportedly intimidated by his success and was frustrated that she could not find any on her own, although neither party wanted a divorce. She was reported to have been jealous and often verbally and/or physically abusive, even sending a letter to his ex-wife, threatening to "rip [Strain's] eyes out" if she spoke to him again. Hartman considered retiring to save the marriage. Hartman tried to get Brynn acting roles, but she became progressively reliant on alcohol and narcotics, entering rehab several times. On multiple occasions, he removed their children from the household to stay with friends or family because of her drug- and alcohol-fueled outbursts. Because of his close friendship with SNL associate Jan Hooks, Brynn joked on occasion Hooks and Hartman were married "on some other level". Brynn had written threatening letters addressed to Hooks, warning her to not get close to her husband, but they appeared to have never even been sent, being discovered in her belongings following her death. Stephen Root, Hartman's NewsRadio co-star, said few people knew "the real Phil Hartman", as he was "one of those people who never seemed to come out of character," but he nevertheless gave the impression of a family man who cared deeply for his children. Hartman befriended Joe Rogan during his time on NewsRadio and confided his marital problems to him. Rogan said that he encouraged Hartman to divorce Brynn five times, but "[Hartman] loved his kids and didn't want to leave". Hartman stated in 1997, though a non-practicing Catholic, he displayed a sense of religiousness. In his spare time, he enjoyed driving, flying, sailing, marksmanship, and playing the guitar. Murder On May 27, 1998, Brynn visited the Italian restaurant Buca di Beppo in Encino, California, with producer and writer Christine Zander, who said Brynn was "in a good frame of mind." They had drinks. After returning home, Brynn had a "heated" argument with Phil, after which he went to bed. She entered his bedroom some time before PDT on May 28, 1998, and as he slept, fatally shot him once between the eyes, once in the throat, and once in the upper chest with a Charter Arms .38 caliber handgun. He was 49 years old. She was taking Zoloft, had been drinking alcohol, and had recently used cocaine. Brynn then drove to the home of her friend Ron Douglas and confessed to the killing, but he did not believe her. They drove back to the house in separate cars, and she called another friend and confessed a second time. On seeing Hartman's body, Douglas called 9-1-1 at Police arrived and escorted Douglas and the Hartmans' two children from the premises, by which time Brynn had locked herself in the bedroom. Shortly afterward, she committed suicide by a self-inflicted gunshot. The police stated Hartman's death was caused by "domestic discord" between the couple. A friend said Brynn "had trouble controlling her anger ... She got attention by losing her temper". A neighbor of the Hartmans told a CNN reporter that the couple had marital problems. Yet actor Steve Guttenberg said they had been "a very happy couple, and they always had the appearance of being well-balanced". A wrongful death lawsuit was filed in 1999 by her brother Gregory Omdahl, against Pfizer, the manufacturer of Zoloft, and against her child's psychiatrist, Arthur Sorosky, who had provided samples of the antidepressant to Brynn. Phil Hartman's friend and former SNL colleague Jon Lovitz has accused Hartman's then NewsRadio co-star Andy Dick of reintroducing Brynn to cocaine, causing her to relapse and suffer a nervous breakdown. Dick claims to have known nothing of her condition. Lovitz later said he no longer blamed Dick for Hartman's murder, but in 2006, Lovitz claimed Dick approached him at a restaurant and said, "I put the Phil Hartman hex on you; you're the next one to die." Lovitz then had him ejected from the restaurant. The following year at the Laugh Factory comedy club in Los Angeles, Lovitz and Dick had another argument, with Lovitz slamming Dick's head into the bar. Dick asserted he was not at fault in relation to Hartman's death. Brynn's sister Katharine Omdahl and brother-in-law Mike Wright raised the two Hartman children. Hartman's will stipulated each child would inherit money over several years after turning 25. The total value of Hartman's estate was estimated at . In accordance with his wishes, his body was cremated by Forest Lawn Memorial Park and Mortuary, Glendale, California, and his ashes scattered over Santa Catalina Island's Emerald Bay. Response and legacy NBC executive Don Ohlmeyer stated that Hartman "was blessed with a tremendous gift for creating characters that made people laugh. Everyone who had the pleasure of working with Phil knows that he was a man of tremendous warmth, a true professional and a loyal friend." Guttenberg expressed shock at Hartman's death, and Steve Martin said he was "a deeply funny and very happy person". Matt Groening called him "a master", and director Joe Dante said, "He was one of those guys who was a dream to work with. I don't know anybody who didn't like him." Dan Snierson of Entertainment Weekly concluded that Hartman was "the last person you'd expect to read about in lurid headlines in your morning paper" and "a decidedly regular guy, beloved by everyone he worked with". In 2007, Entertainment Weekly ranked Hartman the 87th greatest television icon of all time, and Maxim named him the top Saturday Night Live performer of all time. On the day of Hartman's death, rehearsals for The Simpsons were canceled as well as that night's performance by The Groundlings. The season five premiere episode of NewsRadio, "Bill Moves On", finds Hartman's character, Bill McNeal, has died of a heart attack, while the other characters reminisce about his life. Lovitz joined the show in his place beginning with the next episode. A special episode of Saturday Night Live commemorating Hartman's work on the show aired on June 13, 1998. Rather than substituting another voice actor, the writers of The Simpsons retired Hartman's characters. His final appearance on the show, the season ten episode "Bart the Mother", is dedicated to him, as is his final film, Small Soldiers. At the time of his death, Hartman was preparing to voice Zapp Brannigan, a character written specifically for him on Groening's second animated series Futurama. Even though the role was specifically made for him, Hartman still insisted on auditioning and Groening said he "nailed it." After Hartman's death, Billy West took over the role. Though executive producer David X. Cohen credits West with using his own take on the character, West later said that he purposely tweaked Zapp's voice to better match Hartman's intended portrayal. Hartman was planning to appear with Lovitz in the indie film The Day of Swine and Roses, scheduled to begin production in August 1998. In 2002, Laugh.com and Hartman's brother John published the album, Flat TV, a selection of comedy sketches recorded by Hartman in the 1970s, which had been kept in storage. John Hartmann commented: "I'm putting this out there because I'm dedicating my life to fulfilling his dreams. This [album] is my brother doing what he loved." In 2013, Flat TV was optioned by Michael "Ffish" Hemschoot's animation company Worker Studio for an animated adaptation. The deal came about after Michael T. Scott, a partner in the company, posted online a hand-written letter he had received from Hartman in 1997, leading to a correspondence between Scott and Paul Hartmann. In 2007, a campaign was started on Facebook by Alex Stevens and endorsed by Hartman's brother Paul, to have Phil inducted to Canada's Walk of Fame. Among the campaign's numerous publicity events, Ben Miner of the Sirius XM Radio channel Laugh Attack, dedicated the month of April 2012 to Hartman. The campaign ended in success and Hartman was inducted to the Walk of Fame on September 22, 2012, with Paul accepting the award on his late brother's behalf. Hartman was also awarded the Cineplex Legends Award. In June 2013, it was announced that Hartman would receive a star on the Hollywood Walk of Fame, which was unveiled on August 26, 2014. Additionally, a special prize at the Canadian Comedy Awards was named for Hartman. Beginning with the 13th Canadian Comedy Awards in 2012, the Phil Hartman Award was awarded to "an individual who helps to better the Canadian comedy community". In 2015, Rolling Stone magazine ranked Hartman as one of the top-ten greatest Saturday Night Live cast members throughout the show's forty-year history, coming in seventh on their list of all 141 members. Filmography Film Television Video games Theme park attractions Discography 1977 America, Harbor 1978 America, Silent Letter Poco, Legend 1980 Firesign Theatre, Fighting Clowns References Book sources External links Phil Hartman at Yahoo! Movies Phil Hartman at The New York Times Hartman's autopsy and death certificate Phil Hartman's final night: The tragic death of a “Saturday Night Live” genius, Mike Thomas, Salon, September 21, 2014 1948 births 1998 deaths 1998 murders in the United States 20th-century American male actors 20th-century Canadian male actors Album-cover and concert-poster artists American male comedians American male film actors American graphic designers American impressionists (entertainers) American male screenwriters American male television actors American television writers American male voice actors American sketch comedians California State University, Northridge alumni Canadian male comedians Canadian emigrants to the United States Canadian male voice actors Canadian murder victims Canadian sketch comedians Deaths by firearm in California Male actors from Los Angeles American male television writers Murder–suicides in California Naturalized citizens of the United States People from Brantford People murdered in Los Angeles Primetime Emmy Award winners Santa Monica College alumni Comedians from California Mariticides Westchester High School (Los Angeles) alumni Screenwriters from California 20th-century Canadian comedians 20th-century American comedians 20th-century American male writers 20th-century American screenwriters Comedians from Ontario	true	[ "\"What Else Is There?\" is the third single from the Norwegian duo Röyksopp's second album The Understanding. It features the vocals of Karin Dreijer from the Swedish electronica duo The Knife. The album was released in the UK with the help of Astralwerks.\n\nThe single was used in an O2 television advertisement in the Czech Republic and in Slovakia during 2008. It was also used in the 2006 film Cashback and the 2007 film, Meet Bill. Trentemøller's remix of \"What Else is There?\" was featured in an episode of the HBO show Entourage.\n\nThe song was covered by extreme metal band Enslaved as a bonus track for their album E.\n\nThe song was listed as the 375th best song of the 2000s by Pitchfork Media.\n\nOfficial versions\n\"What Else Is There?\" (Album Version) – 5:17\n\"What Else Is There?\" (Radio Edit) – 3:38\n\"What Else Is There?\" (Jacques Lu Cont Radio Mix) – 3:46\n\"What Else Is There?\" (The Emperor Machine Vocal Version) – 8:03\n\"What Else Is There?\" (The Emperor Machine Dub Version) – 7:51\n\"What Else Is There?\" (Thin White Duke Mix) – 8:25\n\"What Else Is There?\" (Thin White Duke Edit) – 4:50\n\"What Else Is There?\" (Thin White Duke Remix) (Radio Edit) – 3:06\n\"What Else Is There?\" (Trentemøller Remix) – 7:42\n\"What Else Is There?\" (Vitalic Remix) – 5:14\n\nResponse\nThe single was officially released on 5 December 2005 in the UK. The single had a limited release on 21 November 2005 to promote the upcoming album. On the UK Singles Chart, it peaked at number 32, while on the UK Dance Chart, it reached number one.\n\nMusic video\nThe music video was directed by Martin de Thurah. It features Norwegian model Marianne Schröder who is shown lip-syncing Dreijer's voice. Schröder is depicted as a floating woman traveling across stormy landscapes and within empty houses. Dreijer makes a cameo appearance as a woman wearing an Elizabethan ruff while dining alone at a festive table.\n\nMovie spots\n\nThe song is also featured in the movie Meet Bill as characters played by Jessica Alba and Aaron Eckhart smoke marijuana while listening to it. It is also part of the end credits music of the film Cashback.\n\nCharts\n\nReferences\n\n2005 singles\nRöyksopp songs\nAstralwerks singles\nSongs written by Svein Berge\nSongs written by Torbjørn Brundtland\n2004 songs\nSongs written by Roger Greenaway\nSongs written by Olof Dreijer\nSongs written by Karin Dreijer", "\"How Interesting: A Tiny Man\" is a 2010 science fiction/magical realism short story by American writer Harlan Ellison. It was first published in Realms of Fantasy.\n\nPlot summary\nA scientist creates a tiny man. The tiny man is initially very popular, but then draws the hatred of the world, and so the tiny man must flee, together with the scientist (who is now likewise hated, for having created the tiny man).\n\nReception\n\"How Interesting: A Tiny Man\" won the 2010 Nebula Award for Best Short Story, tied with Kij Johnson's \"Ponies\". It was Ellison's final Nebula nomination and win, of his record-setting eight nominations and three wins.\n\nTor.com calls the story \"deceptively simple\", with \"execution (that) is flawless\" and a \"Geppetto-like\" narrator, while Publishers Weekly describes it as \"memorably depict(ing) humanity's smallness of spirit\". The SF Site, however, felt it was \"contrived and less than profound\".\n\nNick Mamatas compared \"How Interesting: A Tiny Man\" negatively to Ellison's other Nebula-winning short stories, and stated that the story's two mutually exclusive endings (in one, the tiny man is killed; in the other, he becomes God) are evocative of the process of writing short stories. Ben Peek considered it to be \"more allegory than (...) anything else\", and interpreted it as being about how the media \"give(s) everyone a voice\", and also about how Ellison was treated by science fiction fandom.\n\nReferences\n\nExternal links\nAudio version of ''How Interesting: A Tiny Man, at StarShipSofa\nHow Interesting: A Tiny Man, at the Internet Speculative Fiction Database\n\nNebula Award for Best Short Story-winning works\nShort stories by Harlan Ellison" ]
[ "Phil Hartman", "Style", "What was Phil Hartman's style?", "his real-life personality, which was described as \"a regular guy and, by all accounts, one of show business' most low-key, decent people\",", "and what was his show style?", "Hartman often played seedy, vain or unpleasant characters as well as comedic villains.", "what shows did he act in?", "SNL", "did he act in movies?", "I don't know.", "what did critics have to say about his style?", "\" He was disciplined in his performances, studying the scripts beforehand.", "Did he enjoy working in comedies?", "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice", "did audiences like his work?", "I don't know.", "what else is interesting about him?", "He often played supporting roles, rather than the lead part. He said \"throughout my career, I've never been a huge star, but" ]	C_8f3ec4d0681842848fcf988fd7a2544b_0	Did he like it that way?	9	Did Phil Hartman like to play supporting roles rather than lead part?	Phil Hartman	In contrast to his real-life personality, which was described as "a regular guy and, by all accounts, one of show business' most low-key, decent people", Hartman often played seedy, vain or unpleasant characters as well as comedic villains. He noted that his standard character was a "jerky guy", and described his usual roles as "the weasel parade", citing Lionel Hutz, Bill McNeal, Troy McClure and Ted Maltin from Jingle All the Way as examples. Hartman enjoyed playing such roles because he "just want[ed] to be funny, and villains tend to be funny because their foibles are all there to see." He often played supporting roles, rather than the lead part. He said "throughout my career, I've never been a huge star, but I've made steady progress and that's the way I like it," and "It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame." Hartman was considered a "utility player" on SNL with a "kind of Everyman quality" which enabled him to appear in the majority of sketches, often in very distinct roles. Jan Hooks stated of his work on SNL: "Phil never had an ounce of competition. He was a team player. It was a privilege for him, I believe, to play support and do it very well. He was never insulted, no matter how small the role may have been." He was disciplined in his performances, studying the scripts beforehand. Hooks added: "Phil knew how to listen. And he knew how to look you in the eye, and he knew the power of being able to lay back and let somebody else be funny, and then do the reactions. I think Phil was more of an actor than a comedian." Film critic Pauline Kael declared that "Phil Hartman and Jan Hooks on Saturday Night Live are two of the best comic actors I've ever seen." Writer and acting coach Paul Ryan noted Hartman's work ethic with his impressions. He assembled a collection of video footage of the figure he was preparing to impersonate and watched this continually until he "completely embodied the person". Ryan concluded that "what made [Hartman's impressions] so funny and spot on was Phil's ability to add that perfect touch that only comes from trial and error and practicing in front of audiences and fellow actors." Hartman described this process as "technical." Journalist Lyle V. Harris said Hartman showed a "rare talent for morphing into [...] anybody he wanted to be". Ken Tucker summarized Hartman's comedic style: "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice an ironic lilt that delivered a punchline like a fast slider--you barely saw it coming until you started laughing." Hartman claimed that he borrowed his style from actor Bill Murray: "He's been a great influence on me - when he did that smarmy thing in Ghostbusters, then the same sort of thing in Groundhog Day. I tried to imitate it. I couldn't. I wasn't good enough. But I discovered an element of something else, so in a sick kind of way I made myself a career by doing a bad imitation of another comic." CANNOTANSWER	I've made steady progress and that's the way I like it,	Philip Edward Hartman (né Hartmann; September 24, 1948 – May 28, 1998) was a Canadian-American actor, comedian, screenwriter, and graphic designer. Hartman was born in Brantford, Ontario, Canada, and his family moved to the United States when he was ten years old. After graduating from California State University, Northridge with a degree in graphic arts, he designed album covers for bands including Poco and America. In 1975, Hartman joined the comedy group The Groundlings, where he helped Paul Reubens develop his character Pee-wee Herman. Hartman co-wrote the film Pee-wee's Big Adventure and made recurring appearances as Captain Carl on Reubens' show Pee-wee's Playhouse. In 1986, Hartman joined the NBC sketch comedy show Saturday Night Live (SNL) as a cast member, and stayed for eight seasons until 1994. Nicknamed "Glue" for his ability to hold the show together and help other cast members, he won a Primetime Emmy Award for his SNL work in 1989. In 1995, he starred as Bill McNeal in the sitcom NewsRadio after declining to return to SNL. He also voiced various characters on The Simpsons, and had minor roles in the films Houseguest, Sgt. Bilko, Jingle All the Way, and Small Soldiers. After two divorces, Hartman married Brynn Omdahl in 1987, with whom he had two children. Their marriage was troubled due to Brynn's drug use and domestic violence against Phil, who was frequently absent from home. In 1998, while Hartman was sleeping in his bed, his wife shot and killed him, and later committed suicide. In the weeks following his murder, Hartman was celebrated in a wave of tributes. Dan Snierson of Entertainment Weekly wrote that Hartman was "the last person you'd expect to read about in lurid headlines in your morning paper ... a decidedly regular guy, beloved by everyone he worked with". He was posthumously inducted into the Canada and Hollywood Walks of Fame in 2012 and 2014. Early life Hartman was born Philip Edward Hartmann (later dropping one "n") on September 24, 1948, in Brantford, Ontario. He was the fourth of eight children of Doris Marguerite (née Wardell; July 17, 1919 – April 15, 2001) and Rupert Loebig Hartmann (November 8, 1914 – April 30, 1998), who sold building materials. The family was Catholic. As a child, Hartman found affection hard to earn: "I suppose I didn't get what I wanted out of my family life, so I started seeking love and attention elsewhere." Hartman was ten when his family moved to the United States. They first lived in Lewiston, Maine, then Meriden, Connecticut, and then on the West Coast, where he attended Westchester High School and frequently acted as the class clown. After graduating, he studied art at Santa Monica City College, dropping out in 1969 to become a roadie with a rock band. He returned to school in 1972 to study graphic arts at California State University, Northridge. He developed and operated his own graphic art business, creating more than 40 album covers for bands including Poco and America, as well as advertising and the logo for Crosby, Stills & Nash. In the late 1970s, he made his first television appearance on an episode of The Dating Game, where he won. Career Early career (1975–1985) Working alone as a graphic artist, Hartman frequently amused himself with "flights of voice fantasies". In 1975, seeking a more social outlet for his talents, he began attending evening comedy classes by the California-based improvisational comedy group The Groundlings. While watching one of their performances, he impulsively decided to climb on stage and join the cast. His first onscreen appearance was in 1978's Stunt Rock, an Australian film directed in Los Angeles by Brian Trenchard-Smith. After several years of training, paying his way by redesigning the group's logo and merchandise, Hartman formally joined The Groundlings and by 1979 was one of the show's stars. There Hartman befriended Paul Reubens, with whom he often collaborated on comedic material. Together they created the character Pee-wee Herman and developed The Pee-wee Herman Show, a live stage show that subsequently aired on HBO in 1981. Hartman played Captain Carl in the show, and reprised the role for the children's TV show Pee-wee's Playhouse. Reubens and Hartman made cameos in the 1980 film Cheech & Chong's Next Movie. Hartman co-wrote the script of the 1985 feature film Pee-wee's Big Adventure and had a cameo role as a reporter. He'd considered quitting acting at the age of 36 due to the challenges of finding work; but the success of Pee-wee's Big Adventure changed his mind. After a creative disagreement with Reubens, he left the Pee-Wee Herman project to pursue other roles. Hartman took more small roles in 1986 films such as Jumpin' Jack Flash and Three Amigos. He also worked as a voice actor in animated television programs, including The Smurfs, Challenge of the GoBots, The 13 Ghosts of Scooby-Doo, and in Dennis the Menace as characters Henry Mitchell and George Wilson. He developed a strong persona providing voice-overs for advertisements. Saturday Night Live (1986–1994) Hartman successfully auditioned to join NBC's variety show Saturday Night Live (SNL) in its 12th season, which began on October 11, 1986. He had been recommended for the show by fellow Groundlings and SNL cast members Jon Lovitz, and Laraine Newman as well as Jumpin' Jack Flash director Penny Marshall. He told the Los Angeles Times, "I wanted to do [SNL] because I wanted to get the exposure that would give me box-office credibility so I can write movies for myself." In his eight seasons with the show Hartman became known for his impressions, and performed as over 70 different characters. Hartman's original SNL characters include Eugene, the Anal Retentive Chef and Unfrozen Caveman Lawyer. His impressions include Frank Sinatra, Ronald Reagan, Ed McMahon, Barbara Bush, Charlton Heston, Phil Donahue, and Bill Clintonthe latter considered his best-known impression. Hartman first performed his Clinton impression on an episode of The Tonight Show. When he met Clinton in 1993, Hartman remarked, "I guess I owe you a few apologies", adding later that he "sometimes [felt] a twinge of guilt about [his Clinton impression]". Clinton showed good humor and sent Hartman a signed photo with the text: "You're not the president, but you play one on TV. And you're OK, mostly." Hartman copied the president's "post-nasal drip" and the "slight scratchiness" in his voice, as well as his open, "less intimidating" hand gestures. Hartman opted against wearing a larger prosthetic nose when portraying Clinton, as he thought it would be distracting. He instead wore a wig, dyed his eyebrows brighter, and used makeup to highlight his nose. In one of Hartman's sketches as Clinton, the president visits a McDonald's restaurant and explains his economic policies in the metaphor of eating other customers' food. The writers told him that he was not eating enough during rehearsals for the sketch – by the end of the live performance, Hartman had eaten so much he could barely speak. At SNL, Hartman's nickname of "Glue" was coined by Adam Sandler according to Jay Mohr's book Gasping for Airtime. However, according to You Might Remember Me: The Life and Times of Phil Hartman by Mike Thomas, author and staff writer for the Chicago Sun-Times, the nickname was created by SNL cast member and Hartman's frequent on-screen collaborator Jan Hooks. Hartman was very helpful to other cast members. For example, he aided Hooks in overcoming her stage fright. SNL creator Lorne Michaels explained the name: "He kind of held the show together. He gave to everybody and demanded very little. He was very low-maintenance." Michaels also added that Hartman was "the least appreciated" cast member by commentators outside the show, and praised his ability "to do five or six parts in a show where you're playing support or you're doing remarkable character work". Hartman won the Primetime Emmy Award for Outstanding Writing for a Variety, Music or Comedy Program for SNL in 1989, sharing the award with the show's other writers. He was nominated in the same category in 1987, and individually in 1994 for Outstanding Individual Performance in a Variety or Music Program. By 1993, almost every cast member who was there during Hartman's first year on SNL had left the show, including Jon Lovitz, Jan Hooks and Dana Carvey. Hartman said he felt "like an athlete who's watched all his World Series teammates get traded off into other directions ... It was hard to watch them leave because I sort of felt we were all part of the team that saved the show." This cast turnover contributed to his leaving the show in 1994. Hartman said he thought it was time to leave because the show was "getting less sophisticated" and his style of humor didn't fit with the less intellectual comedy of newer cast members like Adam Sandler. Hartman had originally planned to leave the show in 1991, but Michaels convinced him to stay to raise his profile; his portrayal of Clinton contributed to this goal. Jay Leno offered him the role of his sidekick on The Tonight Show but Hartman opted to stay on SNL. NBC persuaded him to stay on SNL by promising him his own comedy–variety show The Phil Show. He planned to "reinvent the variety form" with "a hybrid, very fast-paced, high energy [show] with sketches, impersonations, pet acts, and performers showcasing their talents". Hartman was to be the show's executive producer and head writer. Before production began, however, the network decided that variety shows were too unpopular and canceled the series. In a 1996 interview, Hartman noted he was glad, as he "would've been sweatin' blood each week trying to make it work". In 1998, he admitted he missed working on SNL, but had enjoyed the move from New York City to Southern California. NewsRadio (1995–1998) Hartman became one of the stars of the NBC sitcom NewsRadio in 1995, portraying radio news anchor Bill McNeal. He signed up after being attracted by the show's writing and use of an ensemble cast, and joked that he based McNeal on himself with "any ethics and character" removed. Hartman made roughly per episode of NewsRadio. Although the show was critically acclaimed, it was never a ratings hit and cancellation was a regular threat. After the completion of the fourth season, Hartman commented, "We seem to have limited appeal. We're on the edge here, not sure we're going to be picked up or not", but added he was "99 percent sure" the series would be renewed for a fifth season. Hartman had publicly lambasted NBC's decision to repeatedly move NewsRadio into different timeslots, but later regretted his comments, saying, "this is a sitcom, for crying out loud, not brain surgery". He also stated that if the sitcom were cancelled "it just will open up other opportunities for me". Although the show was renewed for a fifth season, Hartman died before production began. Ken Tucker praised Hartman's performance as McNeal: "A lesser performer ... would have played him as a variation on The Mary Tyler Moore Shows Ted Baxter, because that's what Bill was, on paper. But Hartman gave infinite variety to Bill's self-centeredness, turning him devious, cowardly, squeamish, and foolishly bold from week to week." Hartman was posthumously nominated for the Primetime Emmy Award for Outstanding Supporting Actor in a Comedy Series in 1998 for his work on NewsRadio, but lost to David Hyde Pierce. The Simpsons (1991–1998) Hartman provided the voices for numerous characters on the Fox animated series The Simpsons, appearing in 52 episodes. He made his first appearance in the second season episode "Bart Gets Hit by a Car". Although he was originally brought in for a one-time appearance, Hartman enjoyed working on The Simpsons and the staff wrote additional parts for him. He voiced the recurring characters Lionel Hutz and Troy McClure, as well as Duff man (on one occasion) and several background characters. His favorite part was that of McClure, and he often used this voice to entertain the audience between takes while taping episodes of NewsRadio. He remarked, "My favorite fans are Troy McClure fans." He added "It's the one thing that I do in my life that's almost an avocation. I do it for the pure love of it." Hartman was popular among the staff of The Simpsons. Showrunners Bill Oakley and Josh Weinstein said they enjoyed his work, and used him as much as possible when working on the show. To give Hartman a larger role, they developed the episode "A Fish Called Selma", which focuses on Troy McClure and expands the character's backstory. The Simpsons creator Matt Groening said that he "took [Hartman] for granted because he nailed the joke every time", and that his voice acting could produce "the maximum amount of humor" with any line he was given. Before his death, Hartman had expressed an interest in making a live action film about Troy McClure. Many of The Simpsons production staff expressed enthusiasm for the project and offered to help. Hartman said he was "looking forward to [McClure's] live-action movie, publicizing his Betty Ford appearances", and "would love nothing more" than making a film and was prepared to buy the film rights himself in order to make it happen. Other work Hartman's first starring film role came in 1995's Houseguest, alongside Sinbad. Other films include Greedy, Coneheads, Sgt. Bilko, So I Married an Axe Murderer, CB4, Jingle All the Way, Kiki's Delivery Service, and Small Soldiers, the latter of which is his final theatrically released film. At the same time, he preferred working on television. His other television roles include appearances on episodes of The John Larroquette Show, The Dana Carvey Show, 3rd Rock from the Sun, and the HBO TV film The Second Civil War as the President of the United States. He made a considerable amount of money from television advertising, earning $300,000 for a series of four commercials for the soft drink Slice. He also appeared in advertisements for McDonald's (as Hugh McAttack) and 1-800-Collect (as Max Jerome). Hartman wrote a number of screenplays that were never produced. In 1986, he began writing a screenplay for a film titled Mr. Fix-It, and completed the final draft in 1991. Robert Zemeckis was signed to produce the film, with Gil Bettman hired to direct. Hartman called it "a sort of a merger of horror and comedy, like Beetlejuice and Throw Momma From the Train", adding, "It's an American nightmare about a family torn asunder. They live next to a toxic dump site, their water supply is poisoned, the mother and son go insane and try to murder each other, the father's face is torn off in a terrible disfiguring accident in the first act. It's heavy stuff, but it's got a good message and a positive, upbeat ending." Zemeckis could not secure studio backing, however, and the project collapsed. Another film idea involving Hartman's Groundlings character Chick Hazard, Private Eye was also canceled. Style In contrast to his real-life personality, which was described as "a regular guy and, by all accounts, one of show business's most low-key, decent people", Hartman often played seedy, vain or unpleasant characters as well as comedic villains. He described his standard character repertoire as the "jerky guy" and "the weasel parade", citing Lionel Hutz, Bill McNeal, Troy McClure, and Ted Maltin from Jingle All the Way as examples. Hartman enjoyed playing such roles because he "just want[ed] to be funny, and villains tend to be funny because their foibles are all there to see". He often played supporting roles, rather than the lead part. He said "throughout my career, I've never been a huge star, but I've made steady progress and that's the way I like it", and "It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame." Hartman was considered a "utility player" on SNL with a "kind of Everyman quality" which enabled him to appear in the majority of sketches, often in very distinct roles. Jan Hooks stated of his work on SNL: "Phil never had an ounce of competition. He was a team player. It was a privilege for him, I believe, to play support and do it very well. He was never insulted, no matter how small the role may have been." He was disciplined in his performances, studying the scripts beforehand. Hooks added: "Phil knew how to listen. And he knew how to look you in the eye, and he knew the power of being able to lay back and let somebody else be funny, and then do the reactions. I think Phil was more of an actor than a comedian." Film critic Pauline Kael declared that "Phil Hartman and Jan Hooks on Saturday Night Live are two of the best comic actors I've ever seen." Writer and acting coach Paul Ryan noted Hartman's work ethic with his impressions. He assembled a collection of video footage of the figure he was preparing to impersonate and watched this continually until he "completely embodied the person". Ryan concluded that "what made [Hartman's impressions] so funny and spot on was Phil's ability to add that perfect touch that only comes from trial and error and practicing in front of audiences and fellow actors." Hartman described this process as "technical". Journalist Lyle V. Harris said Hartman showed a "rare talent for morphing into ... anybody he wanted to be". Ken Tucker summarized Hartman's comedic style: "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice an ironic lilt that delivered a punchline like a fast slider—you barely saw it coming until you started laughing." Hartman claimed that he borrowed his style from actor Bill Murray: "He's been a great influence on me – when he did that smarmy thing in Ghostbusters, then the same sort of thing in Groundhog Day. I tried to imitate it. I couldn't. I wasn't good enough. But I discovered an element of something else, so in a sick kind of way I made myself a career by doing a bad imitation of another comic." Personal life Hartman married Gretchen Lewis in 1970 and they divorced in September 1972. He married real estate agent Lisa Strain in 1982, and their marriage lasted three years. Strain told People magazine that Hartman was reclusive off screen and "would disappear emotionally ... he'd be in his own world. That passivity made you crazy." In 1987, Hartman married former model and aspiring actress Brynn Omdahl (born Vicki Jo Omdahl, April 11, 1958 – May 28, 1998), having met her on a blind date the previous year. They had two children, Sean and Birgen Hartman. The marriage had difficulties; she was reportedly intimidated by his success and was frustrated that she could not find any on her own, although neither party wanted a divorce. She was reported to have been jealous and often verbally and/or physically abusive, even sending a letter to his ex-wife, threatening to "rip [Strain's] eyes out" if she spoke to him again. Hartman considered retiring to save the marriage. Hartman tried to get Brynn acting roles, but she became progressively reliant on alcohol and narcotics, entering rehab several times. On multiple occasions, he removed their children from the household to stay with friends or family because of her drug- and alcohol-fueled outbursts. Because of his close friendship with SNL associate Jan Hooks, Brynn joked on occasion Hooks and Hartman were married "on some other level". Brynn had written threatening letters addressed to Hooks, warning her to not get close to her husband, but they appeared to have never even been sent, being discovered in her belongings following her death. Stephen Root, Hartman's NewsRadio co-star, said few people knew "the real Phil Hartman", as he was "one of those people who never seemed to come out of character," but he nevertheless gave the impression of a family man who cared deeply for his children. Hartman befriended Joe Rogan during his time on NewsRadio and confided his marital problems to him. Rogan said that he encouraged Hartman to divorce Brynn five times, but "[Hartman] loved his kids and didn't want to leave". Hartman stated in 1997, though a non-practicing Catholic, he displayed a sense of religiousness. In his spare time, he enjoyed driving, flying, sailing, marksmanship, and playing the guitar. Murder On May 27, 1998, Brynn visited the Italian restaurant Buca di Beppo in Encino, California, with producer and writer Christine Zander, who said Brynn was "in a good frame of mind." They had drinks. After returning home, Brynn had a "heated" argument with Phil, after which he went to bed. She entered his bedroom some time before PDT on May 28, 1998, and as he slept, fatally shot him once between the eyes, once in the throat, and once in the upper chest with a Charter Arms .38 caliber handgun. He was 49 years old. She was taking Zoloft, had been drinking alcohol, and had recently used cocaine. Brynn then drove to the home of her friend Ron Douglas and confessed to the killing, but he did not believe her. They drove back to the house in separate cars, and she called another friend and confessed a second time. On seeing Hartman's body, Douglas called 9-1-1 at Police arrived and escorted Douglas and the Hartmans' two children from the premises, by which time Brynn had locked herself in the bedroom. Shortly afterward, she committed suicide by a self-inflicted gunshot. The police stated Hartman's death was caused by "domestic discord" between the couple. A friend said Brynn "had trouble controlling her anger ... She got attention by losing her temper". A neighbor of the Hartmans told a CNN reporter that the couple had marital problems. Yet actor Steve Guttenberg said they had been "a very happy couple, and they always had the appearance of being well-balanced". A wrongful death lawsuit was filed in 1999 by her brother Gregory Omdahl, against Pfizer, the manufacturer of Zoloft, and against her child's psychiatrist, Arthur Sorosky, who had provided samples of the antidepressant to Brynn. Phil Hartman's friend and former SNL colleague Jon Lovitz has accused Hartman's then NewsRadio co-star Andy Dick of reintroducing Brynn to cocaine, causing her to relapse and suffer a nervous breakdown. Dick claims to have known nothing of her condition. Lovitz later said he no longer blamed Dick for Hartman's murder, but in 2006, Lovitz claimed Dick approached him at a restaurant and said, "I put the Phil Hartman hex on you; you're the next one to die." Lovitz then had him ejected from the restaurant. The following year at the Laugh Factory comedy club in Los Angeles, Lovitz and Dick had another argument, with Lovitz slamming Dick's head into the bar. Dick asserted he was not at fault in relation to Hartman's death. Brynn's sister Katharine Omdahl and brother-in-law Mike Wright raised the two Hartman children. Hartman's will stipulated each child would inherit money over several years after turning 25. The total value of Hartman's estate was estimated at . In accordance with his wishes, his body was cremated by Forest Lawn Memorial Park and Mortuary, Glendale, California, and his ashes scattered over Santa Catalina Island's Emerald Bay. Response and legacy NBC executive Don Ohlmeyer stated that Hartman "was blessed with a tremendous gift for creating characters that made people laugh. Everyone who had the pleasure of working with Phil knows that he was a man of tremendous warmth, a true professional and a loyal friend." Guttenberg expressed shock at Hartman's death, and Steve Martin said he was "a deeply funny and very happy person". Matt Groening called him "a master", and director Joe Dante said, "He was one of those guys who was a dream to work with. I don't know anybody who didn't like him." Dan Snierson of Entertainment Weekly concluded that Hartman was "the last person you'd expect to read about in lurid headlines in your morning paper" and "a decidedly regular guy, beloved by everyone he worked with". In 2007, Entertainment Weekly ranked Hartman the 87th greatest television icon of all time, and Maxim named him the top Saturday Night Live performer of all time. On the day of Hartman's death, rehearsals for The Simpsons were canceled as well as that night's performance by The Groundlings. The season five premiere episode of NewsRadio, "Bill Moves On", finds Hartman's character, Bill McNeal, has died of a heart attack, while the other characters reminisce about his life. Lovitz joined the show in his place beginning with the next episode. A special episode of Saturday Night Live commemorating Hartman's work on the show aired on June 13, 1998. Rather than substituting another voice actor, the writers of The Simpsons retired Hartman's characters. His final appearance on the show, the season ten episode "Bart the Mother", is dedicated to him, as is his final film, Small Soldiers. At the time of his death, Hartman was preparing to voice Zapp Brannigan, a character written specifically for him on Groening's second animated series Futurama. Even though the role was specifically made for him, Hartman still insisted on auditioning and Groening said he "nailed it." After Hartman's death, Billy West took over the role. Though executive producer David X. Cohen credits West with using his own take on the character, West later said that he purposely tweaked Zapp's voice to better match Hartman's intended portrayal. Hartman was planning to appear with Lovitz in the indie film The Day of Swine and Roses, scheduled to begin production in August 1998. In 2002, Laugh.com and Hartman's brother John published the album, Flat TV, a selection of comedy sketches recorded by Hartman in the 1970s, which had been kept in storage. John Hartmann commented: "I'm putting this out there because I'm dedicating my life to fulfilling his dreams. This [album] is my brother doing what he loved." In 2013, Flat TV was optioned by Michael "Ffish" Hemschoot's animation company Worker Studio for an animated adaptation. The deal came about after Michael T. Scott, a partner in the company, posted online a hand-written letter he had received from Hartman in 1997, leading to a correspondence between Scott and Paul Hartmann. In 2007, a campaign was started on Facebook by Alex Stevens and endorsed by Hartman's brother Paul, to have Phil inducted to Canada's Walk of Fame. Among the campaign's numerous publicity events, Ben Miner of the Sirius XM Radio channel Laugh Attack, dedicated the month of April 2012 to Hartman. The campaign ended in success and Hartman was inducted to the Walk of Fame on September 22, 2012, with Paul accepting the award on his late brother's behalf. Hartman was also awarded the Cineplex Legends Award. In June 2013, it was announced that Hartman would receive a star on the Hollywood Walk of Fame, which was unveiled on August 26, 2014. Additionally, a special prize at the Canadian Comedy Awards was named for Hartman. Beginning with the 13th Canadian Comedy Awards in 2012, the Phil Hartman Award was awarded to "an individual who helps to better the Canadian comedy community". In 2015, Rolling Stone magazine ranked Hartman as one of the top-ten greatest Saturday Night Live cast members throughout the show's forty-year history, coming in seventh on their list of all 141 members. Filmography Film Television Video games Theme park attractions Discography 1977 America, Harbor 1978 America, Silent Letter Poco, Legend 1980 Firesign Theatre, Fighting Clowns References Book sources External links Phil Hartman at Yahoo! Movies Phil Hartman at The New York Times Hartman's autopsy and death certificate Phil Hartman's final night: The tragic death of a “Saturday Night Live” genius, Mike Thomas, Salon, September 21, 2014 1948 births 1998 deaths 1998 murders in the United States 20th-century American male actors 20th-century Canadian male actors Album-cover and concert-poster artists American male comedians American male film actors American graphic designers American impressionists (entertainers) American male screenwriters American male television actors American television writers American male voice actors American sketch comedians California State University, Northridge alumni Canadian male comedians Canadian emigrants to the United States Canadian male voice actors Canadian murder victims Canadian sketch comedians Deaths by firearm in California Male actors from Los Angeles American male television writers Murder–suicides in California Naturalized citizens of the United States People from Brantford People murdered in Los Angeles Primetime Emmy Award winners Santa Monica College alumni Comedians from California Mariticides Westchester High School (Los Angeles) alumni Screenwriters from California 20th-century Canadian comedians 20th-century American comedians 20th-century American male writers 20th-century American screenwriters Comedians from Ontario	false	[ "Just the Way You Like It is the only full-length studio album by American contemporary R&B singer Tasha Holiday (following her debut EP, The Acapellas). Released March 25, 1997 via MCA Records, the album did not chart on the Billboard 200 but it peaked at #91 on the Billboard R&B chart.\n\nTwo singles were released from the album: \"Just the Way You Like It\" and \"So Real, So Right\" / \"Just One Night\". \"Just the Way You Like It\" was Holiday's only song to chart on the Billboard Hot 100, peaking at #93 in 1997.\n\nTrack listing\n\nChart positions\n\nSamples\n\nReferences\n\nExternal links\n \n \n\n1997 debut albums\nContemporary R&B albums by American artists\nMCA Records albums", "\"We Sold Our Souls to Metal\" is a single by American heavy metal band Soulfly. The lyric video of this song was unveiled on June 30, 2015 and is the first song played on the album Archangel. According to Max Cavalera, this song is a dedication to heavy metal and their fans, \"This lyric video is a celebration of all forms of metal. This song was written as an anthem for metalheads all over the world! We gathered footage and photos from our tribe, showing how free the spirit of metal really is. Respect!\"\n\nThis song is thrashy with punk vocals during choruses, though it ends in a very Pink Floyd-like way, which Cavalera was conflicted about saying, \"I don't know why we did that. I still don't know if it was the right thing, but it came out like that. Marc [Rizzo] just did some really crazy guitars at the end of it that is just, like… It goes from total metal into crazy Pink Floyd, but it works. I mean, it's really wild. And we like wild stuff. I always was drawn to weird, weird stuff, and that's definitely weird, in a good way.\"\n\nReferences\n\nExternal links\nSOULFLY - We Sold Our Souls To Metal (OFFICIAL LYRIC VIDEO). YouTube.\n\nSoulfly songs\nSongs written by Max Cavalera\n2015 singles\n2015 songs\nNuclear Blast Records singles" ]
[ "Phil Hartman", "Style", "What was Phil Hartman's style?", "his real-life personality, which was described as \"a regular guy and, by all accounts, one of show business' most low-key, decent people\",", "and what was his show style?", "Hartman often played seedy, vain or unpleasant characters as well as comedic villains.", "what shows did he act in?", "SNL", "did he act in movies?", "I don't know.", "what did critics have to say about his style?", "\" He was disciplined in his performances, studying the scripts beforehand.", "Did he enjoy working in comedies?", "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice", "did audiences like his work?", "I don't know.", "what else is interesting about him?", "He often played supporting roles, rather than the lead part. He said \"throughout my career, I've never been a huge star, but", "Did he like it that way?", "I've made steady progress and that's the way I like it," ]	C_8f3ec4d0681842848fcf988fd7a2544b_0	Did he ever do a lead roles?	10	Did Phil Hartman ever do a lead roles?	Phil Hartman	In contrast to his real-life personality, which was described as "a regular guy and, by all accounts, one of show business' most low-key, decent people", Hartman often played seedy, vain or unpleasant characters as well as comedic villains. He noted that his standard character was a "jerky guy", and described his usual roles as "the weasel parade", citing Lionel Hutz, Bill McNeal, Troy McClure and Ted Maltin from Jingle All the Way as examples. Hartman enjoyed playing such roles because he "just want[ed] to be funny, and villains tend to be funny because their foibles are all there to see." He often played supporting roles, rather than the lead part. He said "throughout my career, I've never been a huge star, but I've made steady progress and that's the way I like it," and "It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame." Hartman was considered a "utility player" on SNL with a "kind of Everyman quality" which enabled him to appear in the majority of sketches, often in very distinct roles. Jan Hooks stated of his work on SNL: "Phil never had an ounce of competition. He was a team player. It was a privilege for him, I believe, to play support and do it very well. He was never insulted, no matter how small the role may have been." He was disciplined in his performances, studying the scripts beforehand. Hooks added: "Phil knew how to listen. And he knew how to look you in the eye, and he knew the power of being able to lay back and let somebody else be funny, and then do the reactions. I think Phil was more of an actor than a comedian." Film critic Pauline Kael declared that "Phil Hartman and Jan Hooks on Saturday Night Live are two of the best comic actors I've ever seen." Writer and acting coach Paul Ryan noted Hartman's work ethic with his impressions. He assembled a collection of video footage of the figure he was preparing to impersonate and watched this continually until he "completely embodied the person". Ryan concluded that "what made [Hartman's impressions] so funny and spot on was Phil's ability to add that perfect touch that only comes from trial and error and practicing in front of audiences and fellow actors." Hartman described this process as "technical." Journalist Lyle V. Harris said Hartman showed a "rare talent for morphing into [...] anybody he wanted to be". Ken Tucker summarized Hartman's comedic style: "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice an ironic lilt that delivered a punchline like a fast slider--you barely saw it coming until you started laughing." Hartman claimed that he borrowed his style from actor Bill Murray: "He's been a great influence on me - when he did that smarmy thing in Ghostbusters, then the same sort of thing in Groundhog Day. I tried to imitate it. I couldn't. I wasn't good enough. But I discovered an element of something else, so in a sick kind of way I made myself a career by doing a bad imitation of another comic." CANNOTANSWER	"It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame."	Philip Edward Hartman (né Hartmann; September 24, 1948 – May 28, 1998) was a Canadian-American actor, comedian, screenwriter, and graphic designer. Hartman was born in Brantford, Ontario, Canada, and his family moved to the United States when he was ten years old. After graduating from California State University, Northridge with a degree in graphic arts, he designed album covers for bands including Poco and America. In 1975, Hartman joined the comedy group The Groundlings, where he helped Paul Reubens develop his character Pee-wee Herman. Hartman co-wrote the film Pee-wee's Big Adventure and made recurring appearances as Captain Carl on Reubens' show Pee-wee's Playhouse. In 1986, Hartman joined the NBC sketch comedy show Saturday Night Live (SNL) as a cast member, and stayed for eight seasons until 1994. Nicknamed "Glue" for his ability to hold the show together and help other cast members, he won a Primetime Emmy Award for his SNL work in 1989. In 1995, he starred as Bill McNeal in the sitcom NewsRadio after declining to return to SNL. He also voiced various characters on The Simpsons, and had minor roles in the films Houseguest, Sgt. Bilko, Jingle All the Way, and Small Soldiers. After two divorces, Hartman married Brynn Omdahl in 1987, with whom he had two children. Their marriage was troubled due to Brynn's drug use and domestic violence against Phil, who was frequently absent from home. In 1998, while Hartman was sleeping in his bed, his wife shot and killed him, and later committed suicide. In the weeks following his murder, Hartman was celebrated in a wave of tributes. Dan Snierson of Entertainment Weekly wrote that Hartman was "the last person you'd expect to read about in lurid headlines in your morning paper ... a decidedly regular guy, beloved by everyone he worked with". He was posthumously inducted into the Canada and Hollywood Walks of Fame in 2012 and 2014. Early life Hartman was born Philip Edward Hartmann (later dropping one "n") on September 24, 1948, in Brantford, Ontario. He was the fourth of eight children of Doris Marguerite (née Wardell; July 17, 1919 – April 15, 2001) and Rupert Loebig Hartmann (November 8, 1914 – April 30, 1998), who sold building materials. The family was Catholic. As a child, Hartman found affection hard to earn: "I suppose I didn't get what I wanted out of my family life, so I started seeking love and attention elsewhere." Hartman was ten when his family moved to the United States. They first lived in Lewiston, Maine, then Meriden, Connecticut, and then on the West Coast, where he attended Westchester High School and frequently acted as the class clown. After graduating, he studied art at Santa Monica City College, dropping out in 1969 to become a roadie with a rock band. He returned to school in 1972 to study graphic arts at California State University, Northridge. He developed and operated his own graphic art business, creating more than 40 album covers for bands including Poco and America, as well as advertising and the logo for Crosby, Stills & Nash. In the late 1970s, he made his first television appearance on an episode of The Dating Game, where he won. Career Early career (1975–1985) Working alone as a graphic artist, Hartman frequently amused himself with "flights of voice fantasies". In 1975, seeking a more social outlet for his talents, he began attending evening comedy classes by the California-based improvisational comedy group The Groundlings. While watching one of their performances, he impulsively decided to climb on stage and join the cast. His first onscreen appearance was in 1978's Stunt Rock, an Australian film directed in Los Angeles by Brian Trenchard-Smith. After several years of training, paying his way by redesigning the group's logo and merchandise, Hartman formally joined The Groundlings and by 1979 was one of the show's stars. There Hartman befriended Paul Reubens, with whom he often collaborated on comedic material. Together they created the character Pee-wee Herman and developed The Pee-wee Herman Show, a live stage show that subsequently aired on HBO in 1981. Hartman played Captain Carl in the show, and reprised the role for the children's TV show Pee-wee's Playhouse. Reubens and Hartman made cameos in the 1980 film Cheech & Chong's Next Movie. Hartman co-wrote the script of the 1985 feature film Pee-wee's Big Adventure and had a cameo role as a reporter. He'd considered quitting acting at the age of 36 due to the challenges of finding work; but the success of Pee-wee's Big Adventure changed his mind. After a creative disagreement with Reubens, he left the Pee-Wee Herman project to pursue other roles. Hartman took more small roles in 1986 films such as Jumpin' Jack Flash and Three Amigos. He also worked as a voice actor in animated television programs, including The Smurfs, Challenge of the GoBots, The 13 Ghosts of Scooby-Doo, and in Dennis the Menace as characters Henry Mitchell and George Wilson. He developed a strong persona providing voice-overs for advertisements. Saturday Night Live (1986–1994) Hartman successfully auditioned to join NBC's variety show Saturday Night Live (SNL) in its 12th season, which began on October 11, 1986. He had been recommended for the show by fellow Groundlings and SNL cast members Jon Lovitz, and Laraine Newman as well as Jumpin' Jack Flash director Penny Marshall. He told the Los Angeles Times, "I wanted to do [SNL] because I wanted to get the exposure that would give me box-office credibility so I can write movies for myself." In his eight seasons with the show Hartman became known for his impressions, and performed as over 70 different characters. Hartman's original SNL characters include Eugene, the Anal Retentive Chef and Unfrozen Caveman Lawyer. His impressions include Frank Sinatra, Ronald Reagan, Ed McMahon, Barbara Bush, Charlton Heston, Phil Donahue, and Bill Clintonthe latter considered his best-known impression. Hartman first performed his Clinton impression on an episode of The Tonight Show. When he met Clinton in 1993, Hartman remarked, "I guess I owe you a few apologies", adding later that he "sometimes [felt] a twinge of guilt about [his Clinton impression]". Clinton showed good humor and sent Hartman a signed photo with the text: "You're not the president, but you play one on TV. And you're OK, mostly." Hartman copied the president's "post-nasal drip" and the "slight scratchiness" in his voice, as well as his open, "less intimidating" hand gestures. Hartman opted against wearing a larger prosthetic nose when portraying Clinton, as he thought it would be distracting. He instead wore a wig, dyed his eyebrows brighter, and used makeup to highlight his nose. In one of Hartman's sketches as Clinton, the president visits a McDonald's restaurant and explains his economic policies in the metaphor of eating other customers' food. The writers told him that he was not eating enough during rehearsals for the sketch – by the end of the live performance, Hartman had eaten so much he could barely speak. At SNL, Hartman's nickname of "Glue" was coined by Adam Sandler according to Jay Mohr's book Gasping for Airtime. However, according to You Might Remember Me: The Life and Times of Phil Hartman by Mike Thomas, author and staff writer for the Chicago Sun-Times, the nickname was created by SNL cast member and Hartman's frequent on-screen collaborator Jan Hooks. Hartman was very helpful to other cast members. For example, he aided Hooks in overcoming her stage fright. SNL creator Lorne Michaels explained the name: "He kind of held the show together. He gave to everybody and demanded very little. He was very low-maintenance." Michaels also added that Hartman was "the least appreciated" cast member by commentators outside the show, and praised his ability "to do five or six parts in a show where you're playing support or you're doing remarkable character work". Hartman won the Primetime Emmy Award for Outstanding Writing for a Variety, Music or Comedy Program for SNL in 1989, sharing the award with the show's other writers. He was nominated in the same category in 1987, and individually in 1994 for Outstanding Individual Performance in a Variety or Music Program. By 1993, almost every cast member who was there during Hartman's first year on SNL had left the show, including Jon Lovitz, Jan Hooks and Dana Carvey. Hartman said he felt "like an athlete who's watched all his World Series teammates get traded off into other directions ... It was hard to watch them leave because I sort of felt we were all part of the team that saved the show." This cast turnover contributed to his leaving the show in 1994. Hartman said he thought it was time to leave because the show was "getting less sophisticated" and his style of humor didn't fit with the less intellectual comedy of newer cast members like Adam Sandler. Hartman had originally planned to leave the show in 1991, but Michaels convinced him to stay to raise his profile; his portrayal of Clinton contributed to this goal. Jay Leno offered him the role of his sidekick on The Tonight Show but Hartman opted to stay on SNL. NBC persuaded him to stay on SNL by promising him his own comedy–variety show The Phil Show. He planned to "reinvent the variety form" with "a hybrid, very fast-paced, high energy [show] with sketches, impersonations, pet acts, and performers showcasing their talents". Hartman was to be the show's executive producer and head writer. Before production began, however, the network decided that variety shows were too unpopular and canceled the series. In a 1996 interview, Hartman noted he was glad, as he "would've been sweatin' blood each week trying to make it work". In 1998, he admitted he missed working on SNL, but had enjoyed the move from New York City to Southern California. NewsRadio (1995–1998) Hartman became one of the stars of the NBC sitcom NewsRadio in 1995, portraying radio news anchor Bill McNeal. He signed up after being attracted by the show's writing and use of an ensemble cast, and joked that he based McNeal on himself with "any ethics and character" removed. Hartman made roughly per episode of NewsRadio. Although the show was critically acclaimed, it was never a ratings hit and cancellation was a regular threat. After the completion of the fourth season, Hartman commented, "We seem to have limited appeal. We're on the edge here, not sure we're going to be picked up or not", but added he was "99 percent sure" the series would be renewed for a fifth season. Hartman had publicly lambasted NBC's decision to repeatedly move NewsRadio into different timeslots, but later regretted his comments, saying, "this is a sitcom, for crying out loud, not brain surgery". He also stated that if the sitcom were cancelled "it just will open up other opportunities for me". Although the show was renewed for a fifth season, Hartman died before production began. Ken Tucker praised Hartman's performance as McNeal: "A lesser performer ... would have played him as a variation on The Mary Tyler Moore Shows Ted Baxter, because that's what Bill was, on paper. But Hartman gave infinite variety to Bill's self-centeredness, turning him devious, cowardly, squeamish, and foolishly bold from week to week." Hartman was posthumously nominated for the Primetime Emmy Award for Outstanding Supporting Actor in a Comedy Series in 1998 for his work on NewsRadio, but lost to David Hyde Pierce. The Simpsons (1991–1998) Hartman provided the voices for numerous characters on the Fox animated series The Simpsons, appearing in 52 episodes. He made his first appearance in the second season episode "Bart Gets Hit by a Car". Although he was originally brought in for a one-time appearance, Hartman enjoyed working on The Simpsons and the staff wrote additional parts for him. He voiced the recurring characters Lionel Hutz and Troy McClure, as well as Duff man (on one occasion) and several background characters. His favorite part was that of McClure, and he often used this voice to entertain the audience between takes while taping episodes of NewsRadio. He remarked, "My favorite fans are Troy McClure fans." He added "It's the one thing that I do in my life that's almost an avocation. I do it for the pure love of it." Hartman was popular among the staff of The Simpsons. Showrunners Bill Oakley and Josh Weinstein said they enjoyed his work, and used him as much as possible when working on the show. To give Hartman a larger role, they developed the episode "A Fish Called Selma", which focuses on Troy McClure and expands the character's backstory. The Simpsons creator Matt Groening said that he "took [Hartman] for granted because he nailed the joke every time", and that his voice acting could produce "the maximum amount of humor" with any line he was given. Before his death, Hartman had expressed an interest in making a live action film about Troy McClure. Many of The Simpsons production staff expressed enthusiasm for the project and offered to help. Hartman said he was "looking forward to [McClure's] live-action movie, publicizing his Betty Ford appearances", and "would love nothing more" than making a film and was prepared to buy the film rights himself in order to make it happen. Other work Hartman's first starring film role came in 1995's Houseguest, alongside Sinbad. Other films include Greedy, Coneheads, Sgt. Bilko, So I Married an Axe Murderer, CB4, Jingle All the Way, Kiki's Delivery Service, and Small Soldiers, the latter of which is his final theatrically released film. At the same time, he preferred working on television. His other television roles include appearances on episodes of The John Larroquette Show, The Dana Carvey Show, 3rd Rock from the Sun, and the HBO TV film The Second Civil War as the President of the United States. He made a considerable amount of money from television advertising, earning $300,000 for a series of four commercials for the soft drink Slice. He also appeared in advertisements for McDonald's (as Hugh McAttack) and 1-800-Collect (as Max Jerome). Hartman wrote a number of screenplays that were never produced. In 1986, he began writing a screenplay for a film titled Mr. Fix-It, and completed the final draft in 1991. Robert Zemeckis was signed to produce the film, with Gil Bettman hired to direct. Hartman called it "a sort of a merger of horror and comedy, like Beetlejuice and Throw Momma From the Train", adding, "It's an American nightmare about a family torn asunder. They live next to a toxic dump site, their water supply is poisoned, the mother and son go insane and try to murder each other, the father's face is torn off in a terrible disfiguring accident in the first act. It's heavy stuff, but it's got a good message and a positive, upbeat ending." Zemeckis could not secure studio backing, however, and the project collapsed. Another film idea involving Hartman's Groundlings character Chick Hazard, Private Eye was also canceled. Style In contrast to his real-life personality, which was described as "a regular guy and, by all accounts, one of show business's most low-key, decent people", Hartman often played seedy, vain or unpleasant characters as well as comedic villains. He described his standard character repertoire as the "jerky guy" and "the weasel parade", citing Lionel Hutz, Bill McNeal, Troy McClure, and Ted Maltin from Jingle All the Way as examples. Hartman enjoyed playing such roles because he "just want[ed] to be funny, and villains tend to be funny because their foibles are all there to see". He often played supporting roles, rather than the lead part. He said "throughout my career, I've never been a huge star, but I've made steady progress and that's the way I like it", and "It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame." Hartman was considered a "utility player" on SNL with a "kind of Everyman quality" which enabled him to appear in the majority of sketches, often in very distinct roles. Jan Hooks stated of his work on SNL: "Phil never had an ounce of competition. He was a team player. It was a privilege for him, I believe, to play support and do it very well. He was never insulted, no matter how small the role may have been." He was disciplined in his performances, studying the scripts beforehand. Hooks added: "Phil knew how to listen. And he knew how to look you in the eye, and he knew the power of being able to lay back and let somebody else be funny, and then do the reactions. I think Phil was more of an actor than a comedian." Film critic Pauline Kael declared that "Phil Hartman and Jan Hooks on Saturday Night Live are two of the best comic actors I've ever seen." Writer and acting coach Paul Ryan noted Hartman's work ethic with his impressions. He assembled a collection of video footage of the figure he was preparing to impersonate and watched this continually until he "completely embodied the person". Ryan concluded that "what made [Hartman's impressions] so funny and spot on was Phil's ability to add that perfect touch that only comes from trial and error and practicing in front of audiences and fellow actors." Hartman described this process as "technical". Journalist Lyle V. Harris said Hartman showed a "rare talent for morphing into ... anybody he wanted to be". Ken Tucker summarized Hartman's comedic style: "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice an ironic lilt that delivered a punchline like a fast slider—you barely saw it coming until you started laughing." Hartman claimed that he borrowed his style from actor Bill Murray: "He's been a great influence on me – when he did that smarmy thing in Ghostbusters, then the same sort of thing in Groundhog Day. I tried to imitate it. I couldn't. I wasn't good enough. But I discovered an element of something else, so in a sick kind of way I made myself a career by doing a bad imitation of another comic." Personal life Hartman married Gretchen Lewis in 1970 and they divorced in September 1972. He married real estate agent Lisa Strain in 1982, and their marriage lasted three years. Strain told People magazine that Hartman was reclusive off screen and "would disappear emotionally ... he'd be in his own world. That passivity made you crazy." In 1987, Hartman married former model and aspiring actress Brynn Omdahl (born Vicki Jo Omdahl, April 11, 1958 – May 28, 1998), having met her on a blind date the previous year. They had two children, Sean and Birgen Hartman. The marriage had difficulties; she was reportedly intimidated by his success and was frustrated that she could not find any on her own, although neither party wanted a divorce. She was reported to have been jealous and often verbally and/or physically abusive, even sending a letter to his ex-wife, threatening to "rip [Strain's] eyes out" if she spoke to him again. Hartman considered retiring to save the marriage. Hartman tried to get Brynn acting roles, but she became progressively reliant on alcohol and narcotics, entering rehab several times. On multiple occasions, he removed their children from the household to stay with friends or family because of her drug- and alcohol-fueled outbursts. Because of his close friendship with SNL associate Jan Hooks, Brynn joked on occasion Hooks and Hartman were married "on some other level". Brynn had written threatening letters addressed to Hooks, warning her to not get close to her husband, but they appeared to have never even been sent, being discovered in her belongings following her death. Stephen Root, Hartman's NewsRadio co-star, said few people knew "the real Phil Hartman", as he was "one of those people who never seemed to come out of character," but he nevertheless gave the impression of a family man who cared deeply for his children. Hartman befriended Joe Rogan during his time on NewsRadio and confided his marital problems to him. Rogan said that he encouraged Hartman to divorce Brynn five times, but "[Hartman] loved his kids and didn't want to leave". Hartman stated in 1997, though a non-practicing Catholic, he displayed a sense of religiousness. In his spare time, he enjoyed driving, flying, sailing, marksmanship, and playing the guitar. Murder On May 27, 1998, Brynn visited the Italian restaurant Buca di Beppo in Encino, California, with producer and writer Christine Zander, who said Brynn was "in a good frame of mind." They had drinks. After returning home, Brynn had a "heated" argument with Phil, after which he went to bed. She entered his bedroom some time before PDT on May 28, 1998, and as he slept, fatally shot him once between the eyes, once in the throat, and once in the upper chest with a Charter Arms .38 caliber handgun. He was 49 years old. She was taking Zoloft, had been drinking alcohol, and had recently used cocaine. Brynn then drove to the home of her friend Ron Douglas and confessed to the killing, but he did not believe her. They drove back to the house in separate cars, and she called another friend and confessed a second time. On seeing Hartman's body, Douglas called 9-1-1 at Police arrived and escorted Douglas and the Hartmans' two children from the premises, by which time Brynn had locked herself in the bedroom. Shortly afterward, she committed suicide by a self-inflicted gunshot. The police stated Hartman's death was caused by "domestic discord" between the couple. A friend said Brynn "had trouble controlling her anger ... She got attention by losing her temper". A neighbor of the Hartmans told a CNN reporter that the couple had marital problems. Yet actor Steve Guttenberg said they had been "a very happy couple, and they always had the appearance of being well-balanced". A wrongful death lawsuit was filed in 1999 by her brother Gregory Omdahl, against Pfizer, the manufacturer of Zoloft, and against her child's psychiatrist, Arthur Sorosky, who had provided samples of the antidepressant to Brynn. Phil Hartman's friend and former SNL colleague Jon Lovitz has accused Hartman's then NewsRadio co-star Andy Dick of reintroducing Brynn to cocaine, causing her to relapse and suffer a nervous breakdown. Dick claims to have known nothing of her condition. Lovitz later said he no longer blamed Dick for Hartman's murder, but in 2006, Lovitz claimed Dick approached him at a restaurant and said, "I put the Phil Hartman hex on you; you're the next one to die." Lovitz then had him ejected from the restaurant. The following year at the Laugh Factory comedy club in Los Angeles, Lovitz and Dick had another argument, with Lovitz slamming Dick's head into the bar. Dick asserted he was not at fault in relation to Hartman's death. Brynn's sister Katharine Omdahl and brother-in-law Mike Wright raised the two Hartman children. Hartman's will stipulated each child would inherit money over several years after turning 25. The total value of Hartman's estate was estimated at . In accordance with his wishes, his body was cremated by Forest Lawn Memorial Park and Mortuary, Glendale, California, and his ashes scattered over Santa Catalina Island's Emerald Bay. Response and legacy NBC executive Don Ohlmeyer stated that Hartman "was blessed with a tremendous gift for creating characters that made people laugh. Everyone who had the pleasure of working with Phil knows that he was a man of tremendous warmth, a true professional and a loyal friend." Guttenberg expressed shock at Hartman's death, and Steve Martin said he was "a deeply funny and very happy person". Matt Groening called him "a master", and director Joe Dante said, "He was one of those guys who was a dream to work with. I don't know anybody who didn't like him." Dan Snierson of Entertainment Weekly concluded that Hartman was "the last person you'd expect to read about in lurid headlines in your morning paper" and "a decidedly regular guy, beloved by everyone he worked with". In 2007, Entertainment Weekly ranked Hartman the 87th greatest television icon of all time, and Maxim named him the top Saturday Night Live performer of all time. On the day of Hartman's death, rehearsals for The Simpsons were canceled as well as that night's performance by The Groundlings. The season five premiere episode of NewsRadio, "Bill Moves On", finds Hartman's character, Bill McNeal, has died of a heart attack, while the other characters reminisce about his life. Lovitz joined the show in his place beginning with the next episode. A special episode of Saturday Night Live commemorating Hartman's work on the show aired on June 13, 1998. Rather than substituting another voice actor, the writers of The Simpsons retired Hartman's characters. His final appearance on the show, the season ten episode "Bart the Mother", is dedicated to him, as is his final film, Small Soldiers. At the time of his death, Hartman was preparing to voice Zapp Brannigan, a character written specifically for him on Groening's second animated series Futurama. Even though the role was specifically made for him, Hartman still insisted on auditioning and Groening said he "nailed it." After Hartman's death, Billy West took over the role. Though executive producer David X. Cohen credits West with using his own take on the character, West later said that he purposely tweaked Zapp's voice to better match Hartman's intended portrayal. Hartman was planning to appear with Lovitz in the indie film The Day of Swine and Roses, scheduled to begin production in August 1998. In 2002, Laugh.com and Hartman's brother John published the album, Flat TV, a selection of comedy sketches recorded by Hartman in the 1970s, which had been kept in storage. John Hartmann commented: "I'm putting this out there because I'm dedicating my life to fulfilling his dreams. This [album] is my brother doing what he loved." In 2013, Flat TV was optioned by Michael "Ffish" Hemschoot's animation company Worker Studio for an animated adaptation. The deal came about after Michael T. Scott, a partner in the company, posted online a hand-written letter he had received from Hartman in 1997, leading to a correspondence between Scott and Paul Hartmann. In 2007, a campaign was started on Facebook by Alex Stevens and endorsed by Hartman's brother Paul, to have Phil inducted to Canada's Walk of Fame. Among the campaign's numerous publicity events, Ben Miner of the Sirius XM Radio channel Laugh Attack, dedicated the month of April 2012 to Hartman. The campaign ended in success and Hartman was inducted to the Walk of Fame on September 22, 2012, with Paul accepting the award on his late brother's behalf. Hartman was also awarded the Cineplex Legends Award. In June 2013, it was announced that Hartman would receive a star on the Hollywood Walk of Fame, which was unveiled on August 26, 2014. Additionally, a special prize at the Canadian Comedy Awards was named for Hartman. Beginning with the 13th Canadian Comedy Awards in 2012, the Phil Hartman Award was awarded to "an individual who helps to better the Canadian comedy community". In 2015, Rolling Stone magazine ranked Hartman as one of the top-ten greatest Saturday Night Live cast members throughout the show's forty-year history, coming in seventh on their list of all 141 members. Filmography Film Television Video games Theme park attractions Discography 1977 America, Harbor 1978 America, Silent Letter Poco, Legend 1980 Firesign Theatre, Fighting Clowns References Book sources External links Phil Hartman at Yahoo! Movies Phil Hartman at The New York Times Hartman's autopsy and death certificate Phil Hartman's final night: The tragic death of a “Saturday Night Live” genius, Mike Thomas, Salon, September 21, 2014 1948 births 1998 deaths 1998 murders in the United States 20th-century American male actors 20th-century Canadian male actors Album-cover and concert-poster artists American male comedians American male film actors American graphic designers American impressionists (entertainers) American male screenwriters American male television actors American television writers American male voice actors American sketch comedians California State University, Northridge alumni Canadian male comedians Canadian emigrants to the United States Canadian male voice actors Canadian murder victims Canadian sketch comedians Deaths by firearm in California Male actors from Los Angeles American male television writers Murder–suicides in California Naturalized citizens of the United States People from Brantford People murdered in Los Angeles Primetime Emmy Award winners Santa Monica College alumni Comedians from California Mariticides Westchester High School (Los Angeles) alumni Screenwriters from California 20th-century Canadian comedians 20th-century American comedians 20th-century American male writers 20th-century American screenwriters Comedians from Ontario	true	[ "R. K. (Radha Krishna) is a former Indian actor who appears in Tamil films. He was a prominent businessman before he broke into films, owning a real estate business called \"Velcome City\".\n\nCareer\nAfter portraying small roles in films like Villu Pattukaran (1992), Poi (2006), Thoondil (2008), he made his debut as lead actor with Ellam Avan Seyal (2008), remake of Malayalam movie titled Chintamani Kola Case. The film received mixed reviews from critics and emerged as average grosser. He went on to do lead roles in films like Azhagar Malai (2009), En Vazhi Thani Vazhi (2014) and Vaigai Express (2017) which did not do well at box-office and in-between he also portrayed negative roles in films like Avan Ivan (2011) and Paayum Puli (2015).\n\nFilms acted\n\nReferences\n\nMale actors in Tamil cinema\nTamil male actors\nLiving people\nPeople from Sivaganga district\nMale actors from Tamil Nadu\n20th-century Indian male actors\n1959 births", "Kim Min-young (born 26 January, 1990) is a South Korean actress. She is best known for her supporting roles in Hi! School: Love On, Guardian: The Lonely and Great God and Plus Nine Boys. Kim also appeared in the famous and popular drama of School series, Who Are You: School 2015 as Jin Kwon. Kim also did lead roles in movies such as Sunny (2011 film) and Makgeolli Girls. She also had a lead role in drama, Coffee, Do Me a Favor.\n\nFilmography\n\nFilm\n\nTelevision series\n\nReferences\n\nExternal links \n \n \n\n1990 births\nLiving people\n21st-century South Korean actresses\nSouth Korean female models\nSouth Korean television actresses\nSouth Korean film actresses" ]
[ "Phil Hartman", "Style", "What was Phil Hartman's style?", "his real-life personality, which was described as \"a regular guy and, by all accounts, one of show business' most low-key, decent people\",", "and what was his show style?", "Hartman often played seedy, vain or unpleasant characters as well as comedic villains.", "what shows did he act in?", "SNL", "did he act in movies?", "I don't know.", "what did critics have to say about his style?", "\" He was disciplined in his performances, studying the scripts beforehand.", "Did he enjoy working in comedies?", "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice", "did audiences like his work?", "I don't know.", "what else is interesting about him?", "He often played supporting roles, rather than the lead part. He said \"throughout my career, I've never been a huge star, but", "Did he like it that way?", "I've made steady progress and that's the way I like it,", "Did he ever do a lead roles?", "\"It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame.\"" ]	C_8f3ec4d0681842848fcf988fd7a2544b_0	who were some of his co-stars?	11	who were some of Phil Hartman's co-stars?	Phil Hartman	In contrast to his real-life personality, which was described as "a regular guy and, by all accounts, one of show business' most low-key, decent people", Hartman often played seedy, vain or unpleasant characters as well as comedic villains. He noted that his standard character was a "jerky guy", and described his usual roles as "the weasel parade", citing Lionel Hutz, Bill McNeal, Troy McClure and Ted Maltin from Jingle All the Way as examples. Hartman enjoyed playing such roles because he "just want[ed] to be funny, and villains tend to be funny because their foibles are all there to see." He often played supporting roles, rather than the lead part. He said "throughout my career, I've never been a huge star, but I've made steady progress and that's the way I like it," and "It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame." Hartman was considered a "utility player" on SNL with a "kind of Everyman quality" which enabled him to appear in the majority of sketches, often in very distinct roles. Jan Hooks stated of his work on SNL: "Phil never had an ounce of competition. He was a team player. It was a privilege for him, I believe, to play support and do it very well. He was never insulted, no matter how small the role may have been." He was disciplined in his performances, studying the scripts beforehand. Hooks added: "Phil knew how to listen. And he knew how to look you in the eye, and he knew the power of being able to lay back and let somebody else be funny, and then do the reactions. I think Phil was more of an actor than a comedian." Film critic Pauline Kael declared that "Phil Hartman and Jan Hooks on Saturday Night Live are two of the best comic actors I've ever seen." Writer and acting coach Paul Ryan noted Hartman's work ethic with his impressions. He assembled a collection of video footage of the figure he was preparing to impersonate and watched this continually until he "completely embodied the person". Ryan concluded that "what made [Hartman's impressions] so funny and spot on was Phil's ability to add that perfect touch that only comes from trial and error and practicing in front of audiences and fellow actors." Hartman described this process as "technical." Journalist Lyle V. Harris said Hartman showed a "rare talent for morphing into [...] anybody he wanted to be". Ken Tucker summarized Hartman's comedic style: "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice an ironic lilt that delivered a punchline like a fast slider--you barely saw it coming until you started laughing." Hartman claimed that he borrowed his style from actor Bill Murray: "He's been a great influence on me - when he did that smarmy thing in Ghostbusters, then the same sort of thing in Groundhog Day. I tried to imitate it. I couldn't. I wasn't good enough. But I discovered an element of something else, so in a sick kind of way I made myself a career by doing a bad imitation of another comic." CANNOTANSWER	Writer and acting coach Paul Ryan	Philip Edward Hartman (né Hartmann; September 24, 1948 – May 28, 1998) was a Canadian-American actor, comedian, screenwriter, and graphic designer. Hartman was born in Brantford, Ontario, Canada, and his family moved to the United States when he was ten years old. After graduating from California State University, Northridge with a degree in graphic arts, he designed album covers for bands including Poco and America. In 1975, Hartman joined the comedy group The Groundlings, where he helped Paul Reubens develop his character Pee-wee Herman. Hartman co-wrote the film Pee-wee's Big Adventure and made recurring appearances as Captain Carl on Reubens' show Pee-wee's Playhouse. In 1986, Hartman joined the NBC sketch comedy show Saturday Night Live (SNL) as a cast member, and stayed for eight seasons until 1994. Nicknamed "Glue" for his ability to hold the show together and help other cast members, he won a Primetime Emmy Award for his SNL work in 1989. In 1995, he starred as Bill McNeal in the sitcom NewsRadio after declining to return to SNL. He also voiced various characters on The Simpsons, and had minor roles in the films Houseguest, Sgt. Bilko, Jingle All the Way, and Small Soldiers. After two divorces, Hartman married Brynn Omdahl in 1987, with whom he had two children. Their marriage was troubled due to Brynn's drug use and domestic violence against Phil, who was frequently absent from home. In 1998, while Hartman was sleeping in his bed, his wife shot and killed him, and later committed suicide. In the weeks following his murder, Hartman was celebrated in a wave of tributes. Dan Snierson of Entertainment Weekly wrote that Hartman was "the last person you'd expect to read about in lurid headlines in your morning paper ... a decidedly regular guy, beloved by everyone he worked with". He was posthumously inducted into the Canada and Hollywood Walks of Fame in 2012 and 2014. Early life Hartman was born Philip Edward Hartmann (later dropping one "n") on September 24, 1948, in Brantford, Ontario. He was the fourth of eight children of Doris Marguerite (née Wardell; July 17, 1919 – April 15, 2001) and Rupert Loebig Hartmann (November 8, 1914 – April 30, 1998), who sold building materials. The family was Catholic. As a child, Hartman found affection hard to earn: "I suppose I didn't get what I wanted out of my family life, so I started seeking love and attention elsewhere." Hartman was ten when his family moved to the United States. They first lived in Lewiston, Maine, then Meriden, Connecticut, and then on the West Coast, where he attended Westchester High School and frequently acted as the class clown. After graduating, he studied art at Santa Monica City College, dropping out in 1969 to become a roadie with a rock band. He returned to school in 1972 to study graphic arts at California State University, Northridge. He developed and operated his own graphic art business, creating more than 40 album covers for bands including Poco and America, as well as advertising and the logo for Crosby, Stills & Nash. In the late 1970s, he made his first television appearance on an episode of The Dating Game, where he won. Career Early career (1975–1985) Working alone as a graphic artist, Hartman frequently amused himself with "flights of voice fantasies". In 1975, seeking a more social outlet for his talents, he began attending evening comedy classes by the California-based improvisational comedy group The Groundlings. While watching one of their performances, he impulsively decided to climb on stage and join the cast. His first onscreen appearance was in 1978's Stunt Rock, an Australian film directed in Los Angeles by Brian Trenchard-Smith. After several years of training, paying his way by redesigning the group's logo and merchandise, Hartman formally joined The Groundlings and by 1979 was one of the show's stars. There Hartman befriended Paul Reubens, with whom he often collaborated on comedic material. Together they created the character Pee-wee Herman and developed The Pee-wee Herman Show, a live stage show that subsequently aired on HBO in 1981. Hartman played Captain Carl in the show, and reprised the role for the children's TV show Pee-wee's Playhouse. Reubens and Hartman made cameos in the 1980 film Cheech & Chong's Next Movie. Hartman co-wrote the script of the 1985 feature film Pee-wee's Big Adventure and had a cameo role as a reporter. He'd considered quitting acting at the age of 36 due to the challenges of finding work; but the success of Pee-wee's Big Adventure changed his mind. After a creative disagreement with Reubens, he left the Pee-Wee Herman project to pursue other roles. Hartman took more small roles in 1986 films such as Jumpin' Jack Flash and Three Amigos. He also worked as a voice actor in animated television programs, including The Smurfs, Challenge of the GoBots, The 13 Ghosts of Scooby-Doo, and in Dennis the Menace as characters Henry Mitchell and George Wilson. He developed a strong persona providing voice-overs for advertisements. Saturday Night Live (1986–1994) Hartman successfully auditioned to join NBC's variety show Saturday Night Live (SNL) in its 12th season, which began on October 11, 1986. He had been recommended for the show by fellow Groundlings and SNL cast members Jon Lovitz, and Laraine Newman as well as Jumpin' Jack Flash director Penny Marshall. He told the Los Angeles Times, "I wanted to do [SNL] because I wanted to get the exposure that would give me box-office credibility so I can write movies for myself." In his eight seasons with the show Hartman became known for his impressions, and performed as over 70 different characters. Hartman's original SNL characters include Eugene, the Anal Retentive Chef and Unfrozen Caveman Lawyer. His impressions include Frank Sinatra, Ronald Reagan, Ed McMahon, Barbara Bush, Charlton Heston, Phil Donahue, and Bill Clintonthe latter considered his best-known impression. Hartman first performed his Clinton impression on an episode of The Tonight Show. When he met Clinton in 1993, Hartman remarked, "I guess I owe you a few apologies", adding later that he "sometimes [felt] a twinge of guilt about [his Clinton impression]". Clinton showed good humor and sent Hartman a signed photo with the text: "You're not the president, but you play one on TV. And you're OK, mostly." Hartman copied the president's "post-nasal drip" and the "slight scratchiness" in his voice, as well as his open, "less intimidating" hand gestures. Hartman opted against wearing a larger prosthetic nose when portraying Clinton, as he thought it would be distracting. He instead wore a wig, dyed his eyebrows brighter, and used makeup to highlight his nose. In one of Hartman's sketches as Clinton, the president visits a McDonald's restaurant and explains his economic policies in the metaphor of eating other customers' food. The writers told him that he was not eating enough during rehearsals for the sketch – by the end of the live performance, Hartman had eaten so much he could barely speak. At SNL, Hartman's nickname of "Glue" was coined by Adam Sandler according to Jay Mohr's book Gasping for Airtime. However, according to You Might Remember Me: The Life and Times of Phil Hartman by Mike Thomas, author and staff writer for the Chicago Sun-Times, the nickname was created by SNL cast member and Hartman's frequent on-screen collaborator Jan Hooks. Hartman was very helpful to other cast members. For example, he aided Hooks in overcoming her stage fright. SNL creator Lorne Michaels explained the name: "He kind of held the show together. He gave to everybody and demanded very little. He was very low-maintenance." Michaels also added that Hartman was "the least appreciated" cast member by commentators outside the show, and praised his ability "to do five or six parts in a show where you're playing support or you're doing remarkable character work". Hartman won the Primetime Emmy Award for Outstanding Writing for a Variety, Music or Comedy Program for SNL in 1989, sharing the award with the show's other writers. He was nominated in the same category in 1987, and individually in 1994 for Outstanding Individual Performance in a Variety or Music Program. By 1993, almost every cast member who was there during Hartman's first year on SNL had left the show, including Jon Lovitz, Jan Hooks and Dana Carvey. Hartman said he felt "like an athlete who's watched all his World Series teammates get traded off into other directions ... It was hard to watch them leave because I sort of felt we were all part of the team that saved the show." This cast turnover contributed to his leaving the show in 1994. Hartman said he thought it was time to leave because the show was "getting less sophisticated" and his style of humor didn't fit with the less intellectual comedy of newer cast members like Adam Sandler. Hartman had originally planned to leave the show in 1991, but Michaels convinced him to stay to raise his profile; his portrayal of Clinton contributed to this goal. Jay Leno offered him the role of his sidekick on The Tonight Show but Hartman opted to stay on SNL. NBC persuaded him to stay on SNL by promising him his own comedy–variety show The Phil Show. He planned to "reinvent the variety form" with "a hybrid, very fast-paced, high energy [show] with sketches, impersonations, pet acts, and performers showcasing their talents". Hartman was to be the show's executive producer and head writer. Before production began, however, the network decided that variety shows were too unpopular and canceled the series. In a 1996 interview, Hartman noted he was glad, as he "would've been sweatin' blood each week trying to make it work". In 1998, he admitted he missed working on SNL, but had enjoyed the move from New York City to Southern California. NewsRadio (1995–1998) Hartman became one of the stars of the NBC sitcom NewsRadio in 1995, portraying radio news anchor Bill McNeal. He signed up after being attracted by the show's writing and use of an ensemble cast, and joked that he based McNeal on himself with "any ethics and character" removed. Hartman made roughly per episode of NewsRadio. Although the show was critically acclaimed, it was never a ratings hit and cancellation was a regular threat. After the completion of the fourth season, Hartman commented, "We seem to have limited appeal. We're on the edge here, not sure we're going to be picked up or not", but added he was "99 percent sure" the series would be renewed for a fifth season. Hartman had publicly lambasted NBC's decision to repeatedly move NewsRadio into different timeslots, but later regretted his comments, saying, "this is a sitcom, for crying out loud, not brain surgery". He also stated that if the sitcom were cancelled "it just will open up other opportunities for me". Although the show was renewed for a fifth season, Hartman died before production began. Ken Tucker praised Hartman's performance as McNeal: "A lesser performer ... would have played him as a variation on The Mary Tyler Moore Shows Ted Baxter, because that's what Bill was, on paper. But Hartman gave infinite variety to Bill's self-centeredness, turning him devious, cowardly, squeamish, and foolishly bold from week to week." Hartman was posthumously nominated for the Primetime Emmy Award for Outstanding Supporting Actor in a Comedy Series in 1998 for his work on NewsRadio, but lost to David Hyde Pierce. The Simpsons (1991–1998) Hartman provided the voices for numerous characters on the Fox animated series The Simpsons, appearing in 52 episodes. He made his first appearance in the second season episode "Bart Gets Hit by a Car". Although he was originally brought in for a one-time appearance, Hartman enjoyed working on The Simpsons and the staff wrote additional parts for him. He voiced the recurring characters Lionel Hutz and Troy McClure, as well as Duff man (on one occasion) and several background characters. His favorite part was that of McClure, and he often used this voice to entertain the audience between takes while taping episodes of NewsRadio. He remarked, "My favorite fans are Troy McClure fans." He added "It's the one thing that I do in my life that's almost an avocation. I do it for the pure love of it." Hartman was popular among the staff of The Simpsons. Showrunners Bill Oakley and Josh Weinstein said they enjoyed his work, and used him as much as possible when working on the show. To give Hartman a larger role, they developed the episode "A Fish Called Selma", which focuses on Troy McClure and expands the character's backstory. The Simpsons creator Matt Groening said that he "took [Hartman] for granted because he nailed the joke every time", and that his voice acting could produce "the maximum amount of humor" with any line he was given. Before his death, Hartman had expressed an interest in making a live action film about Troy McClure. Many of The Simpsons production staff expressed enthusiasm for the project and offered to help. Hartman said he was "looking forward to [McClure's] live-action movie, publicizing his Betty Ford appearances", and "would love nothing more" than making a film and was prepared to buy the film rights himself in order to make it happen. Other work Hartman's first starring film role came in 1995's Houseguest, alongside Sinbad. Other films include Greedy, Coneheads, Sgt. Bilko, So I Married an Axe Murderer, CB4, Jingle All the Way, Kiki's Delivery Service, and Small Soldiers, the latter of which is his final theatrically released film. At the same time, he preferred working on television. His other television roles include appearances on episodes of The John Larroquette Show, The Dana Carvey Show, 3rd Rock from the Sun, and the HBO TV film The Second Civil War as the President of the United States. He made a considerable amount of money from television advertising, earning $300,000 for a series of four commercials for the soft drink Slice. He also appeared in advertisements for McDonald's (as Hugh McAttack) and 1-800-Collect (as Max Jerome). Hartman wrote a number of screenplays that were never produced. In 1986, he began writing a screenplay for a film titled Mr. Fix-It, and completed the final draft in 1991. Robert Zemeckis was signed to produce the film, with Gil Bettman hired to direct. Hartman called it "a sort of a merger of horror and comedy, like Beetlejuice and Throw Momma From the Train", adding, "It's an American nightmare about a family torn asunder. They live next to a toxic dump site, their water supply is poisoned, the mother and son go insane and try to murder each other, the father's face is torn off in a terrible disfiguring accident in the first act. It's heavy stuff, but it's got a good message and a positive, upbeat ending." Zemeckis could not secure studio backing, however, and the project collapsed. Another film idea involving Hartman's Groundlings character Chick Hazard, Private Eye was also canceled. Style In contrast to his real-life personality, which was described as "a regular guy and, by all accounts, one of show business's most low-key, decent people", Hartman often played seedy, vain or unpleasant characters as well as comedic villains. He described his standard character repertoire as the "jerky guy" and "the weasel parade", citing Lionel Hutz, Bill McNeal, Troy McClure, and Ted Maltin from Jingle All the Way as examples. Hartman enjoyed playing such roles because he "just want[ed] to be funny, and villains tend to be funny because their foibles are all there to see". He often played supporting roles, rather than the lead part. He said "throughout my career, I've never been a huge star, but I've made steady progress and that's the way I like it", and "It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame." Hartman was considered a "utility player" on SNL with a "kind of Everyman quality" which enabled him to appear in the majority of sketches, often in very distinct roles. Jan Hooks stated of his work on SNL: "Phil never had an ounce of competition. He was a team player. It was a privilege for him, I believe, to play support and do it very well. He was never insulted, no matter how small the role may have been." He was disciplined in his performances, studying the scripts beforehand. Hooks added: "Phil knew how to listen. And he knew how to look you in the eye, and he knew the power of being able to lay back and let somebody else be funny, and then do the reactions. I think Phil was more of an actor than a comedian." Film critic Pauline Kael declared that "Phil Hartman and Jan Hooks on Saturday Night Live are two of the best comic actors I've ever seen." Writer and acting coach Paul Ryan noted Hartman's work ethic with his impressions. He assembled a collection of video footage of the figure he was preparing to impersonate and watched this continually until he "completely embodied the person". Ryan concluded that "what made [Hartman's impressions] so funny and spot on was Phil's ability to add that perfect touch that only comes from trial and error and practicing in front of audiences and fellow actors." Hartman described this process as "technical". Journalist Lyle V. Harris said Hartman showed a "rare talent for morphing into ... anybody he wanted to be". Ken Tucker summarized Hartman's comedic style: "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice an ironic lilt that delivered a punchline like a fast slider—you barely saw it coming until you started laughing." Hartman claimed that he borrowed his style from actor Bill Murray: "He's been a great influence on me – when he did that smarmy thing in Ghostbusters, then the same sort of thing in Groundhog Day. I tried to imitate it. I couldn't. I wasn't good enough. But I discovered an element of something else, so in a sick kind of way I made myself a career by doing a bad imitation of another comic." Personal life Hartman married Gretchen Lewis in 1970 and they divorced in September 1972. He married real estate agent Lisa Strain in 1982, and their marriage lasted three years. Strain told People magazine that Hartman was reclusive off screen and "would disappear emotionally ... he'd be in his own world. That passivity made you crazy." In 1987, Hartman married former model and aspiring actress Brynn Omdahl (born Vicki Jo Omdahl, April 11, 1958 – May 28, 1998), having met her on a blind date the previous year. They had two children, Sean and Birgen Hartman. The marriage had difficulties; she was reportedly intimidated by his success and was frustrated that she could not find any on her own, although neither party wanted a divorce. She was reported to have been jealous and often verbally and/or physically abusive, even sending a letter to his ex-wife, threatening to "rip [Strain's] eyes out" if she spoke to him again. Hartman considered retiring to save the marriage. Hartman tried to get Brynn acting roles, but she became progressively reliant on alcohol and narcotics, entering rehab several times. On multiple occasions, he removed their children from the household to stay with friends or family because of her drug- and alcohol-fueled outbursts. Because of his close friendship with SNL associate Jan Hooks, Brynn joked on occasion Hooks and Hartman were married "on some other level". Brynn had written threatening letters addressed to Hooks, warning her to not get close to her husband, but they appeared to have never even been sent, being discovered in her belongings following her death. Stephen Root, Hartman's NewsRadio co-star, said few people knew "the real Phil Hartman", as he was "one of those people who never seemed to come out of character," but he nevertheless gave the impression of a family man who cared deeply for his children. Hartman befriended Joe Rogan during his time on NewsRadio and confided his marital problems to him. Rogan said that he encouraged Hartman to divorce Brynn five times, but "[Hartman] loved his kids and didn't want to leave". Hartman stated in 1997, though a non-practicing Catholic, he displayed a sense of religiousness. In his spare time, he enjoyed driving, flying, sailing, marksmanship, and playing the guitar. Murder On May 27, 1998, Brynn visited the Italian restaurant Buca di Beppo in Encino, California, with producer and writer Christine Zander, who said Brynn was "in a good frame of mind." They had drinks. After returning home, Brynn had a "heated" argument with Phil, after which he went to bed. She entered his bedroom some time before PDT on May 28, 1998, and as he slept, fatally shot him once between the eyes, once in the throat, and once in the upper chest with a Charter Arms .38 caliber handgun. He was 49 years old. She was taking Zoloft, had been drinking alcohol, and had recently used cocaine. Brynn then drove to the home of her friend Ron Douglas and confessed to the killing, but he did not believe her. They drove back to the house in separate cars, and she called another friend and confessed a second time. On seeing Hartman's body, Douglas called 9-1-1 at Police arrived and escorted Douglas and the Hartmans' two children from the premises, by which time Brynn had locked herself in the bedroom. Shortly afterward, she committed suicide by a self-inflicted gunshot. The police stated Hartman's death was caused by "domestic discord" between the couple. A friend said Brynn "had trouble controlling her anger ... She got attention by losing her temper". A neighbor of the Hartmans told a CNN reporter that the couple had marital problems. Yet actor Steve Guttenberg said they had been "a very happy couple, and they always had the appearance of being well-balanced". A wrongful death lawsuit was filed in 1999 by her brother Gregory Omdahl, against Pfizer, the manufacturer of Zoloft, and against her child's psychiatrist, Arthur Sorosky, who had provided samples of the antidepressant to Brynn. Phil Hartman's friend and former SNL colleague Jon Lovitz has accused Hartman's then NewsRadio co-star Andy Dick of reintroducing Brynn to cocaine, causing her to relapse and suffer a nervous breakdown. Dick claims to have known nothing of her condition. Lovitz later said he no longer blamed Dick for Hartman's murder, but in 2006, Lovitz claimed Dick approached him at a restaurant and said, "I put the Phil Hartman hex on you; you're the next one to die." Lovitz then had him ejected from the restaurant. The following year at the Laugh Factory comedy club in Los Angeles, Lovitz and Dick had another argument, with Lovitz slamming Dick's head into the bar. Dick asserted he was not at fault in relation to Hartman's death. Brynn's sister Katharine Omdahl and brother-in-law Mike Wright raised the two Hartman children. Hartman's will stipulated each child would inherit money over several years after turning 25. The total value of Hartman's estate was estimated at . In accordance with his wishes, his body was cremated by Forest Lawn Memorial Park and Mortuary, Glendale, California, and his ashes scattered over Santa Catalina Island's Emerald Bay. Response and legacy NBC executive Don Ohlmeyer stated that Hartman "was blessed with a tremendous gift for creating characters that made people laugh. Everyone who had the pleasure of working with Phil knows that he was a man of tremendous warmth, a true professional and a loyal friend." Guttenberg expressed shock at Hartman's death, and Steve Martin said he was "a deeply funny and very happy person". Matt Groening called him "a master", and director Joe Dante said, "He was one of those guys who was a dream to work with. I don't know anybody who didn't like him." Dan Snierson of Entertainment Weekly concluded that Hartman was "the last person you'd expect to read about in lurid headlines in your morning paper" and "a decidedly regular guy, beloved by everyone he worked with". In 2007, Entertainment Weekly ranked Hartman the 87th greatest television icon of all time, and Maxim named him the top Saturday Night Live performer of all time. On the day of Hartman's death, rehearsals for The Simpsons were canceled as well as that night's performance by The Groundlings. The season five premiere episode of NewsRadio, "Bill Moves On", finds Hartman's character, Bill McNeal, has died of a heart attack, while the other characters reminisce about his life. Lovitz joined the show in his place beginning with the next episode. A special episode of Saturday Night Live commemorating Hartman's work on the show aired on June 13, 1998. Rather than substituting another voice actor, the writers of The Simpsons retired Hartman's characters. His final appearance on the show, the season ten episode "Bart the Mother", is dedicated to him, as is his final film, Small Soldiers. At the time of his death, Hartman was preparing to voice Zapp Brannigan, a character written specifically for him on Groening's second animated series Futurama. Even though the role was specifically made for him, Hartman still insisted on auditioning and Groening said he "nailed it." After Hartman's death, Billy West took over the role. Though executive producer David X. Cohen credits West with using his own take on the character, West later said that he purposely tweaked Zapp's voice to better match Hartman's intended portrayal. Hartman was planning to appear with Lovitz in the indie film The Day of Swine and Roses, scheduled to begin production in August 1998. In 2002, Laugh.com and Hartman's brother John published the album, Flat TV, a selection of comedy sketches recorded by Hartman in the 1970s, which had been kept in storage. John Hartmann commented: "I'm putting this out there because I'm dedicating my life to fulfilling his dreams. This [album] is my brother doing what he loved." In 2013, Flat TV was optioned by Michael "Ffish" Hemschoot's animation company Worker Studio for an animated adaptation. The deal came about after Michael T. Scott, a partner in the company, posted online a hand-written letter he had received from Hartman in 1997, leading to a correspondence between Scott and Paul Hartmann. In 2007, a campaign was started on Facebook by Alex Stevens and endorsed by Hartman's brother Paul, to have Phil inducted to Canada's Walk of Fame. Among the campaign's numerous publicity events, Ben Miner of the Sirius XM Radio channel Laugh Attack, dedicated the month of April 2012 to Hartman. The campaign ended in success and Hartman was inducted to the Walk of Fame on September 22, 2012, with Paul accepting the award on his late brother's behalf. Hartman was also awarded the Cineplex Legends Award. In June 2013, it was announced that Hartman would receive a star on the Hollywood Walk of Fame, which was unveiled on August 26, 2014. Additionally, a special prize at the Canadian Comedy Awards was named for Hartman. Beginning with the 13th Canadian Comedy Awards in 2012, the Phil Hartman Award was awarded to "an individual who helps to better the Canadian comedy community". In 2015, Rolling Stone magazine ranked Hartman as one of the top-ten greatest Saturday Night Live cast members throughout the show's forty-year history, coming in seventh on their list of all 141 members. Filmography Film Television Video games Theme park attractions Discography 1977 America, Harbor 1978 America, Silent Letter Poco, Legend 1980 Firesign Theatre, Fighting Clowns References Book sources External links Phil Hartman at Yahoo! Movies Phil Hartman at The New York Times Hartman's autopsy and death certificate Phil Hartman's final night: The tragic death of a “Saturday Night Live” genius, Mike Thomas, Salon, September 21, 2014 1948 births 1998 deaths 1998 murders in the United States 20th-century American male actors 20th-century Canadian male actors Album-cover and concert-poster artists American male comedians American male film actors American graphic designers American impressionists (entertainers) American male screenwriters American male television actors American television writers American male voice actors American sketch comedians California State University, Northridge alumni Canadian male comedians Canadian emigrants to the United States Canadian male voice actors Canadian murder victims Canadian sketch comedians Deaths by firearm in California Male actors from Los Angeles American male television writers Murder–suicides in California Naturalized citizens of the United States People from Brantford People murdered in Los Angeles Primetime Emmy Award winners Santa Monica College alumni Comedians from California Mariticides Westchester High School (Los Angeles) alumni Screenwriters from California 20th-century Canadian comedians 20th-century American comedians 20th-century American male writers 20th-century American screenwriters Comedians from Ontario	true	[ "Tom Mix (1880–1940) was an American motion picture actor, director, and writer whose career spanned from 1910 to 1935. During this time he appeared in 270 films and established himself as the screen's most popular cowboy star. Mix's flair for showmanship set the standard for later cowboy heroes such as Gene Autry and Roy Rogers. His horse Tony also became a celebrity who received his own fan mail.\n\nBorn in Pennsylvania, Mix served in the United States Army before moving to the Oklahoma Territory in 1902. Three years later, after working as a physical fitness instructor, bartender, and peace officer, he was hired as a full-time cowboy for the Miller Brothers 101 Ranch. Soon after, Mix established himself as the star attraction of the Millers' Wild West Show. In early 1910 Mix agreed to work as an actor and wrangler for the Selig Polyscope Company. Mix alternated between working in films and in Wild West shows until 1913 when he went into the film business full-time. The following year he established his own production unit and became a director and writer as well as an actor. His films for Selig were usually one and two-reel shorts that initially emphasized humor in the tradition of Will Rogers but eventually moved into action-oriented stories that displayed Mix's riding and stunting prowess.\n\nIn 1917 Mix left Selig and signed a contract with the Fox Film Corporation. His earliest films for them were two-reel shorts but within a year he switched to features. During his peak period in the 1920s Mix appeared in action-packed westerns filled with fights and chases which often showed him doing his own stunt work. His films were also known for their location work in places such as Arizona's Grand Canyon and Colorado's Royal Gorge. Among the notable directors that he worked with during this time were John Ford, Sidney Franklin, Jack Conway, George Marshall, and Roy William Neill. His leading ladies included Louella Maxam, Colleen Moore, Esther Ralston, Laura La Plante, Billie Dove and Clara Bow. In 1928, after eleven years and 86 films with Fox, Mix moved to FBO Pictures for a series of five films. With the advent of sound, Mix abandoned his film career and returned to working in Wild West shows. He came back to films in 1932 for a series of nine sound features for Universal. In 1935, he appeared in his final film, a 15-chapter serial for Mascot Pictures. Mix died in an automobile accident in Arizona five years later.\n\nOn February 8, 1960, Mix was awarded a star on the Hollywood Walk of Fame. In 1998, Mix's film Sky High was added to the National Film Registry by the Library of Congress.\n\nSelig Polyscope Company\nIn 1910, Will A. Dickey, owner of the Circle D Ranch Wild West Show and Indian Congress, signed a deal to provide stock and wranglers for the Selig motion picture company. Dickey had seen Mix perform with the Miller Brothers 101 Ranch Wild West Show and asked him if he would be interested in appearing in films. Mix agreed and soon after joined the Selig unit in Flemington, Missouri. Mix's earliest films were made as part of one of Selig's traveling units. Location work for these films was done in Missouri and Oklahoma while at least one film was made in Chicago. Otis Turner, the director of these films, was impressed with Mix's screen image and wanted to keep him working as a film actor. Mix, however, was not interested in remaining in films and signed with Zack Mulhall's Wild West Show to help organize the Appalachian Exposition in Knoxville, Tennessee, which was scheduled to run in October and November. After this Mix rejoined the Miller Brothers 101 Ranch Show.\n\nIn the spring of 1911 Mix left the Miller Brothers 101 Ranch Show and resumed his career as an actor with the Selig Polyscope Company. Early in 1912 Mix left the film industry and joined Guy Weadick, one of his former 101 Ranch associates, to stage the first Calgary Stampede in Alberta, Canada. After this Mix toured Canada with the Buffalo Ranch Wild West Show. Following the show's closure Mix returned to Dewey, Oklahoma and accepted the position of night marshal. All of Mix's 1912 films are one-reel shorts directed by Otis Turner.\n\nIn January 1913 Mix accepted an offer from Selig to return to acting in films as part of a production unit in Prescott, Arizona, until the supervision of actor-director William Duncan. During his time with this unit Duncan persuaded Mix to write some of the scenarios. All of Mix's 1913 films were directed by Duncan and, except where noted, are one-reel shorts. The majority of these films co-starred Myrtle Stedman and Lester Cuneo. The last films that Mix made with Duncan were released in early 1914. By that time Mix had been reassigned work with Colin Campbell, one of Selig's top directors, to appear in films produced in Truckee, California. These films were largely two or three reels in length and attracting more attention than Selig's average releases. Later in 1914 Selig gave Mix his own unit, which allowed him to write, direct and star in films made in Glendale, California.\n\nMix returned to Arizona in 1915. The Selig Company began to experience a decline in its profits around this time, due in part to World War I cutting off its foreign market. As a result, Selig began trimming its production schedule. All films were directed by Mix and, except where noted, are one-reel shorts. In 1916 Mix moved to Las Vegas, New Mexico, which, at the time, was the last remaining open range in the West. In June 1916 he moved again, this time back to Glendale. With pressure from Selig to reduce costs in his unit, Mix began searching for a new producer. By the end of the year he had signed with the Fox Film Corporation. Mix's final films with Selig were released in early 1917.\n\nAll of Mix's Selig films are one-reel shorts except where noted. Most of these films are now lost. Those that are known to survive are listed in the notes section.\n\nFox Film Corporation\nMix moved from Selig to the Fox Film Corporation in 1917, starting at a salary of $350 per week. His earliest films for the studio were two-reel shorts similar to the ones he made at Selig. Within a year, however he switched to feature films. Mix's popularity soared at Fox and his salary eventually escalated to $17,000 per week.\n\nInitially Mix worked as a writer and director as well as an actor but eventually restricted his work largely to being in front of the cameras. As his Fox films often teamed him with notable directors (such as John Ford, Sidney Franklin, Jack Conway, George Marshall, and Roy William Neill) an extra column now appears to list them. As the survival rate of Mix's Fox films is higher than his Selig films another column is added to display their survival status.\n\nExcept where noted all films are five reel features.\n{\| class=\"wikitable sortable\" width=100%\n! scope=\"col\" with=10%\|Release date !! scope=\"col\" width=13%\|Title !! scope=\"col\" width=13%\|Role !! scope=\"col\" width=13%\|Director(s)!! scope=\"col\" class=\"unsortable\" width=13%\|Survival status !! scope=\"col\" class=\"unsortable\" width=32%\|Notes !! scope=\"col\" class=\"unsortable\" width=5%\|Ref(s)\n\|-\n\| \|\| scope=\"row\"\|Hearts and Saddles \|\| \|\| and Robert Eddy \|\| Fragment survives \|\| Two reels; story by Mix; co-stars Victoria Forde\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\| \|\| \|\| \|\| Lost \|\| Two reels; story by Mix; co-stars Victoria Forde\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Six Cylinder Love \|\| \|\| \|\| Lost \|\| Two reels; story by Mix; co-stars Victoria Forde\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\| \|\| \|\| \|\| Lost \|\| Two reels; story by Mix; co-stars Victoria Forde\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Durand of the Bad Lands \|\| \|\| \|\| Lost \|\| Starring Dustin Farnum and Natalie Kingston with Mix in a supporting role.\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Tom and Jerry Mix \|\| \|\| \|\| Lost \|\| Two reels; story by Mix; co-stars Victoria Forde\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Cupid's Round Up \|\| \|\| \|\| Lost \|\| Co-stars Wanda Hawley. Mix's first starring feature film with Fox\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Six Shooter Andy \|\| \|\| \|\| Lost \|\| Co-stars Enid Markey\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Western Blood \|\| \|\| \|\| Lost \|\| Story by Mix; co-stars Victoria Forde\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Ace High \|\| \|\| \|\| Survives complete: Lob \|\| \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Who's Your Father? \|\| \|\| \|\| Lost \|\| Two reels \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Mr. Logan, U.S.A. \|\| \|\| \|\| Lost \|\| \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Fame and Fortune \|\| \|\| \|\| Lost \|\| \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Treat 'Em Rough \|\| \|\| \|\| 2 reels survive: GEH \|\| Co-stars Jane Novak; film on location in Prescott, Arizona\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Hell-Roarin' Reform \|\| Tim \|\| \|\| Lost \|\| \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Fighting for Gold \|\| \|\| \|\| fragment in private collection \|\| \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|The Coming of the Law \|\| \|\| \|\| 1 reel survives: LC \|\| \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\| \|\| \|\| \|\| Lost \|\| Co-stars Colleen Moore\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Rough Riding Romance \|\| \|\| \|\| Fragment: LC \|\| Co-stars Juanita Hansen; parially filmed in San Francisco, California\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\| \|\| \|\| \|\| Lost \|\| Co-stars Eva Novak\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|The Feud \|\| / John Smith \|\| \|\| Lost \|\| Co-stars Eva Novak\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\| \|\| \|\| \|\| Lost \|\| Co-stars Colleen Moore\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\| \|\| \|\| \|\| Lost \|\| Co-stars Eva Novak\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Desert Love \|\| \|\| \|\| Lost \|\| Story by Mix; co-stars Victoria Forde\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\| \|\| \|\| \|\| Lost \|\| Story by Mix; co-stars Eva Novak; film on location in Sonora, California\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|3 Gold Coins \|\| / Bad Pat Duncan \|\| \|\| Lost \|\| Mix in a dual role as both the hero and the villain\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\| \|\| Whistling Dan \|\| \|\| Survives complete: GEH \|\| Co-stars Pauline Starke; based on a novel by Max Brand\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\| \|\| \|\| \|\| Survives complete: EYE / DFI \|\| Six reels \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Prairie Trails \|\| \|\| \|\| Lost \|\| Six reels; a sequel to The Texan\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\| \|\| \|\| \|\| Fragment: LC / NFA \|\| \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Hands Off! \|\| \|\| \|\| Lost \|\| \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\| \|\| \|\| \|\| Lost \|\| Nine reels; starring Betty Blythe; Mix supervised the film's all-female chariot race sequence\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\| \|\| \|\| \|\| Lost \|\| Story by Mix; co-stars Rhea Mitchell\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Big Town Round-Up \|\| \|\| \|\| Survives complete: EYE \|\| Co-stars Laura La Plante\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|After Your Own Heart \|\| \|\| \|\| Lost \|\| Story adaptation by Mix \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\| \|\| Whistling Dan \|\| \|\| Survives complete: GEH \|\| \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\| \|\| \|\| \|\| Lost \|\| Story by Mix; co-stars Eva Novak\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Trailin''' \|\| \|\| \|\| Survives complete: UCLA \|\| Co-stars Eva Novak \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Sky High \|\| \|\| \|\| Survives complete: CRdB / LC / MoMA / UCLA / GEH \|\| Co-stars Eva Novak and J. Farrell MacDonald; location shooting at the Grand Canyon in Arizona; added to the National Film Registry in 1998 \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Chasing the Moon \|\| \|\| \|\| Lost \|\| Co-stars Eva Novak\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Up and Going \|\| \|\| \|\| Lost \|\| Story by Mix; co-stars Eva Novak\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|The Fighting Streak \|\| \|\| \|\| Survives complete: BFI \|\| Co-stars Patsy Ruth Miller; location shooting in Victorville, California\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|For Big Stakes \|\| \|\| \|\| Survives complete: NFA \|\| Co-stars Patsy Ruth Miller\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Just Tony \|\| \|\| \|\| Survives complete: GEH / MoMA / UCLA / AFI \|\| A film centering around Mix's horse Tony; based on a novel by Max Brand \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Do and Dare \|\| / Henry Boone \|\| \|\| Lost \|\| Location shooting in Chatsworth, California \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\| Tom Mix in Arabia \|\| \|\| \|\| Lost \|\| Story by Mix; co-stars Barbara Bedford\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Catch My Smoke \|\| \|\| \|\| Lost \|\| Co-stars Lillian Rich\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Romance Land \|\| \|\| \|\| Survives complete: NFA \|\| Five reels; co-stars Barbara Bedford \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Three Jumps Ahead \|\| \|\| \|\| Lost \|\| Five reels; the first of two Mix films directed by John Ford (here billed as Jack Ford) \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Stepping Fast \|\| \|\| \|\| Lost \|\| Five reels \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Soft Boiled \|\| \|\| \|\| Survives complete: GEH \|\| Eight reels; co-stars Billie Dove\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|The Lone Star Ranger \|\| \|\| \|\| Lost \|\| Six reels; co-stars Billie Dove; based on the novel by Zane Grey; also filmed in 1919, 1930, and 1942 with, respectively, William Farnum, George O'Brien, and John Kimbrough in the Mix role \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Mile-a-Minute Romeo \|\| \|\| \|\| Lost \|\| Six reels \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|North of Hudson Bay \|\| \|\| \|\| Survives complete: ANF / CRdB / LC UCLA \|\| Five reels; Mix's second film with John Ford \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Eyes of the Forest \|\| \|\| \|\| Survives incomplete: MoMA \|\| Five reels; co-stars Pauline Starke \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Ladies to Board \|\| \|\| \|\| Lost \|\| Six reels; co-stars Gertrude Olmstead \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\| \|\| \|\| \|\| Survives complete: NFA \|\| Six reels \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\| \|\| \|\| \|\| Lost \|\| Five reels; co-stars Esther Ralston \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\| \|\| \|\| \|\| Survives complete: NFA \|\| Seven reels; co-stars Marian Nixon; based on the novel by Zane Grey \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Oh, You Tony! \|\| \|\| \|\| Lost \|\| Seven reels; co-stars Claire Adams \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Teeth \|\| \|\| \|\| Survives complete: GEH \|\| Seven reels; co-stars George Bancroft \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\| \|\| \|\| \|\| Lost \|\| Seven reels; co-stars George Bancroft; based on a novel by Clarence E. Mulford; location shooting at Cedar City, Utah and Zion National Park \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Dick Turpin \|\| \|\| \|\| Survives complete: GEH MoMA CSF \|\| Seven reels; features Alan Hale; one of Mix's few non-Westerns; a romanticized story of the English highwayman \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Riders of the Purple Sage \|\| \|\| \|\| Survives complete: GEH MoMA \|\| Six reels; based on the novel by Zane Grey; featuring Warner Oland and Fred Kohler; location shooting in the Alabama Hills near Lone Pine, California; also filmed in 1918, 1931, 1941, and 1996 with, respectively, William Farnum, George O'Brien, George Montgomery, and Ed Harris in the Mix role\|\| align=\"center\"\| \n\|-\n\| \|\| scope=\"row\"\|The Rainbow Trail \|\| \|\| \|\| Survives complete: GEH \|\| Six reels; based on the novel by Zane Grey; location shooting in the Painted Desert in Arizona; also filmed in 1918 with William Farnum and in 1932 with George O'Brien \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\| \|\| \|\| \|\| Survives complete: MoMA \|\| Five reels; co-stars Billie Dove and J. Farrell MacDonald with Ann Pennington in a cameo appearance; Gary Cooper appears as an extra\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\| \|\| \|\| \|\| Lost \|\| Six reels; co-stars Alice Calhoun\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\| \|\| \|\| \|\| Survives complete: MoMA \|\| Five reels; co-stars Clara Bow; based on a novel by Max Brand\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\| The Yankee Señor \|\| \|\| \|\| Survives incomplete: NFA \|\| Five reels; co-stars Olive Borden; features a fiesta sequence filmed in Technicolor (part of this color footage survives) \|\| align=\"center\"\| \n\|-\n\| \|\| scope=\"row\"\|My Own Pal \|\| \|\| \|\| Survival status unknown \|\| Six reels; co-stars Olive Borden \|\| align=\"center\"\| \n\|-\n\| \|\| scope=\"row\"\|Tony Runs Wild \|\| \|\| \|\| Survives complete: NFA \|\| Six reels; co-stars Jacqueline Logan \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Hard Boiled \|\| \|\| \|\| Survives complete: NFA \|\| Six reels \|\| align=\"center\"\| \n\|-\n\| \|\| scope=\"row\"\|No Man's Gold \|\| \|\| \|\| Survives complete: NFA \|\| Six reels; co-stars Eva Novak \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\| \|\| \|\| \|\| Survives complete: CRdB / LC / MoMA / UCLA \|\| Five reels; co-stars Dorothy Dwan; location shooting at Royal Gorge, Colorado \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\| \|\| \|\| \|\| Lost \|\| Six reels; co-stars Dorothy Dwan\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\| \|\| \|\| \|\| Survives complete: CRdB / MoMA / GEH \|\| Six reels; co-stars Carmelita Geraghty; based on the novel by Zane Grey\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\| \|\| \|\| \|\| Lost \|\| Six reels; co-stars Helene Costello; based on a story by Adela Rogers St. Johns \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Outlaws of Red River \|\| \|\| \|\| Lost \|\| Six reels; co-stars Marjorie Daw\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\| \|\| \|\| \|\| Survives complete: NFA \|\| Five reels; co-stars Natalie Joyce\|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Tumbling River \|\| \|\| \|\| Lost \|\| Five reels; co-stars Dorothy Dwan \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Silver Valley \|\| \|\| \|\| Lost \|\| Five reels; co-stars Dorothy Dwan \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\| \|\| \|\| \|\| Lost \|\| Five reels; co-stars Dorothy Sebastian; based on a story by Adela Rogers St. Johns \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Daredevil's Reward \|\| \|\| \|\| Lost \|\| Six reels \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\| \|\| \|\| \|\| Lost \|\| Five reels; co-stars Sally Blane \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Hello Cheyenne! \|\| \|\| \|\| Lost \|\| Five reels; location shooting in Arizona \|\| align=\"center\"\|\n\|-\n\| \|\| scope=\"row\"\|Painted Post \|\| \|\| \|\| Survives complete: CI \|\| Five reels \|\| align=\"center\"\| \n\|}\n\nFBO Pictures\nBy 1927, numerous low-budget imitations of Mix's films were flooding the cinema market. This, along with Mix's salary, the high rental fees for his films, and Fox Films' commitment to sound films made the studio decide not to renew his contract. Following his departure from Fox, Mix went on a vaudeville tour with the Keith-Albee-Orpheum circuit. In 1928, Mix signed with the Film Booking Offices of America (FBO) studios to appear in six silent westerns. By the time his first film, The Son of the Golden West, was released FBO had merged with RKO Pictures. Mix's FBO films were not as well received by the public and press as his Fox films. As a result, after making five films for the studio production of the proposed sixth film, The Dude Ranch'', was cancelled. Prints of all five of Mix's FBO films survive.\n\nUniversal Pictures\nFollowing his departure from FBO Mix returned to the vaudeville circuit, followed by two years with the Sells Floto Circus. In November 1931, Mix received an offer from Carl Laemmle of Universal Studios to star in a series of sound westerns. The resulting nine films (plus a cameo appearance in a tenth) proved to be popular at the box office. In December 1932, however, Mix ended his association with Universal due to injuries and a bout of influenza. All of Mix's Universal films survive (see references for each film).\n\nMascot\nFollowing his departure from Universal, Mix returned to live performances. In 1934, he joined with showman Sam Gill to form the \"Tom Mix Wild West and Sam Gill Circus (Combined)\". Following Gill's death from a heart attack Mix bought out his late partner's ownership. To help finance this deal Mix signed with film producer Nat Levine's Mascot Pictures to appear in a western serial. Although a major box office hit, the resulting effort was Mix's final film.\n\nOther film appearances\nMix appeared as himself in two early sound short films that were part of the \"Voice of Hollywood\" series. Both were produced by Tiffany-Stahl Productions and released in 1930.\n\nArchives with Mix films\nThe following film archives have prints of Tom Mix films. The abbreviations are used in the survival status section for the Fox films and in the notes section for all other films.\n\n AFA = Academy Film Archive, Hollywood, CA, USA\n ANF = Arhiva Națională de Filme (National Film Archive), Romania\n CI = Cineteca Italiana, Milan, Italy\n CN = Cineteca Nazionale (National Film Archive), Rome, Italy\n CRdB = Cinematheque Royale de Belgique, Brussels, Belgium\n CSF = Cinemateket-Svenska Filminstitutet, Stockholm, Sweden\n DFI = Danish Film Institute, Gothersgade, Copenhagen, Denmark\n EYE = EYE Film Institute Netherlands, Amsterdam, Netherlands \n\n FA = Filmarchiv Austria, Vienna, Austria\n GEH = George Eastman Museum, Rochester, New York, USA\n LC = Library of Congress, Washington, DC, USA\n Lob = Lobster Films, Paris, France\n NFA = Narodni Filmovy Archiv, Prague, Czech Republic\n MoMA = Museum of Modern Art, New York, NY, USA\n UCLA = UCLA Film and Television Archives, Los Angeles, CA, USA\n\nReferences\n\nCitations\n\nBibliography\nMain source\n\nSecondary sources\n\nExternal links\nTom Mix at IMDb\n\nMale actor filmographies\nAmerican filmographies", "Stellar Group or stellar group may refer to:\n\nCompanies\n Stellar Group (construction company), of Jacksonville, Florida\n a sports management company co-founded by Jonathan Barnett\n\nAstronomy\n a grouping of stars\n moving group or stellar group, a group of co-moving stars\n stellar association\n star cluster, a group of gravitationally bound stars\n open cluster \n galactic cluster\n globular cluster\n super star cluster\n star cloud, a visually defined patch of stars\n asterism (astronomy), a group of stars forming a pattern\n traditional constellation\n multiple star, a set of stars forming a close visual grouping\n star system, a gravitationally bound system of stars" ]
[ "Phil Hartman", "Style", "What was Phil Hartman's style?", "his real-life personality, which was described as \"a regular guy and, by all accounts, one of show business' most low-key, decent people\",", "and what was his show style?", "Hartman often played seedy, vain or unpleasant characters as well as comedic villains.", "what shows did he act in?", "SNL", "did he act in movies?", "I don't know.", "what did critics have to say about his style?", "\" He was disciplined in his performances, studying the scripts beforehand.", "Did he enjoy working in comedies?", "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice", "did audiences like his work?", "I don't know.", "what else is interesting about him?", "He often played supporting roles, rather than the lead part. He said \"throughout my career, I've never been a huge star, but", "Did he like it that way?", "I've made steady progress and that's the way I like it,", "Did he ever do a lead roles?", "\"It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame.\"", "who were some of his co-stars?", "Writer and acting coach Paul Ryan" ]	C_8f3ec4d0681842848fcf988fd7a2544b_0	did he win any awards for his style?	12	did Phil Hartman win any awards for his style?	Phil Hartman	In contrast to his real-life personality, which was described as "a regular guy and, by all accounts, one of show business' most low-key, decent people", Hartman often played seedy, vain or unpleasant characters as well as comedic villains. He noted that his standard character was a "jerky guy", and described his usual roles as "the weasel parade", citing Lionel Hutz, Bill McNeal, Troy McClure and Ted Maltin from Jingle All the Way as examples. Hartman enjoyed playing such roles because he "just want[ed] to be funny, and villains tend to be funny because their foibles are all there to see." He often played supporting roles, rather than the lead part. He said "throughout my career, I've never been a huge star, but I've made steady progress and that's the way I like it," and "It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame." Hartman was considered a "utility player" on SNL with a "kind of Everyman quality" which enabled him to appear in the majority of sketches, often in very distinct roles. Jan Hooks stated of his work on SNL: "Phil never had an ounce of competition. He was a team player. It was a privilege for him, I believe, to play support and do it very well. He was never insulted, no matter how small the role may have been." He was disciplined in his performances, studying the scripts beforehand. Hooks added: "Phil knew how to listen. And he knew how to look you in the eye, and he knew the power of being able to lay back and let somebody else be funny, and then do the reactions. I think Phil was more of an actor than a comedian." Film critic Pauline Kael declared that "Phil Hartman and Jan Hooks on Saturday Night Live are two of the best comic actors I've ever seen." Writer and acting coach Paul Ryan noted Hartman's work ethic with his impressions. He assembled a collection of video footage of the figure he was preparing to impersonate and watched this continually until he "completely embodied the person". Ryan concluded that "what made [Hartman's impressions] so funny and spot on was Phil's ability to add that perfect touch that only comes from trial and error and practicing in front of audiences and fellow actors." Hartman described this process as "technical." Journalist Lyle V. Harris said Hartman showed a "rare talent for morphing into [...] anybody he wanted to be". Ken Tucker summarized Hartman's comedic style: "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice an ironic lilt that delivered a punchline like a fast slider--you barely saw it coming until you started laughing." Hartman claimed that he borrowed his style from actor Bill Murray: "He's been a great influence on me - when he did that smarmy thing in Ghostbusters, then the same sort of thing in Groundhog Day. I tried to imitate it. I couldn't. I wasn't good enough. But I discovered an element of something else, so in a sick kind of way I made myself a career by doing a bad imitation of another comic." CANNOTANSWER	CANNOTANSWER	Philip Edward Hartman (né Hartmann; September 24, 1948 – May 28, 1998) was a Canadian-American actor, comedian, screenwriter, and graphic designer. Hartman was born in Brantford, Ontario, Canada, and his family moved to the United States when he was ten years old. After graduating from California State University, Northridge with a degree in graphic arts, he designed album covers for bands including Poco and America. In 1975, Hartman joined the comedy group The Groundlings, where he helped Paul Reubens develop his character Pee-wee Herman. Hartman co-wrote the film Pee-wee's Big Adventure and made recurring appearances as Captain Carl on Reubens' show Pee-wee's Playhouse. In 1986, Hartman joined the NBC sketch comedy show Saturday Night Live (SNL) as a cast member, and stayed for eight seasons until 1994. Nicknamed "Glue" for his ability to hold the show together and help other cast members, he won a Primetime Emmy Award for his SNL work in 1989. In 1995, he starred as Bill McNeal in the sitcom NewsRadio after declining to return to SNL. He also voiced various characters on The Simpsons, and had minor roles in the films Houseguest, Sgt. Bilko, Jingle All the Way, and Small Soldiers. After two divorces, Hartman married Brynn Omdahl in 1987, with whom he had two children. Their marriage was troubled due to Brynn's drug use and domestic violence against Phil, who was frequently absent from home. In 1998, while Hartman was sleeping in his bed, his wife shot and killed him, and later committed suicide. In the weeks following his murder, Hartman was celebrated in a wave of tributes. Dan Snierson of Entertainment Weekly wrote that Hartman was "the last person you'd expect to read about in lurid headlines in your morning paper ... a decidedly regular guy, beloved by everyone he worked with". He was posthumously inducted into the Canada and Hollywood Walks of Fame in 2012 and 2014. Early life Hartman was born Philip Edward Hartmann (later dropping one "n") on September 24, 1948, in Brantford, Ontario. He was the fourth of eight children of Doris Marguerite (née Wardell; July 17, 1919 – April 15, 2001) and Rupert Loebig Hartmann (November 8, 1914 – April 30, 1998), who sold building materials. The family was Catholic. As a child, Hartman found affection hard to earn: "I suppose I didn't get what I wanted out of my family life, so I started seeking love and attention elsewhere." Hartman was ten when his family moved to the United States. They first lived in Lewiston, Maine, then Meriden, Connecticut, and then on the West Coast, where he attended Westchester High School and frequently acted as the class clown. After graduating, he studied art at Santa Monica City College, dropping out in 1969 to become a roadie with a rock band. He returned to school in 1972 to study graphic arts at California State University, Northridge. He developed and operated his own graphic art business, creating more than 40 album covers for bands including Poco and America, as well as advertising and the logo for Crosby, Stills & Nash. In the late 1970s, he made his first television appearance on an episode of The Dating Game, where he won. Career Early career (1975–1985) Working alone as a graphic artist, Hartman frequently amused himself with "flights of voice fantasies". In 1975, seeking a more social outlet for his talents, he began attending evening comedy classes by the California-based improvisational comedy group The Groundlings. While watching one of their performances, he impulsively decided to climb on stage and join the cast. His first onscreen appearance was in 1978's Stunt Rock, an Australian film directed in Los Angeles by Brian Trenchard-Smith. After several years of training, paying his way by redesigning the group's logo and merchandise, Hartman formally joined The Groundlings and by 1979 was one of the show's stars. There Hartman befriended Paul Reubens, with whom he often collaborated on comedic material. Together they created the character Pee-wee Herman and developed The Pee-wee Herman Show, a live stage show that subsequently aired on HBO in 1981. Hartman played Captain Carl in the show, and reprised the role for the children's TV show Pee-wee's Playhouse. Reubens and Hartman made cameos in the 1980 film Cheech & Chong's Next Movie. Hartman co-wrote the script of the 1985 feature film Pee-wee's Big Adventure and had a cameo role as a reporter. He'd considered quitting acting at the age of 36 due to the challenges of finding work; but the success of Pee-wee's Big Adventure changed his mind. After a creative disagreement with Reubens, he left the Pee-Wee Herman project to pursue other roles. Hartman took more small roles in 1986 films such as Jumpin' Jack Flash and Three Amigos. He also worked as a voice actor in animated television programs, including The Smurfs, Challenge of the GoBots, The 13 Ghosts of Scooby-Doo, and in Dennis the Menace as characters Henry Mitchell and George Wilson. He developed a strong persona providing voice-overs for advertisements. Saturday Night Live (1986–1994) Hartman successfully auditioned to join NBC's variety show Saturday Night Live (SNL) in its 12th season, which began on October 11, 1986. He had been recommended for the show by fellow Groundlings and SNL cast members Jon Lovitz, and Laraine Newman as well as Jumpin' Jack Flash director Penny Marshall. He told the Los Angeles Times, "I wanted to do [SNL] because I wanted to get the exposure that would give me box-office credibility so I can write movies for myself." In his eight seasons with the show Hartman became known for his impressions, and performed as over 70 different characters. Hartman's original SNL characters include Eugene, the Anal Retentive Chef and Unfrozen Caveman Lawyer. His impressions include Frank Sinatra, Ronald Reagan, Ed McMahon, Barbara Bush, Charlton Heston, Phil Donahue, and Bill Clintonthe latter considered his best-known impression. Hartman first performed his Clinton impression on an episode of The Tonight Show. When he met Clinton in 1993, Hartman remarked, "I guess I owe you a few apologies", adding later that he "sometimes [felt] a twinge of guilt about [his Clinton impression]". Clinton showed good humor and sent Hartman a signed photo with the text: "You're not the president, but you play one on TV. And you're OK, mostly." Hartman copied the president's "post-nasal drip" and the "slight scratchiness" in his voice, as well as his open, "less intimidating" hand gestures. Hartman opted against wearing a larger prosthetic nose when portraying Clinton, as he thought it would be distracting. He instead wore a wig, dyed his eyebrows brighter, and used makeup to highlight his nose. In one of Hartman's sketches as Clinton, the president visits a McDonald's restaurant and explains his economic policies in the metaphor of eating other customers' food. The writers told him that he was not eating enough during rehearsals for the sketch – by the end of the live performance, Hartman had eaten so much he could barely speak. At SNL, Hartman's nickname of "Glue" was coined by Adam Sandler according to Jay Mohr's book Gasping for Airtime. However, according to You Might Remember Me: The Life and Times of Phil Hartman by Mike Thomas, author and staff writer for the Chicago Sun-Times, the nickname was created by SNL cast member and Hartman's frequent on-screen collaborator Jan Hooks. Hartman was very helpful to other cast members. For example, he aided Hooks in overcoming her stage fright. SNL creator Lorne Michaels explained the name: "He kind of held the show together. He gave to everybody and demanded very little. He was very low-maintenance." Michaels also added that Hartman was "the least appreciated" cast member by commentators outside the show, and praised his ability "to do five or six parts in a show where you're playing support or you're doing remarkable character work". Hartman won the Primetime Emmy Award for Outstanding Writing for a Variety, Music or Comedy Program for SNL in 1989, sharing the award with the show's other writers. He was nominated in the same category in 1987, and individually in 1994 for Outstanding Individual Performance in a Variety or Music Program. By 1993, almost every cast member who was there during Hartman's first year on SNL had left the show, including Jon Lovitz, Jan Hooks and Dana Carvey. Hartman said he felt "like an athlete who's watched all his World Series teammates get traded off into other directions ... It was hard to watch them leave because I sort of felt we were all part of the team that saved the show." This cast turnover contributed to his leaving the show in 1994. Hartman said he thought it was time to leave because the show was "getting less sophisticated" and his style of humor didn't fit with the less intellectual comedy of newer cast members like Adam Sandler. Hartman had originally planned to leave the show in 1991, but Michaels convinced him to stay to raise his profile; his portrayal of Clinton contributed to this goal. Jay Leno offered him the role of his sidekick on The Tonight Show but Hartman opted to stay on SNL. NBC persuaded him to stay on SNL by promising him his own comedy–variety show The Phil Show. He planned to "reinvent the variety form" with "a hybrid, very fast-paced, high energy [show] with sketches, impersonations, pet acts, and performers showcasing their talents". Hartman was to be the show's executive producer and head writer. Before production began, however, the network decided that variety shows were too unpopular and canceled the series. In a 1996 interview, Hartman noted he was glad, as he "would've been sweatin' blood each week trying to make it work". In 1998, he admitted he missed working on SNL, but had enjoyed the move from New York City to Southern California. NewsRadio (1995–1998) Hartman became one of the stars of the NBC sitcom NewsRadio in 1995, portraying radio news anchor Bill McNeal. He signed up after being attracted by the show's writing and use of an ensemble cast, and joked that he based McNeal on himself with "any ethics and character" removed. Hartman made roughly per episode of NewsRadio. Although the show was critically acclaimed, it was never a ratings hit and cancellation was a regular threat. After the completion of the fourth season, Hartman commented, "We seem to have limited appeal. We're on the edge here, not sure we're going to be picked up or not", but added he was "99 percent sure" the series would be renewed for a fifth season. Hartman had publicly lambasted NBC's decision to repeatedly move NewsRadio into different timeslots, but later regretted his comments, saying, "this is a sitcom, for crying out loud, not brain surgery". He also stated that if the sitcom were cancelled "it just will open up other opportunities for me". Although the show was renewed for a fifth season, Hartman died before production began. Ken Tucker praised Hartman's performance as McNeal: "A lesser performer ... would have played him as a variation on The Mary Tyler Moore Shows Ted Baxter, because that's what Bill was, on paper. But Hartman gave infinite variety to Bill's self-centeredness, turning him devious, cowardly, squeamish, and foolishly bold from week to week." Hartman was posthumously nominated for the Primetime Emmy Award for Outstanding Supporting Actor in a Comedy Series in 1998 for his work on NewsRadio, but lost to David Hyde Pierce. The Simpsons (1991–1998) Hartman provided the voices for numerous characters on the Fox animated series The Simpsons, appearing in 52 episodes. He made his first appearance in the second season episode "Bart Gets Hit by a Car". Although he was originally brought in for a one-time appearance, Hartman enjoyed working on The Simpsons and the staff wrote additional parts for him. He voiced the recurring characters Lionel Hutz and Troy McClure, as well as Duff man (on one occasion) and several background characters. His favorite part was that of McClure, and he often used this voice to entertain the audience between takes while taping episodes of NewsRadio. He remarked, "My favorite fans are Troy McClure fans." He added "It's the one thing that I do in my life that's almost an avocation. I do it for the pure love of it." Hartman was popular among the staff of The Simpsons. Showrunners Bill Oakley and Josh Weinstein said they enjoyed his work, and used him as much as possible when working on the show. To give Hartman a larger role, they developed the episode "A Fish Called Selma", which focuses on Troy McClure and expands the character's backstory. The Simpsons creator Matt Groening said that he "took [Hartman] for granted because he nailed the joke every time", and that his voice acting could produce "the maximum amount of humor" with any line he was given. Before his death, Hartman had expressed an interest in making a live action film about Troy McClure. Many of The Simpsons production staff expressed enthusiasm for the project and offered to help. Hartman said he was "looking forward to [McClure's] live-action movie, publicizing his Betty Ford appearances", and "would love nothing more" than making a film and was prepared to buy the film rights himself in order to make it happen. Other work Hartman's first starring film role came in 1995's Houseguest, alongside Sinbad. Other films include Greedy, Coneheads, Sgt. Bilko, So I Married an Axe Murderer, CB4, Jingle All the Way, Kiki's Delivery Service, and Small Soldiers, the latter of which is his final theatrically released film. At the same time, he preferred working on television. His other television roles include appearances on episodes of The John Larroquette Show, The Dana Carvey Show, 3rd Rock from the Sun, and the HBO TV film The Second Civil War as the President of the United States. He made a considerable amount of money from television advertising, earning $300,000 for a series of four commercials for the soft drink Slice. He also appeared in advertisements for McDonald's (as Hugh McAttack) and 1-800-Collect (as Max Jerome). Hartman wrote a number of screenplays that were never produced. In 1986, he began writing a screenplay for a film titled Mr. Fix-It, and completed the final draft in 1991. Robert Zemeckis was signed to produce the film, with Gil Bettman hired to direct. Hartman called it "a sort of a merger of horror and comedy, like Beetlejuice and Throw Momma From the Train", adding, "It's an American nightmare about a family torn asunder. They live next to a toxic dump site, their water supply is poisoned, the mother and son go insane and try to murder each other, the father's face is torn off in a terrible disfiguring accident in the first act. It's heavy stuff, but it's got a good message and a positive, upbeat ending." Zemeckis could not secure studio backing, however, and the project collapsed. Another film idea involving Hartman's Groundlings character Chick Hazard, Private Eye was also canceled. Style In contrast to his real-life personality, which was described as "a regular guy and, by all accounts, one of show business's most low-key, decent people", Hartman often played seedy, vain or unpleasant characters as well as comedic villains. He described his standard character repertoire as the "jerky guy" and "the weasel parade", citing Lionel Hutz, Bill McNeal, Troy McClure, and Ted Maltin from Jingle All the Way as examples. Hartman enjoyed playing such roles because he "just want[ed] to be funny, and villains tend to be funny because their foibles are all there to see". He often played supporting roles, rather than the lead part. He said "throughout my career, I've never been a huge star, but I've made steady progress and that's the way I like it", and "It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame." Hartman was considered a "utility player" on SNL with a "kind of Everyman quality" which enabled him to appear in the majority of sketches, often in very distinct roles. Jan Hooks stated of his work on SNL: "Phil never had an ounce of competition. He was a team player. It was a privilege for him, I believe, to play support and do it very well. He was never insulted, no matter how small the role may have been." He was disciplined in his performances, studying the scripts beforehand. Hooks added: "Phil knew how to listen. And he knew how to look you in the eye, and he knew the power of being able to lay back and let somebody else be funny, and then do the reactions. I think Phil was more of an actor than a comedian." Film critic Pauline Kael declared that "Phil Hartman and Jan Hooks on Saturday Night Live are two of the best comic actors I've ever seen." Writer and acting coach Paul Ryan noted Hartman's work ethic with his impressions. He assembled a collection of video footage of the figure he was preparing to impersonate and watched this continually until he "completely embodied the person". Ryan concluded that "what made [Hartman's impressions] so funny and spot on was Phil's ability to add that perfect touch that only comes from trial and error and practicing in front of audiences and fellow actors." Hartman described this process as "technical". Journalist Lyle V. Harris said Hartman showed a "rare talent for morphing into ... anybody he wanted to be". Ken Tucker summarized Hartman's comedic style: "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice an ironic lilt that delivered a punchline like a fast slider—you barely saw it coming until you started laughing." Hartman claimed that he borrowed his style from actor Bill Murray: "He's been a great influence on me – when he did that smarmy thing in Ghostbusters, then the same sort of thing in Groundhog Day. I tried to imitate it. I couldn't. I wasn't good enough. But I discovered an element of something else, so in a sick kind of way I made myself a career by doing a bad imitation of another comic." Personal life Hartman married Gretchen Lewis in 1970 and they divorced in September 1972. He married real estate agent Lisa Strain in 1982, and their marriage lasted three years. Strain told People magazine that Hartman was reclusive off screen and "would disappear emotionally ... he'd be in his own world. That passivity made you crazy." In 1987, Hartman married former model and aspiring actress Brynn Omdahl (born Vicki Jo Omdahl, April 11, 1958 – May 28, 1998), having met her on a blind date the previous year. They had two children, Sean and Birgen Hartman. The marriage had difficulties; she was reportedly intimidated by his success and was frustrated that she could not find any on her own, although neither party wanted a divorce. She was reported to have been jealous and often verbally and/or physically abusive, even sending a letter to his ex-wife, threatening to "rip [Strain's] eyes out" if she spoke to him again. Hartman considered retiring to save the marriage. Hartman tried to get Brynn acting roles, but she became progressively reliant on alcohol and narcotics, entering rehab several times. On multiple occasions, he removed their children from the household to stay with friends or family because of her drug- and alcohol-fueled outbursts. Because of his close friendship with SNL associate Jan Hooks, Brynn joked on occasion Hooks and Hartman were married "on some other level". Brynn had written threatening letters addressed to Hooks, warning her to not get close to her husband, but they appeared to have never even been sent, being discovered in her belongings following her death. Stephen Root, Hartman's NewsRadio co-star, said few people knew "the real Phil Hartman", as he was "one of those people who never seemed to come out of character," but he nevertheless gave the impression of a family man who cared deeply for his children. Hartman befriended Joe Rogan during his time on NewsRadio and confided his marital problems to him. Rogan said that he encouraged Hartman to divorce Brynn five times, but "[Hartman] loved his kids and didn't want to leave". Hartman stated in 1997, though a non-practicing Catholic, he displayed a sense of religiousness. In his spare time, he enjoyed driving, flying, sailing, marksmanship, and playing the guitar. Murder On May 27, 1998, Brynn visited the Italian restaurant Buca di Beppo in Encino, California, with producer and writer Christine Zander, who said Brynn was "in a good frame of mind." They had drinks. After returning home, Brynn had a "heated" argument with Phil, after which he went to bed. She entered his bedroom some time before PDT on May 28, 1998, and as he slept, fatally shot him once between the eyes, once in the throat, and once in the upper chest with a Charter Arms .38 caliber handgun. He was 49 years old. She was taking Zoloft, had been drinking alcohol, and had recently used cocaine. Brynn then drove to the home of her friend Ron Douglas and confessed to the killing, but he did not believe her. They drove back to the house in separate cars, and she called another friend and confessed a second time. On seeing Hartman's body, Douglas called 9-1-1 at Police arrived and escorted Douglas and the Hartmans' two children from the premises, by which time Brynn had locked herself in the bedroom. Shortly afterward, she committed suicide by a self-inflicted gunshot. The police stated Hartman's death was caused by "domestic discord" between the couple. A friend said Brynn "had trouble controlling her anger ... She got attention by losing her temper". A neighbor of the Hartmans told a CNN reporter that the couple had marital problems. Yet actor Steve Guttenberg said they had been "a very happy couple, and they always had the appearance of being well-balanced". A wrongful death lawsuit was filed in 1999 by her brother Gregory Omdahl, against Pfizer, the manufacturer of Zoloft, and against her child's psychiatrist, Arthur Sorosky, who had provided samples of the antidepressant to Brynn. Phil Hartman's friend and former SNL colleague Jon Lovitz has accused Hartman's then NewsRadio co-star Andy Dick of reintroducing Brynn to cocaine, causing her to relapse and suffer a nervous breakdown. Dick claims to have known nothing of her condition. Lovitz later said he no longer blamed Dick for Hartman's murder, but in 2006, Lovitz claimed Dick approached him at a restaurant and said, "I put the Phil Hartman hex on you; you're the next one to die." Lovitz then had him ejected from the restaurant. The following year at the Laugh Factory comedy club in Los Angeles, Lovitz and Dick had another argument, with Lovitz slamming Dick's head into the bar. Dick asserted he was not at fault in relation to Hartman's death. Brynn's sister Katharine Omdahl and brother-in-law Mike Wright raised the two Hartman children. Hartman's will stipulated each child would inherit money over several years after turning 25. The total value of Hartman's estate was estimated at . In accordance with his wishes, his body was cremated by Forest Lawn Memorial Park and Mortuary, Glendale, California, and his ashes scattered over Santa Catalina Island's Emerald Bay. Response and legacy NBC executive Don Ohlmeyer stated that Hartman "was blessed with a tremendous gift for creating characters that made people laugh. Everyone who had the pleasure of working with Phil knows that he was a man of tremendous warmth, a true professional and a loyal friend." Guttenberg expressed shock at Hartman's death, and Steve Martin said he was "a deeply funny and very happy person". Matt Groening called him "a master", and director Joe Dante said, "He was one of those guys who was a dream to work with. I don't know anybody who didn't like him." Dan Snierson of Entertainment Weekly concluded that Hartman was "the last person you'd expect to read about in lurid headlines in your morning paper" and "a decidedly regular guy, beloved by everyone he worked with". In 2007, Entertainment Weekly ranked Hartman the 87th greatest television icon of all time, and Maxim named him the top Saturday Night Live performer of all time. On the day of Hartman's death, rehearsals for The Simpsons were canceled as well as that night's performance by The Groundlings. The season five premiere episode of NewsRadio, "Bill Moves On", finds Hartman's character, Bill McNeal, has died of a heart attack, while the other characters reminisce about his life. Lovitz joined the show in his place beginning with the next episode. A special episode of Saturday Night Live commemorating Hartman's work on the show aired on June 13, 1998. Rather than substituting another voice actor, the writers of The Simpsons retired Hartman's characters. His final appearance on the show, the season ten episode "Bart the Mother", is dedicated to him, as is his final film, Small Soldiers. At the time of his death, Hartman was preparing to voice Zapp Brannigan, a character written specifically for him on Groening's second animated series Futurama. Even though the role was specifically made for him, Hartman still insisted on auditioning and Groening said he "nailed it." After Hartman's death, Billy West took over the role. Though executive producer David X. Cohen credits West with using his own take on the character, West later said that he purposely tweaked Zapp's voice to better match Hartman's intended portrayal. Hartman was planning to appear with Lovitz in the indie film The Day of Swine and Roses, scheduled to begin production in August 1998. In 2002, Laugh.com and Hartman's brother John published the album, Flat TV, a selection of comedy sketches recorded by Hartman in the 1970s, which had been kept in storage. John Hartmann commented: "I'm putting this out there because I'm dedicating my life to fulfilling his dreams. This [album] is my brother doing what he loved." In 2013, Flat TV was optioned by Michael "Ffish" Hemschoot's animation company Worker Studio for an animated adaptation. The deal came about after Michael T. Scott, a partner in the company, posted online a hand-written letter he had received from Hartman in 1997, leading to a correspondence between Scott and Paul Hartmann. In 2007, a campaign was started on Facebook by Alex Stevens and endorsed by Hartman's brother Paul, to have Phil inducted to Canada's Walk of Fame. Among the campaign's numerous publicity events, Ben Miner of the Sirius XM Radio channel Laugh Attack, dedicated the month of April 2012 to Hartman. The campaign ended in success and Hartman was inducted to the Walk of Fame on September 22, 2012, with Paul accepting the award on his late brother's behalf. Hartman was also awarded the Cineplex Legends Award. In June 2013, it was announced that Hartman would receive a star on the Hollywood Walk of Fame, which was unveiled on August 26, 2014. Additionally, a special prize at the Canadian Comedy Awards was named for Hartman. Beginning with the 13th Canadian Comedy Awards in 2012, the Phil Hartman Award was awarded to "an individual who helps to better the Canadian comedy community". In 2015, Rolling Stone magazine ranked Hartman as one of the top-ten greatest Saturday Night Live cast members throughout the show's forty-year history, coming in seventh on their list of all 141 members. Filmography Film Television Video games Theme park attractions Discography 1977 America, Harbor 1978 America, Silent Letter Poco, Legend 1980 Firesign Theatre, Fighting Clowns References Book sources External links Phil Hartman at Yahoo! Movies Phil Hartman at The New York Times Hartman's autopsy and death certificate Phil Hartman's final night: The tragic death of a “Saturday Night Live” genius, Mike Thomas, Salon, September 21, 2014 1948 births 1998 deaths 1998 murders in the United States 20th-century American male actors 20th-century Canadian male actors Album-cover and concert-poster artists American male comedians American male film actors American graphic designers American impressionists (entertainers) American male screenwriters American male television actors American television writers American male voice actors American sketch comedians California State University, Northridge alumni Canadian male comedians Canadian emigrants to the United States Canadian male voice actors Canadian murder victims Canadian sketch comedians Deaths by firearm in California Male actors from Los Angeles American male television writers Murder–suicides in California Naturalized citizens of the United States People from Brantford People murdered in Los Angeles Primetime Emmy Award winners Santa Monica College alumni Comedians from California Mariticides Westchester High School (Los Angeles) alumni Screenwriters from California 20th-century Canadian comedians 20th-century American comedians 20th-century American male writers 20th-century American screenwriters Comedians from Ontario	false	[ "The Big Bang Theory is an American situation comedy created, produced, and written by Chuck Lorre and Bill Prady. The show premiered on CBS on September 24, 2007. The twelfth and final season of the show concluded on May 16, 2019.\n\nThe Big Bang Theory received mixed reviews from critics throughout its first season, but reception was more favorable in the next seasons. It was nominated for several awards, including for the Primetime Emmy Award for Outstanding Comedy Series, four times from 2011 to 2014.\n\nTotal nominations and awards for the cast\n\nBravo Otto\nEstablished in 1957, the Bravo Otto is a German accolade presented by the Bravo magazine. \n\n!\n\|-\n!scope=\"row\"\|2019\n\|rowspan=“1”\|The Big Bang Theory\n\|rowspan=\"1\"\|Best Series\n\|\n\| style=\"text-align:center;\"\|\n\|}\n\nCritics' Choice Television Awards\n\nGolden Globe Awards\n\nMTV Millennial Awards Brazil\n\n!\n\|-\n! scope=\"row\" \|2018\n\|The Big Bang Theory\n\| Series of the Year\n\| \n\| \n\|}\n\nNickelodeon Kids Choice Awards\n\nOnline Film Critics Society Awards\n\nPeople's Choice Awards\n\nPrimetime Emmy Awards\nSince 2009, The Big Bang Theory has been nominated for 46 Primetime Emmy Awards (including the Creative Arts Emmy Awards), more than any other award it received.\nJim Parsons has been nominated for more Emmy Awards than any other cast member in the show for his role as Sheldon, and is the only main actor to win one. In 2010, Parsons won an Emmy Award for Outstanding Lead Actor in a Comedy Series, and then won for a second consecutive year in 2011. He subsequently won the Outstanding Lead Actor in a Comedy Series again in 2013 and repeated in 2014. However, the show has only won ten Emmy Awards in total.\n\nSatellite Awards\n\nScreen Actors Guild Awards\n\nTelevision Critics Association Awards\n\nTeen Choice Awards\n\nOther awards\n\nReferences\n\nThe Big Bang Theory\nBig Bang Theory", "The 23rd Fangoria Chainsaw Awards is an award ceremony presented for horror films that were released in 2020. The nominees were announced on January 20, 2021. The film The Invisible Man won five of its five nominations, including Best Wide Release, as well as the write-in poll of Best Kill. Color Out Of Space and Possessor each took two awards. His House did not win any of its seven nominations. The ceremony was exclusively livestreamed for the first time on the SHUDDER horror streaming service.\n\nWinners and nominees\n\nReferences\n\nFangoria Chainsaw Awards" ]
[ "Erich Mielke", "Imprisonment" ]	C_3d20ba2e0075405eba35f1fa8f36a9f7_0	When was Mielke imprisoned?	1	When was Erich Mielke imprisoned?	Erich Mielke	Mielke was then put on trial for ordering the shootings of East Germans who were trying to defect to the West. In November 1994, the presiding judge closed the proceedings, ruling that Mielke was not mentally fit to stand trial. During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters. Although it was not connected to the outside world, Mielke enjoyed having imaginary conversations with non-existent Stasi agents. His other favorite pastime was watching game shows on television. In 1995, parole officers and Mielke's attorneys argued that he was "totally confused" and obtained his release. At 87 years of age, Erich Mielke was Germany's oldest prison inmate and had been incarcerated for 1,904 days. Days before his release, the Public Prosecutor of Berlin announced that he was "not interested in chasing an 87 year old man anymore" and that all further prosecution of Mielke had been indefinitely suspended. According to Koehler: [Mielke's] bank account, which held more than 300,000 marks (about US $187,500), was confiscated. Before his arrest in 1989, the most feared man in East Germany had lived in a luxurious home with access to an indoor pool. In addition, he owned a palatial hunting villa, complete with a movie theater, trophy room, 60 servants, and a 15,000 acre hunting preserve. After he was released from prison Mielke was obliged to move into a two room, 600-square-foot flat. Like all Stasi pensioners, he would henceforth have to live on 802 marks (about US$512) a month. CANNOTANSWER	1989,	Erich Fritz Emil Mielke (; 28 December 1907 – 21 May 2000) was a German communist official who served as head of the East German Ministry for State Security (Ministerium für Staatsicherheit – MfS), better known as the Stasi, from 1957 until shortly after the fall of the Berlin Wall in 1989. A native of Berlin and a second-generation member of the Communist Party of Germany, Mielke was one of two triggermen in the 1931 murders of Berlin Police captains Paul Anlauf and Franz Lenck. After learning that a witness had survived, Mielke escaped arrest by fleeing to the Soviet Union, where the NKVD recruited him. He was one of the key figures in the decimation of Moscow's German Communists during the Great Purge as well as in the persecution of suspected anti-Stalinists in the International Brigade during the Spanish Civil War. Following the end of World War II in 1945, Mielke returned to the Soviet Zone of Occupied Germany, which he helped organize into a Marxist-Leninist satellite state under the Socialist Unity Party (SED), later becoming head of the Stasi. According to historian Jack Koehler, he was "the longest serving secret police chief in the Soviet Bloc". The Stasi under Mielke has been called by historian Edward Peterson the "most pervasive police state apparatus ever to exist on German soil". In a 1993 interview, Holocaust survivor and Nazi-hunter Simon Wiesenthal has said that, if one considers only the oppression of their own people, the Stasi under Mielke was "much, much worse than the Gestapo". During the 1950s and 1960s Mielke led the process of forcibly forming collectivised farms from East Germany's family-owned farms, which sent a flood of refugees to West Germany. In response, Mielke oversaw the construction (1961) of the Berlin Wall and co-signed orders to shoot fatally all East Germans who attempted to leave the country. He also oversaw the establishment of pro-Soviet police states and paramilitary insurgencies in Western Europe, Latin America, Africa, and the Middle East. In addition to his role as head of the Stasi, Mielke was also an Army General in the National People's Army (Nationale Volksarmee), and a member of the SED's ruling Politburo. Dubbed "The Master of Fear" () by the West German press, Mielke was one of the most powerful and most hated men in East Germany. After German reunification in 1990, Mielke was arrested (1991), prosecuted (1992), convicted, and incarcerated (1993) for the 1931 murders of Paul Anlauf and Franz Lenck. Released from prison early due to ill health in 1995, he died in a Berlin nursing home in 2000. Early life Erich Mielke was born in a tenement in Berlin-Wedding, Brandenburg, on 28 December 1907. During the First World War, the neighborhood was known as "Red Wedding" due to many residents' Marxist militancy. In a handwritten biography written for the Soviet secret police, Mielke described his father as "a poor, uneducated woodworker," and said that his mother died in 1911. Both were, he said, members of the Social Democratic Party of Germany (SPD). After his remarriage to "a seamstress," the elder Mielke and his new wife joined the Independent Social Democratic Party of Germany and remained members when it was renamed the Communist Party of Germany (KPD). His son Erich claimed "My younger brother Kurt and two sisters were Communist sympathisers." Despite his family's poverty, Erich Mielke was academically gifted enough to be awarded a free scholarship in the prestigious Köllnisches Gymnasium, but was expelled on 19 February 1929, for being "unable to meet the great demands of this school." While attending the Gymnasium, Mielke joined the Communist Party of Germany in 1925, and worked as a reporter for the communist newspaper Rote Fahne from 1928 to 1931. During the Weimar Republic, the KPD was the largest communist party in Europe and was seen as the "leading party" of the communist movement outside the Soviet Union. Under Ernst Thälmann's leadership, the KPD was completely obedient to Soviet Premier Joseph Stalin, and from 1928 the Party was both funded and controlled by the Comintern in Moscow. Until the end of the Republic, the KPD viewed the Social Democratic Party of Germany (SPD), which dominated German politics between 1918 and 1931, as their mortal enemy. In keeping with Stalin's policy towards social democracy, the KPD considered all SPD members to be "social fascists". The KPD also believed that all other political parties were "fascist" and regarded itself as "the only anti-fascist Party" in Germany. Nevertheless, the KPD closely collaborated with the Nazi Party during the early 1930s and both Parties intended to replace the democratically elected government of the Weimar Republic with a totalitarian single party state. Soon after joining the Party, Mielke joined the KPD's paramilitary wing, or Parteiselbstschutz ("Party Self Defense Unit"). At the time, the Parteiselbstschutz in Berlin was commanded by KPD Reichstag Representatives Hans Kippenberger and Heinz Neumann. According to John Koehler, "Mielke was a special protege of Kippenberger's having taken to his paramilitary training with the enthusiasm of a Prussian Junker. World War I veterans taught the novices how to handle pistols, rifles, machine guns, and hand grenades. This clandestine training was conducted in the sparsely populated, pastoral countryside surrounding Berlin. Mielke also pleased Kippenberger by being an exceptional student in classes on the arts of conspiratorial behavior and espionage, taught by comrades who had studied at the secret M-school of the GRU in Moscow." According to John Koehler, members of the Parteiselbstschutz "served as bouncers at Party meetings and specialized in cracking heads during street battles with political enemies." Besides the ruling SPD and its paramilitary Reichsbanner forces, the arch-enemies of the Parteiselbstschutz were the Stahlhelm, which was the armed wing of the Monarchist German National People's Party (DVNP), Trotskyites, and "radical nationalist parties." According to Koehler, the KPD's Selbstschutz men "always carried a Stahlrute, two steel springs that telescoped into a tube seventeen centimeters long, which when extended became a deadly, 35-centimeter weapon. Not to be outdone by the Nazis, these street-fighters were often armed with pistols as well." In a 1931 biography written for the Cadre Division of the Comintern, Mielke recalled, "We took care of all kinds of work; terror acts, protecting illegal demonstrations and meetings, arms-trafficking, etc. The last work, which was accomplished by a Comrade and myself, was the Bülowplatz Affair" (). Bülowplatz murders Planning During the last days of the Weimar Republic, the KPD had a policy of assassinating two Berlin police officers in retaliation for every KPD member killed by the police. On 2 August 1931, KPD Members of the Reichstag Heinz Neumann and Hans Kippenberger received a dressing down from Walter Ulbricht, the Party's leader in the Berlin-Brandenburg region. Enraged by police interference and by Neumann and Kippenberger's failure to follow the policy, Ulbricht stated, "At home in Saxony we would have done something about the police a long time ago. Here in Berlin we will not fool around much longer. Soon we will hit the police in the head." Enraged by Ulbricht's words, Kippenberger and Neumann decided to assassinate Paul Anlauf, the 42-year-old Captain of the Berlin Police's Seventh Precinct. Captain Anlauf, a widower with three daughters, had been nicknamed "Schweinebacke", or "Pig Face" by the KPD. According to historian John Koehler, "Of all the policemen in strife-torn Berlin, the reds hated Anlauf the most. His precinct included the area around KPD headquarters, which made it the most dangerous in the city. The captain almost always led the riot squads that broke up illegal rallies of the Communist Party." On the morning of Sunday 9 August 1931, Kippenberger and Neumann gave a last briefing to the hit-team in a room at the Lassant beer hall. Mielke and Erich Ziemer were selected as the shooters. During the meeting, Max Matern gave a Luger pistol to fellow lookout Max Thunert and said, "Now we're getting serious. We're going to give Schweinebacke something to remember us by." Kippenberger then asked Mielke and Ziemer, "Are you sure that you are ready to shoot Schweinebacke?" Mielke responded that he had seen Anlauf many times during police searches of Party Headquarters. Kippenberger then instructed them to wait at a nearby beer hall which would permit them to overlook the entire Bülow-Platz. He further reminded them that Anlauf was accompanied everywhere by Senior Sergeant Max Willig, whom the KPD had nicknamed, "Hussar". Kippenberger concluded, "When you spot Schweinebacke and Hussar, you take care of them." Mielke and Ziemer were informed that, after the assassinations were completed, a diversion would assist in their escape. They were then to return to their homes and await further instructions. That evening, Anlauf was lured to Bülow-Platz by a violent rally demanding the dissolution of the Prussian Parliament. According to Koehler, "As was often the case when it came to battling the dominant SPD, the KPD and the Nazis had combined forces during the pre-plebiscite campaign. At one point in this particular campaign, Nazi propaganda chief Joseph Goebbels even shared a speaker's platform with KPD agitator Walter Ulbricht. Both parties wanted the parliament dissolved because they were hoping that new elections would oust the SPD, the sworn enemy of all radicals. That fact explained why the atmosphere was particularly volatile this Sunday." Murder at the Babylon Cinema At eight o'clock that evening, Mielke and Ziemer waited in a doorway as Anlauf, Willig, and Captain Franz Lenck walked toward the Babylon Cinema, which was located at the corner of Bülowplatz and Kaiser-Wilhelm-Straße. As they reached the door of the movie house, the policemen heard someone scream, "Schweinebacke!" As Anlauf turned toward the sound, Mielke and Ziemer opened fire at point blank range. Willig was wounded in the left arm and the stomach. However, he managed to draw his Luger pistol and fired a full magazine at the assailants. Lenck was shot in the chest and fell dead in front of the entrance. Willig crawled over and cradled the head of Anlauf, who had taken two bullets in the neck. Meanwhile, Mielke and Ziemer made their escape by running into the theater and out an emergency exit. They tossed their pistols over a fence, where they were later found by Homicide Detectives from the elite Mordkommission. Mielke and Ziemer then returned to their homes. According to Koehler, "Back at Bülowplatz, the killings had triggered a major police action. At least a thousand officers poured into the square, and a bloody street battle ensued. Rocks and bricks were hurled from the rooftops. Communist gunmen fired indiscriminately from the roofs of surrounding apartment houses. As darkness fell, police searchlights illuminated the buildings. Using megaphones, officers shouted, "Clear the streets! Move away from the windows! We are returning fire!" By now the rabble had fled the square, but shooting continued as riot squads combed the tenements, arresting hundreds of residents suspected of having fired weapons. The battle lasted until one o'clock the next morning. In addition to the two police officers, the casualties included one Communist who died of a gunshot wound and seventeen others who were seriously wounded." Anlauf's wife had died three weeks earlier of kidney failure. The murder of Anlauf thus left their three daughters as orphans. Their oldest daughter was forced to rush her planned wedding in order to keep her sisters from being put in an orphanage. Lenck was survived by his wife. Willig was hospitalized for 14 weeks, but made a full recovery and returned to active duty. In recognition for Willig's courage, the Berlin Police promoted him to Lieutenant. After the murders, the act was celebrated at the Lichtenberger Hof, a favorite beer hall of the Rotfrontkämpferbund, where Mielke boasted: "Today we celebrate a job that I pulled!" () Fugitive According to Koehler, "Kippenberger was alarmed when word reached him that Sergeant Willig had survived the shooting. Not knowing whether the sergeant could talk and identify the attackers, Kippenberger was taking no chances. He directed a runner to summon Mielke and Ziemer to his apartment at 74 Bellermannstrasse, only a few minutes walk from where the two lived. When the assassins arrived, Kippenberger told them the news and ordered them to leave Berlin at once. The parliamentarian's wife Thea, an unemployed schoolteacher and as staunch a Communist Party member as her husband, shepherded the young murderers to the Belgian border. Agents of the Communist International (Comintern) in the port city of Antwerp supplied them with money and forged passports. Aboard a merchant ship, they sailed for Leningrad. When their ship docked, they were met by another Comintern representative, who escorted them to Moscow." Beginning in 1932, Mielke attended the Comintern's Military Political school under the alias Paul Bach. He later graduated from the Lenin School shortly before being recruited into the OGPU. Trial According to Koehler, "In mid-March 1933, while attending the Lenin School, Mielke received word from his OGPU sponsors that Berlin police had arrested Max Thunert, one of the conspirators in the Anlauf and Lenck murders. Within days, fifteen other members of the assassination team were in custody. Mielke had to wait six more months before the details of the police action against his Berlin comrades reached Moscow. On 14 September 1933, Berlin newspapers reported that all fifteen had confessed to their roles in the murders. Arrest warrants were issued for ten others who had fled, including Mielke, Ziemer, Ulbricht, Kippenberger, and Neumann." Koehler also stated, "Defenders of Mielke later claimed that confessions had been obtained under torture by the Nazi Gestapo. However, all suspects were in the custody of the regular Berlin city criminal investigation bureau, most of whose detectives were SPD members. Some of the suspects had been nabbed by Nazi SA men and probably beaten before they were turned over to police. In the 1993 trial of Mielke, the court gave the defense the benefit of the doubt and threw out a number of suspect confessions." On 19 June 1934, the 15 conspirators were convicted of first degree murder. The three deemed most culpable, Michael Klause, Max Matern, and Friedrich Bröde were sentenced to death. Their co-defendants received sentences ranging from nine months to fifteen years incarceration at hard labor. Klause's sentence was commuted to life in prison based upon his cooperation. Bröde hanged himself in his cell. As a result, only Matern was left to be executed by beheading on 22 May 1935. Matern was subsequently glorified as a martyr by KPD and East German propaganda. Ziemer was officially killed in action while fighting on the Republican-side during the Spanish Civil War. Mielke, however, would not face trial for the murders until 1993. Career in Soviet intelligence The Great Terror Although Moscow's German Communist community was decimated during Joseph Stalin's Great Purge, Mielke survived and was promoted. In a handwritten autobiography prepared after World War II, Mielke recalled, "During my stay in the S.U. (Soviet Union), I participated in all Party discussions of the K.P.D. and also in the problems concerning the establishment of socialism and in the trials against the traitors and enemies of the S.U." Among the German communists executed as a result of these "discussions" were Mielke's former mentors Heinz Neumann and Hans Kippenberger. Mielke further recalled, "I was a guest on the honor grandstand of Red Square during the May Day and October Revolution parades. I became acquainted with many comrades of the Federation of World Communist Parties and the War Council of the Special Commission of the Comintern. I will never forget my meeting with Comrade Dimitrov, the Chairman of the Comintern, whom I served as an aide together with another comrade. I saw Comrade Stalin during all demonstrations at Red Square, especially when I stood on the grandstand. I mention these meetings because all these comrades are our models and teachers for our work." During his time in the USSR, Mielke also developed a lifelong reverence for Felix Dzerzhinsky, the Polish aristocrat who founded the Soviet secret police. Mielke also began an equally permanent habit of calling himself a Chekist. In a citation written decades later, Mielke described his philosophy of life, "The Chekist is the political combatant. He is the loyal son of... the workers' class. He stands at the head of the battle to strengthen the power of our workers' and peasants' state." Spanish Civil War From 1936 to 1939, Mielke served in Spain as an operative of the Servicio de Investigación Militar, the political police of the Second Spanish Republic. While attached to the staff of, "veteran GRU agent," and future Stasi minister Wilhelm Zaisser, Mielke used the alias Fritz Leissner. Bernd Kaufmann, the director of the Stasi's espionage school later said, "The Soviets trusted Mielke implicitly. He earned his spurs in Spain." At the time, the S.I.M. was heavily staffed by agents of the Soviet NKVD, whose Spanish rezident was General Aleksandr Mikhailovich Orlov. According to author Donald Rayfield, "Stalin, Yezhov, and Beria distrusted Soviet participants in the Spanish war. Military advisors like Vladimir Antonov-Ovseenko, journalists like Koltsov were open to infection by the heresies, especially Trotsky's, prevalent among the Republic's supporters. NKVD agents sent to Spain were therefore keener on abducting and murdering anti-Stalinists among Republican leaders and International Brigade commanders than on fighting Franco. The defeat of the Republic, in Stalin's eyes, was caused not by the NKVD's diversionary efforts, but by the treachery of the heretics." In a 1991 interview, Walter Janka, a fellow German communist exile and company commander in the International Brigade, recalled his encounters with Mielke. During the winter of 1936, Janka was summoned by the SIM and interrogated by Mielke. Mielke demanded to know why Janka had voluntarily traveled to Spain rather than being assigned there by the Party. When he told Mielke to get lost, the SIM demoted Janka to the ranks and then expelled him from the International Brigade. Years later, Janka recalled, "While I was fighting at the front, shooting at the Fascists, Mielke served in the rear, shooting Trotskyites and Anarchists." Upon the defeat of the Spanish Republic, Mielke fled across the Pyrenees Mountains to France, where he was interned at Camp de Rivesaltes, Pyrénées-Orientales. Mielke, however, managed to send a message to exiled KPD members and, in May 1939, escaped to Belgium. Although the Public Prosecutor of Berlin learned of Mielke's presence and filed for his extradition, the Belgian Government refused to comply, regarding the assassinations of Captains Anlauf and Lenck as "a political crime." The NKVD and the SIM's witch hunt for both real and imagined anti-Stalinists had serious consequences. It horrified numerous formerly pro-Soviet Westerners who had been witnesses, including John Dos Passos, Arthur Koestler and George Orwell, and caused them to permanently turn against the USSR. Mielke's belief that anti-Soviet Marxists had collaborated with Franco and stabbed the Republic in the back continued to shape his attitudes for the rest of his life. In a 1982 speech before a group of senior Stasi officers, he said, "We are not immune from villains among us. If I knew of any already, they wouldn't live past tomorrow. Short shrift. It's because I'm a Humanist, that I'm of this view." In the same speech, Mielke also said, "All this blithering over to execute or not to execute, for the death penalty or against—all rot, Comrades. Execute! And, when necessary, without a court judgment." World War II During World War II, Mielke's movements remain mysterious. In a biography written after the war, he claimed to have infiltrated Organisation Todt under the alias Richard Hebel, but historian John O. Koehler considers this unlikely. Koehler admits, however, "Mielke's exploits must have been substantial. By war's end, he had been decorated with the Order of the Red Banner, the Order of the Great Patriotic War First Class, and twice with the Order of Lenin. It is likely that he served as an NKVD agent, at least part of the time with guerrilla units behind German lines, for he knew all the partisan songs by heart and sang them in faultless Russian." Occupied Germany Komissariat-5 In April 1945, Mielke returned to the Soviet Zone of Occupied Germany aboard a special Soviet aircraft that also carried fellow German Communists Walter Ulbricht, Wilhelm Zaisser, Ernst Wollweber, and many of the future leaders of the East Germany. That same month, Mielke's future handler, NKGB General Ivan Serov, travelled to Germany from Warsaw and, from his headquarters in the Berlin suburb of Karlshorst, divided the Soviet Zone into "Operative Sectors." On 10 July 1945, Marshal Georgy Zhukov signed SMA Order No. 2, which legalized the re-establishment of "anti-fascist" political parties like the Communist Party of Germany (KPD). On 15 July 1945, Mielke walked into the KPD's headquarters and volunteered his services. In an autobiography written for the KPD, Mielke disclosed—truthfully—his involvement in the 1931 murders of Berlin Police Captains Anlauf and Lenck, and—mistakenly or misleadingly—that for this he had been tried in absentia, found guilty, and sentenced to death. In actuality, Mielke's "name was mentioned in the 1934 trials but he was never tried". He admitted—truthfully—fighting on the Republican side during the Spanish Civil War, but claimed—falsely—that he had been released from the French internment camps and had worked in Belgium for an underground Communist newspaper under the code name "Gaston". Furthermore, Mielke concealed his past and contemporaneous involvement with the NKVD, NKGB, and the Nazi Organisation Todt (which he asserted he'd infiltrated). According to Koehler, "As might be expected, Mielke's account of his past was approved by the Soviets. Had Serov not been part of the conspiracy, Mielke would have been instantly arrested or at least subjected to an intense internal investigation because of his membership in the Nazi Organisation Todt, which used thousands of slave laborers. But he was cleared in record time and by the end of June the Soviets had installed him as a station commander of the newly formed Volkspolizei (Vopo), the People's Police." On 16 August 1947, Serov ordered the creation of Kommissariat 5, the first German political police since the defeat of Nazi Germany. According to Anne Applebaum, however, not everyone approved of the plan. In Moscow, Soviet Interior Minister Viktor Abakumov argued that a new secret police force would be demonized by Western governments and the media, which would paint the K-5 as a "new Gestapo." Furthermore, Abakumov, like Stalin, intensely distrusted German Communists and alleged that there "were not enough German cadres who have been thoroughly checked." Notwithstanding Abakumov's objections, however, recruitment into the K-5 began almost immediately. It is possible, as Norman Naimark suspects, that the NKGB had realized that their officers' lack of fluency in the German language was engendering massive popular resentment. Wilhelm Zaisser, who had been Mielke's commanding officer in Republican Spain, was appointed the K-5's head. Mielke was installed as his deputy. According to John Koehler, "The K-5 was essentially an arm of the Soviet secret police. Its agents were carefully selected veteran German communists who had survived the Nazi-era in Soviet exile or in concentration camps and prisons. Their task was to track down Nazis and anti-communists, including hundreds of members of the Social Democratic Party. Mielke and his fellow bloodhounds performed this task with ruthless precision. The number of arrests became so great that the regular prisons could not hold them. Thus, Serov ordered the establishment or re-opening of eleven concentration camps, including the former Nazi death camps of Buchenwald and Sachsenhausen." According to Anne Applebaum, "One of the few documents from that era to survive (most were removed by the KGB or perhaps destroyed, in 1989 or before) mentions a departmental training meeting and included a list of attendees. Topping the list is a group of Soviet advisers. In this sense, K-5 did resemble the political police in the rest of Eastern Europe: as in Hungary, Poland, and the USSR itself, this new political police force was initially extra-governmental, operating outside the ordinary rule of law." According to Edward N. Peterson, "Not surprisingly, K-5 acquired a reputation as bad as that of Stalin's secret police and worse than that of the Gestapo. At least with the Nazis, albeit fanatically racist, their victims did not suddenly disappear into the GULAG." The Amalgamation Despite the K-5's mass arrests of members of the Social Democratic Party of Germany (SPD) in the Soviet Zone, the number of SPD members continued to grow. By March 1946, SPD members outnumbered KPD members by more than 100,000. Fearing that they would lose the elections scheduled for the autumn, the leadership of the KPD asked for and received Stalin's permission to merge the two parties. When the SPD's leadership agreed only to schedule a vote for the rank and file to decide, permission was denied by the Soviet occupation authorities. The K-5 then began mass arrests of SPD members who refused to support the merger. On 22 April 1946, the remaining leaders of the SPD in the Soviet Zone announced that they had united with the KPD to form the Socialist Unity Party of Germany (SED). The SPD in the western zones of Occupied Germany responded by forming the SPD East Bureau in order to support and finance those Social Democrats who refused to accept the merger. Those who joined or worked with the East Bureau were, however, in serious danger of arrest by the K-5 and trial by Soviet military tribunals. By 1950, more than 5,000 SPD members and sympathisers had been imprisoned in the Soviet Zone or transferred to the GULAG. More than 400 were either executed or died during their imprisonments. John Koehler has written that, prior to the spring of 1946, many Germans in the Soviet Zone, "merely shrugged at the wave of arrests, believing that the victims were former Nazi officials and war criminals." But then came the mass arrests of Social Democrats who opposed the merger, who, "were joined by people who had been denounced for making anti-communist or anti-Soviet remarks, among their number hundreds who were as young as fourteen years. Although these arrests were made by Germans purporting to be officials of the criminal police, the existence of the K-5 political police eventually was exposed. Mielke, meanwhile, had risen to the post of vice-president of the German Administration for Interior Affairs – the equivalent of the NKVD – and continued his manipulations from behind the scenes." Investigation In January 1947, two retired Berlin policemen recognized Mielke at an official function. Informing the head of the criminal police in West Berlin, the policemen demanded that Mielke be arrested and prosecuted for the murders of Captains Anlauf and Lenck. Wilhelm Kühnast, the Public Prosecutor of Berlin, was immediately informed and ordered a search of the Kammergericht archives. To his astonishment, the files of the 1931 murders had survived the wartime bombing of Germany. Finding ample evidence of Mielke's involvement, Kühnast ordered the arrest of the communist policeman. According to John Koehler, "At that time, the city administration, including the police, was under the control of the Allied Control Commission, which consisted of U.S., British, French, and Soviet military officers. All actions by city officials, including the judiciary, were to be reported to the Commission. The Soviet representative alerted the MGB. Action was swift. Marshal Vasily Sokolovsky, who had replaced Zhukov, protested, and his representatives at the Commission launched a vicious campaign to discredit Kühnast." The Soviet representatives falsely claimed that Kühnast, a jurist with an impeccable anti-Nazi record, had been an official of Roland Freisler's People's Court. Taking the Soviets at their word, the Western Allies removed Kühnast from his position and placed him under house arrest. During the Berlin airlift, Kühnast fled from his home in East Berlin and was granted political asylum in the American Zone. Meanwhile, the Soviet authorities confiscated all documents relating to the murders of Captains Anlauf and Lenck. According to Koehler, "The Soviets handed the court records to Mielke. Instead of destroying the incriminating papers, he locked them in his private safe, where they were found when his home was searched in 1990. They were used against him in his trial for murder." Deutsche Wirtschaftskommission In 1948, Mielke was appointed as security chief of the German Economic Commission (), the precursor to the future East German government. Mielke's task was to investigate the theft and sale of state property on the black market. He was also charged with intercepting the growing number of refugees fleeing to the French, British, and American Zones. Those his security forces caught while attempting to defect were used as slave labor in the uranium mines that were providing raw material for the Soviet atomic bomb project. German Democratic Republic Independence In 1949, the Soviet Military Administration ceded its legal functions to the newly created German Democratic Republic. On 14 January 1950, Marshal Vasili Chuikov announced that all Soviet "internment camps" on German soil had been closed. Soon after, the DWK was absorbed into the newly created Ministry for State Security. In keeping with earlier syllabic abbreviations along the same lines (see OrPo, KriPo, and GeStaPo) East Germans immediately dubbed it the "Stasi" (from Staatssicherheit). With the approval of the Soviets, Mielke's commanding officer from Spain and in the K5, Wilhelm Zaisser, was appointed as the Stasi's head. Mielke was appointed to his staff with the rank of State Secretary. Mielke was also granted a seat in the SED's ruling Politburo. According to John Koehler, "In the five years since the end of World War II, the Soviets and their vassals had arrested between 170,000 and 180,000 Germans. Some 160,000 had passed through the concentration camps, and of these about 65,000 had died, 36,000 had been shipped to the Soviet Gulag, and another 46,000 had been freed." In 1949, as a response to the remilitarization of East Germany and the Soviet blockade of West Berlin, the United States, Great Britain, France, Belgium, the Netherlands, Luxembourg, and Portugal formed the North Atlantic Treaty Organization, or NATO. In 1950, as a response to the outbreak of the Korean War, West Germany was also permitted to join NATO, which was then upgraded into a military alliance. According to Koehler, however, "As the Cold War intensified, living conditions in Soviet-occupied East Germany showed little improvement beyond the postwar level of bare subsistence. The new government of the DDR – a mere puppet of the Kremlin – relied more and more on the Stasi to quell discontent among factory workers and farmers. Ulbricht, claiming that the social unrest was fomented by capitalist agents, once ordered Mielke to personally visit one large plant and 'arrest four or five such agents' as an example to the others. The Stasi deputy 'discovered' the agents in record time." Field show trials Also in 1949, Noel Field, an American citizen who had spied for the NKVD from inside the U.S. State Department, the Office of Strategic Services, and the CIA, fled from his posting in Switzerland to Communist Czechoslovakia after his cover was blown by fellow mole Whittaker Chambers. On 11 May 1949, the Czechoslovakian secret police, or StB, in obedience to a direct order from KGB chief Lavrenti Beria, arrested Field in Prague. Field was then handed over to the Hungarian ÁVO. After his interrogation in Budapest, Fields was used as a witness at show trials of senior Soviet Bloc Communists who, like László Rajk and Rudolf Slánský, stood accused of having spied for the United States. The real reason for the trials was to replace homegrown Communists in Eastern Europe with those who would be blindly loyal to Joseph Stalin and to blame the division of Germany on the intrigues of U.S. intelligence. At the Rajk show trial, the prosecutor declared, "Noel Field, one of the leaders of American espionage, specialized in recruiting spies from among left-wing elements." In August 1950, six senior SED members, including Willi Kreikemeyer, the director of Deutsche Reichsbahn and head of Berliner Rundfunk, were accused of "special connections with Noel Field, the American spy." All were either imprisoned or shot. John Koehler writes, "Similar purges were conducted in Czechoslovakia, Hungary, and Bulgaria, where Field appeared as a witness in show trials that resulted in some death sentences. The Soviets simply distrusted all Communists who had sought exile in the West. All the while, Mielke remained untouched and continued to serve as the deputy secret police chief. His survival reinforced the belief that he had spent the war years in the Soviet Union instead of France and Belgium as he had claimed in the 1945 questionnaire." In June 1950, Erica Wallach, Noel Field's adopted daughter, decided to search for him. From Paris, she telephoned Leo Bauer, the editor-in-chief of Berliner Rundfunk. The call was monitored by agents of the Soviet Ministry for Internal Affairs, and Bauer's handler instructed him to invite Mrs. Wallach to East Berlin, where she was immediately arrested. Mielke personally interrogated her and, at one point, offered Mrs. Wallach immediate release if she named the members of her fictitious spy network. She was condemned to death by a Soviet military tribunal in East Berlin and shipped to the Lubianka prison in Moscow for her execution. After Joseph Stalin's death in on 5 March 1953, Erica Wallach's sentence was reduced to hard labor in Vorkuta, a region of the Gulag located above the Arctic Circle. She was released during the Khrushchev thaw in October 1955. At first, she was unable to join her husband and daughters in the U.S. because of the U.S. State Department's concern over her former membership in the Communist Party of Germany. It took the personal intervention of CIA Director Allen Dulles to reunite Erica Wallach with her family in 1957. Wallach's memoir of her experiences, Light at Midnight, was published in 1967. Death of Stalin After Soviet Premier Joseph Stalin died inside his Kuntsevo Dacha on 5 March 1953, the Central Committee of the East German Socialist Unity Party met in a special session and eulogized the dictator as the "great friend of Germany who was always an advisor of and help to our people." Two months later, on 5 May 1953, the SED's General Secretary, Walter Ulbricht, and the rest of the leadership increased work quotas by 10%. They also decided to rename Chemnitz Karl-Marx-Stadt and to institute the Order of Karl Marx as the GDR's highest award. Two weeks later, Mielke accused "a group of Party officials" of "plotting against the leadership", which "resulted in more expulsions from the Politburo and the Central Committee." East German uprising of 1953 Discontent among factory workers about a 10% increase of work quotas without a corresponding wage hike boiled over. On 16 June 1953, nearly one hundred construction workers gathered before work for a protest meeting at Stalinallee, in East Berlin. Words spread rapidly to other construction sites and hundreds of men and women joined the rally, which marched to the House of Ministries. The protesters chanted slogans for five hours, demanding to speak to Walter Ulbricht and Otto Grotewohl. Only Heavy Industry Minister Fritz Selbmann and Professor Robert Havemann, president of the GDR Peace Council, emerged. Their speech, however, was answered with jeers and the Ministers retreated into the heavily armed building. The regular and the Kasernierte Volkspolizei were summoned from their barracks, but made no move to attack the protesters, who returned to Stalinallee, where a general strike was called. Following West Germany's Federal Minister for All-German Questions Jakob Kaiser's admonition in a late night broadcast to East Germans to shy away from provocations, RIAS, starting with its 11 pm news broadcast, and from then on in hourly intermissions, repeated the workers' demand to continue the strike the next day, calling specifically for all East Berliners to participate in a demo at 7am on the 17th at Strausberger Platz. The following day, 17 June 1953, more that 100,000 protesters took to the streets of East Berlin. More than 400,000 protesters also took to the streets in other cities and towns throughout the German Democratic Republic. Everywhere, the demands were the same: free elections by secret ballot. Outside of Berlin, the main centres of the protests included the industrial region around Halle, Merseburg, and Bitterfeld, as well as middle-size towns like Jena, Görlitz, and Brandenburg. No more than 25,000 people participated in strikes and demonstrations in Leipzig, but there were 32,000 in Magdeburg, 43,000 in Dresden, 53,000 in Potsdam – and in Halle, a figure close to 100,000. In West Berlin, the American radio station RIAS and several other West German stations reported on the protests and on plans for a general strike. As East Germans listened to the broadcasts, 267,000 workers at State-owned plants in 304 cities and towns joined the general strike. In 24 towns, outraged East Germans stormed the Stasi's prisons and freed between 2,000 and 3,000 political prisoners. In response to orders, the Soviet Occupation Forces, the Stasi and the Kasernierte Volkspolizei went on the attack. Bloody street battles ensued and hundreds of policemen defected to the side of the protesters. Both police and Stasi stations were overrun and some government offices were sacked. The Party leadership retreated into a fortified compound in the Pankow district of East Berlin. At noon, the Soviet authorities terminated all tram and metro traffic into the Eastern sector and all but closed the sector borders to West Berlin to prevent more demonstrators from reaching the city centre. An hour later, they declared martial law in East Berlin. The repression took place outside East Berlin police HQ – where Soviet tanks opened fire on "the insurgents". According to John Koehler, "... by late afternoon, Soviet tanks accompanied by Infantry and MVD troops had rolled into East Berlin and other cities in the Soviet Zone. This made the people even angrier. At Berlin's Potsdamer Platz, which bordered on the American Sector, irate protesters ignored machine gun fire and the menacing barrels of tank guns. They ripped cobblestones from the streets and hurled them at the tanks." Fighting between the Red Army (and later GDR police) and the demonstrators persisted into the afternoon and night. In some cases, the tanks and the soldiers fired directly into the crowds. Overnight, the Soviets (and the Stasi) started to arrest hundreds of people. Ultimately, up to 10,000 people were detained and at least 20, probably as many as 40, people were executed, including Red Army soldiers who refused to obey orders. With the SED leadership effectively paralysed at the Soviet headquarters in Karlshorst, control of the city passed to the Soviets. In honor of the uprising, West Germany established 17 June as a national holiday, called Day of German Unity. The extension of the Unter den Linden boulevard to the west of the Brandenburg Gate, formerly called Charlottenburger Chaussee, was also renamed Straße des 17. Juni ("17 June Street") in honor of the uprising. According to John Koehler, "Provisional prison camps were set up to hold the thousands of Stasi victims. Nearly 1,500 persons were sentenced in secret trials to long prison terms. On 24 June, Mielke issued a terse announcement that one Stasi officer, nineteen demonstrators, and two bystanders had been killed during the uprising. He did not say how many were victims of official lynching. The numbers of the wounded were given as 191 policemen, 126 demonstrators, and 61 bystanders." Also according to Koehler, "Calm returned to the streets of the Soviet Zone, yet escapes to the West continued at a high rate. Of the 331,390 who fled in 1953, 8,000 were members of the Kasernierte Volkspolizei, the barracked people's police units, which were actually the secret cadre of the future East German Army. Also among the escapees were 2,718 members and candidates of the SED, the ruling Party." The Khrushchev thaw Purges Alarmed by the uprising, Lavrenty Beria, the First Deputy Premier of the Soviet Union and head of the Ministry of Internal Affairs, personally travelled from Moscow to East Berlin. He conferred with Stasi Minister Wilhelm Zaisser and with Mielke, his deputy, both of whom he had known since the early 1930s. During both conversations, Beria demanded to know why the Stasi had failed to recognize the extreme discontent of the population and inform the Party leadership, which could then have prevented the uprising by taking extremely repressive measures in advance. Both Zaisser and Mielke answered Beria's questions circumspectly, and were accordingly left in their posts. In response to the uprising, Beria decided to replace several hundred MVD officers, including Major General Ivan Fadeykin, the MVD resident of East Germany. The Stasi, according to John Koehler, "generally remained untouched except for the arrests and dismissals, for dereliction of duty, of a handful of officers in the provinces. One high-ranking Stasi officer shot himself." Following Beria's return to Moscow, however, he was arrested on 26 June 1953, in a coup d'état led by Nikita Khrushchev and Marshal Georgy Zhukov. Beria was tried on charges of 357 counts of rape and high treason. He was sentenced to death and shot by Red Army Colonel-General Pavel Batitsky on 23 December 1953. In an interview to Neues Deutschland, the official party newspaper of East Germany, on 30 June 1953, the Party's Minister of Justice, Max Fechner, declared that, "illegal arrests," had been made and that being a member of a strike committee or suspicion of being a ringleader was not in itself grounds for arrest and conviction. Meanwhile, when the East German Politburo met on 8 July, it seemed that Ulbricht would be deposed as Party General Secretary. Zaisser conceded that the whole Politburo was responsible for the "accelerated construction of socialism" and of the subsequent fallout. But he also added that to leave Ulbricht as Premier, "would be opposed catastrophic for the New Course". By the end of the meeting, only two Politburo members still supported Ulbricht's leadership: Free German Youth League chief Erich Honecker and Party Control Commission Chairman Hermann Matern. Ulbricht only managed to forestall a decision then and there with a promise to make a statement at the forthcoming 15th SED CC Plenum, scheduled for later that month. Meanwhile, Mielke informed a Party commission looking for scapegoats that his boss, Stasi Minister Wilhelm Zaisser, was calling for secret negotiations with West Germany and that, "he believed the Soviet Union would abandon the DDR." By late July, Ulbricht was completely certain that he had the support of the new Soviet Premier, Nikita Khrushchev. Therefore, he expelled his main opponents, Zaisser, Hernstadt and Ackermann, from the Politburo, and thus strengthened his position further. SED Minister of Justice Max Fechner was personally arrested by Mielke and replaced by Hilde Benjamin, who was known to East German citizens as "Red Hilde", "The Red Freisler," and as, "The Red Guillotine," for her role as a judge in the SED's show trials. Fechner was convicted of being, "an enemy of the Party and the State," and served three years in Bautzen Prison. Wilhelm Zaisser was replaced as head of the Stasi by Ernst Wollweber and Mielke remained on staff as his deputy. Tenure as Stasi head Mielke headed the Stasi from 1957 until the fall of the Berlin Wall in 1989. There was, under the East German system, no provision for parliamentary oversight. However, starting in 1971 Mielke was required to provide a detailed intelligence briefing to party secretary Erich Honecker each Tuesday, directly following the weekly Politburo meeting. (Before 1971, under Walter Ulbricht, Mielke was not involved in routine intelligence briefings to the leadership which, instead, were provided directly to Ulbricht by Intelligence Chief Markus Wolf.) Internal discipline During his tenure, Mielke enforced "political and personal discipline reminiscent of the early French Foreign Legion". New recruits were required to take a solemn oath pledging "to fight alongside the state security organs of all socialist countries against all enemies of socialism" on pain of "the severest punishment under the Republic's laws and the contempt of the workers." Recruits were also required to sign a security pledge vowing never to make unauthorized visits to any "capitalist countries" and to report on any members of their families who did so. Violations of the oath resulted in expulsion from the Stasi and blacklisting from all but the most menial jobs. Serious violations were tried before secret tribunals and led an estimated 200 Stasi agents to be shot. Colonel Rainer Wiegand once said, "There was only one way to leave the MfS without being haunted for the rest of your life. You either retired or you died." Domestic activities Under Erich Mielke's leadership, the Stasi employed 85,000 full-time domestic spies and 170,000 civilian informants () (IMs). East Germans coined a term to describe the Stasi's pervasive surveillance of the population "All-Covered" (). For this reason, Anna Funder has referred to East Germany as, "the most perfected surveillance state of all time." According to John Koehler, "...the Stasi's tentacles probed every aspect of life. Full-time officers were posted to all major industrial plants. Without exception, one tenant in every building was designated as a watchdog reporting to an area representative of the Volkspolizei...In turn, the police officer was the Stasi's man. If a relative or friend came to stay overnight, it was reported. Schools, universities and hospitals were infiltrated from top to bottom. German academe was shocked to learn that Heinrich Fink, professor of theology and vice-chancellor of East Berlin's Humboldt University, had been a Stasi informer since 1968. After Fink's Stasi connections came to light, he was summarily fired. Doctors, lawyers, journalists, writers, actors, and sports figures were co-opted by Stasi officers, as were waiters and hotel personnel. Tapping about 100,000 telephone lines in East Germany and West Berlin around the clock was the job of 2,000 officers... Churchmen, including high officials of both Protestant and Catholic denominations, were recruited en masse as secret informants. Their offices and confessionals were infested with eavesdropping devices. Even the director of Leipzig's famous Thomas Church choir, Hans-Joachim Rotzsch, was forced to resign when he was unmasked as a Spitzel, the people's pejorative for a Stasi informant." In an interview with journalist Anna Funder, an ex-Stasi officer recalled, "Most often, people we approached would inform for us. It was very rare that they would not. However, sometimes we felt that we might need to know where their weak points were, just in case. For example, if we wanted a pastor, we'd find out if he'd had an affair, or had a drinking problem—things that we could use as leverage. Mostly though, people said yes." On Mielke's orders, and with his full knowledge, Stasi officers also engaged in arbitrary arrest, kidnapping, brutal harassment of political dissidents, torture, and the imprisonment of tens of thousands of citizens. In a 1991 interview, Jewish Holocaust survivor and Nazi hunter Simon Wiesenthal said, "The Stasi was much, much worse than the Gestapo, if you consider only the oppression of its own people. The Gestapo had 40,000 officials watching a country of 80 million, while the Stasi employed 102,000 to control only 17 million." Activities abroad During Mielke's tenure, the Stasi's operations beyond East Germany were overseen by Markus Wolf and the Hauptverwaltung Aufklärung (MfS-HVA). Mielke and Wolf provided money, training, and surveillance equipment to help build pro-Soviet secret police forces in Fidel Castro's Cuba, Baathist Syria, Sandinista-ruled Nicaragua, Mengistu Haile Mariam's Ethiopia, Idi Amin's Uganda, Kwame Nkrumah's Ghana, and South Yemen. After the opening of Stasi archives, it was revealed that West Germany was riddled with MfS-HVA moles. In what John Koehler has dubbed, "The Invisible Invasion", some West German citizens collaborated out of Marxist beliefs, but others were recruited through blackmail, greed, career frustrations, or sexual favors from Stasi operatives. Another tactic was for Stasi military advisers assigned to African and Middle Eastern countries to request the arrest of West German tourists. Local police would then turn the prisoner over to the Stasi agent, who would offer the West German a choice between espionage or incarceration. Senior politicians from the Social Democratic Party of Germany, the Free Democratic Party of Germany, and the Christian Democratic Union were exposed and, when still alive, prosecuted. Mielke and Wolf also seriously compromised West Germany's police departments, foreign and domestic intelligence services, diplomatic corps, military-industrial complex, and journalistic profession. The Stasi compromised the United States military and diplomatic presence in West Germany. The most damaging American to spy for the Stasi was United States Army Sergeant James Hall III, who volunteered his services to Soviet and East German intelligence in November 1981. Sergeant Hall sold the Stasi 13,088 pages of classified documents, including detailed information about Project Trojan, a worldwide electronic network with the ability to pinpoint armored vehicles, missiles and aircraft by recording their signal emissions during wartime and the complete National SIGINT Requirements List (NSRL), a 4258-page document about NSA operations at home and abroad. In 1988, Sergeant Hall was tricked into confessing his espionage career to an undercover FBI Special Agent named Dmitri Droujinsky, a Russian-American who was posing as an agent of the KGB. When news of Sergeant Hall's arrest became public, one Washington intelligence official called the breach, "the Army's Walker Case." Collusion with Nazism Beginning in 1960, Mielke and Wolf used false flag recruitment to secretly organize and finance Neo-Nazi organizations, which they then instructed to vandalize Jewish religious and cultural sites throughout West Germany. During the Jerusalem trial of Adolf Eichmann, Stasi agents sent letters to West German Neo-Nazis and Waffen-SS veterans, urging them to speak out and to raise money for Eichmann's defense attorney. This was done in order to lend credibility to Communist propaganda about the allegedly Fascist and neo-Nazi orientation of the Federal Republic of Germany. According to German historian Michael Wolffsohn, "There is no doubt that in the 1960s as now, there were Nazis who were unreconstructed, unchangeable and evil, but without the help of East Germany, these Nazis were incapable of a national, coordinated campaign. That was true of right-wing extremist criminals in the 1980s as well. The East German Communists used anything they could against West Germany, including the... fears by Western countries and Jews that a new Nazism could be growing in West Germany. There is... evidence that the East Germans continued to use Anti-Semitism as a tool against West Germany in the 1970s and perhaps right up until 1989." In a 1991 interview with John Koehler, Holocaust survivor and Nazi hunter Simon Wiesenthal said of the Stasi, "They not only terrorized their own people worse than the Gestapo, but the government was the most Anti-Semitic and Anti-Israeli in the entire Eastern Bloc. They did nothing to help the West in tracking down Nazi criminals; they ignored all requests from West German judicial authorities for assistance. We have just discovered shelves of files on Nazis stretching over four miles. Now we also know how the Stasi used those files. They blackmailed Nazi criminals who fled abroad after the war into spying for them. What's more, the Stasi trained terrorists from all over the world." Support for paramilitary and terrorist groups During a 1979 visit to the GDR by senior PLO member Salah Khalaf, Mielke said, "We are paying great attention to the Palestine resistance and the other revolutionary forces fighting against the policies of the United States and against the provocations of the Israeli aggressor. Together with the Soviet Union and other socialist countries, we will do everything to support this just battle." With this in mind, Mielke ordered the Stasi to finance, arm, and train, "urban guerrillas," from numerous countries. According to former Stasi Colonel Rainer Wiegand, Mielke's ties to violent paramilitary groups were overseen by Markus Wolf and Department Three of the MfS-HVA. Members of the West German Baader-Meinhoff Group, the Chilean Manuel Rodríguez Patriotic Front, and Umkhonto we Sizwe, the paramilitary wing of the African National Congress, were brought to East Germany for training in the use of military hardware, insurgent tactics, and, "the leadership role of the Party." Similar treatment was meted out to Palestinians from the Popular Front for the Liberation of Palestine, Abu Nidal, and Black September. Other Stasi agents worked as military advisers to Soviet-backed African guerrilla organizations and the governments they later formed. They included the Namibian SWAPO and the Angolan MPLA during the South African Border War, the FRELIMO during the Mozambican War of Independence and civil war, and Robert Mugabe's ZANLA during the Rhodesian Bush War. Colonel Wiegand revealed that Mielke and Wolf provided bodyguards from the Stasi's counter-terrorism division for Venezuelan-born PLO terrorist Carlos the Jackal and Black September leader Abu Daoud during their visits to the GDR. Col. Wiegand had been sickened by the 1972 Munich massacre and was horrified that the GDR would treat the man who ordered it as an honored guest. When he protested, Wiegand was told that Abu Daoud was, "a friend of our country, a high-ranking political functionary," and that there was no proof that he was a terrorist. During the 1980s, Wiegand secretly blackmailed a Libyan diplomat into spying on his colleagues. Wiegand's informant told him that the La Belle bombing and other terrorist attacks against American and West German citizens were being planned at the Libyan Embassy in East Berlin. When Wiegand showed him a detailed report, Mielke informed the SED's Politburo, which ordered the Colonel to continue surveillance but not interfere with the plans of the Libyans. According to John Koehler, "Murder, kidnapping, extortion, bank robbery, and arson were felonies under the East German criminal code. However, if these offenses were committed under the banner of the 'anti-imperialist struggle,' the communist system would look the other way. Moreover, it had assigned the Stasi to make sure that terrorists were properly trained for murder and sowing mayhem. There was no limits to the East German regime's involvement with terrorism, so long as it could be ideologically justified." The Peaceful Revolution According to John Koehler, "Increasingly concerned over the growing popular opposition, Stasi Minister Mielke early in 1989 ordered the creation of a special elite unit for crushing disturbances. Its personnel were carefully selected members of the counterespionage and counterterrorism directorate. They were equipped with special batons similar to electric cattle prods but much more powerful. In a secret speech to top-ranking Stasi officers on 29 June, Mielke warned that, 'hostile opposing forces and groups have already achieved a measure of power and are using all methods to achieve a change in the balance of power. Former Stasi Colonel Rainer Wiegand told me he was horrified when Mielke compared the situation with that of China two months earlier. Chinese students in Beijing had begun massive protests in April and in May, during a student demonstration in Tiananmen Square, security troops had opened fire on them killing hundreds. 'Mielke said our situation was comparable and we had to be ready to counter it with all means and methods,' Wiegand recalled. 'Mielke said that the Chinese leadership had succeeded in smothering the protests before the situation got out of hand.'" Despite Mielke's attempts to suppress them, East Germany's protesters grew more emboldened with every arrest. 40th anniversary of the GDR As the fortieth anniversary of the GDR approached, Mielke ordered, "We must stop the internal enemy. At the least hint of a disturbance of the celebration, isolate and arrest them." One former Stasi Major recalled, "We mixed inconspicuously with the demonstrators, accompanied by our IMs. Hundreds of us stood at the sides of the street in order to stop any activity before it got started. We barely got any sleep toward the end. Never did I sense that the people were afraid of the MfS. The Stasi was more afraid of the people than the people were of them." According to Koehler, "Despite the unrest, the regime celebrated its fortieth with a huge, pompous ceremony in Berlin on 7 October, while tens of thousands of outside the ornate building of the State Council. The People's Police cordons were utterly ineffectual. As Stasi Minister Erich Mielke drove up and was greeted by General Günter Kratsch, the counterintelligence chief, Mielke screamed at police: "Club those pigs into submission!" () The police ignored Mielke's ranting. As more and more East Germans were arrested for protesting the 40th anniversary celebrations, many of them sang The Internationale in Vopo and Stasi custody to imply that they, rather than their captors, were the real working class and the real revolutionaries. According to Anna Funder, "There was a sea of red flags, a torchlight procession, and tanks. The old men on the podium wore light-grey suits studded with medals. Mikhail Gorbachev stood next to Honecker, but he looked uncomfortable among the much older Germans. He had come to tell them that it was over, to convince the leadership to adopt his reformist policies. He had spoken openly about the danger of not 'responding to reality.' He pointedly told the Politburo that, 'life punishes those who come too late.' Honecker and Mielke ignored him, just as they ignored the crowds when they chanted, "Gorby, help us! Gorby, help us!" Plan X On 8 October 1989, Mielke and Honecker ordered the Stasi to implement "Plan X"—the SED's plan to arrest and indefinitely detain 85,939 East Germans during a state of emergency. According to John Koehler, Plan X had been in preparation since 1979 and was, "a carbon copy of how the Nazi concentration camps got their start after Hitler came to power in 1933." By 1984, 23 sites had been selected for "isolation and internment camps." Those who were to be imprisoned in them ran into six categories; including anyone who had ever been under surveillance for anti-state activities, including all members of peace movements which were not under Stasi control. According to Anna Funder, "The plans contained exact provisions for the use of all available prisons and camps, and when those were full for the conversion of other buildings: Nazi detention centers, schools, hospitals, and factory holiday hostels. Every detail was foreseen, from where the doorbell was located on the house of each person to be arrested to the adequate supply of barbed wire and the rules of dress and etiquette in the camps..." However, when Mielke sent the orders, codenamed "Shield" (), to each local Stasi precinct to begin the planned arrests, he was not obeyed. Terrified of an East German version of the mass lynchings of Hungarian secret police agents during the 1956 Revolution, Stasi agents throughout the GDR fortified their office-buildings and barricaded themselves inside. Toppling Honecker Even as orders were going out to implement Plan X, Mielke had already thrown his support behind the anti-Honecker faction in the SED's Politburo. Although he was of the same generation as Honecker and had matured in an environment where following orders was the rule, he was sober enough and politically savvy enough to realize this approach no longer worked. During a session on 10 October 1989, Mielke delivered a report attacking Honecker's desire to violently suppress the demonstrations rather than offer concessions. In what Edward N. Peterson has called "a remarkable disclaimer of responsibility for the violence," Mielke declared that Honecker's orders to him "were built on false situation judgments." He added that Honecker's commands on 7 and 8 October "were false and undifferentiated condemnations of those who think differently. Despite this evaluation, there was never any instructions to use violence against persons. There is nothing in our basic principles to consider a demonstration as part of a possible counterrevolutionary coup." Mielke also claimed that "the Party judged the situation falsely. We tried to tell them the true situation, but enough was not done." Mielke argued in favor of solving the demonstrations politically and giving "every DDR citizen the right to travel." On 17 October 1989, Mielke and the rest of the GDR's Politburo met to follow Gorbachev's demand, voiced in August, for Honecker be removed as General Secretary of the SED and State Council chairman. Suspecting that Honecker's personal bodyguards might try to arrest the members of the Central Committee when they met to vote Honecker out in favour of Egon Krenz, Mielke saw to it that Stasi agents who were loyal to him were stationed near the meeting room. While deliberations were underway, Mielke told Honecker that "we simply cannot start shooting with tanks," and tried to impress upon Honecker that it was "the end". After the vote to oust Honecker passed, Mielke "got nasty," and accused Honecker of corruption. Honecker responded that Mielke should not open his mouth so much. Mielke responded by putting the last nail into Honecker's coffin. He announced that the MfS had a file on the now-ousted leader. It contained proof of Honecker's corrupt business practices, sexual activities, and how, as a member of the underground Communist Party of Germany during the Nazi years, he had been arrested by the Gestapo and had named names. To the shock of both the Politburo and the Stasi, Krenz's first televised addresses failed to win popular support. Despite his assurances that the SED was at last ready to embrace Gorbachev's policies of Glasnost and Perestroika, Krenz's approval ratings remained extremely low. Former Politburo member Günter Schabowski later recalled, "We made a palace revolution without offering a real alternative... We had not quickly and thoroughly enough whittled away from Stalin's methods." Defeat On 7 November 1989, Mielke resigned, along with eleven out of eighteen members of the SED's Council of Ministers, in response to the increasing disintegration of the GDR. Two days later, Schabowski announced on television that the east–west border was open without restriction. According to Anna Funder, there was panic at Stasi Headquarters in Berlin-Lichtenberg, "Stasi officers were instructed to destroy files, starting with the most incriminating–those naming westerners who spied for them, and those that concerned deaths. They shredded the files until the paper shredders overheated and shorted out. Among other shortages in the East, there was a shredder shortage, so they had to send agents out under cover to West Berlin to buy more. In Building 8 alone, the citizens' movement found over a hundred burnt out shredders. When they ran out of working shredders from the West and could not procure more they began using scissors to cut the documents by hand. According to William F. Buckley, Jr., "In the weeks after 9 November, Stasi offices were stormed in various cities around East Germany. Stasi commissars in three of those cities committed suicide. But not one was lynched or executed." Televised humiliation On 13 November 1989, Mielke was summoned to deliver a briefing about the protests to the GDR parliament, or Volkskammer. Formerly a "rubber stamp parliament," the disintegration of the SED's power had allowed the Volkskammer to begin exercising real authority over the GDR. Therefore, Mielke, as the head of the Stasi (known as the "shield and sword of the [SED] party"), was summoned before the newly empowered parliament to justify his position in government. As his speech was broadcast live, Mielke began by using overly bombastic, flag-waving language, saying "We have, comrades, dear assembly members, an extraordinarily high amount of contact with all working people" (). To his shock, the Volkskammer responded with boos, whistles, and catcalls. His face grief-stricken and pale, Mielke then tried to defuse the situation, "Yes, we have such contact, let me tell you-let me tell you why. I am not afraid to stand here and to give you an unbiased answer" (). Mielke continued, speaking of the "triumph" of the socialist economy, continuing all the while to address the members of the Volkskammer as "Comrades" (). In response, Volkskammer member Dietmar Czok of the Christian Democratic Union, rose from his seat and raised his hand. The Volkskammer's president, Günther Maleuda, interrupted Mielke and urged Czok to speak. With his voice dripping with contempt, Czok told Mielke, "As a point of order, I will not tell you this again. There are more people sitting in this Chamber than just your Comrades!" (). In response, many in the Volkskammer burst into applause, cheers, and shouts of "We are not your Comrades!" () Trying to appear magnanimous, Mielke responded, "This is a natural, Humanistic question! This is just a question of formality." (), leading to further shouts of displeasure from the members of the Volkskammer. In a last ditch effort, Mielke "raised his arms like an evangelist," and cried, "I love all – all Humanity! I really do! I set myself before you!" () Everyone in the room, including staunch SED members, burst out laughing. Then Mielke started to cry. John Koehler later wrote, "Mielke was finished." Mielke's address to the Volkskammer remains the most famous broadcast in the history of German television. Anna Funder has written, "When they think of Mielke, East Germans like to think of this." The Fall On 17 November 1989, the Volkskammer renamed the MfS the Amt für Nationale Sicherheit (AfNS – Office for National Security). The following day, Mielke's tenure in office ended when the Volkskammer appointed Generalleutnant Wolfgang Schwanitz as the new director of the AfNS. On 1 December 1989, the Volkskammer nullified the clause of the GDR constitution that enshrined the SED's "leading role" in the government and formally ending Communist rule in East Germany. Two days later, the SED announced that Mielke's party membership had been permanently revoked. Years later, he lamented, "Millions have died for nothing. Everything we fought for – it has all amounted to nothing." He also said, "If the party had given me the task, then there would perhaps still be a GDR today. On that you can rely." Prosecution Indictments On 7 December 1989, Erich Mielke was arrested and placed in solitary confinement for embezzlement of public funds in order to improve his hunting estate. He was charged with "Damaging the People's Economy" (Schädigung der Volkswirtschaft). On 7 January 1990, he was further charged with high treason and conspiring with Erich Honecker to bug the telephones and open the mail of every one of East Germany's citizens. Meanwhile, the Federal Constitutional Court announced that Mielke had also been indicted for having ordered two terrorist attacks by the Baader-Meinhoff Group against United States military personnel who were stationed on West German soil. The first was the car bomb attack against the United States Air Force at Ramstein Air Base on 31 August 1981. The second was the attempted murder with an RPG-7 anti-tank rocket of United States Army General Frederick Kroesen, his wife, and the West German police officer who was driving their armored Mercedes at Heidelberg on 15 September 1981. After German reunification in October 1990, Mielke was also indicted for ordering the shootings of defectors at the Berlin Wall. He was also charged with misuse of office, breach of trust, and incitement to pervert the course of justice. Bülowplatz trial In February 1992, Mielke was put on trial for the 1931 first degree murders of Berlin Police Captains Anlauf and Lenck as well as the attempted murder of Senior Sergeant Willig. The evidence for Mielke's guilt was drawn from the original police files, the transcripts from the 1934 trial of his co-conspirators, and a handwritten memoir in which Mielke revealed that his role in, "the Bülowplatz Affair," had been his reason for fleeing to Moscow from the Weimar Republic in 1931. All had been found in Mielke's house safe during a police search in 1990. Mielke was believed to have kept the documents for the purpose of "blackmailing Honecker and other East German leaders." Former Associated Press reporter and White House Press Secretary John Koehler also testified that Mielke had boasted of his involvement in the Bülowplatz murders during a confrontation at Leipzig in 1965. During his trial, Mielke appeared increasingly senile, admitting his identity but otherwise remaining silent, taking naps, and showing little interest in the proceedings. In a widely publicized incident, Mielke appeared to mistake the presiding judge for a prison barber. When a journalist for Der Spiegel attempted to interview him in Plötzensee Prison, Mielke responded, "I want to go back to my bed" (). Opinion was divided whether Mielke was suffering from senile dementia or was pretending in order to evade prosecution. After twenty months of one-and-a-half-hour daily sessions, Erich Mielke was convicted on two counts of murder and one of attempted murder. On 26 October 1993, a panel of three judges and two jurors sentenced him to six years' imprisonment. At his sentencing, Mielke started to cry. In pronouncing sentence, Judge Theodor Seidel, told Mielke that he "will go down in history as one of the most fearsome dictators and police ministers of the 20th century." Imprisonment Mielke was then put on trial for ordering the shootings of East Germans who were trying to defect to the West. In November 1994, the presiding judge adjourned the proceedings, ruling that Mielke was not mentally competent to stand trial. During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters. Although it was not connected to the outside world, Mielke enjoyed having imaginary conversations with non-existent Stasi agents. His other favorite pastime was watching game shows on television. In 1995, parole officers and Mielke's attorneys argued that he was "totally confused" and obtained his release. At 87 years of age, Erich Mielke was Germany's oldest prison inmate and had been incarcerated for 1,904 days. Days before his release, the Public Prosecutor of Berlin announced that he was "not interested in chasing an 87-year-old man anymore" and that all further prosecution of Mielke had been indefinitely suspended. According to Koehler, "[Mielke's] bank account, which held more than 300,000 Marks (about US$187,500), was confiscated. Before his arrest in 1989, the most feared man in East Germany had lived in a luxurious home with access to an indoor pool. In addition, he owned a palatial hunting villa, complete with a movie theater, trophy room, 60 servants, and a 60 square kilometers hunting preserve. After he was released from prison Mielke was obliged to move into a two-room, 55-square-meter flat. Like all Stasi pensioners, he would henceforth have to live on 802 marks (about US$512) a month." Death Erich Mielke died on 21 May 2000, aged 92, in a Berlin nursing home. After being cremated at the crematorium in Meissen, an urn containing Mielke's ashes was buried in an unmarked grave at the Zentralfriedhof Friedrichsfelde in Berlin. An estimated 100 people reportedly attended the funeral. Erich Mielke's grave is outside the memorial section established at the entrance in 1951 by East German leaders for communist heroes. Within hours of his funeral, the flowers and wreaths left at Mielke's grave were ripped to shreds by persons unknown. Legacy Writing in 2003, Australian journalist Anna Funder declared, "The name Mielke has now come to mean 'Stasi.' Victims are dubiously honored to find his signature in their files: on plans for someone to be observed 'with all possible methods', on commands for arrest, for kidnapping, instructions to judges for sentencing, orders for 'liquidation'. The honor is dubious because... he signed so many." In 2012, the museum at the former Stasi headquarters opened Mielke's office as a permanent exhibit. Soon after, The Guardian correspondent Tam Eastley visited the exhibit and numerous sites in Berlin connected to Mielke's life, times, and legacy. When she visited Mielke's grave, Eastley found that it had become a shrine for adherents of Ostalgie. Personal life Erich Mielke was a fitness enthusiast, a non-smoker, and drank very little. He was a keen hunter and owned a large area of ground where he would hunt animals with other East German and visiting Soviet officials. During the late 1940s, when Mielke was working as security chief of the DWK, he began a relationship with Gertrud Mueller, a seamstress. On 18 December 1948, shortly after the birth of their son Frank Mielke, Erich and Gertrud married in a civil ceremony. According to the newspaper Bild, the Mielkes adopted an orphaned girl named Ingrid, who was born in 1950. Like her adopted brother Frank, Ingrid Mielke attended the Wilhelm Pieck School. She ultimately became a captain in the Stasi and married a Stasi Lieutenant named Norbert Knappe. As of 1999, the Knappes had both refused to grant an interview to Bild reporters. In popular culture Erich Mielke has appeared as a character in both films and novels set in the GDR. Volker Schlöndorff's The Legend of Rita (2000), which focuses on Stasi collusion with the West German far-left terrorist organization Rote Armee Fraktion. In conversation with fictional Stasi officer Erwin Hull (Martin Wuttke), Mielke (Dietrich Körner) expresses admiration for the RAF's campaign against the United States, West Germany, and the State of Israel, which he compares with his own activities against the Weimar Republic and the Nazis. The RAF members are then brought to a training camp, where Stasi agents instruct them in the use of grenade launchers and other kinds of military hardware. Mielke's name is never disclosed and Agent Hull addresses him only as, "Comrade General." () Florian Henckel von Donnersmarck's The Lives of Others (2006), which focuses on the Stasi's surveillance and repression of the East German population. In the film, a previously loyal GDR playwright named Georg Dreymann (Sebastian Koch) publishes an anonymous article in the West German magazine Der Spiegel which accuses East Germany's Minister of Culture of having persecuted a blacklisted stage director until he hanged himself. Soon after the article goes to press, Mielke's voice is heard over the telephone giving a dressing down to fictional Stasi Lieutenant Colonel Anton Grubitz (Ulrich Tukur). Addressed only as "Genosse Armeegeneral" (Mielke was the only person to ever hold that rank in the Stasi), Mielke threatens to throw Grubitz in front of a firing squad if he fails to identify and arrest the article's author. In Philip Kerr's novel Field Grey (2010), Mielke first appears in 1931 Berlin, when protagonist Bernie Gunther saves him from being murdered by Nazi Brownshirts. The novel then flashes forward to 1954, when Gunther is recruited into a CIA plot to abduct Mielke from East Berlin. Honours and awards Mielke received a large number of awards and commemorative medals from organisations within the German Democratic Republic and from allied states. A more complete list is available (in German) at Liste der Orden und Ehrenzeichen des Erich Mielke. Awards of the German Democratic Republic Patriotic Order of Merit in gold (7 October 1954) Six Orders of Karl Marx (28 December 1957, 20 November 1973, 1 December 1975, 28 December 1977, 28 June 1982, 28 December 1982) Twice Hero of Labour of the GDR (5 October 1964, 24 February 1968) Twice Hero of the GDR (1 December 1975, 28 December 1982) Banner of Labour (8 May 1960) Medal for Exemplary Border Service (26 April 1956) Medal for Faithful Service in the National People's Army; Bronze (7 October 1957) Silver (8 February 1959) Gold (1 July 1960) Gold for 20 years service (8 February 1965) Medal for Fighters Against Fascism (6 September 1958) Gold Medal of Merit of the National People's Army (1 March 1957) Scharnhorst Order, twice (25 September 1979, 7 October 1984) Awards of the Soviet Union Hero of the Soviet Union (25 December 1987) Four Orders of Lenin (12 June 1973, 28 December 1982, 1 April 1985, 28 December 1987) Order of the Patriotic War, 1st class (6 May 1970) Four Orders of the Red Banner (23 October 1958, 5 February 1968, 28 December 1977, February 1980) Jubilee Medal "50 Years of the Soviet Militia" (20 December 1967) Jubilee Medal "In Commemoration of the 100th Anniversary since the Birth of Vladimir Il'ich Lenin" (1970) Medal "For Distinction in Guarding the State Border of the USSR" (6 January 1970) Order of the October Revolution (February 1975) Other states Order of Georgi Dimitrov (Bulgaria, 28 December 1982) Order of Friendship (Czechoslovakia) (28 December 1982) Order of the Red Star (Czechoslovakia) (16 November 1970) References Further reading Buckley, Jr., William F. (2004), The Fall of the Berlin Wall, John Wiley & Sons, Inc. Funder, Anna (2003), Stasiland: True Stories from Behind the Berlin Wall, Granta Books, London. Kuchel, Dany (2011) "Le Glaive et le Bouclier", une histoire de la Stasi en France. Otto, Wilfriede, Erich Mielke, Biographie: Aufstieg und Fall eines Tschekisten. Dietz-Verlag, Berlin 2000, . Peterson, Edward N. (2002). The Secret Police and the Revolution: The Fall of the German Democratic Republic, Praeger Publications, Westport, Connecticut. London. Pickard, Ralph (2007). STASI Decorations and Memorabilia, A Collector's Guide. Frontline Historical Publishing. Pickard, Ralph (2012). STASI Decorations and Memorabilia Volume II. Frontline Historical Publication. 1907 births 2000 deaths Politicians from Berlin Communist Party of Germany politicians Members of the Politburo of the Central Committee of the Socialist Unity Party of Germany Government ministers of East Germany Members of the 3rd Volkskammer Members of the 4th Volkskammer Members of the 5th Volkskammer Members of the 6th Volkskammer Members of the 7th Volkskammer Members of the 8th Volkskammer Members of the 9th Volkskammer East German spies German Comintern people German emigrants to the Soviet Union German politicians convicted of crimes Köllnisches Gymnasium alumni German people convicted of murdering police officers International Brigades personnel German people of the Spanish Civil War German police officers convicted of murder German spies for the Soviet Union Great Purge perpetrators Interwar-period spies NKVD officers Murders of Paul Anlauf and Franz Lenck Perpetrators of political repression in the Second Spanish Republic People convicted of murder by Germany Prisoners and detainees of Germany Stasi generals Stasi officers convicted of crimes SV Dynamo Collaborators with the Soviet Union German anti-Zionists International Lenin School alumni Recipients of the Scharnhorst Order Recipients of the Patriotic Order of Merit (honor clasp) Recipients of the Banner of Labor Foreign Heroes of the Soviet Union Recipients of the Order of Lenin Recipients of the Order of the Red Banner Recipients of the Medal "For Distinction in Guarding the State Border of the USSR" Recipients of the Order of Georgi Dimitrov 20th-century German criminals People from Mitte German mass murderers Criminals from Berlin German military personnel of World War II	true	[ "Willi Kreikemeyer (1894 – c. 1950) was a German labourer and a Communist. From 1941 he and his wife Marthe Kreikemeyer were close assistants of Noel Field who supported German anti-Nazi refugees in France and Switzerland. He died in East German detention as a victim of the Noel Field show trials, which had the function to replace Communist Party officials with others more aligned with Moscow.\n\nLife \n\nKreikemeyer was a skilled lathe worker. He joined the union in 1910 and 1919 the newly formed Communist Party. Through his work for the Communist Party functionary, he came into close contact with Willi Münzenberg.\n\nKreikemeyer was severely wounded in the Spanish Civil War and then later used as the first Chief Executive of the German department, as Chefadjudant for all senior divisions of the International Brigades. In these activities he had contact with Erich Mielke, who was then under the code name Leistner or Leissner chief of the instruction department and adjutant of the central administration. Among other things, it is known that both efforts Kreikemeyer Mielke knew to settle in the safe in Mexico, as well as to help that Mielke from the Fund Noel Field erhielt.\n\nPost-war period \nAfter the Second World War they settled in East Berlin. In 1949 Kreikemeyer became Director General of the East German railway company Deutsche Reichsbahn.\n\nWhen in 1950 the slandering campaign started against Noel Field – he was accused of having built an anti-Communist spy network while pretending to be a Communist sympathizer – Kreikemeyer was arrested and never seen again. At least one propaganda article against the alleged spy was published in an East German newspaper and a show trial against him was prepared, but never took place. Mrs Kreikemeyer wrote dozens of letters to the GDR authorities inquiring about her husband's fate. For seven years the authorities pretended that Willi Kreikemeyer was alive and well, waiting for his trial. Fearing her own arrest, Mrs Kreikemeyer escaped to her home country France in 1954. She continued writing her letters. In 1957 she was told that Willi Kreikemeyer had died a few days after his imprisonment.\n\nErich Mielke (later the East German Minister of State Security) had been responsible for the detainee. In a confidential document he claimed that Kreikemeyer had committed suicide in his prison cell on 31 August 1950. This story has been proven to be a lie. But what really happened to Kreikemeyer can hardly be reconstructed.\n\nToday it is known that Kreikemeyer named Mielke as one of the persons supported by Noel Field. That information threatened Mielke's career: according to a Soviet order, people, who had spent the war in the West had to resign from public office. (In his official CV, Mielke claimed that he had fought in the Red Army during World War II). What's more, alleged collaboration with an \"American spy\" could have led to the death penalty.\n\nIt is therefore likely that Willi Kreikemeyer was murdered on behalf of Erich Mielke.\n\nRehabilitation \nThe newly established, emerged from the SED to PDS - Today \"The Left\", decided at a meeting on 20–21 January 1990, among other things, people who the bloody terror of Stalin in the Soviet Union have fallen victim to rehabilitate. The Arbitration Commission of the PDS has rehabilitated 48 people politically, who suffered under Stalinist persecution and imprisonment, or been murdered. \"In the interest of the renewal of the party and on the basis of the then applicable statute lift all sanctions in the past expressed party.\" Furthermore, subjects who received the late 40s and early 50s of the 20th Century excluded because of their past affiliation with the SPD under the stigma of \"social democracy\" as a so-called Schumacher agents from the SED and arrested, or in connection with the fictional spy, Noel Field, and the Stalinist show trials in Hungary against László Rajk and others in Bulgaria Traicho Kostov and against others and against Rudolf Slansky in Czechoslovakia, and others were also persecuted by the SED as alleged agents of imperialism or imprisoned. These include, among others rehabilitated a total of 28: Leo Bauer, Alfred Drögemüller, Max Emendörfer, and Stanislaw Trabalski\n\nReferences\n\nBibliography\n Wolfgang Kießling Leistner ist Mielke. Schatten einer gefälschten Biographie (Leistner is Mielke. Shadow of a faked biography) Aufbau Taschenbuch Verlag, Berlin 1998, \n Wilfriede Otto „Das Verschwinden des Willi Kreikemeyer“ (The disappearance of Willi Kreikemeyer) 1999\n\n1894 births\n1950 deaths\nYear of death uncertain\nEast German politicians\nGerman communists\nGerman people of the Spanish Civil War\nGerman people who died in prison custody\nInternational Brigades personnel\nSocialist Unity Party of Germany members", "The Murders of Paul Anlauf and Franz Lenck were a double homicide that took place in Berlin, Germany on 9 August 1931, when police captains Paul Anlauf and Franz Lenck were assassinated by the paramilitary wing of the Communist Party of Germany (KPD). Both Anlauf and Lenck were members of the Social Democratic Party of Germany (SPD). One of the murderers, Erich Mielke, later became the head of the Stasi, the secret police of East Germany, and it was only in 1993 that he was tried and convicted of the murders.\n\nPlanning and execution\nDuring the last days of the Weimar Republic, Berlin's contingent of the Communist Party of Germany (KPD) had a policy of assassinating a Berlin police officer in retaliation for every KPD member killed by the police. On August 2, 1931, KPD Reichstag members Heinz Neumann and Hans Kippenberger received a dressing down from future East German Premier Walter Ulbricht, the KPD's leader in the Berlin-Brandenburg region. Enraged by police interference and by Neumann and Kippenberger's failure to follow the policy, Ulbricht snarled, \"At home in Saxony we would have done something about the police a long time ago. Here in Berlin we will not fool around much longer. Soon we will hit the police in the head.\"\n\nAs a result of Ulbricht's words, Kippenberger and Neumann decided to assassinate Captain Paul Anlauf, the forty-two-year-old commander of the Berlin Police's Seventh Precinct. Captain Anlauf, a widower with three daughters, had been nicknamed Schweinebacke, or \"Pig Cheek\" by the KPD. According to John Koehler:\n\nOn the morning of Sunday 9 August 1931, Kippenberger and Neumann gave a final briefing to the hit team in a room at the Lassant beer hall. Two young members of the Parteiselbstschutz, Erich Mielke and Erich Ziemer, were selected as the shooters. During the meeting, Max Matern gave a Luger pistol to a fellow lookout and said, \"Now we're getting serious... We're going to give Schweinebacke something to remember us by.\" Kippenberger then asked Mielke and Ziemer, \"Are you sure that you are ready to shoot Schweinebacke?\" Mielke responded that he had seen Captain Anlauf many times during police searches of Party Headquarters. Kippenberger then instructed them to wait at a nearby beer hall which would permit them to overlook the entire Bülowplatz. He further reminded them that Anlauf was accompanied everywhere by Senior Sergeant Max Willig, whom the KPD had nicknamed \"Hussar.\" Kippenberger concluded, \"When you spot Schweinebacke and Hussar, you take care of them.\" Mielke and Ziemer were informed that, after the assassinations were completed, a diversion would assist in their escape. They were then to return to their homes and await further instructions.\n\nThat evening, Captain Anlauf was lured to Bülowplatz by a violent rally demanding the dissolution of the Prussian parliament. According to Koehler: As was often the case when it came to battling the dominant SPD, the KPD and the Nazis had combined forces during the pre-plebiscite campaign. At one point in this particular campaign, Nazi propaganda chief Joseph Goebbels even shared a speaker's platform with KPD agitator Walter Ulbricht. Both parties wanted the parliament dissolved because they were hoping that new elections would oust the SPD, the sworn enemy of all radicals. That fact explained why the atmosphere was particularly volatile this Sunday.\n\nAt eight o'clock that evening, Mielke and Ziemer spotted Captain Anlauf, Sergeant Willig, and Captain Franz Lenck walking in front of the Babylon Cinema, which was located at the corner of Bülowplatz and Kaiser-Wilhelm-Straße. As they reached the door of the movie house, the policemen heard someone scream \"Schweinebacke!\"\n\nAs Captain Anlauf turned towards the sound, Mielke and Ziemer opened fire at point blank range. Sergeant Willig was wounded in the left arm and the stomach. However, he managed to draw his Luger and fired a full magazine at the assailants. Captain Franz Lenck was shot in the chest and fell dead in front of the entrance. Willig crawled over to Captain Anlauf, who had taken two bullets in the neck. As he died, the Captain gasped, \"Wiedersehen... Gruss...\" (\"So Long... Goodbye...\"). Meanwhile, Mielke and Ziemer made their escape.\n\nAftermath\nAccording to John Koehler:\n\nThousands of Berliners attended the funeral of the police officers. A monument, created by Hans Dammann, was erected to commemorate Anlauf and Lenck at the former Bülowplatz, then renamed Horst-Wessel-Platz, in 1934, and was opened with a ceremony on 29 September that year. In the aftermath, Captain Anlauf's oldest daughter was forced to drastically rush her planned wedding in order to keep her sisters out of an orphanage.\n\nAccording to Koehler:\n\nKoehler also stated:\n\nOn 19 June 1934, the 15 conspirators were convicted of first degree murder. The three deemed most culpable, Michael Klause, Max Matern, and Friedrich Bröde, were sentenced to death. Their co-defendants received sentences ranging from nine months to fifteen years incarceration at hard labor. Klause's sentence was commuted to life in prison based upon his cooperation. Bröde hanged himself in his cell. As a result, only Matern was left to be executed by beheading on 22 May 1935. Matern was subsequently glorified as a martyr by KPD and East German propaganda. Erich Ziemer was officially killed in action while serving as an agent in the Servicio de Información Militar, the secret police of the Second Spanish Republic. Neumann and Kippenberger ultimately fled to the Soviet Union after their involvement in the killings was revealed. Ironically, both were arrested, tortured, and executed by the NKVD during Joseph Stalin's Great Purge.\n\nGhosts of Bülowplatz\nAs the last survivor of the hit squad, Mielke would go on to lead the East German secret police, or Stasi, between 1957 and 1989.\n\nIn February 1992, Mielke was put on trial for the first degree murders of Captains Anlauf and Lenck as well as the attempted murder of Senior Sergeant Willig.<ref>\"E. German Stasi Chief on Trial; Political Error Seen : Justice: The spectacle seems an embarrassment. The murder charges predate communism's rise,\" Los Angeles Times', February 11, 1992.</ref> The evidence for Mielke's guilt was drawn from the original police files, the 1934 trial transcripts, and a handwritten memoir in which Mielke had admitted that \"the Bülowplatz Affair\" had been his reason for fleeing Germany. All had been found in Mielke's house safe during a police search in 1990. Mielke was believed to have kept the files for purposes of \"blackmailing Honecker and other East German leaders.\" Former Associated Press reporter and White House Press Secretary John Koehler also testified about how Mielke had boasted of his involvement in the Bülowplatz murders during a confrontation at Leipzig in 1965.\n\nDuring his trial, Mielke appeared increasingly senile, admitting his identity but otherwise remaining silent, taking naps, and showing little interest in the proceedings. In a widely publicized incident, Mielke appeared to mistake the presiding judge for a prison barber. When a journalist for Der Spiegel'' attempted to interview him in Plötzensee Prison, Mielke responded \"I want to go back to my bed\" (). Opinion was divided whether Mielke was suffering from senile dementia or was pretending in order to evade prosecution.\n\nAfter twenty months of one and a half hour daily sessions, Erich Mielke was convicted of two counts of murder and one of attempted murder. On 26 October 1993, a panel of three judges and two jurors sentenced him to six years' imprisonment. In pronouncing sentence, Judge Theodor Seidel, told Mielke that he \"will go down in history as one of the most fearsome dictators and police ministers of the 20th century.\"\n\nAfter being paroled due to his advanced age and poor mental health, Mielke died on 21 May 2000, aged 92, in a Berlin nursing home. On 8 June 2000, flowers and wreathes left on his grave were found ripped apart and the grave defaced. The perpetrators of this vandalism were never caught.\n\nReferences\n\nResources\n \n \n\n1931 crimes in Germany\n1931 murders in Europe\n1930s in Berlin\n1930s murders in Germany\nMurders of Paul Anlauf and Franz Lenck\nAugust 1931 events\nCommunist Party of Germany\nCrimes against police officers in Germany\nDeaths by firearm in Germany\nDeaths by person in Germany\nGerman murder victims \nGerman terrorism victims\nMale murder victims\nGerman police officers\nPeople murdered in Berlin\nPolice officers killed in the line of duty\nTerrorist incidents in Berlin \nTerrorist incidents in the 1930s" ]
[ "Erich Mielke", "Imprisonment", "When was Mielke imprisoned?", "1989," ]	C_3d20ba2e0075405eba35f1fa8f36a9f7_0	What crime was he convicted of?	2	What crime was Erich Mielke convicted of?	Erich Mielke	Mielke was then put on trial for ordering the shootings of East Germans who were trying to defect to the West. In November 1994, the presiding judge closed the proceedings, ruling that Mielke was not mentally fit to stand trial. During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters. Although it was not connected to the outside world, Mielke enjoyed having imaginary conversations with non-existent Stasi agents. His other favorite pastime was watching game shows on television. In 1995, parole officers and Mielke's attorneys argued that he was "totally confused" and obtained his release. At 87 years of age, Erich Mielke was Germany's oldest prison inmate and had been incarcerated for 1,904 days. Days before his release, the Public Prosecutor of Berlin announced that he was "not interested in chasing an 87 year old man anymore" and that all further prosecution of Mielke had been indefinitely suspended. According to Koehler: [Mielke's] bank account, which held more than 300,000 marks (about US $187,500), was confiscated. Before his arrest in 1989, the most feared man in East Germany had lived in a luxurious home with access to an indoor pool. In addition, he owned a palatial hunting villa, complete with a movie theater, trophy room, 60 servants, and a 15,000 acre hunting preserve. After he was released from prison Mielke was obliged to move into a two room, 600-square-foot flat. Like all Stasi pensioners, he would henceforth have to live on 802 marks (about US$512) a month. CANNOTANSWER	ruling that Mielke was not mentally fit to stand trial.	Erich Fritz Emil Mielke (; 28 December 1907 – 21 May 2000) was a German communist official who served as head of the East German Ministry for State Security (Ministerium für Staatsicherheit – MfS), better known as the Stasi, from 1957 until shortly after the fall of the Berlin Wall in 1989. A native of Berlin and a second-generation member of the Communist Party of Germany, Mielke was one of two triggermen in the 1931 murders of Berlin Police captains Paul Anlauf and Franz Lenck. After learning that a witness had survived, Mielke escaped arrest by fleeing to the Soviet Union, where the NKVD recruited him. He was one of the key figures in the decimation of Moscow's German Communists during the Great Purge as well as in the persecution of suspected anti-Stalinists in the International Brigade during the Spanish Civil War. Following the end of World War II in 1945, Mielke returned to the Soviet Zone of Occupied Germany, which he helped organize into a Marxist-Leninist satellite state under the Socialist Unity Party (SED), later becoming head of the Stasi. According to historian Jack Koehler, he was "the longest serving secret police chief in the Soviet Bloc". The Stasi under Mielke has been called by historian Edward Peterson the "most pervasive police state apparatus ever to exist on German soil". In a 1993 interview, Holocaust survivor and Nazi-hunter Simon Wiesenthal has said that, if one considers only the oppression of their own people, the Stasi under Mielke was "much, much worse than the Gestapo". During the 1950s and 1960s Mielke led the process of forcibly forming collectivised farms from East Germany's family-owned farms, which sent a flood of refugees to West Germany. In response, Mielke oversaw the construction (1961) of the Berlin Wall and co-signed orders to shoot fatally all East Germans who attempted to leave the country. He also oversaw the establishment of pro-Soviet police states and paramilitary insurgencies in Western Europe, Latin America, Africa, and the Middle East. In addition to his role as head of the Stasi, Mielke was also an Army General in the National People's Army (Nationale Volksarmee), and a member of the SED's ruling Politburo. Dubbed "The Master of Fear" () by the West German press, Mielke was one of the most powerful and most hated men in East Germany. After German reunification in 1990, Mielke was arrested (1991), prosecuted (1992), convicted, and incarcerated (1993) for the 1931 murders of Paul Anlauf and Franz Lenck. Released from prison early due to ill health in 1995, he died in a Berlin nursing home in 2000. Early life Erich Mielke was born in a tenement in Berlin-Wedding, Brandenburg, on 28 December 1907. During the First World War, the neighborhood was known as "Red Wedding" due to many residents' Marxist militancy. In a handwritten biography written for the Soviet secret police, Mielke described his father as "a poor, uneducated woodworker," and said that his mother died in 1911. Both were, he said, members of the Social Democratic Party of Germany (SPD). After his remarriage to "a seamstress," the elder Mielke and his new wife joined the Independent Social Democratic Party of Germany and remained members when it was renamed the Communist Party of Germany (KPD). His son Erich claimed "My younger brother Kurt and two sisters were Communist sympathisers." Despite his family's poverty, Erich Mielke was academically gifted enough to be awarded a free scholarship in the prestigious Köllnisches Gymnasium, but was expelled on 19 February 1929, for being "unable to meet the great demands of this school." While attending the Gymnasium, Mielke joined the Communist Party of Germany in 1925, and worked as a reporter for the communist newspaper Rote Fahne from 1928 to 1931. During the Weimar Republic, the KPD was the largest communist party in Europe and was seen as the "leading party" of the communist movement outside the Soviet Union. Under Ernst Thälmann's leadership, the KPD was completely obedient to Soviet Premier Joseph Stalin, and from 1928 the Party was both funded and controlled by the Comintern in Moscow. Until the end of the Republic, the KPD viewed the Social Democratic Party of Germany (SPD), which dominated German politics between 1918 and 1931, as their mortal enemy. In keeping with Stalin's policy towards social democracy, the KPD considered all SPD members to be "social fascists". The KPD also believed that all other political parties were "fascist" and regarded itself as "the only anti-fascist Party" in Germany. Nevertheless, the KPD closely collaborated with the Nazi Party during the early 1930s and both Parties intended to replace the democratically elected government of the Weimar Republic with a totalitarian single party state. Soon after joining the Party, Mielke joined the KPD's paramilitary wing, or Parteiselbstschutz ("Party Self Defense Unit"). At the time, the Parteiselbstschutz in Berlin was commanded by KPD Reichstag Representatives Hans Kippenberger and Heinz Neumann. According to John Koehler, "Mielke was a special protege of Kippenberger's having taken to his paramilitary training with the enthusiasm of a Prussian Junker. World War I veterans taught the novices how to handle pistols, rifles, machine guns, and hand grenades. This clandestine training was conducted in the sparsely populated, pastoral countryside surrounding Berlin. Mielke also pleased Kippenberger by being an exceptional student in classes on the arts of conspiratorial behavior and espionage, taught by comrades who had studied at the secret M-school of the GRU in Moscow." According to John Koehler, members of the Parteiselbstschutz "served as bouncers at Party meetings and specialized in cracking heads during street battles with political enemies." Besides the ruling SPD and its paramilitary Reichsbanner forces, the arch-enemies of the Parteiselbstschutz were the Stahlhelm, which was the armed wing of the Monarchist German National People's Party (DVNP), Trotskyites, and "radical nationalist parties." According to Koehler, the KPD's Selbstschutz men "always carried a Stahlrute, two steel springs that telescoped into a tube seventeen centimeters long, which when extended became a deadly, 35-centimeter weapon. Not to be outdone by the Nazis, these street-fighters were often armed with pistols as well." In a 1931 biography written for the Cadre Division of the Comintern, Mielke recalled, "We took care of all kinds of work; terror acts, protecting illegal demonstrations and meetings, arms-trafficking, etc. The last work, which was accomplished by a Comrade and myself, was the Bülowplatz Affair" (). Bülowplatz murders Planning During the last days of the Weimar Republic, the KPD had a policy of assassinating two Berlin police officers in retaliation for every KPD member killed by the police. On 2 August 1931, KPD Members of the Reichstag Heinz Neumann and Hans Kippenberger received a dressing down from Walter Ulbricht, the Party's leader in the Berlin-Brandenburg region. Enraged by police interference and by Neumann and Kippenberger's failure to follow the policy, Ulbricht stated, "At home in Saxony we would have done something about the police a long time ago. Here in Berlin we will not fool around much longer. Soon we will hit the police in the head." Enraged by Ulbricht's words, Kippenberger and Neumann decided to assassinate Paul Anlauf, the 42-year-old Captain of the Berlin Police's Seventh Precinct. Captain Anlauf, a widower with three daughters, had been nicknamed "Schweinebacke", or "Pig Face" by the KPD. According to historian John Koehler, "Of all the policemen in strife-torn Berlin, the reds hated Anlauf the most. His precinct included the area around KPD headquarters, which made it the most dangerous in the city. The captain almost always led the riot squads that broke up illegal rallies of the Communist Party." On the morning of Sunday 9 August 1931, Kippenberger and Neumann gave a last briefing to the hit-team in a room at the Lassant beer hall. Mielke and Erich Ziemer were selected as the shooters. During the meeting, Max Matern gave a Luger pistol to fellow lookout Max Thunert and said, "Now we're getting serious. We're going to give Schweinebacke something to remember us by." Kippenberger then asked Mielke and Ziemer, "Are you sure that you are ready to shoot Schweinebacke?" Mielke responded that he had seen Anlauf many times during police searches of Party Headquarters. Kippenberger then instructed them to wait at a nearby beer hall which would permit them to overlook the entire Bülow-Platz. He further reminded them that Anlauf was accompanied everywhere by Senior Sergeant Max Willig, whom the KPD had nicknamed, "Hussar". Kippenberger concluded, "When you spot Schweinebacke and Hussar, you take care of them." Mielke and Ziemer were informed that, after the assassinations were completed, a diversion would assist in their escape. They were then to return to their homes and await further instructions. That evening, Anlauf was lured to Bülow-Platz by a violent rally demanding the dissolution of the Prussian Parliament. According to Koehler, "As was often the case when it came to battling the dominant SPD, the KPD and the Nazis had combined forces during the pre-plebiscite campaign. At one point in this particular campaign, Nazi propaganda chief Joseph Goebbels even shared a speaker's platform with KPD agitator Walter Ulbricht. Both parties wanted the parliament dissolved because they were hoping that new elections would oust the SPD, the sworn enemy of all radicals. That fact explained why the atmosphere was particularly volatile this Sunday." Murder at the Babylon Cinema At eight o'clock that evening, Mielke and Ziemer waited in a doorway as Anlauf, Willig, and Captain Franz Lenck walked toward the Babylon Cinema, which was located at the corner of Bülowplatz and Kaiser-Wilhelm-Straße. As they reached the door of the movie house, the policemen heard someone scream, "Schweinebacke!" As Anlauf turned toward the sound, Mielke and Ziemer opened fire at point blank range. Willig was wounded in the left arm and the stomach. However, he managed to draw his Luger pistol and fired a full magazine at the assailants. Lenck was shot in the chest and fell dead in front of the entrance. Willig crawled over and cradled the head of Anlauf, who had taken two bullets in the neck. Meanwhile, Mielke and Ziemer made their escape by running into the theater and out an emergency exit. They tossed their pistols over a fence, where they were later found by Homicide Detectives from the elite Mordkommission. Mielke and Ziemer then returned to their homes. According to Koehler, "Back at Bülowplatz, the killings had triggered a major police action. At least a thousand officers poured into the square, and a bloody street battle ensued. Rocks and bricks were hurled from the rooftops. Communist gunmen fired indiscriminately from the roofs of surrounding apartment houses. As darkness fell, police searchlights illuminated the buildings. Using megaphones, officers shouted, "Clear the streets! Move away from the windows! We are returning fire!" By now the rabble had fled the square, but shooting continued as riot squads combed the tenements, arresting hundreds of residents suspected of having fired weapons. The battle lasted until one o'clock the next morning. In addition to the two police officers, the casualties included one Communist who died of a gunshot wound and seventeen others who were seriously wounded." Anlauf's wife had died three weeks earlier of kidney failure. The murder of Anlauf thus left their three daughters as orphans. Their oldest daughter was forced to rush her planned wedding in order to keep her sisters from being put in an orphanage. Lenck was survived by his wife. Willig was hospitalized for 14 weeks, but made a full recovery and returned to active duty. In recognition for Willig's courage, the Berlin Police promoted him to Lieutenant. After the murders, the act was celebrated at the Lichtenberger Hof, a favorite beer hall of the Rotfrontkämpferbund, where Mielke boasted: "Today we celebrate a job that I pulled!" () Fugitive According to Koehler, "Kippenberger was alarmed when word reached him that Sergeant Willig had survived the shooting. Not knowing whether the sergeant could talk and identify the attackers, Kippenberger was taking no chances. He directed a runner to summon Mielke and Ziemer to his apartment at 74 Bellermannstrasse, only a few minutes walk from where the two lived. When the assassins arrived, Kippenberger told them the news and ordered them to leave Berlin at once. The parliamentarian's wife Thea, an unemployed schoolteacher and as staunch a Communist Party member as her husband, shepherded the young murderers to the Belgian border. Agents of the Communist International (Comintern) in the port city of Antwerp supplied them with money and forged passports. Aboard a merchant ship, they sailed for Leningrad. When their ship docked, they were met by another Comintern representative, who escorted them to Moscow." Beginning in 1932, Mielke attended the Comintern's Military Political school under the alias Paul Bach. He later graduated from the Lenin School shortly before being recruited into the OGPU. Trial According to Koehler, "In mid-March 1933, while attending the Lenin School, Mielke received word from his OGPU sponsors that Berlin police had arrested Max Thunert, one of the conspirators in the Anlauf and Lenck murders. Within days, fifteen other members of the assassination team were in custody. Mielke had to wait six more months before the details of the police action against his Berlin comrades reached Moscow. On 14 September 1933, Berlin newspapers reported that all fifteen had confessed to their roles in the murders. Arrest warrants were issued for ten others who had fled, including Mielke, Ziemer, Ulbricht, Kippenberger, and Neumann." Koehler also stated, "Defenders of Mielke later claimed that confessions had been obtained under torture by the Nazi Gestapo. However, all suspects were in the custody of the regular Berlin city criminal investigation bureau, most of whose detectives were SPD members. Some of the suspects had been nabbed by Nazi SA men and probably beaten before they were turned over to police. In the 1993 trial of Mielke, the court gave the defense the benefit of the doubt and threw out a number of suspect confessions." On 19 June 1934, the 15 conspirators were convicted of first degree murder. The three deemed most culpable, Michael Klause, Max Matern, and Friedrich Bröde were sentenced to death. Their co-defendants received sentences ranging from nine months to fifteen years incarceration at hard labor. Klause's sentence was commuted to life in prison based upon his cooperation. Bröde hanged himself in his cell. As a result, only Matern was left to be executed by beheading on 22 May 1935. Matern was subsequently glorified as a martyr by KPD and East German propaganda. Ziemer was officially killed in action while fighting on the Republican-side during the Spanish Civil War. Mielke, however, would not face trial for the murders until 1993. Career in Soviet intelligence The Great Terror Although Moscow's German Communist community was decimated during Joseph Stalin's Great Purge, Mielke survived and was promoted. In a handwritten autobiography prepared after World War II, Mielke recalled, "During my stay in the S.U. (Soviet Union), I participated in all Party discussions of the K.P.D. and also in the problems concerning the establishment of socialism and in the trials against the traitors and enemies of the S.U." Among the German communists executed as a result of these "discussions" were Mielke's former mentors Heinz Neumann and Hans Kippenberger. Mielke further recalled, "I was a guest on the honor grandstand of Red Square during the May Day and October Revolution parades. I became acquainted with many comrades of the Federation of World Communist Parties and the War Council of the Special Commission of the Comintern. I will never forget my meeting with Comrade Dimitrov, the Chairman of the Comintern, whom I served as an aide together with another comrade. I saw Comrade Stalin during all demonstrations at Red Square, especially when I stood on the grandstand. I mention these meetings because all these comrades are our models and teachers for our work." During his time in the USSR, Mielke also developed a lifelong reverence for Felix Dzerzhinsky, the Polish aristocrat who founded the Soviet secret police. Mielke also began an equally permanent habit of calling himself a Chekist. In a citation written decades later, Mielke described his philosophy of life, "The Chekist is the political combatant. He is the loyal son of... the workers' class. He stands at the head of the battle to strengthen the power of our workers' and peasants' state." Spanish Civil War From 1936 to 1939, Mielke served in Spain as an operative of the Servicio de Investigación Militar, the political police of the Second Spanish Republic. While attached to the staff of, "veteran GRU agent," and future Stasi minister Wilhelm Zaisser, Mielke used the alias Fritz Leissner. Bernd Kaufmann, the director of the Stasi's espionage school later said, "The Soviets trusted Mielke implicitly. He earned his spurs in Spain." At the time, the S.I.M. was heavily staffed by agents of the Soviet NKVD, whose Spanish rezident was General Aleksandr Mikhailovich Orlov. According to author Donald Rayfield, "Stalin, Yezhov, and Beria distrusted Soviet participants in the Spanish war. Military advisors like Vladimir Antonov-Ovseenko, journalists like Koltsov were open to infection by the heresies, especially Trotsky's, prevalent among the Republic's supporters. NKVD agents sent to Spain were therefore keener on abducting and murdering anti-Stalinists among Republican leaders and International Brigade commanders than on fighting Franco. The defeat of the Republic, in Stalin's eyes, was caused not by the NKVD's diversionary efforts, but by the treachery of the heretics." In a 1991 interview, Walter Janka, a fellow German communist exile and company commander in the International Brigade, recalled his encounters with Mielke. During the winter of 1936, Janka was summoned by the SIM and interrogated by Mielke. Mielke demanded to know why Janka had voluntarily traveled to Spain rather than being assigned there by the Party. When he told Mielke to get lost, the SIM demoted Janka to the ranks and then expelled him from the International Brigade. Years later, Janka recalled, "While I was fighting at the front, shooting at the Fascists, Mielke served in the rear, shooting Trotskyites and Anarchists." Upon the defeat of the Spanish Republic, Mielke fled across the Pyrenees Mountains to France, where he was interned at Camp de Rivesaltes, Pyrénées-Orientales. Mielke, however, managed to send a message to exiled KPD members and, in May 1939, escaped to Belgium. Although the Public Prosecutor of Berlin learned of Mielke's presence and filed for his extradition, the Belgian Government refused to comply, regarding the assassinations of Captains Anlauf and Lenck as "a political crime." The NKVD and the SIM's witch hunt for both real and imagined anti-Stalinists had serious consequences. It horrified numerous formerly pro-Soviet Westerners who had been witnesses, including John Dos Passos, Arthur Koestler and George Orwell, and caused them to permanently turn against the USSR. Mielke's belief that anti-Soviet Marxists had collaborated with Franco and stabbed the Republic in the back continued to shape his attitudes for the rest of his life. In a 1982 speech before a group of senior Stasi officers, he said, "We are not immune from villains among us. If I knew of any already, they wouldn't live past tomorrow. Short shrift. It's because I'm a Humanist, that I'm of this view." In the same speech, Mielke also said, "All this blithering over to execute or not to execute, for the death penalty or against—all rot, Comrades. Execute! And, when necessary, without a court judgment." World War II During World War II, Mielke's movements remain mysterious. In a biography written after the war, he claimed to have infiltrated Organisation Todt under the alias Richard Hebel, but historian John O. Koehler considers this unlikely. Koehler admits, however, "Mielke's exploits must have been substantial. By war's end, he had been decorated with the Order of the Red Banner, the Order of the Great Patriotic War First Class, and twice with the Order of Lenin. It is likely that he served as an NKVD agent, at least part of the time with guerrilla units behind German lines, for he knew all the partisan songs by heart and sang them in faultless Russian." Occupied Germany Komissariat-5 In April 1945, Mielke returned to the Soviet Zone of Occupied Germany aboard a special Soviet aircraft that also carried fellow German Communists Walter Ulbricht, Wilhelm Zaisser, Ernst Wollweber, and many of the future leaders of the East Germany. That same month, Mielke's future handler, NKGB General Ivan Serov, travelled to Germany from Warsaw and, from his headquarters in the Berlin suburb of Karlshorst, divided the Soviet Zone into "Operative Sectors." On 10 July 1945, Marshal Georgy Zhukov signed SMA Order No. 2, which legalized the re-establishment of "anti-fascist" political parties like the Communist Party of Germany (KPD). On 15 July 1945, Mielke walked into the KPD's headquarters and volunteered his services. In an autobiography written for the KPD, Mielke disclosed—truthfully—his involvement in the 1931 murders of Berlin Police Captains Anlauf and Lenck, and—mistakenly or misleadingly—that for this he had been tried in absentia, found guilty, and sentenced to death. In actuality, Mielke's "name was mentioned in the 1934 trials but he was never tried". He admitted—truthfully—fighting on the Republican side during the Spanish Civil War, but claimed—falsely—that he had been released from the French internment camps and had worked in Belgium for an underground Communist newspaper under the code name "Gaston". Furthermore, Mielke concealed his past and contemporaneous involvement with the NKVD, NKGB, and the Nazi Organisation Todt (which he asserted he'd infiltrated). According to Koehler, "As might be expected, Mielke's account of his past was approved by the Soviets. Had Serov not been part of the conspiracy, Mielke would have been instantly arrested or at least subjected to an intense internal investigation because of his membership in the Nazi Organisation Todt, which used thousands of slave laborers. But he was cleared in record time and by the end of June the Soviets had installed him as a station commander of the newly formed Volkspolizei (Vopo), the People's Police." On 16 August 1947, Serov ordered the creation of Kommissariat 5, the first German political police since the defeat of Nazi Germany. According to Anne Applebaum, however, not everyone approved of the plan. In Moscow, Soviet Interior Minister Viktor Abakumov argued that a new secret police force would be demonized by Western governments and the media, which would paint the K-5 as a "new Gestapo." Furthermore, Abakumov, like Stalin, intensely distrusted German Communists and alleged that there "were not enough German cadres who have been thoroughly checked." Notwithstanding Abakumov's objections, however, recruitment into the K-5 began almost immediately. It is possible, as Norman Naimark suspects, that the NKGB had realized that their officers' lack of fluency in the German language was engendering massive popular resentment. Wilhelm Zaisser, who had been Mielke's commanding officer in Republican Spain, was appointed the K-5's head. Mielke was installed as his deputy. According to John Koehler, "The K-5 was essentially an arm of the Soviet secret police. Its agents were carefully selected veteran German communists who had survived the Nazi-era in Soviet exile or in concentration camps and prisons. Their task was to track down Nazis and anti-communists, including hundreds of members of the Social Democratic Party. Mielke and his fellow bloodhounds performed this task with ruthless precision. The number of arrests became so great that the regular prisons could not hold them. Thus, Serov ordered the establishment or re-opening of eleven concentration camps, including the former Nazi death camps of Buchenwald and Sachsenhausen." According to Anne Applebaum, "One of the few documents from that era to survive (most were removed by the KGB or perhaps destroyed, in 1989 or before) mentions a departmental training meeting and included a list of attendees. Topping the list is a group of Soviet advisers. In this sense, K-5 did resemble the political police in the rest of Eastern Europe: as in Hungary, Poland, and the USSR itself, this new political police force was initially extra-governmental, operating outside the ordinary rule of law." According to Edward N. Peterson, "Not surprisingly, K-5 acquired a reputation as bad as that of Stalin's secret police and worse than that of the Gestapo. At least with the Nazis, albeit fanatically racist, their victims did not suddenly disappear into the GULAG." The Amalgamation Despite the K-5's mass arrests of members of the Social Democratic Party of Germany (SPD) in the Soviet Zone, the number of SPD members continued to grow. By March 1946, SPD members outnumbered KPD members by more than 100,000. Fearing that they would lose the elections scheduled for the autumn, the leadership of the KPD asked for and received Stalin's permission to merge the two parties. When the SPD's leadership agreed only to schedule a vote for the rank and file to decide, permission was denied by the Soviet occupation authorities. The K-5 then began mass arrests of SPD members who refused to support the merger. On 22 April 1946, the remaining leaders of the SPD in the Soviet Zone announced that they had united with the KPD to form the Socialist Unity Party of Germany (SED). The SPD in the western zones of Occupied Germany responded by forming the SPD East Bureau in order to support and finance those Social Democrats who refused to accept the merger. Those who joined or worked with the East Bureau were, however, in serious danger of arrest by the K-5 and trial by Soviet military tribunals. By 1950, more than 5,000 SPD members and sympathisers had been imprisoned in the Soviet Zone or transferred to the GULAG. More than 400 were either executed or died during their imprisonments. John Koehler has written that, prior to the spring of 1946, many Germans in the Soviet Zone, "merely shrugged at the wave of arrests, believing that the victims were former Nazi officials and war criminals." But then came the mass arrests of Social Democrats who opposed the merger, who, "were joined by people who had been denounced for making anti-communist or anti-Soviet remarks, among their number hundreds who were as young as fourteen years. Although these arrests were made by Germans purporting to be officials of the criminal police, the existence of the K-5 political police eventually was exposed. Mielke, meanwhile, had risen to the post of vice-president of the German Administration for Interior Affairs – the equivalent of the NKVD – and continued his manipulations from behind the scenes." Investigation In January 1947, two retired Berlin policemen recognized Mielke at an official function. Informing the head of the criminal police in West Berlin, the policemen demanded that Mielke be arrested and prosecuted for the murders of Captains Anlauf and Lenck. Wilhelm Kühnast, the Public Prosecutor of Berlin, was immediately informed and ordered a search of the Kammergericht archives. To his astonishment, the files of the 1931 murders had survived the wartime bombing of Germany. Finding ample evidence of Mielke's involvement, Kühnast ordered the arrest of the communist policeman. According to John Koehler, "At that time, the city administration, including the police, was under the control of the Allied Control Commission, which consisted of U.S., British, French, and Soviet military officers. All actions by city officials, including the judiciary, were to be reported to the Commission. The Soviet representative alerted the MGB. Action was swift. Marshal Vasily Sokolovsky, who had replaced Zhukov, protested, and his representatives at the Commission launched a vicious campaign to discredit Kühnast." The Soviet representatives falsely claimed that Kühnast, a jurist with an impeccable anti-Nazi record, had been an official of Roland Freisler's People's Court. Taking the Soviets at their word, the Western Allies removed Kühnast from his position and placed him under house arrest. During the Berlin airlift, Kühnast fled from his home in East Berlin and was granted political asylum in the American Zone. Meanwhile, the Soviet authorities confiscated all documents relating to the murders of Captains Anlauf and Lenck. According to Koehler, "The Soviets handed the court records to Mielke. Instead of destroying the incriminating papers, he locked them in his private safe, where they were found when his home was searched in 1990. They were used against him in his trial for murder." Deutsche Wirtschaftskommission In 1948, Mielke was appointed as security chief of the German Economic Commission (), the precursor to the future East German government. Mielke's task was to investigate the theft and sale of state property on the black market. He was also charged with intercepting the growing number of refugees fleeing to the French, British, and American Zones. Those his security forces caught while attempting to defect were used as slave labor in the uranium mines that were providing raw material for the Soviet atomic bomb project. German Democratic Republic Independence In 1949, the Soviet Military Administration ceded its legal functions to the newly created German Democratic Republic. On 14 January 1950, Marshal Vasili Chuikov announced that all Soviet "internment camps" on German soil had been closed. Soon after, the DWK was absorbed into the newly created Ministry for State Security. In keeping with earlier syllabic abbreviations along the same lines (see OrPo, KriPo, and GeStaPo) East Germans immediately dubbed it the "Stasi" (from Staatssicherheit). With the approval of the Soviets, Mielke's commanding officer from Spain and in the K5, Wilhelm Zaisser, was appointed as the Stasi's head. Mielke was appointed to his staff with the rank of State Secretary. Mielke was also granted a seat in the SED's ruling Politburo. According to John Koehler, "In the five years since the end of World War II, the Soviets and their vassals had arrested between 170,000 and 180,000 Germans. Some 160,000 had passed through the concentration camps, and of these about 65,000 had died, 36,000 had been shipped to the Soviet Gulag, and another 46,000 had been freed." In 1949, as a response to the remilitarization of East Germany and the Soviet blockade of West Berlin, the United States, Great Britain, France, Belgium, the Netherlands, Luxembourg, and Portugal formed the North Atlantic Treaty Organization, or NATO. In 1950, as a response to the outbreak of the Korean War, West Germany was also permitted to join NATO, which was then upgraded into a military alliance. According to Koehler, however, "As the Cold War intensified, living conditions in Soviet-occupied East Germany showed little improvement beyond the postwar level of bare subsistence. The new government of the DDR – a mere puppet of the Kremlin – relied more and more on the Stasi to quell discontent among factory workers and farmers. Ulbricht, claiming that the social unrest was fomented by capitalist agents, once ordered Mielke to personally visit one large plant and 'arrest four or five such agents' as an example to the others. The Stasi deputy 'discovered' the agents in record time." Field show trials Also in 1949, Noel Field, an American citizen who had spied for the NKVD from inside the U.S. State Department, the Office of Strategic Services, and the CIA, fled from his posting in Switzerland to Communist Czechoslovakia after his cover was blown by fellow mole Whittaker Chambers. On 11 May 1949, the Czechoslovakian secret police, or StB, in obedience to a direct order from KGB chief Lavrenti Beria, arrested Field in Prague. Field was then handed over to the Hungarian ÁVO. After his interrogation in Budapest, Fields was used as a witness at show trials of senior Soviet Bloc Communists who, like László Rajk and Rudolf Slánský, stood accused of having spied for the United States. The real reason for the trials was to replace homegrown Communists in Eastern Europe with those who would be blindly loyal to Joseph Stalin and to blame the division of Germany on the intrigues of U.S. intelligence. At the Rajk show trial, the prosecutor declared, "Noel Field, one of the leaders of American espionage, specialized in recruiting spies from among left-wing elements." In August 1950, six senior SED members, including Willi Kreikemeyer, the director of Deutsche Reichsbahn and head of Berliner Rundfunk, were accused of "special connections with Noel Field, the American spy." All were either imprisoned or shot. John Koehler writes, "Similar purges were conducted in Czechoslovakia, Hungary, and Bulgaria, where Field appeared as a witness in show trials that resulted in some death sentences. The Soviets simply distrusted all Communists who had sought exile in the West. All the while, Mielke remained untouched and continued to serve as the deputy secret police chief. His survival reinforced the belief that he had spent the war years in the Soviet Union instead of France and Belgium as he had claimed in the 1945 questionnaire." In June 1950, Erica Wallach, Noel Field's adopted daughter, decided to search for him. From Paris, she telephoned Leo Bauer, the editor-in-chief of Berliner Rundfunk. The call was monitored by agents of the Soviet Ministry for Internal Affairs, and Bauer's handler instructed him to invite Mrs. Wallach to East Berlin, where she was immediately arrested. Mielke personally interrogated her and, at one point, offered Mrs. Wallach immediate release if she named the members of her fictitious spy network. She was condemned to death by a Soviet military tribunal in East Berlin and shipped to the Lubianka prison in Moscow for her execution. After Joseph Stalin's death in on 5 March 1953, Erica Wallach's sentence was reduced to hard labor in Vorkuta, a region of the Gulag located above the Arctic Circle. She was released during the Khrushchev thaw in October 1955. At first, she was unable to join her husband and daughters in the U.S. because of the U.S. State Department's concern over her former membership in the Communist Party of Germany. It took the personal intervention of CIA Director Allen Dulles to reunite Erica Wallach with her family in 1957. Wallach's memoir of her experiences, Light at Midnight, was published in 1967. Death of Stalin After Soviet Premier Joseph Stalin died inside his Kuntsevo Dacha on 5 March 1953, the Central Committee of the East German Socialist Unity Party met in a special session and eulogized the dictator as the "great friend of Germany who was always an advisor of and help to our people." Two months later, on 5 May 1953, the SED's General Secretary, Walter Ulbricht, and the rest of the leadership increased work quotas by 10%. They also decided to rename Chemnitz Karl-Marx-Stadt and to institute the Order of Karl Marx as the GDR's highest award. Two weeks later, Mielke accused "a group of Party officials" of "plotting against the leadership", which "resulted in more expulsions from the Politburo and the Central Committee." East German uprising of 1953 Discontent among factory workers about a 10% increase of work quotas without a corresponding wage hike boiled over. On 16 June 1953, nearly one hundred construction workers gathered before work for a protest meeting at Stalinallee, in East Berlin. Words spread rapidly to other construction sites and hundreds of men and women joined the rally, which marched to the House of Ministries. The protesters chanted slogans for five hours, demanding to speak to Walter Ulbricht and Otto Grotewohl. Only Heavy Industry Minister Fritz Selbmann and Professor Robert Havemann, president of the GDR Peace Council, emerged. Their speech, however, was answered with jeers and the Ministers retreated into the heavily armed building. The regular and the Kasernierte Volkspolizei were summoned from their barracks, but made no move to attack the protesters, who returned to Stalinallee, where a general strike was called. Following West Germany's Federal Minister for All-German Questions Jakob Kaiser's admonition in a late night broadcast to East Germans to shy away from provocations, RIAS, starting with its 11 pm news broadcast, and from then on in hourly intermissions, repeated the workers' demand to continue the strike the next day, calling specifically for all East Berliners to participate in a demo at 7am on the 17th at Strausberger Platz. The following day, 17 June 1953, more that 100,000 protesters took to the streets of East Berlin. More than 400,000 protesters also took to the streets in other cities and towns throughout the German Democratic Republic. Everywhere, the demands were the same: free elections by secret ballot. Outside of Berlin, the main centres of the protests included the industrial region around Halle, Merseburg, and Bitterfeld, as well as middle-size towns like Jena, Görlitz, and Brandenburg. No more than 25,000 people participated in strikes and demonstrations in Leipzig, but there were 32,000 in Magdeburg, 43,000 in Dresden, 53,000 in Potsdam – and in Halle, a figure close to 100,000. In West Berlin, the American radio station RIAS and several other West German stations reported on the protests and on plans for a general strike. As East Germans listened to the broadcasts, 267,000 workers at State-owned plants in 304 cities and towns joined the general strike. In 24 towns, outraged East Germans stormed the Stasi's prisons and freed between 2,000 and 3,000 political prisoners. In response to orders, the Soviet Occupation Forces, the Stasi and the Kasernierte Volkspolizei went on the attack. Bloody street battles ensued and hundreds of policemen defected to the side of the protesters. Both police and Stasi stations were overrun and some government offices were sacked. The Party leadership retreated into a fortified compound in the Pankow district of East Berlin. At noon, the Soviet authorities terminated all tram and metro traffic into the Eastern sector and all but closed the sector borders to West Berlin to prevent more demonstrators from reaching the city centre. An hour later, they declared martial law in East Berlin. The repression took place outside East Berlin police HQ – where Soviet tanks opened fire on "the insurgents". According to John Koehler, "... by late afternoon, Soviet tanks accompanied by Infantry and MVD troops had rolled into East Berlin and other cities in the Soviet Zone. This made the people even angrier. At Berlin's Potsdamer Platz, which bordered on the American Sector, irate protesters ignored machine gun fire and the menacing barrels of tank guns. They ripped cobblestones from the streets and hurled them at the tanks." Fighting between the Red Army (and later GDR police) and the demonstrators persisted into the afternoon and night. In some cases, the tanks and the soldiers fired directly into the crowds. Overnight, the Soviets (and the Stasi) started to arrest hundreds of people. Ultimately, up to 10,000 people were detained and at least 20, probably as many as 40, people were executed, including Red Army soldiers who refused to obey orders. With the SED leadership effectively paralysed at the Soviet headquarters in Karlshorst, control of the city passed to the Soviets. In honor of the uprising, West Germany established 17 June as a national holiday, called Day of German Unity. The extension of the Unter den Linden boulevard to the west of the Brandenburg Gate, formerly called Charlottenburger Chaussee, was also renamed Straße des 17. Juni ("17 June Street") in honor of the uprising. According to John Koehler, "Provisional prison camps were set up to hold the thousands of Stasi victims. Nearly 1,500 persons were sentenced in secret trials to long prison terms. On 24 June, Mielke issued a terse announcement that one Stasi officer, nineteen demonstrators, and two bystanders had been killed during the uprising. He did not say how many were victims of official lynching. The numbers of the wounded were given as 191 policemen, 126 demonstrators, and 61 bystanders." Also according to Koehler, "Calm returned to the streets of the Soviet Zone, yet escapes to the West continued at a high rate. Of the 331,390 who fled in 1953, 8,000 were members of the Kasernierte Volkspolizei, the barracked people's police units, which were actually the secret cadre of the future East German Army. Also among the escapees were 2,718 members and candidates of the SED, the ruling Party." The Khrushchev thaw Purges Alarmed by the uprising, Lavrenty Beria, the First Deputy Premier of the Soviet Union and head of the Ministry of Internal Affairs, personally travelled from Moscow to East Berlin. He conferred with Stasi Minister Wilhelm Zaisser and with Mielke, his deputy, both of whom he had known since the early 1930s. During both conversations, Beria demanded to know why the Stasi had failed to recognize the extreme discontent of the population and inform the Party leadership, which could then have prevented the uprising by taking extremely repressive measures in advance. Both Zaisser and Mielke answered Beria's questions circumspectly, and were accordingly left in their posts. In response to the uprising, Beria decided to replace several hundred MVD officers, including Major General Ivan Fadeykin, the MVD resident of East Germany. The Stasi, according to John Koehler, "generally remained untouched except for the arrests and dismissals, for dereliction of duty, of a handful of officers in the provinces. One high-ranking Stasi officer shot himself." Following Beria's return to Moscow, however, he was arrested on 26 June 1953, in a coup d'état led by Nikita Khrushchev and Marshal Georgy Zhukov. Beria was tried on charges of 357 counts of rape and high treason. He was sentenced to death and shot by Red Army Colonel-General Pavel Batitsky on 23 December 1953. In an interview to Neues Deutschland, the official party newspaper of East Germany, on 30 June 1953, the Party's Minister of Justice, Max Fechner, declared that, "illegal arrests," had been made and that being a member of a strike committee or suspicion of being a ringleader was not in itself grounds for arrest and conviction. Meanwhile, when the East German Politburo met on 8 July, it seemed that Ulbricht would be deposed as Party General Secretary. Zaisser conceded that the whole Politburo was responsible for the "accelerated construction of socialism" and of the subsequent fallout. But he also added that to leave Ulbricht as Premier, "would be opposed catastrophic for the New Course". By the end of the meeting, only two Politburo members still supported Ulbricht's leadership: Free German Youth League chief Erich Honecker and Party Control Commission Chairman Hermann Matern. Ulbricht only managed to forestall a decision then and there with a promise to make a statement at the forthcoming 15th SED CC Plenum, scheduled for later that month. Meanwhile, Mielke informed a Party commission looking for scapegoats that his boss, Stasi Minister Wilhelm Zaisser, was calling for secret negotiations with West Germany and that, "he believed the Soviet Union would abandon the DDR." By late July, Ulbricht was completely certain that he had the support of the new Soviet Premier, Nikita Khrushchev. Therefore, he expelled his main opponents, Zaisser, Hernstadt and Ackermann, from the Politburo, and thus strengthened his position further. SED Minister of Justice Max Fechner was personally arrested by Mielke and replaced by Hilde Benjamin, who was known to East German citizens as "Red Hilde", "The Red Freisler," and as, "The Red Guillotine," for her role as a judge in the SED's show trials. Fechner was convicted of being, "an enemy of the Party and the State," and served three years in Bautzen Prison. Wilhelm Zaisser was replaced as head of the Stasi by Ernst Wollweber and Mielke remained on staff as his deputy. Tenure as Stasi head Mielke headed the Stasi from 1957 until the fall of the Berlin Wall in 1989. There was, under the East German system, no provision for parliamentary oversight. However, starting in 1971 Mielke was required to provide a detailed intelligence briefing to party secretary Erich Honecker each Tuesday, directly following the weekly Politburo meeting. (Before 1971, under Walter Ulbricht, Mielke was not involved in routine intelligence briefings to the leadership which, instead, were provided directly to Ulbricht by Intelligence Chief Markus Wolf.) Internal discipline During his tenure, Mielke enforced "political and personal discipline reminiscent of the early French Foreign Legion". New recruits were required to take a solemn oath pledging "to fight alongside the state security organs of all socialist countries against all enemies of socialism" on pain of "the severest punishment under the Republic's laws and the contempt of the workers." Recruits were also required to sign a security pledge vowing never to make unauthorized visits to any "capitalist countries" and to report on any members of their families who did so. Violations of the oath resulted in expulsion from the Stasi and blacklisting from all but the most menial jobs. Serious violations were tried before secret tribunals and led an estimated 200 Stasi agents to be shot. Colonel Rainer Wiegand once said, "There was only one way to leave the MfS without being haunted for the rest of your life. You either retired or you died." Domestic activities Under Erich Mielke's leadership, the Stasi employed 85,000 full-time domestic spies and 170,000 civilian informants () (IMs). East Germans coined a term to describe the Stasi's pervasive surveillance of the population "All-Covered" (). For this reason, Anna Funder has referred to East Germany as, "the most perfected surveillance state of all time." According to John Koehler, "...the Stasi's tentacles probed every aspect of life. Full-time officers were posted to all major industrial plants. Without exception, one tenant in every building was designated as a watchdog reporting to an area representative of the Volkspolizei...In turn, the police officer was the Stasi's man. If a relative or friend came to stay overnight, it was reported. Schools, universities and hospitals were infiltrated from top to bottom. German academe was shocked to learn that Heinrich Fink, professor of theology and vice-chancellor of East Berlin's Humboldt University, had been a Stasi informer since 1968. After Fink's Stasi connections came to light, he was summarily fired. Doctors, lawyers, journalists, writers, actors, and sports figures were co-opted by Stasi officers, as were waiters and hotel personnel. Tapping about 100,000 telephone lines in East Germany and West Berlin around the clock was the job of 2,000 officers... Churchmen, including high officials of both Protestant and Catholic denominations, were recruited en masse as secret informants. Their offices and confessionals were infested with eavesdropping devices. Even the director of Leipzig's famous Thomas Church choir, Hans-Joachim Rotzsch, was forced to resign when he was unmasked as a Spitzel, the people's pejorative for a Stasi informant." In an interview with journalist Anna Funder, an ex-Stasi officer recalled, "Most often, people we approached would inform for us. It was very rare that they would not. However, sometimes we felt that we might need to know where their weak points were, just in case. For example, if we wanted a pastor, we'd find out if he'd had an affair, or had a drinking problem—things that we could use as leverage. Mostly though, people said yes." On Mielke's orders, and with his full knowledge, Stasi officers also engaged in arbitrary arrest, kidnapping, brutal harassment of political dissidents, torture, and the imprisonment of tens of thousands of citizens. In a 1991 interview, Jewish Holocaust survivor and Nazi hunter Simon Wiesenthal said, "The Stasi was much, much worse than the Gestapo, if you consider only the oppression of its own people. The Gestapo had 40,000 officials watching a country of 80 million, while the Stasi employed 102,000 to control only 17 million." Activities abroad During Mielke's tenure, the Stasi's operations beyond East Germany were overseen by Markus Wolf and the Hauptverwaltung Aufklärung (MfS-HVA). Mielke and Wolf provided money, training, and surveillance equipment to help build pro-Soviet secret police forces in Fidel Castro's Cuba, Baathist Syria, Sandinista-ruled Nicaragua, Mengistu Haile Mariam's Ethiopia, Idi Amin's Uganda, Kwame Nkrumah's Ghana, and South Yemen. After the opening of Stasi archives, it was revealed that West Germany was riddled with MfS-HVA moles. In what John Koehler has dubbed, "The Invisible Invasion", some West German citizens collaborated out of Marxist beliefs, but others were recruited through blackmail, greed, career frustrations, or sexual favors from Stasi operatives. Another tactic was for Stasi military advisers assigned to African and Middle Eastern countries to request the arrest of West German tourists. Local police would then turn the prisoner over to the Stasi agent, who would offer the West German a choice between espionage or incarceration. Senior politicians from the Social Democratic Party of Germany, the Free Democratic Party of Germany, and the Christian Democratic Union were exposed and, when still alive, prosecuted. Mielke and Wolf also seriously compromised West Germany's police departments, foreign and domestic intelligence services, diplomatic corps, military-industrial complex, and journalistic profession. The Stasi compromised the United States military and diplomatic presence in West Germany. The most damaging American to spy for the Stasi was United States Army Sergeant James Hall III, who volunteered his services to Soviet and East German intelligence in November 1981. Sergeant Hall sold the Stasi 13,088 pages of classified documents, including detailed information about Project Trojan, a worldwide electronic network with the ability to pinpoint armored vehicles, missiles and aircraft by recording their signal emissions during wartime and the complete National SIGINT Requirements List (NSRL), a 4258-page document about NSA operations at home and abroad. In 1988, Sergeant Hall was tricked into confessing his espionage career to an undercover FBI Special Agent named Dmitri Droujinsky, a Russian-American who was posing as an agent of the KGB. When news of Sergeant Hall's arrest became public, one Washington intelligence official called the breach, "the Army's Walker Case." Collusion with Nazism Beginning in 1960, Mielke and Wolf used false flag recruitment to secretly organize and finance Neo-Nazi organizations, which they then instructed to vandalize Jewish religious and cultural sites throughout West Germany. During the Jerusalem trial of Adolf Eichmann, Stasi agents sent letters to West German Neo-Nazis and Waffen-SS veterans, urging them to speak out and to raise money for Eichmann's defense attorney. This was done in order to lend credibility to Communist propaganda about the allegedly Fascist and neo-Nazi orientation of the Federal Republic of Germany. According to German historian Michael Wolffsohn, "There is no doubt that in the 1960s as now, there were Nazis who were unreconstructed, unchangeable and evil, but without the help of East Germany, these Nazis were incapable of a national, coordinated campaign. That was true of right-wing extremist criminals in the 1980s as well. The East German Communists used anything they could against West Germany, including the... fears by Western countries and Jews that a new Nazism could be growing in West Germany. There is... evidence that the East Germans continued to use Anti-Semitism as a tool against West Germany in the 1970s and perhaps right up until 1989." In a 1991 interview with John Koehler, Holocaust survivor and Nazi hunter Simon Wiesenthal said of the Stasi, "They not only terrorized their own people worse than the Gestapo, but the government was the most Anti-Semitic and Anti-Israeli in the entire Eastern Bloc. They did nothing to help the West in tracking down Nazi criminals; they ignored all requests from West German judicial authorities for assistance. We have just discovered shelves of files on Nazis stretching over four miles. Now we also know how the Stasi used those files. They blackmailed Nazi criminals who fled abroad after the war into spying for them. What's more, the Stasi trained terrorists from all over the world." Support for paramilitary and terrorist groups During a 1979 visit to the GDR by senior PLO member Salah Khalaf, Mielke said, "We are paying great attention to the Palestine resistance and the other revolutionary forces fighting against the policies of the United States and against the provocations of the Israeli aggressor. Together with the Soviet Union and other socialist countries, we will do everything to support this just battle." With this in mind, Mielke ordered the Stasi to finance, arm, and train, "urban guerrillas," from numerous countries. According to former Stasi Colonel Rainer Wiegand, Mielke's ties to violent paramilitary groups were overseen by Markus Wolf and Department Three of the MfS-HVA. Members of the West German Baader-Meinhoff Group, the Chilean Manuel Rodríguez Patriotic Front, and Umkhonto we Sizwe, the paramilitary wing of the African National Congress, were brought to East Germany for training in the use of military hardware, insurgent tactics, and, "the leadership role of the Party." Similar treatment was meted out to Palestinians from the Popular Front for the Liberation of Palestine, Abu Nidal, and Black September. Other Stasi agents worked as military advisers to Soviet-backed African guerrilla organizations and the governments they later formed. They included the Namibian SWAPO and the Angolan MPLA during the South African Border War, the FRELIMO during the Mozambican War of Independence and civil war, and Robert Mugabe's ZANLA during the Rhodesian Bush War. Colonel Wiegand revealed that Mielke and Wolf provided bodyguards from the Stasi's counter-terrorism division for Venezuelan-born PLO terrorist Carlos the Jackal and Black September leader Abu Daoud during their visits to the GDR. Col. Wiegand had been sickened by the 1972 Munich massacre and was horrified that the GDR would treat the man who ordered it as an honored guest. When he protested, Wiegand was told that Abu Daoud was, "a friend of our country, a high-ranking political functionary," and that there was no proof that he was a terrorist. During the 1980s, Wiegand secretly blackmailed a Libyan diplomat into spying on his colleagues. Wiegand's informant told him that the La Belle bombing and other terrorist attacks against American and West German citizens were being planned at the Libyan Embassy in East Berlin. When Wiegand showed him a detailed report, Mielke informed the SED's Politburo, which ordered the Colonel to continue surveillance but not interfere with the plans of the Libyans. According to John Koehler, "Murder, kidnapping, extortion, bank robbery, and arson were felonies under the East German criminal code. However, if these offenses were committed under the banner of the 'anti-imperialist struggle,' the communist system would look the other way. Moreover, it had assigned the Stasi to make sure that terrorists were properly trained for murder and sowing mayhem. There was no limits to the East German regime's involvement with terrorism, so long as it could be ideologically justified." The Peaceful Revolution According to John Koehler, "Increasingly concerned over the growing popular opposition, Stasi Minister Mielke early in 1989 ordered the creation of a special elite unit for crushing disturbances. Its personnel were carefully selected members of the counterespionage and counterterrorism directorate. They were equipped with special batons similar to electric cattle prods but much more powerful. In a secret speech to top-ranking Stasi officers on 29 June, Mielke warned that, 'hostile opposing forces and groups have already achieved a measure of power and are using all methods to achieve a change in the balance of power. Former Stasi Colonel Rainer Wiegand told me he was horrified when Mielke compared the situation with that of China two months earlier. Chinese students in Beijing had begun massive protests in April and in May, during a student demonstration in Tiananmen Square, security troops had opened fire on them killing hundreds. 'Mielke said our situation was comparable and we had to be ready to counter it with all means and methods,' Wiegand recalled. 'Mielke said that the Chinese leadership had succeeded in smothering the protests before the situation got out of hand.'" Despite Mielke's attempts to suppress them, East Germany's protesters grew more emboldened with every arrest. 40th anniversary of the GDR As the fortieth anniversary of the GDR approached, Mielke ordered, "We must stop the internal enemy. At the least hint of a disturbance of the celebration, isolate and arrest them." One former Stasi Major recalled, "We mixed inconspicuously with the demonstrators, accompanied by our IMs. Hundreds of us stood at the sides of the street in order to stop any activity before it got started. We barely got any sleep toward the end. Never did I sense that the people were afraid of the MfS. The Stasi was more afraid of the people than the people were of them." According to Koehler, "Despite the unrest, the regime celebrated its fortieth with a huge, pompous ceremony in Berlin on 7 October, while tens of thousands of outside the ornate building of the State Council. The People's Police cordons were utterly ineffectual. As Stasi Minister Erich Mielke drove up and was greeted by General Günter Kratsch, the counterintelligence chief, Mielke screamed at police: "Club those pigs into submission!" () The police ignored Mielke's ranting. As more and more East Germans were arrested for protesting the 40th anniversary celebrations, many of them sang The Internationale in Vopo and Stasi custody to imply that they, rather than their captors, were the real working class and the real revolutionaries. According to Anna Funder, "There was a sea of red flags, a torchlight procession, and tanks. The old men on the podium wore light-grey suits studded with medals. Mikhail Gorbachev stood next to Honecker, but he looked uncomfortable among the much older Germans. He had come to tell them that it was over, to convince the leadership to adopt his reformist policies. He had spoken openly about the danger of not 'responding to reality.' He pointedly told the Politburo that, 'life punishes those who come too late.' Honecker and Mielke ignored him, just as they ignored the crowds when they chanted, "Gorby, help us! Gorby, help us!" Plan X On 8 October 1989, Mielke and Honecker ordered the Stasi to implement "Plan X"—the SED's plan to arrest and indefinitely detain 85,939 East Germans during a state of emergency. According to John Koehler, Plan X had been in preparation since 1979 and was, "a carbon copy of how the Nazi concentration camps got their start after Hitler came to power in 1933." By 1984, 23 sites had been selected for "isolation and internment camps." Those who were to be imprisoned in them ran into six categories; including anyone who had ever been under surveillance for anti-state activities, including all members of peace movements which were not under Stasi control. According to Anna Funder, "The plans contained exact provisions for the use of all available prisons and camps, and when those were full for the conversion of other buildings: Nazi detention centers, schools, hospitals, and factory holiday hostels. Every detail was foreseen, from where the doorbell was located on the house of each person to be arrested to the adequate supply of barbed wire and the rules of dress and etiquette in the camps..." However, when Mielke sent the orders, codenamed "Shield" (), to each local Stasi precinct to begin the planned arrests, he was not obeyed. Terrified of an East German version of the mass lynchings of Hungarian secret police agents during the 1956 Revolution, Stasi agents throughout the GDR fortified their office-buildings and barricaded themselves inside. Toppling Honecker Even as orders were going out to implement Plan X, Mielke had already thrown his support behind the anti-Honecker faction in the SED's Politburo. Although he was of the same generation as Honecker and had matured in an environment where following orders was the rule, he was sober enough and politically savvy enough to realize this approach no longer worked. During a session on 10 October 1989, Mielke delivered a report attacking Honecker's desire to violently suppress the demonstrations rather than offer concessions. In what Edward N. Peterson has called "a remarkable disclaimer of responsibility for the violence," Mielke declared that Honecker's orders to him "were built on false situation judgments." He added that Honecker's commands on 7 and 8 October "were false and undifferentiated condemnations of those who think differently. Despite this evaluation, there was never any instructions to use violence against persons. There is nothing in our basic principles to consider a demonstration as part of a possible counterrevolutionary coup." Mielke also claimed that "the Party judged the situation falsely. We tried to tell them the true situation, but enough was not done." Mielke argued in favor of solving the demonstrations politically and giving "every DDR citizen the right to travel." On 17 October 1989, Mielke and the rest of the GDR's Politburo met to follow Gorbachev's demand, voiced in August, for Honecker be removed as General Secretary of the SED and State Council chairman. Suspecting that Honecker's personal bodyguards might try to arrest the members of the Central Committee when they met to vote Honecker out in favour of Egon Krenz, Mielke saw to it that Stasi agents who were loyal to him were stationed near the meeting room. While deliberations were underway, Mielke told Honecker that "we simply cannot start shooting with tanks," and tried to impress upon Honecker that it was "the end". After the vote to oust Honecker passed, Mielke "got nasty," and accused Honecker of corruption. Honecker responded that Mielke should not open his mouth so much. Mielke responded by putting the last nail into Honecker's coffin. He announced that the MfS had a file on the now-ousted leader. It contained proof of Honecker's corrupt business practices, sexual activities, and how, as a member of the underground Communist Party of Germany during the Nazi years, he had been arrested by the Gestapo and had named names. To the shock of both the Politburo and the Stasi, Krenz's first televised addresses failed to win popular support. Despite his assurances that the SED was at last ready to embrace Gorbachev's policies of Glasnost and Perestroika, Krenz's approval ratings remained extremely low. Former Politburo member Günter Schabowski later recalled, "We made a palace revolution without offering a real alternative... We had not quickly and thoroughly enough whittled away from Stalin's methods." Defeat On 7 November 1989, Mielke resigned, along with eleven out of eighteen members of the SED's Council of Ministers, in response to the increasing disintegration of the GDR. Two days later, Schabowski announced on television that the east–west border was open without restriction. According to Anna Funder, there was panic at Stasi Headquarters in Berlin-Lichtenberg, "Stasi officers were instructed to destroy files, starting with the most incriminating–those naming westerners who spied for them, and those that concerned deaths. They shredded the files until the paper shredders overheated and shorted out. Among other shortages in the East, there was a shredder shortage, so they had to send agents out under cover to West Berlin to buy more. In Building 8 alone, the citizens' movement found over a hundred burnt out shredders. When they ran out of working shredders from the West and could not procure more they began using scissors to cut the documents by hand. According to William F. Buckley, Jr., "In the weeks after 9 November, Stasi offices were stormed in various cities around East Germany. Stasi commissars in three of those cities committed suicide. But not one was lynched or executed." Televised humiliation On 13 November 1989, Mielke was summoned to deliver a briefing about the protests to the GDR parliament, or Volkskammer. Formerly a "rubber stamp parliament," the disintegration of the SED's power had allowed the Volkskammer to begin exercising real authority over the GDR. Therefore, Mielke, as the head of the Stasi (known as the "shield and sword of the [SED] party"), was summoned before the newly empowered parliament to justify his position in government. As his speech was broadcast live, Mielke began by using overly bombastic, flag-waving language, saying "We have, comrades, dear assembly members, an extraordinarily high amount of contact with all working people" (). To his shock, the Volkskammer responded with boos, whistles, and catcalls. His face grief-stricken and pale, Mielke then tried to defuse the situation, "Yes, we have such contact, let me tell you-let me tell you why. I am not afraid to stand here and to give you an unbiased answer" (). Mielke continued, speaking of the "triumph" of the socialist economy, continuing all the while to address the members of the Volkskammer as "Comrades" (). In response, Volkskammer member Dietmar Czok of the Christian Democratic Union, rose from his seat and raised his hand. The Volkskammer's president, Günther Maleuda, interrupted Mielke and urged Czok to speak. With his voice dripping with contempt, Czok told Mielke, "As a point of order, I will not tell you this again. There are more people sitting in this Chamber than just your Comrades!" (). In response, many in the Volkskammer burst into applause, cheers, and shouts of "We are not your Comrades!" () Trying to appear magnanimous, Mielke responded, "This is a natural, Humanistic question! This is just a question of formality." (), leading to further shouts of displeasure from the members of the Volkskammer. In a last ditch effort, Mielke "raised his arms like an evangelist," and cried, "I love all – all Humanity! I really do! I set myself before you!" () Everyone in the room, including staunch SED members, burst out laughing. Then Mielke started to cry. John Koehler later wrote, "Mielke was finished." Mielke's address to the Volkskammer remains the most famous broadcast in the history of German television. Anna Funder has written, "When they think of Mielke, East Germans like to think of this." The Fall On 17 November 1989, the Volkskammer renamed the MfS the Amt für Nationale Sicherheit (AfNS – Office for National Security). The following day, Mielke's tenure in office ended when the Volkskammer appointed Generalleutnant Wolfgang Schwanitz as the new director of the AfNS. On 1 December 1989, the Volkskammer nullified the clause of the GDR constitution that enshrined the SED's "leading role" in the government and formally ending Communist rule in East Germany. Two days later, the SED announced that Mielke's party membership had been permanently revoked. Years later, he lamented, "Millions have died for nothing. Everything we fought for – it has all amounted to nothing." He also said, "If the party had given me the task, then there would perhaps still be a GDR today. On that you can rely." Prosecution Indictments On 7 December 1989, Erich Mielke was arrested and placed in solitary confinement for embezzlement of public funds in order to improve his hunting estate. He was charged with "Damaging the People's Economy" (Schädigung der Volkswirtschaft). On 7 January 1990, he was further charged with high treason and conspiring with Erich Honecker to bug the telephones and open the mail of every one of East Germany's citizens. Meanwhile, the Federal Constitutional Court announced that Mielke had also been indicted for having ordered two terrorist attacks by the Baader-Meinhoff Group against United States military personnel who were stationed on West German soil. The first was the car bomb attack against the United States Air Force at Ramstein Air Base on 31 August 1981. The second was the attempted murder with an RPG-7 anti-tank rocket of United States Army General Frederick Kroesen, his wife, and the West German police officer who was driving their armored Mercedes at Heidelberg on 15 September 1981. After German reunification in October 1990, Mielke was also indicted for ordering the shootings of defectors at the Berlin Wall. He was also charged with misuse of office, breach of trust, and incitement to pervert the course of justice. Bülowplatz trial In February 1992, Mielke was put on trial for the 1931 first degree murders of Berlin Police Captains Anlauf and Lenck as well as the attempted murder of Senior Sergeant Willig. The evidence for Mielke's guilt was drawn from the original police files, the transcripts from the 1934 trial of his co-conspirators, and a handwritten memoir in which Mielke revealed that his role in, "the Bülowplatz Affair," had been his reason for fleeing to Moscow from the Weimar Republic in 1931. All had been found in Mielke's house safe during a police search in 1990. Mielke was believed to have kept the documents for the purpose of "blackmailing Honecker and other East German leaders." Former Associated Press reporter and White House Press Secretary John Koehler also testified that Mielke had boasted of his involvement in the Bülowplatz murders during a confrontation at Leipzig in 1965. During his trial, Mielke appeared increasingly senile, admitting his identity but otherwise remaining silent, taking naps, and showing little interest in the proceedings. In a widely publicized incident, Mielke appeared to mistake the presiding judge for a prison barber. When a journalist for Der Spiegel attempted to interview him in Plötzensee Prison, Mielke responded, "I want to go back to my bed" (). Opinion was divided whether Mielke was suffering from senile dementia or was pretending in order to evade prosecution. After twenty months of one-and-a-half-hour daily sessions, Erich Mielke was convicted on two counts of murder and one of attempted murder. On 26 October 1993, a panel of three judges and two jurors sentenced him to six years' imprisonment. At his sentencing, Mielke started to cry. In pronouncing sentence, Judge Theodor Seidel, told Mielke that he "will go down in history as one of the most fearsome dictators and police ministers of the 20th century." Imprisonment Mielke was then put on trial for ordering the shootings of East Germans who were trying to defect to the West. In November 1994, the presiding judge adjourned the proceedings, ruling that Mielke was not mentally competent to stand trial. During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters. Although it was not connected to the outside world, Mielke enjoyed having imaginary conversations with non-existent Stasi agents. His other favorite pastime was watching game shows on television. In 1995, parole officers and Mielke's attorneys argued that he was "totally confused" and obtained his release. At 87 years of age, Erich Mielke was Germany's oldest prison inmate and had been incarcerated for 1,904 days. Days before his release, the Public Prosecutor of Berlin announced that he was "not interested in chasing an 87-year-old man anymore" and that all further prosecution of Mielke had been indefinitely suspended. According to Koehler, "[Mielke's] bank account, which held more than 300,000 Marks (about US$187,500), was confiscated. Before his arrest in 1989, the most feared man in East Germany had lived in a luxurious home with access to an indoor pool. In addition, he owned a palatial hunting villa, complete with a movie theater, trophy room, 60 servants, and a 60 square kilometers hunting preserve. After he was released from prison Mielke was obliged to move into a two-room, 55-square-meter flat. Like all Stasi pensioners, he would henceforth have to live on 802 marks (about US$512) a month." Death Erich Mielke died on 21 May 2000, aged 92, in a Berlin nursing home. After being cremated at the crematorium in Meissen, an urn containing Mielke's ashes was buried in an unmarked grave at the Zentralfriedhof Friedrichsfelde in Berlin. An estimated 100 people reportedly attended the funeral. Erich Mielke's grave is outside the memorial section established at the entrance in 1951 by East German leaders for communist heroes. Within hours of his funeral, the flowers and wreaths left at Mielke's grave were ripped to shreds by persons unknown. Legacy Writing in 2003, Australian journalist Anna Funder declared, "The name Mielke has now come to mean 'Stasi.' Victims are dubiously honored to find his signature in their files: on plans for someone to be observed 'with all possible methods', on commands for arrest, for kidnapping, instructions to judges for sentencing, orders for 'liquidation'. The honor is dubious because... he signed so many." In 2012, the museum at the former Stasi headquarters opened Mielke's office as a permanent exhibit. Soon after, The Guardian correspondent Tam Eastley visited the exhibit and numerous sites in Berlin connected to Mielke's life, times, and legacy. When she visited Mielke's grave, Eastley found that it had become a shrine for adherents of Ostalgie. Personal life Erich Mielke was a fitness enthusiast, a non-smoker, and drank very little. He was a keen hunter and owned a large area of ground where he would hunt animals with other East German and visiting Soviet officials. During the late 1940s, when Mielke was working as security chief of the DWK, he began a relationship with Gertrud Mueller, a seamstress. On 18 December 1948, shortly after the birth of their son Frank Mielke, Erich and Gertrud married in a civil ceremony. According to the newspaper Bild, the Mielkes adopted an orphaned girl named Ingrid, who was born in 1950. Like her adopted brother Frank, Ingrid Mielke attended the Wilhelm Pieck School. She ultimately became a captain in the Stasi and married a Stasi Lieutenant named Norbert Knappe. As of 1999, the Knappes had both refused to grant an interview to Bild reporters. In popular culture Erich Mielke has appeared as a character in both films and novels set in the GDR. Volker Schlöndorff's The Legend of Rita (2000), which focuses on Stasi collusion with the West German far-left terrorist organization Rote Armee Fraktion. In conversation with fictional Stasi officer Erwin Hull (Martin Wuttke), Mielke (Dietrich Körner) expresses admiration for the RAF's campaign against the United States, West Germany, and the State of Israel, which he compares with his own activities against the Weimar Republic and the Nazis. The RAF members are then brought to a training camp, where Stasi agents instruct them in the use of grenade launchers and other kinds of military hardware. Mielke's name is never disclosed and Agent Hull addresses him only as, "Comrade General." () Florian Henckel von Donnersmarck's The Lives of Others (2006), which focuses on the Stasi's surveillance and repression of the East German population. In the film, a previously loyal GDR playwright named Georg Dreymann (Sebastian Koch) publishes an anonymous article in the West German magazine Der Spiegel which accuses East Germany's Minister of Culture of having persecuted a blacklisted stage director until he hanged himself. Soon after the article goes to press, Mielke's voice is heard over the telephone giving a dressing down to fictional Stasi Lieutenant Colonel Anton Grubitz (Ulrich Tukur). Addressed only as "Genosse Armeegeneral" (Mielke was the only person to ever hold that rank in the Stasi), Mielke threatens to throw Grubitz in front of a firing squad if he fails to identify and arrest the article's author. In Philip Kerr's novel Field Grey (2010), Mielke first appears in 1931 Berlin, when protagonist Bernie Gunther saves him from being murdered by Nazi Brownshirts. The novel then flashes forward to 1954, when Gunther is recruited into a CIA plot to abduct Mielke from East Berlin. Honours and awards Mielke received a large number of awards and commemorative medals from organisations within the German Democratic Republic and from allied states. A more complete list is available (in German) at Liste der Orden und Ehrenzeichen des Erich Mielke. Awards of the German Democratic Republic Patriotic Order of Merit in gold (7 October 1954) Six Orders of Karl Marx (28 December 1957, 20 November 1973, 1 December 1975, 28 December 1977, 28 June 1982, 28 December 1982) Twice Hero of Labour of the GDR (5 October 1964, 24 February 1968) Twice Hero of the GDR (1 December 1975, 28 December 1982) Banner of Labour (8 May 1960) Medal for Exemplary Border Service (26 April 1956) Medal for Faithful Service in the National People's Army; Bronze (7 October 1957) Silver (8 February 1959) Gold (1 July 1960) Gold for 20 years service (8 February 1965) Medal for Fighters Against Fascism (6 September 1958) Gold Medal of Merit of the National People's Army (1 March 1957) Scharnhorst Order, twice (25 September 1979, 7 October 1984) Awards of the Soviet Union Hero of the Soviet Union (25 December 1987) Four Orders of Lenin (12 June 1973, 28 December 1982, 1 April 1985, 28 December 1987) Order of the Patriotic War, 1st class (6 May 1970) Four Orders of the Red Banner (23 October 1958, 5 February 1968, 28 December 1977, February 1980) Jubilee Medal "50 Years of the Soviet Militia" (20 December 1967) Jubilee Medal "In Commemoration of the 100th Anniversary since the Birth of Vladimir Il'ich Lenin" (1970) Medal "For Distinction in Guarding the State Border of the USSR" (6 January 1970) Order of the October Revolution (February 1975) Other states Order of Georgi Dimitrov (Bulgaria, 28 December 1982) Order of Friendship (Czechoslovakia) (28 December 1982) Order of the Red Star (Czechoslovakia) (16 November 1970) References Further reading Buckley, Jr., William F. (2004), The Fall of the Berlin Wall, John Wiley & Sons, Inc. Funder, Anna (2003), Stasiland: True Stories from Behind the Berlin Wall, Granta Books, London. Kuchel, Dany (2011) "Le Glaive et le Bouclier", une histoire de la Stasi en France. Otto, Wilfriede, Erich Mielke, Biographie: Aufstieg und Fall eines Tschekisten. Dietz-Verlag, Berlin 2000, . Peterson, Edward N. (2002). The Secret Police and the Revolution: The Fall of the German Democratic Republic, Praeger Publications, Westport, Connecticut. London. Pickard, Ralph (2007). STASI Decorations and Memorabilia, A Collector's Guide. Frontline Historical Publishing. Pickard, Ralph (2012). STASI Decorations and Memorabilia Volume II. Frontline Historical Publication. 1907 births 2000 deaths Politicians from Berlin Communist Party of Germany politicians Members of the Politburo of the Central Committee of the Socialist Unity Party of Germany Government ministers of East Germany Members of the 3rd Volkskammer Members of the 4th Volkskammer Members of the 5th Volkskammer Members of the 6th Volkskammer Members of the 7th Volkskammer Members of the 8th Volkskammer Members of the 9th Volkskammer East German spies German Comintern people German emigrants to the Soviet Union German politicians convicted of crimes Köllnisches Gymnasium alumni German people convicted of murdering police officers International Brigades personnel German people of the Spanish Civil War German police officers convicted of murder German spies for the Soviet Union Great Purge perpetrators Interwar-period spies NKVD officers Murders of Paul Anlauf and Franz Lenck Perpetrators of political repression in the Second Spanish Republic People convicted of murder by Germany Prisoners and detainees of Germany Stasi generals Stasi officers convicted of crimes SV Dynamo Collaborators with the Soviet Union German anti-Zionists International Lenin School alumni Recipients of the Scharnhorst Order Recipients of the Patriotic Order of Merit (honor clasp) Recipients of the Banner of Labor Foreign Heroes of the Soviet Union Recipients of the Order of Lenin Recipients of the Order of the Red Banner Recipients of the Medal "For Distinction in Guarding the State Border of the USSR" Recipients of the Order of Georgi Dimitrov 20th-century German criminals People from Mitte German mass murderers Criminals from Berlin German military personnel of World War II	false	[ "United States v. Hayes, 555 U.S. 415 (2009), is a United States Supreme Court case interpreting Section 921(a)(33)(A) of the federal Gun Control Act of 1968, as amended in 1996. The Court held that a domestic relationship is not necessarily a defining element of the predicate offense to support a conviction for possession of a firearm by a person previously convicted of a misdemeanor crime of domestic violence.\n\nBackground\nThe Gun Control Act had long prohibited convicted felons from owning firearms. In 1996 the Act was amended to extend this prohibition to persons convicted of a \"misdemeanor crime of domestic violence.\" \n\nThe question before the Court was the statutory meaning of this prohibition, and how far it extended: did it require a state to have a specific statute that prohibited misdemeanor crimes of domestic violence, under which a person charged with an Act violation was convicted ? Or did it only require that a person was convicted of a misdemeanor which in fact constituted \"domestic violence,\" without regard to whether the misdemeanor statute specifically proscribed crimes of \"domestic violence\"?\n\nFacts and Issues\nThe facts of the Hayes case illustrate the distinction. In 1994 Hayes had been convicted in West Virginia of the misdemeanor of simple battery. The offense was committed against his wife in a domestic dispute. In 2004, the police found him in possession of firearms. Had he violated the Act?\n\nThe prosecution claimed the 1994 conviction for simple battery was sufficient to place him under the federal firearms ban. He had been convicted of a violent misdemeanor (battery) under state law. And the battery was, in fact, against his wife. This was enough, the prosecution alleged, to make that a conviction of a predicate crime of \"domestic violence\" which would, accordingly, bring him within the scope of the federal prohibition.\n\nHayes claimed that more was required before he was subject to the federal firearms possession ban of the Gun Control Act. He argued that the state must have a statute that specifically defined and prohibited \"domestic violence\" as an independent crime; a person convicted of that crime would then be subject to the federal prohibition under Act, but a person only convicted of another crime - such as simple battery - would not be so subjected. \n\nHayes agreed the person he battered was, in fact, his wife; but in 1994 the state of West Virginia did not have a statute that prohibited \"domestic violence\" as a specific crime. Therefore, Hayes argued, it was in effect legally impossible for him to be banned from firearm possession under the \"domestic violence\" extension for acts committed within West Virginia.\n\nHayes moved to dismiss the federal indictment but the trial court denied his motion. He entered a guilty plea, subject to his right to appeal the motion's denial, and the Fourth Circuit Court of Appeals agreed with Hayes on appeal. It decided that the state misdemeanor law must contain, as an element of the crime, a \"domestic relationship between the offender and the victim,\" 482 F.3d 749, 751 (2007), and that the indictment was indeed faulty. The Supreme Court then accepted the case to resolve a split among the circuits.\n\nSupreme Court decision\nThe Supreme Court agreed with the Government that the indictment was sufficient and that the Fourth Circuit's interpretation of the Gun Control amendments was erroneous.\n\nReferences\n\nExternal links\n \n\nUnited States Supreme Court cases\n2009 in United States case law\nUnited States Supreme Court cases of the Roberts Court\nUnited States federal criminal case law\nUnited States federal firearms case law", "Jarl Frank Tandberg (1959 – 2 February 2021), who published under the name J. F. Johnson Tandberg, was a Norwegian convicted criminal and crime novelist.\n\nHe was born in Ålesund, but grew up in Bergen from age 2. At age 18 he started as a bartender, and in the 1980s and 1990s became a night club owner and brothel owner. He was convicted for the first time in 1981, on various counts in Copenhagen, and was convicted of pimping for the first time in 1988. Subsequently, he supposedly took up writing in Ullersmo Prison. In parts of the press Tandberg was dubbed \"Hallik-Frank\" (\"Frank the Pimp\"). In 1990 Tandberg shot debt collector Espen Lie in the thigh with a 9mm pistol, of which he was acquitted, but also stole a getaway car for which he was convicted of grand theft auto. He was later convicted several times of violence.\n\nTandberg released the novels Nattens joker in 1995, Løgnernes paradis in 1998, and Siste tog øst in 2002, all on Kolon forlag. In 2002 he left Kolon to supposedly release novels on an independent publishing house Barberblad. He also caused a ruckus in the Norwegian Authors' Union with several libellous attacks.\n\nNattens joker was reviewed in Norway's largest newspapers VG, Dagbladet and Aftenposten;\n the largest regional newspapers Bergens Tidende, Adresseavisen and Fædrelandsvennen; and other Oslo newspapers such as Klassekampen, Arbeiderbladet and Morgenbladet. In 2009 Nattens joker was included on Dagbladet's list of Norway's top 25 crime novels of all time. Frank Tandberg died in February 2021 in Torrevieja, Spain.\n\nReferences\n\n1959 births\n2021 deaths\nCriminals from Bergen\nNorwegian crime writers\nNorwegian expatriates in Denmark\nNorwegian emigrants to Spain\nWriters from Bergen" ]
[ "Erich Mielke", "Imprisonment", "When was Mielke imprisoned?", "1989,", "What crime was he convicted of?", "ruling that Mielke was not mentally fit to stand trial." ]	C_3d20ba2e0075405eba35f1fa8f36a9f7_0	How long was Mielke imprisoned?	3	How long was Erich Mielke imprisoned?	Erich Mielke	Mielke was then put on trial for ordering the shootings of East Germans who were trying to defect to the West. In November 1994, the presiding judge closed the proceedings, ruling that Mielke was not mentally fit to stand trial. During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters. Although it was not connected to the outside world, Mielke enjoyed having imaginary conversations with non-existent Stasi agents. His other favorite pastime was watching game shows on television. In 1995, parole officers and Mielke's attorneys argued that he was "totally confused" and obtained his release. At 87 years of age, Erich Mielke was Germany's oldest prison inmate and had been incarcerated for 1,904 days. Days before his release, the Public Prosecutor of Berlin announced that he was "not interested in chasing an 87 year old man anymore" and that all further prosecution of Mielke had been indefinitely suspended. According to Koehler: [Mielke's] bank account, which held more than 300,000 marks (about US $187,500), was confiscated. Before his arrest in 1989, the most feared man in East Germany had lived in a luxurious home with access to an indoor pool. In addition, he owned a palatial hunting villa, complete with a movie theater, trophy room, 60 servants, and a 15,000 acre hunting preserve. After he was released from prison Mielke was obliged to move into a two room, 600-square-foot flat. Like all Stasi pensioners, he would henceforth have to live on 802 marks (about US$512) a month. CANNOTANSWER	1,904 days.	Erich Fritz Emil Mielke (; 28 December 1907 – 21 May 2000) was a German communist official who served as head of the East German Ministry for State Security (Ministerium für Staatsicherheit – MfS), better known as the Stasi, from 1957 until shortly after the fall of the Berlin Wall in 1989. A native of Berlin and a second-generation member of the Communist Party of Germany, Mielke was one of two triggermen in the 1931 murders of Berlin Police captains Paul Anlauf and Franz Lenck. After learning that a witness had survived, Mielke escaped arrest by fleeing to the Soviet Union, where the NKVD recruited him. He was one of the key figures in the decimation of Moscow's German Communists during the Great Purge as well as in the persecution of suspected anti-Stalinists in the International Brigade during the Spanish Civil War. Following the end of World War II in 1945, Mielke returned to the Soviet Zone of Occupied Germany, which he helped organize into a Marxist-Leninist satellite state under the Socialist Unity Party (SED), later becoming head of the Stasi. According to historian Jack Koehler, he was "the longest serving secret police chief in the Soviet Bloc". The Stasi under Mielke has been called by historian Edward Peterson the "most pervasive police state apparatus ever to exist on German soil". In a 1993 interview, Holocaust survivor and Nazi-hunter Simon Wiesenthal has said that, if one considers only the oppression of their own people, the Stasi under Mielke was "much, much worse than the Gestapo". During the 1950s and 1960s Mielke led the process of forcibly forming collectivised farms from East Germany's family-owned farms, which sent a flood of refugees to West Germany. In response, Mielke oversaw the construction (1961) of the Berlin Wall and co-signed orders to shoot fatally all East Germans who attempted to leave the country. He also oversaw the establishment of pro-Soviet police states and paramilitary insurgencies in Western Europe, Latin America, Africa, and the Middle East. In addition to his role as head of the Stasi, Mielke was also an Army General in the National People's Army (Nationale Volksarmee), and a member of the SED's ruling Politburo. Dubbed "The Master of Fear" () by the West German press, Mielke was one of the most powerful and most hated men in East Germany. After German reunification in 1990, Mielke was arrested (1991), prosecuted (1992), convicted, and incarcerated (1993) for the 1931 murders of Paul Anlauf and Franz Lenck. Released from prison early due to ill health in 1995, he died in a Berlin nursing home in 2000. Early life Erich Mielke was born in a tenement in Berlin-Wedding, Brandenburg, on 28 December 1907. During the First World War, the neighborhood was known as "Red Wedding" due to many residents' Marxist militancy. In a handwritten biography written for the Soviet secret police, Mielke described his father as "a poor, uneducated woodworker," and said that his mother died in 1911. Both were, he said, members of the Social Democratic Party of Germany (SPD). After his remarriage to "a seamstress," the elder Mielke and his new wife joined the Independent Social Democratic Party of Germany and remained members when it was renamed the Communist Party of Germany (KPD). His son Erich claimed "My younger brother Kurt and two sisters were Communist sympathisers." Despite his family's poverty, Erich Mielke was academically gifted enough to be awarded a free scholarship in the prestigious Köllnisches Gymnasium, but was expelled on 19 February 1929, for being "unable to meet the great demands of this school." While attending the Gymnasium, Mielke joined the Communist Party of Germany in 1925, and worked as a reporter for the communist newspaper Rote Fahne from 1928 to 1931. During the Weimar Republic, the KPD was the largest communist party in Europe and was seen as the "leading party" of the communist movement outside the Soviet Union. Under Ernst Thälmann's leadership, the KPD was completely obedient to Soviet Premier Joseph Stalin, and from 1928 the Party was both funded and controlled by the Comintern in Moscow. Until the end of the Republic, the KPD viewed the Social Democratic Party of Germany (SPD), which dominated German politics between 1918 and 1931, as their mortal enemy. In keeping with Stalin's policy towards social democracy, the KPD considered all SPD members to be "social fascists". The KPD also believed that all other political parties were "fascist" and regarded itself as "the only anti-fascist Party" in Germany. Nevertheless, the KPD closely collaborated with the Nazi Party during the early 1930s and both Parties intended to replace the democratically elected government of the Weimar Republic with a totalitarian single party state. Soon after joining the Party, Mielke joined the KPD's paramilitary wing, or Parteiselbstschutz ("Party Self Defense Unit"). At the time, the Parteiselbstschutz in Berlin was commanded by KPD Reichstag Representatives Hans Kippenberger and Heinz Neumann. According to John Koehler, "Mielke was a special protege of Kippenberger's having taken to his paramilitary training with the enthusiasm of a Prussian Junker. World War I veterans taught the novices how to handle pistols, rifles, machine guns, and hand grenades. This clandestine training was conducted in the sparsely populated, pastoral countryside surrounding Berlin. Mielke also pleased Kippenberger by being an exceptional student in classes on the arts of conspiratorial behavior and espionage, taught by comrades who had studied at the secret M-school of the GRU in Moscow." According to John Koehler, members of the Parteiselbstschutz "served as bouncers at Party meetings and specialized in cracking heads during street battles with political enemies." Besides the ruling SPD and its paramilitary Reichsbanner forces, the arch-enemies of the Parteiselbstschutz were the Stahlhelm, which was the armed wing of the Monarchist German National People's Party (DVNP), Trotskyites, and "radical nationalist parties." According to Koehler, the KPD's Selbstschutz men "always carried a Stahlrute, two steel springs that telescoped into a tube seventeen centimeters long, which when extended became a deadly, 35-centimeter weapon. Not to be outdone by the Nazis, these street-fighters were often armed with pistols as well." In a 1931 biography written for the Cadre Division of the Comintern, Mielke recalled, "We took care of all kinds of work; terror acts, protecting illegal demonstrations and meetings, arms-trafficking, etc. The last work, which was accomplished by a Comrade and myself, was the Bülowplatz Affair" (). Bülowplatz murders Planning During the last days of the Weimar Republic, the KPD had a policy of assassinating two Berlin police officers in retaliation for every KPD member killed by the police. On 2 August 1931, KPD Members of the Reichstag Heinz Neumann and Hans Kippenberger received a dressing down from Walter Ulbricht, the Party's leader in the Berlin-Brandenburg region. Enraged by police interference and by Neumann and Kippenberger's failure to follow the policy, Ulbricht stated, "At home in Saxony we would have done something about the police a long time ago. Here in Berlin we will not fool around much longer. Soon we will hit the police in the head." Enraged by Ulbricht's words, Kippenberger and Neumann decided to assassinate Paul Anlauf, the 42-year-old Captain of the Berlin Police's Seventh Precinct. Captain Anlauf, a widower with three daughters, had been nicknamed "Schweinebacke", or "Pig Face" by the KPD. According to historian John Koehler, "Of all the policemen in strife-torn Berlin, the reds hated Anlauf the most. His precinct included the area around KPD headquarters, which made it the most dangerous in the city. The captain almost always led the riot squads that broke up illegal rallies of the Communist Party." On the morning of Sunday 9 August 1931, Kippenberger and Neumann gave a last briefing to the hit-team in a room at the Lassant beer hall. Mielke and Erich Ziemer were selected as the shooters. During the meeting, Max Matern gave a Luger pistol to fellow lookout Max Thunert and said, "Now we're getting serious. We're going to give Schweinebacke something to remember us by." Kippenberger then asked Mielke and Ziemer, "Are you sure that you are ready to shoot Schweinebacke?" Mielke responded that he had seen Anlauf many times during police searches of Party Headquarters. Kippenberger then instructed them to wait at a nearby beer hall which would permit them to overlook the entire Bülow-Platz. He further reminded them that Anlauf was accompanied everywhere by Senior Sergeant Max Willig, whom the KPD had nicknamed, "Hussar". Kippenberger concluded, "When you spot Schweinebacke and Hussar, you take care of them." Mielke and Ziemer were informed that, after the assassinations were completed, a diversion would assist in their escape. They were then to return to their homes and await further instructions. That evening, Anlauf was lured to Bülow-Platz by a violent rally demanding the dissolution of the Prussian Parliament. According to Koehler, "As was often the case when it came to battling the dominant SPD, the KPD and the Nazis had combined forces during the pre-plebiscite campaign. At one point in this particular campaign, Nazi propaganda chief Joseph Goebbels even shared a speaker's platform with KPD agitator Walter Ulbricht. Both parties wanted the parliament dissolved because they were hoping that new elections would oust the SPD, the sworn enemy of all radicals. That fact explained why the atmosphere was particularly volatile this Sunday." Murder at the Babylon Cinema At eight o'clock that evening, Mielke and Ziemer waited in a doorway as Anlauf, Willig, and Captain Franz Lenck walked toward the Babylon Cinema, which was located at the corner of Bülowplatz and Kaiser-Wilhelm-Straße. As they reached the door of the movie house, the policemen heard someone scream, "Schweinebacke!" As Anlauf turned toward the sound, Mielke and Ziemer opened fire at point blank range. Willig was wounded in the left arm and the stomach. However, he managed to draw his Luger pistol and fired a full magazine at the assailants. Lenck was shot in the chest and fell dead in front of the entrance. Willig crawled over and cradled the head of Anlauf, who had taken two bullets in the neck. Meanwhile, Mielke and Ziemer made their escape by running into the theater and out an emergency exit. They tossed their pistols over a fence, where they were later found by Homicide Detectives from the elite Mordkommission. Mielke and Ziemer then returned to their homes. According to Koehler, "Back at Bülowplatz, the killings had triggered a major police action. At least a thousand officers poured into the square, and a bloody street battle ensued. Rocks and bricks were hurled from the rooftops. Communist gunmen fired indiscriminately from the roofs of surrounding apartment houses. As darkness fell, police searchlights illuminated the buildings. Using megaphones, officers shouted, "Clear the streets! Move away from the windows! We are returning fire!" By now the rabble had fled the square, but shooting continued as riot squads combed the tenements, arresting hundreds of residents suspected of having fired weapons. The battle lasted until one o'clock the next morning. In addition to the two police officers, the casualties included one Communist who died of a gunshot wound and seventeen others who were seriously wounded." Anlauf's wife had died three weeks earlier of kidney failure. The murder of Anlauf thus left their three daughters as orphans. Their oldest daughter was forced to rush her planned wedding in order to keep her sisters from being put in an orphanage. Lenck was survived by his wife. Willig was hospitalized for 14 weeks, but made a full recovery and returned to active duty. In recognition for Willig's courage, the Berlin Police promoted him to Lieutenant. After the murders, the act was celebrated at the Lichtenberger Hof, a favorite beer hall of the Rotfrontkämpferbund, where Mielke boasted: "Today we celebrate a job that I pulled!" () Fugitive According to Koehler, "Kippenberger was alarmed when word reached him that Sergeant Willig had survived the shooting. Not knowing whether the sergeant could talk and identify the attackers, Kippenberger was taking no chances. He directed a runner to summon Mielke and Ziemer to his apartment at 74 Bellermannstrasse, only a few minutes walk from where the two lived. When the assassins arrived, Kippenberger told them the news and ordered them to leave Berlin at once. The parliamentarian's wife Thea, an unemployed schoolteacher and as staunch a Communist Party member as her husband, shepherded the young murderers to the Belgian border. Agents of the Communist International (Comintern) in the port city of Antwerp supplied them with money and forged passports. Aboard a merchant ship, they sailed for Leningrad. When their ship docked, they were met by another Comintern representative, who escorted them to Moscow." Beginning in 1932, Mielke attended the Comintern's Military Political school under the alias Paul Bach. He later graduated from the Lenin School shortly before being recruited into the OGPU. Trial According to Koehler, "In mid-March 1933, while attending the Lenin School, Mielke received word from his OGPU sponsors that Berlin police had arrested Max Thunert, one of the conspirators in the Anlauf and Lenck murders. Within days, fifteen other members of the assassination team were in custody. Mielke had to wait six more months before the details of the police action against his Berlin comrades reached Moscow. On 14 September 1933, Berlin newspapers reported that all fifteen had confessed to their roles in the murders. Arrest warrants were issued for ten others who had fled, including Mielke, Ziemer, Ulbricht, Kippenberger, and Neumann." Koehler also stated, "Defenders of Mielke later claimed that confessions had been obtained under torture by the Nazi Gestapo. However, all suspects were in the custody of the regular Berlin city criminal investigation bureau, most of whose detectives were SPD members. Some of the suspects had been nabbed by Nazi SA men and probably beaten before they were turned over to police. In the 1993 trial of Mielke, the court gave the defense the benefit of the doubt and threw out a number of suspect confessions." On 19 June 1934, the 15 conspirators were convicted of first degree murder. The three deemed most culpable, Michael Klause, Max Matern, and Friedrich Bröde were sentenced to death. Their co-defendants received sentences ranging from nine months to fifteen years incarceration at hard labor. Klause's sentence was commuted to life in prison based upon his cooperation. Bröde hanged himself in his cell. As a result, only Matern was left to be executed by beheading on 22 May 1935. Matern was subsequently glorified as a martyr by KPD and East German propaganda. Ziemer was officially killed in action while fighting on the Republican-side during the Spanish Civil War. Mielke, however, would not face trial for the murders until 1993. Career in Soviet intelligence The Great Terror Although Moscow's German Communist community was decimated during Joseph Stalin's Great Purge, Mielke survived and was promoted. In a handwritten autobiography prepared after World War II, Mielke recalled, "During my stay in the S.U. (Soviet Union), I participated in all Party discussions of the K.P.D. and also in the problems concerning the establishment of socialism and in the trials against the traitors and enemies of the S.U." Among the German communists executed as a result of these "discussions" were Mielke's former mentors Heinz Neumann and Hans Kippenberger. Mielke further recalled, "I was a guest on the honor grandstand of Red Square during the May Day and October Revolution parades. I became acquainted with many comrades of the Federation of World Communist Parties and the War Council of the Special Commission of the Comintern. I will never forget my meeting with Comrade Dimitrov, the Chairman of the Comintern, whom I served as an aide together with another comrade. I saw Comrade Stalin during all demonstrations at Red Square, especially when I stood on the grandstand. I mention these meetings because all these comrades are our models and teachers for our work." During his time in the USSR, Mielke also developed a lifelong reverence for Felix Dzerzhinsky, the Polish aristocrat who founded the Soviet secret police. Mielke also began an equally permanent habit of calling himself a Chekist. In a citation written decades later, Mielke described his philosophy of life, "The Chekist is the political combatant. He is the loyal son of... the workers' class. He stands at the head of the battle to strengthen the power of our workers' and peasants' state." Spanish Civil War From 1936 to 1939, Mielke served in Spain as an operative of the Servicio de Investigación Militar, the political police of the Second Spanish Republic. While attached to the staff of, "veteran GRU agent," and future Stasi minister Wilhelm Zaisser, Mielke used the alias Fritz Leissner. Bernd Kaufmann, the director of the Stasi's espionage school later said, "The Soviets trusted Mielke implicitly. He earned his spurs in Spain." At the time, the S.I.M. was heavily staffed by agents of the Soviet NKVD, whose Spanish rezident was General Aleksandr Mikhailovich Orlov. According to author Donald Rayfield, "Stalin, Yezhov, and Beria distrusted Soviet participants in the Spanish war. Military advisors like Vladimir Antonov-Ovseenko, journalists like Koltsov were open to infection by the heresies, especially Trotsky's, prevalent among the Republic's supporters. NKVD agents sent to Spain were therefore keener on abducting and murdering anti-Stalinists among Republican leaders and International Brigade commanders than on fighting Franco. The defeat of the Republic, in Stalin's eyes, was caused not by the NKVD's diversionary efforts, but by the treachery of the heretics." In a 1991 interview, Walter Janka, a fellow German communist exile and company commander in the International Brigade, recalled his encounters with Mielke. During the winter of 1936, Janka was summoned by the SIM and interrogated by Mielke. Mielke demanded to know why Janka had voluntarily traveled to Spain rather than being assigned there by the Party. When he told Mielke to get lost, the SIM demoted Janka to the ranks and then expelled him from the International Brigade. Years later, Janka recalled, "While I was fighting at the front, shooting at the Fascists, Mielke served in the rear, shooting Trotskyites and Anarchists." Upon the defeat of the Spanish Republic, Mielke fled across the Pyrenees Mountains to France, where he was interned at Camp de Rivesaltes, Pyrénées-Orientales. Mielke, however, managed to send a message to exiled KPD members and, in May 1939, escaped to Belgium. Although the Public Prosecutor of Berlin learned of Mielke's presence and filed for his extradition, the Belgian Government refused to comply, regarding the assassinations of Captains Anlauf and Lenck as "a political crime." The NKVD and the SIM's witch hunt for both real and imagined anti-Stalinists had serious consequences. It horrified numerous formerly pro-Soviet Westerners who had been witnesses, including John Dos Passos, Arthur Koestler and George Orwell, and caused them to permanently turn against the USSR. Mielke's belief that anti-Soviet Marxists had collaborated with Franco and stabbed the Republic in the back continued to shape his attitudes for the rest of his life. In a 1982 speech before a group of senior Stasi officers, he said, "We are not immune from villains among us. If I knew of any already, they wouldn't live past tomorrow. Short shrift. It's because I'm a Humanist, that I'm of this view." In the same speech, Mielke also said, "All this blithering over to execute or not to execute, for the death penalty or against—all rot, Comrades. Execute! And, when necessary, without a court judgment." World War II During World War II, Mielke's movements remain mysterious. In a biography written after the war, he claimed to have infiltrated Organisation Todt under the alias Richard Hebel, but historian John O. Koehler considers this unlikely. Koehler admits, however, "Mielke's exploits must have been substantial. By war's end, he had been decorated with the Order of the Red Banner, the Order of the Great Patriotic War First Class, and twice with the Order of Lenin. It is likely that he served as an NKVD agent, at least part of the time with guerrilla units behind German lines, for he knew all the partisan songs by heart and sang them in faultless Russian." Occupied Germany Komissariat-5 In April 1945, Mielke returned to the Soviet Zone of Occupied Germany aboard a special Soviet aircraft that also carried fellow German Communists Walter Ulbricht, Wilhelm Zaisser, Ernst Wollweber, and many of the future leaders of the East Germany. That same month, Mielke's future handler, NKGB General Ivan Serov, travelled to Germany from Warsaw and, from his headquarters in the Berlin suburb of Karlshorst, divided the Soviet Zone into "Operative Sectors." On 10 July 1945, Marshal Georgy Zhukov signed SMA Order No. 2, which legalized the re-establishment of "anti-fascist" political parties like the Communist Party of Germany (KPD). On 15 July 1945, Mielke walked into the KPD's headquarters and volunteered his services. In an autobiography written for the KPD, Mielke disclosed—truthfully—his involvement in the 1931 murders of Berlin Police Captains Anlauf and Lenck, and—mistakenly or misleadingly—that for this he had been tried in absentia, found guilty, and sentenced to death. In actuality, Mielke's "name was mentioned in the 1934 trials but he was never tried". He admitted—truthfully—fighting on the Republican side during the Spanish Civil War, but claimed—falsely—that he had been released from the French internment camps and had worked in Belgium for an underground Communist newspaper under the code name "Gaston". Furthermore, Mielke concealed his past and contemporaneous involvement with the NKVD, NKGB, and the Nazi Organisation Todt (which he asserted he'd infiltrated). According to Koehler, "As might be expected, Mielke's account of his past was approved by the Soviets. Had Serov not been part of the conspiracy, Mielke would have been instantly arrested or at least subjected to an intense internal investigation because of his membership in the Nazi Organisation Todt, which used thousands of slave laborers. But he was cleared in record time and by the end of June the Soviets had installed him as a station commander of the newly formed Volkspolizei (Vopo), the People's Police." On 16 August 1947, Serov ordered the creation of Kommissariat 5, the first German political police since the defeat of Nazi Germany. According to Anne Applebaum, however, not everyone approved of the plan. In Moscow, Soviet Interior Minister Viktor Abakumov argued that a new secret police force would be demonized by Western governments and the media, which would paint the K-5 as a "new Gestapo." Furthermore, Abakumov, like Stalin, intensely distrusted German Communists and alleged that there "were not enough German cadres who have been thoroughly checked." Notwithstanding Abakumov's objections, however, recruitment into the K-5 began almost immediately. It is possible, as Norman Naimark suspects, that the NKGB had realized that their officers' lack of fluency in the German language was engendering massive popular resentment. Wilhelm Zaisser, who had been Mielke's commanding officer in Republican Spain, was appointed the K-5's head. Mielke was installed as his deputy. According to John Koehler, "The K-5 was essentially an arm of the Soviet secret police. Its agents were carefully selected veteran German communists who had survived the Nazi-era in Soviet exile or in concentration camps and prisons. Their task was to track down Nazis and anti-communists, including hundreds of members of the Social Democratic Party. Mielke and his fellow bloodhounds performed this task with ruthless precision. The number of arrests became so great that the regular prisons could not hold them. Thus, Serov ordered the establishment or re-opening of eleven concentration camps, including the former Nazi death camps of Buchenwald and Sachsenhausen." According to Anne Applebaum, "One of the few documents from that era to survive (most were removed by the KGB or perhaps destroyed, in 1989 or before) mentions a departmental training meeting and included a list of attendees. Topping the list is a group of Soviet advisers. In this sense, K-5 did resemble the political police in the rest of Eastern Europe: as in Hungary, Poland, and the USSR itself, this new political police force was initially extra-governmental, operating outside the ordinary rule of law." According to Edward N. Peterson, "Not surprisingly, K-5 acquired a reputation as bad as that of Stalin's secret police and worse than that of the Gestapo. At least with the Nazis, albeit fanatically racist, their victims did not suddenly disappear into the GULAG." The Amalgamation Despite the K-5's mass arrests of members of the Social Democratic Party of Germany (SPD) in the Soviet Zone, the number of SPD members continued to grow. By March 1946, SPD members outnumbered KPD members by more than 100,000. Fearing that they would lose the elections scheduled for the autumn, the leadership of the KPD asked for and received Stalin's permission to merge the two parties. When the SPD's leadership agreed only to schedule a vote for the rank and file to decide, permission was denied by the Soviet occupation authorities. The K-5 then began mass arrests of SPD members who refused to support the merger. On 22 April 1946, the remaining leaders of the SPD in the Soviet Zone announced that they had united with the KPD to form the Socialist Unity Party of Germany (SED). The SPD in the western zones of Occupied Germany responded by forming the SPD East Bureau in order to support and finance those Social Democrats who refused to accept the merger. Those who joined or worked with the East Bureau were, however, in serious danger of arrest by the K-5 and trial by Soviet military tribunals. By 1950, more than 5,000 SPD members and sympathisers had been imprisoned in the Soviet Zone or transferred to the GULAG. More than 400 were either executed or died during their imprisonments. John Koehler has written that, prior to the spring of 1946, many Germans in the Soviet Zone, "merely shrugged at the wave of arrests, believing that the victims were former Nazi officials and war criminals." But then came the mass arrests of Social Democrats who opposed the merger, who, "were joined by people who had been denounced for making anti-communist or anti-Soviet remarks, among their number hundreds who were as young as fourteen years. Although these arrests were made by Germans purporting to be officials of the criminal police, the existence of the K-5 political police eventually was exposed. Mielke, meanwhile, had risen to the post of vice-president of the German Administration for Interior Affairs – the equivalent of the NKVD – and continued his manipulations from behind the scenes." Investigation In January 1947, two retired Berlin policemen recognized Mielke at an official function. Informing the head of the criminal police in West Berlin, the policemen demanded that Mielke be arrested and prosecuted for the murders of Captains Anlauf and Lenck. Wilhelm Kühnast, the Public Prosecutor of Berlin, was immediately informed and ordered a search of the Kammergericht archives. To his astonishment, the files of the 1931 murders had survived the wartime bombing of Germany. Finding ample evidence of Mielke's involvement, Kühnast ordered the arrest of the communist policeman. According to John Koehler, "At that time, the city administration, including the police, was under the control of the Allied Control Commission, which consisted of U.S., British, French, and Soviet military officers. All actions by city officials, including the judiciary, were to be reported to the Commission. The Soviet representative alerted the MGB. Action was swift. Marshal Vasily Sokolovsky, who had replaced Zhukov, protested, and his representatives at the Commission launched a vicious campaign to discredit Kühnast." The Soviet representatives falsely claimed that Kühnast, a jurist with an impeccable anti-Nazi record, had been an official of Roland Freisler's People's Court. Taking the Soviets at their word, the Western Allies removed Kühnast from his position and placed him under house arrest. During the Berlin airlift, Kühnast fled from his home in East Berlin and was granted political asylum in the American Zone. Meanwhile, the Soviet authorities confiscated all documents relating to the murders of Captains Anlauf and Lenck. According to Koehler, "The Soviets handed the court records to Mielke. Instead of destroying the incriminating papers, he locked them in his private safe, where they were found when his home was searched in 1990. They were used against him in his trial for murder." Deutsche Wirtschaftskommission In 1948, Mielke was appointed as security chief of the German Economic Commission (), the precursor to the future East German government. Mielke's task was to investigate the theft and sale of state property on the black market. He was also charged with intercepting the growing number of refugees fleeing to the French, British, and American Zones. Those his security forces caught while attempting to defect were used as slave labor in the uranium mines that were providing raw material for the Soviet atomic bomb project. German Democratic Republic Independence In 1949, the Soviet Military Administration ceded its legal functions to the newly created German Democratic Republic. On 14 January 1950, Marshal Vasili Chuikov announced that all Soviet "internment camps" on German soil had been closed. Soon after, the DWK was absorbed into the newly created Ministry for State Security. In keeping with earlier syllabic abbreviations along the same lines (see OrPo, KriPo, and GeStaPo) East Germans immediately dubbed it the "Stasi" (from Staatssicherheit). With the approval of the Soviets, Mielke's commanding officer from Spain and in the K5, Wilhelm Zaisser, was appointed as the Stasi's head. Mielke was appointed to his staff with the rank of State Secretary. Mielke was also granted a seat in the SED's ruling Politburo. According to John Koehler, "In the five years since the end of World War II, the Soviets and their vassals had arrested between 170,000 and 180,000 Germans. Some 160,000 had passed through the concentration camps, and of these about 65,000 had died, 36,000 had been shipped to the Soviet Gulag, and another 46,000 had been freed." In 1949, as a response to the remilitarization of East Germany and the Soviet blockade of West Berlin, the United States, Great Britain, France, Belgium, the Netherlands, Luxembourg, and Portugal formed the North Atlantic Treaty Organization, or NATO. In 1950, as a response to the outbreak of the Korean War, West Germany was also permitted to join NATO, which was then upgraded into a military alliance. According to Koehler, however, "As the Cold War intensified, living conditions in Soviet-occupied East Germany showed little improvement beyond the postwar level of bare subsistence. The new government of the DDR – a mere puppet of the Kremlin – relied more and more on the Stasi to quell discontent among factory workers and farmers. Ulbricht, claiming that the social unrest was fomented by capitalist agents, once ordered Mielke to personally visit one large plant and 'arrest four or five such agents' as an example to the others. The Stasi deputy 'discovered' the agents in record time." Field show trials Also in 1949, Noel Field, an American citizen who had spied for the NKVD from inside the U.S. State Department, the Office of Strategic Services, and the CIA, fled from his posting in Switzerland to Communist Czechoslovakia after his cover was blown by fellow mole Whittaker Chambers. On 11 May 1949, the Czechoslovakian secret police, or StB, in obedience to a direct order from KGB chief Lavrenti Beria, arrested Field in Prague. Field was then handed over to the Hungarian ÁVO. After his interrogation in Budapest, Fields was used as a witness at show trials of senior Soviet Bloc Communists who, like László Rajk and Rudolf Slánský, stood accused of having spied for the United States. The real reason for the trials was to replace homegrown Communists in Eastern Europe with those who would be blindly loyal to Joseph Stalin and to blame the division of Germany on the intrigues of U.S. intelligence. At the Rajk show trial, the prosecutor declared, "Noel Field, one of the leaders of American espionage, specialized in recruiting spies from among left-wing elements." In August 1950, six senior SED members, including Willi Kreikemeyer, the director of Deutsche Reichsbahn and head of Berliner Rundfunk, were accused of "special connections with Noel Field, the American spy." All were either imprisoned or shot. John Koehler writes, "Similar purges were conducted in Czechoslovakia, Hungary, and Bulgaria, where Field appeared as a witness in show trials that resulted in some death sentences. The Soviets simply distrusted all Communists who had sought exile in the West. All the while, Mielke remained untouched and continued to serve as the deputy secret police chief. His survival reinforced the belief that he had spent the war years in the Soviet Union instead of France and Belgium as he had claimed in the 1945 questionnaire." In June 1950, Erica Wallach, Noel Field's adopted daughter, decided to search for him. From Paris, she telephoned Leo Bauer, the editor-in-chief of Berliner Rundfunk. The call was monitored by agents of the Soviet Ministry for Internal Affairs, and Bauer's handler instructed him to invite Mrs. Wallach to East Berlin, where she was immediately arrested. Mielke personally interrogated her and, at one point, offered Mrs. Wallach immediate release if she named the members of her fictitious spy network. She was condemned to death by a Soviet military tribunal in East Berlin and shipped to the Lubianka prison in Moscow for her execution. After Joseph Stalin's death in on 5 March 1953, Erica Wallach's sentence was reduced to hard labor in Vorkuta, a region of the Gulag located above the Arctic Circle. She was released during the Khrushchev thaw in October 1955. At first, she was unable to join her husband and daughters in the U.S. because of the U.S. State Department's concern over her former membership in the Communist Party of Germany. It took the personal intervention of CIA Director Allen Dulles to reunite Erica Wallach with her family in 1957. Wallach's memoir of her experiences, Light at Midnight, was published in 1967. Death of Stalin After Soviet Premier Joseph Stalin died inside his Kuntsevo Dacha on 5 March 1953, the Central Committee of the East German Socialist Unity Party met in a special session and eulogized the dictator as the "great friend of Germany who was always an advisor of and help to our people." Two months later, on 5 May 1953, the SED's General Secretary, Walter Ulbricht, and the rest of the leadership increased work quotas by 10%. They also decided to rename Chemnitz Karl-Marx-Stadt and to institute the Order of Karl Marx as the GDR's highest award. Two weeks later, Mielke accused "a group of Party officials" of "plotting against the leadership", which "resulted in more expulsions from the Politburo and the Central Committee." East German uprising of 1953 Discontent among factory workers about a 10% increase of work quotas without a corresponding wage hike boiled over. On 16 June 1953, nearly one hundred construction workers gathered before work for a protest meeting at Stalinallee, in East Berlin. Words spread rapidly to other construction sites and hundreds of men and women joined the rally, which marched to the House of Ministries. The protesters chanted slogans for five hours, demanding to speak to Walter Ulbricht and Otto Grotewohl. Only Heavy Industry Minister Fritz Selbmann and Professor Robert Havemann, president of the GDR Peace Council, emerged. Their speech, however, was answered with jeers and the Ministers retreated into the heavily armed building. The regular and the Kasernierte Volkspolizei were summoned from their barracks, but made no move to attack the protesters, who returned to Stalinallee, where a general strike was called. Following West Germany's Federal Minister for All-German Questions Jakob Kaiser's admonition in a late night broadcast to East Germans to shy away from provocations, RIAS, starting with its 11 pm news broadcast, and from then on in hourly intermissions, repeated the workers' demand to continue the strike the next day, calling specifically for all East Berliners to participate in a demo at 7am on the 17th at Strausberger Platz. The following day, 17 June 1953, more that 100,000 protesters took to the streets of East Berlin. More than 400,000 protesters also took to the streets in other cities and towns throughout the German Democratic Republic. Everywhere, the demands were the same: free elections by secret ballot. Outside of Berlin, the main centres of the protests included the industrial region around Halle, Merseburg, and Bitterfeld, as well as middle-size towns like Jena, Görlitz, and Brandenburg. No more than 25,000 people participated in strikes and demonstrations in Leipzig, but there were 32,000 in Magdeburg, 43,000 in Dresden, 53,000 in Potsdam – and in Halle, a figure close to 100,000. In West Berlin, the American radio station RIAS and several other West German stations reported on the protests and on plans for a general strike. As East Germans listened to the broadcasts, 267,000 workers at State-owned plants in 304 cities and towns joined the general strike. In 24 towns, outraged East Germans stormed the Stasi's prisons and freed between 2,000 and 3,000 political prisoners. In response to orders, the Soviet Occupation Forces, the Stasi and the Kasernierte Volkspolizei went on the attack. Bloody street battles ensued and hundreds of policemen defected to the side of the protesters. Both police and Stasi stations were overrun and some government offices were sacked. The Party leadership retreated into a fortified compound in the Pankow district of East Berlin. At noon, the Soviet authorities terminated all tram and metro traffic into the Eastern sector and all but closed the sector borders to West Berlin to prevent more demonstrators from reaching the city centre. An hour later, they declared martial law in East Berlin. The repression took place outside East Berlin police HQ – where Soviet tanks opened fire on "the insurgents". According to John Koehler, "... by late afternoon, Soviet tanks accompanied by Infantry and MVD troops had rolled into East Berlin and other cities in the Soviet Zone. This made the people even angrier. At Berlin's Potsdamer Platz, which bordered on the American Sector, irate protesters ignored machine gun fire and the menacing barrels of tank guns. They ripped cobblestones from the streets and hurled them at the tanks." Fighting between the Red Army (and later GDR police) and the demonstrators persisted into the afternoon and night. In some cases, the tanks and the soldiers fired directly into the crowds. Overnight, the Soviets (and the Stasi) started to arrest hundreds of people. Ultimately, up to 10,000 people were detained and at least 20, probably as many as 40, people were executed, including Red Army soldiers who refused to obey orders. With the SED leadership effectively paralysed at the Soviet headquarters in Karlshorst, control of the city passed to the Soviets. In honor of the uprising, West Germany established 17 June as a national holiday, called Day of German Unity. The extension of the Unter den Linden boulevard to the west of the Brandenburg Gate, formerly called Charlottenburger Chaussee, was also renamed Straße des 17. Juni ("17 June Street") in honor of the uprising. According to John Koehler, "Provisional prison camps were set up to hold the thousands of Stasi victims. Nearly 1,500 persons were sentenced in secret trials to long prison terms. On 24 June, Mielke issued a terse announcement that one Stasi officer, nineteen demonstrators, and two bystanders had been killed during the uprising. He did not say how many were victims of official lynching. The numbers of the wounded were given as 191 policemen, 126 demonstrators, and 61 bystanders." Also according to Koehler, "Calm returned to the streets of the Soviet Zone, yet escapes to the West continued at a high rate. Of the 331,390 who fled in 1953, 8,000 were members of the Kasernierte Volkspolizei, the barracked people's police units, which were actually the secret cadre of the future East German Army. Also among the escapees were 2,718 members and candidates of the SED, the ruling Party." The Khrushchev thaw Purges Alarmed by the uprising, Lavrenty Beria, the First Deputy Premier of the Soviet Union and head of the Ministry of Internal Affairs, personally travelled from Moscow to East Berlin. He conferred with Stasi Minister Wilhelm Zaisser and with Mielke, his deputy, both of whom he had known since the early 1930s. During both conversations, Beria demanded to know why the Stasi had failed to recognize the extreme discontent of the population and inform the Party leadership, which could then have prevented the uprising by taking extremely repressive measures in advance. Both Zaisser and Mielke answered Beria's questions circumspectly, and were accordingly left in their posts. In response to the uprising, Beria decided to replace several hundred MVD officers, including Major General Ivan Fadeykin, the MVD resident of East Germany. The Stasi, according to John Koehler, "generally remained untouched except for the arrests and dismissals, for dereliction of duty, of a handful of officers in the provinces. One high-ranking Stasi officer shot himself." Following Beria's return to Moscow, however, he was arrested on 26 June 1953, in a coup d'état led by Nikita Khrushchev and Marshal Georgy Zhukov. Beria was tried on charges of 357 counts of rape and high treason. He was sentenced to death and shot by Red Army Colonel-General Pavel Batitsky on 23 December 1953. In an interview to Neues Deutschland, the official party newspaper of East Germany, on 30 June 1953, the Party's Minister of Justice, Max Fechner, declared that, "illegal arrests," had been made and that being a member of a strike committee or suspicion of being a ringleader was not in itself grounds for arrest and conviction. Meanwhile, when the East German Politburo met on 8 July, it seemed that Ulbricht would be deposed as Party General Secretary. Zaisser conceded that the whole Politburo was responsible for the "accelerated construction of socialism" and of the subsequent fallout. But he also added that to leave Ulbricht as Premier, "would be opposed catastrophic for the New Course". By the end of the meeting, only two Politburo members still supported Ulbricht's leadership: Free German Youth League chief Erich Honecker and Party Control Commission Chairman Hermann Matern. Ulbricht only managed to forestall a decision then and there with a promise to make a statement at the forthcoming 15th SED CC Plenum, scheduled for later that month. Meanwhile, Mielke informed a Party commission looking for scapegoats that his boss, Stasi Minister Wilhelm Zaisser, was calling for secret negotiations with West Germany and that, "he believed the Soviet Union would abandon the DDR." By late July, Ulbricht was completely certain that he had the support of the new Soviet Premier, Nikita Khrushchev. Therefore, he expelled his main opponents, Zaisser, Hernstadt and Ackermann, from the Politburo, and thus strengthened his position further. SED Minister of Justice Max Fechner was personally arrested by Mielke and replaced by Hilde Benjamin, who was known to East German citizens as "Red Hilde", "The Red Freisler," and as, "The Red Guillotine," for her role as a judge in the SED's show trials. Fechner was convicted of being, "an enemy of the Party and the State," and served three years in Bautzen Prison. Wilhelm Zaisser was replaced as head of the Stasi by Ernst Wollweber and Mielke remained on staff as his deputy. Tenure as Stasi head Mielke headed the Stasi from 1957 until the fall of the Berlin Wall in 1989. There was, under the East German system, no provision for parliamentary oversight. However, starting in 1971 Mielke was required to provide a detailed intelligence briefing to party secretary Erich Honecker each Tuesday, directly following the weekly Politburo meeting. (Before 1971, under Walter Ulbricht, Mielke was not involved in routine intelligence briefings to the leadership which, instead, were provided directly to Ulbricht by Intelligence Chief Markus Wolf.) Internal discipline During his tenure, Mielke enforced "political and personal discipline reminiscent of the early French Foreign Legion". New recruits were required to take a solemn oath pledging "to fight alongside the state security organs of all socialist countries against all enemies of socialism" on pain of "the severest punishment under the Republic's laws and the contempt of the workers." Recruits were also required to sign a security pledge vowing never to make unauthorized visits to any "capitalist countries" and to report on any members of their families who did so. Violations of the oath resulted in expulsion from the Stasi and blacklisting from all but the most menial jobs. Serious violations were tried before secret tribunals and led an estimated 200 Stasi agents to be shot. Colonel Rainer Wiegand once said, "There was only one way to leave the MfS without being haunted for the rest of your life. You either retired or you died." Domestic activities Under Erich Mielke's leadership, the Stasi employed 85,000 full-time domestic spies and 170,000 civilian informants () (IMs). East Germans coined a term to describe the Stasi's pervasive surveillance of the population "All-Covered" (). For this reason, Anna Funder has referred to East Germany as, "the most perfected surveillance state of all time." According to John Koehler, "...the Stasi's tentacles probed every aspect of life. Full-time officers were posted to all major industrial plants. Without exception, one tenant in every building was designated as a watchdog reporting to an area representative of the Volkspolizei...In turn, the police officer was the Stasi's man. If a relative or friend came to stay overnight, it was reported. Schools, universities and hospitals were infiltrated from top to bottom. German academe was shocked to learn that Heinrich Fink, professor of theology and vice-chancellor of East Berlin's Humboldt University, had been a Stasi informer since 1968. After Fink's Stasi connections came to light, he was summarily fired. Doctors, lawyers, journalists, writers, actors, and sports figures were co-opted by Stasi officers, as were waiters and hotel personnel. Tapping about 100,000 telephone lines in East Germany and West Berlin around the clock was the job of 2,000 officers... Churchmen, including high officials of both Protestant and Catholic denominations, were recruited en masse as secret informants. Their offices and confessionals were infested with eavesdropping devices. Even the director of Leipzig's famous Thomas Church choir, Hans-Joachim Rotzsch, was forced to resign when he was unmasked as a Spitzel, the people's pejorative for a Stasi informant." In an interview with journalist Anna Funder, an ex-Stasi officer recalled, "Most often, people we approached would inform for us. It was very rare that they would not. However, sometimes we felt that we might need to know where their weak points were, just in case. For example, if we wanted a pastor, we'd find out if he'd had an affair, or had a drinking problem—things that we could use as leverage. Mostly though, people said yes." On Mielke's orders, and with his full knowledge, Stasi officers also engaged in arbitrary arrest, kidnapping, brutal harassment of political dissidents, torture, and the imprisonment of tens of thousands of citizens. In a 1991 interview, Jewish Holocaust survivor and Nazi hunter Simon Wiesenthal said, "The Stasi was much, much worse than the Gestapo, if you consider only the oppression of its own people. The Gestapo had 40,000 officials watching a country of 80 million, while the Stasi employed 102,000 to control only 17 million." Activities abroad During Mielke's tenure, the Stasi's operations beyond East Germany were overseen by Markus Wolf and the Hauptverwaltung Aufklärung (MfS-HVA). Mielke and Wolf provided money, training, and surveillance equipment to help build pro-Soviet secret police forces in Fidel Castro's Cuba, Baathist Syria, Sandinista-ruled Nicaragua, Mengistu Haile Mariam's Ethiopia, Idi Amin's Uganda, Kwame Nkrumah's Ghana, and South Yemen. After the opening of Stasi archives, it was revealed that West Germany was riddled with MfS-HVA moles. In what John Koehler has dubbed, "The Invisible Invasion", some West German citizens collaborated out of Marxist beliefs, but others were recruited through blackmail, greed, career frustrations, or sexual favors from Stasi operatives. Another tactic was for Stasi military advisers assigned to African and Middle Eastern countries to request the arrest of West German tourists. Local police would then turn the prisoner over to the Stasi agent, who would offer the West German a choice between espionage or incarceration. Senior politicians from the Social Democratic Party of Germany, the Free Democratic Party of Germany, and the Christian Democratic Union were exposed and, when still alive, prosecuted. Mielke and Wolf also seriously compromised West Germany's police departments, foreign and domestic intelligence services, diplomatic corps, military-industrial complex, and journalistic profession. The Stasi compromised the United States military and diplomatic presence in West Germany. The most damaging American to spy for the Stasi was United States Army Sergeant James Hall III, who volunteered his services to Soviet and East German intelligence in November 1981. Sergeant Hall sold the Stasi 13,088 pages of classified documents, including detailed information about Project Trojan, a worldwide electronic network with the ability to pinpoint armored vehicles, missiles and aircraft by recording their signal emissions during wartime and the complete National SIGINT Requirements List (NSRL), a 4258-page document about NSA operations at home and abroad. In 1988, Sergeant Hall was tricked into confessing his espionage career to an undercover FBI Special Agent named Dmitri Droujinsky, a Russian-American who was posing as an agent of the KGB. When news of Sergeant Hall's arrest became public, one Washington intelligence official called the breach, "the Army's Walker Case." Collusion with Nazism Beginning in 1960, Mielke and Wolf used false flag recruitment to secretly organize and finance Neo-Nazi organizations, which they then instructed to vandalize Jewish religious and cultural sites throughout West Germany. During the Jerusalem trial of Adolf Eichmann, Stasi agents sent letters to West German Neo-Nazis and Waffen-SS veterans, urging them to speak out and to raise money for Eichmann's defense attorney. This was done in order to lend credibility to Communist propaganda about the allegedly Fascist and neo-Nazi orientation of the Federal Republic of Germany. According to German historian Michael Wolffsohn, "There is no doubt that in the 1960s as now, there were Nazis who were unreconstructed, unchangeable and evil, but without the help of East Germany, these Nazis were incapable of a national, coordinated campaign. That was true of right-wing extremist criminals in the 1980s as well. The East German Communists used anything they could against West Germany, including the... fears by Western countries and Jews that a new Nazism could be growing in West Germany. There is... evidence that the East Germans continued to use Anti-Semitism as a tool against West Germany in the 1970s and perhaps right up until 1989." In a 1991 interview with John Koehler, Holocaust survivor and Nazi hunter Simon Wiesenthal said of the Stasi, "They not only terrorized their own people worse than the Gestapo, but the government was the most Anti-Semitic and Anti-Israeli in the entire Eastern Bloc. They did nothing to help the West in tracking down Nazi criminals; they ignored all requests from West German judicial authorities for assistance. We have just discovered shelves of files on Nazis stretching over four miles. Now we also know how the Stasi used those files. They blackmailed Nazi criminals who fled abroad after the war into spying for them. What's more, the Stasi trained terrorists from all over the world." Support for paramilitary and terrorist groups During a 1979 visit to the GDR by senior PLO member Salah Khalaf, Mielke said, "We are paying great attention to the Palestine resistance and the other revolutionary forces fighting against the policies of the United States and against the provocations of the Israeli aggressor. Together with the Soviet Union and other socialist countries, we will do everything to support this just battle." With this in mind, Mielke ordered the Stasi to finance, arm, and train, "urban guerrillas," from numerous countries. According to former Stasi Colonel Rainer Wiegand, Mielke's ties to violent paramilitary groups were overseen by Markus Wolf and Department Three of the MfS-HVA. Members of the West German Baader-Meinhoff Group, the Chilean Manuel Rodríguez Patriotic Front, and Umkhonto we Sizwe, the paramilitary wing of the African National Congress, were brought to East Germany for training in the use of military hardware, insurgent tactics, and, "the leadership role of the Party." Similar treatment was meted out to Palestinians from the Popular Front for the Liberation of Palestine, Abu Nidal, and Black September. Other Stasi agents worked as military advisers to Soviet-backed African guerrilla organizations and the governments they later formed. They included the Namibian SWAPO and the Angolan MPLA during the South African Border War, the FRELIMO during the Mozambican War of Independence and civil war, and Robert Mugabe's ZANLA during the Rhodesian Bush War. Colonel Wiegand revealed that Mielke and Wolf provided bodyguards from the Stasi's counter-terrorism division for Venezuelan-born PLO terrorist Carlos the Jackal and Black September leader Abu Daoud during their visits to the GDR. Col. Wiegand had been sickened by the 1972 Munich massacre and was horrified that the GDR would treat the man who ordered it as an honored guest. When he protested, Wiegand was told that Abu Daoud was, "a friend of our country, a high-ranking political functionary," and that there was no proof that he was a terrorist. During the 1980s, Wiegand secretly blackmailed a Libyan diplomat into spying on his colleagues. Wiegand's informant told him that the La Belle bombing and other terrorist attacks against American and West German citizens were being planned at the Libyan Embassy in East Berlin. When Wiegand showed him a detailed report, Mielke informed the SED's Politburo, which ordered the Colonel to continue surveillance but not interfere with the plans of the Libyans. According to John Koehler, "Murder, kidnapping, extortion, bank robbery, and arson were felonies under the East German criminal code. However, if these offenses were committed under the banner of the 'anti-imperialist struggle,' the communist system would look the other way. Moreover, it had assigned the Stasi to make sure that terrorists were properly trained for murder and sowing mayhem. There was no limits to the East German regime's involvement with terrorism, so long as it could be ideologically justified." The Peaceful Revolution According to John Koehler, "Increasingly concerned over the growing popular opposition, Stasi Minister Mielke early in 1989 ordered the creation of a special elite unit for crushing disturbances. Its personnel were carefully selected members of the counterespionage and counterterrorism directorate. They were equipped with special batons similar to electric cattle prods but much more powerful. In a secret speech to top-ranking Stasi officers on 29 June, Mielke warned that, 'hostile opposing forces and groups have already achieved a measure of power and are using all methods to achieve a change in the balance of power. Former Stasi Colonel Rainer Wiegand told me he was horrified when Mielke compared the situation with that of China two months earlier. Chinese students in Beijing had begun massive protests in April and in May, during a student demonstration in Tiananmen Square, security troops had opened fire on them killing hundreds. 'Mielke said our situation was comparable and we had to be ready to counter it with all means and methods,' Wiegand recalled. 'Mielke said that the Chinese leadership had succeeded in smothering the protests before the situation got out of hand.'" Despite Mielke's attempts to suppress them, East Germany's protesters grew more emboldened with every arrest. 40th anniversary of the GDR As the fortieth anniversary of the GDR approached, Mielke ordered, "We must stop the internal enemy. At the least hint of a disturbance of the celebration, isolate and arrest them." One former Stasi Major recalled, "We mixed inconspicuously with the demonstrators, accompanied by our IMs. Hundreds of us stood at the sides of the street in order to stop any activity before it got started. We barely got any sleep toward the end. Never did I sense that the people were afraid of the MfS. The Stasi was more afraid of the people than the people were of them." According to Koehler, "Despite the unrest, the regime celebrated its fortieth with a huge, pompous ceremony in Berlin on 7 October, while tens of thousands of outside the ornate building of the State Council. The People's Police cordons were utterly ineffectual. As Stasi Minister Erich Mielke drove up and was greeted by General Günter Kratsch, the counterintelligence chief, Mielke screamed at police: "Club those pigs into submission!" () The police ignored Mielke's ranting. As more and more East Germans were arrested for protesting the 40th anniversary celebrations, many of them sang The Internationale in Vopo and Stasi custody to imply that they, rather than their captors, were the real working class and the real revolutionaries. According to Anna Funder, "There was a sea of red flags, a torchlight procession, and tanks. The old men on the podium wore light-grey suits studded with medals. Mikhail Gorbachev stood next to Honecker, but he looked uncomfortable among the much older Germans. He had come to tell them that it was over, to convince the leadership to adopt his reformist policies. He had spoken openly about the danger of not 'responding to reality.' He pointedly told the Politburo that, 'life punishes those who come too late.' Honecker and Mielke ignored him, just as they ignored the crowds when they chanted, "Gorby, help us! Gorby, help us!" Plan X On 8 October 1989, Mielke and Honecker ordered the Stasi to implement "Plan X"—the SED's plan to arrest and indefinitely detain 85,939 East Germans during a state of emergency. According to John Koehler, Plan X had been in preparation since 1979 and was, "a carbon copy of how the Nazi concentration camps got their start after Hitler came to power in 1933." By 1984, 23 sites had been selected for "isolation and internment camps." Those who were to be imprisoned in them ran into six categories; including anyone who had ever been under surveillance for anti-state activities, including all members of peace movements which were not under Stasi control. According to Anna Funder, "The plans contained exact provisions for the use of all available prisons and camps, and when those were full for the conversion of other buildings: Nazi detention centers, schools, hospitals, and factory holiday hostels. Every detail was foreseen, from where the doorbell was located on the house of each person to be arrested to the adequate supply of barbed wire and the rules of dress and etiquette in the camps..." However, when Mielke sent the orders, codenamed "Shield" (), to each local Stasi precinct to begin the planned arrests, he was not obeyed. Terrified of an East German version of the mass lynchings of Hungarian secret police agents during the 1956 Revolution, Stasi agents throughout the GDR fortified their office-buildings and barricaded themselves inside. Toppling Honecker Even as orders were going out to implement Plan X, Mielke had already thrown his support behind the anti-Honecker faction in the SED's Politburo. Although he was of the same generation as Honecker and had matured in an environment where following orders was the rule, he was sober enough and politically savvy enough to realize this approach no longer worked. During a session on 10 October 1989, Mielke delivered a report attacking Honecker's desire to violently suppress the demonstrations rather than offer concessions. In what Edward N. Peterson has called "a remarkable disclaimer of responsibility for the violence," Mielke declared that Honecker's orders to him "were built on false situation judgments." He added that Honecker's commands on 7 and 8 October "were false and undifferentiated condemnations of those who think differently. Despite this evaluation, there was never any instructions to use violence against persons. There is nothing in our basic principles to consider a demonstration as part of a possible counterrevolutionary coup." Mielke also claimed that "the Party judged the situation falsely. We tried to tell them the true situation, but enough was not done." Mielke argued in favor of solving the demonstrations politically and giving "every DDR citizen the right to travel." On 17 October 1989, Mielke and the rest of the GDR's Politburo met to follow Gorbachev's demand, voiced in August, for Honecker be removed as General Secretary of the SED and State Council chairman. Suspecting that Honecker's personal bodyguards might try to arrest the members of the Central Committee when they met to vote Honecker out in favour of Egon Krenz, Mielke saw to it that Stasi agents who were loyal to him were stationed near the meeting room. While deliberations were underway, Mielke told Honecker that "we simply cannot start shooting with tanks," and tried to impress upon Honecker that it was "the end". After the vote to oust Honecker passed, Mielke "got nasty," and accused Honecker of corruption. Honecker responded that Mielke should not open his mouth so much. Mielke responded by putting the last nail into Honecker's coffin. He announced that the MfS had a file on the now-ousted leader. It contained proof of Honecker's corrupt business practices, sexual activities, and how, as a member of the underground Communist Party of Germany during the Nazi years, he had been arrested by the Gestapo and had named names. To the shock of both the Politburo and the Stasi, Krenz's first televised addresses failed to win popular support. Despite his assurances that the SED was at last ready to embrace Gorbachev's policies of Glasnost and Perestroika, Krenz's approval ratings remained extremely low. Former Politburo member Günter Schabowski later recalled, "We made a palace revolution without offering a real alternative... We had not quickly and thoroughly enough whittled away from Stalin's methods." Defeat On 7 November 1989, Mielke resigned, along with eleven out of eighteen members of the SED's Council of Ministers, in response to the increasing disintegration of the GDR. Two days later, Schabowski announced on television that the east–west border was open without restriction. According to Anna Funder, there was panic at Stasi Headquarters in Berlin-Lichtenberg, "Stasi officers were instructed to destroy files, starting with the most incriminating–those naming westerners who spied for them, and those that concerned deaths. They shredded the files until the paper shredders overheated and shorted out. Among other shortages in the East, there was a shredder shortage, so they had to send agents out under cover to West Berlin to buy more. In Building 8 alone, the citizens' movement found over a hundred burnt out shredders. When they ran out of working shredders from the West and could not procure more they began using scissors to cut the documents by hand. According to William F. Buckley, Jr., "In the weeks after 9 November, Stasi offices were stormed in various cities around East Germany. Stasi commissars in three of those cities committed suicide. But not one was lynched or executed." Televised humiliation On 13 November 1989, Mielke was summoned to deliver a briefing about the protests to the GDR parliament, or Volkskammer. Formerly a "rubber stamp parliament," the disintegration of the SED's power had allowed the Volkskammer to begin exercising real authority over the GDR. Therefore, Mielke, as the head of the Stasi (known as the "shield and sword of the [SED] party"), was summoned before the newly empowered parliament to justify his position in government. As his speech was broadcast live, Mielke began by using overly bombastic, flag-waving language, saying "We have, comrades, dear assembly members, an extraordinarily high amount of contact with all working people" (). To his shock, the Volkskammer responded with boos, whistles, and catcalls. His face grief-stricken and pale, Mielke then tried to defuse the situation, "Yes, we have such contact, let me tell you-let me tell you why. I am not afraid to stand here and to give you an unbiased answer" (). Mielke continued, speaking of the "triumph" of the socialist economy, continuing all the while to address the members of the Volkskammer as "Comrades" (). In response, Volkskammer member Dietmar Czok of the Christian Democratic Union, rose from his seat and raised his hand. The Volkskammer's president, Günther Maleuda, interrupted Mielke and urged Czok to speak. With his voice dripping with contempt, Czok told Mielke, "As a point of order, I will not tell you this again. There are more people sitting in this Chamber than just your Comrades!" (). In response, many in the Volkskammer burst into applause, cheers, and shouts of "We are not your Comrades!" () Trying to appear magnanimous, Mielke responded, "This is a natural, Humanistic question! This is just a question of formality." (), leading to further shouts of displeasure from the members of the Volkskammer. In a last ditch effort, Mielke "raised his arms like an evangelist," and cried, "I love all – all Humanity! I really do! I set myself before you!" () Everyone in the room, including staunch SED members, burst out laughing. Then Mielke started to cry. John Koehler later wrote, "Mielke was finished." Mielke's address to the Volkskammer remains the most famous broadcast in the history of German television. Anna Funder has written, "When they think of Mielke, East Germans like to think of this." The Fall On 17 November 1989, the Volkskammer renamed the MfS the Amt für Nationale Sicherheit (AfNS – Office for National Security). The following day, Mielke's tenure in office ended when the Volkskammer appointed Generalleutnant Wolfgang Schwanitz as the new director of the AfNS. On 1 December 1989, the Volkskammer nullified the clause of the GDR constitution that enshrined the SED's "leading role" in the government and formally ending Communist rule in East Germany. Two days later, the SED announced that Mielke's party membership had been permanently revoked. Years later, he lamented, "Millions have died for nothing. Everything we fought for – it has all amounted to nothing." He also said, "If the party had given me the task, then there would perhaps still be a GDR today. On that you can rely." Prosecution Indictments On 7 December 1989, Erich Mielke was arrested and placed in solitary confinement for embezzlement of public funds in order to improve his hunting estate. He was charged with "Damaging the People's Economy" (Schädigung der Volkswirtschaft). On 7 January 1990, he was further charged with high treason and conspiring with Erich Honecker to bug the telephones and open the mail of every one of East Germany's citizens. Meanwhile, the Federal Constitutional Court announced that Mielke had also been indicted for having ordered two terrorist attacks by the Baader-Meinhoff Group against United States military personnel who were stationed on West German soil. The first was the car bomb attack against the United States Air Force at Ramstein Air Base on 31 August 1981. The second was the attempted murder with an RPG-7 anti-tank rocket of United States Army General Frederick Kroesen, his wife, and the West German police officer who was driving their armored Mercedes at Heidelberg on 15 September 1981. After German reunification in October 1990, Mielke was also indicted for ordering the shootings of defectors at the Berlin Wall. He was also charged with misuse of office, breach of trust, and incitement to pervert the course of justice. Bülowplatz trial In February 1992, Mielke was put on trial for the 1931 first degree murders of Berlin Police Captains Anlauf and Lenck as well as the attempted murder of Senior Sergeant Willig. The evidence for Mielke's guilt was drawn from the original police files, the transcripts from the 1934 trial of his co-conspirators, and a handwritten memoir in which Mielke revealed that his role in, "the Bülowplatz Affair," had been his reason for fleeing to Moscow from the Weimar Republic in 1931. All had been found in Mielke's house safe during a police search in 1990. Mielke was believed to have kept the documents for the purpose of "blackmailing Honecker and other East German leaders." Former Associated Press reporter and White House Press Secretary John Koehler also testified that Mielke had boasted of his involvement in the Bülowplatz murders during a confrontation at Leipzig in 1965. During his trial, Mielke appeared increasingly senile, admitting his identity but otherwise remaining silent, taking naps, and showing little interest in the proceedings. In a widely publicized incident, Mielke appeared to mistake the presiding judge for a prison barber. When a journalist for Der Spiegel attempted to interview him in Plötzensee Prison, Mielke responded, "I want to go back to my bed" (). Opinion was divided whether Mielke was suffering from senile dementia or was pretending in order to evade prosecution. After twenty months of one-and-a-half-hour daily sessions, Erich Mielke was convicted on two counts of murder and one of attempted murder. On 26 October 1993, a panel of three judges and two jurors sentenced him to six years' imprisonment. At his sentencing, Mielke started to cry. In pronouncing sentence, Judge Theodor Seidel, told Mielke that he "will go down in history as one of the most fearsome dictators and police ministers of the 20th century." Imprisonment Mielke was then put on trial for ordering the shootings of East Germans who were trying to defect to the West. In November 1994, the presiding judge adjourned the proceedings, ruling that Mielke was not mentally competent to stand trial. During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters. Although it was not connected to the outside world, Mielke enjoyed having imaginary conversations with non-existent Stasi agents. His other favorite pastime was watching game shows on television. In 1995, parole officers and Mielke's attorneys argued that he was "totally confused" and obtained his release. At 87 years of age, Erich Mielke was Germany's oldest prison inmate and had been incarcerated for 1,904 days. Days before his release, the Public Prosecutor of Berlin announced that he was "not interested in chasing an 87-year-old man anymore" and that all further prosecution of Mielke had been indefinitely suspended. According to Koehler, "[Mielke's] bank account, which held more than 300,000 Marks (about US$187,500), was confiscated. Before his arrest in 1989, the most feared man in East Germany had lived in a luxurious home with access to an indoor pool. In addition, he owned a palatial hunting villa, complete with a movie theater, trophy room, 60 servants, and a 60 square kilometers hunting preserve. After he was released from prison Mielke was obliged to move into a two-room, 55-square-meter flat. Like all Stasi pensioners, he would henceforth have to live on 802 marks (about US$512) a month." Death Erich Mielke died on 21 May 2000, aged 92, in a Berlin nursing home. After being cremated at the crematorium in Meissen, an urn containing Mielke's ashes was buried in an unmarked grave at the Zentralfriedhof Friedrichsfelde in Berlin. An estimated 100 people reportedly attended the funeral. Erich Mielke's grave is outside the memorial section established at the entrance in 1951 by East German leaders for communist heroes. Within hours of his funeral, the flowers and wreaths left at Mielke's grave were ripped to shreds by persons unknown. Legacy Writing in 2003, Australian journalist Anna Funder declared, "The name Mielke has now come to mean 'Stasi.' Victims are dubiously honored to find his signature in their files: on plans for someone to be observed 'with all possible methods', on commands for arrest, for kidnapping, instructions to judges for sentencing, orders for 'liquidation'. The honor is dubious because... he signed so many." In 2012, the museum at the former Stasi headquarters opened Mielke's office as a permanent exhibit. Soon after, The Guardian correspondent Tam Eastley visited the exhibit and numerous sites in Berlin connected to Mielke's life, times, and legacy. When she visited Mielke's grave, Eastley found that it had become a shrine for adherents of Ostalgie. Personal life Erich Mielke was a fitness enthusiast, a non-smoker, and drank very little. He was a keen hunter and owned a large area of ground where he would hunt animals with other East German and visiting Soviet officials. During the late 1940s, when Mielke was working as security chief of the DWK, he began a relationship with Gertrud Mueller, a seamstress. On 18 December 1948, shortly after the birth of their son Frank Mielke, Erich and Gertrud married in a civil ceremony. According to the newspaper Bild, the Mielkes adopted an orphaned girl named Ingrid, who was born in 1950. Like her adopted brother Frank, Ingrid Mielke attended the Wilhelm Pieck School. She ultimately became a captain in the Stasi and married a Stasi Lieutenant named Norbert Knappe. As of 1999, the Knappes had both refused to grant an interview to Bild reporters. In popular culture Erich Mielke has appeared as a character in both films and novels set in the GDR. Volker Schlöndorff's The Legend of Rita (2000), which focuses on Stasi collusion with the West German far-left terrorist organization Rote Armee Fraktion. In conversation with fictional Stasi officer Erwin Hull (Martin Wuttke), Mielke (Dietrich Körner) expresses admiration for the RAF's campaign against the United States, West Germany, and the State of Israel, which he compares with his own activities against the Weimar Republic and the Nazis. The RAF members are then brought to a training camp, where Stasi agents instruct them in the use of grenade launchers and other kinds of military hardware. Mielke's name is never disclosed and Agent Hull addresses him only as, "Comrade General." () Florian Henckel von Donnersmarck's The Lives of Others (2006), which focuses on the Stasi's surveillance and repression of the East German population. In the film, a previously loyal GDR playwright named Georg Dreymann (Sebastian Koch) publishes an anonymous article in the West German magazine Der Spiegel which accuses East Germany's Minister of Culture of having persecuted a blacklisted stage director until he hanged himself. Soon after the article goes to press, Mielke's voice is heard over the telephone giving a dressing down to fictional Stasi Lieutenant Colonel Anton Grubitz (Ulrich Tukur). Addressed only as "Genosse Armeegeneral" (Mielke was the only person to ever hold that rank in the Stasi), Mielke threatens to throw Grubitz in front of a firing squad if he fails to identify and arrest the article's author. In Philip Kerr's novel Field Grey (2010), Mielke first appears in 1931 Berlin, when protagonist Bernie Gunther saves him from being murdered by Nazi Brownshirts. The novel then flashes forward to 1954, when Gunther is recruited into a CIA plot to abduct Mielke from East Berlin. Honours and awards Mielke received a large number of awards and commemorative medals from organisations within the German Democratic Republic and from allied states. A more complete list is available (in German) at Liste der Orden und Ehrenzeichen des Erich Mielke. Awards of the German Democratic Republic Patriotic Order of Merit in gold (7 October 1954) Six Orders of Karl Marx (28 December 1957, 20 November 1973, 1 December 1975, 28 December 1977, 28 June 1982, 28 December 1982) Twice Hero of Labour of the GDR (5 October 1964, 24 February 1968) Twice Hero of the GDR (1 December 1975, 28 December 1982) Banner of Labour (8 May 1960) Medal for Exemplary Border Service (26 April 1956) Medal for Faithful Service in the National People's Army; Bronze (7 October 1957) Silver (8 February 1959) Gold (1 July 1960) Gold for 20 years service (8 February 1965) Medal for Fighters Against Fascism (6 September 1958) Gold Medal of Merit of the National People's Army (1 March 1957) Scharnhorst Order, twice (25 September 1979, 7 October 1984) Awards of the Soviet Union Hero of the Soviet Union (25 December 1987) Four Orders of Lenin (12 June 1973, 28 December 1982, 1 April 1985, 28 December 1987) Order of the Patriotic War, 1st class (6 May 1970) Four Orders of the Red Banner (23 October 1958, 5 February 1968, 28 December 1977, February 1980) Jubilee Medal "50 Years of the Soviet Militia" (20 December 1967) Jubilee Medal "In Commemoration of the 100th Anniversary since the Birth of Vladimir Il'ich Lenin" (1970) Medal "For Distinction in Guarding the State Border of the USSR" (6 January 1970) Order of the October Revolution (February 1975) Other states Order of Georgi Dimitrov (Bulgaria, 28 December 1982) Order of Friendship (Czechoslovakia) (28 December 1982) Order of the Red Star (Czechoslovakia) (16 November 1970) References Further reading Buckley, Jr., William F. (2004), The Fall of the Berlin Wall, John Wiley & Sons, Inc. Funder, Anna (2003), Stasiland: True Stories from Behind the Berlin Wall, Granta Books, London. Kuchel, Dany (2011) "Le Glaive et le Bouclier", une histoire de la Stasi en France. Otto, Wilfriede, Erich Mielke, Biographie: Aufstieg und Fall eines Tschekisten. Dietz-Verlag, Berlin 2000, . Peterson, Edward N. (2002). The Secret Police and the Revolution: The Fall of the German Democratic Republic, Praeger Publications, Westport, Connecticut. London. Pickard, Ralph (2007). STASI Decorations and Memorabilia, A Collector's Guide. Frontline Historical Publishing. Pickard, Ralph (2012). STASI Decorations and Memorabilia Volume II. Frontline Historical Publication. 1907 births 2000 deaths Politicians from Berlin Communist Party of Germany politicians Members of the Politburo of the Central Committee of the Socialist Unity Party of Germany Government ministers of East Germany Members of the 3rd Volkskammer Members of the 4th Volkskammer Members of the 5th Volkskammer Members of the 6th Volkskammer Members of the 7th Volkskammer Members of the 8th Volkskammer Members of the 9th Volkskammer East German spies German Comintern people German emigrants to the Soviet Union German politicians convicted of crimes Köllnisches Gymnasium alumni German people convicted of murdering police officers International Brigades personnel German people of the Spanish Civil War German police officers convicted of murder German spies for the Soviet Union Great Purge perpetrators Interwar-period spies NKVD officers Murders of Paul Anlauf and Franz Lenck Perpetrators of political repression in the Second Spanish Republic People convicted of murder by Germany Prisoners and detainees of Germany Stasi generals Stasi officers convicted of crimes SV Dynamo Collaborators with the Soviet Union German anti-Zionists International Lenin School alumni Recipients of the Scharnhorst Order Recipients of the Patriotic Order of Merit (honor clasp) Recipients of the Banner of Labor Foreign Heroes of the Soviet Union Recipients of the Order of Lenin Recipients of the Order of the Red Banner Recipients of the Medal "For Distinction in Guarding the State Border of the USSR" Recipients of the Order of Georgi Dimitrov 20th-century German criminals People from Mitte German mass murderers Criminals from Berlin German military personnel of World War II	true	[ "The Murders of Paul Anlauf and Franz Lenck were a double homicide that took place in Berlin, Germany on 9 August 1931, when police captains Paul Anlauf and Franz Lenck were assassinated by the paramilitary wing of the Communist Party of Germany (KPD). Both Anlauf and Lenck were members of the Social Democratic Party of Germany (SPD). One of the murderers, Erich Mielke, later became the head of the Stasi, the secret police of East Germany, and it was only in 1993 that he was tried and convicted of the murders.\n\nPlanning and execution\nDuring the last days of the Weimar Republic, Berlin's contingent of the Communist Party of Germany (KPD) had a policy of assassinating a Berlin police officer in retaliation for every KPD member killed by the police. On August 2, 1931, KPD Reichstag members Heinz Neumann and Hans Kippenberger received a dressing down from future East German Premier Walter Ulbricht, the KPD's leader in the Berlin-Brandenburg region. Enraged by police interference and by Neumann and Kippenberger's failure to follow the policy, Ulbricht snarled, \"At home in Saxony we would have done something about the police a long time ago. Here in Berlin we will not fool around much longer. Soon we will hit the police in the head.\"\n\nAs a result of Ulbricht's words, Kippenberger and Neumann decided to assassinate Captain Paul Anlauf, the forty-two-year-old commander of the Berlin Police's Seventh Precinct. Captain Anlauf, a widower with three daughters, had been nicknamed Schweinebacke, or \"Pig Cheek\" by the KPD. According to John Koehler:\n\nOn the morning of Sunday 9 August 1931, Kippenberger and Neumann gave a final briefing to the hit team in a room at the Lassant beer hall. Two young members of the Parteiselbstschutz, Erich Mielke and Erich Ziemer, were selected as the shooters. During the meeting, Max Matern gave a Luger pistol to a fellow lookout and said, \"Now we're getting serious... We're going to give Schweinebacke something to remember us by.\" Kippenberger then asked Mielke and Ziemer, \"Are you sure that you are ready to shoot Schweinebacke?\" Mielke responded that he had seen Captain Anlauf many times during police searches of Party Headquarters. Kippenberger then instructed them to wait at a nearby beer hall which would permit them to overlook the entire Bülowplatz. He further reminded them that Anlauf was accompanied everywhere by Senior Sergeant Max Willig, whom the KPD had nicknamed \"Hussar.\" Kippenberger concluded, \"When you spot Schweinebacke and Hussar, you take care of them.\" Mielke and Ziemer were informed that, after the assassinations were completed, a diversion would assist in their escape. They were then to return to their homes and await further instructions.\n\nThat evening, Captain Anlauf was lured to Bülowplatz by a violent rally demanding the dissolution of the Prussian parliament. According to Koehler: As was often the case when it came to battling the dominant SPD, the KPD and the Nazis had combined forces during the pre-plebiscite campaign. At one point in this particular campaign, Nazi propaganda chief Joseph Goebbels even shared a speaker's platform with KPD agitator Walter Ulbricht. Both parties wanted the parliament dissolved because they were hoping that new elections would oust the SPD, the sworn enemy of all radicals. That fact explained why the atmosphere was particularly volatile this Sunday.\n\nAt eight o'clock that evening, Mielke and Ziemer spotted Captain Anlauf, Sergeant Willig, and Captain Franz Lenck walking in front of the Babylon Cinema, which was located at the corner of Bülowplatz and Kaiser-Wilhelm-Straße. As they reached the door of the movie house, the policemen heard someone scream \"Schweinebacke!\"\n\nAs Captain Anlauf turned towards the sound, Mielke and Ziemer opened fire at point blank range. Sergeant Willig was wounded in the left arm and the stomach. However, he managed to draw his Luger and fired a full magazine at the assailants. Captain Franz Lenck was shot in the chest and fell dead in front of the entrance. Willig crawled over to Captain Anlauf, who had taken two bullets in the neck. As he died, the Captain gasped, \"Wiedersehen... Gruss...\" (\"So Long... Goodbye...\"). Meanwhile, Mielke and Ziemer made their escape.\n\nAftermath\nAccording to John Koehler:\n\nThousands of Berliners attended the funeral of the police officers. A monument, created by Hans Dammann, was erected to commemorate Anlauf and Lenck at the former Bülowplatz, then renamed Horst-Wessel-Platz, in 1934, and was opened with a ceremony on 29 September that year. In the aftermath, Captain Anlauf's oldest daughter was forced to drastically rush her planned wedding in order to keep her sisters out of an orphanage.\n\nAccording to Koehler:\n\nKoehler also stated:\n\nOn 19 June 1934, the 15 conspirators were convicted of first degree murder. The three deemed most culpable, Michael Klause, Max Matern, and Friedrich Bröde, were sentenced to death. Their co-defendants received sentences ranging from nine months to fifteen years incarceration at hard labor. Klause's sentence was commuted to life in prison based upon his cooperation. Bröde hanged himself in his cell. As a result, only Matern was left to be executed by beheading on 22 May 1935. Matern was subsequently glorified as a martyr by KPD and East German propaganda. Erich Ziemer was officially killed in action while serving as an agent in the Servicio de Información Militar, the secret police of the Second Spanish Republic. Neumann and Kippenberger ultimately fled to the Soviet Union after their involvement in the killings was revealed. Ironically, both were arrested, tortured, and executed by the NKVD during Joseph Stalin's Great Purge.\n\nGhosts of Bülowplatz\nAs the last survivor of the hit squad, Mielke would go on to lead the East German secret police, or Stasi, between 1957 and 1989.\n\nIn February 1992, Mielke was put on trial for the first degree murders of Captains Anlauf and Lenck as well as the attempted murder of Senior Sergeant Willig.<ref>\"E. German Stasi Chief on Trial; Political Error Seen : Justice: The spectacle seems an embarrassment. The murder charges predate communism's rise,\" Los Angeles Times', February 11, 1992.</ref> The evidence for Mielke's guilt was drawn from the original police files, the 1934 trial transcripts, and a handwritten memoir in which Mielke had admitted that \"the Bülowplatz Affair\" had been his reason for fleeing Germany. All had been found in Mielke's house safe during a police search in 1990. Mielke was believed to have kept the files for purposes of \"blackmailing Honecker and other East German leaders.\" Former Associated Press reporter and White House Press Secretary John Koehler also testified about how Mielke had boasted of his involvement in the Bülowplatz murders during a confrontation at Leipzig in 1965.\n\nDuring his trial, Mielke appeared increasingly senile, admitting his identity but otherwise remaining silent, taking naps, and showing little interest in the proceedings. In a widely publicized incident, Mielke appeared to mistake the presiding judge for a prison barber. When a journalist for Der Spiegel'' attempted to interview him in Plötzensee Prison, Mielke responded \"I want to go back to my bed\" (). Opinion was divided whether Mielke was suffering from senile dementia or was pretending in order to evade prosecution.\n\nAfter twenty months of one and a half hour daily sessions, Erich Mielke was convicted of two counts of murder and one of attempted murder. On 26 October 1993, a panel of three judges and two jurors sentenced him to six years' imprisonment. In pronouncing sentence, Judge Theodor Seidel, told Mielke that he \"will go down in history as one of the most fearsome dictators and police ministers of the 20th century.\"\n\nAfter being paroled due to his advanced age and poor mental health, Mielke died on 21 May 2000, aged 92, in a Berlin nursing home. On 8 June 2000, flowers and wreathes left on his grave were found ripped apart and the grave defaced. The perpetrators of this vandalism were never caught.\n\nReferences\n\nResources\n \n \n\n1931 crimes in Germany\n1931 murders in Europe\n1930s in Berlin\n1930s murders in Germany\nMurders of Paul Anlauf and Franz Lenck\nAugust 1931 events\nCommunist Party of Germany\nCrimes against police officers in Germany\nDeaths by firearm in Germany\nDeaths by person in Germany\nGerman murder victims \nGerman terrorism victims\nMale murder victims\nGerman police officers\nPeople murdered in Berlin\nPolice officers killed in the line of duty\nTerrorist incidents in Berlin \nTerrorist incidents in the 1930s", "Willi Kreikemeyer (1894 – c. 1950) was a German labourer and a Communist. From 1941 he and his wife Marthe Kreikemeyer were close assistants of Noel Field who supported German anti-Nazi refugees in France and Switzerland. He died in East German detention as a victim of the Noel Field show trials, which had the function to replace Communist Party officials with others more aligned with Moscow.\n\nLife \n\nKreikemeyer was a skilled lathe worker. He joined the union in 1910 and 1919 the newly formed Communist Party. Through his work for the Communist Party functionary, he came into close contact with Willi Münzenberg.\n\nKreikemeyer was severely wounded in the Spanish Civil War and then later used as the first Chief Executive of the German department, as Chefadjudant for all senior divisions of the International Brigades. In these activities he had contact with Erich Mielke, who was then under the code name Leistner or Leissner chief of the instruction department and adjutant of the central administration. Among other things, it is known that both efforts Kreikemeyer Mielke knew to settle in the safe in Mexico, as well as to help that Mielke from the Fund Noel Field erhielt.\n\nPost-war period \nAfter the Second World War they settled in East Berlin. In 1949 Kreikemeyer became Director General of the East German railway company Deutsche Reichsbahn.\n\nWhen in 1950 the slandering campaign started against Noel Field – he was accused of having built an anti-Communist spy network while pretending to be a Communist sympathizer – Kreikemeyer was arrested and never seen again. At least one propaganda article against the alleged spy was published in an East German newspaper and a show trial against him was prepared, but never took place. Mrs Kreikemeyer wrote dozens of letters to the GDR authorities inquiring about her husband's fate. For seven years the authorities pretended that Willi Kreikemeyer was alive and well, waiting for his trial. Fearing her own arrest, Mrs Kreikemeyer escaped to her home country France in 1954. She continued writing her letters. In 1957 she was told that Willi Kreikemeyer had died a few days after his imprisonment.\n\nErich Mielke (later the East German Minister of State Security) had been responsible for the detainee. In a confidential document he claimed that Kreikemeyer had committed suicide in his prison cell on 31 August 1950. This story has been proven to be a lie. But what really happened to Kreikemeyer can hardly be reconstructed.\n\nToday it is known that Kreikemeyer named Mielke as one of the persons supported by Noel Field. That information threatened Mielke's career: according to a Soviet order, people, who had spent the war in the West had to resign from public office. (In his official CV, Mielke claimed that he had fought in the Red Army during World War II). What's more, alleged collaboration with an \"American spy\" could have led to the death penalty.\n\nIt is therefore likely that Willi Kreikemeyer was murdered on behalf of Erich Mielke.\n\nRehabilitation \nThe newly established, emerged from the SED to PDS - Today \"The Left\", decided at a meeting on 20–21 January 1990, among other things, people who the bloody terror of Stalin in the Soviet Union have fallen victim to rehabilitate. The Arbitration Commission of the PDS has rehabilitated 48 people politically, who suffered under Stalinist persecution and imprisonment, or been murdered. \"In the interest of the renewal of the party and on the basis of the then applicable statute lift all sanctions in the past expressed party.\" Furthermore, subjects who received the late 40s and early 50s of the 20th Century excluded because of their past affiliation with the SPD under the stigma of \"social democracy\" as a so-called Schumacher agents from the SED and arrested, or in connection with the fictional spy, Noel Field, and the Stalinist show trials in Hungary against László Rajk and others in Bulgaria Traicho Kostov and against others and against Rudolf Slansky in Czechoslovakia, and others were also persecuted by the SED as alleged agents of imperialism or imprisoned. These include, among others rehabilitated a total of 28: Leo Bauer, Alfred Drögemüller, Max Emendörfer, and Stanislaw Trabalski\n\nReferences\n\nBibliography\n Wolfgang Kießling Leistner ist Mielke. Schatten einer gefälschten Biographie (Leistner is Mielke. Shadow of a faked biography) Aufbau Taschenbuch Verlag, Berlin 1998, \n Wilfriede Otto „Das Verschwinden des Willi Kreikemeyer“ (The disappearance of Willi Kreikemeyer) 1999\n\n1894 births\n1950 deaths\nYear of death uncertain\nEast German politicians\nGerman communists\nGerman people of the Spanish Civil War\nGerman people who died in prison custody\nInternational Brigades personnel\nSocialist Unity Party of Germany members" ]
[ "Erich Mielke", "Imprisonment", "When was Mielke imprisoned?", "1989,", "What crime was he convicted of?", "ruling that Mielke was not mentally fit to stand trial.", "How long was Mielke imprisoned?", "1,904 days." ]	C_3d20ba2e0075405eba35f1fa8f36a9f7_0	What happened during his imprisonment?	4	What happened during Erich Mielke's imprisonment?	Erich Mielke	Mielke was then put on trial for ordering the shootings of East Germans who were trying to defect to the West. In November 1994, the presiding judge closed the proceedings, ruling that Mielke was not mentally fit to stand trial. During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters. Although it was not connected to the outside world, Mielke enjoyed having imaginary conversations with non-existent Stasi agents. His other favorite pastime was watching game shows on television. In 1995, parole officers and Mielke's attorneys argued that he was "totally confused" and obtained his release. At 87 years of age, Erich Mielke was Germany's oldest prison inmate and had been incarcerated for 1,904 days. Days before his release, the Public Prosecutor of Berlin announced that he was "not interested in chasing an 87 year old man anymore" and that all further prosecution of Mielke had been indefinitely suspended. According to Koehler: [Mielke's] bank account, which held more than 300,000 marks (about US $187,500), was confiscated. Before his arrest in 1989, the most feared man in East Germany had lived in a luxurious home with access to an indoor pool. In addition, he owned a palatial hunting villa, complete with a movie theater, trophy room, 60 servants, and a 15,000 acre hunting preserve. After he was released from prison Mielke was obliged to move into a two room, 600-square-foot flat. Like all Stasi pensioners, he would henceforth have to live on 802 marks (about US$512) a month. CANNOTANSWER	Mielke enjoyed having imaginary conversations with non-existent Stasi agents.	Erich Fritz Emil Mielke (; 28 December 1907 – 21 May 2000) was a German communist official who served as head of the East German Ministry for State Security (Ministerium für Staatsicherheit – MfS), better known as the Stasi, from 1957 until shortly after the fall of the Berlin Wall in 1989. A native of Berlin and a second-generation member of the Communist Party of Germany, Mielke was one of two triggermen in the 1931 murders of Berlin Police captains Paul Anlauf and Franz Lenck. After learning that a witness had survived, Mielke escaped arrest by fleeing to the Soviet Union, where the NKVD recruited him. He was one of the key figures in the decimation of Moscow's German Communists during the Great Purge as well as in the persecution of suspected anti-Stalinists in the International Brigade during the Spanish Civil War. Following the end of World War II in 1945, Mielke returned to the Soviet Zone of Occupied Germany, which he helped organize into a Marxist-Leninist satellite state under the Socialist Unity Party (SED), later becoming head of the Stasi. According to historian Jack Koehler, he was "the longest serving secret police chief in the Soviet Bloc". The Stasi under Mielke has been called by historian Edward Peterson the "most pervasive police state apparatus ever to exist on German soil". In a 1993 interview, Holocaust survivor and Nazi-hunter Simon Wiesenthal has said that, if one considers only the oppression of their own people, the Stasi under Mielke was "much, much worse than the Gestapo". During the 1950s and 1960s Mielke led the process of forcibly forming collectivised farms from East Germany's family-owned farms, which sent a flood of refugees to West Germany. In response, Mielke oversaw the construction (1961) of the Berlin Wall and co-signed orders to shoot fatally all East Germans who attempted to leave the country. He also oversaw the establishment of pro-Soviet police states and paramilitary insurgencies in Western Europe, Latin America, Africa, and the Middle East. In addition to his role as head of the Stasi, Mielke was also an Army General in the National People's Army (Nationale Volksarmee), and a member of the SED's ruling Politburo. Dubbed "The Master of Fear" () by the West German press, Mielke was one of the most powerful and most hated men in East Germany. After German reunification in 1990, Mielke was arrested (1991), prosecuted (1992), convicted, and incarcerated (1993) for the 1931 murders of Paul Anlauf and Franz Lenck. Released from prison early due to ill health in 1995, he died in a Berlin nursing home in 2000. Early life Erich Mielke was born in a tenement in Berlin-Wedding, Brandenburg, on 28 December 1907. During the First World War, the neighborhood was known as "Red Wedding" due to many residents' Marxist militancy. In a handwritten biography written for the Soviet secret police, Mielke described his father as "a poor, uneducated woodworker," and said that his mother died in 1911. Both were, he said, members of the Social Democratic Party of Germany (SPD). After his remarriage to "a seamstress," the elder Mielke and his new wife joined the Independent Social Democratic Party of Germany and remained members when it was renamed the Communist Party of Germany (KPD). His son Erich claimed "My younger brother Kurt and two sisters were Communist sympathisers." Despite his family's poverty, Erich Mielke was academically gifted enough to be awarded a free scholarship in the prestigious Köllnisches Gymnasium, but was expelled on 19 February 1929, for being "unable to meet the great demands of this school." While attending the Gymnasium, Mielke joined the Communist Party of Germany in 1925, and worked as a reporter for the communist newspaper Rote Fahne from 1928 to 1931. During the Weimar Republic, the KPD was the largest communist party in Europe and was seen as the "leading party" of the communist movement outside the Soviet Union. Under Ernst Thälmann's leadership, the KPD was completely obedient to Soviet Premier Joseph Stalin, and from 1928 the Party was both funded and controlled by the Comintern in Moscow. Until the end of the Republic, the KPD viewed the Social Democratic Party of Germany (SPD), which dominated German politics between 1918 and 1931, as their mortal enemy. In keeping with Stalin's policy towards social democracy, the KPD considered all SPD members to be "social fascists". The KPD also believed that all other political parties were "fascist" and regarded itself as "the only anti-fascist Party" in Germany. Nevertheless, the KPD closely collaborated with the Nazi Party during the early 1930s and both Parties intended to replace the democratically elected government of the Weimar Republic with a totalitarian single party state. Soon after joining the Party, Mielke joined the KPD's paramilitary wing, or Parteiselbstschutz ("Party Self Defense Unit"). At the time, the Parteiselbstschutz in Berlin was commanded by KPD Reichstag Representatives Hans Kippenberger and Heinz Neumann. According to John Koehler, "Mielke was a special protege of Kippenberger's having taken to his paramilitary training with the enthusiasm of a Prussian Junker. World War I veterans taught the novices how to handle pistols, rifles, machine guns, and hand grenades. This clandestine training was conducted in the sparsely populated, pastoral countryside surrounding Berlin. Mielke also pleased Kippenberger by being an exceptional student in classes on the arts of conspiratorial behavior and espionage, taught by comrades who had studied at the secret M-school of the GRU in Moscow." According to John Koehler, members of the Parteiselbstschutz "served as bouncers at Party meetings and specialized in cracking heads during street battles with political enemies." Besides the ruling SPD and its paramilitary Reichsbanner forces, the arch-enemies of the Parteiselbstschutz were the Stahlhelm, which was the armed wing of the Monarchist German National People's Party (DVNP), Trotskyites, and "radical nationalist parties." According to Koehler, the KPD's Selbstschutz men "always carried a Stahlrute, two steel springs that telescoped into a tube seventeen centimeters long, which when extended became a deadly, 35-centimeter weapon. Not to be outdone by the Nazis, these street-fighters were often armed with pistols as well." In a 1931 biography written for the Cadre Division of the Comintern, Mielke recalled, "We took care of all kinds of work; terror acts, protecting illegal demonstrations and meetings, arms-trafficking, etc. The last work, which was accomplished by a Comrade and myself, was the Bülowplatz Affair" (). Bülowplatz murders Planning During the last days of the Weimar Republic, the KPD had a policy of assassinating two Berlin police officers in retaliation for every KPD member killed by the police. On 2 August 1931, KPD Members of the Reichstag Heinz Neumann and Hans Kippenberger received a dressing down from Walter Ulbricht, the Party's leader in the Berlin-Brandenburg region. Enraged by police interference and by Neumann and Kippenberger's failure to follow the policy, Ulbricht stated, "At home in Saxony we would have done something about the police a long time ago. Here in Berlin we will not fool around much longer. Soon we will hit the police in the head." Enraged by Ulbricht's words, Kippenberger and Neumann decided to assassinate Paul Anlauf, the 42-year-old Captain of the Berlin Police's Seventh Precinct. Captain Anlauf, a widower with three daughters, had been nicknamed "Schweinebacke", or "Pig Face" by the KPD. According to historian John Koehler, "Of all the policemen in strife-torn Berlin, the reds hated Anlauf the most. His precinct included the area around KPD headquarters, which made it the most dangerous in the city. The captain almost always led the riot squads that broke up illegal rallies of the Communist Party." On the morning of Sunday 9 August 1931, Kippenberger and Neumann gave a last briefing to the hit-team in a room at the Lassant beer hall. Mielke and Erich Ziemer were selected as the shooters. During the meeting, Max Matern gave a Luger pistol to fellow lookout Max Thunert and said, "Now we're getting serious. We're going to give Schweinebacke something to remember us by." Kippenberger then asked Mielke and Ziemer, "Are you sure that you are ready to shoot Schweinebacke?" Mielke responded that he had seen Anlauf many times during police searches of Party Headquarters. Kippenberger then instructed them to wait at a nearby beer hall which would permit them to overlook the entire Bülow-Platz. He further reminded them that Anlauf was accompanied everywhere by Senior Sergeant Max Willig, whom the KPD had nicknamed, "Hussar". Kippenberger concluded, "When you spot Schweinebacke and Hussar, you take care of them." Mielke and Ziemer were informed that, after the assassinations were completed, a diversion would assist in their escape. They were then to return to their homes and await further instructions. That evening, Anlauf was lured to Bülow-Platz by a violent rally demanding the dissolution of the Prussian Parliament. According to Koehler, "As was often the case when it came to battling the dominant SPD, the KPD and the Nazis had combined forces during the pre-plebiscite campaign. At one point in this particular campaign, Nazi propaganda chief Joseph Goebbels even shared a speaker's platform with KPD agitator Walter Ulbricht. Both parties wanted the parliament dissolved because they were hoping that new elections would oust the SPD, the sworn enemy of all radicals. That fact explained why the atmosphere was particularly volatile this Sunday." Murder at the Babylon Cinema At eight o'clock that evening, Mielke and Ziemer waited in a doorway as Anlauf, Willig, and Captain Franz Lenck walked toward the Babylon Cinema, which was located at the corner of Bülowplatz and Kaiser-Wilhelm-Straße. As they reached the door of the movie house, the policemen heard someone scream, "Schweinebacke!" As Anlauf turned toward the sound, Mielke and Ziemer opened fire at point blank range. Willig was wounded in the left arm and the stomach. However, he managed to draw his Luger pistol and fired a full magazine at the assailants. Lenck was shot in the chest and fell dead in front of the entrance. Willig crawled over and cradled the head of Anlauf, who had taken two bullets in the neck. Meanwhile, Mielke and Ziemer made their escape by running into the theater and out an emergency exit. They tossed their pistols over a fence, where they were later found by Homicide Detectives from the elite Mordkommission. Mielke and Ziemer then returned to their homes. According to Koehler, "Back at Bülowplatz, the killings had triggered a major police action. At least a thousand officers poured into the square, and a bloody street battle ensued. Rocks and bricks were hurled from the rooftops. Communist gunmen fired indiscriminately from the roofs of surrounding apartment houses. As darkness fell, police searchlights illuminated the buildings. Using megaphones, officers shouted, "Clear the streets! Move away from the windows! We are returning fire!" By now the rabble had fled the square, but shooting continued as riot squads combed the tenements, arresting hundreds of residents suspected of having fired weapons. The battle lasted until one o'clock the next morning. In addition to the two police officers, the casualties included one Communist who died of a gunshot wound and seventeen others who were seriously wounded." Anlauf's wife had died three weeks earlier of kidney failure. The murder of Anlauf thus left their three daughters as orphans. Their oldest daughter was forced to rush her planned wedding in order to keep her sisters from being put in an orphanage. Lenck was survived by his wife. Willig was hospitalized for 14 weeks, but made a full recovery and returned to active duty. In recognition for Willig's courage, the Berlin Police promoted him to Lieutenant. After the murders, the act was celebrated at the Lichtenberger Hof, a favorite beer hall of the Rotfrontkämpferbund, where Mielke boasted: "Today we celebrate a job that I pulled!" () Fugitive According to Koehler, "Kippenberger was alarmed when word reached him that Sergeant Willig had survived the shooting. Not knowing whether the sergeant could talk and identify the attackers, Kippenberger was taking no chances. He directed a runner to summon Mielke and Ziemer to his apartment at 74 Bellermannstrasse, only a few minutes walk from where the two lived. When the assassins arrived, Kippenberger told them the news and ordered them to leave Berlin at once. The parliamentarian's wife Thea, an unemployed schoolteacher and as staunch a Communist Party member as her husband, shepherded the young murderers to the Belgian border. Agents of the Communist International (Comintern) in the port city of Antwerp supplied them with money and forged passports. Aboard a merchant ship, they sailed for Leningrad. When their ship docked, they were met by another Comintern representative, who escorted them to Moscow." Beginning in 1932, Mielke attended the Comintern's Military Political school under the alias Paul Bach. He later graduated from the Lenin School shortly before being recruited into the OGPU. Trial According to Koehler, "In mid-March 1933, while attending the Lenin School, Mielke received word from his OGPU sponsors that Berlin police had arrested Max Thunert, one of the conspirators in the Anlauf and Lenck murders. Within days, fifteen other members of the assassination team were in custody. Mielke had to wait six more months before the details of the police action against his Berlin comrades reached Moscow. On 14 September 1933, Berlin newspapers reported that all fifteen had confessed to their roles in the murders. Arrest warrants were issued for ten others who had fled, including Mielke, Ziemer, Ulbricht, Kippenberger, and Neumann." Koehler also stated, "Defenders of Mielke later claimed that confessions had been obtained under torture by the Nazi Gestapo. However, all suspects were in the custody of the regular Berlin city criminal investigation bureau, most of whose detectives were SPD members. Some of the suspects had been nabbed by Nazi SA men and probably beaten before they were turned over to police. In the 1993 trial of Mielke, the court gave the defense the benefit of the doubt and threw out a number of suspect confessions." On 19 June 1934, the 15 conspirators were convicted of first degree murder. The three deemed most culpable, Michael Klause, Max Matern, and Friedrich Bröde were sentenced to death. Their co-defendants received sentences ranging from nine months to fifteen years incarceration at hard labor. Klause's sentence was commuted to life in prison based upon his cooperation. Bröde hanged himself in his cell. As a result, only Matern was left to be executed by beheading on 22 May 1935. Matern was subsequently glorified as a martyr by KPD and East German propaganda. Ziemer was officially killed in action while fighting on the Republican-side during the Spanish Civil War. Mielke, however, would not face trial for the murders until 1993. Career in Soviet intelligence The Great Terror Although Moscow's German Communist community was decimated during Joseph Stalin's Great Purge, Mielke survived and was promoted. In a handwritten autobiography prepared after World War II, Mielke recalled, "During my stay in the S.U. (Soviet Union), I participated in all Party discussions of the K.P.D. and also in the problems concerning the establishment of socialism and in the trials against the traitors and enemies of the S.U." Among the German communists executed as a result of these "discussions" were Mielke's former mentors Heinz Neumann and Hans Kippenberger. Mielke further recalled, "I was a guest on the honor grandstand of Red Square during the May Day and October Revolution parades. I became acquainted with many comrades of the Federation of World Communist Parties and the War Council of the Special Commission of the Comintern. I will never forget my meeting with Comrade Dimitrov, the Chairman of the Comintern, whom I served as an aide together with another comrade. I saw Comrade Stalin during all demonstrations at Red Square, especially when I stood on the grandstand. I mention these meetings because all these comrades are our models and teachers for our work." During his time in the USSR, Mielke also developed a lifelong reverence for Felix Dzerzhinsky, the Polish aristocrat who founded the Soviet secret police. Mielke also began an equally permanent habit of calling himself a Chekist. In a citation written decades later, Mielke described his philosophy of life, "The Chekist is the political combatant. He is the loyal son of... the workers' class. He stands at the head of the battle to strengthen the power of our workers' and peasants' state." Spanish Civil War From 1936 to 1939, Mielke served in Spain as an operative of the Servicio de Investigación Militar, the political police of the Second Spanish Republic. While attached to the staff of, "veteran GRU agent," and future Stasi minister Wilhelm Zaisser, Mielke used the alias Fritz Leissner. Bernd Kaufmann, the director of the Stasi's espionage school later said, "The Soviets trusted Mielke implicitly. He earned his spurs in Spain." At the time, the S.I.M. was heavily staffed by agents of the Soviet NKVD, whose Spanish rezident was General Aleksandr Mikhailovich Orlov. According to author Donald Rayfield, "Stalin, Yezhov, and Beria distrusted Soviet participants in the Spanish war. Military advisors like Vladimir Antonov-Ovseenko, journalists like Koltsov were open to infection by the heresies, especially Trotsky's, prevalent among the Republic's supporters. NKVD agents sent to Spain were therefore keener on abducting and murdering anti-Stalinists among Republican leaders and International Brigade commanders than on fighting Franco. The defeat of the Republic, in Stalin's eyes, was caused not by the NKVD's diversionary efforts, but by the treachery of the heretics." In a 1991 interview, Walter Janka, a fellow German communist exile and company commander in the International Brigade, recalled his encounters with Mielke. During the winter of 1936, Janka was summoned by the SIM and interrogated by Mielke. Mielke demanded to know why Janka had voluntarily traveled to Spain rather than being assigned there by the Party. When he told Mielke to get lost, the SIM demoted Janka to the ranks and then expelled him from the International Brigade. Years later, Janka recalled, "While I was fighting at the front, shooting at the Fascists, Mielke served in the rear, shooting Trotskyites and Anarchists." Upon the defeat of the Spanish Republic, Mielke fled across the Pyrenees Mountains to France, where he was interned at Camp de Rivesaltes, Pyrénées-Orientales. Mielke, however, managed to send a message to exiled KPD members and, in May 1939, escaped to Belgium. Although the Public Prosecutor of Berlin learned of Mielke's presence and filed for his extradition, the Belgian Government refused to comply, regarding the assassinations of Captains Anlauf and Lenck as "a political crime." The NKVD and the SIM's witch hunt for both real and imagined anti-Stalinists had serious consequences. It horrified numerous formerly pro-Soviet Westerners who had been witnesses, including John Dos Passos, Arthur Koestler and George Orwell, and caused them to permanently turn against the USSR. Mielke's belief that anti-Soviet Marxists had collaborated with Franco and stabbed the Republic in the back continued to shape his attitudes for the rest of his life. In a 1982 speech before a group of senior Stasi officers, he said, "We are not immune from villains among us. If I knew of any already, they wouldn't live past tomorrow. Short shrift. It's because I'm a Humanist, that I'm of this view." In the same speech, Mielke also said, "All this blithering over to execute or not to execute, for the death penalty or against—all rot, Comrades. Execute! And, when necessary, without a court judgment." World War II During World War II, Mielke's movements remain mysterious. In a biography written after the war, he claimed to have infiltrated Organisation Todt under the alias Richard Hebel, but historian John O. Koehler considers this unlikely. Koehler admits, however, "Mielke's exploits must have been substantial. By war's end, he had been decorated with the Order of the Red Banner, the Order of the Great Patriotic War First Class, and twice with the Order of Lenin. It is likely that he served as an NKVD agent, at least part of the time with guerrilla units behind German lines, for he knew all the partisan songs by heart and sang them in faultless Russian." Occupied Germany Komissariat-5 In April 1945, Mielke returned to the Soviet Zone of Occupied Germany aboard a special Soviet aircraft that also carried fellow German Communists Walter Ulbricht, Wilhelm Zaisser, Ernst Wollweber, and many of the future leaders of the East Germany. That same month, Mielke's future handler, NKGB General Ivan Serov, travelled to Germany from Warsaw and, from his headquarters in the Berlin suburb of Karlshorst, divided the Soviet Zone into "Operative Sectors." On 10 July 1945, Marshal Georgy Zhukov signed SMA Order No. 2, which legalized the re-establishment of "anti-fascist" political parties like the Communist Party of Germany (KPD). On 15 July 1945, Mielke walked into the KPD's headquarters and volunteered his services. In an autobiography written for the KPD, Mielke disclosed—truthfully—his involvement in the 1931 murders of Berlin Police Captains Anlauf and Lenck, and—mistakenly or misleadingly—that for this he had been tried in absentia, found guilty, and sentenced to death. In actuality, Mielke's "name was mentioned in the 1934 trials but he was never tried". He admitted—truthfully—fighting on the Republican side during the Spanish Civil War, but claimed—falsely—that he had been released from the French internment camps and had worked in Belgium for an underground Communist newspaper under the code name "Gaston". Furthermore, Mielke concealed his past and contemporaneous involvement with the NKVD, NKGB, and the Nazi Organisation Todt (which he asserted he'd infiltrated). According to Koehler, "As might be expected, Mielke's account of his past was approved by the Soviets. Had Serov not been part of the conspiracy, Mielke would have been instantly arrested or at least subjected to an intense internal investigation because of his membership in the Nazi Organisation Todt, which used thousands of slave laborers. But he was cleared in record time and by the end of June the Soviets had installed him as a station commander of the newly formed Volkspolizei (Vopo), the People's Police." On 16 August 1947, Serov ordered the creation of Kommissariat 5, the first German political police since the defeat of Nazi Germany. According to Anne Applebaum, however, not everyone approved of the plan. In Moscow, Soviet Interior Minister Viktor Abakumov argued that a new secret police force would be demonized by Western governments and the media, which would paint the K-5 as a "new Gestapo." Furthermore, Abakumov, like Stalin, intensely distrusted German Communists and alleged that there "were not enough German cadres who have been thoroughly checked." Notwithstanding Abakumov's objections, however, recruitment into the K-5 began almost immediately. It is possible, as Norman Naimark suspects, that the NKGB had realized that their officers' lack of fluency in the German language was engendering massive popular resentment. Wilhelm Zaisser, who had been Mielke's commanding officer in Republican Spain, was appointed the K-5's head. Mielke was installed as his deputy. According to John Koehler, "The K-5 was essentially an arm of the Soviet secret police. Its agents were carefully selected veteran German communists who had survived the Nazi-era in Soviet exile or in concentration camps and prisons. Their task was to track down Nazis and anti-communists, including hundreds of members of the Social Democratic Party. Mielke and his fellow bloodhounds performed this task with ruthless precision. The number of arrests became so great that the regular prisons could not hold them. Thus, Serov ordered the establishment or re-opening of eleven concentration camps, including the former Nazi death camps of Buchenwald and Sachsenhausen." According to Anne Applebaum, "One of the few documents from that era to survive (most were removed by the KGB or perhaps destroyed, in 1989 or before) mentions a departmental training meeting and included a list of attendees. Topping the list is a group of Soviet advisers. In this sense, K-5 did resemble the political police in the rest of Eastern Europe: as in Hungary, Poland, and the USSR itself, this new political police force was initially extra-governmental, operating outside the ordinary rule of law." According to Edward N. Peterson, "Not surprisingly, K-5 acquired a reputation as bad as that of Stalin's secret police and worse than that of the Gestapo. At least with the Nazis, albeit fanatically racist, their victims did not suddenly disappear into the GULAG." The Amalgamation Despite the K-5's mass arrests of members of the Social Democratic Party of Germany (SPD) in the Soviet Zone, the number of SPD members continued to grow. By March 1946, SPD members outnumbered KPD members by more than 100,000. Fearing that they would lose the elections scheduled for the autumn, the leadership of the KPD asked for and received Stalin's permission to merge the two parties. When the SPD's leadership agreed only to schedule a vote for the rank and file to decide, permission was denied by the Soviet occupation authorities. The K-5 then began mass arrests of SPD members who refused to support the merger. On 22 April 1946, the remaining leaders of the SPD in the Soviet Zone announced that they had united with the KPD to form the Socialist Unity Party of Germany (SED). The SPD in the western zones of Occupied Germany responded by forming the SPD East Bureau in order to support and finance those Social Democrats who refused to accept the merger. Those who joined or worked with the East Bureau were, however, in serious danger of arrest by the K-5 and trial by Soviet military tribunals. By 1950, more than 5,000 SPD members and sympathisers had been imprisoned in the Soviet Zone or transferred to the GULAG. More than 400 were either executed or died during their imprisonments. John Koehler has written that, prior to the spring of 1946, many Germans in the Soviet Zone, "merely shrugged at the wave of arrests, believing that the victims were former Nazi officials and war criminals." But then came the mass arrests of Social Democrats who opposed the merger, who, "were joined by people who had been denounced for making anti-communist or anti-Soviet remarks, among their number hundreds who were as young as fourteen years. Although these arrests were made by Germans purporting to be officials of the criminal police, the existence of the K-5 political police eventually was exposed. Mielke, meanwhile, had risen to the post of vice-president of the German Administration for Interior Affairs – the equivalent of the NKVD – and continued his manipulations from behind the scenes." Investigation In January 1947, two retired Berlin policemen recognized Mielke at an official function. Informing the head of the criminal police in West Berlin, the policemen demanded that Mielke be arrested and prosecuted for the murders of Captains Anlauf and Lenck. Wilhelm Kühnast, the Public Prosecutor of Berlin, was immediately informed and ordered a search of the Kammergericht archives. To his astonishment, the files of the 1931 murders had survived the wartime bombing of Germany. Finding ample evidence of Mielke's involvement, Kühnast ordered the arrest of the communist policeman. According to John Koehler, "At that time, the city administration, including the police, was under the control of the Allied Control Commission, which consisted of U.S., British, French, and Soviet military officers. All actions by city officials, including the judiciary, were to be reported to the Commission. The Soviet representative alerted the MGB. Action was swift. Marshal Vasily Sokolovsky, who had replaced Zhukov, protested, and his representatives at the Commission launched a vicious campaign to discredit Kühnast." The Soviet representatives falsely claimed that Kühnast, a jurist with an impeccable anti-Nazi record, had been an official of Roland Freisler's People's Court. Taking the Soviets at their word, the Western Allies removed Kühnast from his position and placed him under house arrest. During the Berlin airlift, Kühnast fled from his home in East Berlin and was granted political asylum in the American Zone. Meanwhile, the Soviet authorities confiscated all documents relating to the murders of Captains Anlauf and Lenck. According to Koehler, "The Soviets handed the court records to Mielke. Instead of destroying the incriminating papers, he locked them in his private safe, where they were found when his home was searched in 1990. They were used against him in his trial for murder." Deutsche Wirtschaftskommission In 1948, Mielke was appointed as security chief of the German Economic Commission (), the precursor to the future East German government. Mielke's task was to investigate the theft and sale of state property on the black market. He was also charged with intercepting the growing number of refugees fleeing to the French, British, and American Zones. Those his security forces caught while attempting to defect were used as slave labor in the uranium mines that were providing raw material for the Soviet atomic bomb project. German Democratic Republic Independence In 1949, the Soviet Military Administration ceded its legal functions to the newly created German Democratic Republic. On 14 January 1950, Marshal Vasili Chuikov announced that all Soviet "internment camps" on German soil had been closed. Soon after, the DWK was absorbed into the newly created Ministry for State Security. In keeping with earlier syllabic abbreviations along the same lines (see OrPo, KriPo, and GeStaPo) East Germans immediately dubbed it the "Stasi" (from Staatssicherheit). With the approval of the Soviets, Mielke's commanding officer from Spain and in the K5, Wilhelm Zaisser, was appointed as the Stasi's head. Mielke was appointed to his staff with the rank of State Secretary. Mielke was also granted a seat in the SED's ruling Politburo. According to John Koehler, "In the five years since the end of World War II, the Soviets and their vassals had arrested between 170,000 and 180,000 Germans. Some 160,000 had passed through the concentration camps, and of these about 65,000 had died, 36,000 had been shipped to the Soviet Gulag, and another 46,000 had been freed." In 1949, as a response to the remilitarization of East Germany and the Soviet blockade of West Berlin, the United States, Great Britain, France, Belgium, the Netherlands, Luxembourg, and Portugal formed the North Atlantic Treaty Organization, or NATO. In 1950, as a response to the outbreak of the Korean War, West Germany was also permitted to join NATO, which was then upgraded into a military alliance. According to Koehler, however, "As the Cold War intensified, living conditions in Soviet-occupied East Germany showed little improvement beyond the postwar level of bare subsistence. The new government of the DDR – a mere puppet of the Kremlin – relied more and more on the Stasi to quell discontent among factory workers and farmers. Ulbricht, claiming that the social unrest was fomented by capitalist agents, once ordered Mielke to personally visit one large plant and 'arrest four or five such agents' as an example to the others. The Stasi deputy 'discovered' the agents in record time." Field show trials Also in 1949, Noel Field, an American citizen who had spied for the NKVD from inside the U.S. State Department, the Office of Strategic Services, and the CIA, fled from his posting in Switzerland to Communist Czechoslovakia after his cover was blown by fellow mole Whittaker Chambers. On 11 May 1949, the Czechoslovakian secret police, or StB, in obedience to a direct order from KGB chief Lavrenti Beria, arrested Field in Prague. Field was then handed over to the Hungarian ÁVO. After his interrogation in Budapest, Fields was used as a witness at show trials of senior Soviet Bloc Communists who, like László Rajk and Rudolf Slánský, stood accused of having spied for the United States. The real reason for the trials was to replace homegrown Communists in Eastern Europe with those who would be blindly loyal to Joseph Stalin and to blame the division of Germany on the intrigues of U.S. intelligence. At the Rajk show trial, the prosecutor declared, "Noel Field, one of the leaders of American espionage, specialized in recruiting spies from among left-wing elements." In August 1950, six senior SED members, including Willi Kreikemeyer, the director of Deutsche Reichsbahn and head of Berliner Rundfunk, were accused of "special connections with Noel Field, the American spy." All were either imprisoned or shot. John Koehler writes, "Similar purges were conducted in Czechoslovakia, Hungary, and Bulgaria, where Field appeared as a witness in show trials that resulted in some death sentences. The Soviets simply distrusted all Communists who had sought exile in the West. All the while, Mielke remained untouched and continued to serve as the deputy secret police chief. His survival reinforced the belief that he had spent the war years in the Soviet Union instead of France and Belgium as he had claimed in the 1945 questionnaire." In June 1950, Erica Wallach, Noel Field's adopted daughter, decided to search for him. From Paris, she telephoned Leo Bauer, the editor-in-chief of Berliner Rundfunk. The call was monitored by agents of the Soviet Ministry for Internal Affairs, and Bauer's handler instructed him to invite Mrs. Wallach to East Berlin, where she was immediately arrested. Mielke personally interrogated her and, at one point, offered Mrs. Wallach immediate release if she named the members of her fictitious spy network. She was condemned to death by a Soviet military tribunal in East Berlin and shipped to the Lubianka prison in Moscow for her execution. After Joseph Stalin's death in on 5 March 1953, Erica Wallach's sentence was reduced to hard labor in Vorkuta, a region of the Gulag located above the Arctic Circle. She was released during the Khrushchev thaw in October 1955. At first, she was unable to join her husband and daughters in the U.S. because of the U.S. State Department's concern over her former membership in the Communist Party of Germany. It took the personal intervention of CIA Director Allen Dulles to reunite Erica Wallach with her family in 1957. Wallach's memoir of her experiences, Light at Midnight, was published in 1967. Death of Stalin After Soviet Premier Joseph Stalin died inside his Kuntsevo Dacha on 5 March 1953, the Central Committee of the East German Socialist Unity Party met in a special session and eulogized the dictator as the "great friend of Germany who was always an advisor of and help to our people." Two months later, on 5 May 1953, the SED's General Secretary, Walter Ulbricht, and the rest of the leadership increased work quotas by 10%. They also decided to rename Chemnitz Karl-Marx-Stadt and to institute the Order of Karl Marx as the GDR's highest award. Two weeks later, Mielke accused "a group of Party officials" of "plotting against the leadership", which "resulted in more expulsions from the Politburo and the Central Committee." East German uprising of 1953 Discontent among factory workers about a 10% increase of work quotas without a corresponding wage hike boiled over. On 16 June 1953, nearly one hundred construction workers gathered before work for a protest meeting at Stalinallee, in East Berlin. Words spread rapidly to other construction sites and hundreds of men and women joined the rally, which marched to the House of Ministries. The protesters chanted slogans for five hours, demanding to speak to Walter Ulbricht and Otto Grotewohl. Only Heavy Industry Minister Fritz Selbmann and Professor Robert Havemann, president of the GDR Peace Council, emerged. Their speech, however, was answered with jeers and the Ministers retreated into the heavily armed building. The regular and the Kasernierte Volkspolizei were summoned from their barracks, but made no move to attack the protesters, who returned to Stalinallee, where a general strike was called. Following West Germany's Federal Minister for All-German Questions Jakob Kaiser's admonition in a late night broadcast to East Germans to shy away from provocations, RIAS, starting with its 11 pm news broadcast, and from then on in hourly intermissions, repeated the workers' demand to continue the strike the next day, calling specifically for all East Berliners to participate in a demo at 7am on the 17th at Strausberger Platz. The following day, 17 June 1953, more that 100,000 protesters took to the streets of East Berlin. More than 400,000 protesters also took to the streets in other cities and towns throughout the German Democratic Republic. Everywhere, the demands were the same: free elections by secret ballot. Outside of Berlin, the main centres of the protests included the industrial region around Halle, Merseburg, and Bitterfeld, as well as middle-size towns like Jena, Görlitz, and Brandenburg. No more than 25,000 people participated in strikes and demonstrations in Leipzig, but there were 32,000 in Magdeburg, 43,000 in Dresden, 53,000 in Potsdam – and in Halle, a figure close to 100,000. In West Berlin, the American radio station RIAS and several other West German stations reported on the protests and on plans for a general strike. As East Germans listened to the broadcasts, 267,000 workers at State-owned plants in 304 cities and towns joined the general strike. In 24 towns, outraged East Germans stormed the Stasi's prisons and freed between 2,000 and 3,000 political prisoners. In response to orders, the Soviet Occupation Forces, the Stasi and the Kasernierte Volkspolizei went on the attack. Bloody street battles ensued and hundreds of policemen defected to the side of the protesters. Both police and Stasi stations were overrun and some government offices were sacked. The Party leadership retreated into a fortified compound in the Pankow district of East Berlin. At noon, the Soviet authorities terminated all tram and metro traffic into the Eastern sector and all but closed the sector borders to West Berlin to prevent more demonstrators from reaching the city centre. An hour later, they declared martial law in East Berlin. The repression took place outside East Berlin police HQ – where Soviet tanks opened fire on "the insurgents". According to John Koehler, "... by late afternoon, Soviet tanks accompanied by Infantry and MVD troops had rolled into East Berlin and other cities in the Soviet Zone. This made the people even angrier. At Berlin's Potsdamer Platz, which bordered on the American Sector, irate protesters ignored machine gun fire and the menacing barrels of tank guns. They ripped cobblestones from the streets and hurled them at the tanks." Fighting between the Red Army (and later GDR police) and the demonstrators persisted into the afternoon and night. In some cases, the tanks and the soldiers fired directly into the crowds. Overnight, the Soviets (and the Stasi) started to arrest hundreds of people. Ultimately, up to 10,000 people were detained and at least 20, probably as many as 40, people were executed, including Red Army soldiers who refused to obey orders. With the SED leadership effectively paralysed at the Soviet headquarters in Karlshorst, control of the city passed to the Soviets. In honor of the uprising, West Germany established 17 June as a national holiday, called Day of German Unity. The extension of the Unter den Linden boulevard to the west of the Brandenburg Gate, formerly called Charlottenburger Chaussee, was also renamed Straße des 17. Juni ("17 June Street") in honor of the uprising. According to John Koehler, "Provisional prison camps were set up to hold the thousands of Stasi victims. Nearly 1,500 persons were sentenced in secret trials to long prison terms. On 24 June, Mielke issued a terse announcement that one Stasi officer, nineteen demonstrators, and two bystanders had been killed during the uprising. He did not say how many were victims of official lynching. The numbers of the wounded were given as 191 policemen, 126 demonstrators, and 61 bystanders." Also according to Koehler, "Calm returned to the streets of the Soviet Zone, yet escapes to the West continued at a high rate. Of the 331,390 who fled in 1953, 8,000 were members of the Kasernierte Volkspolizei, the barracked people's police units, which were actually the secret cadre of the future East German Army. Also among the escapees were 2,718 members and candidates of the SED, the ruling Party." The Khrushchev thaw Purges Alarmed by the uprising, Lavrenty Beria, the First Deputy Premier of the Soviet Union and head of the Ministry of Internal Affairs, personally travelled from Moscow to East Berlin. He conferred with Stasi Minister Wilhelm Zaisser and with Mielke, his deputy, both of whom he had known since the early 1930s. During both conversations, Beria demanded to know why the Stasi had failed to recognize the extreme discontent of the population and inform the Party leadership, which could then have prevented the uprising by taking extremely repressive measures in advance. Both Zaisser and Mielke answered Beria's questions circumspectly, and were accordingly left in their posts. In response to the uprising, Beria decided to replace several hundred MVD officers, including Major General Ivan Fadeykin, the MVD resident of East Germany. The Stasi, according to John Koehler, "generally remained untouched except for the arrests and dismissals, for dereliction of duty, of a handful of officers in the provinces. One high-ranking Stasi officer shot himself." Following Beria's return to Moscow, however, he was arrested on 26 June 1953, in a coup d'état led by Nikita Khrushchev and Marshal Georgy Zhukov. Beria was tried on charges of 357 counts of rape and high treason. He was sentenced to death and shot by Red Army Colonel-General Pavel Batitsky on 23 December 1953. In an interview to Neues Deutschland, the official party newspaper of East Germany, on 30 June 1953, the Party's Minister of Justice, Max Fechner, declared that, "illegal arrests," had been made and that being a member of a strike committee or suspicion of being a ringleader was not in itself grounds for arrest and conviction. Meanwhile, when the East German Politburo met on 8 July, it seemed that Ulbricht would be deposed as Party General Secretary. Zaisser conceded that the whole Politburo was responsible for the "accelerated construction of socialism" and of the subsequent fallout. But he also added that to leave Ulbricht as Premier, "would be opposed catastrophic for the New Course". By the end of the meeting, only two Politburo members still supported Ulbricht's leadership: Free German Youth League chief Erich Honecker and Party Control Commission Chairman Hermann Matern. Ulbricht only managed to forestall a decision then and there with a promise to make a statement at the forthcoming 15th SED CC Plenum, scheduled for later that month. Meanwhile, Mielke informed a Party commission looking for scapegoats that his boss, Stasi Minister Wilhelm Zaisser, was calling for secret negotiations with West Germany and that, "he believed the Soviet Union would abandon the DDR." By late July, Ulbricht was completely certain that he had the support of the new Soviet Premier, Nikita Khrushchev. Therefore, he expelled his main opponents, Zaisser, Hernstadt and Ackermann, from the Politburo, and thus strengthened his position further. SED Minister of Justice Max Fechner was personally arrested by Mielke and replaced by Hilde Benjamin, who was known to East German citizens as "Red Hilde", "The Red Freisler," and as, "The Red Guillotine," for her role as a judge in the SED's show trials. Fechner was convicted of being, "an enemy of the Party and the State," and served three years in Bautzen Prison. Wilhelm Zaisser was replaced as head of the Stasi by Ernst Wollweber and Mielke remained on staff as his deputy. Tenure as Stasi head Mielke headed the Stasi from 1957 until the fall of the Berlin Wall in 1989. There was, under the East German system, no provision for parliamentary oversight. However, starting in 1971 Mielke was required to provide a detailed intelligence briefing to party secretary Erich Honecker each Tuesday, directly following the weekly Politburo meeting. (Before 1971, under Walter Ulbricht, Mielke was not involved in routine intelligence briefings to the leadership which, instead, were provided directly to Ulbricht by Intelligence Chief Markus Wolf.) Internal discipline During his tenure, Mielke enforced "political and personal discipline reminiscent of the early French Foreign Legion". New recruits were required to take a solemn oath pledging "to fight alongside the state security organs of all socialist countries against all enemies of socialism" on pain of "the severest punishment under the Republic's laws and the contempt of the workers." Recruits were also required to sign a security pledge vowing never to make unauthorized visits to any "capitalist countries" and to report on any members of their families who did so. Violations of the oath resulted in expulsion from the Stasi and blacklisting from all but the most menial jobs. Serious violations were tried before secret tribunals and led an estimated 200 Stasi agents to be shot. Colonel Rainer Wiegand once said, "There was only one way to leave the MfS without being haunted for the rest of your life. You either retired or you died." Domestic activities Under Erich Mielke's leadership, the Stasi employed 85,000 full-time domestic spies and 170,000 civilian informants () (IMs). East Germans coined a term to describe the Stasi's pervasive surveillance of the population "All-Covered" (). For this reason, Anna Funder has referred to East Germany as, "the most perfected surveillance state of all time." According to John Koehler, "...the Stasi's tentacles probed every aspect of life. Full-time officers were posted to all major industrial plants. Without exception, one tenant in every building was designated as a watchdog reporting to an area representative of the Volkspolizei...In turn, the police officer was the Stasi's man. If a relative or friend came to stay overnight, it was reported. Schools, universities and hospitals were infiltrated from top to bottom. German academe was shocked to learn that Heinrich Fink, professor of theology and vice-chancellor of East Berlin's Humboldt University, had been a Stasi informer since 1968. After Fink's Stasi connections came to light, he was summarily fired. Doctors, lawyers, journalists, writers, actors, and sports figures were co-opted by Stasi officers, as were waiters and hotel personnel. Tapping about 100,000 telephone lines in East Germany and West Berlin around the clock was the job of 2,000 officers... Churchmen, including high officials of both Protestant and Catholic denominations, were recruited en masse as secret informants. Their offices and confessionals were infested with eavesdropping devices. Even the director of Leipzig's famous Thomas Church choir, Hans-Joachim Rotzsch, was forced to resign when he was unmasked as a Spitzel, the people's pejorative for a Stasi informant." In an interview with journalist Anna Funder, an ex-Stasi officer recalled, "Most often, people we approached would inform for us. It was very rare that they would not. However, sometimes we felt that we might need to know where their weak points were, just in case. For example, if we wanted a pastor, we'd find out if he'd had an affair, or had a drinking problem—things that we could use as leverage. Mostly though, people said yes." On Mielke's orders, and with his full knowledge, Stasi officers also engaged in arbitrary arrest, kidnapping, brutal harassment of political dissidents, torture, and the imprisonment of tens of thousands of citizens. In a 1991 interview, Jewish Holocaust survivor and Nazi hunter Simon Wiesenthal said, "The Stasi was much, much worse than the Gestapo, if you consider only the oppression of its own people. The Gestapo had 40,000 officials watching a country of 80 million, while the Stasi employed 102,000 to control only 17 million." Activities abroad During Mielke's tenure, the Stasi's operations beyond East Germany were overseen by Markus Wolf and the Hauptverwaltung Aufklärung (MfS-HVA). Mielke and Wolf provided money, training, and surveillance equipment to help build pro-Soviet secret police forces in Fidel Castro's Cuba, Baathist Syria, Sandinista-ruled Nicaragua, Mengistu Haile Mariam's Ethiopia, Idi Amin's Uganda, Kwame Nkrumah's Ghana, and South Yemen. After the opening of Stasi archives, it was revealed that West Germany was riddled with MfS-HVA moles. In what John Koehler has dubbed, "The Invisible Invasion", some West German citizens collaborated out of Marxist beliefs, but others were recruited through blackmail, greed, career frustrations, or sexual favors from Stasi operatives. Another tactic was for Stasi military advisers assigned to African and Middle Eastern countries to request the arrest of West German tourists. Local police would then turn the prisoner over to the Stasi agent, who would offer the West German a choice between espionage or incarceration. Senior politicians from the Social Democratic Party of Germany, the Free Democratic Party of Germany, and the Christian Democratic Union were exposed and, when still alive, prosecuted. Mielke and Wolf also seriously compromised West Germany's police departments, foreign and domestic intelligence services, diplomatic corps, military-industrial complex, and journalistic profession. The Stasi compromised the United States military and diplomatic presence in West Germany. The most damaging American to spy for the Stasi was United States Army Sergeant James Hall III, who volunteered his services to Soviet and East German intelligence in November 1981. Sergeant Hall sold the Stasi 13,088 pages of classified documents, including detailed information about Project Trojan, a worldwide electronic network with the ability to pinpoint armored vehicles, missiles and aircraft by recording their signal emissions during wartime and the complete National SIGINT Requirements List (NSRL), a 4258-page document about NSA operations at home and abroad. In 1988, Sergeant Hall was tricked into confessing his espionage career to an undercover FBI Special Agent named Dmitri Droujinsky, a Russian-American who was posing as an agent of the KGB. When news of Sergeant Hall's arrest became public, one Washington intelligence official called the breach, "the Army's Walker Case." Collusion with Nazism Beginning in 1960, Mielke and Wolf used false flag recruitment to secretly organize and finance Neo-Nazi organizations, which they then instructed to vandalize Jewish religious and cultural sites throughout West Germany. During the Jerusalem trial of Adolf Eichmann, Stasi agents sent letters to West German Neo-Nazis and Waffen-SS veterans, urging them to speak out and to raise money for Eichmann's defense attorney. This was done in order to lend credibility to Communist propaganda about the allegedly Fascist and neo-Nazi orientation of the Federal Republic of Germany. According to German historian Michael Wolffsohn, "There is no doubt that in the 1960s as now, there were Nazis who were unreconstructed, unchangeable and evil, but without the help of East Germany, these Nazis were incapable of a national, coordinated campaign. That was true of right-wing extremist criminals in the 1980s as well. The East German Communists used anything they could against West Germany, including the... fears by Western countries and Jews that a new Nazism could be growing in West Germany. There is... evidence that the East Germans continued to use Anti-Semitism as a tool against West Germany in the 1970s and perhaps right up until 1989." In a 1991 interview with John Koehler, Holocaust survivor and Nazi hunter Simon Wiesenthal said of the Stasi, "They not only terrorized their own people worse than the Gestapo, but the government was the most Anti-Semitic and Anti-Israeli in the entire Eastern Bloc. They did nothing to help the West in tracking down Nazi criminals; they ignored all requests from West German judicial authorities for assistance. We have just discovered shelves of files on Nazis stretching over four miles. Now we also know how the Stasi used those files. They blackmailed Nazi criminals who fled abroad after the war into spying for them. What's more, the Stasi trained terrorists from all over the world." Support for paramilitary and terrorist groups During a 1979 visit to the GDR by senior PLO member Salah Khalaf, Mielke said, "We are paying great attention to the Palestine resistance and the other revolutionary forces fighting against the policies of the United States and against the provocations of the Israeli aggressor. Together with the Soviet Union and other socialist countries, we will do everything to support this just battle." With this in mind, Mielke ordered the Stasi to finance, arm, and train, "urban guerrillas," from numerous countries. According to former Stasi Colonel Rainer Wiegand, Mielke's ties to violent paramilitary groups were overseen by Markus Wolf and Department Three of the MfS-HVA. Members of the West German Baader-Meinhoff Group, the Chilean Manuel Rodríguez Patriotic Front, and Umkhonto we Sizwe, the paramilitary wing of the African National Congress, were brought to East Germany for training in the use of military hardware, insurgent tactics, and, "the leadership role of the Party." Similar treatment was meted out to Palestinians from the Popular Front for the Liberation of Palestine, Abu Nidal, and Black September. Other Stasi agents worked as military advisers to Soviet-backed African guerrilla organizations and the governments they later formed. They included the Namibian SWAPO and the Angolan MPLA during the South African Border War, the FRELIMO during the Mozambican War of Independence and civil war, and Robert Mugabe's ZANLA during the Rhodesian Bush War. Colonel Wiegand revealed that Mielke and Wolf provided bodyguards from the Stasi's counter-terrorism division for Venezuelan-born PLO terrorist Carlos the Jackal and Black September leader Abu Daoud during their visits to the GDR. Col. Wiegand had been sickened by the 1972 Munich massacre and was horrified that the GDR would treat the man who ordered it as an honored guest. When he protested, Wiegand was told that Abu Daoud was, "a friend of our country, a high-ranking political functionary," and that there was no proof that he was a terrorist. During the 1980s, Wiegand secretly blackmailed a Libyan diplomat into spying on his colleagues. Wiegand's informant told him that the La Belle bombing and other terrorist attacks against American and West German citizens were being planned at the Libyan Embassy in East Berlin. When Wiegand showed him a detailed report, Mielke informed the SED's Politburo, which ordered the Colonel to continue surveillance but not interfere with the plans of the Libyans. According to John Koehler, "Murder, kidnapping, extortion, bank robbery, and arson were felonies under the East German criminal code. However, if these offenses were committed under the banner of the 'anti-imperialist struggle,' the communist system would look the other way. Moreover, it had assigned the Stasi to make sure that terrorists were properly trained for murder and sowing mayhem. There was no limits to the East German regime's involvement with terrorism, so long as it could be ideologically justified." The Peaceful Revolution According to John Koehler, "Increasingly concerned over the growing popular opposition, Stasi Minister Mielke early in 1989 ordered the creation of a special elite unit for crushing disturbances. Its personnel were carefully selected members of the counterespionage and counterterrorism directorate. They were equipped with special batons similar to electric cattle prods but much more powerful. In a secret speech to top-ranking Stasi officers on 29 June, Mielke warned that, 'hostile opposing forces and groups have already achieved a measure of power and are using all methods to achieve a change in the balance of power. Former Stasi Colonel Rainer Wiegand told me he was horrified when Mielke compared the situation with that of China two months earlier. Chinese students in Beijing had begun massive protests in April and in May, during a student demonstration in Tiananmen Square, security troops had opened fire on them killing hundreds. 'Mielke said our situation was comparable and we had to be ready to counter it with all means and methods,' Wiegand recalled. 'Mielke said that the Chinese leadership had succeeded in smothering the protests before the situation got out of hand.'" Despite Mielke's attempts to suppress them, East Germany's protesters grew more emboldened with every arrest. 40th anniversary of the GDR As the fortieth anniversary of the GDR approached, Mielke ordered, "We must stop the internal enemy. At the least hint of a disturbance of the celebration, isolate and arrest them." One former Stasi Major recalled, "We mixed inconspicuously with the demonstrators, accompanied by our IMs. Hundreds of us stood at the sides of the street in order to stop any activity before it got started. We barely got any sleep toward the end. Never did I sense that the people were afraid of the MfS. The Stasi was more afraid of the people than the people were of them." According to Koehler, "Despite the unrest, the regime celebrated its fortieth with a huge, pompous ceremony in Berlin on 7 October, while tens of thousands of outside the ornate building of the State Council. The People's Police cordons were utterly ineffectual. As Stasi Minister Erich Mielke drove up and was greeted by General Günter Kratsch, the counterintelligence chief, Mielke screamed at police: "Club those pigs into submission!" () The police ignored Mielke's ranting. As more and more East Germans were arrested for protesting the 40th anniversary celebrations, many of them sang The Internationale in Vopo and Stasi custody to imply that they, rather than their captors, were the real working class and the real revolutionaries. According to Anna Funder, "There was a sea of red flags, a torchlight procession, and tanks. The old men on the podium wore light-grey suits studded with medals. Mikhail Gorbachev stood next to Honecker, but he looked uncomfortable among the much older Germans. He had come to tell them that it was over, to convince the leadership to adopt his reformist policies. He had spoken openly about the danger of not 'responding to reality.' He pointedly told the Politburo that, 'life punishes those who come too late.' Honecker and Mielke ignored him, just as they ignored the crowds when they chanted, "Gorby, help us! Gorby, help us!" Plan X On 8 October 1989, Mielke and Honecker ordered the Stasi to implement "Plan X"—the SED's plan to arrest and indefinitely detain 85,939 East Germans during a state of emergency. According to John Koehler, Plan X had been in preparation since 1979 and was, "a carbon copy of how the Nazi concentration camps got their start after Hitler came to power in 1933." By 1984, 23 sites had been selected for "isolation and internment camps." Those who were to be imprisoned in them ran into six categories; including anyone who had ever been under surveillance for anti-state activities, including all members of peace movements which were not under Stasi control. According to Anna Funder, "The plans contained exact provisions for the use of all available prisons and camps, and when those were full for the conversion of other buildings: Nazi detention centers, schools, hospitals, and factory holiday hostels. Every detail was foreseen, from where the doorbell was located on the house of each person to be arrested to the adequate supply of barbed wire and the rules of dress and etiquette in the camps..." However, when Mielke sent the orders, codenamed "Shield" (), to each local Stasi precinct to begin the planned arrests, he was not obeyed. Terrified of an East German version of the mass lynchings of Hungarian secret police agents during the 1956 Revolution, Stasi agents throughout the GDR fortified their office-buildings and barricaded themselves inside. Toppling Honecker Even as orders were going out to implement Plan X, Mielke had already thrown his support behind the anti-Honecker faction in the SED's Politburo. Although he was of the same generation as Honecker and had matured in an environment where following orders was the rule, he was sober enough and politically savvy enough to realize this approach no longer worked. During a session on 10 October 1989, Mielke delivered a report attacking Honecker's desire to violently suppress the demonstrations rather than offer concessions. In what Edward N. Peterson has called "a remarkable disclaimer of responsibility for the violence," Mielke declared that Honecker's orders to him "were built on false situation judgments." He added that Honecker's commands on 7 and 8 October "were false and undifferentiated condemnations of those who think differently. Despite this evaluation, there was never any instructions to use violence against persons. There is nothing in our basic principles to consider a demonstration as part of a possible counterrevolutionary coup." Mielke also claimed that "the Party judged the situation falsely. We tried to tell them the true situation, but enough was not done." Mielke argued in favor of solving the demonstrations politically and giving "every DDR citizen the right to travel." On 17 October 1989, Mielke and the rest of the GDR's Politburo met to follow Gorbachev's demand, voiced in August, for Honecker be removed as General Secretary of the SED and State Council chairman. Suspecting that Honecker's personal bodyguards might try to arrest the members of the Central Committee when they met to vote Honecker out in favour of Egon Krenz, Mielke saw to it that Stasi agents who were loyal to him were stationed near the meeting room. While deliberations were underway, Mielke told Honecker that "we simply cannot start shooting with tanks," and tried to impress upon Honecker that it was "the end". After the vote to oust Honecker passed, Mielke "got nasty," and accused Honecker of corruption. Honecker responded that Mielke should not open his mouth so much. Mielke responded by putting the last nail into Honecker's coffin. He announced that the MfS had a file on the now-ousted leader. It contained proof of Honecker's corrupt business practices, sexual activities, and how, as a member of the underground Communist Party of Germany during the Nazi years, he had been arrested by the Gestapo and had named names. To the shock of both the Politburo and the Stasi, Krenz's first televised addresses failed to win popular support. Despite his assurances that the SED was at last ready to embrace Gorbachev's policies of Glasnost and Perestroika, Krenz's approval ratings remained extremely low. Former Politburo member Günter Schabowski later recalled, "We made a palace revolution without offering a real alternative... We had not quickly and thoroughly enough whittled away from Stalin's methods." Defeat On 7 November 1989, Mielke resigned, along with eleven out of eighteen members of the SED's Council of Ministers, in response to the increasing disintegration of the GDR. Two days later, Schabowski announced on television that the east–west border was open without restriction. According to Anna Funder, there was panic at Stasi Headquarters in Berlin-Lichtenberg, "Stasi officers were instructed to destroy files, starting with the most incriminating–those naming westerners who spied for them, and those that concerned deaths. They shredded the files until the paper shredders overheated and shorted out. Among other shortages in the East, there was a shredder shortage, so they had to send agents out under cover to West Berlin to buy more. In Building 8 alone, the citizens' movement found over a hundred burnt out shredders. When they ran out of working shredders from the West and could not procure more they began using scissors to cut the documents by hand. According to William F. Buckley, Jr., "In the weeks after 9 November, Stasi offices were stormed in various cities around East Germany. Stasi commissars in three of those cities committed suicide. But not one was lynched or executed." Televised humiliation On 13 November 1989, Mielke was summoned to deliver a briefing about the protests to the GDR parliament, or Volkskammer. Formerly a "rubber stamp parliament," the disintegration of the SED's power had allowed the Volkskammer to begin exercising real authority over the GDR. Therefore, Mielke, as the head of the Stasi (known as the "shield and sword of the [SED] party"), was summoned before the newly empowered parliament to justify his position in government. As his speech was broadcast live, Mielke began by using overly bombastic, flag-waving language, saying "We have, comrades, dear assembly members, an extraordinarily high amount of contact with all working people" (). To his shock, the Volkskammer responded with boos, whistles, and catcalls. His face grief-stricken and pale, Mielke then tried to defuse the situation, "Yes, we have such contact, let me tell you-let me tell you why. I am not afraid to stand here and to give you an unbiased answer" (). Mielke continued, speaking of the "triumph" of the socialist economy, continuing all the while to address the members of the Volkskammer as "Comrades" (). In response, Volkskammer member Dietmar Czok of the Christian Democratic Union, rose from his seat and raised his hand. The Volkskammer's president, Günther Maleuda, interrupted Mielke and urged Czok to speak. With his voice dripping with contempt, Czok told Mielke, "As a point of order, I will not tell you this again. There are more people sitting in this Chamber than just your Comrades!" (). In response, many in the Volkskammer burst into applause, cheers, and shouts of "We are not your Comrades!" () Trying to appear magnanimous, Mielke responded, "This is a natural, Humanistic question! This is just a question of formality." (), leading to further shouts of displeasure from the members of the Volkskammer. In a last ditch effort, Mielke "raised his arms like an evangelist," and cried, "I love all – all Humanity! I really do! I set myself before you!" () Everyone in the room, including staunch SED members, burst out laughing. Then Mielke started to cry. John Koehler later wrote, "Mielke was finished." Mielke's address to the Volkskammer remains the most famous broadcast in the history of German television. Anna Funder has written, "When they think of Mielke, East Germans like to think of this." The Fall On 17 November 1989, the Volkskammer renamed the MfS the Amt für Nationale Sicherheit (AfNS – Office for National Security). The following day, Mielke's tenure in office ended when the Volkskammer appointed Generalleutnant Wolfgang Schwanitz as the new director of the AfNS. On 1 December 1989, the Volkskammer nullified the clause of the GDR constitution that enshrined the SED's "leading role" in the government and formally ending Communist rule in East Germany. Two days later, the SED announced that Mielke's party membership had been permanently revoked. Years later, he lamented, "Millions have died for nothing. Everything we fought for – it has all amounted to nothing." He also said, "If the party had given me the task, then there would perhaps still be a GDR today. On that you can rely." Prosecution Indictments On 7 December 1989, Erich Mielke was arrested and placed in solitary confinement for embezzlement of public funds in order to improve his hunting estate. He was charged with "Damaging the People's Economy" (Schädigung der Volkswirtschaft). On 7 January 1990, he was further charged with high treason and conspiring with Erich Honecker to bug the telephones and open the mail of every one of East Germany's citizens. Meanwhile, the Federal Constitutional Court announced that Mielke had also been indicted for having ordered two terrorist attacks by the Baader-Meinhoff Group against United States military personnel who were stationed on West German soil. The first was the car bomb attack against the United States Air Force at Ramstein Air Base on 31 August 1981. The second was the attempted murder with an RPG-7 anti-tank rocket of United States Army General Frederick Kroesen, his wife, and the West German police officer who was driving their armored Mercedes at Heidelberg on 15 September 1981. After German reunification in October 1990, Mielke was also indicted for ordering the shootings of defectors at the Berlin Wall. He was also charged with misuse of office, breach of trust, and incitement to pervert the course of justice. Bülowplatz trial In February 1992, Mielke was put on trial for the 1931 first degree murders of Berlin Police Captains Anlauf and Lenck as well as the attempted murder of Senior Sergeant Willig. The evidence for Mielke's guilt was drawn from the original police files, the transcripts from the 1934 trial of his co-conspirators, and a handwritten memoir in which Mielke revealed that his role in, "the Bülowplatz Affair," had been his reason for fleeing to Moscow from the Weimar Republic in 1931. All had been found in Mielke's house safe during a police search in 1990. Mielke was believed to have kept the documents for the purpose of "blackmailing Honecker and other East German leaders." Former Associated Press reporter and White House Press Secretary John Koehler also testified that Mielke had boasted of his involvement in the Bülowplatz murders during a confrontation at Leipzig in 1965. During his trial, Mielke appeared increasingly senile, admitting his identity but otherwise remaining silent, taking naps, and showing little interest in the proceedings. In a widely publicized incident, Mielke appeared to mistake the presiding judge for a prison barber. When a journalist for Der Spiegel attempted to interview him in Plötzensee Prison, Mielke responded, "I want to go back to my bed" (). Opinion was divided whether Mielke was suffering from senile dementia or was pretending in order to evade prosecution. After twenty months of one-and-a-half-hour daily sessions, Erich Mielke was convicted on two counts of murder and one of attempted murder. On 26 October 1993, a panel of three judges and two jurors sentenced him to six years' imprisonment. At his sentencing, Mielke started to cry. In pronouncing sentence, Judge Theodor Seidel, told Mielke that he "will go down in history as one of the most fearsome dictators and police ministers of the 20th century." Imprisonment Mielke was then put on trial for ordering the shootings of East Germans who were trying to defect to the West. In November 1994, the presiding judge adjourned the proceedings, ruling that Mielke was not mentally competent to stand trial. During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters. Although it was not connected to the outside world, Mielke enjoyed having imaginary conversations with non-existent Stasi agents. His other favorite pastime was watching game shows on television. In 1995, parole officers and Mielke's attorneys argued that he was "totally confused" and obtained his release. At 87 years of age, Erich Mielke was Germany's oldest prison inmate and had been incarcerated for 1,904 days. Days before his release, the Public Prosecutor of Berlin announced that he was "not interested in chasing an 87-year-old man anymore" and that all further prosecution of Mielke had been indefinitely suspended. According to Koehler, "[Mielke's] bank account, which held more than 300,000 Marks (about US$187,500), was confiscated. Before his arrest in 1989, the most feared man in East Germany had lived in a luxurious home with access to an indoor pool. In addition, he owned a palatial hunting villa, complete with a movie theater, trophy room, 60 servants, and a 60 square kilometers hunting preserve. After he was released from prison Mielke was obliged to move into a two-room, 55-square-meter flat. Like all Stasi pensioners, he would henceforth have to live on 802 marks (about US$512) a month." Death Erich Mielke died on 21 May 2000, aged 92, in a Berlin nursing home. After being cremated at the crematorium in Meissen, an urn containing Mielke's ashes was buried in an unmarked grave at the Zentralfriedhof Friedrichsfelde in Berlin. An estimated 100 people reportedly attended the funeral. Erich Mielke's grave is outside the memorial section established at the entrance in 1951 by East German leaders for communist heroes. Within hours of his funeral, the flowers and wreaths left at Mielke's grave were ripped to shreds by persons unknown. Legacy Writing in 2003, Australian journalist Anna Funder declared, "The name Mielke has now come to mean 'Stasi.' Victims are dubiously honored to find his signature in their files: on plans for someone to be observed 'with all possible methods', on commands for arrest, for kidnapping, instructions to judges for sentencing, orders for 'liquidation'. The honor is dubious because... he signed so many." In 2012, the museum at the former Stasi headquarters opened Mielke's office as a permanent exhibit. Soon after, The Guardian correspondent Tam Eastley visited the exhibit and numerous sites in Berlin connected to Mielke's life, times, and legacy. When she visited Mielke's grave, Eastley found that it had become a shrine for adherents of Ostalgie. Personal life Erich Mielke was a fitness enthusiast, a non-smoker, and drank very little. He was a keen hunter and owned a large area of ground where he would hunt animals with other East German and visiting Soviet officials. During the late 1940s, when Mielke was working as security chief of the DWK, he began a relationship with Gertrud Mueller, a seamstress. On 18 December 1948, shortly after the birth of their son Frank Mielke, Erich and Gertrud married in a civil ceremony. According to the newspaper Bild, the Mielkes adopted an orphaned girl named Ingrid, who was born in 1950. Like her adopted brother Frank, Ingrid Mielke attended the Wilhelm Pieck School. She ultimately became a captain in the Stasi and married a Stasi Lieutenant named Norbert Knappe. As of 1999, the Knappes had both refused to grant an interview to Bild reporters. In popular culture Erich Mielke has appeared as a character in both films and novels set in the GDR. Volker Schlöndorff's The Legend of Rita (2000), which focuses on Stasi collusion with the West German far-left terrorist organization Rote Armee Fraktion. In conversation with fictional Stasi officer Erwin Hull (Martin Wuttke), Mielke (Dietrich Körner) expresses admiration for the RAF's campaign against the United States, West Germany, and the State of Israel, which he compares with his own activities against the Weimar Republic and the Nazis. The RAF members are then brought to a training camp, where Stasi agents instruct them in the use of grenade launchers and other kinds of military hardware. Mielke's name is never disclosed and Agent Hull addresses him only as, "Comrade General." () Florian Henckel von Donnersmarck's The Lives of Others (2006), which focuses on the Stasi's surveillance and repression of the East German population. In the film, a previously loyal GDR playwright named Georg Dreymann (Sebastian Koch) publishes an anonymous article in the West German magazine Der Spiegel which accuses East Germany's Minister of Culture of having persecuted a blacklisted stage director until he hanged himself. Soon after the article goes to press, Mielke's voice is heard over the telephone giving a dressing down to fictional Stasi Lieutenant Colonel Anton Grubitz (Ulrich Tukur). Addressed only as "Genosse Armeegeneral" (Mielke was the only person to ever hold that rank in the Stasi), Mielke threatens to throw Grubitz in front of a firing squad if he fails to identify and arrest the article's author. In Philip Kerr's novel Field Grey (2010), Mielke first appears in 1931 Berlin, when protagonist Bernie Gunther saves him from being murdered by Nazi Brownshirts. The novel then flashes forward to 1954, when Gunther is recruited into a CIA plot to abduct Mielke from East Berlin. Honours and awards Mielke received a large number of awards and commemorative medals from organisations within the German Democratic Republic and from allied states. A more complete list is available (in German) at Liste der Orden und Ehrenzeichen des Erich Mielke. Awards of the German Democratic Republic Patriotic Order of Merit in gold (7 October 1954) Six Orders of Karl Marx (28 December 1957, 20 November 1973, 1 December 1975, 28 December 1977, 28 June 1982, 28 December 1982) Twice Hero of Labour of the GDR (5 October 1964, 24 February 1968) Twice Hero of the GDR (1 December 1975, 28 December 1982) Banner of Labour (8 May 1960) Medal for Exemplary Border Service (26 April 1956) Medal for Faithful Service in the National People's Army; Bronze (7 October 1957) Silver (8 February 1959) Gold (1 July 1960) Gold for 20 years service (8 February 1965) Medal for Fighters Against Fascism (6 September 1958) Gold Medal of Merit of the National People's Army (1 March 1957) Scharnhorst Order, twice (25 September 1979, 7 October 1984) Awards of the Soviet Union Hero of the Soviet Union (25 December 1987) Four Orders of Lenin (12 June 1973, 28 December 1982, 1 April 1985, 28 December 1987) Order of the Patriotic War, 1st class (6 May 1970) Four Orders of the Red Banner (23 October 1958, 5 February 1968, 28 December 1977, February 1980) Jubilee Medal "50 Years of the Soviet Militia" (20 December 1967) Jubilee Medal "In Commemoration of the 100th Anniversary since the Birth of Vladimir Il'ich Lenin" (1970) Medal "For Distinction in Guarding the State Border of the USSR" (6 January 1970) Order of the October Revolution (February 1975) Other states Order of Georgi Dimitrov (Bulgaria, 28 December 1982) Order of Friendship (Czechoslovakia) (28 December 1982) Order of the Red Star (Czechoslovakia) (16 November 1970) References Further reading Buckley, Jr., William F. (2004), The Fall of the Berlin Wall, John Wiley & Sons, Inc. Funder, Anna (2003), Stasiland: True Stories from Behind the Berlin Wall, Granta Books, London. Kuchel, Dany (2011) "Le Glaive et le Bouclier", une histoire de la Stasi en France. Otto, Wilfriede, Erich Mielke, Biographie: Aufstieg und Fall eines Tschekisten. Dietz-Verlag, Berlin 2000, . Peterson, Edward N. (2002). The Secret Police and the Revolution: The Fall of the German Democratic Republic, Praeger Publications, Westport, Connecticut. London. Pickard, Ralph (2007). STASI Decorations and Memorabilia, A Collector's Guide. Frontline Historical Publishing. Pickard, Ralph (2012). STASI Decorations and Memorabilia Volume II. Frontline Historical Publication. 1907 births 2000 deaths Politicians from Berlin Communist Party of Germany politicians Members of the Politburo of the Central Committee of the Socialist Unity Party of Germany Government ministers of East Germany Members of the 3rd Volkskammer Members of the 4th Volkskammer Members of the 5th Volkskammer Members of the 6th Volkskammer Members of the 7th Volkskammer Members of the 8th Volkskammer Members of the 9th Volkskammer East German spies German Comintern people German emigrants to the Soviet Union German politicians convicted of crimes Köllnisches Gymnasium alumni German people convicted of murdering police officers International Brigades personnel German people of the Spanish Civil War German police officers convicted of murder German spies for the Soviet Union Great Purge perpetrators Interwar-period spies NKVD officers Murders of Paul Anlauf and Franz Lenck Perpetrators of political repression in the Second Spanish Republic People convicted of murder by Germany Prisoners and detainees of Germany Stasi generals Stasi officers convicted of crimes SV Dynamo Collaborators with the Soviet Union German anti-Zionists International Lenin School alumni Recipients of the Scharnhorst Order Recipients of the Patriotic Order of Merit (honor clasp) Recipients of the Banner of Labor Foreign Heroes of the Soviet Union Recipients of the Order of Lenin Recipients of the Order of the Red Banner Recipients of the Medal "For Distinction in Guarding the State Border of the USSR" Recipients of the Order of Georgi Dimitrov 20th-century German criminals People from Mitte German mass murderers Criminals from Berlin German military personnel of World War II	true	[ "An Englishman in Auschwitz is a 2001 book written by Leon Greenman, a Holocaust survivor. The book details his experiences in the Auschwitz concentration camp.\n\nThe book is a result of the commitment of English-born Greenman to God \"that if he lived, he would let the world know what happened during the war\". In short, the book describes the reminiscences of his days of imprisonment in six concentration camps of the Nazis. Greenman describes the arrival of his family (consisting of himself, his wife, Esther, a Dutchwoman, and their three-year-old son, Barney) at the Auschwitz-Birkenau concentration camp in these words: The women were separated from the men: Else and Barny were marched about 20 yards away to a queue of women...I tried to watch Else. I could see her clearly against the blue lights. She could see me too for she threw me a kiss and held up our child for me to see. What was going through her mind I will never know. Perhaps she was pleased that the journey had come to an end.\n\nReferences\n\n2001 non-fiction books\nPersonal accounts of the Holocaust", "Don Juan Manuel's Tales of Count Lucanor, in Spanish Libro de los ejemplos del conde Lucanor y de Patronio (Book of the Examples of Count Lucanor and of Patronio), also commonly known as El Conde Lucanor, Libro de Patronio, or Libro de los ejemplos (original Old Castilian: Libro de los enxiemplos del Conde Lucanor et de Patronio), is one of the earliest works of prose in Castilian Spanish. It was first written in 1335.\n\nThe book is divided into four parts. The first and most well-known part is a series of 51 short stories (some no more than a page or two) drawn from various sources, such as Aesop and other classical writers, and Arabic folktales.\n\nTales of Count Lucanor was first printed in 1575 when it was published at Seville under the auspices of Argote de Molina. It was again printed at Madrid in 1642, after which it lay forgotten for nearly two centuries.\n\nPurpose and structure\n\nA didactic, moralistic purpose, which would color so much of the Spanish literature to follow (see Novela picaresca), is the mark of this book. Count Lucanor engages in conversation with his advisor Patronio, putting to him a problem (\"Some man has made me a proposition...\" or \"I fear that such and such person intends to...\") and asking for advice. Patronio responds always with the greatest humility, claiming not to wish to offer advice to so illustrious a person as the Count, but offering to tell him a story of which the Count's problem reminds him. (Thus, the stories are \"examples\" [ejemplos] of wise action.) At the end he advises the Count to do as the protagonist of his story did.\n\nEach chapter ends in more or less the same way, with slight variations on: \"And this pleased the Count greatly and he did just so, and found it well. And Don Johán (Juan) saw that this example was very good, and had it written in this book, and composed the following verses.\" A rhymed couplet closes, giving the moral of the story.\n\nOrigin of stories and influence on later literature\nMany of the stories written in the book are the first examples written in a modern European language of various stories, which many other writers would use in the proceeding centuries. Many of the stories he included were themselves derived from other stories, coming from western and Arab sources.\n\nShakespeare's The Taming of the Shrew has the basic elements of Tale 35, \"What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\".\n\nTale 32, \"What Happened to the King and the Tricksters Who Made Cloth\" tells the story that Hans Christian Andersen made popular as The Emperor's New Clothes.\n\nStory 7, \"What Happened to a Woman Named Truhana\", a version of Aesop's The Milkmaid and Her Pail, was claimed by Max Müller to originate in the Hindu cycle Panchatantra.\n\nTale 2, \"What happened to a good Man and his Son, leading a beast to market,\" is the familiar fable The miller, his son and the donkey.\n\nIn 2016, Baroque Decay released a game under the name \"The Count Lucanor\". As well as some protagonists' names, certain events from the books inspired past events in the game.\n\nThe stories\n\nThe book opens with a prologue which introduces the characters of the Count and Patronio. The titles in the following list are those given in Keller and Keating's 1977 translation into English. James York's 1868 translation into English gives a significantly different ordering of the stories and omits the fifty-first.\n\n What Happened to a King and His Favorite \n What Happened to a Good Man and His Son \n How King Richard of England Leapt into the Sea against the Moors\n What a Genoese Said to His Soul When He Was about to Die \n What Happened to a Fox and a Crow Who Had a Piece of Cheese in His Beak\n How the Swallow Warned the Other Birds When She Saw Flax Being Sown \n What Happened to a Woman Named Truhana \n What Happened to a Man Whose Liver Had to Be Washed \n What Happened to Two Horses Which Were Thrown to the Lion \n What Happened to a Man Who on Account of Poverty and Lack of Other Food Was Eating Bitter Lentils \n What Happened to a Dean of Santiago de Compostela and Don Yllán, the Grand Master of Toledo\n What Happened to the Fox and the Rooster \n What Happened to a Man Who Was Hunting Partridges \n The Miracle of Saint Dominick When He Preached against the Usurer \n What Happened to Lorenzo Suárez at the Siege of Seville \n The Reply that count Fernán González Gave to His Relative Núño Laynes \n What Happened to a Very Hungry Man Who Was Half-heartedly Invited to Dinner \n What Happened to Pero Meléndez de Valdés When He Broke His Leg \n What Happened to the Crows and the Owls \n What Happened to a King for Whom a Man Promised to Perform Alchemy \n What Happened to a Young King and a Philosopher to Whom his Father Commended Him \n What Happened to the Lion and the Bull \n How the Ants Provide for Themselves \n What Happened to the King Who Wanted to Test His Three Sons \n What Happened to the Count of Provence and How He Was Freed from Prison by the Advice of Saladin\n What Happened to the Tree of Lies \n What Happened to an Emperor and to Don Alvarfáñez Minaya and Their Wives \n What Happened in Granada to Don Lorenzo Suárez Gallinato When He Beheaded the Renegade Chaplain \n What Happened to a Fox Who Lay down in the Street to Play Dead \n What Happened to King Abenabet of Seville and Ramayquía His Wife \n How a Cardinal Judged between the Canons of Paris and the Friars Minor \n What Happened to the King and the Tricksters Who Made Cloth \n What Happened to Don Juan Manuel's Saker Falcon and an Eagle and a Heron \n What Happened to a Blind Man Who Was Leading Another \n What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\n What Happened to a Merchant When He Found His Son and His Wife Sleeping Together \n What Happened to Count Fernán González with His Men after He Had Won the Battle of Hacinas \n What Happened to a Man Who Was Loaded down with Precious Stones and Drowned in the River \n What Happened to a Man and a Swallow and a Sparrow \n Why the Seneschal of Carcassonne Lost His Soul \n What Happened to a King of Córdova Named Al-Haquem \n What Happened to a Woman of Sham Piety \n What Happened to Good and Evil and the Wise Man and the Madman \n What Happened to Don Pero Núñez the Loyal, to Don Ruy González de Zavallos, and to Don Gutier Roiz de Blaguiello with Don Rodrigo the Generous \n What Happened to a Man Who Became the Devil's Friend and Vassal \n What Happened to a Philosopher who by Accident Went down a Street Where Prostitutes Lived \n What Befell a Moor and His Sister Who Pretended That She Was Timid \n What Happened to a Man Who Tested His Friends \n What Happened to the Man Whom They Cast out Naked on an Island When They Took away from Him the Kingdom He Ruled \n What Happened to Saladin and a Lady, the Wife of a Knight Who Was His Vassal \n What Happened to a Christian King Who Was Very Powerful and Haughty\n\nReferences\n\nNotes\n\nBibliography\n\n Sturm, Harlan\n\n Wacks, David\n\nExternal links\n\nThe Internet Archive provides free access to the 1868 translation by James York.\nJSTOR has the to the 1977 translation by Keller and Keating.\nSelections in English and Spanish (pedagogical edition) with introduction, notes, and bibliography in Open Iberia/América (open access teaching anthology)\n\n14th-century books\nSpanish literature\n1335 books" ]
[ "Erich Mielke", "Imprisonment", "When was Mielke imprisoned?", "1989,", "What crime was he convicted of?", "ruling that Mielke was not mentally fit to stand trial.", "How long was Mielke imprisoned?", "1,904 days.", "What happened during his imprisonment?", "Mielke enjoyed having imaginary conversations with non-existent Stasi agents." ]	C_3d20ba2e0075405eba35f1fa8f36a9f7_0	Are there any other interesting aspects about this article?	5	Besides Erich Mielke's imprisonment and his imaginary conversations with non-existent Stasi agents during imprisonment, are there any other interesting aspects about this article?	Erich Mielke	Mielke was then put on trial for ordering the shootings of East Germans who were trying to defect to the West. In November 1994, the presiding judge closed the proceedings, ruling that Mielke was not mentally fit to stand trial. During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters. Although it was not connected to the outside world, Mielke enjoyed having imaginary conversations with non-existent Stasi agents. His other favorite pastime was watching game shows on television. In 1995, parole officers and Mielke's attorneys argued that he was "totally confused" and obtained his release. At 87 years of age, Erich Mielke was Germany's oldest prison inmate and had been incarcerated for 1,904 days. Days before his release, the Public Prosecutor of Berlin announced that he was "not interested in chasing an 87 year old man anymore" and that all further prosecution of Mielke had been indefinitely suspended. According to Koehler: [Mielke's] bank account, which held more than 300,000 marks (about US $187,500), was confiscated. Before his arrest in 1989, the most feared man in East Germany had lived in a luxurious home with access to an indoor pool. In addition, he owned a palatial hunting villa, complete with a movie theater, trophy room, 60 servants, and a 15,000 acre hunting preserve. After he was released from prison Mielke was obliged to move into a two room, 600-square-foot flat. Like all Stasi pensioners, he would henceforth have to live on 802 marks (about US$512) a month. CANNOTANSWER	[Mielke's] bank account, which held more than 300,000 marks (about US $187,500), was confiscated.	Erich Fritz Emil Mielke (; 28 December 1907 – 21 May 2000) was a German communist official who served as head of the East German Ministry for State Security (Ministerium für Staatsicherheit – MfS), better known as the Stasi, from 1957 until shortly after the fall of the Berlin Wall in 1989. A native of Berlin and a second-generation member of the Communist Party of Germany, Mielke was one of two triggermen in the 1931 murders of Berlin Police captains Paul Anlauf and Franz Lenck. After learning that a witness had survived, Mielke escaped arrest by fleeing to the Soviet Union, where the NKVD recruited him. He was one of the key figures in the decimation of Moscow's German Communists during the Great Purge as well as in the persecution of suspected anti-Stalinists in the International Brigade during the Spanish Civil War. Following the end of World War II in 1945, Mielke returned to the Soviet Zone of Occupied Germany, which he helped organize into a Marxist-Leninist satellite state under the Socialist Unity Party (SED), later becoming head of the Stasi. According to historian Jack Koehler, he was "the longest serving secret police chief in the Soviet Bloc". The Stasi under Mielke has been called by historian Edward Peterson the "most pervasive police state apparatus ever to exist on German soil". In a 1993 interview, Holocaust survivor and Nazi-hunter Simon Wiesenthal has said that, if one considers only the oppression of their own people, the Stasi under Mielke was "much, much worse than the Gestapo". During the 1950s and 1960s Mielke led the process of forcibly forming collectivised farms from East Germany's family-owned farms, which sent a flood of refugees to West Germany. In response, Mielke oversaw the construction (1961) of the Berlin Wall and co-signed orders to shoot fatally all East Germans who attempted to leave the country. He also oversaw the establishment of pro-Soviet police states and paramilitary insurgencies in Western Europe, Latin America, Africa, and the Middle East. In addition to his role as head of the Stasi, Mielke was also an Army General in the National People's Army (Nationale Volksarmee), and a member of the SED's ruling Politburo. Dubbed "The Master of Fear" () by the West German press, Mielke was one of the most powerful and most hated men in East Germany. After German reunification in 1990, Mielke was arrested (1991), prosecuted (1992), convicted, and incarcerated (1993) for the 1931 murders of Paul Anlauf and Franz Lenck. Released from prison early due to ill health in 1995, he died in a Berlin nursing home in 2000. Early life Erich Mielke was born in a tenement in Berlin-Wedding, Brandenburg, on 28 December 1907. During the First World War, the neighborhood was known as "Red Wedding" due to many residents' Marxist militancy. In a handwritten biography written for the Soviet secret police, Mielke described his father as "a poor, uneducated woodworker," and said that his mother died in 1911. Both were, he said, members of the Social Democratic Party of Germany (SPD). After his remarriage to "a seamstress," the elder Mielke and his new wife joined the Independent Social Democratic Party of Germany and remained members when it was renamed the Communist Party of Germany (KPD). His son Erich claimed "My younger brother Kurt and two sisters were Communist sympathisers." Despite his family's poverty, Erich Mielke was academically gifted enough to be awarded a free scholarship in the prestigious Köllnisches Gymnasium, but was expelled on 19 February 1929, for being "unable to meet the great demands of this school." While attending the Gymnasium, Mielke joined the Communist Party of Germany in 1925, and worked as a reporter for the communist newspaper Rote Fahne from 1928 to 1931. During the Weimar Republic, the KPD was the largest communist party in Europe and was seen as the "leading party" of the communist movement outside the Soviet Union. Under Ernst Thälmann's leadership, the KPD was completely obedient to Soviet Premier Joseph Stalin, and from 1928 the Party was both funded and controlled by the Comintern in Moscow. Until the end of the Republic, the KPD viewed the Social Democratic Party of Germany (SPD), which dominated German politics between 1918 and 1931, as their mortal enemy. In keeping with Stalin's policy towards social democracy, the KPD considered all SPD members to be "social fascists". The KPD also believed that all other political parties were "fascist" and regarded itself as "the only anti-fascist Party" in Germany. Nevertheless, the KPD closely collaborated with the Nazi Party during the early 1930s and both Parties intended to replace the democratically elected government of the Weimar Republic with a totalitarian single party state. Soon after joining the Party, Mielke joined the KPD's paramilitary wing, or Parteiselbstschutz ("Party Self Defense Unit"). At the time, the Parteiselbstschutz in Berlin was commanded by KPD Reichstag Representatives Hans Kippenberger and Heinz Neumann. According to John Koehler, "Mielke was a special protege of Kippenberger's having taken to his paramilitary training with the enthusiasm of a Prussian Junker. World War I veterans taught the novices how to handle pistols, rifles, machine guns, and hand grenades. This clandestine training was conducted in the sparsely populated, pastoral countryside surrounding Berlin. Mielke also pleased Kippenberger by being an exceptional student in classes on the arts of conspiratorial behavior and espionage, taught by comrades who had studied at the secret M-school of the GRU in Moscow." According to John Koehler, members of the Parteiselbstschutz "served as bouncers at Party meetings and specialized in cracking heads during street battles with political enemies." Besides the ruling SPD and its paramilitary Reichsbanner forces, the arch-enemies of the Parteiselbstschutz were the Stahlhelm, which was the armed wing of the Monarchist German National People's Party (DVNP), Trotskyites, and "radical nationalist parties." According to Koehler, the KPD's Selbstschutz men "always carried a Stahlrute, two steel springs that telescoped into a tube seventeen centimeters long, which when extended became a deadly, 35-centimeter weapon. Not to be outdone by the Nazis, these street-fighters were often armed with pistols as well." In a 1931 biography written for the Cadre Division of the Comintern, Mielke recalled, "We took care of all kinds of work; terror acts, protecting illegal demonstrations and meetings, arms-trafficking, etc. The last work, which was accomplished by a Comrade and myself, was the Bülowplatz Affair" (). Bülowplatz murders Planning During the last days of the Weimar Republic, the KPD had a policy of assassinating two Berlin police officers in retaliation for every KPD member killed by the police. On 2 August 1931, KPD Members of the Reichstag Heinz Neumann and Hans Kippenberger received a dressing down from Walter Ulbricht, the Party's leader in the Berlin-Brandenburg region. Enraged by police interference and by Neumann and Kippenberger's failure to follow the policy, Ulbricht stated, "At home in Saxony we would have done something about the police a long time ago. Here in Berlin we will not fool around much longer. Soon we will hit the police in the head." Enraged by Ulbricht's words, Kippenberger and Neumann decided to assassinate Paul Anlauf, the 42-year-old Captain of the Berlin Police's Seventh Precinct. Captain Anlauf, a widower with three daughters, had been nicknamed "Schweinebacke", or "Pig Face" by the KPD. According to historian John Koehler, "Of all the policemen in strife-torn Berlin, the reds hated Anlauf the most. His precinct included the area around KPD headquarters, which made it the most dangerous in the city. The captain almost always led the riot squads that broke up illegal rallies of the Communist Party." On the morning of Sunday 9 August 1931, Kippenberger and Neumann gave a last briefing to the hit-team in a room at the Lassant beer hall. Mielke and Erich Ziemer were selected as the shooters. During the meeting, Max Matern gave a Luger pistol to fellow lookout Max Thunert and said, "Now we're getting serious. We're going to give Schweinebacke something to remember us by." Kippenberger then asked Mielke and Ziemer, "Are you sure that you are ready to shoot Schweinebacke?" Mielke responded that he had seen Anlauf many times during police searches of Party Headquarters. Kippenberger then instructed them to wait at a nearby beer hall which would permit them to overlook the entire Bülow-Platz. He further reminded them that Anlauf was accompanied everywhere by Senior Sergeant Max Willig, whom the KPD had nicknamed, "Hussar". Kippenberger concluded, "When you spot Schweinebacke and Hussar, you take care of them." Mielke and Ziemer were informed that, after the assassinations were completed, a diversion would assist in their escape. They were then to return to their homes and await further instructions. That evening, Anlauf was lured to Bülow-Platz by a violent rally demanding the dissolution of the Prussian Parliament. According to Koehler, "As was often the case when it came to battling the dominant SPD, the KPD and the Nazis had combined forces during the pre-plebiscite campaign. At one point in this particular campaign, Nazi propaganda chief Joseph Goebbels even shared a speaker's platform with KPD agitator Walter Ulbricht. Both parties wanted the parliament dissolved because they were hoping that new elections would oust the SPD, the sworn enemy of all radicals. That fact explained why the atmosphere was particularly volatile this Sunday." Murder at the Babylon Cinema At eight o'clock that evening, Mielke and Ziemer waited in a doorway as Anlauf, Willig, and Captain Franz Lenck walked toward the Babylon Cinema, which was located at the corner of Bülowplatz and Kaiser-Wilhelm-Straße. As they reached the door of the movie house, the policemen heard someone scream, "Schweinebacke!" As Anlauf turned toward the sound, Mielke and Ziemer opened fire at point blank range. Willig was wounded in the left arm and the stomach. However, he managed to draw his Luger pistol and fired a full magazine at the assailants. Lenck was shot in the chest and fell dead in front of the entrance. Willig crawled over and cradled the head of Anlauf, who had taken two bullets in the neck. Meanwhile, Mielke and Ziemer made their escape by running into the theater and out an emergency exit. They tossed their pistols over a fence, where they were later found by Homicide Detectives from the elite Mordkommission. Mielke and Ziemer then returned to their homes. According to Koehler, "Back at Bülowplatz, the killings had triggered a major police action. At least a thousand officers poured into the square, and a bloody street battle ensued. Rocks and bricks were hurled from the rooftops. Communist gunmen fired indiscriminately from the roofs of surrounding apartment houses. As darkness fell, police searchlights illuminated the buildings. Using megaphones, officers shouted, "Clear the streets! Move away from the windows! We are returning fire!" By now the rabble had fled the square, but shooting continued as riot squads combed the tenements, arresting hundreds of residents suspected of having fired weapons. The battle lasted until one o'clock the next morning. In addition to the two police officers, the casualties included one Communist who died of a gunshot wound and seventeen others who were seriously wounded." Anlauf's wife had died three weeks earlier of kidney failure. The murder of Anlauf thus left their three daughters as orphans. Their oldest daughter was forced to rush her planned wedding in order to keep her sisters from being put in an orphanage. Lenck was survived by his wife. Willig was hospitalized for 14 weeks, but made a full recovery and returned to active duty. In recognition for Willig's courage, the Berlin Police promoted him to Lieutenant. After the murders, the act was celebrated at the Lichtenberger Hof, a favorite beer hall of the Rotfrontkämpferbund, where Mielke boasted: "Today we celebrate a job that I pulled!" () Fugitive According to Koehler, "Kippenberger was alarmed when word reached him that Sergeant Willig had survived the shooting. Not knowing whether the sergeant could talk and identify the attackers, Kippenberger was taking no chances. He directed a runner to summon Mielke and Ziemer to his apartment at 74 Bellermannstrasse, only a few minutes walk from where the two lived. When the assassins arrived, Kippenberger told them the news and ordered them to leave Berlin at once. The parliamentarian's wife Thea, an unemployed schoolteacher and as staunch a Communist Party member as her husband, shepherded the young murderers to the Belgian border. Agents of the Communist International (Comintern) in the port city of Antwerp supplied them with money and forged passports. Aboard a merchant ship, they sailed for Leningrad. When their ship docked, they were met by another Comintern representative, who escorted them to Moscow." Beginning in 1932, Mielke attended the Comintern's Military Political school under the alias Paul Bach. He later graduated from the Lenin School shortly before being recruited into the OGPU. Trial According to Koehler, "In mid-March 1933, while attending the Lenin School, Mielke received word from his OGPU sponsors that Berlin police had arrested Max Thunert, one of the conspirators in the Anlauf and Lenck murders. Within days, fifteen other members of the assassination team were in custody. Mielke had to wait six more months before the details of the police action against his Berlin comrades reached Moscow. On 14 September 1933, Berlin newspapers reported that all fifteen had confessed to their roles in the murders. Arrest warrants were issued for ten others who had fled, including Mielke, Ziemer, Ulbricht, Kippenberger, and Neumann." Koehler also stated, "Defenders of Mielke later claimed that confessions had been obtained under torture by the Nazi Gestapo. However, all suspects were in the custody of the regular Berlin city criminal investigation bureau, most of whose detectives were SPD members. Some of the suspects had been nabbed by Nazi SA men and probably beaten before they were turned over to police. In the 1993 trial of Mielke, the court gave the defense the benefit of the doubt and threw out a number of suspect confessions." On 19 June 1934, the 15 conspirators were convicted of first degree murder. The three deemed most culpable, Michael Klause, Max Matern, and Friedrich Bröde were sentenced to death. Their co-defendants received sentences ranging from nine months to fifteen years incarceration at hard labor. Klause's sentence was commuted to life in prison based upon his cooperation. Bröde hanged himself in his cell. As a result, only Matern was left to be executed by beheading on 22 May 1935. Matern was subsequently glorified as a martyr by KPD and East German propaganda. Ziemer was officially killed in action while fighting on the Republican-side during the Spanish Civil War. Mielke, however, would not face trial for the murders until 1993. Career in Soviet intelligence The Great Terror Although Moscow's German Communist community was decimated during Joseph Stalin's Great Purge, Mielke survived and was promoted. In a handwritten autobiography prepared after World War II, Mielke recalled, "During my stay in the S.U. (Soviet Union), I participated in all Party discussions of the K.P.D. and also in the problems concerning the establishment of socialism and in the trials against the traitors and enemies of the S.U." Among the German communists executed as a result of these "discussions" were Mielke's former mentors Heinz Neumann and Hans Kippenberger. Mielke further recalled, "I was a guest on the honor grandstand of Red Square during the May Day and October Revolution parades. I became acquainted with many comrades of the Federation of World Communist Parties and the War Council of the Special Commission of the Comintern. I will never forget my meeting with Comrade Dimitrov, the Chairman of the Comintern, whom I served as an aide together with another comrade. I saw Comrade Stalin during all demonstrations at Red Square, especially when I stood on the grandstand. I mention these meetings because all these comrades are our models and teachers for our work." During his time in the USSR, Mielke also developed a lifelong reverence for Felix Dzerzhinsky, the Polish aristocrat who founded the Soviet secret police. Mielke also began an equally permanent habit of calling himself a Chekist. In a citation written decades later, Mielke described his philosophy of life, "The Chekist is the political combatant. He is the loyal son of... the workers' class. He stands at the head of the battle to strengthen the power of our workers' and peasants' state." Spanish Civil War From 1936 to 1939, Mielke served in Spain as an operative of the Servicio de Investigación Militar, the political police of the Second Spanish Republic. While attached to the staff of, "veteran GRU agent," and future Stasi minister Wilhelm Zaisser, Mielke used the alias Fritz Leissner. Bernd Kaufmann, the director of the Stasi's espionage school later said, "The Soviets trusted Mielke implicitly. He earned his spurs in Spain." At the time, the S.I.M. was heavily staffed by agents of the Soviet NKVD, whose Spanish rezident was General Aleksandr Mikhailovich Orlov. According to author Donald Rayfield, "Stalin, Yezhov, and Beria distrusted Soviet participants in the Spanish war. Military advisors like Vladimir Antonov-Ovseenko, journalists like Koltsov were open to infection by the heresies, especially Trotsky's, prevalent among the Republic's supporters. NKVD agents sent to Spain were therefore keener on abducting and murdering anti-Stalinists among Republican leaders and International Brigade commanders than on fighting Franco. The defeat of the Republic, in Stalin's eyes, was caused not by the NKVD's diversionary efforts, but by the treachery of the heretics." In a 1991 interview, Walter Janka, a fellow German communist exile and company commander in the International Brigade, recalled his encounters with Mielke. During the winter of 1936, Janka was summoned by the SIM and interrogated by Mielke. Mielke demanded to know why Janka had voluntarily traveled to Spain rather than being assigned there by the Party. When he told Mielke to get lost, the SIM demoted Janka to the ranks and then expelled him from the International Brigade. Years later, Janka recalled, "While I was fighting at the front, shooting at the Fascists, Mielke served in the rear, shooting Trotskyites and Anarchists." Upon the defeat of the Spanish Republic, Mielke fled across the Pyrenees Mountains to France, where he was interned at Camp de Rivesaltes, Pyrénées-Orientales. Mielke, however, managed to send a message to exiled KPD members and, in May 1939, escaped to Belgium. Although the Public Prosecutor of Berlin learned of Mielke's presence and filed for his extradition, the Belgian Government refused to comply, regarding the assassinations of Captains Anlauf and Lenck as "a political crime." The NKVD and the SIM's witch hunt for both real and imagined anti-Stalinists had serious consequences. It horrified numerous formerly pro-Soviet Westerners who had been witnesses, including John Dos Passos, Arthur Koestler and George Orwell, and caused them to permanently turn against the USSR. Mielke's belief that anti-Soviet Marxists had collaborated with Franco and stabbed the Republic in the back continued to shape his attitudes for the rest of his life. In a 1982 speech before a group of senior Stasi officers, he said, "We are not immune from villains among us. If I knew of any already, they wouldn't live past tomorrow. Short shrift. It's because I'm a Humanist, that I'm of this view." In the same speech, Mielke also said, "All this blithering over to execute or not to execute, for the death penalty or against—all rot, Comrades. Execute! And, when necessary, without a court judgment." World War II During World War II, Mielke's movements remain mysterious. In a biography written after the war, he claimed to have infiltrated Organisation Todt under the alias Richard Hebel, but historian John O. Koehler considers this unlikely. Koehler admits, however, "Mielke's exploits must have been substantial. By war's end, he had been decorated with the Order of the Red Banner, the Order of the Great Patriotic War First Class, and twice with the Order of Lenin. It is likely that he served as an NKVD agent, at least part of the time with guerrilla units behind German lines, for he knew all the partisan songs by heart and sang them in faultless Russian." Occupied Germany Komissariat-5 In April 1945, Mielke returned to the Soviet Zone of Occupied Germany aboard a special Soviet aircraft that also carried fellow German Communists Walter Ulbricht, Wilhelm Zaisser, Ernst Wollweber, and many of the future leaders of the East Germany. That same month, Mielke's future handler, NKGB General Ivan Serov, travelled to Germany from Warsaw and, from his headquarters in the Berlin suburb of Karlshorst, divided the Soviet Zone into "Operative Sectors." On 10 July 1945, Marshal Georgy Zhukov signed SMA Order No. 2, which legalized the re-establishment of "anti-fascist" political parties like the Communist Party of Germany (KPD). On 15 July 1945, Mielke walked into the KPD's headquarters and volunteered his services. In an autobiography written for the KPD, Mielke disclosed—truthfully—his involvement in the 1931 murders of Berlin Police Captains Anlauf and Lenck, and—mistakenly or misleadingly—that for this he had been tried in absentia, found guilty, and sentenced to death. In actuality, Mielke's "name was mentioned in the 1934 trials but he was never tried". He admitted—truthfully—fighting on the Republican side during the Spanish Civil War, but claimed—falsely—that he had been released from the French internment camps and had worked in Belgium for an underground Communist newspaper under the code name "Gaston". Furthermore, Mielke concealed his past and contemporaneous involvement with the NKVD, NKGB, and the Nazi Organisation Todt (which he asserted he'd infiltrated). According to Koehler, "As might be expected, Mielke's account of his past was approved by the Soviets. Had Serov not been part of the conspiracy, Mielke would have been instantly arrested or at least subjected to an intense internal investigation because of his membership in the Nazi Organisation Todt, which used thousands of slave laborers. But he was cleared in record time and by the end of June the Soviets had installed him as a station commander of the newly formed Volkspolizei (Vopo), the People's Police." On 16 August 1947, Serov ordered the creation of Kommissariat 5, the first German political police since the defeat of Nazi Germany. According to Anne Applebaum, however, not everyone approved of the plan. In Moscow, Soviet Interior Minister Viktor Abakumov argued that a new secret police force would be demonized by Western governments and the media, which would paint the K-5 as a "new Gestapo." Furthermore, Abakumov, like Stalin, intensely distrusted German Communists and alleged that there "were not enough German cadres who have been thoroughly checked." Notwithstanding Abakumov's objections, however, recruitment into the K-5 began almost immediately. It is possible, as Norman Naimark suspects, that the NKGB had realized that their officers' lack of fluency in the German language was engendering massive popular resentment. Wilhelm Zaisser, who had been Mielke's commanding officer in Republican Spain, was appointed the K-5's head. Mielke was installed as his deputy. According to John Koehler, "The K-5 was essentially an arm of the Soviet secret police. Its agents were carefully selected veteran German communists who had survived the Nazi-era in Soviet exile or in concentration camps and prisons. Their task was to track down Nazis and anti-communists, including hundreds of members of the Social Democratic Party. Mielke and his fellow bloodhounds performed this task with ruthless precision. The number of arrests became so great that the regular prisons could not hold them. Thus, Serov ordered the establishment or re-opening of eleven concentration camps, including the former Nazi death camps of Buchenwald and Sachsenhausen." According to Anne Applebaum, "One of the few documents from that era to survive (most were removed by the KGB or perhaps destroyed, in 1989 or before) mentions a departmental training meeting and included a list of attendees. Topping the list is a group of Soviet advisers. In this sense, K-5 did resemble the political police in the rest of Eastern Europe: as in Hungary, Poland, and the USSR itself, this new political police force was initially extra-governmental, operating outside the ordinary rule of law." According to Edward N. Peterson, "Not surprisingly, K-5 acquired a reputation as bad as that of Stalin's secret police and worse than that of the Gestapo. At least with the Nazis, albeit fanatically racist, their victims did not suddenly disappear into the GULAG." The Amalgamation Despite the K-5's mass arrests of members of the Social Democratic Party of Germany (SPD) in the Soviet Zone, the number of SPD members continued to grow. By March 1946, SPD members outnumbered KPD members by more than 100,000. Fearing that they would lose the elections scheduled for the autumn, the leadership of the KPD asked for and received Stalin's permission to merge the two parties. When the SPD's leadership agreed only to schedule a vote for the rank and file to decide, permission was denied by the Soviet occupation authorities. The K-5 then began mass arrests of SPD members who refused to support the merger. On 22 April 1946, the remaining leaders of the SPD in the Soviet Zone announced that they had united with the KPD to form the Socialist Unity Party of Germany (SED). The SPD in the western zones of Occupied Germany responded by forming the SPD East Bureau in order to support and finance those Social Democrats who refused to accept the merger. Those who joined or worked with the East Bureau were, however, in serious danger of arrest by the K-5 and trial by Soviet military tribunals. By 1950, more than 5,000 SPD members and sympathisers had been imprisoned in the Soviet Zone or transferred to the GULAG. More than 400 were either executed or died during their imprisonments. John Koehler has written that, prior to the spring of 1946, many Germans in the Soviet Zone, "merely shrugged at the wave of arrests, believing that the victims were former Nazi officials and war criminals." But then came the mass arrests of Social Democrats who opposed the merger, who, "were joined by people who had been denounced for making anti-communist or anti-Soviet remarks, among their number hundreds who were as young as fourteen years. Although these arrests were made by Germans purporting to be officials of the criminal police, the existence of the K-5 political police eventually was exposed. Mielke, meanwhile, had risen to the post of vice-president of the German Administration for Interior Affairs – the equivalent of the NKVD – and continued his manipulations from behind the scenes." Investigation In January 1947, two retired Berlin policemen recognized Mielke at an official function. Informing the head of the criminal police in West Berlin, the policemen demanded that Mielke be arrested and prosecuted for the murders of Captains Anlauf and Lenck. Wilhelm Kühnast, the Public Prosecutor of Berlin, was immediately informed and ordered a search of the Kammergericht archives. To his astonishment, the files of the 1931 murders had survived the wartime bombing of Germany. Finding ample evidence of Mielke's involvement, Kühnast ordered the arrest of the communist policeman. According to John Koehler, "At that time, the city administration, including the police, was under the control of the Allied Control Commission, which consisted of U.S., British, French, and Soviet military officers. All actions by city officials, including the judiciary, were to be reported to the Commission. The Soviet representative alerted the MGB. Action was swift. Marshal Vasily Sokolovsky, who had replaced Zhukov, protested, and his representatives at the Commission launched a vicious campaign to discredit Kühnast." The Soviet representatives falsely claimed that Kühnast, a jurist with an impeccable anti-Nazi record, had been an official of Roland Freisler's People's Court. Taking the Soviets at their word, the Western Allies removed Kühnast from his position and placed him under house arrest. During the Berlin airlift, Kühnast fled from his home in East Berlin and was granted political asylum in the American Zone. Meanwhile, the Soviet authorities confiscated all documents relating to the murders of Captains Anlauf and Lenck. According to Koehler, "The Soviets handed the court records to Mielke. Instead of destroying the incriminating papers, he locked them in his private safe, where they were found when his home was searched in 1990. They were used against him in his trial for murder." Deutsche Wirtschaftskommission In 1948, Mielke was appointed as security chief of the German Economic Commission (), the precursor to the future East German government. Mielke's task was to investigate the theft and sale of state property on the black market. He was also charged with intercepting the growing number of refugees fleeing to the French, British, and American Zones. Those his security forces caught while attempting to defect were used as slave labor in the uranium mines that were providing raw material for the Soviet atomic bomb project. German Democratic Republic Independence In 1949, the Soviet Military Administration ceded its legal functions to the newly created German Democratic Republic. On 14 January 1950, Marshal Vasili Chuikov announced that all Soviet "internment camps" on German soil had been closed. Soon after, the DWK was absorbed into the newly created Ministry for State Security. In keeping with earlier syllabic abbreviations along the same lines (see OrPo, KriPo, and GeStaPo) East Germans immediately dubbed it the "Stasi" (from Staatssicherheit). With the approval of the Soviets, Mielke's commanding officer from Spain and in the K5, Wilhelm Zaisser, was appointed as the Stasi's head. Mielke was appointed to his staff with the rank of State Secretary. Mielke was also granted a seat in the SED's ruling Politburo. According to John Koehler, "In the five years since the end of World War II, the Soviets and their vassals had arrested between 170,000 and 180,000 Germans. Some 160,000 had passed through the concentration camps, and of these about 65,000 had died, 36,000 had been shipped to the Soviet Gulag, and another 46,000 had been freed." In 1949, as a response to the remilitarization of East Germany and the Soviet blockade of West Berlin, the United States, Great Britain, France, Belgium, the Netherlands, Luxembourg, and Portugal formed the North Atlantic Treaty Organization, or NATO. In 1950, as a response to the outbreak of the Korean War, West Germany was also permitted to join NATO, which was then upgraded into a military alliance. According to Koehler, however, "As the Cold War intensified, living conditions in Soviet-occupied East Germany showed little improvement beyond the postwar level of bare subsistence. The new government of the DDR – a mere puppet of the Kremlin – relied more and more on the Stasi to quell discontent among factory workers and farmers. Ulbricht, claiming that the social unrest was fomented by capitalist agents, once ordered Mielke to personally visit one large plant and 'arrest four or five such agents' as an example to the others. The Stasi deputy 'discovered' the agents in record time." Field show trials Also in 1949, Noel Field, an American citizen who had spied for the NKVD from inside the U.S. State Department, the Office of Strategic Services, and the CIA, fled from his posting in Switzerland to Communist Czechoslovakia after his cover was blown by fellow mole Whittaker Chambers. On 11 May 1949, the Czechoslovakian secret police, or StB, in obedience to a direct order from KGB chief Lavrenti Beria, arrested Field in Prague. Field was then handed over to the Hungarian ÁVO. After his interrogation in Budapest, Fields was used as a witness at show trials of senior Soviet Bloc Communists who, like László Rajk and Rudolf Slánský, stood accused of having spied for the United States. The real reason for the trials was to replace homegrown Communists in Eastern Europe with those who would be blindly loyal to Joseph Stalin and to blame the division of Germany on the intrigues of U.S. intelligence. At the Rajk show trial, the prosecutor declared, "Noel Field, one of the leaders of American espionage, specialized in recruiting spies from among left-wing elements." In August 1950, six senior SED members, including Willi Kreikemeyer, the director of Deutsche Reichsbahn and head of Berliner Rundfunk, were accused of "special connections with Noel Field, the American spy." All were either imprisoned or shot. John Koehler writes, "Similar purges were conducted in Czechoslovakia, Hungary, and Bulgaria, where Field appeared as a witness in show trials that resulted in some death sentences. The Soviets simply distrusted all Communists who had sought exile in the West. All the while, Mielke remained untouched and continued to serve as the deputy secret police chief. His survival reinforced the belief that he had spent the war years in the Soviet Union instead of France and Belgium as he had claimed in the 1945 questionnaire." In June 1950, Erica Wallach, Noel Field's adopted daughter, decided to search for him. From Paris, she telephoned Leo Bauer, the editor-in-chief of Berliner Rundfunk. The call was monitored by agents of the Soviet Ministry for Internal Affairs, and Bauer's handler instructed him to invite Mrs. Wallach to East Berlin, where she was immediately arrested. Mielke personally interrogated her and, at one point, offered Mrs. Wallach immediate release if she named the members of her fictitious spy network. She was condemned to death by a Soviet military tribunal in East Berlin and shipped to the Lubianka prison in Moscow for her execution. After Joseph Stalin's death in on 5 March 1953, Erica Wallach's sentence was reduced to hard labor in Vorkuta, a region of the Gulag located above the Arctic Circle. She was released during the Khrushchev thaw in October 1955. At first, she was unable to join her husband and daughters in the U.S. because of the U.S. State Department's concern over her former membership in the Communist Party of Germany. It took the personal intervention of CIA Director Allen Dulles to reunite Erica Wallach with her family in 1957. Wallach's memoir of her experiences, Light at Midnight, was published in 1967. Death of Stalin After Soviet Premier Joseph Stalin died inside his Kuntsevo Dacha on 5 March 1953, the Central Committee of the East German Socialist Unity Party met in a special session and eulogized the dictator as the "great friend of Germany who was always an advisor of and help to our people." Two months later, on 5 May 1953, the SED's General Secretary, Walter Ulbricht, and the rest of the leadership increased work quotas by 10%. They also decided to rename Chemnitz Karl-Marx-Stadt and to institute the Order of Karl Marx as the GDR's highest award. Two weeks later, Mielke accused "a group of Party officials" of "plotting against the leadership", which "resulted in more expulsions from the Politburo and the Central Committee." East German uprising of 1953 Discontent among factory workers about a 10% increase of work quotas without a corresponding wage hike boiled over. On 16 June 1953, nearly one hundred construction workers gathered before work for a protest meeting at Stalinallee, in East Berlin. Words spread rapidly to other construction sites and hundreds of men and women joined the rally, which marched to the House of Ministries. The protesters chanted slogans for five hours, demanding to speak to Walter Ulbricht and Otto Grotewohl. Only Heavy Industry Minister Fritz Selbmann and Professor Robert Havemann, president of the GDR Peace Council, emerged. Their speech, however, was answered with jeers and the Ministers retreated into the heavily armed building. The regular and the Kasernierte Volkspolizei were summoned from their barracks, but made no move to attack the protesters, who returned to Stalinallee, where a general strike was called. Following West Germany's Federal Minister for All-German Questions Jakob Kaiser's admonition in a late night broadcast to East Germans to shy away from provocations, RIAS, starting with its 11 pm news broadcast, and from then on in hourly intermissions, repeated the workers' demand to continue the strike the next day, calling specifically for all East Berliners to participate in a demo at 7am on the 17th at Strausberger Platz. The following day, 17 June 1953, more that 100,000 protesters took to the streets of East Berlin. More than 400,000 protesters also took to the streets in other cities and towns throughout the German Democratic Republic. Everywhere, the demands were the same: free elections by secret ballot. Outside of Berlin, the main centres of the protests included the industrial region around Halle, Merseburg, and Bitterfeld, as well as middle-size towns like Jena, Görlitz, and Brandenburg. No more than 25,000 people participated in strikes and demonstrations in Leipzig, but there were 32,000 in Magdeburg, 43,000 in Dresden, 53,000 in Potsdam – and in Halle, a figure close to 100,000. In West Berlin, the American radio station RIAS and several other West German stations reported on the protests and on plans for a general strike. As East Germans listened to the broadcasts, 267,000 workers at State-owned plants in 304 cities and towns joined the general strike. In 24 towns, outraged East Germans stormed the Stasi's prisons and freed between 2,000 and 3,000 political prisoners. In response to orders, the Soviet Occupation Forces, the Stasi and the Kasernierte Volkspolizei went on the attack. Bloody street battles ensued and hundreds of policemen defected to the side of the protesters. Both police and Stasi stations were overrun and some government offices were sacked. The Party leadership retreated into a fortified compound in the Pankow district of East Berlin. At noon, the Soviet authorities terminated all tram and metro traffic into the Eastern sector and all but closed the sector borders to West Berlin to prevent more demonstrators from reaching the city centre. An hour later, they declared martial law in East Berlin. The repression took place outside East Berlin police HQ – where Soviet tanks opened fire on "the insurgents". According to John Koehler, "... by late afternoon, Soviet tanks accompanied by Infantry and MVD troops had rolled into East Berlin and other cities in the Soviet Zone. This made the people even angrier. At Berlin's Potsdamer Platz, which bordered on the American Sector, irate protesters ignored machine gun fire and the menacing barrels of tank guns. They ripped cobblestones from the streets and hurled them at the tanks." Fighting between the Red Army (and later GDR police) and the demonstrators persisted into the afternoon and night. In some cases, the tanks and the soldiers fired directly into the crowds. Overnight, the Soviets (and the Stasi) started to arrest hundreds of people. Ultimately, up to 10,000 people were detained and at least 20, probably as many as 40, people were executed, including Red Army soldiers who refused to obey orders. With the SED leadership effectively paralysed at the Soviet headquarters in Karlshorst, control of the city passed to the Soviets. In honor of the uprising, West Germany established 17 June as a national holiday, called Day of German Unity. The extension of the Unter den Linden boulevard to the west of the Brandenburg Gate, formerly called Charlottenburger Chaussee, was also renamed Straße des 17. Juni ("17 June Street") in honor of the uprising. According to John Koehler, "Provisional prison camps were set up to hold the thousands of Stasi victims. Nearly 1,500 persons were sentenced in secret trials to long prison terms. On 24 June, Mielke issued a terse announcement that one Stasi officer, nineteen demonstrators, and two bystanders had been killed during the uprising. He did not say how many were victims of official lynching. The numbers of the wounded were given as 191 policemen, 126 demonstrators, and 61 bystanders." Also according to Koehler, "Calm returned to the streets of the Soviet Zone, yet escapes to the West continued at a high rate. Of the 331,390 who fled in 1953, 8,000 were members of the Kasernierte Volkspolizei, the barracked people's police units, which were actually the secret cadre of the future East German Army. Also among the escapees were 2,718 members and candidates of the SED, the ruling Party." The Khrushchev thaw Purges Alarmed by the uprising, Lavrenty Beria, the First Deputy Premier of the Soviet Union and head of the Ministry of Internal Affairs, personally travelled from Moscow to East Berlin. He conferred with Stasi Minister Wilhelm Zaisser and with Mielke, his deputy, both of whom he had known since the early 1930s. During both conversations, Beria demanded to know why the Stasi had failed to recognize the extreme discontent of the population and inform the Party leadership, which could then have prevented the uprising by taking extremely repressive measures in advance. Both Zaisser and Mielke answered Beria's questions circumspectly, and were accordingly left in their posts. In response to the uprising, Beria decided to replace several hundred MVD officers, including Major General Ivan Fadeykin, the MVD resident of East Germany. The Stasi, according to John Koehler, "generally remained untouched except for the arrests and dismissals, for dereliction of duty, of a handful of officers in the provinces. One high-ranking Stasi officer shot himself." Following Beria's return to Moscow, however, he was arrested on 26 June 1953, in a coup d'état led by Nikita Khrushchev and Marshal Georgy Zhukov. Beria was tried on charges of 357 counts of rape and high treason. He was sentenced to death and shot by Red Army Colonel-General Pavel Batitsky on 23 December 1953. In an interview to Neues Deutschland, the official party newspaper of East Germany, on 30 June 1953, the Party's Minister of Justice, Max Fechner, declared that, "illegal arrests," had been made and that being a member of a strike committee or suspicion of being a ringleader was not in itself grounds for arrest and conviction. Meanwhile, when the East German Politburo met on 8 July, it seemed that Ulbricht would be deposed as Party General Secretary. Zaisser conceded that the whole Politburo was responsible for the "accelerated construction of socialism" and of the subsequent fallout. But he also added that to leave Ulbricht as Premier, "would be opposed catastrophic for the New Course". By the end of the meeting, only two Politburo members still supported Ulbricht's leadership: Free German Youth League chief Erich Honecker and Party Control Commission Chairman Hermann Matern. Ulbricht only managed to forestall a decision then and there with a promise to make a statement at the forthcoming 15th SED CC Plenum, scheduled for later that month. Meanwhile, Mielke informed a Party commission looking for scapegoats that his boss, Stasi Minister Wilhelm Zaisser, was calling for secret negotiations with West Germany and that, "he believed the Soviet Union would abandon the DDR." By late July, Ulbricht was completely certain that he had the support of the new Soviet Premier, Nikita Khrushchev. Therefore, he expelled his main opponents, Zaisser, Hernstadt and Ackermann, from the Politburo, and thus strengthened his position further. SED Minister of Justice Max Fechner was personally arrested by Mielke and replaced by Hilde Benjamin, who was known to East German citizens as "Red Hilde", "The Red Freisler," and as, "The Red Guillotine," for her role as a judge in the SED's show trials. Fechner was convicted of being, "an enemy of the Party and the State," and served three years in Bautzen Prison. Wilhelm Zaisser was replaced as head of the Stasi by Ernst Wollweber and Mielke remained on staff as his deputy. Tenure as Stasi head Mielke headed the Stasi from 1957 until the fall of the Berlin Wall in 1989. There was, under the East German system, no provision for parliamentary oversight. However, starting in 1971 Mielke was required to provide a detailed intelligence briefing to party secretary Erich Honecker each Tuesday, directly following the weekly Politburo meeting. (Before 1971, under Walter Ulbricht, Mielke was not involved in routine intelligence briefings to the leadership which, instead, were provided directly to Ulbricht by Intelligence Chief Markus Wolf.) Internal discipline During his tenure, Mielke enforced "political and personal discipline reminiscent of the early French Foreign Legion". New recruits were required to take a solemn oath pledging "to fight alongside the state security organs of all socialist countries against all enemies of socialism" on pain of "the severest punishment under the Republic's laws and the contempt of the workers." Recruits were also required to sign a security pledge vowing never to make unauthorized visits to any "capitalist countries" and to report on any members of their families who did so. Violations of the oath resulted in expulsion from the Stasi and blacklisting from all but the most menial jobs. Serious violations were tried before secret tribunals and led an estimated 200 Stasi agents to be shot. Colonel Rainer Wiegand once said, "There was only one way to leave the MfS without being haunted for the rest of your life. You either retired or you died." Domestic activities Under Erich Mielke's leadership, the Stasi employed 85,000 full-time domestic spies and 170,000 civilian informants () (IMs). East Germans coined a term to describe the Stasi's pervasive surveillance of the population "All-Covered" (). For this reason, Anna Funder has referred to East Germany as, "the most perfected surveillance state of all time." According to John Koehler, "...the Stasi's tentacles probed every aspect of life. Full-time officers were posted to all major industrial plants. Without exception, one tenant in every building was designated as a watchdog reporting to an area representative of the Volkspolizei...In turn, the police officer was the Stasi's man. If a relative or friend came to stay overnight, it was reported. Schools, universities and hospitals were infiltrated from top to bottom. German academe was shocked to learn that Heinrich Fink, professor of theology and vice-chancellor of East Berlin's Humboldt University, had been a Stasi informer since 1968. After Fink's Stasi connections came to light, he was summarily fired. Doctors, lawyers, journalists, writers, actors, and sports figures were co-opted by Stasi officers, as were waiters and hotel personnel. Tapping about 100,000 telephone lines in East Germany and West Berlin around the clock was the job of 2,000 officers... Churchmen, including high officials of both Protestant and Catholic denominations, were recruited en masse as secret informants. Their offices and confessionals were infested with eavesdropping devices. Even the director of Leipzig's famous Thomas Church choir, Hans-Joachim Rotzsch, was forced to resign when he was unmasked as a Spitzel, the people's pejorative for a Stasi informant." In an interview with journalist Anna Funder, an ex-Stasi officer recalled, "Most often, people we approached would inform for us. It was very rare that they would not. However, sometimes we felt that we might need to know where their weak points were, just in case. For example, if we wanted a pastor, we'd find out if he'd had an affair, or had a drinking problem—things that we could use as leverage. Mostly though, people said yes." On Mielke's orders, and with his full knowledge, Stasi officers also engaged in arbitrary arrest, kidnapping, brutal harassment of political dissidents, torture, and the imprisonment of tens of thousands of citizens. In a 1991 interview, Jewish Holocaust survivor and Nazi hunter Simon Wiesenthal said, "The Stasi was much, much worse than the Gestapo, if you consider only the oppression of its own people. The Gestapo had 40,000 officials watching a country of 80 million, while the Stasi employed 102,000 to control only 17 million." Activities abroad During Mielke's tenure, the Stasi's operations beyond East Germany were overseen by Markus Wolf and the Hauptverwaltung Aufklärung (MfS-HVA). Mielke and Wolf provided money, training, and surveillance equipment to help build pro-Soviet secret police forces in Fidel Castro's Cuba, Baathist Syria, Sandinista-ruled Nicaragua, Mengistu Haile Mariam's Ethiopia, Idi Amin's Uganda, Kwame Nkrumah's Ghana, and South Yemen. After the opening of Stasi archives, it was revealed that West Germany was riddled with MfS-HVA moles. In what John Koehler has dubbed, "The Invisible Invasion", some West German citizens collaborated out of Marxist beliefs, but others were recruited through blackmail, greed, career frustrations, or sexual favors from Stasi operatives. Another tactic was for Stasi military advisers assigned to African and Middle Eastern countries to request the arrest of West German tourists. Local police would then turn the prisoner over to the Stasi agent, who would offer the West German a choice between espionage or incarceration. Senior politicians from the Social Democratic Party of Germany, the Free Democratic Party of Germany, and the Christian Democratic Union were exposed and, when still alive, prosecuted. Mielke and Wolf also seriously compromised West Germany's police departments, foreign and domestic intelligence services, diplomatic corps, military-industrial complex, and journalistic profession. The Stasi compromised the United States military and diplomatic presence in West Germany. The most damaging American to spy for the Stasi was United States Army Sergeant James Hall III, who volunteered his services to Soviet and East German intelligence in November 1981. Sergeant Hall sold the Stasi 13,088 pages of classified documents, including detailed information about Project Trojan, a worldwide electronic network with the ability to pinpoint armored vehicles, missiles and aircraft by recording their signal emissions during wartime and the complete National SIGINT Requirements List (NSRL), a 4258-page document about NSA operations at home and abroad. In 1988, Sergeant Hall was tricked into confessing his espionage career to an undercover FBI Special Agent named Dmitri Droujinsky, a Russian-American who was posing as an agent of the KGB. When news of Sergeant Hall's arrest became public, one Washington intelligence official called the breach, "the Army's Walker Case." Collusion with Nazism Beginning in 1960, Mielke and Wolf used false flag recruitment to secretly organize and finance Neo-Nazi organizations, which they then instructed to vandalize Jewish religious and cultural sites throughout West Germany. During the Jerusalem trial of Adolf Eichmann, Stasi agents sent letters to West German Neo-Nazis and Waffen-SS veterans, urging them to speak out and to raise money for Eichmann's defense attorney. This was done in order to lend credibility to Communist propaganda about the allegedly Fascist and neo-Nazi orientation of the Federal Republic of Germany. According to German historian Michael Wolffsohn, "There is no doubt that in the 1960s as now, there were Nazis who were unreconstructed, unchangeable and evil, but without the help of East Germany, these Nazis were incapable of a national, coordinated campaign. That was true of right-wing extremist criminals in the 1980s as well. The East German Communists used anything they could against West Germany, including the... fears by Western countries and Jews that a new Nazism could be growing in West Germany. There is... evidence that the East Germans continued to use Anti-Semitism as a tool against West Germany in the 1970s and perhaps right up until 1989." In a 1991 interview with John Koehler, Holocaust survivor and Nazi hunter Simon Wiesenthal said of the Stasi, "They not only terrorized their own people worse than the Gestapo, but the government was the most Anti-Semitic and Anti-Israeli in the entire Eastern Bloc. They did nothing to help the West in tracking down Nazi criminals; they ignored all requests from West German judicial authorities for assistance. We have just discovered shelves of files on Nazis stretching over four miles. Now we also know how the Stasi used those files. They blackmailed Nazi criminals who fled abroad after the war into spying for them. What's more, the Stasi trained terrorists from all over the world." Support for paramilitary and terrorist groups During a 1979 visit to the GDR by senior PLO member Salah Khalaf, Mielke said, "We are paying great attention to the Palestine resistance and the other revolutionary forces fighting against the policies of the United States and against the provocations of the Israeli aggressor. Together with the Soviet Union and other socialist countries, we will do everything to support this just battle." With this in mind, Mielke ordered the Stasi to finance, arm, and train, "urban guerrillas," from numerous countries. According to former Stasi Colonel Rainer Wiegand, Mielke's ties to violent paramilitary groups were overseen by Markus Wolf and Department Three of the MfS-HVA. Members of the West German Baader-Meinhoff Group, the Chilean Manuel Rodríguez Patriotic Front, and Umkhonto we Sizwe, the paramilitary wing of the African National Congress, were brought to East Germany for training in the use of military hardware, insurgent tactics, and, "the leadership role of the Party." Similar treatment was meted out to Palestinians from the Popular Front for the Liberation of Palestine, Abu Nidal, and Black September. Other Stasi agents worked as military advisers to Soviet-backed African guerrilla organizations and the governments they later formed. They included the Namibian SWAPO and the Angolan MPLA during the South African Border War, the FRELIMO during the Mozambican War of Independence and civil war, and Robert Mugabe's ZANLA during the Rhodesian Bush War. Colonel Wiegand revealed that Mielke and Wolf provided bodyguards from the Stasi's counter-terrorism division for Venezuelan-born PLO terrorist Carlos the Jackal and Black September leader Abu Daoud during their visits to the GDR. Col. Wiegand had been sickened by the 1972 Munich massacre and was horrified that the GDR would treat the man who ordered it as an honored guest. When he protested, Wiegand was told that Abu Daoud was, "a friend of our country, a high-ranking political functionary," and that there was no proof that he was a terrorist. During the 1980s, Wiegand secretly blackmailed a Libyan diplomat into spying on his colleagues. Wiegand's informant told him that the La Belle bombing and other terrorist attacks against American and West German citizens were being planned at the Libyan Embassy in East Berlin. When Wiegand showed him a detailed report, Mielke informed the SED's Politburo, which ordered the Colonel to continue surveillance but not interfere with the plans of the Libyans. According to John Koehler, "Murder, kidnapping, extortion, bank robbery, and arson were felonies under the East German criminal code. However, if these offenses were committed under the banner of the 'anti-imperialist struggle,' the communist system would look the other way. Moreover, it had assigned the Stasi to make sure that terrorists were properly trained for murder and sowing mayhem. There was no limits to the East German regime's involvement with terrorism, so long as it could be ideologically justified." The Peaceful Revolution According to John Koehler, "Increasingly concerned over the growing popular opposition, Stasi Minister Mielke early in 1989 ordered the creation of a special elite unit for crushing disturbances. Its personnel were carefully selected members of the counterespionage and counterterrorism directorate. They were equipped with special batons similar to electric cattle prods but much more powerful. In a secret speech to top-ranking Stasi officers on 29 June, Mielke warned that, 'hostile opposing forces and groups have already achieved a measure of power and are using all methods to achieve a change in the balance of power. Former Stasi Colonel Rainer Wiegand told me he was horrified when Mielke compared the situation with that of China two months earlier. Chinese students in Beijing had begun massive protests in April and in May, during a student demonstration in Tiananmen Square, security troops had opened fire on them killing hundreds. 'Mielke said our situation was comparable and we had to be ready to counter it with all means and methods,' Wiegand recalled. 'Mielke said that the Chinese leadership had succeeded in smothering the protests before the situation got out of hand.'" Despite Mielke's attempts to suppress them, East Germany's protesters grew more emboldened with every arrest. 40th anniversary of the GDR As the fortieth anniversary of the GDR approached, Mielke ordered, "We must stop the internal enemy. At the least hint of a disturbance of the celebration, isolate and arrest them." One former Stasi Major recalled, "We mixed inconspicuously with the demonstrators, accompanied by our IMs. Hundreds of us stood at the sides of the street in order to stop any activity before it got started. We barely got any sleep toward the end. Never did I sense that the people were afraid of the MfS. The Stasi was more afraid of the people than the people were of them." According to Koehler, "Despite the unrest, the regime celebrated its fortieth with a huge, pompous ceremony in Berlin on 7 October, while tens of thousands of outside the ornate building of the State Council. The People's Police cordons were utterly ineffectual. As Stasi Minister Erich Mielke drove up and was greeted by General Günter Kratsch, the counterintelligence chief, Mielke screamed at police: "Club those pigs into submission!" () The police ignored Mielke's ranting. As more and more East Germans were arrested for protesting the 40th anniversary celebrations, many of them sang The Internationale in Vopo and Stasi custody to imply that they, rather than their captors, were the real working class and the real revolutionaries. According to Anna Funder, "There was a sea of red flags, a torchlight procession, and tanks. The old men on the podium wore light-grey suits studded with medals. Mikhail Gorbachev stood next to Honecker, but he looked uncomfortable among the much older Germans. He had come to tell them that it was over, to convince the leadership to adopt his reformist policies. He had spoken openly about the danger of not 'responding to reality.' He pointedly told the Politburo that, 'life punishes those who come too late.' Honecker and Mielke ignored him, just as they ignored the crowds when they chanted, "Gorby, help us! Gorby, help us!" Plan X On 8 October 1989, Mielke and Honecker ordered the Stasi to implement "Plan X"—the SED's plan to arrest and indefinitely detain 85,939 East Germans during a state of emergency. According to John Koehler, Plan X had been in preparation since 1979 and was, "a carbon copy of how the Nazi concentration camps got their start after Hitler came to power in 1933." By 1984, 23 sites had been selected for "isolation and internment camps." Those who were to be imprisoned in them ran into six categories; including anyone who had ever been under surveillance for anti-state activities, including all members of peace movements which were not under Stasi control. According to Anna Funder, "The plans contained exact provisions for the use of all available prisons and camps, and when those were full for the conversion of other buildings: Nazi detention centers, schools, hospitals, and factory holiday hostels. Every detail was foreseen, from where the doorbell was located on the house of each person to be arrested to the adequate supply of barbed wire and the rules of dress and etiquette in the camps..." However, when Mielke sent the orders, codenamed "Shield" (), to each local Stasi precinct to begin the planned arrests, he was not obeyed. Terrified of an East German version of the mass lynchings of Hungarian secret police agents during the 1956 Revolution, Stasi agents throughout the GDR fortified their office-buildings and barricaded themselves inside. Toppling Honecker Even as orders were going out to implement Plan X, Mielke had already thrown his support behind the anti-Honecker faction in the SED's Politburo. Although he was of the same generation as Honecker and had matured in an environment where following orders was the rule, he was sober enough and politically savvy enough to realize this approach no longer worked. During a session on 10 October 1989, Mielke delivered a report attacking Honecker's desire to violently suppress the demonstrations rather than offer concessions. In what Edward N. Peterson has called "a remarkable disclaimer of responsibility for the violence," Mielke declared that Honecker's orders to him "were built on false situation judgments." He added that Honecker's commands on 7 and 8 October "were false and undifferentiated condemnations of those who think differently. Despite this evaluation, there was never any instructions to use violence against persons. There is nothing in our basic principles to consider a demonstration as part of a possible counterrevolutionary coup." Mielke also claimed that "the Party judged the situation falsely. We tried to tell them the true situation, but enough was not done." Mielke argued in favor of solving the demonstrations politically and giving "every DDR citizen the right to travel." On 17 October 1989, Mielke and the rest of the GDR's Politburo met to follow Gorbachev's demand, voiced in August, for Honecker be removed as General Secretary of the SED and State Council chairman. Suspecting that Honecker's personal bodyguards might try to arrest the members of the Central Committee when they met to vote Honecker out in favour of Egon Krenz, Mielke saw to it that Stasi agents who were loyal to him were stationed near the meeting room. While deliberations were underway, Mielke told Honecker that "we simply cannot start shooting with tanks," and tried to impress upon Honecker that it was "the end". After the vote to oust Honecker passed, Mielke "got nasty," and accused Honecker of corruption. Honecker responded that Mielke should not open his mouth so much. Mielke responded by putting the last nail into Honecker's coffin. He announced that the MfS had a file on the now-ousted leader. It contained proof of Honecker's corrupt business practices, sexual activities, and how, as a member of the underground Communist Party of Germany during the Nazi years, he had been arrested by the Gestapo and had named names. To the shock of both the Politburo and the Stasi, Krenz's first televised addresses failed to win popular support. Despite his assurances that the SED was at last ready to embrace Gorbachev's policies of Glasnost and Perestroika, Krenz's approval ratings remained extremely low. Former Politburo member Günter Schabowski later recalled, "We made a palace revolution without offering a real alternative... We had not quickly and thoroughly enough whittled away from Stalin's methods." Defeat On 7 November 1989, Mielke resigned, along with eleven out of eighteen members of the SED's Council of Ministers, in response to the increasing disintegration of the GDR. Two days later, Schabowski announced on television that the east–west border was open without restriction. According to Anna Funder, there was panic at Stasi Headquarters in Berlin-Lichtenberg, "Stasi officers were instructed to destroy files, starting with the most incriminating–those naming westerners who spied for them, and those that concerned deaths. They shredded the files until the paper shredders overheated and shorted out. Among other shortages in the East, there was a shredder shortage, so they had to send agents out under cover to West Berlin to buy more. In Building 8 alone, the citizens' movement found over a hundred burnt out shredders. When they ran out of working shredders from the West and could not procure more they began using scissors to cut the documents by hand. According to William F. Buckley, Jr., "In the weeks after 9 November, Stasi offices were stormed in various cities around East Germany. Stasi commissars in three of those cities committed suicide. But not one was lynched or executed." Televised humiliation On 13 November 1989, Mielke was summoned to deliver a briefing about the protests to the GDR parliament, or Volkskammer. Formerly a "rubber stamp parliament," the disintegration of the SED's power had allowed the Volkskammer to begin exercising real authority over the GDR. Therefore, Mielke, as the head of the Stasi (known as the "shield and sword of the [SED] party"), was summoned before the newly empowered parliament to justify his position in government. As his speech was broadcast live, Mielke began by using overly bombastic, flag-waving language, saying "We have, comrades, dear assembly members, an extraordinarily high amount of contact with all working people" (). To his shock, the Volkskammer responded with boos, whistles, and catcalls. His face grief-stricken and pale, Mielke then tried to defuse the situation, "Yes, we have such contact, let me tell you-let me tell you why. I am not afraid to stand here and to give you an unbiased answer" (). Mielke continued, speaking of the "triumph" of the socialist economy, continuing all the while to address the members of the Volkskammer as "Comrades" (). In response, Volkskammer member Dietmar Czok of the Christian Democratic Union, rose from his seat and raised his hand. The Volkskammer's president, Günther Maleuda, interrupted Mielke and urged Czok to speak. With his voice dripping with contempt, Czok told Mielke, "As a point of order, I will not tell you this again. There are more people sitting in this Chamber than just your Comrades!" (). In response, many in the Volkskammer burst into applause, cheers, and shouts of "We are not your Comrades!" () Trying to appear magnanimous, Mielke responded, "This is a natural, Humanistic question! This is just a question of formality." (), leading to further shouts of displeasure from the members of the Volkskammer. In a last ditch effort, Mielke "raised his arms like an evangelist," and cried, "I love all – all Humanity! I really do! I set myself before you!" () Everyone in the room, including staunch SED members, burst out laughing. Then Mielke started to cry. John Koehler later wrote, "Mielke was finished." Mielke's address to the Volkskammer remains the most famous broadcast in the history of German television. Anna Funder has written, "When they think of Mielke, East Germans like to think of this." The Fall On 17 November 1989, the Volkskammer renamed the MfS the Amt für Nationale Sicherheit (AfNS – Office for National Security). The following day, Mielke's tenure in office ended when the Volkskammer appointed Generalleutnant Wolfgang Schwanitz as the new director of the AfNS. On 1 December 1989, the Volkskammer nullified the clause of the GDR constitution that enshrined the SED's "leading role" in the government and formally ending Communist rule in East Germany. Two days later, the SED announced that Mielke's party membership had been permanently revoked. Years later, he lamented, "Millions have died for nothing. Everything we fought for – it has all amounted to nothing." He also said, "If the party had given me the task, then there would perhaps still be a GDR today. On that you can rely." Prosecution Indictments On 7 December 1989, Erich Mielke was arrested and placed in solitary confinement for embezzlement of public funds in order to improve his hunting estate. He was charged with "Damaging the People's Economy" (Schädigung der Volkswirtschaft). On 7 January 1990, he was further charged with high treason and conspiring with Erich Honecker to bug the telephones and open the mail of every one of East Germany's citizens. Meanwhile, the Federal Constitutional Court announced that Mielke had also been indicted for having ordered two terrorist attacks by the Baader-Meinhoff Group against United States military personnel who were stationed on West German soil. The first was the car bomb attack against the United States Air Force at Ramstein Air Base on 31 August 1981. The second was the attempted murder with an RPG-7 anti-tank rocket of United States Army General Frederick Kroesen, his wife, and the West German police officer who was driving their armored Mercedes at Heidelberg on 15 September 1981. After German reunification in October 1990, Mielke was also indicted for ordering the shootings of defectors at the Berlin Wall. He was also charged with misuse of office, breach of trust, and incitement to pervert the course of justice. Bülowplatz trial In February 1992, Mielke was put on trial for the 1931 first degree murders of Berlin Police Captains Anlauf and Lenck as well as the attempted murder of Senior Sergeant Willig. The evidence for Mielke's guilt was drawn from the original police files, the transcripts from the 1934 trial of his co-conspirators, and a handwritten memoir in which Mielke revealed that his role in, "the Bülowplatz Affair," had been his reason for fleeing to Moscow from the Weimar Republic in 1931. All had been found in Mielke's house safe during a police search in 1990. Mielke was believed to have kept the documents for the purpose of "blackmailing Honecker and other East German leaders." Former Associated Press reporter and White House Press Secretary John Koehler also testified that Mielke had boasted of his involvement in the Bülowplatz murders during a confrontation at Leipzig in 1965. During his trial, Mielke appeared increasingly senile, admitting his identity but otherwise remaining silent, taking naps, and showing little interest in the proceedings. In a widely publicized incident, Mielke appeared to mistake the presiding judge for a prison barber. When a journalist for Der Spiegel attempted to interview him in Plötzensee Prison, Mielke responded, "I want to go back to my bed" (). Opinion was divided whether Mielke was suffering from senile dementia or was pretending in order to evade prosecution. After twenty months of one-and-a-half-hour daily sessions, Erich Mielke was convicted on two counts of murder and one of attempted murder. On 26 October 1993, a panel of three judges and two jurors sentenced him to six years' imprisonment. At his sentencing, Mielke started to cry. In pronouncing sentence, Judge Theodor Seidel, told Mielke that he "will go down in history as one of the most fearsome dictators and police ministers of the 20th century." Imprisonment Mielke was then put on trial for ordering the shootings of East Germans who were trying to defect to the West. In November 1994, the presiding judge adjourned the proceedings, ruling that Mielke was not mentally competent to stand trial. During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters. Although it was not connected to the outside world, Mielke enjoyed having imaginary conversations with non-existent Stasi agents. His other favorite pastime was watching game shows on television. In 1995, parole officers and Mielke's attorneys argued that he was "totally confused" and obtained his release. At 87 years of age, Erich Mielke was Germany's oldest prison inmate and had been incarcerated for 1,904 days. Days before his release, the Public Prosecutor of Berlin announced that he was "not interested in chasing an 87-year-old man anymore" and that all further prosecution of Mielke had been indefinitely suspended. According to Koehler, "[Mielke's] bank account, which held more than 300,000 Marks (about US$187,500), was confiscated. Before his arrest in 1989, the most feared man in East Germany had lived in a luxurious home with access to an indoor pool. In addition, he owned a palatial hunting villa, complete with a movie theater, trophy room, 60 servants, and a 60 square kilometers hunting preserve. After he was released from prison Mielke was obliged to move into a two-room, 55-square-meter flat. Like all Stasi pensioners, he would henceforth have to live on 802 marks (about US$512) a month." Death Erich Mielke died on 21 May 2000, aged 92, in a Berlin nursing home. After being cremated at the crematorium in Meissen, an urn containing Mielke's ashes was buried in an unmarked grave at the Zentralfriedhof Friedrichsfelde in Berlin. An estimated 100 people reportedly attended the funeral. Erich Mielke's grave is outside the memorial section established at the entrance in 1951 by East German leaders for communist heroes. Within hours of his funeral, the flowers and wreaths left at Mielke's grave were ripped to shreds by persons unknown. Legacy Writing in 2003, Australian journalist Anna Funder declared, "The name Mielke has now come to mean 'Stasi.' Victims are dubiously honored to find his signature in their files: on plans for someone to be observed 'with all possible methods', on commands for arrest, for kidnapping, instructions to judges for sentencing, orders for 'liquidation'. The honor is dubious because... he signed so many." In 2012, the museum at the former Stasi headquarters opened Mielke's office as a permanent exhibit. Soon after, The Guardian correspondent Tam Eastley visited the exhibit and numerous sites in Berlin connected to Mielke's life, times, and legacy. When she visited Mielke's grave, Eastley found that it had become a shrine for adherents of Ostalgie. Personal life Erich Mielke was a fitness enthusiast, a non-smoker, and drank very little. He was a keen hunter and owned a large area of ground where he would hunt animals with other East German and visiting Soviet officials. During the late 1940s, when Mielke was working as security chief of the DWK, he began a relationship with Gertrud Mueller, a seamstress. On 18 December 1948, shortly after the birth of their son Frank Mielke, Erich and Gertrud married in a civil ceremony. According to the newspaper Bild, the Mielkes adopted an orphaned girl named Ingrid, who was born in 1950. Like her adopted brother Frank, Ingrid Mielke attended the Wilhelm Pieck School. She ultimately became a captain in the Stasi and married a Stasi Lieutenant named Norbert Knappe. As of 1999, the Knappes had both refused to grant an interview to Bild reporters. In popular culture Erich Mielke has appeared as a character in both films and novels set in the GDR. Volker Schlöndorff's The Legend of Rita (2000), which focuses on Stasi collusion with the West German far-left terrorist organization Rote Armee Fraktion. In conversation with fictional Stasi officer Erwin Hull (Martin Wuttke), Mielke (Dietrich Körner) expresses admiration for the RAF's campaign against the United States, West Germany, and the State of Israel, which he compares with his own activities against the Weimar Republic and the Nazis. The RAF members are then brought to a training camp, where Stasi agents instruct them in the use of grenade launchers and other kinds of military hardware. Mielke's name is never disclosed and Agent Hull addresses him only as, "Comrade General." () Florian Henckel von Donnersmarck's The Lives of Others (2006), which focuses on the Stasi's surveillance and repression of the East German population. In the film, a previously loyal GDR playwright named Georg Dreymann (Sebastian Koch) publishes an anonymous article in the West German magazine Der Spiegel which accuses East Germany's Minister of Culture of having persecuted a blacklisted stage director until he hanged himself. Soon after the article goes to press, Mielke's voice is heard over the telephone giving a dressing down to fictional Stasi Lieutenant Colonel Anton Grubitz (Ulrich Tukur). Addressed only as "Genosse Armeegeneral" (Mielke was the only person to ever hold that rank in the Stasi), Mielke threatens to throw Grubitz in front of a firing squad if he fails to identify and arrest the article's author. In Philip Kerr's novel Field Grey (2010), Mielke first appears in 1931 Berlin, when protagonist Bernie Gunther saves him from being murdered by Nazi Brownshirts. The novel then flashes forward to 1954, when Gunther is recruited into a CIA plot to abduct Mielke from East Berlin. Honours and awards Mielke received a large number of awards and commemorative medals from organisations within the German Democratic Republic and from allied states. A more complete list is available (in German) at Liste der Orden und Ehrenzeichen des Erich Mielke. Awards of the German Democratic Republic Patriotic Order of Merit in gold (7 October 1954) Six Orders of Karl Marx (28 December 1957, 20 November 1973, 1 December 1975, 28 December 1977, 28 June 1982, 28 December 1982) Twice Hero of Labour of the GDR (5 October 1964, 24 February 1968) Twice Hero of the GDR (1 December 1975, 28 December 1982) Banner of Labour (8 May 1960) Medal for Exemplary Border Service (26 April 1956) Medal for Faithful Service in the National People's Army; Bronze (7 October 1957) Silver (8 February 1959) Gold (1 July 1960) Gold for 20 years service (8 February 1965) Medal for Fighters Against Fascism (6 September 1958) Gold Medal of Merit of the National People's Army (1 March 1957) Scharnhorst Order, twice (25 September 1979, 7 October 1984) Awards of the Soviet Union Hero of the Soviet Union (25 December 1987) Four Orders of Lenin (12 June 1973, 28 December 1982, 1 April 1985, 28 December 1987) Order of the Patriotic War, 1st class (6 May 1970) Four Orders of the Red Banner (23 October 1958, 5 February 1968, 28 December 1977, February 1980) Jubilee Medal "50 Years of the Soviet Militia" (20 December 1967) Jubilee Medal "In Commemoration of the 100th Anniversary since the Birth of Vladimir Il'ich Lenin" (1970) Medal "For Distinction in Guarding the State Border of the USSR" (6 January 1970) Order of the October Revolution (February 1975) Other states Order of Georgi Dimitrov (Bulgaria, 28 December 1982) Order of Friendship (Czechoslovakia) (28 December 1982) Order of the Red Star (Czechoslovakia) (16 November 1970) References Further reading Buckley, Jr., William F. (2004), The Fall of the Berlin Wall, John Wiley & Sons, Inc. Funder, Anna (2003), Stasiland: True Stories from Behind the Berlin Wall, Granta Books, London. Kuchel, Dany (2011) "Le Glaive et le Bouclier", une histoire de la Stasi en France. Otto, Wilfriede, Erich Mielke, Biographie: Aufstieg und Fall eines Tschekisten. Dietz-Verlag, Berlin 2000, . Peterson, Edward N. (2002). The Secret Police and the Revolution: The Fall of the German Democratic Republic, Praeger Publications, Westport, Connecticut. London. Pickard, Ralph (2007). STASI Decorations and Memorabilia, A Collector's Guide. Frontline Historical Publishing. Pickard, Ralph (2012). STASI Decorations and Memorabilia Volume II. Frontline Historical Publication. 1907 births 2000 deaths Politicians from Berlin Communist Party of Germany politicians Members of the Politburo of the Central Committee of the Socialist Unity Party of Germany Government ministers of East Germany Members of the 3rd Volkskammer Members of the 4th Volkskammer Members of the 5th Volkskammer Members of the 6th Volkskammer Members of the 7th Volkskammer Members of the 8th Volkskammer Members of the 9th Volkskammer East German spies German Comintern people German emigrants to the Soviet Union German politicians convicted of crimes Köllnisches Gymnasium alumni German people convicted of murdering police officers International Brigades personnel German people of the Spanish Civil War German police officers convicted of murder German spies for the Soviet Union Great Purge perpetrators Interwar-period spies NKVD officers Murders of Paul Anlauf and Franz Lenck Perpetrators of political repression in the Second Spanish Republic People convicted of murder by Germany Prisoners and detainees of Germany Stasi generals Stasi officers convicted of crimes SV Dynamo Collaborators with the Soviet Union German anti-Zionists International Lenin School alumni Recipients of the Scharnhorst Order Recipients of the Patriotic Order of Merit (honor clasp) Recipients of the Banner of Labor Foreign Heroes of the Soviet Union Recipients of the Order of Lenin Recipients of the Order of the Red Banner Recipients of the Medal "For Distinction in Guarding the State Border of the USSR" Recipients of the Order of Georgi Dimitrov 20th-century German criminals People from Mitte German mass murderers Criminals from Berlin German military personnel of World War II	false	[ "Přírodní park Třebíčsko (before Oblast klidu Třebíčsko) is a natural park near Třebíč in the Czech Republic. There are many interesting plants. The park was founded in 1983.\n\nKobylinec and Ptáčovský kopeček\n\nKobylinec is a natural monument situated ca 0,5 km from the village of Trnava.\nThe area of this monument is 0,44 ha. Pulsatilla grandis can be found here and in the Ptáčovský kopeček park near Ptáčov near Třebíč. Both monuments are very popular for tourists.\n\nPonds\n\nIn the natural park there are some interesting ponds such as Velký Bor, Malý Bor, Buršík near Přeckov and a brook Březinka. Dams on the brook are examples of European beaver activity.\n\nSyenitové skály near Pocoucov\n\nSyenitové skály (rocks of syenit) near Pocoucov is one of famed locations. There are interesting granite boulders. The area of the reservation is 0,77 ha.\n\nExternal links\nParts of this article or all article was translated from Czech. The original article is :cs:Přírodní park Třebíčsko.\n\nReferences\n\nExternal links\nNature near the village Trnava which is there\n\nTřebíč\nParks in the Czech Republic\nTourist attractions in the Vysočina Region", "Damn Interesting is an independent website founded by Alan Bellows in 2005. The website presents true stories from science, history, and psychology, primarily as long-form articles, often illustrated with original artwork. Works are written by various authors, and published at irregular intervals. The website openly rejects advertising, relying on reader and listener donations to cover operating costs.\n\nAs of October 2012, each article is also published as a podcast under the same name. In November 2019, a second podcast was launched under the title Damn Interesting Week, featuring unscripted commentary on an assortment of news articles featured on the website's \"Curated Links\" section that week. In mid-2020, a third podcast called Damn Interesting Curio Cabinet began highlighting the website's periodic short-form articles in the same radioplay format as the original podcast.\n\nIn July 2009, Damn Interesting published the print book Alien Hand Syndrome through Workman Publishing. It contains some favorites from the site and some exclusive content.\n\nAwards and recognition \nIn August 2007, PC Magazine named Damn Interesting one of the \"Top 100 Undiscovered Web Sites\".\nThe article \"The Zero-Armed Bandit\" by Alan Bellows won a 2015 Sidney Award from David Brooks in The New York Times.\nThe article \"Ghoulish Acts and Dastardly Deeds\" by Alan Bellows was cited as \"nonfiction journalism from 2017 that will stand the test of time\" by Conor Friedersdorf in The Atlantic.\nThe article \"Dupes and Duplicity\" by Jennifer Lee Noonan won a 2020 Sidney Award from David Brooks in the New York Times.\n\nAccusing The Dollop of plagiarism \n\nOn July 9, 2015, Bellows posted an open letter accusing The Dollop, a comedy podcast about history, of plagiarism due to their repeated use of verbatim text from Damn Interesting articles without permission or attribution. Dave Anthony, the writer of The Dollop, responded on reddit, admitting to using Damn Interesting content, but claiming that the use was protected by fair use, and that \"historical facts are not copyrightable.\" In an article about the controversy on Plagiarism Today, Jonathan Bailey concluded, \"Any way one looks at it, The Dollop failed its ethical obligations to all of the people, not just those writing for Damn Interesting, who put in the time, energy and expertise into writing the original content upon which their show is based.\"\n\nReferences\n\nExternal links \n Official website\n\n2005 podcast debuts" ]
[ "Erich Mielke", "Imprisonment", "When was Mielke imprisoned?", "1989,", "What crime was he convicted of?", "ruling that Mielke was not mentally fit to stand trial.", "How long was Mielke imprisoned?", "1,904 days.", "What happened during his imprisonment?", "Mielke enjoyed having imaginary conversations with non-existent Stasi agents.", "Are there any other interesting aspects about this article?", " [Mielke's] bank account, which held more than 300,000 marks (about US $187,500), was confiscated." ]	C_3d20ba2e0075405eba35f1fa8f36a9f7_0	What did Mielke do after being released from prison?	6	What did Erich Mielke do after being released from prison?	Erich Mielke	Mielke was then put on trial for ordering the shootings of East Germans who were trying to defect to the West. In November 1994, the presiding judge closed the proceedings, ruling that Mielke was not mentally fit to stand trial. During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters. Although it was not connected to the outside world, Mielke enjoyed having imaginary conversations with non-existent Stasi agents. His other favorite pastime was watching game shows on television. In 1995, parole officers and Mielke's attorneys argued that he was "totally confused" and obtained his release. At 87 years of age, Erich Mielke was Germany's oldest prison inmate and had been incarcerated for 1,904 days. Days before his release, the Public Prosecutor of Berlin announced that he was "not interested in chasing an 87 year old man anymore" and that all further prosecution of Mielke had been indefinitely suspended. According to Koehler: [Mielke's] bank account, which held more than 300,000 marks (about US $187,500), was confiscated. Before his arrest in 1989, the most feared man in East Germany had lived in a luxurious home with access to an indoor pool. In addition, he owned a palatial hunting villa, complete with a movie theater, trophy room, 60 servants, and a 15,000 acre hunting preserve. After he was released from prison Mielke was obliged to move into a two room, 600-square-foot flat. Like all Stasi pensioners, he would henceforth have to live on 802 marks (about US$512) a month. CANNOTANSWER	all further prosecution of Mielke had been indefinitely suspended.	Erich Fritz Emil Mielke (; 28 December 1907 – 21 May 2000) was a German communist official who served as head of the East German Ministry for State Security (Ministerium für Staatsicherheit – MfS), better known as the Stasi, from 1957 until shortly after the fall of the Berlin Wall in 1989. A native of Berlin and a second-generation member of the Communist Party of Germany, Mielke was one of two triggermen in the 1931 murders of Berlin Police captains Paul Anlauf and Franz Lenck. After learning that a witness had survived, Mielke escaped arrest by fleeing to the Soviet Union, where the NKVD recruited him. He was one of the key figures in the decimation of Moscow's German Communists during the Great Purge as well as in the persecution of suspected anti-Stalinists in the International Brigade during the Spanish Civil War. Following the end of World War II in 1945, Mielke returned to the Soviet Zone of Occupied Germany, which he helped organize into a Marxist-Leninist satellite state under the Socialist Unity Party (SED), later becoming head of the Stasi. According to historian Jack Koehler, he was "the longest serving secret police chief in the Soviet Bloc". The Stasi under Mielke has been called by historian Edward Peterson the "most pervasive police state apparatus ever to exist on German soil". In a 1993 interview, Holocaust survivor and Nazi-hunter Simon Wiesenthal has said that, if one considers only the oppression of their own people, the Stasi under Mielke was "much, much worse than the Gestapo". During the 1950s and 1960s Mielke led the process of forcibly forming collectivised farms from East Germany's family-owned farms, which sent a flood of refugees to West Germany. In response, Mielke oversaw the construction (1961) of the Berlin Wall and co-signed orders to shoot fatally all East Germans who attempted to leave the country. He also oversaw the establishment of pro-Soviet police states and paramilitary insurgencies in Western Europe, Latin America, Africa, and the Middle East. In addition to his role as head of the Stasi, Mielke was also an Army General in the National People's Army (Nationale Volksarmee), and a member of the SED's ruling Politburo. Dubbed "The Master of Fear" () by the West German press, Mielke was one of the most powerful and most hated men in East Germany. After German reunification in 1990, Mielke was arrested (1991), prosecuted (1992), convicted, and incarcerated (1993) for the 1931 murders of Paul Anlauf and Franz Lenck. Released from prison early due to ill health in 1995, he died in a Berlin nursing home in 2000. Early life Erich Mielke was born in a tenement in Berlin-Wedding, Brandenburg, on 28 December 1907. During the First World War, the neighborhood was known as "Red Wedding" due to many residents' Marxist militancy. In a handwritten biography written for the Soviet secret police, Mielke described his father as "a poor, uneducated woodworker," and said that his mother died in 1911. Both were, he said, members of the Social Democratic Party of Germany (SPD). After his remarriage to "a seamstress," the elder Mielke and his new wife joined the Independent Social Democratic Party of Germany and remained members when it was renamed the Communist Party of Germany (KPD). His son Erich claimed "My younger brother Kurt and two sisters were Communist sympathisers." Despite his family's poverty, Erich Mielke was academically gifted enough to be awarded a free scholarship in the prestigious Köllnisches Gymnasium, but was expelled on 19 February 1929, for being "unable to meet the great demands of this school." While attending the Gymnasium, Mielke joined the Communist Party of Germany in 1925, and worked as a reporter for the communist newspaper Rote Fahne from 1928 to 1931. During the Weimar Republic, the KPD was the largest communist party in Europe and was seen as the "leading party" of the communist movement outside the Soviet Union. Under Ernst Thälmann's leadership, the KPD was completely obedient to Soviet Premier Joseph Stalin, and from 1928 the Party was both funded and controlled by the Comintern in Moscow. Until the end of the Republic, the KPD viewed the Social Democratic Party of Germany (SPD), which dominated German politics between 1918 and 1931, as their mortal enemy. In keeping with Stalin's policy towards social democracy, the KPD considered all SPD members to be "social fascists". The KPD also believed that all other political parties were "fascist" and regarded itself as "the only anti-fascist Party" in Germany. Nevertheless, the KPD closely collaborated with the Nazi Party during the early 1930s and both Parties intended to replace the democratically elected government of the Weimar Republic with a totalitarian single party state. Soon after joining the Party, Mielke joined the KPD's paramilitary wing, or Parteiselbstschutz ("Party Self Defense Unit"). At the time, the Parteiselbstschutz in Berlin was commanded by KPD Reichstag Representatives Hans Kippenberger and Heinz Neumann. According to John Koehler, "Mielke was a special protege of Kippenberger's having taken to his paramilitary training with the enthusiasm of a Prussian Junker. World War I veterans taught the novices how to handle pistols, rifles, machine guns, and hand grenades. This clandestine training was conducted in the sparsely populated, pastoral countryside surrounding Berlin. Mielke also pleased Kippenberger by being an exceptional student in classes on the arts of conspiratorial behavior and espionage, taught by comrades who had studied at the secret M-school of the GRU in Moscow." According to John Koehler, members of the Parteiselbstschutz "served as bouncers at Party meetings and specialized in cracking heads during street battles with political enemies." Besides the ruling SPD and its paramilitary Reichsbanner forces, the arch-enemies of the Parteiselbstschutz were the Stahlhelm, which was the armed wing of the Monarchist German National People's Party (DVNP), Trotskyites, and "radical nationalist parties." According to Koehler, the KPD's Selbstschutz men "always carried a Stahlrute, two steel springs that telescoped into a tube seventeen centimeters long, which when extended became a deadly, 35-centimeter weapon. Not to be outdone by the Nazis, these street-fighters were often armed with pistols as well." In a 1931 biography written for the Cadre Division of the Comintern, Mielke recalled, "We took care of all kinds of work; terror acts, protecting illegal demonstrations and meetings, arms-trafficking, etc. The last work, which was accomplished by a Comrade and myself, was the Bülowplatz Affair" (). Bülowplatz murders Planning During the last days of the Weimar Republic, the KPD had a policy of assassinating two Berlin police officers in retaliation for every KPD member killed by the police. On 2 August 1931, KPD Members of the Reichstag Heinz Neumann and Hans Kippenberger received a dressing down from Walter Ulbricht, the Party's leader in the Berlin-Brandenburg region. Enraged by police interference and by Neumann and Kippenberger's failure to follow the policy, Ulbricht stated, "At home in Saxony we would have done something about the police a long time ago. Here in Berlin we will not fool around much longer. Soon we will hit the police in the head." Enraged by Ulbricht's words, Kippenberger and Neumann decided to assassinate Paul Anlauf, the 42-year-old Captain of the Berlin Police's Seventh Precinct. Captain Anlauf, a widower with three daughters, had been nicknamed "Schweinebacke", or "Pig Face" by the KPD. According to historian John Koehler, "Of all the policemen in strife-torn Berlin, the reds hated Anlauf the most. His precinct included the area around KPD headquarters, which made it the most dangerous in the city. The captain almost always led the riot squads that broke up illegal rallies of the Communist Party." On the morning of Sunday 9 August 1931, Kippenberger and Neumann gave a last briefing to the hit-team in a room at the Lassant beer hall. Mielke and Erich Ziemer were selected as the shooters. During the meeting, Max Matern gave a Luger pistol to fellow lookout Max Thunert and said, "Now we're getting serious. We're going to give Schweinebacke something to remember us by." Kippenberger then asked Mielke and Ziemer, "Are you sure that you are ready to shoot Schweinebacke?" Mielke responded that he had seen Anlauf many times during police searches of Party Headquarters. Kippenberger then instructed them to wait at a nearby beer hall which would permit them to overlook the entire Bülow-Platz. He further reminded them that Anlauf was accompanied everywhere by Senior Sergeant Max Willig, whom the KPD had nicknamed, "Hussar". Kippenberger concluded, "When you spot Schweinebacke and Hussar, you take care of them." Mielke and Ziemer were informed that, after the assassinations were completed, a diversion would assist in their escape. They were then to return to their homes and await further instructions. That evening, Anlauf was lured to Bülow-Platz by a violent rally demanding the dissolution of the Prussian Parliament. According to Koehler, "As was often the case when it came to battling the dominant SPD, the KPD and the Nazis had combined forces during the pre-plebiscite campaign. At one point in this particular campaign, Nazi propaganda chief Joseph Goebbels even shared a speaker's platform with KPD agitator Walter Ulbricht. Both parties wanted the parliament dissolved because they were hoping that new elections would oust the SPD, the sworn enemy of all radicals. That fact explained why the atmosphere was particularly volatile this Sunday." Murder at the Babylon Cinema At eight o'clock that evening, Mielke and Ziemer waited in a doorway as Anlauf, Willig, and Captain Franz Lenck walked toward the Babylon Cinema, which was located at the corner of Bülowplatz and Kaiser-Wilhelm-Straße. As they reached the door of the movie house, the policemen heard someone scream, "Schweinebacke!" As Anlauf turned toward the sound, Mielke and Ziemer opened fire at point blank range. Willig was wounded in the left arm and the stomach. However, he managed to draw his Luger pistol and fired a full magazine at the assailants. Lenck was shot in the chest and fell dead in front of the entrance. Willig crawled over and cradled the head of Anlauf, who had taken two bullets in the neck. Meanwhile, Mielke and Ziemer made their escape by running into the theater and out an emergency exit. They tossed their pistols over a fence, where they were later found by Homicide Detectives from the elite Mordkommission. Mielke and Ziemer then returned to their homes. According to Koehler, "Back at Bülowplatz, the killings had triggered a major police action. At least a thousand officers poured into the square, and a bloody street battle ensued. Rocks and bricks were hurled from the rooftops. Communist gunmen fired indiscriminately from the roofs of surrounding apartment houses. As darkness fell, police searchlights illuminated the buildings. Using megaphones, officers shouted, "Clear the streets! Move away from the windows! We are returning fire!" By now the rabble had fled the square, but shooting continued as riot squads combed the tenements, arresting hundreds of residents suspected of having fired weapons. The battle lasted until one o'clock the next morning. In addition to the two police officers, the casualties included one Communist who died of a gunshot wound and seventeen others who were seriously wounded." Anlauf's wife had died three weeks earlier of kidney failure. The murder of Anlauf thus left their three daughters as orphans. Their oldest daughter was forced to rush her planned wedding in order to keep her sisters from being put in an orphanage. Lenck was survived by his wife. Willig was hospitalized for 14 weeks, but made a full recovery and returned to active duty. In recognition for Willig's courage, the Berlin Police promoted him to Lieutenant. After the murders, the act was celebrated at the Lichtenberger Hof, a favorite beer hall of the Rotfrontkämpferbund, where Mielke boasted: "Today we celebrate a job that I pulled!" () Fugitive According to Koehler, "Kippenberger was alarmed when word reached him that Sergeant Willig had survived the shooting. Not knowing whether the sergeant could talk and identify the attackers, Kippenberger was taking no chances. He directed a runner to summon Mielke and Ziemer to his apartment at 74 Bellermannstrasse, only a few minutes walk from where the two lived. When the assassins arrived, Kippenberger told them the news and ordered them to leave Berlin at once. The parliamentarian's wife Thea, an unemployed schoolteacher and as staunch a Communist Party member as her husband, shepherded the young murderers to the Belgian border. Agents of the Communist International (Comintern) in the port city of Antwerp supplied them with money and forged passports. Aboard a merchant ship, they sailed for Leningrad. When their ship docked, they were met by another Comintern representative, who escorted them to Moscow." Beginning in 1932, Mielke attended the Comintern's Military Political school under the alias Paul Bach. He later graduated from the Lenin School shortly before being recruited into the OGPU. Trial According to Koehler, "In mid-March 1933, while attending the Lenin School, Mielke received word from his OGPU sponsors that Berlin police had arrested Max Thunert, one of the conspirators in the Anlauf and Lenck murders. Within days, fifteen other members of the assassination team were in custody. Mielke had to wait six more months before the details of the police action against his Berlin comrades reached Moscow. On 14 September 1933, Berlin newspapers reported that all fifteen had confessed to their roles in the murders. Arrest warrants were issued for ten others who had fled, including Mielke, Ziemer, Ulbricht, Kippenberger, and Neumann." Koehler also stated, "Defenders of Mielke later claimed that confessions had been obtained under torture by the Nazi Gestapo. However, all suspects were in the custody of the regular Berlin city criminal investigation bureau, most of whose detectives were SPD members. Some of the suspects had been nabbed by Nazi SA men and probably beaten before they were turned over to police. In the 1993 trial of Mielke, the court gave the defense the benefit of the doubt and threw out a number of suspect confessions." On 19 June 1934, the 15 conspirators were convicted of first degree murder. The three deemed most culpable, Michael Klause, Max Matern, and Friedrich Bröde were sentenced to death. Their co-defendants received sentences ranging from nine months to fifteen years incarceration at hard labor. Klause's sentence was commuted to life in prison based upon his cooperation. Bröde hanged himself in his cell. As a result, only Matern was left to be executed by beheading on 22 May 1935. Matern was subsequently glorified as a martyr by KPD and East German propaganda. Ziemer was officially killed in action while fighting on the Republican-side during the Spanish Civil War. Mielke, however, would not face trial for the murders until 1993. Career in Soviet intelligence The Great Terror Although Moscow's German Communist community was decimated during Joseph Stalin's Great Purge, Mielke survived and was promoted. In a handwritten autobiography prepared after World War II, Mielke recalled, "During my stay in the S.U. (Soviet Union), I participated in all Party discussions of the K.P.D. and also in the problems concerning the establishment of socialism and in the trials against the traitors and enemies of the S.U." Among the German communists executed as a result of these "discussions" were Mielke's former mentors Heinz Neumann and Hans Kippenberger. Mielke further recalled, "I was a guest on the honor grandstand of Red Square during the May Day and October Revolution parades. I became acquainted with many comrades of the Federation of World Communist Parties and the War Council of the Special Commission of the Comintern. I will never forget my meeting with Comrade Dimitrov, the Chairman of the Comintern, whom I served as an aide together with another comrade. I saw Comrade Stalin during all demonstrations at Red Square, especially when I stood on the grandstand. I mention these meetings because all these comrades are our models and teachers for our work." During his time in the USSR, Mielke also developed a lifelong reverence for Felix Dzerzhinsky, the Polish aristocrat who founded the Soviet secret police. Mielke also began an equally permanent habit of calling himself a Chekist. In a citation written decades later, Mielke described his philosophy of life, "The Chekist is the political combatant. He is the loyal son of... the workers' class. He stands at the head of the battle to strengthen the power of our workers' and peasants' state." Spanish Civil War From 1936 to 1939, Mielke served in Spain as an operative of the Servicio de Investigación Militar, the political police of the Second Spanish Republic. While attached to the staff of, "veteran GRU agent," and future Stasi minister Wilhelm Zaisser, Mielke used the alias Fritz Leissner. Bernd Kaufmann, the director of the Stasi's espionage school later said, "The Soviets trusted Mielke implicitly. He earned his spurs in Spain." At the time, the S.I.M. was heavily staffed by agents of the Soviet NKVD, whose Spanish rezident was General Aleksandr Mikhailovich Orlov. According to author Donald Rayfield, "Stalin, Yezhov, and Beria distrusted Soviet participants in the Spanish war. Military advisors like Vladimir Antonov-Ovseenko, journalists like Koltsov were open to infection by the heresies, especially Trotsky's, prevalent among the Republic's supporters. NKVD agents sent to Spain were therefore keener on abducting and murdering anti-Stalinists among Republican leaders and International Brigade commanders than on fighting Franco. The defeat of the Republic, in Stalin's eyes, was caused not by the NKVD's diversionary efforts, but by the treachery of the heretics." In a 1991 interview, Walter Janka, a fellow German communist exile and company commander in the International Brigade, recalled his encounters with Mielke. During the winter of 1936, Janka was summoned by the SIM and interrogated by Mielke. Mielke demanded to know why Janka had voluntarily traveled to Spain rather than being assigned there by the Party. When he told Mielke to get lost, the SIM demoted Janka to the ranks and then expelled him from the International Brigade. Years later, Janka recalled, "While I was fighting at the front, shooting at the Fascists, Mielke served in the rear, shooting Trotskyites and Anarchists." Upon the defeat of the Spanish Republic, Mielke fled across the Pyrenees Mountains to France, where he was interned at Camp de Rivesaltes, Pyrénées-Orientales. Mielke, however, managed to send a message to exiled KPD members and, in May 1939, escaped to Belgium. Although the Public Prosecutor of Berlin learned of Mielke's presence and filed for his extradition, the Belgian Government refused to comply, regarding the assassinations of Captains Anlauf and Lenck as "a political crime." The NKVD and the SIM's witch hunt for both real and imagined anti-Stalinists had serious consequences. It horrified numerous formerly pro-Soviet Westerners who had been witnesses, including John Dos Passos, Arthur Koestler and George Orwell, and caused them to permanently turn against the USSR. Mielke's belief that anti-Soviet Marxists had collaborated with Franco and stabbed the Republic in the back continued to shape his attitudes for the rest of his life. In a 1982 speech before a group of senior Stasi officers, he said, "We are not immune from villains among us. If I knew of any already, they wouldn't live past tomorrow. Short shrift. It's because I'm a Humanist, that I'm of this view." In the same speech, Mielke also said, "All this blithering over to execute or not to execute, for the death penalty or against—all rot, Comrades. Execute! And, when necessary, without a court judgment." World War II During World War II, Mielke's movements remain mysterious. In a biography written after the war, he claimed to have infiltrated Organisation Todt under the alias Richard Hebel, but historian John O. Koehler considers this unlikely. Koehler admits, however, "Mielke's exploits must have been substantial. By war's end, he had been decorated with the Order of the Red Banner, the Order of the Great Patriotic War First Class, and twice with the Order of Lenin. It is likely that he served as an NKVD agent, at least part of the time with guerrilla units behind German lines, for he knew all the partisan songs by heart and sang them in faultless Russian." Occupied Germany Komissariat-5 In April 1945, Mielke returned to the Soviet Zone of Occupied Germany aboard a special Soviet aircraft that also carried fellow German Communists Walter Ulbricht, Wilhelm Zaisser, Ernst Wollweber, and many of the future leaders of the East Germany. That same month, Mielke's future handler, NKGB General Ivan Serov, travelled to Germany from Warsaw and, from his headquarters in the Berlin suburb of Karlshorst, divided the Soviet Zone into "Operative Sectors." On 10 July 1945, Marshal Georgy Zhukov signed SMA Order No. 2, which legalized the re-establishment of "anti-fascist" political parties like the Communist Party of Germany (KPD). On 15 July 1945, Mielke walked into the KPD's headquarters and volunteered his services. In an autobiography written for the KPD, Mielke disclosed—truthfully—his involvement in the 1931 murders of Berlin Police Captains Anlauf and Lenck, and—mistakenly or misleadingly—that for this he had been tried in absentia, found guilty, and sentenced to death. In actuality, Mielke's "name was mentioned in the 1934 trials but he was never tried". He admitted—truthfully—fighting on the Republican side during the Spanish Civil War, but claimed—falsely—that he had been released from the French internment camps and had worked in Belgium for an underground Communist newspaper under the code name "Gaston". Furthermore, Mielke concealed his past and contemporaneous involvement with the NKVD, NKGB, and the Nazi Organisation Todt (which he asserted he'd infiltrated). According to Koehler, "As might be expected, Mielke's account of his past was approved by the Soviets. Had Serov not been part of the conspiracy, Mielke would have been instantly arrested or at least subjected to an intense internal investigation because of his membership in the Nazi Organisation Todt, which used thousands of slave laborers. But he was cleared in record time and by the end of June the Soviets had installed him as a station commander of the newly formed Volkspolizei (Vopo), the People's Police." On 16 August 1947, Serov ordered the creation of Kommissariat 5, the first German political police since the defeat of Nazi Germany. According to Anne Applebaum, however, not everyone approved of the plan. In Moscow, Soviet Interior Minister Viktor Abakumov argued that a new secret police force would be demonized by Western governments and the media, which would paint the K-5 as a "new Gestapo." Furthermore, Abakumov, like Stalin, intensely distrusted German Communists and alleged that there "were not enough German cadres who have been thoroughly checked." Notwithstanding Abakumov's objections, however, recruitment into the K-5 began almost immediately. It is possible, as Norman Naimark suspects, that the NKGB had realized that their officers' lack of fluency in the German language was engendering massive popular resentment. Wilhelm Zaisser, who had been Mielke's commanding officer in Republican Spain, was appointed the K-5's head. Mielke was installed as his deputy. According to John Koehler, "The K-5 was essentially an arm of the Soviet secret police. Its agents were carefully selected veteran German communists who had survived the Nazi-era in Soviet exile or in concentration camps and prisons. Their task was to track down Nazis and anti-communists, including hundreds of members of the Social Democratic Party. Mielke and his fellow bloodhounds performed this task with ruthless precision. The number of arrests became so great that the regular prisons could not hold them. Thus, Serov ordered the establishment or re-opening of eleven concentration camps, including the former Nazi death camps of Buchenwald and Sachsenhausen." According to Anne Applebaum, "One of the few documents from that era to survive (most were removed by the KGB or perhaps destroyed, in 1989 or before) mentions a departmental training meeting and included a list of attendees. Topping the list is a group of Soviet advisers. In this sense, K-5 did resemble the political police in the rest of Eastern Europe: as in Hungary, Poland, and the USSR itself, this new political police force was initially extra-governmental, operating outside the ordinary rule of law." According to Edward N. Peterson, "Not surprisingly, K-5 acquired a reputation as bad as that of Stalin's secret police and worse than that of the Gestapo. At least with the Nazis, albeit fanatically racist, their victims did not suddenly disappear into the GULAG." The Amalgamation Despite the K-5's mass arrests of members of the Social Democratic Party of Germany (SPD) in the Soviet Zone, the number of SPD members continued to grow. By March 1946, SPD members outnumbered KPD members by more than 100,000. Fearing that they would lose the elections scheduled for the autumn, the leadership of the KPD asked for and received Stalin's permission to merge the two parties. When the SPD's leadership agreed only to schedule a vote for the rank and file to decide, permission was denied by the Soviet occupation authorities. The K-5 then began mass arrests of SPD members who refused to support the merger. On 22 April 1946, the remaining leaders of the SPD in the Soviet Zone announced that they had united with the KPD to form the Socialist Unity Party of Germany (SED). The SPD in the western zones of Occupied Germany responded by forming the SPD East Bureau in order to support and finance those Social Democrats who refused to accept the merger. Those who joined or worked with the East Bureau were, however, in serious danger of arrest by the K-5 and trial by Soviet military tribunals. By 1950, more than 5,000 SPD members and sympathisers had been imprisoned in the Soviet Zone or transferred to the GULAG. More than 400 were either executed or died during their imprisonments. John Koehler has written that, prior to the spring of 1946, many Germans in the Soviet Zone, "merely shrugged at the wave of arrests, believing that the victims were former Nazi officials and war criminals." But then came the mass arrests of Social Democrats who opposed the merger, who, "were joined by people who had been denounced for making anti-communist or anti-Soviet remarks, among their number hundreds who were as young as fourteen years. Although these arrests were made by Germans purporting to be officials of the criminal police, the existence of the K-5 political police eventually was exposed. Mielke, meanwhile, had risen to the post of vice-president of the German Administration for Interior Affairs – the equivalent of the NKVD – and continued his manipulations from behind the scenes." Investigation In January 1947, two retired Berlin policemen recognized Mielke at an official function. Informing the head of the criminal police in West Berlin, the policemen demanded that Mielke be arrested and prosecuted for the murders of Captains Anlauf and Lenck. Wilhelm Kühnast, the Public Prosecutor of Berlin, was immediately informed and ordered a search of the Kammergericht archives. To his astonishment, the files of the 1931 murders had survived the wartime bombing of Germany. Finding ample evidence of Mielke's involvement, Kühnast ordered the arrest of the communist policeman. According to John Koehler, "At that time, the city administration, including the police, was under the control of the Allied Control Commission, which consisted of U.S., British, French, and Soviet military officers. All actions by city officials, including the judiciary, were to be reported to the Commission. The Soviet representative alerted the MGB. Action was swift. Marshal Vasily Sokolovsky, who had replaced Zhukov, protested, and his representatives at the Commission launched a vicious campaign to discredit Kühnast." The Soviet representatives falsely claimed that Kühnast, a jurist with an impeccable anti-Nazi record, had been an official of Roland Freisler's People's Court. Taking the Soviets at their word, the Western Allies removed Kühnast from his position and placed him under house arrest. During the Berlin airlift, Kühnast fled from his home in East Berlin and was granted political asylum in the American Zone. Meanwhile, the Soviet authorities confiscated all documents relating to the murders of Captains Anlauf and Lenck. According to Koehler, "The Soviets handed the court records to Mielke. Instead of destroying the incriminating papers, he locked them in his private safe, where they were found when his home was searched in 1990. They were used against him in his trial for murder." Deutsche Wirtschaftskommission In 1948, Mielke was appointed as security chief of the German Economic Commission (), the precursor to the future East German government. Mielke's task was to investigate the theft and sale of state property on the black market. He was also charged with intercepting the growing number of refugees fleeing to the French, British, and American Zones. Those his security forces caught while attempting to defect were used as slave labor in the uranium mines that were providing raw material for the Soviet atomic bomb project. German Democratic Republic Independence In 1949, the Soviet Military Administration ceded its legal functions to the newly created German Democratic Republic. On 14 January 1950, Marshal Vasili Chuikov announced that all Soviet "internment camps" on German soil had been closed. Soon after, the DWK was absorbed into the newly created Ministry for State Security. In keeping with earlier syllabic abbreviations along the same lines (see OrPo, KriPo, and GeStaPo) East Germans immediately dubbed it the "Stasi" (from Staatssicherheit). With the approval of the Soviets, Mielke's commanding officer from Spain and in the K5, Wilhelm Zaisser, was appointed as the Stasi's head. Mielke was appointed to his staff with the rank of State Secretary. Mielke was also granted a seat in the SED's ruling Politburo. According to John Koehler, "In the five years since the end of World War II, the Soviets and their vassals had arrested between 170,000 and 180,000 Germans. Some 160,000 had passed through the concentration camps, and of these about 65,000 had died, 36,000 had been shipped to the Soviet Gulag, and another 46,000 had been freed." In 1949, as a response to the remilitarization of East Germany and the Soviet blockade of West Berlin, the United States, Great Britain, France, Belgium, the Netherlands, Luxembourg, and Portugal formed the North Atlantic Treaty Organization, or NATO. In 1950, as a response to the outbreak of the Korean War, West Germany was also permitted to join NATO, which was then upgraded into a military alliance. According to Koehler, however, "As the Cold War intensified, living conditions in Soviet-occupied East Germany showed little improvement beyond the postwar level of bare subsistence. The new government of the DDR – a mere puppet of the Kremlin – relied more and more on the Stasi to quell discontent among factory workers and farmers. Ulbricht, claiming that the social unrest was fomented by capitalist agents, once ordered Mielke to personally visit one large plant and 'arrest four or five such agents' as an example to the others. The Stasi deputy 'discovered' the agents in record time." Field show trials Also in 1949, Noel Field, an American citizen who had spied for the NKVD from inside the U.S. State Department, the Office of Strategic Services, and the CIA, fled from his posting in Switzerland to Communist Czechoslovakia after his cover was blown by fellow mole Whittaker Chambers. On 11 May 1949, the Czechoslovakian secret police, or StB, in obedience to a direct order from KGB chief Lavrenti Beria, arrested Field in Prague. Field was then handed over to the Hungarian ÁVO. After his interrogation in Budapest, Fields was used as a witness at show trials of senior Soviet Bloc Communists who, like László Rajk and Rudolf Slánský, stood accused of having spied for the United States. The real reason for the trials was to replace homegrown Communists in Eastern Europe with those who would be blindly loyal to Joseph Stalin and to blame the division of Germany on the intrigues of U.S. intelligence. At the Rajk show trial, the prosecutor declared, "Noel Field, one of the leaders of American espionage, specialized in recruiting spies from among left-wing elements." In August 1950, six senior SED members, including Willi Kreikemeyer, the director of Deutsche Reichsbahn and head of Berliner Rundfunk, were accused of "special connections with Noel Field, the American spy." All were either imprisoned or shot. John Koehler writes, "Similar purges were conducted in Czechoslovakia, Hungary, and Bulgaria, where Field appeared as a witness in show trials that resulted in some death sentences. The Soviets simply distrusted all Communists who had sought exile in the West. All the while, Mielke remained untouched and continued to serve as the deputy secret police chief. His survival reinforced the belief that he had spent the war years in the Soviet Union instead of France and Belgium as he had claimed in the 1945 questionnaire." In June 1950, Erica Wallach, Noel Field's adopted daughter, decided to search for him. From Paris, she telephoned Leo Bauer, the editor-in-chief of Berliner Rundfunk. The call was monitored by agents of the Soviet Ministry for Internal Affairs, and Bauer's handler instructed him to invite Mrs. Wallach to East Berlin, where she was immediately arrested. Mielke personally interrogated her and, at one point, offered Mrs. Wallach immediate release if she named the members of her fictitious spy network. She was condemned to death by a Soviet military tribunal in East Berlin and shipped to the Lubianka prison in Moscow for her execution. After Joseph Stalin's death in on 5 March 1953, Erica Wallach's sentence was reduced to hard labor in Vorkuta, a region of the Gulag located above the Arctic Circle. She was released during the Khrushchev thaw in October 1955. At first, she was unable to join her husband and daughters in the U.S. because of the U.S. State Department's concern over her former membership in the Communist Party of Germany. It took the personal intervention of CIA Director Allen Dulles to reunite Erica Wallach with her family in 1957. Wallach's memoir of her experiences, Light at Midnight, was published in 1967. Death of Stalin After Soviet Premier Joseph Stalin died inside his Kuntsevo Dacha on 5 March 1953, the Central Committee of the East German Socialist Unity Party met in a special session and eulogized the dictator as the "great friend of Germany who was always an advisor of and help to our people." Two months later, on 5 May 1953, the SED's General Secretary, Walter Ulbricht, and the rest of the leadership increased work quotas by 10%. They also decided to rename Chemnitz Karl-Marx-Stadt and to institute the Order of Karl Marx as the GDR's highest award. Two weeks later, Mielke accused "a group of Party officials" of "plotting against the leadership", which "resulted in more expulsions from the Politburo and the Central Committee." East German uprising of 1953 Discontent among factory workers about a 10% increase of work quotas without a corresponding wage hike boiled over. On 16 June 1953, nearly one hundred construction workers gathered before work for a protest meeting at Stalinallee, in East Berlin. Words spread rapidly to other construction sites and hundreds of men and women joined the rally, which marched to the House of Ministries. The protesters chanted slogans for five hours, demanding to speak to Walter Ulbricht and Otto Grotewohl. Only Heavy Industry Minister Fritz Selbmann and Professor Robert Havemann, president of the GDR Peace Council, emerged. Their speech, however, was answered with jeers and the Ministers retreated into the heavily armed building. The regular and the Kasernierte Volkspolizei were summoned from their barracks, but made no move to attack the protesters, who returned to Stalinallee, where a general strike was called. Following West Germany's Federal Minister for All-German Questions Jakob Kaiser's admonition in a late night broadcast to East Germans to shy away from provocations, RIAS, starting with its 11 pm news broadcast, and from then on in hourly intermissions, repeated the workers' demand to continue the strike the next day, calling specifically for all East Berliners to participate in a demo at 7am on the 17th at Strausberger Platz. The following day, 17 June 1953, more that 100,000 protesters took to the streets of East Berlin. More than 400,000 protesters also took to the streets in other cities and towns throughout the German Democratic Republic. Everywhere, the demands were the same: free elections by secret ballot. Outside of Berlin, the main centres of the protests included the industrial region around Halle, Merseburg, and Bitterfeld, as well as middle-size towns like Jena, Görlitz, and Brandenburg. No more than 25,000 people participated in strikes and demonstrations in Leipzig, but there were 32,000 in Magdeburg, 43,000 in Dresden, 53,000 in Potsdam – and in Halle, a figure close to 100,000. In West Berlin, the American radio station RIAS and several other West German stations reported on the protests and on plans for a general strike. As East Germans listened to the broadcasts, 267,000 workers at State-owned plants in 304 cities and towns joined the general strike. In 24 towns, outraged East Germans stormed the Stasi's prisons and freed between 2,000 and 3,000 political prisoners. In response to orders, the Soviet Occupation Forces, the Stasi and the Kasernierte Volkspolizei went on the attack. Bloody street battles ensued and hundreds of policemen defected to the side of the protesters. Both police and Stasi stations were overrun and some government offices were sacked. The Party leadership retreated into a fortified compound in the Pankow district of East Berlin. At noon, the Soviet authorities terminated all tram and metro traffic into the Eastern sector and all but closed the sector borders to West Berlin to prevent more demonstrators from reaching the city centre. An hour later, they declared martial law in East Berlin. The repression took place outside East Berlin police HQ – where Soviet tanks opened fire on "the insurgents". According to John Koehler, "... by late afternoon, Soviet tanks accompanied by Infantry and MVD troops had rolled into East Berlin and other cities in the Soviet Zone. This made the people even angrier. At Berlin's Potsdamer Platz, which bordered on the American Sector, irate protesters ignored machine gun fire and the menacing barrels of tank guns. They ripped cobblestones from the streets and hurled them at the tanks." Fighting between the Red Army (and later GDR police) and the demonstrators persisted into the afternoon and night. In some cases, the tanks and the soldiers fired directly into the crowds. Overnight, the Soviets (and the Stasi) started to arrest hundreds of people. Ultimately, up to 10,000 people were detained and at least 20, probably as many as 40, people were executed, including Red Army soldiers who refused to obey orders. With the SED leadership effectively paralysed at the Soviet headquarters in Karlshorst, control of the city passed to the Soviets. In honor of the uprising, West Germany established 17 June as a national holiday, called Day of German Unity. The extension of the Unter den Linden boulevard to the west of the Brandenburg Gate, formerly called Charlottenburger Chaussee, was also renamed Straße des 17. Juni ("17 June Street") in honor of the uprising. According to John Koehler, "Provisional prison camps were set up to hold the thousands of Stasi victims. Nearly 1,500 persons were sentenced in secret trials to long prison terms. On 24 June, Mielke issued a terse announcement that one Stasi officer, nineteen demonstrators, and two bystanders had been killed during the uprising. He did not say how many were victims of official lynching. The numbers of the wounded were given as 191 policemen, 126 demonstrators, and 61 bystanders." Also according to Koehler, "Calm returned to the streets of the Soviet Zone, yet escapes to the West continued at a high rate. Of the 331,390 who fled in 1953, 8,000 were members of the Kasernierte Volkspolizei, the barracked people's police units, which were actually the secret cadre of the future East German Army. Also among the escapees were 2,718 members and candidates of the SED, the ruling Party." The Khrushchev thaw Purges Alarmed by the uprising, Lavrenty Beria, the First Deputy Premier of the Soviet Union and head of the Ministry of Internal Affairs, personally travelled from Moscow to East Berlin. He conferred with Stasi Minister Wilhelm Zaisser and with Mielke, his deputy, both of whom he had known since the early 1930s. During both conversations, Beria demanded to know why the Stasi had failed to recognize the extreme discontent of the population and inform the Party leadership, which could then have prevented the uprising by taking extremely repressive measures in advance. Both Zaisser and Mielke answered Beria's questions circumspectly, and were accordingly left in their posts. In response to the uprising, Beria decided to replace several hundred MVD officers, including Major General Ivan Fadeykin, the MVD resident of East Germany. The Stasi, according to John Koehler, "generally remained untouched except for the arrests and dismissals, for dereliction of duty, of a handful of officers in the provinces. One high-ranking Stasi officer shot himself." Following Beria's return to Moscow, however, he was arrested on 26 June 1953, in a coup d'état led by Nikita Khrushchev and Marshal Georgy Zhukov. Beria was tried on charges of 357 counts of rape and high treason. He was sentenced to death and shot by Red Army Colonel-General Pavel Batitsky on 23 December 1953. In an interview to Neues Deutschland, the official party newspaper of East Germany, on 30 June 1953, the Party's Minister of Justice, Max Fechner, declared that, "illegal arrests," had been made and that being a member of a strike committee or suspicion of being a ringleader was not in itself grounds for arrest and conviction. Meanwhile, when the East German Politburo met on 8 July, it seemed that Ulbricht would be deposed as Party General Secretary. Zaisser conceded that the whole Politburo was responsible for the "accelerated construction of socialism" and of the subsequent fallout. But he also added that to leave Ulbricht as Premier, "would be opposed catastrophic for the New Course". By the end of the meeting, only two Politburo members still supported Ulbricht's leadership: Free German Youth League chief Erich Honecker and Party Control Commission Chairman Hermann Matern. Ulbricht only managed to forestall a decision then and there with a promise to make a statement at the forthcoming 15th SED CC Plenum, scheduled for later that month. Meanwhile, Mielke informed a Party commission looking for scapegoats that his boss, Stasi Minister Wilhelm Zaisser, was calling for secret negotiations with West Germany and that, "he believed the Soviet Union would abandon the DDR." By late July, Ulbricht was completely certain that he had the support of the new Soviet Premier, Nikita Khrushchev. Therefore, he expelled his main opponents, Zaisser, Hernstadt and Ackermann, from the Politburo, and thus strengthened his position further. SED Minister of Justice Max Fechner was personally arrested by Mielke and replaced by Hilde Benjamin, who was known to East German citizens as "Red Hilde", "The Red Freisler," and as, "The Red Guillotine," for her role as a judge in the SED's show trials. Fechner was convicted of being, "an enemy of the Party and the State," and served three years in Bautzen Prison. Wilhelm Zaisser was replaced as head of the Stasi by Ernst Wollweber and Mielke remained on staff as his deputy. Tenure as Stasi head Mielke headed the Stasi from 1957 until the fall of the Berlin Wall in 1989. There was, under the East German system, no provision for parliamentary oversight. However, starting in 1971 Mielke was required to provide a detailed intelligence briefing to party secretary Erich Honecker each Tuesday, directly following the weekly Politburo meeting. (Before 1971, under Walter Ulbricht, Mielke was not involved in routine intelligence briefings to the leadership which, instead, were provided directly to Ulbricht by Intelligence Chief Markus Wolf.) Internal discipline During his tenure, Mielke enforced "political and personal discipline reminiscent of the early French Foreign Legion". New recruits were required to take a solemn oath pledging "to fight alongside the state security organs of all socialist countries against all enemies of socialism" on pain of "the severest punishment under the Republic's laws and the contempt of the workers." Recruits were also required to sign a security pledge vowing never to make unauthorized visits to any "capitalist countries" and to report on any members of their families who did so. Violations of the oath resulted in expulsion from the Stasi and blacklisting from all but the most menial jobs. Serious violations were tried before secret tribunals and led an estimated 200 Stasi agents to be shot. Colonel Rainer Wiegand once said, "There was only one way to leave the MfS without being haunted for the rest of your life. You either retired or you died." Domestic activities Under Erich Mielke's leadership, the Stasi employed 85,000 full-time domestic spies and 170,000 civilian informants () (IMs). East Germans coined a term to describe the Stasi's pervasive surveillance of the population "All-Covered" (). For this reason, Anna Funder has referred to East Germany as, "the most perfected surveillance state of all time." According to John Koehler, "...the Stasi's tentacles probed every aspect of life. Full-time officers were posted to all major industrial plants. Without exception, one tenant in every building was designated as a watchdog reporting to an area representative of the Volkspolizei...In turn, the police officer was the Stasi's man. If a relative or friend came to stay overnight, it was reported. Schools, universities and hospitals were infiltrated from top to bottom. German academe was shocked to learn that Heinrich Fink, professor of theology and vice-chancellor of East Berlin's Humboldt University, had been a Stasi informer since 1968. After Fink's Stasi connections came to light, he was summarily fired. Doctors, lawyers, journalists, writers, actors, and sports figures were co-opted by Stasi officers, as were waiters and hotel personnel. Tapping about 100,000 telephone lines in East Germany and West Berlin around the clock was the job of 2,000 officers... Churchmen, including high officials of both Protestant and Catholic denominations, were recruited en masse as secret informants. Their offices and confessionals were infested with eavesdropping devices. Even the director of Leipzig's famous Thomas Church choir, Hans-Joachim Rotzsch, was forced to resign when he was unmasked as a Spitzel, the people's pejorative for a Stasi informant." In an interview with journalist Anna Funder, an ex-Stasi officer recalled, "Most often, people we approached would inform for us. It was very rare that they would not. However, sometimes we felt that we might need to know where their weak points were, just in case. For example, if we wanted a pastor, we'd find out if he'd had an affair, or had a drinking problem—things that we could use as leverage. Mostly though, people said yes." On Mielke's orders, and with his full knowledge, Stasi officers also engaged in arbitrary arrest, kidnapping, brutal harassment of political dissidents, torture, and the imprisonment of tens of thousands of citizens. In a 1991 interview, Jewish Holocaust survivor and Nazi hunter Simon Wiesenthal said, "The Stasi was much, much worse than the Gestapo, if you consider only the oppression of its own people. The Gestapo had 40,000 officials watching a country of 80 million, while the Stasi employed 102,000 to control only 17 million." Activities abroad During Mielke's tenure, the Stasi's operations beyond East Germany were overseen by Markus Wolf and the Hauptverwaltung Aufklärung (MfS-HVA). Mielke and Wolf provided money, training, and surveillance equipment to help build pro-Soviet secret police forces in Fidel Castro's Cuba, Baathist Syria, Sandinista-ruled Nicaragua, Mengistu Haile Mariam's Ethiopia, Idi Amin's Uganda, Kwame Nkrumah's Ghana, and South Yemen. After the opening of Stasi archives, it was revealed that West Germany was riddled with MfS-HVA moles. In what John Koehler has dubbed, "The Invisible Invasion", some West German citizens collaborated out of Marxist beliefs, but others were recruited through blackmail, greed, career frustrations, or sexual favors from Stasi operatives. Another tactic was for Stasi military advisers assigned to African and Middle Eastern countries to request the arrest of West German tourists. Local police would then turn the prisoner over to the Stasi agent, who would offer the West German a choice between espionage or incarceration. Senior politicians from the Social Democratic Party of Germany, the Free Democratic Party of Germany, and the Christian Democratic Union were exposed and, when still alive, prosecuted. Mielke and Wolf also seriously compromised West Germany's police departments, foreign and domestic intelligence services, diplomatic corps, military-industrial complex, and journalistic profession. The Stasi compromised the United States military and diplomatic presence in West Germany. The most damaging American to spy for the Stasi was United States Army Sergeant James Hall III, who volunteered his services to Soviet and East German intelligence in November 1981. Sergeant Hall sold the Stasi 13,088 pages of classified documents, including detailed information about Project Trojan, a worldwide electronic network with the ability to pinpoint armored vehicles, missiles and aircraft by recording their signal emissions during wartime and the complete National SIGINT Requirements List (NSRL), a 4258-page document about NSA operations at home and abroad. In 1988, Sergeant Hall was tricked into confessing his espionage career to an undercover FBI Special Agent named Dmitri Droujinsky, a Russian-American who was posing as an agent of the KGB. When news of Sergeant Hall's arrest became public, one Washington intelligence official called the breach, "the Army's Walker Case." Collusion with Nazism Beginning in 1960, Mielke and Wolf used false flag recruitment to secretly organize and finance Neo-Nazi organizations, which they then instructed to vandalize Jewish religious and cultural sites throughout West Germany. During the Jerusalem trial of Adolf Eichmann, Stasi agents sent letters to West German Neo-Nazis and Waffen-SS veterans, urging them to speak out and to raise money for Eichmann's defense attorney. This was done in order to lend credibility to Communist propaganda about the allegedly Fascist and neo-Nazi orientation of the Federal Republic of Germany. According to German historian Michael Wolffsohn, "There is no doubt that in the 1960s as now, there were Nazis who were unreconstructed, unchangeable and evil, but without the help of East Germany, these Nazis were incapable of a national, coordinated campaign. That was true of right-wing extremist criminals in the 1980s as well. The East German Communists used anything they could against West Germany, including the... fears by Western countries and Jews that a new Nazism could be growing in West Germany. There is... evidence that the East Germans continued to use Anti-Semitism as a tool against West Germany in the 1970s and perhaps right up until 1989." In a 1991 interview with John Koehler, Holocaust survivor and Nazi hunter Simon Wiesenthal said of the Stasi, "They not only terrorized their own people worse than the Gestapo, but the government was the most Anti-Semitic and Anti-Israeli in the entire Eastern Bloc. They did nothing to help the West in tracking down Nazi criminals; they ignored all requests from West German judicial authorities for assistance. We have just discovered shelves of files on Nazis stretching over four miles. Now we also know how the Stasi used those files. They blackmailed Nazi criminals who fled abroad after the war into spying for them. What's more, the Stasi trained terrorists from all over the world." Support for paramilitary and terrorist groups During a 1979 visit to the GDR by senior PLO member Salah Khalaf, Mielke said, "We are paying great attention to the Palestine resistance and the other revolutionary forces fighting against the policies of the United States and against the provocations of the Israeli aggressor. Together with the Soviet Union and other socialist countries, we will do everything to support this just battle." With this in mind, Mielke ordered the Stasi to finance, arm, and train, "urban guerrillas," from numerous countries. According to former Stasi Colonel Rainer Wiegand, Mielke's ties to violent paramilitary groups were overseen by Markus Wolf and Department Three of the MfS-HVA. Members of the West German Baader-Meinhoff Group, the Chilean Manuel Rodríguez Patriotic Front, and Umkhonto we Sizwe, the paramilitary wing of the African National Congress, were brought to East Germany for training in the use of military hardware, insurgent tactics, and, "the leadership role of the Party." Similar treatment was meted out to Palestinians from the Popular Front for the Liberation of Palestine, Abu Nidal, and Black September. Other Stasi agents worked as military advisers to Soviet-backed African guerrilla organizations and the governments they later formed. They included the Namibian SWAPO and the Angolan MPLA during the South African Border War, the FRELIMO during the Mozambican War of Independence and civil war, and Robert Mugabe's ZANLA during the Rhodesian Bush War. Colonel Wiegand revealed that Mielke and Wolf provided bodyguards from the Stasi's counter-terrorism division for Venezuelan-born PLO terrorist Carlos the Jackal and Black September leader Abu Daoud during their visits to the GDR. Col. Wiegand had been sickened by the 1972 Munich massacre and was horrified that the GDR would treat the man who ordered it as an honored guest. When he protested, Wiegand was told that Abu Daoud was, "a friend of our country, a high-ranking political functionary," and that there was no proof that he was a terrorist. During the 1980s, Wiegand secretly blackmailed a Libyan diplomat into spying on his colleagues. Wiegand's informant told him that the La Belle bombing and other terrorist attacks against American and West German citizens were being planned at the Libyan Embassy in East Berlin. When Wiegand showed him a detailed report, Mielke informed the SED's Politburo, which ordered the Colonel to continue surveillance but not interfere with the plans of the Libyans. According to John Koehler, "Murder, kidnapping, extortion, bank robbery, and arson were felonies under the East German criminal code. However, if these offenses were committed under the banner of the 'anti-imperialist struggle,' the communist system would look the other way. Moreover, it had assigned the Stasi to make sure that terrorists were properly trained for murder and sowing mayhem. There was no limits to the East German regime's involvement with terrorism, so long as it could be ideologically justified." The Peaceful Revolution According to John Koehler, "Increasingly concerned over the growing popular opposition, Stasi Minister Mielke early in 1989 ordered the creation of a special elite unit for crushing disturbances. Its personnel were carefully selected members of the counterespionage and counterterrorism directorate. They were equipped with special batons similar to electric cattle prods but much more powerful. In a secret speech to top-ranking Stasi officers on 29 June, Mielke warned that, 'hostile opposing forces and groups have already achieved a measure of power and are using all methods to achieve a change in the balance of power. Former Stasi Colonel Rainer Wiegand told me he was horrified when Mielke compared the situation with that of China two months earlier. Chinese students in Beijing had begun massive protests in April and in May, during a student demonstration in Tiananmen Square, security troops had opened fire on them killing hundreds. 'Mielke said our situation was comparable and we had to be ready to counter it with all means and methods,' Wiegand recalled. 'Mielke said that the Chinese leadership had succeeded in smothering the protests before the situation got out of hand.'" Despite Mielke's attempts to suppress them, East Germany's protesters grew more emboldened with every arrest. 40th anniversary of the GDR As the fortieth anniversary of the GDR approached, Mielke ordered, "We must stop the internal enemy. At the least hint of a disturbance of the celebration, isolate and arrest them." One former Stasi Major recalled, "We mixed inconspicuously with the demonstrators, accompanied by our IMs. Hundreds of us stood at the sides of the street in order to stop any activity before it got started. We barely got any sleep toward the end. Never did I sense that the people were afraid of the MfS. The Stasi was more afraid of the people than the people were of them." According to Koehler, "Despite the unrest, the regime celebrated its fortieth with a huge, pompous ceremony in Berlin on 7 October, while tens of thousands of outside the ornate building of the State Council. The People's Police cordons were utterly ineffectual. As Stasi Minister Erich Mielke drove up and was greeted by General Günter Kratsch, the counterintelligence chief, Mielke screamed at police: "Club those pigs into submission!" () The police ignored Mielke's ranting. As more and more East Germans were arrested for protesting the 40th anniversary celebrations, many of them sang The Internationale in Vopo and Stasi custody to imply that they, rather than their captors, were the real working class and the real revolutionaries. According to Anna Funder, "There was a sea of red flags, a torchlight procession, and tanks. The old men on the podium wore light-grey suits studded with medals. Mikhail Gorbachev stood next to Honecker, but he looked uncomfortable among the much older Germans. He had come to tell them that it was over, to convince the leadership to adopt his reformist policies. He had spoken openly about the danger of not 'responding to reality.' He pointedly told the Politburo that, 'life punishes those who come too late.' Honecker and Mielke ignored him, just as they ignored the crowds when they chanted, "Gorby, help us! Gorby, help us!" Plan X On 8 October 1989, Mielke and Honecker ordered the Stasi to implement "Plan X"—the SED's plan to arrest and indefinitely detain 85,939 East Germans during a state of emergency. According to John Koehler, Plan X had been in preparation since 1979 and was, "a carbon copy of how the Nazi concentration camps got their start after Hitler came to power in 1933." By 1984, 23 sites had been selected for "isolation and internment camps." Those who were to be imprisoned in them ran into six categories; including anyone who had ever been under surveillance for anti-state activities, including all members of peace movements which were not under Stasi control. According to Anna Funder, "The plans contained exact provisions for the use of all available prisons and camps, and when those were full for the conversion of other buildings: Nazi detention centers, schools, hospitals, and factory holiday hostels. Every detail was foreseen, from where the doorbell was located on the house of each person to be arrested to the adequate supply of barbed wire and the rules of dress and etiquette in the camps..." However, when Mielke sent the orders, codenamed "Shield" (), to each local Stasi precinct to begin the planned arrests, he was not obeyed. Terrified of an East German version of the mass lynchings of Hungarian secret police agents during the 1956 Revolution, Stasi agents throughout the GDR fortified their office-buildings and barricaded themselves inside. Toppling Honecker Even as orders were going out to implement Plan X, Mielke had already thrown his support behind the anti-Honecker faction in the SED's Politburo. Although he was of the same generation as Honecker and had matured in an environment where following orders was the rule, he was sober enough and politically savvy enough to realize this approach no longer worked. During a session on 10 October 1989, Mielke delivered a report attacking Honecker's desire to violently suppress the demonstrations rather than offer concessions. In what Edward N. Peterson has called "a remarkable disclaimer of responsibility for the violence," Mielke declared that Honecker's orders to him "were built on false situation judgments." He added that Honecker's commands on 7 and 8 October "were false and undifferentiated condemnations of those who think differently. Despite this evaluation, there was never any instructions to use violence against persons. There is nothing in our basic principles to consider a demonstration as part of a possible counterrevolutionary coup." Mielke also claimed that "the Party judged the situation falsely. We tried to tell them the true situation, but enough was not done." Mielke argued in favor of solving the demonstrations politically and giving "every DDR citizen the right to travel." On 17 October 1989, Mielke and the rest of the GDR's Politburo met to follow Gorbachev's demand, voiced in August, for Honecker be removed as General Secretary of the SED and State Council chairman. Suspecting that Honecker's personal bodyguards might try to arrest the members of the Central Committee when they met to vote Honecker out in favour of Egon Krenz, Mielke saw to it that Stasi agents who were loyal to him were stationed near the meeting room. While deliberations were underway, Mielke told Honecker that "we simply cannot start shooting with tanks," and tried to impress upon Honecker that it was "the end". After the vote to oust Honecker passed, Mielke "got nasty," and accused Honecker of corruption. Honecker responded that Mielke should not open his mouth so much. Mielke responded by putting the last nail into Honecker's coffin. He announced that the MfS had a file on the now-ousted leader. It contained proof of Honecker's corrupt business practices, sexual activities, and how, as a member of the underground Communist Party of Germany during the Nazi years, he had been arrested by the Gestapo and had named names. To the shock of both the Politburo and the Stasi, Krenz's first televised addresses failed to win popular support. Despite his assurances that the SED was at last ready to embrace Gorbachev's policies of Glasnost and Perestroika, Krenz's approval ratings remained extremely low. Former Politburo member Günter Schabowski later recalled, "We made a palace revolution without offering a real alternative... We had not quickly and thoroughly enough whittled away from Stalin's methods." Defeat On 7 November 1989, Mielke resigned, along with eleven out of eighteen members of the SED's Council of Ministers, in response to the increasing disintegration of the GDR. Two days later, Schabowski announced on television that the east–west border was open without restriction. According to Anna Funder, there was panic at Stasi Headquarters in Berlin-Lichtenberg, "Stasi officers were instructed to destroy files, starting with the most incriminating–those naming westerners who spied for them, and those that concerned deaths. They shredded the files until the paper shredders overheated and shorted out. Among other shortages in the East, there was a shredder shortage, so they had to send agents out under cover to West Berlin to buy more. In Building 8 alone, the citizens' movement found over a hundred burnt out shredders. When they ran out of working shredders from the West and could not procure more they began using scissors to cut the documents by hand. According to William F. Buckley, Jr., "In the weeks after 9 November, Stasi offices were stormed in various cities around East Germany. Stasi commissars in three of those cities committed suicide. But not one was lynched or executed." Televised humiliation On 13 November 1989, Mielke was summoned to deliver a briefing about the protests to the GDR parliament, or Volkskammer. Formerly a "rubber stamp parliament," the disintegration of the SED's power had allowed the Volkskammer to begin exercising real authority over the GDR. Therefore, Mielke, as the head of the Stasi (known as the "shield and sword of the [SED] party"), was summoned before the newly empowered parliament to justify his position in government. As his speech was broadcast live, Mielke began by using overly bombastic, flag-waving language, saying "We have, comrades, dear assembly members, an extraordinarily high amount of contact with all working people" (). To his shock, the Volkskammer responded with boos, whistles, and catcalls. His face grief-stricken and pale, Mielke then tried to defuse the situation, "Yes, we have such contact, let me tell you-let me tell you why. I am not afraid to stand here and to give you an unbiased answer" (). Mielke continued, speaking of the "triumph" of the socialist economy, continuing all the while to address the members of the Volkskammer as "Comrades" (). In response, Volkskammer member Dietmar Czok of the Christian Democratic Union, rose from his seat and raised his hand. The Volkskammer's president, Günther Maleuda, interrupted Mielke and urged Czok to speak. With his voice dripping with contempt, Czok told Mielke, "As a point of order, I will not tell you this again. There are more people sitting in this Chamber than just your Comrades!" (). In response, many in the Volkskammer burst into applause, cheers, and shouts of "We are not your Comrades!" () Trying to appear magnanimous, Mielke responded, "This is a natural, Humanistic question! This is just a question of formality." (), leading to further shouts of displeasure from the members of the Volkskammer. In a last ditch effort, Mielke "raised his arms like an evangelist," and cried, "I love all – all Humanity! I really do! I set myself before you!" () Everyone in the room, including staunch SED members, burst out laughing. Then Mielke started to cry. John Koehler later wrote, "Mielke was finished." Mielke's address to the Volkskammer remains the most famous broadcast in the history of German television. Anna Funder has written, "When they think of Mielke, East Germans like to think of this." The Fall On 17 November 1989, the Volkskammer renamed the MfS the Amt für Nationale Sicherheit (AfNS – Office for National Security). The following day, Mielke's tenure in office ended when the Volkskammer appointed Generalleutnant Wolfgang Schwanitz as the new director of the AfNS. On 1 December 1989, the Volkskammer nullified the clause of the GDR constitution that enshrined the SED's "leading role" in the government and formally ending Communist rule in East Germany. Two days later, the SED announced that Mielke's party membership had been permanently revoked. Years later, he lamented, "Millions have died for nothing. Everything we fought for – it has all amounted to nothing." He also said, "If the party had given me the task, then there would perhaps still be a GDR today. On that you can rely." Prosecution Indictments On 7 December 1989, Erich Mielke was arrested and placed in solitary confinement for embezzlement of public funds in order to improve his hunting estate. He was charged with "Damaging the People's Economy" (Schädigung der Volkswirtschaft). On 7 January 1990, he was further charged with high treason and conspiring with Erich Honecker to bug the telephones and open the mail of every one of East Germany's citizens. Meanwhile, the Federal Constitutional Court announced that Mielke had also been indicted for having ordered two terrorist attacks by the Baader-Meinhoff Group against United States military personnel who were stationed on West German soil. The first was the car bomb attack against the United States Air Force at Ramstein Air Base on 31 August 1981. The second was the attempted murder with an RPG-7 anti-tank rocket of United States Army General Frederick Kroesen, his wife, and the West German police officer who was driving their armored Mercedes at Heidelberg on 15 September 1981. After German reunification in October 1990, Mielke was also indicted for ordering the shootings of defectors at the Berlin Wall. He was also charged with misuse of office, breach of trust, and incitement to pervert the course of justice. Bülowplatz trial In February 1992, Mielke was put on trial for the 1931 first degree murders of Berlin Police Captains Anlauf and Lenck as well as the attempted murder of Senior Sergeant Willig. The evidence for Mielke's guilt was drawn from the original police files, the transcripts from the 1934 trial of his co-conspirators, and a handwritten memoir in which Mielke revealed that his role in, "the Bülowplatz Affair," had been his reason for fleeing to Moscow from the Weimar Republic in 1931. All had been found in Mielke's house safe during a police search in 1990. Mielke was believed to have kept the documents for the purpose of "blackmailing Honecker and other East German leaders." Former Associated Press reporter and White House Press Secretary John Koehler also testified that Mielke had boasted of his involvement in the Bülowplatz murders during a confrontation at Leipzig in 1965. During his trial, Mielke appeared increasingly senile, admitting his identity but otherwise remaining silent, taking naps, and showing little interest in the proceedings. In a widely publicized incident, Mielke appeared to mistake the presiding judge for a prison barber. When a journalist for Der Spiegel attempted to interview him in Plötzensee Prison, Mielke responded, "I want to go back to my bed" (). Opinion was divided whether Mielke was suffering from senile dementia or was pretending in order to evade prosecution. After twenty months of one-and-a-half-hour daily sessions, Erich Mielke was convicted on two counts of murder and one of attempted murder. On 26 October 1993, a panel of three judges and two jurors sentenced him to six years' imprisonment. At his sentencing, Mielke started to cry. In pronouncing sentence, Judge Theodor Seidel, told Mielke that he "will go down in history as one of the most fearsome dictators and police ministers of the 20th century." Imprisonment Mielke was then put on trial for ordering the shootings of East Germans who were trying to defect to the West. In November 1994, the presiding judge adjourned the proceedings, ruling that Mielke was not mentally competent to stand trial. During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters. Although it was not connected to the outside world, Mielke enjoyed having imaginary conversations with non-existent Stasi agents. His other favorite pastime was watching game shows on television. In 1995, parole officers and Mielke's attorneys argued that he was "totally confused" and obtained his release. At 87 years of age, Erich Mielke was Germany's oldest prison inmate and had been incarcerated for 1,904 days. Days before his release, the Public Prosecutor of Berlin announced that he was "not interested in chasing an 87-year-old man anymore" and that all further prosecution of Mielke had been indefinitely suspended. According to Koehler, "[Mielke's] bank account, which held more than 300,000 Marks (about US$187,500), was confiscated. Before his arrest in 1989, the most feared man in East Germany had lived in a luxurious home with access to an indoor pool. In addition, he owned a palatial hunting villa, complete with a movie theater, trophy room, 60 servants, and a 60 square kilometers hunting preserve. After he was released from prison Mielke was obliged to move into a two-room, 55-square-meter flat. Like all Stasi pensioners, he would henceforth have to live on 802 marks (about US$512) a month." Death Erich Mielke died on 21 May 2000, aged 92, in a Berlin nursing home. After being cremated at the crematorium in Meissen, an urn containing Mielke's ashes was buried in an unmarked grave at the Zentralfriedhof Friedrichsfelde in Berlin. An estimated 100 people reportedly attended the funeral. Erich Mielke's grave is outside the memorial section established at the entrance in 1951 by East German leaders for communist heroes. Within hours of his funeral, the flowers and wreaths left at Mielke's grave were ripped to shreds by persons unknown. Legacy Writing in 2003, Australian journalist Anna Funder declared, "The name Mielke has now come to mean 'Stasi.' Victims are dubiously honored to find his signature in their files: on plans for someone to be observed 'with all possible methods', on commands for arrest, for kidnapping, instructions to judges for sentencing, orders for 'liquidation'. The honor is dubious because... he signed so many." In 2012, the museum at the former Stasi headquarters opened Mielke's office as a permanent exhibit. Soon after, The Guardian correspondent Tam Eastley visited the exhibit and numerous sites in Berlin connected to Mielke's life, times, and legacy. When she visited Mielke's grave, Eastley found that it had become a shrine for adherents of Ostalgie. Personal life Erich Mielke was a fitness enthusiast, a non-smoker, and drank very little. He was a keen hunter and owned a large area of ground where he would hunt animals with other East German and visiting Soviet officials. During the late 1940s, when Mielke was working as security chief of the DWK, he began a relationship with Gertrud Mueller, a seamstress. On 18 December 1948, shortly after the birth of their son Frank Mielke, Erich and Gertrud married in a civil ceremony. According to the newspaper Bild, the Mielkes adopted an orphaned girl named Ingrid, who was born in 1950. Like her adopted brother Frank, Ingrid Mielke attended the Wilhelm Pieck School. She ultimately became a captain in the Stasi and married a Stasi Lieutenant named Norbert Knappe. As of 1999, the Knappes had both refused to grant an interview to Bild reporters. In popular culture Erich Mielke has appeared as a character in both films and novels set in the GDR. Volker Schlöndorff's The Legend of Rita (2000), which focuses on Stasi collusion with the West German far-left terrorist organization Rote Armee Fraktion. In conversation with fictional Stasi officer Erwin Hull (Martin Wuttke), Mielke (Dietrich Körner) expresses admiration for the RAF's campaign against the United States, West Germany, and the State of Israel, which he compares with his own activities against the Weimar Republic and the Nazis. The RAF members are then brought to a training camp, where Stasi agents instruct them in the use of grenade launchers and other kinds of military hardware. Mielke's name is never disclosed and Agent Hull addresses him only as, "Comrade General." () Florian Henckel von Donnersmarck's The Lives of Others (2006), which focuses on the Stasi's surveillance and repression of the East German population. In the film, a previously loyal GDR playwright named Georg Dreymann (Sebastian Koch) publishes an anonymous article in the West German magazine Der Spiegel which accuses East Germany's Minister of Culture of having persecuted a blacklisted stage director until he hanged himself. Soon after the article goes to press, Mielke's voice is heard over the telephone giving a dressing down to fictional Stasi Lieutenant Colonel Anton Grubitz (Ulrich Tukur). Addressed only as "Genosse Armeegeneral" (Mielke was the only person to ever hold that rank in the Stasi), Mielke threatens to throw Grubitz in front of a firing squad if he fails to identify and arrest the article's author. In Philip Kerr's novel Field Grey (2010), Mielke first appears in 1931 Berlin, when protagonist Bernie Gunther saves him from being murdered by Nazi Brownshirts. The novel then flashes forward to 1954, when Gunther is recruited into a CIA plot to abduct Mielke from East Berlin. Honours and awards Mielke received a large number of awards and commemorative medals from organisations within the German Democratic Republic and from allied states. A more complete list is available (in German) at Liste der Orden und Ehrenzeichen des Erich Mielke. Awards of the German Democratic Republic Patriotic Order of Merit in gold (7 October 1954) Six Orders of Karl Marx (28 December 1957, 20 November 1973, 1 December 1975, 28 December 1977, 28 June 1982, 28 December 1982) Twice Hero of Labour of the GDR (5 October 1964, 24 February 1968) Twice Hero of the GDR (1 December 1975, 28 December 1982) Banner of Labour (8 May 1960) Medal for Exemplary Border Service (26 April 1956) Medal for Faithful Service in the National People's Army; Bronze (7 October 1957) Silver (8 February 1959) Gold (1 July 1960) Gold for 20 years service (8 February 1965) Medal for Fighters Against Fascism (6 September 1958) Gold Medal of Merit of the National People's Army (1 March 1957) Scharnhorst Order, twice (25 September 1979, 7 October 1984) Awards of the Soviet Union Hero of the Soviet Union (25 December 1987) Four Orders of Lenin (12 June 1973, 28 December 1982, 1 April 1985, 28 December 1987) Order of the Patriotic War, 1st class (6 May 1970) Four Orders of the Red Banner (23 October 1958, 5 February 1968, 28 December 1977, February 1980) Jubilee Medal "50 Years of the Soviet Militia" (20 December 1967) Jubilee Medal "In Commemoration of the 100th Anniversary since the Birth of Vladimir Il'ich Lenin" (1970) Medal "For Distinction in Guarding the State Border of the USSR" (6 January 1970) Order of the October Revolution (February 1975) Other states Order of Georgi Dimitrov (Bulgaria, 28 December 1982) Order of Friendship (Czechoslovakia) (28 December 1982) Order of the Red Star (Czechoslovakia) (16 November 1970) References Further reading Buckley, Jr., William F. (2004), The Fall of the Berlin Wall, John Wiley & Sons, Inc. Funder, Anna (2003), Stasiland: True Stories from Behind the Berlin Wall, Granta Books, London. Kuchel, Dany (2011) "Le Glaive et le Bouclier", une histoire de la Stasi en France. Otto, Wilfriede, Erich Mielke, Biographie: Aufstieg und Fall eines Tschekisten. Dietz-Verlag, Berlin 2000, . Peterson, Edward N. (2002). The Secret Police and the Revolution: The Fall of the German Democratic Republic, Praeger Publications, Westport, Connecticut. London. Pickard, Ralph (2007). STASI Decorations and Memorabilia, A Collector's Guide. Frontline Historical Publishing. Pickard, Ralph (2012). STASI Decorations and Memorabilia Volume II. Frontline Historical Publication. 1907 births 2000 deaths Politicians from Berlin Communist Party of Germany politicians Members of the Politburo of the Central Committee of the Socialist Unity Party of Germany Government ministers of East Germany Members of the 3rd Volkskammer Members of the 4th Volkskammer Members of the 5th Volkskammer Members of the 6th Volkskammer Members of the 7th Volkskammer Members of the 8th Volkskammer Members of the 9th Volkskammer East German spies German Comintern people German emigrants to the Soviet Union German politicians convicted of crimes Köllnisches Gymnasium alumni German people convicted of murdering police officers International Brigades personnel German people of the Spanish Civil War German police officers convicted of murder German spies for the Soviet Union Great Purge perpetrators Interwar-period spies NKVD officers Murders of Paul Anlauf and Franz Lenck Perpetrators of political repression in the Second Spanish Republic People convicted of murder by Germany Prisoners and detainees of Germany Stasi generals Stasi officers convicted of crimes SV Dynamo Collaborators with the Soviet Union German anti-Zionists International Lenin School alumni Recipients of the Scharnhorst Order Recipients of the Patriotic Order of Merit (honor clasp) Recipients of the Banner of Labor Foreign Heroes of the Soviet Union Recipients of the Order of Lenin Recipients of the Order of the Red Banner Recipients of the Medal "For Distinction in Guarding the State Border of the USSR" Recipients of the Order of Georgi Dimitrov 20th-century German criminals People from Mitte German mass murderers Criminals from Berlin German military personnel of World War II	true	[ "Mielke is a German surname.\n\nName Meaning:\nEastern German (of Slavic origin): from a pet form of a Slavic compound personal name with the first element Milo-, from mil ‘favor’, ‘grace’. Dutch: from a pet form of Miele 3.\n\nSimilar surnames: Miele, Bielke, Milko, Milke, Milk, Ziemke, Hilke, Zielke, Milkey\n\nNotable people with the surname include:\n\n Benjamin Mielke (born 1981), German bobsledder\n Erich Mielke (1907 – 2000), Head of the East-German Stasi 1957-1989\n Gary Mielke (born 1963), American Baseball player\n Günter Mielke (1942 – 2010), West German long-distance runner\n Janet Soergel Mielke (born 1937), American politician\n Marcus Mielke (born 1975), German rower\n Rüdiger Mielke, German footballer\n\nReferences\n\nGerman-language surnames", "Willi Kreikemeyer (1894 – c. 1950) was a German labourer and a Communist. From 1941 he and his wife Marthe Kreikemeyer were close assistants of Noel Field who supported German anti-Nazi refugees in France and Switzerland. He died in East German detention as a victim of the Noel Field show trials, which had the function to replace Communist Party officials with others more aligned with Moscow.\n\nLife \n\nKreikemeyer was a skilled lathe worker. He joined the union in 1910 and 1919 the newly formed Communist Party. Through his work for the Communist Party functionary, he came into close contact with Willi Münzenberg.\n\nKreikemeyer was severely wounded in the Spanish Civil War and then later used as the first Chief Executive of the German department, as Chefadjudant for all senior divisions of the International Brigades. In these activities he had contact with Erich Mielke, who was then under the code name Leistner or Leissner chief of the instruction department and adjutant of the central administration. Among other things, it is known that both efforts Kreikemeyer Mielke knew to settle in the safe in Mexico, as well as to help that Mielke from the Fund Noel Field erhielt.\n\nPost-war period \nAfter the Second World War they settled in East Berlin. In 1949 Kreikemeyer became Director General of the East German railway company Deutsche Reichsbahn.\n\nWhen in 1950 the slandering campaign started against Noel Field – he was accused of having built an anti-Communist spy network while pretending to be a Communist sympathizer – Kreikemeyer was arrested and never seen again. At least one propaganda article against the alleged spy was published in an East German newspaper and a show trial against him was prepared, but never took place. Mrs Kreikemeyer wrote dozens of letters to the GDR authorities inquiring about her husband's fate. For seven years the authorities pretended that Willi Kreikemeyer was alive and well, waiting for his trial. Fearing her own arrest, Mrs Kreikemeyer escaped to her home country France in 1954. She continued writing her letters. In 1957 she was told that Willi Kreikemeyer had died a few days after his imprisonment.\n\nErich Mielke (later the East German Minister of State Security) had been responsible for the detainee. In a confidential document he claimed that Kreikemeyer had committed suicide in his prison cell on 31 August 1950. This story has been proven to be a lie. But what really happened to Kreikemeyer can hardly be reconstructed.\n\nToday it is known that Kreikemeyer named Mielke as one of the persons supported by Noel Field. That information threatened Mielke's career: according to a Soviet order, people, who had spent the war in the West had to resign from public office. (In his official CV, Mielke claimed that he had fought in the Red Army during World War II). What's more, alleged collaboration with an \"American spy\" could have led to the death penalty.\n\nIt is therefore likely that Willi Kreikemeyer was murdered on behalf of Erich Mielke.\n\nRehabilitation \nThe newly established, emerged from the SED to PDS - Today \"The Left\", decided at a meeting on 20–21 January 1990, among other things, people who the bloody terror of Stalin in the Soviet Union have fallen victim to rehabilitate. The Arbitration Commission of the PDS has rehabilitated 48 people politically, who suffered under Stalinist persecution and imprisonment, or been murdered. \"In the interest of the renewal of the party and on the basis of the then applicable statute lift all sanctions in the past expressed party.\" Furthermore, subjects who received the late 40s and early 50s of the 20th Century excluded because of their past affiliation with the SPD under the stigma of \"social democracy\" as a so-called Schumacher agents from the SED and arrested, or in connection with the fictional spy, Noel Field, and the Stalinist show trials in Hungary against László Rajk and others in Bulgaria Traicho Kostov and against others and against Rudolf Slansky in Czechoslovakia, and others were also persecuted by the SED as alleged agents of imperialism or imprisoned. These include, among others rehabilitated a total of 28: Leo Bauer, Alfred Drögemüller, Max Emendörfer, and Stanislaw Trabalski\n\nReferences\n\nBibliography\n Wolfgang Kießling Leistner ist Mielke. Schatten einer gefälschten Biographie (Leistner is Mielke. Shadow of a faked biography) Aufbau Taschenbuch Verlag, Berlin 1998, \n Wilfriede Otto „Das Verschwinden des Willi Kreikemeyer“ (The disappearance of Willi Kreikemeyer) 1999\n\n1894 births\n1950 deaths\nYear of death uncertain\nEast German politicians\nGerman communists\nGerman people of the Spanish Civil War\nGerman people who died in prison custody\nInternational Brigades personnel\nSocialist Unity Party of Germany members" ]
[ "Erich Mielke", "Imprisonment", "When was Mielke imprisoned?", "1989,", "What crime was he convicted of?", "ruling that Mielke was not mentally fit to stand trial.", "How long was Mielke imprisoned?", "1,904 days.", "What happened during his imprisonment?", "Mielke enjoyed having imaginary conversations with non-existent Stasi agents.", "Are there any other interesting aspects about this article?", " [Mielke's] bank account, which held more than 300,000 marks (about US $187,500), was confiscated.", "What did Mielke do after being released from prison?", "all further prosecution of Mielke had been indefinitely suspended." ]	C_3d20ba2e0075405eba35f1fa8f36a9f7_0	What else is interesting about his imprisonment?	7	Besides the conversations with imaginary non-existen Stasi agents and his bank account being confiscated, what else is interesting about Erich Mielke's imprisonment?	Erich Mielke	Mielke was then put on trial for ordering the shootings of East Germans who were trying to defect to the West. In November 1994, the presiding judge closed the proceedings, ruling that Mielke was not mentally fit to stand trial. During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters. Although it was not connected to the outside world, Mielke enjoyed having imaginary conversations with non-existent Stasi agents. His other favorite pastime was watching game shows on television. In 1995, parole officers and Mielke's attorneys argued that he was "totally confused" and obtained his release. At 87 years of age, Erich Mielke was Germany's oldest prison inmate and had been incarcerated for 1,904 days. Days before his release, the Public Prosecutor of Berlin announced that he was "not interested in chasing an 87 year old man anymore" and that all further prosecution of Mielke had been indefinitely suspended. According to Koehler: [Mielke's] bank account, which held more than 300,000 marks (about US $187,500), was confiscated. Before his arrest in 1989, the most feared man in East Germany had lived in a luxurious home with access to an indoor pool. In addition, he owned a palatial hunting villa, complete with a movie theater, trophy room, 60 servants, and a 15,000 acre hunting preserve. After he was released from prison Mielke was obliged to move into a two room, 600-square-foot flat. Like all Stasi pensioners, he would henceforth have to live on 802 marks (about US$512) a month. CANNOTANSWER	During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters.	Erich Fritz Emil Mielke (; 28 December 1907 – 21 May 2000) was a German communist official who served as head of the East German Ministry for State Security (Ministerium für Staatsicherheit – MfS), better known as the Stasi, from 1957 until shortly after the fall of the Berlin Wall in 1989. A native of Berlin and a second-generation member of the Communist Party of Germany, Mielke was one of two triggermen in the 1931 murders of Berlin Police captains Paul Anlauf and Franz Lenck. After learning that a witness had survived, Mielke escaped arrest by fleeing to the Soviet Union, where the NKVD recruited him. He was one of the key figures in the decimation of Moscow's German Communists during the Great Purge as well as in the persecution of suspected anti-Stalinists in the International Brigade during the Spanish Civil War. Following the end of World War II in 1945, Mielke returned to the Soviet Zone of Occupied Germany, which he helped organize into a Marxist-Leninist satellite state under the Socialist Unity Party (SED), later becoming head of the Stasi. According to historian Jack Koehler, he was "the longest serving secret police chief in the Soviet Bloc". The Stasi under Mielke has been called by historian Edward Peterson the "most pervasive police state apparatus ever to exist on German soil". In a 1993 interview, Holocaust survivor and Nazi-hunter Simon Wiesenthal has said that, if one considers only the oppression of their own people, the Stasi under Mielke was "much, much worse than the Gestapo". During the 1950s and 1960s Mielke led the process of forcibly forming collectivised farms from East Germany's family-owned farms, which sent a flood of refugees to West Germany. In response, Mielke oversaw the construction (1961) of the Berlin Wall and co-signed orders to shoot fatally all East Germans who attempted to leave the country. He also oversaw the establishment of pro-Soviet police states and paramilitary insurgencies in Western Europe, Latin America, Africa, and the Middle East. In addition to his role as head of the Stasi, Mielke was also an Army General in the National People's Army (Nationale Volksarmee), and a member of the SED's ruling Politburo. Dubbed "The Master of Fear" () by the West German press, Mielke was one of the most powerful and most hated men in East Germany. After German reunification in 1990, Mielke was arrested (1991), prosecuted (1992), convicted, and incarcerated (1993) for the 1931 murders of Paul Anlauf and Franz Lenck. Released from prison early due to ill health in 1995, he died in a Berlin nursing home in 2000. Early life Erich Mielke was born in a tenement in Berlin-Wedding, Brandenburg, on 28 December 1907. During the First World War, the neighborhood was known as "Red Wedding" due to many residents' Marxist militancy. In a handwritten biography written for the Soviet secret police, Mielke described his father as "a poor, uneducated woodworker," and said that his mother died in 1911. Both were, he said, members of the Social Democratic Party of Germany (SPD). After his remarriage to "a seamstress," the elder Mielke and his new wife joined the Independent Social Democratic Party of Germany and remained members when it was renamed the Communist Party of Germany (KPD). His son Erich claimed "My younger brother Kurt and two sisters were Communist sympathisers." Despite his family's poverty, Erich Mielke was academically gifted enough to be awarded a free scholarship in the prestigious Köllnisches Gymnasium, but was expelled on 19 February 1929, for being "unable to meet the great demands of this school." While attending the Gymnasium, Mielke joined the Communist Party of Germany in 1925, and worked as a reporter for the communist newspaper Rote Fahne from 1928 to 1931. During the Weimar Republic, the KPD was the largest communist party in Europe and was seen as the "leading party" of the communist movement outside the Soviet Union. Under Ernst Thälmann's leadership, the KPD was completely obedient to Soviet Premier Joseph Stalin, and from 1928 the Party was both funded and controlled by the Comintern in Moscow. Until the end of the Republic, the KPD viewed the Social Democratic Party of Germany (SPD), which dominated German politics between 1918 and 1931, as their mortal enemy. In keeping with Stalin's policy towards social democracy, the KPD considered all SPD members to be "social fascists". The KPD also believed that all other political parties were "fascist" and regarded itself as "the only anti-fascist Party" in Germany. Nevertheless, the KPD closely collaborated with the Nazi Party during the early 1930s and both Parties intended to replace the democratically elected government of the Weimar Republic with a totalitarian single party state. Soon after joining the Party, Mielke joined the KPD's paramilitary wing, or Parteiselbstschutz ("Party Self Defense Unit"). At the time, the Parteiselbstschutz in Berlin was commanded by KPD Reichstag Representatives Hans Kippenberger and Heinz Neumann. According to John Koehler, "Mielke was a special protege of Kippenberger's having taken to his paramilitary training with the enthusiasm of a Prussian Junker. World War I veterans taught the novices how to handle pistols, rifles, machine guns, and hand grenades. This clandestine training was conducted in the sparsely populated, pastoral countryside surrounding Berlin. Mielke also pleased Kippenberger by being an exceptional student in classes on the arts of conspiratorial behavior and espionage, taught by comrades who had studied at the secret M-school of the GRU in Moscow." According to John Koehler, members of the Parteiselbstschutz "served as bouncers at Party meetings and specialized in cracking heads during street battles with political enemies." Besides the ruling SPD and its paramilitary Reichsbanner forces, the arch-enemies of the Parteiselbstschutz were the Stahlhelm, which was the armed wing of the Monarchist German National People's Party (DVNP), Trotskyites, and "radical nationalist parties." According to Koehler, the KPD's Selbstschutz men "always carried a Stahlrute, two steel springs that telescoped into a tube seventeen centimeters long, which when extended became a deadly, 35-centimeter weapon. Not to be outdone by the Nazis, these street-fighters were often armed with pistols as well." In a 1931 biography written for the Cadre Division of the Comintern, Mielke recalled, "We took care of all kinds of work; terror acts, protecting illegal demonstrations and meetings, arms-trafficking, etc. The last work, which was accomplished by a Comrade and myself, was the Bülowplatz Affair" (). Bülowplatz murders Planning During the last days of the Weimar Republic, the KPD had a policy of assassinating two Berlin police officers in retaliation for every KPD member killed by the police. On 2 August 1931, KPD Members of the Reichstag Heinz Neumann and Hans Kippenberger received a dressing down from Walter Ulbricht, the Party's leader in the Berlin-Brandenburg region. Enraged by police interference and by Neumann and Kippenberger's failure to follow the policy, Ulbricht stated, "At home in Saxony we would have done something about the police a long time ago. Here in Berlin we will not fool around much longer. Soon we will hit the police in the head." Enraged by Ulbricht's words, Kippenberger and Neumann decided to assassinate Paul Anlauf, the 42-year-old Captain of the Berlin Police's Seventh Precinct. Captain Anlauf, a widower with three daughters, had been nicknamed "Schweinebacke", or "Pig Face" by the KPD. According to historian John Koehler, "Of all the policemen in strife-torn Berlin, the reds hated Anlauf the most. His precinct included the area around KPD headquarters, which made it the most dangerous in the city. The captain almost always led the riot squads that broke up illegal rallies of the Communist Party." On the morning of Sunday 9 August 1931, Kippenberger and Neumann gave a last briefing to the hit-team in a room at the Lassant beer hall. Mielke and Erich Ziemer were selected as the shooters. During the meeting, Max Matern gave a Luger pistol to fellow lookout Max Thunert and said, "Now we're getting serious. We're going to give Schweinebacke something to remember us by." Kippenberger then asked Mielke and Ziemer, "Are you sure that you are ready to shoot Schweinebacke?" Mielke responded that he had seen Anlauf many times during police searches of Party Headquarters. Kippenberger then instructed them to wait at a nearby beer hall which would permit them to overlook the entire Bülow-Platz. He further reminded them that Anlauf was accompanied everywhere by Senior Sergeant Max Willig, whom the KPD had nicknamed, "Hussar". Kippenberger concluded, "When you spot Schweinebacke and Hussar, you take care of them." Mielke and Ziemer were informed that, after the assassinations were completed, a diversion would assist in their escape. They were then to return to their homes and await further instructions. That evening, Anlauf was lured to Bülow-Platz by a violent rally demanding the dissolution of the Prussian Parliament. According to Koehler, "As was often the case when it came to battling the dominant SPD, the KPD and the Nazis had combined forces during the pre-plebiscite campaign. At one point in this particular campaign, Nazi propaganda chief Joseph Goebbels even shared a speaker's platform with KPD agitator Walter Ulbricht. Both parties wanted the parliament dissolved because they were hoping that new elections would oust the SPD, the sworn enemy of all radicals. That fact explained why the atmosphere was particularly volatile this Sunday." Murder at the Babylon Cinema At eight o'clock that evening, Mielke and Ziemer waited in a doorway as Anlauf, Willig, and Captain Franz Lenck walked toward the Babylon Cinema, which was located at the corner of Bülowplatz and Kaiser-Wilhelm-Straße. As they reached the door of the movie house, the policemen heard someone scream, "Schweinebacke!" As Anlauf turned toward the sound, Mielke and Ziemer opened fire at point blank range. Willig was wounded in the left arm and the stomach. However, he managed to draw his Luger pistol and fired a full magazine at the assailants. Lenck was shot in the chest and fell dead in front of the entrance. Willig crawled over and cradled the head of Anlauf, who had taken two bullets in the neck. Meanwhile, Mielke and Ziemer made their escape by running into the theater and out an emergency exit. They tossed their pistols over a fence, where they were later found by Homicide Detectives from the elite Mordkommission. Mielke and Ziemer then returned to their homes. According to Koehler, "Back at Bülowplatz, the killings had triggered a major police action. At least a thousand officers poured into the square, and a bloody street battle ensued. Rocks and bricks were hurled from the rooftops. Communist gunmen fired indiscriminately from the roofs of surrounding apartment houses. As darkness fell, police searchlights illuminated the buildings. Using megaphones, officers shouted, "Clear the streets! Move away from the windows! We are returning fire!" By now the rabble had fled the square, but shooting continued as riot squads combed the tenements, arresting hundreds of residents suspected of having fired weapons. The battle lasted until one o'clock the next morning. In addition to the two police officers, the casualties included one Communist who died of a gunshot wound and seventeen others who were seriously wounded." Anlauf's wife had died three weeks earlier of kidney failure. The murder of Anlauf thus left their three daughters as orphans. Their oldest daughter was forced to rush her planned wedding in order to keep her sisters from being put in an orphanage. Lenck was survived by his wife. Willig was hospitalized for 14 weeks, but made a full recovery and returned to active duty. In recognition for Willig's courage, the Berlin Police promoted him to Lieutenant. After the murders, the act was celebrated at the Lichtenberger Hof, a favorite beer hall of the Rotfrontkämpferbund, where Mielke boasted: "Today we celebrate a job that I pulled!" () Fugitive According to Koehler, "Kippenberger was alarmed when word reached him that Sergeant Willig had survived the shooting. Not knowing whether the sergeant could talk and identify the attackers, Kippenberger was taking no chances. He directed a runner to summon Mielke and Ziemer to his apartment at 74 Bellermannstrasse, only a few minutes walk from where the two lived. When the assassins arrived, Kippenberger told them the news and ordered them to leave Berlin at once. The parliamentarian's wife Thea, an unemployed schoolteacher and as staunch a Communist Party member as her husband, shepherded the young murderers to the Belgian border. Agents of the Communist International (Comintern) in the port city of Antwerp supplied them with money and forged passports. Aboard a merchant ship, they sailed for Leningrad. When their ship docked, they were met by another Comintern representative, who escorted them to Moscow." Beginning in 1932, Mielke attended the Comintern's Military Political school under the alias Paul Bach. He later graduated from the Lenin School shortly before being recruited into the OGPU. Trial According to Koehler, "In mid-March 1933, while attending the Lenin School, Mielke received word from his OGPU sponsors that Berlin police had arrested Max Thunert, one of the conspirators in the Anlauf and Lenck murders. Within days, fifteen other members of the assassination team were in custody. Mielke had to wait six more months before the details of the police action against his Berlin comrades reached Moscow. On 14 September 1933, Berlin newspapers reported that all fifteen had confessed to their roles in the murders. Arrest warrants were issued for ten others who had fled, including Mielke, Ziemer, Ulbricht, Kippenberger, and Neumann." Koehler also stated, "Defenders of Mielke later claimed that confessions had been obtained under torture by the Nazi Gestapo. However, all suspects were in the custody of the regular Berlin city criminal investigation bureau, most of whose detectives were SPD members. Some of the suspects had been nabbed by Nazi SA men and probably beaten before they were turned over to police. In the 1993 trial of Mielke, the court gave the defense the benefit of the doubt and threw out a number of suspect confessions." On 19 June 1934, the 15 conspirators were convicted of first degree murder. The three deemed most culpable, Michael Klause, Max Matern, and Friedrich Bröde were sentenced to death. Their co-defendants received sentences ranging from nine months to fifteen years incarceration at hard labor. Klause's sentence was commuted to life in prison based upon his cooperation. Bröde hanged himself in his cell. As a result, only Matern was left to be executed by beheading on 22 May 1935. Matern was subsequently glorified as a martyr by KPD and East German propaganda. Ziemer was officially killed in action while fighting on the Republican-side during the Spanish Civil War. Mielke, however, would not face trial for the murders until 1993. Career in Soviet intelligence The Great Terror Although Moscow's German Communist community was decimated during Joseph Stalin's Great Purge, Mielke survived and was promoted. In a handwritten autobiography prepared after World War II, Mielke recalled, "During my stay in the S.U. (Soviet Union), I participated in all Party discussions of the K.P.D. and also in the problems concerning the establishment of socialism and in the trials against the traitors and enemies of the S.U." Among the German communists executed as a result of these "discussions" were Mielke's former mentors Heinz Neumann and Hans Kippenberger. Mielke further recalled, "I was a guest on the honor grandstand of Red Square during the May Day and October Revolution parades. I became acquainted with many comrades of the Federation of World Communist Parties and the War Council of the Special Commission of the Comintern. I will never forget my meeting with Comrade Dimitrov, the Chairman of the Comintern, whom I served as an aide together with another comrade. I saw Comrade Stalin during all demonstrations at Red Square, especially when I stood on the grandstand. I mention these meetings because all these comrades are our models and teachers for our work." During his time in the USSR, Mielke also developed a lifelong reverence for Felix Dzerzhinsky, the Polish aristocrat who founded the Soviet secret police. Mielke also began an equally permanent habit of calling himself a Chekist. In a citation written decades later, Mielke described his philosophy of life, "The Chekist is the political combatant. He is the loyal son of... the workers' class. He stands at the head of the battle to strengthen the power of our workers' and peasants' state." Spanish Civil War From 1936 to 1939, Mielke served in Spain as an operative of the Servicio de Investigación Militar, the political police of the Second Spanish Republic. While attached to the staff of, "veteran GRU agent," and future Stasi minister Wilhelm Zaisser, Mielke used the alias Fritz Leissner. Bernd Kaufmann, the director of the Stasi's espionage school later said, "The Soviets trusted Mielke implicitly. He earned his spurs in Spain." At the time, the S.I.M. was heavily staffed by agents of the Soviet NKVD, whose Spanish rezident was General Aleksandr Mikhailovich Orlov. According to author Donald Rayfield, "Stalin, Yezhov, and Beria distrusted Soviet participants in the Spanish war. Military advisors like Vladimir Antonov-Ovseenko, journalists like Koltsov were open to infection by the heresies, especially Trotsky's, prevalent among the Republic's supporters. NKVD agents sent to Spain were therefore keener on abducting and murdering anti-Stalinists among Republican leaders and International Brigade commanders than on fighting Franco. The defeat of the Republic, in Stalin's eyes, was caused not by the NKVD's diversionary efforts, but by the treachery of the heretics." In a 1991 interview, Walter Janka, a fellow German communist exile and company commander in the International Brigade, recalled his encounters with Mielke. During the winter of 1936, Janka was summoned by the SIM and interrogated by Mielke. Mielke demanded to know why Janka had voluntarily traveled to Spain rather than being assigned there by the Party. When he told Mielke to get lost, the SIM demoted Janka to the ranks and then expelled him from the International Brigade. Years later, Janka recalled, "While I was fighting at the front, shooting at the Fascists, Mielke served in the rear, shooting Trotskyites and Anarchists." Upon the defeat of the Spanish Republic, Mielke fled across the Pyrenees Mountains to France, where he was interned at Camp de Rivesaltes, Pyrénées-Orientales. Mielke, however, managed to send a message to exiled KPD members and, in May 1939, escaped to Belgium. Although the Public Prosecutor of Berlin learned of Mielke's presence and filed for his extradition, the Belgian Government refused to comply, regarding the assassinations of Captains Anlauf and Lenck as "a political crime." The NKVD and the SIM's witch hunt for both real and imagined anti-Stalinists had serious consequences. It horrified numerous formerly pro-Soviet Westerners who had been witnesses, including John Dos Passos, Arthur Koestler and George Orwell, and caused them to permanently turn against the USSR. Mielke's belief that anti-Soviet Marxists had collaborated with Franco and stabbed the Republic in the back continued to shape his attitudes for the rest of his life. In a 1982 speech before a group of senior Stasi officers, he said, "We are not immune from villains among us. If I knew of any already, they wouldn't live past tomorrow. Short shrift. It's because I'm a Humanist, that I'm of this view." In the same speech, Mielke also said, "All this blithering over to execute or not to execute, for the death penalty or against—all rot, Comrades. Execute! And, when necessary, without a court judgment." World War II During World War II, Mielke's movements remain mysterious. In a biography written after the war, he claimed to have infiltrated Organisation Todt under the alias Richard Hebel, but historian John O. Koehler considers this unlikely. Koehler admits, however, "Mielke's exploits must have been substantial. By war's end, he had been decorated with the Order of the Red Banner, the Order of the Great Patriotic War First Class, and twice with the Order of Lenin. It is likely that he served as an NKVD agent, at least part of the time with guerrilla units behind German lines, for he knew all the partisan songs by heart and sang them in faultless Russian." Occupied Germany Komissariat-5 In April 1945, Mielke returned to the Soviet Zone of Occupied Germany aboard a special Soviet aircraft that also carried fellow German Communists Walter Ulbricht, Wilhelm Zaisser, Ernst Wollweber, and many of the future leaders of the East Germany. That same month, Mielke's future handler, NKGB General Ivan Serov, travelled to Germany from Warsaw and, from his headquarters in the Berlin suburb of Karlshorst, divided the Soviet Zone into "Operative Sectors." On 10 July 1945, Marshal Georgy Zhukov signed SMA Order No. 2, which legalized the re-establishment of "anti-fascist" political parties like the Communist Party of Germany (KPD). On 15 July 1945, Mielke walked into the KPD's headquarters and volunteered his services. In an autobiography written for the KPD, Mielke disclosed—truthfully—his involvement in the 1931 murders of Berlin Police Captains Anlauf and Lenck, and—mistakenly or misleadingly—that for this he had been tried in absentia, found guilty, and sentenced to death. In actuality, Mielke's "name was mentioned in the 1934 trials but he was never tried". He admitted—truthfully—fighting on the Republican side during the Spanish Civil War, but claimed—falsely—that he had been released from the French internment camps and had worked in Belgium for an underground Communist newspaper under the code name "Gaston". Furthermore, Mielke concealed his past and contemporaneous involvement with the NKVD, NKGB, and the Nazi Organisation Todt (which he asserted he'd infiltrated). According to Koehler, "As might be expected, Mielke's account of his past was approved by the Soviets. Had Serov not been part of the conspiracy, Mielke would have been instantly arrested or at least subjected to an intense internal investigation because of his membership in the Nazi Organisation Todt, which used thousands of slave laborers. But he was cleared in record time and by the end of June the Soviets had installed him as a station commander of the newly formed Volkspolizei (Vopo), the People's Police." On 16 August 1947, Serov ordered the creation of Kommissariat 5, the first German political police since the defeat of Nazi Germany. According to Anne Applebaum, however, not everyone approved of the plan. In Moscow, Soviet Interior Minister Viktor Abakumov argued that a new secret police force would be demonized by Western governments and the media, which would paint the K-5 as a "new Gestapo." Furthermore, Abakumov, like Stalin, intensely distrusted German Communists and alleged that there "were not enough German cadres who have been thoroughly checked." Notwithstanding Abakumov's objections, however, recruitment into the K-5 began almost immediately. It is possible, as Norman Naimark suspects, that the NKGB had realized that their officers' lack of fluency in the German language was engendering massive popular resentment. Wilhelm Zaisser, who had been Mielke's commanding officer in Republican Spain, was appointed the K-5's head. Mielke was installed as his deputy. According to John Koehler, "The K-5 was essentially an arm of the Soviet secret police. Its agents were carefully selected veteran German communists who had survived the Nazi-era in Soviet exile or in concentration camps and prisons. Their task was to track down Nazis and anti-communists, including hundreds of members of the Social Democratic Party. Mielke and his fellow bloodhounds performed this task with ruthless precision. The number of arrests became so great that the regular prisons could not hold them. Thus, Serov ordered the establishment or re-opening of eleven concentration camps, including the former Nazi death camps of Buchenwald and Sachsenhausen." According to Anne Applebaum, "One of the few documents from that era to survive (most were removed by the KGB or perhaps destroyed, in 1989 or before) mentions a departmental training meeting and included a list of attendees. Topping the list is a group of Soviet advisers. In this sense, K-5 did resemble the political police in the rest of Eastern Europe: as in Hungary, Poland, and the USSR itself, this new political police force was initially extra-governmental, operating outside the ordinary rule of law." According to Edward N. Peterson, "Not surprisingly, K-5 acquired a reputation as bad as that of Stalin's secret police and worse than that of the Gestapo. At least with the Nazis, albeit fanatically racist, their victims did not suddenly disappear into the GULAG." The Amalgamation Despite the K-5's mass arrests of members of the Social Democratic Party of Germany (SPD) in the Soviet Zone, the number of SPD members continued to grow. By March 1946, SPD members outnumbered KPD members by more than 100,000. Fearing that they would lose the elections scheduled for the autumn, the leadership of the KPD asked for and received Stalin's permission to merge the two parties. When the SPD's leadership agreed only to schedule a vote for the rank and file to decide, permission was denied by the Soviet occupation authorities. The K-5 then began mass arrests of SPD members who refused to support the merger. On 22 April 1946, the remaining leaders of the SPD in the Soviet Zone announced that they had united with the KPD to form the Socialist Unity Party of Germany (SED). The SPD in the western zones of Occupied Germany responded by forming the SPD East Bureau in order to support and finance those Social Democrats who refused to accept the merger. Those who joined or worked with the East Bureau were, however, in serious danger of arrest by the K-5 and trial by Soviet military tribunals. By 1950, more than 5,000 SPD members and sympathisers had been imprisoned in the Soviet Zone or transferred to the GULAG. More than 400 were either executed or died during their imprisonments. John Koehler has written that, prior to the spring of 1946, many Germans in the Soviet Zone, "merely shrugged at the wave of arrests, believing that the victims were former Nazi officials and war criminals." But then came the mass arrests of Social Democrats who opposed the merger, who, "were joined by people who had been denounced for making anti-communist or anti-Soviet remarks, among their number hundreds who were as young as fourteen years. Although these arrests were made by Germans purporting to be officials of the criminal police, the existence of the K-5 political police eventually was exposed. Mielke, meanwhile, had risen to the post of vice-president of the German Administration for Interior Affairs – the equivalent of the NKVD – and continued his manipulations from behind the scenes." Investigation In January 1947, two retired Berlin policemen recognized Mielke at an official function. Informing the head of the criminal police in West Berlin, the policemen demanded that Mielke be arrested and prosecuted for the murders of Captains Anlauf and Lenck. Wilhelm Kühnast, the Public Prosecutor of Berlin, was immediately informed and ordered a search of the Kammergericht archives. To his astonishment, the files of the 1931 murders had survived the wartime bombing of Germany. Finding ample evidence of Mielke's involvement, Kühnast ordered the arrest of the communist policeman. According to John Koehler, "At that time, the city administration, including the police, was under the control of the Allied Control Commission, which consisted of U.S., British, French, and Soviet military officers. All actions by city officials, including the judiciary, were to be reported to the Commission. The Soviet representative alerted the MGB. Action was swift. Marshal Vasily Sokolovsky, who had replaced Zhukov, protested, and his representatives at the Commission launched a vicious campaign to discredit Kühnast." The Soviet representatives falsely claimed that Kühnast, a jurist with an impeccable anti-Nazi record, had been an official of Roland Freisler's People's Court. Taking the Soviets at their word, the Western Allies removed Kühnast from his position and placed him under house arrest. During the Berlin airlift, Kühnast fled from his home in East Berlin and was granted political asylum in the American Zone. Meanwhile, the Soviet authorities confiscated all documents relating to the murders of Captains Anlauf and Lenck. According to Koehler, "The Soviets handed the court records to Mielke. Instead of destroying the incriminating papers, he locked them in his private safe, where they were found when his home was searched in 1990. They were used against him in his trial for murder." Deutsche Wirtschaftskommission In 1948, Mielke was appointed as security chief of the German Economic Commission (), the precursor to the future East German government. Mielke's task was to investigate the theft and sale of state property on the black market. He was also charged with intercepting the growing number of refugees fleeing to the French, British, and American Zones. Those his security forces caught while attempting to defect were used as slave labor in the uranium mines that were providing raw material for the Soviet atomic bomb project. German Democratic Republic Independence In 1949, the Soviet Military Administration ceded its legal functions to the newly created German Democratic Republic. On 14 January 1950, Marshal Vasili Chuikov announced that all Soviet "internment camps" on German soil had been closed. Soon after, the DWK was absorbed into the newly created Ministry for State Security. In keeping with earlier syllabic abbreviations along the same lines (see OrPo, KriPo, and GeStaPo) East Germans immediately dubbed it the "Stasi" (from Staatssicherheit). With the approval of the Soviets, Mielke's commanding officer from Spain and in the K5, Wilhelm Zaisser, was appointed as the Stasi's head. Mielke was appointed to his staff with the rank of State Secretary. Mielke was also granted a seat in the SED's ruling Politburo. According to John Koehler, "In the five years since the end of World War II, the Soviets and their vassals had arrested between 170,000 and 180,000 Germans. Some 160,000 had passed through the concentration camps, and of these about 65,000 had died, 36,000 had been shipped to the Soviet Gulag, and another 46,000 had been freed." In 1949, as a response to the remilitarization of East Germany and the Soviet blockade of West Berlin, the United States, Great Britain, France, Belgium, the Netherlands, Luxembourg, and Portugal formed the North Atlantic Treaty Organization, or NATO. In 1950, as a response to the outbreak of the Korean War, West Germany was also permitted to join NATO, which was then upgraded into a military alliance. According to Koehler, however, "As the Cold War intensified, living conditions in Soviet-occupied East Germany showed little improvement beyond the postwar level of bare subsistence. The new government of the DDR – a mere puppet of the Kremlin – relied more and more on the Stasi to quell discontent among factory workers and farmers. Ulbricht, claiming that the social unrest was fomented by capitalist agents, once ordered Mielke to personally visit one large plant and 'arrest four or five such agents' as an example to the others. The Stasi deputy 'discovered' the agents in record time." Field show trials Also in 1949, Noel Field, an American citizen who had spied for the NKVD from inside the U.S. State Department, the Office of Strategic Services, and the CIA, fled from his posting in Switzerland to Communist Czechoslovakia after his cover was blown by fellow mole Whittaker Chambers. On 11 May 1949, the Czechoslovakian secret police, or StB, in obedience to a direct order from KGB chief Lavrenti Beria, arrested Field in Prague. Field was then handed over to the Hungarian ÁVO. After his interrogation in Budapest, Fields was used as a witness at show trials of senior Soviet Bloc Communists who, like László Rajk and Rudolf Slánský, stood accused of having spied for the United States. The real reason for the trials was to replace homegrown Communists in Eastern Europe with those who would be blindly loyal to Joseph Stalin and to blame the division of Germany on the intrigues of U.S. intelligence. At the Rajk show trial, the prosecutor declared, "Noel Field, one of the leaders of American espionage, specialized in recruiting spies from among left-wing elements." In August 1950, six senior SED members, including Willi Kreikemeyer, the director of Deutsche Reichsbahn and head of Berliner Rundfunk, were accused of "special connections with Noel Field, the American spy." All were either imprisoned or shot. John Koehler writes, "Similar purges were conducted in Czechoslovakia, Hungary, and Bulgaria, where Field appeared as a witness in show trials that resulted in some death sentences. The Soviets simply distrusted all Communists who had sought exile in the West. All the while, Mielke remained untouched and continued to serve as the deputy secret police chief. His survival reinforced the belief that he had spent the war years in the Soviet Union instead of France and Belgium as he had claimed in the 1945 questionnaire." In June 1950, Erica Wallach, Noel Field's adopted daughter, decided to search for him. From Paris, she telephoned Leo Bauer, the editor-in-chief of Berliner Rundfunk. The call was monitored by agents of the Soviet Ministry for Internal Affairs, and Bauer's handler instructed him to invite Mrs. Wallach to East Berlin, where she was immediately arrested. Mielke personally interrogated her and, at one point, offered Mrs. Wallach immediate release if she named the members of her fictitious spy network. She was condemned to death by a Soviet military tribunal in East Berlin and shipped to the Lubianka prison in Moscow for her execution. After Joseph Stalin's death in on 5 March 1953, Erica Wallach's sentence was reduced to hard labor in Vorkuta, a region of the Gulag located above the Arctic Circle. She was released during the Khrushchev thaw in October 1955. At first, she was unable to join her husband and daughters in the U.S. because of the U.S. State Department's concern over her former membership in the Communist Party of Germany. It took the personal intervention of CIA Director Allen Dulles to reunite Erica Wallach with her family in 1957. Wallach's memoir of her experiences, Light at Midnight, was published in 1967. Death of Stalin After Soviet Premier Joseph Stalin died inside his Kuntsevo Dacha on 5 March 1953, the Central Committee of the East German Socialist Unity Party met in a special session and eulogized the dictator as the "great friend of Germany who was always an advisor of and help to our people." Two months later, on 5 May 1953, the SED's General Secretary, Walter Ulbricht, and the rest of the leadership increased work quotas by 10%. They also decided to rename Chemnitz Karl-Marx-Stadt and to institute the Order of Karl Marx as the GDR's highest award. Two weeks later, Mielke accused "a group of Party officials" of "plotting against the leadership", which "resulted in more expulsions from the Politburo and the Central Committee." East German uprising of 1953 Discontent among factory workers about a 10% increase of work quotas without a corresponding wage hike boiled over. On 16 June 1953, nearly one hundred construction workers gathered before work for a protest meeting at Stalinallee, in East Berlin. Words spread rapidly to other construction sites and hundreds of men and women joined the rally, which marched to the House of Ministries. The protesters chanted slogans for five hours, demanding to speak to Walter Ulbricht and Otto Grotewohl. Only Heavy Industry Minister Fritz Selbmann and Professor Robert Havemann, president of the GDR Peace Council, emerged. Their speech, however, was answered with jeers and the Ministers retreated into the heavily armed building. The regular and the Kasernierte Volkspolizei were summoned from their barracks, but made no move to attack the protesters, who returned to Stalinallee, where a general strike was called. Following West Germany's Federal Minister for All-German Questions Jakob Kaiser's admonition in a late night broadcast to East Germans to shy away from provocations, RIAS, starting with its 11 pm news broadcast, and from then on in hourly intermissions, repeated the workers' demand to continue the strike the next day, calling specifically for all East Berliners to participate in a demo at 7am on the 17th at Strausberger Platz. The following day, 17 June 1953, more that 100,000 protesters took to the streets of East Berlin. More than 400,000 protesters also took to the streets in other cities and towns throughout the German Democratic Republic. Everywhere, the demands were the same: free elections by secret ballot. Outside of Berlin, the main centres of the protests included the industrial region around Halle, Merseburg, and Bitterfeld, as well as middle-size towns like Jena, Görlitz, and Brandenburg. No more than 25,000 people participated in strikes and demonstrations in Leipzig, but there were 32,000 in Magdeburg, 43,000 in Dresden, 53,000 in Potsdam – and in Halle, a figure close to 100,000. In West Berlin, the American radio station RIAS and several other West German stations reported on the protests and on plans for a general strike. As East Germans listened to the broadcasts, 267,000 workers at State-owned plants in 304 cities and towns joined the general strike. In 24 towns, outraged East Germans stormed the Stasi's prisons and freed between 2,000 and 3,000 political prisoners. In response to orders, the Soviet Occupation Forces, the Stasi and the Kasernierte Volkspolizei went on the attack. Bloody street battles ensued and hundreds of policemen defected to the side of the protesters. Both police and Stasi stations were overrun and some government offices were sacked. The Party leadership retreated into a fortified compound in the Pankow district of East Berlin. At noon, the Soviet authorities terminated all tram and metro traffic into the Eastern sector and all but closed the sector borders to West Berlin to prevent more demonstrators from reaching the city centre. An hour later, they declared martial law in East Berlin. The repression took place outside East Berlin police HQ – where Soviet tanks opened fire on "the insurgents". According to John Koehler, "... by late afternoon, Soviet tanks accompanied by Infantry and MVD troops had rolled into East Berlin and other cities in the Soviet Zone. This made the people even angrier. At Berlin's Potsdamer Platz, which bordered on the American Sector, irate protesters ignored machine gun fire and the menacing barrels of tank guns. They ripped cobblestones from the streets and hurled them at the tanks." Fighting between the Red Army (and later GDR police) and the demonstrators persisted into the afternoon and night. In some cases, the tanks and the soldiers fired directly into the crowds. Overnight, the Soviets (and the Stasi) started to arrest hundreds of people. Ultimately, up to 10,000 people were detained and at least 20, probably as many as 40, people were executed, including Red Army soldiers who refused to obey orders. With the SED leadership effectively paralysed at the Soviet headquarters in Karlshorst, control of the city passed to the Soviets. In honor of the uprising, West Germany established 17 June as a national holiday, called Day of German Unity. The extension of the Unter den Linden boulevard to the west of the Brandenburg Gate, formerly called Charlottenburger Chaussee, was also renamed Straße des 17. Juni ("17 June Street") in honor of the uprising. According to John Koehler, "Provisional prison camps were set up to hold the thousands of Stasi victims. Nearly 1,500 persons were sentenced in secret trials to long prison terms. On 24 June, Mielke issued a terse announcement that one Stasi officer, nineteen demonstrators, and two bystanders had been killed during the uprising. He did not say how many were victims of official lynching. The numbers of the wounded were given as 191 policemen, 126 demonstrators, and 61 bystanders." Also according to Koehler, "Calm returned to the streets of the Soviet Zone, yet escapes to the West continued at a high rate. Of the 331,390 who fled in 1953, 8,000 were members of the Kasernierte Volkspolizei, the barracked people's police units, which were actually the secret cadre of the future East German Army. Also among the escapees were 2,718 members and candidates of the SED, the ruling Party." The Khrushchev thaw Purges Alarmed by the uprising, Lavrenty Beria, the First Deputy Premier of the Soviet Union and head of the Ministry of Internal Affairs, personally travelled from Moscow to East Berlin. He conferred with Stasi Minister Wilhelm Zaisser and with Mielke, his deputy, both of whom he had known since the early 1930s. During both conversations, Beria demanded to know why the Stasi had failed to recognize the extreme discontent of the population and inform the Party leadership, which could then have prevented the uprising by taking extremely repressive measures in advance. Both Zaisser and Mielke answered Beria's questions circumspectly, and were accordingly left in their posts. In response to the uprising, Beria decided to replace several hundred MVD officers, including Major General Ivan Fadeykin, the MVD resident of East Germany. The Stasi, according to John Koehler, "generally remained untouched except for the arrests and dismissals, for dereliction of duty, of a handful of officers in the provinces. One high-ranking Stasi officer shot himself." Following Beria's return to Moscow, however, he was arrested on 26 June 1953, in a coup d'état led by Nikita Khrushchev and Marshal Georgy Zhukov. Beria was tried on charges of 357 counts of rape and high treason. He was sentenced to death and shot by Red Army Colonel-General Pavel Batitsky on 23 December 1953. In an interview to Neues Deutschland, the official party newspaper of East Germany, on 30 June 1953, the Party's Minister of Justice, Max Fechner, declared that, "illegal arrests," had been made and that being a member of a strike committee or suspicion of being a ringleader was not in itself grounds for arrest and conviction. Meanwhile, when the East German Politburo met on 8 July, it seemed that Ulbricht would be deposed as Party General Secretary. Zaisser conceded that the whole Politburo was responsible for the "accelerated construction of socialism" and of the subsequent fallout. But he also added that to leave Ulbricht as Premier, "would be opposed catastrophic for the New Course". By the end of the meeting, only two Politburo members still supported Ulbricht's leadership: Free German Youth League chief Erich Honecker and Party Control Commission Chairman Hermann Matern. Ulbricht only managed to forestall a decision then and there with a promise to make a statement at the forthcoming 15th SED CC Plenum, scheduled for later that month. Meanwhile, Mielke informed a Party commission looking for scapegoats that his boss, Stasi Minister Wilhelm Zaisser, was calling for secret negotiations with West Germany and that, "he believed the Soviet Union would abandon the DDR." By late July, Ulbricht was completely certain that he had the support of the new Soviet Premier, Nikita Khrushchev. Therefore, he expelled his main opponents, Zaisser, Hernstadt and Ackermann, from the Politburo, and thus strengthened his position further. SED Minister of Justice Max Fechner was personally arrested by Mielke and replaced by Hilde Benjamin, who was known to East German citizens as "Red Hilde", "The Red Freisler," and as, "The Red Guillotine," for her role as a judge in the SED's show trials. Fechner was convicted of being, "an enemy of the Party and the State," and served three years in Bautzen Prison. Wilhelm Zaisser was replaced as head of the Stasi by Ernst Wollweber and Mielke remained on staff as his deputy. Tenure as Stasi head Mielke headed the Stasi from 1957 until the fall of the Berlin Wall in 1989. There was, under the East German system, no provision for parliamentary oversight. However, starting in 1971 Mielke was required to provide a detailed intelligence briefing to party secretary Erich Honecker each Tuesday, directly following the weekly Politburo meeting. (Before 1971, under Walter Ulbricht, Mielke was not involved in routine intelligence briefings to the leadership which, instead, were provided directly to Ulbricht by Intelligence Chief Markus Wolf.) Internal discipline During his tenure, Mielke enforced "political and personal discipline reminiscent of the early French Foreign Legion". New recruits were required to take a solemn oath pledging "to fight alongside the state security organs of all socialist countries against all enemies of socialism" on pain of "the severest punishment under the Republic's laws and the contempt of the workers." Recruits were also required to sign a security pledge vowing never to make unauthorized visits to any "capitalist countries" and to report on any members of their families who did so. Violations of the oath resulted in expulsion from the Stasi and blacklisting from all but the most menial jobs. Serious violations were tried before secret tribunals and led an estimated 200 Stasi agents to be shot. Colonel Rainer Wiegand once said, "There was only one way to leave the MfS without being haunted for the rest of your life. You either retired or you died." Domestic activities Under Erich Mielke's leadership, the Stasi employed 85,000 full-time domestic spies and 170,000 civilian informants () (IMs). East Germans coined a term to describe the Stasi's pervasive surveillance of the population "All-Covered" (). For this reason, Anna Funder has referred to East Germany as, "the most perfected surveillance state of all time." According to John Koehler, "...the Stasi's tentacles probed every aspect of life. Full-time officers were posted to all major industrial plants. Without exception, one tenant in every building was designated as a watchdog reporting to an area representative of the Volkspolizei...In turn, the police officer was the Stasi's man. If a relative or friend came to stay overnight, it was reported. Schools, universities and hospitals were infiltrated from top to bottom. German academe was shocked to learn that Heinrich Fink, professor of theology and vice-chancellor of East Berlin's Humboldt University, had been a Stasi informer since 1968. After Fink's Stasi connections came to light, he was summarily fired. Doctors, lawyers, journalists, writers, actors, and sports figures were co-opted by Stasi officers, as were waiters and hotel personnel. Tapping about 100,000 telephone lines in East Germany and West Berlin around the clock was the job of 2,000 officers... Churchmen, including high officials of both Protestant and Catholic denominations, were recruited en masse as secret informants. Their offices and confessionals were infested with eavesdropping devices. Even the director of Leipzig's famous Thomas Church choir, Hans-Joachim Rotzsch, was forced to resign when he was unmasked as a Spitzel, the people's pejorative for a Stasi informant." In an interview with journalist Anna Funder, an ex-Stasi officer recalled, "Most often, people we approached would inform for us. It was very rare that they would not. However, sometimes we felt that we might need to know where their weak points were, just in case. For example, if we wanted a pastor, we'd find out if he'd had an affair, or had a drinking problem—things that we could use as leverage. Mostly though, people said yes." On Mielke's orders, and with his full knowledge, Stasi officers also engaged in arbitrary arrest, kidnapping, brutal harassment of political dissidents, torture, and the imprisonment of tens of thousands of citizens. In a 1991 interview, Jewish Holocaust survivor and Nazi hunter Simon Wiesenthal said, "The Stasi was much, much worse than the Gestapo, if you consider only the oppression of its own people. The Gestapo had 40,000 officials watching a country of 80 million, while the Stasi employed 102,000 to control only 17 million." Activities abroad During Mielke's tenure, the Stasi's operations beyond East Germany were overseen by Markus Wolf and the Hauptverwaltung Aufklärung (MfS-HVA). Mielke and Wolf provided money, training, and surveillance equipment to help build pro-Soviet secret police forces in Fidel Castro's Cuba, Baathist Syria, Sandinista-ruled Nicaragua, Mengistu Haile Mariam's Ethiopia, Idi Amin's Uganda, Kwame Nkrumah's Ghana, and South Yemen. After the opening of Stasi archives, it was revealed that West Germany was riddled with MfS-HVA moles. In what John Koehler has dubbed, "The Invisible Invasion", some West German citizens collaborated out of Marxist beliefs, but others were recruited through blackmail, greed, career frustrations, or sexual favors from Stasi operatives. Another tactic was for Stasi military advisers assigned to African and Middle Eastern countries to request the arrest of West German tourists. Local police would then turn the prisoner over to the Stasi agent, who would offer the West German a choice between espionage or incarceration. Senior politicians from the Social Democratic Party of Germany, the Free Democratic Party of Germany, and the Christian Democratic Union were exposed and, when still alive, prosecuted. Mielke and Wolf also seriously compromised West Germany's police departments, foreign and domestic intelligence services, diplomatic corps, military-industrial complex, and journalistic profession. The Stasi compromised the United States military and diplomatic presence in West Germany. The most damaging American to spy for the Stasi was United States Army Sergeant James Hall III, who volunteered his services to Soviet and East German intelligence in November 1981. Sergeant Hall sold the Stasi 13,088 pages of classified documents, including detailed information about Project Trojan, a worldwide electronic network with the ability to pinpoint armored vehicles, missiles and aircraft by recording their signal emissions during wartime and the complete National SIGINT Requirements List (NSRL), a 4258-page document about NSA operations at home and abroad. In 1988, Sergeant Hall was tricked into confessing his espionage career to an undercover FBI Special Agent named Dmitri Droujinsky, a Russian-American who was posing as an agent of the KGB. When news of Sergeant Hall's arrest became public, one Washington intelligence official called the breach, "the Army's Walker Case." Collusion with Nazism Beginning in 1960, Mielke and Wolf used false flag recruitment to secretly organize and finance Neo-Nazi organizations, which they then instructed to vandalize Jewish religious and cultural sites throughout West Germany. During the Jerusalem trial of Adolf Eichmann, Stasi agents sent letters to West German Neo-Nazis and Waffen-SS veterans, urging them to speak out and to raise money for Eichmann's defense attorney. This was done in order to lend credibility to Communist propaganda about the allegedly Fascist and neo-Nazi orientation of the Federal Republic of Germany. According to German historian Michael Wolffsohn, "There is no doubt that in the 1960s as now, there were Nazis who were unreconstructed, unchangeable and evil, but without the help of East Germany, these Nazis were incapable of a national, coordinated campaign. That was true of right-wing extremist criminals in the 1980s as well. The East German Communists used anything they could against West Germany, including the... fears by Western countries and Jews that a new Nazism could be growing in West Germany. There is... evidence that the East Germans continued to use Anti-Semitism as a tool against West Germany in the 1970s and perhaps right up until 1989." In a 1991 interview with John Koehler, Holocaust survivor and Nazi hunter Simon Wiesenthal said of the Stasi, "They not only terrorized their own people worse than the Gestapo, but the government was the most Anti-Semitic and Anti-Israeli in the entire Eastern Bloc. They did nothing to help the West in tracking down Nazi criminals; they ignored all requests from West German judicial authorities for assistance. We have just discovered shelves of files on Nazis stretching over four miles. Now we also know how the Stasi used those files. They blackmailed Nazi criminals who fled abroad after the war into spying for them. What's more, the Stasi trained terrorists from all over the world." Support for paramilitary and terrorist groups During a 1979 visit to the GDR by senior PLO member Salah Khalaf, Mielke said, "We are paying great attention to the Palestine resistance and the other revolutionary forces fighting against the policies of the United States and against the provocations of the Israeli aggressor. Together with the Soviet Union and other socialist countries, we will do everything to support this just battle." With this in mind, Mielke ordered the Stasi to finance, arm, and train, "urban guerrillas," from numerous countries. According to former Stasi Colonel Rainer Wiegand, Mielke's ties to violent paramilitary groups were overseen by Markus Wolf and Department Three of the MfS-HVA. Members of the West German Baader-Meinhoff Group, the Chilean Manuel Rodríguez Patriotic Front, and Umkhonto we Sizwe, the paramilitary wing of the African National Congress, were brought to East Germany for training in the use of military hardware, insurgent tactics, and, "the leadership role of the Party." Similar treatment was meted out to Palestinians from the Popular Front for the Liberation of Palestine, Abu Nidal, and Black September. Other Stasi agents worked as military advisers to Soviet-backed African guerrilla organizations and the governments they later formed. They included the Namibian SWAPO and the Angolan MPLA during the South African Border War, the FRELIMO during the Mozambican War of Independence and civil war, and Robert Mugabe's ZANLA during the Rhodesian Bush War. Colonel Wiegand revealed that Mielke and Wolf provided bodyguards from the Stasi's counter-terrorism division for Venezuelan-born PLO terrorist Carlos the Jackal and Black September leader Abu Daoud during their visits to the GDR. Col. Wiegand had been sickened by the 1972 Munich massacre and was horrified that the GDR would treat the man who ordered it as an honored guest. When he protested, Wiegand was told that Abu Daoud was, "a friend of our country, a high-ranking political functionary," and that there was no proof that he was a terrorist. During the 1980s, Wiegand secretly blackmailed a Libyan diplomat into spying on his colleagues. Wiegand's informant told him that the La Belle bombing and other terrorist attacks against American and West German citizens were being planned at the Libyan Embassy in East Berlin. When Wiegand showed him a detailed report, Mielke informed the SED's Politburo, which ordered the Colonel to continue surveillance but not interfere with the plans of the Libyans. According to John Koehler, "Murder, kidnapping, extortion, bank robbery, and arson were felonies under the East German criminal code. However, if these offenses were committed under the banner of the 'anti-imperialist struggle,' the communist system would look the other way. Moreover, it had assigned the Stasi to make sure that terrorists were properly trained for murder and sowing mayhem. There was no limits to the East German regime's involvement with terrorism, so long as it could be ideologically justified." The Peaceful Revolution According to John Koehler, "Increasingly concerned over the growing popular opposition, Stasi Minister Mielke early in 1989 ordered the creation of a special elite unit for crushing disturbances. Its personnel were carefully selected members of the counterespionage and counterterrorism directorate. They were equipped with special batons similar to electric cattle prods but much more powerful. In a secret speech to top-ranking Stasi officers on 29 June, Mielke warned that, 'hostile opposing forces and groups have already achieved a measure of power and are using all methods to achieve a change in the balance of power. Former Stasi Colonel Rainer Wiegand told me he was horrified when Mielke compared the situation with that of China two months earlier. Chinese students in Beijing had begun massive protests in April and in May, during a student demonstration in Tiananmen Square, security troops had opened fire on them killing hundreds. 'Mielke said our situation was comparable and we had to be ready to counter it with all means and methods,' Wiegand recalled. 'Mielke said that the Chinese leadership had succeeded in smothering the protests before the situation got out of hand.'" Despite Mielke's attempts to suppress them, East Germany's protesters grew more emboldened with every arrest. 40th anniversary of the GDR As the fortieth anniversary of the GDR approached, Mielke ordered, "We must stop the internal enemy. At the least hint of a disturbance of the celebration, isolate and arrest them." One former Stasi Major recalled, "We mixed inconspicuously with the demonstrators, accompanied by our IMs. Hundreds of us stood at the sides of the street in order to stop any activity before it got started. We barely got any sleep toward the end. Never did I sense that the people were afraid of the MfS. The Stasi was more afraid of the people than the people were of them." According to Koehler, "Despite the unrest, the regime celebrated its fortieth with a huge, pompous ceremony in Berlin on 7 October, while tens of thousands of outside the ornate building of the State Council. The People's Police cordons were utterly ineffectual. As Stasi Minister Erich Mielke drove up and was greeted by General Günter Kratsch, the counterintelligence chief, Mielke screamed at police: "Club those pigs into submission!" () The police ignored Mielke's ranting. As more and more East Germans were arrested for protesting the 40th anniversary celebrations, many of them sang The Internationale in Vopo and Stasi custody to imply that they, rather than their captors, were the real working class and the real revolutionaries. According to Anna Funder, "There was a sea of red flags, a torchlight procession, and tanks. The old men on the podium wore light-grey suits studded with medals. Mikhail Gorbachev stood next to Honecker, but he looked uncomfortable among the much older Germans. He had come to tell them that it was over, to convince the leadership to adopt his reformist policies. He had spoken openly about the danger of not 'responding to reality.' He pointedly told the Politburo that, 'life punishes those who come too late.' Honecker and Mielke ignored him, just as they ignored the crowds when they chanted, "Gorby, help us! Gorby, help us!" Plan X On 8 October 1989, Mielke and Honecker ordered the Stasi to implement "Plan X"—the SED's plan to arrest and indefinitely detain 85,939 East Germans during a state of emergency. According to John Koehler, Plan X had been in preparation since 1979 and was, "a carbon copy of how the Nazi concentration camps got their start after Hitler came to power in 1933." By 1984, 23 sites had been selected for "isolation and internment camps." Those who were to be imprisoned in them ran into six categories; including anyone who had ever been under surveillance for anti-state activities, including all members of peace movements which were not under Stasi control. According to Anna Funder, "The plans contained exact provisions for the use of all available prisons and camps, and when those were full for the conversion of other buildings: Nazi detention centers, schools, hospitals, and factory holiday hostels. Every detail was foreseen, from where the doorbell was located on the house of each person to be arrested to the adequate supply of barbed wire and the rules of dress and etiquette in the camps..." However, when Mielke sent the orders, codenamed "Shield" (), to each local Stasi precinct to begin the planned arrests, he was not obeyed. Terrified of an East German version of the mass lynchings of Hungarian secret police agents during the 1956 Revolution, Stasi agents throughout the GDR fortified their office-buildings and barricaded themselves inside. Toppling Honecker Even as orders were going out to implement Plan X, Mielke had already thrown his support behind the anti-Honecker faction in the SED's Politburo. Although he was of the same generation as Honecker and had matured in an environment where following orders was the rule, he was sober enough and politically savvy enough to realize this approach no longer worked. During a session on 10 October 1989, Mielke delivered a report attacking Honecker's desire to violently suppress the demonstrations rather than offer concessions. In what Edward N. Peterson has called "a remarkable disclaimer of responsibility for the violence," Mielke declared that Honecker's orders to him "were built on false situation judgments." He added that Honecker's commands on 7 and 8 October "were false and undifferentiated condemnations of those who think differently. Despite this evaluation, there was never any instructions to use violence against persons. There is nothing in our basic principles to consider a demonstration as part of a possible counterrevolutionary coup." Mielke also claimed that "the Party judged the situation falsely. We tried to tell them the true situation, but enough was not done." Mielke argued in favor of solving the demonstrations politically and giving "every DDR citizen the right to travel." On 17 October 1989, Mielke and the rest of the GDR's Politburo met to follow Gorbachev's demand, voiced in August, for Honecker be removed as General Secretary of the SED and State Council chairman. Suspecting that Honecker's personal bodyguards might try to arrest the members of the Central Committee when they met to vote Honecker out in favour of Egon Krenz, Mielke saw to it that Stasi agents who were loyal to him were stationed near the meeting room. While deliberations were underway, Mielke told Honecker that "we simply cannot start shooting with tanks," and tried to impress upon Honecker that it was "the end". After the vote to oust Honecker passed, Mielke "got nasty," and accused Honecker of corruption. Honecker responded that Mielke should not open his mouth so much. Mielke responded by putting the last nail into Honecker's coffin. He announced that the MfS had a file on the now-ousted leader. It contained proof of Honecker's corrupt business practices, sexual activities, and how, as a member of the underground Communist Party of Germany during the Nazi years, he had been arrested by the Gestapo and had named names. To the shock of both the Politburo and the Stasi, Krenz's first televised addresses failed to win popular support. Despite his assurances that the SED was at last ready to embrace Gorbachev's policies of Glasnost and Perestroika, Krenz's approval ratings remained extremely low. Former Politburo member Günter Schabowski later recalled, "We made a palace revolution without offering a real alternative... We had not quickly and thoroughly enough whittled away from Stalin's methods." Defeat On 7 November 1989, Mielke resigned, along with eleven out of eighteen members of the SED's Council of Ministers, in response to the increasing disintegration of the GDR. Two days later, Schabowski announced on television that the east–west border was open without restriction. According to Anna Funder, there was panic at Stasi Headquarters in Berlin-Lichtenberg, "Stasi officers were instructed to destroy files, starting with the most incriminating–those naming westerners who spied for them, and those that concerned deaths. They shredded the files until the paper shredders overheated and shorted out. Among other shortages in the East, there was a shredder shortage, so they had to send agents out under cover to West Berlin to buy more. In Building 8 alone, the citizens' movement found over a hundred burnt out shredders. When they ran out of working shredders from the West and could not procure more they began using scissors to cut the documents by hand. According to William F. Buckley, Jr., "In the weeks after 9 November, Stasi offices were stormed in various cities around East Germany. Stasi commissars in three of those cities committed suicide. But not one was lynched or executed." Televised humiliation On 13 November 1989, Mielke was summoned to deliver a briefing about the protests to the GDR parliament, or Volkskammer. Formerly a "rubber stamp parliament," the disintegration of the SED's power had allowed the Volkskammer to begin exercising real authority over the GDR. Therefore, Mielke, as the head of the Stasi (known as the "shield and sword of the [SED] party"), was summoned before the newly empowered parliament to justify his position in government. As his speech was broadcast live, Mielke began by using overly bombastic, flag-waving language, saying "We have, comrades, dear assembly members, an extraordinarily high amount of contact with all working people" (). To his shock, the Volkskammer responded with boos, whistles, and catcalls. His face grief-stricken and pale, Mielke then tried to defuse the situation, "Yes, we have such contact, let me tell you-let me tell you why. I am not afraid to stand here and to give you an unbiased answer" (). Mielke continued, speaking of the "triumph" of the socialist economy, continuing all the while to address the members of the Volkskammer as "Comrades" (). In response, Volkskammer member Dietmar Czok of the Christian Democratic Union, rose from his seat and raised his hand. The Volkskammer's president, Günther Maleuda, interrupted Mielke and urged Czok to speak. With his voice dripping with contempt, Czok told Mielke, "As a point of order, I will not tell you this again. There are more people sitting in this Chamber than just your Comrades!" (). In response, many in the Volkskammer burst into applause, cheers, and shouts of "We are not your Comrades!" () Trying to appear magnanimous, Mielke responded, "This is a natural, Humanistic question! This is just a question of formality." (), leading to further shouts of displeasure from the members of the Volkskammer. In a last ditch effort, Mielke "raised his arms like an evangelist," and cried, "I love all – all Humanity! I really do! I set myself before you!" () Everyone in the room, including staunch SED members, burst out laughing. Then Mielke started to cry. John Koehler later wrote, "Mielke was finished." Mielke's address to the Volkskammer remains the most famous broadcast in the history of German television. Anna Funder has written, "When they think of Mielke, East Germans like to think of this." The Fall On 17 November 1989, the Volkskammer renamed the MfS the Amt für Nationale Sicherheit (AfNS – Office for National Security). The following day, Mielke's tenure in office ended when the Volkskammer appointed Generalleutnant Wolfgang Schwanitz as the new director of the AfNS. On 1 December 1989, the Volkskammer nullified the clause of the GDR constitution that enshrined the SED's "leading role" in the government and formally ending Communist rule in East Germany. Two days later, the SED announced that Mielke's party membership had been permanently revoked. Years later, he lamented, "Millions have died for nothing. Everything we fought for – it has all amounted to nothing." He also said, "If the party had given me the task, then there would perhaps still be a GDR today. On that you can rely." Prosecution Indictments On 7 December 1989, Erich Mielke was arrested and placed in solitary confinement for embezzlement of public funds in order to improve his hunting estate. He was charged with "Damaging the People's Economy" (Schädigung der Volkswirtschaft). On 7 January 1990, he was further charged with high treason and conspiring with Erich Honecker to bug the telephones and open the mail of every one of East Germany's citizens. Meanwhile, the Federal Constitutional Court announced that Mielke had also been indicted for having ordered two terrorist attacks by the Baader-Meinhoff Group against United States military personnel who were stationed on West German soil. The first was the car bomb attack against the United States Air Force at Ramstein Air Base on 31 August 1981. The second was the attempted murder with an RPG-7 anti-tank rocket of United States Army General Frederick Kroesen, his wife, and the West German police officer who was driving their armored Mercedes at Heidelberg on 15 September 1981. After German reunification in October 1990, Mielke was also indicted for ordering the shootings of defectors at the Berlin Wall. He was also charged with misuse of office, breach of trust, and incitement to pervert the course of justice. Bülowplatz trial In February 1992, Mielke was put on trial for the 1931 first degree murders of Berlin Police Captains Anlauf and Lenck as well as the attempted murder of Senior Sergeant Willig. The evidence for Mielke's guilt was drawn from the original police files, the transcripts from the 1934 trial of his co-conspirators, and a handwritten memoir in which Mielke revealed that his role in, "the Bülowplatz Affair," had been his reason for fleeing to Moscow from the Weimar Republic in 1931. All had been found in Mielke's house safe during a police search in 1990. Mielke was believed to have kept the documents for the purpose of "blackmailing Honecker and other East German leaders." Former Associated Press reporter and White House Press Secretary John Koehler also testified that Mielke had boasted of his involvement in the Bülowplatz murders during a confrontation at Leipzig in 1965. During his trial, Mielke appeared increasingly senile, admitting his identity but otherwise remaining silent, taking naps, and showing little interest in the proceedings. In a widely publicized incident, Mielke appeared to mistake the presiding judge for a prison barber. When a journalist for Der Spiegel attempted to interview him in Plötzensee Prison, Mielke responded, "I want to go back to my bed" (). Opinion was divided whether Mielke was suffering from senile dementia or was pretending in order to evade prosecution. After twenty months of one-and-a-half-hour daily sessions, Erich Mielke was convicted on two counts of murder and one of attempted murder. On 26 October 1993, a panel of three judges and two jurors sentenced him to six years' imprisonment. At his sentencing, Mielke started to cry. In pronouncing sentence, Judge Theodor Seidel, told Mielke that he "will go down in history as one of the most fearsome dictators and police ministers of the 20th century." Imprisonment Mielke was then put on trial for ordering the shootings of East Germans who were trying to defect to the West. In November 1994, the presiding judge adjourned the proceedings, ruling that Mielke was not mentally competent to stand trial. During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters. Although it was not connected to the outside world, Mielke enjoyed having imaginary conversations with non-existent Stasi agents. His other favorite pastime was watching game shows on television. In 1995, parole officers and Mielke's attorneys argued that he was "totally confused" and obtained his release. At 87 years of age, Erich Mielke was Germany's oldest prison inmate and had been incarcerated for 1,904 days. Days before his release, the Public Prosecutor of Berlin announced that he was "not interested in chasing an 87-year-old man anymore" and that all further prosecution of Mielke had been indefinitely suspended. According to Koehler, "[Mielke's] bank account, which held more than 300,000 Marks (about US$187,500), was confiscated. Before his arrest in 1989, the most feared man in East Germany had lived in a luxurious home with access to an indoor pool. In addition, he owned a palatial hunting villa, complete with a movie theater, trophy room, 60 servants, and a 60 square kilometers hunting preserve. After he was released from prison Mielke was obliged to move into a two-room, 55-square-meter flat. Like all Stasi pensioners, he would henceforth have to live on 802 marks (about US$512) a month." Death Erich Mielke died on 21 May 2000, aged 92, in a Berlin nursing home. After being cremated at the crematorium in Meissen, an urn containing Mielke's ashes was buried in an unmarked grave at the Zentralfriedhof Friedrichsfelde in Berlin. An estimated 100 people reportedly attended the funeral. Erich Mielke's grave is outside the memorial section established at the entrance in 1951 by East German leaders for communist heroes. Within hours of his funeral, the flowers and wreaths left at Mielke's grave were ripped to shreds by persons unknown. Legacy Writing in 2003, Australian journalist Anna Funder declared, "The name Mielke has now come to mean 'Stasi.' Victims are dubiously honored to find his signature in their files: on plans for someone to be observed 'with all possible methods', on commands for arrest, for kidnapping, instructions to judges for sentencing, orders for 'liquidation'. The honor is dubious because... he signed so many." In 2012, the museum at the former Stasi headquarters opened Mielke's office as a permanent exhibit. Soon after, The Guardian correspondent Tam Eastley visited the exhibit and numerous sites in Berlin connected to Mielke's life, times, and legacy. When she visited Mielke's grave, Eastley found that it had become a shrine for adherents of Ostalgie. Personal life Erich Mielke was a fitness enthusiast, a non-smoker, and drank very little. He was a keen hunter and owned a large area of ground where he would hunt animals with other East German and visiting Soviet officials. During the late 1940s, when Mielke was working as security chief of the DWK, he began a relationship with Gertrud Mueller, a seamstress. On 18 December 1948, shortly after the birth of their son Frank Mielke, Erich and Gertrud married in a civil ceremony. According to the newspaper Bild, the Mielkes adopted an orphaned girl named Ingrid, who was born in 1950. Like her adopted brother Frank, Ingrid Mielke attended the Wilhelm Pieck School. She ultimately became a captain in the Stasi and married a Stasi Lieutenant named Norbert Knappe. As of 1999, the Knappes had both refused to grant an interview to Bild reporters. In popular culture Erich Mielke has appeared as a character in both films and novels set in the GDR. Volker Schlöndorff's The Legend of Rita (2000), which focuses on Stasi collusion with the West German far-left terrorist organization Rote Armee Fraktion. In conversation with fictional Stasi officer Erwin Hull (Martin Wuttke), Mielke (Dietrich Körner) expresses admiration for the RAF's campaign against the United States, West Germany, and the State of Israel, which he compares with his own activities against the Weimar Republic and the Nazis. The RAF members are then brought to a training camp, where Stasi agents instruct them in the use of grenade launchers and other kinds of military hardware. Mielke's name is never disclosed and Agent Hull addresses him only as, "Comrade General." () Florian Henckel von Donnersmarck's The Lives of Others (2006), which focuses on the Stasi's surveillance and repression of the East German population. In the film, a previously loyal GDR playwright named Georg Dreymann (Sebastian Koch) publishes an anonymous article in the West German magazine Der Spiegel which accuses East Germany's Minister of Culture of having persecuted a blacklisted stage director until he hanged himself. Soon after the article goes to press, Mielke's voice is heard over the telephone giving a dressing down to fictional Stasi Lieutenant Colonel Anton Grubitz (Ulrich Tukur). Addressed only as "Genosse Armeegeneral" (Mielke was the only person to ever hold that rank in the Stasi), Mielke threatens to throw Grubitz in front of a firing squad if he fails to identify and arrest the article's author. In Philip Kerr's novel Field Grey (2010), Mielke first appears in 1931 Berlin, when protagonist Bernie Gunther saves him from being murdered by Nazi Brownshirts. The novel then flashes forward to 1954, when Gunther is recruited into a CIA plot to abduct Mielke from East Berlin. Honours and awards Mielke received a large number of awards and commemorative medals from organisations within the German Democratic Republic and from allied states. A more complete list is available (in German) at Liste der Orden und Ehrenzeichen des Erich Mielke. Awards of the German Democratic Republic Patriotic Order of Merit in gold (7 October 1954) Six Orders of Karl Marx (28 December 1957, 20 November 1973, 1 December 1975, 28 December 1977, 28 June 1982, 28 December 1982) Twice Hero of Labour of the GDR (5 October 1964, 24 February 1968) Twice Hero of the GDR (1 December 1975, 28 December 1982) Banner of Labour (8 May 1960) Medal for Exemplary Border Service (26 April 1956) Medal for Faithful Service in the National People's Army; Bronze (7 October 1957) Silver (8 February 1959) Gold (1 July 1960) Gold for 20 years service (8 February 1965) Medal for Fighters Against Fascism (6 September 1958) Gold Medal of Merit of the National People's Army (1 March 1957) Scharnhorst Order, twice (25 September 1979, 7 October 1984) Awards of the Soviet Union Hero of the Soviet Union (25 December 1987) Four Orders of Lenin (12 June 1973, 28 December 1982, 1 April 1985, 28 December 1987) Order of the Patriotic War, 1st class (6 May 1970) Four Orders of the Red Banner (23 October 1958, 5 February 1968, 28 December 1977, February 1980) Jubilee Medal "50 Years of the Soviet Militia" (20 December 1967) Jubilee Medal "In Commemoration of the 100th Anniversary since the Birth of Vladimir Il'ich Lenin" (1970) Medal "For Distinction in Guarding the State Border of the USSR" (6 January 1970) Order of the October Revolution (February 1975) Other states Order of Georgi Dimitrov (Bulgaria, 28 December 1982) Order of Friendship (Czechoslovakia) (28 December 1982) Order of the Red Star (Czechoslovakia) (16 November 1970) References Further reading Buckley, Jr., William F. (2004), The Fall of the Berlin Wall, John Wiley & Sons, Inc. Funder, Anna (2003), Stasiland: True Stories from Behind the Berlin Wall, Granta Books, London. Kuchel, Dany (2011) "Le Glaive et le Bouclier", une histoire de la Stasi en France. Otto, Wilfriede, Erich Mielke, Biographie: Aufstieg und Fall eines Tschekisten. Dietz-Verlag, Berlin 2000, . Peterson, Edward N. (2002). The Secret Police and the Revolution: The Fall of the German Democratic Republic, Praeger Publications, Westport, Connecticut. London. Pickard, Ralph (2007). STASI Decorations and Memorabilia, A Collector's Guide. Frontline Historical Publishing. Pickard, Ralph (2012). STASI Decorations and Memorabilia Volume II. Frontline Historical Publication. 1907 births 2000 deaths Politicians from Berlin Communist Party of Germany politicians Members of the Politburo of the Central Committee of the Socialist Unity Party of Germany Government ministers of East Germany Members of the 3rd Volkskammer Members of the 4th Volkskammer Members of the 5th Volkskammer Members of the 6th Volkskammer Members of the 7th Volkskammer Members of the 8th Volkskammer Members of the 9th Volkskammer East German spies German Comintern people German emigrants to the Soviet Union German politicians convicted of crimes Köllnisches Gymnasium alumni German people convicted of murdering police officers International Brigades personnel German people of the Spanish Civil War German police officers convicted of murder German spies for the Soviet Union Great Purge perpetrators Interwar-period spies NKVD officers Murders of Paul Anlauf and Franz Lenck Perpetrators of political repression in the Second Spanish Republic People convicted of murder by Germany Prisoners and detainees of Germany Stasi generals Stasi officers convicted of crimes SV Dynamo Collaborators with the Soviet Union German anti-Zionists International Lenin School alumni Recipients of the Scharnhorst Order Recipients of the Patriotic Order of Merit (honor clasp) Recipients of the Banner of Labor Foreign Heroes of the Soviet Union Recipients of the Order of Lenin Recipients of the Order of the Red Banner Recipients of the Medal "For Distinction in Guarding the State Border of the USSR" Recipients of the Order of Georgi Dimitrov 20th-century German criminals People from Mitte German mass murderers Criminals from Berlin German military personnel of World War II	true	[ "An Englishman in Auschwitz is a 2001 book written by Leon Greenman, a Holocaust survivor. The book details his experiences in the Auschwitz concentration camp.\n\nThe book is a result of the commitment of English-born Greenman to God \"that if he lived, he would let the world know what happened during the war\". In short, the book describes the reminiscences of his days of imprisonment in six concentration camps of the Nazis. Greenman describes the arrival of his family (consisting of himself, his wife, Esther, a Dutchwoman, and their three-year-old son, Barney) at the Auschwitz-Birkenau concentration camp in these words: The women were separated from the men: Else and Barny were marched about 20 yards away to a queue of women...I tried to watch Else. I could see her clearly against the blue lights. She could see me too for she threw me a kiss and held up our child for me to see. What was going through her mind I will never know. Perhaps she was pleased that the journey had come to an end.\n\nReferences\n\n2001 non-fiction books\nPersonal accounts of the Holocaust", "\"What Else Is There?\" is the third single from the Norwegian duo Röyksopp's second album The Understanding. It features the vocals of Karin Dreijer from the Swedish electronica duo The Knife. The album was released in the UK with the help of Astralwerks.\n\nThe single was used in an O2 television advertisement in the Czech Republic and in Slovakia during 2008. It was also used in the 2006 film Cashback and the 2007 film, Meet Bill. Trentemøller's remix of \"What Else is There?\" was featured in an episode of the HBO show Entourage.\n\nThe song was covered by extreme metal band Enslaved as a bonus track for their album E.\n\nThe song was listed as the 375th best song of the 2000s by Pitchfork Media.\n\nOfficial versions\n\"What Else Is There?\" (Album Version) – 5:17\n\"What Else Is There?\" (Radio Edit) – 3:38\n\"What Else Is There?\" (Jacques Lu Cont Radio Mix) – 3:46\n\"What Else Is There?\" (The Emperor Machine Vocal Version) – 8:03\n\"What Else Is There?\" (The Emperor Machine Dub Version) – 7:51\n\"What Else Is There?\" (Thin White Duke Mix) – 8:25\n\"What Else Is There?\" (Thin White Duke Edit) – 4:50\n\"What Else Is There?\" (Thin White Duke Remix) (Radio Edit) – 3:06\n\"What Else Is There?\" (Trentemøller Remix) – 7:42\n\"What Else Is There?\" (Vitalic Remix) – 5:14\n\nResponse\nThe single was officially released on 5 December 2005 in the UK. The single had a limited release on 21 November 2005 to promote the upcoming album. On the UK Singles Chart, it peaked at number 32, while on the UK Dance Chart, it reached number one.\n\nMusic video\nThe music video was directed by Martin de Thurah. It features Norwegian model Marianne Schröder who is shown lip-syncing Dreijer's voice. Schröder is depicted as a floating woman traveling across stormy landscapes and within empty houses. Dreijer makes a cameo appearance as a woman wearing an Elizabethan ruff while dining alone at a festive table.\n\nMovie spots\n\nThe song is also featured in the movie Meet Bill as characters played by Jessica Alba and Aaron Eckhart smoke marijuana while listening to it. It is also part of the end credits music of the film Cashback.\n\nCharts\n\nReferences\n\n2005 singles\nRöyksopp songs\nAstralwerks singles\nSongs written by Svein Berge\nSongs written by Torbjørn Brundtland\n2004 songs\nSongs written by Roger Greenaway\nSongs written by Olof Dreijer\nSongs written by Karin Dreijer" ]
[ "Erich Mielke", "Imprisonment", "When was Mielke imprisoned?", "1989,", "What crime was he convicted of?", "ruling that Mielke was not mentally fit to stand trial.", "How long was Mielke imprisoned?", "1,904 days.", "What happened during his imprisonment?", "Mielke enjoyed having imaginary conversations with non-existent Stasi agents.", "Are there any other interesting aspects about this article?", " [Mielke's] bank account, which held more than 300,000 marks (about US $187,500), was confiscated.", "What did Mielke do after being released from prison?", "all further prosecution of Mielke had been indefinitely suspended.", "What else is interesting about his imprisonment?", "During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters." ]	C_3d20ba2e0075405eba35f1fa8f36a9f7_0	What did he use the telephone for?	8	What did Erich Mielke use the telephone provided by Mielke during his imprisonment for?	Erich Mielke	Mielke was then put on trial for ordering the shootings of East Germans who were trying to defect to the West. In November 1994, the presiding judge closed the proceedings, ruling that Mielke was not mentally fit to stand trial. During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters. Although it was not connected to the outside world, Mielke enjoyed having imaginary conversations with non-existent Stasi agents. His other favorite pastime was watching game shows on television. In 1995, parole officers and Mielke's attorneys argued that he was "totally confused" and obtained his release. At 87 years of age, Erich Mielke was Germany's oldest prison inmate and had been incarcerated for 1,904 days. Days before his release, the Public Prosecutor of Berlin announced that he was "not interested in chasing an 87 year old man anymore" and that all further prosecution of Mielke had been indefinitely suspended. According to Koehler: [Mielke's] bank account, which held more than 300,000 marks (about US $187,500), was confiscated. Before his arrest in 1989, the most feared man in East Germany had lived in a luxurious home with access to an indoor pool. In addition, he owned a palatial hunting villa, complete with a movie theater, trophy room, 60 servants, and a 15,000 acre hunting preserve. After he was released from prison Mielke was obliged to move into a two room, 600-square-foot flat. Like all Stasi pensioners, he would henceforth have to live on 802 marks (about US$512) a month. CANNOTANSWER	Although it was not connected to the outside world, Mielke enjoyed having imaginary conversations with non-existent Stasi agents.	Erich Fritz Emil Mielke (; 28 December 1907 – 21 May 2000) was a German communist official who served as head of the East German Ministry for State Security (Ministerium für Staatsicherheit – MfS), better known as the Stasi, from 1957 until shortly after the fall of the Berlin Wall in 1989. A native of Berlin and a second-generation member of the Communist Party of Germany, Mielke was one of two triggermen in the 1931 murders of Berlin Police captains Paul Anlauf and Franz Lenck. After learning that a witness had survived, Mielke escaped arrest by fleeing to the Soviet Union, where the NKVD recruited him. He was one of the key figures in the decimation of Moscow's German Communists during the Great Purge as well as in the persecution of suspected anti-Stalinists in the International Brigade during the Spanish Civil War. Following the end of World War II in 1945, Mielke returned to the Soviet Zone of Occupied Germany, which he helped organize into a Marxist-Leninist satellite state under the Socialist Unity Party (SED), later becoming head of the Stasi. According to historian Jack Koehler, he was "the longest serving secret police chief in the Soviet Bloc". The Stasi under Mielke has been called by historian Edward Peterson the "most pervasive police state apparatus ever to exist on German soil". In a 1993 interview, Holocaust survivor and Nazi-hunter Simon Wiesenthal has said that, if one considers only the oppression of their own people, the Stasi under Mielke was "much, much worse than the Gestapo". During the 1950s and 1960s Mielke led the process of forcibly forming collectivised farms from East Germany's family-owned farms, which sent a flood of refugees to West Germany. In response, Mielke oversaw the construction (1961) of the Berlin Wall and co-signed orders to shoot fatally all East Germans who attempted to leave the country. He also oversaw the establishment of pro-Soviet police states and paramilitary insurgencies in Western Europe, Latin America, Africa, and the Middle East. In addition to his role as head of the Stasi, Mielke was also an Army General in the National People's Army (Nationale Volksarmee), and a member of the SED's ruling Politburo. Dubbed "The Master of Fear" () by the West German press, Mielke was one of the most powerful and most hated men in East Germany. After German reunification in 1990, Mielke was arrested (1991), prosecuted (1992), convicted, and incarcerated (1993) for the 1931 murders of Paul Anlauf and Franz Lenck. Released from prison early due to ill health in 1995, he died in a Berlin nursing home in 2000. Early life Erich Mielke was born in a tenement in Berlin-Wedding, Brandenburg, on 28 December 1907. During the First World War, the neighborhood was known as "Red Wedding" due to many residents' Marxist militancy. In a handwritten biography written for the Soviet secret police, Mielke described his father as "a poor, uneducated woodworker," and said that his mother died in 1911. Both were, he said, members of the Social Democratic Party of Germany (SPD). After his remarriage to "a seamstress," the elder Mielke and his new wife joined the Independent Social Democratic Party of Germany and remained members when it was renamed the Communist Party of Germany (KPD). His son Erich claimed "My younger brother Kurt and two sisters were Communist sympathisers." Despite his family's poverty, Erich Mielke was academically gifted enough to be awarded a free scholarship in the prestigious Köllnisches Gymnasium, but was expelled on 19 February 1929, for being "unable to meet the great demands of this school." While attending the Gymnasium, Mielke joined the Communist Party of Germany in 1925, and worked as a reporter for the communist newspaper Rote Fahne from 1928 to 1931. During the Weimar Republic, the KPD was the largest communist party in Europe and was seen as the "leading party" of the communist movement outside the Soviet Union. Under Ernst Thälmann's leadership, the KPD was completely obedient to Soviet Premier Joseph Stalin, and from 1928 the Party was both funded and controlled by the Comintern in Moscow. Until the end of the Republic, the KPD viewed the Social Democratic Party of Germany (SPD), which dominated German politics between 1918 and 1931, as their mortal enemy. In keeping with Stalin's policy towards social democracy, the KPD considered all SPD members to be "social fascists". The KPD also believed that all other political parties were "fascist" and regarded itself as "the only anti-fascist Party" in Germany. Nevertheless, the KPD closely collaborated with the Nazi Party during the early 1930s and both Parties intended to replace the democratically elected government of the Weimar Republic with a totalitarian single party state. Soon after joining the Party, Mielke joined the KPD's paramilitary wing, or Parteiselbstschutz ("Party Self Defense Unit"). At the time, the Parteiselbstschutz in Berlin was commanded by KPD Reichstag Representatives Hans Kippenberger and Heinz Neumann. According to John Koehler, "Mielke was a special protege of Kippenberger's having taken to his paramilitary training with the enthusiasm of a Prussian Junker. World War I veterans taught the novices how to handle pistols, rifles, machine guns, and hand grenades. This clandestine training was conducted in the sparsely populated, pastoral countryside surrounding Berlin. Mielke also pleased Kippenberger by being an exceptional student in classes on the arts of conspiratorial behavior and espionage, taught by comrades who had studied at the secret M-school of the GRU in Moscow." According to John Koehler, members of the Parteiselbstschutz "served as bouncers at Party meetings and specialized in cracking heads during street battles with political enemies." Besides the ruling SPD and its paramilitary Reichsbanner forces, the arch-enemies of the Parteiselbstschutz were the Stahlhelm, which was the armed wing of the Monarchist German National People's Party (DVNP), Trotskyites, and "radical nationalist parties." According to Koehler, the KPD's Selbstschutz men "always carried a Stahlrute, two steel springs that telescoped into a tube seventeen centimeters long, which when extended became a deadly, 35-centimeter weapon. Not to be outdone by the Nazis, these street-fighters were often armed with pistols as well." In a 1931 biography written for the Cadre Division of the Comintern, Mielke recalled, "We took care of all kinds of work; terror acts, protecting illegal demonstrations and meetings, arms-trafficking, etc. The last work, which was accomplished by a Comrade and myself, was the Bülowplatz Affair" (). Bülowplatz murders Planning During the last days of the Weimar Republic, the KPD had a policy of assassinating two Berlin police officers in retaliation for every KPD member killed by the police. On 2 August 1931, KPD Members of the Reichstag Heinz Neumann and Hans Kippenberger received a dressing down from Walter Ulbricht, the Party's leader in the Berlin-Brandenburg region. Enraged by police interference and by Neumann and Kippenberger's failure to follow the policy, Ulbricht stated, "At home in Saxony we would have done something about the police a long time ago. Here in Berlin we will not fool around much longer. Soon we will hit the police in the head." Enraged by Ulbricht's words, Kippenberger and Neumann decided to assassinate Paul Anlauf, the 42-year-old Captain of the Berlin Police's Seventh Precinct. Captain Anlauf, a widower with three daughters, had been nicknamed "Schweinebacke", or "Pig Face" by the KPD. According to historian John Koehler, "Of all the policemen in strife-torn Berlin, the reds hated Anlauf the most. His precinct included the area around KPD headquarters, which made it the most dangerous in the city. The captain almost always led the riot squads that broke up illegal rallies of the Communist Party." On the morning of Sunday 9 August 1931, Kippenberger and Neumann gave a last briefing to the hit-team in a room at the Lassant beer hall. Mielke and Erich Ziemer were selected as the shooters. During the meeting, Max Matern gave a Luger pistol to fellow lookout Max Thunert and said, "Now we're getting serious. We're going to give Schweinebacke something to remember us by." Kippenberger then asked Mielke and Ziemer, "Are you sure that you are ready to shoot Schweinebacke?" Mielke responded that he had seen Anlauf many times during police searches of Party Headquarters. Kippenberger then instructed them to wait at a nearby beer hall which would permit them to overlook the entire Bülow-Platz. He further reminded them that Anlauf was accompanied everywhere by Senior Sergeant Max Willig, whom the KPD had nicknamed, "Hussar". Kippenberger concluded, "When you spot Schweinebacke and Hussar, you take care of them." Mielke and Ziemer were informed that, after the assassinations were completed, a diversion would assist in their escape. They were then to return to their homes and await further instructions. That evening, Anlauf was lured to Bülow-Platz by a violent rally demanding the dissolution of the Prussian Parliament. According to Koehler, "As was often the case when it came to battling the dominant SPD, the KPD and the Nazis had combined forces during the pre-plebiscite campaign. At one point in this particular campaign, Nazi propaganda chief Joseph Goebbels even shared a speaker's platform with KPD agitator Walter Ulbricht. Both parties wanted the parliament dissolved because they were hoping that new elections would oust the SPD, the sworn enemy of all radicals. That fact explained why the atmosphere was particularly volatile this Sunday." Murder at the Babylon Cinema At eight o'clock that evening, Mielke and Ziemer waited in a doorway as Anlauf, Willig, and Captain Franz Lenck walked toward the Babylon Cinema, which was located at the corner of Bülowplatz and Kaiser-Wilhelm-Straße. As they reached the door of the movie house, the policemen heard someone scream, "Schweinebacke!" As Anlauf turned toward the sound, Mielke and Ziemer opened fire at point blank range. Willig was wounded in the left arm and the stomach. However, he managed to draw his Luger pistol and fired a full magazine at the assailants. Lenck was shot in the chest and fell dead in front of the entrance. Willig crawled over and cradled the head of Anlauf, who had taken two bullets in the neck. Meanwhile, Mielke and Ziemer made their escape by running into the theater and out an emergency exit. They tossed their pistols over a fence, where they were later found by Homicide Detectives from the elite Mordkommission. Mielke and Ziemer then returned to their homes. According to Koehler, "Back at Bülowplatz, the killings had triggered a major police action. At least a thousand officers poured into the square, and a bloody street battle ensued. Rocks and bricks were hurled from the rooftops. Communist gunmen fired indiscriminately from the roofs of surrounding apartment houses. As darkness fell, police searchlights illuminated the buildings. Using megaphones, officers shouted, "Clear the streets! Move away from the windows! We are returning fire!" By now the rabble had fled the square, but shooting continued as riot squads combed the tenements, arresting hundreds of residents suspected of having fired weapons. The battle lasted until one o'clock the next morning. In addition to the two police officers, the casualties included one Communist who died of a gunshot wound and seventeen others who were seriously wounded." Anlauf's wife had died three weeks earlier of kidney failure. The murder of Anlauf thus left their three daughters as orphans. Their oldest daughter was forced to rush her planned wedding in order to keep her sisters from being put in an orphanage. Lenck was survived by his wife. Willig was hospitalized for 14 weeks, but made a full recovery and returned to active duty. In recognition for Willig's courage, the Berlin Police promoted him to Lieutenant. After the murders, the act was celebrated at the Lichtenberger Hof, a favorite beer hall of the Rotfrontkämpferbund, where Mielke boasted: "Today we celebrate a job that I pulled!" () Fugitive According to Koehler, "Kippenberger was alarmed when word reached him that Sergeant Willig had survived the shooting. Not knowing whether the sergeant could talk and identify the attackers, Kippenberger was taking no chances. He directed a runner to summon Mielke and Ziemer to his apartment at 74 Bellermannstrasse, only a few minutes walk from where the two lived. When the assassins arrived, Kippenberger told them the news and ordered them to leave Berlin at once. The parliamentarian's wife Thea, an unemployed schoolteacher and as staunch a Communist Party member as her husband, shepherded the young murderers to the Belgian border. Agents of the Communist International (Comintern) in the port city of Antwerp supplied them with money and forged passports. Aboard a merchant ship, they sailed for Leningrad. When their ship docked, they were met by another Comintern representative, who escorted them to Moscow." Beginning in 1932, Mielke attended the Comintern's Military Political school under the alias Paul Bach. He later graduated from the Lenin School shortly before being recruited into the OGPU. Trial According to Koehler, "In mid-March 1933, while attending the Lenin School, Mielke received word from his OGPU sponsors that Berlin police had arrested Max Thunert, one of the conspirators in the Anlauf and Lenck murders. Within days, fifteen other members of the assassination team were in custody. Mielke had to wait six more months before the details of the police action against his Berlin comrades reached Moscow. On 14 September 1933, Berlin newspapers reported that all fifteen had confessed to their roles in the murders. Arrest warrants were issued for ten others who had fled, including Mielke, Ziemer, Ulbricht, Kippenberger, and Neumann." Koehler also stated, "Defenders of Mielke later claimed that confessions had been obtained under torture by the Nazi Gestapo. However, all suspects were in the custody of the regular Berlin city criminal investigation bureau, most of whose detectives were SPD members. Some of the suspects had been nabbed by Nazi SA men and probably beaten before they were turned over to police. In the 1993 trial of Mielke, the court gave the defense the benefit of the doubt and threw out a number of suspect confessions." On 19 June 1934, the 15 conspirators were convicted of first degree murder. The three deemed most culpable, Michael Klause, Max Matern, and Friedrich Bröde were sentenced to death. Their co-defendants received sentences ranging from nine months to fifteen years incarceration at hard labor. Klause's sentence was commuted to life in prison based upon his cooperation. Bröde hanged himself in his cell. As a result, only Matern was left to be executed by beheading on 22 May 1935. Matern was subsequently glorified as a martyr by KPD and East German propaganda. Ziemer was officially killed in action while fighting on the Republican-side during the Spanish Civil War. Mielke, however, would not face trial for the murders until 1993. Career in Soviet intelligence The Great Terror Although Moscow's German Communist community was decimated during Joseph Stalin's Great Purge, Mielke survived and was promoted. In a handwritten autobiography prepared after World War II, Mielke recalled, "During my stay in the S.U. (Soviet Union), I participated in all Party discussions of the K.P.D. and also in the problems concerning the establishment of socialism and in the trials against the traitors and enemies of the S.U." Among the German communists executed as a result of these "discussions" were Mielke's former mentors Heinz Neumann and Hans Kippenberger. Mielke further recalled, "I was a guest on the honor grandstand of Red Square during the May Day and October Revolution parades. I became acquainted with many comrades of the Federation of World Communist Parties and the War Council of the Special Commission of the Comintern. I will never forget my meeting with Comrade Dimitrov, the Chairman of the Comintern, whom I served as an aide together with another comrade. I saw Comrade Stalin during all demonstrations at Red Square, especially when I stood on the grandstand. I mention these meetings because all these comrades are our models and teachers for our work." During his time in the USSR, Mielke also developed a lifelong reverence for Felix Dzerzhinsky, the Polish aristocrat who founded the Soviet secret police. Mielke also began an equally permanent habit of calling himself a Chekist. In a citation written decades later, Mielke described his philosophy of life, "The Chekist is the political combatant. He is the loyal son of... the workers' class. He stands at the head of the battle to strengthen the power of our workers' and peasants' state." Spanish Civil War From 1936 to 1939, Mielke served in Spain as an operative of the Servicio de Investigación Militar, the political police of the Second Spanish Republic. While attached to the staff of, "veteran GRU agent," and future Stasi minister Wilhelm Zaisser, Mielke used the alias Fritz Leissner. Bernd Kaufmann, the director of the Stasi's espionage school later said, "The Soviets trusted Mielke implicitly. He earned his spurs in Spain." At the time, the S.I.M. was heavily staffed by agents of the Soviet NKVD, whose Spanish rezident was General Aleksandr Mikhailovich Orlov. According to author Donald Rayfield, "Stalin, Yezhov, and Beria distrusted Soviet participants in the Spanish war. Military advisors like Vladimir Antonov-Ovseenko, journalists like Koltsov were open to infection by the heresies, especially Trotsky's, prevalent among the Republic's supporters. NKVD agents sent to Spain were therefore keener on abducting and murdering anti-Stalinists among Republican leaders and International Brigade commanders than on fighting Franco. The defeat of the Republic, in Stalin's eyes, was caused not by the NKVD's diversionary efforts, but by the treachery of the heretics." In a 1991 interview, Walter Janka, a fellow German communist exile and company commander in the International Brigade, recalled his encounters with Mielke. During the winter of 1936, Janka was summoned by the SIM and interrogated by Mielke. Mielke demanded to know why Janka had voluntarily traveled to Spain rather than being assigned there by the Party. When he told Mielke to get lost, the SIM demoted Janka to the ranks and then expelled him from the International Brigade. Years later, Janka recalled, "While I was fighting at the front, shooting at the Fascists, Mielke served in the rear, shooting Trotskyites and Anarchists." Upon the defeat of the Spanish Republic, Mielke fled across the Pyrenees Mountains to France, where he was interned at Camp de Rivesaltes, Pyrénées-Orientales. Mielke, however, managed to send a message to exiled KPD members and, in May 1939, escaped to Belgium. Although the Public Prosecutor of Berlin learned of Mielke's presence and filed for his extradition, the Belgian Government refused to comply, regarding the assassinations of Captains Anlauf and Lenck as "a political crime." The NKVD and the SIM's witch hunt for both real and imagined anti-Stalinists had serious consequences. It horrified numerous formerly pro-Soviet Westerners who had been witnesses, including John Dos Passos, Arthur Koestler and George Orwell, and caused them to permanently turn against the USSR. Mielke's belief that anti-Soviet Marxists had collaborated with Franco and stabbed the Republic in the back continued to shape his attitudes for the rest of his life. In a 1982 speech before a group of senior Stasi officers, he said, "We are not immune from villains among us. If I knew of any already, they wouldn't live past tomorrow. Short shrift. It's because I'm a Humanist, that I'm of this view." In the same speech, Mielke also said, "All this blithering over to execute or not to execute, for the death penalty or against—all rot, Comrades. Execute! And, when necessary, without a court judgment." World War II During World War II, Mielke's movements remain mysterious. In a biography written after the war, he claimed to have infiltrated Organisation Todt under the alias Richard Hebel, but historian John O. Koehler considers this unlikely. Koehler admits, however, "Mielke's exploits must have been substantial. By war's end, he had been decorated with the Order of the Red Banner, the Order of the Great Patriotic War First Class, and twice with the Order of Lenin. It is likely that he served as an NKVD agent, at least part of the time with guerrilla units behind German lines, for he knew all the partisan songs by heart and sang them in faultless Russian." Occupied Germany Komissariat-5 In April 1945, Mielke returned to the Soviet Zone of Occupied Germany aboard a special Soviet aircraft that also carried fellow German Communists Walter Ulbricht, Wilhelm Zaisser, Ernst Wollweber, and many of the future leaders of the East Germany. That same month, Mielke's future handler, NKGB General Ivan Serov, travelled to Germany from Warsaw and, from his headquarters in the Berlin suburb of Karlshorst, divided the Soviet Zone into "Operative Sectors." On 10 July 1945, Marshal Georgy Zhukov signed SMA Order No. 2, which legalized the re-establishment of "anti-fascist" political parties like the Communist Party of Germany (KPD). On 15 July 1945, Mielke walked into the KPD's headquarters and volunteered his services. In an autobiography written for the KPD, Mielke disclosed—truthfully—his involvement in the 1931 murders of Berlin Police Captains Anlauf and Lenck, and—mistakenly or misleadingly—that for this he had been tried in absentia, found guilty, and sentenced to death. In actuality, Mielke's "name was mentioned in the 1934 trials but he was never tried". He admitted—truthfully—fighting on the Republican side during the Spanish Civil War, but claimed—falsely—that he had been released from the French internment camps and had worked in Belgium for an underground Communist newspaper under the code name "Gaston". Furthermore, Mielke concealed his past and contemporaneous involvement with the NKVD, NKGB, and the Nazi Organisation Todt (which he asserted he'd infiltrated). According to Koehler, "As might be expected, Mielke's account of his past was approved by the Soviets. Had Serov not been part of the conspiracy, Mielke would have been instantly arrested or at least subjected to an intense internal investigation because of his membership in the Nazi Organisation Todt, which used thousands of slave laborers. But he was cleared in record time and by the end of June the Soviets had installed him as a station commander of the newly formed Volkspolizei (Vopo), the People's Police." On 16 August 1947, Serov ordered the creation of Kommissariat 5, the first German political police since the defeat of Nazi Germany. According to Anne Applebaum, however, not everyone approved of the plan. In Moscow, Soviet Interior Minister Viktor Abakumov argued that a new secret police force would be demonized by Western governments and the media, which would paint the K-5 as a "new Gestapo." Furthermore, Abakumov, like Stalin, intensely distrusted German Communists and alleged that there "were not enough German cadres who have been thoroughly checked." Notwithstanding Abakumov's objections, however, recruitment into the K-5 began almost immediately. It is possible, as Norman Naimark suspects, that the NKGB had realized that their officers' lack of fluency in the German language was engendering massive popular resentment. Wilhelm Zaisser, who had been Mielke's commanding officer in Republican Spain, was appointed the K-5's head. Mielke was installed as his deputy. According to John Koehler, "The K-5 was essentially an arm of the Soviet secret police. Its agents were carefully selected veteran German communists who had survived the Nazi-era in Soviet exile or in concentration camps and prisons. Their task was to track down Nazis and anti-communists, including hundreds of members of the Social Democratic Party. Mielke and his fellow bloodhounds performed this task with ruthless precision. The number of arrests became so great that the regular prisons could not hold them. Thus, Serov ordered the establishment or re-opening of eleven concentration camps, including the former Nazi death camps of Buchenwald and Sachsenhausen." According to Anne Applebaum, "One of the few documents from that era to survive (most were removed by the KGB or perhaps destroyed, in 1989 or before) mentions a departmental training meeting and included a list of attendees. Topping the list is a group of Soviet advisers. In this sense, K-5 did resemble the political police in the rest of Eastern Europe: as in Hungary, Poland, and the USSR itself, this new political police force was initially extra-governmental, operating outside the ordinary rule of law." According to Edward N. Peterson, "Not surprisingly, K-5 acquired a reputation as bad as that of Stalin's secret police and worse than that of the Gestapo. At least with the Nazis, albeit fanatically racist, their victims did not suddenly disappear into the GULAG." The Amalgamation Despite the K-5's mass arrests of members of the Social Democratic Party of Germany (SPD) in the Soviet Zone, the number of SPD members continued to grow. By March 1946, SPD members outnumbered KPD members by more than 100,000. Fearing that they would lose the elections scheduled for the autumn, the leadership of the KPD asked for and received Stalin's permission to merge the two parties. When the SPD's leadership agreed only to schedule a vote for the rank and file to decide, permission was denied by the Soviet occupation authorities. The K-5 then began mass arrests of SPD members who refused to support the merger. On 22 April 1946, the remaining leaders of the SPD in the Soviet Zone announced that they had united with the KPD to form the Socialist Unity Party of Germany (SED). The SPD in the western zones of Occupied Germany responded by forming the SPD East Bureau in order to support and finance those Social Democrats who refused to accept the merger. Those who joined or worked with the East Bureau were, however, in serious danger of arrest by the K-5 and trial by Soviet military tribunals. By 1950, more than 5,000 SPD members and sympathisers had been imprisoned in the Soviet Zone or transferred to the GULAG. More than 400 were either executed or died during their imprisonments. John Koehler has written that, prior to the spring of 1946, many Germans in the Soviet Zone, "merely shrugged at the wave of arrests, believing that the victims were former Nazi officials and war criminals." But then came the mass arrests of Social Democrats who opposed the merger, who, "were joined by people who had been denounced for making anti-communist or anti-Soviet remarks, among their number hundreds who were as young as fourteen years. Although these arrests were made by Germans purporting to be officials of the criminal police, the existence of the K-5 political police eventually was exposed. Mielke, meanwhile, had risen to the post of vice-president of the German Administration for Interior Affairs – the equivalent of the NKVD – and continued his manipulations from behind the scenes." Investigation In January 1947, two retired Berlin policemen recognized Mielke at an official function. Informing the head of the criminal police in West Berlin, the policemen demanded that Mielke be arrested and prosecuted for the murders of Captains Anlauf and Lenck. Wilhelm Kühnast, the Public Prosecutor of Berlin, was immediately informed and ordered a search of the Kammergericht archives. To his astonishment, the files of the 1931 murders had survived the wartime bombing of Germany. Finding ample evidence of Mielke's involvement, Kühnast ordered the arrest of the communist policeman. According to John Koehler, "At that time, the city administration, including the police, was under the control of the Allied Control Commission, which consisted of U.S., British, French, and Soviet military officers. All actions by city officials, including the judiciary, were to be reported to the Commission. The Soviet representative alerted the MGB. Action was swift. Marshal Vasily Sokolovsky, who had replaced Zhukov, protested, and his representatives at the Commission launched a vicious campaign to discredit Kühnast." The Soviet representatives falsely claimed that Kühnast, a jurist with an impeccable anti-Nazi record, had been an official of Roland Freisler's People's Court. Taking the Soviets at their word, the Western Allies removed Kühnast from his position and placed him under house arrest. During the Berlin airlift, Kühnast fled from his home in East Berlin and was granted political asylum in the American Zone. Meanwhile, the Soviet authorities confiscated all documents relating to the murders of Captains Anlauf and Lenck. According to Koehler, "The Soviets handed the court records to Mielke. Instead of destroying the incriminating papers, he locked them in his private safe, where they were found when his home was searched in 1990. They were used against him in his trial for murder." Deutsche Wirtschaftskommission In 1948, Mielke was appointed as security chief of the German Economic Commission (), the precursor to the future East German government. Mielke's task was to investigate the theft and sale of state property on the black market. He was also charged with intercepting the growing number of refugees fleeing to the French, British, and American Zones. Those his security forces caught while attempting to defect were used as slave labor in the uranium mines that were providing raw material for the Soviet atomic bomb project. German Democratic Republic Independence In 1949, the Soviet Military Administration ceded its legal functions to the newly created German Democratic Republic. On 14 January 1950, Marshal Vasili Chuikov announced that all Soviet "internment camps" on German soil had been closed. Soon after, the DWK was absorbed into the newly created Ministry for State Security. In keeping with earlier syllabic abbreviations along the same lines (see OrPo, KriPo, and GeStaPo) East Germans immediately dubbed it the "Stasi" (from Staatssicherheit). With the approval of the Soviets, Mielke's commanding officer from Spain and in the K5, Wilhelm Zaisser, was appointed as the Stasi's head. Mielke was appointed to his staff with the rank of State Secretary. Mielke was also granted a seat in the SED's ruling Politburo. According to John Koehler, "In the five years since the end of World War II, the Soviets and their vassals had arrested between 170,000 and 180,000 Germans. Some 160,000 had passed through the concentration camps, and of these about 65,000 had died, 36,000 had been shipped to the Soviet Gulag, and another 46,000 had been freed." In 1949, as a response to the remilitarization of East Germany and the Soviet blockade of West Berlin, the United States, Great Britain, France, Belgium, the Netherlands, Luxembourg, and Portugal formed the North Atlantic Treaty Organization, or NATO. In 1950, as a response to the outbreak of the Korean War, West Germany was also permitted to join NATO, which was then upgraded into a military alliance. According to Koehler, however, "As the Cold War intensified, living conditions in Soviet-occupied East Germany showed little improvement beyond the postwar level of bare subsistence. The new government of the DDR – a mere puppet of the Kremlin – relied more and more on the Stasi to quell discontent among factory workers and farmers. Ulbricht, claiming that the social unrest was fomented by capitalist agents, once ordered Mielke to personally visit one large plant and 'arrest four or five such agents' as an example to the others. The Stasi deputy 'discovered' the agents in record time." Field show trials Also in 1949, Noel Field, an American citizen who had spied for the NKVD from inside the U.S. State Department, the Office of Strategic Services, and the CIA, fled from his posting in Switzerland to Communist Czechoslovakia after his cover was blown by fellow mole Whittaker Chambers. On 11 May 1949, the Czechoslovakian secret police, or StB, in obedience to a direct order from KGB chief Lavrenti Beria, arrested Field in Prague. Field was then handed over to the Hungarian ÁVO. After his interrogation in Budapest, Fields was used as a witness at show trials of senior Soviet Bloc Communists who, like László Rajk and Rudolf Slánský, stood accused of having spied for the United States. The real reason for the trials was to replace homegrown Communists in Eastern Europe with those who would be blindly loyal to Joseph Stalin and to blame the division of Germany on the intrigues of U.S. intelligence. At the Rajk show trial, the prosecutor declared, "Noel Field, one of the leaders of American espionage, specialized in recruiting spies from among left-wing elements." In August 1950, six senior SED members, including Willi Kreikemeyer, the director of Deutsche Reichsbahn and head of Berliner Rundfunk, were accused of "special connections with Noel Field, the American spy." All were either imprisoned or shot. John Koehler writes, "Similar purges were conducted in Czechoslovakia, Hungary, and Bulgaria, where Field appeared as a witness in show trials that resulted in some death sentences. The Soviets simply distrusted all Communists who had sought exile in the West. All the while, Mielke remained untouched and continued to serve as the deputy secret police chief. His survival reinforced the belief that he had spent the war years in the Soviet Union instead of France and Belgium as he had claimed in the 1945 questionnaire." In June 1950, Erica Wallach, Noel Field's adopted daughter, decided to search for him. From Paris, she telephoned Leo Bauer, the editor-in-chief of Berliner Rundfunk. The call was monitored by agents of the Soviet Ministry for Internal Affairs, and Bauer's handler instructed him to invite Mrs. Wallach to East Berlin, where she was immediately arrested. Mielke personally interrogated her and, at one point, offered Mrs. Wallach immediate release if she named the members of her fictitious spy network. She was condemned to death by a Soviet military tribunal in East Berlin and shipped to the Lubianka prison in Moscow for her execution. After Joseph Stalin's death in on 5 March 1953, Erica Wallach's sentence was reduced to hard labor in Vorkuta, a region of the Gulag located above the Arctic Circle. She was released during the Khrushchev thaw in October 1955. At first, she was unable to join her husband and daughters in the U.S. because of the U.S. State Department's concern over her former membership in the Communist Party of Germany. It took the personal intervention of CIA Director Allen Dulles to reunite Erica Wallach with her family in 1957. Wallach's memoir of her experiences, Light at Midnight, was published in 1967. Death of Stalin After Soviet Premier Joseph Stalin died inside his Kuntsevo Dacha on 5 March 1953, the Central Committee of the East German Socialist Unity Party met in a special session and eulogized the dictator as the "great friend of Germany who was always an advisor of and help to our people." Two months later, on 5 May 1953, the SED's General Secretary, Walter Ulbricht, and the rest of the leadership increased work quotas by 10%. They also decided to rename Chemnitz Karl-Marx-Stadt and to institute the Order of Karl Marx as the GDR's highest award. Two weeks later, Mielke accused "a group of Party officials" of "plotting against the leadership", which "resulted in more expulsions from the Politburo and the Central Committee." East German uprising of 1953 Discontent among factory workers about a 10% increase of work quotas without a corresponding wage hike boiled over. On 16 June 1953, nearly one hundred construction workers gathered before work for a protest meeting at Stalinallee, in East Berlin. Words spread rapidly to other construction sites and hundreds of men and women joined the rally, which marched to the House of Ministries. The protesters chanted slogans for five hours, demanding to speak to Walter Ulbricht and Otto Grotewohl. Only Heavy Industry Minister Fritz Selbmann and Professor Robert Havemann, president of the GDR Peace Council, emerged. Their speech, however, was answered with jeers and the Ministers retreated into the heavily armed building. The regular and the Kasernierte Volkspolizei were summoned from their barracks, but made no move to attack the protesters, who returned to Stalinallee, where a general strike was called. Following West Germany's Federal Minister for All-German Questions Jakob Kaiser's admonition in a late night broadcast to East Germans to shy away from provocations, RIAS, starting with its 11 pm news broadcast, and from then on in hourly intermissions, repeated the workers' demand to continue the strike the next day, calling specifically for all East Berliners to participate in a demo at 7am on the 17th at Strausberger Platz. The following day, 17 June 1953, more that 100,000 protesters took to the streets of East Berlin. More than 400,000 protesters also took to the streets in other cities and towns throughout the German Democratic Republic. Everywhere, the demands were the same: free elections by secret ballot. Outside of Berlin, the main centres of the protests included the industrial region around Halle, Merseburg, and Bitterfeld, as well as middle-size towns like Jena, Görlitz, and Brandenburg. No more than 25,000 people participated in strikes and demonstrations in Leipzig, but there were 32,000 in Magdeburg, 43,000 in Dresden, 53,000 in Potsdam – and in Halle, a figure close to 100,000. In West Berlin, the American radio station RIAS and several other West German stations reported on the protests and on plans for a general strike. As East Germans listened to the broadcasts, 267,000 workers at State-owned plants in 304 cities and towns joined the general strike. In 24 towns, outraged East Germans stormed the Stasi's prisons and freed between 2,000 and 3,000 political prisoners. In response to orders, the Soviet Occupation Forces, the Stasi and the Kasernierte Volkspolizei went on the attack. Bloody street battles ensued and hundreds of policemen defected to the side of the protesters. Both police and Stasi stations were overrun and some government offices were sacked. The Party leadership retreated into a fortified compound in the Pankow district of East Berlin. At noon, the Soviet authorities terminated all tram and metro traffic into the Eastern sector and all but closed the sector borders to West Berlin to prevent more demonstrators from reaching the city centre. An hour later, they declared martial law in East Berlin. The repression took place outside East Berlin police HQ – where Soviet tanks opened fire on "the insurgents". According to John Koehler, "... by late afternoon, Soviet tanks accompanied by Infantry and MVD troops had rolled into East Berlin and other cities in the Soviet Zone. This made the people even angrier. At Berlin's Potsdamer Platz, which bordered on the American Sector, irate protesters ignored machine gun fire and the menacing barrels of tank guns. They ripped cobblestones from the streets and hurled them at the tanks." Fighting between the Red Army (and later GDR police) and the demonstrators persisted into the afternoon and night. In some cases, the tanks and the soldiers fired directly into the crowds. Overnight, the Soviets (and the Stasi) started to arrest hundreds of people. Ultimately, up to 10,000 people were detained and at least 20, probably as many as 40, people were executed, including Red Army soldiers who refused to obey orders. With the SED leadership effectively paralysed at the Soviet headquarters in Karlshorst, control of the city passed to the Soviets. In honor of the uprising, West Germany established 17 June as a national holiday, called Day of German Unity. The extension of the Unter den Linden boulevard to the west of the Brandenburg Gate, formerly called Charlottenburger Chaussee, was also renamed Straße des 17. Juni ("17 June Street") in honor of the uprising. According to John Koehler, "Provisional prison camps were set up to hold the thousands of Stasi victims. Nearly 1,500 persons were sentenced in secret trials to long prison terms. On 24 June, Mielke issued a terse announcement that one Stasi officer, nineteen demonstrators, and two bystanders had been killed during the uprising. He did not say how many were victims of official lynching. The numbers of the wounded were given as 191 policemen, 126 demonstrators, and 61 bystanders." Also according to Koehler, "Calm returned to the streets of the Soviet Zone, yet escapes to the West continued at a high rate. Of the 331,390 who fled in 1953, 8,000 were members of the Kasernierte Volkspolizei, the barracked people's police units, which were actually the secret cadre of the future East German Army. Also among the escapees were 2,718 members and candidates of the SED, the ruling Party." The Khrushchev thaw Purges Alarmed by the uprising, Lavrenty Beria, the First Deputy Premier of the Soviet Union and head of the Ministry of Internal Affairs, personally travelled from Moscow to East Berlin. He conferred with Stasi Minister Wilhelm Zaisser and with Mielke, his deputy, both of whom he had known since the early 1930s. During both conversations, Beria demanded to know why the Stasi had failed to recognize the extreme discontent of the population and inform the Party leadership, which could then have prevented the uprising by taking extremely repressive measures in advance. Both Zaisser and Mielke answered Beria's questions circumspectly, and were accordingly left in their posts. In response to the uprising, Beria decided to replace several hundred MVD officers, including Major General Ivan Fadeykin, the MVD resident of East Germany. The Stasi, according to John Koehler, "generally remained untouched except for the arrests and dismissals, for dereliction of duty, of a handful of officers in the provinces. One high-ranking Stasi officer shot himself." Following Beria's return to Moscow, however, he was arrested on 26 June 1953, in a coup d'état led by Nikita Khrushchev and Marshal Georgy Zhukov. Beria was tried on charges of 357 counts of rape and high treason. He was sentenced to death and shot by Red Army Colonel-General Pavel Batitsky on 23 December 1953. In an interview to Neues Deutschland, the official party newspaper of East Germany, on 30 June 1953, the Party's Minister of Justice, Max Fechner, declared that, "illegal arrests," had been made and that being a member of a strike committee or suspicion of being a ringleader was not in itself grounds for arrest and conviction. Meanwhile, when the East German Politburo met on 8 July, it seemed that Ulbricht would be deposed as Party General Secretary. Zaisser conceded that the whole Politburo was responsible for the "accelerated construction of socialism" and of the subsequent fallout. But he also added that to leave Ulbricht as Premier, "would be opposed catastrophic for the New Course". By the end of the meeting, only two Politburo members still supported Ulbricht's leadership: Free German Youth League chief Erich Honecker and Party Control Commission Chairman Hermann Matern. Ulbricht only managed to forestall a decision then and there with a promise to make a statement at the forthcoming 15th SED CC Plenum, scheduled for later that month. Meanwhile, Mielke informed a Party commission looking for scapegoats that his boss, Stasi Minister Wilhelm Zaisser, was calling for secret negotiations with West Germany and that, "he believed the Soviet Union would abandon the DDR." By late July, Ulbricht was completely certain that he had the support of the new Soviet Premier, Nikita Khrushchev. Therefore, he expelled his main opponents, Zaisser, Hernstadt and Ackermann, from the Politburo, and thus strengthened his position further. SED Minister of Justice Max Fechner was personally arrested by Mielke and replaced by Hilde Benjamin, who was known to East German citizens as "Red Hilde", "The Red Freisler," and as, "The Red Guillotine," for her role as a judge in the SED's show trials. Fechner was convicted of being, "an enemy of the Party and the State," and served three years in Bautzen Prison. Wilhelm Zaisser was replaced as head of the Stasi by Ernst Wollweber and Mielke remained on staff as his deputy. Tenure as Stasi head Mielke headed the Stasi from 1957 until the fall of the Berlin Wall in 1989. There was, under the East German system, no provision for parliamentary oversight. However, starting in 1971 Mielke was required to provide a detailed intelligence briefing to party secretary Erich Honecker each Tuesday, directly following the weekly Politburo meeting. (Before 1971, under Walter Ulbricht, Mielke was not involved in routine intelligence briefings to the leadership which, instead, were provided directly to Ulbricht by Intelligence Chief Markus Wolf.) Internal discipline During his tenure, Mielke enforced "political and personal discipline reminiscent of the early French Foreign Legion". New recruits were required to take a solemn oath pledging "to fight alongside the state security organs of all socialist countries against all enemies of socialism" on pain of "the severest punishment under the Republic's laws and the contempt of the workers." Recruits were also required to sign a security pledge vowing never to make unauthorized visits to any "capitalist countries" and to report on any members of their families who did so. Violations of the oath resulted in expulsion from the Stasi and blacklisting from all but the most menial jobs. Serious violations were tried before secret tribunals and led an estimated 200 Stasi agents to be shot. Colonel Rainer Wiegand once said, "There was only one way to leave the MfS without being haunted for the rest of your life. You either retired or you died." Domestic activities Under Erich Mielke's leadership, the Stasi employed 85,000 full-time domestic spies and 170,000 civilian informants () (IMs). East Germans coined a term to describe the Stasi's pervasive surveillance of the population "All-Covered" (). For this reason, Anna Funder has referred to East Germany as, "the most perfected surveillance state of all time." According to John Koehler, "...the Stasi's tentacles probed every aspect of life. Full-time officers were posted to all major industrial plants. Without exception, one tenant in every building was designated as a watchdog reporting to an area representative of the Volkspolizei...In turn, the police officer was the Stasi's man. If a relative or friend came to stay overnight, it was reported. Schools, universities and hospitals were infiltrated from top to bottom. German academe was shocked to learn that Heinrich Fink, professor of theology and vice-chancellor of East Berlin's Humboldt University, had been a Stasi informer since 1968. After Fink's Stasi connections came to light, he was summarily fired. Doctors, lawyers, journalists, writers, actors, and sports figures were co-opted by Stasi officers, as were waiters and hotel personnel. Tapping about 100,000 telephone lines in East Germany and West Berlin around the clock was the job of 2,000 officers... Churchmen, including high officials of both Protestant and Catholic denominations, were recruited en masse as secret informants. Their offices and confessionals were infested with eavesdropping devices. Even the director of Leipzig's famous Thomas Church choir, Hans-Joachim Rotzsch, was forced to resign when he was unmasked as a Spitzel, the people's pejorative for a Stasi informant." In an interview with journalist Anna Funder, an ex-Stasi officer recalled, "Most often, people we approached would inform for us. It was very rare that they would not. However, sometimes we felt that we might need to know where their weak points were, just in case. For example, if we wanted a pastor, we'd find out if he'd had an affair, or had a drinking problem—things that we could use as leverage. Mostly though, people said yes." On Mielke's orders, and with his full knowledge, Stasi officers also engaged in arbitrary arrest, kidnapping, brutal harassment of political dissidents, torture, and the imprisonment of tens of thousands of citizens. In a 1991 interview, Jewish Holocaust survivor and Nazi hunter Simon Wiesenthal said, "The Stasi was much, much worse than the Gestapo, if you consider only the oppression of its own people. The Gestapo had 40,000 officials watching a country of 80 million, while the Stasi employed 102,000 to control only 17 million." Activities abroad During Mielke's tenure, the Stasi's operations beyond East Germany were overseen by Markus Wolf and the Hauptverwaltung Aufklärung (MfS-HVA). Mielke and Wolf provided money, training, and surveillance equipment to help build pro-Soviet secret police forces in Fidel Castro's Cuba, Baathist Syria, Sandinista-ruled Nicaragua, Mengistu Haile Mariam's Ethiopia, Idi Amin's Uganda, Kwame Nkrumah's Ghana, and South Yemen. After the opening of Stasi archives, it was revealed that West Germany was riddled with MfS-HVA moles. In what John Koehler has dubbed, "The Invisible Invasion", some West German citizens collaborated out of Marxist beliefs, but others were recruited through blackmail, greed, career frustrations, or sexual favors from Stasi operatives. Another tactic was for Stasi military advisers assigned to African and Middle Eastern countries to request the arrest of West German tourists. Local police would then turn the prisoner over to the Stasi agent, who would offer the West German a choice between espionage or incarceration. Senior politicians from the Social Democratic Party of Germany, the Free Democratic Party of Germany, and the Christian Democratic Union were exposed and, when still alive, prosecuted. Mielke and Wolf also seriously compromised West Germany's police departments, foreign and domestic intelligence services, diplomatic corps, military-industrial complex, and journalistic profession. The Stasi compromised the United States military and diplomatic presence in West Germany. The most damaging American to spy for the Stasi was United States Army Sergeant James Hall III, who volunteered his services to Soviet and East German intelligence in November 1981. Sergeant Hall sold the Stasi 13,088 pages of classified documents, including detailed information about Project Trojan, a worldwide electronic network with the ability to pinpoint armored vehicles, missiles and aircraft by recording their signal emissions during wartime and the complete National SIGINT Requirements List (NSRL), a 4258-page document about NSA operations at home and abroad. In 1988, Sergeant Hall was tricked into confessing his espionage career to an undercover FBI Special Agent named Dmitri Droujinsky, a Russian-American who was posing as an agent of the KGB. When news of Sergeant Hall's arrest became public, one Washington intelligence official called the breach, "the Army's Walker Case." Collusion with Nazism Beginning in 1960, Mielke and Wolf used false flag recruitment to secretly organize and finance Neo-Nazi organizations, which they then instructed to vandalize Jewish religious and cultural sites throughout West Germany. During the Jerusalem trial of Adolf Eichmann, Stasi agents sent letters to West German Neo-Nazis and Waffen-SS veterans, urging them to speak out and to raise money for Eichmann's defense attorney. This was done in order to lend credibility to Communist propaganda about the allegedly Fascist and neo-Nazi orientation of the Federal Republic of Germany. According to German historian Michael Wolffsohn, "There is no doubt that in the 1960s as now, there were Nazis who were unreconstructed, unchangeable and evil, but without the help of East Germany, these Nazis were incapable of a national, coordinated campaign. That was true of right-wing extremist criminals in the 1980s as well. The East German Communists used anything they could against West Germany, including the... fears by Western countries and Jews that a new Nazism could be growing in West Germany. There is... evidence that the East Germans continued to use Anti-Semitism as a tool against West Germany in the 1970s and perhaps right up until 1989." In a 1991 interview with John Koehler, Holocaust survivor and Nazi hunter Simon Wiesenthal said of the Stasi, "They not only terrorized their own people worse than the Gestapo, but the government was the most Anti-Semitic and Anti-Israeli in the entire Eastern Bloc. They did nothing to help the West in tracking down Nazi criminals; they ignored all requests from West German judicial authorities for assistance. We have just discovered shelves of files on Nazis stretching over four miles. Now we also know how the Stasi used those files. They blackmailed Nazi criminals who fled abroad after the war into spying for them. What's more, the Stasi trained terrorists from all over the world." Support for paramilitary and terrorist groups During a 1979 visit to the GDR by senior PLO member Salah Khalaf, Mielke said, "We are paying great attention to the Palestine resistance and the other revolutionary forces fighting against the policies of the United States and against the provocations of the Israeli aggressor. Together with the Soviet Union and other socialist countries, we will do everything to support this just battle." With this in mind, Mielke ordered the Stasi to finance, arm, and train, "urban guerrillas," from numerous countries. According to former Stasi Colonel Rainer Wiegand, Mielke's ties to violent paramilitary groups were overseen by Markus Wolf and Department Three of the MfS-HVA. Members of the West German Baader-Meinhoff Group, the Chilean Manuel Rodríguez Patriotic Front, and Umkhonto we Sizwe, the paramilitary wing of the African National Congress, were brought to East Germany for training in the use of military hardware, insurgent tactics, and, "the leadership role of the Party." Similar treatment was meted out to Palestinians from the Popular Front for the Liberation of Palestine, Abu Nidal, and Black September. Other Stasi agents worked as military advisers to Soviet-backed African guerrilla organizations and the governments they later formed. They included the Namibian SWAPO and the Angolan MPLA during the South African Border War, the FRELIMO during the Mozambican War of Independence and civil war, and Robert Mugabe's ZANLA during the Rhodesian Bush War. Colonel Wiegand revealed that Mielke and Wolf provided bodyguards from the Stasi's counter-terrorism division for Venezuelan-born PLO terrorist Carlos the Jackal and Black September leader Abu Daoud during their visits to the GDR. Col. Wiegand had been sickened by the 1972 Munich massacre and was horrified that the GDR would treat the man who ordered it as an honored guest. When he protested, Wiegand was told that Abu Daoud was, "a friend of our country, a high-ranking political functionary," and that there was no proof that he was a terrorist. During the 1980s, Wiegand secretly blackmailed a Libyan diplomat into spying on his colleagues. Wiegand's informant told him that the La Belle bombing and other terrorist attacks against American and West German citizens were being planned at the Libyan Embassy in East Berlin. When Wiegand showed him a detailed report, Mielke informed the SED's Politburo, which ordered the Colonel to continue surveillance but not interfere with the plans of the Libyans. According to John Koehler, "Murder, kidnapping, extortion, bank robbery, and arson were felonies under the East German criminal code. However, if these offenses were committed under the banner of the 'anti-imperialist struggle,' the communist system would look the other way. Moreover, it had assigned the Stasi to make sure that terrorists were properly trained for murder and sowing mayhem. There was no limits to the East German regime's involvement with terrorism, so long as it could be ideologically justified." The Peaceful Revolution According to John Koehler, "Increasingly concerned over the growing popular opposition, Stasi Minister Mielke early in 1989 ordered the creation of a special elite unit for crushing disturbances. Its personnel were carefully selected members of the counterespionage and counterterrorism directorate. They were equipped with special batons similar to electric cattle prods but much more powerful. In a secret speech to top-ranking Stasi officers on 29 June, Mielke warned that, 'hostile opposing forces and groups have already achieved a measure of power and are using all methods to achieve a change in the balance of power. Former Stasi Colonel Rainer Wiegand told me he was horrified when Mielke compared the situation with that of China two months earlier. Chinese students in Beijing had begun massive protests in April and in May, during a student demonstration in Tiananmen Square, security troops had opened fire on them killing hundreds. 'Mielke said our situation was comparable and we had to be ready to counter it with all means and methods,' Wiegand recalled. 'Mielke said that the Chinese leadership had succeeded in smothering the protests before the situation got out of hand.'" Despite Mielke's attempts to suppress them, East Germany's protesters grew more emboldened with every arrest. 40th anniversary of the GDR As the fortieth anniversary of the GDR approached, Mielke ordered, "We must stop the internal enemy. At the least hint of a disturbance of the celebration, isolate and arrest them." One former Stasi Major recalled, "We mixed inconspicuously with the demonstrators, accompanied by our IMs. Hundreds of us stood at the sides of the street in order to stop any activity before it got started. We barely got any sleep toward the end. Never did I sense that the people were afraid of the MfS. The Stasi was more afraid of the people than the people were of them." According to Koehler, "Despite the unrest, the regime celebrated its fortieth with a huge, pompous ceremony in Berlin on 7 October, while tens of thousands of outside the ornate building of the State Council. The People's Police cordons were utterly ineffectual. As Stasi Minister Erich Mielke drove up and was greeted by General Günter Kratsch, the counterintelligence chief, Mielke screamed at police: "Club those pigs into submission!" () The police ignored Mielke's ranting. As more and more East Germans were arrested for protesting the 40th anniversary celebrations, many of them sang The Internationale in Vopo and Stasi custody to imply that they, rather than their captors, were the real working class and the real revolutionaries. According to Anna Funder, "There was a sea of red flags, a torchlight procession, and tanks. The old men on the podium wore light-grey suits studded with medals. Mikhail Gorbachev stood next to Honecker, but he looked uncomfortable among the much older Germans. He had come to tell them that it was over, to convince the leadership to adopt his reformist policies. He had spoken openly about the danger of not 'responding to reality.' He pointedly told the Politburo that, 'life punishes those who come too late.' Honecker and Mielke ignored him, just as they ignored the crowds when they chanted, "Gorby, help us! Gorby, help us!" Plan X On 8 October 1989, Mielke and Honecker ordered the Stasi to implement "Plan X"—the SED's plan to arrest and indefinitely detain 85,939 East Germans during a state of emergency. According to John Koehler, Plan X had been in preparation since 1979 and was, "a carbon copy of how the Nazi concentration camps got their start after Hitler came to power in 1933." By 1984, 23 sites had been selected for "isolation and internment camps." Those who were to be imprisoned in them ran into six categories; including anyone who had ever been under surveillance for anti-state activities, including all members of peace movements which were not under Stasi control. According to Anna Funder, "The plans contained exact provisions for the use of all available prisons and camps, and when those were full for the conversion of other buildings: Nazi detention centers, schools, hospitals, and factory holiday hostels. Every detail was foreseen, from where the doorbell was located on the house of each person to be arrested to the adequate supply of barbed wire and the rules of dress and etiquette in the camps..." However, when Mielke sent the orders, codenamed "Shield" (), to each local Stasi precinct to begin the planned arrests, he was not obeyed. Terrified of an East German version of the mass lynchings of Hungarian secret police agents during the 1956 Revolution, Stasi agents throughout the GDR fortified their office-buildings and barricaded themselves inside. Toppling Honecker Even as orders were going out to implement Plan X, Mielke had already thrown his support behind the anti-Honecker faction in the SED's Politburo. Although he was of the same generation as Honecker and had matured in an environment where following orders was the rule, he was sober enough and politically savvy enough to realize this approach no longer worked. During a session on 10 October 1989, Mielke delivered a report attacking Honecker's desire to violently suppress the demonstrations rather than offer concessions. In what Edward N. Peterson has called "a remarkable disclaimer of responsibility for the violence," Mielke declared that Honecker's orders to him "were built on false situation judgments." He added that Honecker's commands on 7 and 8 October "were false and undifferentiated condemnations of those who think differently. Despite this evaluation, there was never any instructions to use violence against persons. There is nothing in our basic principles to consider a demonstration as part of a possible counterrevolutionary coup." Mielke also claimed that "the Party judged the situation falsely. We tried to tell them the true situation, but enough was not done." Mielke argued in favor of solving the demonstrations politically and giving "every DDR citizen the right to travel." On 17 October 1989, Mielke and the rest of the GDR's Politburo met to follow Gorbachev's demand, voiced in August, for Honecker be removed as General Secretary of the SED and State Council chairman. Suspecting that Honecker's personal bodyguards might try to arrest the members of the Central Committee when they met to vote Honecker out in favour of Egon Krenz, Mielke saw to it that Stasi agents who were loyal to him were stationed near the meeting room. While deliberations were underway, Mielke told Honecker that "we simply cannot start shooting with tanks," and tried to impress upon Honecker that it was "the end". After the vote to oust Honecker passed, Mielke "got nasty," and accused Honecker of corruption. Honecker responded that Mielke should not open his mouth so much. Mielke responded by putting the last nail into Honecker's coffin. He announced that the MfS had a file on the now-ousted leader. It contained proof of Honecker's corrupt business practices, sexual activities, and how, as a member of the underground Communist Party of Germany during the Nazi years, he had been arrested by the Gestapo and had named names. To the shock of both the Politburo and the Stasi, Krenz's first televised addresses failed to win popular support. Despite his assurances that the SED was at last ready to embrace Gorbachev's policies of Glasnost and Perestroika, Krenz's approval ratings remained extremely low. Former Politburo member Günter Schabowski later recalled, "We made a palace revolution without offering a real alternative... We had not quickly and thoroughly enough whittled away from Stalin's methods." Defeat On 7 November 1989, Mielke resigned, along with eleven out of eighteen members of the SED's Council of Ministers, in response to the increasing disintegration of the GDR. Two days later, Schabowski announced on television that the east–west border was open without restriction. According to Anna Funder, there was panic at Stasi Headquarters in Berlin-Lichtenberg, "Stasi officers were instructed to destroy files, starting with the most incriminating–those naming westerners who spied for them, and those that concerned deaths. They shredded the files until the paper shredders overheated and shorted out. Among other shortages in the East, there was a shredder shortage, so they had to send agents out under cover to West Berlin to buy more. In Building 8 alone, the citizens' movement found over a hundred burnt out shredders. When they ran out of working shredders from the West and could not procure more they began using scissors to cut the documents by hand. According to William F. Buckley, Jr., "In the weeks after 9 November, Stasi offices were stormed in various cities around East Germany. Stasi commissars in three of those cities committed suicide. But not one was lynched or executed." Televised humiliation On 13 November 1989, Mielke was summoned to deliver a briefing about the protests to the GDR parliament, or Volkskammer. Formerly a "rubber stamp parliament," the disintegration of the SED's power had allowed the Volkskammer to begin exercising real authority over the GDR. Therefore, Mielke, as the head of the Stasi (known as the "shield and sword of the [SED] party"), was summoned before the newly empowered parliament to justify his position in government. As his speech was broadcast live, Mielke began by using overly bombastic, flag-waving language, saying "We have, comrades, dear assembly members, an extraordinarily high amount of contact with all working people" (). To his shock, the Volkskammer responded with boos, whistles, and catcalls. His face grief-stricken and pale, Mielke then tried to defuse the situation, "Yes, we have such contact, let me tell you-let me tell you why. I am not afraid to stand here and to give you an unbiased answer" (). Mielke continued, speaking of the "triumph" of the socialist economy, continuing all the while to address the members of the Volkskammer as "Comrades" (). In response, Volkskammer member Dietmar Czok of the Christian Democratic Union, rose from his seat and raised his hand. The Volkskammer's president, Günther Maleuda, interrupted Mielke and urged Czok to speak. With his voice dripping with contempt, Czok told Mielke, "As a point of order, I will not tell you this again. There are more people sitting in this Chamber than just your Comrades!" (). In response, many in the Volkskammer burst into applause, cheers, and shouts of "We are not your Comrades!" () Trying to appear magnanimous, Mielke responded, "This is a natural, Humanistic question! This is just a question of formality." (), leading to further shouts of displeasure from the members of the Volkskammer. In a last ditch effort, Mielke "raised his arms like an evangelist," and cried, "I love all – all Humanity! I really do! I set myself before you!" () Everyone in the room, including staunch SED members, burst out laughing. Then Mielke started to cry. John Koehler later wrote, "Mielke was finished." Mielke's address to the Volkskammer remains the most famous broadcast in the history of German television. Anna Funder has written, "When they think of Mielke, East Germans like to think of this." The Fall On 17 November 1989, the Volkskammer renamed the MfS the Amt für Nationale Sicherheit (AfNS – Office for National Security). The following day, Mielke's tenure in office ended when the Volkskammer appointed Generalleutnant Wolfgang Schwanitz as the new director of the AfNS. On 1 December 1989, the Volkskammer nullified the clause of the GDR constitution that enshrined the SED's "leading role" in the government and formally ending Communist rule in East Germany. Two days later, the SED announced that Mielke's party membership had been permanently revoked. Years later, he lamented, "Millions have died for nothing. Everything we fought for – it has all amounted to nothing." He also said, "If the party had given me the task, then there would perhaps still be a GDR today. On that you can rely." Prosecution Indictments On 7 December 1989, Erich Mielke was arrested and placed in solitary confinement for embezzlement of public funds in order to improve his hunting estate. He was charged with "Damaging the People's Economy" (Schädigung der Volkswirtschaft). On 7 January 1990, he was further charged with high treason and conspiring with Erich Honecker to bug the telephones and open the mail of every one of East Germany's citizens. Meanwhile, the Federal Constitutional Court announced that Mielke had also been indicted for having ordered two terrorist attacks by the Baader-Meinhoff Group against United States military personnel who were stationed on West German soil. The first was the car bomb attack against the United States Air Force at Ramstein Air Base on 31 August 1981. The second was the attempted murder with an RPG-7 anti-tank rocket of United States Army General Frederick Kroesen, his wife, and the West German police officer who was driving their armored Mercedes at Heidelberg on 15 September 1981. After German reunification in October 1990, Mielke was also indicted for ordering the shootings of defectors at the Berlin Wall. He was also charged with misuse of office, breach of trust, and incitement to pervert the course of justice. Bülowplatz trial In February 1992, Mielke was put on trial for the 1931 first degree murders of Berlin Police Captains Anlauf and Lenck as well as the attempted murder of Senior Sergeant Willig. The evidence for Mielke's guilt was drawn from the original police files, the transcripts from the 1934 trial of his co-conspirators, and a handwritten memoir in which Mielke revealed that his role in, "the Bülowplatz Affair," had been his reason for fleeing to Moscow from the Weimar Republic in 1931. All had been found in Mielke's house safe during a police search in 1990. Mielke was believed to have kept the documents for the purpose of "blackmailing Honecker and other East German leaders." Former Associated Press reporter and White House Press Secretary John Koehler also testified that Mielke had boasted of his involvement in the Bülowplatz murders during a confrontation at Leipzig in 1965. During his trial, Mielke appeared increasingly senile, admitting his identity but otherwise remaining silent, taking naps, and showing little interest in the proceedings. In a widely publicized incident, Mielke appeared to mistake the presiding judge for a prison barber. When a journalist for Der Spiegel attempted to interview him in Plötzensee Prison, Mielke responded, "I want to go back to my bed" (). Opinion was divided whether Mielke was suffering from senile dementia or was pretending in order to evade prosecution. After twenty months of one-and-a-half-hour daily sessions, Erich Mielke was convicted on two counts of murder and one of attempted murder. On 26 October 1993, a panel of three judges and two jurors sentenced him to six years' imprisonment. At his sentencing, Mielke started to cry. In pronouncing sentence, Judge Theodor Seidel, told Mielke that he "will go down in history as one of the most fearsome dictators and police ministers of the 20th century." Imprisonment Mielke was then put on trial for ordering the shootings of East Germans who were trying to defect to the West. In November 1994, the presiding judge adjourned the proceedings, ruling that Mielke was not mentally competent to stand trial. During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters. Although it was not connected to the outside world, Mielke enjoyed having imaginary conversations with non-existent Stasi agents. His other favorite pastime was watching game shows on television. In 1995, parole officers and Mielke's attorneys argued that he was "totally confused" and obtained his release. At 87 years of age, Erich Mielke was Germany's oldest prison inmate and had been incarcerated for 1,904 days. Days before his release, the Public Prosecutor of Berlin announced that he was "not interested in chasing an 87-year-old man anymore" and that all further prosecution of Mielke had been indefinitely suspended. According to Koehler, "[Mielke's] bank account, which held more than 300,000 Marks (about US$187,500), was confiscated. Before his arrest in 1989, the most feared man in East Germany had lived in a luxurious home with access to an indoor pool. In addition, he owned a palatial hunting villa, complete with a movie theater, trophy room, 60 servants, and a 60 square kilometers hunting preserve. After he was released from prison Mielke was obliged to move into a two-room, 55-square-meter flat. Like all Stasi pensioners, he would henceforth have to live on 802 marks (about US$512) a month." Death Erich Mielke died on 21 May 2000, aged 92, in a Berlin nursing home. After being cremated at the crematorium in Meissen, an urn containing Mielke's ashes was buried in an unmarked grave at the Zentralfriedhof Friedrichsfelde in Berlin. An estimated 100 people reportedly attended the funeral. Erich Mielke's grave is outside the memorial section established at the entrance in 1951 by East German leaders for communist heroes. Within hours of his funeral, the flowers and wreaths left at Mielke's grave were ripped to shreds by persons unknown. Legacy Writing in 2003, Australian journalist Anna Funder declared, "The name Mielke has now come to mean 'Stasi.' Victims are dubiously honored to find his signature in their files: on plans for someone to be observed 'with all possible methods', on commands for arrest, for kidnapping, instructions to judges for sentencing, orders for 'liquidation'. The honor is dubious because... he signed so many." In 2012, the museum at the former Stasi headquarters opened Mielke's office as a permanent exhibit. Soon after, The Guardian correspondent Tam Eastley visited the exhibit and numerous sites in Berlin connected to Mielke's life, times, and legacy. When she visited Mielke's grave, Eastley found that it had become a shrine for adherents of Ostalgie. Personal life Erich Mielke was a fitness enthusiast, a non-smoker, and drank very little. He was a keen hunter and owned a large area of ground where he would hunt animals with other East German and visiting Soviet officials. During the late 1940s, when Mielke was working as security chief of the DWK, he began a relationship with Gertrud Mueller, a seamstress. On 18 December 1948, shortly after the birth of their son Frank Mielke, Erich and Gertrud married in a civil ceremony. According to the newspaper Bild, the Mielkes adopted an orphaned girl named Ingrid, who was born in 1950. Like her adopted brother Frank, Ingrid Mielke attended the Wilhelm Pieck School. She ultimately became a captain in the Stasi and married a Stasi Lieutenant named Norbert Knappe. As of 1999, the Knappes had both refused to grant an interview to Bild reporters. In popular culture Erich Mielke has appeared as a character in both films and novels set in the GDR. Volker Schlöndorff's The Legend of Rita (2000), which focuses on Stasi collusion with the West German far-left terrorist organization Rote Armee Fraktion. In conversation with fictional Stasi officer Erwin Hull (Martin Wuttke), Mielke (Dietrich Körner) expresses admiration for the RAF's campaign against the United States, West Germany, and the State of Israel, which he compares with his own activities against the Weimar Republic and the Nazis. The RAF members are then brought to a training camp, where Stasi agents instruct them in the use of grenade launchers and other kinds of military hardware. Mielke's name is never disclosed and Agent Hull addresses him only as, "Comrade General." () Florian Henckel von Donnersmarck's The Lives of Others (2006), which focuses on the Stasi's surveillance and repression of the East German population. In the film, a previously loyal GDR playwright named Georg Dreymann (Sebastian Koch) publishes an anonymous article in the West German magazine Der Spiegel which accuses East Germany's Minister of Culture of having persecuted a blacklisted stage director until he hanged himself. Soon after the article goes to press, Mielke's voice is heard over the telephone giving a dressing down to fictional Stasi Lieutenant Colonel Anton Grubitz (Ulrich Tukur). Addressed only as "Genosse Armeegeneral" (Mielke was the only person to ever hold that rank in the Stasi), Mielke threatens to throw Grubitz in front of a firing squad if he fails to identify and arrest the article's author. In Philip Kerr's novel Field Grey (2010), Mielke first appears in 1931 Berlin, when protagonist Bernie Gunther saves him from being murdered by Nazi Brownshirts. The novel then flashes forward to 1954, when Gunther is recruited into a CIA plot to abduct Mielke from East Berlin. Honours and awards Mielke received a large number of awards and commemorative medals from organisations within the German Democratic Republic and from allied states. A more complete list is available (in German) at Liste der Orden und Ehrenzeichen des Erich Mielke. Awards of the German Democratic Republic Patriotic Order of Merit in gold (7 October 1954) Six Orders of Karl Marx (28 December 1957, 20 November 1973, 1 December 1975, 28 December 1977, 28 June 1982, 28 December 1982) Twice Hero of Labour of the GDR (5 October 1964, 24 February 1968) Twice Hero of the GDR (1 December 1975, 28 December 1982) Banner of Labour (8 May 1960) Medal for Exemplary Border Service (26 April 1956) Medal for Faithful Service in the National People's Army; Bronze (7 October 1957) Silver (8 February 1959) Gold (1 July 1960) Gold for 20 years service (8 February 1965) Medal for Fighters Against Fascism (6 September 1958) Gold Medal of Merit of the National People's Army (1 March 1957) Scharnhorst Order, twice (25 September 1979, 7 October 1984) Awards of the Soviet Union Hero of the Soviet Union (25 December 1987) Four Orders of Lenin (12 June 1973, 28 December 1982, 1 April 1985, 28 December 1987) Order of the Patriotic War, 1st class (6 May 1970) Four Orders of the Red Banner (23 October 1958, 5 February 1968, 28 December 1977, February 1980) Jubilee Medal "50 Years of the Soviet Militia" (20 December 1967) Jubilee Medal "In Commemoration of the 100th Anniversary since the Birth of Vladimir Il'ich Lenin" (1970) Medal "For Distinction in Guarding the State Border of the USSR" (6 January 1970) Order of the October Revolution (February 1975) Other states Order of Georgi Dimitrov (Bulgaria, 28 December 1982) Order of Friendship (Czechoslovakia) (28 December 1982) Order of the Red Star (Czechoslovakia) (16 November 1970) References Further reading Buckley, Jr., William F. (2004), The Fall of the Berlin Wall, John Wiley & Sons, Inc. Funder, Anna (2003), Stasiland: True Stories from Behind the Berlin Wall, Granta Books, London. Kuchel, Dany (2011) "Le Glaive et le Bouclier", une histoire de la Stasi en France. Otto, Wilfriede, Erich Mielke, Biographie: Aufstieg und Fall eines Tschekisten. Dietz-Verlag, Berlin 2000, . Peterson, Edward N. (2002). The Secret Police and the Revolution: The Fall of the German Democratic Republic, Praeger Publications, Westport, Connecticut. London. Pickard, Ralph (2007). STASI Decorations and Memorabilia, A Collector's Guide. Frontline Historical Publishing. Pickard, Ralph (2012). STASI Decorations and Memorabilia Volume II. Frontline Historical Publication. 1907 births 2000 deaths Politicians from Berlin Communist Party of Germany politicians Members of the Politburo of the Central Committee of the Socialist Unity Party of Germany Government ministers of East Germany Members of the 3rd Volkskammer Members of the 4th Volkskammer Members of the 5th Volkskammer Members of the 6th Volkskammer Members of the 7th Volkskammer Members of the 8th Volkskammer Members of the 9th Volkskammer East German spies German Comintern people German emigrants to the Soviet Union German politicians convicted of crimes Köllnisches Gymnasium alumni German people convicted of murdering police officers International Brigades personnel German people of the Spanish Civil War German police officers convicted of murder German spies for the Soviet Union Great Purge perpetrators Interwar-period spies NKVD officers Murders of Paul Anlauf and Franz Lenck Perpetrators of political repression in the Second Spanish Republic People convicted of murder by Germany Prisoners and detainees of Germany Stasi generals Stasi officers convicted of crimes SV Dynamo Collaborators with the Soviet Union German anti-Zionists International Lenin School alumni Recipients of the Scharnhorst Order Recipients of the Patriotic Order of Merit (honor clasp) Recipients of the Banner of Labor Foreign Heroes of the Soviet Union Recipients of the Order of Lenin Recipients of the Order of the Red Banner Recipients of the Medal "For Distinction in Guarding the State Border of the USSR" Recipients of the Order of Georgi Dimitrov 20th-century German criminals People from Mitte German mass murderers Criminals from Berlin German military personnel of World War II	true	[ "STS relay is the speech-to-speech relay service available to any telephone callers or callees with speech disability and to those who wish to talk with them.\n\nIn the US\nSTS Relay is available via 711 in the US through the Telecommunications Relay Service; in a telephone call, first dial 711, then ask for STS. A trained communication assistant will ask you what number you want to call. The assistant will repeat what the caller with the speech disability is saying. The callee can then respond. The caller can then reply. The communication assistant will revoice the caller's message. The callee then responds in this three-way assisted phone conversation.\n\nIn other countries\nThe service is available in Australia, Sweden, and in other nations on a trial basis. STS Relay on the PSTN (public switch telephone network) is available for those who need telephone call assistance because of a speech disability.\n\nHistory\nSTS Relay first became available in the US in California, in 1997; the service became available nationally March 1, 2001.\n\nOn May 12, 2006, the University of Wisconsin - Madison awarded Robert Z. Segalman, PhD (UW 1972), an honorary Doctor of Science for his work in creating Speech To Speech.\n\nExternal links\nSpeechToSpeech.org\n\nEmail support\[email protected]—this email address is intended for the use of those who need information on how to use Speech to Speech on the telephone in their daily lives\n\nAssistive technology\nTelephone services\nTelecommunication services", "Direct inward dialing (DID), also called direct dial-in (DDI) in Europe and Oceania, is a telecommunication service offered by telephone companies to subscribers who operate a private branch exchange (PBX) system. The feature provides service for multiple telephone numbers over one or more analog or digital physical circuits to the PBX, and transmits the dialed telephone number to the PBX so that a PBX extension is directly accessible for an outside caller, possibly by-passing an auto-attendant.\n\nPlain old telephone service\nFor direct inward dialing service, the telephone company provides one or more trunk lines to the customer for connection to the customer's PBX, and allocates a range of telephone numbers to the customer. Calls to such numbers are forwarded to the customer's PBX via the trunks. As calls are presented to the PBX, the dialed telephone number is signaled to the PBX with Dialed Number Identification Service (DNIS) using a prearranged, usually partial format, e.g., the last four digits. The PBX may use this information to route the call directly to a telephone extension within the organization without the need for an operator or attendant. The service provides inbound telephone service for many telephone numbers requiring only a limited number of physical telecommunication circuits to satisfy the average concurrent usage by the customer.\n\nTraditionally, DID service used analog circuits. In these types of DID trunks the customer premises equipment provided signaling battery. The central office equipment detects the level of the line and disables service if the circuit is not operational. This is the reverse arrangement from standard plain old telephone service (POTS) lines for which the central office provides signaling and talk battery. Nowadays, it is far more common to deliver DID service on a Primary Rate Interface (PRI) circuit.\n\nThe trunks for DID service are unidirectional, inbound to the customer PBX. However, the service may be combined with direct outward dialing (DOD) allowing PBX extensions direct outbound calling capability with identification of their DID telephone number.\n\nIn the United States the feature was developed by AT&T in the 1960s, patterned upon the earlier IKZ service of the Deutsche Bundespost in Germany.\n\nUse in fax services\nDID service is also used by fax servers. A telephone line is terminated at a telephone interface (fax modem) of a computer that runs fax server software. A set of digits of the assigned phone numbers are used to identify the recipient of the fax. This allows many recipients to have an individual fax number, even though there is only one fax machine available.\n\nSome voice over IP (VoIP) vendors have used one central, remotely located fax server as a means of offering Internet fax service to their clients. In theory, standards such as T.38 should have allowed VoIP subscribers to keep their existing fax equipment working locally; in practice, T.38 at the subscriber's site offers no benefit if the upstream provider is least-cost routing to gateways that do not support T.38 and cannot reliably send or receive fax/modem traffic. A fax server at a central location, connected directly to public switched telephone network (PSTN) T-carrier primary rate interface lines and using direct inward dial to identify the intended addressee can convert an incoming fax to an electronic document (such as .tif or .pdf) for web or e-mail delivery. The fax traffic never passes through the VoIP infrastructure as a dial-up modem call and therefore arrives reliably even if T.38 is not properly supported at some points in the network.\n\nVoice over IP\nDID service has similar relevance for Voice over Internet Protocol (VoIP) communications. To allow public switched telephone network (PSTN) users to directly reach users with VoIP phones, DID numbers are assigned to a communications gateway. The gateway connects the PSTN to the VoIP network, routing and translating calls between the two networks.\n\nSellers\nIn countries with multiple competing local providers, DID services can be purchased in bulk from a Competitive Local Exchange Carrier (CLEC).\n\nFor voice over IP resellers, some specialized CLECs (for local numbers) or interexchange carriers (for toll-free numbers) will deliver blocks of direct inward dial calls already converted to Session Initiation Protocol (SIP) or common VoIP formats. The individual VoIP provider need only obtain an inventory of local or freephone numbers from VoIP-aware carriers in various regions, import them in bulk to an IP PBX and issue them individually to end users. International DID numbers can be purchased in bulk from international providers.\n\nUK geographic DID numbers can often be obtained for free and can be terminated over SIP. A few US DIDs are available without monthly charges from vendors like IPKall (discontinued in 2016), but at the expense of the caller paying for a call to some expensive, rural location.\n\nThe majority of vendors charge a nominal amount per number per month (as little as $1/month in small quantities) and then bill per-minute or per number of channels which can be simultaneously in use. For the caller, these numbers can be assigned to locations which are a local call.\n\nDirect outward dialing\nThe corresponding service to DID for outgoing calls from a PBX to the central office exchange is called direct outward dialing (DOD) or Direct Dial Central Office (DDCO). This service is often combined with DID service and allows direct dialing of global telephone numbers by every extension covered by the service without the assistance of an operator. The caller line identification (CLI) or caller-id of extensions for outgoing calls is often set to the extension DID number, but may be the organization's central switch board number.\n\nSee also\nDialed Number Identification Service\nDial plan\nVoice over IP\n\nReferences\n\nTelephone exchanges" ]
[ "Erich Mielke", "Imprisonment", "When was Mielke imprisoned?", "1989,", "What crime was he convicted of?", "ruling that Mielke was not mentally fit to stand trial.", "How long was Mielke imprisoned?", "1,904 days.", "What happened during his imprisonment?", "Mielke enjoyed having imaginary conversations with non-existent Stasi agents.", "Are there any other interesting aspects about this article?", " [Mielke's] bank account, which held more than 300,000 marks (about US $187,500), was confiscated.", "What did Mielke do after being released from prison?", "all further prosecution of Mielke had been indefinitely suspended.", "What else is interesting about his imprisonment?", "During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters.", "What did he use the telephone for?", "Although it was not connected to the outside world, Mielke enjoyed having imaginary conversations with non-existent Stasi agents." ]	C_3d20ba2e0075405eba35f1fa8f36a9f7_0	What did people say about his imprisonment?	9	What did people say about Erich Mielke's imprisonment?	Erich Mielke	Mielke was then put on trial for ordering the shootings of East Germans who were trying to defect to the West. In November 1994, the presiding judge closed the proceedings, ruling that Mielke was not mentally fit to stand trial. During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters. Although it was not connected to the outside world, Mielke enjoyed having imaginary conversations with non-existent Stasi agents. His other favorite pastime was watching game shows on television. In 1995, parole officers and Mielke's attorneys argued that he was "totally confused" and obtained his release. At 87 years of age, Erich Mielke was Germany's oldest prison inmate and had been incarcerated for 1,904 days. Days before his release, the Public Prosecutor of Berlin announced that he was "not interested in chasing an 87 year old man anymore" and that all further prosecution of Mielke had been indefinitely suspended. According to Koehler: [Mielke's] bank account, which held more than 300,000 marks (about US $187,500), was confiscated. Before his arrest in 1989, the most feared man in East Germany had lived in a luxurious home with access to an indoor pool. In addition, he owned a palatial hunting villa, complete with a movie theater, trophy room, 60 servants, and a 15,000 acre hunting preserve. After he was released from prison Mielke was obliged to move into a two room, 600-square-foot flat. Like all Stasi pensioners, he would henceforth have to live on 802 marks (about US$512) a month. CANNOTANSWER	In 1995, parole officers and Mielke's attorneys argued that he was "totally confused" and obtained his release.	Erich Fritz Emil Mielke (; 28 December 1907 – 21 May 2000) was a German communist official who served as head of the East German Ministry for State Security (Ministerium für Staatsicherheit – MfS), better known as the Stasi, from 1957 until shortly after the fall of the Berlin Wall in 1989. A native of Berlin and a second-generation member of the Communist Party of Germany, Mielke was one of two triggermen in the 1931 murders of Berlin Police captains Paul Anlauf and Franz Lenck. After learning that a witness had survived, Mielke escaped arrest by fleeing to the Soviet Union, where the NKVD recruited him. He was one of the key figures in the decimation of Moscow's German Communists during the Great Purge as well as in the persecution of suspected anti-Stalinists in the International Brigade during the Spanish Civil War. Following the end of World War II in 1945, Mielke returned to the Soviet Zone of Occupied Germany, which he helped organize into a Marxist-Leninist satellite state under the Socialist Unity Party (SED), later becoming head of the Stasi. According to historian Jack Koehler, he was "the longest serving secret police chief in the Soviet Bloc". The Stasi under Mielke has been called by historian Edward Peterson the "most pervasive police state apparatus ever to exist on German soil". In a 1993 interview, Holocaust survivor and Nazi-hunter Simon Wiesenthal has said that, if one considers only the oppression of their own people, the Stasi under Mielke was "much, much worse than the Gestapo". During the 1950s and 1960s Mielke led the process of forcibly forming collectivised farms from East Germany's family-owned farms, which sent a flood of refugees to West Germany. In response, Mielke oversaw the construction (1961) of the Berlin Wall and co-signed orders to shoot fatally all East Germans who attempted to leave the country. He also oversaw the establishment of pro-Soviet police states and paramilitary insurgencies in Western Europe, Latin America, Africa, and the Middle East. In addition to his role as head of the Stasi, Mielke was also an Army General in the National People's Army (Nationale Volksarmee), and a member of the SED's ruling Politburo. Dubbed "The Master of Fear" () by the West German press, Mielke was one of the most powerful and most hated men in East Germany. After German reunification in 1990, Mielke was arrested (1991), prosecuted (1992), convicted, and incarcerated (1993) for the 1931 murders of Paul Anlauf and Franz Lenck. Released from prison early due to ill health in 1995, he died in a Berlin nursing home in 2000. Early life Erich Mielke was born in a tenement in Berlin-Wedding, Brandenburg, on 28 December 1907. During the First World War, the neighborhood was known as "Red Wedding" due to many residents' Marxist militancy. In a handwritten biography written for the Soviet secret police, Mielke described his father as "a poor, uneducated woodworker," and said that his mother died in 1911. Both were, he said, members of the Social Democratic Party of Germany (SPD). After his remarriage to "a seamstress," the elder Mielke and his new wife joined the Independent Social Democratic Party of Germany and remained members when it was renamed the Communist Party of Germany (KPD). His son Erich claimed "My younger brother Kurt and two sisters were Communist sympathisers." Despite his family's poverty, Erich Mielke was academically gifted enough to be awarded a free scholarship in the prestigious Köllnisches Gymnasium, but was expelled on 19 February 1929, for being "unable to meet the great demands of this school." While attending the Gymnasium, Mielke joined the Communist Party of Germany in 1925, and worked as a reporter for the communist newspaper Rote Fahne from 1928 to 1931. During the Weimar Republic, the KPD was the largest communist party in Europe and was seen as the "leading party" of the communist movement outside the Soviet Union. Under Ernst Thälmann's leadership, the KPD was completely obedient to Soviet Premier Joseph Stalin, and from 1928 the Party was both funded and controlled by the Comintern in Moscow. Until the end of the Republic, the KPD viewed the Social Democratic Party of Germany (SPD), which dominated German politics between 1918 and 1931, as their mortal enemy. In keeping with Stalin's policy towards social democracy, the KPD considered all SPD members to be "social fascists". The KPD also believed that all other political parties were "fascist" and regarded itself as "the only anti-fascist Party" in Germany. Nevertheless, the KPD closely collaborated with the Nazi Party during the early 1930s and both Parties intended to replace the democratically elected government of the Weimar Republic with a totalitarian single party state. Soon after joining the Party, Mielke joined the KPD's paramilitary wing, or Parteiselbstschutz ("Party Self Defense Unit"). At the time, the Parteiselbstschutz in Berlin was commanded by KPD Reichstag Representatives Hans Kippenberger and Heinz Neumann. According to John Koehler, "Mielke was a special protege of Kippenberger's having taken to his paramilitary training with the enthusiasm of a Prussian Junker. World War I veterans taught the novices how to handle pistols, rifles, machine guns, and hand grenades. This clandestine training was conducted in the sparsely populated, pastoral countryside surrounding Berlin. Mielke also pleased Kippenberger by being an exceptional student in classes on the arts of conspiratorial behavior and espionage, taught by comrades who had studied at the secret M-school of the GRU in Moscow." According to John Koehler, members of the Parteiselbstschutz "served as bouncers at Party meetings and specialized in cracking heads during street battles with political enemies." Besides the ruling SPD and its paramilitary Reichsbanner forces, the arch-enemies of the Parteiselbstschutz were the Stahlhelm, which was the armed wing of the Monarchist German National People's Party (DVNP), Trotskyites, and "radical nationalist parties." According to Koehler, the KPD's Selbstschutz men "always carried a Stahlrute, two steel springs that telescoped into a tube seventeen centimeters long, which when extended became a deadly, 35-centimeter weapon. Not to be outdone by the Nazis, these street-fighters were often armed with pistols as well." In a 1931 biography written for the Cadre Division of the Comintern, Mielke recalled, "We took care of all kinds of work; terror acts, protecting illegal demonstrations and meetings, arms-trafficking, etc. The last work, which was accomplished by a Comrade and myself, was the Bülowplatz Affair" (). Bülowplatz murders Planning During the last days of the Weimar Republic, the KPD had a policy of assassinating two Berlin police officers in retaliation for every KPD member killed by the police. On 2 August 1931, KPD Members of the Reichstag Heinz Neumann and Hans Kippenberger received a dressing down from Walter Ulbricht, the Party's leader in the Berlin-Brandenburg region. Enraged by police interference and by Neumann and Kippenberger's failure to follow the policy, Ulbricht stated, "At home in Saxony we would have done something about the police a long time ago. Here in Berlin we will not fool around much longer. Soon we will hit the police in the head." Enraged by Ulbricht's words, Kippenberger and Neumann decided to assassinate Paul Anlauf, the 42-year-old Captain of the Berlin Police's Seventh Precinct. Captain Anlauf, a widower with three daughters, had been nicknamed "Schweinebacke", or "Pig Face" by the KPD. According to historian John Koehler, "Of all the policemen in strife-torn Berlin, the reds hated Anlauf the most. His precinct included the area around KPD headquarters, which made it the most dangerous in the city. The captain almost always led the riot squads that broke up illegal rallies of the Communist Party." On the morning of Sunday 9 August 1931, Kippenberger and Neumann gave a last briefing to the hit-team in a room at the Lassant beer hall. Mielke and Erich Ziemer were selected as the shooters. During the meeting, Max Matern gave a Luger pistol to fellow lookout Max Thunert and said, "Now we're getting serious. We're going to give Schweinebacke something to remember us by." Kippenberger then asked Mielke and Ziemer, "Are you sure that you are ready to shoot Schweinebacke?" Mielke responded that he had seen Anlauf many times during police searches of Party Headquarters. Kippenberger then instructed them to wait at a nearby beer hall which would permit them to overlook the entire Bülow-Platz. He further reminded them that Anlauf was accompanied everywhere by Senior Sergeant Max Willig, whom the KPD had nicknamed, "Hussar". Kippenberger concluded, "When you spot Schweinebacke and Hussar, you take care of them." Mielke and Ziemer were informed that, after the assassinations were completed, a diversion would assist in their escape. They were then to return to their homes and await further instructions. That evening, Anlauf was lured to Bülow-Platz by a violent rally demanding the dissolution of the Prussian Parliament. According to Koehler, "As was often the case when it came to battling the dominant SPD, the KPD and the Nazis had combined forces during the pre-plebiscite campaign. At one point in this particular campaign, Nazi propaganda chief Joseph Goebbels even shared a speaker's platform with KPD agitator Walter Ulbricht. Both parties wanted the parliament dissolved because they were hoping that new elections would oust the SPD, the sworn enemy of all radicals. That fact explained why the atmosphere was particularly volatile this Sunday." Murder at the Babylon Cinema At eight o'clock that evening, Mielke and Ziemer waited in a doorway as Anlauf, Willig, and Captain Franz Lenck walked toward the Babylon Cinema, which was located at the corner of Bülowplatz and Kaiser-Wilhelm-Straße. As they reached the door of the movie house, the policemen heard someone scream, "Schweinebacke!" As Anlauf turned toward the sound, Mielke and Ziemer opened fire at point blank range. Willig was wounded in the left arm and the stomach. However, he managed to draw his Luger pistol and fired a full magazine at the assailants. Lenck was shot in the chest and fell dead in front of the entrance. Willig crawled over and cradled the head of Anlauf, who had taken two bullets in the neck. Meanwhile, Mielke and Ziemer made their escape by running into the theater and out an emergency exit. They tossed their pistols over a fence, where they were later found by Homicide Detectives from the elite Mordkommission. Mielke and Ziemer then returned to their homes. According to Koehler, "Back at Bülowplatz, the killings had triggered a major police action. At least a thousand officers poured into the square, and a bloody street battle ensued. Rocks and bricks were hurled from the rooftops. Communist gunmen fired indiscriminately from the roofs of surrounding apartment houses. As darkness fell, police searchlights illuminated the buildings. Using megaphones, officers shouted, "Clear the streets! Move away from the windows! We are returning fire!" By now the rabble had fled the square, but shooting continued as riot squads combed the tenements, arresting hundreds of residents suspected of having fired weapons. The battle lasted until one o'clock the next morning. In addition to the two police officers, the casualties included one Communist who died of a gunshot wound and seventeen others who were seriously wounded." Anlauf's wife had died three weeks earlier of kidney failure. The murder of Anlauf thus left their three daughters as orphans. Their oldest daughter was forced to rush her planned wedding in order to keep her sisters from being put in an orphanage. Lenck was survived by his wife. Willig was hospitalized for 14 weeks, but made a full recovery and returned to active duty. In recognition for Willig's courage, the Berlin Police promoted him to Lieutenant. After the murders, the act was celebrated at the Lichtenberger Hof, a favorite beer hall of the Rotfrontkämpferbund, where Mielke boasted: "Today we celebrate a job that I pulled!" () Fugitive According to Koehler, "Kippenberger was alarmed when word reached him that Sergeant Willig had survived the shooting. Not knowing whether the sergeant could talk and identify the attackers, Kippenberger was taking no chances. He directed a runner to summon Mielke and Ziemer to his apartment at 74 Bellermannstrasse, only a few minutes walk from where the two lived. When the assassins arrived, Kippenberger told them the news and ordered them to leave Berlin at once. The parliamentarian's wife Thea, an unemployed schoolteacher and as staunch a Communist Party member as her husband, shepherded the young murderers to the Belgian border. Agents of the Communist International (Comintern) in the port city of Antwerp supplied them with money and forged passports. Aboard a merchant ship, they sailed for Leningrad. When their ship docked, they were met by another Comintern representative, who escorted them to Moscow." Beginning in 1932, Mielke attended the Comintern's Military Political school under the alias Paul Bach. He later graduated from the Lenin School shortly before being recruited into the OGPU. Trial According to Koehler, "In mid-March 1933, while attending the Lenin School, Mielke received word from his OGPU sponsors that Berlin police had arrested Max Thunert, one of the conspirators in the Anlauf and Lenck murders. Within days, fifteen other members of the assassination team were in custody. Mielke had to wait six more months before the details of the police action against his Berlin comrades reached Moscow. On 14 September 1933, Berlin newspapers reported that all fifteen had confessed to their roles in the murders. Arrest warrants were issued for ten others who had fled, including Mielke, Ziemer, Ulbricht, Kippenberger, and Neumann." Koehler also stated, "Defenders of Mielke later claimed that confessions had been obtained under torture by the Nazi Gestapo. However, all suspects were in the custody of the regular Berlin city criminal investigation bureau, most of whose detectives were SPD members. Some of the suspects had been nabbed by Nazi SA men and probably beaten before they were turned over to police. In the 1993 trial of Mielke, the court gave the defense the benefit of the doubt and threw out a number of suspect confessions." On 19 June 1934, the 15 conspirators were convicted of first degree murder. The three deemed most culpable, Michael Klause, Max Matern, and Friedrich Bröde were sentenced to death. Their co-defendants received sentences ranging from nine months to fifteen years incarceration at hard labor. Klause's sentence was commuted to life in prison based upon his cooperation. Bröde hanged himself in his cell. As a result, only Matern was left to be executed by beheading on 22 May 1935. Matern was subsequently glorified as a martyr by KPD and East German propaganda. Ziemer was officially killed in action while fighting on the Republican-side during the Spanish Civil War. Mielke, however, would not face trial for the murders until 1993. Career in Soviet intelligence The Great Terror Although Moscow's German Communist community was decimated during Joseph Stalin's Great Purge, Mielke survived and was promoted. In a handwritten autobiography prepared after World War II, Mielke recalled, "During my stay in the S.U. (Soviet Union), I participated in all Party discussions of the K.P.D. and also in the problems concerning the establishment of socialism and in the trials against the traitors and enemies of the S.U." Among the German communists executed as a result of these "discussions" were Mielke's former mentors Heinz Neumann and Hans Kippenberger. Mielke further recalled, "I was a guest on the honor grandstand of Red Square during the May Day and October Revolution parades. I became acquainted with many comrades of the Federation of World Communist Parties and the War Council of the Special Commission of the Comintern. I will never forget my meeting with Comrade Dimitrov, the Chairman of the Comintern, whom I served as an aide together with another comrade. I saw Comrade Stalin during all demonstrations at Red Square, especially when I stood on the grandstand. I mention these meetings because all these comrades are our models and teachers for our work." During his time in the USSR, Mielke also developed a lifelong reverence for Felix Dzerzhinsky, the Polish aristocrat who founded the Soviet secret police. Mielke also began an equally permanent habit of calling himself a Chekist. In a citation written decades later, Mielke described his philosophy of life, "The Chekist is the political combatant. He is the loyal son of... the workers' class. He stands at the head of the battle to strengthen the power of our workers' and peasants' state." Spanish Civil War From 1936 to 1939, Mielke served in Spain as an operative of the Servicio de Investigación Militar, the political police of the Second Spanish Republic. While attached to the staff of, "veteran GRU agent," and future Stasi minister Wilhelm Zaisser, Mielke used the alias Fritz Leissner. Bernd Kaufmann, the director of the Stasi's espionage school later said, "The Soviets trusted Mielke implicitly. He earned his spurs in Spain." At the time, the S.I.M. was heavily staffed by agents of the Soviet NKVD, whose Spanish rezident was General Aleksandr Mikhailovich Orlov. According to author Donald Rayfield, "Stalin, Yezhov, and Beria distrusted Soviet participants in the Spanish war. Military advisors like Vladimir Antonov-Ovseenko, journalists like Koltsov were open to infection by the heresies, especially Trotsky's, prevalent among the Republic's supporters. NKVD agents sent to Spain were therefore keener on abducting and murdering anti-Stalinists among Republican leaders and International Brigade commanders than on fighting Franco. The defeat of the Republic, in Stalin's eyes, was caused not by the NKVD's diversionary efforts, but by the treachery of the heretics." In a 1991 interview, Walter Janka, a fellow German communist exile and company commander in the International Brigade, recalled his encounters with Mielke. During the winter of 1936, Janka was summoned by the SIM and interrogated by Mielke. Mielke demanded to know why Janka had voluntarily traveled to Spain rather than being assigned there by the Party. When he told Mielke to get lost, the SIM demoted Janka to the ranks and then expelled him from the International Brigade. Years later, Janka recalled, "While I was fighting at the front, shooting at the Fascists, Mielke served in the rear, shooting Trotskyites and Anarchists." Upon the defeat of the Spanish Republic, Mielke fled across the Pyrenees Mountains to France, where he was interned at Camp de Rivesaltes, Pyrénées-Orientales. Mielke, however, managed to send a message to exiled KPD members and, in May 1939, escaped to Belgium. Although the Public Prosecutor of Berlin learned of Mielke's presence and filed for his extradition, the Belgian Government refused to comply, regarding the assassinations of Captains Anlauf and Lenck as "a political crime." The NKVD and the SIM's witch hunt for both real and imagined anti-Stalinists had serious consequences. It horrified numerous formerly pro-Soviet Westerners who had been witnesses, including John Dos Passos, Arthur Koestler and George Orwell, and caused them to permanently turn against the USSR. Mielke's belief that anti-Soviet Marxists had collaborated with Franco and stabbed the Republic in the back continued to shape his attitudes for the rest of his life. In a 1982 speech before a group of senior Stasi officers, he said, "We are not immune from villains among us. If I knew of any already, they wouldn't live past tomorrow. Short shrift. It's because I'm a Humanist, that I'm of this view." In the same speech, Mielke also said, "All this blithering over to execute or not to execute, for the death penalty or against—all rot, Comrades. Execute! And, when necessary, without a court judgment." World War II During World War II, Mielke's movements remain mysterious. In a biography written after the war, he claimed to have infiltrated Organisation Todt under the alias Richard Hebel, but historian John O. Koehler considers this unlikely. Koehler admits, however, "Mielke's exploits must have been substantial. By war's end, he had been decorated with the Order of the Red Banner, the Order of the Great Patriotic War First Class, and twice with the Order of Lenin. It is likely that he served as an NKVD agent, at least part of the time with guerrilla units behind German lines, for he knew all the partisan songs by heart and sang them in faultless Russian." Occupied Germany Komissariat-5 In April 1945, Mielke returned to the Soviet Zone of Occupied Germany aboard a special Soviet aircraft that also carried fellow German Communists Walter Ulbricht, Wilhelm Zaisser, Ernst Wollweber, and many of the future leaders of the East Germany. That same month, Mielke's future handler, NKGB General Ivan Serov, travelled to Germany from Warsaw and, from his headquarters in the Berlin suburb of Karlshorst, divided the Soviet Zone into "Operative Sectors." On 10 July 1945, Marshal Georgy Zhukov signed SMA Order No. 2, which legalized the re-establishment of "anti-fascist" political parties like the Communist Party of Germany (KPD). On 15 July 1945, Mielke walked into the KPD's headquarters and volunteered his services. In an autobiography written for the KPD, Mielke disclosed—truthfully—his involvement in the 1931 murders of Berlin Police Captains Anlauf and Lenck, and—mistakenly or misleadingly—that for this he had been tried in absentia, found guilty, and sentenced to death. In actuality, Mielke's "name was mentioned in the 1934 trials but he was never tried". He admitted—truthfully—fighting on the Republican side during the Spanish Civil War, but claimed—falsely—that he had been released from the French internment camps and had worked in Belgium for an underground Communist newspaper under the code name "Gaston". Furthermore, Mielke concealed his past and contemporaneous involvement with the NKVD, NKGB, and the Nazi Organisation Todt (which he asserted he'd infiltrated). According to Koehler, "As might be expected, Mielke's account of his past was approved by the Soviets. Had Serov not been part of the conspiracy, Mielke would have been instantly arrested or at least subjected to an intense internal investigation because of his membership in the Nazi Organisation Todt, which used thousands of slave laborers. But he was cleared in record time and by the end of June the Soviets had installed him as a station commander of the newly formed Volkspolizei (Vopo), the People's Police." On 16 August 1947, Serov ordered the creation of Kommissariat 5, the first German political police since the defeat of Nazi Germany. According to Anne Applebaum, however, not everyone approved of the plan. In Moscow, Soviet Interior Minister Viktor Abakumov argued that a new secret police force would be demonized by Western governments and the media, which would paint the K-5 as a "new Gestapo." Furthermore, Abakumov, like Stalin, intensely distrusted German Communists and alleged that there "were not enough German cadres who have been thoroughly checked." Notwithstanding Abakumov's objections, however, recruitment into the K-5 began almost immediately. It is possible, as Norman Naimark suspects, that the NKGB had realized that their officers' lack of fluency in the German language was engendering massive popular resentment. Wilhelm Zaisser, who had been Mielke's commanding officer in Republican Spain, was appointed the K-5's head. Mielke was installed as his deputy. According to John Koehler, "The K-5 was essentially an arm of the Soviet secret police. Its agents were carefully selected veteran German communists who had survived the Nazi-era in Soviet exile or in concentration camps and prisons. Their task was to track down Nazis and anti-communists, including hundreds of members of the Social Democratic Party. Mielke and his fellow bloodhounds performed this task with ruthless precision. The number of arrests became so great that the regular prisons could not hold them. Thus, Serov ordered the establishment or re-opening of eleven concentration camps, including the former Nazi death camps of Buchenwald and Sachsenhausen." According to Anne Applebaum, "One of the few documents from that era to survive (most were removed by the KGB or perhaps destroyed, in 1989 or before) mentions a departmental training meeting and included a list of attendees. Topping the list is a group of Soviet advisers. In this sense, K-5 did resemble the political police in the rest of Eastern Europe: as in Hungary, Poland, and the USSR itself, this new political police force was initially extra-governmental, operating outside the ordinary rule of law." According to Edward N. Peterson, "Not surprisingly, K-5 acquired a reputation as bad as that of Stalin's secret police and worse than that of the Gestapo. At least with the Nazis, albeit fanatically racist, their victims did not suddenly disappear into the GULAG." The Amalgamation Despite the K-5's mass arrests of members of the Social Democratic Party of Germany (SPD) in the Soviet Zone, the number of SPD members continued to grow. By March 1946, SPD members outnumbered KPD members by more than 100,000. Fearing that they would lose the elections scheduled for the autumn, the leadership of the KPD asked for and received Stalin's permission to merge the two parties. When the SPD's leadership agreed only to schedule a vote for the rank and file to decide, permission was denied by the Soviet occupation authorities. The K-5 then began mass arrests of SPD members who refused to support the merger. On 22 April 1946, the remaining leaders of the SPD in the Soviet Zone announced that they had united with the KPD to form the Socialist Unity Party of Germany (SED). The SPD in the western zones of Occupied Germany responded by forming the SPD East Bureau in order to support and finance those Social Democrats who refused to accept the merger. Those who joined or worked with the East Bureau were, however, in serious danger of arrest by the K-5 and trial by Soviet military tribunals. By 1950, more than 5,000 SPD members and sympathisers had been imprisoned in the Soviet Zone or transferred to the GULAG. More than 400 were either executed or died during their imprisonments. John Koehler has written that, prior to the spring of 1946, many Germans in the Soviet Zone, "merely shrugged at the wave of arrests, believing that the victims were former Nazi officials and war criminals." But then came the mass arrests of Social Democrats who opposed the merger, who, "were joined by people who had been denounced for making anti-communist or anti-Soviet remarks, among their number hundreds who were as young as fourteen years. Although these arrests were made by Germans purporting to be officials of the criminal police, the existence of the K-5 political police eventually was exposed. Mielke, meanwhile, had risen to the post of vice-president of the German Administration for Interior Affairs – the equivalent of the NKVD – and continued his manipulations from behind the scenes." Investigation In January 1947, two retired Berlin policemen recognized Mielke at an official function. Informing the head of the criminal police in West Berlin, the policemen demanded that Mielke be arrested and prosecuted for the murders of Captains Anlauf and Lenck. Wilhelm Kühnast, the Public Prosecutor of Berlin, was immediately informed and ordered a search of the Kammergericht archives. To his astonishment, the files of the 1931 murders had survived the wartime bombing of Germany. Finding ample evidence of Mielke's involvement, Kühnast ordered the arrest of the communist policeman. According to John Koehler, "At that time, the city administration, including the police, was under the control of the Allied Control Commission, which consisted of U.S., British, French, and Soviet military officers. All actions by city officials, including the judiciary, were to be reported to the Commission. The Soviet representative alerted the MGB. Action was swift. Marshal Vasily Sokolovsky, who had replaced Zhukov, protested, and his representatives at the Commission launched a vicious campaign to discredit Kühnast." The Soviet representatives falsely claimed that Kühnast, a jurist with an impeccable anti-Nazi record, had been an official of Roland Freisler's People's Court. Taking the Soviets at their word, the Western Allies removed Kühnast from his position and placed him under house arrest. During the Berlin airlift, Kühnast fled from his home in East Berlin and was granted political asylum in the American Zone. Meanwhile, the Soviet authorities confiscated all documents relating to the murders of Captains Anlauf and Lenck. According to Koehler, "The Soviets handed the court records to Mielke. Instead of destroying the incriminating papers, he locked them in his private safe, where they were found when his home was searched in 1990. They were used against him in his trial for murder." Deutsche Wirtschaftskommission In 1948, Mielke was appointed as security chief of the German Economic Commission (), the precursor to the future East German government. Mielke's task was to investigate the theft and sale of state property on the black market. He was also charged with intercepting the growing number of refugees fleeing to the French, British, and American Zones. Those his security forces caught while attempting to defect were used as slave labor in the uranium mines that were providing raw material for the Soviet atomic bomb project. German Democratic Republic Independence In 1949, the Soviet Military Administration ceded its legal functions to the newly created German Democratic Republic. On 14 January 1950, Marshal Vasili Chuikov announced that all Soviet "internment camps" on German soil had been closed. Soon after, the DWK was absorbed into the newly created Ministry for State Security. In keeping with earlier syllabic abbreviations along the same lines (see OrPo, KriPo, and GeStaPo) East Germans immediately dubbed it the "Stasi" (from Staatssicherheit). With the approval of the Soviets, Mielke's commanding officer from Spain and in the K5, Wilhelm Zaisser, was appointed as the Stasi's head. Mielke was appointed to his staff with the rank of State Secretary. Mielke was also granted a seat in the SED's ruling Politburo. According to John Koehler, "In the five years since the end of World War II, the Soviets and their vassals had arrested between 170,000 and 180,000 Germans. Some 160,000 had passed through the concentration camps, and of these about 65,000 had died, 36,000 had been shipped to the Soviet Gulag, and another 46,000 had been freed." In 1949, as a response to the remilitarization of East Germany and the Soviet blockade of West Berlin, the United States, Great Britain, France, Belgium, the Netherlands, Luxembourg, and Portugal formed the North Atlantic Treaty Organization, or NATO. In 1950, as a response to the outbreak of the Korean War, West Germany was also permitted to join NATO, which was then upgraded into a military alliance. According to Koehler, however, "As the Cold War intensified, living conditions in Soviet-occupied East Germany showed little improvement beyond the postwar level of bare subsistence. The new government of the DDR – a mere puppet of the Kremlin – relied more and more on the Stasi to quell discontent among factory workers and farmers. Ulbricht, claiming that the social unrest was fomented by capitalist agents, once ordered Mielke to personally visit one large plant and 'arrest four or five such agents' as an example to the others. The Stasi deputy 'discovered' the agents in record time." Field show trials Also in 1949, Noel Field, an American citizen who had spied for the NKVD from inside the U.S. State Department, the Office of Strategic Services, and the CIA, fled from his posting in Switzerland to Communist Czechoslovakia after his cover was blown by fellow mole Whittaker Chambers. On 11 May 1949, the Czechoslovakian secret police, or StB, in obedience to a direct order from KGB chief Lavrenti Beria, arrested Field in Prague. Field was then handed over to the Hungarian ÁVO. After his interrogation in Budapest, Fields was used as a witness at show trials of senior Soviet Bloc Communists who, like László Rajk and Rudolf Slánský, stood accused of having spied for the United States. The real reason for the trials was to replace homegrown Communists in Eastern Europe with those who would be blindly loyal to Joseph Stalin and to blame the division of Germany on the intrigues of U.S. intelligence. At the Rajk show trial, the prosecutor declared, "Noel Field, one of the leaders of American espionage, specialized in recruiting spies from among left-wing elements." In August 1950, six senior SED members, including Willi Kreikemeyer, the director of Deutsche Reichsbahn and head of Berliner Rundfunk, were accused of "special connections with Noel Field, the American spy." All were either imprisoned or shot. John Koehler writes, "Similar purges were conducted in Czechoslovakia, Hungary, and Bulgaria, where Field appeared as a witness in show trials that resulted in some death sentences. The Soviets simply distrusted all Communists who had sought exile in the West. All the while, Mielke remained untouched and continued to serve as the deputy secret police chief. His survival reinforced the belief that he had spent the war years in the Soviet Union instead of France and Belgium as he had claimed in the 1945 questionnaire." In June 1950, Erica Wallach, Noel Field's adopted daughter, decided to search for him. From Paris, she telephoned Leo Bauer, the editor-in-chief of Berliner Rundfunk. The call was monitored by agents of the Soviet Ministry for Internal Affairs, and Bauer's handler instructed him to invite Mrs. Wallach to East Berlin, where she was immediately arrested. Mielke personally interrogated her and, at one point, offered Mrs. Wallach immediate release if she named the members of her fictitious spy network. She was condemned to death by a Soviet military tribunal in East Berlin and shipped to the Lubianka prison in Moscow for her execution. After Joseph Stalin's death in on 5 March 1953, Erica Wallach's sentence was reduced to hard labor in Vorkuta, a region of the Gulag located above the Arctic Circle. She was released during the Khrushchev thaw in October 1955. At first, she was unable to join her husband and daughters in the U.S. because of the U.S. State Department's concern over her former membership in the Communist Party of Germany. It took the personal intervention of CIA Director Allen Dulles to reunite Erica Wallach with her family in 1957. Wallach's memoir of her experiences, Light at Midnight, was published in 1967. Death of Stalin After Soviet Premier Joseph Stalin died inside his Kuntsevo Dacha on 5 March 1953, the Central Committee of the East German Socialist Unity Party met in a special session and eulogized the dictator as the "great friend of Germany who was always an advisor of and help to our people." Two months later, on 5 May 1953, the SED's General Secretary, Walter Ulbricht, and the rest of the leadership increased work quotas by 10%. They also decided to rename Chemnitz Karl-Marx-Stadt and to institute the Order of Karl Marx as the GDR's highest award. Two weeks later, Mielke accused "a group of Party officials" of "plotting against the leadership", which "resulted in more expulsions from the Politburo and the Central Committee." East German uprising of 1953 Discontent among factory workers about a 10% increase of work quotas without a corresponding wage hike boiled over. On 16 June 1953, nearly one hundred construction workers gathered before work for a protest meeting at Stalinallee, in East Berlin. Words spread rapidly to other construction sites and hundreds of men and women joined the rally, which marched to the House of Ministries. The protesters chanted slogans for five hours, demanding to speak to Walter Ulbricht and Otto Grotewohl. Only Heavy Industry Minister Fritz Selbmann and Professor Robert Havemann, president of the GDR Peace Council, emerged. Their speech, however, was answered with jeers and the Ministers retreated into the heavily armed building. The regular and the Kasernierte Volkspolizei were summoned from their barracks, but made no move to attack the protesters, who returned to Stalinallee, where a general strike was called. Following West Germany's Federal Minister for All-German Questions Jakob Kaiser's admonition in a late night broadcast to East Germans to shy away from provocations, RIAS, starting with its 11 pm news broadcast, and from then on in hourly intermissions, repeated the workers' demand to continue the strike the next day, calling specifically for all East Berliners to participate in a demo at 7am on the 17th at Strausberger Platz. The following day, 17 June 1953, more that 100,000 protesters took to the streets of East Berlin. More than 400,000 protesters also took to the streets in other cities and towns throughout the German Democratic Republic. Everywhere, the demands were the same: free elections by secret ballot. Outside of Berlin, the main centres of the protests included the industrial region around Halle, Merseburg, and Bitterfeld, as well as middle-size towns like Jena, Görlitz, and Brandenburg. No more than 25,000 people participated in strikes and demonstrations in Leipzig, but there were 32,000 in Magdeburg, 43,000 in Dresden, 53,000 in Potsdam – and in Halle, a figure close to 100,000. In West Berlin, the American radio station RIAS and several other West German stations reported on the protests and on plans for a general strike. As East Germans listened to the broadcasts, 267,000 workers at State-owned plants in 304 cities and towns joined the general strike. In 24 towns, outraged East Germans stormed the Stasi's prisons and freed between 2,000 and 3,000 political prisoners. In response to orders, the Soviet Occupation Forces, the Stasi and the Kasernierte Volkspolizei went on the attack. Bloody street battles ensued and hundreds of policemen defected to the side of the protesters. Both police and Stasi stations were overrun and some government offices were sacked. The Party leadership retreated into a fortified compound in the Pankow district of East Berlin. At noon, the Soviet authorities terminated all tram and metro traffic into the Eastern sector and all but closed the sector borders to West Berlin to prevent more demonstrators from reaching the city centre. An hour later, they declared martial law in East Berlin. The repression took place outside East Berlin police HQ – where Soviet tanks opened fire on "the insurgents". According to John Koehler, "... by late afternoon, Soviet tanks accompanied by Infantry and MVD troops had rolled into East Berlin and other cities in the Soviet Zone. This made the people even angrier. At Berlin's Potsdamer Platz, which bordered on the American Sector, irate protesters ignored machine gun fire and the menacing barrels of tank guns. They ripped cobblestones from the streets and hurled them at the tanks." Fighting between the Red Army (and later GDR police) and the demonstrators persisted into the afternoon and night. In some cases, the tanks and the soldiers fired directly into the crowds. Overnight, the Soviets (and the Stasi) started to arrest hundreds of people. Ultimately, up to 10,000 people were detained and at least 20, probably as many as 40, people were executed, including Red Army soldiers who refused to obey orders. With the SED leadership effectively paralysed at the Soviet headquarters in Karlshorst, control of the city passed to the Soviets. In honor of the uprising, West Germany established 17 June as a national holiday, called Day of German Unity. The extension of the Unter den Linden boulevard to the west of the Brandenburg Gate, formerly called Charlottenburger Chaussee, was also renamed Straße des 17. Juni ("17 June Street") in honor of the uprising. According to John Koehler, "Provisional prison camps were set up to hold the thousands of Stasi victims. Nearly 1,500 persons were sentenced in secret trials to long prison terms. On 24 June, Mielke issued a terse announcement that one Stasi officer, nineteen demonstrators, and two bystanders had been killed during the uprising. He did not say how many were victims of official lynching. The numbers of the wounded were given as 191 policemen, 126 demonstrators, and 61 bystanders." Also according to Koehler, "Calm returned to the streets of the Soviet Zone, yet escapes to the West continued at a high rate. Of the 331,390 who fled in 1953, 8,000 were members of the Kasernierte Volkspolizei, the barracked people's police units, which were actually the secret cadre of the future East German Army. Also among the escapees were 2,718 members and candidates of the SED, the ruling Party." The Khrushchev thaw Purges Alarmed by the uprising, Lavrenty Beria, the First Deputy Premier of the Soviet Union and head of the Ministry of Internal Affairs, personally travelled from Moscow to East Berlin. He conferred with Stasi Minister Wilhelm Zaisser and with Mielke, his deputy, both of whom he had known since the early 1930s. During both conversations, Beria demanded to know why the Stasi had failed to recognize the extreme discontent of the population and inform the Party leadership, which could then have prevented the uprising by taking extremely repressive measures in advance. Both Zaisser and Mielke answered Beria's questions circumspectly, and were accordingly left in their posts. In response to the uprising, Beria decided to replace several hundred MVD officers, including Major General Ivan Fadeykin, the MVD resident of East Germany. The Stasi, according to John Koehler, "generally remained untouched except for the arrests and dismissals, for dereliction of duty, of a handful of officers in the provinces. One high-ranking Stasi officer shot himself." Following Beria's return to Moscow, however, he was arrested on 26 June 1953, in a coup d'état led by Nikita Khrushchev and Marshal Georgy Zhukov. Beria was tried on charges of 357 counts of rape and high treason. He was sentenced to death and shot by Red Army Colonel-General Pavel Batitsky on 23 December 1953. In an interview to Neues Deutschland, the official party newspaper of East Germany, on 30 June 1953, the Party's Minister of Justice, Max Fechner, declared that, "illegal arrests," had been made and that being a member of a strike committee or suspicion of being a ringleader was not in itself grounds for arrest and conviction. Meanwhile, when the East German Politburo met on 8 July, it seemed that Ulbricht would be deposed as Party General Secretary. Zaisser conceded that the whole Politburo was responsible for the "accelerated construction of socialism" and of the subsequent fallout. But he also added that to leave Ulbricht as Premier, "would be opposed catastrophic for the New Course". By the end of the meeting, only two Politburo members still supported Ulbricht's leadership: Free German Youth League chief Erich Honecker and Party Control Commission Chairman Hermann Matern. Ulbricht only managed to forestall a decision then and there with a promise to make a statement at the forthcoming 15th SED CC Plenum, scheduled for later that month. Meanwhile, Mielke informed a Party commission looking for scapegoats that his boss, Stasi Minister Wilhelm Zaisser, was calling for secret negotiations with West Germany and that, "he believed the Soviet Union would abandon the DDR." By late July, Ulbricht was completely certain that he had the support of the new Soviet Premier, Nikita Khrushchev. Therefore, he expelled his main opponents, Zaisser, Hernstadt and Ackermann, from the Politburo, and thus strengthened his position further. SED Minister of Justice Max Fechner was personally arrested by Mielke and replaced by Hilde Benjamin, who was known to East German citizens as "Red Hilde", "The Red Freisler," and as, "The Red Guillotine," for her role as a judge in the SED's show trials. Fechner was convicted of being, "an enemy of the Party and the State," and served three years in Bautzen Prison. Wilhelm Zaisser was replaced as head of the Stasi by Ernst Wollweber and Mielke remained on staff as his deputy. Tenure as Stasi head Mielke headed the Stasi from 1957 until the fall of the Berlin Wall in 1989. There was, under the East German system, no provision for parliamentary oversight. However, starting in 1971 Mielke was required to provide a detailed intelligence briefing to party secretary Erich Honecker each Tuesday, directly following the weekly Politburo meeting. (Before 1971, under Walter Ulbricht, Mielke was not involved in routine intelligence briefings to the leadership which, instead, were provided directly to Ulbricht by Intelligence Chief Markus Wolf.) Internal discipline During his tenure, Mielke enforced "political and personal discipline reminiscent of the early French Foreign Legion". New recruits were required to take a solemn oath pledging "to fight alongside the state security organs of all socialist countries against all enemies of socialism" on pain of "the severest punishment under the Republic's laws and the contempt of the workers." Recruits were also required to sign a security pledge vowing never to make unauthorized visits to any "capitalist countries" and to report on any members of their families who did so. Violations of the oath resulted in expulsion from the Stasi and blacklisting from all but the most menial jobs. Serious violations were tried before secret tribunals and led an estimated 200 Stasi agents to be shot. Colonel Rainer Wiegand once said, "There was only one way to leave the MfS without being haunted for the rest of your life. You either retired or you died." Domestic activities Under Erich Mielke's leadership, the Stasi employed 85,000 full-time domestic spies and 170,000 civilian informants () (IMs). East Germans coined a term to describe the Stasi's pervasive surveillance of the population "All-Covered" (). For this reason, Anna Funder has referred to East Germany as, "the most perfected surveillance state of all time." According to John Koehler, "...the Stasi's tentacles probed every aspect of life. Full-time officers were posted to all major industrial plants. Without exception, one tenant in every building was designated as a watchdog reporting to an area representative of the Volkspolizei...In turn, the police officer was the Stasi's man. If a relative or friend came to stay overnight, it was reported. Schools, universities and hospitals were infiltrated from top to bottom. German academe was shocked to learn that Heinrich Fink, professor of theology and vice-chancellor of East Berlin's Humboldt University, had been a Stasi informer since 1968. After Fink's Stasi connections came to light, he was summarily fired. Doctors, lawyers, journalists, writers, actors, and sports figures were co-opted by Stasi officers, as were waiters and hotel personnel. Tapping about 100,000 telephone lines in East Germany and West Berlin around the clock was the job of 2,000 officers... Churchmen, including high officials of both Protestant and Catholic denominations, were recruited en masse as secret informants. Their offices and confessionals were infested with eavesdropping devices. Even the director of Leipzig's famous Thomas Church choir, Hans-Joachim Rotzsch, was forced to resign when he was unmasked as a Spitzel, the people's pejorative for a Stasi informant." In an interview with journalist Anna Funder, an ex-Stasi officer recalled, "Most often, people we approached would inform for us. It was very rare that they would not. However, sometimes we felt that we might need to know where their weak points were, just in case. For example, if we wanted a pastor, we'd find out if he'd had an affair, or had a drinking problem—things that we could use as leverage. Mostly though, people said yes." On Mielke's orders, and with his full knowledge, Stasi officers also engaged in arbitrary arrest, kidnapping, brutal harassment of political dissidents, torture, and the imprisonment of tens of thousands of citizens. In a 1991 interview, Jewish Holocaust survivor and Nazi hunter Simon Wiesenthal said, "The Stasi was much, much worse than the Gestapo, if you consider only the oppression of its own people. The Gestapo had 40,000 officials watching a country of 80 million, while the Stasi employed 102,000 to control only 17 million." Activities abroad During Mielke's tenure, the Stasi's operations beyond East Germany were overseen by Markus Wolf and the Hauptverwaltung Aufklärung (MfS-HVA). Mielke and Wolf provided money, training, and surveillance equipment to help build pro-Soviet secret police forces in Fidel Castro's Cuba, Baathist Syria, Sandinista-ruled Nicaragua, Mengistu Haile Mariam's Ethiopia, Idi Amin's Uganda, Kwame Nkrumah's Ghana, and South Yemen. After the opening of Stasi archives, it was revealed that West Germany was riddled with MfS-HVA moles. In what John Koehler has dubbed, "The Invisible Invasion", some West German citizens collaborated out of Marxist beliefs, but others were recruited through blackmail, greed, career frustrations, or sexual favors from Stasi operatives. Another tactic was for Stasi military advisers assigned to African and Middle Eastern countries to request the arrest of West German tourists. Local police would then turn the prisoner over to the Stasi agent, who would offer the West German a choice between espionage or incarceration. Senior politicians from the Social Democratic Party of Germany, the Free Democratic Party of Germany, and the Christian Democratic Union were exposed and, when still alive, prosecuted. Mielke and Wolf also seriously compromised West Germany's police departments, foreign and domestic intelligence services, diplomatic corps, military-industrial complex, and journalistic profession. The Stasi compromised the United States military and diplomatic presence in West Germany. The most damaging American to spy for the Stasi was United States Army Sergeant James Hall III, who volunteered his services to Soviet and East German intelligence in November 1981. Sergeant Hall sold the Stasi 13,088 pages of classified documents, including detailed information about Project Trojan, a worldwide electronic network with the ability to pinpoint armored vehicles, missiles and aircraft by recording their signal emissions during wartime and the complete National SIGINT Requirements List (NSRL), a 4258-page document about NSA operations at home and abroad. In 1988, Sergeant Hall was tricked into confessing his espionage career to an undercover FBI Special Agent named Dmitri Droujinsky, a Russian-American who was posing as an agent of the KGB. When news of Sergeant Hall's arrest became public, one Washington intelligence official called the breach, "the Army's Walker Case." Collusion with Nazism Beginning in 1960, Mielke and Wolf used false flag recruitment to secretly organize and finance Neo-Nazi organizations, which they then instructed to vandalize Jewish religious and cultural sites throughout West Germany. During the Jerusalem trial of Adolf Eichmann, Stasi agents sent letters to West German Neo-Nazis and Waffen-SS veterans, urging them to speak out and to raise money for Eichmann's defense attorney. This was done in order to lend credibility to Communist propaganda about the allegedly Fascist and neo-Nazi orientation of the Federal Republic of Germany. According to German historian Michael Wolffsohn, "There is no doubt that in the 1960s as now, there were Nazis who were unreconstructed, unchangeable and evil, but without the help of East Germany, these Nazis were incapable of a national, coordinated campaign. That was true of right-wing extremist criminals in the 1980s as well. The East German Communists used anything they could against West Germany, including the... fears by Western countries and Jews that a new Nazism could be growing in West Germany. There is... evidence that the East Germans continued to use Anti-Semitism as a tool against West Germany in the 1970s and perhaps right up until 1989." In a 1991 interview with John Koehler, Holocaust survivor and Nazi hunter Simon Wiesenthal said of the Stasi, "They not only terrorized their own people worse than the Gestapo, but the government was the most Anti-Semitic and Anti-Israeli in the entire Eastern Bloc. They did nothing to help the West in tracking down Nazi criminals; they ignored all requests from West German judicial authorities for assistance. We have just discovered shelves of files on Nazis stretching over four miles. Now we also know how the Stasi used those files. They blackmailed Nazi criminals who fled abroad after the war into spying for them. What's more, the Stasi trained terrorists from all over the world." Support for paramilitary and terrorist groups During a 1979 visit to the GDR by senior PLO member Salah Khalaf, Mielke said, "We are paying great attention to the Palestine resistance and the other revolutionary forces fighting against the policies of the United States and against the provocations of the Israeli aggressor. Together with the Soviet Union and other socialist countries, we will do everything to support this just battle." With this in mind, Mielke ordered the Stasi to finance, arm, and train, "urban guerrillas," from numerous countries. According to former Stasi Colonel Rainer Wiegand, Mielke's ties to violent paramilitary groups were overseen by Markus Wolf and Department Three of the MfS-HVA. Members of the West German Baader-Meinhoff Group, the Chilean Manuel Rodríguez Patriotic Front, and Umkhonto we Sizwe, the paramilitary wing of the African National Congress, were brought to East Germany for training in the use of military hardware, insurgent tactics, and, "the leadership role of the Party." Similar treatment was meted out to Palestinians from the Popular Front for the Liberation of Palestine, Abu Nidal, and Black September. Other Stasi agents worked as military advisers to Soviet-backed African guerrilla organizations and the governments they later formed. They included the Namibian SWAPO and the Angolan MPLA during the South African Border War, the FRELIMO during the Mozambican War of Independence and civil war, and Robert Mugabe's ZANLA during the Rhodesian Bush War. Colonel Wiegand revealed that Mielke and Wolf provided bodyguards from the Stasi's counter-terrorism division for Venezuelan-born PLO terrorist Carlos the Jackal and Black September leader Abu Daoud during their visits to the GDR. Col. Wiegand had been sickened by the 1972 Munich massacre and was horrified that the GDR would treat the man who ordered it as an honored guest. When he protested, Wiegand was told that Abu Daoud was, "a friend of our country, a high-ranking political functionary," and that there was no proof that he was a terrorist. During the 1980s, Wiegand secretly blackmailed a Libyan diplomat into spying on his colleagues. Wiegand's informant told him that the La Belle bombing and other terrorist attacks against American and West German citizens were being planned at the Libyan Embassy in East Berlin. When Wiegand showed him a detailed report, Mielke informed the SED's Politburo, which ordered the Colonel to continue surveillance but not interfere with the plans of the Libyans. According to John Koehler, "Murder, kidnapping, extortion, bank robbery, and arson were felonies under the East German criminal code. However, if these offenses were committed under the banner of the 'anti-imperialist struggle,' the communist system would look the other way. Moreover, it had assigned the Stasi to make sure that terrorists were properly trained for murder and sowing mayhem. There was no limits to the East German regime's involvement with terrorism, so long as it could be ideologically justified." The Peaceful Revolution According to John Koehler, "Increasingly concerned over the growing popular opposition, Stasi Minister Mielke early in 1989 ordered the creation of a special elite unit for crushing disturbances. Its personnel were carefully selected members of the counterespionage and counterterrorism directorate. They were equipped with special batons similar to electric cattle prods but much more powerful. In a secret speech to top-ranking Stasi officers on 29 June, Mielke warned that, 'hostile opposing forces and groups have already achieved a measure of power and are using all methods to achieve a change in the balance of power. Former Stasi Colonel Rainer Wiegand told me he was horrified when Mielke compared the situation with that of China two months earlier. Chinese students in Beijing had begun massive protests in April and in May, during a student demonstration in Tiananmen Square, security troops had opened fire on them killing hundreds. 'Mielke said our situation was comparable and we had to be ready to counter it with all means and methods,' Wiegand recalled. 'Mielke said that the Chinese leadership had succeeded in smothering the protests before the situation got out of hand.'" Despite Mielke's attempts to suppress them, East Germany's protesters grew more emboldened with every arrest. 40th anniversary of the GDR As the fortieth anniversary of the GDR approached, Mielke ordered, "We must stop the internal enemy. At the least hint of a disturbance of the celebration, isolate and arrest them." One former Stasi Major recalled, "We mixed inconspicuously with the demonstrators, accompanied by our IMs. Hundreds of us stood at the sides of the street in order to stop any activity before it got started. We barely got any sleep toward the end. Never did I sense that the people were afraid of the MfS. The Stasi was more afraid of the people than the people were of them." According to Koehler, "Despite the unrest, the regime celebrated its fortieth with a huge, pompous ceremony in Berlin on 7 October, while tens of thousands of outside the ornate building of the State Council. The People's Police cordons were utterly ineffectual. As Stasi Minister Erich Mielke drove up and was greeted by General Günter Kratsch, the counterintelligence chief, Mielke screamed at police: "Club those pigs into submission!" () The police ignored Mielke's ranting. As more and more East Germans were arrested for protesting the 40th anniversary celebrations, many of them sang The Internationale in Vopo and Stasi custody to imply that they, rather than their captors, were the real working class and the real revolutionaries. According to Anna Funder, "There was a sea of red flags, a torchlight procession, and tanks. The old men on the podium wore light-grey suits studded with medals. Mikhail Gorbachev stood next to Honecker, but he looked uncomfortable among the much older Germans. He had come to tell them that it was over, to convince the leadership to adopt his reformist policies. He had spoken openly about the danger of not 'responding to reality.' He pointedly told the Politburo that, 'life punishes those who come too late.' Honecker and Mielke ignored him, just as they ignored the crowds when they chanted, "Gorby, help us! Gorby, help us!" Plan X On 8 October 1989, Mielke and Honecker ordered the Stasi to implement "Plan X"—the SED's plan to arrest and indefinitely detain 85,939 East Germans during a state of emergency. According to John Koehler, Plan X had been in preparation since 1979 and was, "a carbon copy of how the Nazi concentration camps got their start after Hitler came to power in 1933." By 1984, 23 sites had been selected for "isolation and internment camps." Those who were to be imprisoned in them ran into six categories; including anyone who had ever been under surveillance for anti-state activities, including all members of peace movements which were not under Stasi control. According to Anna Funder, "The plans contained exact provisions for the use of all available prisons and camps, and when those were full for the conversion of other buildings: Nazi detention centers, schools, hospitals, and factory holiday hostels. Every detail was foreseen, from where the doorbell was located on the house of each person to be arrested to the adequate supply of barbed wire and the rules of dress and etiquette in the camps..." However, when Mielke sent the orders, codenamed "Shield" (), to each local Stasi precinct to begin the planned arrests, he was not obeyed. Terrified of an East German version of the mass lynchings of Hungarian secret police agents during the 1956 Revolution, Stasi agents throughout the GDR fortified their office-buildings and barricaded themselves inside. Toppling Honecker Even as orders were going out to implement Plan X, Mielke had already thrown his support behind the anti-Honecker faction in the SED's Politburo. Although he was of the same generation as Honecker and had matured in an environment where following orders was the rule, he was sober enough and politically savvy enough to realize this approach no longer worked. During a session on 10 October 1989, Mielke delivered a report attacking Honecker's desire to violently suppress the demonstrations rather than offer concessions. In what Edward N. Peterson has called "a remarkable disclaimer of responsibility for the violence," Mielke declared that Honecker's orders to him "were built on false situation judgments." He added that Honecker's commands on 7 and 8 October "were false and undifferentiated condemnations of those who think differently. Despite this evaluation, there was never any instructions to use violence against persons. There is nothing in our basic principles to consider a demonstration as part of a possible counterrevolutionary coup." Mielke also claimed that "the Party judged the situation falsely. We tried to tell them the true situation, but enough was not done." Mielke argued in favor of solving the demonstrations politically and giving "every DDR citizen the right to travel." On 17 October 1989, Mielke and the rest of the GDR's Politburo met to follow Gorbachev's demand, voiced in August, for Honecker be removed as General Secretary of the SED and State Council chairman. Suspecting that Honecker's personal bodyguards might try to arrest the members of the Central Committee when they met to vote Honecker out in favour of Egon Krenz, Mielke saw to it that Stasi agents who were loyal to him were stationed near the meeting room. While deliberations were underway, Mielke told Honecker that "we simply cannot start shooting with tanks," and tried to impress upon Honecker that it was "the end". After the vote to oust Honecker passed, Mielke "got nasty," and accused Honecker of corruption. Honecker responded that Mielke should not open his mouth so much. Mielke responded by putting the last nail into Honecker's coffin. He announced that the MfS had a file on the now-ousted leader. It contained proof of Honecker's corrupt business practices, sexual activities, and how, as a member of the underground Communist Party of Germany during the Nazi years, he had been arrested by the Gestapo and had named names. To the shock of both the Politburo and the Stasi, Krenz's first televised addresses failed to win popular support. Despite his assurances that the SED was at last ready to embrace Gorbachev's policies of Glasnost and Perestroika, Krenz's approval ratings remained extremely low. Former Politburo member Günter Schabowski later recalled, "We made a palace revolution without offering a real alternative... We had not quickly and thoroughly enough whittled away from Stalin's methods." Defeat On 7 November 1989, Mielke resigned, along with eleven out of eighteen members of the SED's Council of Ministers, in response to the increasing disintegration of the GDR. Two days later, Schabowski announced on television that the east–west border was open without restriction. According to Anna Funder, there was panic at Stasi Headquarters in Berlin-Lichtenberg, "Stasi officers were instructed to destroy files, starting with the most incriminating–those naming westerners who spied for them, and those that concerned deaths. They shredded the files until the paper shredders overheated and shorted out. Among other shortages in the East, there was a shredder shortage, so they had to send agents out under cover to West Berlin to buy more. In Building 8 alone, the citizens' movement found over a hundred burnt out shredders. When they ran out of working shredders from the West and could not procure more they began using scissors to cut the documents by hand. According to William F. Buckley, Jr., "In the weeks after 9 November, Stasi offices were stormed in various cities around East Germany. Stasi commissars in three of those cities committed suicide. But not one was lynched or executed." Televised humiliation On 13 November 1989, Mielke was summoned to deliver a briefing about the protests to the GDR parliament, or Volkskammer. Formerly a "rubber stamp parliament," the disintegration of the SED's power had allowed the Volkskammer to begin exercising real authority over the GDR. Therefore, Mielke, as the head of the Stasi (known as the "shield and sword of the [SED] party"), was summoned before the newly empowered parliament to justify his position in government. As his speech was broadcast live, Mielke began by using overly bombastic, flag-waving language, saying "We have, comrades, dear assembly members, an extraordinarily high amount of contact with all working people" (). To his shock, the Volkskammer responded with boos, whistles, and catcalls. His face grief-stricken and pale, Mielke then tried to defuse the situation, "Yes, we have such contact, let me tell you-let me tell you why. I am not afraid to stand here and to give you an unbiased answer" (). Mielke continued, speaking of the "triumph" of the socialist economy, continuing all the while to address the members of the Volkskammer as "Comrades" (). In response, Volkskammer member Dietmar Czok of the Christian Democratic Union, rose from his seat and raised his hand. The Volkskammer's president, Günther Maleuda, interrupted Mielke and urged Czok to speak. With his voice dripping with contempt, Czok told Mielke, "As a point of order, I will not tell you this again. There are more people sitting in this Chamber than just your Comrades!" (). In response, many in the Volkskammer burst into applause, cheers, and shouts of "We are not your Comrades!" () Trying to appear magnanimous, Mielke responded, "This is a natural, Humanistic question! This is just a question of formality." (), leading to further shouts of displeasure from the members of the Volkskammer. In a last ditch effort, Mielke "raised his arms like an evangelist," and cried, "I love all – all Humanity! I really do! I set myself before you!" () Everyone in the room, including staunch SED members, burst out laughing. Then Mielke started to cry. John Koehler later wrote, "Mielke was finished." Mielke's address to the Volkskammer remains the most famous broadcast in the history of German television. Anna Funder has written, "When they think of Mielke, East Germans like to think of this." The Fall On 17 November 1989, the Volkskammer renamed the MfS the Amt für Nationale Sicherheit (AfNS – Office for National Security). The following day, Mielke's tenure in office ended when the Volkskammer appointed Generalleutnant Wolfgang Schwanitz as the new director of the AfNS. On 1 December 1989, the Volkskammer nullified the clause of the GDR constitution that enshrined the SED's "leading role" in the government and formally ending Communist rule in East Germany. Two days later, the SED announced that Mielke's party membership had been permanently revoked. Years later, he lamented, "Millions have died for nothing. Everything we fought for – it has all amounted to nothing." He also said, "If the party had given me the task, then there would perhaps still be a GDR today. On that you can rely." Prosecution Indictments On 7 December 1989, Erich Mielke was arrested and placed in solitary confinement for embezzlement of public funds in order to improve his hunting estate. He was charged with "Damaging the People's Economy" (Schädigung der Volkswirtschaft). On 7 January 1990, he was further charged with high treason and conspiring with Erich Honecker to bug the telephones and open the mail of every one of East Germany's citizens. Meanwhile, the Federal Constitutional Court announced that Mielke had also been indicted for having ordered two terrorist attacks by the Baader-Meinhoff Group against United States military personnel who were stationed on West German soil. The first was the car bomb attack against the United States Air Force at Ramstein Air Base on 31 August 1981. The second was the attempted murder with an RPG-7 anti-tank rocket of United States Army General Frederick Kroesen, his wife, and the West German police officer who was driving their armored Mercedes at Heidelberg on 15 September 1981. After German reunification in October 1990, Mielke was also indicted for ordering the shootings of defectors at the Berlin Wall. He was also charged with misuse of office, breach of trust, and incitement to pervert the course of justice. Bülowplatz trial In February 1992, Mielke was put on trial for the 1931 first degree murders of Berlin Police Captains Anlauf and Lenck as well as the attempted murder of Senior Sergeant Willig. The evidence for Mielke's guilt was drawn from the original police files, the transcripts from the 1934 trial of his co-conspirators, and a handwritten memoir in which Mielke revealed that his role in, "the Bülowplatz Affair," had been his reason for fleeing to Moscow from the Weimar Republic in 1931. All had been found in Mielke's house safe during a police search in 1990. Mielke was believed to have kept the documents for the purpose of "blackmailing Honecker and other East German leaders." Former Associated Press reporter and White House Press Secretary John Koehler also testified that Mielke had boasted of his involvement in the Bülowplatz murders during a confrontation at Leipzig in 1965. During his trial, Mielke appeared increasingly senile, admitting his identity but otherwise remaining silent, taking naps, and showing little interest in the proceedings. In a widely publicized incident, Mielke appeared to mistake the presiding judge for a prison barber. When a journalist for Der Spiegel attempted to interview him in Plötzensee Prison, Mielke responded, "I want to go back to my bed" (). Opinion was divided whether Mielke was suffering from senile dementia or was pretending in order to evade prosecution. After twenty months of one-and-a-half-hour daily sessions, Erich Mielke was convicted on two counts of murder and one of attempted murder. On 26 October 1993, a panel of three judges and two jurors sentenced him to six years' imprisonment. At his sentencing, Mielke started to cry. In pronouncing sentence, Judge Theodor Seidel, told Mielke that he "will go down in history as one of the most fearsome dictators and police ministers of the 20th century." Imprisonment Mielke was then put on trial for ordering the shootings of East Germans who were trying to defect to the West. In November 1994, the presiding judge adjourned the proceedings, ruling that Mielke was not mentally competent to stand trial. During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters. Although it was not connected to the outside world, Mielke enjoyed having imaginary conversations with non-existent Stasi agents. His other favorite pastime was watching game shows on television. In 1995, parole officers and Mielke's attorneys argued that he was "totally confused" and obtained his release. At 87 years of age, Erich Mielke was Germany's oldest prison inmate and had been incarcerated for 1,904 days. Days before his release, the Public Prosecutor of Berlin announced that he was "not interested in chasing an 87-year-old man anymore" and that all further prosecution of Mielke had been indefinitely suspended. According to Koehler, "[Mielke's] bank account, which held more than 300,000 Marks (about US$187,500), was confiscated. Before his arrest in 1989, the most feared man in East Germany had lived in a luxurious home with access to an indoor pool. In addition, he owned a palatial hunting villa, complete with a movie theater, trophy room, 60 servants, and a 60 square kilometers hunting preserve. After he was released from prison Mielke was obliged to move into a two-room, 55-square-meter flat. Like all Stasi pensioners, he would henceforth have to live on 802 marks (about US$512) a month." Death Erich Mielke died on 21 May 2000, aged 92, in a Berlin nursing home. After being cremated at the crematorium in Meissen, an urn containing Mielke's ashes was buried in an unmarked grave at the Zentralfriedhof Friedrichsfelde in Berlin. An estimated 100 people reportedly attended the funeral. Erich Mielke's grave is outside the memorial section established at the entrance in 1951 by East German leaders for communist heroes. Within hours of his funeral, the flowers and wreaths left at Mielke's grave were ripped to shreds by persons unknown. Legacy Writing in 2003, Australian journalist Anna Funder declared, "The name Mielke has now come to mean 'Stasi.' Victims are dubiously honored to find his signature in their files: on plans for someone to be observed 'with all possible methods', on commands for arrest, for kidnapping, instructions to judges for sentencing, orders for 'liquidation'. The honor is dubious because... he signed so many." In 2012, the museum at the former Stasi headquarters opened Mielke's office as a permanent exhibit. Soon after, The Guardian correspondent Tam Eastley visited the exhibit and numerous sites in Berlin connected to Mielke's life, times, and legacy. When she visited Mielke's grave, Eastley found that it had become a shrine for adherents of Ostalgie. Personal life Erich Mielke was a fitness enthusiast, a non-smoker, and drank very little. He was a keen hunter and owned a large area of ground where he would hunt animals with other East German and visiting Soviet officials. During the late 1940s, when Mielke was working as security chief of the DWK, he began a relationship with Gertrud Mueller, a seamstress. On 18 December 1948, shortly after the birth of their son Frank Mielke, Erich and Gertrud married in a civil ceremony. According to the newspaper Bild, the Mielkes adopted an orphaned girl named Ingrid, who was born in 1950. Like her adopted brother Frank, Ingrid Mielke attended the Wilhelm Pieck School. She ultimately became a captain in the Stasi and married a Stasi Lieutenant named Norbert Knappe. As of 1999, the Knappes had both refused to grant an interview to Bild reporters. In popular culture Erich Mielke has appeared as a character in both films and novels set in the GDR. Volker Schlöndorff's The Legend of Rita (2000), which focuses on Stasi collusion with the West German far-left terrorist organization Rote Armee Fraktion. In conversation with fictional Stasi officer Erwin Hull (Martin Wuttke), Mielke (Dietrich Körner) expresses admiration for the RAF's campaign against the United States, West Germany, and the State of Israel, which he compares with his own activities against the Weimar Republic and the Nazis. The RAF members are then brought to a training camp, where Stasi agents instruct them in the use of grenade launchers and other kinds of military hardware. Mielke's name is never disclosed and Agent Hull addresses him only as, "Comrade General." () Florian Henckel von Donnersmarck's The Lives of Others (2006), which focuses on the Stasi's surveillance and repression of the East German population. In the film, a previously loyal GDR playwright named Georg Dreymann (Sebastian Koch) publishes an anonymous article in the West German magazine Der Spiegel which accuses East Germany's Minister of Culture of having persecuted a blacklisted stage director until he hanged himself. Soon after the article goes to press, Mielke's voice is heard over the telephone giving a dressing down to fictional Stasi Lieutenant Colonel Anton Grubitz (Ulrich Tukur). Addressed only as "Genosse Armeegeneral" (Mielke was the only person to ever hold that rank in the Stasi), Mielke threatens to throw Grubitz in front of a firing squad if he fails to identify and arrest the article's author. In Philip Kerr's novel Field Grey (2010), Mielke first appears in 1931 Berlin, when protagonist Bernie Gunther saves him from being murdered by Nazi Brownshirts. The novel then flashes forward to 1954, when Gunther is recruited into a CIA plot to abduct Mielke from East Berlin. Honours and awards Mielke received a large number of awards and commemorative medals from organisations within the German Democratic Republic and from allied states. A more complete list is available (in German) at Liste der Orden und Ehrenzeichen des Erich Mielke. Awards of the German Democratic Republic Patriotic Order of Merit in gold (7 October 1954) Six Orders of Karl Marx (28 December 1957, 20 November 1973, 1 December 1975, 28 December 1977, 28 June 1982, 28 December 1982) Twice Hero of Labour of the GDR (5 October 1964, 24 February 1968) Twice Hero of the GDR (1 December 1975, 28 December 1982) Banner of Labour (8 May 1960) Medal for Exemplary Border Service (26 April 1956) Medal for Faithful Service in the National People's Army; Bronze (7 October 1957) Silver (8 February 1959) Gold (1 July 1960) Gold for 20 years service (8 February 1965) Medal for Fighters Against Fascism (6 September 1958) Gold Medal of Merit of the National People's Army (1 March 1957) Scharnhorst Order, twice (25 September 1979, 7 October 1984) Awards of the Soviet Union Hero of the Soviet Union (25 December 1987) Four Orders of Lenin (12 June 1973, 28 December 1982, 1 April 1985, 28 December 1987) Order of the Patriotic War, 1st class (6 May 1970) Four Orders of the Red Banner (23 October 1958, 5 February 1968, 28 December 1977, February 1980) Jubilee Medal "50 Years of the Soviet Militia" (20 December 1967) Jubilee Medal "In Commemoration of the 100th Anniversary since the Birth of Vladimir Il'ich Lenin" (1970) Medal "For Distinction in Guarding the State Border of the USSR" (6 January 1970) Order of the October Revolution (February 1975) Other states Order of Georgi Dimitrov (Bulgaria, 28 December 1982) Order of Friendship (Czechoslovakia) (28 December 1982) Order of the Red Star (Czechoslovakia) (16 November 1970) References Further reading Buckley, Jr., William F. (2004), The Fall of the Berlin Wall, John Wiley & Sons, Inc. Funder, Anna (2003), Stasiland: True Stories from Behind the Berlin Wall, Granta Books, London. Kuchel, Dany (2011) "Le Glaive et le Bouclier", une histoire de la Stasi en France. Otto, Wilfriede, Erich Mielke, Biographie: Aufstieg und Fall eines Tschekisten. Dietz-Verlag, Berlin 2000, . Peterson, Edward N. (2002). The Secret Police and the Revolution: The Fall of the German Democratic Republic, Praeger Publications, Westport, Connecticut. London. Pickard, Ralph (2007). STASI Decorations and Memorabilia, A Collector's Guide. Frontline Historical Publishing. Pickard, Ralph (2012). STASI Decorations and Memorabilia Volume II. Frontline Historical Publication. 1907 births 2000 deaths Politicians from Berlin Communist Party of Germany politicians Members of the Politburo of the Central Committee of the Socialist Unity Party of Germany Government ministers of East Germany Members of the 3rd Volkskammer Members of the 4th Volkskammer Members of the 5th Volkskammer Members of the 6th Volkskammer Members of the 7th Volkskammer Members of the 8th Volkskammer Members of the 9th Volkskammer East German spies German Comintern people German emigrants to the Soviet Union German politicians convicted of crimes Köllnisches Gymnasium alumni German people convicted of murdering police officers International Brigades personnel German people of the Spanish Civil War German police officers convicted of murder German spies for the Soviet Union Great Purge perpetrators Interwar-period spies NKVD officers Murders of Paul Anlauf and Franz Lenck Perpetrators of political repression in the Second Spanish Republic People convicted of murder by Germany Prisoners and detainees of Germany Stasi generals Stasi officers convicted of crimes SV Dynamo Collaborators with the Soviet Union German anti-Zionists International Lenin School alumni Recipients of the Scharnhorst Order Recipients of the Patriotic Order of Merit (honor clasp) Recipients of the Banner of Labor Foreign Heroes of the Soviet Union Recipients of the Order of Lenin Recipients of the Order of the Red Banner Recipients of the Medal "For Distinction in Guarding the State Border of the USSR" Recipients of the Order of Georgi Dimitrov 20th-century German criminals People from Mitte German mass murderers Criminals from Berlin German military personnel of World War II	true	[ "Ruslan Rakhimovich Khamarov (born in Berdiansk, Ukraine, in 1973) is a Ukrainian serial killer, who killed 11 women from 2000 to 2003. He was sentenced to life imprisonment.\n\nEarly years \nKhamarov was born in the city of Berdiansk in 1973. On his father's line, he had ancestry from the Uyghur people. In 1981, his father abandoned the family, converted to Islam and moved to Makhachkala. In 1985, his mother committed suicide by jumping under a train.\n\nMost of Khamarov's childhood was spent in the orphanage and the vocational school, which he graduated in 1991. At the same time, he was tried for theft and sentenced to 2.5 years' imprisonment. He was released in 1993.\n\nFrom 1993 to 1997 he lived in Zaporizhia, where he repeatedly committed theft and spent a partial term (from 1997 to 2000) in a psychiatric hospital.\n\nIn 2000, he was released and returned to Berdiansk, where relatives had bought him a room, although Khamarov did not work anywhere else for a while.\n\nMurders \nIn November 2000, Khamarov committed his first murder. The victim was a 47-year-old woman. After this murder, Khamarov focused on younger victims.\n\nKhamarov got acquainted with the victims in the park, in bars or at dance parties, invited them to his house, drank vodka before losing self-control, engaging in sexual contact with the victim, or just started and apologized, then going out into the corridor, taking a homemade knife (sometimes taking a hammer or bottle), returning to the room and inflicting several blows on the victim. Then he would engage in sexual intercourse with the corpse, disposing it in a well afterwards.\n\nAccording to accounts from former friends, Khamarov did not wash for weeks and looked like a battered ragtag, but this did not stop him from seducing women.\n\nIn total, from November to February 2003, he killed 11 women and girls.\n\nThe head of the Berdiansk City Department of Internal Affairs Viktor Burmakov had this to say about him:Khamarov is not a moron, but a schizophrenic. His intelligence is quite high, the construction of phrases is literate. He remembers thoroughly where, what, when and with whom he committed. He easily got acquainted with girls. They voluntarily went to him, had sex. Usually the victim did not have time to resist. He wrapped the body in a sheet, threw it into the well and dusted it. The well is so deep, that even in the heat of winter the water is cold, the corpses lay like in a refrigerator. There was no smell. It's in the middle of nowhere. So there were no signals from the neighbours.His last victim was Polina Izvekova, a 17-year-old mother. Khamarov killed her on February 24, 2003. Three days later, the mother of the girl contacted the police. On March 1, a police squad arrived at Khamarov's. Izvekova's body was discovered in the well, but Khamarov said: \"There are ten more\". He was immediately arrested. Subsequently, all the corpses were brought to the surface.\n\nCourt and sentence \nThe psychological examination recognized Ruslan Khamarov as sane at the time of the murders, and therefore the decision of the closed court (since one of the victims was a minor) which started on February 9, 2004 (the criminal case consisted of 7 volumes), Khamarov received punishment under articles 115 (parts 1 and 2 - killing of two or more persons) and 141 (robbery) of the Criminal Code of Ukraine - life imprisonment.\n\nSee also\nList of serial killers by country\nList of serial killers by number of victims\n\nReferences \n\nNecrophiles\nPrisoners sentenced to life imprisonment by Ukraine\n1973 births\nUkrainian serial killers\nMale serial killers\nLiving people\nPeople from Berdiansk\nUyghurs\nPeople convicted of theft", "\"What They'll Say About Us\" is a song by American singer-songwriter Finneas. It was released by OYOY as a single on September 2, 2020. The song was written and produced by Finneas. A lullaby-influenced ballad, the lyrics were inspired by the Black Lives Matter protests and Nick Cordero's death due to COVID-19. \"What They'll Say About Us\" was noted by music critics for its lyrical content. A music video for the song was released alongside the song and was directed by Sam Bennett in one take. It is the first single from his debut studio album Optimist.\n\nBackground and development\nFinneas wrote and produced \"What They'll Say About Us\". It was inspired by the spark of Black Lives Matter protests after racial inequality in the United States and the death of Canadian actor Nick Cordero, who died at the age of 41 from the ongoing COVID-19 pandemic. Finneas wrote the track in June 2020 while in quarantine. In an interview over Zoom with The Wall Street Journal, he said: \"I wrote this song in June after spending the day at a protest in Downtown LA, filled with hope with the prospect that millions of people were coming together from all over the world to fight against institutionalized racism and inequality\". He further stated: \"The other component of the song was [that] I was very closely following Nick Cordero's story on Instagram, via his wife [Amanda Kloots], and Nick and his wife were not people I'd ever met. I don't know them at all. I saw the headlines about his health, just like everybody else did. I just became incredibly attached to this family that I’d never met before. I kind of wrote this song as if you were singing to your loved one who was in a hospital bed while the world was protesting outside. I did make a point to keep the song fairly ambiguous because I know everybody's sort of going through different circumstances of the same things right now\".\n\nComposition and lyrics\n\"What They'll Say About Us\" begins \"calmly and reassuringly\": \"You're tired now, lie down/I'll be waiting to give you the good news/It might take patience/And when you wake up, it won't be over/So don't you give up\". However, as the beat and other instruments begin to arrive, the soundstage changes to be hazy. John Pareles, writing for The New York Times, says it \"mortality begins to haunt the song, all the way to a devastating last line\", noting the lyrics, \"It might take patience/And if you don't wake up/I'll know you tried to/I wish you could see him/He looks just like you\".\n\nReception\nIn a review for DIY magazine, the staff labeled \"What They'll Say About Us\" as \"poignant\" and an \"ode to human strength\". Writing for Billboard magazine, Jason Lipshutz said while the production on the track is \"effectively restrained\", people should credit Finneas for going \"full-on showstopper when he draws out the line, 'We've got the time to take the world / And make it better than it ever was\". Emily Tan of Spin magazine described the track as a song that \"aims to offer comfort to those who have lost someone due to Covid-19\".\n\nMusic video\nA music video for \"What They'll Say About Us\" was released to Finneas' YouTube channel on September 2, 2020. The video was directed by Sam Bennett and shot in one take. In the visual, lights and rain swirl around Finneas as he sings and offers comfort to people who have lost someone they love from COVID-19. Spins Emily Yan described the visual as \"simple\" and \"intimate\".\n\nCharts\n\nReferences\n\n2020s ballads\n2020 singles\n2020 songs\nSong recordings produced by Finneas O'Connell\nSongs written by Finneas O'Connell\nSongs in memory of deceased persons\nFinneas O'Connell songs" ]
[ "Erich Mielke", "Imprisonment", "When was Mielke imprisoned?", "1989,", "What crime was he convicted of?", "ruling that Mielke was not mentally fit to stand trial.", "How long was Mielke imprisoned?", "1,904 days.", "What happened during his imprisonment?", "Mielke enjoyed having imaginary conversations with non-existent Stasi agents.", "Are there any other interesting aspects about this article?", " [Mielke's] bank account, which held more than 300,000 marks (about US $187,500), was confiscated.", "What did Mielke do after being released from prison?", "all further prosecution of Mielke had been indefinitely suspended.", "What else is interesting about his imprisonment?", "During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters.", "What did he use the telephone for?", "Although it was not connected to the outside world, Mielke enjoyed having imaginary conversations with non-existent Stasi agents.", "What did people say about his imprisonment?", "In 1995, parole officers and Mielke's attorneys argued that he was \"totally confused\" and obtained his release." ]	C_3d20ba2e0075405eba35f1fa8f36a9f7_0	What happened at his release?	10	What happened at Erich Mielke's release from prison?	Erich Mielke	Mielke was then put on trial for ordering the shootings of East Germans who were trying to defect to the West. In November 1994, the presiding judge closed the proceedings, ruling that Mielke was not mentally fit to stand trial. During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters. Although it was not connected to the outside world, Mielke enjoyed having imaginary conversations with non-existent Stasi agents. His other favorite pastime was watching game shows on television. In 1995, parole officers and Mielke's attorneys argued that he was "totally confused" and obtained his release. At 87 years of age, Erich Mielke was Germany's oldest prison inmate and had been incarcerated for 1,904 days. Days before his release, the Public Prosecutor of Berlin announced that he was "not interested in chasing an 87 year old man anymore" and that all further prosecution of Mielke had been indefinitely suspended. According to Koehler: [Mielke's] bank account, which held more than 300,000 marks (about US $187,500), was confiscated. Before his arrest in 1989, the most feared man in East Germany had lived in a luxurious home with access to an indoor pool. In addition, he owned a palatial hunting villa, complete with a movie theater, trophy room, 60 servants, and a 15,000 acre hunting preserve. After he was released from prison Mielke was obliged to move into a two room, 600-square-foot flat. Like all Stasi pensioners, he would henceforth have to live on 802 marks (about US$512) a month. CANNOTANSWER	After he was released from prison Mielke was obliged to move into a two room, 600-square-foot flat.	Erich Fritz Emil Mielke (; 28 December 1907 – 21 May 2000) was a German communist official who served as head of the East German Ministry for State Security (Ministerium für Staatsicherheit – MfS), better known as the Stasi, from 1957 until shortly after the fall of the Berlin Wall in 1989. A native of Berlin and a second-generation member of the Communist Party of Germany, Mielke was one of two triggermen in the 1931 murders of Berlin Police captains Paul Anlauf and Franz Lenck. After learning that a witness had survived, Mielke escaped arrest by fleeing to the Soviet Union, where the NKVD recruited him. He was one of the key figures in the decimation of Moscow's German Communists during the Great Purge as well as in the persecution of suspected anti-Stalinists in the International Brigade during the Spanish Civil War. Following the end of World War II in 1945, Mielke returned to the Soviet Zone of Occupied Germany, which he helped organize into a Marxist-Leninist satellite state under the Socialist Unity Party (SED), later becoming head of the Stasi. According to historian Jack Koehler, he was "the longest serving secret police chief in the Soviet Bloc". The Stasi under Mielke has been called by historian Edward Peterson the "most pervasive police state apparatus ever to exist on German soil". In a 1993 interview, Holocaust survivor and Nazi-hunter Simon Wiesenthal has said that, if one considers only the oppression of their own people, the Stasi under Mielke was "much, much worse than the Gestapo". During the 1950s and 1960s Mielke led the process of forcibly forming collectivised farms from East Germany's family-owned farms, which sent a flood of refugees to West Germany. In response, Mielke oversaw the construction (1961) of the Berlin Wall and co-signed orders to shoot fatally all East Germans who attempted to leave the country. He also oversaw the establishment of pro-Soviet police states and paramilitary insurgencies in Western Europe, Latin America, Africa, and the Middle East. In addition to his role as head of the Stasi, Mielke was also an Army General in the National People's Army (Nationale Volksarmee), and a member of the SED's ruling Politburo. Dubbed "The Master of Fear" () by the West German press, Mielke was one of the most powerful and most hated men in East Germany. After German reunification in 1990, Mielke was arrested (1991), prosecuted (1992), convicted, and incarcerated (1993) for the 1931 murders of Paul Anlauf and Franz Lenck. Released from prison early due to ill health in 1995, he died in a Berlin nursing home in 2000. Early life Erich Mielke was born in a tenement in Berlin-Wedding, Brandenburg, on 28 December 1907. During the First World War, the neighborhood was known as "Red Wedding" due to many residents' Marxist militancy. In a handwritten biography written for the Soviet secret police, Mielke described his father as "a poor, uneducated woodworker," and said that his mother died in 1911. Both were, he said, members of the Social Democratic Party of Germany (SPD). After his remarriage to "a seamstress," the elder Mielke and his new wife joined the Independent Social Democratic Party of Germany and remained members when it was renamed the Communist Party of Germany (KPD). His son Erich claimed "My younger brother Kurt and two sisters were Communist sympathisers." Despite his family's poverty, Erich Mielke was academically gifted enough to be awarded a free scholarship in the prestigious Köllnisches Gymnasium, but was expelled on 19 February 1929, for being "unable to meet the great demands of this school." While attending the Gymnasium, Mielke joined the Communist Party of Germany in 1925, and worked as a reporter for the communist newspaper Rote Fahne from 1928 to 1931. During the Weimar Republic, the KPD was the largest communist party in Europe and was seen as the "leading party" of the communist movement outside the Soviet Union. Under Ernst Thälmann's leadership, the KPD was completely obedient to Soviet Premier Joseph Stalin, and from 1928 the Party was both funded and controlled by the Comintern in Moscow. Until the end of the Republic, the KPD viewed the Social Democratic Party of Germany (SPD), which dominated German politics between 1918 and 1931, as their mortal enemy. In keeping with Stalin's policy towards social democracy, the KPD considered all SPD members to be "social fascists". The KPD also believed that all other political parties were "fascist" and regarded itself as "the only anti-fascist Party" in Germany. Nevertheless, the KPD closely collaborated with the Nazi Party during the early 1930s and both Parties intended to replace the democratically elected government of the Weimar Republic with a totalitarian single party state. Soon after joining the Party, Mielke joined the KPD's paramilitary wing, or Parteiselbstschutz ("Party Self Defense Unit"). At the time, the Parteiselbstschutz in Berlin was commanded by KPD Reichstag Representatives Hans Kippenberger and Heinz Neumann. According to John Koehler, "Mielke was a special protege of Kippenberger's having taken to his paramilitary training with the enthusiasm of a Prussian Junker. World War I veterans taught the novices how to handle pistols, rifles, machine guns, and hand grenades. This clandestine training was conducted in the sparsely populated, pastoral countryside surrounding Berlin. Mielke also pleased Kippenberger by being an exceptional student in classes on the arts of conspiratorial behavior and espionage, taught by comrades who had studied at the secret M-school of the GRU in Moscow." According to John Koehler, members of the Parteiselbstschutz "served as bouncers at Party meetings and specialized in cracking heads during street battles with political enemies." Besides the ruling SPD and its paramilitary Reichsbanner forces, the arch-enemies of the Parteiselbstschutz were the Stahlhelm, which was the armed wing of the Monarchist German National People's Party (DVNP), Trotskyites, and "radical nationalist parties." According to Koehler, the KPD's Selbstschutz men "always carried a Stahlrute, two steel springs that telescoped into a tube seventeen centimeters long, which when extended became a deadly, 35-centimeter weapon. Not to be outdone by the Nazis, these street-fighters were often armed with pistols as well." In a 1931 biography written for the Cadre Division of the Comintern, Mielke recalled, "We took care of all kinds of work; terror acts, protecting illegal demonstrations and meetings, arms-trafficking, etc. The last work, which was accomplished by a Comrade and myself, was the Bülowplatz Affair" (). Bülowplatz murders Planning During the last days of the Weimar Republic, the KPD had a policy of assassinating two Berlin police officers in retaliation for every KPD member killed by the police. On 2 August 1931, KPD Members of the Reichstag Heinz Neumann and Hans Kippenberger received a dressing down from Walter Ulbricht, the Party's leader in the Berlin-Brandenburg region. Enraged by police interference and by Neumann and Kippenberger's failure to follow the policy, Ulbricht stated, "At home in Saxony we would have done something about the police a long time ago. Here in Berlin we will not fool around much longer. Soon we will hit the police in the head." Enraged by Ulbricht's words, Kippenberger and Neumann decided to assassinate Paul Anlauf, the 42-year-old Captain of the Berlin Police's Seventh Precinct. Captain Anlauf, a widower with three daughters, had been nicknamed "Schweinebacke", or "Pig Face" by the KPD. According to historian John Koehler, "Of all the policemen in strife-torn Berlin, the reds hated Anlauf the most. His precinct included the area around KPD headquarters, which made it the most dangerous in the city. The captain almost always led the riot squads that broke up illegal rallies of the Communist Party." On the morning of Sunday 9 August 1931, Kippenberger and Neumann gave a last briefing to the hit-team in a room at the Lassant beer hall. Mielke and Erich Ziemer were selected as the shooters. During the meeting, Max Matern gave a Luger pistol to fellow lookout Max Thunert and said, "Now we're getting serious. We're going to give Schweinebacke something to remember us by." Kippenberger then asked Mielke and Ziemer, "Are you sure that you are ready to shoot Schweinebacke?" Mielke responded that he had seen Anlauf many times during police searches of Party Headquarters. Kippenberger then instructed them to wait at a nearby beer hall which would permit them to overlook the entire Bülow-Platz. He further reminded them that Anlauf was accompanied everywhere by Senior Sergeant Max Willig, whom the KPD had nicknamed, "Hussar". Kippenberger concluded, "When you spot Schweinebacke and Hussar, you take care of them." Mielke and Ziemer were informed that, after the assassinations were completed, a diversion would assist in their escape. They were then to return to their homes and await further instructions. That evening, Anlauf was lured to Bülow-Platz by a violent rally demanding the dissolution of the Prussian Parliament. According to Koehler, "As was often the case when it came to battling the dominant SPD, the KPD and the Nazis had combined forces during the pre-plebiscite campaign. At one point in this particular campaign, Nazi propaganda chief Joseph Goebbels even shared a speaker's platform with KPD agitator Walter Ulbricht. Both parties wanted the parliament dissolved because they were hoping that new elections would oust the SPD, the sworn enemy of all radicals. That fact explained why the atmosphere was particularly volatile this Sunday." Murder at the Babylon Cinema At eight o'clock that evening, Mielke and Ziemer waited in a doorway as Anlauf, Willig, and Captain Franz Lenck walked toward the Babylon Cinema, which was located at the corner of Bülowplatz and Kaiser-Wilhelm-Straße. As they reached the door of the movie house, the policemen heard someone scream, "Schweinebacke!" As Anlauf turned toward the sound, Mielke and Ziemer opened fire at point blank range. Willig was wounded in the left arm and the stomach. However, he managed to draw his Luger pistol and fired a full magazine at the assailants. Lenck was shot in the chest and fell dead in front of the entrance. Willig crawled over and cradled the head of Anlauf, who had taken two bullets in the neck. Meanwhile, Mielke and Ziemer made their escape by running into the theater and out an emergency exit. They tossed their pistols over a fence, where they were later found by Homicide Detectives from the elite Mordkommission. Mielke and Ziemer then returned to their homes. According to Koehler, "Back at Bülowplatz, the killings had triggered a major police action. At least a thousand officers poured into the square, and a bloody street battle ensued. Rocks and bricks were hurled from the rooftops. Communist gunmen fired indiscriminately from the roofs of surrounding apartment houses. As darkness fell, police searchlights illuminated the buildings. Using megaphones, officers shouted, "Clear the streets! Move away from the windows! We are returning fire!" By now the rabble had fled the square, but shooting continued as riot squads combed the tenements, arresting hundreds of residents suspected of having fired weapons. The battle lasted until one o'clock the next morning. In addition to the two police officers, the casualties included one Communist who died of a gunshot wound and seventeen others who were seriously wounded." Anlauf's wife had died three weeks earlier of kidney failure. The murder of Anlauf thus left their three daughters as orphans. Their oldest daughter was forced to rush her planned wedding in order to keep her sisters from being put in an orphanage. Lenck was survived by his wife. Willig was hospitalized for 14 weeks, but made a full recovery and returned to active duty. In recognition for Willig's courage, the Berlin Police promoted him to Lieutenant. After the murders, the act was celebrated at the Lichtenberger Hof, a favorite beer hall of the Rotfrontkämpferbund, where Mielke boasted: "Today we celebrate a job that I pulled!" () Fugitive According to Koehler, "Kippenberger was alarmed when word reached him that Sergeant Willig had survived the shooting. Not knowing whether the sergeant could talk and identify the attackers, Kippenberger was taking no chances. He directed a runner to summon Mielke and Ziemer to his apartment at 74 Bellermannstrasse, only a few minutes walk from where the two lived. When the assassins arrived, Kippenberger told them the news and ordered them to leave Berlin at once. The parliamentarian's wife Thea, an unemployed schoolteacher and as staunch a Communist Party member as her husband, shepherded the young murderers to the Belgian border. Agents of the Communist International (Comintern) in the port city of Antwerp supplied them with money and forged passports. Aboard a merchant ship, they sailed for Leningrad. When their ship docked, they were met by another Comintern representative, who escorted them to Moscow." Beginning in 1932, Mielke attended the Comintern's Military Political school under the alias Paul Bach. He later graduated from the Lenin School shortly before being recruited into the OGPU. Trial According to Koehler, "In mid-March 1933, while attending the Lenin School, Mielke received word from his OGPU sponsors that Berlin police had arrested Max Thunert, one of the conspirators in the Anlauf and Lenck murders. Within days, fifteen other members of the assassination team were in custody. Mielke had to wait six more months before the details of the police action against his Berlin comrades reached Moscow. On 14 September 1933, Berlin newspapers reported that all fifteen had confessed to their roles in the murders. Arrest warrants were issued for ten others who had fled, including Mielke, Ziemer, Ulbricht, Kippenberger, and Neumann." Koehler also stated, "Defenders of Mielke later claimed that confessions had been obtained under torture by the Nazi Gestapo. However, all suspects were in the custody of the regular Berlin city criminal investigation bureau, most of whose detectives were SPD members. Some of the suspects had been nabbed by Nazi SA men and probably beaten before they were turned over to police. In the 1993 trial of Mielke, the court gave the defense the benefit of the doubt and threw out a number of suspect confessions." On 19 June 1934, the 15 conspirators were convicted of first degree murder. The three deemed most culpable, Michael Klause, Max Matern, and Friedrich Bröde were sentenced to death. Their co-defendants received sentences ranging from nine months to fifteen years incarceration at hard labor. Klause's sentence was commuted to life in prison based upon his cooperation. Bröde hanged himself in his cell. As a result, only Matern was left to be executed by beheading on 22 May 1935. Matern was subsequently glorified as a martyr by KPD and East German propaganda. Ziemer was officially killed in action while fighting on the Republican-side during the Spanish Civil War. Mielke, however, would not face trial for the murders until 1993. Career in Soviet intelligence The Great Terror Although Moscow's German Communist community was decimated during Joseph Stalin's Great Purge, Mielke survived and was promoted. In a handwritten autobiography prepared after World War II, Mielke recalled, "During my stay in the S.U. (Soviet Union), I participated in all Party discussions of the K.P.D. and also in the problems concerning the establishment of socialism and in the trials against the traitors and enemies of the S.U." Among the German communists executed as a result of these "discussions" were Mielke's former mentors Heinz Neumann and Hans Kippenberger. Mielke further recalled, "I was a guest on the honor grandstand of Red Square during the May Day and October Revolution parades. I became acquainted with many comrades of the Federation of World Communist Parties and the War Council of the Special Commission of the Comintern. I will never forget my meeting with Comrade Dimitrov, the Chairman of the Comintern, whom I served as an aide together with another comrade. I saw Comrade Stalin during all demonstrations at Red Square, especially when I stood on the grandstand. I mention these meetings because all these comrades are our models and teachers for our work." During his time in the USSR, Mielke also developed a lifelong reverence for Felix Dzerzhinsky, the Polish aristocrat who founded the Soviet secret police. Mielke also began an equally permanent habit of calling himself a Chekist. In a citation written decades later, Mielke described his philosophy of life, "The Chekist is the political combatant. He is the loyal son of... the workers' class. He stands at the head of the battle to strengthen the power of our workers' and peasants' state." Spanish Civil War From 1936 to 1939, Mielke served in Spain as an operative of the Servicio de Investigación Militar, the political police of the Second Spanish Republic. While attached to the staff of, "veteran GRU agent," and future Stasi minister Wilhelm Zaisser, Mielke used the alias Fritz Leissner. Bernd Kaufmann, the director of the Stasi's espionage school later said, "The Soviets trusted Mielke implicitly. He earned his spurs in Spain." At the time, the S.I.M. was heavily staffed by agents of the Soviet NKVD, whose Spanish rezident was General Aleksandr Mikhailovich Orlov. According to author Donald Rayfield, "Stalin, Yezhov, and Beria distrusted Soviet participants in the Spanish war. Military advisors like Vladimir Antonov-Ovseenko, journalists like Koltsov were open to infection by the heresies, especially Trotsky's, prevalent among the Republic's supporters. NKVD agents sent to Spain were therefore keener on abducting and murdering anti-Stalinists among Republican leaders and International Brigade commanders than on fighting Franco. The defeat of the Republic, in Stalin's eyes, was caused not by the NKVD's diversionary efforts, but by the treachery of the heretics." In a 1991 interview, Walter Janka, a fellow German communist exile and company commander in the International Brigade, recalled his encounters with Mielke. During the winter of 1936, Janka was summoned by the SIM and interrogated by Mielke. Mielke demanded to know why Janka had voluntarily traveled to Spain rather than being assigned there by the Party. When he told Mielke to get lost, the SIM demoted Janka to the ranks and then expelled him from the International Brigade. Years later, Janka recalled, "While I was fighting at the front, shooting at the Fascists, Mielke served in the rear, shooting Trotskyites and Anarchists." Upon the defeat of the Spanish Republic, Mielke fled across the Pyrenees Mountains to France, where he was interned at Camp de Rivesaltes, Pyrénées-Orientales. Mielke, however, managed to send a message to exiled KPD members and, in May 1939, escaped to Belgium. Although the Public Prosecutor of Berlin learned of Mielke's presence and filed for his extradition, the Belgian Government refused to comply, regarding the assassinations of Captains Anlauf and Lenck as "a political crime." The NKVD and the SIM's witch hunt for both real and imagined anti-Stalinists had serious consequences. It horrified numerous formerly pro-Soviet Westerners who had been witnesses, including John Dos Passos, Arthur Koestler and George Orwell, and caused them to permanently turn against the USSR. Mielke's belief that anti-Soviet Marxists had collaborated with Franco and stabbed the Republic in the back continued to shape his attitudes for the rest of his life. In a 1982 speech before a group of senior Stasi officers, he said, "We are not immune from villains among us. If I knew of any already, they wouldn't live past tomorrow. Short shrift. It's because I'm a Humanist, that I'm of this view." In the same speech, Mielke also said, "All this blithering over to execute or not to execute, for the death penalty or against—all rot, Comrades. Execute! And, when necessary, without a court judgment." World War II During World War II, Mielke's movements remain mysterious. In a biography written after the war, he claimed to have infiltrated Organisation Todt under the alias Richard Hebel, but historian John O. Koehler considers this unlikely. Koehler admits, however, "Mielke's exploits must have been substantial. By war's end, he had been decorated with the Order of the Red Banner, the Order of the Great Patriotic War First Class, and twice with the Order of Lenin. It is likely that he served as an NKVD agent, at least part of the time with guerrilla units behind German lines, for he knew all the partisan songs by heart and sang them in faultless Russian." Occupied Germany Komissariat-5 In April 1945, Mielke returned to the Soviet Zone of Occupied Germany aboard a special Soviet aircraft that also carried fellow German Communists Walter Ulbricht, Wilhelm Zaisser, Ernst Wollweber, and many of the future leaders of the East Germany. That same month, Mielke's future handler, NKGB General Ivan Serov, travelled to Germany from Warsaw and, from his headquarters in the Berlin suburb of Karlshorst, divided the Soviet Zone into "Operative Sectors." On 10 July 1945, Marshal Georgy Zhukov signed SMA Order No. 2, which legalized the re-establishment of "anti-fascist" political parties like the Communist Party of Germany (KPD). On 15 July 1945, Mielke walked into the KPD's headquarters and volunteered his services. In an autobiography written for the KPD, Mielke disclosed—truthfully—his involvement in the 1931 murders of Berlin Police Captains Anlauf and Lenck, and—mistakenly or misleadingly—that for this he had been tried in absentia, found guilty, and sentenced to death. In actuality, Mielke's "name was mentioned in the 1934 trials but he was never tried". He admitted—truthfully—fighting on the Republican side during the Spanish Civil War, but claimed—falsely—that he had been released from the French internment camps and had worked in Belgium for an underground Communist newspaper under the code name "Gaston". Furthermore, Mielke concealed his past and contemporaneous involvement with the NKVD, NKGB, and the Nazi Organisation Todt (which he asserted he'd infiltrated). According to Koehler, "As might be expected, Mielke's account of his past was approved by the Soviets. Had Serov not been part of the conspiracy, Mielke would have been instantly arrested or at least subjected to an intense internal investigation because of his membership in the Nazi Organisation Todt, which used thousands of slave laborers. But he was cleared in record time and by the end of June the Soviets had installed him as a station commander of the newly formed Volkspolizei (Vopo), the People's Police." On 16 August 1947, Serov ordered the creation of Kommissariat 5, the first German political police since the defeat of Nazi Germany. According to Anne Applebaum, however, not everyone approved of the plan. In Moscow, Soviet Interior Minister Viktor Abakumov argued that a new secret police force would be demonized by Western governments and the media, which would paint the K-5 as a "new Gestapo." Furthermore, Abakumov, like Stalin, intensely distrusted German Communists and alleged that there "were not enough German cadres who have been thoroughly checked." Notwithstanding Abakumov's objections, however, recruitment into the K-5 began almost immediately. It is possible, as Norman Naimark suspects, that the NKGB had realized that their officers' lack of fluency in the German language was engendering massive popular resentment. Wilhelm Zaisser, who had been Mielke's commanding officer in Republican Spain, was appointed the K-5's head. Mielke was installed as his deputy. According to John Koehler, "The K-5 was essentially an arm of the Soviet secret police. Its agents were carefully selected veteran German communists who had survived the Nazi-era in Soviet exile or in concentration camps and prisons. Their task was to track down Nazis and anti-communists, including hundreds of members of the Social Democratic Party. Mielke and his fellow bloodhounds performed this task with ruthless precision. The number of arrests became so great that the regular prisons could not hold them. Thus, Serov ordered the establishment or re-opening of eleven concentration camps, including the former Nazi death camps of Buchenwald and Sachsenhausen." According to Anne Applebaum, "One of the few documents from that era to survive (most were removed by the KGB or perhaps destroyed, in 1989 or before) mentions a departmental training meeting and included a list of attendees. Topping the list is a group of Soviet advisers. In this sense, K-5 did resemble the political police in the rest of Eastern Europe: as in Hungary, Poland, and the USSR itself, this new political police force was initially extra-governmental, operating outside the ordinary rule of law." According to Edward N. Peterson, "Not surprisingly, K-5 acquired a reputation as bad as that of Stalin's secret police and worse than that of the Gestapo. At least with the Nazis, albeit fanatically racist, their victims did not suddenly disappear into the GULAG." The Amalgamation Despite the K-5's mass arrests of members of the Social Democratic Party of Germany (SPD) in the Soviet Zone, the number of SPD members continued to grow. By March 1946, SPD members outnumbered KPD members by more than 100,000. Fearing that they would lose the elections scheduled for the autumn, the leadership of the KPD asked for and received Stalin's permission to merge the two parties. When the SPD's leadership agreed only to schedule a vote for the rank and file to decide, permission was denied by the Soviet occupation authorities. The K-5 then began mass arrests of SPD members who refused to support the merger. On 22 April 1946, the remaining leaders of the SPD in the Soviet Zone announced that they had united with the KPD to form the Socialist Unity Party of Germany (SED). The SPD in the western zones of Occupied Germany responded by forming the SPD East Bureau in order to support and finance those Social Democrats who refused to accept the merger. Those who joined or worked with the East Bureau were, however, in serious danger of arrest by the K-5 and trial by Soviet military tribunals. By 1950, more than 5,000 SPD members and sympathisers had been imprisoned in the Soviet Zone or transferred to the GULAG. More than 400 were either executed or died during their imprisonments. John Koehler has written that, prior to the spring of 1946, many Germans in the Soviet Zone, "merely shrugged at the wave of arrests, believing that the victims were former Nazi officials and war criminals." But then came the mass arrests of Social Democrats who opposed the merger, who, "were joined by people who had been denounced for making anti-communist or anti-Soviet remarks, among their number hundreds who were as young as fourteen years. Although these arrests were made by Germans purporting to be officials of the criminal police, the existence of the K-5 political police eventually was exposed. Mielke, meanwhile, had risen to the post of vice-president of the German Administration for Interior Affairs – the equivalent of the NKVD – and continued his manipulations from behind the scenes." Investigation In January 1947, two retired Berlin policemen recognized Mielke at an official function. Informing the head of the criminal police in West Berlin, the policemen demanded that Mielke be arrested and prosecuted for the murders of Captains Anlauf and Lenck. Wilhelm Kühnast, the Public Prosecutor of Berlin, was immediately informed and ordered a search of the Kammergericht archives. To his astonishment, the files of the 1931 murders had survived the wartime bombing of Germany. Finding ample evidence of Mielke's involvement, Kühnast ordered the arrest of the communist policeman. According to John Koehler, "At that time, the city administration, including the police, was under the control of the Allied Control Commission, which consisted of U.S., British, French, and Soviet military officers. All actions by city officials, including the judiciary, were to be reported to the Commission. The Soviet representative alerted the MGB. Action was swift. Marshal Vasily Sokolovsky, who had replaced Zhukov, protested, and his representatives at the Commission launched a vicious campaign to discredit Kühnast." The Soviet representatives falsely claimed that Kühnast, a jurist with an impeccable anti-Nazi record, had been an official of Roland Freisler's People's Court. Taking the Soviets at their word, the Western Allies removed Kühnast from his position and placed him under house arrest. During the Berlin airlift, Kühnast fled from his home in East Berlin and was granted political asylum in the American Zone. Meanwhile, the Soviet authorities confiscated all documents relating to the murders of Captains Anlauf and Lenck. According to Koehler, "The Soviets handed the court records to Mielke. Instead of destroying the incriminating papers, he locked them in his private safe, where they were found when his home was searched in 1990. They were used against him in his trial for murder." Deutsche Wirtschaftskommission In 1948, Mielke was appointed as security chief of the German Economic Commission (), the precursor to the future East German government. Mielke's task was to investigate the theft and sale of state property on the black market. He was also charged with intercepting the growing number of refugees fleeing to the French, British, and American Zones. Those his security forces caught while attempting to defect were used as slave labor in the uranium mines that were providing raw material for the Soviet atomic bomb project. German Democratic Republic Independence In 1949, the Soviet Military Administration ceded its legal functions to the newly created German Democratic Republic. On 14 January 1950, Marshal Vasili Chuikov announced that all Soviet "internment camps" on German soil had been closed. Soon after, the DWK was absorbed into the newly created Ministry for State Security. In keeping with earlier syllabic abbreviations along the same lines (see OrPo, KriPo, and GeStaPo) East Germans immediately dubbed it the "Stasi" (from Staatssicherheit). With the approval of the Soviets, Mielke's commanding officer from Spain and in the K5, Wilhelm Zaisser, was appointed as the Stasi's head. Mielke was appointed to his staff with the rank of State Secretary. Mielke was also granted a seat in the SED's ruling Politburo. According to John Koehler, "In the five years since the end of World War II, the Soviets and their vassals had arrested between 170,000 and 180,000 Germans. Some 160,000 had passed through the concentration camps, and of these about 65,000 had died, 36,000 had been shipped to the Soviet Gulag, and another 46,000 had been freed." In 1949, as a response to the remilitarization of East Germany and the Soviet blockade of West Berlin, the United States, Great Britain, France, Belgium, the Netherlands, Luxembourg, and Portugal formed the North Atlantic Treaty Organization, or NATO. In 1950, as a response to the outbreak of the Korean War, West Germany was also permitted to join NATO, which was then upgraded into a military alliance. According to Koehler, however, "As the Cold War intensified, living conditions in Soviet-occupied East Germany showed little improvement beyond the postwar level of bare subsistence. The new government of the DDR – a mere puppet of the Kremlin – relied more and more on the Stasi to quell discontent among factory workers and farmers. Ulbricht, claiming that the social unrest was fomented by capitalist agents, once ordered Mielke to personally visit one large plant and 'arrest four or five such agents' as an example to the others. The Stasi deputy 'discovered' the agents in record time." Field show trials Also in 1949, Noel Field, an American citizen who had spied for the NKVD from inside the U.S. State Department, the Office of Strategic Services, and the CIA, fled from his posting in Switzerland to Communist Czechoslovakia after his cover was blown by fellow mole Whittaker Chambers. On 11 May 1949, the Czechoslovakian secret police, or StB, in obedience to a direct order from KGB chief Lavrenti Beria, arrested Field in Prague. Field was then handed over to the Hungarian ÁVO. After his interrogation in Budapest, Fields was used as a witness at show trials of senior Soviet Bloc Communists who, like László Rajk and Rudolf Slánský, stood accused of having spied for the United States. The real reason for the trials was to replace homegrown Communists in Eastern Europe with those who would be blindly loyal to Joseph Stalin and to blame the division of Germany on the intrigues of U.S. intelligence. At the Rajk show trial, the prosecutor declared, "Noel Field, one of the leaders of American espionage, specialized in recruiting spies from among left-wing elements." In August 1950, six senior SED members, including Willi Kreikemeyer, the director of Deutsche Reichsbahn and head of Berliner Rundfunk, were accused of "special connections with Noel Field, the American spy." All were either imprisoned or shot. John Koehler writes, "Similar purges were conducted in Czechoslovakia, Hungary, and Bulgaria, where Field appeared as a witness in show trials that resulted in some death sentences. The Soviets simply distrusted all Communists who had sought exile in the West. All the while, Mielke remained untouched and continued to serve as the deputy secret police chief. His survival reinforced the belief that he had spent the war years in the Soviet Union instead of France and Belgium as he had claimed in the 1945 questionnaire." In June 1950, Erica Wallach, Noel Field's adopted daughter, decided to search for him. From Paris, she telephoned Leo Bauer, the editor-in-chief of Berliner Rundfunk. The call was monitored by agents of the Soviet Ministry for Internal Affairs, and Bauer's handler instructed him to invite Mrs. Wallach to East Berlin, where she was immediately arrested. Mielke personally interrogated her and, at one point, offered Mrs. Wallach immediate release if she named the members of her fictitious spy network. She was condemned to death by a Soviet military tribunal in East Berlin and shipped to the Lubianka prison in Moscow for her execution. After Joseph Stalin's death in on 5 March 1953, Erica Wallach's sentence was reduced to hard labor in Vorkuta, a region of the Gulag located above the Arctic Circle. She was released during the Khrushchev thaw in October 1955. At first, she was unable to join her husband and daughters in the U.S. because of the U.S. State Department's concern over her former membership in the Communist Party of Germany. It took the personal intervention of CIA Director Allen Dulles to reunite Erica Wallach with her family in 1957. Wallach's memoir of her experiences, Light at Midnight, was published in 1967. Death of Stalin After Soviet Premier Joseph Stalin died inside his Kuntsevo Dacha on 5 March 1953, the Central Committee of the East German Socialist Unity Party met in a special session and eulogized the dictator as the "great friend of Germany who was always an advisor of and help to our people." Two months later, on 5 May 1953, the SED's General Secretary, Walter Ulbricht, and the rest of the leadership increased work quotas by 10%. They also decided to rename Chemnitz Karl-Marx-Stadt and to institute the Order of Karl Marx as the GDR's highest award. Two weeks later, Mielke accused "a group of Party officials" of "plotting against the leadership", which "resulted in more expulsions from the Politburo and the Central Committee." East German uprising of 1953 Discontent among factory workers about a 10% increase of work quotas without a corresponding wage hike boiled over. On 16 June 1953, nearly one hundred construction workers gathered before work for a protest meeting at Stalinallee, in East Berlin. Words spread rapidly to other construction sites and hundreds of men and women joined the rally, which marched to the House of Ministries. The protesters chanted slogans for five hours, demanding to speak to Walter Ulbricht and Otto Grotewohl. Only Heavy Industry Minister Fritz Selbmann and Professor Robert Havemann, president of the GDR Peace Council, emerged. Their speech, however, was answered with jeers and the Ministers retreated into the heavily armed building. The regular and the Kasernierte Volkspolizei were summoned from their barracks, but made no move to attack the protesters, who returned to Stalinallee, where a general strike was called. Following West Germany's Federal Minister for All-German Questions Jakob Kaiser's admonition in a late night broadcast to East Germans to shy away from provocations, RIAS, starting with its 11 pm news broadcast, and from then on in hourly intermissions, repeated the workers' demand to continue the strike the next day, calling specifically for all East Berliners to participate in a demo at 7am on the 17th at Strausberger Platz. The following day, 17 June 1953, more that 100,000 protesters took to the streets of East Berlin. More than 400,000 protesters also took to the streets in other cities and towns throughout the German Democratic Republic. Everywhere, the demands were the same: free elections by secret ballot. Outside of Berlin, the main centres of the protests included the industrial region around Halle, Merseburg, and Bitterfeld, as well as middle-size towns like Jena, Görlitz, and Brandenburg. No more than 25,000 people participated in strikes and demonstrations in Leipzig, but there were 32,000 in Magdeburg, 43,000 in Dresden, 53,000 in Potsdam – and in Halle, a figure close to 100,000. In West Berlin, the American radio station RIAS and several other West German stations reported on the protests and on plans for a general strike. As East Germans listened to the broadcasts, 267,000 workers at State-owned plants in 304 cities and towns joined the general strike. In 24 towns, outraged East Germans stormed the Stasi's prisons and freed between 2,000 and 3,000 political prisoners. In response to orders, the Soviet Occupation Forces, the Stasi and the Kasernierte Volkspolizei went on the attack. Bloody street battles ensued and hundreds of policemen defected to the side of the protesters. Both police and Stasi stations were overrun and some government offices were sacked. The Party leadership retreated into a fortified compound in the Pankow district of East Berlin. At noon, the Soviet authorities terminated all tram and metro traffic into the Eastern sector and all but closed the sector borders to West Berlin to prevent more demonstrators from reaching the city centre. An hour later, they declared martial law in East Berlin. The repression took place outside East Berlin police HQ – where Soviet tanks opened fire on "the insurgents". According to John Koehler, "... by late afternoon, Soviet tanks accompanied by Infantry and MVD troops had rolled into East Berlin and other cities in the Soviet Zone. This made the people even angrier. At Berlin's Potsdamer Platz, which bordered on the American Sector, irate protesters ignored machine gun fire and the menacing barrels of tank guns. They ripped cobblestones from the streets and hurled them at the tanks." Fighting between the Red Army (and later GDR police) and the demonstrators persisted into the afternoon and night. In some cases, the tanks and the soldiers fired directly into the crowds. Overnight, the Soviets (and the Stasi) started to arrest hundreds of people. Ultimately, up to 10,000 people were detained and at least 20, probably as many as 40, people were executed, including Red Army soldiers who refused to obey orders. With the SED leadership effectively paralysed at the Soviet headquarters in Karlshorst, control of the city passed to the Soviets. In honor of the uprising, West Germany established 17 June as a national holiday, called Day of German Unity. The extension of the Unter den Linden boulevard to the west of the Brandenburg Gate, formerly called Charlottenburger Chaussee, was also renamed Straße des 17. Juni ("17 June Street") in honor of the uprising. According to John Koehler, "Provisional prison camps were set up to hold the thousands of Stasi victims. Nearly 1,500 persons were sentenced in secret trials to long prison terms. On 24 June, Mielke issued a terse announcement that one Stasi officer, nineteen demonstrators, and two bystanders had been killed during the uprising. He did not say how many were victims of official lynching. The numbers of the wounded were given as 191 policemen, 126 demonstrators, and 61 bystanders." Also according to Koehler, "Calm returned to the streets of the Soviet Zone, yet escapes to the West continued at a high rate. Of the 331,390 who fled in 1953, 8,000 were members of the Kasernierte Volkspolizei, the barracked people's police units, which were actually the secret cadre of the future East German Army. Also among the escapees were 2,718 members and candidates of the SED, the ruling Party." The Khrushchev thaw Purges Alarmed by the uprising, Lavrenty Beria, the First Deputy Premier of the Soviet Union and head of the Ministry of Internal Affairs, personally travelled from Moscow to East Berlin. He conferred with Stasi Minister Wilhelm Zaisser and with Mielke, his deputy, both of whom he had known since the early 1930s. During both conversations, Beria demanded to know why the Stasi had failed to recognize the extreme discontent of the population and inform the Party leadership, which could then have prevented the uprising by taking extremely repressive measures in advance. Both Zaisser and Mielke answered Beria's questions circumspectly, and were accordingly left in their posts. In response to the uprising, Beria decided to replace several hundred MVD officers, including Major General Ivan Fadeykin, the MVD resident of East Germany. The Stasi, according to John Koehler, "generally remained untouched except for the arrests and dismissals, for dereliction of duty, of a handful of officers in the provinces. One high-ranking Stasi officer shot himself." Following Beria's return to Moscow, however, he was arrested on 26 June 1953, in a coup d'état led by Nikita Khrushchev and Marshal Georgy Zhukov. Beria was tried on charges of 357 counts of rape and high treason. He was sentenced to death and shot by Red Army Colonel-General Pavel Batitsky on 23 December 1953. In an interview to Neues Deutschland, the official party newspaper of East Germany, on 30 June 1953, the Party's Minister of Justice, Max Fechner, declared that, "illegal arrests," had been made and that being a member of a strike committee or suspicion of being a ringleader was not in itself grounds for arrest and conviction. Meanwhile, when the East German Politburo met on 8 July, it seemed that Ulbricht would be deposed as Party General Secretary. Zaisser conceded that the whole Politburo was responsible for the "accelerated construction of socialism" and of the subsequent fallout. But he also added that to leave Ulbricht as Premier, "would be opposed catastrophic for the New Course". By the end of the meeting, only two Politburo members still supported Ulbricht's leadership: Free German Youth League chief Erich Honecker and Party Control Commission Chairman Hermann Matern. Ulbricht only managed to forestall a decision then and there with a promise to make a statement at the forthcoming 15th SED CC Plenum, scheduled for later that month. Meanwhile, Mielke informed a Party commission looking for scapegoats that his boss, Stasi Minister Wilhelm Zaisser, was calling for secret negotiations with West Germany and that, "he believed the Soviet Union would abandon the DDR." By late July, Ulbricht was completely certain that he had the support of the new Soviet Premier, Nikita Khrushchev. Therefore, he expelled his main opponents, Zaisser, Hernstadt and Ackermann, from the Politburo, and thus strengthened his position further. SED Minister of Justice Max Fechner was personally arrested by Mielke and replaced by Hilde Benjamin, who was known to East German citizens as "Red Hilde", "The Red Freisler," and as, "The Red Guillotine," for her role as a judge in the SED's show trials. Fechner was convicted of being, "an enemy of the Party and the State," and served three years in Bautzen Prison. Wilhelm Zaisser was replaced as head of the Stasi by Ernst Wollweber and Mielke remained on staff as his deputy. Tenure as Stasi head Mielke headed the Stasi from 1957 until the fall of the Berlin Wall in 1989. There was, under the East German system, no provision for parliamentary oversight. However, starting in 1971 Mielke was required to provide a detailed intelligence briefing to party secretary Erich Honecker each Tuesday, directly following the weekly Politburo meeting. (Before 1971, under Walter Ulbricht, Mielke was not involved in routine intelligence briefings to the leadership which, instead, were provided directly to Ulbricht by Intelligence Chief Markus Wolf.) Internal discipline During his tenure, Mielke enforced "political and personal discipline reminiscent of the early French Foreign Legion". New recruits were required to take a solemn oath pledging "to fight alongside the state security organs of all socialist countries against all enemies of socialism" on pain of "the severest punishment under the Republic's laws and the contempt of the workers." Recruits were also required to sign a security pledge vowing never to make unauthorized visits to any "capitalist countries" and to report on any members of their families who did so. Violations of the oath resulted in expulsion from the Stasi and blacklisting from all but the most menial jobs. Serious violations were tried before secret tribunals and led an estimated 200 Stasi agents to be shot. Colonel Rainer Wiegand once said, "There was only one way to leave the MfS without being haunted for the rest of your life. You either retired or you died." Domestic activities Under Erich Mielke's leadership, the Stasi employed 85,000 full-time domestic spies and 170,000 civilian informants () (IMs). East Germans coined a term to describe the Stasi's pervasive surveillance of the population "All-Covered" (). For this reason, Anna Funder has referred to East Germany as, "the most perfected surveillance state of all time." According to John Koehler, "...the Stasi's tentacles probed every aspect of life. Full-time officers were posted to all major industrial plants. Without exception, one tenant in every building was designated as a watchdog reporting to an area representative of the Volkspolizei...In turn, the police officer was the Stasi's man. If a relative or friend came to stay overnight, it was reported. Schools, universities and hospitals were infiltrated from top to bottom. German academe was shocked to learn that Heinrich Fink, professor of theology and vice-chancellor of East Berlin's Humboldt University, had been a Stasi informer since 1968. After Fink's Stasi connections came to light, he was summarily fired. Doctors, lawyers, journalists, writers, actors, and sports figures were co-opted by Stasi officers, as were waiters and hotel personnel. Tapping about 100,000 telephone lines in East Germany and West Berlin around the clock was the job of 2,000 officers... Churchmen, including high officials of both Protestant and Catholic denominations, were recruited en masse as secret informants. Their offices and confessionals were infested with eavesdropping devices. Even the director of Leipzig's famous Thomas Church choir, Hans-Joachim Rotzsch, was forced to resign when he was unmasked as a Spitzel, the people's pejorative for a Stasi informant." In an interview with journalist Anna Funder, an ex-Stasi officer recalled, "Most often, people we approached would inform for us. It was very rare that they would not. However, sometimes we felt that we might need to know where their weak points were, just in case. For example, if we wanted a pastor, we'd find out if he'd had an affair, or had a drinking problem—things that we could use as leverage. Mostly though, people said yes." On Mielke's orders, and with his full knowledge, Stasi officers also engaged in arbitrary arrest, kidnapping, brutal harassment of political dissidents, torture, and the imprisonment of tens of thousands of citizens. In a 1991 interview, Jewish Holocaust survivor and Nazi hunter Simon Wiesenthal said, "The Stasi was much, much worse than the Gestapo, if you consider only the oppression of its own people. The Gestapo had 40,000 officials watching a country of 80 million, while the Stasi employed 102,000 to control only 17 million." Activities abroad During Mielke's tenure, the Stasi's operations beyond East Germany were overseen by Markus Wolf and the Hauptverwaltung Aufklärung (MfS-HVA). Mielke and Wolf provided money, training, and surveillance equipment to help build pro-Soviet secret police forces in Fidel Castro's Cuba, Baathist Syria, Sandinista-ruled Nicaragua, Mengistu Haile Mariam's Ethiopia, Idi Amin's Uganda, Kwame Nkrumah's Ghana, and South Yemen. After the opening of Stasi archives, it was revealed that West Germany was riddled with MfS-HVA moles. In what John Koehler has dubbed, "The Invisible Invasion", some West German citizens collaborated out of Marxist beliefs, but others were recruited through blackmail, greed, career frustrations, or sexual favors from Stasi operatives. Another tactic was for Stasi military advisers assigned to African and Middle Eastern countries to request the arrest of West German tourists. Local police would then turn the prisoner over to the Stasi agent, who would offer the West German a choice between espionage or incarceration. Senior politicians from the Social Democratic Party of Germany, the Free Democratic Party of Germany, and the Christian Democratic Union were exposed and, when still alive, prosecuted. Mielke and Wolf also seriously compromised West Germany's police departments, foreign and domestic intelligence services, diplomatic corps, military-industrial complex, and journalistic profession. The Stasi compromised the United States military and diplomatic presence in West Germany. The most damaging American to spy for the Stasi was United States Army Sergeant James Hall III, who volunteered his services to Soviet and East German intelligence in November 1981. Sergeant Hall sold the Stasi 13,088 pages of classified documents, including detailed information about Project Trojan, a worldwide electronic network with the ability to pinpoint armored vehicles, missiles and aircraft by recording their signal emissions during wartime and the complete National SIGINT Requirements List (NSRL), a 4258-page document about NSA operations at home and abroad. In 1988, Sergeant Hall was tricked into confessing his espionage career to an undercover FBI Special Agent named Dmitri Droujinsky, a Russian-American who was posing as an agent of the KGB. When news of Sergeant Hall's arrest became public, one Washington intelligence official called the breach, "the Army's Walker Case." Collusion with Nazism Beginning in 1960, Mielke and Wolf used false flag recruitment to secretly organize and finance Neo-Nazi organizations, which they then instructed to vandalize Jewish religious and cultural sites throughout West Germany. During the Jerusalem trial of Adolf Eichmann, Stasi agents sent letters to West German Neo-Nazis and Waffen-SS veterans, urging them to speak out and to raise money for Eichmann's defense attorney. This was done in order to lend credibility to Communist propaganda about the allegedly Fascist and neo-Nazi orientation of the Federal Republic of Germany. According to German historian Michael Wolffsohn, "There is no doubt that in the 1960s as now, there were Nazis who were unreconstructed, unchangeable and evil, but without the help of East Germany, these Nazis were incapable of a national, coordinated campaign. That was true of right-wing extremist criminals in the 1980s as well. The East German Communists used anything they could against West Germany, including the... fears by Western countries and Jews that a new Nazism could be growing in West Germany. There is... evidence that the East Germans continued to use Anti-Semitism as a tool against West Germany in the 1970s and perhaps right up until 1989." In a 1991 interview with John Koehler, Holocaust survivor and Nazi hunter Simon Wiesenthal said of the Stasi, "They not only terrorized their own people worse than the Gestapo, but the government was the most Anti-Semitic and Anti-Israeli in the entire Eastern Bloc. They did nothing to help the West in tracking down Nazi criminals; they ignored all requests from West German judicial authorities for assistance. We have just discovered shelves of files on Nazis stretching over four miles. Now we also know how the Stasi used those files. They blackmailed Nazi criminals who fled abroad after the war into spying for them. What's more, the Stasi trained terrorists from all over the world." Support for paramilitary and terrorist groups During a 1979 visit to the GDR by senior PLO member Salah Khalaf, Mielke said, "We are paying great attention to the Palestine resistance and the other revolutionary forces fighting against the policies of the United States and against the provocations of the Israeli aggressor. Together with the Soviet Union and other socialist countries, we will do everything to support this just battle." With this in mind, Mielke ordered the Stasi to finance, arm, and train, "urban guerrillas," from numerous countries. According to former Stasi Colonel Rainer Wiegand, Mielke's ties to violent paramilitary groups were overseen by Markus Wolf and Department Three of the MfS-HVA. Members of the West German Baader-Meinhoff Group, the Chilean Manuel Rodríguez Patriotic Front, and Umkhonto we Sizwe, the paramilitary wing of the African National Congress, were brought to East Germany for training in the use of military hardware, insurgent tactics, and, "the leadership role of the Party." Similar treatment was meted out to Palestinians from the Popular Front for the Liberation of Palestine, Abu Nidal, and Black September. Other Stasi agents worked as military advisers to Soviet-backed African guerrilla organizations and the governments they later formed. They included the Namibian SWAPO and the Angolan MPLA during the South African Border War, the FRELIMO during the Mozambican War of Independence and civil war, and Robert Mugabe's ZANLA during the Rhodesian Bush War. Colonel Wiegand revealed that Mielke and Wolf provided bodyguards from the Stasi's counter-terrorism division for Venezuelan-born PLO terrorist Carlos the Jackal and Black September leader Abu Daoud during their visits to the GDR. Col. Wiegand had been sickened by the 1972 Munich massacre and was horrified that the GDR would treat the man who ordered it as an honored guest. When he protested, Wiegand was told that Abu Daoud was, "a friend of our country, a high-ranking political functionary," and that there was no proof that he was a terrorist. During the 1980s, Wiegand secretly blackmailed a Libyan diplomat into spying on his colleagues. Wiegand's informant told him that the La Belle bombing and other terrorist attacks against American and West German citizens were being planned at the Libyan Embassy in East Berlin. When Wiegand showed him a detailed report, Mielke informed the SED's Politburo, which ordered the Colonel to continue surveillance but not interfere with the plans of the Libyans. According to John Koehler, "Murder, kidnapping, extortion, bank robbery, and arson were felonies under the East German criminal code. However, if these offenses were committed under the banner of the 'anti-imperialist struggle,' the communist system would look the other way. Moreover, it had assigned the Stasi to make sure that terrorists were properly trained for murder and sowing mayhem. There was no limits to the East German regime's involvement with terrorism, so long as it could be ideologically justified." The Peaceful Revolution According to John Koehler, "Increasingly concerned over the growing popular opposition, Stasi Minister Mielke early in 1989 ordered the creation of a special elite unit for crushing disturbances. Its personnel were carefully selected members of the counterespionage and counterterrorism directorate. They were equipped with special batons similar to electric cattle prods but much more powerful. In a secret speech to top-ranking Stasi officers on 29 June, Mielke warned that, 'hostile opposing forces and groups have already achieved a measure of power and are using all methods to achieve a change in the balance of power. Former Stasi Colonel Rainer Wiegand told me he was horrified when Mielke compared the situation with that of China two months earlier. Chinese students in Beijing had begun massive protests in April and in May, during a student demonstration in Tiananmen Square, security troops had opened fire on them killing hundreds. 'Mielke said our situation was comparable and we had to be ready to counter it with all means and methods,' Wiegand recalled. 'Mielke said that the Chinese leadership had succeeded in smothering the protests before the situation got out of hand.'" Despite Mielke's attempts to suppress them, East Germany's protesters grew more emboldened with every arrest. 40th anniversary of the GDR As the fortieth anniversary of the GDR approached, Mielke ordered, "We must stop the internal enemy. At the least hint of a disturbance of the celebration, isolate and arrest them." One former Stasi Major recalled, "We mixed inconspicuously with the demonstrators, accompanied by our IMs. Hundreds of us stood at the sides of the street in order to stop any activity before it got started. We barely got any sleep toward the end. Never did I sense that the people were afraid of the MfS. The Stasi was more afraid of the people than the people were of them." According to Koehler, "Despite the unrest, the regime celebrated its fortieth with a huge, pompous ceremony in Berlin on 7 October, while tens of thousands of outside the ornate building of the State Council. The People's Police cordons were utterly ineffectual. As Stasi Minister Erich Mielke drove up and was greeted by General Günter Kratsch, the counterintelligence chief, Mielke screamed at police: "Club those pigs into submission!" () The police ignored Mielke's ranting. As more and more East Germans were arrested for protesting the 40th anniversary celebrations, many of them sang The Internationale in Vopo and Stasi custody to imply that they, rather than their captors, were the real working class and the real revolutionaries. According to Anna Funder, "There was a sea of red flags, a torchlight procession, and tanks. The old men on the podium wore light-grey suits studded with medals. Mikhail Gorbachev stood next to Honecker, but he looked uncomfortable among the much older Germans. He had come to tell them that it was over, to convince the leadership to adopt his reformist policies. He had spoken openly about the danger of not 'responding to reality.' He pointedly told the Politburo that, 'life punishes those who come too late.' Honecker and Mielke ignored him, just as they ignored the crowds when they chanted, "Gorby, help us! Gorby, help us!" Plan X On 8 October 1989, Mielke and Honecker ordered the Stasi to implement "Plan X"—the SED's plan to arrest and indefinitely detain 85,939 East Germans during a state of emergency. According to John Koehler, Plan X had been in preparation since 1979 and was, "a carbon copy of how the Nazi concentration camps got their start after Hitler came to power in 1933." By 1984, 23 sites had been selected for "isolation and internment camps." Those who were to be imprisoned in them ran into six categories; including anyone who had ever been under surveillance for anti-state activities, including all members of peace movements which were not under Stasi control. According to Anna Funder, "The plans contained exact provisions for the use of all available prisons and camps, and when those were full for the conversion of other buildings: Nazi detention centers, schools, hospitals, and factory holiday hostels. Every detail was foreseen, from where the doorbell was located on the house of each person to be arrested to the adequate supply of barbed wire and the rules of dress and etiquette in the camps..." However, when Mielke sent the orders, codenamed "Shield" (), to each local Stasi precinct to begin the planned arrests, he was not obeyed. Terrified of an East German version of the mass lynchings of Hungarian secret police agents during the 1956 Revolution, Stasi agents throughout the GDR fortified their office-buildings and barricaded themselves inside. Toppling Honecker Even as orders were going out to implement Plan X, Mielke had already thrown his support behind the anti-Honecker faction in the SED's Politburo. Although he was of the same generation as Honecker and had matured in an environment where following orders was the rule, he was sober enough and politically savvy enough to realize this approach no longer worked. During a session on 10 October 1989, Mielke delivered a report attacking Honecker's desire to violently suppress the demonstrations rather than offer concessions. In what Edward N. Peterson has called "a remarkable disclaimer of responsibility for the violence," Mielke declared that Honecker's orders to him "were built on false situation judgments." He added that Honecker's commands on 7 and 8 October "were false and undifferentiated condemnations of those who think differently. Despite this evaluation, there was never any instructions to use violence against persons. There is nothing in our basic principles to consider a demonstration as part of a possible counterrevolutionary coup." Mielke also claimed that "the Party judged the situation falsely. We tried to tell them the true situation, but enough was not done." Mielke argued in favor of solving the demonstrations politically and giving "every DDR citizen the right to travel." On 17 October 1989, Mielke and the rest of the GDR's Politburo met to follow Gorbachev's demand, voiced in August, for Honecker be removed as General Secretary of the SED and State Council chairman. Suspecting that Honecker's personal bodyguards might try to arrest the members of the Central Committee when they met to vote Honecker out in favour of Egon Krenz, Mielke saw to it that Stasi agents who were loyal to him were stationed near the meeting room. While deliberations were underway, Mielke told Honecker that "we simply cannot start shooting with tanks," and tried to impress upon Honecker that it was "the end". After the vote to oust Honecker passed, Mielke "got nasty," and accused Honecker of corruption. Honecker responded that Mielke should not open his mouth so much. Mielke responded by putting the last nail into Honecker's coffin. He announced that the MfS had a file on the now-ousted leader. It contained proof of Honecker's corrupt business practices, sexual activities, and how, as a member of the underground Communist Party of Germany during the Nazi years, he had been arrested by the Gestapo and had named names. To the shock of both the Politburo and the Stasi, Krenz's first televised addresses failed to win popular support. Despite his assurances that the SED was at last ready to embrace Gorbachev's policies of Glasnost and Perestroika, Krenz's approval ratings remained extremely low. Former Politburo member Günter Schabowski later recalled, "We made a palace revolution without offering a real alternative... We had not quickly and thoroughly enough whittled away from Stalin's methods." Defeat On 7 November 1989, Mielke resigned, along with eleven out of eighteen members of the SED's Council of Ministers, in response to the increasing disintegration of the GDR. Two days later, Schabowski announced on television that the east–west border was open without restriction. According to Anna Funder, there was panic at Stasi Headquarters in Berlin-Lichtenberg, "Stasi officers were instructed to destroy files, starting with the most incriminating–those naming westerners who spied for them, and those that concerned deaths. They shredded the files until the paper shredders overheated and shorted out. Among other shortages in the East, there was a shredder shortage, so they had to send agents out under cover to West Berlin to buy more. In Building 8 alone, the citizens' movement found over a hundred burnt out shredders. When they ran out of working shredders from the West and could not procure more they began using scissors to cut the documents by hand. According to William F. Buckley, Jr., "In the weeks after 9 November, Stasi offices were stormed in various cities around East Germany. Stasi commissars in three of those cities committed suicide. But not one was lynched or executed." Televised humiliation On 13 November 1989, Mielke was summoned to deliver a briefing about the protests to the GDR parliament, or Volkskammer. Formerly a "rubber stamp parliament," the disintegration of the SED's power had allowed the Volkskammer to begin exercising real authority over the GDR. Therefore, Mielke, as the head of the Stasi (known as the "shield and sword of the [SED] party"), was summoned before the newly empowered parliament to justify his position in government. As his speech was broadcast live, Mielke began by using overly bombastic, flag-waving language, saying "We have, comrades, dear assembly members, an extraordinarily high amount of contact with all working people" (). To his shock, the Volkskammer responded with boos, whistles, and catcalls. His face grief-stricken and pale, Mielke then tried to defuse the situation, "Yes, we have such contact, let me tell you-let me tell you why. I am not afraid to stand here and to give you an unbiased answer" (). Mielke continued, speaking of the "triumph" of the socialist economy, continuing all the while to address the members of the Volkskammer as "Comrades" (). In response, Volkskammer member Dietmar Czok of the Christian Democratic Union, rose from his seat and raised his hand. The Volkskammer's president, Günther Maleuda, interrupted Mielke and urged Czok to speak. With his voice dripping with contempt, Czok told Mielke, "As a point of order, I will not tell you this again. There are more people sitting in this Chamber than just your Comrades!" (). In response, many in the Volkskammer burst into applause, cheers, and shouts of "We are not your Comrades!" () Trying to appear magnanimous, Mielke responded, "This is a natural, Humanistic question! This is just a question of formality." (), leading to further shouts of displeasure from the members of the Volkskammer. In a last ditch effort, Mielke "raised his arms like an evangelist," and cried, "I love all – all Humanity! I really do! I set myself before you!" () Everyone in the room, including staunch SED members, burst out laughing. Then Mielke started to cry. John Koehler later wrote, "Mielke was finished." Mielke's address to the Volkskammer remains the most famous broadcast in the history of German television. Anna Funder has written, "When they think of Mielke, East Germans like to think of this." The Fall On 17 November 1989, the Volkskammer renamed the MfS the Amt für Nationale Sicherheit (AfNS – Office for National Security). The following day, Mielke's tenure in office ended when the Volkskammer appointed Generalleutnant Wolfgang Schwanitz as the new director of the AfNS. On 1 December 1989, the Volkskammer nullified the clause of the GDR constitution that enshrined the SED's "leading role" in the government and formally ending Communist rule in East Germany. Two days later, the SED announced that Mielke's party membership had been permanently revoked. Years later, he lamented, "Millions have died for nothing. Everything we fought for – it has all amounted to nothing." He also said, "If the party had given me the task, then there would perhaps still be a GDR today. On that you can rely." Prosecution Indictments On 7 December 1989, Erich Mielke was arrested and placed in solitary confinement for embezzlement of public funds in order to improve his hunting estate. He was charged with "Damaging the People's Economy" (Schädigung der Volkswirtschaft). On 7 January 1990, he was further charged with high treason and conspiring with Erich Honecker to bug the telephones and open the mail of every one of East Germany's citizens. Meanwhile, the Federal Constitutional Court announced that Mielke had also been indicted for having ordered two terrorist attacks by the Baader-Meinhoff Group against United States military personnel who were stationed on West German soil. The first was the car bomb attack against the United States Air Force at Ramstein Air Base on 31 August 1981. The second was the attempted murder with an RPG-7 anti-tank rocket of United States Army General Frederick Kroesen, his wife, and the West German police officer who was driving their armored Mercedes at Heidelberg on 15 September 1981. After German reunification in October 1990, Mielke was also indicted for ordering the shootings of defectors at the Berlin Wall. He was also charged with misuse of office, breach of trust, and incitement to pervert the course of justice. Bülowplatz trial In February 1992, Mielke was put on trial for the 1931 first degree murders of Berlin Police Captains Anlauf and Lenck as well as the attempted murder of Senior Sergeant Willig. The evidence for Mielke's guilt was drawn from the original police files, the transcripts from the 1934 trial of his co-conspirators, and a handwritten memoir in which Mielke revealed that his role in, "the Bülowplatz Affair," had been his reason for fleeing to Moscow from the Weimar Republic in 1931. All had been found in Mielke's house safe during a police search in 1990. Mielke was believed to have kept the documents for the purpose of "blackmailing Honecker and other East German leaders." Former Associated Press reporter and White House Press Secretary John Koehler also testified that Mielke had boasted of his involvement in the Bülowplatz murders during a confrontation at Leipzig in 1965. During his trial, Mielke appeared increasingly senile, admitting his identity but otherwise remaining silent, taking naps, and showing little interest in the proceedings. In a widely publicized incident, Mielke appeared to mistake the presiding judge for a prison barber. When a journalist for Der Spiegel attempted to interview him in Plötzensee Prison, Mielke responded, "I want to go back to my bed" (). Opinion was divided whether Mielke was suffering from senile dementia or was pretending in order to evade prosecution. After twenty months of one-and-a-half-hour daily sessions, Erich Mielke was convicted on two counts of murder and one of attempted murder. On 26 October 1993, a panel of three judges and two jurors sentenced him to six years' imprisonment. At his sentencing, Mielke started to cry. In pronouncing sentence, Judge Theodor Seidel, told Mielke that he "will go down in history as one of the most fearsome dictators and police ministers of the 20th century." Imprisonment Mielke was then put on trial for ordering the shootings of East Germans who were trying to defect to the West. In November 1994, the presiding judge adjourned the proceedings, ruling that Mielke was not mentally competent to stand trial. During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters. Although it was not connected to the outside world, Mielke enjoyed having imaginary conversations with non-existent Stasi agents. His other favorite pastime was watching game shows on television. In 1995, parole officers and Mielke's attorneys argued that he was "totally confused" and obtained his release. At 87 years of age, Erich Mielke was Germany's oldest prison inmate and had been incarcerated for 1,904 days. Days before his release, the Public Prosecutor of Berlin announced that he was "not interested in chasing an 87-year-old man anymore" and that all further prosecution of Mielke had been indefinitely suspended. According to Koehler, "[Mielke's] bank account, which held more than 300,000 Marks (about US$187,500), was confiscated. Before his arrest in 1989, the most feared man in East Germany had lived in a luxurious home with access to an indoor pool. In addition, he owned a palatial hunting villa, complete with a movie theater, trophy room, 60 servants, and a 60 square kilometers hunting preserve. After he was released from prison Mielke was obliged to move into a two-room, 55-square-meter flat. Like all Stasi pensioners, he would henceforth have to live on 802 marks (about US$512) a month." Death Erich Mielke died on 21 May 2000, aged 92, in a Berlin nursing home. After being cremated at the crematorium in Meissen, an urn containing Mielke's ashes was buried in an unmarked grave at the Zentralfriedhof Friedrichsfelde in Berlin. An estimated 100 people reportedly attended the funeral. Erich Mielke's grave is outside the memorial section established at the entrance in 1951 by East German leaders for communist heroes. Within hours of his funeral, the flowers and wreaths left at Mielke's grave were ripped to shreds by persons unknown. Legacy Writing in 2003, Australian journalist Anna Funder declared, "The name Mielke has now come to mean 'Stasi.' Victims are dubiously honored to find his signature in their files: on plans for someone to be observed 'with all possible methods', on commands for arrest, for kidnapping, instructions to judges for sentencing, orders for 'liquidation'. The honor is dubious because... he signed so many." In 2012, the museum at the former Stasi headquarters opened Mielke's office as a permanent exhibit. Soon after, The Guardian correspondent Tam Eastley visited the exhibit and numerous sites in Berlin connected to Mielke's life, times, and legacy. When she visited Mielke's grave, Eastley found that it had become a shrine for adherents of Ostalgie. Personal life Erich Mielke was a fitness enthusiast, a non-smoker, and drank very little. He was a keen hunter and owned a large area of ground where he would hunt animals with other East German and visiting Soviet officials. During the late 1940s, when Mielke was working as security chief of the DWK, he began a relationship with Gertrud Mueller, a seamstress. On 18 December 1948, shortly after the birth of their son Frank Mielke, Erich and Gertrud married in a civil ceremony. According to the newspaper Bild, the Mielkes adopted an orphaned girl named Ingrid, who was born in 1950. Like her adopted brother Frank, Ingrid Mielke attended the Wilhelm Pieck School. She ultimately became a captain in the Stasi and married a Stasi Lieutenant named Norbert Knappe. As of 1999, the Knappes had both refused to grant an interview to Bild reporters. In popular culture Erich Mielke has appeared as a character in both films and novels set in the GDR. Volker Schlöndorff's The Legend of Rita (2000), which focuses on Stasi collusion with the West German far-left terrorist organization Rote Armee Fraktion. In conversation with fictional Stasi officer Erwin Hull (Martin Wuttke), Mielke (Dietrich Körner) expresses admiration for the RAF's campaign against the United States, West Germany, and the State of Israel, which he compares with his own activities against the Weimar Republic and the Nazis. The RAF members are then brought to a training camp, where Stasi agents instruct them in the use of grenade launchers and other kinds of military hardware. Mielke's name is never disclosed and Agent Hull addresses him only as, "Comrade General." () Florian Henckel von Donnersmarck's The Lives of Others (2006), which focuses on the Stasi's surveillance and repression of the East German population. In the film, a previously loyal GDR playwright named Georg Dreymann (Sebastian Koch) publishes an anonymous article in the West German magazine Der Spiegel which accuses East Germany's Minister of Culture of having persecuted a blacklisted stage director until he hanged himself. Soon after the article goes to press, Mielke's voice is heard over the telephone giving a dressing down to fictional Stasi Lieutenant Colonel Anton Grubitz (Ulrich Tukur). Addressed only as "Genosse Armeegeneral" (Mielke was the only person to ever hold that rank in the Stasi), Mielke threatens to throw Grubitz in front of a firing squad if he fails to identify and arrest the article's author. In Philip Kerr's novel Field Grey (2010), Mielke first appears in 1931 Berlin, when protagonist Bernie Gunther saves him from being murdered by Nazi Brownshirts. The novel then flashes forward to 1954, when Gunther is recruited into a CIA plot to abduct Mielke from East Berlin. Honours and awards Mielke received a large number of awards and commemorative medals from organisations within the German Democratic Republic and from allied states. A more complete list is available (in German) at Liste der Orden und Ehrenzeichen des Erich Mielke. Awards of the German Democratic Republic Patriotic Order of Merit in gold (7 October 1954) Six Orders of Karl Marx (28 December 1957, 20 November 1973, 1 December 1975, 28 December 1977, 28 June 1982, 28 December 1982) Twice Hero of Labour of the GDR (5 October 1964, 24 February 1968) Twice Hero of the GDR (1 December 1975, 28 December 1982) Banner of Labour (8 May 1960) Medal for Exemplary Border Service (26 April 1956) Medal for Faithful Service in the National People's Army; Bronze (7 October 1957) Silver (8 February 1959) Gold (1 July 1960) Gold for 20 years service (8 February 1965) Medal for Fighters Against Fascism (6 September 1958) Gold Medal of Merit of the National People's Army (1 March 1957) Scharnhorst Order, twice (25 September 1979, 7 October 1984) Awards of the Soviet Union Hero of the Soviet Union (25 December 1987) Four Orders of Lenin (12 June 1973, 28 December 1982, 1 April 1985, 28 December 1987) Order of the Patriotic War, 1st class (6 May 1970) Four Orders of the Red Banner (23 October 1958, 5 February 1968, 28 December 1977, February 1980) Jubilee Medal "50 Years of the Soviet Militia" (20 December 1967) Jubilee Medal "In Commemoration of the 100th Anniversary since the Birth of Vladimir Il'ich Lenin" (1970) Medal "For Distinction in Guarding the State Border of the USSR" (6 January 1970) Order of the October Revolution (February 1975) Other states Order of Georgi Dimitrov (Bulgaria, 28 December 1982) Order of Friendship (Czechoslovakia) (28 December 1982) Order of the Red Star (Czechoslovakia) (16 November 1970) References Further reading Buckley, Jr., William F. (2004), The Fall of the Berlin Wall, John Wiley & Sons, Inc. Funder, Anna (2003), Stasiland: True Stories from Behind the Berlin Wall, Granta Books, London. Kuchel, Dany (2011) "Le Glaive et le Bouclier", une histoire de la Stasi en France. Otto, Wilfriede, Erich Mielke, Biographie: Aufstieg und Fall eines Tschekisten. Dietz-Verlag, Berlin 2000, . Peterson, Edward N. (2002). The Secret Police and the Revolution: The Fall of the German Democratic Republic, Praeger Publications, Westport, Connecticut. London. Pickard, Ralph (2007). STASI Decorations and Memorabilia, A Collector's Guide. Frontline Historical Publishing. Pickard, Ralph (2012). STASI Decorations and Memorabilia Volume II. Frontline Historical Publication. 1907 births 2000 deaths Politicians from Berlin Communist Party of Germany politicians Members of the Politburo of the Central Committee of the Socialist Unity Party of Germany Government ministers of East Germany Members of the 3rd Volkskammer Members of the 4th Volkskammer Members of the 5th Volkskammer Members of the 6th Volkskammer Members of the 7th Volkskammer Members of the 8th Volkskammer Members of the 9th Volkskammer East German spies German Comintern people German emigrants to the Soviet Union German politicians convicted of crimes Köllnisches Gymnasium alumni German people convicted of murdering police officers International Brigades personnel German people of the Spanish Civil War German police officers convicted of murder German spies for the Soviet Union Great Purge perpetrators Interwar-period spies NKVD officers Murders of Paul Anlauf and Franz Lenck Perpetrators of political repression in the Second Spanish Republic People convicted of murder by Germany Prisoners and detainees of Germany Stasi generals Stasi officers convicted of crimes SV Dynamo Collaborators with the Soviet Union German anti-Zionists International Lenin School alumni Recipients of the Scharnhorst Order Recipients of the Patriotic Order of Merit (honor clasp) Recipients of the Banner of Labor Foreign Heroes of the Soviet Union Recipients of the Order of Lenin Recipients of the Order of the Red Banner Recipients of the Medal "For Distinction in Guarding the State Border of the USSR" Recipients of the Order of Georgi Dimitrov 20th-century German criminals People from Mitte German mass murderers Criminals from Berlin German military personnel of World War II	false	[ "Brother is a yaoi manga by Yuzuha Ougi. It has been published in English by DramaQueen in 2005.\n\nPlot\nThe story is about Asuka Momoki and Yui Momoki who are two stepbrothers who were best friends during their lifetime as kids and young adolescents. But all that changed, they were best friends until an incident they had one day between each other on a hot summer day\n\nEver since that day, Yui has been avoiding Asuka at all costs, because he is ashamed of what happened. Yui is so ashamed of what happened that he is trying to avoid Asuka so much even going so far as leaving his native Japan to foreign North America to study at one of the schools there, and forget what happened between him and Asuka.\n\nIn America, Yui is very successful in what he does: He has become a tennis superstar, and because of his success, Yui feels that he no longer needs a big brother to look after him. In short, Brother is a bittersweet romance about the love that two brothers can have for each other, and the difficult time they can suffer with it.\n\nSequel\nAlthough a sequel to Brother (\"Brother 2\") has been released in Japan, DramaQueen has chosen not to release it in the US.\n\nReferences\n\nExternal links\nBrother Official site at DramaQueen\nMania review\nAbout.com\n\nYaoi anime and manga\n2004 manga", "What Happened may refer to:\n\n What Happened (Clinton book), 2017 book by Hillary Clinton\n What Happened (McClellan book), 2008 autobiography by Scott McClellan\n \"What Happened\", a song by Sublime from the album 40oz. to Freedom\n \"What Happened\", an episode of One Day at a Time (2017 TV series)\n\nSee also\nWhat's Happening (disambiguation)" ]
[ "Erich Mielke", "Imprisonment", "When was Mielke imprisoned?", "1989,", "What crime was he convicted of?", "ruling that Mielke was not mentally fit to stand trial.", "How long was Mielke imprisoned?", "1,904 days.", "What happened during his imprisonment?", "Mielke enjoyed having imaginary conversations with non-existent Stasi agents.", "Are there any other interesting aspects about this article?", " [Mielke's] bank account, which held more than 300,000 marks (about US $187,500), was confiscated.", "What did Mielke do after being released from prison?", "all further prosecution of Mielke had been indefinitely suspended.", "What else is interesting about his imprisonment?", "During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters.", "What did he use the telephone for?", "Although it was not connected to the outside world, Mielke enjoyed having imaginary conversations with non-existent Stasi agents.", "What did people say about his imprisonment?", "In 1995, parole officers and Mielke's attorneys argued that he was \"totally confused\" and obtained his release.", "What happened at his release?", "After he was released from prison Mielke was obliged to move into a two room, 600-square-foot flat." ]	C_3d20ba2e0075405eba35f1fa8f36a9f7_0	Did he live with someone or by himself?	11	Did Erich Mielke live with someone or by himself?	Erich Mielke	Mielke was then put on trial for ordering the shootings of East Germans who were trying to defect to the West. In November 1994, the presiding judge closed the proceedings, ruling that Mielke was not mentally fit to stand trial. During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters. Although it was not connected to the outside world, Mielke enjoyed having imaginary conversations with non-existent Stasi agents. His other favorite pastime was watching game shows on television. In 1995, parole officers and Mielke's attorneys argued that he was "totally confused" and obtained his release. At 87 years of age, Erich Mielke was Germany's oldest prison inmate and had been incarcerated for 1,904 days. Days before his release, the Public Prosecutor of Berlin announced that he was "not interested in chasing an 87 year old man anymore" and that all further prosecution of Mielke had been indefinitely suspended. According to Koehler: [Mielke's] bank account, which held more than 300,000 marks (about US $187,500), was confiscated. Before his arrest in 1989, the most feared man in East Germany had lived in a luxurious home with access to an indoor pool. In addition, he owned a palatial hunting villa, complete with a movie theater, trophy room, 60 servants, and a 15,000 acre hunting preserve. After he was released from prison Mielke was obliged to move into a two room, 600-square-foot flat. Like all Stasi pensioners, he would henceforth have to live on 802 marks (about US$512) a month. CANNOTANSWER	CANNOTANSWER	Erich Fritz Emil Mielke (; 28 December 1907 – 21 May 2000) was a German communist official who served as head of the East German Ministry for State Security (Ministerium für Staatsicherheit – MfS), better known as the Stasi, from 1957 until shortly after the fall of the Berlin Wall in 1989. A native of Berlin and a second-generation member of the Communist Party of Germany, Mielke was one of two triggermen in the 1931 murders of Berlin Police captains Paul Anlauf and Franz Lenck. After learning that a witness had survived, Mielke escaped arrest by fleeing to the Soviet Union, where the NKVD recruited him. He was one of the key figures in the decimation of Moscow's German Communists during the Great Purge as well as in the persecution of suspected anti-Stalinists in the International Brigade during the Spanish Civil War. Following the end of World War II in 1945, Mielke returned to the Soviet Zone of Occupied Germany, which he helped organize into a Marxist-Leninist satellite state under the Socialist Unity Party (SED), later becoming head of the Stasi. According to historian Jack Koehler, he was "the longest serving secret police chief in the Soviet Bloc". The Stasi under Mielke has been called by historian Edward Peterson the "most pervasive police state apparatus ever to exist on German soil". In a 1993 interview, Holocaust survivor and Nazi-hunter Simon Wiesenthal has said that, if one considers only the oppression of their own people, the Stasi under Mielke was "much, much worse than the Gestapo". During the 1950s and 1960s Mielke led the process of forcibly forming collectivised farms from East Germany's family-owned farms, which sent a flood of refugees to West Germany. In response, Mielke oversaw the construction (1961) of the Berlin Wall and co-signed orders to shoot fatally all East Germans who attempted to leave the country. He also oversaw the establishment of pro-Soviet police states and paramilitary insurgencies in Western Europe, Latin America, Africa, and the Middle East. In addition to his role as head of the Stasi, Mielke was also an Army General in the National People's Army (Nationale Volksarmee), and a member of the SED's ruling Politburo. Dubbed "The Master of Fear" () by the West German press, Mielke was one of the most powerful and most hated men in East Germany. After German reunification in 1990, Mielke was arrested (1991), prosecuted (1992), convicted, and incarcerated (1993) for the 1931 murders of Paul Anlauf and Franz Lenck. Released from prison early due to ill health in 1995, he died in a Berlin nursing home in 2000. Early life Erich Mielke was born in a tenement in Berlin-Wedding, Brandenburg, on 28 December 1907. During the First World War, the neighborhood was known as "Red Wedding" due to many residents' Marxist militancy. In a handwritten biography written for the Soviet secret police, Mielke described his father as "a poor, uneducated woodworker," and said that his mother died in 1911. Both were, he said, members of the Social Democratic Party of Germany (SPD). After his remarriage to "a seamstress," the elder Mielke and his new wife joined the Independent Social Democratic Party of Germany and remained members when it was renamed the Communist Party of Germany (KPD). His son Erich claimed "My younger brother Kurt and two sisters were Communist sympathisers." Despite his family's poverty, Erich Mielke was academically gifted enough to be awarded a free scholarship in the prestigious Köllnisches Gymnasium, but was expelled on 19 February 1929, for being "unable to meet the great demands of this school." While attending the Gymnasium, Mielke joined the Communist Party of Germany in 1925, and worked as a reporter for the communist newspaper Rote Fahne from 1928 to 1931. During the Weimar Republic, the KPD was the largest communist party in Europe and was seen as the "leading party" of the communist movement outside the Soviet Union. Under Ernst Thälmann's leadership, the KPD was completely obedient to Soviet Premier Joseph Stalin, and from 1928 the Party was both funded and controlled by the Comintern in Moscow. Until the end of the Republic, the KPD viewed the Social Democratic Party of Germany (SPD), which dominated German politics between 1918 and 1931, as their mortal enemy. In keeping with Stalin's policy towards social democracy, the KPD considered all SPD members to be "social fascists". The KPD also believed that all other political parties were "fascist" and regarded itself as "the only anti-fascist Party" in Germany. Nevertheless, the KPD closely collaborated with the Nazi Party during the early 1930s and both Parties intended to replace the democratically elected government of the Weimar Republic with a totalitarian single party state. Soon after joining the Party, Mielke joined the KPD's paramilitary wing, or Parteiselbstschutz ("Party Self Defense Unit"). At the time, the Parteiselbstschutz in Berlin was commanded by KPD Reichstag Representatives Hans Kippenberger and Heinz Neumann. According to John Koehler, "Mielke was a special protege of Kippenberger's having taken to his paramilitary training with the enthusiasm of a Prussian Junker. World War I veterans taught the novices how to handle pistols, rifles, machine guns, and hand grenades. This clandestine training was conducted in the sparsely populated, pastoral countryside surrounding Berlin. Mielke also pleased Kippenberger by being an exceptional student in classes on the arts of conspiratorial behavior and espionage, taught by comrades who had studied at the secret M-school of the GRU in Moscow." According to John Koehler, members of the Parteiselbstschutz "served as bouncers at Party meetings and specialized in cracking heads during street battles with political enemies." Besides the ruling SPD and its paramilitary Reichsbanner forces, the arch-enemies of the Parteiselbstschutz were the Stahlhelm, which was the armed wing of the Monarchist German National People's Party (DVNP), Trotskyites, and "radical nationalist parties." According to Koehler, the KPD's Selbstschutz men "always carried a Stahlrute, two steel springs that telescoped into a tube seventeen centimeters long, which when extended became a deadly, 35-centimeter weapon. Not to be outdone by the Nazis, these street-fighters were often armed with pistols as well." In a 1931 biography written for the Cadre Division of the Comintern, Mielke recalled, "We took care of all kinds of work; terror acts, protecting illegal demonstrations and meetings, arms-trafficking, etc. The last work, which was accomplished by a Comrade and myself, was the Bülowplatz Affair" (). Bülowplatz murders Planning During the last days of the Weimar Republic, the KPD had a policy of assassinating two Berlin police officers in retaliation for every KPD member killed by the police. On 2 August 1931, KPD Members of the Reichstag Heinz Neumann and Hans Kippenberger received a dressing down from Walter Ulbricht, the Party's leader in the Berlin-Brandenburg region. Enraged by police interference and by Neumann and Kippenberger's failure to follow the policy, Ulbricht stated, "At home in Saxony we would have done something about the police a long time ago. Here in Berlin we will not fool around much longer. Soon we will hit the police in the head." Enraged by Ulbricht's words, Kippenberger and Neumann decided to assassinate Paul Anlauf, the 42-year-old Captain of the Berlin Police's Seventh Precinct. Captain Anlauf, a widower with three daughters, had been nicknamed "Schweinebacke", or "Pig Face" by the KPD. According to historian John Koehler, "Of all the policemen in strife-torn Berlin, the reds hated Anlauf the most. His precinct included the area around KPD headquarters, which made it the most dangerous in the city. The captain almost always led the riot squads that broke up illegal rallies of the Communist Party." On the morning of Sunday 9 August 1931, Kippenberger and Neumann gave a last briefing to the hit-team in a room at the Lassant beer hall. Mielke and Erich Ziemer were selected as the shooters. During the meeting, Max Matern gave a Luger pistol to fellow lookout Max Thunert and said, "Now we're getting serious. We're going to give Schweinebacke something to remember us by." Kippenberger then asked Mielke and Ziemer, "Are you sure that you are ready to shoot Schweinebacke?" Mielke responded that he had seen Anlauf many times during police searches of Party Headquarters. Kippenberger then instructed them to wait at a nearby beer hall which would permit them to overlook the entire Bülow-Platz. He further reminded them that Anlauf was accompanied everywhere by Senior Sergeant Max Willig, whom the KPD had nicknamed, "Hussar". Kippenberger concluded, "When you spot Schweinebacke and Hussar, you take care of them." Mielke and Ziemer were informed that, after the assassinations were completed, a diversion would assist in their escape. They were then to return to their homes and await further instructions. That evening, Anlauf was lured to Bülow-Platz by a violent rally demanding the dissolution of the Prussian Parliament. According to Koehler, "As was often the case when it came to battling the dominant SPD, the KPD and the Nazis had combined forces during the pre-plebiscite campaign. At one point in this particular campaign, Nazi propaganda chief Joseph Goebbels even shared a speaker's platform with KPD agitator Walter Ulbricht. Both parties wanted the parliament dissolved because they were hoping that new elections would oust the SPD, the sworn enemy of all radicals. That fact explained why the atmosphere was particularly volatile this Sunday." Murder at the Babylon Cinema At eight o'clock that evening, Mielke and Ziemer waited in a doorway as Anlauf, Willig, and Captain Franz Lenck walked toward the Babylon Cinema, which was located at the corner of Bülowplatz and Kaiser-Wilhelm-Straße. As they reached the door of the movie house, the policemen heard someone scream, "Schweinebacke!" As Anlauf turned toward the sound, Mielke and Ziemer opened fire at point blank range. Willig was wounded in the left arm and the stomach. However, he managed to draw his Luger pistol and fired a full magazine at the assailants. Lenck was shot in the chest and fell dead in front of the entrance. Willig crawled over and cradled the head of Anlauf, who had taken two bullets in the neck. Meanwhile, Mielke and Ziemer made their escape by running into the theater and out an emergency exit. They tossed their pistols over a fence, where they were later found by Homicide Detectives from the elite Mordkommission. Mielke and Ziemer then returned to their homes. According to Koehler, "Back at Bülowplatz, the killings had triggered a major police action. At least a thousand officers poured into the square, and a bloody street battle ensued. Rocks and bricks were hurled from the rooftops. Communist gunmen fired indiscriminately from the roofs of surrounding apartment houses. As darkness fell, police searchlights illuminated the buildings. Using megaphones, officers shouted, "Clear the streets! Move away from the windows! We are returning fire!" By now the rabble had fled the square, but shooting continued as riot squads combed the tenements, arresting hundreds of residents suspected of having fired weapons. The battle lasted until one o'clock the next morning. In addition to the two police officers, the casualties included one Communist who died of a gunshot wound and seventeen others who were seriously wounded." Anlauf's wife had died three weeks earlier of kidney failure. The murder of Anlauf thus left their three daughters as orphans. Their oldest daughter was forced to rush her planned wedding in order to keep her sisters from being put in an orphanage. Lenck was survived by his wife. Willig was hospitalized for 14 weeks, but made a full recovery and returned to active duty. In recognition for Willig's courage, the Berlin Police promoted him to Lieutenant. After the murders, the act was celebrated at the Lichtenberger Hof, a favorite beer hall of the Rotfrontkämpferbund, where Mielke boasted: "Today we celebrate a job that I pulled!" () Fugitive According to Koehler, "Kippenberger was alarmed when word reached him that Sergeant Willig had survived the shooting. Not knowing whether the sergeant could talk and identify the attackers, Kippenberger was taking no chances. He directed a runner to summon Mielke and Ziemer to his apartment at 74 Bellermannstrasse, only a few minutes walk from where the two lived. When the assassins arrived, Kippenberger told them the news and ordered them to leave Berlin at once. The parliamentarian's wife Thea, an unemployed schoolteacher and as staunch a Communist Party member as her husband, shepherded the young murderers to the Belgian border. Agents of the Communist International (Comintern) in the port city of Antwerp supplied them with money and forged passports. Aboard a merchant ship, they sailed for Leningrad. When their ship docked, they were met by another Comintern representative, who escorted them to Moscow." Beginning in 1932, Mielke attended the Comintern's Military Political school under the alias Paul Bach. He later graduated from the Lenin School shortly before being recruited into the OGPU. Trial According to Koehler, "In mid-March 1933, while attending the Lenin School, Mielke received word from his OGPU sponsors that Berlin police had arrested Max Thunert, one of the conspirators in the Anlauf and Lenck murders. Within days, fifteen other members of the assassination team were in custody. Mielke had to wait six more months before the details of the police action against his Berlin comrades reached Moscow. On 14 September 1933, Berlin newspapers reported that all fifteen had confessed to their roles in the murders. Arrest warrants were issued for ten others who had fled, including Mielke, Ziemer, Ulbricht, Kippenberger, and Neumann." Koehler also stated, "Defenders of Mielke later claimed that confessions had been obtained under torture by the Nazi Gestapo. However, all suspects were in the custody of the regular Berlin city criminal investigation bureau, most of whose detectives were SPD members. Some of the suspects had been nabbed by Nazi SA men and probably beaten before they were turned over to police. In the 1993 trial of Mielke, the court gave the defense the benefit of the doubt and threw out a number of suspect confessions." On 19 June 1934, the 15 conspirators were convicted of first degree murder. The three deemed most culpable, Michael Klause, Max Matern, and Friedrich Bröde were sentenced to death. Their co-defendants received sentences ranging from nine months to fifteen years incarceration at hard labor. Klause's sentence was commuted to life in prison based upon his cooperation. Bröde hanged himself in his cell. As a result, only Matern was left to be executed by beheading on 22 May 1935. Matern was subsequently glorified as a martyr by KPD and East German propaganda. Ziemer was officially killed in action while fighting on the Republican-side during the Spanish Civil War. Mielke, however, would not face trial for the murders until 1993. Career in Soviet intelligence The Great Terror Although Moscow's German Communist community was decimated during Joseph Stalin's Great Purge, Mielke survived and was promoted. In a handwritten autobiography prepared after World War II, Mielke recalled, "During my stay in the S.U. (Soviet Union), I participated in all Party discussions of the K.P.D. and also in the problems concerning the establishment of socialism and in the trials against the traitors and enemies of the S.U." Among the German communists executed as a result of these "discussions" were Mielke's former mentors Heinz Neumann and Hans Kippenberger. Mielke further recalled, "I was a guest on the honor grandstand of Red Square during the May Day and October Revolution parades. I became acquainted with many comrades of the Federation of World Communist Parties and the War Council of the Special Commission of the Comintern. I will never forget my meeting with Comrade Dimitrov, the Chairman of the Comintern, whom I served as an aide together with another comrade. I saw Comrade Stalin during all demonstrations at Red Square, especially when I stood on the grandstand. I mention these meetings because all these comrades are our models and teachers for our work." During his time in the USSR, Mielke also developed a lifelong reverence for Felix Dzerzhinsky, the Polish aristocrat who founded the Soviet secret police. Mielke also began an equally permanent habit of calling himself a Chekist. In a citation written decades later, Mielke described his philosophy of life, "The Chekist is the political combatant. He is the loyal son of... the workers' class. He stands at the head of the battle to strengthen the power of our workers' and peasants' state." Spanish Civil War From 1936 to 1939, Mielke served in Spain as an operative of the Servicio de Investigación Militar, the political police of the Second Spanish Republic. While attached to the staff of, "veteran GRU agent," and future Stasi minister Wilhelm Zaisser, Mielke used the alias Fritz Leissner. Bernd Kaufmann, the director of the Stasi's espionage school later said, "The Soviets trusted Mielke implicitly. He earned his spurs in Spain." At the time, the S.I.M. was heavily staffed by agents of the Soviet NKVD, whose Spanish rezident was General Aleksandr Mikhailovich Orlov. According to author Donald Rayfield, "Stalin, Yezhov, and Beria distrusted Soviet participants in the Spanish war. Military advisors like Vladimir Antonov-Ovseenko, journalists like Koltsov were open to infection by the heresies, especially Trotsky's, prevalent among the Republic's supporters. NKVD agents sent to Spain were therefore keener on abducting and murdering anti-Stalinists among Republican leaders and International Brigade commanders than on fighting Franco. The defeat of the Republic, in Stalin's eyes, was caused not by the NKVD's diversionary efforts, but by the treachery of the heretics." In a 1991 interview, Walter Janka, a fellow German communist exile and company commander in the International Brigade, recalled his encounters with Mielke. During the winter of 1936, Janka was summoned by the SIM and interrogated by Mielke. Mielke demanded to know why Janka had voluntarily traveled to Spain rather than being assigned there by the Party. When he told Mielke to get lost, the SIM demoted Janka to the ranks and then expelled him from the International Brigade. Years later, Janka recalled, "While I was fighting at the front, shooting at the Fascists, Mielke served in the rear, shooting Trotskyites and Anarchists." Upon the defeat of the Spanish Republic, Mielke fled across the Pyrenees Mountains to France, where he was interned at Camp de Rivesaltes, Pyrénées-Orientales. Mielke, however, managed to send a message to exiled KPD members and, in May 1939, escaped to Belgium. Although the Public Prosecutor of Berlin learned of Mielke's presence and filed for his extradition, the Belgian Government refused to comply, regarding the assassinations of Captains Anlauf and Lenck as "a political crime." The NKVD and the SIM's witch hunt for both real and imagined anti-Stalinists had serious consequences. It horrified numerous formerly pro-Soviet Westerners who had been witnesses, including John Dos Passos, Arthur Koestler and George Orwell, and caused them to permanently turn against the USSR. Mielke's belief that anti-Soviet Marxists had collaborated with Franco and stabbed the Republic in the back continued to shape his attitudes for the rest of his life. In a 1982 speech before a group of senior Stasi officers, he said, "We are not immune from villains among us. If I knew of any already, they wouldn't live past tomorrow. Short shrift. It's because I'm a Humanist, that I'm of this view." In the same speech, Mielke also said, "All this blithering over to execute or not to execute, for the death penalty or against—all rot, Comrades. Execute! And, when necessary, without a court judgment." World War II During World War II, Mielke's movements remain mysterious. In a biography written after the war, he claimed to have infiltrated Organisation Todt under the alias Richard Hebel, but historian John O. Koehler considers this unlikely. Koehler admits, however, "Mielke's exploits must have been substantial. By war's end, he had been decorated with the Order of the Red Banner, the Order of the Great Patriotic War First Class, and twice with the Order of Lenin. It is likely that he served as an NKVD agent, at least part of the time with guerrilla units behind German lines, for he knew all the partisan songs by heart and sang them in faultless Russian." Occupied Germany Komissariat-5 In April 1945, Mielke returned to the Soviet Zone of Occupied Germany aboard a special Soviet aircraft that also carried fellow German Communists Walter Ulbricht, Wilhelm Zaisser, Ernst Wollweber, and many of the future leaders of the East Germany. That same month, Mielke's future handler, NKGB General Ivan Serov, travelled to Germany from Warsaw and, from his headquarters in the Berlin suburb of Karlshorst, divided the Soviet Zone into "Operative Sectors." On 10 July 1945, Marshal Georgy Zhukov signed SMA Order No. 2, which legalized the re-establishment of "anti-fascist" political parties like the Communist Party of Germany (KPD). On 15 July 1945, Mielke walked into the KPD's headquarters and volunteered his services. In an autobiography written for the KPD, Mielke disclosed—truthfully—his involvement in the 1931 murders of Berlin Police Captains Anlauf and Lenck, and—mistakenly or misleadingly—that for this he had been tried in absentia, found guilty, and sentenced to death. In actuality, Mielke's "name was mentioned in the 1934 trials but he was never tried". He admitted—truthfully—fighting on the Republican side during the Spanish Civil War, but claimed—falsely—that he had been released from the French internment camps and had worked in Belgium for an underground Communist newspaper under the code name "Gaston". Furthermore, Mielke concealed his past and contemporaneous involvement with the NKVD, NKGB, and the Nazi Organisation Todt (which he asserted he'd infiltrated). According to Koehler, "As might be expected, Mielke's account of his past was approved by the Soviets. Had Serov not been part of the conspiracy, Mielke would have been instantly arrested or at least subjected to an intense internal investigation because of his membership in the Nazi Organisation Todt, which used thousands of slave laborers. But he was cleared in record time and by the end of June the Soviets had installed him as a station commander of the newly formed Volkspolizei (Vopo), the People's Police." On 16 August 1947, Serov ordered the creation of Kommissariat 5, the first German political police since the defeat of Nazi Germany. According to Anne Applebaum, however, not everyone approved of the plan. In Moscow, Soviet Interior Minister Viktor Abakumov argued that a new secret police force would be demonized by Western governments and the media, which would paint the K-5 as a "new Gestapo." Furthermore, Abakumov, like Stalin, intensely distrusted German Communists and alleged that there "were not enough German cadres who have been thoroughly checked." Notwithstanding Abakumov's objections, however, recruitment into the K-5 began almost immediately. It is possible, as Norman Naimark suspects, that the NKGB had realized that their officers' lack of fluency in the German language was engendering massive popular resentment. Wilhelm Zaisser, who had been Mielke's commanding officer in Republican Spain, was appointed the K-5's head. Mielke was installed as his deputy. According to John Koehler, "The K-5 was essentially an arm of the Soviet secret police. Its agents were carefully selected veteran German communists who had survived the Nazi-era in Soviet exile or in concentration camps and prisons. Their task was to track down Nazis and anti-communists, including hundreds of members of the Social Democratic Party. Mielke and his fellow bloodhounds performed this task with ruthless precision. The number of arrests became so great that the regular prisons could not hold them. Thus, Serov ordered the establishment or re-opening of eleven concentration camps, including the former Nazi death camps of Buchenwald and Sachsenhausen." According to Anne Applebaum, "One of the few documents from that era to survive (most were removed by the KGB or perhaps destroyed, in 1989 or before) mentions a departmental training meeting and included a list of attendees. Topping the list is a group of Soviet advisers. In this sense, K-5 did resemble the political police in the rest of Eastern Europe: as in Hungary, Poland, and the USSR itself, this new political police force was initially extra-governmental, operating outside the ordinary rule of law." According to Edward N. Peterson, "Not surprisingly, K-5 acquired a reputation as bad as that of Stalin's secret police and worse than that of the Gestapo. At least with the Nazis, albeit fanatically racist, their victims did not suddenly disappear into the GULAG." The Amalgamation Despite the K-5's mass arrests of members of the Social Democratic Party of Germany (SPD) in the Soviet Zone, the number of SPD members continued to grow. By March 1946, SPD members outnumbered KPD members by more than 100,000. Fearing that they would lose the elections scheduled for the autumn, the leadership of the KPD asked for and received Stalin's permission to merge the two parties. When the SPD's leadership agreed only to schedule a vote for the rank and file to decide, permission was denied by the Soviet occupation authorities. The K-5 then began mass arrests of SPD members who refused to support the merger. On 22 April 1946, the remaining leaders of the SPD in the Soviet Zone announced that they had united with the KPD to form the Socialist Unity Party of Germany (SED). The SPD in the western zones of Occupied Germany responded by forming the SPD East Bureau in order to support and finance those Social Democrats who refused to accept the merger. Those who joined or worked with the East Bureau were, however, in serious danger of arrest by the K-5 and trial by Soviet military tribunals. By 1950, more than 5,000 SPD members and sympathisers had been imprisoned in the Soviet Zone or transferred to the GULAG. More than 400 were either executed or died during their imprisonments. John Koehler has written that, prior to the spring of 1946, many Germans in the Soviet Zone, "merely shrugged at the wave of arrests, believing that the victims were former Nazi officials and war criminals." But then came the mass arrests of Social Democrats who opposed the merger, who, "were joined by people who had been denounced for making anti-communist or anti-Soviet remarks, among their number hundreds who were as young as fourteen years. Although these arrests were made by Germans purporting to be officials of the criminal police, the existence of the K-5 political police eventually was exposed. Mielke, meanwhile, had risen to the post of vice-president of the German Administration for Interior Affairs – the equivalent of the NKVD – and continued his manipulations from behind the scenes." Investigation In January 1947, two retired Berlin policemen recognized Mielke at an official function. Informing the head of the criminal police in West Berlin, the policemen demanded that Mielke be arrested and prosecuted for the murders of Captains Anlauf and Lenck. Wilhelm Kühnast, the Public Prosecutor of Berlin, was immediately informed and ordered a search of the Kammergericht archives. To his astonishment, the files of the 1931 murders had survived the wartime bombing of Germany. Finding ample evidence of Mielke's involvement, Kühnast ordered the arrest of the communist policeman. According to John Koehler, "At that time, the city administration, including the police, was under the control of the Allied Control Commission, which consisted of U.S., British, French, and Soviet military officers. All actions by city officials, including the judiciary, were to be reported to the Commission. The Soviet representative alerted the MGB. Action was swift. Marshal Vasily Sokolovsky, who had replaced Zhukov, protested, and his representatives at the Commission launched a vicious campaign to discredit Kühnast." The Soviet representatives falsely claimed that Kühnast, a jurist with an impeccable anti-Nazi record, had been an official of Roland Freisler's People's Court. Taking the Soviets at their word, the Western Allies removed Kühnast from his position and placed him under house arrest. During the Berlin airlift, Kühnast fled from his home in East Berlin and was granted political asylum in the American Zone. Meanwhile, the Soviet authorities confiscated all documents relating to the murders of Captains Anlauf and Lenck. According to Koehler, "The Soviets handed the court records to Mielke. Instead of destroying the incriminating papers, he locked them in his private safe, where they were found when his home was searched in 1990. They were used against him in his trial for murder." Deutsche Wirtschaftskommission In 1948, Mielke was appointed as security chief of the German Economic Commission (), the precursor to the future East German government. Mielke's task was to investigate the theft and sale of state property on the black market. He was also charged with intercepting the growing number of refugees fleeing to the French, British, and American Zones. Those his security forces caught while attempting to defect were used as slave labor in the uranium mines that were providing raw material for the Soviet atomic bomb project. German Democratic Republic Independence In 1949, the Soviet Military Administration ceded its legal functions to the newly created German Democratic Republic. On 14 January 1950, Marshal Vasili Chuikov announced that all Soviet "internment camps" on German soil had been closed. Soon after, the DWK was absorbed into the newly created Ministry for State Security. In keeping with earlier syllabic abbreviations along the same lines (see OrPo, KriPo, and GeStaPo) East Germans immediately dubbed it the "Stasi" (from Staatssicherheit). With the approval of the Soviets, Mielke's commanding officer from Spain and in the K5, Wilhelm Zaisser, was appointed as the Stasi's head. Mielke was appointed to his staff with the rank of State Secretary. Mielke was also granted a seat in the SED's ruling Politburo. According to John Koehler, "In the five years since the end of World War II, the Soviets and their vassals had arrested between 170,000 and 180,000 Germans. Some 160,000 had passed through the concentration camps, and of these about 65,000 had died, 36,000 had been shipped to the Soviet Gulag, and another 46,000 had been freed." In 1949, as a response to the remilitarization of East Germany and the Soviet blockade of West Berlin, the United States, Great Britain, France, Belgium, the Netherlands, Luxembourg, and Portugal formed the North Atlantic Treaty Organization, or NATO. In 1950, as a response to the outbreak of the Korean War, West Germany was also permitted to join NATO, which was then upgraded into a military alliance. According to Koehler, however, "As the Cold War intensified, living conditions in Soviet-occupied East Germany showed little improvement beyond the postwar level of bare subsistence. The new government of the DDR – a mere puppet of the Kremlin – relied more and more on the Stasi to quell discontent among factory workers and farmers. Ulbricht, claiming that the social unrest was fomented by capitalist agents, once ordered Mielke to personally visit one large plant and 'arrest four or five such agents' as an example to the others. The Stasi deputy 'discovered' the agents in record time." Field show trials Also in 1949, Noel Field, an American citizen who had spied for the NKVD from inside the U.S. State Department, the Office of Strategic Services, and the CIA, fled from his posting in Switzerland to Communist Czechoslovakia after his cover was blown by fellow mole Whittaker Chambers. On 11 May 1949, the Czechoslovakian secret police, or StB, in obedience to a direct order from KGB chief Lavrenti Beria, arrested Field in Prague. Field was then handed over to the Hungarian ÁVO. After his interrogation in Budapest, Fields was used as a witness at show trials of senior Soviet Bloc Communists who, like László Rajk and Rudolf Slánský, stood accused of having spied for the United States. The real reason for the trials was to replace homegrown Communists in Eastern Europe with those who would be blindly loyal to Joseph Stalin and to blame the division of Germany on the intrigues of U.S. intelligence. At the Rajk show trial, the prosecutor declared, "Noel Field, one of the leaders of American espionage, specialized in recruiting spies from among left-wing elements." In August 1950, six senior SED members, including Willi Kreikemeyer, the director of Deutsche Reichsbahn and head of Berliner Rundfunk, were accused of "special connections with Noel Field, the American spy." All were either imprisoned or shot. John Koehler writes, "Similar purges were conducted in Czechoslovakia, Hungary, and Bulgaria, where Field appeared as a witness in show trials that resulted in some death sentences. The Soviets simply distrusted all Communists who had sought exile in the West. All the while, Mielke remained untouched and continued to serve as the deputy secret police chief. His survival reinforced the belief that he had spent the war years in the Soviet Union instead of France and Belgium as he had claimed in the 1945 questionnaire." In June 1950, Erica Wallach, Noel Field's adopted daughter, decided to search for him. From Paris, she telephoned Leo Bauer, the editor-in-chief of Berliner Rundfunk. The call was monitored by agents of the Soviet Ministry for Internal Affairs, and Bauer's handler instructed him to invite Mrs. Wallach to East Berlin, where she was immediately arrested. Mielke personally interrogated her and, at one point, offered Mrs. Wallach immediate release if she named the members of her fictitious spy network. She was condemned to death by a Soviet military tribunal in East Berlin and shipped to the Lubianka prison in Moscow for her execution. After Joseph Stalin's death in on 5 March 1953, Erica Wallach's sentence was reduced to hard labor in Vorkuta, a region of the Gulag located above the Arctic Circle. She was released during the Khrushchev thaw in October 1955. At first, she was unable to join her husband and daughters in the U.S. because of the U.S. State Department's concern over her former membership in the Communist Party of Germany. It took the personal intervention of CIA Director Allen Dulles to reunite Erica Wallach with her family in 1957. Wallach's memoir of her experiences, Light at Midnight, was published in 1967. Death of Stalin After Soviet Premier Joseph Stalin died inside his Kuntsevo Dacha on 5 March 1953, the Central Committee of the East German Socialist Unity Party met in a special session and eulogized the dictator as the "great friend of Germany who was always an advisor of and help to our people." Two months later, on 5 May 1953, the SED's General Secretary, Walter Ulbricht, and the rest of the leadership increased work quotas by 10%. They also decided to rename Chemnitz Karl-Marx-Stadt and to institute the Order of Karl Marx as the GDR's highest award. Two weeks later, Mielke accused "a group of Party officials" of "plotting against the leadership", which "resulted in more expulsions from the Politburo and the Central Committee." East German uprising of 1953 Discontent among factory workers about a 10% increase of work quotas without a corresponding wage hike boiled over. On 16 June 1953, nearly one hundred construction workers gathered before work for a protest meeting at Stalinallee, in East Berlin. Words spread rapidly to other construction sites and hundreds of men and women joined the rally, which marched to the House of Ministries. The protesters chanted slogans for five hours, demanding to speak to Walter Ulbricht and Otto Grotewohl. Only Heavy Industry Minister Fritz Selbmann and Professor Robert Havemann, president of the GDR Peace Council, emerged. Their speech, however, was answered with jeers and the Ministers retreated into the heavily armed building. The regular and the Kasernierte Volkspolizei were summoned from their barracks, but made no move to attack the protesters, who returned to Stalinallee, where a general strike was called. Following West Germany's Federal Minister for All-German Questions Jakob Kaiser's admonition in a late night broadcast to East Germans to shy away from provocations, RIAS, starting with its 11 pm news broadcast, and from then on in hourly intermissions, repeated the workers' demand to continue the strike the next day, calling specifically for all East Berliners to participate in a demo at 7am on the 17th at Strausberger Platz. The following day, 17 June 1953, more that 100,000 protesters took to the streets of East Berlin. More than 400,000 protesters also took to the streets in other cities and towns throughout the German Democratic Republic. Everywhere, the demands were the same: free elections by secret ballot. Outside of Berlin, the main centres of the protests included the industrial region around Halle, Merseburg, and Bitterfeld, as well as middle-size towns like Jena, Görlitz, and Brandenburg. No more than 25,000 people participated in strikes and demonstrations in Leipzig, but there were 32,000 in Magdeburg, 43,000 in Dresden, 53,000 in Potsdam – and in Halle, a figure close to 100,000. In West Berlin, the American radio station RIAS and several other West German stations reported on the protests and on plans for a general strike. As East Germans listened to the broadcasts, 267,000 workers at State-owned plants in 304 cities and towns joined the general strike. In 24 towns, outraged East Germans stormed the Stasi's prisons and freed between 2,000 and 3,000 political prisoners. In response to orders, the Soviet Occupation Forces, the Stasi and the Kasernierte Volkspolizei went on the attack. Bloody street battles ensued and hundreds of policemen defected to the side of the protesters. Both police and Stasi stations were overrun and some government offices were sacked. The Party leadership retreated into a fortified compound in the Pankow district of East Berlin. At noon, the Soviet authorities terminated all tram and metro traffic into the Eastern sector and all but closed the sector borders to West Berlin to prevent more demonstrators from reaching the city centre. An hour later, they declared martial law in East Berlin. The repression took place outside East Berlin police HQ – where Soviet tanks opened fire on "the insurgents". According to John Koehler, "... by late afternoon, Soviet tanks accompanied by Infantry and MVD troops had rolled into East Berlin and other cities in the Soviet Zone. This made the people even angrier. At Berlin's Potsdamer Platz, which bordered on the American Sector, irate protesters ignored machine gun fire and the menacing barrels of tank guns. They ripped cobblestones from the streets and hurled them at the tanks." Fighting between the Red Army (and later GDR police) and the demonstrators persisted into the afternoon and night. In some cases, the tanks and the soldiers fired directly into the crowds. Overnight, the Soviets (and the Stasi) started to arrest hundreds of people. Ultimately, up to 10,000 people were detained and at least 20, probably as many as 40, people were executed, including Red Army soldiers who refused to obey orders. With the SED leadership effectively paralysed at the Soviet headquarters in Karlshorst, control of the city passed to the Soviets. In honor of the uprising, West Germany established 17 June as a national holiday, called Day of German Unity. The extension of the Unter den Linden boulevard to the west of the Brandenburg Gate, formerly called Charlottenburger Chaussee, was also renamed Straße des 17. Juni ("17 June Street") in honor of the uprising. According to John Koehler, "Provisional prison camps were set up to hold the thousands of Stasi victims. Nearly 1,500 persons were sentenced in secret trials to long prison terms. On 24 June, Mielke issued a terse announcement that one Stasi officer, nineteen demonstrators, and two bystanders had been killed during the uprising. He did not say how many were victims of official lynching. The numbers of the wounded were given as 191 policemen, 126 demonstrators, and 61 bystanders." Also according to Koehler, "Calm returned to the streets of the Soviet Zone, yet escapes to the West continued at a high rate. Of the 331,390 who fled in 1953, 8,000 were members of the Kasernierte Volkspolizei, the barracked people's police units, which were actually the secret cadre of the future East German Army. Also among the escapees were 2,718 members and candidates of the SED, the ruling Party." The Khrushchev thaw Purges Alarmed by the uprising, Lavrenty Beria, the First Deputy Premier of the Soviet Union and head of the Ministry of Internal Affairs, personally travelled from Moscow to East Berlin. He conferred with Stasi Minister Wilhelm Zaisser and with Mielke, his deputy, both of whom he had known since the early 1930s. During both conversations, Beria demanded to know why the Stasi had failed to recognize the extreme discontent of the population and inform the Party leadership, which could then have prevented the uprising by taking extremely repressive measures in advance. Both Zaisser and Mielke answered Beria's questions circumspectly, and were accordingly left in their posts. In response to the uprising, Beria decided to replace several hundred MVD officers, including Major General Ivan Fadeykin, the MVD resident of East Germany. The Stasi, according to John Koehler, "generally remained untouched except for the arrests and dismissals, for dereliction of duty, of a handful of officers in the provinces. One high-ranking Stasi officer shot himself." Following Beria's return to Moscow, however, he was arrested on 26 June 1953, in a coup d'état led by Nikita Khrushchev and Marshal Georgy Zhukov. Beria was tried on charges of 357 counts of rape and high treason. He was sentenced to death and shot by Red Army Colonel-General Pavel Batitsky on 23 December 1953. In an interview to Neues Deutschland, the official party newspaper of East Germany, on 30 June 1953, the Party's Minister of Justice, Max Fechner, declared that, "illegal arrests," had been made and that being a member of a strike committee or suspicion of being a ringleader was not in itself grounds for arrest and conviction. Meanwhile, when the East German Politburo met on 8 July, it seemed that Ulbricht would be deposed as Party General Secretary. Zaisser conceded that the whole Politburo was responsible for the "accelerated construction of socialism" and of the subsequent fallout. But he also added that to leave Ulbricht as Premier, "would be opposed catastrophic for the New Course". By the end of the meeting, only two Politburo members still supported Ulbricht's leadership: Free German Youth League chief Erich Honecker and Party Control Commission Chairman Hermann Matern. Ulbricht only managed to forestall a decision then and there with a promise to make a statement at the forthcoming 15th SED CC Plenum, scheduled for later that month. Meanwhile, Mielke informed a Party commission looking for scapegoats that his boss, Stasi Minister Wilhelm Zaisser, was calling for secret negotiations with West Germany and that, "he believed the Soviet Union would abandon the DDR." By late July, Ulbricht was completely certain that he had the support of the new Soviet Premier, Nikita Khrushchev. Therefore, he expelled his main opponents, Zaisser, Hernstadt and Ackermann, from the Politburo, and thus strengthened his position further. SED Minister of Justice Max Fechner was personally arrested by Mielke and replaced by Hilde Benjamin, who was known to East German citizens as "Red Hilde", "The Red Freisler," and as, "The Red Guillotine," for her role as a judge in the SED's show trials. Fechner was convicted of being, "an enemy of the Party and the State," and served three years in Bautzen Prison. Wilhelm Zaisser was replaced as head of the Stasi by Ernst Wollweber and Mielke remained on staff as his deputy. Tenure as Stasi head Mielke headed the Stasi from 1957 until the fall of the Berlin Wall in 1989. There was, under the East German system, no provision for parliamentary oversight. However, starting in 1971 Mielke was required to provide a detailed intelligence briefing to party secretary Erich Honecker each Tuesday, directly following the weekly Politburo meeting. (Before 1971, under Walter Ulbricht, Mielke was not involved in routine intelligence briefings to the leadership which, instead, were provided directly to Ulbricht by Intelligence Chief Markus Wolf.) Internal discipline During his tenure, Mielke enforced "political and personal discipline reminiscent of the early French Foreign Legion". New recruits were required to take a solemn oath pledging "to fight alongside the state security organs of all socialist countries against all enemies of socialism" on pain of "the severest punishment under the Republic's laws and the contempt of the workers." Recruits were also required to sign a security pledge vowing never to make unauthorized visits to any "capitalist countries" and to report on any members of their families who did so. Violations of the oath resulted in expulsion from the Stasi and blacklisting from all but the most menial jobs. Serious violations were tried before secret tribunals and led an estimated 200 Stasi agents to be shot. Colonel Rainer Wiegand once said, "There was only one way to leave the MfS without being haunted for the rest of your life. You either retired or you died." Domestic activities Under Erich Mielke's leadership, the Stasi employed 85,000 full-time domestic spies and 170,000 civilian informants () (IMs). East Germans coined a term to describe the Stasi's pervasive surveillance of the population "All-Covered" (). For this reason, Anna Funder has referred to East Germany as, "the most perfected surveillance state of all time." According to John Koehler, "...the Stasi's tentacles probed every aspect of life. Full-time officers were posted to all major industrial plants. Without exception, one tenant in every building was designated as a watchdog reporting to an area representative of the Volkspolizei...In turn, the police officer was the Stasi's man. If a relative or friend came to stay overnight, it was reported. Schools, universities and hospitals were infiltrated from top to bottom. German academe was shocked to learn that Heinrich Fink, professor of theology and vice-chancellor of East Berlin's Humboldt University, had been a Stasi informer since 1968. After Fink's Stasi connections came to light, he was summarily fired. Doctors, lawyers, journalists, writers, actors, and sports figures were co-opted by Stasi officers, as were waiters and hotel personnel. Tapping about 100,000 telephone lines in East Germany and West Berlin around the clock was the job of 2,000 officers... Churchmen, including high officials of both Protestant and Catholic denominations, were recruited en masse as secret informants. Their offices and confessionals were infested with eavesdropping devices. Even the director of Leipzig's famous Thomas Church choir, Hans-Joachim Rotzsch, was forced to resign when he was unmasked as a Spitzel, the people's pejorative for a Stasi informant." In an interview with journalist Anna Funder, an ex-Stasi officer recalled, "Most often, people we approached would inform for us. It was very rare that they would not. However, sometimes we felt that we might need to know where their weak points were, just in case. For example, if we wanted a pastor, we'd find out if he'd had an affair, or had a drinking problem—things that we could use as leverage. Mostly though, people said yes." On Mielke's orders, and with his full knowledge, Stasi officers also engaged in arbitrary arrest, kidnapping, brutal harassment of political dissidents, torture, and the imprisonment of tens of thousands of citizens. In a 1991 interview, Jewish Holocaust survivor and Nazi hunter Simon Wiesenthal said, "The Stasi was much, much worse than the Gestapo, if you consider only the oppression of its own people. The Gestapo had 40,000 officials watching a country of 80 million, while the Stasi employed 102,000 to control only 17 million." Activities abroad During Mielke's tenure, the Stasi's operations beyond East Germany were overseen by Markus Wolf and the Hauptverwaltung Aufklärung (MfS-HVA). Mielke and Wolf provided money, training, and surveillance equipment to help build pro-Soviet secret police forces in Fidel Castro's Cuba, Baathist Syria, Sandinista-ruled Nicaragua, Mengistu Haile Mariam's Ethiopia, Idi Amin's Uganda, Kwame Nkrumah's Ghana, and South Yemen. After the opening of Stasi archives, it was revealed that West Germany was riddled with MfS-HVA moles. In what John Koehler has dubbed, "The Invisible Invasion", some West German citizens collaborated out of Marxist beliefs, but others were recruited through blackmail, greed, career frustrations, or sexual favors from Stasi operatives. Another tactic was for Stasi military advisers assigned to African and Middle Eastern countries to request the arrest of West German tourists. Local police would then turn the prisoner over to the Stasi agent, who would offer the West German a choice between espionage or incarceration. Senior politicians from the Social Democratic Party of Germany, the Free Democratic Party of Germany, and the Christian Democratic Union were exposed and, when still alive, prosecuted. Mielke and Wolf also seriously compromised West Germany's police departments, foreign and domestic intelligence services, diplomatic corps, military-industrial complex, and journalistic profession. The Stasi compromised the United States military and diplomatic presence in West Germany. The most damaging American to spy for the Stasi was United States Army Sergeant James Hall III, who volunteered his services to Soviet and East German intelligence in November 1981. Sergeant Hall sold the Stasi 13,088 pages of classified documents, including detailed information about Project Trojan, a worldwide electronic network with the ability to pinpoint armored vehicles, missiles and aircraft by recording their signal emissions during wartime and the complete National SIGINT Requirements List (NSRL), a 4258-page document about NSA operations at home and abroad. In 1988, Sergeant Hall was tricked into confessing his espionage career to an undercover FBI Special Agent named Dmitri Droujinsky, a Russian-American who was posing as an agent of the KGB. When news of Sergeant Hall's arrest became public, one Washington intelligence official called the breach, "the Army's Walker Case." Collusion with Nazism Beginning in 1960, Mielke and Wolf used false flag recruitment to secretly organize and finance Neo-Nazi organizations, which they then instructed to vandalize Jewish religious and cultural sites throughout West Germany. During the Jerusalem trial of Adolf Eichmann, Stasi agents sent letters to West German Neo-Nazis and Waffen-SS veterans, urging them to speak out and to raise money for Eichmann's defense attorney. This was done in order to lend credibility to Communist propaganda about the allegedly Fascist and neo-Nazi orientation of the Federal Republic of Germany. According to German historian Michael Wolffsohn, "There is no doubt that in the 1960s as now, there were Nazis who were unreconstructed, unchangeable and evil, but without the help of East Germany, these Nazis were incapable of a national, coordinated campaign. That was true of right-wing extremist criminals in the 1980s as well. The East German Communists used anything they could against West Germany, including the... fears by Western countries and Jews that a new Nazism could be growing in West Germany. There is... evidence that the East Germans continued to use Anti-Semitism as a tool against West Germany in the 1970s and perhaps right up until 1989." In a 1991 interview with John Koehler, Holocaust survivor and Nazi hunter Simon Wiesenthal said of the Stasi, "They not only terrorized their own people worse than the Gestapo, but the government was the most Anti-Semitic and Anti-Israeli in the entire Eastern Bloc. They did nothing to help the West in tracking down Nazi criminals; they ignored all requests from West German judicial authorities for assistance. We have just discovered shelves of files on Nazis stretching over four miles. Now we also know how the Stasi used those files. They blackmailed Nazi criminals who fled abroad after the war into spying for them. What's more, the Stasi trained terrorists from all over the world." Support for paramilitary and terrorist groups During a 1979 visit to the GDR by senior PLO member Salah Khalaf, Mielke said, "We are paying great attention to the Palestine resistance and the other revolutionary forces fighting against the policies of the United States and against the provocations of the Israeli aggressor. Together with the Soviet Union and other socialist countries, we will do everything to support this just battle." With this in mind, Mielke ordered the Stasi to finance, arm, and train, "urban guerrillas," from numerous countries. According to former Stasi Colonel Rainer Wiegand, Mielke's ties to violent paramilitary groups were overseen by Markus Wolf and Department Three of the MfS-HVA. Members of the West German Baader-Meinhoff Group, the Chilean Manuel Rodríguez Patriotic Front, and Umkhonto we Sizwe, the paramilitary wing of the African National Congress, were brought to East Germany for training in the use of military hardware, insurgent tactics, and, "the leadership role of the Party." Similar treatment was meted out to Palestinians from the Popular Front for the Liberation of Palestine, Abu Nidal, and Black September. Other Stasi agents worked as military advisers to Soviet-backed African guerrilla organizations and the governments they later formed. They included the Namibian SWAPO and the Angolan MPLA during the South African Border War, the FRELIMO during the Mozambican War of Independence and civil war, and Robert Mugabe's ZANLA during the Rhodesian Bush War. Colonel Wiegand revealed that Mielke and Wolf provided bodyguards from the Stasi's counter-terrorism division for Venezuelan-born PLO terrorist Carlos the Jackal and Black September leader Abu Daoud during their visits to the GDR. Col. Wiegand had been sickened by the 1972 Munich massacre and was horrified that the GDR would treat the man who ordered it as an honored guest. When he protested, Wiegand was told that Abu Daoud was, "a friend of our country, a high-ranking political functionary," and that there was no proof that he was a terrorist. During the 1980s, Wiegand secretly blackmailed a Libyan diplomat into spying on his colleagues. Wiegand's informant told him that the La Belle bombing and other terrorist attacks against American and West German citizens were being planned at the Libyan Embassy in East Berlin. When Wiegand showed him a detailed report, Mielke informed the SED's Politburo, which ordered the Colonel to continue surveillance but not interfere with the plans of the Libyans. According to John Koehler, "Murder, kidnapping, extortion, bank robbery, and arson were felonies under the East German criminal code. However, if these offenses were committed under the banner of the 'anti-imperialist struggle,' the communist system would look the other way. Moreover, it had assigned the Stasi to make sure that terrorists were properly trained for murder and sowing mayhem. There was no limits to the East German regime's involvement with terrorism, so long as it could be ideologically justified." The Peaceful Revolution According to John Koehler, "Increasingly concerned over the growing popular opposition, Stasi Minister Mielke early in 1989 ordered the creation of a special elite unit for crushing disturbances. Its personnel were carefully selected members of the counterespionage and counterterrorism directorate. They were equipped with special batons similar to electric cattle prods but much more powerful. In a secret speech to top-ranking Stasi officers on 29 June, Mielke warned that, 'hostile opposing forces and groups have already achieved a measure of power and are using all methods to achieve a change in the balance of power. Former Stasi Colonel Rainer Wiegand told me he was horrified when Mielke compared the situation with that of China two months earlier. Chinese students in Beijing had begun massive protests in April and in May, during a student demonstration in Tiananmen Square, security troops had opened fire on them killing hundreds. 'Mielke said our situation was comparable and we had to be ready to counter it with all means and methods,' Wiegand recalled. 'Mielke said that the Chinese leadership had succeeded in smothering the protests before the situation got out of hand.'" Despite Mielke's attempts to suppress them, East Germany's protesters grew more emboldened with every arrest. 40th anniversary of the GDR As the fortieth anniversary of the GDR approached, Mielke ordered, "We must stop the internal enemy. At the least hint of a disturbance of the celebration, isolate and arrest them." One former Stasi Major recalled, "We mixed inconspicuously with the demonstrators, accompanied by our IMs. Hundreds of us stood at the sides of the street in order to stop any activity before it got started. We barely got any sleep toward the end. Never did I sense that the people were afraid of the MfS. The Stasi was more afraid of the people than the people were of them." According to Koehler, "Despite the unrest, the regime celebrated its fortieth with a huge, pompous ceremony in Berlin on 7 October, while tens of thousands of outside the ornate building of the State Council. The People's Police cordons were utterly ineffectual. As Stasi Minister Erich Mielke drove up and was greeted by General Günter Kratsch, the counterintelligence chief, Mielke screamed at police: "Club those pigs into submission!" () The police ignored Mielke's ranting. As more and more East Germans were arrested for protesting the 40th anniversary celebrations, many of them sang The Internationale in Vopo and Stasi custody to imply that they, rather than their captors, were the real working class and the real revolutionaries. According to Anna Funder, "There was a sea of red flags, a torchlight procession, and tanks. The old men on the podium wore light-grey suits studded with medals. Mikhail Gorbachev stood next to Honecker, but he looked uncomfortable among the much older Germans. He had come to tell them that it was over, to convince the leadership to adopt his reformist policies. He had spoken openly about the danger of not 'responding to reality.' He pointedly told the Politburo that, 'life punishes those who come too late.' Honecker and Mielke ignored him, just as they ignored the crowds when they chanted, "Gorby, help us! Gorby, help us!" Plan X On 8 October 1989, Mielke and Honecker ordered the Stasi to implement "Plan X"—the SED's plan to arrest and indefinitely detain 85,939 East Germans during a state of emergency. According to John Koehler, Plan X had been in preparation since 1979 and was, "a carbon copy of how the Nazi concentration camps got their start after Hitler came to power in 1933." By 1984, 23 sites had been selected for "isolation and internment camps." Those who were to be imprisoned in them ran into six categories; including anyone who had ever been under surveillance for anti-state activities, including all members of peace movements which were not under Stasi control. According to Anna Funder, "The plans contained exact provisions for the use of all available prisons and camps, and when those were full for the conversion of other buildings: Nazi detention centers, schools, hospitals, and factory holiday hostels. Every detail was foreseen, from where the doorbell was located on the house of each person to be arrested to the adequate supply of barbed wire and the rules of dress and etiquette in the camps..." However, when Mielke sent the orders, codenamed "Shield" (), to each local Stasi precinct to begin the planned arrests, he was not obeyed. Terrified of an East German version of the mass lynchings of Hungarian secret police agents during the 1956 Revolution, Stasi agents throughout the GDR fortified their office-buildings and barricaded themselves inside. Toppling Honecker Even as orders were going out to implement Plan X, Mielke had already thrown his support behind the anti-Honecker faction in the SED's Politburo. Although he was of the same generation as Honecker and had matured in an environment where following orders was the rule, he was sober enough and politically savvy enough to realize this approach no longer worked. During a session on 10 October 1989, Mielke delivered a report attacking Honecker's desire to violently suppress the demonstrations rather than offer concessions. In what Edward N. Peterson has called "a remarkable disclaimer of responsibility for the violence," Mielke declared that Honecker's orders to him "were built on false situation judgments." He added that Honecker's commands on 7 and 8 October "were false and undifferentiated condemnations of those who think differently. Despite this evaluation, there was never any instructions to use violence against persons. There is nothing in our basic principles to consider a demonstration as part of a possible counterrevolutionary coup." Mielke also claimed that "the Party judged the situation falsely. We tried to tell them the true situation, but enough was not done." Mielke argued in favor of solving the demonstrations politically and giving "every DDR citizen the right to travel." On 17 October 1989, Mielke and the rest of the GDR's Politburo met to follow Gorbachev's demand, voiced in August, for Honecker be removed as General Secretary of the SED and State Council chairman. Suspecting that Honecker's personal bodyguards might try to arrest the members of the Central Committee when they met to vote Honecker out in favour of Egon Krenz, Mielke saw to it that Stasi agents who were loyal to him were stationed near the meeting room. While deliberations were underway, Mielke told Honecker that "we simply cannot start shooting with tanks," and tried to impress upon Honecker that it was "the end". After the vote to oust Honecker passed, Mielke "got nasty," and accused Honecker of corruption. Honecker responded that Mielke should not open his mouth so much. Mielke responded by putting the last nail into Honecker's coffin. He announced that the MfS had a file on the now-ousted leader. It contained proof of Honecker's corrupt business practices, sexual activities, and how, as a member of the underground Communist Party of Germany during the Nazi years, he had been arrested by the Gestapo and had named names. To the shock of both the Politburo and the Stasi, Krenz's first televised addresses failed to win popular support. Despite his assurances that the SED was at last ready to embrace Gorbachev's policies of Glasnost and Perestroika, Krenz's approval ratings remained extremely low. Former Politburo member Günter Schabowski later recalled, "We made a palace revolution without offering a real alternative... We had not quickly and thoroughly enough whittled away from Stalin's methods." Defeat On 7 November 1989, Mielke resigned, along with eleven out of eighteen members of the SED's Council of Ministers, in response to the increasing disintegration of the GDR. Two days later, Schabowski announced on television that the east–west border was open without restriction. According to Anna Funder, there was panic at Stasi Headquarters in Berlin-Lichtenberg, "Stasi officers were instructed to destroy files, starting with the most incriminating–those naming westerners who spied for them, and those that concerned deaths. They shredded the files until the paper shredders overheated and shorted out. Among other shortages in the East, there was a shredder shortage, so they had to send agents out under cover to West Berlin to buy more. In Building 8 alone, the citizens' movement found over a hundred burnt out shredders. When they ran out of working shredders from the West and could not procure more they began using scissors to cut the documents by hand. According to William F. Buckley, Jr., "In the weeks after 9 November, Stasi offices were stormed in various cities around East Germany. Stasi commissars in three of those cities committed suicide. But not one was lynched or executed." Televised humiliation On 13 November 1989, Mielke was summoned to deliver a briefing about the protests to the GDR parliament, or Volkskammer. Formerly a "rubber stamp parliament," the disintegration of the SED's power had allowed the Volkskammer to begin exercising real authority over the GDR. Therefore, Mielke, as the head of the Stasi (known as the "shield and sword of the [SED] party"), was summoned before the newly empowered parliament to justify his position in government. As his speech was broadcast live, Mielke began by using overly bombastic, flag-waving language, saying "We have, comrades, dear assembly members, an extraordinarily high amount of contact with all working people" (). To his shock, the Volkskammer responded with boos, whistles, and catcalls. His face grief-stricken and pale, Mielke then tried to defuse the situation, "Yes, we have such contact, let me tell you-let me tell you why. I am not afraid to stand here and to give you an unbiased answer" (). Mielke continued, speaking of the "triumph" of the socialist economy, continuing all the while to address the members of the Volkskammer as "Comrades" (). In response, Volkskammer member Dietmar Czok of the Christian Democratic Union, rose from his seat and raised his hand. The Volkskammer's president, Günther Maleuda, interrupted Mielke and urged Czok to speak. With his voice dripping with contempt, Czok told Mielke, "As a point of order, I will not tell you this again. There are more people sitting in this Chamber than just your Comrades!" (). In response, many in the Volkskammer burst into applause, cheers, and shouts of "We are not your Comrades!" () Trying to appear magnanimous, Mielke responded, "This is a natural, Humanistic question! This is just a question of formality." (), leading to further shouts of displeasure from the members of the Volkskammer. In a last ditch effort, Mielke "raised his arms like an evangelist," and cried, "I love all – all Humanity! I really do! I set myself before you!" () Everyone in the room, including staunch SED members, burst out laughing. Then Mielke started to cry. John Koehler later wrote, "Mielke was finished." Mielke's address to the Volkskammer remains the most famous broadcast in the history of German television. Anna Funder has written, "When they think of Mielke, East Germans like to think of this." The Fall On 17 November 1989, the Volkskammer renamed the MfS the Amt für Nationale Sicherheit (AfNS – Office for National Security). The following day, Mielke's tenure in office ended when the Volkskammer appointed Generalleutnant Wolfgang Schwanitz as the new director of the AfNS. On 1 December 1989, the Volkskammer nullified the clause of the GDR constitution that enshrined the SED's "leading role" in the government and formally ending Communist rule in East Germany. Two days later, the SED announced that Mielke's party membership had been permanently revoked. Years later, he lamented, "Millions have died for nothing. Everything we fought for – it has all amounted to nothing." He also said, "If the party had given me the task, then there would perhaps still be a GDR today. On that you can rely." Prosecution Indictments On 7 December 1989, Erich Mielke was arrested and placed in solitary confinement for embezzlement of public funds in order to improve his hunting estate. He was charged with "Damaging the People's Economy" (Schädigung der Volkswirtschaft). On 7 January 1990, he was further charged with high treason and conspiring with Erich Honecker to bug the telephones and open the mail of every one of East Germany's citizens. Meanwhile, the Federal Constitutional Court announced that Mielke had also been indicted for having ordered two terrorist attacks by the Baader-Meinhoff Group against United States military personnel who were stationed on West German soil. The first was the car bomb attack against the United States Air Force at Ramstein Air Base on 31 August 1981. The second was the attempted murder with an RPG-7 anti-tank rocket of United States Army General Frederick Kroesen, his wife, and the West German police officer who was driving their armored Mercedes at Heidelberg on 15 September 1981. After German reunification in October 1990, Mielke was also indicted for ordering the shootings of defectors at the Berlin Wall. He was also charged with misuse of office, breach of trust, and incitement to pervert the course of justice. Bülowplatz trial In February 1992, Mielke was put on trial for the 1931 first degree murders of Berlin Police Captains Anlauf and Lenck as well as the attempted murder of Senior Sergeant Willig. The evidence for Mielke's guilt was drawn from the original police files, the transcripts from the 1934 trial of his co-conspirators, and a handwritten memoir in which Mielke revealed that his role in, "the Bülowplatz Affair," had been his reason for fleeing to Moscow from the Weimar Republic in 1931. All had been found in Mielke's house safe during a police search in 1990. Mielke was believed to have kept the documents for the purpose of "blackmailing Honecker and other East German leaders." Former Associated Press reporter and White House Press Secretary John Koehler also testified that Mielke had boasted of his involvement in the Bülowplatz murders during a confrontation at Leipzig in 1965. During his trial, Mielke appeared increasingly senile, admitting his identity but otherwise remaining silent, taking naps, and showing little interest in the proceedings. In a widely publicized incident, Mielke appeared to mistake the presiding judge for a prison barber. When a journalist for Der Spiegel attempted to interview him in Plötzensee Prison, Mielke responded, "I want to go back to my bed" (). Opinion was divided whether Mielke was suffering from senile dementia or was pretending in order to evade prosecution. After twenty months of one-and-a-half-hour daily sessions, Erich Mielke was convicted on two counts of murder and one of attempted murder. On 26 October 1993, a panel of three judges and two jurors sentenced him to six years' imprisonment. At his sentencing, Mielke started to cry. In pronouncing sentence, Judge Theodor Seidel, told Mielke that he "will go down in history as one of the most fearsome dictators and police ministers of the 20th century." Imprisonment Mielke was then put on trial for ordering the shootings of East Germans who were trying to defect to the West. In November 1994, the presiding judge adjourned the proceedings, ruling that Mielke was not mentally competent to stand trial. During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters. Although it was not connected to the outside world, Mielke enjoyed having imaginary conversations with non-existent Stasi agents. His other favorite pastime was watching game shows on television. In 1995, parole officers and Mielke's attorneys argued that he was "totally confused" and obtained his release. At 87 years of age, Erich Mielke was Germany's oldest prison inmate and had been incarcerated for 1,904 days. Days before his release, the Public Prosecutor of Berlin announced that he was "not interested in chasing an 87-year-old man anymore" and that all further prosecution of Mielke had been indefinitely suspended. According to Koehler, "[Mielke's] bank account, which held more than 300,000 Marks (about US$187,500), was confiscated. Before his arrest in 1989, the most feared man in East Germany had lived in a luxurious home with access to an indoor pool. In addition, he owned a palatial hunting villa, complete with a movie theater, trophy room, 60 servants, and a 60 square kilometers hunting preserve. After he was released from prison Mielke was obliged to move into a two-room, 55-square-meter flat. Like all Stasi pensioners, he would henceforth have to live on 802 marks (about US$512) a month." Death Erich Mielke died on 21 May 2000, aged 92, in a Berlin nursing home. After being cremated at the crematorium in Meissen, an urn containing Mielke's ashes was buried in an unmarked grave at the Zentralfriedhof Friedrichsfelde in Berlin. An estimated 100 people reportedly attended the funeral. Erich Mielke's grave is outside the memorial section established at the entrance in 1951 by East German leaders for communist heroes. Within hours of his funeral, the flowers and wreaths left at Mielke's grave were ripped to shreds by persons unknown. Legacy Writing in 2003, Australian journalist Anna Funder declared, "The name Mielke has now come to mean 'Stasi.' Victims are dubiously honored to find his signature in their files: on plans for someone to be observed 'with all possible methods', on commands for arrest, for kidnapping, instructions to judges for sentencing, orders for 'liquidation'. The honor is dubious because... he signed so many." In 2012, the museum at the former Stasi headquarters opened Mielke's office as a permanent exhibit. Soon after, The Guardian correspondent Tam Eastley visited the exhibit and numerous sites in Berlin connected to Mielke's life, times, and legacy. When she visited Mielke's grave, Eastley found that it had become a shrine for adherents of Ostalgie. Personal life Erich Mielke was a fitness enthusiast, a non-smoker, and drank very little. He was a keen hunter and owned a large area of ground where he would hunt animals with other East German and visiting Soviet officials. During the late 1940s, when Mielke was working as security chief of the DWK, he began a relationship with Gertrud Mueller, a seamstress. On 18 December 1948, shortly after the birth of their son Frank Mielke, Erich and Gertrud married in a civil ceremony. According to the newspaper Bild, the Mielkes adopted an orphaned girl named Ingrid, who was born in 1950. Like her adopted brother Frank, Ingrid Mielke attended the Wilhelm Pieck School. She ultimately became a captain in the Stasi and married a Stasi Lieutenant named Norbert Knappe. As of 1999, the Knappes had both refused to grant an interview to Bild reporters. In popular culture Erich Mielke has appeared as a character in both films and novels set in the GDR. Volker Schlöndorff's The Legend of Rita (2000), which focuses on Stasi collusion with the West German far-left terrorist organization Rote Armee Fraktion. In conversation with fictional Stasi officer Erwin Hull (Martin Wuttke), Mielke (Dietrich Körner) expresses admiration for the RAF's campaign against the United States, West Germany, and the State of Israel, which he compares with his own activities against the Weimar Republic and the Nazis. The RAF members are then brought to a training camp, where Stasi agents instruct them in the use of grenade launchers and other kinds of military hardware. Mielke's name is never disclosed and Agent Hull addresses him only as, "Comrade General." () Florian Henckel von Donnersmarck's The Lives of Others (2006), which focuses on the Stasi's surveillance and repression of the East German population. In the film, a previously loyal GDR playwright named Georg Dreymann (Sebastian Koch) publishes an anonymous article in the West German magazine Der Spiegel which accuses East Germany's Minister of Culture of having persecuted a blacklisted stage director until he hanged himself. Soon after the article goes to press, Mielke's voice is heard over the telephone giving a dressing down to fictional Stasi Lieutenant Colonel Anton Grubitz (Ulrich Tukur). Addressed only as "Genosse Armeegeneral" (Mielke was the only person to ever hold that rank in the Stasi), Mielke threatens to throw Grubitz in front of a firing squad if he fails to identify and arrest the article's author. In Philip Kerr's novel Field Grey (2010), Mielke first appears in 1931 Berlin, when protagonist Bernie Gunther saves him from being murdered by Nazi Brownshirts. The novel then flashes forward to 1954, when Gunther is recruited into a CIA plot to abduct Mielke from East Berlin. Honours and awards Mielke received a large number of awards and commemorative medals from organisations within the German Democratic Republic and from allied states. A more complete list is available (in German) at Liste der Orden und Ehrenzeichen des Erich Mielke. Awards of the German Democratic Republic Patriotic Order of Merit in gold (7 October 1954) Six Orders of Karl Marx (28 December 1957, 20 November 1973, 1 December 1975, 28 December 1977, 28 June 1982, 28 December 1982) Twice Hero of Labour of the GDR (5 October 1964, 24 February 1968) Twice Hero of the GDR (1 December 1975, 28 December 1982) Banner of Labour (8 May 1960) Medal for Exemplary Border Service (26 April 1956) Medal for Faithful Service in the National People's Army; Bronze (7 October 1957) Silver (8 February 1959) Gold (1 July 1960) Gold for 20 years service (8 February 1965) Medal for Fighters Against Fascism (6 September 1958) Gold Medal of Merit of the National People's Army (1 March 1957) Scharnhorst Order, twice (25 September 1979, 7 October 1984) Awards of the Soviet Union Hero of the Soviet Union (25 December 1987) Four Orders of Lenin (12 June 1973, 28 December 1982, 1 April 1985, 28 December 1987) Order of the Patriotic War, 1st class (6 May 1970) Four Orders of the Red Banner (23 October 1958, 5 February 1968, 28 December 1977, February 1980) Jubilee Medal "50 Years of the Soviet Militia" (20 December 1967) Jubilee Medal "In Commemoration of the 100th Anniversary since the Birth of Vladimir Il'ich Lenin" (1970) Medal "For Distinction in Guarding the State Border of the USSR" (6 January 1970) Order of the October Revolution (February 1975) Other states Order of Georgi Dimitrov (Bulgaria, 28 December 1982) Order of Friendship (Czechoslovakia) (28 December 1982) Order of the Red Star (Czechoslovakia) (16 November 1970) References Further reading Buckley, Jr., William F. (2004), The Fall of the Berlin Wall, John Wiley & Sons, Inc. Funder, Anna (2003), Stasiland: True Stories from Behind the Berlin Wall, Granta Books, London. Kuchel, Dany (2011) "Le Glaive et le Bouclier", une histoire de la Stasi en France. Otto, Wilfriede, Erich Mielke, Biographie: Aufstieg und Fall eines Tschekisten. Dietz-Verlag, Berlin 2000, . Peterson, Edward N. (2002). The Secret Police and the Revolution: The Fall of the German Democratic Republic, Praeger Publications, Westport, Connecticut. London. Pickard, Ralph (2007). STASI Decorations and Memorabilia, A Collector's Guide. Frontline Historical Publishing. Pickard, Ralph (2012). STASI Decorations and Memorabilia Volume II. Frontline Historical Publication. 1907 births 2000 deaths Politicians from Berlin Communist Party of Germany politicians Members of the Politburo of the Central Committee of the Socialist Unity Party of Germany Government ministers of East Germany Members of the 3rd Volkskammer Members of the 4th Volkskammer Members of the 5th Volkskammer Members of the 6th Volkskammer Members of the 7th Volkskammer Members of the 8th Volkskammer Members of the 9th Volkskammer East German spies German Comintern people German emigrants to the Soviet Union German politicians convicted of crimes Köllnisches Gymnasium alumni German people convicted of murdering police officers International Brigades personnel German people of the Spanish Civil War German police officers convicted of murder German spies for the Soviet Union Great Purge perpetrators Interwar-period spies NKVD officers Murders of Paul Anlauf and Franz Lenck Perpetrators of political repression in the Second Spanish Republic People convicted of murder by Germany Prisoners and detainees of Germany Stasi generals Stasi officers convicted of crimes SV Dynamo Collaborators with the Soviet Union German anti-Zionists International Lenin School alumni Recipients of the Scharnhorst Order Recipients of the Patriotic Order of Merit (honor clasp) Recipients of the Banner of Labor Foreign Heroes of the Soviet Union Recipients of the Order of Lenin Recipients of the Order of the Red Banner Recipients of the Medal "For Distinction in Guarding the State Border of the USSR" Recipients of the Order of Georgi Dimitrov 20th-century German criminals People from Mitte German mass murderers Criminals from Berlin German military personnel of World War II	false	[ "Fool on the Hill () is a 1988 comic fantasy novel by Matt Ruff, set at Cornell University in Ithaca, New York.\n\nPlot summary\nThe novel is the story of two authors, the buffoonish Prof. Stephen Titus George and his artful adversary Mr. Sunshine. Both live in Ithaca, New York. \n\nDuring a particularly cold New York winter, George starts to suspect that he is not himself but the creation of someone else, someone he calls \"Mr. Sunshine.\" Sunshine and George enter into a battle of wits to determine who should be called \"creator.\" Did George create himself? Did Mr. Sunshine create George? What is the meaning of collaboration?\n\nThroughout the novel colorful characters on the campus of Cornell University appear. There is the mysterious Cornell student Aurora Borealis Smith with whom Stephen Titus George falls in love. There is the Norse God Ragnarok wielding his Pollaxe. There are the Bohemians, a dog named Luther, a cat named Blackjack, Puck, and Calliope, a fire-breathing paper dragon. And let's not forget evil forces like Rasferret the Grub, a mannequin called Rubbermaid, and an army of rats. \n\nAnd so the drama then unfolds as it tells the time-tested story of the battle between Good and Evil and the efforts of the two authors to write the story towards either a happy ending or a tragic Greek drama.\n\nExternal links\nMatt Ruff official website\nA 1998 review by David Soyka at sfsite.com\nA 1998 review by Sara Lipowitz at flowerfire.com\n\n1988 American novels\nAmerican fantasy novels\nCornell University\nNovels set in New York (state)\nCampus novels\nNovels by Matt Ruff\nAtlantic Monthly Press books", "An anorak is a type of coat with a hood. Anorak may also refer to:\n\n Anorak (album), a 2008 album by Ruth\n Anorak (slang), British slang for a railfan, or for someone with obsessive and specific interests.\n Anorak in the UK, a 2008 live album by Marillion\n The Anorak, a play about the École Polytechnique massacre\n James D. Halliday, a deceased character in Ready Player One whose OASIS persona is Anorak.\nAnoraak, French electronic musician" ]
[ "Matt Hardy", "Total Nonstop Action Wrestling (2011)" ]	C_e23d3e73411842f49937f27ba3aa0993_0	Who did he fight?	1	Who did Matt Hardy fight in 2011?	Matt Hardy	On January 9, 2011, Hardy made his debut for Total Nonstop Action Wrestling (TNA) at the Genesis pay-per-view, as part of the stable Immortal. He was the surprise opponent for Rob Van Dam, and defeated him to prevent Van Dam from receiving a match for the TNA World Heavyweight Championship, held by Hardy's brother Jeff. In the main event, Hardy attempted to interfere in Jeff's World Heavyweight Championship match with Mr. Anderson, but was stopped by Van Dam, which led to Jeff losing both the match and the championship. On the January 13 episode of Impact!, the Hardy Boyz reunited to defeat Anderson and Van Dam in a tag team match, following interference from Beer Money, Inc.. On February 13 at Against All Odds, Rob Van Dam defeated Hardy in a rematch. On the following episode of Impact!, Hardy, along with the rest of Immortal and Ric Flair, betrayed Fortune. On March 13 at Victory Road Hardy was defeated by Flair's previous protege, A.J. Styles. On April 17 at Lockdown, Immortal, represented by Hardy, Abyss, Bully Ray and Ric Flair, were defeated by Fortune members James Storm, Kazarian and Robert Roode and Christopher Daniels, who replaced an injured A.J. Styles, in a Lethal Lockdown match. On the April 21 episode of Impact!, Hardy faced Sting for the TNA World Heavyweight Championship, Hardy's first World Title match in TNA, but was defeated. The following month Hardy was granted a shot at the TNA World Tag Team Championship against Beer Money, Inc. (James Storm and Robert Roode). While the champions looked to defend the title against the Hardy Boyz, Matt instead introduced the returning Chris Harris, Storm's old tag team partner, as his partner for the title match. The match took place at Sacrifice, where Storm and Roode retained their title. On June 21, it was reported that TNA had suspended Hardy. On August 20, Hardy was released from TNA following a DUI arrest that occurred earlier that same day. CANNOTANSWER	He was the surprise opponent for Rob Van Dam,	Matthew Moore Hardy (born September 23, 1974) is an American professional wrestler currently signed to All Elite Wrestling (AEW). He is also known for his time with WWE, Impact Wrestling, and Ring of Honor (ROH). With his real life brother Jeff, Hardy gained notoriety in WWF's tag team division during the 2000s due to his participation in TLC matches. He is a 14-time world tag team champion, having held the WWE World Tag Team Championship six times, the WWE Raw Tag Team Championship three times, the WWE SmackDown Tag Team Championship, ROH World Tag Team Championship, and WCW Tag Team Championship once each, and the TNA World Tag Team Championships twice. Wrestling through four separate decades, Hardy has kept himself relevant partially through a variety of different gimmicks and his use of social media. In 2002, Hardy began a solo career in WWE. His subsequent "Version 1" persona was named Best Gimmick by the Wrestling Observer Newsletter. Hardy's eccentric "Broken" gimmick, which he debuted in 2016 (and which was renamed "Woken" following his subsequent WWE return), garnered praise from wrestling critics and earned him multiple awards, including a second Best Gimmick award, becoming one of the most talked about characters in all of wrestling. As a singles wrestler, Hardy has won three world championships (one ECW Championship, and two TNA World Heavyweight Championships). All totaled between WWE, TNA/Impact, and ROH, Hardy has held 21 total championships. Early life Hardy was born in Cameron, North Carolina, the son of Gilbert and Ruby Moore Hardy. He is the older brother of Jeff Hardy. Their mother died of brain cancer in 1987. Hardy played baseball as a child and throughout high school, but had stopped by his senior year. He also played football, either as a linebacker or a defensive end. Hardy was a good student at Union Pines High School in North Carolina, and was a nominee for the "Morehead Award", a scholarship to any university in North Carolina. Hardy attended University of North Carolina at Charlotte, where he majored in engineering; after a year, however, he dropped out due to his father being ill. He then attended Sandhills Community College in Pinehurst to gain his associate degree. Professional wrestling career Early career (1992–2001) Hardy, along with his brother Jeff and friends, started their own federation, the Trampoline Wrestling Federation (TWF) and mimicked the moves they saw on television. Shortly after Hardy sent in a tape for the World Championship Wrestling (WCW) Amateur Challenge using the ring name High Voltage, a tag team named High Voltage began competing in WCW, causing Hardy to change his name to Surge. A few years later, it was revealed to him by Chris Kanyon that the tape had been kept in the WCW Power Plant, watched multiple times, and that the name High Voltage was blatantly stolen from it. Beginning in 1994, The Hardys wrestled for several North Carolina-based independent circuit promotions and adapted a number of alter-egos. As The Wolverine, Hardy captured the New England Wrestling Alliance (NEWA) Championship in May 1994. As High Voltage, he teamed with Venom to claim the New Frontier Wrestling Association (NFWA) Tag Team Championship in March 1995. A month later, High Voltage defeated the Willow for the NFWA Championship. In 1997, Matt and Jeff created their own wrestling promotion, The Organization of Modern Extreme Grappling Arts (frequently abbreviated to OMEGA Championship Wrestling, or simply OMEGA), in which Matt competed under the name High Voltage. Both Matt and Jeff took apart the ring and put it back together at every event they had, while Matt sewed all the costumes worn in OMEGA. The promotion folded in October 1999, after both Matt and Jeff signed with the World Wrestling Federation. World Wrestling Federation/Entertainment Early years (1994–1998) Hardy worked as a jobber for the World Wrestling Federation (WWF) from 1994 up until he signed a full-time contract in 1998. His first WWF match was against Nikolai Volkoff on the May 23, 1994 episode of Monday Night Raw, which he lost by submission. A night later at a taping of WWF Wrestling Challenge, he lost a match against Owen Hart. He continued to wrestle sporadically in the WWF throughout 1994 and 1995, losing matches against Crush, Razor Ramon, Hakushi, Owen Hart, the imposter Undertaker, Hunter Hearst Helmsley and "The Ringmaster" Steve Austin. Hardy teamed with Jeff for the first time in the WWF in 1996, losing to teams such as The Smoking Gunns and The Grimm Twins on WWF television. Matt and Jeff had a short lived feud with The Headbangers (Thrasher and Mosh), losing to the duo twice in 1997. It was during this time that Matt and Jeff experimented with different ring names, at one stage being called Ingus (Matt) and Wildo Jinx (Jeff). In Matt's final singles match for the promotion before signing a full-time contract he lost to Val Venis on a taping of Shotgun in 1998. The Hardy Boyz (1998–2001) It was not until 1998, however, (at the height of The Attitude Era) that the Hardy brothers were given full-time WWF contracts and sent to train with former wrestler Dory Funk, Jr. The Hardy Boyz used a cruiserweight, fast-paced high flying style in their matches, often leaping from great heights to do damage to their opponents (and themselves in the process). In 1999, while feuding with Edge and Christian, the duo briefly picked up Michael Hayes as a manager. At King of the Ring, The Hardyz defeated Edge and Christian to earn the #1 contendership for the WWF Tag Team Championship. On July 5, they defeated The APA to win their first Tag Team Championship. They soon dumped Hayes and briefly picked up Gangrel as a manager, after Gangrel turned on Edge and Christian. At No Mercy, The Hardyz defeated Edge and Christian in the first ever tag team ladder match. At the Royal Rumble pay-per-view, The Hardyz defeated The Dudley Boyz in the first ever tag team tables match. They competed against The Dudley Boyz and Edge and Christian for the Tag Team Championships at WrestleMania 2000 in the first ever Triangle Ladder match, but were unsuccessful. Hardy won the Hardcore Championship on April 24, 2000, on Raw Is War, by defeating Crash Holly, but lost it back to Holly three days later on SmackDown!, when Holly applied the "24/7 rule" during Hardy's title defense against Jeff. The Hardy Boyz then found a new manager in Matt's real-life girlfriend Lita. Together, the three became known as "Team Xtreme". The Hardy Boyz competed in the first ever Tables, Ladders, and Chairs match, for the WWF Tag Team Championship against The Dudley Boyz and Edge and Christian, but were unsuccessful. At Unforgiven, The Hardyz defeated Edge and Christian in a steel cage match to win the tag team championship, and successfully retained it the following night on Raw Is War against Edge and Christian in a ladder match. In April 2001, The Hardyz began feuding with Stone Cold Steve Austin and Triple H (known as The Power Trip), which also led to a singles push for both Matt and Jeff. Hardy helped Jeff defeat Triple H for the Intercontinental Championship, and shortly after Hardy defeated Eddie Guerrero to win the European Championship on SmackDown!. At Backlash he retained the title against Guerrero and Christian in a triple threat, and against Edge the following night on Raw. Throughout the year, the Hardy Boyz continued to win as a tag team, winning the WWF Tag Team Titles two more times, and the WCW Tag Team Championship during the Invasion. By the end of the year, the Hardy Boyz began a storyline where they were having trouble co-existing. This culminated in a match between the two, with Lita as the guest referee, at the Vengeance pay-per-view, which Jeff won. Hardy defeated Jeff and Lita the following night on Raw in a two-on-one handicap match. Version 1 gimmick and feud with Kane (2002–2004) At the beginning of 2002, it seemed Team Xtreme had patched things up. After the brand extension, however, Matt was relegated to Heat while Jeff wrestled on the main show, Raw. On the August 12 episode of Raw, Hardy turned heel by attacking Jeff during Jeff's match against Rob Van Dam, because Hardy was frustrated at not receiving a match against Van Dam for the number one contendership for the Intercontinental Championship. A short time later, Hardy joined the SmackDown! roster, and began dubbing himself "Matt Hardy: Version 1", complete with a "version 1" hand signal. Hardy defeated The Undertaker on the September 12 and October 3 episodes of the show, due to interference from Brock Lesnar. Along with his Mattitude Follower Shannon Moore in his corner, 2003 began with Hardy frantically trying to lose weight to get under the weight limit to compete for the Cruiserweight Championship. After just barely making weight, Hardy defeated Billy Kidman at No Way Out to win the Cruiserweight title. At WrestleMania XIX, he successfully defended it against Rey Mysterio. Hardy lost the Cruiserweight Championship to Mysterio in the main event of the June 5 episode of SmackDown! - the first and only time a Cruiserweight Championship match main evented a show. After dropping the Cruiserweight Championship, Hardy briefly feuded with Eddie Guerrero, but was unsuccessful in capturing Guerrero's United States Championship or WWE Tag Team Championship. The Mattitude faction then expanded to include Crash Holly as Moore's "Moore-on" (apprentice). He later disbanded the group in November and returned to Raw in order to be able to travel and work with his then girlfriend Lita, who just returned from an injury. On his first night back, he turned on Lita in storyline after teasing a proposal to her. He defeated Christian, who was vying for Lita's affections, on the following edition of Raw. In April 2004, Hardy saved Lita from getting attacked by Kane, turning face in the process. Hardy defeated Kane in a no disqualification match at Vengeance, but lost a "Till Death To Us Part" match against Kane at SummerSlam, resulting in Lita being forced to marry Kane. On the August 23 episode of Raw, Hardy was chokeslamed off the stage by Kane during the wedding. Hardy then spent almost a year off from wrestling due to a severe knee injury. Departure and sporadic appearances (2005) Along with his friend Rhyno, Hardy was released by WWE on April 11, 2005. Hardy's release was largely due to unprofessional conduct with social media after discovering that Lita was having a real-life affair with his best friend Edge. The public knowledge of the affair and Hardy's release led to Edge and Lita receiving jeers from the crowds at WWE events, often resulting in chants of "You screwed Matt!", and, "We want Matt!", which meant kayfabe storylines being affected considering that Lita was married to Kane at the time in kayfabe. Edge and Lita used the affair and fan backlash to become a hated on-screen couple, which led to Lita turning heel for the first time in over five years. Fans began a petition on the internet, wanting WWE to re-sign Hardy, and amassed over fifteen thousand signatures. Hardy released two character promotional vignettes, that he was planning to use before he was offered a new contract by WWE. Hardy called himself The Angelic Diablo with the tagline "the scar will become a symbol" in reference to the way in which he had been treated by Lita and WWE. On the June 20 episode of Raw, during the storyline wedding of Edge and Lita, Hardy's entrance music and video were played when the priest asked if anyone had a reason why Edge and Lita should not be wed. Independent circuit and Ring of Honor (2005) Following his WWE release, Matt returned to the independent circuit and wrestled several matches for the Allied Powers Wrestling Federation (APWF), International Wrestling Cartel (IWC) and Big Time Wrestling (BTW). Hardy appeared at a scheduled Ring of Honor (ROH) event on July 16, 2005, in Woodbridge, Connecticut where he defeated Christopher Daniels via submission. Hardy also cut a brief worked shoot promo where he criticized WWE and John Laurinaitis. Following his official return to WWE, Hardy was met with backlash following a match with Homicide from the fans at a subsequent ROH event, which Hardy won. The next day at his final ROH appearance, he lost to Roderick Strong. Return to WWE Feud with Edge (2005–2006) On July 11, 2005, on Raw, Hardy attacked Edge backstage and again later during Edge's match with Kane. Before being escorted out of the building by security, Hardy stated that Edge (calling him by his real name of "Adam") and Lita would pay for their actions and told fans that they could see him at Ring of Honor while security officials and event staff were trying to restrain him. Hardy also called out Johnny Ace as security had him in handcuffs taking him out of the arena. This caused an uproar amongst fans, who were confused and wondered if the whole thing was a work or a shoot. Similar occurrences repeated during the following two weeks. On the August 1 episode of Raw, Vince McMahon officially announced Hardy's return to WWE, adding that Hardy would face Edge at SummerSlam. Hardy made his in-ring return, defeating Snitsky on the August 8 Raw. Seconds after the victory, Hardy was attacked by Edge, and as he was being carried backstage, Matt counterattacked Edge in the locker room. On August 21 at SummerSlam, their match came to a premature end when Edge dropped Hardy onto the top of a ring post, causing him to bleed heavily. The referee ended the match on the grounds that Hardy could not continue, and Edge was declared the winner. After SummerSlam, the two continued feuding on Raw, including a Street Fight on August 29 that resulted in Hardy performing a Side Effect on Edge off the entrance stage and into electrical equipment below; the match ended in a no contest. At Unforgiven, Edge faced Hardy in a steel cage match. Hardy caught an interfering Lita with the Twist of Fate and won the match with a leg drop off the top of the cage. Hardy and Edge faced each other on October 3 at WWE Raw Homecoming in a Loser Leaves Raw ladder match. Edge's briefcase holding his Money in the Bank contract for his WWE Championship opportunity was suspended above the ring. The winner of the match received the contract and the loser was forced to leave Raw. Edge tied Hardy's arms in the ropes, and Lita trapped Hardy in a crucifix hold, leaving Hardy only able to watch Edge win. With his defeat at the hands of Edge, Hardy was moved to the SmackDown! brand where he re-debuted with a win over Simon Dean on October 21 in Reno, Nevada. One week later, Hardy won the fan vote to represent Team SmackDown! (alongside Rey Mysterio) to challenge Team Raw (Edge and Chris Masters) at Taboo Tuesday. Edge, however, refused to wrestle and sent Snitsky in place of him in the match, which Hardy and Mysterio won. Back on SmackDown!, Hardy started an angle with MNM (Johnny Nitro and Joey Mercury) and their manager Melina when Melina approached Hardy, seemingly wanting Hardy to join with her team. Hardy refused the offer, which led to him facing the tag team on several occasions with a variety of partners. On July 25, after the SmackDown! taping, Hardy was taken out of action after doctors found the remnants of the staph infection that had plagued him the previous year. He was sidelined until August 25 while he healed. Upon his return to action, Hardy feuded against childhood friend and reigning Cruiserweight Champion Gregory Helms. At No Mercy, in their home state, Hardy beat Helms in a non-title match. The two met again at Survivor Series, where Hardy's team won in a clean sweep. They wrestled one final match, a one time appearance in Booker T's Pro Wrestling Alliance (PWA) promotion, where Hardy defeated Helms in a North Carolina Street Fight. The Hardy Boyz reunion (2006–2007) On the November 21, 2006 episode of ECW on Sci Fi, Hardy and Jeff competed in a match together for the first time in almost five years, defeating The Full Blooded Italians. At December to Dismember, the Hardy Boyz issued an open challenge to any tag team who wanted to face them. MNM answered their challenge by reuniting at December to Dismember, a match won by the Hardy Boyz. At Armageddon, Hardy and Jeff competed against Paul London and Brian Kendrick, MNM, and Dave Taylor and William Regal in a Ladder match for the WWE Tag Team Championship but lost. Subsequently, he and Jeff feuded with MNM after the legitimate incident where they injured Mercury's face at Armageddon. This led to a long term rivalry, and at the Royal Rumble, Hardy and Jeff defeated MNM. Mercury and Hardy continued to feud on SmackDown! until Mercury was released from WWE on March 26. The night after WrestleMania 23 on Raw, the Hardys competed in a 10-team battle royal for the World Tag Team Championship. They won the titles for the sixth time from then WWE Champion John Cena and Shawn Michaels after last eliminating Lance Cade and Trevor Murdoch. This started a feud with Cade and Murdoch, and the Hardys successfully retained their World Tag Team Championship in their first title defense at Backlash. The Hardy Boyz also successfully retained their titles at Judgment Day against Cade and Murdoch. One month later at One Night Stand, they defeated The World's Greatest Tag Team to retain the titles in a Ladder match. The following night on Raw, Vince McMahon demanded that The Hardys once again defend their championships against Cade and Murdoch. The Hardys were defeated after Murdoch pushed Jeff's foot off the bottom rope during Cade's pinfall, causing the three count to continue. They invoked their rematch clause against Cade and Murdoch at Vengeance: Night of Champions, but were unsuccessful. Feud with MVP and championship reigns (2007–2009) On the July 6, 2007 episode of SmackDown!, Hardy won a non-title match against United States Champion Montel Vontavious Porter (MVP), which resulted in a feud between the two. Hardy was defeated by MVP at The Great American Bash for the United States Championship. MVP then claimed that he was "better than Hardy at everything", which led to a series of contests between Hardy and MVP, such as a basketball game, an arm wrestling contest, and a chess match which MVP "sneezed" on and ruined when Hardy put him in check. MVP challenged Hardy to a boxing match at Saturday Night's Main Event XXXV, however MVP was legitimately diagnosed with the heart condition Wolff-Parkinson-White syndrome. Since MVP was unable to compete, Hardy faced his replacement, former world champion boxer, Evander Holyfield. The match ended in a no contest after MVP entered the ring to verbally abuse Holyfield, who then knocked him out. MVP also challenged Hardy to a beer drinking contest at SummerSlam, but as revenge for what happened at SNME, Hardy allowed Stone Cold Steve Austin to replace him; Austin simply performed a stunner on MVP then kept drinking. After a segment involving MVP inadvertently choosing Hardy as his tag-team partner, Theodore Long promptly set up a match against Deuce 'n Domino for the WWE Tag Team Championship on the August 31 episode of SmackDown! which Hardy and MVP were able to win, therefore setting up Hardy's first reign as WWE Tag Team Champion. Hardy and MVP retained the titles at Unforgiven in a rematch against former champions Deuce 'n Domino. Hardy was scheduled to face MVP at Cyber Sunday, but due to a real-life head injury sustained on the October 26 episode of SmackDown!, he was not medically cleared to compete. As part of the storyline, Hardy continually asked MVP for a shot at the United States Championship but MVP refused stating that he was more focused on the Tag Team Championship. On the November 16 episode of SmackDown!, Hardy and MVP dropped the WWE Tag Team Championship to John Morrison and The Miz. Despite the fact that Hardy was hurt, MVP immediately invoked the rematch clause. After the rematch, in which Hardy was forced to tap out, MVP attacked Hardy, repeatedly targeting his knee. It was later confirmed by WWE.com that Hardy had suffered an injury at his former partner's hands and that he might not be able to compete at Survivor Series. Despite Hardy's absence at Survivor Series, his team was able to win the match. On November 21, WWE's official website reported that Hardy underwent an emergency appendectomy in Tampa, Florida after his appendix burst. Hardy made an appearance at the December 31 episode of Raw supporting his brother Jeff. To further Jeff's storyline with Randy Orton, however, Hardy was attacked by Orton. Hardy made his return at a live event in Muncie, Indiana on March 1, 2008. On March 30, 2008, at WrestleMania XXIV, during the Money in the Bank ladder match Hardy cut through the crowd and attacked MVP to prevent him from winning the match. He made his official in-ring return the next night on Raw, losing a singles match to WWE Champion Randy Orton. On the April 4 episode of SmackDown, Hardy faced MVP in a non-title match, which he won, re-igniting their storyline rivalry. On April 27, 2008, Hardy defeated MVP to win the United States Championship at Backlash, and successfully retained his title against MVP five days later on SmackDown. Hardy declared himself as a fighting champion that would take on all challenges, defending the United States championship against Shelton Benjamin, Elijah Burke, Chuck Palumbo, Mr. Kennedy, Chavo Guerrero and Umaga. Hardy was drafted to the ECW brand on the June 23, 2008 episode of Raw during the 2008 WWE Draft, in the process making the United States Championship exclusive to ECW. He dropped the United States Championship to Shelton Benjamin at the Great American Bash pay-per-view on July 20, 2008, which meant that the title returned to SmackDown. On the July 22 episode of ECW, Hardy became the number one contender to Mark Henry's ECW Championship after defeating John Morrison, The Miz and Finlay in a fatal four-way match. He won the title match at SummerSlam by disqualification due to interference from Henry's manager, Tony Atlas, thus he failed to win the title. Due to the ending of the pay-per-view match, Hardy received a rematch for the title on the next episode of ECW, but again failed to win the title when Henry pinned him after a distraction by Atlas. At Unforgiven, Hardy won the ECW Championship during the Championship scramble match, defeating then-champion Henry, The Miz, Finlay and Chavo Guerrero by pinning the Miz with three minutes left, marking his first world heavyweight championship win. He continued to feud with Henry until No Mercy, where Hardy successfully retained the title. Hardy lost the title to Jack Swagger on the January 13, 2009 episode of ECW, which was taped on January 12. Feud with Jeff Hardy and departure (2009–2010) At the 2009 Royal Rumble pay-per-view, after losing an ECW Championship rematch to Swagger, Hardy turned on his brother when he hit Jeff with a steel chair, allowing Edge to win the WWE Championship, turning heel in the process. On the January 27, 2009 episode of ECW, it was announced by General Manager Theodore Long that Hardy had requested, and been granted, his release from ECW and had re-signed with the SmackDown brand. As part of the buildup to this feud, Matt strongly implied that he was responsible for all of Jeff's accidents leading back to November, including an assault in a hotel stairwell that prevented Jeff from appearing at Survivor Series, an automobile accident where Jeff's car was run off the road, and a pyrotechnics malfunction where part of the pyro from Jeff's entrance was fired directly at Jeff, in an attempt to stop Jeff holding the WWE Championship. Despite Hardy's attempts to goad Jeff into fighting him, Jeff refused to fight his brother, but, on the March 6 episode of SmackDown, Jeff attacked him during a promo where Matt implied that he was also responsible for the fire that burned down Jeff's house, going so far as to reveal that he had in his possession a dog collar that supposedly belonged to Jeff's dog, Jack (who died in the fire), that he claimed to have salvaged from the wreckage of the house. At WrestleMania 25, Matt defeated Jeff in an Extreme Rules match, and in a stretcher match on the following episode of SmackDown. On the April 13 episode of Raw, Hardy was drafted to the Raw brand as part of the WWE draft. Despite the fact that the two were on different brands, he continued his feud with Jeff. Two weeks later, in a rematch from WrestleMania, Hardy lost to Jeff in an "I Quit" match at Backlash, in which he legitimately broke his hand. Hardy continued to wrestle with his hand in a cast, incorporating it into his persona and claiming that he was wrestling under protest. He reignited his feud with MVP on Raw for the United States Championship. He also formed a tag team with William Regal, and the two acted as henchmen for General Manager Vickie Guerrero. At the June 22 taping of WWE Superstars, Hardy suffered yet another injury, when his intestines went through his abdominal wall, during a triple threat match against MVP and Kofi Kingston. Hardy had suffered a tear in his abdominal muscle two years previously, but had not needed surgery until it worsened, and became a danger to his health. He was then traded back to the SmackDown brand on June 29, and underwent surgery for the torn abdominal muscle on July 2. He made his return on the August 7 episode of SmackDown as the special guest referee in the World Heavyweight Championship match between his brother, Jeff, and CM Punk, and helped Jeff retain the championship by counting the pinfall. The following week Hardy turned face again when he saved his brother when CM Punk and The Hart Dynasty attacked both Jeff and John Morrison. On the August 21 episode of SmackDown, after apologizing for his past actions towards Jeff and admitting that he was not behind any of Jeff's accidents, he had his first match back after his injury when he teamed with Jeff and John Morrison to defeat The Hart Dynasty and CM Punk, when Matt pinned Punk. In early 2010, Hardy began an on-screen relationship with Maria; but was brief and the relationship ended when Maria was released from her WWE contract. On the March 5 episode of SmackDown, Hardy qualified for the Money in the Bank ladder match at WrestleMania XXVI by defeating Drew McIntyre, but was unsuccessful at WrestleMania, as the match was won by Jack Swagger. Hardy was suspended by Vince McMahon because he attacked McIntyre after McIntyre lost to Kofi Kingston at Over the Limit. He was able to get his revenge on McIntyre during the Viewer's Choice episode of Raw when chosen as the opponent for McIntyre, with General Manager Theodore Long stating that Hardy was suspended from SmackDown, but not from Raw. On the following episode of SmackDown, however, Vickie Guerrero announced that, per orders of Vince McMahon, Hardy had been suspended from all WWE programming. However, at Fatal 4-Way, Hardy prevented McIntyre from regaining the Intercontinental Championship, thus continuing their feud. On the following edition of SmackDown, he was reinstated by Long and had a match with McIntyre, which Hardy won. After the match, it was announced that McIntyre's visa had legitimately expired and was sent back to Scotland, thus ending their feud. Hardy was featured in the SmackDown Money in the Bank ladder match but was unsuccessful in winning with Kane coming out victorious. On September 12, WWE confirmed they had sent Hardy home from a European tour. Following this, Hardy began posting videos on his YouTube channel expressing his disinterest in the WWE product and insisting that he wanted to be released from the company. On October 15, 2010, WWE announced that Hardy had been released from his contract. Hardy later stated that his release had been in effect two weeks before WWE made the announcement. Total Nonstop Action Wrestling (2011) On January 9, 2011, Hardy made his debut for Total Nonstop Action Wrestling (TNA) at the Genesis pay-per-view, as part of the stable Immortal. He was the surprise opponent for Rob Van Dam, and defeated him to prevent Van Dam from receiving a match for the TNA World Heavyweight Championship, held by Hardy's brother Jeff. In the main event, Hardy attempted to interfere in Jeff's World Heavyweight Championship match with Mr. Anderson, but was stopped by Van Dam, which led to Jeff losing both the match and the championship. On the January 13 episode of Impact!, the Hardy Boyz reunited to defeat Anderson and Van Dam in a tag team match, following interference from Beer Money, Inc. On February 13 at Against All Odds, Van Dam defeated Hardy in a rematch. On the following episode of Impact!, Hardy, along with the rest of Immortal and Ric Flair, betrayed Fortune. On March 13 at Victory Road, Hardy was defeated by Flair's previous protégé, A.J. Styles. On April 17 at Lockdown, Immortal, represented by Hardy, Abyss, Bully Ray and Ric Flair, were defeated by Fortune members James Storm, Kazarian and Robert Roode and Christopher Daniels, who replaced an injured A.J. Styles, in a Lethal Lockdown match. On the April 21 episode of Impact!, Hardy faced Sting for the TNA World Heavyweight Championship, Hardy's first World Title match in TNA, but was defeated. The following month, Hardy was granted a shot at the TNA World Tag Team Championship against Beer Money, Inc. (James Storm and Robert Roode). While the champions looked to defend the title against the Hardy Boyz, Matt instead introduced the returning Chris Harris, Storm's old tag team partner, as his partner for the title match. The match took place at Sacrifice, where Storm and Roode retained their titles. On June 21, it was reported that TNA had suspended Hardy. On August 20, Hardy was released from TNA following a DUI arrest that occurred earlier that same day. Return to the independent circuit (2011–2017) Hardy announced his retirement from full-time professional wrestling due to injuries on September 1, 2011. He issued a challenge to his long-time rival MVP, who was wrestling in Japan at the time, to one final match at "Crossfire Live!" in Nashville. The event was held May 19, 2012 and benefited the Make-A-Wish Foundation. Hardy won the match. Throughout 2012, Hardy wrestled sporadically on the independent circuit, working with promotions such as Mid Atlantic Championship Wrestling, Pro Wrestling Syndicate and Northeast Wrestling. On October 5, Hardy was defeated by Kevin Steen at Pro Wrestling Xperience's An Evil Twist of Fate. On November 11, Hardy, as the masked wrestler Rahway Reaper, defeated the Pro Wrestling Syndicate Kevin Matthews, winning the championship. On February 9, 2013, Hardy lost the Pro Wrestling Syndicate Championship back to Matthews. On February 16, 2013, at Family Wrestling Entertainment's No Limit, Hardy wrestled a TLC match for the FWE Heavyweight Championship against the champion Carlito and Tommy Dreamer, but he was defeated. On November 30, 2013, at WrestleCade, Hardy defeated Carlito to become the first ever WrestleCade Champion. On May 3, 2014, following a match between Christian York and Drolix, Hardy defeated Drolix to become the new MCW Heavyweight Champion. At Maryland Championship Wrestling's Shane Shamrock Cup, Hardy defeated Luke Hawx in a TLC match for Hardy's title and Hawx's Extreme Rising World title. Hardy won the match, but he gave back the title to Hawx. On October 4, Hardy lost the MCW Heavyweight Championship back to Drolix, following outside interference from Kevin Eck. On February 9, 2015, Hardy appeared on FWE's "No Limits 2015" iPPV, challenging Drew Galloway for the ICW World Heavyweight Championship, but was defeated. On November 28, 2015, Hardy lost the WrestleCade Championship to Jeff Jarrett at WrestleCade IV in Winston-Salem, North Carolina. Hardy regained the title in a triple-threat cage match against Jarrett and Ethan Carter III in Hickory, North Carolina on May 20, 2016. He appeared at the #DELETEWCPW event for What Culture Pro Wrestling (WCPW) in Nottingham, England on November 30. Hardy, billed as "Broken" Matt Hardy, lost a no-disqualification match to Bully Ray, with Ray proposing the no-disqualification stipulation at the last minute, and Hardy accepting there and then. Return to ROH (2012–2014) At Death Before Dishonor X: State of Emergency in 2012, Hardy returned to Ring of Honor, confronting Adam Cole and challenging him to a match for the ROH World Television Championship. On December 16 at Final Battle 2012: Doomsday, Hardy defeated Cole in a non-title match. At the following iPPV, 11th Anniversary Show on March 2, 2013, Hardy joined the villainous S.C.U.M. stable. On April 5 at the Supercard of Honor VII iPPV, Hardy unsuccessfully challenged Matt Taven for the ROH World Television Championship in a three-way elimination match, which also included Adam Cole. On June 22 at Best in the World 2013, Hardy defeated former S.C.U.M. stablemate Kevin Steen in a No Disqualification match to become the number one contender to the ROH World Championship. Hardy received his title shot at the following day's Ring of Honor Wrestling tapings, but was defeated by the defending champion, Jay Briscoe. Later that same day, S.C.U.M. was forced to disband after losing a Steel Cage Warfare match against Team ROH. On December 14, 2013, at Final Battle 2013, Hardy defeated Adam Page in a singles match; later on in the main event, Hardy aided Adam Cole in retaining his title and forming a tag team with him. After aiding Cole at Supercard of Honor VIII, Hardy was given Jay Briscoe's unofficial "Real World Title" belt, which he renamed the "ROH Iconic Championship". In July, Hardy opted out of his ROH contract and went back to TNA. Return to OMEGA (2013–2018) Matt announced that OMEGA would return in January 2013 with an event titled "Chinlock For Chuck". The main event featured Matt, Jeff, Shane "Hurricane" Helms and "Cowboy" James Storm defeating Gunner, Steve Corino, CW Anderson and Lodi. On October 12, 2013, at "Chapel Thrill", Hardy announced a Tournament for the OMEGA Heavyweight Championship which featured himself vs. CW Anderson and Shane "Hurricane" Helms vs. "The King" Shane Williams. After Hardy's qualifying match he was attacked by CW but was saved by the returning Willow the Whisp. Hardy won that match and advanced to the finals. On November 21, 2015, Matt won the OMEGA Heavyweight Championship for the second time, defeating former student Trevor Lee. Following this, Matt (upon regaining the TNA world title as part of his villainous egotistical "Iconic" gimmick) began proclaiming himself to be the only world champion that matters, and the only "true" world champion in wrestling, as he held both the TNA and OMEGA Championships, which (according to him) put him above any other promotions' world champions. Throughout 2016, Hardy defended the TNA and OMEGA titles jointly at OMEGA events as part of his "only true world champion" gimmick. On January 29, The Hardys won the OMEGA Tag Team Championships. Return to TNA The Hardys third reunion (2014–2015) On July 24, 2014, Hardy returned to TNA and reunited with Jeff to reform The Hardys for the third time. At the Destination X episode of Impact Wrestling, The Hardys were defeated by The Wolves in a match for the TNA World Tag Team Championship. On the August 14 episode of Impact Wrestling, Team 3D (formerly the Dudley Boyz) challenged The Hardys to a match, which Team 3D won. At the Hardcore Justice episode of Impact Wrestling, The Hardys and Team 3D talked about a match involving themselves and The Wolves. When The Wolves were asked by the two teams, they agreed. Later that night, Kurt Angle announced all three teams would compete in a best of three series for the TNA World Tag Team Championship with the winners of the first match choosing the stipulation of the next one. The Hardys won the second match of the series on the September 10 episode of Impact Wrestling in a tables match and choose a ladder match for the third match of the series. The Hardys were unsuccessful in winning that match on the September 17 episode of Impact Wrestling, as the Wolves won that match. The Wolves then went on to pick the final match of the series to be a Full Metal Mayhem match to take place on the October 8 episode of Impact Wrestling. The Hardys were unsuccessful in that match as the Wolves won that match. On October 22, The Hardys entered a number one contenders tournament for the TNA World Tag Team Championship defeating The BroMans (Jessie Godderz and DJ Z) in the first round of the tournament. On the October 29 episode of Impact Wrestling, The Hardys defeated Team Dixie (Ethan Carter III and Tyrus) in the semifinals to advance to the finals of the tournament, where they defeated Samoa Joe and Low Ki to become number one contenders for the TNA World Tag Team Championship. On the January 16, 2015 episode of Impact Wrestling, The Hardys defeated the Wolves. At the Lockdown episode of Impact Wrestling, The Hardys were defeated by The Revolution in a six sides of steel cage match for the TNA World Tag Team Championship. On the February 20 episode of Impact Wrestling, Hardy and The Wolves defeated The Revolution in a six-man tag team match. In March, The Hardys participated in a tournament for the vacant TNA World Tag Team Championship. On March 16, 2015, Matt and Jeff won an Ultimate X match for the titles. On May 8, 2015, Hardy vacated the TNA World Tag Team Championship due to his brother Jeff being injured. World Heavyweight Champion (2015–2016) On June 28, 2015, Hardy was among the five wrestlers who competed for the TNA King of the Mountain Championship at Slammiversary, with Jeff Jarrett ultimately emerging victorious. On the July 8 episode of Impact Wrestling, Hardy requested a world title shot against Ethan Carter III, but was denied and forced to face the Dirty Heels (Austin Aries and Bobby Roode) in a handicap match, which he lost. On the July 22 episode of Impact Wrestling, Hardy defeated Roode in a Tables match to become the #1 contender for the TNA World Heavyweight Championship. On the August 5 episode of Impact Wrestling, Hardy got his shot at the title against EC3 in a Full Metal Mayhem match, but failed to win the title. On the September 2 episode of Impact Wrestling, Hardy got another shot at the TNA World Heavyweight Championship against EC3, but again failed to win the title; as part of the storyline, Jeff Hardy was forced to act as Ethan Carter's personal assistant. On the September 30 episode of Impact Wrestling, Hardy was added to the Ethan Carter III vs. Drew Galloway main event match for the TNA World Heavyweight Championship at Bound for Glory after he and Galloway defeated Carter and Tyrus, making it a three-way match, following which Jeff, who EC3 had just "fired" in the previous episode, was revealed to be the special guest referee. On October 4 at Bound for Glory, Matt won the TNA World Heavyweight Championship by pinning Galloway. However, EC3 filed an injunction (kayfabe) that banned Hardy from appearing on Impact Wrestling for a month, which forced Hardy to relinquish the title in order to stay on the show. However, Hardy had been participating in the TNA World Title Series for the vacant title. He qualified to the round of 16 by defeating Davey Richards, Robbie E and Eddie Edwards. He then advanced to the round of 8 by defeating the King of the Mountain Champion Bobby Roode and then to Jessie Godderz to continue his winning streak. The semifinals and finals were held on the January 5, 2016, live episode of Impact Wrestling during its debut on Pop TV, in which he defeated Eric Young to advance to the final round. Hardy faced EC3 in the TNA World Title Series finals, but lost the match via pinfall. Hardy won the TNA World Title from EC3 on the January 19, 2016 episode of Impact Wrestling, becoming the first man to defeat him in a one-on-one match in TNA. During the match a double turn took place; Hardy turned heel after Tyrus betrayed EC3. The following week on Impact Wrestling, Jeff Hardy had confronted him about last week and issued a challenge to Matt for the World Heavyweight title in the main event and Matt accepted. However, later before the main event could begin, Eric Young and Bram attacked Jeff from behind. Kurt Angle then came out to try save Jeff, and Matt had Tyrus attack Angle from behind. While Matt watched from the ramp, Young attacked Jeff with the Piledriver off the apron through a table. The following week, he successfully retained his title against Angle. At Lockdown, he retained his title in a Six-side of steel match against Ethan Carter III, with the help of Rockstar Spud. He lost his title against Drew Galloway on the March 15 episode of Impact Wrestling, after a match featuring EC3 and Jeff Hardy. Two weeks later he received a rematch for the title on Impact Wrestling, but was again defeated by Galloway. After losing the title he started a feud with Jeff. On the April 19 episode of Impact Wrestling, and an I Quit match ended in a no-contest as both Matt and Jeff were badly injured and Matt was taken out to the hospital on a stretcher. The Broken Universe (2016–2017) Hardy returned on May 17 episode of Impact Wrestling, revealing himself to be one of the impostor Willows behind the attacks on Jeff. Later that night, he attacked Jeff. In the following weeks, Hardy debuted a new persona as a "Broken" man with part of his hair bleached blonde along with a strange sophisticated accent, blaming Jeff (who he began referring to as "Brother Nero", Nero being Jeff's middle name) for breaking him and becoming obsessed with "deleting" him. His line “Delete”, is mostly inspired by the Death Note manga/anime series character Teru Mikami. On June 12, at Slammiversary, Matt was defeated by Jeff in a Full Metal Mayhem match. On the June 21 episode of Impact Wrestling, Matt was once again defeated by Jeff in a Six Sides of Steel match. On the June 28 episode of Impact Wrestling, Matt challenged Jeff to a final battle with the Hardy brand on the line, to take place at their home in Cameron, North Carolina the next week. On July 5, during special episode "The Final Deletion", Matt defeated Jeff in the match to become sole owner of the Hardy brand, forcing Jeff to drop his last name and become referred to as "Brother Nero". On the August 18 episode of Impact Wrestling, Matt and Brother Nero defeated The Tribunal, The BroMans and The Helms Dynasty in an "Ascension To Hell" match for an opportunity to challenge Decay for the TNA World Tag Team Championship. On September 8, during special episode "Delete or Decay", the Hardys faced Decay in a match held at the Hardy compound, where Brother Nero sacrificed himself to save Matt from Abyss. Thanks to Brother Nero's sacrifice, Hardy was able to confront Rosemary and prevent his son Maxel from being abducted, which turned Hardy babyface as a result, and he furthered the face turn by healing Brother Nero in the Lake of Reincarnation. At Bound for Glory, the Hardys defeated Decay in "The Great War" to win the TNA World Tag Team Championship for the second time. On the October 6 episode of Impact Wrestling, they successfully defended their titles against Decay, in a Wolf Creek match. On the November 3 episode of Impact Wrestling, the Hardys successfully defended the titles against The Tribunal. After the match, the Hardys were attacked by the masked trio known as Death Crew Council (DCC). After accepting DCC's title challenge, The Hardys faced Bram and Kingston, and Matt pinned Kingston to retain the titles. On December 15, during special episode "Total Nonstop Deletion", they were once again successful in retaining. Brother Nero attacked Crazzy Steve with the Twist of Fate, who then fell into a volcano (that had appeared on the compound in the weeks leading up the event), and was shot up into the sky, landing in the ring. Matt then covered him to win the match. On the January 12, 2017 episode of Impact Wrestling, The Hardys successfully defended their titles against The Wolves. At Genesis, The Hardys retained their titles against the DCC and Decay in a three-way tag team match. On Open Fight Night, the Hardys began a storyline where they would teleport to different promotions and win that promotions' tag team championship gold, which was referred to by Matt as their "Expedition of Gold". On February 27, Hardy announced that both he and Jeff had finally left TNA, following years of speculation, with their contracts expiring that week. Though the two sides were reportedly close to a contract agreement, talks began to break down and changes in management prompted their departure from the company. The TNA World Tag Team Championships were vacated due to the Hardys' departure and was explained on TNA television in a segment where The Hardys teleported to their next Expedition of Gold destination, but a technicality resulted in them disappearing and the belts appearing in the arms of Decay. Broken gimmick legal battle Shortly after the departure of Matt and Jeff from TNA was made public, Matt's wife, Reby, went on a social media tirade in which she repeatedly slammed TNA, the company's new management and the way in which contract negotiations between the company and the Hardy family were conducted. A few weeks following this, the bad blood between the two sides intensified, so much so that the new management of TNA (now renamed Impact Wrestling) Anthem Sports & Entertainment issued a cease and desist letter to The Hardys' new promotion Ring of Honor (ROH), in which Anthem essentially ordered ROH as well as any broadcasting company airing ROH's 15th Anniversary pay–per–view show (on which The Hardys were to participate in a match) to not in any way speak of, indicate or acknowledge the existence of the Broken Matt and Brother Nero characters and instead to refer to The Hardys as simply Matt Hardy and Jeff Hardy. The issue with this is that while The Hardys were in TNA, they had full creative control over the Broken gimmick, with them even filming their own segments to air on TNA programming in some circumstances, thus making the Hardy family (in their belief) the owners of the Broken gimmick. It is believed that civil litigation will follow and a potential court hearing will take place regarding the outcome on who owns the Broken gimmick: Anthem or the Hardy family. Until then, the status of the Broken gimmick remains undecided. Despite this, Matt continues to use the Broken gimmick through his social media accounts, but neither he nor Jeff uses the Broken gimmick at any professional wrestling shows for ROH or on the independent circuit, presumably until the results of the expected legal proceedings have been finalized. Newly–appointed Impact Wrestling President Ed Nordholm credits the invention of and the vision behind the Broken gimmick to Jeremy Borash, Dave Lagana and Billy Corgan, and while Borash specifically had the most input into the gimmick of the three aside from Matt, the Hardy family deny that Borash was the sole person behind the gimmick. In November 2017, Impact Wrestling changed their policy, allowing all talent to retain complete ownership over their intellectual property, essentially forfeiting ownership of the "Broken" character to Hardy. On January 31, 2018, the legal battle officially concluded when Matt legally acquired ownership of all trademarks related to the Broken universe and the Broken gimmick, which includes 'Broken Matt', 'Brother Nero', 'Broken Brilliance' and 'Vanguard1'. International matches (2014–2015) On November 1, 2014, Hardy traveled to Japan to compete for Wrestle-1 at the promotions Keiji Muto 30th Anniversary Hold Out show in a triple threat match against Seiya Sanada and Tajiri, which he lost. On May 24, 2015, Hardy traveled to Mexico to compete as a team captain for Team TNA/Lucha Underground with teammates Mr. Anderson and Johnny Mundo at Lucha Libre AAA Worldwide's 2015 Lucha Libre World Cup pay–per–view show. In the quarter–final round, Team TNA/Lucha Underground faced Team Rest of the World (Drew Galloway, Angélico and El Mesías) to a 15-minute time limit draw, with Team TNA/Lucha Underground winning in overtime and advancing to the semi–final round. In the semi–final round, Team TNA/Lucha Underground defeated Team MexLeyendas (Blue Demon Jr., Dr. Wagner Jr. and El Solar) to advance to the final round. In the final round, Team TNA/Lucha Underground faced Dream Team (El Patrón Alberto, Myzteziz and Rey Mysterio Jr.) to a 15–minute time limit draw, with Dream Team winning both the match and the tournament in overtime with Hardy on the losing end of the final pinfall. Second return to ROH (2016–2017) On December 2, 2016, Hardy returned to ROH for the second time while still under contract with TNA, appearing at the promotions Final Battle pay-per-view show as Broken Matt, where a video message showed him addressing The Young Bucks (Matt Jackson and Nick Jackson) and The Briscoes (Jay Briscoe and Mark Briscoe). On March 4, 2017, in the same week that both Matt and Jeff were released from TNA, The Hardys defeated The Young Bucks in an impromptu match at ROH's 2017 installment of the company's Manhattan Mayhem show series to become the new ROH World Tag Team Champions for the first time. Moments after winning the titles, Hardy announced in a post-match promo that both he and Brother Nero (Jeff) had signed "the biggest ROH contracts in (the company's) history". It was later confirmed that the contracts were short-term, only for the "immediate future". On March 10, The Hardys successfully defended the ROH World Tag Team Championship for the first time at ROH's 15th Anniversary pay-per-view show against The Young Bucks and Roppongi Vice (Beretta and Rocky Romero) in a three-way Las Vegas tag team street fight match. Prior to the event, the Hardys had been sent a legal threat by Impact Wrestling regarding the use of the Broken Matt and Brother Nero gimmicks. The following night on March 11, The Hardys (not billed but using the Broken gimmicks anyway) once again retained the titles, this time against The Briscoes at a set of Ring of Honor Wrestling television tapings. The Hardys lost the titles back to The Young Bucks in a ladder match on April 1 at ROH's Supercard of Honor XI pay-per-view show, which would be the final ROH appearances for both Hardys in this tenure with the promotion. Second return to WWE (2017–2020) Feud with The Bar (2017) At the WrestleMania 33 pay-per-view on April 2, 2017, Hardy made his surprise return to WWE, along with his brother Jeff Hardy, being added as last-minute participants in the ladder match for the Raw Tag Team Championship, defeating Gallows and Anderson, Cesaro and Sheamus, and Enzo and Cass to win the Raw Tag Team Championship. Afterwards on Raw Talk, Hardy mentioned that The Hardy Boyz had successfully completed the Expedition of Gold, after winning the Raw Tag Team Championship. At Payback, The Hardy Boyz retained their championships against Cesaro and Sheamus, who attacked them after the match. The next night on Raw, Cesaro and Sheamus explained their actions, claiming the fans were more supportive of 'novelty acts' from the past like The Hardy Boyz, who they feel did not deserve to be in the match at WrestleMania 33. Subsequently, at Extreme Rules, The Hardy Boyz lost the titles against Cesaro and Sheamus in a steel cage match, and failed to regain it back the following month at the Great Balls of Fire event. Afterwards, it was revealed that Jeff had gotten injured and would be out for an estimated six months, thus Hardy began wrestling in singles matches. Woken Universe and storyline with Bray Wyatt (2017–2018) During his feud with Bray Wyatt, Hardy introduced his "Woken" gimmick, after Impact Wrestling dropped their claim to the gimmick and Hardy gained full ownership of it. Wyatt defeated Hardy at Raw 25 on January 22, 2018, and Hardy defeated Wyatt at Elimination Chamber on February 25. Their final match happened on the March 19 episode of Raw, dubbed The Ultimate Deletion, with Hardy winning after distractions from Señor Benjamin. Wyatt then disappeared after being thrown into the Lake of Reincarnation. At WrestleMania 34 on April 7, Hardy competed in the annual André the Giant Memorial Battle Royal, and won the match due to a distraction by the returning Wyatt. After WrestleMania, Hardy and Wyatt performed as a tag team, sometimes referred to as The Deleters of Worlds. They won a tournament for the vacant Raw Tag Team Championship, defeating Cesaro and Sheamus at the Greatest Royal Rumble event to win the title. However, they lost the titles at Extreme Rules to The B-Team (Bo Dallas and Curtis Axel). On the July 23 episode of Raw, Hardy and Wyatt received a rematch for the titles, but was again defeated by The B-Team. Following this, Hardy revealed that he was taking time off due to his back fusing with his pelvis, effectively disbanding the team. According to Hardy, the reason WWE disbanded the team was because he and Wyatt pitched several ideas to WWE to work with their characters. The Hardys fourth reunion and departure (2019–2020) After more than seven months of absence from television, Hardy returned on the February 26, 2019 episode of SmackDown Live, teaming with his brother Jeff to defeat The Bar (Cesaro and Sheamus). At WrestleMania 35 on April 7, Hardy competed in the André the Giant Memorial Battle Royal, but was eliminated by eventual winner, Braun Strowman. Two days later on SmackDown Live, The Hardy Boyz defeated The Usos to win the SmackDown Tag Team Championship. The reign only lasted 21 days (recognized as 20 days by WWE), as they had to vacate the title due to Jeff injuring his knee, this was explained in storyline as injuries afflicted by Lars Sullivan. After his brother Jeff's injury, Hardy began to appear on WWE programming less frequently. At Super ShowDown on June 7, Hardy competed in the 51-man Battle Royal, which was eventually won by Mansoor. From November to December, Hardy occasionally appeared on Raw, losing matches against superstars like Buddy Murphy, Drew McIntyre, Ricochet and Erick Rowan. On the February 10, 2020 episode of Raw, Hardy confronted Randy Orton about Orton's attack on Edge two weeks earlier. Hardy then got himself into a brawl with him moments after, and was viciously attacked by Orton. The following week on Raw, an injured Hardy appeared and was once again assaulted by Orton, which would be his final appearance in WWE. On March 2, Hardy announced his departure from WWE through his official YouTube channel, where Hardy said that while he's grateful towards the people behind the scenes, he said he is also on different pages with WWE as he feels he needs to have creative input and still has more to give. Later that day, WWE announced that his contract had expired. All Elite Wrestling Multiple personalities (2020–2021) Hardy made his All Elite Wrestling (AEW) debut on the March 18, 2020 episode of Dynamite, reverting to his "Broken" gimmick and being announced as the replacement for the kayfabe injured Nick Jackson on The Elite's team at Blood and Guts. However, the event was postponed to the following year due to the COVID-19 pandemic. On the May 6 episode of Dynamite, Hardy wrestled his first match with AEW, teaming up with Kenny Omega for a street fight against The Inner Circle's Chris Jericho and Sammy Guevara, and Hardy and Omega lost when Jericho pinned Omega. During this period, due to the lack of live audience, Hardy felt that the Broken character needs public, so he began to include several of his gimmicks, including Broken Matt Hardy, Big Money Matt, Matt Hardy V1, and Unkillable Matt Hardy, being referred to as "Multifarious" Matt Hardy. AEW president Tony Khan later admitted that he "wasn't a fan" of the Broken gimmick and much preferred more realistic presentations in wrestling. At Double or Nothing, Hardy teamed with The Elite to defeat The Inner Circle in the first ever Stadium Stampede match. During the match, Santana and Ortiz dunked Hardy in the stadium pool, which acted as a version of the Lake of Reincarnation, as Hardy kept cycling through his various gimmicks throughout his career when he surfaced. Hardy then feuded with Sammy Guevara, and after Hardy defeated Guevara in a Broken Rules match at All Out, Hardy took time off until he was cleared to return, due to an injury sustained during the match. On the September 16 episode of Dynamite, Hardy aligned with Private Party (Isiah Kassidy and Marq Quen) as their manager, but was attacked backstage before their match. The attacker was later revealed as Guevara and The Elite Deletion match was announced, which took place at The Hardy Compound in Cameron, North Carolina, where Hardy won. The Hardy Family Office (2021–present) Hardy then switched to his Big Money persona as he focused on managing Private Party. Over the following weeks, Hardy would display villainous tactics as he began cheating during matches much to Private Party's dismay. On the January 20, 2021 episode of Dynamite, Hardy and Private Party defeated Matt Sydal and Top Flight (Dante Martin and Darius Martin) after using a steel chair before attacking Sydal and Top Flight afterwards, thus turning heel. Hardy then approached Adam Page to accompany and befriend him, and during tag team matches, Hardy would always tag himself in and pick up the victory for his team to Page's behest. After Page set up a match between Hardy and himself, Hardy double-crossed Page, with Private Party and The Hybrid 2 (Angélico and Jack Evans) attacking Page until The Dark Order came out to save him. At the Revolution event, Hardy lost to Page despite multiple interferences from Private Party. Following Revolution, Hardy became the manager for The Butcher and The Blade (with their valet The Bunny in tow), and along with Private Party, the stable became known as the Matt Hardy Empire before settling on the name Hardy Family Office. Hardy also added The Hybrid 2 to his group in July having previously hiring them on a mercenary basis. At Double or Nothing, Hardy competed in Casino Battle Royale but was eliminated by Christian Cage. This led to a match between the two at Fyter Fest, where Hardy lost to Cage. In August, Matt Hardy and HFO began a feud with Orange Cassidy and Best Friends, which led to a match on the August 25 episode of Dynamite, where Hardy was defeated by Cassidy. However, on the November 12 episode of Rampage, Hardy defeated Cassidy in a Lumberjack match, thanks to an interference from HFO and the heel lumberjacks. Their feud ended on the November 17 episode of Dynamite where his team of The Butcher and The Blade lost to the team of Cassidy and Tomohiro Ishii, where Cassidy gave a crossbody to the interfering Hardy and The Blade during the match. Professional wrestling style and persona After the creation of his Broken character, Hardy was praised by several wrestlers and critics for reinventing himself several times during his career. During his career, Hardy has won the Wrestling Observer Newsletter Best Gimmick award two times under two different characters, once in 2002 and again in 2016. Personal life Hardy was in a six-year relationship with wrestler Amy Dumas, better known as Lita. They first met in January 1999 at a NWA Mid-Atlantic show but did not begin dating until a few months later. They broke up in February 2005 when he discovered that she was having an affair with one of Hardy's close friends, fellow wrestler Adam Copeland, better known as Edge. Hardy also dated WWE wrestler Ashley Massaro. Hardy married wrestler Rebecca Reyes, better known as Reby Sky, on October 5, 2013. They have three sons and one daughter. Hardy had previously been an addict, and credits his wife for helping him get clean. Hardy is good friends with fellow wrestlers Marty Garner, Shannon Moore, and Gregory Helms. In December 2020, he claimed to have Native American ancestry. Legal issues Hardy was arrested for a DUI on August 20, 2011. Two days later, he was arrested on felony drug charges when police found steroids in his home. In November 2011, Hardy was removed from court-ordered rehab and sent back to jail for drinking. In January 2014, Hardy and his wife were both arrested after a fight at a hotel. Other media In 1999, Matt, along with his brother Jeff, appeared as an uncredited wrestler on That '70s Show episode "That Wrestling Show". Matt and Jeff also appeared on Tough Enough in early 2001, talking to and wrestling the contestants. He appeared in the February 25, 2002 episode of Fear Factor competing against five other World Wrestling Federation wrestlers, including his brother. He won $50,000 for the American Cancer Society. Hardy also appeared on the October 13, 2009 episode of Scare Tactics, as a mental patient who threatens to attack the prank's victim. In 2001, Matt, Jeff, and Lita appeared in Rolling Stone magazine's 2001 Sports Hall of Fame issue. In 2003, Matt and Jeff, with the help of Michael Krugman, wrote and published their autobiography The Hardy Boyz: Exist 2 Inspire. As part of WWE, Matt appeared in their DVD, The Hardy Boyz: Leap of Faith in 2001. On April 29, 2008, WWE released Twist of Fate: The Matt and Jeff Hardy Story. The DVD featured footage of the brothers in OMEGA and WWE. Hardy also appears on The Hardy Show, an Internet web show which features the Hardys, Shannon Moore, and many of their friends. Hardy plays himself in the 2013 film Pro Wrestlers vs Zombies in which he and his real-life wife Reby Sky battle the undead. Hardy's first WWE video game was WWF WrestleMania 2000 in 1999 on the Nintendo 64 shortly followed by WWF SmackDown! in early 2000 on the PlayStation. He made several appearances later in WWF SmackDown! 2: Know Your Role, WWF SmackDown! Just Bring It, WWE SmackDown! Shut Your Mouth, WWE SmackDown! Here Comes the Pain, and WWE SmackDown vs. Raw. He later returned to the series in WWE SmackDown vs. Raw 2007, WWE SmackDown vs. Raw 2008, WWE SmackDown vs. Raw 2009, WWE SmackDown vs. Raw 2010, and WWE SmackDown vs. Raw 2011, which was his last WWE video game before his departure to TNA. Following his return to WWE in 2017, he was revealed as a DLC character in WWE 2K18 on September 25 that year alongside tag team partner and brother, Jeff Hardy. Hardy was revealed as a playable character in WWE 2K19 on August 30, 2018. His final appearance in a WWE video game came with WWE 2K20 in 2019. Filmography Championships and accomplishments All Elite Wrestling Dynamite Award (1 time) "Bleacher Report PPV Moment of the Year" (2021) – Stadium Stampede match (The Elite vs. The Inner Circle) – Double or Nothing (May 23) All Star Wrestling (West Virginia) ASW Tag Team Championship (1 time) – with Brother Nero CBS Sports Worst Moment of the Year (2020) vs. Sammy Guevara at All Out (2020) The Crash The Crash Tag Team Championship (1 time) – with Brother Nero Future Stars of Wrestling FSW Heavyweight Championship (1 time) House of Glory HOG Tag Team Championship (1 time) – with Jeff Hardy Maryland Championship Wrestling/MCW Pro Wrestling MCW Heavyweight Championship (1 time) MCW Tag Team Championship (1 time) – with Jeff Hardy Extreme Rising World Championship (1 time) National Championship Wrestling NCW Heavyweight Championship (1 time) NCW Light Heavyweight Championship (1 time) New Dimension Wrestling NDW Light Heavyweight Championship (1 time) NDW Tag Team Championship (1 time) – with Jeff Hardy New England Wrestling Alliance NEWA Heavyweight Championship (1 time) NEWA Hall of Fame (class of 2012) New Frontier Wrestling Association NFWA Heavyweight Championship (1 time) NFWA Tag Team Championship (1 time) – with Venom NWA 2000 NWA 2000 Tag Team Championship (1 time) – with Jeff Hardy OMEGA Championship Wrestling OMEGA Heavyweight Championship (2 times) OMEGA Tag Team Championship (2 times) – with Brother Nero/Jeff Hardy Pro Wrestling Illustrated Comeback of the Year (2017) with Jeff Hardy Feud of the Year (2005) vs. Edge and Lita Match of the Year (2000) with Jeff Hardy vs. The Dudley Boyz and Edge and Christian in a triangle ladder match at WrestleMania 2000 Match of the Year (2001) with Jeff Hardy vs. The Dudley Boyz and Edge and Christian in a Tables, Ladders and Chairs match at WrestleMania X-Seven Tag Team of the Year (2000) with Jeff Hardy Ranked No. 17 of the top 500 singles wrestlers in the PWI 500 in 2003 Pro Wrestling Syndicate PWS Heavyweight Championship (1 time) Remix Pro Wrestling Remix Pro Tag Team Championship (1 time) – with Facade Ring of Honor ROH World Tag Team Championship (1 time) – with Jeff Hardy Holy S*** Moment of the Decade (2010s) – – with Jeff Hardy Total Nonstop Action Wrestling TNA World Heavyweight Championship (2 times) TNA World Tag Team Championship (2 times) – with Jeff Hardy/Brother Nero TNA World Tag Team Championship Tournament (2015) – with Jeff Hardy TNA World Tag Team Championship #1 Contender Tournament (2014) – with Jeff Hardy WrestleCade WrestleCade Championship (2 times) Wrestling Observer Newsletter Best Gimmick (2002, 2016) Worst Feud of the Year (2004) with Lita vs. Kane Wrestling Superstar Wrestling Superstar Tag Team Championship (1 time) – with Jeff Hardy WWE/World Wrestling Entertainment/Federation ECW Championship (1 time) WWF Hardcore Championship (1 time) WWF European Championship (1 time) WWE United States Championship (1 time) WWE Cruiserweight Championship (1 time) WWF/World Tag Team Championship (6 times) – with Jeff Hardy WWE SmackDown Tag Team Championship (1 time) – with Jeff Hardy WWE Raw Tag Team Championship (3 times) – with Montel Vontavious Porter (1) Jeff Hardy (1) and Bray Wyatt (1) WCW Tag Team Championship (1 time) – with Jeff Hardy André the Giant Memorial Trophy (2018) Bragging Rights Trophy (2009) – with Team SmackDown Terri Invitational Tournament (1999) – with Jeff Hardy WWE Tag Team Eliminator (2018) - with Bray Wyatt Luchas de Apuestas record Notes References Sources External links 1974 births All Elite Wrestling personnel American bloggers American male professional wrestlers American YouTubers Male YouTubers ECW champions ECW Heavyweight Champions/ECW World Heavyweight Champions Living people NWA/WCW/WWE United States Heavyweight Champions Participants in American reality television series Professional wrestlers from North Carolina Professional wrestling managers and valets Reality show winners Sportspeople from Raleigh, North Carolina TNA World Heavyweight/Impact World Champions TNA/Impact World Tag Team Champions Twitch (service) streamers University of North Carolina at Charlotte alumni WWF European Champions WWF/WWE Hardcore Champions	true	[ "Tyson Fury vs. Dillian Whyte is an upcoming heavyweight professional boxing match contested between WBC and The Ring heavyweight champion, Tyson Fury, and WBC interim heavyweight champion, Dillian Whyte. The bout will take place on Saturday 23 April 2022 at Wembley Stadium in London, England.\n\nBackground \nOn 9 October 2021, undefeated WBC and The Ring heavyweight champion Tyson Fury defended his world titles against former WBC champion Deontay Wilder in their trilogy match, when he defeated Wilder via eleventh-round knockout in a widely acclaimed contest that was named The Ring magazine Fight of the Year 2021. Fury's mandatory challenger, Dillian Whyte, had been scheduled to face southpaw Otto Wallin in a defence of his WBC interim title later that month on 30 October, but the fight was cancelled days beforehand after it was alleged that Whyte had suffered a shoulder injury, ruling him out of contention. He ultimately did not reschedule the fight with Wallin, opting to bypass Wallin for a shot at Fury's world titles.\n\nOn 30 December 2021, WBC president Mauricio Sulaiman, who had ordered Fury to defend his WBC title against Whyte, ruled that the champion Fury would be entitled to 80% of the purse, compared to Whyte's 20% as the challenger. Sulaiman had set a deadline of 11 January 2022 for purse bids, as the two fighters' camps could not agree to terms. However, this deadline was pushed back multiple times, in part due to ongoing negotiations from Fury's team who were trying to secure the fight for the undisputed heavyweight championship against undefeated WBA (Super), IBF and WBO heavyweight champion Oleksandr Usyk. A fight between Fury and Usyk did not materialise, as deposed former champion Anthony Joshua was unwilling to step aside to allow the two champions to fight.\n\nThe deadline for the Fury-Whyte purse bids was ultimately scheduled for 28 January 2022, when it was announced that Frank Warren's Queensberry Promotions had won the rights to promote the fight, with a winning bid of $41,025,000 (£31 million), beating out the $32,222,222 (£24 million) bid submitted by Eddie Hearn's Matchroom. Warren's bid was reported to be the highest successful purse bid in boxing history. Fury reacted to the news, stating on social media that he is \"coming home\", suggesting that the fight against Whyte will be the first time he will box on U.K. soil since his August 2018 win against Francesco Pianeta. On 25 February 2022, it was officially announced that the fight would be taking place at Wembley Stadium in London, England on 23 April.\n\nFight card\n\nBroadcasting\n\nNotes\n\nReferences \n\n2022 in boxing\nBoxing matches\nBoxing matches involving Tyson Fury\nWorld Boxing Council heavyweight championship matches\n2022 in British sport\nApril 2022 sports events in the United Kingdom\n2022 sports events in London", "The Trinidad versus Mayorga fight, also known as \"Back with a Vengeance\", was a boxing event pitting former world champions Felix Tito Trinidad and Ricardo Mayorga. The fight took place on October 2, 2004, under the promotion of Don King, at the Madison Square Garden in New York City, United States.\n\nGeneral information\nThe fight involved no world titles, but that did not prevent it from being a large boxing event: With Bernard Hopkins's knockout of Oscar De La Hoya and Roy Jones Jr.'s knockout defeat weeks before, there were no more immediate big fights in the future, and both boxers had impressive knockout records.\n\nThe behind the scenes storylines involving this fight helped build up fan interest too: Mayorga, nicknamed \"El Matador\" (\"The Killer\"), had been active for the two previous years, settling for a no contest and a knockout win (in a rematch) against Andrew Lewis, then defeating Vernon Forrest twice before losing to Cory Spinks, all in world title fights. He had also won one fight at the Middleweight division. Mayorga, who prides himself in living a \"wild style\" type of life, had been arrested by the Nicaraguan government one month before the fight, stemming from charges of raping a woman. During the weight-in the day before the fight, Mayorga, feeling taunted by Trinidad's fans, responded by grabbing his genitals towards those fans. For the Trinidad fight, Mayorga dyed his hair red. Asked why he did that, he answered that he dyed his hair just because he felt like it.\n\nTrinidad, for his part, had not been active for two years. He lost his motivation, according to him, after Hopkins refused to give him a rematch of their September 28, 2001 bout, in which Hopkins unified the WBA, WBC, and IBF titles by knocking Trinidad out in twelve rounds. After a win against Hacine Cherifi in four rounds in 2002, Trinidad retired. Félix Trinidad reportedly reached a weight of 200 pounds (91 kg) during his retirement.\n\nBecause of those circumstances, many experts predicted that this fight would be like the fight between Joe Louis and Rocky Marciano or the one between Larry Holmes and Muhammad Ali: A former great who had been out of the ring for a considerable amount of time taking on an opponent who was, on the other hand, very good, but not to be considered as good as the retired champion ever was, therefore, many predicted Trinidad's doom at the hands of a man like Mayorga, who had won a world title and proven himself against some of the best boxers available while Trinidad was away from boxing.\n\nThe fight was telecast on HBO's Pay Per View, and commented by Jim Lampley, Larry Merchant and Roy Jones Jr. The fact it was held in New York guaranteed that many fans from both countries, especially Puerto Ricans, would come to cheer for their boxer.\n\nSynopsis\nMayorga started the fight by almost falling Trinidad with a jab. A famous part of this round sees Mayorga drop his hands sticking his chin in the air daring the vicious puncher Trinidad to try his best. Trinidad threw three left hooks and Mayorga simply did a mocking dance to taunt Trinidad. In round two, Trinidad and Mayorga traded power punches evenly, with most experts agreeing that Trinidad landed with a little more power.\n\nMayorga struck in round three with a right to the chin, that caused Trinidad to reel back and touch his glove to the mat. Although this was ruled a knockdown, Trinidad recuperated quickly, and went back into trading with Mayorga. By the end of the round, Mayorga was wobbled again. It has been alleged that, at some point after falling, Trinidad told Mayorga something in Spanish that sounded like \"I've tasted your power now. Let's see if you can take mine(power)!\".\n\nBy round four, Mayorga began to spurt a cut. Trinidad started to move to take advantage of the cut. Nevertheless, the round featured many furious exchanges between the two rivals.\n\nRound five was similar to round four. Both fighters stood in the center of the ring, trading power punches until the bell. This style set the pattern for the rest of the fight, but Mayorga was noticeably tiring after six rounds, and he had sustained two more injuries.\n\nThe end of the fight came in round eight. Trinidad, seizing an opportunity for a knockout, dropped Mayorga three times, forcing the referee to stop the bout, giving Trinidad the TKO win.\n\nAftermath \nThere was the possibility of a rematch between Trinidad and de la Hoya, who was defeated by Trinidad in 1999 via a controversial decision. A fight against Hopkins, based on the outcome of Hopkins-de la Hoya, was also very considered, just like a fight with Roy Jones Jr. Soon after the fight with Mayorga, though, Trinidad only fought Winky Wright in May 2005, losing in 12 rounds for only the second loss of his career. Eventually, Trinidad would fight Jones Jr. in January 2008, losing by unanimous 12-round decision.\n\nAs for Mayorga, he required hospitalization due to the injuries he sustained. Immediately after being released from the hospital (three days after the fight), he flew back to Nicaragua, where he would immediately begin a law process to determine whether he was guilty or not of rape. On October 5, he announced his retirement from boxing, although he later returned onto the ring to fight Michele Piccirillo and then Oscar De La Hoya.\n\nThe fight between Trinidad and Mayorga went on to be considered by some respected critics as a candidate for 2004's \"fight of the year\" immediately after it was over.\n\nPromoter Don King went on a tirade against HBO days after the fight, complaining that HBO had dedicated 6 months to promote the Hopkins-de la Hoya fight and only six days to promote the Trinidad-Mayorga showdown. HBO executives replied by saying that King was apparently too caught up with the political debates of 2004, and that HBO and King have enjoyed a mutual working relationship for many years.\n\n2004 in boxing\n2004 in sports in New York City\n2000s in Manhattan\nBoxing matches at Madison Square Garden\nOctober 2004 sports events in the United States" ]
[ "Matt Hardy", "Total Nonstop Action Wrestling (2011)", "Who did he fight?", "He was the surprise opponent for Rob Van Dam," ]	C_e23d3e73411842f49937f27ba3aa0993_0	Who won that match?	2	Who won the match between Matt Hardy and Rob Van Dam in 2011 ?	Matt Hardy	On January 9, 2011, Hardy made his debut for Total Nonstop Action Wrestling (TNA) at the Genesis pay-per-view, as part of the stable Immortal. He was the surprise opponent for Rob Van Dam, and defeated him to prevent Van Dam from receiving a match for the TNA World Heavyweight Championship, held by Hardy's brother Jeff. In the main event, Hardy attempted to interfere in Jeff's World Heavyweight Championship match with Mr. Anderson, but was stopped by Van Dam, which led to Jeff losing both the match and the championship. On the January 13 episode of Impact!, the Hardy Boyz reunited to defeat Anderson and Van Dam in a tag team match, following interference from Beer Money, Inc.. On February 13 at Against All Odds, Rob Van Dam defeated Hardy in a rematch. On the following episode of Impact!, Hardy, along with the rest of Immortal and Ric Flair, betrayed Fortune. On March 13 at Victory Road Hardy was defeated by Flair's previous protege, A.J. Styles. On April 17 at Lockdown, Immortal, represented by Hardy, Abyss, Bully Ray and Ric Flair, were defeated by Fortune members James Storm, Kazarian and Robert Roode and Christopher Daniels, who replaced an injured A.J. Styles, in a Lethal Lockdown match. On the April 21 episode of Impact!, Hardy faced Sting for the TNA World Heavyweight Championship, Hardy's first World Title match in TNA, but was defeated. The following month Hardy was granted a shot at the TNA World Tag Team Championship against Beer Money, Inc. (James Storm and Robert Roode). While the champions looked to defend the title against the Hardy Boyz, Matt instead introduced the returning Chris Harris, Storm's old tag team partner, as his partner for the title match. The match took place at Sacrifice, where Storm and Roode retained their title. On June 21, it was reported that TNA had suspended Hardy. On August 20, Hardy was released from TNA following a DUI arrest that occurred earlier that same day. CANNOTANSWER	defeated him to prevent Van Dam from receiving a match	Matthew Moore Hardy (born September 23, 1974) is an American professional wrestler currently signed to All Elite Wrestling (AEW). He is also known for his time with WWE, Impact Wrestling, and Ring of Honor (ROH). With his real life brother Jeff, Hardy gained notoriety in WWF's tag team division during the 2000s due to his participation in TLC matches. He is a 14-time world tag team champion, having held the WWE World Tag Team Championship six times, the WWE Raw Tag Team Championship three times, the WWE SmackDown Tag Team Championship, ROH World Tag Team Championship, and WCW Tag Team Championship once each, and the TNA World Tag Team Championships twice. Wrestling through four separate decades, Hardy has kept himself relevant partially through a variety of different gimmicks and his use of social media. In 2002, Hardy began a solo career in WWE. His subsequent "Version 1" persona was named Best Gimmick by the Wrestling Observer Newsletter. Hardy's eccentric "Broken" gimmick, which he debuted in 2016 (and which was renamed "Woken" following his subsequent WWE return), garnered praise from wrestling critics and earned him multiple awards, including a second Best Gimmick award, becoming one of the most talked about characters in all of wrestling. As a singles wrestler, Hardy has won three world championships (one ECW Championship, and two TNA World Heavyweight Championships). All totaled between WWE, TNA/Impact, and ROH, Hardy has held 21 total championships. Early life Hardy was born in Cameron, North Carolina, the son of Gilbert and Ruby Moore Hardy. He is the older brother of Jeff Hardy. Their mother died of brain cancer in 1987. Hardy played baseball as a child and throughout high school, but had stopped by his senior year. He also played football, either as a linebacker or a defensive end. Hardy was a good student at Union Pines High School in North Carolina, and was a nominee for the "Morehead Award", a scholarship to any university in North Carolina. Hardy attended University of North Carolina at Charlotte, where he majored in engineering; after a year, however, he dropped out due to his father being ill. He then attended Sandhills Community College in Pinehurst to gain his associate degree. Professional wrestling career Early career (1992–2001) Hardy, along with his brother Jeff and friends, started their own federation, the Trampoline Wrestling Federation (TWF) and mimicked the moves they saw on television. Shortly after Hardy sent in a tape for the World Championship Wrestling (WCW) Amateur Challenge using the ring name High Voltage, a tag team named High Voltage began competing in WCW, causing Hardy to change his name to Surge. A few years later, it was revealed to him by Chris Kanyon that the tape had been kept in the WCW Power Plant, watched multiple times, and that the name High Voltage was blatantly stolen from it. Beginning in 1994, The Hardys wrestled for several North Carolina-based independent circuit promotions and adapted a number of alter-egos. As The Wolverine, Hardy captured the New England Wrestling Alliance (NEWA) Championship in May 1994. As High Voltage, he teamed with Venom to claim the New Frontier Wrestling Association (NFWA) Tag Team Championship in March 1995. A month later, High Voltage defeated the Willow for the NFWA Championship. In 1997, Matt and Jeff created their own wrestling promotion, The Organization of Modern Extreme Grappling Arts (frequently abbreviated to OMEGA Championship Wrestling, or simply OMEGA), in which Matt competed under the name High Voltage. Both Matt and Jeff took apart the ring and put it back together at every event they had, while Matt sewed all the costumes worn in OMEGA. The promotion folded in October 1999, after both Matt and Jeff signed with the World Wrestling Federation. World Wrestling Federation/Entertainment Early years (1994–1998) Hardy worked as a jobber for the World Wrestling Federation (WWF) from 1994 up until he signed a full-time contract in 1998. His first WWF match was against Nikolai Volkoff on the May 23, 1994 episode of Monday Night Raw, which he lost by submission. A night later at a taping of WWF Wrestling Challenge, he lost a match against Owen Hart. He continued to wrestle sporadically in the WWF throughout 1994 and 1995, losing matches against Crush, Razor Ramon, Hakushi, Owen Hart, the imposter Undertaker, Hunter Hearst Helmsley and "The Ringmaster" Steve Austin. Hardy teamed with Jeff for the first time in the WWF in 1996, losing to teams such as The Smoking Gunns and The Grimm Twins on WWF television. Matt and Jeff had a short lived feud with The Headbangers (Thrasher and Mosh), losing to the duo twice in 1997. It was during this time that Matt and Jeff experimented with different ring names, at one stage being called Ingus (Matt) and Wildo Jinx (Jeff). In Matt's final singles match for the promotion before signing a full-time contract he lost to Val Venis on a taping of Shotgun in 1998. The Hardy Boyz (1998–2001) It was not until 1998, however, (at the height of The Attitude Era) that the Hardy brothers were given full-time WWF contracts and sent to train with former wrestler Dory Funk, Jr. The Hardy Boyz used a cruiserweight, fast-paced high flying style in their matches, often leaping from great heights to do damage to their opponents (and themselves in the process). In 1999, while feuding with Edge and Christian, the duo briefly picked up Michael Hayes as a manager. At King of the Ring, The Hardyz defeated Edge and Christian to earn the #1 contendership for the WWF Tag Team Championship. On July 5, they defeated The APA to win their first Tag Team Championship. They soon dumped Hayes and briefly picked up Gangrel as a manager, after Gangrel turned on Edge and Christian. At No Mercy, The Hardyz defeated Edge and Christian in the first ever tag team ladder match. At the Royal Rumble pay-per-view, The Hardyz defeated The Dudley Boyz in the first ever tag team tables match. They competed against The Dudley Boyz and Edge and Christian for the Tag Team Championships at WrestleMania 2000 in the first ever Triangle Ladder match, but were unsuccessful. Hardy won the Hardcore Championship on April 24, 2000, on Raw Is War, by defeating Crash Holly, but lost it back to Holly three days later on SmackDown!, when Holly applied the "24/7 rule" during Hardy's title defense against Jeff. The Hardy Boyz then found a new manager in Matt's real-life girlfriend Lita. Together, the three became known as "Team Xtreme". The Hardy Boyz competed in the first ever Tables, Ladders, and Chairs match, for the WWF Tag Team Championship against The Dudley Boyz and Edge and Christian, but were unsuccessful. At Unforgiven, The Hardyz defeated Edge and Christian in a steel cage match to win the tag team championship, and successfully retained it the following night on Raw Is War against Edge and Christian in a ladder match. In April 2001, The Hardyz began feuding with Stone Cold Steve Austin and Triple H (known as The Power Trip), which also led to a singles push for both Matt and Jeff. Hardy helped Jeff defeat Triple H for the Intercontinental Championship, and shortly after Hardy defeated Eddie Guerrero to win the European Championship on SmackDown!. At Backlash he retained the title against Guerrero and Christian in a triple threat, and against Edge the following night on Raw. Throughout the year, the Hardy Boyz continued to win as a tag team, winning the WWF Tag Team Titles two more times, and the WCW Tag Team Championship during the Invasion. By the end of the year, the Hardy Boyz began a storyline where they were having trouble co-existing. This culminated in a match between the two, with Lita as the guest referee, at the Vengeance pay-per-view, which Jeff won. Hardy defeated Jeff and Lita the following night on Raw in a two-on-one handicap match. Version 1 gimmick and feud with Kane (2002–2004) At the beginning of 2002, it seemed Team Xtreme had patched things up. After the brand extension, however, Matt was relegated to Heat while Jeff wrestled on the main show, Raw. On the August 12 episode of Raw, Hardy turned heel by attacking Jeff during Jeff's match against Rob Van Dam, because Hardy was frustrated at not receiving a match against Van Dam for the number one contendership for the Intercontinental Championship. A short time later, Hardy joined the SmackDown! roster, and began dubbing himself "Matt Hardy: Version 1", complete with a "version 1" hand signal. Hardy defeated The Undertaker on the September 12 and October 3 episodes of the show, due to interference from Brock Lesnar. Along with his Mattitude Follower Shannon Moore in his corner, 2003 began with Hardy frantically trying to lose weight to get under the weight limit to compete for the Cruiserweight Championship. After just barely making weight, Hardy defeated Billy Kidman at No Way Out to win the Cruiserweight title. At WrestleMania XIX, he successfully defended it against Rey Mysterio. Hardy lost the Cruiserweight Championship to Mysterio in the main event of the June 5 episode of SmackDown! - the first and only time a Cruiserweight Championship match main evented a show. After dropping the Cruiserweight Championship, Hardy briefly feuded with Eddie Guerrero, but was unsuccessful in capturing Guerrero's United States Championship or WWE Tag Team Championship. The Mattitude faction then expanded to include Crash Holly as Moore's "Moore-on" (apprentice). He later disbanded the group in November and returned to Raw in order to be able to travel and work with his then girlfriend Lita, who just returned from an injury. On his first night back, he turned on Lita in storyline after teasing a proposal to her. He defeated Christian, who was vying for Lita's affections, on the following edition of Raw. In April 2004, Hardy saved Lita from getting attacked by Kane, turning face in the process. Hardy defeated Kane in a no disqualification match at Vengeance, but lost a "Till Death To Us Part" match against Kane at SummerSlam, resulting in Lita being forced to marry Kane. On the August 23 episode of Raw, Hardy was chokeslamed off the stage by Kane during the wedding. Hardy then spent almost a year off from wrestling due to a severe knee injury. Departure and sporadic appearances (2005) Along with his friend Rhyno, Hardy was released by WWE on April 11, 2005. Hardy's release was largely due to unprofessional conduct with social media after discovering that Lita was having a real-life affair with his best friend Edge. The public knowledge of the affair and Hardy's release led to Edge and Lita receiving jeers from the crowds at WWE events, often resulting in chants of "You screwed Matt!", and, "We want Matt!", which meant kayfabe storylines being affected considering that Lita was married to Kane at the time in kayfabe. Edge and Lita used the affair and fan backlash to become a hated on-screen couple, which led to Lita turning heel for the first time in over five years. Fans began a petition on the internet, wanting WWE to re-sign Hardy, and amassed over fifteen thousand signatures. Hardy released two character promotional vignettes, that he was planning to use before he was offered a new contract by WWE. Hardy called himself The Angelic Diablo with the tagline "the scar will become a symbol" in reference to the way in which he had been treated by Lita and WWE. On the June 20 episode of Raw, during the storyline wedding of Edge and Lita, Hardy's entrance music and video were played when the priest asked if anyone had a reason why Edge and Lita should not be wed. Independent circuit and Ring of Honor (2005) Following his WWE release, Matt returned to the independent circuit and wrestled several matches for the Allied Powers Wrestling Federation (APWF), International Wrestling Cartel (IWC) and Big Time Wrestling (BTW). Hardy appeared at a scheduled Ring of Honor (ROH) event on July 16, 2005, in Woodbridge, Connecticut where he defeated Christopher Daniels via submission. Hardy also cut a brief worked shoot promo where he criticized WWE and John Laurinaitis. Following his official return to WWE, Hardy was met with backlash following a match with Homicide from the fans at a subsequent ROH event, which Hardy won. The next day at his final ROH appearance, he lost to Roderick Strong. Return to WWE Feud with Edge (2005–2006) On July 11, 2005, on Raw, Hardy attacked Edge backstage and again later during Edge's match with Kane. Before being escorted out of the building by security, Hardy stated that Edge (calling him by his real name of "Adam") and Lita would pay for their actions and told fans that they could see him at Ring of Honor while security officials and event staff were trying to restrain him. Hardy also called out Johnny Ace as security had him in handcuffs taking him out of the arena. This caused an uproar amongst fans, who were confused and wondered if the whole thing was a work or a shoot. Similar occurrences repeated during the following two weeks. On the August 1 episode of Raw, Vince McMahon officially announced Hardy's return to WWE, adding that Hardy would face Edge at SummerSlam. Hardy made his in-ring return, defeating Snitsky on the August 8 Raw. Seconds after the victory, Hardy was attacked by Edge, and as he was being carried backstage, Matt counterattacked Edge in the locker room. On August 21 at SummerSlam, their match came to a premature end when Edge dropped Hardy onto the top of a ring post, causing him to bleed heavily. The referee ended the match on the grounds that Hardy could not continue, and Edge was declared the winner. After SummerSlam, the two continued feuding on Raw, including a Street Fight on August 29 that resulted in Hardy performing a Side Effect on Edge off the entrance stage and into electrical equipment below; the match ended in a no contest. At Unforgiven, Edge faced Hardy in a steel cage match. Hardy caught an interfering Lita with the Twist of Fate and won the match with a leg drop off the top of the cage. Hardy and Edge faced each other on October 3 at WWE Raw Homecoming in a Loser Leaves Raw ladder match. Edge's briefcase holding his Money in the Bank contract for his WWE Championship opportunity was suspended above the ring. The winner of the match received the contract and the loser was forced to leave Raw. Edge tied Hardy's arms in the ropes, and Lita trapped Hardy in a crucifix hold, leaving Hardy only able to watch Edge win. With his defeat at the hands of Edge, Hardy was moved to the SmackDown! brand where he re-debuted with a win over Simon Dean on October 21 in Reno, Nevada. One week later, Hardy won the fan vote to represent Team SmackDown! (alongside Rey Mysterio) to challenge Team Raw (Edge and Chris Masters) at Taboo Tuesday. Edge, however, refused to wrestle and sent Snitsky in place of him in the match, which Hardy and Mysterio won. Back on SmackDown!, Hardy started an angle with MNM (Johnny Nitro and Joey Mercury) and their manager Melina when Melina approached Hardy, seemingly wanting Hardy to join with her team. Hardy refused the offer, which led to him facing the tag team on several occasions with a variety of partners. On July 25, after the SmackDown! taping, Hardy was taken out of action after doctors found the remnants of the staph infection that had plagued him the previous year. He was sidelined until August 25 while he healed. Upon his return to action, Hardy feuded against childhood friend and reigning Cruiserweight Champion Gregory Helms. At No Mercy, in their home state, Hardy beat Helms in a non-title match. The two met again at Survivor Series, where Hardy's team won in a clean sweep. They wrestled one final match, a one time appearance in Booker T's Pro Wrestling Alliance (PWA) promotion, where Hardy defeated Helms in a North Carolina Street Fight. The Hardy Boyz reunion (2006–2007) On the November 21, 2006 episode of ECW on Sci Fi, Hardy and Jeff competed in a match together for the first time in almost five years, defeating The Full Blooded Italians. At December to Dismember, the Hardy Boyz issued an open challenge to any tag team who wanted to face them. MNM answered their challenge by reuniting at December to Dismember, a match won by the Hardy Boyz. At Armageddon, Hardy and Jeff competed against Paul London and Brian Kendrick, MNM, and Dave Taylor and William Regal in a Ladder match for the WWE Tag Team Championship but lost. Subsequently, he and Jeff feuded with MNM after the legitimate incident where they injured Mercury's face at Armageddon. This led to a long term rivalry, and at the Royal Rumble, Hardy and Jeff defeated MNM. Mercury and Hardy continued to feud on SmackDown! until Mercury was released from WWE on March 26. The night after WrestleMania 23 on Raw, the Hardys competed in a 10-team battle royal for the World Tag Team Championship. They won the titles for the sixth time from then WWE Champion John Cena and Shawn Michaels after last eliminating Lance Cade and Trevor Murdoch. This started a feud with Cade and Murdoch, and the Hardys successfully retained their World Tag Team Championship in their first title defense at Backlash. The Hardy Boyz also successfully retained their titles at Judgment Day against Cade and Murdoch. One month later at One Night Stand, they defeated The World's Greatest Tag Team to retain the titles in a Ladder match. The following night on Raw, Vince McMahon demanded that The Hardys once again defend their championships against Cade and Murdoch. The Hardys were defeated after Murdoch pushed Jeff's foot off the bottom rope during Cade's pinfall, causing the three count to continue. They invoked their rematch clause against Cade and Murdoch at Vengeance: Night of Champions, but were unsuccessful. Feud with MVP and championship reigns (2007–2009) On the July 6, 2007 episode of SmackDown!, Hardy won a non-title match against United States Champion Montel Vontavious Porter (MVP), which resulted in a feud between the two. Hardy was defeated by MVP at The Great American Bash for the United States Championship. MVP then claimed that he was "better than Hardy at everything", which led to a series of contests between Hardy and MVP, such as a basketball game, an arm wrestling contest, and a chess match which MVP "sneezed" on and ruined when Hardy put him in check. MVP challenged Hardy to a boxing match at Saturday Night's Main Event XXXV, however MVP was legitimately diagnosed with the heart condition Wolff-Parkinson-White syndrome. Since MVP was unable to compete, Hardy faced his replacement, former world champion boxer, Evander Holyfield. The match ended in a no contest after MVP entered the ring to verbally abuse Holyfield, who then knocked him out. MVP also challenged Hardy to a beer drinking contest at SummerSlam, but as revenge for what happened at SNME, Hardy allowed Stone Cold Steve Austin to replace him; Austin simply performed a stunner on MVP then kept drinking. After a segment involving MVP inadvertently choosing Hardy as his tag-team partner, Theodore Long promptly set up a match against Deuce 'n Domino for the WWE Tag Team Championship on the August 31 episode of SmackDown! which Hardy and MVP were able to win, therefore setting up Hardy's first reign as WWE Tag Team Champion. Hardy and MVP retained the titles at Unforgiven in a rematch against former champions Deuce 'n Domino. Hardy was scheduled to face MVP at Cyber Sunday, but due to a real-life head injury sustained on the October 26 episode of SmackDown!, he was not medically cleared to compete. As part of the storyline, Hardy continually asked MVP for a shot at the United States Championship but MVP refused stating that he was more focused on the Tag Team Championship. On the November 16 episode of SmackDown!, Hardy and MVP dropped the WWE Tag Team Championship to John Morrison and The Miz. Despite the fact that Hardy was hurt, MVP immediately invoked the rematch clause. After the rematch, in which Hardy was forced to tap out, MVP attacked Hardy, repeatedly targeting his knee. It was later confirmed by WWE.com that Hardy had suffered an injury at his former partner's hands and that he might not be able to compete at Survivor Series. Despite Hardy's absence at Survivor Series, his team was able to win the match. On November 21, WWE's official website reported that Hardy underwent an emergency appendectomy in Tampa, Florida after his appendix burst. Hardy made an appearance at the December 31 episode of Raw supporting his brother Jeff. To further Jeff's storyline with Randy Orton, however, Hardy was attacked by Orton. Hardy made his return at a live event in Muncie, Indiana on March 1, 2008. On March 30, 2008, at WrestleMania XXIV, during the Money in the Bank ladder match Hardy cut through the crowd and attacked MVP to prevent him from winning the match. He made his official in-ring return the next night on Raw, losing a singles match to WWE Champion Randy Orton. On the April 4 episode of SmackDown, Hardy faced MVP in a non-title match, which he won, re-igniting their storyline rivalry. On April 27, 2008, Hardy defeated MVP to win the United States Championship at Backlash, and successfully retained his title against MVP five days later on SmackDown. Hardy declared himself as a fighting champion that would take on all challenges, defending the United States championship against Shelton Benjamin, Elijah Burke, Chuck Palumbo, Mr. Kennedy, Chavo Guerrero and Umaga. Hardy was drafted to the ECW brand on the June 23, 2008 episode of Raw during the 2008 WWE Draft, in the process making the United States Championship exclusive to ECW. He dropped the United States Championship to Shelton Benjamin at the Great American Bash pay-per-view on July 20, 2008, which meant that the title returned to SmackDown. On the July 22 episode of ECW, Hardy became the number one contender to Mark Henry's ECW Championship after defeating John Morrison, The Miz and Finlay in a fatal four-way match. He won the title match at SummerSlam by disqualification due to interference from Henry's manager, Tony Atlas, thus he failed to win the title. Due to the ending of the pay-per-view match, Hardy received a rematch for the title on the next episode of ECW, but again failed to win the title when Henry pinned him after a distraction by Atlas. At Unforgiven, Hardy won the ECW Championship during the Championship scramble match, defeating then-champion Henry, The Miz, Finlay and Chavo Guerrero by pinning the Miz with three minutes left, marking his first world heavyweight championship win. He continued to feud with Henry until No Mercy, where Hardy successfully retained the title. Hardy lost the title to Jack Swagger on the January 13, 2009 episode of ECW, which was taped on January 12. Feud with Jeff Hardy and departure (2009–2010) At the 2009 Royal Rumble pay-per-view, after losing an ECW Championship rematch to Swagger, Hardy turned on his brother when he hit Jeff with a steel chair, allowing Edge to win the WWE Championship, turning heel in the process. On the January 27, 2009 episode of ECW, it was announced by General Manager Theodore Long that Hardy had requested, and been granted, his release from ECW and had re-signed with the SmackDown brand. As part of the buildup to this feud, Matt strongly implied that he was responsible for all of Jeff's accidents leading back to November, including an assault in a hotel stairwell that prevented Jeff from appearing at Survivor Series, an automobile accident where Jeff's car was run off the road, and a pyrotechnics malfunction where part of the pyro from Jeff's entrance was fired directly at Jeff, in an attempt to stop Jeff holding the WWE Championship. Despite Hardy's attempts to goad Jeff into fighting him, Jeff refused to fight his brother, but, on the March 6 episode of SmackDown, Jeff attacked him during a promo where Matt implied that he was also responsible for the fire that burned down Jeff's house, going so far as to reveal that he had in his possession a dog collar that supposedly belonged to Jeff's dog, Jack (who died in the fire), that he claimed to have salvaged from the wreckage of the house. At WrestleMania 25, Matt defeated Jeff in an Extreme Rules match, and in a stretcher match on the following episode of SmackDown. On the April 13 episode of Raw, Hardy was drafted to the Raw brand as part of the WWE draft. Despite the fact that the two were on different brands, he continued his feud with Jeff. Two weeks later, in a rematch from WrestleMania, Hardy lost to Jeff in an "I Quit" match at Backlash, in which he legitimately broke his hand. Hardy continued to wrestle with his hand in a cast, incorporating it into his persona and claiming that he was wrestling under protest. He reignited his feud with MVP on Raw for the United States Championship. He also formed a tag team with William Regal, and the two acted as henchmen for General Manager Vickie Guerrero. At the June 22 taping of WWE Superstars, Hardy suffered yet another injury, when his intestines went through his abdominal wall, during a triple threat match against MVP and Kofi Kingston. Hardy had suffered a tear in his abdominal muscle two years previously, but had not needed surgery until it worsened, and became a danger to his health. He was then traded back to the SmackDown brand on June 29, and underwent surgery for the torn abdominal muscle on July 2. He made his return on the August 7 episode of SmackDown as the special guest referee in the World Heavyweight Championship match between his brother, Jeff, and CM Punk, and helped Jeff retain the championship by counting the pinfall. The following week Hardy turned face again when he saved his brother when CM Punk and The Hart Dynasty attacked both Jeff and John Morrison. On the August 21 episode of SmackDown, after apologizing for his past actions towards Jeff and admitting that he was not behind any of Jeff's accidents, he had his first match back after his injury when he teamed with Jeff and John Morrison to defeat The Hart Dynasty and CM Punk, when Matt pinned Punk. In early 2010, Hardy began an on-screen relationship with Maria; but was brief and the relationship ended when Maria was released from her WWE contract. On the March 5 episode of SmackDown, Hardy qualified for the Money in the Bank ladder match at WrestleMania XXVI by defeating Drew McIntyre, but was unsuccessful at WrestleMania, as the match was won by Jack Swagger. Hardy was suspended by Vince McMahon because he attacked McIntyre after McIntyre lost to Kofi Kingston at Over the Limit. He was able to get his revenge on McIntyre during the Viewer's Choice episode of Raw when chosen as the opponent for McIntyre, with General Manager Theodore Long stating that Hardy was suspended from SmackDown, but not from Raw. On the following episode of SmackDown, however, Vickie Guerrero announced that, per orders of Vince McMahon, Hardy had been suspended from all WWE programming. However, at Fatal 4-Way, Hardy prevented McIntyre from regaining the Intercontinental Championship, thus continuing their feud. On the following edition of SmackDown, he was reinstated by Long and had a match with McIntyre, which Hardy won. After the match, it was announced that McIntyre's visa had legitimately expired and was sent back to Scotland, thus ending their feud. Hardy was featured in the SmackDown Money in the Bank ladder match but was unsuccessful in winning with Kane coming out victorious. On September 12, WWE confirmed they had sent Hardy home from a European tour. Following this, Hardy began posting videos on his YouTube channel expressing his disinterest in the WWE product and insisting that he wanted to be released from the company. On October 15, 2010, WWE announced that Hardy had been released from his contract. Hardy later stated that his release had been in effect two weeks before WWE made the announcement. Total Nonstop Action Wrestling (2011) On January 9, 2011, Hardy made his debut for Total Nonstop Action Wrestling (TNA) at the Genesis pay-per-view, as part of the stable Immortal. He was the surprise opponent for Rob Van Dam, and defeated him to prevent Van Dam from receiving a match for the TNA World Heavyweight Championship, held by Hardy's brother Jeff. In the main event, Hardy attempted to interfere in Jeff's World Heavyweight Championship match with Mr. Anderson, but was stopped by Van Dam, which led to Jeff losing both the match and the championship. On the January 13 episode of Impact!, the Hardy Boyz reunited to defeat Anderson and Van Dam in a tag team match, following interference from Beer Money, Inc. On February 13 at Against All Odds, Van Dam defeated Hardy in a rematch. On the following episode of Impact!, Hardy, along with the rest of Immortal and Ric Flair, betrayed Fortune. On March 13 at Victory Road, Hardy was defeated by Flair's previous protégé, A.J. Styles. On April 17 at Lockdown, Immortal, represented by Hardy, Abyss, Bully Ray and Ric Flair, were defeated by Fortune members James Storm, Kazarian and Robert Roode and Christopher Daniels, who replaced an injured A.J. Styles, in a Lethal Lockdown match. On the April 21 episode of Impact!, Hardy faced Sting for the TNA World Heavyweight Championship, Hardy's first World Title match in TNA, but was defeated. The following month, Hardy was granted a shot at the TNA World Tag Team Championship against Beer Money, Inc. (James Storm and Robert Roode). While the champions looked to defend the title against the Hardy Boyz, Matt instead introduced the returning Chris Harris, Storm's old tag team partner, as his partner for the title match. The match took place at Sacrifice, where Storm and Roode retained their titles. On June 21, it was reported that TNA had suspended Hardy. On August 20, Hardy was released from TNA following a DUI arrest that occurred earlier that same day. Return to the independent circuit (2011–2017) Hardy announced his retirement from full-time professional wrestling due to injuries on September 1, 2011. He issued a challenge to his long-time rival MVP, who was wrestling in Japan at the time, to one final match at "Crossfire Live!" in Nashville. The event was held May 19, 2012 and benefited the Make-A-Wish Foundation. Hardy won the match. Throughout 2012, Hardy wrestled sporadically on the independent circuit, working with promotions such as Mid Atlantic Championship Wrestling, Pro Wrestling Syndicate and Northeast Wrestling. On October 5, Hardy was defeated by Kevin Steen at Pro Wrestling Xperience's An Evil Twist of Fate. On November 11, Hardy, as the masked wrestler Rahway Reaper, defeated the Pro Wrestling Syndicate Kevin Matthews, winning the championship. On February 9, 2013, Hardy lost the Pro Wrestling Syndicate Championship back to Matthews. On February 16, 2013, at Family Wrestling Entertainment's No Limit, Hardy wrestled a TLC match for the FWE Heavyweight Championship against the champion Carlito and Tommy Dreamer, but he was defeated. On November 30, 2013, at WrestleCade, Hardy defeated Carlito to become the first ever WrestleCade Champion. On May 3, 2014, following a match between Christian York and Drolix, Hardy defeated Drolix to become the new MCW Heavyweight Champion. At Maryland Championship Wrestling's Shane Shamrock Cup, Hardy defeated Luke Hawx in a TLC match for Hardy's title and Hawx's Extreme Rising World title. Hardy won the match, but he gave back the title to Hawx. On October 4, Hardy lost the MCW Heavyweight Championship back to Drolix, following outside interference from Kevin Eck. On February 9, 2015, Hardy appeared on FWE's "No Limits 2015" iPPV, challenging Drew Galloway for the ICW World Heavyweight Championship, but was defeated. On November 28, 2015, Hardy lost the WrestleCade Championship to Jeff Jarrett at WrestleCade IV in Winston-Salem, North Carolina. Hardy regained the title in a triple-threat cage match against Jarrett and Ethan Carter III in Hickory, North Carolina on May 20, 2016. He appeared at the #DELETEWCPW event for What Culture Pro Wrestling (WCPW) in Nottingham, England on November 30. Hardy, billed as "Broken" Matt Hardy, lost a no-disqualification match to Bully Ray, with Ray proposing the no-disqualification stipulation at the last minute, and Hardy accepting there and then. Return to ROH (2012–2014) At Death Before Dishonor X: State of Emergency in 2012, Hardy returned to Ring of Honor, confronting Adam Cole and challenging him to a match for the ROH World Television Championship. On December 16 at Final Battle 2012: Doomsday, Hardy defeated Cole in a non-title match. At the following iPPV, 11th Anniversary Show on March 2, 2013, Hardy joined the villainous S.C.U.M. stable. On April 5 at the Supercard of Honor VII iPPV, Hardy unsuccessfully challenged Matt Taven for the ROH World Television Championship in a three-way elimination match, which also included Adam Cole. On June 22 at Best in the World 2013, Hardy defeated former S.C.U.M. stablemate Kevin Steen in a No Disqualification match to become the number one contender to the ROH World Championship. Hardy received his title shot at the following day's Ring of Honor Wrestling tapings, but was defeated by the defending champion, Jay Briscoe. Later that same day, S.C.U.M. was forced to disband after losing a Steel Cage Warfare match against Team ROH. On December 14, 2013, at Final Battle 2013, Hardy defeated Adam Page in a singles match; later on in the main event, Hardy aided Adam Cole in retaining his title and forming a tag team with him. After aiding Cole at Supercard of Honor VIII, Hardy was given Jay Briscoe's unofficial "Real World Title" belt, which he renamed the "ROH Iconic Championship". In July, Hardy opted out of his ROH contract and went back to TNA. Return to OMEGA (2013–2018) Matt announced that OMEGA would return in January 2013 with an event titled "Chinlock For Chuck". The main event featured Matt, Jeff, Shane "Hurricane" Helms and "Cowboy" James Storm defeating Gunner, Steve Corino, CW Anderson and Lodi. On October 12, 2013, at "Chapel Thrill", Hardy announced a Tournament for the OMEGA Heavyweight Championship which featured himself vs. CW Anderson and Shane "Hurricane" Helms vs. "The King" Shane Williams. After Hardy's qualifying match he was attacked by CW but was saved by the returning Willow the Whisp. Hardy won that match and advanced to the finals. On November 21, 2015, Matt won the OMEGA Heavyweight Championship for the second time, defeating former student Trevor Lee. Following this, Matt (upon regaining the TNA world title as part of his villainous egotistical "Iconic" gimmick) began proclaiming himself to be the only world champion that matters, and the only "true" world champion in wrestling, as he held both the TNA and OMEGA Championships, which (according to him) put him above any other promotions' world champions. Throughout 2016, Hardy defended the TNA and OMEGA titles jointly at OMEGA events as part of his "only true world champion" gimmick. On January 29, The Hardys won the OMEGA Tag Team Championships. Return to TNA The Hardys third reunion (2014–2015) On July 24, 2014, Hardy returned to TNA and reunited with Jeff to reform The Hardys for the third time. At the Destination X episode of Impact Wrestling, The Hardys were defeated by The Wolves in a match for the TNA World Tag Team Championship. On the August 14 episode of Impact Wrestling, Team 3D (formerly the Dudley Boyz) challenged The Hardys to a match, which Team 3D won. At the Hardcore Justice episode of Impact Wrestling, The Hardys and Team 3D talked about a match involving themselves and The Wolves. When The Wolves were asked by the two teams, they agreed. Later that night, Kurt Angle announced all three teams would compete in a best of three series for the TNA World Tag Team Championship with the winners of the first match choosing the stipulation of the next one. The Hardys won the second match of the series on the September 10 episode of Impact Wrestling in a tables match and choose a ladder match for the third match of the series. The Hardys were unsuccessful in winning that match on the September 17 episode of Impact Wrestling, as the Wolves won that match. The Wolves then went on to pick the final match of the series to be a Full Metal Mayhem match to take place on the October 8 episode of Impact Wrestling. The Hardys were unsuccessful in that match as the Wolves won that match. On October 22, The Hardys entered a number one contenders tournament for the TNA World Tag Team Championship defeating The BroMans (Jessie Godderz and DJ Z) in the first round of the tournament. On the October 29 episode of Impact Wrestling, The Hardys defeated Team Dixie (Ethan Carter III and Tyrus) in the semifinals to advance to the finals of the tournament, where they defeated Samoa Joe and Low Ki to become number one contenders for the TNA World Tag Team Championship. On the January 16, 2015 episode of Impact Wrestling, The Hardys defeated the Wolves. At the Lockdown episode of Impact Wrestling, The Hardys were defeated by The Revolution in a six sides of steel cage match for the TNA World Tag Team Championship. On the February 20 episode of Impact Wrestling, Hardy and The Wolves defeated The Revolution in a six-man tag team match. In March, The Hardys participated in a tournament for the vacant TNA World Tag Team Championship. On March 16, 2015, Matt and Jeff won an Ultimate X match for the titles. On May 8, 2015, Hardy vacated the TNA World Tag Team Championship due to his brother Jeff being injured. World Heavyweight Champion (2015–2016) On June 28, 2015, Hardy was among the five wrestlers who competed for the TNA King of the Mountain Championship at Slammiversary, with Jeff Jarrett ultimately emerging victorious. On the July 8 episode of Impact Wrestling, Hardy requested a world title shot against Ethan Carter III, but was denied and forced to face the Dirty Heels (Austin Aries and Bobby Roode) in a handicap match, which he lost. On the July 22 episode of Impact Wrestling, Hardy defeated Roode in a Tables match to become the #1 contender for the TNA World Heavyweight Championship. On the August 5 episode of Impact Wrestling, Hardy got his shot at the title against EC3 in a Full Metal Mayhem match, but failed to win the title. On the September 2 episode of Impact Wrestling, Hardy got another shot at the TNA World Heavyweight Championship against EC3, but again failed to win the title; as part of the storyline, Jeff Hardy was forced to act as Ethan Carter's personal assistant. On the September 30 episode of Impact Wrestling, Hardy was added to the Ethan Carter III vs. Drew Galloway main event match for the TNA World Heavyweight Championship at Bound for Glory after he and Galloway defeated Carter and Tyrus, making it a three-way match, following which Jeff, who EC3 had just "fired" in the previous episode, was revealed to be the special guest referee. On October 4 at Bound for Glory, Matt won the TNA World Heavyweight Championship by pinning Galloway. However, EC3 filed an injunction (kayfabe) that banned Hardy from appearing on Impact Wrestling for a month, which forced Hardy to relinquish the title in order to stay on the show. However, Hardy had been participating in the TNA World Title Series for the vacant title. He qualified to the round of 16 by defeating Davey Richards, Robbie E and Eddie Edwards. He then advanced to the round of 8 by defeating the King of the Mountain Champion Bobby Roode and then to Jessie Godderz to continue his winning streak. The semifinals and finals were held on the January 5, 2016, live episode of Impact Wrestling during its debut on Pop TV, in which he defeated Eric Young to advance to the final round. Hardy faced EC3 in the TNA World Title Series finals, but lost the match via pinfall. Hardy won the TNA World Title from EC3 on the January 19, 2016 episode of Impact Wrestling, becoming the first man to defeat him in a one-on-one match in TNA. During the match a double turn took place; Hardy turned heel after Tyrus betrayed EC3. The following week on Impact Wrestling, Jeff Hardy had confronted him about last week and issued a challenge to Matt for the World Heavyweight title in the main event and Matt accepted. However, later before the main event could begin, Eric Young and Bram attacked Jeff from behind. Kurt Angle then came out to try save Jeff, and Matt had Tyrus attack Angle from behind. While Matt watched from the ramp, Young attacked Jeff with the Piledriver off the apron through a table. The following week, he successfully retained his title against Angle. At Lockdown, he retained his title in a Six-side of steel match against Ethan Carter III, with the help of Rockstar Spud. He lost his title against Drew Galloway on the March 15 episode of Impact Wrestling, after a match featuring EC3 and Jeff Hardy. Two weeks later he received a rematch for the title on Impact Wrestling, but was again defeated by Galloway. After losing the title he started a feud with Jeff. On the April 19 episode of Impact Wrestling, and an I Quit match ended in a no-contest as both Matt and Jeff were badly injured and Matt was taken out to the hospital on a stretcher. The Broken Universe (2016–2017) Hardy returned on May 17 episode of Impact Wrestling, revealing himself to be one of the impostor Willows behind the attacks on Jeff. Later that night, he attacked Jeff. In the following weeks, Hardy debuted a new persona as a "Broken" man with part of his hair bleached blonde along with a strange sophisticated accent, blaming Jeff (who he began referring to as "Brother Nero", Nero being Jeff's middle name) for breaking him and becoming obsessed with "deleting" him. His line “Delete”, is mostly inspired by the Death Note manga/anime series character Teru Mikami. On June 12, at Slammiversary, Matt was defeated by Jeff in a Full Metal Mayhem match. On the June 21 episode of Impact Wrestling, Matt was once again defeated by Jeff in a Six Sides of Steel match. On the June 28 episode of Impact Wrestling, Matt challenged Jeff to a final battle with the Hardy brand on the line, to take place at their home in Cameron, North Carolina the next week. On July 5, during special episode "The Final Deletion", Matt defeated Jeff in the match to become sole owner of the Hardy brand, forcing Jeff to drop his last name and become referred to as "Brother Nero". On the August 18 episode of Impact Wrestling, Matt and Brother Nero defeated The Tribunal, The BroMans and The Helms Dynasty in an "Ascension To Hell" match for an opportunity to challenge Decay for the TNA World Tag Team Championship. On September 8, during special episode "Delete or Decay", the Hardys faced Decay in a match held at the Hardy compound, where Brother Nero sacrificed himself to save Matt from Abyss. Thanks to Brother Nero's sacrifice, Hardy was able to confront Rosemary and prevent his son Maxel from being abducted, which turned Hardy babyface as a result, and he furthered the face turn by healing Brother Nero in the Lake of Reincarnation. At Bound for Glory, the Hardys defeated Decay in "The Great War" to win the TNA World Tag Team Championship for the second time. On the October 6 episode of Impact Wrestling, they successfully defended their titles against Decay, in a Wolf Creek match. On the November 3 episode of Impact Wrestling, the Hardys successfully defended the titles against The Tribunal. After the match, the Hardys were attacked by the masked trio known as Death Crew Council (DCC). After accepting DCC's title challenge, The Hardys faced Bram and Kingston, and Matt pinned Kingston to retain the titles. On December 15, during special episode "Total Nonstop Deletion", they were once again successful in retaining. Brother Nero attacked Crazzy Steve with the Twist of Fate, who then fell into a volcano (that had appeared on the compound in the weeks leading up the event), and was shot up into the sky, landing in the ring. Matt then covered him to win the match. On the January 12, 2017 episode of Impact Wrestling, The Hardys successfully defended their titles against The Wolves. At Genesis, The Hardys retained their titles against the DCC and Decay in a three-way tag team match. On Open Fight Night, the Hardys began a storyline where they would teleport to different promotions and win that promotions' tag team championship gold, which was referred to by Matt as their "Expedition of Gold". On February 27, Hardy announced that both he and Jeff had finally left TNA, following years of speculation, with their contracts expiring that week. Though the two sides were reportedly close to a contract agreement, talks began to break down and changes in management prompted their departure from the company. The TNA World Tag Team Championships were vacated due to the Hardys' departure and was explained on TNA television in a segment where The Hardys teleported to their next Expedition of Gold destination, but a technicality resulted in them disappearing and the belts appearing in the arms of Decay. Broken gimmick legal battle Shortly after the departure of Matt and Jeff from TNA was made public, Matt's wife, Reby, went on a social media tirade in which she repeatedly slammed TNA, the company's new management and the way in which contract negotiations between the company and the Hardy family were conducted. A few weeks following this, the bad blood between the two sides intensified, so much so that the new management of TNA (now renamed Impact Wrestling) Anthem Sports & Entertainment issued a cease and desist letter to The Hardys' new promotion Ring of Honor (ROH), in which Anthem essentially ordered ROH as well as any broadcasting company airing ROH's 15th Anniversary pay–per–view show (on which The Hardys were to participate in a match) to not in any way speak of, indicate or acknowledge the existence of the Broken Matt and Brother Nero characters and instead to refer to The Hardys as simply Matt Hardy and Jeff Hardy. The issue with this is that while The Hardys were in TNA, they had full creative control over the Broken gimmick, with them even filming their own segments to air on TNA programming in some circumstances, thus making the Hardy family (in their belief) the owners of the Broken gimmick. It is believed that civil litigation will follow and a potential court hearing will take place regarding the outcome on who owns the Broken gimmick: Anthem or the Hardy family. Until then, the status of the Broken gimmick remains undecided. Despite this, Matt continues to use the Broken gimmick through his social media accounts, but neither he nor Jeff uses the Broken gimmick at any professional wrestling shows for ROH or on the independent circuit, presumably until the results of the expected legal proceedings have been finalized. Newly–appointed Impact Wrestling President Ed Nordholm credits the invention of and the vision behind the Broken gimmick to Jeremy Borash, Dave Lagana and Billy Corgan, and while Borash specifically had the most input into the gimmick of the three aside from Matt, the Hardy family deny that Borash was the sole person behind the gimmick. In November 2017, Impact Wrestling changed their policy, allowing all talent to retain complete ownership over their intellectual property, essentially forfeiting ownership of the "Broken" character to Hardy. On January 31, 2018, the legal battle officially concluded when Matt legally acquired ownership of all trademarks related to the Broken universe and the Broken gimmick, which includes 'Broken Matt', 'Brother Nero', 'Broken Brilliance' and 'Vanguard1'. International matches (2014–2015) On November 1, 2014, Hardy traveled to Japan to compete for Wrestle-1 at the promotions Keiji Muto 30th Anniversary Hold Out show in a triple threat match against Seiya Sanada and Tajiri, which he lost. On May 24, 2015, Hardy traveled to Mexico to compete as a team captain for Team TNA/Lucha Underground with teammates Mr. Anderson and Johnny Mundo at Lucha Libre AAA Worldwide's 2015 Lucha Libre World Cup pay–per–view show. In the quarter–final round, Team TNA/Lucha Underground faced Team Rest of the World (Drew Galloway, Angélico and El Mesías) to a 15-minute time limit draw, with Team TNA/Lucha Underground winning in overtime and advancing to the semi–final round. In the semi–final round, Team TNA/Lucha Underground defeated Team MexLeyendas (Blue Demon Jr., Dr. Wagner Jr. and El Solar) to advance to the final round. In the final round, Team TNA/Lucha Underground faced Dream Team (El Patrón Alberto, Myzteziz and Rey Mysterio Jr.) to a 15–minute time limit draw, with Dream Team winning both the match and the tournament in overtime with Hardy on the losing end of the final pinfall. Second return to ROH (2016–2017) On December 2, 2016, Hardy returned to ROH for the second time while still under contract with TNA, appearing at the promotions Final Battle pay-per-view show as Broken Matt, where a video message showed him addressing The Young Bucks (Matt Jackson and Nick Jackson) and The Briscoes (Jay Briscoe and Mark Briscoe). On March 4, 2017, in the same week that both Matt and Jeff were released from TNA, The Hardys defeated The Young Bucks in an impromptu match at ROH's 2017 installment of the company's Manhattan Mayhem show series to become the new ROH World Tag Team Champions for the first time. Moments after winning the titles, Hardy announced in a post-match promo that both he and Brother Nero (Jeff) had signed "the biggest ROH contracts in (the company's) history". It was later confirmed that the contracts were short-term, only for the "immediate future". On March 10, The Hardys successfully defended the ROH World Tag Team Championship for the first time at ROH's 15th Anniversary pay-per-view show against The Young Bucks and Roppongi Vice (Beretta and Rocky Romero) in a three-way Las Vegas tag team street fight match. Prior to the event, the Hardys had been sent a legal threat by Impact Wrestling regarding the use of the Broken Matt and Brother Nero gimmicks. The following night on March 11, The Hardys (not billed but using the Broken gimmicks anyway) once again retained the titles, this time against The Briscoes at a set of Ring of Honor Wrestling television tapings. The Hardys lost the titles back to The Young Bucks in a ladder match on April 1 at ROH's Supercard of Honor XI pay-per-view show, which would be the final ROH appearances for both Hardys in this tenure with the promotion. Second return to WWE (2017–2020) Feud with The Bar (2017) At the WrestleMania 33 pay-per-view on April 2, 2017, Hardy made his surprise return to WWE, along with his brother Jeff Hardy, being added as last-minute participants in the ladder match for the Raw Tag Team Championship, defeating Gallows and Anderson, Cesaro and Sheamus, and Enzo and Cass to win the Raw Tag Team Championship. Afterwards on Raw Talk, Hardy mentioned that The Hardy Boyz had successfully completed the Expedition of Gold, after winning the Raw Tag Team Championship. At Payback, The Hardy Boyz retained their championships against Cesaro and Sheamus, who attacked them after the match. The next night on Raw, Cesaro and Sheamus explained their actions, claiming the fans were more supportive of 'novelty acts' from the past like The Hardy Boyz, who they feel did not deserve to be in the match at WrestleMania 33. Subsequently, at Extreme Rules, The Hardy Boyz lost the titles against Cesaro and Sheamus in a steel cage match, and failed to regain it back the following month at the Great Balls of Fire event. Afterwards, it was revealed that Jeff had gotten injured and would be out for an estimated six months, thus Hardy began wrestling in singles matches. Woken Universe and storyline with Bray Wyatt (2017–2018) During his feud with Bray Wyatt, Hardy introduced his "Woken" gimmick, after Impact Wrestling dropped their claim to the gimmick and Hardy gained full ownership of it. Wyatt defeated Hardy at Raw 25 on January 22, 2018, and Hardy defeated Wyatt at Elimination Chamber on February 25. Their final match happened on the March 19 episode of Raw, dubbed The Ultimate Deletion, with Hardy winning after distractions from Señor Benjamin. Wyatt then disappeared after being thrown into the Lake of Reincarnation. At WrestleMania 34 on April 7, Hardy competed in the annual André the Giant Memorial Battle Royal, and won the match due to a distraction by the returning Wyatt. After WrestleMania, Hardy and Wyatt performed as a tag team, sometimes referred to as The Deleters of Worlds. They won a tournament for the vacant Raw Tag Team Championship, defeating Cesaro and Sheamus at the Greatest Royal Rumble event to win the title. However, they lost the titles at Extreme Rules to The B-Team (Bo Dallas and Curtis Axel). On the July 23 episode of Raw, Hardy and Wyatt received a rematch for the titles, but was again defeated by The B-Team. Following this, Hardy revealed that he was taking time off due to his back fusing with his pelvis, effectively disbanding the team. According to Hardy, the reason WWE disbanded the team was because he and Wyatt pitched several ideas to WWE to work with their characters. The Hardys fourth reunion and departure (2019–2020) After more than seven months of absence from television, Hardy returned on the February 26, 2019 episode of SmackDown Live, teaming with his brother Jeff to defeat The Bar (Cesaro and Sheamus). At WrestleMania 35 on April 7, Hardy competed in the André the Giant Memorial Battle Royal, but was eliminated by eventual winner, Braun Strowman. Two days later on SmackDown Live, The Hardy Boyz defeated The Usos to win the SmackDown Tag Team Championship. The reign only lasted 21 days (recognized as 20 days by WWE), as they had to vacate the title due to Jeff injuring his knee, this was explained in storyline as injuries afflicted by Lars Sullivan. After his brother Jeff's injury, Hardy began to appear on WWE programming less frequently. At Super ShowDown on June 7, Hardy competed in the 51-man Battle Royal, which was eventually won by Mansoor. From November to December, Hardy occasionally appeared on Raw, losing matches against superstars like Buddy Murphy, Drew McIntyre, Ricochet and Erick Rowan. On the February 10, 2020 episode of Raw, Hardy confronted Randy Orton about Orton's attack on Edge two weeks earlier. Hardy then got himself into a brawl with him moments after, and was viciously attacked by Orton. The following week on Raw, an injured Hardy appeared and was once again assaulted by Orton, which would be his final appearance in WWE. On March 2, Hardy announced his departure from WWE through his official YouTube channel, where Hardy said that while he's grateful towards the people behind the scenes, he said he is also on different pages with WWE as he feels he needs to have creative input and still has more to give. Later that day, WWE announced that his contract had expired. All Elite Wrestling Multiple personalities (2020–2021) Hardy made his All Elite Wrestling (AEW) debut on the March 18, 2020 episode of Dynamite, reverting to his "Broken" gimmick and being announced as the replacement for the kayfabe injured Nick Jackson on The Elite's team at Blood and Guts. However, the event was postponed to the following year due to the COVID-19 pandemic. On the May 6 episode of Dynamite, Hardy wrestled his first match with AEW, teaming up with Kenny Omega for a street fight against The Inner Circle's Chris Jericho and Sammy Guevara, and Hardy and Omega lost when Jericho pinned Omega. During this period, due to the lack of live audience, Hardy felt that the Broken character needs public, so he began to include several of his gimmicks, including Broken Matt Hardy, Big Money Matt, Matt Hardy V1, and Unkillable Matt Hardy, being referred to as "Multifarious" Matt Hardy. AEW president Tony Khan later admitted that he "wasn't a fan" of the Broken gimmick and much preferred more realistic presentations in wrestling. At Double or Nothing, Hardy teamed with The Elite to defeat The Inner Circle in the first ever Stadium Stampede match. During the match, Santana and Ortiz dunked Hardy in the stadium pool, which acted as a version of the Lake of Reincarnation, as Hardy kept cycling through his various gimmicks throughout his career when he surfaced. Hardy then feuded with Sammy Guevara, and after Hardy defeated Guevara in a Broken Rules match at All Out, Hardy took time off until he was cleared to return, due to an injury sustained during the match. On the September 16 episode of Dynamite, Hardy aligned with Private Party (Isiah Kassidy and Marq Quen) as their manager, but was attacked backstage before their match. The attacker was later revealed as Guevara and The Elite Deletion match was announced, which took place at The Hardy Compound in Cameron, North Carolina, where Hardy won. The Hardy Family Office (2021–present) Hardy then switched to his Big Money persona as he focused on managing Private Party. Over the following weeks, Hardy would display villainous tactics as he began cheating during matches much to Private Party's dismay. On the January 20, 2021 episode of Dynamite, Hardy and Private Party defeated Matt Sydal and Top Flight (Dante Martin and Darius Martin) after using a steel chair before attacking Sydal and Top Flight afterwards, thus turning heel. Hardy then approached Adam Page to accompany and befriend him, and during tag team matches, Hardy would always tag himself in and pick up the victory for his team to Page's behest. After Page set up a match between Hardy and himself, Hardy double-crossed Page, with Private Party and The Hybrid 2 (Angélico and Jack Evans) attacking Page until The Dark Order came out to save him. At the Revolution event, Hardy lost to Page despite multiple interferences from Private Party. Following Revolution, Hardy became the manager for The Butcher and The Blade (with their valet The Bunny in tow), and along with Private Party, the stable became known as the Matt Hardy Empire before settling on the name Hardy Family Office. Hardy also added The Hybrid 2 to his group in July having previously hiring them on a mercenary basis. At Double or Nothing, Hardy competed in Casino Battle Royale but was eliminated by Christian Cage. This led to a match between the two at Fyter Fest, where Hardy lost to Cage. In August, Matt Hardy and HFO began a feud with Orange Cassidy and Best Friends, which led to a match on the August 25 episode of Dynamite, where Hardy was defeated by Cassidy. However, on the November 12 episode of Rampage, Hardy defeated Cassidy in a Lumberjack match, thanks to an interference from HFO and the heel lumberjacks. Their feud ended on the November 17 episode of Dynamite where his team of The Butcher and The Blade lost to the team of Cassidy and Tomohiro Ishii, where Cassidy gave a crossbody to the interfering Hardy and The Blade during the match. Professional wrestling style and persona After the creation of his Broken character, Hardy was praised by several wrestlers and critics for reinventing himself several times during his career. During his career, Hardy has won the Wrestling Observer Newsletter Best Gimmick award two times under two different characters, once in 2002 and again in 2016. Personal life Hardy was in a six-year relationship with wrestler Amy Dumas, better known as Lita. They first met in January 1999 at a NWA Mid-Atlantic show but did not begin dating until a few months later. They broke up in February 2005 when he discovered that she was having an affair with one of Hardy's close friends, fellow wrestler Adam Copeland, better known as Edge. Hardy also dated WWE wrestler Ashley Massaro. Hardy married wrestler Rebecca Reyes, better known as Reby Sky, on October 5, 2013. They have three sons and one daughter. Hardy had previously been an addict, and credits his wife for helping him get clean. Hardy is good friends with fellow wrestlers Marty Garner, Shannon Moore, and Gregory Helms. In December 2020, he claimed to have Native American ancestry. Legal issues Hardy was arrested for a DUI on August 20, 2011. Two days later, he was arrested on felony drug charges when police found steroids in his home. In November 2011, Hardy was removed from court-ordered rehab and sent back to jail for drinking. In January 2014, Hardy and his wife were both arrested after a fight at a hotel. Other media In 1999, Matt, along with his brother Jeff, appeared as an uncredited wrestler on That '70s Show episode "That Wrestling Show". Matt and Jeff also appeared on Tough Enough in early 2001, talking to and wrestling the contestants. He appeared in the February 25, 2002 episode of Fear Factor competing against five other World Wrestling Federation wrestlers, including his brother. He won $50,000 for the American Cancer Society. Hardy also appeared on the October 13, 2009 episode of Scare Tactics, as a mental patient who threatens to attack the prank's victim. In 2001, Matt, Jeff, and Lita appeared in Rolling Stone magazine's 2001 Sports Hall of Fame issue. In 2003, Matt and Jeff, with the help of Michael Krugman, wrote and published their autobiography The Hardy Boyz: Exist 2 Inspire. As part of WWE, Matt appeared in their DVD, The Hardy Boyz: Leap of Faith in 2001. On April 29, 2008, WWE released Twist of Fate: The Matt and Jeff Hardy Story. The DVD featured footage of the brothers in OMEGA and WWE. Hardy also appears on The Hardy Show, an Internet web show which features the Hardys, Shannon Moore, and many of their friends. Hardy plays himself in the 2013 film Pro Wrestlers vs Zombies in which he and his real-life wife Reby Sky battle the undead. Hardy's first WWE video game was WWF WrestleMania 2000 in 1999 on the Nintendo 64 shortly followed by WWF SmackDown! in early 2000 on the PlayStation. He made several appearances later in WWF SmackDown! 2: Know Your Role, WWF SmackDown! Just Bring It, WWE SmackDown! Shut Your Mouth, WWE SmackDown! Here Comes the Pain, and WWE SmackDown vs. Raw. He later returned to the series in WWE SmackDown vs. Raw 2007, WWE SmackDown vs. Raw 2008, WWE SmackDown vs. Raw 2009, WWE SmackDown vs. Raw 2010, and WWE SmackDown vs. Raw 2011, which was his last WWE video game before his departure to TNA. Following his return to WWE in 2017, he was revealed as a DLC character in WWE 2K18 on September 25 that year alongside tag team partner and brother, Jeff Hardy. Hardy was revealed as a playable character in WWE 2K19 on August 30, 2018. His final appearance in a WWE video game came with WWE 2K20 in 2019. Filmography Championships and accomplishments All Elite Wrestling Dynamite Award (1 time) "Bleacher Report PPV Moment of the Year" (2021) – Stadium Stampede match (The Elite vs. The Inner Circle) – Double or Nothing (May 23) All Star Wrestling (West Virginia) ASW Tag Team Championship (1 time) – with Brother Nero CBS Sports Worst Moment of the Year (2020) vs. Sammy Guevara at All Out (2020) The Crash The Crash Tag Team Championship (1 time) – with Brother Nero Future Stars of Wrestling FSW Heavyweight Championship (1 time) House of Glory HOG Tag Team Championship (1 time) – with Jeff Hardy Maryland Championship Wrestling/MCW Pro Wrestling MCW Heavyweight Championship (1 time) MCW Tag Team Championship (1 time) – with Jeff Hardy Extreme Rising World Championship (1 time) National Championship Wrestling NCW Heavyweight Championship (1 time) NCW Light Heavyweight Championship (1 time) New Dimension Wrestling NDW Light Heavyweight Championship (1 time) NDW Tag Team Championship (1 time) – with Jeff Hardy New England Wrestling Alliance NEWA Heavyweight Championship (1 time) NEWA Hall of Fame (class of 2012) New Frontier Wrestling Association NFWA Heavyweight Championship (1 time) NFWA Tag Team Championship (1 time) – with Venom NWA 2000 NWA 2000 Tag Team Championship (1 time) – with Jeff Hardy OMEGA Championship Wrestling OMEGA Heavyweight Championship (2 times) OMEGA Tag Team Championship (2 times) – with Brother Nero/Jeff Hardy Pro Wrestling Illustrated Comeback of the Year (2017) with Jeff Hardy Feud of the Year (2005) vs. Edge and Lita Match of the Year (2000) with Jeff Hardy vs. The Dudley Boyz and Edge and Christian in a triangle ladder match at WrestleMania 2000 Match of the Year (2001) with Jeff Hardy vs. The Dudley Boyz and Edge and Christian in a Tables, Ladders and Chairs match at WrestleMania X-Seven Tag Team of the Year (2000) with Jeff Hardy Ranked No. 17 of the top 500 singles wrestlers in the PWI 500 in 2003 Pro Wrestling Syndicate PWS Heavyweight Championship (1 time) Remix Pro Wrestling Remix Pro Tag Team Championship (1 time) – with Facade Ring of Honor ROH World Tag Team Championship (1 time) – with Jeff Hardy Holy S*** Moment of the Decade (2010s) – – with Jeff Hardy Total Nonstop Action Wrestling TNA World Heavyweight Championship (2 times) TNA World Tag Team Championship (2 times) – with Jeff Hardy/Brother Nero TNA World Tag Team Championship Tournament (2015) – with Jeff Hardy TNA World Tag Team Championship #1 Contender Tournament (2014) – with Jeff Hardy WrestleCade WrestleCade Championship (2 times) Wrestling Observer Newsletter Best Gimmick (2002, 2016) Worst Feud of the Year (2004) with Lita vs. Kane Wrestling Superstar Wrestling Superstar Tag Team Championship (1 time) – with Jeff Hardy WWE/World Wrestling Entertainment/Federation ECW Championship (1 time) WWF Hardcore Championship (1 time) WWF European Championship (1 time) WWE United States Championship (1 time) WWE Cruiserweight Championship (1 time) WWF/World Tag Team Championship (6 times) – with Jeff Hardy WWE SmackDown Tag Team Championship (1 time) – with Jeff Hardy WWE Raw Tag Team Championship (3 times) – with Montel Vontavious Porter (1) Jeff Hardy (1) and Bray Wyatt (1) WCW Tag Team Championship (1 time) – with Jeff Hardy André the Giant Memorial Trophy (2018) Bragging Rights Trophy (2009) – with Team SmackDown Terri Invitational Tournament (1999) – with Jeff Hardy WWE Tag Team Eliminator (2018) - with Bray Wyatt Luchas de Apuestas record Notes References Sources External links 1974 births All Elite Wrestling personnel American bloggers American male professional wrestlers American YouTubers Male YouTubers ECW champions ECW Heavyweight Champions/ECW World Heavyweight Champions Living people NWA/WCW/WWE United States Heavyweight Champions Participants in American reality television series Professional wrestlers from North Carolina Professional wrestling managers and valets Reality show winners Sportspeople from Raleigh, North Carolina TNA World Heavyweight/Impact World Champions TNA/Impact World Tag Team Champions Twitch (service) streamers University of North Carolina at Charlotte alumni WWF European Champions WWF/WWE Hardcore Champions	true	[ "The knockout stages of the 2014 Copa do Brasil were played from August 27 to November 26, 2014. A total of 16 teams competed in the knockout stages.\n\nA draw by CBF was held on August 18 to set the matches for this round. The 16 qualified teams were divided in two pots. Teams from pot 1 are the ones who competed at the 2014 Copa Libertadores plus the two highest CBF ranked teams qualified via the Third Round. Pot 2 is composed of the other teams that qualified through the Third Round. Each pot was divided into 4 pairs according to the CBF ranking. That division makes sure that each team within a pair will not face each other before the finals as they will be placed in opposite sides of the bracket. There was a draw to decide the home team of the round of 16. The following stages will have other draws to determine the order of the matches as the tournament advances.\n\nSeeding\n\nBracket\n\nRound of 16\nThe first legs will be played on August 27–28 and the second legs will be played on September 3–4, 2014.\n\n\|}\n\nMatch 71\n\nSantos advanced directly due to Grêmio's disqualification.\n\nMatch 72\n\nTied 5–5 on aggregate, Botafogo won on away goals.\n\nMatch 73\n\nCruzeiro won 7–1 on aggregate.\n\nMatch 74\n\nABC won 3–2 on aggregate.\n\nMatch 75\n\nTied 3–3 on aggregate, Flamengo won 3–2 on penalties.\n\nMatch 76\n\nAmérica won 3–2 on aggregate.\n\nMatch 77\n\nAtlético Mineiro won 3–0 on aggregate.\n\nMatch 78\n\nCorinthians won 3–2 on aggregate.\n\nQuarterfinals\n\n\|}\n\nMatch 79\n\nSantos won 8–2 on aggregate.\n\nMatch 80\n\nTied 3–3 on aggregate, Cruzeiro won on away goals.\n\nMatch 81\n\nFlamengo won 2–0 on aggregate.\n\nMatch 82\n\nAtlético Mineiro won 4–3 on aggregate.\n\nSemifinals\n\n\|}\n\nMatch 83\n\nCruzeiro won 4–3 on aggregate.\n\nMatch 84\n\nAtlético Mineiro won 4–3 on aggregate.\n\nFinals\n\n\|}\n\nAtlético Mineiro won 3–0 on aggregate.\n\nNotes\n\nReferences\n\nknockout", "The 2016 Copa do Brasil First Round was played from 16 March to 25 May 2016, deciding the 40 teams that advanced to the Second Round.\n\nMatches\nThe first legs will be played from 16 March to 27 April, and the second legs will be played from 6 April to 25 May.\n\n\|}\n\nMatch 1\n\nSantos won 4–1 on aggregate.\n\nMatch 2\n\nGalvez won 2–1 on aggregate.\n\nMatch 3\n\nABC won 4–3 on aggregate.\n\nMatch 4\n\nTied 3–3 on aggregate, Gama won on away goals.\n\nMatch 5\n\nTied 3–3 on aggregate, Ríver won on penalties.\n\nMatch 6\n\nTied 2–2 on aggregate, Botafogo won on penalties.\n\nMatch 7\n\nTied 3–3 on aggregate, Ceará won on away goals.\n\nMatch 8\n\nJoinville won 2–1 on aggregate.\n\nMatch 9\n\nVasco da Gama won 3–1 on aggregate.\n\nMatch 10\n\nCRB advanced directly due to winning by 2 or more goals difference.\n\nMatch 11\n\nTied 1–1 on aggregate, Vitória da Conquista won on away goals.\n\nMatch 12\n\nSanta Cruz won 1–0 on aggregate.\n\nMatch 13\n\nCruzeiro won 3–2 on aggregate.\n\nMatch 14\n\nLondrina won 7–0 on aggregate.\n\nMatch 15\n\nVitória won 6–3 on aggregate.\n\nMatch 16\n\nTied 2–2 on aggregate, Portuguesa won on away goals.\n\nMatch 17\n\nCoritiba advanced directly due to winning by 2 or more goals difference.\n\nMatch 18\n\nJuventude won 3–1 on aggregate.\n\nMatch 19\n\nOperário won 3–2 on aggregate.\n\nMatch 20\n\nPaysandu won 4–1 on aggregate.\n\nMatch 21\n\nAtlético Paranaense won 2–1 on aggregate.\n\nMatch 22\n\nDom Bosco won 3–1 on aggregate.\n\nMatch 23\n\nChapecoense won 4–1 on aggregate.\n\nMatch 24\n\nParaná won 3–1 on aggregate.\n\nMatch 25\n\nFlamengo won 3–1 on aggregate.\n\nMatch 26\n\nFortaleza won 3–1 on aggregate.\n\nMatch 27\n\nBahia won 3–1 on aggregate.\n\nMatch 28\n\nAmérica Mineiro won 4–3 on aggregate.\n\nMatch 29\n\nFluminense advanced directly due to winning by 2 or more goals difference.\n\nMatch 30\n\nFerroviária won 2–1 on aggregate.\n\nMatch 31\n\nAparecidense won 4–1 on aggregate.\n\nMatch 32\n\nYpiranga won 4–2 on aggregate.\n\nMatch 33\n\nFigueirense advanced directly due to winning by 2 or more goals difference.\n\nMatch 34\n\nTied 2–2 on aggregate, Sampaio Corrêa won on away goals.\n\nMatch 35\n\nPonte Preta won 3–2 on aggregate.\n\nMatch 36\n\nGênus won 3–2 on aggregate.\n\nMatch 37\n\nBotafogo won 2–1 on aggregate.\n\nMatch 38\n\nTied 1–1 on aggregate, Juazeirense won on penalties.\n\nMatch 39\n\nAvaí won 2–1 on aggregate.\n\nMatch 40\n\nBragantino advanced directly due to winning by 2 or more goals difference.\n\nReferences\n\n2016 Copa do Brasil" ]
[ "Matt Hardy", "Total Nonstop Action Wrestling (2011)", "Who did he fight?", "He was the surprise opponent for Rob Van Dam,", "Who won that match?", "defeated him to prevent Van Dam from receiving a match" ]	C_e23d3e73411842f49937f27ba3aa0993_0	Was there anything else significant about that particular match?	3	Was there anything else significant about that particular match besides the win?	Matt Hardy	On January 9, 2011, Hardy made his debut for Total Nonstop Action Wrestling (TNA) at the Genesis pay-per-view, as part of the stable Immortal. He was the surprise opponent for Rob Van Dam, and defeated him to prevent Van Dam from receiving a match for the TNA World Heavyweight Championship, held by Hardy's brother Jeff. In the main event, Hardy attempted to interfere in Jeff's World Heavyweight Championship match with Mr. Anderson, but was stopped by Van Dam, which led to Jeff losing both the match and the championship. On the January 13 episode of Impact!, the Hardy Boyz reunited to defeat Anderson and Van Dam in a tag team match, following interference from Beer Money, Inc.. On February 13 at Against All Odds, Rob Van Dam defeated Hardy in a rematch. On the following episode of Impact!, Hardy, along with the rest of Immortal and Ric Flair, betrayed Fortune. On March 13 at Victory Road Hardy was defeated by Flair's previous protege, A.J. Styles. On April 17 at Lockdown, Immortal, represented by Hardy, Abyss, Bully Ray and Ric Flair, were defeated by Fortune members James Storm, Kazarian and Robert Roode and Christopher Daniels, who replaced an injured A.J. Styles, in a Lethal Lockdown match. On the April 21 episode of Impact!, Hardy faced Sting for the TNA World Heavyweight Championship, Hardy's first World Title match in TNA, but was defeated. The following month Hardy was granted a shot at the TNA World Tag Team Championship against Beer Money, Inc. (James Storm and Robert Roode). While the champions looked to defend the title against the Hardy Boyz, Matt instead introduced the returning Chris Harris, Storm's old tag team partner, as his partner for the title match. The match took place at Sacrifice, where Storm and Roode retained their title. On June 21, it was reported that TNA had suspended Hardy. On August 20, Hardy was released from TNA following a DUI arrest that occurred earlier that same day. CANNOTANSWER	defeated him to prevent Van Dam from receiving a match for the TNA World Heavyweight Championship,	Matthew Moore Hardy (born September 23, 1974) is an American professional wrestler currently signed to All Elite Wrestling (AEW). He is also known for his time with WWE, Impact Wrestling, and Ring of Honor (ROH). With his real life brother Jeff, Hardy gained notoriety in WWF's tag team division during the 2000s due to his participation in TLC matches. He is a 14-time world tag team champion, having held the WWE World Tag Team Championship six times, the WWE Raw Tag Team Championship three times, the WWE SmackDown Tag Team Championship, ROH World Tag Team Championship, and WCW Tag Team Championship once each, and the TNA World Tag Team Championships twice. Wrestling through four separate decades, Hardy has kept himself relevant partially through a variety of different gimmicks and his use of social media. In 2002, Hardy began a solo career in WWE. His subsequent "Version 1" persona was named Best Gimmick by the Wrestling Observer Newsletter. Hardy's eccentric "Broken" gimmick, which he debuted in 2016 (and which was renamed "Woken" following his subsequent WWE return), garnered praise from wrestling critics and earned him multiple awards, including a second Best Gimmick award, becoming one of the most talked about characters in all of wrestling. As a singles wrestler, Hardy has won three world championships (one ECW Championship, and two TNA World Heavyweight Championships). All totaled between WWE, TNA/Impact, and ROH, Hardy has held 21 total championships. Early life Hardy was born in Cameron, North Carolina, the son of Gilbert and Ruby Moore Hardy. He is the older brother of Jeff Hardy. Their mother died of brain cancer in 1987. Hardy played baseball as a child and throughout high school, but had stopped by his senior year. He also played football, either as a linebacker or a defensive end. Hardy was a good student at Union Pines High School in North Carolina, and was a nominee for the "Morehead Award", a scholarship to any university in North Carolina. Hardy attended University of North Carolina at Charlotte, where he majored in engineering; after a year, however, he dropped out due to his father being ill. He then attended Sandhills Community College in Pinehurst to gain his associate degree. Professional wrestling career Early career (1992–2001) Hardy, along with his brother Jeff and friends, started their own federation, the Trampoline Wrestling Federation (TWF) and mimicked the moves they saw on television. Shortly after Hardy sent in a tape for the World Championship Wrestling (WCW) Amateur Challenge using the ring name High Voltage, a tag team named High Voltage began competing in WCW, causing Hardy to change his name to Surge. A few years later, it was revealed to him by Chris Kanyon that the tape had been kept in the WCW Power Plant, watched multiple times, and that the name High Voltage was blatantly stolen from it. Beginning in 1994, The Hardys wrestled for several North Carolina-based independent circuit promotions and adapted a number of alter-egos. As The Wolverine, Hardy captured the New England Wrestling Alliance (NEWA) Championship in May 1994. As High Voltage, he teamed with Venom to claim the New Frontier Wrestling Association (NFWA) Tag Team Championship in March 1995. A month later, High Voltage defeated the Willow for the NFWA Championship. In 1997, Matt and Jeff created their own wrestling promotion, The Organization of Modern Extreme Grappling Arts (frequently abbreviated to OMEGA Championship Wrestling, or simply OMEGA), in which Matt competed under the name High Voltage. Both Matt and Jeff took apart the ring and put it back together at every event they had, while Matt sewed all the costumes worn in OMEGA. The promotion folded in October 1999, after both Matt and Jeff signed with the World Wrestling Federation. World Wrestling Federation/Entertainment Early years (1994–1998) Hardy worked as a jobber for the World Wrestling Federation (WWF) from 1994 up until he signed a full-time contract in 1998. His first WWF match was against Nikolai Volkoff on the May 23, 1994 episode of Monday Night Raw, which he lost by submission. A night later at a taping of WWF Wrestling Challenge, he lost a match against Owen Hart. He continued to wrestle sporadically in the WWF throughout 1994 and 1995, losing matches against Crush, Razor Ramon, Hakushi, Owen Hart, the imposter Undertaker, Hunter Hearst Helmsley and "The Ringmaster" Steve Austin. Hardy teamed with Jeff for the first time in the WWF in 1996, losing to teams such as The Smoking Gunns and The Grimm Twins on WWF television. Matt and Jeff had a short lived feud with The Headbangers (Thrasher and Mosh), losing to the duo twice in 1997. It was during this time that Matt and Jeff experimented with different ring names, at one stage being called Ingus (Matt) and Wildo Jinx (Jeff). In Matt's final singles match for the promotion before signing a full-time contract he lost to Val Venis on a taping of Shotgun in 1998. The Hardy Boyz (1998–2001) It was not until 1998, however, (at the height of The Attitude Era) that the Hardy brothers were given full-time WWF contracts and sent to train with former wrestler Dory Funk, Jr. The Hardy Boyz used a cruiserweight, fast-paced high flying style in their matches, often leaping from great heights to do damage to their opponents (and themselves in the process). In 1999, while feuding with Edge and Christian, the duo briefly picked up Michael Hayes as a manager. At King of the Ring, The Hardyz defeated Edge and Christian to earn the #1 contendership for the WWF Tag Team Championship. On July 5, they defeated The APA to win their first Tag Team Championship. They soon dumped Hayes and briefly picked up Gangrel as a manager, after Gangrel turned on Edge and Christian. At No Mercy, The Hardyz defeated Edge and Christian in the first ever tag team ladder match. At the Royal Rumble pay-per-view, The Hardyz defeated The Dudley Boyz in the first ever tag team tables match. They competed against The Dudley Boyz and Edge and Christian for the Tag Team Championships at WrestleMania 2000 in the first ever Triangle Ladder match, but were unsuccessful. Hardy won the Hardcore Championship on April 24, 2000, on Raw Is War, by defeating Crash Holly, but lost it back to Holly three days later on SmackDown!, when Holly applied the "24/7 rule" during Hardy's title defense against Jeff. The Hardy Boyz then found a new manager in Matt's real-life girlfriend Lita. Together, the three became known as "Team Xtreme". The Hardy Boyz competed in the first ever Tables, Ladders, and Chairs match, for the WWF Tag Team Championship against The Dudley Boyz and Edge and Christian, but were unsuccessful. At Unforgiven, The Hardyz defeated Edge and Christian in a steel cage match to win the tag team championship, and successfully retained it the following night on Raw Is War against Edge and Christian in a ladder match. In April 2001, The Hardyz began feuding with Stone Cold Steve Austin and Triple H (known as The Power Trip), which also led to a singles push for both Matt and Jeff. Hardy helped Jeff defeat Triple H for the Intercontinental Championship, and shortly after Hardy defeated Eddie Guerrero to win the European Championship on SmackDown!. At Backlash he retained the title against Guerrero and Christian in a triple threat, and against Edge the following night on Raw. Throughout the year, the Hardy Boyz continued to win as a tag team, winning the WWF Tag Team Titles two more times, and the WCW Tag Team Championship during the Invasion. By the end of the year, the Hardy Boyz began a storyline where they were having trouble co-existing. This culminated in a match between the two, with Lita as the guest referee, at the Vengeance pay-per-view, which Jeff won. Hardy defeated Jeff and Lita the following night on Raw in a two-on-one handicap match. Version 1 gimmick and feud with Kane (2002–2004) At the beginning of 2002, it seemed Team Xtreme had patched things up. After the brand extension, however, Matt was relegated to Heat while Jeff wrestled on the main show, Raw. On the August 12 episode of Raw, Hardy turned heel by attacking Jeff during Jeff's match against Rob Van Dam, because Hardy was frustrated at not receiving a match against Van Dam for the number one contendership for the Intercontinental Championship. A short time later, Hardy joined the SmackDown! roster, and began dubbing himself "Matt Hardy: Version 1", complete with a "version 1" hand signal. Hardy defeated The Undertaker on the September 12 and October 3 episodes of the show, due to interference from Brock Lesnar. Along with his Mattitude Follower Shannon Moore in his corner, 2003 began with Hardy frantically trying to lose weight to get under the weight limit to compete for the Cruiserweight Championship. After just barely making weight, Hardy defeated Billy Kidman at No Way Out to win the Cruiserweight title. At WrestleMania XIX, he successfully defended it against Rey Mysterio. Hardy lost the Cruiserweight Championship to Mysterio in the main event of the June 5 episode of SmackDown! - the first and only time a Cruiserweight Championship match main evented a show. After dropping the Cruiserweight Championship, Hardy briefly feuded with Eddie Guerrero, but was unsuccessful in capturing Guerrero's United States Championship or WWE Tag Team Championship. The Mattitude faction then expanded to include Crash Holly as Moore's "Moore-on" (apprentice). He later disbanded the group in November and returned to Raw in order to be able to travel and work with his then girlfriend Lita, who just returned from an injury. On his first night back, he turned on Lita in storyline after teasing a proposal to her. He defeated Christian, who was vying for Lita's affections, on the following edition of Raw. In April 2004, Hardy saved Lita from getting attacked by Kane, turning face in the process. Hardy defeated Kane in a no disqualification match at Vengeance, but lost a "Till Death To Us Part" match against Kane at SummerSlam, resulting in Lita being forced to marry Kane. On the August 23 episode of Raw, Hardy was chokeslamed off the stage by Kane during the wedding. Hardy then spent almost a year off from wrestling due to a severe knee injury. Departure and sporadic appearances (2005) Along with his friend Rhyno, Hardy was released by WWE on April 11, 2005. Hardy's release was largely due to unprofessional conduct with social media after discovering that Lita was having a real-life affair with his best friend Edge. The public knowledge of the affair and Hardy's release led to Edge and Lita receiving jeers from the crowds at WWE events, often resulting in chants of "You screwed Matt!", and, "We want Matt!", which meant kayfabe storylines being affected considering that Lita was married to Kane at the time in kayfabe. Edge and Lita used the affair and fan backlash to become a hated on-screen couple, which led to Lita turning heel for the first time in over five years. Fans began a petition on the internet, wanting WWE to re-sign Hardy, and amassed over fifteen thousand signatures. Hardy released two character promotional vignettes, that he was planning to use before he was offered a new contract by WWE. Hardy called himself The Angelic Diablo with the tagline "the scar will become a symbol" in reference to the way in which he had been treated by Lita and WWE. On the June 20 episode of Raw, during the storyline wedding of Edge and Lita, Hardy's entrance music and video were played when the priest asked if anyone had a reason why Edge and Lita should not be wed. Independent circuit and Ring of Honor (2005) Following his WWE release, Matt returned to the independent circuit and wrestled several matches for the Allied Powers Wrestling Federation (APWF), International Wrestling Cartel (IWC) and Big Time Wrestling (BTW). Hardy appeared at a scheduled Ring of Honor (ROH) event on July 16, 2005, in Woodbridge, Connecticut where he defeated Christopher Daniels via submission. Hardy also cut a brief worked shoot promo where he criticized WWE and John Laurinaitis. Following his official return to WWE, Hardy was met with backlash following a match with Homicide from the fans at a subsequent ROH event, which Hardy won. The next day at his final ROH appearance, he lost to Roderick Strong. Return to WWE Feud with Edge (2005–2006) On July 11, 2005, on Raw, Hardy attacked Edge backstage and again later during Edge's match with Kane. Before being escorted out of the building by security, Hardy stated that Edge (calling him by his real name of "Adam") and Lita would pay for their actions and told fans that they could see him at Ring of Honor while security officials and event staff were trying to restrain him. Hardy also called out Johnny Ace as security had him in handcuffs taking him out of the arena. This caused an uproar amongst fans, who were confused and wondered if the whole thing was a work or a shoot. Similar occurrences repeated during the following two weeks. On the August 1 episode of Raw, Vince McMahon officially announced Hardy's return to WWE, adding that Hardy would face Edge at SummerSlam. Hardy made his in-ring return, defeating Snitsky on the August 8 Raw. Seconds after the victory, Hardy was attacked by Edge, and as he was being carried backstage, Matt counterattacked Edge in the locker room. On August 21 at SummerSlam, their match came to a premature end when Edge dropped Hardy onto the top of a ring post, causing him to bleed heavily. The referee ended the match on the grounds that Hardy could not continue, and Edge was declared the winner. After SummerSlam, the two continued feuding on Raw, including a Street Fight on August 29 that resulted in Hardy performing a Side Effect on Edge off the entrance stage and into electrical equipment below; the match ended in a no contest. At Unforgiven, Edge faced Hardy in a steel cage match. Hardy caught an interfering Lita with the Twist of Fate and won the match with a leg drop off the top of the cage. Hardy and Edge faced each other on October 3 at WWE Raw Homecoming in a Loser Leaves Raw ladder match. Edge's briefcase holding his Money in the Bank contract for his WWE Championship opportunity was suspended above the ring. The winner of the match received the contract and the loser was forced to leave Raw. Edge tied Hardy's arms in the ropes, and Lita trapped Hardy in a crucifix hold, leaving Hardy only able to watch Edge win. With his defeat at the hands of Edge, Hardy was moved to the SmackDown! brand where he re-debuted with a win over Simon Dean on October 21 in Reno, Nevada. One week later, Hardy won the fan vote to represent Team SmackDown! (alongside Rey Mysterio) to challenge Team Raw (Edge and Chris Masters) at Taboo Tuesday. Edge, however, refused to wrestle and sent Snitsky in place of him in the match, which Hardy and Mysterio won. Back on SmackDown!, Hardy started an angle with MNM (Johnny Nitro and Joey Mercury) and their manager Melina when Melina approached Hardy, seemingly wanting Hardy to join with her team. Hardy refused the offer, which led to him facing the tag team on several occasions with a variety of partners. On July 25, after the SmackDown! taping, Hardy was taken out of action after doctors found the remnants of the staph infection that had plagued him the previous year. He was sidelined until August 25 while he healed. Upon his return to action, Hardy feuded against childhood friend and reigning Cruiserweight Champion Gregory Helms. At No Mercy, in their home state, Hardy beat Helms in a non-title match. The two met again at Survivor Series, where Hardy's team won in a clean sweep. They wrestled one final match, a one time appearance in Booker T's Pro Wrestling Alliance (PWA) promotion, where Hardy defeated Helms in a North Carolina Street Fight. The Hardy Boyz reunion (2006–2007) On the November 21, 2006 episode of ECW on Sci Fi, Hardy and Jeff competed in a match together for the first time in almost five years, defeating The Full Blooded Italians. At December to Dismember, the Hardy Boyz issued an open challenge to any tag team who wanted to face them. MNM answered their challenge by reuniting at December to Dismember, a match won by the Hardy Boyz. At Armageddon, Hardy and Jeff competed against Paul London and Brian Kendrick, MNM, and Dave Taylor and William Regal in a Ladder match for the WWE Tag Team Championship but lost. Subsequently, he and Jeff feuded with MNM after the legitimate incident where they injured Mercury's face at Armageddon. This led to a long term rivalry, and at the Royal Rumble, Hardy and Jeff defeated MNM. Mercury and Hardy continued to feud on SmackDown! until Mercury was released from WWE on March 26. The night after WrestleMania 23 on Raw, the Hardys competed in a 10-team battle royal for the World Tag Team Championship. They won the titles for the sixth time from then WWE Champion John Cena and Shawn Michaels after last eliminating Lance Cade and Trevor Murdoch. This started a feud with Cade and Murdoch, and the Hardys successfully retained their World Tag Team Championship in their first title defense at Backlash. The Hardy Boyz also successfully retained their titles at Judgment Day against Cade and Murdoch. One month later at One Night Stand, they defeated The World's Greatest Tag Team to retain the titles in a Ladder match. The following night on Raw, Vince McMahon demanded that The Hardys once again defend their championships against Cade and Murdoch. The Hardys were defeated after Murdoch pushed Jeff's foot off the bottom rope during Cade's pinfall, causing the three count to continue. They invoked their rematch clause against Cade and Murdoch at Vengeance: Night of Champions, but were unsuccessful. Feud with MVP and championship reigns (2007–2009) On the July 6, 2007 episode of SmackDown!, Hardy won a non-title match against United States Champion Montel Vontavious Porter (MVP), which resulted in a feud between the two. Hardy was defeated by MVP at The Great American Bash for the United States Championship. MVP then claimed that he was "better than Hardy at everything", which led to a series of contests between Hardy and MVP, such as a basketball game, an arm wrestling contest, and a chess match which MVP "sneezed" on and ruined when Hardy put him in check. MVP challenged Hardy to a boxing match at Saturday Night's Main Event XXXV, however MVP was legitimately diagnosed with the heart condition Wolff-Parkinson-White syndrome. Since MVP was unable to compete, Hardy faced his replacement, former world champion boxer, Evander Holyfield. The match ended in a no contest after MVP entered the ring to verbally abuse Holyfield, who then knocked him out. MVP also challenged Hardy to a beer drinking contest at SummerSlam, but as revenge for what happened at SNME, Hardy allowed Stone Cold Steve Austin to replace him; Austin simply performed a stunner on MVP then kept drinking. After a segment involving MVP inadvertently choosing Hardy as his tag-team partner, Theodore Long promptly set up a match against Deuce 'n Domino for the WWE Tag Team Championship on the August 31 episode of SmackDown! which Hardy and MVP were able to win, therefore setting up Hardy's first reign as WWE Tag Team Champion. Hardy and MVP retained the titles at Unforgiven in a rematch against former champions Deuce 'n Domino. Hardy was scheduled to face MVP at Cyber Sunday, but due to a real-life head injury sustained on the October 26 episode of SmackDown!, he was not medically cleared to compete. As part of the storyline, Hardy continually asked MVP for a shot at the United States Championship but MVP refused stating that he was more focused on the Tag Team Championship. On the November 16 episode of SmackDown!, Hardy and MVP dropped the WWE Tag Team Championship to John Morrison and The Miz. Despite the fact that Hardy was hurt, MVP immediately invoked the rematch clause. After the rematch, in which Hardy was forced to tap out, MVP attacked Hardy, repeatedly targeting his knee. It was later confirmed by WWE.com that Hardy had suffered an injury at his former partner's hands and that he might not be able to compete at Survivor Series. Despite Hardy's absence at Survivor Series, his team was able to win the match. On November 21, WWE's official website reported that Hardy underwent an emergency appendectomy in Tampa, Florida after his appendix burst. Hardy made an appearance at the December 31 episode of Raw supporting his brother Jeff. To further Jeff's storyline with Randy Orton, however, Hardy was attacked by Orton. Hardy made his return at a live event in Muncie, Indiana on March 1, 2008. On March 30, 2008, at WrestleMania XXIV, during the Money in the Bank ladder match Hardy cut through the crowd and attacked MVP to prevent him from winning the match. He made his official in-ring return the next night on Raw, losing a singles match to WWE Champion Randy Orton. On the April 4 episode of SmackDown, Hardy faced MVP in a non-title match, which he won, re-igniting their storyline rivalry. On April 27, 2008, Hardy defeated MVP to win the United States Championship at Backlash, and successfully retained his title against MVP five days later on SmackDown. Hardy declared himself as a fighting champion that would take on all challenges, defending the United States championship against Shelton Benjamin, Elijah Burke, Chuck Palumbo, Mr. Kennedy, Chavo Guerrero and Umaga. Hardy was drafted to the ECW brand on the June 23, 2008 episode of Raw during the 2008 WWE Draft, in the process making the United States Championship exclusive to ECW. He dropped the United States Championship to Shelton Benjamin at the Great American Bash pay-per-view on July 20, 2008, which meant that the title returned to SmackDown. On the July 22 episode of ECW, Hardy became the number one contender to Mark Henry's ECW Championship after defeating John Morrison, The Miz and Finlay in a fatal four-way match. He won the title match at SummerSlam by disqualification due to interference from Henry's manager, Tony Atlas, thus he failed to win the title. Due to the ending of the pay-per-view match, Hardy received a rematch for the title on the next episode of ECW, but again failed to win the title when Henry pinned him after a distraction by Atlas. At Unforgiven, Hardy won the ECW Championship during the Championship scramble match, defeating then-champion Henry, The Miz, Finlay and Chavo Guerrero by pinning the Miz with three minutes left, marking his first world heavyweight championship win. He continued to feud with Henry until No Mercy, where Hardy successfully retained the title. Hardy lost the title to Jack Swagger on the January 13, 2009 episode of ECW, which was taped on January 12. Feud with Jeff Hardy and departure (2009–2010) At the 2009 Royal Rumble pay-per-view, after losing an ECW Championship rematch to Swagger, Hardy turned on his brother when he hit Jeff with a steel chair, allowing Edge to win the WWE Championship, turning heel in the process. On the January 27, 2009 episode of ECW, it was announced by General Manager Theodore Long that Hardy had requested, and been granted, his release from ECW and had re-signed with the SmackDown brand. As part of the buildup to this feud, Matt strongly implied that he was responsible for all of Jeff's accidents leading back to November, including an assault in a hotel stairwell that prevented Jeff from appearing at Survivor Series, an automobile accident where Jeff's car was run off the road, and a pyrotechnics malfunction where part of the pyro from Jeff's entrance was fired directly at Jeff, in an attempt to stop Jeff holding the WWE Championship. Despite Hardy's attempts to goad Jeff into fighting him, Jeff refused to fight his brother, but, on the March 6 episode of SmackDown, Jeff attacked him during a promo where Matt implied that he was also responsible for the fire that burned down Jeff's house, going so far as to reveal that he had in his possession a dog collar that supposedly belonged to Jeff's dog, Jack (who died in the fire), that he claimed to have salvaged from the wreckage of the house. At WrestleMania 25, Matt defeated Jeff in an Extreme Rules match, and in a stretcher match on the following episode of SmackDown. On the April 13 episode of Raw, Hardy was drafted to the Raw brand as part of the WWE draft. Despite the fact that the two were on different brands, he continued his feud with Jeff. Two weeks later, in a rematch from WrestleMania, Hardy lost to Jeff in an "I Quit" match at Backlash, in which he legitimately broke his hand. Hardy continued to wrestle with his hand in a cast, incorporating it into his persona and claiming that he was wrestling under protest. He reignited his feud with MVP on Raw for the United States Championship. He also formed a tag team with William Regal, and the two acted as henchmen for General Manager Vickie Guerrero. At the June 22 taping of WWE Superstars, Hardy suffered yet another injury, when his intestines went through his abdominal wall, during a triple threat match against MVP and Kofi Kingston. Hardy had suffered a tear in his abdominal muscle two years previously, but had not needed surgery until it worsened, and became a danger to his health. He was then traded back to the SmackDown brand on June 29, and underwent surgery for the torn abdominal muscle on July 2. He made his return on the August 7 episode of SmackDown as the special guest referee in the World Heavyweight Championship match between his brother, Jeff, and CM Punk, and helped Jeff retain the championship by counting the pinfall. The following week Hardy turned face again when he saved his brother when CM Punk and The Hart Dynasty attacked both Jeff and John Morrison. On the August 21 episode of SmackDown, after apologizing for his past actions towards Jeff and admitting that he was not behind any of Jeff's accidents, he had his first match back after his injury when he teamed with Jeff and John Morrison to defeat The Hart Dynasty and CM Punk, when Matt pinned Punk. In early 2010, Hardy began an on-screen relationship with Maria; but was brief and the relationship ended when Maria was released from her WWE contract. On the March 5 episode of SmackDown, Hardy qualified for the Money in the Bank ladder match at WrestleMania XXVI by defeating Drew McIntyre, but was unsuccessful at WrestleMania, as the match was won by Jack Swagger. Hardy was suspended by Vince McMahon because he attacked McIntyre after McIntyre lost to Kofi Kingston at Over the Limit. He was able to get his revenge on McIntyre during the Viewer's Choice episode of Raw when chosen as the opponent for McIntyre, with General Manager Theodore Long stating that Hardy was suspended from SmackDown, but not from Raw. On the following episode of SmackDown, however, Vickie Guerrero announced that, per orders of Vince McMahon, Hardy had been suspended from all WWE programming. However, at Fatal 4-Way, Hardy prevented McIntyre from regaining the Intercontinental Championship, thus continuing their feud. On the following edition of SmackDown, he was reinstated by Long and had a match with McIntyre, which Hardy won. After the match, it was announced that McIntyre's visa had legitimately expired and was sent back to Scotland, thus ending their feud. Hardy was featured in the SmackDown Money in the Bank ladder match but was unsuccessful in winning with Kane coming out victorious. On September 12, WWE confirmed they had sent Hardy home from a European tour. Following this, Hardy began posting videos on his YouTube channel expressing his disinterest in the WWE product and insisting that he wanted to be released from the company. On October 15, 2010, WWE announced that Hardy had been released from his contract. Hardy later stated that his release had been in effect two weeks before WWE made the announcement. Total Nonstop Action Wrestling (2011) On January 9, 2011, Hardy made his debut for Total Nonstop Action Wrestling (TNA) at the Genesis pay-per-view, as part of the stable Immortal. He was the surprise opponent for Rob Van Dam, and defeated him to prevent Van Dam from receiving a match for the TNA World Heavyweight Championship, held by Hardy's brother Jeff. In the main event, Hardy attempted to interfere in Jeff's World Heavyweight Championship match with Mr. Anderson, but was stopped by Van Dam, which led to Jeff losing both the match and the championship. On the January 13 episode of Impact!, the Hardy Boyz reunited to defeat Anderson and Van Dam in a tag team match, following interference from Beer Money, Inc. On February 13 at Against All Odds, Van Dam defeated Hardy in a rematch. On the following episode of Impact!, Hardy, along with the rest of Immortal and Ric Flair, betrayed Fortune. On March 13 at Victory Road, Hardy was defeated by Flair's previous protégé, A.J. Styles. On April 17 at Lockdown, Immortal, represented by Hardy, Abyss, Bully Ray and Ric Flair, were defeated by Fortune members James Storm, Kazarian and Robert Roode and Christopher Daniels, who replaced an injured A.J. Styles, in a Lethal Lockdown match. On the April 21 episode of Impact!, Hardy faced Sting for the TNA World Heavyweight Championship, Hardy's first World Title match in TNA, but was defeated. The following month, Hardy was granted a shot at the TNA World Tag Team Championship against Beer Money, Inc. (James Storm and Robert Roode). While the champions looked to defend the title against the Hardy Boyz, Matt instead introduced the returning Chris Harris, Storm's old tag team partner, as his partner for the title match. The match took place at Sacrifice, where Storm and Roode retained their titles. On June 21, it was reported that TNA had suspended Hardy. On August 20, Hardy was released from TNA following a DUI arrest that occurred earlier that same day. Return to the independent circuit (2011–2017) Hardy announced his retirement from full-time professional wrestling due to injuries on September 1, 2011. He issued a challenge to his long-time rival MVP, who was wrestling in Japan at the time, to one final match at "Crossfire Live!" in Nashville. The event was held May 19, 2012 and benefited the Make-A-Wish Foundation. Hardy won the match. Throughout 2012, Hardy wrestled sporadically on the independent circuit, working with promotions such as Mid Atlantic Championship Wrestling, Pro Wrestling Syndicate and Northeast Wrestling. On October 5, Hardy was defeated by Kevin Steen at Pro Wrestling Xperience's An Evil Twist of Fate. On November 11, Hardy, as the masked wrestler Rahway Reaper, defeated the Pro Wrestling Syndicate Kevin Matthews, winning the championship. On February 9, 2013, Hardy lost the Pro Wrestling Syndicate Championship back to Matthews. On February 16, 2013, at Family Wrestling Entertainment's No Limit, Hardy wrestled a TLC match for the FWE Heavyweight Championship against the champion Carlito and Tommy Dreamer, but he was defeated. On November 30, 2013, at WrestleCade, Hardy defeated Carlito to become the first ever WrestleCade Champion. On May 3, 2014, following a match between Christian York and Drolix, Hardy defeated Drolix to become the new MCW Heavyweight Champion. At Maryland Championship Wrestling's Shane Shamrock Cup, Hardy defeated Luke Hawx in a TLC match for Hardy's title and Hawx's Extreme Rising World title. Hardy won the match, but he gave back the title to Hawx. On October 4, Hardy lost the MCW Heavyweight Championship back to Drolix, following outside interference from Kevin Eck. On February 9, 2015, Hardy appeared on FWE's "No Limits 2015" iPPV, challenging Drew Galloway for the ICW World Heavyweight Championship, but was defeated. On November 28, 2015, Hardy lost the WrestleCade Championship to Jeff Jarrett at WrestleCade IV in Winston-Salem, North Carolina. Hardy regained the title in a triple-threat cage match against Jarrett and Ethan Carter III in Hickory, North Carolina on May 20, 2016. He appeared at the #DELETEWCPW event for What Culture Pro Wrestling (WCPW) in Nottingham, England on November 30. Hardy, billed as "Broken" Matt Hardy, lost a no-disqualification match to Bully Ray, with Ray proposing the no-disqualification stipulation at the last minute, and Hardy accepting there and then. Return to ROH (2012–2014) At Death Before Dishonor X: State of Emergency in 2012, Hardy returned to Ring of Honor, confronting Adam Cole and challenging him to a match for the ROH World Television Championship. On December 16 at Final Battle 2012: Doomsday, Hardy defeated Cole in a non-title match. At the following iPPV, 11th Anniversary Show on March 2, 2013, Hardy joined the villainous S.C.U.M. stable. On April 5 at the Supercard of Honor VII iPPV, Hardy unsuccessfully challenged Matt Taven for the ROH World Television Championship in a three-way elimination match, which also included Adam Cole. On June 22 at Best in the World 2013, Hardy defeated former S.C.U.M. stablemate Kevin Steen in a No Disqualification match to become the number one contender to the ROH World Championship. Hardy received his title shot at the following day's Ring of Honor Wrestling tapings, but was defeated by the defending champion, Jay Briscoe. Later that same day, S.C.U.M. was forced to disband after losing a Steel Cage Warfare match against Team ROH. On December 14, 2013, at Final Battle 2013, Hardy defeated Adam Page in a singles match; later on in the main event, Hardy aided Adam Cole in retaining his title and forming a tag team with him. After aiding Cole at Supercard of Honor VIII, Hardy was given Jay Briscoe's unofficial "Real World Title" belt, which he renamed the "ROH Iconic Championship". In July, Hardy opted out of his ROH contract and went back to TNA. Return to OMEGA (2013–2018) Matt announced that OMEGA would return in January 2013 with an event titled "Chinlock For Chuck". The main event featured Matt, Jeff, Shane "Hurricane" Helms and "Cowboy" James Storm defeating Gunner, Steve Corino, CW Anderson and Lodi. On October 12, 2013, at "Chapel Thrill", Hardy announced a Tournament for the OMEGA Heavyweight Championship which featured himself vs. CW Anderson and Shane "Hurricane" Helms vs. "The King" Shane Williams. After Hardy's qualifying match he was attacked by CW but was saved by the returning Willow the Whisp. Hardy won that match and advanced to the finals. On November 21, 2015, Matt won the OMEGA Heavyweight Championship for the second time, defeating former student Trevor Lee. Following this, Matt (upon regaining the TNA world title as part of his villainous egotistical "Iconic" gimmick) began proclaiming himself to be the only world champion that matters, and the only "true" world champion in wrestling, as he held both the TNA and OMEGA Championships, which (according to him) put him above any other promotions' world champions. Throughout 2016, Hardy defended the TNA and OMEGA titles jointly at OMEGA events as part of his "only true world champion" gimmick. On January 29, The Hardys won the OMEGA Tag Team Championships. Return to TNA The Hardys third reunion (2014–2015) On July 24, 2014, Hardy returned to TNA and reunited with Jeff to reform The Hardys for the third time. At the Destination X episode of Impact Wrestling, The Hardys were defeated by The Wolves in a match for the TNA World Tag Team Championship. On the August 14 episode of Impact Wrestling, Team 3D (formerly the Dudley Boyz) challenged The Hardys to a match, which Team 3D won. At the Hardcore Justice episode of Impact Wrestling, The Hardys and Team 3D talked about a match involving themselves and The Wolves. When The Wolves were asked by the two teams, they agreed. Later that night, Kurt Angle announced all three teams would compete in a best of three series for the TNA World Tag Team Championship with the winners of the first match choosing the stipulation of the next one. The Hardys won the second match of the series on the September 10 episode of Impact Wrestling in a tables match and choose a ladder match for the third match of the series. The Hardys were unsuccessful in winning that match on the September 17 episode of Impact Wrestling, as the Wolves won that match. The Wolves then went on to pick the final match of the series to be a Full Metal Mayhem match to take place on the October 8 episode of Impact Wrestling. The Hardys were unsuccessful in that match as the Wolves won that match. On October 22, The Hardys entered a number one contenders tournament for the TNA World Tag Team Championship defeating The BroMans (Jessie Godderz and DJ Z) in the first round of the tournament. On the October 29 episode of Impact Wrestling, The Hardys defeated Team Dixie (Ethan Carter III and Tyrus) in the semifinals to advance to the finals of the tournament, where they defeated Samoa Joe and Low Ki to become number one contenders for the TNA World Tag Team Championship. On the January 16, 2015 episode of Impact Wrestling, The Hardys defeated the Wolves. At the Lockdown episode of Impact Wrestling, The Hardys were defeated by The Revolution in a six sides of steel cage match for the TNA World Tag Team Championship. On the February 20 episode of Impact Wrestling, Hardy and The Wolves defeated The Revolution in a six-man tag team match. In March, The Hardys participated in a tournament for the vacant TNA World Tag Team Championship. On March 16, 2015, Matt and Jeff won an Ultimate X match for the titles. On May 8, 2015, Hardy vacated the TNA World Tag Team Championship due to his brother Jeff being injured. World Heavyweight Champion (2015–2016) On June 28, 2015, Hardy was among the five wrestlers who competed for the TNA King of the Mountain Championship at Slammiversary, with Jeff Jarrett ultimately emerging victorious. On the July 8 episode of Impact Wrestling, Hardy requested a world title shot against Ethan Carter III, but was denied and forced to face the Dirty Heels (Austin Aries and Bobby Roode) in a handicap match, which he lost. On the July 22 episode of Impact Wrestling, Hardy defeated Roode in a Tables match to become the #1 contender for the TNA World Heavyweight Championship. On the August 5 episode of Impact Wrestling, Hardy got his shot at the title against EC3 in a Full Metal Mayhem match, but failed to win the title. On the September 2 episode of Impact Wrestling, Hardy got another shot at the TNA World Heavyweight Championship against EC3, but again failed to win the title; as part of the storyline, Jeff Hardy was forced to act as Ethan Carter's personal assistant. On the September 30 episode of Impact Wrestling, Hardy was added to the Ethan Carter III vs. Drew Galloway main event match for the TNA World Heavyweight Championship at Bound for Glory after he and Galloway defeated Carter and Tyrus, making it a three-way match, following which Jeff, who EC3 had just "fired" in the previous episode, was revealed to be the special guest referee. On October 4 at Bound for Glory, Matt won the TNA World Heavyweight Championship by pinning Galloway. However, EC3 filed an injunction (kayfabe) that banned Hardy from appearing on Impact Wrestling for a month, which forced Hardy to relinquish the title in order to stay on the show. However, Hardy had been participating in the TNA World Title Series for the vacant title. He qualified to the round of 16 by defeating Davey Richards, Robbie E and Eddie Edwards. He then advanced to the round of 8 by defeating the King of the Mountain Champion Bobby Roode and then to Jessie Godderz to continue his winning streak. The semifinals and finals were held on the January 5, 2016, live episode of Impact Wrestling during its debut on Pop TV, in which he defeated Eric Young to advance to the final round. Hardy faced EC3 in the TNA World Title Series finals, but lost the match via pinfall. Hardy won the TNA World Title from EC3 on the January 19, 2016 episode of Impact Wrestling, becoming the first man to defeat him in a one-on-one match in TNA. During the match a double turn took place; Hardy turned heel after Tyrus betrayed EC3. The following week on Impact Wrestling, Jeff Hardy had confronted him about last week and issued a challenge to Matt for the World Heavyweight title in the main event and Matt accepted. However, later before the main event could begin, Eric Young and Bram attacked Jeff from behind. Kurt Angle then came out to try save Jeff, and Matt had Tyrus attack Angle from behind. While Matt watched from the ramp, Young attacked Jeff with the Piledriver off the apron through a table. The following week, he successfully retained his title against Angle. At Lockdown, he retained his title in a Six-side of steel match against Ethan Carter III, with the help of Rockstar Spud. He lost his title against Drew Galloway on the March 15 episode of Impact Wrestling, after a match featuring EC3 and Jeff Hardy. Two weeks later he received a rematch for the title on Impact Wrestling, but was again defeated by Galloway. After losing the title he started a feud with Jeff. On the April 19 episode of Impact Wrestling, and an I Quit match ended in a no-contest as both Matt and Jeff were badly injured and Matt was taken out to the hospital on a stretcher. The Broken Universe (2016–2017) Hardy returned on May 17 episode of Impact Wrestling, revealing himself to be one of the impostor Willows behind the attacks on Jeff. Later that night, he attacked Jeff. In the following weeks, Hardy debuted a new persona as a "Broken" man with part of his hair bleached blonde along with a strange sophisticated accent, blaming Jeff (who he began referring to as "Brother Nero", Nero being Jeff's middle name) for breaking him and becoming obsessed with "deleting" him. His line “Delete”, is mostly inspired by the Death Note manga/anime series character Teru Mikami. On June 12, at Slammiversary, Matt was defeated by Jeff in a Full Metal Mayhem match. On the June 21 episode of Impact Wrestling, Matt was once again defeated by Jeff in a Six Sides of Steel match. On the June 28 episode of Impact Wrestling, Matt challenged Jeff to a final battle with the Hardy brand on the line, to take place at their home in Cameron, North Carolina the next week. On July 5, during special episode "The Final Deletion", Matt defeated Jeff in the match to become sole owner of the Hardy brand, forcing Jeff to drop his last name and become referred to as "Brother Nero". On the August 18 episode of Impact Wrestling, Matt and Brother Nero defeated The Tribunal, The BroMans and The Helms Dynasty in an "Ascension To Hell" match for an opportunity to challenge Decay for the TNA World Tag Team Championship. On September 8, during special episode "Delete or Decay", the Hardys faced Decay in a match held at the Hardy compound, where Brother Nero sacrificed himself to save Matt from Abyss. Thanks to Brother Nero's sacrifice, Hardy was able to confront Rosemary and prevent his son Maxel from being abducted, which turned Hardy babyface as a result, and he furthered the face turn by healing Brother Nero in the Lake of Reincarnation. At Bound for Glory, the Hardys defeated Decay in "The Great War" to win the TNA World Tag Team Championship for the second time. On the October 6 episode of Impact Wrestling, they successfully defended their titles against Decay, in a Wolf Creek match. On the November 3 episode of Impact Wrestling, the Hardys successfully defended the titles against The Tribunal. After the match, the Hardys were attacked by the masked trio known as Death Crew Council (DCC). After accepting DCC's title challenge, The Hardys faced Bram and Kingston, and Matt pinned Kingston to retain the titles. On December 15, during special episode "Total Nonstop Deletion", they were once again successful in retaining. Brother Nero attacked Crazzy Steve with the Twist of Fate, who then fell into a volcano (that had appeared on the compound in the weeks leading up the event), and was shot up into the sky, landing in the ring. Matt then covered him to win the match. On the January 12, 2017 episode of Impact Wrestling, The Hardys successfully defended their titles against The Wolves. At Genesis, The Hardys retained their titles against the DCC and Decay in a three-way tag team match. On Open Fight Night, the Hardys began a storyline where they would teleport to different promotions and win that promotions' tag team championship gold, which was referred to by Matt as their "Expedition of Gold". On February 27, Hardy announced that both he and Jeff had finally left TNA, following years of speculation, with their contracts expiring that week. Though the two sides were reportedly close to a contract agreement, talks began to break down and changes in management prompted their departure from the company. The TNA World Tag Team Championships were vacated due to the Hardys' departure and was explained on TNA television in a segment where The Hardys teleported to their next Expedition of Gold destination, but a technicality resulted in them disappearing and the belts appearing in the arms of Decay. Broken gimmick legal battle Shortly after the departure of Matt and Jeff from TNA was made public, Matt's wife, Reby, went on a social media tirade in which she repeatedly slammed TNA, the company's new management and the way in which contract negotiations between the company and the Hardy family were conducted. A few weeks following this, the bad blood between the two sides intensified, so much so that the new management of TNA (now renamed Impact Wrestling) Anthem Sports & Entertainment issued a cease and desist letter to The Hardys' new promotion Ring of Honor (ROH), in which Anthem essentially ordered ROH as well as any broadcasting company airing ROH's 15th Anniversary pay–per–view show (on which The Hardys were to participate in a match) to not in any way speak of, indicate or acknowledge the existence of the Broken Matt and Brother Nero characters and instead to refer to The Hardys as simply Matt Hardy and Jeff Hardy. The issue with this is that while The Hardys were in TNA, they had full creative control over the Broken gimmick, with them even filming their own segments to air on TNA programming in some circumstances, thus making the Hardy family (in their belief) the owners of the Broken gimmick. It is believed that civil litigation will follow and a potential court hearing will take place regarding the outcome on who owns the Broken gimmick: Anthem or the Hardy family. Until then, the status of the Broken gimmick remains undecided. Despite this, Matt continues to use the Broken gimmick through his social media accounts, but neither he nor Jeff uses the Broken gimmick at any professional wrestling shows for ROH or on the independent circuit, presumably until the results of the expected legal proceedings have been finalized. Newly–appointed Impact Wrestling President Ed Nordholm credits the invention of and the vision behind the Broken gimmick to Jeremy Borash, Dave Lagana and Billy Corgan, and while Borash specifically had the most input into the gimmick of the three aside from Matt, the Hardy family deny that Borash was the sole person behind the gimmick. In November 2017, Impact Wrestling changed their policy, allowing all talent to retain complete ownership over their intellectual property, essentially forfeiting ownership of the "Broken" character to Hardy. On January 31, 2018, the legal battle officially concluded when Matt legally acquired ownership of all trademarks related to the Broken universe and the Broken gimmick, which includes 'Broken Matt', 'Brother Nero', 'Broken Brilliance' and 'Vanguard1'. International matches (2014–2015) On November 1, 2014, Hardy traveled to Japan to compete for Wrestle-1 at the promotions Keiji Muto 30th Anniversary Hold Out show in a triple threat match against Seiya Sanada and Tajiri, which he lost. On May 24, 2015, Hardy traveled to Mexico to compete as a team captain for Team TNA/Lucha Underground with teammates Mr. Anderson and Johnny Mundo at Lucha Libre AAA Worldwide's 2015 Lucha Libre World Cup pay–per–view show. In the quarter–final round, Team TNA/Lucha Underground faced Team Rest of the World (Drew Galloway, Angélico and El Mesías) to a 15-minute time limit draw, with Team TNA/Lucha Underground winning in overtime and advancing to the semi–final round. In the semi–final round, Team TNA/Lucha Underground defeated Team MexLeyendas (Blue Demon Jr., Dr. Wagner Jr. and El Solar) to advance to the final round. In the final round, Team TNA/Lucha Underground faced Dream Team (El Patrón Alberto, Myzteziz and Rey Mysterio Jr.) to a 15–minute time limit draw, with Dream Team winning both the match and the tournament in overtime with Hardy on the losing end of the final pinfall. Second return to ROH (2016–2017) On December 2, 2016, Hardy returned to ROH for the second time while still under contract with TNA, appearing at the promotions Final Battle pay-per-view show as Broken Matt, where a video message showed him addressing The Young Bucks (Matt Jackson and Nick Jackson) and The Briscoes (Jay Briscoe and Mark Briscoe). On March 4, 2017, in the same week that both Matt and Jeff were released from TNA, The Hardys defeated The Young Bucks in an impromptu match at ROH's 2017 installment of the company's Manhattan Mayhem show series to become the new ROH World Tag Team Champions for the first time. Moments after winning the titles, Hardy announced in a post-match promo that both he and Brother Nero (Jeff) had signed "the biggest ROH contracts in (the company's) history". It was later confirmed that the contracts were short-term, only for the "immediate future". On March 10, The Hardys successfully defended the ROH World Tag Team Championship for the first time at ROH's 15th Anniversary pay-per-view show against The Young Bucks and Roppongi Vice (Beretta and Rocky Romero) in a three-way Las Vegas tag team street fight match. Prior to the event, the Hardys had been sent a legal threat by Impact Wrestling regarding the use of the Broken Matt and Brother Nero gimmicks. The following night on March 11, The Hardys (not billed but using the Broken gimmicks anyway) once again retained the titles, this time against The Briscoes at a set of Ring of Honor Wrestling television tapings. The Hardys lost the titles back to The Young Bucks in a ladder match on April 1 at ROH's Supercard of Honor XI pay-per-view show, which would be the final ROH appearances for both Hardys in this tenure with the promotion. Second return to WWE (2017–2020) Feud with The Bar (2017) At the WrestleMania 33 pay-per-view on April 2, 2017, Hardy made his surprise return to WWE, along with his brother Jeff Hardy, being added as last-minute participants in the ladder match for the Raw Tag Team Championship, defeating Gallows and Anderson, Cesaro and Sheamus, and Enzo and Cass to win the Raw Tag Team Championship. Afterwards on Raw Talk, Hardy mentioned that The Hardy Boyz had successfully completed the Expedition of Gold, after winning the Raw Tag Team Championship. At Payback, The Hardy Boyz retained their championships against Cesaro and Sheamus, who attacked them after the match. The next night on Raw, Cesaro and Sheamus explained their actions, claiming the fans were more supportive of 'novelty acts' from the past like The Hardy Boyz, who they feel did not deserve to be in the match at WrestleMania 33. Subsequently, at Extreme Rules, The Hardy Boyz lost the titles against Cesaro and Sheamus in a steel cage match, and failed to regain it back the following month at the Great Balls of Fire event. Afterwards, it was revealed that Jeff had gotten injured and would be out for an estimated six months, thus Hardy began wrestling in singles matches. Woken Universe and storyline with Bray Wyatt (2017–2018) During his feud with Bray Wyatt, Hardy introduced his "Woken" gimmick, after Impact Wrestling dropped their claim to the gimmick and Hardy gained full ownership of it. Wyatt defeated Hardy at Raw 25 on January 22, 2018, and Hardy defeated Wyatt at Elimination Chamber on February 25. Their final match happened on the March 19 episode of Raw, dubbed The Ultimate Deletion, with Hardy winning after distractions from Señor Benjamin. Wyatt then disappeared after being thrown into the Lake of Reincarnation. At WrestleMania 34 on April 7, Hardy competed in the annual André the Giant Memorial Battle Royal, and won the match due to a distraction by the returning Wyatt. After WrestleMania, Hardy and Wyatt performed as a tag team, sometimes referred to as The Deleters of Worlds. They won a tournament for the vacant Raw Tag Team Championship, defeating Cesaro and Sheamus at the Greatest Royal Rumble event to win the title. However, they lost the titles at Extreme Rules to The B-Team (Bo Dallas and Curtis Axel). On the July 23 episode of Raw, Hardy and Wyatt received a rematch for the titles, but was again defeated by The B-Team. Following this, Hardy revealed that he was taking time off due to his back fusing with his pelvis, effectively disbanding the team. According to Hardy, the reason WWE disbanded the team was because he and Wyatt pitched several ideas to WWE to work with their characters. The Hardys fourth reunion and departure (2019–2020) After more than seven months of absence from television, Hardy returned on the February 26, 2019 episode of SmackDown Live, teaming with his brother Jeff to defeat The Bar (Cesaro and Sheamus). At WrestleMania 35 on April 7, Hardy competed in the André the Giant Memorial Battle Royal, but was eliminated by eventual winner, Braun Strowman. Two days later on SmackDown Live, The Hardy Boyz defeated The Usos to win the SmackDown Tag Team Championship. The reign only lasted 21 days (recognized as 20 days by WWE), as they had to vacate the title due to Jeff injuring his knee, this was explained in storyline as injuries afflicted by Lars Sullivan. After his brother Jeff's injury, Hardy began to appear on WWE programming less frequently. At Super ShowDown on June 7, Hardy competed in the 51-man Battle Royal, which was eventually won by Mansoor. From November to December, Hardy occasionally appeared on Raw, losing matches against superstars like Buddy Murphy, Drew McIntyre, Ricochet and Erick Rowan. On the February 10, 2020 episode of Raw, Hardy confronted Randy Orton about Orton's attack on Edge two weeks earlier. Hardy then got himself into a brawl with him moments after, and was viciously attacked by Orton. The following week on Raw, an injured Hardy appeared and was once again assaulted by Orton, which would be his final appearance in WWE. On March 2, Hardy announced his departure from WWE through his official YouTube channel, where Hardy said that while he's grateful towards the people behind the scenes, he said he is also on different pages with WWE as he feels he needs to have creative input and still has more to give. Later that day, WWE announced that his contract had expired. All Elite Wrestling Multiple personalities (2020–2021) Hardy made his All Elite Wrestling (AEW) debut on the March 18, 2020 episode of Dynamite, reverting to his "Broken" gimmick and being announced as the replacement for the kayfabe injured Nick Jackson on The Elite's team at Blood and Guts. However, the event was postponed to the following year due to the COVID-19 pandemic. On the May 6 episode of Dynamite, Hardy wrestled his first match with AEW, teaming up with Kenny Omega for a street fight against The Inner Circle's Chris Jericho and Sammy Guevara, and Hardy and Omega lost when Jericho pinned Omega. During this period, due to the lack of live audience, Hardy felt that the Broken character needs public, so he began to include several of his gimmicks, including Broken Matt Hardy, Big Money Matt, Matt Hardy V1, and Unkillable Matt Hardy, being referred to as "Multifarious" Matt Hardy. AEW president Tony Khan later admitted that he "wasn't a fan" of the Broken gimmick and much preferred more realistic presentations in wrestling. At Double or Nothing, Hardy teamed with The Elite to defeat The Inner Circle in the first ever Stadium Stampede match. During the match, Santana and Ortiz dunked Hardy in the stadium pool, which acted as a version of the Lake of Reincarnation, as Hardy kept cycling through his various gimmicks throughout his career when he surfaced. Hardy then feuded with Sammy Guevara, and after Hardy defeated Guevara in a Broken Rules match at All Out, Hardy took time off until he was cleared to return, due to an injury sustained during the match. On the September 16 episode of Dynamite, Hardy aligned with Private Party (Isiah Kassidy and Marq Quen) as their manager, but was attacked backstage before their match. The attacker was later revealed as Guevara and The Elite Deletion match was announced, which took place at The Hardy Compound in Cameron, North Carolina, where Hardy won. The Hardy Family Office (2021–present) Hardy then switched to his Big Money persona as he focused on managing Private Party. Over the following weeks, Hardy would display villainous tactics as he began cheating during matches much to Private Party's dismay. On the January 20, 2021 episode of Dynamite, Hardy and Private Party defeated Matt Sydal and Top Flight (Dante Martin and Darius Martin) after using a steel chair before attacking Sydal and Top Flight afterwards, thus turning heel. Hardy then approached Adam Page to accompany and befriend him, and during tag team matches, Hardy would always tag himself in and pick up the victory for his team to Page's behest. After Page set up a match between Hardy and himself, Hardy double-crossed Page, with Private Party and The Hybrid 2 (Angélico and Jack Evans) attacking Page until The Dark Order came out to save him. At the Revolution event, Hardy lost to Page despite multiple interferences from Private Party. Following Revolution, Hardy became the manager for The Butcher and The Blade (with their valet The Bunny in tow), and along with Private Party, the stable became known as the Matt Hardy Empire before settling on the name Hardy Family Office. Hardy also added The Hybrid 2 to his group in July having previously hiring them on a mercenary basis. At Double or Nothing, Hardy competed in Casino Battle Royale but was eliminated by Christian Cage. This led to a match between the two at Fyter Fest, where Hardy lost to Cage. In August, Matt Hardy and HFO began a feud with Orange Cassidy and Best Friends, which led to a match on the August 25 episode of Dynamite, where Hardy was defeated by Cassidy. However, on the November 12 episode of Rampage, Hardy defeated Cassidy in a Lumberjack match, thanks to an interference from HFO and the heel lumberjacks. Their feud ended on the November 17 episode of Dynamite where his team of The Butcher and The Blade lost to the team of Cassidy and Tomohiro Ishii, where Cassidy gave a crossbody to the interfering Hardy and The Blade during the match. Professional wrestling style and persona After the creation of his Broken character, Hardy was praised by several wrestlers and critics for reinventing himself several times during his career. During his career, Hardy has won the Wrestling Observer Newsletter Best Gimmick award two times under two different characters, once in 2002 and again in 2016. Personal life Hardy was in a six-year relationship with wrestler Amy Dumas, better known as Lita. They first met in January 1999 at a NWA Mid-Atlantic show but did not begin dating until a few months later. They broke up in February 2005 when he discovered that she was having an affair with one of Hardy's close friends, fellow wrestler Adam Copeland, better known as Edge. Hardy also dated WWE wrestler Ashley Massaro. Hardy married wrestler Rebecca Reyes, better known as Reby Sky, on October 5, 2013. They have three sons and one daughter. Hardy had previously been an addict, and credits his wife for helping him get clean. Hardy is good friends with fellow wrestlers Marty Garner, Shannon Moore, and Gregory Helms. In December 2020, he claimed to have Native American ancestry. Legal issues Hardy was arrested for a DUI on August 20, 2011. Two days later, he was arrested on felony drug charges when police found steroids in his home. In November 2011, Hardy was removed from court-ordered rehab and sent back to jail for drinking. In January 2014, Hardy and his wife were both arrested after a fight at a hotel. Other media In 1999, Matt, along with his brother Jeff, appeared as an uncredited wrestler on That '70s Show episode "That Wrestling Show". Matt and Jeff also appeared on Tough Enough in early 2001, talking to and wrestling the contestants. He appeared in the February 25, 2002 episode of Fear Factor competing against five other World Wrestling Federation wrestlers, including his brother. He won $50,000 for the American Cancer Society. Hardy also appeared on the October 13, 2009 episode of Scare Tactics, as a mental patient who threatens to attack the prank's victim. In 2001, Matt, Jeff, and Lita appeared in Rolling Stone magazine's 2001 Sports Hall of Fame issue. In 2003, Matt and Jeff, with the help of Michael Krugman, wrote and published their autobiography The Hardy Boyz: Exist 2 Inspire. As part of WWE, Matt appeared in their DVD, The Hardy Boyz: Leap of Faith in 2001. On April 29, 2008, WWE released Twist of Fate: The Matt and Jeff Hardy Story. The DVD featured footage of the brothers in OMEGA and WWE. Hardy also appears on The Hardy Show, an Internet web show which features the Hardys, Shannon Moore, and many of their friends. Hardy plays himself in the 2013 film Pro Wrestlers vs Zombies in which he and his real-life wife Reby Sky battle the undead. Hardy's first WWE video game was WWF WrestleMania 2000 in 1999 on the Nintendo 64 shortly followed by WWF SmackDown! in early 2000 on the PlayStation. He made several appearances later in WWF SmackDown! 2: Know Your Role, WWF SmackDown! Just Bring It, WWE SmackDown! Shut Your Mouth, WWE SmackDown! Here Comes the Pain, and WWE SmackDown vs. Raw. He later returned to the series in WWE SmackDown vs. Raw 2007, WWE SmackDown vs. Raw 2008, WWE SmackDown vs. Raw 2009, WWE SmackDown vs. Raw 2010, and WWE SmackDown vs. Raw 2011, which was his last WWE video game before his departure to TNA. Following his return to WWE in 2017, he was revealed as a DLC character in WWE 2K18 on September 25 that year alongside tag team partner and brother, Jeff Hardy. Hardy was revealed as a playable character in WWE 2K19 on August 30, 2018. His final appearance in a WWE video game came with WWE 2K20 in 2019. Filmography Championships and accomplishments All Elite Wrestling Dynamite Award (1 time) "Bleacher Report PPV Moment of the Year" (2021) – Stadium Stampede match (The Elite vs. The Inner Circle) – Double or Nothing (May 23) All Star Wrestling (West Virginia) ASW Tag Team Championship (1 time) – with Brother Nero CBS Sports Worst Moment of the Year (2020) vs. Sammy Guevara at All Out (2020) The Crash The Crash Tag Team Championship (1 time) – with Brother Nero Future Stars of Wrestling FSW Heavyweight Championship (1 time) House of Glory HOG Tag Team Championship (1 time) – with Jeff Hardy Maryland Championship Wrestling/MCW Pro Wrestling MCW Heavyweight Championship (1 time) MCW Tag Team Championship (1 time) – with Jeff Hardy Extreme Rising World Championship (1 time) National Championship Wrestling NCW Heavyweight Championship (1 time) NCW Light Heavyweight Championship (1 time) New Dimension Wrestling NDW Light Heavyweight Championship (1 time) NDW Tag Team Championship (1 time) – with Jeff Hardy New England Wrestling Alliance NEWA Heavyweight Championship (1 time) NEWA Hall of Fame (class of 2012) New Frontier Wrestling Association NFWA Heavyweight Championship (1 time) NFWA Tag Team Championship (1 time) – with Venom NWA 2000 NWA 2000 Tag Team Championship (1 time) – with Jeff Hardy OMEGA Championship Wrestling OMEGA Heavyweight Championship (2 times) OMEGA Tag Team Championship (2 times) – with Brother Nero/Jeff Hardy Pro Wrestling Illustrated Comeback of the Year (2017) with Jeff Hardy Feud of the Year (2005) vs. Edge and Lita Match of the Year (2000) with Jeff Hardy vs. The Dudley Boyz and Edge and Christian in a triangle ladder match at WrestleMania 2000 Match of the Year (2001) with Jeff Hardy vs. The Dudley Boyz and Edge and Christian in a Tables, Ladders and Chairs match at WrestleMania X-Seven Tag Team of the Year (2000) with Jeff Hardy Ranked No. 17 of the top 500 singles wrestlers in the PWI 500 in 2003 Pro Wrestling Syndicate PWS Heavyweight Championship (1 time) Remix Pro Wrestling Remix Pro Tag Team Championship (1 time) – with Facade Ring of Honor ROH World Tag Team Championship (1 time) – with Jeff Hardy Holy S*** Moment of the Decade (2010s) – – with Jeff Hardy Total Nonstop Action Wrestling TNA World Heavyweight Championship (2 times) TNA World Tag Team Championship (2 times) – with Jeff Hardy/Brother Nero TNA World Tag Team Championship Tournament (2015) – with Jeff Hardy TNA World Tag Team Championship #1 Contender Tournament (2014) – with Jeff Hardy WrestleCade WrestleCade Championship (2 times) Wrestling Observer Newsletter Best Gimmick (2002, 2016) Worst Feud of the Year (2004) with Lita vs. Kane Wrestling Superstar Wrestling Superstar Tag Team Championship (1 time) – with Jeff Hardy WWE/World Wrestling Entertainment/Federation ECW Championship (1 time) WWF Hardcore Championship (1 time) WWF European Championship (1 time) WWE United States Championship (1 time) WWE Cruiserweight Championship (1 time) WWF/World Tag Team Championship (6 times) – with Jeff Hardy WWE SmackDown Tag Team Championship (1 time) – with Jeff Hardy WWE Raw Tag Team Championship (3 times) – with Montel Vontavious Porter (1) Jeff Hardy (1) and Bray Wyatt (1) WCW Tag Team Championship (1 time) – with Jeff Hardy André the Giant Memorial Trophy (2018) Bragging Rights Trophy (2009) – with Team SmackDown Terri Invitational Tournament (1999) – with Jeff Hardy WWE Tag Team Eliminator (2018) - with Bray Wyatt Luchas de Apuestas record Notes References Sources External links 1974 births All Elite Wrestling personnel American bloggers American male professional wrestlers American YouTubers Male YouTubers ECW champions ECW Heavyweight Champions/ECW World Heavyweight Champions Living people NWA/WCW/WWE United States Heavyweight Champions Participants in American reality television series Professional wrestlers from North Carolina Professional wrestling managers and valets Reality show winners Sportspeople from Raleigh, North Carolina TNA World Heavyweight/Impact World Champions TNA/Impact World Tag Team Champions Twitch (service) streamers University of North Carolina at Charlotte alumni WWF European Champions WWF/WWE Hardcore Champions	true	[ "Świętobor () was a Pomeranian duke of 11th and 12th century. According to Gesta principum Polonorum of the chronicler Gallus Anonymus, he was a relative of king of Poland, Bolesław III Wrymouth. In one particular instance, Świętobor was imprisoned by his rivals and Bolesław set out with military aid for Świętobór. However, before Bolesław's expedition reached its destination, Świętobór was freed and the king's forces turned around and returned home.\n\nAs historical sources do not mention anything else about him, remaining information on Świętobór consists of speculation. Historians assume that he was a ruler of part of Western Pomerania and a descendant of Siemomysł of Pomerania and a relative of Świętopełk, Duke of Pomerania. Modern historians assume that Siemomysł was a descendant of Świętopełk Mieszkowic or Mieszko Mieszkowic.\n\nDukes of Pomerania\n11th-century births\n12th-century deaths", "New Blood Rising was a professional wrestling pay-per-view (PPV) event produced by World Championship Wrestling (WCW). It took place on August 13, 2000 from the Pacific Coliseum in Vancouver, British Columbia. The name is a reference to the New Blood faction within WCW (which dissolved before the pay-per-view). The event replaced WCW's August PPV event Road Wild held from 1996 to 1999 and was held on a Sunday instead of a Saturday. Despite never being announced before or during the show, every match on the card was contested under no disqualification rules.\nIn 2014, All WCW pay-per-views were made available on the WWE Network.\n\nStorylines\nThe event featured wrestlers from pre-existing scripted feuds and storylines. Wrestlers portrayed villains, heroes, or less distinguishable characters in the scripted events that built tension and culminated in a wrestling match or series of matches.\n\nReception\nIn 2007, Arnold Furious of 411Mania gave the event a rating of 2.5 [Very Bad], stating, \"One good spotfest, nothing else doing. Fire Russo clap clap clapclapclap. It’s now gotten to the point where I can’t watch any more shows Russo has booked. So this is my final WCW flashback. I was planning on going all the way through but it’s such a waste of my time and energy and it’s so depressing I think I’ll do something else instead. Anything else. Thanks for the memories WCW…rot in hell.\"\n\nResults\n\n\"Canadian Rules\" means that, instead of a traditional three-count, the referee must administer a five-count. Following the five-count, the competitor has to stay down for ten seconds. If both men are down for a ten-count for any reason, the first man who gets to his feet wins the match. In addition, there are no submissions and no count-outs.\n\n*After being absent from the pay-per-view due to a (kayfabe) mysterious motorcycle accident, Goldberg did not show up until the middle of the match. Then, in a worked shoot, Goldberg walked out on the match, apparently refusing to take Kevin Nash's Jacknife Powerbomb.\n\nSee also\n\nProfessional wrestling in Canada\n\nReferences\n\nEvents in Vancouver\nWorld Championship Wrestling pay-per-view events\n2000 in British Columbia\nProfessional wrestling in British Columbia\nAugust 2000 events in Canada\n2000 World Championship Wrestling pay-per-view events" ]
[ "Matt Hardy", "Total Nonstop Action Wrestling (2011)", "Who did he fight?", "He was the surprise opponent for Rob Van Dam,", "Who won that match?", "defeated him to prevent Van Dam from receiving a match", "Was there anything else significant about that particular match?", "defeated him to prevent Van Dam from receiving a match for the TNA World Heavyweight Championship," ]	C_e23d3e73411842f49937f27ba3aa0993_0	Are there any other interesting aspects about this article?	4	Are there any other interesting aspects about this article besides the fight?	Matt Hardy	On January 9, 2011, Hardy made his debut for Total Nonstop Action Wrestling (TNA) at the Genesis pay-per-view, as part of the stable Immortal. He was the surprise opponent for Rob Van Dam, and defeated him to prevent Van Dam from receiving a match for the TNA World Heavyweight Championship, held by Hardy's brother Jeff. In the main event, Hardy attempted to interfere in Jeff's World Heavyweight Championship match with Mr. Anderson, but was stopped by Van Dam, which led to Jeff losing both the match and the championship. On the January 13 episode of Impact!, the Hardy Boyz reunited to defeat Anderson and Van Dam in a tag team match, following interference from Beer Money, Inc.. On February 13 at Against All Odds, Rob Van Dam defeated Hardy in a rematch. On the following episode of Impact!, Hardy, along with the rest of Immortal and Ric Flair, betrayed Fortune. On March 13 at Victory Road Hardy was defeated by Flair's previous protege, A.J. Styles. On April 17 at Lockdown, Immortal, represented by Hardy, Abyss, Bully Ray and Ric Flair, were defeated by Fortune members James Storm, Kazarian and Robert Roode and Christopher Daniels, who replaced an injured A.J. Styles, in a Lethal Lockdown match. On the April 21 episode of Impact!, Hardy faced Sting for the TNA World Heavyweight Championship, Hardy's first World Title match in TNA, but was defeated. The following month Hardy was granted a shot at the TNA World Tag Team Championship against Beer Money, Inc. (James Storm and Robert Roode). While the champions looked to defend the title against the Hardy Boyz, Matt instead introduced the returning Chris Harris, Storm's old tag team partner, as his partner for the title match. The match took place at Sacrifice, where Storm and Roode retained their title. On June 21, it was reported that TNA had suspended Hardy. On August 20, Hardy was released from TNA following a DUI arrest that occurred earlier that same day. CANNOTANSWER	On February 13 at Against All Odds, Rob Van Dam defeated Hardy in a rematch.	Matthew Moore Hardy (born September 23, 1974) is an American professional wrestler currently signed to All Elite Wrestling (AEW). He is also known for his time with WWE, Impact Wrestling, and Ring of Honor (ROH). With his real life brother Jeff, Hardy gained notoriety in WWF's tag team division during the 2000s due to his participation in TLC matches. He is a 14-time world tag team champion, having held the WWE World Tag Team Championship six times, the WWE Raw Tag Team Championship three times, the WWE SmackDown Tag Team Championship, ROH World Tag Team Championship, and WCW Tag Team Championship once each, and the TNA World Tag Team Championships twice. Wrestling through four separate decades, Hardy has kept himself relevant partially through a variety of different gimmicks and his use of social media. In 2002, Hardy began a solo career in WWE. His subsequent "Version 1" persona was named Best Gimmick by the Wrestling Observer Newsletter. Hardy's eccentric "Broken" gimmick, which he debuted in 2016 (and which was renamed "Woken" following his subsequent WWE return), garnered praise from wrestling critics and earned him multiple awards, including a second Best Gimmick award, becoming one of the most talked about characters in all of wrestling. As a singles wrestler, Hardy has won three world championships (one ECW Championship, and two TNA World Heavyweight Championships). All totaled between WWE, TNA/Impact, and ROH, Hardy has held 21 total championships. Early life Hardy was born in Cameron, North Carolina, the son of Gilbert and Ruby Moore Hardy. He is the older brother of Jeff Hardy. Their mother died of brain cancer in 1987. Hardy played baseball as a child and throughout high school, but had stopped by his senior year. He also played football, either as a linebacker or a defensive end. Hardy was a good student at Union Pines High School in North Carolina, and was a nominee for the "Morehead Award", a scholarship to any university in North Carolina. Hardy attended University of North Carolina at Charlotte, where he majored in engineering; after a year, however, he dropped out due to his father being ill. He then attended Sandhills Community College in Pinehurst to gain his associate degree. Professional wrestling career Early career (1992–2001) Hardy, along with his brother Jeff and friends, started their own federation, the Trampoline Wrestling Federation (TWF) and mimicked the moves they saw on television. Shortly after Hardy sent in a tape for the World Championship Wrestling (WCW) Amateur Challenge using the ring name High Voltage, a tag team named High Voltage began competing in WCW, causing Hardy to change his name to Surge. A few years later, it was revealed to him by Chris Kanyon that the tape had been kept in the WCW Power Plant, watched multiple times, and that the name High Voltage was blatantly stolen from it. Beginning in 1994, The Hardys wrestled for several North Carolina-based independent circuit promotions and adapted a number of alter-egos. As The Wolverine, Hardy captured the New England Wrestling Alliance (NEWA) Championship in May 1994. As High Voltage, he teamed with Venom to claim the New Frontier Wrestling Association (NFWA) Tag Team Championship in March 1995. A month later, High Voltage defeated the Willow for the NFWA Championship. In 1997, Matt and Jeff created their own wrestling promotion, The Organization of Modern Extreme Grappling Arts (frequently abbreviated to OMEGA Championship Wrestling, or simply OMEGA), in which Matt competed under the name High Voltage. Both Matt and Jeff took apart the ring and put it back together at every event they had, while Matt sewed all the costumes worn in OMEGA. The promotion folded in October 1999, after both Matt and Jeff signed with the World Wrestling Federation. World Wrestling Federation/Entertainment Early years (1994–1998) Hardy worked as a jobber for the World Wrestling Federation (WWF) from 1994 up until he signed a full-time contract in 1998. His first WWF match was against Nikolai Volkoff on the May 23, 1994 episode of Monday Night Raw, which he lost by submission. A night later at a taping of WWF Wrestling Challenge, he lost a match against Owen Hart. He continued to wrestle sporadically in the WWF throughout 1994 and 1995, losing matches against Crush, Razor Ramon, Hakushi, Owen Hart, the imposter Undertaker, Hunter Hearst Helmsley and "The Ringmaster" Steve Austin. Hardy teamed with Jeff for the first time in the WWF in 1996, losing to teams such as The Smoking Gunns and The Grimm Twins on WWF television. Matt and Jeff had a short lived feud with The Headbangers (Thrasher and Mosh), losing to the duo twice in 1997. It was during this time that Matt and Jeff experimented with different ring names, at one stage being called Ingus (Matt) and Wildo Jinx (Jeff). In Matt's final singles match for the promotion before signing a full-time contract he lost to Val Venis on a taping of Shotgun in 1998. The Hardy Boyz (1998–2001) It was not until 1998, however, (at the height of The Attitude Era) that the Hardy brothers were given full-time WWF contracts and sent to train with former wrestler Dory Funk, Jr. The Hardy Boyz used a cruiserweight, fast-paced high flying style in their matches, often leaping from great heights to do damage to their opponents (and themselves in the process). In 1999, while feuding with Edge and Christian, the duo briefly picked up Michael Hayes as a manager. At King of the Ring, The Hardyz defeated Edge and Christian to earn the #1 contendership for the WWF Tag Team Championship. On July 5, they defeated The APA to win their first Tag Team Championship. They soon dumped Hayes and briefly picked up Gangrel as a manager, after Gangrel turned on Edge and Christian. At No Mercy, The Hardyz defeated Edge and Christian in the first ever tag team ladder match. At the Royal Rumble pay-per-view, The Hardyz defeated The Dudley Boyz in the first ever tag team tables match. They competed against The Dudley Boyz and Edge and Christian for the Tag Team Championships at WrestleMania 2000 in the first ever Triangle Ladder match, but were unsuccessful. Hardy won the Hardcore Championship on April 24, 2000, on Raw Is War, by defeating Crash Holly, but lost it back to Holly three days later on SmackDown!, when Holly applied the "24/7 rule" during Hardy's title defense against Jeff. The Hardy Boyz then found a new manager in Matt's real-life girlfriend Lita. Together, the three became known as "Team Xtreme". The Hardy Boyz competed in the first ever Tables, Ladders, and Chairs match, for the WWF Tag Team Championship against The Dudley Boyz and Edge and Christian, but were unsuccessful. At Unforgiven, The Hardyz defeated Edge and Christian in a steel cage match to win the tag team championship, and successfully retained it the following night on Raw Is War against Edge and Christian in a ladder match. In April 2001, The Hardyz began feuding with Stone Cold Steve Austin and Triple H (known as The Power Trip), which also led to a singles push for both Matt and Jeff. Hardy helped Jeff defeat Triple H for the Intercontinental Championship, and shortly after Hardy defeated Eddie Guerrero to win the European Championship on SmackDown!. At Backlash he retained the title against Guerrero and Christian in a triple threat, and against Edge the following night on Raw. Throughout the year, the Hardy Boyz continued to win as a tag team, winning the WWF Tag Team Titles two more times, and the WCW Tag Team Championship during the Invasion. By the end of the year, the Hardy Boyz began a storyline where they were having trouble co-existing. This culminated in a match between the two, with Lita as the guest referee, at the Vengeance pay-per-view, which Jeff won. Hardy defeated Jeff and Lita the following night on Raw in a two-on-one handicap match. Version 1 gimmick and feud with Kane (2002–2004) At the beginning of 2002, it seemed Team Xtreme had patched things up. After the brand extension, however, Matt was relegated to Heat while Jeff wrestled on the main show, Raw. On the August 12 episode of Raw, Hardy turned heel by attacking Jeff during Jeff's match against Rob Van Dam, because Hardy was frustrated at not receiving a match against Van Dam for the number one contendership for the Intercontinental Championship. A short time later, Hardy joined the SmackDown! roster, and began dubbing himself "Matt Hardy: Version 1", complete with a "version 1" hand signal. Hardy defeated The Undertaker on the September 12 and October 3 episodes of the show, due to interference from Brock Lesnar. Along with his Mattitude Follower Shannon Moore in his corner, 2003 began with Hardy frantically trying to lose weight to get under the weight limit to compete for the Cruiserweight Championship. After just barely making weight, Hardy defeated Billy Kidman at No Way Out to win the Cruiserweight title. At WrestleMania XIX, he successfully defended it against Rey Mysterio. Hardy lost the Cruiserweight Championship to Mysterio in the main event of the June 5 episode of SmackDown! - the first and only time a Cruiserweight Championship match main evented a show. After dropping the Cruiserweight Championship, Hardy briefly feuded with Eddie Guerrero, but was unsuccessful in capturing Guerrero's United States Championship or WWE Tag Team Championship. The Mattitude faction then expanded to include Crash Holly as Moore's "Moore-on" (apprentice). He later disbanded the group in November and returned to Raw in order to be able to travel and work with his then girlfriend Lita, who just returned from an injury. On his first night back, he turned on Lita in storyline after teasing a proposal to her. He defeated Christian, who was vying for Lita's affections, on the following edition of Raw. In April 2004, Hardy saved Lita from getting attacked by Kane, turning face in the process. Hardy defeated Kane in a no disqualification match at Vengeance, but lost a "Till Death To Us Part" match against Kane at SummerSlam, resulting in Lita being forced to marry Kane. On the August 23 episode of Raw, Hardy was chokeslamed off the stage by Kane during the wedding. Hardy then spent almost a year off from wrestling due to a severe knee injury. Departure and sporadic appearances (2005) Along with his friend Rhyno, Hardy was released by WWE on April 11, 2005. Hardy's release was largely due to unprofessional conduct with social media after discovering that Lita was having a real-life affair with his best friend Edge. The public knowledge of the affair and Hardy's release led to Edge and Lita receiving jeers from the crowds at WWE events, often resulting in chants of "You screwed Matt!", and, "We want Matt!", which meant kayfabe storylines being affected considering that Lita was married to Kane at the time in kayfabe. Edge and Lita used the affair and fan backlash to become a hated on-screen couple, which led to Lita turning heel for the first time in over five years. Fans began a petition on the internet, wanting WWE to re-sign Hardy, and amassed over fifteen thousand signatures. Hardy released two character promotional vignettes, that he was planning to use before he was offered a new contract by WWE. Hardy called himself The Angelic Diablo with the tagline "the scar will become a symbol" in reference to the way in which he had been treated by Lita and WWE. On the June 20 episode of Raw, during the storyline wedding of Edge and Lita, Hardy's entrance music and video were played when the priest asked if anyone had a reason why Edge and Lita should not be wed. Independent circuit and Ring of Honor (2005) Following his WWE release, Matt returned to the independent circuit and wrestled several matches for the Allied Powers Wrestling Federation (APWF), International Wrestling Cartel (IWC) and Big Time Wrestling (BTW). Hardy appeared at a scheduled Ring of Honor (ROH) event on July 16, 2005, in Woodbridge, Connecticut where he defeated Christopher Daniels via submission. Hardy also cut a brief worked shoot promo where he criticized WWE and John Laurinaitis. Following his official return to WWE, Hardy was met with backlash following a match with Homicide from the fans at a subsequent ROH event, which Hardy won. The next day at his final ROH appearance, he lost to Roderick Strong. Return to WWE Feud with Edge (2005–2006) On July 11, 2005, on Raw, Hardy attacked Edge backstage and again later during Edge's match with Kane. Before being escorted out of the building by security, Hardy stated that Edge (calling him by his real name of "Adam") and Lita would pay for their actions and told fans that they could see him at Ring of Honor while security officials and event staff were trying to restrain him. Hardy also called out Johnny Ace as security had him in handcuffs taking him out of the arena. This caused an uproar amongst fans, who were confused and wondered if the whole thing was a work or a shoot. Similar occurrences repeated during the following two weeks. On the August 1 episode of Raw, Vince McMahon officially announced Hardy's return to WWE, adding that Hardy would face Edge at SummerSlam. Hardy made his in-ring return, defeating Snitsky on the August 8 Raw. Seconds after the victory, Hardy was attacked by Edge, and as he was being carried backstage, Matt counterattacked Edge in the locker room. On August 21 at SummerSlam, their match came to a premature end when Edge dropped Hardy onto the top of a ring post, causing him to bleed heavily. The referee ended the match on the grounds that Hardy could not continue, and Edge was declared the winner. After SummerSlam, the two continued feuding on Raw, including a Street Fight on August 29 that resulted in Hardy performing a Side Effect on Edge off the entrance stage and into electrical equipment below; the match ended in a no contest. At Unforgiven, Edge faced Hardy in a steel cage match. Hardy caught an interfering Lita with the Twist of Fate and won the match with a leg drop off the top of the cage. Hardy and Edge faced each other on October 3 at WWE Raw Homecoming in a Loser Leaves Raw ladder match. Edge's briefcase holding his Money in the Bank contract for his WWE Championship opportunity was suspended above the ring. The winner of the match received the contract and the loser was forced to leave Raw. Edge tied Hardy's arms in the ropes, and Lita trapped Hardy in a crucifix hold, leaving Hardy only able to watch Edge win. With his defeat at the hands of Edge, Hardy was moved to the SmackDown! brand where he re-debuted with a win over Simon Dean on October 21 in Reno, Nevada. One week later, Hardy won the fan vote to represent Team SmackDown! (alongside Rey Mysterio) to challenge Team Raw (Edge and Chris Masters) at Taboo Tuesday. Edge, however, refused to wrestle and sent Snitsky in place of him in the match, which Hardy and Mysterio won. Back on SmackDown!, Hardy started an angle with MNM (Johnny Nitro and Joey Mercury) and their manager Melina when Melina approached Hardy, seemingly wanting Hardy to join with her team. Hardy refused the offer, which led to him facing the tag team on several occasions with a variety of partners. On July 25, after the SmackDown! taping, Hardy was taken out of action after doctors found the remnants of the staph infection that had plagued him the previous year. He was sidelined until August 25 while he healed. Upon his return to action, Hardy feuded against childhood friend and reigning Cruiserweight Champion Gregory Helms. At No Mercy, in their home state, Hardy beat Helms in a non-title match. The two met again at Survivor Series, where Hardy's team won in a clean sweep. They wrestled one final match, a one time appearance in Booker T's Pro Wrestling Alliance (PWA) promotion, where Hardy defeated Helms in a North Carolina Street Fight. The Hardy Boyz reunion (2006–2007) On the November 21, 2006 episode of ECW on Sci Fi, Hardy and Jeff competed in a match together for the first time in almost five years, defeating The Full Blooded Italians. At December to Dismember, the Hardy Boyz issued an open challenge to any tag team who wanted to face them. MNM answered their challenge by reuniting at December to Dismember, a match won by the Hardy Boyz. At Armageddon, Hardy and Jeff competed against Paul London and Brian Kendrick, MNM, and Dave Taylor and William Regal in a Ladder match for the WWE Tag Team Championship but lost. Subsequently, he and Jeff feuded with MNM after the legitimate incident where they injured Mercury's face at Armageddon. This led to a long term rivalry, and at the Royal Rumble, Hardy and Jeff defeated MNM. Mercury and Hardy continued to feud on SmackDown! until Mercury was released from WWE on March 26. The night after WrestleMania 23 on Raw, the Hardys competed in a 10-team battle royal for the World Tag Team Championship. They won the titles for the sixth time from then WWE Champion John Cena and Shawn Michaels after last eliminating Lance Cade and Trevor Murdoch. This started a feud with Cade and Murdoch, and the Hardys successfully retained their World Tag Team Championship in their first title defense at Backlash. The Hardy Boyz also successfully retained their titles at Judgment Day against Cade and Murdoch. One month later at One Night Stand, they defeated The World's Greatest Tag Team to retain the titles in a Ladder match. The following night on Raw, Vince McMahon demanded that The Hardys once again defend their championships against Cade and Murdoch. The Hardys were defeated after Murdoch pushed Jeff's foot off the bottom rope during Cade's pinfall, causing the three count to continue. They invoked their rematch clause against Cade and Murdoch at Vengeance: Night of Champions, but were unsuccessful. Feud with MVP and championship reigns (2007–2009) On the July 6, 2007 episode of SmackDown!, Hardy won a non-title match against United States Champion Montel Vontavious Porter (MVP), which resulted in a feud between the two. Hardy was defeated by MVP at The Great American Bash for the United States Championship. MVP then claimed that he was "better than Hardy at everything", which led to a series of contests between Hardy and MVP, such as a basketball game, an arm wrestling contest, and a chess match which MVP "sneezed" on and ruined when Hardy put him in check. MVP challenged Hardy to a boxing match at Saturday Night's Main Event XXXV, however MVP was legitimately diagnosed with the heart condition Wolff-Parkinson-White syndrome. Since MVP was unable to compete, Hardy faced his replacement, former world champion boxer, Evander Holyfield. The match ended in a no contest after MVP entered the ring to verbally abuse Holyfield, who then knocked him out. MVP also challenged Hardy to a beer drinking contest at SummerSlam, but as revenge for what happened at SNME, Hardy allowed Stone Cold Steve Austin to replace him; Austin simply performed a stunner on MVP then kept drinking. After a segment involving MVP inadvertently choosing Hardy as his tag-team partner, Theodore Long promptly set up a match against Deuce 'n Domino for the WWE Tag Team Championship on the August 31 episode of SmackDown! which Hardy and MVP were able to win, therefore setting up Hardy's first reign as WWE Tag Team Champion. Hardy and MVP retained the titles at Unforgiven in a rematch against former champions Deuce 'n Domino. Hardy was scheduled to face MVP at Cyber Sunday, but due to a real-life head injury sustained on the October 26 episode of SmackDown!, he was not medically cleared to compete. As part of the storyline, Hardy continually asked MVP for a shot at the United States Championship but MVP refused stating that he was more focused on the Tag Team Championship. On the November 16 episode of SmackDown!, Hardy and MVP dropped the WWE Tag Team Championship to John Morrison and The Miz. Despite the fact that Hardy was hurt, MVP immediately invoked the rematch clause. After the rematch, in which Hardy was forced to tap out, MVP attacked Hardy, repeatedly targeting his knee. It was later confirmed by WWE.com that Hardy had suffered an injury at his former partner's hands and that he might not be able to compete at Survivor Series. Despite Hardy's absence at Survivor Series, his team was able to win the match. On November 21, WWE's official website reported that Hardy underwent an emergency appendectomy in Tampa, Florida after his appendix burst. Hardy made an appearance at the December 31 episode of Raw supporting his brother Jeff. To further Jeff's storyline with Randy Orton, however, Hardy was attacked by Orton. Hardy made his return at a live event in Muncie, Indiana on March 1, 2008. On March 30, 2008, at WrestleMania XXIV, during the Money in the Bank ladder match Hardy cut through the crowd and attacked MVP to prevent him from winning the match. He made his official in-ring return the next night on Raw, losing a singles match to WWE Champion Randy Orton. On the April 4 episode of SmackDown, Hardy faced MVP in a non-title match, which he won, re-igniting their storyline rivalry. On April 27, 2008, Hardy defeated MVP to win the United States Championship at Backlash, and successfully retained his title against MVP five days later on SmackDown. Hardy declared himself as a fighting champion that would take on all challenges, defending the United States championship against Shelton Benjamin, Elijah Burke, Chuck Palumbo, Mr. Kennedy, Chavo Guerrero and Umaga. Hardy was drafted to the ECW brand on the June 23, 2008 episode of Raw during the 2008 WWE Draft, in the process making the United States Championship exclusive to ECW. He dropped the United States Championship to Shelton Benjamin at the Great American Bash pay-per-view on July 20, 2008, which meant that the title returned to SmackDown. On the July 22 episode of ECW, Hardy became the number one contender to Mark Henry's ECW Championship after defeating John Morrison, The Miz and Finlay in a fatal four-way match. He won the title match at SummerSlam by disqualification due to interference from Henry's manager, Tony Atlas, thus he failed to win the title. Due to the ending of the pay-per-view match, Hardy received a rematch for the title on the next episode of ECW, but again failed to win the title when Henry pinned him after a distraction by Atlas. At Unforgiven, Hardy won the ECW Championship during the Championship scramble match, defeating then-champion Henry, The Miz, Finlay and Chavo Guerrero by pinning the Miz with three minutes left, marking his first world heavyweight championship win. He continued to feud with Henry until No Mercy, where Hardy successfully retained the title. Hardy lost the title to Jack Swagger on the January 13, 2009 episode of ECW, which was taped on January 12. Feud with Jeff Hardy and departure (2009–2010) At the 2009 Royal Rumble pay-per-view, after losing an ECW Championship rematch to Swagger, Hardy turned on his brother when he hit Jeff with a steel chair, allowing Edge to win the WWE Championship, turning heel in the process. On the January 27, 2009 episode of ECW, it was announced by General Manager Theodore Long that Hardy had requested, and been granted, his release from ECW and had re-signed with the SmackDown brand. As part of the buildup to this feud, Matt strongly implied that he was responsible for all of Jeff's accidents leading back to November, including an assault in a hotel stairwell that prevented Jeff from appearing at Survivor Series, an automobile accident where Jeff's car was run off the road, and a pyrotechnics malfunction where part of the pyro from Jeff's entrance was fired directly at Jeff, in an attempt to stop Jeff holding the WWE Championship. Despite Hardy's attempts to goad Jeff into fighting him, Jeff refused to fight his brother, but, on the March 6 episode of SmackDown, Jeff attacked him during a promo where Matt implied that he was also responsible for the fire that burned down Jeff's house, going so far as to reveal that he had in his possession a dog collar that supposedly belonged to Jeff's dog, Jack (who died in the fire), that he claimed to have salvaged from the wreckage of the house. At WrestleMania 25, Matt defeated Jeff in an Extreme Rules match, and in a stretcher match on the following episode of SmackDown. On the April 13 episode of Raw, Hardy was drafted to the Raw brand as part of the WWE draft. Despite the fact that the two were on different brands, he continued his feud with Jeff. Two weeks later, in a rematch from WrestleMania, Hardy lost to Jeff in an "I Quit" match at Backlash, in which he legitimately broke his hand. Hardy continued to wrestle with his hand in a cast, incorporating it into his persona and claiming that he was wrestling under protest. He reignited his feud with MVP on Raw for the United States Championship. He also formed a tag team with William Regal, and the two acted as henchmen for General Manager Vickie Guerrero. At the June 22 taping of WWE Superstars, Hardy suffered yet another injury, when his intestines went through his abdominal wall, during a triple threat match against MVP and Kofi Kingston. Hardy had suffered a tear in his abdominal muscle two years previously, but had not needed surgery until it worsened, and became a danger to his health. He was then traded back to the SmackDown brand on June 29, and underwent surgery for the torn abdominal muscle on July 2. He made his return on the August 7 episode of SmackDown as the special guest referee in the World Heavyweight Championship match between his brother, Jeff, and CM Punk, and helped Jeff retain the championship by counting the pinfall. The following week Hardy turned face again when he saved his brother when CM Punk and The Hart Dynasty attacked both Jeff and John Morrison. On the August 21 episode of SmackDown, after apologizing for his past actions towards Jeff and admitting that he was not behind any of Jeff's accidents, he had his first match back after his injury when he teamed with Jeff and John Morrison to defeat The Hart Dynasty and CM Punk, when Matt pinned Punk. In early 2010, Hardy began an on-screen relationship with Maria; but was brief and the relationship ended when Maria was released from her WWE contract. On the March 5 episode of SmackDown, Hardy qualified for the Money in the Bank ladder match at WrestleMania XXVI by defeating Drew McIntyre, but was unsuccessful at WrestleMania, as the match was won by Jack Swagger. Hardy was suspended by Vince McMahon because he attacked McIntyre after McIntyre lost to Kofi Kingston at Over the Limit. He was able to get his revenge on McIntyre during the Viewer's Choice episode of Raw when chosen as the opponent for McIntyre, with General Manager Theodore Long stating that Hardy was suspended from SmackDown, but not from Raw. On the following episode of SmackDown, however, Vickie Guerrero announced that, per orders of Vince McMahon, Hardy had been suspended from all WWE programming. However, at Fatal 4-Way, Hardy prevented McIntyre from regaining the Intercontinental Championship, thus continuing their feud. On the following edition of SmackDown, he was reinstated by Long and had a match with McIntyre, which Hardy won. After the match, it was announced that McIntyre's visa had legitimately expired and was sent back to Scotland, thus ending their feud. Hardy was featured in the SmackDown Money in the Bank ladder match but was unsuccessful in winning with Kane coming out victorious. On September 12, WWE confirmed they had sent Hardy home from a European tour. Following this, Hardy began posting videos on his YouTube channel expressing his disinterest in the WWE product and insisting that he wanted to be released from the company. On October 15, 2010, WWE announced that Hardy had been released from his contract. Hardy later stated that his release had been in effect two weeks before WWE made the announcement. Total Nonstop Action Wrestling (2011) On January 9, 2011, Hardy made his debut for Total Nonstop Action Wrestling (TNA) at the Genesis pay-per-view, as part of the stable Immortal. He was the surprise opponent for Rob Van Dam, and defeated him to prevent Van Dam from receiving a match for the TNA World Heavyweight Championship, held by Hardy's brother Jeff. In the main event, Hardy attempted to interfere in Jeff's World Heavyweight Championship match with Mr. Anderson, but was stopped by Van Dam, which led to Jeff losing both the match and the championship. On the January 13 episode of Impact!, the Hardy Boyz reunited to defeat Anderson and Van Dam in a tag team match, following interference from Beer Money, Inc. On February 13 at Against All Odds, Van Dam defeated Hardy in a rematch. On the following episode of Impact!, Hardy, along with the rest of Immortal and Ric Flair, betrayed Fortune. On March 13 at Victory Road, Hardy was defeated by Flair's previous protégé, A.J. Styles. On April 17 at Lockdown, Immortal, represented by Hardy, Abyss, Bully Ray and Ric Flair, were defeated by Fortune members James Storm, Kazarian and Robert Roode and Christopher Daniels, who replaced an injured A.J. Styles, in a Lethal Lockdown match. On the April 21 episode of Impact!, Hardy faced Sting for the TNA World Heavyweight Championship, Hardy's first World Title match in TNA, but was defeated. The following month, Hardy was granted a shot at the TNA World Tag Team Championship against Beer Money, Inc. (James Storm and Robert Roode). While the champions looked to defend the title against the Hardy Boyz, Matt instead introduced the returning Chris Harris, Storm's old tag team partner, as his partner for the title match. The match took place at Sacrifice, where Storm and Roode retained their titles. On June 21, it was reported that TNA had suspended Hardy. On August 20, Hardy was released from TNA following a DUI arrest that occurred earlier that same day. Return to the independent circuit (2011–2017) Hardy announced his retirement from full-time professional wrestling due to injuries on September 1, 2011. He issued a challenge to his long-time rival MVP, who was wrestling in Japan at the time, to one final match at "Crossfire Live!" in Nashville. The event was held May 19, 2012 and benefited the Make-A-Wish Foundation. Hardy won the match. Throughout 2012, Hardy wrestled sporadically on the independent circuit, working with promotions such as Mid Atlantic Championship Wrestling, Pro Wrestling Syndicate and Northeast Wrestling. On October 5, Hardy was defeated by Kevin Steen at Pro Wrestling Xperience's An Evil Twist of Fate. On November 11, Hardy, as the masked wrestler Rahway Reaper, defeated the Pro Wrestling Syndicate Kevin Matthews, winning the championship. On February 9, 2013, Hardy lost the Pro Wrestling Syndicate Championship back to Matthews. On February 16, 2013, at Family Wrestling Entertainment's No Limit, Hardy wrestled a TLC match for the FWE Heavyweight Championship against the champion Carlito and Tommy Dreamer, but he was defeated. On November 30, 2013, at WrestleCade, Hardy defeated Carlito to become the first ever WrestleCade Champion. On May 3, 2014, following a match between Christian York and Drolix, Hardy defeated Drolix to become the new MCW Heavyweight Champion. At Maryland Championship Wrestling's Shane Shamrock Cup, Hardy defeated Luke Hawx in a TLC match for Hardy's title and Hawx's Extreme Rising World title. Hardy won the match, but he gave back the title to Hawx. On October 4, Hardy lost the MCW Heavyweight Championship back to Drolix, following outside interference from Kevin Eck. On February 9, 2015, Hardy appeared on FWE's "No Limits 2015" iPPV, challenging Drew Galloway for the ICW World Heavyweight Championship, but was defeated. On November 28, 2015, Hardy lost the WrestleCade Championship to Jeff Jarrett at WrestleCade IV in Winston-Salem, North Carolina. Hardy regained the title in a triple-threat cage match against Jarrett and Ethan Carter III in Hickory, North Carolina on May 20, 2016. He appeared at the #DELETEWCPW event for What Culture Pro Wrestling (WCPW) in Nottingham, England on November 30. Hardy, billed as "Broken" Matt Hardy, lost a no-disqualification match to Bully Ray, with Ray proposing the no-disqualification stipulation at the last minute, and Hardy accepting there and then. Return to ROH (2012–2014) At Death Before Dishonor X: State of Emergency in 2012, Hardy returned to Ring of Honor, confronting Adam Cole and challenging him to a match for the ROH World Television Championship. On December 16 at Final Battle 2012: Doomsday, Hardy defeated Cole in a non-title match. At the following iPPV, 11th Anniversary Show on March 2, 2013, Hardy joined the villainous S.C.U.M. stable. On April 5 at the Supercard of Honor VII iPPV, Hardy unsuccessfully challenged Matt Taven for the ROH World Television Championship in a three-way elimination match, which also included Adam Cole. On June 22 at Best in the World 2013, Hardy defeated former S.C.U.M. stablemate Kevin Steen in a No Disqualification match to become the number one contender to the ROH World Championship. Hardy received his title shot at the following day's Ring of Honor Wrestling tapings, but was defeated by the defending champion, Jay Briscoe. Later that same day, S.C.U.M. was forced to disband after losing a Steel Cage Warfare match against Team ROH. On December 14, 2013, at Final Battle 2013, Hardy defeated Adam Page in a singles match; later on in the main event, Hardy aided Adam Cole in retaining his title and forming a tag team with him. After aiding Cole at Supercard of Honor VIII, Hardy was given Jay Briscoe's unofficial "Real World Title" belt, which he renamed the "ROH Iconic Championship". In July, Hardy opted out of his ROH contract and went back to TNA. Return to OMEGA (2013–2018) Matt announced that OMEGA would return in January 2013 with an event titled "Chinlock For Chuck". The main event featured Matt, Jeff, Shane "Hurricane" Helms and "Cowboy" James Storm defeating Gunner, Steve Corino, CW Anderson and Lodi. On October 12, 2013, at "Chapel Thrill", Hardy announced a Tournament for the OMEGA Heavyweight Championship which featured himself vs. CW Anderson and Shane "Hurricane" Helms vs. "The King" Shane Williams. After Hardy's qualifying match he was attacked by CW but was saved by the returning Willow the Whisp. Hardy won that match and advanced to the finals. On November 21, 2015, Matt won the OMEGA Heavyweight Championship for the second time, defeating former student Trevor Lee. Following this, Matt (upon regaining the TNA world title as part of his villainous egotistical "Iconic" gimmick) began proclaiming himself to be the only world champion that matters, and the only "true" world champion in wrestling, as he held both the TNA and OMEGA Championships, which (according to him) put him above any other promotions' world champions. Throughout 2016, Hardy defended the TNA and OMEGA titles jointly at OMEGA events as part of his "only true world champion" gimmick. On January 29, The Hardys won the OMEGA Tag Team Championships. Return to TNA The Hardys third reunion (2014–2015) On July 24, 2014, Hardy returned to TNA and reunited with Jeff to reform The Hardys for the third time. At the Destination X episode of Impact Wrestling, The Hardys were defeated by The Wolves in a match for the TNA World Tag Team Championship. On the August 14 episode of Impact Wrestling, Team 3D (formerly the Dudley Boyz) challenged The Hardys to a match, which Team 3D won. At the Hardcore Justice episode of Impact Wrestling, The Hardys and Team 3D talked about a match involving themselves and The Wolves. When The Wolves were asked by the two teams, they agreed. Later that night, Kurt Angle announced all three teams would compete in a best of three series for the TNA World Tag Team Championship with the winners of the first match choosing the stipulation of the next one. The Hardys won the second match of the series on the September 10 episode of Impact Wrestling in a tables match and choose a ladder match for the third match of the series. The Hardys were unsuccessful in winning that match on the September 17 episode of Impact Wrestling, as the Wolves won that match. The Wolves then went on to pick the final match of the series to be a Full Metal Mayhem match to take place on the October 8 episode of Impact Wrestling. The Hardys were unsuccessful in that match as the Wolves won that match. On October 22, The Hardys entered a number one contenders tournament for the TNA World Tag Team Championship defeating The BroMans (Jessie Godderz and DJ Z) in the first round of the tournament. On the October 29 episode of Impact Wrestling, The Hardys defeated Team Dixie (Ethan Carter III and Tyrus) in the semifinals to advance to the finals of the tournament, where they defeated Samoa Joe and Low Ki to become number one contenders for the TNA World Tag Team Championship. On the January 16, 2015 episode of Impact Wrestling, The Hardys defeated the Wolves. At the Lockdown episode of Impact Wrestling, The Hardys were defeated by The Revolution in a six sides of steel cage match for the TNA World Tag Team Championship. On the February 20 episode of Impact Wrestling, Hardy and The Wolves defeated The Revolution in a six-man tag team match. In March, The Hardys participated in a tournament for the vacant TNA World Tag Team Championship. On March 16, 2015, Matt and Jeff won an Ultimate X match for the titles. On May 8, 2015, Hardy vacated the TNA World Tag Team Championship due to his brother Jeff being injured. World Heavyweight Champion (2015–2016) On June 28, 2015, Hardy was among the five wrestlers who competed for the TNA King of the Mountain Championship at Slammiversary, with Jeff Jarrett ultimately emerging victorious. On the July 8 episode of Impact Wrestling, Hardy requested a world title shot against Ethan Carter III, but was denied and forced to face the Dirty Heels (Austin Aries and Bobby Roode) in a handicap match, which he lost. On the July 22 episode of Impact Wrestling, Hardy defeated Roode in a Tables match to become the #1 contender for the TNA World Heavyweight Championship. On the August 5 episode of Impact Wrestling, Hardy got his shot at the title against EC3 in a Full Metal Mayhem match, but failed to win the title. On the September 2 episode of Impact Wrestling, Hardy got another shot at the TNA World Heavyweight Championship against EC3, but again failed to win the title; as part of the storyline, Jeff Hardy was forced to act as Ethan Carter's personal assistant. On the September 30 episode of Impact Wrestling, Hardy was added to the Ethan Carter III vs. Drew Galloway main event match for the TNA World Heavyweight Championship at Bound for Glory after he and Galloway defeated Carter and Tyrus, making it a three-way match, following which Jeff, who EC3 had just "fired" in the previous episode, was revealed to be the special guest referee. On October 4 at Bound for Glory, Matt won the TNA World Heavyweight Championship by pinning Galloway. However, EC3 filed an injunction (kayfabe) that banned Hardy from appearing on Impact Wrestling for a month, which forced Hardy to relinquish the title in order to stay on the show. However, Hardy had been participating in the TNA World Title Series for the vacant title. He qualified to the round of 16 by defeating Davey Richards, Robbie E and Eddie Edwards. He then advanced to the round of 8 by defeating the King of the Mountain Champion Bobby Roode and then to Jessie Godderz to continue his winning streak. The semifinals and finals were held on the January 5, 2016, live episode of Impact Wrestling during its debut on Pop TV, in which he defeated Eric Young to advance to the final round. Hardy faced EC3 in the TNA World Title Series finals, but lost the match via pinfall. Hardy won the TNA World Title from EC3 on the January 19, 2016 episode of Impact Wrestling, becoming the first man to defeat him in a one-on-one match in TNA. During the match a double turn took place; Hardy turned heel after Tyrus betrayed EC3. The following week on Impact Wrestling, Jeff Hardy had confronted him about last week and issued a challenge to Matt for the World Heavyweight title in the main event and Matt accepted. However, later before the main event could begin, Eric Young and Bram attacked Jeff from behind. Kurt Angle then came out to try save Jeff, and Matt had Tyrus attack Angle from behind. While Matt watched from the ramp, Young attacked Jeff with the Piledriver off the apron through a table. The following week, he successfully retained his title against Angle. At Lockdown, he retained his title in a Six-side of steel match against Ethan Carter III, with the help of Rockstar Spud. He lost his title against Drew Galloway on the March 15 episode of Impact Wrestling, after a match featuring EC3 and Jeff Hardy. Two weeks later he received a rematch for the title on Impact Wrestling, but was again defeated by Galloway. After losing the title he started a feud with Jeff. On the April 19 episode of Impact Wrestling, and an I Quit match ended in a no-contest as both Matt and Jeff were badly injured and Matt was taken out to the hospital on a stretcher. The Broken Universe (2016–2017) Hardy returned on May 17 episode of Impact Wrestling, revealing himself to be one of the impostor Willows behind the attacks on Jeff. Later that night, he attacked Jeff. In the following weeks, Hardy debuted a new persona as a "Broken" man with part of his hair bleached blonde along with a strange sophisticated accent, blaming Jeff (who he began referring to as "Brother Nero", Nero being Jeff's middle name) for breaking him and becoming obsessed with "deleting" him. His line “Delete”, is mostly inspired by the Death Note manga/anime series character Teru Mikami. On June 12, at Slammiversary, Matt was defeated by Jeff in a Full Metal Mayhem match. On the June 21 episode of Impact Wrestling, Matt was once again defeated by Jeff in a Six Sides of Steel match. On the June 28 episode of Impact Wrestling, Matt challenged Jeff to a final battle with the Hardy brand on the line, to take place at their home in Cameron, North Carolina the next week. On July 5, during special episode "The Final Deletion", Matt defeated Jeff in the match to become sole owner of the Hardy brand, forcing Jeff to drop his last name and become referred to as "Brother Nero". On the August 18 episode of Impact Wrestling, Matt and Brother Nero defeated The Tribunal, The BroMans and The Helms Dynasty in an "Ascension To Hell" match for an opportunity to challenge Decay for the TNA World Tag Team Championship. On September 8, during special episode "Delete or Decay", the Hardys faced Decay in a match held at the Hardy compound, where Brother Nero sacrificed himself to save Matt from Abyss. Thanks to Brother Nero's sacrifice, Hardy was able to confront Rosemary and prevent his son Maxel from being abducted, which turned Hardy babyface as a result, and he furthered the face turn by healing Brother Nero in the Lake of Reincarnation. At Bound for Glory, the Hardys defeated Decay in "The Great War" to win the TNA World Tag Team Championship for the second time. On the October 6 episode of Impact Wrestling, they successfully defended their titles against Decay, in a Wolf Creek match. On the November 3 episode of Impact Wrestling, the Hardys successfully defended the titles against The Tribunal. After the match, the Hardys were attacked by the masked trio known as Death Crew Council (DCC). After accepting DCC's title challenge, The Hardys faced Bram and Kingston, and Matt pinned Kingston to retain the titles. On December 15, during special episode "Total Nonstop Deletion", they were once again successful in retaining. Brother Nero attacked Crazzy Steve with the Twist of Fate, who then fell into a volcano (that had appeared on the compound in the weeks leading up the event), and was shot up into the sky, landing in the ring. Matt then covered him to win the match. On the January 12, 2017 episode of Impact Wrestling, The Hardys successfully defended their titles against The Wolves. At Genesis, The Hardys retained their titles against the DCC and Decay in a three-way tag team match. On Open Fight Night, the Hardys began a storyline where they would teleport to different promotions and win that promotions' tag team championship gold, which was referred to by Matt as their "Expedition of Gold". On February 27, Hardy announced that both he and Jeff had finally left TNA, following years of speculation, with their contracts expiring that week. Though the two sides were reportedly close to a contract agreement, talks began to break down and changes in management prompted their departure from the company. The TNA World Tag Team Championships were vacated due to the Hardys' departure and was explained on TNA television in a segment where The Hardys teleported to their next Expedition of Gold destination, but a technicality resulted in them disappearing and the belts appearing in the arms of Decay. Broken gimmick legal battle Shortly after the departure of Matt and Jeff from TNA was made public, Matt's wife, Reby, went on a social media tirade in which she repeatedly slammed TNA, the company's new management and the way in which contract negotiations between the company and the Hardy family were conducted. A few weeks following this, the bad blood between the two sides intensified, so much so that the new management of TNA (now renamed Impact Wrestling) Anthem Sports & Entertainment issued a cease and desist letter to The Hardys' new promotion Ring of Honor (ROH), in which Anthem essentially ordered ROH as well as any broadcasting company airing ROH's 15th Anniversary pay–per–view show (on which The Hardys were to participate in a match) to not in any way speak of, indicate or acknowledge the existence of the Broken Matt and Brother Nero characters and instead to refer to The Hardys as simply Matt Hardy and Jeff Hardy. The issue with this is that while The Hardys were in TNA, they had full creative control over the Broken gimmick, with them even filming their own segments to air on TNA programming in some circumstances, thus making the Hardy family (in their belief) the owners of the Broken gimmick. It is believed that civil litigation will follow and a potential court hearing will take place regarding the outcome on who owns the Broken gimmick: Anthem or the Hardy family. Until then, the status of the Broken gimmick remains undecided. Despite this, Matt continues to use the Broken gimmick through his social media accounts, but neither he nor Jeff uses the Broken gimmick at any professional wrestling shows for ROH or on the independent circuit, presumably until the results of the expected legal proceedings have been finalized. Newly–appointed Impact Wrestling President Ed Nordholm credits the invention of and the vision behind the Broken gimmick to Jeremy Borash, Dave Lagana and Billy Corgan, and while Borash specifically had the most input into the gimmick of the three aside from Matt, the Hardy family deny that Borash was the sole person behind the gimmick. In November 2017, Impact Wrestling changed their policy, allowing all talent to retain complete ownership over their intellectual property, essentially forfeiting ownership of the "Broken" character to Hardy. On January 31, 2018, the legal battle officially concluded when Matt legally acquired ownership of all trademarks related to the Broken universe and the Broken gimmick, which includes 'Broken Matt', 'Brother Nero', 'Broken Brilliance' and 'Vanguard1'. International matches (2014–2015) On November 1, 2014, Hardy traveled to Japan to compete for Wrestle-1 at the promotions Keiji Muto 30th Anniversary Hold Out show in a triple threat match against Seiya Sanada and Tajiri, which he lost. On May 24, 2015, Hardy traveled to Mexico to compete as a team captain for Team TNA/Lucha Underground with teammates Mr. Anderson and Johnny Mundo at Lucha Libre AAA Worldwide's 2015 Lucha Libre World Cup pay–per–view show. In the quarter–final round, Team TNA/Lucha Underground faced Team Rest of the World (Drew Galloway, Angélico and El Mesías) to a 15-minute time limit draw, with Team TNA/Lucha Underground winning in overtime and advancing to the semi–final round. In the semi–final round, Team TNA/Lucha Underground defeated Team MexLeyendas (Blue Demon Jr., Dr. Wagner Jr. and El Solar) to advance to the final round. In the final round, Team TNA/Lucha Underground faced Dream Team (El Patrón Alberto, Myzteziz and Rey Mysterio Jr.) to a 15–minute time limit draw, with Dream Team winning both the match and the tournament in overtime with Hardy on the losing end of the final pinfall. Second return to ROH (2016–2017) On December 2, 2016, Hardy returned to ROH for the second time while still under contract with TNA, appearing at the promotions Final Battle pay-per-view show as Broken Matt, where a video message showed him addressing The Young Bucks (Matt Jackson and Nick Jackson) and The Briscoes (Jay Briscoe and Mark Briscoe). On March 4, 2017, in the same week that both Matt and Jeff were released from TNA, The Hardys defeated The Young Bucks in an impromptu match at ROH's 2017 installment of the company's Manhattan Mayhem show series to become the new ROH World Tag Team Champions for the first time. Moments after winning the titles, Hardy announced in a post-match promo that both he and Brother Nero (Jeff) had signed "the biggest ROH contracts in (the company's) history". It was later confirmed that the contracts were short-term, only for the "immediate future". On March 10, The Hardys successfully defended the ROH World Tag Team Championship for the first time at ROH's 15th Anniversary pay-per-view show against The Young Bucks and Roppongi Vice (Beretta and Rocky Romero) in a three-way Las Vegas tag team street fight match. Prior to the event, the Hardys had been sent a legal threat by Impact Wrestling regarding the use of the Broken Matt and Brother Nero gimmicks. The following night on March 11, The Hardys (not billed but using the Broken gimmicks anyway) once again retained the titles, this time against The Briscoes at a set of Ring of Honor Wrestling television tapings. The Hardys lost the titles back to The Young Bucks in a ladder match on April 1 at ROH's Supercard of Honor XI pay-per-view show, which would be the final ROH appearances for both Hardys in this tenure with the promotion. Second return to WWE (2017–2020) Feud with The Bar (2017) At the WrestleMania 33 pay-per-view on April 2, 2017, Hardy made his surprise return to WWE, along with his brother Jeff Hardy, being added as last-minute participants in the ladder match for the Raw Tag Team Championship, defeating Gallows and Anderson, Cesaro and Sheamus, and Enzo and Cass to win the Raw Tag Team Championship. Afterwards on Raw Talk, Hardy mentioned that The Hardy Boyz had successfully completed the Expedition of Gold, after winning the Raw Tag Team Championship. At Payback, The Hardy Boyz retained their championships against Cesaro and Sheamus, who attacked them after the match. The next night on Raw, Cesaro and Sheamus explained their actions, claiming the fans were more supportive of 'novelty acts' from the past like The Hardy Boyz, who they feel did not deserve to be in the match at WrestleMania 33. Subsequently, at Extreme Rules, The Hardy Boyz lost the titles against Cesaro and Sheamus in a steel cage match, and failed to regain it back the following month at the Great Balls of Fire event. Afterwards, it was revealed that Jeff had gotten injured and would be out for an estimated six months, thus Hardy began wrestling in singles matches. Woken Universe and storyline with Bray Wyatt (2017–2018) During his feud with Bray Wyatt, Hardy introduced his "Woken" gimmick, after Impact Wrestling dropped their claim to the gimmick and Hardy gained full ownership of it. Wyatt defeated Hardy at Raw 25 on January 22, 2018, and Hardy defeated Wyatt at Elimination Chamber on February 25. Their final match happened on the March 19 episode of Raw, dubbed The Ultimate Deletion, with Hardy winning after distractions from Señor Benjamin. Wyatt then disappeared after being thrown into the Lake of Reincarnation. At WrestleMania 34 on April 7, Hardy competed in the annual André the Giant Memorial Battle Royal, and won the match due to a distraction by the returning Wyatt. After WrestleMania, Hardy and Wyatt performed as a tag team, sometimes referred to as The Deleters of Worlds. They won a tournament for the vacant Raw Tag Team Championship, defeating Cesaro and Sheamus at the Greatest Royal Rumble event to win the title. However, they lost the titles at Extreme Rules to The B-Team (Bo Dallas and Curtis Axel). On the July 23 episode of Raw, Hardy and Wyatt received a rematch for the titles, but was again defeated by The B-Team. Following this, Hardy revealed that he was taking time off due to his back fusing with his pelvis, effectively disbanding the team. According to Hardy, the reason WWE disbanded the team was because he and Wyatt pitched several ideas to WWE to work with their characters. The Hardys fourth reunion and departure (2019–2020) After more than seven months of absence from television, Hardy returned on the February 26, 2019 episode of SmackDown Live, teaming with his brother Jeff to defeat The Bar (Cesaro and Sheamus). At WrestleMania 35 on April 7, Hardy competed in the André the Giant Memorial Battle Royal, but was eliminated by eventual winner, Braun Strowman. Two days later on SmackDown Live, The Hardy Boyz defeated The Usos to win the SmackDown Tag Team Championship. The reign only lasted 21 days (recognized as 20 days by WWE), as they had to vacate the title due to Jeff injuring his knee, this was explained in storyline as injuries afflicted by Lars Sullivan. After his brother Jeff's injury, Hardy began to appear on WWE programming less frequently. At Super ShowDown on June 7, Hardy competed in the 51-man Battle Royal, which was eventually won by Mansoor. From November to December, Hardy occasionally appeared on Raw, losing matches against superstars like Buddy Murphy, Drew McIntyre, Ricochet and Erick Rowan. On the February 10, 2020 episode of Raw, Hardy confronted Randy Orton about Orton's attack on Edge two weeks earlier. Hardy then got himself into a brawl with him moments after, and was viciously attacked by Orton. The following week on Raw, an injured Hardy appeared and was once again assaulted by Orton, which would be his final appearance in WWE. On March 2, Hardy announced his departure from WWE through his official YouTube channel, where Hardy said that while he's grateful towards the people behind the scenes, he said he is also on different pages with WWE as he feels he needs to have creative input and still has more to give. Later that day, WWE announced that his contract had expired. All Elite Wrestling Multiple personalities (2020–2021) Hardy made his All Elite Wrestling (AEW) debut on the March 18, 2020 episode of Dynamite, reverting to his "Broken" gimmick and being announced as the replacement for the kayfabe injured Nick Jackson on The Elite's team at Blood and Guts. However, the event was postponed to the following year due to the COVID-19 pandemic. On the May 6 episode of Dynamite, Hardy wrestled his first match with AEW, teaming up with Kenny Omega for a street fight against The Inner Circle's Chris Jericho and Sammy Guevara, and Hardy and Omega lost when Jericho pinned Omega. During this period, due to the lack of live audience, Hardy felt that the Broken character needs public, so he began to include several of his gimmicks, including Broken Matt Hardy, Big Money Matt, Matt Hardy V1, and Unkillable Matt Hardy, being referred to as "Multifarious" Matt Hardy. AEW president Tony Khan later admitted that he "wasn't a fan" of the Broken gimmick and much preferred more realistic presentations in wrestling. At Double or Nothing, Hardy teamed with The Elite to defeat The Inner Circle in the first ever Stadium Stampede match. During the match, Santana and Ortiz dunked Hardy in the stadium pool, which acted as a version of the Lake of Reincarnation, as Hardy kept cycling through his various gimmicks throughout his career when he surfaced. Hardy then feuded with Sammy Guevara, and after Hardy defeated Guevara in a Broken Rules match at All Out, Hardy took time off until he was cleared to return, due to an injury sustained during the match. On the September 16 episode of Dynamite, Hardy aligned with Private Party (Isiah Kassidy and Marq Quen) as their manager, but was attacked backstage before their match. The attacker was later revealed as Guevara and The Elite Deletion match was announced, which took place at The Hardy Compound in Cameron, North Carolina, where Hardy won. The Hardy Family Office (2021–present) Hardy then switched to his Big Money persona as he focused on managing Private Party. Over the following weeks, Hardy would display villainous tactics as he began cheating during matches much to Private Party's dismay. On the January 20, 2021 episode of Dynamite, Hardy and Private Party defeated Matt Sydal and Top Flight (Dante Martin and Darius Martin) after using a steel chair before attacking Sydal and Top Flight afterwards, thus turning heel. Hardy then approached Adam Page to accompany and befriend him, and during tag team matches, Hardy would always tag himself in and pick up the victory for his team to Page's behest. After Page set up a match between Hardy and himself, Hardy double-crossed Page, with Private Party and The Hybrid 2 (Angélico and Jack Evans) attacking Page until The Dark Order came out to save him. At the Revolution event, Hardy lost to Page despite multiple interferences from Private Party. Following Revolution, Hardy became the manager for The Butcher and The Blade (with their valet The Bunny in tow), and along with Private Party, the stable became known as the Matt Hardy Empire before settling on the name Hardy Family Office. Hardy also added The Hybrid 2 to his group in July having previously hiring them on a mercenary basis. At Double or Nothing, Hardy competed in Casino Battle Royale but was eliminated by Christian Cage. This led to a match between the two at Fyter Fest, where Hardy lost to Cage. In August, Matt Hardy and HFO began a feud with Orange Cassidy and Best Friends, which led to a match on the August 25 episode of Dynamite, where Hardy was defeated by Cassidy. However, on the November 12 episode of Rampage, Hardy defeated Cassidy in a Lumberjack match, thanks to an interference from HFO and the heel lumberjacks. Their feud ended on the November 17 episode of Dynamite where his team of The Butcher and The Blade lost to the team of Cassidy and Tomohiro Ishii, where Cassidy gave a crossbody to the interfering Hardy and The Blade during the match. Professional wrestling style and persona After the creation of his Broken character, Hardy was praised by several wrestlers and critics for reinventing himself several times during his career. During his career, Hardy has won the Wrestling Observer Newsletter Best Gimmick award two times under two different characters, once in 2002 and again in 2016. Personal life Hardy was in a six-year relationship with wrestler Amy Dumas, better known as Lita. They first met in January 1999 at a NWA Mid-Atlantic show but did not begin dating until a few months later. They broke up in February 2005 when he discovered that she was having an affair with one of Hardy's close friends, fellow wrestler Adam Copeland, better known as Edge. Hardy also dated WWE wrestler Ashley Massaro. Hardy married wrestler Rebecca Reyes, better known as Reby Sky, on October 5, 2013. They have three sons and one daughter. Hardy had previously been an addict, and credits his wife for helping him get clean. Hardy is good friends with fellow wrestlers Marty Garner, Shannon Moore, and Gregory Helms. In December 2020, he claimed to have Native American ancestry. Legal issues Hardy was arrested for a DUI on August 20, 2011. Two days later, he was arrested on felony drug charges when police found steroids in his home. In November 2011, Hardy was removed from court-ordered rehab and sent back to jail for drinking. In January 2014, Hardy and his wife were both arrested after a fight at a hotel. Other media In 1999, Matt, along with his brother Jeff, appeared as an uncredited wrestler on That '70s Show episode "That Wrestling Show". Matt and Jeff also appeared on Tough Enough in early 2001, talking to and wrestling the contestants. He appeared in the February 25, 2002 episode of Fear Factor competing against five other World Wrestling Federation wrestlers, including his brother. He won $50,000 for the American Cancer Society. Hardy also appeared on the October 13, 2009 episode of Scare Tactics, as a mental patient who threatens to attack the prank's victim. In 2001, Matt, Jeff, and Lita appeared in Rolling Stone magazine's 2001 Sports Hall of Fame issue. In 2003, Matt and Jeff, with the help of Michael Krugman, wrote and published their autobiography The Hardy Boyz: Exist 2 Inspire. As part of WWE, Matt appeared in their DVD, The Hardy Boyz: Leap of Faith in 2001. On April 29, 2008, WWE released Twist of Fate: The Matt and Jeff Hardy Story. The DVD featured footage of the brothers in OMEGA and WWE. Hardy also appears on The Hardy Show, an Internet web show which features the Hardys, Shannon Moore, and many of their friends. Hardy plays himself in the 2013 film Pro Wrestlers vs Zombies in which he and his real-life wife Reby Sky battle the undead. Hardy's first WWE video game was WWF WrestleMania 2000 in 1999 on the Nintendo 64 shortly followed by WWF SmackDown! in early 2000 on the PlayStation. He made several appearances later in WWF SmackDown! 2: Know Your Role, WWF SmackDown! Just Bring It, WWE SmackDown! Shut Your Mouth, WWE SmackDown! Here Comes the Pain, and WWE SmackDown vs. Raw. He later returned to the series in WWE SmackDown vs. Raw 2007, WWE SmackDown vs. Raw 2008, WWE SmackDown vs. Raw 2009, WWE SmackDown vs. Raw 2010, and WWE SmackDown vs. Raw 2011, which was his last WWE video game before his departure to TNA. Following his return to WWE in 2017, he was revealed as a DLC character in WWE 2K18 on September 25 that year alongside tag team partner and brother, Jeff Hardy. Hardy was revealed as a playable character in WWE 2K19 on August 30, 2018. His final appearance in a WWE video game came with WWE 2K20 in 2019. Filmography Championships and accomplishments All Elite Wrestling Dynamite Award (1 time) "Bleacher Report PPV Moment of the Year" (2021) – Stadium Stampede match (The Elite vs. The Inner Circle) – Double or Nothing (May 23) All Star Wrestling (West Virginia) ASW Tag Team Championship (1 time) – with Brother Nero CBS Sports Worst Moment of the Year (2020) vs. Sammy Guevara at All Out (2020) The Crash The Crash Tag Team Championship (1 time) – with Brother Nero Future Stars of Wrestling FSW Heavyweight Championship (1 time) House of Glory HOG Tag Team Championship (1 time) – with Jeff Hardy Maryland Championship Wrestling/MCW Pro Wrestling MCW Heavyweight Championship (1 time) MCW Tag Team Championship (1 time) – with Jeff Hardy Extreme Rising World Championship (1 time) National Championship Wrestling NCW Heavyweight Championship (1 time) NCW Light Heavyweight Championship (1 time) New Dimension Wrestling NDW Light Heavyweight Championship (1 time) NDW Tag Team Championship (1 time) – with Jeff Hardy New England Wrestling Alliance NEWA Heavyweight Championship (1 time) NEWA Hall of Fame (class of 2012) New Frontier Wrestling Association NFWA Heavyweight Championship (1 time) NFWA Tag Team Championship (1 time) – with Venom NWA 2000 NWA 2000 Tag Team Championship (1 time) – with Jeff Hardy OMEGA Championship Wrestling OMEGA Heavyweight Championship (2 times) OMEGA Tag Team Championship (2 times) – with Brother Nero/Jeff Hardy Pro Wrestling Illustrated Comeback of the Year (2017) with Jeff Hardy Feud of the Year (2005) vs. Edge and Lita Match of the Year (2000) with Jeff Hardy vs. The Dudley Boyz and Edge and Christian in a triangle ladder match at WrestleMania 2000 Match of the Year (2001) with Jeff Hardy vs. The Dudley Boyz and Edge and Christian in a Tables, Ladders and Chairs match at WrestleMania X-Seven Tag Team of the Year (2000) with Jeff Hardy Ranked No. 17 of the top 500 singles wrestlers in the PWI 500 in 2003 Pro Wrestling Syndicate PWS Heavyweight Championship (1 time) Remix Pro Wrestling Remix Pro Tag Team Championship (1 time) – with Facade Ring of Honor ROH World Tag Team Championship (1 time) – with Jeff Hardy Holy S*** Moment of the Decade (2010s) – – with Jeff Hardy Total Nonstop Action Wrestling TNA World Heavyweight Championship (2 times) TNA World Tag Team Championship (2 times) – with Jeff Hardy/Brother Nero TNA World Tag Team Championship Tournament (2015) – with Jeff Hardy TNA World Tag Team Championship #1 Contender Tournament (2014) – with Jeff Hardy WrestleCade WrestleCade Championship (2 times) Wrestling Observer Newsletter Best Gimmick (2002, 2016) Worst Feud of the Year (2004) with Lita vs. Kane Wrestling Superstar Wrestling Superstar Tag Team Championship (1 time) – with Jeff Hardy WWE/World Wrestling Entertainment/Federation ECW Championship (1 time) WWF Hardcore Championship (1 time) WWF European Championship (1 time) WWE United States Championship (1 time) WWE Cruiserweight Championship (1 time) WWF/World Tag Team Championship (6 times) – with Jeff Hardy WWE SmackDown Tag Team Championship (1 time) – with Jeff Hardy WWE Raw Tag Team Championship (3 times) – with Montel Vontavious Porter (1) Jeff Hardy (1) and Bray Wyatt (1) WCW Tag Team Championship (1 time) – with Jeff Hardy André the Giant Memorial Trophy (2018) Bragging Rights Trophy (2009) – with Team SmackDown Terri Invitational Tournament (1999) – with Jeff Hardy WWE Tag Team Eliminator (2018) - with Bray Wyatt Luchas de Apuestas record Notes References Sources External links 1974 births All Elite Wrestling personnel American bloggers American male professional wrestlers American YouTubers Male YouTubers ECW champions ECW Heavyweight Champions/ECW World Heavyweight Champions Living people NWA/WCW/WWE United States Heavyweight Champions Participants in American reality television series Professional wrestlers from North Carolina Professional wrestling managers and valets Reality show winners Sportspeople from Raleigh, North Carolina TNA World Heavyweight/Impact World Champions TNA/Impact World Tag Team Champions Twitch (service) streamers University of North Carolina at Charlotte alumni WWF European Champions WWF/WWE Hardcore Champions	false	[ "Přírodní park Třebíčsko (before Oblast klidu Třebíčsko) is a natural park near Třebíč in the Czech Republic. There are many interesting plants. The park was founded in 1983.\n\nKobylinec and Ptáčovský kopeček\n\nKobylinec is a natural monument situated ca 0,5 km from the village of Trnava.\nThe area of this monument is 0,44 ha. Pulsatilla grandis can be found here and in the Ptáčovský kopeček park near Ptáčov near Třebíč. Both monuments are very popular for tourists.\n\nPonds\n\nIn the natural park there are some interesting ponds such as Velký Bor, Malý Bor, Buršík near Přeckov and a brook Březinka. Dams on the brook are examples of European beaver activity.\n\nSyenitové skály near Pocoucov\n\nSyenitové skály (rocks of syenit) near Pocoucov is one of famed locations. There are interesting granite boulders. The area of the reservation is 0,77 ha.\n\nExternal links\nParts of this article or all article was translated from Czech. The original article is :cs:Přírodní park Třebíčsko.\n\nReferences\n\nExternal links\nNature near the village Trnava which is there\n\nTřebíč\nParks in the Czech Republic\nTourist attractions in the Vysočina Region", "Damn Interesting is an independent website founded by Alan Bellows in 2005. The website presents true stories from science, history, and psychology, primarily as long-form articles, often illustrated with original artwork. Works are written by various authors, and published at irregular intervals. The website openly rejects advertising, relying on reader and listener donations to cover operating costs.\n\nAs of October 2012, each article is also published as a podcast under the same name. In November 2019, a second podcast was launched under the title Damn Interesting Week, featuring unscripted commentary on an assortment of news articles featured on the website's \"Curated Links\" section that week. In mid-2020, a third podcast called Damn Interesting Curio Cabinet began highlighting the website's periodic short-form articles in the same radioplay format as the original podcast.\n\nIn July 2009, Damn Interesting published the print book Alien Hand Syndrome through Workman Publishing. It contains some favorites from the site and some exclusive content.\n\nAwards and recognition \nIn August 2007, PC Magazine named Damn Interesting one of the \"Top 100 Undiscovered Web Sites\".\nThe article \"The Zero-Armed Bandit\" by Alan Bellows won a 2015 Sidney Award from David Brooks in The New York Times.\nThe article \"Ghoulish Acts and Dastardly Deeds\" by Alan Bellows was cited as \"nonfiction journalism from 2017 that will stand the test of time\" by Conor Friedersdorf in The Atlantic.\nThe article \"Dupes and Duplicity\" by Jennifer Lee Noonan won a 2020 Sidney Award from David Brooks in the New York Times.\n\nAccusing The Dollop of plagiarism \n\nOn July 9, 2015, Bellows posted an open letter accusing The Dollop, a comedy podcast about history, of plagiarism due to their repeated use of verbatim text from Damn Interesting articles without permission or attribution. Dave Anthony, the writer of The Dollop, responded on reddit, admitting to using Damn Interesting content, but claiming that the use was protected by fair use, and that \"historical facts are not copyrightable.\" In an article about the controversy on Plagiarism Today, Jonathan Bailey concluded, \"Any way one looks at it, The Dollop failed its ethical obligations to all of the people, not just those writing for Damn Interesting, who put in the time, energy and expertise into writing the original content upon which their show is based.\"\n\nReferences\n\nExternal links \n Official website\n\n2005 podcast debuts" ]
[ "Matt Hardy", "Total Nonstop Action Wrestling (2011)", "Who did he fight?", "He was the surprise opponent for Rob Van Dam,", "Who won that match?", "defeated him to prevent Van Dam from receiving a match", "Was there anything else significant about that particular match?", "defeated him to prevent Van Dam from receiving a match for the TNA World Heavyweight Championship,", "Are there any other interesting aspects about this article?", "On February 13 at Against All Odds, Rob Van Dam defeated Hardy in a rematch." ]	C_e23d3e73411842f49937f27ba3aa0993_0	Who else did he fight in 2011?	5	Who else did Matt Hardy fight in 2011 besides Rob Van Dam?	Matt Hardy	On January 9, 2011, Hardy made his debut for Total Nonstop Action Wrestling (TNA) at the Genesis pay-per-view, as part of the stable Immortal. He was the surprise opponent for Rob Van Dam, and defeated him to prevent Van Dam from receiving a match for the TNA World Heavyweight Championship, held by Hardy's brother Jeff. In the main event, Hardy attempted to interfere in Jeff's World Heavyweight Championship match with Mr. Anderson, but was stopped by Van Dam, which led to Jeff losing both the match and the championship. On the January 13 episode of Impact!, the Hardy Boyz reunited to defeat Anderson and Van Dam in a tag team match, following interference from Beer Money, Inc.. On February 13 at Against All Odds, Rob Van Dam defeated Hardy in a rematch. On the following episode of Impact!, Hardy, along with the rest of Immortal and Ric Flair, betrayed Fortune. On March 13 at Victory Road Hardy was defeated by Flair's previous protege, A.J. Styles. On April 17 at Lockdown, Immortal, represented by Hardy, Abyss, Bully Ray and Ric Flair, were defeated by Fortune members James Storm, Kazarian and Robert Roode and Christopher Daniels, who replaced an injured A.J. Styles, in a Lethal Lockdown match. On the April 21 episode of Impact!, Hardy faced Sting for the TNA World Heavyweight Championship, Hardy's first World Title match in TNA, but was defeated. The following month Hardy was granted a shot at the TNA World Tag Team Championship against Beer Money, Inc. (James Storm and Robert Roode). While the champions looked to defend the title against the Hardy Boyz, Matt instead introduced the returning Chris Harris, Storm's old tag team partner, as his partner for the title match. The match took place at Sacrifice, where Storm and Roode retained their title. On June 21, it was reported that TNA had suspended Hardy. On August 20, Hardy was released from TNA following a DUI arrest that occurred earlier that same day. CANNOTANSWER	On March 13 at Victory Road Hardy was defeated by Flair's previous protege, A.J. Styles.	Matthew Moore Hardy (born September 23, 1974) is an American professional wrestler currently signed to All Elite Wrestling (AEW). He is also known for his time with WWE, Impact Wrestling, and Ring of Honor (ROH). With his real life brother Jeff, Hardy gained notoriety in WWF's tag team division during the 2000s due to his participation in TLC matches. He is a 14-time world tag team champion, having held the WWE World Tag Team Championship six times, the WWE Raw Tag Team Championship three times, the WWE SmackDown Tag Team Championship, ROH World Tag Team Championship, and WCW Tag Team Championship once each, and the TNA World Tag Team Championships twice. Wrestling through four separate decades, Hardy has kept himself relevant partially through a variety of different gimmicks and his use of social media. In 2002, Hardy began a solo career in WWE. His subsequent "Version 1" persona was named Best Gimmick by the Wrestling Observer Newsletter. Hardy's eccentric "Broken" gimmick, which he debuted in 2016 (and which was renamed "Woken" following his subsequent WWE return), garnered praise from wrestling critics and earned him multiple awards, including a second Best Gimmick award, becoming one of the most talked about characters in all of wrestling. As a singles wrestler, Hardy has won three world championships (one ECW Championship, and two TNA World Heavyweight Championships). All totaled between WWE, TNA/Impact, and ROH, Hardy has held 21 total championships. Early life Hardy was born in Cameron, North Carolina, the son of Gilbert and Ruby Moore Hardy. He is the older brother of Jeff Hardy. Their mother died of brain cancer in 1987. Hardy played baseball as a child and throughout high school, but had stopped by his senior year. He also played football, either as a linebacker or a defensive end. Hardy was a good student at Union Pines High School in North Carolina, and was a nominee for the "Morehead Award", a scholarship to any university in North Carolina. Hardy attended University of North Carolina at Charlotte, where he majored in engineering; after a year, however, he dropped out due to his father being ill. He then attended Sandhills Community College in Pinehurst to gain his associate degree. Professional wrestling career Early career (1992–2001) Hardy, along with his brother Jeff and friends, started their own federation, the Trampoline Wrestling Federation (TWF) and mimicked the moves they saw on television. Shortly after Hardy sent in a tape for the World Championship Wrestling (WCW) Amateur Challenge using the ring name High Voltage, a tag team named High Voltage began competing in WCW, causing Hardy to change his name to Surge. A few years later, it was revealed to him by Chris Kanyon that the tape had been kept in the WCW Power Plant, watched multiple times, and that the name High Voltage was blatantly stolen from it. Beginning in 1994, The Hardys wrestled for several North Carolina-based independent circuit promotions and adapted a number of alter-egos. As The Wolverine, Hardy captured the New England Wrestling Alliance (NEWA) Championship in May 1994. As High Voltage, he teamed with Venom to claim the New Frontier Wrestling Association (NFWA) Tag Team Championship in March 1995. A month later, High Voltage defeated the Willow for the NFWA Championship. In 1997, Matt and Jeff created their own wrestling promotion, The Organization of Modern Extreme Grappling Arts (frequently abbreviated to OMEGA Championship Wrestling, or simply OMEGA), in which Matt competed under the name High Voltage. Both Matt and Jeff took apart the ring and put it back together at every event they had, while Matt sewed all the costumes worn in OMEGA. The promotion folded in October 1999, after both Matt and Jeff signed with the World Wrestling Federation. World Wrestling Federation/Entertainment Early years (1994–1998) Hardy worked as a jobber for the World Wrestling Federation (WWF) from 1994 up until he signed a full-time contract in 1998. His first WWF match was against Nikolai Volkoff on the May 23, 1994 episode of Monday Night Raw, which he lost by submission. A night later at a taping of WWF Wrestling Challenge, he lost a match against Owen Hart. He continued to wrestle sporadically in the WWF throughout 1994 and 1995, losing matches against Crush, Razor Ramon, Hakushi, Owen Hart, the imposter Undertaker, Hunter Hearst Helmsley and "The Ringmaster" Steve Austin. Hardy teamed with Jeff for the first time in the WWF in 1996, losing to teams such as The Smoking Gunns and The Grimm Twins on WWF television. Matt and Jeff had a short lived feud with The Headbangers (Thrasher and Mosh), losing to the duo twice in 1997. It was during this time that Matt and Jeff experimented with different ring names, at one stage being called Ingus (Matt) and Wildo Jinx (Jeff). In Matt's final singles match for the promotion before signing a full-time contract he lost to Val Venis on a taping of Shotgun in 1998. The Hardy Boyz (1998–2001) It was not until 1998, however, (at the height of The Attitude Era) that the Hardy brothers were given full-time WWF contracts and sent to train with former wrestler Dory Funk, Jr. The Hardy Boyz used a cruiserweight, fast-paced high flying style in their matches, often leaping from great heights to do damage to their opponents (and themselves in the process). In 1999, while feuding with Edge and Christian, the duo briefly picked up Michael Hayes as a manager. At King of the Ring, The Hardyz defeated Edge and Christian to earn the #1 contendership for the WWF Tag Team Championship. On July 5, they defeated The APA to win their first Tag Team Championship. They soon dumped Hayes and briefly picked up Gangrel as a manager, after Gangrel turned on Edge and Christian. At No Mercy, The Hardyz defeated Edge and Christian in the first ever tag team ladder match. At the Royal Rumble pay-per-view, The Hardyz defeated The Dudley Boyz in the first ever tag team tables match. They competed against The Dudley Boyz and Edge and Christian for the Tag Team Championships at WrestleMania 2000 in the first ever Triangle Ladder match, but were unsuccessful. Hardy won the Hardcore Championship on April 24, 2000, on Raw Is War, by defeating Crash Holly, but lost it back to Holly three days later on SmackDown!, when Holly applied the "24/7 rule" during Hardy's title defense against Jeff. The Hardy Boyz then found a new manager in Matt's real-life girlfriend Lita. Together, the three became known as "Team Xtreme". The Hardy Boyz competed in the first ever Tables, Ladders, and Chairs match, for the WWF Tag Team Championship against The Dudley Boyz and Edge and Christian, but were unsuccessful. At Unforgiven, The Hardyz defeated Edge and Christian in a steel cage match to win the tag team championship, and successfully retained it the following night on Raw Is War against Edge and Christian in a ladder match. In April 2001, The Hardyz began feuding with Stone Cold Steve Austin and Triple H (known as The Power Trip), which also led to a singles push for both Matt and Jeff. Hardy helped Jeff defeat Triple H for the Intercontinental Championship, and shortly after Hardy defeated Eddie Guerrero to win the European Championship on SmackDown!. At Backlash he retained the title against Guerrero and Christian in a triple threat, and against Edge the following night on Raw. Throughout the year, the Hardy Boyz continued to win as a tag team, winning the WWF Tag Team Titles two more times, and the WCW Tag Team Championship during the Invasion. By the end of the year, the Hardy Boyz began a storyline where they were having trouble co-existing. This culminated in a match between the two, with Lita as the guest referee, at the Vengeance pay-per-view, which Jeff won. Hardy defeated Jeff and Lita the following night on Raw in a two-on-one handicap match. Version 1 gimmick and feud with Kane (2002–2004) At the beginning of 2002, it seemed Team Xtreme had patched things up. After the brand extension, however, Matt was relegated to Heat while Jeff wrestled on the main show, Raw. On the August 12 episode of Raw, Hardy turned heel by attacking Jeff during Jeff's match against Rob Van Dam, because Hardy was frustrated at not receiving a match against Van Dam for the number one contendership for the Intercontinental Championship. A short time later, Hardy joined the SmackDown! roster, and began dubbing himself "Matt Hardy: Version 1", complete with a "version 1" hand signal. Hardy defeated The Undertaker on the September 12 and October 3 episodes of the show, due to interference from Brock Lesnar. Along with his Mattitude Follower Shannon Moore in his corner, 2003 began with Hardy frantically trying to lose weight to get under the weight limit to compete for the Cruiserweight Championship. After just barely making weight, Hardy defeated Billy Kidman at No Way Out to win the Cruiserweight title. At WrestleMania XIX, he successfully defended it against Rey Mysterio. Hardy lost the Cruiserweight Championship to Mysterio in the main event of the June 5 episode of SmackDown! - the first and only time a Cruiserweight Championship match main evented a show. After dropping the Cruiserweight Championship, Hardy briefly feuded with Eddie Guerrero, but was unsuccessful in capturing Guerrero's United States Championship or WWE Tag Team Championship. The Mattitude faction then expanded to include Crash Holly as Moore's "Moore-on" (apprentice). He later disbanded the group in November and returned to Raw in order to be able to travel and work with his then girlfriend Lita, who just returned from an injury. On his first night back, he turned on Lita in storyline after teasing a proposal to her. He defeated Christian, who was vying for Lita's affections, on the following edition of Raw. In April 2004, Hardy saved Lita from getting attacked by Kane, turning face in the process. Hardy defeated Kane in a no disqualification match at Vengeance, but lost a "Till Death To Us Part" match against Kane at SummerSlam, resulting in Lita being forced to marry Kane. On the August 23 episode of Raw, Hardy was chokeslamed off the stage by Kane during the wedding. Hardy then spent almost a year off from wrestling due to a severe knee injury. Departure and sporadic appearances (2005) Along with his friend Rhyno, Hardy was released by WWE on April 11, 2005. Hardy's release was largely due to unprofessional conduct with social media after discovering that Lita was having a real-life affair with his best friend Edge. The public knowledge of the affair and Hardy's release led to Edge and Lita receiving jeers from the crowds at WWE events, often resulting in chants of "You screwed Matt!", and, "We want Matt!", which meant kayfabe storylines being affected considering that Lita was married to Kane at the time in kayfabe. Edge and Lita used the affair and fan backlash to become a hated on-screen couple, which led to Lita turning heel for the first time in over five years. Fans began a petition on the internet, wanting WWE to re-sign Hardy, and amassed over fifteen thousand signatures. Hardy released two character promotional vignettes, that he was planning to use before he was offered a new contract by WWE. Hardy called himself The Angelic Diablo with the tagline "the scar will become a symbol" in reference to the way in which he had been treated by Lita and WWE. On the June 20 episode of Raw, during the storyline wedding of Edge and Lita, Hardy's entrance music and video were played when the priest asked if anyone had a reason why Edge and Lita should not be wed. Independent circuit and Ring of Honor (2005) Following his WWE release, Matt returned to the independent circuit and wrestled several matches for the Allied Powers Wrestling Federation (APWF), International Wrestling Cartel (IWC) and Big Time Wrestling (BTW). Hardy appeared at a scheduled Ring of Honor (ROH) event on July 16, 2005, in Woodbridge, Connecticut where he defeated Christopher Daniels via submission. Hardy also cut a brief worked shoot promo where he criticized WWE and John Laurinaitis. Following his official return to WWE, Hardy was met with backlash following a match with Homicide from the fans at a subsequent ROH event, which Hardy won. The next day at his final ROH appearance, he lost to Roderick Strong. Return to WWE Feud with Edge (2005–2006) On July 11, 2005, on Raw, Hardy attacked Edge backstage and again later during Edge's match with Kane. Before being escorted out of the building by security, Hardy stated that Edge (calling him by his real name of "Adam") and Lita would pay for their actions and told fans that they could see him at Ring of Honor while security officials and event staff were trying to restrain him. Hardy also called out Johnny Ace as security had him in handcuffs taking him out of the arena. This caused an uproar amongst fans, who were confused and wondered if the whole thing was a work or a shoot. Similar occurrences repeated during the following two weeks. On the August 1 episode of Raw, Vince McMahon officially announced Hardy's return to WWE, adding that Hardy would face Edge at SummerSlam. Hardy made his in-ring return, defeating Snitsky on the August 8 Raw. Seconds after the victory, Hardy was attacked by Edge, and as he was being carried backstage, Matt counterattacked Edge in the locker room. On August 21 at SummerSlam, their match came to a premature end when Edge dropped Hardy onto the top of a ring post, causing him to bleed heavily. The referee ended the match on the grounds that Hardy could not continue, and Edge was declared the winner. After SummerSlam, the two continued feuding on Raw, including a Street Fight on August 29 that resulted in Hardy performing a Side Effect on Edge off the entrance stage and into electrical equipment below; the match ended in a no contest. At Unforgiven, Edge faced Hardy in a steel cage match. Hardy caught an interfering Lita with the Twist of Fate and won the match with a leg drop off the top of the cage. Hardy and Edge faced each other on October 3 at WWE Raw Homecoming in a Loser Leaves Raw ladder match. Edge's briefcase holding his Money in the Bank contract for his WWE Championship opportunity was suspended above the ring. The winner of the match received the contract and the loser was forced to leave Raw. Edge tied Hardy's arms in the ropes, and Lita trapped Hardy in a crucifix hold, leaving Hardy only able to watch Edge win. With his defeat at the hands of Edge, Hardy was moved to the SmackDown! brand where he re-debuted with a win over Simon Dean on October 21 in Reno, Nevada. One week later, Hardy won the fan vote to represent Team SmackDown! (alongside Rey Mysterio) to challenge Team Raw (Edge and Chris Masters) at Taboo Tuesday. Edge, however, refused to wrestle and sent Snitsky in place of him in the match, which Hardy and Mysterio won. Back on SmackDown!, Hardy started an angle with MNM (Johnny Nitro and Joey Mercury) and their manager Melina when Melina approached Hardy, seemingly wanting Hardy to join with her team. Hardy refused the offer, which led to him facing the tag team on several occasions with a variety of partners. On July 25, after the SmackDown! taping, Hardy was taken out of action after doctors found the remnants of the staph infection that had plagued him the previous year. He was sidelined until August 25 while he healed. Upon his return to action, Hardy feuded against childhood friend and reigning Cruiserweight Champion Gregory Helms. At No Mercy, in their home state, Hardy beat Helms in a non-title match. The two met again at Survivor Series, where Hardy's team won in a clean sweep. They wrestled one final match, a one time appearance in Booker T's Pro Wrestling Alliance (PWA) promotion, where Hardy defeated Helms in a North Carolina Street Fight. The Hardy Boyz reunion (2006–2007) On the November 21, 2006 episode of ECW on Sci Fi, Hardy and Jeff competed in a match together for the first time in almost five years, defeating The Full Blooded Italians. At December to Dismember, the Hardy Boyz issued an open challenge to any tag team who wanted to face them. MNM answered their challenge by reuniting at December to Dismember, a match won by the Hardy Boyz. At Armageddon, Hardy and Jeff competed against Paul London and Brian Kendrick, MNM, and Dave Taylor and William Regal in a Ladder match for the WWE Tag Team Championship but lost. Subsequently, he and Jeff feuded with MNM after the legitimate incident where they injured Mercury's face at Armageddon. This led to a long term rivalry, and at the Royal Rumble, Hardy and Jeff defeated MNM. Mercury and Hardy continued to feud on SmackDown! until Mercury was released from WWE on March 26. The night after WrestleMania 23 on Raw, the Hardys competed in a 10-team battle royal for the World Tag Team Championship. They won the titles for the sixth time from then WWE Champion John Cena and Shawn Michaels after last eliminating Lance Cade and Trevor Murdoch. This started a feud with Cade and Murdoch, and the Hardys successfully retained their World Tag Team Championship in their first title defense at Backlash. The Hardy Boyz also successfully retained their titles at Judgment Day against Cade and Murdoch. One month later at One Night Stand, they defeated The World's Greatest Tag Team to retain the titles in a Ladder match. The following night on Raw, Vince McMahon demanded that The Hardys once again defend their championships against Cade and Murdoch. The Hardys were defeated after Murdoch pushed Jeff's foot off the bottom rope during Cade's pinfall, causing the three count to continue. They invoked their rematch clause against Cade and Murdoch at Vengeance: Night of Champions, but were unsuccessful. Feud with MVP and championship reigns (2007–2009) On the July 6, 2007 episode of SmackDown!, Hardy won a non-title match against United States Champion Montel Vontavious Porter (MVP), which resulted in a feud between the two. Hardy was defeated by MVP at The Great American Bash for the United States Championship. MVP then claimed that he was "better than Hardy at everything", which led to a series of contests between Hardy and MVP, such as a basketball game, an arm wrestling contest, and a chess match which MVP "sneezed" on and ruined when Hardy put him in check. MVP challenged Hardy to a boxing match at Saturday Night's Main Event XXXV, however MVP was legitimately diagnosed with the heart condition Wolff-Parkinson-White syndrome. Since MVP was unable to compete, Hardy faced his replacement, former world champion boxer, Evander Holyfield. The match ended in a no contest after MVP entered the ring to verbally abuse Holyfield, who then knocked him out. MVP also challenged Hardy to a beer drinking contest at SummerSlam, but as revenge for what happened at SNME, Hardy allowed Stone Cold Steve Austin to replace him; Austin simply performed a stunner on MVP then kept drinking. After a segment involving MVP inadvertently choosing Hardy as his tag-team partner, Theodore Long promptly set up a match against Deuce 'n Domino for the WWE Tag Team Championship on the August 31 episode of SmackDown! which Hardy and MVP were able to win, therefore setting up Hardy's first reign as WWE Tag Team Champion. Hardy and MVP retained the titles at Unforgiven in a rematch against former champions Deuce 'n Domino. Hardy was scheduled to face MVP at Cyber Sunday, but due to a real-life head injury sustained on the October 26 episode of SmackDown!, he was not medically cleared to compete. As part of the storyline, Hardy continually asked MVP for a shot at the United States Championship but MVP refused stating that he was more focused on the Tag Team Championship. On the November 16 episode of SmackDown!, Hardy and MVP dropped the WWE Tag Team Championship to John Morrison and The Miz. Despite the fact that Hardy was hurt, MVP immediately invoked the rematch clause. After the rematch, in which Hardy was forced to tap out, MVP attacked Hardy, repeatedly targeting his knee. It was later confirmed by WWE.com that Hardy had suffered an injury at his former partner's hands and that he might not be able to compete at Survivor Series. Despite Hardy's absence at Survivor Series, his team was able to win the match. On November 21, WWE's official website reported that Hardy underwent an emergency appendectomy in Tampa, Florida after his appendix burst. Hardy made an appearance at the December 31 episode of Raw supporting his brother Jeff. To further Jeff's storyline with Randy Orton, however, Hardy was attacked by Orton. Hardy made his return at a live event in Muncie, Indiana on March 1, 2008. On March 30, 2008, at WrestleMania XXIV, during the Money in the Bank ladder match Hardy cut through the crowd and attacked MVP to prevent him from winning the match. He made his official in-ring return the next night on Raw, losing a singles match to WWE Champion Randy Orton. On the April 4 episode of SmackDown, Hardy faced MVP in a non-title match, which he won, re-igniting their storyline rivalry. On April 27, 2008, Hardy defeated MVP to win the United States Championship at Backlash, and successfully retained his title against MVP five days later on SmackDown. Hardy declared himself as a fighting champion that would take on all challenges, defending the United States championship against Shelton Benjamin, Elijah Burke, Chuck Palumbo, Mr. Kennedy, Chavo Guerrero and Umaga. Hardy was drafted to the ECW brand on the June 23, 2008 episode of Raw during the 2008 WWE Draft, in the process making the United States Championship exclusive to ECW. He dropped the United States Championship to Shelton Benjamin at the Great American Bash pay-per-view on July 20, 2008, which meant that the title returned to SmackDown. On the July 22 episode of ECW, Hardy became the number one contender to Mark Henry's ECW Championship after defeating John Morrison, The Miz and Finlay in a fatal four-way match. He won the title match at SummerSlam by disqualification due to interference from Henry's manager, Tony Atlas, thus he failed to win the title. Due to the ending of the pay-per-view match, Hardy received a rematch for the title on the next episode of ECW, but again failed to win the title when Henry pinned him after a distraction by Atlas. At Unforgiven, Hardy won the ECW Championship during the Championship scramble match, defeating then-champion Henry, The Miz, Finlay and Chavo Guerrero by pinning the Miz with three minutes left, marking his first world heavyweight championship win. He continued to feud with Henry until No Mercy, where Hardy successfully retained the title. Hardy lost the title to Jack Swagger on the January 13, 2009 episode of ECW, which was taped on January 12. Feud with Jeff Hardy and departure (2009–2010) At the 2009 Royal Rumble pay-per-view, after losing an ECW Championship rematch to Swagger, Hardy turned on his brother when he hit Jeff with a steel chair, allowing Edge to win the WWE Championship, turning heel in the process. On the January 27, 2009 episode of ECW, it was announced by General Manager Theodore Long that Hardy had requested, and been granted, his release from ECW and had re-signed with the SmackDown brand. As part of the buildup to this feud, Matt strongly implied that he was responsible for all of Jeff's accidents leading back to November, including an assault in a hotel stairwell that prevented Jeff from appearing at Survivor Series, an automobile accident where Jeff's car was run off the road, and a pyrotechnics malfunction where part of the pyro from Jeff's entrance was fired directly at Jeff, in an attempt to stop Jeff holding the WWE Championship. Despite Hardy's attempts to goad Jeff into fighting him, Jeff refused to fight his brother, but, on the March 6 episode of SmackDown, Jeff attacked him during a promo where Matt implied that he was also responsible for the fire that burned down Jeff's house, going so far as to reveal that he had in his possession a dog collar that supposedly belonged to Jeff's dog, Jack (who died in the fire), that he claimed to have salvaged from the wreckage of the house. At WrestleMania 25, Matt defeated Jeff in an Extreme Rules match, and in a stretcher match on the following episode of SmackDown. On the April 13 episode of Raw, Hardy was drafted to the Raw brand as part of the WWE draft. Despite the fact that the two were on different brands, he continued his feud with Jeff. Two weeks later, in a rematch from WrestleMania, Hardy lost to Jeff in an "I Quit" match at Backlash, in which he legitimately broke his hand. Hardy continued to wrestle with his hand in a cast, incorporating it into his persona and claiming that he was wrestling under protest. He reignited his feud with MVP on Raw for the United States Championship. He also formed a tag team with William Regal, and the two acted as henchmen for General Manager Vickie Guerrero. At the June 22 taping of WWE Superstars, Hardy suffered yet another injury, when his intestines went through his abdominal wall, during a triple threat match against MVP and Kofi Kingston. Hardy had suffered a tear in his abdominal muscle two years previously, but had not needed surgery until it worsened, and became a danger to his health. He was then traded back to the SmackDown brand on June 29, and underwent surgery for the torn abdominal muscle on July 2. He made his return on the August 7 episode of SmackDown as the special guest referee in the World Heavyweight Championship match between his brother, Jeff, and CM Punk, and helped Jeff retain the championship by counting the pinfall. The following week Hardy turned face again when he saved his brother when CM Punk and The Hart Dynasty attacked both Jeff and John Morrison. On the August 21 episode of SmackDown, after apologizing for his past actions towards Jeff and admitting that he was not behind any of Jeff's accidents, he had his first match back after his injury when he teamed with Jeff and John Morrison to defeat The Hart Dynasty and CM Punk, when Matt pinned Punk. In early 2010, Hardy began an on-screen relationship with Maria; but was brief and the relationship ended when Maria was released from her WWE contract. On the March 5 episode of SmackDown, Hardy qualified for the Money in the Bank ladder match at WrestleMania XXVI by defeating Drew McIntyre, but was unsuccessful at WrestleMania, as the match was won by Jack Swagger. Hardy was suspended by Vince McMahon because he attacked McIntyre after McIntyre lost to Kofi Kingston at Over the Limit. He was able to get his revenge on McIntyre during the Viewer's Choice episode of Raw when chosen as the opponent for McIntyre, with General Manager Theodore Long stating that Hardy was suspended from SmackDown, but not from Raw. On the following episode of SmackDown, however, Vickie Guerrero announced that, per orders of Vince McMahon, Hardy had been suspended from all WWE programming. However, at Fatal 4-Way, Hardy prevented McIntyre from regaining the Intercontinental Championship, thus continuing their feud. On the following edition of SmackDown, he was reinstated by Long and had a match with McIntyre, which Hardy won. After the match, it was announced that McIntyre's visa had legitimately expired and was sent back to Scotland, thus ending their feud. Hardy was featured in the SmackDown Money in the Bank ladder match but was unsuccessful in winning with Kane coming out victorious. On September 12, WWE confirmed they had sent Hardy home from a European tour. Following this, Hardy began posting videos on his YouTube channel expressing his disinterest in the WWE product and insisting that he wanted to be released from the company. On October 15, 2010, WWE announced that Hardy had been released from his contract. Hardy later stated that his release had been in effect two weeks before WWE made the announcement. Total Nonstop Action Wrestling (2011) On January 9, 2011, Hardy made his debut for Total Nonstop Action Wrestling (TNA) at the Genesis pay-per-view, as part of the stable Immortal. He was the surprise opponent for Rob Van Dam, and defeated him to prevent Van Dam from receiving a match for the TNA World Heavyweight Championship, held by Hardy's brother Jeff. In the main event, Hardy attempted to interfere in Jeff's World Heavyweight Championship match with Mr. Anderson, but was stopped by Van Dam, which led to Jeff losing both the match and the championship. On the January 13 episode of Impact!, the Hardy Boyz reunited to defeat Anderson and Van Dam in a tag team match, following interference from Beer Money, Inc. On February 13 at Against All Odds, Van Dam defeated Hardy in a rematch. On the following episode of Impact!, Hardy, along with the rest of Immortal and Ric Flair, betrayed Fortune. On March 13 at Victory Road, Hardy was defeated by Flair's previous protégé, A.J. Styles. On April 17 at Lockdown, Immortal, represented by Hardy, Abyss, Bully Ray and Ric Flair, were defeated by Fortune members James Storm, Kazarian and Robert Roode and Christopher Daniels, who replaced an injured A.J. Styles, in a Lethal Lockdown match. On the April 21 episode of Impact!, Hardy faced Sting for the TNA World Heavyweight Championship, Hardy's first World Title match in TNA, but was defeated. The following month, Hardy was granted a shot at the TNA World Tag Team Championship against Beer Money, Inc. (James Storm and Robert Roode). While the champions looked to defend the title against the Hardy Boyz, Matt instead introduced the returning Chris Harris, Storm's old tag team partner, as his partner for the title match. The match took place at Sacrifice, where Storm and Roode retained their titles. On June 21, it was reported that TNA had suspended Hardy. On August 20, Hardy was released from TNA following a DUI arrest that occurred earlier that same day. Return to the independent circuit (2011–2017) Hardy announced his retirement from full-time professional wrestling due to injuries on September 1, 2011. He issued a challenge to his long-time rival MVP, who was wrestling in Japan at the time, to one final match at "Crossfire Live!" in Nashville. The event was held May 19, 2012 and benefited the Make-A-Wish Foundation. Hardy won the match. Throughout 2012, Hardy wrestled sporadically on the independent circuit, working with promotions such as Mid Atlantic Championship Wrestling, Pro Wrestling Syndicate and Northeast Wrestling. On October 5, Hardy was defeated by Kevin Steen at Pro Wrestling Xperience's An Evil Twist of Fate. On November 11, Hardy, as the masked wrestler Rahway Reaper, defeated the Pro Wrestling Syndicate Kevin Matthews, winning the championship. On February 9, 2013, Hardy lost the Pro Wrestling Syndicate Championship back to Matthews. On February 16, 2013, at Family Wrestling Entertainment's No Limit, Hardy wrestled a TLC match for the FWE Heavyweight Championship against the champion Carlito and Tommy Dreamer, but he was defeated. On November 30, 2013, at WrestleCade, Hardy defeated Carlito to become the first ever WrestleCade Champion. On May 3, 2014, following a match between Christian York and Drolix, Hardy defeated Drolix to become the new MCW Heavyweight Champion. At Maryland Championship Wrestling's Shane Shamrock Cup, Hardy defeated Luke Hawx in a TLC match for Hardy's title and Hawx's Extreme Rising World title. Hardy won the match, but he gave back the title to Hawx. On October 4, Hardy lost the MCW Heavyweight Championship back to Drolix, following outside interference from Kevin Eck. On February 9, 2015, Hardy appeared on FWE's "No Limits 2015" iPPV, challenging Drew Galloway for the ICW World Heavyweight Championship, but was defeated. On November 28, 2015, Hardy lost the WrestleCade Championship to Jeff Jarrett at WrestleCade IV in Winston-Salem, North Carolina. Hardy regained the title in a triple-threat cage match against Jarrett and Ethan Carter III in Hickory, North Carolina on May 20, 2016. He appeared at the #DELETEWCPW event for What Culture Pro Wrestling (WCPW) in Nottingham, England on November 30. Hardy, billed as "Broken" Matt Hardy, lost a no-disqualification match to Bully Ray, with Ray proposing the no-disqualification stipulation at the last minute, and Hardy accepting there and then. Return to ROH (2012–2014) At Death Before Dishonor X: State of Emergency in 2012, Hardy returned to Ring of Honor, confronting Adam Cole and challenging him to a match for the ROH World Television Championship. On December 16 at Final Battle 2012: Doomsday, Hardy defeated Cole in a non-title match. At the following iPPV, 11th Anniversary Show on March 2, 2013, Hardy joined the villainous S.C.U.M. stable. On April 5 at the Supercard of Honor VII iPPV, Hardy unsuccessfully challenged Matt Taven for the ROH World Television Championship in a three-way elimination match, which also included Adam Cole. On June 22 at Best in the World 2013, Hardy defeated former S.C.U.M. stablemate Kevin Steen in a No Disqualification match to become the number one contender to the ROH World Championship. Hardy received his title shot at the following day's Ring of Honor Wrestling tapings, but was defeated by the defending champion, Jay Briscoe. Later that same day, S.C.U.M. was forced to disband after losing a Steel Cage Warfare match against Team ROH. On December 14, 2013, at Final Battle 2013, Hardy defeated Adam Page in a singles match; later on in the main event, Hardy aided Adam Cole in retaining his title and forming a tag team with him. After aiding Cole at Supercard of Honor VIII, Hardy was given Jay Briscoe's unofficial "Real World Title" belt, which he renamed the "ROH Iconic Championship". In July, Hardy opted out of his ROH contract and went back to TNA. Return to OMEGA (2013–2018) Matt announced that OMEGA would return in January 2013 with an event titled "Chinlock For Chuck". The main event featured Matt, Jeff, Shane "Hurricane" Helms and "Cowboy" James Storm defeating Gunner, Steve Corino, CW Anderson and Lodi. On October 12, 2013, at "Chapel Thrill", Hardy announced a Tournament for the OMEGA Heavyweight Championship which featured himself vs. CW Anderson and Shane "Hurricane" Helms vs. "The King" Shane Williams. After Hardy's qualifying match he was attacked by CW but was saved by the returning Willow the Whisp. Hardy won that match and advanced to the finals. On November 21, 2015, Matt won the OMEGA Heavyweight Championship for the second time, defeating former student Trevor Lee. Following this, Matt (upon regaining the TNA world title as part of his villainous egotistical "Iconic" gimmick) began proclaiming himself to be the only world champion that matters, and the only "true" world champion in wrestling, as he held both the TNA and OMEGA Championships, which (according to him) put him above any other promotions' world champions. Throughout 2016, Hardy defended the TNA and OMEGA titles jointly at OMEGA events as part of his "only true world champion" gimmick. On January 29, The Hardys won the OMEGA Tag Team Championships. Return to TNA The Hardys third reunion (2014–2015) On July 24, 2014, Hardy returned to TNA and reunited with Jeff to reform The Hardys for the third time. At the Destination X episode of Impact Wrestling, The Hardys were defeated by The Wolves in a match for the TNA World Tag Team Championship. On the August 14 episode of Impact Wrestling, Team 3D (formerly the Dudley Boyz) challenged The Hardys to a match, which Team 3D won. At the Hardcore Justice episode of Impact Wrestling, The Hardys and Team 3D talked about a match involving themselves and The Wolves. When The Wolves were asked by the two teams, they agreed. Later that night, Kurt Angle announced all three teams would compete in a best of three series for the TNA World Tag Team Championship with the winners of the first match choosing the stipulation of the next one. The Hardys won the second match of the series on the September 10 episode of Impact Wrestling in a tables match and choose a ladder match for the third match of the series. The Hardys were unsuccessful in winning that match on the September 17 episode of Impact Wrestling, as the Wolves won that match. The Wolves then went on to pick the final match of the series to be a Full Metal Mayhem match to take place on the October 8 episode of Impact Wrestling. The Hardys were unsuccessful in that match as the Wolves won that match. On October 22, The Hardys entered a number one contenders tournament for the TNA World Tag Team Championship defeating The BroMans (Jessie Godderz and DJ Z) in the first round of the tournament. On the October 29 episode of Impact Wrestling, The Hardys defeated Team Dixie (Ethan Carter III and Tyrus) in the semifinals to advance to the finals of the tournament, where they defeated Samoa Joe and Low Ki to become number one contenders for the TNA World Tag Team Championship. On the January 16, 2015 episode of Impact Wrestling, The Hardys defeated the Wolves. At the Lockdown episode of Impact Wrestling, The Hardys were defeated by The Revolution in a six sides of steel cage match for the TNA World Tag Team Championship. On the February 20 episode of Impact Wrestling, Hardy and The Wolves defeated The Revolution in a six-man tag team match. In March, The Hardys participated in a tournament for the vacant TNA World Tag Team Championship. On March 16, 2015, Matt and Jeff won an Ultimate X match for the titles. On May 8, 2015, Hardy vacated the TNA World Tag Team Championship due to his brother Jeff being injured. World Heavyweight Champion (2015–2016) On June 28, 2015, Hardy was among the five wrestlers who competed for the TNA King of the Mountain Championship at Slammiversary, with Jeff Jarrett ultimately emerging victorious. On the July 8 episode of Impact Wrestling, Hardy requested a world title shot against Ethan Carter III, but was denied and forced to face the Dirty Heels (Austin Aries and Bobby Roode) in a handicap match, which he lost. On the July 22 episode of Impact Wrestling, Hardy defeated Roode in a Tables match to become the #1 contender for the TNA World Heavyweight Championship. On the August 5 episode of Impact Wrestling, Hardy got his shot at the title against EC3 in a Full Metal Mayhem match, but failed to win the title. On the September 2 episode of Impact Wrestling, Hardy got another shot at the TNA World Heavyweight Championship against EC3, but again failed to win the title; as part of the storyline, Jeff Hardy was forced to act as Ethan Carter's personal assistant. On the September 30 episode of Impact Wrestling, Hardy was added to the Ethan Carter III vs. Drew Galloway main event match for the TNA World Heavyweight Championship at Bound for Glory after he and Galloway defeated Carter and Tyrus, making it a three-way match, following which Jeff, who EC3 had just "fired" in the previous episode, was revealed to be the special guest referee. On October 4 at Bound for Glory, Matt won the TNA World Heavyweight Championship by pinning Galloway. However, EC3 filed an injunction (kayfabe) that banned Hardy from appearing on Impact Wrestling for a month, which forced Hardy to relinquish the title in order to stay on the show. However, Hardy had been participating in the TNA World Title Series for the vacant title. He qualified to the round of 16 by defeating Davey Richards, Robbie E and Eddie Edwards. He then advanced to the round of 8 by defeating the King of the Mountain Champion Bobby Roode and then to Jessie Godderz to continue his winning streak. The semifinals and finals were held on the January 5, 2016, live episode of Impact Wrestling during its debut on Pop TV, in which he defeated Eric Young to advance to the final round. Hardy faced EC3 in the TNA World Title Series finals, but lost the match via pinfall. Hardy won the TNA World Title from EC3 on the January 19, 2016 episode of Impact Wrestling, becoming the first man to defeat him in a one-on-one match in TNA. During the match a double turn took place; Hardy turned heel after Tyrus betrayed EC3. The following week on Impact Wrestling, Jeff Hardy had confronted him about last week and issued a challenge to Matt for the World Heavyweight title in the main event and Matt accepted. However, later before the main event could begin, Eric Young and Bram attacked Jeff from behind. Kurt Angle then came out to try save Jeff, and Matt had Tyrus attack Angle from behind. While Matt watched from the ramp, Young attacked Jeff with the Piledriver off the apron through a table. The following week, he successfully retained his title against Angle. At Lockdown, he retained his title in a Six-side of steel match against Ethan Carter III, with the help of Rockstar Spud. He lost his title against Drew Galloway on the March 15 episode of Impact Wrestling, after a match featuring EC3 and Jeff Hardy. Two weeks later he received a rematch for the title on Impact Wrestling, but was again defeated by Galloway. After losing the title he started a feud with Jeff. On the April 19 episode of Impact Wrestling, and an I Quit match ended in a no-contest as both Matt and Jeff were badly injured and Matt was taken out to the hospital on a stretcher. The Broken Universe (2016–2017) Hardy returned on May 17 episode of Impact Wrestling, revealing himself to be one of the impostor Willows behind the attacks on Jeff. Later that night, he attacked Jeff. In the following weeks, Hardy debuted a new persona as a "Broken" man with part of his hair bleached blonde along with a strange sophisticated accent, blaming Jeff (who he began referring to as "Brother Nero", Nero being Jeff's middle name) for breaking him and becoming obsessed with "deleting" him. His line “Delete”, is mostly inspired by the Death Note manga/anime series character Teru Mikami. On June 12, at Slammiversary, Matt was defeated by Jeff in a Full Metal Mayhem match. On the June 21 episode of Impact Wrestling, Matt was once again defeated by Jeff in a Six Sides of Steel match. On the June 28 episode of Impact Wrestling, Matt challenged Jeff to a final battle with the Hardy brand on the line, to take place at their home in Cameron, North Carolina the next week. On July 5, during special episode "The Final Deletion", Matt defeated Jeff in the match to become sole owner of the Hardy brand, forcing Jeff to drop his last name and become referred to as "Brother Nero". On the August 18 episode of Impact Wrestling, Matt and Brother Nero defeated The Tribunal, The BroMans and The Helms Dynasty in an "Ascension To Hell" match for an opportunity to challenge Decay for the TNA World Tag Team Championship. On September 8, during special episode "Delete or Decay", the Hardys faced Decay in a match held at the Hardy compound, where Brother Nero sacrificed himself to save Matt from Abyss. Thanks to Brother Nero's sacrifice, Hardy was able to confront Rosemary and prevent his son Maxel from being abducted, which turned Hardy babyface as a result, and he furthered the face turn by healing Brother Nero in the Lake of Reincarnation. At Bound for Glory, the Hardys defeated Decay in "The Great War" to win the TNA World Tag Team Championship for the second time. On the October 6 episode of Impact Wrestling, they successfully defended their titles against Decay, in a Wolf Creek match. On the November 3 episode of Impact Wrestling, the Hardys successfully defended the titles against The Tribunal. After the match, the Hardys were attacked by the masked trio known as Death Crew Council (DCC). After accepting DCC's title challenge, The Hardys faced Bram and Kingston, and Matt pinned Kingston to retain the titles. On December 15, during special episode "Total Nonstop Deletion", they were once again successful in retaining. Brother Nero attacked Crazzy Steve with the Twist of Fate, who then fell into a volcano (that had appeared on the compound in the weeks leading up the event), and was shot up into the sky, landing in the ring. Matt then covered him to win the match. On the January 12, 2017 episode of Impact Wrestling, The Hardys successfully defended their titles against The Wolves. At Genesis, The Hardys retained their titles against the DCC and Decay in a three-way tag team match. On Open Fight Night, the Hardys began a storyline where they would teleport to different promotions and win that promotions' tag team championship gold, which was referred to by Matt as their "Expedition of Gold". On February 27, Hardy announced that both he and Jeff had finally left TNA, following years of speculation, with their contracts expiring that week. Though the two sides were reportedly close to a contract agreement, talks began to break down and changes in management prompted their departure from the company. The TNA World Tag Team Championships were vacated due to the Hardys' departure and was explained on TNA television in a segment where The Hardys teleported to their next Expedition of Gold destination, but a technicality resulted in them disappearing and the belts appearing in the arms of Decay. Broken gimmick legal battle Shortly after the departure of Matt and Jeff from TNA was made public, Matt's wife, Reby, went on a social media tirade in which she repeatedly slammed TNA, the company's new management and the way in which contract negotiations between the company and the Hardy family were conducted. A few weeks following this, the bad blood between the two sides intensified, so much so that the new management of TNA (now renamed Impact Wrestling) Anthem Sports & Entertainment issued a cease and desist letter to The Hardys' new promotion Ring of Honor (ROH), in which Anthem essentially ordered ROH as well as any broadcasting company airing ROH's 15th Anniversary pay–per–view show (on which The Hardys were to participate in a match) to not in any way speak of, indicate or acknowledge the existence of the Broken Matt and Brother Nero characters and instead to refer to The Hardys as simply Matt Hardy and Jeff Hardy. The issue with this is that while The Hardys were in TNA, they had full creative control over the Broken gimmick, with them even filming their own segments to air on TNA programming in some circumstances, thus making the Hardy family (in their belief) the owners of the Broken gimmick. It is believed that civil litigation will follow and a potential court hearing will take place regarding the outcome on who owns the Broken gimmick: Anthem or the Hardy family. Until then, the status of the Broken gimmick remains undecided. Despite this, Matt continues to use the Broken gimmick through his social media accounts, but neither he nor Jeff uses the Broken gimmick at any professional wrestling shows for ROH or on the independent circuit, presumably until the results of the expected legal proceedings have been finalized. Newly–appointed Impact Wrestling President Ed Nordholm credits the invention of and the vision behind the Broken gimmick to Jeremy Borash, Dave Lagana and Billy Corgan, and while Borash specifically had the most input into the gimmick of the three aside from Matt, the Hardy family deny that Borash was the sole person behind the gimmick. In November 2017, Impact Wrestling changed their policy, allowing all talent to retain complete ownership over their intellectual property, essentially forfeiting ownership of the "Broken" character to Hardy. On January 31, 2018, the legal battle officially concluded when Matt legally acquired ownership of all trademarks related to the Broken universe and the Broken gimmick, which includes 'Broken Matt', 'Brother Nero', 'Broken Brilliance' and 'Vanguard1'. International matches (2014–2015) On November 1, 2014, Hardy traveled to Japan to compete for Wrestle-1 at the promotions Keiji Muto 30th Anniversary Hold Out show in a triple threat match against Seiya Sanada and Tajiri, which he lost. On May 24, 2015, Hardy traveled to Mexico to compete as a team captain for Team TNA/Lucha Underground with teammates Mr. Anderson and Johnny Mundo at Lucha Libre AAA Worldwide's 2015 Lucha Libre World Cup pay–per–view show. In the quarter–final round, Team TNA/Lucha Underground faced Team Rest of the World (Drew Galloway, Angélico and El Mesías) to a 15-minute time limit draw, with Team TNA/Lucha Underground winning in overtime and advancing to the semi–final round. In the semi–final round, Team TNA/Lucha Underground defeated Team MexLeyendas (Blue Demon Jr., Dr. Wagner Jr. and El Solar) to advance to the final round. In the final round, Team TNA/Lucha Underground faced Dream Team (El Patrón Alberto, Myzteziz and Rey Mysterio Jr.) to a 15–minute time limit draw, with Dream Team winning both the match and the tournament in overtime with Hardy on the losing end of the final pinfall. Second return to ROH (2016–2017) On December 2, 2016, Hardy returned to ROH for the second time while still under contract with TNA, appearing at the promotions Final Battle pay-per-view show as Broken Matt, where a video message showed him addressing The Young Bucks (Matt Jackson and Nick Jackson) and The Briscoes (Jay Briscoe and Mark Briscoe). On March 4, 2017, in the same week that both Matt and Jeff were released from TNA, The Hardys defeated The Young Bucks in an impromptu match at ROH's 2017 installment of the company's Manhattan Mayhem show series to become the new ROH World Tag Team Champions for the first time. Moments after winning the titles, Hardy announced in a post-match promo that both he and Brother Nero (Jeff) had signed "the biggest ROH contracts in (the company's) history". It was later confirmed that the contracts were short-term, only for the "immediate future". On March 10, The Hardys successfully defended the ROH World Tag Team Championship for the first time at ROH's 15th Anniversary pay-per-view show against The Young Bucks and Roppongi Vice (Beretta and Rocky Romero) in a three-way Las Vegas tag team street fight match. Prior to the event, the Hardys had been sent a legal threat by Impact Wrestling regarding the use of the Broken Matt and Brother Nero gimmicks. The following night on March 11, The Hardys (not billed but using the Broken gimmicks anyway) once again retained the titles, this time against The Briscoes at a set of Ring of Honor Wrestling television tapings. The Hardys lost the titles back to The Young Bucks in a ladder match on April 1 at ROH's Supercard of Honor XI pay-per-view show, which would be the final ROH appearances for both Hardys in this tenure with the promotion. Second return to WWE (2017–2020) Feud with The Bar (2017) At the WrestleMania 33 pay-per-view on April 2, 2017, Hardy made his surprise return to WWE, along with his brother Jeff Hardy, being added as last-minute participants in the ladder match for the Raw Tag Team Championship, defeating Gallows and Anderson, Cesaro and Sheamus, and Enzo and Cass to win the Raw Tag Team Championship. Afterwards on Raw Talk, Hardy mentioned that The Hardy Boyz had successfully completed the Expedition of Gold, after winning the Raw Tag Team Championship. At Payback, The Hardy Boyz retained their championships against Cesaro and Sheamus, who attacked them after the match. The next night on Raw, Cesaro and Sheamus explained their actions, claiming the fans were more supportive of 'novelty acts' from the past like The Hardy Boyz, who they feel did not deserve to be in the match at WrestleMania 33. Subsequently, at Extreme Rules, The Hardy Boyz lost the titles against Cesaro and Sheamus in a steel cage match, and failed to regain it back the following month at the Great Balls of Fire event. Afterwards, it was revealed that Jeff had gotten injured and would be out for an estimated six months, thus Hardy began wrestling in singles matches. Woken Universe and storyline with Bray Wyatt (2017–2018) During his feud with Bray Wyatt, Hardy introduced his "Woken" gimmick, after Impact Wrestling dropped their claim to the gimmick and Hardy gained full ownership of it. Wyatt defeated Hardy at Raw 25 on January 22, 2018, and Hardy defeated Wyatt at Elimination Chamber on February 25. Their final match happened on the March 19 episode of Raw, dubbed The Ultimate Deletion, with Hardy winning after distractions from Señor Benjamin. Wyatt then disappeared after being thrown into the Lake of Reincarnation. At WrestleMania 34 on April 7, Hardy competed in the annual André the Giant Memorial Battle Royal, and won the match due to a distraction by the returning Wyatt. After WrestleMania, Hardy and Wyatt performed as a tag team, sometimes referred to as The Deleters of Worlds. They won a tournament for the vacant Raw Tag Team Championship, defeating Cesaro and Sheamus at the Greatest Royal Rumble event to win the title. However, they lost the titles at Extreme Rules to The B-Team (Bo Dallas and Curtis Axel). On the July 23 episode of Raw, Hardy and Wyatt received a rematch for the titles, but was again defeated by The B-Team. Following this, Hardy revealed that he was taking time off due to his back fusing with his pelvis, effectively disbanding the team. According to Hardy, the reason WWE disbanded the team was because he and Wyatt pitched several ideas to WWE to work with their characters. The Hardys fourth reunion and departure (2019–2020) After more than seven months of absence from television, Hardy returned on the February 26, 2019 episode of SmackDown Live, teaming with his brother Jeff to defeat The Bar (Cesaro and Sheamus). At WrestleMania 35 on April 7, Hardy competed in the André the Giant Memorial Battle Royal, but was eliminated by eventual winner, Braun Strowman. Two days later on SmackDown Live, The Hardy Boyz defeated The Usos to win the SmackDown Tag Team Championship. The reign only lasted 21 days (recognized as 20 days by WWE), as they had to vacate the title due to Jeff injuring his knee, this was explained in storyline as injuries afflicted by Lars Sullivan. After his brother Jeff's injury, Hardy began to appear on WWE programming less frequently. At Super ShowDown on June 7, Hardy competed in the 51-man Battle Royal, which was eventually won by Mansoor. From November to December, Hardy occasionally appeared on Raw, losing matches against superstars like Buddy Murphy, Drew McIntyre, Ricochet and Erick Rowan. On the February 10, 2020 episode of Raw, Hardy confronted Randy Orton about Orton's attack on Edge two weeks earlier. Hardy then got himself into a brawl with him moments after, and was viciously attacked by Orton. The following week on Raw, an injured Hardy appeared and was once again assaulted by Orton, which would be his final appearance in WWE. On March 2, Hardy announced his departure from WWE through his official YouTube channel, where Hardy said that while he's grateful towards the people behind the scenes, he said he is also on different pages with WWE as he feels he needs to have creative input and still has more to give. Later that day, WWE announced that his contract had expired. All Elite Wrestling Multiple personalities (2020–2021) Hardy made his All Elite Wrestling (AEW) debut on the March 18, 2020 episode of Dynamite, reverting to his "Broken" gimmick and being announced as the replacement for the kayfabe injured Nick Jackson on The Elite's team at Blood and Guts. However, the event was postponed to the following year due to the COVID-19 pandemic. On the May 6 episode of Dynamite, Hardy wrestled his first match with AEW, teaming up with Kenny Omega for a street fight against The Inner Circle's Chris Jericho and Sammy Guevara, and Hardy and Omega lost when Jericho pinned Omega. During this period, due to the lack of live audience, Hardy felt that the Broken character needs public, so he began to include several of his gimmicks, including Broken Matt Hardy, Big Money Matt, Matt Hardy V1, and Unkillable Matt Hardy, being referred to as "Multifarious" Matt Hardy. AEW president Tony Khan later admitted that he "wasn't a fan" of the Broken gimmick and much preferred more realistic presentations in wrestling. At Double or Nothing, Hardy teamed with The Elite to defeat The Inner Circle in the first ever Stadium Stampede match. During the match, Santana and Ortiz dunked Hardy in the stadium pool, which acted as a version of the Lake of Reincarnation, as Hardy kept cycling through his various gimmicks throughout his career when he surfaced. Hardy then feuded with Sammy Guevara, and after Hardy defeated Guevara in a Broken Rules match at All Out, Hardy took time off until he was cleared to return, due to an injury sustained during the match. On the September 16 episode of Dynamite, Hardy aligned with Private Party (Isiah Kassidy and Marq Quen) as their manager, but was attacked backstage before their match. The attacker was later revealed as Guevara and The Elite Deletion match was announced, which took place at The Hardy Compound in Cameron, North Carolina, where Hardy won. The Hardy Family Office (2021–present) Hardy then switched to his Big Money persona as he focused on managing Private Party. Over the following weeks, Hardy would display villainous tactics as he began cheating during matches much to Private Party's dismay. On the January 20, 2021 episode of Dynamite, Hardy and Private Party defeated Matt Sydal and Top Flight (Dante Martin and Darius Martin) after using a steel chair before attacking Sydal and Top Flight afterwards, thus turning heel. Hardy then approached Adam Page to accompany and befriend him, and during tag team matches, Hardy would always tag himself in and pick up the victory for his team to Page's behest. After Page set up a match between Hardy and himself, Hardy double-crossed Page, with Private Party and The Hybrid 2 (Angélico and Jack Evans) attacking Page until The Dark Order came out to save him. At the Revolution event, Hardy lost to Page despite multiple interferences from Private Party. Following Revolution, Hardy became the manager for The Butcher and The Blade (with their valet The Bunny in tow), and along with Private Party, the stable became known as the Matt Hardy Empire before settling on the name Hardy Family Office. Hardy also added The Hybrid 2 to his group in July having previously hiring them on a mercenary basis. At Double or Nothing, Hardy competed in Casino Battle Royale but was eliminated by Christian Cage. This led to a match between the two at Fyter Fest, where Hardy lost to Cage. In August, Matt Hardy and HFO began a feud with Orange Cassidy and Best Friends, which led to a match on the August 25 episode of Dynamite, where Hardy was defeated by Cassidy. However, on the November 12 episode of Rampage, Hardy defeated Cassidy in a Lumberjack match, thanks to an interference from HFO and the heel lumberjacks. Their feud ended on the November 17 episode of Dynamite where his team of The Butcher and The Blade lost to the team of Cassidy and Tomohiro Ishii, where Cassidy gave a crossbody to the interfering Hardy and The Blade during the match. Professional wrestling style and persona After the creation of his Broken character, Hardy was praised by several wrestlers and critics for reinventing himself several times during his career. During his career, Hardy has won the Wrestling Observer Newsletter Best Gimmick award two times under two different characters, once in 2002 and again in 2016. Personal life Hardy was in a six-year relationship with wrestler Amy Dumas, better known as Lita. They first met in January 1999 at a NWA Mid-Atlantic show but did not begin dating until a few months later. They broke up in February 2005 when he discovered that she was having an affair with one of Hardy's close friends, fellow wrestler Adam Copeland, better known as Edge. Hardy also dated WWE wrestler Ashley Massaro. Hardy married wrestler Rebecca Reyes, better known as Reby Sky, on October 5, 2013. They have three sons and one daughter. Hardy had previously been an addict, and credits his wife for helping him get clean. Hardy is good friends with fellow wrestlers Marty Garner, Shannon Moore, and Gregory Helms. In December 2020, he claimed to have Native American ancestry. Legal issues Hardy was arrested for a DUI on August 20, 2011. Two days later, he was arrested on felony drug charges when police found steroids in his home. In November 2011, Hardy was removed from court-ordered rehab and sent back to jail for drinking. In January 2014, Hardy and his wife were both arrested after a fight at a hotel. Other media In 1999, Matt, along with his brother Jeff, appeared as an uncredited wrestler on That '70s Show episode "That Wrestling Show". Matt and Jeff also appeared on Tough Enough in early 2001, talking to and wrestling the contestants. He appeared in the February 25, 2002 episode of Fear Factor competing against five other World Wrestling Federation wrestlers, including his brother. He won $50,000 for the American Cancer Society. Hardy also appeared on the October 13, 2009 episode of Scare Tactics, as a mental patient who threatens to attack the prank's victim. In 2001, Matt, Jeff, and Lita appeared in Rolling Stone magazine's 2001 Sports Hall of Fame issue. In 2003, Matt and Jeff, with the help of Michael Krugman, wrote and published their autobiography The Hardy Boyz: Exist 2 Inspire. As part of WWE, Matt appeared in their DVD, The Hardy Boyz: Leap of Faith in 2001. On April 29, 2008, WWE released Twist of Fate: The Matt and Jeff Hardy Story. The DVD featured footage of the brothers in OMEGA and WWE. Hardy also appears on The Hardy Show, an Internet web show which features the Hardys, Shannon Moore, and many of their friends. Hardy plays himself in the 2013 film Pro Wrestlers vs Zombies in which he and his real-life wife Reby Sky battle the undead. Hardy's first WWE video game was WWF WrestleMania 2000 in 1999 on the Nintendo 64 shortly followed by WWF SmackDown! in early 2000 on the PlayStation. He made several appearances later in WWF SmackDown! 2: Know Your Role, WWF SmackDown! Just Bring It, WWE SmackDown! Shut Your Mouth, WWE SmackDown! Here Comes the Pain, and WWE SmackDown vs. Raw. He later returned to the series in WWE SmackDown vs. Raw 2007, WWE SmackDown vs. Raw 2008, WWE SmackDown vs. Raw 2009, WWE SmackDown vs. Raw 2010, and WWE SmackDown vs. Raw 2011, which was his last WWE video game before his departure to TNA. Following his return to WWE in 2017, he was revealed as a DLC character in WWE 2K18 on September 25 that year alongside tag team partner and brother, Jeff Hardy. Hardy was revealed as a playable character in WWE 2K19 on August 30, 2018. His final appearance in a WWE video game came with WWE 2K20 in 2019. Filmography Championships and accomplishments All Elite Wrestling Dynamite Award (1 time) "Bleacher Report PPV Moment of the Year" (2021) – Stadium Stampede match (The Elite vs. The Inner Circle) – Double or Nothing (May 23) All Star Wrestling (West Virginia) ASW Tag Team Championship (1 time) – with Brother Nero CBS Sports Worst Moment of the Year (2020) vs. Sammy Guevara at All Out (2020) The Crash The Crash Tag Team Championship (1 time) – with Brother Nero Future Stars of Wrestling FSW Heavyweight Championship (1 time) House of Glory HOG Tag Team Championship (1 time) – with Jeff Hardy Maryland Championship Wrestling/MCW Pro Wrestling MCW Heavyweight Championship (1 time) MCW Tag Team Championship (1 time) – with Jeff Hardy Extreme Rising World Championship (1 time) National Championship Wrestling NCW Heavyweight Championship (1 time) NCW Light Heavyweight Championship (1 time) New Dimension Wrestling NDW Light Heavyweight Championship (1 time) NDW Tag Team Championship (1 time) – with Jeff Hardy New England Wrestling Alliance NEWA Heavyweight Championship (1 time) NEWA Hall of Fame (class of 2012) New Frontier Wrestling Association NFWA Heavyweight Championship (1 time) NFWA Tag Team Championship (1 time) – with Venom NWA 2000 NWA 2000 Tag Team Championship (1 time) – with Jeff Hardy OMEGA Championship Wrestling OMEGA Heavyweight Championship (2 times) OMEGA Tag Team Championship (2 times) – with Brother Nero/Jeff Hardy Pro Wrestling Illustrated Comeback of the Year (2017) with Jeff Hardy Feud of the Year (2005) vs. Edge and Lita Match of the Year (2000) with Jeff Hardy vs. The Dudley Boyz and Edge and Christian in a triangle ladder match at WrestleMania 2000 Match of the Year (2001) with Jeff Hardy vs. The Dudley Boyz and Edge and Christian in a Tables, Ladders and Chairs match at WrestleMania X-Seven Tag Team of the Year (2000) with Jeff Hardy Ranked No. 17 of the top 500 singles wrestlers in the PWI 500 in 2003 Pro Wrestling Syndicate PWS Heavyweight Championship (1 time) Remix Pro Wrestling Remix Pro Tag Team Championship (1 time) – with Facade Ring of Honor ROH World Tag Team Championship (1 time) – with Jeff Hardy Holy S*** Moment of the Decade (2010s) – – with Jeff Hardy Total Nonstop Action Wrestling TNA World Heavyweight Championship (2 times) TNA World Tag Team Championship (2 times) – with Jeff Hardy/Brother Nero TNA World Tag Team Championship Tournament (2015) – with Jeff Hardy TNA World Tag Team Championship #1 Contender Tournament (2014) – with Jeff Hardy WrestleCade WrestleCade Championship (2 times) Wrestling Observer Newsletter Best Gimmick (2002, 2016) Worst Feud of the Year (2004) with Lita vs. Kane Wrestling Superstar Wrestling Superstar Tag Team Championship (1 time) – with Jeff Hardy WWE/World Wrestling Entertainment/Federation ECW Championship (1 time) WWF Hardcore Championship (1 time) WWF European Championship (1 time) WWE United States Championship (1 time) WWE Cruiserweight Championship (1 time) WWF/World Tag Team Championship (6 times) – with Jeff Hardy WWE SmackDown Tag Team Championship (1 time) – with Jeff Hardy WWE Raw Tag Team Championship (3 times) – with Montel Vontavious Porter (1) Jeff Hardy (1) and Bray Wyatt (1) WCW Tag Team Championship (1 time) – with Jeff Hardy André the Giant Memorial Trophy (2018) Bragging Rights Trophy (2009) – with Team SmackDown Terri Invitational Tournament (1999) – with Jeff Hardy WWE Tag Team Eliminator (2018) - with Bray Wyatt Luchas de Apuestas record Notes References Sources External links 1974 births All Elite Wrestling personnel American bloggers American male professional wrestlers American YouTubers Male YouTubers ECW champions ECW Heavyweight Champions/ECW World Heavyweight Champions Living people NWA/WCW/WWE United States Heavyweight Champions Participants in American reality television series Professional wrestlers from North Carolina Professional wrestling managers and valets Reality show winners Sportspeople from Raleigh, North Carolina TNA World Heavyweight/Impact World Champions TNA/Impact World Tag Team Champions Twitch (service) streamers University of North Carolina at Charlotte alumni WWF European Champions WWF/WWE Hardcore Champions	false	[ "Bleschames () was a Persian military officer, who first served the Sasanian Empire and from 541 the Byzantine Empire. He is first mentioned in 531 as the head of the Sasanian garrison of the fortress Sisauranon, where he was defeated by a Byzantine army under Belisarius, who took him and 800 Sasanian cavalrymen captive and sent them to the Byzantine capital of Constantinople. However, he did not stay there for long, and was sent to Italy in order to fight the Ostrogothic Kingdom in the Gothic War, while some of his men were sent to fight under Artabazes. Nothing else is known of his life.\n\nSources\n\nReferences\n\nYear of death unknown\nPeople of the Roman–Sasanian Wars\nYear of birth unknown\n6th-century Iranian people\nPeople of the Gothic War (535–554)\n6th-century Byzantine military personnel\nGenerals of Khosrow I\nByzantine people of Iranian descent", "Robert Else (17 November 1876 – 16 September 1955) was an English first-class cricketer who played for Derbyshire in 1901 and 1903.\n\nElse was born at Lea, Holloway, Derbyshire, the son of John Else and his wife Henrietta Lowe. His father was a bobbin maker and in 1881 they were all living with his grandparents at the Old Hat Factory in Wirksworth. Else made his debut for Derbyshire in May 1901 against Surrey, when his scores were 1 and 2. He played again that season against the South Africans when he opened the batting scoring a duck in the first innings and surviving the whole of the second innings for 6 not out. He did not play again until July 1903 when against London County he took a wicket and made his top score of 28. He played his last two matches in 1903 and made little impression in them.\n\nElse was a left-hand batsman and played ten innings in five first-class matches with an average of 7.3 and a top score of 28. He bowled fifteen overs and took 1 first-class wicket for 61 runs in total.\n\nElse died at Broomhill, Sheffield, Yorkshire at the age of 78.\n\nReferences\n\n1876 births\n1955 deaths\nDerbyshire cricketers\nEnglish cricketers\nPeople from Dethick, Lea and Holloway" ]
[ "Matt Hardy", "Total Nonstop Action Wrestling (2011)", "Who did he fight?", "He was the surprise opponent for Rob Van Dam,", "Who won that match?", "defeated him to prevent Van Dam from receiving a match", "Was there anything else significant about that particular match?", "defeated him to prevent Van Dam from receiving a match for the TNA World Heavyweight Championship,", "Are there any other interesting aspects about this article?", "On February 13 at Against All Odds, Rob Van Dam defeated Hardy in a rematch.", "Who else did he fight in 2011?", "On March 13 at Victory Road Hardy was defeated by Flair's previous protege, A.J. Styles." ]	C_e23d3e73411842f49937f27ba3aa0993_0	Can you tell me anything about that fight?	6	Can you tell me anything about the fight between Victory Road Hardyand Flair?	Matt Hardy	On January 9, 2011, Hardy made his debut for Total Nonstop Action Wrestling (TNA) at the Genesis pay-per-view, as part of the stable Immortal. He was the surprise opponent for Rob Van Dam, and defeated him to prevent Van Dam from receiving a match for the TNA World Heavyweight Championship, held by Hardy's brother Jeff. In the main event, Hardy attempted to interfere in Jeff's World Heavyweight Championship match with Mr. Anderson, but was stopped by Van Dam, which led to Jeff losing both the match and the championship. On the January 13 episode of Impact!, the Hardy Boyz reunited to defeat Anderson and Van Dam in a tag team match, following interference from Beer Money, Inc.. On February 13 at Against All Odds, Rob Van Dam defeated Hardy in a rematch. On the following episode of Impact!, Hardy, along with the rest of Immortal and Ric Flair, betrayed Fortune. On March 13 at Victory Road Hardy was defeated by Flair's previous protege, A.J. Styles. On April 17 at Lockdown, Immortal, represented by Hardy, Abyss, Bully Ray and Ric Flair, were defeated by Fortune members James Storm, Kazarian and Robert Roode and Christopher Daniels, who replaced an injured A.J. Styles, in a Lethal Lockdown match. On the April 21 episode of Impact!, Hardy faced Sting for the TNA World Heavyweight Championship, Hardy's first World Title match in TNA, but was defeated. The following month Hardy was granted a shot at the TNA World Tag Team Championship against Beer Money, Inc. (James Storm and Robert Roode). While the champions looked to defend the title against the Hardy Boyz, Matt instead introduced the returning Chris Harris, Storm's old tag team partner, as his partner for the title match. The match took place at Sacrifice, where Storm and Roode retained their title. On June 21, it was reported that TNA had suspended Hardy. On August 20, Hardy was released from TNA following a DUI arrest that occurred earlier that same day. CANNOTANSWER	Hardy, along with the rest of Immortal and Ric Flair, betrayed Fortune.	Matthew Moore Hardy (born September 23, 1974) is an American professional wrestler currently signed to All Elite Wrestling (AEW). He is also known for his time with WWE, Impact Wrestling, and Ring of Honor (ROH). With his real life brother Jeff, Hardy gained notoriety in WWF's tag team division during the 2000s due to his participation in TLC matches. He is a 14-time world tag team champion, having held the WWE World Tag Team Championship six times, the WWE Raw Tag Team Championship three times, the WWE SmackDown Tag Team Championship, ROH World Tag Team Championship, and WCW Tag Team Championship once each, and the TNA World Tag Team Championships twice. Wrestling through four separate decades, Hardy has kept himself relevant partially through a variety of different gimmicks and his use of social media. In 2002, Hardy began a solo career in WWE. His subsequent "Version 1" persona was named Best Gimmick by the Wrestling Observer Newsletter. Hardy's eccentric "Broken" gimmick, which he debuted in 2016 (and which was renamed "Woken" following his subsequent WWE return), garnered praise from wrestling critics and earned him multiple awards, including a second Best Gimmick award, becoming one of the most talked about characters in all of wrestling. As a singles wrestler, Hardy has won three world championships (one ECW Championship, and two TNA World Heavyweight Championships). All totaled between WWE, TNA/Impact, and ROH, Hardy has held 21 total championships. Early life Hardy was born in Cameron, North Carolina, the son of Gilbert and Ruby Moore Hardy. He is the older brother of Jeff Hardy. Their mother died of brain cancer in 1987. Hardy played baseball as a child and throughout high school, but had stopped by his senior year. He also played football, either as a linebacker or a defensive end. Hardy was a good student at Union Pines High School in North Carolina, and was a nominee for the "Morehead Award", a scholarship to any university in North Carolina. Hardy attended University of North Carolina at Charlotte, where he majored in engineering; after a year, however, he dropped out due to his father being ill. He then attended Sandhills Community College in Pinehurst to gain his associate degree. Professional wrestling career Early career (1992–2001) Hardy, along with his brother Jeff and friends, started their own federation, the Trampoline Wrestling Federation (TWF) and mimicked the moves they saw on television. Shortly after Hardy sent in a tape for the World Championship Wrestling (WCW) Amateur Challenge using the ring name High Voltage, a tag team named High Voltage began competing in WCW, causing Hardy to change his name to Surge. A few years later, it was revealed to him by Chris Kanyon that the tape had been kept in the WCW Power Plant, watched multiple times, and that the name High Voltage was blatantly stolen from it. Beginning in 1994, The Hardys wrestled for several North Carolina-based independent circuit promotions and adapted a number of alter-egos. As The Wolverine, Hardy captured the New England Wrestling Alliance (NEWA) Championship in May 1994. As High Voltage, he teamed with Venom to claim the New Frontier Wrestling Association (NFWA) Tag Team Championship in March 1995. A month later, High Voltage defeated the Willow for the NFWA Championship. In 1997, Matt and Jeff created their own wrestling promotion, The Organization of Modern Extreme Grappling Arts (frequently abbreviated to OMEGA Championship Wrestling, or simply OMEGA), in which Matt competed under the name High Voltage. Both Matt and Jeff took apart the ring and put it back together at every event they had, while Matt sewed all the costumes worn in OMEGA. The promotion folded in October 1999, after both Matt and Jeff signed with the World Wrestling Federation. World Wrestling Federation/Entertainment Early years (1994–1998) Hardy worked as a jobber for the World Wrestling Federation (WWF) from 1994 up until he signed a full-time contract in 1998. His first WWF match was against Nikolai Volkoff on the May 23, 1994 episode of Monday Night Raw, which he lost by submission. A night later at a taping of WWF Wrestling Challenge, he lost a match against Owen Hart. He continued to wrestle sporadically in the WWF throughout 1994 and 1995, losing matches against Crush, Razor Ramon, Hakushi, Owen Hart, the imposter Undertaker, Hunter Hearst Helmsley and "The Ringmaster" Steve Austin. Hardy teamed with Jeff for the first time in the WWF in 1996, losing to teams such as The Smoking Gunns and The Grimm Twins on WWF television. Matt and Jeff had a short lived feud with The Headbangers (Thrasher and Mosh), losing to the duo twice in 1997. It was during this time that Matt and Jeff experimented with different ring names, at one stage being called Ingus (Matt) and Wildo Jinx (Jeff). In Matt's final singles match for the promotion before signing a full-time contract he lost to Val Venis on a taping of Shotgun in 1998. The Hardy Boyz (1998–2001) It was not until 1998, however, (at the height of The Attitude Era) that the Hardy brothers were given full-time WWF contracts and sent to train with former wrestler Dory Funk, Jr. The Hardy Boyz used a cruiserweight, fast-paced high flying style in their matches, often leaping from great heights to do damage to their opponents (and themselves in the process). In 1999, while feuding with Edge and Christian, the duo briefly picked up Michael Hayes as a manager. At King of the Ring, The Hardyz defeated Edge and Christian to earn the #1 contendership for the WWF Tag Team Championship. On July 5, they defeated The APA to win their first Tag Team Championship. They soon dumped Hayes and briefly picked up Gangrel as a manager, after Gangrel turned on Edge and Christian. At No Mercy, The Hardyz defeated Edge and Christian in the first ever tag team ladder match. At the Royal Rumble pay-per-view, The Hardyz defeated The Dudley Boyz in the first ever tag team tables match. They competed against The Dudley Boyz and Edge and Christian for the Tag Team Championships at WrestleMania 2000 in the first ever Triangle Ladder match, but were unsuccessful. Hardy won the Hardcore Championship on April 24, 2000, on Raw Is War, by defeating Crash Holly, but lost it back to Holly three days later on SmackDown!, when Holly applied the "24/7 rule" during Hardy's title defense against Jeff. The Hardy Boyz then found a new manager in Matt's real-life girlfriend Lita. Together, the three became known as "Team Xtreme". The Hardy Boyz competed in the first ever Tables, Ladders, and Chairs match, for the WWF Tag Team Championship against The Dudley Boyz and Edge and Christian, but were unsuccessful. At Unforgiven, The Hardyz defeated Edge and Christian in a steel cage match to win the tag team championship, and successfully retained it the following night on Raw Is War against Edge and Christian in a ladder match. In April 2001, The Hardyz began feuding with Stone Cold Steve Austin and Triple H (known as The Power Trip), which also led to a singles push for both Matt and Jeff. Hardy helped Jeff defeat Triple H for the Intercontinental Championship, and shortly after Hardy defeated Eddie Guerrero to win the European Championship on SmackDown!. At Backlash he retained the title against Guerrero and Christian in a triple threat, and against Edge the following night on Raw. Throughout the year, the Hardy Boyz continued to win as a tag team, winning the WWF Tag Team Titles two more times, and the WCW Tag Team Championship during the Invasion. By the end of the year, the Hardy Boyz began a storyline where they were having trouble co-existing. This culminated in a match between the two, with Lita as the guest referee, at the Vengeance pay-per-view, which Jeff won. Hardy defeated Jeff and Lita the following night on Raw in a two-on-one handicap match. Version 1 gimmick and feud with Kane (2002–2004) At the beginning of 2002, it seemed Team Xtreme had patched things up. After the brand extension, however, Matt was relegated to Heat while Jeff wrestled on the main show, Raw. On the August 12 episode of Raw, Hardy turned heel by attacking Jeff during Jeff's match against Rob Van Dam, because Hardy was frustrated at not receiving a match against Van Dam for the number one contendership for the Intercontinental Championship. A short time later, Hardy joined the SmackDown! roster, and began dubbing himself "Matt Hardy: Version 1", complete with a "version 1" hand signal. Hardy defeated The Undertaker on the September 12 and October 3 episodes of the show, due to interference from Brock Lesnar. Along with his Mattitude Follower Shannon Moore in his corner, 2003 began with Hardy frantically trying to lose weight to get under the weight limit to compete for the Cruiserweight Championship. After just barely making weight, Hardy defeated Billy Kidman at No Way Out to win the Cruiserweight title. At WrestleMania XIX, he successfully defended it against Rey Mysterio. Hardy lost the Cruiserweight Championship to Mysterio in the main event of the June 5 episode of SmackDown! - the first and only time a Cruiserweight Championship match main evented a show. After dropping the Cruiserweight Championship, Hardy briefly feuded with Eddie Guerrero, but was unsuccessful in capturing Guerrero's United States Championship or WWE Tag Team Championship. The Mattitude faction then expanded to include Crash Holly as Moore's "Moore-on" (apprentice). He later disbanded the group in November and returned to Raw in order to be able to travel and work with his then girlfriend Lita, who just returned from an injury. On his first night back, he turned on Lita in storyline after teasing a proposal to her. He defeated Christian, who was vying for Lita's affections, on the following edition of Raw. In April 2004, Hardy saved Lita from getting attacked by Kane, turning face in the process. Hardy defeated Kane in a no disqualification match at Vengeance, but lost a "Till Death To Us Part" match against Kane at SummerSlam, resulting in Lita being forced to marry Kane. On the August 23 episode of Raw, Hardy was chokeslamed off the stage by Kane during the wedding. Hardy then spent almost a year off from wrestling due to a severe knee injury. Departure and sporadic appearances (2005) Along with his friend Rhyno, Hardy was released by WWE on April 11, 2005. Hardy's release was largely due to unprofessional conduct with social media after discovering that Lita was having a real-life affair with his best friend Edge. The public knowledge of the affair and Hardy's release led to Edge and Lita receiving jeers from the crowds at WWE events, often resulting in chants of "You screwed Matt!", and, "We want Matt!", which meant kayfabe storylines being affected considering that Lita was married to Kane at the time in kayfabe. Edge and Lita used the affair and fan backlash to become a hated on-screen couple, which led to Lita turning heel for the first time in over five years. Fans began a petition on the internet, wanting WWE to re-sign Hardy, and amassed over fifteen thousand signatures. Hardy released two character promotional vignettes, that he was planning to use before he was offered a new contract by WWE. Hardy called himself The Angelic Diablo with the tagline "the scar will become a symbol" in reference to the way in which he had been treated by Lita and WWE. On the June 20 episode of Raw, during the storyline wedding of Edge and Lita, Hardy's entrance music and video were played when the priest asked if anyone had a reason why Edge and Lita should not be wed. Independent circuit and Ring of Honor (2005) Following his WWE release, Matt returned to the independent circuit and wrestled several matches for the Allied Powers Wrestling Federation (APWF), International Wrestling Cartel (IWC) and Big Time Wrestling (BTW). Hardy appeared at a scheduled Ring of Honor (ROH) event on July 16, 2005, in Woodbridge, Connecticut where he defeated Christopher Daniels via submission. Hardy also cut a brief worked shoot promo where he criticized WWE and John Laurinaitis. Following his official return to WWE, Hardy was met with backlash following a match with Homicide from the fans at a subsequent ROH event, which Hardy won. The next day at his final ROH appearance, he lost to Roderick Strong. Return to WWE Feud with Edge (2005–2006) On July 11, 2005, on Raw, Hardy attacked Edge backstage and again later during Edge's match with Kane. Before being escorted out of the building by security, Hardy stated that Edge (calling him by his real name of "Adam") and Lita would pay for their actions and told fans that they could see him at Ring of Honor while security officials and event staff were trying to restrain him. Hardy also called out Johnny Ace as security had him in handcuffs taking him out of the arena. This caused an uproar amongst fans, who were confused and wondered if the whole thing was a work or a shoot. Similar occurrences repeated during the following two weeks. On the August 1 episode of Raw, Vince McMahon officially announced Hardy's return to WWE, adding that Hardy would face Edge at SummerSlam. Hardy made his in-ring return, defeating Snitsky on the August 8 Raw. Seconds after the victory, Hardy was attacked by Edge, and as he was being carried backstage, Matt counterattacked Edge in the locker room. On August 21 at SummerSlam, their match came to a premature end when Edge dropped Hardy onto the top of a ring post, causing him to bleed heavily. The referee ended the match on the grounds that Hardy could not continue, and Edge was declared the winner. After SummerSlam, the two continued feuding on Raw, including a Street Fight on August 29 that resulted in Hardy performing a Side Effect on Edge off the entrance stage and into electrical equipment below; the match ended in a no contest. At Unforgiven, Edge faced Hardy in a steel cage match. Hardy caught an interfering Lita with the Twist of Fate and won the match with a leg drop off the top of the cage. Hardy and Edge faced each other on October 3 at WWE Raw Homecoming in a Loser Leaves Raw ladder match. Edge's briefcase holding his Money in the Bank contract for his WWE Championship opportunity was suspended above the ring. The winner of the match received the contract and the loser was forced to leave Raw. Edge tied Hardy's arms in the ropes, and Lita trapped Hardy in a crucifix hold, leaving Hardy only able to watch Edge win. With his defeat at the hands of Edge, Hardy was moved to the SmackDown! brand where he re-debuted with a win over Simon Dean on October 21 in Reno, Nevada. One week later, Hardy won the fan vote to represent Team SmackDown! (alongside Rey Mysterio) to challenge Team Raw (Edge and Chris Masters) at Taboo Tuesday. Edge, however, refused to wrestle and sent Snitsky in place of him in the match, which Hardy and Mysterio won. Back on SmackDown!, Hardy started an angle with MNM (Johnny Nitro and Joey Mercury) and their manager Melina when Melina approached Hardy, seemingly wanting Hardy to join with her team. Hardy refused the offer, which led to him facing the tag team on several occasions with a variety of partners. On July 25, after the SmackDown! taping, Hardy was taken out of action after doctors found the remnants of the staph infection that had plagued him the previous year. He was sidelined until August 25 while he healed. Upon his return to action, Hardy feuded against childhood friend and reigning Cruiserweight Champion Gregory Helms. At No Mercy, in their home state, Hardy beat Helms in a non-title match. The two met again at Survivor Series, where Hardy's team won in a clean sweep. They wrestled one final match, a one time appearance in Booker T's Pro Wrestling Alliance (PWA) promotion, where Hardy defeated Helms in a North Carolina Street Fight. The Hardy Boyz reunion (2006–2007) On the November 21, 2006 episode of ECW on Sci Fi, Hardy and Jeff competed in a match together for the first time in almost five years, defeating The Full Blooded Italians. At December to Dismember, the Hardy Boyz issued an open challenge to any tag team who wanted to face them. MNM answered their challenge by reuniting at December to Dismember, a match won by the Hardy Boyz. At Armageddon, Hardy and Jeff competed against Paul London and Brian Kendrick, MNM, and Dave Taylor and William Regal in a Ladder match for the WWE Tag Team Championship but lost. Subsequently, he and Jeff feuded with MNM after the legitimate incident where they injured Mercury's face at Armageddon. This led to a long term rivalry, and at the Royal Rumble, Hardy and Jeff defeated MNM. Mercury and Hardy continued to feud on SmackDown! until Mercury was released from WWE on March 26. The night after WrestleMania 23 on Raw, the Hardys competed in a 10-team battle royal for the World Tag Team Championship. They won the titles for the sixth time from then WWE Champion John Cena and Shawn Michaels after last eliminating Lance Cade and Trevor Murdoch. This started a feud with Cade and Murdoch, and the Hardys successfully retained their World Tag Team Championship in their first title defense at Backlash. The Hardy Boyz also successfully retained their titles at Judgment Day against Cade and Murdoch. One month later at One Night Stand, they defeated The World's Greatest Tag Team to retain the titles in a Ladder match. The following night on Raw, Vince McMahon demanded that The Hardys once again defend their championships against Cade and Murdoch. The Hardys were defeated after Murdoch pushed Jeff's foot off the bottom rope during Cade's pinfall, causing the three count to continue. They invoked their rematch clause against Cade and Murdoch at Vengeance: Night of Champions, but were unsuccessful. Feud with MVP and championship reigns (2007–2009) On the July 6, 2007 episode of SmackDown!, Hardy won a non-title match against United States Champion Montel Vontavious Porter (MVP), which resulted in a feud between the two. Hardy was defeated by MVP at The Great American Bash for the United States Championship. MVP then claimed that he was "better than Hardy at everything", which led to a series of contests between Hardy and MVP, such as a basketball game, an arm wrestling contest, and a chess match which MVP "sneezed" on and ruined when Hardy put him in check. MVP challenged Hardy to a boxing match at Saturday Night's Main Event XXXV, however MVP was legitimately diagnosed with the heart condition Wolff-Parkinson-White syndrome. Since MVP was unable to compete, Hardy faced his replacement, former world champion boxer, Evander Holyfield. The match ended in a no contest after MVP entered the ring to verbally abuse Holyfield, who then knocked him out. MVP also challenged Hardy to a beer drinking contest at SummerSlam, but as revenge for what happened at SNME, Hardy allowed Stone Cold Steve Austin to replace him; Austin simply performed a stunner on MVP then kept drinking. After a segment involving MVP inadvertently choosing Hardy as his tag-team partner, Theodore Long promptly set up a match against Deuce 'n Domino for the WWE Tag Team Championship on the August 31 episode of SmackDown! which Hardy and MVP were able to win, therefore setting up Hardy's first reign as WWE Tag Team Champion. Hardy and MVP retained the titles at Unforgiven in a rematch against former champions Deuce 'n Domino. Hardy was scheduled to face MVP at Cyber Sunday, but due to a real-life head injury sustained on the October 26 episode of SmackDown!, he was not medically cleared to compete. As part of the storyline, Hardy continually asked MVP for a shot at the United States Championship but MVP refused stating that he was more focused on the Tag Team Championship. On the November 16 episode of SmackDown!, Hardy and MVP dropped the WWE Tag Team Championship to John Morrison and The Miz. Despite the fact that Hardy was hurt, MVP immediately invoked the rematch clause. After the rematch, in which Hardy was forced to tap out, MVP attacked Hardy, repeatedly targeting his knee. It was later confirmed by WWE.com that Hardy had suffered an injury at his former partner's hands and that he might not be able to compete at Survivor Series. Despite Hardy's absence at Survivor Series, his team was able to win the match. On November 21, WWE's official website reported that Hardy underwent an emergency appendectomy in Tampa, Florida after his appendix burst. Hardy made an appearance at the December 31 episode of Raw supporting his brother Jeff. To further Jeff's storyline with Randy Orton, however, Hardy was attacked by Orton. Hardy made his return at a live event in Muncie, Indiana on March 1, 2008. On March 30, 2008, at WrestleMania XXIV, during the Money in the Bank ladder match Hardy cut through the crowd and attacked MVP to prevent him from winning the match. He made his official in-ring return the next night on Raw, losing a singles match to WWE Champion Randy Orton. On the April 4 episode of SmackDown, Hardy faced MVP in a non-title match, which he won, re-igniting their storyline rivalry. On April 27, 2008, Hardy defeated MVP to win the United States Championship at Backlash, and successfully retained his title against MVP five days later on SmackDown. Hardy declared himself as a fighting champion that would take on all challenges, defending the United States championship against Shelton Benjamin, Elijah Burke, Chuck Palumbo, Mr. Kennedy, Chavo Guerrero and Umaga. Hardy was drafted to the ECW brand on the June 23, 2008 episode of Raw during the 2008 WWE Draft, in the process making the United States Championship exclusive to ECW. He dropped the United States Championship to Shelton Benjamin at the Great American Bash pay-per-view on July 20, 2008, which meant that the title returned to SmackDown. On the July 22 episode of ECW, Hardy became the number one contender to Mark Henry's ECW Championship after defeating John Morrison, The Miz and Finlay in a fatal four-way match. He won the title match at SummerSlam by disqualification due to interference from Henry's manager, Tony Atlas, thus he failed to win the title. Due to the ending of the pay-per-view match, Hardy received a rematch for the title on the next episode of ECW, but again failed to win the title when Henry pinned him after a distraction by Atlas. At Unforgiven, Hardy won the ECW Championship during the Championship scramble match, defeating then-champion Henry, The Miz, Finlay and Chavo Guerrero by pinning the Miz with three minutes left, marking his first world heavyweight championship win. He continued to feud with Henry until No Mercy, where Hardy successfully retained the title. Hardy lost the title to Jack Swagger on the January 13, 2009 episode of ECW, which was taped on January 12. Feud with Jeff Hardy and departure (2009–2010) At the 2009 Royal Rumble pay-per-view, after losing an ECW Championship rematch to Swagger, Hardy turned on his brother when he hit Jeff with a steel chair, allowing Edge to win the WWE Championship, turning heel in the process. On the January 27, 2009 episode of ECW, it was announced by General Manager Theodore Long that Hardy had requested, and been granted, his release from ECW and had re-signed with the SmackDown brand. As part of the buildup to this feud, Matt strongly implied that he was responsible for all of Jeff's accidents leading back to November, including an assault in a hotel stairwell that prevented Jeff from appearing at Survivor Series, an automobile accident where Jeff's car was run off the road, and a pyrotechnics malfunction where part of the pyro from Jeff's entrance was fired directly at Jeff, in an attempt to stop Jeff holding the WWE Championship. Despite Hardy's attempts to goad Jeff into fighting him, Jeff refused to fight his brother, but, on the March 6 episode of SmackDown, Jeff attacked him during a promo where Matt implied that he was also responsible for the fire that burned down Jeff's house, going so far as to reveal that he had in his possession a dog collar that supposedly belonged to Jeff's dog, Jack (who died in the fire), that he claimed to have salvaged from the wreckage of the house. At WrestleMania 25, Matt defeated Jeff in an Extreme Rules match, and in a stretcher match on the following episode of SmackDown. On the April 13 episode of Raw, Hardy was drafted to the Raw brand as part of the WWE draft. Despite the fact that the two were on different brands, he continued his feud with Jeff. Two weeks later, in a rematch from WrestleMania, Hardy lost to Jeff in an "I Quit" match at Backlash, in which he legitimately broke his hand. Hardy continued to wrestle with his hand in a cast, incorporating it into his persona and claiming that he was wrestling under protest. He reignited his feud with MVP on Raw for the United States Championship. He also formed a tag team with William Regal, and the two acted as henchmen for General Manager Vickie Guerrero. At the June 22 taping of WWE Superstars, Hardy suffered yet another injury, when his intestines went through his abdominal wall, during a triple threat match against MVP and Kofi Kingston. Hardy had suffered a tear in his abdominal muscle two years previously, but had not needed surgery until it worsened, and became a danger to his health. He was then traded back to the SmackDown brand on June 29, and underwent surgery for the torn abdominal muscle on July 2. He made his return on the August 7 episode of SmackDown as the special guest referee in the World Heavyweight Championship match between his brother, Jeff, and CM Punk, and helped Jeff retain the championship by counting the pinfall. The following week Hardy turned face again when he saved his brother when CM Punk and The Hart Dynasty attacked both Jeff and John Morrison. On the August 21 episode of SmackDown, after apologizing for his past actions towards Jeff and admitting that he was not behind any of Jeff's accidents, he had his first match back after his injury when he teamed with Jeff and John Morrison to defeat The Hart Dynasty and CM Punk, when Matt pinned Punk. In early 2010, Hardy began an on-screen relationship with Maria; but was brief and the relationship ended when Maria was released from her WWE contract. On the March 5 episode of SmackDown, Hardy qualified for the Money in the Bank ladder match at WrestleMania XXVI by defeating Drew McIntyre, but was unsuccessful at WrestleMania, as the match was won by Jack Swagger. Hardy was suspended by Vince McMahon because he attacked McIntyre after McIntyre lost to Kofi Kingston at Over the Limit. He was able to get his revenge on McIntyre during the Viewer's Choice episode of Raw when chosen as the opponent for McIntyre, with General Manager Theodore Long stating that Hardy was suspended from SmackDown, but not from Raw. On the following episode of SmackDown, however, Vickie Guerrero announced that, per orders of Vince McMahon, Hardy had been suspended from all WWE programming. However, at Fatal 4-Way, Hardy prevented McIntyre from regaining the Intercontinental Championship, thus continuing their feud. On the following edition of SmackDown, he was reinstated by Long and had a match with McIntyre, which Hardy won. After the match, it was announced that McIntyre's visa had legitimately expired and was sent back to Scotland, thus ending their feud. Hardy was featured in the SmackDown Money in the Bank ladder match but was unsuccessful in winning with Kane coming out victorious. On September 12, WWE confirmed they had sent Hardy home from a European tour. Following this, Hardy began posting videos on his YouTube channel expressing his disinterest in the WWE product and insisting that he wanted to be released from the company. On October 15, 2010, WWE announced that Hardy had been released from his contract. Hardy later stated that his release had been in effect two weeks before WWE made the announcement. Total Nonstop Action Wrestling (2011) On January 9, 2011, Hardy made his debut for Total Nonstop Action Wrestling (TNA) at the Genesis pay-per-view, as part of the stable Immortal. He was the surprise opponent for Rob Van Dam, and defeated him to prevent Van Dam from receiving a match for the TNA World Heavyweight Championship, held by Hardy's brother Jeff. In the main event, Hardy attempted to interfere in Jeff's World Heavyweight Championship match with Mr. Anderson, but was stopped by Van Dam, which led to Jeff losing both the match and the championship. On the January 13 episode of Impact!, the Hardy Boyz reunited to defeat Anderson and Van Dam in a tag team match, following interference from Beer Money, Inc. On February 13 at Against All Odds, Van Dam defeated Hardy in a rematch. On the following episode of Impact!, Hardy, along with the rest of Immortal and Ric Flair, betrayed Fortune. On March 13 at Victory Road, Hardy was defeated by Flair's previous protégé, A.J. Styles. On April 17 at Lockdown, Immortal, represented by Hardy, Abyss, Bully Ray and Ric Flair, were defeated by Fortune members James Storm, Kazarian and Robert Roode and Christopher Daniels, who replaced an injured A.J. Styles, in a Lethal Lockdown match. On the April 21 episode of Impact!, Hardy faced Sting for the TNA World Heavyweight Championship, Hardy's first World Title match in TNA, but was defeated. The following month, Hardy was granted a shot at the TNA World Tag Team Championship against Beer Money, Inc. (James Storm and Robert Roode). While the champions looked to defend the title against the Hardy Boyz, Matt instead introduced the returning Chris Harris, Storm's old tag team partner, as his partner for the title match. The match took place at Sacrifice, where Storm and Roode retained their titles. On June 21, it was reported that TNA had suspended Hardy. On August 20, Hardy was released from TNA following a DUI arrest that occurred earlier that same day. Return to the independent circuit (2011–2017) Hardy announced his retirement from full-time professional wrestling due to injuries on September 1, 2011. He issued a challenge to his long-time rival MVP, who was wrestling in Japan at the time, to one final match at "Crossfire Live!" in Nashville. The event was held May 19, 2012 and benefited the Make-A-Wish Foundation. Hardy won the match. Throughout 2012, Hardy wrestled sporadically on the independent circuit, working with promotions such as Mid Atlantic Championship Wrestling, Pro Wrestling Syndicate and Northeast Wrestling. On October 5, Hardy was defeated by Kevin Steen at Pro Wrestling Xperience's An Evil Twist of Fate. On November 11, Hardy, as the masked wrestler Rahway Reaper, defeated the Pro Wrestling Syndicate Kevin Matthews, winning the championship. On February 9, 2013, Hardy lost the Pro Wrestling Syndicate Championship back to Matthews. On February 16, 2013, at Family Wrestling Entertainment's No Limit, Hardy wrestled a TLC match for the FWE Heavyweight Championship against the champion Carlito and Tommy Dreamer, but he was defeated. On November 30, 2013, at WrestleCade, Hardy defeated Carlito to become the first ever WrestleCade Champion. On May 3, 2014, following a match between Christian York and Drolix, Hardy defeated Drolix to become the new MCW Heavyweight Champion. At Maryland Championship Wrestling's Shane Shamrock Cup, Hardy defeated Luke Hawx in a TLC match for Hardy's title and Hawx's Extreme Rising World title. Hardy won the match, but he gave back the title to Hawx. On October 4, Hardy lost the MCW Heavyweight Championship back to Drolix, following outside interference from Kevin Eck. On February 9, 2015, Hardy appeared on FWE's "No Limits 2015" iPPV, challenging Drew Galloway for the ICW World Heavyweight Championship, but was defeated. On November 28, 2015, Hardy lost the WrestleCade Championship to Jeff Jarrett at WrestleCade IV in Winston-Salem, North Carolina. Hardy regained the title in a triple-threat cage match against Jarrett and Ethan Carter III in Hickory, North Carolina on May 20, 2016. He appeared at the #DELETEWCPW event for What Culture Pro Wrestling (WCPW) in Nottingham, England on November 30. Hardy, billed as "Broken" Matt Hardy, lost a no-disqualification match to Bully Ray, with Ray proposing the no-disqualification stipulation at the last minute, and Hardy accepting there and then. Return to ROH (2012–2014) At Death Before Dishonor X: State of Emergency in 2012, Hardy returned to Ring of Honor, confronting Adam Cole and challenging him to a match for the ROH World Television Championship. On December 16 at Final Battle 2012: Doomsday, Hardy defeated Cole in a non-title match. At the following iPPV, 11th Anniversary Show on March 2, 2013, Hardy joined the villainous S.C.U.M. stable. On April 5 at the Supercard of Honor VII iPPV, Hardy unsuccessfully challenged Matt Taven for the ROH World Television Championship in a three-way elimination match, which also included Adam Cole. On June 22 at Best in the World 2013, Hardy defeated former S.C.U.M. stablemate Kevin Steen in a No Disqualification match to become the number one contender to the ROH World Championship. Hardy received his title shot at the following day's Ring of Honor Wrestling tapings, but was defeated by the defending champion, Jay Briscoe. Later that same day, S.C.U.M. was forced to disband after losing a Steel Cage Warfare match against Team ROH. On December 14, 2013, at Final Battle 2013, Hardy defeated Adam Page in a singles match; later on in the main event, Hardy aided Adam Cole in retaining his title and forming a tag team with him. After aiding Cole at Supercard of Honor VIII, Hardy was given Jay Briscoe's unofficial "Real World Title" belt, which he renamed the "ROH Iconic Championship". In July, Hardy opted out of his ROH contract and went back to TNA. Return to OMEGA (2013–2018) Matt announced that OMEGA would return in January 2013 with an event titled "Chinlock For Chuck". The main event featured Matt, Jeff, Shane "Hurricane" Helms and "Cowboy" James Storm defeating Gunner, Steve Corino, CW Anderson and Lodi. On October 12, 2013, at "Chapel Thrill", Hardy announced a Tournament for the OMEGA Heavyweight Championship which featured himself vs. CW Anderson and Shane "Hurricane" Helms vs. "The King" Shane Williams. After Hardy's qualifying match he was attacked by CW but was saved by the returning Willow the Whisp. Hardy won that match and advanced to the finals. On November 21, 2015, Matt won the OMEGA Heavyweight Championship for the second time, defeating former student Trevor Lee. Following this, Matt (upon regaining the TNA world title as part of his villainous egotistical "Iconic" gimmick) began proclaiming himself to be the only world champion that matters, and the only "true" world champion in wrestling, as he held both the TNA and OMEGA Championships, which (according to him) put him above any other promotions' world champions. Throughout 2016, Hardy defended the TNA and OMEGA titles jointly at OMEGA events as part of his "only true world champion" gimmick. On January 29, The Hardys won the OMEGA Tag Team Championships. Return to TNA The Hardys third reunion (2014–2015) On July 24, 2014, Hardy returned to TNA and reunited with Jeff to reform The Hardys for the third time. At the Destination X episode of Impact Wrestling, The Hardys were defeated by The Wolves in a match for the TNA World Tag Team Championship. On the August 14 episode of Impact Wrestling, Team 3D (formerly the Dudley Boyz) challenged The Hardys to a match, which Team 3D won. At the Hardcore Justice episode of Impact Wrestling, The Hardys and Team 3D talked about a match involving themselves and The Wolves. When The Wolves were asked by the two teams, they agreed. Later that night, Kurt Angle announced all three teams would compete in a best of three series for the TNA World Tag Team Championship with the winners of the first match choosing the stipulation of the next one. The Hardys won the second match of the series on the September 10 episode of Impact Wrestling in a tables match and choose a ladder match for the third match of the series. The Hardys were unsuccessful in winning that match on the September 17 episode of Impact Wrestling, as the Wolves won that match. The Wolves then went on to pick the final match of the series to be a Full Metal Mayhem match to take place on the October 8 episode of Impact Wrestling. The Hardys were unsuccessful in that match as the Wolves won that match. On October 22, The Hardys entered a number one contenders tournament for the TNA World Tag Team Championship defeating The BroMans (Jessie Godderz and DJ Z) in the first round of the tournament. On the October 29 episode of Impact Wrestling, The Hardys defeated Team Dixie (Ethan Carter III and Tyrus) in the semifinals to advance to the finals of the tournament, where they defeated Samoa Joe and Low Ki to become number one contenders for the TNA World Tag Team Championship. On the January 16, 2015 episode of Impact Wrestling, The Hardys defeated the Wolves. At the Lockdown episode of Impact Wrestling, The Hardys were defeated by The Revolution in a six sides of steel cage match for the TNA World Tag Team Championship. On the February 20 episode of Impact Wrestling, Hardy and The Wolves defeated The Revolution in a six-man tag team match. In March, The Hardys participated in a tournament for the vacant TNA World Tag Team Championship. On March 16, 2015, Matt and Jeff won an Ultimate X match for the titles. On May 8, 2015, Hardy vacated the TNA World Tag Team Championship due to his brother Jeff being injured. World Heavyweight Champion (2015–2016) On June 28, 2015, Hardy was among the five wrestlers who competed for the TNA King of the Mountain Championship at Slammiversary, with Jeff Jarrett ultimately emerging victorious. On the July 8 episode of Impact Wrestling, Hardy requested a world title shot against Ethan Carter III, but was denied and forced to face the Dirty Heels (Austin Aries and Bobby Roode) in a handicap match, which he lost. On the July 22 episode of Impact Wrestling, Hardy defeated Roode in a Tables match to become the #1 contender for the TNA World Heavyweight Championship. On the August 5 episode of Impact Wrestling, Hardy got his shot at the title against EC3 in a Full Metal Mayhem match, but failed to win the title. On the September 2 episode of Impact Wrestling, Hardy got another shot at the TNA World Heavyweight Championship against EC3, but again failed to win the title; as part of the storyline, Jeff Hardy was forced to act as Ethan Carter's personal assistant. On the September 30 episode of Impact Wrestling, Hardy was added to the Ethan Carter III vs. Drew Galloway main event match for the TNA World Heavyweight Championship at Bound for Glory after he and Galloway defeated Carter and Tyrus, making it a three-way match, following which Jeff, who EC3 had just "fired" in the previous episode, was revealed to be the special guest referee. On October 4 at Bound for Glory, Matt won the TNA World Heavyweight Championship by pinning Galloway. However, EC3 filed an injunction (kayfabe) that banned Hardy from appearing on Impact Wrestling for a month, which forced Hardy to relinquish the title in order to stay on the show. However, Hardy had been participating in the TNA World Title Series for the vacant title. He qualified to the round of 16 by defeating Davey Richards, Robbie E and Eddie Edwards. He then advanced to the round of 8 by defeating the King of the Mountain Champion Bobby Roode and then to Jessie Godderz to continue his winning streak. The semifinals and finals were held on the January 5, 2016, live episode of Impact Wrestling during its debut on Pop TV, in which he defeated Eric Young to advance to the final round. Hardy faced EC3 in the TNA World Title Series finals, but lost the match via pinfall. Hardy won the TNA World Title from EC3 on the January 19, 2016 episode of Impact Wrestling, becoming the first man to defeat him in a one-on-one match in TNA. During the match a double turn took place; Hardy turned heel after Tyrus betrayed EC3. The following week on Impact Wrestling, Jeff Hardy had confronted him about last week and issued a challenge to Matt for the World Heavyweight title in the main event and Matt accepted. However, later before the main event could begin, Eric Young and Bram attacked Jeff from behind. Kurt Angle then came out to try save Jeff, and Matt had Tyrus attack Angle from behind. While Matt watched from the ramp, Young attacked Jeff with the Piledriver off the apron through a table. The following week, he successfully retained his title against Angle. At Lockdown, he retained his title in a Six-side of steel match against Ethan Carter III, with the help of Rockstar Spud. He lost his title against Drew Galloway on the March 15 episode of Impact Wrestling, after a match featuring EC3 and Jeff Hardy. Two weeks later he received a rematch for the title on Impact Wrestling, but was again defeated by Galloway. After losing the title he started a feud with Jeff. On the April 19 episode of Impact Wrestling, and an I Quit match ended in a no-contest as both Matt and Jeff were badly injured and Matt was taken out to the hospital on a stretcher. The Broken Universe (2016–2017) Hardy returned on May 17 episode of Impact Wrestling, revealing himself to be one of the impostor Willows behind the attacks on Jeff. Later that night, he attacked Jeff. In the following weeks, Hardy debuted a new persona as a "Broken" man with part of his hair bleached blonde along with a strange sophisticated accent, blaming Jeff (who he began referring to as "Brother Nero", Nero being Jeff's middle name) for breaking him and becoming obsessed with "deleting" him. His line “Delete”, is mostly inspired by the Death Note manga/anime series character Teru Mikami. On June 12, at Slammiversary, Matt was defeated by Jeff in a Full Metal Mayhem match. On the June 21 episode of Impact Wrestling, Matt was once again defeated by Jeff in a Six Sides of Steel match. On the June 28 episode of Impact Wrestling, Matt challenged Jeff to a final battle with the Hardy brand on the line, to take place at their home in Cameron, North Carolina the next week. On July 5, during special episode "The Final Deletion", Matt defeated Jeff in the match to become sole owner of the Hardy brand, forcing Jeff to drop his last name and become referred to as "Brother Nero". On the August 18 episode of Impact Wrestling, Matt and Brother Nero defeated The Tribunal, The BroMans and The Helms Dynasty in an "Ascension To Hell" match for an opportunity to challenge Decay for the TNA World Tag Team Championship. On September 8, during special episode "Delete or Decay", the Hardys faced Decay in a match held at the Hardy compound, where Brother Nero sacrificed himself to save Matt from Abyss. Thanks to Brother Nero's sacrifice, Hardy was able to confront Rosemary and prevent his son Maxel from being abducted, which turned Hardy babyface as a result, and he furthered the face turn by healing Brother Nero in the Lake of Reincarnation. At Bound for Glory, the Hardys defeated Decay in "The Great War" to win the TNA World Tag Team Championship for the second time. On the October 6 episode of Impact Wrestling, they successfully defended their titles against Decay, in a Wolf Creek match. On the November 3 episode of Impact Wrestling, the Hardys successfully defended the titles against The Tribunal. After the match, the Hardys were attacked by the masked trio known as Death Crew Council (DCC). After accepting DCC's title challenge, The Hardys faced Bram and Kingston, and Matt pinned Kingston to retain the titles. On December 15, during special episode "Total Nonstop Deletion", they were once again successful in retaining. Brother Nero attacked Crazzy Steve with the Twist of Fate, who then fell into a volcano (that had appeared on the compound in the weeks leading up the event), and was shot up into the sky, landing in the ring. Matt then covered him to win the match. On the January 12, 2017 episode of Impact Wrestling, The Hardys successfully defended their titles against The Wolves. At Genesis, The Hardys retained their titles against the DCC and Decay in a three-way tag team match. On Open Fight Night, the Hardys began a storyline where they would teleport to different promotions and win that promotions' tag team championship gold, which was referred to by Matt as their "Expedition of Gold". On February 27, Hardy announced that both he and Jeff had finally left TNA, following years of speculation, with their contracts expiring that week. Though the two sides were reportedly close to a contract agreement, talks began to break down and changes in management prompted their departure from the company. The TNA World Tag Team Championships were vacated due to the Hardys' departure and was explained on TNA television in a segment where The Hardys teleported to their next Expedition of Gold destination, but a technicality resulted in them disappearing and the belts appearing in the arms of Decay. Broken gimmick legal battle Shortly after the departure of Matt and Jeff from TNA was made public, Matt's wife, Reby, went on a social media tirade in which she repeatedly slammed TNA, the company's new management and the way in which contract negotiations between the company and the Hardy family were conducted. A few weeks following this, the bad blood between the two sides intensified, so much so that the new management of TNA (now renamed Impact Wrestling) Anthem Sports & Entertainment issued a cease and desist letter to The Hardys' new promotion Ring of Honor (ROH), in which Anthem essentially ordered ROH as well as any broadcasting company airing ROH's 15th Anniversary pay–per–view show (on which The Hardys were to participate in a match) to not in any way speak of, indicate or acknowledge the existence of the Broken Matt and Brother Nero characters and instead to refer to The Hardys as simply Matt Hardy and Jeff Hardy. The issue with this is that while The Hardys were in TNA, they had full creative control over the Broken gimmick, with them even filming their own segments to air on TNA programming in some circumstances, thus making the Hardy family (in their belief) the owners of the Broken gimmick. It is believed that civil litigation will follow and a potential court hearing will take place regarding the outcome on who owns the Broken gimmick: Anthem or the Hardy family. Until then, the status of the Broken gimmick remains undecided. Despite this, Matt continues to use the Broken gimmick through his social media accounts, but neither he nor Jeff uses the Broken gimmick at any professional wrestling shows for ROH or on the independent circuit, presumably until the results of the expected legal proceedings have been finalized. Newly–appointed Impact Wrestling President Ed Nordholm credits the invention of and the vision behind the Broken gimmick to Jeremy Borash, Dave Lagana and Billy Corgan, and while Borash specifically had the most input into the gimmick of the three aside from Matt, the Hardy family deny that Borash was the sole person behind the gimmick. In November 2017, Impact Wrestling changed their policy, allowing all talent to retain complete ownership over their intellectual property, essentially forfeiting ownership of the "Broken" character to Hardy. On January 31, 2018, the legal battle officially concluded when Matt legally acquired ownership of all trademarks related to the Broken universe and the Broken gimmick, which includes 'Broken Matt', 'Brother Nero', 'Broken Brilliance' and 'Vanguard1'. International matches (2014–2015) On November 1, 2014, Hardy traveled to Japan to compete for Wrestle-1 at the promotions Keiji Muto 30th Anniversary Hold Out show in a triple threat match against Seiya Sanada and Tajiri, which he lost. On May 24, 2015, Hardy traveled to Mexico to compete as a team captain for Team TNA/Lucha Underground with teammates Mr. Anderson and Johnny Mundo at Lucha Libre AAA Worldwide's 2015 Lucha Libre World Cup pay–per–view show. In the quarter–final round, Team TNA/Lucha Underground faced Team Rest of the World (Drew Galloway, Angélico and El Mesías) to a 15-minute time limit draw, with Team TNA/Lucha Underground winning in overtime and advancing to the semi–final round. In the semi–final round, Team TNA/Lucha Underground defeated Team MexLeyendas (Blue Demon Jr., Dr. Wagner Jr. and El Solar) to advance to the final round. In the final round, Team TNA/Lucha Underground faced Dream Team (El Patrón Alberto, Myzteziz and Rey Mysterio Jr.) to a 15–minute time limit draw, with Dream Team winning both the match and the tournament in overtime with Hardy on the losing end of the final pinfall. Second return to ROH (2016–2017) On December 2, 2016, Hardy returned to ROH for the second time while still under contract with TNA, appearing at the promotions Final Battle pay-per-view show as Broken Matt, where a video message showed him addressing The Young Bucks (Matt Jackson and Nick Jackson) and The Briscoes (Jay Briscoe and Mark Briscoe). On March 4, 2017, in the same week that both Matt and Jeff were released from TNA, The Hardys defeated The Young Bucks in an impromptu match at ROH's 2017 installment of the company's Manhattan Mayhem show series to become the new ROH World Tag Team Champions for the first time. Moments after winning the titles, Hardy announced in a post-match promo that both he and Brother Nero (Jeff) had signed "the biggest ROH contracts in (the company's) history". It was later confirmed that the contracts were short-term, only for the "immediate future". On March 10, The Hardys successfully defended the ROH World Tag Team Championship for the first time at ROH's 15th Anniversary pay-per-view show against The Young Bucks and Roppongi Vice (Beretta and Rocky Romero) in a three-way Las Vegas tag team street fight match. Prior to the event, the Hardys had been sent a legal threat by Impact Wrestling regarding the use of the Broken Matt and Brother Nero gimmicks. The following night on March 11, The Hardys (not billed but using the Broken gimmicks anyway) once again retained the titles, this time against The Briscoes at a set of Ring of Honor Wrestling television tapings. The Hardys lost the titles back to The Young Bucks in a ladder match on April 1 at ROH's Supercard of Honor XI pay-per-view show, which would be the final ROH appearances for both Hardys in this tenure with the promotion. Second return to WWE (2017–2020) Feud with The Bar (2017) At the WrestleMania 33 pay-per-view on April 2, 2017, Hardy made his surprise return to WWE, along with his brother Jeff Hardy, being added as last-minute participants in the ladder match for the Raw Tag Team Championship, defeating Gallows and Anderson, Cesaro and Sheamus, and Enzo and Cass to win the Raw Tag Team Championship. Afterwards on Raw Talk, Hardy mentioned that The Hardy Boyz had successfully completed the Expedition of Gold, after winning the Raw Tag Team Championship. At Payback, The Hardy Boyz retained their championships against Cesaro and Sheamus, who attacked them after the match. The next night on Raw, Cesaro and Sheamus explained their actions, claiming the fans were more supportive of 'novelty acts' from the past like The Hardy Boyz, who they feel did not deserve to be in the match at WrestleMania 33. Subsequently, at Extreme Rules, The Hardy Boyz lost the titles against Cesaro and Sheamus in a steel cage match, and failed to regain it back the following month at the Great Balls of Fire event. Afterwards, it was revealed that Jeff had gotten injured and would be out for an estimated six months, thus Hardy began wrestling in singles matches. Woken Universe and storyline with Bray Wyatt (2017–2018) During his feud with Bray Wyatt, Hardy introduced his "Woken" gimmick, after Impact Wrestling dropped their claim to the gimmick and Hardy gained full ownership of it. Wyatt defeated Hardy at Raw 25 on January 22, 2018, and Hardy defeated Wyatt at Elimination Chamber on February 25. Their final match happened on the March 19 episode of Raw, dubbed The Ultimate Deletion, with Hardy winning after distractions from Señor Benjamin. Wyatt then disappeared after being thrown into the Lake of Reincarnation. At WrestleMania 34 on April 7, Hardy competed in the annual André the Giant Memorial Battle Royal, and won the match due to a distraction by the returning Wyatt. After WrestleMania, Hardy and Wyatt performed as a tag team, sometimes referred to as The Deleters of Worlds. They won a tournament for the vacant Raw Tag Team Championship, defeating Cesaro and Sheamus at the Greatest Royal Rumble event to win the title. However, they lost the titles at Extreme Rules to The B-Team (Bo Dallas and Curtis Axel). On the July 23 episode of Raw, Hardy and Wyatt received a rematch for the titles, but was again defeated by The B-Team. Following this, Hardy revealed that he was taking time off due to his back fusing with his pelvis, effectively disbanding the team. According to Hardy, the reason WWE disbanded the team was because he and Wyatt pitched several ideas to WWE to work with their characters. The Hardys fourth reunion and departure (2019–2020) After more than seven months of absence from television, Hardy returned on the February 26, 2019 episode of SmackDown Live, teaming with his brother Jeff to defeat The Bar (Cesaro and Sheamus). At WrestleMania 35 on April 7, Hardy competed in the André the Giant Memorial Battle Royal, but was eliminated by eventual winner, Braun Strowman. Two days later on SmackDown Live, The Hardy Boyz defeated The Usos to win the SmackDown Tag Team Championship. The reign only lasted 21 days (recognized as 20 days by WWE), as they had to vacate the title due to Jeff injuring his knee, this was explained in storyline as injuries afflicted by Lars Sullivan. After his brother Jeff's injury, Hardy began to appear on WWE programming less frequently. At Super ShowDown on June 7, Hardy competed in the 51-man Battle Royal, which was eventually won by Mansoor. From November to December, Hardy occasionally appeared on Raw, losing matches against superstars like Buddy Murphy, Drew McIntyre, Ricochet and Erick Rowan. On the February 10, 2020 episode of Raw, Hardy confronted Randy Orton about Orton's attack on Edge two weeks earlier. Hardy then got himself into a brawl with him moments after, and was viciously attacked by Orton. The following week on Raw, an injured Hardy appeared and was once again assaulted by Orton, which would be his final appearance in WWE. On March 2, Hardy announced his departure from WWE through his official YouTube channel, where Hardy said that while he's grateful towards the people behind the scenes, he said he is also on different pages with WWE as he feels he needs to have creative input and still has more to give. Later that day, WWE announced that his contract had expired. All Elite Wrestling Multiple personalities (2020–2021) Hardy made his All Elite Wrestling (AEW) debut on the March 18, 2020 episode of Dynamite, reverting to his "Broken" gimmick and being announced as the replacement for the kayfabe injured Nick Jackson on The Elite's team at Blood and Guts. However, the event was postponed to the following year due to the COVID-19 pandemic. On the May 6 episode of Dynamite, Hardy wrestled his first match with AEW, teaming up with Kenny Omega for a street fight against The Inner Circle's Chris Jericho and Sammy Guevara, and Hardy and Omega lost when Jericho pinned Omega. During this period, due to the lack of live audience, Hardy felt that the Broken character needs public, so he began to include several of his gimmicks, including Broken Matt Hardy, Big Money Matt, Matt Hardy V1, and Unkillable Matt Hardy, being referred to as "Multifarious" Matt Hardy. AEW president Tony Khan later admitted that he "wasn't a fan" of the Broken gimmick and much preferred more realistic presentations in wrestling. At Double or Nothing, Hardy teamed with The Elite to defeat The Inner Circle in the first ever Stadium Stampede match. During the match, Santana and Ortiz dunked Hardy in the stadium pool, which acted as a version of the Lake of Reincarnation, as Hardy kept cycling through his various gimmicks throughout his career when he surfaced. Hardy then feuded with Sammy Guevara, and after Hardy defeated Guevara in a Broken Rules match at All Out, Hardy took time off until he was cleared to return, due to an injury sustained during the match. On the September 16 episode of Dynamite, Hardy aligned with Private Party (Isiah Kassidy and Marq Quen) as their manager, but was attacked backstage before their match. The attacker was later revealed as Guevara and The Elite Deletion match was announced, which took place at The Hardy Compound in Cameron, North Carolina, where Hardy won. The Hardy Family Office (2021–present) Hardy then switched to his Big Money persona as he focused on managing Private Party. Over the following weeks, Hardy would display villainous tactics as he began cheating during matches much to Private Party's dismay. On the January 20, 2021 episode of Dynamite, Hardy and Private Party defeated Matt Sydal and Top Flight (Dante Martin and Darius Martin) after using a steel chair before attacking Sydal and Top Flight afterwards, thus turning heel. Hardy then approached Adam Page to accompany and befriend him, and during tag team matches, Hardy would always tag himself in and pick up the victory for his team to Page's behest. After Page set up a match between Hardy and himself, Hardy double-crossed Page, with Private Party and The Hybrid 2 (Angélico and Jack Evans) attacking Page until The Dark Order came out to save him. At the Revolution event, Hardy lost to Page despite multiple interferences from Private Party. Following Revolution, Hardy became the manager for The Butcher and The Blade (with their valet The Bunny in tow), and along with Private Party, the stable became known as the Matt Hardy Empire before settling on the name Hardy Family Office. Hardy also added The Hybrid 2 to his group in July having previously hiring them on a mercenary basis. At Double or Nothing, Hardy competed in Casino Battle Royale but was eliminated by Christian Cage. This led to a match between the two at Fyter Fest, where Hardy lost to Cage. In August, Matt Hardy and HFO began a feud with Orange Cassidy and Best Friends, which led to a match on the August 25 episode of Dynamite, where Hardy was defeated by Cassidy. However, on the November 12 episode of Rampage, Hardy defeated Cassidy in a Lumberjack match, thanks to an interference from HFO and the heel lumberjacks. Their feud ended on the November 17 episode of Dynamite where his team of The Butcher and The Blade lost to the team of Cassidy and Tomohiro Ishii, where Cassidy gave a crossbody to the interfering Hardy and The Blade during the match. Professional wrestling style and persona After the creation of his Broken character, Hardy was praised by several wrestlers and critics for reinventing himself several times during his career. During his career, Hardy has won the Wrestling Observer Newsletter Best Gimmick award two times under two different characters, once in 2002 and again in 2016. Personal life Hardy was in a six-year relationship with wrestler Amy Dumas, better known as Lita. They first met in January 1999 at a NWA Mid-Atlantic show but did not begin dating until a few months later. They broke up in February 2005 when he discovered that she was having an affair with one of Hardy's close friends, fellow wrestler Adam Copeland, better known as Edge. Hardy also dated WWE wrestler Ashley Massaro. Hardy married wrestler Rebecca Reyes, better known as Reby Sky, on October 5, 2013. They have three sons and one daughter. Hardy had previously been an addict, and credits his wife for helping him get clean. Hardy is good friends with fellow wrestlers Marty Garner, Shannon Moore, and Gregory Helms. In December 2020, he claimed to have Native American ancestry. Legal issues Hardy was arrested for a DUI on August 20, 2011. Two days later, he was arrested on felony drug charges when police found steroids in his home. In November 2011, Hardy was removed from court-ordered rehab and sent back to jail for drinking. In January 2014, Hardy and his wife were both arrested after a fight at a hotel. Other media In 1999, Matt, along with his brother Jeff, appeared as an uncredited wrestler on That '70s Show episode "That Wrestling Show". Matt and Jeff also appeared on Tough Enough in early 2001, talking to and wrestling the contestants. He appeared in the February 25, 2002 episode of Fear Factor competing against five other World Wrestling Federation wrestlers, including his brother. He won $50,000 for the American Cancer Society. Hardy also appeared on the October 13, 2009 episode of Scare Tactics, as a mental patient who threatens to attack the prank's victim. In 2001, Matt, Jeff, and Lita appeared in Rolling Stone magazine's 2001 Sports Hall of Fame issue. In 2003, Matt and Jeff, with the help of Michael Krugman, wrote and published their autobiography The Hardy Boyz: Exist 2 Inspire. As part of WWE, Matt appeared in their DVD, The Hardy Boyz: Leap of Faith in 2001. On April 29, 2008, WWE released Twist of Fate: The Matt and Jeff Hardy Story. The DVD featured footage of the brothers in OMEGA and WWE. Hardy also appears on The Hardy Show, an Internet web show which features the Hardys, Shannon Moore, and many of their friends. Hardy plays himself in the 2013 film Pro Wrestlers vs Zombies in which he and his real-life wife Reby Sky battle the undead. Hardy's first WWE video game was WWF WrestleMania 2000 in 1999 on the Nintendo 64 shortly followed by WWF SmackDown! in early 2000 on the PlayStation. He made several appearances later in WWF SmackDown! 2: Know Your Role, WWF SmackDown! Just Bring It, WWE SmackDown! Shut Your Mouth, WWE SmackDown! Here Comes the Pain, and WWE SmackDown vs. Raw. He later returned to the series in WWE SmackDown vs. Raw 2007, WWE SmackDown vs. Raw 2008, WWE SmackDown vs. Raw 2009, WWE SmackDown vs. Raw 2010, and WWE SmackDown vs. Raw 2011, which was his last WWE video game before his departure to TNA. Following his return to WWE in 2017, he was revealed as a DLC character in WWE 2K18 on September 25 that year alongside tag team partner and brother, Jeff Hardy. Hardy was revealed as a playable character in WWE 2K19 on August 30, 2018. His final appearance in a WWE video game came with WWE 2K20 in 2019. Filmography Championships and accomplishments All Elite Wrestling Dynamite Award (1 time) "Bleacher Report PPV Moment of the Year" (2021) – Stadium Stampede match (The Elite vs. The Inner Circle) – Double or Nothing (May 23) All Star Wrestling (West Virginia) ASW Tag Team Championship (1 time) – with Brother Nero CBS Sports Worst Moment of the Year (2020) vs. Sammy Guevara at All Out (2020) The Crash The Crash Tag Team Championship (1 time) – with Brother Nero Future Stars of Wrestling FSW Heavyweight Championship (1 time) House of Glory HOG Tag Team Championship (1 time) – with Jeff Hardy Maryland Championship Wrestling/MCW Pro Wrestling MCW Heavyweight Championship (1 time) MCW Tag Team Championship (1 time) – with Jeff Hardy Extreme Rising World Championship (1 time) National Championship Wrestling NCW Heavyweight Championship (1 time) NCW Light Heavyweight Championship (1 time) New Dimension Wrestling NDW Light Heavyweight Championship (1 time) NDW Tag Team Championship (1 time) – with Jeff Hardy New England Wrestling Alliance NEWA Heavyweight Championship (1 time) NEWA Hall of Fame (class of 2012) New Frontier Wrestling Association NFWA Heavyweight Championship (1 time) NFWA Tag Team Championship (1 time) – with Venom NWA 2000 NWA 2000 Tag Team Championship (1 time) – with Jeff Hardy OMEGA Championship Wrestling OMEGA Heavyweight Championship (2 times) OMEGA Tag Team Championship (2 times) – with Brother Nero/Jeff Hardy Pro Wrestling Illustrated Comeback of the Year (2017) with Jeff Hardy Feud of the Year (2005) vs. Edge and Lita Match of the Year (2000) with Jeff Hardy vs. The Dudley Boyz and Edge and Christian in a triangle ladder match at WrestleMania 2000 Match of the Year (2001) with Jeff Hardy vs. The Dudley Boyz and Edge and Christian in a Tables, Ladders and Chairs match at WrestleMania X-Seven Tag Team of the Year (2000) with Jeff Hardy Ranked No. 17 of the top 500 singles wrestlers in the PWI 500 in 2003 Pro Wrestling Syndicate PWS Heavyweight Championship (1 time) Remix Pro Wrestling Remix Pro Tag Team Championship (1 time) – with Facade Ring of Honor ROH World Tag Team Championship (1 time) – with Jeff Hardy Holy S*** Moment of the Decade (2010s) – – with Jeff Hardy Total Nonstop Action Wrestling TNA World Heavyweight Championship (2 times) TNA World Tag Team Championship (2 times) – with Jeff Hardy/Brother Nero TNA World Tag Team Championship Tournament (2015) – with Jeff Hardy TNA World Tag Team Championship #1 Contender Tournament (2014) – with Jeff Hardy WrestleCade WrestleCade Championship (2 times) Wrestling Observer Newsletter Best Gimmick (2002, 2016) Worst Feud of the Year (2004) with Lita vs. Kane Wrestling Superstar Wrestling Superstar Tag Team Championship (1 time) – with Jeff Hardy WWE/World Wrestling Entertainment/Federation ECW Championship (1 time) WWF Hardcore Championship (1 time) WWF European Championship (1 time) WWE United States Championship (1 time) WWE Cruiserweight Championship (1 time) WWF/World Tag Team Championship (6 times) – with Jeff Hardy WWE SmackDown Tag Team Championship (1 time) – with Jeff Hardy WWE Raw Tag Team Championship (3 times) – with Montel Vontavious Porter (1) Jeff Hardy (1) and Bray Wyatt (1) WCW Tag Team Championship (1 time) – with Jeff Hardy André the Giant Memorial Trophy (2018) Bragging Rights Trophy (2009) – with Team SmackDown Terri Invitational Tournament (1999) – with Jeff Hardy WWE Tag Team Eliminator (2018) - with Bray Wyatt Luchas de Apuestas record Notes References Sources External links 1974 births All Elite Wrestling personnel American bloggers American male professional wrestlers American YouTubers Male YouTubers ECW champions ECW Heavyweight Champions/ECW World Heavyweight Champions Living people NWA/WCW/WWE United States Heavyweight Champions Participants in American reality television series Professional wrestlers from North Carolina Professional wrestling managers and valets Reality show winners Sportspeople from Raleigh, North Carolina TNA World Heavyweight/Impact World Champions TNA/Impact World Tag Team Champions Twitch (service) streamers University of North Carolina at Charlotte alumni WWF European Champions WWF/WWE Hardcore Champions	false	[ "\"Anything You Want\" may refer to:\n\n\"(Make Me Do) Anything You Want\", a hit single by A Foot in Coldwater 1972\n\"Anything You Want\", a song by John Valenti\t1976\n\"Anything You Want\", a song by The Lambrettas\t1981\n\"Anything You Want\", a song by Dinah Brown feat Trevor Walters (singer)\t1999\n\"Anything You Want\", a song by Spoon from the album Girls Can Tell\n\"Anything You Want\", a song by Towers Of London\t2008\n\"Anything You Want\", a song by Whitesnake from Restless Heart (Whitesnake album)\n\"Anything You Want (You Got It)\", a song by April Wine I Like to Rock 2002\n\"Anything You Want\", a song by Jackie Lee (R&B singer)\t2009\n\n\"Anything You Want\", a song by John Forence 1968", "You Can Hold Me Down is the debut album by William Tell, first released on March 13, 2007 through Universal Records and New Door Records.\n\nTrack listing\n \"Jeannie\" (William Tell) 3:01\n \"Slipping Under (Sing Along to Your Favorite Song)\" (PJ Smith, William Tell) 3:34\n \"Trouble\" (William Tell) 2:55\n \"Fairfax (You’re Still the Same)\" (William Tell) 2:49\n \"Like You, Only Sweeter\" (Darren Tehrani, William Tell) 3:41\n \"Maybe Tonight\" (William Tell, Mike Green) 3:13\n \"Young at Heart\" (William Tell) 2:46\n \"Sounds\" (William Tell, PJ Smith) 3:05\n \"Just For You\" (William Tell, Mike Green) 3:33\n \"You Can Hold Me Down\" (William Tell, Darren Tehrani) 3:23\n\nBest Buy hidden track:\n<li> \"You Can Hold Me Down\" (Tell, Tehrani) – 9:31\n features the hidden track \"After All\", beginning at about 4:30\n\niTunes Store bonus track:\n<li> \"Yesterday is Calling\" (James Bourne, Smith) – 3:43\n\nTarget bonus track:\n<li> \"Young at Heart (Acoustic)\" (Tell) – 2:46\n\nWal-Mart bonus tracks:\n<li> \"This Mess\" – 3:23\n<li> \"Katie (Where'd You Go?)\" – 3:48\n\nPersonnel\nWilliam Tell - vocals, guitars, bass\nBrian Ireland - drums, percussion\nAndrew McMahon - piano\n\nReferences\n\nYou Can Hold Me Down (William Tell album)" ]
[ "Matt Hardy", "Total Nonstop Action Wrestling (2011)", "Who did he fight?", "He was the surprise opponent for Rob Van Dam,", "Who won that match?", "defeated him to prevent Van Dam from receiving a match", "Was there anything else significant about that particular match?", "defeated him to prevent Van Dam from receiving a match for the TNA World Heavyweight Championship,", "Are there any other interesting aspects about this article?", "On February 13 at Against All Odds, Rob Van Dam defeated Hardy in a rematch.", "Who else did he fight in 2011?", "On March 13 at Victory Road Hardy was defeated by Flair's previous protege, A.J. Styles.", "Can you tell me anything about that fight?", "Hardy, along with the rest of Immortal and Ric Flair, betrayed Fortune." ]	C_e23d3e73411842f49937f27ba3aa0993_0	How did they betray Fortune?	7	How did Hardy, along with the rest of Immortal and Ric Flair betray Fortune?	Matt Hardy	On January 9, 2011, Hardy made his debut for Total Nonstop Action Wrestling (TNA) at the Genesis pay-per-view, as part of the stable Immortal. He was the surprise opponent for Rob Van Dam, and defeated him to prevent Van Dam from receiving a match for the TNA World Heavyweight Championship, held by Hardy's brother Jeff. In the main event, Hardy attempted to interfere in Jeff's World Heavyweight Championship match with Mr. Anderson, but was stopped by Van Dam, which led to Jeff losing both the match and the championship. On the January 13 episode of Impact!, the Hardy Boyz reunited to defeat Anderson and Van Dam in a tag team match, following interference from Beer Money, Inc.. On February 13 at Against All Odds, Rob Van Dam defeated Hardy in a rematch. On the following episode of Impact!, Hardy, along with the rest of Immortal and Ric Flair, betrayed Fortune. On March 13 at Victory Road Hardy was defeated by Flair's previous protege, A.J. Styles. On April 17 at Lockdown, Immortal, represented by Hardy, Abyss, Bully Ray and Ric Flair, were defeated by Fortune members James Storm, Kazarian and Robert Roode and Christopher Daniels, who replaced an injured A.J. Styles, in a Lethal Lockdown match. On the April 21 episode of Impact!, Hardy faced Sting for the TNA World Heavyweight Championship, Hardy's first World Title match in TNA, but was defeated. The following month Hardy was granted a shot at the TNA World Tag Team Championship against Beer Money, Inc. (James Storm and Robert Roode). While the champions looked to defend the title against the Hardy Boyz, Matt instead introduced the returning Chris Harris, Storm's old tag team partner, as his partner for the title match. The match took place at Sacrifice, where Storm and Roode retained their title. On June 21, it was reported that TNA had suspended Hardy. On August 20, Hardy was released from TNA following a DUI arrest that occurred earlier that same day. CANNOTANSWER	CANNOTANSWER	Matthew Moore Hardy (born September 23, 1974) is an American professional wrestler currently signed to All Elite Wrestling (AEW). He is also known for his time with WWE, Impact Wrestling, and Ring of Honor (ROH). With his real life brother Jeff, Hardy gained notoriety in WWF's tag team division during the 2000s due to his participation in TLC matches. He is a 14-time world tag team champion, having held the WWE World Tag Team Championship six times, the WWE Raw Tag Team Championship three times, the WWE SmackDown Tag Team Championship, ROH World Tag Team Championship, and WCW Tag Team Championship once each, and the TNA World Tag Team Championships twice. Wrestling through four separate decades, Hardy has kept himself relevant partially through a variety of different gimmicks and his use of social media. In 2002, Hardy began a solo career in WWE. His subsequent "Version 1" persona was named Best Gimmick by the Wrestling Observer Newsletter. Hardy's eccentric "Broken" gimmick, which he debuted in 2016 (and which was renamed "Woken" following his subsequent WWE return), garnered praise from wrestling critics and earned him multiple awards, including a second Best Gimmick award, becoming one of the most talked about characters in all of wrestling. As a singles wrestler, Hardy has won three world championships (one ECW Championship, and two TNA World Heavyweight Championships). All totaled between WWE, TNA/Impact, and ROH, Hardy has held 21 total championships. Early life Hardy was born in Cameron, North Carolina, the son of Gilbert and Ruby Moore Hardy. He is the older brother of Jeff Hardy. Their mother died of brain cancer in 1987. Hardy played baseball as a child and throughout high school, but had stopped by his senior year. He also played football, either as a linebacker or a defensive end. Hardy was a good student at Union Pines High School in North Carolina, and was a nominee for the "Morehead Award", a scholarship to any university in North Carolina. Hardy attended University of North Carolina at Charlotte, where he majored in engineering; after a year, however, he dropped out due to his father being ill. He then attended Sandhills Community College in Pinehurst to gain his associate degree. Professional wrestling career Early career (1992–2001) Hardy, along with his brother Jeff and friends, started their own federation, the Trampoline Wrestling Federation (TWF) and mimicked the moves they saw on television. Shortly after Hardy sent in a tape for the World Championship Wrestling (WCW) Amateur Challenge using the ring name High Voltage, a tag team named High Voltage began competing in WCW, causing Hardy to change his name to Surge. A few years later, it was revealed to him by Chris Kanyon that the tape had been kept in the WCW Power Plant, watched multiple times, and that the name High Voltage was blatantly stolen from it. Beginning in 1994, The Hardys wrestled for several North Carolina-based independent circuit promotions and adapted a number of alter-egos. As The Wolverine, Hardy captured the New England Wrestling Alliance (NEWA) Championship in May 1994. As High Voltage, he teamed with Venom to claim the New Frontier Wrestling Association (NFWA) Tag Team Championship in March 1995. A month later, High Voltage defeated the Willow for the NFWA Championship. In 1997, Matt and Jeff created their own wrestling promotion, The Organization of Modern Extreme Grappling Arts (frequently abbreviated to OMEGA Championship Wrestling, or simply OMEGA), in which Matt competed under the name High Voltage. Both Matt and Jeff took apart the ring and put it back together at every event they had, while Matt sewed all the costumes worn in OMEGA. The promotion folded in October 1999, after both Matt and Jeff signed with the World Wrestling Federation. World Wrestling Federation/Entertainment Early years (1994–1998) Hardy worked as a jobber for the World Wrestling Federation (WWF) from 1994 up until he signed a full-time contract in 1998. His first WWF match was against Nikolai Volkoff on the May 23, 1994 episode of Monday Night Raw, which he lost by submission. A night later at a taping of WWF Wrestling Challenge, he lost a match against Owen Hart. He continued to wrestle sporadically in the WWF throughout 1994 and 1995, losing matches against Crush, Razor Ramon, Hakushi, Owen Hart, the imposter Undertaker, Hunter Hearst Helmsley and "The Ringmaster" Steve Austin. Hardy teamed with Jeff for the first time in the WWF in 1996, losing to teams such as The Smoking Gunns and The Grimm Twins on WWF television. Matt and Jeff had a short lived feud with The Headbangers (Thrasher and Mosh), losing to the duo twice in 1997. It was during this time that Matt and Jeff experimented with different ring names, at one stage being called Ingus (Matt) and Wildo Jinx (Jeff). In Matt's final singles match for the promotion before signing a full-time contract he lost to Val Venis on a taping of Shotgun in 1998. The Hardy Boyz (1998–2001) It was not until 1998, however, (at the height of The Attitude Era) that the Hardy brothers were given full-time WWF contracts and sent to train with former wrestler Dory Funk, Jr. The Hardy Boyz used a cruiserweight, fast-paced high flying style in their matches, often leaping from great heights to do damage to their opponents (and themselves in the process). In 1999, while feuding with Edge and Christian, the duo briefly picked up Michael Hayes as a manager. At King of the Ring, The Hardyz defeated Edge and Christian to earn the #1 contendership for the WWF Tag Team Championship. On July 5, they defeated The APA to win their first Tag Team Championship. They soon dumped Hayes and briefly picked up Gangrel as a manager, after Gangrel turned on Edge and Christian. At No Mercy, The Hardyz defeated Edge and Christian in the first ever tag team ladder match. At the Royal Rumble pay-per-view, The Hardyz defeated The Dudley Boyz in the first ever tag team tables match. They competed against The Dudley Boyz and Edge and Christian for the Tag Team Championships at WrestleMania 2000 in the first ever Triangle Ladder match, but were unsuccessful. Hardy won the Hardcore Championship on April 24, 2000, on Raw Is War, by defeating Crash Holly, but lost it back to Holly three days later on SmackDown!, when Holly applied the "24/7 rule" during Hardy's title defense against Jeff. The Hardy Boyz then found a new manager in Matt's real-life girlfriend Lita. Together, the three became known as "Team Xtreme". The Hardy Boyz competed in the first ever Tables, Ladders, and Chairs match, for the WWF Tag Team Championship against The Dudley Boyz and Edge and Christian, but were unsuccessful. At Unforgiven, The Hardyz defeated Edge and Christian in a steel cage match to win the tag team championship, and successfully retained it the following night on Raw Is War against Edge and Christian in a ladder match. In April 2001, The Hardyz began feuding with Stone Cold Steve Austin and Triple H (known as The Power Trip), which also led to a singles push for both Matt and Jeff. Hardy helped Jeff defeat Triple H for the Intercontinental Championship, and shortly after Hardy defeated Eddie Guerrero to win the European Championship on SmackDown!. At Backlash he retained the title against Guerrero and Christian in a triple threat, and against Edge the following night on Raw. Throughout the year, the Hardy Boyz continued to win as a tag team, winning the WWF Tag Team Titles two more times, and the WCW Tag Team Championship during the Invasion. By the end of the year, the Hardy Boyz began a storyline where they were having trouble co-existing. This culminated in a match between the two, with Lita as the guest referee, at the Vengeance pay-per-view, which Jeff won. Hardy defeated Jeff and Lita the following night on Raw in a two-on-one handicap match. Version 1 gimmick and feud with Kane (2002–2004) At the beginning of 2002, it seemed Team Xtreme had patched things up. After the brand extension, however, Matt was relegated to Heat while Jeff wrestled on the main show, Raw. On the August 12 episode of Raw, Hardy turned heel by attacking Jeff during Jeff's match against Rob Van Dam, because Hardy was frustrated at not receiving a match against Van Dam for the number one contendership for the Intercontinental Championship. A short time later, Hardy joined the SmackDown! roster, and began dubbing himself "Matt Hardy: Version 1", complete with a "version 1" hand signal. Hardy defeated The Undertaker on the September 12 and October 3 episodes of the show, due to interference from Brock Lesnar. Along with his Mattitude Follower Shannon Moore in his corner, 2003 began with Hardy frantically trying to lose weight to get under the weight limit to compete for the Cruiserweight Championship. After just barely making weight, Hardy defeated Billy Kidman at No Way Out to win the Cruiserweight title. At WrestleMania XIX, he successfully defended it against Rey Mysterio. Hardy lost the Cruiserweight Championship to Mysterio in the main event of the June 5 episode of SmackDown! - the first and only time a Cruiserweight Championship match main evented a show. After dropping the Cruiserweight Championship, Hardy briefly feuded with Eddie Guerrero, but was unsuccessful in capturing Guerrero's United States Championship or WWE Tag Team Championship. The Mattitude faction then expanded to include Crash Holly as Moore's "Moore-on" (apprentice). He later disbanded the group in November and returned to Raw in order to be able to travel and work with his then girlfriend Lita, who just returned from an injury. On his first night back, he turned on Lita in storyline after teasing a proposal to her. He defeated Christian, who was vying for Lita's affections, on the following edition of Raw. In April 2004, Hardy saved Lita from getting attacked by Kane, turning face in the process. Hardy defeated Kane in a no disqualification match at Vengeance, but lost a "Till Death To Us Part" match against Kane at SummerSlam, resulting in Lita being forced to marry Kane. On the August 23 episode of Raw, Hardy was chokeslamed off the stage by Kane during the wedding. Hardy then spent almost a year off from wrestling due to a severe knee injury. Departure and sporadic appearances (2005) Along with his friend Rhyno, Hardy was released by WWE on April 11, 2005. Hardy's release was largely due to unprofessional conduct with social media after discovering that Lita was having a real-life affair with his best friend Edge. The public knowledge of the affair and Hardy's release led to Edge and Lita receiving jeers from the crowds at WWE events, often resulting in chants of "You screwed Matt!", and, "We want Matt!", which meant kayfabe storylines being affected considering that Lita was married to Kane at the time in kayfabe. Edge and Lita used the affair and fan backlash to become a hated on-screen couple, which led to Lita turning heel for the first time in over five years. Fans began a petition on the internet, wanting WWE to re-sign Hardy, and amassed over fifteen thousand signatures. Hardy released two character promotional vignettes, that he was planning to use before he was offered a new contract by WWE. Hardy called himself The Angelic Diablo with the tagline "the scar will become a symbol" in reference to the way in which he had been treated by Lita and WWE. On the June 20 episode of Raw, during the storyline wedding of Edge and Lita, Hardy's entrance music and video were played when the priest asked if anyone had a reason why Edge and Lita should not be wed. Independent circuit and Ring of Honor (2005) Following his WWE release, Matt returned to the independent circuit and wrestled several matches for the Allied Powers Wrestling Federation (APWF), International Wrestling Cartel (IWC) and Big Time Wrestling (BTW). Hardy appeared at a scheduled Ring of Honor (ROH) event on July 16, 2005, in Woodbridge, Connecticut where he defeated Christopher Daniels via submission. Hardy also cut a brief worked shoot promo where he criticized WWE and John Laurinaitis. Following his official return to WWE, Hardy was met with backlash following a match with Homicide from the fans at a subsequent ROH event, which Hardy won. The next day at his final ROH appearance, he lost to Roderick Strong. Return to WWE Feud with Edge (2005–2006) On July 11, 2005, on Raw, Hardy attacked Edge backstage and again later during Edge's match with Kane. Before being escorted out of the building by security, Hardy stated that Edge (calling him by his real name of "Adam") and Lita would pay for their actions and told fans that they could see him at Ring of Honor while security officials and event staff were trying to restrain him. Hardy also called out Johnny Ace as security had him in handcuffs taking him out of the arena. This caused an uproar amongst fans, who were confused and wondered if the whole thing was a work or a shoot. Similar occurrences repeated during the following two weeks. On the August 1 episode of Raw, Vince McMahon officially announced Hardy's return to WWE, adding that Hardy would face Edge at SummerSlam. Hardy made his in-ring return, defeating Snitsky on the August 8 Raw. Seconds after the victory, Hardy was attacked by Edge, and as he was being carried backstage, Matt counterattacked Edge in the locker room. On August 21 at SummerSlam, their match came to a premature end when Edge dropped Hardy onto the top of a ring post, causing him to bleed heavily. The referee ended the match on the grounds that Hardy could not continue, and Edge was declared the winner. After SummerSlam, the two continued feuding on Raw, including a Street Fight on August 29 that resulted in Hardy performing a Side Effect on Edge off the entrance stage and into electrical equipment below; the match ended in a no contest. At Unforgiven, Edge faced Hardy in a steel cage match. Hardy caught an interfering Lita with the Twist of Fate and won the match with a leg drop off the top of the cage. Hardy and Edge faced each other on October 3 at WWE Raw Homecoming in a Loser Leaves Raw ladder match. Edge's briefcase holding his Money in the Bank contract for his WWE Championship opportunity was suspended above the ring. The winner of the match received the contract and the loser was forced to leave Raw. Edge tied Hardy's arms in the ropes, and Lita trapped Hardy in a crucifix hold, leaving Hardy only able to watch Edge win. With his defeat at the hands of Edge, Hardy was moved to the SmackDown! brand where he re-debuted with a win over Simon Dean on October 21 in Reno, Nevada. One week later, Hardy won the fan vote to represent Team SmackDown! (alongside Rey Mysterio) to challenge Team Raw (Edge and Chris Masters) at Taboo Tuesday. Edge, however, refused to wrestle and sent Snitsky in place of him in the match, which Hardy and Mysterio won. Back on SmackDown!, Hardy started an angle with MNM (Johnny Nitro and Joey Mercury) and their manager Melina when Melina approached Hardy, seemingly wanting Hardy to join with her team. Hardy refused the offer, which led to him facing the tag team on several occasions with a variety of partners. On July 25, after the SmackDown! taping, Hardy was taken out of action after doctors found the remnants of the staph infection that had plagued him the previous year. He was sidelined until August 25 while he healed. Upon his return to action, Hardy feuded against childhood friend and reigning Cruiserweight Champion Gregory Helms. At No Mercy, in their home state, Hardy beat Helms in a non-title match. The two met again at Survivor Series, where Hardy's team won in a clean sweep. They wrestled one final match, a one time appearance in Booker T's Pro Wrestling Alliance (PWA) promotion, where Hardy defeated Helms in a North Carolina Street Fight. The Hardy Boyz reunion (2006–2007) On the November 21, 2006 episode of ECW on Sci Fi, Hardy and Jeff competed in a match together for the first time in almost five years, defeating The Full Blooded Italians. At December to Dismember, the Hardy Boyz issued an open challenge to any tag team who wanted to face them. MNM answered their challenge by reuniting at December to Dismember, a match won by the Hardy Boyz. At Armageddon, Hardy and Jeff competed against Paul London and Brian Kendrick, MNM, and Dave Taylor and William Regal in a Ladder match for the WWE Tag Team Championship but lost. Subsequently, he and Jeff feuded with MNM after the legitimate incident where they injured Mercury's face at Armageddon. This led to a long term rivalry, and at the Royal Rumble, Hardy and Jeff defeated MNM. Mercury and Hardy continued to feud on SmackDown! until Mercury was released from WWE on March 26. The night after WrestleMania 23 on Raw, the Hardys competed in a 10-team battle royal for the World Tag Team Championship. They won the titles for the sixth time from then WWE Champion John Cena and Shawn Michaels after last eliminating Lance Cade and Trevor Murdoch. This started a feud with Cade and Murdoch, and the Hardys successfully retained their World Tag Team Championship in their first title defense at Backlash. The Hardy Boyz also successfully retained their titles at Judgment Day against Cade and Murdoch. One month later at One Night Stand, they defeated The World's Greatest Tag Team to retain the titles in a Ladder match. The following night on Raw, Vince McMahon demanded that The Hardys once again defend their championships against Cade and Murdoch. The Hardys were defeated after Murdoch pushed Jeff's foot off the bottom rope during Cade's pinfall, causing the three count to continue. They invoked their rematch clause against Cade and Murdoch at Vengeance: Night of Champions, but were unsuccessful. Feud with MVP and championship reigns (2007–2009) On the July 6, 2007 episode of SmackDown!, Hardy won a non-title match against United States Champion Montel Vontavious Porter (MVP), which resulted in a feud between the two. Hardy was defeated by MVP at The Great American Bash for the United States Championship. MVP then claimed that he was "better than Hardy at everything", which led to a series of contests between Hardy and MVP, such as a basketball game, an arm wrestling contest, and a chess match which MVP "sneezed" on and ruined when Hardy put him in check. MVP challenged Hardy to a boxing match at Saturday Night's Main Event XXXV, however MVP was legitimately diagnosed with the heart condition Wolff-Parkinson-White syndrome. Since MVP was unable to compete, Hardy faced his replacement, former world champion boxer, Evander Holyfield. The match ended in a no contest after MVP entered the ring to verbally abuse Holyfield, who then knocked him out. MVP also challenged Hardy to a beer drinking contest at SummerSlam, but as revenge for what happened at SNME, Hardy allowed Stone Cold Steve Austin to replace him; Austin simply performed a stunner on MVP then kept drinking. After a segment involving MVP inadvertently choosing Hardy as his tag-team partner, Theodore Long promptly set up a match against Deuce 'n Domino for the WWE Tag Team Championship on the August 31 episode of SmackDown! which Hardy and MVP were able to win, therefore setting up Hardy's first reign as WWE Tag Team Champion. Hardy and MVP retained the titles at Unforgiven in a rematch against former champions Deuce 'n Domino. Hardy was scheduled to face MVP at Cyber Sunday, but due to a real-life head injury sustained on the October 26 episode of SmackDown!, he was not medically cleared to compete. As part of the storyline, Hardy continually asked MVP for a shot at the United States Championship but MVP refused stating that he was more focused on the Tag Team Championship. On the November 16 episode of SmackDown!, Hardy and MVP dropped the WWE Tag Team Championship to John Morrison and The Miz. Despite the fact that Hardy was hurt, MVP immediately invoked the rematch clause. After the rematch, in which Hardy was forced to tap out, MVP attacked Hardy, repeatedly targeting his knee. It was later confirmed by WWE.com that Hardy had suffered an injury at his former partner's hands and that he might not be able to compete at Survivor Series. Despite Hardy's absence at Survivor Series, his team was able to win the match. On November 21, WWE's official website reported that Hardy underwent an emergency appendectomy in Tampa, Florida after his appendix burst. Hardy made an appearance at the December 31 episode of Raw supporting his brother Jeff. To further Jeff's storyline with Randy Orton, however, Hardy was attacked by Orton. Hardy made his return at a live event in Muncie, Indiana on March 1, 2008. On March 30, 2008, at WrestleMania XXIV, during the Money in the Bank ladder match Hardy cut through the crowd and attacked MVP to prevent him from winning the match. He made his official in-ring return the next night on Raw, losing a singles match to WWE Champion Randy Orton. On the April 4 episode of SmackDown, Hardy faced MVP in a non-title match, which he won, re-igniting their storyline rivalry. On April 27, 2008, Hardy defeated MVP to win the United States Championship at Backlash, and successfully retained his title against MVP five days later on SmackDown. Hardy declared himself as a fighting champion that would take on all challenges, defending the United States championship against Shelton Benjamin, Elijah Burke, Chuck Palumbo, Mr. Kennedy, Chavo Guerrero and Umaga. Hardy was drafted to the ECW brand on the June 23, 2008 episode of Raw during the 2008 WWE Draft, in the process making the United States Championship exclusive to ECW. He dropped the United States Championship to Shelton Benjamin at the Great American Bash pay-per-view on July 20, 2008, which meant that the title returned to SmackDown. On the July 22 episode of ECW, Hardy became the number one contender to Mark Henry's ECW Championship after defeating John Morrison, The Miz and Finlay in a fatal four-way match. He won the title match at SummerSlam by disqualification due to interference from Henry's manager, Tony Atlas, thus he failed to win the title. Due to the ending of the pay-per-view match, Hardy received a rematch for the title on the next episode of ECW, but again failed to win the title when Henry pinned him after a distraction by Atlas. At Unforgiven, Hardy won the ECW Championship during the Championship scramble match, defeating then-champion Henry, The Miz, Finlay and Chavo Guerrero by pinning the Miz with three minutes left, marking his first world heavyweight championship win. He continued to feud with Henry until No Mercy, where Hardy successfully retained the title. Hardy lost the title to Jack Swagger on the January 13, 2009 episode of ECW, which was taped on January 12. Feud with Jeff Hardy and departure (2009–2010) At the 2009 Royal Rumble pay-per-view, after losing an ECW Championship rematch to Swagger, Hardy turned on his brother when he hit Jeff with a steel chair, allowing Edge to win the WWE Championship, turning heel in the process. On the January 27, 2009 episode of ECW, it was announced by General Manager Theodore Long that Hardy had requested, and been granted, his release from ECW and had re-signed with the SmackDown brand. As part of the buildup to this feud, Matt strongly implied that he was responsible for all of Jeff's accidents leading back to November, including an assault in a hotel stairwell that prevented Jeff from appearing at Survivor Series, an automobile accident where Jeff's car was run off the road, and a pyrotechnics malfunction where part of the pyro from Jeff's entrance was fired directly at Jeff, in an attempt to stop Jeff holding the WWE Championship. Despite Hardy's attempts to goad Jeff into fighting him, Jeff refused to fight his brother, but, on the March 6 episode of SmackDown, Jeff attacked him during a promo where Matt implied that he was also responsible for the fire that burned down Jeff's house, going so far as to reveal that he had in his possession a dog collar that supposedly belonged to Jeff's dog, Jack (who died in the fire), that he claimed to have salvaged from the wreckage of the house. At WrestleMania 25, Matt defeated Jeff in an Extreme Rules match, and in a stretcher match on the following episode of SmackDown. On the April 13 episode of Raw, Hardy was drafted to the Raw brand as part of the WWE draft. Despite the fact that the two were on different brands, he continued his feud with Jeff. Two weeks later, in a rematch from WrestleMania, Hardy lost to Jeff in an "I Quit" match at Backlash, in which he legitimately broke his hand. Hardy continued to wrestle with his hand in a cast, incorporating it into his persona and claiming that he was wrestling under protest. He reignited his feud with MVP on Raw for the United States Championship. He also formed a tag team with William Regal, and the two acted as henchmen for General Manager Vickie Guerrero. At the June 22 taping of WWE Superstars, Hardy suffered yet another injury, when his intestines went through his abdominal wall, during a triple threat match against MVP and Kofi Kingston. Hardy had suffered a tear in his abdominal muscle two years previously, but had not needed surgery until it worsened, and became a danger to his health. He was then traded back to the SmackDown brand on June 29, and underwent surgery for the torn abdominal muscle on July 2. He made his return on the August 7 episode of SmackDown as the special guest referee in the World Heavyweight Championship match between his brother, Jeff, and CM Punk, and helped Jeff retain the championship by counting the pinfall. The following week Hardy turned face again when he saved his brother when CM Punk and The Hart Dynasty attacked both Jeff and John Morrison. On the August 21 episode of SmackDown, after apologizing for his past actions towards Jeff and admitting that he was not behind any of Jeff's accidents, he had his first match back after his injury when he teamed with Jeff and John Morrison to defeat The Hart Dynasty and CM Punk, when Matt pinned Punk. In early 2010, Hardy began an on-screen relationship with Maria; but was brief and the relationship ended when Maria was released from her WWE contract. On the March 5 episode of SmackDown, Hardy qualified for the Money in the Bank ladder match at WrestleMania XXVI by defeating Drew McIntyre, but was unsuccessful at WrestleMania, as the match was won by Jack Swagger. Hardy was suspended by Vince McMahon because he attacked McIntyre after McIntyre lost to Kofi Kingston at Over the Limit. He was able to get his revenge on McIntyre during the Viewer's Choice episode of Raw when chosen as the opponent for McIntyre, with General Manager Theodore Long stating that Hardy was suspended from SmackDown, but not from Raw. On the following episode of SmackDown, however, Vickie Guerrero announced that, per orders of Vince McMahon, Hardy had been suspended from all WWE programming. However, at Fatal 4-Way, Hardy prevented McIntyre from regaining the Intercontinental Championship, thus continuing their feud. On the following edition of SmackDown, he was reinstated by Long and had a match with McIntyre, which Hardy won. After the match, it was announced that McIntyre's visa had legitimately expired and was sent back to Scotland, thus ending their feud. Hardy was featured in the SmackDown Money in the Bank ladder match but was unsuccessful in winning with Kane coming out victorious. On September 12, WWE confirmed they had sent Hardy home from a European tour. Following this, Hardy began posting videos on his YouTube channel expressing his disinterest in the WWE product and insisting that he wanted to be released from the company. On October 15, 2010, WWE announced that Hardy had been released from his contract. Hardy later stated that his release had been in effect two weeks before WWE made the announcement. Total Nonstop Action Wrestling (2011) On January 9, 2011, Hardy made his debut for Total Nonstop Action Wrestling (TNA) at the Genesis pay-per-view, as part of the stable Immortal. He was the surprise opponent for Rob Van Dam, and defeated him to prevent Van Dam from receiving a match for the TNA World Heavyweight Championship, held by Hardy's brother Jeff. In the main event, Hardy attempted to interfere in Jeff's World Heavyweight Championship match with Mr. Anderson, but was stopped by Van Dam, which led to Jeff losing both the match and the championship. On the January 13 episode of Impact!, the Hardy Boyz reunited to defeat Anderson and Van Dam in a tag team match, following interference from Beer Money, Inc. On February 13 at Against All Odds, Van Dam defeated Hardy in a rematch. On the following episode of Impact!, Hardy, along with the rest of Immortal and Ric Flair, betrayed Fortune. On March 13 at Victory Road, Hardy was defeated by Flair's previous protégé, A.J. Styles. On April 17 at Lockdown, Immortal, represented by Hardy, Abyss, Bully Ray and Ric Flair, were defeated by Fortune members James Storm, Kazarian and Robert Roode and Christopher Daniels, who replaced an injured A.J. Styles, in a Lethal Lockdown match. On the April 21 episode of Impact!, Hardy faced Sting for the TNA World Heavyweight Championship, Hardy's first World Title match in TNA, but was defeated. The following month, Hardy was granted a shot at the TNA World Tag Team Championship against Beer Money, Inc. (James Storm and Robert Roode). While the champions looked to defend the title against the Hardy Boyz, Matt instead introduced the returning Chris Harris, Storm's old tag team partner, as his partner for the title match. The match took place at Sacrifice, where Storm and Roode retained their titles. On June 21, it was reported that TNA had suspended Hardy. On August 20, Hardy was released from TNA following a DUI arrest that occurred earlier that same day. Return to the independent circuit (2011–2017) Hardy announced his retirement from full-time professional wrestling due to injuries on September 1, 2011. He issued a challenge to his long-time rival MVP, who was wrestling in Japan at the time, to one final match at "Crossfire Live!" in Nashville. The event was held May 19, 2012 and benefited the Make-A-Wish Foundation. Hardy won the match. Throughout 2012, Hardy wrestled sporadically on the independent circuit, working with promotions such as Mid Atlantic Championship Wrestling, Pro Wrestling Syndicate and Northeast Wrestling. On October 5, Hardy was defeated by Kevin Steen at Pro Wrestling Xperience's An Evil Twist of Fate. On November 11, Hardy, as the masked wrestler Rahway Reaper, defeated the Pro Wrestling Syndicate Kevin Matthews, winning the championship. On February 9, 2013, Hardy lost the Pro Wrestling Syndicate Championship back to Matthews. On February 16, 2013, at Family Wrestling Entertainment's No Limit, Hardy wrestled a TLC match for the FWE Heavyweight Championship against the champion Carlito and Tommy Dreamer, but he was defeated. On November 30, 2013, at WrestleCade, Hardy defeated Carlito to become the first ever WrestleCade Champion. On May 3, 2014, following a match between Christian York and Drolix, Hardy defeated Drolix to become the new MCW Heavyweight Champion. At Maryland Championship Wrestling's Shane Shamrock Cup, Hardy defeated Luke Hawx in a TLC match for Hardy's title and Hawx's Extreme Rising World title. Hardy won the match, but he gave back the title to Hawx. On October 4, Hardy lost the MCW Heavyweight Championship back to Drolix, following outside interference from Kevin Eck. On February 9, 2015, Hardy appeared on FWE's "No Limits 2015" iPPV, challenging Drew Galloway for the ICW World Heavyweight Championship, but was defeated. On November 28, 2015, Hardy lost the WrestleCade Championship to Jeff Jarrett at WrestleCade IV in Winston-Salem, North Carolina. Hardy regained the title in a triple-threat cage match against Jarrett and Ethan Carter III in Hickory, North Carolina on May 20, 2016. He appeared at the #DELETEWCPW event for What Culture Pro Wrestling (WCPW) in Nottingham, England on November 30. Hardy, billed as "Broken" Matt Hardy, lost a no-disqualification match to Bully Ray, with Ray proposing the no-disqualification stipulation at the last minute, and Hardy accepting there and then. Return to ROH (2012–2014) At Death Before Dishonor X: State of Emergency in 2012, Hardy returned to Ring of Honor, confronting Adam Cole and challenging him to a match for the ROH World Television Championship. On December 16 at Final Battle 2012: Doomsday, Hardy defeated Cole in a non-title match. At the following iPPV, 11th Anniversary Show on March 2, 2013, Hardy joined the villainous S.C.U.M. stable. On April 5 at the Supercard of Honor VII iPPV, Hardy unsuccessfully challenged Matt Taven for the ROH World Television Championship in a three-way elimination match, which also included Adam Cole. On June 22 at Best in the World 2013, Hardy defeated former S.C.U.M. stablemate Kevin Steen in a No Disqualification match to become the number one contender to the ROH World Championship. Hardy received his title shot at the following day's Ring of Honor Wrestling tapings, but was defeated by the defending champion, Jay Briscoe. Later that same day, S.C.U.M. was forced to disband after losing a Steel Cage Warfare match against Team ROH. On December 14, 2013, at Final Battle 2013, Hardy defeated Adam Page in a singles match; later on in the main event, Hardy aided Adam Cole in retaining his title and forming a tag team with him. After aiding Cole at Supercard of Honor VIII, Hardy was given Jay Briscoe's unofficial "Real World Title" belt, which he renamed the "ROH Iconic Championship". In July, Hardy opted out of his ROH contract and went back to TNA. Return to OMEGA (2013–2018) Matt announced that OMEGA would return in January 2013 with an event titled "Chinlock For Chuck". The main event featured Matt, Jeff, Shane "Hurricane" Helms and "Cowboy" James Storm defeating Gunner, Steve Corino, CW Anderson and Lodi. On October 12, 2013, at "Chapel Thrill", Hardy announced a Tournament for the OMEGA Heavyweight Championship which featured himself vs. CW Anderson and Shane "Hurricane" Helms vs. "The King" Shane Williams. After Hardy's qualifying match he was attacked by CW but was saved by the returning Willow the Whisp. Hardy won that match and advanced to the finals. On November 21, 2015, Matt won the OMEGA Heavyweight Championship for the second time, defeating former student Trevor Lee. Following this, Matt (upon regaining the TNA world title as part of his villainous egotistical "Iconic" gimmick) began proclaiming himself to be the only world champion that matters, and the only "true" world champion in wrestling, as he held both the TNA and OMEGA Championships, which (according to him) put him above any other promotions' world champions. Throughout 2016, Hardy defended the TNA and OMEGA titles jointly at OMEGA events as part of his "only true world champion" gimmick. On January 29, The Hardys won the OMEGA Tag Team Championships. Return to TNA The Hardys third reunion (2014–2015) On July 24, 2014, Hardy returned to TNA and reunited with Jeff to reform The Hardys for the third time. At the Destination X episode of Impact Wrestling, The Hardys were defeated by The Wolves in a match for the TNA World Tag Team Championship. On the August 14 episode of Impact Wrestling, Team 3D (formerly the Dudley Boyz) challenged The Hardys to a match, which Team 3D won. At the Hardcore Justice episode of Impact Wrestling, The Hardys and Team 3D talked about a match involving themselves and The Wolves. When The Wolves were asked by the two teams, they agreed. Later that night, Kurt Angle announced all three teams would compete in a best of three series for the TNA World Tag Team Championship with the winners of the first match choosing the stipulation of the next one. The Hardys won the second match of the series on the September 10 episode of Impact Wrestling in a tables match and choose a ladder match for the third match of the series. The Hardys were unsuccessful in winning that match on the September 17 episode of Impact Wrestling, as the Wolves won that match. The Wolves then went on to pick the final match of the series to be a Full Metal Mayhem match to take place on the October 8 episode of Impact Wrestling. The Hardys were unsuccessful in that match as the Wolves won that match. On October 22, The Hardys entered a number one contenders tournament for the TNA World Tag Team Championship defeating The BroMans (Jessie Godderz and DJ Z) in the first round of the tournament. On the October 29 episode of Impact Wrestling, The Hardys defeated Team Dixie (Ethan Carter III and Tyrus) in the semifinals to advance to the finals of the tournament, where they defeated Samoa Joe and Low Ki to become number one contenders for the TNA World Tag Team Championship. On the January 16, 2015 episode of Impact Wrestling, The Hardys defeated the Wolves. At the Lockdown episode of Impact Wrestling, The Hardys were defeated by The Revolution in a six sides of steel cage match for the TNA World Tag Team Championship. On the February 20 episode of Impact Wrestling, Hardy and The Wolves defeated The Revolution in a six-man tag team match. In March, The Hardys participated in a tournament for the vacant TNA World Tag Team Championship. On March 16, 2015, Matt and Jeff won an Ultimate X match for the titles. On May 8, 2015, Hardy vacated the TNA World Tag Team Championship due to his brother Jeff being injured. World Heavyweight Champion (2015–2016) On June 28, 2015, Hardy was among the five wrestlers who competed for the TNA King of the Mountain Championship at Slammiversary, with Jeff Jarrett ultimately emerging victorious. On the July 8 episode of Impact Wrestling, Hardy requested a world title shot against Ethan Carter III, but was denied and forced to face the Dirty Heels (Austin Aries and Bobby Roode) in a handicap match, which he lost. On the July 22 episode of Impact Wrestling, Hardy defeated Roode in a Tables match to become the #1 contender for the TNA World Heavyweight Championship. On the August 5 episode of Impact Wrestling, Hardy got his shot at the title against EC3 in a Full Metal Mayhem match, but failed to win the title. On the September 2 episode of Impact Wrestling, Hardy got another shot at the TNA World Heavyweight Championship against EC3, but again failed to win the title; as part of the storyline, Jeff Hardy was forced to act as Ethan Carter's personal assistant. On the September 30 episode of Impact Wrestling, Hardy was added to the Ethan Carter III vs. Drew Galloway main event match for the TNA World Heavyweight Championship at Bound for Glory after he and Galloway defeated Carter and Tyrus, making it a three-way match, following which Jeff, who EC3 had just "fired" in the previous episode, was revealed to be the special guest referee. On October 4 at Bound for Glory, Matt won the TNA World Heavyweight Championship by pinning Galloway. However, EC3 filed an injunction (kayfabe) that banned Hardy from appearing on Impact Wrestling for a month, which forced Hardy to relinquish the title in order to stay on the show. However, Hardy had been participating in the TNA World Title Series for the vacant title. He qualified to the round of 16 by defeating Davey Richards, Robbie E and Eddie Edwards. He then advanced to the round of 8 by defeating the King of the Mountain Champion Bobby Roode and then to Jessie Godderz to continue his winning streak. The semifinals and finals were held on the January 5, 2016, live episode of Impact Wrestling during its debut on Pop TV, in which he defeated Eric Young to advance to the final round. Hardy faced EC3 in the TNA World Title Series finals, but lost the match via pinfall. Hardy won the TNA World Title from EC3 on the January 19, 2016 episode of Impact Wrestling, becoming the first man to defeat him in a one-on-one match in TNA. During the match a double turn took place; Hardy turned heel after Tyrus betrayed EC3. The following week on Impact Wrestling, Jeff Hardy had confronted him about last week and issued a challenge to Matt for the World Heavyweight title in the main event and Matt accepted. However, later before the main event could begin, Eric Young and Bram attacked Jeff from behind. Kurt Angle then came out to try save Jeff, and Matt had Tyrus attack Angle from behind. While Matt watched from the ramp, Young attacked Jeff with the Piledriver off the apron through a table. The following week, he successfully retained his title against Angle. At Lockdown, he retained his title in a Six-side of steel match against Ethan Carter III, with the help of Rockstar Spud. He lost his title against Drew Galloway on the March 15 episode of Impact Wrestling, after a match featuring EC3 and Jeff Hardy. Two weeks later he received a rematch for the title on Impact Wrestling, but was again defeated by Galloway. After losing the title he started a feud with Jeff. On the April 19 episode of Impact Wrestling, and an I Quit match ended in a no-contest as both Matt and Jeff were badly injured and Matt was taken out to the hospital on a stretcher. The Broken Universe (2016–2017) Hardy returned on May 17 episode of Impact Wrestling, revealing himself to be one of the impostor Willows behind the attacks on Jeff. Later that night, he attacked Jeff. In the following weeks, Hardy debuted a new persona as a "Broken" man with part of his hair bleached blonde along with a strange sophisticated accent, blaming Jeff (who he began referring to as "Brother Nero", Nero being Jeff's middle name) for breaking him and becoming obsessed with "deleting" him. His line “Delete”, is mostly inspired by the Death Note manga/anime series character Teru Mikami. On June 12, at Slammiversary, Matt was defeated by Jeff in a Full Metal Mayhem match. On the June 21 episode of Impact Wrestling, Matt was once again defeated by Jeff in a Six Sides of Steel match. On the June 28 episode of Impact Wrestling, Matt challenged Jeff to a final battle with the Hardy brand on the line, to take place at their home in Cameron, North Carolina the next week. On July 5, during special episode "The Final Deletion", Matt defeated Jeff in the match to become sole owner of the Hardy brand, forcing Jeff to drop his last name and become referred to as "Brother Nero". On the August 18 episode of Impact Wrestling, Matt and Brother Nero defeated The Tribunal, The BroMans and The Helms Dynasty in an "Ascension To Hell" match for an opportunity to challenge Decay for the TNA World Tag Team Championship. On September 8, during special episode "Delete or Decay", the Hardys faced Decay in a match held at the Hardy compound, where Brother Nero sacrificed himself to save Matt from Abyss. Thanks to Brother Nero's sacrifice, Hardy was able to confront Rosemary and prevent his son Maxel from being abducted, which turned Hardy babyface as a result, and he furthered the face turn by healing Brother Nero in the Lake of Reincarnation. At Bound for Glory, the Hardys defeated Decay in "The Great War" to win the TNA World Tag Team Championship for the second time. On the October 6 episode of Impact Wrestling, they successfully defended their titles against Decay, in a Wolf Creek match. On the November 3 episode of Impact Wrestling, the Hardys successfully defended the titles against The Tribunal. After the match, the Hardys were attacked by the masked trio known as Death Crew Council (DCC). After accepting DCC's title challenge, The Hardys faced Bram and Kingston, and Matt pinned Kingston to retain the titles. On December 15, during special episode "Total Nonstop Deletion", they were once again successful in retaining. Brother Nero attacked Crazzy Steve with the Twist of Fate, who then fell into a volcano (that had appeared on the compound in the weeks leading up the event), and was shot up into the sky, landing in the ring. Matt then covered him to win the match. On the January 12, 2017 episode of Impact Wrestling, The Hardys successfully defended their titles against The Wolves. At Genesis, The Hardys retained their titles against the DCC and Decay in a three-way tag team match. On Open Fight Night, the Hardys began a storyline where they would teleport to different promotions and win that promotions' tag team championship gold, which was referred to by Matt as their "Expedition of Gold". On February 27, Hardy announced that both he and Jeff had finally left TNA, following years of speculation, with their contracts expiring that week. Though the two sides were reportedly close to a contract agreement, talks began to break down and changes in management prompted their departure from the company. The TNA World Tag Team Championships were vacated due to the Hardys' departure and was explained on TNA television in a segment where The Hardys teleported to their next Expedition of Gold destination, but a technicality resulted in them disappearing and the belts appearing in the arms of Decay. Broken gimmick legal battle Shortly after the departure of Matt and Jeff from TNA was made public, Matt's wife, Reby, went on a social media tirade in which she repeatedly slammed TNA, the company's new management and the way in which contract negotiations between the company and the Hardy family were conducted. A few weeks following this, the bad blood between the two sides intensified, so much so that the new management of TNA (now renamed Impact Wrestling) Anthem Sports & Entertainment issued a cease and desist letter to The Hardys' new promotion Ring of Honor (ROH), in which Anthem essentially ordered ROH as well as any broadcasting company airing ROH's 15th Anniversary pay–per–view show (on which The Hardys were to participate in a match) to not in any way speak of, indicate or acknowledge the existence of the Broken Matt and Brother Nero characters and instead to refer to The Hardys as simply Matt Hardy and Jeff Hardy. The issue with this is that while The Hardys were in TNA, they had full creative control over the Broken gimmick, with them even filming their own segments to air on TNA programming in some circumstances, thus making the Hardy family (in their belief) the owners of the Broken gimmick. It is believed that civil litigation will follow and a potential court hearing will take place regarding the outcome on who owns the Broken gimmick: Anthem or the Hardy family. Until then, the status of the Broken gimmick remains undecided. Despite this, Matt continues to use the Broken gimmick through his social media accounts, but neither he nor Jeff uses the Broken gimmick at any professional wrestling shows for ROH or on the independent circuit, presumably until the results of the expected legal proceedings have been finalized. Newly–appointed Impact Wrestling President Ed Nordholm credits the invention of and the vision behind the Broken gimmick to Jeremy Borash, Dave Lagana and Billy Corgan, and while Borash specifically had the most input into the gimmick of the three aside from Matt, the Hardy family deny that Borash was the sole person behind the gimmick. In November 2017, Impact Wrestling changed their policy, allowing all talent to retain complete ownership over their intellectual property, essentially forfeiting ownership of the "Broken" character to Hardy. On January 31, 2018, the legal battle officially concluded when Matt legally acquired ownership of all trademarks related to the Broken universe and the Broken gimmick, which includes 'Broken Matt', 'Brother Nero', 'Broken Brilliance' and 'Vanguard1'. International matches (2014–2015) On November 1, 2014, Hardy traveled to Japan to compete for Wrestle-1 at the promotions Keiji Muto 30th Anniversary Hold Out show in a triple threat match against Seiya Sanada and Tajiri, which he lost. On May 24, 2015, Hardy traveled to Mexico to compete as a team captain for Team TNA/Lucha Underground with teammates Mr. Anderson and Johnny Mundo at Lucha Libre AAA Worldwide's 2015 Lucha Libre World Cup pay–per–view show. In the quarter–final round, Team TNA/Lucha Underground faced Team Rest of the World (Drew Galloway, Angélico and El Mesías) to a 15-minute time limit draw, with Team TNA/Lucha Underground winning in overtime and advancing to the semi–final round. In the semi–final round, Team TNA/Lucha Underground defeated Team MexLeyendas (Blue Demon Jr., Dr. Wagner Jr. and El Solar) to advance to the final round. In the final round, Team TNA/Lucha Underground faced Dream Team (El Patrón Alberto, Myzteziz and Rey Mysterio Jr.) to a 15–minute time limit draw, with Dream Team winning both the match and the tournament in overtime with Hardy on the losing end of the final pinfall. Second return to ROH (2016–2017) On December 2, 2016, Hardy returned to ROH for the second time while still under contract with TNA, appearing at the promotions Final Battle pay-per-view show as Broken Matt, where a video message showed him addressing The Young Bucks (Matt Jackson and Nick Jackson) and The Briscoes (Jay Briscoe and Mark Briscoe). On March 4, 2017, in the same week that both Matt and Jeff were released from TNA, The Hardys defeated The Young Bucks in an impromptu match at ROH's 2017 installment of the company's Manhattan Mayhem show series to become the new ROH World Tag Team Champions for the first time. Moments after winning the titles, Hardy announced in a post-match promo that both he and Brother Nero (Jeff) had signed "the biggest ROH contracts in (the company's) history". It was later confirmed that the contracts were short-term, only for the "immediate future". On March 10, The Hardys successfully defended the ROH World Tag Team Championship for the first time at ROH's 15th Anniversary pay-per-view show against The Young Bucks and Roppongi Vice (Beretta and Rocky Romero) in a three-way Las Vegas tag team street fight match. Prior to the event, the Hardys had been sent a legal threat by Impact Wrestling regarding the use of the Broken Matt and Brother Nero gimmicks. The following night on March 11, The Hardys (not billed but using the Broken gimmicks anyway) once again retained the titles, this time against The Briscoes at a set of Ring of Honor Wrestling television tapings. The Hardys lost the titles back to The Young Bucks in a ladder match on April 1 at ROH's Supercard of Honor XI pay-per-view show, which would be the final ROH appearances for both Hardys in this tenure with the promotion. Second return to WWE (2017–2020) Feud with The Bar (2017) At the WrestleMania 33 pay-per-view on April 2, 2017, Hardy made his surprise return to WWE, along with his brother Jeff Hardy, being added as last-minute participants in the ladder match for the Raw Tag Team Championship, defeating Gallows and Anderson, Cesaro and Sheamus, and Enzo and Cass to win the Raw Tag Team Championship. Afterwards on Raw Talk, Hardy mentioned that The Hardy Boyz had successfully completed the Expedition of Gold, after winning the Raw Tag Team Championship. At Payback, The Hardy Boyz retained their championships against Cesaro and Sheamus, who attacked them after the match. The next night on Raw, Cesaro and Sheamus explained their actions, claiming the fans were more supportive of 'novelty acts' from the past like The Hardy Boyz, who they feel did not deserve to be in the match at WrestleMania 33. Subsequently, at Extreme Rules, The Hardy Boyz lost the titles against Cesaro and Sheamus in a steel cage match, and failed to regain it back the following month at the Great Balls of Fire event. Afterwards, it was revealed that Jeff had gotten injured and would be out for an estimated six months, thus Hardy began wrestling in singles matches. Woken Universe and storyline with Bray Wyatt (2017–2018) During his feud with Bray Wyatt, Hardy introduced his "Woken" gimmick, after Impact Wrestling dropped their claim to the gimmick and Hardy gained full ownership of it. Wyatt defeated Hardy at Raw 25 on January 22, 2018, and Hardy defeated Wyatt at Elimination Chamber on February 25. Their final match happened on the March 19 episode of Raw, dubbed The Ultimate Deletion, with Hardy winning after distractions from Señor Benjamin. Wyatt then disappeared after being thrown into the Lake of Reincarnation. At WrestleMania 34 on April 7, Hardy competed in the annual André the Giant Memorial Battle Royal, and won the match due to a distraction by the returning Wyatt. After WrestleMania, Hardy and Wyatt performed as a tag team, sometimes referred to as The Deleters of Worlds. They won a tournament for the vacant Raw Tag Team Championship, defeating Cesaro and Sheamus at the Greatest Royal Rumble event to win the title. However, they lost the titles at Extreme Rules to The B-Team (Bo Dallas and Curtis Axel). On the July 23 episode of Raw, Hardy and Wyatt received a rematch for the titles, but was again defeated by The B-Team. Following this, Hardy revealed that he was taking time off due to his back fusing with his pelvis, effectively disbanding the team. According to Hardy, the reason WWE disbanded the team was because he and Wyatt pitched several ideas to WWE to work with their characters. The Hardys fourth reunion and departure (2019–2020) After more than seven months of absence from television, Hardy returned on the February 26, 2019 episode of SmackDown Live, teaming with his brother Jeff to defeat The Bar (Cesaro and Sheamus). At WrestleMania 35 on April 7, Hardy competed in the André the Giant Memorial Battle Royal, but was eliminated by eventual winner, Braun Strowman. Two days later on SmackDown Live, The Hardy Boyz defeated The Usos to win the SmackDown Tag Team Championship. The reign only lasted 21 days (recognized as 20 days by WWE), as they had to vacate the title due to Jeff injuring his knee, this was explained in storyline as injuries afflicted by Lars Sullivan. After his brother Jeff's injury, Hardy began to appear on WWE programming less frequently. At Super ShowDown on June 7, Hardy competed in the 51-man Battle Royal, which was eventually won by Mansoor. From November to December, Hardy occasionally appeared on Raw, losing matches against superstars like Buddy Murphy, Drew McIntyre, Ricochet and Erick Rowan. On the February 10, 2020 episode of Raw, Hardy confronted Randy Orton about Orton's attack on Edge two weeks earlier. Hardy then got himself into a brawl with him moments after, and was viciously attacked by Orton. The following week on Raw, an injured Hardy appeared and was once again assaulted by Orton, which would be his final appearance in WWE. On March 2, Hardy announced his departure from WWE through his official YouTube channel, where Hardy said that while he's grateful towards the people behind the scenes, he said he is also on different pages with WWE as he feels he needs to have creative input and still has more to give. Later that day, WWE announced that his contract had expired. All Elite Wrestling Multiple personalities (2020–2021) Hardy made his All Elite Wrestling (AEW) debut on the March 18, 2020 episode of Dynamite, reverting to his "Broken" gimmick and being announced as the replacement for the kayfabe injured Nick Jackson on The Elite's team at Blood and Guts. However, the event was postponed to the following year due to the COVID-19 pandemic. On the May 6 episode of Dynamite, Hardy wrestled his first match with AEW, teaming up with Kenny Omega for a street fight against The Inner Circle's Chris Jericho and Sammy Guevara, and Hardy and Omega lost when Jericho pinned Omega. During this period, due to the lack of live audience, Hardy felt that the Broken character needs public, so he began to include several of his gimmicks, including Broken Matt Hardy, Big Money Matt, Matt Hardy V1, and Unkillable Matt Hardy, being referred to as "Multifarious" Matt Hardy. AEW president Tony Khan later admitted that he "wasn't a fan" of the Broken gimmick and much preferred more realistic presentations in wrestling. At Double or Nothing, Hardy teamed with The Elite to defeat The Inner Circle in the first ever Stadium Stampede match. During the match, Santana and Ortiz dunked Hardy in the stadium pool, which acted as a version of the Lake of Reincarnation, as Hardy kept cycling through his various gimmicks throughout his career when he surfaced. Hardy then feuded with Sammy Guevara, and after Hardy defeated Guevara in a Broken Rules match at All Out, Hardy took time off until he was cleared to return, due to an injury sustained during the match. On the September 16 episode of Dynamite, Hardy aligned with Private Party (Isiah Kassidy and Marq Quen) as their manager, but was attacked backstage before their match. The attacker was later revealed as Guevara and The Elite Deletion match was announced, which took place at The Hardy Compound in Cameron, North Carolina, where Hardy won. The Hardy Family Office (2021–present) Hardy then switched to his Big Money persona as he focused on managing Private Party. Over the following weeks, Hardy would display villainous tactics as he began cheating during matches much to Private Party's dismay. On the January 20, 2021 episode of Dynamite, Hardy and Private Party defeated Matt Sydal and Top Flight (Dante Martin and Darius Martin) after using a steel chair before attacking Sydal and Top Flight afterwards, thus turning heel. Hardy then approached Adam Page to accompany and befriend him, and during tag team matches, Hardy would always tag himself in and pick up the victory for his team to Page's behest. After Page set up a match between Hardy and himself, Hardy double-crossed Page, with Private Party and The Hybrid 2 (Angélico and Jack Evans) attacking Page until The Dark Order came out to save him. At the Revolution event, Hardy lost to Page despite multiple interferences from Private Party. Following Revolution, Hardy became the manager for The Butcher and The Blade (with their valet The Bunny in tow), and along with Private Party, the stable became known as the Matt Hardy Empire before settling on the name Hardy Family Office. Hardy also added The Hybrid 2 to his group in July having previously hiring them on a mercenary basis. At Double or Nothing, Hardy competed in Casino Battle Royale but was eliminated by Christian Cage. This led to a match between the two at Fyter Fest, where Hardy lost to Cage. In August, Matt Hardy and HFO began a feud with Orange Cassidy and Best Friends, which led to a match on the August 25 episode of Dynamite, where Hardy was defeated by Cassidy. However, on the November 12 episode of Rampage, Hardy defeated Cassidy in a Lumberjack match, thanks to an interference from HFO and the heel lumberjacks. Their feud ended on the November 17 episode of Dynamite where his team of The Butcher and The Blade lost to the team of Cassidy and Tomohiro Ishii, where Cassidy gave a crossbody to the interfering Hardy and The Blade during the match. Professional wrestling style and persona After the creation of his Broken character, Hardy was praised by several wrestlers and critics for reinventing himself several times during his career. During his career, Hardy has won the Wrestling Observer Newsletter Best Gimmick award two times under two different characters, once in 2002 and again in 2016. Personal life Hardy was in a six-year relationship with wrestler Amy Dumas, better known as Lita. They first met in January 1999 at a NWA Mid-Atlantic show but did not begin dating until a few months later. They broke up in February 2005 when he discovered that she was having an affair with one of Hardy's close friends, fellow wrestler Adam Copeland, better known as Edge. Hardy also dated WWE wrestler Ashley Massaro. Hardy married wrestler Rebecca Reyes, better known as Reby Sky, on October 5, 2013. They have three sons and one daughter. Hardy had previously been an addict, and credits his wife for helping him get clean. Hardy is good friends with fellow wrestlers Marty Garner, Shannon Moore, and Gregory Helms. In December 2020, he claimed to have Native American ancestry. Legal issues Hardy was arrested for a DUI on August 20, 2011. Two days later, he was arrested on felony drug charges when police found steroids in his home. In November 2011, Hardy was removed from court-ordered rehab and sent back to jail for drinking. In January 2014, Hardy and his wife were both arrested after a fight at a hotel. Other media In 1999, Matt, along with his brother Jeff, appeared as an uncredited wrestler on That '70s Show episode "That Wrestling Show". Matt and Jeff also appeared on Tough Enough in early 2001, talking to and wrestling the contestants. He appeared in the February 25, 2002 episode of Fear Factor competing against five other World Wrestling Federation wrestlers, including his brother. He won $50,000 for the American Cancer Society. Hardy also appeared on the October 13, 2009 episode of Scare Tactics, as a mental patient who threatens to attack the prank's victim. In 2001, Matt, Jeff, and Lita appeared in Rolling Stone magazine's 2001 Sports Hall of Fame issue. In 2003, Matt and Jeff, with the help of Michael Krugman, wrote and published their autobiography The Hardy Boyz: Exist 2 Inspire. As part of WWE, Matt appeared in their DVD, The Hardy Boyz: Leap of Faith in 2001. On April 29, 2008, WWE released Twist of Fate: The Matt and Jeff Hardy Story. The DVD featured footage of the brothers in OMEGA and WWE. Hardy also appears on The Hardy Show, an Internet web show which features the Hardys, Shannon Moore, and many of their friends. Hardy plays himself in the 2013 film Pro Wrestlers vs Zombies in which he and his real-life wife Reby Sky battle the undead. Hardy's first WWE video game was WWF WrestleMania 2000 in 1999 on the Nintendo 64 shortly followed by WWF SmackDown! in early 2000 on the PlayStation. He made several appearances later in WWF SmackDown! 2: Know Your Role, WWF SmackDown! Just Bring It, WWE SmackDown! Shut Your Mouth, WWE SmackDown! Here Comes the Pain, and WWE SmackDown vs. Raw. He later returned to the series in WWE SmackDown vs. Raw 2007, WWE SmackDown vs. Raw 2008, WWE SmackDown vs. Raw 2009, WWE SmackDown vs. Raw 2010, and WWE SmackDown vs. Raw 2011, which was his last WWE video game before his departure to TNA. Following his return to WWE in 2017, he was revealed as a DLC character in WWE 2K18 on September 25 that year alongside tag team partner and brother, Jeff Hardy. Hardy was revealed as a playable character in WWE 2K19 on August 30, 2018. His final appearance in a WWE video game came with WWE 2K20 in 2019. Filmography Championships and accomplishments All Elite Wrestling Dynamite Award (1 time) "Bleacher Report PPV Moment of the Year" (2021) – Stadium Stampede match (The Elite vs. The Inner Circle) – Double or Nothing (May 23) All Star Wrestling (West Virginia) ASW Tag Team Championship (1 time) – with Brother Nero CBS Sports Worst Moment of the Year (2020) vs. Sammy Guevara at All Out (2020) The Crash The Crash Tag Team Championship (1 time) – with Brother Nero Future Stars of Wrestling FSW Heavyweight Championship (1 time) House of Glory HOG Tag Team Championship (1 time) – with Jeff Hardy Maryland Championship Wrestling/MCW Pro Wrestling MCW Heavyweight Championship (1 time) MCW Tag Team Championship (1 time) – with Jeff Hardy Extreme Rising World Championship (1 time) National Championship Wrestling NCW Heavyweight Championship (1 time) NCW Light Heavyweight Championship (1 time) New Dimension Wrestling NDW Light Heavyweight Championship (1 time) NDW Tag Team Championship (1 time) – with Jeff Hardy New England Wrestling Alliance NEWA Heavyweight Championship (1 time) NEWA Hall of Fame (class of 2012) New Frontier Wrestling Association NFWA Heavyweight Championship (1 time) NFWA Tag Team Championship (1 time) – with Venom NWA 2000 NWA 2000 Tag Team Championship (1 time) – with Jeff Hardy OMEGA Championship Wrestling OMEGA Heavyweight Championship (2 times) OMEGA Tag Team Championship (2 times) – with Brother Nero/Jeff Hardy Pro Wrestling Illustrated Comeback of the Year (2017) with Jeff Hardy Feud of the Year (2005) vs. Edge and Lita Match of the Year (2000) with Jeff Hardy vs. The Dudley Boyz and Edge and Christian in a triangle ladder match at WrestleMania 2000 Match of the Year (2001) with Jeff Hardy vs. The Dudley Boyz and Edge and Christian in a Tables, Ladders and Chairs match at WrestleMania X-Seven Tag Team of the Year (2000) with Jeff Hardy Ranked No. 17 of the top 500 singles wrestlers in the PWI 500 in 2003 Pro Wrestling Syndicate PWS Heavyweight Championship (1 time) Remix Pro Wrestling Remix Pro Tag Team Championship (1 time) – with Facade Ring of Honor ROH World Tag Team Championship (1 time) – with Jeff Hardy Holy S*** Moment of the Decade (2010s) – – with Jeff Hardy Total Nonstop Action Wrestling TNA World Heavyweight Championship (2 times) TNA World Tag Team Championship (2 times) – with Jeff Hardy/Brother Nero TNA World Tag Team Championship Tournament (2015) – with Jeff Hardy TNA World Tag Team Championship #1 Contender Tournament (2014) – with Jeff Hardy WrestleCade WrestleCade Championship (2 times) Wrestling Observer Newsletter Best Gimmick (2002, 2016) Worst Feud of the Year (2004) with Lita vs. Kane Wrestling Superstar Wrestling Superstar Tag Team Championship (1 time) – with Jeff Hardy WWE/World Wrestling Entertainment/Federation ECW Championship (1 time) WWF Hardcore Championship (1 time) WWF European Championship (1 time) WWE United States Championship (1 time) WWE Cruiserweight Championship (1 time) WWF/World Tag Team Championship (6 times) – with Jeff Hardy WWE SmackDown Tag Team Championship (1 time) – with Jeff Hardy WWE Raw Tag Team Championship (3 times) – with Montel Vontavious Porter (1) Jeff Hardy (1) and Bray Wyatt (1) WCW Tag Team Championship (1 time) – with Jeff Hardy André the Giant Memorial Trophy (2018) Bragging Rights Trophy (2009) – with Team SmackDown Terri Invitational Tournament (1999) – with Jeff Hardy WWE Tag Team Eliminator (2018) - with Bray Wyatt Luchas de Apuestas record Notes References Sources External links 1974 births All Elite Wrestling personnel American bloggers American male professional wrestlers American YouTubers Male YouTubers ECW champions ECW Heavyweight Champions/ECW World Heavyweight Champions Living people NWA/WCW/WWE United States Heavyweight Champions Participants in American reality television series Professional wrestlers from North Carolina Professional wrestling managers and valets Reality show winners Sportspeople from Raleigh, North Carolina TNA World Heavyweight/Impact World Champions TNA/Impact World Tag Team Champions Twitch (service) streamers University of North Carolina at Charlotte alumni WWF European Champions WWF/WWE Hardcore Champions	false	[ "When Men Betray refers to:\n\n When Men Betray (1918 film)\n When Men Betray (1929 film)", "Student of Fortune was a United States-based company that provided an online tutoring marketplace. The company was founded by Sean McCleese in 2006, shortly after graduating from Occidental College. In an interview with The Daily Trojan, McCleese described the way the company's site operated as being similar to eBay. The company's site did not offer direct tutoring services, instead offering a channel to connect tutors and students. Student of Fortune was located in Los Angeles, California, and was privately held, having taken no outside investment funds. The firm was acquired by Chegg on August 19, 2011. On 15 July 2013 Chegg announced that it would close down studentoffortune.com on 15 August 2013.\n\nHistory and Inspiration \nStudent of Fortune was inspired by Sean McCleese's experience in a senior-level quantum physics class at Occidental College. He says \"...here were ten people in the class. Homework was due every day or two, and since it was a senior level class, I couldn't find a person who could help me, because they had all graduated. One homework assignment I particularly remember, no one in the class could figure out how to do.\" Finding that other online tutoring sites did not address his classmates' needs, McCleese decided to form Student of Fortune—to provide a source for students to get homework help and earn money helping others.\n\nControversy\n\nThe site was involved in a breach of personal medical information when a file from a medical collections contractor was posted with a question asking how to create bar graphs. The upload occurred September 9, 2010, and was reported by a patient on August 22, 2011, almost a year later. It included information on 20,000 patients of the Stanford Hospital emergency room between March 1, 2009, and Aug. 31, 2009. A class action lawsuit was filed against Stanford Medical Group and Multi-Specialty Collection Services LLC for $20 million.\n\nNotes \n\nDistance education institutions based in the United States" ]
[ "Matt Hardy", "Total Nonstop Action Wrestling (2011)", "Who did he fight?", "He was the surprise opponent for Rob Van Dam,", "Who won that match?", "defeated him to prevent Van Dam from receiving a match", "Was there anything else significant about that particular match?", "defeated him to prevent Van Dam from receiving a match for the TNA World Heavyweight Championship,", "Are there any other interesting aspects about this article?", "On February 13 at Against All Odds, Rob Van Dam defeated Hardy in a rematch.", "Who else did he fight in 2011?", "On March 13 at Victory Road Hardy was defeated by Flair's previous protege, A.J. Styles.", "Can you tell me anything about that fight?", "Hardy, along with the rest of Immortal and Ric Flair, betrayed Fortune.", "How did they betray Fortune?", "I don't know." ]	C_e23d3e73411842f49937f27ba3aa0993_0	Did he fight anyone else in TNA?	8	DidMatt Hardy fight anyone else in TNA besides Victory Road Hardy?	Matt Hardy	On January 9, 2011, Hardy made his debut for Total Nonstop Action Wrestling (TNA) at the Genesis pay-per-view, as part of the stable Immortal. He was the surprise opponent for Rob Van Dam, and defeated him to prevent Van Dam from receiving a match for the TNA World Heavyweight Championship, held by Hardy's brother Jeff. In the main event, Hardy attempted to interfere in Jeff's World Heavyweight Championship match with Mr. Anderson, but was stopped by Van Dam, which led to Jeff losing both the match and the championship. On the January 13 episode of Impact!, the Hardy Boyz reunited to defeat Anderson and Van Dam in a tag team match, following interference from Beer Money, Inc.. On February 13 at Against All Odds, Rob Van Dam defeated Hardy in a rematch. On the following episode of Impact!, Hardy, along with the rest of Immortal and Ric Flair, betrayed Fortune. On March 13 at Victory Road Hardy was defeated by Flair's previous protege, A.J. Styles. On April 17 at Lockdown, Immortal, represented by Hardy, Abyss, Bully Ray and Ric Flair, were defeated by Fortune members James Storm, Kazarian and Robert Roode and Christopher Daniels, who replaced an injured A.J. Styles, in a Lethal Lockdown match. On the April 21 episode of Impact!, Hardy faced Sting for the TNA World Heavyweight Championship, Hardy's first World Title match in TNA, but was defeated. The following month Hardy was granted a shot at the TNA World Tag Team Championship against Beer Money, Inc. (James Storm and Robert Roode). While the champions looked to defend the title against the Hardy Boyz, Matt instead introduced the returning Chris Harris, Storm's old tag team partner, as his partner for the title match. The match took place at Sacrifice, where Storm and Roode retained their title. On June 21, it was reported that TNA had suspended Hardy. On August 20, Hardy was released from TNA following a DUI arrest that occurred earlier that same day. CANNOTANSWER	On April 17 at Lockdown, Immortal, represented by Hardy, Abyss, Bully Ray and Ric Flair,	Matthew Moore Hardy (born September 23, 1974) is an American professional wrestler currently signed to All Elite Wrestling (AEW). He is also known for his time with WWE, Impact Wrestling, and Ring of Honor (ROH). With his real life brother Jeff, Hardy gained notoriety in WWF's tag team division during the 2000s due to his participation in TLC matches. He is a 14-time world tag team champion, having held the WWE World Tag Team Championship six times, the WWE Raw Tag Team Championship three times, the WWE SmackDown Tag Team Championship, ROH World Tag Team Championship, and WCW Tag Team Championship once each, and the TNA World Tag Team Championships twice. Wrestling through four separate decades, Hardy has kept himself relevant partially through a variety of different gimmicks and his use of social media. In 2002, Hardy began a solo career in WWE. His subsequent "Version 1" persona was named Best Gimmick by the Wrestling Observer Newsletter. Hardy's eccentric "Broken" gimmick, which he debuted in 2016 (and which was renamed "Woken" following his subsequent WWE return), garnered praise from wrestling critics and earned him multiple awards, including a second Best Gimmick award, becoming one of the most talked about characters in all of wrestling. As a singles wrestler, Hardy has won three world championships (one ECW Championship, and two TNA World Heavyweight Championships). All totaled between WWE, TNA/Impact, and ROH, Hardy has held 21 total championships. Early life Hardy was born in Cameron, North Carolina, the son of Gilbert and Ruby Moore Hardy. He is the older brother of Jeff Hardy. Their mother died of brain cancer in 1987. Hardy played baseball as a child and throughout high school, but had stopped by his senior year. He also played football, either as a linebacker or a defensive end. Hardy was a good student at Union Pines High School in North Carolina, and was a nominee for the "Morehead Award", a scholarship to any university in North Carolina. Hardy attended University of North Carolina at Charlotte, where he majored in engineering; after a year, however, he dropped out due to his father being ill. He then attended Sandhills Community College in Pinehurst to gain his associate degree. Professional wrestling career Early career (1992–2001) Hardy, along with his brother Jeff and friends, started their own federation, the Trampoline Wrestling Federation (TWF) and mimicked the moves they saw on television. Shortly after Hardy sent in a tape for the World Championship Wrestling (WCW) Amateur Challenge using the ring name High Voltage, a tag team named High Voltage began competing in WCW, causing Hardy to change his name to Surge. A few years later, it was revealed to him by Chris Kanyon that the tape had been kept in the WCW Power Plant, watched multiple times, and that the name High Voltage was blatantly stolen from it. Beginning in 1994, The Hardys wrestled for several North Carolina-based independent circuit promotions and adapted a number of alter-egos. As The Wolverine, Hardy captured the New England Wrestling Alliance (NEWA) Championship in May 1994. As High Voltage, he teamed with Venom to claim the New Frontier Wrestling Association (NFWA) Tag Team Championship in March 1995. A month later, High Voltage defeated the Willow for the NFWA Championship. In 1997, Matt and Jeff created their own wrestling promotion, The Organization of Modern Extreme Grappling Arts (frequently abbreviated to OMEGA Championship Wrestling, or simply OMEGA), in which Matt competed under the name High Voltage. Both Matt and Jeff took apart the ring and put it back together at every event they had, while Matt sewed all the costumes worn in OMEGA. The promotion folded in October 1999, after both Matt and Jeff signed with the World Wrestling Federation. World Wrestling Federation/Entertainment Early years (1994–1998) Hardy worked as a jobber for the World Wrestling Federation (WWF) from 1994 up until he signed a full-time contract in 1998. His first WWF match was against Nikolai Volkoff on the May 23, 1994 episode of Monday Night Raw, which he lost by submission. A night later at a taping of WWF Wrestling Challenge, he lost a match against Owen Hart. He continued to wrestle sporadically in the WWF throughout 1994 and 1995, losing matches against Crush, Razor Ramon, Hakushi, Owen Hart, the imposter Undertaker, Hunter Hearst Helmsley and "The Ringmaster" Steve Austin. Hardy teamed with Jeff for the first time in the WWF in 1996, losing to teams such as The Smoking Gunns and The Grimm Twins on WWF television. Matt and Jeff had a short lived feud with The Headbangers (Thrasher and Mosh), losing to the duo twice in 1997. It was during this time that Matt and Jeff experimented with different ring names, at one stage being called Ingus (Matt) and Wildo Jinx (Jeff). In Matt's final singles match for the promotion before signing a full-time contract he lost to Val Venis on a taping of Shotgun in 1998. The Hardy Boyz (1998–2001) It was not until 1998, however, (at the height of The Attitude Era) that the Hardy brothers were given full-time WWF contracts and sent to train with former wrestler Dory Funk, Jr. The Hardy Boyz used a cruiserweight, fast-paced high flying style in their matches, often leaping from great heights to do damage to their opponents (and themselves in the process). In 1999, while feuding with Edge and Christian, the duo briefly picked up Michael Hayes as a manager. At King of the Ring, The Hardyz defeated Edge and Christian to earn the #1 contendership for the WWF Tag Team Championship. On July 5, they defeated The APA to win their first Tag Team Championship. They soon dumped Hayes and briefly picked up Gangrel as a manager, after Gangrel turned on Edge and Christian. At No Mercy, The Hardyz defeated Edge and Christian in the first ever tag team ladder match. At the Royal Rumble pay-per-view, The Hardyz defeated The Dudley Boyz in the first ever tag team tables match. They competed against The Dudley Boyz and Edge and Christian for the Tag Team Championships at WrestleMania 2000 in the first ever Triangle Ladder match, but were unsuccessful. Hardy won the Hardcore Championship on April 24, 2000, on Raw Is War, by defeating Crash Holly, but lost it back to Holly three days later on SmackDown!, when Holly applied the "24/7 rule" during Hardy's title defense against Jeff. The Hardy Boyz then found a new manager in Matt's real-life girlfriend Lita. Together, the three became known as "Team Xtreme". The Hardy Boyz competed in the first ever Tables, Ladders, and Chairs match, for the WWF Tag Team Championship against The Dudley Boyz and Edge and Christian, but were unsuccessful. At Unforgiven, The Hardyz defeated Edge and Christian in a steel cage match to win the tag team championship, and successfully retained it the following night on Raw Is War against Edge and Christian in a ladder match. In April 2001, The Hardyz began feuding with Stone Cold Steve Austin and Triple H (known as The Power Trip), which also led to a singles push for both Matt and Jeff. Hardy helped Jeff defeat Triple H for the Intercontinental Championship, and shortly after Hardy defeated Eddie Guerrero to win the European Championship on SmackDown!. At Backlash he retained the title against Guerrero and Christian in a triple threat, and against Edge the following night on Raw. Throughout the year, the Hardy Boyz continued to win as a tag team, winning the WWF Tag Team Titles two more times, and the WCW Tag Team Championship during the Invasion. By the end of the year, the Hardy Boyz began a storyline where they were having trouble co-existing. This culminated in a match between the two, with Lita as the guest referee, at the Vengeance pay-per-view, which Jeff won. Hardy defeated Jeff and Lita the following night on Raw in a two-on-one handicap match. Version 1 gimmick and feud with Kane (2002–2004) At the beginning of 2002, it seemed Team Xtreme had patched things up. After the brand extension, however, Matt was relegated to Heat while Jeff wrestled on the main show, Raw. On the August 12 episode of Raw, Hardy turned heel by attacking Jeff during Jeff's match against Rob Van Dam, because Hardy was frustrated at not receiving a match against Van Dam for the number one contendership for the Intercontinental Championship. A short time later, Hardy joined the SmackDown! roster, and began dubbing himself "Matt Hardy: Version 1", complete with a "version 1" hand signal. Hardy defeated The Undertaker on the September 12 and October 3 episodes of the show, due to interference from Brock Lesnar. Along with his Mattitude Follower Shannon Moore in his corner, 2003 began with Hardy frantically trying to lose weight to get under the weight limit to compete for the Cruiserweight Championship. After just barely making weight, Hardy defeated Billy Kidman at No Way Out to win the Cruiserweight title. At WrestleMania XIX, he successfully defended it against Rey Mysterio. Hardy lost the Cruiserweight Championship to Mysterio in the main event of the June 5 episode of SmackDown! - the first and only time a Cruiserweight Championship match main evented a show. After dropping the Cruiserweight Championship, Hardy briefly feuded with Eddie Guerrero, but was unsuccessful in capturing Guerrero's United States Championship or WWE Tag Team Championship. The Mattitude faction then expanded to include Crash Holly as Moore's "Moore-on" (apprentice). He later disbanded the group in November and returned to Raw in order to be able to travel and work with his then girlfriend Lita, who just returned from an injury. On his first night back, he turned on Lita in storyline after teasing a proposal to her. He defeated Christian, who was vying for Lita's affections, on the following edition of Raw. In April 2004, Hardy saved Lita from getting attacked by Kane, turning face in the process. Hardy defeated Kane in a no disqualification match at Vengeance, but lost a "Till Death To Us Part" match against Kane at SummerSlam, resulting in Lita being forced to marry Kane. On the August 23 episode of Raw, Hardy was chokeslamed off the stage by Kane during the wedding. Hardy then spent almost a year off from wrestling due to a severe knee injury. Departure and sporadic appearances (2005) Along with his friend Rhyno, Hardy was released by WWE on April 11, 2005. Hardy's release was largely due to unprofessional conduct with social media after discovering that Lita was having a real-life affair with his best friend Edge. The public knowledge of the affair and Hardy's release led to Edge and Lita receiving jeers from the crowds at WWE events, often resulting in chants of "You screwed Matt!", and, "We want Matt!", which meant kayfabe storylines being affected considering that Lita was married to Kane at the time in kayfabe. Edge and Lita used the affair and fan backlash to become a hated on-screen couple, which led to Lita turning heel for the first time in over five years. Fans began a petition on the internet, wanting WWE to re-sign Hardy, and amassed over fifteen thousand signatures. Hardy released two character promotional vignettes, that he was planning to use before he was offered a new contract by WWE. Hardy called himself The Angelic Diablo with the tagline "the scar will become a symbol" in reference to the way in which he had been treated by Lita and WWE. On the June 20 episode of Raw, during the storyline wedding of Edge and Lita, Hardy's entrance music and video were played when the priest asked if anyone had a reason why Edge and Lita should not be wed. Independent circuit and Ring of Honor (2005) Following his WWE release, Matt returned to the independent circuit and wrestled several matches for the Allied Powers Wrestling Federation (APWF), International Wrestling Cartel (IWC) and Big Time Wrestling (BTW). Hardy appeared at a scheduled Ring of Honor (ROH) event on July 16, 2005, in Woodbridge, Connecticut where he defeated Christopher Daniels via submission. Hardy also cut a brief worked shoot promo where he criticized WWE and John Laurinaitis. Following his official return to WWE, Hardy was met with backlash following a match with Homicide from the fans at a subsequent ROH event, which Hardy won. The next day at his final ROH appearance, he lost to Roderick Strong. Return to WWE Feud with Edge (2005–2006) On July 11, 2005, on Raw, Hardy attacked Edge backstage and again later during Edge's match with Kane. Before being escorted out of the building by security, Hardy stated that Edge (calling him by his real name of "Adam") and Lita would pay for their actions and told fans that they could see him at Ring of Honor while security officials and event staff were trying to restrain him. Hardy also called out Johnny Ace as security had him in handcuffs taking him out of the arena. This caused an uproar amongst fans, who were confused and wondered if the whole thing was a work or a shoot. Similar occurrences repeated during the following two weeks. On the August 1 episode of Raw, Vince McMahon officially announced Hardy's return to WWE, adding that Hardy would face Edge at SummerSlam. Hardy made his in-ring return, defeating Snitsky on the August 8 Raw. Seconds after the victory, Hardy was attacked by Edge, and as he was being carried backstage, Matt counterattacked Edge in the locker room. On August 21 at SummerSlam, their match came to a premature end when Edge dropped Hardy onto the top of a ring post, causing him to bleed heavily. The referee ended the match on the grounds that Hardy could not continue, and Edge was declared the winner. After SummerSlam, the two continued feuding on Raw, including a Street Fight on August 29 that resulted in Hardy performing a Side Effect on Edge off the entrance stage and into electrical equipment below; the match ended in a no contest. At Unforgiven, Edge faced Hardy in a steel cage match. Hardy caught an interfering Lita with the Twist of Fate and won the match with a leg drop off the top of the cage. Hardy and Edge faced each other on October 3 at WWE Raw Homecoming in a Loser Leaves Raw ladder match. Edge's briefcase holding his Money in the Bank contract for his WWE Championship opportunity was suspended above the ring. The winner of the match received the contract and the loser was forced to leave Raw. Edge tied Hardy's arms in the ropes, and Lita trapped Hardy in a crucifix hold, leaving Hardy only able to watch Edge win. With his defeat at the hands of Edge, Hardy was moved to the SmackDown! brand where he re-debuted with a win over Simon Dean on October 21 in Reno, Nevada. One week later, Hardy won the fan vote to represent Team SmackDown! (alongside Rey Mysterio) to challenge Team Raw (Edge and Chris Masters) at Taboo Tuesday. Edge, however, refused to wrestle and sent Snitsky in place of him in the match, which Hardy and Mysterio won. Back on SmackDown!, Hardy started an angle with MNM (Johnny Nitro and Joey Mercury) and their manager Melina when Melina approached Hardy, seemingly wanting Hardy to join with her team. Hardy refused the offer, which led to him facing the tag team on several occasions with a variety of partners. On July 25, after the SmackDown! taping, Hardy was taken out of action after doctors found the remnants of the staph infection that had plagued him the previous year. He was sidelined until August 25 while he healed. Upon his return to action, Hardy feuded against childhood friend and reigning Cruiserweight Champion Gregory Helms. At No Mercy, in their home state, Hardy beat Helms in a non-title match. The two met again at Survivor Series, where Hardy's team won in a clean sweep. They wrestled one final match, a one time appearance in Booker T's Pro Wrestling Alliance (PWA) promotion, where Hardy defeated Helms in a North Carolina Street Fight. The Hardy Boyz reunion (2006–2007) On the November 21, 2006 episode of ECW on Sci Fi, Hardy and Jeff competed in a match together for the first time in almost five years, defeating The Full Blooded Italians. At December to Dismember, the Hardy Boyz issued an open challenge to any tag team who wanted to face them. MNM answered their challenge by reuniting at December to Dismember, a match won by the Hardy Boyz. At Armageddon, Hardy and Jeff competed against Paul London and Brian Kendrick, MNM, and Dave Taylor and William Regal in a Ladder match for the WWE Tag Team Championship but lost. Subsequently, he and Jeff feuded with MNM after the legitimate incident where they injured Mercury's face at Armageddon. This led to a long term rivalry, and at the Royal Rumble, Hardy and Jeff defeated MNM. Mercury and Hardy continued to feud on SmackDown! until Mercury was released from WWE on March 26. The night after WrestleMania 23 on Raw, the Hardys competed in a 10-team battle royal for the World Tag Team Championship. They won the titles for the sixth time from then WWE Champion John Cena and Shawn Michaels after last eliminating Lance Cade and Trevor Murdoch. This started a feud with Cade and Murdoch, and the Hardys successfully retained their World Tag Team Championship in their first title defense at Backlash. The Hardy Boyz also successfully retained their titles at Judgment Day against Cade and Murdoch. One month later at One Night Stand, they defeated The World's Greatest Tag Team to retain the titles in a Ladder match. The following night on Raw, Vince McMahon demanded that The Hardys once again defend their championships against Cade and Murdoch. The Hardys were defeated after Murdoch pushed Jeff's foot off the bottom rope during Cade's pinfall, causing the three count to continue. They invoked their rematch clause against Cade and Murdoch at Vengeance: Night of Champions, but were unsuccessful. Feud with MVP and championship reigns (2007–2009) On the July 6, 2007 episode of SmackDown!, Hardy won a non-title match against United States Champion Montel Vontavious Porter (MVP), which resulted in a feud between the two. Hardy was defeated by MVP at The Great American Bash for the United States Championship. MVP then claimed that he was "better than Hardy at everything", which led to a series of contests between Hardy and MVP, such as a basketball game, an arm wrestling contest, and a chess match which MVP "sneezed" on and ruined when Hardy put him in check. MVP challenged Hardy to a boxing match at Saturday Night's Main Event XXXV, however MVP was legitimately diagnosed with the heart condition Wolff-Parkinson-White syndrome. Since MVP was unable to compete, Hardy faced his replacement, former world champion boxer, Evander Holyfield. The match ended in a no contest after MVP entered the ring to verbally abuse Holyfield, who then knocked him out. MVP also challenged Hardy to a beer drinking contest at SummerSlam, but as revenge for what happened at SNME, Hardy allowed Stone Cold Steve Austin to replace him; Austin simply performed a stunner on MVP then kept drinking. After a segment involving MVP inadvertently choosing Hardy as his tag-team partner, Theodore Long promptly set up a match against Deuce 'n Domino for the WWE Tag Team Championship on the August 31 episode of SmackDown! which Hardy and MVP were able to win, therefore setting up Hardy's first reign as WWE Tag Team Champion. Hardy and MVP retained the titles at Unforgiven in a rematch against former champions Deuce 'n Domino. Hardy was scheduled to face MVP at Cyber Sunday, but due to a real-life head injury sustained on the October 26 episode of SmackDown!, he was not medically cleared to compete. As part of the storyline, Hardy continually asked MVP for a shot at the United States Championship but MVP refused stating that he was more focused on the Tag Team Championship. On the November 16 episode of SmackDown!, Hardy and MVP dropped the WWE Tag Team Championship to John Morrison and The Miz. Despite the fact that Hardy was hurt, MVP immediately invoked the rematch clause. After the rematch, in which Hardy was forced to tap out, MVP attacked Hardy, repeatedly targeting his knee. It was later confirmed by WWE.com that Hardy had suffered an injury at his former partner's hands and that he might not be able to compete at Survivor Series. Despite Hardy's absence at Survivor Series, his team was able to win the match. On November 21, WWE's official website reported that Hardy underwent an emergency appendectomy in Tampa, Florida after his appendix burst. Hardy made an appearance at the December 31 episode of Raw supporting his brother Jeff. To further Jeff's storyline with Randy Orton, however, Hardy was attacked by Orton. Hardy made his return at a live event in Muncie, Indiana on March 1, 2008. On March 30, 2008, at WrestleMania XXIV, during the Money in the Bank ladder match Hardy cut through the crowd and attacked MVP to prevent him from winning the match. He made his official in-ring return the next night on Raw, losing a singles match to WWE Champion Randy Orton. On the April 4 episode of SmackDown, Hardy faced MVP in a non-title match, which he won, re-igniting their storyline rivalry. On April 27, 2008, Hardy defeated MVP to win the United States Championship at Backlash, and successfully retained his title against MVP five days later on SmackDown. Hardy declared himself as a fighting champion that would take on all challenges, defending the United States championship against Shelton Benjamin, Elijah Burke, Chuck Palumbo, Mr. Kennedy, Chavo Guerrero and Umaga. Hardy was drafted to the ECW brand on the June 23, 2008 episode of Raw during the 2008 WWE Draft, in the process making the United States Championship exclusive to ECW. He dropped the United States Championship to Shelton Benjamin at the Great American Bash pay-per-view on July 20, 2008, which meant that the title returned to SmackDown. On the July 22 episode of ECW, Hardy became the number one contender to Mark Henry's ECW Championship after defeating John Morrison, The Miz and Finlay in a fatal four-way match. He won the title match at SummerSlam by disqualification due to interference from Henry's manager, Tony Atlas, thus he failed to win the title. Due to the ending of the pay-per-view match, Hardy received a rematch for the title on the next episode of ECW, but again failed to win the title when Henry pinned him after a distraction by Atlas. At Unforgiven, Hardy won the ECW Championship during the Championship scramble match, defeating then-champion Henry, The Miz, Finlay and Chavo Guerrero by pinning the Miz with three minutes left, marking his first world heavyweight championship win. He continued to feud with Henry until No Mercy, where Hardy successfully retained the title. Hardy lost the title to Jack Swagger on the January 13, 2009 episode of ECW, which was taped on January 12. Feud with Jeff Hardy and departure (2009–2010) At the 2009 Royal Rumble pay-per-view, after losing an ECW Championship rematch to Swagger, Hardy turned on his brother when he hit Jeff with a steel chair, allowing Edge to win the WWE Championship, turning heel in the process. On the January 27, 2009 episode of ECW, it was announced by General Manager Theodore Long that Hardy had requested, and been granted, his release from ECW and had re-signed with the SmackDown brand. As part of the buildup to this feud, Matt strongly implied that he was responsible for all of Jeff's accidents leading back to November, including an assault in a hotel stairwell that prevented Jeff from appearing at Survivor Series, an automobile accident where Jeff's car was run off the road, and a pyrotechnics malfunction where part of the pyro from Jeff's entrance was fired directly at Jeff, in an attempt to stop Jeff holding the WWE Championship. Despite Hardy's attempts to goad Jeff into fighting him, Jeff refused to fight his brother, but, on the March 6 episode of SmackDown, Jeff attacked him during a promo where Matt implied that he was also responsible for the fire that burned down Jeff's house, going so far as to reveal that he had in his possession a dog collar that supposedly belonged to Jeff's dog, Jack (who died in the fire), that he claimed to have salvaged from the wreckage of the house. At WrestleMania 25, Matt defeated Jeff in an Extreme Rules match, and in a stretcher match on the following episode of SmackDown. On the April 13 episode of Raw, Hardy was drafted to the Raw brand as part of the WWE draft. Despite the fact that the two were on different brands, he continued his feud with Jeff. Two weeks later, in a rematch from WrestleMania, Hardy lost to Jeff in an "I Quit" match at Backlash, in which he legitimately broke his hand. Hardy continued to wrestle with his hand in a cast, incorporating it into his persona and claiming that he was wrestling under protest. He reignited his feud with MVP on Raw for the United States Championship. He also formed a tag team with William Regal, and the two acted as henchmen for General Manager Vickie Guerrero. At the June 22 taping of WWE Superstars, Hardy suffered yet another injury, when his intestines went through his abdominal wall, during a triple threat match against MVP and Kofi Kingston. Hardy had suffered a tear in his abdominal muscle two years previously, but had not needed surgery until it worsened, and became a danger to his health. He was then traded back to the SmackDown brand on June 29, and underwent surgery for the torn abdominal muscle on July 2. He made his return on the August 7 episode of SmackDown as the special guest referee in the World Heavyweight Championship match between his brother, Jeff, and CM Punk, and helped Jeff retain the championship by counting the pinfall. The following week Hardy turned face again when he saved his brother when CM Punk and The Hart Dynasty attacked both Jeff and John Morrison. On the August 21 episode of SmackDown, after apologizing for his past actions towards Jeff and admitting that he was not behind any of Jeff's accidents, he had his first match back after his injury when he teamed with Jeff and John Morrison to defeat The Hart Dynasty and CM Punk, when Matt pinned Punk. In early 2010, Hardy began an on-screen relationship with Maria; but was brief and the relationship ended when Maria was released from her WWE contract. On the March 5 episode of SmackDown, Hardy qualified for the Money in the Bank ladder match at WrestleMania XXVI by defeating Drew McIntyre, but was unsuccessful at WrestleMania, as the match was won by Jack Swagger. Hardy was suspended by Vince McMahon because he attacked McIntyre after McIntyre lost to Kofi Kingston at Over the Limit. He was able to get his revenge on McIntyre during the Viewer's Choice episode of Raw when chosen as the opponent for McIntyre, with General Manager Theodore Long stating that Hardy was suspended from SmackDown, but not from Raw. On the following episode of SmackDown, however, Vickie Guerrero announced that, per orders of Vince McMahon, Hardy had been suspended from all WWE programming. However, at Fatal 4-Way, Hardy prevented McIntyre from regaining the Intercontinental Championship, thus continuing their feud. On the following edition of SmackDown, he was reinstated by Long and had a match with McIntyre, which Hardy won. After the match, it was announced that McIntyre's visa had legitimately expired and was sent back to Scotland, thus ending their feud. Hardy was featured in the SmackDown Money in the Bank ladder match but was unsuccessful in winning with Kane coming out victorious. On September 12, WWE confirmed they had sent Hardy home from a European tour. Following this, Hardy began posting videos on his YouTube channel expressing his disinterest in the WWE product and insisting that he wanted to be released from the company. On October 15, 2010, WWE announced that Hardy had been released from his contract. Hardy later stated that his release had been in effect two weeks before WWE made the announcement. Total Nonstop Action Wrestling (2011) On January 9, 2011, Hardy made his debut for Total Nonstop Action Wrestling (TNA) at the Genesis pay-per-view, as part of the stable Immortal. He was the surprise opponent for Rob Van Dam, and defeated him to prevent Van Dam from receiving a match for the TNA World Heavyweight Championship, held by Hardy's brother Jeff. In the main event, Hardy attempted to interfere in Jeff's World Heavyweight Championship match with Mr. Anderson, but was stopped by Van Dam, which led to Jeff losing both the match and the championship. On the January 13 episode of Impact!, the Hardy Boyz reunited to defeat Anderson and Van Dam in a tag team match, following interference from Beer Money, Inc. On February 13 at Against All Odds, Van Dam defeated Hardy in a rematch. On the following episode of Impact!, Hardy, along with the rest of Immortal and Ric Flair, betrayed Fortune. On March 13 at Victory Road, Hardy was defeated by Flair's previous protégé, A.J. Styles. On April 17 at Lockdown, Immortal, represented by Hardy, Abyss, Bully Ray and Ric Flair, were defeated by Fortune members James Storm, Kazarian and Robert Roode and Christopher Daniels, who replaced an injured A.J. Styles, in a Lethal Lockdown match. On the April 21 episode of Impact!, Hardy faced Sting for the TNA World Heavyweight Championship, Hardy's first World Title match in TNA, but was defeated. The following month, Hardy was granted a shot at the TNA World Tag Team Championship against Beer Money, Inc. (James Storm and Robert Roode). While the champions looked to defend the title against the Hardy Boyz, Matt instead introduced the returning Chris Harris, Storm's old tag team partner, as his partner for the title match. The match took place at Sacrifice, where Storm and Roode retained their titles. On June 21, it was reported that TNA had suspended Hardy. On August 20, Hardy was released from TNA following a DUI arrest that occurred earlier that same day. Return to the independent circuit (2011–2017) Hardy announced his retirement from full-time professional wrestling due to injuries on September 1, 2011. He issued a challenge to his long-time rival MVP, who was wrestling in Japan at the time, to one final match at "Crossfire Live!" in Nashville. The event was held May 19, 2012 and benefited the Make-A-Wish Foundation. Hardy won the match. Throughout 2012, Hardy wrestled sporadically on the independent circuit, working with promotions such as Mid Atlantic Championship Wrestling, Pro Wrestling Syndicate and Northeast Wrestling. On October 5, Hardy was defeated by Kevin Steen at Pro Wrestling Xperience's An Evil Twist of Fate. On November 11, Hardy, as the masked wrestler Rahway Reaper, defeated the Pro Wrestling Syndicate Kevin Matthews, winning the championship. On February 9, 2013, Hardy lost the Pro Wrestling Syndicate Championship back to Matthews. On February 16, 2013, at Family Wrestling Entertainment's No Limit, Hardy wrestled a TLC match for the FWE Heavyweight Championship against the champion Carlito and Tommy Dreamer, but he was defeated. On November 30, 2013, at WrestleCade, Hardy defeated Carlito to become the first ever WrestleCade Champion. On May 3, 2014, following a match between Christian York and Drolix, Hardy defeated Drolix to become the new MCW Heavyweight Champion. At Maryland Championship Wrestling's Shane Shamrock Cup, Hardy defeated Luke Hawx in a TLC match for Hardy's title and Hawx's Extreme Rising World title. Hardy won the match, but he gave back the title to Hawx. On October 4, Hardy lost the MCW Heavyweight Championship back to Drolix, following outside interference from Kevin Eck. On February 9, 2015, Hardy appeared on FWE's "No Limits 2015" iPPV, challenging Drew Galloway for the ICW World Heavyweight Championship, but was defeated. On November 28, 2015, Hardy lost the WrestleCade Championship to Jeff Jarrett at WrestleCade IV in Winston-Salem, North Carolina. Hardy regained the title in a triple-threat cage match against Jarrett and Ethan Carter III in Hickory, North Carolina on May 20, 2016. He appeared at the #DELETEWCPW event for What Culture Pro Wrestling (WCPW) in Nottingham, England on November 30. Hardy, billed as "Broken" Matt Hardy, lost a no-disqualification match to Bully Ray, with Ray proposing the no-disqualification stipulation at the last minute, and Hardy accepting there and then. Return to ROH (2012–2014) At Death Before Dishonor X: State of Emergency in 2012, Hardy returned to Ring of Honor, confronting Adam Cole and challenging him to a match for the ROH World Television Championship. On December 16 at Final Battle 2012: Doomsday, Hardy defeated Cole in a non-title match. At the following iPPV, 11th Anniversary Show on March 2, 2013, Hardy joined the villainous S.C.U.M. stable. On April 5 at the Supercard of Honor VII iPPV, Hardy unsuccessfully challenged Matt Taven for the ROH World Television Championship in a three-way elimination match, which also included Adam Cole. On June 22 at Best in the World 2013, Hardy defeated former S.C.U.M. stablemate Kevin Steen in a No Disqualification match to become the number one contender to the ROH World Championship. Hardy received his title shot at the following day's Ring of Honor Wrestling tapings, but was defeated by the defending champion, Jay Briscoe. Later that same day, S.C.U.M. was forced to disband after losing a Steel Cage Warfare match against Team ROH. On December 14, 2013, at Final Battle 2013, Hardy defeated Adam Page in a singles match; later on in the main event, Hardy aided Adam Cole in retaining his title and forming a tag team with him. After aiding Cole at Supercard of Honor VIII, Hardy was given Jay Briscoe's unofficial "Real World Title" belt, which he renamed the "ROH Iconic Championship". In July, Hardy opted out of his ROH contract and went back to TNA. Return to OMEGA (2013–2018) Matt announced that OMEGA would return in January 2013 with an event titled "Chinlock For Chuck". The main event featured Matt, Jeff, Shane "Hurricane" Helms and "Cowboy" James Storm defeating Gunner, Steve Corino, CW Anderson and Lodi. On October 12, 2013, at "Chapel Thrill", Hardy announced a Tournament for the OMEGA Heavyweight Championship which featured himself vs. CW Anderson and Shane "Hurricane" Helms vs. "The King" Shane Williams. After Hardy's qualifying match he was attacked by CW but was saved by the returning Willow the Whisp. Hardy won that match and advanced to the finals. On November 21, 2015, Matt won the OMEGA Heavyweight Championship for the second time, defeating former student Trevor Lee. Following this, Matt (upon regaining the TNA world title as part of his villainous egotistical "Iconic" gimmick) began proclaiming himself to be the only world champion that matters, and the only "true" world champion in wrestling, as he held both the TNA and OMEGA Championships, which (according to him) put him above any other promotions' world champions. Throughout 2016, Hardy defended the TNA and OMEGA titles jointly at OMEGA events as part of his "only true world champion" gimmick. On January 29, The Hardys won the OMEGA Tag Team Championships. Return to TNA The Hardys third reunion (2014–2015) On July 24, 2014, Hardy returned to TNA and reunited with Jeff to reform The Hardys for the third time. At the Destination X episode of Impact Wrestling, The Hardys were defeated by The Wolves in a match for the TNA World Tag Team Championship. On the August 14 episode of Impact Wrestling, Team 3D (formerly the Dudley Boyz) challenged The Hardys to a match, which Team 3D won. At the Hardcore Justice episode of Impact Wrestling, The Hardys and Team 3D talked about a match involving themselves and The Wolves. When The Wolves were asked by the two teams, they agreed. Later that night, Kurt Angle announced all three teams would compete in a best of three series for the TNA World Tag Team Championship with the winners of the first match choosing the stipulation of the next one. The Hardys won the second match of the series on the September 10 episode of Impact Wrestling in a tables match and choose a ladder match for the third match of the series. The Hardys were unsuccessful in winning that match on the September 17 episode of Impact Wrestling, as the Wolves won that match. The Wolves then went on to pick the final match of the series to be a Full Metal Mayhem match to take place on the October 8 episode of Impact Wrestling. The Hardys were unsuccessful in that match as the Wolves won that match. On October 22, The Hardys entered a number one contenders tournament for the TNA World Tag Team Championship defeating The BroMans (Jessie Godderz and DJ Z) in the first round of the tournament. On the October 29 episode of Impact Wrestling, The Hardys defeated Team Dixie (Ethan Carter III and Tyrus) in the semifinals to advance to the finals of the tournament, where they defeated Samoa Joe and Low Ki to become number one contenders for the TNA World Tag Team Championship. On the January 16, 2015 episode of Impact Wrestling, The Hardys defeated the Wolves. At the Lockdown episode of Impact Wrestling, The Hardys were defeated by The Revolution in a six sides of steel cage match for the TNA World Tag Team Championship. On the February 20 episode of Impact Wrestling, Hardy and The Wolves defeated The Revolution in a six-man tag team match. In March, The Hardys participated in a tournament for the vacant TNA World Tag Team Championship. On March 16, 2015, Matt and Jeff won an Ultimate X match for the titles. On May 8, 2015, Hardy vacated the TNA World Tag Team Championship due to his brother Jeff being injured. World Heavyweight Champion (2015–2016) On June 28, 2015, Hardy was among the five wrestlers who competed for the TNA King of the Mountain Championship at Slammiversary, with Jeff Jarrett ultimately emerging victorious. On the July 8 episode of Impact Wrestling, Hardy requested a world title shot against Ethan Carter III, but was denied and forced to face the Dirty Heels (Austin Aries and Bobby Roode) in a handicap match, which he lost. On the July 22 episode of Impact Wrestling, Hardy defeated Roode in a Tables match to become the #1 contender for the TNA World Heavyweight Championship. On the August 5 episode of Impact Wrestling, Hardy got his shot at the title against EC3 in a Full Metal Mayhem match, but failed to win the title. On the September 2 episode of Impact Wrestling, Hardy got another shot at the TNA World Heavyweight Championship against EC3, but again failed to win the title; as part of the storyline, Jeff Hardy was forced to act as Ethan Carter's personal assistant. On the September 30 episode of Impact Wrestling, Hardy was added to the Ethan Carter III vs. Drew Galloway main event match for the TNA World Heavyweight Championship at Bound for Glory after he and Galloway defeated Carter and Tyrus, making it a three-way match, following which Jeff, who EC3 had just "fired" in the previous episode, was revealed to be the special guest referee. On October 4 at Bound for Glory, Matt won the TNA World Heavyweight Championship by pinning Galloway. However, EC3 filed an injunction (kayfabe) that banned Hardy from appearing on Impact Wrestling for a month, which forced Hardy to relinquish the title in order to stay on the show. However, Hardy had been participating in the TNA World Title Series for the vacant title. He qualified to the round of 16 by defeating Davey Richards, Robbie E and Eddie Edwards. He then advanced to the round of 8 by defeating the King of the Mountain Champion Bobby Roode and then to Jessie Godderz to continue his winning streak. The semifinals and finals were held on the January 5, 2016, live episode of Impact Wrestling during its debut on Pop TV, in which he defeated Eric Young to advance to the final round. Hardy faced EC3 in the TNA World Title Series finals, but lost the match via pinfall. Hardy won the TNA World Title from EC3 on the January 19, 2016 episode of Impact Wrestling, becoming the first man to defeat him in a one-on-one match in TNA. During the match a double turn took place; Hardy turned heel after Tyrus betrayed EC3. The following week on Impact Wrestling, Jeff Hardy had confronted him about last week and issued a challenge to Matt for the World Heavyweight title in the main event and Matt accepted. However, later before the main event could begin, Eric Young and Bram attacked Jeff from behind. Kurt Angle then came out to try save Jeff, and Matt had Tyrus attack Angle from behind. While Matt watched from the ramp, Young attacked Jeff with the Piledriver off the apron through a table. The following week, he successfully retained his title against Angle. At Lockdown, he retained his title in a Six-side of steel match against Ethan Carter III, with the help of Rockstar Spud. He lost his title against Drew Galloway on the March 15 episode of Impact Wrestling, after a match featuring EC3 and Jeff Hardy. Two weeks later he received a rematch for the title on Impact Wrestling, but was again defeated by Galloway. After losing the title he started a feud with Jeff. On the April 19 episode of Impact Wrestling, and an I Quit match ended in a no-contest as both Matt and Jeff were badly injured and Matt was taken out to the hospital on a stretcher. The Broken Universe (2016–2017) Hardy returned on May 17 episode of Impact Wrestling, revealing himself to be one of the impostor Willows behind the attacks on Jeff. Later that night, he attacked Jeff. In the following weeks, Hardy debuted a new persona as a "Broken" man with part of his hair bleached blonde along with a strange sophisticated accent, blaming Jeff (who he began referring to as "Brother Nero", Nero being Jeff's middle name) for breaking him and becoming obsessed with "deleting" him. His line “Delete”, is mostly inspired by the Death Note manga/anime series character Teru Mikami. On June 12, at Slammiversary, Matt was defeated by Jeff in a Full Metal Mayhem match. On the June 21 episode of Impact Wrestling, Matt was once again defeated by Jeff in a Six Sides of Steel match. On the June 28 episode of Impact Wrestling, Matt challenged Jeff to a final battle with the Hardy brand on the line, to take place at their home in Cameron, North Carolina the next week. On July 5, during special episode "The Final Deletion", Matt defeated Jeff in the match to become sole owner of the Hardy brand, forcing Jeff to drop his last name and become referred to as "Brother Nero". On the August 18 episode of Impact Wrestling, Matt and Brother Nero defeated The Tribunal, The BroMans and The Helms Dynasty in an "Ascension To Hell" match for an opportunity to challenge Decay for the TNA World Tag Team Championship. On September 8, during special episode "Delete or Decay", the Hardys faced Decay in a match held at the Hardy compound, where Brother Nero sacrificed himself to save Matt from Abyss. Thanks to Brother Nero's sacrifice, Hardy was able to confront Rosemary and prevent his son Maxel from being abducted, which turned Hardy babyface as a result, and he furthered the face turn by healing Brother Nero in the Lake of Reincarnation. At Bound for Glory, the Hardys defeated Decay in "The Great War" to win the TNA World Tag Team Championship for the second time. On the October 6 episode of Impact Wrestling, they successfully defended their titles against Decay, in a Wolf Creek match. On the November 3 episode of Impact Wrestling, the Hardys successfully defended the titles against The Tribunal. After the match, the Hardys were attacked by the masked trio known as Death Crew Council (DCC). After accepting DCC's title challenge, The Hardys faced Bram and Kingston, and Matt pinned Kingston to retain the titles. On December 15, during special episode "Total Nonstop Deletion", they were once again successful in retaining. Brother Nero attacked Crazzy Steve with the Twist of Fate, who then fell into a volcano (that had appeared on the compound in the weeks leading up the event), and was shot up into the sky, landing in the ring. Matt then covered him to win the match. On the January 12, 2017 episode of Impact Wrestling, The Hardys successfully defended their titles against The Wolves. At Genesis, The Hardys retained their titles against the DCC and Decay in a three-way tag team match. On Open Fight Night, the Hardys began a storyline where they would teleport to different promotions and win that promotions' tag team championship gold, which was referred to by Matt as their "Expedition of Gold". On February 27, Hardy announced that both he and Jeff had finally left TNA, following years of speculation, with their contracts expiring that week. Though the two sides were reportedly close to a contract agreement, talks began to break down and changes in management prompted their departure from the company. The TNA World Tag Team Championships were vacated due to the Hardys' departure and was explained on TNA television in a segment where The Hardys teleported to their next Expedition of Gold destination, but a technicality resulted in them disappearing and the belts appearing in the arms of Decay. Broken gimmick legal battle Shortly after the departure of Matt and Jeff from TNA was made public, Matt's wife, Reby, went on a social media tirade in which she repeatedly slammed TNA, the company's new management and the way in which contract negotiations between the company and the Hardy family were conducted. A few weeks following this, the bad blood between the two sides intensified, so much so that the new management of TNA (now renamed Impact Wrestling) Anthem Sports & Entertainment issued a cease and desist letter to The Hardys' new promotion Ring of Honor (ROH), in which Anthem essentially ordered ROH as well as any broadcasting company airing ROH's 15th Anniversary pay–per–view show (on which The Hardys were to participate in a match) to not in any way speak of, indicate or acknowledge the existence of the Broken Matt and Brother Nero characters and instead to refer to The Hardys as simply Matt Hardy and Jeff Hardy. The issue with this is that while The Hardys were in TNA, they had full creative control over the Broken gimmick, with them even filming their own segments to air on TNA programming in some circumstances, thus making the Hardy family (in their belief) the owners of the Broken gimmick. It is believed that civil litigation will follow and a potential court hearing will take place regarding the outcome on who owns the Broken gimmick: Anthem or the Hardy family. Until then, the status of the Broken gimmick remains undecided. Despite this, Matt continues to use the Broken gimmick through his social media accounts, but neither he nor Jeff uses the Broken gimmick at any professional wrestling shows for ROH or on the independent circuit, presumably until the results of the expected legal proceedings have been finalized. Newly–appointed Impact Wrestling President Ed Nordholm credits the invention of and the vision behind the Broken gimmick to Jeremy Borash, Dave Lagana and Billy Corgan, and while Borash specifically had the most input into the gimmick of the three aside from Matt, the Hardy family deny that Borash was the sole person behind the gimmick. In November 2017, Impact Wrestling changed their policy, allowing all talent to retain complete ownership over their intellectual property, essentially forfeiting ownership of the "Broken" character to Hardy. On January 31, 2018, the legal battle officially concluded when Matt legally acquired ownership of all trademarks related to the Broken universe and the Broken gimmick, which includes 'Broken Matt', 'Brother Nero', 'Broken Brilliance' and 'Vanguard1'. International matches (2014–2015) On November 1, 2014, Hardy traveled to Japan to compete for Wrestle-1 at the promotions Keiji Muto 30th Anniversary Hold Out show in a triple threat match against Seiya Sanada and Tajiri, which he lost. On May 24, 2015, Hardy traveled to Mexico to compete as a team captain for Team TNA/Lucha Underground with teammates Mr. Anderson and Johnny Mundo at Lucha Libre AAA Worldwide's 2015 Lucha Libre World Cup pay–per–view show. In the quarter–final round, Team TNA/Lucha Underground faced Team Rest of the World (Drew Galloway, Angélico and El Mesías) to a 15-minute time limit draw, with Team TNA/Lucha Underground winning in overtime and advancing to the semi–final round. In the semi–final round, Team TNA/Lucha Underground defeated Team MexLeyendas (Blue Demon Jr., Dr. Wagner Jr. and El Solar) to advance to the final round. In the final round, Team TNA/Lucha Underground faced Dream Team (El Patrón Alberto, Myzteziz and Rey Mysterio Jr.) to a 15–minute time limit draw, with Dream Team winning both the match and the tournament in overtime with Hardy on the losing end of the final pinfall. Second return to ROH (2016–2017) On December 2, 2016, Hardy returned to ROH for the second time while still under contract with TNA, appearing at the promotions Final Battle pay-per-view show as Broken Matt, where a video message showed him addressing The Young Bucks (Matt Jackson and Nick Jackson) and The Briscoes (Jay Briscoe and Mark Briscoe). On March 4, 2017, in the same week that both Matt and Jeff were released from TNA, The Hardys defeated The Young Bucks in an impromptu match at ROH's 2017 installment of the company's Manhattan Mayhem show series to become the new ROH World Tag Team Champions for the first time. Moments after winning the titles, Hardy announced in a post-match promo that both he and Brother Nero (Jeff) had signed "the biggest ROH contracts in (the company's) history". It was later confirmed that the contracts were short-term, only for the "immediate future". On March 10, The Hardys successfully defended the ROH World Tag Team Championship for the first time at ROH's 15th Anniversary pay-per-view show against The Young Bucks and Roppongi Vice (Beretta and Rocky Romero) in a three-way Las Vegas tag team street fight match. Prior to the event, the Hardys had been sent a legal threat by Impact Wrestling regarding the use of the Broken Matt and Brother Nero gimmicks. The following night on March 11, The Hardys (not billed but using the Broken gimmicks anyway) once again retained the titles, this time against The Briscoes at a set of Ring of Honor Wrestling television tapings. The Hardys lost the titles back to The Young Bucks in a ladder match on April 1 at ROH's Supercard of Honor XI pay-per-view show, which would be the final ROH appearances for both Hardys in this tenure with the promotion. Second return to WWE (2017–2020) Feud with The Bar (2017) At the WrestleMania 33 pay-per-view on April 2, 2017, Hardy made his surprise return to WWE, along with his brother Jeff Hardy, being added as last-minute participants in the ladder match for the Raw Tag Team Championship, defeating Gallows and Anderson, Cesaro and Sheamus, and Enzo and Cass to win the Raw Tag Team Championship. Afterwards on Raw Talk, Hardy mentioned that The Hardy Boyz had successfully completed the Expedition of Gold, after winning the Raw Tag Team Championship. At Payback, The Hardy Boyz retained their championships against Cesaro and Sheamus, who attacked them after the match. The next night on Raw, Cesaro and Sheamus explained their actions, claiming the fans were more supportive of 'novelty acts' from the past like The Hardy Boyz, who they feel did not deserve to be in the match at WrestleMania 33. Subsequently, at Extreme Rules, The Hardy Boyz lost the titles against Cesaro and Sheamus in a steel cage match, and failed to regain it back the following month at the Great Balls of Fire event. Afterwards, it was revealed that Jeff had gotten injured and would be out for an estimated six months, thus Hardy began wrestling in singles matches. Woken Universe and storyline with Bray Wyatt (2017–2018) During his feud with Bray Wyatt, Hardy introduced his "Woken" gimmick, after Impact Wrestling dropped their claim to the gimmick and Hardy gained full ownership of it. Wyatt defeated Hardy at Raw 25 on January 22, 2018, and Hardy defeated Wyatt at Elimination Chamber on February 25. Their final match happened on the March 19 episode of Raw, dubbed The Ultimate Deletion, with Hardy winning after distractions from Señor Benjamin. Wyatt then disappeared after being thrown into the Lake of Reincarnation. At WrestleMania 34 on April 7, Hardy competed in the annual André the Giant Memorial Battle Royal, and won the match due to a distraction by the returning Wyatt. After WrestleMania, Hardy and Wyatt performed as a tag team, sometimes referred to as The Deleters of Worlds. They won a tournament for the vacant Raw Tag Team Championship, defeating Cesaro and Sheamus at the Greatest Royal Rumble event to win the title. However, they lost the titles at Extreme Rules to The B-Team (Bo Dallas and Curtis Axel). On the July 23 episode of Raw, Hardy and Wyatt received a rematch for the titles, but was again defeated by The B-Team. Following this, Hardy revealed that he was taking time off due to his back fusing with his pelvis, effectively disbanding the team. According to Hardy, the reason WWE disbanded the team was because he and Wyatt pitched several ideas to WWE to work with their characters. The Hardys fourth reunion and departure (2019–2020) After more than seven months of absence from television, Hardy returned on the February 26, 2019 episode of SmackDown Live, teaming with his brother Jeff to defeat The Bar (Cesaro and Sheamus). At WrestleMania 35 on April 7, Hardy competed in the André the Giant Memorial Battle Royal, but was eliminated by eventual winner, Braun Strowman. Two days later on SmackDown Live, The Hardy Boyz defeated The Usos to win the SmackDown Tag Team Championship. The reign only lasted 21 days (recognized as 20 days by WWE), as they had to vacate the title due to Jeff injuring his knee, this was explained in storyline as injuries afflicted by Lars Sullivan. After his brother Jeff's injury, Hardy began to appear on WWE programming less frequently. At Super ShowDown on June 7, Hardy competed in the 51-man Battle Royal, which was eventually won by Mansoor. From November to December, Hardy occasionally appeared on Raw, losing matches against superstars like Buddy Murphy, Drew McIntyre, Ricochet and Erick Rowan. On the February 10, 2020 episode of Raw, Hardy confronted Randy Orton about Orton's attack on Edge two weeks earlier. Hardy then got himself into a brawl with him moments after, and was viciously attacked by Orton. The following week on Raw, an injured Hardy appeared and was once again assaulted by Orton, which would be his final appearance in WWE. On March 2, Hardy announced his departure from WWE through his official YouTube channel, where Hardy said that while he's grateful towards the people behind the scenes, he said he is also on different pages with WWE as he feels he needs to have creative input and still has more to give. Later that day, WWE announced that his contract had expired. All Elite Wrestling Multiple personalities (2020–2021) Hardy made his All Elite Wrestling (AEW) debut on the March 18, 2020 episode of Dynamite, reverting to his "Broken" gimmick and being announced as the replacement for the kayfabe injured Nick Jackson on The Elite's team at Blood and Guts. However, the event was postponed to the following year due to the COVID-19 pandemic. On the May 6 episode of Dynamite, Hardy wrestled his first match with AEW, teaming up with Kenny Omega for a street fight against The Inner Circle's Chris Jericho and Sammy Guevara, and Hardy and Omega lost when Jericho pinned Omega. During this period, due to the lack of live audience, Hardy felt that the Broken character needs public, so he began to include several of his gimmicks, including Broken Matt Hardy, Big Money Matt, Matt Hardy V1, and Unkillable Matt Hardy, being referred to as "Multifarious" Matt Hardy. AEW president Tony Khan later admitted that he "wasn't a fan" of the Broken gimmick and much preferred more realistic presentations in wrestling. At Double or Nothing, Hardy teamed with The Elite to defeat The Inner Circle in the first ever Stadium Stampede match. During the match, Santana and Ortiz dunked Hardy in the stadium pool, which acted as a version of the Lake of Reincarnation, as Hardy kept cycling through his various gimmicks throughout his career when he surfaced. Hardy then feuded with Sammy Guevara, and after Hardy defeated Guevara in a Broken Rules match at All Out, Hardy took time off until he was cleared to return, due to an injury sustained during the match. On the September 16 episode of Dynamite, Hardy aligned with Private Party (Isiah Kassidy and Marq Quen) as their manager, but was attacked backstage before their match. The attacker was later revealed as Guevara and The Elite Deletion match was announced, which took place at The Hardy Compound in Cameron, North Carolina, where Hardy won. The Hardy Family Office (2021–present) Hardy then switched to his Big Money persona as he focused on managing Private Party. Over the following weeks, Hardy would display villainous tactics as he began cheating during matches much to Private Party's dismay. On the January 20, 2021 episode of Dynamite, Hardy and Private Party defeated Matt Sydal and Top Flight (Dante Martin and Darius Martin) after using a steel chair before attacking Sydal and Top Flight afterwards, thus turning heel. Hardy then approached Adam Page to accompany and befriend him, and during tag team matches, Hardy would always tag himself in and pick up the victory for his team to Page's behest. After Page set up a match between Hardy and himself, Hardy double-crossed Page, with Private Party and The Hybrid 2 (Angélico and Jack Evans) attacking Page until The Dark Order came out to save him. At the Revolution event, Hardy lost to Page despite multiple interferences from Private Party. Following Revolution, Hardy became the manager for The Butcher and The Blade (with their valet The Bunny in tow), and along with Private Party, the stable became known as the Matt Hardy Empire before settling on the name Hardy Family Office. Hardy also added The Hybrid 2 to his group in July having previously hiring them on a mercenary basis. At Double or Nothing, Hardy competed in Casino Battle Royale but was eliminated by Christian Cage. This led to a match between the two at Fyter Fest, where Hardy lost to Cage. In August, Matt Hardy and HFO began a feud with Orange Cassidy and Best Friends, which led to a match on the August 25 episode of Dynamite, where Hardy was defeated by Cassidy. However, on the November 12 episode of Rampage, Hardy defeated Cassidy in a Lumberjack match, thanks to an interference from HFO and the heel lumberjacks. Their feud ended on the November 17 episode of Dynamite where his team of The Butcher and The Blade lost to the team of Cassidy and Tomohiro Ishii, where Cassidy gave a crossbody to the interfering Hardy and The Blade during the match. Professional wrestling style and persona After the creation of his Broken character, Hardy was praised by several wrestlers and critics for reinventing himself several times during his career. During his career, Hardy has won the Wrestling Observer Newsletter Best Gimmick award two times under two different characters, once in 2002 and again in 2016. Personal life Hardy was in a six-year relationship with wrestler Amy Dumas, better known as Lita. They first met in January 1999 at a NWA Mid-Atlantic show but did not begin dating until a few months later. They broke up in February 2005 when he discovered that she was having an affair with one of Hardy's close friends, fellow wrestler Adam Copeland, better known as Edge. Hardy also dated WWE wrestler Ashley Massaro. Hardy married wrestler Rebecca Reyes, better known as Reby Sky, on October 5, 2013. They have three sons and one daughter. Hardy had previously been an addict, and credits his wife for helping him get clean. Hardy is good friends with fellow wrestlers Marty Garner, Shannon Moore, and Gregory Helms. In December 2020, he claimed to have Native American ancestry. Legal issues Hardy was arrested for a DUI on August 20, 2011. Two days later, he was arrested on felony drug charges when police found steroids in his home. In November 2011, Hardy was removed from court-ordered rehab and sent back to jail for drinking. In January 2014, Hardy and his wife were both arrested after a fight at a hotel. Other media In 1999, Matt, along with his brother Jeff, appeared as an uncredited wrestler on That '70s Show episode "That Wrestling Show". Matt and Jeff also appeared on Tough Enough in early 2001, talking to and wrestling the contestants. He appeared in the February 25, 2002 episode of Fear Factor competing against five other World Wrestling Federation wrestlers, including his brother. He won $50,000 for the American Cancer Society. Hardy also appeared on the October 13, 2009 episode of Scare Tactics, as a mental patient who threatens to attack the prank's victim. In 2001, Matt, Jeff, and Lita appeared in Rolling Stone magazine's 2001 Sports Hall of Fame issue. In 2003, Matt and Jeff, with the help of Michael Krugman, wrote and published their autobiography The Hardy Boyz: Exist 2 Inspire. As part of WWE, Matt appeared in their DVD, The Hardy Boyz: Leap of Faith in 2001. On April 29, 2008, WWE released Twist of Fate: The Matt and Jeff Hardy Story. The DVD featured footage of the brothers in OMEGA and WWE. Hardy also appears on The Hardy Show, an Internet web show which features the Hardys, Shannon Moore, and many of their friends. Hardy plays himself in the 2013 film Pro Wrestlers vs Zombies in which he and his real-life wife Reby Sky battle the undead. Hardy's first WWE video game was WWF WrestleMania 2000 in 1999 on the Nintendo 64 shortly followed by WWF SmackDown! in early 2000 on the PlayStation. He made several appearances later in WWF SmackDown! 2: Know Your Role, WWF SmackDown! Just Bring It, WWE SmackDown! Shut Your Mouth, WWE SmackDown! Here Comes the Pain, and WWE SmackDown vs. Raw. He later returned to the series in WWE SmackDown vs. Raw 2007, WWE SmackDown vs. Raw 2008, WWE SmackDown vs. Raw 2009, WWE SmackDown vs. Raw 2010, and WWE SmackDown vs. Raw 2011, which was his last WWE video game before his departure to TNA. Following his return to WWE in 2017, he was revealed as a DLC character in WWE 2K18 on September 25 that year alongside tag team partner and brother, Jeff Hardy. Hardy was revealed as a playable character in WWE 2K19 on August 30, 2018. His final appearance in a WWE video game came with WWE 2K20 in 2019. Filmography Championships and accomplishments All Elite Wrestling Dynamite Award (1 time) "Bleacher Report PPV Moment of the Year" (2021) – Stadium Stampede match (The Elite vs. The Inner Circle) – Double or Nothing (May 23) All Star Wrestling (West Virginia) ASW Tag Team Championship (1 time) – with Brother Nero CBS Sports Worst Moment of the Year (2020) vs. Sammy Guevara at All Out (2020) The Crash The Crash Tag Team Championship (1 time) – with Brother Nero Future Stars of Wrestling FSW Heavyweight Championship (1 time) House of Glory HOG Tag Team Championship (1 time) – with Jeff Hardy Maryland Championship Wrestling/MCW Pro Wrestling MCW Heavyweight Championship (1 time) MCW Tag Team Championship (1 time) – with Jeff Hardy Extreme Rising World Championship (1 time) National Championship Wrestling NCW Heavyweight Championship (1 time) NCW Light Heavyweight Championship (1 time) New Dimension Wrestling NDW Light Heavyweight Championship (1 time) NDW Tag Team Championship (1 time) – with Jeff Hardy New England Wrestling Alliance NEWA Heavyweight Championship (1 time) NEWA Hall of Fame (class of 2012) New Frontier Wrestling Association NFWA Heavyweight Championship (1 time) NFWA Tag Team Championship (1 time) – with Venom NWA 2000 NWA 2000 Tag Team Championship (1 time) – with Jeff Hardy OMEGA Championship Wrestling OMEGA Heavyweight Championship (2 times) OMEGA Tag Team Championship (2 times) – with Brother Nero/Jeff Hardy Pro Wrestling Illustrated Comeback of the Year (2017) with Jeff Hardy Feud of the Year (2005) vs. Edge and Lita Match of the Year (2000) with Jeff Hardy vs. The Dudley Boyz and Edge and Christian in a triangle ladder match at WrestleMania 2000 Match of the Year (2001) with Jeff Hardy vs. The Dudley Boyz and Edge and Christian in a Tables, Ladders and Chairs match at WrestleMania X-Seven Tag Team of the Year (2000) with Jeff Hardy Ranked No. 17 of the top 500 singles wrestlers in the PWI 500 in 2003 Pro Wrestling Syndicate PWS Heavyweight Championship (1 time) Remix Pro Wrestling Remix Pro Tag Team Championship (1 time) – with Facade Ring of Honor ROH World Tag Team Championship (1 time) – with Jeff Hardy Holy S*** Moment of the Decade (2010s) – – with Jeff Hardy Total Nonstop Action Wrestling TNA World Heavyweight Championship (2 times) TNA World Tag Team Championship (2 times) – with Jeff Hardy/Brother Nero TNA World Tag Team Championship Tournament (2015) – with Jeff Hardy TNA World Tag Team Championship #1 Contender Tournament (2014) – with Jeff Hardy WrestleCade WrestleCade Championship (2 times) Wrestling Observer Newsletter Best Gimmick (2002, 2016) Worst Feud of the Year (2004) with Lita vs. Kane Wrestling Superstar Wrestling Superstar Tag Team Championship (1 time) – with Jeff Hardy WWE/World Wrestling Entertainment/Federation ECW Championship (1 time) WWF Hardcore Championship (1 time) WWF European Championship (1 time) WWE United States Championship (1 time) WWE Cruiserweight Championship (1 time) WWF/World Tag Team Championship (6 times) – with Jeff Hardy WWE SmackDown Tag Team Championship (1 time) – with Jeff Hardy WWE Raw Tag Team Championship (3 times) – with Montel Vontavious Porter (1) Jeff Hardy (1) and Bray Wyatt (1) WCW Tag Team Championship (1 time) – with Jeff Hardy André the Giant Memorial Trophy (2018) Bragging Rights Trophy (2009) – with Team SmackDown Terri Invitational Tournament (1999) – with Jeff Hardy WWE Tag Team Eliminator (2018) - with Bray Wyatt Luchas de Apuestas record Notes References Sources External links 1974 births All Elite Wrestling personnel American bloggers American male professional wrestlers American YouTubers Male YouTubers ECW champions ECW Heavyweight Champions/ECW World Heavyweight Champions Living people NWA/WCW/WWE United States Heavyweight Champions Participants in American reality television series Professional wrestlers from North Carolina Professional wrestling managers and valets Reality show winners Sportspeople from Raleigh, North Carolina TNA World Heavyweight/Impact World Champions TNA/Impact World Tag Team Champions Twitch (service) streamers University of North Carolina at Charlotte alumni WWF European Champions WWF/WWE Hardcore Champions	true	[ "Victory Road (2011) was a professional wrestling pay-per-view event produced by Total Nonstop Action Wrestling (TNA) promotion, which took place on March 13, 2011 at the Impact Zone in Orlando, Florida. It was the seventh event under the Victory Road chronology and the third event of the 2011 TNA PPV schedule.\n\nIn October 2017, with the launch of the Global Wrestling Network, the event became available to stream on demand.\n\nStorylines\n\nVictory Road featured eight professional wrestling matches that involved different wrestlers from pre-existing scripted feuds and storylines. Wrestlers portrayed villains, heroes, or less distinguishable characters in the scripted events that built tension and culminated in a wrestling match or series of matches.\n\nThe primary storyline which was featured at Victory Road was between defending champion Sting and challenger Jeff Hardy for the TNA World Heavyweight Championship. On the March 3 edition of TNA Impact!, a show slated to shed light on a cryptic \"3.3.11\" promo shown a week prior, Sting, brought back by \"The Network\", made a surprise return coming off months of absence after failing to persuade Dixie Carter about the Immortal takeover, to challenge and win the title from Hardy, who was one of the frontrunners of the group. The following week, Hardy claimed he was robbed because he was deprived of time to prepare for his title defense. Moments after, \"TNA owner\" and Immortal members Hulk Hogan and his partner Eric Bischoff announced that it would be Sting against Hardy at Victory Road with the championship on the line.\n\nAnother storyline that entered into Victory Road was between Mr. Anderson and Rob Van Dam over contention to the TNA World Heavyweight Championship. At Against All Odds, Jeff Hardy defeated Anderson in a Ladder match. On the February 17 edition of TNA Impact!, Anderson protested Van Dam receiving a title shot that night over his rematch clause entitlement, but Bischoff told him that \"The Network\" wants ratings, and don't favor him due to his lack of family friendly nature, but made Anderson Special Referee of the match on terms of calling it impartially. In compliance with the deal, after the match which Hardy won, Anderson laid out Hardy and Van Dam with a Mic Check. The next week, Anderson, hellbent on obtaining his rematch, was confronted by Van Dam after the attack in the past week leading to retribution on his part and Bischoff making a contender's match between Kurt Angle, Van Dam and Anderson which Anderson won. On the March 3 edition of TNA Impact!, Anderson sought to cash in on his contention that night, but Sting returned and was selected to face Hardy for the title, which he won. The following week, Hardy, upset for being unprepared to face the returning likes of Sting in a world title defense, told Anderson that he had to wait in line. Van Dam also inserted that he was stripped of the title months ago, and felt screwed when Anderson officiated his match with Hardy for the championship. It was eventually announced that Anderson would take on Van Dam at Victory Road for a shot at the title.\n\nA feud that went into Victory Road was between A.J. Styles, Matt Hardy and Ric Flair. On the February 17 edition of TNA Impact!, Flair betrayed Styles during his one on one contest with Hardy. Later in the night, Styles, angry, challenged Flair the next week to a match. The following week, before their match only amounted to a brawl, Flair, now with Immortal, dropped his Fortune leadership to Styles, disrespecting him vocally and physically in the process, igniting full-on retaliation. On the March 10 edition of TNA Impact!, Flair, Hardy and Styles faced off in a three-way Street Fight, which conspicuously turned into a Handicap match, where after a low blow and Twist of Hate, Hardy allowed Flair to gain the pinfall victory over Styles. Later, it was announced that Hardy, with Flair in his corner, would wrestle Styles at Victory Road.\n\nA feud in the X-Division carried into Victory Road was between defending champion Kazarian, Robbie E, Jeremy Buck, and Max Buck over the TNA X Division Championship. On the February 17 edition of TNA Impact!, former champion Robbie E declared his intentions to reclaim the title, but Kazarian assured that he would resurge the X-Division that TNA was built upon. That night, Kazarian fought Robbie E for the title and picked up a disqualification win due to Cookie's interference, prompting Traci Brooks to make the save. On the March 10 edition of TNA Impact!, Generation Me lost their match to Ink Inc, putting a wedge in their partnership. They were later added to the X Division Title match at Victory Road.\n\nOn the February 24 edition of TNA Impact!, Matt Morgan and Hernandez continued their feud once Morgan quickly jumped on the assault of Immortal member Hernandez during his assistance to Ric Flair in a physical confrontation with A.J. Styles, attacking him all over the arena. On the show the week following, Morgan, much bloodied after the encounter, prevailed over Hernandez in a one on one match. It was later announced that Hernandez and Morgan were scheduled to compete in a First Blood match at Victory Road.\n\nOn the March 10 edition of TNA Impact!, it was announced that Ink Inc. would battle Beer Money, Inc. at Victory Road for the TNA World Tag Team Championship. On the night, they defeated Generation Me and told Beer Money, who were on commentary, that the Book of DILLIGAF said they were going to become the champions. James Storm said on behalf of Beer Money that they're sorry about their damn luck.\n\nJeff Hardy's wellbeing and changes to the main event\nAccording to reports, the main event was cut short due to backstage concern over Jeff Hardy's wellbeing. \n\nWhile Hardy's entrance music played, he did not come out for over 40 seconds before\nhe emerged, clearly intoxicated and under the influence of drugs, then stumbled out and staggered his way into the ring, forcing referee Brian Hebner to give an \"X\" sign during Sting's entrance to the ring. \n\nFollowing an audible from Eric Bischoff, and Hardy spending over a minute teasing the crowd over whether or not he'd throw his shirt, Sting hit Hardy with his Scorpion Death Drop and forcefully shoot pinned him to end the match in 88 seconds. Upon exiting the ring, Sting responded to chants from fans who were outraged at the length of the match, as well as Hardy's condition as the fans could clearly see he was unable to wrestle. Many fans were chanting \"bullshit,\" and as Sting was walking up the ramp, he said \"I agree! I agree!\"\n\nTNA later apologized to its fans for the pay-per-view \"falling short of their standard\" and offered six months of free access to the TNAondemand.com library to anyone who bought the event. \n\nAs a result of the fiasco that unfolded at Victory Road, Hardy was subsequently sent home from Impact! tapings the following week, and written out of the next month of TNA programming. It was later reported that while Hardy was considered \"fine\" throughout the day, it was moments before his match that he was deemed unable to compete. Hardy had been abusing drugs and alcohol, and completed a 120-day rehab during his time away from TNA.\n\nOn the September 8 edition of Impact Wrestling, Hardy made his return to TNA, and acknowledged that he had \"hit rock bottom at Victory Road\", and was on the road to recovery, before asking the fans for \"one more shot\". Hardy made his return to TNA full-time by the end of September 2011.\n\nIn 2021, Bischoff would tell Conrad Thompson on his weekly 83 Weeks podcast that contradictory to previous reports, Hardy showed up at the mandatory talent call-time of 11 AM before disappearing for hours where he presumably was doing drugs. He wasn't seen until moments before his match, with Bischoff waiting in the gorilla position to confront Hardy about his absenteeism, which at that moment was when everyone discovered Hardy's condition. As Dixie Carter was not in gorilla at the time, nor anyone else in power, Bischoff took it upon himself to call an audible and told both participants (while trying to cut an impromptu promo) to end the match with Sting winning as quick as possible. Bischoff also added that had Hardy been discovered 45 minutes sooner, TNA would have likely been able to find a replacement and inform all of the affected parties in time. However, as most talent had already been out of their ring gear and showered by the time of the main event (or in some cases left the arena altogether), the crew in gorilla was left with no choice but to let Hardy compete, but end the match as quickly as possible.\n\nReception\nThe event was heavily panned by critics, and was seen as one of the worst major professional wrestling events in recent history. Canadian Online Explorer writer Bob Kapur scored the show 5 out of 10. He scored the Matt Hardy versus AJ Styles match 8 out of 10 and the Ultimate X Championship match 7 out of 10. Kapur was overall critical when stating, \"TNA ended the night off on two really low notes, in the form of a number one contender's match that had no winner, followed by a main event world championship match that ended in a minute\". The Wrestling Observer Newsletter listed Victory Road as the worst major wrestling show of 2011. Colleagues Bryan Alvarez and Vince Verhei were particularly critical of the finish to the Knockouts Tag Team Championship match, with Alvarez having given the overall match minus three stars. Their two main points of criticism were the delay in Velvet Sky getting to the ring to intercept Rosita and the unbelievability that Rosita could keep the much larger Winter pinned for as long as she did. They also criticized the finish of the Hernandez/Morgan match, which Hernandez won by spraying fake blood onto Morgan's chest despite bleeding first (and being caught blading by the cameraman), and the RVD/Anderson match due to Anderson's inability to perform two basic moves as well as his choosing to perform a Mic Check on the entrance ramp to get himself counted out along with RVD. Finally, Alvarez gave the Hardy/Sting match a minus five star rating to close the show.\n\nResults\n\nReferences\n\nExternal links\nTNA Official website\nVictory Road Website\n\nImpact Wrestling Victory Road\nProfessional wrestling in Orlando, Florida\nMarch 2011 events in the United States\n2011 in professional wrestling in Florida\nEvents in Orlando, Florida\n2011 Total Nonstop Action Wrestling pay-per-view events\nProfessional wrestling controversies", "Kathirgamathamby Thurairetnasingam (; 4 January 1941 – 17 May 2021) was a Sri Lankan Tamil civil servant, politician and Member of Parliament.\n\nEarly life\nThurairetnasingam was born on 4 January 1941.\n\nCareer\nThurairetnasingam was a Divisional Director of Education.\n\nThurairetnasingam was one of the Tamil National Alliance's (TNA) candidates in Trincomalee District at the 2001 parliamentary election but failed to get elected after coming second amongst the TNA candidates. However, in June 2002 he entered Parliament when he was appointed a National List Member of Parliament for the TNA, replacing M. Sivasithamparam who had died on 5 June 2002. He was one of the TNA's candidates in Trincomalee District at the 2004 parliamentary election. He was elected and re-entered Parliament. Thurairetnasingam did not contest the 2010 parliamentary election for personal reasons.\n\nThurairetnasingam was one of the TNA's candidates in Trincomalee District at the 2015 parliamentary election but failed to get elected after coming second amongst the TNA candidates. However, after the election he was appointed a TNA National List MP in Parliament.\n\nDeath\nThurairetnasingam died from COVID-19 on 17 May 2021, aged 80.\n\nElectoral history\n\nReferences\n\n1941 births\nIllankai Tamil Arasu Kachchi politicians\n2021 deaths\nMembers of the 12th Parliament of Sri Lanka\nMembers of the 13th Parliament of Sri Lanka\nMembers of the 15th Parliament of Sri Lanka\nPeople from Eastern Province, Sri Lanka\nPeople of British Ceylon\nSri Lankan Hindus\nSri Lankan Tamil civil servants\nSri Lankan Tamil politicians\nTamil National Alliance politicians\nDeaths from the COVID-19 pandemic in Sri Lanka" ]
[ "Judith Butler", "\"Performative Acts and Gender Constitution\" (1988)" ]	C_d9b9c91dd063459692c2b13e18d4a5e6_0	What is Performative Acts and Gender Consitution?	1	What is Performative Acts and Gender Consitution?	Judith Butler	In this essay, Judith Butler proposes her theory of gender performativity, which would be later taken up in 1990 throughout her work, Gender Trouble. She begins by basing her theory of gender performativity on a feminist phenomenological point of view. She suggests that both phenomenology and feminism ground their theories in "lived experience". Further, in comparing phenomenologist Maurice Merleau-Ponty and feminist Simone de Beauvoir, Butler argues that both theories view the sexual body as a historical idea or situation; she accepts this notion of a "distinction between sex, as biological facticity, and gender, as the cultural interpretation or signification of that facticity". This combination of theories is essential for founding Butler's view of "theatrical" or performative genders in society. Butler argues that it is more valid to perceive gender as a performance in which an individual agent acts. The performative element of her theory suggests a social audience. For Butler, the "script" of gender performance is effortlessly transmitted generation to generation in the form of socially established "meanings": She states, "gender is not a radical choice... [nor is it] imposed or inscribed upon the individual". Given the social nature of human beings, most actions are witnessed, reproduced, and internalized and thus take on a performative or theatric quality. With Butler's theory, gender is essentially a performative repetition of acts associated with the male or female. Currently, the actions appropriate for men and women have been transmitted to produce a social atmosphere that both maintains and legitimizes a seemingly natural gender binary. Consistently with her acceptance of the body as a historical idea, she suggests that our concept of gender is seen as natural or innate because the body "becomes its gender through a series of acts which are renewed, revised, and consolidated through time". Butler argues that the performance of gender itself creates gender. Additionally, she compares the performativity of gender to the performance of the theater. She brings many similarities, including the idea of each individual functioning as an actor of their gender. However, she also brings into light a critical difference between gender performance in reality and theater performances. She explains how the theater is much less threatening and does not produce the same fear that gender performances often encounter because of the fact that there is a clear distinction from reality within the theater. Butler uses Sigmund Freud's notion of how a person's identity is modeled in terms of the normal. She revises Freud's notion of this concept's applicability to lesbianism, where Freud says that lesbians are modeling their behavior on men, the perceived normal or ideal. She instead says that all gender works in this way of performativity and a representing of an internalized notion of gender norms. CANNOTANSWER	Butler argues that the performance of gender itself creates gender. Additionally, she compares the performativity of gender to the performance of the theater.	Judith Pamela Butler (born February 24, 1956) is an American philosopher and gender theorist whose work has influenced political philosophy, ethics, and the fields of third-wave feminism, queer theory, and literary theory. In 1993, Butler began teaching at the University of California, Berkeley, where they have served, beginning in 1998, as the Maxine Elliot Professor in the Department of Comparative Literature and the Program of Critical Theory. They are also the Hannah Arendt Chair at the European Graduate School. Butler is best known for their books Gender Trouble: Feminism and the Subversion of Identity (1990) and Bodies That Matter: On the Discursive Limits of Sex (1993), in which they challenge conventional notions of gender and develop their theory of gender performativity. This theory has had a major influence on feminist and queer scholarship. Their work is often studied and debated in film studies courses emphasizing gender studies and performativity in discourse. Butler has supported lesbian and gay rights movements, and they have spoken out on many contemporary political issues, including criticism of Israeli politics. Early life and education Judith Butler was born on February 24, 1956, in Cleveland, Ohio, to a family of Hungarian-Jewish and Russian-Jewish descent. Most of their maternal grandmother's family perished in the Holocaust. Butler's parents were practicing Reform Jews. Their mother was raised Orthodox, eventually becoming Conservative and then Reform, while their father was raised Reform. As a child and teenager, Butler attended both Hebrew school and special classes on Jewish ethics, where they received their "first training in philosophy". Butler stated in a 2010 interview with Haaretz that they began the ethics classes at the age of 14 and that they were created as a form of punishment by Butler's Hebrew school's Rabbi because they were "too talkative in class". Butler also stated that they were "thrilled" by the idea of these tutorials, and when asked what they wanted to study in these special sessions, they responded with three questions preoccupying them at the time: "Why was Spinoza excommunicated from the synagogue? Could German Idealism be held accountable for Nazism? And how was one to understand existential theology, including the work of Martin Buber?" Butler attended Bennington College before transferring to Yale University, where they studied philosophy and received a Bachelor of Arts in 1978 and a Doctor of Philosophy in 1984. They spent one academic year at Heidelberg University as a Fulbright Scholar. Butler taught at Wesleyan University, George Washington University, and Johns Hopkins University before joining University of California, Berkeley, in 1993. In 2002, they held the Spinoza Chair of Philosophy at the University of Amsterdam. In addition, they joined the department of English and Comparative Literature at Columbia University as Wun Tsun Tam Mellon Visiting Professor of the Humanities in the spring semesters of 2012, 2013 and 2014 with the option of remaining as full-time faculty. Butler serves on the editorial board or advisory board of several academic journals, including Janus Unbound: Journal of Critical Studies, JAC: A Journal of Rhetoric, Culture, and Politics and Signs: Journal of Women in Culture and Society. Overview of major works Performative Acts and Gender Constitution (1988) In the essay "Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory" Judith Butler proposes that gender is performative. Because gender identity is established through behavior, there is a possibility to construct different genders via different behaviors. Gender Trouble (1990) Gender Trouble: Feminism and the Subversion of Identity was first published in 1990, selling over 100,000 copies internationally, in multiple languages. Gender Trouble discusses the works of Sigmund Freud, Simone de Beauvoir, Julia Kristeva, Jacques Lacan, Luce Irigaray, Monique Wittig, Jacques Derrida, and Michel Foucault. Butler offers a critique of the terms gender and sex as they have been used by feminists. Butler argues that feminism made a mistake in trying to make "women" a discrete, ahistorical group with common characteristics. Butler writes that this approach reinforces the binary view of gender relations. Butler believes that feminists should not try to define "women" and they also believe that feminists should "focus on providing an account of how power functions and shapes our understandings of womanhood not only in the society at large but also within the feminist movement." Finally, Butler aims to break the supposed links between sex and gender so that gender and desire can be "flexible, free floating and not caused by other stable factors". The idea of identity as free and flexible and gender as a performance, not an essence, is one of the foundations of queer theory. Imitation and Gender Insubordination (1991) This is Butler's contribution to Inside/Out: Lesbian Theories, Gay Theories, a collection of the writings of gay and lesbian social theorists. Butler argues that no transparent revelation is afforded by the terms "gay" or "lesbian" yet there is a political imperative to do so. Butler employs "the concepts of play/performance, drag, and imitation to describe the formation of gender and sexuality as continually created subjectivities always at risk of dissolution from non-performance." Bodies That Matter (1993) Bodies That Matter: On the Discursive Limits of "Sex" seeks to clear up readings and supposed misreadings of performativity that view the enactment of sex/gender as a daily choice. Butler emphasizes the role of repetition in performativity, making use of Derrida's theory of iterability, which is a form of citationality: Performativity cannot be understood outside of a process of iterability, a regularized and constrained repetition of norms. And this repetition is not performed by a subject; this repetition is what enables a subject and constitutes the temporal condition for the subject. This iterability implies that 'performance' is not a singular 'act' or event, but a ritualized production, a ritual reiterated under and through constraint, under and through the force of prohibition and taboo, with the threat of ostracism and even death controlling and compelling the shape of the production, but not, I will insist, determining it fully in advance. Excitable Speech (1997) In Excitable Speech: A Politics of the Performative, Butler surveys the problems of hate speech and censorship. They argue that censorship is difficult to evaluate, and that in some cases it may be useful or even necessary, while in others it may be worse than tolerance. Butler argues that hate speech exists retrospectively, only after being declared such by state authorities. In this way, the state reserves for itself the power to define hate speech and, conversely, the limits of acceptable discourse. In this connection, Butler criticizes feminist legal scholar Catharine MacKinnon's argument against pornography for its unquestioning acceptance of the state's power to censor. Deploying Foucault's argument from the first volume of The History of Sexuality, Butler claims that any attempt at censorship, legal or otherwise, necessarily propagates the very language it seeks to forbid. As Foucault argues, for example, the strict sexual mores of 19th-century Western Europe did nothing but amplify the discourse of sexuality they sought to control. Extending this argument using Derrida and Lacan, Butler claims that censorship is primitive to language, and that the linguistic "I" is a mere effect of an originary censorship. In this way, Butler questions the possibility of any genuinely oppositional discourse; "If speech depends upon censorship, then the principle that one might seek to oppose is at once the formative principle of oppositional speech". Undoing Gender (2004) Undoing Gender collects Butler's reflections on gender, sex, sexuality, psychoanalysis and the medical treatment of intersex people for a more general readership than many of their other books. Butler revisits and refines their notion of performativity and focuses on the question of undoing "restrictively normative conceptions of sexual and gendered life". Butler discusses how gender is performed without one being conscious of it, but says that it does not mean this performativity is "automatic or mechanical". They argue that we have desires that do not originate from our personhood, but rather, from social norms. The writer also debates our notions of "human" and "less-than-human" and how these culturally imposed ideas can keep one from having a "viable life" as the biggest concerns are usually about whether a person will be accepted if their desires differ from normality. Butler states that one may feel the need of being recognized in order to live, but that at the same time, the conditions to be recognized make life "unlivable". The writer proposes an interrogation of such conditions so that people who resist them may have more possibilities of living. In Butler's discussion of intersex issues and people, Butler addresses the case of David Reimer, a person whose sex was medically "reassigned" from male to female after a botched circumcision at eight months of age. Reimer was "made" female by doctors, but later in life identified as "really" male, married and became a stepfather to his wife's three children, and went on to tell his story in As Nature Made Him: The Boy Who Was Raised as a Girl, which he wrote with John Colapinto. Reimer died by suicide in 2004. Giving an Account of Oneself (2005) In Giving an Account of Oneself, Butler develops an ethics based on the opacity of the subject to itself; in other words, the limits of self-knowledge. Primarily borrowing from Theodor Adorno, Michel Foucault, Friedrich Nietzsche, Jean Laplanche, Adriana Cavarero and Emmanuel Levinas, Butler develops a theory of the formation of the subject. Butler theorizes the subject in relation to the social – a community of others and their norms – which is beyond the control of the subject it forms, as precisely the very condition of that subject's formation, the resources by which the subject becomes recognizably human, a grammatical "I", in the first place. Butler accepts the claim that if the subject is opaque to itself the limitations of its free ethical responsibility and obligations are due to the limits of narrative, presuppositions of language and projection. Instead Butler argues for an ethics based precisely on the limits of self-knowledge as the limits of responsibility itself. Any concept of responsibility which demands the full transparency of the self to itself, an entirely accountable self, necessarily does violence to the opacity which marks the constitution of the self it addresses. The scene of address by which responsibility is enabled is always already a relation between subjects who are variably opaque to themselves and to each other. The ethics that Butler envisions is therefore one in which the responsible self knows the limits of its knowing, recognizes the limits of its capacity to give an account of itself to others, and respects those limits as symptomatically human. To take seriously one's opacity to oneself in ethical deliberation means then to critically interrogate the social world in which one comes to be human in the first place and which remains precisely that which one cannot know about oneself. In this way, Butler locates social and political critique at the core of ethical practice. Notes Toward a Performative Theory of Assembly (2015) In Notes Toward a Performative Theory of Assembly, Butler discusses the power of public gatherings, considering what they signify and how they work. They use this framework to analyze the power and possibilities of protests, such as the Black Lives Matter protests regarding the deaths of Michael Brown and Eric Garner in 2014. The Force of Nonviolence (2020) In The Force of Nonviolence: An Ethico-Political Bind, Butler connects the ideologies of nonviolence and the political struggle for social equality. They review the traditional understanding of "nonviolence," stating that it "is often misunderstood as a passive practice that emanates from a calm region of the soul, or as an individualist ethical relation to existing forms of power." Instead of this understanding, Butler argues that "nonviolence is an ethical position found in the midst of the political field." Reception Butler's work has been influential in feminist and queer theory, cultural studies, and continental philosophy. Yet their contribution to a range of other disciplines—such as psychoanalysis, literary, film, and performance studies as well as visual arts—has also been significant. Their theory of gender performativity as well as their conception of "critically queer" have not only transformed understandings of gender and queer identity in the academic world, but have shaped and mobilized various kinds of political activism, particularly queer activism, across the globe. Butler's work has also entered into contemporary debates on the teaching of gender, gay parenting, and the depathologization of transgender people. Before election to the papacy, Pope Benedict XVI wrote several pages challenging Butler's arguments on gender. In several countries, Butler became the symbol of the destruction of traditional gender roles for reactionary movements. This was particularly the case in France during the anti-gay marriage protests. Bruno Perreau has written that Butler was literally depicted as an "antichrist", both because of their gender and their Jewish identity, the fear of minority politics and critical studies being expressed through fantasies of a corrupted body. Some academics and political activists maintain that Butler's radical departure from the sex/gender dichotomy and Butler's non-essentialist conception of gender—along with their insistence that power helps form the subject—revolutionized feminist and queer praxis, thought, and studies. Darin Barney of McGill University wrote that: In 1998, Denis Dutton's journal Philosophy and Literature awarded Butler first prize in its fourth annual "Bad Writing Competition", which set out to "celebrate bad writing from the most stylistically lamentable passages found in scholarly books and articles." Butler's unwitting entry, which ran in a 1997 issue of the scholarly journal Diacritics, ran thus: Some critics have accused Butler of elitism due to their difficult prose style, while others claim that Butler reduces gender to "discourse" or promotes a form of gender voluntarism. Susan Bordo, for example, has argued that Butler reduces gender to language and has contended that the body is a major part of gender, in opposition to Butler's conception of gender as performative. A particularly vocal critic has been feminist Martha Nussbaum, who has argued that Butler misreads J. L. Austin's idea of performative utterance, makes erroneous legal claims, forecloses an essential site of resistance by repudiating pre-cultural agency, and provides no "normative theory of social justice and human dignity." Finally, Nancy Fraser's critique of Butler was part of a famous exchange between the two theorists. Fraser has suggested that Butler's focus on performativity distances them from "everyday ways of talking and thinking about ourselves. ... Why should we use such a self-distancing idiom?" Butler responded to criticisms of their prose in the preface to the 1999 edition of their book, Gender Trouble. More recently, several critics—most prominently, Viviane Namaste —have criticised Judith Butler's Undoing Gender for under-emphasizing the intersectional aspects of gender-based violence. For example, Timothy Laurie notes that Butler's use of phrases like "gender politics" and "gender violence" in relation to assaults on transgender individuals in the United States can "[scour] a landscape filled with class and labour relations, racialised urban stratification, and complex interactions between sexual identity, sexual practices and sex work", and produce instead "a clean surface on which struggles over 'the human' are imagined to play out". German feminist Alice Schwarzer speaks of Butler's "radical intellectual games" that would not change how society classifies and treats a woman; thus, by eliminating female and male identity Butler would have abolished the discourse about sexism in the queer community. Schwarzer also accuses Butler of remaining silent about the oppression of women and homosexuals in the Islamic world, while readily exercising their right to same-sex-marriage in the United States; instead, Butler would sweepingly defend Islam, including Islamism, from critics. Political activism Much of Butler's early political activism centered around queer and feminist issues, and they served, for a period of time, as the chair of the board of the International Gay and Lesbian Human Rights Commission. Over the years, Butler has been particularly active in the gay and lesbian rights, feminist, and anti-war movements. They have also written and spoken out on issues ranging from affirmative action and gay marriage to the wars in Iraq and Afghanistan, and the prisoners detained at Guantanamo Bay. More recently, Butler has been active in the Occupy movement and has publicly expressed support for a version of the 2005 BDS (Boycott, Divestment and Sanctions) campaign against Israel. They emphasize that Israel does not and should not be taken to represent all Jews or Jewish opinion. On September 7, 2006, Butler participated in a faculty-organized teach-in against the 2006 Lebanon War at the University of California, Berkeley. Another widely publicized moment occurred in June 2010, when Butler refused the Civil Courage Award (Zivilcouragepreis) of the Christopher Street Day (CSD) Parade in Berlin, Germany at the award ceremony. They cited racist comments on the part of organizers and a general failure of CSD organizations to distance themselves from racism in general and from anti-Muslim excuses for war more specifically. Criticizing the event's commercialism, Butler went on to name several groups that they commended as stronger opponents of "homophobia, transphobia, sexism, racism, and militarism". In October 2011, Butler attended Occupy Wall Street and, in reference to calls for clarification of the protesters' demands, they said: People have asked, so what are the demands? What are the demands all of these people are making? Either they say there are no demands and that leaves your critics confused, or they say that the demands for social equality and economic justice are impossible demands. And the impossible demands, they say, are just not practical. If hope is an impossible demand, then we demand the impossible – that the right to shelter, food and employment are impossible demands, then we demand the impossible. If it is impossible to demand that those who profit from the recession redistribute their wealth and cease their greed, then yes, we demand the impossible. Butler is an executive member of FFIPP – Educational Network for Human Rights in Israel/Palestine. They are also a member of the advisory board of Jewish Voice for Peace. In mainstream US politics, they expressed support for Hillary Clinton in the 2016 election. Adorno Prize affair When Butler received the 2012 Adorno Prize, the prize committee came under attack from Israel's Ambassador to Germany Yakov Hadas-Handelsman; the director of the Simon Wiesenthal Center's office in Jerusalem, Efraim Zuroff; and the German Central Council of Jews. They were upset at Butler's selection because of Butler's remarks about Israel and specifically Butler's "calls for a boycott against Israel". Butler responded saying that "[Butler] did not take attacks from German Jewish leaders personally". Rather, they wrote, the attacks are "directed against everyone who is critical against Israel and its current policies". In a letter to the Mondoweiss website, Butler asserted that they developed strong ethical views on the basis of Jewish philosophical thought and that it is "blatantly untrue, absurd, and painful for anyone to argue that those who formulate a criticism of the State of Israel is anti-Semitic or, if Jewish, self-hating". Comments on Hamas and Hezbollah Butler was criticized for statements they had made about Hamas and Hezbollah. Butler was accused of describing them as "social movements that are progressive, that are on the Left, that are part of a global Left." They were accused of defending "Hezbollah and Hamas as progressive organizations" and supporting their tactics. Butler responded to these criticisms by stating that their remarks on Hamas and Hezbollah were taken completely out of context and, in so doing, their established views on non-violence were contradicted and misrepresented. Butler describes the origin of their remarks on Hamas and Hezbollah in the following way: I was asked by a member of an academic audience a few years ago whether I thought Hamas and Hezbollah belonged to "the global left" and I replied with two points. My first point was merely descriptive: those political organizations define themselves as anti-imperialist, and anti-imperialism is one characteristic of the global left, so on that basis one could describe them as part of the global left. My second point was then critical: as with any group on the left, one has to decide whether one is for that group or against that group, and one needs to critically evaluate their stand. Comments on Black Lives Matter In a January 2015 interview with George Yancy of The New York Times, Butler discussed the Black Lives Matter movement. They said: What is implied by this statement [Black Lives Matter], a statement that should be obviously true, but apparently is not? If black lives do not matter, then they are not really regarded as lives, since a life is supposed to matter. So what we see is that some lives matter more than others, that some lives matter so much that they need to be protected at all costs, and that other lives matter less, or not at all. And when that becomes the situation, then the lives that do not matter so much, or do not matter at all, can be killed or lost, can be exposed to conditions of destitution, and there is no concern, or even worse, that is regarded as the way it is supposed to be...When people engage in concerted actions across racial lines to build communities based on equality, to defend the rights of those who are disproportionately imperiled to have a chance to live without the fear of dying quite suddenly at the hands of the police. There are many ways to do this, in the street, the office, the home, and in the media. Only through such an ever-growing cross-racial struggle against racism can we begin to achieve a sense of all the lives that really do matter. The dialogue draws heavily on their 2004 book Precarious Life: The Powers of Mourning and Violence. Avital Ronell sexual harassment case On May 11, 2018, Butler led a group of scholars in writing a letter to New York University following the sexual harassment suit filed by a former NYU graduate student against his advisor Avital Ronell. The signatories acknowledged not having had access to the confidential findings of the investigation that followed the Title IX complaint against Ronell. Nonetheless, they accused the complainant of waging a "malicious campaign" against Ronell. The signatories also wrote that the presumed "malicious intention has animated and sustained this legal nightmare" for a highly regarded scholar. "If she were to be terminated or relieved of her duties, the injustice would be widely recognized and opposed." Butler, the chief signatory, invoked their title as President Elect of the Modern Language Association. James J. Marino, a professor at Cleveland State University and a member of the MLA, started a petition to demand Butler's resignation or removal from their post. He argued that "Protesting against one instance of punishment is only a means to the larger end of preserving senior faculty's privilege of impunity. ... [Butler] was standing up for an old, corrupt, and long-standing way of doing business. The time for doing business that way is over. We should never look back." Some three months later, Butler apologized to the MLA for the letter. "I acknowledged that I should not have allowed the MLA affiliation to go forward with my name," Butler wrote to the Chronicle of Higher Education. "I expressed regret to the MLA officers and staff, and my colleagues accepted my apology. I extend that same apology to MLA members." Comments on the anti-gender movement and trans-exclusionary radical feminism Butler said in 2020 that trans-exclusionary radical feminism is "a fringe movement that is seeking to speak in the name of the mainstream, and that our responsibility is to refuse to let that happen." In 2021 they described the anti-gender movements as fascist trends and cautioned self-declared feminists from allying with such movements in targeting trans, non-binary, and genderqueer people. Butler also explored the issue in a 2019 paper in which they argued that "the confusion of discourses is part of what constitutes the fascist structure and appeal of at least some of these [anti-gender] movements. One can oppose gender as a cultural import from the North at the same time that one can see that very opposition as a social movement against further colonization of the South. The result is not a turn to the Left, but an embrace of ethno-nationalism." The Guardian interview On September 7, 2021, The Guardian published an interview of Butler by Jules Gleeson that included Butler's critique of trans-exclusionary feminists ("gender critical feminists" or "TERFs"). In response to a question about the Wi Spa controversy, Butler stated that "The anti-gender ideology is one of the dominant strains of fascism in our times." Within a few hours of publication, three paragraphs including this statement were removed, with a note explaining "This article was edited on 7 September 2021 to reflect developments which occurred after the interview took place." The Guardian was then accused of censoring Judith Butler for having compared TERFs to fascists. British writer Roz Kaveney called it "a truly shocking moment of bigoted dishonesty", while British transgender activist and writer Juno Dawson, among others, observed that The Guardian had inadvertently triggered the Streisand effect, in which an attempt to censor yields the unintended consequence of increasing awareness of a topic. The next day, The Guardian acknowledged "a failure in our editorial standards". Personal life Butler is a lesbian, legally non-binary, and goes by she or they pronouns, but said in 2020 that they prefer "they", and indicated that they were "never at home" with being assigned "female" at birth. They live in Berkeley with their partner Wendy Brown and son, Isaac. Selected honors and awards Butler has had a visiting appointment at Birkbeck, University of London (2009–). 1999: Guggenheim Fellowship 2007: Elected to the American Philosophical Society 2008: Mellon Award for their exemplary contributions to scholarship in the humanities 2010: "25 Visionaries Who Are Changing Your World", Utne Reader 2012: Theodor W. Adorno Award 2013: Doctorate of Letters, honoris causa, University of St. Andrews 2013: Doctorate of Letters, honoris causa, McGill University 2014: Doctorate of Letters, honoris causa, University of Fribourg 2014: Named one of PinkNews's top 11 Jewish gay and lesbian icons 2015: Elected as a Corresponding Fellow of the British Academy 2018: Doctorate of Letters, honoris causa, University of Belgrade 2018: Butler delivered the Gifford Lectures with their series entitled 'My Life, Your Life: Equality and the Philosophy of Non-Violence' 2019: Elected as Fellow to the American Academy of Arts and Sciences. Publications All of Butler's books have been translated into numerous languages; Gender Trouble, alone, has been translated into twenty-seven languages. In addition, they have co-authored and edited over a dozen volumes—the most recent of which is Dispossession: The Performative in the Political (2013), coauthored with Athena Athanasiou. Over the years Butler has also published many influential essays, interviews, and public presentations. Butler is considered by many as "one of the most influential voices in contemporary political theory," and as the most widely read and influential gender theorist in the world. The following is a partial list of Butler's publications. Books [Their doctoral dissertation.] Book chapters A collection of essays on the work of Avital Ronell. Details. Notes References Further reading Chambers, Samuel A. and Terrell Carver. 'Judith Butler and Political Theory: Troubling Politics. New York: Routledge, 2008. Cheah, Pheng, "Mattering," Diacritics, Volume 26, Number 1, Spring 1996, pp. 108–139. Kirby, Vicki. Judith Butler: Live Theory. London: Continuum, 2006. Eldred, Michael, [http://www.arte-fact.org/mtphysfm.html 'Metaphysics of Feminism: A Critical Note on Judith Butler's Gender Trouble] 2008. From the paper's abstract: In this paper we contribute to these [sexualization of culture] debates by presenting 'technologies of sexiness', a theoretical framework that draws on Foucauldian theorizing of technologies of the self and Butler's work on performativity. Pdf. Considers performativity from a linguistic perspective. Perreau, Bruno. Queer Theory: The French Response, Stanford, CA, Stanford University Press, 2016. Salih, Sarah. The Judith Butler Reader. Malden, Massachusetts: Blackwell, 2004. —. Routledge Critical Thinkers: Judith Butler. New York: Routledge, 2002. Schippers, Birgit. The Political Philosophy of Judith Butler. New York: Routledge, 2014. Thiem, Annika. Unbecoming Subjects: Judith Butler, Moral Philosophy, and Critical Responsibility. New York: Fordham University Press, 2008. External links Biography – University of California, Berkeley approach the notion of affinity through a discussion of "Disruptive Kinship," co-sponsored by Villa Gillet and the School of Writing at The New School for Public Engagement. Interview of Judith Butler about their new book "Frames of War" on New Statesman Review of "Giving an Account of Oneself. Ethical Violence and Responsibility", by Judith Butler, Barcelona Metropolis Autumn 2010. "Dictionary of Literary Biography on Judith P. Butler (page 3)" Interview with Judith Butler about politics, economy, control societies, gender and identity (2011) 1956 births Living people 20th-century American non-fiction writers 20th-century American philosophers 21st-century American non-fiction writers 21st-century American philosophers American democratic socialists American ethicists American feminist writers American literary critics American people of Hungarian-Jewish descent American people of Russian-Jewish descent American political philosophers American social commentators Anti-Zionism in the United States American Ashkenazi Jews Columbia University faculty Continental philosophers Corresponding Fellows of the British Academy Critical theorists Critics of neoconservatism Critics of religions Cultural critics Environmental philosophers Epistemologists European Graduate School faculty Feminist philosophers Feminist studies scholars Feminist theorists Framing theorists Gender studies academics Jewish American academics Jewish American social scientists Jewish American writers Jewish anti-Zionism in the United States Jewish ethicists Jewish feminists Jewish socialists Jewish women writers Jews and Judaism in Cleveland Lesbian academics Lesbian scientists Lesbian feminists American lesbian writers LGBT academics LGBT and Judaism LGBT Jews LGBT people from Ohio LGBT scientists from the United States Literary theorists Literature educators Mass media theorists Metaphysicians Moral philosophers Non-binary writers Ontologists Palestinian solidarity activists Phenomenologists Philosophers from Ohio Philosophers of culture Philosophers of education Philosophers of ethics and morality Philosophers of history Philosophers of Judaism Philosophers of literature Philosophers of psychology Philosophers of science Philosophers of sexuality Philosophy writers Political philosophers Post-Zionists Postmodern feminists Poststructuralists Queer theorists Social critics Social philosophers Transfeminists Transgender studies academics University of California, Berkeley faculty Wesleyan University faculty Women literary critics Writers from Cleveland Writers from Shaker Heights, Ohio Yale University alumni LGBT philosophers American women critics	false	[ "The performative interval in sociology refers to a unit of analysis in the interaction order defined by the disjunct between practice and the self, or between what an actor \"does\" and what an actor \"is\".\n\nThe concept is developed by sociologist Adam Isaiah Green, University of Toronto, as a heuristic device to illustrate the irreducibility of the self to a social category in symbolic interactionist and queer theory renderings of the subject (Green 2007). In Green's reflection on these two latter literatures, the actor \"acts toward\" a given social category — be it a racial, ethnic, gender or sexual orientation classification — through aligning behavior, affect and the body with norms that define the category. Nevertheless, the category is never fully realized in the self, an insight that builds directly on Judith Butler's (1997) conception of \"performative failure\" (for more, see the concept of performativity), but also on the earlier sociological work of Mead and Goffman, among others. According to Green, whereas pragmatist and interactionist sociological approaches to the self typically focus on how a given actor shores up the gap between \"doing\" and \"being\" in the performative interval, queer theory focuses on the inability of the self to ever realize a social category as an ontological property of the self. Rather, for queer theorists and within poststructuralism more generally, the self is an ever-dissolving iteration of a norm absent a knowable interior or a stable core.\n\nSee also \nOutline of sociology#General sociology concepts\n\nReferences \n\n Butler, Judith 1997. Excitable Speech: A Politics of the Performative, London: Routledge\n Green, Adam Isaiah. 2007. “Queer Theory and Sociology: Locating the Subject and the Self in Sexuality Studies”, Sociological Theory, 25, 1:26-45.\n\nSociological terminology", "In the philosophy of language, the notion of performance conceptualizes what a spoken or written text can bring about in human interactions.\n\nHistorical development\nIn the 1950s the philosopher of language J. L. Austin introduced the term 'performative utterance' to make clear that 'to say something is to do something'. Developing this idea, scholars have theorized on the relation of a spoken or written text to its broader context, that is to say everything outside the text itself. The question whether a performative is separable from the situation it emerged in is relevant when one addresses for example the status of individual intentions or speech as a resource of power. There are two main theoretical strands in research today. One emphasizes the predetermined conventions surrounding a performative utterance and the clear distinction between text and context. Another emphasizes the active construction of reality through spoken and written texts and is related to theories of human agency and discourse. The ideas about performance and text have contributed to the performative turn in the social sciences and humanities, proving their methodological use for example in the interpretation of historical texts.\n\nClassical theories\nEarly theories acknowledge that performance and text are both embedded in a system of rules and that the effects they can produce depend on convention and recurrence. In this sense, text is an instance of 'restored behaviour', a term introduced by Richard Schechner that sees performance as a repeatable ritual. The focus here is largely on individual sentences in the active first person voice, rather than on politics or discourse. The syntactical analyses are firmly anchored in analytical epistemology, as the distinction between the research object and its context is not conceived as problematic.\n\nAustin\nJ. L. Austin introduced the performative utterance as an additional category to 'constatives', statements that can be either true or false. Language not only represents, but also can make something happen. Austin distinguishes between two types of performative speech acts. The illocutionary act is concerned with what an actor is doing in saying something (e.g. when someone says 'hello', he is greeting another person). The perlocutionary act involves the unintended consequences of an utterance and refers to what an actor is doing by saying something (e.g. when someone says 'hello' and the greeted person is scared by it).\n\nEvery performative utterance has its own procedure and risks of failure that Austin calls 'infelicities'. He sees a sharp distinction between the individual text and the 'total speech act situation' surrounding it. According to Austin, in order to successfully perform an illocutionary act, certain conditions have to be met (e.g. a person who pronounces a marriage must be authorized to do so). Besides the context, the performative utterance itself is unambiguous as well. The words of an illocutionary act have to be expressed in earnest; if not, Austin discards them as a parasitic use of language.\n\nSearle\nBuilding on Austin's thought, language philosopher John Searle tried to develop his own account of speech acts, suggesting that these acts are a form of rule-governed behaviour. On the one hand, Searle discerns rules that merely regulate language, such as referring and predicating. These rules account for the 'propositional content' of our sentences. On the other hand, he discerns rules that are constitutive in character and define behaviour (e.g. when we make a promise). These rules are the conventions underlying performative utterances and they enable us not only to represent and express ourselves, but also to communicate.\n\nThis focus on effect implies a conscious actor and Searle assumes that language stems from an intrinsic intentionality of the mind. These intentions set the prerequisites for the performance of speech acts and Searle sets out to map their necessary and sufficient conditions. Like Austin, he thinks in terms of demarcated contexts and transparent intentions, two issues that in the 1970s led him into polemics with postmodern thinker Jacques Derrida.\n\nPostmodernist theories\nThe second set of theories on performance and text diverged from the tradition represented by Austin and Searle. Bearing the stamp of postmodernism, it states that neither the meaning, nor the context of a text can be defined in its entirety. Instead of emphasizing linguistic rules, scholars within this strand stress that the performative utterance is intertwined with structures of power. Because a text inevitably changes a situation or discourse, the distinction between text and context is blurred.\n\nDerrida\nThe postmodern philosopher Jacques Derrida holds with Austin and Searle that by illocutionary force, language itself can transform and effect. However, he criticizes the notion of 'felicity conditions' and the idea that the success of a performative utterance is determined by conventions. Derrida values the distinctiveness of every individual speech act, because it has a specific effect in the particular situation in which it is performed. It is because of this effect or 'breaking force' that Derrida calls the possibility of repeating a text 'iterability', a word derived from Latin iterare, to repeat.\n\nAccording to Derrida, the effects caused by a performative text are in a sense also part of it. In this way, the distinction between a text and that what is outside it dissolves. For this reason it is pointless to try to define the context of a speech act.\nBesides the consequential effects, the dissolution of the text-context divide is also caused by iterability. Due to the possibility of repetition, the intentions of an individual actor can never be fully present in a speech act. The core of a performative utterance is therefore not constituted by animating intentions, as Austin and Searle would have it, but by the structure of language.\n\nButler\nThe philosopher Judith Butler offers a political interpretation of the concept of the performative utterance. Power in the form of active censorship defines and regulates the domain of a certain discourse. Indebted to the work of Michel Foucault, Butler expounds how subjects are produced by their context, because the possibilities of speech are predetermined.\n\nNotwithstanding such social restraints, Butler underscores the possibility of agency. The boundaries of a discourse need continuous re-demarcation and this is where speech can escape its constriction. The emphasis on the limits of what is allowed to be said also frames that what is silenced.\nPerformativity has a political aspect that consists in what Derrida has described as the breaking force, by which an utterance changes its context. Butler assigns an important role to what Austin has called infelicities and parasitic uses of language. Quotations, parodies and other deviations from official discourse can become instruments of power that affect society.\n\nHistorical methodology\n\nSkinner\nThe historian Quentin Skinner developed classical and postmodern theories on performative texts into a concrete research method. Using Austin's vocabulary, he seeks to recover what historical authors were doing in writing their texts, which corresponds with the performance of illocutionary acts. According to Skinner, philosophical ideas are intertwined with claims of power. Every text is an act of communication that positions itself in relation to the status quo it seeks to change.\n\nSkinner agrees with Derrida that contexts in their entirety are irretrievable but nevertheless states that there is a relevant context outside the text that can be described in a plausible way. Extensive research is required to relate historical texts to their contemporary discourses. According to Skinner 'there is a sense in which we need to understand why a certain proposition has been put forward if we wish to understand the proposition itself'. He values agency over structure and stresses the importance of authorial intentions. Skinner therefore proposes to study historical sources in order to retrieve the convictions the author held, reflect on their coherence and investigate possible motives for the illocutionary act. This practical method seeks to deal with the blurred distinction between text and context and offer a meaningful way of interpreting historical reality.\n\nSee also\n J. L. Austin\n Jacques Derrida\n John Searle\n Judith Butler\n Performative turn\n Performative utterance\n Performativity\n Quentin Skinner\n Speech act\n\nNotes\n\nLiterature\n Austin, J.L., How to do things with words, the William James Lectures delivered at Harvard University in 1955 (Londen 1962, revised edition 1967).\n Butler, Judith, Excitable speech, a politics of the performative (New York 1997).\n Derrida, Jacques, 'Signature Event Context' in: Limited inc (1988), 1-23. (first published in Glyph vol. I, 1977).\n Schechner, Richard, Performance Studies, an Introduction (New York 2006).\n Searle, John R., Intentionality, an essay in the philosophy of mind (Cambridge 1983).\n Searle, John R., Speech Acts, an essay in the philosophy of language (Cambridge 1974, 1st print 1969).\n Skinner, Quentin, Visions of Politics, vol. 1 regarding method (Cambridge 2003).\n\nPragmatics\nPhilosophy of language" ]
[ "Judith Butler", "\"Performative Acts and Gender Constitution\" (1988)", "What is Performative Acts and Gender Consitution?", "Butler argues that the performance of gender itself creates gender. Additionally, she compares the performativity of gender to the performance of the theater." ]	C_d9b9c91dd063459692c2b13e18d4a5e6_0	How does she compare them?	2	How does Judith Butler compare performativity of gender to the performance of the theater?	Judith Butler	In this essay, Judith Butler proposes her theory of gender performativity, which would be later taken up in 1990 throughout her work, Gender Trouble. She begins by basing her theory of gender performativity on a feminist phenomenological point of view. She suggests that both phenomenology and feminism ground their theories in "lived experience". Further, in comparing phenomenologist Maurice Merleau-Ponty and feminist Simone de Beauvoir, Butler argues that both theories view the sexual body as a historical idea or situation; she accepts this notion of a "distinction between sex, as biological facticity, and gender, as the cultural interpretation or signification of that facticity". This combination of theories is essential for founding Butler's view of "theatrical" or performative genders in society. Butler argues that it is more valid to perceive gender as a performance in which an individual agent acts. The performative element of her theory suggests a social audience. For Butler, the "script" of gender performance is effortlessly transmitted generation to generation in the form of socially established "meanings": She states, "gender is not a radical choice... [nor is it] imposed or inscribed upon the individual". Given the social nature of human beings, most actions are witnessed, reproduced, and internalized and thus take on a performative or theatric quality. With Butler's theory, gender is essentially a performative repetition of acts associated with the male or female. Currently, the actions appropriate for men and women have been transmitted to produce a social atmosphere that both maintains and legitimizes a seemingly natural gender binary. Consistently with her acceptance of the body as a historical idea, she suggests that our concept of gender is seen as natural or innate because the body "becomes its gender through a series of acts which are renewed, revised, and consolidated through time". Butler argues that the performance of gender itself creates gender. Additionally, she compares the performativity of gender to the performance of the theater. She brings many similarities, including the idea of each individual functioning as an actor of their gender. However, she also brings into light a critical difference between gender performance in reality and theater performances. She explains how the theater is much less threatening and does not produce the same fear that gender performances often encounter because of the fact that there is a clear distinction from reality within the theater. Butler uses Sigmund Freud's notion of how a person's identity is modeled in terms of the normal. She revises Freud's notion of this concept's applicability to lesbianism, where Freud says that lesbians are modeling their behavior on men, the perceived normal or ideal. She instead says that all gender works in this way of performativity and a representing of an internalized notion of gender norms. CANNOTANSWER	She brings many similarities, including the idea of each individual functioning as an actor of their gender.	Judith Pamela Butler (born February 24, 1956) is an American philosopher and gender theorist whose work has influenced political philosophy, ethics, and the fields of third-wave feminism, queer theory, and literary theory. In 1993, Butler began teaching at the University of California, Berkeley, where they have served, beginning in 1998, as the Maxine Elliot Professor in the Department of Comparative Literature and the Program of Critical Theory. They are also the Hannah Arendt Chair at the European Graduate School. Butler is best known for their books Gender Trouble: Feminism and the Subversion of Identity (1990) and Bodies That Matter: On the Discursive Limits of Sex (1993), in which they challenge conventional notions of gender and develop their theory of gender performativity. This theory has had a major influence on feminist and queer scholarship. Their work is often studied and debated in film studies courses emphasizing gender studies and performativity in discourse. Butler has supported lesbian and gay rights movements, and they have spoken out on many contemporary political issues, including criticism of Israeli politics. Early life and education Judith Butler was born on February 24, 1956, in Cleveland, Ohio, to a family of Hungarian-Jewish and Russian-Jewish descent. Most of their maternal grandmother's family perished in the Holocaust. Butler's parents were practicing Reform Jews. Their mother was raised Orthodox, eventually becoming Conservative and then Reform, while their father was raised Reform. As a child and teenager, Butler attended both Hebrew school and special classes on Jewish ethics, where they received their "first training in philosophy". Butler stated in a 2010 interview with Haaretz that they began the ethics classes at the age of 14 and that they were created as a form of punishment by Butler's Hebrew school's Rabbi because they were "too talkative in class". Butler also stated that they were "thrilled" by the idea of these tutorials, and when asked what they wanted to study in these special sessions, they responded with three questions preoccupying them at the time: "Why was Spinoza excommunicated from the synagogue? Could German Idealism be held accountable for Nazism? And how was one to understand existential theology, including the work of Martin Buber?" Butler attended Bennington College before transferring to Yale University, where they studied philosophy and received a Bachelor of Arts in 1978 and a Doctor of Philosophy in 1984. They spent one academic year at Heidelberg University as a Fulbright Scholar. Butler taught at Wesleyan University, George Washington University, and Johns Hopkins University before joining University of California, Berkeley, in 1993. In 2002, they held the Spinoza Chair of Philosophy at the University of Amsterdam. In addition, they joined the department of English and Comparative Literature at Columbia University as Wun Tsun Tam Mellon Visiting Professor of the Humanities in the spring semesters of 2012, 2013 and 2014 with the option of remaining as full-time faculty. Butler serves on the editorial board or advisory board of several academic journals, including Janus Unbound: Journal of Critical Studies, JAC: A Journal of Rhetoric, Culture, and Politics and Signs: Journal of Women in Culture and Society. Overview of major works Performative Acts and Gender Constitution (1988) In the essay "Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory" Judith Butler proposes that gender is performative. Because gender identity is established through behavior, there is a possibility to construct different genders via different behaviors. Gender Trouble (1990) Gender Trouble: Feminism and the Subversion of Identity was first published in 1990, selling over 100,000 copies internationally, in multiple languages. Gender Trouble discusses the works of Sigmund Freud, Simone de Beauvoir, Julia Kristeva, Jacques Lacan, Luce Irigaray, Monique Wittig, Jacques Derrida, and Michel Foucault. Butler offers a critique of the terms gender and sex as they have been used by feminists. Butler argues that feminism made a mistake in trying to make "women" a discrete, ahistorical group with common characteristics. Butler writes that this approach reinforces the binary view of gender relations. Butler believes that feminists should not try to define "women" and they also believe that feminists should "focus on providing an account of how power functions and shapes our understandings of womanhood not only in the society at large but also within the feminist movement." Finally, Butler aims to break the supposed links between sex and gender so that gender and desire can be "flexible, free floating and not caused by other stable factors". The idea of identity as free and flexible and gender as a performance, not an essence, is one of the foundations of queer theory. Imitation and Gender Insubordination (1991) This is Butler's contribution to Inside/Out: Lesbian Theories, Gay Theories, a collection of the writings of gay and lesbian social theorists. Butler argues that no transparent revelation is afforded by the terms "gay" or "lesbian" yet there is a political imperative to do so. Butler employs "the concepts of play/performance, drag, and imitation to describe the formation of gender and sexuality as continually created subjectivities always at risk of dissolution from non-performance." Bodies That Matter (1993) Bodies That Matter: On the Discursive Limits of "Sex" seeks to clear up readings and supposed misreadings of performativity that view the enactment of sex/gender as a daily choice. Butler emphasizes the role of repetition in performativity, making use of Derrida's theory of iterability, which is a form of citationality: Performativity cannot be understood outside of a process of iterability, a regularized and constrained repetition of norms. And this repetition is not performed by a subject; this repetition is what enables a subject and constitutes the temporal condition for the subject. This iterability implies that 'performance' is not a singular 'act' or event, but a ritualized production, a ritual reiterated under and through constraint, under and through the force of prohibition and taboo, with the threat of ostracism and even death controlling and compelling the shape of the production, but not, I will insist, determining it fully in advance. Excitable Speech (1997) In Excitable Speech: A Politics of the Performative, Butler surveys the problems of hate speech and censorship. They argue that censorship is difficult to evaluate, and that in some cases it may be useful or even necessary, while in others it may be worse than tolerance. Butler argues that hate speech exists retrospectively, only after being declared such by state authorities. In this way, the state reserves for itself the power to define hate speech and, conversely, the limits of acceptable discourse. In this connection, Butler criticizes feminist legal scholar Catharine MacKinnon's argument against pornography for its unquestioning acceptance of the state's power to censor. Deploying Foucault's argument from the first volume of The History of Sexuality, Butler claims that any attempt at censorship, legal or otherwise, necessarily propagates the very language it seeks to forbid. As Foucault argues, for example, the strict sexual mores of 19th-century Western Europe did nothing but amplify the discourse of sexuality they sought to control. Extending this argument using Derrida and Lacan, Butler claims that censorship is primitive to language, and that the linguistic "I" is a mere effect of an originary censorship. In this way, Butler questions the possibility of any genuinely oppositional discourse; "If speech depends upon censorship, then the principle that one might seek to oppose is at once the formative principle of oppositional speech". Undoing Gender (2004) Undoing Gender collects Butler's reflections on gender, sex, sexuality, psychoanalysis and the medical treatment of intersex people for a more general readership than many of their other books. Butler revisits and refines their notion of performativity and focuses on the question of undoing "restrictively normative conceptions of sexual and gendered life". Butler discusses how gender is performed without one being conscious of it, but says that it does not mean this performativity is "automatic or mechanical". They argue that we have desires that do not originate from our personhood, but rather, from social norms. The writer also debates our notions of "human" and "less-than-human" and how these culturally imposed ideas can keep one from having a "viable life" as the biggest concerns are usually about whether a person will be accepted if their desires differ from normality. Butler states that one may feel the need of being recognized in order to live, but that at the same time, the conditions to be recognized make life "unlivable". The writer proposes an interrogation of such conditions so that people who resist them may have more possibilities of living. In Butler's discussion of intersex issues and people, Butler addresses the case of David Reimer, a person whose sex was medically "reassigned" from male to female after a botched circumcision at eight months of age. Reimer was "made" female by doctors, but later in life identified as "really" male, married and became a stepfather to his wife's three children, and went on to tell his story in As Nature Made Him: The Boy Who Was Raised as a Girl, which he wrote with John Colapinto. Reimer died by suicide in 2004. Giving an Account of Oneself (2005) In Giving an Account of Oneself, Butler develops an ethics based on the opacity of the subject to itself; in other words, the limits of self-knowledge. Primarily borrowing from Theodor Adorno, Michel Foucault, Friedrich Nietzsche, Jean Laplanche, Adriana Cavarero and Emmanuel Levinas, Butler develops a theory of the formation of the subject. Butler theorizes the subject in relation to the social – a community of others and their norms – which is beyond the control of the subject it forms, as precisely the very condition of that subject's formation, the resources by which the subject becomes recognizably human, a grammatical "I", in the first place. Butler accepts the claim that if the subject is opaque to itself the limitations of its free ethical responsibility and obligations are due to the limits of narrative, presuppositions of language and projection. Instead Butler argues for an ethics based precisely on the limits of self-knowledge as the limits of responsibility itself. Any concept of responsibility which demands the full transparency of the self to itself, an entirely accountable self, necessarily does violence to the opacity which marks the constitution of the self it addresses. The scene of address by which responsibility is enabled is always already a relation between subjects who are variably opaque to themselves and to each other. The ethics that Butler envisions is therefore one in which the responsible self knows the limits of its knowing, recognizes the limits of its capacity to give an account of itself to others, and respects those limits as symptomatically human. To take seriously one's opacity to oneself in ethical deliberation means then to critically interrogate the social world in which one comes to be human in the first place and which remains precisely that which one cannot know about oneself. In this way, Butler locates social and political critique at the core of ethical practice. Notes Toward a Performative Theory of Assembly (2015) In Notes Toward a Performative Theory of Assembly, Butler discusses the power of public gatherings, considering what they signify and how they work. They use this framework to analyze the power and possibilities of protests, such as the Black Lives Matter protests regarding the deaths of Michael Brown and Eric Garner in 2014. The Force of Nonviolence (2020) In The Force of Nonviolence: An Ethico-Political Bind, Butler connects the ideologies of nonviolence and the political struggle for social equality. They review the traditional understanding of "nonviolence," stating that it "is often misunderstood as a passive practice that emanates from a calm region of the soul, or as an individualist ethical relation to existing forms of power." Instead of this understanding, Butler argues that "nonviolence is an ethical position found in the midst of the political field." Reception Butler's work has been influential in feminist and queer theory, cultural studies, and continental philosophy. Yet their contribution to a range of other disciplines—such as psychoanalysis, literary, film, and performance studies as well as visual arts—has also been significant. Their theory of gender performativity as well as their conception of "critically queer" have not only transformed understandings of gender and queer identity in the academic world, but have shaped and mobilized various kinds of political activism, particularly queer activism, across the globe. Butler's work has also entered into contemporary debates on the teaching of gender, gay parenting, and the depathologization of transgender people. Before election to the papacy, Pope Benedict XVI wrote several pages challenging Butler's arguments on gender. In several countries, Butler became the symbol of the destruction of traditional gender roles for reactionary movements. This was particularly the case in France during the anti-gay marriage protests. Bruno Perreau has written that Butler was literally depicted as an "antichrist", both because of their gender and their Jewish identity, the fear of minority politics and critical studies being expressed through fantasies of a corrupted body. Some academics and political activists maintain that Butler's radical departure from the sex/gender dichotomy and Butler's non-essentialist conception of gender—along with their insistence that power helps form the subject—revolutionized feminist and queer praxis, thought, and studies. Darin Barney of McGill University wrote that: In 1998, Denis Dutton's journal Philosophy and Literature awarded Butler first prize in its fourth annual "Bad Writing Competition", which set out to "celebrate bad writing from the most stylistically lamentable passages found in scholarly books and articles." Butler's unwitting entry, which ran in a 1997 issue of the scholarly journal Diacritics, ran thus: Some critics have accused Butler of elitism due to their difficult prose style, while others claim that Butler reduces gender to "discourse" or promotes a form of gender voluntarism. Susan Bordo, for example, has argued that Butler reduces gender to language and has contended that the body is a major part of gender, in opposition to Butler's conception of gender as performative. A particularly vocal critic has been feminist Martha Nussbaum, who has argued that Butler misreads J. L. Austin's idea of performative utterance, makes erroneous legal claims, forecloses an essential site of resistance by repudiating pre-cultural agency, and provides no "normative theory of social justice and human dignity." Finally, Nancy Fraser's critique of Butler was part of a famous exchange between the two theorists. Fraser has suggested that Butler's focus on performativity distances them from "everyday ways of talking and thinking about ourselves. ... Why should we use such a self-distancing idiom?" Butler responded to criticisms of their prose in the preface to the 1999 edition of their book, Gender Trouble. More recently, several critics—most prominently, Viviane Namaste —have criticised Judith Butler's Undoing Gender for under-emphasizing the intersectional aspects of gender-based violence. For example, Timothy Laurie notes that Butler's use of phrases like "gender politics" and "gender violence" in relation to assaults on transgender individuals in the United States can "[scour] a landscape filled with class and labour relations, racialised urban stratification, and complex interactions between sexual identity, sexual practices and sex work", and produce instead "a clean surface on which struggles over 'the human' are imagined to play out". German feminist Alice Schwarzer speaks of Butler's "radical intellectual games" that would not change how society classifies and treats a woman; thus, by eliminating female and male identity Butler would have abolished the discourse about sexism in the queer community. Schwarzer also accuses Butler of remaining silent about the oppression of women and homosexuals in the Islamic world, while readily exercising their right to same-sex-marriage in the United States; instead, Butler would sweepingly defend Islam, including Islamism, from critics. Political activism Much of Butler's early political activism centered around queer and feminist issues, and they served, for a period of time, as the chair of the board of the International Gay and Lesbian Human Rights Commission. Over the years, Butler has been particularly active in the gay and lesbian rights, feminist, and anti-war movements. They have also written and spoken out on issues ranging from affirmative action and gay marriage to the wars in Iraq and Afghanistan, and the prisoners detained at Guantanamo Bay. More recently, Butler has been active in the Occupy movement and has publicly expressed support for a version of the 2005 BDS (Boycott, Divestment and Sanctions) campaign against Israel. They emphasize that Israel does not and should not be taken to represent all Jews or Jewish opinion. On September 7, 2006, Butler participated in a faculty-organized teach-in against the 2006 Lebanon War at the University of California, Berkeley. Another widely publicized moment occurred in June 2010, when Butler refused the Civil Courage Award (Zivilcouragepreis) of the Christopher Street Day (CSD) Parade in Berlin, Germany at the award ceremony. They cited racist comments on the part of organizers and a general failure of CSD organizations to distance themselves from racism in general and from anti-Muslim excuses for war more specifically. Criticizing the event's commercialism, Butler went on to name several groups that they commended as stronger opponents of "homophobia, transphobia, sexism, racism, and militarism". In October 2011, Butler attended Occupy Wall Street and, in reference to calls for clarification of the protesters' demands, they said: People have asked, so what are the demands? What are the demands all of these people are making? Either they say there are no demands and that leaves your critics confused, or they say that the demands for social equality and economic justice are impossible demands. And the impossible demands, they say, are just not practical. If hope is an impossible demand, then we demand the impossible – that the right to shelter, food and employment are impossible demands, then we demand the impossible. If it is impossible to demand that those who profit from the recession redistribute their wealth and cease their greed, then yes, we demand the impossible. Butler is an executive member of FFIPP – Educational Network for Human Rights in Israel/Palestine. They are also a member of the advisory board of Jewish Voice for Peace. In mainstream US politics, they expressed support for Hillary Clinton in the 2016 election. Adorno Prize affair When Butler received the 2012 Adorno Prize, the prize committee came under attack from Israel's Ambassador to Germany Yakov Hadas-Handelsman; the director of the Simon Wiesenthal Center's office in Jerusalem, Efraim Zuroff; and the German Central Council of Jews. They were upset at Butler's selection because of Butler's remarks about Israel and specifically Butler's "calls for a boycott against Israel". Butler responded saying that "[Butler] did not take attacks from German Jewish leaders personally". Rather, they wrote, the attacks are "directed against everyone who is critical against Israel and its current policies". In a letter to the Mondoweiss website, Butler asserted that they developed strong ethical views on the basis of Jewish philosophical thought and that it is "blatantly untrue, absurd, and painful for anyone to argue that those who formulate a criticism of the State of Israel is anti-Semitic or, if Jewish, self-hating". Comments on Hamas and Hezbollah Butler was criticized for statements they had made about Hamas and Hezbollah. Butler was accused of describing them as "social movements that are progressive, that are on the Left, that are part of a global Left." They were accused of defending "Hezbollah and Hamas as progressive organizations" and supporting their tactics. Butler responded to these criticisms by stating that their remarks on Hamas and Hezbollah were taken completely out of context and, in so doing, their established views on non-violence were contradicted and misrepresented. Butler describes the origin of their remarks on Hamas and Hezbollah in the following way: I was asked by a member of an academic audience a few years ago whether I thought Hamas and Hezbollah belonged to "the global left" and I replied with two points. My first point was merely descriptive: those political organizations define themselves as anti-imperialist, and anti-imperialism is one characteristic of the global left, so on that basis one could describe them as part of the global left. My second point was then critical: as with any group on the left, one has to decide whether one is for that group or against that group, and one needs to critically evaluate their stand. Comments on Black Lives Matter In a January 2015 interview with George Yancy of The New York Times, Butler discussed the Black Lives Matter movement. They said: What is implied by this statement [Black Lives Matter], a statement that should be obviously true, but apparently is not? If black lives do not matter, then they are not really regarded as lives, since a life is supposed to matter. So what we see is that some lives matter more than others, that some lives matter so much that they need to be protected at all costs, and that other lives matter less, or not at all. And when that becomes the situation, then the lives that do not matter so much, or do not matter at all, can be killed or lost, can be exposed to conditions of destitution, and there is no concern, or even worse, that is regarded as the way it is supposed to be...When people engage in concerted actions across racial lines to build communities based on equality, to defend the rights of those who are disproportionately imperiled to have a chance to live without the fear of dying quite suddenly at the hands of the police. There are many ways to do this, in the street, the office, the home, and in the media. Only through such an ever-growing cross-racial struggle against racism can we begin to achieve a sense of all the lives that really do matter. The dialogue draws heavily on their 2004 book Precarious Life: The Powers of Mourning and Violence. Avital Ronell sexual harassment case On May 11, 2018, Butler led a group of scholars in writing a letter to New York University following the sexual harassment suit filed by a former NYU graduate student against his advisor Avital Ronell. The signatories acknowledged not having had access to the confidential findings of the investigation that followed the Title IX complaint against Ronell. Nonetheless, they accused the complainant of waging a "malicious campaign" against Ronell. The signatories also wrote that the presumed "malicious intention has animated and sustained this legal nightmare" for a highly regarded scholar. "If she were to be terminated or relieved of her duties, the injustice would be widely recognized and opposed." Butler, the chief signatory, invoked their title as President Elect of the Modern Language Association. James J. Marino, a professor at Cleveland State University and a member of the MLA, started a petition to demand Butler's resignation or removal from their post. He argued that "Protesting against one instance of punishment is only a means to the larger end of preserving senior faculty's privilege of impunity. ... [Butler] was standing up for an old, corrupt, and long-standing way of doing business. The time for doing business that way is over. We should never look back." Some three months later, Butler apologized to the MLA for the letter. "I acknowledged that I should not have allowed the MLA affiliation to go forward with my name," Butler wrote to the Chronicle of Higher Education. "I expressed regret to the MLA officers and staff, and my colleagues accepted my apology. I extend that same apology to MLA members." Comments on the anti-gender movement and trans-exclusionary radical feminism Butler said in 2020 that trans-exclusionary radical feminism is "a fringe movement that is seeking to speak in the name of the mainstream, and that our responsibility is to refuse to let that happen." In 2021 they described the anti-gender movements as fascist trends and cautioned self-declared feminists from allying with such movements in targeting trans, non-binary, and genderqueer people. Butler also explored the issue in a 2019 paper in which they argued that "the confusion of discourses is part of what constitutes the fascist structure and appeal of at least some of these [anti-gender] movements. One can oppose gender as a cultural import from the North at the same time that one can see that very opposition as a social movement against further colonization of the South. The result is not a turn to the Left, but an embrace of ethno-nationalism." The Guardian interview On September 7, 2021, The Guardian published an interview of Butler by Jules Gleeson that included Butler's critique of trans-exclusionary feminists ("gender critical feminists" or "TERFs"). In response to a question about the Wi Spa controversy, Butler stated that "The anti-gender ideology is one of the dominant strains of fascism in our times." Within a few hours of publication, three paragraphs including this statement were removed, with a note explaining "This article was edited on 7 September 2021 to reflect developments which occurred after the interview took place." The Guardian was then accused of censoring Judith Butler for having compared TERFs to fascists. British writer Roz Kaveney called it "a truly shocking moment of bigoted dishonesty", while British transgender activist and writer Juno Dawson, among others, observed that The Guardian had inadvertently triggered the Streisand effect, in which an attempt to censor yields the unintended consequence of increasing awareness of a topic. The next day, The Guardian acknowledged "a failure in our editorial standards". Personal life Butler is a lesbian, legally non-binary, and goes by she or they pronouns, but said in 2020 that they prefer "they", and indicated that they were "never at home" with being assigned "female" at birth. They live in Berkeley with their partner Wendy Brown and son, Isaac. Selected honors and awards Butler has had a visiting appointment at Birkbeck, University of London (2009–). 1999: Guggenheim Fellowship 2007: Elected to the American Philosophical Society 2008: Mellon Award for their exemplary contributions to scholarship in the humanities 2010: "25 Visionaries Who Are Changing Your World", Utne Reader 2012: Theodor W. Adorno Award 2013: Doctorate of Letters, honoris causa, University of St. Andrews 2013: Doctorate of Letters, honoris causa, McGill University 2014: Doctorate of Letters, honoris causa, University of Fribourg 2014: Named one of PinkNews's top 11 Jewish gay and lesbian icons 2015: Elected as a Corresponding Fellow of the British Academy 2018: Doctorate of Letters, honoris causa, University of Belgrade 2018: Butler delivered the Gifford Lectures with their series entitled 'My Life, Your Life: Equality and the Philosophy of Non-Violence' 2019: Elected as Fellow to the American Academy of Arts and Sciences. Publications All of Butler's books have been translated into numerous languages; Gender Trouble, alone, has been translated into twenty-seven languages. In addition, they have co-authored and edited over a dozen volumes—the most recent of which is Dispossession: The Performative in the Political (2013), coauthored with Athena Athanasiou. Over the years Butler has also published many influential essays, interviews, and public presentations. Butler is considered by many as "one of the most influential voices in contemporary political theory," and as the most widely read and influential gender theorist in the world. The following is a partial list of Butler's publications. Books [Their doctoral dissertation.] Book chapters A collection of essays on the work of Avital Ronell. Details. Notes References Further reading Chambers, Samuel A. and Terrell Carver. 'Judith Butler and Political Theory: Troubling Politics. New York: Routledge, 2008. Cheah, Pheng, "Mattering," Diacritics, Volume 26, Number 1, Spring 1996, pp. 108–139. Kirby, Vicki. Judith Butler: Live Theory. London: Continuum, 2006. Eldred, Michael, [http://www.arte-fact.org/mtphysfm.html 'Metaphysics of Feminism: A Critical Note on Judith Butler's Gender Trouble] 2008. From the paper's abstract: In this paper we contribute to these [sexualization of culture] debates by presenting 'technologies of sexiness', a theoretical framework that draws on Foucauldian theorizing of technologies of the self and Butler's work on performativity. Pdf. Considers performativity from a linguistic perspective. Perreau, Bruno. Queer Theory: The French Response, Stanford, CA, Stanford University Press, 2016. Salih, Sarah. The Judith Butler Reader. Malden, Massachusetts: Blackwell, 2004. —. Routledge Critical Thinkers: Judith Butler. New York: Routledge, 2002. Schippers, Birgit. The Political Philosophy of Judith Butler. New York: Routledge, 2014. Thiem, Annika. Unbecoming Subjects: Judith Butler, Moral Philosophy, and Critical Responsibility. New York: Fordham University Press, 2008. External links Biography – University of California, Berkeley approach the notion of affinity through a discussion of "Disruptive Kinship," co-sponsored by Villa Gillet and the School of Writing at The New School for Public Engagement. Interview of Judith Butler about their new book "Frames of War" on New Statesman Review of "Giving an Account of Oneself. Ethical Violence and Responsibility", by Judith Butler, Barcelona Metropolis Autumn 2010. "Dictionary of Literary Biography on Judith P. Butler (page 3)" Interview with Judith Butler about politics, economy, control societies, gender and identity (2011) 1956 births Living people 20th-century American non-fiction writers 20th-century American philosophers 21st-century American non-fiction writers 21st-century American philosophers American democratic socialists American ethicists American feminist writers American literary critics American people of Hungarian-Jewish descent American people of Russian-Jewish descent American political philosophers American social commentators Anti-Zionism in the United States American Ashkenazi Jews Columbia University faculty Continental philosophers Corresponding Fellows of the British Academy Critical theorists Critics of neoconservatism Critics of religions Cultural critics Environmental philosophers Epistemologists European Graduate School faculty Feminist philosophers Feminist studies scholars Feminist theorists Framing theorists Gender studies academics Jewish American academics Jewish American social scientists Jewish American writers Jewish anti-Zionism in the United States Jewish ethicists Jewish feminists Jewish socialists Jewish women writers Jews and Judaism in Cleveland Lesbian academics Lesbian scientists Lesbian feminists American lesbian writers LGBT academics LGBT and Judaism LGBT Jews LGBT people from Ohio LGBT scientists from the United States Literary theorists Literature educators Mass media theorists Metaphysicians Moral philosophers Non-binary writers Ontologists Palestinian solidarity activists Phenomenologists Philosophers from Ohio Philosophers of culture Philosophers of education Philosophers of ethics and morality Philosophers of history Philosophers of Judaism Philosophers of literature Philosophers of psychology Philosophers of science Philosophers of sexuality Philosophy writers Political philosophers Post-Zionists Postmodern feminists Poststructuralists Queer theorists Social critics Social philosophers Transfeminists Transgender studies academics University of California, Berkeley faculty Wesleyan University faculty Women literary critics Writers from Cleveland Writers from Shaker Heights, Ohio Yale University alumni LGBT philosophers American women critics	false	[ "A floor model is a piece of equipment placed in a retail shop's sales area for display purposes. Floor models are taken out of their packaging and displayed how they would be used. In the case of furniture, stores will arrange pieces as they may be placed in the home. Appliances, such as microwaves, refrigerators, and washing machines, are typically put into rows so customers may compare the different models. Consumer electronics are typically plugged into an electric outlet, cable or satellite television feed, or local area network as appropriate. In all cases, floor models allow customers to test the quality of the displayed merchandise, or compare between different models of a certain type.\n\nNot all floor models are literally on the floor, but may be placed on a stock table. Because floor models see considerably more use and are subject to more wear and tear than they would if they were not used for display, stores may sometimes discount them when selling them. Mattress floor models are typically manufactured to be softer on one side than the other. This is done for comparison's sake, and does not reflect the actual merchandise.\n\nReferences\n\nSelling techniques", "The Government Broadband Index (gBBi) is a report compiled by the Economist Intelligence Unit that assesses countries on the basis of government planning, as opposed to current broadband capability. With ambitious targets for both the speed and coverage of next-generation broadband networks, the developed countries of East Asia scored highest in the Economist Intelligence Unit's first government broadband index.\n\nAccording to the index Greece is the worst-performing country measured, owing to its relatively low coverage target and drawn-out deployment schedule. Greece also suffers due to the considerable size of its public-funding commitment as a percentage of overall government budget revenues, and because its plan does little to foment competition in the high-speed broadband market.\n\nAustralia, with the most ambitious targets in the world for both speed and coverage, ranks in the bottom half of the index, because its National Broadband Network (NBN) program is partially funded by the Australian government and the rankings ignore plans to privatize the network in year 9. South Korea, by comparison, was also a government initiative 15 years ago but has now been privatized, hence its high ranking.\n\nThe report \n\nBesides the actual gBBi, \"Full speed ahead: The government broadband index Q1 2011\" reviews over 40 national government plans for broadband development, with comparable metrics for more than 30 countries. Specifically, the report addresses the following questions:\n\n What targets are set for next-generation network (NGN) speed and coverage?\n By when do governments want to see basic broadband services universally available, and what does 'basic' mean in terms of speed?\n How do countries compare in terms of universal and NGN broadband targets?\n How much public funding has been pledged for the attainment of these targets and how do countries compare?\n How are governments acting to facilitate the plans through regulation and by intervening directly in market and network development?\n What role does the private sector play in government plans?\n What is the current status of the plans and of industry involvement in them?\n\n2011 rankings \n\nThe following table summarizes the ranking of the 2011 report. Scoring is on a scale of 0–5, with 5 being the best.\n\nSee also \n List of countries by Internet connection speeds\n\nReferences\n\nExternal links \n Government Broadband Index (gBBi)full report\n Richard Chirgwin's analysis (The Register)\n AUBroadband — Information about various broadband plans and availability of fibre optic broadband in Australia\n\nTechnology organizations" ]
[ "Judith Butler", "\"Performative Acts and Gender Constitution\" (1988)", "What is Performative Acts and Gender Consitution?", "Butler argues that the performance of gender itself creates gender. Additionally, she compares the performativity of gender to the performance of the theater.", "How does she compare them?", "She brings many similarities, including the idea of each individual functioning as an actor of their gender." ]	C_d9b9c91dd063459692c2b13e18d4a5e6_0	Was her argument well received?	3	Was Judith Butler's argument well received?	Judith Butler	In this essay, Judith Butler proposes her theory of gender performativity, which would be later taken up in 1990 throughout her work, Gender Trouble. She begins by basing her theory of gender performativity on a feminist phenomenological point of view. She suggests that both phenomenology and feminism ground their theories in "lived experience". Further, in comparing phenomenologist Maurice Merleau-Ponty and feminist Simone de Beauvoir, Butler argues that both theories view the sexual body as a historical idea or situation; she accepts this notion of a "distinction between sex, as biological facticity, and gender, as the cultural interpretation or signification of that facticity". This combination of theories is essential for founding Butler's view of "theatrical" or performative genders in society. Butler argues that it is more valid to perceive gender as a performance in which an individual agent acts. The performative element of her theory suggests a social audience. For Butler, the "script" of gender performance is effortlessly transmitted generation to generation in the form of socially established "meanings": She states, "gender is not a radical choice... [nor is it] imposed or inscribed upon the individual". Given the social nature of human beings, most actions are witnessed, reproduced, and internalized and thus take on a performative or theatric quality. With Butler's theory, gender is essentially a performative repetition of acts associated with the male or female. Currently, the actions appropriate for men and women have been transmitted to produce a social atmosphere that both maintains and legitimizes a seemingly natural gender binary. Consistently with her acceptance of the body as a historical idea, she suggests that our concept of gender is seen as natural or innate because the body "becomes its gender through a series of acts which are renewed, revised, and consolidated through time". Butler argues that the performance of gender itself creates gender. Additionally, she compares the performativity of gender to the performance of the theater. She brings many similarities, including the idea of each individual functioning as an actor of their gender. However, she also brings into light a critical difference between gender performance in reality and theater performances. She explains how the theater is much less threatening and does not produce the same fear that gender performances often encounter because of the fact that there is a clear distinction from reality within the theater. Butler uses Sigmund Freud's notion of how a person's identity is modeled in terms of the normal. She revises Freud's notion of this concept's applicability to lesbianism, where Freud says that lesbians are modeling their behavior on men, the perceived normal or ideal. She instead says that all gender works in this way of performativity and a representing of an internalized notion of gender norms. CANNOTANSWER	However, she also brings into light a critical difference between gender performance in reality and theater performances.	Judith Pamela Butler (born February 24, 1956) is an American philosopher and gender theorist whose work has influenced political philosophy, ethics, and the fields of third-wave feminism, queer theory, and literary theory. In 1993, Butler began teaching at the University of California, Berkeley, where they have served, beginning in 1998, as the Maxine Elliot Professor in the Department of Comparative Literature and the Program of Critical Theory. They are also the Hannah Arendt Chair at the European Graduate School. Butler is best known for their books Gender Trouble: Feminism and the Subversion of Identity (1990) and Bodies That Matter: On the Discursive Limits of Sex (1993), in which they challenge conventional notions of gender and develop their theory of gender performativity. This theory has had a major influence on feminist and queer scholarship. Their work is often studied and debated in film studies courses emphasizing gender studies and performativity in discourse. Butler has supported lesbian and gay rights movements, and they have spoken out on many contemporary political issues, including criticism of Israeli politics. Early life and education Judith Butler was born on February 24, 1956, in Cleveland, Ohio, to a family of Hungarian-Jewish and Russian-Jewish descent. Most of their maternal grandmother's family perished in the Holocaust. Butler's parents were practicing Reform Jews. Their mother was raised Orthodox, eventually becoming Conservative and then Reform, while their father was raised Reform. As a child and teenager, Butler attended both Hebrew school and special classes on Jewish ethics, where they received their "first training in philosophy". Butler stated in a 2010 interview with Haaretz that they began the ethics classes at the age of 14 and that they were created as a form of punishment by Butler's Hebrew school's Rabbi because they were "too talkative in class". Butler also stated that they were "thrilled" by the idea of these tutorials, and when asked what they wanted to study in these special sessions, they responded with three questions preoccupying them at the time: "Why was Spinoza excommunicated from the synagogue? Could German Idealism be held accountable for Nazism? And how was one to understand existential theology, including the work of Martin Buber?" Butler attended Bennington College before transferring to Yale University, where they studied philosophy and received a Bachelor of Arts in 1978 and a Doctor of Philosophy in 1984. They spent one academic year at Heidelberg University as a Fulbright Scholar. Butler taught at Wesleyan University, George Washington University, and Johns Hopkins University before joining University of California, Berkeley, in 1993. In 2002, they held the Spinoza Chair of Philosophy at the University of Amsterdam. In addition, they joined the department of English and Comparative Literature at Columbia University as Wun Tsun Tam Mellon Visiting Professor of the Humanities in the spring semesters of 2012, 2013 and 2014 with the option of remaining as full-time faculty. Butler serves on the editorial board or advisory board of several academic journals, including Janus Unbound: Journal of Critical Studies, JAC: A Journal of Rhetoric, Culture, and Politics and Signs: Journal of Women in Culture and Society. Overview of major works Performative Acts and Gender Constitution (1988) In the essay "Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory" Judith Butler proposes that gender is performative. Because gender identity is established through behavior, there is a possibility to construct different genders via different behaviors. Gender Trouble (1990) Gender Trouble: Feminism and the Subversion of Identity was first published in 1990, selling over 100,000 copies internationally, in multiple languages. Gender Trouble discusses the works of Sigmund Freud, Simone de Beauvoir, Julia Kristeva, Jacques Lacan, Luce Irigaray, Monique Wittig, Jacques Derrida, and Michel Foucault. Butler offers a critique of the terms gender and sex as they have been used by feminists. Butler argues that feminism made a mistake in trying to make "women" a discrete, ahistorical group with common characteristics. Butler writes that this approach reinforces the binary view of gender relations. Butler believes that feminists should not try to define "women" and they also believe that feminists should "focus on providing an account of how power functions and shapes our understandings of womanhood not only in the society at large but also within the feminist movement." Finally, Butler aims to break the supposed links between sex and gender so that gender and desire can be "flexible, free floating and not caused by other stable factors". The idea of identity as free and flexible and gender as a performance, not an essence, is one of the foundations of queer theory. Imitation and Gender Insubordination (1991) This is Butler's contribution to Inside/Out: Lesbian Theories, Gay Theories, a collection of the writings of gay and lesbian social theorists. Butler argues that no transparent revelation is afforded by the terms "gay" or "lesbian" yet there is a political imperative to do so. Butler employs "the concepts of play/performance, drag, and imitation to describe the formation of gender and sexuality as continually created subjectivities always at risk of dissolution from non-performance." Bodies That Matter (1993) Bodies That Matter: On the Discursive Limits of "Sex" seeks to clear up readings and supposed misreadings of performativity that view the enactment of sex/gender as a daily choice. Butler emphasizes the role of repetition in performativity, making use of Derrida's theory of iterability, which is a form of citationality: Performativity cannot be understood outside of a process of iterability, a regularized and constrained repetition of norms. And this repetition is not performed by a subject; this repetition is what enables a subject and constitutes the temporal condition for the subject. This iterability implies that 'performance' is not a singular 'act' or event, but a ritualized production, a ritual reiterated under and through constraint, under and through the force of prohibition and taboo, with the threat of ostracism and even death controlling and compelling the shape of the production, but not, I will insist, determining it fully in advance. Excitable Speech (1997) In Excitable Speech: A Politics of the Performative, Butler surveys the problems of hate speech and censorship. They argue that censorship is difficult to evaluate, and that in some cases it may be useful or even necessary, while in others it may be worse than tolerance. Butler argues that hate speech exists retrospectively, only after being declared such by state authorities. In this way, the state reserves for itself the power to define hate speech and, conversely, the limits of acceptable discourse. In this connection, Butler criticizes feminist legal scholar Catharine MacKinnon's argument against pornography for its unquestioning acceptance of the state's power to censor. Deploying Foucault's argument from the first volume of The History of Sexuality, Butler claims that any attempt at censorship, legal or otherwise, necessarily propagates the very language it seeks to forbid. As Foucault argues, for example, the strict sexual mores of 19th-century Western Europe did nothing but amplify the discourse of sexuality they sought to control. Extending this argument using Derrida and Lacan, Butler claims that censorship is primitive to language, and that the linguistic "I" is a mere effect of an originary censorship. In this way, Butler questions the possibility of any genuinely oppositional discourse; "If speech depends upon censorship, then the principle that one might seek to oppose is at once the formative principle of oppositional speech". Undoing Gender (2004) Undoing Gender collects Butler's reflections on gender, sex, sexuality, psychoanalysis and the medical treatment of intersex people for a more general readership than many of their other books. Butler revisits and refines their notion of performativity and focuses on the question of undoing "restrictively normative conceptions of sexual and gendered life". Butler discusses how gender is performed without one being conscious of it, but says that it does not mean this performativity is "automatic or mechanical". They argue that we have desires that do not originate from our personhood, but rather, from social norms. The writer also debates our notions of "human" and "less-than-human" and how these culturally imposed ideas can keep one from having a "viable life" as the biggest concerns are usually about whether a person will be accepted if their desires differ from normality. Butler states that one may feel the need of being recognized in order to live, but that at the same time, the conditions to be recognized make life "unlivable". The writer proposes an interrogation of such conditions so that people who resist them may have more possibilities of living. In Butler's discussion of intersex issues and people, Butler addresses the case of David Reimer, a person whose sex was medically "reassigned" from male to female after a botched circumcision at eight months of age. Reimer was "made" female by doctors, but later in life identified as "really" male, married and became a stepfather to his wife's three children, and went on to tell his story in As Nature Made Him: The Boy Who Was Raised as a Girl, which he wrote with John Colapinto. Reimer died by suicide in 2004. Giving an Account of Oneself (2005) In Giving an Account of Oneself, Butler develops an ethics based on the opacity of the subject to itself; in other words, the limits of self-knowledge. Primarily borrowing from Theodor Adorno, Michel Foucault, Friedrich Nietzsche, Jean Laplanche, Adriana Cavarero and Emmanuel Levinas, Butler develops a theory of the formation of the subject. Butler theorizes the subject in relation to the social – a community of others and their norms – which is beyond the control of the subject it forms, as precisely the very condition of that subject's formation, the resources by which the subject becomes recognizably human, a grammatical "I", in the first place. Butler accepts the claim that if the subject is opaque to itself the limitations of its free ethical responsibility and obligations are due to the limits of narrative, presuppositions of language and projection. Instead Butler argues for an ethics based precisely on the limits of self-knowledge as the limits of responsibility itself. Any concept of responsibility which demands the full transparency of the self to itself, an entirely accountable self, necessarily does violence to the opacity which marks the constitution of the self it addresses. The scene of address by which responsibility is enabled is always already a relation between subjects who are variably opaque to themselves and to each other. The ethics that Butler envisions is therefore one in which the responsible self knows the limits of its knowing, recognizes the limits of its capacity to give an account of itself to others, and respects those limits as symptomatically human. To take seriously one's opacity to oneself in ethical deliberation means then to critically interrogate the social world in which one comes to be human in the first place and which remains precisely that which one cannot know about oneself. In this way, Butler locates social and political critique at the core of ethical practice. Notes Toward a Performative Theory of Assembly (2015) In Notes Toward a Performative Theory of Assembly, Butler discusses the power of public gatherings, considering what they signify and how they work. They use this framework to analyze the power and possibilities of protests, such as the Black Lives Matter protests regarding the deaths of Michael Brown and Eric Garner in 2014. The Force of Nonviolence (2020) In The Force of Nonviolence: An Ethico-Political Bind, Butler connects the ideologies of nonviolence and the political struggle for social equality. They review the traditional understanding of "nonviolence," stating that it "is often misunderstood as a passive practice that emanates from a calm region of the soul, or as an individualist ethical relation to existing forms of power." Instead of this understanding, Butler argues that "nonviolence is an ethical position found in the midst of the political field." Reception Butler's work has been influential in feminist and queer theory, cultural studies, and continental philosophy. Yet their contribution to a range of other disciplines—such as psychoanalysis, literary, film, and performance studies as well as visual arts—has also been significant. Their theory of gender performativity as well as their conception of "critically queer" have not only transformed understandings of gender and queer identity in the academic world, but have shaped and mobilized various kinds of political activism, particularly queer activism, across the globe. Butler's work has also entered into contemporary debates on the teaching of gender, gay parenting, and the depathologization of transgender people. Before election to the papacy, Pope Benedict XVI wrote several pages challenging Butler's arguments on gender. In several countries, Butler became the symbol of the destruction of traditional gender roles for reactionary movements. This was particularly the case in France during the anti-gay marriage protests. Bruno Perreau has written that Butler was literally depicted as an "antichrist", both because of their gender and their Jewish identity, the fear of minority politics and critical studies being expressed through fantasies of a corrupted body. Some academics and political activists maintain that Butler's radical departure from the sex/gender dichotomy and Butler's non-essentialist conception of gender—along with their insistence that power helps form the subject—revolutionized feminist and queer praxis, thought, and studies. Darin Barney of McGill University wrote that: In 1998, Denis Dutton's journal Philosophy and Literature awarded Butler first prize in its fourth annual "Bad Writing Competition", which set out to "celebrate bad writing from the most stylistically lamentable passages found in scholarly books and articles." Butler's unwitting entry, which ran in a 1997 issue of the scholarly journal Diacritics, ran thus: Some critics have accused Butler of elitism due to their difficult prose style, while others claim that Butler reduces gender to "discourse" or promotes a form of gender voluntarism. Susan Bordo, for example, has argued that Butler reduces gender to language and has contended that the body is a major part of gender, in opposition to Butler's conception of gender as performative. A particularly vocal critic has been feminist Martha Nussbaum, who has argued that Butler misreads J. L. Austin's idea of performative utterance, makes erroneous legal claims, forecloses an essential site of resistance by repudiating pre-cultural agency, and provides no "normative theory of social justice and human dignity." Finally, Nancy Fraser's critique of Butler was part of a famous exchange between the two theorists. Fraser has suggested that Butler's focus on performativity distances them from "everyday ways of talking and thinking about ourselves. ... Why should we use such a self-distancing idiom?" Butler responded to criticisms of their prose in the preface to the 1999 edition of their book, Gender Trouble. More recently, several critics—most prominently, Viviane Namaste —have criticised Judith Butler's Undoing Gender for under-emphasizing the intersectional aspects of gender-based violence. For example, Timothy Laurie notes that Butler's use of phrases like "gender politics" and "gender violence" in relation to assaults on transgender individuals in the United States can "[scour] a landscape filled with class and labour relations, racialised urban stratification, and complex interactions between sexual identity, sexual practices and sex work", and produce instead "a clean surface on which struggles over 'the human' are imagined to play out". German feminist Alice Schwarzer speaks of Butler's "radical intellectual games" that would not change how society classifies and treats a woman; thus, by eliminating female and male identity Butler would have abolished the discourse about sexism in the queer community. Schwarzer also accuses Butler of remaining silent about the oppression of women and homosexuals in the Islamic world, while readily exercising their right to same-sex-marriage in the United States; instead, Butler would sweepingly defend Islam, including Islamism, from critics. Political activism Much of Butler's early political activism centered around queer and feminist issues, and they served, for a period of time, as the chair of the board of the International Gay and Lesbian Human Rights Commission. Over the years, Butler has been particularly active in the gay and lesbian rights, feminist, and anti-war movements. They have also written and spoken out on issues ranging from affirmative action and gay marriage to the wars in Iraq and Afghanistan, and the prisoners detained at Guantanamo Bay. More recently, Butler has been active in the Occupy movement and has publicly expressed support for a version of the 2005 BDS (Boycott, Divestment and Sanctions) campaign against Israel. They emphasize that Israel does not and should not be taken to represent all Jews or Jewish opinion. On September 7, 2006, Butler participated in a faculty-organized teach-in against the 2006 Lebanon War at the University of California, Berkeley. Another widely publicized moment occurred in June 2010, when Butler refused the Civil Courage Award (Zivilcouragepreis) of the Christopher Street Day (CSD) Parade in Berlin, Germany at the award ceremony. They cited racist comments on the part of organizers and a general failure of CSD organizations to distance themselves from racism in general and from anti-Muslim excuses for war more specifically. Criticizing the event's commercialism, Butler went on to name several groups that they commended as stronger opponents of "homophobia, transphobia, sexism, racism, and militarism". In October 2011, Butler attended Occupy Wall Street and, in reference to calls for clarification of the protesters' demands, they said: People have asked, so what are the demands? What are the demands all of these people are making? Either they say there are no demands and that leaves your critics confused, or they say that the demands for social equality and economic justice are impossible demands. And the impossible demands, they say, are just not practical. If hope is an impossible demand, then we demand the impossible – that the right to shelter, food and employment are impossible demands, then we demand the impossible. If it is impossible to demand that those who profit from the recession redistribute their wealth and cease their greed, then yes, we demand the impossible. Butler is an executive member of FFIPP – Educational Network for Human Rights in Israel/Palestine. They are also a member of the advisory board of Jewish Voice for Peace. In mainstream US politics, they expressed support for Hillary Clinton in the 2016 election. Adorno Prize affair When Butler received the 2012 Adorno Prize, the prize committee came under attack from Israel's Ambassador to Germany Yakov Hadas-Handelsman; the director of the Simon Wiesenthal Center's office in Jerusalem, Efraim Zuroff; and the German Central Council of Jews. They were upset at Butler's selection because of Butler's remarks about Israel and specifically Butler's "calls for a boycott against Israel". Butler responded saying that "[Butler] did not take attacks from German Jewish leaders personally". Rather, they wrote, the attacks are "directed against everyone who is critical against Israel and its current policies". In a letter to the Mondoweiss website, Butler asserted that they developed strong ethical views on the basis of Jewish philosophical thought and that it is "blatantly untrue, absurd, and painful for anyone to argue that those who formulate a criticism of the State of Israel is anti-Semitic or, if Jewish, self-hating". Comments on Hamas and Hezbollah Butler was criticized for statements they had made about Hamas and Hezbollah. Butler was accused of describing them as "social movements that are progressive, that are on the Left, that are part of a global Left." They were accused of defending "Hezbollah and Hamas as progressive organizations" and supporting their tactics. Butler responded to these criticisms by stating that their remarks on Hamas and Hezbollah were taken completely out of context and, in so doing, their established views on non-violence were contradicted and misrepresented. Butler describes the origin of their remarks on Hamas and Hezbollah in the following way: I was asked by a member of an academic audience a few years ago whether I thought Hamas and Hezbollah belonged to "the global left" and I replied with two points. My first point was merely descriptive: those political organizations define themselves as anti-imperialist, and anti-imperialism is one characteristic of the global left, so on that basis one could describe them as part of the global left. My second point was then critical: as with any group on the left, one has to decide whether one is for that group or against that group, and one needs to critically evaluate their stand. Comments on Black Lives Matter In a January 2015 interview with George Yancy of The New York Times, Butler discussed the Black Lives Matter movement. They said: What is implied by this statement [Black Lives Matter], a statement that should be obviously true, but apparently is not? If black lives do not matter, then they are not really regarded as lives, since a life is supposed to matter. So what we see is that some lives matter more than others, that some lives matter so much that they need to be protected at all costs, and that other lives matter less, or not at all. And when that becomes the situation, then the lives that do not matter so much, or do not matter at all, can be killed or lost, can be exposed to conditions of destitution, and there is no concern, or even worse, that is regarded as the way it is supposed to be...When people engage in concerted actions across racial lines to build communities based on equality, to defend the rights of those who are disproportionately imperiled to have a chance to live without the fear of dying quite suddenly at the hands of the police. There are many ways to do this, in the street, the office, the home, and in the media. Only through such an ever-growing cross-racial struggle against racism can we begin to achieve a sense of all the lives that really do matter. The dialogue draws heavily on their 2004 book Precarious Life: The Powers of Mourning and Violence. Avital Ronell sexual harassment case On May 11, 2018, Butler led a group of scholars in writing a letter to New York University following the sexual harassment suit filed by a former NYU graduate student against his advisor Avital Ronell. The signatories acknowledged not having had access to the confidential findings of the investigation that followed the Title IX complaint against Ronell. Nonetheless, they accused the complainant of waging a "malicious campaign" against Ronell. The signatories also wrote that the presumed "malicious intention has animated and sustained this legal nightmare" for a highly regarded scholar. "If she were to be terminated or relieved of her duties, the injustice would be widely recognized and opposed." Butler, the chief signatory, invoked their title as President Elect of the Modern Language Association. James J. Marino, a professor at Cleveland State University and a member of the MLA, started a petition to demand Butler's resignation or removal from their post. He argued that "Protesting against one instance of punishment is only a means to the larger end of preserving senior faculty's privilege of impunity. ... [Butler] was standing up for an old, corrupt, and long-standing way of doing business. The time for doing business that way is over. We should never look back." Some three months later, Butler apologized to the MLA for the letter. "I acknowledged that I should not have allowed the MLA affiliation to go forward with my name," Butler wrote to the Chronicle of Higher Education. "I expressed regret to the MLA officers and staff, and my colleagues accepted my apology. I extend that same apology to MLA members." Comments on the anti-gender movement and trans-exclusionary radical feminism Butler said in 2020 that trans-exclusionary radical feminism is "a fringe movement that is seeking to speak in the name of the mainstream, and that our responsibility is to refuse to let that happen." In 2021 they described the anti-gender movements as fascist trends and cautioned self-declared feminists from allying with such movements in targeting trans, non-binary, and genderqueer people. Butler also explored the issue in a 2019 paper in which they argued that "the confusion of discourses is part of what constitutes the fascist structure and appeal of at least some of these [anti-gender] movements. One can oppose gender as a cultural import from the North at the same time that one can see that very opposition as a social movement against further colonization of the South. The result is not a turn to the Left, but an embrace of ethno-nationalism." The Guardian interview On September 7, 2021, The Guardian published an interview of Butler by Jules Gleeson that included Butler's critique of trans-exclusionary feminists ("gender critical feminists" or "TERFs"). In response to a question about the Wi Spa controversy, Butler stated that "The anti-gender ideology is one of the dominant strains of fascism in our times." Within a few hours of publication, three paragraphs including this statement were removed, with a note explaining "This article was edited on 7 September 2021 to reflect developments which occurred after the interview took place." The Guardian was then accused of censoring Judith Butler for having compared TERFs to fascists. British writer Roz Kaveney called it "a truly shocking moment of bigoted dishonesty", while British transgender activist and writer Juno Dawson, among others, observed that The Guardian had inadvertently triggered the Streisand effect, in which an attempt to censor yields the unintended consequence of increasing awareness of a topic. The next day, The Guardian acknowledged "a failure in our editorial standards". Personal life Butler is a lesbian, legally non-binary, and goes by she or they pronouns, but said in 2020 that they prefer "they", and indicated that they were "never at home" with being assigned "female" at birth. They live in Berkeley with their partner Wendy Brown and son, Isaac. Selected honors and awards Butler has had a visiting appointment at Birkbeck, University of London (2009–). 1999: Guggenheim Fellowship 2007: Elected to the American Philosophical Society 2008: Mellon Award for their exemplary contributions to scholarship in the humanities 2010: "25 Visionaries Who Are Changing Your World", Utne Reader 2012: Theodor W. Adorno Award 2013: Doctorate of Letters, honoris causa, University of St. Andrews 2013: Doctorate of Letters, honoris causa, McGill University 2014: Doctorate of Letters, honoris causa, University of Fribourg 2014: Named one of PinkNews's top 11 Jewish gay and lesbian icons 2015: Elected as a Corresponding Fellow of the British Academy 2018: Doctorate of Letters, honoris causa, University of Belgrade 2018: Butler delivered the Gifford Lectures with their series entitled 'My Life, Your Life: Equality and the Philosophy of Non-Violence' 2019: Elected as Fellow to the American Academy of Arts and Sciences. Publications All of Butler's books have been translated into numerous languages; Gender Trouble, alone, has been translated into twenty-seven languages. In addition, they have co-authored and edited over a dozen volumes—the most recent of which is Dispossession: The Performative in the Political (2013), coauthored with Athena Athanasiou. Over the years Butler has also published many influential essays, interviews, and public presentations. Butler is considered by many as "one of the most influential voices in contemporary political theory," and as the most widely read and influential gender theorist in the world. The following is a partial list of Butler's publications. Books [Their doctoral dissertation.] Book chapters A collection of essays on the work of Avital Ronell. Details. Notes References Further reading Chambers, Samuel A. and Terrell Carver. 'Judith Butler and Political Theory: Troubling Politics. New York: Routledge, 2008. Cheah, Pheng, "Mattering," Diacritics, Volume 26, Number 1, Spring 1996, pp. 108–139. Kirby, Vicki. Judith Butler: Live Theory. London: Continuum, 2006. Eldred, Michael, [http://www.arte-fact.org/mtphysfm.html 'Metaphysics of Feminism: A Critical Note on Judith Butler's Gender Trouble] 2008. From the paper's abstract: In this paper we contribute to these [sexualization of culture] debates by presenting 'technologies of sexiness', a theoretical framework that draws on Foucauldian theorizing of technologies of the self and Butler's work on performativity. Pdf. Considers performativity from a linguistic perspective. Perreau, Bruno. Queer Theory: The French Response, Stanford, CA, Stanford University Press, 2016. Salih, Sarah. The Judith Butler Reader. Malden, Massachusetts: Blackwell, 2004. —. Routledge Critical Thinkers: Judith Butler. New York: Routledge, 2002. Schippers, Birgit. The Political Philosophy of Judith Butler. New York: Routledge, 2014. Thiem, Annika. Unbecoming Subjects: Judith Butler, Moral Philosophy, and Critical Responsibility. New York: Fordham University Press, 2008. External links Biography – University of California, Berkeley approach the notion of affinity through a discussion of "Disruptive Kinship," co-sponsored by Villa Gillet and the School of Writing at The New School for Public Engagement. Interview of Judith Butler about their new book "Frames of War" on New Statesman Review of "Giving an Account of Oneself. Ethical Violence and Responsibility", by Judith Butler, Barcelona Metropolis Autumn 2010. "Dictionary of Literary Biography on Judith P. Butler (page 3)" Interview with Judith Butler about politics, economy, control societies, gender and identity (2011) 1956 births Living people 20th-century American non-fiction writers 20th-century American philosophers 21st-century American non-fiction writers 21st-century American philosophers American democratic socialists American ethicists American feminist writers American literary critics American people of Hungarian-Jewish descent American people of Russian-Jewish descent American political philosophers American social commentators Anti-Zionism in the United States American Ashkenazi Jews Columbia University faculty Continental philosophers Corresponding Fellows of the British Academy Critical theorists Critics of neoconservatism Critics of religions Cultural critics Environmental philosophers Epistemologists European Graduate School faculty Feminist philosophers Feminist studies scholars Feminist theorists Framing theorists Gender studies academics Jewish American academics Jewish American social scientists Jewish American writers Jewish anti-Zionism in the United States Jewish ethicists Jewish feminists Jewish socialists Jewish women writers Jews and Judaism in Cleveland Lesbian academics Lesbian scientists Lesbian feminists American lesbian writers LGBT academics LGBT and Judaism LGBT Jews LGBT people from Ohio LGBT scientists from the United States Literary theorists Literature educators Mass media theorists Metaphysicians Moral philosophers Non-binary writers Ontologists Palestinian solidarity activists Phenomenologists Philosophers from Ohio Philosophers of culture Philosophers of education Philosophers of ethics and morality Philosophers of history Philosophers of Judaism Philosophers of literature Philosophers of psychology Philosophers of science Philosophers of sexuality Philosophy writers Political philosophers Post-Zionists Postmodern feminists Poststructuralists Queer theorists Social critics Social philosophers Transfeminists Transgender studies academics University of California, Berkeley faculty Wesleyan University faculty Women literary critics Writers from Cleveland Writers from Shaker Heights, Ohio Yale University alumni LGBT philosophers American women critics	false	[ "\"Lemon to a Knife Fight\" is a song by English rock band the Wombats. It was released as the lead single from the band's fourth album, Beautiful People Will Ruin Your Life, on 7 November 2017. The music video for the song was released on 29 November 2017.\n\nConception \nIn an interview with Australian radio station triple J, frontman Matthew Murphy said, \"I was in Los Angeles, driving along Mulholland, and I was having an argument with my now-wife and she basically just handed me my own arse on a plate. I never win an argument with her, so that's kind of what the song is about.\"\n\nReception \nThe song was generally well received by critics. The Edge UK described it as a song \"soaked in emotion\". Harry Fortuna writes, \"The lyrics offer a melancholy that has become deeply associated with the Wombats, but successfully aligns it with the up-tempo, dance-inducing indie beat that is fit to take this once overlooked band to mainstream stardom.\" Rolling Stone described it as a song \"full of electric buzzing guitars and firm percussion\". Atwood Magazine described it as \"violent and mysterious\" while praising Murphy's clear vocals and the band's \"signature jangly riffy guitar\". The song was featured on BBC Radio 1's \"Tune of the Week\", as well as Radio 1's \"Specialist Chart\" in 2017.\n\nPersonnel\n Matthew Murphy\n Tord Øverland Knudsen\n Dan Haggis\n Mark Crew – production\n Catherine Marks – production\n\nCharts\n\nCertifications\n\nReferences\n\n2017 singles\n\n14th Floor Records singles\nThe Wombats songs", "Ethel Susan Graham Bristowe, also known as E.S.G. Bristowe (1864–1952) was a British painter, and an early 20th-century author on alternative theories within Assyriology.\n\nShe moved to Scotland in 1907 and lived for the rest of her life at Craig, a country house at Balmaclellan near Castle Douglas in Kirkcudbrightshire.\n\nDue to the absence of an exhibition space, in 1938 Ethel Bristowe bequeathed an art gallery to the people of Castle Douglas (with several of her works). The gallery was built as an extension to the town's library on the Market Hill.\n\nCain-Sargon theory\nBristowe is most well known for her Cain-Sargon of Akkad equation theory in her book Sargon the Magnificent (1927). In this work Bristowe reconstructs the ancient chronology of Mesopotamia based on the Cylinder of Nabonidus. The cylinder dates Naram-Sin, son of Sargon of Accad, 3200 years before Nabonidus, and so Sargon to c. 3800 BC. This sharply contrasts with mainstream scholarship which dates Sargon to the 23rd century BC. Bristowe controversially defended the earlier dating from the cylinder, to then argue Sargon was the Biblical Cain.\n\nThe Cain-Sargon theory is not at all popular with contemporary Assyriologists, but has received support from British Israelites and proponents of Christian Identity whose publishing houses reprinted Bristowe's work. A sequel was published by Bristowe in 1950 entitled Cain - An Argument.\n\nWorks\nThe Oldest Letters In The World (1923)\nSargon the Magnificent (1927)\nThe Man Who Built The Great Pyramid (1932)\nNaphuria - The History Of The True Akhnaton (1936)\nChrist And Early Christianity Through Pagan Eyes (1937)\nCain - An Argument (1950)\n\nSee also\nLaurence Waddell\n\nReferences\n\nExternal links\n Sargon the Magnificent\n Ethel Susan Graham Bristowe paintings\n\nChristian Identity\n20th-century British women writers\nBritish Assyriologists\n1862 births\n1952 deaths\n20th-century British writers\nBritish women painters\n19th-century British painters\n20th-century British painters\n19th-century British women artists\n20th-century British women artists" ]
[ "Judith Butler", "\"Performative Acts and Gender Constitution\" (1988)", "What is Performative Acts and Gender Consitution?", "Butler argues that the performance of gender itself creates gender. Additionally, she compares the performativity of gender to the performance of the theater.", "How does she compare them?", "She brings many similarities, including the idea of each individual functioning as an actor of their gender.", "Was her argument well received?", "However, she also brings into light a critical difference between gender performance in reality and theater performances." ]	C_d9b9c91dd063459692c2b13e18d4a5e6_0	What is the difference/	4	What is the difference between gender performance in reality and theater performances?	Judith Butler	In this essay, Judith Butler proposes her theory of gender performativity, which would be later taken up in 1990 throughout her work, Gender Trouble. She begins by basing her theory of gender performativity on a feminist phenomenological point of view. She suggests that both phenomenology and feminism ground their theories in "lived experience". Further, in comparing phenomenologist Maurice Merleau-Ponty and feminist Simone de Beauvoir, Butler argues that both theories view the sexual body as a historical idea or situation; she accepts this notion of a "distinction between sex, as biological facticity, and gender, as the cultural interpretation or signification of that facticity". This combination of theories is essential for founding Butler's view of "theatrical" or performative genders in society. Butler argues that it is more valid to perceive gender as a performance in which an individual agent acts. The performative element of her theory suggests a social audience. For Butler, the "script" of gender performance is effortlessly transmitted generation to generation in the form of socially established "meanings": She states, "gender is not a radical choice... [nor is it] imposed or inscribed upon the individual". Given the social nature of human beings, most actions are witnessed, reproduced, and internalized and thus take on a performative or theatric quality. With Butler's theory, gender is essentially a performative repetition of acts associated with the male or female. Currently, the actions appropriate for men and women have been transmitted to produce a social atmosphere that both maintains and legitimizes a seemingly natural gender binary. Consistently with her acceptance of the body as a historical idea, she suggests that our concept of gender is seen as natural or innate because the body "becomes its gender through a series of acts which are renewed, revised, and consolidated through time". Butler argues that the performance of gender itself creates gender. Additionally, she compares the performativity of gender to the performance of the theater. She brings many similarities, including the idea of each individual functioning as an actor of their gender. However, she also brings into light a critical difference between gender performance in reality and theater performances. She explains how the theater is much less threatening and does not produce the same fear that gender performances often encounter because of the fact that there is a clear distinction from reality within the theater. Butler uses Sigmund Freud's notion of how a person's identity is modeled in terms of the normal. She revises Freud's notion of this concept's applicability to lesbianism, where Freud says that lesbians are modeling their behavior on men, the perceived normal or ideal. She instead says that all gender works in this way of performativity and a representing of an internalized notion of gender norms. CANNOTANSWER	She explains how the theater is much less threatening and does not produce the same fear that gender performances often encounter	Judith Pamela Butler (born February 24, 1956) is an American philosopher and gender theorist whose work has influenced political philosophy, ethics, and the fields of third-wave feminism, queer theory, and literary theory. In 1993, Butler began teaching at the University of California, Berkeley, where they have served, beginning in 1998, as the Maxine Elliot Professor in the Department of Comparative Literature and the Program of Critical Theory. They are also the Hannah Arendt Chair at the European Graduate School. Butler is best known for their books Gender Trouble: Feminism and the Subversion of Identity (1990) and Bodies That Matter: On the Discursive Limits of Sex (1993), in which they challenge conventional notions of gender and develop their theory of gender performativity. This theory has had a major influence on feminist and queer scholarship. Their work is often studied and debated in film studies courses emphasizing gender studies and performativity in discourse. Butler has supported lesbian and gay rights movements, and they have spoken out on many contemporary political issues, including criticism of Israeli politics. Early life and education Judith Butler was born on February 24, 1956, in Cleveland, Ohio, to a family of Hungarian-Jewish and Russian-Jewish descent. Most of their maternal grandmother's family perished in the Holocaust. Butler's parents were practicing Reform Jews. Their mother was raised Orthodox, eventually becoming Conservative and then Reform, while their father was raised Reform. As a child and teenager, Butler attended both Hebrew school and special classes on Jewish ethics, where they received their "first training in philosophy". Butler stated in a 2010 interview with Haaretz that they began the ethics classes at the age of 14 and that they were created as a form of punishment by Butler's Hebrew school's Rabbi because they were "too talkative in class". Butler also stated that they were "thrilled" by the idea of these tutorials, and when asked what they wanted to study in these special sessions, they responded with three questions preoccupying them at the time: "Why was Spinoza excommunicated from the synagogue? Could German Idealism be held accountable for Nazism? And how was one to understand existential theology, including the work of Martin Buber?" Butler attended Bennington College before transferring to Yale University, where they studied philosophy and received a Bachelor of Arts in 1978 and a Doctor of Philosophy in 1984. They spent one academic year at Heidelberg University as a Fulbright Scholar. Butler taught at Wesleyan University, George Washington University, and Johns Hopkins University before joining University of California, Berkeley, in 1993. In 2002, they held the Spinoza Chair of Philosophy at the University of Amsterdam. In addition, they joined the department of English and Comparative Literature at Columbia University as Wun Tsun Tam Mellon Visiting Professor of the Humanities in the spring semesters of 2012, 2013 and 2014 with the option of remaining as full-time faculty. Butler serves on the editorial board or advisory board of several academic journals, including Janus Unbound: Journal of Critical Studies, JAC: A Journal of Rhetoric, Culture, and Politics and Signs: Journal of Women in Culture and Society. Overview of major works Performative Acts and Gender Constitution (1988) In the essay "Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory" Judith Butler proposes that gender is performative. Because gender identity is established through behavior, there is a possibility to construct different genders via different behaviors. Gender Trouble (1990) Gender Trouble: Feminism and the Subversion of Identity was first published in 1990, selling over 100,000 copies internationally, in multiple languages. Gender Trouble discusses the works of Sigmund Freud, Simone de Beauvoir, Julia Kristeva, Jacques Lacan, Luce Irigaray, Monique Wittig, Jacques Derrida, and Michel Foucault. Butler offers a critique of the terms gender and sex as they have been used by feminists. Butler argues that feminism made a mistake in trying to make "women" a discrete, ahistorical group with common characteristics. Butler writes that this approach reinforces the binary view of gender relations. Butler believes that feminists should not try to define "women" and they also believe that feminists should "focus on providing an account of how power functions and shapes our understandings of womanhood not only in the society at large but also within the feminist movement." Finally, Butler aims to break the supposed links between sex and gender so that gender and desire can be "flexible, free floating and not caused by other stable factors". The idea of identity as free and flexible and gender as a performance, not an essence, is one of the foundations of queer theory. Imitation and Gender Insubordination (1991) This is Butler's contribution to Inside/Out: Lesbian Theories, Gay Theories, a collection of the writings of gay and lesbian social theorists. Butler argues that no transparent revelation is afforded by the terms "gay" or "lesbian" yet there is a political imperative to do so. Butler employs "the concepts of play/performance, drag, and imitation to describe the formation of gender and sexuality as continually created subjectivities always at risk of dissolution from non-performance." Bodies That Matter (1993) Bodies That Matter: On the Discursive Limits of "Sex" seeks to clear up readings and supposed misreadings of performativity that view the enactment of sex/gender as a daily choice. Butler emphasizes the role of repetition in performativity, making use of Derrida's theory of iterability, which is a form of citationality: Performativity cannot be understood outside of a process of iterability, a regularized and constrained repetition of norms. And this repetition is not performed by a subject; this repetition is what enables a subject and constitutes the temporal condition for the subject. This iterability implies that 'performance' is not a singular 'act' or event, but a ritualized production, a ritual reiterated under and through constraint, under and through the force of prohibition and taboo, with the threat of ostracism and even death controlling and compelling the shape of the production, but not, I will insist, determining it fully in advance. Excitable Speech (1997) In Excitable Speech: A Politics of the Performative, Butler surveys the problems of hate speech and censorship. They argue that censorship is difficult to evaluate, and that in some cases it may be useful or even necessary, while in others it may be worse than tolerance. Butler argues that hate speech exists retrospectively, only after being declared such by state authorities. In this way, the state reserves for itself the power to define hate speech and, conversely, the limits of acceptable discourse. In this connection, Butler criticizes feminist legal scholar Catharine MacKinnon's argument against pornography for its unquestioning acceptance of the state's power to censor. Deploying Foucault's argument from the first volume of The History of Sexuality, Butler claims that any attempt at censorship, legal or otherwise, necessarily propagates the very language it seeks to forbid. As Foucault argues, for example, the strict sexual mores of 19th-century Western Europe did nothing but amplify the discourse of sexuality they sought to control. Extending this argument using Derrida and Lacan, Butler claims that censorship is primitive to language, and that the linguistic "I" is a mere effect of an originary censorship. In this way, Butler questions the possibility of any genuinely oppositional discourse; "If speech depends upon censorship, then the principle that one might seek to oppose is at once the formative principle of oppositional speech". Undoing Gender (2004) Undoing Gender collects Butler's reflections on gender, sex, sexuality, psychoanalysis and the medical treatment of intersex people for a more general readership than many of their other books. Butler revisits and refines their notion of performativity and focuses on the question of undoing "restrictively normative conceptions of sexual and gendered life". Butler discusses how gender is performed without one being conscious of it, but says that it does not mean this performativity is "automatic or mechanical". They argue that we have desires that do not originate from our personhood, but rather, from social norms. The writer also debates our notions of "human" and "less-than-human" and how these culturally imposed ideas can keep one from having a "viable life" as the biggest concerns are usually about whether a person will be accepted if their desires differ from normality. Butler states that one may feel the need of being recognized in order to live, but that at the same time, the conditions to be recognized make life "unlivable". The writer proposes an interrogation of such conditions so that people who resist them may have more possibilities of living. In Butler's discussion of intersex issues and people, Butler addresses the case of David Reimer, a person whose sex was medically "reassigned" from male to female after a botched circumcision at eight months of age. Reimer was "made" female by doctors, but later in life identified as "really" male, married and became a stepfather to his wife's three children, and went on to tell his story in As Nature Made Him: The Boy Who Was Raised as a Girl, which he wrote with John Colapinto. Reimer died by suicide in 2004. Giving an Account of Oneself (2005) In Giving an Account of Oneself, Butler develops an ethics based on the opacity of the subject to itself; in other words, the limits of self-knowledge. Primarily borrowing from Theodor Adorno, Michel Foucault, Friedrich Nietzsche, Jean Laplanche, Adriana Cavarero and Emmanuel Levinas, Butler develops a theory of the formation of the subject. Butler theorizes the subject in relation to the social – a community of others and their norms – which is beyond the control of the subject it forms, as precisely the very condition of that subject's formation, the resources by which the subject becomes recognizably human, a grammatical "I", in the first place. Butler accepts the claim that if the subject is opaque to itself the limitations of its free ethical responsibility and obligations are due to the limits of narrative, presuppositions of language and projection. Instead Butler argues for an ethics based precisely on the limits of self-knowledge as the limits of responsibility itself. Any concept of responsibility which demands the full transparency of the self to itself, an entirely accountable self, necessarily does violence to the opacity which marks the constitution of the self it addresses. The scene of address by which responsibility is enabled is always already a relation between subjects who are variably opaque to themselves and to each other. The ethics that Butler envisions is therefore one in which the responsible self knows the limits of its knowing, recognizes the limits of its capacity to give an account of itself to others, and respects those limits as symptomatically human. To take seriously one's opacity to oneself in ethical deliberation means then to critically interrogate the social world in which one comes to be human in the first place and which remains precisely that which one cannot know about oneself. In this way, Butler locates social and political critique at the core of ethical practice. Notes Toward a Performative Theory of Assembly (2015) In Notes Toward a Performative Theory of Assembly, Butler discusses the power of public gatherings, considering what they signify and how they work. They use this framework to analyze the power and possibilities of protests, such as the Black Lives Matter protests regarding the deaths of Michael Brown and Eric Garner in 2014. The Force of Nonviolence (2020) In The Force of Nonviolence: An Ethico-Political Bind, Butler connects the ideologies of nonviolence and the political struggle for social equality. They review the traditional understanding of "nonviolence," stating that it "is often misunderstood as a passive practice that emanates from a calm region of the soul, or as an individualist ethical relation to existing forms of power." Instead of this understanding, Butler argues that "nonviolence is an ethical position found in the midst of the political field." Reception Butler's work has been influential in feminist and queer theory, cultural studies, and continental philosophy. Yet their contribution to a range of other disciplines—such as psychoanalysis, literary, film, and performance studies as well as visual arts—has also been significant. Their theory of gender performativity as well as their conception of "critically queer" have not only transformed understandings of gender and queer identity in the academic world, but have shaped and mobilized various kinds of political activism, particularly queer activism, across the globe. Butler's work has also entered into contemporary debates on the teaching of gender, gay parenting, and the depathologization of transgender people. Before election to the papacy, Pope Benedict XVI wrote several pages challenging Butler's arguments on gender. In several countries, Butler became the symbol of the destruction of traditional gender roles for reactionary movements. This was particularly the case in France during the anti-gay marriage protests. Bruno Perreau has written that Butler was literally depicted as an "antichrist", both because of their gender and their Jewish identity, the fear of minority politics and critical studies being expressed through fantasies of a corrupted body. Some academics and political activists maintain that Butler's radical departure from the sex/gender dichotomy and Butler's non-essentialist conception of gender—along with their insistence that power helps form the subject—revolutionized feminist and queer praxis, thought, and studies. Darin Barney of McGill University wrote that: In 1998, Denis Dutton's journal Philosophy and Literature awarded Butler first prize in its fourth annual "Bad Writing Competition", which set out to "celebrate bad writing from the most stylistically lamentable passages found in scholarly books and articles." Butler's unwitting entry, which ran in a 1997 issue of the scholarly journal Diacritics, ran thus: Some critics have accused Butler of elitism due to their difficult prose style, while others claim that Butler reduces gender to "discourse" or promotes a form of gender voluntarism. Susan Bordo, for example, has argued that Butler reduces gender to language and has contended that the body is a major part of gender, in opposition to Butler's conception of gender as performative. A particularly vocal critic has been feminist Martha Nussbaum, who has argued that Butler misreads J. L. Austin's idea of performative utterance, makes erroneous legal claims, forecloses an essential site of resistance by repudiating pre-cultural agency, and provides no "normative theory of social justice and human dignity." Finally, Nancy Fraser's critique of Butler was part of a famous exchange between the two theorists. Fraser has suggested that Butler's focus on performativity distances them from "everyday ways of talking and thinking about ourselves. ... Why should we use such a self-distancing idiom?" Butler responded to criticisms of their prose in the preface to the 1999 edition of their book, Gender Trouble. More recently, several critics—most prominently, Viviane Namaste —have criticised Judith Butler's Undoing Gender for under-emphasizing the intersectional aspects of gender-based violence. For example, Timothy Laurie notes that Butler's use of phrases like "gender politics" and "gender violence" in relation to assaults on transgender individuals in the United States can "[scour] a landscape filled with class and labour relations, racialised urban stratification, and complex interactions between sexual identity, sexual practices and sex work", and produce instead "a clean surface on which struggles over 'the human' are imagined to play out". German feminist Alice Schwarzer speaks of Butler's "radical intellectual games" that would not change how society classifies and treats a woman; thus, by eliminating female and male identity Butler would have abolished the discourse about sexism in the queer community. Schwarzer also accuses Butler of remaining silent about the oppression of women and homosexuals in the Islamic world, while readily exercising their right to same-sex-marriage in the United States; instead, Butler would sweepingly defend Islam, including Islamism, from critics. Political activism Much of Butler's early political activism centered around queer and feminist issues, and they served, for a period of time, as the chair of the board of the International Gay and Lesbian Human Rights Commission. Over the years, Butler has been particularly active in the gay and lesbian rights, feminist, and anti-war movements. They have also written and spoken out on issues ranging from affirmative action and gay marriage to the wars in Iraq and Afghanistan, and the prisoners detained at Guantanamo Bay. More recently, Butler has been active in the Occupy movement and has publicly expressed support for a version of the 2005 BDS (Boycott, Divestment and Sanctions) campaign against Israel. They emphasize that Israel does not and should not be taken to represent all Jews or Jewish opinion. On September 7, 2006, Butler participated in a faculty-organized teach-in against the 2006 Lebanon War at the University of California, Berkeley. Another widely publicized moment occurred in June 2010, when Butler refused the Civil Courage Award (Zivilcouragepreis) of the Christopher Street Day (CSD) Parade in Berlin, Germany at the award ceremony. They cited racist comments on the part of organizers and a general failure of CSD organizations to distance themselves from racism in general and from anti-Muslim excuses for war more specifically. Criticizing the event's commercialism, Butler went on to name several groups that they commended as stronger opponents of "homophobia, transphobia, sexism, racism, and militarism". In October 2011, Butler attended Occupy Wall Street and, in reference to calls for clarification of the protesters' demands, they said: People have asked, so what are the demands? What are the demands all of these people are making? Either they say there are no demands and that leaves your critics confused, or they say that the demands for social equality and economic justice are impossible demands. And the impossible demands, they say, are just not practical. If hope is an impossible demand, then we demand the impossible – that the right to shelter, food and employment are impossible demands, then we demand the impossible. If it is impossible to demand that those who profit from the recession redistribute their wealth and cease their greed, then yes, we demand the impossible. Butler is an executive member of FFIPP – Educational Network for Human Rights in Israel/Palestine. They are also a member of the advisory board of Jewish Voice for Peace. In mainstream US politics, they expressed support for Hillary Clinton in the 2016 election. Adorno Prize affair When Butler received the 2012 Adorno Prize, the prize committee came under attack from Israel's Ambassador to Germany Yakov Hadas-Handelsman; the director of the Simon Wiesenthal Center's office in Jerusalem, Efraim Zuroff; and the German Central Council of Jews. They were upset at Butler's selection because of Butler's remarks about Israel and specifically Butler's "calls for a boycott against Israel". Butler responded saying that "[Butler] did not take attacks from German Jewish leaders personally". Rather, they wrote, the attacks are "directed against everyone who is critical against Israel and its current policies". In a letter to the Mondoweiss website, Butler asserted that they developed strong ethical views on the basis of Jewish philosophical thought and that it is "blatantly untrue, absurd, and painful for anyone to argue that those who formulate a criticism of the State of Israel is anti-Semitic or, if Jewish, self-hating". Comments on Hamas and Hezbollah Butler was criticized for statements they had made about Hamas and Hezbollah. Butler was accused of describing them as "social movements that are progressive, that are on the Left, that are part of a global Left." They were accused of defending "Hezbollah and Hamas as progressive organizations" and supporting their tactics. Butler responded to these criticisms by stating that their remarks on Hamas and Hezbollah were taken completely out of context and, in so doing, their established views on non-violence were contradicted and misrepresented. Butler describes the origin of their remarks on Hamas and Hezbollah in the following way: I was asked by a member of an academic audience a few years ago whether I thought Hamas and Hezbollah belonged to "the global left" and I replied with two points. My first point was merely descriptive: those political organizations define themselves as anti-imperialist, and anti-imperialism is one characteristic of the global left, so on that basis one could describe them as part of the global left. My second point was then critical: as with any group on the left, one has to decide whether one is for that group or against that group, and one needs to critically evaluate their stand. Comments on Black Lives Matter In a January 2015 interview with George Yancy of The New York Times, Butler discussed the Black Lives Matter movement. They said: What is implied by this statement [Black Lives Matter], a statement that should be obviously true, but apparently is not? If black lives do not matter, then they are not really regarded as lives, since a life is supposed to matter. So what we see is that some lives matter more than others, that some lives matter so much that they need to be protected at all costs, and that other lives matter less, or not at all. And when that becomes the situation, then the lives that do not matter so much, or do not matter at all, can be killed or lost, can be exposed to conditions of destitution, and there is no concern, or even worse, that is regarded as the way it is supposed to be...When people engage in concerted actions across racial lines to build communities based on equality, to defend the rights of those who are disproportionately imperiled to have a chance to live without the fear of dying quite suddenly at the hands of the police. There are many ways to do this, in the street, the office, the home, and in the media. Only through such an ever-growing cross-racial struggle against racism can we begin to achieve a sense of all the lives that really do matter. The dialogue draws heavily on their 2004 book Precarious Life: The Powers of Mourning and Violence. Avital Ronell sexual harassment case On May 11, 2018, Butler led a group of scholars in writing a letter to New York University following the sexual harassment suit filed by a former NYU graduate student against his advisor Avital Ronell. The signatories acknowledged not having had access to the confidential findings of the investigation that followed the Title IX complaint against Ronell. Nonetheless, they accused the complainant of waging a "malicious campaign" against Ronell. The signatories also wrote that the presumed "malicious intention has animated and sustained this legal nightmare" for a highly regarded scholar. "If she were to be terminated or relieved of her duties, the injustice would be widely recognized and opposed." Butler, the chief signatory, invoked their title as President Elect of the Modern Language Association. James J. Marino, a professor at Cleveland State University and a member of the MLA, started a petition to demand Butler's resignation or removal from their post. He argued that "Protesting against one instance of punishment is only a means to the larger end of preserving senior faculty's privilege of impunity. ... [Butler] was standing up for an old, corrupt, and long-standing way of doing business. The time for doing business that way is over. We should never look back." Some three months later, Butler apologized to the MLA for the letter. "I acknowledged that I should not have allowed the MLA affiliation to go forward with my name," Butler wrote to the Chronicle of Higher Education. "I expressed regret to the MLA officers and staff, and my colleagues accepted my apology. I extend that same apology to MLA members." Comments on the anti-gender movement and trans-exclusionary radical feminism Butler said in 2020 that trans-exclusionary radical feminism is "a fringe movement that is seeking to speak in the name of the mainstream, and that our responsibility is to refuse to let that happen." In 2021 they described the anti-gender movements as fascist trends and cautioned self-declared feminists from allying with such movements in targeting trans, non-binary, and genderqueer people. Butler also explored the issue in a 2019 paper in which they argued that "the confusion of discourses is part of what constitutes the fascist structure and appeal of at least some of these [anti-gender] movements. One can oppose gender as a cultural import from the North at the same time that one can see that very opposition as a social movement against further colonization of the South. The result is not a turn to the Left, but an embrace of ethno-nationalism." The Guardian interview On September 7, 2021, The Guardian published an interview of Butler by Jules Gleeson that included Butler's critique of trans-exclusionary feminists ("gender critical feminists" or "TERFs"). In response to a question about the Wi Spa controversy, Butler stated that "The anti-gender ideology is one of the dominant strains of fascism in our times." Within a few hours of publication, three paragraphs including this statement were removed, with a note explaining "This article was edited on 7 September 2021 to reflect developments which occurred after the interview took place." The Guardian was then accused of censoring Judith Butler for having compared TERFs to fascists. British writer Roz Kaveney called it "a truly shocking moment of bigoted dishonesty", while British transgender activist and writer Juno Dawson, among others, observed that The Guardian had inadvertently triggered the Streisand effect, in which an attempt to censor yields the unintended consequence of increasing awareness of a topic. The next day, The Guardian acknowledged "a failure in our editorial standards". Personal life Butler is a lesbian, legally non-binary, and goes by she or they pronouns, but said in 2020 that they prefer "they", and indicated that they were "never at home" with being assigned "female" at birth. They live in Berkeley with their partner Wendy Brown and son, Isaac. Selected honors and awards Butler has had a visiting appointment at Birkbeck, University of London (2009–). 1999: Guggenheim Fellowship 2007: Elected to the American Philosophical Society 2008: Mellon Award for their exemplary contributions to scholarship in the humanities 2010: "25 Visionaries Who Are Changing Your World", Utne Reader 2012: Theodor W. Adorno Award 2013: Doctorate of Letters, honoris causa, University of St. Andrews 2013: Doctorate of Letters, honoris causa, McGill University 2014: Doctorate of Letters, honoris causa, University of Fribourg 2014: Named one of PinkNews's top 11 Jewish gay and lesbian icons 2015: Elected as a Corresponding Fellow of the British Academy 2018: Doctorate of Letters, honoris causa, University of Belgrade 2018: Butler delivered the Gifford Lectures with their series entitled 'My Life, Your Life: Equality and the Philosophy of Non-Violence' 2019: Elected as Fellow to the American Academy of Arts and Sciences. Publications All of Butler's books have been translated into numerous languages; Gender Trouble, alone, has been translated into twenty-seven languages. In addition, they have co-authored and edited over a dozen volumes—the most recent of which is Dispossession: The Performative in the Political (2013), coauthored with Athena Athanasiou. Over the years Butler has also published many influential essays, interviews, and public presentations. Butler is considered by many as "one of the most influential voices in contemporary political theory," and as the most widely read and influential gender theorist in the world. The following is a partial list of Butler's publications. Books [Their doctoral dissertation.] Book chapters A collection of essays on the work of Avital Ronell. Details. Notes References Further reading Chambers, Samuel A. and Terrell Carver. 'Judith Butler and Political Theory: Troubling Politics. New York: Routledge, 2008. Cheah, Pheng, "Mattering," Diacritics, Volume 26, Number 1, Spring 1996, pp. 108–139. Kirby, Vicki. Judith Butler: Live Theory. London: Continuum, 2006. Eldred, Michael, [http://www.arte-fact.org/mtphysfm.html 'Metaphysics of Feminism: A Critical Note on Judith Butler's Gender Trouble] 2008. From the paper's abstract: In this paper we contribute to these [sexualization of culture] debates by presenting 'technologies of sexiness', a theoretical framework that draws on Foucauldian theorizing of technologies of the self and Butler's work on performativity. Pdf. Considers performativity from a linguistic perspective. Perreau, Bruno. Queer Theory: The French Response, Stanford, CA, Stanford University Press, 2016. Salih, Sarah. The Judith Butler Reader. Malden, Massachusetts: Blackwell, 2004. —. Routledge Critical Thinkers: Judith Butler. New York: Routledge, 2002. Schippers, Birgit. The Political Philosophy of Judith Butler. New York: Routledge, 2014. Thiem, Annika. Unbecoming Subjects: Judith Butler, Moral Philosophy, and Critical Responsibility. New York: Fordham University Press, 2008. External links Biography – University of California, Berkeley approach the notion of affinity through a discussion of "Disruptive Kinship," co-sponsored by Villa Gillet and the School of Writing at The New School for Public Engagement. Interview of Judith Butler about their new book "Frames of War" on New Statesman Review of "Giving an Account of Oneself. Ethical Violence and Responsibility", by Judith Butler, Barcelona Metropolis Autumn 2010. "Dictionary of Literary Biography on Judith P. Butler (page 3)" Interview with Judith Butler about politics, economy, control societies, gender and identity (2011) 1956 births Living people 20th-century American non-fiction writers 20th-century American philosophers 21st-century American non-fiction writers 21st-century American philosophers American democratic socialists American ethicists American feminist writers American literary critics American people of Hungarian-Jewish descent American people of Russian-Jewish descent American political philosophers American social commentators Anti-Zionism in the United States American Ashkenazi Jews Columbia University faculty Continental philosophers Corresponding Fellows of the British Academy Critical theorists Critics of neoconservatism Critics of religions Cultural critics Environmental philosophers Epistemologists European Graduate School faculty Feminist philosophers Feminist studies scholars Feminist theorists Framing theorists Gender studies academics Jewish American academics Jewish American social scientists Jewish American writers Jewish anti-Zionism in the United States Jewish ethicists Jewish feminists Jewish socialists Jewish women writers Jews and Judaism in Cleveland Lesbian academics Lesbian scientists Lesbian feminists American lesbian writers LGBT academics LGBT and Judaism LGBT Jews LGBT people from Ohio LGBT scientists from the United States Literary theorists Literature educators Mass media theorists Metaphysicians Moral philosophers Non-binary writers Ontologists Palestinian solidarity activists Phenomenologists Philosophers from Ohio Philosophers of culture Philosophers of education Philosophers of ethics and morality Philosophers of history Philosophers of Judaism Philosophers of literature Philosophers of psychology Philosophers of science Philosophers of sexuality Philosophy writers Political philosophers Post-Zionists Postmodern feminists Poststructuralists Queer theorists Social critics Social philosophers Transfeminists Transgender studies academics University of California, Berkeley faculty Wesleyan University faculty Women literary critics Writers from Cleveland Writers from Shaker Heights, Ohio Yale University alumni LGBT philosophers American women critics	false	[ "Non-difference is the nearest English translation of the Sanskrit word abheda, meaning non-existence of difference. In Vedanta philosophy this word plays a vital role in explaining the indicatory mark in respect of the unity of the individual self with the Infinite or Brahman.\n\nDoctrine of Non-difference\n\nAudolomi (Brahma Sutra I.iv.21) is believed to have held the view that the individual self differs from the supreme self while it possesses a body, but when a man obtains the clear knowledge by means of practice and meditation, dies, leaves the body and obtains complete liberation, the individual self becomes the supreme self, which means in liberation, there is no difference; in transmigration, there is difference; the absolutely different individual self becomes identical in the state of liberation. This is the non-identity non-difference theory of Audolomi. However, Kasakrtsna (Brahma Sutra I.iv.22) believed that the very supreme self exists as the individual soul without undergoing any change which view-point is supported by Badarayana when he reiterates that the individual is only an apparent part of the partless Brahman; the difference is imaginary. This is the non-duality non-difference theory of Kasakrtsna. In his commentary on the Brahma Sutra II.i.14 Adi Sankara explains that the difference between the 'experiencer' and the 'things experienced' which is observed in common experience, in reality does not exist, there is non-difference of cause and effect for all things are merely modifications, and \"a modification has speech as its origin and exists only in name\" (Chandogya Upanishad VI.i.4), and \"All this has That as its essence; That is the Reality; That is the Self; That thou art\" (Chandogya Upanishad Vi.vii.7); \"All this is but the Self\" (Chandogya Upanishad VII.xxv.2). Difference commonly observed is the creation of ignorance whereas non-difference is natural; when the individual ignorance is destroyed through knowledge unity with Self is attained – \"Anyone who knows that supreme Brahman becomes Brahman indeed\" (Mundaka Upanishad III.ii.9), \"Being but Brahman, he is absorbed in Brahman\" (Brhadaranyaka Upanishad IV.iv.6).\n\nIn Hindu philosophy according to the Doctrine of Non-difference (abheda) there is no difference (bheda) whatsoever between the individual self (atman) and the supreme Self (Paramatman) or (Brahman). The opinion of the Sruti is that the knowledge of oneness of Brahman and atman is samyag-jnana ( Vivekachudamani. 204). The word ekatvam in this sloka that reads - brahmatmaikatvavijnanam samyajjnanam sruter matam means \"non-difference\", the experience of this non-difference between Brahman (supreme Self) and atman (individual self) is samyag-jnana. It is the person tainted by bhrama (\"delusion\") and pramada (\"carelessness\") who cannot determine what is samyag-jnana or \"true knowledge\". Right knowledge removes all products of ajnana (\"ignorance\"); ajnana is of the nature of Mithya, hinting differences between atman and Brahman. Then, all phenomenal expressions imagined on Brahman are denied and Brahman stands out as outside the negation Neti neti.\n\nNature of Non-difference\nAccording to the Theory of the Pre-existent Effect, there is no annihilation of the existence, nor is there any creation of the non-existent, which means, there cannot be anything new or the destruction of what exists; and that there is no relation between cause and effect. With regard to the non-difference of the cause and the effect the general views are that, a) the difference (negation of non-difference) of the cause and effect is the essence (swarupa) of the cause and the effect, and the non-difference of them is their relation of identity; b) that difference of cause and effect is their essential quality and that their non-difference is the negation of that difference, and c) that both difference and non-difference are essential qualities of the cause and effect and are equally positive in character and colour. These views lead to the reasoning that non-difference of the cause and effect cannot be taken as absolutely different from them, non-difference is not an attribute different from cause and effect and if difference is interpreted as constituting the essential nature of the cause and effect, with non-difference qualifying it as an attribute then a rational conception of the relation between cause and effect cannot be formed. It is held that the effect before its manifestation remains undifferentiated in the cause, because the causal substance is the substance of the effect as a substance therefore, the effect cannot be different from the cause, it evolves out of the cause, it exists inseparable from the cause and at the time of destruction it merges in the nature of the cause. Also, specific features that constitute the effect are not different from the cause. Thus, the entire world which prior to its manifestation is existent in an unmanifest state in the nature of Prakrti, the Primal Energy, the modification of Prakrti resulting in the perceivable world does not make it lose its identity.\nExistence is a manifestation of the unmanifest Brahman, and the individual souls (atman) are the reflections of Brahman and non-different from Brahman, but even then non-difference cannot become the content of awareness without reference to difference. To the Advaitins, non-difference is real and it is not known through reasoning. Brahman is then held to be knowable because it is different from empirical things.\n\nImplication\nNon-difference is the essential (svabhavika) condition - He who knows the highest Brahman becomes Brahman Himself and Being Brahman he goes to Brahman, while the distinction of souls from Brahman and each other is due to their limiting adjuncts (internal organs, sense-organs and the body), and the Upadhis that are produced, in accordance with the actions of the individual souls, as essentially non-different and different from Brahman.\nAdvaitins maintain the view that there is complete undividedness (akhandata) or identity (tadatmya) of the individual soul and Brahman; the former is the latter limited by artificial conditions (upadhis). According to Vijnanabhikshu, difference (bheda) and non-difference (abheda) can also be understood to mean separation (vibhaga) and non-separation (avibhaga).e.g. pure water poured into pure water. The statements that reject difference have as their concern difference in the sense of non-separation. As regards the difference in the sense of non-separation Brihadaranyaka Upanishad explains that the essence of that which is gross, mortal, limited and defined is the eye for it is the essence of the defined which means, the mental mode associated with comparison that gives rise to duality and multiplicity i.e. separateness, is connected with the eye. The essence of that which is subtle, immortal, unlimited, unchanging and undefined is the unseeable being that is in the right-eye. Similarly the defined is the Sun but the undefined is that which moves within the Sun.\n\nSignificance\nWith regard the meaning of Brahma Sutra II.i.15 which reads bhave cha uplabhdheha, Adi Shankara explains that it means - the effect is non-different from the cause for this further reason, that the effect is perceived when the cause is there, but not otherwise, it also means that not only is the non-difference of the cause and effect to be accepted on the authority of scriptures, their non-difference is also to be accepted on the strength of the existence of such a perception; for direct perception does occur about the non-difference of the cause and effect. And, with regard the interpretation of Brahma Sutra III.ii.22, Adi Shankara explains that neither the form of Brahman consisting of the phenomenal manifestations can be denied, nor Brahman, the possessor of form, for that would lead to nihilism. And that the unreal can only be denied on the basis of something real. Since the Sruti insists that Brahman is to be realized as existing failing to reach which, words turn back with the mind ( it is the phenomenal expression alone of Brahman is denied and not Brahman which appears to be different during activity, yet intrinsically there is non-difference, mark the Mahavakya, Tat tvam asi and the Sruti vakya, There is no other witness but Him. The individual self, which is non-different from the supreme Self i.e. Brahman, does not become liberated so long as it persists to be by nature an agent and experience when at the same time that its identity with Brahman, realizable through knowledge, does not exist “because when there is duality, as it were, then one sees something” “but when to the knower of Brahman everything has become the Self, then what should one see and through what?”\n\nReferences\n\nVedanta\nDifference\nSelf", "An error amplifier is most commonly encountered in feedback unidirectional voltage control circuits, where the sampled output voltage of the circuit under control, is fed back and compared to a stable reference voltage. Any difference between the two generates a compensating error voltage which tends to move the output voltage towards the design specification.\n\nAn error amplifier is essentially what its name says, that is, it amplifies an error signal. This error is based on the difference between a reference signal and the input signal. It can also be treated as the difference between the two inputs. These are usually used in unison with feedback loops, owing to their self-correcting mechanism. They have an inverting and a non-inverting input pin set, which is what is responsible for the output to be the difference of the inputs.\n\nDevices\nDiscrete Transistors\nOperational amplifiers\n\nApplications\nRegulated power supply.\nD.C Power Amplifiers\nMeasurement Equipment\nServomechanisms\n\nSee also\nDifferential amplifier\n\nExternal links \n\n Error Amplifier Design and Application , alphascientific.com. Originally accessed 27 April 2009, now 404. Try https://web.archive.org/web/20081006222215/http://www.alphascientific.com/technotes/technote3.pdf\n Error amplifier as an element in a voltage regulator:Stability analysis of low-dropout linear regulators with a PMOS pass element \n\nElectronic amplifiers" ]
[ "Judith Butler", "\"Performative Acts and Gender Constitution\" (1988)", "What is Performative Acts and Gender Consitution?", "Butler argues that the performance of gender itself creates gender. Additionally, she compares the performativity of gender to the performance of the theater.", "How does she compare them?", "She brings many similarities, including the idea of each individual functioning as an actor of their gender.", "Was her argument well received?", "However, she also brings into light a critical difference between gender performance in reality and theater performances.", "What is the difference/", "She explains how the theater is much less threatening and does not produce the same fear that gender performances often encounter" ]	C_d9b9c91dd063459692c2b13e18d4a5e6_0	What is the result of this?	5	What is the result of theater being much less threatening?	Judith Butler	In this essay, Judith Butler proposes her theory of gender performativity, which would be later taken up in 1990 throughout her work, Gender Trouble. She begins by basing her theory of gender performativity on a feminist phenomenological point of view. She suggests that both phenomenology and feminism ground their theories in "lived experience". Further, in comparing phenomenologist Maurice Merleau-Ponty and feminist Simone de Beauvoir, Butler argues that both theories view the sexual body as a historical idea or situation; she accepts this notion of a "distinction between sex, as biological facticity, and gender, as the cultural interpretation or signification of that facticity". This combination of theories is essential for founding Butler's view of "theatrical" or performative genders in society. Butler argues that it is more valid to perceive gender as a performance in which an individual agent acts. The performative element of her theory suggests a social audience. For Butler, the "script" of gender performance is effortlessly transmitted generation to generation in the form of socially established "meanings": She states, "gender is not a radical choice... [nor is it] imposed or inscribed upon the individual". Given the social nature of human beings, most actions are witnessed, reproduced, and internalized and thus take on a performative or theatric quality. With Butler's theory, gender is essentially a performative repetition of acts associated with the male or female. Currently, the actions appropriate for men and women have been transmitted to produce a social atmosphere that both maintains and legitimizes a seemingly natural gender binary. Consistently with her acceptance of the body as a historical idea, she suggests that our concept of gender is seen as natural or innate because the body "becomes its gender through a series of acts which are renewed, revised, and consolidated through time". Butler argues that the performance of gender itself creates gender. Additionally, she compares the performativity of gender to the performance of the theater. She brings many similarities, including the idea of each individual functioning as an actor of their gender. However, she also brings into light a critical difference between gender performance in reality and theater performances. She explains how the theater is much less threatening and does not produce the same fear that gender performances often encounter because of the fact that there is a clear distinction from reality within the theater. Butler uses Sigmund Freud's notion of how a person's identity is modeled in terms of the normal. She revises Freud's notion of this concept's applicability to lesbianism, where Freud says that lesbians are modeling their behavior on men, the perceived normal or ideal. She instead says that all gender works in this way of performativity and a representing of an internalized notion of gender norms. CANNOTANSWER	Butler uses Sigmund Freud's notion of how a person's identity is modeled in terms of the normal.	Judith Pamela Butler (born February 24, 1956) is an American philosopher and gender theorist whose work has influenced political philosophy, ethics, and the fields of third-wave feminism, queer theory, and literary theory. In 1993, Butler began teaching at the University of California, Berkeley, where they have served, beginning in 1998, as the Maxine Elliot Professor in the Department of Comparative Literature and the Program of Critical Theory. They are also the Hannah Arendt Chair at the European Graduate School. Butler is best known for their books Gender Trouble: Feminism and the Subversion of Identity (1990) and Bodies That Matter: On the Discursive Limits of Sex (1993), in which they challenge conventional notions of gender and develop their theory of gender performativity. This theory has had a major influence on feminist and queer scholarship. Their work is often studied and debated in film studies courses emphasizing gender studies and performativity in discourse. Butler has supported lesbian and gay rights movements, and they have spoken out on many contemporary political issues, including criticism of Israeli politics. Early life and education Judith Butler was born on February 24, 1956, in Cleveland, Ohio, to a family of Hungarian-Jewish and Russian-Jewish descent. Most of their maternal grandmother's family perished in the Holocaust. Butler's parents were practicing Reform Jews. Their mother was raised Orthodox, eventually becoming Conservative and then Reform, while their father was raised Reform. As a child and teenager, Butler attended both Hebrew school and special classes on Jewish ethics, where they received their "first training in philosophy". Butler stated in a 2010 interview with Haaretz that they began the ethics classes at the age of 14 and that they were created as a form of punishment by Butler's Hebrew school's Rabbi because they were "too talkative in class". Butler also stated that they were "thrilled" by the idea of these tutorials, and when asked what they wanted to study in these special sessions, they responded with three questions preoccupying them at the time: "Why was Spinoza excommunicated from the synagogue? Could German Idealism be held accountable for Nazism? And how was one to understand existential theology, including the work of Martin Buber?" Butler attended Bennington College before transferring to Yale University, where they studied philosophy and received a Bachelor of Arts in 1978 and a Doctor of Philosophy in 1984. They spent one academic year at Heidelberg University as a Fulbright Scholar. Butler taught at Wesleyan University, George Washington University, and Johns Hopkins University before joining University of California, Berkeley, in 1993. In 2002, they held the Spinoza Chair of Philosophy at the University of Amsterdam. In addition, they joined the department of English and Comparative Literature at Columbia University as Wun Tsun Tam Mellon Visiting Professor of the Humanities in the spring semesters of 2012, 2013 and 2014 with the option of remaining as full-time faculty. Butler serves on the editorial board or advisory board of several academic journals, including Janus Unbound: Journal of Critical Studies, JAC: A Journal of Rhetoric, Culture, and Politics and Signs: Journal of Women in Culture and Society. Overview of major works Performative Acts and Gender Constitution (1988) In the essay "Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory" Judith Butler proposes that gender is performative. Because gender identity is established through behavior, there is a possibility to construct different genders via different behaviors. Gender Trouble (1990) Gender Trouble: Feminism and the Subversion of Identity was first published in 1990, selling over 100,000 copies internationally, in multiple languages. Gender Trouble discusses the works of Sigmund Freud, Simone de Beauvoir, Julia Kristeva, Jacques Lacan, Luce Irigaray, Monique Wittig, Jacques Derrida, and Michel Foucault. Butler offers a critique of the terms gender and sex as they have been used by feminists. Butler argues that feminism made a mistake in trying to make "women" a discrete, ahistorical group with common characteristics. Butler writes that this approach reinforces the binary view of gender relations. Butler believes that feminists should not try to define "women" and they also believe that feminists should "focus on providing an account of how power functions and shapes our understandings of womanhood not only in the society at large but also within the feminist movement." Finally, Butler aims to break the supposed links between sex and gender so that gender and desire can be "flexible, free floating and not caused by other stable factors". The idea of identity as free and flexible and gender as a performance, not an essence, is one of the foundations of queer theory. Imitation and Gender Insubordination (1991) This is Butler's contribution to Inside/Out: Lesbian Theories, Gay Theories, a collection of the writings of gay and lesbian social theorists. Butler argues that no transparent revelation is afforded by the terms "gay" or "lesbian" yet there is a political imperative to do so. Butler employs "the concepts of play/performance, drag, and imitation to describe the formation of gender and sexuality as continually created subjectivities always at risk of dissolution from non-performance." Bodies That Matter (1993) Bodies That Matter: On the Discursive Limits of "Sex" seeks to clear up readings and supposed misreadings of performativity that view the enactment of sex/gender as a daily choice. Butler emphasizes the role of repetition in performativity, making use of Derrida's theory of iterability, which is a form of citationality: Performativity cannot be understood outside of a process of iterability, a regularized and constrained repetition of norms. And this repetition is not performed by a subject; this repetition is what enables a subject and constitutes the temporal condition for the subject. This iterability implies that 'performance' is not a singular 'act' or event, but a ritualized production, a ritual reiterated under and through constraint, under and through the force of prohibition and taboo, with the threat of ostracism and even death controlling and compelling the shape of the production, but not, I will insist, determining it fully in advance. Excitable Speech (1997) In Excitable Speech: A Politics of the Performative, Butler surveys the problems of hate speech and censorship. They argue that censorship is difficult to evaluate, and that in some cases it may be useful or even necessary, while in others it may be worse than tolerance. Butler argues that hate speech exists retrospectively, only after being declared such by state authorities. In this way, the state reserves for itself the power to define hate speech and, conversely, the limits of acceptable discourse. In this connection, Butler criticizes feminist legal scholar Catharine MacKinnon's argument against pornography for its unquestioning acceptance of the state's power to censor. Deploying Foucault's argument from the first volume of The History of Sexuality, Butler claims that any attempt at censorship, legal or otherwise, necessarily propagates the very language it seeks to forbid. As Foucault argues, for example, the strict sexual mores of 19th-century Western Europe did nothing but amplify the discourse of sexuality they sought to control. Extending this argument using Derrida and Lacan, Butler claims that censorship is primitive to language, and that the linguistic "I" is a mere effect of an originary censorship. In this way, Butler questions the possibility of any genuinely oppositional discourse; "If speech depends upon censorship, then the principle that one might seek to oppose is at once the formative principle of oppositional speech". Undoing Gender (2004) Undoing Gender collects Butler's reflections on gender, sex, sexuality, psychoanalysis and the medical treatment of intersex people for a more general readership than many of their other books. Butler revisits and refines their notion of performativity and focuses on the question of undoing "restrictively normative conceptions of sexual and gendered life". Butler discusses how gender is performed without one being conscious of it, but says that it does not mean this performativity is "automatic or mechanical". They argue that we have desires that do not originate from our personhood, but rather, from social norms. The writer also debates our notions of "human" and "less-than-human" and how these culturally imposed ideas can keep one from having a "viable life" as the biggest concerns are usually about whether a person will be accepted if their desires differ from normality. Butler states that one may feel the need of being recognized in order to live, but that at the same time, the conditions to be recognized make life "unlivable". The writer proposes an interrogation of such conditions so that people who resist them may have more possibilities of living. In Butler's discussion of intersex issues and people, Butler addresses the case of David Reimer, a person whose sex was medically "reassigned" from male to female after a botched circumcision at eight months of age. Reimer was "made" female by doctors, but later in life identified as "really" male, married and became a stepfather to his wife's three children, and went on to tell his story in As Nature Made Him: The Boy Who Was Raised as a Girl, which he wrote with John Colapinto. Reimer died by suicide in 2004. Giving an Account of Oneself (2005) In Giving an Account of Oneself, Butler develops an ethics based on the opacity of the subject to itself; in other words, the limits of self-knowledge. Primarily borrowing from Theodor Adorno, Michel Foucault, Friedrich Nietzsche, Jean Laplanche, Adriana Cavarero and Emmanuel Levinas, Butler develops a theory of the formation of the subject. Butler theorizes the subject in relation to the social – a community of others and their norms – which is beyond the control of the subject it forms, as precisely the very condition of that subject's formation, the resources by which the subject becomes recognizably human, a grammatical "I", in the first place. Butler accepts the claim that if the subject is opaque to itself the limitations of its free ethical responsibility and obligations are due to the limits of narrative, presuppositions of language and projection. Instead Butler argues for an ethics based precisely on the limits of self-knowledge as the limits of responsibility itself. Any concept of responsibility which demands the full transparency of the self to itself, an entirely accountable self, necessarily does violence to the opacity which marks the constitution of the self it addresses. The scene of address by which responsibility is enabled is always already a relation between subjects who are variably opaque to themselves and to each other. The ethics that Butler envisions is therefore one in which the responsible self knows the limits of its knowing, recognizes the limits of its capacity to give an account of itself to others, and respects those limits as symptomatically human. To take seriously one's opacity to oneself in ethical deliberation means then to critically interrogate the social world in which one comes to be human in the first place and which remains precisely that which one cannot know about oneself. In this way, Butler locates social and political critique at the core of ethical practice. Notes Toward a Performative Theory of Assembly (2015) In Notes Toward a Performative Theory of Assembly, Butler discusses the power of public gatherings, considering what they signify and how they work. They use this framework to analyze the power and possibilities of protests, such as the Black Lives Matter protests regarding the deaths of Michael Brown and Eric Garner in 2014. The Force of Nonviolence (2020) In The Force of Nonviolence: An Ethico-Political Bind, Butler connects the ideologies of nonviolence and the political struggle for social equality. They review the traditional understanding of "nonviolence," stating that it "is often misunderstood as a passive practice that emanates from a calm region of the soul, or as an individualist ethical relation to existing forms of power." Instead of this understanding, Butler argues that "nonviolence is an ethical position found in the midst of the political field." Reception Butler's work has been influential in feminist and queer theory, cultural studies, and continental philosophy. Yet their contribution to a range of other disciplines—such as psychoanalysis, literary, film, and performance studies as well as visual arts—has also been significant. Their theory of gender performativity as well as their conception of "critically queer" have not only transformed understandings of gender and queer identity in the academic world, but have shaped and mobilized various kinds of political activism, particularly queer activism, across the globe. Butler's work has also entered into contemporary debates on the teaching of gender, gay parenting, and the depathologization of transgender people. Before election to the papacy, Pope Benedict XVI wrote several pages challenging Butler's arguments on gender. In several countries, Butler became the symbol of the destruction of traditional gender roles for reactionary movements. This was particularly the case in France during the anti-gay marriage protests. Bruno Perreau has written that Butler was literally depicted as an "antichrist", both because of their gender and their Jewish identity, the fear of minority politics and critical studies being expressed through fantasies of a corrupted body. Some academics and political activists maintain that Butler's radical departure from the sex/gender dichotomy and Butler's non-essentialist conception of gender—along with their insistence that power helps form the subject—revolutionized feminist and queer praxis, thought, and studies. Darin Barney of McGill University wrote that: In 1998, Denis Dutton's journal Philosophy and Literature awarded Butler first prize in its fourth annual "Bad Writing Competition", which set out to "celebrate bad writing from the most stylistically lamentable passages found in scholarly books and articles." Butler's unwitting entry, which ran in a 1997 issue of the scholarly journal Diacritics, ran thus: Some critics have accused Butler of elitism due to their difficult prose style, while others claim that Butler reduces gender to "discourse" or promotes a form of gender voluntarism. Susan Bordo, for example, has argued that Butler reduces gender to language and has contended that the body is a major part of gender, in opposition to Butler's conception of gender as performative. A particularly vocal critic has been feminist Martha Nussbaum, who has argued that Butler misreads J. L. Austin's idea of performative utterance, makes erroneous legal claims, forecloses an essential site of resistance by repudiating pre-cultural agency, and provides no "normative theory of social justice and human dignity." Finally, Nancy Fraser's critique of Butler was part of a famous exchange between the two theorists. Fraser has suggested that Butler's focus on performativity distances them from "everyday ways of talking and thinking about ourselves. ... Why should we use such a self-distancing idiom?" Butler responded to criticisms of their prose in the preface to the 1999 edition of their book, Gender Trouble. More recently, several critics—most prominently, Viviane Namaste —have criticised Judith Butler's Undoing Gender for under-emphasizing the intersectional aspects of gender-based violence. For example, Timothy Laurie notes that Butler's use of phrases like "gender politics" and "gender violence" in relation to assaults on transgender individuals in the United States can "[scour] a landscape filled with class and labour relations, racialised urban stratification, and complex interactions between sexual identity, sexual practices and sex work", and produce instead "a clean surface on which struggles over 'the human' are imagined to play out". German feminist Alice Schwarzer speaks of Butler's "radical intellectual games" that would not change how society classifies and treats a woman; thus, by eliminating female and male identity Butler would have abolished the discourse about sexism in the queer community. Schwarzer also accuses Butler of remaining silent about the oppression of women and homosexuals in the Islamic world, while readily exercising their right to same-sex-marriage in the United States; instead, Butler would sweepingly defend Islam, including Islamism, from critics. Political activism Much of Butler's early political activism centered around queer and feminist issues, and they served, for a period of time, as the chair of the board of the International Gay and Lesbian Human Rights Commission. Over the years, Butler has been particularly active in the gay and lesbian rights, feminist, and anti-war movements. They have also written and spoken out on issues ranging from affirmative action and gay marriage to the wars in Iraq and Afghanistan, and the prisoners detained at Guantanamo Bay. More recently, Butler has been active in the Occupy movement and has publicly expressed support for a version of the 2005 BDS (Boycott, Divestment and Sanctions) campaign against Israel. They emphasize that Israel does not and should not be taken to represent all Jews or Jewish opinion. On September 7, 2006, Butler participated in a faculty-organized teach-in against the 2006 Lebanon War at the University of California, Berkeley. Another widely publicized moment occurred in June 2010, when Butler refused the Civil Courage Award (Zivilcouragepreis) of the Christopher Street Day (CSD) Parade in Berlin, Germany at the award ceremony. They cited racist comments on the part of organizers and a general failure of CSD organizations to distance themselves from racism in general and from anti-Muslim excuses for war more specifically. Criticizing the event's commercialism, Butler went on to name several groups that they commended as stronger opponents of "homophobia, transphobia, sexism, racism, and militarism". In October 2011, Butler attended Occupy Wall Street and, in reference to calls for clarification of the protesters' demands, they said: People have asked, so what are the demands? What are the demands all of these people are making? Either they say there are no demands and that leaves your critics confused, or they say that the demands for social equality and economic justice are impossible demands. And the impossible demands, they say, are just not practical. If hope is an impossible demand, then we demand the impossible – that the right to shelter, food and employment are impossible demands, then we demand the impossible. If it is impossible to demand that those who profit from the recession redistribute their wealth and cease their greed, then yes, we demand the impossible. Butler is an executive member of FFIPP – Educational Network for Human Rights in Israel/Palestine. They are also a member of the advisory board of Jewish Voice for Peace. In mainstream US politics, they expressed support for Hillary Clinton in the 2016 election. Adorno Prize affair When Butler received the 2012 Adorno Prize, the prize committee came under attack from Israel's Ambassador to Germany Yakov Hadas-Handelsman; the director of the Simon Wiesenthal Center's office in Jerusalem, Efraim Zuroff; and the German Central Council of Jews. They were upset at Butler's selection because of Butler's remarks about Israel and specifically Butler's "calls for a boycott against Israel". Butler responded saying that "[Butler] did not take attacks from German Jewish leaders personally". Rather, they wrote, the attacks are "directed against everyone who is critical against Israel and its current policies". In a letter to the Mondoweiss website, Butler asserted that they developed strong ethical views on the basis of Jewish philosophical thought and that it is "blatantly untrue, absurd, and painful for anyone to argue that those who formulate a criticism of the State of Israel is anti-Semitic or, if Jewish, self-hating". Comments on Hamas and Hezbollah Butler was criticized for statements they had made about Hamas and Hezbollah. Butler was accused of describing them as "social movements that are progressive, that are on the Left, that are part of a global Left." They were accused of defending "Hezbollah and Hamas as progressive organizations" and supporting their tactics. Butler responded to these criticisms by stating that their remarks on Hamas and Hezbollah were taken completely out of context and, in so doing, their established views on non-violence were contradicted and misrepresented. Butler describes the origin of their remarks on Hamas and Hezbollah in the following way: I was asked by a member of an academic audience a few years ago whether I thought Hamas and Hezbollah belonged to "the global left" and I replied with two points. My first point was merely descriptive: those political organizations define themselves as anti-imperialist, and anti-imperialism is one characteristic of the global left, so on that basis one could describe them as part of the global left. My second point was then critical: as with any group on the left, one has to decide whether one is for that group or against that group, and one needs to critically evaluate their stand. Comments on Black Lives Matter In a January 2015 interview with George Yancy of The New York Times, Butler discussed the Black Lives Matter movement. They said: What is implied by this statement [Black Lives Matter], a statement that should be obviously true, but apparently is not? If black lives do not matter, then they are not really regarded as lives, since a life is supposed to matter. So what we see is that some lives matter more than others, that some lives matter so much that they need to be protected at all costs, and that other lives matter less, or not at all. And when that becomes the situation, then the lives that do not matter so much, or do not matter at all, can be killed or lost, can be exposed to conditions of destitution, and there is no concern, or even worse, that is regarded as the way it is supposed to be...When people engage in concerted actions across racial lines to build communities based on equality, to defend the rights of those who are disproportionately imperiled to have a chance to live without the fear of dying quite suddenly at the hands of the police. There are many ways to do this, in the street, the office, the home, and in the media. Only through such an ever-growing cross-racial struggle against racism can we begin to achieve a sense of all the lives that really do matter. The dialogue draws heavily on their 2004 book Precarious Life: The Powers of Mourning and Violence. Avital Ronell sexual harassment case On May 11, 2018, Butler led a group of scholars in writing a letter to New York University following the sexual harassment suit filed by a former NYU graduate student against his advisor Avital Ronell. The signatories acknowledged not having had access to the confidential findings of the investigation that followed the Title IX complaint against Ronell. Nonetheless, they accused the complainant of waging a "malicious campaign" against Ronell. The signatories also wrote that the presumed "malicious intention has animated and sustained this legal nightmare" for a highly regarded scholar. "If she were to be terminated or relieved of her duties, the injustice would be widely recognized and opposed." Butler, the chief signatory, invoked their title as President Elect of the Modern Language Association. James J. Marino, a professor at Cleveland State University and a member of the MLA, started a petition to demand Butler's resignation or removal from their post. He argued that "Protesting against one instance of punishment is only a means to the larger end of preserving senior faculty's privilege of impunity. ... [Butler] was standing up for an old, corrupt, and long-standing way of doing business. The time for doing business that way is over. We should never look back." Some three months later, Butler apologized to the MLA for the letter. "I acknowledged that I should not have allowed the MLA affiliation to go forward with my name," Butler wrote to the Chronicle of Higher Education. "I expressed regret to the MLA officers and staff, and my colleagues accepted my apology. I extend that same apology to MLA members." Comments on the anti-gender movement and trans-exclusionary radical feminism Butler said in 2020 that trans-exclusionary radical feminism is "a fringe movement that is seeking to speak in the name of the mainstream, and that our responsibility is to refuse to let that happen." In 2021 they described the anti-gender movements as fascist trends and cautioned self-declared feminists from allying with such movements in targeting trans, non-binary, and genderqueer people. Butler also explored the issue in a 2019 paper in which they argued that "the confusion of discourses is part of what constitutes the fascist structure and appeal of at least some of these [anti-gender] movements. One can oppose gender as a cultural import from the North at the same time that one can see that very opposition as a social movement against further colonization of the South. The result is not a turn to the Left, but an embrace of ethno-nationalism." The Guardian interview On September 7, 2021, The Guardian published an interview of Butler by Jules Gleeson that included Butler's critique of trans-exclusionary feminists ("gender critical feminists" or "TERFs"). In response to a question about the Wi Spa controversy, Butler stated that "The anti-gender ideology is one of the dominant strains of fascism in our times." Within a few hours of publication, three paragraphs including this statement were removed, with a note explaining "This article was edited on 7 September 2021 to reflect developments which occurred after the interview took place." The Guardian was then accused of censoring Judith Butler for having compared TERFs to fascists. British writer Roz Kaveney called it "a truly shocking moment of bigoted dishonesty", while British transgender activist and writer Juno Dawson, among others, observed that The Guardian had inadvertently triggered the Streisand effect, in which an attempt to censor yields the unintended consequence of increasing awareness of a topic. The next day, The Guardian acknowledged "a failure in our editorial standards". Personal life Butler is a lesbian, legally non-binary, and goes by she or they pronouns, but said in 2020 that they prefer "they", and indicated that they were "never at home" with being assigned "female" at birth. They live in Berkeley with their partner Wendy Brown and son, Isaac. Selected honors and awards Butler has had a visiting appointment at Birkbeck, University of London (2009–). 1999: Guggenheim Fellowship 2007: Elected to the American Philosophical Society 2008: Mellon Award for their exemplary contributions to scholarship in the humanities 2010: "25 Visionaries Who Are Changing Your World", Utne Reader 2012: Theodor W. Adorno Award 2013: Doctorate of Letters, honoris causa, University of St. Andrews 2013: Doctorate of Letters, honoris causa, McGill University 2014: Doctorate of Letters, honoris causa, University of Fribourg 2014: Named one of PinkNews's top 11 Jewish gay and lesbian icons 2015: Elected as a Corresponding Fellow of the British Academy 2018: Doctorate of Letters, honoris causa, University of Belgrade 2018: Butler delivered the Gifford Lectures with their series entitled 'My Life, Your Life: Equality and the Philosophy of Non-Violence' 2019: Elected as Fellow to the American Academy of Arts and Sciences. Publications All of Butler's books have been translated into numerous languages; Gender Trouble, alone, has been translated into twenty-seven languages. In addition, they have co-authored and edited over a dozen volumes—the most recent of which is Dispossession: The Performative in the Political (2013), coauthored with Athena Athanasiou. Over the years Butler has also published many influential essays, interviews, and public presentations. Butler is considered by many as "one of the most influential voices in contemporary political theory," and as the most widely read and influential gender theorist in the world. The following is a partial list of Butler's publications. Books [Their doctoral dissertation.] Book chapters A collection of essays on the work of Avital Ronell. Details. Notes References Further reading Chambers, Samuel A. and Terrell Carver. 'Judith Butler and Political Theory: Troubling Politics. New York: Routledge, 2008. Cheah, Pheng, "Mattering," Diacritics, Volume 26, Number 1, Spring 1996, pp. 108–139. Kirby, Vicki. Judith Butler: Live Theory. London: Continuum, 2006. Eldred, Michael, [http://www.arte-fact.org/mtphysfm.html 'Metaphysics of Feminism: A Critical Note on Judith Butler's Gender Trouble] 2008. From the paper's abstract: In this paper we contribute to these [sexualization of culture] debates by presenting 'technologies of sexiness', a theoretical framework that draws on Foucauldian theorizing of technologies of the self and Butler's work on performativity. Pdf. Considers performativity from a linguistic perspective. Perreau, Bruno. Queer Theory: The French Response, Stanford, CA, Stanford University Press, 2016. Salih, Sarah. The Judith Butler Reader. Malden, Massachusetts: Blackwell, 2004. —. Routledge Critical Thinkers: Judith Butler. New York: Routledge, 2002. Schippers, Birgit. The Political Philosophy of Judith Butler. New York: Routledge, 2014. Thiem, Annika. Unbecoming Subjects: Judith Butler, Moral Philosophy, and Critical Responsibility. New York: Fordham University Press, 2008. External links Biography – University of California, Berkeley approach the notion of affinity through a discussion of "Disruptive Kinship," co-sponsored by Villa Gillet and the School of Writing at The New School for Public Engagement. Interview of Judith Butler about their new book "Frames of War" on New Statesman Review of "Giving an Account of Oneself. Ethical Violence and Responsibility", by Judith Butler, Barcelona Metropolis Autumn 2010. "Dictionary of Literary Biography on Judith P. Butler (page 3)" Interview with Judith Butler about politics, economy, control societies, gender and identity (2011) 1956 births Living people 20th-century American non-fiction writers 20th-century American philosophers 21st-century American non-fiction writers 21st-century American philosophers American democratic socialists American ethicists American feminist writers American literary critics American people of Hungarian-Jewish descent American people of Russian-Jewish descent American political philosophers American social commentators Anti-Zionism in the United States American Ashkenazi Jews Columbia University faculty Continental philosophers Corresponding Fellows of the British Academy Critical theorists Critics of neoconservatism Critics of religions Cultural critics Environmental philosophers Epistemologists European Graduate School faculty Feminist philosophers Feminist studies scholars Feminist theorists Framing theorists Gender studies academics Jewish American academics Jewish American social scientists Jewish American writers Jewish anti-Zionism in the United States Jewish ethicists Jewish feminists Jewish socialists Jewish women writers Jews and Judaism in Cleveland Lesbian academics Lesbian scientists Lesbian feminists American lesbian writers LGBT academics LGBT and Judaism LGBT Jews LGBT people from Ohio LGBT scientists from the United States Literary theorists Literature educators Mass media theorists Metaphysicians Moral philosophers Non-binary writers Ontologists Palestinian solidarity activists Phenomenologists Philosophers from Ohio Philosophers of culture Philosophers of education Philosophers of ethics and morality Philosophers of history Philosophers of Judaism Philosophers of literature Philosophers of psychology Philosophers of science Philosophers of sexuality Philosophy writers Political philosophers Post-Zionists Postmodern feminists Poststructuralists Queer theorists Social critics Social philosophers Transfeminists Transgender studies academics University of California, Berkeley faculty Wesleyan University faculty Women literary critics Writers from Cleveland Writers from Shaker Heights, Ohio Yale University alumni LGBT philosophers American women critics	false	[ "Information bias is a cognitive bias to seek information when it does not affect action. People can often make better predictions or choices with less information: more information is not always better. An example of information bias is believing that the more information that can be acquired to make a decision, the better, even if that extra information is irrelevant for the decision.\n\nExample\n\nIn an experiment , subjects considered this diagnostic problem involving fictitious diseases:\n\nA female patient is presenting symptoms and a history which both suggest a diagnosis of globoma, with about 80% probability. If it isn't globoma, it's either popitis or flapemia. Each disease has its own treatment which is ineffective against the other two diseases. A test called the ET scan would certainly yield a positive result if the patient had popitis, and a negative result if she has flapemia. If the patient has globoma, a positive and negative result are equally likely. If the ET scan was the only test you could do, should you do it? Why or why not?\n\nMany subjects answered that they would conduct the ET scan even if it were costly, and even if it were the only test that could be done. However, the test in question does not affect the course of action as to what treatment should be done. Because the probability of globoma is so high with a probability of 80%, the patient would be treated for globoma no matter what the test says. Globoma is the most probable disease before or after the ET scan.\n\nIn this example, we can calculate the value of the ET scan. Out of 100 patients, a total of 80 people will have globoma regardless of whether the ET scan is positive or negative. Since it is equally likely for a patient with globoma to have a positive or negative ET scan result, 40 people will have a positive ET scan and 40 people will have a negative ET scan, which totals to 80 people having globoma. This means that a total of 20 people will have either popitis or flapemia regardless of the result of the ET scan. The number of patients with globoma will always be greater than the number of patients with popitis or flapemia in either case of a positive or negative ET scan so the ET scan is useless in determining what disease to treat. The ET scan will indicate that globoma should be treated regardless of the result.\n\nSee also\n Shared information bias\n Cognitive psychology\n List of cognitive biases\n\nReferences\n\nStudies\n\nCognitive biases", "Yaqeen () is generally translated as \"certainty\", and is considered the summit of the many stations by which the path of walaya (sometimes translated as Sainthood) is fully completed. This is the repository of liberating experience in Islam. In relation to the exoteric religious life, certainty is the sister of religious life in its perfection (ehsân), that is, to say the adoration of Allah according to the visionary way; through this channel it is the pillar of Islam in the accomplishment of its external practices, as it is the foundation of faith (iman) in its internal dogma. It is, in fact, ihsân which gives the external religion its true meaning and the domain of faith its real values. It occurs in the Quran about certainty, \"And worship your Lord until there comes to you the certainty\". Certainty (yaqeen) comprises three degrees.\n\nStages\n\nIlm-ul-yaqeen (the knowledge of certainty)\n\nThe first degree is referred to by the name ‘ilm-ul-yaqeen (the knowledge of certainty), which means that certainty is the result of knowledge. At this degree the object of certainty is knowledge just as the aim of knowledge is certainty. Both together are in the soul uniquely, such that certainty is the first degree of spiritual life and the last of speculative experience. This particular degree of mystical yaqeen is the result of divine theophanies in act at the level of existence and also the result of theophanies of lights of nature at the gnostic level.\n\nAyn-ul-yaqeen (the vision of certainty)\n\nThe second degree of yaqeen is what one calls in Sufi terms ayn-ul-yaqeen (the vision of certainty), that is, certainty as a consequence of contemplation and vision. At this level, the object of certainty is present in front of the gnostic and is not only a speculative concept. Here knowledge becomes what one calls ilm-e-huzuri’’ (knowledge by Presence), and that is the second aspect of Certainty in the spiritual way and in liberating experience. By this kind of knowledge, the man of the Way is distinguished from philosophers and learned men. This particular degree of spiritual Certainty is the result of divine theophanies of Attributes at the level of existence.\n\nHaqq-ul-yaqeen (the final level of certainty gained through experience)\n\nFinally, the last degree of yaqeen is called haqq-ul-yaqeen (the level of certainty gained through experience), that is, certainty as supreme truth. Here, certainty has a particular coloring: it is the fruit of an all-embracing experience because the object of certainty is identical to the one who is experiencing it, knowledge being transformed into actual experience and actual experience into knowledge. At this stage, in fact, knowledge is not limited to the intellect, nor to the vision of the one who is contemplating it, it becomes one with the human being. This is the final phase of yaqeen'', the apotheosis of the spiritual and intellectual journey. This high degree of Sufi certainty is the effect of the Emanation of the divine Theophanies in Essence at its existential level and that of the diffusion of the Light of lights (Dazzling Irradiations) at the level of the theophanies of the gnostic.\n\nSee also\n\nBaqaa\nGround Luminosity\nThree Bodies\nNūr (Islam)\n\nReferences\n\nExternal links\nTheophanies and Lights in the Thought of Ibn 'Arabi\n\nSufi philosophy\nIslamic terminology" ]
[ "Judith Butler", "\"Performative Acts and Gender Constitution\" (1988)", "What is Performative Acts and Gender Consitution?", "Butler argues that the performance of gender itself creates gender. Additionally, she compares the performativity of gender to the performance of the theater.", "How does she compare them?", "She brings many similarities, including the idea of each individual functioning as an actor of their gender.", "Was her argument well received?", "However, she also brings into light a critical difference between gender performance in reality and theater performances.", "What is the difference/", "She explains how the theater is much less threatening and does not produce the same fear that gender performances often encounter", "What is the result of this?", "Butler uses Sigmund Freud's notion of how a person's identity is modeled in terms of the normal." ]	C_d9b9c91dd063459692c2b13e18d4a5e6_0	Where did she publish this piece?	6	Where did Judith Butler publish "Performative Acts and Gender Constitution"?	Judith Butler	In this essay, Judith Butler proposes her theory of gender performativity, which would be later taken up in 1990 throughout her work, Gender Trouble. She begins by basing her theory of gender performativity on a feminist phenomenological point of view. She suggests that both phenomenology and feminism ground their theories in "lived experience". Further, in comparing phenomenologist Maurice Merleau-Ponty and feminist Simone de Beauvoir, Butler argues that both theories view the sexual body as a historical idea or situation; she accepts this notion of a "distinction between sex, as biological facticity, and gender, as the cultural interpretation or signification of that facticity". This combination of theories is essential for founding Butler's view of "theatrical" or performative genders in society. Butler argues that it is more valid to perceive gender as a performance in which an individual agent acts. The performative element of her theory suggests a social audience. For Butler, the "script" of gender performance is effortlessly transmitted generation to generation in the form of socially established "meanings": She states, "gender is not a radical choice... [nor is it] imposed or inscribed upon the individual". Given the social nature of human beings, most actions are witnessed, reproduced, and internalized and thus take on a performative or theatric quality. With Butler's theory, gender is essentially a performative repetition of acts associated with the male or female. Currently, the actions appropriate for men and women have been transmitted to produce a social atmosphere that both maintains and legitimizes a seemingly natural gender binary. Consistently with her acceptance of the body as a historical idea, she suggests that our concept of gender is seen as natural or innate because the body "becomes its gender through a series of acts which are renewed, revised, and consolidated through time". Butler argues that the performance of gender itself creates gender. Additionally, she compares the performativity of gender to the performance of the theater. She brings many similarities, including the idea of each individual functioning as an actor of their gender. However, she also brings into light a critical difference between gender performance in reality and theater performances. She explains how the theater is much less threatening and does not produce the same fear that gender performances often encounter because of the fact that there is a clear distinction from reality within the theater. Butler uses Sigmund Freud's notion of how a person's identity is modeled in terms of the normal. She revises Freud's notion of this concept's applicability to lesbianism, where Freud says that lesbians are modeling their behavior on men, the perceived normal or ideal. She instead says that all gender works in this way of performativity and a representing of an internalized notion of gender norms. CANNOTANSWER	She revises Freud's notion of this concept's applicability to lesbianism,	Judith Pamela Butler (born February 24, 1956) is an American philosopher and gender theorist whose work has influenced political philosophy, ethics, and the fields of third-wave feminism, queer theory, and literary theory. In 1993, Butler began teaching at the University of California, Berkeley, where they have served, beginning in 1998, as the Maxine Elliot Professor in the Department of Comparative Literature and the Program of Critical Theory. They are also the Hannah Arendt Chair at the European Graduate School. Butler is best known for their books Gender Trouble: Feminism and the Subversion of Identity (1990) and Bodies That Matter: On the Discursive Limits of Sex (1993), in which they challenge conventional notions of gender and develop their theory of gender performativity. This theory has had a major influence on feminist and queer scholarship. Their work is often studied and debated in film studies courses emphasizing gender studies and performativity in discourse. Butler has supported lesbian and gay rights movements, and they have spoken out on many contemporary political issues, including criticism of Israeli politics. Early life and education Judith Butler was born on February 24, 1956, in Cleveland, Ohio, to a family of Hungarian-Jewish and Russian-Jewish descent. Most of their maternal grandmother's family perished in the Holocaust. Butler's parents were practicing Reform Jews. Their mother was raised Orthodox, eventually becoming Conservative and then Reform, while their father was raised Reform. As a child and teenager, Butler attended both Hebrew school and special classes on Jewish ethics, where they received their "first training in philosophy". Butler stated in a 2010 interview with Haaretz that they began the ethics classes at the age of 14 and that they were created as a form of punishment by Butler's Hebrew school's Rabbi because they were "too talkative in class". Butler also stated that they were "thrilled" by the idea of these tutorials, and when asked what they wanted to study in these special sessions, they responded with three questions preoccupying them at the time: "Why was Spinoza excommunicated from the synagogue? Could German Idealism be held accountable for Nazism? And how was one to understand existential theology, including the work of Martin Buber?" Butler attended Bennington College before transferring to Yale University, where they studied philosophy and received a Bachelor of Arts in 1978 and a Doctor of Philosophy in 1984. They spent one academic year at Heidelberg University as a Fulbright Scholar. Butler taught at Wesleyan University, George Washington University, and Johns Hopkins University before joining University of California, Berkeley, in 1993. In 2002, they held the Spinoza Chair of Philosophy at the University of Amsterdam. In addition, they joined the department of English and Comparative Literature at Columbia University as Wun Tsun Tam Mellon Visiting Professor of the Humanities in the spring semesters of 2012, 2013 and 2014 with the option of remaining as full-time faculty. Butler serves on the editorial board or advisory board of several academic journals, including Janus Unbound: Journal of Critical Studies, JAC: A Journal of Rhetoric, Culture, and Politics and Signs: Journal of Women in Culture and Society. Overview of major works Performative Acts and Gender Constitution (1988) In the essay "Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory" Judith Butler proposes that gender is performative. Because gender identity is established through behavior, there is a possibility to construct different genders via different behaviors. Gender Trouble (1990) Gender Trouble: Feminism and the Subversion of Identity was first published in 1990, selling over 100,000 copies internationally, in multiple languages. Gender Trouble discusses the works of Sigmund Freud, Simone de Beauvoir, Julia Kristeva, Jacques Lacan, Luce Irigaray, Monique Wittig, Jacques Derrida, and Michel Foucault. Butler offers a critique of the terms gender and sex as they have been used by feminists. Butler argues that feminism made a mistake in trying to make "women" a discrete, ahistorical group with common characteristics. Butler writes that this approach reinforces the binary view of gender relations. Butler believes that feminists should not try to define "women" and they also believe that feminists should "focus on providing an account of how power functions and shapes our understandings of womanhood not only in the society at large but also within the feminist movement." Finally, Butler aims to break the supposed links between sex and gender so that gender and desire can be "flexible, free floating and not caused by other stable factors". The idea of identity as free and flexible and gender as a performance, not an essence, is one of the foundations of queer theory. Imitation and Gender Insubordination (1991) This is Butler's contribution to Inside/Out: Lesbian Theories, Gay Theories, a collection of the writings of gay and lesbian social theorists. Butler argues that no transparent revelation is afforded by the terms "gay" or "lesbian" yet there is a political imperative to do so. Butler employs "the concepts of play/performance, drag, and imitation to describe the formation of gender and sexuality as continually created subjectivities always at risk of dissolution from non-performance." Bodies That Matter (1993) Bodies That Matter: On the Discursive Limits of "Sex" seeks to clear up readings and supposed misreadings of performativity that view the enactment of sex/gender as a daily choice. Butler emphasizes the role of repetition in performativity, making use of Derrida's theory of iterability, which is a form of citationality: Performativity cannot be understood outside of a process of iterability, a regularized and constrained repetition of norms. And this repetition is not performed by a subject; this repetition is what enables a subject and constitutes the temporal condition for the subject. This iterability implies that 'performance' is not a singular 'act' or event, but a ritualized production, a ritual reiterated under and through constraint, under and through the force of prohibition and taboo, with the threat of ostracism and even death controlling and compelling the shape of the production, but not, I will insist, determining it fully in advance. Excitable Speech (1997) In Excitable Speech: A Politics of the Performative, Butler surveys the problems of hate speech and censorship. They argue that censorship is difficult to evaluate, and that in some cases it may be useful or even necessary, while in others it may be worse than tolerance. Butler argues that hate speech exists retrospectively, only after being declared such by state authorities. In this way, the state reserves for itself the power to define hate speech and, conversely, the limits of acceptable discourse. In this connection, Butler criticizes feminist legal scholar Catharine MacKinnon's argument against pornography for its unquestioning acceptance of the state's power to censor. Deploying Foucault's argument from the first volume of The History of Sexuality, Butler claims that any attempt at censorship, legal or otherwise, necessarily propagates the very language it seeks to forbid. As Foucault argues, for example, the strict sexual mores of 19th-century Western Europe did nothing but amplify the discourse of sexuality they sought to control. Extending this argument using Derrida and Lacan, Butler claims that censorship is primitive to language, and that the linguistic "I" is a mere effect of an originary censorship. In this way, Butler questions the possibility of any genuinely oppositional discourse; "If speech depends upon censorship, then the principle that one might seek to oppose is at once the formative principle of oppositional speech". Undoing Gender (2004) Undoing Gender collects Butler's reflections on gender, sex, sexuality, psychoanalysis and the medical treatment of intersex people for a more general readership than many of their other books. Butler revisits and refines their notion of performativity and focuses on the question of undoing "restrictively normative conceptions of sexual and gendered life". Butler discusses how gender is performed without one being conscious of it, but says that it does not mean this performativity is "automatic or mechanical". They argue that we have desires that do not originate from our personhood, but rather, from social norms. The writer also debates our notions of "human" and "less-than-human" and how these culturally imposed ideas can keep one from having a "viable life" as the biggest concerns are usually about whether a person will be accepted if their desires differ from normality. Butler states that one may feel the need of being recognized in order to live, but that at the same time, the conditions to be recognized make life "unlivable". The writer proposes an interrogation of such conditions so that people who resist them may have more possibilities of living. In Butler's discussion of intersex issues and people, Butler addresses the case of David Reimer, a person whose sex was medically "reassigned" from male to female after a botched circumcision at eight months of age. Reimer was "made" female by doctors, but later in life identified as "really" male, married and became a stepfather to his wife's three children, and went on to tell his story in As Nature Made Him: The Boy Who Was Raised as a Girl, which he wrote with John Colapinto. Reimer died by suicide in 2004. Giving an Account of Oneself (2005) In Giving an Account of Oneself, Butler develops an ethics based on the opacity of the subject to itself; in other words, the limits of self-knowledge. Primarily borrowing from Theodor Adorno, Michel Foucault, Friedrich Nietzsche, Jean Laplanche, Adriana Cavarero and Emmanuel Levinas, Butler develops a theory of the formation of the subject. Butler theorizes the subject in relation to the social – a community of others and their norms – which is beyond the control of the subject it forms, as precisely the very condition of that subject's formation, the resources by which the subject becomes recognizably human, a grammatical "I", in the first place. Butler accepts the claim that if the subject is opaque to itself the limitations of its free ethical responsibility and obligations are due to the limits of narrative, presuppositions of language and projection. Instead Butler argues for an ethics based precisely on the limits of self-knowledge as the limits of responsibility itself. Any concept of responsibility which demands the full transparency of the self to itself, an entirely accountable self, necessarily does violence to the opacity which marks the constitution of the self it addresses. The scene of address by which responsibility is enabled is always already a relation between subjects who are variably opaque to themselves and to each other. The ethics that Butler envisions is therefore one in which the responsible self knows the limits of its knowing, recognizes the limits of its capacity to give an account of itself to others, and respects those limits as symptomatically human. To take seriously one's opacity to oneself in ethical deliberation means then to critically interrogate the social world in which one comes to be human in the first place and which remains precisely that which one cannot know about oneself. In this way, Butler locates social and political critique at the core of ethical practice. Notes Toward a Performative Theory of Assembly (2015) In Notes Toward a Performative Theory of Assembly, Butler discusses the power of public gatherings, considering what they signify and how they work. They use this framework to analyze the power and possibilities of protests, such as the Black Lives Matter protests regarding the deaths of Michael Brown and Eric Garner in 2014. The Force of Nonviolence (2020) In The Force of Nonviolence: An Ethico-Political Bind, Butler connects the ideologies of nonviolence and the political struggle for social equality. They review the traditional understanding of "nonviolence," stating that it "is often misunderstood as a passive practice that emanates from a calm region of the soul, or as an individualist ethical relation to existing forms of power." Instead of this understanding, Butler argues that "nonviolence is an ethical position found in the midst of the political field." Reception Butler's work has been influential in feminist and queer theory, cultural studies, and continental philosophy. Yet their contribution to a range of other disciplines—such as psychoanalysis, literary, film, and performance studies as well as visual arts—has also been significant. Their theory of gender performativity as well as their conception of "critically queer" have not only transformed understandings of gender and queer identity in the academic world, but have shaped and mobilized various kinds of political activism, particularly queer activism, across the globe. Butler's work has also entered into contemporary debates on the teaching of gender, gay parenting, and the depathologization of transgender people. Before election to the papacy, Pope Benedict XVI wrote several pages challenging Butler's arguments on gender. In several countries, Butler became the symbol of the destruction of traditional gender roles for reactionary movements. This was particularly the case in France during the anti-gay marriage protests. Bruno Perreau has written that Butler was literally depicted as an "antichrist", both because of their gender and their Jewish identity, the fear of minority politics and critical studies being expressed through fantasies of a corrupted body. Some academics and political activists maintain that Butler's radical departure from the sex/gender dichotomy and Butler's non-essentialist conception of gender—along with their insistence that power helps form the subject—revolutionized feminist and queer praxis, thought, and studies. Darin Barney of McGill University wrote that: In 1998, Denis Dutton's journal Philosophy and Literature awarded Butler first prize in its fourth annual "Bad Writing Competition", which set out to "celebrate bad writing from the most stylistically lamentable passages found in scholarly books and articles." Butler's unwitting entry, which ran in a 1997 issue of the scholarly journal Diacritics, ran thus: Some critics have accused Butler of elitism due to their difficult prose style, while others claim that Butler reduces gender to "discourse" or promotes a form of gender voluntarism. Susan Bordo, for example, has argued that Butler reduces gender to language and has contended that the body is a major part of gender, in opposition to Butler's conception of gender as performative. A particularly vocal critic has been feminist Martha Nussbaum, who has argued that Butler misreads J. L. Austin's idea of performative utterance, makes erroneous legal claims, forecloses an essential site of resistance by repudiating pre-cultural agency, and provides no "normative theory of social justice and human dignity." Finally, Nancy Fraser's critique of Butler was part of a famous exchange between the two theorists. Fraser has suggested that Butler's focus on performativity distances them from "everyday ways of talking and thinking about ourselves. ... Why should we use such a self-distancing idiom?" Butler responded to criticisms of their prose in the preface to the 1999 edition of their book, Gender Trouble. More recently, several critics—most prominently, Viviane Namaste —have criticised Judith Butler's Undoing Gender for under-emphasizing the intersectional aspects of gender-based violence. For example, Timothy Laurie notes that Butler's use of phrases like "gender politics" and "gender violence" in relation to assaults on transgender individuals in the United States can "[scour] a landscape filled with class and labour relations, racialised urban stratification, and complex interactions between sexual identity, sexual practices and sex work", and produce instead "a clean surface on which struggles over 'the human' are imagined to play out". German feminist Alice Schwarzer speaks of Butler's "radical intellectual games" that would not change how society classifies and treats a woman; thus, by eliminating female and male identity Butler would have abolished the discourse about sexism in the queer community. Schwarzer also accuses Butler of remaining silent about the oppression of women and homosexuals in the Islamic world, while readily exercising their right to same-sex-marriage in the United States; instead, Butler would sweepingly defend Islam, including Islamism, from critics. Political activism Much of Butler's early political activism centered around queer and feminist issues, and they served, for a period of time, as the chair of the board of the International Gay and Lesbian Human Rights Commission. Over the years, Butler has been particularly active in the gay and lesbian rights, feminist, and anti-war movements. They have also written and spoken out on issues ranging from affirmative action and gay marriage to the wars in Iraq and Afghanistan, and the prisoners detained at Guantanamo Bay. More recently, Butler has been active in the Occupy movement and has publicly expressed support for a version of the 2005 BDS (Boycott, Divestment and Sanctions) campaign against Israel. They emphasize that Israel does not and should not be taken to represent all Jews or Jewish opinion. On September 7, 2006, Butler participated in a faculty-organized teach-in against the 2006 Lebanon War at the University of California, Berkeley. Another widely publicized moment occurred in June 2010, when Butler refused the Civil Courage Award (Zivilcouragepreis) of the Christopher Street Day (CSD) Parade in Berlin, Germany at the award ceremony. They cited racist comments on the part of organizers and a general failure of CSD organizations to distance themselves from racism in general and from anti-Muslim excuses for war more specifically. Criticizing the event's commercialism, Butler went on to name several groups that they commended as stronger opponents of "homophobia, transphobia, sexism, racism, and militarism". In October 2011, Butler attended Occupy Wall Street and, in reference to calls for clarification of the protesters' demands, they said: People have asked, so what are the demands? What are the demands all of these people are making? Either they say there are no demands and that leaves your critics confused, or they say that the demands for social equality and economic justice are impossible demands. And the impossible demands, they say, are just not practical. If hope is an impossible demand, then we demand the impossible – that the right to shelter, food and employment are impossible demands, then we demand the impossible. If it is impossible to demand that those who profit from the recession redistribute their wealth and cease their greed, then yes, we demand the impossible. Butler is an executive member of FFIPP – Educational Network for Human Rights in Israel/Palestine. They are also a member of the advisory board of Jewish Voice for Peace. In mainstream US politics, they expressed support for Hillary Clinton in the 2016 election. Adorno Prize affair When Butler received the 2012 Adorno Prize, the prize committee came under attack from Israel's Ambassador to Germany Yakov Hadas-Handelsman; the director of the Simon Wiesenthal Center's office in Jerusalem, Efraim Zuroff; and the German Central Council of Jews. They were upset at Butler's selection because of Butler's remarks about Israel and specifically Butler's "calls for a boycott against Israel". Butler responded saying that "[Butler] did not take attacks from German Jewish leaders personally". Rather, they wrote, the attacks are "directed against everyone who is critical against Israel and its current policies". In a letter to the Mondoweiss website, Butler asserted that they developed strong ethical views on the basis of Jewish philosophical thought and that it is "blatantly untrue, absurd, and painful for anyone to argue that those who formulate a criticism of the State of Israel is anti-Semitic or, if Jewish, self-hating". Comments on Hamas and Hezbollah Butler was criticized for statements they had made about Hamas and Hezbollah. Butler was accused of describing them as "social movements that are progressive, that are on the Left, that are part of a global Left." They were accused of defending "Hezbollah and Hamas as progressive organizations" and supporting their tactics. Butler responded to these criticisms by stating that their remarks on Hamas and Hezbollah were taken completely out of context and, in so doing, their established views on non-violence were contradicted and misrepresented. Butler describes the origin of their remarks on Hamas and Hezbollah in the following way: I was asked by a member of an academic audience a few years ago whether I thought Hamas and Hezbollah belonged to "the global left" and I replied with two points. My first point was merely descriptive: those political organizations define themselves as anti-imperialist, and anti-imperialism is one characteristic of the global left, so on that basis one could describe them as part of the global left. My second point was then critical: as with any group on the left, one has to decide whether one is for that group or against that group, and one needs to critically evaluate their stand. Comments on Black Lives Matter In a January 2015 interview with George Yancy of The New York Times, Butler discussed the Black Lives Matter movement. They said: What is implied by this statement [Black Lives Matter], a statement that should be obviously true, but apparently is not? If black lives do not matter, then they are not really regarded as lives, since a life is supposed to matter. So what we see is that some lives matter more than others, that some lives matter so much that they need to be protected at all costs, and that other lives matter less, or not at all. And when that becomes the situation, then the lives that do not matter so much, or do not matter at all, can be killed or lost, can be exposed to conditions of destitution, and there is no concern, or even worse, that is regarded as the way it is supposed to be...When people engage in concerted actions across racial lines to build communities based on equality, to defend the rights of those who are disproportionately imperiled to have a chance to live without the fear of dying quite suddenly at the hands of the police. There are many ways to do this, in the street, the office, the home, and in the media. Only through such an ever-growing cross-racial struggle against racism can we begin to achieve a sense of all the lives that really do matter. The dialogue draws heavily on their 2004 book Precarious Life: The Powers of Mourning and Violence. Avital Ronell sexual harassment case On May 11, 2018, Butler led a group of scholars in writing a letter to New York University following the sexual harassment suit filed by a former NYU graduate student against his advisor Avital Ronell. The signatories acknowledged not having had access to the confidential findings of the investigation that followed the Title IX complaint against Ronell. Nonetheless, they accused the complainant of waging a "malicious campaign" against Ronell. The signatories also wrote that the presumed "malicious intention has animated and sustained this legal nightmare" for a highly regarded scholar. "If she were to be terminated or relieved of her duties, the injustice would be widely recognized and opposed." Butler, the chief signatory, invoked their title as President Elect of the Modern Language Association. James J. Marino, a professor at Cleveland State University and a member of the MLA, started a petition to demand Butler's resignation or removal from their post. He argued that "Protesting against one instance of punishment is only a means to the larger end of preserving senior faculty's privilege of impunity. ... [Butler] was standing up for an old, corrupt, and long-standing way of doing business. The time for doing business that way is over. We should never look back." Some three months later, Butler apologized to the MLA for the letter. "I acknowledged that I should not have allowed the MLA affiliation to go forward with my name," Butler wrote to the Chronicle of Higher Education. "I expressed regret to the MLA officers and staff, and my colleagues accepted my apology. I extend that same apology to MLA members." Comments on the anti-gender movement and trans-exclusionary radical feminism Butler said in 2020 that trans-exclusionary radical feminism is "a fringe movement that is seeking to speak in the name of the mainstream, and that our responsibility is to refuse to let that happen." In 2021 they described the anti-gender movements as fascist trends and cautioned self-declared feminists from allying with such movements in targeting trans, non-binary, and genderqueer people. Butler also explored the issue in a 2019 paper in which they argued that "the confusion of discourses is part of what constitutes the fascist structure and appeal of at least some of these [anti-gender] movements. One can oppose gender as a cultural import from the North at the same time that one can see that very opposition as a social movement against further colonization of the South. The result is not a turn to the Left, but an embrace of ethno-nationalism." The Guardian interview On September 7, 2021, The Guardian published an interview of Butler by Jules Gleeson that included Butler's critique of trans-exclusionary feminists ("gender critical feminists" or "TERFs"). In response to a question about the Wi Spa controversy, Butler stated that "The anti-gender ideology is one of the dominant strains of fascism in our times." Within a few hours of publication, three paragraphs including this statement were removed, with a note explaining "This article was edited on 7 September 2021 to reflect developments which occurred after the interview took place." The Guardian was then accused of censoring Judith Butler for having compared TERFs to fascists. British writer Roz Kaveney called it "a truly shocking moment of bigoted dishonesty", while British transgender activist and writer Juno Dawson, among others, observed that The Guardian had inadvertently triggered the Streisand effect, in which an attempt to censor yields the unintended consequence of increasing awareness of a topic. The next day, The Guardian acknowledged "a failure in our editorial standards". Personal life Butler is a lesbian, legally non-binary, and goes by she or they pronouns, but said in 2020 that they prefer "they", and indicated that they were "never at home" with being assigned "female" at birth. They live in Berkeley with their partner Wendy Brown and son, Isaac. Selected honors and awards Butler has had a visiting appointment at Birkbeck, University of London (2009–). 1999: Guggenheim Fellowship 2007: Elected to the American Philosophical Society 2008: Mellon Award for their exemplary contributions to scholarship in the humanities 2010: "25 Visionaries Who Are Changing Your World", Utne Reader 2012: Theodor W. Adorno Award 2013: Doctorate of Letters, honoris causa, University of St. Andrews 2013: Doctorate of Letters, honoris causa, McGill University 2014: Doctorate of Letters, honoris causa, University of Fribourg 2014: Named one of PinkNews's top 11 Jewish gay and lesbian icons 2015: Elected as a Corresponding Fellow of the British Academy 2018: Doctorate of Letters, honoris causa, University of Belgrade 2018: Butler delivered the Gifford Lectures with their series entitled 'My Life, Your Life: Equality and the Philosophy of Non-Violence' 2019: Elected as Fellow to the American Academy of Arts and Sciences. Publications All of Butler's books have been translated into numerous languages; Gender Trouble, alone, has been translated into twenty-seven languages. In addition, they have co-authored and edited over a dozen volumes—the most recent of which is Dispossession: The Performative in the Political (2013), coauthored with Athena Athanasiou. Over the years Butler has also published many influential essays, interviews, and public presentations. Butler is considered by many as "one of the most influential voices in contemporary political theory," and as the most widely read and influential gender theorist in the world. The following is a partial list of Butler's publications. Books [Their doctoral dissertation.] Book chapters A collection of essays on the work of Avital Ronell. Details. Notes References Further reading Chambers, Samuel A. and Terrell Carver. 'Judith Butler and Political Theory: Troubling Politics. New York: Routledge, 2008. Cheah, Pheng, "Mattering," Diacritics, Volume 26, Number 1, Spring 1996, pp. 108–139. Kirby, Vicki. Judith Butler: Live Theory. London: Continuum, 2006. Eldred, Michael, [http://www.arte-fact.org/mtphysfm.html 'Metaphysics of Feminism: A Critical Note on Judith Butler's Gender Trouble] 2008. From the paper's abstract: In this paper we contribute to these [sexualization of culture] debates by presenting 'technologies of sexiness', a theoretical framework that draws on Foucauldian theorizing of technologies of the self and Butler's work on performativity. Pdf. Considers performativity from a linguistic perspective. Perreau, Bruno. Queer Theory: The French Response, Stanford, CA, Stanford University Press, 2016. Salih, Sarah. The Judith Butler Reader. Malden, Massachusetts: Blackwell, 2004. —. Routledge Critical Thinkers: Judith Butler. New York: Routledge, 2002. Schippers, Birgit. The Political Philosophy of Judith Butler. New York: Routledge, 2014. Thiem, Annika. Unbecoming Subjects: Judith Butler, Moral Philosophy, and Critical Responsibility. New York: Fordham University Press, 2008. External links Biography – University of California, Berkeley approach the notion of affinity through a discussion of "Disruptive Kinship," co-sponsored by Villa Gillet and the School of Writing at The New School for Public Engagement. Interview of Judith Butler about their new book "Frames of War" on New Statesman Review of "Giving an Account of Oneself. Ethical Violence and Responsibility", by Judith Butler, Barcelona Metropolis Autumn 2010. "Dictionary of Literary Biography on Judith P. Butler (page 3)" Interview with Judith Butler about politics, economy, control societies, gender and identity (2011) 1956 births Living people 20th-century American non-fiction writers 20th-century American philosophers 21st-century American non-fiction writers 21st-century American philosophers American democratic socialists American ethicists American feminist writers American literary critics American people of Hungarian-Jewish descent American people of Russian-Jewish descent American political philosophers American social commentators Anti-Zionism in the United States American Ashkenazi Jews Columbia University faculty Continental philosophers Corresponding Fellows of the British Academy Critical theorists Critics of neoconservatism Critics of religions Cultural critics Environmental philosophers Epistemologists European Graduate School faculty Feminist philosophers Feminist studies scholars Feminist theorists Framing theorists Gender studies academics Jewish American academics Jewish American social scientists Jewish American writers Jewish anti-Zionism in the United States Jewish ethicists Jewish feminists Jewish socialists Jewish women writers Jews and Judaism in Cleveland Lesbian academics Lesbian scientists Lesbian feminists American lesbian writers LGBT academics LGBT and Judaism LGBT Jews LGBT people from Ohio LGBT scientists from the United States Literary theorists Literature educators Mass media theorists Metaphysicians Moral philosophers Non-binary writers Ontologists Palestinian solidarity activists Phenomenologists Philosophers from Ohio Philosophers of culture Philosophers of education Philosophers of ethics and morality Philosophers of history Philosophers of Judaism Philosophers of literature Philosophers of psychology Philosophers of science Philosophers of sexuality Philosophy writers Political philosophers Post-Zionists Postmodern feminists Poststructuralists Queer theorists Social critics Social philosophers Transfeminists Transgender studies academics University of California, Berkeley faculty Wesleyan University faculty Women literary critics Writers from Cleveland Writers from Shaker Heights, Ohio Yale University alumni LGBT philosophers American women critics	false	[ "Fátima Langa (June 24, 1953 – June 24, 2017) was a Mozambican writer, primarily of stories for young readers, which drew on her childhood in southeastern Mozambique. She was the founder of the publishing house Editora Mulheres e Jovens Moçambicanos.\n\nBiography \nFátima José Correia Langa was born in 1953 in Bahanine, Manjacaze District, in what was then Portuguese Mozambique. She was the oldest of 10 children. \n\nUntil she was six years old, she only spoke Chopi. She learned to speak Portuguese in primary school, continuing her education in Xai-Xai and then in the Mozambican capital, Maputo.\n\nSince she was a child, Langa had told stories in her native language around the fire, but it did not occur to her to publish them. But she was encouraged by the Mozambican writer Lília Momplé to begin writing them down.\n\nShe began to publish stories and poems in various newspapers and magazines, but she did not publish her first book, Uma Jibóia no Congelador (\"A Boa Constrictor in the Freezer\"), until 2004.\n\nShe went on to publish at least 10 children's books, which present educational stores anchored in daily life, usually using anthropomorphic animals to illustrate everyday situations. Her books were published in various local languages, including Chopi, Makhuwa, Chuwabu, and Makonde, as well as in Braille.\n\nWith the support of the Fundação Fernando Leite Couto, two of Langa's books, Ndinema vai à escola and O gato e o coelho, were turned into plays.\n\nIn 2010, at age 57, she enrolled at Eduardo Mondlane University, where she obtained a bachelor's degree in journalism.\n\nShe founded her own publishing house, Editora Mulheres e Jovens Moçambicanos (Mozambican Women and Youth Publishing, or EMUJOMO), in 2015. She was also a founding member of Muchefa, an association of women heads of household, which supports women and children in need as well as people with HIV/AIDS.\n\nShe died on June 24, 2017, after falling ill while preparing to celebrate her 64th birthday.\n\nSelected works \n\n 2004: Uma Jibóia no Congelador\n 2006: Vhembeleti e outros\n 2012: O menino e a raposa \n 2013: O coelho e a água\n 2014: O leão, a mulher e a criança\n 2015: O galo e o coelho\n 2015: A gazela, o carneiro e o coelho\n 2015: Ndinema e o final de ano\n 2016: Memórias de uma inclui\n 2016: Ndinema vai à escola\n\nReferences \n\n1953 births\n2017 deaths\nMozambican women writers\nMozambican children's writers", "An editorial calendar, or publishing schedule, is used by bloggers, publishers, businesses, and groups to control publication of content across different media, for example, newspaper, magazine, blog, email newsletters, and social media outlets.\n\nPublishers also extract some of their editorial calendar data and make the data publicly available to attract advertisers. Public relations professionals also use these abbreviated editorial calendars to try to place stories for their clients. However, the primary purpose of editorial calendars is to control the publication of content to ensure regular appearance of content that interests readers and advertisers.\n\nTraditional print publishers have used editorial calendars in some form for centuries to manage the publication of books, magazines, and newspapers. The internet has dramatically increased the number of publishers who also need to organize content and ensure content is published at regular intervals.\n\nEditorial calendars are used to define and control the process of creating content, from idea through writing and publication. An individual or small business might have this publishing process:\n Brainstorm content ideas to publish, where to publish, and when to publish\n Write each piece of content based on the publication schedule\n Edit each piece of content\n Publish each piece of content\n\nA larger group might have this publishing process:\n Brainstorm content ideas to publish, where to publish, and when to publish; include backup content items for each piece of content; include dates to determine whether to delay or kill each content item (for example, if a writer becomes ill or an interview subject is unavailable)\n Assign each piece of content based on the publication schedule\n Write each piece of content\n Review the first draft of each piece of content\n Give \"go\" or \"no go\" decision based on first draft edit and other criteria (then adjust the publishing schedule as needed)\n If go, finish writing each piece of content and submit draft content to the layout team so they can plan their work\n Perform final edit, copy edit, fact checking, and rewrites as needed\n Submit piece of content for review by legal team\n Make changes if or as needed based on legal input\n Submit piece of content formally to layout team for their creation of artwork to be included with the published content\n Post content on a development or test server and make final changes if needed\n Publish content on the production server or other media\n\nWhether the publishing process is simple or complex, the movement is forward and iterative. Publishers encounter and cross a number of hurdles before a piece of content appears in print, on a website or blog, or in a social media outlet like Twitter or Facebook.\n\nThe details included and tracked in an editorial calendar depend upon the steps involved in publishing content for a publication, as well as what is useful to track. Too little or too much data make editorial calendars difficult to maintain and use. Some amount of tweaking of editorial calendar elements, while using the calendar to publish content, is required before they can be truly useful.\n\nContent creation process\nIn addition to the editorial process, each type of content has its own creation process that an editorial calendar must accommodate. The steps and effort to conduct, write, and publish an interview are different from those needed to publish an editorial. Understanding the different creation processes involved helps to set realistic dates in an editorial calendar.\n\nContent ideas usually are created through brainstorming, based on current events, and other sources. Publications often group story ideas to be published on specific days of the week, for example, an environmental news site might publish research articles on Mondays and interviews with industry leaders on Thursdays. Grouping content helps train readers to return at regular intervals and makes it easier to organize advertising around these themes.\n\nTools\nTools used to create an editorial calendar vary from paper to standalone tracking software integrated into publishing tools. There are at least four types of technology used to create an editorial calendar:\n Pieces of paper and a file folder\n A paper calendar or online calendar (for example, Google Calendar)\n A spreadsheet or online spreadsheet (for example, Excel or Google Docs)\n Editorial process tracking software in publishing software\n\nEach of these technologies has its strengths and weaknesses. Most editorial calendars are spreadsheets or can be exported as a spreadsheet for review. The spreadsheet has tabs that reflect the publishing process, for example, a tab for story ideas, a tab for stories currently being written and edited, and a tab for published stories. There might be additional tabs to track editorial style decisions and scheduled changes to the blog that might impact publishing. Within each spreadsheet tab, there might be columns to track the name of the published piece, the assigned author, the publication destination, micro content (for example, sub headings and HTML alt and title tags to be used in links to the piece of content) and other useful information to track.\n\nSome editorial calendars also track the responses to each piece of content, for example, the number of tweets, Facebook likes, and links to the content from third party websites. This performance data allows the publisher to identify content that appeals most to their readers and larger audience. These results, in turn, can be used to generate new story ideas and, if appropriate, attract advertisers.\n\nStructure and elements\nWhether the publisher uses a paper calendar, a spreadsheet, or software integrated with their publishing tool, the calendar usually tracks publishing activities grouped into these sections:\n Story ideas\n Content production calendar\n Published content\n Glossary of terms or style decisions\n\nContent then moves from one section to the next, from story idea to published content. The glossary and style decisions section contains details editors and authors need to ensure the publication retains a consistent style and tone. If a spreadsheet is used for an editorial calendar, each section would be a tab. If paper is used to track publication, a page for each section in a file folder with notes about style decisions and glossary might work.\n\nWithin each section of an editorial calendar, these elements might be tracked:\n Story title\n Author\n Publication date\n Media outlet (e.g. blog, print magazine, or email newsletter)\n Theme (or section)\n Priority\n Status (e.g. active or inactive)\n\nThere also might be columns to check off whether or not micro-content has been created, for example, story blurbs, sub headings, and search optimized descriptions for HTML links and tags. Or there might be columns to check off whether or not a legal review has been passed, images have been created for the story, or other parts of the actual publishing process.\n\nReferences\n\nFurther reading\nThese resources describe the editorial calendar process in greater detail, as well as additional insights into how editorial calendars can be used effectively.\n Creating a Facebook Content Calendar – Tips for creating a Facebook editorial content calendar\n Blogging For Web Designers: Editorial Calendars and Style Guides – General overview from Smashing Magazine with strong emphasis on style guides\n How to Put Together an Editorial Calendar for Content Marketing – Covers editorial calendars from a marketing perspective\n\nAdvertising\nBlogging\nPublic relations\nPublishing\nSocial information processing" ]
[ "Judith Butler", "\"Performative Acts and Gender Constitution\" (1988)", "What is Performative Acts and Gender Consitution?", "Butler argues that the performance of gender itself creates gender. Additionally, she compares the performativity of gender to the performance of the theater.", "How does she compare them?", "She brings many similarities, including the idea of each individual functioning as an actor of their gender.", "Was her argument well received?", "However, she also brings into light a critical difference between gender performance in reality and theater performances.", "What is the difference/", "She explains how the theater is much less threatening and does not produce the same fear that gender performances often encounter", "What is the result of this?", "Butler uses Sigmund Freud's notion of how a person's identity is modeled in terms of the normal.", "Where did she publish this piece?", "She revises Freud's notion of this concept's applicability to lesbianism," ]	C_d9b9c91dd063459692c2b13e18d4a5e6_0	How does she revise this?	7	How does Judith Butler revise Freud's notion?	Judith Butler	In this essay, Judith Butler proposes her theory of gender performativity, which would be later taken up in 1990 throughout her work, Gender Trouble. She begins by basing her theory of gender performativity on a feminist phenomenological point of view. She suggests that both phenomenology and feminism ground their theories in "lived experience". Further, in comparing phenomenologist Maurice Merleau-Ponty and feminist Simone de Beauvoir, Butler argues that both theories view the sexual body as a historical idea or situation; she accepts this notion of a "distinction between sex, as biological facticity, and gender, as the cultural interpretation or signification of that facticity". This combination of theories is essential for founding Butler's view of "theatrical" or performative genders in society. Butler argues that it is more valid to perceive gender as a performance in which an individual agent acts. The performative element of her theory suggests a social audience. For Butler, the "script" of gender performance is effortlessly transmitted generation to generation in the form of socially established "meanings": She states, "gender is not a radical choice... [nor is it] imposed or inscribed upon the individual". Given the social nature of human beings, most actions are witnessed, reproduced, and internalized and thus take on a performative or theatric quality. With Butler's theory, gender is essentially a performative repetition of acts associated with the male or female. Currently, the actions appropriate for men and women have been transmitted to produce a social atmosphere that both maintains and legitimizes a seemingly natural gender binary. Consistently with her acceptance of the body as a historical idea, she suggests that our concept of gender is seen as natural or innate because the body "becomes its gender through a series of acts which are renewed, revised, and consolidated through time". Butler argues that the performance of gender itself creates gender. Additionally, she compares the performativity of gender to the performance of the theater. She brings many similarities, including the idea of each individual functioning as an actor of their gender. However, she also brings into light a critical difference between gender performance in reality and theater performances. She explains how the theater is much less threatening and does not produce the same fear that gender performances often encounter because of the fact that there is a clear distinction from reality within the theater. Butler uses Sigmund Freud's notion of how a person's identity is modeled in terms of the normal. She revises Freud's notion of this concept's applicability to lesbianism, where Freud says that lesbians are modeling their behavior on men, the perceived normal or ideal. She instead says that all gender works in this way of performativity and a representing of an internalized notion of gender norms. CANNOTANSWER	She instead says that all gender works in this way of performativity and a representing of an internalized notion of gender norms.	Judith Pamela Butler (born February 24, 1956) is an American philosopher and gender theorist whose work has influenced political philosophy, ethics, and the fields of third-wave feminism, queer theory, and literary theory. In 1993, Butler began teaching at the University of California, Berkeley, where they have served, beginning in 1998, as the Maxine Elliot Professor in the Department of Comparative Literature and the Program of Critical Theory. They are also the Hannah Arendt Chair at the European Graduate School. Butler is best known for their books Gender Trouble: Feminism and the Subversion of Identity (1990) and Bodies That Matter: On the Discursive Limits of Sex (1993), in which they challenge conventional notions of gender and develop their theory of gender performativity. This theory has had a major influence on feminist and queer scholarship. Their work is often studied and debated in film studies courses emphasizing gender studies and performativity in discourse. Butler has supported lesbian and gay rights movements, and they have spoken out on many contemporary political issues, including criticism of Israeli politics. Early life and education Judith Butler was born on February 24, 1956, in Cleveland, Ohio, to a family of Hungarian-Jewish and Russian-Jewish descent. Most of their maternal grandmother's family perished in the Holocaust. Butler's parents were practicing Reform Jews. Their mother was raised Orthodox, eventually becoming Conservative and then Reform, while their father was raised Reform. As a child and teenager, Butler attended both Hebrew school and special classes on Jewish ethics, where they received their "first training in philosophy". Butler stated in a 2010 interview with Haaretz that they began the ethics classes at the age of 14 and that they were created as a form of punishment by Butler's Hebrew school's Rabbi because they were "too talkative in class". Butler also stated that they were "thrilled" by the idea of these tutorials, and when asked what they wanted to study in these special sessions, they responded with three questions preoccupying them at the time: "Why was Spinoza excommunicated from the synagogue? Could German Idealism be held accountable for Nazism? And how was one to understand existential theology, including the work of Martin Buber?" Butler attended Bennington College before transferring to Yale University, where they studied philosophy and received a Bachelor of Arts in 1978 and a Doctor of Philosophy in 1984. They spent one academic year at Heidelberg University as a Fulbright Scholar. Butler taught at Wesleyan University, George Washington University, and Johns Hopkins University before joining University of California, Berkeley, in 1993. In 2002, they held the Spinoza Chair of Philosophy at the University of Amsterdam. In addition, they joined the department of English and Comparative Literature at Columbia University as Wun Tsun Tam Mellon Visiting Professor of the Humanities in the spring semesters of 2012, 2013 and 2014 with the option of remaining as full-time faculty. Butler serves on the editorial board or advisory board of several academic journals, including Janus Unbound: Journal of Critical Studies, JAC: A Journal of Rhetoric, Culture, and Politics and Signs: Journal of Women in Culture and Society. Overview of major works Performative Acts and Gender Constitution (1988) In the essay "Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory" Judith Butler proposes that gender is performative. Because gender identity is established through behavior, there is a possibility to construct different genders via different behaviors. Gender Trouble (1990) Gender Trouble: Feminism and the Subversion of Identity was first published in 1990, selling over 100,000 copies internationally, in multiple languages. Gender Trouble discusses the works of Sigmund Freud, Simone de Beauvoir, Julia Kristeva, Jacques Lacan, Luce Irigaray, Monique Wittig, Jacques Derrida, and Michel Foucault. Butler offers a critique of the terms gender and sex as they have been used by feminists. Butler argues that feminism made a mistake in trying to make "women" a discrete, ahistorical group with common characteristics. Butler writes that this approach reinforces the binary view of gender relations. Butler believes that feminists should not try to define "women" and they also believe that feminists should "focus on providing an account of how power functions and shapes our understandings of womanhood not only in the society at large but also within the feminist movement." Finally, Butler aims to break the supposed links between sex and gender so that gender and desire can be "flexible, free floating and not caused by other stable factors". The idea of identity as free and flexible and gender as a performance, not an essence, is one of the foundations of queer theory. Imitation and Gender Insubordination (1991) This is Butler's contribution to Inside/Out: Lesbian Theories, Gay Theories, a collection of the writings of gay and lesbian social theorists. Butler argues that no transparent revelation is afforded by the terms "gay" or "lesbian" yet there is a political imperative to do so. Butler employs "the concepts of play/performance, drag, and imitation to describe the formation of gender and sexuality as continually created subjectivities always at risk of dissolution from non-performance." Bodies That Matter (1993) Bodies That Matter: On the Discursive Limits of "Sex" seeks to clear up readings and supposed misreadings of performativity that view the enactment of sex/gender as a daily choice. Butler emphasizes the role of repetition in performativity, making use of Derrida's theory of iterability, which is a form of citationality: Performativity cannot be understood outside of a process of iterability, a regularized and constrained repetition of norms. And this repetition is not performed by a subject; this repetition is what enables a subject and constitutes the temporal condition for the subject. This iterability implies that 'performance' is not a singular 'act' or event, but a ritualized production, a ritual reiterated under and through constraint, under and through the force of prohibition and taboo, with the threat of ostracism and even death controlling and compelling the shape of the production, but not, I will insist, determining it fully in advance. Excitable Speech (1997) In Excitable Speech: A Politics of the Performative, Butler surveys the problems of hate speech and censorship. They argue that censorship is difficult to evaluate, and that in some cases it may be useful or even necessary, while in others it may be worse than tolerance. Butler argues that hate speech exists retrospectively, only after being declared such by state authorities. In this way, the state reserves for itself the power to define hate speech and, conversely, the limits of acceptable discourse. In this connection, Butler criticizes feminist legal scholar Catharine MacKinnon's argument against pornography for its unquestioning acceptance of the state's power to censor. Deploying Foucault's argument from the first volume of The History of Sexuality, Butler claims that any attempt at censorship, legal or otherwise, necessarily propagates the very language it seeks to forbid. As Foucault argues, for example, the strict sexual mores of 19th-century Western Europe did nothing but amplify the discourse of sexuality they sought to control. Extending this argument using Derrida and Lacan, Butler claims that censorship is primitive to language, and that the linguistic "I" is a mere effect of an originary censorship. In this way, Butler questions the possibility of any genuinely oppositional discourse; "If speech depends upon censorship, then the principle that one might seek to oppose is at once the formative principle of oppositional speech". Undoing Gender (2004) Undoing Gender collects Butler's reflections on gender, sex, sexuality, psychoanalysis and the medical treatment of intersex people for a more general readership than many of their other books. Butler revisits and refines their notion of performativity and focuses on the question of undoing "restrictively normative conceptions of sexual and gendered life". Butler discusses how gender is performed without one being conscious of it, but says that it does not mean this performativity is "automatic or mechanical". They argue that we have desires that do not originate from our personhood, but rather, from social norms. The writer also debates our notions of "human" and "less-than-human" and how these culturally imposed ideas can keep one from having a "viable life" as the biggest concerns are usually about whether a person will be accepted if their desires differ from normality. Butler states that one may feel the need of being recognized in order to live, but that at the same time, the conditions to be recognized make life "unlivable". The writer proposes an interrogation of such conditions so that people who resist them may have more possibilities of living. In Butler's discussion of intersex issues and people, Butler addresses the case of David Reimer, a person whose sex was medically "reassigned" from male to female after a botched circumcision at eight months of age. Reimer was "made" female by doctors, but later in life identified as "really" male, married and became a stepfather to his wife's three children, and went on to tell his story in As Nature Made Him: The Boy Who Was Raised as a Girl, which he wrote with John Colapinto. Reimer died by suicide in 2004. Giving an Account of Oneself (2005) In Giving an Account of Oneself, Butler develops an ethics based on the opacity of the subject to itself; in other words, the limits of self-knowledge. Primarily borrowing from Theodor Adorno, Michel Foucault, Friedrich Nietzsche, Jean Laplanche, Adriana Cavarero and Emmanuel Levinas, Butler develops a theory of the formation of the subject. Butler theorizes the subject in relation to the social – a community of others and their norms – which is beyond the control of the subject it forms, as precisely the very condition of that subject's formation, the resources by which the subject becomes recognizably human, a grammatical "I", in the first place. Butler accepts the claim that if the subject is opaque to itself the limitations of its free ethical responsibility and obligations are due to the limits of narrative, presuppositions of language and projection. Instead Butler argues for an ethics based precisely on the limits of self-knowledge as the limits of responsibility itself. Any concept of responsibility which demands the full transparency of the self to itself, an entirely accountable self, necessarily does violence to the opacity which marks the constitution of the self it addresses. The scene of address by which responsibility is enabled is always already a relation between subjects who are variably opaque to themselves and to each other. The ethics that Butler envisions is therefore one in which the responsible self knows the limits of its knowing, recognizes the limits of its capacity to give an account of itself to others, and respects those limits as symptomatically human. To take seriously one's opacity to oneself in ethical deliberation means then to critically interrogate the social world in which one comes to be human in the first place and which remains precisely that which one cannot know about oneself. In this way, Butler locates social and political critique at the core of ethical practice. Notes Toward a Performative Theory of Assembly (2015) In Notes Toward a Performative Theory of Assembly, Butler discusses the power of public gatherings, considering what they signify and how they work. They use this framework to analyze the power and possibilities of protests, such as the Black Lives Matter protests regarding the deaths of Michael Brown and Eric Garner in 2014. The Force of Nonviolence (2020) In The Force of Nonviolence: An Ethico-Political Bind, Butler connects the ideologies of nonviolence and the political struggle for social equality. They review the traditional understanding of "nonviolence," stating that it "is often misunderstood as a passive practice that emanates from a calm region of the soul, or as an individualist ethical relation to existing forms of power." Instead of this understanding, Butler argues that "nonviolence is an ethical position found in the midst of the political field." Reception Butler's work has been influential in feminist and queer theory, cultural studies, and continental philosophy. Yet their contribution to a range of other disciplines—such as psychoanalysis, literary, film, and performance studies as well as visual arts—has also been significant. Their theory of gender performativity as well as their conception of "critically queer" have not only transformed understandings of gender and queer identity in the academic world, but have shaped and mobilized various kinds of political activism, particularly queer activism, across the globe. Butler's work has also entered into contemporary debates on the teaching of gender, gay parenting, and the depathologization of transgender people. Before election to the papacy, Pope Benedict XVI wrote several pages challenging Butler's arguments on gender. In several countries, Butler became the symbol of the destruction of traditional gender roles for reactionary movements. This was particularly the case in France during the anti-gay marriage protests. Bruno Perreau has written that Butler was literally depicted as an "antichrist", both because of their gender and their Jewish identity, the fear of minority politics and critical studies being expressed through fantasies of a corrupted body. Some academics and political activists maintain that Butler's radical departure from the sex/gender dichotomy and Butler's non-essentialist conception of gender—along with their insistence that power helps form the subject—revolutionized feminist and queer praxis, thought, and studies. Darin Barney of McGill University wrote that: In 1998, Denis Dutton's journal Philosophy and Literature awarded Butler first prize in its fourth annual "Bad Writing Competition", which set out to "celebrate bad writing from the most stylistically lamentable passages found in scholarly books and articles." Butler's unwitting entry, which ran in a 1997 issue of the scholarly journal Diacritics, ran thus: Some critics have accused Butler of elitism due to their difficult prose style, while others claim that Butler reduces gender to "discourse" or promotes a form of gender voluntarism. Susan Bordo, for example, has argued that Butler reduces gender to language and has contended that the body is a major part of gender, in opposition to Butler's conception of gender as performative. A particularly vocal critic has been feminist Martha Nussbaum, who has argued that Butler misreads J. L. Austin's idea of performative utterance, makes erroneous legal claims, forecloses an essential site of resistance by repudiating pre-cultural agency, and provides no "normative theory of social justice and human dignity." Finally, Nancy Fraser's critique of Butler was part of a famous exchange between the two theorists. Fraser has suggested that Butler's focus on performativity distances them from "everyday ways of talking and thinking about ourselves. ... Why should we use such a self-distancing idiom?" Butler responded to criticisms of their prose in the preface to the 1999 edition of their book, Gender Trouble. More recently, several critics—most prominently, Viviane Namaste —have criticised Judith Butler's Undoing Gender for under-emphasizing the intersectional aspects of gender-based violence. For example, Timothy Laurie notes that Butler's use of phrases like "gender politics" and "gender violence" in relation to assaults on transgender individuals in the United States can "[scour] a landscape filled with class and labour relations, racialised urban stratification, and complex interactions between sexual identity, sexual practices and sex work", and produce instead "a clean surface on which struggles over 'the human' are imagined to play out". German feminist Alice Schwarzer speaks of Butler's "radical intellectual games" that would not change how society classifies and treats a woman; thus, by eliminating female and male identity Butler would have abolished the discourse about sexism in the queer community. Schwarzer also accuses Butler of remaining silent about the oppression of women and homosexuals in the Islamic world, while readily exercising their right to same-sex-marriage in the United States; instead, Butler would sweepingly defend Islam, including Islamism, from critics. Political activism Much of Butler's early political activism centered around queer and feminist issues, and they served, for a period of time, as the chair of the board of the International Gay and Lesbian Human Rights Commission. Over the years, Butler has been particularly active in the gay and lesbian rights, feminist, and anti-war movements. They have also written and spoken out on issues ranging from affirmative action and gay marriage to the wars in Iraq and Afghanistan, and the prisoners detained at Guantanamo Bay. More recently, Butler has been active in the Occupy movement and has publicly expressed support for a version of the 2005 BDS (Boycott, Divestment and Sanctions) campaign against Israel. They emphasize that Israel does not and should not be taken to represent all Jews or Jewish opinion. On September 7, 2006, Butler participated in a faculty-organized teach-in against the 2006 Lebanon War at the University of California, Berkeley. Another widely publicized moment occurred in June 2010, when Butler refused the Civil Courage Award (Zivilcouragepreis) of the Christopher Street Day (CSD) Parade in Berlin, Germany at the award ceremony. They cited racist comments on the part of organizers and a general failure of CSD organizations to distance themselves from racism in general and from anti-Muslim excuses for war more specifically. Criticizing the event's commercialism, Butler went on to name several groups that they commended as stronger opponents of "homophobia, transphobia, sexism, racism, and militarism". In October 2011, Butler attended Occupy Wall Street and, in reference to calls for clarification of the protesters' demands, they said: People have asked, so what are the demands? What are the demands all of these people are making? Either they say there are no demands and that leaves your critics confused, or they say that the demands for social equality and economic justice are impossible demands. And the impossible demands, they say, are just not practical. If hope is an impossible demand, then we demand the impossible – that the right to shelter, food and employment are impossible demands, then we demand the impossible. If it is impossible to demand that those who profit from the recession redistribute their wealth and cease their greed, then yes, we demand the impossible. Butler is an executive member of FFIPP – Educational Network for Human Rights in Israel/Palestine. They are also a member of the advisory board of Jewish Voice for Peace. In mainstream US politics, they expressed support for Hillary Clinton in the 2016 election. Adorno Prize affair When Butler received the 2012 Adorno Prize, the prize committee came under attack from Israel's Ambassador to Germany Yakov Hadas-Handelsman; the director of the Simon Wiesenthal Center's office in Jerusalem, Efraim Zuroff; and the German Central Council of Jews. They were upset at Butler's selection because of Butler's remarks about Israel and specifically Butler's "calls for a boycott against Israel". Butler responded saying that "[Butler] did not take attacks from German Jewish leaders personally". Rather, they wrote, the attacks are "directed against everyone who is critical against Israel and its current policies". In a letter to the Mondoweiss website, Butler asserted that they developed strong ethical views on the basis of Jewish philosophical thought and that it is "blatantly untrue, absurd, and painful for anyone to argue that those who formulate a criticism of the State of Israel is anti-Semitic or, if Jewish, self-hating". Comments on Hamas and Hezbollah Butler was criticized for statements they had made about Hamas and Hezbollah. Butler was accused of describing them as "social movements that are progressive, that are on the Left, that are part of a global Left." They were accused of defending "Hezbollah and Hamas as progressive organizations" and supporting their tactics. Butler responded to these criticisms by stating that their remarks on Hamas and Hezbollah were taken completely out of context and, in so doing, their established views on non-violence were contradicted and misrepresented. Butler describes the origin of their remarks on Hamas and Hezbollah in the following way: I was asked by a member of an academic audience a few years ago whether I thought Hamas and Hezbollah belonged to "the global left" and I replied with two points. My first point was merely descriptive: those political organizations define themselves as anti-imperialist, and anti-imperialism is one characteristic of the global left, so on that basis one could describe them as part of the global left. My second point was then critical: as with any group on the left, one has to decide whether one is for that group or against that group, and one needs to critically evaluate their stand. Comments on Black Lives Matter In a January 2015 interview with George Yancy of The New York Times, Butler discussed the Black Lives Matter movement. They said: What is implied by this statement [Black Lives Matter], a statement that should be obviously true, but apparently is not? If black lives do not matter, then they are not really regarded as lives, since a life is supposed to matter. So what we see is that some lives matter more than others, that some lives matter so much that they need to be protected at all costs, and that other lives matter less, or not at all. And when that becomes the situation, then the lives that do not matter so much, or do not matter at all, can be killed or lost, can be exposed to conditions of destitution, and there is no concern, or even worse, that is regarded as the way it is supposed to be...When people engage in concerted actions across racial lines to build communities based on equality, to defend the rights of those who are disproportionately imperiled to have a chance to live without the fear of dying quite suddenly at the hands of the police. There are many ways to do this, in the street, the office, the home, and in the media. Only through such an ever-growing cross-racial struggle against racism can we begin to achieve a sense of all the lives that really do matter. The dialogue draws heavily on their 2004 book Precarious Life: The Powers of Mourning and Violence. Avital Ronell sexual harassment case On May 11, 2018, Butler led a group of scholars in writing a letter to New York University following the sexual harassment suit filed by a former NYU graduate student against his advisor Avital Ronell. The signatories acknowledged not having had access to the confidential findings of the investigation that followed the Title IX complaint against Ronell. Nonetheless, they accused the complainant of waging a "malicious campaign" against Ronell. The signatories also wrote that the presumed "malicious intention has animated and sustained this legal nightmare" for a highly regarded scholar. "If she were to be terminated or relieved of her duties, the injustice would be widely recognized and opposed." Butler, the chief signatory, invoked their title as President Elect of the Modern Language Association. James J. Marino, a professor at Cleveland State University and a member of the MLA, started a petition to demand Butler's resignation or removal from their post. He argued that "Protesting against one instance of punishment is only a means to the larger end of preserving senior faculty's privilege of impunity. ... [Butler] was standing up for an old, corrupt, and long-standing way of doing business. The time for doing business that way is over. We should never look back." Some three months later, Butler apologized to the MLA for the letter. "I acknowledged that I should not have allowed the MLA affiliation to go forward with my name," Butler wrote to the Chronicle of Higher Education. "I expressed regret to the MLA officers and staff, and my colleagues accepted my apology. I extend that same apology to MLA members." Comments on the anti-gender movement and trans-exclusionary radical feminism Butler said in 2020 that trans-exclusionary radical feminism is "a fringe movement that is seeking to speak in the name of the mainstream, and that our responsibility is to refuse to let that happen." In 2021 they described the anti-gender movements as fascist trends and cautioned self-declared feminists from allying with such movements in targeting trans, non-binary, and genderqueer people. Butler also explored the issue in a 2019 paper in which they argued that "the confusion of discourses is part of what constitutes the fascist structure and appeal of at least some of these [anti-gender] movements. One can oppose gender as a cultural import from the North at the same time that one can see that very opposition as a social movement against further colonization of the South. The result is not a turn to the Left, but an embrace of ethno-nationalism." The Guardian interview On September 7, 2021, The Guardian published an interview of Butler by Jules Gleeson that included Butler's critique of trans-exclusionary feminists ("gender critical feminists" or "TERFs"). In response to a question about the Wi Spa controversy, Butler stated that "The anti-gender ideology is one of the dominant strains of fascism in our times." Within a few hours of publication, three paragraphs including this statement were removed, with a note explaining "This article was edited on 7 September 2021 to reflect developments which occurred after the interview took place." The Guardian was then accused of censoring Judith Butler for having compared TERFs to fascists. British writer Roz Kaveney called it "a truly shocking moment of bigoted dishonesty", while British transgender activist and writer Juno Dawson, among others, observed that The Guardian had inadvertently triggered the Streisand effect, in which an attempt to censor yields the unintended consequence of increasing awareness of a topic. The next day, The Guardian acknowledged "a failure in our editorial standards". Personal life Butler is a lesbian, legally non-binary, and goes by she or they pronouns, but said in 2020 that they prefer "they", and indicated that they were "never at home" with being assigned "female" at birth. They live in Berkeley with their partner Wendy Brown and son, Isaac. Selected honors and awards Butler has had a visiting appointment at Birkbeck, University of London (2009–). 1999: Guggenheim Fellowship 2007: Elected to the American Philosophical Society 2008: Mellon Award for their exemplary contributions to scholarship in the humanities 2010: "25 Visionaries Who Are Changing Your World", Utne Reader 2012: Theodor W. Adorno Award 2013: Doctorate of Letters, honoris causa, University of St. Andrews 2013: Doctorate of Letters, honoris causa, McGill University 2014: Doctorate of Letters, honoris causa, University of Fribourg 2014: Named one of PinkNews's top 11 Jewish gay and lesbian icons 2015: Elected as a Corresponding Fellow of the British Academy 2018: Doctorate of Letters, honoris causa, University of Belgrade 2018: Butler delivered the Gifford Lectures with their series entitled 'My Life, Your Life: Equality and the Philosophy of Non-Violence' 2019: Elected as Fellow to the American Academy of Arts and Sciences. Publications All of Butler's books have been translated into numerous languages; Gender Trouble, alone, has been translated into twenty-seven languages. In addition, they have co-authored and edited over a dozen volumes—the most recent of which is Dispossession: The Performative in the Political (2013), coauthored with Athena Athanasiou. Over the years Butler has also published many influential essays, interviews, and public presentations. Butler is considered by many as "one of the most influential voices in contemporary political theory," and as the most widely read and influential gender theorist in the world. The following is a partial list of Butler's publications. Books [Their doctoral dissertation.] Book chapters A collection of essays on the work of Avital Ronell. Details. Notes References Further reading Chambers, Samuel A. and Terrell Carver. 'Judith Butler and Political Theory: Troubling Politics. New York: Routledge, 2008. Cheah, Pheng, "Mattering," Diacritics, Volume 26, Number 1, Spring 1996, pp. 108–139. Kirby, Vicki. Judith Butler: Live Theory. London: Continuum, 2006. Eldred, Michael, [http://www.arte-fact.org/mtphysfm.html 'Metaphysics of Feminism: A Critical Note on Judith Butler's Gender Trouble] 2008. From the paper's abstract: In this paper we contribute to these [sexualization of culture] debates by presenting 'technologies of sexiness', a theoretical framework that draws on Foucauldian theorizing of technologies of the self and Butler's work on performativity. Pdf. Considers performativity from a linguistic perspective. Perreau, Bruno. Queer Theory: The French Response, Stanford, CA, Stanford University Press, 2016. Salih, Sarah. The Judith Butler Reader. Malden, Massachusetts: Blackwell, 2004. —. Routledge Critical Thinkers: Judith Butler. New York: Routledge, 2002. Schippers, Birgit. The Political Philosophy of Judith Butler. New York: Routledge, 2014. Thiem, Annika. Unbecoming Subjects: Judith Butler, Moral Philosophy, and Critical Responsibility. New York: Fordham University Press, 2008. External links Biography – University of California, Berkeley approach the notion of affinity through a discussion of "Disruptive Kinship," co-sponsored by Villa Gillet and the School of Writing at The New School for Public Engagement. Interview of Judith Butler about their new book "Frames of War" on New Statesman Review of "Giving an Account of Oneself. Ethical Violence and Responsibility", by Judith Butler, Barcelona Metropolis Autumn 2010. "Dictionary of Literary Biography on Judith P. Butler (page 3)" Interview with Judith Butler about politics, economy, control societies, gender and identity (2011) 1956 births Living people 20th-century American non-fiction writers 20th-century American philosophers 21st-century American non-fiction writers 21st-century American philosophers American democratic socialists American ethicists American feminist writers American literary critics American people of Hungarian-Jewish descent American people of Russian-Jewish descent American political philosophers American social commentators Anti-Zionism in the United States American Ashkenazi Jews Columbia University faculty Continental philosophers Corresponding Fellows of the British Academy Critical theorists Critics of neoconservatism Critics of religions Cultural critics Environmental philosophers Epistemologists European Graduate School faculty Feminist philosophers Feminist studies scholars Feminist theorists Framing theorists Gender studies academics Jewish American academics Jewish American social scientists Jewish American writers Jewish anti-Zionism in the United States Jewish ethicists Jewish feminists Jewish socialists Jewish women writers Jews and Judaism in Cleveland Lesbian academics Lesbian scientists Lesbian feminists American lesbian writers LGBT academics LGBT and Judaism LGBT Jews LGBT people from Ohio LGBT scientists from the United States Literary theorists Literature educators Mass media theorists Metaphysicians Moral philosophers Non-binary writers Ontologists Palestinian solidarity activists Phenomenologists Philosophers from Ohio Philosophers of culture Philosophers of education Philosophers of ethics and morality Philosophers of history Philosophers of Judaism Philosophers of literature Philosophers of psychology Philosophers of science Philosophers of sexuality Philosophy writers Political philosophers Post-Zionists Postmodern feminists Poststructuralists Queer theorists Social critics Social philosophers Transfeminists Transgender studies academics University of California, Berkeley faculty Wesleyan University faculty Women literary critics Writers from Cleveland Writers from Shaker Heights, Ohio Yale University alumni LGBT philosophers American women critics	false	[ "This is a list of most massive exoplanets so far discovered, arranged by decreasing Jupiter mass (). The exoplanets with mass higher than 10 are included. As techniques improve, and astronomers revise their estimates, this list will change, and no mass is certain, partly because of how hard it is to discover exoplanets in the first place, and, furthermore, how much harder it is to accurately measure an exoplanet's mass.\n\nList\n\nSee also\nList of largest exoplanets\nList of largest cosmic structures\nList of largest galaxies\nList of largest nebulae\nList of largest stars\n\nReferences \n\nExoplanets\nMost massive exoplanets\nExoplanets, Most massive", "How Does It Feel may refer to:\n\nMusic\n\nAlbums\n How Does It Feel, a 1999 album by Nancy Sinatra\n How Does It Feel (MS MR album), a 2015 album by MS MR\n\nSongs\n \"How Does It Feel\" (Anita Baker song)\n \"How Does It Feel\" (Slade song)\n \"How Does It Feel (to be the mother of 1000 dead)?\", a controversial song by Crass\n \"How Does It Feel\", a song by Avril Lavigne from Under My Skin\n \"How Does It Feel\", a song by Candlebox from Into the Sun\n \"How Does It Feel\", a song by Keri Hilson from In a Perfect World...\n \"How Does It Feel\", a song by London Grammar from Californian Soil\n \"How Does It Feel\", a song by Men Without Hats from No Hats Beyond This Point\n \"How Does It Feel\", a song by M-22\n \"How Does It Feel?\", a song by Pharrell Williams from In My Mind\n \"How Does It Feel?\", a song by The Ronettes from Presenting the Fabulous Ronettes Featuring Veronica\n \"How Does It Feel\", a song by Toto from Isolation\n \"How Does It Feel\", a song by Westlife from Unbreakable – The Greatest Hits Vol. 1\n \"Untitled (How Does It Feel)\", a song by D'Angelo from Voodoo\n \"Like a Rolling Stone\", song by Bob Dylan from Highway 61 Revisited, best known for the line \"How does it feel?\"\n \"Blue Monday\" (New Order song), a song whose first line is \"How does it feel\"" ]
[ "Judith Butler", "\"Performative Acts and Gender Constitution\" (1988)", "What is Performative Acts and Gender Consitution?", "Butler argues that the performance of gender itself creates gender. Additionally, she compares the performativity of gender to the performance of the theater.", "How does she compare them?", "She brings many similarities, including the idea of each individual functioning as an actor of their gender.", "Was her argument well received?", "However, she also brings into light a critical difference between gender performance in reality and theater performances.", "What is the difference/", "She explains how the theater is much less threatening and does not produce the same fear that gender performances often encounter", "What is the result of this?", "Butler uses Sigmund Freud's notion of how a person's identity is modeled in terms of the normal.", "Where did she publish this piece?", "She revises Freud's notion of this concept's applicability to lesbianism,", "How does she revise this?", "She instead says that all gender works in this way of performativity and a representing of an internalized notion of gender norms." ]	C_d9b9c91dd063459692c2b13e18d4a5e6_0	Were there any critics?	8	Were there any critics of Judith Butler's work?	Judith Butler	In this essay, Judith Butler proposes her theory of gender performativity, which would be later taken up in 1990 throughout her work, Gender Trouble. She begins by basing her theory of gender performativity on a feminist phenomenological point of view. She suggests that both phenomenology and feminism ground their theories in "lived experience". Further, in comparing phenomenologist Maurice Merleau-Ponty and feminist Simone de Beauvoir, Butler argues that both theories view the sexual body as a historical idea or situation; she accepts this notion of a "distinction between sex, as biological facticity, and gender, as the cultural interpretation or signification of that facticity". This combination of theories is essential for founding Butler's view of "theatrical" or performative genders in society. Butler argues that it is more valid to perceive gender as a performance in which an individual agent acts. The performative element of her theory suggests a social audience. For Butler, the "script" of gender performance is effortlessly transmitted generation to generation in the form of socially established "meanings": She states, "gender is not a radical choice... [nor is it] imposed or inscribed upon the individual". Given the social nature of human beings, most actions are witnessed, reproduced, and internalized and thus take on a performative or theatric quality. With Butler's theory, gender is essentially a performative repetition of acts associated with the male or female. Currently, the actions appropriate for men and women have been transmitted to produce a social atmosphere that both maintains and legitimizes a seemingly natural gender binary. Consistently with her acceptance of the body as a historical idea, she suggests that our concept of gender is seen as natural or innate because the body "becomes its gender through a series of acts which are renewed, revised, and consolidated through time". Butler argues that the performance of gender itself creates gender. Additionally, she compares the performativity of gender to the performance of the theater. She brings many similarities, including the idea of each individual functioning as an actor of their gender. However, she also brings into light a critical difference between gender performance in reality and theater performances. She explains how the theater is much less threatening and does not produce the same fear that gender performances often encounter because of the fact that there is a clear distinction from reality within the theater. Butler uses Sigmund Freud's notion of how a person's identity is modeled in terms of the normal. She revises Freud's notion of this concept's applicability to lesbianism, where Freud says that lesbians are modeling their behavior on men, the perceived normal or ideal. She instead says that all gender works in this way of performativity and a representing of an internalized notion of gender norms. CANNOTANSWER	CANNOTANSWER	Judith Pamela Butler (born February 24, 1956) is an American philosopher and gender theorist whose work has influenced political philosophy, ethics, and the fields of third-wave feminism, queer theory, and literary theory. In 1993, Butler began teaching at the University of California, Berkeley, where they have served, beginning in 1998, as the Maxine Elliot Professor in the Department of Comparative Literature and the Program of Critical Theory. They are also the Hannah Arendt Chair at the European Graduate School. Butler is best known for their books Gender Trouble: Feminism and the Subversion of Identity (1990) and Bodies That Matter: On the Discursive Limits of Sex (1993), in which they challenge conventional notions of gender and develop their theory of gender performativity. This theory has had a major influence on feminist and queer scholarship. Their work is often studied and debated in film studies courses emphasizing gender studies and performativity in discourse. Butler has supported lesbian and gay rights movements, and they have spoken out on many contemporary political issues, including criticism of Israeli politics. Early life and education Judith Butler was born on February 24, 1956, in Cleveland, Ohio, to a family of Hungarian-Jewish and Russian-Jewish descent. Most of their maternal grandmother's family perished in the Holocaust. Butler's parents were practicing Reform Jews. Their mother was raised Orthodox, eventually becoming Conservative and then Reform, while their father was raised Reform. As a child and teenager, Butler attended both Hebrew school and special classes on Jewish ethics, where they received their "first training in philosophy". Butler stated in a 2010 interview with Haaretz that they began the ethics classes at the age of 14 and that they were created as a form of punishment by Butler's Hebrew school's Rabbi because they were "too talkative in class". Butler also stated that they were "thrilled" by the idea of these tutorials, and when asked what they wanted to study in these special sessions, they responded with three questions preoccupying them at the time: "Why was Spinoza excommunicated from the synagogue? Could German Idealism be held accountable for Nazism? And how was one to understand existential theology, including the work of Martin Buber?" Butler attended Bennington College before transferring to Yale University, where they studied philosophy and received a Bachelor of Arts in 1978 and a Doctor of Philosophy in 1984. They spent one academic year at Heidelberg University as a Fulbright Scholar. Butler taught at Wesleyan University, George Washington University, and Johns Hopkins University before joining University of California, Berkeley, in 1993. In 2002, they held the Spinoza Chair of Philosophy at the University of Amsterdam. In addition, they joined the department of English and Comparative Literature at Columbia University as Wun Tsun Tam Mellon Visiting Professor of the Humanities in the spring semesters of 2012, 2013 and 2014 with the option of remaining as full-time faculty. Butler serves on the editorial board or advisory board of several academic journals, including Janus Unbound: Journal of Critical Studies, JAC: A Journal of Rhetoric, Culture, and Politics and Signs: Journal of Women in Culture and Society. Overview of major works Performative Acts and Gender Constitution (1988) In the essay "Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory" Judith Butler proposes that gender is performative. Because gender identity is established through behavior, there is a possibility to construct different genders via different behaviors. Gender Trouble (1990) Gender Trouble: Feminism and the Subversion of Identity was first published in 1990, selling over 100,000 copies internationally, in multiple languages. Gender Trouble discusses the works of Sigmund Freud, Simone de Beauvoir, Julia Kristeva, Jacques Lacan, Luce Irigaray, Monique Wittig, Jacques Derrida, and Michel Foucault. Butler offers a critique of the terms gender and sex as they have been used by feminists. Butler argues that feminism made a mistake in trying to make "women" a discrete, ahistorical group with common characteristics. Butler writes that this approach reinforces the binary view of gender relations. Butler believes that feminists should not try to define "women" and they also believe that feminists should "focus on providing an account of how power functions and shapes our understandings of womanhood not only in the society at large but also within the feminist movement." Finally, Butler aims to break the supposed links between sex and gender so that gender and desire can be "flexible, free floating and not caused by other stable factors". The idea of identity as free and flexible and gender as a performance, not an essence, is one of the foundations of queer theory. Imitation and Gender Insubordination (1991) This is Butler's contribution to Inside/Out: Lesbian Theories, Gay Theories, a collection of the writings of gay and lesbian social theorists. Butler argues that no transparent revelation is afforded by the terms "gay" or "lesbian" yet there is a political imperative to do so. Butler employs "the concepts of play/performance, drag, and imitation to describe the formation of gender and sexuality as continually created subjectivities always at risk of dissolution from non-performance." Bodies That Matter (1993) Bodies That Matter: On the Discursive Limits of "Sex" seeks to clear up readings and supposed misreadings of performativity that view the enactment of sex/gender as a daily choice. Butler emphasizes the role of repetition in performativity, making use of Derrida's theory of iterability, which is a form of citationality: Performativity cannot be understood outside of a process of iterability, a regularized and constrained repetition of norms. And this repetition is not performed by a subject; this repetition is what enables a subject and constitutes the temporal condition for the subject. This iterability implies that 'performance' is not a singular 'act' or event, but a ritualized production, a ritual reiterated under and through constraint, under and through the force of prohibition and taboo, with the threat of ostracism and even death controlling and compelling the shape of the production, but not, I will insist, determining it fully in advance. Excitable Speech (1997) In Excitable Speech: A Politics of the Performative, Butler surveys the problems of hate speech and censorship. They argue that censorship is difficult to evaluate, and that in some cases it may be useful or even necessary, while in others it may be worse than tolerance. Butler argues that hate speech exists retrospectively, only after being declared such by state authorities. In this way, the state reserves for itself the power to define hate speech and, conversely, the limits of acceptable discourse. In this connection, Butler criticizes feminist legal scholar Catharine MacKinnon's argument against pornography for its unquestioning acceptance of the state's power to censor. Deploying Foucault's argument from the first volume of The History of Sexuality, Butler claims that any attempt at censorship, legal or otherwise, necessarily propagates the very language it seeks to forbid. As Foucault argues, for example, the strict sexual mores of 19th-century Western Europe did nothing but amplify the discourse of sexuality they sought to control. Extending this argument using Derrida and Lacan, Butler claims that censorship is primitive to language, and that the linguistic "I" is a mere effect of an originary censorship. In this way, Butler questions the possibility of any genuinely oppositional discourse; "If speech depends upon censorship, then the principle that one might seek to oppose is at once the formative principle of oppositional speech". Undoing Gender (2004) Undoing Gender collects Butler's reflections on gender, sex, sexuality, psychoanalysis and the medical treatment of intersex people for a more general readership than many of their other books. Butler revisits and refines their notion of performativity and focuses on the question of undoing "restrictively normative conceptions of sexual and gendered life". Butler discusses how gender is performed without one being conscious of it, but says that it does not mean this performativity is "automatic or mechanical". They argue that we have desires that do not originate from our personhood, but rather, from social norms. The writer also debates our notions of "human" and "less-than-human" and how these culturally imposed ideas can keep one from having a "viable life" as the biggest concerns are usually about whether a person will be accepted if their desires differ from normality. Butler states that one may feel the need of being recognized in order to live, but that at the same time, the conditions to be recognized make life "unlivable". The writer proposes an interrogation of such conditions so that people who resist them may have more possibilities of living. In Butler's discussion of intersex issues and people, Butler addresses the case of David Reimer, a person whose sex was medically "reassigned" from male to female after a botched circumcision at eight months of age. Reimer was "made" female by doctors, but later in life identified as "really" male, married and became a stepfather to his wife's three children, and went on to tell his story in As Nature Made Him: The Boy Who Was Raised as a Girl, which he wrote with John Colapinto. Reimer died by suicide in 2004. Giving an Account of Oneself (2005) In Giving an Account of Oneself, Butler develops an ethics based on the opacity of the subject to itself; in other words, the limits of self-knowledge. Primarily borrowing from Theodor Adorno, Michel Foucault, Friedrich Nietzsche, Jean Laplanche, Adriana Cavarero and Emmanuel Levinas, Butler develops a theory of the formation of the subject. Butler theorizes the subject in relation to the social – a community of others and their norms – which is beyond the control of the subject it forms, as precisely the very condition of that subject's formation, the resources by which the subject becomes recognizably human, a grammatical "I", in the first place. Butler accepts the claim that if the subject is opaque to itself the limitations of its free ethical responsibility and obligations are due to the limits of narrative, presuppositions of language and projection. Instead Butler argues for an ethics based precisely on the limits of self-knowledge as the limits of responsibility itself. Any concept of responsibility which demands the full transparency of the self to itself, an entirely accountable self, necessarily does violence to the opacity which marks the constitution of the self it addresses. The scene of address by which responsibility is enabled is always already a relation between subjects who are variably opaque to themselves and to each other. The ethics that Butler envisions is therefore one in which the responsible self knows the limits of its knowing, recognizes the limits of its capacity to give an account of itself to others, and respects those limits as symptomatically human. To take seriously one's opacity to oneself in ethical deliberation means then to critically interrogate the social world in which one comes to be human in the first place and which remains precisely that which one cannot know about oneself. In this way, Butler locates social and political critique at the core of ethical practice. Notes Toward a Performative Theory of Assembly (2015) In Notes Toward a Performative Theory of Assembly, Butler discusses the power of public gatherings, considering what they signify and how they work. They use this framework to analyze the power and possibilities of protests, such as the Black Lives Matter protests regarding the deaths of Michael Brown and Eric Garner in 2014. The Force of Nonviolence (2020) In The Force of Nonviolence: An Ethico-Political Bind, Butler connects the ideologies of nonviolence and the political struggle for social equality. They review the traditional understanding of "nonviolence," stating that it "is often misunderstood as a passive practice that emanates from a calm region of the soul, or as an individualist ethical relation to existing forms of power." Instead of this understanding, Butler argues that "nonviolence is an ethical position found in the midst of the political field." Reception Butler's work has been influential in feminist and queer theory, cultural studies, and continental philosophy. Yet their contribution to a range of other disciplines—such as psychoanalysis, literary, film, and performance studies as well as visual arts—has also been significant. Their theory of gender performativity as well as their conception of "critically queer" have not only transformed understandings of gender and queer identity in the academic world, but have shaped and mobilized various kinds of political activism, particularly queer activism, across the globe. Butler's work has also entered into contemporary debates on the teaching of gender, gay parenting, and the depathologization of transgender people. Before election to the papacy, Pope Benedict XVI wrote several pages challenging Butler's arguments on gender. In several countries, Butler became the symbol of the destruction of traditional gender roles for reactionary movements. This was particularly the case in France during the anti-gay marriage protests. Bruno Perreau has written that Butler was literally depicted as an "antichrist", both because of their gender and their Jewish identity, the fear of minority politics and critical studies being expressed through fantasies of a corrupted body. Some academics and political activists maintain that Butler's radical departure from the sex/gender dichotomy and Butler's non-essentialist conception of gender—along with their insistence that power helps form the subject—revolutionized feminist and queer praxis, thought, and studies. Darin Barney of McGill University wrote that: In 1998, Denis Dutton's journal Philosophy and Literature awarded Butler first prize in its fourth annual "Bad Writing Competition", which set out to "celebrate bad writing from the most stylistically lamentable passages found in scholarly books and articles." Butler's unwitting entry, which ran in a 1997 issue of the scholarly journal Diacritics, ran thus: Some critics have accused Butler of elitism due to their difficult prose style, while others claim that Butler reduces gender to "discourse" or promotes a form of gender voluntarism. Susan Bordo, for example, has argued that Butler reduces gender to language and has contended that the body is a major part of gender, in opposition to Butler's conception of gender as performative. A particularly vocal critic has been feminist Martha Nussbaum, who has argued that Butler misreads J. L. Austin's idea of performative utterance, makes erroneous legal claims, forecloses an essential site of resistance by repudiating pre-cultural agency, and provides no "normative theory of social justice and human dignity." Finally, Nancy Fraser's critique of Butler was part of a famous exchange between the two theorists. Fraser has suggested that Butler's focus on performativity distances them from "everyday ways of talking and thinking about ourselves. ... Why should we use such a self-distancing idiom?" Butler responded to criticisms of their prose in the preface to the 1999 edition of their book, Gender Trouble. More recently, several critics—most prominently, Viviane Namaste —have criticised Judith Butler's Undoing Gender for under-emphasizing the intersectional aspects of gender-based violence. For example, Timothy Laurie notes that Butler's use of phrases like "gender politics" and "gender violence" in relation to assaults on transgender individuals in the United States can "[scour] a landscape filled with class and labour relations, racialised urban stratification, and complex interactions between sexual identity, sexual practices and sex work", and produce instead "a clean surface on which struggles over 'the human' are imagined to play out". German feminist Alice Schwarzer speaks of Butler's "radical intellectual games" that would not change how society classifies and treats a woman; thus, by eliminating female and male identity Butler would have abolished the discourse about sexism in the queer community. Schwarzer also accuses Butler of remaining silent about the oppression of women and homosexuals in the Islamic world, while readily exercising their right to same-sex-marriage in the United States; instead, Butler would sweepingly defend Islam, including Islamism, from critics. Political activism Much of Butler's early political activism centered around queer and feminist issues, and they served, for a period of time, as the chair of the board of the International Gay and Lesbian Human Rights Commission. Over the years, Butler has been particularly active in the gay and lesbian rights, feminist, and anti-war movements. They have also written and spoken out on issues ranging from affirmative action and gay marriage to the wars in Iraq and Afghanistan, and the prisoners detained at Guantanamo Bay. More recently, Butler has been active in the Occupy movement and has publicly expressed support for a version of the 2005 BDS (Boycott, Divestment and Sanctions) campaign against Israel. They emphasize that Israel does not and should not be taken to represent all Jews or Jewish opinion. On September 7, 2006, Butler participated in a faculty-organized teach-in against the 2006 Lebanon War at the University of California, Berkeley. Another widely publicized moment occurred in June 2010, when Butler refused the Civil Courage Award (Zivilcouragepreis) of the Christopher Street Day (CSD) Parade in Berlin, Germany at the award ceremony. They cited racist comments on the part of organizers and a general failure of CSD organizations to distance themselves from racism in general and from anti-Muslim excuses for war more specifically. Criticizing the event's commercialism, Butler went on to name several groups that they commended as stronger opponents of "homophobia, transphobia, sexism, racism, and militarism". In October 2011, Butler attended Occupy Wall Street and, in reference to calls for clarification of the protesters' demands, they said: People have asked, so what are the demands? What are the demands all of these people are making? Either they say there are no demands and that leaves your critics confused, or they say that the demands for social equality and economic justice are impossible demands. And the impossible demands, they say, are just not practical. If hope is an impossible demand, then we demand the impossible – that the right to shelter, food and employment are impossible demands, then we demand the impossible. If it is impossible to demand that those who profit from the recession redistribute their wealth and cease their greed, then yes, we demand the impossible. Butler is an executive member of FFIPP – Educational Network for Human Rights in Israel/Palestine. They are also a member of the advisory board of Jewish Voice for Peace. In mainstream US politics, they expressed support for Hillary Clinton in the 2016 election. Adorno Prize affair When Butler received the 2012 Adorno Prize, the prize committee came under attack from Israel's Ambassador to Germany Yakov Hadas-Handelsman; the director of the Simon Wiesenthal Center's office in Jerusalem, Efraim Zuroff; and the German Central Council of Jews. They were upset at Butler's selection because of Butler's remarks about Israel and specifically Butler's "calls for a boycott against Israel". Butler responded saying that "[Butler] did not take attacks from German Jewish leaders personally". Rather, they wrote, the attacks are "directed against everyone who is critical against Israel and its current policies". In a letter to the Mondoweiss website, Butler asserted that they developed strong ethical views on the basis of Jewish philosophical thought and that it is "blatantly untrue, absurd, and painful for anyone to argue that those who formulate a criticism of the State of Israel is anti-Semitic or, if Jewish, self-hating". Comments on Hamas and Hezbollah Butler was criticized for statements they had made about Hamas and Hezbollah. Butler was accused of describing them as "social movements that are progressive, that are on the Left, that are part of a global Left." They were accused of defending "Hezbollah and Hamas as progressive organizations" and supporting their tactics. Butler responded to these criticisms by stating that their remarks on Hamas and Hezbollah were taken completely out of context and, in so doing, their established views on non-violence were contradicted and misrepresented. Butler describes the origin of their remarks on Hamas and Hezbollah in the following way: I was asked by a member of an academic audience a few years ago whether I thought Hamas and Hezbollah belonged to "the global left" and I replied with two points. My first point was merely descriptive: those political organizations define themselves as anti-imperialist, and anti-imperialism is one characteristic of the global left, so on that basis one could describe them as part of the global left. My second point was then critical: as with any group on the left, one has to decide whether one is for that group or against that group, and one needs to critically evaluate their stand. Comments on Black Lives Matter In a January 2015 interview with George Yancy of The New York Times, Butler discussed the Black Lives Matter movement. They said: What is implied by this statement [Black Lives Matter], a statement that should be obviously true, but apparently is not? If black lives do not matter, then they are not really regarded as lives, since a life is supposed to matter. So what we see is that some lives matter more than others, that some lives matter so much that they need to be protected at all costs, and that other lives matter less, or not at all. And when that becomes the situation, then the lives that do not matter so much, or do not matter at all, can be killed or lost, can be exposed to conditions of destitution, and there is no concern, or even worse, that is regarded as the way it is supposed to be...When people engage in concerted actions across racial lines to build communities based on equality, to defend the rights of those who are disproportionately imperiled to have a chance to live without the fear of dying quite suddenly at the hands of the police. There are many ways to do this, in the street, the office, the home, and in the media. Only through such an ever-growing cross-racial struggle against racism can we begin to achieve a sense of all the lives that really do matter. The dialogue draws heavily on their 2004 book Precarious Life: The Powers of Mourning and Violence. Avital Ronell sexual harassment case On May 11, 2018, Butler led a group of scholars in writing a letter to New York University following the sexual harassment suit filed by a former NYU graduate student against his advisor Avital Ronell. The signatories acknowledged not having had access to the confidential findings of the investigation that followed the Title IX complaint against Ronell. Nonetheless, they accused the complainant of waging a "malicious campaign" against Ronell. The signatories also wrote that the presumed "malicious intention has animated and sustained this legal nightmare" for a highly regarded scholar. "If she were to be terminated or relieved of her duties, the injustice would be widely recognized and opposed." Butler, the chief signatory, invoked their title as President Elect of the Modern Language Association. James J. Marino, a professor at Cleveland State University and a member of the MLA, started a petition to demand Butler's resignation or removal from their post. He argued that "Protesting against one instance of punishment is only a means to the larger end of preserving senior faculty's privilege of impunity. ... [Butler] was standing up for an old, corrupt, and long-standing way of doing business. The time for doing business that way is over. We should never look back." Some three months later, Butler apologized to the MLA for the letter. "I acknowledged that I should not have allowed the MLA affiliation to go forward with my name," Butler wrote to the Chronicle of Higher Education. "I expressed regret to the MLA officers and staff, and my colleagues accepted my apology. I extend that same apology to MLA members." Comments on the anti-gender movement and trans-exclusionary radical feminism Butler said in 2020 that trans-exclusionary radical feminism is "a fringe movement that is seeking to speak in the name of the mainstream, and that our responsibility is to refuse to let that happen." In 2021 they described the anti-gender movements as fascist trends and cautioned self-declared feminists from allying with such movements in targeting trans, non-binary, and genderqueer people. Butler also explored the issue in a 2019 paper in which they argued that "the confusion of discourses is part of what constitutes the fascist structure and appeal of at least some of these [anti-gender] movements. One can oppose gender as a cultural import from the North at the same time that one can see that very opposition as a social movement against further colonization of the South. The result is not a turn to the Left, but an embrace of ethno-nationalism." The Guardian interview On September 7, 2021, The Guardian published an interview of Butler by Jules Gleeson that included Butler's critique of trans-exclusionary feminists ("gender critical feminists" or "TERFs"). In response to a question about the Wi Spa controversy, Butler stated that "The anti-gender ideology is one of the dominant strains of fascism in our times." Within a few hours of publication, three paragraphs including this statement were removed, with a note explaining "This article was edited on 7 September 2021 to reflect developments which occurred after the interview took place." The Guardian was then accused of censoring Judith Butler for having compared TERFs to fascists. British writer Roz Kaveney called it "a truly shocking moment of bigoted dishonesty", while British transgender activist and writer Juno Dawson, among others, observed that The Guardian had inadvertently triggered the Streisand effect, in which an attempt to censor yields the unintended consequence of increasing awareness of a topic. The next day, The Guardian acknowledged "a failure in our editorial standards". Personal life Butler is a lesbian, legally non-binary, and goes by she or they pronouns, but said in 2020 that they prefer "they", and indicated that they were "never at home" with being assigned "female" at birth. They live in Berkeley with their partner Wendy Brown and son, Isaac. Selected honors and awards Butler has had a visiting appointment at Birkbeck, University of London (2009–). 1999: Guggenheim Fellowship 2007: Elected to the American Philosophical Society 2008: Mellon Award for their exemplary contributions to scholarship in the humanities 2010: "25 Visionaries Who Are Changing Your World", Utne Reader 2012: Theodor W. Adorno Award 2013: Doctorate of Letters, honoris causa, University of St. Andrews 2013: Doctorate of Letters, honoris causa, McGill University 2014: Doctorate of Letters, honoris causa, University of Fribourg 2014: Named one of PinkNews's top 11 Jewish gay and lesbian icons 2015: Elected as a Corresponding Fellow of the British Academy 2018: Doctorate of Letters, honoris causa, University of Belgrade 2018: Butler delivered the Gifford Lectures with their series entitled 'My Life, Your Life: Equality and the Philosophy of Non-Violence' 2019: Elected as Fellow to the American Academy of Arts and Sciences. Publications All of Butler's books have been translated into numerous languages; Gender Trouble, alone, has been translated into twenty-seven languages. In addition, they have co-authored and edited over a dozen volumes—the most recent of which is Dispossession: The Performative in the Political (2013), coauthored with Athena Athanasiou. Over the years Butler has also published many influential essays, interviews, and public presentations. Butler is considered by many as "one of the most influential voices in contemporary political theory," and as the most widely read and influential gender theorist in the world. The following is a partial list of Butler's publications. Books [Their doctoral dissertation.] Book chapters A collection of essays on the work of Avital Ronell. Details. Notes References Further reading Chambers, Samuel A. and Terrell Carver. 'Judith Butler and Political Theory: Troubling Politics. New York: Routledge, 2008. Cheah, Pheng, "Mattering," Diacritics, Volume 26, Number 1, Spring 1996, pp. 108–139. Kirby, Vicki. Judith Butler: Live Theory. London: Continuum, 2006. Eldred, Michael, [http://www.arte-fact.org/mtphysfm.html 'Metaphysics of Feminism: A Critical Note on Judith Butler's Gender Trouble] 2008. From the paper's abstract: In this paper we contribute to these [sexualization of culture] debates by presenting 'technologies of sexiness', a theoretical framework that draws on Foucauldian theorizing of technologies of the self and Butler's work on performativity. Pdf. Considers performativity from a linguistic perspective. Perreau, Bruno. Queer Theory: The French Response, Stanford, CA, Stanford University Press, 2016. Salih, Sarah. The Judith Butler Reader. Malden, Massachusetts: Blackwell, 2004. —. Routledge Critical Thinkers: Judith Butler. New York: Routledge, 2002. Schippers, Birgit. The Political Philosophy of Judith Butler. New York: Routledge, 2014. Thiem, Annika. Unbecoming Subjects: Judith Butler, Moral Philosophy, and Critical Responsibility. New York: Fordham University Press, 2008. External links Biography – University of California, Berkeley approach the notion of affinity through a discussion of "Disruptive Kinship," co-sponsored by Villa Gillet and the School of Writing at The New School for Public Engagement. Interview of Judith Butler about their new book "Frames of War" on New Statesman Review of "Giving an Account of Oneself. Ethical Violence and Responsibility", by Judith Butler, Barcelona Metropolis Autumn 2010. "Dictionary of Literary Biography on Judith P. Butler (page 3)" Interview with Judith Butler about politics, economy, control societies, gender and identity (2011) 1956 births Living people 20th-century American non-fiction writers 20th-century American philosophers 21st-century American non-fiction writers 21st-century American philosophers American democratic socialists American ethicists American feminist writers American literary critics American people of Hungarian-Jewish descent American people of Russian-Jewish descent American political philosophers American social commentators Anti-Zionism in the United States American Ashkenazi Jews Columbia University faculty Continental philosophers Corresponding Fellows of the British Academy Critical theorists Critics of neoconservatism Critics of religions Cultural critics Environmental philosophers Epistemologists European Graduate School faculty Feminist philosophers Feminist studies scholars Feminist theorists Framing theorists Gender studies academics Jewish American academics Jewish American social scientists Jewish American writers Jewish anti-Zionism in the United States Jewish ethicists Jewish feminists Jewish socialists Jewish women writers Jews and Judaism in Cleveland Lesbian academics Lesbian scientists Lesbian feminists American lesbian writers LGBT academics LGBT and Judaism LGBT Jews LGBT people from Ohio LGBT scientists from the United States Literary theorists Literature educators Mass media theorists Metaphysicians Moral philosophers Non-binary writers Ontologists Palestinian solidarity activists Phenomenologists Philosophers from Ohio Philosophers of culture Philosophers of education Philosophers of ethics and morality Philosophers of history Philosophers of Judaism Philosophers of literature Philosophers of psychology Philosophers of science Philosophers of sexuality Philosophy writers Political philosophers Post-Zionists Postmodern feminists Poststructuralists Queer theorists Social critics Social philosophers Transfeminists Transgender studies academics University of California, Berkeley faculty Wesleyan University faculty Women literary critics Writers from Cleveland Writers from Shaker Heights, Ohio Yale University alumni LGBT philosophers American women critics	false	[ "The 26th Critics' Choice Awards were presented on March 7, 2021, at the Barker Hangar at the Santa Monica Airport, together with its television awards, honoring the finest achievements of 2020 filmmaking. The ceremony was broadcast on The CW and Taye Diggs returned to host for the third consecutive time. The nominations were announced on February 8, 2021.\n\nMank led the nominations with 12, followed by Minari with 10. Overall, Netflix received a total of 72 nominations, 46 for film and 26 for television, the most for any studio or network.\n\nWinners and nominees\n\n#SeeHer Award\n Zendaya\n\nFilms by multiple nominations and wins\n\nThe following twenty-five films received multiple nominations:\n\nThe following five films received multiple awards:\n\nSee also\n 1st Critics' Choice Super Awards\n 11th Critics' Choice Television Awards\n 5th Critics' Choice Documentary Awards\n\nReferences\n\nExternal links\n 26th Annual Critics Choice Awards – Winners\n\nBroadcast Film Critics Association Awards\n2020 film awards", "The John Leonard Prize for Best First Book, established in 2013, is an annual literary award presented by the National Book Critics Circle (NBCC) for authors' first books in any genre. Unlike other NBCC awards, recipients are selected by members, not the board.\n\nThe prize is named after John Leonard, a renowned literary critic and NBCC co-founder.\n\nRecipients\n\nSee also \n Ivan Sandrof Lifetime Achievement Award\n National Book Critics Circle Awards\n National Book Critics Circle Award for Biography\n National Book Critics Circle Award for Criticism\n National Book Critics Circle Award for Fiction\n National Book Critics Circle Award for Memoir and Autobiography\n National Book Critics Circle Award for Nonfiction\n National Book Critics Circle Award for Poetry\n Nona Balakian Citation for Excellence in Reviewing\n\nReferences\n\nExternal links \n\n Official website\n\nAwards established in 2013\nAmerican literary awards\n21st-century literary awards" ]
[ "Flying Lotus", "2010-11: Cosmogramma and collaborations" ]	C_5f5bd5ad2d9b4c87a34474d7f917f64c_0	Are there any other interesting aspects about this article?	1	Are there any other interesting aspects about this article?	Flying Lotus	His third studio album, Cosmogramma, was released in the UK on May 3, 2010, and in the US on May 4, 2010. In January 2011, Cosmogramma won in the Dance/Electronica Album category in the 10th Annual Independent Music Awards. The multi-award-winning Cosmogramma was a hard-hitting afrofuturistic shrine to soul, hip-hop, jazz and IDM but, with more emphasis on a lyrical message than ever before, it was also a cathartic grieving experience. The album was accompanied by live instrumentation (Thundercat on bass, Miguel Atwood Ferguson on strings, Rebekah Raff on harp) and live vocalists (Thom Yorke, Laura Darlington) - all picked to help communicate the spiritual musical lineage of Ellison's family (Ravi Coltrane, himself, played tenor sax). Stephen Bruner, aka Thundercat, who is featured extensively on Cosmogramma, would later become a large part of future albums by Flying Lotus. In 2010, Flying Lotus collaborated with the Ann Arbor Film Festival in the performance of a live scoring of the 1962 avant-garde film Heaven and Earth Magic. In a post-viewing interview with the audience, Flying Lotus said that he was unsure whether or not a recording of the performance (or a recreation of it) would be publicly released, but he would be enthusiastic toward similar projects in the future. He was chosen by Battles to perform at the ATP Nightmare Before Christmas festival that it co-curated in December 2011 in Minehead, England, UK. In September 2010, Flying Lotus released "Pattern+Grid World", an 8 track EP featuring Thundercat on bass & art by Theo Ellsworth. The Track Camera Day was used in the Killer Mike song Swimming, which was released as part of the Adult Swim Singles Series. In January 2011, Flying Lotus won the 10th Annual Independent Music Awards for his video "MmmHmm" in the Short-Form Video category. It was reported in 2011 that Flying Lotus would be collaborating with R&B singer Erykah Badu on new material for her next album, and planned to remix one of Radiohead's songs from The King of Limbs. CANNOTANSWER	His third studio album, Cosmogramma, was released in the UK on May 3, 2010, and in the US on May 4, 2010.	Steven Ellison (born October 7, 1983), known by his stage name Flying Lotus or sometimes FlyLo, is an American record producer, DJ and rapper from Los Angeles. He is also the founder of the record label Brainfeeder. Flying Lotus has released six studio albums1983 (2006), Los Angeles (2008), Cosmogramma (2010), Until the Quiet Comes (2012), You're Dead! (2014), and Flamagra (2019)to critical acclaim. He has produced much of the bumper music on Cartoon Network's Adult Swim programming block. He also contributed remixes for fellow Plug Research artists including Mia Doi Todd. In 2012, Flying Lotus began rapping under the persona Captain Murphy, based on the Sealab 2021 character of the same name. Ellison kept this fact a secret for several months, finally revealing his identity several weeks after the release of his first rap mixtape: Duality (2012). Early life and education Flying Lotus was born Steven Ellison on October 7, 1983, in Los Angeles, California. He is the grandnephew of the late jazz pianist Alice Coltrane, whose husband was saxophonist John Coltrane. Additionally, he is the grandson of singer-songwriter Marilyn McLeod, who is notable for having written Diana Ross's "Love Hangover" and Freda Payne's "I Get High (On Your Memory)" and is Alice Coltrane's sister. His great aunt Alice has been called by one writer "the biggest influence on Ellison's music". A DNA test revealed that Ellison is a descendant of the Tikar people of Cameroon. Ellison attended Los Angeles Film School and Academy of Art University. Musical career 2006–2007: Adult Swim, 1983 and Warp Records In 2006, while at his mother's house, Ellison saw an advertisement on Cartoon Network's Adult Swim programming block asking for song submissions. He sent some in, under the name Flying Lotus (a moniker inspired by lucid dreaming) and was accepted. Around this time, he was interning at the pioneering hip hop label Stones Throw Records. He released his debut studio album 1983 on October 3, 2006. In 2006, Ellison participated in that year's annual Red Bull Music Academy, which took place in Melbourne, Australia. In 2007, he announced on CSU-Fullerton's Titan Radio that he signed with Warp Records. He released his debut EP, the six-track Reset on October 1, 2007. Soon afterwards, he became one of the label's cornerstone artists and released his second studio album, Los Angeles on June 10, 2008. 2008–2009: Los Angeles and Brainfeeder In 2008 Flying Lotus released Los Angeles, a 17-track album dedicated to his home city. Telling Quietus on the subject of J Dilla's influence on his music: "I love Dilla and who knows where this beat thing would be without him. His work ethic inspired so many producers around the world, but when he moved out to LA, it seemed that his presence here inspired everyone to kick things into overdrive. If I had to describe his music, I'd say it were 'imaginative soul music'. I think it's his imagination that appeals to me, personally. Dilla could flip a boring record and make you feel like you were flying." 2008 saw Ellison enter a stage of hyper-productivity, as he followed up the Los Angeles record with collaborative tracks with Samiyam and Gonjasufi, a limited white label run of remixes ("Camel", "Lightworks", R2-D2 sound effects, "Shadows of Tomorrow" and "Promiscuous") called Shhh!, and a series of LA inspired EPs. Each of the La EPs features remixes and unreleased tracks from his Los Angeles Album. The third in that series (titled L.A. EP 3 X 3), marked a new atmospheric style in his sound. The same year, Flying Lotus also remixed "Reckoner" from In Rainbows, an album by Radiohead. 2010–2011: Cosmogramma and collaborations His third studio album, Cosmogramma, was released in the UK on May 3, 2010, and in the US on May 4, 2010. In January 2011, Cosmogramma won in the Dance/Electronica Album category in the 10th Annual Independent Music Awards. The multi-award-winning Cosmogramma was a hard-hitting afrofuturistic shrine to soul, hip-hop, jazz and IDM but, with more emphasis on a lyrical message than ever before. The album was accompanied by live instrumentation (Thundercat on bass, Miguel Atwood-Ferguson on strings, Rebekah Raff on harp) and live vocalists (Thom Yorke, Laura Darlington) – all picked to help communicate the spiritual musical lineage of Ellison's family (Ravi Coltrane, himself, played tenor sax). Stephen Bruner, aka Thundercat, who is featured extensively on Cosmogramma, would later become a large part of future albums by Flying Lotus. In 2010, Flying Lotus collaborated with the Ann Arbor Film Festival in the performance of a live scoring of the 1962 avant-garde film Heaven and Earth Magic. In a post-viewing interview with the audience, Flying Lotus said that he was unsure whether or not a recording of the performance (or a recreation of it) would be publicly released, but he would be enthusiastic towards similar projects in the future. He was chosen by Battles to perform at the ATP Nightmare Before Christmas festival that it co-curated in December 2011 in Minehead, England, UK. In September 2010, Flying Lotus released "Pattern+Grid World", an 8 track EP featuring Thundercat on bass & art by Theo Ellsworth. The Track Camera Day was used in the Killer Mike song Swimming, which was released as part of the Adult Swim Singles Series. In January 2011, Flying Lotus won the 10th Annual Independent Music Awards for his video "MmmHmm" in the Short-Form Video category. It was reported in 2011 that Flying Lotus would be collaborating with R&B singer Erykah Badu on new material for her next album, and planned to remix one of Radiohead's songs from The King of Limbs. 2012–2013: Until the Quiet Comes and Captain Murphy With an appreciation for hip hop, but no established work, artists like Odd Future (also aficionados of Adult Swim), A$AP Mob, Spaceghostpurrp and Shabazz Palaces inspired him to directly participate, and he began production work for Odd Future's Hodgy Beats' Untitled EP. This led to the moment in which he decided to produce more in the genre: "I can recall the moment specifically ... [Odd Future] started playing me some of The OF Tape Vol. 2. ... I asked them, 'Yo, Hodgy, how long did it take you to record this shit? How long did it take you to write this song?' 'Aw, my nigga, it took me like 15 minutes.' 15 minutes? Are you fucking serious? I was like, 'Nah, nigga. I am gonna do this shit.'" Throughout the summer of 2012, Captain Murphy began to make more appearances, dressed in Luchadore Ensemble. In August 2012, Flying Lotus announced a multimedia project with filmmaker Miwa Matreyek, which is to be titled The Mapping of Countries Yet to Come. Flying Lotus produced rapper Mac Miller's song "SDS'" for his album Watching Movies with the Sound Off. He also created a song for the Cartoon Network series Adventure Time entitled "About that time//A glitch is a glitch". Behind closed doors, though, the work for his fourth album Until the Quiet Comes was pretty much done. A year prior, Ellison had worked with Ann Arbor Festival to live score a surreal and avant-garde 50s animation Heaven and Earth Magic (pictured below), and a fascination with dreamlike states had continued into this record. Until The Quiet Comes continued his creative relationship with Radiohead's Thom Yorke, as well as Jonny Greenwood, Niki Randa, Erykah Badu, Laura Darlington and, of course, Thundercat, and was cinematically captured in a short film by filmmaker Kahlil Joseph. In late 2012, less than two months after the release of his last record, a website started circulating online: www.captainmurphy.xxx. Press speculated who the rapper was, with guessing being centered around the Odd Future Crew. The site hosted Duality, a 34-minute short film mixtape, that comprised both new material and tracks that had been leaking all summer. In April 2013, Flying Lotus announced that he has his own radio station called FlyLo FM in the video game Grand Theft Auto V, saying there would be "a ton of new songs and information, including rapping a new Captain Murphy song produced by Hudson Mohawke". The radio station includes songs from Clams Casino, Aphex Twin, Hudson Mohawke, Tyler, the Creator, Dabrye, Thundercat, Machinedrum, Outkast, DJ Rashad and Shadow Child. In November 2014, Flying Lotus collaborated with MF Doom on the track "Masquatch" for the reissued copy of the video game. The two collaborated again on the track "Lunch Break" for an updated version of Grand Theft Auto Online in 2020. On July 17, 2013, Flying Lotus announced on Twitter that he had been nominated for a VMA for the song "Tiny Tortures". 2014–2015: You're Dead! On July 15, 2014, Flying Lotus posted on Instagram a photo of vinyl test pressings labeled "LP #5". On July 22, he announced that his fifth studio album, You're Dead!, would be released in the UK on October 6, 2014, and in the US on October 7, 2014. The album features guest appearances by Kendrick Lamar, Snoop Dogg and Herbie Hancock. On August 15, 2014, Flying Lotus released a new song called "Cosplay" with his alias Captain Murphy. On September 30, 2014, Flying Lotus scored the short film A Portrait of Noomi Rapace, starring actress Noomi Rapace and directed by Aitor Throup. During the summer of 2015, Flying Lotus appeared at many summer music festivals including the Bonnaroo Music and Arts Festival, the Coachella Valley Music and Arts Festival, the Governors Ball Music Festival and the Glastonbury Festival. His performances received critical acclaim. He appeared alongside Thundercat on Lamar's album To Pimp a Butterfly. In July 2015, Flying Lotus, made his national television debut on Why? with Hannibal Buress, as the show's in-studio disc jockey. Lotus received two Grammy Award nominations at the 58th ceremony: Best Dance Recording for his song "Never Catch Me" and Album of the Year for his credits as producer on Lamar's To Pimp a Butterfly. 2016–2018: Kuso On July 5, 2016, Ellison announced the start of Brainfeeder film division. Shortly after, at the Sundance NEXT festival, he premiered a short film titled Royal. It was later revealed to be part of his feature film directorial debut, Kuso. Kuso would star Hannibal Buress, Tim Heidecker and David Firth among others. Kuso featured new music from Ellison himself under both the Flying Lotus and Captain Murphy names, Aphex Twin, Busdriver, and Thundercat, among others. Kuso premiered at the Sundance Film Festival in 2017. On June 6, 2017, Ellison announced that Kuso would be released via the horror video streaming service Shudder, on July 21, 2017. Kuso was also confirmed a theatrical release in New York City and Los Angeles. Addressing the responsibility of the wide release of Kuso, on Twitter, Ellison praised Shudder, explaining he found it to be a suitable home for the film's release. On November 2, 2017, Ellison released a music video for a new song of his, "Post Requisite", and is "currently finishing his next studio album on Warp". He also wrote the soundtrack for the 2017 short film Blade Runner Black Out 2022 and has contributed music to the 2019 anime series Carole & Tuesday. 2019: Flamagra On April 17, 2019, Ellison announced his sixth album, Flamagra, released via Warp on May 24, 2019. The first single off the album, "Fire Is Coming" featuring David Lynch, was released on the same day. On May 12, 2019, a second single, "More", was released alongside a music video directed by Shinichirō Watanabe. Discography Studio albums 1983 (2006) Los Angeles (2008) Cosmogramma (2010) Until the Quiet Comes (2012) You're Dead! (2014) Flamagra (2019) Yasuke (2021) Filmography Until the Quiet Comes – original score (2012) The Mapping of Countries Yet to Come – original score (2012) A Portrait of Noomi Rapace – original score (2014) FUCKKKYOUUU (by Eddie Alcazar) – original score (2016) Royal – director (2016) The Eric Andre Show – himself (2016) Lovetrue – original music (2016) Kuso – director, writer, original score (2017) Blade Runner Black Out 2022 – original score (2017) Perfect (by Eddie Alcazar) – original score (2018) Carole & Tuesday – additional music (2019) YOLO Crystal Fantasy (TV series) - himself (2020) Yasuke – original score, executive producer (2021) Awards and nominations \|- ! scope="row" rowspan="2"\| 2016 \| rowspan="4"\| Grammy Awards \| Album of the Year \| To Pimp a Butterfly \| \| align="center" rowspan="4"\| \|- \| Best Dance Recording \| "Never Catch Me" \| \|- ! scope="row" rowspan="2"\| 2021 \| Producer of the Year, Non-Classical \| Himself \| \|- \| Best Progressive R&B Album \| It Is What It Is \| References Further reading External links 1983 births Living people Ableton Live users Academy of Art University alumni African-American male rappers African-American record producers Alternative hip hop musicians American electronic musicians American experimental musicians American hip hop DJs American hip hop record producers American people of Cameroonian descent American people of Tikar descent Musicians from Los Angeles Rappers from Los Angeles Trip hop musicians Warp (record label) artists West Coast hip hop musicians 21st-century American rappers Brainfeeder artists Record producers from California Grammy Award winners Plug Research artists	true	[ "Přírodní park Třebíčsko (before Oblast klidu Třebíčsko) is a natural park near Třebíč in the Czech Republic. There are many interesting plants. The park was founded in 1983.\n\nKobylinec and Ptáčovský kopeček\n\nKobylinec is a natural monument situated ca 0,5 km from the village of Trnava.\nThe area of this monument is 0,44 ha. Pulsatilla grandis can be found here and in the Ptáčovský kopeček park near Ptáčov near Třebíč. Both monuments are very popular for tourists.\n\nPonds\n\nIn the natural park there are some interesting ponds such as Velký Bor, Malý Bor, Buršík near Přeckov and a brook Březinka. Dams on the brook are examples of European beaver activity.\n\nSyenitové skály near Pocoucov\n\nSyenitové skály (rocks of syenit) near Pocoucov is one of famed locations. There are interesting granite boulders. The area of the reservation is 0,77 ha.\n\nExternal links\nParts of this article or all article was translated from Czech. The original article is :cs:Přírodní park Třebíčsko.\n\nReferences\n\nExternal links\nNature near the village Trnava which is there\n\nTřebíč\nParks in the Czech Republic\nTourist attractions in the Vysočina Region", "Damn Interesting is an independent website founded by Alan Bellows in 2005. The website presents true stories from science, history, and psychology, primarily as long-form articles, often illustrated with original artwork. Works are written by various authors, and published at irregular intervals. The website openly rejects advertising, relying on reader and listener donations to cover operating costs.\n\nAs of October 2012, each article is also published as a podcast under the same name. In November 2019, a second podcast was launched under the title Damn Interesting Week, featuring unscripted commentary on an assortment of news articles featured on the website's \"Curated Links\" section that week. In mid-2020, a third podcast called Damn Interesting Curio Cabinet began highlighting the website's periodic short-form articles in the same radioplay format as the original podcast.\n\nIn July 2009, Damn Interesting published the print book Alien Hand Syndrome through Workman Publishing. It contains some favorites from the site and some exclusive content.\n\nAwards and recognition \nIn August 2007, PC Magazine named Damn Interesting one of the \"Top 100 Undiscovered Web Sites\".\nThe article \"The Zero-Armed Bandit\" by Alan Bellows won a 2015 Sidney Award from David Brooks in The New York Times.\nThe article \"Ghoulish Acts and Dastardly Deeds\" by Alan Bellows was cited as \"nonfiction journalism from 2017 that will stand the test of time\" by Conor Friedersdorf in The Atlantic.\nThe article \"Dupes and Duplicity\" by Jennifer Lee Noonan won a 2020 Sidney Award from David Brooks in the New York Times.\n\nAccusing The Dollop of plagiarism \n\nOn July 9, 2015, Bellows posted an open letter accusing The Dollop, a comedy podcast about history, of plagiarism due to their repeated use of verbatim text from Damn Interesting articles without permission or attribution. Dave Anthony, the writer of The Dollop, responded on reddit, admitting to using Damn Interesting content, but claiming that the use was protected by fair use, and that \"historical facts are not copyrightable.\" In an article about the controversy on Plagiarism Today, Jonathan Bailey concluded, \"Any way one looks at it, The Dollop failed its ethical obligations to all of the people, not just those writing for Damn Interesting, who put in the time, energy and expertise into writing the original content upon which their show is based.\"\n\nReferences\n\nExternal links \n Official website\n\n2005 podcast debuts" ]
[ "Flying Lotus", "2010-11: Cosmogramma and collaborations", "Are there any other interesting aspects about this article?", "His third studio album, Cosmogramma, was released in the UK on May 3, 2010, and in the US on May 4, 2010." ]	C_5f5bd5ad2d9b4c87a34474d7f917f64c_0	Did he make any sales	2	Did Flying Lotus make any sales from Cosmogramma?	Flying Lotus	His third studio album, Cosmogramma, was released in the UK on May 3, 2010, and in the US on May 4, 2010. In January 2011, Cosmogramma won in the Dance/Electronica Album category in the 10th Annual Independent Music Awards. The multi-award-winning Cosmogramma was a hard-hitting afrofuturistic shrine to soul, hip-hop, jazz and IDM but, with more emphasis on a lyrical message than ever before, it was also a cathartic grieving experience. The album was accompanied by live instrumentation (Thundercat on bass, Miguel Atwood Ferguson on strings, Rebekah Raff on harp) and live vocalists (Thom Yorke, Laura Darlington) - all picked to help communicate the spiritual musical lineage of Ellison's family (Ravi Coltrane, himself, played tenor sax). Stephen Bruner, aka Thundercat, who is featured extensively on Cosmogramma, would later become a large part of future albums by Flying Lotus. In 2010, Flying Lotus collaborated with the Ann Arbor Film Festival in the performance of a live scoring of the 1962 avant-garde film Heaven and Earth Magic. In a post-viewing interview with the audience, Flying Lotus said that he was unsure whether or not a recording of the performance (or a recreation of it) would be publicly released, but he would be enthusiastic toward similar projects in the future. He was chosen by Battles to perform at the ATP Nightmare Before Christmas festival that it co-curated in December 2011 in Minehead, England, UK. In September 2010, Flying Lotus released "Pattern+Grid World", an 8 track EP featuring Thundercat on bass & art by Theo Ellsworth. The Track Camera Day was used in the Killer Mike song Swimming, which was released as part of the Adult Swim Singles Series. In January 2011, Flying Lotus won the 10th Annual Independent Music Awards for his video "MmmHmm" in the Short-Form Video category. It was reported in 2011 that Flying Lotus would be collaborating with R&B singer Erykah Badu on new material for her next album, and planned to remix one of Radiohead's songs from The King of Limbs. CANNOTANSWER	CANNOTANSWER	Steven Ellison (born October 7, 1983), known by his stage name Flying Lotus or sometimes FlyLo, is an American record producer, DJ and rapper from Los Angeles. He is also the founder of the record label Brainfeeder. Flying Lotus has released six studio albums1983 (2006), Los Angeles (2008), Cosmogramma (2010), Until the Quiet Comes (2012), You're Dead! (2014), and Flamagra (2019)to critical acclaim. He has produced much of the bumper music on Cartoon Network's Adult Swim programming block. He also contributed remixes for fellow Plug Research artists including Mia Doi Todd. In 2012, Flying Lotus began rapping under the persona Captain Murphy, based on the Sealab 2021 character of the same name. Ellison kept this fact a secret for several months, finally revealing his identity several weeks after the release of his first rap mixtape: Duality (2012). Early life and education Flying Lotus was born Steven Ellison on October 7, 1983, in Los Angeles, California. He is the grandnephew of the late jazz pianist Alice Coltrane, whose husband was saxophonist John Coltrane. Additionally, he is the grandson of singer-songwriter Marilyn McLeod, who is notable for having written Diana Ross's "Love Hangover" and Freda Payne's "I Get High (On Your Memory)" and is Alice Coltrane's sister. His great aunt Alice has been called by one writer "the biggest influence on Ellison's music". A DNA test revealed that Ellison is a descendant of the Tikar people of Cameroon. Ellison attended Los Angeles Film School and Academy of Art University. Musical career 2006–2007: Adult Swim, 1983 and Warp Records In 2006, while at his mother's house, Ellison saw an advertisement on Cartoon Network's Adult Swim programming block asking for song submissions. He sent some in, under the name Flying Lotus (a moniker inspired by lucid dreaming) and was accepted. Around this time, he was interning at the pioneering hip hop label Stones Throw Records. He released his debut studio album 1983 on October 3, 2006. In 2006, Ellison participated in that year's annual Red Bull Music Academy, which took place in Melbourne, Australia. In 2007, he announced on CSU-Fullerton's Titan Radio that he signed with Warp Records. He released his debut EP, the six-track Reset on October 1, 2007. Soon afterwards, he became one of the label's cornerstone artists and released his second studio album, Los Angeles on June 10, 2008. 2008–2009: Los Angeles and Brainfeeder In 2008 Flying Lotus released Los Angeles, a 17-track album dedicated to his home city. Telling Quietus on the subject of J Dilla's influence on his music: "I love Dilla and who knows where this beat thing would be without him. His work ethic inspired so many producers around the world, but when he moved out to LA, it seemed that his presence here inspired everyone to kick things into overdrive. If I had to describe his music, I'd say it were 'imaginative soul music'. I think it's his imagination that appeals to me, personally. Dilla could flip a boring record and make you feel like you were flying." 2008 saw Ellison enter a stage of hyper-productivity, as he followed up the Los Angeles record with collaborative tracks with Samiyam and Gonjasufi, a limited white label run of remixes ("Camel", "Lightworks", R2-D2 sound effects, "Shadows of Tomorrow" and "Promiscuous") called Shhh!, and a series of LA inspired EPs. Each of the La EPs features remixes and unreleased tracks from his Los Angeles Album. The third in that series (titled L.A. EP 3 X 3), marked a new atmospheric style in his sound. The same year, Flying Lotus also remixed "Reckoner" from In Rainbows, an album by Radiohead. 2010–2011: Cosmogramma and collaborations His third studio album, Cosmogramma, was released in the UK on May 3, 2010, and in the US on May 4, 2010. In January 2011, Cosmogramma won in the Dance/Electronica Album category in the 10th Annual Independent Music Awards. The multi-award-winning Cosmogramma was a hard-hitting afrofuturistic shrine to soul, hip-hop, jazz and IDM but, with more emphasis on a lyrical message than ever before. The album was accompanied by live instrumentation (Thundercat on bass, Miguel Atwood-Ferguson on strings, Rebekah Raff on harp) and live vocalists (Thom Yorke, Laura Darlington) – all picked to help communicate the spiritual musical lineage of Ellison's family (Ravi Coltrane, himself, played tenor sax). Stephen Bruner, aka Thundercat, who is featured extensively on Cosmogramma, would later become a large part of future albums by Flying Lotus. In 2010, Flying Lotus collaborated with the Ann Arbor Film Festival in the performance of a live scoring of the 1962 avant-garde film Heaven and Earth Magic. In a post-viewing interview with the audience, Flying Lotus said that he was unsure whether or not a recording of the performance (or a recreation of it) would be publicly released, but he would be enthusiastic towards similar projects in the future. He was chosen by Battles to perform at the ATP Nightmare Before Christmas festival that it co-curated in December 2011 in Minehead, England, UK. In September 2010, Flying Lotus released "Pattern+Grid World", an 8 track EP featuring Thundercat on bass & art by Theo Ellsworth. The Track Camera Day was used in the Killer Mike song Swimming, which was released as part of the Adult Swim Singles Series. In January 2011, Flying Lotus won the 10th Annual Independent Music Awards for his video "MmmHmm" in the Short-Form Video category. It was reported in 2011 that Flying Lotus would be collaborating with R&B singer Erykah Badu on new material for her next album, and planned to remix one of Radiohead's songs from The King of Limbs. 2012–2013: Until the Quiet Comes and Captain Murphy With an appreciation for hip hop, but no established work, artists like Odd Future (also aficionados of Adult Swim), A$AP Mob, Spaceghostpurrp and Shabazz Palaces inspired him to directly participate, and he began production work for Odd Future's Hodgy Beats' Untitled EP. This led to the moment in which he decided to produce more in the genre: "I can recall the moment specifically ... [Odd Future] started playing me some of The OF Tape Vol. 2. ... I asked them, 'Yo, Hodgy, how long did it take you to record this shit? How long did it take you to write this song?' 'Aw, my nigga, it took me like 15 minutes.' 15 minutes? Are you fucking serious? I was like, 'Nah, nigga. I am gonna do this shit.'" Throughout the summer of 2012, Captain Murphy began to make more appearances, dressed in Luchadore Ensemble. In August 2012, Flying Lotus announced a multimedia project with filmmaker Miwa Matreyek, which is to be titled The Mapping of Countries Yet to Come. Flying Lotus produced rapper Mac Miller's song "SDS'" for his album Watching Movies with the Sound Off. He also created a song for the Cartoon Network series Adventure Time entitled "About that time//A glitch is a glitch". Behind closed doors, though, the work for his fourth album Until the Quiet Comes was pretty much done. A year prior, Ellison had worked with Ann Arbor Festival to live score a surreal and avant-garde 50s animation Heaven and Earth Magic (pictured below), and a fascination with dreamlike states had continued into this record. Until The Quiet Comes continued his creative relationship with Radiohead's Thom Yorke, as well as Jonny Greenwood, Niki Randa, Erykah Badu, Laura Darlington and, of course, Thundercat, and was cinematically captured in a short film by filmmaker Kahlil Joseph. In late 2012, less than two months after the release of his last record, a website started circulating online: www.captainmurphy.xxx. Press speculated who the rapper was, with guessing being centered around the Odd Future Crew. The site hosted Duality, a 34-minute short film mixtape, that comprised both new material and tracks that had been leaking all summer. In April 2013, Flying Lotus announced that he has his own radio station called FlyLo FM in the video game Grand Theft Auto V, saying there would be "a ton of new songs and information, including rapping a new Captain Murphy song produced by Hudson Mohawke". The radio station includes songs from Clams Casino, Aphex Twin, Hudson Mohawke, Tyler, the Creator, Dabrye, Thundercat, Machinedrum, Outkast, DJ Rashad and Shadow Child. In November 2014, Flying Lotus collaborated with MF Doom on the track "Masquatch" for the reissued copy of the video game. The two collaborated again on the track "Lunch Break" for an updated version of Grand Theft Auto Online in 2020. On July 17, 2013, Flying Lotus announced on Twitter that he had been nominated for a VMA for the song "Tiny Tortures". 2014–2015: You're Dead! On July 15, 2014, Flying Lotus posted on Instagram a photo of vinyl test pressings labeled "LP #5". On July 22, he announced that his fifth studio album, You're Dead!, would be released in the UK on October 6, 2014, and in the US on October 7, 2014. The album features guest appearances by Kendrick Lamar, Snoop Dogg and Herbie Hancock. On August 15, 2014, Flying Lotus released a new song called "Cosplay" with his alias Captain Murphy. On September 30, 2014, Flying Lotus scored the short film A Portrait of Noomi Rapace, starring actress Noomi Rapace and directed by Aitor Throup. During the summer of 2015, Flying Lotus appeared at many summer music festivals including the Bonnaroo Music and Arts Festival, the Coachella Valley Music and Arts Festival, the Governors Ball Music Festival and the Glastonbury Festival. His performances received critical acclaim. He appeared alongside Thundercat on Lamar's album To Pimp a Butterfly. In July 2015, Flying Lotus, made his national television debut on Why? with Hannibal Buress, as the show's in-studio disc jockey. Lotus received two Grammy Award nominations at the 58th ceremony: Best Dance Recording for his song "Never Catch Me" and Album of the Year for his credits as producer on Lamar's To Pimp a Butterfly. 2016–2018: Kuso On July 5, 2016, Ellison announced the start of Brainfeeder film division. Shortly after, at the Sundance NEXT festival, he premiered a short film titled Royal. It was later revealed to be part of his feature film directorial debut, Kuso. Kuso would star Hannibal Buress, Tim Heidecker and David Firth among others. Kuso featured new music from Ellison himself under both the Flying Lotus and Captain Murphy names, Aphex Twin, Busdriver, and Thundercat, among others. Kuso premiered at the Sundance Film Festival in 2017. On June 6, 2017, Ellison announced that Kuso would be released via the horror video streaming service Shudder, on July 21, 2017. Kuso was also confirmed a theatrical release in New York City and Los Angeles. Addressing the responsibility of the wide release of Kuso, on Twitter, Ellison praised Shudder, explaining he found it to be a suitable home for the film's release. On November 2, 2017, Ellison released a music video for a new song of his, "Post Requisite", and is "currently finishing his next studio album on Warp". He also wrote the soundtrack for the 2017 short film Blade Runner Black Out 2022 and has contributed music to the 2019 anime series Carole & Tuesday. 2019: Flamagra On April 17, 2019, Ellison announced his sixth album, Flamagra, released via Warp on May 24, 2019. The first single off the album, "Fire Is Coming" featuring David Lynch, was released on the same day. On May 12, 2019, a second single, "More", was released alongside a music video directed by Shinichirō Watanabe. Discography Studio albums 1983 (2006) Los Angeles (2008) Cosmogramma (2010) Until the Quiet Comes (2012) You're Dead! (2014) Flamagra (2019) Yasuke (2021) Filmography Until the Quiet Comes – original score (2012) The Mapping of Countries Yet to Come – original score (2012) A Portrait of Noomi Rapace – original score (2014) FUCKKKYOUUU (by Eddie Alcazar) – original score (2016) Royal – director (2016) The Eric Andre Show – himself (2016) Lovetrue – original music (2016) Kuso – director, writer, original score (2017) Blade Runner Black Out 2022 – original score (2017) Perfect (by Eddie Alcazar) – original score (2018) Carole & Tuesday – additional music (2019) YOLO Crystal Fantasy (TV series) - himself (2020) Yasuke – original score, executive producer (2021) Awards and nominations \|- ! scope="row" rowspan="2"\| 2016 \| rowspan="4"\| Grammy Awards \| Album of the Year \| To Pimp a Butterfly \| \| align="center" rowspan="4"\| \|- \| Best Dance Recording \| "Never Catch Me" \| \|- ! scope="row" rowspan="2"\| 2021 \| Producer of the Year, Non-Classical \| Himself \| \|- \| Best Progressive R&B Album \| It Is What It Is \| References Further reading External links 1983 births Living people Ableton Live users Academy of Art University alumni African-American male rappers African-American record producers Alternative hip hop musicians American electronic musicians American experimental musicians American hip hop DJs American hip hop record producers American people of Cameroonian descent American people of Tikar descent Musicians from Los Angeles Rappers from Los Angeles Trip hop musicians Warp (record label) artists West Coast hip hop musicians 21st-century American rappers Brainfeeder artists Record producers from California Grammy Award winners Plug Research artists	false	[ "The name Blanca has been used for eleven tropical cyclones in the Eastern Pacific Ocean.\n\n Hurricane Blanca (1966), never affected land, travelled 4,300 miles during its lifetime.\n Tropical Storm Blanca (1970), did not make landfall.\n Tropical Storm Blanca (1974), did not make landfall.\n Tropical Storm Blanca (1979), did not make landfall.\n Hurricane Blanca (1985), did not affect any land.\n Tropical Storm Blanca (1991), did not cause any casualties or damages.\n Tropical Storm Blanca (1997), did not cause any major damage or casualties.\n Tropical Storm Blanca (2003), did not have any effects on land.\n Tropical Storm Blanca (2009), did not make landfall, but contributed to flooding in Mexico.\n Hurricane Blanca (2015), Category 4 hurricane, made landfall in the Baja California Peninsula as a tropical storm.\n Tropical Storm Blanca (2021), did not affect any land.\n\nPacific hurricane disambiguation pages", "Tyrell Sales (born January 1, 1986) is an American football player who last played professionally in 2012 for the Parma Panthers, a team based in Parma, Italy.\n\nSales was a linebacker for Penn State University. He was signed as a free agent by the AFL's Jacksonville Sharks in 2010. He also had a workout for the Indianapolis Colts, but did not make the team. He is a charter member of the Eta Alpha chapter of Iota Phi Theta fraternity.\n\nExternal links\n Jacksonville Sharks Bio\n\n1986 births\nLiving people\nAmerican football linebackers\nPenn State Nittany Lions football players\nIndianapolis Colts players\nMontreal Alouettes players\nJacksonville Sharks players\nPeople from Butler, Pennsylvania\nPlayers of American football from Pennsylvania\nAmerican expatriate sportspeople in Italy\nAmerican expatriate players of American football" ]
[ "Flying Lotus", "2010-11: Cosmogramma and collaborations", "Are there any other interesting aspects about this article?", "His third studio album, Cosmogramma, was released in the UK on May 3, 2010, and in the US on May 4, 2010.", "Did he make any sales", "I don't know." ]	C_5f5bd5ad2d9b4c87a34474d7f917f64c_0	What happen in 2010	3	What happen in 2010 for Flying Lotus?	Flying Lotus	His third studio album, Cosmogramma, was released in the UK on May 3, 2010, and in the US on May 4, 2010. In January 2011, Cosmogramma won in the Dance/Electronica Album category in the 10th Annual Independent Music Awards. The multi-award-winning Cosmogramma was a hard-hitting afrofuturistic shrine to soul, hip-hop, jazz and IDM but, with more emphasis on a lyrical message than ever before, it was also a cathartic grieving experience. The album was accompanied by live instrumentation (Thundercat on bass, Miguel Atwood Ferguson on strings, Rebekah Raff on harp) and live vocalists (Thom Yorke, Laura Darlington) - all picked to help communicate the spiritual musical lineage of Ellison's family (Ravi Coltrane, himself, played tenor sax). Stephen Bruner, aka Thundercat, who is featured extensively on Cosmogramma, would later become a large part of future albums by Flying Lotus. In 2010, Flying Lotus collaborated with the Ann Arbor Film Festival in the performance of a live scoring of the 1962 avant-garde film Heaven and Earth Magic. In a post-viewing interview with the audience, Flying Lotus said that he was unsure whether or not a recording of the performance (or a recreation of it) would be publicly released, but he would be enthusiastic toward similar projects in the future. He was chosen by Battles to perform at the ATP Nightmare Before Christmas festival that it co-curated in December 2011 in Minehead, England, UK. In September 2010, Flying Lotus released "Pattern+Grid World", an 8 track EP featuring Thundercat on bass & art by Theo Ellsworth. The Track Camera Day was used in the Killer Mike song Swimming, which was released as part of the Adult Swim Singles Series. In January 2011, Flying Lotus won the 10th Annual Independent Music Awards for his video "MmmHmm" in the Short-Form Video category. It was reported in 2011 that Flying Lotus would be collaborating with R&B singer Erykah Badu on new material for her next album, and planned to remix one of Radiohead's songs from The King of Limbs. CANNOTANSWER	In September 2010, Flying Lotus released "Pattern+Grid World",	Steven Ellison (born October 7, 1983), known by his stage name Flying Lotus or sometimes FlyLo, is an American record producer, DJ and rapper from Los Angeles. He is also the founder of the record label Brainfeeder. Flying Lotus has released six studio albums1983 (2006), Los Angeles (2008), Cosmogramma (2010), Until the Quiet Comes (2012), You're Dead! (2014), and Flamagra (2019)to critical acclaim. He has produced much of the bumper music on Cartoon Network's Adult Swim programming block. He also contributed remixes for fellow Plug Research artists including Mia Doi Todd. In 2012, Flying Lotus began rapping under the persona Captain Murphy, based on the Sealab 2021 character of the same name. Ellison kept this fact a secret for several months, finally revealing his identity several weeks after the release of his first rap mixtape: Duality (2012). Early life and education Flying Lotus was born Steven Ellison on October 7, 1983, in Los Angeles, California. He is the grandnephew of the late jazz pianist Alice Coltrane, whose husband was saxophonist John Coltrane. Additionally, he is the grandson of singer-songwriter Marilyn McLeod, who is notable for having written Diana Ross's "Love Hangover" and Freda Payne's "I Get High (On Your Memory)" and is Alice Coltrane's sister. His great aunt Alice has been called by one writer "the biggest influence on Ellison's music". A DNA test revealed that Ellison is a descendant of the Tikar people of Cameroon. Ellison attended Los Angeles Film School and Academy of Art University. Musical career 2006–2007: Adult Swim, 1983 and Warp Records In 2006, while at his mother's house, Ellison saw an advertisement on Cartoon Network's Adult Swim programming block asking for song submissions. He sent some in, under the name Flying Lotus (a moniker inspired by lucid dreaming) and was accepted. Around this time, he was interning at the pioneering hip hop label Stones Throw Records. He released his debut studio album 1983 on October 3, 2006. In 2006, Ellison participated in that year's annual Red Bull Music Academy, which took place in Melbourne, Australia. In 2007, he announced on CSU-Fullerton's Titan Radio that he signed with Warp Records. He released his debut EP, the six-track Reset on October 1, 2007. Soon afterwards, he became one of the label's cornerstone artists and released his second studio album, Los Angeles on June 10, 2008. 2008–2009: Los Angeles and Brainfeeder In 2008 Flying Lotus released Los Angeles, a 17-track album dedicated to his home city. Telling Quietus on the subject of J Dilla's influence on his music: "I love Dilla and who knows where this beat thing would be without him. His work ethic inspired so many producers around the world, but when he moved out to LA, it seemed that his presence here inspired everyone to kick things into overdrive. If I had to describe his music, I'd say it were 'imaginative soul music'. I think it's his imagination that appeals to me, personally. Dilla could flip a boring record and make you feel like you were flying." 2008 saw Ellison enter a stage of hyper-productivity, as he followed up the Los Angeles record with collaborative tracks with Samiyam and Gonjasufi, a limited white label run of remixes ("Camel", "Lightworks", R2-D2 sound effects, "Shadows of Tomorrow" and "Promiscuous") called Shhh!, and a series of LA inspired EPs. Each of the La EPs features remixes and unreleased tracks from his Los Angeles Album. The third in that series (titled L.A. EP 3 X 3), marked a new atmospheric style in his sound. The same year, Flying Lotus also remixed "Reckoner" from In Rainbows, an album by Radiohead. 2010–2011: Cosmogramma and collaborations His third studio album, Cosmogramma, was released in the UK on May 3, 2010, and in the US on May 4, 2010. In January 2011, Cosmogramma won in the Dance/Electronica Album category in the 10th Annual Independent Music Awards. The multi-award-winning Cosmogramma was a hard-hitting afrofuturistic shrine to soul, hip-hop, jazz and IDM but, with more emphasis on a lyrical message than ever before. The album was accompanied by live instrumentation (Thundercat on bass, Miguel Atwood-Ferguson on strings, Rebekah Raff on harp) and live vocalists (Thom Yorke, Laura Darlington) – all picked to help communicate the spiritual musical lineage of Ellison's family (Ravi Coltrane, himself, played tenor sax). Stephen Bruner, aka Thundercat, who is featured extensively on Cosmogramma, would later become a large part of future albums by Flying Lotus. In 2010, Flying Lotus collaborated with the Ann Arbor Film Festival in the performance of a live scoring of the 1962 avant-garde film Heaven and Earth Magic. In a post-viewing interview with the audience, Flying Lotus said that he was unsure whether or not a recording of the performance (or a recreation of it) would be publicly released, but he would be enthusiastic towards similar projects in the future. He was chosen by Battles to perform at the ATP Nightmare Before Christmas festival that it co-curated in December 2011 in Minehead, England, UK. In September 2010, Flying Lotus released "Pattern+Grid World", an 8 track EP featuring Thundercat on bass & art by Theo Ellsworth. The Track Camera Day was used in the Killer Mike song Swimming, which was released as part of the Adult Swim Singles Series. In January 2011, Flying Lotus won the 10th Annual Independent Music Awards for his video "MmmHmm" in the Short-Form Video category. It was reported in 2011 that Flying Lotus would be collaborating with R&B singer Erykah Badu on new material for her next album, and planned to remix one of Radiohead's songs from The King of Limbs. 2012–2013: Until the Quiet Comes and Captain Murphy With an appreciation for hip hop, but no established work, artists like Odd Future (also aficionados of Adult Swim), A$AP Mob, Spaceghostpurrp and Shabazz Palaces inspired him to directly participate, and he began production work for Odd Future's Hodgy Beats' Untitled EP. This led to the moment in which he decided to produce more in the genre: "I can recall the moment specifically ... [Odd Future] started playing me some of The OF Tape Vol. 2. ... I asked them, 'Yo, Hodgy, how long did it take you to record this shit? How long did it take you to write this song?' 'Aw, my nigga, it took me like 15 minutes.' 15 minutes? Are you fucking serious? I was like, 'Nah, nigga. I am gonna do this shit.'" Throughout the summer of 2012, Captain Murphy began to make more appearances, dressed in Luchadore Ensemble. In August 2012, Flying Lotus announced a multimedia project with filmmaker Miwa Matreyek, which is to be titled The Mapping of Countries Yet to Come. Flying Lotus produced rapper Mac Miller's song "SDS'" for his album Watching Movies with the Sound Off. He also created a song for the Cartoon Network series Adventure Time entitled "About that time//A glitch is a glitch". Behind closed doors, though, the work for his fourth album Until the Quiet Comes was pretty much done. A year prior, Ellison had worked with Ann Arbor Festival to live score a surreal and avant-garde 50s animation Heaven and Earth Magic (pictured below), and a fascination with dreamlike states had continued into this record. Until The Quiet Comes continued his creative relationship with Radiohead's Thom Yorke, as well as Jonny Greenwood, Niki Randa, Erykah Badu, Laura Darlington and, of course, Thundercat, and was cinematically captured in a short film by filmmaker Kahlil Joseph. In late 2012, less than two months after the release of his last record, a website started circulating online: www.captainmurphy.xxx. Press speculated who the rapper was, with guessing being centered around the Odd Future Crew. The site hosted Duality, a 34-minute short film mixtape, that comprised both new material and tracks that had been leaking all summer. In April 2013, Flying Lotus announced that he has his own radio station called FlyLo FM in the video game Grand Theft Auto V, saying there would be "a ton of new songs and information, including rapping a new Captain Murphy song produced by Hudson Mohawke". The radio station includes songs from Clams Casino, Aphex Twin, Hudson Mohawke, Tyler, the Creator, Dabrye, Thundercat, Machinedrum, Outkast, DJ Rashad and Shadow Child. In November 2014, Flying Lotus collaborated with MF Doom on the track "Masquatch" for the reissued copy of the video game. The two collaborated again on the track "Lunch Break" for an updated version of Grand Theft Auto Online in 2020. On July 17, 2013, Flying Lotus announced on Twitter that he had been nominated for a VMA for the song "Tiny Tortures". 2014–2015: You're Dead! On July 15, 2014, Flying Lotus posted on Instagram a photo of vinyl test pressings labeled "LP #5". On July 22, he announced that his fifth studio album, You're Dead!, would be released in the UK on October 6, 2014, and in the US on October 7, 2014. The album features guest appearances by Kendrick Lamar, Snoop Dogg and Herbie Hancock. On August 15, 2014, Flying Lotus released a new song called "Cosplay" with his alias Captain Murphy. On September 30, 2014, Flying Lotus scored the short film A Portrait of Noomi Rapace, starring actress Noomi Rapace and directed by Aitor Throup. During the summer of 2015, Flying Lotus appeared at many summer music festivals including the Bonnaroo Music and Arts Festival, the Coachella Valley Music and Arts Festival, the Governors Ball Music Festival and the Glastonbury Festival. His performances received critical acclaim. He appeared alongside Thundercat on Lamar's album To Pimp a Butterfly. In July 2015, Flying Lotus, made his national television debut on Why? with Hannibal Buress, as the show's in-studio disc jockey. Lotus received two Grammy Award nominations at the 58th ceremony: Best Dance Recording for his song "Never Catch Me" and Album of the Year for his credits as producer on Lamar's To Pimp a Butterfly. 2016–2018: Kuso On July 5, 2016, Ellison announced the start of Brainfeeder film division. Shortly after, at the Sundance NEXT festival, he premiered a short film titled Royal. It was later revealed to be part of his feature film directorial debut, Kuso. Kuso would star Hannibal Buress, Tim Heidecker and David Firth among others. Kuso featured new music from Ellison himself under both the Flying Lotus and Captain Murphy names, Aphex Twin, Busdriver, and Thundercat, among others. Kuso premiered at the Sundance Film Festival in 2017. On June 6, 2017, Ellison announced that Kuso would be released via the horror video streaming service Shudder, on July 21, 2017. Kuso was also confirmed a theatrical release in New York City and Los Angeles. Addressing the responsibility of the wide release of Kuso, on Twitter, Ellison praised Shudder, explaining he found it to be a suitable home for the film's release. On November 2, 2017, Ellison released a music video for a new song of his, "Post Requisite", and is "currently finishing his next studio album on Warp". He also wrote the soundtrack for the 2017 short film Blade Runner Black Out 2022 and has contributed music to the 2019 anime series Carole & Tuesday. 2019: Flamagra On April 17, 2019, Ellison announced his sixth album, Flamagra, released via Warp on May 24, 2019. The first single off the album, "Fire Is Coming" featuring David Lynch, was released on the same day. On May 12, 2019, a second single, "More", was released alongside a music video directed by Shinichirō Watanabe. Discography Studio albums 1983 (2006) Los Angeles (2008) Cosmogramma (2010) Until the Quiet Comes (2012) You're Dead! (2014) Flamagra (2019) Yasuke (2021) Filmography Until the Quiet Comes – original score (2012) The Mapping of Countries Yet to Come – original score (2012) A Portrait of Noomi Rapace – original score (2014) FUCKKKYOUUU (by Eddie Alcazar) – original score (2016) Royal – director (2016) The Eric Andre Show – himself (2016) Lovetrue – original music (2016) Kuso – director, writer, original score (2017) Blade Runner Black Out 2022 – original score (2017) Perfect (by Eddie Alcazar) – original score (2018) Carole & Tuesday – additional music (2019) YOLO Crystal Fantasy (TV series) - himself (2020) Yasuke – original score, executive producer (2021) Awards and nominations \|- ! scope="row" rowspan="2"\| 2016 \| rowspan="4"\| Grammy Awards \| Album of the Year \| To Pimp a Butterfly \| \| align="center" rowspan="4"\| \|- \| Best Dance Recording \| "Never Catch Me" \| \|- ! scope="row" rowspan="2"\| 2021 \| Producer of the Year, Non-Classical \| Himself \| \|- \| Best Progressive R&B Album \| It Is What It Is \| References Further reading External links 1983 births Living people Ableton Live users Academy of Art University alumni African-American male rappers African-American record producers Alternative hip hop musicians American electronic musicians American experimental musicians American hip hop DJs American hip hop record producers American people of Cameroonian descent American people of Tikar descent Musicians from Los Angeles Rappers from Los Angeles Trip hop musicians Warp (record label) artists West Coast hip hop musicians 21st-century American rappers Brainfeeder artists Record producers from California Grammy Award winners Plug Research artists	true	[ "Jackson Rogow (born October 5, 1991) is an American actor. He is best known for starring in the Cartoon Network live action series Dude, What Would Happen?\n\nCareer\nRogow was on Dude, What Would Happen on Cartoon Network until it was cancelled in 2011. Rogow was also on the Lego Top Secret Project after The Yoda Chronicles on Cartoon Network.\n\nPersonal life\nRogow resides in Bel Air, Los Angeles, California.\n\nFilmography\n\nReferences\n\nExternal links \n\nLiving people\n1991 births\nPeople from Kissimmee, Florida\nPeople from Bel Air, Los Angeles\nLos Angeles County High School for the Arts alumni\nAmerican male television actors", "James P. Flynn (born February 5, 1934) is an American teamster and film actor. He was a reputed member of the famous Winter Hill Gang. He has been in films including Good Will Hunting, The Cider House Rules and What's the Worst That Could Happen?.\n\nBiography\nJames P. Flynn was born in Somerville, Massachusetts.\n\nIn 1982, Flynn was wrongly identified as a shooter in the murder of Winter Hill Gang mob associate Brian \"Balloonhead\" Halloran and attempted murder of Michael Donahue. He was tried and acquitted for the murder in 1986 after being framed by John Connolly and James J. Bulger.\n\nFlynn was a part of Boston's International Brotherhood of Teamsters Local 25 labor union where he later ran the organization's movie production crew. He has also been the Teamster Union's transportation coordinator and transportation captain in the transportation department on numerous films, including The Departed, Fever Pitch and Jumanji.\n\nFlynn appeared in many films shot in the New England area. In show business he goes by the name 'James P. Flynn'. Flynn was cast as a judge in the Boston-based film Good Will Hunting in 1997. Later, he acted in the 1999 film The Cider House Rules and What's the Worst That Could Happen? in 2001. He was also a truck driver for movie production equipment during the filming of My Best Friend's Girl in 2008. Boston actor Tom Kemp remarked: \"[The film The Departed] wouldn't be a Boston movie without me, a Wahlberg, and Jimmy Flynn from the teamsters.\"\n\nFilmography\nGood Will Hunting (1997) as Judge George H. Malone\nThe Cider House Rules (1999) as Vernon\nWhat's the Worst That Could Happen? (2001) as the Fire Captain\n\nReferences\n\nExternal links \n\n1934 births\nLiving people\nMale actors from Boston\nWinter Hill Gang" ]
[ "Flying Lotus", "2010-11: Cosmogramma and collaborations", "Are there any other interesting aspects about this article?", "His third studio album, Cosmogramma, was released in the UK on May 3, 2010, and in the US on May 4, 2010.", "Did he make any sales", "I don't know.", "What happen in 2010", "In September 2010, Flying Lotus released \"Pattern+Grid World\"," ]	C_5f5bd5ad2d9b4c87a34474d7f917f64c_0	What happen in 2011	4	What happen in 2011 for Flying Lotus?	Flying Lotus	His third studio album, Cosmogramma, was released in the UK on May 3, 2010, and in the US on May 4, 2010. In January 2011, Cosmogramma won in the Dance/Electronica Album category in the 10th Annual Independent Music Awards. The multi-award-winning Cosmogramma was a hard-hitting afrofuturistic shrine to soul, hip-hop, jazz and IDM but, with more emphasis on a lyrical message than ever before, it was also a cathartic grieving experience. The album was accompanied by live instrumentation (Thundercat on bass, Miguel Atwood Ferguson on strings, Rebekah Raff on harp) and live vocalists (Thom Yorke, Laura Darlington) - all picked to help communicate the spiritual musical lineage of Ellison's family (Ravi Coltrane, himself, played tenor sax). Stephen Bruner, aka Thundercat, who is featured extensively on Cosmogramma, would later become a large part of future albums by Flying Lotus. In 2010, Flying Lotus collaborated with the Ann Arbor Film Festival in the performance of a live scoring of the 1962 avant-garde film Heaven and Earth Magic. In a post-viewing interview with the audience, Flying Lotus said that he was unsure whether or not a recording of the performance (or a recreation of it) would be publicly released, but he would be enthusiastic toward similar projects in the future. He was chosen by Battles to perform at the ATP Nightmare Before Christmas festival that it co-curated in December 2011 in Minehead, England, UK. In September 2010, Flying Lotus released "Pattern+Grid World", an 8 track EP featuring Thundercat on bass & art by Theo Ellsworth. The Track Camera Day was used in the Killer Mike song Swimming, which was released as part of the Adult Swim Singles Series. In January 2011, Flying Lotus won the 10th Annual Independent Music Awards for his video "MmmHmm" in the Short-Form Video category. It was reported in 2011 that Flying Lotus would be collaborating with R&B singer Erykah Badu on new material for her next album, and planned to remix one of Radiohead's songs from The King of Limbs. CANNOTANSWER	In January 2011, Flying Lotus won the 10th Annual Independent Music Awards	Steven Ellison (born October 7, 1983), known by his stage name Flying Lotus or sometimes FlyLo, is an American record producer, DJ and rapper from Los Angeles. He is also the founder of the record label Brainfeeder. Flying Lotus has released six studio albums1983 (2006), Los Angeles (2008), Cosmogramma (2010), Until the Quiet Comes (2012), You're Dead! (2014), and Flamagra (2019)to critical acclaim. He has produced much of the bumper music on Cartoon Network's Adult Swim programming block. He also contributed remixes for fellow Plug Research artists including Mia Doi Todd. In 2012, Flying Lotus began rapping under the persona Captain Murphy, based on the Sealab 2021 character of the same name. Ellison kept this fact a secret for several months, finally revealing his identity several weeks after the release of his first rap mixtape: Duality (2012). Early life and education Flying Lotus was born Steven Ellison on October 7, 1983, in Los Angeles, California. He is the grandnephew of the late jazz pianist Alice Coltrane, whose husband was saxophonist John Coltrane. Additionally, he is the grandson of singer-songwriter Marilyn McLeod, who is notable for having written Diana Ross's "Love Hangover" and Freda Payne's "I Get High (On Your Memory)" and is Alice Coltrane's sister. His great aunt Alice has been called by one writer "the biggest influence on Ellison's music". A DNA test revealed that Ellison is a descendant of the Tikar people of Cameroon. Ellison attended Los Angeles Film School and Academy of Art University. Musical career 2006–2007: Adult Swim, 1983 and Warp Records In 2006, while at his mother's house, Ellison saw an advertisement on Cartoon Network's Adult Swim programming block asking for song submissions. He sent some in, under the name Flying Lotus (a moniker inspired by lucid dreaming) and was accepted. Around this time, he was interning at the pioneering hip hop label Stones Throw Records. He released his debut studio album 1983 on October 3, 2006. In 2006, Ellison participated in that year's annual Red Bull Music Academy, which took place in Melbourne, Australia. In 2007, he announced on CSU-Fullerton's Titan Radio that he signed with Warp Records. He released his debut EP, the six-track Reset on October 1, 2007. Soon afterwards, he became one of the label's cornerstone artists and released his second studio album, Los Angeles on June 10, 2008. 2008–2009: Los Angeles and Brainfeeder In 2008 Flying Lotus released Los Angeles, a 17-track album dedicated to his home city. Telling Quietus on the subject of J Dilla's influence on his music: "I love Dilla and who knows where this beat thing would be without him. His work ethic inspired so many producers around the world, but when he moved out to LA, it seemed that his presence here inspired everyone to kick things into overdrive. If I had to describe his music, I'd say it were 'imaginative soul music'. I think it's his imagination that appeals to me, personally. Dilla could flip a boring record and make you feel like you were flying." 2008 saw Ellison enter a stage of hyper-productivity, as he followed up the Los Angeles record with collaborative tracks with Samiyam and Gonjasufi, a limited white label run of remixes ("Camel", "Lightworks", R2-D2 sound effects, "Shadows of Tomorrow" and "Promiscuous") called Shhh!, and a series of LA inspired EPs. Each of the La EPs features remixes and unreleased tracks from his Los Angeles Album. The third in that series (titled L.A. EP 3 X 3), marked a new atmospheric style in his sound. The same year, Flying Lotus also remixed "Reckoner" from In Rainbows, an album by Radiohead. 2010–2011: Cosmogramma and collaborations His third studio album, Cosmogramma, was released in the UK on May 3, 2010, and in the US on May 4, 2010. In January 2011, Cosmogramma won in the Dance/Electronica Album category in the 10th Annual Independent Music Awards. The multi-award-winning Cosmogramma was a hard-hitting afrofuturistic shrine to soul, hip-hop, jazz and IDM but, with more emphasis on a lyrical message than ever before. The album was accompanied by live instrumentation (Thundercat on bass, Miguel Atwood-Ferguson on strings, Rebekah Raff on harp) and live vocalists (Thom Yorke, Laura Darlington) – all picked to help communicate the spiritual musical lineage of Ellison's family (Ravi Coltrane, himself, played tenor sax). Stephen Bruner, aka Thundercat, who is featured extensively on Cosmogramma, would later become a large part of future albums by Flying Lotus. In 2010, Flying Lotus collaborated with the Ann Arbor Film Festival in the performance of a live scoring of the 1962 avant-garde film Heaven and Earth Magic. In a post-viewing interview with the audience, Flying Lotus said that he was unsure whether or not a recording of the performance (or a recreation of it) would be publicly released, but he would be enthusiastic towards similar projects in the future. He was chosen by Battles to perform at the ATP Nightmare Before Christmas festival that it co-curated in December 2011 in Minehead, England, UK. In September 2010, Flying Lotus released "Pattern+Grid World", an 8 track EP featuring Thundercat on bass & art by Theo Ellsworth. The Track Camera Day was used in the Killer Mike song Swimming, which was released as part of the Adult Swim Singles Series. In January 2011, Flying Lotus won the 10th Annual Independent Music Awards for his video "MmmHmm" in the Short-Form Video category. It was reported in 2011 that Flying Lotus would be collaborating with R&B singer Erykah Badu on new material for her next album, and planned to remix one of Radiohead's songs from The King of Limbs. 2012–2013: Until the Quiet Comes and Captain Murphy With an appreciation for hip hop, but no established work, artists like Odd Future (also aficionados of Adult Swim), A$AP Mob, Spaceghostpurrp and Shabazz Palaces inspired him to directly participate, and he began production work for Odd Future's Hodgy Beats' Untitled EP. This led to the moment in which he decided to produce more in the genre: "I can recall the moment specifically ... [Odd Future] started playing me some of The OF Tape Vol. 2. ... I asked them, 'Yo, Hodgy, how long did it take you to record this shit? How long did it take you to write this song?' 'Aw, my nigga, it took me like 15 minutes.' 15 minutes? Are you fucking serious? I was like, 'Nah, nigga. I am gonna do this shit.'" Throughout the summer of 2012, Captain Murphy began to make more appearances, dressed in Luchadore Ensemble. In August 2012, Flying Lotus announced a multimedia project with filmmaker Miwa Matreyek, which is to be titled The Mapping of Countries Yet to Come. Flying Lotus produced rapper Mac Miller's song "SDS'" for his album Watching Movies with the Sound Off. He also created a song for the Cartoon Network series Adventure Time entitled "About that time//A glitch is a glitch". Behind closed doors, though, the work for his fourth album Until the Quiet Comes was pretty much done. A year prior, Ellison had worked with Ann Arbor Festival to live score a surreal and avant-garde 50s animation Heaven and Earth Magic (pictured below), and a fascination with dreamlike states had continued into this record. Until The Quiet Comes continued his creative relationship with Radiohead's Thom Yorke, as well as Jonny Greenwood, Niki Randa, Erykah Badu, Laura Darlington and, of course, Thundercat, and was cinematically captured in a short film by filmmaker Kahlil Joseph. In late 2012, less than two months after the release of his last record, a website started circulating online: www.captainmurphy.xxx. Press speculated who the rapper was, with guessing being centered around the Odd Future Crew. The site hosted Duality, a 34-minute short film mixtape, that comprised both new material and tracks that had been leaking all summer. In April 2013, Flying Lotus announced that he has his own radio station called FlyLo FM in the video game Grand Theft Auto V, saying there would be "a ton of new songs and information, including rapping a new Captain Murphy song produced by Hudson Mohawke". The radio station includes songs from Clams Casino, Aphex Twin, Hudson Mohawke, Tyler, the Creator, Dabrye, Thundercat, Machinedrum, Outkast, DJ Rashad and Shadow Child. In November 2014, Flying Lotus collaborated with MF Doom on the track "Masquatch" for the reissued copy of the video game. The two collaborated again on the track "Lunch Break" for an updated version of Grand Theft Auto Online in 2020. On July 17, 2013, Flying Lotus announced on Twitter that he had been nominated for a VMA for the song "Tiny Tortures". 2014–2015: You're Dead! On July 15, 2014, Flying Lotus posted on Instagram a photo of vinyl test pressings labeled "LP #5". On July 22, he announced that his fifth studio album, You're Dead!, would be released in the UK on October 6, 2014, and in the US on October 7, 2014. The album features guest appearances by Kendrick Lamar, Snoop Dogg and Herbie Hancock. On August 15, 2014, Flying Lotus released a new song called "Cosplay" with his alias Captain Murphy. On September 30, 2014, Flying Lotus scored the short film A Portrait of Noomi Rapace, starring actress Noomi Rapace and directed by Aitor Throup. During the summer of 2015, Flying Lotus appeared at many summer music festivals including the Bonnaroo Music and Arts Festival, the Coachella Valley Music and Arts Festival, the Governors Ball Music Festival and the Glastonbury Festival. His performances received critical acclaim. He appeared alongside Thundercat on Lamar's album To Pimp a Butterfly. In July 2015, Flying Lotus, made his national television debut on Why? with Hannibal Buress, as the show's in-studio disc jockey. Lotus received two Grammy Award nominations at the 58th ceremony: Best Dance Recording for his song "Never Catch Me" and Album of the Year for his credits as producer on Lamar's To Pimp a Butterfly. 2016–2018: Kuso On July 5, 2016, Ellison announced the start of Brainfeeder film division. Shortly after, at the Sundance NEXT festival, he premiered a short film titled Royal. It was later revealed to be part of his feature film directorial debut, Kuso. Kuso would star Hannibal Buress, Tim Heidecker and David Firth among others. Kuso featured new music from Ellison himself under both the Flying Lotus and Captain Murphy names, Aphex Twin, Busdriver, and Thundercat, among others. Kuso premiered at the Sundance Film Festival in 2017. On June 6, 2017, Ellison announced that Kuso would be released via the horror video streaming service Shudder, on July 21, 2017. Kuso was also confirmed a theatrical release in New York City and Los Angeles. Addressing the responsibility of the wide release of Kuso, on Twitter, Ellison praised Shudder, explaining he found it to be a suitable home for the film's release. On November 2, 2017, Ellison released a music video for a new song of his, "Post Requisite", and is "currently finishing his next studio album on Warp". He also wrote the soundtrack for the 2017 short film Blade Runner Black Out 2022 and has contributed music to the 2019 anime series Carole & Tuesday. 2019: Flamagra On April 17, 2019, Ellison announced his sixth album, Flamagra, released via Warp on May 24, 2019. The first single off the album, "Fire Is Coming" featuring David Lynch, was released on the same day. On May 12, 2019, a second single, "More", was released alongside a music video directed by Shinichirō Watanabe. Discography Studio albums 1983 (2006) Los Angeles (2008) Cosmogramma (2010) Until the Quiet Comes (2012) You're Dead! (2014) Flamagra (2019) Yasuke (2021) Filmography Until the Quiet Comes – original score (2012) The Mapping of Countries Yet to Come – original score (2012) A Portrait of Noomi Rapace – original score (2014) FUCKKKYOUUU (by Eddie Alcazar) – original score (2016) Royal – director (2016) The Eric Andre Show – himself (2016) Lovetrue – original music (2016) Kuso – director, writer, original score (2017) Blade Runner Black Out 2022 – original score (2017) Perfect (by Eddie Alcazar) – original score (2018) Carole & Tuesday – additional music (2019) YOLO Crystal Fantasy (TV series) - himself (2020) Yasuke – original score, executive producer (2021) Awards and nominations \|- ! scope="row" rowspan="2"\| 2016 \| rowspan="4"\| Grammy Awards \| Album of the Year \| To Pimp a Butterfly \| \| align="center" rowspan="4"\| \|- \| Best Dance Recording \| "Never Catch Me" \| \|- ! scope="row" rowspan="2"\| 2021 \| Producer of the Year, Non-Classical \| Himself \| \|- \| Best Progressive R&B Album \| It Is What It Is \| References Further reading External links 1983 births Living people Ableton Live users Academy of Art University alumni African-American male rappers African-American record producers Alternative hip hop musicians American electronic musicians American experimental musicians American hip hop DJs American hip hop record producers American people of Cameroonian descent American people of Tikar descent Musicians from Los Angeles Rappers from Los Angeles Trip hop musicians Warp (record label) artists West Coast hip hop musicians 21st-century American rappers Brainfeeder artists Record producers from California Grammy Award winners Plug Research artists	true	[ "Jackson Rogow (born October 5, 1991) is an American actor. He is best known for starring in the Cartoon Network live action series Dude, What Would Happen?\n\nCareer\nRogow was on Dude, What Would Happen on Cartoon Network until it was cancelled in 2011. Rogow was also on the Lego Top Secret Project after The Yoda Chronicles on Cartoon Network.\n\nPersonal life\nRogow resides in Bel Air, Los Angeles, California.\n\nFilmography\n\nReferences\n\nExternal links \n\nLiving people\n1991 births\nPeople from Kissimmee, Florida\nPeople from Bel Air, Los Angeles\nLos Angeles County High School for the Arts alumni\nAmerican male television actors", "James P. Flynn (born February 5, 1934) is an American teamster and film actor. He was a reputed member of the famous Winter Hill Gang. He has been in films including Good Will Hunting, The Cider House Rules and What's the Worst That Could Happen?.\n\nBiography\nJames P. Flynn was born in Somerville, Massachusetts.\n\nIn 1982, Flynn was wrongly identified as a shooter in the murder of Winter Hill Gang mob associate Brian \"Balloonhead\" Halloran and attempted murder of Michael Donahue. He was tried and acquitted for the murder in 1986 after being framed by John Connolly and James J. Bulger.\n\nFlynn was a part of Boston's International Brotherhood of Teamsters Local 25 labor union where he later ran the organization's movie production crew. He has also been the Teamster Union's transportation coordinator and transportation captain in the transportation department on numerous films, including The Departed, Fever Pitch and Jumanji.\n\nFlynn appeared in many films shot in the New England area. In show business he goes by the name 'James P. Flynn'. Flynn was cast as a judge in the Boston-based film Good Will Hunting in 1997. Later, he acted in the 1999 film The Cider House Rules and What's the Worst That Could Happen? in 2001. He was also a truck driver for movie production equipment during the filming of My Best Friend's Girl in 2008. Boston actor Tom Kemp remarked: \"[The film The Departed] wouldn't be a Boston movie without me, a Wahlberg, and Jimmy Flynn from the teamsters.\"\n\nFilmography\nGood Will Hunting (1997) as Judge George H. Malone\nThe Cider House Rules (1999) as Vernon\nWhat's the Worst That Could Happen? (2001) as the Fire Captain\n\nReferences\n\nExternal links \n\n1934 births\nLiving people\nMale actors from Boston\nWinter Hill Gang" ]
[ "Flying Lotus", "2010-11: Cosmogramma and collaborations", "Are there any other interesting aspects about this article?", "His third studio album, Cosmogramma, was released in the UK on May 3, 2010, and in the US on May 4, 2010.", "Did he make any sales", "I don't know.", "What happen in 2010", "In September 2010, Flying Lotus released \"Pattern+Grid World\",", "What happen in 2011", "In January 2011, Flying Lotus won the 10th Annual Independent Music Awards" ]	C_5f5bd5ad2d9b4c87a34474d7f917f64c_0	What else was flying lotus known for	5	What else was flying lotus known for besides Cosmogramma, "Pattern+Grid World", and winning the 10th Annual Independent Music Awards?	Flying Lotus	His third studio album, Cosmogramma, was released in the UK on May 3, 2010, and in the US on May 4, 2010. In January 2011, Cosmogramma won in the Dance/Electronica Album category in the 10th Annual Independent Music Awards. The multi-award-winning Cosmogramma was a hard-hitting afrofuturistic shrine to soul, hip-hop, jazz and IDM but, with more emphasis on a lyrical message than ever before, it was also a cathartic grieving experience. The album was accompanied by live instrumentation (Thundercat on bass, Miguel Atwood Ferguson on strings, Rebekah Raff on harp) and live vocalists (Thom Yorke, Laura Darlington) - all picked to help communicate the spiritual musical lineage of Ellison's family (Ravi Coltrane, himself, played tenor sax). Stephen Bruner, aka Thundercat, who is featured extensively on Cosmogramma, would later become a large part of future albums by Flying Lotus. In 2010, Flying Lotus collaborated with the Ann Arbor Film Festival in the performance of a live scoring of the 1962 avant-garde film Heaven and Earth Magic. In a post-viewing interview with the audience, Flying Lotus said that he was unsure whether or not a recording of the performance (or a recreation of it) would be publicly released, but he would be enthusiastic toward similar projects in the future. He was chosen by Battles to perform at the ATP Nightmare Before Christmas festival that it co-curated in December 2011 in Minehead, England, UK. In September 2010, Flying Lotus released "Pattern+Grid World", an 8 track EP featuring Thundercat on bass & art by Theo Ellsworth. The Track Camera Day was used in the Killer Mike song Swimming, which was released as part of the Adult Swim Singles Series. In January 2011, Flying Lotus won the 10th Annual Independent Music Awards for his video "MmmHmm" in the Short-Form Video category. It was reported in 2011 that Flying Lotus would be collaborating with R&B singer Erykah Badu on new material for her next album, and planned to remix one of Radiohead's songs from The King of Limbs. CANNOTANSWER	In 2010, Flying Lotus collaborated with the Ann Arbor Film Festival in the performance of a live scoring of the 1962 avant-garde film Heaven and Earth Magic.	Steven Ellison (born October 7, 1983), known by his stage name Flying Lotus or sometimes FlyLo, is an American record producer, DJ and rapper from Los Angeles. He is also the founder of the record label Brainfeeder. Flying Lotus has released six studio albums1983 (2006), Los Angeles (2008), Cosmogramma (2010), Until the Quiet Comes (2012), You're Dead! (2014), and Flamagra (2019)to critical acclaim. He has produced much of the bumper music on Cartoon Network's Adult Swim programming block. He also contributed remixes for fellow Plug Research artists including Mia Doi Todd. In 2012, Flying Lotus began rapping under the persona Captain Murphy, based on the Sealab 2021 character of the same name. Ellison kept this fact a secret for several months, finally revealing his identity several weeks after the release of his first rap mixtape: Duality (2012). Early life and education Flying Lotus was born Steven Ellison on October 7, 1983, in Los Angeles, California. He is the grandnephew of the late jazz pianist Alice Coltrane, whose husband was saxophonist John Coltrane. Additionally, he is the grandson of singer-songwriter Marilyn McLeod, who is notable for having written Diana Ross's "Love Hangover" and Freda Payne's "I Get High (On Your Memory)" and is Alice Coltrane's sister. His great aunt Alice has been called by one writer "the biggest influence on Ellison's music". A DNA test revealed that Ellison is a descendant of the Tikar people of Cameroon. Ellison attended Los Angeles Film School and Academy of Art University. Musical career 2006–2007: Adult Swim, 1983 and Warp Records In 2006, while at his mother's house, Ellison saw an advertisement on Cartoon Network's Adult Swim programming block asking for song submissions. He sent some in, under the name Flying Lotus (a moniker inspired by lucid dreaming) and was accepted. Around this time, he was interning at the pioneering hip hop label Stones Throw Records. He released his debut studio album 1983 on October 3, 2006. In 2006, Ellison participated in that year's annual Red Bull Music Academy, which took place in Melbourne, Australia. In 2007, he announced on CSU-Fullerton's Titan Radio that he signed with Warp Records. He released his debut EP, the six-track Reset on October 1, 2007. Soon afterwards, he became one of the label's cornerstone artists and released his second studio album, Los Angeles on June 10, 2008. 2008–2009: Los Angeles and Brainfeeder In 2008 Flying Lotus released Los Angeles, a 17-track album dedicated to his home city. Telling Quietus on the subject of J Dilla's influence on his music: "I love Dilla and who knows where this beat thing would be without him. His work ethic inspired so many producers around the world, but when he moved out to LA, it seemed that his presence here inspired everyone to kick things into overdrive. If I had to describe his music, I'd say it were 'imaginative soul music'. I think it's his imagination that appeals to me, personally. Dilla could flip a boring record and make you feel like you were flying." 2008 saw Ellison enter a stage of hyper-productivity, as he followed up the Los Angeles record with collaborative tracks with Samiyam and Gonjasufi, a limited white label run of remixes ("Camel", "Lightworks", R2-D2 sound effects, "Shadows of Tomorrow" and "Promiscuous") called Shhh!, and a series of LA inspired EPs. Each of the La EPs features remixes and unreleased tracks from his Los Angeles Album. The third in that series (titled L.A. EP 3 X 3), marked a new atmospheric style in his sound. The same year, Flying Lotus also remixed "Reckoner" from In Rainbows, an album by Radiohead. 2010–2011: Cosmogramma and collaborations His third studio album, Cosmogramma, was released in the UK on May 3, 2010, and in the US on May 4, 2010. In January 2011, Cosmogramma won in the Dance/Electronica Album category in the 10th Annual Independent Music Awards. The multi-award-winning Cosmogramma was a hard-hitting afrofuturistic shrine to soul, hip-hop, jazz and IDM but, with more emphasis on a lyrical message than ever before. The album was accompanied by live instrumentation (Thundercat on bass, Miguel Atwood-Ferguson on strings, Rebekah Raff on harp) and live vocalists (Thom Yorke, Laura Darlington) – all picked to help communicate the spiritual musical lineage of Ellison's family (Ravi Coltrane, himself, played tenor sax). Stephen Bruner, aka Thundercat, who is featured extensively on Cosmogramma, would later become a large part of future albums by Flying Lotus. In 2010, Flying Lotus collaborated with the Ann Arbor Film Festival in the performance of a live scoring of the 1962 avant-garde film Heaven and Earth Magic. In a post-viewing interview with the audience, Flying Lotus said that he was unsure whether or not a recording of the performance (or a recreation of it) would be publicly released, but he would be enthusiastic towards similar projects in the future. He was chosen by Battles to perform at the ATP Nightmare Before Christmas festival that it co-curated in December 2011 in Minehead, England, UK. In September 2010, Flying Lotus released "Pattern+Grid World", an 8 track EP featuring Thundercat on bass & art by Theo Ellsworth. The Track Camera Day was used in the Killer Mike song Swimming, which was released as part of the Adult Swim Singles Series. In January 2011, Flying Lotus won the 10th Annual Independent Music Awards for his video "MmmHmm" in the Short-Form Video category. It was reported in 2011 that Flying Lotus would be collaborating with R&B singer Erykah Badu on new material for her next album, and planned to remix one of Radiohead's songs from The King of Limbs. 2012–2013: Until the Quiet Comes and Captain Murphy With an appreciation for hip hop, but no established work, artists like Odd Future (also aficionados of Adult Swim), A$AP Mob, Spaceghostpurrp and Shabazz Palaces inspired him to directly participate, and he began production work for Odd Future's Hodgy Beats' Untitled EP. This led to the moment in which he decided to produce more in the genre: "I can recall the moment specifically ... [Odd Future] started playing me some of The OF Tape Vol. 2. ... I asked them, 'Yo, Hodgy, how long did it take you to record this shit? How long did it take you to write this song?' 'Aw, my nigga, it took me like 15 minutes.' 15 minutes? Are you fucking serious? I was like, 'Nah, nigga. I am gonna do this shit.'" Throughout the summer of 2012, Captain Murphy began to make more appearances, dressed in Luchadore Ensemble. In August 2012, Flying Lotus announced a multimedia project with filmmaker Miwa Matreyek, which is to be titled The Mapping of Countries Yet to Come. Flying Lotus produced rapper Mac Miller's song "SDS'" for his album Watching Movies with the Sound Off. He also created a song for the Cartoon Network series Adventure Time entitled "About that time//A glitch is a glitch". Behind closed doors, though, the work for his fourth album Until the Quiet Comes was pretty much done. A year prior, Ellison had worked with Ann Arbor Festival to live score a surreal and avant-garde 50s animation Heaven and Earth Magic (pictured below), and a fascination with dreamlike states had continued into this record. Until The Quiet Comes continued his creative relationship with Radiohead's Thom Yorke, as well as Jonny Greenwood, Niki Randa, Erykah Badu, Laura Darlington and, of course, Thundercat, and was cinematically captured in a short film by filmmaker Kahlil Joseph. In late 2012, less than two months after the release of his last record, a website started circulating online: www.captainmurphy.xxx. Press speculated who the rapper was, with guessing being centered around the Odd Future Crew. The site hosted Duality, a 34-minute short film mixtape, that comprised both new material and tracks that had been leaking all summer. In April 2013, Flying Lotus announced that he has his own radio station called FlyLo FM in the video game Grand Theft Auto V, saying there would be "a ton of new songs and information, including rapping a new Captain Murphy song produced by Hudson Mohawke". The radio station includes songs from Clams Casino, Aphex Twin, Hudson Mohawke, Tyler, the Creator, Dabrye, Thundercat, Machinedrum, Outkast, DJ Rashad and Shadow Child. In November 2014, Flying Lotus collaborated with MF Doom on the track "Masquatch" for the reissued copy of the video game. The two collaborated again on the track "Lunch Break" for an updated version of Grand Theft Auto Online in 2020. On July 17, 2013, Flying Lotus announced on Twitter that he had been nominated for a VMA for the song "Tiny Tortures". 2014–2015: You're Dead! On July 15, 2014, Flying Lotus posted on Instagram a photo of vinyl test pressings labeled "LP #5". On July 22, he announced that his fifth studio album, You're Dead!, would be released in the UK on October 6, 2014, and in the US on October 7, 2014. The album features guest appearances by Kendrick Lamar, Snoop Dogg and Herbie Hancock. On August 15, 2014, Flying Lotus released a new song called "Cosplay" with his alias Captain Murphy. On September 30, 2014, Flying Lotus scored the short film A Portrait of Noomi Rapace, starring actress Noomi Rapace and directed by Aitor Throup. During the summer of 2015, Flying Lotus appeared at many summer music festivals including the Bonnaroo Music and Arts Festival, the Coachella Valley Music and Arts Festival, the Governors Ball Music Festival and the Glastonbury Festival. His performances received critical acclaim. He appeared alongside Thundercat on Lamar's album To Pimp a Butterfly. In July 2015, Flying Lotus, made his national television debut on Why? with Hannibal Buress, as the show's in-studio disc jockey. Lotus received two Grammy Award nominations at the 58th ceremony: Best Dance Recording for his song "Never Catch Me" and Album of the Year for his credits as producer on Lamar's To Pimp a Butterfly. 2016–2018: Kuso On July 5, 2016, Ellison announced the start of Brainfeeder film division. Shortly after, at the Sundance NEXT festival, he premiered a short film titled Royal. It was later revealed to be part of his feature film directorial debut, Kuso. Kuso would star Hannibal Buress, Tim Heidecker and David Firth among others. Kuso featured new music from Ellison himself under both the Flying Lotus and Captain Murphy names, Aphex Twin, Busdriver, and Thundercat, among others. Kuso premiered at the Sundance Film Festival in 2017. On June 6, 2017, Ellison announced that Kuso would be released via the horror video streaming service Shudder, on July 21, 2017. Kuso was also confirmed a theatrical release in New York City and Los Angeles. Addressing the responsibility of the wide release of Kuso, on Twitter, Ellison praised Shudder, explaining he found it to be a suitable home for the film's release. On November 2, 2017, Ellison released a music video for a new song of his, "Post Requisite", and is "currently finishing his next studio album on Warp". He also wrote the soundtrack for the 2017 short film Blade Runner Black Out 2022 and has contributed music to the 2019 anime series Carole & Tuesday. 2019: Flamagra On April 17, 2019, Ellison announced his sixth album, Flamagra, released via Warp on May 24, 2019. The first single off the album, "Fire Is Coming" featuring David Lynch, was released on the same day. On May 12, 2019, a second single, "More", was released alongside a music video directed by Shinichirō Watanabe. Discography Studio albums 1983 (2006) Los Angeles (2008) Cosmogramma (2010) Until the Quiet Comes (2012) You're Dead! (2014) Flamagra (2019) Yasuke (2021) Filmography Until the Quiet Comes – original score (2012) The Mapping of Countries Yet to Come – original score (2012) A Portrait of Noomi Rapace – original score (2014) FUCKKKYOUUU (by Eddie Alcazar) – original score (2016) Royal – director (2016) The Eric Andre Show – himself (2016) Lovetrue – original music (2016) Kuso – director, writer, original score (2017) Blade Runner Black Out 2022 – original score (2017) Perfect (by Eddie Alcazar) – original score (2018) Carole & Tuesday – additional music (2019) YOLO Crystal Fantasy (TV series) - himself (2020) Yasuke – original score, executive producer (2021) Awards and nominations \|- ! scope="row" rowspan="2"\| 2016 \| rowspan="4"\| Grammy Awards \| Album of the Year \| To Pimp a Butterfly \| \| align="center" rowspan="4"\| \|- \| Best Dance Recording \| "Never Catch Me" \| \|- ! scope="row" rowspan="2"\| 2021 \| Producer of the Year, Non-Classical \| Himself \| \|- \| Best Progressive R&B Album \| It Is What It Is \| References Further reading External links 1983 births Living people Ableton Live users Academy of Art University alumni African-American male rappers African-American record producers Alternative hip hop musicians American electronic musicians American experimental musicians American hip hop DJs American hip hop record producers American people of Cameroonian descent American people of Tikar descent Musicians from Los Angeles Rappers from Los Angeles Trip hop musicians Warp (record label) artists West Coast hip hop musicians 21st-century American rappers Brainfeeder artists Record producers from California Grammy Award winners Plug Research artists	true	[ "Duality (stylized as DU∆LITY) is the debut mixtape from Captain Murphy, the animated rapper alter-ego of experimental musician Flying Lotus. It was initially released as a 34-minute short film featuring songs performed by Murphy as well as archived cult footage (including footage involving Heaven's Gate co-founder Marshall Applewhite), pornography, cartoons and 1980s films. A deluxe edition was released for download on November 28, 2012, with tracks separated, as well as bonus tracks and instrumentals.\n\nBackground\nCaptain Murphy first appeared over the summer of 2012 on the Flying Lotus-produced track \"Between Friends\" for the 2012 Adult Swim Singles Program. The track also featured Odd Future's Earl Sweatshirt trading verses with Murphy. Speculation began to arise that Murphy was either Tyler, The Creator, Earl Sweatshirt, Flying Lotus, or a combination of the three due to the frequent pitch shifts in vocals. Between July and September 2012, Murphy released several music videos on YouTube that featured animation by lilfuchs. Over the months, Captain Murphy began hinting toward his debut project Duality, which was scheduled to be released in November 2012.\n\nRelease\nOn November 15, 2012, Captain Murphy started a website and posted a 34-minute video titled \"Duality\" that featured his music as well as archived cult footage and lilfuchs-produced animation. He then began hinting at a deluxe version with separated tracks, bonus tracks and instrumentals. On November 28, Murphy released the deluxe version for download, along with the launch of a merchandise line. The mixtape was released with separate artwork for each track, created by lilfuchs. The album features samples from the 1987 film Robocop, also referenced in Flying Lotus' rap name Captain Murphy after the titular Officer Murphy, as well as recordings of Marshall Applewhite of Heaven's gate, Kenneth Anger's Invocation of my demon brother, Lucifer Rising, and archival documentary recordings.\n\nOn the night of the deluxe version release, Murphy played his first show at the Low End Theory in Los Angeles, California. He performed his set in a cloak to conceal his identity, but toward the end of the show, he revealed himself to be Flying Lotus.\n\nTrack listing\n\nReferences\n\nExternal links\n \n\n2012 mixtape albums\nAlternative hip hop albums by American artists\nFlying Lotus albums\nBrainfeeder albums\nAlbums produced by Flying Lotus", "Pattern+Grid World is an EP by American electronic producer Flying Lotus. It was released by Warp Records on September 20, 2010.\n\nRelease and reception \nWarp Records first released Pattern+Grid World in the United Kingdom on September 20, 2010; its release in the United States was the following day. The EP's sixth track \"Camera Day\" was later sampled for rapper Killer Mike's 2011 song \"Swimming\", which was released as part of Adult Swim's single series.\n\nPattern+Grid World received widespread acclaim from critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the EP received an average score of 82, based on 10 reviews. The Wire wrote that while Flying Lotus pursued similar ideas on his previous album Cosmogramma, Pattern+Grid World \"seemed to favor consistent, looping palettes and original electronics over the latter's ad hoc sampling\". PopMatters critic Dylan Nelson found it \"tighter, more balanced, more claustrophobic and more melodic\" than its predecessor, while Larry Fitzmaurice from Pitchfork Media said it sounded \"fully formed and precisely assembled\". Robert Christgau from MSN Music was somewhat less enthusiastic, citing \"PieFace\" and \"Clay\" as highlights while reducing his review of the EP to the description \"notes for an aural jigsaw puzzle\".\n\nTrack listing\n\nPersonnel \nCredits are adapted from AllMusic.\n\n Flying Lotus – composer, engineer, producer\n Thundercat - bass \n Jason Goz – mastering \n Theo Ellsworth – design, illustrations\n\nReferences\n\nExternal links \n \n\n2010 EPs\nFlying Lotus albums\nWarp (record label) EPs\nAlbums produced by Flying Lotus" ]
[ "Flying Lotus", "2010-11: Cosmogramma and collaborations", "Are there any other interesting aspects about this article?", "His third studio album, Cosmogramma, was released in the UK on May 3, 2010, and in the US on May 4, 2010.", "Did he make any sales", "I don't know.", "What happen in 2010", "In September 2010, Flying Lotus released \"Pattern+Grid World\",", "What happen in 2011", "In January 2011, Flying Lotus won the 10th Annual Independent Music Awards", "What else was flying lotus known for", "In 2010, Flying Lotus collaborated with the Ann Arbor Film Festival in the performance of a live scoring of the 1962 avant-garde film Heaven and Earth Magic." ]	C_5f5bd5ad2d9b4c87a34474d7f917f64c_0	What songs was made	6	What songs were made in Flying Lotus's and the Ann Arbor Film Festival's collaboration for Heaven and Earth Magic?	Flying Lotus	His third studio album, Cosmogramma, was released in the UK on May 3, 2010, and in the US on May 4, 2010. In January 2011, Cosmogramma won in the Dance/Electronica Album category in the 10th Annual Independent Music Awards. The multi-award-winning Cosmogramma was a hard-hitting afrofuturistic shrine to soul, hip-hop, jazz and IDM but, with more emphasis on a lyrical message than ever before, it was also a cathartic grieving experience. The album was accompanied by live instrumentation (Thundercat on bass, Miguel Atwood Ferguson on strings, Rebekah Raff on harp) and live vocalists (Thom Yorke, Laura Darlington) - all picked to help communicate the spiritual musical lineage of Ellison's family (Ravi Coltrane, himself, played tenor sax). Stephen Bruner, aka Thundercat, who is featured extensively on Cosmogramma, would later become a large part of future albums by Flying Lotus. In 2010, Flying Lotus collaborated with the Ann Arbor Film Festival in the performance of a live scoring of the 1962 avant-garde film Heaven and Earth Magic. In a post-viewing interview with the audience, Flying Lotus said that he was unsure whether or not a recording of the performance (or a recreation of it) would be publicly released, but he would be enthusiastic toward similar projects in the future. He was chosen by Battles to perform at the ATP Nightmare Before Christmas festival that it co-curated in December 2011 in Minehead, England, UK. In September 2010, Flying Lotus released "Pattern+Grid World", an 8 track EP featuring Thundercat on bass & art by Theo Ellsworth. The Track Camera Day was used in the Killer Mike song Swimming, which was released as part of the Adult Swim Singles Series. In January 2011, Flying Lotus won the 10th Annual Independent Music Awards for his video "MmmHmm" in the Short-Form Video category. It was reported in 2011 that Flying Lotus would be collaborating with R&B singer Erykah Badu on new material for her next album, and planned to remix one of Radiohead's songs from The King of Limbs. CANNOTANSWER	Thundercat on bass & art by Theo Ellsworth. The Track Camera Day was used in the Killer Mike song Swimming,	Steven Ellison (born October 7, 1983), known by his stage name Flying Lotus or sometimes FlyLo, is an American record producer, DJ and rapper from Los Angeles. He is also the founder of the record label Brainfeeder. Flying Lotus has released six studio albums1983 (2006), Los Angeles (2008), Cosmogramma (2010), Until the Quiet Comes (2012), You're Dead! (2014), and Flamagra (2019)to critical acclaim. He has produced much of the bumper music on Cartoon Network's Adult Swim programming block. He also contributed remixes for fellow Plug Research artists including Mia Doi Todd. In 2012, Flying Lotus began rapping under the persona Captain Murphy, based on the Sealab 2021 character of the same name. Ellison kept this fact a secret for several months, finally revealing his identity several weeks after the release of his first rap mixtape: Duality (2012). Early life and education Flying Lotus was born Steven Ellison on October 7, 1983, in Los Angeles, California. He is the grandnephew of the late jazz pianist Alice Coltrane, whose husband was saxophonist John Coltrane. Additionally, he is the grandson of singer-songwriter Marilyn McLeod, who is notable for having written Diana Ross's "Love Hangover" and Freda Payne's "I Get High (On Your Memory)" and is Alice Coltrane's sister. His great aunt Alice has been called by one writer "the biggest influence on Ellison's music". A DNA test revealed that Ellison is a descendant of the Tikar people of Cameroon. Ellison attended Los Angeles Film School and Academy of Art University. Musical career 2006–2007: Adult Swim, 1983 and Warp Records In 2006, while at his mother's house, Ellison saw an advertisement on Cartoon Network's Adult Swim programming block asking for song submissions. He sent some in, under the name Flying Lotus (a moniker inspired by lucid dreaming) and was accepted. Around this time, he was interning at the pioneering hip hop label Stones Throw Records. He released his debut studio album 1983 on October 3, 2006. In 2006, Ellison participated in that year's annual Red Bull Music Academy, which took place in Melbourne, Australia. In 2007, he announced on CSU-Fullerton's Titan Radio that he signed with Warp Records. He released his debut EP, the six-track Reset on October 1, 2007. Soon afterwards, he became one of the label's cornerstone artists and released his second studio album, Los Angeles on June 10, 2008. 2008–2009: Los Angeles and Brainfeeder In 2008 Flying Lotus released Los Angeles, a 17-track album dedicated to his home city. Telling Quietus on the subject of J Dilla's influence on his music: "I love Dilla and who knows where this beat thing would be without him. His work ethic inspired so many producers around the world, but when he moved out to LA, it seemed that his presence here inspired everyone to kick things into overdrive. If I had to describe his music, I'd say it were 'imaginative soul music'. I think it's his imagination that appeals to me, personally. Dilla could flip a boring record and make you feel like you were flying." 2008 saw Ellison enter a stage of hyper-productivity, as he followed up the Los Angeles record with collaborative tracks with Samiyam and Gonjasufi, a limited white label run of remixes ("Camel", "Lightworks", R2-D2 sound effects, "Shadows of Tomorrow" and "Promiscuous") called Shhh!, and a series of LA inspired EPs. Each of the La EPs features remixes and unreleased tracks from his Los Angeles Album. The third in that series (titled L.A. EP 3 X 3), marked a new atmospheric style in his sound. The same year, Flying Lotus also remixed "Reckoner" from In Rainbows, an album by Radiohead. 2010–2011: Cosmogramma and collaborations His third studio album, Cosmogramma, was released in the UK on May 3, 2010, and in the US on May 4, 2010. In January 2011, Cosmogramma won in the Dance/Electronica Album category in the 10th Annual Independent Music Awards. The multi-award-winning Cosmogramma was a hard-hitting afrofuturistic shrine to soul, hip-hop, jazz and IDM but, with more emphasis on a lyrical message than ever before. The album was accompanied by live instrumentation (Thundercat on bass, Miguel Atwood-Ferguson on strings, Rebekah Raff on harp) and live vocalists (Thom Yorke, Laura Darlington) – all picked to help communicate the spiritual musical lineage of Ellison's family (Ravi Coltrane, himself, played tenor sax). Stephen Bruner, aka Thundercat, who is featured extensively on Cosmogramma, would later become a large part of future albums by Flying Lotus. In 2010, Flying Lotus collaborated with the Ann Arbor Film Festival in the performance of a live scoring of the 1962 avant-garde film Heaven and Earth Magic. In a post-viewing interview with the audience, Flying Lotus said that he was unsure whether or not a recording of the performance (or a recreation of it) would be publicly released, but he would be enthusiastic towards similar projects in the future. He was chosen by Battles to perform at the ATP Nightmare Before Christmas festival that it co-curated in December 2011 in Minehead, England, UK. In September 2010, Flying Lotus released "Pattern+Grid World", an 8 track EP featuring Thundercat on bass & art by Theo Ellsworth. The Track Camera Day was used in the Killer Mike song Swimming, which was released as part of the Adult Swim Singles Series. In January 2011, Flying Lotus won the 10th Annual Independent Music Awards for his video "MmmHmm" in the Short-Form Video category. It was reported in 2011 that Flying Lotus would be collaborating with R&B singer Erykah Badu on new material for her next album, and planned to remix one of Radiohead's songs from The King of Limbs. 2012–2013: Until the Quiet Comes and Captain Murphy With an appreciation for hip hop, but no established work, artists like Odd Future (also aficionados of Adult Swim), A$AP Mob, Spaceghostpurrp and Shabazz Palaces inspired him to directly participate, and he began production work for Odd Future's Hodgy Beats' Untitled EP. This led to the moment in which he decided to produce more in the genre: "I can recall the moment specifically ... [Odd Future] started playing me some of The OF Tape Vol. 2. ... I asked them, 'Yo, Hodgy, how long did it take you to record this shit? How long did it take you to write this song?' 'Aw, my nigga, it took me like 15 minutes.' 15 minutes? Are you fucking serious? I was like, 'Nah, nigga. I am gonna do this shit.'" Throughout the summer of 2012, Captain Murphy began to make more appearances, dressed in Luchadore Ensemble. In August 2012, Flying Lotus announced a multimedia project with filmmaker Miwa Matreyek, which is to be titled The Mapping of Countries Yet to Come. Flying Lotus produced rapper Mac Miller's song "SDS'" for his album Watching Movies with the Sound Off. He also created a song for the Cartoon Network series Adventure Time entitled "About that time//A glitch is a glitch". Behind closed doors, though, the work for his fourth album Until the Quiet Comes was pretty much done. A year prior, Ellison had worked with Ann Arbor Festival to live score a surreal and avant-garde 50s animation Heaven and Earth Magic (pictured below), and a fascination with dreamlike states had continued into this record. Until The Quiet Comes continued his creative relationship with Radiohead's Thom Yorke, as well as Jonny Greenwood, Niki Randa, Erykah Badu, Laura Darlington and, of course, Thundercat, and was cinematically captured in a short film by filmmaker Kahlil Joseph. In late 2012, less than two months after the release of his last record, a website started circulating online: www.captainmurphy.xxx. Press speculated who the rapper was, with guessing being centered around the Odd Future Crew. The site hosted Duality, a 34-minute short film mixtape, that comprised both new material and tracks that had been leaking all summer. In April 2013, Flying Lotus announced that he has his own radio station called FlyLo FM in the video game Grand Theft Auto V, saying there would be "a ton of new songs and information, including rapping a new Captain Murphy song produced by Hudson Mohawke". The radio station includes songs from Clams Casino, Aphex Twin, Hudson Mohawke, Tyler, the Creator, Dabrye, Thundercat, Machinedrum, Outkast, DJ Rashad and Shadow Child. In November 2014, Flying Lotus collaborated with MF Doom on the track "Masquatch" for the reissued copy of the video game. The two collaborated again on the track "Lunch Break" for an updated version of Grand Theft Auto Online in 2020. On July 17, 2013, Flying Lotus announced on Twitter that he had been nominated for a VMA for the song "Tiny Tortures". 2014–2015: You're Dead! On July 15, 2014, Flying Lotus posted on Instagram a photo of vinyl test pressings labeled "LP #5". On July 22, he announced that his fifth studio album, You're Dead!, would be released in the UK on October 6, 2014, and in the US on October 7, 2014. The album features guest appearances by Kendrick Lamar, Snoop Dogg and Herbie Hancock. On August 15, 2014, Flying Lotus released a new song called "Cosplay" with his alias Captain Murphy. On September 30, 2014, Flying Lotus scored the short film A Portrait of Noomi Rapace, starring actress Noomi Rapace and directed by Aitor Throup. During the summer of 2015, Flying Lotus appeared at many summer music festivals including the Bonnaroo Music and Arts Festival, the Coachella Valley Music and Arts Festival, the Governors Ball Music Festival and the Glastonbury Festival. His performances received critical acclaim. He appeared alongside Thundercat on Lamar's album To Pimp a Butterfly. In July 2015, Flying Lotus, made his national television debut on Why? with Hannibal Buress, as the show's in-studio disc jockey. Lotus received two Grammy Award nominations at the 58th ceremony: Best Dance Recording for his song "Never Catch Me" and Album of the Year for his credits as producer on Lamar's To Pimp a Butterfly. 2016–2018: Kuso On July 5, 2016, Ellison announced the start of Brainfeeder film division. Shortly after, at the Sundance NEXT festival, he premiered a short film titled Royal. It was later revealed to be part of his feature film directorial debut, Kuso. Kuso would star Hannibal Buress, Tim Heidecker and David Firth among others. Kuso featured new music from Ellison himself under both the Flying Lotus and Captain Murphy names, Aphex Twin, Busdriver, and Thundercat, among others. Kuso premiered at the Sundance Film Festival in 2017. On June 6, 2017, Ellison announced that Kuso would be released via the horror video streaming service Shudder, on July 21, 2017. Kuso was also confirmed a theatrical release in New York City and Los Angeles. Addressing the responsibility of the wide release of Kuso, on Twitter, Ellison praised Shudder, explaining he found it to be a suitable home for the film's release. On November 2, 2017, Ellison released a music video for a new song of his, "Post Requisite", and is "currently finishing his next studio album on Warp". He also wrote the soundtrack for the 2017 short film Blade Runner Black Out 2022 and has contributed music to the 2019 anime series Carole & Tuesday. 2019: Flamagra On April 17, 2019, Ellison announced his sixth album, Flamagra, released via Warp on May 24, 2019. The first single off the album, "Fire Is Coming" featuring David Lynch, was released on the same day. On May 12, 2019, a second single, "More", was released alongside a music video directed by Shinichirō Watanabe. Discography Studio albums 1983 (2006) Los Angeles (2008) Cosmogramma (2010) Until the Quiet Comes (2012) You're Dead! (2014) Flamagra (2019) Yasuke (2021) Filmography Until the Quiet Comes – original score (2012) The Mapping of Countries Yet to Come – original score (2012) A Portrait of Noomi Rapace – original score (2014) FUCKKKYOUUU (by Eddie Alcazar) – original score (2016) Royal – director (2016) The Eric Andre Show – himself (2016) Lovetrue – original music (2016) Kuso – director, writer, original score (2017) Blade Runner Black Out 2022 – original score (2017) Perfect (by Eddie Alcazar) – original score (2018) Carole & Tuesday – additional music (2019) YOLO Crystal Fantasy (TV series) - himself (2020) Yasuke – original score, executive producer (2021) Awards and nominations \|- ! scope="row" rowspan="2"\| 2016 \| rowspan="4"\| Grammy Awards \| Album of the Year \| To Pimp a Butterfly \| \| align="center" rowspan="4"\| \|- \| Best Dance Recording \| "Never Catch Me" \| \|- ! scope="row" rowspan="2"\| 2021 \| Producer of the Year, Non-Classical \| Himself \| \|- \| Best Progressive R&B Album \| It Is What It Is \| References Further reading External links 1983 births Living people Ableton Live users Academy of Art University alumni African-American male rappers African-American record producers Alternative hip hop musicians American electronic musicians American experimental musicians American hip hop DJs American hip hop record producers American people of Cameroonian descent American people of Tikar descent Musicians from Los Angeles Rappers from Los Angeles Trip hop musicians Warp (record label) artists West Coast hip hop musicians 21st-century American rappers Brainfeeder artists Record producers from California Grammy Award winners Plug Research artists	true	[ "\"That's What Made Me Love You\" is a song written by Lawrence Shoberg. It was first recorded as a duet by American country artists Bill Anderson and Mary Lou Turner. It was released as a single in 1976 via MCA Records and became a major hit the same year.\n\nBackground and release\n\"That's What Made Me Love\" was recorded in September 1975 at Bradley's Barn, located in Mount Juliet, Tennessee. The session was produced by Owen Bradley. It would be one of Bradley's final sessions producing Anderson, whom he had been collaborating with since the 1950s.\n\n\"That's What Made Me Love You\" was released as a single by MCA Records in February 1979. The song spent 12 weeks on the Billboard Hot Country Singles before reaching number seven in May 1976. It was the pair's second top ten hit together and second to be spawned off the same studio album. In Canada, the single reached number two on the RPM Country Songs chart in 1976. It was first released on their 1976 studio album, Sometimes.\n\nTrack listings\n7\" vinyl single\n \"That's What Made Me Love You\" – 2:48\n \"Can We Still Be Friends\" – 2:49\n\nChart performance\n\nReferences\n\n1976 singles\n1976 songs\nBill Anderson (singer) songs\nMCA Records singles\nMary Lou Turner songs\nSong recordings produced by Owen Bradley\nVocal duets", "\"What a Feeling\" is a song recorded by English-Irish boy band One Direction for their fifth studio album, Made in the A.M. (2015). It was written and produced by Jamie Scott and co-written by Liam Payne, Louis Tomlinson, Daniel Bryer and Mike Needle. The song was released as the album's second promotional single on iTunes Store and Spotify on 11 November 2015. Fans of the band held a so-called streaming party on October 25, 2020, where they all listened to “What a Feeling” the whole day. The goal was to get the song on top 100 charts. The song got over 50 million stream on that one single day. Liam Payne (band member and co writer) told the fans, and an Instagram live video, that the song was made to be played in a stadium and it was one of his favorites from Made in the A.M. The song, along with the rest of Made in the A.M., leaked on the internet after a mishap in security during a listening party.\n\nReception \nWhile writing for Billboard, Erin Strecker described the song as having \"a sweetly thumping bass line and light harmonies,\" and added, \"the tune would feel perfectly at home in the easy, breezy '70s.\" In Rolling Stone's special Reader's Poll, \"What a Feeling\" topped #1 as one of the best songs One Direction ever released.\n\nCharts\n\nReferences \n\nOne Direction songs\n2015 singles\nSyco Music singles\n2015 songs\nSongs written by Liam Payne\nSongs written by Louis Tomlinson\nSongs written by Jamie Scott\nSongs written by Dan Bryer\nSongs written by Mike Needle" ]
[ "Flying Lotus", "2010-11: Cosmogramma and collaborations", "Are there any other interesting aspects about this article?", "His third studio album, Cosmogramma, was released in the UK on May 3, 2010, and in the US on May 4, 2010.", "Did he make any sales", "I don't know.", "What happen in 2010", "In September 2010, Flying Lotus released \"Pattern+Grid World\",", "What happen in 2011", "In January 2011, Flying Lotus won the 10th Annual Independent Music Awards", "What else was flying lotus known for", "In 2010, Flying Lotus collaborated with the Ann Arbor Film Festival in the performance of a live scoring of the 1962 avant-garde film Heaven and Earth Magic.", "What songs was made", "Thundercat on bass & art by Theo Ellsworth. The Track Camera Day was used in the Killer Mike song Swimming," ]	C_5f5bd5ad2d9b4c87a34474d7f917f64c_0	What was a great hit he made	7	What was a great hit Flying Lotus made?	Flying Lotus	His third studio album, Cosmogramma, was released in the UK on May 3, 2010, and in the US on May 4, 2010. In January 2011, Cosmogramma won in the Dance/Electronica Album category in the 10th Annual Independent Music Awards. The multi-award-winning Cosmogramma was a hard-hitting afrofuturistic shrine to soul, hip-hop, jazz and IDM but, with more emphasis on a lyrical message than ever before, it was also a cathartic grieving experience. The album was accompanied by live instrumentation (Thundercat on bass, Miguel Atwood Ferguson on strings, Rebekah Raff on harp) and live vocalists (Thom Yorke, Laura Darlington) - all picked to help communicate the spiritual musical lineage of Ellison's family (Ravi Coltrane, himself, played tenor sax). Stephen Bruner, aka Thundercat, who is featured extensively on Cosmogramma, would later become a large part of future albums by Flying Lotus. In 2010, Flying Lotus collaborated with the Ann Arbor Film Festival in the performance of a live scoring of the 1962 avant-garde film Heaven and Earth Magic. In a post-viewing interview with the audience, Flying Lotus said that he was unsure whether or not a recording of the performance (or a recreation of it) would be publicly released, but he would be enthusiastic toward similar projects in the future. He was chosen by Battles to perform at the ATP Nightmare Before Christmas festival that it co-curated in December 2011 in Minehead, England, UK. In September 2010, Flying Lotus released "Pattern+Grid World", an 8 track EP featuring Thundercat on bass & art by Theo Ellsworth. The Track Camera Day was used in the Killer Mike song Swimming, which was released as part of the Adult Swim Singles Series. In January 2011, Flying Lotus won the 10th Annual Independent Music Awards for his video "MmmHmm" in the Short-Form Video category. It was reported in 2011 that Flying Lotus would be collaborating with R&B singer Erykah Badu on new material for her next album, and planned to remix one of Radiohead's songs from The King of Limbs. CANNOTANSWER	"MmmHmm"	Steven Ellison (born October 7, 1983), known by his stage name Flying Lotus or sometimes FlyLo, is an American record producer, DJ and rapper from Los Angeles. He is also the founder of the record label Brainfeeder. Flying Lotus has released six studio albums1983 (2006), Los Angeles (2008), Cosmogramma (2010), Until the Quiet Comes (2012), You're Dead! (2014), and Flamagra (2019)to critical acclaim. He has produced much of the bumper music on Cartoon Network's Adult Swim programming block. He also contributed remixes for fellow Plug Research artists including Mia Doi Todd. In 2012, Flying Lotus began rapping under the persona Captain Murphy, based on the Sealab 2021 character of the same name. Ellison kept this fact a secret for several months, finally revealing his identity several weeks after the release of his first rap mixtape: Duality (2012). Early life and education Flying Lotus was born Steven Ellison on October 7, 1983, in Los Angeles, California. He is the grandnephew of the late jazz pianist Alice Coltrane, whose husband was saxophonist John Coltrane. Additionally, he is the grandson of singer-songwriter Marilyn McLeod, who is notable for having written Diana Ross's "Love Hangover" and Freda Payne's "I Get High (On Your Memory)" and is Alice Coltrane's sister. His great aunt Alice has been called by one writer "the biggest influence on Ellison's music". A DNA test revealed that Ellison is a descendant of the Tikar people of Cameroon. Ellison attended Los Angeles Film School and Academy of Art University. Musical career 2006–2007: Adult Swim, 1983 and Warp Records In 2006, while at his mother's house, Ellison saw an advertisement on Cartoon Network's Adult Swim programming block asking for song submissions. He sent some in, under the name Flying Lotus (a moniker inspired by lucid dreaming) and was accepted. Around this time, he was interning at the pioneering hip hop label Stones Throw Records. He released his debut studio album 1983 on October 3, 2006. In 2006, Ellison participated in that year's annual Red Bull Music Academy, which took place in Melbourne, Australia. In 2007, he announced on CSU-Fullerton's Titan Radio that he signed with Warp Records. He released his debut EP, the six-track Reset on October 1, 2007. Soon afterwards, he became one of the label's cornerstone artists and released his second studio album, Los Angeles on June 10, 2008. 2008–2009: Los Angeles and Brainfeeder In 2008 Flying Lotus released Los Angeles, a 17-track album dedicated to his home city. Telling Quietus on the subject of J Dilla's influence on his music: "I love Dilla and who knows where this beat thing would be without him. His work ethic inspired so many producers around the world, but when he moved out to LA, it seemed that his presence here inspired everyone to kick things into overdrive. If I had to describe his music, I'd say it were 'imaginative soul music'. I think it's his imagination that appeals to me, personally. Dilla could flip a boring record and make you feel like you were flying." 2008 saw Ellison enter a stage of hyper-productivity, as he followed up the Los Angeles record with collaborative tracks with Samiyam and Gonjasufi, a limited white label run of remixes ("Camel", "Lightworks", R2-D2 sound effects, "Shadows of Tomorrow" and "Promiscuous") called Shhh!, and a series of LA inspired EPs. Each of the La EPs features remixes and unreleased tracks from his Los Angeles Album. The third in that series (titled L.A. EP 3 X 3), marked a new atmospheric style in his sound. The same year, Flying Lotus also remixed "Reckoner" from In Rainbows, an album by Radiohead. 2010–2011: Cosmogramma and collaborations His third studio album, Cosmogramma, was released in the UK on May 3, 2010, and in the US on May 4, 2010. In January 2011, Cosmogramma won in the Dance/Electronica Album category in the 10th Annual Independent Music Awards. The multi-award-winning Cosmogramma was a hard-hitting afrofuturistic shrine to soul, hip-hop, jazz and IDM but, with more emphasis on a lyrical message than ever before. The album was accompanied by live instrumentation (Thundercat on bass, Miguel Atwood-Ferguson on strings, Rebekah Raff on harp) and live vocalists (Thom Yorke, Laura Darlington) – all picked to help communicate the spiritual musical lineage of Ellison's family (Ravi Coltrane, himself, played tenor sax). Stephen Bruner, aka Thundercat, who is featured extensively on Cosmogramma, would later become a large part of future albums by Flying Lotus. In 2010, Flying Lotus collaborated with the Ann Arbor Film Festival in the performance of a live scoring of the 1962 avant-garde film Heaven and Earth Magic. In a post-viewing interview with the audience, Flying Lotus said that he was unsure whether or not a recording of the performance (or a recreation of it) would be publicly released, but he would be enthusiastic towards similar projects in the future. He was chosen by Battles to perform at the ATP Nightmare Before Christmas festival that it co-curated in December 2011 in Minehead, England, UK. In September 2010, Flying Lotus released "Pattern+Grid World", an 8 track EP featuring Thundercat on bass & art by Theo Ellsworth. The Track Camera Day was used in the Killer Mike song Swimming, which was released as part of the Adult Swim Singles Series. In January 2011, Flying Lotus won the 10th Annual Independent Music Awards for his video "MmmHmm" in the Short-Form Video category. It was reported in 2011 that Flying Lotus would be collaborating with R&B singer Erykah Badu on new material for her next album, and planned to remix one of Radiohead's songs from The King of Limbs. 2012–2013: Until the Quiet Comes and Captain Murphy With an appreciation for hip hop, but no established work, artists like Odd Future (also aficionados of Adult Swim), A$AP Mob, Spaceghostpurrp and Shabazz Palaces inspired him to directly participate, and he began production work for Odd Future's Hodgy Beats' Untitled EP. This led to the moment in which he decided to produce more in the genre: "I can recall the moment specifically ... [Odd Future] started playing me some of The OF Tape Vol. 2. ... I asked them, 'Yo, Hodgy, how long did it take you to record this shit? How long did it take you to write this song?' 'Aw, my nigga, it took me like 15 minutes.' 15 minutes? Are you fucking serious? I was like, 'Nah, nigga. I am gonna do this shit.'" Throughout the summer of 2012, Captain Murphy began to make more appearances, dressed in Luchadore Ensemble. In August 2012, Flying Lotus announced a multimedia project with filmmaker Miwa Matreyek, which is to be titled The Mapping of Countries Yet to Come. Flying Lotus produced rapper Mac Miller's song "SDS'" for his album Watching Movies with the Sound Off. He also created a song for the Cartoon Network series Adventure Time entitled "About that time//A glitch is a glitch". Behind closed doors, though, the work for his fourth album Until the Quiet Comes was pretty much done. A year prior, Ellison had worked with Ann Arbor Festival to live score a surreal and avant-garde 50s animation Heaven and Earth Magic (pictured below), and a fascination with dreamlike states had continued into this record. Until The Quiet Comes continued his creative relationship with Radiohead's Thom Yorke, as well as Jonny Greenwood, Niki Randa, Erykah Badu, Laura Darlington and, of course, Thundercat, and was cinematically captured in a short film by filmmaker Kahlil Joseph. In late 2012, less than two months after the release of his last record, a website started circulating online: www.captainmurphy.xxx. Press speculated who the rapper was, with guessing being centered around the Odd Future Crew. The site hosted Duality, a 34-minute short film mixtape, that comprised both new material and tracks that had been leaking all summer. In April 2013, Flying Lotus announced that he has his own radio station called FlyLo FM in the video game Grand Theft Auto V, saying there would be "a ton of new songs and information, including rapping a new Captain Murphy song produced by Hudson Mohawke". The radio station includes songs from Clams Casino, Aphex Twin, Hudson Mohawke, Tyler, the Creator, Dabrye, Thundercat, Machinedrum, Outkast, DJ Rashad and Shadow Child. In November 2014, Flying Lotus collaborated with MF Doom on the track "Masquatch" for the reissued copy of the video game. The two collaborated again on the track "Lunch Break" for an updated version of Grand Theft Auto Online in 2020. On July 17, 2013, Flying Lotus announced on Twitter that he had been nominated for a VMA for the song "Tiny Tortures". 2014–2015: You're Dead! On July 15, 2014, Flying Lotus posted on Instagram a photo of vinyl test pressings labeled "LP #5". On July 22, he announced that his fifth studio album, You're Dead!, would be released in the UK on October 6, 2014, and in the US on October 7, 2014. The album features guest appearances by Kendrick Lamar, Snoop Dogg and Herbie Hancock. On August 15, 2014, Flying Lotus released a new song called "Cosplay" with his alias Captain Murphy. On September 30, 2014, Flying Lotus scored the short film A Portrait of Noomi Rapace, starring actress Noomi Rapace and directed by Aitor Throup. During the summer of 2015, Flying Lotus appeared at many summer music festivals including the Bonnaroo Music and Arts Festival, the Coachella Valley Music and Arts Festival, the Governors Ball Music Festival and the Glastonbury Festival. His performances received critical acclaim. He appeared alongside Thundercat on Lamar's album To Pimp a Butterfly. In July 2015, Flying Lotus, made his national television debut on Why? with Hannibal Buress, as the show's in-studio disc jockey. Lotus received two Grammy Award nominations at the 58th ceremony: Best Dance Recording for his song "Never Catch Me" and Album of the Year for his credits as producer on Lamar's To Pimp a Butterfly. 2016–2018: Kuso On July 5, 2016, Ellison announced the start of Brainfeeder film division. Shortly after, at the Sundance NEXT festival, he premiered a short film titled Royal. It was later revealed to be part of his feature film directorial debut, Kuso. Kuso would star Hannibal Buress, Tim Heidecker and David Firth among others. Kuso featured new music from Ellison himself under both the Flying Lotus and Captain Murphy names, Aphex Twin, Busdriver, and Thundercat, among others. Kuso premiered at the Sundance Film Festival in 2017. On June 6, 2017, Ellison announced that Kuso would be released via the horror video streaming service Shudder, on July 21, 2017. Kuso was also confirmed a theatrical release in New York City and Los Angeles. Addressing the responsibility of the wide release of Kuso, on Twitter, Ellison praised Shudder, explaining he found it to be a suitable home for the film's release. On November 2, 2017, Ellison released a music video for a new song of his, "Post Requisite", and is "currently finishing his next studio album on Warp". He also wrote the soundtrack for the 2017 short film Blade Runner Black Out 2022 and has contributed music to the 2019 anime series Carole & Tuesday. 2019: Flamagra On April 17, 2019, Ellison announced his sixth album, Flamagra, released via Warp on May 24, 2019. The first single off the album, "Fire Is Coming" featuring David Lynch, was released on the same day. On May 12, 2019, a second single, "More", was released alongside a music video directed by Shinichirō Watanabe. Discography Studio albums 1983 (2006) Los Angeles (2008) Cosmogramma (2010) Until the Quiet Comes (2012) You're Dead! (2014) Flamagra (2019) Yasuke (2021) Filmography Until the Quiet Comes – original score (2012) The Mapping of Countries Yet to Come – original score (2012) A Portrait of Noomi Rapace – original score (2014) FUCKKKYOUUU (by Eddie Alcazar) – original score (2016) Royal – director (2016) The Eric Andre Show – himself (2016) Lovetrue – original music (2016) Kuso – director, writer, original score (2017) Blade Runner Black Out 2022 – original score (2017) Perfect (by Eddie Alcazar) – original score (2018) Carole & Tuesday – additional music (2019) YOLO Crystal Fantasy (TV series) - himself (2020) Yasuke – original score, executive producer (2021) Awards and nominations \|- ! scope="row" rowspan="2"\| 2016 \| rowspan="4"\| Grammy Awards \| Album of the Year \| To Pimp a Butterfly \| \| align="center" rowspan="4"\| \|- \| Best Dance Recording \| "Never Catch Me" \| \|- ! scope="row" rowspan="2"\| 2021 \| Producer of the Year, Non-Classical \| Himself \| \|- \| Best Progressive R&B Album \| It Is What It Is \| References Further reading External links 1983 births Living people Ableton Live users Academy of Art University alumni African-American male rappers African-American record producers Alternative hip hop musicians American electronic musicians American experimental musicians American hip hop DJs American hip hop record producers American people of Cameroonian descent American people of Tikar descent Musicians from Los Angeles Rappers from Los Angeles Trip hop musicians Warp (record label) artists West Coast hip hop musicians 21st-century American rappers Brainfeeder artists Record producers from California Grammy Award winners Plug Research artists	true	[ "\"That's What Made Me Love You\" is a song written by Lawrence Shoberg. It was first recorded as a duet by American country artists Bill Anderson and Mary Lou Turner. It was released as a single in 1976 via MCA Records and became a major hit the same year.\n\nBackground and release\n\"That's What Made Me Love\" was recorded in September 1975 at Bradley's Barn, located in Mount Juliet, Tennessee. The session was produced by Owen Bradley. It would be one of Bradley's final sessions producing Anderson, whom he had been collaborating with since the 1950s.\n\n\"That's What Made Me Love You\" was released as a single by MCA Records in February 1979. The song spent 12 weeks on the Billboard Hot Country Singles before reaching number seven in May 1976. It was the pair's second top ten hit together and second to be spawned off the same studio album. In Canada, the single reached number two on the RPM Country Songs chart in 1976. It was first released on their 1976 studio album, Sometimes.\n\nTrack listings\n7\" vinyl single\n \"That's What Made Me Love You\" – 2:48\n \"Can We Still Be Friends\" – 2:49\n\nChart performance\n\nReferences\n\n1976 singles\n1976 songs\nBill Anderson (singer) songs\nMCA Records singles\nMary Lou Turner songs\nSong recordings produced by Owen Bradley\nVocal duets", "is a Japanese professional baseball infielder for the Chunichi Dragons in Japan's Nippon Professional Baseball.\n\nEarly career\nAs a 6 year old, playing catch with an Akinobu Okada signed ball was his inspiration to start playing baseball where he played for Edogawa South Little Seniors.\nAt Shutoku High School, he played mostly as a pitcher with time spent at short stop where he was the ace and batted 4th. In summer of his junior year he reached the best 8 of the Tokyo tournament while in spring of his senior year he reached the Tokyo tournament semi-finals where he also hit a homerun in the second game against Meisei High School. \nIn summer of his senior year he showed great poise in pitching against Kanto Daiichi High School in the tournament final. He also hit a come from behind RBI in the 7th inning. In the 8th inning however due to leg discomfort, he came off the mound where his team went down in a walkoff loss, missing his chance at reaching the Japanese High School Baseball Championship. He hit a total of 18 homeruns in his high school career.\n\nOn 28 October 2010, Mitsumata was selected as the 2nd draft pick for the Orix Buffaloes at the 2010 NPB Draft and on 21 November signed a provisional contract with a ¥60,000,000 sign-on bonus and a ¥6,000,000 yearly salary.\n\nProfessional career\n\nOrix Buffaloes\n\n2011\nIn his first year with the Buffloes, Mitsumata played in 103 Western League games with a .225 average where he led the league in errors. He also appeared in the 2011 Fresh All Stars Game.\n\n2012\nMitsumata once again played the majority of games on the farm playing in 86 games and hitting .220. On August 7, he was brought up to the first team for the first time and made his debut on the following day. On the 14th of the same month, he was removed from the first team but was re-added in September where on the 22nd in a game against the Chiba Lotte Marines he hit his first professional hit against Takahiro Fujioka in what would turn out to be a multi-hit game. He then hit in 4 consecutive games. He ended the season having played 9 games batting .238.\n\n2013\nMitsumata made limited appearances as a pinch runner or defensive substitution where he played 21 games batting .100.\n\n2014\nOn 29 July, it was announced that Mitumata was to be traded to the Chunichi Dragons in a 1-to-1 trade with Kyohei Iwasaki.\n\nChunichi Dragons\n\n2014\nMitsumata made his Chunichi Dragons debut against the Tokyo Yakult Swallows on 17 August. He later would play against the Hanshin Tigers at Koshien Stadium where he would hit his first professional homerun off of Suguru Iwazaki.\n\n2015\nMitsumata made one first team appearance as a pinch runner and was demoted from the team.\n\n2016\nPlaying in 15 games batting .125 Mitsumata was once again unable to prove his ability to perform in the top squad and was subsequently demoted once more.\n\n2017\nMitsumata played 68 games batting .227 on the farm team. He would play 8 games for the first team with a single plate appearance.\n\n2018\nMitsumata played 90 games batting .176 in the Western League. He failed to make any first-team appearances. His salary was therefore slashed by ¥1,000,000 to ¥6,000,000 per annum.\n\nPlaying Style\nAs a pitcher he was able to throw 149 km/h with a slider. In a practice game in high school he showed off his power hitting a 120-metre homerun off future teammate Shohei Tsukahara where he also showed off his strong arm.\n\nReferences\n\nExternal links\n\nNPB.jp\n\n1992 births\nLiving people\nPeople from Tokyo\nJapanese baseball players\nNippon Professional Baseball infielders\nChunichi Dragons players\nOrix Buffaloes players" ]
[ "Flying Lotus", "2010-11: Cosmogramma and collaborations", "Are there any other interesting aspects about this article?", "His third studio album, Cosmogramma, was released in the UK on May 3, 2010, and in the US on May 4, 2010.", "Did he make any sales", "I don't know.", "What happen in 2010", "In September 2010, Flying Lotus released \"Pattern+Grid World\",", "What happen in 2011", "In January 2011, Flying Lotus won the 10th Annual Independent Music Awards", "What else was flying lotus known for", "In 2010, Flying Lotus collaborated with the Ann Arbor Film Festival in the performance of a live scoring of the 1962 avant-garde film Heaven and Earth Magic.", "What songs was made", "Thundercat on bass & art by Theo Ellsworth. The Track Camera Day was used in the Killer Mike song Swimming,", "What was a great hit he made", "\"MmmHmm\"" ]	C_5f5bd5ad2d9b4c87a34474d7f917f64c_0	Anything else was great about flying lotus	8	Besides creating "MmmHmm", anything else was great about flying lotus?	Flying Lotus	His third studio album, Cosmogramma, was released in the UK on May 3, 2010, and in the US on May 4, 2010. In January 2011, Cosmogramma won in the Dance/Electronica Album category in the 10th Annual Independent Music Awards. The multi-award-winning Cosmogramma was a hard-hitting afrofuturistic shrine to soul, hip-hop, jazz and IDM but, with more emphasis on a lyrical message than ever before, it was also a cathartic grieving experience. The album was accompanied by live instrumentation (Thundercat on bass, Miguel Atwood Ferguson on strings, Rebekah Raff on harp) and live vocalists (Thom Yorke, Laura Darlington) - all picked to help communicate the spiritual musical lineage of Ellison's family (Ravi Coltrane, himself, played tenor sax). Stephen Bruner, aka Thundercat, who is featured extensively on Cosmogramma, would later become a large part of future albums by Flying Lotus. In 2010, Flying Lotus collaborated with the Ann Arbor Film Festival in the performance of a live scoring of the 1962 avant-garde film Heaven and Earth Magic. In a post-viewing interview with the audience, Flying Lotus said that he was unsure whether or not a recording of the performance (or a recreation of it) would be publicly released, but he would be enthusiastic toward similar projects in the future. He was chosen by Battles to perform at the ATP Nightmare Before Christmas festival that it co-curated in December 2011 in Minehead, England, UK. In September 2010, Flying Lotus released "Pattern+Grid World", an 8 track EP featuring Thundercat on bass & art by Theo Ellsworth. The Track Camera Day was used in the Killer Mike song Swimming, which was released as part of the Adult Swim Singles Series. In January 2011, Flying Lotus won the 10th Annual Independent Music Awards for his video "MmmHmm" in the Short-Form Video category. It was reported in 2011 that Flying Lotus would be collaborating with R&B singer Erykah Badu on new material for her next album, and planned to remix one of Radiohead's songs from The King of Limbs. CANNOTANSWER	Stephen Bruner, aka Thundercat, who is featured extensively on Cosmogramma, would later become a large part of future albums by Flying Lotus.	Steven Ellison (born October 7, 1983), known by his stage name Flying Lotus or sometimes FlyLo, is an American record producer, DJ and rapper from Los Angeles. He is also the founder of the record label Brainfeeder. Flying Lotus has released six studio albums1983 (2006), Los Angeles (2008), Cosmogramma (2010), Until the Quiet Comes (2012), You're Dead! (2014), and Flamagra (2019)to critical acclaim. He has produced much of the bumper music on Cartoon Network's Adult Swim programming block. He also contributed remixes for fellow Plug Research artists including Mia Doi Todd. In 2012, Flying Lotus began rapping under the persona Captain Murphy, based on the Sealab 2021 character of the same name. Ellison kept this fact a secret for several months, finally revealing his identity several weeks after the release of his first rap mixtape: Duality (2012). Early life and education Flying Lotus was born Steven Ellison on October 7, 1983, in Los Angeles, California. He is the grandnephew of the late jazz pianist Alice Coltrane, whose husband was saxophonist John Coltrane. Additionally, he is the grandson of singer-songwriter Marilyn McLeod, who is notable for having written Diana Ross's "Love Hangover" and Freda Payne's "I Get High (On Your Memory)" and is Alice Coltrane's sister. His great aunt Alice has been called by one writer "the biggest influence on Ellison's music". A DNA test revealed that Ellison is a descendant of the Tikar people of Cameroon. Ellison attended Los Angeles Film School and Academy of Art University. Musical career 2006–2007: Adult Swim, 1983 and Warp Records In 2006, while at his mother's house, Ellison saw an advertisement on Cartoon Network's Adult Swim programming block asking for song submissions. He sent some in, under the name Flying Lotus (a moniker inspired by lucid dreaming) and was accepted. Around this time, he was interning at the pioneering hip hop label Stones Throw Records. He released his debut studio album 1983 on October 3, 2006. In 2006, Ellison participated in that year's annual Red Bull Music Academy, which took place in Melbourne, Australia. In 2007, he announced on CSU-Fullerton's Titan Radio that he signed with Warp Records. He released his debut EP, the six-track Reset on October 1, 2007. Soon afterwards, he became one of the label's cornerstone artists and released his second studio album, Los Angeles on June 10, 2008. 2008–2009: Los Angeles and Brainfeeder In 2008 Flying Lotus released Los Angeles, a 17-track album dedicated to his home city. Telling Quietus on the subject of J Dilla's influence on his music: "I love Dilla and who knows where this beat thing would be without him. His work ethic inspired so many producers around the world, but when he moved out to LA, it seemed that his presence here inspired everyone to kick things into overdrive. If I had to describe his music, I'd say it were 'imaginative soul music'. I think it's his imagination that appeals to me, personally. Dilla could flip a boring record and make you feel like you were flying." 2008 saw Ellison enter a stage of hyper-productivity, as he followed up the Los Angeles record with collaborative tracks with Samiyam and Gonjasufi, a limited white label run of remixes ("Camel", "Lightworks", R2-D2 sound effects, "Shadows of Tomorrow" and "Promiscuous") called Shhh!, and a series of LA inspired EPs. Each of the La EPs features remixes and unreleased tracks from his Los Angeles Album. The third in that series (titled L.A. EP 3 X 3), marked a new atmospheric style in his sound. The same year, Flying Lotus also remixed "Reckoner" from In Rainbows, an album by Radiohead. 2010–2011: Cosmogramma and collaborations His third studio album, Cosmogramma, was released in the UK on May 3, 2010, and in the US on May 4, 2010. In January 2011, Cosmogramma won in the Dance/Electronica Album category in the 10th Annual Independent Music Awards. The multi-award-winning Cosmogramma was a hard-hitting afrofuturistic shrine to soul, hip-hop, jazz and IDM but, with more emphasis on a lyrical message than ever before. The album was accompanied by live instrumentation (Thundercat on bass, Miguel Atwood-Ferguson on strings, Rebekah Raff on harp) and live vocalists (Thom Yorke, Laura Darlington) – all picked to help communicate the spiritual musical lineage of Ellison's family (Ravi Coltrane, himself, played tenor sax). Stephen Bruner, aka Thundercat, who is featured extensively on Cosmogramma, would later become a large part of future albums by Flying Lotus. In 2010, Flying Lotus collaborated with the Ann Arbor Film Festival in the performance of a live scoring of the 1962 avant-garde film Heaven and Earth Magic. In a post-viewing interview with the audience, Flying Lotus said that he was unsure whether or not a recording of the performance (or a recreation of it) would be publicly released, but he would be enthusiastic towards similar projects in the future. He was chosen by Battles to perform at the ATP Nightmare Before Christmas festival that it co-curated in December 2011 in Minehead, England, UK. In September 2010, Flying Lotus released "Pattern+Grid World", an 8 track EP featuring Thundercat on bass & art by Theo Ellsworth. The Track Camera Day was used in the Killer Mike song Swimming, which was released as part of the Adult Swim Singles Series. In January 2011, Flying Lotus won the 10th Annual Independent Music Awards for his video "MmmHmm" in the Short-Form Video category. It was reported in 2011 that Flying Lotus would be collaborating with R&B singer Erykah Badu on new material for her next album, and planned to remix one of Radiohead's songs from The King of Limbs. 2012–2013: Until the Quiet Comes and Captain Murphy With an appreciation for hip hop, but no established work, artists like Odd Future (also aficionados of Adult Swim), A$AP Mob, Spaceghostpurrp and Shabazz Palaces inspired him to directly participate, and he began production work for Odd Future's Hodgy Beats' Untitled EP. This led to the moment in which he decided to produce more in the genre: "I can recall the moment specifically ... [Odd Future] started playing me some of The OF Tape Vol. 2. ... I asked them, 'Yo, Hodgy, how long did it take you to record this shit? How long did it take you to write this song?' 'Aw, my nigga, it took me like 15 minutes.' 15 minutes? Are you fucking serious? I was like, 'Nah, nigga. I am gonna do this shit.'" Throughout the summer of 2012, Captain Murphy began to make more appearances, dressed in Luchadore Ensemble. In August 2012, Flying Lotus announced a multimedia project with filmmaker Miwa Matreyek, which is to be titled The Mapping of Countries Yet to Come. Flying Lotus produced rapper Mac Miller's song "SDS'" for his album Watching Movies with the Sound Off. He also created a song for the Cartoon Network series Adventure Time entitled "About that time//A glitch is a glitch". Behind closed doors, though, the work for his fourth album Until the Quiet Comes was pretty much done. A year prior, Ellison had worked with Ann Arbor Festival to live score a surreal and avant-garde 50s animation Heaven and Earth Magic (pictured below), and a fascination with dreamlike states had continued into this record. Until The Quiet Comes continued his creative relationship with Radiohead's Thom Yorke, as well as Jonny Greenwood, Niki Randa, Erykah Badu, Laura Darlington and, of course, Thundercat, and was cinematically captured in a short film by filmmaker Kahlil Joseph. In late 2012, less than two months after the release of his last record, a website started circulating online: www.captainmurphy.xxx. Press speculated who the rapper was, with guessing being centered around the Odd Future Crew. The site hosted Duality, a 34-minute short film mixtape, that comprised both new material and tracks that had been leaking all summer. In April 2013, Flying Lotus announced that he has his own radio station called FlyLo FM in the video game Grand Theft Auto V, saying there would be "a ton of new songs and information, including rapping a new Captain Murphy song produced by Hudson Mohawke". The radio station includes songs from Clams Casino, Aphex Twin, Hudson Mohawke, Tyler, the Creator, Dabrye, Thundercat, Machinedrum, Outkast, DJ Rashad and Shadow Child. In November 2014, Flying Lotus collaborated with MF Doom on the track "Masquatch" for the reissued copy of the video game. The two collaborated again on the track "Lunch Break" for an updated version of Grand Theft Auto Online in 2020. On July 17, 2013, Flying Lotus announced on Twitter that he had been nominated for a VMA for the song "Tiny Tortures". 2014–2015: You're Dead! On July 15, 2014, Flying Lotus posted on Instagram a photo of vinyl test pressings labeled "LP #5". On July 22, he announced that his fifth studio album, You're Dead!, would be released in the UK on October 6, 2014, and in the US on October 7, 2014. The album features guest appearances by Kendrick Lamar, Snoop Dogg and Herbie Hancock. On August 15, 2014, Flying Lotus released a new song called "Cosplay" with his alias Captain Murphy. On September 30, 2014, Flying Lotus scored the short film A Portrait of Noomi Rapace, starring actress Noomi Rapace and directed by Aitor Throup. During the summer of 2015, Flying Lotus appeared at many summer music festivals including the Bonnaroo Music and Arts Festival, the Coachella Valley Music and Arts Festival, the Governors Ball Music Festival and the Glastonbury Festival. His performances received critical acclaim. He appeared alongside Thundercat on Lamar's album To Pimp a Butterfly. In July 2015, Flying Lotus, made his national television debut on Why? with Hannibal Buress, as the show's in-studio disc jockey. Lotus received two Grammy Award nominations at the 58th ceremony: Best Dance Recording for his song "Never Catch Me" and Album of the Year for his credits as producer on Lamar's To Pimp a Butterfly. 2016–2018: Kuso On July 5, 2016, Ellison announced the start of Brainfeeder film division. Shortly after, at the Sundance NEXT festival, he premiered a short film titled Royal. It was later revealed to be part of his feature film directorial debut, Kuso. Kuso would star Hannibal Buress, Tim Heidecker and David Firth among others. Kuso featured new music from Ellison himself under both the Flying Lotus and Captain Murphy names, Aphex Twin, Busdriver, and Thundercat, among others. Kuso premiered at the Sundance Film Festival in 2017. On June 6, 2017, Ellison announced that Kuso would be released via the horror video streaming service Shudder, on July 21, 2017. Kuso was also confirmed a theatrical release in New York City and Los Angeles. Addressing the responsibility of the wide release of Kuso, on Twitter, Ellison praised Shudder, explaining he found it to be a suitable home for the film's release. On November 2, 2017, Ellison released a music video for a new song of his, "Post Requisite", and is "currently finishing his next studio album on Warp". He also wrote the soundtrack for the 2017 short film Blade Runner Black Out 2022 and has contributed music to the 2019 anime series Carole & Tuesday. 2019: Flamagra On April 17, 2019, Ellison announced his sixth album, Flamagra, released via Warp on May 24, 2019. The first single off the album, "Fire Is Coming" featuring David Lynch, was released on the same day. On May 12, 2019, a second single, "More", was released alongside a music video directed by Shinichirō Watanabe. Discography Studio albums 1983 (2006) Los Angeles (2008) Cosmogramma (2010) Until the Quiet Comes (2012) You're Dead! (2014) Flamagra (2019) Yasuke (2021) Filmography Until the Quiet Comes – original score (2012) The Mapping of Countries Yet to Come – original score (2012) A Portrait of Noomi Rapace – original score (2014) FUCKKKYOUUU (by Eddie Alcazar) – original score (2016) Royal – director (2016) The Eric Andre Show – himself (2016) Lovetrue – original music (2016) Kuso – director, writer, original score (2017) Blade Runner Black Out 2022 – original score (2017) Perfect (by Eddie Alcazar) – original score (2018) Carole & Tuesday – additional music (2019) YOLO Crystal Fantasy (TV series) - himself (2020) Yasuke – original score, executive producer (2021) Awards and nominations \|- ! scope="row" rowspan="2"\| 2016 \| rowspan="4"\| Grammy Awards \| Album of the Year \| To Pimp a Butterfly \| \| align="center" rowspan="4"\| \|- \| Best Dance Recording \| "Never Catch Me" \| \|- ! scope="row" rowspan="2"\| 2021 \| Producer of the Year, Non-Classical \| Himself \| \|- \| Best Progressive R&B Album \| It Is What It Is \| References Further reading External links 1983 births Living people Ableton Live users Academy of Art University alumni African-American male rappers African-American record producers Alternative hip hop musicians American electronic musicians American experimental musicians American hip hop DJs American hip hop record producers American people of Cameroonian descent American people of Tikar descent Musicians from Los Angeles Rappers from Los Angeles Trip hop musicians Warp (record label) artists West Coast hip hop musicians 21st-century American rappers Brainfeeder artists Record producers from California Grammy Award winners Plug Research artists	true	[ "Pattern+Grid World is an EP by American electronic producer Flying Lotus. It was released by Warp Records on September 20, 2010.\n\nRelease and reception \nWarp Records first released Pattern+Grid World in the United Kingdom on September 20, 2010; its release in the United States was the following day. The EP's sixth track \"Camera Day\" was later sampled for rapper Killer Mike's 2011 song \"Swimming\", which was released as part of Adult Swim's single series.\n\nPattern+Grid World received widespread acclaim from critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the EP received an average score of 82, based on 10 reviews. The Wire wrote that while Flying Lotus pursued similar ideas on his previous album Cosmogramma, Pattern+Grid World \"seemed to favor consistent, looping palettes and original electronics over the latter's ad hoc sampling\". PopMatters critic Dylan Nelson found it \"tighter, more balanced, more claustrophobic and more melodic\" than its predecessor, while Larry Fitzmaurice from Pitchfork Media said it sounded \"fully formed and precisely assembled\". Robert Christgau from MSN Music was somewhat less enthusiastic, citing \"PieFace\" and \"Clay\" as highlights while reducing his review of the EP to the description \"notes for an aural jigsaw puzzle\".\n\nTrack listing\n\nPersonnel \nCredits are adapted from AllMusic.\n\n Flying Lotus – composer, engineer, producer\n Thundercat - bass \n Jason Goz – mastering \n Theo Ellsworth – design, illustrations\n\nReferences\n\nExternal links \n \n\n2010 EPs\nFlying Lotus albums\nWarp (record label) EPs\nAlbums produced by Flying Lotus", "Topless Women Talk About Their Lives is the soundtrack to the New Zealand film, Topless Women Talk About Their Lives. It was released alongside the film by Flying Nun Records.\n\nTrack listing\n\"Hey Seuss\" - The 3Ds\n\"North by North\" - The Bats\n\"Anything Could Happen - The Clean\n\"Animal\" - The 3DsSaskatchewan\" - Superette\n\"Buddy\" - Snapper\n\"I Love My Leather Jacket\" - The Chills\n\"Down in Splendour\" - Straitjacket Fits\n\"Point That Thing Somewhere Else\" - The Clean\n\"Waves\" - Superette\n'She Speeds\" - Straitjacket Fits\n\"Fish\" - The Clean\n\"Spooky\" - The 3Ds\n\"Not Given Lightly\" - Chris Knox\n\nCompilation albums by New Zealand artists\nFilm soundtracks\n2006 soundtrack albums\nFlying Nun Records compilation albums\n2006 compilation albums\nFlying Nun Records soundtracks\nDunedin Sound albums" ]
[ "Flying Lotus", "2010-11: Cosmogramma and collaborations", "Are there any other interesting aspects about this article?", "His third studio album, Cosmogramma, was released in the UK on May 3, 2010, and in the US on May 4, 2010.", "Did he make any sales", "I don't know.", "What happen in 2010", "In September 2010, Flying Lotus released \"Pattern+Grid World\",", "What happen in 2011", "In January 2011, Flying Lotus won the 10th Annual Independent Music Awards", "What else was flying lotus known for", "In 2010, Flying Lotus collaborated with the Ann Arbor Film Festival in the performance of a live scoring of the 1962 avant-garde film Heaven and Earth Magic.", "What songs was made", "Thundercat on bass & art by Theo Ellsworth. The Track Camera Day was used in the Killer Mike song Swimming,", "What was a great hit he made", "\"MmmHmm\"", "Anything else was great about flying lotus", "Stephen Bruner, aka Thundercat, who is featured extensively on Cosmogramma, would later become a large part of future albums by Flying Lotus." ]	C_5f5bd5ad2d9b4c87a34474d7f917f64c_0	Who was the band members	9	Who was the band members of Flying Lotus?	Flying Lotus	His third studio album, Cosmogramma, was released in the UK on May 3, 2010, and in the US on May 4, 2010. In January 2011, Cosmogramma won in the Dance/Electronica Album category in the 10th Annual Independent Music Awards. The multi-award-winning Cosmogramma was a hard-hitting afrofuturistic shrine to soul, hip-hop, jazz and IDM but, with more emphasis on a lyrical message than ever before, it was also a cathartic grieving experience. The album was accompanied by live instrumentation (Thundercat on bass, Miguel Atwood Ferguson on strings, Rebekah Raff on harp) and live vocalists (Thom Yorke, Laura Darlington) - all picked to help communicate the spiritual musical lineage of Ellison's family (Ravi Coltrane, himself, played tenor sax). Stephen Bruner, aka Thundercat, who is featured extensively on Cosmogramma, would later become a large part of future albums by Flying Lotus. In 2010, Flying Lotus collaborated with the Ann Arbor Film Festival in the performance of a live scoring of the 1962 avant-garde film Heaven and Earth Magic. In a post-viewing interview with the audience, Flying Lotus said that he was unsure whether or not a recording of the performance (or a recreation of it) would be publicly released, but he would be enthusiastic toward similar projects in the future. He was chosen by Battles to perform at the ATP Nightmare Before Christmas festival that it co-curated in December 2011 in Minehead, England, UK. In September 2010, Flying Lotus released "Pattern+Grid World", an 8 track EP featuring Thundercat on bass & art by Theo Ellsworth. The Track Camera Day was used in the Killer Mike song Swimming, which was released as part of the Adult Swim Singles Series. In January 2011, Flying Lotus won the 10th Annual Independent Music Awards for his video "MmmHmm" in the Short-Form Video category. It was reported in 2011 that Flying Lotus would be collaborating with R&B singer Erykah Badu on new material for her next album, and planned to remix one of Radiohead's songs from The King of Limbs. CANNOTANSWER	Thundercat on bass, Miguel Atwood Ferguson on strings, Rebekah Raff on harp) and live vocalists (Thom Yorke, Laura Darlington) -	Steven Ellison (born October 7, 1983), known by his stage name Flying Lotus or sometimes FlyLo, is an American record producer, DJ and rapper from Los Angeles. He is also the founder of the record label Brainfeeder. Flying Lotus has released six studio albums1983 (2006), Los Angeles (2008), Cosmogramma (2010), Until the Quiet Comes (2012), You're Dead! (2014), and Flamagra (2019)to critical acclaim. He has produced much of the bumper music on Cartoon Network's Adult Swim programming block. He also contributed remixes for fellow Plug Research artists including Mia Doi Todd. In 2012, Flying Lotus began rapping under the persona Captain Murphy, based on the Sealab 2021 character of the same name. Ellison kept this fact a secret for several months, finally revealing his identity several weeks after the release of his first rap mixtape: Duality (2012). Early life and education Flying Lotus was born Steven Ellison on October 7, 1983, in Los Angeles, California. He is the grandnephew of the late jazz pianist Alice Coltrane, whose husband was saxophonist John Coltrane. Additionally, he is the grandson of singer-songwriter Marilyn McLeod, who is notable for having written Diana Ross's "Love Hangover" and Freda Payne's "I Get High (On Your Memory)" and is Alice Coltrane's sister. His great aunt Alice has been called by one writer "the biggest influence on Ellison's music". A DNA test revealed that Ellison is a descendant of the Tikar people of Cameroon. Ellison attended Los Angeles Film School and Academy of Art University. Musical career 2006–2007: Adult Swim, 1983 and Warp Records In 2006, while at his mother's house, Ellison saw an advertisement on Cartoon Network's Adult Swim programming block asking for song submissions. He sent some in, under the name Flying Lotus (a moniker inspired by lucid dreaming) and was accepted. Around this time, he was interning at the pioneering hip hop label Stones Throw Records. He released his debut studio album 1983 on October 3, 2006. In 2006, Ellison participated in that year's annual Red Bull Music Academy, which took place in Melbourne, Australia. In 2007, he announced on CSU-Fullerton's Titan Radio that he signed with Warp Records. He released his debut EP, the six-track Reset on October 1, 2007. Soon afterwards, he became one of the label's cornerstone artists and released his second studio album, Los Angeles on June 10, 2008. 2008–2009: Los Angeles and Brainfeeder In 2008 Flying Lotus released Los Angeles, a 17-track album dedicated to his home city. Telling Quietus on the subject of J Dilla's influence on his music: "I love Dilla and who knows where this beat thing would be without him. His work ethic inspired so many producers around the world, but when he moved out to LA, it seemed that his presence here inspired everyone to kick things into overdrive. If I had to describe his music, I'd say it were 'imaginative soul music'. I think it's his imagination that appeals to me, personally. Dilla could flip a boring record and make you feel like you were flying." 2008 saw Ellison enter a stage of hyper-productivity, as he followed up the Los Angeles record with collaborative tracks with Samiyam and Gonjasufi, a limited white label run of remixes ("Camel", "Lightworks", R2-D2 sound effects, "Shadows of Tomorrow" and "Promiscuous") called Shhh!, and a series of LA inspired EPs. Each of the La EPs features remixes and unreleased tracks from his Los Angeles Album. The third in that series (titled L.A. EP 3 X 3), marked a new atmospheric style in his sound. The same year, Flying Lotus also remixed "Reckoner" from In Rainbows, an album by Radiohead. 2010–2011: Cosmogramma and collaborations His third studio album, Cosmogramma, was released in the UK on May 3, 2010, and in the US on May 4, 2010. In January 2011, Cosmogramma won in the Dance/Electronica Album category in the 10th Annual Independent Music Awards. The multi-award-winning Cosmogramma was a hard-hitting afrofuturistic shrine to soul, hip-hop, jazz and IDM but, with more emphasis on a lyrical message than ever before. The album was accompanied by live instrumentation (Thundercat on bass, Miguel Atwood-Ferguson on strings, Rebekah Raff on harp) and live vocalists (Thom Yorke, Laura Darlington) – all picked to help communicate the spiritual musical lineage of Ellison's family (Ravi Coltrane, himself, played tenor sax). Stephen Bruner, aka Thundercat, who is featured extensively on Cosmogramma, would later become a large part of future albums by Flying Lotus. In 2010, Flying Lotus collaborated with the Ann Arbor Film Festival in the performance of a live scoring of the 1962 avant-garde film Heaven and Earth Magic. In a post-viewing interview with the audience, Flying Lotus said that he was unsure whether or not a recording of the performance (or a recreation of it) would be publicly released, but he would be enthusiastic towards similar projects in the future. He was chosen by Battles to perform at the ATP Nightmare Before Christmas festival that it co-curated in December 2011 in Minehead, England, UK. In September 2010, Flying Lotus released "Pattern+Grid World", an 8 track EP featuring Thundercat on bass & art by Theo Ellsworth. The Track Camera Day was used in the Killer Mike song Swimming, which was released as part of the Adult Swim Singles Series. In January 2011, Flying Lotus won the 10th Annual Independent Music Awards for his video "MmmHmm" in the Short-Form Video category. It was reported in 2011 that Flying Lotus would be collaborating with R&B singer Erykah Badu on new material for her next album, and planned to remix one of Radiohead's songs from The King of Limbs. 2012–2013: Until the Quiet Comes and Captain Murphy With an appreciation for hip hop, but no established work, artists like Odd Future (also aficionados of Adult Swim), A$AP Mob, Spaceghostpurrp and Shabazz Palaces inspired him to directly participate, and he began production work for Odd Future's Hodgy Beats' Untitled EP. This led to the moment in which he decided to produce more in the genre: "I can recall the moment specifically ... [Odd Future] started playing me some of The OF Tape Vol. 2. ... I asked them, 'Yo, Hodgy, how long did it take you to record this shit? How long did it take you to write this song?' 'Aw, my nigga, it took me like 15 minutes.' 15 minutes? Are you fucking serious? I was like, 'Nah, nigga. I am gonna do this shit.'" Throughout the summer of 2012, Captain Murphy began to make more appearances, dressed in Luchadore Ensemble. In August 2012, Flying Lotus announced a multimedia project with filmmaker Miwa Matreyek, which is to be titled The Mapping of Countries Yet to Come. Flying Lotus produced rapper Mac Miller's song "SDS'" for his album Watching Movies with the Sound Off. He also created a song for the Cartoon Network series Adventure Time entitled "About that time//A glitch is a glitch". Behind closed doors, though, the work for his fourth album Until the Quiet Comes was pretty much done. A year prior, Ellison had worked with Ann Arbor Festival to live score a surreal and avant-garde 50s animation Heaven and Earth Magic (pictured below), and a fascination with dreamlike states had continued into this record. Until The Quiet Comes continued his creative relationship with Radiohead's Thom Yorke, as well as Jonny Greenwood, Niki Randa, Erykah Badu, Laura Darlington and, of course, Thundercat, and was cinematically captured in a short film by filmmaker Kahlil Joseph. In late 2012, less than two months after the release of his last record, a website started circulating online: www.captainmurphy.xxx. Press speculated who the rapper was, with guessing being centered around the Odd Future Crew. The site hosted Duality, a 34-minute short film mixtape, that comprised both new material and tracks that had been leaking all summer. In April 2013, Flying Lotus announced that he has his own radio station called FlyLo FM in the video game Grand Theft Auto V, saying there would be "a ton of new songs and information, including rapping a new Captain Murphy song produced by Hudson Mohawke". The radio station includes songs from Clams Casino, Aphex Twin, Hudson Mohawke, Tyler, the Creator, Dabrye, Thundercat, Machinedrum, Outkast, DJ Rashad and Shadow Child. In November 2014, Flying Lotus collaborated with MF Doom on the track "Masquatch" for the reissued copy of the video game. The two collaborated again on the track "Lunch Break" for an updated version of Grand Theft Auto Online in 2020. On July 17, 2013, Flying Lotus announced on Twitter that he had been nominated for a VMA for the song "Tiny Tortures". 2014–2015: You're Dead! On July 15, 2014, Flying Lotus posted on Instagram a photo of vinyl test pressings labeled "LP #5". On July 22, he announced that his fifth studio album, You're Dead!, would be released in the UK on October 6, 2014, and in the US on October 7, 2014. The album features guest appearances by Kendrick Lamar, Snoop Dogg and Herbie Hancock. On August 15, 2014, Flying Lotus released a new song called "Cosplay" with his alias Captain Murphy. On September 30, 2014, Flying Lotus scored the short film A Portrait of Noomi Rapace, starring actress Noomi Rapace and directed by Aitor Throup. During the summer of 2015, Flying Lotus appeared at many summer music festivals including the Bonnaroo Music and Arts Festival, the Coachella Valley Music and Arts Festival, the Governors Ball Music Festival and the Glastonbury Festival. His performances received critical acclaim. He appeared alongside Thundercat on Lamar's album To Pimp a Butterfly. In July 2015, Flying Lotus, made his national television debut on Why? with Hannibal Buress, as the show's in-studio disc jockey. Lotus received two Grammy Award nominations at the 58th ceremony: Best Dance Recording for his song "Never Catch Me" and Album of the Year for his credits as producer on Lamar's To Pimp a Butterfly. 2016–2018: Kuso On July 5, 2016, Ellison announced the start of Brainfeeder film division. Shortly after, at the Sundance NEXT festival, he premiered a short film titled Royal. It was later revealed to be part of his feature film directorial debut, Kuso. Kuso would star Hannibal Buress, Tim Heidecker and David Firth among others. Kuso featured new music from Ellison himself under both the Flying Lotus and Captain Murphy names, Aphex Twin, Busdriver, and Thundercat, among others. Kuso premiered at the Sundance Film Festival in 2017. On June 6, 2017, Ellison announced that Kuso would be released via the horror video streaming service Shudder, on July 21, 2017. Kuso was also confirmed a theatrical release in New York City and Los Angeles. Addressing the responsibility of the wide release of Kuso, on Twitter, Ellison praised Shudder, explaining he found it to be a suitable home for the film's release. On November 2, 2017, Ellison released a music video for a new song of his, "Post Requisite", and is "currently finishing his next studio album on Warp". He also wrote the soundtrack for the 2017 short film Blade Runner Black Out 2022 and has contributed music to the 2019 anime series Carole & Tuesday. 2019: Flamagra On April 17, 2019, Ellison announced his sixth album, Flamagra, released via Warp on May 24, 2019. The first single off the album, "Fire Is Coming" featuring David Lynch, was released on the same day. On May 12, 2019, a second single, "More", was released alongside a music video directed by Shinichirō Watanabe. Discography Studio albums 1983 (2006) Los Angeles (2008) Cosmogramma (2010) Until the Quiet Comes (2012) You're Dead! (2014) Flamagra (2019) Yasuke (2021) Filmography Until the Quiet Comes – original score (2012) The Mapping of Countries Yet to Come – original score (2012) A Portrait of Noomi Rapace – original score (2014) FUCKKKYOUUU (by Eddie Alcazar) – original score (2016) Royal – director (2016) The Eric Andre Show – himself (2016) Lovetrue – original music (2016) Kuso – director, writer, original score (2017) Blade Runner Black Out 2022 – original score (2017) Perfect (by Eddie Alcazar) – original score (2018) Carole & Tuesday – additional music (2019) YOLO Crystal Fantasy (TV series) - himself (2020) Yasuke – original score, executive producer (2021) Awards and nominations \|- ! scope="row" rowspan="2"\| 2016 \| rowspan="4"\| Grammy Awards \| Album of the Year \| To Pimp a Butterfly \| \| align="center" rowspan="4"\| \|- \| Best Dance Recording \| "Never Catch Me" \| \|- ! scope="row" rowspan="2"\| 2021 \| Producer of the Year, Non-Classical \| Himself \| \|- \| Best Progressive R&B Album \| It Is What It Is \| References Further reading External links 1983 births Living people Ableton Live users Academy of Art University alumni African-American male rappers African-American record producers Alternative hip hop musicians American electronic musicians American experimental musicians American hip hop DJs American hip hop record producers American people of Cameroonian descent American people of Tikar descent Musicians from Los Angeles Rappers from Los Angeles Trip hop musicians Warp (record label) artists West Coast hip hop musicians 21st-century American rappers Brainfeeder artists Record producers from California Grammy Award winners Plug Research artists	false	[ "Matti Kärki, (born 13 December 1972) is a Swedish singer who is best known for his work with Dismember. Before he joined Dismember in 1991, he was the singer in the Swedish band Carnage (1989-1990). The first band fronted by Kärki was Therion in 1989. He also appears with the Autopsy-inspired Murder Squad since 1993. Furthermore, he was part of the experimental band Carbonized from 1988 to 1990. Kärki appeared as a guest-singer of Entombed and sang \"But Life Goes On\" on the Entombed show in Sala on 24 June 1990. Moreover, he was the bass player for General Surgery during 1988 to 1990, and joined again in early 2000 when the band was temporarily resurrected to record a song for the Carcass tribute album Requiems of Revulsion.\n\nReferences\n\n1972 births\nSwedish heavy metal singers\nSwedish male singers\nTherion (band) members\nLiving people\nDismember (band) members\nCarbonized members\nCarnage (band) members\nMurder Squad members\nEntombed (band) members\nSwedish people of Finnish descent", "The Band of the Royal Canadian Engineers was a Canadian Army military band that served briefly for 15 years from 1953 to 1968. During its entire existence, it was based in Chilliwack, British Columbia. It was the premier band in the RCE, having precedence over other small unit bands such as the Band of the 48th Squadron (active today as the Dutchmen Senior Drum & Bugle Corps). It was established at the Royal Canadian School of Military Engineering and primarily recruited from a mix of Canadian nationals as well as musicians from the United Kingdom, the Netherlands and Hungary. It has performed for members of the Canadian royal family as well as Governors General of Canada. In September 1964, the band performed during the arrival of U.S. President Lyndon B. Johnson in Vancouver for the Columbia River Treaty ceremonies. 1967 marked a busy schedule for the band. In this year, it performed during Expo 67, the Seattle Armed Forces Pageant, and the Centennial Grand Military Tattoo. Due to a mass reorganisation of Canadian military bands across the military services that came as a result of the Canadian Forces unification, the band was dissolved in 1968. It was lastly directed by Captain Leonard Camplin, who began his service with the band in 1961.\n\nMost of the remaining members sent to the Naden Band of Maritime Forces Pacific in the Royal Canadian Navy. While others went to the CFB Chilliwack Band, who succeeded the RCE Band. It was a small band, only consisting of 7 members, who at most performed at official receptions and dinners. It was the first regular force military band to utilize the Sousaphone (an instrument that was pioneered by United States military bands). The band performed at events such as the welcoming arrival of the 1 Combat Engineer Regiment at Vancouver Airport during the Gulf War. In its duties, it often performed with the Pacific Militia Area Band. In its latter years, it was led by Warrant Officer Moe Macklin.\n\nSee also\nBand of the Royal Canadian Corps of Signals\nThe Band of the 15th Field Regiment, RCA\nBritish Columbia Regiment Band\n\nReferences\n\nBands of the Canadian Army\nMusical groups established in 1953\n1953 establishments in British Columbia\n1968 disestablishments in British Columbia\nMusical groups from British Columbia\nChilliwack" ]
[ "Flying Lotus", "2010-11: Cosmogramma and collaborations", "Are there any other interesting aspects about this article?", "His third studio album, Cosmogramma, was released in the UK on May 3, 2010, and in the US on May 4, 2010.", "Did he make any sales", "I don't know.", "What happen in 2010", "In September 2010, Flying Lotus released \"Pattern+Grid World\",", "What happen in 2011", "In January 2011, Flying Lotus won the 10th Annual Independent Music Awards", "What else was flying lotus known for", "In 2010, Flying Lotus collaborated with the Ann Arbor Film Festival in the performance of a live scoring of the 1962 avant-garde film Heaven and Earth Magic.", "What songs was made", "Thundercat on bass & art by Theo Ellsworth. The Track Camera Day was used in the Killer Mike song Swimming,", "What was a great hit he made", "\"MmmHmm\"", "Anything else was great about flying lotus", "Stephen Bruner, aka Thundercat, who is featured extensively on Cosmogramma, would later become a large part of future albums by Flying Lotus.", "Who was the band members", "Thundercat on bass, Miguel Atwood Ferguson on strings, Rebekah Raff on harp) and live vocalists (Thom Yorke, Laura Darlington) -" ]	C_5f5bd5ad2d9b4c87a34474d7f917f64c_0	Anyone leave the band	10	Anyone leave Flying Lotus?	Flying Lotus	His third studio album, Cosmogramma, was released in the UK on May 3, 2010, and in the US on May 4, 2010. In January 2011, Cosmogramma won in the Dance/Electronica Album category in the 10th Annual Independent Music Awards. The multi-award-winning Cosmogramma was a hard-hitting afrofuturistic shrine to soul, hip-hop, jazz and IDM but, with more emphasis on a lyrical message than ever before, it was also a cathartic grieving experience. The album was accompanied by live instrumentation (Thundercat on bass, Miguel Atwood Ferguson on strings, Rebekah Raff on harp) and live vocalists (Thom Yorke, Laura Darlington) - all picked to help communicate the spiritual musical lineage of Ellison's family (Ravi Coltrane, himself, played tenor sax). Stephen Bruner, aka Thundercat, who is featured extensively on Cosmogramma, would later become a large part of future albums by Flying Lotus. In 2010, Flying Lotus collaborated with the Ann Arbor Film Festival in the performance of a live scoring of the 1962 avant-garde film Heaven and Earth Magic. In a post-viewing interview with the audience, Flying Lotus said that he was unsure whether or not a recording of the performance (or a recreation of it) would be publicly released, but he would be enthusiastic toward similar projects in the future. He was chosen by Battles to perform at the ATP Nightmare Before Christmas festival that it co-curated in December 2011 in Minehead, England, UK. In September 2010, Flying Lotus released "Pattern+Grid World", an 8 track EP featuring Thundercat on bass & art by Theo Ellsworth. The Track Camera Day was used in the Killer Mike song Swimming, which was released as part of the Adult Swim Singles Series. In January 2011, Flying Lotus won the 10th Annual Independent Music Awards for his video "MmmHmm" in the Short-Form Video category. It was reported in 2011 that Flying Lotus would be collaborating with R&B singer Erykah Badu on new material for her next album, and planned to remix one of Radiohead's songs from The King of Limbs. CANNOTANSWER	CANNOTANSWER	Steven Ellison (born October 7, 1983), known by his stage name Flying Lotus or sometimes FlyLo, is an American record producer, DJ and rapper from Los Angeles. He is also the founder of the record label Brainfeeder. Flying Lotus has released six studio albums1983 (2006), Los Angeles (2008), Cosmogramma (2010), Until the Quiet Comes (2012), You're Dead! (2014), and Flamagra (2019)to critical acclaim. He has produced much of the bumper music on Cartoon Network's Adult Swim programming block. He also contributed remixes for fellow Plug Research artists including Mia Doi Todd. In 2012, Flying Lotus began rapping under the persona Captain Murphy, based on the Sealab 2021 character of the same name. Ellison kept this fact a secret for several months, finally revealing his identity several weeks after the release of his first rap mixtape: Duality (2012). Early life and education Flying Lotus was born Steven Ellison on October 7, 1983, in Los Angeles, California. He is the grandnephew of the late jazz pianist Alice Coltrane, whose husband was saxophonist John Coltrane. Additionally, he is the grandson of singer-songwriter Marilyn McLeod, who is notable for having written Diana Ross's "Love Hangover" and Freda Payne's "I Get High (On Your Memory)" and is Alice Coltrane's sister. His great aunt Alice has been called by one writer "the biggest influence on Ellison's music". A DNA test revealed that Ellison is a descendant of the Tikar people of Cameroon. Ellison attended Los Angeles Film School and Academy of Art University. Musical career 2006–2007: Adult Swim, 1983 and Warp Records In 2006, while at his mother's house, Ellison saw an advertisement on Cartoon Network's Adult Swim programming block asking for song submissions. He sent some in, under the name Flying Lotus (a moniker inspired by lucid dreaming) and was accepted. Around this time, he was interning at the pioneering hip hop label Stones Throw Records. He released his debut studio album 1983 on October 3, 2006. In 2006, Ellison participated in that year's annual Red Bull Music Academy, which took place in Melbourne, Australia. In 2007, he announced on CSU-Fullerton's Titan Radio that he signed with Warp Records. He released his debut EP, the six-track Reset on October 1, 2007. Soon afterwards, he became one of the label's cornerstone artists and released his second studio album, Los Angeles on June 10, 2008. 2008–2009: Los Angeles and Brainfeeder In 2008 Flying Lotus released Los Angeles, a 17-track album dedicated to his home city. Telling Quietus on the subject of J Dilla's influence on his music: "I love Dilla and who knows where this beat thing would be without him. His work ethic inspired so many producers around the world, but when he moved out to LA, it seemed that his presence here inspired everyone to kick things into overdrive. If I had to describe his music, I'd say it were 'imaginative soul music'. I think it's his imagination that appeals to me, personally. Dilla could flip a boring record and make you feel like you were flying." 2008 saw Ellison enter a stage of hyper-productivity, as he followed up the Los Angeles record with collaborative tracks with Samiyam and Gonjasufi, a limited white label run of remixes ("Camel", "Lightworks", R2-D2 sound effects, "Shadows of Tomorrow" and "Promiscuous") called Shhh!, and a series of LA inspired EPs. Each of the La EPs features remixes and unreleased tracks from his Los Angeles Album. The third in that series (titled L.A. EP 3 X 3), marked a new atmospheric style in his sound. The same year, Flying Lotus also remixed "Reckoner" from In Rainbows, an album by Radiohead. 2010–2011: Cosmogramma and collaborations His third studio album, Cosmogramma, was released in the UK on May 3, 2010, and in the US on May 4, 2010. In January 2011, Cosmogramma won in the Dance/Electronica Album category in the 10th Annual Independent Music Awards. The multi-award-winning Cosmogramma was a hard-hitting afrofuturistic shrine to soul, hip-hop, jazz and IDM but, with more emphasis on a lyrical message than ever before. The album was accompanied by live instrumentation (Thundercat on bass, Miguel Atwood-Ferguson on strings, Rebekah Raff on harp) and live vocalists (Thom Yorke, Laura Darlington) – all picked to help communicate the spiritual musical lineage of Ellison's family (Ravi Coltrane, himself, played tenor sax). Stephen Bruner, aka Thundercat, who is featured extensively on Cosmogramma, would later become a large part of future albums by Flying Lotus. In 2010, Flying Lotus collaborated with the Ann Arbor Film Festival in the performance of a live scoring of the 1962 avant-garde film Heaven and Earth Magic. In a post-viewing interview with the audience, Flying Lotus said that he was unsure whether or not a recording of the performance (or a recreation of it) would be publicly released, but he would be enthusiastic towards similar projects in the future. He was chosen by Battles to perform at the ATP Nightmare Before Christmas festival that it co-curated in December 2011 in Minehead, England, UK. In September 2010, Flying Lotus released "Pattern+Grid World", an 8 track EP featuring Thundercat on bass & art by Theo Ellsworth. The Track Camera Day was used in the Killer Mike song Swimming, which was released as part of the Adult Swim Singles Series. In January 2011, Flying Lotus won the 10th Annual Independent Music Awards for his video "MmmHmm" in the Short-Form Video category. It was reported in 2011 that Flying Lotus would be collaborating with R&B singer Erykah Badu on new material for her next album, and planned to remix one of Radiohead's songs from The King of Limbs. 2012–2013: Until the Quiet Comes and Captain Murphy With an appreciation for hip hop, but no established work, artists like Odd Future (also aficionados of Adult Swim), A$AP Mob, Spaceghostpurrp and Shabazz Palaces inspired him to directly participate, and he began production work for Odd Future's Hodgy Beats' Untitled EP. This led to the moment in which he decided to produce more in the genre: "I can recall the moment specifically ... [Odd Future] started playing me some of The OF Tape Vol. 2. ... I asked them, 'Yo, Hodgy, how long did it take you to record this shit? How long did it take you to write this song?' 'Aw, my nigga, it took me like 15 minutes.' 15 minutes? Are you fucking serious? I was like, 'Nah, nigga. I am gonna do this shit.'" Throughout the summer of 2012, Captain Murphy began to make more appearances, dressed in Luchadore Ensemble. In August 2012, Flying Lotus announced a multimedia project with filmmaker Miwa Matreyek, which is to be titled The Mapping of Countries Yet to Come. Flying Lotus produced rapper Mac Miller's song "SDS'" for his album Watching Movies with the Sound Off. He also created a song for the Cartoon Network series Adventure Time entitled "About that time//A glitch is a glitch". Behind closed doors, though, the work for his fourth album Until the Quiet Comes was pretty much done. A year prior, Ellison had worked with Ann Arbor Festival to live score a surreal and avant-garde 50s animation Heaven and Earth Magic (pictured below), and a fascination with dreamlike states had continued into this record. Until The Quiet Comes continued his creative relationship with Radiohead's Thom Yorke, as well as Jonny Greenwood, Niki Randa, Erykah Badu, Laura Darlington and, of course, Thundercat, and was cinematically captured in a short film by filmmaker Kahlil Joseph. In late 2012, less than two months after the release of his last record, a website started circulating online: www.captainmurphy.xxx. Press speculated who the rapper was, with guessing being centered around the Odd Future Crew. The site hosted Duality, a 34-minute short film mixtape, that comprised both new material and tracks that had been leaking all summer. In April 2013, Flying Lotus announced that he has his own radio station called FlyLo FM in the video game Grand Theft Auto V, saying there would be "a ton of new songs and information, including rapping a new Captain Murphy song produced by Hudson Mohawke". The radio station includes songs from Clams Casino, Aphex Twin, Hudson Mohawke, Tyler, the Creator, Dabrye, Thundercat, Machinedrum, Outkast, DJ Rashad and Shadow Child. In November 2014, Flying Lotus collaborated with MF Doom on the track "Masquatch" for the reissued copy of the video game. The two collaborated again on the track "Lunch Break" for an updated version of Grand Theft Auto Online in 2020. On July 17, 2013, Flying Lotus announced on Twitter that he had been nominated for a VMA for the song "Tiny Tortures". 2014–2015: You're Dead! On July 15, 2014, Flying Lotus posted on Instagram a photo of vinyl test pressings labeled "LP #5". On July 22, he announced that his fifth studio album, You're Dead!, would be released in the UK on October 6, 2014, and in the US on October 7, 2014. The album features guest appearances by Kendrick Lamar, Snoop Dogg and Herbie Hancock. On August 15, 2014, Flying Lotus released a new song called "Cosplay" with his alias Captain Murphy. On September 30, 2014, Flying Lotus scored the short film A Portrait of Noomi Rapace, starring actress Noomi Rapace and directed by Aitor Throup. During the summer of 2015, Flying Lotus appeared at many summer music festivals including the Bonnaroo Music and Arts Festival, the Coachella Valley Music and Arts Festival, the Governors Ball Music Festival and the Glastonbury Festival. His performances received critical acclaim. He appeared alongside Thundercat on Lamar's album To Pimp a Butterfly. In July 2015, Flying Lotus, made his national television debut on Why? with Hannibal Buress, as the show's in-studio disc jockey. Lotus received two Grammy Award nominations at the 58th ceremony: Best Dance Recording for his song "Never Catch Me" and Album of the Year for his credits as producer on Lamar's To Pimp a Butterfly. 2016–2018: Kuso On July 5, 2016, Ellison announced the start of Brainfeeder film division. Shortly after, at the Sundance NEXT festival, he premiered a short film titled Royal. It was later revealed to be part of his feature film directorial debut, Kuso. Kuso would star Hannibal Buress, Tim Heidecker and David Firth among others. Kuso featured new music from Ellison himself under both the Flying Lotus and Captain Murphy names, Aphex Twin, Busdriver, and Thundercat, among others. Kuso premiered at the Sundance Film Festival in 2017. On June 6, 2017, Ellison announced that Kuso would be released via the horror video streaming service Shudder, on July 21, 2017. Kuso was also confirmed a theatrical release in New York City and Los Angeles. Addressing the responsibility of the wide release of Kuso, on Twitter, Ellison praised Shudder, explaining he found it to be a suitable home for the film's release. On November 2, 2017, Ellison released a music video for a new song of his, "Post Requisite", and is "currently finishing his next studio album on Warp". He also wrote the soundtrack for the 2017 short film Blade Runner Black Out 2022 and has contributed music to the 2019 anime series Carole & Tuesday. 2019: Flamagra On April 17, 2019, Ellison announced his sixth album, Flamagra, released via Warp on May 24, 2019. The first single off the album, "Fire Is Coming" featuring David Lynch, was released on the same day. On May 12, 2019, a second single, "More", was released alongside a music video directed by Shinichirō Watanabe. Discography Studio albums 1983 (2006) Los Angeles (2008) Cosmogramma (2010) Until the Quiet Comes (2012) You're Dead! (2014) Flamagra (2019) Yasuke (2021) Filmography Until the Quiet Comes – original score (2012) The Mapping of Countries Yet to Come – original score (2012) A Portrait of Noomi Rapace – original score (2014) FUCKKKYOUUU (by Eddie Alcazar) – original score (2016) Royal – director (2016) The Eric Andre Show – himself (2016) Lovetrue – original music (2016) Kuso – director, writer, original score (2017) Blade Runner Black Out 2022 – original score (2017) Perfect (by Eddie Alcazar) – original score (2018) Carole & Tuesday – additional music (2019) YOLO Crystal Fantasy (TV series) - himself (2020) Yasuke – original score, executive producer (2021) Awards and nominations \|- ! scope="row" rowspan="2"\| 2016 \| rowspan="4"\| Grammy Awards \| Album of the Year \| To Pimp a Butterfly \| \| align="center" rowspan="4"\| \|- \| Best Dance Recording \| "Never Catch Me" \| \|- ! scope="row" rowspan="2"\| 2021 \| Producer of the Year, Non-Classical \| Himself \| \|- \| Best Progressive R&B Album \| It Is What It Is \| References Further reading External links 1983 births Living people Ableton Live users Academy of Art University alumni African-American male rappers African-American record producers Alternative hip hop musicians American electronic musicians American experimental musicians American hip hop DJs American hip hop record producers American people of Cameroonian descent American people of Tikar descent Musicians from Los Angeles Rappers from Los Angeles Trip hop musicians Warp (record label) artists West Coast hip hop musicians 21st-century American rappers Brainfeeder artists Record producers from California Grammy Award winners Plug Research artists	false	[ "\"Just Like Anyone\" is a 1995 song by the American alternative rock band Soul Asylum from its seventh album, Let Your Dim Light Shine. Written by the lead singer, Dave Pirner, and produced by the band with Butch Vig, the song was the second single released as the album. It entered the singles charts in Canada and the United Kingdom, and reached the Modern Rock Tracks chart in the United States. The song was included on the band's 2000 greatest hits album, Black Gold: The Best of Soul Asylum, and a live version appears on the band's 2004 After the Flood: Live from the Grand Forks Prom, June 28, 1997 album.\n\nTrack listing\n\nCD1\nJust Like Anyone\nGet On Out (Live at Paradise Rock Club, 04/06/1995)\nDo Anything You Wanna Do\n\nCD2\nJust Like Anyone\nFearless Leader\nYou'll Leave For Now\n\nMusic video\nA music video for the song was filmed in Los Angeles during summer 1995. Directed by P.J. Hogan and produced by Michelle Alexander, the video features the actress Claire Danes, who plays a high school student who is rejected and taunted by other students because she has two noticeable bumps on her back. Hidden beneath the bumps are angel wings, which are revealed later as she takes flight during a school dance. The video was shown on MTV and MuchMusic, reaching the most-played charts on both networks.\n\nReception\n\"Just Like Anyone\" peaked at number 52 in the UK and number 55 in Canada, where it also reached number 12 on the Alternative chart. In the U.S., the song was not released as a commercial single, but it received enough radio airplay to peak at number 11 on Billboard's Mainstream Rock Tracks chart and number 19 on the Modern Rock Tracks chart.\n\nThe New York Times music critic, Jon Pareles, said the song's lyrics \"could have been written for the insecure high school students in the television drama My So-Called Life,\" in which Danes also starred.\n\nCharts\n\nReferences\n\nExternal links\nWatch the \"Just Like Anyone\" video on YouTube\n\"Just Like Anyone\" lyrics\n\n1995 singles\nSoul Asylum songs\nSong recordings produced by Butch Vig\nSongs written by Dave Pirner", "\"Anyone for tennis?\" (also \"Tennis, anyone?\") is an English-language idiom. Other uses include: \n\n\"Anyone for Tennis\", a song by the British rock band Cream\nAnyone For Tennis?, an Australian comedy band\n\"Tennis, Anyone?\", an episode of the American television situation comedy The Jeffersons\n\"Tennis Anyone?\", an episode of the British television situation comedy Kim's Convenience\n\nSee also\nAnyone for Denis? (disambiguation)\nAnyone for Tennyson?\nTennis" ]
[ "R.E.M.", "1994-1996: Return to touring and continued success" ]	C_ba78f0869419427381f458814037b192_0	What was significant about 1994?	1	What was significant about 1994?	R.E.M.	After the band released two slow-paced albums in a row, R.E.M.'s 1994 album Monster was, as Buck said, "a 'rock' record, with the rock in quotation marks." In contrast to the sound of its predecessors, the music of Monster consisted of distorted guitar tones, minimal overdubs, and touches of 1970s glam rock. Like Out of Time, Monster topped the charts in both the US and UK. The record sold about nine million copies worldwide. The singles "What's the Frequency, Kenneth?" and "Bang and Blame" were the band's last American Top 40 hits, although all the singles from Monster reached the Top 30 on the British charts. Warner Bros. assembled the music videos from the album as well as those from Automatic for the People for release as Parallel in 1995. In January 1995, R.E.M. set out on its first tour in six years. The tour was a huge commercial success, but the period was difficult for the group. On March 1, Berry collapsed on stage during a performance in Lausanne, Switzerland, having suffered a brain aneurysm. He had surgery immediately and recovered fully within a month. Berry's aneurysm was only the beginning of a series of health problems that plagued the Monster tour. Mills had to undergo abdominal surgery to remove an intestinal adhesion in July; a month later, Stipe had to have an emergency surgery to repair a hernia. Despite all the problems, the group had recorded the bulk of a new album while on the road. The band brought along eight-track recorders to capture its shows, and used the recordings as the base elements for the album. The final three performances of the tour were filmed at the Omni Coliseum in Atlanta, Georgia and released in home video form as Road Movie. R.E.M. re-signed with Warner Bros. Records in 1996 for a reported $80 million (a figure the band constantly asserted originated with the media), rumored to be the largest recording contract in history at that point. The group's 1996 album New Adventures in Hi-Fi debuted at number two in the US and number one in the UK. The five million copies of the album sold were a reversal of the group's commercial fortunes of the previous five years. Time writer Christopher John Farley argued that the lesser sales of the album were due to the declining commercial power of alternative rock as a whole. That same year, R.E.M. parted ways with manager Jefferson Holt, allegedly due to sexual harassment charges levied against him by a member of the band's home office in Athens. The group's lawyer Bertis Downs assumed managerial duties. CANNOTANSWER	R.E.M.'s 1994 album Monster was, as Buck said, "a 'rock' record, with the rock in quotation marks."	R.E.M. was an American rock band from Athens, Georgia, formed in 1980 by drummer Bill Berry, guitarist Peter Buck, bassist Mike Mills, and lead vocalist Michael Stipe, who were students at the University of Georgia. Liner notes from some of the band's albums list attorney Bertis Downs and manager Jefferson Holt as non-musical members. One of the first alternative rock bands, R.E.M. was noted for Buck's ringing, arpeggiated guitar style; Stipe's distinctive vocal quality, unique stage presence, and obscure lyrics; Mills's melodic bass lines and backing vocals; and Berry's tight, economical drumming style. In the early 1990s, other alternative rock acts such as Nirvana and Pavement viewed R.E.M. as a pioneer of the genre. After Berry left the band in 1997, the band continued its career in the 2000s with mixed critical and commercial success. The band broke up amicably in 2011 with members devoting time to solo projects after having sold more than 85 million albums worldwide and becoming one of the world's best-selling music acts. R.E.M. released its first single, "Radio Free Europe", in 1981 on the independent record label Hib-Tone. It was followed by the Chronic Town EP in 1982, the band's first release on I.R.S. Records. In 1983, the group released its critically acclaimed debut album, Murmur, and built its reputation over the next few years with similarly acclaimed releases every year from 1984 to 1988: Reckoning, Fables of the Reconstruction, Lifes Rich Pageant, Document and Green, including an intermittent b-side compilation Dead Letter Office. Don Dixon and Mitch Easter produced their first two albums, Joe Boyd handled production on Fables of the Reconstruction and Don Gehman produced Lifes Rich Pageant. Thereafter, R.E.M. settled on Scott Litt as producer for the next 10years during the band's most successful period of their career. They also started co-producing their material and playing other instruments in the studio apart from the main ones they play. With constant touring, and the support of college radio following years of underground success, R.E.M. achieved a mainstream hit with the 1987 single "The One I Love". The group signed to Warner Bros. Records in 1988, and began to espouse political and environmental concerns while playing large arenas worldwide. R.E.M.'s most commercially successful albums, Out of Time (1991) and Automatic for the People (1992), put them in the vanguard of alternative rock just as it was becoming mainstream. Out of Time received seven nominations at the 34th Annual Grammy Awards, and lead single "Losing My Religion", was R.E.M.'s highest-charting and best-selling hit. Monster (1994) continued its run of success. The band began its first tour in six years to support the album; the tour was marred by medical emergencies suffered by three of the band members. In 1996, R.E.M. re-signed with Warner Bros. for a reported US$80 million, at the time the most expensive recording contract ever. The tour was productive and the band recorded the following album mostly during soundchecks. The resulting record, New Adventures in Hi-Fi (1996), is hailed as the band's last great album and the members' favorite, growing in cult status over the years. Berry left the band the following year, and Stipe, Buck, and Mills continued as a musical trio, supplemented by studio and live musicians, such as multi-instrumentalists Scott McCaughey and Ken Stringfellow and drummers Joey Waronker and Bill Rieflin. They also parted ways with their longtime manager Jefferson Holt and band's attorney Bertis Downs assumed managerial duties. Seeking to also renovate their sound, the band stopped working with Scott Litt, co-producer and contributor to six of their studio albums and hired Pat McCarthy as co-producer, who had participated before that as mixer and engineer on their last two albums. After the electronic experimental direction of Up (1998) that was commercially unsuccessful, Reveal (2001) was referred to as "a conscious return to their classic sound" which received general acclaim. In 2007, the band was inducted into the Rock and Roll Hall of Fame, in its first year of eligibility and Berry reunited with the band for the ceremony and to record a cover of John Lennon's "#9 Dream" for the compilation album Instant Karma: The Amnesty International Campaign to Save Darfur to benefit Amnesty International's campaign to alleviate the Darfur conflict. Looking for a change of sound after lukewarm reception for Around the Sun (2004), the band collaborated with co-producer Jacknife Lee on their last two studio albums—the well-received Accelerate (2008) and Collapse into Now (2011)—as well as their first live albums after decades of touring. R.E.M. disbanded amicably in September 2011, with former members having continued with various musical projects, and several live and archival albums have since been released. History 1980–1982: Formation and first releases In January 1980, Peter Buck met Michael Stipe in Wuxtry Records, the Athens record store where Buck worked. The pair discovered that they shared similar tastes in music, particularly in punk rock and proto-punk artists like Patti Smith, Television, and the Velvet Underground. Stipe said, "It turns out that I was buying all the records that [Buck] was saving for himself." Through mutual friend Kathleen O'Brien, Stipe and Buck then met fellow University of Georgia students Bill Berry and Mike Mills, who had played music together since high school and lived together in Georgia. The quartet agreed to collaborate on several songs; Stipe later commented that "there was never any grand plan behind any of it". Their still-unnamed band spent a few months rehearsing in a deconsecrated Episcopal church in Athens, and played its first show on April 5, 1980, supporting the Side Effects at O'Brien's birthday party held in the same church, performing a mix of originals and 1960s and 1970s covers. After considering names such as Cans of Piss, Negro Eyes, and Twisted Kites, the band settled on "R.E.M.", which Stipe selected at random from a dictionary. R.E.M. is well known as an initialism for rapid eye movement, the dream stage of sleep; however, sleep researcher Dr. Rafael Pelayo reports that when his colleague Dr. William Dement, the sleep scientist who coined the term REM, reached out to the band, Dr. Dement was told that the band was named "not after REM sleep". The band members eventually dropped out of school to focus on their developing group. They found a manager in Jefferson Holt, a record store clerk who was so impressed by an R.E.M. performance in his hometown of Chapel Hill, North Carolina, that he moved to Athens. R.E.M.'s success was almost immediate in Athens and surrounding areas; the band drew progressively larger crowds for shows, which caused some resentment in the Athens music scene. Over the next year and a half, R.E.M. toured throughout the Southern United States. Touring was arduous because a touring circuit for alternative rock bands did not then exist. The group toured in an old blue van driven by Holt, and lived on a food allowance of $2 each per day. During April 1981, R.E.M. recorded its first single, "Radio Free Europe", at producer Mitch Easter's Drive-In Studios in Winston-Salem, North Carolina. Initially distributing it as a four-track demo tape to clubs, record labels and magazines, the single was released in July 1981 on the local independent record label Hib-Tone with an initial pressing of 1,000 copies—600 of which were sent out as promotional copies. The single quickly sold out, and another 6,000 copies were pressed due to popular demand, despite the original pressing leaving off the record label's contact details. Despite its limited pressing, the single garnered critical acclaim, and was listed as one of the ten best singles of the year by The New York Times. R.E.M. recorded the Chronic Town EP with Mitch Easter in October 1981, and planned to release it on a new indie label named Dasht Hopes. However, I.R.S. Records acquired a demo of the band's first recording session with Easter that had been circulating for months. The band turned down the advances of major label RCA Records in favor of I.R.S., with whom it signed a contract in May 1982. I.R.S. released Chronic Town that August as its first American release. A positive review of the EP by NME praised the songs' auras of mystery, and concluded, "R.E.M. ring true, and it's great to hear something as unforced and cunning as this." 1982–1988: I.R.S. Records and cult success I.R.S. first paired R.E.M. with producer Stephen Hague to record its debut album. Hague's emphasis on technical perfection left the band unsatisfied, and the band members asked the label to let them record with Easter. I.R.S. agreed to a "tryout" session, allowing the band to return to North Carolina and record the song "Pilgrimage" with Easter and producing partner Don Dixon. After hearing the track, I.R.S. permitted the group to record the album with Dixon and Easter. Because of its bad experience with Hague, the band recorded the album via a process of negation, refusing to incorporate rock music clichés such as guitar solos or then-popular synthesizers, in order to give its music a timeless feel. The completed album, Murmur, was greeted with critical acclaim upon its release in 1983, with Rolling Stone listing the album as its record of the year. The album reached number 36 on the Billboard album chart. A re-recorded version of "Radio Free Europe" was the album's lead single and reached number 78 on the Billboard singles chart in 1983. Despite the acclaim awarded the album, Murmur sold only about 200,000 copies, which I.R.S.'s Jay Boberg felt was below expectations. R.E.M. made its first national television appearance on Late Night with David Letterman in October 1983, during which the group performed a new, unnamed song. The piece, eventually titled "So. Central Rain (I'm Sorry)", became the first single from the band's second album, Reckoning (1984), which was also recorded with Easter and Dixon. The album met with critical acclaim; NMEs Mat Snow wrote that Reckoning "confirms R.E.M. as one of the most beautifully exciting groups on the planet". While Reckoning peaked at number 27 on the US album charts—an unusually high chart placing for a college rock band at the time—scant airplay and poor distribution overseas resulted in it charting no higher than number 91 in Britain. The band's third album, Fables of the Reconstruction (1985), demonstrated a change in direction. Instead of Dixon and Easter, R.E.M. chose producer Joe Boyd, who had worked with Fairport Convention and Nick Drake, to record the album in England. The band members found the sessions unexpectedly difficult, and were miserable due to the cold winter weather and what they considered to be poor food; the situation brought the band to the verge of break-up. The gloominess surrounding the sessions worked its way into the context for the album's themes. Lyrically, Stipe began to create storylines in the mode of Southern mythology, noting in a 1985 interview that he was inspired by "the whole idea of the old men sitting around the fire, passing on ... legends and fables to the grandchildren". They toured Canada in July and August 1985, and Europe in October of that year, including the Netherlands, England (including one concert at London's Hammersmith Palais), Ireland, Scotland, France, Switzerland, Belgium and West Germany. On October 2, 1985, the group played a concert in Bochum, West Germany, for the German TV show Rockpalast. Stipe had bleached his hair blond during this time. R.E.M. invited California punk band Minutemen to open for them on part of the US tour, and organized a benefit for the family of Minutemen frontman D. Boon who died in a December 1985 car crash shortly after the tour's conclusion. Fables of the Reconstruction performed poorly in Europe and its critical reception was mixed, with some critics regarding it as dreary and poorly recorded. As with the previous records, the singles from Fables of the Reconstruction were mostly ignored by mainstream radio. Meanwhile, I.R.S. was becoming frustrated with the band's reluctance to achieve mainstream success. For its fourth album, R.E.M. enlisted John Mellencamp's producer Don Gehman. The result, Lifes Rich Pageant (1986), featured Stipe's vocals closer to the forefront of the music. In a 1986 interview with the Chicago Tribune, Peter Buck related, "Michael is getting better at what he's doing, and he's getting more confident at it. And I think that shows up in the projection of his voice." The album improved markedly upon the sales of Fables of the Reconstruction and reached number 21 on the Billboard album chart. The single "Fall on Me" also picked up support on commercial radio. The album was the band's first to be certified gold for selling 500,000 copies. While American college radio remained R.E.M.'s core support, the band was beginning to chart hits on mainstream rock formats; however, the music still encountered resistance from Top 40 radio. Following the success of Lifes Rich Pageant, I.R.S. issued Dead Letter Office, a compilation of tracks recorded by the band during their album sessions, many of which had either been issued as B-sides or left unreleased altogether. Shortly thereafter, I.R.S. compiled R.E.M.'s music video catalog (except "Wolves, Lower") as the band's first video release, Succumbs. Don Gehman was unable to produce R.E.M.'s fifth album, so he suggested the group work with Scott Litt. Litt would be the producer for the band's next five albums. Document (1987) featured some of Stipe's most openly political lyrics, particularly on "Welcome to the Occupation" and "Exhuming McCarthy", which were reactions to the conservative political environment of the 1980s under American president Ronald Reagan. Jon Pareles of The New York Times wrote in his review of the album, "Document is both confident and defiant; if R.E.M. is about to move from cult-band status to mass popularity, the album decrees that the band will get there on its own terms." Document was R.E.M.'s breakthrough album, and the first single "The One I Love" charted in the Top 20 in the US, UK, and Canada. By January 1988, Document had become the group's first album to sell a million copies. In light of the band's breakthrough, the December 1987 cover of Rolling Stone declared R.E.M. "America's Best Rock & Roll Band". 1988–1997: International breakout and alternative rock stardom Frustrated that its records did not see satisfactory overseas distribution, R.E.M. left I.R.S. when its contract expired and signed with the major label Warner Bros. Records. Though other labels offered more money, R.E.M. ultimately signed with Warner Bros.—reportedly for an amount between $6 million and $12 million—due to the company's assurance of total creative freedom. (Jay Boberg claimed that R.E.M.'s deal with Warner Bros. was for $22 million, which Peter Buck disputed as "definitely wrong".) In the aftermath of the group's departure, I.R.S. released the 1988 "best of" compilation Eponymous (assembled with input from the band members) to capitalize on assets the company still possessed. The band's 1988 Warner Bros. debut, Green, was recorded in Memphis, Tennessee, and showcased the group experimenting with its sound. The record's tracks ranged from the upbeat first single "Stand" (a hit in the United States), to more political material, like the rock-oriented "Orange Crush" and "World Leader Pretend", which address the Vietnam War and the Cold War, respectively. Green has gone on to sell four million copies worldwide. The band supported the album with its biggest and most visually developed tour to date, featuring back-projections and art films playing on the stage. After the Green tour, the band members unofficially decided to take the following year off, the first extended break in the band's career. In 1990 Warner Bros. issued the music video compilation Pop Screen to collect clips from the Document and Green albums, followed a few months later by the video album Tourfilm featuring live performances filmed during the Green World Tour. R.E.M. reconvened in mid-1990 to record its seventh album, Out of Time. In a departure from Green, the band members often wrote the music with non-traditional rock instrumentation including mandolin, organ, and acoustic guitar instead of adding them as overdubs later in the creative process. Released in March 1991, Out of Time was the band's first album to top both the US and UK charts. The record eventually sold 4.2 million copies in the US alone, and about 12 million copies worldwide by 1996. The album's lead single "Losing My Religion" was a worldwide hit that received heavy rotation on radio, as did the music video on MTV and VH1. "Losing My Religion" was R.E.M.'s highest-charting single in the US, reaching number four on the Billboard charts. "There've been very few life-changing events in our career because our career has been so gradual," Mills said years later. "If you want to talk about life changing, I think 'Losing My Religion' is the closest it gets". The album's second single, "Shiny Happy People" (one of three songs on the record to feature vocals from Kate Pierson of fellow Athens band the B-52's), was also a major hit, reaching number 10 in the US and number six in the UK. Out of Time garnered R.E.M. seven nominations at the 1992 Grammy Awards, the most nominations of any artist that year. The band won three awards: one for Best Alternative Music Album and two for "Losing My Religion", Best Short Form Music Video and Best Pop Performance by a Duo or Group with Vocal. R.E.M. did not tour to promote Out of Time; instead the group played a series of one-off shows, including an appearance taped for an episode of MTV Unplugged and released music videos for each song on the video album This Film Is On. The band also performed "Losing My Religion" with members of the Atlanta Symphony Orchestra in Madison, Georgia, at Madison-Morgan Cultural Center as part of MTV's 10th anniversary special. After spending some months off, R.E.M. returned to the studio in 1991 to record its next album. Late in 1992, the band released Automatic for the People. Though the group had intended to make a harder-rocking album after the softer textures of Out of Time, the somber Automatic for the People "[seemed] to move at an even more agonized crawl", according to Melody Maker. The album dealt with themes of loss and mourning inspired by "that sense of ... turning thirty", according to Buck. Several songs featured string arrangements by former Led Zeppelin bassist John Paul Jones. Considered by a number of critics (as well as by Buck and Mills) to be the band's best album, Automatic for the People reached numbers one and two on UK and US charts, respectively, and generated the American Top 40 hit singles "Drive", "Man on the Moon", and "Everybody Hurts". The album would sell over fifteen million copies worldwide. As with Out of Time, there was no tour in support of the album. The decision to forgo a tour, in conjunction with Stipe's physical appearance, generated rumors that the singer was dying or HIV-positive, which were vehemently denied by the band. After the band released two slow-paced albums in a row, R.E.M.'s 1994 album Monster was, as Buck said, "a 'rock' record, with the rock in quotation marks." In contrast to the sound of its predecessors, the music of Monster consisted of distorted guitar tones, minimal overdubs, and touches of 1970s glam rock. Like Out of Time, Monster topped the charts in both the US and UK. The record sold about nine million copies worldwide. The singles "What's the Frequency, Kenneth?" and "Bang and Blame" were the band's last American Top 40 hits, although all the singles from Monster reached the Top 30 on the British charts. Warner Bros. assembled the music videos from the album as well as those from Automatic for the People for release as Parallel in 1995. In January 1995, R.E.M. set out on its first tour in six years. The tour was a huge commercial success, but the period was difficult for the group. On March 1, Berry collapsed on stage during a performance in Lausanne, Switzerland, having suffered a brain aneurysm. He had surgery immediately and recovered fully within a month. Berry's aneurysm was only the beginning of a series of health problems that plagued the Monster tour. Mills had to undergo abdominal surgery to remove an intestinal adhesion in July; a month later, Stipe had to have an emergency surgery to repair a hernia. Despite all the problems, the group had recorded the bulk of a new album while on the road. The band brought along eight-track recorders to capture its shows, and used the recordings as the base elements for the album. The final three performances of the tour were filmed at the Omni Coliseum in Atlanta, Georgia and released in home video form as Road Movie. R.E.M. re-signed with Warner Bros. Records in 1996 for a reported $80 million (a figure the band constantly asserted originated with the media), rumored to be the largest recording contract in history at that point. The group's 1996 album New Adventures in Hi-Fi debuted at number two in the US and number one in the UK. The five million copies of the album sold were a reversal of the group's commercial fortunes of the previous five years. Critical reaction to the album was mostly favorable. In a 2017 retrospective on the band, Consequence of Sound ranked it third out of R.E.M.'s 15 full-length studio albums. The album is Stipe's favorite from R.E.M. and he considers it the band at their peak. Mills says "It usually takes a good few years for me to decide where an album stands in the pantheon of recorded work we've done. This one may be third behind Murmur and Automatic for the People. According to DiscoverMusic: "Arguably less immediate and less accessible[...]New Adventures in Hi-Fi is a sprawling, "White Album"-esque affair clocking in at 65 minutes. However, while it required some time and commitment from the listener, the record's contents were rich, compelling and frequently stunning. Accordingly, the album has continued to lobby for recognition and has long since earned its reputation as R.E.M.'s most unsung LP." While sales were impressive they were below their previous major label records. Time's writer Christopher John Farley argued that the lesser sales of the album were due to the declining commercial power of alternative rock as a whole. That same year, R.E.M. parted ways with manager Jefferson Holt, allegedly due to sexual harassment charges levied against him by a member of the band's home office in Athens. The group's lawyer Bertis Downs assumed managerial duties. 1997–2006: Continuing as three-piece with mixed success In April 1997, the band convened at Buck's Kauai vacation home to record demos of material intended for the next album. The band sought to reinvent its sound and intended to incorporate drum loops and percussion experiments. Just as the sessions were due to begin in October, Berry decided, after months of contemplation and discussions with Downs and Mills, to tell the rest of the band that he was quitting. Berry told his bandmates that he would not quit if they would break up as a result, so Stipe, Buck, and Mills agreed to carry on as a three-piece with his blessing. Berry publicly announced his departure three weeks later in October 1997. Berry told the press, "I'm just not as enthusiastic as I have been in the past about doing this anymore . . . I have the best job in the world. But I'm kind of ready to sit back and reflect and maybe not be a pop star anymore." Stipe admitted that the band would be different without a major contributor: "For me, Mike, and Peter, as R.E.M., are we still R.E.M.? I guess a three-legged dog is still a dog. It just has to learn to run differently." The band cancelled its scheduled recording sessions as a result of Berry's departure. "Without Bill it was different, confusing", Mills later said. "We didn't know exactly what to do. We couldn't rehearse without a drummer." The remaining members of R.E.M. resumed work on the album in February 1998 at Toast Studios in San Francisco. The band ended its decade-long collaboration with Scott Litt and hired Pat McCarthy to produce the record. Nigel Godrich was taken on as assistant producer, and drafted in Screaming Trees member Barrett Martin and Beck's touring drummer Joey Waronker. The recording process was tense, and the group came close to disbanding. Bertis Downs called an emergency meeting in which the band members resolved their problems and agreed to continue as a group. Led by the single "Daysleeper", Up (1998) debuted in the top ten in the US and UK. However, the album was a relative failure, selling 900,000 copies in the US by mid-1999 and eventually selling just over two million copies worldwide. While R.E.M.'s American sales were declining, the group's commercial base was shifting to the UK, where more R.E.M. records were sold per capita than any other country and the band's singles regularly entered the Top 20. A year after Ups release, R.E.M. wrote the instrumental score to the Andy Kaufman biographical film Man on the Moon, a first for the group. The film took its title from the Automatic for the People song of the same name. The song "The Great Beyond" was released as a single from the Man on the Moon soundtrack album. "The Great Beyond" only reached number 57 on the American pop charts, but was the band's highest-charting single ever in the UK, reaching number three in 2000. R.E.M. recorded the majority of its twelfth album Reveal (2001) in Canada and Ireland from May to October 2000. Reveal shared the "lugubrious pace" of Up, and featured drumming by Joey Waronker, as well as contributions by Scott McCaughey (a co-founder of the band the Minus 5 with Buck), and Ken Stringfellow (founder of the Posies). Global sales of the album were over four million, but in the United States Reveal sold about the same number of copies as Up. The album was led by the single "Imitation of Life", which reached number six in the UK. Writing for Rock's Backpages, The Rev. Al Friston described the album as "loaded with golden loveliness at every twist and turn", in comparison to the group's "essentially unconvincing work on New Adventures in Hi-Fi and Up". Similarly, Rob Sheffield of Rolling Stone called Reveal "a spiritual renewal rooted in a musical one" and praised its "ceaselessly astonishing beauty". In 2003, Warner Bros. released the compilation album and DVD In Time: The Best of R.E.M. 1988–2003 and In View: The Best of R.E.M. 1988–2003, which featured two new songs, "Bad Day" and "Animal". At a 2003 concert in Raleigh, North Carolina, Berry made a surprise appearance, performing backing vocals on "Radio Free Europe". He then sat behind the drum kit for a performance of the early R.E.M. song "Permanent Vacation", marking his first performance with the band since his retirement. R.E.M. released Around the Sun in 2004. During production of the album in 2002, Stipe said, "[The album] sounds like it's taking off from the last couple of records into unchartered R.E.M. territory. Kind of primitive and howling". After the album's release, Mills said, "I think, honestly, it turned out a little slower than we intended for it to, just in terms of the overall speed of songs." Around the Sun received a mixed critical reception, and peaked at number 13 on the Billboard charts. The first single from the album, "Leaving New York", was a Top 5 hit in the UK. For the record and subsequent tour, the band hired a new full-time touring drummer, Bill Rieflin, who had previously been a member of several industrial music acts such as Ministry and Pigface, and remained in that role for the duration of the band's active years. The video album Perfect Square was released that same year. 2006–2011: Last albums, recognition and breakup EMI released a compilation album covering R.E.M.'s work during its tenure on I.R.S. in 2006 called And I Feel Fine... The Best of the I.R.S. Years 1982–1987 along with the video album When the Light Is Mine: The Best of the I.R.S. Years 1982–1987—the label had previously released the compilations The Best of R.E.M. (1991), R.E.M.: Singles Collected (1994), and R.E.M.: In the Attic – Alternative Recordings 1985–1989 (1997). That same month, all four original band members performed during the ceremony for their induction into the Georgia Music Hall of Fame. While rehearsing for the ceremony, the band recorded a cover of John Lennon's "#9 Dream" for Instant Karma: The Amnesty International Campaign to Save Darfur, a tribute album benefiting Amnesty International. The song—released as a single for the album and the campaign—featured Bill Berry's first studio recording with the band since his departure almost a decade earlier. In October 2006, R.E.M. was nominated for induction into the Rock and Roll Hall of Fame in its first year of eligibility. The band was one of five nominees accepted into the Hall that year, and the induction ceremony took place in March 2007 at New York's Waldorf-Astoria Hotel. The group—which was inducted by Pearl Jam lead singer Eddie Vedder—performed three songs with Bill Berry; "Gardening at Night", "Man on the Moon" and "Begin the Begin" as well as a cover of "I Wanna Be Your Dog". Work on the group's fourteenth album commenced in early 2007. The band recorded with producer Jacknife Lee in Vancouver and Dublin, where it played five nights in the Olympia Theatre between June 30 and July 5 as part of a "working rehearsal". R.E.M. Live, the band's first live album (featuring songs from a 2005 Dublin show), was released in October 2007. The group followed this with the 2009 live album Live at The Olympia, which features performances from its 2007 residency. R.E.M. released Accelerate in early 2008. The album debuted at number two on the Billboard charts, and became the band's eighth album to top the British album charts. Rolling Stone reviewer David Fricke considered Accelerate an improvement over the band's previous post-Berry albums, calling it "one of the best records R.E.M. have ever made". In 2010, R.E.M. released the video album R.E.M. Live from Austin, TX—a concert recorded for Austin City Limits in 2008. The group recorded its fifteenth album, Collapse into Now (2011), with Jacknife Lee in locales including Berlin, Nashville, and New Orleans. For the album, the band aimed for a more expansive sound than the intentionally short and speedy approach implemented on Accelerate. The album debuted at number five on the Billboard 200, becoming the group's tenth album to reach the top ten of the chart. This release fulfilled R.E.M.'s contractual obligations to Warner Bros., and the band began recording material without a contract a few months later with the possible intention of self-releasing the work. On September 21, 2011, R.E.M. announced via its website that it was "calling it a day as a band". Stipe said that he hoped fans realized it "wasn't an easy decision": "All things must end, and we wanted to do it right, to do it our way." Long-time associate and former Warner Bros. Senior Vice President of Emerging Technology Ethan Kaplan has speculated that shake-ups at the record label influenced the group's decision to disband. The group discussed breaking up for several years, but was encouraged to continue after the lackluster critical and commercial performance of Around the Sun; according to Mills, "We needed to prove, not only to our fans and critics but to ourselves, that we could still make great records." They were also uninterested in the business end of recording as R.E.M. The band members finished their collaboration by assembling the compilation album Part Lies, Part Heart, Part Truth, Part Garbage 1982–2011, which was released in November 2011. The album is the first to collect songs from R.E.M.'s I.R.S. and Warner Bros. tenures, as well as three songs from the group's final studio recordings from post-Collapse into Now sessions. In November, Mills and Stipe did a brief span of promotional appearances in British media, ruling out the option of the group ever reuniting. 2011–present: Post-breakup releases and events In 2014, Unplugged: The Complete 1991 and 2001 Sessions was released for Record Store Day. Digital download collections of I.R.S. and Warner Bros. rarities followed. Later in the year, the band compiled the video album box set REMTV, which collected their two Unplugged performances along with several other documentaries and live shows, while their record label released the box set 7IN—83–88, made up of 7-inch vinyl singles. In December 2015, the band members agreed to a distribution deal with Concord Bicycle Music to re-release their Warner Bros. albums. Continuing to maintain their copyright and intellectual property legacies, in March 2016, the band signed a new music publishing administration deal with Universal Music Publishing Group, and a year later, the band members left Broadcast Music, Inc., who had represented their performance rights for their entire career, and joined SESAC. The first release after their new publishing status was the 2018 box set R.E.M. at the BBC. Live at the Borderline 1991 followed for 2019's Record Store Day. On March 24, 2020, session and touring drummer Bill Rieflin, who contributed on the band's last three records, died of cancer after years of battling the disease. In September 2021, a full decade after disbanding, Stipe reiterated that the band had no intention of regrouping: "We decided when we split up that that would just be really tacky and probably money-grabbing, which might be the impetus for a lot of bands to get back together." Musical style R.E.M. has been described as alternative rock, college rock, folk rock, jangle pop, and post-punk. In a 1988 interview, Peter Buck described R.E.M. songs as typically, "Minor key, mid-tempo, enigmatic, semi-folk-rock-balladish things. That's what everyone thinks and to a certain degree, that's true." All songwriting is credited to the entire band, even though individual members are sometimes responsible for writing the majority of a particular song. Each member is given an equal vote in the songwriting process; however, Buck has conceded that Stipe, as the band's lyricist, can rarely be persuaded to follow an idea he does not favor. Among the original line-up, there were divisions of labor in the songwriting process: Stipe would write lyrics and devise melodies, Buck would edge the band in new musical directions, and Mills and Berry would fine-tune the compositions due to their greater musical experience. Michael Stipe sings in what R.E.M. biographer David Buckley described as "wailing, keening, arching vocal figures". Stipe often harmonizes with Mills in songs; in the chorus for "Stand", Mills and Stipe alternate singing lyrics, creating a dialogue. Early articles about the band focused on Stipe's singing style (described as "mumbling" by The Washington Post), which often rendered his lyrics indecipherable. Creem writer John Morthland wrote in his review of Murmur, "I still have no idea what these songs are about, because neither me nor anyone else I know has ever been able to discern R.E.M.'s lyrics." Stipe commented in 1984, "It's just the way I sing. If I tried to control it, it would be pretty false." Producer Joe Boyd convinced Stipe to begin singing more clearly during the recording of Fables of the Reconstruction. Stipe later called chorus lyrics of "Sitting Still" from R.E.M. debut album, Murmur, "nonsense", saying in a 1994 online chat, "You all know there aren't words, per se, to a lot of the early stuff. I can't even remember them." In truth, Stipe carefully crafted the lyrics to many early R.E.M. songs. Stipe explained in 1984 that when he started writing lyrics they were like "simple pictures", but after a year he grew tired of the approach and "started experimenting with lyrics that didn't make exact linear sense, and it's just gone from there." In the mid-1980s, as Stipe's pronunciation while singing became clearer, the band decided that its lyrics should convey ideas on a more literal level. Mills explained, "After you've made three records and you've written several songs and they've gotten better and better lyrically the next step would be to have somebody question you and say, are you saying anything? And Michael had the confidence at that point to say yes . . ." Songs like "Cuyahoga" and "Fall on Me" on Lifes Rich Pageant dealt with such concerns as pollution. Stipe incorporated more politically oriented concerns into his lyrics on Document and Green. "Our political activism and the content of the songs was just a reaction to where we were, and what we were surrounded by, which was just abject horror," Stipe said later. "In 1987 and '88 there was nothing to do but be active." Stipe has since explored other lyrical topics. Automatic for the People dealt with "mortality and dying. Pretty turgid stuff", according to Stipe, while Monster critiqued love and mass culture. Musically, Stipe stated that bands like T. Rex and Mott the Hoople "really impacted me". Peter Buck's style of playing guitar has been singled out by many as the most distinctive aspect of R.E.M.'s music. During the 1980s, Buck's "economical, arpeggiated, poetic" style reminded British music journalists of 1960s American folk rock band the Byrds. Buck has stated "[Byrds guitarist] Roger McGuinn was a big influence on me as a guitar player", but said it was Byrds-influenced bands, including Big Star and the Soft Boys, that inspired him more. Comparisons were also made with the guitar playing of Johnny Marr of alternative rock contemporaries the Smiths. While Buck professed being a fan of the group, he admitted he initially criticized the band simply because he was tired of fans asking him if he was influenced by Marr, whose band had in fact made their debut after R.E.M. Buck generally eschews guitar solos; he explained in 2002, "I know that when guitarists rip into this hot solo, people go nuts, but I don't write songs that suit that, and I am not interested in that. I can do it if I have to, but I don't like it." Mike Mills' melodic approach to bass playing is inspired by Paul McCartney of the Beatles and Chris Squire of Yes; Mills has said, "I always played a melodic bass, like a piano bass in some ways . . . I never wanted to play the traditional locked into the kick drum, root note bass work." Mills has more musical training than his bandmates, which he has said "made it easier to turn abstract musical ideas into reality." Legacy R.E.M. was pivotal in the creation and development of the alternative rock genre. AllMusic stated, "R.E.M. mark the point when post-punk turned into alternative rock." In the early 1980s, the musical style of R.E.M. stood in contrast to the post-punk and new wave genres that had preceded it. Music journalist Simon Reynolds noted that the post-punk movement of the late 1970s and early 1980s "had taken whole swaths of music off the menu", particularly that of the 1960s, and that "After postpunk's demystification and New Pop's schematics, it felt liberating to listen to music rooted in mystical awe and blissed-out surrender." Reynolds declared R.E.M., a band that recalled the music of the 1960s with its "plangent guitar chimes and folk-styled vocals" and who "wistfully and abstractly conjured visions and new frontiers for America", one of "the two most important alt-rock bands of the day." With the release of Murmur, R.E.M. had the most impact musically and commercially of the developing alternative genre's early groups, leaving in its wake a number of jangle pop followers. R.E.M.'s early breakthrough success served as an inspiration for other alternative bands. Spin referred to the "R.E.M. model"—career decisions that R.E.M. made that set guidelines for other underground artists to follow in their own careers. Spin's Charles Aaron wrote that by 1985, "They'd shown how far an underground, punk-inspired rock band could go within the industry without whoring out its artistic integrity in any obvious way. They'd figured out how to buy in, not sellout-in other words, they'd achieved the American Bohemian Dream." Steve Wynn of Dream Syndicate said, "They invented a whole new ballgame for all of the other bands to follow whether it was Sonic Youth or the Replacements or Nirvana or Butthole Surfers. R.E.M. staked the claim. Musically, the bands did different things, but R.E.M. was first to show us you can be big and still be cool." Biographer David Buckley stated that between 1991 and 1994, a period that saw the band sell an estimated 30 million albums, R.E.M. "asserted themselves as rivals to U2 for the title of biggest rock band in the world." Over the course of its career, the band has sold over 85 million records worldwide. Colin Larkin's All Time Top 1000 Albums stated that "Their catalogue is destined to endure as critics reluctantly accept their considerable importance in the history of rock". Alternative bands such as Nirvana, Pavement, Radiohead, Coldplay, Pearl Jam (the band's vocalist Eddie Vedder inducted R.E.M. into the Rock and Roll Hall of Fame), Live, Stone Temple Pilots, Collective Soul, Alice in Chains, Hootie and the Blowfish and Pwr Bttm have drawn inspiration from R.E.M.'s music. "When I was 15 years old in Richmond, Virginia, they were a very important part of my life," Pavement's Bob Nastanovich said, "as they were for all the members of our band." Pavement's contribution to the No Alternative compilation (1993) was "Unseen Power of the Picket Fence", a song about R.E.M.'s early days. Local H, according to the band's Twitter account, created their name by combining two R.E.M. songs: "Oddfellows Local 151" and "Swan Swan H". Kurt Cobain of Nirvana was a fan of R.E.M., and had unfulfilled plans to collaborate on a musical project with Stipe. Cobain told Rolling Stone in an interview earlier that year, "I don’t know how that band does what they do. God, they’re the greatest. They've dealt with their success like saints, and they keep delivering great music." During his show at the 40 Watt Club in October 2018, Johnny Marr said: "As a British musician coming out of the indie scene in the early '80s, which I definitely am and am proud to have been, I can't miss this opportunity to acknowledge and pay my respects and honor the guys who put this town on the map for us in England. I'm talking about my comrades in guitar music, R.E.M. The Smiths really respected R.E.M. We had to keep an eye on what those guys were up to. It's an interesting thing for me, as a British musician, and all those guys as British musicians, to come to this place and play for you guys, knowing that it's the roots of Mike Mills and Bill Berry and Michael Stipe and my good friend Peter Buck." Awards Campaigning and activism Throughout R.E.M.'s career, its members sought to highlight social and political issues. According to the Los Angeles Times, R.E.M. was considered to be one of the United States' "most liberal and politically correct rock groups." The band's members were "on the same page" politically, sharing a liberal and progressive outlook. Mills admitted that there was occasionally dissension between band members on what causes they might support, but acknowledged "Out of respect for the people who disagree, those discussions tend to stay in-house, just because we'd rather not let people know where the divisions lie, so people can't exploit them for their own purposes." An example is that in 1990 Buck noted that Stipe was involved with People for the Ethical Treatment of Animals, but the rest of the band were not. R.E.M. helped raise funds for environmental, feminist and human rights causes, and were involved in campaigns to encourage voter registration. During the Green tour, Stipe spoke on stage to the audiences about a variety of socio-political issues. Through the late 1980s and 1990s, the band (particularly Stipe) increasingly used its media coverage on national television to mention a variety of causes it felt were important. One example is during the 1991 MTV Video Music Awards, Stipe wore a half-dozen white shirts emblazoned with slogans including "rainforest", "love knows no colors", and "handgun control now". R.E.M. helped raise awareness of Aung San Suu Kyi and human rights violations in Myanmar, when they worked with the Freedom Campaign and the US Campaign for Burma. Stipe himself ran ads for the 1988 election, supporting Democratic presidential candidate and Massachusetts governor Michael Dukakis over then-Vice President George H. W. Bush. In 2004, the band participated in the Vote for Change tour that sought to mobilize American voters to support Democratic presidential candidate John Kerry. R.E.M.'s political stance, particularly coming from a wealthy rock band under contract to a label owned by a multinational corporation, received criticism from former Q editor Paul Du Noyer, who criticized the band's "celebrity liberalism", saying, "It's an entirely pain-free form of rebellion that they're adopting. There's no risk involved in it whatsoever, but quite a bit of shoring up of customer loyalty." From the late 1980s, R.E.M. was involved in the local politics of its hometown of Athens, Georgia. Buck explained to Sounds in 1987, "Michael always says think local and act local—we have been doing a lot of stuff in our town to try and make it a better place." The band often donated funds to local charities and helped renovate and preserve historic buildings in the town. R.E.M.'s political clout was credited with the narrow election of Athens mayor Gwen O'Looney twice in the 1990s. The band is a member of the Canadian charity Artists Against Racism. Members Main members Bill Berry – drums, percussion, backing vocals, occasional bass guitar and keyboards (1980–1997; occasional concert appearances with the band 2003–2007) Peter Buck – lead guitar, mandolin, banjo, occasional bass guitar and keyboards (1980–2011) Mike Mills – bass guitar, keyboards, backing vocals and guitar (1980–2011) Michael Stipe – lead vocals (1980–2011) Non-musical members Several publications made by the band such as album liner notes and fan club mailers list attorney Bertis Downs and manager Jefferson Holt as honorary non-musical members; the two joined up with R.E.M. in 1980/1981 and Holt left in 1996. Touring and session musicians Buren Fowler – rhythm guitar (1986–1987) Peter Holsapple – rhythm guitar, keyboards (1989–1991) Scott McCaughey – rhythm guitar, keyboards, backing vocals, occasional lead guitar (1994–2011) Nathan December – rhythm and lead guitar (1994–1995) Joey Waronker – drums, percussion (1998–2002) Barrett Martin – percussion (1998) Ken Stringfellow – keyboards, occasional rhythm guitar, bass guitar, backing vocals (1998–2005) Bill Rieflin – drums, percussion, occasional keyboards and guitar (2003–2011) Timeline Production timeline Touring and session members timeline Discography Studio albums Murmur (1983) Reckoning (1984) Fables of the Reconstruction (1985) Lifes Rich Pageant (1986) Document (1987) Green (1988) Out of Time (1991) Automatic for the People (1992) Monster (1994) New Adventures in Hi-Fi (1996) Up (1998) Reveal (2001) Around the Sun (2004) Accelerate (2008) Collapse into Now (2011) See also List of alternative rock artists References Sources Black, Johnny. Reveal: The Story of R.E.M. Backbeat, 2004. Buckley, David. R.E.M.: Fiction: An Alternative Biography. Virgin, 2002. Gray, Marcus. It Crawled from the South: An R.E.M. Companion. Da Capo, 1997. Second edition. Fletcher, Tony. Remarks Remade: The Story of R.E.M. Omnibus, 2002. . Platt, John (editor). The R.E.M. Companion: Two Decades of Commentary. Schirmer, 1998. Sullivan, Denise. Talk About the Passion: R.E.M.: An Oral Biography. Underwood-Miller, 1994. External links Dynamic Range DB entry for R.E.M. 1980 establishments in Georgia (U.S. state) 2011 disestablishments in Georgia (U.S. state) Alternative rock groups from Georgia (U.S. state) Brit Award winners Capitol Records artists Concord Bicycle Music artists Grammy Award winners I.R.S. Records artists Jangle pop groups Musical groups established in 1980 Musical groups disestablished in 2011 Musical groups from Athens, Georgia New West Records artists Rhino Records artists Warner Records artists Craft Recordings artists College rock musical groups	true	[ "Pity About the Abbey is a 1965 BBC television drama written by Stewart Farrar and John Betjeman, and directed by Ian Curteis. Pity About the Abbey is a 90-minute play written for a strand of programmes titled Londoners.\n\nThe play imagines that Westminster Abbey, one of the most significant religious sites in the United Kingdom, was demolished to make way for a by-pass. They play satirised what the two writers saw as the current trend to demolish significant or beautiful structures under the pretext of necessity, for example the Euston Arch. It was recorded for television by the BBC and broadcast on 29 July 1965, and later repeated as part of The Wednesday Play slot in 1966.\n\nThe programme still exists.\n\nReferences\n\n1965 television plays\nBBC television dramas\nWestminster Abbey", "\"What Kinda Gone\" is a song recorded by American country music singer Chris Cagle. It was released in July 2007 as the first single from his album My Life's Been a Country Song, which was released in early 2008. Having reached a peak position of number 3 on the Billboard Hot Country Songs charts in April 2008, it became Cagle's first Top 10 single since 2003's \"Chicks Dig It\", his eleventh chart single overall, and his final Top 10 country single. It was written by Dave Berg, Candyce Cameron and Chip Davis.\n\nContent\nThe narrator's significant other tells him she’s gone, but he wonders what kind of \"gone\" she is talking about and he proceeds to list off the various meanings of the word.\n\nCritical reception\nKevin John Coyne of Country Universe gave the song an American B+ grade saying that song is \"packed with personality\" and that he was \"smiling from the first verse\".\n\nChart performance\n\"What Kinda Gone\" debuted at number 58 on the U.S. Billboard Hot Country Songs for the week of August 4, 2007.\n\nYear-end charts\n\nReferences\n\nExternal links\nChip Davis, the co-songwriter of What Kinda Gone, chats about the song with the 2 music geeks\n\n2007 singles\n2007 songs\nChris Cagle songs\nCapitol Records Nashville singles\nSongs written by Dave Berg (songwriter)\nSong recordings produced by Scott Hendricks" ]
[ "R.E.M.", "1994-1996: Return to touring and continued success", "What was significant about 1994?", "R.E.M.'s 1994 album Monster was, as Buck said, \"a 'rock' record, with the rock in quotation marks.\"" ]	C_ba78f0869419427381f458814037b192_0	Was the album successful?	2	Was R.E.M.'s Monster album successful?	R.E.M.	After the band released two slow-paced albums in a row, R.E.M.'s 1994 album Monster was, as Buck said, "a 'rock' record, with the rock in quotation marks." In contrast to the sound of its predecessors, the music of Monster consisted of distorted guitar tones, minimal overdubs, and touches of 1970s glam rock. Like Out of Time, Monster topped the charts in both the US and UK. The record sold about nine million copies worldwide. The singles "What's the Frequency, Kenneth?" and "Bang and Blame" were the band's last American Top 40 hits, although all the singles from Monster reached the Top 30 on the British charts. Warner Bros. assembled the music videos from the album as well as those from Automatic for the People for release as Parallel in 1995. In January 1995, R.E.M. set out on its first tour in six years. The tour was a huge commercial success, but the period was difficult for the group. On March 1, Berry collapsed on stage during a performance in Lausanne, Switzerland, having suffered a brain aneurysm. He had surgery immediately and recovered fully within a month. Berry's aneurysm was only the beginning of a series of health problems that plagued the Monster tour. Mills had to undergo abdominal surgery to remove an intestinal adhesion in July; a month later, Stipe had to have an emergency surgery to repair a hernia. Despite all the problems, the group had recorded the bulk of a new album while on the road. The band brought along eight-track recorders to capture its shows, and used the recordings as the base elements for the album. The final three performances of the tour were filmed at the Omni Coliseum in Atlanta, Georgia and released in home video form as Road Movie. R.E.M. re-signed with Warner Bros. Records in 1996 for a reported $80 million (a figure the band constantly asserted originated with the media), rumored to be the largest recording contract in history at that point. The group's 1996 album New Adventures in Hi-Fi debuted at number two in the US and number one in the UK. The five million copies of the album sold were a reversal of the group's commercial fortunes of the previous five years. Time writer Christopher John Farley argued that the lesser sales of the album were due to the declining commercial power of alternative rock as a whole. That same year, R.E.M. parted ways with manager Jefferson Holt, allegedly due to sexual harassment charges levied against him by a member of the band's home office in Athens. The group's lawyer Bertis Downs assumed managerial duties. CANNOTANSWER	Monster topped the charts in both the US and UK.	R.E.M. was an American rock band from Athens, Georgia, formed in 1980 by drummer Bill Berry, guitarist Peter Buck, bassist Mike Mills, and lead vocalist Michael Stipe, who were students at the University of Georgia. Liner notes from some of the band's albums list attorney Bertis Downs and manager Jefferson Holt as non-musical members. One of the first alternative rock bands, R.E.M. was noted for Buck's ringing, arpeggiated guitar style; Stipe's distinctive vocal quality, unique stage presence, and obscure lyrics; Mills's melodic bass lines and backing vocals; and Berry's tight, economical drumming style. In the early 1990s, other alternative rock acts such as Nirvana and Pavement viewed R.E.M. as a pioneer of the genre. After Berry left the band in 1997, the band continued its career in the 2000s with mixed critical and commercial success. The band broke up amicably in 2011 with members devoting time to solo projects after having sold more than 85 million albums worldwide and becoming one of the world's best-selling music acts. R.E.M. released its first single, "Radio Free Europe", in 1981 on the independent record label Hib-Tone. It was followed by the Chronic Town EP in 1982, the band's first release on I.R.S. Records. In 1983, the group released its critically acclaimed debut album, Murmur, and built its reputation over the next few years with similarly acclaimed releases every year from 1984 to 1988: Reckoning, Fables of the Reconstruction, Lifes Rich Pageant, Document and Green, including an intermittent b-side compilation Dead Letter Office. Don Dixon and Mitch Easter produced their first two albums, Joe Boyd handled production on Fables of the Reconstruction and Don Gehman produced Lifes Rich Pageant. Thereafter, R.E.M. settled on Scott Litt as producer for the next 10years during the band's most successful period of their career. They also started co-producing their material and playing other instruments in the studio apart from the main ones they play. With constant touring, and the support of college radio following years of underground success, R.E.M. achieved a mainstream hit with the 1987 single "The One I Love". The group signed to Warner Bros. Records in 1988, and began to espouse political and environmental concerns while playing large arenas worldwide. R.E.M.'s most commercially successful albums, Out of Time (1991) and Automatic for the People (1992), put them in the vanguard of alternative rock just as it was becoming mainstream. Out of Time received seven nominations at the 34th Annual Grammy Awards, and lead single "Losing My Religion", was R.E.M.'s highest-charting and best-selling hit. Monster (1994) continued its run of success. The band began its first tour in six years to support the album; the tour was marred by medical emergencies suffered by three of the band members. In 1996, R.E.M. re-signed with Warner Bros. for a reported US$80 million, at the time the most expensive recording contract ever. The tour was productive and the band recorded the following album mostly during soundchecks. The resulting record, New Adventures in Hi-Fi (1996), is hailed as the band's last great album and the members' favorite, growing in cult status over the years. Berry left the band the following year, and Stipe, Buck, and Mills continued as a musical trio, supplemented by studio and live musicians, such as multi-instrumentalists Scott McCaughey and Ken Stringfellow and drummers Joey Waronker and Bill Rieflin. They also parted ways with their longtime manager Jefferson Holt and band's attorney Bertis Downs assumed managerial duties. Seeking to also renovate their sound, the band stopped working with Scott Litt, co-producer and contributor to six of their studio albums and hired Pat McCarthy as co-producer, who had participated before that as mixer and engineer on their last two albums. After the electronic experimental direction of Up (1998) that was commercially unsuccessful, Reveal (2001) was referred to as "a conscious return to their classic sound" which received general acclaim. In 2007, the band was inducted into the Rock and Roll Hall of Fame, in its first year of eligibility and Berry reunited with the band for the ceremony and to record a cover of John Lennon's "#9 Dream" for the compilation album Instant Karma: The Amnesty International Campaign to Save Darfur to benefit Amnesty International's campaign to alleviate the Darfur conflict. Looking for a change of sound after lukewarm reception for Around the Sun (2004), the band collaborated with co-producer Jacknife Lee on their last two studio albums—the well-received Accelerate (2008) and Collapse into Now (2011)—as well as their first live albums after decades of touring. R.E.M. disbanded amicably in September 2011, with former members having continued with various musical projects, and several live and archival albums have since been released. History 1980–1982: Formation and first releases In January 1980, Peter Buck met Michael Stipe in Wuxtry Records, the Athens record store where Buck worked. The pair discovered that they shared similar tastes in music, particularly in punk rock and proto-punk artists like Patti Smith, Television, and the Velvet Underground. Stipe said, "It turns out that I was buying all the records that [Buck] was saving for himself." Through mutual friend Kathleen O'Brien, Stipe and Buck then met fellow University of Georgia students Bill Berry and Mike Mills, who had played music together since high school and lived together in Georgia. The quartet agreed to collaborate on several songs; Stipe later commented that "there was never any grand plan behind any of it". Their still-unnamed band spent a few months rehearsing in a deconsecrated Episcopal church in Athens, and played its first show on April 5, 1980, supporting the Side Effects at O'Brien's birthday party held in the same church, performing a mix of originals and 1960s and 1970s covers. After considering names such as Cans of Piss, Negro Eyes, and Twisted Kites, the band settled on "R.E.M.", which Stipe selected at random from a dictionary. R.E.M. is well known as an initialism for rapid eye movement, the dream stage of sleep; however, sleep researcher Dr. Rafael Pelayo reports that when his colleague Dr. William Dement, the sleep scientist who coined the term REM, reached out to the band, Dr. Dement was told that the band was named "not after REM sleep". The band members eventually dropped out of school to focus on their developing group. They found a manager in Jefferson Holt, a record store clerk who was so impressed by an R.E.M. performance in his hometown of Chapel Hill, North Carolina, that he moved to Athens. R.E.M.'s success was almost immediate in Athens and surrounding areas; the band drew progressively larger crowds for shows, which caused some resentment in the Athens music scene. Over the next year and a half, R.E.M. toured throughout the Southern United States. Touring was arduous because a touring circuit for alternative rock bands did not then exist. The group toured in an old blue van driven by Holt, and lived on a food allowance of $2 each per day. During April 1981, R.E.M. recorded its first single, "Radio Free Europe", at producer Mitch Easter's Drive-In Studios in Winston-Salem, North Carolina. Initially distributing it as a four-track demo tape to clubs, record labels and magazines, the single was released in July 1981 on the local independent record label Hib-Tone with an initial pressing of 1,000 copies—600 of which were sent out as promotional copies. The single quickly sold out, and another 6,000 copies were pressed due to popular demand, despite the original pressing leaving off the record label's contact details. Despite its limited pressing, the single garnered critical acclaim, and was listed as one of the ten best singles of the year by The New York Times. R.E.M. recorded the Chronic Town EP with Mitch Easter in October 1981, and planned to release it on a new indie label named Dasht Hopes. However, I.R.S. Records acquired a demo of the band's first recording session with Easter that had been circulating for months. The band turned down the advances of major label RCA Records in favor of I.R.S., with whom it signed a contract in May 1982. I.R.S. released Chronic Town that August as its first American release. A positive review of the EP by NME praised the songs' auras of mystery, and concluded, "R.E.M. ring true, and it's great to hear something as unforced and cunning as this." 1982–1988: I.R.S. Records and cult success I.R.S. first paired R.E.M. with producer Stephen Hague to record its debut album. Hague's emphasis on technical perfection left the band unsatisfied, and the band members asked the label to let them record with Easter. I.R.S. agreed to a "tryout" session, allowing the band to return to North Carolina and record the song "Pilgrimage" with Easter and producing partner Don Dixon. After hearing the track, I.R.S. permitted the group to record the album with Dixon and Easter. Because of its bad experience with Hague, the band recorded the album via a process of negation, refusing to incorporate rock music clichés such as guitar solos or then-popular synthesizers, in order to give its music a timeless feel. The completed album, Murmur, was greeted with critical acclaim upon its release in 1983, with Rolling Stone listing the album as its record of the year. The album reached number 36 on the Billboard album chart. A re-recorded version of "Radio Free Europe" was the album's lead single and reached number 78 on the Billboard singles chart in 1983. Despite the acclaim awarded the album, Murmur sold only about 200,000 copies, which I.R.S.'s Jay Boberg felt was below expectations. R.E.M. made its first national television appearance on Late Night with David Letterman in October 1983, during which the group performed a new, unnamed song. The piece, eventually titled "So. Central Rain (I'm Sorry)", became the first single from the band's second album, Reckoning (1984), which was also recorded with Easter and Dixon. The album met with critical acclaim; NMEs Mat Snow wrote that Reckoning "confirms R.E.M. as one of the most beautifully exciting groups on the planet". While Reckoning peaked at number 27 on the US album charts—an unusually high chart placing for a college rock band at the time—scant airplay and poor distribution overseas resulted in it charting no higher than number 91 in Britain. The band's third album, Fables of the Reconstruction (1985), demonstrated a change in direction. Instead of Dixon and Easter, R.E.M. chose producer Joe Boyd, who had worked with Fairport Convention and Nick Drake, to record the album in England. The band members found the sessions unexpectedly difficult, and were miserable due to the cold winter weather and what they considered to be poor food; the situation brought the band to the verge of break-up. The gloominess surrounding the sessions worked its way into the context for the album's themes. Lyrically, Stipe began to create storylines in the mode of Southern mythology, noting in a 1985 interview that he was inspired by "the whole idea of the old men sitting around the fire, passing on ... legends and fables to the grandchildren". They toured Canada in July and August 1985, and Europe in October of that year, including the Netherlands, England (including one concert at London's Hammersmith Palais), Ireland, Scotland, France, Switzerland, Belgium and West Germany. On October 2, 1985, the group played a concert in Bochum, West Germany, for the German TV show Rockpalast. Stipe had bleached his hair blond during this time. R.E.M. invited California punk band Minutemen to open for them on part of the US tour, and organized a benefit for the family of Minutemen frontman D. Boon who died in a December 1985 car crash shortly after the tour's conclusion. Fables of the Reconstruction performed poorly in Europe and its critical reception was mixed, with some critics regarding it as dreary and poorly recorded. As with the previous records, the singles from Fables of the Reconstruction were mostly ignored by mainstream radio. Meanwhile, I.R.S. was becoming frustrated with the band's reluctance to achieve mainstream success. For its fourth album, R.E.M. enlisted John Mellencamp's producer Don Gehman. The result, Lifes Rich Pageant (1986), featured Stipe's vocals closer to the forefront of the music. In a 1986 interview with the Chicago Tribune, Peter Buck related, "Michael is getting better at what he's doing, and he's getting more confident at it. And I think that shows up in the projection of his voice." The album improved markedly upon the sales of Fables of the Reconstruction and reached number 21 on the Billboard album chart. The single "Fall on Me" also picked up support on commercial radio. The album was the band's first to be certified gold for selling 500,000 copies. While American college radio remained R.E.M.'s core support, the band was beginning to chart hits on mainstream rock formats; however, the music still encountered resistance from Top 40 radio. Following the success of Lifes Rich Pageant, I.R.S. issued Dead Letter Office, a compilation of tracks recorded by the band during their album sessions, many of which had either been issued as B-sides or left unreleased altogether. Shortly thereafter, I.R.S. compiled R.E.M.'s music video catalog (except "Wolves, Lower") as the band's first video release, Succumbs. Don Gehman was unable to produce R.E.M.'s fifth album, so he suggested the group work with Scott Litt. Litt would be the producer for the band's next five albums. Document (1987) featured some of Stipe's most openly political lyrics, particularly on "Welcome to the Occupation" and "Exhuming McCarthy", which were reactions to the conservative political environment of the 1980s under American president Ronald Reagan. Jon Pareles of The New York Times wrote in his review of the album, "Document is both confident and defiant; if R.E.M. is about to move from cult-band status to mass popularity, the album decrees that the band will get there on its own terms." Document was R.E.M.'s breakthrough album, and the first single "The One I Love" charted in the Top 20 in the US, UK, and Canada. By January 1988, Document had become the group's first album to sell a million copies. In light of the band's breakthrough, the December 1987 cover of Rolling Stone declared R.E.M. "America's Best Rock & Roll Band". 1988–1997: International breakout and alternative rock stardom Frustrated that its records did not see satisfactory overseas distribution, R.E.M. left I.R.S. when its contract expired and signed with the major label Warner Bros. Records. Though other labels offered more money, R.E.M. ultimately signed with Warner Bros.—reportedly for an amount between $6 million and $12 million—due to the company's assurance of total creative freedom. (Jay Boberg claimed that R.E.M.'s deal with Warner Bros. was for $22 million, which Peter Buck disputed as "definitely wrong".) In the aftermath of the group's departure, I.R.S. released the 1988 "best of" compilation Eponymous (assembled with input from the band members) to capitalize on assets the company still possessed. The band's 1988 Warner Bros. debut, Green, was recorded in Memphis, Tennessee, and showcased the group experimenting with its sound. The record's tracks ranged from the upbeat first single "Stand" (a hit in the United States), to more political material, like the rock-oriented "Orange Crush" and "World Leader Pretend", which address the Vietnam War and the Cold War, respectively. Green has gone on to sell four million copies worldwide. The band supported the album with its biggest and most visually developed tour to date, featuring back-projections and art films playing on the stage. After the Green tour, the band members unofficially decided to take the following year off, the first extended break in the band's career. In 1990 Warner Bros. issued the music video compilation Pop Screen to collect clips from the Document and Green albums, followed a few months later by the video album Tourfilm featuring live performances filmed during the Green World Tour. R.E.M. reconvened in mid-1990 to record its seventh album, Out of Time. In a departure from Green, the band members often wrote the music with non-traditional rock instrumentation including mandolin, organ, and acoustic guitar instead of adding them as overdubs later in the creative process. Released in March 1991, Out of Time was the band's first album to top both the US and UK charts. The record eventually sold 4.2 million copies in the US alone, and about 12 million copies worldwide by 1996. The album's lead single "Losing My Religion" was a worldwide hit that received heavy rotation on radio, as did the music video on MTV and VH1. "Losing My Religion" was R.E.M.'s highest-charting single in the US, reaching number four on the Billboard charts. "There've been very few life-changing events in our career because our career has been so gradual," Mills said years later. "If you want to talk about life changing, I think 'Losing My Religion' is the closest it gets". The album's second single, "Shiny Happy People" (one of three songs on the record to feature vocals from Kate Pierson of fellow Athens band the B-52's), was also a major hit, reaching number 10 in the US and number six in the UK. Out of Time garnered R.E.M. seven nominations at the 1992 Grammy Awards, the most nominations of any artist that year. The band won three awards: one for Best Alternative Music Album and two for "Losing My Religion", Best Short Form Music Video and Best Pop Performance by a Duo or Group with Vocal. R.E.M. did not tour to promote Out of Time; instead the group played a series of one-off shows, including an appearance taped for an episode of MTV Unplugged and released music videos for each song on the video album This Film Is On. The band also performed "Losing My Religion" with members of the Atlanta Symphony Orchestra in Madison, Georgia, at Madison-Morgan Cultural Center as part of MTV's 10th anniversary special. After spending some months off, R.E.M. returned to the studio in 1991 to record its next album. Late in 1992, the band released Automatic for the People. Though the group had intended to make a harder-rocking album after the softer textures of Out of Time, the somber Automatic for the People "[seemed] to move at an even more agonized crawl", according to Melody Maker. The album dealt with themes of loss and mourning inspired by "that sense of ... turning thirty", according to Buck. Several songs featured string arrangements by former Led Zeppelin bassist John Paul Jones. Considered by a number of critics (as well as by Buck and Mills) to be the band's best album, Automatic for the People reached numbers one and two on UK and US charts, respectively, and generated the American Top 40 hit singles "Drive", "Man on the Moon", and "Everybody Hurts". The album would sell over fifteen million copies worldwide. As with Out of Time, there was no tour in support of the album. The decision to forgo a tour, in conjunction with Stipe's physical appearance, generated rumors that the singer was dying or HIV-positive, which were vehemently denied by the band. After the band released two slow-paced albums in a row, R.E.M.'s 1994 album Monster was, as Buck said, "a 'rock' record, with the rock in quotation marks." In contrast to the sound of its predecessors, the music of Monster consisted of distorted guitar tones, minimal overdubs, and touches of 1970s glam rock. Like Out of Time, Monster topped the charts in both the US and UK. The record sold about nine million copies worldwide. The singles "What's the Frequency, Kenneth?" and "Bang and Blame" were the band's last American Top 40 hits, although all the singles from Monster reached the Top 30 on the British charts. Warner Bros. assembled the music videos from the album as well as those from Automatic for the People for release as Parallel in 1995. In January 1995, R.E.M. set out on its first tour in six years. The tour was a huge commercial success, but the period was difficult for the group. On March 1, Berry collapsed on stage during a performance in Lausanne, Switzerland, having suffered a brain aneurysm. He had surgery immediately and recovered fully within a month. Berry's aneurysm was only the beginning of a series of health problems that plagued the Monster tour. Mills had to undergo abdominal surgery to remove an intestinal adhesion in July; a month later, Stipe had to have an emergency surgery to repair a hernia. Despite all the problems, the group had recorded the bulk of a new album while on the road. The band brought along eight-track recorders to capture its shows, and used the recordings as the base elements for the album. The final three performances of the tour were filmed at the Omni Coliseum in Atlanta, Georgia and released in home video form as Road Movie. R.E.M. re-signed with Warner Bros. Records in 1996 for a reported $80 million (a figure the band constantly asserted originated with the media), rumored to be the largest recording contract in history at that point. The group's 1996 album New Adventures in Hi-Fi debuted at number two in the US and number one in the UK. The five million copies of the album sold were a reversal of the group's commercial fortunes of the previous five years. Critical reaction to the album was mostly favorable. In a 2017 retrospective on the band, Consequence of Sound ranked it third out of R.E.M.'s 15 full-length studio albums. The album is Stipe's favorite from R.E.M. and he considers it the band at their peak. Mills says "It usually takes a good few years for me to decide where an album stands in the pantheon of recorded work we've done. This one may be third behind Murmur and Automatic for the People. According to DiscoverMusic: "Arguably less immediate and less accessible[...]New Adventures in Hi-Fi is a sprawling, "White Album"-esque affair clocking in at 65 minutes. However, while it required some time and commitment from the listener, the record's contents were rich, compelling and frequently stunning. Accordingly, the album has continued to lobby for recognition and has long since earned its reputation as R.E.M.'s most unsung LP." While sales were impressive they were below their previous major label records. Time's writer Christopher John Farley argued that the lesser sales of the album were due to the declining commercial power of alternative rock as a whole. That same year, R.E.M. parted ways with manager Jefferson Holt, allegedly due to sexual harassment charges levied against him by a member of the band's home office in Athens. The group's lawyer Bertis Downs assumed managerial duties. 1997–2006: Continuing as three-piece with mixed success In April 1997, the band convened at Buck's Kauai vacation home to record demos of material intended for the next album. The band sought to reinvent its sound and intended to incorporate drum loops and percussion experiments. Just as the sessions were due to begin in October, Berry decided, after months of contemplation and discussions with Downs and Mills, to tell the rest of the band that he was quitting. Berry told his bandmates that he would not quit if they would break up as a result, so Stipe, Buck, and Mills agreed to carry on as a three-piece with his blessing. Berry publicly announced his departure three weeks later in October 1997. Berry told the press, "I'm just not as enthusiastic as I have been in the past about doing this anymore . . . I have the best job in the world. But I'm kind of ready to sit back and reflect and maybe not be a pop star anymore." Stipe admitted that the band would be different without a major contributor: "For me, Mike, and Peter, as R.E.M., are we still R.E.M.? I guess a three-legged dog is still a dog. It just has to learn to run differently." The band cancelled its scheduled recording sessions as a result of Berry's departure. "Without Bill it was different, confusing", Mills later said. "We didn't know exactly what to do. We couldn't rehearse without a drummer." The remaining members of R.E.M. resumed work on the album in February 1998 at Toast Studios in San Francisco. The band ended its decade-long collaboration with Scott Litt and hired Pat McCarthy to produce the record. Nigel Godrich was taken on as assistant producer, and drafted in Screaming Trees member Barrett Martin and Beck's touring drummer Joey Waronker. The recording process was tense, and the group came close to disbanding. Bertis Downs called an emergency meeting in which the band members resolved their problems and agreed to continue as a group. Led by the single "Daysleeper", Up (1998) debuted in the top ten in the US and UK. However, the album was a relative failure, selling 900,000 copies in the US by mid-1999 and eventually selling just over two million copies worldwide. While R.E.M.'s American sales were declining, the group's commercial base was shifting to the UK, where more R.E.M. records were sold per capita than any other country and the band's singles regularly entered the Top 20. A year after Ups release, R.E.M. wrote the instrumental score to the Andy Kaufman biographical film Man on the Moon, a first for the group. The film took its title from the Automatic for the People song of the same name. The song "The Great Beyond" was released as a single from the Man on the Moon soundtrack album. "The Great Beyond" only reached number 57 on the American pop charts, but was the band's highest-charting single ever in the UK, reaching number three in 2000. R.E.M. recorded the majority of its twelfth album Reveal (2001) in Canada and Ireland from May to October 2000. Reveal shared the "lugubrious pace" of Up, and featured drumming by Joey Waronker, as well as contributions by Scott McCaughey (a co-founder of the band the Minus 5 with Buck), and Ken Stringfellow (founder of the Posies). Global sales of the album were over four million, but in the United States Reveal sold about the same number of copies as Up. The album was led by the single "Imitation of Life", which reached number six in the UK. Writing for Rock's Backpages, The Rev. Al Friston described the album as "loaded with golden loveliness at every twist and turn", in comparison to the group's "essentially unconvincing work on New Adventures in Hi-Fi and Up". Similarly, Rob Sheffield of Rolling Stone called Reveal "a spiritual renewal rooted in a musical one" and praised its "ceaselessly astonishing beauty". In 2003, Warner Bros. released the compilation album and DVD In Time: The Best of R.E.M. 1988–2003 and In View: The Best of R.E.M. 1988–2003, which featured two new songs, "Bad Day" and "Animal". At a 2003 concert in Raleigh, North Carolina, Berry made a surprise appearance, performing backing vocals on "Radio Free Europe". He then sat behind the drum kit for a performance of the early R.E.M. song "Permanent Vacation", marking his first performance with the band since his retirement. R.E.M. released Around the Sun in 2004. During production of the album in 2002, Stipe said, "[The album] sounds like it's taking off from the last couple of records into unchartered R.E.M. territory. Kind of primitive and howling". After the album's release, Mills said, "I think, honestly, it turned out a little slower than we intended for it to, just in terms of the overall speed of songs." Around the Sun received a mixed critical reception, and peaked at number 13 on the Billboard charts. The first single from the album, "Leaving New York", was a Top 5 hit in the UK. For the record and subsequent tour, the band hired a new full-time touring drummer, Bill Rieflin, who had previously been a member of several industrial music acts such as Ministry and Pigface, and remained in that role for the duration of the band's active years. The video album Perfect Square was released that same year. 2006–2011: Last albums, recognition and breakup EMI released a compilation album covering R.E.M.'s work during its tenure on I.R.S. in 2006 called And I Feel Fine... The Best of the I.R.S. Years 1982–1987 along with the video album When the Light Is Mine: The Best of the I.R.S. Years 1982–1987—the label had previously released the compilations The Best of R.E.M. (1991), R.E.M.: Singles Collected (1994), and R.E.M.: In the Attic – Alternative Recordings 1985–1989 (1997). That same month, all four original band members performed during the ceremony for their induction into the Georgia Music Hall of Fame. While rehearsing for the ceremony, the band recorded a cover of John Lennon's "#9 Dream" for Instant Karma: The Amnesty International Campaign to Save Darfur, a tribute album benefiting Amnesty International. The song—released as a single for the album and the campaign—featured Bill Berry's first studio recording with the band since his departure almost a decade earlier. In October 2006, R.E.M. was nominated for induction into the Rock and Roll Hall of Fame in its first year of eligibility. The band was one of five nominees accepted into the Hall that year, and the induction ceremony took place in March 2007 at New York's Waldorf-Astoria Hotel. The group—which was inducted by Pearl Jam lead singer Eddie Vedder—performed three songs with Bill Berry; "Gardening at Night", "Man on the Moon" and "Begin the Begin" as well as a cover of "I Wanna Be Your Dog". Work on the group's fourteenth album commenced in early 2007. The band recorded with producer Jacknife Lee in Vancouver and Dublin, where it played five nights in the Olympia Theatre between June 30 and July 5 as part of a "working rehearsal". R.E.M. Live, the band's first live album (featuring songs from a 2005 Dublin show), was released in October 2007. The group followed this with the 2009 live album Live at The Olympia, which features performances from its 2007 residency. R.E.M. released Accelerate in early 2008. The album debuted at number two on the Billboard charts, and became the band's eighth album to top the British album charts. Rolling Stone reviewer David Fricke considered Accelerate an improvement over the band's previous post-Berry albums, calling it "one of the best records R.E.M. have ever made". In 2010, R.E.M. released the video album R.E.M. Live from Austin, TX—a concert recorded for Austin City Limits in 2008. The group recorded its fifteenth album, Collapse into Now (2011), with Jacknife Lee in locales including Berlin, Nashville, and New Orleans. For the album, the band aimed for a more expansive sound than the intentionally short and speedy approach implemented on Accelerate. The album debuted at number five on the Billboard 200, becoming the group's tenth album to reach the top ten of the chart. This release fulfilled R.E.M.'s contractual obligations to Warner Bros., and the band began recording material without a contract a few months later with the possible intention of self-releasing the work. On September 21, 2011, R.E.M. announced via its website that it was "calling it a day as a band". Stipe said that he hoped fans realized it "wasn't an easy decision": "All things must end, and we wanted to do it right, to do it our way." Long-time associate and former Warner Bros. Senior Vice President of Emerging Technology Ethan Kaplan has speculated that shake-ups at the record label influenced the group's decision to disband. The group discussed breaking up for several years, but was encouraged to continue after the lackluster critical and commercial performance of Around the Sun; according to Mills, "We needed to prove, not only to our fans and critics but to ourselves, that we could still make great records." They were also uninterested in the business end of recording as R.E.M. The band members finished their collaboration by assembling the compilation album Part Lies, Part Heart, Part Truth, Part Garbage 1982–2011, which was released in November 2011. The album is the first to collect songs from R.E.M.'s I.R.S. and Warner Bros. tenures, as well as three songs from the group's final studio recordings from post-Collapse into Now sessions. In November, Mills and Stipe did a brief span of promotional appearances in British media, ruling out the option of the group ever reuniting. 2011–present: Post-breakup releases and events In 2014, Unplugged: The Complete 1991 and 2001 Sessions was released for Record Store Day. Digital download collections of I.R.S. and Warner Bros. rarities followed. Later in the year, the band compiled the video album box set REMTV, which collected their two Unplugged performances along with several other documentaries and live shows, while their record label released the box set 7IN—83–88, made up of 7-inch vinyl singles. In December 2015, the band members agreed to a distribution deal with Concord Bicycle Music to re-release their Warner Bros. albums. Continuing to maintain their copyright and intellectual property legacies, in March 2016, the band signed a new music publishing administration deal with Universal Music Publishing Group, and a year later, the band members left Broadcast Music, Inc., who had represented their performance rights for their entire career, and joined SESAC. The first release after their new publishing status was the 2018 box set R.E.M. at the BBC. Live at the Borderline 1991 followed for 2019's Record Store Day. On March 24, 2020, session and touring drummer Bill Rieflin, who contributed on the band's last three records, died of cancer after years of battling the disease. In September 2021, a full decade after disbanding, Stipe reiterated that the band had no intention of regrouping: "We decided when we split up that that would just be really tacky and probably money-grabbing, which might be the impetus for a lot of bands to get back together." Musical style R.E.M. has been described as alternative rock, college rock, folk rock, jangle pop, and post-punk. In a 1988 interview, Peter Buck described R.E.M. songs as typically, "Minor key, mid-tempo, enigmatic, semi-folk-rock-balladish things. That's what everyone thinks and to a certain degree, that's true." All songwriting is credited to the entire band, even though individual members are sometimes responsible for writing the majority of a particular song. Each member is given an equal vote in the songwriting process; however, Buck has conceded that Stipe, as the band's lyricist, can rarely be persuaded to follow an idea he does not favor. Among the original line-up, there were divisions of labor in the songwriting process: Stipe would write lyrics and devise melodies, Buck would edge the band in new musical directions, and Mills and Berry would fine-tune the compositions due to their greater musical experience. Michael Stipe sings in what R.E.M. biographer David Buckley described as "wailing, keening, arching vocal figures". Stipe often harmonizes with Mills in songs; in the chorus for "Stand", Mills and Stipe alternate singing lyrics, creating a dialogue. Early articles about the band focused on Stipe's singing style (described as "mumbling" by The Washington Post), which often rendered his lyrics indecipherable. Creem writer John Morthland wrote in his review of Murmur, "I still have no idea what these songs are about, because neither me nor anyone else I know has ever been able to discern R.E.M.'s lyrics." Stipe commented in 1984, "It's just the way I sing. If I tried to control it, it would be pretty false." Producer Joe Boyd convinced Stipe to begin singing more clearly during the recording of Fables of the Reconstruction. Stipe later called chorus lyrics of "Sitting Still" from R.E.M. debut album, Murmur, "nonsense", saying in a 1994 online chat, "You all know there aren't words, per se, to a lot of the early stuff. I can't even remember them." In truth, Stipe carefully crafted the lyrics to many early R.E.M. songs. Stipe explained in 1984 that when he started writing lyrics they were like "simple pictures", but after a year he grew tired of the approach and "started experimenting with lyrics that didn't make exact linear sense, and it's just gone from there." In the mid-1980s, as Stipe's pronunciation while singing became clearer, the band decided that its lyrics should convey ideas on a more literal level. Mills explained, "After you've made three records and you've written several songs and they've gotten better and better lyrically the next step would be to have somebody question you and say, are you saying anything? And Michael had the confidence at that point to say yes . . ." Songs like "Cuyahoga" and "Fall on Me" on Lifes Rich Pageant dealt with such concerns as pollution. Stipe incorporated more politically oriented concerns into his lyrics on Document and Green. "Our political activism and the content of the songs was just a reaction to where we were, and what we were surrounded by, which was just abject horror," Stipe said later. "In 1987 and '88 there was nothing to do but be active." Stipe has since explored other lyrical topics. Automatic for the People dealt with "mortality and dying. Pretty turgid stuff", according to Stipe, while Monster critiqued love and mass culture. Musically, Stipe stated that bands like T. Rex and Mott the Hoople "really impacted me". Peter Buck's style of playing guitar has been singled out by many as the most distinctive aspect of R.E.M.'s music. During the 1980s, Buck's "economical, arpeggiated, poetic" style reminded British music journalists of 1960s American folk rock band the Byrds. Buck has stated "[Byrds guitarist] Roger McGuinn was a big influence on me as a guitar player", but said it was Byrds-influenced bands, including Big Star and the Soft Boys, that inspired him more. Comparisons were also made with the guitar playing of Johnny Marr of alternative rock contemporaries the Smiths. While Buck professed being a fan of the group, he admitted he initially criticized the band simply because he was tired of fans asking him if he was influenced by Marr, whose band had in fact made their debut after R.E.M. Buck generally eschews guitar solos; he explained in 2002, "I know that when guitarists rip into this hot solo, people go nuts, but I don't write songs that suit that, and I am not interested in that. I can do it if I have to, but I don't like it." Mike Mills' melodic approach to bass playing is inspired by Paul McCartney of the Beatles and Chris Squire of Yes; Mills has said, "I always played a melodic bass, like a piano bass in some ways . . . I never wanted to play the traditional locked into the kick drum, root note bass work." Mills has more musical training than his bandmates, which he has said "made it easier to turn abstract musical ideas into reality." Legacy R.E.M. was pivotal in the creation and development of the alternative rock genre. AllMusic stated, "R.E.M. mark the point when post-punk turned into alternative rock." In the early 1980s, the musical style of R.E.M. stood in contrast to the post-punk and new wave genres that had preceded it. Music journalist Simon Reynolds noted that the post-punk movement of the late 1970s and early 1980s "had taken whole swaths of music off the menu", particularly that of the 1960s, and that "After postpunk's demystification and New Pop's schematics, it felt liberating to listen to music rooted in mystical awe and blissed-out surrender." Reynolds declared R.E.M., a band that recalled the music of the 1960s with its "plangent guitar chimes and folk-styled vocals" and who "wistfully and abstractly conjured visions and new frontiers for America", one of "the two most important alt-rock bands of the day." With the release of Murmur, R.E.M. had the most impact musically and commercially of the developing alternative genre's early groups, leaving in its wake a number of jangle pop followers. R.E.M.'s early breakthrough success served as an inspiration for other alternative bands. Spin referred to the "R.E.M. model"—career decisions that R.E.M. made that set guidelines for other underground artists to follow in their own careers. Spin's Charles Aaron wrote that by 1985, "They'd shown how far an underground, punk-inspired rock band could go within the industry without whoring out its artistic integrity in any obvious way. They'd figured out how to buy in, not sellout-in other words, they'd achieved the American Bohemian Dream." Steve Wynn of Dream Syndicate said, "They invented a whole new ballgame for all of the other bands to follow whether it was Sonic Youth or the Replacements or Nirvana or Butthole Surfers. R.E.M. staked the claim. Musically, the bands did different things, but R.E.M. was first to show us you can be big and still be cool." Biographer David Buckley stated that between 1991 and 1994, a period that saw the band sell an estimated 30 million albums, R.E.M. "asserted themselves as rivals to U2 for the title of biggest rock band in the world." Over the course of its career, the band has sold over 85 million records worldwide. Colin Larkin's All Time Top 1000 Albums stated that "Their catalogue is destined to endure as critics reluctantly accept their considerable importance in the history of rock". Alternative bands such as Nirvana, Pavement, Radiohead, Coldplay, Pearl Jam (the band's vocalist Eddie Vedder inducted R.E.M. into the Rock and Roll Hall of Fame), Live, Stone Temple Pilots, Collective Soul, Alice in Chains, Hootie and the Blowfish and Pwr Bttm have drawn inspiration from R.E.M.'s music. "When I was 15 years old in Richmond, Virginia, they were a very important part of my life," Pavement's Bob Nastanovich said, "as they were for all the members of our band." Pavement's contribution to the No Alternative compilation (1993) was "Unseen Power of the Picket Fence", a song about R.E.M.'s early days. Local H, according to the band's Twitter account, created their name by combining two R.E.M. songs: "Oddfellows Local 151" and "Swan Swan H". Kurt Cobain of Nirvana was a fan of R.E.M., and had unfulfilled plans to collaborate on a musical project with Stipe. Cobain told Rolling Stone in an interview earlier that year, "I don’t know how that band does what they do. God, they’re the greatest. They've dealt with their success like saints, and they keep delivering great music." During his show at the 40 Watt Club in October 2018, Johnny Marr said: "As a British musician coming out of the indie scene in the early '80s, which I definitely am and am proud to have been, I can't miss this opportunity to acknowledge and pay my respects and honor the guys who put this town on the map for us in England. I'm talking about my comrades in guitar music, R.E.M. The Smiths really respected R.E.M. We had to keep an eye on what those guys were up to. It's an interesting thing for me, as a British musician, and all those guys as British musicians, to come to this place and play for you guys, knowing that it's the roots of Mike Mills and Bill Berry and Michael Stipe and my good friend Peter Buck." Awards Campaigning and activism Throughout R.E.M.'s career, its members sought to highlight social and political issues. According to the Los Angeles Times, R.E.M. was considered to be one of the United States' "most liberal and politically correct rock groups." The band's members were "on the same page" politically, sharing a liberal and progressive outlook. Mills admitted that there was occasionally dissension between band members on what causes they might support, but acknowledged "Out of respect for the people who disagree, those discussions tend to stay in-house, just because we'd rather not let people know where the divisions lie, so people can't exploit them for their own purposes." An example is that in 1990 Buck noted that Stipe was involved with People for the Ethical Treatment of Animals, but the rest of the band were not. R.E.M. helped raise funds for environmental, feminist and human rights causes, and were involved in campaigns to encourage voter registration. During the Green tour, Stipe spoke on stage to the audiences about a variety of socio-political issues. Through the late 1980s and 1990s, the band (particularly Stipe) increasingly used its media coverage on national television to mention a variety of causes it felt were important. One example is during the 1991 MTV Video Music Awards, Stipe wore a half-dozen white shirts emblazoned with slogans including "rainforest", "love knows no colors", and "handgun control now". R.E.M. helped raise awareness of Aung San Suu Kyi and human rights violations in Myanmar, when they worked with the Freedom Campaign and the US Campaign for Burma. Stipe himself ran ads for the 1988 election, supporting Democratic presidential candidate and Massachusetts governor Michael Dukakis over then-Vice President George H. W. Bush. In 2004, the band participated in the Vote for Change tour that sought to mobilize American voters to support Democratic presidential candidate John Kerry. R.E.M.'s political stance, particularly coming from a wealthy rock band under contract to a label owned by a multinational corporation, received criticism from former Q editor Paul Du Noyer, who criticized the band's "celebrity liberalism", saying, "It's an entirely pain-free form of rebellion that they're adopting. There's no risk involved in it whatsoever, but quite a bit of shoring up of customer loyalty." From the late 1980s, R.E.M. was involved in the local politics of its hometown of Athens, Georgia. Buck explained to Sounds in 1987, "Michael always says think local and act local—we have been doing a lot of stuff in our town to try and make it a better place." The band often donated funds to local charities and helped renovate and preserve historic buildings in the town. R.E.M.'s political clout was credited with the narrow election of Athens mayor Gwen O'Looney twice in the 1990s. The band is a member of the Canadian charity Artists Against Racism. Members Main members Bill Berry – drums, percussion, backing vocals, occasional bass guitar and keyboards (1980–1997; occasional concert appearances with the band 2003–2007) Peter Buck – lead guitar, mandolin, banjo, occasional bass guitar and keyboards (1980–2011) Mike Mills – bass guitar, keyboards, backing vocals and guitar (1980–2011) Michael Stipe – lead vocals (1980–2011) Non-musical members Several publications made by the band such as album liner notes and fan club mailers list attorney Bertis Downs and manager Jefferson Holt as honorary non-musical members; the two joined up with R.E.M. in 1980/1981 and Holt left in 1996. Touring and session musicians Buren Fowler – rhythm guitar (1986–1987) Peter Holsapple – rhythm guitar, keyboards (1989–1991) Scott McCaughey – rhythm guitar, keyboards, backing vocals, occasional lead guitar (1994–2011) Nathan December – rhythm and lead guitar (1994–1995) Joey Waronker – drums, percussion (1998–2002) Barrett Martin – percussion (1998) Ken Stringfellow – keyboards, occasional rhythm guitar, bass guitar, backing vocals (1998–2005) Bill Rieflin – drums, percussion, occasional keyboards and guitar (2003–2011) Timeline Production timeline Touring and session members timeline Discography Studio albums Murmur (1983) Reckoning (1984) Fables of the Reconstruction (1985) Lifes Rich Pageant (1986) Document (1987) Green (1988) Out of Time (1991) Automatic for the People (1992) Monster (1994) New Adventures in Hi-Fi (1996) Up (1998) Reveal (2001) Around the Sun (2004) Accelerate (2008) Collapse into Now (2011) See also List of alternative rock artists References Sources Black, Johnny. Reveal: The Story of R.E.M. Backbeat, 2004. Buckley, David. R.E.M.: Fiction: An Alternative Biography. Virgin, 2002. Gray, Marcus. It Crawled from the South: An R.E.M. Companion. Da Capo, 1997. Second edition. Fletcher, Tony. Remarks Remade: The Story of R.E.M. Omnibus, 2002. . Platt, John (editor). The R.E.M. Companion: Two Decades of Commentary. Schirmer, 1998. Sullivan, Denise. Talk About the Passion: R.E.M.: An Oral Biography. Underwood-Miller, 1994. External links Dynamic Range DB entry for R.E.M. 1980 establishments in Georgia (U.S. state) 2011 disestablishments in Georgia (U.S. state) Alternative rock groups from Georgia (U.S. state) Brit Award winners Capitol Records artists Concord Bicycle Music artists Grammy Award winners I.R.S. Records artists Jangle pop groups Musical groups established in 1980 Musical groups disestablished in 2011 Musical groups from Athens, Georgia New West Records artists Rhino Records artists Warner Records artists Craft Recordings artists College rock musical groups	true	[ "Maria Arredondo is the first album by Norwegian singer Maria Arredondo, released in Norway on March 17, 2003, with a second edition released on June 30, 2003. The album was the most successful album by Arredondo either in critics or sales. It has 12 songs with the second edition and 5 singles were released. One of the singles, \"In Love With An Angel\", a duet with Christian Ingebrigtsen, was nominated for the 2003 Norwegian Grammy Awards as 'Song Of The Year'.\n\nHistory \nAfter two years recording the songs, Arredondo signed with Universal Music Norway. The album entered the Norwegian Top 40 and Norwegian Topp 30 Norsk at #2 and spent 23 weeks on the charts. It was recorded in Sweden and Norway, and was produced by several well-known Scandinavian producers such as Jonas von Der Burg, Espen Lind, Bluefish, Jonny Sjo, Harry Sommerdahl and Bjørn Erik Pedersen. Several successful songwriters also contributed, including Christian Ingebrigtsen, Jonas von Der Burg, Silje Nergaard, Espen Lind and Harry Sommerdahl. The first single released was \"Can Let Go\". The second single, \"Just A Little Heartache\" was very successful in the radio charts. \"In Love With An Angel\" was the third single and became the first and only #1 single for Arredondo.\n\nThe album was re-released with a new song, \"Hardly Hurts At All\", which was released as a single. The last single from the album was \"A Thousand Nights\". The album went platinum and sold more than 70,000 copies.\n\nTrack listing\n\nCharts\n\nAlbum\n\nSingles\n\nReferences \n\n2003 debut albums\nMaria Arredondo albums\nUniversal Music Norway albums", "Black and White is the second studio album and major label debut by British hip hop recording artist Wretch 32. The album was released in the United Kingdom on 21 August 2011 through Ministry of Sound, debuting at number four on the UK Albums Chart with first week sales of nearly 25,000 copies. The album follows his independent debut album, Wretchrospective, which was released three years earlier, in 2008. The album spawned six singles over the course of eighteen months, all of which peaked inside the UK top 50, including three top five singles, and a number one single, \"Don't Go\". The album includes collaborations with Ed Sheeran, Daley, Etta Bond and Example.\n\nSingles\n \"Traktor\" was released as the first single released from the album on 16 January 2011. It peaked at number five on the UK Singles Chart, becoming the third most successful single from the album. The track features vocals from L Marshall and was produced by Yogi.\n \"Unorthodox\" was released as the second single from the album on 17 April 2011. It peaked at number two on the UK Singles Chart, becoming the second most successful single from the album. The track features vocals from Example.\n \"Don't Go\" was released as the third single from the album on 14 August 2011. It peaked at number one on the UK Singles Chart, becoming the album's most successful single. The track features vocals from upcoming musician and songwriter Josh Kumra.\n \"Forgiveness\" was released as the fourth single from the album on 11 December 2011. It peaked at number 39 on the UK Singles Chart, becoming the least successful single from the album. The track features vocals from Etta Bond, and was produced by Labrinth.\n \"Long Way Home\" was released as a single from the album on 14 February 2012, in promotion of the track's featuring artist, Daley. It was ineligible to chart on the UK Singles Chart, and was simply released in the form of a promotional music video.\n \"Hush Little Baby\" was released as the fifth and final single from the album on 27 May 2012. It peaked at number 35 on the UK Singles Chart, due to little promotion. The track features vocals from singer-songwriter Ed Sheeran.\n\nTrack listing \n\nNotes\n \"Forgiveness\" features uncredited vocals from Labrinth.\n\nSample credits\n \"Black and White\" samples \"Different Strokes\" by Syl Johnson\n \"Unorthodox\" samples \"Fools Gold\" by The Stone Roses.\n \"Hush Little Baby\" adapts lyrics from the lullaby \"Hush, Little Baby\".\n\nCharts\n\nRelease history\n\nReferences\n\n2011 albums\nWretch 32 albums\nMinistry of Sound albums\nAlbums produced by Labrinth" ]
[ "R.E.M.", "1994-1996: Return to touring and continued success", "What was significant about 1994?", "R.E.M.'s 1994 album Monster was, as Buck said, \"a 'rock' record, with the rock in quotation marks.\"", "Was the album successful?", "Monster topped the charts in both the US and UK." ]	C_ba78f0869419427381f458814037b192_0	Did they tour for the album?	3	Did R.E.M. tour for the album?	R.E.M.	After the band released two slow-paced albums in a row, R.E.M.'s 1994 album Monster was, as Buck said, "a 'rock' record, with the rock in quotation marks." In contrast to the sound of its predecessors, the music of Monster consisted of distorted guitar tones, minimal overdubs, and touches of 1970s glam rock. Like Out of Time, Monster topped the charts in both the US and UK. The record sold about nine million copies worldwide. The singles "What's the Frequency, Kenneth?" and "Bang and Blame" were the band's last American Top 40 hits, although all the singles from Monster reached the Top 30 on the British charts. Warner Bros. assembled the music videos from the album as well as those from Automatic for the People for release as Parallel in 1995. In January 1995, R.E.M. set out on its first tour in six years. The tour was a huge commercial success, but the period was difficult for the group. On March 1, Berry collapsed on stage during a performance in Lausanne, Switzerland, having suffered a brain aneurysm. He had surgery immediately and recovered fully within a month. Berry's aneurysm was only the beginning of a series of health problems that plagued the Monster tour. Mills had to undergo abdominal surgery to remove an intestinal adhesion in July; a month later, Stipe had to have an emergency surgery to repair a hernia. Despite all the problems, the group had recorded the bulk of a new album while on the road. The band brought along eight-track recorders to capture its shows, and used the recordings as the base elements for the album. The final three performances of the tour were filmed at the Omni Coliseum in Atlanta, Georgia and released in home video form as Road Movie. R.E.M. re-signed with Warner Bros. Records in 1996 for a reported $80 million (a figure the band constantly asserted originated with the media), rumored to be the largest recording contract in history at that point. The group's 1996 album New Adventures in Hi-Fi debuted at number two in the US and number one in the UK. The five million copies of the album sold were a reversal of the group's commercial fortunes of the previous five years. Time writer Christopher John Farley argued that the lesser sales of the album were due to the declining commercial power of alternative rock as a whole. That same year, R.E.M. parted ways with manager Jefferson Holt, allegedly due to sexual harassment charges levied against him by a member of the band's home office in Athens. The group's lawyer Bertis Downs assumed managerial duties. CANNOTANSWER	In January 1995, R.E.M. set out on its first tour in six years.	R.E.M. was an American rock band from Athens, Georgia, formed in 1980 by drummer Bill Berry, guitarist Peter Buck, bassist Mike Mills, and lead vocalist Michael Stipe, who were students at the University of Georgia. Liner notes from some of the band's albums list attorney Bertis Downs and manager Jefferson Holt as non-musical members. One of the first alternative rock bands, R.E.M. was noted for Buck's ringing, arpeggiated guitar style; Stipe's distinctive vocal quality, unique stage presence, and obscure lyrics; Mills's melodic bass lines and backing vocals; and Berry's tight, economical drumming style. In the early 1990s, other alternative rock acts such as Nirvana and Pavement viewed R.E.M. as a pioneer of the genre. After Berry left the band in 1997, the band continued its career in the 2000s with mixed critical and commercial success. The band broke up amicably in 2011 with members devoting time to solo projects after having sold more than 85 million albums worldwide and becoming one of the world's best-selling music acts. R.E.M. released its first single, "Radio Free Europe", in 1981 on the independent record label Hib-Tone. It was followed by the Chronic Town EP in 1982, the band's first release on I.R.S. Records. In 1983, the group released its critically acclaimed debut album, Murmur, and built its reputation over the next few years with similarly acclaimed releases every year from 1984 to 1988: Reckoning, Fables of the Reconstruction, Lifes Rich Pageant, Document and Green, including an intermittent b-side compilation Dead Letter Office. Don Dixon and Mitch Easter produced their first two albums, Joe Boyd handled production on Fables of the Reconstruction and Don Gehman produced Lifes Rich Pageant. Thereafter, R.E.M. settled on Scott Litt as producer for the next 10years during the band's most successful period of their career. They also started co-producing their material and playing other instruments in the studio apart from the main ones they play. With constant touring, and the support of college radio following years of underground success, R.E.M. achieved a mainstream hit with the 1987 single "The One I Love". The group signed to Warner Bros. Records in 1988, and began to espouse political and environmental concerns while playing large arenas worldwide. R.E.M.'s most commercially successful albums, Out of Time (1991) and Automatic for the People (1992), put them in the vanguard of alternative rock just as it was becoming mainstream. Out of Time received seven nominations at the 34th Annual Grammy Awards, and lead single "Losing My Religion", was R.E.M.'s highest-charting and best-selling hit. Monster (1994) continued its run of success. The band began its first tour in six years to support the album; the tour was marred by medical emergencies suffered by three of the band members. In 1996, R.E.M. re-signed with Warner Bros. for a reported US$80 million, at the time the most expensive recording contract ever. The tour was productive and the band recorded the following album mostly during soundchecks. The resulting record, New Adventures in Hi-Fi (1996), is hailed as the band's last great album and the members' favorite, growing in cult status over the years. Berry left the band the following year, and Stipe, Buck, and Mills continued as a musical trio, supplemented by studio and live musicians, such as multi-instrumentalists Scott McCaughey and Ken Stringfellow and drummers Joey Waronker and Bill Rieflin. They also parted ways with their longtime manager Jefferson Holt and band's attorney Bertis Downs assumed managerial duties. Seeking to also renovate their sound, the band stopped working with Scott Litt, co-producer and contributor to six of their studio albums and hired Pat McCarthy as co-producer, who had participated before that as mixer and engineer on their last two albums. After the electronic experimental direction of Up (1998) that was commercially unsuccessful, Reveal (2001) was referred to as "a conscious return to their classic sound" which received general acclaim. In 2007, the band was inducted into the Rock and Roll Hall of Fame, in its first year of eligibility and Berry reunited with the band for the ceremony and to record a cover of John Lennon's "#9 Dream" for the compilation album Instant Karma: The Amnesty International Campaign to Save Darfur to benefit Amnesty International's campaign to alleviate the Darfur conflict. Looking for a change of sound after lukewarm reception for Around the Sun (2004), the band collaborated with co-producer Jacknife Lee on their last two studio albums—the well-received Accelerate (2008) and Collapse into Now (2011)—as well as their first live albums after decades of touring. R.E.M. disbanded amicably in September 2011, with former members having continued with various musical projects, and several live and archival albums have since been released. History 1980–1982: Formation and first releases In January 1980, Peter Buck met Michael Stipe in Wuxtry Records, the Athens record store where Buck worked. The pair discovered that they shared similar tastes in music, particularly in punk rock and proto-punk artists like Patti Smith, Television, and the Velvet Underground. Stipe said, "It turns out that I was buying all the records that [Buck] was saving for himself." Through mutual friend Kathleen O'Brien, Stipe and Buck then met fellow University of Georgia students Bill Berry and Mike Mills, who had played music together since high school and lived together in Georgia. The quartet agreed to collaborate on several songs; Stipe later commented that "there was never any grand plan behind any of it". Their still-unnamed band spent a few months rehearsing in a deconsecrated Episcopal church in Athens, and played its first show on April 5, 1980, supporting the Side Effects at O'Brien's birthday party held in the same church, performing a mix of originals and 1960s and 1970s covers. After considering names such as Cans of Piss, Negro Eyes, and Twisted Kites, the band settled on "R.E.M.", which Stipe selected at random from a dictionary. R.E.M. is well known as an initialism for rapid eye movement, the dream stage of sleep; however, sleep researcher Dr. Rafael Pelayo reports that when his colleague Dr. William Dement, the sleep scientist who coined the term REM, reached out to the band, Dr. Dement was told that the band was named "not after REM sleep". The band members eventually dropped out of school to focus on their developing group. They found a manager in Jefferson Holt, a record store clerk who was so impressed by an R.E.M. performance in his hometown of Chapel Hill, North Carolina, that he moved to Athens. R.E.M.'s success was almost immediate in Athens and surrounding areas; the band drew progressively larger crowds for shows, which caused some resentment in the Athens music scene. Over the next year and a half, R.E.M. toured throughout the Southern United States. Touring was arduous because a touring circuit for alternative rock bands did not then exist. The group toured in an old blue van driven by Holt, and lived on a food allowance of $2 each per day. During April 1981, R.E.M. recorded its first single, "Radio Free Europe", at producer Mitch Easter's Drive-In Studios in Winston-Salem, North Carolina. Initially distributing it as a four-track demo tape to clubs, record labels and magazines, the single was released in July 1981 on the local independent record label Hib-Tone with an initial pressing of 1,000 copies—600 of which were sent out as promotional copies. The single quickly sold out, and another 6,000 copies were pressed due to popular demand, despite the original pressing leaving off the record label's contact details. Despite its limited pressing, the single garnered critical acclaim, and was listed as one of the ten best singles of the year by The New York Times. R.E.M. recorded the Chronic Town EP with Mitch Easter in October 1981, and planned to release it on a new indie label named Dasht Hopes. However, I.R.S. Records acquired a demo of the band's first recording session with Easter that had been circulating for months. The band turned down the advances of major label RCA Records in favor of I.R.S., with whom it signed a contract in May 1982. I.R.S. released Chronic Town that August as its first American release. A positive review of the EP by NME praised the songs' auras of mystery, and concluded, "R.E.M. ring true, and it's great to hear something as unforced and cunning as this." 1982–1988: I.R.S. Records and cult success I.R.S. first paired R.E.M. with producer Stephen Hague to record its debut album. Hague's emphasis on technical perfection left the band unsatisfied, and the band members asked the label to let them record with Easter. I.R.S. agreed to a "tryout" session, allowing the band to return to North Carolina and record the song "Pilgrimage" with Easter and producing partner Don Dixon. After hearing the track, I.R.S. permitted the group to record the album with Dixon and Easter. Because of its bad experience with Hague, the band recorded the album via a process of negation, refusing to incorporate rock music clichés such as guitar solos or then-popular synthesizers, in order to give its music a timeless feel. The completed album, Murmur, was greeted with critical acclaim upon its release in 1983, with Rolling Stone listing the album as its record of the year. The album reached number 36 on the Billboard album chart. A re-recorded version of "Radio Free Europe" was the album's lead single and reached number 78 on the Billboard singles chart in 1983. Despite the acclaim awarded the album, Murmur sold only about 200,000 copies, which I.R.S.'s Jay Boberg felt was below expectations. R.E.M. made its first national television appearance on Late Night with David Letterman in October 1983, during which the group performed a new, unnamed song. The piece, eventually titled "So. Central Rain (I'm Sorry)", became the first single from the band's second album, Reckoning (1984), which was also recorded with Easter and Dixon. The album met with critical acclaim; NMEs Mat Snow wrote that Reckoning "confirms R.E.M. as one of the most beautifully exciting groups on the planet". While Reckoning peaked at number 27 on the US album charts—an unusually high chart placing for a college rock band at the time—scant airplay and poor distribution overseas resulted in it charting no higher than number 91 in Britain. The band's third album, Fables of the Reconstruction (1985), demonstrated a change in direction. Instead of Dixon and Easter, R.E.M. chose producer Joe Boyd, who had worked with Fairport Convention and Nick Drake, to record the album in England. The band members found the sessions unexpectedly difficult, and were miserable due to the cold winter weather and what they considered to be poor food; the situation brought the band to the verge of break-up. The gloominess surrounding the sessions worked its way into the context for the album's themes. Lyrically, Stipe began to create storylines in the mode of Southern mythology, noting in a 1985 interview that he was inspired by "the whole idea of the old men sitting around the fire, passing on ... legends and fables to the grandchildren". They toured Canada in July and August 1985, and Europe in October of that year, including the Netherlands, England (including one concert at London's Hammersmith Palais), Ireland, Scotland, France, Switzerland, Belgium and West Germany. On October 2, 1985, the group played a concert in Bochum, West Germany, for the German TV show Rockpalast. Stipe had bleached his hair blond during this time. R.E.M. invited California punk band Minutemen to open for them on part of the US tour, and organized a benefit for the family of Minutemen frontman D. Boon who died in a December 1985 car crash shortly after the tour's conclusion. Fables of the Reconstruction performed poorly in Europe and its critical reception was mixed, with some critics regarding it as dreary and poorly recorded. As with the previous records, the singles from Fables of the Reconstruction were mostly ignored by mainstream radio. Meanwhile, I.R.S. was becoming frustrated with the band's reluctance to achieve mainstream success. For its fourth album, R.E.M. enlisted John Mellencamp's producer Don Gehman. The result, Lifes Rich Pageant (1986), featured Stipe's vocals closer to the forefront of the music. In a 1986 interview with the Chicago Tribune, Peter Buck related, "Michael is getting better at what he's doing, and he's getting more confident at it. And I think that shows up in the projection of his voice." The album improved markedly upon the sales of Fables of the Reconstruction and reached number 21 on the Billboard album chart. The single "Fall on Me" also picked up support on commercial radio. The album was the band's first to be certified gold for selling 500,000 copies. While American college radio remained R.E.M.'s core support, the band was beginning to chart hits on mainstream rock formats; however, the music still encountered resistance from Top 40 radio. Following the success of Lifes Rich Pageant, I.R.S. issued Dead Letter Office, a compilation of tracks recorded by the band during their album sessions, many of which had either been issued as B-sides or left unreleased altogether. Shortly thereafter, I.R.S. compiled R.E.M.'s music video catalog (except "Wolves, Lower") as the band's first video release, Succumbs. Don Gehman was unable to produce R.E.M.'s fifth album, so he suggested the group work with Scott Litt. Litt would be the producer for the band's next five albums. Document (1987) featured some of Stipe's most openly political lyrics, particularly on "Welcome to the Occupation" and "Exhuming McCarthy", which were reactions to the conservative political environment of the 1980s under American president Ronald Reagan. Jon Pareles of The New York Times wrote in his review of the album, "Document is both confident and defiant; if R.E.M. is about to move from cult-band status to mass popularity, the album decrees that the band will get there on its own terms." Document was R.E.M.'s breakthrough album, and the first single "The One I Love" charted in the Top 20 in the US, UK, and Canada. By January 1988, Document had become the group's first album to sell a million copies. In light of the band's breakthrough, the December 1987 cover of Rolling Stone declared R.E.M. "America's Best Rock & Roll Band". 1988–1997: International breakout and alternative rock stardom Frustrated that its records did not see satisfactory overseas distribution, R.E.M. left I.R.S. when its contract expired and signed with the major label Warner Bros. Records. Though other labels offered more money, R.E.M. ultimately signed with Warner Bros.—reportedly for an amount between $6 million and $12 million—due to the company's assurance of total creative freedom. (Jay Boberg claimed that R.E.M.'s deal with Warner Bros. was for $22 million, which Peter Buck disputed as "definitely wrong".) In the aftermath of the group's departure, I.R.S. released the 1988 "best of" compilation Eponymous (assembled with input from the band members) to capitalize on assets the company still possessed. The band's 1988 Warner Bros. debut, Green, was recorded in Memphis, Tennessee, and showcased the group experimenting with its sound. The record's tracks ranged from the upbeat first single "Stand" (a hit in the United States), to more political material, like the rock-oriented "Orange Crush" and "World Leader Pretend", which address the Vietnam War and the Cold War, respectively. Green has gone on to sell four million copies worldwide. The band supported the album with its biggest and most visually developed tour to date, featuring back-projections and art films playing on the stage. After the Green tour, the band members unofficially decided to take the following year off, the first extended break in the band's career. In 1990 Warner Bros. issued the music video compilation Pop Screen to collect clips from the Document and Green albums, followed a few months later by the video album Tourfilm featuring live performances filmed during the Green World Tour. R.E.M. reconvened in mid-1990 to record its seventh album, Out of Time. In a departure from Green, the band members often wrote the music with non-traditional rock instrumentation including mandolin, organ, and acoustic guitar instead of adding them as overdubs later in the creative process. Released in March 1991, Out of Time was the band's first album to top both the US and UK charts. The record eventually sold 4.2 million copies in the US alone, and about 12 million copies worldwide by 1996. The album's lead single "Losing My Religion" was a worldwide hit that received heavy rotation on radio, as did the music video on MTV and VH1. "Losing My Religion" was R.E.M.'s highest-charting single in the US, reaching number four on the Billboard charts. "There've been very few life-changing events in our career because our career has been so gradual," Mills said years later. "If you want to talk about life changing, I think 'Losing My Religion' is the closest it gets". The album's second single, "Shiny Happy People" (one of three songs on the record to feature vocals from Kate Pierson of fellow Athens band the B-52's), was also a major hit, reaching number 10 in the US and number six in the UK. Out of Time garnered R.E.M. seven nominations at the 1992 Grammy Awards, the most nominations of any artist that year. The band won three awards: one for Best Alternative Music Album and two for "Losing My Religion", Best Short Form Music Video and Best Pop Performance by a Duo or Group with Vocal. R.E.M. did not tour to promote Out of Time; instead the group played a series of one-off shows, including an appearance taped for an episode of MTV Unplugged and released music videos for each song on the video album This Film Is On. The band also performed "Losing My Religion" with members of the Atlanta Symphony Orchestra in Madison, Georgia, at Madison-Morgan Cultural Center as part of MTV's 10th anniversary special. After spending some months off, R.E.M. returned to the studio in 1991 to record its next album. Late in 1992, the band released Automatic for the People. Though the group had intended to make a harder-rocking album after the softer textures of Out of Time, the somber Automatic for the People "[seemed] to move at an even more agonized crawl", according to Melody Maker. The album dealt with themes of loss and mourning inspired by "that sense of ... turning thirty", according to Buck. Several songs featured string arrangements by former Led Zeppelin bassist John Paul Jones. Considered by a number of critics (as well as by Buck and Mills) to be the band's best album, Automatic for the People reached numbers one and two on UK and US charts, respectively, and generated the American Top 40 hit singles "Drive", "Man on the Moon", and "Everybody Hurts". The album would sell over fifteen million copies worldwide. As with Out of Time, there was no tour in support of the album. The decision to forgo a tour, in conjunction with Stipe's physical appearance, generated rumors that the singer was dying or HIV-positive, which were vehemently denied by the band. After the band released two slow-paced albums in a row, R.E.M.'s 1994 album Monster was, as Buck said, "a 'rock' record, with the rock in quotation marks." In contrast to the sound of its predecessors, the music of Monster consisted of distorted guitar tones, minimal overdubs, and touches of 1970s glam rock. Like Out of Time, Monster topped the charts in both the US and UK. The record sold about nine million copies worldwide. The singles "What's the Frequency, Kenneth?" and "Bang and Blame" were the band's last American Top 40 hits, although all the singles from Monster reached the Top 30 on the British charts. Warner Bros. assembled the music videos from the album as well as those from Automatic for the People for release as Parallel in 1995. In January 1995, R.E.M. set out on its first tour in six years. The tour was a huge commercial success, but the period was difficult for the group. On March 1, Berry collapsed on stage during a performance in Lausanne, Switzerland, having suffered a brain aneurysm. He had surgery immediately and recovered fully within a month. Berry's aneurysm was only the beginning of a series of health problems that plagued the Monster tour. Mills had to undergo abdominal surgery to remove an intestinal adhesion in July; a month later, Stipe had to have an emergency surgery to repair a hernia. Despite all the problems, the group had recorded the bulk of a new album while on the road. The band brought along eight-track recorders to capture its shows, and used the recordings as the base elements for the album. The final three performances of the tour were filmed at the Omni Coliseum in Atlanta, Georgia and released in home video form as Road Movie. R.E.M. re-signed with Warner Bros. Records in 1996 for a reported $80 million (a figure the band constantly asserted originated with the media), rumored to be the largest recording contract in history at that point. The group's 1996 album New Adventures in Hi-Fi debuted at number two in the US and number one in the UK. The five million copies of the album sold were a reversal of the group's commercial fortunes of the previous five years. Critical reaction to the album was mostly favorable. In a 2017 retrospective on the band, Consequence of Sound ranked it third out of R.E.M.'s 15 full-length studio albums. The album is Stipe's favorite from R.E.M. and he considers it the band at their peak. Mills says "It usually takes a good few years for me to decide where an album stands in the pantheon of recorded work we've done. This one may be third behind Murmur and Automatic for the People. According to DiscoverMusic: "Arguably less immediate and less accessible[...]New Adventures in Hi-Fi is a sprawling, "White Album"-esque affair clocking in at 65 minutes. However, while it required some time and commitment from the listener, the record's contents were rich, compelling and frequently stunning. Accordingly, the album has continued to lobby for recognition and has long since earned its reputation as R.E.M.'s most unsung LP." While sales were impressive they were below their previous major label records. Time's writer Christopher John Farley argued that the lesser sales of the album were due to the declining commercial power of alternative rock as a whole. That same year, R.E.M. parted ways with manager Jefferson Holt, allegedly due to sexual harassment charges levied against him by a member of the band's home office in Athens. The group's lawyer Bertis Downs assumed managerial duties. 1997–2006: Continuing as three-piece with mixed success In April 1997, the band convened at Buck's Kauai vacation home to record demos of material intended for the next album. The band sought to reinvent its sound and intended to incorporate drum loops and percussion experiments. Just as the sessions were due to begin in October, Berry decided, after months of contemplation and discussions with Downs and Mills, to tell the rest of the band that he was quitting. Berry told his bandmates that he would not quit if they would break up as a result, so Stipe, Buck, and Mills agreed to carry on as a three-piece with his blessing. Berry publicly announced his departure three weeks later in October 1997. Berry told the press, "I'm just not as enthusiastic as I have been in the past about doing this anymore . . . I have the best job in the world. But I'm kind of ready to sit back and reflect and maybe not be a pop star anymore." Stipe admitted that the band would be different without a major contributor: "For me, Mike, and Peter, as R.E.M., are we still R.E.M.? I guess a three-legged dog is still a dog. It just has to learn to run differently." The band cancelled its scheduled recording sessions as a result of Berry's departure. "Without Bill it was different, confusing", Mills later said. "We didn't know exactly what to do. We couldn't rehearse without a drummer." The remaining members of R.E.M. resumed work on the album in February 1998 at Toast Studios in San Francisco. The band ended its decade-long collaboration with Scott Litt and hired Pat McCarthy to produce the record. Nigel Godrich was taken on as assistant producer, and drafted in Screaming Trees member Barrett Martin and Beck's touring drummer Joey Waronker. The recording process was tense, and the group came close to disbanding. Bertis Downs called an emergency meeting in which the band members resolved their problems and agreed to continue as a group. Led by the single "Daysleeper", Up (1998) debuted in the top ten in the US and UK. However, the album was a relative failure, selling 900,000 copies in the US by mid-1999 and eventually selling just over two million copies worldwide. While R.E.M.'s American sales were declining, the group's commercial base was shifting to the UK, where more R.E.M. records were sold per capita than any other country and the band's singles regularly entered the Top 20. A year after Ups release, R.E.M. wrote the instrumental score to the Andy Kaufman biographical film Man on the Moon, a first for the group. The film took its title from the Automatic for the People song of the same name. The song "The Great Beyond" was released as a single from the Man on the Moon soundtrack album. "The Great Beyond" only reached number 57 on the American pop charts, but was the band's highest-charting single ever in the UK, reaching number three in 2000. R.E.M. recorded the majority of its twelfth album Reveal (2001) in Canada and Ireland from May to October 2000. Reveal shared the "lugubrious pace" of Up, and featured drumming by Joey Waronker, as well as contributions by Scott McCaughey (a co-founder of the band the Minus 5 with Buck), and Ken Stringfellow (founder of the Posies). Global sales of the album were over four million, but in the United States Reveal sold about the same number of copies as Up. The album was led by the single "Imitation of Life", which reached number six in the UK. Writing for Rock's Backpages, The Rev. Al Friston described the album as "loaded with golden loveliness at every twist and turn", in comparison to the group's "essentially unconvincing work on New Adventures in Hi-Fi and Up". Similarly, Rob Sheffield of Rolling Stone called Reveal "a spiritual renewal rooted in a musical one" and praised its "ceaselessly astonishing beauty". In 2003, Warner Bros. released the compilation album and DVD In Time: The Best of R.E.M. 1988–2003 and In View: The Best of R.E.M. 1988–2003, which featured two new songs, "Bad Day" and "Animal". At a 2003 concert in Raleigh, North Carolina, Berry made a surprise appearance, performing backing vocals on "Radio Free Europe". He then sat behind the drum kit for a performance of the early R.E.M. song "Permanent Vacation", marking his first performance with the band since his retirement. R.E.M. released Around the Sun in 2004. During production of the album in 2002, Stipe said, "[The album] sounds like it's taking off from the last couple of records into unchartered R.E.M. territory. Kind of primitive and howling". After the album's release, Mills said, "I think, honestly, it turned out a little slower than we intended for it to, just in terms of the overall speed of songs." Around the Sun received a mixed critical reception, and peaked at number 13 on the Billboard charts. The first single from the album, "Leaving New York", was a Top 5 hit in the UK. For the record and subsequent tour, the band hired a new full-time touring drummer, Bill Rieflin, who had previously been a member of several industrial music acts such as Ministry and Pigface, and remained in that role for the duration of the band's active years. The video album Perfect Square was released that same year. 2006–2011: Last albums, recognition and breakup EMI released a compilation album covering R.E.M.'s work during its tenure on I.R.S. in 2006 called And I Feel Fine... The Best of the I.R.S. Years 1982–1987 along with the video album When the Light Is Mine: The Best of the I.R.S. Years 1982–1987—the label had previously released the compilations The Best of R.E.M. (1991), R.E.M.: Singles Collected (1994), and R.E.M.: In the Attic – Alternative Recordings 1985–1989 (1997). That same month, all four original band members performed during the ceremony for their induction into the Georgia Music Hall of Fame. While rehearsing for the ceremony, the band recorded a cover of John Lennon's "#9 Dream" for Instant Karma: The Amnesty International Campaign to Save Darfur, a tribute album benefiting Amnesty International. The song—released as a single for the album and the campaign—featured Bill Berry's first studio recording with the band since his departure almost a decade earlier. In October 2006, R.E.M. was nominated for induction into the Rock and Roll Hall of Fame in its first year of eligibility. The band was one of five nominees accepted into the Hall that year, and the induction ceremony took place in March 2007 at New York's Waldorf-Astoria Hotel. The group—which was inducted by Pearl Jam lead singer Eddie Vedder—performed three songs with Bill Berry; "Gardening at Night", "Man on the Moon" and "Begin the Begin" as well as a cover of "I Wanna Be Your Dog". Work on the group's fourteenth album commenced in early 2007. The band recorded with producer Jacknife Lee in Vancouver and Dublin, where it played five nights in the Olympia Theatre between June 30 and July 5 as part of a "working rehearsal". R.E.M. Live, the band's first live album (featuring songs from a 2005 Dublin show), was released in October 2007. The group followed this with the 2009 live album Live at The Olympia, which features performances from its 2007 residency. R.E.M. released Accelerate in early 2008. The album debuted at number two on the Billboard charts, and became the band's eighth album to top the British album charts. Rolling Stone reviewer David Fricke considered Accelerate an improvement over the band's previous post-Berry albums, calling it "one of the best records R.E.M. have ever made". In 2010, R.E.M. released the video album R.E.M. Live from Austin, TX—a concert recorded for Austin City Limits in 2008. The group recorded its fifteenth album, Collapse into Now (2011), with Jacknife Lee in locales including Berlin, Nashville, and New Orleans. For the album, the band aimed for a more expansive sound than the intentionally short and speedy approach implemented on Accelerate. The album debuted at number five on the Billboard 200, becoming the group's tenth album to reach the top ten of the chart. This release fulfilled R.E.M.'s contractual obligations to Warner Bros., and the band began recording material without a contract a few months later with the possible intention of self-releasing the work. On September 21, 2011, R.E.M. announced via its website that it was "calling it a day as a band". Stipe said that he hoped fans realized it "wasn't an easy decision": "All things must end, and we wanted to do it right, to do it our way." Long-time associate and former Warner Bros. Senior Vice President of Emerging Technology Ethan Kaplan has speculated that shake-ups at the record label influenced the group's decision to disband. The group discussed breaking up for several years, but was encouraged to continue after the lackluster critical and commercial performance of Around the Sun; according to Mills, "We needed to prove, not only to our fans and critics but to ourselves, that we could still make great records." They were also uninterested in the business end of recording as R.E.M. The band members finished their collaboration by assembling the compilation album Part Lies, Part Heart, Part Truth, Part Garbage 1982–2011, which was released in November 2011. The album is the first to collect songs from R.E.M.'s I.R.S. and Warner Bros. tenures, as well as three songs from the group's final studio recordings from post-Collapse into Now sessions. In November, Mills and Stipe did a brief span of promotional appearances in British media, ruling out the option of the group ever reuniting. 2011–present: Post-breakup releases and events In 2014, Unplugged: The Complete 1991 and 2001 Sessions was released for Record Store Day. Digital download collections of I.R.S. and Warner Bros. rarities followed. Later in the year, the band compiled the video album box set REMTV, which collected their two Unplugged performances along with several other documentaries and live shows, while their record label released the box set 7IN—83–88, made up of 7-inch vinyl singles. In December 2015, the band members agreed to a distribution deal with Concord Bicycle Music to re-release their Warner Bros. albums. Continuing to maintain their copyright and intellectual property legacies, in March 2016, the band signed a new music publishing administration deal with Universal Music Publishing Group, and a year later, the band members left Broadcast Music, Inc., who had represented their performance rights for their entire career, and joined SESAC. The first release after their new publishing status was the 2018 box set R.E.M. at the BBC. Live at the Borderline 1991 followed for 2019's Record Store Day. On March 24, 2020, session and touring drummer Bill Rieflin, who contributed on the band's last three records, died of cancer after years of battling the disease. In September 2021, a full decade after disbanding, Stipe reiterated that the band had no intention of regrouping: "We decided when we split up that that would just be really tacky and probably money-grabbing, which might be the impetus for a lot of bands to get back together." Musical style R.E.M. has been described as alternative rock, college rock, folk rock, jangle pop, and post-punk. In a 1988 interview, Peter Buck described R.E.M. songs as typically, "Minor key, mid-tempo, enigmatic, semi-folk-rock-balladish things. That's what everyone thinks and to a certain degree, that's true." All songwriting is credited to the entire band, even though individual members are sometimes responsible for writing the majority of a particular song. Each member is given an equal vote in the songwriting process; however, Buck has conceded that Stipe, as the band's lyricist, can rarely be persuaded to follow an idea he does not favor. Among the original line-up, there were divisions of labor in the songwriting process: Stipe would write lyrics and devise melodies, Buck would edge the band in new musical directions, and Mills and Berry would fine-tune the compositions due to their greater musical experience. Michael Stipe sings in what R.E.M. biographer David Buckley described as "wailing, keening, arching vocal figures". Stipe often harmonizes with Mills in songs; in the chorus for "Stand", Mills and Stipe alternate singing lyrics, creating a dialogue. Early articles about the band focused on Stipe's singing style (described as "mumbling" by The Washington Post), which often rendered his lyrics indecipherable. Creem writer John Morthland wrote in his review of Murmur, "I still have no idea what these songs are about, because neither me nor anyone else I know has ever been able to discern R.E.M.'s lyrics." Stipe commented in 1984, "It's just the way I sing. If I tried to control it, it would be pretty false." Producer Joe Boyd convinced Stipe to begin singing more clearly during the recording of Fables of the Reconstruction. Stipe later called chorus lyrics of "Sitting Still" from R.E.M. debut album, Murmur, "nonsense", saying in a 1994 online chat, "You all know there aren't words, per se, to a lot of the early stuff. I can't even remember them." In truth, Stipe carefully crafted the lyrics to many early R.E.M. songs. Stipe explained in 1984 that when he started writing lyrics they were like "simple pictures", but after a year he grew tired of the approach and "started experimenting with lyrics that didn't make exact linear sense, and it's just gone from there." In the mid-1980s, as Stipe's pronunciation while singing became clearer, the band decided that its lyrics should convey ideas on a more literal level. Mills explained, "After you've made three records and you've written several songs and they've gotten better and better lyrically the next step would be to have somebody question you and say, are you saying anything? And Michael had the confidence at that point to say yes . . ." Songs like "Cuyahoga" and "Fall on Me" on Lifes Rich Pageant dealt with such concerns as pollution. Stipe incorporated more politically oriented concerns into his lyrics on Document and Green. "Our political activism and the content of the songs was just a reaction to where we were, and what we were surrounded by, which was just abject horror," Stipe said later. "In 1987 and '88 there was nothing to do but be active." Stipe has since explored other lyrical topics. Automatic for the People dealt with "mortality and dying. Pretty turgid stuff", according to Stipe, while Monster critiqued love and mass culture. Musically, Stipe stated that bands like T. Rex and Mott the Hoople "really impacted me". Peter Buck's style of playing guitar has been singled out by many as the most distinctive aspect of R.E.M.'s music. During the 1980s, Buck's "economical, arpeggiated, poetic" style reminded British music journalists of 1960s American folk rock band the Byrds. Buck has stated "[Byrds guitarist] Roger McGuinn was a big influence on me as a guitar player", but said it was Byrds-influenced bands, including Big Star and the Soft Boys, that inspired him more. Comparisons were also made with the guitar playing of Johnny Marr of alternative rock contemporaries the Smiths. While Buck professed being a fan of the group, he admitted he initially criticized the band simply because he was tired of fans asking him if he was influenced by Marr, whose band had in fact made their debut after R.E.M. Buck generally eschews guitar solos; he explained in 2002, "I know that when guitarists rip into this hot solo, people go nuts, but I don't write songs that suit that, and I am not interested in that. I can do it if I have to, but I don't like it." Mike Mills' melodic approach to bass playing is inspired by Paul McCartney of the Beatles and Chris Squire of Yes; Mills has said, "I always played a melodic bass, like a piano bass in some ways . . . I never wanted to play the traditional locked into the kick drum, root note bass work." Mills has more musical training than his bandmates, which he has said "made it easier to turn abstract musical ideas into reality." Legacy R.E.M. was pivotal in the creation and development of the alternative rock genre. AllMusic stated, "R.E.M. mark the point when post-punk turned into alternative rock." In the early 1980s, the musical style of R.E.M. stood in contrast to the post-punk and new wave genres that had preceded it. Music journalist Simon Reynolds noted that the post-punk movement of the late 1970s and early 1980s "had taken whole swaths of music off the menu", particularly that of the 1960s, and that "After postpunk's demystification and New Pop's schematics, it felt liberating to listen to music rooted in mystical awe and blissed-out surrender." Reynolds declared R.E.M., a band that recalled the music of the 1960s with its "plangent guitar chimes and folk-styled vocals" and who "wistfully and abstractly conjured visions and new frontiers for America", one of "the two most important alt-rock bands of the day." With the release of Murmur, R.E.M. had the most impact musically and commercially of the developing alternative genre's early groups, leaving in its wake a number of jangle pop followers. R.E.M.'s early breakthrough success served as an inspiration for other alternative bands. Spin referred to the "R.E.M. model"—career decisions that R.E.M. made that set guidelines for other underground artists to follow in their own careers. Spin's Charles Aaron wrote that by 1985, "They'd shown how far an underground, punk-inspired rock band could go within the industry without whoring out its artistic integrity in any obvious way. They'd figured out how to buy in, not sellout-in other words, they'd achieved the American Bohemian Dream." Steve Wynn of Dream Syndicate said, "They invented a whole new ballgame for all of the other bands to follow whether it was Sonic Youth or the Replacements or Nirvana or Butthole Surfers. R.E.M. staked the claim. Musically, the bands did different things, but R.E.M. was first to show us you can be big and still be cool." Biographer David Buckley stated that between 1991 and 1994, a period that saw the band sell an estimated 30 million albums, R.E.M. "asserted themselves as rivals to U2 for the title of biggest rock band in the world." Over the course of its career, the band has sold over 85 million records worldwide. Colin Larkin's All Time Top 1000 Albums stated that "Their catalogue is destined to endure as critics reluctantly accept their considerable importance in the history of rock". Alternative bands such as Nirvana, Pavement, Radiohead, Coldplay, Pearl Jam (the band's vocalist Eddie Vedder inducted R.E.M. into the Rock and Roll Hall of Fame), Live, Stone Temple Pilots, Collective Soul, Alice in Chains, Hootie and the Blowfish and Pwr Bttm have drawn inspiration from R.E.M.'s music. "When I was 15 years old in Richmond, Virginia, they were a very important part of my life," Pavement's Bob Nastanovich said, "as they were for all the members of our band." Pavement's contribution to the No Alternative compilation (1993) was "Unseen Power of the Picket Fence", a song about R.E.M.'s early days. Local H, according to the band's Twitter account, created their name by combining two R.E.M. songs: "Oddfellows Local 151" and "Swan Swan H". Kurt Cobain of Nirvana was a fan of R.E.M., and had unfulfilled plans to collaborate on a musical project with Stipe. Cobain told Rolling Stone in an interview earlier that year, "I don’t know how that band does what they do. God, they’re the greatest. They've dealt with their success like saints, and they keep delivering great music." During his show at the 40 Watt Club in October 2018, Johnny Marr said: "As a British musician coming out of the indie scene in the early '80s, which I definitely am and am proud to have been, I can't miss this opportunity to acknowledge and pay my respects and honor the guys who put this town on the map for us in England. I'm talking about my comrades in guitar music, R.E.M. The Smiths really respected R.E.M. We had to keep an eye on what those guys were up to. It's an interesting thing for me, as a British musician, and all those guys as British musicians, to come to this place and play for you guys, knowing that it's the roots of Mike Mills and Bill Berry and Michael Stipe and my good friend Peter Buck." Awards Campaigning and activism Throughout R.E.M.'s career, its members sought to highlight social and political issues. According to the Los Angeles Times, R.E.M. was considered to be one of the United States' "most liberal and politically correct rock groups." The band's members were "on the same page" politically, sharing a liberal and progressive outlook. Mills admitted that there was occasionally dissension between band members on what causes they might support, but acknowledged "Out of respect for the people who disagree, those discussions tend to stay in-house, just because we'd rather not let people know where the divisions lie, so people can't exploit them for their own purposes." An example is that in 1990 Buck noted that Stipe was involved with People for the Ethical Treatment of Animals, but the rest of the band were not. R.E.M. helped raise funds for environmental, feminist and human rights causes, and were involved in campaigns to encourage voter registration. During the Green tour, Stipe spoke on stage to the audiences about a variety of socio-political issues. Through the late 1980s and 1990s, the band (particularly Stipe) increasingly used its media coverage on national television to mention a variety of causes it felt were important. One example is during the 1991 MTV Video Music Awards, Stipe wore a half-dozen white shirts emblazoned with slogans including "rainforest", "love knows no colors", and "handgun control now". R.E.M. helped raise awareness of Aung San Suu Kyi and human rights violations in Myanmar, when they worked with the Freedom Campaign and the US Campaign for Burma. Stipe himself ran ads for the 1988 election, supporting Democratic presidential candidate and Massachusetts governor Michael Dukakis over then-Vice President George H. W. Bush. In 2004, the band participated in the Vote for Change tour that sought to mobilize American voters to support Democratic presidential candidate John Kerry. R.E.M.'s political stance, particularly coming from a wealthy rock band under contract to a label owned by a multinational corporation, received criticism from former Q editor Paul Du Noyer, who criticized the band's "celebrity liberalism", saying, "It's an entirely pain-free form of rebellion that they're adopting. There's no risk involved in it whatsoever, but quite a bit of shoring up of customer loyalty." From the late 1980s, R.E.M. was involved in the local politics of its hometown of Athens, Georgia. Buck explained to Sounds in 1987, "Michael always says think local and act local—we have been doing a lot of stuff in our town to try and make it a better place." The band often donated funds to local charities and helped renovate and preserve historic buildings in the town. R.E.M.'s political clout was credited with the narrow election of Athens mayor Gwen O'Looney twice in the 1990s. The band is a member of the Canadian charity Artists Against Racism. Members Main members Bill Berry – drums, percussion, backing vocals, occasional bass guitar and keyboards (1980–1997; occasional concert appearances with the band 2003–2007) Peter Buck – lead guitar, mandolin, banjo, occasional bass guitar and keyboards (1980–2011) Mike Mills – bass guitar, keyboards, backing vocals and guitar (1980–2011) Michael Stipe – lead vocals (1980–2011) Non-musical members Several publications made by the band such as album liner notes and fan club mailers list attorney Bertis Downs and manager Jefferson Holt as honorary non-musical members; the two joined up with R.E.M. in 1980/1981 and Holt left in 1996. Touring and session musicians Buren Fowler – rhythm guitar (1986–1987) Peter Holsapple – rhythm guitar, keyboards (1989–1991) Scott McCaughey – rhythm guitar, keyboards, backing vocals, occasional lead guitar (1994–2011) Nathan December – rhythm and lead guitar (1994–1995) Joey Waronker – drums, percussion (1998–2002) Barrett Martin – percussion (1998) Ken Stringfellow – keyboards, occasional rhythm guitar, bass guitar, backing vocals (1998–2005) Bill Rieflin – drums, percussion, occasional keyboards and guitar (2003–2011) Timeline Production timeline Touring and session members timeline Discography Studio albums Murmur (1983) Reckoning (1984) Fables of the Reconstruction (1985) Lifes Rich Pageant (1986) Document (1987) Green (1988) Out of Time (1991) Automatic for the People (1992) Monster (1994) New Adventures in Hi-Fi (1996) Up (1998) Reveal (2001) Around the Sun (2004) Accelerate (2008) Collapse into Now (2011) See also List of alternative rock artists References Sources Black, Johnny. Reveal: The Story of R.E.M. Backbeat, 2004. Buckley, David. R.E.M.: Fiction: An Alternative Biography. Virgin, 2002. Gray, Marcus. It Crawled from the South: An R.E.M. Companion. Da Capo, 1997. Second edition. Fletcher, Tony. Remarks Remade: The Story of R.E.M. Omnibus, 2002. . Platt, John (editor). The R.E.M. Companion: Two Decades of Commentary. Schirmer, 1998. Sullivan, Denise. Talk About the Passion: R.E.M.: An Oral Biography. Underwood-Miller, 1994. External links Dynamic Range DB entry for R.E.M. 1980 establishments in Georgia (U.S. state) 2011 disestablishments in Georgia (U.S. state) Alternative rock groups from Georgia (U.S. state) Brit Award winners Capitol Records artists Concord Bicycle Music artists Grammy Award winners I.R.S. Records artists Jangle pop groups Musical groups established in 1980 Musical groups disestablished in 2011 Musical groups from Athens, Georgia New West Records artists Rhino Records artists Warner Records artists Craft Recordings artists College rock musical groups	true	[ "Travel III EP is the sixth album by the Christian rock band Future of Forestry, and the third in the \"Travel Series.\" The recording of the album “officially” started on February 11. It was released on June 29, 2010. Frontman Eric Owyoung wrote all of the songs for this EP and his wife, Tamara Owyoung, painted the cover art for the album. The band subsequently departed on what was called \"The 3 Tour\" to go along with the release. The tour was self-booked and took place in the West and Midwest regions of the United States starting on June 27, 2010 and ending on July 13, 2010.\n\nTrack listing\nThe names (and respective order) of the songs were released on the band's Myspace page leading up to the release of the CD, as they did for the rest of the Travel Series EPs. However, on Travel III, for the first time, Future of Forestry released the tracks out-of-order.\n\n \"Bold and Underlined\" - 4:04\n \"Working to Be Loved\" - 3:48\n \"Did You Lose Yourself\" - 4:47\n \"Protection\" - 4:14\n \"Horizon Rainfall\" - 2:53\n \"Your Day's Not Over\" - 5:00\n\nAwards\nThe album was nominated for a Dove Award for Rock Album of the Year at the 42nd GMA Dove Awards.\n\nReferences \n\n2010 EPs\nFuture of Forestry albums", "Height Keech is the stage name of Baltimore rapper and podcaster Dan Keech (born September 22, 1981). He is best known as the founder and frontman for the group Height With Friends. Before forming Height With Friends, he released three solo albums and six EPs between 2000 and 2009. Keech interviews artists and musicians on his weekly podcast Height Zone World, which debuted in July 2014.\n\nHistory\n\nWounds\n\nHeight began rapping in the Baltimore-based Wounds, a five man group with Jones, Mickey Free, Shields and Chris Freeland. After releasing two cassette-only EP's, Wounds released one self-titled full length album in December 1999. They did a two-week tour in June 2000. Wounds continued occasionally playing shows around the east coast until 2001, when they disbanded as a live act.\n\nSelf-Titled Solo Debut and Tour\n\nIn August 2000, Height joined the indie hip-hop group Dogg and Pony, for their tour with San Francisco punk band The Deepthroats. Height wrote part of his first solo album during the tour, and the members of Dogg and Pony offered to put out the album on Dogg Pony Records. Shortly after the tour, Height did his first solo show, opening for Animal Collective at The Cooler in Brooklyn.\n\nThe first Height album was recorded in September 2000. Production was handled by all members of the Wounds crew, with vocal assistance by Grand Buffet, The Plural MC and MC Dogg. The album was supported by a six-week tour with Grand Buffet in November and December 2000. Due to internal strife at the label, the album ended up not coming out in time for the tour. Height did another midwestern tour with Jones in August 2001.\n\nAfter that tour, Height went on a hiatus from solo shows. He occasionally performed as a hype man for Cex, but he didn't play his own material again for over a year. In October 2002, Height was featured on three tracks from Cex's Tall, Dark and Handcuffed, on Tigerbeat6 Records. This was the first nationally distributed record of which Height was a part.\n\nI Have A Gun/Bow and Height\n\nIn July 2003, Height released his second album, I Have A Gun. The production was handled almost entirely by Shields, with recording and mixing by Zach Poff. Height did one solo tour to promote the album.\n\nShortly after, Height joined Mickey Free (a.k.a. Bow n' Arrow) to form Bow and Height. They became a duo, performing each other's solo songs, as well as some new collaborations. They did five tours throughout 2004, touring the US and Canada with Dan Deacon, Lost It, Grand Buffet and Oxes.\n\nIn December 2004, Bow and Height disbanded. Height returned to performing as a solo act, starting with a northeastern tour with Dan Deacon.\n\nSolo Touring\n\nIn February 2005, Height set out on a 50-day tour with Dan Deacon. Halfway through the trip, Height's car was totaled in Fresno, California. He flew back to Baltimore, while Dan Deacon completed part of the tour by Greyhound bus. They met up again in Pittsburgh, where they completed the last ten days of the tour together, along with Mickey Free.\n\nIn the fall of that year, Jones became an occasional part of Height's live set, DJing and adding effects to Height's vocals. Jones would join on for two out of the five Height tours that occurred throughout 2005-2006.\n\nRound Robin Tours\n\nIn October 2006, Height toured as part of the Wham City Round Robin Tour, once again with Jones as DJ.\n\nIn 2008, toured again as part of The Baltimore Round Robin tour, this time with Jones and King Rhythm as his band mates.\n\nSince 2006, Height has been putting together an annual event called the All Rap Round Robin, in Baltimore.\n\nUtility Fog\n\nIn Fall 2006, Height released a short-run EP of rarities, called Utility Fog. He would go on to release four EP's in the Utility Fog series, releasing the final EP of the series in 2009.\n\nWinterize The Game\n\nIn February 2007, Height released the full length album, Winterize The Game, on Grand Man Records. This was the first Height album to be recorded and mixed entirely by Mickey Free.\n\nDuring this time, Jones had become a full-time part of the live show. He joined Height for three coast-to-coast US tours, a Canadian tour, two east coast tours, and many regional other local /regional shows. For two of those tours, King Rhythm was also part of the show, triggering samples live and doing back-up vocals.\n\nPerforming with Grand Buffet\n\nIn March 2007, Height accompanied Grand Buffet for their week of shows opening for Of Montreal. Only meant as a road trip, the trip resulted in Height becoming a part of the Grand Buffet's set, performing the Grand Buffet/Height collaborations, \"Bad Weather\" and \"These Dreams are Fucked.\" Throughout 2007 and 2008, Height would regularly perform as part of Grand Buffet's show, for their tours with Of Montreal, MGMT and Streetlght Manifesto.\n\nHeight With Friends\n\nIn December 2008, Height began performing with Mickey Free, Emily Slaughter and Travis Allen. They began billing themselves as Height With Friends. The name change was intended to help present the project as an official band, without distancing themselves from the earlier Height material. The name change was also meant to acknowledge a new, more collaborative production style.\n\nAlthough they continued to perform some older Height songs, their new songs were specifically created to be performed live, by multiple vocalists. The line-up would change frequently. In addition to the original cast, they would also be joined by Gavin Riley, Brendan Richmond, Liz Aeby, Cathy Cathodic, Bob O'Brien and Plucky Walker of Flesh Epic.\n\nBaltimore Highlands\n\nBaltimore Highlands, the first record under the name Height With Friends, was released on Wham City Records in January 2009. The album was created by a more collaborative approach, with multiple producers working together on most tracks. In an interview about the album with Butterteam.com, Jones described the album's production as being like a \"chain letter,\" with each producer adding an element and passing it on to someone else.\n\nIn May 2009, the album was supported by the Wham City Records Is Real Tour, with Ed Schrader. They went on three other tours supporting the album that year, with Nuclear Power Pants, Thank You, Future Islands and Lord Grunge as tour mates.\n\nThis album was followed by the release of the Baltimore Highlands Remix Album, which was released in October 2009. It contained remixes by Tobacco, San Serac, Lesser Gonzalez, Drew Swinburne, Cex, Ms. Paintbursh, PT Burnem, King Rhythm, Jones, AK, LOWD, DJ Authentic, Gavin Riley and Al Lover.\n\nBed of Seeds\n\nBed of Seeds was written, recorded and mixed between Fall 2009 and Spring 2010. Much of the recording took place during a ten-day session in a makeshift studio in a cabin in Deep Creek Lake, Maryland. The album's production was financed by Normative Records. The label folded as the album was being mixed, but the record was picked up by Friends Records and released in May 2010.\n\nThis is the first Height With Friends project largely created with live instruments. The majority of the album's songs stray from the beats and rhymes format, employing chord structures and production styles from other forms of music. The rhyme schemes themselves sometimes resemble folk or pop verses, more than they do standard sixteen bar rap verses.\n\nThe album was initially promoted with a two-month tour in April and May 2010. The April portion of the tour was with Nuclear Power Pants. Due to problems at the pressing plant, the vinyl was not available until the tail end of the tour. They continued promoting the album with two more short tours in 2010, then a 51-day tour in February 2011. For their last tour in support of Bed Of Seeds, Height With Friends joined PT Burnem for The Rap Ambassadors Tour. The tour went to Russia, Ukraine, Romania, Hungary, Poland, Croatia and France.\n\nShark Tank\n\nShark Tank is a side project that pairs Height with Lord Grunge, Mickey Free and Brendan Richmond.\nIn February 2011, Shark Tank released their debut self-titled album. They did a small run of east coast shows to support the release.\n\nVideos\n\nHeight With Friends has four videos, and Height has one video of this solo material. The video for their song \"Mike Stone,\" was directed by Justin Barnes and produced by Team G. It was nominated for an award for Best Music Video at the 2010 SXSW Film Festival.\n\nHeight Zone World Podcast\n\nKeech interviews mostly Baltimore artists and musicians for his podcast. Each episode is hosted on Spilce Today and features an original homage album cover by Mike Riley. It has been streaming weekly since June 2014 and has featured such guests as Jenn Wasner, Dan Deacon, Sam Herring, Girl Talk, and Ed Schrader.\n\nDiscography\n\nReferences\n\nExternal links\n Official website\n Height Zone World Podcast\n\nRappers from Baltimore\nLiving people\n1981 births\n21st-century American rappers" ]
[ "R.E.M.", "1994-1996: Return to touring and continued success", "What was significant about 1994?", "R.E.M.'s 1994 album Monster was, as Buck said, \"a 'rock' record, with the rock in quotation marks.\"", "Was the album successful?", "Monster topped the charts in both the US and UK.", "Did they tour for the album?", "In January 1995, R.E.M. set out on its first tour in six years." ]	C_ba78f0869419427381f458814037b192_0	What countries did they play?	4	What countries did R.E.M. play in?	R.E.M.	After the band released two slow-paced albums in a row, R.E.M.'s 1994 album Monster was, as Buck said, "a 'rock' record, with the rock in quotation marks." In contrast to the sound of its predecessors, the music of Monster consisted of distorted guitar tones, minimal overdubs, and touches of 1970s glam rock. Like Out of Time, Monster topped the charts in both the US and UK. The record sold about nine million copies worldwide. The singles "What's the Frequency, Kenneth?" and "Bang and Blame" were the band's last American Top 40 hits, although all the singles from Monster reached the Top 30 on the British charts. Warner Bros. assembled the music videos from the album as well as those from Automatic for the People for release as Parallel in 1995. In January 1995, R.E.M. set out on its first tour in six years. The tour was a huge commercial success, but the period was difficult for the group. On March 1, Berry collapsed on stage during a performance in Lausanne, Switzerland, having suffered a brain aneurysm. He had surgery immediately and recovered fully within a month. Berry's aneurysm was only the beginning of a series of health problems that plagued the Monster tour. Mills had to undergo abdominal surgery to remove an intestinal adhesion in July; a month later, Stipe had to have an emergency surgery to repair a hernia. Despite all the problems, the group had recorded the bulk of a new album while on the road. The band brought along eight-track recorders to capture its shows, and used the recordings as the base elements for the album. The final three performances of the tour were filmed at the Omni Coliseum in Atlanta, Georgia and released in home video form as Road Movie. R.E.M. re-signed with Warner Bros. Records in 1996 for a reported $80 million (a figure the band constantly asserted originated with the media), rumored to be the largest recording contract in history at that point. The group's 1996 album New Adventures in Hi-Fi debuted at number two in the US and number one in the UK. The five million copies of the album sold were a reversal of the group's commercial fortunes of the previous five years. Time writer Christopher John Farley argued that the lesser sales of the album were due to the declining commercial power of alternative rock as a whole. That same year, R.E.M. parted ways with manager Jefferson Holt, allegedly due to sexual harassment charges levied against him by a member of the band's home office in Athens. The group's lawyer Bertis Downs assumed managerial duties. CANNOTANSWER	Switzerland,	R.E.M. was an American rock band from Athens, Georgia, formed in 1980 by drummer Bill Berry, guitarist Peter Buck, bassist Mike Mills, and lead vocalist Michael Stipe, who were students at the University of Georgia. Liner notes from some of the band's albums list attorney Bertis Downs and manager Jefferson Holt as non-musical members. One of the first alternative rock bands, R.E.M. was noted for Buck's ringing, arpeggiated guitar style; Stipe's distinctive vocal quality, unique stage presence, and obscure lyrics; Mills's melodic bass lines and backing vocals; and Berry's tight, economical drumming style. In the early 1990s, other alternative rock acts such as Nirvana and Pavement viewed R.E.M. as a pioneer of the genre. After Berry left the band in 1997, the band continued its career in the 2000s with mixed critical and commercial success. The band broke up amicably in 2011 with members devoting time to solo projects after having sold more than 85 million albums worldwide and becoming one of the world's best-selling music acts. R.E.M. released its first single, "Radio Free Europe", in 1981 on the independent record label Hib-Tone. It was followed by the Chronic Town EP in 1982, the band's first release on I.R.S. Records. In 1983, the group released its critically acclaimed debut album, Murmur, and built its reputation over the next few years with similarly acclaimed releases every year from 1984 to 1988: Reckoning, Fables of the Reconstruction, Lifes Rich Pageant, Document and Green, including an intermittent b-side compilation Dead Letter Office. Don Dixon and Mitch Easter produced their first two albums, Joe Boyd handled production on Fables of the Reconstruction and Don Gehman produced Lifes Rich Pageant. Thereafter, R.E.M. settled on Scott Litt as producer for the next 10years during the band's most successful period of their career. They also started co-producing their material and playing other instruments in the studio apart from the main ones they play. With constant touring, and the support of college radio following years of underground success, R.E.M. achieved a mainstream hit with the 1987 single "The One I Love". The group signed to Warner Bros. Records in 1988, and began to espouse political and environmental concerns while playing large arenas worldwide. R.E.M.'s most commercially successful albums, Out of Time (1991) and Automatic for the People (1992), put them in the vanguard of alternative rock just as it was becoming mainstream. Out of Time received seven nominations at the 34th Annual Grammy Awards, and lead single "Losing My Religion", was R.E.M.'s highest-charting and best-selling hit. Monster (1994) continued its run of success. The band began its first tour in six years to support the album; the tour was marred by medical emergencies suffered by three of the band members. In 1996, R.E.M. re-signed with Warner Bros. for a reported US$80 million, at the time the most expensive recording contract ever. The tour was productive and the band recorded the following album mostly during soundchecks. The resulting record, New Adventures in Hi-Fi (1996), is hailed as the band's last great album and the members' favorite, growing in cult status over the years. Berry left the band the following year, and Stipe, Buck, and Mills continued as a musical trio, supplemented by studio and live musicians, such as multi-instrumentalists Scott McCaughey and Ken Stringfellow and drummers Joey Waronker and Bill Rieflin. They also parted ways with their longtime manager Jefferson Holt and band's attorney Bertis Downs assumed managerial duties. Seeking to also renovate their sound, the band stopped working with Scott Litt, co-producer and contributor to six of their studio albums and hired Pat McCarthy as co-producer, who had participated before that as mixer and engineer on their last two albums. After the electronic experimental direction of Up (1998) that was commercially unsuccessful, Reveal (2001) was referred to as "a conscious return to their classic sound" which received general acclaim. In 2007, the band was inducted into the Rock and Roll Hall of Fame, in its first year of eligibility and Berry reunited with the band for the ceremony and to record a cover of John Lennon's "#9 Dream" for the compilation album Instant Karma: The Amnesty International Campaign to Save Darfur to benefit Amnesty International's campaign to alleviate the Darfur conflict. Looking for a change of sound after lukewarm reception for Around the Sun (2004), the band collaborated with co-producer Jacknife Lee on their last two studio albums—the well-received Accelerate (2008) and Collapse into Now (2011)—as well as their first live albums after decades of touring. R.E.M. disbanded amicably in September 2011, with former members having continued with various musical projects, and several live and archival albums have since been released. History 1980–1982: Formation and first releases In January 1980, Peter Buck met Michael Stipe in Wuxtry Records, the Athens record store where Buck worked. The pair discovered that they shared similar tastes in music, particularly in punk rock and proto-punk artists like Patti Smith, Television, and the Velvet Underground. Stipe said, "It turns out that I was buying all the records that [Buck] was saving for himself." Through mutual friend Kathleen O'Brien, Stipe and Buck then met fellow University of Georgia students Bill Berry and Mike Mills, who had played music together since high school and lived together in Georgia. The quartet agreed to collaborate on several songs; Stipe later commented that "there was never any grand plan behind any of it". Their still-unnamed band spent a few months rehearsing in a deconsecrated Episcopal church in Athens, and played its first show on April 5, 1980, supporting the Side Effects at O'Brien's birthday party held in the same church, performing a mix of originals and 1960s and 1970s covers. After considering names such as Cans of Piss, Negro Eyes, and Twisted Kites, the band settled on "R.E.M.", which Stipe selected at random from a dictionary. R.E.M. is well known as an initialism for rapid eye movement, the dream stage of sleep; however, sleep researcher Dr. Rafael Pelayo reports that when his colleague Dr. William Dement, the sleep scientist who coined the term REM, reached out to the band, Dr. Dement was told that the band was named "not after REM sleep". The band members eventually dropped out of school to focus on their developing group. They found a manager in Jefferson Holt, a record store clerk who was so impressed by an R.E.M. performance in his hometown of Chapel Hill, North Carolina, that he moved to Athens. R.E.M.'s success was almost immediate in Athens and surrounding areas; the band drew progressively larger crowds for shows, which caused some resentment in the Athens music scene. Over the next year and a half, R.E.M. toured throughout the Southern United States. Touring was arduous because a touring circuit for alternative rock bands did not then exist. The group toured in an old blue van driven by Holt, and lived on a food allowance of $2 each per day. During April 1981, R.E.M. recorded its first single, "Radio Free Europe", at producer Mitch Easter's Drive-In Studios in Winston-Salem, North Carolina. Initially distributing it as a four-track demo tape to clubs, record labels and magazines, the single was released in July 1981 on the local independent record label Hib-Tone with an initial pressing of 1,000 copies—600 of which were sent out as promotional copies. The single quickly sold out, and another 6,000 copies were pressed due to popular demand, despite the original pressing leaving off the record label's contact details. Despite its limited pressing, the single garnered critical acclaim, and was listed as one of the ten best singles of the year by The New York Times. R.E.M. recorded the Chronic Town EP with Mitch Easter in October 1981, and planned to release it on a new indie label named Dasht Hopes. However, I.R.S. Records acquired a demo of the band's first recording session with Easter that had been circulating for months. The band turned down the advances of major label RCA Records in favor of I.R.S., with whom it signed a contract in May 1982. I.R.S. released Chronic Town that August as its first American release. A positive review of the EP by NME praised the songs' auras of mystery, and concluded, "R.E.M. ring true, and it's great to hear something as unforced and cunning as this." 1982–1988: I.R.S. Records and cult success I.R.S. first paired R.E.M. with producer Stephen Hague to record its debut album. Hague's emphasis on technical perfection left the band unsatisfied, and the band members asked the label to let them record with Easter. I.R.S. agreed to a "tryout" session, allowing the band to return to North Carolina and record the song "Pilgrimage" with Easter and producing partner Don Dixon. After hearing the track, I.R.S. permitted the group to record the album with Dixon and Easter. Because of its bad experience with Hague, the band recorded the album via a process of negation, refusing to incorporate rock music clichés such as guitar solos or then-popular synthesizers, in order to give its music a timeless feel. The completed album, Murmur, was greeted with critical acclaim upon its release in 1983, with Rolling Stone listing the album as its record of the year. The album reached number 36 on the Billboard album chart. A re-recorded version of "Radio Free Europe" was the album's lead single and reached number 78 on the Billboard singles chart in 1983. Despite the acclaim awarded the album, Murmur sold only about 200,000 copies, which I.R.S.'s Jay Boberg felt was below expectations. R.E.M. made its first national television appearance on Late Night with David Letterman in October 1983, during which the group performed a new, unnamed song. The piece, eventually titled "So. Central Rain (I'm Sorry)", became the first single from the band's second album, Reckoning (1984), which was also recorded with Easter and Dixon. The album met with critical acclaim; NMEs Mat Snow wrote that Reckoning "confirms R.E.M. as one of the most beautifully exciting groups on the planet". While Reckoning peaked at number 27 on the US album charts—an unusually high chart placing for a college rock band at the time—scant airplay and poor distribution overseas resulted in it charting no higher than number 91 in Britain. The band's third album, Fables of the Reconstruction (1985), demonstrated a change in direction. Instead of Dixon and Easter, R.E.M. chose producer Joe Boyd, who had worked with Fairport Convention and Nick Drake, to record the album in England. The band members found the sessions unexpectedly difficult, and were miserable due to the cold winter weather and what they considered to be poor food; the situation brought the band to the verge of break-up. The gloominess surrounding the sessions worked its way into the context for the album's themes. Lyrically, Stipe began to create storylines in the mode of Southern mythology, noting in a 1985 interview that he was inspired by "the whole idea of the old men sitting around the fire, passing on ... legends and fables to the grandchildren". They toured Canada in July and August 1985, and Europe in October of that year, including the Netherlands, England (including one concert at London's Hammersmith Palais), Ireland, Scotland, France, Switzerland, Belgium and West Germany. On October 2, 1985, the group played a concert in Bochum, West Germany, for the German TV show Rockpalast. Stipe had bleached his hair blond during this time. R.E.M. invited California punk band Minutemen to open for them on part of the US tour, and organized a benefit for the family of Minutemen frontman D. Boon who died in a December 1985 car crash shortly after the tour's conclusion. Fables of the Reconstruction performed poorly in Europe and its critical reception was mixed, with some critics regarding it as dreary and poorly recorded. As with the previous records, the singles from Fables of the Reconstruction were mostly ignored by mainstream radio. Meanwhile, I.R.S. was becoming frustrated with the band's reluctance to achieve mainstream success. For its fourth album, R.E.M. enlisted John Mellencamp's producer Don Gehman. The result, Lifes Rich Pageant (1986), featured Stipe's vocals closer to the forefront of the music. In a 1986 interview with the Chicago Tribune, Peter Buck related, "Michael is getting better at what he's doing, and he's getting more confident at it. And I think that shows up in the projection of his voice." The album improved markedly upon the sales of Fables of the Reconstruction and reached number 21 on the Billboard album chart. The single "Fall on Me" also picked up support on commercial radio. The album was the band's first to be certified gold for selling 500,000 copies. While American college radio remained R.E.M.'s core support, the band was beginning to chart hits on mainstream rock formats; however, the music still encountered resistance from Top 40 radio. Following the success of Lifes Rich Pageant, I.R.S. issued Dead Letter Office, a compilation of tracks recorded by the band during their album sessions, many of which had either been issued as B-sides or left unreleased altogether. Shortly thereafter, I.R.S. compiled R.E.M.'s music video catalog (except "Wolves, Lower") as the band's first video release, Succumbs. Don Gehman was unable to produce R.E.M.'s fifth album, so he suggested the group work with Scott Litt. Litt would be the producer for the band's next five albums. Document (1987) featured some of Stipe's most openly political lyrics, particularly on "Welcome to the Occupation" and "Exhuming McCarthy", which were reactions to the conservative political environment of the 1980s under American president Ronald Reagan. Jon Pareles of The New York Times wrote in his review of the album, "Document is both confident and defiant; if R.E.M. is about to move from cult-band status to mass popularity, the album decrees that the band will get there on its own terms." Document was R.E.M.'s breakthrough album, and the first single "The One I Love" charted in the Top 20 in the US, UK, and Canada. By January 1988, Document had become the group's first album to sell a million copies. In light of the band's breakthrough, the December 1987 cover of Rolling Stone declared R.E.M. "America's Best Rock & Roll Band". 1988–1997: International breakout and alternative rock stardom Frustrated that its records did not see satisfactory overseas distribution, R.E.M. left I.R.S. when its contract expired and signed with the major label Warner Bros. Records. Though other labels offered more money, R.E.M. ultimately signed with Warner Bros.—reportedly for an amount between $6 million and $12 million—due to the company's assurance of total creative freedom. (Jay Boberg claimed that R.E.M.'s deal with Warner Bros. was for $22 million, which Peter Buck disputed as "definitely wrong".) In the aftermath of the group's departure, I.R.S. released the 1988 "best of" compilation Eponymous (assembled with input from the band members) to capitalize on assets the company still possessed. The band's 1988 Warner Bros. debut, Green, was recorded in Memphis, Tennessee, and showcased the group experimenting with its sound. The record's tracks ranged from the upbeat first single "Stand" (a hit in the United States), to more political material, like the rock-oriented "Orange Crush" and "World Leader Pretend", which address the Vietnam War and the Cold War, respectively. Green has gone on to sell four million copies worldwide. The band supported the album with its biggest and most visually developed tour to date, featuring back-projections and art films playing on the stage. After the Green tour, the band members unofficially decided to take the following year off, the first extended break in the band's career. In 1990 Warner Bros. issued the music video compilation Pop Screen to collect clips from the Document and Green albums, followed a few months later by the video album Tourfilm featuring live performances filmed during the Green World Tour. R.E.M. reconvened in mid-1990 to record its seventh album, Out of Time. In a departure from Green, the band members often wrote the music with non-traditional rock instrumentation including mandolin, organ, and acoustic guitar instead of adding them as overdubs later in the creative process. Released in March 1991, Out of Time was the band's first album to top both the US and UK charts. The record eventually sold 4.2 million copies in the US alone, and about 12 million copies worldwide by 1996. The album's lead single "Losing My Religion" was a worldwide hit that received heavy rotation on radio, as did the music video on MTV and VH1. "Losing My Religion" was R.E.M.'s highest-charting single in the US, reaching number four on the Billboard charts. "There've been very few life-changing events in our career because our career has been so gradual," Mills said years later. "If you want to talk about life changing, I think 'Losing My Religion' is the closest it gets". The album's second single, "Shiny Happy People" (one of three songs on the record to feature vocals from Kate Pierson of fellow Athens band the B-52's), was also a major hit, reaching number 10 in the US and number six in the UK. Out of Time garnered R.E.M. seven nominations at the 1992 Grammy Awards, the most nominations of any artist that year. The band won three awards: one for Best Alternative Music Album and two for "Losing My Religion", Best Short Form Music Video and Best Pop Performance by a Duo or Group with Vocal. R.E.M. did not tour to promote Out of Time; instead the group played a series of one-off shows, including an appearance taped for an episode of MTV Unplugged and released music videos for each song on the video album This Film Is On. The band also performed "Losing My Religion" with members of the Atlanta Symphony Orchestra in Madison, Georgia, at Madison-Morgan Cultural Center as part of MTV's 10th anniversary special. After spending some months off, R.E.M. returned to the studio in 1991 to record its next album. Late in 1992, the band released Automatic for the People. Though the group had intended to make a harder-rocking album after the softer textures of Out of Time, the somber Automatic for the People "[seemed] to move at an even more agonized crawl", according to Melody Maker. The album dealt with themes of loss and mourning inspired by "that sense of ... turning thirty", according to Buck. Several songs featured string arrangements by former Led Zeppelin bassist John Paul Jones. Considered by a number of critics (as well as by Buck and Mills) to be the band's best album, Automatic for the People reached numbers one and two on UK and US charts, respectively, and generated the American Top 40 hit singles "Drive", "Man on the Moon", and "Everybody Hurts". The album would sell over fifteen million copies worldwide. As with Out of Time, there was no tour in support of the album. The decision to forgo a tour, in conjunction with Stipe's physical appearance, generated rumors that the singer was dying or HIV-positive, which were vehemently denied by the band. After the band released two slow-paced albums in a row, R.E.M.'s 1994 album Monster was, as Buck said, "a 'rock' record, with the rock in quotation marks." In contrast to the sound of its predecessors, the music of Monster consisted of distorted guitar tones, minimal overdubs, and touches of 1970s glam rock. Like Out of Time, Monster topped the charts in both the US and UK. The record sold about nine million copies worldwide. The singles "What's the Frequency, Kenneth?" and "Bang and Blame" were the band's last American Top 40 hits, although all the singles from Monster reached the Top 30 on the British charts. Warner Bros. assembled the music videos from the album as well as those from Automatic for the People for release as Parallel in 1995. In January 1995, R.E.M. set out on its first tour in six years. The tour was a huge commercial success, but the period was difficult for the group. On March 1, Berry collapsed on stage during a performance in Lausanne, Switzerland, having suffered a brain aneurysm. He had surgery immediately and recovered fully within a month. Berry's aneurysm was only the beginning of a series of health problems that plagued the Monster tour. Mills had to undergo abdominal surgery to remove an intestinal adhesion in July; a month later, Stipe had to have an emergency surgery to repair a hernia. Despite all the problems, the group had recorded the bulk of a new album while on the road. The band brought along eight-track recorders to capture its shows, and used the recordings as the base elements for the album. The final three performances of the tour were filmed at the Omni Coliseum in Atlanta, Georgia and released in home video form as Road Movie. R.E.M. re-signed with Warner Bros. Records in 1996 for a reported $80 million (a figure the band constantly asserted originated with the media), rumored to be the largest recording contract in history at that point. The group's 1996 album New Adventures in Hi-Fi debuted at number two in the US and number one in the UK. The five million copies of the album sold were a reversal of the group's commercial fortunes of the previous five years. Critical reaction to the album was mostly favorable. In a 2017 retrospective on the band, Consequence of Sound ranked it third out of R.E.M.'s 15 full-length studio albums. The album is Stipe's favorite from R.E.M. and he considers it the band at their peak. Mills says "It usually takes a good few years for me to decide where an album stands in the pantheon of recorded work we've done. This one may be third behind Murmur and Automatic for the People. According to DiscoverMusic: "Arguably less immediate and less accessible[...]New Adventures in Hi-Fi is a sprawling, "White Album"-esque affair clocking in at 65 minutes. However, while it required some time and commitment from the listener, the record's contents were rich, compelling and frequently stunning. Accordingly, the album has continued to lobby for recognition and has long since earned its reputation as R.E.M.'s most unsung LP." While sales were impressive they were below their previous major label records. Time's writer Christopher John Farley argued that the lesser sales of the album were due to the declining commercial power of alternative rock as a whole. That same year, R.E.M. parted ways with manager Jefferson Holt, allegedly due to sexual harassment charges levied against him by a member of the band's home office in Athens. The group's lawyer Bertis Downs assumed managerial duties. 1997–2006: Continuing as three-piece with mixed success In April 1997, the band convened at Buck's Kauai vacation home to record demos of material intended for the next album. The band sought to reinvent its sound and intended to incorporate drum loops and percussion experiments. Just as the sessions were due to begin in October, Berry decided, after months of contemplation and discussions with Downs and Mills, to tell the rest of the band that he was quitting. Berry told his bandmates that he would not quit if they would break up as a result, so Stipe, Buck, and Mills agreed to carry on as a three-piece with his blessing. Berry publicly announced his departure three weeks later in October 1997. Berry told the press, "I'm just not as enthusiastic as I have been in the past about doing this anymore . . . I have the best job in the world. But I'm kind of ready to sit back and reflect and maybe not be a pop star anymore." Stipe admitted that the band would be different without a major contributor: "For me, Mike, and Peter, as R.E.M., are we still R.E.M.? I guess a three-legged dog is still a dog. It just has to learn to run differently." The band cancelled its scheduled recording sessions as a result of Berry's departure. "Without Bill it was different, confusing", Mills later said. "We didn't know exactly what to do. We couldn't rehearse without a drummer." The remaining members of R.E.M. resumed work on the album in February 1998 at Toast Studios in San Francisco. The band ended its decade-long collaboration with Scott Litt and hired Pat McCarthy to produce the record. Nigel Godrich was taken on as assistant producer, and drafted in Screaming Trees member Barrett Martin and Beck's touring drummer Joey Waronker. The recording process was tense, and the group came close to disbanding. Bertis Downs called an emergency meeting in which the band members resolved their problems and agreed to continue as a group. Led by the single "Daysleeper", Up (1998) debuted in the top ten in the US and UK. However, the album was a relative failure, selling 900,000 copies in the US by mid-1999 and eventually selling just over two million copies worldwide. While R.E.M.'s American sales were declining, the group's commercial base was shifting to the UK, where more R.E.M. records were sold per capita than any other country and the band's singles regularly entered the Top 20. A year after Ups release, R.E.M. wrote the instrumental score to the Andy Kaufman biographical film Man on the Moon, a first for the group. The film took its title from the Automatic for the People song of the same name. The song "The Great Beyond" was released as a single from the Man on the Moon soundtrack album. "The Great Beyond" only reached number 57 on the American pop charts, but was the band's highest-charting single ever in the UK, reaching number three in 2000. R.E.M. recorded the majority of its twelfth album Reveal (2001) in Canada and Ireland from May to October 2000. Reveal shared the "lugubrious pace" of Up, and featured drumming by Joey Waronker, as well as contributions by Scott McCaughey (a co-founder of the band the Minus 5 with Buck), and Ken Stringfellow (founder of the Posies). Global sales of the album were over four million, but in the United States Reveal sold about the same number of copies as Up. The album was led by the single "Imitation of Life", which reached number six in the UK. Writing for Rock's Backpages, The Rev. Al Friston described the album as "loaded with golden loveliness at every twist and turn", in comparison to the group's "essentially unconvincing work on New Adventures in Hi-Fi and Up". Similarly, Rob Sheffield of Rolling Stone called Reveal "a spiritual renewal rooted in a musical one" and praised its "ceaselessly astonishing beauty". In 2003, Warner Bros. released the compilation album and DVD In Time: The Best of R.E.M. 1988–2003 and In View: The Best of R.E.M. 1988–2003, which featured two new songs, "Bad Day" and "Animal". At a 2003 concert in Raleigh, North Carolina, Berry made a surprise appearance, performing backing vocals on "Radio Free Europe". He then sat behind the drum kit for a performance of the early R.E.M. song "Permanent Vacation", marking his first performance with the band since his retirement. R.E.M. released Around the Sun in 2004. During production of the album in 2002, Stipe said, "[The album] sounds like it's taking off from the last couple of records into unchartered R.E.M. territory. Kind of primitive and howling". After the album's release, Mills said, "I think, honestly, it turned out a little slower than we intended for it to, just in terms of the overall speed of songs." Around the Sun received a mixed critical reception, and peaked at number 13 on the Billboard charts. The first single from the album, "Leaving New York", was a Top 5 hit in the UK. For the record and subsequent tour, the band hired a new full-time touring drummer, Bill Rieflin, who had previously been a member of several industrial music acts such as Ministry and Pigface, and remained in that role for the duration of the band's active years. The video album Perfect Square was released that same year. 2006–2011: Last albums, recognition and breakup EMI released a compilation album covering R.E.M.'s work during its tenure on I.R.S. in 2006 called And I Feel Fine... The Best of the I.R.S. Years 1982–1987 along with the video album When the Light Is Mine: The Best of the I.R.S. Years 1982–1987—the label had previously released the compilations The Best of R.E.M. (1991), R.E.M.: Singles Collected (1994), and R.E.M.: In the Attic – Alternative Recordings 1985–1989 (1997). That same month, all four original band members performed during the ceremony for their induction into the Georgia Music Hall of Fame. While rehearsing for the ceremony, the band recorded a cover of John Lennon's "#9 Dream" for Instant Karma: The Amnesty International Campaign to Save Darfur, a tribute album benefiting Amnesty International. The song—released as a single for the album and the campaign—featured Bill Berry's first studio recording with the band since his departure almost a decade earlier. In October 2006, R.E.M. was nominated for induction into the Rock and Roll Hall of Fame in its first year of eligibility. The band was one of five nominees accepted into the Hall that year, and the induction ceremony took place in March 2007 at New York's Waldorf-Astoria Hotel. The group—which was inducted by Pearl Jam lead singer Eddie Vedder—performed three songs with Bill Berry; "Gardening at Night", "Man on the Moon" and "Begin the Begin" as well as a cover of "I Wanna Be Your Dog". Work on the group's fourteenth album commenced in early 2007. The band recorded with producer Jacknife Lee in Vancouver and Dublin, where it played five nights in the Olympia Theatre between June 30 and July 5 as part of a "working rehearsal". R.E.M. Live, the band's first live album (featuring songs from a 2005 Dublin show), was released in October 2007. The group followed this with the 2009 live album Live at The Olympia, which features performances from its 2007 residency. R.E.M. released Accelerate in early 2008. The album debuted at number two on the Billboard charts, and became the band's eighth album to top the British album charts. Rolling Stone reviewer David Fricke considered Accelerate an improvement over the band's previous post-Berry albums, calling it "one of the best records R.E.M. have ever made". In 2010, R.E.M. released the video album R.E.M. Live from Austin, TX—a concert recorded for Austin City Limits in 2008. The group recorded its fifteenth album, Collapse into Now (2011), with Jacknife Lee in locales including Berlin, Nashville, and New Orleans. For the album, the band aimed for a more expansive sound than the intentionally short and speedy approach implemented on Accelerate. The album debuted at number five on the Billboard 200, becoming the group's tenth album to reach the top ten of the chart. This release fulfilled R.E.M.'s contractual obligations to Warner Bros., and the band began recording material without a contract a few months later with the possible intention of self-releasing the work. On September 21, 2011, R.E.M. announced via its website that it was "calling it a day as a band". Stipe said that he hoped fans realized it "wasn't an easy decision": "All things must end, and we wanted to do it right, to do it our way." Long-time associate and former Warner Bros. Senior Vice President of Emerging Technology Ethan Kaplan has speculated that shake-ups at the record label influenced the group's decision to disband. The group discussed breaking up for several years, but was encouraged to continue after the lackluster critical and commercial performance of Around the Sun; according to Mills, "We needed to prove, not only to our fans and critics but to ourselves, that we could still make great records." They were also uninterested in the business end of recording as R.E.M. The band members finished their collaboration by assembling the compilation album Part Lies, Part Heart, Part Truth, Part Garbage 1982–2011, which was released in November 2011. The album is the first to collect songs from R.E.M.'s I.R.S. and Warner Bros. tenures, as well as three songs from the group's final studio recordings from post-Collapse into Now sessions. In November, Mills and Stipe did a brief span of promotional appearances in British media, ruling out the option of the group ever reuniting. 2011–present: Post-breakup releases and events In 2014, Unplugged: The Complete 1991 and 2001 Sessions was released for Record Store Day. Digital download collections of I.R.S. and Warner Bros. rarities followed. Later in the year, the band compiled the video album box set REMTV, which collected their two Unplugged performances along with several other documentaries and live shows, while their record label released the box set 7IN—83–88, made up of 7-inch vinyl singles. In December 2015, the band members agreed to a distribution deal with Concord Bicycle Music to re-release their Warner Bros. albums. Continuing to maintain their copyright and intellectual property legacies, in March 2016, the band signed a new music publishing administration deal with Universal Music Publishing Group, and a year later, the band members left Broadcast Music, Inc., who had represented their performance rights for their entire career, and joined SESAC. The first release after their new publishing status was the 2018 box set R.E.M. at the BBC. Live at the Borderline 1991 followed for 2019's Record Store Day. On March 24, 2020, session and touring drummer Bill Rieflin, who contributed on the band's last three records, died of cancer after years of battling the disease. In September 2021, a full decade after disbanding, Stipe reiterated that the band had no intention of regrouping: "We decided when we split up that that would just be really tacky and probably money-grabbing, which might be the impetus for a lot of bands to get back together." Musical style R.E.M. has been described as alternative rock, college rock, folk rock, jangle pop, and post-punk. In a 1988 interview, Peter Buck described R.E.M. songs as typically, "Minor key, mid-tempo, enigmatic, semi-folk-rock-balladish things. That's what everyone thinks and to a certain degree, that's true." All songwriting is credited to the entire band, even though individual members are sometimes responsible for writing the majority of a particular song. Each member is given an equal vote in the songwriting process; however, Buck has conceded that Stipe, as the band's lyricist, can rarely be persuaded to follow an idea he does not favor. Among the original line-up, there were divisions of labor in the songwriting process: Stipe would write lyrics and devise melodies, Buck would edge the band in new musical directions, and Mills and Berry would fine-tune the compositions due to their greater musical experience. Michael Stipe sings in what R.E.M. biographer David Buckley described as "wailing, keening, arching vocal figures". Stipe often harmonizes with Mills in songs; in the chorus for "Stand", Mills and Stipe alternate singing lyrics, creating a dialogue. Early articles about the band focused on Stipe's singing style (described as "mumbling" by The Washington Post), which often rendered his lyrics indecipherable. Creem writer John Morthland wrote in his review of Murmur, "I still have no idea what these songs are about, because neither me nor anyone else I know has ever been able to discern R.E.M.'s lyrics." Stipe commented in 1984, "It's just the way I sing. If I tried to control it, it would be pretty false." Producer Joe Boyd convinced Stipe to begin singing more clearly during the recording of Fables of the Reconstruction. Stipe later called chorus lyrics of "Sitting Still" from R.E.M. debut album, Murmur, "nonsense", saying in a 1994 online chat, "You all know there aren't words, per se, to a lot of the early stuff. I can't even remember them." In truth, Stipe carefully crafted the lyrics to many early R.E.M. songs. Stipe explained in 1984 that when he started writing lyrics they were like "simple pictures", but after a year he grew tired of the approach and "started experimenting with lyrics that didn't make exact linear sense, and it's just gone from there." In the mid-1980s, as Stipe's pronunciation while singing became clearer, the band decided that its lyrics should convey ideas on a more literal level. Mills explained, "After you've made three records and you've written several songs and they've gotten better and better lyrically the next step would be to have somebody question you and say, are you saying anything? And Michael had the confidence at that point to say yes . . ." Songs like "Cuyahoga" and "Fall on Me" on Lifes Rich Pageant dealt with such concerns as pollution. Stipe incorporated more politically oriented concerns into his lyrics on Document and Green. "Our political activism and the content of the songs was just a reaction to where we were, and what we were surrounded by, which was just abject horror," Stipe said later. "In 1987 and '88 there was nothing to do but be active." Stipe has since explored other lyrical topics. Automatic for the People dealt with "mortality and dying. Pretty turgid stuff", according to Stipe, while Monster critiqued love and mass culture. Musically, Stipe stated that bands like T. Rex and Mott the Hoople "really impacted me". Peter Buck's style of playing guitar has been singled out by many as the most distinctive aspect of R.E.M.'s music. During the 1980s, Buck's "economical, arpeggiated, poetic" style reminded British music journalists of 1960s American folk rock band the Byrds. Buck has stated "[Byrds guitarist] Roger McGuinn was a big influence on me as a guitar player", but said it was Byrds-influenced bands, including Big Star and the Soft Boys, that inspired him more. Comparisons were also made with the guitar playing of Johnny Marr of alternative rock contemporaries the Smiths. While Buck professed being a fan of the group, he admitted he initially criticized the band simply because he was tired of fans asking him if he was influenced by Marr, whose band had in fact made their debut after R.E.M. Buck generally eschews guitar solos; he explained in 2002, "I know that when guitarists rip into this hot solo, people go nuts, but I don't write songs that suit that, and I am not interested in that. I can do it if I have to, but I don't like it." Mike Mills' melodic approach to bass playing is inspired by Paul McCartney of the Beatles and Chris Squire of Yes; Mills has said, "I always played a melodic bass, like a piano bass in some ways . . . I never wanted to play the traditional locked into the kick drum, root note bass work." Mills has more musical training than his bandmates, which he has said "made it easier to turn abstract musical ideas into reality." Legacy R.E.M. was pivotal in the creation and development of the alternative rock genre. AllMusic stated, "R.E.M. mark the point when post-punk turned into alternative rock." In the early 1980s, the musical style of R.E.M. stood in contrast to the post-punk and new wave genres that had preceded it. Music journalist Simon Reynolds noted that the post-punk movement of the late 1970s and early 1980s "had taken whole swaths of music off the menu", particularly that of the 1960s, and that "After postpunk's demystification and New Pop's schematics, it felt liberating to listen to music rooted in mystical awe and blissed-out surrender." Reynolds declared R.E.M., a band that recalled the music of the 1960s with its "plangent guitar chimes and folk-styled vocals" and who "wistfully and abstractly conjured visions and new frontiers for America", one of "the two most important alt-rock bands of the day." With the release of Murmur, R.E.M. had the most impact musically and commercially of the developing alternative genre's early groups, leaving in its wake a number of jangle pop followers. R.E.M.'s early breakthrough success served as an inspiration for other alternative bands. Spin referred to the "R.E.M. model"—career decisions that R.E.M. made that set guidelines for other underground artists to follow in their own careers. Spin's Charles Aaron wrote that by 1985, "They'd shown how far an underground, punk-inspired rock band could go within the industry without whoring out its artistic integrity in any obvious way. They'd figured out how to buy in, not sellout-in other words, they'd achieved the American Bohemian Dream." Steve Wynn of Dream Syndicate said, "They invented a whole new ballgame for all of the other bands to follow whether it was Sonic Youth or the Replacements or Nirvana or Butthole Surfers. R.E.M. staked the claim. Musically, the bands did different things, but R.E.M. was first to show us you can be big and still be cool." Biographer David Buckley stated that between 1991 and 1994, a period that saw the band sell an estimated 30 million albums, R.E.M. "asserted themselves as rivals to U2 for the title of biggest rock band in the world." Over the course of its career, the band has sold over 85 million records worldwide. Colin Larkin's All Time Top 1000 Albums stated that "Their catalogue is destined to endure as critics reluctantly accept their considerable importance in the history of rock". Alternative bands such as Nirvana, Pavement, Radiohead, Coldplay, Pearl Jam (the band's vocalist Eddie Vedder inducted R.E.M. into the Rock and Roll Hall of Fame), Live, Stone Temple Pilots, Collective Soul, Alice in Chains, Hootie and the Blowfish and Pwr Bttm have drawn inspiration from R.E.M.'s music. "When I was 15 years old in Richmond, Virginia, they were a very important part of my life," Pavement's Bob Nastanovich said, "as they were for all the members of our band." Pavement's contribution to the No Alternative compilation (1993) was "Unseen Power of the Picket Fence", a song about R.E.M.'s early days. Local H, according to the band's Twitter account, created their name by combining two R.E.M. songs: "Oddfellows Local 151" and "Swan Swan H". Kurt Cobain of Nirvana was a fan of R.E.M., and had unfulfilled plans to collaborate on a musical project with Stipe. Cobain told Rolling Stone in an interview earlier that year, "I don’t know how that band does what they do. God, they’re the greatest. They've dealt with their success like saints, and they keep delivering great music." During his show at the 40 Watt Club in October 2018, Johnny Marr said: "As a British musician coming out of the indie scene in the early '80s, which I definitely am and am proud to have been, I can't miss this opportunity to acknowledge and pay my respects and honor the guys who put this town on the map for us in England. I'm talking about my comrades in guitar music, R.E.M. The Smiths really respected R.E.M. We had to keep an eye on what those guys were up to. It's an interesting thing for me, as a British musician, and all those guys as British musicians, to come to this place and play for you guys, knowing that it's the roots of Mike Mills and Bill Berry and Michael Stipe and my good friend Peter Buck." Awards Campaigning and activism Throughout R.E.M.'s career, its members sought to highlight social and political issues. According to the Los Angeles Times, R.E.M. was considered to be one of the United States' "most liberal and politically correct rock groups." The band's members were "on the same page" politically, sharing a liberal and progressive outlook. Mills admitted that there was occasionally dissension between band members on what causes they might support, but acknowledged "Out of respect for the people who disagree, those discussions tend to stay in-house, just because we'd rather not let people know where the divisions lie, so people can't exploit them for their own purposes." An example is that in 1990 Buck noted that Stipe was involved with People for the Ethical Treatment of Animals, but the rest of the band were not. R.E.M. helped raise funds for environmental, feminist and human rights causes, and were involved in campaigns to encourage voter registration. During the Green tour, Stipe spoke on stage to the audiences about a variety of socio-political issues. Through the late 1980s and 1990s, the band (particularly Stipe) increasingly used its media coverage on national television to mention a variety of causes it felt were important. One example is during the 1991 MTV Video Music Awards, Stipe wore a half-dozen white shirts emblazoned with slogans including "rainforest", "love knows no colors", and "handgun control now". R.E.M. helped raise awareness of Aung San Suu Kyi and human rights violations in Myanmar, when they worked with the Freedom Campaign and the US Campaign for Burma. Stipe himself ran ads for the 1988 election, supporting Democratic presidential candidate and Massachusetts governor Michael Dukakis over then-Vice President George H. W. Bush. In 2004, the band participated in the Vote for Change tour that sought to mobilize American voters to support Democratic presidential candidate John Kerry. R.E.M.'s political stance, particularly coming from a wealthy rock band under contract to a label owned by a multinational corporation, received criticism from former Q editor Paul Du Noyer, who criticized the band's "celebrity liberalism", saying, "It's an entirely pain-free form of rebellion that they're adopting. There's no risk involved in it whatsoever, but quite a bit of shoring up of customer loyalty." From the late 1980s, R.E.M. was involved in the local politics of its hometown of Athens, Georgia. Buck explained to Sounds in 1987, "Michael always says think local and act local—we have been doing a lot of stuff in our town to try and make it a better place." The band often donated funds to local charities and helped renovate and preserve historic buildings in the town. R.E.M.'s political clout was credited with the narrow election of Athens mayor Gwen O'Looney twice in the 1990s. The band is a member of the Canadian charity Artists Against Racism. Members Main members Bill Berry – drums, percussion, backing vocals, occasional bass guitar and keyboards (1980–1997; occasional concert appearances with the band 2003–2007) Peter Buck – lead guitar, mandolin, banjo, occasional bass guitar and keyboards (1980–2011) Mike Mills – bass guitar, keyboards, backing vocals and guitar (1980–2011) Michael Stipe – lead vocals (1980–2011) Non-musical members Several publications made by the band such as album liner notes and fan club mailers list attorney Bertis Downs and manager Jefferson Holt as honorary non-musical members; the two joined up with R.E.M. in 1980/1981 and Holt left in 1996. Touring and session musicians Buren Fowler – rhythm guitar (1986–1987) Peter Holsapple – rhythm guitar, keyboards (1989–1991) Scott McCaughey – rhythm guitar, keyboards, backing vocals, occasional lead guitar (1994–2011) Nathan December – rhythm and lead guitar (1994–1995) Joey Waronker – drums, percussion (1998–2002) Barrett Martin – percussion (1998) Ken Stringfellow – keyboards, occasional rhythm guitar, bass guitar, backing vocals (1998–2005) Bill Rieflin – drums, percussion, occasional keyboards and guitar (2003–2011) Timeline Production timeline Touring and session members timeline Discography Studio albums Murmur (1983) Reckoning (1984) Fables of the Reconstruction (1985) Lifes Rich Pageant (1986) Document (1987) Green (1988) Out of Time (1991) Automatic for the People (1992) Monster (1994) New Adventures in Hi-Fi (1996) Up (1998) Reveal (2001) Around the Sun (2004) Accelerate (2008) Collapse into Now (2011) See also List of alternative rock artists References Sources Black, Johnny. Reveal: The Story of R.E.M. Backbeat, 2004. Buckley, David. R.E.M.: Fiction: An Alternative Biography. Virgin, 2002. Gray, Marcus. It Crawled from the South: An R.E.M. Companion. Da Capo, 1997. Second edition. Fletcher, Tony. Remarks Remade: The Story of R.E.M. Omnibus, 2002. . Platt, John (editor). The R.E.M. Companion: Two Decades of Commentary. Schirmer, 1998. Sullivan, Denise. Talk About the Passion: R.E.M.: An Oral Biography. Underwood-Miller, 1994. External links Dynamic Range DB entry for R.E.M. 1980 establishments in Georgia (U.S. state) 2011 disestablishments in Georgia (U.S. state) Alternative rock groups from Georgia (U.S. state) Brit Award winners Capitol Records artists Concord Bicycle Music artists Grammy Award winners I.R.S. Records artists Jangle pop groups Musical groups established in 1980 Musical groups disestablished in 2011 Musical groups from Athens, Georgia New West Records artists Rhino Records artists Warner Records artists Craft Recordings artists College rock musical groups	true	[ "They Knew What They Wanted may refer to:\n\nThey Knew What They Wanted (play), a 1924 play written by Sidney Howard \nThey Knew What They Wanted (film), a 1940 film based on the play, starring Carole Lombard", "The Kangwon-Land Cup is a Go competition.\n\nOutline \n\nThe countries that compete are China and Korea. The competition is in knockout style. Both countries select 6 players to play for them in this competition. They then choose in which order they wish for the players to play. First, the competition is started when two players play. Whoever wins goes on and plays the next player. If they win they go on again and play the next person. However, if they lose, they are out of the tournament completely. The tournament is sponsored by Kangwon Land. The winner's purse is 150 million South Korean Won ($154,000). If a player wins three games in a row, they are awarded an extra 10 million Won ($10,000).\n\nPast winners \n\nCountry\n\nPlayer with most consecutive wins.\n\n1st Kangwon-Land Cup\n\nReferences \n\nInternational Go competitions" ]
[ "R.E.M.", "1994-1996: Return to touring and continued success", "What was significant about 1994?", "R.E.M.'s 1994 album Monster was, as Buck said, \"a 'rock' record, with the rock in quotation marks.\"", "Was the album successful?", "Monster topped the charts in both the US and UK.", "Did they tour for the album?", "In January 1995, R.E.M. set out on its first tour in six years.", "What countries did they play?", "Switzerland," ]	C_ba78f0869419427381f458814037b192_0	What was the biggest single on Monster?	5	What was the biggest single on R.E.M.'s Monster album?	R.E.M.	After the band released two slow-paced albums in a row, R.E.M.'s 1994 album Monster was, as Buck said, "a 'rock' record, with the rock in quotation marks." In contrast to the sound of its predecessors, the music of Monster consisted of distorted guitar tones, minimal overdubs, and touches of 1970s glam rock. Like Out of Time, Monster topped the charts in both the US and UK. The record sold about nine million copies worldwide. The singles "What's the Frequency, Kenneth?" and "Bang and Blame" were the band's last American Top 40 hits, although all the singles from Monster reached the Top 30 on the British charts. Warner Bros. assembled the music videos from the album as well as those from Automatic for the People for release as Parallel in 1995. In January 1995, R.E.M. set out on its first tour in six years. The tour was a huge commercial success, but the period was difficult for the group. On March 1, Berry collapsed on stage during a performance in Lausanne, Switzerland, having suffered a brain aneurysm. He had surgery immediately and recovered fully within a month. Berry's aneurysm was only the beginning of a series of health problems that plagued the Monster tour. Mills had to undergo abdominal surgery to remove an intestinal adhesion in July; a month later, Stipe had to have an emergency surgery to repair a hernia. Despite all the problems, the group had recorded the bulk of a new album while on the road. The band brought along eight-track recorders to capture its shows, and used the recordings as the base elements for the album. The final three performances of the tour were filmed at the Omni Coliseum in Atlanta, Georgia and released in home video form as Road Movie. R.E.M. re-signed with Warner Bros. Records in 1996 for a reported $80 million (a figure the band constantly asserted originated with the media), rumored to be the largest recording contract in history at that point. The group's 1996 album New Adventures in Hi-Fi debuted at number two in the US and number one in the UK. The five million copies of the album sold were a reversal of the group's commercial fortunes of the previous five years. Time writer Christopher John Farley argued that the lesser sales of the album were due to the declining commercial power of alternative rock as a whole. That same year, R.E.M. parted ways with manager Jefferson Holt, allegedly due to sexual harassment charges levied against him by a member of the band's home office in Athens. The group's lawyer Bertis Downs assumed managerial duties. CANNOTANSWER	"What's the Frequency, Kenneth?" and "Bang and Blame" were the band's last American Top 40 hits, although all the singles from Monster reached the Top 30 on the British charts.	R.E.M. was an American rock band from Athens, Georgia, formed in 1980 by drummer Bill Berry, guitarist Peter Buck, bassist Mike Mills, and lead vocalist Michael Stipe, who were students at the University of Georgia. Liner notes from some of the band's albums list attorney Bertis Downs and manager Jefferson Holt as non-musical members. One of the first alternative rock bands, R.E.M. was noted for Buck's ringing, arpeggiated guitar style; Stipe's distinctive vocal quality, unique stage presence, and obscure lyrics; Mills's melodic bass lines and backing vocals; and Berry's tight, economical drumming style. In the early 1990s, other alternative rock acts such as Nirvana and Pavement viewed R.E.M. as a pioneer of the genre. After Berry left the band in 1997, the band continued its career in the 2000s with mixed critical and commercial success. The band broke up amicably in 2011 with members devoting time to solo projects after having sold more than 85 million albums worldwide and becoming one of the world's best-selling music acts. R.E.M. released its first single, "Radio Free Europe", in 1981 on the independent record label Hib-Tone. It was followed by the Chronic Town EP in 1982, the band's first release on I.R.S. Records. In 1983, the group released its critically acclaimed debut album, Murmur, and built its reputation over the next few years with similarly acclaimed releases every year from 1984 to 1988: Reckoning, Fables of the Reconstruction, Lifes Rich Pageant, Document and Green, including an intermittent b-side compilation Dead Letter Office. Don Dixon and Mitch Easter produced their first two albums, Joe Boyd handled production on Fables of the Reconstruction and Don Gehman produced Lifes Rich Pageant. Thereafter, R.E.M. settled on Scott Litt as producer for the next 10years during the band's most successful period of their career. They also started co-producing their material and playing other instruments in the studio apart from the main ones they play. With constant touring, and the support of college radio following years of underground success, R.E.M. achieved a mainstream hit with the 1987 single "The One I Love". The group signed to Warner Bros. Records in 1988, and began to espouse political and environmental concerns while playing large arenas worldwide. R.E.M.'s most commercially successful albums, Out of Time (1991) and Automatic for the People (1992), put them in the vanguard of alternative rock just as it was becoming mainstream. Out of Time received seven nominations at the 34th Annual Grammy Awards, and lead single "Losing My Religion", was R.E.M.'s highest-charting and best-selling hit. Monster (1994) continued its run of success. The band began its first tour in six years to support the album; the tour was marred by medical emergencies suffered by three of the band members. In 1996, R.E.M. re-signed with Warner Bros. for a reported US$80 million, at the time the most expensive recording contract ever. The tour was productive and the band recorded the following album mostly during soundchecks. The resulting record, New Adventures in Hi-Fi (1996), is hailed as the band's last great album and the members' favorite, growing in cult status over the years. Berry left the band the following year, and Stipe, Buck, and Mills continued as a musical trio, supplemented by studio and live musicians, such as multi-instrumentalists Scott McCaughey and Ken Stringfellow and drummers Joey Waronker and Bill Rieflin. They also parted ways with their longtime manager Jefferson Holt and band's attorney Bertis Downs assumed managerial duties. Seeking to also renovate their sound, the band stopped working with Scott Litt, co-producer and contributor to six of their studio albums and hired Pat McCarthy as co-producer, who had participated before that as mixer and engineer on their last two albums. After the electronic experimental direction of Up (1998) that was commercially unsuccessful, Reveal (2001) was referred to as "a conscious return to their classic sound" which received general acclaim. In 2007, the band was inducted into the Rock and Roll Hall of Fame, in its first year of eligibility and Berry reunited with the band for the ceremony and to record a cover of John Lennon's "#9 Dream" for the compilation album Instant Karma: The Amnesty International Campaign to Save Darfur to benefit Amnesty International's campaign to alleviate the Darfur conflict. Looking for a change of sound after lukewarm reception for Around the Sun (2004), the band collaborated with co-producer Jacknife Lee on their last two studio albums—the well-received Accelerate (2008) and Collapse into Now (2011)—as well as their first live albums after decades of touring. R.E.M. disbanded amicably in September 2011, with former members having continued with various musical projects, and several live and archival albums have since been released. History 1980–1982: Formation and first releases In January 1980, Peter Buck met Michael Stipe in Wuxtry Records, the Athens record store where Buck worked. The pair discovered that they shared similar tastes in music, particularly in punk rock and proto-punk artists like Patti Smith, Television, and the Velvet Underground. Stipe said, "It turns out that I was buying all the records that [Buck] was saving for himself." Through mutual friend Kathleen O'Brien, Stipe and Buck then met fellow University of Georgia students Bill Berry and Mike Mills, who had played music together since high school and lived together in Georgia. The quartet agreed to collaborate on several songs; Stipe later commented that "there was never any grand plan behind any of it". Their still-unnamed band spent a few months rehearsing in a deconsecrated Episcopal church in Athens, and played its first show on April 5, 1980, supporting the Side Effects at O'Brien's birthday party held in the same church, performing a mix of originals and 1960s and 1970s covers. After considering names such as Cans of Piss, Negro Eyes, and Twisted Kites, the band settled on "R.E.M.", which Stipe selected at random from a dictionary. R.E.M. is well known as an initialism for rapid eye movement, the dream stage of sleep; however, sleep researcher Dr. Rafael Pelayo reports that when his colleague Dr. William Dement, the sleep scientist who coined the term REM, reached out to the band, Dr. Dement was told that the band was named "not after REM sleep". The band members eventually dropped out of school to focus on their developing group. They found a manager in Jefferson Holt, a record store clerk who was so impressed by an R.E.M. performance in his hometown of Chapel Hill, North Carolina, that he moved to Athens. R.E.M.'s success was almost immediate in Athens and surrounding areas; the band drew progressively larger crowds for shows, which caused some resentment in the Athens music scene. Over the next year and a half, R.E.M. toured throughout the Southern United States. Touring was arduous because a touring circuit for alternative rock bands did not then exist. The group toured in an old blue van driven by Holt, and lived on a food allowance of $2 each per day. During April 1981, R.E.M. recorded its first single, "Radio Free Europe", at producer Mitch Easter's Drive-In Studios in Winston-Salem, North Carolina. Initially distributing it as a four-track demo tape to clubs, record labels and magazines, the single was released in July 1981 on the local independent record label Hib-Tone with an initial pressing of 1,000 copies—600 of which were sent out as promotional copies. The single quickly sold out, and another 6,000 copies were pressed due to popular demand, despite the original pressing leaving off the record label's contact details. Despite its limited pressing, the single garnered critical acclaim, and was listed as one of the ten best singles of the year by The New York Times. R.E.M. recorded the Chronic Town EP with Mitch Easter in October 1981, and planned to release it on a new indie label named Dasht Hopes. However, I.R.S. Records acquired a demo of the band's first recording session with Easter that had been circulating for months. The band turned down the advances of major label RCA Records in favor of I.R.S., with whom it signed a contract in May 1982. I.R.S. released Chronic Town that August as its first American release. A positive review of the EP by NME praised the songs' auras of mystery, and concluded, "R.E.M. ring true, and it's great to hear something as unforced and cunning as this." 1982–1988: I.R.S. Records and cult success I.R.S. first paired R.E.M. with producer Stephen Hague to record its debut album. Hague's emphasis on technical perfection left the band unsatisfied, and the band members asked the label to let them record with Easter. I.R.S. agreed to a "tryout" session, allowing the band to return to North Carolina and record the song "Pilgrimage" with Easter and producing partner Don Dixon. After hearing the track, I.R.S. permitted the group to record the album with Dixon and Easter. Because of its bad experience with Hague, the band recorded the album via a process of negation, refusing to incorporate rock music clichés such as guitar solos or then-popular synthesizers, in order to give its music a timeless feel. The completed album, Murmur, was greeted with critical acclaim upon its release in 1983, with Rolling Stone listing the album as its record of the year. The album reached number 36 on the Billboard album chart. A re-recorded version of "Radio Free Europe" was the album's lead single and reached number 78 on the Billboard singles chart in 1983. Despite the acclaim awarded the album, Murmur sold only about 200,000 copies, which I.R.S.'s Jay Boberg felt was below expectations. R.E.M. made its first national television appearance on Late Night with David Letterman in October 1983, during which the group performed a new, unnamed song. The piece, eventually titled "So. Central Rain (I'm Sorry)", became the first single from the band's second album, Reckoning (1984), which was also recorded with Easter and Dixon. The album met with critical acclaim; NMEs Mat Snow wrote that Reckoning "confirms R.E.M. as one of the most beautifully exciting groups on the planet". While Reckoning peaked at number 27 on the US album charts—an unusually high chart placing for a college rock band at the time—scant airplay and poor distribution overseas resulted in it charting no higher than number 91 in Britain. The band's third album, Fables of the Reconstruction (1985), demonstrated a change in direction. Instead of Dixon and Easter, R.E.M. chose producer Joe Boyd, who had worked with Fairport Convention and Nick Drake, to record the album in England. The band members found the sessions unexpectedly difficult, and were miserable due to the cold winter weather and what they considered to be poor food; the situation brought the band to the verge of break-up. The gloominess surrounding the sessions worked its way into the context for the album's themes. Lyrically, Stipe began to create storylines in the mode of Southern mythology, noting in a 1985 interview that he was inspired by "the whole idea of the old men sitting around the fire, passing on ... legends and fables to the grandchildren". They toured Canada in July and August 1985, and Europe in October of that year, including the Netherlands, England (including one concert at London's Hammersmith Palais), Ireland, Scotland, France, Switzerland, Belgium and West Germany. On October 2, 1985, the group played a concert in Bochum, West Germany, for the German TV show Rockpalast. Stipe had bleached his hair blond during this time. R.E.M. invited California punk band Minutemen to open for them on part of the US tour, and organized a benefit for the family of Minutemen frontman D. Boon who died in a December 1985 car crash shortly after the tour's conclusion. Fables of the Reconstruction performed poorly in Europe and its critical reception was mixed, with some critics regarding it as dreary and poorly recorded. As with the previous records, the singles from Fables of the Reconstruction were mostly ignored by mainstream radio. Meanwhile, I.R.S. was becoming frustrated with the band's reluctance to achieve mainstream success. For its fourth album, R.E.M. enlisted John Mellencamp's producer Don Gehman. The result, Lifes Rich Pageant (1986), featured Stipe's vocals closer to the forefront of the music. In a 1986 interview with the Chicago Tribune, Peter Buck related, "Michael is getting better at what he's doing, and he's getting more confident at it. And I think that shows up in the projection of his voice." The album improved markedly upon the sales of Fables of the Reconstruction and reached number 21 on the Billboard album chart. The single "Fall on Me" also picked up support on commercial radio. The album was the band's first to be certified gold for selling 500,000 copies. While American college radio remained R.E.M.'s core support, the band was beginning to chart hits on mainstream rock formats; however, the music still encountered resistance from Top 40 radio. Following the success of Lifes Rich Pageant, I.R.S. issued Dead Letter Office, a compilation of tracks recorded by the band during their album sessions, many of which had either been issued as B-sides or left unreleased altogether. Shortly thereafter, I.R.S. compiled R.E.M.'s music video catalog (except "Wolves, Lower") as the band's first video release, Succumbs. Don Gehman was unable to produce R.E.M.'s fifth album, so he suggested the group work with Scott Litt. Litt would be the producer for the band's next five albums. Document (1987) featured some of Stipe's most openly political lyrics, particularly on "Welcome to the Occupation" and "Exhuming McCarthy", which were reactions to the conservative political environment of the 1980s under American president Ronald Reagan. Jon Pareles of The New York Times wrote in his review of the album, "Document is both confident and defiant; if R.E.M. is about to move from cult-band status to mass popularity, the album decrees that the band will get there on its own terms." Document was R.E.M.'s breakthrough album, and the first single "The One I Love" charted in the Top 20 in the US, UK, and Canada. By January 1988, Document had become the group's first album to sell a million copies. In light of the band's breakthrough, the December 1987 cover of Rolling Stone declared R.E.M. "America's Best Rock & Roll Band". 1988–1997: International breakout and alternative rock stardom Frustrated that its records did not see satisfactory overseas distribution, R.E.M. left I.R.S. when its contract expired and signed with the major label Warner Bros. Records. Though other labels offered more money, R.E.M. ultimately signed with Warner Bros.—reportedly for an amount between $6 million and $12 million—due to the company's assurance of total creative freedom. (Jay Boberg claimed that R.E.M.'s deal with Warner Bros. was for $22 million, which Peter Buck disputed as "definitely wrong".) In the aftermath of the group's departure, I.R.S. released the 1988 "best of" compilation Eponymous (assembled with input from the band members) to capitalize on assets the company still possessed. The band's 1988 Warner Bros. debut, Green, was recorded in Memphis, Tennessee, and showcased the group experimenting with its sound. The record's tracks ranged from the upbeat first single "Stand" (a hit in the United States), to more political material, like the rock-oriented "Orange Crush" and "World Leader Pretend", which address the Vietnam War and the Cold War, respectively. Green has gone on to sell four million copies worldwide. The band supported the album with its biggest and most visually developed tour to date, featuring back-projections and art films playing on the stage. After the Green tour, the band members unofficially decided to take the following year off, the first extended break in the band's career. In 1990 Warner Bros. issued the music video compilation Pop Screen to collect clips from the Document and Green albums, followed a few months later by the video album Tourfilm featuring live performances filmed during the Green World Tour. R.E.M. reconvened in mid-1990 to record its seventh album, Out of Time. In a departure from Green, the band members often wrote the music with non-traditional rock instrumentation including mandolin, organ, and acoustic guitar instead of adding them as overdubs later in the creative process. Released in March 1991, Out of Time was the band's first album to top both the US and UK charts. The record eventually sold 4.2 million copies in the US alone, and about 12 million copies worldwide by 1996. The album's lead single "Losing My Religion" was a worldwide hit that received heavy rotation on radio, as did the music video on MTV and VH1. "Losing My Religion" was R.E.M.'s highest-charting single in the US, reaching number four on the Billboard charts. "There've been very few life-changing events in our career because our career has been so gradual," Mills said years later. "If you want to talk about life changing, I think 'Losing My Religion' is the closest it gets". The album's second single, "Shiny Happy People" (one of three songs on the record to feature vocals from Kate Pierson of fellow Athens band the B-52's), was also a major hit, reaching number 10 in the US and number six in the UK. Out of Time garnered R.E.M. seven nominations at the 1992 Grammy Awards, the most nominations of any artist that year. The band won three awards: one for Best Alternative Music Album and two for "Losing My Religion", Best Short Form Music Video and Best Pop Performance by a Duo or Group with Vocal. R.E.M. did not tour to promote Out of Time; instead the group played a series of one-off shows, including an appearance taped for an episode of MTV Unplugged and released music videos for each song on the video album This Film Is On. The band also performed "Losing My Religion" with members of the Atlanta Symphony Orchestra in Madison, Georgia, at Madison-Morgan Cultural Center as part of MTV's 10th anniversary special. After spending some months off, R.E.M. returned to the studio in 1991 to record its next album. Late in 1992, the band released Automatic for the People. Though the group had intended to make a harder-rocking album after the softer textures of Out of Time, the somber Automatic for the People "[seemed] to move at an even more agonized crawl", according to Melody Maker. The album dealt with themes of loss and mourning inspired by "that sense of ... turning thirty", according to Buck. Several songs featured string arrangements by former Led Zeppelin bassist John Paul Jones. Considered by a number of critics (as well as by Buck and Mills) to be the band's best album, Automatic for the People reached numbers one and two on UK and US charts, respectively, and generated the American Top 40 hit singles "Drive", "Man on the Moon", and "Everybody Hurts". The album would sell over fifteen million copies worldwide. As with Out of Time, there was no tour in support of the album. The decision to forgo a tour, in conjunction with Stipe's physical appearance, generated rumors that the singer was dying or HIV-positive, which were vehemently denied by the band. After the band released two slow-paced albums in a row, R.E.M.'s 1994 album Monster was, as Buck said, "a 'rock' record, with the rock in quotation marks." In contrast to the sound of its predecessors, the music of Monster consisted of distorted guitar tones, minimal overdubs, and touches of 1970s glam rock. Like Out of Time, Monster topped the charts in both the US and UK. The record sold about nine million copies worldwide. The singles "What's the Frequency, Kenneth?" and "Bang and Blame" were the band's last American Top 40 hits, although all the singles from Monster reached the Top 30 on the British charts. Warner Bros. assembled the music videos from the album as well as those from Automatic for the People for release as Parallel in 1995. In January 1995, R.E.M. set out on its first tour in six years. The tour was a huge commercial success, but the period was difficult for the group. On March 1, Berry collapsed on stage during a performance in Lausanne, Switzerland, having suffered a brain aneurysm. He had surgery immediately and recovered fully within a month. Berry's aneurysm was only the beginning of a series of health problems that plagued the Monster tour. Mills had to undergo abdominal surgery to remove an intestinal adhesion in July; a month later, Stipe had to have an emergency surgery to repair a hernia. Despite all the problems, the group had recorded the bulk of a new album while on the road. The band brought along eight-track recorders to capture its shows, and used the recordings as the base elements for the album. The final three performances of the tour were filmed at the Omni Coliseum in Atlanta, Georgia and released in home video form as Road Movie. R.E.M. re-signed with Warner Bros. Records in 1996 for a reported $80 million (a figure the band constantly asserted originated with the media), rumored to be the largest recording contract in history at that point. The group's 1996 album New Adventures in Hi-Fi debuted at number two in the US and number one in the UK. The five million copies of the album sold were a reversal of the group's commercial fortunes of the previous five years. Critical reaction to the album was mostly favorable. In a 2017 retrospective on the band, Consequence of Sound ranked it third out of R.E.M.'s 15 full-length studio albums. The album is Stipe's favorite from R.E.M. and he considers it the band at their peak. Mills says "It usually takes a good few years for me to decide where an album stands in the pantheon of recorded work we've done. This one may be third behind Murmur and Automatic for the People. According to DiscoverMusic: "Arguably less immediate and less accessible[...]New Adventures in Hi-Fi is a sprawling, "White Album"-esque affair clocking in at 65 minutes. However, while it required some time and commitment from the listener, the record's contents were rich, compelling and frequently stunning. Accordingly, the album has continued to lobby for recognition and has long since earned its reputation as R.E.M.'s most unsung LP." While sales were impressive they were below their previous major label records. Time's writer Christopher John Farley argued that the lesser sales of the album were due to the declining commercial power of alternative rock as a whole. That same year, R.E.M. parted ways with manager Jefferson Holt, allegedly due to sexual harassment charges levied against him by a member of the band's home office in Athens. The group's lawyer Bertis Downs assumed managerial duties. 1997–2006: Continuing as three-piece with mixed success In April 1997, the band convened at Buck's Kauai vacation home to record demos of material intended for the next album. The band sought to reinvent its sound and intended to incorporate drum loops and percussion experiments. Just as the sessions were due to begin in October, Berry decided, after months of contemplation and discussions with Downs and Mills, to tell the rest of the band that he was quitting. Berry told his bandmates that he would not quit if they would break up as a result, so Stipe, Buck, and Mills agreed to carry on as a three-piece with his blessing. Berry publicly announced his departure three weeks later in October 1997. Berry told the press, "I'm just not as enthusiastic as I have been in the past about doing this anymore . . . I have the best job in the world. But I'm kind of ready to sit back and reflect and maybe not be a pop star anymore." Stipe admitted that the band would be different without a major contributor: "For me, Mike, and Peter, as R.E.M., are we still R.E.M.? I guess a three-legged dog is still a dog. It just has to learn to run differently." The band cancelled its scheduled recording sessions as a result of Berry's departure. "Without Bill it was different, confusing", Mills later said. "We didn't know exactly what to do. We couldn't rehearse without a drummer." The remaining members of R.E.M. resumed work on the album in February 1998 at Toast Studios in San Francisco. The band ended its decade-long collaboration with Scott Litt and hired Pat McCarthy to produce the record. Nigel Godrich was taken on as assistant producer, and drafted in Screaming Trees member Barrett Martin and Beck's touring drummer Joey Waronker. The recording process was tense, and the group came close to disbanding. Bertis Downs called an emergency meeting in which the band members resolved their problems and agreed to continue as a group. Led by the single "Daysleeper", Up (1998) debuted in the top ten in the US and UK. However, the album was a relative failure, selling 900,000 copies in the US by mid-1999 and eventually selling just over two million copies worldwide. While R.E.M.'s American sales were declining, the group's commercial base was shifting to the UK, where more R.E.M. records were sold per capita than any other country and the band's singles regularly entered the Top 20. A year after Ups release, R.E.M. wrote the instrumental score to the Andy Kaufman biographical film Man on the Moon, a first for the group. The film took its title from the Automatic for the People song of the same name. The song "The Great Beyond" was released as a single from the Man on the Moon soundtrack album. "The Great Beyond" only reached number 57 on the American pop charts, but was the band's highest-charting single ever in the UK, reaching number three in 2000. R.E.M. recorded the majority of its twelfth album Reveal (2001) in Canada and Ireland from May to October 2000. Reveal shared the "lugubrious pace" of Up, and featured drumming by Joey Waronker, as well as contributions by Scott McCaughey (a co-founder of the band the Minus 5 with Buck), and Ken Stringfellow (founder of the Posies). Global sales of the album were over four million, but in the United States Reveal sold about the same number of copies as Up. The album was led by the single "Imitation of Life", which reached number six in the UK. Writing for Rock's Backpages, The Rev. Al Friston described the album as "loaded with golden loveliness at every twist and turn", in comparison to the group's "essentially unconvincing work on New Adventures in Hi-Fi and Up". Similarly, Rob Sheffield of Rolling Stone called Reveal "a spiritual renewal rooted in a musical one" and praised its "ceaselessly astonishing beauty". In 2003, Warner Bros. released the compilation album and DVD In Time: The Best of R.E.M. 1988–2003 and In View: The Best of R.E.M. 1988–2003, which featured two new songs, "Bad Day" and "Animal". At a 2003 concert in Raleigh, North Carolina, Berry made a surprise appearance, performing backing vocals on "Radio Free Europe". He then sat behind the drum kit for a performance of the early R.E.M. song "Permanent Vacation", marking his first performance with the band since his retirement. R.E.M. released Around the Sun in 2004. During production of the album in 2002, Stipe said, "[The album] sounds like it's taking off from the last couple of records into unchartered R.E.M. territory. Kind of primitive and howling". After the album's release, Mills said, "I think, honestly, it turned out a little slower than we intended for it to, just in terms of the overall speed of songs." Around the Sun received a mixed critical reception, and peaked at number 13 on the Billboard charts. The first single from the album, "Leaving New York", was a Top 5 hit in the UK. For the record and subsequent tour, the band hired a new full-time touring drummer, Bill Rieflin, who had previously been a member of several industrial music acts such as Ministry and Pigface, and remained in that role for the duration of the band's active years. The video album Perfect Square was released that same year. 2006–2011: Last albums, recognition and breakup EMI released a compilation album covering R.E.M.'s work during its tenure on I.R.S. in 2006 called And I Feel Fine... The Best of the I.R.S. Years 1982–1987 along with the video album When the Light Is Mine: The Best of the I.R.S. Years 1982–1987—the label had previously released the compilations The Best of R.E.M. (1991), R.E.M.: Singles Collected (1994), and R.E.M.: In the Attic – Alternative Recordings 1985–1989 (1997). That same month, all four original band members performed during the ceremony for their induction into the Georgia Music Hall of Fame. While rehearsing for the ceremony, the band recorded a cover of John Lennon's "#9 Dream" for Instant Karma: The Amnesty International Campaign to Save Darfur, a tribute album benefiting Amnesty International. The song—released as a single for the album and the campaign—featured Bill Berry's first studio recording with the band since his departure almost a decade earlier. In October 2006, R.E.M. was nominated for induction into the Rock and Roll Hall of Fame in its first year of eligibility. The band was one of five nominees accepted into the Hall that year, and the induction ceremony took place in March 2007 at New York's Waldorf-Astoria Hotel. The group—which was inducted by Pearl Jam lead singer Eddie Vedder—performed three songs with Bill Berry; "Gardening at Night", "Man on the Moon" and "Begin the Begin" as well as a cover of "I Wanna Be Your Dog". Work on the group's fourteenth album commenced in early 2007. The band recorded with producer Jacknife Lee in Vancouver and Dublin, where it played five nights in the Olympia Theatre between June 30 and July 5 as part of a "working rehearsal". R.E.M. Live, the band's first live album (featuring songs from a 2005 Dublin show), was released in October 2007. The group followed this with the 2009 live album Live at The Olympia, which features performances from its 2007 residency. R.E.M. released Accelerate in early 2008. The album debuted at number two on the Billboard charts, and became the band's eighth album to top the British album charts. Rolling Stone reviewer David Fricke considered Accelerate an improvement over the band's previous post-Berry albums, calling it "one of the best records R.E.M. have ever made". In 2010, R.E.M. released the video album R.E.M. Live from Austin, TX—a concert recorded for Austin City Limits in 2008. The group recorded its fifteenth album, Collapse into Now (2011), with Jacknife Lee in locales including Berlin, Nashville, and New Orleans. For the album, the band aimed for a more expansive sound than the intentionally short and speedy approach implemented on Accelerate. The album debuted at number five on the Billboard 200, becoming the group's tenth album to reach the top ten of the chart. This release fulfilled R.E.M.'s contractual obligations to Warner Bros., and the band began recording material without a contract a few months later with the possible intention of self-releasing the work. On September 21, 2011, R.E.M. announced via its website that it was "calling it a day as a band". Stipe said that he hoped fans realized it "wasn't an easy decision": "All things must end, and we wanted to do it right, to do it our way." Long-time associate and former Warner Bros. Senior Vice President of Emerging Technology Ethan Kaplan has speculated that shake-ups at the record label influenced the group's decision to disband. The group discussed breaking up for several years, but was encouraged to continue after the lackluster critical and commercial performance of Around the Sun; according to Mills, "We needed to prove, not only to our fans and critics but to ourselves, that we could still make great records." They were also uninterested in the business end of recording as R.E.M. The band members finished their collaboration by assembling the compilation album Part Lies, Part Heart, Part Truth, Part Garbage 1982–2011, which was released in November 2011. The album is the first to collect songs from R.E.M.'s I.R.S. and Warner Bros. tenures, as well as three songs from the group's final studio recordings from post-Collapse into Now sessions. In November, Mills and Stipe did a brief span of promotional appearances in British media, ruling out the option of the group ever reuniting. 2011–present: Post-breakup releases and events In 2014, Unplugged: The Complete 1991 and 2001 Sessions was released for Record Store Day. Digital download collections of I.R.S. and Warner Bros. rarities followed. Later in the year, the band compiled the video album box set REMTV, which collected their two Unplugged performances along with several other documentaries and live shows, while their record label released the box set 7IN—83–88, made up of 7-inch vinyl singles. In December 2015, the band members agreed to a distribution deal with Concord Bicycle Music to re-release their Warner Bros. albums. Continuing to maintain their copyright and intellectual property legacies, in March 2016, the band signed a new music publishing administration deal with Universal Music Publishing Group, and a year later, the band members left Broadcast Music, Inc., who had represented their performance rights for their entire career, and joined SESAC. The first release after their new publishing status was the 2018 box set R.E.M. at the BBC. Live at the Borderline 1991 followed for 2019's Record Store Day. On March 24, 2020, session and touring drummer Bill Rieflin, who contributed on the band's last three records, died of cancer after years of battling the disease. In September 2021, a full decade after disbanding, Stipe reiterated that the band had no intention of regrouping: "We decided when we split up that that would just be really tacky and probably money-grabbing, which might be the impetus for a lot of bands to get back together." Musical style R.E.M. has been described as alternative rock, college rock, folk rock, jangle pop, and post-punk. In a 1988 interview, Peter Buck described R.E.M. songs as typically, "Minor key, mid-tempo, enigmatic, semi-folk-rock-balladish things. That's what everyone thinks and to a certain degree, that's true." All songwriting is credited to the entire band, even though individual members are sometimes responsible for writing the majority of a particular song. Each member is given an equal vote in the songwriting process; however, Buck has conceded that Stipe, as the band's lyricist, can rarely be persuaded to follow an idea he does not favor. Among the original line-up, there were divisions of labor in the songwriting process: Stipe would write lyrics and devise melodies, Buck would edge the band in new musical directions, and Mills and Berry would fine-tune the compositions due to their greater musical experience. Michael Stipe sings in what R.E.M. biographer David Buckley described as "wailing, keening, arching vocal figures". Stipe often harmonizes with Mills in songs; in the chorus for "Stand", Mills and Stipe alternate singing lyrics, creating a dialogue. Early articles about the band focused on Stipe's singing style (described as "mumbling" by The Washington Post), which often rendered his lyrics indecipherable. Creem writer John Morthland wrote in his review of Murmur, "I still have no idea what these songs are about, because neither me nor anyone else I know has ever been able to discern R.E.M.'s lyrics." Stipe commented in 1984, "It's just the way I sing. If I tried to control it, it would be pretty false." Producer Joe Boyd convinced Stipe to begin singing more clearly during the recording of Fables of the Reconstruction. Stipe later called chorus lyrics of "Sitting Still" from R.E.M. debut album, Murmur, "nonsense", saying in a 1994 online chat, "You all know there aren't words, per se, to a lot of the early stuff. I can't even remember them." In truth, Stipe carefully crafted the lyrics to many early R.E.M. songs. Stipe explained in 1984 that when he started writing lyrics they were like "simple pictures", but after a year he grew tired of the approach and "started experimenting with lyrics that didn't make exact linear sense, and it's just gone from there." In the mid-1980s, as Stipe's pronunciation while singing became clearer, the band decided that its lyrics should convey ideas on a more literal level. Mills explained, "After you've made three records and you've written several songs and they've gotten better and better lyrically the next step would be to have somebody question you and say, are you saying anything? And Michael had the confidence at that point to say yes . . ." Songs like "Cuyahoga" and "Fall on Me" on Lifes Rich Pageant dealt with such concerns as pollution. Stipe incorporated more politically oriented concerns into his lyrics on Document and Green. "Our political activism and the content of the songs was just a reaction to where we were, and what we were surrounded by, which was just abject horror," Stipe said later. "In 1987 and '88 there was nothing to do but be active." Stipe has since explored other lyrical topics. Automatic for the People dealt with "mortality and dying. Pretty turgid stuff", according to Stipe, while Monster critiqued love and mass culture. Musically, Stipe stated that bands like T. Rex and Mott the Hoople "really impacted me". Peter Buck's style of playing guitar has been singled out by many as the most distinctive aspect of R.E.M.'s music. During the 1980s, Buck's "economical, arpeggiated, poetic" style reminded British music journalists of 1960s American folk rock band the Byrds. Buck has stated "[Byrds guitarist] Roger McGuinn was a big influence on me as a guitar player", but said it was Byrds-influenced bands, including Big Star and the Soft Boys, that inspired him more. Comparisons were also made with the guitar playing of Johnny Marr of alternative rock contemporaries the Smiths. While Buck professed being a fan of the group, he admitted he initially criticized the band simply because he was tired of fans asking him if he was influenced by Marr, whose band had in fact made their debut after R.E.M. Buck generally eschews guitar solos; he explained in 2002, "I know that when guitarists rip into this hot solo, people go nuts, but I don't write songs that suit that, and I am not interested in that. I can do it if I have to, but I don't like it." Mike Mills' melodic approach to bass playing is inspired by Paul McCartney of the Beatles and Chris Squire of Yes; Mills has said, "I always played a melodic bass, like a piano bass in some ways . . . I never wanted to play the traditional locked into the kick drum, root note bass work." Mills has more musical training than his bandmates, which he has said "made it easier to turn abstract musical ideas into reality." Legacy R.E.M. was pivotal in the creation and development of the alternative rock genre. AllMusic stated, "R.E.M. mark the point when post-punk turned into alternative rock." In the early 1980s, the musical style of R.E.M. stood in contrast to the post-punk and new wave genres that had preceded it. Music journalist Simon Reynolds noted that the post-punk movement of the late 1970s and early 1980s "had taken whole swaths of music off the menu", particularly that of the 1960s, and that "After postpunk's demystification and New Pop's schematics, it felt liberating to listen to music rooted in mystical awe and blissed-out surrender." Reynolds declared R.E.M., a band that recalled the music of the 1960s with its "plangent guitar chimes and folk-styled vocals" and who "wistfully and abstractly conjured visions and new frontiers for America", one of "the two most important alt-rock bands of the day." With the release of Murmur, R.E.M. had the most impact musically and commercially of the developing alternative genre's early groups, leaving in its wake a number of jangle pop followers. R.E.M.'s early breakthrough success served as an inspiration for other alternative bands. Spin referred to the "R.E.M. model"—career decisions that R.E.M. made that set guidelines for other underground artists to follow in their own careers. Spin's Charles Aaron wrote that by 1985, "They'd shown how far an underground, punk-inspired rock band could go within the industry without whoring out its artistic integrity in any obvious way. They'd figured out how to buy in, not sellout-in other words, they'd achieved the American Bohemian Dream." Steve Wynn of Dream Syndicate said, "They invented a whole new ballgame for all of the other bands to follow whether it was Sonic Youth or the Replacements or Nirvana or Butthole Surfers. R.E.M. staked the claim. Musically, the bands did different things, but R.E.M. was first to show us you can be big and still be cool." Biographer David Buckley stated that between 1991 and 1994, a period that saw the band sell an estimated 30 million albums, R.E.M. "asserted themselves as rivals to U2 for the title of biggest rock band in the world." Over the course of its career, the band has sold over 85 million records worldwide. Colin Larkin's All Time Top 1000 Albums stated that "Their catalogue is destined to endure as critics reluctantly accept their considerable importance in the history of rock". Alternative bands such as Nirvana, Pavement, Radiohead, Coldplay, Pearl Jam (the band's vocalist Eddie Vedder inducted R.E.M. into the Rock and Roll Hall of Fame), Live, Stone Temple Pilots, Collective Soul, Alice in Chains, Hootie and the Blowfish and Pwr Bttm have drawn inspiration from R.E.M.'s music. "When I was 15 years old in Richmond, Virginia, they were a very important part of my life," Pavement's Bob Nastanovich said, "as they were for all the members of our band." Pavement's contribution to the No Alternative compilation (1993) was "Unseen Power of the Picket Fence", a song about R.E.M.'s early days. Local H, according to the band's Twitter account, created their name by combining two R.E.M. songs: "Oddfellows Local 151" and "Swan Swan H". Kurt Cobain of Nirvana was a fan of R.E.M., and had unfulfilled plans to collaborate on a musical project with Stipe. Cobain told Rolling Stone in an interview earlier that year, "I don’t know how that band does what they do. God, they’re the greatest. They've dealt with their success like saints, and they keep delivering great music." During his show at the 40 Watt Club in October 2018, Johnny Marr said: "As a British musician coming out of the indie scene in the early '80s, which I definitely am and am proud to have been, I can't miss this opportunity to acknowledge and pay my respects and honor the guys who put this town on the map for us in England. I'm talking about my comrades in guitar music, R.E.M. The Smiths really respected R.E.M. We had to keep an eye on what those guys were up to. It's an interesting thing for me, as a British musician, and all those guys as British musicians, to come to this place and play for you guys, knowing that it's the roots of Mike Mills and Bill Berry and Michael Stipe and my good friend Peter Buck." Awards Campaigning and activism Throughout R.E.M.'s career, its members sought to highlight social and political issues. According to the Los Angeles Times, R.E.M. was considered to be one of the United States' "most liberal and politically correct rock groups." The band's members were "on the same page" politically, sharing a liberal and progressive outlook. Mills admitted that there was occasionally dissension between band members on what causes they might support, but acknowledged "Out of respect for the people who disagree, those discussions tend to stay in-house, just because we'd rather not let people know where the divisions lie, so people can't exploit them for their own purposes." An example is that in 1990 Buck noted that Stipe was involved with People for the Ethical Treatment of Animals, but the rest of the band were not. R.E.M. helped raise funds for environmental, feminist and human rights causes, and were involved in campaigns to encourage voter registration. During the Green tour, Stipe spoke on stage to the audiences about a variety of socio-political issues. Through the late 1980s and 1990s, the band (particularly Stipe) increasingly used its media coverage on national television to mention a variety of causes it felt were important. One example is during the 1991 MTV Video Music Awards, Stipe wore a half-dozen white shirts emblazoned with slogans including "rainforest", "love knows no colors", and "handgun control now". R.E.M. helped raise awareness of Aung San Suu Kyi and human rights violations in Myanmar, when they worked with the Freedom Campaign and the US Campaign for Burma. Stipe himself ran ads for the 1988 election, supporting Democratic presidential candidate and Massachusetts governor Michael Dukakis over then-Vice President George H. W. Bush. In 2004, the band participated in the Vote for Change tour that sought to mobilize American voters to support Democratic presidential candidate John Kerry. R.E.M.'s political stance, particularly coming from a wealthy rock band under contract to a label owned by a multinational corporation, received criticism from former Q editor Paul Du Noyer, who criticized the band's "celebrity liberalism", saying, "It's an entirely pain-free form of rebellion that they're adopting. There's no risk involved in it whatsoever, but quite a bit of shoring up of customer loyalty." From the late 1980s, R.E.M. was involved in the local politics of its hometown of Athens, Georgia. Buck explained to Sounds in 1987, "Michael always says think local and act local—we have been doing a lot of stuff in our town to try and make it a better place." The band often donated funds to local charities and helped renovate and preserve historic buildings in the town. R.E.M.'s political clout was credited with the narrow election of Athens mayor Gwen O'Looney twice in the 1990s. The band is a member of the Canadian charity Artists Against Racism. Members Main members Bill Berry – drums, percussion, backing vocals, occasional bass guitar and keyboards (1980–1997; occasional concert appearances with the band 2003–2007) Peter Buck – lead guitar, mandolin, banjo, occasional bass guitar and keyboards (1980–2011) Mike Mills – bass guitar, keyboards, backing vocals and guitar (1980–2011) Michael Stipe – lead vocals (1980–2011) Non-musical members Several publications made by the band such as album liner notes and fan club mailers list attorney Bertis Downs and manager Jefferson Holt as honorary non-musical members; the two joined up with R.E.M. in 1980/1981 and Holt left in 1996. Touring and session musicians Buren Fowler – rhythm guitar (1986–1987) Peter Holsapple – rhythm guitar, keyboards (1989–1991) Scott McCaughey – rhythm guitar, keyboards, backing vocals, occasional lead guitar (1994–2011) Nathan December – rhythm and lead guitar (1994–1995) Joey Waronker – drums, percussion (1998–2002) Barrett Martin – percussion (1998) Ken Stringfellow – keyboards, occasional rhythm guitar, bass guitar, backing vocals (1998–2005) Bill Rieflin – drums, percussion, occasional keyboards and guitar (2003–2011) Timeline Production timeline Touring and session members timeline Discography Studio albums Murmur (1983) Reckoning (1984) Fables of the Reconstruction (1985) Lifes Rich Pageant (1986) Document (1987) Green (1988) Out of Time (1991) Automatic for the People (1992) Monster (1994) New Adventures in Hi-Fi (1996) Up (1998) Reveal (2001) Around the Sun (2004) Accelerate (2008) Collapse into Now (2011) See also List of alternative rock artists References Sources Black, Johnny. Reveal: The Story of R.E.M. Backbeat, 2004. Buckley, David. R.E.M.: Fiction: An Alternative Biography. Virgin, 2002. Gray, Marcus. It Crawled from the South: An R.E.M. Companion. Da Capo, 1997. Second edition. Fletcher, Tony. Remarks Remade: The Story of R.E.M. Omnibus, 2002. . Platt, John (editor). The R.E.M. Companion: Two Decades of Commentary. Schirmer, 1998. Sullivan, Denise. Talk About the Passion: R.E.M.: An Oral Biography. Underwood-Miller, 1994. External links Dynamic Range DB entry for R.E.M. 1980 establishments in Georgia (U.S. state) 2011 disestablishments in Georgia (U.S. state) Alternative rock groups from Georgia (U.S. state) Brit Award winners Capitol Records artists Concord Bicycle Music artists Grammy Award winners I.R.S. Records artists Jangle pop groups Musical groups established in 1980 Musical groups disestablished in 2011 Musical groups from Athens, Georgia New West Records artists Rhino Records artists Warner Records artists Craft Recordings artists College rock musical groups	true	[ "\"Monster\" is a song recorded by Japanese boy band Arashi. It was released on May 19, 2010 by their record label J Storm, as part of the CD single of the same name. The single was released as a regular edition, containing the title song, the song \"Spiral\", and their instrumental versions; and a limited edition, containing both songs and a DVD. \"Monster\" was used as the theme song for a drama starring Arashi member Satoshi Ohno.\n\nSingle information\nOn April 5, 2010, it was announced that Arashi would provide the theme song \"Monster\" for Ohno's fantasy comedy drama based on Fujiko Fujio's manga series . \nThe single was released in two formats: a regular edition, which included A-side \"Monster\", the B-side and the instrumentals for both the tracks; and a limited edition, which included the two tracks and a DVD containing the promotional video for \"Monster\" and its making of.\n\nThe song's music video was included in their official YouTube channel, when it opened in 2019, and later on, also a live version. The song was also included in their official pages of streaming sites Apple Music, Spotify, and the such.\n\nChart performance\nThe single sold about 232,000 copies on the first day of its release on May 19, 2010, debuting at number one on the Oricon singles daily chart. On the Oricon singles weekly chart, the single placed at number one, selling about 543,000 copies. \"Monster\" also became Arashi's thirtieth consecutive single to rank within the Top 3 since their debut single, making Arashi the first act to achieve such a feat.\n\nOn June 24, 2010, \"Monster\" placed at number-one on the Oricon first half of the year singles chart by selling 654,287 copies overall. According to Oricon, \"Monster\" is the fourth best-selling single of 2010 in Japan.\n\nTrack listing\n\nCharts and certifications\n\nWeekly charts\n\nYear-end charts\n\nCertifications\n\nRelease history\n\nReferences\n\nExternal links\nProduct information \n\n2010 singles\nArashi songs\nBillboard Japan Hot 100 number-one singles\nOricon Weekly number-one singles\nJapanese television drama theme songs\nJ Storm singles", "\"Negasonic Teenage Warhead\" is the second track on Monster Magnet's 1995 album, Dopes to Infinity. It became the band's first successful single.\n\nHistory\n\"Negasonic Teenage Warhead\" was the first song recorded by Monster Magnet after the release of their previous album Superjudge because a five-minute version of it had to appear in the 1994 movie S.F.W. The version of the song which appeared on the album was recorded at The Magic Shop, in New York City. It was released in its album, Dopes to Infinity, and as a single, the first one of the album, (with a version of 4:23 minutes) in 1995. The song would become the band's first hit single, garnering moderate play on modern rock radio and MTV. The 1999 Japanese reissue of Dopes to Infinity includes a live version of the song.\n\nAlbums where it has been featured\nThe track was later included on the two Monster Magnet's greatest hits albums: Greatest Hits and 20th Century Masters - The Millennium Collection: The Best of Monster Magnet. It was also featured in a CD which includes an interview of Dave Wyndorf by Sean Yseult. S.F.W.'''s soundtrack album also has the song. The compilation album Unstoppable 90's: Alternative also featured the song.\n\nTitle and meaning of the lyrics\nAccording to Dave Wyndorf, the writer, he chose such a curious title for the song because it deals with those rock stars who, from his point of view, always seem to be negative (hence the word \"negasonic\" in the title) and apparently hate being what they are; more specifically, grunge musicians. He wanted to show with the song that he doesn't like artists whose lyrics always deal with depression, unhappiness, and such things. However, he doesn't see the song as a manifesto.\n\nVideo\nThe video of the song, which featured the work of director Gore Verbinski and film editor Craig Wood shows all members of Monster Magnet performing ordinary activities on asteroids while they are being watched by an enormous woman. As the clip goes on, the members of the band begin trashing the things on their asteroids, whose stability begins to wane. Then, Dave Wyndorf is shown moving his hands around the Earth. At the end all members are seen riding a car through space.\n\nIt was featured on MTV's Beavis & Butt-head and was included on the first volume of the three-DVD sets called Beavis and Butt-Head: The Mike Judge Collection. The single for \"I Talk to Planets\" features it as well.\n\nSingle\nThe song had several releases as a single. A live version of the song was also released as a B-side for \"Dead Christmas\".\n\nChart performance\nReleased during the era of grunge, when Monster Magnet's retro-rock style was highly unfashionable, the song didn't attract enough attention of radio stations so it was only a moderate hit. It charted in the United States.\n\nIn popular culture\nThe X-Men character who shares a name with this song was named after this song. Its creator, Grant Morrison, has admitted being indebted to Monster Magnet.\n\nReferences\n\nExternal links\n posted by Vevo\nMedia section of Monster Magnet's website, where the S.F.W.'' version of the song can be downloaded for free.\n\n1995 songs\nMonster Magnet songs" ]
[ "R.E.M.", "1994-1996: Return to touring and continued success", "What was significant about 1994?", "R.E.M.'s 1994 album Monster was, as Buck said, \"a 'rock' record, with the rock in quotation marks.\"", "Was the album successful?", "Monster topped the charts in both the US and UK.", "Did they tour for the album?", "In January 1995, R.E.M. set out on its first tour in six years.", "What countries did they play?", "Switzerland,", "What was the biggest single on Monster?", "\"What's the Frequency, Kenneth?\" and \"Bang and Blame\" were the band's last American Top 40 hits, although all the singles from Monster reached the Top 30 on the British charts." ]	C_ba78f0869419427381f458814037b192_0	Did they win any awards for the album?	6	Did R.E.M. win any awards for their Monster album?	R.E.M.	After the band released two slow-paced albums in a row, R.E.M.'s 1994 album Monster was, as Buck said, "a 'rock' record, with the rock in quotation marks." In contrast to the sound of its predecessors, the music of Monster consisted of distorted guitar tones, minimal overdubs, and touches of 1970s glam rock. Like Out of Time, Monster topped the charts in both the US and UK. The record sold about nine million copies worldwide. The singles "What's the Frequency, Kenneth?" and "Bang and Blame" were the band's last American Top 40 hits, although all the singles from Monster reached the Top 30 on the British charts. Warner Bros. assembled the music videos from the album as well as those from Automatic for the People for release as Parallel in 1995. In January 1995, R.E.M. set out on its first tour in six years. The tour was a huge commercial success, but the period was difficult for the group. On March 1, Berry collapsed on stage during a performance in Lausanne, Switzerland, having suffered a brain aneurysm. He had surgery immediately and recovered fully within a month. Berry's aneurysm was only the beginning of a series of health problems that plagued the Monster tour. Mills had to undergo abdominal surgery to remove an intestinal adhesion in July; a month later, Stipe had to have an emergency surgery to repair a hernia. Despite all the problems, the group had recorded the bulk of a new album while on the road. The band brought along eight-track recorders to capture its shows, and used the recordings as the base elements for the album. The final three performances of the tour were filmed at the Omni Coliseum in Atlanta, Georgia and released in home video form as Road Movie. R.E.M. re-signed with Warner Bros. Records in 1996 for a reported $80 million (a figure the band constantly asserted originated with the media), rumored to be the largest recording contract in history at that point. The group's 1996 album New Adventures in Hi-Fi debuted at number two in the US and number one in the UK. The five million copies of the album sold were a reversal of the group's commercial fortunes of the previous five years. Time writer Christopher John Farley argued that the lesser sales of the album were due to the declining commercial power of alternative rock as a whole. That same year, R.E.M. parted ways with manager Jefferson Holt, allegedly due to sexual harassment charges levied against him by a member of the band's home office in Athens. The group's lawyer Bertis Downs assumed managerial duties. CANNOTANSWER	the largest recording contract in history	R.E.M. was an American rock band from Athens, Georgia, formed in 1980 by drummer Bill Berry, guitarist Peter Buck, bassist Mike Mills, and lead vocalist Michael Stipe, who were students at the University of Georgia. Liner notes from some of the band's albums list attorney Bertis Downs and manager Jefferson Holt as non-musical members. One of the first alternative rock bands, R.E.M. was noted for Buck's ringing, arpeggiated guitar style; Stipe's distinctive vocal quality, unique stage presence, and obscure lyrics; Mills's melodic bass lines and backing vocals; and Berry's tight, economical drumming style. In the early 1990s, other alternative rock acts such as Nirvana and Pavement viewed R.E.M. as a pioneer of the genre. After Berry left the band in 1997, the band continued its career in the 2000s with mixed critical and commercial success. The band broke up amicably in 2011 with members devoting time to solo projects after having sold more than 85 million albums worldwide and becoming one of the world's best-selling music acts. R.E.M. released its first single, "Radio Free Europe", in 1981 on the independent record label Hib-Tone. It was followed by the Chronic Town EP in 1982, the band's first release on I.R.S. Records. In 1983, the group released its critically acclaimed debut album, Murmur, and built its reputation over the next few years with similarly acclaimed releases every year from 1984 to 1988: Reckoning, Fables of the Reconstruction, Lifes Rich Pageant, Document and Green, including an intermittent b-side compilation Dead Letter Office. Don Dixon and Mitch Easter produced their first two albums, Joe Boyd handled production on Fables of the Reconstruction and Don Gehman produced Lifes Rich Pageant. Thereafter, R.E.M. settled on Scott Litt as producer for the next 10years during the band's most successful period of their career. They also started co-producing their material and playing other instruments in the studio apart from the main ones they play. With constant touring, and the support of college radio following years of underground success, R.E.M. achieved a mainstream hit with the 1987 single "The One I Love". The group signed to Warner Bros. Records in 1988, and began to espouse political and environmental concerns while playing large arenas worldwide. R.E.M.'s most commercially successful albums, Out of Time (1991) and Automatic for the People (1992), put them in the vanguard of alternative rock just as it was becoming mainstream. Out of Time received seven nominations at the 34th Annual Grammy Awards, and lead single "Losing My Religion", was R.E.M.'s highest-charting and best-selling hit. Monster (1994) continued its run of success. The band began its first tour in six years to support the album; the tour was marred by medical emergencies suffered by three of the band members. In 1996, R.E.M. re-signed with Warner Bros. for a reported US$80 million, at the time the most expensive recording contract ever. The tour was productive and the band recorded the following album mostly during soundchecks. The resulting record, New Adventures in Hi-Fi (1996), is hailed as the band's last great album and the members' favorite, growing in cult status over the years. Berry left the band the following year, and Stipe, Buck, and Mills continued as a musical trio, supplemented by studio and live musicians, such as multi-instrumentalists Scott McCaughey and Ken Stringfellow and drummers Joey Waronker and Bill Rieflin. They also parted ways with their longtime manager Jefferson Holt and band's attorney Bertis Downs assumed managerial duties. Seeking to also renovate their sound, the band stopped working with Scott Litt, co-producer and contributor to six of their studio albums and hired Pat McCarthy as co-producer, who had participated before that as mixer and engineer on their last two albums. After the electronic experimental direction of Up (1998) that was commercially unsuccessful, Reveal (2001) was referred to as "a conscious return to their classic sound" which received general acclaim. In 2007, the band was inducted into the Rock and Roll Hall of Fame, in its first year of eligibility and Berry reunited with the band for the ceremony and to record a cover of John Lennon's "#9 Dream" for the compilation album Instant Karma: The Amnesty International Campaign to Save Darfur to benefit Amnesty International's campaign to alleviate the Darfur conflict. Looking for a change of sound after lukewarm reception for Around the Sun (2004), the band collaborated with co-producer Jacknife Lee on their last two studio albums—the well-received Accelerate (2008) and Collapse into Now (2011)—as well as their first live albums after decades of touring. R.E.M. disbanded amicably in September 2011, with former members having continued with various musical projects, and several live and archival albums have since been released. History 1980–1982: Formation and first releases In January 1980, Peter Buck met Michael Stipe in Wuxtry Records, the Athens record store where Buck worked. The pair discovered that they shared similar tastes in music, particularly in punk rock and proto-punk artists like Patti Smith, Television, and the Velvet Underground. Stipe said, "It turns out that I was buying all the records that [Buck] was saving for himself." Through mutual friend Kathleen O'Brien, Stipe and Buck then met fellow University of Georgia students Bill Berry and Mike Mills, who had played music together since high school and lived together in Georgia. The quartet agreed to collaborate on several songs; Stipe later commented that "there was never any grand plan behind any of it". Their still-unnamed band spent a few months rehearsing in a deconsecrated Episcopal church in Athens, and played its first show on April 5, 1980, supporting the Side Effects at O'Brien's birthday party held in the same church, performing a mix of originals and 1960s and 1970s covers. After considering names such as Cans of Piss, Negro Eyes, and Twisted Kites, the band settled on "R.E.M.", which Stipe selected at random from a dictionary. R.E.M. is well known as an initialism for rapid eye movement, the dream stage of sleep; however, sleep researcher Dr. Rafael Pelayo reports that when his colleague Dr. William Dement, the sleep scientist who coined the term REM, reached out to the band, Dr. Dement was told that the band was named "not after REM sleep". The band members eventually dropped out of school to focus on their developing group. They found a manager in Jefferson Holt, a record store clerk who was so impressed by an R.E.M. performance in his hometown of Chapel Hill, North Carolina, that he moved to Athens. R.E.M.'s success was almost immediate in Athens and surrounding areas; the band drew progressively larger crowds for shows, which caused some resentment in the Athens music scene. Over the next year and a half, R.E.M. toured throughout the Southern United States. Touring was arduous because a touring circuit for alternative rock bands did not then exist. The group toured in an old blue van driven by Holt, and lived on a food allowance of $2 each per day. During April 1981, R.E.M. recorded its first single, "Radio Free Europe", at producer Mitch Easter's Drive-In Studios in Winston-Salem, North Carolina. Initially distributing it as a four-track demo tape to clubs, record labels and magazines, the single was released in July 1981 on the local independent record label Hib-Tone with an initial pressing of 1,000 copies—600 of which were sent out as promotional copies. The single quickly sold out, and another 6,000 copies were pressed due to popular demand, despite the original pressing leaving off the record label's contact details. Despite its limited pressing, the single garnered critical acclaim, and was listed as one of the ten best singles of the year by The New York Times. R.E.M. recorded the Chronic Town EP with Mitch Easter in October 1981, and planned to release it on a new indie label named Dasht Hopes. However, I.R.S. Records acquired a demo of the band's first recording session with Easter that had been circulating for months. The band turned down the advances of major label RCA Records in favor of I.R.S., with whom it signed a contract in May 1982. I.R.S. released Chronic Town that August as its first American release. A positive review of the EP by NME praised the songs' auras of mystery, and concluded, "R.E.M. ring true, and it's great to hear something as unforced and cunning as this." 1982–1988: I.R.S. Records and cult success I.R.S. first paired R.E.M. with producer Stephen Hague to record its debut album. Hague's emphasis on technical perfection left the band unsatisfied, and the band members asked the label to let them record with Easter. I.R.S. agreed to a "tryout" session, allowing the band to return to North Carolina and record the song "Pilgrimage" with Easter and producing partner Don Dixon. After hearing the track, I.R.S. permitted the group to record the album with Dixon and Easter. Because of its bad experience with Hague, the band recorded the album via a process of negation, refusing to incorporate rock music clichés such as guitar solos or then-popular synthesizers, in order to give its music a timeless feel. The completed album, Murmur, was greeted with critical acclaim upon its release in 1983, with Rolling Stone listing the album as its record of the year. The album reached number 36 on the Billboard album chart. A re-recorded version of "Radio Free Europe" was the album's lead single and reached number 78 on the Billboard singles chart in 1983. Despite the acclaim awarded the album, Murmur sold only about 200,000 copies, which I.R.S.'s Jay Boberg felt was below expectations. R.E.M. made its first national television appearance on Late Night with David Letterman in October 1983, during which the group performed a new, unnamed song. The piece, eventually titled "So. Central Rain (I'm Sorry)", became the first single from the band's second album, Reckoning (1984), which was also recorded with Easter and Dixon. The album met with critical acclaim; NMEs Mat Snow wrote that Reckoning "confirms R.E.M. as one of the most beautifully exciting groups on the planet". While Reckoning peaked at number 27 on the US album charts—an unusually high chart placing for a college rock band at the time—scant airplay and poor distribution overseas resulted in it charting no higher than number 91 in Britain. The band's third album, Fables of the Reconstruction (1985), demonstrated a change in direction. Instead of Dixon and Easter, R.E.M. chose producer Joe Boyd, who had worked with Fairport Convention and Nick Drake, to record the album in England. The band members found the sessions unexpectedly difficult, and were miserable due to the cold winter weather and what they considered to be poor food; the situation brought the band to the verge of break-up. The gloominess surrounding the sessions worked its way into the context for the album's themes. Lyrically, Stipe began to create storylines in the mode of Southern mythology, noting in a 1985 interview that he was inspired by "the whole idea of the old men sitting around the fire, passing on ... legends and fables to the grandchildren". They toured Canada in July and August 1985, and Europe in October of that year, including the Netherlands, England (including one concert at London's Hammersmith Palais), Ireland, Scotland, France, Switzerland, Belgium and West Germany. On October 2, 1985, the group played a concert in Bochum, West Germany, for the German TV show Rockpalast. Stipe had bleached his hair blond during this time. R.E.M. invited California punk band Minutemen to open for them on part of the US tour, and organized a benefit for the family of Minutemen frontman D. Boon who died in a December 1985 car crash shortly after the tour's conclusion. Fables of the Reconstruction performed poorly in Europe and its critical reception was mixed, with some critics regarding it as dreary and poorly recorded. As with the previous records, the singles from Fables of the Reconstruction were mostly ignored by mainstream radio. Meanwhile, I.R.S. was becoming frustrated with the band's reluctance to achieve mainstream success. For its fourth album, R.E.M. enlisted John Mellencamp's producer Don Gehman. The result, Lifes Rich Pageant (1986), featured Stipe's vocals closer to the forefront of the music. In a 1986 interview with the Chicago Tribune, Peter Buck related, "Michael is getting better at what he's doing, and he's getting more confident at it. And I think that shows up in the projection of his voice." The album improved markedly upon the sales of Fables of the Reconstruction and reached number 21 on the Billboard album chart. The single "Fall on Me" also picked up support on commercial radio. The album was the band's first to be certified gold for selling 500,000 copies. While American college radio remained R.E.M.'s core support, the band was beginning to chart hits on mainstream rock formats; however, the music still encountered resistance from Top 40 radio. Following the success of Lifes Rich Pageant, I.R.S. issued Dead Letter Office, a compilation of tracks recorded by the band during their album sessions, many of which had either been issued as B-sides or left unreleased altogether. Shortly thereafter, I.R.S. compiled R.E.M.'s music video catalog (except "Wolves, Lower") as the band's first video release, Succumbs. Don Gehman was unable to produce R.E.M.'s fifth album, so he suggested the group work with Scott Litt. Litt would be the producer for the band's next five albums. Document (1987) featured some of Stipe's most openly political lyrics, particularly on "Welcome to the Occupation" and "Exhuming McCarthy", which were reactions to the conservative political environment of the 1980s under American president Ronald Reagan. Jon Pareles of The New York Times wrote in his review of the album, "Document is both confident and defiant; if R.E.M. is about to move from cult-band status to mass popularity, the album decrees that the band will get there on its own terms." Document was R.E.M.'s breakthrough album, and the first single "The One I Love" charted in the Top 20 in the US, UK, and Canada. By January 1988, Document had become the group's first album to sell a million copies. In light of the band's breakthrough, the December 1987 cover of Rolling Stone declared R.E.M. "America's Best Rock & Roll Band". 1988–1997: International breakout and alternative rock stardom Frustrated that its records did not see satisfactory overseas distribution, R.E.M. left I.R.S. when its contract expired and signed with the major label Warner Bros. Records. Though other labels offered more money, R.E.M. ultimately signed with Warner Bros.—reportedly for an amount between $6 million and $12 million—due to the company's assurance of total creative freedom. (Jay Boberg claimed that R.E.M.'s deal with Warner Bros. was for $22 million, which Peter Buck disputed as "definitely wrong".) In the aftermath of the group's departure, I.R.S. released the 1988 "best of" compilation Eponymous (assembled with input from the band members) to capitalize on assets the company still possessed. The band's 1988 Warner Bros. debut, Green, was recorded in Memphis, Tennessee, and showcased the group experimenting with its sound. The record's tracks ranged from the upbeat first single "Stand" (a hit in the United States), to more political material, like the rock-oriented "Orange Crush" and "World Leader Pretend", which address the Vietnam War and the Cold War, respectively. Green has gone on to sell four million copies worldwide. The band supported the album with its biggest and most visually developed tour to date, featuring back-projections and art films playing on the stage. After the Green tour, the band members unofficially decided to take the following year off, the first extended break in the band's career. In 1990 Warner Bros. issued the music video compilation Pop Screen to collect clips from the Document and Green albums, followed a few months later by the video album Tourfilm featuring live performances filmed during the Green World Tour. R.E.M. reconvened in mid-1990 to record its seventh album, Out of Time. In a departure from Green, the band members often wrote the music with non-traditional rock instrumentation including mandolin, organ, and acoustic guitar instead of adding them as overdubs later in the creative process. Released in March 1991, Out of Time was the band's first album to top both the US and UK charts. The record eventually sold 4.2 million copies in the US alone, and about 12 million copies worldwide by 1996. The album's lead single "Losing My Religion" was a worldwide hit that received heavy rotation on radio, as did the music video on MTV and VH1. "Losing My Religion" was R.E.M.'s highest-charting single in the US, reaching number four on the Billboard charts. "There've been very few life-changing events in our career because our career has been so gradual," Mills said years later. "If you want to talk about life changing, I think 'Losing My Religion' is the closest it gets". The album's second single, "Shiny Happy People" (one of three songs on the record to feature vocals from Kate Pierson of fellow Athens band the B-52's), was also a major hit, reaching number 10 in the US and number six in the UK. Out of Time garnered R.E.M. seven nominations at the 1992 Grammy Awards, the most nominations of any artist that year. The band won three awards: one for Best Alternative Music Album and two for "Losing My Religion", Best Short Form Music Video and Best Pop Performance by a Duo or Group with Vocal. R.E.M. did not tour to promote Out of Time; instead the group played a series of one-off shows, including an appearance taped for an episode of MTV Unplugged and released music videos for each song on the video album This Film Is On. The band also performed "Losing My Religion" with members of the Atlanta Symphony Orchestra in Madison, Georgia, at Madison-Morgan Cultural Center as part of MTV's 10th anniversary special. After spending some months off, R.E.M. returned to the studio in 1991 to record its next album. Late in 1992, the band released Automatic for the People. Though the group had intended to make a harder-rocking album after the softer textures of Out of Time, the somber Automatic for the People "[seemed] to move at an even more agonized crawl", according to Melody Maker. The album dealt with themes of loss and mourning inspired by "that sense of ... turning thirty", according to Buck. Several songs featured string arrangements by former Led Zeppelin bassist John Paul Jones. Considered by a number of critics (as well as by Buck and Mills) to be the band's best album, Automatic for the People reached numbers one and two on UK and US charts, respectively, and generated the American Top 40 hit singles "Drive", "Man on the Moon", and "Everybody Hurts". The album would sell over fifteen million copies worldwide. As with Out of Time, there was no tour in support of the album. The decision to forgo a tour, in conjunction with Stipe's physical appearance, generated rumors that the singer was dying or HIV-positive, which were vehemently denied by the band. After the band released two slow-paced albums in a row, R.E.M.'s 1994 album Monster was, as Buck said, "a 'rock' record, with the rock in quotation marks." In contrast to the sound of its predecessors, the music of Monster consisted of distorted guitar tones, minimal overdubs, and touches of 1970s glam rock. Like Out of Time, Monster topped the charts in both the US and UK. The record sold about nine million copies worldwide. The singles "What's the Frequency, Kenneth?" and "Bang and Blame" were the band's last American Top 40 hits, although all the singles from Monster reached the Top 30 on the British charts. Warner Bros. assembled the music videos from the album as well as those from Automatic for the People for release as Parallel in 1995. In January 1995, R.E.M. set out on its first tour in six years. The tour was a huge commercial success, but the period was difficult for the group. On March 1, Berry collapsed on stage during a performance in Lausanne, Switzerland, having suffered a brain aneurysm. He had surgery immediately and recovered fully within a month. Berry's aneurysm was only the beginning of a series of health problems that plagued the Monster tour. Mills had to undergo abdominal surgery to remove an intestinal adhesion in July; a month later, Stipe had to have an emergency surgery to repair a hernia. Despite all the problems, the group had recorded the bulk of a new album while on the road. The band brought along eight-track recorders to capture its shows, and used the recordings as the base elements for the album. The final three performances of the tour were filmed at the Omni Coliseum in Atlanta, Georgia and released in home video form as Road Movie. R.E.M. re-signed with Warner Bros. Records in 1996 for a reported $80 million (a figure the band constantly asserted originated with the media), rumored to be the largest recording contract in history at that point. The group's 1996 album New Adventures in Hi-Fi debuted at number two in the US and number one in the UK. The five million copies of the album sold were a reversal of the group's commercial fortunes of the previous five years. Critical reaction to the album was mostly favorable. In a 2017 retrospective on the band, Consequence of Sound ranked it third out of R.E.M.'s 15 full-length studio albums. The album is Stipe's favorite from R.E.M. and he considers it the band at their peak. Mills says "It usually takes a good few years for me to decide where an album stands in the pantheon of recorded work we've done. This one may be third behind Murmur and Automatic for the People. According to DiscoverMusic: "Arguably less immediate and less accessible[...]New Adventures in Hi-Fi is a sprawling, "White Album"-esque affair clocking in at 65 minutes. However, while it required some time and commitment from the listener, the record's contents were rich, compelling and frequently stunning. Accordingly, the album has continued to lobby for recognition and has long since earned its reputation as R.E.M.'s most unsung LP." While sales were impressive they were below their previous major label records. Time's writer Christopher John Farley argued that the lesser sales of the album were due to the declining commercial power of alternative rock as a whole. That same year, R.E.M. parted ways with manager Jefferson Holt, allegedly due to sexual harassment charges levied against him by a member of the band's home office in Athens. The group's lawyer Bertis Downs assumed managerial duties. 1997–2006: Continuing as three-piece with mixed success In April 1997, the band convened at Buck's Kauai vacation home to record demos of material intended for the next album. The band sought to reinvent its sound and intended to incorporate drum loops and percussion experiments. Just as the sessions were due to begin in October, Berry decided, after months of contemplation and discussions with Downs and Mills, to tell the rest of the band that he was quitting. Berry told his bandmates that he would not quit if they would break up as a result, so Stipe, Buck, and Mills agreed to carry on as a three-piece with his blessing. Berry publicly announced his departure three weeks later in October 1997. Berry told the press, "I'm just not as enthusiastic as I have been in the past about doing this anymore . . . I have the best job in the world. But I'm kind of ready to sit back and reflect and maybe not be a pop star anymore." Stipe admitted that the band would be different without a major contributor: "For me, Mike, and Peter, as R.E.M., are we still R.E.M.? I guess a three-legged dog is still a dog. It just has to learn to run differently." The band cancelled its scheduled recording sessions as a result of Berry's departure. "Without Bill it was different, confusing", Mills later said. "We didn't know exactly what to do. We couldn't rehearse without a drummer." The remaining members of R.E.M. resumed work on the album in February 1998 at Toast Studios in San Francisco. The band ended its decade-long collaboration with Scott Litt and hired Pat McCarthy to produce the record. Nigel Godrich was taken on as assistant producer, and drafted in Screaming Trees member Barrett Martin and Beck's touring drummer Joey Waronker. The recording process was tense, and the group came close to disbanding. Bertis Downs called an emergency meeting in which the band members resolved their problems and agreed to continue as a group. Led by the single "Daysleeper", Up (1998) debuted in the top ten in the US and UK. However, the album was a relative failure, selling 900,000 copies in the US by mid-1999 and eventually selling just over two million copies worldwide. While R.E.M.'s American sales were declining, the group's commercial base was shifting to the UK, where more R.E.M. records were sold per capita than any other country and the band's singles regularly entered the Top 20. A year after Ups release, R.E.M. wrote the instrumental score to the Andy Kaufman biographical film Man on the Moon, a first for the group. The film took its title from the Automatic for the People song of the same name. The song "The Great Beyond" was released as a single from the Man on the Moon soundtrack album. "The Great Beyond" only reached number 57 on the American pop charts, but was the band's highest-charting single ever in the UK, reaching number three in 2000. R.E.M. recorded the majority of its twelfth album Reveal (2001) in Canada and Ireland from May to October 2000. Reveal shared the "lugubrious pace" of Up, and featured drumming by Joey Waronker, as well as contributions by Scott McCaughey (a co-founder of the band the Minus 5 with Buck), and Ken Stringfellow (founder of the Posies). Global sales of the album were over four million, but in the United States Reveal sold about the same number of copies as Up. The album was led by the single "Imitation of Life", which reached number six in the UK. Writing for Rock's Backpages, The Rev. Al Friston described the album as "loaded with golden loveliness at every twist and turn", in comparison to the group's "essentially unconvincing work on New Adventures in Hi-Fi and Up". Similarly, Rob Sheffield of Rolling Stone called Reveal "a spiritual renewal rooted in a musical one" and praised its "ceaselessly astonishing beauty". In 2003, Warner Bros. released the compilation album and DVD In Time: The Best of R.E.M. 1988–2003 and In View: The Best of R.E.M. 1988–2003, which featured two new songs, "Bad Day" and "Animal". At a 2003 concert in Raleigh, North Carolina, Berry made a surprise appearance, performing backing vocals on "Radio Free Europe". He then sat behind the drum kit for a performance of the early R.E.M. song "Permanent Vacation", marking his first performance with the band since his retirement. R.E.M. released Around the Sun in 2004. During production of the album in 2002, Stipe said, "[The album] sounds like it's taking off from the last couple of records into unchartered R.E.M. territory. Kind of primitive and howling". After the album's release, Mills said, "I think, honestly, it turned out a little slower than we intended for it to, just in terms of the overall speed of songs." Around the Sun received a mixed critical reception, and peaked at number 13 on the Billboard charts. The first single from the album, "Leaving New York", was a Top 5 hit in the UK. For the record and subsequent tour, the band hired a new full-time touring drummer, Bill Rieflin, who had previously been a member of several industrial music acts such as Ministry and Pigface, and remained in that role for the duration of the band's active years. The video album Perfect Square was released that same year. 2006–2011: Last albums, recognition and breakup EMI released a compilation album covering R.E.M.'s work during its tenure on I.R.S. in 2006 called And I Feel Fine... The Best of the I.R.S. Years 1982–1987 along with the video album When the Light Is Mine: The Best of the I.R.S. Years 1982–1987—the label had previously released the compilations The Best of R.E.M. (1991), R.E.M.: Singles Collected (1994), and R.E.M.: In the Attic – Alternative Recordings 1985–1989 (1997). That same month, all four original band members performed during the ceremony for their induction into the Georgia Music Hall of Fame. While rehearsing for the ceremony, the band recorded a cover of John Lennon's "#9 Dream" for Instant Karma: The Amnesty International Campaign to Save Darfur, a tribute album benefiting Amnesty International. The song—released as a single for the album and the campaign—featured Bill Berry's first studio recording with the band since his departure almost a decade earlier. In October 2006, R.E.M. was nominated for induction into the Rock and Roll Hall of Fame in its first year of eligibility. The band was one of five nominees accepted into the Hall that year, and the induction ceremony took place in March 2007 at New York's Waldorf-Astoria Hotel. The group—which was inducted by Pearl Jam lead singer Eddie Vedder—performed three songs with Bill Berry; "Gardening at Night", "Man on the Moon" and "Begin the Begin" as well as a cover of "I Wanna Be Your Dog". Work on the group's fourteenth album commenced in early 2007. The band recorded with producer Jacknife Lee in Vancouver and Dublin, where it played five nights in the Olympia Theatre between June 30 and July 5 as part of a "working rehearsal". R.E.M. Live, the band's first live album (featuring songs from a 2005 Dublin show), was released in October 2007. The group followed this with the 2009 live album Live at The Olympia, which features performances from its 2007 residency. R.E.M. released Accelerate in early 2008. The album debuted at number two on the Billboard charts, and became the band's eighth album to top the British album charts. Rolling Stone reviewer David Fricke considered Accelerate an improvement over the band's previous post-Berry albums, calling it "one of the best records R.E.M. have ever made". In 2010, R.E.M. released the video album R.E.M. Live from Austin, TX—a concert recorded for Austin City Limits in 2008. The group recorded its fifteenth album, Collapse into Now (2011), with Jacknife Lee in locales including Berlin, Nashville, and New Orleans. For the album, the band aimed for a more expansive sound than the intentionally short and speedy approach implemented on Accelerate. The album debuted at number five on the Billboard 200, becoming the group's tenth album to reach the top ten of the chart. This release fulfilled R.E.M.'s contractual obligations to Warner Bros., and the band began recording material without a contract a few months later with the possible intention of self-releasing the work. On September 21, 2011, R.E.M. announced via its website that it was "calling it a day as a band". Stipe said that he hoped fans realized it "wasn't an easy decision": "All things must end, and we wanted to do it right, to do it our way." Long-time associate and former Warner Bros. Senior Vice President of Emerging Technology Ethan Kaplan has speculated that shake-ups at the record label influenced the group's decision to disband. The group discussed breaking up for several years, but was encouraged to continue after the lackluster critical and commercial performance of Around the Sun; according to Mills, "We needed to prove, not only to our fans and critics but to ourselves, that we could still make great records." They were also uninterested in the business end of recording as R.E.M. The band members finished their collaboration by assembling the compilation album Part Lies, Part Heart, Part Truth, Part Garbage 1982–2011, which was released in November 2011. The album is the first to collect songs from R.E.M.'s I.R.S. and Warner Bros. tenures, as well as three songs from the group's final studio recordings from post-Collapse into Now sessions. In November, Mills and Stipe did a brief span of promotional appearances in British media, ruling out the option of the group ever reuniting. 2011–present: Post-breakup releases and events In 2014, Unplugged: The Complete 1991 and 2001 Sessions was released for Record Store Day. Digital download collections of I.R.S. and Warner Bros. rarities followed. Later in the year, the band compiled the video album box set REMTV, which collected their two Unplugged performances along with several other documentaries and live shows, while their record label released the box set 7IN—83–88, made up of 7-inch vinyl singles. In December 2015, the band members agreed to a distribution deal with Concord Bicycle Music to re-release their Warner Bros. albums. Continuing to maintain their copyright and intellectual property legacies, in March 2016, the band signed a new music publishing administration deal with Universal Music Publishing Group, and a year later, the band members left Broadcast Music, Inc., who had represented their performance rights for their entire career, and joined SESAC. The first release after their new publishing status was the 2018 box set R.E.M. at the BBC. Live at the Borderline 1991 followed for 2019's Record Store Day. On March 24, 2020, session and touring drummer Bill Rieflin, who contributed on the band's last three records, died of cancer after years of battling the disease. In September 2021, a full decade after disbanding, Stipe reiterated that the band had no intention of regrouping: "We decided when we split up that that would just be really tacky and probably money-grabbing, which might be the impetus for a lot of bands to get back together." Musical style R.E.M. has been described as alternative rock, college rock, folk rock, jangle pop, and post-punk. In a 1988 interview, Peter Buck described R.E.M. songs as typically, "Minor key, mid-tempo, enigmatic, semi-folk-rock-balladish things. That's what everyone thinks and to a certain degree, that's true." All songwriting is credited to the entire band, even though individual members are sometimes responsible for writing the majority of a particular song. Each member is given an equal vote in the songwriting process; however, Buck has conceded that Stipe, as the band's lyricist, can rarely be persuaded to follow an idea he does not favor. Among the original line-up, there were divisions of labor in the songwriting process: Stipe would write lyrics and devise melodies, Buck would edge the band in new musical directions, and Mills and Berry would fine-tune the compositions due to their greater musical experience. Michael Stipe sings in what R.E.M. biographer David Buckley described as "wailing, keening, arching vocal figures". Stipe often harmonizes with Mills in songs; in the chorus for "Stand", Mills and Stipe alternate singing lyrics, creating a dialogue. Early articles about the band focused on Stipe's singing style (described as "mumbling" by The Washington Post), which often rendered his lyrics indecipherable. Creem writer John Morthland wrote in his review of Murmur, "I still have no idea what these songs are about, because neither me nor anyone else I know has ever been able to discern R.E.M.'s lyrics." Stipe commented in 1984, "It's just the way I sing. If I tried to control it, it would be pretty false." Producer Joe Boyd convinced Stipe to begin singing more clearly during the recording of Fables of the Reconstruction. Stipe later called chorus lyrics of "Sitting Still" from R.E.M. debut album, Murmur, "nonsense", saying in a 1994 online chat, "You all know there aren't words, per se, to a lot of the early stuff. I can't even remember them." In truth, Stipe carefully crafted the lyrics to many early R.E.M. songs. Stipe explained in 1984 that when he started writing lyrics they were like "simple pictures", but after a year he grew tired of the approach and "started experimenting with lyrics that didn't make exact linear sense, and it's just gone from there." In the mid-1980s, as Stipe's pronunciation while singing became clearer, the band decided that its lyrics should convey ideas on a more literal level. Mills explained, "After you've made three records and you've written several songs and they've gotten better and better lyrically the next step would be to have somebody question you and say, are you saying anything? And Michael had the confidence at that point to say yes . . ." Songs like "Cuyahoga" and "Fall on Me" on Lifes Rich Pageant dealt with such concerns as pollution. Stipe incorporated more politically oriented concerns into his lyrics on Document and Green. "Our political activism and the content of the songs was just a reaction to where we were, and what we were surrounded by, which was just abject horror," Stipe said later. "In 1987 and '88 there was nothing to do but be active." Stipe has since explored other lyrical topics. Automatic for the People dealt with "mortality and dying. Pretty turgid stuff", according to Stipe, while Monster critiqued love and mass culture. Musically, Stipe stated that bands like T. Rex and Mott the Hoople "really impacted me". Peter Buck's style of playing guitar has been singled out by many as the most distinctive aspect of R.E.M.'s music. During the 1980s, Buck's "economical, arpeggiated, poetic" style reminded British music journalists of 1960s American folk rock band the Byrds. Buck has stated "[Byrds guitarist] Roger McGuinn was a big influence on me as a guitar player", but said it was Byrds-influenced bands, including Big Star and the Soft Boys, that inspired him more. Comparisons were also made with the guitar playing of Johnny Marr of alternative rock contemporaries the Smiths. While Buck professed being a fan of the group, he admitted he initially criticized the band simply because he was tired of fans asking him if he was influenced by Marr, whose band had in fact made their debut after R.E.M. Buck generally eschews guitar solos; he explained in 2002, "I know that when guitarists rip into this hot solo, people go nuts, but I don't write songs that suit that, and I am not interested in that. I can do it if I have to, but I don't like it." Mike Mills' melodic approach to bass playing is inspired by Paul McCartney of the Beatles and Chris Squire of Yes; Mills has said, "I always played a melodic bass, like a piano bass in some ways . . . I never wanted to play the traditional locked into the kick drum, root note bass work." Mills has more musical training than his bandmates, which he has said "made it easier to turn abstract musical ideas into reality." Legacy R.E.M. was pivotal in the creation and development of the alternative rock genre. AllMusic stated, "R.E.M. mark the point when post-punk turned into alternative rock." In the early 1980s, the musical style of R.E.M. stood in contrast to the post-punk and new wave genres that had preceded it. Music journalist Simon Reynolds noted that the post-punk movement of the late 1970s and early 1980s "had taken whole swaths of music off the menu", particularly that of the 1960s, and that "After postpunk's demystification and New Pop's schematics, it felt liberating to listen to music rooted in mystical awe and blissed-out surrender." Reynolds declared R.E.M., a band that recalled the music of the 1960s with its "plangent guitar chimes and folk-styled vocals" and who "wistfully and abstractly conjured visions and new frontiers for America", one of "the two most important alt-rock bands of the day." With the release of Murmur, R.E.M. had the most impact musically and commercially of the developing alternative genre's early groups, leaving in its wake a number of jangle pop followers. R.E.M.'s early breakthrough success served as an inspiration for other alternative bands. Spin referred to the "R.E.M. model"—career decisions that R.E.M. made that set guidelines for other underground artists to follow in their own careers. Spin's Charles Aaron wrote that by 1985, "They'd shown how far an underground, punk-inspired rock band could go within the industry without whoring out its artistic integrity in any obvious way. They'd figured out how to buy in, not sellout-in other words, they'd achieved the American Bohemian Dream." Steve Wynn of Dream Syndicate said, "They invented a whole new ballgame for all of the other bands to follow whether it was Sonic Youth or the Replacements or Nirvana or Butthole Surfers. R.E.M. staked the claim. Musically, the bands did different things, but R.E.M. was first to show us you can be big and still be cool." Biographer David Buckley stated that between 1991 and 1994, a period that saw the band sell an estimated 30 million albums, R.E.M. "asserted themselves as rivals to U2 for the title of biggest rock band in the world." Over the course of its career, the band has sold over 85 million records worldwide. Colin Larkin's All Time Top 1000 Albums stated that "Their catalogue is destined to endure as critics reluctantly accept their considerable importance in the history of rock". Alternative bands such as Nirvana, Pavement, Radiohead, Coldplay, Pearl Jam (the band's vocalist Eddie Vedder inducted R.E.M. into the Rock and Roll Hall of Fame), Live, Stone Temple Pilots, Collective Soul, Alice in Chains, Hootie and the Blowfish and Pwr Bttm have drawn inspiration from R.E.M.'s music. "When I was 15 years old in Richmond, Virginia, they were a very important part of my life," Pavement's Bob Nastanovich said, "as they were for all the members of our band." Pavement's contribution to the No Alternative compilation (1993) was "Unseen Power of the Picket Fence", a song about R.E.M.'s early days. Local H, according to the band's Twitter account, created their name by combining two R.E.M. songs: "Oddfellows Local 151" and "Swan Swan H". Kurt Cobain of Nirvana was a fan of R.E.M., and had unfulfilled plans to collaborate on a musical project with Stipe. Cobain told Rolling Stone in an interview earlier that year, "I don’t know how that band does what they do. God, they’re the greatest. They've dealt with their success like saints, and they keep delivering great music." During his show at the 40 Watt Club in October 2018, Johnny Marr said: "As a British musician coming out of the indie scene in the early '80s, which I definitely am and am proud to have been, I can't miss this opportunity to acknowledge and pay my respects and honor the guys who put this town on the map for us in England. I'm talking about my comrades in guitar music, R.E.M. The Smiths really respected R.E.M. We had to keep an eye on what those guys were up to. It's an interesting thing for me, as a British musician, and all those guys as British musicians, to come to this place and play for you guys, knowing that it's the roots of Mike Mills and Bill Berry and Michael Stipe and my good friend Peter Buck." Awards Campaigning and activism Throughout R.E.M.'s career, its members sought to highlight social and political issues. According to the Los Angeles Times, R.E.M. was considered to be one of the United States' "most liberal and politically correct rock groups." The band's members were "on the same page" politically, sharing a liberal and progressive outlook. Mills admitted that there was occasionally dissension between band members on what causes they might support, but acknowledged "Out of respect for the people who disagree, those discussions tend to stay in-house, just because we'd rather not let people know where the divisions lie, so people can't exploit them for their own purposes." An example is that in 1990 Buck noted that Stipe was involved with People for the Ethical Treatment of Animals, but the rest of the band were not. R.E.M. helped raise funds for environmental, feminist and human rights causes, and were involved in campaigns to encourage voter registration. During the Green tour, Stipe spoke on stage to the audiences about a variety of socio-political issues. Through the late 1980s and 1990s, the band (particularly Stipe) increasingly used its media coverage on national television to mention a variety of causes it felt were important. One example is during the 1991 MTV Video Music Awards, Stipe wore a half-dozen white shirts emblazoned with slogans including "rainforest", "love knows no colors", and "handgun control now". R.E.M. helped raise awareness of Aung San Suu Kyi and human rights violations in Myanmar, when they worked with the Freedom Campaign and the US Campaign for Burma. Stipe himself ran ads for the 1988 election, supporting Democratic presidential candidate and Massachusetts governor Michael Dukakis over then-Vice President George H. W. Bush. In 2004, the band participated in the Vote for Change tour that sought to mobilize American voters to support Democratic presidential candidate John Kerry. R.E.M.'s political stance, particularly coming from a wealthy rock band under contract to a label owned by a multinational corporation, received criticism from former Q editor Paul Du Noyer, who criticized the band's "celebrity liberalism", saying, "It's an entirely pain-free form of rebellion that they're adopting. There's no risk involved in it whatsoever, but quite a bit of shoring up of customer loyalty." From the late 1980s, R.E.M. was involved in the local politics of its hometown of Athens, Georgia. Buck explained to Sounds in 1987, "Michael always says think local and act local—we have been doing a lot of stuff in our town to try and make it a better place." The band often donated funds to local charities and helped renovate and preserve historic buildings in the town. R.E.M.'s political clout was credited with the narrow election of Athens mayor Gwen O'Looney twice in the 1990s. The band is a member of the Canadian charity Artists Against Racism. Members Main members Bill Berry – drums, percussion, backing vocals, occasional bass guitar and keyboards (1980–1997; occasional concert appearances with the band 2003–2007) Peter Buck – lead guitar, mandolin, banjo, occasional bass guitar and keyboards (1980–2011) Mike Mills – bass guitar, keyboards, backing vocals and guitar (1980–2011) Michael Stipe – lead vocals (1980–2011) Non-musical members Several publications made by the band such as album liner notes and fan club mailers list attorney Bertis Downs and manager Jefferson Holt as honorary non-musical members; the two joined up with R.E.M. in 1980/1981 and Holt left in 1996. Touring and session musicians Buren Fowler – rhythm guitar (1986–1987) Peter Holsapple – rhythm guitar, keyboards (1989–1991) Scott McCaughey – rhythm guitar, keyboards, backing vocals, occasional lead guitar (1994–2011) Nathan December – rhythm and lead guitar (1994–1995) Joey Waronker – drums, percussion (1998–2002) Barrett Martin – percussion (1998) Ken Stringfellow – keyboards, occasional rhythm guitar, bass guitar, backing vocals (1998–2005) Bill Rieflin – drums, percussion, occasional keyboards and guitar (2003–2011) Timeline Production timeline Touring and session members timeline Discography Studio albums Murmur (1983) Reckoning (1984) Fables of the Reconstruction (1985) Lifes Rich Pageant (1986) Document (1987) Green (1988) Out of Time (1991) Automatic for the People (1992) Monster (1994) New Adventures in Hi-Fi (1996) Up (1998) Reveal (2001) Around the Sun (2004) Accelerate (2008) Collapse into Now (2011) See also List of alternative rock artists References Sources Black, Johnny. Reveal: The Story of R.E.M. Backbeat, 2004. Buckley, David. R.E.M.: Fiction: An Alternative Biography. Virgin, 2002. Gray, Marcus. It Crawled from the South: An R.E.M. Companion. Da Capo, 1997. Second edition. Fletcher, Tony. Remarks Remade: The Story of R.E.M. Omnibus, 2002. . Platt, John (editor). The R.E.M. Companion: Two Decades of Commentary. Schirmer, 1998. Sullivan, Denise. Talk About the Passion: R.E.M.: An Oral Biography. Underwood-Miller, 1994. External links Dynamic Range DB entry for R.E.M. 1980 establishments in Georgia (U.S. state) 2011 disestablishments in Georgia (U.S. state) Alternative rock groups from Georgia (U.S. state) Brit Award winners Capitol Records artists Concord Bicycle Music artists Grammy Award winners I.R.S. Records artists Jangle pop groups Musical groups established in 1980 Musical groups disestablished in 2011 Musical groups from Athens, Georgia New West Records artists Rhino Records artists Warner Records artists Craft Recordings artists College rock musical groups	true	[ "Simply Majestic was a Canadian hip hop and dance music collective, active in the early 1990s. They are most noted for winning the Juno Award for Best R&B/Soul Recording at the Juno Awards of 1991 for their single \"Dance to the Music (Work Your Body)\". Members of the collective included producer Anthony Bond, rappers B-Kool, Frank Morrell, The Russian Prince and MC A-OK, rap groups Point Blank, Brothers from the Ghetto, the Boys of the Greenhouse and the Forbidden Ones, and rhythm and blues singer Porsha-Lee.\n\nThe band signed to Capitol-EMI Canada in 1990 as part of the first significant wave of signings of Canadian hip hop acts, and released the EP Simply Majestic featuring B-Kool that year. The single \"Dance to the Music (Work Your Body)\" won the Juno for Best R&B/Soul Recording Juno and was a nominated finalist for Rap Recording of the Year, but did not win in that category. B-Kool was also a contributor to Dance Appeal, a supergroup of dance, hip hop, rhythm and blues and reggae musicians who released the one-off single \"Can't Repress the Cause\" in 1990.\n\nThey followed up in 1991 with the album We United to Do Dis. The album again received two Juno Award nominations at the Juno Awards of 1992, in the R&B/Soul category for the single \"Destiny\" and in the Rap category for the single \"Play the Music DJ\".\n\nSimply Majestic did not release any further recordings as a collective. B-Kool released the solo album Mellow Madness in 1994, and received another Juno Award nomination for Best Rap Recording at the Juno Awards of 1994 for the single \"Got to Get Over\".\n\nReferences\n\nCanadian hip hop groups\nCanadian dance music groups\nMusical groups from Toronto\nHip hop collectives\nJuno Award for R&B/Soul Recording of the Year winners", "2Frères is a Canadian folk rock duo from Chapais, Quebec, consisting of brothers Erik and Sonny Caouette. They are most noted as two-time winners of the Félix Award for Group of the Year, winning at the 38th Félix Awards in 2016 and at the 40th Félix Awards in 2018.\n\nFormed in 2008, they released their debut album Nous autres in April 2015. The album sold 80,000 copies in Quebec and was certified platinum, and the band were the most-played artists of any genre on francophone radio in Canada in 2016. In addition to their Group of the Year win at the Felix Awards in 2016, the album also won Pop Album of the Year.\n\nTheir second album, La Route, was released in November 2017. The album's single \"Comme avant\" spent a record 25 weeks as the most-played song on Quebec radio, and the album was again certified gold.\n\nTheir third album, À tous les vents, followed in February 2020. The album debuted at #1 on Quebec's pop charts. With touring impacted by the COVID-19 pandemic in Canada, the album was partially promoted by a documentary special on the duo, 2Frères : L’improbable parcours, which was broadcast by TVA on September 27, 2020, as well as a companion book, 2Frères, À tous les vents : L’histoire d’un improbable parcours, by François Couture.\n\nThey received three Felix nominations at the 42nd Félix Awards in 2020, for Group of the Year, Adult Contemporary Album of the Year for À tous les vents, and Song of the Year for the album's title track.\n\nThey received two Juno Award nominations at the Juno Awards of 2021, for Breakthrough Group of the Year and Francophone Album of the Year for À tous les vents.\n\nReferences\n\nExternal links\n\nCanadian folk rock groups\nMusical groups from Quebec\nFélix Award winners" ]
[ "Gaelic Ireland", "Settlements and architecture" ]	C_fe515e59d85c4f8d850279012b1372da_1	What type of settlements were there?	1	What type of settlements were there in Gaelic Ireland?	Gaelic Ireland	For most of the Gaelic period, dwellings and farm buildings were circular with conical thatched roofs (see roundhouse). Square and rectangle-shaped buildings gradually became more common, and by the 14th or 15th century they had replaced round buildings completely. In some areas, buildings were made mostly of stone. In others, they were built of timber, wattle and daub, or a mix of materials. Most ancient and early medieval stone buildings were of dry stone construction. Some buildings would have had glass windows. Among the wealthy, it was common for women to have their own 'apartment' called a grianan (anglicized "greenan") in the sunniest part of the homestead. The dwellings of freemen and their families were often surrounded by a circular rampart called a "ringfort". There are two main kinds of ringfort. The rath is an earthen ringfort, averaging 30m diameter, with a dry outside ditch. The cathair or caiseal is a stone ringfort. The ringfort would typically have enclosed the family home, small farm buildings or workshops, and animal pens. Most date to the period 500-1000 CE and there is evidence of large-scale ringfort desertion at the end of the first millennium. The remains of between 30,000 and 40,000 lasted into the 19th century to be mapped by Ordnance Survey Ireland. Another kind of native dwelling was the crannog, which were roundhouses built on artificial islands in lakes. There were very few nucleated settlements in Gaelic areas. However, after the 5th century some monasteries became the heart of small "monastic towns". By the 10th century the Norse-Gaelic ports of Dublin, Wexford, Cork and Limerick had grown into substantial settlements. It was at this time, perhaps as a response to Viking raids, that many of the Irish round towers were built. In the fifty years before the Norman invasion, the term "castle" (Old Irish: caistel/caislen) appears in Gaelic writings, although there are no surviving examples of pre-Norman castles. After the invasion, the Normans built motte-and-bailey castles in the areas they occupied, some of which were converted from ringforts. By 1300 "some mottes, especially in frontier areas, had almost certainly been built by the Gaelic Irish in imitation". The Normans gradually replaced wooden motte-and-baileys with stone castles and tower houses. Tower houses are free-standing multi-storey stone towers usually surrounded by a wall (see bawn) and ancillary buildings. Gaelic families had begun to build their own tower houses by the 15th century. As many as 7000 may have been built, but they were rare in areas with little Norman settlement or contact. They are concentrated in counties Limerick and Clare but are lacking in Ulster, except the area around Strangford Lough. In Gaelic law, a 'sanctuary' called a maighin digona surrounded each person's dwelling. The maighin digona's size varied according to the owner's rank. In the case of a boaire it stretched as far as he, while sitting at his house, could cast a cnairsech (variously described as a spear or sledgehammer). The owner of a maighin digona could offer its protection to someone fleeing from pursuers, who would then have to bring that person to justice by lawful means. CANNOTANSWER	There were very few nucleated settlements in Gaelic areas.	Gaelic Ireland () was the Gaelic political and social order, and associated culture, that existed in Ireland from the prehistoric era until the early 17th century. Before the Norman invasion of 1169, Gaelic Ireland comprised the whole island. Thereafter, it comprised that part of the country not under foreign dominion at a given time, i.e. "The Pale". For most of its history, Gaelic Ireland was a "patchwork" hierarchy of territories ruled by a hierarchy of kings or chiefs, who were elected through tanistry. Warfare between these territories was common. Occasionally, a powerful ruler was acknowledged as High King of Ireland. Society was made up of clans and, like the rest of Europe, was structured hierarchically according to class. Throughout this period, the economy was mainly pastoral and money was generally not used. A Gaelic Irish style of dress, music, dance, sport, architecture, and art can be identified, with Irish art later merging with Anglo-Saxon styles to create Insular art. Gaelic Ireland was initially pagan and had an oral culture. Inscription in the ogham alphabet began in the protohistoric period, perhaps as early as the 1st century. The conversion to Christianity accompanied the introduction of literature, and much of Ireland's rich pre-Christian mythology and sophisticated law code were preserved, albeit Christianized. In the Early Middle Ages, Ireland was an important centre of learning. Irish missionaries and scholars were influential in western Europe, and helped to spread Christianity to much of Britain and parts of mainland Europe. In the 9th century, Vikings began raiding and founding settlements along Ireland's coasts and waterways, which became its first large towns. Over time, these settlers were assimilated and became the Norse-Gaels. After the Norman invasion of 1169–71, large swathes of Ireland came under the control of Norman lords, leading to centuries of conflict with the native Irish. The King of England claimed sovereignty over this territory – the Lordship of Ireland – and the island as a whole. However, the Gaelic system continued in areas outside Anglo-Norman control. The territory under English control gradually shrank to an area known as the Pale and, outside this, many Hiberno-Norman lords adopted Gaelic culture. In 1542, Henry VIII of England declared the Lordship a Kingdom and himself King of Ireland. The English then began to conquer (or re-conquer) the island. By 1607, Ireland was fully under English control, bringing the old Gaelic political and social order to an end. Culture and society Gaelic culture and society was centred around the fine (explained below). Gaelic Ireland had a rich oral culture and appreciation of deeper and intellectual pursuits. Filí and draoithe (druids) were held in high regard during Pagan times and orally passed down the history and traditions of their people. Later, many of their spiritual and intellectual tasks were passed on to Christian monks, after said religion prevailed from the 5th century onwards. However, the filí continued to hold a high position. Poetry, music, storytelling, literature and other art forms were highly prized and cultivated in both pagan and Christian Gaelic Ireland. Hospitality, bonds of kinship and the fulfilment of social and ritual responsibilities were highly important. Like Britain, Gaelic Ireland consisted not of one single unified kingdom, but several. The main kingdoms were Ulaid (Ulster), Mide (Meath), Laigin (Leinster), Muma (Munster, consisting of Iarmuman, Tuadmumain and Desmumain), Connacht, Bréifne (Breffny), In Tuaiscert (The North), and Airgíalla (Oriel). Each of these overkingdoms were built upon lordships known as túatha (singular: túath). Law tracts from the early 700s describe a hierarchy of kings: kings of túath subject to kings of several túatha who again were subject to the regional overkings. Already before the 8th century these overkingdoms had begun to replace the túatha as the basic sociopolitical unit. Religion and mythology Paganism Before Christianization, the Gaelic Irish were polytheistic or pagan. They had many gods and goddesses, which generally have parallels in the pantheons of other European nations. Two groups of supernatural beings who appear throughout Irish mythology—the Tuatha Dé Danann and Fomorians—are believed to represent the Gaelic pantheon. They were also animists, believing that all aspects of the natural world contained spirits, and that these spirits could be communicated with. Burial practices—which included burying food, weapons, and ornaments with the dead—suggest a belief in life after death. Some have equated this afterlife with the Otherworld realms known as Magh Meall and Tír na nÓg in Irish mythology. There were four main religious festivals each year, marking the traditional four divisions of the year – Samhain, Imbolc, Bealtaine and Lughnasadh. The mythology of Ireland was originally passed down orally, but much of it was eventually written down by Irish monks, who Christianized and modified it to an extent. This large body of work is often split into three overlapping cycles: the Mythological Cycle, the Ulster Cycle, and the Fenian Cycle. The first cycle is a pseudo-history that describes how Ireland, its people and its society came to be. The second cycle tells of the lives and deaths of Ulaidh heroes such as Cúchulainn. The third cycle tells of the exploits of Fionn mac Cumhaill and the Fianna. There are also a number of tales that do not fit into these cycles – this includes the immrama and echtrai, which are tales of voyages to the 'Otherworld'. Christianity The introduction of Christianity to Ireland dates to sometime before the 5th century, with Palladius (later bishop of Ireland) sent by Pope Celestine I in the mid-5th century to minister to Irish "believing in Christ". Early medieval traditions credit Saint Patrick as being the first Primate of Ireland. Christianity would eventually supplant the existing pagan traditions, with the prologue of the 9th century Martyrology of Tallaght (attributed to author Óengus of Tallaght) speaking of the last vestiges of paganism in Ireland. Social and political structure In Gaelic Ireland each person belonged to an agnatic kin-group known as a fine (plural: finte). This was a large group of related people supposedly descended from one progenitor through male forebears. It was headed by a man whose office was known in Old Irish as a cenn fine or toísech (plural: toísig). Nicholls suggests that they would be better thought of as akin to the modern-day corporation. Within each fine, the family descended from a common great grandparent was called a derbfine (modern form dearbhfhine), lit. "close clan". The cland (modern form clann) referred to the children of the nuclear family. Succession to the kingship was through tanistry. When a man became king, a relative was elected to be his deputy or 'tanist' (Irish: tánaiste, plural tanaistí). When the king died, his tanist would automatically succeed him. The tanist had to share the same derbfine and he was elected by other members of the derbfine. Tanistry meant that the kingship usually went to whichever relative was deemed to be the most fitting. Sometimes there would be more than one tanist at a time and they would succeed each other in order of seniority. Some Anglo-Norman lordships later adopted tanistry from the Irish. Gaelic Ireland was divided into a hierarchy of territories ruled by a hierarchy of kings of chiefs. The smallest territory was the túath (plural: túatha), which was typically the territory of a single kin-group. It was ruled by a rí túaithe (king of a túath) or toísech túaithe (leader of a túath). Several túatha formed a mór túath (overkingdom), which was ruled by a rí mór túath or ruirí (overking). Several mór túatha formed a cóiced (province), which was ruled by a rí cóicid or rí ruirech (provincial king). In the early Middle Ages the túatha was the main political unit, but over time they were subsumed into bigger conglomerate territories and became much less important politically. Gaelic society was structured hierarchically, with those further up the hierarchy generally having more privileges, wealth and power than those further down. The top social layer was the sóernemed, which included kings, tanists, ceann finte, fili, clerics, and their immediate families. The roles of a fili included reciting traditional lore, eulogizing the king and satirizing injustices within the kingdom. Before the Christianization of Ireland, this group also included the druids (druí) and vates (fáith). Below that were the dóernemed, which included professionals such as jurists (brithem), physicians, skilled craftsmen, skilled musicians, scholars, and so on. A master in a particular profession was known as an ollam (modern spelling: ollamh). The various professions—including law, poetry, medicine, history and genealogy—were associated with particular families and the positions became hereditary. Since the poets, jurists and doctors depended on the patronage of the ruling families, the end of the Gaelic order brought their demise. Below that were freemen who owned land and cattle (for example the bóaire). Below that were freemen who did not own land or cattle, or who owned very little. Below that were the unfree, which included serfs and slaves. Slaves were typically criminals (debt slaves) or prisoners of war. Slavery and serfdom was inherited, though slavery in Ireland had died out by 1200. The warrior bands known as fianna generally lived apart from society. A fian was typically composed of young men who had not yet come into their inheritance of land. A member of a fian was called a fénnid and the leader of a fian was a rígfénnid. Geoffrey Keating, in his 17th-century History of Ireland, says that during the winter the fianna were quartered and fed by the nobility, during which time they would keep order on their behalf. But during the summer, from Bealtaine to Samhain, they were beholden to live by hunting for food and for hides to sell. Although distinct, these ranks were not utterly exclusive castes like those of India. It was possible to rise or sink from one rank to another. Rising upward could be achieved a number of ways, such as by gaining wealth, by gaining skill in some department, by qualifying for a learned profession, by showing conspicuous valour, or by performing some service to the community. An example of the latter is a person choosing to become a briugu (hospitaller). A briugu had to have his house open to any guests, which included feeding no matter how big the group. For the briugu to fulfill these duties, he was allowed more land and privileges, but this could be lost if he ever refused guests. A freeman could further himself by becoming the client of one or more lords. The lord made his client a grant of property (i.e. livestock or land) and, in return, the client owed his lord yearly payments of food and fixed amounts of work. The clientship agreement could last until the lord's death. If the client died, his heirs would carry on the agreement. This system of clientship enabled social mobility as a client could increase his wealth until he could afford clients of his own, thus becoming a lord. Clientship was also practised between nobles, which established hierarchies of homage and political support. Law Gaelic law was originally passed down orally, but was written down in Old Irish during the period 600–900 AD. This collection of oral and written laws is known as the Fénechas or, in English, as the Brehon Law(s). The brehons (Old Irish: brithem, plural brithemain) were the jurists in Gaelic Ireland. Becoming a brehon took many years of training and the office was, or became, largely hereditary. Most legal cases were contested privately between opposing parties, with the brehons acting as arbitrators. Offences against people and property were primarily settled by the offender paying compensation to the victims. Although any such offence required compensation, the law made a distinction between intentional and unintentional harm, and between murder and manslaughter. If an offender did not pay outright, his property was seized until he did so. Should the offender be unable to pay, his family would be responsible for doing so. Should the family be unable or unwilling to pay, responsibility would broaden to the wider kin-group. Hence, it has been argued that "the people were their own police". Acts of violence were generally settled by payment of compensation known as an éraic fine; the Gaelic equivalent of the Welsh galanas and the Germanic weregild. If a free person was murdered, the éraic was equal to 21 cows, regardless of the victim's rank in society. Each member of the murder victim's agnatic kin-group received a payment based on their closeness to the victim, their status, and so forth. There were separate payments for the kin-group of the victim's mother, and for the victim's foster-kin. Execution seems to have been rare and carried out only as a last resort. If a murderer was unable or unwilling to pay éraic and was handed to his victim's family, they might kill him if they wished should nobody intervene by paying the éraic. Habitual or particularly serious offenders might be expelled from the kin-group and its territory. Such people became outlaws (with no protection from the law) and anyone who sheltered him became liable for his crimes. If he still haunted the territory and continued his crimes there, he was proclaimed in a public assembly and after this anyone might lawfully kill him. Each person had an honour-price, which varied depending on their rank in society. This honour-price was to be paid to them if their honour was violated by certain offences. Those of higher rank had a higher honour-price. However, an offence against the property of a poor man (who could ill afford it), was punished more harshly than a similar offence upon a wealthy man. The clergy were more harshly punished than the laity. When a layman had paid his fine he would go through a probationary period and then regain his standing, but a clergyman could never regain his standing. Some laws were pre-Christian in origin. These secular laws existed in parallel, and sometimes in conflict, with Church law. Although brehons usually dealt with legal cases, kings would have been able to deliver judgments also, but it is unclear how much they would have had to rely on brehons. Kings had their own brehons to deal with cases involving the king's own rights and to give him legal advice. Unlike other kingdoms in Europe, Gaelic kings—by their own authority—could not enact new laws as they wished and could not be "above the law". They could, however, enact temporary emergency laws. It was mainly through these emergency powers that the Church attempted to change Gaelic law. The law texts take great care to define social status, the rights and duties that went with that status, and the relationships between people. For example, ceann finte had to take responsibility for members of their fine, acting as a surety for some of their deeds and making sure debts were paid. He would also be responsible for unmarried women after the death of their fathers. Marriage, women and children Ancient Irish culture was patriarchal. The Brehon law excepted women from the ordinary course of the law so that, in general, every woman had to have a male guardian. However, women had some legal capacity. By the 8th century, the preferred form of marriage was one between social equals, under which a woman was technically legally dependent on her husband and had half his honor price, but could exercise considerable authority in regard to the transfer of property. Such women were called "women of joint dominion". Thus historian Patrick Weston Joyce could write that, relative to other European countries of the time, free women in Gaelic Ireland "held a good position" and their social and property rights were "in most respects, quite on a level with men". Gaelic Irish society was also patrilineal, with land being primarily owned by men and inherited by the sons. Only when a man had no sons would his land pass to his daughters, and then only for their lifetimes. Upon their deaths, the land was redistributed among their father's male relations. Under Brehon law, rather than inheriting land, daughters had assigned to them a certain number of their father's cattle as their marriage-portion. It seems that, throughout the Middle Ages, the Gaelic Irish kept many of their marriage laws and traditions separate from those of the Church. Under Gaelic law, married women could hold property independent of their husbands, a link was maintained between married women and their own families, couples could easily divorce or separate, and men could have concubines (which could be lawfully bought). These laws differed from most of contemporary Europe and from Church law. The lawful age of marriage was fifteen for girls and eighteen for boys, the respective ages at which fosterage ended. Upon marriage, the families of the bride and bridegroom were expected to contribute to the match. It was custom for the bridegroom and his family to pay a coibche (modern spelling: coibhche) and the bride was allowed a share of it. If the marriage ended owing to a fault of the husband then the coibche was kept by the wife and her family, but if the fault lay with the wife then the coibche was to be returned. It was custom for the bride to receive a spréid (modern spelling: spréidh) from her family (or foster family) upon marriage. This was to be returned if the marriage ended through divorce or the death of the husband. Later, the spréid seems to have been converted into a dowry. Women could seek divorce/separation as easily as men could and, when obtained on her behalf, she kept all the property she had brought her husband during their marriage. Trial marriages seem to have been popular among the rich and powerful, and thus it has been argued that cohabitation before marriage must have been acceptable. It also seems that the wife of a chieftain was entitled to some share of the chief's authority over his territory. This led to some Gaelic Irish wives wielding a great deal of political power. Before the Norman invasion, it was common for priests and monks to have wives. This remained mostly unchanged after the Norman invasion, despite protests from bishops and archbishops. The authorities classed such women as priests' concubines and there is evidence that a formal contract of concubinage existed between priests and their women. However, unlike other concubines, they seem to have been treated just as wives were. In Gaelic Ireland a kind of fosterage was common, whereby (for a certain length of time) children would be left in the care of others to strengthen family ties or political bonds. Foster parents were beholden to teach their foster children or to have them taught. Foster parents who had properly done their duties were entitled to be supported by their foster children in old age (if they were in need and had no children of their own). As with divorce, Gaelic law again differed from most of Europe and from Church law in giving legal standing to both "legitimate" and "illegitimate" children. Settlements and architecture For most of the Gaelic period, dwellings and farm buildings were circular with conical thatched roofs (see roundhouse). Square and rectangle-shaped buildings gradually became more common, and by the 14th or 15th century they had replaced round buildings completely. In some areas, buildings were made mostly of stone. In others, they were built of timber, wattle and daub, or a mix of materials. Most ancient and early medieval stone buildings were of dry stone construction. Some buildings would have had glass windows. Among the wealthy, it was common for women to have their own 'apartment' called a grianan (anglicized "greenan") in the sunniest part of the homestead. The dwellings of freemen and their families were often surrounded by a circular rampart called a "ringfort". There are two main kinds of ringfort. The ráth is an earthen ringfort, averaging 30m diameter, with a dry outside ditch. The cathair or caiseal is a stone ringfort. The ringfort would typically have enclosed the family home, small farm buildings or workshops, and animal pens. Most date to the period 500–1000 CE and there is evidence of large-scale ringfort desertion at the end of the first millennium. The remains of between 30,000 and 40,000 lasted into the 19th century to be mapped by Ordnance Survey Ireland. Another kind of native dwelling was the crannóg, which were roundhouses built on artificial islands in lakes. There were very few nucleated settlements, but after the 5th century some monasteries became the heart of small "monastic towns". By the 10th century the Norse-Gaelic ports of Dublin, Wexford, Cork and Limerick had grown into substantial settlements, all ruled by Gaelic kings by 1052. In this era many of the Irish round towers were built. In the fifty years before the Norman invasion, the term "castle" () appears in Gaelic writings, although there are few intact surviving examples of pre-Norman castles. After the invasion, the Normans built motte-and-bailey castles in the areas they occupied, some of which were converted from ringforts. By 1300 "some mottes, especially in frontier areas, had almost certainly been built by the Gaelic Irish in imitation". The Normans gradually replaced wooden motte-and-baileys with stone castles and tower houses. Tower houses are free-standing multi-storey stone towers usually surrounded by a wall (see bawn) and ancillary buildings. Gaelic families had begun to build their own tower houses by the 15th century. As many as 7000 may have been built, but they were rare in areas with little Norman settlement or contact. They are concentrated in counties Limerick and Clare but are lacking in Ulster, except the area around Strangford Lough. In Gaelic law, a 'sanctuary' called a maighin digona surrounded each person's dwelling. The maighin digona's size varied according to the owner's rank. In the case of a bóaire it stretched as far as he, while sitting at his house, could cast a cnairsech (variously described as a spear or sledgehammer). The owner of a maighin digona could offer its protection to someone fleeing from pursuers, who would then have to bring that person to justice by lawful means. Economy Gaelic Ireland was involved in trade with Britain and mainland Europe from ancient times, and this trade increased over the centuries. Tacitus, for example, wrote in the 1st century that most of Ireland's harbours were known to the Romans through commerce. There are many passages in early Irish literature that mention luxury goods imported from foreign lands, and the fair of Carman in Leinster included a market of foreign traders. In the Middle Ages the main exports were textiles such as wool and linen while the main imports were luxury items. Money was seldom used in Gaelic society; instead, goods and services were usually exchanged for other goods and services (barter). The economy was mainly a pastoral one, based on livestock (cows, sheep, pigs, goats, etc.) and their products. Cattle was "the main element in the Irish pastoral economy" and the main form of wealth, providing milk, butter, cheese, meat, fat, hides, and so forth. They were a "highly mobile form of wealth and economic resource which could be quickly and easily moved to a safer locality in time of war or trouble". The nobility owned great herds of cattle that had herdsmen and guards. Sheep, goats and pigs were also a valuable resource but had a lesser role in Irish pastoralism. Horticulture was practised; the main crops being oats, wheat and barley, although flax was also grown for making linen. Transhumance was also practised, whereby people moved with their livestock to higher pastures in summer and back to lower pastures in the cooler months. The summer pasture was called the buaile (anglicized as booley) and it is noteworthy that the Irish word for boy (buachaill) originally meant a herdsman. Many moorland areas were "shared as a common summer pasturage by the people of a whole parish or barony". Transport Gaelic Ireland was well furnished with roads and bridges. Bridges were typically wooden and in some places the roads were laid with wood and stone. There were five main roads leading from Tara: Slíghe Asail, Slíghe Chualann, Slíghe Dála, Slíghe Mór and Slíghe Midluachra. Horses were one of the main means of long-distance transport. Although horseshoes and reins were used, the Gaelic Irish did not use saddles, stirrups or spurs. Every man was trained to spring from the ground on to the back of his horse (an ech-léim or "steed-leap") and they urged-on and guided their horses with a rod having a hooked goad at the end. Two-wheeled and four-wheeled chariots (singular carbad) were used in Ireland from ancient times, both in private life and in war. They were big enough for two people, made of wickerwork and wood, and often had decorated hoods. The wheels were spoked, shod all round with iron, and were from three to four and a half feet high. Chariots were generally drawn by horses or oxen, with horse-drawn chariots being more common among chiefs and military men. War chariots furnished with scythes and spikes, like those of the ancient Gauls and Britons, are mentioned in literature. Boats used in Gaelic Ireland include canoes, currachs, sailboats and Irish galleys. Ferryboats were used to cross wide rivers and are often mentioned in the Brehon Laws as subject to strict regulations. Sometimes they were owned by individuals and sometimes they were the common property of those living round the ferry. Large boats were used for trade with mainland Europe. Dress Throughout the Middle Ages, the common clothing amongst the Gaelic Irish consisted of a brat (a woollen semi circular cloak) worn over a léine (a loose-fitting, long-sleeved tunic made of linen). For men the léine reached to their ankles but was hitched up by means of a crios (pronounced 'kriss') which was a type of woven belt. The léine was hitched up to knee level. Women wore the léine at full length. Men sometimes wore tight-fitting trews (Gaelic triúbhas) but otherwise went bare-legged. The brat was simply thrown over both shoulders or sometimes over only one. Occasionally the brat was fastened with a dealg (brooch), with men usually wearing the dealg at their shoulders and women at their chests. The ionar (a short, tight-fitting jacket) became popular later on. In Topographia Hibernica, written during the 1180s, Gerald de Barri wrote that the Irish commonly wore hoods at that time (perhaps forming part of the brat), while Edmund Spenser wrote in the 1580s that the brat was (in general) their main item of clothing. Gaelic clothing does not appear to have been influenced by outside styles. Women invariably grew their hair long and, as in other European cultures, this custom was also common among the men. It is said that the Gaelic Irish took great pride in their long hair—for example, a person could be forced to pay the heavy fine of two cows for shaving a man's head against his will. For women, very long hair was seen as a mark of beauty. Sometimes, wealthy men and women would braid their hair and fasten hollow golden balls to the braids. Another style that was popular among some medieval Gaelic men was the glib (short all over except for a long, thick lock of hair towards the front of the head). A band or ribbon around the forehead was the typical way of holding one's hair in place. For the wealthy, this band was often a thin and flexible band of burnished gold, silver or findruine. When the Anglo-Normans and the English colonized Ireland, hair length came to signify one's allegiance. Irishmen who cut their hair short were deemed to be forsaking their Irish heritage. Likewise, English colonists who grew their hair long at the back were deemed to be giving in to the Irish life. Gaelic men typically wore a beard and mustache, and it was often seen as dishonourable for a Gaelic man to have no facial hair. Beard styles varied – the long forked beard and the rectangular Mesopotamian-style beard were fashionable at times. Warfare Warfare was common in Gaelic Ireland, as territories fought for supremacy against each other and (later) against the Anglo-Normans. Champion warfare is a common theme in Irish mythology. In the Middle Ages all able-bodied men, apart from the learned and the clergy, were eligible for military service on behalf of the king or chief. Throughout the Middle Ages and for some time after, outsiders often wrote that the style of Irish warfare differed greatly from what they deemed to be the norm in Western Europe. The Gaelic Irish preferred hit-and-run raids (the crech), which involved catching the enemy unaware. If this worked they would then seize any valuables (mainly livestock) and potentially valuable hostages, burn the crops, and escape. The cattle raid was often called a Táin Bó in Gaelic literature. Although hit-and-run raiding was the preferred tactic in medieval times, there were also pitched battles. From at least the 11th century, kings maintained small permanent fighting forces known as "troops of the household", who were often given houses and land on the king's mensal land. These were well-equipped professional soldiers made up of infantry and cavalry. By the reign of Brian Boru, Irish kings were taking large armies on campaign over long distances and using naval forces in tandem with land forces. A typical medieval Irish army included light infantry, heavy infantry and cavalry. The bulk of the army was made up of light infantry called ceithern (anglicized 'kern'). The ceithern wandered Ireland offering their services for hire and usually wielded swords, skenes (a kind of long knife), short spears, bows and shields. The cavalry was usually made up of a king or chieftain and his close relatives. They usually rode without saddles but wore armour and iron helmets and wielded swords, skenes and long spears or lances. One kind of Irish cavalry was the hobelar. After the Norman invasion there emerged a kind of heavy infantry called gallóglaigh (anglicized 'gallo[w]glass'). They were originally Scottish mercenaries who appeared in the 13th century, but by the 15th century most large túatha had their own hereditary force of Irish gallóglaigh. Some Anglo-Norman lordships also began using gallóglaigh in imitation of the Irish. They usually wore mail and iron helmets and wielded sparth axes, claymores, and sometimes spears or lances. The gallóglaigh furnished the retreating plunderers with a "moving line of defence from which the horsemen could make short, sharp charges, and behind which they could retreat when pursued". As their armour made them less nimble, they were sometimes planted at strategic spots along the line of retreat. The kern, horsemen and gallóglaigh had lightly-armed servants to carry their weapons into battle. Warriors were sometimes rallied into battle by blowing horns and warpipes. According to Gerald de Barri (in the 12th century), they did not wear armour, as they deemed it burdensome to wear and "brave and honourable" to fight without it. Instead, most ordinary soldiers fought semi-naked and carried only their weapons and a small round shield—Spenser wrote that these shields were covered with leather and painted in bright colours. Kings and chiefs sometimes went into battle wearing helmets adorned with eagle feathers. For ordinary soldiers, their thick hair often served as a helmet, but they sometimes wore simple helmets made from animal hides. Arts Visual art Artwork from Ireland's Gaelic period is found on pottery, jewellery, weapons, drinkware, tableware, stone carvings and illuminated manuscripts. Irish art from about 300 BC incorporates patterns and styles which developed in west central Europe. By about AD 600, after the Christianization of Ireland had begun, a style melding Irish, Mediterranean and Germanic Anglo-Saxon elements emerged, and was spread to Britain and mainland Europe by the Hiberno-Scottish mission. This is known as Insular art or Hiberno-Saxon art, which continued in some form in Ireland until the 12th century, although the Viking invasions ended its "Golden Age". Most surviving works of Insular art were either made by monks or made for monasteries, with the exception of brooches, which were likely made and used by both clergy and laity. Examples of Insular art from Ireland include the Book of Kells, Muiredach's High Cross, the Tara Brooch, the Ardagh Hoard the Derrynaflan Chalice, and the late Cross of Cong, which also uses Viking styles. Literature Music and dance Although Gerald de Barri had a negative view of the Irish, in Topographia Hibernica (1188) he conceded that they were more skilled at playing music than any other nation he had seen. He claimed that the two main instruments were the "harp" and "tabor" (see also bodhrán), that their music was fast and lively, and that their songs always began and ended with B-flat. In A History of Irish Music (1905), W. H. Grattan Flood wrote that there were at least ten instruments in general use by the Gaelic Irish. These were the cruit (a small harp) and clairseach (a bigger harp with typically 30 strings), the timpan (a small string instrument played with a bow or plectrum), the feadan (a fife), the buinne (an oboe or flute), the guthbuinne (a bassoon-type horn), the bennbuabhal and corn (hornpipes), the cuislenna (bagpipes – see Great Irish Warpipes), the stoc and sturgan (clarions or trumpets), and the cnamha (castanets). He also mentions the fiddle as being used in the 8th century. Sport Assemblies As mentioned before, Gaelic Ireland was split into many clann territories and kingdoms called túath (plural: túatha). Although there was no central 'government' or 'parliament', a number of local, regional and national gatherings were held. These combined features of assemblies and fairs. In Ireland the highest of these was the feis at Teamhair na Rí (Tara), which was held every third Samhain. This was a gathering of the leading men of the whole island – kings, lords, chieftains, druids, judges etc. Below this was the óenach (modern spelling: aonach). These were regional or provincial gatherings open to everyone. Examples include that held at Tailtin each Lughnasadh, and that held at Uisneach each Bealtaine. The main purpose of these gatherings was to promulgate and reaffirm the laws – they were read aloud in public that they might not be forgotten, and any changes in them carefully explained to those present. Each túath or clann had two assemblies of its own. These were the cuirmtig, which was open to all clann members, and the dal (a term later adopted for the Irish parliament – see Dáil Éireann), which was open only to clann chiefs. Each clann had a further assembly called a tocomra, in which the clann chief (toísech, modern taoiseach) and his deputy/successor (tánaiste) were elected. Notable Irish kings List of kings History Before 400 400 to 800 800 to 1169 Anglo-Norman occupation Invasion Ireland became Christianized between the 5th and 7th centuries. Pope Adrian IV, the only English pope, had already issued a Papal Bull in 1155 giving Henry II of England authority to invade Ireland as a means of curbing Irish refusal to recognize Roman law. Importantly, for later English monarchs, the Bull, Laudabiliter, maintained papal suzerainty over the island: In 1166, after losing the protection of High King Muirchertach Mac Lochlainn, King Diarmait Mac Murchada of Leinster was forcibly exiled by a confederation of Irish forces under King Ruaidri mac Tairrdelbach Ua Conchobair. Fleeing first to Bristol and then to Normandy, Diarmait obtained permission from Henry II of England to use his subjects to regain his kingdom. By the following year, he had obtained these services and in 1169 the main body of Norman, Welsh and Flemish forces landed in Ireland and quickly retook Leinster and the cities of Waterford and Dublin on behalf of Diarmait. The leader of the Norman force, Richard de Clare, 2nd Earl of Pembroke, more commonly known as Strongbow, married Diarmait's daughter, Aoife, and was named tánaiste to the Kingdom of Leinster. This caused consternation to Henry II, who feared the establishment of a rival Norman state in Ireland. Accordingly, he resolved to visit Leinster to establish his authority. Henry landed in 1171, proclaiming Waterford and Dublin as Royal Cities. Adrian's successor, Pope Alexander III, ratified the grant of Ireland to Henry in 1172. The 1175 Treaty of Windsor between Henry and Ruaidhrí maintained Ruaidhrí as High King of Ireland but codified Henry's control of Leinster, Meath and Waterford. However, with Diarmuid and Strongbow dead, Henry back in England, and Ruaidhrí unable to curb his vassals, the high kingship rapidly lost control of the country. Henry, in 1185, awarded his younger son, John, the title Dominus Hiberniae, "Lord of Ireland". This kept the newly created title and the Kingdom of England personally and legally separate. However, when John unexpectedly succeeded his brother as King of England in 1199, the Lordship of Ireland fell back into personal union with the Kingdom of England. Gaelic resurgence By 1261, the weakening of the Anglo-Norman Lordship had become manifest following a string of military defeats. In the chaotic situation, local Irish lords won back large amounts of land. The invasion by Edward Bruce in 1315–18 at a time of famine weakened the Norman economy. The Black Death arrived in Ireland in 1348. Because most of the English and Norman inhabitants of Ireland lived in towns and villages, the plague hit them far harder than it did the native Irish, who lived in more dispersed rural settlements. After it had passed, Gaelic Irish language and customs came to dominate the country again. The English-controlled area shrank back to the Pale, a fortified area around Dublin. Outside the Pale, the Hiberno-Norman lords intermarried with Gaelic noble families, adopted the Irish language and customs and sided with the Gaelic Irish in political and military conflicts against the Lordship. They became known as the Old English, and in the words of a contemporary English commentator, were "more Irish than the Irish themselves." The authorities in the Pale worried about the Gaelicisation of Norman Ireland, and passed the Statutes of Kilkenny in 1366 banning those of English descent from speaking the Irish language, wearing Irish clothes or inter-marrying with the Irish. The government in Dublin had little real authority. By the end of the 15th century, central English authority in Ireland had all but disappeared. England's attentions were diverted by the Hundred Years' War (1337–1453) and then by the Wars of the Roses (1450–85). Around the country, local Gaelic and Gaelicised lords expanded their powers at the expense of the English government in Dublin. Gaelic kingdoms during the period Following the failed attempt by the Scottish King Edward Bruce (see Irish Bruce Wars 1315–1318) to drive the Normans out of Ireland, there emerged a number of important Gaelic kingdoms and Gaelic-controlled lordships. Connacht. The Ó Conchobhair dynasty, despite their setback during the Bruce wars, had regrouped and ensured that the title King of Connacht was not yet an empty one. Their stronghold was in their homeland of Sil Muirdeag, from where they dominated much of northern and northeastern Connacht. However, after the death of Ruaidri mac Tairdelbach Ua Conchobair in 1384, the dynasty split into two factions, Ó Conchobhair Don and Ó Conchobhair Ruadh. By the late 15th century, internecine warfare between the two branches had weakened them to the point where they themselves became vassals of more powerful lords such as Ó Domhnaill of Tír Chonaill and the Clan Burke of Clanricarde. The Mac Diarmata Kings of Moylurg retained their status and kingdom during this era, up to the death of Tadhg Mac Diarmata in 1585 (last de facto King of Moylurg). Their cousins, the Mac Donnacha of Tír Ailella, found their fortunes bound to the Ó Conchobhair Ruadh. The kingdom of Uí Maine had lost much of its southern and western lands to the Clanricardes, but managed to flourish until repeated raids by Ó Domhnaill in the early 16th century weakened it. Other territories such as Ó Flaithbeheraigh of Iar Connacht, Ó Seachnasaigh of Aidhne, O'Dowd of Tireagh, O'Hara, Ó Gadhra and Ó Maddan, either survived in isolation or were vassals for greater men. Ulster: The Ulaid proper were in a sorry state all during this era, being squeezed between the emergent Ó Neill of Tír Eógain in the west, the MacDonnells, Clann Aodha Buidhe, and the Anglo-Normans from the east. Only Mag Aonghusa managed to retain a portion of their former kingdom with expansion into Iveagh. The two great success stories of this era were Ó Domhnaill of Tír Chonaill and Ó Neill of Tír Eógain. Ó Domhnaill was able to dominate much of northern Connacht to the detriment of its native lords, both Old English and Gaelic, though it took time to suborn the likes of Ó Conchobhair Sligigh and Ó Raghallaigh of Iar Breifne. Expansion southwards brought the hegemony of Tír Eógain, and by extension Ó Neill influence, well into the border lordships of Louth and Meath. Mag Uidir of Fear Manach would slightly later be able to build his lordship up to that of third most powerful in the province, at the expense of the Ó Raghallaigh of Iar Breifne and the MacMahons of Airgíalla. Leinster: Likewise, despite the adverse (and unforeseen) effects of Diarmait Mac Murchada's efforts to regain his kingdom, the fact of the matter was that, of his twenty successors up to 1632, most of them had regained much of the ground they had lost to the Normans, and exacted yearly tribute from the towns. His most dynamic successor was the celebrated Art mac Art MacMurrough-Kavanagh. The Ó Broin and Ó Tuathail largely contented themselves with raids on Dublin (which, incredibly, continued into the 18th century). The Ó Mordha of Laois and Ó Conchobhair Falaighe of Offaly – the latter's capital was Daingean – were two self-contained territories that had earned the right to be called kingdoms due to their near-invincibility against successive generations of Anglo-Irish. The great losers were the Ó Melaghlins of Meath: their kingdom collapsed despite attempts by Cormac mac Art O Melaghlain to restore it. The royal family was reduced to vassal status, confined to the east shores of the River Shannon. The kingdom was substantially incorporated into the Lordship of Meath which was granted to Hugh de Lacy in 1172. Munster: Desmond: See Kingdom of Desmond, Barony of Carbery, Battle of Callann Thomond: Despite huge setbacks, the descendants of Brian Bóruma had, by surviving the Second Battle of Athenry and winning the decisive battles of Corcomroe and Dysert O'Dea, been able to suborn their vassals and eradicate the Normans from their home kingdom of Thomond. Their spheres of interest often met with conflict with Anglo-Normans such as the Earls of Desmond and Earls of Ormond, yet they ruled right up to the end of Gaelic Ireland, and beyond, by expedient of becoming the O'Brien Earls of Thomond. Tudor conquest and aftermath From 1536, Henry VIII of England decided to conquer Ireland and bring it under English control. The FitzGerald dynasty of Kildare, who had become the effective rulers of the Lordship of Ireland (The Pale) in the 15th century, had become unreliable allies and Henry resolved to bring Ireland under English government control so the island would not become a base for future rebellions or foreign invasions of England. To involve the Gaelic nobility and allow them to retain their lands under English law the policy of surrender and regrant was applied. In 1541, Henry upgraded Ireland from a lordship to a full kingdom, partly in response to changing relationships with the papacy, which still had suzerainty over Ireland, following Henry's break with the church. Henry was proclaimed King of Ireland at a meeting of the Irish Parliament that year. This was the first meeting of the Irish Parliament to be attended by the Gaelic Irish princes as well as the Hiberno-Norman aristocracy. With the technical institutions of government in place, the next step was to extend the control of the Kingdom of Ireland over all of its claimed territory. This took nearly a century, with various English administrations in the process either negotiating or fighting with the independent Irish and Old English lords. The conquest was completed during the reigns of Elizabeth and James I, after several bloody conflicts. The flight into exile in 1607 of Hugh O'Neill, 2nd Earl of Tyrone and Hugh Roe O'Donnell, 1st Earl of Tyrconnell following their defeat at the Battle of Kinsale in 1601 and the suppression of their rebellion in Ulster in 1603 is seen as the watershed of Gaelic Ireland. It marked the destruction of Ireland's ancient Gaelic nobility following the Tudor conquest and cleared the way for the Plantation of Ulster. After this point, the English authorities in Dublin established greater control over Ireland, establishing - or, at least, attempting to establish - a centralised government for the entire island, and successfully disarmed the Gaelic lordships. O'Donnell - often known as Red Hugh O'Donnell - died in the archive castle of Simancas, Valladolid, in September 1602, when petitioning Philip III of Spain (1598–1621) for further assistance. His son, Rory, succeeded him as the Earl of Tyrconnell and was active in armies fighting for Madrid in the Low Countries and Spain. He died at the Battle of Barcelona in 1642, a naval engagement against the French fleet. England and Scotland merged politically in 1707 after the crowns of both counties were united in 1603, but the crown of Ireland did not merge with the Union until 1800. Part of the attraction of the Union for many Irish Catholics was the promise of Catholic Emancipation, allowing Roman Catholic MPs, who had not been allowed in the Irish Parliament. This was however blocked by King George III who argued that emancipating Roman Catholics would breach his Coronation Oath, and was not realised until 1829. The Gaelic roots that defined early Irish history still persisted, despite this Anglicisation of Irish culture and politics, as Christianity became the prominent expression of Irish identity in Ireland. In the time leading up to the Great Famine of the 1840s, many priests believed that parishioner spirituality was paramount, resulting in a localised morphing of Gaelic and Catholic traditions. See also Dál Riata Scotland in the High Middle Ages References Further reading Gaelic History of Ireland by period Irish culture Irish society 1st millennium in Ireland 2nd millennium in Ireland	false	[ "According to a 1998 law of the Republic of Belarus, there are three categories of urban-type settlements in Belarus:\n\nUrban settlements (Belarusian: , Russian: ): with population over 2,000, industrial enterprises and developed residential infrastructure\nResort settlements (Belarusian: , Russian: , resort towns): with population of at least 2,000, sanatoriums, resorts or other health recuperation establishments, and developed residential infrastructure\nWorker settlements (Belarusian: , Russian: ): with population at least 500, servicing industrial enterprises, construction sites, railroad stations, electric stations, or other industrial objects.\n\nThe notion of urban-type settlement is inherited from the times of Belarusian SSR within the Soviet Union.\n\nBefore the Soviet times, many modern urban settlements in Belarus were classified as ('market town').\n\nList of urban-type settlements \nAs of October 14, 2009 (census), there were 94 urban-type settlements, including 83 urban settlements, one resort settlement, and ten worker settlements.\n\nAs of January 1, 2016, there were already 90 urban-type settlements, including 81 urban settlements, one resort settlement and eight worker settlements.\n\nExternal links \n The Roman alphabet transliteration of Belarusian geographical names\n\nReferences", "On 1 January 2006 there were 885 urban-type settlements (, translit.: selysche mis'koho typu) in Ukraine. Below is the list of all urban-type settlements by subdivisions and population, which is given according to the 2001 Ukrainian Census.\n\n\n\nUrban-type settlements in Ukraine (by subdivisions)\n\nAutonomous Republic of Crimea \| \nCherkasy Oblast \| \nChernihiv Oblast \| \nChernivtsi Oblast \| \nDnipropetrovsk Oblast \| \nDonetsk Oblast \| \nIvano-Frankivsk Oblast \| \nKharkiv Oblast \| \nKherson Oblast \| \nKhmelnytskyi Oblast \| \nKyiv Oblast \| \nKirovohrad Oblast \| \nLuhansk Oblast \| \nLviv Oblast \| \nMykolaiv Oblast \| \nOdessa Oblast \| \nPoltava Oblast \| \nRivne Oblast \| \nSevastopol \| \nSumy Oblast \| \nTernopil Oblast \| \nVinnytsia Oblast \| \nVolyn Oblast \| \nZakarpattia Oblast \| \nZaporizhzhia Oblast \| \nZhytomyr Oblast\n\nSee also\n\n List of places named after people (Ukraine)\n Raions of Ukraine\n List of cities in Ukraine\n List of hromadas of Ukraine\n\nExternal links\n 2001 Ukrainian census, Population structure \n Regions of Ukraine and its composition \n\n \nUrban-type settlements" ]
[ "Gaelic Ireland", "Settlements and architecture", "What type of settlements were there?", "There were very few nucleated settlements in Gaelic areas." ]	C_fe515e59d85c4f8d850279012b1372da_1	What did the buildings look like?	2	What did the buildings look like in Gaelic Ireland?	Gaelic Ireland	For most of the Gaelic period, dwellings and farm buildings were circular with conical thatched roofs (see roundhouse). Square and rectangle-shaped buildings gradually became more common, and by the 14th or 15th century they had replaced round buildings completely. In some areas, buildings were made mostly of stone. In others, they were built of timber, wattle and daub, or a mix of materials. Most ancient and early medieval stone buildings were of dry stone construction. Some buildings would have had glass windows. Among the wealthy, it was common for women to have their own 'apartment' called a grianan (anglicized "greenan") in the sunniest part of the homestead. The dwellings of freemen and their families were often surrounded by a circular rampart called a "ringfort". There are two main kinds of ringfort. The rath is an earthen ringfort, averaging 30m diameter, with a dry outside ditch. The cathair or caiseal is a stone ringfort. The ringfort would typically have enclosed the family home, small farm buildings or workshops, and animal pens. Most date to the period 500-1000 CE and there is evidence of large-scale ringfort desertion at the end of the first millennium. The remains of between 30,000 and 40,000 lasted into the 19th century to be mapped by Ordnance Survey Ireland. Another kind of native dwelling was the crannog, which were roundhouses built on artificial islands in lakes. There were very few nucleated settlements in Gaelic areas. However, after the 5th century some monasteries became the heart of small "monastic towns". By the 10th century the Norse-Gaelic ports of Dublin, Wexford, Cork and Limerick had grown into substantial settlements. It was at this time, perhaps as a response to Viking raids, that many of the Irish round towers were built. In the fifty years before the Norman invasion, the term "castle" (Old Irish: caistel/caislen) appears in Gaelic writings, although there are no surviving examples of pre-Norman castles. After the invasion, the Normans built motte-and-bailey castles in the areas they occupied, some of which were converted from ringforts. By 1300 "some mottes, especially in frontier areas, had almost certainly been built by the Gaelic Irish in imitation". The Normans gradually replaced wooden motte-and-baileys with stone castles and tower houses. Tower houses are free-standing multi-storey stone towers usually surrounded by a wall (see bawn) and ancillary buildings. Gaelic families had begun to build their own tower houses by the 15th century. As many as 7000 may have been built, but they were rare in areas with little Norman settlement or contact. They are concentrated in counties Limerick and Clare but are lacking in Ulster, except the area around Strangford Lough. In Gaelic law, a 'sanctuary' called a maighin digona surrounded each person's dwelling. The maighin digona's size varied according to the owner's rank. In the case of a boaire it stretched as far as he, while sitting at his house, could cast a cnairsech (variously described as a spear or sledgehammer). The owner of a maighin digona could offer its protection to someone fleeing from pursuers, who would then have to bring that person to justice by lawful means. CANNOTANSWER	It was at this time, perhaps as a response to Viking raids, that many of the Irish round towers were built.	Gaelic Ireland () was the Gaelic political and social order, and associated culture, that existed in Ireland from the prehistoric era until the early 17th century. Before the Norman invasion of 1169, Gaelic Ireland comprised the whole island. Thereafter, it comprised that part of the country not under foreign dominion at a given time, i.e. "The Pale". For most of its history, Gaelic Ireland was a "patchwork" hierarchy of territories ruled by a hierarchy of kings or chiefs, who were elected through tanistry. Warfare between these territories was common. Occasionally, a powerful ruler was acknowledged as High King of Ireland. Society was made up of clans and, like the rest of Europe, was structured hierarchically according to class. Throughout this period, the economy was mainly pastoral and money was generally not used. A Gaelic Irish style of dress, music, dance, sport, architecture, and art can be identified, with Irish art later merging with Anglo-Saxon styles to create Insular art. Gaelic Ireland was initially pagan and had an oral culture. Inscription in the ogham alphabet began in the protohistoric period, perhaps as early as the 1st century. The conversion to Christianity accompanied the introduction of literature, and much of Ireland's rich pre-Christian mythology and sophisticated law code were preserved, albeit Christianized. In the Early Middle Ages, Ireland was an important centre of learning. Irish missionaries and scholars were influential in western Europe, and helped to spread Christianity to much of Britain and parts of mainland Europe. In the 9th century, Vikings began raiding and founding settlements along Ireland's coasts and waterways, which became its first large towns. Over time, these settlers were assimilated and became the Norse-Gaels. After the Norman invasion of 1169–71, large swathes of Ireland came under the control of Norman lords, leading to centuries of conflict with the native Irish. The King of England claimed sovereignty over this territory – the Lordship of Ireland – and the island as a whole. However, the Gaelic system continued in areas outside Anglo-Norman control. The territory under English control gradually shrank to an area known as the Pale and, outside this, many Hiberno-Norman lords adopted Gaelic culture. In 1542, Henry VIII of England declared the Lordship a Kingdom and himself King of Ireland. The English then began to conquer (or re-conquer) the island. By 1607, Ireland was fully under English control, bringing the old Gaelic political and social order to an end. Culture and society Gaelic culture and society was centred around the fine (explained below). Gaelic Ireland had a rich oral culture and appreciation of deeper and intellectual pursuits. Filí and draoithe (druids) were held in high regard during Pagan times and orally passed down the history and traditions of their people. Later, many of their spiritual and intellectual tasks were passed on to Christian monks, after said religion prevailed from the 5th century onwards. However, the filí continued to hold a high position. Poetry, music, storytelling, literature and other art forms were highly prized and cultivated in both pagan and Christian Gaelic Ireland. Hospitality, bonds of kinship and the fulfilment of social and ritual responsibilities were highly important. Like Britain, Gaelic Ireland consisted not of one single unified kingdom, but several. The main kingdoms were Ulaid (Ulster), Mide (Meath), Laigin (Leinster), Muma (Munster, consisting of Iarmuman, Tuadmumain and Desmumain), Connacht, Bréifne (Breffny), In Tuaiscert (The North), and Airgíalla (Oriel). Each of these overkingdoms were built upon lordships known as túatha (singular: túath). Law tracts from the early 700s describe a hierarchy of kings: kings of túath subject to kings of several túatha who again were subject to the regional overkings. Already before the 8th century these overkingdoms had begun to replace the túatha as the basic sociopolitical unit. Religion and mythology Paganism Before Christianization, the Gaelic Irish were polytheistic or pagan. They had many gods and goddesses, which generally have parallels in the pantheons of other European nations. Two groups of supernatural beings who appear throughout Irish mythology—the Tuatha Dé Danann and Fomorians—are believed to represent the Gaelic pantheon. They were also animists, believing that all aspects of the natural world contained spirits, and that these spirits could be communicated with. Burial practices—which included burying food, weapons, and ornaments with the dead—suggest a belief in life after death. Some have equated this afterlife with the Otherworld realms known as Magh Meall and Tír na nÓg in Irish mythology. There were four main religious festivals each year, marking the traditional four divisions of the year – Samhain, Imbolc, Bealtaine and Lughnasadh. The mythology of Ireland was originally passed down orally, but much of it was eventually written down by Irish monks, who Christianized and modified it to an extent. This large body of work is often split into three overlapping cycles: the Mythological Cycle, the Ulster Cycle, and the Fenian Cycle. The first cycle is a pseudo-history that describes how Ireland, its people and its society came to be. The second cycle tells of the lives and deaths of Ulaidh heroes such as Cúchulainn. The third cycle tells of the exploits of Fionn mac Cumhaill and the Fianna. There are also a number of tales that do not fit into these cycles – this includes the immrama and echtrai, which are tales of voyages to the 'Otherworld'. Christianity The introduction of Christianity to Ireland dates to sometime before the 5th century, with Palladius (later bishop of Ireland) sent by Pope Celestine I in the mid-5th century to minister to Irish "believing in Christ". Early medieval traditions credit Saint Patrick as being the first Primate of Ireland. Christianity would eventually supplant the existing pagan traditions, with the prologue of the 9th century Martyrology of Tallaght (attributed to author Óengus of Tallaght) speaking of the last vestiges of paganism in Ireland. Social and political structure In Gaelic Ireland each person belonged to an agnatic kin-group known as a fine (plural: finte). This was a large group of related people supposedly descended from one progenitor through male forebears. It was headed by a man whose office was known in Old Irish as a cenn fine or toísech (plural: toísig). Nicholls suggests that they would be better thought of as akin to the modern-day corporation. Within each fine, the family descended from a common great grandparent was called a derbfine (modern form dearbhfhine), lit. "close clan". The cland (modern form clann) referred to the children of the nuclear family. Succession to the kingship was through tanistry. When a man became king, a relative was elected to be his deputy or 'tanist' (Irish: tánaiste, plural tanaistí). When the king died, his tanist would automatically succeed him. The tanist had to share the same derbfine and he was elected by other members of the derbfine. Tanistry meant that the kingship usually went to whichever relative was deemed to be the most fitting. Sometimes there would be more than one tanist at a time and they would succeed each other in order of seniority. Some Anglo-Norman lordships later adopted tanistry from the Irish. Gaelic Ireland was divided into a hierarchy of territories ruled by a hierarchy of kings of chiefs. The smallest territory was the túath (plural: túatha), which was typically the territory of a single kin-group. It was ruled by a rí túaithe (king of a túath) or toísech túaithe (leader of a túath). Several túatha formed a mór túath (overkingdom), which was ruled by a rí mór túath or ruirí (overking). Several mór túatha formed a cóiced (province), which was ruled by a rí cóicid or rí ruirech (provincial king). In the early Middle Ages the túatha was the main political unit, but over time they were subsumed into bigger conglomerate territories and became much less important politically. Gaelic society was structured hierarchically, with those further up the hierarchy generally having more privileges, wealth and power than those further down. The top social layer was the sóernemed, which included kings, tanists, ceann finte, fili, clerics, and their immediate families. The roles of a fili included reciting traditional lore, eulogizing the king and satirizing injustices within the kingdom. Before the Christianization of Ireland, this group also included the druids (druí) and vates (fáith). Below that were the dóernemed, which included professionals such as jurists (brithem), physicians, skilled craftsmen, skilled musicians, scholars, and so on. A master in a particular profession was known as an ollam (modern spelling: ollamh). The various professions—including law, poetry, medicine, history and genealogy—were associated with particular families and the positions became hereditary. Since the poets, jurists and doctors depended on the patronage of the ruling families, the end of the Gaelic order brought their demise. Below that were freemen who owned land and cattle (for example the bóaire). Below that were freemen who did not own land or cattle, or who owned very little. Below that were the unfree, which included serfs and slaves. Slaves were typically criminals (debt slaves) or prisoners of war. Slavery and serfdom was inherited, though slavery in Ireland had died out by 1200. The warrior bands known as fianna generally lived apart from society. A fian was typically composed of young men who had not yet come into their inheritance of land. A member of a fian was called a fénnid and the leader of a fian was a rígfénnid. Geoffrey Keating, in his 17th-century History of Ireland, says that during the winter the fianna were quartered and fed by the nobility, during which time they would keep order on their behalf. But during the summer, from Bealtaine to Samhain, they were beholden to live by hunting for food and for hides to sell. Although distinct, these ranks were not utterly exclusive castes like those of India. It was possible to rise or sink from one rank to another. Rising upward could be achieved a number of ways, such as by gaining wealth, by gaining skill in some department, by qualifying for a learned profession, by showing conspicuous valour, or by performing some service to the community. An example of the latter is a person choosing to become a briugu (hospitaller). A briugu had to have his house open to any guests, which included feeding no matter how big the group. For the briugu to fulfill these duties, he was allowed more land and privileges, but this could be lost if he ever refused guests. A freeman could further himself by becoming the client of one or more lords. The lord made his client a grant of property (i.e. livestock or land) and, in return, the client owed his lord yearly payments of food and fixed amounts of work. The clientship agreement could last until the lord's death. If the client died, his heirs would carry on the agreement. This system of clientship enabled social mobility as a client could increase his wealth until he could afford clients of his own, thus becoming a lord. Clientship was also practised between nobles, which established hierarchies of homage and political support. Law Gaelic law was originally passed down orally, but was written down in Old Irish during the period 600–900 AD. This collection of oral and written laws is known as the Fénechas or, in English, as the Brehon Law(s). The brehons (Old Irish: brithem, plural brithemain) were the jurists in Gaelic Ireland. Becoming a brehon took many years of training and the office was, or became, largely hereditary. Most legal cases were contested privately between opposing parties, with the brehons acting as arbitrators. Offences against people and property were primarily settled by the offender paying compensation to the victims. Although any such offence required compensation, the law made a distinction between intentional and unintentional harm, and between murder and manslaughter. If an offender did not pay outright, his property was seized until he did so. Should the offender be unable to pay, his family would be responsible for doing so. Should the family be unable or unwilling to pay, responsibility would broaden to the wider kin-group. Hence, it has been argued that "the people were their own police". Acts of violence were generally settled by payment of compensation known as an éraic fine; the Gaelic equivalent of the Welsh galanas and the Germanic weregild. If a free person was murdered, the éraic was equal to 21 cows, regardless of the victim's rank in society. Each member of the murder victim's agnatic kin-group received a payment based on their closeness to the victim, their status, and so forth. There were separate payments for the kin-group of the victim's mother, and for the victim's foster-kin. Execution seems to have been rare and carried out only as a last resort. If a murderer was unable or unwilling to pay éraic and was handed to his victim's family, they might kill him if they wished should nobody intervene by paying the éraic. Habitual or particularly serious offenders might be expelled from the kin-group and its territory. Such people became outlaws (with no protection from the law) and anyone who sheltered him became liable for his crimes. If he still haunted the territory and continued his crimes there, he was proclaimed in a public assembly and after this anyone might lawfully kill him. Each person had an honour-price, which varied depending on their rank in society. This honour-price was to be paid to them if their honour was violated by certain offences. Those of higher rank had a higher honour-price. However, an offence against the property of a poor man (who could ill afford it), was punished more harshly than a similar offence upon a wealthy man. The clergy were more harshly punished than the laity. When a layman had paid his fine he would go through a probationary period and then regain his standing, but a clergyman could never regain his standing. Some laws were pre-Christian in origin. These secular laws existed in parallel, and sometimes in conflict, with Church law. Although brehons usually dealt with legal cases, kings would have been able to deliver judgments also, but it is unclear how much they would have had to rely on brehons. Kings had their own brehons to deal with cases involving the king's own rights and to give him legal advice. Unlike other kingdoms in Europe, Gaelic kings—by their own authority—could not enact new laws as they wished and could not be "above the law". They could, however, enact temporary emergency laws. It was mainly through these emergency powers that the Church attempted to change Gaelic law. The law texts take great care to define social status, the rights and duties that went with that status, and the relationships between people. For example, ceann finte had to take responsibility for members of their fine, acting as a surety for some of their deeds and making sure debts were paid. He would also be responsible for unmarried women after the death of their fathers. Marriage, women and children Ancient Irish culture was patriarchal. The Brehon law excepted women from the ordinary course of the law so that, in general, every woman had to have a male guardian. However, women had some legal capacity. By the 8th century, the preferred form of marriage was one between social equals, under which a woman was technically legally dependent on her husband and had half his honor price, but could exercise considerable authority in regard to the transfer of property. Such women were called "women of joint dominion". Thus historian Patrick Weston Joyce could write that, relative to other European countries of the time, free women in Gaelic Ireland "held a good position" and their social and property rights were "in most respects, quite on a level with men". Gaelic Irish society was also patrilineal, with land being primarily owned by men and inherited by the sons. Only when a man had no sons would his land pass to his daughters, and then only for their lifetimes. Upon their deaths, the land was redistributed among their father's male relations. Under Brehon law, rather than inheriting land, daughters had assigned to them a certain number of their father's cattle as their marriage-portion. It seems that, throughout the Middle Ages, the Gaelic Irish kept many of their marriage laws and traditions separate from those of the Church. Under Gaelic law, married women could hold property independent of their husbands, a link was maintained between married women and their own families, couples could easily divorce or separate, and men could have concubines (which could be lawfully bought). These laws differed from most of contemporary Europe and from Church law. The lawful age of marriage was fifteen for girls and eighteen for boys, the respective ages at which fosterage ended. Upon marriage, the families of the bride and bridegroom were expected to contribute to the match. It was custom for the bridegroom and his family to pay a coibche (modern spelling: coibhche) and the bride was allowed a share of it. If the marriage ended owing to a fault of the husband then the coibche was kept by the wife and her family, but if the fault lay with the wife then the coibche was to be returned. It was custom for the bride to receive a spréid (modern spelling: spréidh) from her family (or foster family) upon marriage. This was to be returned if the marriage ended through divorce or the death of the husband. Later, the spréid seems to have been converted into a dowry. Women could seek divorce/separation as easily as men could and, when obtained on her behalf, she kept all the property she had brought her husband during their marriage. Trial marriages seem to have been popular among the rich and powerful, and thus it has been argued that cohabitation before marriage must have been acceptable. It also seems that the wife of a chieftain was entitled to some share of the chief's authority over his territory. This led to some Gaelic Irish wives wielding a great deal of political power. Before the Norman invasion, it was common for priests and monks to have wives. This remained mostly unchanged after the Norman invasion, despite protests from bishops and archbishops. The authorities classed such women as priests' concubines and there is evidence that a formal contract of concubinage existed between priests and their women. However, unlike other concubines, they seem to have been treated just as wives were. In Gaelic Ireland a kind of fosterage was common, whereby (for a certain length of time) children would be left in the care of others to strengthen family ties or political bonds. Foster parents were beholden to teach their foster children or to have them taught. Foster parents who had properly done their duties were entitled to be supported by their foster children in old age (if they were in need and had no children of their own). As with divorce, Gaelic law again differed from most of Europe and from Church law in giving legal standing to both "legitimate" and "illegitimate" children. Settlements and architecture For most of the Gaelic period, dwellings and farm buildings were circular with conical thatched roofs (see roundhouse). Square and rectangle-shaped buildings gradually became more common, and by the 14th or 15th century they had replaced round buildings completely. In some areas, buildings were made mostly of stone. In others, they were built of timber, wattle and daub, or a mix of materials. Most ancient and early medieval stone buildings were of dry stone construction. Some buildings would have had glass windows. Among the wealthy, it was common for women to have their own 'apartment' called a grianan (anglicized "greenan") in the sunniest part of the homestead. The dwellings of freemen and their families were often surrounded by a circular rampart called a "ringfort". There are two main kinds of ringfort. The ráth is an earthen ringfort, averaging 30m diameter, with a dry outside ditch. The cathair or caiseal is a stone ringfort. The ringfort would typically have enclosed the family home, small farm buildings or workshops, and animal pens. Most date to the period 500–1000 CE and there is evidence of large-scale ringfort desertion at the end of the first millennium. The remains of between 30,000 and 40,000 lasted into the 19th century to be mapped by Ordnance Survey Ireland. Another kind of native dwelling was the crannóg, which were roundhouses built on artificial islands in lakes. There were very few nucleated settlements, but after the 5th century some monasteries became the heart of small "monastic towns". By the 10th century the Norse-Gaelic ports of Dublin, Wexford, Cork and Limerick had grown into substantial settlements, all ruled by Gaelic kings by 1052. In this era many of the Irish round towers were built. In the fifty years before the Norman invasion, the term "castle" () appears in Gaelic writings, although there are few intact surviving examples of pre-Norman castles. After the invasion, the Normans built motte-and-bailey castles in the areas they occupied, some of which were converted from ringforts. By 1300 "some mottes, especially in frontier areas, had almost certainly been built by the Gaelic Irish in imitation". The Normans gradually replaced wooden motte-and-baileys with stone castles and tower houses. Tower houses are free-standing multi-storey stone towers usually surrounded by a wall (see bawn) and ancillary buildings. Gaelic families had begun to build their own tower houses by the 15th century. As many as 7000 may have been built, but they were rare in areas with little Norman settlement or contact. They are concentrated in counties Limerick and Clare but are lacking in Ulster, except the area around Strangford Lough. In Gaelic law, a 'sanctuary' called a maighin digona surrounded each person's dwelling. The maighin digona's size varied according to the owner's rank. In the case of a bóaire it stretched as far as he, while sitting at his house, could cast a cnairsech (variously described as a spear or sledgehammer). The owner of a maighin digona could offer its protection to someone fleeing from pursuers, who would then have to bring that person to justice by lawful means. Economy Gaelic Ireland was involved in trade with Britain and mainland Europe from ancient times, and this trade increased over the centuries. Tacitus, for example, wrote in the 1st century that most of Ireland's harbours were known to the Romans through commerce. There are many passages in early Irish literature that mention luxury goods imported from foreign lands, and the fair of Carman in Leinster included a market of foreign traders. In the Middle Ages the main exports were textiles such as wool and linen while the main imports were luxury items. Money was seldom used in Gaelic society; instead, goods and services were usually exchanged for other goods and services (barter). The economy was mainly a pastoral one, based on livestock (cows, sheep, pigs, goats, etc.) and their products. Cattle was "the main element in the Irish pastoral economy" and the main form of wealth, providing milk, butter, cheese, meat, fat, hides, and so forth. They were a "highly mobile form of wealth and economic resource which could be quickly and easily moved to a safer locality in time of war or trouble". The nobility owned great herds of cattle that had herdsmen and guards. Sheep, goats and pigs were also a valuable resource but had a lesser role in Irish pastoralism. Horticulture was practised; the main crops being oats, wheat and barley, although flax was also grown for making linen. Transhumance was also practised, whereby people moved with their livestock to higher pastures in summer and back to lower pastures in the cooler months. The summer pasture was called the buaile (anglicized as booley) and it is noteworthy that the Irish word for boy (buachaill) originally meant a herdsman. Many moorland areas were "shared as a common summer pasturage by the people of a whole parish or barony". Transport Gaelic Ireland was well furnished with roads and bridges. Bridges were typically wooden and in some places the roads were laid with wood and stone. There were five main roads leading from Tara: Slíghe Asail, Slíghe Chualann, Slíghe Dála, Slíghe Mór and Slíghe Midluachra. Horses were one of the main means of long-distance transport. Although horseshoes and reins were used, the Gaelic Irish did not use saddles, stirrups or spurs. Every man was trained to spring from the ground on to the back of his horse (an ech-léim or "steed-leap") and they urged-on and guided their horses with a rod having a hooked goad at the end. Two-wheeled and four-wheeled chariots (singular carbad) were used in Ireland from ancient times, both in private life and in war. They were big enough for two people, made of wickerwork and wood, and often had decorated hoods. The wheels were spoked, shod all round with iron, and were from three to four and a half feet high. Chariots were generally drawn by horses or oxen, with horse-drawn chariots being more common among chiefs and military men. War chariots furnished with scythes and spikes, like those of the ancient Gauls and Britons, are mentioned in literature. Boats used in Gaelic Ireland include canoes, currachs, sailboats and Irish galleys. Ferryboats were used to cross wide rivers and are often mentioned in the Brehon Laws as subject to strict regulations. Sometimes they were owned by individuals and sometimes they were the common property of those living round the ferry. Large boats were used for trade with mainland Europe. Dress Throughout the Middle Ages, the common clothing amongst the Gaelic Irish consisted of a brat (a woollen semi circular cloak) worn over a léine (a loose-fitting, long-sleeved tunic made of linen). For men the léine reached to their ankles but was hitched up by means of a crios (pronounced 'kriss') which was a type of woven belt. The léine was hitched up to knee level. Women wore the léine at full length. Men sometimes wore tight-fitting trews (Gaelic triúbhas) but otherwise went bare-legged. The brat was simply thrown over both shoulders or sometimes over only one. Occasionally the brat was fastened with a dealg (brooch), with men usually wearing the dealg at their shoulders and women at their chests. The ionar (a short, tight-fitting jacket) became popular later on. In Topographia Hibernica, written during the 1180s, Gerald de Barri wrote that the Irish commonly wore hoods at that time (perhaps forming part of the brat), while Edmund Spenser wrote in the 1580s that the brat was (in general) their main item of clothing. Gaelic clothing does not appear to have been influenced by outside styles. Women invariably grew their hair long and, as in other European cultures, this custom was also common among the men. It is said that the Gaelic Irish took great pride in their long hair—for example, a person could be forced to pay the heavy fine of two cows for shaving a man's head against his will. For women, very long hair was seen as a mark of beauty. Sometimes, wealthy men and women would braid their hair and fasten hollow golden balls to the braids. Another style that was popular among some medieval Gaelic men was the glib (short all over except for a long, thick lock of hair towards the front of the head). A band or ribbon around the forehead was the typical way of holding one's hair in place. For the wealthy, this band was often a thin and flexible band of burnished gold, silver or findruine. When the Anglo-Normans and the English colonized Ireland, hair length came to signify one's allegiance. Irishmen who cut their hair short were deemed to be forsaking their Irish heritage. Likewise, English colonists who grew their hair long at the back were deemed to be giving in to the Irish life. Gaelic men typically wore a beard and mustache, and it was often seen as dishonourable for a Gaelic man to have no facial hair. Beard styles varied – the long forked beard and the rectangular Mesopotamian-style beard were fashionable at times. Warfare Warfare was common in Gaelic Ireland, as territories fought for supremacy against each other and (later) against the Anglo-Normans. Champion warfare is a common theme in Irish mythology. In the Middle Ages all able-bodied men, apart from the learned and the clergy, were eligible for military service on behalf of the king or chief. Throughout the Middle Ages and for some time after, outsiders often wrote that the style of Irish warfare differed greatly from what they deemed to be the norm in Western Europe. The Gaelic Irish preferred hit-and-run raids (the crech), which involved catching the enemy unaware. If this worked they would then seize any valuables (mainly livestock) and potentially valuable hostages, burn the crops, and escape. The cattle raid was often called a Táin Bó in Gaelic literature. Although hit-and-run raiding was the preferred tactic in medieval times, there were also pitched battles. From at least the 11th century, kings maintained small permanent fighting forces known as "troops of the household", who were often given houses and land on the king's mensal land. These were well-equipped professional soldiers made up of infantry and cavalry. By the reign of Brian Boru, Irish kings were taking large armies on campaign over long distances and using naval forces in tandem with land forces. A typical medieval Irish army included light infantry, heavy infantry and cavalry. The bulk of the army was made up of light infantry called ceithern (anglicized 'kern'). The ceithern wandered Ireland offering their services for hire and usually wielded swords, skenes (a kind of long knife), short spears, bows and shields. The cavalry was usually made up of a king or chieftain and his close relatives. They usually rode without saddles but wore armour and iron helmets and wielded swords, skenes and long spears or lances. One kind of Irish cavalry was the hobelar. After the Norman invasion there emerged a kind of heavy infantry called gallóglaigh (anglicized 'gallo[w]glass'). They were originally Scottish mercenaries who appeared in the 13th century, but by the 15th century most large túatha had their own hereditary force of Irish gallóglaigh. Some Anglo-Norman lordships also began using gallóglaigh in imitation of the Irish. They usually wore mail and iron helmets and wielded sparth axes, claymores, and sometimes spears or lances. The gallóglaigh furnished the retreating plunderers with a "moving line of defence from which the horsemen could make short, sharp charges, and behind which they could retreat when pursued". As their armour made them less nimble, they were sometimes planted at strategic spots along the line of retreat. The kern, horsemen and gallóglaigh had lightly-armed servants to carry their weapons into battle. Warriors were sometimes rallied into battle by blowing horns and warpipes. According to Gerald de Barri (in the 12th century), they did not wear armour, as they deemed it burdensome to wear and "brave and honourable" to fight without it. Instead, most ordinary soldiers fought semi-naked and carried only their weapons and a small round shield—Spenser wrote that these shields were covered with leather and painted in bright colours. Kings and chiefs sometimes went into battle wearing helmets adorned with eagle feathers. For ordinary soldiers, their thick hair often served as a helmet, but they sometimes wore simple helmets made from animal hides. Arts Visual art Artwork from Ireland's Gaelic period is found on pottery, jewellery, weapons, drinkware, tableware, stone carvings and illuminated manuscripts. Irish art from about 300 BC incorporates patterns and styles which developed in west central Europe. By about AD 600, after the Christianization of Ireland had begun, a style melding Irish, Mediterranean and Germanic Anglo-Saxon elements emerged, and was spread to Britain and mainland Europe by the Hiberno-Scottish mission. This is known as Insular art or Hiberno-Saxon art, which continued in some form in Ireland until the 12th century, although the Viking invasions ended its "Golden Age". Most surviving works of Insular art were either made by monks or made for monasteries, with the exception of brooches, which were likely made and used by both clergy and laity. Examples of Insular art from Ireland include the Book of Kells, Muiredach's High Cross, the Tara Brooch, the Ardagh Hoard the Derrynaflan Chalice, and the late Cross of Cong, which also uses Viking styles. Literature Music and dance Although Gerald de Barri had a negative view of the Irish, in Topographia Hibernica (1188) he conceded that they were more skilled at playing music than any other nation he had seen. He claimed that the two main instruments were the "harp" and "tabor" (see also bodhrán), that their music was fast and lively, and that their songs always began and ended with B-flat. In A History of Irish Music (1905), W. H. Grattan Flood wrote that there were at least ten instruments in general use by the Gaelic Irish. These were the cruit (a small harp) and clairseach (a bigger harp with typically 30 strings), the timpan (a small string instrument played with a bow or plectrum), the feadan (a fife), the buinne (an oboe or flute), the guthbuinne (a bassoon-type horn), the bennbuabhal and corn (hornpipes), the cuislenna (bagpipes – see Great Irish Warpipes), the stoc and sturgan (clarions or trumpets), and the cnamha (castanets). He also mentions the fiddle as being used in the 8th century. Sport Assemblies As mentioned before, Gaelic Ireland was split into many clann territories and kingdoms called túath (plural: túatha). Although there was no central 'government' or 'parliament', a number of local, regional and national gatherings were held. These combined features of assemblies and fairs. In Ireland the highest of these was the feis at Teamhair na Rí (Tara), which was held every third Samhain. This was a gathering of the leading men of the whole island – kings, lords, chieftains, druids, judges etc. Below this was the óenach (modern spelling: aonach). These were regional or provincial gatherings open to everyone. Examples include that held at Tailtin each Lughnasadh, and that held at Uisneach each Bealtaine. The main purpose of these gatherings was to promulgate and reaffirm the laws – they were read aloud in public that they might not be forgotten, and any changes in them carefully explained to those present. Each túath or clann had two assemblies of its own. These were the cuirmtig, which was open to all clann members, and the dal (a term later adopted for the Irish parliament – see Dáil Éireann), which was open only to clann chiefs. Each clann had a further assembly called a tocomra, in which the clann chief (toísech, modern taoiseach) and his deputy/successor (tánaiste) were elected. Notable Irish kings List of kings History Before 400 400 to 800 800 to 1169 Anglo-Norman occupation Invasion Ireland became Christianized between the 5th and 7th centuries. Pope Adrian IV, the only English pope, had already issued a Papal Bull in 1155 giving Henry II of England authority to invade Ireland as a means of curbing Irish refusal to recognize Roman law. Importantly, for later English monarchs, the Bull, Laudabiliter, maintained papal suzerainty over the island: In 1166, after losing the protection of High King Muirchertach Mac Lochlainn, King Diarmait Mac Murchada of Leinster was forcibly exiled by a confederation of Irish forces under King Ruaidri mac Tairrdelbach Ua Conchobair. Fleeing first to Bristol and then to Normandy, Diarmait obtained permission from Henry II of England to use his subjects to regain his kingdom. By the following year, he had obtained these services and in 1169 the main body of Norman, Welsh and Flemish forces landed in Ireland and quickly retook Leinster and the cities of Waterford and Dublin on behalf of Diarmait. The leader of the Norman force, Richard de Clare, 2nd Earl of Pembroke, more commonly known as Strongbow, married Diarmait's daughter, Aoife, and was named tánaiste to the Kingdom of Leinster. This caused consternation to Henry II, who feared the establishment of a rival Norman state in Ireland. Accordingly, he resolved to visit Leinster to establish his authority. Henry landed in 1171, proclaiming Waterford and Dublin as Royal Cities. Adrian's successor, Pope Alexander III, ratified the grant of Ireland to Henry in 1172. The 1175 Treaty of Windsor between Henry and Ruaidhrí maintained Ruaidhrí as High King of Ireland but codified Henry's control of Leinster, Meath and Waterford. However, with Diarmuid and Strongbow dead, Henry back in England, and Ruaidhrí unable to curb his vassals, the high kingship rapidly lost control of the country. Henry, in 1185, awarded his younger son, John, the title Dominus Hiberniae, "Lord of Ireland". This kept the newly created title and the Kingdom of England personally and legally separate. However, when John unexpectedly succeeded his brother as King of England in 1199, the Lordship of Ireland fell back into personal union with the Kingdom of England. Gaelic resurgence By 1261, the weakening of the Anglo-Norman Lordship had become manifest following a string of military defeats. In the chaotic situation, local Irish lords won back large amounts of land. The invasion by Edward Bruce in 1315–18 at a time of famine weakened the Norman economy. The Black Death arrived in Ireland in 1348. Because most of the English and Norman inhabitants of Ireland lived in towns and villages, the plague hit them far harder than it did the native Irish, who lived in more dispersed rural settlements. After it had passed, Gaelic Irish language and customs came to dominate the country again. The English-controlled area shrank back to the Pale, a fortified area around Dublin. Outside the Pale, the Hiberno-Norman lords intermarried with Gaelic noble families, adopted the Irish language and customs and sided with the Gaelic Irish in political and military conflicts against the Lordship. They became known as the Old English, and in the words of a contemporary English commentator, were "more Irish than the Irish themselves." The authorities in the Pale worried about the Gaelicisation of Norman Ireland, and passed the Statutes of Kilkenny in 1366 banning those of English descent from speaking the Irish language, wearing Irish clothes or inter-marrying with the Irish. The government in Dublin had little real authority. By the end of the 15th century, central English authority in Ireland had all but disappeared. England's attentions were diverted by the Hundred Years' War (1337–1453) and then by the Wars of the Roses (1450–85). Around the country, local Gaelic and Gaelicised lords expanded their powers at the expense of the English government in Dublin. Gaelic kingdoms during the period Following the failed attempt by the Scottish King Edward Bruce (see Irish Bruce Wars 1315–1318) to drive the Normans out of Ireland, there emerged a number of important Gaelic kingdoms and Gaelic-controlled lordships. Connacht. The Ó Conchobhair dynasty, despite their setback during the Bruce wars, had regrouped and ensured that the title King of Connacht was not yet an empty one. Their stronghold was in their homeland of Sil Muirdeag, from where they dominated much of northern and northeastern Connacht. However, after the death of Ruaidri mac Tairdelbach Ua Conchobair in 1384, the dynasty split into two factions, Ó Conchobhair Don and Ó Conchobhair Ruadh. By the late 15th century, internecine warfare between the two branches had weakened them to the point where they themselves became vassals of more powerful lords such as Ó Domhnaill of Tír Chonaill and the Clan Burke of Clanricarde. The Mac Diarmata Kings of Moylurg retained their status and kingdom during this era, up to the death of Tadhg Mac Diarmata in 1585 (last de facto King of Moylurg). Their cousins, the Mac Donnacha of Tír Ailella, found their fortunes bound to the Ó Conchobhair Ruadh. The kingdom of Uí Maine had lost much of its southern and western lands to the Clanricardes, but managed to flourish until repeated raids by Ó Domhnaill in the early 16th century weakened it. Other territories such as Ó Flaithbeheraigh of Iar Connacht, Ó Seachnasaigh of Aidhne, O'Dowd of Tireagh, O'Hara, Ó Gadhra and Ó Maddan, either survived in isolation or were vassals for greater men. Ulster: The Ulaid proper were in a sorry state all during this era, being squeezed between the emergent Ó Neill of Tír Eógain in the west, the MacDonnells, Clann Aodha Buidhe, and the Anglo-Normans from the east. Only Mag Aonghusa managed to retain a portion of their former kingdom with expansion into Iveagh. The two great success stories of this era were Ó Domhnaill of Tír Chonaill and Ó Neill of Tír Eógain. Ó Domhnaill was able to dominate much of northern Connacht to the detriment of its native lords, both Old English and Gaelic, though it took time to suborn the likes of Ó Conchobhair Sligigh and Ó Raghallaigh of Iar Breifne. Expansion southwards brought the hegemony of Tír Eógain, and by extension Ó Neill influence, well into the border lordships of Louth and Meath. Mag Uidir of Fear Manach would slightly later be able to build his lordship up to that of third most powerful in the province, at the expense of the Ó Raghallaigh of Iar Breifne and the MacMahons of Airgíalla. Leinster: Likewise, despite the adverse (and unforeseen) effects of Diarmait Mac Murchada's efforts to regain his kingdom, the fact of the matter was that, of his twenty successors up to 1632, most of them had regained much of the ground they had lost to the Normans, and exacted yearly tribute from the towns. His most dynamic successor was the celebrated Art mac Art MacMurrough-Kavanagh. The Ó Broin and Ó Tuathail largely contented themselves with raids on Dublin (which, incredibly, continued into the 18th century). The Ó Mordha of Laois and Ó Conchobhair Falaighe of Offaly – the latter's capital was Daingean – were two self-contained territories that had earned the right to be called kingdoms due to their near-invincibility against successive generations of Anglo-Irish. The great losers were the Ó Melaghlins of Meath: their kingdom collapsed despite attempts by Cormac mac Art O Melaghlain to restore it. The royal family was reduced to vassal status, confined to the east shores of the River Shannon. The kingdom was substantially incorporated into the Lordship of Meath which was granted to Hugh de Lacy in 1172. Munster: Desmond: See Kingdom of Desmond, Barony of Carbery, Battle of Callann Thomond: Despite huge setbacks, the descendants of Brian Bóruma had, by surviving the Second Battle of Athenry and winning the decisive battles of Corcomroe and Dysert O'Dea, been able to suborn their vassals and eradicate the Normans from their home kingdom of Thomond. Their spheres of interest often met with conflict with Anglo-Normans such as the Earls of Desmond and Earls of Ormond, yet they ruled right up to the end of Gaelic Ireland, and beyond, by expedient of becoming the O'Brien Earls of Thomond. Tudor conquest and aftermath From 1536, Henry VIII of England decided to conquer Ireland and bring it under English control. The FitzGerald dynasty of Kildare, who had become the effective rulers of the Lordship of Ireland (The Pale) in the 15th century, had become unreliable allies and Henry resolved to bring Ireland under English government control so the island would not become a base for future rebellions or foreign invasions of England. To involve the Gaelic nobility and allow them to retain their lands under English law the policy of surrender and regrant was applied. In 1541, Henry upgraded Ireland from a lordship to a full kingdom, partly in response to changing relationships with the papacy, which still had suzerainty over Ireland, following Henry's break with the church. Henry was proclaimed King of Ireland at a meeting of the Irish Parliament that year. This was the first meeting of the Irish Parliament to be attended by the Gaelic Irish princes as well as the Hiberno-Norman aristocracy. With the technical institutions of government in place, the next step was to extend the control of the Kingdom of Ireland over all of its claimed territory. This took nearly a century, with various English administrations in the process either negotiating or fighting with the independent Irish and Old English lords. The conquest was completed during the reigns of Elizabeth and James I, after several bloody conflicts. The flight into exile in 1607 of Hugh O'Neill, 2nd Earl of Tyrone and Hugh Roe O'Donnell, 1st Earl of Tyrconnell following their defeat at the Battle of Kinsale in 1601 and the suppression of their rebellion in Ulster in 1603 is seen as the watershed of Gaelic Ireland. It marked the destruction of Ireland's ancient Gaelic nobility following the Tudor conquest and cleared the way for the Plantation of Ulster. After this point, the English authorities in Dublin established greater control over Ireland, establishing - or, at least, attempting to establish - a centralised government for the entire island, and successfully disarmed the Gaelic lordships. O'Donnell - often known as Red Hugh O'Donnell - died in the archive castle of Simancas, Valladolid, in September 1602, when petitioning Philip III of Spain (1598–1621) for further assistance. His son, Rory, succeeded him as the Earl of Tyrconnell and was active in armies fighting for Madrid in the Low Countries and Spain. He died at the Battle of Barcelona in 1642, a naval engagement against the French fleet. England and Scotland merged politically in 1707 after the crowns of both counties were united in 1603, but the crown of Ireland did not merge with the Union until 1800. Part of the attraction of the Union for many Irish Catholics was the promise of Catholic Emancipation, allowing Roman Catholic MPs, who had not been allowed in the Irish Parliament. This was however blocked by King George III who argued that emancipating Roman Catholics would breach his Coronation Oath, and was not realised until 1829. The Gaelic roots that defined early Irish history still persisted, despite this Anglicisation of Irish culture and politics, as Christianity became the prominent expression of Irish identity in Ireland. In the time leading up to the Great Famine of the 1840s, many priests believed that parishioner spirituality was paramount, resulting in a localised morphing of Gaelic and Catholic traditions. See also Dál Riata Scotland in the High Middle Ages References Further reading Gaelic History of Ireland by period Irish culture Irish society 1st millennium in Ireland 2nd millennium in Ireland	false	[ "What It Look Like may refer to:\n\n\"What It Look Like\", a song by Curren$y from the 2012 album The Stoned Immaculate\n\"What It Look Like\", a song by French Montana from the 2019 album Montana\n\"What It Look Like\", a song by Lil Debbie from the 2014 EP California Sweetheart", "The Tattingstone Wonder is a folly at Tattingstone in Suffolk, England.\n\nLocated some south of Ipswich the Tattingstone Wonder was originally two cottages. In 1790 Edward White, the local squire, did not like his view of the cottages from Tattingstone Place. He decided to add a third cottage and finished them to look like a church by adding a fake tower and flint façade. It has become a famous Suffolk landmark.\n\nReferences\nNotes\n\nSources\n\nFolly buildings in England\nBuildings and structures in Suffolk\nGrade II* listed buildings in Suffolk\nBabergh" ]
[ "Gaelic Ireland", "Settlements and architecture", "What type of settlements were there?", "There were very few nucleated settlements in Gaelic areas.", "What did the buildings look like?", "It was at this time, perhaps as a response to Viking raids, that many of the Irish round towers were built." ]	C_fe515e59d85c4f8d850279012b1372da_1	What material were the buildings made of?	3	What material were the buildings made of in Gaelic Ireland?	Gaelic Ireland	For most of the Gaelic period, dwellings and farm buildings were circular with conical thatched roofs (see roundhouse). Square and rectangle-shaped buildings gradually became more common, and by the 14th or 15th century they had replaced round buildings completely. In some areas, buildings were made mostly of stone. In others, they were built of timber, wattle and daub, or a mix of materials. Most ancient and early medieval stone buildings were of dry stone construction. Some buildings would have had glass windows. Among the wealthy, it was common for women to have their own 'apartment' called a grianan (anglicized "greenan") in the sunniest part of the homestead. The dwellings of freemen and their families were often surrounded by a circular rampart called a "ringfort". There are two main kinds of ringfort. The rath is an earthen ringfort, averaging 30m diameter, with a dry outside ditch. The cathair or caiseal is a stone ringfort. The ringfort would typically have enclosed the family home, small farm buildings or workshops, and animal pens. Most date to the period 500-1000 CE and there is evidence of large-scale ringfort desertion at the end of the first millennium. The remains of between 30,000 and 40,000 lasted into the 19th century to be mapped by Ordnance Survey Ireland. Another kind of native dwelling was the crannog, which were roundhouses built on artificial islands in lakes. There were very few nucleated settlements in Gaelic areas. However, after the 5th century some monasteries became the heart of small "monastic towns". By the 10th century the Norse-Gaelic ports of Dublin, Wexford, Cork and Limerick had grown into substantial settlements. It was at this time, perhaps as a response to Viking raids, that many of the Irish round towers were built. In the fifty years before the Norman invasion, the term "castle" (Old Irish: caistel/caislen) appears in Gaelic writings, although there are no surviving examples of pre-Norman castles. After the invasion, the Normans built motte-and-bailey castles in the areas they occupied, some of which were converted from ringforts. By 1300 "some mottes, especially in frontier areas, had almost certainly been built by the Gaelic Irish in imitation". The Normans gradually replaced wooden motte-and-baileys with stone castles and tower houses. Tower houses are free-standing multi-storey stone towers usually surrounded by a wall (see bawn) and ancillary buildings. Gaelic families had begun to build their own tower houses by the 15th century. As many as 7000 may have been built, but they were rare in areas with little Norman settlement or contact. They are concentrated in counties Limerick and Clare but are lacking in Ulster, except the area around Strangford Lough. In Gaelic law, a 'sanctuary' called a maighin digona surrounded each person's dwelling. The maighin digona's size varied according to the owner's rank. In the case of a boaire it stretched as far as he, while sitting at his house, could cast a cnairsech (variously described as a spear or sledgehammer). The owner of a maighin digona could offer its protection to someone fleeing from pursuers, who would then have to bring that person to justice by lawful means. CANNOTANSWER	concentrated in counties Limerick and Clare but are lacking in Ulster, except the area around Strangford Lough.	Gaelic Ireland () was the Gaelic political and social order, and associated culture, that existed in Ireland from the prehistoric era until the early 17th century. Before the Norman invasion of 1169, Gaelic Ireland comprised the whole island. Thereafter, it comprised that part of the country not under foreign dominion at a given time, i.e. "The Pale". For most of its history, Gaelic Ireland was a "patchwork" hierarchy of territories ruled by a hierarchy of kings or chiefs, who were elected through tanistry. Warfare between these territories was common. Occasionally, a powerful ruler was acknowledged as High King of Ireland. Society was made up of clans and, like the rest of Europe, was structured hierarchically according to class. Throughout this period, the economy was mainly pastoral and money was generally not used. A Gaelic Irish style of dress, music, dance, sport, architecture, and art can be identified, with Irish art later merging with Anglo-Saxon styles to create Insular art. Gaelic Ireland was initially pagan and had an oral culture. Inscription in the ogham alphabet began in the protohistoric period, perhaps as early as the 1st century. The conversion to Christianity accompanied the introduction of literature, and much of Ireland's rich pre-Christian mythology and sophisticated law code were preserved, albeit Christianized. In the Early Middle Ages, Ireland was an important centre of learning. Irish missionaries and scholars were influential in western Europe, and helped to spread Christianity to much of Britain and parts of mainland Europe. In the 9th century, Vikings began raiding and founding settlements along Ireland's coasts and waterways, which became its first large towns. Over time, these settlers were assimilated and became the Norse-Gaels. After the Norman invasion of 1169–71, large swathes of Ireland came under the control of Norman lords, leading to centuries of conflict with the native Irish. The King of England claimed sovereignty over this territory – the Lordship of Ireland – and the island as a whole. However, the Gaelic system continued in areas outside Anglo-Norman control. The territory under English control gradually shrank to an area known as the Pale and, outside this, many Hiberno-Norman lords adopted Gaelic culture. In 1542, Henry VIII of England declared the Lordship a Kingdom and himself King of Ireland. The English then began to conquer (or re-conquer) the island. By 1607, Ireland was fully under English control, bringing the old Gaelic political and social order to an end. Culture and society Gaelic culture and society was centred around the fine (explained below). Gaelic Ireland had a rich oral culture and appreciation of deeper and intellectual pursuits. Filí and draoithe (druids) were held in high regard during Pagan times and orally passed down the history and traditions of their people. Later, many of their spiritual and intellectual tasks were passed on to Christian monks, after said religion prevailed from the 5th century onwards. However, the filí continued to hold a high position. Poetry, music, storytelling, literature and other art forms were highly prized and cultivated in both pagan and Christian Gaelic Ireland. Hospitality, bonds of kinship and the fulfilment of social and ritual responsibilities were highly important. Like Britain, Gaelic Ireland consisted not of one single unified kingdom, but several. The main kingdoms were Ulaid (Ulster), Mide (Meath), Laigin (Leinster), Muma (Munster, consisting of Iarmuman, Tuadmumain and Desmumain), Connacht, Bréifne (Breffny), In Tuaiscert (The North), and Airgíalla (Oriel). Each of these overkingdoms were built upon lordships known as túatha (singular: túath). Law tracts from the early 700s describe a hierarchy of kings: kings of túath subject to kings of several túatha who again were subject to the regional overkings. Already before the 8th century these overkingdoms had begun to replace the túatha as the basic sociopolitical unit. Religion and mythology Paganism Before Christianization, the Gaelic Irish were polytheistic or pagan. They had many gods and goddesses, which generally have parallels in the pantheons of other European nations. Two groups of supernatural beings who appear throughout Irish mythology—the Tuatha Dé Danann and Fomorians—are believed to represent the Gaelic pantheon. They were also animists, believing that all aspects of the natural world contained spirits, and that these spirits could be communicated with. Burial practices—which included burying food, weapons, and ornaments with the dead—suggest a belief in life after death. Some have equated this afterlife with the Otherworld realms known as Magh Meall and Tír na nÓg in Irish mythology. There were four main religious festivals each year, marking the traditional four divisions of the year – Samhain, Imbolc, Bealtaine and Lughnasadh. The mythology of Ireland was originally passed down orally, but much of it was eventually written down by Irish monks, who Christianized and modified it to an extent. This large body of work is often split into three overlapping cycles: the Mythological Cycle, the Ulster Cycle, and the Fenian Cycle. The first cycle is a pseudo-history that describes how Ireland, its people and its society came to be. The second cycle tells of the lives and deaths of Ulaidh heroes such as Cúchulainn. The third cycle tells of the exploits of Fionn mac Cumhaill and the Fianna. There are also a number of tales that do not fit into these cycles – this includes the immrama and echtrai, which are tales of voyages to the 'Otherworld'. Christianity The introduction of Christianity to Ireland dates to sometime before the 5th century, with Palladius (later bishop of Ireland) sent by Pope Celestine I in the mid-5th century to minister to Irish "believing in Christ". Early medieval traditions credit Saint Patrick as being the first Primate of Ireland. Christianity would eventually supplant the existing pagan traditions, with the prologue of the 9th century Martyrology of Tallaght (attributed to author Óengus of Tallaght) speaking of the last vestiges of paganism in Ireland. Social and political structure In Gaelic Ireland each person belonged to an agnatic kin-group known as a fine (plural: finte). This was a large group of related people supposedly descended from one progenitor through male forebears. It was headed by a man whose office was known in Old Irish as a cenn fine or toísech (plural: toísig). Nicholls suggests that they would be better thought of as akin to the modern-day corporation. Within each fine, the family descended from a common great grandparent was called a derbfine (modern form dearbhfhine), lit. "close clan". The cland (modern form clann) referred to the children of the nuclear family. Succession to the kingship was through tanistry. When a man became king, a relative was elected to be his deputy or 'tanist' (Irish: tánaiste, plural tanaistí). When the king died, his tanist would automatically succeed him. The tanist had to share the same derbfine and he was elected by other members of the derbfine. Tanistry meant that the kingship usually went to whichever relative was deemed to be the most fitting. Sometimes there would be more than one tanist at a time and they would succeed each other in order of seniority. Some Anglo-Norman lordships later adopted tanistry from the Irish. Gaelic Ireland was divided into a hierarchy of territories ruled by a hierarchy of kings of chiefs. The smallest territory was the túath (plural: túatha), which was typically the territory of a single kin-group. It was ruled by a rí túaithe (king of a túath) or toísech túaithe (leader of a túath). Several túatha formed a mór túath (overkingdom), which was ruled by a rí mór túath or ruirí (overking). Several mór túatha formed a cóiced (province), which was ruled by a rí cóicid or rí ruirech (provincial king). In the early Middle Ages the túatha was the main political unit, but over time they were subsumed into bigger conglomerate territories and became much less important politically. Gaelic society was structured hierarchically, with those further up the hierarchy generally having more privileges, wealth and power than those further down. The top social layer was the sóernemed, which included kings, tanists, ceann finte, fili, clerics, and their immediate families. The roles of a fili included reciting traditional lore, eulogizing the king and satirizing injustices within the kingdom. Before the Christianization of Ireland, this group also included the druids (druí) and vates (fáith). Below that were the dóernemed, which included professionals such as jurists (brithem), physicians, skilled craftsmen, skilled musicians, scholars, and so on. A master in a particular profession was known as an ollam (modern spelling: ollamh). The various professions—including law, poetry, medicine, history and genealogy—were associated with particular families and the positions became hereditary. Since the poets, jurists and doctors depended on the patronage of the ruling families, the end of the Gaelic order brought their demise. Below that were freemen who owned land and cattle (for example the bóaire). Below that were freemen who did not own land or cattle, or who owned very little. Below that were the unfree, which included serfs and slaves. Slaves were typically criminals (debt slaves) or prisoners of war. Slavery and serfdom was inherited, though slavery in Ireland had died out by 1200. The warrior bands known as fianna generally lived apart from society. A fian was typically composed of young men who had not yet come into their inheritance of land. A member of a fian was called a fénnid and the leader of a fian was a rígfénnid. Geoffrey Keating, in his 17th-century History of Ireland, says that during the winter the fianna were quartered and fed by the nobility, during which time they would keep order on their behalf. But during the summer, from Bealtaine to Samhain, they were beholden to live by hunting for food and for hides to sell. Although distinct, these ranks were not utterly exclusive castes like those of India. It was possible to rise or sink from one rank to another. Rising upward could be achieved a number of ways, such as by gaining wealth, by gaining skill in some department, by qualifying for a learned profession, by showing conspicuous valour, or by performing some service to the community. An example of the latter is a person choosing to become a briugu (hospitaller). A briugu had to have his house open to any guests, which included feeding no matter how big the group. For the briugu to fulfill these duties, he was allowed more land and privileges, but this could be lost if he ever refused guests. A freeman could further himself by becoming the client of one or more lords. The lord made his client a grant of property (i.e. livestock or land) and, in return, the client owed his lord yearly payments of food and fixed amounts of work. The clientship agreement could last until the lord's death. If the client died, his heirs would carry on the agreement. This system of clientship enabled social mobility as a client could increase his wealth until he could afford clients of his own, thus becoming a lord. Clientship was also practised between nobles, which established hierarchies of homage and political support. Law Gaelic law was originally passed down orally, but was written down in Old Irish during the period 600–900 AD. This collection of oral and written laws is known as the Fénechas or, in English, as the Brehon Law(s). The brehons (Old Irish: brithem, plural brithemain) were the jurists in Gaelic Ireland. Becoming a brehon took many years of training and the office was, or became, largely hereditary. Most legal cases were contested privately between opposing parties, with the brehons acting as arbitrators. Offences against people and property were primarily settled by the offender paying compensation to the victims. Although any such offence required compensation, the law made a distinction between intentional and unintentional harm, and between murder and manslaughter. If an offender did not pay outright, his property was seized until he did so. Should the offender be unable to pay, his family would be responsible for doing so. Should the family be unable or unwilling to pay, responsibility would broaden to the wider kin-group. Hence, it has been argued that "the people were their own police". Acts of violence were generally settled by payment of compensation known as an éraic fine; the Gaelic equivalent of the Welsh galanas and the Germanic weregild. If a free person was murdered, the éraic was equal to 21 cows, regardless of the victim's rank in society. Each member of the murder victim's agnatic kin-group received a payment based on their closeness to the victim, their status, and so forth. There were separate payments for the kin-group of the victim's mother, and for the victim's foster-kin. Execution seems to have been rare and carried out only as a last resort. If a murderer was unable or unwilling to pay éraic and was handed to his victim's family, they might kill him if they wished should nobody intervene by paying the éraic. Habitual or particularly serious offenders might be expelled from the kin-group and its territory. Such people became outlaws (with no protection from the law) and anyone who sheltered him became liable for his crimes. If he still haunted the territory and continued his crimes there, he was proclaimed in a public assembly and after this anyone might lawfully kill him. Each person had an honour-price, which varied depending on their rank in society. This honour-price was to be paid to them if their honour was violated by certain offences. Those of higher rank had a higher honour-price. However, an offence against the property of a poor man (who could ill afford it), was punished more harshly than a similar offence upon a wealthy man. The clergy were more harshly punished than the laity. When a layman had paid his fine he would go through a probationary period and then regain his standing, but a clergyman could never regain his standing. Some laws were pre-Christian in origin. These secular laws existed in parallel, and sometimes in conflict, with Church law. Although brehons usually dealt with legal cases, kings would have been able to deliver judgments also, but it is unclear how much they would have had to rely on brehons. Kings had their own brehons to deal with cases involving the king's own rights and to give him legal advice. Unlike other kingdoms in Europe, Gaelic kings—by their own authority—could not enact new laws as they wished and could not be "above the law". They could, however, enact temporary emergency laws. It was mainly through these emergency powers that the Church attempted to change Gaelic law. The law texts take great care to define social status, the rights and duties that went with that status, and the relationships between people. For example, ceann finte had to take responsibility for members of their fine, acting as a surety for some of their deeds and making sure debts were paid. He would also be responsible for unmarried women after the death of their fathers. Marriage, women and children Ancient Irish culture was patriarchal. The Brehon law excepted women from the ordinary course of the law so that, in general, every woman had to have a male guardian. However, women had some legal capacity. By the 8th century, the preferred form of marriage was one between social equals, under which a woman was technically legally dependent on her husband and had half his honor price, but could exercise considerable authority in regard to the transfer of property. Such women were called "women of joint dominion". Thus historian Patrick Weston Joyce could write that, relative to other European countries of the time, free women in Gaelic Ireland "held a good position" and their social and property rights were "in most respects, quite on a level with men". Gaelic Irish society was also patrilineal, with land being primarily owned by men and inherited by the sons. Only when a man had no sons would his land pass to his daughters, and then only for their lifetimes. Upon their deaths, the land was redistributed among their father's male relations. Under Brehon law, rather than inheriting land, daughters had assigned to them a certain number of their father's cattle as their marriage-portion. It seems that, throughout the Middle Ages, the Gaelic Irish kept many of their marriage laws and traditions separate from those of the Church. Under Gaelic law, married women could hold property independent of their husbands, a link was maintained between married women and their own families, couples could easily divorce or separate, and men could have concubines (which could be lawfully bought). These laws differed from most of contemporary Europe and from Church law. The lawful age of marriage was fifteen for girls and eighteen for boys, the respective ages at which fosterage ended. Upon marriage, the families of the bride and bridegroom were expected to contribute to the match. It was custom for the bridegroom and his family to pay a coibche (modern spelling: coibhche) and the bride was allowed a share of it. If the marriage ended owing to a fault of the husband then the coibche was kept by the wife and her family, but if the fault lay with the wife then the coibche was to be returned. It was custom for the bride to receive a spréid (modern spelling: spréidh) from her family (or foster family) upon marriage. This was to be returned if the marriage ended through divorce or the death of the husband. Later, the spréid seems to have been converted into a dowry. Women could seek divorce/separation as easily as men could and, when obtained on her behalf, she kept all the property she had brought her husband during their marriage. Trial marriages seem to have been popular among the rich and powerful, and thus it has been argued that cohabitation before marriage must have been acceptable. It also seems that the wife of a chieftain was entitled to some share of the chief's authority over his territory. This led to some Gaelic Irish wives wielding a great deal of political power. Before the Norman invasion, it was common for priests and monks to have wives. This remained mostly unchanged after the Norman invasion, despite protests from bishops and archbishops. The authorities classed such women as priests' concubines and there is evidence that a formal contract of concubinage existed between priests and their women. However, unlike other concubines, they seem to have been treated just as wives were. In Gaelic Ireland a kind of fosterage was common, whereby (for a certain length of time) children would be left in the care of others to strengthen family ties or political bonds. Foster parents were beholden to teach their foster children or to have them taught. Foster parents who had properly done their duties were entitled to be supported by their foster children in old age (if they were in need and had no children of their own). As with divorce, Gaelic law again differed from most of Europe and from Church law in giving legal standing to both "legitimate" and "illegitimate" children. Settlements and architecture For most of the Gaelic period, dwellings and farm buildings were circular with conical thatched roofs (see roundhouse). Square and rectangle-shaped buildings gradually became more common, and by the 14th or 15th century they had replaced round buildings completely. In some areas, buildings were made mostly of stone. In others, they were built of timber, wattle and daub, or a mix of materials. Most ancient and early medieval stone buildings were of dry stone construction. Some buildings would have had glass windows. Among the wealthy, it was common for women to have their own 'apartment' called a grianan (anglicized "greenan") in the sunniest part of the homestead. The dwellings of freemen and their families were often surrounded by a circular rampart called a "ringfort". There are two main kinds of ringfort. The ráth is an earthen ringfort, averaging 30m diameter, with a dry outside ditch. The cathair or caiseal is a stone ringfort. The ringfort would typically have enclosed the family home, small farm buildings or workshops, and animal pens. Most date to the period 500–1000 CE and there is evidence of large-scale ringfort desertion at the end of the first millennium. The remains of between 30,000 and 40,000 lasted into the 19th century to be mapped by Ordnance Survey Ireland. Another kind of native dwelling was the crannóg, which were roundhouses built on artificial islands in lakes. There were very few nucleated settlements, but after the 5th century some monasteries became the heart of small "monastic towns". By the 10th century the Norse-Gaelic ports of Dublin, Wexford, Cork and Limerick had grown into substantial settlements, all ruled by Gaelic kings by 1052. In this era many of the Irish round towers were built. In the fifty years before the Norman invasion, the term "castle" () appears in Gaelic writings, although there are few intact surviving examples of pre-Norman castles. After the invasion, the Normans built motte-and-bailey castles in the areas they occupied, some of which were converted from ringforts. By 1300 "some mottes, especially in frontier areas, had almost certainly been built by the Gaelic Irish in imitation". The Normans gradually replaced wooden motte-and-baileys with stone castles and tower houses. Tower houses are free-standing multi-storey stone towers usually surrounded by a wall (see bawn) and ancillary buildings. Gaelic families had begun to build their own tower houses by the 15th century. As many as 7000 may have been built, but they were rare in areas with little Norman settlement or contact. They are concentrated in counties Limerick and Clare but are lacking in Ulster, except the area around Strangford Lough. In Gaelic law, a 'sanctuary' called a maighin digona surrounded each person's dwelling. The maighin digona's size varied according to the owner's rank. In the case of a bóaire it stretched as far as he, while sitting at his house, could cast a cnairsech (variously described as a spear or sledgehammer). The owner of a maighin digona could offer its protection to someone fleeing from pursuers, who would then have to bring that person to justice by lawful means. Economy Gaelic Ireland was involved in trade with Britain and mainland Europe from ancient times, and this trade increased over the centuries. Tacitus, for example, wrote in the 1st century that most of Ireland's harbours were known to the Romans through commerce. There are many passages in early Irish literature that mention luxury goods imported from foreign lands, and the fair of Carman in Leinster included a market of foreign traders. In the Middle Ages the main exports were textiles such as wool and linen while the main imports were luxury items. Money was seldom used in Gaelic society; instead, goods and services were usually exchanged for other goods and services (barter). The economy was mainly a pastoral one, based on livestock (cows, sheep, pigs, goats, etc.) and their products. Cattle was "the main element in the Irish pastoral economy" and the main form of wealth, providing milk, butter, cheese, meat, fat, hides, and so forth. They were a "highly mobile form of wealth and economic resource which could be quickly and easily moved to a safer locality in time of war or trouble". The nobility owned great herds of cattle that had herdsmen and guards. Sheep, goats and pigs were also a valuable resource but had a lesser role in Irish pastoralism. Horticulture was practised; the main crops being oats, wheat and barley, although flax was also grown for making linen. Transhumance was also practised, whereby people moved with their livestock to higher pastures in summer and back to lower pastures in the cooler months. The summer pasture was called the buaile (anglicized as booley) and it is noteworthy that the Irish word for boy (buachaill) originally meant a herdsman. Many moorland areas were "shared as a common summer pasturage by the people of a whole parish or barony". Transport Gaelic Ireland was well furnished with roads and bridges. Bridges were typically wooden and in some places the roads were laid with wood and stone. There were five main roads leading from Tara: Slíghe Asail, Slíghe Chualann, Slíghe Dála, Slíghe Mór and Slíghe Midluachra. Horses were one of the main means of long-distance transport. Although horseshoes and reins were used, the Gaelic Irish did not use saddles, stirrups or spurs. Every man was trained to spring from the ground on to the back of his horse (an ech-léim or "steed-leap") and they urged-on and guided their horses with a rod having a hooked goad at the end. Two-wheeled and four-wheeled chariots (singular carbad) were used in Ireland from ancient times, both in private life and in war. They were big enough for two people, made of wickerwork and wood, and often had decorated hoods. The wheels were spoked, shod all round with iron, and were from three to four and a half feet high. Chariots were generally drawn by horses or oxen, with horse-drawn chariots being more common among chiefs and military men. War chariots furnished with scythes and spikes, like those of the ancient Gauls and Britons, are mentioned in literature. Boats used in Gaelic Ireland include canoes, currachs, sailboats and Irish galleys. Ferryboats were used to cross wide rivers and are often mentioned in the Brehon Laws as subject to strict regulations. Sometimes they were owned by individuals and sometimes they were the common property of those living round the ferry. Large boats were used for trade with mainland Europe. Dress Throughout the Middle Ages, the common clothing amongst the Gaelic Irish consisted of a brat (a woollen semi circular cloak) worn over a léine (a loose-fitting, long-sleeved tunic made of linen). For men the léine reached to their ankles but was hitched up by means of a crios (pronounced 'kriss') which was a type of woven belt. The léine was hitched up to knee level. Women wore the léine at full length. Men sometimes wore tight-fitting trews (Gaelic triúbhas) but otherwise went bare-legged. The brat was simply thrown over both shoulders or sometimes over only one. Occasionally the brat was fastened with a dealg (brooch), with men usually wearing the dealg at their shoulders and women at their chests. The ionar (a short, tight-fitting jacket) became popular later on. In Topographia Hibernica, written during the 1180s, Gerald de Barri wrote that the Irish commonly wore hoods at that time (perhaps forming part of the brat), while Edmund Spenser wrote in the 1580s that the brat was (in general) their main item of clothing. Gaelic clothing does not appear to have been influenced by outside styles. Women invariably grew their hair long and, as in other European cultures, this custom was also common among the men. It is said that the Gaelic Irish took great pride in their long hair—for example, a person could be forced to pay the heavy fine of two cows for shaving a man's head against his will. For women, very long hair was seen as a mark of beauty. Sometimes, wealthy men and women would braid their hair and fasten hollow golden balls to the braids. Another style that was popular among some medieval Gaelic men was the glib (short all over except for a long, thick lock of hair towards the front of the head). A band or ribbon around the forehead was the typical way of holding one's hair in place. For the wealthy, this band was often a thin and flexible band of burnished gold, silver or findruine. When the Anglo-Normans and the English colonized Ireland, hair length came to signify one's allegiance. Irishmen who cut their hair short were deemed to be forsaking their Irish heritage. Likewise, English colonists who grew their hair long at the back were deemed to be giving in to the Irish life. Gaelic men typically wore a beard and mustache, and it was often seen as dishonourable for a Gaelic man to have no facial hair. Beard styles varied – the long forked beard and the rectangular Mesopotamian-style beard were fashionable at times. Warfare Warfare was common in Gaelic Ireland, as territories fought for supremacy against each other and (later) against the Anglo-Normans. Champion warfare is a common theme in Irish mythology. In the Middle Ages all able-bodied men, apart from the learned and the clergy, were eligible for military service on behalf of the king or chief. Throughout the Middle Ages and for some time after, outsiders often wrote that the style of Irish warfare differed greatly from what they deemed to be the norm in Western Europe. The Gaelic Irish preferred hit-and-run raids (the crech), which involved catching the enemy unaware. If this worked they would then seize any valuables (mainly livestock) and potentially valuable hostages, burn the crops, and escape. The cattle raid was often called a Táin Bó in Gaelic literature. Although hit-and-run raiding was the preferred tactic in medieval times, there were also pitched battles. From at least the 11th century, kings maintained small permanent fighting forces known as "troops of the household", who were often given houses and land on the king's mensal land. These were well-equipped professional soldiers made up of infantry and cavalry. By the reign of Brian Boru, Irish kings were taking large armies on campaign over long distances and using naval forces in tandem with land forces. A typical medieval Irish army included light infantry, heavy infantry and cavalry. The bulk of the army was made up of light infantry called ceithern (anglicized 'kern'). The ceithern wandered Ireland offering their services for hire and usually wielded swords, skenes (a kind of long knife), short spears, bows and shields. The cavalry was usually made up of a king or chieftain and his close relatives. They usually rode without saddles but wore armour and iron helmets and wielded swords, skenes and long spears or lances. One kind of Irish cavalry was the hobelar. After the Norman invasion there emerged a kind of heavy infantry called gallóglaigh (anglicized 'gallo[w]glass'). They were originally Scottish mercenaries who appeared in the 13th century, but by the 15th century most large túatha had their own hereditary force of Irish gallóglaigh. Some Anglo-Norman lordships also began using gallóglaigh in imitation of the Irish. They usually wore mail and iron helmets and wielded sparth axes, claymores, and sometimes spears or lances. The gallóglaigh furnished the retreating plunderers with a "moving line of defence from which the horsemen could make short, sharp charges, and behind which they could retreat when pursued". As their armour made them less nimble, they were sometimes planted at strategic spots along the line of retreat. The kern, horsemen and gallóglaigh had lightly-armed servants to carry their weapons into battle. Warriors were sometimes rallied into battle by blowing horns and warpipes. According to Gerald de Barri (in the 12th century), they did not wear armour, as they deemed it burdensome to wear and "brave and honourable" to fight without it. Instead, most ordinary soldiers fought semi-naked and carried only their weapons and a small round shield—Spenser wrote that these shields were covered with leather and painted in bright colours. Kings and chiefs sometimes went into battle wearing helmets adorned with eagle feathers. For ordinary soldiers, their thick hair often served as a helmet, but they sometimes wore simple helmets made from animal hides. Arts Visual art Artwork from Ireland's Gaelic period is found on pottery, jewellery, weapons, drinkware, tableware, stone carvings and illuminated manuscripts. Irish art from about 300 BC incorporates patterns and styles which developed in west central Europe. By about AD 600, after the Christianization of Ireland had begun, a style melding Irish, Mediterranean and Germanic Anglo-Saxon elements emerged, and was spread to Britain and mainland Europe by the Hiberno-Scottish mission. This is known as Insular art or Hiberno-Saxon art, which continued in some form in Ireland until the 12th century, although the Viking invasions ended its "Golden Age". Most surviving works of Insular art were either made by monks or made for monasteries, with the exception of brooches, which were likely made and used by both clergy and laity. Examples of Insular art from Ireland include the Book of Kells, Muiredach's High Cross, the Tara Brooch, the Ardagh Hoard the Derrynaflan Chalice, and the late Cross of Cong, which also uses Viking styles. Literature Music and dance Although Gerald de Barri had a negative view of the Irish, in Topographia Hibernica (1188) he conceded that they were more skilled at playing music than any other nation he had seen. He claimed that the two main instruments were the "harp" and "tabor" (see also bodhrán), that their music was fast and lively, and that their songs always began and ended with B-flat. In A History of Irish Music (1905), W. H. Grattan Flood wrote that there were at least ten instruments in general use by the Gaelic Irish. These were the cruit (a small harp) and clairseach (a bigger harp with typically 30 strings), the timpan (a small string instrument played with a bow or plectrum), the feadan (a fife), the buinne (an oboe or flute), the guthbuinne (a bassoon-type horn), the bennbuabhal and corn (hornpipes), the cuislenna (bagpipes – see Great Irish Warpipes), the stoc and sturgan (clarions or trumpets), and the cnamha (castanets). He also mentions the fiddle as being used in the 8th century. Sport Assemblies As mentioned before, Gaelic Ireland was split into many clann territories and kingdoms called túath (plural: túatha). Although there was no central 'government' or 'parliament', a number of local, regional and national gatherings were held. These combined features of assemblies and fairs. In Ireland the highest of these was the feis at Teamhair na Rí (Tara), which was held every third Samhain. This was a gathering of the leading men of the whole island – kings, lords, chieftains, druids, judges etc. Below this was the óenach (modern spelling: aonach). These were regional or provincial gatherings open to everyone. Examples include that held at Tailtin each Lughnasadh, and that held at Uisneach each Bealtaine. The main purpose of these gatherings was to promulgate and reaffirm the laws – they were read aloud in public that they might not be forgotten, and any changes in them carefully explained to those present. Each túath or clann had two assemblies of its own. These were the cuirmtig, which was open to all clann members, and the dal (a term later adopted for the Irish parliament – see Dáil Éireann), which was open only to clann chiefs. Each clann had a further assembly called a tocomra, in which the clann chief (toísech, modern taoiseach) and his deputy/successor (tánaiste) were elected. Notable Irish kings List of kings History Before 400 400 to 800 800 to 1169 Anglo-Norman occupation Invasion Ireland became Christianized between the 5th and 7th centuries. Pope Adrian IV, the only English pope, had already issued a Papal Bull in 1155 giving Henry II of England authority to invade Ireland as a means of curbing Irish refusal to recognize Roman law. Importantly, for later English monarchs, the Bull, Laudabiliter, maintained papal suzerainty over the island: In 1166, after losing the protection of High King Muirchertach Mac Lochlainn, King Diarmait Mac Murchada of Leinster was forcibly exiled by a confederation of Irish forces under King Ruaidri mac Tairrdelbach Ua Conchobair. Fleeing first to Bristol and then to Normandy, Diarmait obtained permission from Henry II of England to use his subjects to regain his kingdom. By the following year, he had obtained these services and in 1169 the main body of Norman, Welsh and Flemish forces landed in Ireland and quickly retook Leinster and the cities of Waterford and Dublin on behalf of Diarmait. The leader of the Norman force, Richard de Clare, 2nd Earl of Pembroke, more commonly known as Strongbow, married Diarmait's daughter, Aoife, and was named tánaiste to the Kingdom of Leinster. This caused consternation to Henry II, who feared the establishment of a rival Norman state in Ireland. Accordingly, he resolved to visit Leinster to establish his authority. Henry landed in 1171, proclaiming Waterford and Dublin as Royal Cities. Adrian's successor, Pope Alexander III, ratified the grant of Ireland to Henry in 1172. The 1175 Treaty of Windsor between Henry and Ruaidhrí maintained Ruaidhrí as High King of Ireland but codified Henry's control of Leinster, Meath and Waterford. However, with Diarmuid and Strongbow dead, Henry back in England, and Ruaidhrí unable to curb his vassals, the high kingship rapidly lost control of the country. Henry, in 1185, awarded his younger son, John, the title Dominus Hiberniae, "Lord of Ireland". This kept the newly created title and the Kingdom of England personally and legally separate. However, when John unexpectedly succeeded his brother as King of England in 1199, the Lordship of Ireland fell back into personal union with the Kingdom of England. Gaelic resurgence By 1261, the weakening of the Anglo-Norman Lordship had become manifest following a string of military defeats. In the chaotic situation, local Irish lords won back large amounts of land. The invasion by Edward Bruce in 1315–18 at a time of famine weakened the Norman economy. The Black Death arrived in Ireland in 1348. Because most of the English and Norman inhabitants of Ireland lived in towns and villages, the plague hit them far harder than it did the native Irish, who lived in more dispersed rural settlements. After it had passed, Gaelic Irish language and customs came to dominate the country again. The English-controlled area shrank back to the Pale, a fortified area around Dublin. Outside the Pale, the Hiberno-Norman lords intermarried with Gaelic noble families, adopted the Irish language and customs and sided with the Gaelic Irish in political and military conflicts against the Lordship. They became known as the Old English, and in the words of a contemporary English commentator, were "more Irish than the Irish themselves." The authorities in the Pale worried about the Gaelicisation of Norman Ireland, and passed the Statutes of Kilkenny in 1366 banning those of English descent from speaking the Irish language, wearing Irish clothes or inter-marrying with the Irish. The government in Dublin had little real authority. By the end of the 15th century, central English authority in Ireland had all but disappeared. England's attentions were diverted by the Hundred Years' War (1337–1453) and then by the Wars of the Roses (1450–85). Around the country, local Gaelic and Gaelicised lords expanded their powers at the expense of the English government in Dublin. Gaelic kingdoms during the period Following the failed attempt by the Scottish King Edward Bruce (see Irish Bruce Wars 1315–1318) to drive the Normans out of Ireland, there emerged a number of important Gaelic kingdoms and Gaelic-controlled lordships. Connacht. The Ó Conchobhair dynasty, despite their setback during the Bruce wars, had regrouped and ensured that the title King of Connacht was not yet an empty one. Their stronghold was in their homeland of Sil Muirdeag, from where they dominated much of northern and northeastern Connacht. However, after the death of Ruaidri mac Tairdelbach Ua Conchobair in 1384, the dynasty split into two factions, Ó Conchobhair Don and Ó Conchobhair Ruadh. By the late 15th century, internecine warfare between the two branches had weakened them to the point where they themselves became vassals of more powerful lords such as Ó Domhnaill of Tír Chonaill and the Clan Burke of Clanricarde. The Mac Diarmata Kings of Moylurg retained their status and kingdom during this era, up to the death of Tadhg Mac Diarmata in 1585 (last de facto King of Moylurg). Their cousins, the Mac Donnacha of Tír Ailella, found their fortunes bound to the Ó Conchobhair Ruadh. The kingdom of Uí Maine had lost much of its southern and western lands to the Clanricardes, but managed to flourish until repeated raids by Ó Domhnaill in the early 16th century weakened it. Other territories such as Ó Flaithbeheraigh of Iar Connacht, Ó Seachnasaigh of Aidhne, O'Dowd of Tireagh, O'Hara, Ó Gadhra and Ó Maddan, either survived in isolation or were vassals for greater men. Ulster: The Ulaid proper were in a sorry state all during this era, being squeezed between the emergent Ó Neill of Tír Eógain in the west, the MacDonnells, Clann Aodha Buidhe, and the Anglo-Normans from the east. Only Mag Aonghusa managed to retain a portion of their former kingdom with expansion into Iveagh. The two great success stories of this era were Ó Domhnaill of Tír Chonaill and Ó Neill of Tír Eógain. Ó Domhnaill was able to dominate much of northern Connacht to the detriment of its native lords, both Old English and Gaelic, though it took time to suborn the likes of Ó Conchobhair Sligigh and Ó Raghallaigh of Iar Breifne. Expansion southwards brought the hegemony of Tír Eógain, and by extension Ó Neill influence, well into the border lordships of Louth and Meath. Mag Uidir of Fear Manach would slightly later be able to build his lordship up to that of third most powerful in the province, at the expense of the Ó Raghallaigh of Iar Breifne and the MacMahons of Airgíalla. Leinster: Likewise, despite the adverse (and unforeseen) effects of Diarmait Mac Murchada's efforts to regain his kingdom, the fact of the matter was that, of his twenty successors up to 1632, most of them had regained much of the ground they had lost to the Normans, and exacted yearly tribute from the towns. His most dynamic successor was the celebrated Art mac Art MacMurrough-Kavanagh. The Ó Broin and Ó Tuathail largely contented themselves with raids on Dublin (which, incredibly, continued into the 18th century). The Ó Mordha of Laois and Ó Conchobhair Falaighe of Offaly – the latter's capital was Daingean – were two self-contained territories that had earned the right to be called kingdoms due to their near-invincibility against successive generations of Anglo-Irish. The great losers were the Ó Melaghlins of Meath: their kingdom collapsed despite attempts by Cormac mac Art O Melaghlain to restore it. The royal family was reduced to vassal status, confined to the east shores of the River Shannon. The kingdom was substantially incorporated into the Lordship of Meath which was granted to Hugh de Lacy in 1172. Munster: Desmond: See Kingdom of Desmond, Barony of Carbery, Battle of Callann Thomond: Despite huge setbacks, the descendants of Brian Bóruma had, by surviving the Second Battle of Athenry and winning the decisive battles of Corcomroe and Dysert O'Dea, been able to suborn their vassals and eradicate the Normans from their home kingdom of Thomond. Their spheres of interest often met with conflict with Anglo-Normans such as the Earls of Desmond and Earls of Ormond, yet they ruled right up to the end of Gaelic Ireland, and beyond, by expedient of becoming the O'Brien Earls of Thomond. Tudor conquest and aftermath From 1536, Henry VIII of England decided to conquer Ireland and bring it under English control. The FitzGerald dynasty of Kildare, who had become the effective rulers of the Lordship of Ireland (The Pale) in the 15th century, had become unreliable allies and Henry resolved to bring Ireland under English government control so the island would not become a base for future rebellions or foreign invasions of England. To involve the Gaelic nobility and allow them to retain their lands under English law the policy of surrender and regrant was applied. In 1541, Henry upgraded Ireland from a lordship to a full kingdom, partly in response to changing relationships with the papacy, which still had suzerainty over Ireland, following Henry's break with the church. Henry was proclaimed King of Ireland at a meeting of the Irish Parliament that year. This was the first meeting of the Irish Parliament to be attended by the Gaelic Irish princes as well as the Hiberno-Norman aristocracy. With the technical institutions of government in place, the next step was to extend the control of the Kingdom of Ireland over all of its claimed territory. This took nearly a century, with various English administrations in the process either negotiating or fighting with the independent Irish and Old English lords. The conquest was completed during the reigns of Elizabeth and James I, after several bloody conflicts. The flight into exile in 1607 of Hugh O'Neill, 2nd Earl of Tyrone and Hugh Roe O'Donnell, 1st Earl of Tyrconnell following their defeat at the Battle of Kinsale in 1601 and the suppression of their rebellion in Ulster in 1603 is seen as the watershed of Gaelic Ireland. It marked the destruction of Ireland's ancient Gaelic nobility following the Tudor conquest and cleared the way for the Plantation of Ulster. After this point, the English authorities in Dublin established greater control over Ireland, establishing - or, at least, attempting to establish - a centralised government for the entire island, and successfully disarmed the Gaelic lordships. O'Donnell - often known as Red Hugh O'Donnell - died in the archive castle of Simancas, Valladolid, in September 1602, when petitioning Philip III of Spain (1598–1621) for further assistance. His son, Rory, succeeded him as the Earl of Tyrconnell and was active in armies fighting for Madrid in the Low Countries and Spain. He died at the Battle of Barcelona in 1642, a naval engagement against the French fleet. England and Scotland merged politically in 1707 after the crowns of both counties were united in 1603, but the crown of Ireland did not merge with the Union until 1800. Part of the attraction of the Union for many Irish Catholics was the promise of Catholic Emancipation, allowing Roman Catholic MPs, who had not been allowed in the Irish Parliament. This was however blocked by King George III who argued that emancipating Roman Catholics would breach his Coronation Oath, and was not realised until 1829. The Gaelic roots that defined early Irish history still persisted, despite this Anglicisation of Irish culture and politics, as Christianity became the prominent expression of Irish identity in Ireland. In the time leading up to the Great Famine of the 1840s, many priests believed that parishioner spirituality was paramount, resulting in a localised morphing of Gaelic and Catholic traditions. See also Dál Riata Scotland in the High Middle Ages References Further reading Gaelic History of Ireland by period Irish culture Irish society 1st millennium in Ireland 2nd millennium in Ireland	true	[ "Dune Forest Village was an \"island\" retreat of the Michigan newspaper publisher Swift Lathers. It was constructed between 1939 and 1957 for the purpose of having a place to go to for a simple life away from a cosmopolitan lifestyle. It was finally removed in the 1970s to make way for a state park.\n\nDescription \nDune Forest Village was an \"island\" retreat not surrounded by water, but by the sand dunes of the Lower Peninsula of Michigan in the United States. It consisted of a set of several small custom-made summer cabins and buildings at a homesteaded property in Michigan. The village consisted not only of summer resident dwellings, but also had a schoolhouse, church, general store, restaurant, and printing office. The little red schoolhouse had desks and books ready for class lessons; the church had an organ for music for the churchgoer worshipers, and the general store had 25 post office boxes. There was also a small restaurant boutique and a print shop office. The buildings were small but functional and used from time to time. One Sunday there were 32 people from Grand Rapids, Michigan that attended church services in the village chapel.\n\nBackground \nLathers had homesteaded a tract of land of some on the shores of Lake Michigan in Western Michigan near Hart. Here he developed a small village as a retreat for himself and guests. The group of buildings constructed by Lathers was called Dunes Forest Village because there were trees in the area. The boards and construction material for his village were transported by Lathers by hand, as these was no public access to the remote area. He dragged the lumber and material for construction across the dunes.\n\nLathers, considered a romanticist, envisioned his own island where he could go to for peace and quiet away from the hustle and bustle of the real world. He made his \"island\" in the sand dunes on the shores of Lake Michigan at the village of Mears near Hart. Lathers started construction of his small buildings in 1939. Lathers had a vision of a simple lifestyle and continued to work on building the village until 1957.\n\nWorks related to the village \n Gardener of the Dunes (1929)—Lathers wrote of a simple lifestyle that he ultimately developed in the dunes of the ideal village for peace of mind.\n Village in the Dunes (1942)—Lathers wrote on his family's life at the dunes village.\n\nDemise \nThe village buildings of Dune Forest deteriorated over a twenty-year period of time and were vandalized. The dunes area became the Silver Lake State Park in the 1970s and state park management removed what was left of the buildings.\n\nGallery\n\nReferences \n\nBuildings and structures in Oceana County, Michigan", "The 2015 Baku residence building fire occurred on 19 May 2015 in a 16-level residence building located in Azadlig Avenue 200/36 in Binagadi raion of Baku, Azerbaijan. The official death toll from the fire was 15, of whom five were children; at least 63 people were injured. Most of the dead were killed by toxic smoke as the building caught fire. It took firemen three hours to completely extinguish the fire.\n\nOverview\nThe disaster led to severe outrage among the population and provoked discussions around the material used in the renovation of the facade of more than 200 apartment blocks in Baku built in the Soviet period. Flammable Styrofoam facing had been installed on the exterior of old buildings as part of Baku's \"beautification\" scheme. Consequently, the city officials started the process of removing the facade of the buildings where the material causing the fire was used. In some extreme cases, residents used hammers and their hands to remove the material from their buildings.\n\nA similar fire had erupted in Baku about a month earlier, on 10 April 2015, but there were no injuries. The reason for both of the fires is indicated as low-quality flammable facade material used in the renovation.\n\nSee also\n\n 2018 Baku fire\n Grenfell Tower fire\n\nReferences\n\n2015 fires\n2015 in Azerbaijan\nFires in Azerbaijan\n2010s in Baku\nMay 2015 events in Asia\nBaku\nHigh-rise fires" ]
[ "Gaelic Ireland", "Settlements and architecture", "What type of settlements were there?", "There were very few nucleated settlements in Gaelic areas.", "What did the buildings look like?", "It was at this time, perhaps as a response to Viking raids, that many of the Irish round towers were built.", "What material were the buildings made of?", "concentrated in counties Limerick and Clare but are lacking in Ulster, except the area around Strangford Lough." ]	C_fe515e59d85c4f8d850279012b1372da_1	Did the buildings survive?	4	Did the buildings survive in Gaelic Ireland?	Gaelic Ireland	For most of the Gaelic period, dwellings and farm buildings were circular with conical thatched roofs (see roundhouse). Square and rectangle-shaped buildings gradually became more common, and by the 14th or 15th century they had replaced round buildings completely. In some areas, buildings were made mostly of stone. In others, they were built of timber, wattle and daub, or a mix of materials. Most ancient and early medieval stone buildings were of dry stone construction. Some buildings would have had glass windows. Among the wealthy, it was common for women to have their own 'apartment' called a grianan (anglicized "greenan") in the sunniest part of the homestead. The dwellings of freemen and their families were often surrounded by a circular rampart called a "ringfort". There are two main kinds of ringfort. The rath is an earthen ringfort, averaging 30m diameter, with a dry outside ditch. The cathair or caiseal is a stone ringfort. The ringfort would typically have enclosed the family home, small farm buildings or workshops, and animal pens. Most date to the period 500-1000 CE and there is evidence of large-scale ringfort desertion at the end of the first millennium. The remains of between 30,000 and 40,000 lasted into the 19th century to be mapped by Ordnance Survey Ireland. Another kind of native dwelling was the crannog, which were roundhouses built on artificial islands in lakes. There were very few nucleated settlements in Gaelic areas. However, after the 5th century some monasteries became the heart of small "monastic towns". By the 10th century the Norse-Gaelic ports of Dublin, Wexford, Cork and Limerick had grown into substantial settlements. It was at this time, perhaps as a response to Viking raids, that many of the Irish round towers were built. In the fifty years before the Norman invasion, the term "castle" (Old Irish: caistel/caislen) appears in Gaelic writings, although there are no surviving examples of pre-Norman castles. After the invasion, the Normans built motte-and-bailey castles in the areas they occupied, some of which were converted from ringforts. By 1300 "some mottes, especially in frontier areas, had almost certainly been built by the Gaelic Irish in imitation". The Normans gradually replaced wooden motte-and-baileys with stone castles and tower houses. Tower houses are free-standing multi-storey stone towers usually surrounded by a wall (see bawn) and ancillary buildings. Gaelic families had begun to build their own tower houses by the 15th century. As many as 7000 may have been built, but they were rare in areas with little Norman settlement or contact. They are concentrated in counties Limerick and Clare but are lacking in Ulster, except the area around Strangford Lough. In Gaelic law, a 'sanctuary' called a maighin digona surrounded each person's dwelling. The maighin digona's size varied according to the owner's rank. In the case of a boaire it stretched as far as he, while sitting at his house, could cast a cnairsech (variously described as a spear or sledgehammer). The owner of a maighin digona could offer its protection to someone fleeing from pursuers, who would then have to bring that person to justice by lawful means. CANNOTANSWER	surrounded by a wall (see bawn) and ancillary buildings. Gaelic families had begun to build their own tower houses by the 15th century.	Gaelic Ireland () was the Gaelic political and social order, and associated culture, that existed in Ireland from the prehistoric era until the early 17th century. Before the Norman invasion of 1169, Gaelic Ireland comprised the whole island. Thereafter, it comprised that part of the country not under foreign dominion at a given time, i.e. "The Pale". For most of its history, Gaelic Ireland was a "patchwork" hierarchy of territories ruled by a hierarchy of kings or chiefs, who were elected through tanistry. Warfare between these territories was common. Occasionally, a powerful ruler was acknowledged as High King of Ireland. Society was made up of clans and, like the rest of Europe, was structured hierarchically according to class. Throughout this period, the economy was mainly pastoral and money was generally not used. A Gaelic Irish style of dress, music, dance, sport, architecture, and art can be identified, with Irish art later merging with Anglo-Saxon styles to create Insular art. Gaelic Ireland was initially pagan and had an oral culture. Inscription in the ogham alphabet began in the protohistoric period, perhaps as early as the 1st century. The conversion to Christianity accompanied the introduction of literature, and much of Ireland's rich pre-Christian mythology and sophisticated law code were preserved, albeit Christianized. In the Early Middle Ages, Ireland was an important centre of learning. Irish missionaries and scholars were influential in western Europe, and helped to spread Christianity to much of Britain and parts of mainland Europe. In the 9th century, Vikings began raiding and founding settlements along Ireland's coasts and waterways, which became its first large towns. Over time, these settlers were assimilated and became the Norse-Gaels. After the Norman invasion of 1169–71, large swathes of Ireland came under the control of Norman lords, leading to centuries of conflict with the native Irish. The King of England claimed sovereignty over this territory – the Lordship of Ireland – and the island as a whole. However, the Gaelic system continued in areas outside Anglo-Norman control. The territory under English control gradually shrank to an area known as the Pale and, outside this, many Hiberno-Norman lords adopted Gaelic culture. In 1542, Henry VIII of England declared the Lordship a Kingdom and himself King of Ireland. The English then began to conquer (or re-conquer) the island. By 1607, Ireland was fully under English control, bringing the old Gaelic political and social order to an end. Culture and society Gaelic culture and society was centred around the fine (explained below). Gaelic Ireland had a rich oral culture and appreciation of deeper and intellectual pursuits. Filí and draoithe (druids) were held in high regard during Pagan times and orally passed down the history and traditions of their people. Later, many of their spiritual and intellectual tasks were passed on to Christian monks, after said religion prevailed from the 5th century onwards. However, the filí continued to hold a high position. Poetry, music, storytelling, literature and other art forms were highly prized and cultivated in both pagan and Christian Gaelic Ireland. Hospitality, bonds of kinship and the fulfilment of social and ritual responsibilities were highly important. Like Britain, Gaelic Ireland consisted not of one single unified kingdom, but several. The main kingdoms were Ulaid (Ulster), Mide (Meath), Laigin (Leinster), Muma (Munster, consisting of Iarmuman, Tuadmumain and Desmumain), Connacht, Bréifne (Breffny), In Tuaiscert (The North), and Airgíalla (Oriel). Each of these overkingdoms were built upon lordships known as túatha (singular: túath). Law tracts from the early 700s describe a hierarchy of kings: kings of túath subject to kings of several túatha who again were subject to the regional overkings. Already before the 8th century these overkingdoms had begun to replace the túatha as the basic sociopolitical unit. Religion and mythology Paganism Before Christianization, the Gaelic Irish were polytheistic or pagan. They had many gods and goddesses, which generally have parallels in the pantheons of other European nations. Two groups of supernatural beings who appear throughout Irish mythology—the Tuatha Dé Danann and Fomorians—are believed to represent the Gaelic pantheon. They were also animists, believing that all aspects of the natural world contained spirits, and that these spirits could be communicated with. Burial practices—which included burying food, weapons, and ornaments with the dead—suggest a belief in life after death. Some have equated this afterlife with the Otherworld realms known as Magh Meall and Tír na nÓg in Irish mythology. There were four main religious festivals each year, marking the traditional four divisions of the year – Samhain, Imbolc, Bealtaine and Lughnasadh. The mythology of Ireland was originally passed down orally, but much of it was eventually written down by Irish monks, who Christianized and modified it to an extent. This large body of work is often split into three overlapping cycles: the Mythological Cycle, the Ulster Cycle, and the Fenian Cycle. The first cycle is a pseudo-history that describes how Ireland, its people and its society came to be. The second cycle tells of the lives and deaths of Ulaidh heroes such as Cúchulainn. The third cycle tells of the exploits of Fionn mac Cumhaill and the Fianna. There are also a number of tales that do not fit into these cycles – this includes the immrama and echtrai, which are tales of voyages to the 'Otherworld'. Christianity The introduction of Christianity to Ireland dates to sometime before the 5th century, with Palladius (later bishop of Ireland) sent by Pope Celestine I in the mid-5th century to minister to Irish "believing in Christ". Early medieval traditions credit Saint Patrick as being the first Primate of Ireland. Christianity would eventually supplant the existing pagan traditions, with the prologue of the 9th century Martyrology of Tallaght (attributed to author Óengus of Tallaght) speaking of the last vestiges of paganism in Ireland. Social and political structure In Gaelic Ireland each person belonged to an agnatic kin-group known as a fine (plural: finte). This was a large group of related people supposedly descended from one progenitor through male forebears. It was headed by a man whose office was known in Old Irish as a cenn fine or toísech (plural: toísig). Nicholls suggests that they would be better thought of as akin to the modern-day corporation. Within each fine, the family descended from a common great grandparent was called a derbfine (modern form dearbhfhine), lit. "close clan". The cland (modern form clann) referred to the children of the nuclear family. Succession to the kingship was through tanistry. When a man became king, a relative was elected to be his deputy or 'tanist' (Irish: tánaiste, plural tanaistí). When the king died, his tanist would automatically succeed him. The tanist had to share the same derbfine and he was elected by other members of the derbfine. Tanistry meant that the kingship usually went to whichever relative was deemed to be the most fitting. Sometimes there would be more than one tanist at a time and they would succeed each other in order of seniority. Some Anglo-Norman lordships later adopted tanistry from the Irish. Gaelic Ireland was divided into a hierarchy of territories ruled by a hierarchy of kings of chiefs. The smallest territory was the túath (plural: túatha), which was typically the territory of a single kin-group. It was ruled by a rí túaithe (king of a túath) or toísech túaithe (leader of a túath). Several túatha formed a mór túath (overkingdom), which was ruled by a rí mór túath or ruirí (overking). Several mór túatha formed a cóiced (province), which was ruled by a rí cóicid or rí ruirech (provincial king). In the early Middle Ages the túatha was the main political unit, but over time they were subsumed into bigger conglomerate territories and became much less important politically. Gaelic society was structured hierarchically, with those further up the hierarchy generally having more privileges, wealth and power than those further down. The top social layer was the sóernemed, which included kings, tanists, ceann finte, fili, clerics, and their immediate families. The roles of a fili included reciting traditional lore, eulogizing the king and satirizing injustices within the kingdom. Before the Christianization of Ireland, this group also included the druids (druí) and vates (fáith). Below that were the dóernemed, which included professionals such as jurists (brithem), physicians, skilled craftsmen, skilled musicians, scholars, and so on. A master in a particular profession was known as an ollam (modern spelling: ollamh). The various professions—including law, poetry, medicine, history and genealogy—were associated with particular families and the positions became hereditary. Since the poets, jurists and doctors depended on the patronage of the ruling families, the end of the Gaelic order brought their demise. Below that were freemen who owned land and cattle (for example the bóaire). Below that were freemen who did not own land or cattle, or who owned very little. Below that were the unfree, which included serfs and slaves. Slaves were typically criminals (debt slaves) or prisoners of war. Slavery and serfdom was inherited, though slavery in Ireland had died out by 1200. The warrior bands known as fianna generally lived apart from society. A fian was typically composed of young men who had not yet come into their inheritance of land. A member of a fian was called a fénnid and the leader of a fian was a rígfénnid. Geoffrey Keating, in his 17th-century History of Ireland, says that during the winter the fianna were quartered and fed by the nobility, during which time they would keep order on their behalf. But during the summer, from Bealtaine to Samhain, they were beholden to live by hunting for food and for hides to sell. Although distinct, these ranks were not utterly exclusive castes like those of India. It was possible to rise or sink from one rank to another. Rising upward could be achieved a number of ways, such as by gaining wealth, by gaining skill in some department, by qualifying for a learned profession, by showing conspicuous valour, or by performing some service to the community. An example of the latter is a person choosing to become a briugu (hospitaller). A briugu had to have his house open to any guests, which included feeding no matter how big the group. For the briugu to fulfill these duties, he was allowed more land and privileges, but this could be lost if he ever refused guests. A freeman could further himself by becoming the client of one or more lords. The lord made his client a grant of property (i.e. livestock or land) and, in return, the client owed his lord yearly payments of food and fixed amounts of work. The clientship agreement could last until the lord's death. If the client died, his heirs would carry on the agreement. This system of clientship enabled social mobility as a client could increase his wealth until he could afford clients of his own, thus becoming a lord. Clientship was also practised between nobles, which established hierarchies of homage and political support. Law Gaelic law was originally passed down orally, but was written down in Old Irish during the period 600–900 AD. This collection of oral and written laws is known as the Fénechas or, in English, as the Brehon Law(s). The brehons (Old Irish: brithem, plural brithemain) were the jurists in Gaelic Ireland. Becoming a brehon took many years of training and the office was, or became, largely hereditary. Most legal cases were contested privately between opposing parties, with the brehons acting as arbitrators. Offences against people and property were primarily settled by the offender paying compensation to the victims. Although any such offence required compensation, the law made a distinction between intentional and unintentional harm, and between murder and manslaughter. If an offender did not pay outright, his property was seized until he did so. Should the offender be unable to pay, his family would be responsible for doing so. Should the family be unable or unwilling to pay, responsibility would broaden to the wider kin-group. Hence, it has been argued that "the people were their own police". Acts of violence were generally settled by payment of compensation known as an éraic fine; the Gaelic equivalent of the Welsh galanas and the Germanic weregild. If a free person was murdered, the éraic was equal to 21 cows, regardless of the victim's rank in society. Each member of the murder victim's agnatic kin-group received a payment based on their closeness to the victim, their status, and so forth. There were separate payments for the kin-group of the victim's mother, and for the victim's foster-kin. Execution seems to have been rare and carried out only as a last resort. If a murderer was unable or unwilling to pay éraic and was handed to his victim's family, they might kill him if they wished should nobody intervene by paying the éraic. Habitual or particularly serious offenders might be expelled from the kin-group and its territory. Such people became outlaws (with no protection from the law) and anyone who sheltered him became liable for his crimes. If he still haunted the territory and continued his crimes there, he was proclaimed in a public assembly and after this anyone might lawfully kill him. Each person had an honour-price, which varied depending on their rank in society. This honour-price was to be paid to them if their honour was violated by certain offences. Those of higher rank had a higher honour-price. However, an offence against the property of a poor man (who could ill afford it), was punished more harshly than a similar offence upon a wealthy man. The clergy were more harshly punished than the laity. When a layman had paid his fine he would go through a probationary period and then regain his standing, but a clergyman could never regain his standing. Some laws were pre-Christian in origin. These secular laws existed in parallel, and sometimes in conflict, with Church law. Although brehons usually dealt with legal cases, kings would have been able to deliver judgments also, but it is unclear how much they would have had to rely on brehons. Kings had their own brehons to deal with cases involving the king's own rights and to give him legal advice. Unlike other kingdoms in Europe, Gaelic kings—by their own authority—could not enact new laws as they wished and could not be "above the law". They could, however, enact temporary emergency laws. It was mainly through these emergency powers that the Church attempted to change Gaelic law. The law texts take great care to define social status, the rights and duties that went with that status, and the relationships between people. For example, ceann finte had to take responsibility for members of their fine, acting as a surety for some of their deeds and making sure debts were paid. He would also be responsible for unmarried women after the death of their fathers. Marriage, women and children Ancient Irish culture was patriarchal. The Brehon law excepted women from the ordinary course of the law so that, in general, every woman had to have a male guardian. However, women had some legal capacity. By the 8th century, the preferred form of marriage was one between social equals, under which a woman was technically legally dependent on her husband and had half his honor price, but could exercise considerable authority in regard to the transfer of property. Such women were called "women of joint dominion". Thus historian Patrick Weston Joyce could write that, relative to other European countries of the time, free women in Gaelic Ireland "held a good position" and their social and property rights were "in most respects, quite on a level with men". Gaelic Irish society was also patrilineal, with land being primarily owned by men and inherited by the sons. Only when a man had no sons would his land pass to his daughters, and then only for their lifetimes. Upon their deaths, the land was redistributed among their father's male relations. Under Brehon law, rather than inheriting land, daughters had assigned to them a certain number of their father's cattle as their marriage-portion. It seems that, throughout the Middle Ages, the Gaelic Irish kept many of their marriage laws and traditions separate from those of the Church. Under Gaelic law, married women could hold property independent of their husbands, a link was maintained between married women and their own families, couples could easily divorce or separate, and men could have concubines (which could be lawfully bought). These laws differed from most of contemporary Europe and from Church law. The lawful age of marriage was fifteen for girls and eighteen for boys, the respective ages at which fosterage ended. Upon marriage, the families of the bride and bridegroom were expected to contribute to the match. It was custom for the bridegroom and his family to pay a coibche (modern spelling: coibhche) and the bride was allowed a share of it. If the marriage ended owing to a fault of the husband then the coibche was kept by the wife and her family, but if the fault lay with the wife then the coibche was to be returned. It was custom for the bride to receive a spréid (modern spelling: spréidh) from her family (or foster family) upon marriage. This was to be returned if the marriage ended through divorce or the death of the husband. Later, the spréid seems to have been converted into a dowry. Women could seek divorce/separation as easily as men could and, when obtained on her behalf, she kept all the property she had brought her husband during their marriage. Trial marriages seem to have been popular among the rich and powerful, and thus it has been argued that cohabitation before marriage must have been acceptable. It also seems that the wife of a chieftain was entitled to some share of the chief's authority over his territory. This led to some Gaelic Irish wives wielding a great deal of political power. Before the Norman invasion, it was common for priests and monks to have wives. This remained mostly unchanged after the Norman invasion, despite protests from bishops and archbishops. The authorities classed such women as priests' concubines and there is evidence that a formal contract of concubinage existed between priests and their women. However, unlike other concubines, they seem to have been treated just as wives were. In Gaelic Ireland a kind of fosterage was common, whereby (for a certain length of time) children would be left in the care of others to strengthen family ties or political bonds. Foster parents were beholden to teach their foster children or to have them taught. Foster parents who had properly done their duties were entitled to be supported by their foster children in old age (if they were in need and had no children of their own). As with divorce, Gaelic law again differed from most of Europe and from Church law in giving legal standing to both "legitimate" and "illegitimate" children. Settlements and architecture For most of the Gaelic period, dwellings and farm buildings were circular with conical thatched roofs (see roundhouse). Square and rectangle-shaped buildings gradually became more common, and by the 14th or 15th century they had replaced round buildings completely. In some areas, buildings were made mostly of stone. In others, they were built of timber, wattle and daub, or a mix of materials. Most ancient and early medieval stone buildings were of dry stone construction. Some buildings would have had glass windows. Among the wealthy, it was common for women to have their own 'apartment' called a grianan (anglicized "greenan") in the sunniest part of the homestead. The dwellings of freemen and their families were often surrounded by a circular rampart called a "ringfort". There are two main kinds of ringfort. The ráth is an earthen ringfort, averaging 30m diameter, with a dry outside ditch. The cathair or caiseal is a stone ringfort. The ringfort would typically have enclosed the family home, small farm buildings or workshops, and animal pens. Most date to the period 500–1000 CE and there is evidence of large-scale ringfort desertion at the end of the first millennium. The remains of between 30,000 and 40,000 lasted into the 19th century to be mapped by Ordnance Survey Ireland. Another kind of native dwelling was the crannóg, which were roundhouses built on artificial islands in lakes. There were very few nucleated settlements, but after the 5th century some monasteries became the heart of small "monastic towns". By the 10th century the Norse-Gaelic ports of Dublin, Wexford, Cork and Limerick had grown into substantial settlements, all ruled by Gaelic kings by 1052. In this era many of the Irish round towers were built. In the fifty years before the Norman invasion, the term "castle" () appears in Gaelic writings, although there are few intact surviving examples of pre-Norman castles. After the invasion, the Normans built motte-and-bailey castles in the areas they occupied, some of which were converted from ringforts. By 1300 "some mottes, especially in frontier areas, had almost certainly been built by the Gaelic Irish in imitation". The Normans gradually replaced wooden motte-and-baileys with stone castles and tower houses. Tower houses are free-standing multi-storey stone towers usually surrounded by a wall (see bawn) and ancillary buildings. Gaelic families had begun to build their own tower houses by the 15th century. As many as 7000 may have been built, but they were rare in areas with little Norman settlement or contact. They are concentrated in counties Limerick and Clare but are lacking in Ulster, except the area around Strangford Lough. In Gaelic law, a 'sanctuary' called a maighin digona surrounded each person's dwelling. The maighin digona's size varied according to the owner's rank. In the case of a bóaire it stretched as far as he, while sitting at his house, could cast a cnairsech (variously described as a spear or sledgehammer). The owner of a maighin digona could offer its protection to someone fleeing from pursuers, who would then have to bring that person to justice by lawful means. Economy Gaelic Ireland was involved in trade with Britain and mainland Europe from ancient times, and this trade increased over the centuries. Tacitus, for example, wrote in the 1st century that most of Ireland's harbours were known to the Romans through commerce. There are many passages in early Irish literature that mention luxury goods imported from foreign lands, and the fair of Carman in Leinster included a market of foreign traders. In the Middle Ages the main exports were textiles such as wool and linen while the main imports were luxury items. Money was seldom used in Gaelic society; instead, goods and services were usually exchanged for other goods and services (barter). The economy was mainly a pastoral one, based on livestock (cows, sheep, pigs, goats, etc.) and their products. Cattle was "the main element in the Irish pastoral economy" and the main form of wealth, providing milk, butter, cheese, meat, fat, hides, and so forth. They were a "highly mobile form of wealth and economic resource which could be quickly and easily moved to a safer locality in time of war or trouble". The nobility owned great herds of cattle that had herdsmen and guards. Sheep, goats and pigs were also a valuable resource but had a lesser role in Irish pastoralism. Horticulture was practised; the main crops being oats, wheat and barley, although flax was also grown for making linen. Transhumance was also practised, whereby people moved with their livestock to higher pastures in summer and back to lower pastures in the cooler months. The summer pasture was called the buaile (anglicized as booley) and it is noteworthy that the Irish word for boy (buachaill) originally meant a herdsman. Many moorland areas were "shared as a common summer pasturage by the people of a whole parish or barony". Transport Gaelic Ireland was well furnished with roads and bridges. Bridges were typically wooden and in some places the roads were laid with wood and stone. There were five main roads leading from Tara: Slíghe Asail, Slíghe Chualann, Slíghe Dála, Slíghe Mór and Slíghe Midluachra. Horses were one of the main means of long-distance transport. Although horseshoes and reins were used, the Gaelic Irish did not use saddles, stirrups or spurs. Every man was trained to spring from the ground on to the back of his horse (an ech-léim or "steed-leap") and they urged-on and guided their horses with a rod having a hooked goad at the end. Two-wheeled and four-wheeled chariots (singular carbad) were used in Ireland from ancient times, both in private life and in war. They were big enough for two people, made of wickerwork and wood, and often had decorated hoods. The wheels were spoked, shod all round with iron, and were from three to four and a half feet high. Chariots were generally drawn by horses or oxen, with horse-drawn chariots being more common among chiefs and military men. War chariots furnished with scythes and spikes, like those of the ancient Gauls and Britons, are mentioned in literature. Boats used in Gaelic Ireland include canoes, currachs, sailboats and Irish galleys. Ferryboats were used to cross wide rivers and are often mentioned in the Brehon Laws as subject to strict regulations. Sometimes they were owned by individuals and sometimes they were the common property of those living round the ferry. Large boats were used for trade with mainland Europe. Dress Throughout the Middle Ages, the common clothing amongst the Gaelic Irish consisted of a brat (a woollen semi circular cloak) worn over a léine (a loose-fitting, long-sleeved tunic made of linen). For men the léine reached to their ankles but was hitched up by means of a crios (pronounced 'kriss') which was a type of woven belt. The léine was hitched up to knee level. Women wore the léine at full length. Men sometimes wore tight-fitting trews (Gaelic triúbhas) but otherwise went bare-legged. The brat was simply thrown over both shoulders or sometimes over only one. Occasionally the brat was fastened with a dealg (brooch), with men usually wearing the dealg at their shoulders and women at their chests. The ionar (a short, tight-fitting jacket) became popular later on. In Topographia Hibernica, written during the 1180s, Gerald de Barri wrote that the Irish commonly wore hoods at that time (perhaps forming part of the brat), while Edmund Spenser wrote in the 1580s that the brat was (in general) their main item of clothing. Gaelic clothing does not appear to have been influenced by outside styles. Women invariably grew their hair long and, as in other European cultures, this custom was also common among the men. It is said that the Gaelic Irish took great pride in their long hair—for example, a person could be forced to pay the heavy fine of two cows for shaving a man's head against his will. For women, very long hair was seen as a mark of beauty. Sometimes, wealthy men and women would braid their hair and fasten hollow golden balls to the braids. Another style that was popular among some medieval Gaelic men was the glib (short all over except for a long, thick lock of hair towards the front of the head). A band or ribbon around the forehead was the typical way of holding one's hair in place. For the wealthy, this band was often a thin and flexible band of burnished gold, silver or findruine. When the Anglo-Normans and the English colonized Ireland, hair length came to signify one's allegiance. Irishmen who cut their hair short were deemed to be forsaking their Irish heritage. Likewise, English colonists who grew their hair long at the back were deemed to be giving in to the Irish life. Gaelic men typically wore a beard and mustache, and it was often seen as dishonourable for a Gaelic man to have no facial hair. Beard styles varied – the long forked beard and the rectangular Mesopotamian-style beard were fashionable at times. Warfare Warfare was common in Gaelic Ireland, as territories fought for supremacy against each other and (later) against the Anglo-Normans. Champion warfare is a common theme in Irish mythology. In the Middle Ages all able-bodied men, apart from the learned and the clergy, were eligible for military service on behalf of the king or chief. Throughout the Middle Ages and for some time after, outsiders often wrote that the style of Irish warfare differed greatly from what they deemed to be the norm in Western Europe. The Gaelic Irish preferred hit-and-run raids (the crech), which involved catching the enemy unaware. If this worked they would then seize any valuables (mainly livestock) and potentially valuable hostages, burn the crops, and escape. The cattle raid was often called a Táin Bó in Gaelic literature. Although hit-and-run raiding was the preferred tactic in medieval times, there were also pitched battles. From at least the 11th century, kings maintained small permanent fighting forces known as "troops of the household", who were often given houses and land on the king's mensal land. These were well-equipped professional soldiers made up of infantry and cavalry. By the reign of Brian Boru, Irish kings were taking large armies on campaign over long distances and using naval forces in tandem with land forces. A typical medieval Irish army included light infantry, heavy infantry and cavalry. The bulk of the army was made up of light infantry called ceithern (anglicized 'kern'). The ceithern wandered Ireland offering their services for hire and usually wielded swords, skenes (a kind of long knife), short spears, bows and shields. The cavalry was usually made up of a king or chieftain and his close relatives. They usually rode without saddles but wore armour and iron helmets and wielded swords, skenes and long spears or lances. One kind of Irish cavalry was the hobelar. After the Norman invasion there emerged a kind of heavy infantry called gallóglaigh (anglicized 'gallo[w]glass'). They were originally Scottish mercenaries who appeared in the 13th century, but by the 15th century most large túatha had their own hereditary force of Irish gallóglaigh. Some Anglo-Norman lordships also began using gallóglaigh in imitation of the Irish. They usually wore mail and iron helmets and wielded sparth axes, claymores, and sometimes spears or lances. The gallóglaigh furnished the retreating plunderers with a "moving line of defence from which the horsemen could make short, sharp charges, and behind which they could retreat when pursued". As their armour made them less nimble, they were sometimes planted at strategic spots along the line of retreat. The kern, horsemen and gallóglaigh had lightly-armed servants to carry their weapons into battle. Warriors were sometimes rallied into battle by blowing horns and warpipes. According to Gerald de Barri (in the 12th century), they did not wear armour, as they deemed it burdensome to wear and "brave and honourable" to fight without it. Instead, most ordinary soldiers fought semi-naked and carried only their weapons and a small round shield—Spenser wrote that these shields were covered with leather and painted in bright colours. Kings and chiefs sometimes went into battle wearing helmets adorned with eagle feathers. For ordinary soldiers, their thick hair often served as a helmet, but they sometimes wore simple helmets made from animal hides. Arts Visual art Artwork from Ireland's Gaelic period is found on pottery, jewellery, weapons, drinkware, tableware, stone carvings and illuminated manuscripts. Irish art from about 300 BC incorporates patterns and styles which developed in west central Europe. By about AD 600, after the Christianization of Ireland had begun, a style melding Irish, Mediterranean and Germanic Anglo-Saxon elements emerged, and was spread to Britain and mainland Europe by the Hiberno-Scottish mission. This is known as Insular art or Hiberno-Saxon art, which continued in some form in Ireland until the 12th century, although the Viking invasions ended its "Golden Age". Most surviving works of Insular art were either made by monks or made for monasteries, with the exception of brooches, which were likely made and used by both clergy and laity. Examples of Insular art from Ireland include the Book of Kells, Muiredach's High Cross, the Tara Brooch, the Ardagh Hoard the Derrynaflan Chalice, and the late Cross of Cong, which also uses Viking styles. Literature Music and dance Although Gerald de Barri had a negative view of the Irish, in Topographia Hibernica (1188) he conceded that they were more skilled at playing music than any other nation he had seen. He claimed that the two main instruments were the "harp" and "tabor" (see also bodhrán), that their music was fast and lively, and that their songs always began and ended with B-flat. In A History of Irish Music (1905), W. H. Grattan Flood wrote that there were at least ten instruments in general use by the Gaelic Irish. These were the cruit (a small harp) and clairseach (a bigger harp with typically 30 strings), the timpan (a small string instrument played with a bow or plectrum), the feadan (a fife), the buinne (an oboe or flute), the guthbuinne (a bassoon-type horn), the bennbuabhal and corn (hornpipes), the cuislenna (bagpipes – see Great Irish Warpipes), the stoc and sturgan (clarions or trumpets), and the cnamha (castanets). He also mentions the fiddle as being used in the 8th century. Sport Assemblies As mentioned before, Gaelic Ireland was split into many clann territories and kingdoms called túath (plural: túatha). Although there was no central 'government' or 'parliament', a number of local, regional and national gatherings were held. These combined features of assemblies and fairs. In Ireland the highest of these was the feis at Teamhair na Rí (Tara), which was held every third Samhain. This was a gathering of the leading men of the whole island – kings, lords, chieftains, druids, judges etc. Below this was the óenach (modern spelling: aonach). These were regional or provincial gatherings open to everyone. Examples include that held at Tailtin each Lughnasadh, and that held at Uisneach each Bealtaine. The main purpose of these gatherings was to promulgate and reaffirm the laws – they were read aloud in public that they might not be forgotten, and any changes in them carefully explained to those present. Each túath or clann had two assemblies of its own. These were the cuirmtig, which was open to all clann members, and the dal (a term later adopted for the Irish parliament – see Dáil Éireann), which was open only to clann chiefs. Each clann had a further assembly called a tocomra, in which the clann chief (toísech, modern taoiseach) and his deputy/successor (tánaiste) were elected. Notable Irish kings List of kings History Before 400 400 to 800 800 to 1169 Anglo-Norman occupation Invasion Ireland became Christianized between the 5th and 7th centuries. Pope Adrian IV, the only English pope, had already issued a Papal Bull in 1155 giving Henry II of England authority to invade Ireland as a means of curbing Irish refusal to recognize Roman law. Importantly, for later English monarchs, the Bull, Laudabiliter, maintained papal suzerainty over the island: In 1166, after losing the protection of High King Muirchertach Mac Lochlainn, King Diarmait Mac Murchada of Leinster was forcibly exiled by a confederation of Irish forces under King Ruaidri mac Tairrdelbach Ua Conchobair. Fleeing first to Bristol and then to Normandy, Diarmait obtained permission from Henry II of England to use his subjects to regain his kingdom. By the following year, he had obtained these services and in 1169 the main body of Norman, Welsh and Flemish forces landed in Ireland and quickly retook Leinster and the cities of Waterford and Dublin on behalf of Diarmait. The leader of the Norman force, Richard de Clare, 2nd Earl of Pembroke, more commonly known as Strongbow, married Diarmait's daughter, Aoife, and was named tánaiste to the Kingdom of Leinster. This caused consternation to Henry II, who feared the establishment of a rival Norman state in Ireland. Accordingly, he resolved to visit Leinster to establish his authority. Henry landed in 1171, proclaiming Waterford and Dublin as Royal Cities. Adrian's successor, Pope Alexander III, ratified the grant of Ireland to Henry in 1172. The 1175 Treaty of Windsor between Henry and Ruaidhrí maintained Ruaidhrí as High King of Ireland but codified Henry's control of Leinster, Meath and Waterford. However, with Diarmuid and Strongbow dead, Henry back in England, and Ruaidhrí unable to curb his vassals, the high kingship rapidly lost control of the country. Henry, in 1185, awarded his younger son, John, the title Dominus Hiberniae, "Lord of Ireland". This kept the newly created title and the Kingdom of England personally and legally separate. However, when John unexpectedly succeeded his brother as King of England in 1199, the Lordship of Ireland fell back into personal union with the Kingdom of England. Gaelic resurgence By 1261, the weakening of the Anglo-Norman Lordship had become manifest following a string of military defeats. In the chaotic situation, local Irish lords won back large amounts of land. The invasion by Edward Bruce in 1315–18 at a time of famine weakened the Norman economy. The Black Death arrived in Ireland in 1348. Because most of the English and Norman inhabitants of Ireland lived in towns and villages, the plague hit them far harder than it did the native Irish, who lived in more dispersed rural settlements. After it had passed, Gaelic Irish language and customs came to dominate the country again. The English-controlled area shrank back to the Pale, a fortified area around Dublin. Outside the Pale, the Hiberno-Norman lords intermarried with Gaelic noble families, adopted the Irish language and customs and sided with the Gaelic Irish in political and military conflicts against the Lordship. They became known as the Old English, and in the words of a contemporary English commentator, were "more Irish than the Irish themselves." The authorities in the Pale worried about the Gaelicisation of Norman Ireland, and passed the Statutes of Kilkenny in 1366 banning those of English descent from speaking the Irish language, wearing Irish clothes or inter-marrying with the Irish. The government in Dublin had little real authority. By the end of the 15th century, central English authority in Ireland had all but disappeared. England's attentions were diverted by the Hundred Years' War (1337–1453) and then by the Wars of the Roses (1450–85). Around the country, local Gaelic and Gaelicised lords expanded their powers at the expense of the English government in Dublin. Gaelic kingdoms during the period Following the failed attempt by the Scottish King Edward Bruce (see Irish Bruce Wars 1315–1318) to drive the Normans out of Ireland, there emerged a number of important Gaelic kingdoms and Gaelic-controlled lordships. Connacht. The Ó Conchobhair dynasty, despite their setback during the Bruce wars, had regrouped and ensured that the title King of Connacht was not yet an empty one. Their stronghold was in their homeland of Sil Muirdeag, from where they dominated much of northern and northeastern Connacht. However, after the death of Ruaidri mac Tairdelbach Ua Conchobair in 1384, the dynasty split into two factions, Ó Conchobhair Don and Ó Conchobhair Ruadh. By the late 15th century, internecine warfare between the two branches had weakened them to the point where they themselves became vassals of more powerful lords such as Ó Domhnaill of Tír Chonaill and the Clan Burke of Clanricarde. The Mac Diarmata Kings of Moylurg retained their status and kingdom during this era, up to the death of Tadhg Mac Diarmata in 1585 (last de facto King of Moylurg). Their cousins, the Mac Donnacha of Tír Ailella, found their fortunes bound to the Ó Conchobhair Ruadh. The kingdom of Uí Maine had lost much of its southern and western lands to the Clanricardes, but managed to flourish until repeated raids by Ó Domhnaill in the early 16th century weakened it. Other territories such as Ó Flaithbeheraigh of Iar Connacht, Ó Seachnasaigh of Aidhne, O'Dowd of Tireagh, O'Hara, Ó Gadhra and Ó Maddan, either survived in isolation or were vassals for greater men. Ulster: The Ulaid proper were in a sorry state all during this era, being squeezed between the emergent Ó Neill of Tír Eógain in the west, the MacDonnells, Clann Aodha Buidhe, and the Anglo-Normans from the east. Only Mag Aonghusa managed to retain a portion of their former kingdom with expansion into Iveagh. The two great success stories of this era were Ó Domhnaill of Tír Chonaill and Ó Neill of Tír Eógain. Ó Domhnaill was able to dominate much of northern Connacht to the detriment of its native lords, both Old English and Gaelic, though it took time to suborn the likes of Ó Conchobhair Sligigh and Ó Raghallaigh of Iar Breifne. Expansion southwards brought the hegemony of Tír Eógain, and by extension Ó Neill influence, well into the border lordships of Louth and Meath. Mag Uidir of Fear Manach would slightly later be able to build his lordship up to that of third most powerful in the province, at the expense of the Ó Raghallaigh of Iar Breifne and the MacMahons of Airgíalla. Leinster: Likewise, despite the adverse (and unforeseen) effects of Diarmait Mac Murchada's efforts to regain his kingdom, the fact of the matter was that, of his twenty successors up to 1632, most of them had regained much of the ground they had lost to the Normans, and exacted yearly tribute from the towns. His most dynamic successor was the celebrated Art mac Art MacMurrough-Kavanagh. The Ó Broin and Ó Tuathail largely contented themselves with raids on Dublin (which, incredibly, continued into the 18th century). The Ó Mordha of Laois and Ó Conchobhair Falaighe of Offaly – the latter's capital was Daingean – were two self-contained territories that had earned the right to be called kingdoms due to their near-invincibility against successive generations of Anglo-Irish. The great losers were the Ó Melaghlins of Meath: their kingdom collapsed despite attempts by Cormac mac Art O Melaghlain to restore it. The royal family was reduced to vassal status, confined to the east shores of the River Shannon. The kingdom was substantially incorporated into the Lordship of Meath which was granted to Hugh de Lacy in 1172. Munster: Desmond: See Kingdom of Desmond, Barony of Carbery, Battle of Callann Thomond: Despite huge setbacks, the descendants of Brian Bóruma had, by surviving the Second Battle of Athenry and winning the decisive battles of Corcomroe and Dysert O'Dea, been able to suborn their vassals and eradicate the Normans from their home kingdom of Thomond. Their spheres of interest often met with conflict with Anglo-Normans such as the Earls of Desmond and Earls of Ormond, yet they ruled right up to the end of Gaelic Ireland, and beyond, by expedient of becoming the O'Brien Earls of Thomond. Tudor conquest and aftermath From 1536, Henry VIII of England decided to conquer Ireland and bring it under English control. The FitzGerald dynasty of Kildare, who had become the effective rulers of the Lordship of Ireland (The Pale) in the 15th century, had become unreliable allies and Henry resolved to bring Ireland under English government control so the island would not become a base for future rebellions or foreign invasions of England. To involve the Gaelic nobility and allow them to retain their lands under English law the policy of surrender and regrant was applied. In 1541, Henry upgraded Ireland from a lordship to a full kingdom, partly in response to changing relationships with the papacy, which still had suzerainty over Ireland, following Henry's break with the church. Henry was proclaimed King of Ireland at a meeting of the Irish Parliament that year. This was the first meeting of the Irish Parliament to be attended by the Gaelic Irish princes as well as the Hiberno-Norman aristocracy. With the technical institutions of government in place, the next step was to extend the control of the Kingdom of Ireland over all of its claimed territory. This took nearly a century, with various English administrations in the process either negotiating or fighting with the independent Irish and Old English lords. The conquest was completed during the reigns of Elizabeth and James I, after several bloody conflicts. The flight into exile in 1607 of Hugh O'Neill, 2nd Earl of Tyrone and Hugh Roe O'Donnell, 1st Earl of Tyrconnell following their defeat at the Battle of Kinsale in 1601 and the suppression of their rebellion in Ulster in 1603 is seen as the watershed of Gaelic Ireland. It marked the destruction of Ireland's ancient Gaelic nobility following the Tudor conquest and cleared the way for the Plantation of Ulster. After this point, the English authorities in Dublin established greater control over Ireland, establishing - or, at least, attempting to establish - a centralised government for the entire island, and successfully disarmed the Gaelic lordships. O'Donnell - often known as Red Hugh O'Donnell - died in the archive castle of Simancas, Valladolid, in September 1602, when petitioning Philip III of Spain (1598–1621) for further assistance. His son, Rory, succeeded him as the Earl of Tyrconnell and was active in armies fighting for Madrid in the Low Countries and Spain. He died at the Battle of Barcelona in 1642, a naval engagement against the French fleet. England and Scotland merged politically in 1707 after the crowns of both counties were united in 1603, but the crown of Ireland did not merge with the Union until 1800. Part of the attraction of the Union for many Irish Catholics was the promise of Catholic Emancipation, allowing Roman Catholic MPs, who had not been allowed in the Irish Parliament. This was however blocked by King George III who argued that emancipating Roman Catholics would breach his Coronation Oath, and was not realised until 1829. The Gaelic roots that defined early Irish history still persisted, despite this Anglicisation of Irish culture and politics, as Christianity became the prominent expression of Irish identity in Ireland. In the time leading up to the Great Famine of the 1840s, many priests believed that parishioner spirituality was paramount, resulting in a localised morphing of Gaelic and Catholic traditions. See also Dál Riata Scotland in the High Middle Ages References Further reading Gaelic History of Ireland by period Irish culture Irish society 1st millennium in Ireland 2nd millennium in Ireland	true	[ "This list of works by Robert Lawson categorises and provides brief details of the structures designed by Scottish-born architect Robert A. Lawson (1833–1902) who is said did more than any other designer to shape the face of the Victorian era architecture of the city of Dunedin.\n\nLawson designed an estimated 46 church buildings, 21 banks, 134 houses, 16 school buildings, 13 hotels, 15 civic and institutional buildings, and 120 commercial and industrial buildings. Of these 94 survive, including 46 in Dunedin, 43 in the rest of New Zealand and five in Melbourne.\n\nAmong the buildings which Lawson personally designed, collaborated on or supervised the design of are:\n\nUnless they are significant, alterations to existing houses are not listed.\n\nReferences\n\nExternal links\n Inspired: The Dunedin Architecture of R.A. Lawson. A map and information guide to the architectural highlights of R.A. Lawson in the city of Dunedin.\n Lawson: The man behind the name. \n\nLawson\nLawson", "The Mayo Correctional Institution Annex is a state prison for men located in Mayo, Lafayette County, Florida. This facility was opened in 1984 and has a maximum capacity of 1345 prisoners.\n\nThe original Mayo Correctional Institution on the same property held 1668 prisoners and was closed by the state in 2012. On June 26, 2019 two inmates were alleged to have attacked a correctional officer with improvised weapons. While responding to the assault, staff reported that another inmate may have been killed in a separate part of the institution. The officer who was allegedly attacked was expected to survive. The officer who was attacked did survive and in January of 2021 was attacked by a different inmate suffering several stab wounds again. He also survived this incident.\n\nReferences\n\nPrisons in Florida\nBuildings and structures in Lafayette County, Florida\n1984 establishments in Florida" ]
[ "Gaelic Ireland", "Settlements and architecture", "What type of settlements were there?", "There were very few nucleated settlements in Gaelic areas.", "What did the buildings look like?", "It was at this time, perhaps as a response to Viking raids, that many of the Irish round towers were built.", "What material were the buildings made of?", "concentrated in counties Limerick and Clare but are lacking in Ulster, except the area around Strangford Lough.", "Did the buildings survive?", "surrounded by a wall (see bawn) and ancillary buildings. Gaelic families had begun to build their own tower houses by the 15th century." ]	C_fe515e59d85c4f8d850279012b1372da_1	What else did they build during this time period?	5	What else did the Gaelic Irish build during the 15th century, besides their own tower houses?	Gaelic Ireland	For most of the Gaelic period, dwellings and farm buildings were circular with conical thatched roofs (see roundhouse). Square and rectangle-shaped buildings gradually became more common, and by the 14th or 15th century they had replaced round buildings completely. In some areas, buildings were made mostly of stone. In others, they were built of timber, wattle and daub, or a mix of materials. Most ancient and early medieval stone buildings were of dry stone construction. Some buildings would have had glass windows. Among the wealthy, it was common for women to have their own 'apartment' called a grianan (anglicized "greenan") in the sunniest part of the homestead. The dwellings of freemen and their families were often surrounded by a circular rampart called a "ringfort". There are two main kinds of ringfort. The rath is an earthen ringfort, averaging 30m diameter, with a dry outside ditch. The cathair or caiseal is a stone ringfort. The ringfort would typically have enclosed the family home, small farm buildings or workshops, and animal pens. Most date to the period 500-1000 CE and there is evidence of large-scale ringfort desertion at the end of the first millennium. The remains of between 30,000 and 40,000 lasted into the 19th century to be mapped by Ordnance Survey Ireland. Another kind of native dwelling was the crannog, which were roundhouses built on artificial islands in lakes. There were very few nucleated settlements in Gaelic areas. However, after the 5th century some monasteries became the heart of small "monastic towns". By the 10th century the Norse-Gaelic ports of Dublin, Wexford, Cork and Limerick had grown into substantial settlements. It was at this time, perhaps as a response to Viking raids, that many of the Irish round towers were built. In the fifty years before the Norman invasion, the term "castle" (Old Irish: caistel/caislen) appears in Gaelic writings, although there are no surviving examples of pre-Norman castles. After the invasion, the Normans built motte-and-bailey castles in the areas they occupied, some of which were converted from ringforts. By 1300 "some mottes, especially in frontier areas, had almost certainly been built by the Gaelic Irish in imitation". The Normans gradually replaced wooden motte-and-baileys with stone castles and tower houses. Tower houses are free-standing multi-storey stone towers usually surrounded by a wall (see bawn) and ancillary buildings. Gaelic families had begun to build their own tower houses by the 15th century. As many as 7000 may have been built, but they were rare in areas with little Norman settlement or contact. They are concentrated in counties Limerick and Clare but are lacking in Ulster, except the area around Strangford Lough. In Gaelic law, a 'sanctuary' called a maighin digona surrounded each person's dwelling. The maighin digona's size varied according to the owner's rank. In the case of a boaire it stretched as far as he, while sitting at his house, could cast a cnairsech (variously described as a spear or sledgehammer). The owner of a maighin digona could offer its protection to someone fleeing from pursuers, who would then have to bring that person to justice by lawful means. CANNOTANSWER	". The Normans gradually replaced wooden motte-and-baileys with stone castles and tower houses.	Gaelic Ireland () was the Gaelic political and social order, and associated culture, that existed in Ireland from the prehistoric era until the early 17th century. Before the Norman invasion of 1169, Gaelic Ireland comprised the whole island. Thereafter, it comprised that part of the country not under foreign dominion at a given time, i.e. "The Pale". For most of its history, Gaelic Ireland was a "patchwork" hierarchy of territories ruled by a hierarchy of kings or chiefs, who were elected through tanistry. Warfare between these territories was common. Occasionally, a powerful ruler was acknowledged as High King of Ireland. Society was made up of clans and, like the rest of Europe, was structured hierarchically according to class. Throughout this period, the economy was mainly pastoral and money was generally not used. A Gaelic Irish style of dress, music, dance, sport, architecture, and art can be identified, with Irish art later merging with Anglo-Saxon styles to create Insular art. Gaelic Ireland was initially pagan and had an oral culture. Inscription in the ogham alphabet began in the protohistoric period, perhaps as early as the 1st century. The conversion to Christianity accompanied the introduction of literature, and much of Ireland's rich pre-Christian mythology and sophisticated law code were preserved, albeit Christianized. In the Early Middle Ages, Ireland was an important centre of learning. Irish missionaries and scholars were influential in western Europe, and helped to spread Christianity to much of Britain and parts of mainland Europe. In the 9th century, Vikings began raiding and founding settlements along Ireland's coasts and waterways, which became its first large towns. Over time, these settlers were assimilated and became the Norse-Gaels. After the Norman invasion of 1169–71, large swathes of Ireland came under the control of Norman lords, leading to centuries of conflict with the native Irish. The King of England claimed sovereignty over this territory – the Lordship of Ireland – and the island as a whole. However, the Gaelic system continued in areas outside Anglo-Norman control. The territory under English control gradually shrank to an area known as the Pale and, outside this, many Hiberno-Norman lords adopted Gaelic culture. In 1542, Henry VIII of England declared the Lordship a Kingdom and himself King of Ireland. The English then began to conquer (or re-conquer) the island. By 1607, Ireland was fully under English control, bringing the old Gaelic political and social order to an end. Culture and society Gaelic culture and society was centred around the fine (explained below). Gaelic Ireland had a rich oral culture and appreciation of deeper and intellectual pursuits. Filí and draoithe (druids) were held in high regard during Pagan times and orally passed down the history and traditions of their people. Later, many of their spiritual and intellectual tasks were passed on to Christian monks, after said religion prevailed from the 5th century onwards. However, the filí continued to hold a high position. Poetry, music, storytelling, literature and other art forms were highly prized and cultivated in both pagan and Christian Gaelic Ireland. Hospitality, bonds of kinship and the fulfilment of social and ritual responsibilities were highly important. Like Britain, Gaelic Ireland consisted not of one single unified kingdom, but several. The main kingdoms were Ulaid (Ulster), Mide (Meath), Laigin (Leinster), Muma (Munster, consisting of Iarmuman, Tuadmumain and Desmumain), Connacht, Bréifne (Breffny), In Tuaiscert (The North), and Airgíalla (Oriel). Each of these overkingdoms were built upon lordships known as túatha (singular: túath). Law tracts from the early 700s describe a hierarchy of kings: kings of túath subject to kings of several túatha who again were subject to the regional overkings. Already before the 8th century these overkingdoms had begun to replace the túatha as the basic sociopolitical unit. Religion and mythology Paganism Before Christianization, the Gaelic Irish were polytheistic or pagan. They had many gods and goddesses, which generally have parallels in the pantheons of other European nations. Two groups of supernatural beings who appear throughout Irish mythology—the Tuatha Dé Danann and Fomorians—are believed to represent the Gaelic pantheon. They were also animists, believing that all aspects of the natural world contained spirits, and that these spirits could be communicated with. Burial practices—which included burying food, weapons, and ornaments with the dead—suggest a belief in life after death. Some have equated this afterlife with the Otherworld realms known as Magh Meall and Tír na nÓg in Irish mythology. There were four main religious festivals each year, marking the traditional four divisions of the year – Samhain, Imbolc, Bealtaine and Lughnasadh. The mythology of Ireland was originally passed down orally, but much of it was eventually written down by Irish monks, who Christianized and modified it to an extent. This large body of work is often split into three overlapping cycles: the Mythological Cycle, the Ulster Cycle, and the Fenian Cycle. The first cycle is a pseudo-history that describes how Ireland, its people and its society came to be. The second cycle tells of the lives and deaths of Ulaidh heroes such as Cúchulainn. The third cycle tells of the exploits of Fionn mac Cumhaill and the Fianna. There are also a number of tales that do not fit into these cycles – this includes the immrama and echtrai, which are tales of voyages to the 'Otherworld'. Christianity The introduction of Christianity to Ireland dates to sometime before the 5th century, with Palladius (later bishop of Ireland) sent by Pope Celestine I in the mid-5th century to minister to Irish "believing in Christ". Early medieval traditions credit Saint Patrick as being the first Primate of Ireland. Christianity would eventually supplant the existing pagan traditions, with the prologue of the 9th century Martyrology of Tallaght (attributed to author Óengus of Tallaght) speaking of the last vestiges of paganism in Ireland. Social and political structure In Gaelic Ireland each person belonged to an agnatic kin-group known as a fine (plural: finte). This was a large group of related people supposedly descended from one progenitor through male forebears. It was headed by a man whose office was known in Old Irish as a cenn fine or toísech (plural: toísig). Nicholls suggests that they would be better thought of as akin to the modern-day corporation. Within each fine, the family descended from a common great grandparent was called a derbfine (modern form dearbhfhine), lit. "close clan". The cland (modern form clann) referred to the children of the nuclear family. Succession to the kingship was through tanistry. When a man became king, a relative was elected to be his deputy or 'tanist' (Irish: tánaiste, plural tanaistí). When the king died, his tanist would automatically succeed him. The tanist had to share the same derbfine and he was elected by other members of the derbfine. Tanistry meant that the kingship usually went to whichever relative was deemed to be the most fitting. Sometimes there would be more than one tanist at a time and they would succeed each other in order of seniority. Some Anglo-Norman lordships later adopted tanistry from the Irish. Gaelic Ireland was divided into a hierarchy of territories ruled by a hierarchy of kings of chiefs. The smallest territory was the túath (plural: túatha), which was typically the territory of a single kin-group. It was ruled by a rí túaithe (king of a túath) or toísech túaithe (leader of a túath). Several túatha formed a mór túath (overkingdom), which was ruled by a rí mór túath or ruirí (overking). Several mór túatha formed a cóiced (province), which was ruled by a rí cóicid or rí ruirech (provincial king). In the early Middle Ages the túatha was the main political unit, but over time they were subsumed into bigger conglomerate territories and became much less important politically. Gaelic society was structured hierarchically, with those further up the hierarchy generally having more privileges, wealth and power than those further down. The top social layer was the sóernemed, which included kings, tanists, ceann finte, fili, clerics, and their immediate families. The roles of a fili included reciting traditional lore, eulogizing the king and satirizing injustices within the kingdom. Before the Christianization of Ireland, this group also included the druids (druí) and vates (fáith). Below that were the dóernemed, which included professionals such as jurists (brithem), physicians, skilled craftsmen, skilled musicians, scholars, and so on. A master in a particular profession was known as an ollam (modern spelling: ollamh). The various professions—including law, poetry, medicine, history and genealogy—were associated with particular families and the positions became hereditary. Since the poets, jurists and doctors depended on the patronage of the ruling families, the end of the Gaelic order brought their demise. Below that were freemen who owned land and cattle (for example the bóaire). Below that were freemen who did not own land or cattle, or who owned very little. Below that were the unfree, which included serfs and slaves. Slaves were typically criminals (debt slaves) or prisoners of war. Slavery and serfdom was inherited, though slavery in Ireland had died out by 1200. The warrior bands known as fianna generally lived apart from society. A fian was typically composed of young men who had not yet come into their inheritance of land. A member of a fian was called a fénnid and the leader of a fian was a rígfénnid. Geoffrey Keating, in his 17th-century History of Ireland, says that during the winter the fianna were quartered and fed by the nobility, during which time they would keep order on their behalf. But during the summer, from Bealtaine to Samhain, they were beholden to live by hunting for food and for hides to sell. Although distinct, these ranks were not utterly exclusive castes like those of India. It was possible to rise or sink from one rank to another. Rising upward could be achieved a number of ways, such as by gaining wealth, by gaining skill in some department, by qualifying for a learned profession, by showing conspicuous valour, or by performing some service to the community. An example of the latter is a person choosing to become a briugu (hospitaller). A briugu had to have his house open to any guests, which included feeding no matter how big the group. For the briugu to fulfill these duties, he was allowed more land and privileges, but this could be lost if he ever refused guests. A freeman could further himself by becoming the client of one or more lords. The lord made his client a grant of property (i.e. livestock or land) and, in return, the client owed his lord yearly payments of food and fixed amounts of work. The clientship agreement could last until the lord's death. If the client died, his heirs would carry on the agreement. This system of clientship enabled social mobility as a client could increase his wealth until he could afford clients of his own, thus becoming a lord. Clientship was also practised between nobles, which established hierarchies of homage and political support. Law Gaelic law was originally passed down orally, but was written down in Old Irish during the period 600–900 AD. This collection of oral and written laws is known as the Fénechas or, in English, as the Brehon Law(s). The brehons (Old Irish: brithem, plural brithemain) were the jurists in Gaelic Ireland. Becoming a brehon took many years of training and the office was, or became, largely hereditary. Most legal cases were contested privately between opposing parties, with the brehons acting as arbitrators. Offences against people and property were primarily settled by the offender paying compensation to the victims. Although any such offence required compensation, the law made a distinction between intentional and unintentional harm, and between murder and manslaughter. If an offender did not pay outright, his property was seized until he did so. Should the offender be unable to pay, his family would be responsible for doing so. Should the family be unable or unwilling to pay, responsibility would broaden to the wider kin-group. Hence, it has been argued that "the people were their own police". Acts of violence were generally settled by payment of compensation known as an éraic fine; the Gaelic equivalent of the Welsh galanas and the Germanic weregild. If a free person was murdered, the éraic was equal to 21 cows, regardless of the victim's rank in society. Each member of the murder victim's agnatic kin-group received a payment based on their closeness to the victim, their status, and so forth. There were separate payments for the kin-group of the victim's mother, and for the victim's foster-kin. Execution seems to have been rare and carried out only as a last resort. If a murderer was unable or unwilling to pay éraic and was handed to his victim's family, they might kill him if they wished should nobody intervene by paying the éraic. Habitual or particularly serious offenders might be expelled from the kin-group and its territory. Such people became outlaws (with no protection from the law) and anyone who sheltered him became liable for his crimes. If he still haunted the territory and continued his crimes there, he was proclaimed in a public assembly and after this anyone might lawfully kill him. Each person had an honour-price, which varied depending on their rank in society. This honour-price was to be paid to them if their honour was violated by certain offences. Those of higher rank had a higher honour-price. However, an offence against the property of a poor man (who could ill afford it), was punished more harshly than a similar offence upon a wealthy man. The clergy were more harshly punished than the laity. When a layman had paid his fine he would go through a probationary period and then regain his standing, but a clergyman could never regain his standing. Some laws were pre-Christian in origin. These secular laws existed in parallel, and sometimes in conflict, with Church law. Although brehons usually dealt with legal cases, kings would have been able to deliver judgments also, but it is unclear how much they would have had to rely on brehons. Kings had their own brehons to deal with cases involving the king's own rights and to give him legal advice. Unlike other kingdoms in Europe, Gaelic kings—by their own authority—could not enact new laws as they wished and could not be "above the law". They could, however, enact temporary emergency laws. It was mainly through these emergency powers that the Church attempted to change Gaelic law. The law texts take great care to define social status, the rights and duties that went with that status, and the relationships between people. For example, ceann finte had to take responsibility for members of their fine, acting as a surety for some of their deeds and making sure debts were paid. He would also be responsible for unmarried women after the death of their fathers. Marriage, women and children Ancient Irish culture was patriarchal. The Brehon law excepted women from the ordinary course of the law so that, in general, every woman had to have a male guardian. However, women had some legal capacity. By the 8th century, the preferred form of marriage was one between social equals, under which a woman was technically legally dependent on her husband and had half his honor price, but could exercise considerable authority in regard to the transfer of property. Such women were called "women of joint dominion". Thus historian Patrick Weston Joyce could write that, relative to other European countries of the time, free women in Gaelic Ireland "held a good position" and their social and property rights were "in most respects, quite on a level with men". Gaelic Irish society was also patrilineal, with land being primarily owned by men and inherited by the sons. Only when a man had no sons would his land pass to his daughters, and then only for their lifetimes. Upon their deaths, the land was redistributed among their father's male relations. Under Brehon law, rather than inheriting land, daughters had assigned to them a certain number of their father's cattle as their marriage-portion. It seems that, throughout the Middle Ages, the Gaelic Irish kept many of their marriage laws and traditions separate from those of the Church. Under Gaelic law, married women could hold property independent of their husbands, a link was maintained between married women and their own families, couples could easily divorce or separate, and men could have concubines (which could be lawfully bought). These laws differed from most of contemporary Europe and from Church law. The lawful age of marriage was fifteen for girls and eighteen for boys, the respective ages at which fosterage ended. Upon marriage, the families of the bride and bridegroom were expected to contribute to the match. It was custom for the bridegroom and his family to pay a coibche (modern spelling: coibhche) and the bride was allowed a share of it. If the marriage ended owing to a fault of the husband then the coibche was kept by the wife and her family, but if the fault lay with the wife then the coibche was to be returned. It was custom for the bride to receive a spréid (modern spelling: spréidh) from her family (or foster family) upon marriage. This was to be returned if the marriage ended through divorce or the death of the husband. Later, the spréid seems to have been converted into a dowry. Women could seek divorce/separation as easily as men could and, when obtained on her behalf, she kept all the property she had brought her husband during their marriage. Trial marriages seem to have been popular among the rich and powerful, and thus it has been argued that cohabitation before marriage must have been acceptable. It also seems that the wife of a chieftain was entitled to some share of the chief's authority over his territory. This led to some Gaelic Irish wives wielding a great deal of political power. Before the Norman invasion, it was common for priests and monks to have wives. This remained mostly unchanged after the Norman invasion, despite protests from bishops and archbishops. The authorities classed such women as priests' concubines and there is evidence that a formal contract of concubinage existed between priests and their women. However, unlike other concubines, they seem to have been treated just as wives were. In Gaelic Ireland a kind of fosterage was common, whereby (for a certain length of time) children would be left in the care of others to strengthen family ties or political bonds. Foster parents were beholden to teach their foster children or to have them taught. Foster parents who had properly done their duties were entitled to be supported by their foster children in old age (if they were in need and had no children of their own). As with divorce, Gaelic law again differed from most of Europe and from Church law in giving legal standing to both "legitimate" and "illegitimate" children. Settlements and architecture For most of the Gaelic period, dwellings and farm buildings were circular with conical thatched roofs (see roundhouse). Square and rectangle-shaped buildings gradually became more common, and by the 14th or 15th century they had replaced round buildings completely. In some areas, buildings were made mostly of stone. In others, they were built of timber, wattle and daub, or a mix of materials. Most ancient and early medieval stone buildings were of dry stone construction. Some buildings would have had glass windows. Among the wealthy, it was common for women to have their own 'apartment' called a grianan (anglicized "greenan") in the sunniest part of the homestead. The dwellings of freemen and their families were often surrounded by a circular rampart called a "ringfort". There are two main kinds of ringfort. The ráth is an earthen ringfort, averaging 30m diameter, with a dry outside ditch. The cathair or caiseal is a stone ringfort. The ringfort would typically have enclosed the family home, small farm buildings or workshops, and animal pens. Most date to the period 500–1000 CE and there is evidence of large-scale ringfort desertion at the end of the first millennium. The remains of between 30,000 and 40,000 lasted into the 19th century to be mapped by Ordnance Survey Ireland. Another kind of native dwelling was the crannóg, which were roundhouses built on artificial islands in lakes. There were very few nucleated settlements, but after the 5th century some monasteries became the heart of small "monastic towns". By the 10th century the Norse-Gaelic ports of Dublin, Wexford, Cork and Limerick had grown into substantial settlements, all ruled by Gaelic kings by 1052. In this era many of the Irish round towers were built. In the fifty years before the Norman invasion, the term "castle" () appears in Gaelic writings, although there are few intact surviving examples of pre-Norman castles. After the invasion, the Normans built motte-and-bailey castles in the areas they occupied, some of which were converted from ringforts. By 1300 "some mottes, especially in frontier areas, had almost certainly been built by the Gaelic Irish in imitation". The Normans gradually replaced wooden motte-and-baileys with stone castles and tower houses. Tower houses are free-standing multi-storey stone towers usually surrounded by a wall (see bawn) and ancillary buildings. Gaelic families had begun to build their own tower houses by the 15th century. As many as 7000 may have been built, but they were rare in areas with little Norman settlement or contact. They are concentrated in counties Limerick and Clare but are lacking in Ulster, except the area around Strangford Lough. In Gaelic law, a 'sanctuary' called a maighin digona surrounded each person's dwelling. The maighin digona's size varied according to the owner's rank. In the case of a bóaire it stretched as far as he, while sitting at his house, could cast a cnairsech (variously described as a spear or sledgehammer). The owner of a maighin digona could offer its protection to someone fleeing from pursuers, who would then have to bring that person to justice by lawful means. Economy Gaelic Ireland was involved in trade with Britain and mainland Europe from ancient times, and this trade increased over the centuries. Tacitus, for example, wrote in the 1st century that most of Ireland's harbours were known to the Romans through commerce. There are many passages in early Irish literature that mention luxury goods imported from foreign lands, and the fair of Carman in Leinster included a market of foreign traders. In the Middle Ages the main exports were textiles such as wool and linen while the main imports were luxury items. Money was seldom used in Gaelic society; instead, goods and services were usually exchanged for other goods and services (barter). The economy was mainly a pastoral one, based on livestock (cows, sheep, pigs, goats, etc.) and their products. Cattle was "the main element in the Irish pastoral economy" and the main form of wealth, providing milk, butter, cheese, meat, fat, hides, and so forth. They were a "highly mobile form of wealth and economic resource which could be quickly and easily moved to a safer locality in time of war or trouble". The nobility owned great herds of cattle that had herdsmen and guards. Sheep, goats and pigs were also a valuable resource but had a lesser role in Irish pastoralism. Horticulture was practised; the main crops being oats, wheat and barley, although flax was also grown for making linen. Transhumance was also practised, whereby people moved with their livestock to higher pastures in summer and back to lower pastures in the cooler months. The summer pasture was called the buaile (anglicized as booley) and it is noteworthy that the Irish word for boy (buachaill) originally meant a herdsman. Many moorland areas were "shared as a common summer pasturage by the people of a whole parish or barony". Transport Gaelic Ireland was well furnished with roads and bridges. Bridges were typically wooden and in some places the roads were laid with wood and stone. There were five main roads leading from Tara: Slíghe Asail, Slíghe Chualann, Slíghe Dála, Slíghe Mór and Slíghe Midluachra. Horses were one of the main means of long-distance transport. Although horseshoes and reins were used, the Gaelic Irish did not use saddles, stirrups or spurs. Every man was trained to spring from the ground on to the back of his horse (an ech-léim or "steed-leap") and they urged-on and guided their horses with a rod having a hooked goad at the end. Two-wheeled and four-wheeled chariots (singular carbad) were used in Ireland from ancient times, both in private life and in war. They were big enough for two people, made of wickerwork and wood, and often had decorated hoods. The wheels were spoked, shod all round with iron, and were from three to four and a half feet high. Chariots were generally drawn by horses or oxen, with horse-drawn chariots being more common among chiefs and military men. War chariots furnished with scythes and spikes, like those of the ancient Gauls and Britons, are mentioned in literature. Boats used in Gaelic Ireland include canoes, currachs, sailboats and Irish galleys. Ferryboats were used to cross wide rivers and are often mentioned in the Brehon Laws as subject to strict regulations. Sometimes they were owned by individuals and sometimes they were the common property of those living round the ferry. Large boats were used for trade with mainland Europe. Dress Throughout the Middle Ages, the common clothing amongst the Gaelic Irish consisted of a brat (a woollen semi circular cloak) worn over a léine (a loose-fitting, long-sleeved tunic made of linen). For men the léine reached to their ankles but was hitched up by means of a crios (pronounced 'kriss') which was a type of woven belt. The léine was hitched up to knee level. Women wore the léine at full length. Men sometimes wore tight-fitting trews (Gaelic triúbhas) but otherwise went bare-legged. The brat was simply thrown over both shoulders or sometimes over only one. Occasionally the brat was fastened with a dealg (brooch), with men usually wearing the dealg at their shoulders and women at their chests. The ionar (a short, tight-fitting jacket) became popular later on. In Topographia Hibernica, written during the 1180s, Gerald de Barri wrote that the Irish commonly wore hoods at that time (perhaps forming part of the brat), while Edmund Spenser wrote in the 1580s that the brat was (in general) their main item of clothing. Gaelic clothing does not appear to have been influenced by outside styles. Women invariably grew their hair long and, as in other European cultures, this custom was also common among the men. It is said that the Gaelic Irish took great pride in their long hair—for example, a person could be forced to pay the heavy fine of two cows for shaving a man's head against his will. For women, very long hair was seen as a mark of beauty. Sometimes, wealthy men and women would braid their hair and fasten hollow golden balls to the braids. Another style that was popular among some medieval Gaelic men was the glib (short all over except for a long, thick lock of hair towards the front of the head). A band or ribbon around the forehead was the typical way of holding one's hair in place. For the wealthy, this band was often a thin and flexible band of burnished gold, silver or findruine. When the Anglo-Normans and the English colonized Ireland, hair length came to signify one's allegiance. Irishmen who cut their hair short were deemed to be forsaking their Irish heritage. Likewise, English colonists who grew their hair long at the back were deemed to be giving in to the Irish life. Gaelic men typically wore a beard and mustache, and it was often seen as dishonourable for a Gaelic man to have no facial hair. Beard styles varied – the long forked beard and the rectangular Mesopotamian-style beard were fashionable at times. Warfare Warfare was common in Gaelic Ireland, as territories fought for supremacy against each other and (later) against the Anglo-Normans. Champion warfare is a common theme in Irish mythology. In the Middle Ages all able-bodied men, apart from the learned and the clergy, were eligible for military service on behalf of the king or chief. Throughout the Middle Ages and for some time after, outsiders often wrote that the style of Irish warfare differed greatly from what they deemed to be the norm in Western Europe. The Gaelic Irish preferred hit-and-run raids (the crech), which involved catching the enemy unaware. If this worked they would then seize any valuables (mainly livestock) and potentially valuable hostages, burn the crops, and escape. The cattle raid was often called a Táin Bó in Gaelic literature. Although hit-and-run raiding was the preferred tactic in medieval times, there were also pitched battles. From at least the 11th century, kings maintained small permanent fighting forces known as "troops of the household", who were often given houses and land on the king's mensal land. These were well-equipped professional soldiers made up of infantry and cavalry. By the reign of Brian Boru, Irish kings were taking large armies on campaign over long distances and using naval forces in tandem with land forces. A typical medieval Irish army included light infantry, heavy infantry and cavalry. The bulk of the army was made up of light infantry called ceithern (anglicized 'kern'). The ceithern wandered Ireland offering their services for hire and usually wielded swords, skenes (a kind of long knife), short spears, bows and shields. The cavalry was usually made up of a king or chieftain and his close relatives. They usually rode without saddles but wore armour and iron helmets and wielded swords, skenes and long spears or lances. One kind of Irish cavalry was the hobelar. After the Norman invasion there emerged a kind of heavy infantry called gallóglaigh (anglicized 'gallo[w]glass'). They were originally Scottish mercenaries who appeared in the 13th century, but by the 15th century most large túatha had their own hereditary force of Irish gallóglaigh. Some Anglo-Norman lordships also began using gallóglaigh in imitation of the Irish. They usually wore mail and iron helmets and wielded sparth axes, claymores, and sometimes spears or lances. The gallóglaigh furnished the retreating plunderers with a "moving line of defence from which the horsemen could make short, sharp charges, and behind which they could retreat when pursued". As their armour made them less nimble, they were sometimes planted at strategic spots along the line of retreat. The kern, horsemen and gallóglaigh had lightly-armed servants to carry their weapons into battle. Warriors were sometimes rallied into battle by blowing horns and warpipes. According to Gerald de Barri (in the 12th century), they did not wear armour, as they deemed it burdensome to wear and "brave and honourable" to fight without it. Instead, most ordinary soldiers fought semi-naked and carried only their weapons and a small round shield—Spenser wrote that these shields were covered with leather and painted in bright colours. Kings and chiefs sometimes went into battle wearing helmets adorned with eagle feathers. For ordinary soldiers, their thick hair often served as a helmet, but they sometimes wore simple helmets made from animal hides. Arts Visual art Artwork from Ireland's Gaelic period is found on pottery, jewellery, weapons, drinkware, tableware, stone carvings and illuminated manuscripts. Irish art from about 300 BC incorporates patterns and styles which developed in west central Europe. By about AD 600, after the Christianization of Ireland had begun, a style melding Irish, Mediterranean and Germanic Anglo-Saxon elements emerged, and was spread to Britain and mainland Europe by the Hiberno-Scottish mission. This is known as Insular art or Hiberno-Saxon art, which continued in some form in Ireland until the 12th century, although the Viking invasions ended its "Golden Age". Most surviving works of Insular art were either made by monks or made for monasteries, with the exception of brooches, which were likely made and used by both clergy and laity. Examples of Insular art from Ireland include the Book of Kells, Muiredach's High Cross, the Tara Brooch, the Ardagh Hoard the Derrynaflan Chalice, and the late Cross of Cong, which also uses Viking styles. Literature Music and dance Although Gerald de Barri had a negative view of the Irish, in Topographia Hibernica (1188) he conceded that they were more skilled at playing music than any other nation he had seen. He claimed that the two main instruments were the "harp" and "tabor" (see also bodhrán), that their music was fast and lively, and that their songs always began and ended with B-flat. In A History of Irish Music (1905), W. H. Grattan Flood wrote that there were at least ten instruments in general use by the Gaelic Irish. These were the cruit (a small harp) and clairseach (a bigger harp with typically 30 strings), the timpan (a small string instrument played with a bow or plectrum), the feadan (a fife), the buinne (an oboe or flute), the guthbuinne (a bassoon-type horn), the bennbuabhal and corn (hornpipes), the cuislenna (bagpipes – see Great Irish Warpipes), the stoc and sturgan (clarions or trumpets), and the cnamha (castanets). He also mentions the fiddle as being used in the 8th century. Sport Assemblies As mentioned before, Gaelic Ireland was split into many clann territories and kingdoms called túath (plural: túatha). Although there was no central 'government' or 'parliament', a number of local, regional and national gatherings were held. These combined features of assemblies and fairs. In Ireland the highest of these was the feis at Teamhair na Rí (Tara), which was held every third Samhain. This was a gathering of the leading men of the whole island – kings, lords, chieftains, druids, judges etc. Below this was the óenach (modern spelling: aonach). These were regional or provincial gatherings open to everyone. Examples include that held at Tailtin each Lughnasadh, and that held at Uisneach each Bealtaine. The main purpose of these gatherings was to promulgate and reaffirm the laws – they were read aloud in public that they might not be forgotten, and any changes in them carefully explained to those present. Each túath or clann had two assemblies of its own. These were the cuirmtig, which was open to all clann members, and the dal (a term later adopted for the Irish parliament – see Dáil Éireann), which was open only to clann chiefs. Each clann had a further assembly called a tocomra, in which the clann chief (toísech, modern taoiseach) and his deputy/successor (tánaiste) were elected. Notable Irish kings List of kings History Before 400 400 to 800 800 to 1169 Anglo-Norman occupation Invasion Ireland became Christianized between the 5th and 7th centuries. Pope Adrian IV, the only English pope, had already issued a Papal Bull in 1155 giving Henry II of England authority to invade Ireland as a means of curbing Irish refusal to recognize Roman law. Importantly, for later English monarchs, the Bull, Laudabiliter, maintained papal suzerainty over the island: In 1166, after losing the protection of High King Muirchertach Mac Lochlainn, King Diarmait Mac Murchada of Leinster was forcibly exiled by a confederation of Irish forces under King Ruaidri mac Tairrdelbach Ua Conchobair. Fleeing first to Bristol and then to Normandy, Diarmait obtained permission from Henry II of England to use his subjects to regain his kingdom. By the following year, he had obtained these services and in 1169 the main body of Norman, Welsh and Flemish forces landed in Ireland and quickly retook Leinster and the cities of Waterford and Dublin on behalf of Diarmait. The leader of the Norman force, Richard de Clare, 2nd Earl of Pembroke, more commonly known as Strongbow, married Diarmait's daughter, Aoife, and was named tánaiste to the Kingdom of Leinster. This caused consternation to Henry II, who feared the establishment of a rival Norman state in Ireland. Accordingly, he resolved to visit Leinster to establish his authority. Henry landed in 1171, proclaiming Waterford and Dublin as Royal Cities. Adrian's successor, Pope Alexander III, ratified the grant of Ireland to Henry in 1172. The 1175 Treaty of Windsor between Henry and Ruaidhrí maintained Ruaidhrí as High King of Ireland but codified Henry's control of Leinster, Meath and Waterford. However, with Diarmuid and Strongbow dead, Henry back in England, and Ruaidhrí unable to curb his vassals, the high kingship rapidly lost control of the country. Henry, in 1185, awarded his younger son, John, the title Dominus Hiberniae, "Lord of Ireland". This kept the newly created title and the Kingdom of England personally and legally separate. However, when John unexpectedly succeeded his brother as King of England in 1199, the Lordship of Ireland fell back into personal union with the Kingdom of England. Gaelic resurgence By 1261, the weakening of the Anglo-Norman Lordship had become manifest following a string of military defeats. In the chaotic situation, local Irish lords won back large amounts of land. The invasion by Edward Bruce in 1315–18 at a time of famine weakened the Norman economy. The Black Death arrived in Ireland in 1348. Because most of the English and Norman inhabitants of Ireland lived in towns and villages, the plague hit them far harder than it did the native Irish, who lived in more dispersed rural settlements. After it had passed, Gaelic Irish language and customs came to dominate the country again. The English-controlled area shrank back to the Pale, a fortified area around Dublin. Outside the Pale, the Hiberno-Norman lords intermarried with Gaelic noble families, adopted the Irish language and customs and sided with the Gaelic Irish in political and military conflicts against the Lordship. They became known as the Old English, and in the words of a contemporary English commentator, were "more Irish than the Irish themselves." The authorities in the Pale worried about the Gaelicisation of Norman Ireland, and passed the Statutes of Kilkenny in 1366 banning those of English descent from speaking the Irish language, wearing Irish clothes or inter-marrying with the Irish. The government in Dublin had little real authority. By the end of the 15th century, central English authority in Ireland had all but disappeared. England's attentions were diverted by the Hundred Years' War (1337–1453) and then by the Wars of the Roses (1450–85). Around the country, local Gaelic and Gaelicised lords expanded their powers at the expense of the English government in Dublin. Gaelic kingdoms during the period Following the failed attempt by the Scottish King Edward Bruce (see Irish Bruce Wars 1315–1318) to drive the Normans out of Ireland, there emerged a number of important Gaelic kingdoms and Gaelic-controlled lordships. Connacht. The Ó Conchobhair dynasty, despite their setback during the Bruce wars, had regrouped and ensured that the title King of Connacht was not yet an empty one. Their stronghold was in their homeland of Sil Muirdeag, from where they dominated much of northern and northeastern Connacht. However, after the death of Ruaidri mac Tairdelbach Ua Conchobair in 1384, the dynasty split into two factions, Ó Conchobhair Don and Ó Conchobhair Ruadh. By the late 15th century, internecine warfare between the two branches had weakened them to the point where they themselves became vassals of more powerful lords such as Ó Domhnaill of Tír Chonaill and the Clan Burke of Clanricarde. The Mac Diarmata Kings of Moylurg retained their status and kingdom during this era, up to the death of Tadhg Mac Diarmata in 1585 (last de facto King of Moylurg). Their cousins, the Mac Donnacha of Tír Ailella, found their fortunes bound to the Ó Conchobhair Ruadh. The kingdom of Uí Maine had lost much of its southern and western lands to the Clanricardes, but managed to flourish until repeated raids by Ó Domhnaill in the early 16th century weakened it. Other territories such as Ó Flaithbeheraigh of Iar Connacht, Ó Seachnasaigh of Aidhne, O'Dowd of Tireagh, O'Hara, Ó Gadhra and Ó Maddan, either survived in isolation or were vassals for greater men. Ulster: The Ulaid proper were in a sorry state all during this era, being squeezed between the emergent Ó Neill of Tír Eógain in the west, the MacDonnells, Clann Aodha Buidhe, and the Anglo-Normans from the east. Only Mag Aonghusa managed to retain a portion of their former kingdom with expansion into Iveagh. The two great success stories of this era were Ó Domhnaill of Tír Chonaill and Ó Neill of Tír Eógain. Ó Domhnaill was able to dominate much of northern Connacht to the detriment of its native lords, both Old English and Gaelic, though it took time to suborn the likes of Ó Conchobhair Sligigh and Ó Raghallaigh of Iar Breifne. Expansion southwards brought the hegemony of Tír Eógain, and by extension Ó Neill influence, well into the border lordships of Louth and Meath. Mag Uidir of Fear Manach would slightly later be able to build his lordship up to that of third most powerful in the province, at the expense of the Ó Raghallaigh of Iar Breifne and the MacMahons of Airgíalla. Leinster: Likewise, despite the adverse (and unforeseen) effects of Diarmait Mac Murchada's efforts to regain his kingdom, the fact of the matter was that, of his twenty successors up to 1632, most of them had regained much of the ground they had lost to the Normans, and exacted yearly tribute from the towns. His most dynamic successor was the celebrated Art mac Art MacMurrough-Kavanagh. The Ó Broin and Ó Tuathail largely contented themselves with raids on Dublin (which, incredibly, continued into the 18th century). The Ó Mordha of Laois and Ó Conchobhair Falaighe of Offaly – the latter's capital was Daingean – were two self-contained territories that had earned the right to be called kingdoms due to their near-invincibility against successive generations of Anglo-Irish. The great losers were the Ó Melaghlins of Meath: their kingdom collapsed despite attempts by Cormac mac Art O Melaghlain to restore it. The royal family was reduced to vassal status, confined to the east shores of the River Shannon. The kingdom was substantially incorporated into the Lordship of Meath which was granted to Hugh de Lacy in 1172. Munster: Desmond: See Kingdom of Desmond, Barony of Carbery, Battle of Callann Thomond: Despite huge setbacks, the descendants of Brian Bóruma had, by surviving the Second Battle of Athenry and winning the decisive battles of Corcomroe and Dysert O'Dea, been able to suborn their vassals and eradicate the Normans from their home kingdom of Thomond. Their spheres of interest often met with conflict with Anglo-Normans such as the Earls of Desmond and Earls of Ormond, yet they ruled right up to the end of Gaelic Ireland, and beyond, by expedient of becoming the O'Brien Earls of Thomond. Tudor conquest and aftermath From 1536, Henry VIII of England decided to conquer Ireland and bring it under English control. The FitzGerald dynasty of Kildare, who had become the effective rulers of the Lordship of Ireland (The Pale) in the 15th century, had become unreliable allies and Henry resolved to bring Ireland under English government control so the island would not become a base for future rebellions or foreign invasions of England. To involve the Gaelic nobility and allow them to retain their lands under English law the policy of surrender and regrant was applied. In 1541, Henry upgraded Ireland from a lordship to a full kingdom, partly in response to changing relationships with the papacy, which still had suzerainty over Ireland, following Henry's break with the church. Henry was proclaimed King of Ireland at a meeting of the Irish Parliament that year. This was the first meeting of the Irish Parliament to be attended by the Gaelic Irish princes as well as the Hiberno-Norman aristocracy. With the technical institutions of government in place, the next step was to extend the control of the Kingdom of Ireland over all of its claimed territory. This took nearly a century, with various English administrations in the process either negotiating or fighting with the independent Irish and Old English lords. The conquest was completed during the reigns of Elizabeth and James I, after several bloody conflicts. The flight into exile in 1607 of Hugh O'Neill, 2nd Earl of Tyrone and Hugh Roe O'Donnell, 1st Earl of Tyrconnell following their defeat at the Battle of Kinsale in 1601 and the suppression of their rebellion in Ulster in 1603 is seen as the watershed of Gaelic Ireland. It marked the destruction of Ireland's ancient Gaelic nobility following the Tudor conquest and cleared the way for the Plantation of Ulster. After this point, the English authorities in Dublin established greater control over Ireland, establishing - or, at least, attempting to establish - a centralised government for the entire island, and successfully disarmed the Gaelic lordships. O'Donnell - often known as Red Hugh O'Donnell - died in the archive castle of Simancas, Valladolid, in September 1602, when petitioning Philip III of Spain (1598–1621) for further assistance. His son, Rory, succeeded him as the Earl of Tyrconnell and was active in armies fighting for Madrid in the Low Countries and Spain. He died at the Battle of Barcelona in 1642, a naval engagement against the French fleet. England and Scotland merged politically in 1707 after the crowns of both counties were united in 1603, but the crown of Ireland did not merge with the Union until 1800. Part of the attraction of the Union for many Irish Catholics was the promise of Catholic Emancipation, allowing Roman Catholic MPs, who had not been allowed in the Irish Parliament. This was however blocked by King George III who argued that emancipating Roman Catholics would breach his Coronation Oath, and was not realised until 1829. The Gaelic roots that defined early Irish history still persisted, despite this Anglicisation of Irish culture and politics, as Christianity became the prominent expression of Irish identity in Ireland. In the time leading up to the Great Famine of the 1840s, many priests believed that parishioner spirituality was paramount, resulting in a localised morphing of Gaelic and Catholic traditions. See also Dál Riata Scotland in the High Middle Ages References Further reading Gaelic History of Ireland by period Irish culture Irish society 1st millennium in Ireland 2nd millennium in Ireland	true	[ "Fredrick Else (31 March 193320 July 2015) was an English footballer, who played as a goalkeeper. Else gained over 600 professional appearances in his career playing for three clubs, Preston North End, Blackburn Rovers and Barrow.\n\nClub career\nElse was born in Golborne near Wigan on 31 March 1933. Whilst on national service in the north-east he played for amateur club Axwell Park Colliery Welfare in the Derwent Valley League. He attracted the attention of Football League teams and signed as a junior for Preston North End in 1951, and as a professional in 1953. He made his debut for Preston against Manchester City in 1954, but was restricted to 14 appearances over his first three seasons. He eventually became first choice, displacing George Thompson, and played 238 times for North End. During this time Preston's most successful season came in 1957–58, when the club finished as runners up in Division One.\n\nThe 1960–61 season ended in relegation for Preston and Else was sold to neighbours Blackburn Rovers for £20,000. Else became a first choice for Blackburn straight away and played 221 times for the club. A collarbone injury in 1964–65 resulted in a period out of the game, though Else returned to regain the goalkeeper's jersey at Blackburn. Nonetheless the team were relegated the following season and Else was released. During the summer of 1966 Else signed with Barrow of the Fourth Division. Else became part of Barrow's most successful team, with the side winning promotion to the Third Division in his first season there. Else was Barrow's first choice keeper for the entire period that they were in the third division, and played 148 league matches for the club. He retired from football after Barrow's relegation in 1970 following a leg infection. His final season included a brief stint as caretaker manager at Barrow.\n\nHonours\n Football League Division One Runner-up 1957–1958\n Football League Division Four Promotion 1966–1967\n\nInternational career\nElse has been described by fans of the clubs that he played for as one of the best English goalkeepers never to win a full international cap. He did, however, make one appearance for the England B team in 1957 against Scotland B, as well as participating in a Football Association touring side of 1961.\n\nPersonal life and death\nElse met his wife Marjorie in 1949 in Douglas on the Isle of Man. They married when Else was 22 and Marjorie 20, on 29 October 1955, a Saturday morning. The wedding was held in Marjorie's home town of Blackpool and the date was chosen so that the couple could marry in the morning and Else could then travel either to Deepdale, to play for Preston North End's reserve team, or to Bloomfield Road where Preston's first team was due to be playing Blackpool F.C. In the event Else was selected for the reserves and the couple had to travel by bus to Preston.\n\nAfter retiring from football, Else remained in Barrow-in-Furness, becoming a geography and maths teacher at a local secondary school. He retired from teaching in 1999 and moved to Cyprus, though still attended some Barrow matches. Else died in Barrow-in-Furness on 20 July 2015, aged 82.\n\nReferences\n\n2015 deaths\n1933 births\nBarrow A.F.C. managers\nBarrow A.F.C. players\nBlackburn Rovers F.C. players\nPreston North End F.C. players\nPeople from Golborne\nEnglish footballers\nAssociation football goalkeepers\nSchoolteachers from Cumbria\nEnglish Football League players\nEngland B international footballers\nEnglish football managers", "Father Paul Du Ru was a Jesuit priest who was active during the 1700s in the greater Mississippi area. Du Ru was born in Vernon, France in the region of Normandy. He entered the novitiate when he was twenty, after he completed his courses he was ordained in 1698.\n\nExpedition to Louisiana \nFather Paul du Ru (1688) was a member of the Society of Jesus who was brought in by d'Iberville after he was dissatisfied with the refusal of the first Missionary Anastase Douay to stay in Fort Maurpees. Looking further into what Father Du Ru was doing in the 1700s in the greater Louisiana and Mississippi area in this time period he was in contact with the local indigenous tribes such as the Houma. The Houma were living on the east side of the Mississippi river twenty miles above the red river. During his time with them he would encourage them to build a church that is fifty feet in length and place it in front of a cross at forty feet in height. This would lead to other missionaries such as chanting the first high mass with the Houma. He also visited the Bayogoulas and the Natchez as well. While observing these tribes and trying to introduce them to Christianity, he tried to explain that the great spirit he spoke off did not require a sacrifice. This misunderstanding came from watching these tribes rituals and believed they resulted in death which they did not. Du Ru would communicate with these tribes the elements of Christianity with the fragments of their language and using the lure of presents. He would begin to study these languages in order to have a more clear way of communicating with these tribe men. While also there Du Ru also took his time in observing the local flora and fauna. Specifically putting in his journal that the parrots here by the thousands; their plumage is marvelous but they are far from being as good [ to eat] as they are beautiful.\n\nReferences \n\n17th-century French Jesuits" ]
[ "Gaelic Ireland", "Settlements and architecture", "What type of settlements were there?", "There were very few nucleated settlements in Gaelic areas.", "What did the buildings look like?", "It was at this time, perhaps as a response to Viking raids, that many of the Irish round towers were built.", "What material were the buildings made of?", "concentrated in counties Limerick and Clare but are lacking in Ulster, except the area around Strangford Lough.", "Did the buildings survive?", "surrounded by a wall (see bawn) and ancillary buildings. Gaelic families had begun to build their own tower houses by the 15th century.", "What else did they build during this time period?", "\". The Normans gradually replaced wooden motte-and-baileys with stone castles and tower houses." ]	C_fe515e59d85c4f8d850279012b1372da_1	What other materials did they use to build?	6	Besides stone, what other materials did the Normans use to build their settlements in Gaelic Ireland?	Gaelic Ireland	For most of the Gaelic period, dwellings and farm buildings were circular with conical thatched roofs (see roundhouse). Square and rectangle-shaped buildings gradually became more common, and by the 14th or 15th century they had replaced round buildings completely. In some areas, buildings were made mostly of stone. In others, they were built of timber, wattle and daub, or a mix of materials. Most ancient and early medieval stone buildings were of dry stone construction. Some buildings would have had glass windows. Among the wealthy, it was common for women to have their own 'apartment' called a grianan (anglicized "greenan") in the sunniest part of the homestead. The dwellings of freemen and their families were often surrounded by a circular rampart called a "ringfort". There are two main kinds of ringfort. The rath is an earthen ringfort, averaging 30m diameter, with a dry outside ditch. The cathair or caiseal is a stone ringfort. The ringfort would typically have enclosed the family home, small farm buildings or workshops, and animal pens. Most date to the period 500-1000 CE and there is evidence of large-scale ringfort desertion at the end of the first millennium. The remains of between 30,000 and 40,000 lasted into the 19th century to be mapped by Ordnance Survey Ireland. Another kind of native dwelling was the crannog, which were roundhouses built on artificial islands in lakes. There were very few nucleated settlements in Gaelic areas. However, after the 5th century some monasteries became the heart of small "monastic towns". By the 10th century the Norse-Gaelic ports of Dublin, Wexford, Cork and Limerick had grown into substantial settlements. It was at this time, perhaps as a response to Viking raids, that many of the Irish round towers were built. In the fifty years before the Norman invasion, the term "castle" (Old Irish: caistel/caislen) appears in Gaelic writings, although there are no surviving examples of pre-Norman castles. After the invasion, the Normans built motte-and-bailey castles in the areas they occupied, some of which were converted from ringforts. By 1300 "some mottes, especially in frontier areas, had almost certainly been built by the Gaelic Irish in imitation". The Normans gradually replaced wooden motte-and-baileys with stone castles and tower houses. Tower houses are free-standing multi-storey stone towers usually surrounded by a wall (see bawn) and ancillary buildings. Gaelic families had begun to build their own tower houses by the 15th century. As many as 7000 may have been built, but they were rare in areas with little Norman settlement or contact. They are concentrated in counties Limerick and Clare but are lacking in Ulster, except the area around Strangford Lough. In Gaelic law, a 'sanctuary' called a maighin digona surrounded each person's dwelling. The maighin digona's size varied according to the owner's rank. In the case of a boaire it stretched as far as he, while sitting at his house, could cast a cnairsech (variously described as a spear or sledgehammer). The owner of a maighin digona could offer its protection to someone fleeing from pursuers, who would then have to bring that person to justice by lawful means. CANNOTANSWER	while sitting at his house, could cast a cnairsech (variously described as a spear or sledgehammer	Gaelic Ireland () was the Gaelic political and social order, and associated culture, that existed in Ireland from the prehistoric era until the early 17th century. Before the Norman invasion of 1169, Gaelic Ireland comprised the whole island. Thereafter, it comprised that part of the country not under foreign dominion at a given time, i.e. "The Pale". For most of its history, Gaelic Ireland was a "patchwork" hierarchy of territories ruled by a hierarchy of kings or chiefs, who were elected through tanistry. Warfare between these territories was common. Occasionally, a powerful ruler was acknowledged as High King of Ireland. Society was made up of clans and, like the rest of Europe, was structured hierarchically according to class. Throughout this period, the economy was mainly pastoral and money was generally not used. A Gaelic Irish style of dress, music, dance, sport, architecture, and art can be identified, with Irish art later merging with Anglo-Saxon styles to create Insular art. Gaelic Ireland was initially pagan and had an oral culture. Inscription in the ogham alphabet began in the protohistoric period, perhaps as early as the 1st century. The conversion to Christianity accompanied the introduction of literature, and much of Ireland's rich pre-Christian mythology and sophisticated law code were preserved, albeit Christianized. In the Early Middle Ages, Ireland was an important centre of learning. Irish missionaries and scholars were influential in western Europe, and helped to spread Christianity to much of Britain and parts of mainland Europe. In the 9th century, Vikings began raiding and founding settlements along Ireland's coasts and waterways, which became its first large towns. Over time, these settlers were assimilated and became the Norse-Gaels. After the Norman invasion of 1169–71, large swathes of Ireland came under the control of Norman lords, leading to centuries of conflict with the native Irish. The King of England claimed sovereignty over this territory – the Lordship of Ireland – and the island as a whole. However, the Gaelic system continued in areas outside Anglo-Norman control. The territory under English control gradually shrank to an area known as the Pale and, outside this, many Hiberno-Norman lords adopted Gaelic culture. In 1542, Henry VIII of England declared the Lordship a Kingdom and himself King of Ireland. The English then began to conquer (or re-conquer) the island. By 1607, Ireland was fully under English control, bringing the old Gaelic political and social order to an end. Culture and society Gaelic culture and society was centred around the fine (explained below). Gaelic Ireland had a rich oral culture and appreciation of deeper and intellectual pursuits. Filí and draoithe (druids) were held in high regard during Pagan times and orally passed down the history and traditions of their people. Later, many of their spiritual and intellectual tasks were passed on to Christian monks, after said religion prevailed from the 5th century onwards. However, the filí continued to hold a high position. Poetry, music, storytelling, literature and other art forms were highly prized and cultivated in both pagan and Christian Gaelic Ireland. Hospitality, bonds of kinship and the fulfilment of social and ritual responsibilities were highly important. Like Britain, Gaelic Ireland consisted not of one single unified kingdom, but several. The main kingdoms were Ulaid (Ulster), Mide (Meath), Laigin (Leinster), Muma (Munster, consisting of Iarmuman, Tuadmumain and Desmumain), Connacht, Bréifne (Breffny), In Tuaiscert (The North), and Airgíalla (Oriel). Each of these overkingdoms were built upon lordships known as túatha (singular: túath). Law tracts from the early 700s describe a hierarchy of kings: kings of túath subject to kings of several túatha who again were subject to the regional overkings. Already before the 8th century these overkingdoms had begun to replace the túatha as the basic sociopolitical unit. Religion and mythology Paganism Before Christianization, the Gaelic Irish were polytheistic or pagan. They had many gods and goddesses, which generally have parallels in the pantheons of other European nations. Two groups of supernatural beings who appear throughout Irish mythology—the Tuatha Dé Danann and Fomorians—are believed to represent the Gaelic pantheon. They were also animists, believing that all aspects of the natural world contained spirits, and that these spirits could be communicated with. Burial practices—which included burying food, weapons, and ornaments with the dead—suggest a belief in life after death. Some have equated this afterlife with the Otherworld realms known as Magh Meall and Tír na nÓg in Irish mythology. There were four main religious festivals each year, marking the traditional four divisions of the year – Samhain, Imbolc, Bealtaine and Lughnasadh. The mythology of Ireland was originally passed down orally, but much of it was eventually written down by Irish monks, who Christianized and modified it to an extent. This large body of work is often split into three overlapping cycles: the Mythological Cycle, the Ulster Cycle, and the Fenian Cycle. The first cycle is a pseudo-history that describes how Ireland, its people and its society came to be. The second cycle tells of the lives and deaths of Ulaidh heroes such as Cúchulainn. The third cycle tells of the exploits of Fionn mac Cumhaill and the Fianna. There are also a number of tales that do not fit into these cycles – this includes the immrama and echtrai, which are tales of voyages to the 'Otherworld'. Christianity The introduction of Christianity to Ireland dates to sometime before the 5th century, with Palladius (later bishop of Ireland) sent by Pope Celestine I in the mid-5th century to minister to Irish "believing in Christ". Early medieval traditions credit Saint Patrick as being the first Primate of Ireland. Christianity would eventually supplant the existing pagan traditions, with the prologue of the 9th century Martyrology of Tallaght (attributed to author Óengus of Tallaght) speaking of the last vestiges of paganism in Ireland. Social and political structure In Gaelic Ireland each person belonged to an agnatic kin-group known as a fine (plural: finte). This was a large group of related people supposedly descended from one progenitor through male forebears. It was headed by a man whose office was known in Old Irish as a cenn fine or toísech (plural: toísig). Nicholls suggests that they would be better thought of as akin to the modern-day corporation. Within each fine, the family descended from a common great grandparent was called a derbfine (modern form dearbhfhine), lit. "close clan". The cland (modern form clann) referred to the children of the nuclear family. Succession to the kingship was through tanistry. When a man became king, a relative was elected to be his deputy or 'tanist' (Irish: tánaiste, plural tanaistí). When the king died, his tanist would automatically succeed him. The tanist had to share the same derbfine and he was elected by other members of the derbfine. Tanistry meant that the kingship usually went to whichever relative was deemed to be the most fitting. Sometimes there would be more than one tanist at a time and they would succeed each other in order of seniority. Some Anglo-Norman lordships later adopted tanistry from the Irish. Gaelic Ireland was divided into a hierarchy of territories ruled by a hierarchy of kings of chiefs. The smallest territory was the túath (plural: túatha), which was typically the territory of a single kin-group. It was ruled by a rí túaithe (king of a túath) or toísech túaithe (leader of a túath). Several túatha formed a mór túath (overkingdom), which was ruled by a rí mór túath or ruirí (overking). Several mór túatha formed a cóiced (province), which was ruled by a rí cóicid or rí ruirech (provincial king). In the early Middle Ages the túatha was the main political unit, but over time they were subsumed into bigger conglomerate territories and became much less important politically. Gaelic society was structured hierarchically, with those further up the hierarchy generally having more privileges, wealth and power than those further down. The top social layer was the sóernemed, which included kings, tanists, ceann finte, fili, clerics, and their immediate families. The roles of a fili included reciting traditional lore, eulogizing the king and satirizing injustices within the kingdom. Before the Christianization of Ireland, this group also included the druids (druí) and vates (fáith). Below that were the dóernemed, which included professionals such as jurists (brithem), physicians, skilled craftsmen, skilled musicians, scholars, and so on. A master in a particular profession was known as an ollam (modern spelling: ollamh). The various professions—including law, poetry, medicine, history and genealogy—were associated with particular families and the positions became hereditary. Since the poets, jurists and doctors depended on the patronage of the ruling families, the end of the Gaelic order brought their demise. Below that were freemen who owned land and cattle (for example the bóaire). Below that were freemen who did not own land or cattle, or who owned very little. Below that were the unfree, which included serfs and slaves. Slaves were typically criminals (debt slaves) or prisoners of war. Slavery and serfdom was inherited, though slavery in Ireland had died out by 1200. The warrior bands known as fianna generally lived apart from society. A fian was typically composed of young men who had not yet come into their inheritance of land. A member of a fian was called a fénnid and the leader of a fian was a rígfénnid. Geoffrey Keating, in his 17th-century History of Ireland, says that during the winter the fianna were quartered and fed by the nobility, during which time they would keep order on their behalf. But during the summer, from Bealtaine to Samhain, they were beholden to live by hunting for food and for hides to sell. Although distinct, these ranks were not utterly exclusive castes like those of India. It was possible to rise or sink from one rank to another. Rising upward could be achieved a number of ways, such as by gaining wealth, by gaining skill in some department, by qualifying for a learned profession, by showing conspicuous valour, or by performing some service to the community. An example of the latter is a person choosing to become a briugu (hospitaller). A briugu had to have his house open to any guests, which included feeding no matter how big the group. For the briugu to fulfill these duties, he was allowed more land and privileges, but this could be lost if he ever refused guests. A freeman could further himself by becoming the client of one or more lords. The lord made his client a grant of property (i.e. livestock or land) and, in return, the client owed his lord yearly payments of food and fixed amounts of work. The clientship agreement could last until the lord's death. If the client died, his heirs would carry on the agreement. This system of clientship enabled social mobility as a client could increase his wealth until he could afford clients of his own, thus becoming a lord. Clientship was also practised between nobles, which established hierarchies of homage and political support. Law Gaelic law was originally passed down orally, but was written down in Old Irish during the period 600–900 AD. This collection of oral and written laws is known as the Fénechas or, in English, as the Brehon Law(s). The brehons (Old Irish: brithem, plural brithemain) were the jurists in Gaelic Ireland. Becoming a brehon took many years of training and the office was, or became, largely hereditary. Most legal cases were contested privately between opposing parties, with the brehons acting as arbitrators. Offences against people and property were primarily settled by the offender paying compensation to the victims. Although any such offence required compensation, the law made a distinction between intentional and unintentional harm, and between murder and manslaughter. If an offender did not pay outright, his property was seized until he did so. Should the offender be unable to pay, his family would be responsible for doing so. Should the family be unable or unwilling to pay, responsibility would broaden to the wider kin-group. Hence, it has been argued that "the people were their own police". Acts of violence were generally settled by payment of compensation known as an éraic fine; the Gaelic equivalent of the Welsh galanas and the Germanic weregild. If a free person was murdered, the éraic was equal to 21 cows, regardless of the victim's rank in society. Each member of the murder victim's agnatic kin-group received a payment based on their closeness to the victim, their status, and so forth. There were separate payments for the kin-group of the victim's mother, and for the victim's foster-kin. Execution seems to have been rare and carried out only as a last resort. If a murderer was unable or unwilling to pay éraic and was handed to his victim's family, they might kill him if they wished should nobody intervene by paying the éraic. Habitual or particularly serious offenders might be expelled from the kin-group and its territory. Such people became outlaws (with no protection from the law) and anyone who sheltered him became liable for his crimes. If he still haunted the territory and continued his crimes there, he was proclaimed in a public assembly and after this anyone might lawfully kill him. Each person had an honour-price, which varied depending on their rank in society. This honour-price was to be paid to them if their honour was violated by certain offences. Those of higher rank had a higher honour-price. However, an offence against the property of a poor man (who could ill afford it), was punished more harshly than a similar offence upon a wealthy man. The clergy were more harshly punished than the laity. When a layman had paid his fine he would go through a probationary period and then regain his standing, but a clergyman could never regain his standing. Some laws were pre-Christian in origin. These secular laws existed in parallel, and sometimes in conflict, with Church law. Although brehons usually dealt with legal cases, kings would have been able to deliver judgments also, but it is unclear how much they would have had to rely on brehons. Kings had their own brehons to deal with cases involving the king's own rights and to give him legal advice. Unlike other kingdoms in Europe, Gaelic kings—by their own authority—could not enact new laws as they wished and could not be "above the law". They could, however, enact temporary emergency laws. It was mainly through these emergency powers that the Church attempted to change Gaelic law. The law texts take great care to define social status, the rights and duties that went with that status, and the relationships between people. For example, ceann finte had to take responsibility for members of their fine, acting as a surety for some of their deeds and making sure debts were paid. He would also be responsible for unmarried women after the death of their fathers. Marriage, women and children Ancient Irish culture was patriarchal. The Brehon law excepted women from the ordinary course of the law so that, in general, every woman had to have a male guardian. However, women had some legal capacity. By the 8th century, the preferred form of marriage was one between social equals, under which a woman was technically legally dependent on her husband and had half his honor price, but could exercise considerable authority in regard to the transfer of property. Such women were called "women of joint dominion". Thus historian Patrick Weston Joyce could write that, relative to other European countries of the time, free women in Gaelic Ireland "held a good position" and their social and property rights were "in most respects, quite on a level with men". Gaelic Irish society was also patrilineal, with land being primarily owned by men and inherited by the sons. Only when a man had no sons would his land pass to his daughters, and then only for their lifetimes. Upon their deaths, the land was redistributed among their father's male relations. Under Brehon law, rather than inheriting land, daughters had assigned to them a certain number of their father's cattle as their marriage-portion. It seems that, throughout the Middle Ages, the Gaelic Irish kept many of their marriage laws and traditions separate from those of the Church. Under Gaelic law, married women could hold property independent of their husbands, a link was maintained between married women and their own families, couples could easily divorce or separate, and men could have concubines (which could be lawfully bought). These laws differed from most of contemporary Europe and from Church law. The lawful age of marriage was fifteen for girls and eighteen for boys, the respective ages at which fosterage ended. Upon marriage, the families of the bride and bridegroom were expected to contribute to the match. It was custom for the bridegroom and his family to pay a coibche (modern spelling: coibhche) and the bride was allowed a share of it. If the marriage ended owing to a fault of the husband then the coibche was kept by the wife and her family, but if the fault lay with the wife then the coibche was to be returned. It was custom for the bride to receive a spréid (modern spelling: spréidh) from her family (or foster family) upon marriage. This was to be returned if the marriage ended through divorce or the death of the husband. Later, the spréid seems to have been converted into a dowry. Women could seek divorce/separation as easily as men could and, when obtained on her behalf, she kept all the property she had brought her husband during their marriage. Trial marriages seem to have been popular among the rich and powerful, and thus it has been argued that cohabitation before marriage must have been acceptable. It also seems that the wife of a chieftain was entitled to some share of the chief's authority over his territory. This led to some Gaelic Irish wives wielding a great deal of political power. Before the Norman invasion, it was common for priests and monks to have wives. This remained mostly unchanged after the Norman invasion, despite protests from bishops and archbishops. The authorities classed such women as priests' concubines and there is evidence that a formal contract of concubinage existed between priests and their women. However, unlike other concubines, they seem to have been treated just as wives were. In Gaelic Ireland a kind of fosterage was common, whereby (for a certain length of time) children would be left in the care of others to strengthen family ties or political bonds. Foster parents were beholden to teach their foster children or to have them taught. Foster parents who had properly done their duties were entitled to be supported by their foster children in old age (if they were in need and had no children of their own). As with divorce, Gaelic law again differed from most of Europe and from Church law in giving legal standing to both "legitimate" and "illegitimate" children. Settlements and architecture For most of the Gaelic period, dwellings and farm buildings were circular with conical thatched roofs (see roundhouse). Square and rectangle-shaped buildings gradually became more common, and by the 14th or 15th century they had replaced round buildings completely. In some areas, buildings were made mostly of stone. In others, they were built of timber, wattle and daub, or a mix of materials. Most ancient and early medieval stone buildings were of dry stone construction. Some buildings would have had glass windows. Among the wealthy, it was common for women to have their own 'apartment' called a grianan (anglicized "greenan") in the sunniest part of the homestead. The dwellings of freemen and their families were often surrounded by a circular rampart called a "ringfort". There are two main kinds of ringfort. The ráth is an earthen ringfort, averaging 30m diameter, with a dry outside ditch. The cathair or caiseal is a stone ringfort. The ringfort would typically have enclosed the family home, small farm buildings or workshops, and animal pens. Most date to the period 500–1000 CE and there is evidence of large-scale ringfort desertion at the end of the first millennium. The remains of between 30,000 and 40,000 lasted into the 19th century to be mapped by Ordnance Survey Ireland. Another kind of native dwelling was the crannóg, which were roundhouses built on artificial islands in lakes. There were very few nucleated settlements, but after the 5th century some monasteries became the heart of small "monastic towns". By the 10th century the Norse-Gaelic ports of Dublin, Wexford, Cork and Limerick had grown into substantial settlements, all ruled by Gaelic kings by 1052. In this era many of the Irish round towers were built. In the fifty years before the Norman invasion, the term "castle" () appears in Gaelic writings, although there are few intact surviving examples of pre-Norman castles. After the invasion, the Normans built motte-and-bailey castles in the areas they occupied, some of which were converted from ringforts. By 1300 "some mottes, especially in frontier areas, had almost certainly been built by the Gaelic Irish in imitation". The Normans gradually replaced wooden motte-and-baileys with stone castles and tower houses. Tower houses are free-standing multi-storey stone towers usually surrounded by a wall (see bawn) and ancillary buildings. Gaelic families had begun to build their own tower houses by the 15th century. As many as 7000 may have been built, but they were rare in areas with little Norman settlement or contact. They are concentrated in counties Limerick and Clare but are lacking in Ulster, except the area around Strangford Lough. In Gaelic law, a 'sanctuary' called a maighin digona surrounded each person's dwelling. The maighin digona's size varied according to the owner's rank. In the case of a bóaire it stretched as far as he, while sitting at his house, could cast a cnairsech (variously described as a spear or sledgehammer). The owner of a maighin digona could offer its protection to someone fleeing from pursuers, who would then have to bring that person to justice by lawful means. Economy Gaelic Ireland was involved in trade with Britain and mainland Europe from ancient times, and this trade increased over the centuries. Tacitus, for example, wrote in the 1st century that most of Ireland's harbours were known to the Romans through commerce. There are many passages in early Irish literature that mention luxury goods imported from foreign lands, and the fair of Carman in Leinster included a market of foreign traders. In the Middle Ages the main exports were textiles such as wool and linen while the main imports were luxury items. Money was seldom used in Gaelic society; instead, goods and services were usually exchanged for other goods and services (barter). The economy was mainly a pastoral one, based on livestock (cows, sheep, pigs, goats, etc.) and their products. Cattle was "the main element in the Irish pastoral economy" and the main form of wealth, providing milk, butter, cheese, meat, fat, hides, and so forth. They were a "highly mobile form of wealth and economic resource which could be quickly and easily moved to a safer locality in time of war or trouble". The nobility owned great herds of cattle that had herdsmen and guards. Sheep, goats and pigs were also a valuable resource but had a lesser role in Irish pastoralism. Horticulture was practised; the main crops being oats, wheat and barley, although flax was also grown for making linen. Transhumance was also practised, whereby people moved with their livestock to higher pastures in summer and back to lower pastures in the cooler months. The summer pasture was called the buaile (anglicized as booley) and it is noteworthy that the Irish word for boy (buachaill) originally meant a herdsman. Many moorland areas were "shared as a common summer pasturage by the people of a whole parish or barony". Transport Gaelic Ireland was well furnished with roads and bridges. Bridges were typically wooden and in some places the roads were laid with wood and stone. There were five main roads leading from Tara: Slíghe Asail, Slíghe Chualann, Slíghe Dála, Slíghe Mór and Slíghe Midluachra. Horses were one of the main means of long-distance transport. Although horseshoes and reins were used, the Gaelic Irish did not use saddles, stirrups or spurs. Every man was trained to spring from the ground on to the back of his horse (an ech-léim or "steed-leap") and they urged-on and guided their horses with a rod having a hooked goad at the end. Two-wheeled and four-wheeled chariots (singular carbad) were used in Ireland from ancient times, both in private life and in war. They were big enough for two people, made of wickerwork and wood, and often had decorated hoods. The wheels were spoked, shod all round with iron, and were from three to four and a half feet high. Chariots were generally drawn by horses or oxen, with horse-drawn chariots being more common among chiefs and military men. War chariots furnished with scythes and spikes, like those of the ancient Gauls and Britons, are mentioned in literature. Boats used in Gaelic Ireland include canoes, currachs, sailboats and Irish galleys. Ferryboats were used to cross wide rivers and are often mentioned in the Brehon Laws as subject to strict regulations. Sometimes they were owned by individuals and sometimes they were the common property of those living round the ferry. Large boats were used for trade with mainland Europe. Dress Throughout the Middle Ages, the common clothing amongst the Gaelic Irish consisted of a brat (a woollen semi circular cloak) worn over a léine (a loose-fitting, long-sleeved tunic made of linen). For men the léine reached to their ankles but was hitched up by means of a crios (pronounced 'kriss') which was a type of woven belt. The léine was hitched up to knee level. Women wore the léine at full length. Men sometimes wore tight-fitting trews (Gaelic triúbhas) but otherwise went bare-legged. The brat was simply thrown over both shoulders or sometimes over only one. Occasionally the brat was fastened with a dealg (brooch), with men usually wearing the dealg at their shoulders and women at their chests. The ionar (a short, tight-fitting jacket) became popular later on. In Topographia Hibernica, written during the 1180s, Gerald de Barri wrote that the Irish commonly wore hoods at that time (perhaps forming part of the brat), while Edmund Spenser wrote in the 1580s that the brat was (in general) their main item of clothing. Gaelic clothing does not appear to have been influenced by outside styles. Women invariably grew their hair long and, as in other European cultures, this custom was also common among the men. It is said that the Gaelic Irish took great pride in their long hair—for example, a person could be forced to pay the heavy fine of two cows for shaving a man's head against his will. For women, very long hair was seen as a mark of beauty. Sometimes, wealthy men and women would braid their hair and fasten hollow golden balls to the braids. Another style that was popular among some medieval Gaelic men was the glib (short all over except for a long, thick lock of hair towards the front of the head). A band or ribbon around the forehead was the typical way of holding one's hair in place. For the wealthy, this band was often a thin and flexible band of burnished gold, silver or findruine. When the Anglo-Normans and the English colonized Ireland, hair length came to signify one's allegiance. Irishmen who cut their hair short were deemed to be forsaking their Irish heritage. Likewise, English colonists who grew their hair long at the back were deemed to be giving in to the Irish life. Gaelic men typically wore a beard and mustache, and it was often seen as dishonourable for a Gaelic man to have no facial hair. Beard styles varied – the long forked beard and the rectangular Mesopotamian-style beard were fashionable at times. Warfare Warfare was common in Gaelic Ireland, as territories fought for supremacy against each other and (later) against the Anglo-Normans. Champion warfare is a common theme in Irish mythology. In the Middle Ages all able-bodied men, apart from the learned and the clergy, were eligible for military service on behalf of the king or chief. Throughout the Middle Ages and for some time after, outsiders often wrote that the style of Irish warfare differed greatly from what they deemed to be the norm in Western Europe. The Gaelic Irish preferred hit-and-run raids (the crech), which involved catching the enemy unaware. If this worked they would then seize any valuables (mainly livestock) and potentially valuable hostages, burn the crops, and escape. The cattle raid was often called a Táin Bó in Gaelic literature. Although hit-and-run raiding was the preferred tactic in medieval times, there were also pitched battles. From at least the 11th century, kings maintained small permanent fighting forces known as "troops of the household", who were often given houses and land on the king's mensal land. These were well-equipped professional soldiers made up of infantry and cavalry. By the reign of Brian Boru, Irish kings were taking large armies on campaign over long distances and using naval forces in tandem with land forces. A typical medieval Irish army included light infantry, heavy infantry and cavalry. The bulk of the army was made up of light infantry called ceithern (anglicized 'kern'). The ceithern wandered Ireland offering their services for hire and usually wielded swords, skenes (a kind of long knife), short spears, bows and shields. The cavalry was usually made up of a king or chieftain and his close relatives. They usually rode without saddles but wore armour and iron helmets and wielded swords, skenes and long spears or lances. One kind of Irish cavalry was the hobelar. After the Norman invasion there emerged a kind of heavy infantry called gallóglaigh (anglicized 'gallo[w]glass'). They were originally Scottish mercenaries who appeared in the 13th century, but by the 15th century most large túatha had their own hereditary force of Irish gallóglaigh. Some Anglo-Norman lordships also began using gallóglaigh in imitation of the Irish. They usually wore mail and iron helmets and wielded sparth axes, claymores, and sometimes spears or lances. The gallóglaigh furnished the retreating plunderers with a "moving line of defence from which the horsemen could make short, sharp charges, and behind which they could retreat when pursued". As their armour made them less nimble, they were sometimes planted at strategic spots along the line of retreat. The kern, horsemen and gallóglaigh had lightly-armed servants to carry their weapons into battle. Warriors were sometimes rallied into battle by blowing horns and warpipes. According to Gerald de Barri (in the 12th century), they did not wear armour, as they deemed it burdensome to wear and "brave and honourable" to fight without it. Instead, most ordinary soldiers fought semi-naked and carried only their weapons and a small round shield—Spenser wrote that these shields were covered with leather and painted in bright colours. Kings and chiefs sometimes went into battle wearing helmets adorned with eagle feathers. For ordinary soldiers, their thick hair often served as a helmet, but they sometimes wore simple helmets made from animal hides. Arts Visual art Artwork from Ireland's Gaelic period is found on pottery, jewellery, weapons, drinkware, tableware, stone carvings and illuminated manuscripts. Irish art from about 300 BC incorporates patterns and styles which developed in west central Europe. By about AD 600, after the Christianization of Ireland had begun, a style melding Irish, Mediterranean and Germanic Anglo-Saxon elements emerged, and was spread to Britain and mainland Europe by the Hiberno-Scottish mission. This is known as Insular art or Hiberno-Saxon art, which continued in some form in Ireland until the 12th century, although the Viking invasions ended its "Golden Age". Most surviving works of Insular art were either made by monks or made for monasteries, with the exception of brooches, which were likely made and used by both clergy and laity. Examples of Insular art from Ireland include the Book of Kells, Muiredach's High Cross, the Tara Brooch, the Ardagh Hoard the Derrynaflan Chalice, and the late Cross of Cong, which also uses Viking styles. Literature Music and dance Although Gerald de Barri had a negative view of the Irish, in Topographia Hibernica (1188) he conceded that they were more skilled at playing music than any other nation he had seen. He claimed that the two main instruments were the "harp" and "tabor" (see also bodhrán), that their music was fast and lively, and that their songs always began and ended with B-flat. In A History of Irish Music (1905), W. H. Grattan Flood wrote that there were at least ten instruments in general use by the Gaelic Irish. These were the cruit (a small harp) and clairseach (a bigger harp with typically 30 strings), the timpan (a small string instrument played with a bow or plectrum), the feadan (a fife), the buinne (an oboe or flute), the guthbuinne (a bassoon-type horn), the bennbuabhal and corn (hornpipes), the cuislenna (bagpipes – see Great Irish Warpipes), the stoc and sturgan (clarions or trumpets), and the cnamha (castanets). He also mentions the fiddle as being used in the 8th century. Sport Assemblies As mentioned before, Gaelic Ireland was split into many clann territories and kingdoms called túath (plural: túatha). Although there was no central 'government' or 'parliament', a number of local, regional and national gatherings were held. These combined features of assemblies and fairs. In Ireland the highest of these was the feis at Teamhair na Rí (Tara), which was held every third Samhain. This was a gathering of the leading men of the whole island – kings, lords, chieftains, druids, judges etc. Below this was the óenach (modern spelling: aonach). These were regional or provincial gatherings open to everyone. Examples include that held at Tailtin each Lughnasadh, and that held at Uisneach each Bealtaine. The main purpose of these gatherings was to promulgate and reaffirm the laws – they were read aloud in public that they might not be forgotten, and any changes in them carefully explained to those present. Each túath or clann had two assemblies of its own. These were the cuirmtig, which was open to all clann members, and the dal (a term later adopted for the Irish parliament – see Dáil Éireann), which was open only to clann chiefs. Each clann had a further assembly called a tocomra, in which the clann chief (toísech, modern taoiseach) and his deputy/successor (tánaiste) were elected. Notable Irish kings List of kings History Before 400 400 to 800 800 to 1169 Anglo-Norman occupation Invasion Ireland became Christianized between the 5th and 7th centuries. Pope Adrian IV, the only English pope, had already issued a Papal Bull in 1155 giving Henry II of England authority to invade Ireland as a means of curbing Irish refusal to recognize Roman law. Importantly, for later English monarchs, the Bull, Laudabiliter, maintained papal suzerainty over the island: In 1166, after losing the protection of High King Muirchertach Mac Lochlainn, King Diarmait Mac Murchada of Leinster was forcibly exiled by a confederation of Irish forces under King Ruaidri mac Tairrdelbach Ua Conchobair. Fleeing first to Bristol and then to Normandy, Diarmait obtained permission from Henry II of England to use his subjects to regain his kingdom. By the following year, he had obtained these services and in 1169 the main body of Norman, Welsh and Flemish forces landed in Ireland and quickly retook Leinster and the cities of Waterford and Dublin on behalf of Diarmait. The leader of the Norman force, Richard de Clare, 2nd Earl of Pembroke, more commonly known as Strongbow, married Diarmait's daughter, Aoife, and was named tánaiste to the Kingdom of Leinster. This caused consternation to Henry II, who feared the establishment of a rival Norman state in Ireland. Accordingly, he resolved to visit Leinster to establish his authority. Henry landed in 1171, proclaiming Waterford and Dublin as Royal Cities. Adrian's successor, Pope Alexander III, ratified the grant of Ireland to Henry in 1172. The 1175 Treaty of Windsor between Henry and Ruaidhrí maintained Ruaidhrí as High King of Ireland but codified Henry's control of Leinster, Meath and Waterford. However, with Diarmuid and Strongbow dead, Henry back in England, and Ruaidhrí unable to curb his vassals, the high kingship rapidly lost control of the country. Henry, in 1185, awarded his younger son, John, the title Dominus Hiberniae, "Lord of Ireland". This kept the newly created title and the Kingdom of England personally and legally separate. However, when John unexpectedly succeeded his brother as King of England in 1199, the Lordship of Ireland fell back into personal union with the Kingdom of England. Gaelic resurgence By 1261, the weakening of the Anglo-Norman Lordship had become manifest following a string of military defeats. In the chaotic situation, local Irish lords won back large amounts of land. The invasion by Edward Bruce in 1315–18 at a time of famine weakened the Norman economy. The Black Death arrived in Ireland in 1348. Because most of the English and Norman inhabitants of Ireland lived in towns and villages, the plague hit them far harder than it did the native Irish, who lived in more dispersed rural settlements. After it had passed, Gaelic Irish language and customs came to dominate the country again. The English-controlled area shrank back to the Pale, a fortified area around Dublin. Outside the Pale, the Hiberno-Norman lords intermarried with Gaelic noble families, adopted the Irish language and customs and sided with the Gaelic Irish in political and military conflicts against the Lordship. They became known as the Old English, and in the words of a contemporary English commentator, were "more Irish than the Irish themselves." The authorities in the Pale worried about the Gaelicisation of Norman Ireland, and passed the Statutes of Kilkenny in 1366 banning those of English descent from speaking the Irish language, wearing Irish clothes or inter-marrying with the Irish. The government in Dublin had little real authority. By the end of the 15th century, central English authority in Ireland had all but disappeared. England's attentions were diverted by the Hundred Years' War (1337–1453) and then by the Wars of the Roses (1450–85). Around the country, local Gaelic and Gaelicised lords expanded their powers at the expense of the English government in Dublin. Gaelic kingdoms during the period Following the failed attempt by the Scottish King Edward Bruce (see Irish Bruce Wars 1315–1318) to drive the Normans out of Ireland, there emerged a number of important Gaelic kingdoms and Gaelic-controlled lordships. Connacht. The Ó Conchobhair dynasty, despite their setback during the Bruce wars, had regrouped and ensured that the title King of Connacht was not yet an empty one. Their stronghold was in their homeland of Sil Muirdeag, from where they dominated much of northern and northeastern Connacht. However, after the death of Ruaidri mac Tairdelbach Ua Conchobair in 1384, the dynasty split into two factions, Ó Conchobhair Don and Ó Conchobhair Ruadh. By the late 15th century, internecine warfare between the two branches had weakened them to the point where they themselves became vassals of more powerful lords such as Ó Domhnaill of Tír Chonaill and the Clan Burke of Clanricarde. The Mac Diarmata Kings of Moylurg retained their status and kingdom during this era, up to the death of Tadhg Mac Diarmata in 1585 (last de facto King of Moylurg). Their cousins, the Mac Donnacha of Tír Ailella, found their fortunes bound to the Ó Conchobhair Ruadh. The kingdom of Uí Maine had lost much of its southern and western lands to the Clanricardes, but managed to flourish until repeated raids by Ó Domhnaill in the early 16th century weakened it. Other territories such as Ó Flaithbeheraigh of Iar Connacht, Ó Seachnasaigh of Aidhne, O'Dowd of Tireagh, O'Hara, Ó Gadhra and Ó Maddan, either survived in isolation or were vassals for greater men. Ulster: The Ulaid proper were in a sorry state all during this era, being squeezed between the emergent Ó Neill of Tír Eógain in the west, the MacDonnells, Clann Aodha Buidhe, and the Anglo-Normans from the east. Only Mag Aonghusa managed to retain a portion of their former kingdom with expansion into Iveagh. The two great success stories of this era were Ó Domhnaill of Tír Chonaill and Ó Neill of Tír Eógain. Ó Domhnaill was able to dominate much of northern Connacht to the detriment of its native lords, both Old English and Gaelic, though it took time to suborn the likes of Ó Conchobhair Sligigh and Ó Raghallaigh of Iar Breifne. Expansion southwards brought the hegemony of Tír Eógain, and by extension Ó Neill influence, well into the border lordships of Louth and Meath. Mag Uidir of Fear Manach would slightly later be able to build his lordship up to that of third most powerful in the province, at the expense of the Ó Raghallaigh of Iar Breifne and the MacMahons of Airgíalla. Leinster: Likewise, despite the adverse (and unforeseen) effects of Diarmait Mac Murchada's efforts to regain his kingdom, the fact of the matter was that, of his twenty successors up to 1632, most of them had regained much of the ground they had lost to the Normans, and exacted yearly tribute from the towns. His most dynamic successor was the celebrated Art mac Art MacMurrough-Kavanagh. The Ó Broin and Ó Tuathail largely contented themselves with raids on Dublin (which, incredibly, continued into the 18th century). The Ó Mordha of Laois and Ó Conchobhair Falaighe of Offaly – the latter's capital was Daingean – were two self-contained territories that had earned the right to be called kingdoms due to their near-invincibility against successive generations of Anglo-Irish. The great losers were the Ó Melaghlins of Meath: their kingdom collapsed despite attempts by Cormac mac Art O Melaghlain to restore it. The royal family was reduced to vassal status, confined to the east shores of the River Shannon. The kingdom was substantially incorporated into the Lordship of Meath which was granted to Hugh de Lacy in 1172. Munster: Desmond: See Kingdom of Desmond, Barony of Carbery, Battle of Callann Thomond: Despite huge setbacks, the descendants of Brian Bóruma had, by surviving the Second Battle of Athenry and winning the decisive battles of Corcomroe and Dysert O'Dea, been able to suborn their vassals and eradicate the Normans from their home kingdom of Thomond. Their spheres of interest often met with conflict with Anglo-Normans such as the Earls of Desmond and Earls of Ormond, yet they ruled right up to the end of Gaelic Ireland, and beyond, by expedient of becoming the O'Brien Earls of Thomond. Tudor conquest and aftermath From 1536, Henry VIII of England decided to conquer Ireland and bring it under English control. The FitzGerald dynasty of Kildare, who had become the effective rulers of the Lordship of Ireland (The Pale) in the 15th century, had become unreliable allies and Henry resolved to bring Ireland under English government control so the island would not become a base for future rebellions or foreign invasions of England. To involve the Gaelic nobility and allow them to retain their lands under English law the policy of surrender and regrant was applied. In 1541, Henry upgraded Ireland from a lordship to a full kingdom, partly in response to changing relationships with the papacy, which still had suzerainty over Ireland, following Henry's break with the church. Henry was proclaimed King of Ireland at a meeting of the Irish Parliament that year. This was the first meeting of the Irish Parliament to be attended by the Gaelic Irish princes as well as the Hiberno-Norman aristocracy. With the technical institutions of government in place, the next step was to extend the control of the Kingdom of Ireland over all of its claimed territory. This took nearly a century, with various English administrations in the process either negotiating or fighting with the independent Irish and Old English lords. The conquest was completed during the reigns of Elizabeth and James I, after several bloody conflicts. The flight into exile in 1607 of Hugh O'Neill, 2nd Earl of Tyrone and Hugh Roe O'Donnell, 1st Earl of Tyrconnell following their defeat at the Battle of Kinsale in 1601 and the suppression of their rebellion in Ulster in 1603 is seen as the watershed of Gaelic Ireland. It marked the destruction of Ireland's ancient Gaelic nobility following the Tudor conquest and cleared the way for the Plantation of Ulster. After this point, the English authorities in Dublin established greater control over Ireland, establishing - or, at least, attempting to establish - a centralised government for the entire island, and successfully disarmed the Gaelic lordships. O'Donnell - often known as Red Hugh O'Donnell - died in the archive castle of Simancas, Valladolid, in September 1602, when petitioning Philip III of Spain (1598–1621) for further assistance. His son, Rory, succeeded him as the Earl of Tyrconnell and was active in armies fighting for Madrid in the Low Countries and Spain. He died at the Battle of Barcelona in 1642, a naval engagement against the French fleet. England and Scotland merged politically in 1707 after the crowns of both counties were united in 1603, but the crown of Ireland did not merge with the Union until 1800. Part of the attraction of the Union for many Irish Catholics was the promise of Catholic Emancipation, allowing Roman Catholic MPs, who had not been allowed in the Irish Parliament. This was however blocked by King George III who argued that emancipating Roman Catholics would breach his Coronation Oath, and was not realised until 1829. The Gaelic roots that defined early Irish history still persisted, despite this Anglicisation of Irish culture and politics, as Christianity became the prominent expression of Irish identity in Ireland. In the time leading up to the Great Famine of the 1840s, many priests believed that parishioner spirituality was paramount, resulting in a localised morphing of Gaelic and Catholic traditions. See also Dál Riata Scotland in the High Middle Ages References Further reading Gaelic History of Ireland by period Irish culture Irish society 1st millennium in Ireland 2nd millennium in Ireland	true	[ "Hospital dos Marmeleiros is a hospital in Monte (Funchal), Madeira.\n\nHistory\nOn 23 July 1905, the Paris edition of the New York Herald carried a report headed: \"German Company Plans to Make Madeira an up-to-date Resort\". In return for a promise to build a sanatorium and hospitals and treat 40 tuberculosis patients a year free, the Madeira Aktiengesellschaft, headed by Prince Friedrich Karl Hohenlohe-Öhringen, was in an arrangement with the Portuguese government, that in turn for building these facilities it will take over all business concerns on Madeira. When plans for some of the hospitals were exposed as being designs for hotels and holiday camps, the Madeirans realized that they were being colonized through the back door and promptly withdrew the concession. Just before this the Germans were constructing what is today the Hospital dos Marmeleiros (the only building the Germans began to build), the Germans were given a tax break and did not need to pay tax on anything needed to construct the hospital. The site was left abandoned until 1930 when the Madeirans continued to build the Hospital dos Marmeleiros.\n\nLocals say that the reason that the hospital construction was abandoned by the Germans was not just because of their colonization plans being discovered. It was that during the construction of the hospital the Germans needed special materials not available on Madeira, so it was agreed that Madeirans would take the materials up to the site from the German ship in the harbour. The strongest horses were used to bring up the wooden barrels. The local Madeiran with the strongest horses bringing up the materials was suspicious that what he was taking up the hill was heavier than what should be needed to construct the hospital, so he on purpose let one of the barrels roll down the hill and smash open. It is alleged that it was filled with rifles. When the locals looked inside what was already constructed they found ammunition and more guns. This caused the Madeirans to confiscate all German property in Madeira and stop the construction of the hospital.\n\nOn November 1930, the building was completed and the first patients were transferred there, making it one of the first hospitals in the country. The inauguration of the new facilities took place on August 10, 1940.\n\nReferences\n\nHospitals in Madeira\nHospital buildings completed in 1930", "Shelter For Life International (SFL) is a US-based non-profit, non-governmental relief and development organization dedicated to helping severely affected people displaced or made homeless by war, conflict or natural disaster. SFL is headquartered in Minneapolis, Minnesota and is currently operating in Afghanistan, Iraq, Pakistan, Tajikistan, Haiti and Sudan. \n\nSFL addresses the need for shelter through the construction of both transitional and permanent homes. SFL provides families emergency assistance needed to shield them from dangerous living conditions and then works with them to rebuild their communities and restore lives. Families and communities share responsibility for re-constructing their homes and villages and receive help in the form of training, tools, materials and technical assistance. The majority of construction materials are purchased locally whenever available.\n\nTransitional Shelters\nWhen shelters are urgently needed and there is inadequate time to construct permanent shelters, SFL enables families to build durable transitional shelters. These shelters are temporary in nature, but use basic materials which can be reused in the construction of a permanent home in the future. Transitional shelters provide immediate relief to untenable living situations while offering a sustainable, long-term benefit. They are preferable to the use of tents, which are temporary and not able to withstand prolonged use over time.\n\nPermanent Shelters\nMost SFL shelter projects consist of building permanent, durable shelters that use local architecture and simple designs that are able to better withstand earthquakes and other natural disasters. Construction materials vary from country to country depending on local culture and customs, but common materials include handmade mud bricks, concrete blocks, tin sheeting, and clay tiles. Houses are largely constructed by the beneficiary family with support, training, tools, and materials supplied by SFL.\n\nEarthquake and Disaster Mitigation\nSFL has received international recognition for implementing shelter designs that incorporate simple, cost-effective technical measures that reduce the damage from earthquakes and other disasters. Construction techniques include reinforced walls, rigid wooden ring beams, corner bracing, and strategic door and window location. Beneficiaries who live in earthquake zones also receive awareness and preparedness training to equip them with the skills and knowledge to survive future disasters.\n\nExternal links\n Official Site\nNon-profit organizations based in Minnesota" ]
[ "Gaelic Ireland", "Settlements and architecture", "What type of settlements were there?", "There were very few nucleated settlements in Gaelic areas.", "What did the buildings look like?", "It was at this time, perhaps as a response to Viking raids, that many of the Irish round towers were built.", "What material were the buildings made of?", "concentrated in counties Limerick and Clare but are lacking in Ulster, except the area around Strangford Lough.", "Did the buildings survive?", "surrounded by a wall (see bawn) and ancillary buildings. Gaelic families had begun to build their own tower houses by the 15th century.", "What else did they build during this time period?", "\". The Normans gradually replaced wooden motte-and-baileys with stone castles and tower houses.", "What other materials did they use to build?", "while sitting at his house, could cast a cnairsech (variously described as a spear or sledgehammer" ]	C_fe515e59d85c4f8d850279012b1372da_1	Is there anything else interesting?	7	Besides Irish round towers being built in response to Viking Raids in Gaelic Ireland, Is there anything else interesting?	Gaelic Ireland	For most of the Gaelic period, dwellings and farm buildings were circular with conical thatched roofs (see roundhouse). Square and rectangle-shaped buildings gradually became more common, and by the 14th or 15th century they had replaced round buildings completely. In some areas, buildings were made mostly of stone. In others, they were built of timber, wattle and daub, or a mix of materials. Most ancient and early medieval stone buildings were of dry stone construction. Some buildings would have had glass windows. Among the wealthy, it was common for women to have their own 'apartment' called a grianan (anglicized "greenan") in the sunniest part of the homestead. The dwellings of freemen and their families were often surrounded by a circular rampart called a "ringfort". There are two main kinds of ringfort. The rath is an earthen ringfort, averaging 30m diameter, with a dry outside ditch. The cathair or caiseal is a stone ringfort. The ringfort would typically have enclosed the family home, small farm buildings or workshops, and animal pens. Most date to the period 500-1000 CE and there is evidence of large-scale ringfort desertion at the end of the first millennium. The remains of between 30,000 and 40,000 lasted into the 19th century to be mapped by Ordnance Survey Ireland. Another kind of native dwelling was the crannog, which were roundhouses built on artificial islands in lakes. There were very few nucleated settlements in Gaelic areas. However, after the 5th century some monasteries became the heart of small "monastic towns". By the 10th century the Norse-Gaelic ports of Dublin, Wexford, Cork and Limerick had grown into substantial settlements. It was at this time, perhaps as a response to Viking raids, that many of the Irish round towers were built. In the fifty years before the Norman invasion, the term "castle" (Old Irish: caistel/caislen) appears in Gaelic writings, although there are no surviving examples of pre-Norman castles. After the invasion, the Normans built motte-and-bailey castles in the areas they occupied, some of which were converted from ringforts. By 1300 "some mottes, especially in frontier areas, had almost certainly been built by the Gaelic Irish in imitation". The Normans gradually replaced wooden motte-and-baileys with stone castles and tower houses. Tower houses are free-standing multi-storey stone towers usually surrounded by a wall (see bawn) and ancillary buildings. Gaelic families had begun to build their own tower houses by the 15th century. As many as 7000 may have been built, but they were rare in areas with little Norman settlement or contact. They are concentrated in counties Limerick and Clare but are lacking in Ulster, except the area around Strangford Lough. In Gaelic law, a 'sanctuary' called a maighin digona surrounded each person's dwelling. The maighin digona's size varied according to the owner's rank. In the case of a boaire it stretched as far as he, while sitting at his house, could cast a cnairsech (variously described as a spear or sledgehammer). The owner of a maighin digona could offer its protection to someone fleeing from pursuers, who would then have to bring that person to justice by lawful means. CANNOTANSWER	Ordnance Survey Ireland. Another kind of native dwelling was the crannog, which were roundhouses built on artificial islands in lakes.	Gaelic Ireland () was the Gaelic political and social order, and associated culture, that existed in Ireland from the prehistoric era until the early 17th century. Before the Norman invasion of 1169, Gaelic Ireland comprised the whole island. Thereafter, it comprised that part of the country not under foreign dominion at a given time, i.e. "The Pale". For most of its history, Gaelic Ireland was a "patchwork" hierarchy of territories ruled by a hierarchy of kings or chiefs, who were elected through tanistry. Warfare between these territories was common. Occasionally, a powerful ruler was acknowledged as High King of Ireland. Society was made up of clans and, like the rest of Europe, was structured hierarchically according to class. Throughout this period, the economy was mainly pastoral and money was generally not used. A Gaelic Irish style of dress, music, dance, sport, architecture, and art can be identified, with Irish art later merging with Anglo-Saxon styles to create Insular art. Gaelic Ireland was initially pagan and had an oral culture. Inscription in the ogham alphabet began in the protohistoric period, perhaps as early as the 1st century. The conversion to Christianity accompanied the introduction of literature, and much of Ireland's rich pre-Christian mythology and sophisticated law code were preserved, albeit Christianized. In the Early Middle Ages, Ireland was an important centre of learning. Irish missionaries and scholars were influential in western Europe, and helped to spread Christianity to much of Britain and parts of mainland Europe. In the 9th century, Vikings began raiding and founding settlements along Ireland's coasts and waterways, which became its first large towns. Over time, these settlers were assimilated and became the Norse-Gaels. After the Norman invasion of 1169–71, large swathes of Ireland came under the control of Norman lords, leading to centuries of conflict with the native Irish. The King of England claimed sovereignty over this territory – the Lordship of Ireland – and the island as a whole. However, the Gaelic system continued in areas outside Anglo-Norman control. The territory under English control gradually shrank to an area known as the Pale and, outside this, many Hiberno-Norman lords adopted Gaelic culture. In 1542, Henry VIII of England declared the Lordship a Kingdom and himself King of Ireland. The English then began to conquer (or re-conquer) the island. By 1607, Ireland was fully under English control, bringing the old Gaelic political and social order to an end. Culture and society Gaelic culture and society was centred around the fine (explained below). Gaelic Ireland had a rich oral culture and appreciation of deeper and intellectual pursuits. Filí and draoithe (druids) were held in high regard during Pagan times and orally passed down the history and traditions of their people. Later, many of their spiritual and intellectual tasks were passed on to Christian monks, after said religion prevailed from the 5th century onwards. However, the filí continued to hold a high position. Poetry, music, storytelling, literature and other art forms were highly prized and cultivated in both pagan and Christian Gaelic Ireland. Hospitality, bonds of kinship and the fulfilment of social and ritual responsibilities were highly important. Like Britain, Gaelic Ireland consisted not of one single unified kingdom, but several. The main kingdoms were Ulaid (Ulster), Mide (Meath), Laigin (Leinster), Muma (Munster, consisting of Iarmuman, Tuadmumain and Desmumain), Connacht, Bréifne (Breffny), In Tuaiscert (The North), and Airgíalla (Oriel). Each of these overkingdoms were built upon lordships known as túatha (singular: túath). Law tracts from the early 700s describe a hierarchy of kings: kings of túath subject to kings of several túatha who again were subject to the regional overkings. Already before the 8th century these overkingdoms had begun to replace the túatha as the basic sociopolitical unit. Religion and mythology Paganism Before Christianization, the Gaelic Irish were polytheistic or pagan. They had many gods and goddesses, which generally have parallels in the pantheons of other European nations. Two groups of supernatural beings who appear throughout Irish mythology—the Tuatha Dé Danann and Fomorians—are believed to represent the Gaelic pantheon. They were also animists, believing that all aspects of the natural world contained spirits, and that these spirits could be communicated with. Burial practices—which included burying food, weapons, and ornaments with the dead—suggest a belief in life after death. Some have equated this afterlife with the Otherworld realms known as Magh Meall and Tír na nÓg in Irish mythology. There were four main religious festivals each year, marking the traditional four divisions of the year – Samhain, Imbolc, Bealtaine and Lughnasadh. The mythology of Ireland was originally passed down orally, but much of it was eventually written down by Irish monks, who Christianized and modified it to an extent. This large body of work is often split into three overlapping cycles: the Mythological Cycle, the Ulster Cycle, and the Fenian Cycle. The first cycle is a pseudo-history that describes how Ireland, its people and its society came to be. The second cycle tells of the lives and deaths of Ulaidh heroes such as Cúchulainn. The third cycle tells of the exploits of Fionn mac Cumhaill and the Fianna. There are also a number of tales that do not fit into these cycles – this includes the immrama and echtrai, which are tales of voyages to the 'Otherworld'. Christianity The introduction of Christianity to Ireland dates to sometime before the 5th century, with Palladius (later bishop of Ireland) sent by Pope Celestine I in the mid-5th century to minister to Irish "believing in Christ". Early medieval traditions credit Saint Patrick as being the first Primate of Ireland. Christianity would eventually supplant the existing pagan traditions, with the prologue of the 9th century Martyrology of Tallaght (attributed to author Óengus of Tallaght) speaking of the last vestiges of paganism in Ireland. Social and political structure In Gaelic Ireland each person belonged to an agnatic kin-group known as a fine (plural: finte). This was a large group of related people supposedly descended from one progenitor through male forebears. It was headed by a man whose office was known in Old Irish as a cenn fine or toísech (plural: toísig). Nicholls suggests that they would be better thought of as akin to the modern-day corporation. Within each fine, the family descended from a common great grandparent was called a derbfine (modern form dearbhfhine), lit. "close clan". The cland (modern form clann) referred to the children of the nuclear family. Succession to the kingship was through tanistry. When a man became king, a relative was elected to be his deputy or 'tanist' (Irish: tánaiste, plural tanaistí). When the king died, his tanist would automatically succeed him. The tanist had to share the same derbfine and he was elected by other members of the derbfine. Tanistry meant that the kingship usually went to whichever relative was deemed to be the most fitting. Sometimes there would be more than one tanist at a time and they would succeed each other in order of seniority. Some Anglo-Norman lordships later adopted tanistry from the Irish. Gaelic Ireland was divided into a hierarchy of territories ruled by a hierarchy of kings of chiefs. The smallest territory was the túath (plural: túatha), which was typically the territory of a single kin-group. It was ruled by a rí túaithe (king of a túath) or toísech túaithe (leader of a túath). Several túatha formed a mór túath (overkingdom), which was ruled by a rí mór túath or ruirí (overking). Several mór túatha formed a cóiced (province), which was ruled by a rí cóicid or rí ruirech (provincial king). In the early Middle Ages the túatha was the main political unit, but over time they were subsumed into bigger conglomerate territories and became much less important politically. Gaelic society was structured hierarchically, with those further up the hierarchy generally having more privileges, wealth and power than those further down. The top social layer was the sóernemed, which included kings, tanists, ceann finte, fili, clerics, and their immediate families. The roles of a fili included reciting traditional lore, eulogizing the king and satirizing injustices within the kingdom. Before the Christianization of Ireland, this group also included the druids (druí) and vates (fáith). Below that were the dóernemed, which included professionals such as jurists (brithem), physicians, skilled craftsmen, skilled musicians, scholars, and so on. A master in a particular profession was known as an ollam (modern spelling: ollamh). The various professions—including law, poetry, medicine, history and genealogy—were associated with particular families and the positions became hereditary. Since the poets, jurists and doctors depended on the patronage of the ruling families, the end of the Gaelic order brought their demise. Below that were freemen who owned land and cattle (for example the bóaire). Below that were freemen who did not own land or cattle, or who owned very little. Below that were the unfree, which included serfs and slaves. Slaves were typically criminals (debt slaves) or prisoners of war. Slavery and serfdom was inherited, though slavery in Ireland had died out by 1200. The warrior bands known as fianna generally lived apart from society. A fian was typically composed of young men who had not yet come into their inheritance of land. A member of a fian was called a fénnid and the leader of a fian was a rígfénnid. Geoffrey Keating, in his 17th-century History of Ireland, says that during the winter the fianna were quartered and fed by the nobility, during which time they would keep order on their behalf. But during the summer, from Bealtaine to Samhain, they were beholden to live by hunting for food and for hides to sell. Although distinct, these ranks were not utterly exclusive castes like those of India. It was possible to rise or sink from one rank to another. Rising upward could be achieved a number of ways, such as by gaining wealth, by gaining skill in some department, by qualifying for a learned profession, by showing conspicuous valour, or by performing some service to the community. An example of the latter is a person choosing to become a briugu (hospitaller). A briugu had to have his house open to any guests, which included feeding no matter how big the group. For the briugu to fulfill these duties, he was allowed more land and privileges, but this could be lost if he ever refused guests. A freeman could further himself by becoming the client of one or more lords. The lord made his client a grant of property (i.e. livestock or land) and, in return, the client owed his lord yearly payments of food and fixed amounts of work. The clientship agreement could last until the lord's death. If the client died, his heirs would carry on the agreement. This system of clientship enabled social mobility as a client could increase his wealth until he could afford clients of his own, thus becoming a lord. Clientship was also practised between nobles, which established hierarchies of homage and political support. Law Gaelic law was originally passed down orally, but was written down in Old Irish during the period 600–900 AD. This collection of oral and written laws is known as the Fénechas or, in English, as the Brehon Law(s). The brehons (Old Irish: brithem, plural brithemain) were the jurists in Gaelic Ireland. Becoming a brehon took many years of training and the office was, or became, largely hereditary. Most legal cases were contested privately between opposing parties, with the brehons acting as arbitrators. Offences against people and property were primarily settled by the offender paying compensation to the victims. Although any such offence required compensation, the law made a distinction between intentional and unintentional harm, and between murder and manslaughter. If an offender did not pay outright, his property was seized until he did so. Should the offender be unable to pay, his family would be responsible for doing so. Should the family be unable or unwilling to pay, responsibility would broaden to the wider kin-group. Hence, it has been argued that "the people were their own police". Acts of violence were generally settled by payment of compensation known as an éraic fine; the Gaelic equivalent of the Welsh galanas and the Germanic weregild. If a free person was murdered, the éraic was equal to 21 cows, regardless of the victim's rank in society. Each member of the murder victim's agnatic kin-group received a payment based on their closeness to the victim, their status, and so forth. There were separate payments for the kin-group of the victim's mother, and for the victim's foster-kin. Execution seems to have been rare and carried out only as a last resort. If a murderer was unable or unwilling to pay éraic and was handed to his victim's family, they might kill him if they wished should nobody intervene by paying the éraic. Habitual or particularly serious offenders might be expelled from the kin-group and its territory. Such people became outlaws (with no protection from the law) and anyone who sheltered him became liable for his crimes. If he still haunted the territory and continued his crimes there, he was proclaimed in a public assembly and after this anyone might lawfully kill him. Each person had an honour-price, which varied depending on their rank in society. This honour-price was to be paid to them if their honour was violated by certain offences. Those of higher rank had a higher honour-price. However, an offence against the property of a poor man (who could ill afford it), was punished more harshly than a similar offence upon a wealthy man. The clergy were more harshly punished than the laity. When a layman had paid his fine he would go through a probationary period and then regain his standing, but a clergyman could never regain his standing. Some laws were pre-Christian in origin. These secular laws existed in parallel, and sometimes in conflict, with Church law. Although brehons usually dealt with legal cases, kings would have been able to deliver judgments also, but it is unclear how much they would have had to rely on brehons. Kings had their own brehons to deal with cases involving the king's own rights and to give him legal advice. Unlike other kingdoms in Europe, Gaelic kings—by their own authority—could not enact new laws as they wished and could not be "above the law". They could, however, enact temporary emergency laws. It was mainly through these emergency powers that the Church attempted to change Gaelic law. The law texts take great care to define social status, the rights and duties that went with that status, and the relationships between people. For example, ceann finte had to take responsibility for members of their fine, acting as a surety for some of their deeds and making sure debts were paid. He would also be responsible for unmarried women after the death of their fathers. Marriage, women and children Ancient Irish culture was patriarchal. The Brehon law excepted women from the ordinary course of the law so that, in general, every woman had to have a male guardian. However, women had some legal capacity. By the 8th century, the preferred form of marriage was one between social equals, under which a woman was technically legally dependent on her husband and had half his honor price, but could exercise considerable authority in regard to the transfer of property. Such women were called "women of joint dominion". Thus historian Patrick Weston Joyce could write that, relative to other European countries of the time, free women in Gaelic Ireland "held a good position" and their social and property rights were "in most respects, quite on a level with men". Gaelic Irish society was also patrilineal, with land being primarily owned by men and inherited by the sons. Only when a man had no sons would his land pass to his daughters, and then only for their lifetimes. Upon their deaths, the land was redistributed among their father's male relations. Under Brehon law, rather than inheriting land, daughters had assigned to them a certain number of their father's cattle as their marriage-portion. It seems that, throughout the Middle Ages, the Gaelic Irish kept many of their marriage laws and traditions separate from those of the Church. Under Gaelic law, married women could hold property independent of their husbands, a link was maintained between married women and their own families, couples could easily divorce or separate, and men could have concubines (which could be lawfully bought). These laws differed from most of contemporary Europe and from Church law. The lawful age of marriage was fifteen for girls and eighteen for boys, the respective ages at which fosterage ended. Upon marriage, the families of the bride and bridegroom were expected to contribute to the match. It was custom for the bridegroom and his family to pay a coibche (modern spelling: coibhche) and the bride was allowed a share of it. If the marriage ended owing to a fault of the husband then the coibche was kept by the wife and her family, but if the fault lay with the wife then the coibche was to be returned. It was custom for the bride to receive a spréid (modern spelling: spréidh) from her family (or foster family) upon marriage. This was to be returned if the marriage ended through divorce or the death of the husband. Later, the spréid seems to have been converted into a dowry. Women could seek divorce/separation as easily as men could and, when obtained on her behalf, she kept all the property she had brought her husband during their marriage. Trial marriages seem to have been popular among the rich and powerful, and thus it has been argued that cohabitation before marriage must have been acceptable. It also seems that the wife of a chieftain was entitled to some share of the chief's authority over his territory. This led to some Gaelic Irish wives wielding a great deal of political power. Before the Norman invasion, it was common for priests and monks to have wives. This remained mostly unchanged after the Norman invasion, despite protests from bishops and archbishops. The authorities classed such women as priests' concubines and there is evidence that a formal contract of concubinage existed between priests and their women. However, unlike other concubines, they seem to have been treated just as wives were. In Gaelic Ireland a kind of fosterage was common, whereby (for a certain length of time) children would be left in the care of others to strengthen family ties or political bonds. Foster parents were beholden to teach their foster children or to have them taught. Foster parents who had properly done their duties were entitled to be supported by their foster children in old age (if they were in need and had no children of their own). As with divorce, Gaelic law again differed from most of Europe and from Church law in giving legal standing to both "legitimate" and "illegitimate" children. Settlements and architecture For most of the Gaelic period, dwellings and farm buildings were circular with conical thatched roofs (see roundhouse). Square and rectangle-shaped buildings gradually became more common, and by the 14th or 15th century they had replaced round buildings completely. In some areas, buildings were made mostly of stone. In others, they were built of timber, wattle and daub, or a mix of materials. Most ancient and early medieval stone buildings were of dry stone construction. Some buildings would have had glass windows. Among the wealthy, it was common for women to have their own 'apartment' called a grianan (anglicized "greenan") in the sunniest part of the homestead. The dwellings of freemen and their families were often surrounded by a circular rampart called a "ringfort". There are two main kinds of ringfort. The ráth is an earthen ringfort, averaging 30m diameter, with a dry outside ditch. The cathair or caiseal is a stone ringfort. The ringfort would typically have enclosed the family home, small farm buildings or workshops, and animal pens. Most date to the period 500–1000 CE and there is evidence of large-scale ringfort desertion at the end of the first millennium. The remains of between 30,000 and 40,000 lasted into the 19th century to be mapped by Ordnance Survey Ireland. Another kind of native dwelling was the crannóg, which were roundhouses built on artificial islands in lakes. There were very few nucleated settlements, but after the 5th century some monasteries became the heart of small "monastic towns". By the 10th century the Norse-Gaelic ports of Dublin, Wexford, Cork and Limerick had grown into substantial settlements, all ruled by Gaelic kings by 1052. In this era many of the Irish round towers were built. In the fifty years before the Norman invasion, the term "castle" () appears in Gaelic writings, although there are few intact surviving examples of pre-Norman castles. After the invasion, the Normans built motte-and-bailey castles in the areas they occupied, some of which were converted from ringforts. By 1300 "some mottes, especially in frontier areas, had almost certainly been built by the Gaelic Irish in imitation". The Normans gradually replaced wooden motte-and-baileys with stone castles and tower houses. Tower houses are free-standing multi-storey stone towers usually surrounded by a wall (see bawn) and ancillary buildings. Gaelic families had begun to build their own tower houses by the 15th century. As many as 7000 may have been built, but they were rare in areas with little Norman settlement or contact. They are concentrated in counties Limerick and Clare but are lacking in Ulster, except the area around Strangford Lough. In Gaelic law, a 'sanctuary' called a maighin digona surrounded each person's dwelling. The maighin digona's size varied according to the owner's rank. In the case of a bóaire it stretched as far as he, while sitting at his house, could cast a cnairsech (variously described as a spear or sledgehammer). The owner of a maighin digona could offer its protection to someone fleeing from pursuers, who would then have to bring that person to justice by lawful means. Economy Gaelic Ireland was involved in trade with Britain and mainland Europe from ancient times, and this trade increased over the centuries. Tacitus, for example, wrote in the 1st century that most of Ireland's harbours were known to the Romans through commerce. There are many passages in early Irish literature that mention luxury goods imported from foreign lands, and the fair of Carman in Leinster included a market of foreign traders. In the Middle Ages the main exports were textiles such as wool and linen while the main imports were luxury items. Money was seldom used in Gaelic society; instead, goods and services were usually exchanged for other goods and services (barter). The economy was mainly a pastoral one, based on livestock (cows, sheep, pigs, goats, etc.) and their products. Cattle was "the main element in the Irish pastoral economy" and the main form of wealth, providing milk, butter, cheese, meat, fat, hides, and so forth. They were a "highly mobile form of wealth and economic resource which could be quickly and easily moved to a safer locality in time of war or trouble". The nobility owned great herds of cattle that had herdsmen and guards. Sheep, goats and pigs were also a valuable resource but had a lesser role in Irish pastoralism. Horticulture was practised; the main crops being oats, wheat and barley, although flax was also grown for making linen. Transhumance was also practised, whereby people moved with their livestock to higher pastures in summer and back to lower pastures in the cooler months. The summer pasture was called the buaile (anglicized as booley) and it is noteworthy that the Irish word for boy (buachaill) originally meant a herdsman. Many moorland areas were "shared as a common summer pasturage by the people of a whole parish or barony". Transport Gaelic Ireland was well furnished with roads and bridges. Bridges were typically wooden and in some places the roads were laid with wood and stone. There were five main roads leading from Tara: Slíghe Asail, Slíghe Chualann, Slíghe Dála, Slíghe Mór and Slíghe Midluachra. Horses were one of the main means of long-distance transport. Although horseshoes and reins were used, the Gaelic Irish did not use saddles, stirrups or spurs. Every man was trained to spring from the ground on to the back of his horse (an ech-léim or "steed-leap") and they urged-on and guided their horses with a rod having a hooked goad at the end. Two-wheeled and four-wheeled chariots (singular carbad) were used in Ireland from ancient times, both in private life and in war. They were big enough for two people, made of wickerwork and wood, and often had decorated hoods. The wheels were spoked, shod all round with iron, and were from three to four and a half feet high. Chariots were generally drawn by horses or oxen, with horse-drawn chariots being more common among chiefs and military men. War chariots furnished with scythes and spikes, like those of the ancient Gauls and Britons, are mentioned in literature. Boats used in Gaelic Ireland include canoes, currachs, sailboats and Irish galleys. Ferryboats were used to cross wide rivers and are often mentioned in the Brehon Laws as subject to strict regulations. Sometimes they were owned by individuals and sometimes they were the common property of those living round the ferry. Large boats were used for trade with mainland Europe. Dress Throughout the Middle Ages, the common clothing amongst the Gaelic Irish consisted of a brat (a woollen semi circular cloak) worn over a léine (a loose-fitting, long-sleeved tunic made of linen). For men the léine reached to their ankles but was hitched up by means of a crios (pronounced 'kriss') which was a type of woven belt. The léine was hitched up to knee level. Women wore the léine at full length. Men sometimes wore tight-fitting trews (Gaelic triúbhas) but otherwise went bare-legged. The brat was simply thrown over both shoulders or sometimes over only one. Occasionally the brat was fastened with a dealg (brooch), with men usually wearing the dealg at their shoulders and women at their chests. The ionar (a short, tight-fitting jacket) became popular later on. In Topographia Hibernica, written during the 1180s, Gerald de Barri wrote that the Irish commonly wore hoods at that time (perhaps forming part of the brat), while Edmund Spenser wrote in the 1580s that the brat was (in general) their main item of clothing. Gaelic clothing does not appear to have been influenced by outside styles. Women invariably grew their hair long and, as in other European cultures, this custom was also common among the men. It is said that the Gaelic Irish took great pride in their long hair—for example, a person could be forced to pay the heavy fine of two cows for shaving a man's head against his will. For women, very long hair was seen as a mark of beauty. Sometimes, wealthy men and women would braid their hair and fasten hollow golden balls to the braids. Another style that was popular among some medieval Gaelic men was the glib (short all over except for a long, thick lock of hair towards the front of the head). A band or ribbon around the forehead was the typical way of holding one's hair in place. For the wealthy, this band was often a thin and flexible band of burnished gold, silver or findruine. When the Anglo-Normans and the English colonized Ireland, hair length came to signify one's allegiance. Irishmen who cut their hair short were deemed to be forsaking their Irish heritage. Likewise, English colonists who grew their hair long at the back were deemed to be giving in to the Irish life. Gaelic men typically wore a beard and mustache, and it was often seen as dishonourable for a Gaelic man to have no facial hair. Beard styles varied – the long forked beard and the rectangular Mesopotamian-style beard were fashionable at times. Warfare Warfare was common in Gaelic Ireland, as territories fought for supremacy against each other and (later) against the Anglo-Normans. Champion warfare is a common theme in Irish mythology. In the Middle Ages all able-bodied men, apart from the learned and the clergy, were eligible for military service on behalf of the king or chief. Throughout the Middle Ages and for some time after, outsiders often wrote that the style of Irish warfare differed greatly from what they deemed to be the norm in Western Europe. The Gaelic Irish preferred hit-and-run raids (the crech), which involved catching the enemy unaware. If this worked they would then seize any valuables (mainly livestock) and potentially valuable hostages, burn the crops, and escape. The cattle raid was often called a Táin Bó in Gaelic literature. Although hit-and-run raiding was the preferred tactic in medieval times, there were also pitched battles. From at least the 11th century, kings maintained small permanent fighting forces known as "troops of the household", who were often given houses and land on the king's mensal land. These were well-equipped professional soldiers made up of infantry and cavalry. By the reign of Brian Boru, Irish kings were taking large armies on campaign over long distances and using naval forces in tandem with land forces. A typical medieval Irish army included light infantry, heavy infantry and cavalry. The bulk of the army was made up of light infantry called ceithern (anglicized 'kern'). The ceithern wandered Ireland offering their services for hire and usually wielded swords, skenes (a kind of long knife), short spears, bows and shields. The cavalry was usually made up of a king or chieftain and his close relatives. They usually rode without saddles but wore armour and iron helmets and wielded swords, skenes and long spears or lances. One kind of Irish cavalry was the hobelar. After the Norman invasion there emerged a kind of heavy infantry called gallóglaigh (anglicized 'gallo[w]glass'). They were originally Scottish mercenaries who appeared in the 13th century, but by the 15th century most large túatha had their own hereditary force of Irish gallóglaigh. Some Anglo-Norman lordships also began using gallóglaigh in imitation of the Irish. They usually wore mail and iron helmets and wielded sparth axes, claymores, and sometimes spears or lances. The gallóglaigh furnished the retreating plunderers with a "moving line of defence from which the horsemen could make short, sharp charges, and behind which they could retreat when pursued". As their armour made them less nimble, they were sometimes planted at strategic spots along the line of retreat. The kern, horsemen and gallóglaigh had lightly-armed servants to carry their weapons into battle. Warriors were sometimes rallied into battle by blowing horns and warpipes. According to Gerald de Barri (in the 12th century), they did not wear armour, as they deemed it burdensome to wear and "brave and honourable" to fight without it. Instead, most ordinary soldiers fought semi-naked and carried only their weapons and a small round shield—Spenser wrote that these shields were covered with leather and painted in bright colours. Kings and chiefs sometimes went into battle wearing helmets adorned with eagle feathers. For ordinary soldiers, their thick hair often served as a helmet, but they sometimes wore simple helmets made from animal hides. Arts Visual art Artwork from Ireland's Gaelic period is found on pottery, jewellery, weapons, drinkware, tableware, stone carvings and illuminated manuscripts. Irish art from about 300 BC incorporates patterns and styles which developed in west central Europe. By about AD 600, after the Christianization of Ireland had begun, a style melding Irish, Mediterranean and Germanic Anglo-Saxon elements emerged, and was spread to Britain and mainland Europe by the Hiberno-Scottish mission. This is known as Insular art or Hiberno-Saxon art, which continued in some form in Ireland until the 12th century, although the Viking invasions ended its "Golden Age". Most surviving works of Insular art were either made by monks or made for monasteries, with the exception of brooches, which were likely made and used by both clergy and laity. Examples of Insular art from Ireland include the Book of Kells, Muiredach's High Cross, the Tara Brooch, the Ardagh Hoard the Derrynaflan Chalice, and the late Cross of Cong, which also uses Viking styles. Literature Music and dance Although Gerald de Barri had a negative view of the Irish, in Topographia Hibernica (1188) he conceded that they were more skilled at playing music than any other nation he had seen. He claimed that the two main instruments were the "harp" and "tabor" (see also bodhrán), that their music was fast and lively, and that their songs always began and ended with B-flat. In A History of Irish Music (1905), W. H. Grattan Flood wrote that there were at least ten instruments in general use by the Gaelic Irish. These were the cruit (a small harp) and clairseach (a bigger harp with typically 30 strings), the timpan (a small string instrument played with a bow or plectrum), the feadan (a fife), the buinne (an oboe or flute), the guthbuinne (a bassoon-type horn), the bennbuabhal and corn (hornpipes), the cuislenna (bagpipes – see Great Irish Warpipes), the stoc and sturgan (clarions or trumpets), and the cnamha (castanets). He also mentions the fiddle as being used in the 8th century. Sport Assemblies As mentioned before, Gaelic Ireland was split into many clann territories and kingdoms called túath (plural: túatha). Although there was no central 'government' or 'parliament', a number of local, regional and national gatherings were held. These combined features of assemblies and fairs. In Ireland the highest of these was the feis at Teamhair na Rí (Tara), which was held every third Samhain. This was a gathering of the leading men of the whole island – kings, lords, chieftains, druids, judges etc. Below this was the óenach (modern spelling: aonach). These were regional or provincial gatherings open to everyone. Examples include that held at Tailtin each Lughnasadh, and that held at Uisneach each Bealtaine. The main purpose of these gatherings was to promulgate and reaffirm the laws – they were read aloud in public that they might not be forgotten, and any changes in them carefully explained to those present. Each túath or clann had two assemblies of its own. These were the cuirmtig, which was open to all clann members, and the dal (a term later adopted for the Irish parliament – see Dáil Éireann), which was open only to clann chiefs. Each clann had a further assembly called a tocomra, in which the clann chief (toísech, modern taoiseach) and his deputy/successor (tánaiste) were elected. Notable Irish kings List of kings History Before 400 400 to 800 800 to 1169 Anglo-Norman occupation Invasion Ireland became Christianized between the 5th and 7th centuries. Pope Adrian IV, the only English pope, had already issued a Papal Bull in 1155 giving Henry II of England authority to invade Ireland as a means of curbing Irish refusal to recognize Roman law. Importantly, for later English monarchs, the Bull, Laudabiliter, maintained papal suzerainty over the island: In 1166, after losing the protection of High King Muirchertach Mac Lochlainn, King Diarmait Mac Murchada of Leinster was forcibly exiled by a confederation of Irish forces under King Ruaidri mac Tairrdelbach Ua Conchobair. Fleeing first to Bristol and then to Normandy, Diarmait obtained permission from Henry II of England to use his subjects to regain his kingdom. By the following year, he had obtained these services and in 1169 the main body of Norman, Welsh and Flemish forces landed in Ireland and quickly retook Leinster and the cities of Waterford and Dublin on behalf of Diarmait. The leader of the Norman force, Richard de Clare, 2nd Earl of Pembroke, more commonly known as Strongbow, married Diarmait's daughter, Aoife, and was named tánaiste to the Kingdom of Leinster. This caused consternation to Henry II, who feared the establishment of a rival Norman state in Ireland. Accordingly, he resolved to visit Leinster to establish his authority. Henry landed in 1171, proclaiming Waterford and Dublin as Royal Cities. Adrian's successor, Pope Alexander III, ratified the grant of Ireland to Henry in 1172. The 1175 Treaty of Windsor between Henry and Ruaidhrí maintained Ruaidhrí as High King of Ireland but codified Henry's control of Leinster, Meath and Waterford. However, with Diarmuid and Strongbow dead, Henry back in England, and Ruaidhrí unable to curb his vassals, the high kingship rapidly lost control of the country. Henry, in 1185, awarded his younger son, John, the title Dominus Hiberniae, "Lord of Ireland". This kept the newly created title and the Kingdom of England personally and legally separate. However, when John unexpectedly succeeded his brother as King of England in 1199, the Lordship of Ireland fell back into personal union with the Kingdom of England. Gaelic resurgence By 1261, the weakening of the Anglo-Norman Lordship had become manifest following a string of military defeats. In the chaotic situation, local Irish lords won back large amounts of land. The invasion by Edward Bruce in 1315–18 at a time of famine weakened the Norman economy. The Black Death arrived in Ireland in 1348. Because most of the English and Norman inhabitants of Ireland lived in towns and villages, the plague hit them far harder than it did the native Irish, who lived in more dispersed rural settlements. After it had passed, Gaelic Irish language and customs came to dominate the country again. The English-controlled area shrank back to the Pale, a fortified area around Dublin. Outside the Pale, the Hiberno-Norman lords intermarried with Gaelic noble families, adopted the Irish language and customs and sided with the Gaelic Irish in political and military conflicts against the Lordship. They became known as the Old English, and in the words of a contemporary English commentator, were "more Irish than the Irish themselves." The authorities in the Pale worried about the Gaelicisation of Norman Ireland, and passed the Statutes of Kilkenny in 1366 banning those of English descent from speaking the Irish language, wearing Irish clothes or inter-marrying with the Irish. The government in Dublin had little real authority. By the end of the 15th century, central English authority in Ireland had all but disappeared. England's attentions were diverted by the Hundred Years' War (1337–1453) and then by the Wars of the Roses (1450–85). Around the country, local Gaelic and Gaelicised lords expanded their powers at the expense of the English government in Dublin. Gaelic kingdoms during the period Following the failed attempt by the Scottish King Edward Bruce (see Irish Bruce Wars 1315–1318) to drive the Normans out of Ireland, there emerged a number of important Gaelic kingdoms and Gaelic-controlled lordships. Connacht. The Ó Conchobhair dynasty, despite their setback during the Bruce wars, had regrouped and ensured that the title King of Connacht was not yet an empty one. Their stronghold was in their homeland of Sil Muirdeag, from where they dominated much of northern and northeastern Connacht. However, after the death of Ruaidri mac Tairdelbach Ua Conchobair in 1384, the dynasty split into two factions, Ó Conchobhair Don and Ó Conchobhair Ruadh. By the late 15th century, internecine warfare between the two branches had weakened them to the point where they themselves became vassals of more powerful lords such as Ó Domhnaill of Tír Chonaill and the Clan Burke of Clanricarde. The Mac Diarmata Kings of Moylurg retained their status and kingdom during this era, up to the death of Tadhg Mac Diarmata in 1585 (last de facto King of Moylurg). Their cousins, the Mac Donnacha of Tír Ailella, found their fortunes bound to the Ó Conchobhair Ruadh. The kingdom of Uí Maine had lost much of its southern and western lands to the Clanricardes, but managed to flourish until repeated raids by Ó Domhnaill in the early 16th century weakened it. Other territories such as Ó Flaithbeheraigh of Iar Connacht, Ó Seachnasaigh of Aidhne, O'Dowd of Tireagh, O'Hara, Ó Gadhra and Ó Maddan, either survived in isolation or were vassals for greater men. Ulster: The Ulaid proper were in a sorry state all during this era, being squeezed between the emergent Ó Neill of Tír Eógain in the west, the MacDonnells, Clann Aodha Buidhe, and the Anglo-Normans from the east. Only Mag Aonghusa managed to retain a portion of their former kingdom with expansion into Iveagh. The two great success stories of this era were Ó Domhnaill of Tír Chonaill and Ó Neill of Tír Eógain. Ó Domhnaill was able to dominate much of northern Connacht to the detriment of its native lords, both Old English and Gaelic, though it took time to suborn the likes of Ó Conchobhair Sligigh and Ó Raghallaigh of Iar Breifne. Expansion southwards brought the hegemony of Tír Eógain, and by extension Ó Neill influence, well into the border lordships of Louth and Meath. Mag Uidir of Fear Manach would slightly later be able to build his lordship up to that of third most powerful in the province, at the expense of the Ó Raghallaigh of Iar Breifne and the MacMahons of Airgíalla. Leinster: Likewise, despite the adverse (and unforeseen) effects of Diarmait Mac Murchada's efforts to regain his kingdom, the fact of the matter was that, of his twenty successors up to 1632, most of them had regained much of the ground they had lost to the Normans, and exacted yearly tribute from the towns. His most dynamic successor was the celebrated Art mac Art MacMurrough-Kavanagh. The Ó Broin and Ó Tuathail largely contented themselves with raids on Dublin (which, incredibly, continued into the 18th century). The Ó Mordha of Laois and Ó Conchobhair Falaighe of Offaly – the latter's capital was Daingean – were two self-contained territories that had earned the right to be called kingdoms due to their near-invincibility against successive generations of Anglo-Irish. The great losers were the Ó Melaghlins of Meath: their kingdom collapsed despite attempts by Cormac mac Art O Melaghlain to restore it. The royal family was reduced to vassal status, confined to the east shores of the River Shannon. The kingdom was substantially incorporated into the Lordship of Meath which was granted to Hugh de Lacy in 1172. Munster: Desmond: See Kingdom of Desmond, Barony of Carbery, Battle of Callann Thomond: Despite huge setbacks, the descendants of Brian Bóruma had, by surviving the Second Battle of Athenry and winning the decisive battles of Corcomroe and Dysert O'Dea, been able to suborn their vassals and eradicate the Normans from their home kingdom of Thomond. Their spheres of interest often met with conflict with Anglo-Normans such as the Earls of Desmond and Earls of Ormond, yet they ruled right up to the end of Gaelic Ireland, and beyond, by expedient of becoming the O'Brien Earls of Thomond. Tudor conquest and aftermath From 1536, Henry VIII of England decided to conquer Ireland and bring it under English control. The FitzGerald dynasty of Kildare, who had become the effective rulers of the Lordship of Ireland (The Pale) in the 15th century, had become unreliable allies and Henry resolved to bring Ireland under English government control so the island would not become a base for future rebellions or foreign invasions of England. To involve the Gaelic nobility and allow them to retain their lands under English law the policy of surrender and regrant was applied. In 1541, Henry upgraded Ireland from a lordship to a full kingdom, partly in response to changing relationships with the papacy, which still had suzerainty over Ireland, following Henry's break with the church. Henry was proclaimed King of Ireland at a meeting of the Irish Parliament that year. This was the first meeting of the Irish Parliament to be attended by the Gaelic Irish princes as well as the Hiberno-Norman aristocracy. With the technical institutions of government in place, the next step was to extend the control of the Kingdom of Ireland over all of its claimed territory. This took nearly a century, with various English administrations in the process either negotiating or fighting with the independent Irish and Old English lords. The conquest was completed during the reigns of Elizabeth and James I, after several bloody conflicts. The flight into exile in 1607 of Hugh O'Neill, 2nd Earl of Tyrone and Hugh Roe O'Donnell, 1st Earl of Tyrconnell following their defeat at the Battle of Kinsale in 1601 and the suppression of their rebellion in Ulster in 1603 is seen as the watershed of Gaelic Ireland. It marked the destruction of Ireland's ancient Gaelic nobility following the Tudor conquest and cleared the way for the Plantation of Ulster. After this point, the English authorities in Dublin established greater control over Ireland, establishing - or, at least, attempting to establish - a centralised government for the entire island, and successfully disarmed the Gaelic lordships. O'Donnell - often known as Red Hugh O'Donnell - died in the archive castle of Simancas, Valladolid, in September 1602, when petitioning Philip III of Spain (1598–1621) for further assistance. His son, Rory, succeeded him as the Earl of Tyrconnell and was active in armies fighting for Madrid in the Low Countries and Spain. He died at the Battle of Barcelona in 1642, a naval engagement against the French fleet. England and Scotland merged politically in 1707 after the crowns of both counties were united in 1603, but the crown of Ireland did not merge with the Union until 1800. Part of the attraction of the Union for many Irish Catholics was the promise of Catholic Emancipation, allowing Roman Catholic MPs, who had not been allowed in the Irish Parliament. This was however blocked by King George III who argued that emancipating Roman Catholics would breach his Coronation Oath, and was not realised until 1829. The Gaelic roots that defined early Irish history still persisted, despite this Anglicisation of Irish culture and politics, as Christianity became the prominent expression of Irish identity in Ireland. In the time leading up to the Great Famine of the 1840s, many priests believed that parishioner spirituality was paramount, resulting in a localised morphing of Gaelic and Catholic traditions. See also Dál Riata Scotland in the High Middle Ages References Further reading Gaelic History of Ireland by period Irish culture Irish society 1st millennium in Ireland 2nd millennium in Ireland	false	[ "\"How Interesting: A Tiny Man\" is a 2010 science fiction/magical realism short story by American writer Harlan Ellison. It was first published in Realms of Fantasy.\n\nPlot summary\nA scientist creates a tiny man. The tiny man is initially very popular, but then draws the hatred of the world, and so the tiny man must flee, together with the scientist (who is now likewise hated, for having created the tiny man).\n\nReception\n\"How Interesting: A Tiny Man\" won the 2010 Nebula Award for Best Short Story, tied with Kij Johnson's \"Ponies\". It was Ellison's final Nebula nomination and win, of his record-setting eight nominations and three wins.\n\nTor.com calls the story \"deceptively simple\", with \"execution (that) is flawless\" and a \"Geppetto-like\" narrator, while Publishers Weekly describes it as \"memorably depict(ing) humanity's smallness of spirit\". The SF Site, however, felt it was \"contrived and less than profound\".\n\nNick Mamatas compared \"How Interesting: A Tiny Man\" negatively to Ellison's other Nebula-winning short stories, and stated that the story's two mutually exclusive endings (in one, the tiny man is killed; in the other, he becomes God) are evocative of the process of writing short stories. Ben Peek considered it to be \"more allegory than (...) anything else\", and interpreted it as being about how the media \"give(s) everyone a voice\", and also about how Ellison was treated by science fiction fandom.\n\nReferences\n\nExternal links\nAudio version of ''How Interesting: A Tiny Man, at StarShipSofa\nHow Interesting: A Tiny Man, at the Internet Speculative Fiction Database\n\nNebula Award for Best Short Story-winning works\nShort stories by Harlan Ellison", "In baseball, a fair ball is a batted ball that entitles the batter to attempt to reach first base. By contrast, a foul ball is a batted ball that does not entitle the batter to attempt to reach first base. Whether a batted ball is fair or foul is determined by the location of the ball at the appropriate reference point, as follows:\n\n if the ball leaves the playing field without touching anything, the point where the ball leaves the field;\n else, if the ball first lands past first or third base without touching anything, the point where the ball lands;\n else, if the ball rolls or bounces past first or third base without touching anything other than the ground, the point where the ball passes the base;\n else, if the ball touches anything other than the ground (such as an umpire, a player, or any equipment left on the field) before any of the above happens, the point of such touching;\n else (the ball comes to a rest before reaching first or third base), the point where the ball comes to a rest.\n\nIf any part of the ball is on or above fair territory at the appropriate reference point, it is fair; else it is foul. Fair territory or fair ground is defined as the area of the playing field between the two foul lines, and includes the foul lines themselves and the foul poles. However, certain exceptions exist:\n\n A ball that touches first, second, or third base is always fair.\n Under Rule 5.09(a)(7)-(8), if a batted ball touches the batter or his bat while the batter is in the batter's box and not intentionally interfering with the course of the ball, the ball is foul.\n A ball that hits the foul pole without first having touched anything else off the bat is fair.\n Ground rules may provide whether a ball hitting specific objects (e.g. roof, overhead speaker) is fair or foul.\n\nOn a fair ball, the batter attempts to reach first base or any subsequent base, runners attempt to advance and fielders try to record outs. A fair ball is considered a live ball until the ball becomes dead by leaving the field or any other method.\n\nReferences\n\nBaseball rules" ]
[ "Gaelic Ireland", "Settlements and architecture", "What type of settlements were there?", "There were very few nucleated settlements in Gaelic areas.", "What did the buildings look like?", "It was at this time, perhaps as a response to Viking raids, that many of the Irish round towers were built.", "What material were the buildings made of?", "concentrated in counties Limerick and Clare but are lacking in Ulster, except the area around Strangford Lough.", "Did the buildings survive?", "surrounded by a wall (see bawn) and ancillary buildings. Gaelic families had begun to build their own tower houses by the 15th century.", "What else did they build during this time period?", "\". The Normans gradually replaced wooden motte-and-baileys with stone castles and tower houses.", "What other materials did they use to build?", "while sitting at his house, could cast a cnairsech (variously described as a spear or sledgehammer", "Is there anything else interesting?", "Ordnance Survey Ireland. Another kind of native dwelling was the crannog, which were roundhouses built on artificial islands in lakes." ]	C_fe515e59d85c4f8d850279012b1372da_1	What other types of housing did they use?	8	Along with roundhouses built on artificial islands in lakes, what other types of housing did the Normans use in Gaelic Ireland?	Gaelic Ireland	For most of the Gaelic period, dwellings and farm buildings were circular with conical thatched roofs (see roundhouse). Square and rectangle-shaped buildings gradually became more common, and by the 14th or 15th century they had replaced round buildings completely. In some areas, buildings were made mostly of stone. In others, they were built of timber, wattle and daub, or a mix of materials. Most ancient and early medieval stone buildings were of dry stone construction. Some buildings would have had glass windows. Among the wealthy, it was common for women to have their own 'apartment' called a grianan (anglicized "greenan") in the sunniest part of the homestead. The dwellings of freemen and their families were often surrounded by a circular rampart called a "ringfort". There are two main kinds of ringfort. The rath is an earthen ringfort, averaging 30m diameter, with a dry outside ditch. The cathair or caiseal is a stone ringfort. The ringfort would typically have enclosed the family home, small farm buildings or workshops, and animal pens. Most date to the period 500-1000 CE and there is evidence of large-scale ringfort desertion at the end of the first millennium. The remains of between 30,000 and 40,000 lasted into the 19th century to be mapped by Ordnance Survey Ireland. Another kind of native dwelling was the crannog, which were roundhouses built on artificial islands in lakes. There were very few nucleated settlements in Gaelic areas. However, after the 5th century some monasteries became the heart of small "monastic towns". By the 10th century the Norse-Gaelic ports of Dublin, Wexford, Cork and Limerick had grown into substantial settlements. It was at this time, perhaps as a response to Viking raids, that many of the Irish round towers were built. In the fifty years before the Norman invasion, the term "castle" (Old Irish: caistel/caislen) appears in Gaelic writings, although there are no surviving examples of pre-Norman castles. After the invasion, the Normans built motte-and-bailey castles in the areas they occupied, some of which were converted from ringforts. By 1300 "some mottes, especially in frontier areas, had almost certainly been built by the Gaelic Irish in imitation". The Normans gradually replaced wooden motte-and-baileys with stone castles and tower houses. Tower houses are free-standing multi-storey stone towers usually surrounded by a wall (see bawn) and ancillary buildings. Gaelic families had begun to build their own tower houses by the 15th century. As many as 7000 may have been built, but they were rare in areas with little Norman settlement or contact. They are concentrated in counties Limerick and Clare but are lacking in Ulster, except the area around Strangford Lough. In Gaelic law, a 'sanctuary' called a maighin digona surrounded each person's dwelling. The maighin digona's size varied according to the owner's rank. In the case of a boaire it stretched as far as he, while sitting at his house, could cast a cnairsech (variously described as a spear or sledgehammer). The owner of a maighin digona could offer its protection to someone fleeing from pursuers, who would then have to bring that person to justice by lawful means. CANNOTANSWER	some areas, buildings were made mostly of stone. In others, they were built of timber, wattle and daub, or a mix of materials.	Gaelic Ireland () was the Gaelic political and social order, and associated culture, that existed in Ireland from the prehistoric era until the early 17th century. Before the Norman invasion of 1169, Gaelic Ireland comprised the whole island. Thereafter, it comprised that part of the country not under foreign dominion at a given time, i.e. "The Pale". For most of its history, Gaelic Ireland was a "patchwork" hierarchy of territories ruled by a hierarchy of kings or chiefs, who were elected through tanistry. Warfare between these territories was common. Occasionally, a powerful ruler was acknowledged as High King of Ireland. Society was made up of clans and, like the rest of Europe, was structured hierarchically according to class. Throughout this period, the economy was mainly pastoral and money was generally not used. A Gaelic Irish style of dress, music, dance, sport, architecture, and art can be identified, with Irish art later merging with Anglo-Saxon styles to create Insular art. Gaelic Ireland was initially pagan and had an oral culture. Inscription in the ogham alphabet began in the protohistoric period, perhaps as early as the 1st century. The conversion to Christianity accompanied the introduction of literature, and much of Ireland's rich pre-Christian mythology and sophisticated law code were preserved, albeit Christianized. In the Early Middle Ages, Ireland was an important centre of learning. Irish missionaries and scholars were influential in western Europe, and helped to spread Christianity to much of Britain and parts of mainland Europe. In the 9th century, Vikings began raiding and founding settlements along Ireland's coasts and waterways, which became its first large towns. Over time, these settlers were assimilated and became the Norse-Gaels. After the Norman invasion of 1169–71, large swathes of Ireland came under the control of Norman lords, leading to centuries of conflict with the native Irish. The King of England claimed sovereignty over this territory – the Lordship of Ireland – and the island as a whole. However, the Gaelic system continued in areas outside Anglo-Norman control. The territory under English control gradually shrank to an area known as the Pale and, outside this, many Hiberno-Norman lords adopted Gaelic culture. In 1542, Henry VIII of England declared the Lordship a Kingdom and himself King of Ireland. The English then began to conquer (or re-conquer) the island. By 1607, Ireland was fully under English control, bringing the old Gaelic political and social order to an end. Culture and society Gaelic culture and society was centred around the fine (explained below). Gaelic Ireland had a rich oral culture and appreciation of deeper and intellectual pursuits. Filí and draoithe (druids) were held in high regard during Pagan times and orally passed down the history and traditions of their people. Later, many of their spiritual and intellectual tasks were passed on to Christian monks, after said religion prevailed from the 5th century onwards. However, the filí continued to hold a high position. Poetry, music, storytelling, literature and other art forms were highly prized and cultivated in both pagan and Christian Gaelic Ireland. Hospitality, bonds of kinship and the fulfilment of social and ritual responsibilities were highly important. Like Britain, Gaelic Ireland consisted not of one single unified kingdom, but several. The main kingdoms were Ulaid (Ulster), Mide (Meath), Laigin (Leinster), Muma (Munster, consisting of Iarmuman, Tuadmumain and Desmumain), Connacht, Bréifne (Breffny), In Tuaiscert (The North), and Airgíalla (Oriel). Each of these overkingdoms were built upon lordships known as túatha (singular: túath). Law tracts from the early 700s describe a hierarchy of kings: kings of túath subject to kings of several túatha who again were subject to the regional overkings. Already before the 8th century these overkingdoms had begun to replace the túatha as the basic sociopolitical unit. Religion and mythology Paganism Before Christianization, the Gaelic Irish were polytheistic or pagan. They had many gods and goddesses, which generally have parallels in the pantheons of other European nations. Two groups of supernatural beings who appear throughout Irish mythology—the Tuatha Dé Danann and Fomorians—are believed to represent the Gaelic pantheon. They were also animists, believing that all aspects of the natural world contained spirits, and that these spirits could be communicated with. Burial practices—which included burying food, weapons, and ornaments with the dead—suggest a belief in life after death. Some have equated this afterlife with the Otherworld realms known as Magh Meall and Tír na nÓg in Irish mythology. There were four main religious festivals each year, marking the traditional four divisions of the year – Samhain, Imbolc, Bealtaine and Lughnasadh. The mythology of Ireland was originally passed down orally, but much of it was eventually written down by Irish monks, who Christianized and modified it to an extent. This large body of work is often split into three overlapping cycles: the Mythological Cycle, the Ulster Cycle, and the Fenian Cycle. The first cycle is a pseudo-history that describes how Ireland, its people and its society came to be. The second cycle tells of the lives and deaths of Ulaidh heroes such as Cúchulainn. The third cycle tells of the exploits of Fionn mac Cumhaill and the Fianna. There are also a number of tales that do not fit into these cycles – this includes the immrama and echtrai, which are tales of voyages to the 'Otherworld'. Christianity The introduction of Christianity to Ireland dates to sometime before the 5th century, with Palladius (later bishop of Ireland) sent by Pope Celestine I in the mid-5th century to minister to Irish "believing in Christ". Early medieval traditions credit Saint Patrick as being the first Primate of Ireland. Christianity would eventually supplant the existing pagan traditions, with the prologue of the 9th century Martyrology of Tallaght (attributed to author Óengus of Tallaght) speaking of the last vestiges of paganism in Ireland. Social and political structure In Gaelic Ireland each person belonged to an agnatic kin-group known as a fine (plural: finte). This was a large group of related people supposedly descended from one progenitor through male forebears. It was headed by a man whose office was known in Old Irish as a cenn fine or toísech (plural: toísig). Nicholls suggests that they would be better thought of as akin to the modern-day corporation. Within each fine, the family descended from a common great grandparent was called a derbfine (modern form dearbhfhine), lit. "close clan". The cland (modern form clann) referred to the children of the nuclear family. Succession to the kingship was through tanistry. When a man became king, a relative was elected to be his deputy or 'tanist' (Irish: tánaiste, plural tanaistí). When the king died, his tanist would automatically succeed him. The tanist had to share the same derbfine and he was elected by other members of the derbfine. Tanistry meant that the kingship usually went to whichever relative was deemed to be the most fitting. Sometimes there would be more than one tanist at a time and they would succeed each other in order of seniority. Some Anglo-Norman lordships later adopted tanistry from the Irish. Gaelic Ireland was divided into a hierarchy of territories ruled by a hierarchy of kings of chiefs. The smallest territory was the túath (plural: túatha), which was typically the territory of a single kin-group. It was ruled by a rí túaithe (king of a túath) or toísech túaithe (leader of a túath). Several túatha formed a mór túath (overkingdom), which was ruled by a rí mór túath or ruirí (overking). Several mór túatha formed a cóiced (province), which was ruled by a rí cóicid or rí ruirech (provincial king). In the early Middle Ages the túatha was the main political unit, but over time they were subsumed into bigger conglomerate territories and became much less important politically. Gaelic society was structured hierarchically, with those further up the hierarchy generally having more privileges, wealth and power than those further down. The top social layer was the sóernemed, which included kings, tanists, ceann finte, fili, clerics, and their immediate families. The roles of a fili included reciting traditional lore, eulogizing the king and satirizing injustices within the kingdom. Before the Christianization of Ireland, this group also included the druids (druí) and vates (fáith). Below that were the dóernemed, which included professionals such as jurists (brithem), physicians, skilled craftsmen, skilled musicians, scholars, and so on. A master in a particular profession was known as an ollam (modern spelling: ollamh). The various professions—including law, poetry, medicine, history and genealogy—were associated with particular families and the positions became hereditary. Since the poets, jurists and doctors depended on the patronage of the ruling families, the end of the Gaelic order brought their demise. Below that were freemen who owned land and cattle (for example the bóaire). Below that were freemen who did not own land or cattle, or who owned very little. Below that were the unfree, which included serfs and slaves. Slaves were typically criminals (debt slaves) or prisoners of war. Slavery and serfdom was inherited, though slavery in Ireland had died out by 1200. The warrior bands known as fianna generally lived apart from society. A fian was typically composed of young men who had not yet come into their inheritance of land. A member of a fian was called a fénnid and the leader of a fian was a rígfénnid. Geoffrey Keating, in his 17th-century History of Ireland, says that during the winter the fianna were quartered and fed by the nobility, during which time they would keep order on their behalf. But during the summer, from Bealtaine to Samhain, they were beholden to live by hunting for food and for hides to sell. Although distinct, these ranks were not utterly exclusive castes like those of India. It was possible to rise or sink from one rank to another. Rising upward could be achieved a number of ways, such as by gaining wealth, by gaining skill in some department, by qualifying for a learned profession, by showing conspicuous valour, or by performing some service to the community. An example of the latter is a person choosing to become a briugu (hospitaller). A briugu had to have his house open to any guests, which included feeding no matter how big the group. For the briugu to fulfill these duties, he was allowed more land and privileges, but this could be lost if he ever refused guests. A freeman could further himself by becoming the client of one or more lords. The lord made his client a grant of property (i.e. livestock or land) and, in return, the client owed his lord yearly payments of food and fixed amounts of work. The clientship agreement could last until the lord's death. If the client died, his heirs would carry on the agreement. This system of clientship enabled social mobility as a client could increase his wealth until he could afford clients of his own, thus becoming a lord. Clientship was also practised between nobles, which established hierarchies of homage and political support. Law Gaelic law was originally passed down orally, but was written down in Old Irish during the period 600–900 AD. This collection of oral and written laws is known as the Fénechas or, in English, as the Brehon Law(s). The brehons (Old Irish: brithem, plural brithemain) were the jurists in Gaelic Ireland. Becoming a brehon took many years of training and the office was, or became, largely hereditary. Most legal cases were contested privately between opposing parties, with the brehons acting as arbitrators. Offences against people and property were primarily settled by the offender paying compensation to the victims. Although any such offence required compensation, the law made a distinction between intentional and unintentional harm, and between murder and manslaughter. If an offender did not pay outright, his property was seized until he did so. Should the offender be unable to pay, his family would be responsible for doing so. Should the family be unable or unwilling to pay, responsibility would broaden to the wider kin-group. Hence, it has been argued that "the people were their own police". Acts of violence were generally settled by payment of compensation known as an éraic fine; the Gaelic equivalent of the Welsh galanas and the Germanic weregild. If a free person was murdered, the éraic was equal to 21 cows, regardless of the victim's rank in society. Each member of the murder victim's agnatic kin-group received a payment based on their closeness to the victim, their status, and so forth. There were separate payments for the kin-group of the victim's mother, and for the victim's foster-kin. Execution seems to have been rare and carried out only as a last resort. If a murderer was unable or unwilling to pay éraic and was handed to his victim's family, they might kill him if they wished should nobody intervene by paying the éraic. Habitual or particularly serious offenders might be expelled from the kin-group and its territory. Such people became outlaws (with no protection from the law) and anyone who sheltered him became liable for his crimes. If he still haunted the territory and continued his crimes there, he was proclaimed in a public assembly and after this anyone might lawfully kill him. Each person had an honour-price, which varied depending on their rank in society. This honour-price was to be paid to them if their honour was violated by certain offences. Those of higher rank had a higher honour-price. However, an offence against the property of a poor man (who could ill afford it), was punished more harshly than a similar offence upon a wealthy man. The clergy were more harshly punished than the laity. When a layman had paid his fine he would go through a probationary period and then regain his standing, but a clergyman could never regain his standing. Some laws were pre-Christian in origin. These secular laws existed in parallel, and sometimes in conflict, with Church law. Although brehons usually dealt with legal cases, kings would have been able to deliver judgments also, but it is unclear how much they would have had to rely on brehons. Kings had their own brehons to deal with cases involving the king's own rights and to give him legal advice. Unlike other kingdoms in Europe, Gaelic kings—by their own authority—could not enact new laws as they wished and could not be "above the law". They could, however, enact temporary emergency laws. It was mainly through these emergency powers that the Church attempted to change Gaelic law. The law texts take great care to define social status, the rights and duties that went with that status, and the relationships between people. For example, ceann finte had to take responsibility for members of their fine, acting as a surety for some of their deeds and making sure debts were paid. He would also be responsible for unmarried women after the death of their fathers. Marriage, women and children Ancient Irish culture was patriarchal. The Brehon law excepted women from the ordinary course of the law so that, in general, every woman had to have a male guardian. However, women had some legal capacity. By the 8th century, the preferred form of marriage was one between social equals, under which a woman was technically legally dependent on her husband and had half his honor price, but could exercise considerable authority in regard to the transfer of property. Such women were called "women of joint dominion". Thus historian Patrick Weston Joyce could write that, relative to other European countries of the time, free women in Gaelic Ireland "held a good position" and their social and property rights were "in most respects, quite on a level with men". Gaelic Irish society was also patrilineal, with land being primarily owned by men and inherited by the sons. Only when a man had no sons would his land pass to his daughters, and then only for their lifetimes. Upon their deaths, the land was redistributed among their father's male relations. Under Brehon law, rather than inheriting land, daughters had assigned to them a certain number of their father's cattle as their marriage-portion. It seems that, throughout the Middle Ages, the Gaelic Irish kept many of their marriage laws and traditions separate from those of the Church. Under Gaelic law, married women could hold property independent of their husbands, a link was maintained between married women and their own families, couples could easily divorce or separate, and men could have concubines (which could be lawfully bought). These laws differed from most of contemporary Europe and from Church law. The lawful age of marriage was fifteen for girls and eighteen for boys, the respective ages at which fosterage ended. Upon marriage, the families of the bride and bridegroom were expected to contribute to the match. It was custom for the bridegroom and his family to pay a coibche (modern spelling: coibhche) and the bride was allowed a share of it. If the marriage ended owing to a fault of the husband then the coibche was kept by the wife and her family, but if the fault lay with the wife then the coibche was to be returned. It was custom for the bride to receive a spréid (modern spelling: spréidh) from her family (or foster family) upon marriage. This was to be returned if the marriage ended through divorce or the death of the husband. Later, the spréid seems to have been converted into a dowry. Women could seek divorce/separation as easily as men could and, when obtained on her behalf, she kept all the property she had brought her husband during their marriage. Trial marriages seem to have been popular among the rich and powerful, and thus it has been argued that cohabitation before marriage must have been acceptable. It also seems that the wife of a chieftain was entitled to some share of the chief's authority over his territory. This led to some Gaelic Irish wives wielding a great deal of political power. Before the Norman invasion, it was common for priests and monks to have wives. This remained mostly unchanged after the Norman invasion, despite protests from bishops and archbishops. The authorities classed such women as priests' concubines and there is evidence that a formal contract of concubinage existed between priests and their women. However, unlike other concubines, they seem to have been treated just as wives were. In Gaelic Ireland a kind of fosterage was common, whereby (for a certain length of time) children would be left in the care of others to strengthen family ties or political bonds. Foster parents were beholden to teach their foster children or to have them taught. Foster parents who had properly done their duties were entitled to be supported by their foster children in old age (if they were in need and had no children of their own). As with divorce, Gaelic law again differed from most of Europe and from Church law in giving legal standing to both "legitimate" and "illegitimate" children. Settlements and architecture For most of the Gaelic period, dwellings and farm buildings were circular with conical thatched roofs (see roundhouse). Square and rectangle-shaped buildings gradually became more common, and by the 14th or 15th century they had replaced round buildings completely. In some areas, buildings were made mostly of stone. In others, they were built of timber, wattle and daub, or a mix of materials. Most ancient and early medieval stone buildings were of dry stone construction. Some buildings would have had glass windows. Among the wealthy, it was common for women to have their own 'apartment' called a grianan (anglicized "greenan") in the sunniest part of the homestead. The dwellings of freemen and their families were often surrounded by a circular rampart called a "ringfort". There are two main kinds of ringfort. The ráth is an earthen ringfort, averaging 30m diameter, with a dry outside ditch. The cathair or caiseal is a stone ringfort. The ringfort would typically have enclosed the family home, small farm buildings or workshops, and animal pens. Most date to the period 500–1000 CE and there is evidence of large-scale ringfort desertion at the end of the first millennium. The remains of between 30,000 and 40,000 lasted into the 19th century to be mapped by Ordnance Survey Ireland. Another kind of native dwelling was the crannóg, which were roundhouses built on artificial islands in lakes. There were very few nucleated settlements, but after the 5th century some monasteries became the heart of small "monastic towns". By the 10th century the Norse-Gaelic ports of Dublin, Wexford, Cork and Limerick had grown into substantial settlements, all ruled by Gaelic kings by 1052. In this era many of the Irish round towers were built. In the fifty years before the Norman invasion, the term "castle" () appears in Gaelic writings, although there are few intact surviving examples of pre-Norman castles. After the invasion, the Normans built motte-and-bailey castles in the areas they occupied, some of which were converted from ringforts. By 1300 "some mottes, especially in frontier areas, had almost certainly been built by the Gaelic Irish in imitation". The Normans gradually replaced wooden motte-and-baileys with stone castles and tower houses. Tower houses are free-standing multi-storey stone towers usually surrounded by a wall (see bawn) and ancillary buildings. Gaelic families had begun to build their own tower houses by the 15th century. As many as 7000 may have been built, but they were rare in areas with little Norman settlement or contact. They are concentrated in counties Limerick and Clare but are lacking in Ulster, except the area around Strangford Lough. In Gaelic law, a 'sanctuary' called a maighin digona surrounded each person's dwelling. The maighin digona's size varied according to the owner's rank. In the case of a bóaire it stretched as far as he, while sitting at his house, could cast a cnairsech (variously described as a spear or sledgehammer). The owner of a maighin digona could offer its protection to someone fleeing from pursuers, who would then have to bring that person to justice by lawful means. Economy Gaelic Ireland was involved in trade with Britain and mainland Europe from ancient times, and this trade increased over the centuries. Tacitus, for example, wrote in the 1st century that most of Ireland's harbours were known to the Romans through commerce. There are many passages in early Irish literature that mention luxury goods imported from foreign lands, and the fair of Carman in Leinster included a market of foreign traders. In the Middle Ages the main exports were textiles such as wool and linen while the main imports were luxury items. Money was seldom used in Gaelic society; instead, goods and services were usually exchanged for other goods and services (barter). The economy was mainly a pastoral one, based on livestock (cows, sheep, pigs, goats, etc.) and their products. Cattle was "the main element in the Irish pastoral economy" and the main form of wealth, providing milk, butter, cheese, meat, fat, hides, and so forth. They were a "highly mobile form of wealth and economic resource which could be quickly and easily moved to a safer locality in time of war or trouble". The nobility owned great herds of cattle that had herdsmen and guards. Sheep, goats and pigs were also a valuable resource but had a lesser role in Irish pastoralism. Horticulture was practised; the main crops being oats, wheat and barley, although flax was also grown for making linen. Transhumance was also practised, whereby people moved with their livestock to higher pastures in summer and back to lower pastures in the cooler months. The summer pasture was called the buaile (anglicized as booley) and it is noteworthy that the Irish word for boy (buachaill) originally meant a herdsman. Many moorland areas were "shared as a common summer pasturage by the people of a whole parish or barony". Transport Gaelic Ireland was well furnished with roads and bridges. Bridges were typically wooden and in some places the roads were laid with wood and stone. There were five main roads leading from Tara: Slíghe Asail, Slíghe Chualann, Slíghe Dála, Slíghe Mór and Slíghe Midluachra. Horses were one of the main means of long-distance transport. Although horseshoes and reins were used, the Gaelic Irish did not use saddles, stirrups or spurs. Every man was trained to spring from the ground on to the back of his horse (an ech-léim or "steed-leap") and they urged-on and guided their horses with a rod having a hooked goad at the end. Two-wheeled and four-wheeled chariots (singular carbad) were used in Ireland from ancient times, both in private life and in war. They were big enough for two people, made of wickerwork and wood, and often had decorated hoods. The wheels were spoked, shod all round with iron, and were from three to four and a half feet high. Chariots were generally drawn by horses or oxen, with horse-drawn chariots being more common among chiefs and military men. War chariots furnished with scythes and spikes, like those of the ancient Gauls and Britons, are mentioned in literature. Boats used in Gaelic Ireland include canoes, currachs, sailboats and Irish galleys. Ferryboats were used to cross wide rivers and are often mentioned in the Brehon Laws as subject to strict regulations. Sometimes they were owned by individuals and sometimes they were the common property of those living round the ferry. Large boats were used for trade with mainland Europe. Dress Throughout the Middle Ages, the common clothing amongst the Gaelic Irish consisted of a brat (a woollen semi circular cloak) worn over a léine (a loose-fitting, long-sleeved tunic made of linen). For men the léine reached to their ankles but was hitched up by means of a crios (pronounced 'kriss') which was a type of woven belt. The léine was hitched up to knee level. Women wore the léine at full length. Men sometimes wore tight-fitting trews (Gaelic triúbhas) but otherwise went bare-legged. The brat was simply thrown over both shoulders or sometimes over only one. Occasionally the brat was fastened with a dealg (brooch), with men usually wearing the dealg at their shoulders and women at their chests. The ionar (a short, tight-fitting jacket) became popular later on. In Topographia Hibernica, written during the 1180s, Gerald de Barri wrote that the Irish commonly wore hoods at that time (perhaps forming part of the brat), while Edmund Spenser wrote in the 1580s that the brat was (in general) their main item of clothing. Gaelic clothing does not appear to have been influenced by outside styles. Women invariably grew their hair long and, as in other European cultures, this custom was also common among the men. It is said that the Gaelic Irish took great pride in their long hair—for example, a person could be forced to pay the heavy fine of two cows for shaving a man's head against his will. For women, very long hair was seen as a mark of beauty. Sometimes, wealthy men and women would braid their hair and fasten hollow golden balls to the braids. Another style that was popular among some medieval Gaelic men was the glib (short all over except for a long, thick lock of hair towards the front of the head). A band or ribbon around the forehead was the typical way of holding one's hair in place. For the wealthy, this band was often a thin and flexible band of burnished gold, silver or findruine. When the Anglo-Normans and the English colonized Ireland, hair length came to signify one's allegiance. Irishmen who cut their hair short were deemed to be forsaking their Irish heritage. Likewise, English colonists who grew their hair long at the back were deemed to be giving in to the Irish life. Gaelic men typically wore a beard and mustache, and it was often seen as dishonourable for a Gaelic man to have no facial hair. Beard styles varied – the long forked beard and the rectangular Mesopotamian-style beard were fashionable at times. Warfare Warfare was common in Gaelic Ireland, as territories fought for supremacy against each other and (later) against the Anglo-Normans. Champion warfare is a common theme in Irish mythology. In the Middle Ages all able-bodied men, apart from the learned and the clergy, were eligible for military service on behalf of the king or chief. Throughout the Middle Ages and for some time after, outsiders often wrote that the style of Irish warfare differed greatly from what they deemed to be the norm in Western Europe. The Gaelic Irish preferred hit-and-run raids (the crech), which involved catching the enemy unaware. If this worked they would then seize any valuables (mainly livestock) and potentially valuable hostages, burn the crops, and escape. The cattle raid was often called a Táin Bó in Gaelic literature. Although hit-and-run raiding was the preferred tactic in medieval times, there were also pitched battles. From at least the 11th century, kings maintained small permanent fighting forces known as "troops of the household", who were often given houses and land on the king's mensal land. These were well-equipped professional soldiers made up of infantry and cavalry. By the reign of Brian Boru, Irish kings were taking large armies on campaign over long distances and using naval forces in tandem with land forces. A typical medieval Irish army included light infantry, heavy infantry and cavalry. The bulk of the army was made up of light infantry called ceithern (anglicized 'kern'). The ceithern wandered Ireland offering their services for hire and usually wielded swords, skenes (a kind of long knife), short spears, bows and shields. The cavalry was usually made up of a king or chieftain and his close relatives. They usually rode without saddles but wore armour and iron helmets and wielded swords, skenes and long spears or lances. One kind of Irish cavalry was the hobelar. After the Norman invasion there emerged a kind of heavy infantry called gallóglaigh (anglicized 'gallo[w]glass'). They were originally Scottish mercenaries who appeared in the 13th century, but by the 15th century most large túatha had their own hereditary force of Irish gallóglaigh. Some Anglo-Norman lordships also began using gallóglaigh in imitation of the Irish. They usually wore mail and iron helmets and wielded sparth axes, claymores, and sometimes spears or lances. The gallóglaigh furnished the retreating plunderers with a "moving line of defence from which the horsemen could make short, sharp charges, and behind which they could retreat when pursued". As their armour made them less nimble, they were sometimes planted at strategic spots along the line of retreat. The kern, horsemen and gallóglaigh had lightly-armed servants to carry their weapons into battle. Warriors were sometimes rallied into battle by blowing horns and warpipes. According to Gerald de Barri (in the 12th century), they did not wear armour, as they deemed it burdensome to wear and "brave and honourable" to fight without it. Instead, most ordinary soldiers fought semi-naked and carried only their weapons and a small round shield—Spenser wrote that these shields were covered with leather and painted in bright colours. Kings and chiefs sometimes went into battle wearing helmets adorned with eagle feathers. For ordinary soldiers, their thick hair often served as a helmet, but they sometimes wore simple helmets made from animal hides. Arts Visual art Artwork from Ireland's Gaelic period is found on pottery, jewellery, weapons, drinkware, tableware, stone carvings and illuminated manuscripts. Irish art from about 300 BC incorporates patterns and styles which developed in west central Europe. By about AD 600, after the Christianization of Ireland had begun, a style melding Irish, Mediterranean and Germanic Anglo-Saxon elements emerged, and was spread to Britain and mainland Europe by the Hiberno-Scottish mission. This is known as Insular art or Hiberno-Saxon art, which continued in some form in Ireland until the 12th century, although the Viking invasions ended its "Golden Age". Most surviving works of Insular art were either made by monks or made for monasteries, with the exception of brooches, which were likely made and used by both clergy and laity. Examples of Insular art from Ireland include the Book of Kells, Muiredach's High Cross, the Tara Brooch, the Ardagh Hoard the Derrynaflan Chalice, and the late Cross of Cong, which also uses Viking styles. Literature Music and dance Although Gerald de Barri had a negative view of the Irish, in Topographia Hibernica (1188) he conceded that they were more skilled at playing music than any other nation he had seen. He claimed that the two main instruments were the "harp" and "tabor" (see also bodhrán), that their music was fast and lively, and that their songs always began and ended with B-flat. In A History of Irish Music (1905), W. H. Grattan Flood wrote that there were at least ten instruments in general use by the Gaelic Irish. These were the cruit (a small harp) and clairseach (a bigger harp with typically 30 strings), the timpan (a small string instrument played with a bow or plectrum), the feadan (a fife), the buinne (an oboe or flute), the guthbuinne (a bassoon-type horn), the bennbuabhal and corn (hornpipes), the cuislenna (bagpipes – see Great Irish Warpipes), the stoc and sturgan (clarions or trumpets), and the cnamha (castanets). He also mentions the fiddle as being used in the 8th century. Sport Assemblies As mentioned before, Gaelic Ireland was split into many clann territories and kingdoms called túath (plural: túatha). Although there was no central 'government' or 'parliament', a number of local, regional and national gatherings were held. These combined features of assemblies and fairs. In Ireland the highest of these was the feis at Teamhair na Rí (Tara), which was held every third Samhain. This was a gathering of the leading men of the whole island – kings, lords, chieftains, druids, judges etc. Below this was the óenach (modern spelling: aonach). These were regional or provincial gatherings open to everyone. Examples include that held at Tailtin each Lughnasadh, and that held at Uisneach each Bealtaine. The main purpose of these gatherings was to promulgate and reaffirm the laws – they were read aloud in public that they might not be forgotten, and any changes in them carefully explained to those present. Each túath or clann had two assemblies of its own. These were the cuirmtig, which was open to all clann members, and the dal (a term later adopted for the Irish parliament – see Dáil Éireann), which was open only to clann chiefs. Each clann had a further assembly called a tocomra, in which the clann chief (toísech, modern taoiseach) and his deputy/successor (tánaiste) were elected. Notable Irish kings List of kings History Before 400 400 to 800 800 to 1169 Anglo-Norman occupation Invasion Ireland became Christianized between the 5th and 7th centuries. Pope Adrian IV, the only English pope, had already issued a Papal Bull in 1155 giving Henry II of England authority to invade Ireland as a means of curbing Irish refusal to recognize Roman law. Importantly, for later English monarchs, the Bull, Laudabiliter, maintained papal suzerainty over the island: In 1166, after losing the protection of High King Muirchertach Mac Lochlainn, King Diarmait Mac Murchada of Leinster was forcibly exiled by a confederation of Irish forces under King Ruaidri mac Tairrdelbach Ua Conchobair. Fleeing first to Bristol and then to Normandy, Diarmait obtained permission from Henry II of England to use his subjects to regain his kingdom. By the following year, he had obtained these services and in 1169 the main body of Norman, Welsh and Flemish forces landed in Ireland and quickly retook Leinster and the cities of Waterford and Dublin on behalf of Diarmait. The leader of the Norman force, Richard de Clare, 2nd Earl of Pembroke, more commonly known as Strongbow, married Diarmait's daughter, Aoife, and was named tánaiste to the Kingdom of Leinster. This caused consternation to Henry II, who feared the establishment of a rival Norman state in Ireland. Accordingly, he resolved to visit Leinster to establish his authority. Henry landed in 1171, proclaiming Waterford and Dublin as Royal Cities. Adrian's successor, Pope Alexander III, ratified the grant of Ireland to Henry in 1172. The 1175 Treaty of Windsor between Henry and Ruaidhrí maintained Ruaidhrí as High King of Ireland but codified Henry's control of Leinster, Meath and Waterford. However, with Diarmuid and Strongbow dead, Henry back in England, and Ruaidhrí unable to curb his vassals, the high kingship rapidly lost control of the country. Henry, in 1185, awarded his younger son, John, the title Dominus Hiberniae, "Lord of Ireland". This kept the newly created title and the Kingdom of England personally and legally separate. However, when John unexpectedly succeeded his brother as King of England in 1199, the Lordship of Ireland fell back into personal union with the Kingdom of England. Gaelic resurgence By 1261, the weakening of the Anglo-Norman Lordship had become manifest following a string of military defeats. In the chaotic situation, local Irish lords won back large amounts of land. The invasion by Edward Bruce in 1315–18 at a time of famine weakened the Norman economy. The Black Death arrived in Ireland in 1348. Because most of the English and Norman inhabitants of Ireland lived in towns and villages, the plague hit them far harder than it did the native Irish, who lived in more dispersed rural settlements. After it had passed, Gaelic Irish language and customs came to dominate the country again. The English-controlled area shrank back to the Pale, a fortified area around Dublin. Outside the Pale, the Hiberno-Norman lords intermarried with Gaelic noble families, adopted the Irish language and customs and sided with the Gaelic Irish in political and military conflicts against the Lordship. They became known as the Old English, and in the words of a contemporary English commentator, were "more Irish than the Irish themselves." The authorities in the Pale worried about the Gaelicisation of Norman Ireland, and passed the Statutes of Kilkenny in 1366 banning those of English descent from speaking the Irish language, wearing Irish clothes or inter-marrying with the Irish. The government in Dublin had little real authority. By the end of the 15th century, central English authority in Ireland had all but disappeared. England's attentions were diverted by the Hundred Years' War (1337–1453) and then by the Wars of the Roses (1450–85). Around the country, local Gaelic and Gaelicised lords expanded their powers at the expense of the English government in Dublin. Gaelic kingdoms during the period Following the failed attempt by the Scottish King Edward Bruce (see Irish Bruce Wars 1315–1318) to drive the Normans out of Ireland, there emerged a number of important Gaelic kingdoms and Gaelic-controlled lordships. Connacht. The Ó Conchobhair dynasty, despite their setback during the Bruce wars, had regrouped and ensured that the title King of Connacht was not yet an empty one. Their stronghold was in their homeland of Sil Muirdeag, from where they dominated much of northern and northeastern Connacht. However, after the death of Ruaidri mac Tairdelbach Ua Conchobair in 1384, the dynasty split into two factions, Ó Conchobhair Don and Ó Conchobhair Ruadh. By the late 15th century, internecine warfare between the two branches had weakened them to the point where they themselves became vassals of more powerful lords such as Ó Domhnaill of Tír Chonaill and the Clan Burke of Clanricarde. The Mac Diarmata Kings of Moylurg retained their status and kingdom during this era, up to the death of Tadhg Mac Diarmata in 1585 (last de facto King of Moylurg). Their cousins, the Mac Donnacha of Tír Ailella, found their fortunes bound to the Ó Conchobhair Ruadh. The kingdom of Uí Maine had lost much of its southern and western lands to the Clanricardes, but managed to flourish until repeated raids by Ó Domhnaill in the early 16th century weakened it. Other territories such as Ó Flaithbeheraigh of Iar Connacht, Ó Seachnasaigh of Aidhne, O'Dowd of Tireagh, O'Hara, Ó Gadhra and Ó Maddan, either survived in isolation or were vassals for greater men. Ulster: The Ulaid proper were in a sorry state all during this era, being squeezed between the emergent Ó Neill of Tír Eógain in the west, the MacDonnells, Clann Aodha Buidhe, and the Anglo-Normans from the east. Only Mag Aonghusa managed to retain a portion of their former kingdom with expansion into Iveagh. The two great success stories of this era were Ó Domhnaill of Tír Chonaill and Ó Neill of Tír Eógain. Ó Domhnaill was able to dominate much of northern Connacht to the detriment of its native lords, both Old English and Gaelic, though it took time to suborn the likes of Ó Conchobhair Sligigh and Ó Raghallaigh of Iar Breifne. Expansion southwards brought the hegemony of Tír Eógain, and by extension Ó Neill influence, well into the border lordships of Louth and Meath. Mag Uidir of Fear Manach would slightly later be able to build his lordship up to that of third most powerful in the province, at the expense of the Ó Raghallaigh of Iar Breifne and the MacMahons of Airgíalla. Leinster: Likewise, despite the adverse (and unforeseen) effects of Diarmait Mac Murchada's efforts to regain his kingdom, the fact of the matter was that, of his twenty successors up to 1632, most of them had regained much of the ground they had lost to the Normans, and exacted yearly tribute from the towns. His most dynamic successor was the celebrated Art mac Art MacMurrough-Kavanagh. The Ó Broin and Ó Tuathail largely contented themselves with raids on Dublin (which, incredibly, continued into the 18th century). The Ó Mordha of Laois and Ó Conchobhair Falaighe of Offaly – the latter's capital was Daingean – were two self-contained territories that had earned the right to be called kingdoms due to their near-invincibility against successive generations of Anglo-Irish. The great losers were the Ó Melaghlins of Meath: their kingdom collapsed despite attempts by Cormac mac Art O Melaghlain to restore it. The royal family was reduced to vassal status, confined to the east shores of the River Shannon. The kingdom was substantially incorporated into the Lordship of Meath which was granted to Hugh de Lacy in 1172. Munster: Desmond: See Kingdom of Desmond, Barony of Carbery, Battle of Callann Thomond: Despite huge setbacks, the descendants of Brian Bóruma had, by surviving the Second Battle of Athenry and winning the decisive battles of Corcomroe and Dysert O'Dea, been able to suborn their vassals and eradicate the Normans from their home kingdom of Thomond. Their spheres of interest often met with conflict with Anglo-Normans such as the Earls of Desmond and Earls of Ormond, yet they ruled right up to the end of Gaelic Ireland, and beyond, by expedient of becoming the O'Brien Earls of Thomond. Tudor conquest and aftermath From 1536, Henry VIII of England decided to conquer Ireland and bring it under English control. The FitzGerald dynasty of Kildare, who had become the effective rulers of the Lordship of Ireland (The Pale) in the 15th century, had become unreliable allies and Henry resolved to bring Ireland under English government control so the island would not become a base for future rebellions or foreign invasions of England. To involve the Gaelic nobility and allow them to retain their lands under English law the policy of surrender and regrant was applied. In 1541, Henry upgraded Ireland from a lordship to a full kingdom, partly in response to changing relationships with the papacy, which still had suzerainty over Ireland, following Henry's break with the church. Henry was proclaimed King of Ireland at a meeting of the Irish Parliament that year. This was the first meeting of the Irish Parliament to be attended by the Gaelic Irish princes as well as the Hiberno-Norman aristocracy. With the technical institutions of government in place, the next step was to extend the control of the Kingdom of Ireland over all of its claimed territory. This took nearly a century, with various English administrations in the process either negotiating or fighting with the independent Irish and Old English lords. The conquest was completed during the reigns of Elizabeth and James I, after several bloody conflicts. The flight into exile in 1607 of Hugh O'Neill, 2nd Earl of Tyrone and Hugh Roe O'Donnell, 1st Earl of Tyrconnell following their defeat at the Battle of Kinsale in 1601 and the suppression of their rebellion in Ulster in 1603 is seen as the watershed of Gaelic Ireland. It marked the destruction of Ireland's ancient Gaelic nobility following the Tudor conquest and cleared the way for the Plantation of Ulster. After this point, the English authorities in Dublin established greater control over Ireland, establishing - or, at least, attempting to establish - a centralised government for the entire island, and successfully disarmed the Gaelic lordships. O'Donnell - often known as Red Hugh O'Donnell - died in the archive castle of Simancas, Valladolid, in September 1602, when petitioning Philip III of Spain (1598–1621) for further assistance. His son, Rory, succeeded him as the Earl of Tyrconnell and was active in armies fighting for Madrid in the Low Countries and Spain. He died at the Battle of Barcelona in 1642, a naval engagement against the French fleet. England and Scotland merged politically in 1707 after the crowns of both counties were united in 1603, but the crown of Ireland did not merge with the Union until 1800. Part of the attraction of the Union for many Irish Catholics was the promise of Catholic Emancipation, allowing Roman Catholic MPs, who had not been allowed in the Irish Parliament. This was however blocked by King George III who argued that emancipating Roman Catholics would breach his Coronation Oath, and was not realised until 1829. The Gaelic roots that defined early Irish history still persisted, despite this Anglicisation of Irish culture and politics, as Christianity became the prominent expression of Irish identity in Ireland. In the time leading up to the Great Famine of the 1840s, many priests believed that parishioner spirituality was paramount, resulting in a localised morphing of Gaelic and Catholic traditions. See also Dál Riata Scotland in the High Middle Ages References Further reading Gaelic History of Ireland by period Irish culture Irish society 1st millennium in Ireland 2nd millennium in Ireland	true	[ "Missing middle housing describes a range of multi-family or clustered housing types that are compatible in scale with single-family or transitional neighborhoods. Missing middle housing is intended to meet the demand for walkable neighborhoods, respond to changing demographics, and provide housing at different price points. The term \"missing middle\" is meant to describe housing types that were common in the pre-WWII United States such as duplexes, rowhomes, and courtyard apartments but are now less common and, therefore, \"missing\". Rather than focusing on the number of units in a structure, missing middle housing emphasizes scale and heights that are appropriate for single-family neighborhoods or transitional neighborhoods. After the introduction of the term in 2010, the concept has been applied in the United States, Canada, and Australia.\n\nBackground\n\nThe term \"missing middle housing\" was introduced by architect Daniel Parolek in 2010. Many forms of what is now described as \"missing middle\" housing were built before the 1940s including two-flats in Chicago, rowhomes in Brooklyn, Baltimore, Washington, D.C., and Philadelphia, two-family homes or \"triple-decker\" homes in Boston, Worcester, and bungalow courts in California. Post-WWII, housing in the United States trended significantly toward single-family with zoning making it difficult to build walkable medium density housing in many areas and, therefore, reducing the supply of the now \"missing\" middle.\n\nThe resurgence of missing middle housing is due to many factors including resurgent market demand for this type of housing, demand for housing in amenity-rich walkable neighborhoods, the necessity of housing affordability, environmental efforts to support walkability, transit-oriented developments, and changing demographic trends. The American Association for Retired Persons (AARP) released a report, which showed that more and more, Americans want to \"age in place,\" and need easy access to services and amenities available in walkable, urban, transit-oriented communities. Millennials have been shown to drive less, and seek housing choices in walkable neighborhoods close to transit. The number of automobile miles traveled increased each year between 1946 and 2004; today Americans drive less than 2004, and no more per person than in 1996. The decline in driving is most striking among young people aged 16 to 34, who drove 23% fewer miles on average in 2009 than their age group did in 2001. Furthermore, research suggests that Millennials prefer amenity-rich, transit rich, and walkable neighborhoods. Small Housing B.C. has stated that \"The structure of the traditional North American suburb has failed to live up to the expectations of many who settled in suburban neighborhoods, and new ways are being sought to re-engineer suburban living and re-build those settlement patterns.\"\n\nDesign \n\nMissing-middle housing comes in a variety of building types and densities but may be characterized by location in a walkable context, lower perceived density, small building footprints, smaller homes, reasonably low amounts of parking, simple construction, and focus on community. Forms of missing middle housing may include side-by-side duplexes, stacked duplexes, bungalow courts, accessory dwelling units (carriage houses, basement apartments, etc.), fourplexes, multiplexes, townhomes, courtyard apartments, and live/work units. These building types typically have a residential unit density in the range of 16 to 30 units per acre but are often perceived as being less dense because they are smaller in scale. Because of its scale, missing middle housing may mix into single-family neighborhoods, act as an end-grain of a single-family housing block, act as a transition between higher density housing and single-family housing, or act as a transition from a mixed-use area to a single-family area. The resulting density may support broader community desires, including walkable retail, amenities, public transportation, and increased \"feet on the street\".\n\nImpacts \n\nMissing Middle Housing offers a greater choice in housing types that still blend into existing single-family neighborhoods, create more affordable housing options, and help reach sustainability goals. Missing middle housing units are usually smaller units than single-family homes because they share a lot with other homes, which results in lower per-unit land costs and, therefore, lower housing costs. Missing middle housing types are also one of the cheapest forms of housing to produce because they are typically low-rise, low parking and wood-frame construction, which avoids expensive concrete podiums. Because the construction and building materials are comparatively less complicated than larger mid-and high-rise structures, a larger pool of small-scale and local home builders can participate in the creation of this form of housing. To support municipal budgets, the denser and more efficient use of land and infrastructure may be financially productive for municipalities with more people paying taxes per acre for less infrastructure than large lot single-family homes.\n\nIncreasing missing middle housing options may allow families of different sizes, types, and incomes to access quality housing. Missing middle housing tends to become naturally affordable housing as it ages, and provides a level of density that supports the shops, restaurants, and transit that are associated with walkable neighborhoods. Walkable neighborhoods may then support sustainability, health, and affordability goals by reducing reliance on personal vehicles. This would promote active transportation, reduce sprawl, reduce pollution, and reduce transportation costs by lessening the need for personal vehicles. Missing middle housing options may allow seniors to downsize without leaving their neighborhood. For example, accessory dwelling units can enable multi-generation households to have privacy while all living on the same property. Missing middle housing may enable a wider range of families to achieve homeownership by offering a wider range of housing options and prices. Additionally, missing middle housing types such as accessory dwelling units can support mortgages through the rents of those secondary units. Overall, missing middle housing options can create housing at a wide range of prices for a range of family types.\n\nSome property rights advocates believe that widely permitting missing middle housing expands property rights by allowing property owners more choice in how to use their property. Some equity advocates feel that permitting more diverse housing choices, such as missing middle housing, may reduce historic and modern inequities that keep less affluent people out of certain amenity-rich neighborhoods.\n\nState-level examples \n\nSeveral American states have adopted or proposed legislation aimed at increasing the stock of missing middle housing. Most notably, Oregon adopted House Bill 2001 in 2019. The Bill requires Oregon's medium-sized cities to allow duplexes on each lot or parcel zoned for residential use that allows for the development of single-family homes. Additionally, Oregon's large cities (with a population over 25,000) and cities in the Portland Metro region, must allow duplexes, triplexes, quadplexes, cottage clusters, and townhouses in residential areas. The Bill set aside funds for planning assistance to local governments to help draft local codes and allows municipalities to set reasonable design and infrastructure standards. In Massachusetts, H.5250 was adopted to require municipalities near the MTBA to reasonably allow duplex or multi-family housing near transit stations. The Bill also created financial incentives for communities to zone for \"smart growth\" and made it easier for municipalities to adopt zoning ordinances or zoning amendments. In 2019, Washington State adopted E2SHB 1923 encouraging all cities under the Growth Management Act (GMA) to increase residential capacity by supporting many forms of missing middle housing. The State of Washington provided grant funds to help support code changes, housing action plans, and sub-area plans to support missing middle housing types.\n\nThe states of Vermont, New Hampshire, and California have adopted a number of bills that promote accessory dwelling units (ADUs) and reduce regulatory barriers to ADU construction. State-level action has also occurred in Australia where, citing an effort to promote more 'missing middle' development, New South Wales launched the Low Rise Housing Diversity Code and Design Guides for Low Rise Housing Diversity. The State of Connecticut House and Senate approved legislation to reduce some zoning restrictions on missing middle housing types such as accessory dwelling units.\n\nOther states have considered but not adopted similar legislation to support missing middle housing types. The State of Illinois considered HB4869 which would have required municipalities to permit (and reasonably regulate) accessory dwelling units (ADUs). Virginia considered HB 152 which would have required municipalities to allow (and reasonably regulate) missing middle housing types (duplexes, cottages, etc.) on all lots currently zoned for single-family housing. The State of Maryland considered HB1406 \"Planning for Modest Homes Act of 2020\" which would have required census tracts that are affluent, transit-adjacent, and/or near a large number of jobs, to allow missing middle housing types. Nebraska considered LB794 would mandate every city with more than 5,000 people to allow missing middle housing in areas previously zoned exclusively for single-family detached residential. Montana considered HB 134 which would have allowed duplex, triplex, and fourplex housing in certain municipalities. North Carolina considered House Bill 401 and Senate Bill 349, which would have allowed middle housing in any neighborhood zoned for detached, single-family homes.\n\nMunicipal examples \n\nMany municipalities are updating their land-use and zoning regulations to better support missing middle housing. Changes to land use regulations to support missing middle housing may also include changes such as form-based-codes, transit-oriented development, and other updates.\n\nIn the United States, Portland, Oregon, has a number of historic Missing Middle housing types located throughout the city, most of which are duplexes, that were built before the 1920s before the city's first zoning plan was approved. Zoning for single-family homes was expanded in the 1950s and the building of duplexes or triplexes largely became illegal in Portland. In the 2010s Portland began updating its zoning regulations to permit Missing Middle Housing types. Missing Middle zoning updates have spread through the Pacific Northwest and now include Seattle, Walla Walla, Lake Stevens, Orting, Wenatchee, Eugene, Olympia, Spokane, and Bellingham, Tacoma, and Tigard among others.\n\nZoning Updates to support missing middle housing are not just found in the Pacific Northwest. Notably, In Minnesota, the Minneapolis 2040 plan called for up-zoning the city to allow more missing middle housing types throughout the city. The new zoning in Minneapolis does not prohibit the construction of single-family homes, but no neighborhoods in the city are zoned exclusively for single-family zoning. The city also eliminated mandatory parking minimums from its zoning regulations allowing builders and business owners to choose the amount of parking they provide based on the market and their unique needs.\n\nIn California, Sacramento voted to permit up to four housing units on all residential lots and reduce parking requirements in order to help the city alleviate its housing crisis and to achieve equity goals. The City of Berkeley, California has voted unanimously to zone for several missing middle housing types city-wide by 2022 citing equity and housing affordability as goals.\n\nBryan, Texas implemented a pattern-zoning policy in which the City provides several pre-designed and pre-approved plans for missing middle housing types (with significantly reduced permitting procedures) in the \"midtown\" portion of the city. The goal of the program is to reduce housing costs caused by design fees and lengthy permitting procedures, reduce burdens on city staff, achieve public input and support for housing designs in advance, and ensure quality housing designs. Norfolk, VA also has a missing middle pattern book with free designs for missing middle housing types including duplexes and quadplexes.\n\nMany local governments across the United States have chosen to zone for missing middle housing types in significant portions of their zoning districts including Grand Rapids Michigan, Durham, North Carolina, Kirkland Washington's cottage housing zoning, Montgomery County, Maryland's numerous housing studies, Bloomington, Indiana, and Dekalb County, Georgia. Indianapolis, Indiana chose to permit missing middle housing types (in addition to higher density housing types) along bus rapid transit corridors. Indianapolis also included missing middle housing types in its residential infill guidelines. Other cities are making long-term plans to increase the supply of missing middle housing. Charlotte, NC added language in their comprehensive plan to allow duplexes and triplexes across the city. Citing missing middle housing as a component of a larger affordable housing strategy, Raleigh, NC voted to permit several missing middle housing types in most residential zones. \n\nWhile some communities have not adopted regulations to widely permit the full range of missing middle housing types, they have made changes to permit accessory dwelling units (ADUs). Diverse examples include large cities such as Los Angeles, CA, the City of Chicago, IL, and smaller cities such as Lexington, KY, and Santa Cruz, CA.\n\nOutside of the United States, cities in both Australia and Canada have adopted missing middle housing reforms. Notable examples in Canada include Edmonton, Alberta's missing middle zoning reforms, and Vancouver British Columbia's secondary unit zoning. Montréal, Québec is notable for its distinct architecture and urban planning that has historically included significant amounts of missing middle housing. Due to its unique history, many neighborhoods in Montreal include low-rise attached duplexes, triplexes, and apartments often with exterior stair-entry, minimal front setbacks, and with small backyards. This creates a significant level of density without high-rises. In Australia, The 30-Year Plan for Greater Adelaide includes a focus on missing middle housing as does Moreland's Medium Density Housing Review.\n\nSee also \nBicycle-friendly\nForm-based code\nNew Urbanism\nStreetcar suburb\nTraditional neighborhood development\nUrban sprawl\nSustainable city\nGreen building\nAffordable housing\nDuplex\nZoning codes\n\nReferences\n\nUrban design\nUrban studies and planning terminology\nReal estate in the United States\nZoning\nNew Urbanism", "The Fair Housing Initiatives Program (FHIP) is managed by the Office of Fair Housing and Equal Opportunity at the U.S. Department of Housing and Urban Development. The program provides funding to fair housing organizations and other non-profits who assist people who believe they have been victims of housing discrimination. The FHIP program is the only Federal grant program whose purpose is to support private partnerships in preventing and overcoming housing discrimination.\n\nHistory of the Program\nThe Fair Housing Initiatives Program began with the passage of Section 561 of the Housing and Community Development Act of 1987 (42 U.S.C. 3616; P.L. 100–242), as amended by the Housing and Community Development Act of 1992.\n\nTypes of FHIP grants\n The Fair Housing Organizations Initiative (FHOI)- FHOI provides funding to existing non-profit fair housing organizations. The funding is intended to build capacity and effectiveness of these organizations by providing funds to handle fair housing enforcement and education initiatives. FHOI also strengthens the fair housing movement nationally by encouraging the creation and growth of organizations that focus on the rights and needs of underserved groups, particularly persons with disabilities.\nThe Private Enforcement Initiative (PEI)- offers a range of assistance to the nationwide network of fair housing groups. This initiatives funds non-profit fair housing organizations to carry out testing and enforcement activities to prevent or eliminate discriminatory housing practices.\nThe Education and Outreach Initiative (EOI)- This grant is meant to increase activities to local communities to teach about fair housing rights and responsibilities. These grants are given to State agencies, local government groups, and non-profit organizations for initiatives that explain to the general public and housing providers what equal opportunity in housing means and what housing providers need to do to comply with the Fair housing Act. In recent years, one of the main goals of the EOI grants is to protect the public from lending schemes that prey upon minority homeowners by educating the public about what they can do if they are facing foreclosure and how to be suspicious of foreclosure programs.\n\nEligible grantees\n\nFHIP-FHOI: Applicants must be qualified fair housing enforcement organizations with at least two years of experience in complaint intake, complaint investigation, testing for fair housing violations, and meritorious claims in the three years prior to the filing of their application.\nFHIP-PEI: Fair housing enforcement organizations that meet certain requirements related to the length and quality of previous fair housing enforcement experience may apply for FHIP-PEI funding.\nFHIP-EOI: State or local governments, qualified fair housing enforcement organizations (those with at least 2 years of experience), other fair housing organizations, and other public or private nonprofit organizations representing groups of persons protected by the Fair Housing Act may apply for FHIP-EOI funding.\n\nSee also\nOffice of Fair Housing and Equal Opportunity\nFair Housing Assistance Program\n\nExternal links\nFair Housing Initaitives Program\nOffice of Fair Housing and Equal Opportunity\n\nHousing in the United States\nHousing organizations" ]
[ "Gaelic Ireland", "Settlements and architecture", "What type of settlements were there?", "There were very few nucleated settlements in Gaelic areas.", "What did the buildings look like?", "It was at this time, perhaps as a response to Viking raids, that many of the Irish round towers were built.", "What material were the buildings made of?", "concentrated in counties Limerick and Clare but are lacking in Ulster, except the area around Strangford Lough.", "Did the buildings survive?", "surrounded by a wall (see bawn) and ancillary buildings. Gaelic families had begun to build their own tower houses by the 15th century.", "What else did they build during this time period?", "\". The Normans gradually replaced wooden motte-and-baileys with stone castles and tower houses.", "What other materials did they use to build?", "while sitting at his house, could cast a cnairsech (variously described as a spear or sledgehammer", "Is there anything else interesting?", "Ordnance Survey Ireland. Another kind of native dwelling was the crannog, which were roundhouses built on artificial islands in lakes.", "What other types of housing did they use?", "some areas, buildings were made mostly of stone. In others, they were built of timber, wattle and daub, or a mix of materials." ]	C_fe515e59d85c4f8d850279012b1372da_1	Did many people like these settlements?	9	Did many people like the settlements in Gaelic Ireland?	Gaelic Ireland	For most of the Gaelic period, dwellings and farm buildings were circular with conical thatched roofs (see roundhouse). Square and rectangle-shaped buildings gradually became more common, and by the 14th or 15th century they had replaced round buildings completely. In some areas, buildings were made mostly of stone. In others, they were built of timber, wattle and daub, or a mix of materials. Most ancient and early medieval stone buildings were of dry stone construction. Some buildings would have had glass windows. Among the wealthy, it was common for women to have their own 'apartment' called a grianan (anglicized "greenan") in the sunniest part of the homestead. The dwellings of freemen and their families were often surrounded by a circular rampart called a "ringfort". There are two main kinds of ringfort. The rath is an earthen ringfort, averaging 30m diameter, with a dry outside ditch. The cathair or caiseal is a stone ringfort. The ringfort would typically have enclosed the family home, small farm buildings or workshops, and animal pens. Most date to the period 500-1000 CE and there is evidence of large-scale ringfort desertion at the end of the first millennium. The remains of between 30,000 and 40,000 lasted into the 19th century to be mapped by Ordnance Survey Ireland. Another kind of native dwelling was the crannog, which were roundhouses built on artificial islands in lakes. There were very few nucleated settlements in Gaelic areas. However, after the 5th century some monasteries became the heart of small "monastic towns". By the 10th century the Norse-Gaelic ports of Dublin, Wexford, Cork and Limerick had grown into substantial settlements. It was at this time, perhaps as a response to Viking raids, that many of the Irish round towers were built. In the fifty years before the Norman invasion, the term "castle" (Old Irish: caistel/caislen) appears in Gaelic writings, although there are no surviving examples of pre-Norman castles. After the invasion, the Normans built motte-and-bailey castles in the areas they occupied, some of which were converted from ringforts. By 1300 "some mottes, especially in frontier areas, had almost certainly been built by the Gaelic Irish in imitation". The Normans gradually replaced wooden motte-and-baileys with stone castles and tower houses. Tower houses are free-standing multi-storey stone towers usually surrounded by a wall (see bawn) and ancillary buildings. Gaelic families had begun to build their own tower houses by the 15th century. As many as 7000 may have been built, but they were rare in areas with little Norman settlement or contact. They are concentrated in counties Limerick and Clare but are lacking in Ulster, except the area around Strangford Lough. In Gaelic law, a 'sanctuary' called a maighin digona surrounded each person's dwelling. The maighin digona's size varied according to the owner's rank. In the case of a boaire it stretched as far as he, while sitting at his house, could cast a cnairsech (variously described as a spear or sledgehammer). The owner of a maighin digona could offer its protection to someone fleeing from pursuers, who would then have to bring that person to justice by lawful means. CANNOTANSWER	Among the wealthy, it was common for women to have their own 'apartment' called a grianan (anglicized "greenan") in the sunniest part of the homestead.	Gaelic Ireland () was the Gaelic political and social order, and associated culture, that existed in Ireland from the prehistoric era until the early 17th century. Before the Norman invasion of 1169, Gaelic Ireland comprised the whole island. Thereafter, it comprised that part of the country not under foreign dominion at a given time, i.e. "The Pale". For most of its history, Gaelic Ireland was a "patchwork" hierarchy of territories ruled by a hierarchy of kings or chiefs, who were elected through tanistry. Warfare between these territories was common. Occasionally, a powerful ruler was acknowledged as High King of Ireland. Society was made up of clans and, like the rest of Europe, was structured hierarchically according to class. Throughout this period, the economy was mainly pastoral and money was generally not used. A Gaelic Irish style of dress, music, dance, sport, architecture, and art can be identified, with Irish art later merging with Anglo-Saxon styles to create Insular art. Gaelic Ireland was initially pagan and had an oral culture. Inscription in the ogham alphabet began in the protohistoric period, perhaps as early as the 1st century. The conversion to Christianity accompanied the introduction of literature, and much of Ireland's rich pre-Christian mythology and sophisticated law code were preserved, albeit Christianized. In the Early Middle Ages, Ireland was an important centre of learning. Irish missionaries and scholars were influential in western Europe, and helped to spread Christianity to much of Britain and parts of mainland Europe. In the 9th century, Vikings began raiding and founding settlements along Ireland's coasts and waterways, which became its first large towns. Over time, these settlers were assimilated and became the Norse-Gaels. After the Norman invasion of 1169–71, large swathes of Ireland came under the control of Norman lords, leading to centuries of conflict with the native Irish. The King of England claimed sovereignty over this territory – the Lordship of Ireland – and the island as a whole. However, the Gaelic system continued in areas outside Anglo-Norman control. The territory under English control gradually shrank to an area known as the Pale and, outside this, many Hiberno-Norman lords adopted Gaelic culture. In 1542, Henry VIII of England declared the Lordship a Kingdom and himself King of Ireland. The English then began to conquer (or re-conquer) the island. By 1607, Ireland was fully under English control, bringing the old Gaelic political and social order to an end. Culture and society Gaelic culture and society was centred around the fine (explained below). Gaelic Ireland had a rich oral culture and appreciation of deeper and intellectual pursuits. Filí and draoithe (druids) were held in high regard during Pagan times and orally passed down the history and traditions of their people. Later, many of their spiritual and intellectual tasks were passed on to Christian monks, after said religion prevailed from the 5th century onwards. However, the filí continued to hold a high position. Poetry, music, storytelling, literature and other art forms were highly prized and cultivated in both pagan and Christian Gaelic Ireland. Hospitality, bonds of kinship and the fulfilment of social and ritual responsibilities were highly important. Like Britain, Gaelic Ireland consisted not of one single unified kingdom, but several. The main kingdoms were Ulaid (Ulster), Mide (Meath), Laigin (Leinster), Muma (Munster, consisting of Iarmuman, Tuadmumain and Desmumain), Connacht, Bréifne (Breffny), In Tuaiscert (The North), and Airgíalla (Oriel). Each of these overkingdoms were built upon lordships known as túatha (singular: túath). Law tracts from the early 700s describe a hierarchy of kings: kings of túath subject to kings of several túatha who again were subject to the regional overkings. Already before the 8th century these overkingdoms had begun to replace the túatha as the basic sociopolitical unit. Religion and mythology Paganism Before Christianization, the Gaelic Irish were polytheistic or pagan. They had many gods and goddesses, which generally have parallels in the pantheons of other European nations. Two groups of supernatural beings who appear throughout Irish mythology—the Tuatha Dé Danann and Fomorians—are believed to represent the Gaelic pantheon. They were also animists, believing that all aspects of the natural world contained spirits, and that these spirits could be communicated with. Burial practices—which included burying food, weapons, and ornaments with the dead—suggest a belief in life after death. Some have equated this afterlife with the Otherworld realms known as Magh Meall and Tír na nÓg in Irish mythology. There were four main religious festivals each year, marking the traditional four divisions of the year – Samhain, Imbolc, Bealtaine and Lughnasadh. The mythology of Ireland was originally passed down orally, but much of it was eventually written down by Irish monks, who Christianized and modified it to an extent. This large body of work is often split into three overlapping cycles: the Mythological Cycle, the Ulster Cycle, and the Fenian Cycle. The first cycle is a pseudo-history that describes how Ireland, its people and its society came to be. The second cycle tells of the lives and deaths of Ulaidh heroes such as Cúchulainn. The third cycle tells of the exploits of Fionn mac Cumhaill and the Fianna. There are also a number of tales that do not fit into these cycles – this includes the immrama and echtrai, which are tales of voyages to the 'Otherworld'. Christianity The introduction of Christianity to Ireland dates to sometime before the 5th century, with Palladius (later bishop of Ireland) sent by Pope Celestine I in the mid-5th century to minister to Irish "believing in Christ". Early medieval traditions credit Saint Patrick as being the first Primate of Ireland. Christianity would eventually supplant the existing pagan traditions, with the prologue of the 9th century Martyrology of Tallaght (attributed to author Óengus of Tallaght) speaking of the last vestiges of paganism in Ireland. Social and political structure In Gaelic Ireland each person belonged to an agnatic kin-group known as a fine (plural: finte). This was a large group of related people supposedly descended from one progenitor through male forebears. It was headed by a man whose office was known in Old Irish as a cenn fine or toísech (plural: toísig). Nicholls suggests that they would be better thought of as akin to the modern-day corporation. Within each fine, the family descended from a common great grandparent was called a derbfine (modern form dearbhfhine), lit. "close clan". The cland (modern form clann) referred to the children of the nuclear family. Succession to the kingship was through tanistry. When a man became king, a relative was elected to be his deputy or 'tanist' (Irish: tánaiste, plural tanaistí). When the king died, his tanist would automatically succeed him. The tanist had to share the same derbfine and he was elected by other members of the derbfine. Tanistry meant that the kingship usually went to whichever relative was deemed to be the most fitting. Sometimes there would be more than one tanist at a time and they would succeed each other in order of seniority. Some Anglo-Norman lordships later adopted tanistry from the Irish. Gaelic Ireland was divided into a hierarchy of territories ruled by a hierarchy of kings of chiefs. The smallest territory was the túath (plural: túatha), which was typically the territory of a single kin-group. It was ruled by a rí túaithe (king of a túath) or toísech túaithe (leader of a túath). Several túatha formed a mór túath (overkingdom), which was ruled by a rí mór túath or ruirí (overking). Several mór túatha formed a cóiced (province), which was ruled by a rí cóicid or rí ruirech (provincial king). In the early Middle Ages the túatha was the main political unit, but over time they were subsumed into bigger conglomerate territories and became much less important politically. Gaelic society was structured hierarchically, with those further up the hierarchy generally having more privileges, wealth and power than those further down. The top social layer was the sóernemed, which included kings, tanists, ceann finte, fili, clerics, and their immediate families. The roles of a fili included reciting traditional lore, eulogizing the king and satirizing injustices within the kingdom. Before the Christianization of Ireland, this group also included the druids (druí) and vates (fáith). Below that were the dóernemed, which included professionals such as jurists (brithem), physicians, skilled craftsmen, skilled musicians, scholars, and so on. A master in a particular profession was known as an ollam (modern spelling: ollamh). The various professions—including law, poetry, medicine, history and genealogy—were associated with particular families and the positions became hereditary. Since the poets, jurists and doctors depended on the patronage of the ruling families, the end of the Gaelic order brought their demise. Below that were freemen who owned land and cattle (for example the bóaire). Below that were freemen who did not own land or cattle, or who owned very little. Below that were the unfree, which included serfs and slaves. Slaves were typically criminals (debt slaves) or prisoners of war. Slavery and serfdom was inherited, though slavery in Ireland had died out by 1200. The warrior bands known as fianna generally lived apart from society. A fian was typically composed of young men who had not yet come into their inheritance of land. A member of a fian was called a fénnid and the leader of a fian was a rígfénnid. Geoffrey Keating, in his 17th-century History of Ireland, says that during the winter the fianna were quartered and fed by the nobility, during which time they would keep order on their behalf. But during the summer, from Bealtaine to Samhain, they were beholden to live by hunting for food and for hides to sell. Although distinct, these ranks were not utterly exclusive castes like those of India. It was possible to rise or sink from one rank to another. Rising upward could be achieved a number of ways, such as by gaining wealth, by gaining skill in some department, by qualifying for a learned profession, by showing conspicuous valour, or by performing some service to the community. An example of the latter is a person choosing to become a briugu (hospitaller). A briugu had to have his house open to any guests, which included feeding no matter how big the group. For the briugu to fulfill these duties, he was allowed more land and privileges, but this could be lost if he ever refused guests. A freeman could further himself by becoming the client of one or more lords. The lord made his client a grant of property (i.e. livestock or land) and, in return, the client owed his lord yearly payments of food and fixed amounts of work. The clientship agreement could last until the lord's death. If the client died, his heirs would carry on the agreement. This system of clientship enabled social mobility as a client could increase his wealth until he could afford clients of his own, thus becoming a lord. Clientship was also practised between nobles, which established hierarchies of homage and political support. Law Gaelic law was originally passed down orally, but was written down in Old Irish during the period 600–900 AD. This collection of oral and written laws is known as the Fénechas or, in English, as the Brehon Law(s). The brehons (Old Irish: brithem, plural brithemain) were the jurists in Gaelic Ireland. Becoming a brehon took many years of training and the office was, or became, largely hereditary. Most legal cases were contested privately between opposing parties, with the brehons acting as arbitrators. Offences against people and property were primarily settled by the offender paying compensation to the victims. Although any such offence required compensation, the law made a distinction between intentional and unintentional harm, and between murder and manslaughter. If an offender did not pay outright, his property was seized until he did so. Should the offender be unable to pay, his family would be responsible for doing so. Should the family be unable or unwilling to pay, responsibility would broaden to the wider kin-group. Hence, it has been argued that "the people were their own police". Acts of violence were generally settled by payment of compensation known as an éraic fine; the Gaelic equivalent of the Welsh galanas and the Germanic weregild. If a free person was murdered, the éraic was equal to 21 cows, regardless of the victim's rank in society. Each member of the murder victim's agnatic kin-group received a payment based on their closeness to the victim, their status, and so forth. There were separate payments for the kin-group of the victim's mother, and for the victim's foster-kin. Execution seems to have been rare and carried out only as a last resort. If a murderer was unable or unwilling to pay éraic and was handed to his victim's family, they might kill him if they wished should nobody intervene by paying the éraic. Habitual or particularly serious offenders might be expelled from the kin-group and its territory. Such people became outlaws (with no protection from the law) and anyone who sheltered him became liable for his crimes. If he still haunted the territory and continued his crimes there, he was proclaimed in a public assembly and after this anyone might lawfully kill him. Each person had an honour-price, which varied depending on their rank in society. This honour-price was to be paid to them if their honour was violated by certain offences. Those of higher rank had a higher honour-price. However, an offence against the property of a poor man (who could ill afford it), was punished more harshly than a similar offence upon a wealthy man. The clergy were more harshly punished than the laity. When a layman had paid his fine he would go through a probationary period and then regain his standing, but a clergyman could never regain his standing. Some laws were pre-Christian in origin. These secular laws existed in parallel, and sometimes in conflict, with Church law. Although brehons usually dealt with legal cases, kings would have been able to deliver judgments also, but it is unclear how much they would have had to rely on brehons. Kings had their own brehons to deal with cases involving the king's own rights and to give him legal advice. Unlike other kingdoms in Europe, Gaelic kings—by their own authority—could not enact new laws as they wished and could not be "above the law". They could, however, enact temporary emergency laws. It was mainly through these emergency powers that the Church attempted to change Gaelic law. The law texts take great care to define social status, the rights and duties that went with that status, and the relationships between people. For example, ceann finte had to take responsibility for members of their fine, acting as a surety for some of their deeds and making sure debts were paid. He would also be responsible for unmarried women after the death of their fathers. Marriage, women and children Ancient Irish culture was patriarchal. The Brehon law excepted women from the ordinary course of the law so that, in general, every woman had to have a male guardian. However, women had some legal capacity. By the 8th century, the preferred form of marriage was one between social equals, under which a woman was technically legally dependent on her husband and had half his honor price, but could exercise considerable authority in regard to the transfer of property. Such women were called "women of joint dominion". Thus historian Patrick Weston Joyce could write that, relative to other European countries of the time, free women in Gaelic Ireland "held a good position" and their social and property rights were "in most respects, quite on a level with men". Gaelic Irish society was also patrilineal, with land being primarily owned by men and inherited by the sons. Only when a man had no sons would his land pass to his daughters, and then only for their lifetimes. Upon their deaths, the land was redistributed among their father's male relations. Under Brehon law, rather than inheriting land, daughters had assigned to them a certain number of their father's cattle as their marriage-portion. It seems that, throughout the Middle Ages, the Gaelic Irish kept many of their marriage laws and traditions separate from those of the Church. Under Gaelic law, married women could hold property independent of their husbands, a link was maintained between married women and their own families, couples could easily divorce or separate, and men could have concubines (which could be lawfully bought). These laws differed from most of contemporary Europe and from Church law. The lawful age of marriage was fifteen for girls and eighteen for boys, the respective ages at which fosterage ended. Upon marriage, the families of the bride and bridegroom were expected to contribute to the match. It was custom for the bridegroom and his family to pay a coibche (modern spelling: coibhche) and the bride was allowed a share of it. If the marriage ended owing to a fault of the husband then the coibche was kept by the wife and her family, but if the fault lay with the wife then the coibche was to be returned. It was custom for the bride to receive a spréid (modern spelling: spréidh) from her family (or foster family) upon marriage. This was to be returned if the marriage ended through divorce or the death of the husband. Later, the spréid seems to have been converted into a dowry. Women could seek divorce/separation as easily as men could and, when obtained on her behalf, she kept all the property she had brought her husband during their marriage. Trial marriages seem to have been popular among the rich and powerful, and thus it has been argued that cohabitation before marriage must have been acceptable. It also seems that the wife of a chieftain was entitled to some share of the chief's authority over his territory. This led to some Gaelic Irish wives wielding a great deal of political power. Before the Norman invasion, it was common for priests and monks to have wives. This remained mostly unchanged after the Norman invasion, despite protests from bishops and archbishops. The authorities classed such women as priests' concubines and there is evidence that a formal contract of concubinage existed between priests and their women. However, unlike other concubines, they seem to have been treated just as wives were. In Gaelic Ireland a kind of fosterage was common, whereby (for a certain length of time) children would be left in the care of others to strengthen family ties or political bonds. Foster parents were beholden to teach their foster children or to have them taught. Foster parents who had properly done their duties were entitled to be supported by their foster children in old age (if they were in need and had no children of their own). As with divorce, Gaelic law again differed from most of Europe and from Church law in giving legal standing to both "legitimate" and "illegitimate" children. Settlements and architecture For most of the Gaelic period, dwellings and farm buildings were circular with conical thatched roofs (see roundhouse). Square and rectangle-shaped buildings gradually became more common, and by the 14th or 15th century they had replaced round buildings completely. In some areas, buildings were made mostly of stone. In others, they were built of timber, wattle and daub, or a mix of materials. Most ancient and early medieval stone buildings were of dry stone construction. Some buildings would have had glass windows. Among the wealthy, it was common for women to have their own 'apartment' called a grianan (anglicized "greenan") in the sunniest part of the homestead. The dwellings of freemen and their families were often surrounded by a circular rampart called a "ringfort". There are two main kinds of ringfort. The ráth is an earthen ringfort, averaging 30m diameter, with a dry outside ditch. The cathair or caiseal is a stone ringfort. The ringfort would typically have enclosed the family home, small farm buildings or workshops, and animal pens. Most date to the period 500–1000 CE and there is evidence of large-scale ringfort desertion at the end of the first millennium. The remains of between 30,000 and 40,000 lasted into the 19th century to be mapped by Ordnance Survey Ireland. Another kind of native dwelling was the crannóg, which were roundhouses built on artificial islands in lakes. There were very few nucleated settlements, but after the 5th century some monasteries became the heart of small "monastic towns". By the 10th century the Norse-Gaelic ports of Dublin, Wexford, Cork and Limerick had grown into substantial settlements, all ruled by Gaelic kings by 1052. In this era many of the Irish round towers were built. In the fifty years before the Norman invasion, the term "castle" () appears in Gaelic writings, although there are few intact surviving examples of pre-Norman castles. After the invasion, the Normans built motte-and-bailey castles in the areas they occupied, some of which were converted from ringforts. By 1300 "some mottes, especially in frontier areas, had almost certainly been built by the Gaelic Irish in imitation". The Normans gradually replaced wooden motte-and-baileys with stone castles and tower houses. Tower houses are free-standing multi-storey stone towers usually surrounded by a wall (see bawn) and ancillary buildings. Gaelic families had begun to build their own tower houses by the 15th century. As many as 7000 may have been built, but they were rare in areas with little Norman settlement or contact. They are concentrated in counties Limerick and Clare but are lacking in Ulster, except the area around Strangford Lough. In Gaelic law, a 'sanctuary' called a maighin digona surrounded each person's dwelling. The maighin digona's size varied according to the owner's rank. In the case of a bóaire it stretched as far as he, while sitting at his house, could cast a cnairsech (variously described as a spear or sledgehammer). The owner of a maighin digona could offer its protection to someone fleeing from pursuers, who would then have to bring that person to justice by lawful means. Economy Gaelic Ireland was involved in trade with Britain and mainland Europe from ancient times, and this trade increased over the centuries. Tacitus, for example, wrote in the 1st century that most of Ireland's harbours were known to the Romans through commerce. There are many passages in early Irish literature that mention luxury goods imported from foreign lands, and the fair of Carman in Leinster included a market of foreign traders. In the Middle Ages the main exports were textiles such as wool and linen while the main imports were luxury items. Money was seldom used in Gaelic society; instead, goods and services were usually exchanged for other goods and services (barter). The economy was mainly a pastoral one, based on livestock (cows, sheep, pigs, goats, etc.) and their products. Cattle was "the main element in the Irish pastoral economy" and the main form of wealth, providing milk, butter, cheese, meat, fat, hides, and so forth. They were a "highly mobile form of wealth and economic resource which could be quickly and easily moved to a safer locality in time of war or trouble". The nobility owned great herds of cattle that had herdsmen and guards. Sheep, goats and pigs were also a valuable resource but had a lesser role in Irish pastoralism. Horticulture was practised; the main crops being oats, wheat and barley, although flax was also grown for making linen. Transhumance was also practised, whereby people moved with their livestock to higher pastures in summer and back to lower pastures in the cooler months. The summer pasture was called the buaile (anglicized as booley) and it is noteworthy that the Irish word for boy (buachaill) originally meant a herdsman. Many moorland areas were "shared as a common summer pasturage by the people of a whole parish or barony". Transport Gaelic Ireland was well furnished with roads and bridges. Bridges were typically wooden and in some places the roads were laid with wood and stone. There were five main roads leading from Tara: Slíghe Asail, Slíghe Chualann, Slíghe Dála, Slíghe Mór and Slíghe Midluachra. Horses were one of the main means of long-distance transport. Although horseshoes and reins were used, the Gaelic Irish did not use saddles, stirrups or spurs. Every man was trained to spring from the ground on to the back of his horse (an ech-léim or "steed-leap") and they urged-on and guided their horses with a rod having a hooked goad at the end. Two-wheeled and four-wheeled chariots (singular carbad) were used in Ireland from ancient times, both in private life and in war. They were big enough for two people, made of wickerwork and wood, and often had decorated hoods. The wheels were spoked, shod all round with iron, and were from three to four and a half feet high. Chariots were generally drawn by horses or oxen, with horse-drawn chariots being more common among chiefs and military men. War chariots furnished with scythes and spikes, like those of the ancient Gauls and Britons, are mentioned in literature. Boats used in Gaelic Ireland include canoes, currachs, sailboats and Irish galleys. Ferryboats were used to cross wide rivers and are often mentioned in the Brehon Laws as subject to strict regulations. Sometimes they were owned by individuals and sometimes they were the common property of those living round the ferry. Large boats were used for trade with mainland Europe. Dress Throughout the Middle Ages, the common clothing amongst the Gaelic Irish consisted of a brat (a woollen semi circular cloak) worn over a léine (a loose-fitting, long-sleeved tunic made of linen). For men the léine reached to their ankles but was hitched up by means of a crios (pronounced 'kriss') which was a type of woven belt. The léine was hitched up to knee level. Women wore the léine at full length. Men sometimes wore tight-fitting trews (Gaelic triúbhas) but otherwise went bare-legged. The brat was simply thrown over both shoulders or sometimes over only one. Occasionally the brat was fastened with a dealg (brooch), with men usually wearing the dealg at their shoulders and women at their chests. The ionar (a short, tight-fitting jacket) became popular later on. In Topographia Hibernica, written during the 1180s, Gerald de Barri wrote that the Irish commonly wore hoods at that time (perhaps forming part of the brat), while Edmund Spenser wrote in the 1580s that the brat was (in general) their main item of clothing. Gaelic clothing does not appear to have been influenced by outside styles. Women invariably grew their hair long and, as in other European cultures, this custom was also common among the men. It is said that the Gaelic Irish took great pride in their long hair—for example, a person could be forced to pay the heavy fine of two cows for shaving a man's head against his will. For women, very long hair was seen as a mark of beauty. Sometimes, wealthy men and women would braid their hair and fasten hollow golden balls to the braids. Another style that was popular among some medieval Gaelic men was the glib (short all over except for a long, thick lock of hair towards the front of the head). A band or ribbon around the forehead was the typical way of holding one's hair in place. For the wealthy, this band was often a thin and flexible band of burnished gold, silver or findruine. When the Anglo-Normans and the English colonized Ireland, hair length came to signify one's allegiance. Irishmen who cut their hair short were deemed to be forsaking their Irish heritage. Likewise, English colonists who grew their hair long at the back were deemed to be giving in to the Irish life. Gaelic men typically wore a beard and mustache, and it was often seen as dishonourable for a Gaelic man to have no facial hair. Beard styles varied – the long forked beard and the rectangular Mesopotamian-style beard were fashionable at times. Warfare Warfare was common in Gaelic Ireland, as territories fought for supremacy against each other and (later) against the Anglo-Normans. Champion warfare is a common theme in Irish mythology. In the Middle Ages all able-bodied men, apart from the learned and the clergy, were eligible for military service on behalf of the king or chief. Throughout the Middle Ages and for some time after, outsiders often wrote that the style of Irish warfare differed greatly from what they deemed to be the norm in Western Europe. The Gaelic Irish preferred hit-and-run raids (the crech), which involved catching the enemy unaware. If this worked they would then seize any valuables (mainly livestock) and potentially valuable hostages, burn the crops, and escape. The cattle raid was often called a Táin Bó in Gaelic literature. Although hit-and-run raiding was the preferred tactic in medieval times, there were also pitched battles. From at least the 11th century, kings maintained small permanent fighting forces known as "troops of the household", who were often given houses and land on the king's mensal land. These were well-equipped professional soldiers made up of infantry and cavalry. By the reign of Brian Boru, Irish kings were taking large armies on campaign over long distances and using naval forces in tandem with land forces. A typical medieval Irish army included light infantry, heavy infantry and cavalry. The bulk of the army was made up of light infantry called ceithern (anglicized 'kern'). The ceithern wandered Ireland offering their services for hire and usually wielded swords, skenes (a kind of long knife), short spears, bows and shields. The cavalry was usually made up of a king or chieftain and his close relatives. They usually rode without saddles but wore armour and iron helmets and wielded swords, skenes and long spears or lances. One kind of Irish cavalry was the hobelar. After the Norman invasion there emerged a kind of heavy infantry called gallóglaigh (anglicized 'gallo[w]glass'). They were originally Scottish mercenaries who appeared in the 13th century, but by the 15th century most large túatha had their own hereditary force of Irish gallóglaigh. Some Anglo-Norman lordships also began using gallóglaigh in imitation of the Irish. They usually wore mail and iron helmets and wielded sparth axes, claymores, and sometimes spears or lances. The gallóglaigh furnished the retreating plunderers with a "moving line of defence from which the horsemen could make short, sharp charges, and behind which they could retreat when pursued". As their armour made them less nimble, they were sometimes planted at strategic spots along the line of retreat. The kern, horsemen and gallóglaigh had lightly-armed servants to carry their weapons into battle. Warriors were sometimes rallied into battle by blowing horns and warpipes. According to Gerald de Barri (in the 12th century), they did not wear armour, as they deemed it burdensome to wear and "brave and honourable" to fight without it. Instead, most ordinary soldiers fought semi-naked and carried only their weapons and a small round shield—Spenser wrote that these shields were covered with leather and painted in bright colours. Kings and chiefs sometimes went into battle wearing helmets adorned with eagle feathers. For ordinary soldiers, their thick hair often served as a helmet, but they sometimes wore simple helmets made from animal hides. Arts Visual art Artwork from Ireland's Gaelic period is found on pottery, jewellery, weapons, drinkware, tableware, stone carvings and illuminated manuscripts. Irish art from about 300 BC incorporates patterns and styles which developed in west central Europe. By about AD 600, after the Christianization of Ireland had begun, a style melding Irish, Mediterranean and Germanic Anglo-Saxon elements emerged, and was spread to Britain and mainland Europe by the Hiberno-Scottish mission. This is known as Insular art or Hiberno-Saxon art, which continued in some form in Ireland until the 12th century, although the Viking invasions ended its "Golden Age". Most surviving works of Insular art were either made by monks or made for monasteries, with the exception of brooches, which were likely made and used by both clergy and laity. Examples of Insular art from Ireland include the Book of Kells, Muiredach's High Cross, the Tara Brooch, the Ardagh Hoard the Derrynaflan Chalice, and the late Cross of Cong, which also uses Viking styles. Literature Music and dance Although Gerald de Barri had a negative view of the Irish, in Topographia Hibernica (1188) he conceded that they were more skilled at playing music than any other nation he had seen. He claimed that the two main instruments were the "harp" and "tabor" (see also bodhrán), that their music was fast and lively, and that their songs always began and ended with B-flat. In A History of Irish Music (1905), W. H. Grattan Flood wrote that there were at least ten instruments in general use by the Gaelic Irish. These were the cruit (a small harp) and clairseach (a bigger harp with typically 30 strings), the timpan (a small string instrument played with a bow or plectrum), the feadan (a fife), the buinne (an oboe or flute), the guthbuinne (a bassoon-type horn), the bennbuabhal and corn (hornpipes), the cuislenna (bagpipes – see Great Irish Warpipes), the stoc and sturgan (clarions or trumpets), and the cnamha (castanets). He also mentions the fiddle as being used in the 8th century. Sport Assemblies As mentioned before, Gaelic Ireland was split into many clann territories and kingdoms called túath (plural: túatha). Although there was no central 'government' or 'parliament', a number of local, regional and national gatherings were held. These combined features of assemblies and fairs. In Ireland the highest of these was the feis at Teamhair na Rí (Tara), which was held every third Samhain. This was a gathering of the leading men of the whole island – kings, lords, chieftains, druids, judges etc. Below this was the óenach (modern spelling: aonach). These were regional or provincial gatherings open to everyone. Examples include that held at Tailtin each Lughnasadh, and that held at Uisneach each Bealtaine. The main purpose of these gatherings was to promulgate and reaffirm the laws – they were read aloud in public that they might not be forgotten, and any changes in them carefully explained to those present. Each túath or clann had two assemblies of its own. These were the cuirmtig, which was open to all clann members, and the dal (a term later adopted for the Irish parliament – see Dáil Éireann), which was open only to clann chiefs. Each clann had a further assembly called a tocomra, in which the clann chief (toísech, modern taoiseach) and his deputy/successor (tánaiste) were elected. Notable Irish kings List of kings History Before 400 400 to 800 800 to 1169 Anglo-Norman occupation Invasion Ireland became Christianized between the 5th and 7th centuries. Pope Adrian IV, the only English pope, had already issued a Papal Bull in 1155 giving Henry II of England authority to invade Ireland as a means of curbing Irish refusal to recognize Roman law. Importantly, for later English monarchs, the Bull, Laudabiliter, maintained papal suzerainty over the island: In 1166, after losing the protection of High King Muirchertach Mac Lochlainn, King Diarmait Mac Murchada of Leinster was forcibly exiled by a confederation of Irish forces under King Ruaidri mac Tairrdelbach Ua Conchobair. Fleeing first to Bristol and then to Normandy, Diarmait obtained permission from Henry II of England to use his subjects to regain his kingdom. By the following year, he had obtained these services and in 1169 the main body of Norman, Welsh and Flemish forces landed in Ireland and quickly retook Leinster and the cities of Waterford and Dublin on behalf of Diarmait. The leader of the Norman force, Richard de Clare, 2nd Earl of Pembroke, more commonly known as Strongbow, married Diarmait's daughter, Aoife, and was named tánaiste to the Kingdom of Leinster. This caused consternation to Henry II, who feared the establishment of a rival Norman state in Ireland. Accordingly, he resolved to visit Leinster to establish his authority. Henry landed in 1171, proclaiming Waterford and Dublin as Royal Cities. Adrian's successor, Pope Alexander III, ratified the grant of Ireland to Henry in 1172. The 1175 Treaty of Windsor between Henry and Ruaidhrí maintained Ruaidhrí as High King of Ireland but codified Henry's control of Leinster, Meath and Waterford. However, with Diarmuid and Strongbow dead, Henry back in England, and Ruaidhrí unable to curb his vassals, the high kingship rapidly lost control of the country. Henry, in 1185, awarded his younger son, John, the title Dominus Hiberniae, "Lord of Ireland". This kept the newly created title and the Kingdom of England personally and legally separate. However, when John unexpectedly succeeded his brother as King of England in 1199, the Lordship of Ireland fell back into personal union with the Kingdom of England. Gaelic resurgence By 1261, the weakening of the Anglo-Norman Lordship had become manifest following a string of military defeats. In the chaotic situation, local Irish lords won back large amounts of land. The invasion by Edward Bruce in 1315–18 at a time of famine weakened the Norman economy. The Black Death arrived in Ireland in 1348. Because most of the English and Norman inhabitants of Ireland lived in towns and villages, the plague hit them far harder than it did the native Irish, who lived in more dispersed rural settlements. After it had passed, Gaelic Irish language and customs came to dominate the country again. The English-controlled area shrank back to the Pale, a fortified area around Dublin. Outside the Pale, the Hiberno-Norman lords intermarried with Gaelic noble families, adopted the Irish language and customs and sided with the Gaelic Irish in political and military conflicts against the Lordship. They became known as the Old English, and in the words of a contemporary English commentator, were "more Irish than the Irish themselves." The authorities in the Pale worried about the Gaelicisation of Norman Ireland, and passed the Statutes of Kilkenny in 1366 banning those of English descent from speaking the Irish language, wearing Irish clothes or inter-marrying with the Irish. The government in Dublin had little real authority. By the end of the 15th century, central English authority in Ireland had all but disappeared. England's attentions were diverted by the Hundred Years' War (1337–1453) and then by the Wars of the Roses (1450–85). Around the country, local Gaelic and Gaelicised lords expanded their powers at the expense of the English government in Dublin. Gaelic kingdoms during the period Following the failed attempt by the Scottish King Edward Bruce (see Irish Bruce Wars 1315–1318) to drive the Normans out of Ireland, there emerged a number of important Gaelic kingdoms and Gaelic-controlled lordships. Connacht. The Ó Conchobhair dynasty, despite their setback during the Bruce wars, had regrouped and ensured that the title King of Connacht was not yet an empty one. Their stronghold was in their homeland of Sil Muirdeag, from where they dominated much of northern and northeastern Connacht. However, after the death of Ruaidri mac Tairdelbach Ua Conchobair in 1384, the dynasty split into two factions, Ó Conchobhair Don and Ó Conchobhair Ruadh. By the late 15th century, internecine warfare between the two branches had weakened them to the point where they themselves became vassals of more powerful lords such as Ó Domhnaill of Tír Chonaill and the Clan Burke of Clanricarde. The Mac Diarmata Kings of Moylurg retained their status and kingdom during this era, up to the death of Tadhg Mac Diarmata in 1585 (last de facto King of Moylurg). Their cousins, the Mac Donnacha of Tír Ailella, found their fortunes bound to the Ó Conchobhair Ruadh. The kingdom of Uí Maine had lost much of its southern and western lands to the Clanricardes, but managed to flourish until repeated raids by Ó Domhnaill in the early 16th century weakened it. Other territories such as Ó Flaithbeheraigh of Iar Connacht, Ó Seachnasaigh of Aidhne, O'Dowd of Tireagh, O'Hara, Ó Gadhra and Ó Maddan, either survived in isolation or were vassals for greater men. Ulster: The Ulaid proper were in a sorry state all during this era, being squeezed between the emergent Ó Neill of Tír Eógain in the west, the MacDonnells, Clann Aodha Buidhe, and the Anglo-Normans from the east. Only Mag Aonghusa managed to retain a portion of their former kingdom with expansion into Iveagh. The two great success stories of this era were Ó Domhnaill of Tír Chonaill and Ó Neill of Tír Eógain. Ó Domhnaill was able to dominate much of northern Connacht to the detriment of its native lords, both Old English and Gaelic, though it took time to suborn the likes of Ó Conchobhair Sligigh and Ó Raghallaigh of Iar Breifne. Expansion southwards brought the hegemony of Tír Eógain, and by extension Ó Neill influence, well into the border lordships of Louth and Meath. Mag Uidir of Fear Manach would slightly later be able to build his lordship up to that of third most powerful in the province, at the expense of the Ó Raghallaigh of Iar Breifne and the MacMahons of Airgíalla. Leinster: Likewise, despite the adverse (and unforeseen) effects of Diarmait Mac Murchada's efforts to regain his kingdom, the fact of the matter was that, of his twenty successors up to 1632, most of them had regained much of the ground they had lost to the Normans, and exacted yearly tribute from the towns. His most dynamic successor was the celebrated Art mac Art MacMurrough-Kavanagh. The Ó Broin and Ó Tuathail largely contented themselves with raids on Dublin (which, incredibly, continued into the 18th century). The Ó Mordha of Laois and Ó Conchobhair Falaighe of Offaly – the latter's capital was Daingean – were two self-contained territories that had earned the right to be called kingdoms due to their near-invincibility against successive generations of Anglo-Irish. The great losers were the Ó Melaghlins of Meath: their kingdom collapsed despite attempts by Cormac mac Art O Melaghlain to restore it. The royal family was reduced to vassal status, confined to the east shores of the River Shannon. The kingdom was substantially incorporated into the Lordship of Meath which was granted to Hugh de Lacy in 1172. Munster: Desmond: See Kingdom of Desmond, Barony of Carbery, Battle of Callann Thomond: Despite huge setbacks, the descendants of Brian Bóruma had, by surviving the Second Battle of Athenry and winning the decisive battles of Corcomroe and Dysert O'Dea, been able to suborn their vassals and eradicate the Normans from their home kingdom of Thomond. Their spheres of interest often met with conflict with Anglo-Normans such as the Earls of Desmond and Earls of Ormond, yet they ruled right up to the end of Gaelic Ireland, and beyond, by expedient of becoming the O'Brien Earls of Thomond. Tudor conquest and aftermath From 1536, Henry VIII of England decided to conquer Ireland and bring it under English control. The FitzGerald dynasty of Kildare, who had become the effective rulers of the Lordship of Ireland (The Pale) in the 15th century, had become unreliable allies and Henry resolved to bring Ireland under English government control so the island would not become a base for future rebellions or foreign invasions of England. To involve the Gaelic nobility and allow them to retain their lands under English law the policy of surrender and regrant was applied. In 1541, Henry upgraded Ireland from a lordship to a full kingdom, partly in response to changing relationships with the papacy, which still had suzerainty over Ireland, following Henry's break with the church. Henry was proclaimed King of Ireland at a meeting of the Irish Parliament that year. This was the first meeting of the Irish Parliament to be attended by the Gaelic Irish princes as well as the Hiberno-Norman aristocracy. With the technical institutions of government in place, the next step was to extend the control of the Kingdom of Ireland over all of its claimed territory. This took nearly a century, with various English administrations in the process either negotiating or fighting with the independent Irish and Old English lords. The conquest was completed during the reigns of Elizabeth and James I, after several bloody conflicts. The flight into exile in 1607 of Hugh O'Neill, 2nd Earl of Tyrone and Hugh Roe O'Donnell, 1st Earl of Tyrconnell following their defeat at the Battle of Kinsale in 1601 and the suppression of their rebellion in Ulster in 1603 is seen as the watershed of Gaelic Ireland. It marked the destruction of Ireland's ancient Gaelic nobility following the Tudor conquest and cleared the way for the Plantation of Ulster. After this point, the English authorities in Dublin established greater control over Ireland, establishing - or, at least, attempting to establish - a centralised government for the entire island, and successfully disarmed the Gaelic lordships. O'Donnell - often known as Red Hugh O'Donnell - died in the archive castle of Simancas, Valladolid, in September 1602, when petitioning Philip III of Spain (1598–1621) for further assistance. His son, Rory, succeeded him as the Earl of Tyrconnell and was active in armies fighting for Madrid in the Low Countries and Spain. He died at the Battle of Barcelona in 1642, a naval engagement against the French fleet. England and Scotland merged politically in 1707 after the crowns of both counties were united in 1603, but the crown of Ireland did not merge with the Union until 1800. Part of the attraction of the Union for many Irish Catholics was the promise of Catholic Emancipation, allowing Roman Catholic MPs, who had not been allowed in the Irish Parliament. This was however blocked by King George III who argued that emancipating Roman Catholics would breach his Coronation Oath, and was not realised until 1829. The Gaelic roots that defined early Irish history still persisted, despite this Anglicisation of Irish culture and politics, as Christianity became the prominent expression of Irish identity in Ireland. In the time leading up to the Great Famine of the 1840s, many priests believed that parishioner spirituality was paramount, resulting in a localised morphing of Gaelic and Catholic traditions. See also Dál Riata Scotland in the High Middle Ages References Further reading Gaelic History of Ireland by period Irish culture Irish society 1st millennium in Ireland 2nd millennium in Ireland	true	[ "A longphort (Ir. plur. longphuirt) is a term used in Ireland for a Viking ship enclosure or shore fortress. Although it can be assumed that the longphorts were used as bases for Viking raids, it is clear that the term had multiple meanings and that these sites had multiple purposes. The reason it cannot be assumed that longphorts were solely for military purposes as that would assume that there were always large numbers of Vikings at these settlements, which is not true. These camps were fortified areas along rivers, usually at a tributary where both sides were protected such that the Vikings could port ships. The sites were easily defended, sheltered, and gave immediate access to the sea. These camps would be of great importance to the Vikings during their raids of Ireland, which included attacks on many churches and monasteries located on the coast. It can be assumed that the purpose of these sites was to ease travel and trade within the region. Longphorts were essential to the economic prosperity of the Vikings. For example, it is clear that the earliest settlements became major trading centers throughout Ireland. Archeological evidence shows that imports and exports included textiles, animal skins, amber, and glass from England. During this time, the Vikings were able to begin a period of extremely profitable trade. Overall, the longphort settlements were essential in establishing the presence of the Vikings in Ireland during the ninth and tenth centuries.\n\nOrigins \nThe word was first used in the 840s in the Irish account of The Annals of Ulster and in the Frankish account in the Annals of St. Bertin with the establishment of Viking encampments at Linn Duachaill and Dublin. It also describes new Viking settlements established at Waterford in 914 and Limerick in 922 possibly by the Uí Ímair. Many camps along river banks and lakes did not last long, however, some only as little as one or two seasons, but others such as Dublin developed into large urban centers, as did the other significant Norse settlements at Cork, Waterford, Wexford and Limerick which remain the largest urban centers in Ireland today.\n\nTerminology \n\nThe term longphort, or longphuit in Irish as seen in the annals, literally translates to “ship camp”. This compound word was likely coined by Irish monks from the Latin word \"longus\" (long) reflecting the Old Norse \"lang\" (long), thus implying \"langskip\" (long ship); plus the Latin \"portus\", meaning port, harbour. There are many towns and townlands in Ireland whose names bear some element of Longphort in them. This may suggest that at some point in history there may have been a longphort situated there, as is attested in some examples.\n\nThe town and county of Longford in Ireland are anglicizations of the Irish equivalent “longfort”.\n\nReferences \n\nViking Age in Ireland\nViking Age populated places", "Squatting in Bangladesh occurs when squatters make informal settlements known as \"bastees\" on the periphery of cities such as Chittagong, Dhaka and Khulna. As of 2013, almost 35 per cent of Bangladesh's urban population lived in informal settlements.\n\nHistory \n\nSquatting in the territory which would become Bangladesh has a long history, reaching back to the Mughal Empire. After the Partition of Bengal in 1947, Muslims migrated to what became East Pakistan. In contemporary times, squatting since the 1971 Bangladesh Liberation War has resulted from factors such as migration from rural areas to urban ones, the lack of affordable housing, bad governance and natural disasters. As well as informal settlements on the ground, there are rooftop slums and boat squatters. There are also rural squatters who make land grabs.\n\nDuring the Bangladesh famine of 1974, flooding affected 80 per cent of the country and almost 100,000 people were displaced to 183 camps in Dhaka. After the flooding subsided, many refugees decided to live in informal settlements on the periphery of Dhaka rather than going home. These are known as \"bastees\". At the time this was the only available option since there was already \na housing deficit of 47,195 units and little option to rent, except in the innercity slums. Thus ten per cent of Dhaka's population were squatters in 1974. The following year, the government began a forcible resettlement program which moved 200,000 squatters either back to their villages or into camps at Demra, Mirpur and Tongi. Whilst most resettled people stayed in the camps, this did not stop informal settlements growing in Dhaka. \n\nIn the early 1990s, the city of Chittagong had a population of just over 1.5 million, of which there were an estimated 66,676 squatters living in 69 areas. As of 2013, almost 35 per cent of Bangladesh's urban population lived in informal settlements. In Khulna, the largest squatted area was Supraghat, with 15,875 residents.\n\nReferences \n\nBangladesh \nHousing in Bangladesh" ]
[ "Gaelic Ireland", "Settlements and architecture", "What type of settlements were there?", "There were very few nucleated settlements in Gaelic areas.", "What did the buildings look like?", "It was at this time, perhaps as a response to Viking raids, that many of the Irish round towers were built.", "What material were the buildings made of?", "concentrated in counties Limerick and Clare but are lacking in Ulster, except the area around Strangford Lough.", "Did the buildings survive?", "surrounded by a wall (see bawn) and ancillary buildings. Gaelic families had begun to build their own tower houses by the 15th century.", "What else did they build during this time period?", "\". The Normans gradually replaced wooden motte-and-baileys with stone castles and tower houses.", "What other materials did they use to build?", "while sitting at his house, could cast a cnairsech (variously described as a spear or sledgehammer", "Is there anything else interesting?", "Ordnance Survey Ireland. Another kind of native dwelling was the crannog, which were roundhouses built on artificial islands in lakes.", "What other types of housing did they use?", "some areas, buildings were made mostly of stone. In others, they were built of timber, wattle and daub, or a mix of materials.", "Did many people like these settlements?", "Among the wealthy, it was common for women to have their own 'apartment' called a grianan (anglicized \"greenan\") in the sunniest part of the homestead." ]	C_fe515e59d85c4f8d850279012b1372da_1	How were they able to make the settlements so durable?	10	How were the people in Gaelic Ireland able to make the settlements so durable?	Gaelic Ireland	For most of the Gaelic period, dwellings and farm buildings were circular with conical thatched roofs (see roundhouse). Square and rectangle-shaped buildings gradually became more common, and by the 14th or 15th century they had replaced round buildings completely. In some areas, buildings were made mostly of stone. In others, they were built of timber, wattle and daub, or a mix of materials. Most ancient and early medieval stone buildings were of dry stone construction. Some buildings would have had glass windows. Among the wealthy, it was common for women to have their own 'apartment' called a grianan (anglicized "greenan") in the sunniest part of the homestead. The dwellings of freemen and their families were often surrounded by a circular rampart called a "ringfort". There are two main kinds of ringfort. The rath is an earthen ringfort, averaging 30m diameter, with a dry outside ditch. The cathair or caiseal is a stone ringfort. The ringfort would typically have enclosed the family home, small farm buildings or workshops, and animal pens. Most date to the period 500-1000 CE and there is evidence of large-scale ringfort desertion at the end of the first millennium. The remains of between 30,000 and 40,000 lasted into the 19th century to be mapped by Ordnance Survey Ireland. Another kind of native dwelling was the crannog, which were roundhouses built on artificial islands in lakes. There were very few nucleated settlements in Gaelic areas. However, after the 5th century some monasteries became the heart of small "monastic towns". By the 10th century the Norse-Gaelic ports of Dublin, Wexford, Cork and Limerick had grown into substantial settlements. It was at this time, perhaps as a response to Viking raids, that many of the Irish round towers were built. In the fifty years before the Norman invasion, the term "castle" (Old Irish: caistel/caislen) appears in Gaelic writings, although there are no surviving examples of pre-Norman castles. After the invasion, the Normans built motte-and-bailey castles in the areas they occupied, some of which were converted from ringforts. By 1300 "some mottes, especially in frontier areas, had almost certainly been built by the Gaelic Irish in imitation". The Normans gradually replaced wooden motte-and-baileys with stone castles and tower houses. Tower houses are free-standing multi-storey stone towers usually surrounded by a wall (see bawn) and ancillary buildings. Gaelic families had begun to build their own tower houses by the 15th century. As many as 7000 may have been built, but they were rare in areas with little Norman settlement or contact. They are concentrated in counties Limerick and Clare but are lacking in Ulster, except the area around Strangford Lough. In Gaelic law, a 'sanctuary' called a maighin digona surrounded each person's dwelling. The maighin digona's size varied according to the owner's rank. In the case of a boaire it stretched as far as he, while sitting at his house, could cast a cnairsech (variously described as a spear or sledgehammer). The owner of a maighin digona could offer its protection to someone fleeing from pursuers, who would then have to bring that person to justice by lawful means. CANNOTANSWER	In Gaelic law, a 'sanctuary' called a maighin digona surrounded each person's dwelling. The maighin digona's size varied according to the owner's rank. In	Gaelic Ireland () was the Gaelic political and social order, and associated culture, that existed in Ireland from the prehistoric era until the early 17th century. Before the Norman invasion of 1169, Gaelic Ireland comprised the whole island. Thereafter, it comprised that part of the country not under foreign dominion at a given time, i.e. "The Pale". For most of its history, Gaelic Ireland was a "patchwork" hierarchy of territories ruled by a hierarchy of kings or chiefs, who were elected through tanistry. Warfare between these territories was common. Occasionally, a powerful ruler was acknowledged as High King of Ireland. Society was made up of clans and, like the rest of Europe, was structured hierarchically according to class. Throughout this period, the economy was mainly pastoral and money was generally not used. A Gaelic Irish style of dress, music, dance, sport, architecture, and art can be identified, with Irish art later merging with Anglo-Saxon styles to create Insular art. Gaelic Ireland was initially pagan and had an oral culture. Inscription in the ogham alphabet began in the protohistoric period, perhaps as early as the 1st century. The conversion to Christianity accompanied the introduction of literature, and much of Ireland's rich pre-Christian mythology and sophisticated law code were preserved, albeit Christianized. In the Early Middle Ages, Ireland was an important centre of learning. Irish missionaries and scholars were influential in western Europe, and helped to spread Christianity to much of Britain and parts of mainland Europe. In the 9th century, Vikings began raiding and founding settlements along Ireland's coasts and waterways, which became its first large towns. Over time, these settlers were assimilated and became the Norse-Gaels. After the Norman invasion of 1169–71, large swathes of Ireland came under the control of Norman lords, leading to centuries of conflict with the native Irish. The King of England claimed sovereignty over this territory – the Lordship of Ireland – and the island as a whole. However, the Gaelic system continued in areas outside Anglo-Norman control. The territory under English control gradually shrank to an area known as the Pale and, outside this, many Hiberno-Norman lords adopted Gaelic culture. In 1542, Henry VIII of England declared the Lordship a Kingdom and himself King of Ireland. The English then began to conquer (or re-conquer) the island. By 1607, Ireland was fully under English control, bringing the old Gaelic political and social order to an end. Culture and society Gaelic culture and society was centred around the fine (explained below). Gaelic Ireland had a rich oral culture and appreciation of deeper and intellectual pursuits. Filí and draoithe (druids) were held in high regard during Pagan times and orally passed down the history and traditions of their people. Later, many of their spiritual and intellectual tasks were passed on to Christian monks, after said religion prevailed from the 5th century onwards. However, the filí continued to hold a high position. Poetry, music, storytelling, literature and other art forms were highly prized and cultivated in both pagan and Christian Gaelic Ireland. Hospitality, bonds of kinship and the fulfilment of social and ritual responsibilities were highly important. Like Britain, Gaelic Ireland consisted not of one single unified kingdom, but several. The main kingdoms were Ulaid (Ulster), Mide (Meath), Laigin (Leinster), Muma (Munster, consisting of Iarmuman, Tuadmumain and Desmumain), Connacht, Bréifne (Breffny), In Tuaiscert (The North), and Airgíalla (Oriel). Each of these overkingdoms were built upon lordships known as túatha (singular: túath). Law tracts from the early 700s describe a hierarchy of kings: kings of túath subject to kings of several túatha who again were subject to the regional overkings. Already before the 8th century these overkingdoms had begun to replace the túatha as the basic sociopolitical unit. Religion and mythology Paganism Before Christianization, the Gaelic Irish were polytheistic or pagan. They had many gods and goddesses, which generally have parallels in the pantheons of other European nations. Two groups of supernatural beings who appear throughout Irish mythology—the Tuatha Dé Danann and Fomorians—are believed to represent the Gaelic pantheon. They were also animists, believing that all aspects of the natural world contained spirits, and that these spirits could be communicated with. Burial practices—which included burying food, weapons, and ornaments with the dead—suggest a belief in life after death. Some have equated this afterlife with the Otherworld realms known as Magh Meall and Tír na nÓg in Irish mythology. There were four main religious festivals each year, marking the traditional four divisions of the year – Samhain, Imbolc, Bealtaine and Lughnasadh. The mythology of Ireland was originally passed down orally, but much of it was eventually written down by Irish monks, who Christianized and modified it to an extent. This large body of work is often split into three overlapping cycles: the Mythological Cycle, the Ulster Cycle, and the Fenian Cycle. The first cycle is a pseudo-history that describes how Ireland, its people and its society came to be. The second cycle tells of the lives and deaths of Ulaidh heroes such as Cúchulainn. The third cycle tells of the exploits of Fionn mac Cumhaill and the Fianna. There are also a number of tales that do not fit into these cycles – this includes the immrama and echtrai, which are tales of voyages to the 'Otherworld'. Christianity The introduction of Christianity to Ireland dates to sometime before the 5th century, with Palladius (later bishop of Ireland) sent by Pope Celestine I in the mid-5th century to minister to Irish "believing in Christ". Early medieval traditions credit Saint Patrick as being the first Primate of Ireland. Christianity would eventually supplant the existing pagan traditions, with the prologue of the 9th century Martyrology of Tallaght (attributed to author Óengus of Tallaght) speaking of the last vestiges of paganism in Ireland. Social and political structure In Gaelic Ireland each person belonged to an agnatic kin-group known as a fine (plural: finte). This was a large group of related people supposedly descended from one progenitor through male forebears. It was headed by a man whose office was known in Old Irish as a cenn fine or toísech (plural: toísig). Nicholls suggests that they would be better thought of as akin to the modern-day corporation. Within each fine, the family descended from a common great grandparent was called a derbfine (modern form dearbhfhine), lit. "close clan". The cland (modern form clann) referred to the children of the nuclear family. Succession to the kingship was through tanistry. When a man became king, a relative was elected to be his deputy or 'tanist' (Irish: tánaiste, plural tanaistí). When the king died, his tanist would automatically succeed him. The tanist had to share the same derbfine and he was elected by other members of the derbfine. Tanistry meant that the kingship usually went to whichever relative was deemed to be the most fitting. Sometimes there would be more than one tanist at a time and they would succeed each other in order of seniority. Some Anglo-Norman lordships later adopted tanistry from the Irish. Gaelic Ireland was divided into a hierarchy of territories ruled by a hierarchy of kings of chiefs. The smallest territory was the túath (plural: túatha), which was typically the territory of a single kin-group. It was ruled by a rí túaithe (king of a túath) or toísech túaithe (leader of a túath). Several túatha formed a mór túath (overkingdom), which was ruled by a rí mór túath or ruirí (overking). Several mór túatha formed a cóiced (province), which was ruled by a rí cóicid or rí ruirech (provincial king). In the early Middle Ages the túatha was the main political unit, but over time they were subsumed into bigger conglomerate territories and became much less important politically. Gaelic society was structured hierarchically, with those further up the hierarchy generally having more privileges, wealth and power than those further down. The top social layer was the sóernemed, which included kings, tanists, ceann finte, fili, clerics, and their immediate families. The roles of a fili included reciting traditional lore, eulogizing the king and satirizing injustices within the kingdom. Before the Christianization of Ireland, this group also included the druids (druí) and vates (fáith). Below that were the dóernemed, which included professionals such as jurists (brithem), physicians, skilled craftsmen, skilled musicians, scholars, and so on. A master in a particular profession was known as an ollam (modern spelling: ollamh). The various professions—including law, poetry, medicine, history and genealogy—were associated with particular families and the positions became hereditary. Since the poets, jurists and doctors depended on the patronage of the ruling families, the end of the Gaelic order brought their demise. Below that were freemen who owned land and cattle (for example the bóaire). Below that were freemen who did not own land or cattle, or who owned very little. Below that were the unfree, which included serfs and slaves. Slaves were typically criminals (debt slaves) or prisoners of war. Slavery and serfdom was inherited, though slavery in Ireland had died out by 1200. The warrior bands known as fianna generally lived apart from society. A fian was typically composed of young men who had not yet come into their inheritance of land. A member of a fian was called a fénnid and the leader of a fian was a rígfénnid. Geoffrey Keating, in his 17th-century History of Ireland, says that during the winter the fianna were quartered and fed by the nobility, during which time they would keep order on their behalf. But during the summer, from Bealtaine to Samhain, they were beholden to live by hunting for food and for hides to sell. Although distinct, these ranks were not utterly exclusive castes like those of India. It was possible to rise or sink from one rank to another. Rising upward could be achieved a number of ways, such as by gaining wealth, by gaining skill in some department, by qualifying for a learned profession, by showing conspicuous valour, or by performing some service to the community. An example of the latter is a person choosing to become a briugu (hospitaller). A briugu had to have his house open to any guests, which included feeding no matter how big the group. For the briugu to fulfill these duties, he was allowed more land and privileges, but this could be lost if he ever refused guests. A freeman could further himself by becoming the client of one or more lords. The lord made his client a grant of property (i.e. livestock or land) and, in return, the client owed his lord yearly payments of food and fixed amounts of work. The clientship agreement could last until the lord's death. If the client died, his heirs would carry on the agreement. This system of clientship enabled social mobility as a client could increase his wealth until he could afford clients of his own, thus becoming a lord. Clientship was also practised between nobles, which established hierarchies of homage and political support. Law Gaelic law was originally passed down orally, but was written down in Old Irish during the period 600–900 AD. This collection of oral and written laws is known as the Fénechas or, in English, as the Brehon Law(s). The brehons (Old Irish: brithem, plural brithemain) were the jurists in Gaelic Ireland. Becoming a brehon took many years of training and the office was, or became, largely hereditary. Most legal cases were contested privately between opposing parties, with the brehons acting as arbitrators. Offences against people and property were primarily settled by the offender paying compensation to the victims. Although any such offence required compensation, the law made a distinction between intentional and unintentional harm, and between murder and manslaughter. If an offender did not pay outright, his property was seized until he did so. Should the offender be unable to pay, his family would be responsible for doing so. Should the family be unable or unwilling to pay, responsibility would broaden to the wider kin-group. Hence, it has been argued that "the people were their own police". Acts of violence were generally settled by payment of compensation known as an éraic fine; the Gaelic equivalent of the Welsh galanas and the Germanic weregild. If a free person was murdered, the éraic was equal to 21 cows, regardless of the victim's rank in society. Each member of the murder victim's agnatic kin-group received a payment based on their closeness to the victim, their status, and so forth. There were separate payments for the kin-group of the victim's mother, and for the victim's foster-kin. Execution seems to have been rare and carried out only as a last resort. If a murderer was unable or unwilling to pay éraic and was handed to his victim's family, they might kill him if they wished should nobody intervene by paying the éraic. Habitual or particularly serious offenders might be expelled from the kin-group and its territory. Such people became outlaws (with no protection from the law) and anyone who sheltered him became liable for his crimes. If he still haunted the territory and continued his crimes there, he was proclaimed in a public assembly and after this anyone might lawfully kill him. Each person had an honour-price, which varied depending on their rank in society. This honour-price was to be paid to them if their honour was violated by certain offences. Those of higher rank had a higher honour-price. However, an offence against the property of a poor man (who could ill afford it), was punished more harshly than a similar offence upon a wealthy man. The clergy were more harshly punished than the laity. When a layman had paid his fine he would go through a probationary period and then regain his standing, but a clergyman could never regain his standing. Some laws were pre-Christian in origin. These secular laws existed in parallel, and sometimes in conflict, with Church law. Although brehons usually dealt with legal cases, kings would have been able to deliver judgments also, but it is unclear how much they would have had to rely on brehons. Kings had their own brehons to deal with cases involving the king's own rights and to give him legal advice. Unlike other kingdoms in Europe, Gaelic kings—by their own authority—could not enact new laws as they wished and could not be "above the law". They could, however, enact temporary emergency laws. It was mainly through these emergency powers that the Church attempted to change Gaelic law. The law texts take great care to define social status, the rights and duties that went with that status, and the relationships between people. For example, ceann finte had to take responsibility for members of their fine, acting as a surety for some of their deeds and making sure debts were paid. He would also be responsible for unmarried women after the death of their fathers. Marriage, women and children Ancient Irish culture was patriarchal. The Brehon law excepted women from the ordinary course of the law so that, in general, every woman had to have a male guardian. However, women had some legal capacity. By the 8th century, the preferred form of marriage was one between social equals, under which a woman was technically legally dependent on her husband and had half his honor price, but could exercise considerable authority in regard to the transfer of property. Such women were called "women of joint dominion". Thus historian Patrick Weston Joyce could write that, relative to other European countries of the time, free women in Gaelic Ireland "held a good position" and their social and property rights were "in most respects, quite on a level with men". Gaelic Irish society was also patrilineal, with land being primarily owned by men and inherited by the sons. Only when a man had no sons would his land pass to his daughters, and then only for their lifetimes. Upon their deaths, the land was redistributed among their father's male relations. Under Brehon law, rather than inheriting land, daughters had assigned to them a certain number of their father's cattle as their marriage-portion. It seems that, throughout the Middle Ages, the Gaelic Irish kept many of their marriage laws and traditions separate from those of the Church. Under Gaelic law, married women could hold property independent of their husbands, a link was maintained between married women and their own families, couples could easily divorce or separate, and men could have concubines (which could be lawfully bought). These laws differed from most of contemporary Europe and from Church law. The lawful age of marriage was fifteen for girls and eighteen for boys, the respective ages at which fosterage ended. Upon marriage, the families of the bride and bridegroom were expected to contribute to the match. It was custom for the bridegroom and his family to pay a coibche (modern spelling: coibhche) and the bride was allowed a share of it. If the marriage ended owing to a fault of the husband then the coibche was kept by the wife and her family, but if the fault lay with the wife then the coibche was to be returned. It was custom for the bride to receive a spréid (modern spelling: spréidh) from her family (or foster family) upon marriage. This was to be returned if the marriage ended through divorce or the death of the husband. Later, the spréid seems to have been converted into a dowry. Women could seek divorce/separation as easily as men could and, when obtained on her behalf, she kept all the property she had brought her husband during their marriage. Trial marriages seem to have been popular among the rich and powerful, and thus it has been argued that cohabitation before marriage must have been acceptable. It also seems that the wife of a chieftain was entitled to some share of the chief's authority over his territory. This led to some Gaelic Irish wives wielding a great deal of political power. Before the Norman invasion, it was common for priests and monks to have wives. This remained mostly unchanged after the Norman invasion, despite protests from bishops and archbishops. The authorities classed such women as priests' concubines and there is evidence that a formal contract of concubinage existed between priests and their women. However, unlike other concubines, they seem to have been treated just as wives were. In Gaelic Ireland a kind of fosterage was common, whereby (for a certain length of time) children would be left in the care of others to strengthen family ties or political bonds. Foster parents were beholden to teach their foster children or to have them taught. Foster parents who had properly done their duties were entitled to be supported by their foster children in old age (if they were in need and had no children of their own). As with divorce, Gaelic law again differed from most of Europe and from Church law in giving legal standing to both "legitimate" and "illegitimate" children. Settlements and architecture For most of the Gaelic period, dwellings and farm buildings were circular with conical thatched roofs (see roundhouse). Square and rectangle-shaped buildings gradually became more common, and by the 14th or 15th century they had replaced round buildings completely. In some areas, buildings were made mostly of stone. In others, they were built of timber, wattle and daub, or a mix of materials. Most ancient and early medieval stone buildings were of dry stone construction. Some buildings would have had glass windows. Among the wealthy, it was common for women to have their own 'apartment' called a grianan (anglicized "greenan") in the sunniest part of the homestead. The dwellings of freemen and their families were often surrounded by a circular rampart called a "ringfort". There are two main kinds of ringfort. The ráth is an earthen ringfort, averaging 30m diameter, with a dry outside ditch. The cathair or caiseal is a stone ringfort. The ringfort would typically have enclosed the family home, small farm buildings or workshops, and animal pens. Most date to the period 500–1000 CE and there is evidence of large-scale ringfort desertion at the end of the first millennium. The remains of between 30,000 and 40,000 lasted into the 19th century to be mapped by Ordnance Survey Ireland. Another kind of native dwelling was the crannóg, which were roundhouses built on artificial islands in lakes. There were very few nucleated settlements, but after the 5th century some monasteries became the heart of small "monastic towns". By the 10th century the Norse-Gaelic ports of Dublin, Wexford, Cork and Limerick had grown into substantial settlements, all ruled by Gaelic kings by 1052. In this era many of the Irish round towers were built. In the fifty years before the Norman invasion, the term "castle" () appears in Gaelic writings, although there are few intact surviving examples of pre-Norman castles. After the invasion, the Normans built motte-and-bailey castles in the areas they occupied, some of which were converted from ringforts. By 1300 "some mottes, especially in frontier areas, had almost certainly been built by the Gaelic Irish in imitation". The Normans gradually replaced wooden motte-and-baileys with stone castles and tower houses. Tower houses are free-standing multi-storey stone towers usually surrounded by a wall (see bawn) and ancillary buildings. Gaelic families had begun to build their own tower houses by the 15th century. As many as 7000 may have been built, but they were rare in areas with little Norman settlement or contact. They are concentrated in counties Limerick and Clare but are lacking in Ulster, except the area around Strangford Lough. In Gaelic law, a 'sanctuary' called a maighin digona surrounded each person's dwelling. The maighin digona's size varied according to the owner's rank. In the case of a bóaire it stretched as far as he, while sitting at his house, could cast a cnairsech (variously described as a spear or sledgehammer). The owner of a maighin digona could offer its protection to someone fleeing from pursuers, who would then have to bring that person to justice by lawful means. Economy Gaelic Ireland was involved in trade with Britain and mainland Europe from ancient times, and this trade increased over the centuries. Tacitus, for example, wrote in the 1st century that most of Ireland's harbours were known to the Romans through commerce. There are many passages in early Irish literature that mention luxury goods imported from foreign lands, and the fair of Carman in Leinster included a market of foreign traders. In the Middle Ages the main exports were textiles such as wool and linen while the main imports were luxury items. Money was seldom used in Gaelic society; instead, goods and services were usually exchanged for other goods and services (barter). The economy was mainly a pastoral one, based on livestock (cows, sheep, pigs, goats, etc.) and their products. Cattle was "the main element in the Irish pastoral economy" and the main form of wealth, providing milk, butter, cheese, meat, fat, hides, and so forth. They were a "highly mobile form of wealth and economic resource which could be quickly and easily moved to a safer locality in time of war or trouble". The nobility owned great herds of cattle that had herdsmen and guards. Sheep, goats and pigs were also a valuable resource but had a lesser role in Irish pastoralism. Horticulture was practised; the main crops being oats, wheat and barley, although flax was also grown for making linen. Transhumance was also practised, whereby people moved with their livestock to higher pastures in summer and back to lower pastures in the cooler months. The summer pasture was called the buaile (anglicized as booley) and it is noteworthy that the Irish word for boy (buachaill) originally meant a herdsman. Many moorland areas were "shared as a common summer pasturage by the people of a whole parish or barony". Transport Gaelic Ireland was well furnished with roads and bridges. Bridges were typically wooden and in some places the roads were laid with wood and stone. There were five main roads leading from Tara: Slíghe Asail, Slíghe Chualann, Slíghe Dála, Slíghe Mór and Slíghe Midluachra. Horses were one of the main means of long-distance transport. Although horseshoes and reins were used, the Gaelic Irish did not use saddles, stirrups or spurs. Every man was trained to spring from the ground on to the back of his horse (an ech-léim or "steed-leap") and they urged-on and guided their horses with a rod having a hooked goad at the end. Two-wheeled and four-wheeled chariots (singular carbad) were used in Ireland from ancient times, both in private life and in war. They were big enough for two people, made of wickerwork and wood, and often had decorated hoods. The wheels were spoked, shod all round with iron, and were from three to four and a half feet high. Chariots were generally drawn by horses or oxen, with horse-drawn chariots being more common among chiefs and military men. War chariots furnished with scythes and spikes, like those of the ancient Gauls and Britons, are mentioned in literature. Boats used in Gaelic Ireland include canoes, currachs, sailboats and Irish galleys. Ferryboats were used to cross wide rivers and are often mentioned in the Brehon Laws as subject to strict regulations. Sometimes they were owned by individuals and sometimes they were the common property of those living round the ferry. Large boats were used for trade with mainland Europe. Dress Throughout the Middle Ages, the common clothing amongst the Gaelic Irish consisted of a brat (a woollen semi circular cloak) worn over a léine (a loose-fitting, long-sleeved tunic made of linen). For men the léine reached to their ankles but was hitched up by means of a crios (pronounced 'kriss') which was a type of woven belt. The léine was hitched up to knee level. Women wore the léine at full length. Men sometimes wore tight-fitting trews (Gaelic triúbhas) but otherwise went bare-legged. The brat was simply thrown over both shoulders or sometimes over only one. Occasionally the brat was fastened with a dealg (brooch), with men usually wearing the dealg at their shoulders and women at their chests. The ionar (a short, tight-fitting jacket) became popular later on. In Topographia Hibernica, written during the 1180s, Gerald de Barri wrote that the Irish commonly wore hoods at that time (perhaps forming part of the brat), while Edmund Spenser wrote in the 1580s that the brat was (in general) their main item of clothing. Gaelic clothing does not appear to have been influenced by outside styles. Women invariably grew their hair long and, as in other European cultures, this custom was also common among the men. It is said that the Gaelic Irish took great pride in their long hair—for example, a person could be forced to pay the heavy fine of two cows for shaving a man's head against his will. For women, very long hair was seen as a mark of beauty. Sometimes, wealthy men and women would braid their hair and fasten hollow golden balls to the braids. Another style that was popular among some medieval Gaelic men was the glib (short all over except for a long, thick lock of hair towards the front of the head). A band or ribbon around the forehead was the typical way of holding one's hair in place. For the wealthy, this band was often a thin and flexible band of burnished gold, silver or findruine. When the Anglo-Normans and the English colonized Ireland, hair length came to signify one's allegiance. Irishmen who cut their hair short were deemed to be forsaking their Irish heritage. Likewise, English colonists who grew their hair long at the back were deemed to be giving in to the Irish life. Gaelic men typically wore a beard and mustache, and it was often seen as dishonourable for a Gaelic man to have no facial hair. Beard styles varied – the long forked beard and the rectangular Mesopotamian-style beard were fashionable at times. Warfare Warfare was common in Gaelic Ireland, as territories fought for supremacy against each other and (later) against the Anglo-Normans. Champion warfare is a common theme in Irish mythology. In the Middle Ages all able-bodied men, apart from the learned and the clergy, were eligible for military service on behalf of the king or chief. Throughout the Middle Ages and for some time after, outsiders often wrote that the style of Irish warfare differed greatly from what they deemed to be the norm in Western Europe. The Gaelic Irish preferred hit-and-run raids (the crech), which involved catching the enemy unaware. If this worked they would then seize any valuables (mainly livestock) and potentially valuable hostages, burn the crops, and escape. The cattle raid was often called a Táin Bó in Gaelic literature. Although hit-and-run raiding was the preferred tactic in medieval times, there were also pitched battles. From at least the 11th century, kings maintained small permanent fighting forces known as "troops of the household", who were often given houses and land on the king's mensal land. These were well-equipped professional soldiers made up of infantry and cavalry. By the reign of Brian Boru, Irish kings were taking large armies on campaign over long distances and using naval forces in tandem with land forces. A typical medieval Irish army included light infantry, heavy infantry and cavalry. The bulk of the army was made up of light infantry called ceithern (anglicized 'kern'). The ceithern wandered Ireland offering their services for hire and usually wielded swords, skenes (a kind of long knife), short spears, bows and shields. The cavalry was usually made up of a king or chieftain and his close relatives. They usually rode without saddles but wore armour and iron helmets and wielded swords, skenes and long spears or lances. One kind of Irish cavalry was the hobelar. After the Norman invasion there emerged a kind of heavy infantry called gallóglaigh (anglicized 'gallo[w]glass'). They were originally Scottish mercenaries who appeared in the 13th century, but by the 15th century most large túatha had their own hereditary force of Irish gallóglaigh. Some Anglo-Norman lordships also began using gallóglaigh in imitation of the Irish. They usually wore mail and iron helmets and wielded sparth axes, claymores, and sometimes spears or lances. The gallóglaigh furnished the retreating plunderers with a "moving line of defence from which the horsemen could make short, sharp charges, and behind which they could retreat when pursued". As their armour made them less nimble, they were sometimes planted at strategic spots along the line of retreat. The kern, horsemen and gallóglaigh had lightly-armed servants to carry their weapons into battle. Warriors were sometimes rallied into battle by blowing horns and warpipes. According to Gerald de Barri (in the 12th century), they did not wear armour, as they deemed it burdensome to wear and "brave and honourable" to fight without it. Instead, most ordinary soldiers fought semi-naked and carried only their weapons and a small round shield—Spenser wrote that these shields were covered with leather and painted in bright colours. Kings and chiefs sometimes went into battle wearing helmets adorned with eagle feathers. For ordinary soldiers, their thick hair often served as a helmet, but they sometimes wore simple helmets made from animal hides. Arts Visual art Artwork from Ireland's Gaelic period is found on pottery, jewellery, weapons, drinkware, tableware, stone carvings and illuminated manuscripts. Irish art from about 300 BC incorporates patterns and styles which developed in west central Europe. By about AD 600, after the Christianization of Ireland had begun, a style melding Irish, Mediterranean and Germanic Anglo-Saxon elements emerged, and was spread to Britain and mainland Europe by the Hiberno-Scottish mission. This is known as Insular art or Hiberno-Saxon art, which continued in some form in Ireland until the 12th century, although the Viking invasions ended its "Golden Age". Most surviving works of Insular art were either made by monks or made for monasteries, with the exception of brooches, which were likely made and used by both clergy and laity. Examples of Insular art from Ireland include the Book of Kells, Muiredach's High Cross, the Tara Brooch, the Ardagh Hoard the Derrynaflan Chalice, and the late Cross of Cong, which also uses Viking styles. Literature Music and dance Although Gerald de Barri had a negative view of the Irish, in Topographia Hibernica (1188) he conceded that they were more skilled at playing music than any other nation he had seen. He claimed that the two main instruments were the "harp" and "tabor" (see also bodhrán), that their music was fast and lively, and that their songs always began and ended with B-flat. In A History of Irish Music (1905), W. H. Grattan Flood wrote that there were at least ten instruments in general use by the Gaelic Irish. These were the cruit (a small harp) and clairseach (a bigger harp with typically 30 strings), the timpan (a small string instrument played with a bow or plectrum), the feadan (a fife), the buinne (an oboe or flute), the guthbuinne (a bassoon-type horn), the bennbuabhal and corn (hornpipes), the cuislenna (bagpipes – see Great Irish Warpipes), the stoc and sturgan (clarions or trumpets), and the cnamha (castanets). He also mentions the fiddle as being used in the 8th century. Sport Assemblies As mentioned before, Gaelic Ireland was split into many clann territories and kingdoms called túath (plural: túatha). Although there was no central 'government' or 'parliament', a number of local, regional and national gatherings were held. These combined features of assemblies and fairs. In Ireland the highest of these was the feis at Teamhair na Rí (Tara), which was held every third Samhain. This was a gathering of the leading men of the whole island – kings, lords, chieftains, druids, judges etc. Below this was the óenach (modern spelling: aonach). These were regional or provincial gatherings open to everyone. Examples include that held at Tailtin each Lughnasadh, and that held at Uisneach each Bealtaine. The main purpose of these gatherings was to promulgate and reaffirm the laws – they were read aloud in public that they might not be forgotten, and any changes in them carefully explained to those present. Each túath or clann had two assemblies of its own. These were the cuirmtig, which was open to all clann members, and the dal (a term later adopted for the Irish parliament – see Dáil Éireann), which was open only to clann chiefs. Each clann had a further assembly called a tocomra, in which the clann chief (toísech, modern taoiseach) and his deputy/successor (tánaiste) were elected. Notable Irish kings List of kings History Before 400 400 to 800 800 to 1169 Anglo-Norman occupation Invasion Ireland became Christianized between the 5th and 7th centuries. Pope Adrian IV, the only English pope, had already issued a Papal Bull in 1155 giving Henry II of England authority to invade Ireland as a means of curbing Irish refusal to recognize Roman law. Importantly, for later English monarchs, the Bull, Laudabiliter, maintained papal suzerainty over the island: In 1166, after losing the protection of High King Muirchertach Mac Lochlainn, King Diarmait Mac Murchada of Leinster was forcibly exiled by a confederation of Irish forces under King Ruaidri mac Tairrdelbach Ua Conchobair. Fleeing first to Bristol and then to Normandy, Diarmait obtained permission from Henry II of England to use his subjects to regain his kingdom. By the following year, he had obtained these services and in 1169 the main body of Norman, Welsh and Flemish forces landed in Ireland and quickly retook Leinster and the cities of Waterford and Dublin on behalf of Diarmait. The leader of the Norman force, Richard de Clare, 2nd Earl of Pembroke, more commonly known as Strongbow, married Diarmait's daughter, Aoife, and was named tánaiste to the Kingdom of Leinster. This caused consternation to Henry II, who feared the establishment of a rival Norman state in Ireland. Accordingly, he resolved to visit Leinster to establish his authority. Henry landed in 1171, proclaiming Waterford and Dublin as Royal Cities. Adrian's successor, Pope Alexander III, ratified the grant of Ireland to Henry in 1172. The 1175 Treaty of Windsor between Henry and Ruaidhrí maintained Ruaidhrí as High King of Ireland but codified Henry's control of Leinster, Meath and Waterford. However, with Diarmuid and Strongbow dead, Henry back in England, and Ruaidhrí unable to curb his vassals, the high kingship rapidly lost control of the country. Henry, in 1185, awarded his younger son, John, the title Dominus Hiberniae, "Lord of Ireland". This kept the newly created title and the Kingdom of England personally and legally separate. However, when John unexpectedly succeeded his brother as King of England in 1199, the Lordship of Ireland fell back into personal union with the Kingdom of England. Gaelic resurgence By 1261, the weakening of the Anglo-Norman Lordship had become manifest following a string of military defeats. In the chaotic situation, local Irish lords won back large amounts of land. The invasion by Edward Bruce in 1315–18 at a time of famine weakened the Norman economy. The Black Death arrived in Ireland in 1348. Because most of the English and Norman inhabitants of Ireland lived in towns and villages, the plague hit them far harder than it did the native Irish, who lived in more dispersed rural settlements. After it had passed, Gaelic Irish language and customs came to dominate the country again. The English-controlled area shrank back to the Pale, a fortified area around Dublin. Outside the Pale, the Hiberno-Norman lords intermarried with Gaelic noble families, adopted the Irish language and customs and sided with the Gaelic Irish in political and military conflicts against the Lordship. They became known as the Old English, and in the words of a contemporary English commentator, were "more Irish than the Irish themselves." The authorities in the Pale worried about the Gaelicisation of Norman Ireland, and passed the Statutes of Kilkenny in 1366 banning those of English descent from speaking the Irish language, wearing Irish clothes or inter-marrying with the Irish. The government in Dublin had little real authority. By the end of the 15th century, central English authority in Ireland had all but disappeared. England's attentions were diverted by the Hundred Years' War (1337–1453) and then by the Wars of the Roses (1450–85). Around the country, local Gaelic and Gaelicised lords expanded their powers at the expense of the English government in Dublin. Gaelic kingdoms during the period Following the failed attempt by the Scottish King Edward Bruce (see Irish Bruce Wars 1315–1318) to drive the Normans out of Ireland, there emerged a number of important Gaelic kingdoms and Gaelic-controlled lordships. Connacht. The Ó Conchobhair dynasty, despite their setback during the Bruce wars, had regrouped and ensured that the title King of Connacht was not yet an empty one. Their stronghold was in their homeland of Sil Muirdeag, from where they dominated much of northern and northeastern Connacht. However, after the death of Ruaidri mac Tairdelbach Ua Conchobair in 1384, the dynasty split into two factions, Ó Conchobhair Don and Ó Conchobhair Ruadh. By the late 15th century, internecine warfare between the two branches had weakened them to the point where they themselves became vassals of more powerful lords such as Ó Domhnaill of Tír Chonaill and the Clan Burke of Clanricarde. The Mac Diarmata Kings of Moylurg retained their status and kingdom during this era, up to the death of Tadhg Mac Diarmata in 1585 (last de facto King of Moylurg). Their cousins, the Mac Donnacha of Tír Ailella, found their fortunes bound to the Ó Conchobhair Ruadh. The kingdom of Uí Maine had lost much of its southern and western lands to the Clanricardes, but managed to flourish until repeated raids by Ó Domhnaill in the early 16th century weakened it. Other territories such as Ó Flaithbeheraigh of Iar Connacht, Ó Seachnasaigh of Aidhne, O'Dowd of Tireagh, O'Hara, Ó Gadhra and Ó Maddan, either survived in isolation or were vassals for greater men. Ulster: The Ulaid proper were in a sorry state all during this era, being squeezed between the emergent Ó Neill of Tír Eógain in the west, the MacDonnells, Clann Aodha Buidhe, and the Anglo-Normans from the east. Only Mag Aonghusa managed to retain a portion of their former kingdom with expansion into Iveagh. The two great success stories of this era were Ó Domhnaill of Tír Chonaill and Ó Neill of Tír Eógain. Ó Domhnaill was able to dominate much of northern Connacht to the detriment of its native lords, both Old English and Gaelic, though it took time to suborn the likes of Ó Conchobhair Sligigh and Ó Raghallaigh of Iar Breifne. Expansion southwards brought the hegemony of Tír Eógain, and by extension Ó Neill influence, well into the border lordships of Louth and Meath. Mag Uidir of Fear Manach would slightly later be able to build his lordship up to that of third most powerful in the province, at the expense of the Ó Raghallaigh of Iar Breifne and the MacMahons of Airgíalla. Leinster: Likewise, despite the adverse (and unforeseen) effects of Diarmait Mac Murchada's efforts to regain his kingdom, the fact of the matter was that, of his twenty successors up to 1632, most of them had regained much of the ground they had lost to the Normans, and exacted yearly tribute from the towns. His most dynamic successor was the celebrated Art mac Art MacMurrough-Kavanagh. The Ó Broin and Ó Tuathail largely contented themselves with raids on Dublin (which, incredibly, continued into the 18th century). The Ó Mordha of Laois and Ó Conchobhair Falaighe of Offaly – the latter's capital was Daingean – were two self-contained territories that had earned the right to be called kingdoms due to their near-invincibility against successive generations of Anglo-Irish. The great losers were the Ó Melaghlins of Meath: their kingdom collapsed despite attempts by Cormac mac Art O Melaghlain to restore it. The royal family was reduced to vassal status, confined to the east shores of the River Shannon. The kingdom was substantially incorporated into the Lordship of Meath which was granted to Hugh de Lacy in 1172. Munster: Desmond: See Kingdom of Desmond, Barony of Carbery, Battle of Callann Thomond: Despite huge setbacks, the descendants of Brian Bóruma had, by surviving the Second Battle of Athenry and winning the decisive battles of Corcomroe and Dysert O'Dea, been able to suborn their vassals and eradicate the Normans from their home kingdom of Thomond. Their spheres of interest often met with conflict with Anglo-Normans such as the Earls of Desmond and Earls of Ormond, yet they ruled right up to the end of Gaelic Ireland, and beyond, by expedient of becoming the O'Brien Earls of Thomond. Tudor conquest and aftermath From 1536, Henry VIII of England decided to conquer Ireland and bring it under English control. The FitzGerald dynasty of Kildare, who had become the effective rulers of the Lordship of Ireland (The Pale) in the 15th century, had become unreliable allies and Henry resolved to bring Ireland under English government control so the island would not become a base for future rebellions or foreign invasions of England. To involve the Gaelic nobility and allow them to retain their lands under English law the policy of surrender and regrant was applied. In 1541, Henry upgraded Ireland from a lordship to a full kingdom, partly in response to changing relationships with the papacy, which still had suzerainty over Ireland, following Henry's break with the church. Henry was proclaimed King of Ireland at a meeting of the Irish Parliament that year. This was the first meeting of the Irish Parliament to be attended by the Gaelic Irish princes as well as the Hiberno-Norman aristocracy. With the technical institutions of government in place, the next step was to extend the control of the Kingdom of Ireland over all of its claimed territory. This took nearly a century, with various English administrations in the process either negotiating or fighting with the independent Irish and Old English lords. The conquest was completed during the reigns of Elizabeth and James I, after several bloody conflicts. The flight into exile in 1607 of Hugh O'Neill, 2nd Earl of Tyrone and Hugh Roe O'Donnell, 1st Earl of Tyrconnell following their defeat at the Battle of Kinsale in 1601 and the suppression of their rebellion in Ulster in 1603 is seen as the watershed of Gaelic Ireland. It marked the destruction of Ireland's ancient Gaelic nobility following the Tudor conquest and cleared the way for the Plantation of Ulster. After this point, the English authorities in Dublin established greater control over Ireland, establishing - or, at least, attempting to establish - a centralised government for the entire island, and successfully disarmed the Gaelic lordships. O'Donnell - often known as Red Hugh O'Donnell - died in the archive castle of Simancas, Valladolid, in September 1602, when petitioning Philip III of Spain (1598–1621) for further assistance. His son, Rory, succeeded him as the Earl of Tyrconnell and was active in armies fighting for Madrid in the Low Countries and Spain. He died at the Battle of Barcelona in 1642, a naval engagement against the French fleet. England and Scotland merged politically in 1707 after the crowns of both counties were united in 1603, but the crown of Ireland did not merge with the Union until 1800. Part of the attraction of the Union for many Irish Catholics was the promise of Catholic Emancipation, allowing Roman Catholic MPs, who had not been allowed in the Irish Parliament. This was however blocked by King George III who argued that emancipating Roman Catholics would breach his Coronation Oath, and was not realised until 1829. The Gaelic roots that defined early Irish history still persisted, despite this Anglicisation of Irish culture and politics, as Christianity became the prominent expression of Irish identity in Ireland. In the time leading up to the Great Famine of the 1840s, many priests believed that parishioner spirituality was paramount, resulting in a localised morphing of Gaelic and Catholic traditions. See also Dál Riata Scotland in the High Middle Ages References Further reading Gaelic History of Ireland by period Irish culture Irish society 1st millennium in Ireland 2nd millennium in Ireland	true	[ "In industrial organization and in particular monopoly theory, a durapolist or durable good monopolist is a producer that manipulates the durability of its product. The term was coined by antitrust scholar Barak Orbach. The concept is used to explain how durable good manufacturers overcome the durability problem of their products and persuade consumers to purchase new goods. The concept utilizes a monopolist to simplify explanations regarding product durability.\n\nOverview\nOnce a durable-good manufacturer sells a product to a consumer, it faces a challenge to convince this consumer to purchase another good. A consumer needs one refrigerator, one razor, a limited number of shirts, and so forth. Durability, therefore, may mean limited prospects for businesses. Ronald Coase argued that because of the durability problem a durable-good monopolist may not be able to exploit its market position and charge monopolistic prices. His thesis is known as the Coase Conjecture. The durability problem is not limited to \"monopolists\" in the strict sense of the term. It may happen in all markets for durable goods, although it is easier to understand it with a single seller.\n\nTo overcome the durability problem, durable good manufacturers must persuade consumers to replace functioning products with new ones or to pay them money in other ways. Replacement of functioning goods refers to business strategies that persuade or force consumers to purchase new products. One category of strategies is contrived durability that refers to product design that intentionally shortens the product lifetime before it is released onto the market. In most instances, durability is built into a product by the manufacturer through its choices of inputs and production procedures. Another category of strategies refers is planned obsolescence that refers to shortening the lifetime of a product after it is released onto the market. Under this strategy, the manufacturer “convinces” the consumer to replace an old product with a new one, thereby rendering the lifetime of the old product shorter than its actual useful lifetime. Annual style changes of cars and revised editions of textbooks are prime examples of planned obsolescence. Although contrived durability and planned obsolescence are different in many ways, they are often confused. \n\nAnother strategy that is frequently used by durapolists is tying: a sale (or lease) of one product or service on condition that the buyer (or the lessee) take another product or service. Durable-good manufacturers tie to their durables non-durables and can boost profit. Razor and blades is favorite example. Durable-good manufacturers also use financing strategies (leasing, complex payment terms) to extract payments from consumers.\n\nSee also\n Pacman conjecture\n\nReferences\n\nMarket structure\nMonopoly (economics)", "The Pacman conjecture holds that durable-goods monopolists have complete market power and so can exercise perfect price discrimination, thus extracting the total surplus. This is in contrast to the Coase conjecture which holds that a durable goods monopolist has no market power, and so price is equal to the competitive market price.\n\nIn a December 1989 journal article Mark Bagnoli, Stephen W. Salant, and Joseph E. Swierzbinski theorized that if each consumer could be relied upon to buy a good as soon as its price dipped below a certain point (with different consumers valuing goods differently, but all pursuing the same \"get-it-while-you-can\" strategy), then a monopolist could set prices very high initially and then \"eat his way down the demand curve\", extracting maximum profit in what Bagnoli et al. called \"the Pacman strategy\" after the voracious video-game character. Specifically, Bagnoli et al. state that \"Pacman is a sequential best reply to get-it-while-you-can\", a result they call \"the Pacman Theorem\". Their proof, however, relies strongly on the assumption that there is an infinite time horizon.\n\nDurable-goods monopolists and the Coase conjecture\nA durable-goods monopolist sells goods which are in finite supply and which last forever, (not depreciating over time). According to the Coase Conjecture, such a monopolist has no market power as it is in competition with itself; the more of the good it sells in period one the less it will be able to sell in future periods. \n\nAssuming marginal costs are zero. In the first period the monopolist will produce quantity (Q1) where marginal cost = marginal revenue and so extract the monopoly surplus. However, in the second period the monopolist will face a new residual demand curve (Q − Q1) and so will produce quantity where the new marginal revenue is equal to the marginal cost, which is at the competitive market price.\n\nThere is then an incentive for consumers to delay purchase of the good as they realize that its price will decrease over time. If buyers are patient enough they will not buy until the price falls and so durable goods monopolists face a horizontal demand curve at the equilibrium price and so will have no market power.\n\nDurable-goods monopolists and the Pacman conjecture\nThe Pacman Conjecture on the other hand holds that consumers realize the price of the good will only fall when they purchase the good; therefore, a patient monopolist can exercise full market power and perfectly price-discriminate. \n\nThe monopolist sets the price of the durable good at time t equal to the highest reservation price of a consumer who hasn't purchased prior to that point t. The consumer then buys the good as soon as it is equal to their reservation price, as they realize price will not fall further unless they purchase it. (Bagnoli et al. refer to buyers exhibiting this behavior as \"type ℓ buyers\", or \"buyers following the get-it-while-you-can strategy\".)\n\nThe Pacman Conjecture requires that the monopolist to have perfect information about consumer reservation prices and an infinite time horizon. The buyers must not only follow the get-it-while-you-can strategy, but also must faithfully believe that the monopolist is following a perfect Pacman strategy (as otherwise they would be tempted to match patience with the monopolist in hopes of getting a better deal later). The monopolist will exercise full market power over the buyers in that pool, but will not be able to extract similar surpluses from buyers who come in from outside (for example, the children of the original buyers) without deviating from the pure Pacman strategy.\n\nDifferences between Coase and Pacman conjectures\n\nPacman conjecture\nfinite set of buyers,\ninfinite time horizon,\nmonopolists have maximum market power,\nmonopolists perfectly price-discriminate.\n\nCoase conjecture\nPatient buyers (discount factor greater than or equal to 0.5),\nnon-atomic buyers,\ninfinite time horizon,\nreservation prices are continuous,\nmonopolists have no market power,\nprice is equal to the perfectly competitive price equilibrium.\n\nReferences\n\nFurther reading\n Church, J. & Ware, R: Industrial Organization – A Strategic Approach pp 141–145\n Nils-Henrik Morch von der Fehr & Kai-Uwe Kuhn: \"Coase versus Pacman: Who Eats Whom in the Durable-Goods Monopoly?\" The Journal of Political Economy, Vol. 103, No. 4 (August, 1995), pp. 785–812 \n\nAnti-competitive practices\nMonopoly (economics)\nPricing\nConjectures" ]
[ "Stacy Keibler", "Various storylines (2003-2005)" ]	C_8ef587e6bf9a42c78c54c5eee0900ac2_0	What storyline was there in 2003?	1	What storyline was Stacey Keibler in in 2003?	Stacy Keibler	Keibler was chosen to record a track on the album WWE Originals. She and WWE music producer Jim Johnston recorded the song "Why Can't We Just Dance?" for the album. She was then placed in a feud involving Torrie Wilson and then-babyface, Sable, both of whom had recently posed for a Playboy cover. Keibler aligned with Miss Jackie, neither of whom had posed for the magazine, claiming that they deserved to be in Playboy over Sable and Wilson. Keibler and Jackie challenged Sable and Wilson to a Tag Team Evening Gown match at WrestleMania XX, which they lost when Jackie was pinned by Wilson, and the feud was dropped afterward. Before the feud was dropped, all the performers were playing face characters at the time. In October, 2003, Keibler appeared in the ring with Steve Austin. She was offered a beer, which she politely refused. However, at the urging of Austin, she took a sip of the Miller Lite. Her disgust was apparent, which displeased Austin. As a result, she received a Stone Cold Stunner. She took over the 2004 Raw Diva Search for a few weeks, which led to several tag matches against the heel gimmicks of Gail Kim, Trish Stratus, and Molly Holly and with partners Nidia and the face gimmick of Victoria. Keibler got upset victories over Kim, Stratus, and Holly. She earned a Women's Championship title match on October 11, 2004, but she was defeated by Stratus, who retained the title. Keibler also competed in the first-ever Fulfill your Fantasy Diva Battle Royal for the WWE Women's Championship at Taboo Tuesday along with Victoria, Nidia, Gail Kim, Molly Holly, Jazz, and then-champion Stratus. She was eliminated second to last after jumping over the top rope to avoid hitting the turnbuckle, followed by Holly knocking her off the apron to eliminate her. In February 2005, Keibler began appearing in backstage segments with then-babyface, Randy Orton, and eventually became his on-screen girlfriend. When Orton challenged The Undertaker to a match at WrestleMania 21, Orton ended the relationship by hitting Stacy with an RKO, incapacitating her. He justified it by claiming he was demonstrating how ruthless he could be in order to defeat The Undertaker. CANNOTANSWER	In October, 2003, Keibler appeared in the ring with Steve Austin.	Stacy Ann-Marie Keibler (born October 14, 1979) is an American retired professional wrestler, former cheerleader, actress, dancer, and model. She is specifically known for her work with World Championship Wrestling (WCW) and World Wrestling Entertainment (WWE). Keibler began her professional wrestling career as a part of the Nitro Girls in WCW. She quickly moved on to a more prominent role in the company as the manager Miss Hancock. As Miss Hancock, Keibler was known for doing table dances, her relationship with David Flair, and a pregnancy angle. After WCW was purchased by the WWF (later WWE) in 2001, Keibler moved to the new company, using her real name and taking part in the Invasion storyline, also managing the Dudley Boyz. Keibler also managed Test and Scott Steiner. Before her departure from WWE in 2006, she was affiliated with The Hurricane and Rosey and nicknamed "Super Stacy." Keibler was a contestant on Dancing with the Stars: season two, where she placed third. She has also appeared on other ABC series such as What About Brian, George Lopez, and October Road, as well as the 100th episode of the CBS sitcom How I Met Your Mother as a bartender and on the USA Network show Psych. Keibler has also modeled, appearing in both Maxim and Stuff magazines. Keibler is considered to be a sex symbol and is known for her unusually long legs. She has been known as both "The Legs of WCW" and "The Legs of WWE". During Keibler's time on Dancing with the Stars, judge Bruno Tonioli nicknamed her "The Weapon of Mass Seduction." Early life Stacy Ann-Marie Keibler was born on October 14, 1979, in Rosedale, Maryland, the daughter of Patricia and Gary Keibler. Beginning at the age of three, Keibler took ballet, jazz, and tap dancing classes at Jean Kettell Studio of Dance in Dundalk, Maryland. She went to St. Clement Mary Hofbauer School in Rosedale for her early schooling. In 1990, Stacy won the title of Miss Maryland Pre-Teen, after competing for the title in Timonium, and went on to win the National Miss Pre-Teen Crown. After attending The Catholic High School of Baltimore, an all-girls school, Keibler attended Towson University, where she studied mass communication. She attended the university on a partial scholarship and had a 3.7 grade point average (GPA). Keibler had minor parts in movies such as Pecker and Liberty Heights, as well as small modeling jobs. Keibler became a cheerleader for the Baltimore Ravens football team when she was 18. Professional wrestling career World Championship Wrestling (1999–2001) Keibler began watching wrestling with her boyfriend at the time, Kris Cumberland. She can be seen in the crowd on an episode of Nitro in 1997 and the Starrcade 1998 pay-per-view before the television title match, dancing in an NWO Wolfpac T-shirt. In September 1999, Keibler entered a nationwide contest held by World Championship Wrestling to find a new member of the Nitro Girls dance troupe, which was organized in an attempt to boost the show's declining ratings. A total of 300 women participated in the contest; the results were decided by a series of polls on WCW's website, which narrowed down the field to eight finalists. Keibler was declared the winner of the contest on the November 8, 1999 edition of Nitro after receiving the most online votes out of the eight finalists and was given a spot on the dance troupe along with a $10,000 prize. Her winning routine was watched by 4.4 million viewers. Keibler performed dance routines every week on WCW's flagship show Monday Nitro under the name Skye. By 2000, Keibler was appearing on WCW as a Nitro Girl, attending school full-time, and cheering for the Baltimore Ravens. She soon accepted a larger role and became a heel valet using the stage name Miss Hancock (some weeks spelled "Handcock"), briefly serving as an associate for the tag team of Lenny Lane and Lodi dubbed Standards and Practices. Despite wearing business suits, her character was known to climb on top of the announcers' table and dance sensually. It was also during this period that she began using what would become her trademark ring entrance: slowly putting her forty-two inch legs through the second tier of ropes, pausing to let the crowd momentarily see her panties underneath her incredibly short skirts. At 5 feet 11 inches, Keibler was one of few women in professional wrestling tall enough to step over the middle of the three ropes that surround the ring. During 2000, she dated David Flair (both on-screen and off-screen), who was already involved in an on-screen relationship with Daffney. Ms Hancock set her eyes on Flair, and ended up stealing him away from Daffney and continued to torment the woman whose boyfriend she stole, and the two would feud throughout the Summer of 2000. This led to Keibler's in-ring debut at the Bash at the Beach in a Wedding Gown match, which she lost after she removed her own gown. Hancock next briefly feuded with Kimberly Page, but the storyline ended abruptly when Page quit the company. Keibler and Flair then began a feud with the Misfits in Action stable, including a mud wrestling singles match against Major Gunns at New Blood Rising. During the match, she was kicked in the stomach, and she revealed herself to be pregnant the next night, beginning a new angle for herself and Flair. Two proposed endings to the storyline were for either Ric Flair or Vince Russo to be the father of her child. The angle, however, ended prematurely, as she revealed the pregnancy to be false, broke up with David Flair, and was taken off of television. When Stacy returned in 2001 she dropped the name Ms. Hancock and went by her real name. On the March 12, 2001 edition of Nitro, Keibler revealed Shawn Stasiak as her "baby" and continued her role as a heel manager, siding with Stasiak. Shawn and Stacy would feud with Bam Bam Bigelow, with the evil Stacy using underhanded tactics to help Stasiak win 2 matches from a series of 3, including on the final edition of Nitro two weeks later on March 26. World Wrestling Federation/Entertainment The Invasion (2001) When WCW was purchased by the World Wrestling Federation (WWF) in 2001, Keibler's contract was bought by the WWF. Stacy made her WWF television debut on the June 14, 2001 episode of SmackDown! when then-face, Shane McMahon brought her to the ring to distract then-heel, Rhyno, causing him to lose a match. Not long after this she turned into a heel character as part of The Alliance. Stacy showed herself to be an evil mean girl that had a sadistic side, as she loved watching other people's pain and misfortune, and regularly enjoyed mocking them by pointing and laughing. She originally teamed up with real-life friend, then-heel, Torrie Wilson, and the pair feuded with Trish Stratus and Lita. During this feud the four wrestlers competed in the first-ever tag team Bra and Panties Match at the Invasion pay-per-view, which Trish and Lita won by stripping Stacy and Wilson down to their bra & panties. After this she and Torrie moved on to targeting Jacqueline, and were shown backstage enjoying watching Jacqueline cry over the elimination of Shadrick McGee from Tough Enough. Stacy and Torrie then defeated Jacqueline in a handicap match on Raw with help from Ivory. On the Heat before SummerSlam, Stacy along with Torrie and Ivory, brutally attacked Lita backstage by injuring her knee, with the intent of preventing her from competing against them later that night. Stacy also had a brief reunion with Shawn Stasiak, and a short alliance with Tazz, as they battled the likes of Spike Dudley and Tajiri. Stacy found it amusing how short these men were and told Torrie that their height made them lesser men. Torrie had begun dating Tajiri at this time and this caused the evil Stacy to begin an on-screen rivalry with her former friend. The feud started with a couple of mixed tag matches involving the women and included Stacy sneak attacking Torrie backstage on an episode of Raw. Duchess of Dudleyville (2001–2002) As the WCW/ECW Invasion was nearing its end, Keibler became the manager of the heel Dudley Boyz. She made her first appearance in this role on the October 1, 2001 episode of Raw, and was nicknamed the "Duchess of Dudleyville". During this time, Stacy continued to show her sadistic side as she took great pleasure in watching the likes of Torrie Wilson and Spike Dudley get driven violently through tables, and particularly enjoyed being the one to personally give the order to the Dudley Boyz to put Torrie through a table. Stacy couldn't hide her joy at seeing Torrie suffering at her feet and laughed at the sight. A few days later on Smackdown, Stacy watched with glee as the Dudley Boyz threw Spike to the outside of the ring and through a table, as commentator Michael Cole acknowledged how wicked Stacy was and called her “evil”. Torrie would return a couple of weeks later to get her revenge, and gave Keibler a wedgie then pantsed her on an episode of SmackDown!. She then defeated Keibler in the first-ever lingerie match, a match wrestled in lingerie, at No Mercy. Keibler made her WrestleMania debut at WrestleMania X8 alongside The Dudleyz. Keibler's role with the Dudley Boyz came to an abrupt end when she was powerbombed through a table after accidentally costing the team a match. She then set her sights on the WWE Women's Championship at Judgment Day, facing Trish Stratus in a losing effort. She faced Stratus several more times in the succeeding weeks, but she never won a match against her. Mr McMahon's personal assistant (2002) Keibler was originally drafted to the SmackDown! brand in 2002, where she immediately set her eyes on the man in charge, the heel WWE chairman, Vince McMahon. McMahon was ready to hire another attractive female until Keibler interrupted and performed a seductive table dance in the ring to successfully become McMahon's personal assistant, as well as his on-screen mistress. She was frequently shown flirting and 'making out' with him in backstage segments. During her time alongside the boss she lied that the young rookie Randy Orton had forced himself on her, which caused Orton to be punished with a match against the mean veteran Hardcore Holly. A few weeks later she sat at ringside and enjoyed watching the rookie Orton get beaten up some more, this time by Test. She also had a personal ringside view when Triple H was ambushed in a 6 on 1 beatdown by some of McMahon's henchmen. The sadistic Stacy looked on and grinned with pleasure as Triple H was beaten and bloodied in the assault. She also continued her rivalry with Torrie Wilson during this time period, and even tried to throw Torrie off the stage on an episode of Smackdown, but a referee saved Torrie just in time and stopped Stacy's evil plan from being a success. Her time with McMahon came to an end when Stephanie McMahon became general manager of the SmackDown! brand. Dawn Marie made her debut on SmackDown! as McMahon's legal assistant, who competed with Keibler for McMahon's affections. Move to Raw & alliance with Test (2002–2003) A key storyline for Keibler's on-screen character occurred when she left SmackDown! for Raw. Keibler made her official Raw debut on August 12, 2002, and immediately began feuding with the women there. She was given the role of being a special referee on a couple of occasions and used them as opportunities to abuse her power. Stacy would count quickly when her fellow bad girls were making pin attempts, and count slowly when the good girls tried the same. She would also feign arm injuries when the chance to make the decisive 3 count came. In another role as a special referee, Stacy was put in charge of a match between Test and D'Lo Brown. At the start of the match Stacy laid down the law to both competitors before slapping D’Lo in the face. She would make slow counts when D’Lo tried to win the match and also started tying her shoelace when D’Lo hit his finisher and went for the pin. After arguing with Stacy about her actions, D’Lo was smashed in the face by a big boot from Test, which Stacy thoroughly enjoyed watching. She then made a quick 3 count to help the villain Test win the match. This would begin the on screen pairing between her and Test which would last for the remainder of 2002 and most of 2003. She enjoyed watching him rip apart fan favourites, such as the heroic Hurricane and would also use her deviousness to help him win matches, such as when she delivered a low blow to Goldust. As Test's on-screen marketing agent, she came up with the idea that Test should call his fans "Testicles," cut his hair, and reshape his image. This caused the gimmick to become popular with the audience and the couple turned into fan favorites in November 2002. This would be Stacy's first time as a babyface in WWE. In the spring of 2003, Test, however, became to verbally abuse Keibler, who also started managing Scott Steiner. After months of build-up, Keibler finally left Test for Steiner on the June 2 edition of Raw. Steiner defeated Test for Keibler's services at Bad Blood, and Keibler seemed happy as Steiner's new manager, as the two alluded to having more than a professional relationship. Test, however, continued to harass Keibler and Steiner until Steiner accepted a rematch with Stacy's services on the line. On the August 18 episode of Raw, Test won the match after faking a leg injury and then blindsiding Steiner with a big boot. A match was then set for Unforgiven with the stipulation that if Test won, he would not only retain Keibler's services, but would acquire Steiner's services as well. During the match, Keibler's interference backfired, and Test won the match. Steiner then turned heel by attacking Keibler after her interference in his match on the September 29 episode of Raw backfired. For a time, Test and Steiner worked as a tag team, sharing the services of Keibler as their on-screen sex slave. The storyline finally ended on the December 1 episode of Raw, when general manager Mick Foley freed Keibler from her obligatory contracts with Test and Steiner by temporarily firing them. Various storylines (2003–2005) Keibler was chosen to record a track on the album WWE Originals. She and WWE music producer Jim Johnston recorded the song "Why Can't We Just Dance?" for the album. She was then placed in a feud involving Torrie Wilson and then-babyface, Sable, both of whom had recently posed for a Playboy cover. Keibler aligned with Miss Jackie, neither of whom had posed for the magazine, claiming that they deserved to be in Playboy over Sable and Wilson. Keibler and Jackie challenged Sable and Wilson to a Tag Team Evening Gown match at WrestleMania XX, which they lost when Jackie was pinned by Wilson, and the feud was dropped afterward. Before the feud was dropped, all the performers were playing face characters at the time. She took over the 2004 Raw Diva Search for a few weeks, which led to several tag matches against the heel gimmicks of Gail Kim, Trish Stratus, and Molly Holly and with partners Nidia and the face gimmick of Victoria. Keibler got upset victories over Kim, Stratus, and Holly. She earned a Women's Championship title match on October 11, 2004, but she was defeated by Stratus, who retained the title. Keibler also competed in the first-ever Fulfill your Fantasy Diva Battle Royal for the WWE Women's Championship at Taboo Tuesday along with Victoria, Nidia, Gail Kim, Molly Holly, Jazz, and then-champion Stratus. She was eliminated second to last after jumping over the top rope to avoid hitting the turnbuckle, followed by Holly knocking her off the apron to eliminate her. In February 2005, Keibler began appearing in backstage segments with then-babyface, Randy Orton, and eventually became his on-screen girlfriend. When Orton challenged The Undertaker to a match at WrestleMania 21, Orton ended the relationship by hitting Stacy with an RKO, incapacitating her. He justified it by claiming he was demonstrating how ruthless he could be in order to defeat The Undertaker. Super Stacy and departure (2005–2006) Keibler then joined forces with The Hurricane and Rosey. She became one-third of the trio as a superhero sidekick nicknamed Super Stacy, complete with her own superhero costume. She was ringside during several matches as they defended their World Tag Team Championship. During this time, Keibler feuded on-screen with then-heel, Victoria, including confrontations and a mixed-tag-team match on Raw and a singles match on Heat. After a long tenure on Monday nights, Keibler and Christy Hemme, were moved to SmackDown! on August 25, as part of a trade that brought Torrie Wilson and Candice Michelle to Raw. On SmackDown! Keibler participated in lingerie matches and bikini contests. After a short absence, Keibler began a short feud with Jillian Hall, which led to the two having a match on Velocity, which Keibler lost. This would be Keibler's final match with WWE. Keibler then asked for time off to appear on Dancing with the Stars. During this time, Keibler's WWE.com profile was moved from SmackDown! to RAW, though she never made an appearance on the brand before leaving the company. Keibler's final mention on WWE programming occurred on the March 6, 2006 episode of RAW, where she was insulted by Candice Michelle for placing third on Dancing with the Stars during Michelle's unveiling of her Playboy magazine cover. After completing her stint on Dancing with the Stars, Keibler officially parted ways with WWE in July 2006 to move on to other endeavors. Sporadic appearances (2011; 2019) After leaving WWE in July 2006, Keibler made a special guest appearance for WWE's reality show, Tough Enough. Being a former NFL Cheerleader, she helped prepare the contestants to perform publicly in Universal Studios. On April 6, 2019, Keibler made a surprise return to induct Torrie Wilson into the WWE Hall of Fame. In 2021, WWE Network listed Keibler as one of the women who made an impact in WWE outside the ring. Modeling and acting career As the Fitness Editor at Stuff magazine during 2005 and 2006, Keibler wrote and modeled for her own occasional column, Getting Fit with Stacy Keibler. She has appeared on the cover of that magazine twice -June 2005 and March 2006. Maxim named Keibler No. 5 in its 2006 Hot 100 issue, and No. 70 in its 2007 Hot 100. In 2008, she was named No. 89 in Maxims annual Hot 100 list.; the following year she was No. 77. In 2010, she was No. 82 and in 2011 she was No. 72. And in 2012 she was ranked 51. Keibler has declined two invitations from Playboy to pose in the nude for its magazine. Keibler starred in a commercial for AT&T Corporation alongside Carrot Top. She also auditioned and earned a role in Big Momma's House 2, but she did not appear. She competed in the second season of Dancing with the Stars, alongside her dance partner, Tony Dovolani. Keibler received a perfect score of 30 from the three judges for her samba dance routine in week five. This prompted judge, Bruno Tonioli, to nickname her a "weapon of mass seduction." Overall, Keibler and Dovolani received four perfect scores. Keibler was eliminated in the final episode, coming in third to Jerry Rice, who placed second in the final round of the competition, and Drew Lachey, the winner of the season. Two of the judges, Bruno Tonioli and Len Goodman, felt she should have at least placed second. Oddsmakers had considered her the favorite to win the competition. Keibler has appeared on MTV's Punk'd twice. In season five Keibler took part in helping prank Triple H, which also included Stephanie McMahon. In season seven, however, Keibler was seen as a victim of a prank by her then-boyfriend, Geoff Stults. In February 2007, Keibler began a recurring role in ABC's What About Brian. She played the role of Brian's new neighbor and love interest. This was Keibler's first major acting role, following her previous minor roles in both Bubble Boy and Pecker. Keibler guest starred on George Lopez on ABC. In the fall of 2007 Keibler appeared both in The Comebacks and on ABC's drama October Road. In April 2008, she was named No. 64 in FHM's annual 100 Sexiest Women list. Keibler was featured in an advertisement in the 2008 Sports Illustrated Swimsuit issue. In September 2008, Keibler appeared on ABC Family's mini television series, Samurai Girl as the heel character Karen. On November 23, 2008, Keibler was named the "World's Hottest Athlete" by a sixty-four contestant bracket on InGameNow. Keibler hosted the E! Special Maxim's Celebrity Beach Watch: 15 Hottest Bodies on September 16, 2009, and The Ultimate Spike Girl 2009 Finale on Spike TV on October 1, 2009. On January 11, 2010, Keibler appeared as "the hot bartender", a new conquest for Barney, in the How I Met Your Mother 100th episode, "Girls Versus Suits". On February 3, 2010, Keibler appeared on an episode of the USA Network show "Psych". On Oct. 4, 2010, Keibler made a guest appearance in the spy comedy "Chuck" season 4, episode 3 titled "Chuck versus the Cubic Z" alongside guests Nicole Richie and fellow WWE alum "Stone Cold" Steve Austin. Keibler played the role of CIA agent "Greta". In 2011, Keibler hosted Call of Duty Elite's Friday Night Fights. In 2013, Keibler hosted a Lifetime show called Supermarket Superstar, where home chefs fought for their product to be sold in supermarkets. Other media Keibler made her video game debut in WCW Backstage Assault as her Miss Hancock character. She would later appear in eleven WWE video games, which includes WWE WrestleMania X8, WWE SmackDown! Shut Your Mouth, WWE Crush Hour, WWE WrestleMania XIX, WWE Raw 2, WWE SmackDown! Here Comes the Pain, WWE Day of Reckoning, WWE SmackDown! vs. Raw, WWE WrestleMania 21, WWE Day of Reckoning 2, and WWE SmackDown! vs. Raw 2006. Keibler also appears in Dancing with the Stars, a game based on the ABC series of the same name. Filmography Video games Dancing with the Stars season 2 performances Personal life Keibler's boyfriend of seven years from 1992 to 1999, Kris Cumberland, was a wrestling fan who first got her interested in wrestling, and they would sometimes go to WCW and WWF events within two hours drive of Baltimore. In 2000, after winning $10,000 in the contest to become a part of the Nitro Girls, Keibler used the money to buy season tickets for the Baltimore Ravens, the team for which she cheers for and was a former cheerleader. In 2000, Keibler dated David Flair during their time together in WCW. From 2001 to 2005, Keibler dated Andrew "Test" Martin while they both worked together in the WWF/WWE. Keibler moved to Los Angeles in 2004, where she was roommates with Torrie Wilson. In June 2005, Keibler was reported to be in a relationship with actor Geoff Stults. The pair appeared together on MTV's Punk'd, with Keibler as the recipient of the prank. Keibler and Stults were part-owners of the now defunct Hollywood Fame, a 2006 expansion franchise of the American Basketball Association. Stults and Keibler split in 2010. Keibler started dating George Clooney in July 2011. Clooney and Keibler ended their relationship in July 2013. Keibler began dating Future Ads CEO Jared Pobre in fall 2013, though they had been friends for several years previously. They were married on March 8, 2014, in Mexico. They have two daughters, Ava Grace, born on August 20, 2014, Isabella Faith, born in May 2020, and one son, Bodhi Brooks, born on June 18, 2018. Accomplishments World Championship Wrestling Nitro Girl Search (1999) World Wrestling Entertainment' WWE Babe of the Year (2004) References Notes Bibliography External links Stacy Keibler Profile and latest news at Sportskeeda 1979 births 20th-century American actresses 21st-century American actresses Actresses from Maryland American cheerleaders American female dancers American female models American female professional wrestlers American film actresses American television actresses Female models from Maryland Living people National Football League cheerleaders Participants in American reality television series People from Towson, Maryland Professional wrestlers from Maryland Professional wrestling dancers Professional wrestling managers and valets Sportspeople from Baltimore County, Maryland The Dudley Brothers members Towson University alumni	false	[ "The Storyline method is a pedagogical strategy for \"active learning,\" mainly used in primary schools in Scotland, the United States, Scandinavia and the Netherlands. The system can be adapted for use in adult education as well. It was pioneered by the staff of the Inservice Department of the Jordanhill College of Education in Glasgow, now University of Strathclyde.\n\nHistory\nIn 1965, the “Primary Memorandum” demanded that primary schools have a curriculum that integrated different subjects - history, geography, science, technology, health and expressive arts. At that time, teachers had little experience in teaching an integrated study such as this, so strategies had to be developed providing structures on which teachers could build. The attempt to implement the holistic ideas into the Primary Memorandum led to the creation, in 1967, in Jordanhill College of Education, Glasgow, of an Inservice Staff Tutor Team, whose function was to support teachers by working with them on this integrated curriculum. Many teachers, head teachers and advisers in the west of Scotland helped to refine and develop this methodology over a period of more than thirty years. Gradually, a particular methodology emerged that was originally called Topic Work, and is now known more widely, also internationally, as Storyline.\n\nPioneers of the approach were staff tutors Steve Bell, Sallie Harkness and Fred Rendell. As the Jordanhill tutors travelled abroad, the approach became known in Germany, in the Netherlands, in Iceland and in Denmark – in later years in all Scandinavian countries as well as in the United States of America.\n\nIn 1986, at a chance meeting of educators in Iceland, it was suggested that an international association should be created, so the European association for Educational Design (EED) was formed and the following year, the first seminar was held at the headquarters of the National Institute for Curriculum Development (SLO) in Enschede, the Netherlands. Since then, there have been meetings in Germany, Denmark, Scotland, Iceland, Norway and the Netherlands. \n\nFor the tenth anniversary, an international conference attended by over 300 participants from 22 countries was held in Aalborg, Denmark from 6 to 8 November 2000. The 2nd International Storyline Conference was held in 2003 near Copenhagen, the 3rd in Glasgow, 2006, the 4th in Portland, Oregon, 2009, the 5th in Reykjavik, 2012, the 6th in Glasgow, 2015, the 7th in Ljubljana, 2018. The 8th International Storyline Conference will be held in 2021 in Gothenburg, Sweden. In March, 2020, a Siberian International Storyline Conference will be held in Tomsk.\n\nAt present, the approach is widely used in Scotland, the Scandinavian countries, the USA and in the Netherlands, but also in a number of other countries, such as Thailand, Hong Kong, Singapore, Lithuania, Greece, Turkey and Portugal.\n\nSystem\nThe main feature that differentiates this approach from other learning and teaching strategies is that it recognises the value of the existing knowledge of the learner. Thus, through key questioning, the pupils are encouraged to construct their own models of what is being studied, their hypotheses, before testing them with real evidence and research. The key questions are used in a sequence that generally creates a context within the framework of a story. Together, learner and teacher create a scenario through visualisation; the making of collages, three-dimensional models and pictures employing a variety of art and craft techniques. These provide a visual stimulus for the skill-practice planned by the teacher. Teachers do not know the details of the content, even as they plan a sequence of activities through the designing of key questions.\n\nThe traditional role of the teacher, who had power because of superior knowledge, is changed. It is no longer her job to pass on information to the students - a body of knowledge to be learned and assimilated. Storyline is rather about process and not merely about content. The teacher’s role is mainly that of a facilitator.\n\nLiterature\n Bell, Steve / Harkness, Sallie / White, Graham (ed.): Storyline – Past, Present & Future. Glasgow (Enterprising Careers, University of Srathclyde) 2007.\n Bell, Steve / Harkness, Sallie: Storyline – Promoting Language Across the Curriculum. (UKLA Minibook series) Royston 2006.\n Creswell, Jeff: Creating Worlds, Constructing Meaning: The Scottish Storyline Method. Portsmouth, NH 1997.\n Falkenberg, C./Hakonsson, E. (ed.): Storylinebogen. En handbog for untervisere. Vejle 2002.\n Fifield, Kathy/Creswell, Jeff: Storyline I: An Introduction. Portland, Oregon (Educational Resources Northwest) 1991.\n Letschert, Jos et al.: Topic Work. A Storyline Approach. Enschede (SLO Institut for Curriculum Development) 1992.\n Letschert, Jos et al. (ed.): Beyond Storyline. Features, principles and pedagogical profundity. Enschede (SLO) 2006.\n Omand, Carol: Storyline: creative learning across the curriculum (UKLA) 2014\n Omand, Carol: Storyline: Developing Effective Questioning 2017\n Rendell, Fred: Topic Study, How and Why? Glasgow (Jordanhill College of Education).\n\nEducational psychology", "The was a professional wrestling championship in the Japanese promotion DDT Pro-Wrestling. The title was established in 2009 in DDT's parodic sub-brand New Beijing Pro-Wrestling. The belt was made from cardboard and was supposedly over 4,000 years old.\n\nTitle history\nIn storyline, this title was over 4,000 years old and Choun Shiryu was introduced as the 4,823rd champion. Danshoku Dino captured the title at What Are You Doing? 2009, on July 19. He then defended it at Ryōgoku Peter Pan on August 23 against Masa Takanashi. The title was then unified with Dino's DDT Extreme Championship.\n\nReigns\n\nSee also\n\nDDT Pro-Wrestling\nProfessional wrestling in Japan\n\nReferences\n\nDDT Pro-Wrestling championships\nOpenweight wrestling championships" ]
[ "Stacy Keibler", "Various storylines (2003-2005)", "What storyline was there in 2003?", "In October, 2003, Keibler appeared in the ring with Steve Austin." ]	C_8ef587e6bf9a42c78c54c5eee0900ac2_0	What did Steve do to her?	2	What did Steve Austin do to Stacy Keibler?	Stacy Keibler	Keibler was chosen to record a track on the album WWE Originals. She and WWE music producer Jim Johnston recorded the song "Why Can't We Just Dance?" for the album. She was then placed in a feud involving Torrie Wilson and then-babyface, Sable, both of whom had recently posed for a Playboy cover. Keibler aligned with Miss Jackie, neither of whom had posed for the magazine, claiming that they deserved to be in Playboy over Sable and Wilson. Keibler and Jackie challenged Sable and Wilson to a Tag Team Evening Gown match at WrestleMania XX, which they lost when Jackie was pinned by Wilson, and the feud was dropped afterward. Before the feud was dropped, all the performers were playing face characters at the time. In October, 2003, Keibler appeared in the ring with Steve Austin. She was offered a beer, which she politely refused. However, at the urging of Austin, she took a sip of the Miller Lite. Her disgust was apparent, which displeased Austin. As a result, she received a Stone Cold Stunner. She took over the 2004 Raw Diva Search for a few weeks, which led to several tag matches against the heel gimmicks of Gail Kim, Trish Stratus, and Molly Holly and with partners Nidia and the face gimmick of Victoria. Keibler got upset victories over Kim, Stratus, and Holly. She earned a Women's Championship title match on October 11, 2004, but she was defeated by Stratus, who retained the title. Keibler also competed in the first-ever Fulfill your Fantasy Diva Battle Royal for the WWE Women's Championship at Taboo Tuesday along with Victoria, Nidia, Gail Kim, Molly Holly, Jazz, and then-champion Stratus. She was eliminated second to last after jumping over the top rope to avoid hitting the turnbuckle, followed by Holly knocking her off the apron to eliminate her. In February 2005, Keibler began appearing in backstage segments with then-babyface, Randy Orton, and eventually became his on-screen girlfriend. When Orton challenged The Undertaker to a match at WrestleMania 21, Orton ended the relationship by hitting Stacy with an RKO, incapacitating her. He justified it by claiming he was demonstrating how ruthless he could be in order to defeat The Undertaker. CANNOTANSWER	She was offered a beer, which she politely refused. However, at the urging of Austin, she took a sip of the Miller Lite.	Stacy Ann-Marie Keibler (born October 14, 1979) is an American retired professional wrestler, former cheerleader, actress, dancer, and model. She is specifically known for her work with World Championship Wrestling (WCW) and World Wrestling Entertainment (WWE). Keibler began her professional wrestling career as a part of the Nitro Girls in WCW. She quickly moved on to a more prominent role in the company as the manager Miss Hancock. As Miss Hancock, Keibler was known for doing table dances, her relationship with David Flair, and a pregnancy angle. After WCW was purchased by the WWF (later WWE) in 2001, Keibler moved to the new company, using her real name and taking part in the Invasion storyline, also managing the Dudley Boyz. Keibler also managed Test and Scott Steiner. Before her departure from WWE in 2006, she was affiliated with The Hurricane and Rosey and nicknamed "Super Stacy." Keibler was a contestant on Dancing with the Stars: season two, where she placed third. She has also appeared on other ABC series such as What About Brian, George Lopez, and October Road, as well as the 100th episode of the CBS sitcom How I Met Your Mother as a bartender and on the USA Network show Psych. Keibler has also modeled, appearing in both Maxim and Stuff magazines. Keibler is considered to be a sex symbol and is known for her unusually long legs. She has been known as both "The Legs of WCW" and "The Legs of WWE". During Keibler's time on Dancing with the Stars, judge Bruno Tonioli nicknamed her "The Weapon of Mass Seduction." Early life Stacy Ann-Marie Keibler was born on October 14, 1979, in Rosedale, Maryland, the daughter of Patricia and Gary Keibler. Beginning at the age of three, Keibler took ballet, jazz, and tap dancing classes at Jean Kettell Studio of Dance in Dundalk, Maryland. She went to St. Clement Mary Hofbauer School in Rosedale for her early schooling. In 1990, Stacy won the title of Miss Maryland Pre-Teen, after competing for the title in Timonium, and went on to win the National Miss Pre-Teen Crown. After attending The Catholic High School of Baltimore, an all-girls school, Keibler attended Towson University, where she studied mass communication. She attended the university on a partial scholarship and had a 3.7 grade point average (GPA). Keibler had minor parts in movies such as Pecker and Liberty Heights, as well as small modeling jobs. Keibler became a cheerleader for the Baltimore Ravens football team when she was 18. Professional wrestling career World Championship Wrestling (1999–2001) Keibler began watching wrestling with her boyfriend at the time, Kris Cumberland. She can be seen in the crowd on an episode of Nitro in 1997 and the Starrcade 1998 pay-per-view before the television title match, dancing in an NWO Wolfpac T-shirt. In September 1999, Keibler entered a nationwide contest held by World Championship Wrestling to find a new member of the Nitro Girls dance troupe, which was organized in an attempt to boost the show's declining ratings. A total of 300 women participated in the contest; the results were decided by a series of polls on WCW's website, which narrowed down the field to eight finalists. Keibler was declared the winner of the contest on the November 8, 1999 edition of Nitro after receiving the most online votes out of the eight finalists and was given a spot on the dance troupe along with a $10,000 prize. Her winning routine was watched by 4.4 million viewers. Keibler performed dance routines every week on WCW's flagship show Monday Nitro under the name Skye. By 2000, Keibler was appearing on WCW as a Nitro Girl, attending school full-time, and cheering for the Baltimore Ravens. She soon accepted a larger role and became a heel valet using the stage name Miss Hancock (some weeks spelled "Handcock"), briefly serving as an associate for the tag team of Lenny Lane and Lodi dubbed Standards and Practices. Despite wearing business suits, her character was known to climb on top of the announcers' table and dance sensually. It was also during this period that she began using what would become her trademark ring entrance: slowly putting her forty-two inch legs through the second tier of ropes, pausing to let the crowd momentarily see her panties underneath her incredibly short skirts. At 5 feet 11 inches, Keibler was one of few women in professional wrestling tall enough to step over the middle of the three ropes that surround the ring. During 2000, she dated David Flair (both on-screen and off-screen), who was already involved in an on-screen relationship with Daffney. Ms Hancock set her eyes on Flair, and ended up stealing him away from Daffney and continued to torment the woman whose boyfriend she stole, and the two would feud throughout the Summer of 2000. This led to Keibler's in-ring debut at the Bash at the Beach in a Wedding Gown match, which she lost after she removed her own gown. Hancock next briefly feuded with Kimberly Page, but the storyline ended abruptly when Page quit the company. Keibler and Flair then began a feud with the Misfits in Action stable, including a mud wrestling singles match against Major Gunns at New Blood Rising. During the match, she was kicked in the stomach, and she revealed herself to be pregnant the next night, beginning a new angle for herself and Flair. Two proposed endings to the storyline were for either Ric Flair or Vince Russo to be the father of her child. The angle, however, ended prematurely, as she revealed the pregnancy to be false, broke up with David Flair, and was taken off of television. When Stacy returned in 2001 she dropped the name Ms. Hancock and went by her real name. On the March 12, 2001 edition of Nitro, Keibler revealed Shawn Stasiak as her "baby" and continued her role as a heel manager, siding with Stasiak. Shawn and Stacy would feud with Bam Bam Bigelow, with the evil Stacy using underhanded tactics to help Stasiak win 2 matches from a series of 3, including on the final edition of Nitro two weeks later on March 26. World Wrestling Federation/Entertainment The Invasion (2001) When WCW was purchased by the World Wrestling Federation (WWF) in 2001, Keibler's contract was bought by the WWF. Stacy made her WWF television debut on the June 14, 2001 episode of SmackDown! when then-face, Shane McMahon brought her to the ring to distract then-heel, Rhyno, causing him to lose a match. Not long after this she turned into a heel character as part of The Alliance. Stacy showed herself to be an evil mean girl that had a sadistic side, as she loved watching other people's pain and misfortune, and regularly enjoyed mocking them by pointing and laughing. She originally teamed up with real-life friend, then-heel, Torrie Wilson, and the pair feuded with Trish Stratus and Lita. During this feud the four wrestlers competed in the first-ever tag team Bra and Panties Match at the Invasion pay-per-view, which Trish and Lita won by stripping Stacy and Wilson down to their bra & panties. After this she and Torrie moved on to targeting Jacqueline, and were shown backstage enjoying watching Jacqueline cry over the elimination of Shadrick McGee from Tough Enough. Stacy and Torrie then defeated Jacqueline in a handicap match on Raw with help from Ivory. On the Heat before SummerSlam, Stacy along with Torrie and Ivory, brutally attacked Lita backstage by injuring her knee, with the intent of preventing her from competing against them later that night. Stacy also had a brief reunion with Shawn Stasiak, and a short alliance with Tazz, as they battled the likes of Spike Dudley and Tajiri. Stacy found it amusing how short these men were and told Torrie that their height made them lesser men. Torrie had begun dating Tajiri at this time and this caused the evil Stacy to begin an on-screen rivalry with her former friend. The feud started with a couple of mixed tag matches involving the women and included Stacy sneak attacking Torrie backstage on an episode of Raw. Duchess of Dudleyville (2001–2002) As the WCW/ECW Invasion was nearing its end, Keibler became the manager of the heel Dudley Boyz. She made her first appearance in this role on the October 1, 2001 episode of Raw, and was nicknamed the "Duchess of Dudleyville". During this time, Stacy continued to show her sadistic side as she took great pleasure in watching the likes of Torrie Wilson and Spike Dudley get driven violently through tables, and particularly enjoyed being the one to personally give the order to the Dudley Boyz to put Torrie through a table. Stacy couldn't hide her joy at seeing Torrie suffering at her feet and laughed at the sight. A few days later on Smackdown, Stacy watched with glee as the Dudley Boyz threw Spike to the outside of the ring and through a table, as commentator Michael Cole acknowledged how wicked Stacy was and called her “evil”. Torrie would return a couple of weeks later to get her revenge, and gave Keibler a wedgie then pantsed her on an episode of SmackDown!. She then defeated Keibler in the first-ever lingerie match, a match wrestled in lingerie, at No Mercy. Keibler made her WrestleMania debut at WrestleMania X8 alongside The Dudleyz. Keibler's role with the Dudley Boyz came to an abrupt end when she was powerbombed through a table after accidentally costing the team a match. She then set her sights on the WWE Women's Championship at Judgment Day, facing Trish Stratus in a losing effort. She faced Stratus several more times in the succeeding weeks, but she never won a match against her. Mr McMahon's personal assistant (2002) Keibler was originally drafted to the SmackDown! brand in 2002, where she immediately set her eyes on the man in charge, the heel WWE chairman, Vince McMahon. McMahon was ready to hire another attractive female until Keibler interrupted and performed a seductive table dance in the ring to successfully become McMahon's personal assistant, as well as his on-screen mistress. She was frequently shown flirting and 'making out' with him in backstage segments. During her time alongside the boss she lied that the young rookie Randy Orton had forced himself on her, which caused Orton to be punished with a match against the mean veteran Hardcore Holly. A few weeks later she sat at ringside and enjoyed watching the rookie Orton get beaten up some more, this time by Test. She also had a personal ringside view when Triple H was ambushed in a 6 on 1 beatdown by some of McMahon's henchmen. The sadistic Stacy looked on and grinned with pleasure as Triple H was beaten and bloodied in the assault. She also continued her rivalry with Torrie Wilson during this time period, and even tried to throw Torrie off the stage on an episode of Smackdown, but a referee saved Torrie just in time and stopped Stacy's evil plan from being a success. Her time with McMahon came to an end when Stephanie McMahon became general manager of the SmackDown! brand. Dawn Marie made her debut on SmackDown! as McMahon's legal assistant, who competed with Keibler for McMahon's affections. Move to Raw & alliance with Test (2002–2003) A key storyline for Keibler's on-screen character occurred when she left SmackDown! for Raw. Keibler made her official Raw debut on August 12, 2002, and immediately began feuding with the women there. She was given the role of being a special referee on a couple of occasions and used them as opportunities to abuse her power. Stacy would count quickly when her fellow bad girls were making pin attempts, and count slowly when the good girls tried the same. She would also feign arm injuries when the chance to make the decisive 3 count came. In another role as a special referee, Stacy was put in charge of a match between Test and D'Lo Brown. At the start of the match Stacy laid down the law to both competitors before slapping D’Lo in the face. She would make slow counts when D’Lo tried to win the match and also started tying her shoelace when D’Lo hit his finisher and went for the pin. After arguing with Stacy about her actions, D’Lo was smashed in the face by a big boot from Test, which Stacy thoroughly enjoyed watching. She then made a quick 3 count to help the villain Test win the match. This would begin the on screen pairing between her and Test which would last for the remainder of 2002 and most of 2003. She enjoyed watching him rip apart fan favourites, such as the heroic Hurricane and would also use her deviousness to help him win matches, such as when she delivered a low blow to Goldust. As Test's on-screen marketing agent, she came up with the idea that Test should call his fans "Testicles," cut his hair, and reshape his image. This caused the gimmick to become popular with the audience and the couple turned into fan favorites in November 2002. This would be Stacy's first time as a babyface in WWE. In the spring of 2003, Test, however, became to verbally abuse Keibler, who also started managing Scott Steiner. After months of build-up, Keibler finally left Test for Steiner on the June 2 edition of Raw. Steiner defeated Test for Keibler's services at Bad Blood, and Keibler seemed happy as Steiner's new manager, as the two alluded to having more than a professional relationship. Test, however, continued to harass Keibler and Steiner until Steiner accepted a rematch with Stacy's services on the line. On the August 18 episode of Raw, Test won the match after faking a leg injury and then blindsiding Steiner with a big boot. A match was then set for Unforgiven with the stipulation that if Test won, he would not only retain Keibler's services, but would acquire Steiner's services as well. During the match, Keibler's interference backfired, and Test won the match. Steiner then turned heel by attacking Keibler after her interference in his match on the September 29 episode of Raw backfired. For a time, Test and Steiner worked as a tag team, sharing the services of Keibler as their on-screen sex slave. The storyline finally ended on the December 1 episode of Raw, when general manager Mick Foley freed Keibler from her obligatory contracts with Test and Steiner by temporarily firing them. Various storylines (2003–2005) Keibler was chosen to record a track on the album WWE Originals. She and WWE music producer Jim Johnston recorded the song "Why Can't We Just Dance?" for the album. She was then placed in a feud involving Torrie Wilson and then-babyface, Sable, both of whom had recently posed for a Playboy cover. Keibler aligned with Miss Jackie, neither of whom had posed for the magazine, claiming that they deserved to be in Playboy over Sable and Wilson. Keibler and Jackie challenged Sable and Wilson to a Tag Team Evening Gown match at WrestleMania XX, which they lost when Jackie was pinned by Wilson, and the feud was dropped afterward. Before the feud was dropped, all the performers were playing face characters at the time. She took over the 2004 Raw Diva Search for a few weeks, which led to several tag matches against the heel gimmicks of Gail Kim, Trish Stratus, and Molly Holly and with partners Nidia and the face gimmick of Victoria. Keibler got upset victories over Kim, Stratus, and Holly. She earned a Women's Championship title match on October 11, 2004, but she was defeated by Stratus, who retained the title. Keibler also competed in the first-ever Fulfill your Fantasy Diva Battle Royal for the WWE Women's Championship at Taboo Tuesday along with Victoria, Nidia, Gail Kim, Molly Holly, Jazz, and then-champion Stratus. She was eliminated second to last after jumping over the top rope to avoid hitting the turnbuckle, followed by Holly knocking her off the apron to eliminate her. In February 2005, Keibler began appearing in backstage segments with then-babyface, Randy Orton, and eventually became his on-screen girlfriend. When Orton challenged The Undertaker to a match at WrestleMania 21, Orton ended the relationship by hitting Stacy with an RKO, incapacitating her. He justified it by claiming he was demonstrating how ruthless he could be in order to defeat The Undertaker. Super Stacy and departure (2005–2006) Keibler then joined forces with The Hurricane and Rosey. She became one-third of the trio as a superhero sidekick nicknamed Super Stacy, complete with her own superhero costume. She was ringside during several matches as they defended their World Tag Team Championship. During this time, Keibler feuded on-screen with then-heel, Victoria, including confrontations and a mixed-tag-team match on Raw and a singles match on Heat. After a long tenure on Monday nights, Keibler and Christy Hemme, were moved to SmackDown! on August 25, as part of a trade that brought Torrie Wilson and Candice Michelle to Raw. On SmackDown! Keibler participated in lingerie matches and bikini contests. After a short absence, Keibler began a short feud with Jillian Hall, which led to the two having a match on Velocity, which Keibler lost. This would be Keibler's final match with WWE. Keibler then asked for time off to appear on Dancing with the Stars. During this time, Keibler's WWE.com profile was moved from SmackDown! to RAW, though she never made an appearance on the brand before leaving the company. Keibler's final mention on WWE programming occurred on the March 6, 2006 episode of RAW, where she was insulted by Candice Michelle for placing third on Dancing with the Stars during Michelle's unveiling of her Playboy magazine cover. After completing her stint on Dancing with the Stars, Keibler officially parted ways with WWE in July 2006 to move on to other endeavors. Sporadic appearances (2011; 2019) After leaving WWE in July 2006, Keibler made a special guest appearance for WWE's reality show, Tough Enough. Being a former NFL Cheerleader, she helped prepare the contestants to perform publicly in Universal Studios. On April 6, 2019, Keibler made a surprise return to induct Torrie Wilson into the WWE Hall of Fame. In 2021, WWE Network listed Keibler as one of the women who made an impact in WWE outside the ring. Modeling and acting career As the Fitness Editor at Stuff magazine during 2005 and 2006, Keibler wrote and modeled for her own occasional column, Getting Fit with Stacy Keibler. She has appeared on the cover of that magazine twice -June 2005 and March 2006. Maxim named Keibler No. 5 in its 2006 Hot 100 issue, and No. 70 in its 2007 Hot 100. In 2008, she was named No. 89 in Maxims annual Hot 100 list.; the following year she was No. 77. In 2010, she was No. 82 and in 2011 she was No. 72. And in 2012 she was ranked 51. Keibler has declined two invitations from Playboy to pose in the nude for its magazine. Keibler starred in a commercial for AT&T Corporation alongside Carrot Top. She also auditioned and earned a role in Big Momma's House 2, but she did not appear. She competed in the second season of Dancing with the Stars, alongside her dance partner, Tony Dovolani. Keibler received a perfect score of 30 from the three judges for her samba dance routine in week five. This prompted judge, Bruno Tonioli, to nickname her a "weapon of mass seduction." Overall, Keibler and Dovolani received four perfect scores. Keibler was eliminated in the final episode, coming in third to Jerry Rice, who placed second in the final round of the competition, and Drew Lachey, the winner of the season. Two of the judges, Bruno Tonioli and Len Goodman, felt she should have at least placed second. Oddsmakers had considered her the favorite to win the competition. Keibler has appeared on MTV's Punk'd twice. In season five Keibler took part in helping prank Triple H, which also included Stephanie McMahon. In season seven, however, Keibler was seen as a victim of a prank by her then-boyfriend, Geoff Stults. In February 2007, Keibler began a recurring role in ABC's What About Brian. She played the role of Brian's new neighbor and love interest. This was Keibler's first major acting role, following her previous minor roles in both Bubble Boy and Pecker. Keibler guest starred on George Lopez on ABC. In the fall of 2007 Keibler appeared both in The Comebacks and on ABC's drama October Road. In April 2008, she was named No. 64 in FHM's annual 100 Sexiest Women list. Keibler was featured in an advertisement in the 2008 Sports Illustrated Swimsuit issue. In September 2008, Keibler appeared on ABC Family's mini television series, Samurai Girl as the heel character Karen. On November 23, 2008, Keibler was named the "World's Hottest Athlete" by a sixty-four contestant bracket on InGameNow. Keibler hosted the E! Special Maxim's Celebrity Beach Watch: 15 Hottest Bodies on September 16, 2009, and The Ultimate Spike Girl 2009 Finale on Spike TV on October 1, 2009. On January 11, 2010, Keibler appeared as "the hot bartender", a new conquest for Barney, in the How I Met Your Mother 100th episode, "Girls Versus Suits". On February 3, 2010, Keibler appeared on an episode of the USA Network show "Psych". On Oct. 4, 2010, Keibler made a guest appearance in the spy comedy "Chuck" season 4, episode 3 titled "Chuck versus the Cubic Z" alongside guests Nicole Richie and fellow WWE alum "Stone Cold" Steve Austin. Keibler played the role of CIA agent "Greta". In 2011, Keibler hosted Call of Duty Elite's Friday Night Fights. In 2013, Keibler hosted a Lifetime show called Supermarket Superstar, where home chefs fought for their product to be sold in supermarkets. Other media Keibler made her video game debut in WCW Backstage Assault as her Miss Hancock character. She would later appear in eleven WWE video games, which includes WWE WrestleMania X8, WWE SmackDown! Shut Your Mouth, WWE Crush Hour, WWE WrestleMania XIX, WWE Raw 2, WWE SmackDown! Here Comes the Pain, WWE Day of Reckoning, WWE SmackDown! vs. Raw, WWE WrestleMania 21, WWE Day of Reckoning 2, and WWE SmackDown! vs. Raw 2006. Keibler also appears in Dancing with the Stars, a game based on the ABC series of the same name. Filmography Video games Dancing with the Stars season 2 performances Personal life Keibler's boyfriend of seven years from 1992 to 1999, Kris Cumberland, was a wrestling fan who first got her interested in wrestling, and they would sometimes go to WCW and WWF events within two hours drive of Baltimore. In 2000, after winning $10,000 in the contest to become a part of the Nitro Girls, Keibler used the money to buy season tickets for the Baltimore Ravens, the team for which she cheers for and was a former cheerleader. In 2000, Keibler dated David Flair during their time together in WCW. From 2001 to 2005, Keibler dated Andrew "Test" Martin while they both worked together in the WWF/WWE. Keibler moved to Los Angeles in 2004, where she was roommates with Torrie Wilson. In June 2005, Keibler was reported to be in a relationship with actor Geoff Stults. The pair appeared together on MTV's Punk'd, with Keibler as the recipient of the prank. Keibler and Stults were part-owners of the now defunct Hollywood Fame, a 2006 expansion franchise of the American Basketball Association. Stults and Keibler split in 2010. Keibler started dating George Clooney in July 2011. Clooney and Keibler ended their relationship in July 2013. Keibler began dating Future Ads CEO Jared Pobre in fall 2013, though they had been friends for several years previously. They were married on March 8, 2014, in Mexico. They have two daughters, Ava Grace, born on August 20, 2014, Isabella Faith, born in May 2020, and one son, Bodhi Brooks, born on June 18, 2018. Accomplishments World Championship Wrestling Nitro Girl Search (1999) World Wrestling Entertainment' WWE Babe of the Year (2004) References Notes Bibliography External links Stacy Keibler Profile and latest news at Sportskeeda 1979 births 20th-century American actresses 21st-century American actresses Actresses from Maryland American cheerleaders American female dancers American female models American female professional wrestlers American film actresses American television actresses Female models from Maryland Living people National Football League cheerleaders Participants in American reality television series People from Towson, Maryland Professional wrestlers from Maryland Professional wrestling dancers Professional wrestling managers and valets Sportspeople from Baltimore County, Maryland The Dudley Brothers members Towson University alumni	false	[ "\"What Did I Do to You?\" is a song recorded by British singer Lisa Stansfield for her 1989 album, Affection. It was written by Stansfield, Ian Devaney and Andy Morris, and produced by Devaney and Morris. The song was released as the fourth European single on 30 April 1990. It included three previously unreleased songs written by Stansfield, Devaney and Morris: \"My Apple Heart,\" \"Lay Me Down\" and \"Something's Happenin'.\" \"What Did I Do to You?\" was remixed by Mark Saunders and by the Grammy Award-winning American house music DJ and producer, David Morales. The single became a top forty hit in the European countries reaching number eighteen in Finland, number twenty in Ireland and number twenty-five in the United Kingdom. \"What Did I Do to You?\" was also released in Japan.\n\nIn 2014, the remixes of \"What Did I Do to You?\" were included on the deluxe 2CD + DVD re-release of Affection and on People Hold On ... The Remix Anthology. They were also featured on The Collection 1989–2003 box set (2014), including previously unreleased Red Zone Mix by David Morales.\n\nCritical reception\nThe song received positive reviews from music critics. Matthew Hocter from Albumism viewed it as a \"upbeat offering\". David Giles from Music Week said it is \"beautifully performed\" by Stansfield. A reviewer from Reading Eagle wrote that \"What Did I Do to You?\" \"would be right at home on the \"Saturday Night Fever\" soundtrack.\"\n\nMusic video\nA music video was produced to promote the single, directed by Philip Richardson, who had previously directed the videos for \"All Around the World\" and \"Live Together\". It features Stansfield with her kiss curls, dressed in a white outfit and performing with her band on a stage in front of a jumping audience. The video was later published on Stansfield's official YouTube channel in November 2009. It has amassed more than 1,6 million views as of October 2021.\n\nTrack listings\n\n European/UK 7\" single\n\"What Did I Do to You?\" (Mark Saunders Remix Edit) – 4:20\n\"Something's Happenin'\" – 3:59\n\n European/UK/Japanese CD single\n\"What Did I Do to You?\" (Mark Saunders Remix Edit) – 4:20\n\"My Apple Heart\" – 5:19\n\"Lay Me Down\" – 4:17\n\"Something's Happenin'\" – 3:59\n\n UK 10\" single\n\"What Did I Do to You?\" (Mark Saunders Remix) – 5:52\n\"My Apple Heart\" – 5:19\n\"Lay Me Down\" – 4:17\n\"Something's Happenin'\" – 3:59\n\n European/UK 12\" single\n\"What Did I Do to You?\" (Morales Mix) – 7:59\n\"My Apple Heart\" – 4:22\n\"Lay Me Down\" – 3:19\n\"Something's Happenin'\" – 3:15\n\n UK 12\" promotional single\n\"What Did I Do to You?\" (Morales Mix) – 7:59\n\"What Did I Do to You?\" (Anti Poll Tax Dub) – 6:31\n\n Other remixes\n\"What Did I Do to You?\" (Red Zone Mix) – 7:45\n\nCharts\n\nReferences\n\nLisa Stansfield songs\n1990 singles\nSongs written by Lisa Stansfield\n1989 songs\nArista Records singles\nSongs written by Ian Devaney\nSongs written by Andy Morris (musician)", "\"Wonder Woman: Year One\" is a seven issue comic book story arc written by Greg Rucka, with pencils by Nicola Scott and colors by Romulo Fajardo Jr. The story \"Interlude\" featuring Cheetah's alter-ego Barbara Ann Minerva is drawn by Bilquis Evely and is included as part of Year One. The storyline received critical acclaim with critics praising the art, action, characterization of Diana Prince, Steve Trevor, and Barbara Ann Minevra.\n\nPlot \nSteve Trevor accidentally arrives on Themyscira after his plane is shot down by a mysterious group and meets the Amazons. The Amazons debate on what they should do and realize they need to send a Champion to Earth to defeat Ares. Queen Hippolyta decides to send in Diana Prince after she successfully parries Steve Trevor's bullets. When they head back to Earth, police decide to put Wonder Woman in a cell until they know what to do with her, and Steve Trevor meets Lieutenant Candy Etta to debrief on her.\n\nDiana Prince does not know how to speak English so she starts talking Greek, and Etta sends in Barbara Minevra to translate for her. In the past, it was revealed that Barbara Minevra was a struggling archaeologist who tried to find Themiscyra but failed. Wonder Woman realizes that her Lasso of Truth allows her to communicate with Etta, Barbara, and Steve and at a mall when The Sear Group (same group who shot down Steve Trevor's plane) attack, but Wonder Woman and Steve help apprehend them.\n\nWonder Woman tells Steve that she can not go home and while debriefing in front of the group, Ares attacks. Wonder Woman willingly surrenders in front of Ares, and manages to defeat him in a sneak attack. Her actions across Washington DC make the public know her and refer to her as \"Wonder Woman\".\n\nCritical reception \nAccording to Comic Book Roundup, Wonder Woman Volume 5 Issue 2 received a score of 8.5 out of 10 based on 26 reviews. \n\nAccording to Comic Book Roundup, Wonder Woman Issue 4 received a score of 9 out of 10 based on 20 reviews. \n\nAccording to Comic Book Roundup, Wonder Woman Issue 6 received a score of 8.8 out of 10 based on 16 reviews. \n\nAccording to Comic Book Roundup, Wonder Woman Issue 8 received a score of 8.5 out of 10 based on 14 reviews. \n\nAccording to Comic Book Roundup, Wonder Woman Issue 10 received a score of 9.3 out of 10 based on 10 reviews. \n\nAccording to Comic Book Roundup, Wonder Woman Issue 12 received a score of 9.2 out of 10 based on 10 reviews. \n\nAccording to Comic Book Roundup, Wonder Woman Issue 14 received a score of 9.4 out of 10 based on 14 reviews.\n\nCollected editions\n Wonder Woman Vol. 2: Year One collects Wonder Woman vol. 5 #2, 4, 6, 8, 10, 12, 14, 168 pages, May 2017, \n Wonder Woman: The Rebirth Deluxe Edition, Book 1 collects Wonder Woman: Rebirth #1 and Wonder Woman vol. 5 #1–14, 360 pages, October 2017,\n\nReferences\n\nComics by Greg Rucka" ]
[ "Stacy Keibler", "Various storylines (2003-2005)", "What storyline was there in 2003?", "In October, 2003, Keibler appeared in the ring with Steve Austin.", "What did Steve do to her?", "She was offered a beer, which she politely refused. However, at the urging of Austin, she took a sip of the Miller Lite." ]	C_8ef587e6bf9a42c78c54c5eee0900ac2_0	Did he wrestle her?	3	Did Steve Austin wrestle Stacy Keibler?	Stacy Keibler	Keibler was chosen to record a track on the album WWE Originals. She and WWE music producer Jim Johnston recorded the song "Why Can't We Just Dance?" for the album. She was then placed in a feud involving Torrie Wilson and then-babyface, Sable, both of whom had recently posed for a Playboy cover. Keibler aligned with Miss Jackie, neither of whom had posed for the magazine, claiming that they deserved to be in Playboy over Sable and Wilson. Keibler and Jackie challenged Sable and Wilson to a Tag Team Evening Gown match at WrestleMania XX, which they lost when Jackie was pinned by Wilson, and the feud was dropped afterward. Before the feud was dropped, all the performers were playing face characters at the time. In October, 2003, Keibler appeared in the ring with Steve Austin. She was offered a beer, which she politely refused. However, at the urging of Austin, she took a sip of the Miller Lite. Her disgust was apparent, which displeased Austin. As a result, she received a Stone Cold Stunner. She took over the 2004 Raw Diva Search for a few weeks, which led to several tag matches against the heel gimmicks of Gail Kim, Trish Stratus, and Molly Holly and with partners Nidia and the face gimmick of Victoria. Keibler got upset victories over Kim, Stratus, and Holly. She earned a Women's Championship title match on October 11, 2004, but she was defeated by Stratus, who retained the title. Keibler also competed in the first-ever Fulfill your Fantasy Diva Battle Royal for the WWE Women's Championship at Taboo Tuesday along with Victoria, Nidia, Gail Kim, Molly Holly, Jazz, and then-champion Stratus. She was eliminated second to last after jumping over the top rope to avoid hitting the turnbuckle, followed by Holly knocking her off the apron to eliminate her. In February 2005, Keibler began appearing in backstage segments with then-babyface, Randy Orton, and eventually became his on-screen girlfriend. When Orton challenged The Undertaker to a match at WrestleMania 21, Orton ended the relationship by hitting Stacy with an RKO, incapacitating her. He justified it by claiming he was demonstrating how ruthless he could be in order to defeat The Undertaker. CANNOTANSWER	Her disgust was apparent, which displeased Austin. As a result, she received a Stone Cold Stunner.	Stacy Ann-Marie Keibler (born October 14, 1979) is an American retired professional wrestler, former cheerleader, actress, dancer, and model. She is specifically known for her work with World Championship Wrestling (WCW) and World Wrestling Entertainment (WWE). Keibler began her professional wrestling career as a part of the Nitro Girls in WCW. She quickly moved on to a more prominent role in the company as the manager Miss Hancock. As Miss Hancock, Keibler was known for doing table dances, her relationship with David Flair, and a pregnancy angle. After WCW was purchased by the WWF (later WWE) in 2001, Keibler moved to the new company, using her real name and taking part in the Invasion storyline, also managing the Dudley Boyz. Keibler also managed Test and Scott Steiner. Before her departure from WWE in 2006, she was affiliated with The Hurricane and Rosey and nicknamed "Super Stacy." Keibler was a contestant on Dancing with the Stars: season two, where she placed third. She has also appeared on other ABC series such as What About Brian, George Lopez, and October Road, as well as the 100th episode of the CBS sitcom How I Met Your Mother as a bartender and on the USA Network show Psych. Keibler has also modeled, appearing in both Maxim and Stuff magazines. Keibler is considered to be a sex symbol and is known for her unusually long legs. She has been known as both "The Legs of WCW" and "The Legs of WWE". During Keibler's time on Dancing with the Stars, judge Bruno Tonioli nicknamed her "The Weapon of Mass Seduction." Early life Stacy Ann-Marie Keibler was born on October 14, 1979, in Rosedale, Maryland, the daughter of Patricia and Gary Keibler. Beginning at the age of three, Keibler took ballet, jazz, and tap dancing classes at Jean Kettell Studio of Dance in Dundalk, Maryland. She went to St. Clement Mary Hofbauer School in Rosedale for her early schooling. In 1990, Stacy won the title of Miss Maryland Pre-Teen, after competing for the title in Timonium, and went on to win the National Miss Pre-Teen Crown. After attending The Catholic High School of Baltimore, an all-girls school, Keibler attended Towson University, where she studied mass communication. She attended the university on a partial scholarship and had a 3.7 grade point average (GPA). Keibler had minor parts in movies such as Pecker and Liberty Heights, as well as small modeling jobs. Keibler became a cheerleader for the Baltimore Ravens football team when she was 18. Professional wrestling career World Championship Wrestling (1999–2001) Keibler began watching wrestling with her boyfriend at the time, Kris Cumberland. She can be seen in the crowd on an episode of Nitro in 1997 and the Starrcade 1998 pay-per-view before the television title match, dancing in an NWO Wolfpac T-shirt. In September 1999, Keibler entered a nationwide contest held by World Championship Wrestling to find a new member of the Nitro Girls dance troupe, which was organized in an attempt to boost the show's declining ratings. A total of 300 women participated in the contest; the results were decided by a series of polls on WCW's website, which narrowed down the field to eight finalists. Keibler was declared the winner of the contest on the November 8, 1999 edition of Nitro after receiving the most online votes out of the eight finalists and was given a spot on the dance troupe along with a $10,000 prize. Her winning routine was watched by 4.4 million viewers. Keibler performed dance routines every week on WCW's flagship show Monday Nitro under the name Skye. By 2000, Keibler was appearing on WCW as a Nitro Girl, attending school full-time, and cheering for the Baltimore Ravens. She soon accepted a larger role and became a heel valet using the stage name Miss Hancock (some weeks spelled "Handcock"), briefly serving as an associate for the tag team of Lenny Lane and Lodi dubbed Standards and Practices. Despite wearing business suits, her character was known to climb on top of the announcers' table and dance sensually. It was also during this period that she began using what would become her trademark ring entrance: slowly putting her forty-two inch legs through the second tier of ropes, pausing to let the crowd momentarily see her panties underneath her incredibly short skirts. At 5 feet 11 inches, Keibler was one of few women in professional wrestling tall enough to step over the middle of the three ropes that surround the ring. During 2000, she dated David Flair (both on-screen and off-screen), who was already involved in an on-screen relationship with Daffney. Ms Hancock set her eyes on Flair, and ended up stealing him away from Daffney and continued to torment the woman whose boyfriend she stole, and the two would feud throughout the Summer of 2000. This led to Keibler's in-ring debut at the Bash at the Beach in a Wedding Gown match, which she lost after she removed her own gown. Hancock next briefly feuded with Kimberly Page, but the storyline ended abruptly when Page quit the company. Keibler and Flair then began a feud with the Misfits in Action stable, including a mud wrestling singles match against Major Gunns at New Blood Rising. During the match, she was kicked in the stomach, and she revealed herself to be pregnant the next night, beginning a new angle for herself and Flair. Two proposed endings to the storyline were for either Ric Flair or Vince Russo to be the father of her child. The angle, however, ended prematurely, as she revealed the pregnancy to be false, broke up with David Flair, and was taken off of television. When Stacy returned in 2001 she dropped the name Ms. Hancock and went by her real name. On the March 12, 2001 edition of Nitro, Keibler revealed Shawn Stasiak as her "baby" and continued her role as a heel manager, siding with Stasiak. Shawn and Stacy would feud with Bam Bam Bigelow, with the evil Stacy using underhanded tactics to help Stasiak win 2 matches from a series of 3, including on the final edition of Nitro two weeks later on March 26. World Wrestling Federation/Entertainment The Invasion (2001) When WCW was purchased by the World Wrestling Federation (WWF) in 2001, Keibler's contract was bought by the WWF. Stacy made her WWF television debut on the June 14, 2001 episode of SmackDown! when then-face, Shane McMahon brought her to the ring to distract then-heel, Rhyno, causing him to lose a match. Not long after this she turned into a heel character as part of The Alliance. Stacy showed herself to be an evil mean girl that had a sadistic side, as she loved watching other people's pain and misfortune, and regularly enjoyed mocking them by pointing and laughing. She originally teamed up with real-life friend, then-heel, Torrie Wilson, and the pair feuded with Trish Stratus and Lita. During this feud the four wrestlers competed in the first-ever tag team Bra and Panties Match at the Invasion pay-per-view, which Trish and Lita won by stripping Stacy and Wilson down to their bra & panties. After this she and Torrie moved on to targeting Jacqueline, and were shown backstage enjoying watching Jacqueline cry over the elimination of Shadrick McGee from Tough Enough. Stacy and Torrie then defeated Jacqueline in a handicap match on Raw with help from Ivory. On the Heat before SummerSlam, Stacy along with Torrie and Ivory, brutally attacked Lita backstage by injuring her knee, with the intent of preventing her from competing against them later that night. Stacy also had a brief reunion with Shawn Stasiak, and a short alliance with Tazz, as they battled the likes of Spike Dudley and Tajiri. Stacy found it amusing how short these men were and told Torrie that their height made them lesser men. Torrie had begun dating Tajiri at this time and this caused the evil Stacy to begin an on-screen rivalry with her former friend. The feud started with a couple of mixed tag matches involving the women and included Stacy sneak attacking Torrie backstage on an episode of Raw. Duchess of Dudleyville (2001–2002) As the WCW/ECW Invasion was nearing its end, Keibler became the manager of the heel Dudley Boyz. She made her first appearance in this role on the October 1, 2001 episode of Raw, and was nicknamed the "Duchess of Dudleyville". During this time, Stacy continued to show her sadistic side as she took great pleasure in watching the likes of Torrie Wilson and Spike Dudley get driven violently through tables, and particularly enjoyed being the one to personally give the order to the Dudley Boyz to put Torrie through a table. Stacy couldn't hide her joy at seeing Torrie suffering at her feet and laughed at the sight. A few days later on Smackdown, Stacy watched with glee as the Dudley Boyz threw Spike to the outside of the ring and through a table, as commentator Michael Cole acknowledged how wicked Stacy was and called her “evil”. Torrie would return a couple of weeks later to get her revenge, and gave Keibler a wedgie then pantsed her on an episode of SmackDown!. She then defeated Keibler in the first-ever lingerie match, a match wrestled in lingerie, at No Mercy. Keibler made her WrestleMania debut at WrestleMania X8 alongside The Dudleyz. Keibler's role with the Dudley Boyz came to an abrupt end when she was powerbombed through a table after accidentally costing the team a match. She then set her sights on the WWE Women's Championship at Judgment Day, facing Trish Stratus in a losing effort. She faced Stratus several more times in the succeeding weeks, but she never won a match against her. Mr McMahon's personal assistant (2002) Keibler was originally drafted to the SmackDown! brand in 2002, where she immediately set her eyes on the man in charge, the heel WWE chairman, Vince McMahon. McMahon was ready to hire another attractive female until Keibler interrupted and performed a seductive table dance in the ring to successfully become McMahon's personal assistant, as well as his on-screen mistress. She was frequently shown flirting and 'making out' with him in backstage segments. During her time alongside the boss she lied that the young rookie Randy Orton had forced himself on her, which caused Orton to be punished with a match against the mean veteran Hardcore Holly. A few weeks later she sat at ringside and enjoyed watching the rookie Orton get beaten up some more, this time by Test. She also had a personal ringside view when Triple H was ambushed in a 6 on 1 beatdown by some of McMahon's henchmen. The sadistic Stacy looked on and grinned with pleasure as Triple H was beaten and bloodied in the assault. She also continued her rivalry with Torrie Wilson during this time period, and even tried to throw Torrie off the stage on an episode of Smackdown, but a referee saved Torrie just in time and stopped Stacy's evil plan from being a success. Her time with McMahon came to an end when Stephanie McMahon became general manager of the SmackDown! brand. Dawn Marie made her debut on SmackDown! as McMahon's legal assistant, who competed with Keibler for McMahon's affections. Move to Raw & alliance with Test (2002–2003) A key storyline for Keibler's on-screen character occurred when she left SmackDown! for Raw. Keibler made her official Raw debut on August 12, 2002, and immediately began feuding with the women there. She was given the role of being a special referee on a couple of occasions and used them as opportunities to abuse her power. Stacy would count quickly when her fellow bad girls were making pin attempts, and count slowly when the good girls tried the same. She would also feign arm injuries when the chance to make the decisive 3 count came. In another role as a special referee, Stacy was put in charge of a match between Test and D'Lo Brown. At the start of the match Stacy laid down the law to both competitors before slapping D’Lo in the face. She would make slow counts when D’Lo tried to win the match and also started tying her shoelace when D’Lo hit his finisher and went for the pin. After arguing with Stacy about her actions, D’Lo was smashed in the face by a big boot from Test, which Stacy thoroughly enjoyed watching. She then made a quick 3 count to help the villain Test win the match. This would begin the on screen pairing between her and Test which would last for the remainder of 2002 and most of 2003. She enjoyed watching him rip apart fan favourites, such as the heroic Hurricane and would also use her deviousness to help him win matches, such as when she delivered a low blow to Goldust. As Test's on-screen marketing agent, she came up with the idea that Test should call his fans "Testicles," cut his hair, and reshape his image. This caused the gimmick to become popular with the audience and the couple turned into fan favorites in November 2002. This would be Stacy's first time as a babyface in WWE. In the spring of 2003, Test, however, became to verbally abuse Keibler, who also started managing Scott Steiner. After months of build-up, Keibler finally left Test for Steiner on the June 2 edition of Raw. Steiner defeated Test for Keibler's services at Bad Blood, and Keibler seemed happy as Steiner's new manager, as the two alluded to having more than a professional relationship. Test, however, continued to harass Keibler and Steiner until Steiner accepted a rematch with Stacy's services on the line. On the August 18 episode of Raw, Test won the match after faking a leg injury and then blindsiding Steiner with a big boot. A match was then set for Unforgiven with the stipulation that if Test won, he would not only retain Keibler's services, but would acquire Steiner's services as well. During the match, Keibler's interference backfired, and Test won the match. Steiner then turned heel by attacking Keibler after her interference in his match on the September 29 episode of Raw backfired. For a time, Test and Steiner worked as a tag team, sharing the services of Keibler as their on-screen sex slave. The storyline finally ended on the December 1 episode of Raw, when general manager Mick Foley freed Keibler from her obligatory contracts with Test and Steiner by temporarily firing them. Various storylines (2003–2005) Keibler was chosen to record a track on the album WWE Originals. She and WWE music producer Jim Johnston recorded the song "Why Can't We Just Dance?" for the album. She was then placed in a feud involving Torrie Wilson and then-babyface, Sable, both of whom had recently posed for a Playboy cover. Keibler aligned with Miss Jackie, neither of whom had posed for the magazine, claiming that they deserved to be in Playboy over Sable and Wilson. Keibler and Jackie challenged Sable and Wilson to a Tag Team Evening Gown match at WrestleMania XX, which they lost when Jackie was pinned by Wilson, and the feud was dropped afterward. Before the feud was dropped, all the performers were playing face characters at the time. She took over the 2004 Raw Diva Search for a few weeks, which led to several tag matches against the heel gimmicks of Gail Kim, Trish Stratus, and Molly Holly and with partners Nidia and the face gimmick of Victoria. Keibler got upset victories over Kim, Stratus, and Holly. She earned a Women's Championship title match on October 11, 2004, but she was defeated by Stratus, who retained the title. Keibler also competed in the first-ever Fulfill your Fantasy Diva Battle Royal for the WWE Women's Championship at Taboo Tuesday along with Victoria, Nidia, Gail Kim, Molly Holly, Jazz, and then-champion Stratus. She was eliminated second to last after jumping over the top rope to avoid hitting the turnbuckle, followed by Holly knocking her off the apron to eliminate her. In February 2005, Keibler began appearing in backstage segments with then-babyface, Randy Orton, and eventually became his on-screen girlfriend. When Orton challenged The Undertaker to a match at WrestleMania 21, Orton ended the relationship by hitting Stacy with an RKO, incapacitating her. He justified it by claiming he was demonstrating how ruthless he could be in order to defeat The Undertaker. Super Stacy and departure (2005–2006) Keibler then joined forces with The Hurricane and Rosey. She became one-third of the trio as a superhero sidekick nicknamed Super Stacy, complete with her own superhero costume. She was ringside during several matches as they defended their World Tag Team Championship. During this time, Keibler feuded on-screen with then-heel, Victoria, including confrontations and a mixed-tag-team match on Raw and a singles match on Heat. After a long tenure on Monday nights, Keibler and Christy Hemme, were moved to SmackDown! on August 25, as part of a trade that brought Torrie Wilson and Candice Michelle to Raw. On SmackDown! Keibler participated in lingerie matches and bikini contests. After a short absence, Keibler began a short feud with Jillian Hall, which led to the two having a match on Velocity, which Keibler lost. This would be Keibler's final match with WWE. Keibler then asked for time off to appear on Dancing with the Stars. During this time, Keibler's WWE.com profile was moved from SmackDown! to RAW, though she never made an appearance on the brand before leaving the company. Keibler's final mention on WWE programming occurred on the March 6, 2006 episode of RAW, where she was insulted by Candice Michelle for placing third on Dancing with the Stars during Michelle's unveiling of her Playboy magazine cover. After completing her stint on Dancing with the Stars, Keibler officially parted ways with WWE in July 2006 to move on to other endeavors. Sporadic appearances (2011; 2019) After leaving WWE in July 2006, Keibler made a special guest appearance for WWE's reality show, Tough Enough. Being a former NFL Cheerleader, she helped prepare the contestants to perform publicly in Universal Studios. On April 6, 2019, Keibler made a surprise return to induct Torrie Wilson into the WWE Hall of Fame. In 2021, WWE Network listed Keibler as one of the women who made an impact in WWE outside the ring. Modeling and acting career As the Fitness Editor at Stuff magazine during 2005 and 2006, Keibler wrote and modeled for her own occasional column, Getting Fit with Stacy Keibler. She has appeared on the cover of that magazine twice -June 2005 and March 2006. Maxim named Keibler No. 5 in its 2006 Hot 100 issue, and No. 70 in its 2007 Hot 100. In 2008, she was named No. 89 in Maxims annual Hot 100 list.; the following year she was No. 77. In 2010, she was No. 82 and in 2011 she was No. 72. And in 2012 she was ranked 51. Keibler has declined two invitations from Playboy to pose in the nude for its magazine. Keibler starred in a commercial for AT&T Corporation alongside Carrot Top. She also auditioned and earned a role in Big Momma's House 2, but she did not appear. She competed in the second season of Dancing with the Stars, alongside her dance partner, Tony Dovolani. Keibler received a perfect score of 30 from the three judges for her samba dance routine in week five. This prompted judge, Bruno Tonioli, to nickname her a "weapon of mass seduction." Overall, Keibler and Dovolani received four perfect scores. Keibler was eliminated in the final episode, coming in third to Jerry Rice, who placed second in the final round of the competition, and Drew Lachey, the winner of the season. Two of the judges, Bruno Tonioli and Len Goodman, felt she should have at least placed second. Oddsmakers had considered her the favorite to win the competition. Keibler has appeared on MTV's Punk'd twice. In season five Keibler took part in helping prank Triple H, which also included Stephanie McMahon. In season seven, however, Keibler was seen as a victim of a prank by her then-boyfriend, Geoff Stults. In February 2007, Keibler began a recurring role in ABC's What About Brian. She played the role of Brian's new neighbor and love interest. This was Keibler's first major acting role, following her previous minor roles in both Bubble Boy and Pecker. Keibler guest starred on George Lopez on ABC. In the fall of 2007 Keibler appeared both in The Comebacks and on ABC's drama October Road. In April 2008, she was named No. 64 in FHM's annual 100 Sexiest Women list. Keibler was featured in an advertisement in the 2008 Sports Illustrated Swimsuit issue. In September 2008, Keibler appeared on ABC Family's mini television series, Samurai Girl as the heel character Karen. On November 23, 2008, Keibler was named the "World's Hottest Athlete" by a sixty-four contestant bracket on InGameNow. Keibler hosted the E! Special Maxim's Celebrity Beach Watch: 15 Hottest Bodies on September 16, 2009, and The Ultimate Spike Girl 2009 Finale on Spike TV on October 1, 2009. On January 11, 2010, Keibler appeared as "the hot bartender", a new conquest for Barney, in the How I Met Your Mother 100th episode, "Girls Versus Suits". On February 3, 2010, Keibler appeared on an episode of the USA Network show "Psych". On Oct. 4, 2010, Keibler made a guest appearance in the spy comedy "Chuck" season 4, episode 3 titled "Chuck versus the Cubic Z" alongside guests Nicole Richie and fellow WWE alum "Stone Cold" Steve Austin. Keibler played the role of CIA agent "Greta". In 2011, Keibler hosted Call of Duty Elite's Friday Night Fights. In 2013, Keibler hosted a Lifetime show called Supermarket Superstar, where home chefs fought for their product to be sold in supermarkets. Other media Keibler made her video game debut in WCW Backstage Assault as her Miss Hancock character. She would later appear in eleven WWE video games, which includes WWE WrestleMania X8, WWE SmackDown! Shut Your Mouth, WWE Crush Hour, WWE WrestleMania XIX, WWE Raw 2, WWE SmackDown! Here Comes the Pain, WWE Day of Reckoning, WWE SmackDown! vs. Raw, WWE WrestleMania 21, WWE Day of Reckoning 2, and WWE SmackDown! vs. Raw 2006. Keibler also appears in Dancing with the Stars, a game based on the ABC series of the same name. Filmography Video games Dancing with the Stars season 2 performances Personal life Keibler's boyfriend of seven years from 1992 to 1999, Kris Cumberland, was a wrestling fan who first got her interested in wrestling, and they would sometimes go to WCW and WWF events within two hours drive of Baltimore. In 2000, after winning $10,000 in the contest to become a part of the Nitro Girls, Keibler used the money to buy season tickets for the Baltimore Ravens, the team for which she cheers for and was a former cheerleader. In 2000, Keibler dated David Flair during their time together in WCW. From 2001 to 2005, Keibler dated Andrew "Test" Martin while they both worked together in the WWF/WWE. Keibler moved to Los Angeles in 2004, where she was roommates with Torrie Wilson. In June 2005, Keibler was reported to be in a relationship with actor Geoff Stults. The pair appeared together on MTV's Punk'd, with Keibler as the recipient of the prank. Keibler and Stults were part-owners of the now defunct Hollywood Fame, a 2006 expansion franchise of the American Basketball Association. Stults and Keibler split in 2010. Keibler started dating George Clooney in July 2011. Clooney and Keibler ended their relationship in July 2013. Keibler began dating Future Ads CEO Jared Pobre in fall 2013, though they had been friends for several years previously. They were married on March 8, 2014, in Mexico. They have two daughters, Ava Grace, born on August 20, 2014, Isabella Faith, born in May 2020, and one son, Bodhi Brooks, born on June 18, 2018. Accomplishments World Championship Wrestling Nitro Girl Search (1999) World Wrestling Entertainment' WWE Babe of the Year (2004) References Notes Bibliography External links Stacy Keibler Profile and latest news at Sportskeeda 1979 births 20th-century American actresses 21st-century American actresses Actresses from Maryland American cheerleaders American female dancers American female models American female professional wrestlers American film actresses American television actresses Female models from Maryland Living people National Football League cheerleaders Participants in American reality television series People from Towson, Maryland Professional wrestlers from Maryland Professional wrestling dancers Professional wrestling managers and valets Sportspeople from Baltimore County, Maryland The Dudley Brothers members Towson University alumni	false	[ "was a Japanese puroresu or professional wrestling promotion, founded in July 2013 by Keiji Mutoh following his resignation from All Japan Pro Wrestling (AJPW). The core of the promotion's roster was formed by wrestlers loyal to Mutoh, who left AJPW in a mass exodus during June 2013. Mutoh served as the promotion's first president and the head of its parent company, kabushiki gaisha named GEN Sports Entertainment. In March 2017, Kaz Hayashi took over as the new president of Wrestle-1. The promotion held its first event on September 8, 2013, at Tokyo Dome City Hall.\n\nThe promotion shares its name with a series of professional wrestling events run by AJPW, K-1 and Pride Fighting Championships in the first half of the 2000s, but it is not considered a direct continuation of that project.\n\nOn April 1, 2020, Wrestle-1 ceased operations.\n\nHistory\n\nFormation\nOn November 1, 2012, IT company Speed Partners bought 100% of All Japan Pro Wrestling (AJPW) shares from main shareholder Keiji Mutoh and his business partners for ¥200 million. In late May 2013, Speed Partners president Nobuo Shiraishi fired AJPW president, Mutoh's longtime right-hand man Masayuki Uchida, and took over as the promotion's new president himself effective June 1, which led to Mutoh resigning as the chairman of the board and leaving the promotion. For the next weeks, Mutoh attempted to buy back his shares of the promotion from Speed Partners, but eventually gave up the attempt before the end of the month. During the rest of June, Masakatsu Funaki, Kaz Hayashi, Shuji Kondo, Ryota Hama, Hiroshi Yamato, Masayuki Kono, Koji Kanemoto, Minoru Tanaka, Yasufumi Nakanoue, Kai, Seiya Sanada, and Andy Wu all announced their resignation from AJPW out of loyalty to Mutoh and left the promotion following a June 30 event in Ryōgoku Kokugikan, which marked the official end of the eleven-year-long \"Mutoh All Japan\".\n\nOn July 10, Mutoh held a press conference to announce the foundation of his new promotion, named \"Wrestle-1\". Mutoh got the name from a series of professional wrestling events that were produced by his AJPW, K-1 and Pride Fighting Championships between 2002 and 2005. Wrestle-1 continues Mutoh's brand of \"Pro Wrestling Love\", which he had launched after taking over AJPW in 2002. Mutoh dubbed Wrestle-1's style of puroresu \"Fighting Entertainment\". As the label suggests, Wrestle-1 is considered more entertainment based than the traditional AJPW. The press conference was also attended by Funaki, Hama, Hayashi, Kai, Kondo, Kono, Nakanoue, Tanaka and Yamato. Andy Wu would also join the promotion, once he returned from an excursion to Mexico, along with trainees Brian Ishizaka, Daiki Inaba and Seiki Yoshioka, ring announcer Makoto Abe and referees Daichi Murayama and Daisuke Kanbayashi. The promotion announced its inaugural event for September 8, 2013, at Tokyo Dome City Hall. At the press conference, Mutoh stated that Wrestle-1 was open to working with other promotions and that he was looking to use Taiwan as a stepping stone towards an Asian and eventually global expansion. Mutoh also stated that he was open to the idea of having a women's division in Wrestle-1. On July 26, the Gaora television station announced that it would broadcast the inaugural event, as well as a 30-minute preview show, live on its channels. On July 30, Mutoh met with Jeff Jarrett in Nashville, Tennessee, United States to discuss a possible working relationship between Wrestle-1 and Total Nonstop Action Wrestling (TNA). Jarrett was later announced as a participant in Wrestle-1's October 6 event. Mutoh later also revealed that he wanted to form partnerships with promotions in Europe and Mexico, specifically mentioning Lucha Libre AAA World Wide (AAA), and create a \"true\" world championship that would be recognized on three continents. On August 9, Mutoh revealed the promotion's official logo and a partial card for the inaugural event. Also announced was a sponsorship deal with the Ezaki Glico confectionery company, with its sales department and product manager Hiroki Kuwabara signed to Wrestle-1 as a conditioning coach.\n\nWrestle-1 Hataage Sen\n was Wrestle-1's inaugural event, which took place on September 8, 2013, at Tokyo Dome City Hall. On August 9, Wrestle-1 released the first partial card for the event, which revealed only the Wrestle-1 signed workers taking part in the event, but none of their partners or opponents. The event featured a women's match and the Japanese in-ring debut of Daiki Inaba. None of the other workers were revealed before the event, though Mutoh stated that TNA wrestlers would not be taking part in the event. The event aired in Japan on Gaora and internationally on internet pay-per-view (iPPV) through Niconico and Ustream. Tickets to the 2,500 seat arena were sold out the day they went on sale. Sports journalist Dave Meltzer wrote that this, coupled with AJPW's recent decline in attendance numbers, showed that \"fans are taking group as the real future of All Japan rather than All Japan\". The event featured outside participation from several freelancers as well as wrestlers from Big Japan Pro Wrestling, Dragon Gate, Michinoku Pro Wrestling, Pro Wrestling Zero1 and World Wonder Ring Stardom. Koji Kanemoto, René Duprée, Seiya Sanada and Zodiac, who were with AJPW prior to Mutoh's departure, but had not announced their affiliation with Wrestle-1, made surprise appearances during the event. In fact, Duprée, who took part in the main event, was still officially AJPW's reigning Gaora TV Champion at the time of the event. Duprée returned the title belt to AJPW three days after the event. Bob Sapp, who had appeared in several of the old Wrestle-1 events, made an appearance in a tag team main event with Mutoh. Kenta Kobashi, who had the previous March announced that he would be joining AJPW following his retirement in May, worked the event as a color commentator.\n\nRegular tours\nWrestle-1 began running regular tours right after Hataage Sen; the first tour ran until September 22 and the second from October 6 to 14. Many of the outsiders taking part in the inaugural event became regular members of the Wrestle-1 roster with the exception of Bob Sapp, Fujita Hayato, Katsuyori Shibata, Kazushi Sakuraba and Masaaki Mochizuki. Though Wrestle-1 also did not have regular female wrestlers on its roster, each event included a women's match, featuring wrestlers such as Ryo Mizunami and Shuu Shibutani from Pro Wrestling Wave, Koharu Hinata, Makoto and Syuri from Wrestling New Classic, Hikaru Shida, Maki Narumiya, Risa Sera and Tsukasa Fujimoto from Ice Ribbon, and freelancers Akino and Hiroyo Matsumoto. Wrestle-1 sought to introduce an \"openweight division\", where its wrestlers would not be typecast as heavyweights or junior heavyweights, like in most Japanese promotions, but would be able to interact with each other across weight limits. On September 24, Wrestle-1 announced that Seiya Sanada had signed a contract to officially become part of the promotion's roster effective October 1. On October 6, Wrestle-1 held its first event in Korakuen Hall in front of a sold-out crowd of 1,750. On October 18, Mutoh announced his semi-retirement from in-ring action, saying that in the future he would be concentrating on running Wrestle-1.\n\nThe following month saw the continuation of a working relationship between Wrestle-1 and TNA, with A.J. Styles coming in to defend the TNA World Heavyweight Championship against Seiya Sanada on November 16 and Jay Bradley and Rob Terry working the entire tour from November 16 to December 1. Meanwhile, Andy Wu also made his return from his seven-month Mexican excursion, making his debut for his new home promotion on November 16. During the event, Wrestle-1 announced its first ever event at Ryōgoku Kokugikan, set to take place on March 2, 2014. Mutoh later announced that this would mark only the first of four events Wrestle-1 intended to run at Ryōgoku Kokugikan in 2014.\n\n2014\nOn January 12, 2014, Manabu Soya, who had resigned from AJPW the previous month, joined Wrestle-1 as a freelancer, taking the role of an on-screen matchmaker, while recovering from a recent shoulder surgery. On January 26, Wrestle-1 held its first tryout, which resulted in three men being accepted to begin training at the promotion's dojo the following April.\n\nOn January 30 it was announced that the March 2 Ryōgoku Kokugikan event would feature a \"Wrestle-1 vs. TNA\" theme with thirteen wrestlers coming in to represent the American promotion in addition to Rob Terry, who had remained with Wrestle-1 since the past November. Jeff Jarrett, the original man behind the Wrestle-1-TNA relationship, had since parted ways with TNA and now the relationship was handled by Bob Ryder and John Gaburick on the Americans' side. On March 2 at Kaisen: Outbreak, three TNA titles were defended as part of Wrestle-1's first Ryōgoku Kokugikan event. While Kaz Hayashi and Shuji Kondo failed to capture the TNA World Tag Team Championship and Kai the TNA World Heavyweight Championship, Seiya Sanada defeated Austin Aries to become the new TNA X Division Champion. The event also saw the debut of another former AJPW worker, Taiyō Kea. The following day, it was announced that Sanada would be leaving Wrestle-1 to work for TNA indefinitely. Also in March, Wrestle-1 relocated their offices from Minami-Azabu, Minato, Tokyo to Hyakunincho, Shinjuku, Tokyo to their own four-story building called \"GEN Sports Palace\", which also includes the promotion's dojo. In April, Wrestle-1 established two more international relationships with British promotion All Star Wrestling (ASW) and German promotion European Wrestling Promotion (EWP). As part of the relationship, EWP wrestlers Ecki Eckstein and Leon Van Gasteren worked a tour with Wrestle-1 from April 27 to May 4, with Van Gasteren successfully defending the EWP Intercontinental Championship against Hiroshi Yamato on the final day.\n\nOn June 18, Wrestle-1 held a press conference to announce that effective July 1 the promotion would be joined by Akira, Jiro Kuroshio, Koji Doi, Rionne Fujiwara, Tajiri and Yusuke Kodama, after their previous promotion Wrestling New Classic went inactive following June 26. On July 1, Wrestle-1 was also joined by Hiroki Murase, a freelancer who had started his career with WNC in January 2013. Wrestle-1's second Ryōgoku Kokugikan event, Shōgeki: Impact, took place on July 6 and featured matches for ASW's British Light Heavyweight Championship, EWP's Intercontinental Championship, TNA's World Tag Team Championship and Zero1's World Heavyweight Championship with Hiroshi Yamato capturing the EWP title from Leon Van Gasteren, Masakatsu Funaki the Zero1 title from Kohei Sato and Seiki Yoshioka the ASW title from Dean Allmark. The following day, Seiya Sanada announced he had agreed to a contract with TNA, which meant that he would continue to spend most of his time in the United States, occasionally returning to take part in Wrestle-1's larger events. Sanada remained with TNA until April 2015. Meanwhile, Seiki Yoshioka left for an extended tour of the United Kingdom with ASW, during which he lost the British Light Heavyweight Championship back to Allmark.\n\nOn July 21, Wrestle-1 announced the creation of its first own title, the Wrestle-1 Championship, with the inaugural champion being determined in a sixteen-man single-elimination tournament taking place between September 21 and October 8. On August 8, Wrestle-1 announced that Manabu Soya had signed with the promotion, ending his days as a freelancer. On September 22, Wrestle-1 announced the creation of the Wrestle-1 Tag Team Championship with the inaugural champions being determined in a round-robin tournament taking place between November 15 and 30. On September 25, Wrestle-1 and Pro Wrestling Zero1 announced that the two promotions would be coming together to hold three joint shows at Shinjuku Face between November 5 and 7. On October 8, Masayuki Kono defeated Kai in the finals of the sixteen-man tournament to become the inaugural Wrestle-1 Champion. The relationship between Wrestle-1 and TNA continued on October 12 with eleven Wrestle-1 wrestlers taking part in TNA's Bound for Glory event in Korakuen Hall. On November 1, Wrestle-1 held an event at Ryōgoku Kokugikan celebrating Keiji Mutoh's 30th anniversary in professional wrestling. The main event of the show saw Mutoh defeat Masayuki Kono to become the second Wrestle-1 Champion. On November 30, Team 246 (Kaz Hayashi and Shuji Kondo) won the First Tag League Greatest to become the inaugural Wrestle-1 Tag Team Champions.\n\n2015\nOn February 25, 2015, Wrestle-1 announced the creation of a cruiserweight division and a new third title, which was on March 9 officially named the Wrestle-1 Cruiser Division Championship. Starting on April 11, Wrestle-1 began holding shows at their dojo under the brand name \"Wrestle-1 Starting Point\", which were intended to showcase the promotion's younger wrestlers. On March 6, Minoru Tanaka won the tournament to become the inaugural Wrestle-1 Cruiser Division Champion. Also in May, it was reported that the relationship between Wrestle-1 and TNA had come to an end. Seiya Sanada remained in the United States, working on the local independent circuit.\n\nIn March 2015, Wrestle-1's management was hit with several resignations, which led to Mutoh offering DDT Pro-Wrestling president Sanshiro Takagi a job in his promotion's management. On May 5, Takagi was officially revealed as Wrestle-1's new chief executive officer (CEO). His goal was to make Wrestle-1 more profitable by getting sales up and increasing the number of shows. There were no plans for Takagi to start wrestling for Wrestle-1 or for Wrestle-1 and DDT to exchange talent. On May 13, Wrestle-1 and Seiya Sanada held a press conference, where it was announced that the two sides had decided to amicably part ways when Sanada's contract with the promotion would expire two days later, so he could continue working in the United States full-time as a freelancer. Later that month, it was announced that Wrestle-1 would be teaming up with American Pro Wrestling Alliance (APWA) to hold their first tour of the United States, holding five shows in Pennsylvania, West Virginia, North Carolina and Georgia, including one at the former ECW Arena, between June 23 and 28. However, on June 19, the tour was canceled with APWA citing a sponsor pulling out due to miscommunication between the two promotions as the reason. That same day, Wrestle-1 announced that Masakatsu Funaki would be leaving the promotion following his contract expiring on June 30. Meanwhile, Tajiri would only work sporadic Wrestle-1 events from July onwards. On June 26, Wrestle-1 announced the results of their recent contract negotiations with their wrestlers. 21 wrestlers had signed new contracts, including freelancer Kazma Sakamoto who in the process made Wrestle-1 his new home promotion, while Rionne Fujiwara became the second wrestler to leave the promotion following his contract expiring at the end of the month.\n\nOn July 13, Wrestle-1 announced the first \"Wrestle-1 Grand Prix\", a single-elimination tournament featuring 21 participants and taking place between August 2 and 30. The tournament was billed as the Wrestle-1 equivalent of New Japan Pro-Wrestling's G1 Climax. On August 3, Wrestle-1 announced the establishment of Puroresu Sōgō Gakuin (\"Pro wrestling comprehensive school\"), where Akira, Hiroshi Yamato, Kaz Hayashi, Shuji Kondo and Yasufumi Nakanoue would train both men and women in six-month-long terms. Graduates from the school are not automatically signed to Wrestle-1 and are free to join other promotions. The school's first term started two months later. On August 30, Wrestle-1 announced it was reviving two inactive titles on October 9; the UWA World Trios Championship and the F-1 Tag Team Championship, the latter being a comedy title Mutoh created in AJPW in 2006 for teams made up of a wrestler and an impressionist. On October 27, Wrestle-1 announced a new project named \"Wrestling Camp\", headed by Kaz Hayashi and former wrestler American Balloon, with the goal of recruiting more foreign wrestlers for the promotion.\n\n2016\nOn March 30, 2016, Wrestle-1 held a show to celebrate the conclusion of the first term of the Puroresu Sōgō Gakuin, while also announcing the graduation of Hana Kimura, Jun Tonsho, Reika Saiki and Seigo Tachibana. With two women graduating from the class, Keiji Mutoh teased the possibility of starting a women's division in Wrestle-1. On May 4, AJPW president Jun Akiyama made a surprise appearance for Wrestle-1, facing off with Keiji Mutoh with the two agreeing to a tag team match against each other on August 11. On June 28, Wrestle-1 announced that Akira, Minoru Tanaka, Ryota Hama, Tajiri and Yasufumi Nakanoue would all be leaving the promotion following the expiration of their contracts two days later. On August 11, Wrestle-1 presented an interpromotional six-man tag team match, which saw AJPW president Jun Akiyama take on former AJPW president Keiji Mutoh. In the match, the AJPW trio of Akiyama, Naoya Nomura and Yuma Aoyagi was victorious over the Wrestle-1 trio of Mutoh, Koji Doi and Kumagoro. On August 31, Kazma Sakamoto also left Wrestle-1 following the expiration of his contract. On September 18, Wrestle-1 announced a new sub-promotion Pro-Wrestling A.C.E. (Academy, Challenge, Entertainment), which was made up of rookies from their wrestling school. On December 20, Kai announced he would be leaving Wrestle-1 and becoming a freelancer at the end of the year.\n\n2017\nOn January 8, 2017, Wrestle-1 announced the creation of a new title, the Wrestle-1 Result Championship, meant for the promotion's younger wrestlers. On March 27, Wrestle-1 announced it was undergoing a change in management on April 1 with Keiji Mutoh moving on to the role of representative director, while Kaz Hayashi would become the new president. Also, Shuji Kondo takes over as the new executive vice president, while Sanshiro Takagi moves from being the CEO to the role of an advisor. On June 14, Wrestle-1 announced the creation of the Wrestle-1 Tag League in the fall and Wrestle-1 Cruiser Festival in the winter. On September 2, Sanshiro Takagi resigned from his advisory role in Wrestle-1. It was stated that the company would continue to have a friendly relationship with Takagi's DDT promotion.\n\n2018\nOn January 17, 2018, Wrestle-1 established a working relationship with Booker T's Reality of Wrestling (ROW) promotion.\n\n2019\nIn 2019, Wrestle-1 established the \"Wrestle-1 Alliance\", a promotional partnership with multiple U.S.-based wrestling companies.\n\n2020\nOn February 29, 2020, Wrestle-1 announced that they would be holding their final event on April 1, with all members of the roster being released from their contracts the day prior. In the last card, on April 1 (with no attendance due to the COVID-19 pandemic), Manabu Soya won a 30-man battle royal, last eliminating Akira. Keiji Muto participated in the match prior to the main event, teaming with Hayashi, Kono and Kondo in a losing effort against Ashino, Inaba, Doi and Kuma Arashi, but did not participate in the battle royal.\n\nRoster\n\nNatives\nAndy Wu\nCIMA\nDaiki Inaba\nEl Lindaman\nKannazuki\nKaz Hayashi\nKeiji Mutoh\nManabu Soya\nMasakatsu Funaki\nMasato Tanaka\nMasayuki Kono\nMazada\nMinoru Tanaka\nNosawa Rongai\nJiro Kuroshio\nKai\nRyota Hama\nSeiki Yoshioka\nSeiya Sanada\nShotaro Ashino\nShuji Kondo\nT-Hawk\nTajiri\nTakanori Ito\nYusuke Kodama\nHiroki Murase/UTAMARO\nKoji Doi\nKumagoro/Kuma Arashi\n\nForeigners\nBob Sapp\nEl Hijo del Pantera\nJay Bradley\nRené Duprée\nRob Terry\nTaiyo Kea\nZodiac\n\nChampionships\n\nOther championships used by Wrestle-1\n\nTournaments\n\nSee also\nAll Japan Pro Wrestling\nPro Wrestling Zero1\nWrestling New Classic\n\nReferences\n\nExternal links\n \nWrestle-1 on YouTube \n\n \nShinjuku\n2013 establishments in Japan\nTalent agencies based in Tokyo\nMass media companies based in Tokyo\nSports organizations established in 2013", ", is a Japanese professional wrestler who's currently a freelancer best known for working for Wrestle-1. He's a former two time Wrestle-1 Result Champion, while also being a former one-time Wrestle-1 Tag Team Champion, alongside Masayuki Kono. He won the Striker Full Contact Karate Heavyweight Championship.\n\nEarly life\nBefore entering the Wrestle-1 dojo, Ito had a background on Karate where he has a black belt.\n\nProfessional wrestling career\n\nWrestle-1 (2016–2020)\nOn September 18, 2016, Ito made his wrestling debut with his mate Dennis Shinohara in a losing effort to Mazada and Nosawa Rongai. On November 12, after he scored his first win defeating another rookie Kohei Fujimura, it was announced that he would be joining his rookie mates at Pro Wrestling A.C.E.\n\nOn April 19, Masayuki Kono challenged Koji Doi and Kumagoro into a title match for the Wrestle-1 Tag Team Championship. Kono announced that he would find himself an appropriate teammate which end up to being Ito. On May 4, Ito and Kono defeated Koji Doi and Kumagoro to win the Wrestle-1 Tag Team Championship. They would make one successful title defense on June 6 against Manabu Soya and Ganseki Tanaka before losing the titles back to Doi and Kumagoro on June 24. On July 2 Ito defeated Seigo Tachibana in the finals of a tournament to earn the right to enter in the Wrestle-1 Grand Prix. At the Wrestle-1 Grand Prix, Ito managed to get into the semifinals losing to his tag team partner Masayuki Kono. After the loss, Ito won his first singles title in his career defeating Koji Doi on July 16 to win the Wrestle-1 Result Championship. Ito would defend the title once defeating Kumagoro on August 6 before he lost the title to Seigo Tachibana four days later. On September 2, Ito would rematch Tachibana for the Result Championship, emerging victorious and regaining the championship. From September to October, Ito teamed with Kono in the 2017 Wrestle-1 Tag League where they placed second in Block B with 4 points. On October 8, Ito made his first successful defense defeating Ganseki Tanaka. On November 2, Ito successfully defended the title a second time defeated Daiki Inaba. On December 2, Ito became a double champion when he teamed with Koji Doi and Kumagoro to win the UWA World Trios Championship.\n\nOn January 14, 2019, Ito successfully defended the Result Championship for a third time against Dyna Mido. On February 14, Ito lost the Result Championship to Jiro Kuroshio. One month later on March 14, Ito, Doi, and Kumagoro lost the UWA World Trio Titles to Fujita, Mazada, and Nosawa Rongai. In July, Ito participated in the 2018 Wrestle-1 Grand Prix but lost in the first round to Kuma Arashi (formerly Kumagoro). In the fall, Ito then entered the 2018 Wrestle-1 Tag League teaming with Ryuji Hijikata where they tied for second in Block B with two points. After Ito lost to Super Tiger at a Real Japan Pro Wrestling event on September 20, he suffered a torn ACL and sat out the next fifteen months. After recovering, Ito returned to the ring at Wrestle-1's Wonder Carnival event on December 31, 2019, where he teamed with Andy Wu and Jiro Kuroshio in a losing effort to Jun Akiyama, Kaz Hayashi, and Shinjiro Otani. On March 31, 2020, Ito, along with the rest of the roster, was released from Wrestle-1 when the promotion ceased operations. On April 1, Ito wrestled at Wrestle-1's final show defeating Pegaso Iluminar. He then participated in a battle royal which was won by Manabu Soya.\n\nChampionships and accomplishments\n\nProfessional wrestling\nWrestle-1\nUWA World Trios Championship (1 time) - with Koji Doi and Kumagoro\nWrestle-1 Tag Team Championship (1 time) - with Masayuki Kono\nWrestle-1 Result Championship (2 times)\nWrestle-1 Grand Prix Decision Tournament (2017)\n\nKarate\nStriker\nFull Contact Karate Heavyweight Championship (1 time)\n\nReferences\n\nLiving people\n1993 births\nJapanese male professional wrestlers" ]
[ "Stacy Keibler", "Various storylines (2003-2005)", "What storyline was there in 2003?", "In October, 2003, Keibler appeared in the ring with Steve Austin.", "What did Steve do to her?", "She was offered a beer, which she politely refused. However, at the urging of Austin, she took a sip of the Miller Lite.", "Did he wrestle her?", "Her disgust was apparent, which displeased Austin. As a result, she received a Stone Cold Stunner." ]	C_8ef587e6bf9a42c78c54c5eee0900ac2_0	Did she ever wrestle?	4	Did Stacy Keibler ever wrestle?	Stacy Keibler	Keibler was chosen to record a track on the album WWE Originals. She and WWE music producer Jim Johnston recorded the song "Why Can't We Just Dance?" for the album. She was then placed in a feud involving Torrie Wilson and then-babyface, Sable, both of whom had recently posed for a Playboy cover. Keibler aligned with Miss Jackie, neither of whom had posed for the magazine, claiming that they deserved to be in Playboy over Sable and Wilson. Keibler and Jackie challenged Sable and Wilson to a Tag Team Evening Gown match at WrestleMania XX, which they lost when Jackie was pinned by Wilson, and the feud was dropped afterward. Before the feud was dropped, all the performers were playing face characters at the time. In October, 2003, Keibler appeared in the ring with Steve Austin. She was offered a beer, which she politely refused. However, at the urging of Austin, she took a sip of the Miller Lite. Her disgust was apparent, which displeased Austin. As a result, she received a Stone Cold Stunner. She took over the 2004 Raw Diva Search for a few weeks, which led to several tag matches against the heel gimmicks of Gail Kim, Trish Stratus, and Molly Holly and with partners Nidia and the face gimmick of Victoria. Keibler got upset victories over Kim, Stratus, and Holly. She earned a Women's Championship title match on October 11, 2004, but she was defeated by Stratus, who retained the title. Keibler also competed in the first-ever Fulfill your Fantasy Diva Battle Royal for the WWE Women's Championship at Taboo Tuesday along with Victoria, Nidia, Gail Kim, Molly Holly, Jazz, and then-champion Stratus. She was eliminated second to last after jumping over the top rope to avoid hitting the turnbuckle, followed by Holly knocking her off the apron to eliminate her. In February 2005, Keibler began appearing in backstage segments with then-babyface, Randy Orton, and eventually became his on-screen girlfriend. When Orton challenged The Undertaker to a match at WrestleMania 21, Orton ended the relationship by hitting Stacy with an RKO, incapacitating her. He justified it by claiming he was demonstrating how ruthless he could be in order to defeat The Undertaker. CANNOTANSWER	She took over the 2004 Raw Diva Search for a few weeks, which led to several tag matches against the heel gimmicks of Gail Kim,	Stacy Ann-Marie Keibler (born October 14, 1979) is an American retired professional wrestler, former cheerleader, actress, dancer, and model. She is specifically known for her work with World Championship Wrestling (WCW) and World Wrestling Entertainment (WWE). Keibler began her professional wrestling career as a part of the Nitro Girls in WCW. She quickly moved on to a more prominent role in the company as the manager Miss Hancock. As Miss Hancock, Keibler was known for doing table dances, her relationship with David Flair, and a pregnancy angle. After WCW was purchased by the WWF (later WWE) in 2001, Keibler moved to the new company, using her real name and taking part in the Invasion storyline, also managing the Dudley Boyz. Keibler also managed Test and Scott Steiner. Before her departure from WWE in 2006, she was affiliated with The Hurricane and Rosey and nicknamed "Super Stacy." Keibler was a contestant on Dancing with the Stars: season two, where she placed third. She has also appeared on other ABC series such as What About Brian, George Lopez, and October Road, as well as the 100th episode of the CBS sitcom How I Met Your Mother as a bartender and on the USA Network show Psych. Keibler has also modeled, appearing in both Maxim and Stuff magazines. Keibler is considered to be a sex symbol and is known for her unusually long legs. She has been known as both "The Legs of WCW" and "The Legs of WWE". During Keibler's time on Dancing with the Stars, judge Bruno Tonioli nicknamed her "The Weapon of Mass Seduction." Early life Stacy Ann-Marie Keibler was born on October 14, 1979, in Rosedale, Maryland, the daughter of Patricia and Gary Keibler. Beginning at the age of three, Keibler took ballet, jazz, and tap dancing classes at Jean Kettell Studio of Dance in Dundalk, Maryland. She went to St. Clement Mary Hofbauer School in Rosedale for her early schooling. In 1990, Stacy won the title of Miss Maryland Pre-Teen, after competing for the title in Timonium, and went on to win the National Miss Pre-Teen Crown. After attending The Catholic High School of Baltimore, an all-girls school, Keibler attended Towson University, where she studied mass communication. She attended the university on a partial scholarship and had a 3.7 grade point average (GPA). Keibler had minor parts in movies such as Pecker and Liberty Heights, as well as small modeling jobs. Keibler became a cheerleader for the Baltimore Ravens football team when she was 18. Professional wrestling career World Championship Wrestling (1999–2001) Keibler began watching wrestling with her boyfriend at the time, Kris Cumberland. She can be seen in the crowd on an episode of Nitro in 1997 and the Starrcade 1998 pay-per-view before the television title match, dancing in an NWO Wolfpac T-shirt. In September 1999, Keibler entered a nationwide contest held by World Championship Wrestling to find a new member of the Nitro Girls dance troupe, which was organized in an attempt to boost the show's declining ratings. A total of 300 women participated in the contest; the results were decided by a series of polls on WCW's website, which narrowed down the field to eight finalists. Keibler was declared the winner of the contest on the November 8, 1999 edition of Nitro after receiving the most online votes out of the eight finalists and was given a spot on the dance troupe along with a $10,000 prize. Her winning routine was watched by 4.4 million viewers. Keibler performed dance routines every week on WCW's flagship show Monday Nitro under the name Skye. By 2000, Keibler was appearing on WCW as a Nitro Girl, attending school full-time, and cheering for the Baltimore Ravens. She soon accepted a larger role and became a heel valet using the stage name Miss Hancock (some weeks spelled "Handcock"), briefly serving as an associate for the tag team of Lenny Lane and Lodi dubbed Standards and Practices. Despite wearing business suits, her character was known to climb on top of the announcers' table and dance sensually. It was also during this period that she began using what would become her trademark ring entrance: slowly putting her forty-two inch legs through the second tier of ropes, pausing to let the crowd momentarily see her panties underneath her incredibly short skirts. At 5 feet 11 inches, Keibler was one of few women in professional wrestling tall enough to step over the middle of the three ropes that surround the ring. During 2000, she dated David Flair (both on-screen and off-screen), who was already involved in an on-screen relationship with Daffney. Ms Hancock set her eyes on Flair, and ended up stealing him away from Daffney and continued to torment the woman whose boyfriend she stole, and the two would feud throughout the Summer of 2000. This led to Keibler's in-ring debut at the Bash at the Beach in a Wedding Gown match, which she lost after she removed her own gown. Hancock next briefly feuded with Kimberly Page, but the storyline ended abruptly when Page quit the company. Keibler and Flair then began a feud with the Misfits in Action stable, including a mud wrestling singles match against Major Gunns at New Blood Rising. During the match, she was kicked in the stomach, and she revealed herself to be pregnant the next night, beginning a new angle for herself and Flair. Two proposed endings to the storyline were for either Ric Flair or Vince Russo to be the father of her child. The angle, however, ended prematurely, as she revealed the pregnancy to be false, broke up with David Flair, and was taken off of television. When Stacy returned in 2001 she dropped the name Ms. Hancock and went by her real name. On the March 12, 2001 edition of Nitro, Keibler revealed Shawn Stasiak as her "baby" and continued her role as a heel manager, siding with Stasiak. Shawn and Stacy would feud with Bam Bam Bigelow, with the evil Stacy using underhanded tactics to help Stasiak win 2 matches from a series of 3, including on the final edition of Nitro two weeks later on March 26. World Wrestling Federation/Entertainment The Invasion (2001) When WCW was purchased by the World Wrestling Federation (WWF) in 2001, Keibler's contract was bought by the WWF. Stacy made her WWF television debut on the June 14, 2001 episode of SmackDown! when then-face, Shane McMahon brought her to the ring to distract then-heel, Rhyno, causing him to lose a match. Not long after this she turned into a heel character as part of The Alliance. Stacy showed herself to be an evil mean girl that had a sadistic side, as she loved watching other people's pain and misfortune, and regularly enjoyed mocking them by pointing and laughing. She originally teamed up with real-life friend, then-heel, Torrie Wilson, and the pair feuded with Trish Stratus and Lita. During this feud the four wrestlers competed in the first-ever tag team Bra and Panties Match at the Invasion pay-per-view, which Trish and Lita won by stripping Stacy and Wilson down to their bra & panties. After this she and Torrie moved on to targeting Jacqueline, and were shown backstage enjoying watching Jacqueline cry over the elimination of Shadrick McGee from Tough Enough. Stacy and Torrie then defeated Jacqueline in a handicap match on Raw with help from Ivory. On the Heat before SummerSlam, Stacy along with Torrie and Ivory, brutally attacked Lita backstage by injuring her knee, with the intent of preventing her from competing against them later that night. Stacy also had a brief reunion with Shawn Stasiak, and a short alliance with Tazz, as they battled the likes of Spike Dudley and Tajiri. Stacy found it amusing how short these men were and told Torrie that their height made them lesser men. Torrie had begun dating Tajiri at this time and this caused the evil Stacy to begin an on-screen rivalry with her former friend. The feud started with a couple of mixed tag matches involving the women and included Stacy sneak attacking Torrie backstage on an episode of Raw. Duchess of Dudleyville (2001–2002) As the WCW/ECW Invasion was nearing its end, Keibler became the manager of the heel Dudley Boyz. She made her first appearance in this role on the October 1, 2001 episode of Raw, and was nicknamed the "Duchess of Dudleyville". During this time, Stacy continued to show her sadistic side as she took great pleasure in watching the likes of Torrie Wilson and Spike Dudley get driven violently through tables, and particularly enjoyed being the one to personally give the order to the Dudley Boyz to put Torrie through a table. Stacy couldn't hide her joy at seeing Torrie suffering at her feet and laughed at the sight. A few days later on Smackdown, Stacy watched with glee as the Dudley Boyz threw Spike to the outside of the ring and through a table, as commentator Michael Cole acknowledged how wicked Stacy was and called her “evil”. Torrie would return a couple of weeks later to get her revenge, and gave Keibler a wedgie then pantsed her on an episode of SmackDown!. She then defeated Keibler in the first-ever lingerie match, a match wrestled in lingerie, at No Mercy. Keibler made her WrestleMania debut at WrestleMania X8 alongside The Dudleyz. Keibler's role with the Dudley Boyz came to an abrupt end when she was powerbombed through a table after accidentally costing the team a match. She then set her sights on the WWE Women's Championship at Judgment Day, facing Trish Stratus in a losing effort. She faced Stratus several more times in the succeeding weeks, but she never won a match against her. Mr McMahon's personal assistant (2002) Keibler was originally drafted to the SmackDown! brand in 2002, where she immediately set her eyes on the man in charge, the heel WWE chairman, Vince McMahon. McMahon was ready to hire another attractive female until Keibler interrupted and performed a seductive table dance in the ring to successfully become McMahon's personal assistant, as well as his on-screen mistress. She was frequently shown flirting and 'making out' with him in backstage segments. During her time alongside the boss she lied that the young rookie Randy Orton had forced himself on her, which caused Orton to be punished with a match against the mean veteran Hardcore Holly. A few weeks later she sat at ringside and enjoyed watching the rookie Orton get beaten up some more, this time by Test. She also had a personal ringside view when Triple H was ambushed in a 6 on 1 beatdown by some of McMahon's henchmen. The sadistic Stacy looked on and grinned with pleasure as Triple H was beaten and bloodied in the assault. She also continued her rivalry with Torrie Wilson during this time period, and even tried to throw Torrie off the stage on an episode of Smackdown, but a referee saved Torrie just in time and stopped Stacy's evil plan from being a success. Her time with McMahon came to an end when Stephanie McMahon became general manager of the SmackDown! brand. Dawn Marie made her debut on SmackDown! as McMahon's legal assistant, who competed with Keibler for McMahon's affections. Move to Raw & alliance with Test (2002–2003) A key storyline for Keibler's on-screen character occurred when she left SmackDown! for Raw. Keibler made her official Raw debut on August 12, 2002, and immediately began feuding with the women there. She was given the role of being a special referee on a couple of occasions and used them as opportunities to abuse her power. Stacy would count quickly when her fellow bad girls were making pin attempts, and count slowly when the good girls tried the same. She would also feign arm injuries when the chance to make the decisive 3 count came. In another role as a special referee, Stacy was put in charge of a match between Test and D'Lo Brown. At the start of the match Stacy laid down the law to both competitors before slapping D’Lo in the face. She would make slow counts when D’Lo tried to win the match and also started tying her shoelace when D’Lo hit his finisher and went for the pin. After arguing with Stacy about her actions, D’Lo was smashed in the face by a big boot from Test, which Stacy thoroughly enjoyed watching. She then made a quick 3 count to help the villain Test win the match. This would begin the on screen pairing between her and Test which would last for the remainder of 2002 and most of 2003. She enjoyed watching him rip apart fan favourites, such as the heroic Hurricane and would also use her deviousness to help him win matches, such as when she delivered a low blow to Goldust. As Test's on-screen marketing agent, she came up with the idea that Test should call his fans "Testicles," cut his hair, and reshape his image. This caused the gimmick to become popular with the audience and the couple turned into fan favorites in November 2002. This would be Stacy's first time as a babyface in WWE. In the spring of 2003, Test, however, became to verbally abuse Keibler, who also started managing Scott Steiner. After months of build-up, Keibler finally left Test for Steiner on the June 2 edition of Raw. Steiner defeated Test for Keibler's services at Bad Blood, and Keibler seemed happy as Steiner's new manager, as the two alluded to having more than a professional relationship. Test, however, continued to harass Keibler and Steiner until Steiner accepted a rematch with Stacy's services on the line. On the August 18 episode of Raw, Test won the match after faking a leg injury and then blindsiding Steiner with a big boot. A match was then set for Unforgiven with the stipulation that if Test won, he would not only retain Keibler's services, but would acquire Steiner's services as well. During the match, Keibler's interference backfired, and Test won the match. Steiner then turned heel by attacking Keibler after her interference in his match on the September 29 episode of Raw backfired. For a time, Test and Steiner worked as a tag team, sharing the services of Keibler as their on-screen sex slave. The storyline finally ended on the December 1 episode of Raw, when general manager Mick Foley freed Keibler from her obligatory contracts with Test and Steiner by temporarily firing them. Various storylines (2003–2005) Keibler was chosen to record a track on the album WWE Originals. She and WWE music producer Jim Johnston recorded the song "Why Can't We Just Dance?" for the album. She was then placed in a feud involving Torrie Wilson and then-babyface, Sable, both of whom had recently posed for a Playboy cover. Keibler aligned with Miss Jackie, neither of whom had posed for the magazine, claiming that they deserved to be in Playboy over Sable and Wilson. Keibler and Jackie challenged Sable and Wilson to a Tag Team Evening Gown match at WrestleMania XX, which they lost when Jackie was pinned by Wilson, and the feud was dropped afterward. Before the feud was dropped, all the performers were playing face characters at the time. She took over the 2004 Raw Diva Search for a few weeks, which led to several tag matches against the heel gimmicks of Gail Kim, Trish Stratus, and Molly Holly and with partners Nidia and the face gimmick of Victoria. Keibler got upset victories over Kim, Stratus, and Holly. She earned a Women's Championship title match on October 11, 2004, but she was defeated by Stratus, who retained the title. Keibler also competed in the first-ever Fulfill your Fantasy Diva Battle Royal for the WWE Women's Championship at Taboo Tuesday along with Victoria, Nidia, Gail Kim, Molly Holly, Jazz, and then-champion Stratus. She was eliminated second to last after jumping over the top rope to avoid hitting the turnbuckle, followed by Holly knocking her off the apron to eliminate her. In February 2005, Keibler began appearing in backstage segments with then-babyface, Randy Orton, and eventually became his on-screen girlfriend. When Orton challenged The Undertaker to a match at WrestleMania 21, Orton ended the relationship by hitting Stacy with an RKO, incapacitating her. He justified it by claiming he was demonstrating how ruthless he could be in order to defeat The Undertaker. Super Stacy and departure (2005–2006) Keibler then joined forces with The Hurricane and Rosey. She became one-third of the trio as a superhero sidekick nicknamed Super Stacy, complete with her own superhero costume. She was ringside during several matches as they defended their World Tag Team Championship. During this time, Keibler feuded on-screen with then-heel, Victoria, including confrontations and a mixed-tag-team match on Raw and a singles match on Heat. After a long tenure on Monday nights, Keibler and Christy Hemme, were moved to SmackDown! on August 25, as part of a trade that brought Torrie Wilson and Candice Michelle to Raw. On SmackDown! Keibler participated in lingerie matches and bikini contests. After a short absence, Keibler began a short feud with Jillian Hall, which led to the two having a match on Velocity, which Keibler lost. This would be Keibler's final match with WWE. Keibler then asked for time off to appear on Dancing with the Stars. During this time, Keibler's WWE.com profile was moved from SmackDown! to RAW, though she never made an appearance on the brand before leaving the company. Keibler's final mention on WWE programming occurred on the March 6, 2006 episode of RAW, where she was insulted by Candice Michelle for placing third on Dancing with the Stars during Michelle's unveiling of her Playboy magazine cover. After completing her stint on Dancing with the Stars, Keibler officially parted ways with WWE in July 2006 to move on to other endeavors. Sporadic appearances (2011; 2019) After leaving WWE in July 2006, Keibler made a special guest appearance for WWE's reality show, Tough Enough. Being a former NFL Cheerleader, she helped prepare the contestants to perform publicly in Universal Studios. On April 6, 2019, Keibler made a surprise return to induct Torrie Wilson into the WWE Hall of Fame. In 2021, WWE Network listed Keibler as one of the women who made an impact in WWE outside the ring. Modeling and acting career As the Fitness Editor at Stuff magazine during 2005 and 2006, Keibler wrote and modeled for her own occasional column, Getting Fit with Stacy Keibler. She has appeared on the cover of that magazine twice -June 2005 and March 2006. Maxim named Keibler No. 5 in its 2006 Hot 100 issue, and No. 70 in its 2007 Hot 100. In 2008, she was named No. 89 in Maxims annual Hot 100 list.; the following year she was No. 77. In 2010, she was No. 82 and in 2011 she was No. 72. And in 2012 she was ranked 51. Keibler has declined two invitations from Playboy to pose in the nude for its magazine. Keibler starred in a commercial for AT&T Corporation alongside Carrot Top. She also auditioned and earned a role in Big Momma's House 2, but she did not appear. She competed in the second season of Dancing with the Stars, alongside her dance partner, Tony Dovolani. Keibler received a perfect score of 30 from the three judges for her samba dance routine in week five. This prompted judge, Bruno Tonioli, to nickname her a "weapon of mass seduction." Overall, Keibler and Dovolani received four perfect scores. Keibler was eliminated in the final episode, coming in third to Jerry Rice, who placed second in the final round of the competition, and Drew Lachey, the winner of the season. Two of the judges, Bruno Tonioli and Len Goodman, felt she should have at least placed second. Oddsmakers had considered her the favorite to win the competition. Keibler has appeared on MTV's Punk'd twice. In season five Keibler took part in helping prank Triple H, which also included Stephanie McMahon. In season seven, however, Keibler was seen as a victim of a prank by her then-boyfriend, Geoff Stults. In February 2007, Keibler began a recurring role in ABC's What About Brian. She played the role of Brian's new neighbor and love interest. This was Keibler's first major acting role, following her previous minor roles in both Bubble Boy and Pecker. Keibler guest starred on George Lopez on ABC. In the fall of 2007 Keibler appeared both in The Comebacks and on ABC's drama October Road. In April 2008, she was named No. 64 in FHM's annual 100 Sexiest Women list. Keibler was featured in an advertisement in the 2008 Sports Illustrated Swimsuit issue. In September 2008, Keibler appeared on ABC Family's mini television series, Samurai Girl as the heel character Karen. On November 23, 2008, Keibler was named the "World's Hottest Athlete" by a sixty-four contestant bracket on InGameNow. Keibler hosted the E! Special Maxim's Celebrity Beach Watch: 15 Hottest Bodies on September 16, 2009, and The Ultimate Spike Girl 2009 Finale on Spike TV on October 1, 2009. On January 11, 2010, Keibler appeared as "the hot bartender", a new conquest for Barney, in the How I Met Your Mother 100th episode, "Girls Versus Suits". On February 3, 2010, Keibler appeared on an episode of the USA Network show "Psych". On Oct. 4, 2010, Keibler made a guest appearance in the spy comedy "Chuck" season 4, episode 3 titled "Chuck versus the Cubic Z" alongside guests Nicole Richie and fellow WWE alum "Stone Cold" Steve Austin. Keibler played the role of CIA agent "Greta". In 2011, Keibler hosted Call of Duty Elite's Friday Night Fights. In 2013, Keibler hosted a Lifetime show called Supermarket Superstar, where home chefs fought for their product to be sold in supermarkets. Other media Keibler made her video game debut in WCW Backstage Assault as her Miss Hancock character. She would later appear in eleven WWE video games, which includes WWE WrestleMania X8, WWE SmackDown! Shut Your Mouth, WWE Crush Hour, WWE WrestleMania XIX, WWE Raw 2, WWE SmackDown! Here Comes the Pain, WWE Day of Reckoning, WWE SmackDown! vs. Raw, WWE WrestleMania 21, WWE Day of Reckoning 2, and WWE SmackDown! vs. Raw 2006. Keibler also appears in Dancing with the Stars, a game based on the ABC series of the same name. Filmography Video games Dancing with the Stars season 2 performances Personal life Keibler's boyfriend of seven years from 1992 to 1999, Kris Cumberland, was a wrestling fan who first got her interested in wrestling, and they would sometimes go to WCW and WWF events within two hours drive of Baltimore. In 2000, after winning $10,000 in the contest to become a part of the Nitro Girls, Keibler used the money to buy season tickets for the Baltimore Ravens, the team for which she cheers for and was a former cheerleader. In 2000, Keibler dated David Flair during their time together in WCW. From 2001 to 2005, Keibler dated Andrew "Test" Martin while they both worked together in the WWF/WWE. Keibler moved to Los Angeles in 2004, where she was roommates with Torrie Wilson. In June 2005, Keibler was reported to be in a relationship with actor Geoff Stults. The pair appeared together on MTV's Punk'd, with Keibler as the recipient of the prank. Keibler and Stults were part-owners of the now defunct Hollywood Fame, a 2006 expansion franchise of the American Basketball Association. Stults and Keibler split in 2010. Keibler started dating George Clooney in July 2011. Clooney and Keibler ended their relationship in July 2013. Keibler began dating Future Ads CEO Jared Pobre in fall 2013, though they had been friends for several years previously. They were married on March 8, 2014, in Mexico. They have two daughters, Ava Grace, born on August 20, 2014, Isabella Faith, born in May 2020, and one son, Bodhi Brooks, born on June 18, 2018. Accomplishments World Championship Wrestling Nitro Girl Search (1999) World Wrestling Entertainment' WWE Babe of the Year (2004) References Notes Bibliography External links Stacy Keibler Profile and latest news at Sportskeeda 1979 births 20th-century American actresses 21st-century American actresses Actresses from Maryland American cheerleaders American female dancers American female models American female professional wrestlers American film actresses American television actresses Female models from Maryland Living people National Football League cheerleaders Participants in American reality television series People from Towson, Maryland Professional wrestlers from Maryland Professional wrestling dancers Professional wrestling managers and valets Sportspeople from Baltimore County, Maryland The Dudley Brothers members Towson University alumni	true	[ "Despina Montagas (born June 9, 1961) is a retired Greek female professional wrestler.\n\nProfessional wrestling career\nDespina Montagas debuted in 1984 for the American Wrestling Association in Minneapolis. She would also wrestle for various territories including Florida (Championship Wrestling from Florida), Mid-Atlantic (Jim Crockett Promotions), Memphis (Continental Wrestling Association), and New York (World Wrestling Federation). She also went overseas to Japan to wrestle for All Japan Women's Pro Wrestling. In 1986, she had a brief stint in the Gulf Coast for Continental Championship Wrestling. She also had a stint in Mexico for the Universal Wrestling Association.\n\nIn 1989, she returned to Japan to wrestle for Frontier Martial-Arts Wrestling. In October 1990, she took part in the country's first mixed tag team match. In March 1991, she left the promotion and retired shortly thereafter.\n\nPersonal life\nMontagas was married to Tarzan Goto, and the couple have three sons. A year after beginning to wrestle, Montagas quit and sold life insurance, but returned to wrestling shortly afterwards.\n\nReferences\n\n1961 births\nLiving people\nSportspeople from Athens\nGreek female professional wrestlers", "was a Japanese puroresu or professional wrestling promotion, founded in July 2013 by Keiji Mutoh following his resignation from All Japan Pro Wrestling (AJPW). The core of the promotion's roster was formed by wrestlers loyal to Mutoh, who left AJPW in a mass exodus during June 2013. Mutoh served as the promotion's first president and the head of its parent company, kabushiki gaisha named GEN Sports Entertainment. In March 2017, Kaz Hayashi took over as the new president of Wrestle-1. The promotion held its first event on September 8, 2013, at Tokyo Dome City Hall.\n\nThe promotion shares its name with a series of professional wrestling events run by AJPW, K-1 and Pride Fighting Championships in the first half of the 2000s, but it is not considered a direct continuation of that project.\n\nOn April 1, 2020, Wrestle-1 ceased operations.\n\nHistory\n\nFormation\nOn November 1, 2012, IT company Speed Partners bought 100% of All Japan Pro Wrestling (AJPW) shares from main shareholder Keiji Mutoh and his business partners for ¥200 million. In late May 2013, Speed Partners president Nobuo Shiraishi fired AJPW president, Mutoh's longtime right-hand man Masayuki Uchida, and took over as the promotion's new president himself effective June 1, which led to Mutoh resigning as the chairman of the board and leaving the promotion. For the next weeks, Mutoh attempted to buy back his shares of the promotion from Speed Partners, but eventually gave up the attempt before the end of the month. During the rest of June, Masakatsu Funaki, Kaz Hayashi, Shuji Kondo, Ryota Hama, Hiroshi Yamato, Masayuki Kono, Koji Kanemoto, Minoru Tanaka, Yasufumi Nakanoue, Kai, Seiya Sanada, and Andy Wu all announced their resignation from AJPW out of loyalty to Mutoh and left the promotion following a June 30 event in Ryōgoku Kokugikan, which marked the official end of the eleven-year-long \"Mutoh All Japan\".\n\nOn July 10, Mutoh held a press conference to announce the foundation of his new promotion, named \"Wrestle-1\". Mutoh got the name from a series of professional wrestling events that were produced by his AJPW, K-1 and Pride Fighting Championships between 2002 and 2005. Wrestle-1 continues Mutoh's brand of \"Pro Wrestling Love\", which he had launched after taking over AJPW in 2002. Mutoh dubbed Wrestle-1's style of puroresu \"Fighting Entertainment\". As the label suggests, Wrestle-1 is considered more entertainment based than the traditional AJPW. The press conference was also attended by Funaki, Hama, Hayashi, Kai, Kondo, Kono, Nakanoue, Tanaka and Yamato. Andy Wu would also join the promotion, once he returned from an excursion to Mexico, along with trainees Brian Ishizaka, Daiki Inaba and Seiki Yoshioka, ring announcer Makoto Abe and referees Daichi Murayama and Daisuke Kanbayashi. The promotion announced its inaugural event for September 8, 2013, at Tokyo Dome City Hall. At the press conference, Mutoh stated that Wrestle-1 was open to working with other promotions and that he was looking to use Taiwan as a stepping stone towards an Asian and eventually global expansion. Mutoh also stated that he was open to the idea of having a women's division in Wrestle-1. On July 26, the Gaora television station announced that it would broadcast the inaugural event, as well as a 30-minute preview show, live on its channels. On July 30, Mutoh met with Jeff Jarrett in Nashville, Tennessee, United States to discuss a possible working relationship between Wrestle-1 and Total Nonstop Action Wrestling (TNA). Jarrett was later announced as a participant in Wrestle-1's October 6 event. Mutoh later also revealed that he wanted to form partnerships with promotions in Europe and Mexico, specifically mentioning Lucha Libre AAA World Wide (AAA), and create a \"true\" world championship that would be recognized on three continents. On August 9, Mutoh revealed the promotion's official logo and a partial card for the inaugural event. Also announced was a sponsorship deal with the Ezaki Glico confectionery company, with its sales department and product manager Hiroki Kuwabara signed to Wrestle-1 as a conditioning coach.\n\nWrestle-1 Hataage Sen\n was Wrestle-1's inaugural event, which took place on September 8, 2013, at Tokyo Dome City Hall. On August 9, Wrestle-1 released the first partial card for the event, which revealed only the Wrestle-1 signed workers taking part in the event, but none of their partners or opponents. The event featured a women's match and the Japanese in-ring debut of Daiki Inaba. None of the other workers were revealed before the event, though Mutoh stated that TNA wrestlers would not be taking part in the event. The event aired in Japan on Gaora and internationally on internet pay-per-view (iPPV) through Niconico and Ustream. Tickets to the 2,500 seat arena were sold out the day they went on sale. Sports journalist Dave Meltzer wrote that this, coupled with AJPW's recent decline in attendance numbers, showed that \"fans are taking group as the real future of All Japan rather than All Japan\". The event featured outside participation from several freelancers as well as wrestlers from Big Japan Pro Wrestling, Dragon Gate, Michinoku Pro Wrestling, Pro Wrestling Zero1 and World Wonder Ring Stardom. Koji Kanemoto, René Duprée, Seiya Sanada and Zodiac, who were with AJPW prior to Mutoh's departure, but had not announced their affiliation with Wrestle-1, made surprise appearances during the event. In fact, Duprée, who took part in the main event, was still officially AJPW's reigning Gaora TV Champion at the time of the event. Duprée returned the title belt to AJPW three days after the event. Bob Sapp, who had appeared in several of the old Wrestle-1 events, made an appearance in a tag team main event with Mutoh. Kenta Kobashi, who had the previous March announced that he would be joining AJPW following his retirement in May, worked the event as a color commentator.\n\nRegular tours\nWrestle-1 began running regular tours right after Hataage Sen; the first tour ran until September 22 and the second from October 6 to 14. Many of the outsiders taking part in the inaugural event became regular members of the Wrestle-1 roster with the exception of Bob Sapp, Fujita Hayato, Katsuyori Shibata, Kazushi Sakuraba and Masaaki Mochizuki. Though Wrestle-1 also did not have regular female wrestlers on its roster, each event included a women's match, featuring wrestlers such as Ryo Mizunami and Shuu Shibutani from Pro Wrestling Wave, Koharu Hinata, Makoto and Syuri from Wrestling New Classic, Hikaru Shida, Maki Narumiya, Risa Sera and Tsukasa Fujimoto from Ice Ribbon, and freelancers Akino and Hiroyo Matsumoto. Wrestle-1 sought to introduce an \"openweight division\", where its wrestlers would not be typecast as heavyweights or junior heavyweights, like in most Japanese promotions, but would be able to interact with each other across weight limits. On September 24, Wrestle-1 announced that Seiya Sanada had signed a contract to officially become part of the promotion's roster effective October 1. On October 6, Wrestle-1 held its first event in Korakuen Hall in front of a sold-out crowd of 1,750. On October 18, Mutoh announced his semi-retirement from in-ring action, saying that in the future he would be concentrating on running Wrestle-1.\n\nThe following month saw the continuation of a working relationship between Wrestle-1 and TNA, with A.J. Styles coming in to defend the TNA World Heavyweight Championship against Seiya Sanada on November 16 and Jay Bradley and Rob Terry working the entire tour from November 16 to December 1. Meanwhile, Andy Wu also made his return from his seven-month Mexican excursion, making his debut for his new home promotion on November 16. During the event, Wrestle-1 announced its first ever event at Ryōgoku Kokugikan, set to take place on March 2, 2014. Mutoh later announced that this would mark only the first of four events Wrestle-1 intended to run at Ryōgoku Kokugikan in 2014.\n\n2014\nOn January 12, 2014, Manabu Soya, who had resigned from AJPW the previous month, joined Wrestle-1 as a freelancer, taking the role of an on-screen matchmaker, while recovering from a recent shoulder surgery. On January 26, Wrestle-1 held its first tryout, which resulted in three men being accepted to begin training at the promotion's dojo the following April.\n\nOn January 30 it was announced that the March 2 Ryōgoku Kokugikan event would feature a \"Wrestle-1 vs. TNA\" theme with thirteen wrestlers coming in to represent the American promotion in addition to Rob Terry, who had remained with Wrestle-1 since the past November. Jeff Jarrett, the original man behind the Wrestle-1-TNA relationship, had since parted ways with TNA and now the relationship was handled by Bob Ryder and John Gaburick on the Americans' side. On March 2 at Kaisen: Outbreak, three TNA titles were defended as part of Wrestle-1's first Ryōgoku Kokugikan event. While Kaz Hayashi and Shuji Kondo failed to capture the TNA World Tag Team Championship and Kai the TNA World Heavyweight Championship, Seiya Sanada defeated Austin Aries to become the new TNA X Division Champion. The event also saw the debut of another former AJPW worker, Taiyō Kea. The following day, it was announced that Sanada would be leaving Wrestle-1 to work for TNA indefinitely. Also in March, Wrestle-1 relocated their offices from Minami-Azabu, Minato, Tokyo to Hyakunincho, Shinjuku, Tokyo to their own four-story building called \"GEN Sports Palace\", which also includes the promotion's dojo. In April, Wrestle-1 established two more international relationships with British promotion All Star Wrestling (ASW) and German promotion European Wrestling Promotion (EWP). As part of the relationship, EWP wrestlers Ecki Eckstein and Leon Van Gasteren worked a tour with Wrestle-1 from April 27 to May 4, with Van Gasteren successfully defending the EWP Intercontinental Championship against Hiroshi Yamato on the final day.\n\nOn June 18, Wrestle-1 held a press conference to announce that effective July 1 the promotion would be joined by Akira, Jiro Kuroshio, Koji Doi, Rionne Fujiwara, Tajiri and Yusuke Kodama, after their previous promotion Wrestling New Classic went inactive following June 26. On July 1, Wrestle-1 was also joined by Hiroki Murase, a freelancer who had started his career with WNC in January 2013. Wrestle-1's second Ryōgoku Kokugikan event, Shōgeki: Impact, took place on July 6 and featured matches for ASW's British Light Heavyweight Championship, EWP's Intercontinental Championship, TNA's World Tag Team Championship and Zero1's World Heavyweight Championship with Hiroshi Yamato capturing the EWP title from Leon Van Gasteren, Masakatsu Funaki the Zero1 title from Kohei Sato and Seiki Yoshioka the ASW title from Dean Allmark. The following day, Seiya Sanada announced he had agreed to a contract with TNA, which meant that he would continue to spend most of his time in the United States, occasionally returning to take part in Wrestle-1's larger events. Sanada remained with TNA until April 2015. Meanwhile, Seiki Yoshioka left for an extended tour of the United Kingdom with ASW, during which he lost the British Light Heavyweight Championship back to Allmark.\n\nOn July 21, Wrestle-1 announced the creation of its first own title, the Wrestle-1 Championship, with the inaugural champion being determined in a sixteen-man single-elimination tournament taking place between September 21 and October 8. On August 8, Wrestle-1 announced that Manabu Soya had signed with the promotion, ending his days as a freelancer. On September 22, Wrestle-1 announced the creation of the Wrestle-1 Tag Team Championship with the inaugural champions being determined in a round-robin tournament taking place between November 15 and 30. On September 25, Wrestle-1 and Pro Wrestling Zero1 announced that the two promotions would be coming together to hold three joint shows at Shinjuku Face between November 5 and 7. On October 8, Masayuki Kono defeated Kai in the finals of the sixteen-man tournament to become the inaugural Wrestle-1 Champion. The relationship between Wrestle-1 and TNA continued on October 12 with eleven Wrestle-1 wrestlers taking part in TNA's Bound for Glory event in Korakuen Hall. On November 1, Wrestle-1 held an event at Ryōgoku Kokugikan celebrating Keiji Mutoh's 30th anniversary in professional wrestling. The main event of the show saw Mutoh defeat Masayuki Kono to become the second Wrestle-1 Champion. On November 30, Team 246 (Kaz Hayashi and Shuji Kondo) won the First Tag League Greatest to become the inaugural Wrestle-1 Tag Team Champions.\n\n2015\nOn February 25, 2015, Wrestle-1 announced the creation of a cruiserweight division and a new third title, which was on March 9 officially named the Wrestle-1 Cruiser Division Championship. Starting on April 11, Wrestle-1 began holding shows at their dojo under the brand name \"Wrestle-1 Starting Point\", which were intended to showcase the promotion's younger wrestlers. On March 6, Minoru Tanaka won the tournament to become the inaugural Wrestle-1 Cruiser Division Champion. Also in May, it was reported that the relationship between Wrestle-1 and TNA had come to an end. Seiya Sanada remained in the United States, working on the local independent circuit.\n\nIn March 2015, Wrestle-1's management was hit with several resignations, which led to Mutoh offering DDT Pro-Wrestling president Sanshiro Takagi a job in his promotion's management. On May 5, Takagi was officially revealed as Wrestle-1's new chief executive officer (CEO). His goal was to make Wrestle-1 more profitable by getting sales up and increasing the number of shows. There were no plans for Takagi to start wrestling for Wrestle-1 or for Wrestle-1 and DDT to exchange talent. On May 13, Wrestle-1 and Seiya Sanada held a press conference, where it was announced that the two sides had decided to amicably part ways when Sanada's contract with the promotion would expire two days later, so he could continue working in the United States full-time as a freelancer. Later that month, it was announced that Wrestle-1 would be teaming up with American Pro Wrestling Alliance (APWA) to hold their first tour of the United States, holding five shows in Pennsylvania, West Virginia, North Carolina and Georgia, including one at the former ECW Arena, between June 23 and 28. However, on June 19, the tour was canceled with APWA citing a sponsor pulling out due to miscommunication between the two promotions as the reason. That same day, Wrestle-1 announced that Masakatsu Funaki would be leaving the promotion following his contract expiring on June 30. Meanwhile, Tajiri would only work sporadic Wrestle-1 events from July onwards. On June 26, Wrestle-1 announced the results of their recent contract negotiations with their wrestlers. 21 wrestlers had signed new contracts, including freelancer Kazma Sakamoto who in the process made Wrestle-1 his new home promotion, while Rionne Fujiwara became the second wrestler to leave the promotion following his contract expiring at the end of the month.\n\nOn July 13, Wrestle-1 announced the first \"Wrestle-1 Grand Prix\", a single-elimination tournament featuring 21 participants and taking place between August 2 and 30. The tournament was billed as the Wrestle-1 equivalent of New Japan Pro-Wrestling's G1 Climax. On August 3, Wrestle-1 announced the establishment of Puroresu Sōgō Gakuin (\"Pro wrestling comprehensive school\"), where Akira, Hiroshi Yamato, Kaz Hayashi, Shuji Kondo and Yasufumi Nakanoue would train both men and women in six-month-long terms. Graduates from the school are not automatically signed to Wrestle-1 and are free to join other promotions. The school's first term started two months later. On August 30, Wrestle-1 announced it was reviving two inactive titles on October 9; the UWA World Trios Championship and the F-1 Tag Team Championship, the latter being a comedy title Mutoh created in AJPW in 2006 for teams made up of a wrestler and an impressionist. On October 27, Wrestle-1 announced a new project named \"Wrestling Camp\", headed by Kaz Hayashi and former wrestler American Balloon, with the goal of recruiting more foreign wrestlers for the promotion.\n\n2016\nOn March 30, 2016, Wrestle-1 held a show to celebrate the conclusion of the first term of the Puroresu Sōgō Gakuin, while also announcing the graduation of Hana Kimura, Jun Tonsho, Reika Saiki and Seigo Tachibana. With two women graduating from the class, Keiji Mutoh teased the possibility of starting a women's division in Wrestle-1. On May 4, AJPW president Jun Akiyama made a surprise appearance for Wrestle-1, facing off with Keiji Mutoh with the two agreeing to a tag team match against each other on August 11. On June 28, Wrestle-1 announced that Akira, Minoru Tanaka, Ryota Hama, Tajiri and Yasufumi Nakanoue would all be leaving the promotion following the expiration of their contracts two days later. On August 11, Wrestle-1 presented an interpromotional six-man tag team match, which saw AJPW president Jun Akiyama take on former AJPW president Keiji Mutoh. In the match, the AJPW trio of Akiyama, Naoya Nomura and Yuma Aoyagi was victorious over the Wrestle-1 trio of Mutoh, Koji Doi and Kumagoro. On August 31, Kazma Sakamoto also left Wrestle-1 following the expiration of his contract. On September 18, Wrestle-1 announced a new sub-promotion Pro-Wrestling A.C.E. (Academy, Challenge, Entertainment), which was made up of rookies from their wrestling school. On December 20, Kai announced he would be leaving Wrestle-1 and becoming a freelancer at the end of the year.\n\n2017\nOn January 8, 2017, Wrestle-1 announced the creation of a new title, the Wrestle-1 Result Championship, meant for the promotion's younger wrestlers. On March 27, Wrestle-1 announced it was undergoing a change in management on April 1 with Keiji Mutoh moving on to the role of representative director, while Kaz Hayashi would become the new president. Also, Shuji Kondo takes over as the new executive vice president, while Sanshiro Takagi moves from being the CEO to the role of an advisor. On June 14, Wrestle-1 announced the creation of the Wrestle-1 Tag League in the fall and Wrestle-1 Cruiser Festival in the winter. On September 2, Sanshiro Takagi resigned from his advisory role in Wrestle-1. It was stated that the company would continue to have a friendly relationship with Takagi's DDT promotion.\n\n2018\nOn January 17, 2018, Wrestle-1 established a working relationship with Booker T's Reality of Wrestling (ROW) promotion.\n\n2019\nIn 2019, Wrestle-1 established the \"Wrestle-1 Alliance\", a promotional partnership with multiple U.S.-based wrestling companies.\n\n2020\nOn February 29, 2020, Wrestle-1 announced that they would be holding their final event on April 1, with all members of the roster being released from their contracts the day prior. In the last card, on April 1 (with no attendance due to the COVID-19 pandemic), Manabu Soya won a 30-man battle royal, last eliminating Akira. Keiji Muto participated in the match prior to the main event, teaming with Hayashi, Kono and Kondo in a losing effort against Ashino, Inaba, Doi and Kuma Arashi, but did not participate in the battle royal.\n\nRoster\n\nNatives\nAndy Wu\nCIMA\nDaiki Inaba\nEl Lindaman\nKannazuki\nKaz Hayashi\nKeiji Mutoh\nManabu Soya\nMasakatsu Funaki\nMasato Tanaka\nMasayuki Kono\nMazada\nMinoru Tanaka\nNosawa Rongai\nJiro Kuroshio\nKai\nRyota Hama\nSeiki Yoshioka\nSeiya Sanada\nShotaro Ashino\nShuji Kondo\nT-Hawk\nTajiri\nTakanori Ito\nYusuke Kodama\nHiroki Murase/UTAMARO\nKoji Doi\nKumagoro/Kuma Arashi\n\nForeigners\nBob Sapp\nEl Hijo del Pantera\nJay Bradley\nRené Duprée\nRob Terry\nTaiyo Kea\nZodiac\n\nChampionships\n\nOther championships used by Wrestle-1\n\nTournaments\n\nSee also\nAll Japan Pro Wrestling\nPro Wrestling Zero1\nWrestling New Classic\n\nReferences\n\nExternal links\n \nWrestle-1 on YouTube \n\n \nShinjuku\n2013 establishments in Japan\nTalent agencies based in Tokyo\nMass media companies based in Tokyo\nSports organizations established in 2013" ]
[ "Stacy Keibler", "Various storylines (2003-2005)", "What storyline was there in 2003?", "In October, 2003, Keibler appeared in the ring with Steve Austin.", "What did Steve do to her?", "She was offered a beer, which she politely refused. However, at the urging of Austin, she took a sip of the Miller Lite.", "Did he wrestle her?", "Her disgust was apparent, which displeased Austin. As a result, she received a Stone Cold Stunner.", "Did she ever wrestle?", "She took over the 2004 Raw Diva Search for a few weeks, which led to several tag matches against the heel gimmicks of Gail Kim," ]	C_8ef587e6bf9a42c78c54c5eee0900ac2_0	Who did she tag team with?	5	Who did Stacy Keibler tag team with?	Stacy Keibler	Keibler was chosen to record a track on the album WWE Originals. She and WWE music producer Jim Johnston recorded the song "Why Can't We Just Dance?" for the album. She was then placed in a feud involving Torrie Wilson and then-babyface, Sable, both of whom had recently posed for a Playboy cover. Keibler aligned with Miss Jackie, neither of whom had posed for the magazine, claiming that they deserved to be in Playboy over Sable and Wilson. Keibler and Jackie challenged Sable and Wilson to a Tag Team Evening Gown match at WrestleMania XX, which they lost when Jackie was pinned by Wilson, and the feud was dropped afterward. Before the feud was dropped, all the performers were playing face characters at the time. In October, 2003, Keibler appeared in the ring with Steve Austin. She was offered a beer, which she politely refused. However, at the urging of Austin, she took a sip of the Miller Lite. Her disgust was apparent, which displeased Austin. As a result, she received a Stone Cold Stunner. She took over the 2004 Raw Diva Search for a few weeks, which led to several tag matches against the heel gimmicks of Gail Kim, Trish Stratus, and Molly Holly and with partners Nidia and the face gimmick of Victoria. Keibler got upset victories over Kim, Stratus, and Holly. She earned a Women's Championship title match on October 11, 2004, but she was defeated by Stratus, who retained the title. Keibler also competed in the first-ever Fulfill your Fantasy Diva Battle Royal for the WWE Women's Championship at Taboo Tuesday along with Victoria, Nidia, Gail Kim, Molly Holly, Jazz, and then-champion Stratus. She was eliminated second to last after jumping over the top rope to avoid hitting the turnbuckle, followed by Holly knocking her off the apron to eliminate her. In February 2005, Keibler began appearing in backstage segments with then-babyface, Randy Orton, and eventually became his on-screen girlfriend. When Orton challenged The Undertaker to a match at WrestleMania 21, Orton ended the relationship by hitting Stacy with an RKO, incapacitating her. He justified it by claiming he was demonstrating how ruthless he could be in order to defeat The Undertaker. CANNOTANSWER	with partners Nidia and the face gimmick of Victoria.	Stacy Ann-Marie Keibler (born October 14, 1979) is an American retired professional wrestler, former cheerleader, actress, dancer, and model. She is specifically known for her work with World Championship Wrestling (WCW) and World Wrestling Entertainment (WWE). Keibler began her professional wrestling career as a part of the Nitro Girls in WCW. She quickly moved on to a more prominent role in the company as the manager Miss Hancock. As Miss Hancock, Keibler was known for doing table dances, her relationship with David Flair, and a pregnancy angle. After WCW was purchased by the WWF (later WWE) in 2001, Keibler moved to the new company, using her real name and taking part in the Invasion storyline, also managing the Dudley Boyz. Keibler also managed Test and Scott Steiner. Before her departure from WWE in 2006, she was affiliated with The Hurricane and Rosey and nicknamed "Super Stacy." Keibler was a contestant on Dancing with the Stars: season two, where she placed third. She has also appeared on other ABC series such as What About Brian, George Lopez, and October Road, as well as the 100th episode of the CBS sitcom How I Met Your Mother as a bartender and on the USA Network show Psych. Keibler has also modeled, appearing in both Maxim and Stuff magazines. Keibler is considered to be a sex symbol and is known for her unusually long legs. She has been known as both "The Legs of WCW" and "The Legs of WWE". During Keibler's time on Dancing with the Stars, judge Bruno Tonioli nicknamed her "The Weapon of Mass Seduction." Early life Stacy Ann-Marie Keibler was born on October 14, 1979, in Rosedale, Maryland, the daughter of Patricia and Gary Keibler. Beginning at the age of three, Keibler took ballet, jazz, and tap dancing classes at Jean Kettell Studio of Dance in Dundalk, Maryland. She went to St. Clement Mary Hofbauer School in Rosedale for her early schooling. In 1990, Stacy won the title of Miss Maryland Pre-Teen, after competing for the title in Timonium, and went on to win the National Miss Pre-Teen Crown. After attending The Catholic High School of Baltimore, an all-girls school, Keibler attended Towson University, where she studied mass communication. She attended the university on a partial scholarship and had a 3.7 grade point average (GPA). Keibler had minor parts in movies such as Pecker and Liberty Heights, as well as small modeling jobs. Keibler became a cheerleader for the Baltimore Ravens football team when she was 18. Professional wrestling career World Championship Wrestling (1999–2001) Keibler began watching wrestling with her boyfriend at the time, Kris Cumberland. She can be seen in the crowd on an episode of Nitro in 1997 and the Starrcade 1998 pay-per-view before the television title match, dancing in an NWO Wolfpac T-shirt. In September 1999, Keibler entered a nationwide contest held by World Championship Wrestling to find a new member of the Nitro Girls dance troupe, which was organized in an attempt to boost the show's declining ratings. A total of 300 women participated in the contest; the results were decided by a series of polls on WCW's website, which narrowed down the field to eight finalists. Keibler was declared the winner of the contest on the November 8, 1999 edition of Nitro after receiving the most online votes out of the eight finalists and was given a spot on the dance troupe along with a $10,000 prize. Her winning routine was watched by 4.4 million viewers. Keibler performed dance routines every week on WCW's flagship show Monday Nitro under the name Skye. By 2000, Keibler was appearing on WCW as a Nitro Girl, attending school full-time, and cheering for the Baltimore Ravens. She soon accepted a larger role and became a heel valet using the stage name Miss Hancock (some weeks spelled "Handcock"), briefly serving as an associate for the tag team of Lenny Lane and Lodi dubbed Standards and Practices. Despite wearing business suits, her character was known to climb on top of the announcers' table and dance sensually. It was also during this period that she began using what would become her trademark ring entrance: slowly putting her forty-two inch legs through the second tier of ropes, pausing to let the crowd momentarily see her panties underneath her incredibly short skirts. At 5 feet 11 inches, Keibler was one of few women in professional wrestling tall enough to step over the middle of the three ropes that surround the ring. During 2000, she dated David Flair (both on-screen and off-screen), who was already involved in an on-screen relationship with Daffney. Ms Hancock set her eyes on Flair, and ended up stealing him away from Daffney and continued to torment the woman whose boyfriend she stole, and the two would feud throughout the Summer of 2000. This led to Keibler's in-ring debut at the Bash at the Beach in a Wedding Gown match, which she lost after she removed her own gown. Hancock next briefly feuded with Kimberly Page, but the storyline ended abruptly when Page quit the company. Keibler and Flair then began a feud with the Misfits in Action stable, including a mud wrestling singles match against Major Gunns at New Blood Rising. During the match, she was kicked in the stomach, and she revealed herself to be pregnant the next night, beginning a new angle for herself and Flair. Two proposed endings to the storyline were for either Ric Flair or Vince Russo to be the father of her child. The angle, however, ended prematurely, as she revealed the pregnancy to be false, broke up with David Flair, and was taken off of television. When Stacy returned in 2001 she dropped the name Ms. Hancock and went by her real name. On the March 12, 2001 edition of Nitro, Keibler revealed Shawn Stasiak as her "baby" and continued her role as a heel manager, siding with Stasiak. Shawn and Stacy would feud with Bam Bam Bigelow, with the evil Stacy using underhanded tactics to help Stasiak win 2 matches from a series of 3, including on the final edition of Nitro two weeks later on March 26. World Wrestling Federation/Entertainment The Invasion (2001) When WCW was purchased by the World Wrestling Federation (WWF) in 2001, Keibler's contract was bought by the WWF. Stacy made her WWF television debut on the June 14, 2001 episode of SmackDown! when then-face, Shane McMahon brought her to the ring to distract then-heel, Rhyno, causing him to lose a match. Not long after this she turned into a heel character as part of The Alliance. Stacy showed herself to be an evil mean girl that had a sadistic side, as she loved watching other people's pain and misfortune, and regularly enjoyed mocking them by pointing and laughing. She originally teamed up with real-life friend, then-heel, Torrie Wilson, and the pair feuded with Trish Stratus and Lita. During this feud the four wrestlers competed in the first-ever tag team Bra and Panties Match at the Invasion pay-per-view, which Trish and Lita won by stripping Stacy and Wilson down to their bra & panties. After this she and Torrie moved on to targeting Jacqueline, and were shown backstage enjoying watching Jacqueline cry over the elimination of Shadrick McGee from Tough Enough. Stacy and Torrie then defeated Jacqueline in a handicap match on Raw with help from Ivory. On the Heat before SummerSlam, Stacy along with Torrie and Ivory, brutally attacked Lita backstage by injuring her knee, with the intent of preventing her from competing against them later that night. Stacy also had a brief reunion with Shawn Stasiak, and a short alliance with Tazz, as they battled the likes of Spike Dudley and Tajiri. Stacy found it amusing how short these men were and told Torrie that their height made them lesser men. Torrie had begun dating Tajiri at this time and this caused the evil Stacy to begin an on-screen rivalry with her former friend. The feud started with a couple of mixed tag matches involving the women and included Stacy sneak attacking Torrie backstage on an episode of Raw. Duchess of Dudleyville (2001–2002) As the WCW/ECW Invasion was nearing its end, Keibler became the manager of the heel Dudley Boyz. She made her first appearance in this role on the October 1, 2001 episode of Raw, and was nicknamed the "Duchess of Dudleyville". During this time, Stacy continued to show her sadistic side as she took great pleasure in watching the likes of Torrie Wilson and Spike Dudley get driven violently through tables, and particularly enjoyed being the one to personally give the order to the Dudley Boyz to put Torrie through a table. Stacy couldn't hide her joy at seeing Torrie suffering at her feet and laughed at the sight. A few days later on Smackdown, Stacy watched with glee as the Dudley Boyz threw Spike to the outside of the ring and through a table, as commentator Michael Cole acknowledged how wicked Stacy was and called her “evil”. Torrie would return a couple of weeks later to get her revenge, and gave Keibler a wedgie then pantsed her on an episode of SmackDown!. She then defeated Keibler in the first-ever lingerie match, a match wrestled in lingerie, at No Mercy. Keibler made her WrestleMania debut at WrestleMania X8 alongside The Dudleyz. Keibler's role with the Dudley Boyz came to an abrupt end when she was powerbombed through a table after accidentally costing the team a match. She then set her sights on the WWE Women's Championship at Judgment Day, facing Trish Stratus in a losing effort. She faced Stratus several more times in the succeeding weeks, but she never won a match against her. Mr McMahon's personal assistant (2002) Keibler was originally drafted to the SmackDown! brand in 2002, where she immediately set her eyes on the man in charge, the heel WWE chairman, Vince McMahon. McMahon was ready to hire another attractive female until Keibler interrupted and performed a seductive table dance in the ring to successfully become McMahon's personal assistant, as well as his on-screen mistress. She was frequently shown flirting and 'making out' with him in backstage segments. During her time alongside the boss she lied that the young rookie Randy Orton had forced himself on her, which caused Orton to be punished with a match against the mean veteran Hardcore Holly. A few weeks later she sat at ringside and enjoyed watching the rookie Orton get beaten up some more, this time by Test. She also had a personal ringside view when Triple H was ambushed in a 6 on 1 beatdown by some of McMahon's henchmen. The sadistic Stacy looked on and grinned with pleasure as Triple H was beaten and bloodied in the assault. She also continued her rivalry with Torrie Wilson during this time period, and even tried to throw Torrie off the stage on an episode of Smackdown, but a referee saved Torrie just in time and stopped Stacy's evil plan from being a success. Her time with McMahon came to an end when Stephanie McMahon became general manager of the SmackDown! brand. Dawn Marie made her debut on SmackDown! as McMahon's legal assistant, who competed with Keibler for McMahon's affections. Move to Raw & alliance with Test (2002–2003) A key storyline for Keibler's on-screen character occurred when she left SmackDown! for Raw. Keibler made her official Raw debut on August 12, 2002, and immediately began feuding with the women there. She was given the role of being a special referee on a couple of occasions and used them as opportunities to abuse her power. Stacy would count quickly when her fellow bad girls were making pin attempts, and count slowly when the good girls tried the same. She would also feign arm injuries when the chance to make the decisive 3 count came. In another role as a special referee, Stacy was put in charge of a match between Test and D'Lo Brown. At the start of the match Stacy laid down the law to both competitors before slapping D’Lo in the face. She would make slow counts when D’Lo tried to win the match and also started tying her shoelace when D’Lo hit his finisher and went for the pin. After arguing with Stacy about her actions, D’Lo was smashed in the face by a big boot from Test, which Stacy thoroughly enjoyed watching. She then made a quick 3 count to help the villain Test win the match. This would begin the on screen pairing between her and Test which would last for the remainder of 2002 and most of 2003. She enjoyed watching him rip apart fan favourites, such as the heroic Hurricane and would also use her deviousness to help him win matches, such as when she delivered a low blow to Goldust. As Test's on-screen marketing agent, she came up with the idea that Test should call his fans "Testicles," cut his hair, and reshape his image. This caused the gimmick to become popular with the audience and the couple turned into fan favorites in November 2002. This would be Stacy's first time as a babyface in WWE. In the spring of 2003, Test, however, became to verbally abuse Keibler, who also started managing Scott Steiner. After months of build-up, Keibler finally left Test for Steiner on the June 2 edition of Raw. Steiner defeated Test for Keibler's services at Bad Blood, and Keibler seemed happy as Steiner's new manager, as the two alluded to having more than a professional relationship. Test, however, continued to harass Keibler and Steiner until Steiner accepted a rematch with Stacy's services on the line. On the August 18 episode of Raw, Test won the match after faking a leg injury and then blindsiding Steiner with a big boot. A match was then set for Unforgiven with the stipulation that if Test won, he would not only retain Keibler's services, but would acquire Steiner's services as well. During the match, Keibler's interference backfired, and Test won the match. Steiner then turned heel by attacking Keibler after her interference in his match on the September 29 episode of Raw backfired. For a time, Test and Steiner worked as a tag team, sharing the services of Keibler as their on-screen sex slave. The storyline finally ended on the December 1 episode of Raw, when general manager Mick Foley freed Keibler from her obligatory contracts with Test and Steiner by temporarily firing them. Various storylines (2003–2005) Keibler was chosen to record a track on the album WWE Originals. She and WWE music producer Jim Johnston recorded the song "Why Can't We Just Dance?" for the album. She was then placed in a feud involving Torrie Wilson and then-babyface, Sable, both of whom had recently posed for a Playboy cover. Keibler aligned with Miss Jackie, neither of whom had posed for the magazine, claiming that they deserved to be in Playboy over Sable and Wilson. Keibler and Jackie challenged Sable and Wilson to a Tag Team Evening Gown match at WrestleMania XX, which they lost when Jackie was pinned by Wilson, and the feud was dropped afterward. Before the feud was dropped, all the performers were playing face characters at the time. She took over the 2004 Raw Diva Search for a few weeks, which led to several tag matches against the heel gimmicks of Gail Kim, Trish Stratus, and Molly Holly and with partners Nidia and the face gimmick of Victoria. Keibler got upset victories over Kim, Stratus, and Holly. She earned a Women's Championship title match on October 11, 2004, but she was defeated by Stratus, who retained the title. Keibler also competed in the first-ever Fulfill your Fantasy Diva Battle Royal for the WWE Women's Championship at Taboo Tuesday along with Victoria, Nidia, Gail Kim, Molly Holly, Jazz, and then-champion Stratus. She was eliminated second to last after jumping over the top rope to avoid hitting the turnbuckle, followed by Holly knocking her off the apron to eliminate her. In February 2005, Keibler began appearing in backstage segments with then-babyface, Randy Orton, and eventually became his on-screen girlfriend. When Orton challenged The Undertaker to a match at WrestleMania 21, Orton ended the relationship by hitting Stacy with an RKO, incapacitating her. He justified it by claiming he was demonstrating how ruthless he could be in order to defeat The Undertaker. Super Stacy and departure (2005–2006) Keibler then joined forces with The Hurricane and Rosey. She became one-third of the trio as a superhero sidekick nicknamed Super Stacy, complete with her own superhero costume. She was ringside during several matches as they defended their World Tag Team Championship. During this time, Keibler feuded on-screen with then-heel, Victoria, including confrontations and a mixed-tag-team match on Raw and a singles match on Heat. After a long tenure on Monday nights, Keibler and Christy Hemme, were moved to SmackDown! on August 25, as part of a trade that brought Torrie Wilson and Candice Michelle to Raw. On SmackDown! Keibler participated in lingerie matches and bikini contests. After a short absence, Keibler began a short feud with Jillian Hall, which led to the two having a match on Velocity, which Keibler lost. This would be Keibler's final match with WWE. Keibler then asked for time off to appear on Dancing with the Stars. During this time, Keibler's WWE.com profile was moved from SmackDown! to RAW, though she never made an appearance on the brand before leaving the company. Keibler's final mention on WWE programming occurred on the March 6, 2006 episode of RAW, where she was insulted by Candice Michelle for placing third on Dancing with the Stars during Michelle's unveiling of her Playboy magazine cover. After completing her stint on Dancing with the Stars, Keibler officially parted ways with WWE in July 2006 to move on to other endeavors. Sporadic appearances (2011; 2019) After leaving WWE in July 2006, Keibler made a special guest appearance for WWE's reality show, Tough Enough. Being a former NFL Cheerleader, she helped prepare the contestants to perform publicly in Universal Studios. On April 6, 2019, Keibler made a surprise return to induct Torrie Wilson into the WWE Hall of Fame. In 2021, WWE Network listed Keibler as one of the women who made an impact in WWE outside the ring. Modeling and acting career As the Fitness Editor at Stuff magazine during 2005 and 2006, Keibler wrote and modeled for her own occasional column, Getting Fit with Stacy Keibler. She has appeared on the cover of that magazine twice -June 2005 and March 2006. Maxim named Keibler No. 5 in its 2006 Hot 100 issue, and No. 70 in its 2007 Hot 100. In 2008, she was named No. 89 in Maxims annual Hot 100 list.; the following year she was No. 77. In 2010, she was No. 82 and in 2011 she was No. 72. And in 2012 she was ranked 51. Keibler has declined two invitations from Playboy to pose in the nude for its magazine. Keibler starred in a commercial for AT&T Corporation alongside Carrot Top. She also auditioned and earned a role in Big Momma's House 2, but she did not appear. She competed in the second season of Dancing with the Stars, alongside her dance partner, Tony Dovolani. Keibler received a perfect score of 30 from the three judges for her samba dance routine in week five. This prompted judge, Bruno Tonioli, to nickname her a "weapon of mass seduction." Overall, Keibler and Dovolani received four perfect scores. Keibler was eliminated in the final episode, coming in third to Jerry Rice, who placed second in the final round of the competition, and Drew Lachey, the winner of the season. Two of the judges, Bruno Tonioli and Len Goodman, felt she should have at least placed second. Oddsmakers had considered her the favorite to win the competition. Keibler has appeared on MTV's Punk'd twice. In season five Keibler took part in helping prank Triple H, which also included Stephanie McMahon. In season seven, however, Keibler was seen as a victim of a prank by her then-boyfriend, Geoff Stults. In February 2007, Keibler began a recurring role in ABC's What About Brian. She played the role of Brian's new neighbor and love interest. This was Keibler's first major acting role, following her previous minor roles in both Bubble Boy and Pecker. Keibler guest starred on George Lopez on ABC. In the fall of 2007 Keibler appeared both in The Comebacks and on ABC's drama October Road. In April 2008, she was named No. 64 in FHM's annual 100 Sexiest Women list. Keibler was featured in an advertisement in the 2008 Sports Illustrated Swimsuit issue. In September 2008, Keibler appeared on ABC Family's mini television series, Samurai Girl as the heel character Karen. On November 23, 2008, Keibler was named the "World's Hottest Athlete" by a sixty-four contestant bracket on InGameNow. Keibler hosted the E! Special Maxim's Celebrity Beach Watch: 15 Hottest Bodies on September 16, 2009, and The Ultimate Spike Girl 2009 Finale on Spike TV on October 1, 2009. On January 11, 2010, Keibler appeared as "the hot bartender", a new conquest for Barney, in the How I Met Your Mother 100th episode, "Girls Versus Suits". On February 3, 2010, Keibler appeared on an episode of the USA Network show "Psych". On Oct. 4, 2010, Keibler made a guest appearance in the spy comedy "Chuck" season 4, episode 3 titled "Chuck versus the Cubic Z" alongside guests Nicole Richie and fellow WWE alum "Stone Cold" Steve Austin. Keibler played the role of CIA agent "Greta". In 2011, Keibler hosted Call of Duty Elite's Friday Night Fights. In 2013, Keibler hosted a Lifetime show called Supermarket Superstar, where home chefs fought for their product to be sold in supermarkets. Other media Keibler made her video game debut in WCW Backstage Assault as her Miss Hancock character. She would later appear in eleven WWE video games, which includes WWE WrestleMania X8, WWE SmackDown! Shut Your Mouth, WWE Crush Hour, WWE WrestleMania XIX, WWE Raw 2, WWE SmackDown! Here Comes the Pain, WWE Day of Reckoning, WWE SmackDown! vs. Raw, WWE WrestleMania 21, WWE Day of Reckoning 2, and WWE SmackDown! vs. Raw 2006. Keibler also appears in Dancing with the Stars, a game based on the ABC series of the same name. Filmography Video games Dancing with the Stars season 2 performances Personal life Keibler's boyfriend of seven years from 1992 to 1999, Kris Cumberland, was a wrestling fan who first got her interested in wrestling, and they would sometimes go to WCW and WWF events within two hours drive of Baltimore. In 2000, after winning $10,000 in the contest to become a part of the Nitro Girls, Keibler used the money to buy season tickets for the Baltimore Ravens, the team for which she cheers for and was a former cheerleader. In 2000, Keibler dated David Flair during their time together in WCW. From 2001 to 2005, Keibler dated Andrew "Test" Martin while they both worked together in the WWF/WWE. Keibler moved to Los Angeles in 2004, where she was roommates with Torrie Wilson. In June 2005, Keibler was reported to be in a relationship with actor Geoff Stults. The pair appeared together on MTV's Punk'd, with Keibler as the recipient of the prank. Keibler and Stults were part-owners of the now defunct Hollywood Fame, a 2006 expansion franchise of the American Basketball Association. Stults and Keibler split in 2010. Keibler started dating George Clooney in July 2011. Clooney and Keibler ended their relationship in July 2013. Keibler began dating Future Ads CEO Jared Pobre in fall 2013, though they had been friends for several years previously. They were married on March 8, 2014, in Mexico. They have two daughters, Ava Grace, born on August 20, 2014, Isabella Faith, born in May 2020, and one son, Bodhi Brooks, born on June 18, 2018. Accomplishments World Championship Wrestling Nitro Girl Search (1999) World Wrestling Entertainment' WWE Babe of the Year (2004) References Notes Bibliography External links Stacy Keibler Profile and latest news at Sportskeeda 1979 births 20th-century American actresses 21st-century American actresses Actresses from Maryland American cheerleaders American female dancers American female models American female professional wrestlers American film actresses American television actresses Female models from Maryland Living people National Football League cheerleaders Participants in American reality television series People from Towson, Maryland Professional wrestlers from Maryland Professional wrestling dancers Professional wrestling managers and valets Sportspeople from Baltimore County, Maryland The Dudley Brothers members Towson University alumni	true	[ "is a retired Japanese professional wrestler. She formed a successful tag team with her partner Mima Shimoda as Las Cachorras Orientales (Spanish for \"The Oriental Bitches\"; which was originally a trio with Akira Hokuto) and Toshiyo Yamada as Dream Orca. She is credited as the innovator of the Death Valley Driver. Mita retired on November 1, 2009, defeating former tag team partner Makoto in her final singles match and teaming with Mima Shimoda in a loss against Kyoko Inoue and Nanae Takahashi in her final tag team match.\n\nCareer\nEtsuko Mita debuted on July 31, 1987 against Chiaki Ishikawa and on August 5, 1987, she fought against her debuting future partner, Mima Shimoda. She was part of the 1987 All Japan Women's Pro-Wrestling debut class that included Manami Toyota, Toshiyo Yamada and Mima Shimoda. She teamed with Toshiyo Yamada early on, forming \"Dream Orca\". On June 14, 1989, Mita captured the AJW Tag Team Championship with Toshiyo Yamada, but the team had to vacate the titles in March 1990 when Yamada was injured.\n\nOn November 14, 1990 at Wrestle Marinepiad '90, Mita and Shimoda, prior to becoming LCO captured the AJW Tag Team Championship from the \"Honey Wings\" of Mika Takahashi and Kaoru. The reign lasted until April 21, 1991, when they were defeated by Esther and Cynthia Moreno at AJW St. Battle Day Part 2. This was Mita and Shimoda's only AJW Tag Team Championship together.\n\nBy 1991, Mita started teaming with Manami Toyota to form the \"Mint Showers\". While the team did not have much success in-ring, on November 21, 1991, they released a single together called, \"TIME TO GO\", which was on the same record as Takako Inoue's \"Door of Miracle\" song. The Mint Showers teamed up together for Tag League the Best 1991 in October 1991, but finished near the bottom of the standings.\n\nLas Cachorras Orientales (1992–2009) \n\nIn 1992, Mita formed Las Cachorras Orientales (commonly known as LCO) with Mima Shimoda and Akira Hokuto. While Hokuto was an original member, she did not stay on long as a regular with the team. The team mostly wrestled in the undercard until they captured both the JWP Tag Team Championship and the UWA World Women's Tag Team Championship in March 1994. The team held both sets of titles until January 8, 1995, when they lost their JWP Tag Team Championship to Hikari Fukuoka and Mayumi Ozaki. On September 2, 1995, they vacated their UWA World Women's Tag Team Championship after a successful defense against Lioness Asuka and Jaguar Yokota.\n\nOn June 18, 1997, the team captured the WWWA World Tag Team Championship for the first time by defeating Tomoko Watanabe and Kumiko Maekawa, finally capturing the titles after 5 years as a team.\n\nPost All Japan Women's career\nMita left All Japan Women's Pro-Wrestling with Shimoda in October 1997 as the promotion filed for bankruptcy for NEO Japan Ladies Pro-Wrestling. Between October 1997 and February 1998, the team made stops in Ladies Legend Pro-Wrestling, JDStar and Gaea Japan while creating a rivalry with Kyoko Inoue and Misae Genki in NEO. The team also stopped in JWP later that year.\n\nThe team became freelance in 1999. They wrestled multiple matches for Gaea Japan eventually joining the heel faction, SSU (Super Star Unit). The also started to appear in Arsion during Summer 1999, winning the Twin Stars of Arsion League in December 1999. They also returned to All Japan Women's during this time, capturing the WWWA Tag Titles on July 10, 1999.\n\nIn 2003, Mita joined NEO Japan Ladies Pro-Wrestling full-time again. She spent the rest of her career wrestling both single and tag team matches. On November 1, 2009, LCO teamed for the final time as Mita retired. They teamed against Kyoko Inoue and Nanae Takahashi.\n\nChampionships and accomplishments\nAll Japan Women's Pro-Wrestling\nAJW Tag Team Championship (2 times) – with Toshiyo Yamada (1) and Mima Shimoda (1)\nWWWA World Tag Team Championship (5 times) – with Mima Shimoda(4) and Nanae Takahashi (1)\nTag League the Best (2000) – with Mima Shimoda\nDramatic Dream Team\nIronman Heavymetalweight Championship (1 time)\nJiyūgaoka 6-Person Tag Team Championship (1 time) – with Hero! and Sanshiro Takagi\nIce Ribbon\nInternational Ribbon Tag Team Championship (1 time) – with Makoto\nJWP Joshi Puroresu\nJWP Tag Team Championship (1 time) – with Mima Shimoda\nNEO Japan Ladies Pro-Wrestling\nNEO Single Championship (1 time)\nNEO Tag Team Championship (1 time) – with Kyoko Inoue\nNEO Kitazawa Tag Team Championship (1 time) – with Kyoko Inoue\nNWA Women's Pacific Championship (1 time)\nNEO Hall of Fame (2010)\nTokyo Sports\nJoshi Puroresu Grand Prize (2000) – with Mima Shimoda\nUniversal Wrestling Association\nUWA World Women's Tag Team Championship – with Mima Shimoda\n\nReferences\n\n1969 births\nJapanese female professional wrestlers\nLiving people", "is a Japanese female professional wrestler, who is working for the Mexican professional wrestling promotion Consejo Mundial de Lucha Libre (CMLL) and Japanese promotion World Woman Pro-Wrestling Diana. She is most well known for being half of Las Cachorras Orientales with Etsuko Mita.\n\nProfessional wrestling career\nShimoda debuted on August 5, 1987, against her future Las Cachorras Orientales partner, Etsuko Mita. Early on in her career, Shimoda formed the \"Tokyo Sweethearts\" with Manami Toyota.\n\nOn October 8, 1989, Shimoda won the AJW Junior Championship.\n\nOn August 19, 1990, Shimoda competed in a kickboxing match against Aja Kong. She lost several teeth during the match in defeat.\n\nBy 1991, the Tokyo Sweethearts had stopped teaming together regularly, however they would team off and on through the 1990s.\n\nLas Cachorras Orientales (1992–2009) \n\nIn 1992, Shimoda formed Las Cachorras Orientales(commonly known as LCO) with Etsuko Mita and Akira Hokuto. While Hokuto was an original member, she did not stay on long as a regular with the team. The team mostly wrestled in the undercard until they captured both the JWP Tag Team Championship and the UWA World Women's Tag Team Championship in March 1994. The team held both sets of titles until January 8, 1995, when they lost their JWP Tag Team Championship to Hikari Fukuoka and Mayumi Ozaki. On September 2, 1995, they vacated their UWA World Women's Tag Team Championship after a successful defense against Lioness Asuka and Jaguar Yokota.\n\nO May 11, 1996, the Tokyo Sweethearts teamed up again to take on \"Double Inoue\" of Kyoko Inoue and Takako Inoue. The match went 52 minutes with Double Inoue getting the win. On June 22, 1996, the teams re-matched with the Tokyo Sweethearts winning the WWWA World Tag Team Championship. They held the titles until January 20, 1997.\n\nPost All Japan Women's career\nShimoda left All Japan Women's Pro-Wrestling with Mita in October 1997 as the promotion filed for bankruptcy for NEO Japan Ladies Pro-Wrestling. Between October 1997 and February 1998, the team made stops in Ladies Legend Pro-Wrestling, JDStar and Gaea Japan while creating a rivalry with Kyoko Inoue and Misae Genki in NEO. The team also stopped in JWP later that year.\n\nThe team became freelance in 1999. They wrestled multiple matches for Gaea Japan eventually joining the heel faction, SSU(Super Star Unit). The also started to appear in Arsion during Summer 1999, winning the Twin Stars of Arsion League in December 1999. They also returned to All Japan Women's during this time, capturing the WWWA Tag Titles on July 10, 1999.\n\nOn June 18, 1997, the team captured the WWWA World Tag Team Championship for the first time by defeating Tomoko Watanabe and Kumiko Maekawa, finally capturing the titles after 5 years as a team.\n\nIn 2003, Shimoda retired to work in a backstage role with AtoZ Pro-Wrestling. The retirement did not last long as by 2005, she was wrestling regularly again after AtoZ's closure.\n\nIn 2006 Shimoda moved to Mexico and began working regularly for Consejo Mundial de Lucha Libre (CMLL) as well as making frequent trips to Japan to work with a number of Japanese women's promotions, often touring with other CMLL wrestlers.\n\nOn November 1, 2009, LCO teamed for the final time as Mita retired. They teamed against Kyoko Inoue and Nanae Takahashi. Mima continued to wrestle after.\n\nChampionships and accomplishments\nAll Japan Women's Pro-Wrestling\nAJW Championship (1 time)\nAJW Junior Championship (1 time)\nAJW Tag Team Championship (1 time) – with Etsuko Mita\nTag League the Best (2000) – with Etsuko Mita\nArsion\nQueen of Arsion Championship (1 time)\nTwin Star of Arsion Championship (2 times) – with Etsuko Mita (1), Michiko Ohmukai (1)\nJWP Joshi Puroresu\nJWP Tag Team Championship (1 time) – with Etsuko Mita\nNEO Japan Ladies' Pro Wrestling\nNWA Women's Pacific/NEO Single Championship (1 time)\nTokyo Sports\nJoshi Puroresu Grand Prize (2000) – with Etsuko Mita\nUniversal Woman's Pro Wrestling Reina\nReina World Tag Team Championship (1 time) – with Zeuxis\nUniversal Wrestling Association\nUWA World Women's Tag Team Championship (2 times) – with Etsuko Mita\nWorld Woman Pro-Wrestling Diana\nWWWD World Tag Team Championship (1 time) – with Kaoru\nWorld Women's Wrestling Association\nWWWA World Tag Team Championship (7 times) – with Akira Hokuto (1), Manami Toyota (1), Takako Inoue (1) Etsuko Mita (4)\n\nLuchas de Apuestas record\n\nReferences\n\nExternal links\n\n1970 births\nLiving people\nJapanese expatriate sportspeople in Mexico\nJapanese female professional wrestlers\nMasked wrestlers\nSportspeople from Tokyo" ]
[ "Stacy Keibler", "Various storylines (2003-2005)", "What storyline was there in 2003?", "In October, 2003, Keibler appeared in the ring with Steve Austin.", "What did Steve do to her?", "She was offered a beer, which she politely refused. However, at the urging of Austin, she took a sip of the Miller Lite.", "Did he wrestle her?", "Her disgust was apparent, which displeased Austin. As a result, she received a Stone Cold Stunner.", "Did she ever wrestle?", "She took over the 2004 Raw Diva Search for a few weeks, which led to several tag matches against the heel gimmicks of Gail Kim,", "Who did she tag team with?", "with partners Nidia and the face gimmick of Victoria." ]	C_8ef587e6bf9a42c78c54c5eee0900ac2_0	Who won the search?	6	Who won the search with Stacy Keilber?	Stacy Keibler	Keibler was chosen to record a track on the album WWE Originals. She and WWE music producer Jim Johnston recorded the song "Why Can't We Just Dance?" for the album. She was then placed in a feud involving Torrie Wilson and then-babyface, Sable, both of whom had recently posed for a Playboy cover. Keibler aligned with Miss Jackie, neither of whom had posed for the magazine, claiming that they deserved to be in Playboy over Sable and Wilson. Keibler and Jackie challenged Sable and Wilson to a Tag Team Evening Gown match at WrestleMania XX, which they lost when Jackie was pinned by Wilson, and the feud was dropped afterward. Before the feud was dropped, all the performers were playing face characters at the time. In October, 2003, Keibler appeared in the ring with Steve Austin. She was offered a beer, which she politely refused. However, at the urging of Austin, she took a sip of the Miller Lite. Her disgust was apparent, which displeased Austin. As a result, she received a Stone Cold Stunner. She took over the 2004 Raw Diva Search for a few weeks, which led to several tag matches against the heel gimmicks of Gail Kim, Trish Stratus, and Molly Holly and with partners Nidia and the face gimmick of Victoria. Keibler got upset victories over Kim, Stratus, and Holly. She earned a Women's Championship title match on October 11, 2004, but she was defeated by Stratus, who retained the title. Keibler also competed in the first-ever Fulfill your Fantasy Diva Battle Royal for the WWE Women's Championship at Taboo Tuesday along with Victoria, Nidia, Gail Kim, Molly Holly, Jazz, and then-champion Stratus. She was eliminated second to last after jumping over the top rope to avoid hitting the turnbuckle, followed by Holly knocking her off the apron to eliminate her. In February 2005, Keibler began appearing in backstage segments with then-babyface, Randy Orton, and eventually became his on-screen girlfriend. When Orton challenged The Undertaker to a match at WrestleMania 21, Orton ended the relationship by hitting Stacy with an RKO, incapacitating her. He justified it by claiming he was demonstrating how ruthless he could be in order to defeat The Undertaker. CANNOTANSWER	She earned a Women's Championship title match on October 11, 2004, but she was defeated by Stratus, who retained the title.	Stacy Ann-Marie Keibler (born October 14, 1979) is an American retired professional wrestler, former cheerleader, actress, dancer, and model. She is specifically known for her work with World Championship Wrestling (WCW) and World Wrestling Entertainment (WWE). Keibler began her professional wrestling career as a part of the Nitro Girls in WCW. She quickly moved on to a more prominent role in the company as the manager Miss Hancock. As Miss Hancock, Keibler was known for doing table dances, her relationship with David Flair, and a pregnancy angle. After WCW was purchased by the WWF (later WWE) in 2001, Keibler moved to the new company, using her real name and taking part in the Invasion storyline, also managing the Dudley Boyz. Keibler also managed Test and Scott Steiner. Before her departure from WWE in 2006, she was affiliated with The Hurricane and Rosey and nicknamed "Super Stacy." Keibler was a contestant on Dancing with the Stars: season two, where she placed third. She has also appeared on other ABC series such as What About Brian, George Lopez, and October Road, as well as the 100th episode of the CBS sitcom How I Met Your Mother as a bartender and on the USA Network show Psych. Keibler has also modeled, appearing in both Maxim and Stuff magazines. Keibler is considered to be a sex symbol and is known for her unusually long legs. She has been known as both "The Legs of WCW" and "The Legs of WWE". During Keibler's time on Dancing with the Stars, judge Bruno Tonioli nicknamed her "The Weapon of Mass Seduction." Early life Stacy Ann-Marie Keibler was born on October 14, 1979, in Rosedale, Maryland, the daughter of Patricia and Gary Keibler. Beginning at the age of three, Keibler took ballet, jazz, and tap dancing classes at Jean Kettell Studio of Dance in Dundalk, Maryland. She went to St. Clement Mary Hofbauer School in Rosedale for her early schooling. In 1990, Stacy won the title of Miss Maryland Pre-Teen, after competing for the title in Timonium, and went on to win the National Miss Pre-Teen Crown. After attending The Catholic High School of Baltimore, an all-girls school, Keibler attended Towson University, where she studied mass communication. She attended the university on a partial scholarship and had a 3.7 grade point average (GPA). Keibler had minor parts in movies such as Pecker and Liberty Heights, as well as small modeling jobs. Keibler became a cheerleader for the Baltimore Ravens football team when she was 18. Professional wrestling career World Championship Wrestling (1999–2001) Keibler began watching wrestling with her boyfriend at the time, Kris Cumberland. She can be seen in the crowd on an episode of Nitro in 1997 and the Starrcade 1998 pay-per-view before the television title match, dancing in an NWO Wolfpac T-shirt. In September 1999, Keibler entered a nationwide contest held by World Championship Wrestling to find a new member of the Nitro Girls dance troupe, which was organized in an attempt to boost the show's declining ratings. A total of 300 women participated in the contest; the results were decided by a series of polls on WCW's website, which narrowed down the field to eight finalists. Keibler was declared the winner of the contest on the November 8, 1999 edition of Nitro after receiving the most online votes out of the eight finalists and was given a spot on the dance troupe along with a $10,000 prize. Her winning routine was watched by 4.4 million viewers. Keibler performed dance routines every week on WCW's flagship show Monday Nitro under the name Skye. By 2000, Keibler was appearing on WCW as a Nitro Girl, attending school full-time, and cheering for the Baltimore Ravens. She soon accepted a larger role and became a heel valet using the stage name Miss Hancock (some weeks spelled "Handcock"), briefly serving as an associate for the tag team of Lenny Lane and Lodi dubbed Standards and Practices. Despite wearing business suits, her character was known to climb on top of the announcers' table and dance sensually. It was also during this period that she began using what would become her trademark ring entrance: slowly putting her forty-two inch legs through the second tier of ropes, pausing to let the crowd momentarily see her panties underneath her incredibly short skirts. At 5 feet 11 inches, Keibler was one of few women in professional wrestling tall enough to step over the middle of the three ropes that surround the ring. During 2000, she dated David Flair (both on-screen and off-screen), who was already involved in an on-screen relationship with Daffney. Ms Hancock set her eyes on Flair, and ended up stealing him away from Daffney and continued to torment the woman whose boyfriend she stole, and the two would feud throughout the Summer of 2000. This led to Keibler's in-ring debut at the Bash at the Beach in a Wedding Gown match, which she lost after she removed her own gown. Hancock next briefly feuded with Kimberly Page, but the storyline ended abruptly when Page quit the company. Keibler and Flair then began a feud with the Misfits in Action stable, including a mud wrestling singles match against Major Gunns at New Blood Rising. During the match, she was kicked in the stomach, and she revealed herself to be pregnant the next night, beginning a new angle for herself and Flair. Two proposed endings to the storyline were for either Ric Flair or Vince Russo to be the father of her child. The angle, however, ended prematurely, as she revealed the pregnancy to be false, broke up with David Flair, and was taken off of television. When Stacy returned in 2001 she dropped the name Ms. Hancock and went by her real name. On the March 12, 2001 edition of Nitro, Keibler revealed Shawn Stasiak as her "baby" and continued her role as a heel manager, siding with Stasiak. Shawn and Stacy would feud with Bam Bam Bigelow, with the evil Stacy using underhanded tactics to help Stasiak win 2 matches from a series of 3, including on the final edition of Nitro two weeks later on March 26. World Wrestling Federation/Entertainment The Invasion (2001) When WCW was purchased by the World Wrestling Federation (WWF) in 2001, Keibler's contract was bought by the WWF. Stacy made her WWF television debut on the June 14, 2001 episode of SmackDown! when then-face, Shane McMahon brought her to the ring to distract then-heel, Rhyno, causing him to lose a match. Not long after this she turned into a heel character as part of The Alliance. Stacy showed herself to be an evil mean girl that had a sadistic side, as she loved watching other people's pain and misfortune, and regularly enjoyed mocking them by pointing and laughing. She originally teamed up with real-life friend, then-heel, Torrie Wilson, and the pair feuded with Trish Stratus and Lita. During this feud the four wrestlers competed in the first-ever tag team Bra and Panties Match at the Invasion pay-per-view, which Trish and Lita won by stripping Stacy and Wilson down to their bra & panties. After this she and Torrie moved on to targeting Jacqueline, and were shown backstage enjoying watching Jacqueline cry over the elimination of Shadrick McGee from Tough Enough. Stacy and Torrie then defeated Jacqueline in a handicap match on Raw with help from Ivory. On the Heat before SummerSlam, Stacy along with Torrie and Ivory, brutally attacked Lita backstage by injuring her knee, with the intent of preventing her from competing against them later that night. Stacy also had a brief reunion with Shawn Stasiak, and a short alliance with Tazz, as they battled the likes of Spike Dudley and Tajiri. Stacy found it amusing how short these men were and told Torrie that their height made them lesser men. Torrie had begun dating Tajiri at this time and this caused the evil Stacy to begin an on-screen rivalry with her former friend. The feud started with a couple of mixed tag matches involving the women and included Stacy sneak attacking Torrie backstage on an episode of Raw. Duchess of Dudleyville (2001–2002) As the WCW/ECW Invasion was nearing its end, Keibler became the manager of the heel Dudley Boyz. She made her first appearance in this role on the October 1, 2001 episode of Raw, and was nicknamed the "Duchess of Dudleyville". During this time, Stacy continued to show her sadistic side as she took great pleasure in watching the likes of Torrie Wilson and Spike Dudley get driven violently through tables, and particularly enjoyed being the one to personally give the order to the Dudley Boyz to put Torrie through a table. Stacy couldn't hide her joy at seeing Torrie suffering at her feet and laughed at the sight. A few days later on Smackdown, Stacy watched with glee as the Dudley Boyz threw Spike to the outside of the ring and through a table, as commentator Michael Cole acknowledged how wicked Stacy was and called her “evil”. Torrie would return a couple of weeks later to get her revenge, and gave Keibler a wedgie then pantsed her on an episode of SmackDown!. She then defeated Keibler in the first-ever lingerie match, a match wrestled in lingerie, at No Mercy. Keibler made her WrestleMania debut at WrestleMania X8 alongside The Dudleyz. Keibler's role with the Dudley Boyz came to an abrupt end when she was powerbombed through a table after accidentally costing the team a match. She then set her sights on the WWE Women's Championship at Judgment Day, facing Trish Stratus in a losing effort. She faced Stratus several more times in the succeeding weeks, but she never won a match against her. Mr McMahon's personal assistant (2002) Keibler was originally drafted to the SmackDown! brand in 2002, where she immediately set her eyes on the man in charge, the heel WWE chairman, Vince McMahon. McMahon was ready to hire another attractive female until Keibler interrupted and performed a seductive table dance in the ring to successfully become McMahon's personal assistant, as well as his on-screen mistress. She was frequently shown flirting and 'making out' with him in backstage segments. During her time alongside the boss she lied that the young rookie Randy Orton had forced himself on her, which caused Orton to be punished with a match against the mean veteran Hardcore Holly. A few weeks later she sat at ringside and enjoyed watching the rookie Orton get beaten up some more, this time by Test. She also had a personal ringside view when Triple H was ambushed in a 6 on 1 beatdown by some of McMahon's henchmen. The sadistic Stacy looked on and grinned with pleasure as Triple H was beaten and bloodied in the assault. She also continued her rivalry with Torrie Wilson during this time period, and even tried to throw Torrie off the stage on an episode of Smackdown, but a referee saved Torrie just in time and stopped Stacy's evil plan from being a success. Her time with McMahon came to an end when Stephanie McMahon became general manager of the SmackDown! brand. Dawn Marie made her debut on SmackDown! as McMahon's legal assistant, who competed with Keibler for McMahon's affections. Move to Raw & alliance with Test (2002–2003) A key storyline for Keibler's on-screen character occurred when she left SmackDown! for Raw. Keibler made her official Raw debut on August 12, 2002, and immediately began feuding with the women there. She was given the role of being a special referee on a couple of occasions and used them as opportunities to abuse her power. Stacy would count quickly when her fellow bad girls were making pin attempts, and count slowly when the good girls tried the same. She would also feign arm injuries when the chance to make the decisive 3 count came. In another role as a special referee, Stacy was put in charge of a match between Test and D'Lo Brown. At the start of the match Stacy laid down the law to both competitors before slapping D’Lo in the face. She would make slow counts when D’Lo tried to win the match and also started tying her shoelace when D’Lo hit his finisher and went for the pin. After arguing with Stacy about her actions, D’Lo was smashed in the face by a big boot from Test, which Stacy thoroughly enjoyed watching. She then made a quick 3 count to help the villain Test win the match. This would begin the on screen pairing between her and Test which would last for the remainder of 2002 and most of 2003. She enjoyed watching him rip apart fan favourites, such as the heroic Hurricane and would also use her deviousness to help him win matches, such as when she delivered a low blow to Goldust. As Test's on-screen marketing agent, she came up with the idea that Test should call his fans "Testicles," cut his hair, and reshape his image. This caused the gimmick to become popular with the audience and the couple turned into fan favorites in November 2002. This would be Stacy's first time as a babyface in WWE. In the spring of 2003, Test, however, became to verbally abuse Keibler, who also started managing Scott Steiner. After months of build-up, Keibler finally left Test for Steiner on the June 2 edition of Raw. Steiner defeated Test for Keibler's services at Bad Blood, and Keibler seemed happy as Steiner's new manager, as the two alluded to having more than a professional relationship. Test, however, continued to harass Keibler and Steiner until Steiner accepted a rematch with Stacy's services on the line. On the August 18 episode of Raw, Test won the match after faking a leg injury and then blindsiding Steiner with a big boot. A match was then set for Unforgiven with the stipulation that if Test won, he would not only retain Keibler's services, but would acquire Steiner's services as well. During the match, Keibler's interference backfired, and Test won the match. Steiner then turned heel by attacking Keibler after her interference in his match on the September 29 episode of Raw backfired. For a time, Test and Steiner worked as a tag team, sharing the services of Keibler as their on-screen sex slave. The storyline finally ended on the December 1 episode of Raw, when general manager Mick Foley freed Keibler from her obligatory contracts with Test and Steiner by temporarily firing them. Various storylines (2003–2005) Keibler was chosen to record a track on the album WWE Originals. She and WWE music producer Jim Johnston recorded the song "Why Can't We Just Dance?" for the album. She was then placed in a feud involving Torrie Wilson and then-babyface, Sable, both of whom had recently posed for a Playboy cover. Keibler aligned with Miss Jackie, neither of whom had posed for the magazine, claiming that they deserved to be in Playboy over Sable and Wilson. Keibler and Jackie challenged Sable and Wilson to a Tag Team Evening Gown match at WrestleMania XX, which they lost when Jackie was pinned by Wilson, and the feud was dropped afterward. Before the feud was dropped, all the performers were playing face characters at the time. She took over the 2004 Raw Diva Search for a few weeks, which led to several tag matches against the heel gimmicks of Gail Kim, Trish Stratus, and Molly Holly and with partners Nidia and the face gimmick of Victoria. Keibler got upset victories over Kim, Stratus, and Holly. She earned a Women's Championship title match on October 11, 2004, but she was defeated by Stratus, who retained the title. Keibler also competed in the first-ever Fulfill your Fantasy Diva Battle Royal for the WWE Women's Championship at Taboo Tuesday along with Victoria, Nidia, Gail Kim, Molly Holly, Jazz, and then-champion Stratus. She was eliminated second to last after jumping over the top rope to avoid hitting the turnbuckle, followed by Holly knocking her off the apron to eliminate her. In February 2005, Keibler began appearing in backstage segments with then-babyface, Randy Orton, and eventually became his on-screen girlfriend. When Orton challenged The Undertaker to a match at WrestleMania 21, Orton ended the relationship by hitting Stacy with an RKO, incapacitating her. He justified it by claiming he was demonstrating how ruthless he could be in order to defeat The Undertaker. Super Stacy and departure (2005–2006) Keibler then joined forces with The Hurricane and Rosey. She became one-third of the trio as a superhero sidekick nicknamed Super Stacy, complete with her own superhero costume. She was ringside during several matches as they defended their World Tag Team Championship. During this time, Keibler feuded on-screen with then-heel, Victoria, including confrontations and a mixed-tag-team match on Raw and a singles match on Heat. After a long tenure on Monday nights, Keibler and Christy Hemme, were moved to SmackDown! on August 25, as part of a trade that brought Torrie Wilson and Candice Michelle to Raw. On SmackDown! Keibler participated in lingerie matches and bikini contests. After a short absence, Keibler began a short feud with Jillian Hall, which led to the two having a match on Velocity, which Keibler lost. This would be Keibler's final match with WWE. Keibler then asked for time off to appear on Dancing with the Stars. During this time, Keibler's WWE.com profile was moved from SmackDown! to RAW, though she never made an appearance on the brand before leaving the company. Keibler's final mention on WWE programming occurred on the March 6, 2006 episode of RAW, where she was insulted by Candice Michelle for placing third on Dancing with the Stars during Michelle's unveiling of her Playboy magazine cover. After completing her stint on Dancing with the Stars, Keibler officially parted ways with WWE in July 2006 to move on to other endeavors. Sporadic appearances (2011; 2019) After leaving WWE in July 2006, Keibler made a special guest appearance for WWE's reality show, Tough Enough. Being a former NFL Cheerleader, she helped prepare the contestants to perform publicly in Universal Studios. On April 6, 2019, Keibler made a surprise return to induct Torrie Wilson into the WWE Hall of Fame. In 2021, WWE Network listed Keibler as one of the women who made an impact in WWE outside the ring. Modeling and acting career As the Fitness Editor at Stuff magazine during 2005 and 2006, Keibler wrote and modeled for her own occasional column, Getting Fit with Stacy Keibler. She has appeared on the cover of that magazine twice -June 2005 and March 2006. Maxim named Keibler No. 5 in its 2006 Hot 100 issue, and No. 70 in its 2007 Hot 100. In 2008, she was named No. 89 in Maxims annual Hot 100 list.; the following year she was No. 77. In 2010, she was No. 82 and in 2011 she was No. 72. And in 2012 she was ranked 51. Keibler has declined two invitations from Playboy to pose in the nude for its magazine. Keibler starred in a commercial for AT&T Corporation alongside Carrot Top. She also auditioned and earned a role in Big Momma's House 2, but she did not appear. She competed in the second season of Dancing with the Stars, alongside her dance partner, Tony Dovolani. Keibler received a perfect score of 30 from the three judges for her samba dance routine in week five. This prompted judge, Bruno Tonioli, to nickname her a "weapon of mass seduction." Overall, Keibler and Dovolani received four perfect scores. Keibler was eliminated in the final episode, coming in third to Jerry Rice, who placed second in the final round of the competition, and Drew Lachey, the winner of the season. Two of the judges, Bruno Tonioli and Len Goodman, felt she should have at least placed second. Oddsmakers had considered her the favorite to win the competition. Keibler has appeared on MTV's Punk'd twice. In season five Keibler took part in helping prank Triple H, which also included Stephanie McMahon. In season seven, however, Keibler was seen as a victim of a prank by her then-boyfriend, Geoff Stults. In February 2007, Keibler began a recurring role in ABC's What About Brian. She played the role of Brian's new neighbor and love interest. This was Keibler's first major acting role, following her previous minor roles in both Bubble Boy and Pecker. Keibler guest starred on George Lopez on ABC. In the fall of 2007 Keibler appeared both in The Comebacks and on ABC's drama October Road. In April 2008, she was named No. 64 in FHM's annual 100 Sexiest Women list. Keibler was featured in an advertisement in the 2008 Sports Illustrated Swimsuit issue. In September 2008, Keibler appeared on ABC Family's mini television series, Samurai Girl as the heel character Karen. On November 23, 2008, Keibler was named the "World's Hottest Athlete" by a sixty-four contestant bracket on InGameNow. Keibler hosted the E! Special Maxim's Celebrity Beach Watch: 15 Hottest Bodies on September 16, 2009, and The Ultimate Spike Girl 2009 Finale on Spike TV on October 1, 2009. On January 11, 2010, Keibler appeared as "the hot bartender", a new conquest for Barney, in the How I Met Your Mother 100th episode, "Girls Versus Suits". On February 3, 2010, Keibler appeared on an episode of the USA Network show "Psych". On Oct. 4, 2010, Keibler made a guest appearance in the spy comedy "Chuck" season 4, episode 3 titled "Chuck versus the Cubic Z" alongside guests Nicole Richie and fellow WWE alum "Stone Cold" Steve Austin. Keibler played the role of CIA agent "Greta". In 2011, Keibler hosted Call of Duty Elite's Friday Night Fights. In 2013, Keibler hosted a Lifetime show called Supermarket Superstar, where home chefs fought for their product to be sold in supermarkets. Other media Keibler made her video game debut in WCW Backstage Assault as her Miss Hancock character. She would later appear in eleven WWE video games, which includes WWE WrestleMania X8, WWE SmackDown! Shut Your Mouth, WWE Crush Hour, WWE WrestleMania XIX, WWE Raw 2, WWE SmackDown! Here Comes the Pain, WWE Day of Reckoning, WWE SmackDown! vs. Raw, WWE WrestleMania 21, WWE Day of Reckoning 2, and WWE SmackDown! vs. Raw 2006. Keibler also appears in Dancing with the Stars, a game based on the ABC series of the same name. Filmography Video games Dancing with the Stars season 2 performances Personal life Keibler's boyfriend of seven years from 1992 to 1999, Kris Cumberland, was a wrestling fan who first got her interested in wrestling, and they would sometimes go to WCW and WWF events within two hours drive of Baltimore. In 2000, after winning $10,000 in the contest to become a part of the Nitro Girls, Keibler used the money to buy season tickets for the Baltimore Ravens, the team for which she cheers for and was a former cheerleader. In 2000, Keibler dated David Flair during their time together in WCW. From 2001 to 2005, Keibler dated Andrew "Test" Martin while they both worked together in the WWF/WWE. Keibler moved to Los Angeles in 2004, where she was roommates with Torrie Wilson. In June 2005, Keibler was reported to be in a relationship with actor Geoff Stults. The pair appeared together on MTV's Punk'd, with Keibler as the recipient of the prank. Keibler and Stults were part-owners of the now defunct Hollywood Fame, a 2006 expansion franchise of the American Basketball Association. Stults and Keibler split in 2010. Keibler started dating George Clooney in July 2011. Clooney and Keibler ended their relationship in July 2013. Keibler began dating Future Ads CEO Jared Pobre in fall 2013, though they had been friends for several years previously. They were married on March 8, 2014, in Mexico. They have two daughters, Ava Grace, born on August 20, 2014, Isabella Faith, born in May 2020, and one son, Bodhi Brooks, born on June 18, 2018. Accomplishments World Championship Wrestling Nitro Girl Search (1999) World Wrestling Entertainment' WWE Babe of the Year (2004) References Notes Bibliography External links Stacy Keibler Profile and latest news at Sportskeeda 1979 births 20th-century American actresses 21st-century American actresses Actresses from Maryland American cheerleaders American female dancers American female models American female professional wrestlers American film actresses American television actresses Female models from Maryland Living people National Football League cheerleaders Participants in American reality television series People from Towson, Maryland Professional wrestlers from Maryland Professional wrestling dancers Professional wrestling managers and valets Sportspeople from Baltimore County, Maryland The Dudley Brothers members Towson University alumni	true	[ "Beyond the Search is a documentary project developed and produced by Jared Madden, directed by Kyle Portbury and executive produced by John Gate and Neale Schofield. Funded by the Seventh-day Adventist Church it was produced at the Adventist Media Network Studios in Sydney, Australia and is presented and promoted by the Seventh-day Adventist owned television network Hope Channel.\n\nFeature documentary series\nThere are 14 episodes in the feature documentary series, with principal photography taking place in more than 14 countries around the world. The series features three presenters who travel the globe to find stories that give evidence to the biblical world view. The series was directed by Kyle Portbury, with cinema-photography by Gorden Brown. Original score music was composed by Michael Price.\n\nEpisodes\n Beyond Disaster, the search for Hope\nBeyond Conflict, the search for Meaning\n Beyond Pain, the search for Answers\n Beyond Belief, the search for Truth\n Beyond Heroes, the search for a Saviour\n Beyond Lost, the search for Rescue\n Beyond Guilt, the search for Peace\n Beyond Rules, the search for Freedom\n Beyond Burnout, the search for Rest\n Beyond Counterfeit, the search for the Real Thing\n Beyond Death, the search for Destiny\n Beyond Hell, the search for Love\n Beyond Warning, the search for Safety\n Beyond Talk, the search for Commitment\n\nAwards\nThe feature documentary series won several awards in 2012 and was officially selected by the United Nations Chicago Chapter to be screened at the UNA Global Wakeup Festival of Film, Literature and Creative Arts 2012.\nBest Shorts 2012 - Award of Merit: for Christian, Cinematography, Directing and Editing\nPrestige 2012 - Bronze Award: Short Documentary\nAccolade 2012 - Award of Merit: Christian and Cinematography\nRedemptive Film Festival Award - Award of Merit: Contemporary Issues and Cinematography\nCINE Gold Eagle 2012 - Non-Fiction\n\nTV show\nExplore Beyond is a 29-part TV talk show which included over 30 people giving evidence from the Bible to the views expressed in the feature documentary series. Explore Beyond is scheduled to premiere on the HopeChannel in February 2012.\n\nEpisodes\n The Great Controversy\n Why Do Innocent Suffer?\n Can We Trust the Bible?\n Who Is in charge?\n The Man Who Lived Before He Was born\n Who Is Jesus?\n The Trinity\n When Jesus Comes Again\n 1,000 Years of Peace\n Heaven\n Guilt in the Temple\n The Good News\n Being Saved\n The Law of Freedom\n God's Rest\n Jesus and the Sabbath\n Who Changed the Sabbath?\n Marks of the Beast and Seal of God\n In the Beginning\n What Happens After Life?\n Spirit Guides\n Hell No!!!\n Is God Fair?\n The Seven Last Plagues\n How to Be Safe\n Modern Prophets\n The Importance of Baptism\n The Good Life\n Following Jesus\n\nSoundtrack\nThe original score music was composed by Michael Price and includes nine original songs by various singer songwriters from around the world.\n\nTracks\n Theme from Beyond (Michael Price)\n Watchmen (Castles In Air)\n Miracle (Anna Weatherup)\n It's Time (Eric & Monique)\n Guiding Light (Josh Cunningham)\n Mistake (Vintage Season)\n There Is More (Castles in Air)\n Joshy's Song (Ali & Leighton)\n Underground Believer (Eric & Monique)\n It Was Good (Josh Cunningham)\n Hope and Resolution (Michael Price)\n\nReferences", "Google Pigeon is the code name given to one of Google's local search algorithm updates. This update was released on July 24, 2014. The update is aimed to increase the ranking of local listing in a search.\n\nThe changes will also affect the search results shown in Google Maps along with the regular Google search results. \nAs of the initial release date, it was released in US English and was intended to shortly be released in other languages and locations. This update provides the results based on the user location and the listing available in the local directory.\n\nEffect on search results \n\nThe purpose of Pigeon is to provide preference to local search results. On the day of release, it received mixed responses from webmasters. Some complained about the ranking being decreased whereas others reported improvement in the search rankings. As per the webmasters' understanding, this update has location and distance as key parts of the search strategy. The local directory listings are getting preferences in web results.\n\nWhat's new \n\nTo improve the quality of local searches and provide more relevant results to the user, Google relies on factors such as location and distance. This update alters the local listings in the search results; along with this, the local directory sites are given preference.\n\nSee also \n Google Hummingbird\n Google Panda\n Google Penguin\n PageRank\n Timeline of Google Search\n\nReferences\n\nExternal links \n Search Engine Land Names new Google Local search update.\n “Pigeon” Algorithm Update Released Thursday 7/24/14.\n SMX on Pigeon from SEO Land.\n Google On Pigeon Fluctuations: We Won’t Detail All Changes In The Future\n Google Pigeon Update: Local Results Updated Again\n Discussion on Webmaster World about Pigeon Update.\n Google’s Local Search Engine Algorithm Spreads Its Wings\n\nSearch engine optimization\nLink analysis\nPigeon" ]
[ "Stacy Keibler", "Various storylines (2003-2005)", "What storyline was there in 2003?", "In October, 2003, Keibler appeared in the ring with Steve Austin.", "What did Steve do to her?", "She was offered a beer, which she politely refused. However, at the urging of Austin, she took a sip of the Miller Lite.", "Did he wrestle her?", "Her disgust was apparent, which displeased Austin. As a result, she received a Stone Cold Stunner.", "Did she ever wrestle?", "She took over the 2004 Raw Diva Search for a few weeks, which led to several tag matches against the heel gimmicks of Gail Kim,", "Who did she tag team with?", "with partners Nidia and the face gimmick of Victoria.", "Who won the search?", "She earned a Women's Championship title match on October 11, 2004, but she was defeated by Stratus, who retained the title." ]	C_8ef587e6bf9a42c78c54c5eee0900ac2_0	what is a notable storyline?	7	what is a notable storyline involving Stacy Keibler?	Stacy Keibler	Keibler was chosen to record a track on the album WWE Originals. She and WWE music producer Jim Johnston recorded the song "Why Can't We Just Dance?" for the album. She was then placed in a feud involving Torrie Wilson and then-babyface, Sable, both of whom had recently posed for a Playboy cover. Keibler aligned with Miss Jackie, neither of whom had posed for the magazine, claiming that they deserved to be in Playboy over Sable and Wilson. Keibler and Jackie challenged Sable and Wilson to a Tag Team Evening Gown match at WrestleMania XX, which they lost when Jackie was pinned by Wilson, and the feud was dropped afterward. Before the feud was dropped, all the performers were playing face characters at the time. In October, 2003, Keibler appeared in the ring with Steve Austin. She was offered a beer, which she politely refused. However, at the urging of Austin, she took a sip of the Miller Lite. Her disgust was apparent, which displeased Austin. As a result, she received a Stone Cold Stunner. She took over the 2004 Raw Diva Search for a few weeks, which led to several tag matches against the heel gimmicks of Gail Kim, Trish Stratus, and Molly Holly and with partners Nidia and the face gimmick of Victoria. Keibler got upset victories over Kim, Stratus, and Holly. She earned a Women's Championship title match on October 11, 2004, but she was defeated by Stratus, who retained the title. Keibler also competed in the first-ever Fulfill your Fantasy Diva Battle Royal for the WWE Women's Championship at Taboo Tuesday along with Victoria, Nidia, Gail Kim, Molly Holly, Jazz, and then-champion Stratus. She was eliminated second to last after jumping over the top rope to avoid hitting the turnbuckle, followed by Holly knocking her off the apron to eliminate her. In February 2005, Keibler began appearing in backstage segments with then-babyface, Randy Orton, and eventually became his on-screen girlfriend. When Orton challenged The Undertaker to a match at WrestleMania 21, Orton ended the relationship by hitting Stacy with an RKO, incapacitating her. He justified it by claiming he was demonstrating how ruthless he could be in order to defeat The Undertaker. CANNOTANSWER	February 2005, Keibler began appearing in backstage segments with then-babyface, Randy Orton, and eventually became his on-screen girlfriend.	Stacy Ann-Marie Keibler (born October 14, 1979) is an American retired professional wrestler, former cheerleader, actress, dancer, and model. She is specifically known for her work with World Championship Wrestling (WCW) and World Wrestling Entertainment (WWE). Keibler began her professional wrestling career as a part of the Nitro Girls in WCW. She quickly moved on to a more prominent role in the company as the manager Miss Hancock. As Miss Hancock, Keibler was known for doing table dances, her relationship with David Flair, and a pregnancy angle. After WCW was purchased by the WWF (later WWE) in 2001, Keibler moved to the new company, using her real name and taking part in the Invasion storyline, also managing the Dudley Boyz. Keibler also managed Test and Scott Steiner. Before her departure from WWE in 2006, she was affiliated with The Hurricane and Rosey and nicknamed "Super Stacy." Keibler was a contestant on Dancing with the Stars: season two, where she placed third. She has also appeared on other ABC series such as What About Brian, George Lopez, and October Road, as well as the 100th episode of the CBS sitcom How I Met Your Mother as a bartender and on the USA Network show Psych. Keibler has also modeled, appearing in both Maxim and Stuff magazines. Keibler is considered to be a sex symbol and is known for her unusually long legs. She has been known as both "The Legs of WCW" and "The Legs of WWE". During Keibler's time on Dancing with the Stars, judge Bruno Tonioli nicknamed her "The Weapon of Mass Seduction." Early life Stacy Ann-Marie Keibler was born on October 14, 1979, in Rosedale, Maryland, the daughter of Patricia and Gary Keibler. Beginning at the age of three, Keibler took ballet, jazz, and tap dancing classes at Jean Kettell Studio of Dance in Dundalk, Maryland. She went to St. Clement Mary Hofbauer School in Rosedale for her early schooling. In 1990, Stacy won the title of Miss Maryland Pre-Teen, after competing for the title in Timonium, and went on to win the National Miss Pre-Teen Crown. After attending The Catholic High School of Baltimore, an all-girls school, Keibler attended Towson University, where she studied mass communication. She attended the university on a partial scholarship and had a 3.7 grade point average (GPA). Keibler had minor parts in movies such as Pecker and Liberty Heights, as well as small modeling jobs. Keibler became a cheerleader for the Baltimore Ravens football team when she was 18. Professional wrestling career World Championship Wrestling (1999–2001) Keibler began watching wrestling with her boyfriend at the time, Kris Cumberland. She can be seen in the crowd on an episode of Nitro in 1997 and the Starrcade 1998 pay-per-view before the television title match, dancing in an NWO Wolfpac T-shirt. In September 1999, Keibler entered a nationwide contest held by World Championship Wrestling to find a new member of the Nitro Girls dance troupe, which was organized in an attempt to boost the show's declining ratings. A total of 300 women participated in the contest; the results were decided by a series of polls on WCW's website, which narrowed down the field to eight finalists. Keibler was declared the winner of the contest on the November 8, 1999 edition of Nitro after receiving the most online votes out of the eight finalists and was given a spot on the dance troupe along with a $10,000 prize. Her winning routine was watched by 4.4 million viewers. Keibler performed dance routines every week on WCW's flagship show Monday Nitro under the name Skye. By 2000, Keibler was appearing on WCW as a Nitro Girl, attending school full-time, and cheering for the Baltimore Ravens. She soon accepted a larger role and became a heel valet using the stage name Miss Hancock (some weeks spelled "Handcock"), briefly serving as an associate for the tag team of Lenny Lane and Lodi dubbed Standards and Practices. Despite wearing business suits, her character was known to climb on top of the announcers' table and dance sensually. It was also during this period that she began using what would become her trademark ring entrance: slowly putting her forty-two inch legs through the second tier of ropes, pausing to let the crowd momentarily see her panties underneath her incredibly short skirts. At 5 feet 11 inches, Keibler was one of few women in professional wrestling tall enough to step over the middle of the three ropes that surround the ring. During 2000, she dated David Flair (both on-screen and off-screen), who was already involved in an on-screen relationship with Daffney. Ms Hancock set her eyes on Flair, and ended up stealing him away from Daffney and continued to torment the woman whose boyfriend she stole, and the two would feud throughout the Summer of 2000. This led to Keibler's in-ring debut at the Bash at the Beach in a Wedding Gown match, which she lost after she removed her own gown. Hancock next briefly feuded with Kimberly Page, but the storyline ended abruptly when Page quit the company. Keibler and Flair then began a feud with the Misfits in Action stable, including a mud wrestling singles match against Major Gunns at New Blood Rising. During the match, she was kicked in the stomach, and she revealed herself to be pregnant the next night, beginning a new angle for herself and Flair. Two proposed endings to the storyline were for either Ric Flair or Vince Russo to be the father of her child. The angle, however, ended prematurely, as she revealed the pregnancy to be false, broke up with David Flair, and was taken off of television. When Stacy returned in 2001 she dropped the name Ms. Hancock and went by her real name. On the March 12, 2001 edition of Nitro, Keibler revealed Shawn Stasiak as her "baby" and continued her role as a heel manager, siding with Stasiak. Shawn and Stacy would feud with Bam Bam Bigelow, with the evil Stacy using underhanded tactics to help Stasiak win 2 matches from a series of 3, including on the final edition of Nitro two weeks later on March 26. World Wrestling Federation/Entertainment The Invasion (2001) When WCW was purchased by the World Wrestling Federation (WWF) in 2001, Keibler's contract was bought by the WWF. Stacy made her WWF television debut on the June 14, 2001 episode of SmackDown! when then-face, Shane McMahon brought her to the ring to distract then-heel, Rhyno, causing him to lose a match. Not long after this she turned into a heel character as part of The Alliance. Stacy showed herself to be an evil mean girl that had a sadistic side, as she loved watching other people's pain and misfortune, and regularly enjoyed mocking them by pointing and laughing. She originally teamed up with real-life friend, then-heel, Torrie Wilson, and the pair feuded with Trish Stratus and Lita. During this feud the four wrestlers competed in the first-ever tag team Bra and Panties Match at the Invasion pay-per-view, which Trish and Lita won by stripping Stacy and Wilson down to their bra & panties. After this she and Torrie moved on to targeting Jacqueline, and were shown backstage enjoying watching Jacqueline cry over the elimination of Shadrick McGee from Tough Enough. Stacy and Torrie then defeated Jacqueline in a handicap match on Raw with help from Ivory. On the Heat before SummerSlam, Stacy along with Torrie and Ivory, brutally attacked Lita backstage by injuring her knee, with the intent of preventing her from competing against them later that night. Stacy also had a brief reunion with Shawn Stasiak, and a short alliance with Tazz, as they battled the likes of Spike Dudley and Tajiri. Stacy found it amusing how short these men were and told Torrie that their height made them lesser men. Torrie had begun dating Tajiri at this time and this caused the evil Stacy to begin an on-screen rivalry with her former friend. The feud started with a couple of mixed tag matches involving the women and included Stacy sneak attacking Torrie backstage on an episode of Raw. Duchess of Dudleyville (2001–2002) As the WCW/ECW Invasion was nearing its end, Keibler became the manager of the heel Dudley Boyz. She made her first appearance in this role on the October 1, 2001 episode of Raw, and was nicknamed the "Duchess of Dudleyville". During this time, Stacy continued to show her sadistic side as she took great pleasure in watching the likes of Torrie Wilson and Spike Dudley get driven violently through tables, and particularly enjoyed being the one to personally give the order to the Dudley Boyz to put Torrie through a table. Stacy couldn't hide her joy at seeing Torrie suffering at her feet and laughed at the sight. A few days later on Smackdown, Stacy watched with glee as the Dudley Boyz threw Spike to the outside of the ring and through a table, as commentator Michael Cole acknowledged how wicked Stacy was and called her “evil”. Torrie would return a couple of weeks later to get her revenge, and gave Keibler a wedgie then pantsed her on an episode of SmackDown!. She then defeated Keibler in the first-ever lingerie match, a match wrestled in lingerie, at No Mercy. Keibler made her WrestleMania debut at WrestleMania X8 alongside The Dudleyz. Keibler's role with the Dudley Boyz came to an abrupt end when she was powerbombed through a table after accidentally costing the team a match. She then set her sights on the WWE Women's Championship at Judgment Day, facing Trish Stratus in a losing effort. She faced Stratus several more times in the succeeding weeks, but she never won a match against her. Mr McMahon's personal assistant (2002) Keibler was originally drafted to the SmackDown! brand in 2002, where she immediately set her eyes on the man in charge, the heel WWE chairman, Vince McMahon. McMahon was ready to hire another attractive female until Keibler interrupted and performed a seductive table dance in the ring to successfully become McMahon's personal assistant, as well as his on-screen mistress. She was frequently shown flirting and 'making out' with him in backstage segments. During her time alongside the boss she lied that the young rookie Randy Orton had forced himself on her, which caused Orton to be punished with a match against the mean veteran Hardcore Holly. A few weeks later she sat at ringside and enjoyed watching the rookie Orton get beaten up some more, this time by Test. She also had a personal ringside view when Triple H was ambushed in a 6 on 1 beatdown by some of McMahon's henchmen. The sadistic Stacy looked on and grinned with pleasure as Triple H was beaten and bloodied in the assault. She also continued her rivalry with Torrie Wilson during this time period, and even tried to throw Torrie off the stage on an episode of Smackdown, but a referee saved Torrie just in time and stopped Stacy's evil plan from being a success. Her time with McMahon came to an end when Stephanie McMahon became general manager of the SmackDown! brand. Dawn Marie made her debut on SmackDown! as McMahon's legal assistant, who competed with Keibler for McMahon's affections. Move to Raw & alliance with Test (2002–2003) A key storyline for Keibler's on-screen character occurred when she left SmackDown! for Raw. Keibler made her official Raw debut on August 12, 2002, and immediately began feuding with the women there. She was given the role of being a special referee on a couple of occasions and used them as opportunities to abuse her power. Stacy would count quickly when her fellow bad girls were making pin attempts, and count slowly when the good girls tried the same. She would also feign arm injuries when the chance to make the decisive 3 count came. In another role as a special referee, Stacy was put in charge of a match between Test and D'Lo Brown. At the start of the match Stacy laid down the law to both competitors before slapping D’Lo in the face. She would make slow counts when D’Lo tried to win the match and also started tying her shoelace when D’Lo hit his finisher and went for the pin. After arguing with Stacy about her actions, D’Lo was smashed in the face by a big boot from Test, which Stacy thoroughly enjoyed watching. She then made a quick 3 count to help the villain Test win the match. This would begin the on screen pairing between her and Test which would last for the remainder of 2002 and most of 2003. She enjoyed watching him rip apart fan favourites, such as the heroic Hurricane and would also use her deviousness to help him win matches, such as when she delivered a low blow to Goldust. As Test's on-screen marketing agent, she came up with the idea that Test should call his fans "Testicles," cut his hair, and reshape his image. This caused the gimmick to become popular with the audience and the couple turned into fan favorites in November 2002. This would be Stacy's first time as a babyface in WWE. In the spring of 2003, Test, however, became to verbally abuse Keibler, who also started managing Scott Steiner. After months of build-up, Keibler finally left Test for Steiner on the June 2 edition of Raw. Steiner defeated Test for Keibler's services at Bad Blood, and Keibler seemed happy as Steiner's new manager, as the two alluded to having more than a professional relationship. Test, however, continued to harass Keibler and Steiner until Steiner accepted a rematch with Stacy's services on the line. On the August 18 episode of Raw, Test won the match after faking a leg injury and then blindsiding Steiner with a big boot. A match was then set for Unforgiven with the stipulation that if Test won, he would not only retain Keibler's services, but would acquire Steiner's services as well. During the match, Keibler's interference backfired, and Test won the match. Steiner then turned heel by attacking Keibler after her interference in his match on the September 29 episode of Raw backfired. For a time, Test and Steiner worked as a tag team, sharing the services of Keibler as their on-screen sex slave. The storyline finally ended on the December 1 episode of Raw, when general manager Mick Foley freed Keibler from her obligatory contracts with Test and Steiner by temporarily firing them. Various storylines (2003–2005) Keibler was chosen to record a track on the album WWE Originals. She and WWE music producer Jim Johnston recorded the song "Why Can't We Just Dance?" for the album. She was then placed in a feud involving Torrie Wilson and then-babyface, Sable, both of whom had recently posed for a Playboy cover. Keibler aligned with Miss Jackie, neither of whom had posed for the magazine, claiming that they deserved to be in Playboy over Sable and Wilson. Keibler and Jackie challenged Sable and Wilson to a Tag Team Evening Gown match at WrestleMania XX, which they lost when Jackie was pinned by Wilson, and the feud was dropped afterward. Before the feud was dropped, all the performers were playing face characters at the time. She took over the 2004 Raw Diva Search for a few weeks, which led to several tag matches against the heel gimmicks of Gail Kim, Trish Stratus, and Molly Holly and with partners Nidia and the face gimmick of Victoria. Keibler got upset victories over Kim, Stratus, and Holly. She earned a Women's Championship title match on October 11, 2004, but she was defeated by Stratus, who retained the title. Keibler also competed in the first-ever Fulfill your Fantasy Diva Battle Royal for the WWE Women's Championship at Taboo Tuesday along with Victoria, Nidia, Gail Kim, Molly Holly, Jazz, and then-champion Stratus. She was eliminated second to last after jumping over the top rope to avoid hitting the turnbuckle, followed by Holly knocking her off the apron to eliminate her. In February 2005, Keibler began appearing in backstage segments with then-babyface, Randy Orton, and eventually became his on-screen girlfriend. When Orton challenged The Undertaker to a match at WrestleMania 21, Orton ended the relationship by hitting Stacy with an RKO, incapacitating her. He justified it by claiming he was demonstrating how ruthless he could be in order to defeat The Undertaker. Super Stacy and departure (2005–2006) Keibler then joined forces with The Hurricane and Rosey. She became one-third of the trio as a superhero sidekick nicknamed Super Stacy, complete with her own superhero costume. She was ringside during several matches as they defended their World Tag Team Championship. During this time, Keibler feuded on-screen with then-heel, Victoria, including confrontations and a mixed-tag-team match on Raw and a singles match on Heat. After a long tenure on Monday nights, Keibler and Christy Hemme, were moved to SmackDown! on August 25, as part of a trade that brought Torrie Wilson and Candice Michelle to Raw. On SmackDown! Keibler participated in lingerie matches and bikini contests. After a short absence, Keibler began a short feud with Jillian Hall, which led to the two having a match on Velocity, which Keibler lost. This would be Keibler's final match with WWE. Keibler then asked for time off to appear on Dancing with the Stars. During this time, Keibler's WWE.com profile was moved from SmackDown! to RAW, though she never made an appearance on the brand before leaving the company. Keibler's final mention on WWE programming occurred on the March 6, 2006 episode of RAW, where she was insulted by Candice Michelle for placing third on Dancing with the Stars during Michelle's unveiling of her Playboy magazine cover. After completing her stint on Dancing with the Stars, Keibler officially parted ways with WWE in July 2006 to move on to other endeavors. Sporadic appearances (2011; 2019) After leaving WWE in July 2006, Keibler made a special guest appearance for WWE's reality show, Tough Enough. Being a former NFL Cheerleader, she helped prepare the contestants to perform publicly in Universal Studios. On April 6, 2019, Keibler made a surprise return to induct Torrie Wilson into the WWE Hall of Fame. In 2021, WWE Network listed Keibler as one of the women who made an impact in WWE outside the ring. Modeling and acting career As the Fitness Editor at Stuff magazine during 2005 and 2006, Keibler wrote and modeled for her own occasional column, Getting Fit with Stacy Keibler. She has appeared on the cover of that magazine twice -June 2005 and March 2006. Maxim named Keibler No. 5 in its 2006 Hot 100 issue, and No. 70 in its 2007 Hot 100. In 2008, she was named No. 89 in Maxims annual Hot 100 list.; the following year she was No. 77. In 2010, she was No. 82 and in 2011 she was No. 72. And in 2012 she was ranked 51. Keibler has declined two invitations from Playboy to pose in the nude for its magazine. Keibler starred in a commercial for AT&T Corporation alongside Carrot Top. She also auditioned and earned a role in Big Momma's House 2, but she did not appear. She competed in the second season of Dancing with the Stars, alongside her dance partner, Tony Dovolani. Keibler received a perfect score of 30 from the three judges for her samba dance routine in week five. This prompted judge, Bruno Tonioli, to nickname her a "weapon of mass seduction." Overall, Keibler and Dovolani received four perfect scores. Keibler was eliminated in the final episode, coming in third to Jerry Rice, who placed second in the final round of the competition, and Drew Lachey, the winner of the season. Two of the judges, Bruno Tonioli and Len Goodman, felt she should have at least placed second. Oddsmakers had considered her the favorite to win the competition. Keibler has appeared on MTV's Punk'd twice. In season five Keibler took part in helping prank Triple H, which also included Stephanie McMahon. In season seven, however, Keibler was seen as a victim of a prank by her then-boyfriend, Geoff Stults. In February 2007, Keibler began a recurring role in ABC's What About Brian. She played the role of Brian's new neighbor and love interest. This was Keibler's first major acting role, following her previous minor roles in both Bubble Boy and Pecker. Keibler guest starred on George Lopez on ABC. In the fall of 2007 Keibler appeared both in The Comebacks and on ABC's drama October Road. In April 2008, she was named No. 64 in FHM's annual 100 Sexiest Women list. Keibler was featured in an advertisement in the 2008 Sports Illustrated Swimsuit issue. In September 2008, Keibler appeared on ABC Family's mini television series, Samurai Girl as the heel character Karen. On November 23, 2008, Keibler was named the "World's Hottest Athlete" by a sixty-four contestant bracket on InGameNow. Keibler hosted the E! Special Maxim's Celebrity Beach Watch: 15 Hottest Bodies on September 16, 2009, and The Ultimate Spike Girl 2009 Finale on Spike TV on October 1, 2009. On January 11, 2010, Keibler appeared as "the hot bartender", a new conquest for Barney, in the How I Met Your Mother 100th episode, "Girls Versus Suits". On February 3, 2010, Keibler appeared on an episode of the USA Network show "Psych". On Oct. 4, 2010, Keibler made a guest appearance in the spy comedy "Chuck" season 4, episode 3 titled "Chuck versus the Cubic Z" alongside guests Nicole Richie and fellow WWE alum "Stone Cold" Steve Austin. Keibler played the role of CIA agent "Greta". In 2011, Keibler hosted Call of Duty Elite's Friday Night Fights. In 2013, Keibler hosted a Lifetime show called Supermarket Superstar, where home chefs fought for their product to be sold in supermarkets. Other media Keibler made her video game debut in WCW Backstage Assault as her Miss Hancock character. She would later appear in eleven WWE video games, which includes WWE WrestleMania X8, WWE SmackDown! Shut Your Mouth, WWE Crush Hour, WWE WrestleMania XIX, WWE Raw 2, WWE SmackDown! Here Comes the Pain, WWE Day of Reckoning, WWE SmackDown! vs. Raw, WWE WrestleMania 21, WWE Day of Reckoning 2, and WWE SmackDown! vs. Raw 2006. Keibler also appears in Dancing with the Stars, a game based on the ABC series of the same name. Filmography Video games Dancing with the Stars season 2 performances Personal life Keibler's boyfriend of seven years from 1992 to 1999, Kris Cumberland, was a wrestling fan who first got her interested in wrestling, and they would sometimes go to WCW and WWF events within two hours drive of Baltimore. In 2000, after winning $10,000 in the contest to become a part of the Nitro Girls, Keibler used the money to buy season tickets for the Baltimore Ravens, the team for which she cheers for and was a former cheerleader. In 2000, Keibler dated David Flair during their time together in WCW. From 2001 to 2005, Keibler dated Andrew "Test" Martin while they both worked together in the WWF/WWE. Keibler moved to Los Angeles in 2004, where she was roommates with Torrie Wilson. In June 2005, Keibler was reported to be in a relationship with actor Geoff Stults. The pair appeared together on MTV's Punk'd, with Keibler as the recipient of the prank. Keibler and Stults were part-owners of the now defunct Hollywood Fame, a 2006 expansion franchise of the American Basketball Association. Stults and Keibler split in 2010. Keibler started dating George Clooney in July 2011. Clooney and Keibler ended their relationship in July 2013. Keibler began dating Future Ads CEO Jared Pobre in fall 2013, though they had been friends for several years previously. They were married on March 8, 2014, in Mexico. They have two daughters, Ava Grace, born on August 20, 2014, Isabella Faith, born in May 2020, and one son, Bodhi Brooks, born on June 18, 2018. Accomplishments World Championship Wrestling Nitro Girl Search (1999) World Wrestling Entertainment' WWE Babe of the Year (2004) References Notes Bibliography External links Stacy Keibler Profile and latest news at Sportskeeda 1979 births 20th-century American actresses 21st-century American actresses Actresses from Maryland American cheerleaders American female dancers American female models American female professional wrestlers American film actresses American television actresses Female models from Maryland Living people National Football League cheerleaders Participants in American reality television series People from Towson, Maryland Professional wrestlers from Maryland Professional wrestling dancers Professional wrestling managers and valets Sportspeople from Baltimore County, Maryland The Dudley Brothers members Towson University alumni	true	[ "Storyline is the only Philippine current affairs show that allows the story to be told by those who lived through it, without the filtering voice of a host. \"What's different about Storyline,\" says Philippine Daily Inquirer's Nestor Torre, is \"its bracing confidence in its viewers intelligence.\" Business World calls it \"a labor of love and conscience,\" what may be \"the most relevant and meaningful show there is,\" while Philippine Star describes it as \"entertainment with bite.\"\n\nAbout\nThe current-affairs show, a three-part, thematic-linked documentary, also airs over The Filipino Channel (TFC). Created by the writer-director team of columnist Patricia Evangelista and critically acclaimed filmmaker Paolo Villaluna—the same team that brought the top-rating Kidnap documentary to ABS-CBN — Storyline brings cinema and narrative to the television, with stories of lives changed and the heights of the human spirit.\n\nANC already offers more than the usual fare, giving commentary, analysis, and context behind the news story. Storyline provides viewers with an additional perspective.\n\nThe focus is on the storytelling, using writing and imagery to emphasize the narrative. Supported by Filipino Pictures and its crew of independent filmmakers, including cinematographer Manny Magbanua, Storyline will offer storytelling as never before seen in Philippine cable and free TV. Watch Storyline on ABS-CBN, Friday after SOCO. With replays on Thursday 9:30 PM and Sunday 3:00 PM on ANC.\n\nStoryline would be airing in DZMM TeleRadyo on September 7, 2011 at 9:15 PM. It was announced on August 30, 2011 in DZMM's Dos Por Dos. This would be seen only in DZMM TeleRadyo.\n\nSee also\nList of programs shown on the ABS-CBN News Channel\nABS-CBN News Channel\nABS-CBN News and Current Affairs\n\nABS-CBN News Channel original programming\nABS-CBN News and Current Affairs shows\nABS-CBN original programming\n2008 Philippine television series debuts\n2015 Philippine television series endings\nEnglish-language television shows\nTelevision news program articles using incorrect naming style", "Razor's Edge (Russian: Лезвие бритвы, Lezvie britvy, Edge of the Razor) is a 1963 science fiction novel by the Soviet writer and paleontologist Ivan Yefremov. It includes four parts and is notable for a huge amount of the scientific facts and dynamism.\n\nEfremov used the word \"eidetica\" as an ability to a deliberate dreams, when man dreams in full details about something that is known to him only as told by friends, read in books or seen in pictures. In this novel such capability to see such panoramic color images appears in one of the novel characters after he was contused in time of Great Patriotic War. Later on he arrives in Moscow, USSR to ask the doctors explain this symptom. While healed he sees an even more detailed dream, but after he loses his unique ability.\n\nPlot\nThe plot contains some storylines which are intertwined. We can name these storylines according to their setting places. The first one is the Soviet Storyline and is about the medical doctor and psychophysiologist Ivan Girin, who studies the hidden possibilities of human brain and is interested in human beauty. The second storyline is about a group of Italians who go to Africa to find diamonds, but find Alexander The Great's Crown with mysterious crystals in it. The third storyline is about Dayaram Ramamoorty, the sculptor from India, and Amrita Tillottama, the dancer. The characters meet each other in the end of the novel.\n\nCharacters\n\nIvan Girin \nHe is the main character in the soviet storyline and then, in the whole book, too. He is a medical doctor, who worked as a surgeon, but later dedicated himself to psychophysiology. Soviet scientist Alexey Bystrow is a prototype of his character and Italian actor Amedeo Nazzari is a prototype of his appearance.\n\nSerafima Yuryevna (Sima) Metalina \nShe is a 28-year-old sportswoman (modern rhythmic gymnastics). She meets Girin at the exhibition where Anna's statue is present. Sima breaks a stereotype of sportswoman: instead of being ignorant, she is well-educated, fond of literature and arts and speaks English. Polish actress Barbara Kwiatkowska-Lass is a prototype of her appearance.\n\nDayaram Ramamoorty \nDayaram Ramamoorty is the main character in the Indian Storyline. He is a sculptor and is looking for a way to sculpt his idea of perfect beauty.\n\nTillottama \nTillottama is a second main character in the Indian storyline. The readers meet her with Dayaram in the Khajuraho Temple. She catches Dayaram's eye by her beauty, but after she is acquainted with him and proves to be very heartful and intellectual. Dayaram is curious about her life, and she tells him her life story.\n\nHer real name is Amrita Vidiadevi.\n\nSandra Citti \nSandra Citti is from the Italian Storyline. She is Ivo Flaiano's girlfriend, young, beautiful and glamorous. She goes on the adventurous yacht trip with Cezare, Lea and Ivo. During the trip she reveals that she is not just a beautiful young actress, but also an ancient history specialist.\n\nComposition\nThe novel consists of prologue, four main parts and epilogue.\n\nExternal links\n Razor's Edge by Ivan Yefremov\n\n1963 novels\nNovels by Ivan Yefremov\n1963 science fiction novels" ]
[ "Stacy Keibler", "Various storylines (2003-2005)", "What storyline was there in 2003?", "In October, 2003, Keibler appeared in the ring with Steve Austin.", "What did Steve do to her?", "She was offered a beer, which she politely refused. However, at the urging of Austin, she took a sip of the Miller Lite.", "Did he wrestle her?", "Her disgust was apparent, which displeased Austin. As a result, she received a Stone Cold Stunner.", "Did she ever wrestle?", "She took over the 2004 Raw Diva Search for a few weeks, which led to several tag matches against the heel gimmicks of Gail Kim,", "Who did she tag team with?", "with partners Nidia and the face gimmick of Victoria.", "Who won the search?", "She earned a Women's Championship title match on October 11, 2004, but she was defeated by Stratus, who retained the title.", "what is a notable storyline?", "February 2005, Keibler began appearing in backstage segments with then-babyface, Randy Orton, and eventually became his on-screen girlfriend." ]	C_8ef587e6bf9a42c78c54c5eee0900ac2_0	DId they wrestle anyone in this storyline?	8	DId Stacy Keibler wrestle anyone in the 2005 storyline?	Stacy Keibler	Keibler was chosen to record a track on the album WWE Originals. She and WWE music producer Jim Johnston recorded the song "Why Can't We Just Dance?" for the album. She was then placed in a feud involving Torrie Wilson and then-babyface, Sable, both of whom had recently posed for a Playboy cover. Keibler aligned with Miss Jackie, neither of whom had posed for the magazine, claiming that they deserved to be in Playboy over Sable and Wilson. Keibler and Jackie challenged Sable and Wilson to a Tag Team Evening Gown match at WrestleMania XX, which they lost when Jackie was pinned by Wilson, and the feud was dropped afterward. Before the feud was dropped, all the performers were playing face characters at the time. In October, 2003, Keibler appeared in the ring with Steve Austin. She was offered a beer, which she politely refused. However, at the urging of Austin, she took a sip of the Miller Lite. Her disgust was apparent, which displeased Austin. As a result, she received a Stone Cold Stunner. She took over the 2004 Raw Diva Search for a few weeks, which led to several tag matches against the heel gimmicks of Gail Kim, Trish Stratus, and Molly Holly and with partners Nidia and the face gimmick of Victoria. Keibler got upset victories over Kim, Stratus, and Holly. She earned a Women's Championship title match on October 11, 2004, but she was defeated by Stratus, who retained the title. Keibler also competed in the first-ever Fulfill your Fantasy Diva Battle Royal for the WWE Women's Championship at Taboo Tuesday along with Victoria, Nidia, Gail Kim, Molly Holly, Jazz, and then-champion Stratus. She was eliminated second to last after jumping over the top rope to avoid hitting the turnbuckle, followed by Holly knocking her off the apron to eliminate her. In February 2005, Keibler began appearing in backstage segments with then-babyface, Randy Orton, and eventually became his on-screen girlfriend. When Orton challenged The Undertaker to a match at WrestleMania 21, Orton ended the relationship by hitting Stacy with an RKO, incapacitating her. He justified it by claiming he was demonstrating how ruthless he could be in order to defeat The Undertaker. CANNOTANSWER	When Orton challenged The Undertaker to a match at WrestleMania 21, Orton ended the relationship by hitting Stacy with an RKO,	Stacy Ann-Marie Keibler (born October 14, 1979) is an American retired professional wrestler, former cheerleader, actress, dancer, and model. She is specifically known for her work with World Championship Wrestling (WCW) and World Wrestling Entertainment (WWE). Keibler began her professional wrestling career as a part of the Nitro Girls in WCW. She quickly moved on to a more prominent role in the company as the manager Miss Hancock. As Miss Hancock, Keibler was known for doing table dances, her relationship with David Flair, and a pregnancy angle. After WCW was purchased by the WWF (later WWE) in 2001, Keibler moved to the new company, using her real name and taking part in the Invasion storyline, also managing the Dudley Boyz. Keibler also managed Test and Scott Steiner. Before her departure from WWE in 2006, she was affiliated with The Hurricane and Rosey and nicknamed "Super Stacy." Keibler was a contestant on Dancing with the Stars: season two, where she placed third. She has also appeared on other ABC series such as What About Brian, George Lopez, and October Road, as well as the 100th episode of the CBS sitcom How I Met Your Mother as a bartender and on the USA Network show Psych. Keibler has also modeled, appearing in both Maxim and Stuff magazines. Keibler is considered to be a sex symbol and is known for her unusually long legs. She has been known as both "The Legs of WCW" and "The Legs of WWE". During Keibler's time on Dancing with the Stars, judge Bruno Tonioli nicknamed her "The Weapon of Mass Seduction." Early life Stacy Ann-Marie Keibler was born on October 14, 1979, in Rosedale, Maryland, the daughter of Patricia and Gary Keibler. Beginning at the age of three, Keibler took ballet, jazz, and tap dancing classes at Jean Kettell Studio of Dance in Dundalk, Maryland. She went to St. Clement Mary Hofbauer School in Rosedale for her early schooling. In 1990, Stacy won the title of Miss Maryland Pre-Teen, after competing for the title in Timonium, and went on to win the National Miss Pre-Teen Crown. After attending The Catholic High School of Baltimore, an all-girls school, Keibler attended Towson University, where she studied mass communication. She attended the university on a partial scholarship and had a 3.7 grade point average (GPA). Keibler had minor parts in movies such as Pecker and Liberty Heights, as well as small modeling jobs. Keibler became a cheerleader for the Baltimore Ravens football team when she was 18. Professional wrestling career World Championship Wrestling (1999–2001) Keibler began watching wrestling with her boyfriend at the time, Kris Cumberland. She can be seen in the crowd on an episode of Nitro in 1997 and the Starrcade 1998 pay-per-view before the television title match, dancing in an NWO Wolfpac T-shirt. In September 1999, Keibler entered a nationwide contest held by World Championship Wrestling to find a new member of the Nitro Girls dance troupe, which was organized in an attempt to boost the show's declining ratings. A total of 300 women participated in the contest; the results were decided by a series of polls on WCW's website, which narrowed down the field to eight finalists. Keibler was declared the winner of the contest on the November 8, 1999 edition of Nitro after receiving the most online votes out of the eight finalists and was given a spot on the dance troupe along with a $10,000 prize. Her winning routine was watched by 4.4 million viewers. Keibler performed dance routines every week on WCW's flagship show Monday Nitro under the name Skye. By 2000, Keibler was appearing on WCW as a Nitro Girl, attending school full-time, and cheering for the Baltimore Ravens. She soon accepted a larger role and became a heel valet using the stage name Miss Hancock (some weeks spelled "Handcock"), briefly serving as an associate for the tag team of Lenny Lane and Lodi dubbed Standards and Practices. Despite wearing business suits, her character was known to climb on top of the announcers' table and dance sensually. It was also during this period that she began using what would become her trademark ring entrance: slowly putting her forty-two inch legs through the second tier of ropes, pausing to let the crowd momentarily see her panties underneath her incredibly short skirts. At 5 feet 11 inches, Keibler was one of few women in professional wrestling tall enough to step over the middle of the three ropes that surround the ring. During 2000, she dated David Flair (both on-screen and off-screen), who was already involved in an on-screen relationship with Daffney. Ms Hancock set her eyes on Flair, and ended up stealing him away from Daffney and continued to torment the woman whose boyfriend she stole, and the two would feud throughout the Summer of 2000. This led to Keibler's in-ring debut at the Bash at the Beach in a Wedding Gown match, which she lost after she removed her own gown. Hancock next briefly feuded with Kimberly Page, but the storyline ended abruptly when Page quit the company. Keibler and Flair then began a feud with the Misfits in Action stable, including a mud wrestling singles match against Major Gunns at New Blood Rising. During the match, she was kicked in the stomach, and she revealed herself to be pregnant the next night, beginning a new angle for herself and Flair. Two proposed endings to the storyline were for either Ric Flair or Vince Russo to be the father of her child. The angle, however, ended prematurely, as she revealed the pregnancy to be false, broke up with David Flair, and was taken off of television. When Stacy returned in 2001 she dropped the name Ms. Hancock and went by her real name. On the March 12, 2001 edition of Nitro, Keibler revealed Shawn Stasiak as her "baby" and continued her role as a heel manager, siding with Stasiak. Shawn and Stacy would feud with Bam Bam Bigelow, with the evil Stacy using underhanded tactics to help Stasiak win 2 matches from a series of 3, including on the final edition of Nitro two weeks later on March 26. World Wrestling Federation/Entertainment The Invasion (2001) When WCW was purchased by the World Wrestling Federation (WWF) in 2001, Keibler's contract was bought by the WWF. Stacy made her WWF television debut on the June 14, 2001 episode of SmackDown! when then-face, Shane McMahon brought her to the ring to distract then-heel, Rhyno, causing him to lose a match. Not long after this she turned into a heel character as part of The Alliance. Stacy showed herself to be an evil mean girl that had a sadistic side, as she loved watching other people's pain and misfortune, and regularly enjoyed mocking them by pointing and laughing. She originally teamed up with real-life friend, then-heel, Torrie Wilson, and the pair feuded with Trish Stratus and Lita. During this feud the four wrestlers competed in the first-ever tag team Bra and Panties Match at the Invasion pay-per-view, which Trish and Lita won by stripping Stacy and Wilson down to their bra & panties. After this she and Torrie moved on to targeting Jacqueline, and were shown backstage enjoying watching Jacqueline cry over the elimination of Shadrick McGee from Tough Enough. Stacy and Torrie then defeated Jacqueline in a handicap match on Raw with help from Ivory. On the Heat before SummerSlam, Stacy along with Torrie and Ivory, brutally attacked Lita backstage by injuring her knee, with the intent of preventing her from competing against them later that night. Stacy also had a brief reunion with Shawn Stasiak, and a short alliance with Tazz, as they battled the likes of Spike Dudley and Tajiri. Stacy found it amusing how short these men were and told Torrie that their height made them lesser men. Torrie had begun dating Tajiri at this time and this caused the evil Stacy to begin an on-screen rivalry with her former friend. The feud started with a couple of mixed tag matches involving the women and included Stacy sneak attacking Torrie backstage on an episode of Raw. Duchess of Dudleyville (2001–2002) As the WCW/ECW Invasion was nearing its end, Keibler became the manager of the heel Dudley Boyz. She made her first appearance in this role on the October 1, 2001 episode of Raw, and was nicknamed the "Duchess of Dudleyville". During this time, Stacy continued to show her sadistic side as she took great pleasure in watching the likes of Torrie Wilson and Spike Dudley get driven violently through tables, and particularly enjoyed being the one to personally give the order to the Dudley Boyz to put Torrie through a table. Stacy couldn't hide her joy at seeing Torrie suffering at her feet and laughed at the sight. A few days later on Smackdown, Stacy watched with glee as the Dudley Boyz threw Spike to the outside of the ring and through a table, as commentator Michael Cole acknowledged how wicked Stacy was and called her “evil”. Torrie would return a couple of weeks later to get her revenge, and gave Keibler a wedgie then pantsed her on an episode of SmackDown!. She then defeated Keibler in the first-ever lingerie match, a match wrestled in lingerie, at No Mercy. Keibler made her WrestleMania debut at WrestleMania X8 alongside The Dudleyz. Keibler's role with the Dudley Boyz came to an abrupt end when she was powerbombed through a table after accidentally costing the team a match. She then set her sights on the WWE Women's Championship at Judgment Day, facing Trish Stratus in a losing effort. She faced Stratus several more times in the succeeding weeks, but she never won a match against her. Mr McMahon's personal assistant (2002) Keibler was originally drafted to the SmackDown! brand in 2002, where she immediately set her eyes on the man in charge, the heel WWE chairman, Vince McMahon. McMahon was ready to hire another attractive female until Keibler interrupted and performed a seductive table dance in the ring to successfully become McMahon's personal assistant, as well as his on-screen mistress. She was frequently shown flirting and 'making out' with him in backstage segments. During her time alongside the boss she lied that the young rookie Randy Orton had forced himself on her, which caused Orton to be punished with a match against the mean veteran Hardcore Holly. A few weeks later she sat at ringside and enjoyed watching the rookie Orton get beaten up some more, this time by Test. She also had a personal ringside view when Triple H was ambushed in a 6 on 1 beatdown by some of McMahon's henchmen. The sadistic Stacy looked on and grinned with pleasure as Triple H was beaten and bloodied in the assault. She also continued her rivalry with Torrie Wilson during this time period, and even tried to throw Torrie off the stage on an episode of Smackdown, but a referee saved Torrie just in time and stopped Stacy's evil plan from being a success. Her time with McMahon came to an end when Stephanie McMahon became general manager of the SmackDown! brand. Dawn Marie made her debut on SmackDown! as McMahon's legal assistant, who competed with Keibler for McMahon's affections. Move to Raw & alliance with Test (2002–2003) A key storyline for Keibler's on-screen character occurred when she left SmackDown! for Raw. Keibler made her official Raw debut on August 12, 2002, and immediately began feuding with the women there. She was given the role of being a special referee on a couple of occasions and used them as opportunities to abuse her power. Stacy would count quickly when her fellow bad girls were making pin attempts, and count slowly when the good girls tried the same. She would also feign arm injuries when the chance to make the decisive 3 count came. In another role as a special referee, Stacy was put in charge of a match between Test and D'Lo Brown. At the start of the match Stacy laid down the law to both competitors before slapping D’Lo in the face. She would make slow counts when D’Lo tried to win the match and also started tying her shoelace when D’Lo hit his finisher and went for the pin. After arguing with Stacy about her actions, D’Lo was smashed in the face by a big boot from Test, which Stacy thoroughly enjoyed watching. She then made a quick 3 count to help the villain Test win the match. This would begin the on screen pairing between her and Test which would last for the remainder of 2002 and most of 2003. She enjoyed watching him rip apart fan favourites, such as the heroic Hurricane and would also use her deviousness to help him win matches, such as when she delivered a low blow to Goldust. As Test's on-screen marketing agent, she came up with the idea that Test should call his fans "Testicles," cut his hair, and reshape his image. This caused the gimmick to become popular with the audience and the couple turned into fan favorites in November 2002. This would be Stacy's first time as a babyface in WWE. In the spring of 2003, Test, however, became to verbally abuse Keibler, who also started managing Scott Steiner. After months of build-up, Keibler finally left Test for Steiner on the June 2 edition of Raw. Steiner defeated Test for Keibler's services at Bad Blood, and Keibler seemed happy as Steiner's new manager, as the two alluded to having more than a professional relationship. Test, however, continued to harass Keibler and Steiner until Steiner accepted a rematch with Stacy's services on the line. On the August 18 episode of Raw, Test won the match after faking a leg injury and then blindsiding Steiner with a big boot. A match was then set for Unforgiven with the stipulation that if Test won, he would not only retain Keibler's services, but would acquire Steiner's services as well. During the match, Keibler's interference backfired, and Test won the match. Steiner then turned heel by attacking Keibler after her interference in his match on the September 29 episode of Raw backfired. For a time, Test and Steiner worked as a tag team, sharing the services of Keibler as their on-screen sex slave. The storyline finally ended on the December 1 episode of Raw, when general manager Mick Foley freed Keibler from her obligatory contracts with Test and Steiner by temporarily firing them. Various storylines (2003–2005) Keibler was chosen to record a track on the album WWE Originals. She and WWE music producer Jim Johnston recorded the song "Why Can't We Just Dance?" for the album. She was then placed in a feud involving Torrie Wilson and then-babyface, Sable, both of whom had recently posed for a Playboy cover. Keibler aligned with Miss Jackie, neither of whom had posed for the magazine, claiming that they deserved to be in Playboy over Sable and Wilson. Keibler and Jackie challenged Sable and Wilson to a Tag Team Evening Gown match at WrestleMania XX, which they lost when Jackie was pinned by Wilson, and the feud was dropped afterward. Before the feud was dropped, all the performers were playing face characters at the time. She took over the 2004 Raw Diva Search for a few weeks, which led to several tag matches against the heel gimmicks of Gail Kim, Trish Stratus, and Molly Holly and with partners Nidia and the face gimmick of Victoria. Keibler got upset victories over Kim, Stratus, and Holly. She earned a Women's Championship title match on October 11, 2004, but she was defeated by Stratus, who retained the title. Keibler also competed in the first-ever Fulfill your Fantasy Diva Battle Royal for the WWE Women's Championship at Taboo Tuesday along with Victoria, Nidia, Gail Kim, Molly Holly, Jazz, and then-champion Stratus. She was eliminated second to last after jumping over the top rope to avoid hitting the turnbuckle, followed by Holly knocking her off the apron to eliminate her. In February 2005, Keibler began appearing in backstage segments with then-babyface, Randy Orton, and eventually became his on-screen girlfriend. When Orton challenged The Undertaker to a match at WrestleMania 21, Orton ended the relationship by hitting Stacy with an RKO, incapacitating her. He justified it by claiming he was demonstrating how ruthless he could be in order to defeat The Undertaker. Super Stacy and departure (2005–2006) Keibler then joined forces with The Hurricane and Rosey. She became one-third of the trio as a superhero sidekick nicknamed Super Stacy, complete with her own superhero costume. She was ringside during several matches as they defended their World Tag Team Championship. During this time, Keibler feuded on-screen with then-heel, Victoria, including confrontations and a mixed-tag-team match on Raw and a singles match on Heat. After a long tenure on Monday nights, Keibler and Christy Hemme, were moved to SmackDown! on August 25, as part of a trade that brought Torrie Wilson and Candice Michelle to Raw. On SmackDown! Keibler participated in lingerie matches and bikini contests. After a short absence, Keibler began a short feud with Jillian Hall, which led to the two having a match on Velocity, which Keibler lost. This would be Keibler's final match with WWE. Keibler then asked for time off to appear on Dancing with the Stars. During this time, Keibler's WWE.com profile was moved from SmackDown! to RAW, though she never made an appearance on the brand before leaving the company. Keibler's final mention on WWE programming occurred on the March 6, 2006 episode of RAW, where she was insulted by Candice Michelle for placing third on Dancing with the Stars during Michelle's unveiling of her Playboy magazine cover. After completing her stint on Dancing with the Stars, Keibler officially parted ways with WWE in July 2006 to move on to other endeavors. Sporadic appearances (2011; 2019) After leaving WWE in July 2006, Keibler made a special guest appearance for WWE's reality show, Tough Enough. Being a former NFL Cheerleader, she helped prepare the contestants to perform publicly in Universal Studios. On April 6, 2019, Keibler made a surprise return to induct Torrie Wilson into the WWE Hall of Fame. In 2021, WWE Network listed Keibler as one of the women who made an impact in WWE outside the ring. Modeling and acting career As the Fitness Editor at Stuff magazine during 2005 and 2006, Keibler wrote and modeled for her own occasional column, Getting Fit with Stacy Keibler. She has appeared on the cover of that magazine twice -June 2005 and March 2006. Maxim named Keibler No. 5 in its 2006 Hot 100 issue, and No. 70 in its 2007 Hot 100. In 2008, she was named No. 89 in Maxims annual Hot 100 list.; the following year she was No. 77. In 2010, she was No. 82 and in 2011 she was No. 72. And in 2012 she was ranked 51. Keibler has declined two invitations from Playboy to pose in the nude for its magazine. Keibler starred in a commercial for AT&T Corporation alongside Carrot Top. She also auditioned and earned a role in Big Momma's House 2, but she did not appear. She competed in the second season of Dancing with the Stars, alongside her dance partner, Tony Dovolani. Keibler received a perfect score of 30 from the three judges for her samba dance routine in week five. This prompted judge, Bruno Tonioli, to nickname her a "weapon of mass seduction." Overall, Keibler and Dovolani received four perfect scores. Keibler was eliminated in the final episode, coming in third to Jerry Rice, who placed second in the final round of the competition, and Drew Lachey, the winner of the season. Two of the judges, Bruno Tonioli and Len Goodman, felt she should have at least placed second. Oddsmakers had considered her the favorite to win the competition. Keibler has appeared on MTV's Punk'd twice. In season five Keibler took part in helping prank Triple H, which also included Stephanie McMahon. In season seven, however, Keibler was seen as a victim of a prank by her then-boyfriend, Geoff Stults. In February 2007, Keibler began a recurring role in ABC's What About Brian. She played the role of Brian's new neighbor and love interest. This was Keibler's first major acting role, following her previous minor roles in both Bubble Boy and Pecker. Keibler guest starred on George Lopez on ABC. In the fall of 2007 Keibler appeared both in The Comebacks and on ABC's drama October Road. In April 2008, she was named No. 64 in FHM's annual 100 Sexiest Women list. Keibler was featured in an advertisement in the 2008 Sports Illustrated Swimsuit issue. In September 2008, Keibler appeared on ABC Family's mini television series, Samurai Girl as the heel character Karen. On November 23, 2008, Keibler was named the "World's Hottest Athlete" by a sixty-four contestant bracket on InGameNow. Keibler hosted the E! Special Maxim's Celebrity Beach Watch: 15 Hottest Bodies on September 16, 2009, and The Ultimate Spike Girl 2009 Finale on Spike TV on October 1, 2009. On January 11, 2010, Keibler appeared as "the hot bartender", a new conquest for Barney, in the How I Met Your Mother 100th episode, "Girls Versus Suits". On February 3, 2010, Keibler appeared on an episode of the USA Network show "Psych". On Oct. 4, 2010, Keibler made a guest appearance in the spy comedy "Chuck" season 4, episode 3 titled "Chuck versus the Cubic Z" alongside guests Nicole Richie and fellow WWE alum "Stone Cold" Steve Austin. Keibler played the role of CIA agent "Greta". In 2011, Keibler hosted Call of Duty Elite's Friday Night Fights. In 2013, Keibler hosted a Lifetime show called Supermarket Superstar, where home chefs fought for their product to be sold in supermarkets. Other media Keibler made her video game debut in WCW Backstage Assault as her Miss Hancock character. She would later appear in eleven WWE video games, which includes WWE WrestleMania X8, WWE SmackDown! Shut Your Mouth, WWE Crush Hour, WWE WrestleMania XIX, WWE Raw 2, WWE SmackDown! Here Comes the Pain, WWE Day of Reckoning, WWE SmackDown! vs. Raw, WWE WrestleMania 21, WWE Day of Reckoning 2, and WWE SmackDown! vs. Raw 2006. Keibler also appears in Dancing with the Stars, a game based on the ABC series of the same name. Filmography Video games Dancing with the Stars season 2 performances Personal life Keibler's boyfriend of seven years from 1992 to 1999, Kris Cumberland, was a wrestling fan who first got her interested in wrestling, and they would sometimes go to WCW and WWF events within two hours drive of Baltimore. In 2000, after winning $10,000 in the contest to become a part of the Nitro Girls, Keibler used the money to buy season tickets for the Baltimore Ravens, the team for which she cheers for and was a former cheerleader. In 2000, Keibler dated David Flair during their time together in WCW. From 2001 to 2005, Keibler dated Andrew "Test" Martin while they both worked together in the WWF/WWE. Keibler moved to Los Angeles in 2004, where she was roommates with Torrie Wilson. In June 2005, Keibler was reported to be in a relationship with actor Geoff Stults. The pair appeared together on MTV's Punk'd, with Keibler as the recipient of the prank. Keibler and Stults were part-owners of the now defunct Hollywood Fame, a 2006 expansion franchise of the American Basketball Association. Stults and Keibler split in 2010. Keibler started dating George Clooney in July 2011. Clooney and Keibler ended their relationship in July 2013. Keibler began dating Future Ads CEO Jared Pobre in fall 2013, though they had been friends for several years previously. They were married on March 8, 2014, in Mexico. They have two daughters, Ava Grace, born on August 20, 2014, Isabella Faith, born in May 2020, and one son, Bodhi Brooks, born on June 18, 2018. Accomplishments World Championship Wrestling Nitro Girl Search (1999) World Wrestling Entertainment' WWE Babe of the Year (2004) References Notes Bibliography External links Stacy Keibler Profile and latest news at Sportskeeda 1979 births 20th-century American actresses 21st-century American actresses Actresses from Maryland American cheerleaders American female dancers American female models American female professional wrestlers American film actresses American television actresses Female models from Maryland Living people National Football League cheerleaders Participants in American reality television series People from Towson, Maryland Professional wrestlers from Maryland Professional wrestling dancers Professional wrestling managers and valets Sportspeople from Baltimore County, Maryland The Dudley Brothers members Towson University alumni	true	[ "is a Japanese professional wrestler, best known for his work in All Japan Pro Wrestling. He previously lived in Canada training at the Can-Am Wrestling School under Scott D'Amore, working regularly for the Maximum Pro Wrestling promotion. He is currently signed to Pro Wrestling NOAH.\n\nProfessional wrestling career\n\nMUGA (2007)\nSoya debuted in MUGA as Osamu Nishimura's pupil, losing to Katsushi Takemura on April 11. Over the next few days however Soya reached a five-minute draw with Yutaka Yoshie, Katsushi Takemura, and Nobuyuki Kurashima to show that he was more than just your average rookie. On July 1 Soya got a match against Tatsumi Fujinami himself, but Fujinami would have little trouble putting him away. In October Soya and Nishimura would leave MUGA for All Japan Pro Wrestling, and Soya would join the other All Japan dojo mates (such as T28 and Seiya Sanada) to help form a very strong group of young wrestlers.\n\nAll Japan Pro Wrestling (2007-2014)\nSoya teamed with Sanada for much of the year in the mid-card, as they gained valuable experience wrestling against the Voodoo Murders. He did not take part in any of the tournaments, but he showed that perhaps he is the head of his class when he defeated Sanada convincingly at the November Sumo Hall event. In the World's Strongest Tag Determination League he teamed with Sanada, but the pair would come in last place.\n\nAfter starting the year continuing with his mentor Nishimura, things didn't stay that way as Soya switched over to team with Nishimura's old nemesis Riki Choshu. Starting the year Nishimura and Soya wrestled together in the mid-card, but unlike Sanada he did not take part in the Champion Carnival. After teaming with Nishimura at Sumo Hall and losing to Choshu and Koshinaka, soon thereafter Soya decided he had enough of MUGA and switched to Choshu-ism. After teaming off and on during the fall (whenever Choshu was in All Japan), the pair teamed in the World's Strongest Tag Determination League, and they did very well as they came in 4th place including a big win over All Asia Tag Team Champions Akebono and Ryota Hama. Near the end of the year, Soya left Japan to train under Scott D'Amore at the Can-Am Wrestling School. He also began appearing on Ontario independent shows.\n\nIn Canada for the beginning of 2010, Soya has become a regular of the independent circuit in Ontario, most notably Maximum Pro Wrestling. After returning to Japan, Soya teamed up with Seiya Sanada and on August 29, 2010, they defeated the Voodoo Murders (Big Daddy Voodoo and TARU) to win the All Asia Tag Team Championship for the first time. They would lose the title to Daisuke Sekimoto and Yuji Okabayashi on March 21, 2011.\n\nIn late 2011 to early 2012 Manabu Soya and All Japan veteran Takao Omori formed the team \"GET WILD\". On March 20, 2012, Soya and Omori defeated Dark Cuervo and Dark Ozz to win the World Tag Team Championship. After losing the title to Joe Doering and Seiya Sanada on May 20, Soya and Omori regained the title on June 17. They vacated the title on October 30, in time for the 2012 World's Strongest Tag Determination League. They then won Block A defeating the team of Turmeric Storm (Tomoaki Honma and Kazushi Miyamoto). They got to the finals defeating Last Revolution (Joe Doering and Suwama) to win 2012's World Strongest Tag Determination League and to become the 64th generation World Tag Team Champions. On December 11, Soya unsuccessfully challenged Masakatsu Funaki for the Triple Crown Heavyweight Championship. As a result, Get Wild was forced to disband, despite still holding the World Tag Team Championship. Get Wild went on to lose the title to Burning (Go Shiozaki and Jun Akiyama) on March 17, 2013. Following the loss, Soya was sidelined with a cervical hernia and an oculomotor nerve palsy. Soya underwent eye surgery on May 29 and shoulder surgery on June 12. While still sidelined from in-ring action, Soya held a press conference on December 27, 2013, to announce his resignation from All Japan.\n\nWrestle-1 (2014-2020)\nOn January 12, 2014, Soya made his debut for Keiji Mutoh's All Japan splinter promotion Wrestle-1, in an on-screen matchmaker role. Soya was portrayed as a biased authority figure, favoring former tag team partner Seiya Sanada. On February 15, Soya made a surprise in-ring return for a twenty-man battle royal, helping Sanada win the match to become the number one contender to the TNA X Division Championship. Soya wrestled his official return match at a Wrestle-1 event on February 21, losing to Masayuki Kono. On May 4, Soya was defeated by Kai in a grudge match and, as a result, lost his job as the matchmaker of Wrestle-1. On August 8, Wrestle-1 announced Soya had signed with the promotion, ending his days as a freelancer. On September 22, Soya entered the Wrestle-1 Championship tournament, but was defeated in his first round match by Kai. In mid-2014, Soya entered a storyline, where he began accusing Akira of being a spy for the villainous Desperado stable. However, on November 1, after it had been revealed that Soya had been wrong and Tajiri had been the spy, Soya and Akira formed a new version of Get Wild, later named \"new Wild order\". Later that same month, new Wild order took part in the First Tag League Greatest tournament, set to determine the inaugural Wrestle-1 Tag Team Champions, where they finished second in their block with a record of two wins, one draw and one loss, advancing to the semifinals. On November 30, new Wild order defeated Masayuki Kono and Tajiri to advance to the finals of the tournament, where, later that same day, they were defeated by Kaz Hayashi and Shuji Kondo. Following the tournament, Wrestle-1 quickly set up a rematch between the two finalist teams, but Soya and Akira were again defeated in the title rematch on December 7. On January 30, 2015, Soya received his first shot at the Wrestle-1 Championship, but was defeated by the defending champion, Keiji Mutoh. On April 1, new Wild order received another shot at the Wrestle-1 Tag Team Championship, but were for the third time defeated by Hayashi and Kondo. Following the loss, Soya and Akira announced they were looking for new members to join new Wild order. This led to an evaluation match on June 18, after which Jun Kasai and rookie Kumagoro were accepted as the third and fourth members of new Wild order, turning it from a tag team into a stable. On July 12, Soya and Kasai defeated Hayashi and Kondo to win the Wrestle-1 Tag Team Championship. On August 30, Soya defeated Shuji Kondo in the finals to win the 2015 Wrestle-1 Grand Prix. On September 21, Soya defeated Kai to win the Wrestle-1 Championship. On November 27, Soya and Kasai lost the Wrestle-1 Tag Team Championship to Masayuki Kono and Shuji Kondo. On January 10, 2016, Soya lost the Wrestle-1 Championship to Yuji Hino. On July 1, Soya won his second Wrestle-1 Grand Prix in a row, defeating Hino in the finals. On July 29, Soya and Kasai won the Wrestle-1 Tag Team Championship for the second time. After Soya had been sidelined with a shoulder injury, he and Kasai were stripped of the title on August 20. On December 18, the reunited Get Wild defeated Jake Lee and Kento Miyahara in the finals to win All Japan's 2016 World's Strongest Tag Determination League.\n\nPersonal life\nSoya's younger brother Takumi is a former professional wrestler, having worked for All Japan from January 2011 to May 2012.\n\nChampionships and accomplishments\nAll Japan Pro Wrestling\nAll Asia Tag Team Championship (2 times) - with Seiya Sanada\nWorld Tag Team Championship (3 times) - with Takao Omori\nWorld's Strongest Tag Determination League (2012, 2016) - with Takao Omori\nF-1 Tag Team Championship (1 time) – with RG1\nJanuary 2 New Year's Heavyweight Battle Royal (2012)\nBig Japan Pro Wrestling\nBJW World Strong Heavyweight Championship (1 time)\nNikkan Sports\nBest Tag Team Award (2012) with Takao Omori\nPro Wrestling Illustrated\nRanked No. 139 of the top 500 wrestlers in the PWI 500 in 2013\nTokyo Sports\nBest Tag Team Award (2012) – with Takao Omori\nWrestle-1\nUWA World Trios Championship (2 times) – with Kaz Hayashi and Shuji Kondo (1), and Ganseki Tanaka and Nosawa Rongai (1)\nWrestle-1 Championship (2 times)\nWrestle-1 Tag Team Championship (3 times) – with Jun Kasai (2) and Akira (1)\nWrestle-1 Grand Prix (2015, 2016)\n\n1Championship not officially recognized by All Japan Pro Wrestling.\n\nReferences\n\nExternal links \nAll Japan Pro Wrestling profile\nWrestle-1 profile\nManabu Soya official blog\n\n1984 births\nLiving people\nJapanese male professional wrestlers\nSportspeople from Nagano Prefecture", "Wrestle Kingdom 7 in Tokyo Dome was a professional wrestling pay-per-view (PPV) event produced by the New Japan Pro-Wrestling (NJPW) promotion, which took place at the Tokyo Dome in Tokyo, Japan on January 4, 2013. It was the 22nd January 4 Tokyo Dome Show and the seventh held under the \"Wrestle Kingdom\" name. The event featured eleven matches (including two dark matches), five of which were contested for championships. Wrestle Kingdom is traditionally NJPW's biggest event of the year and has been described as their equivalent to WWE's WrestleMania.\n\nFor the first time, the event was made available for international market on internet pay-per-view (iPPV). The event drew 29,000 fans to the Tokyo Dome, supposedly down from the three previous years, although NJPW president Naoki Sugabayashi revealed that for the first time, the promotion announced a legitimate number of tickets sold instead of a \"papered\" number of attendees.\n\nThe event featured outside participation from All Japan Pro Wrestling (AJPW) representative Keiji Mutoh, Pro Wrestling Zero1 representative Shinjiro Otani, and American freelancer Shelton Benjamin. For the first time in five years, the event did not feature wrestlers from Consejo Mundial de Lucha Libre (CMLL).\n\nProduction\n\nBackground\nIn addition to airing in Japan as a traditional pay-per-view (PPV), the event was for the first time also aired internationally on internet pay-per-view (iPPV).\n\nStorylines\nWrestle Kingdom 7 featured eleven professional wrestling matches that involved different wrestlers from pre-existing scripted feuds and storylines. Wrestlers portrayed villains, heroes, or less distinguishable characters in the scripted events that built tension and culminated in a wrestling match or series of matches.\n\nOn August 12, 2012, Kazuchika Okada defeated Karl Anderson in the finals to win the 2012 G1 Climax, winning the tournament in his first attempt, while also breaking the record for the tournament's youngest winner. Okada immediately announced his intention of regaining the IWGP Heavyweight Championship at Wrestle Kingdom 7. Okada then signed a contract for the title match, which was then sealed in a briefcase, which he would be forced to defend until January 4. After successfully defending the contract against Karl Anderson and Hirooki Goto, the Wrestle Kingdom 7 main event was officially set between Okada and IWGP Heavyweight Champion Hiroshi Tanahashi.\n\nThe top two matches underneath the main event featured mixed martial artists Kazushi Sakuraba and Katsuyori Shibata. The two had made a surprise return to NJPW on August 12, 2012, and worked several matches during the rest of the year with both remaining undefeated. At the end of the year, Shinsuke Nakamura nominated Sakuraba as his challenger for the IWGP Intercontinental Championship at Wrestle Kingdom 7. Meanwhile, Shibata had entered a rivalry with Togi Makabe, which was set to culminate at Wrestle Kingdom 7.\n\nWrestle Kingdom 7 was also supposed the feature the NJPW debut of Daichi Hashimoto. The Pro Wrestling Zero1 representative was to be the focal point of a tag team match that would also feature Keiji Mutoh, Hiroyoshi Tenzan and Satoshi Kojima, three wrestlers his father Shinya had had classic matches with during NJPW's heyday. However, on December 27, 2012, it was announced that Hashimoto had fractured his left forearm in a match on Christmas Eve and would be replaced by Zero1 president Shinjiro Otani.\n\nEvent\nIn the main event of Wrestle Kingdom 7, Hiroshi Tanahashi made his sixth successful defense of the IWGP Heavyweight Championship against 2012 G1 Climax winner Kazuchika Okada. In the semi-main event, billed by NJPW as the second of the \"double main event\", Shinsuke Nakamura made his fourth successful defense of the IWGP Intercontinental Championship against Kazushi Sakuraba. The event also featured a three-way match, where Prince Devitt made his first defense of the IWGP Junior Heavyweight Championship against Low Ki and Kota Ibushi. Low Ki wrestled the match as Agent 47 from the Hitman video game series, dressed in a suit, as a protest over NJPW suspending him for a year for refusing to wrestle a show in Fukushima because of the Fukushima Daiichi nuclear disaster. NJPW was reportedly \"furious\" over Low Ki wrestling a title match in a suit without clearing it with them first to the point that even years later, the company was said to be open to bringing anyone back \"with the exception of Low Ki\".\n\nOther title matches featured the Killer Elite Squad (Davey Boy Smith Jr. and Lance Archer) making their second successful defense of the IWGP Tag Team Championship against the winners of the 2012 World Tag League, Sword & Guns (Hirooki Goto and Karl Anderson) and Masato Tanaka making his first successful defense of the NEVER Openweight Championship against Shelton Benjamin.\n\nDaichi Hashimoto, who was forced to miss the event due to injury, accompanied Shinjiro Otani to his and Keiji Mutoh's tag team match against Hiroyoshi Tenzan and Satoshi Kojima. After Tenzan had pinned Otani to win the match, Hashimoto had a heated exchange with the winners, slapping Tenzan, who responded with a headbutt.\n\nReception\nDave Meltzer of the Wrestling Observer Newsletter called Wrestle Kingdom 7 \"the best Tokyo Dome show the promotion has ever put on\", praising the main event as a \"classic world title match\". Meltzer also noted that if NJPW were being truthful about the attendance number being the actual number of paid attendees, the show would have to be considered a \"huge success\" as the last time the company drew a larger attendance number of paid fans to the Tokyo Dome was in 2003.\n\nAftermath\nThe day after Wrestle Kingdom 7, Takaaki Kidani resigned from his position as NJPW chairman. Dave Meltzer wrote that while Kidani was an \"enthusiastic supporter\" of NJPW, his hero in professional wrestling was Eric Bischoff and like Bischoff, he wanted to be a part of the show. Kidani had been the one to sign Kazushi Sakuraba and Katsuyori Shibata and wanted to do a full invasion storyline with shooters. Meltzer noted that the last time NJPW had tried a similar storyline under Antonio Inoki it killed the company's in-ring product. At Wrestle Kingdom 7, Kidani wanted both Sakuraba and Shibata to win and he wanted to personally be in Sakuraba's corner as he became the new Intercontinental Champion. However, a conflict with NJPW bookers Gedo and Jado led to both Sakuraba and Shibata losing and Kidani announcing his resignation. While Kidani left his position inside NJPW, his company Bushiroad retained ownership of NJPW.\n\nResults\n\nReferences\n\nExternal links\nNJPW.co.jp \n\n2013 in professional wrestling\n2013 in Tokyo\nJanuary 4 Tokyo Dome Show\nJanuary 2013 events in Japan\nEvents in Tokyo" ]
[ "Alice in Chains", "Dirt (1992-1993)" ]	C_68e092ce2d2f47e9ba7736c8e2acfae9_1	When did they produce Dirt?	1	When did Alice in Chains produce Dirt?	Alice in Chains	In March 1992, the band returned to the studio. With new songs written primarily on the road, the material has an overall darker feel than Facelift, with six of the album's thirteen songs dealing with the subject of addiction. "We did a lot of soul searching on this album. There's a lot of intense feelings." Cantrell said, "We deal with our daily demons through music. All of the poison that builds up during the day we cleanse when we play". On September 29, 1992, Alice in Chains released its second album, Dirt. The album peaked at number six on the Billboard 200 and since its release has been certified quadruple platinum by the RIAA, making Dirt the band's highest selling album to date. The album was a critical success, with Steve Huey of Allmusic praising the album as a "major artistic statement, and the closest they ever came to recording a flat-out masterpiece". Chris Gill of Guitar World called Dirt "huge and foreboding, yet eerie and intimate", and "sublimely dark and brutally honest". Dirt spawned five top 30 singles, "Would?", "Rooster", "Them Bones", "Angry Chair", and "Down in a Hole", and remained on the charts for nearly two years. Alice in Chains was added as openers to Ozzy Osbourne's No More Tours tour. Days before the tour began, Layne Staley broke his foot in an ATV accident, forcing him to use crutches on stage. Starr left the band shortly after the Hollywood Rock concert in Rio de Janeiro in January 1993, stating that he wanted to spend more time with his family. Staley told Rolling Stone in 1994 about Starr leaving the band, "It was just a difference in priorities. We wanted to continue intense touring and press. Mike was ready to go home." Years later, Starr claimed that he was fired due to his drug addiction. Starr was replaced by former Ozzy Osbourne bassist Mike Inez. In 1993, the band recorded two songs with Inez, "What the Hell Have I" and "A Little Bitter", for the Last Action Hero soundtrack. During the summer of 1993, Alice in Chains toured with the alternative music festival Lollapalooza, their last major tour with Staley. CANNOTANSWER	On September 29, 1992, Alice in Chains released its second album, Dirt.	Alice in Chains (often abbreviated as AIC) is an American rock band from Seattle, Washington, formed in 1987 by guitarist and vocalist Jerry Cantrell and drummer Sean Kinney, who later recruited bassist Mike Starr and lead vocalist Layne Staley. Starr was replaced by Mike Inez in 1993. William DuVall joined the band in 2006 as co-lead vocalist and rhythm guitarist, replacing Staley, who died in 2002. The band took its name from Staley's previous group, the glam metal band Alice N' Chains. Often associated with grunge music, Alice in Chains' sound incorporates heavy metal elements. The band is known for its distinctive vocal style, which often included the harmonized vocals between Staley and Cantrell (and later Cantrell and DuVall). Cantrell started to sing lead vocals on the 1992 acoustic EP Sap, and his role continued to grow in the following albums, making Alice in Chains a two-vocal band. Alice in Chains rose to international fame as part of the grunge movement of the early 1990s, along with other Seattle bands such as Nirvana, Pearl Jam, and Soundgarden. They achieved success during the era with the albums Facelift (1990), Dirt (1992), Alice in Chains (1995), as well as the EP Jar of Flies (1994). Although never officially disbanding, Alice in Chains was plagued by extended inactivity from 1996 onward, due to Staley's substance abuse, which resulted in his death in 2002. The band regrouped in 2006, with DuVall taking over as lead vocalist full-time, and they have since released three more albums: Black Gives Way to Blue (2009), The Devil Put Dinosaurs Here (2013), and Rainier Fog (2018). Alice in Chains have sold over 30 million records worldwide, and over 14 million records in the US alone. The band has had 18 Top 10 songs on Billboard's Mainstream Rock Tracks chart, 5 No. 1 hits, and received 11 Grammy Award nominations. The band was ranked number 34 on VH1's 100 Greatest Artists of Hard Rock and was ranked as the 15th greatest live band by Hit Parader. Since its formation, Alice in Chains has released six studio albums, three EPs, three live albums, four compilations, two DVDs, 43 music videos, and 32 singles. History 1984–1989: Formation and early years Before the formation of Alice in Chains, then-drummer Layne Staley landed his first gig as a vocalist when he auditioned to sing for a local glam metal band known as Sleze after receiving some encouragement from his stepbrother Ken Elmer. Other members of this group at that time were guitarists Johnny Bacolas and Zoli Semanate, drummer James Bergstrom, and bassist Byron Hansen. This band went through several lineup changes culminating with Nick Pollock as their sole guitarist and Bacolas switching to bass before discussions arose about changing their name to Alice in Chains. This was prompted by a conversation that Bacolas had with Russ Klatt, the lead singer of Slaughter Haus 5, about backstage passes. One of the passes said "Welcome to Wonderland", and they started talking about that being a reference to Alice in Wonderland, until Klatt said, "What about Alice in Chains? Put her in bondage and stuff like that." Bacolas thought the name "Alice in Chains" was cool and brought it up to his Sleze bandmates and everyone liked it, so they decided to change the name of the band. Due to concerns over the reference to female bondage, the group ultimately chose to spell it differently as Alice N' Chains to allay any parental concerns, though Staley's mother Nancy McCallum has said she was still not happy with this name at first. According to Bacolas, the decision to use the apostrophe-N combination in their name had nothing to do with the Los Angeles band Guns N' Roses. The name change happened in 1986, a year before Guns N' Roses became a household name with their first album Appetite for Destruction, released in July 1987. Staley met guitarist Jerry Cantrell at a party in Seattle around August 1987. A few months prior, Cantrell had watched a concert of Alice N' Chains in his hometown at the Tacoma Little Theatre, and was impressed by Staley's voice. Cantrell was homeless after being kicked out of his family's house, so Staley invited Cantrell to live with him at the rehearsal studio Music Bank, and the two struggling musicians became roommates. Alice N' Chains soon disbanded, and Staley joined a funk band. Cantrell's band, Diamond Lie, broke up and he wanted to form a new band, so Staley gave him the phone number of Melinda Starr, the girlfriend of drummer Sean Kinney, so that Cantrell could talk to him. Cantrell called the number and set up a meeting with Kinney. Kinney and his girlfriend went to the Music Bank and listened to Cantrell's demos, who mentioned that they needed a bass player to jam with them, and he had someone in mind: Mike Starr, with whom Cantrell had played in a band in Burien called Gypsy Rose. Kinney then mentioned that his girlfriend was actually Mike Starr's sister, and that he had been playing in bands together with Starr since they were kids. Kinney called Starr and a few days later he started jamming with him and Cantrell at the Music Bank, but they didn't have a singer. Staley's funk band also required a guitarist at the time, and Staley asked Cantrell to join as a sideman. Cantrell agreed on condition that Staley join his band. Because Cantrell, Starr and Kinney wanted Staley to be their lead singer, they started auditioning terrible lead singers in front of Staley to send a hint. The last straw for Staley was when they auditioned a male stripper – he decided to join the band after that. Eventually the funk project broke up, and in 1987 Staley joined Cantrell's band on a full-time basis. Two weeks after the band's formation, they were playing a gig at Washington State University, trying to fill out a 40-minute set with a couple of original songs along with Hanoi Rocks and David Bowie covers. The band played a couple of gigs in clubs around the Pacific Northwest, calling themselves different monikers, including Diamond Lie, the name of Cantrell's previous band, and "Fuck", before eventually adopting the name that Staley's previous band had initially flirted with, Alice in Chains. Staley contacted his former bandmates and asked for permission to use the name. Nick Pollock wasn't particularly thrilled about it at the time and thought he should come up with a different name, but ultimately both he and James Bergstrom gave Staley their blessing to use the name. Local promoter Randy Hauser became aware of the band at a concert and offered to pay for demo recordings. However, one day before the band was due to record at the Music Bank studio in Washington, police shut down the studio during the biggest cannabis raid in the history of the state. The final demo, completed in 1988, was named The Treehouse Tapes and found its way to music managers Kelly Curtis and Susan Silver, who also managed the Seattle-based band Soundgarden. Curtis and Silver passed the demo on to Columbia Records' A&R representative Nick Terzo, who set up an appointment with label president Don Ienner. Based on The Treehouse Tapes, Terzo signed Alice in Chains to Columbia in 1989. The band also recorded another untitled demo over a three-month period in 1989. This recording can be found on the bootleg release Sweet Alice. 1990–1992: Facelift and Sap Alice in Chains soon became a top priority of the label, which released the band's first official recording in July 1990, a promotional EP called We Die Young. The EP's lead single, "We Die Young", became a hit on metal radio. After its success, the label rushed Alice in Chains' debut album into production with producer Dave Jerden. Cantrell stated the album was intended to have a "moody aura" that was a "direct result of the brooding atmosphere and feel of Seattle." The resulting album, Facelift, was released on August 21, 1990, peaking at number 42 in the summer of 1991 on the Billboard 200 chart. Facelift was not an instant success, selling under 40,000 copies in the first six months of release, until MTV added "Man in the Box" to regular daytime rotation. The single hit number 18 on the Mainstream rock charts, with the album's follow up single, "Sea of Sorrow", reaching number 27, and in six weeks Facelift sold 400,000 copies in the US. The album was a critical success, with Steve Huey of AllMusic citing Facelift as "one of the most important records in establishing an audience for grunge and alternative rock among hard rock and heavy metal listeners." Sammy Hagar claimed he invited the band to tour with Van Halen after he saw the music video for "Man In The Box" on MTV. Facelift was certified gold by the Recording Industry Association of America (RIAA) for selling a half-million copies on September 11, 1991, becoming the first album from Seattle's Grunge movement to be certified gold. The band continued to hone its audience, opening for such artists as Iggy Pop, Van Halen, Poison, and Extreme. Facelift has since been certified triple-platinum by the RIAA, for shipments of three million copies in the United States. The concert at the Moore Theatre in Seattle on December 22, 1990, was recorded and released on VHS on July 30, 1991, as Live Facelift. It features five live songs and three music videos. The home video has been certified gold by the RIAA for sales exceeding 50,000 copies. In early 1991, Alice in Chains landed the opening slot for the Clash of the Titans tour with Anthrax, Megadeth, and Slayer, exposing the band to a wide metal audience but receiving mainly poor reception. Alice in Chains was nominated for a Best Hard Rock Performance Grammy Award in 1992 for "Man in the Box" but lost to Van Halen for their 1991 album For Unlawful Carnal Knowledge. Following the tour, Alice in Chains entered the studio to record demos for its next album, but ended up recording five acoustic songs instead. While in the studio, drummer Sean Kinney had a dream about "making an EP called Sap". The band decided "not to mess with fate", and on February 4, 1992, Alice in Chains released their second EP, Sap. The EP was released while Nirvana's Nevermind was at the top of the Billboard 200 charts, resulting in a rising popularity of Seattle-based bands, and of the term "grunge music". Sap was certified gold within two weeks. The EP features Cantrell on lead vocals on the opening track, "Brother", and guest vocals by Ann Wilson from the band Heart, who joined Staley and Cantrell for the choruses of "Brother" and "Am I Inside". The EP also features Mark Arm of Mudhoney and Chris Cornell of Soundgarden, who shared vocals with Staley and Cantrell on the song "Right Turn", credited to "Alice Mudgarden" in the liner notes. In 1992, Alice in Chains appeared in the Cameron Crowe film Singles, performing as a "bar band". The band also contributed the song "Would?" to the film's soundtrack, whose video received an award for Best Video from a Film at the 1993 MTV Video Music Awards. 1992–1993: Dirt In March 1992, the band returned to the studio. With new songs written primarily on the road, the material has an overall darker feel than Facelift, with six of the album's thirteen songs dealing with the subject of addiction. "We did a lot of soul searching on this album. There's a lot of intense feelings." Cantrell said, "We deal with our daily demons through music. All of the poison that builds up during the day we cleanse when we play." On September 29, 1992, Alice in Chains released its second album, Dirt. The album peaked at number six on the Billboard 200 and since its release has been certified quadruple platinum by the RIAA, making Dirt the band's highest selling album to date. The album was a critical success, with Steve Huey of Allmusic praising the album as a "major artistic statement, and the closest they ever came to recording a flat-out masterpiece." Chris Gill of Guitar World called Dirt "huge and foreboding, yet eerie and intimate", and "sublimely dark and brutally honest." Dirt spawned five singles that reached the top 30 on the Billboard Mainstream Rock chart: "Would?", "Rooster", "Them Bones", "Angry Chair", and "Down in a Hole", and remained on the charts for nearly two years. Alice in Chains was added as openers to Ozzy Osbourne's No More Tours tour. Days before the tour began, Layne Staley broke his foot in an ATV accident, forcing him to use crutches on stage. Starr left the band shortly after the Hollywood Rock concert in Rio de Janeiro on January 22, 1993, stating that he wanted to spend more time with his family. Staley told Rolling Stone in 1994 about Starr leaving the band, "It was just a difference in priorities. We wanted to continue intense touring and press. Mike was ready to go home." Years later, Starr claimed that he was fired due to his drug addiction. Starr was replaced by former Ozzy Osbourne bassist Mike Inez. Inez had met Alice in Chains during Ozzy Osbourne's No More Tours tour and became friends with them. When the band was in Brazil, they called Inez to join them and he accepted. Inez wanted to do the shows in Brazil and even got his immunization shots, but the band called him back telling that Starr wanted to do the last two shows in Brazil, so they would meet Inez in London instead. Inez ended up getting sick with his vaccination shots for a couple of days. Inez played his first concert with Alice in Chains on January 27, 1993, at the Camden Underworld in London. In April 1993, the band recorded two songs with Inez, "What the Hell Have I" and "A Little Bitter", for the Last Action Hero soundtrack. During the summer of 1993, Alice in Chains toured with the alternative music festival Lollapalooza, their last major tour with Staley. 1993–1994: Jar of Flies Following Alice in Chains' extensive 1993 world tour, Staley said the band "just wanted to go into the studio for a few days with our acoustic guitars and see what happened." "We never really planned on the music we made at that time to be released. But the record label heard it and they really liked it. For us, it was just the experience of four guys getting together in the studio and making some music." Columbia Records released Alice in Chains' second acoustic-based EP, Jar of Flies, on January 25, 1994. Written and recorded in one week, Jar of Flies debuted at number one on the Billboard 200, becoming the first EP—and first Alice in Chains release—to top the charts. Paul Evans of Rolling Stone called the EP "darkly gorgeous", and Steve Huey said, "'Jar of Flies' is a low-key stunner, achingly gorgeous and harrowingly sorrowful all at once." Jar of Flies features Alice in Chains' first number-one single on the Mainstream Rock charts, "No Excuses". The second single, "I Stay Away", reached number ten on the Mainstream rock charts, while the final single "Don't Follow", reached number 25. Jar of Flies has been certified triple platinum by the RIAA, with over 2 million copies sold in the United States during its first year. Jar of Flies received two Grammy nominations, Best Hard Rock Performance for "I Stay Away", and Best Recording Package. After the release of Jar of Flies, Staley entered rehab for heroin addiction. The band was scheduled to tour during the summer of 1994 with Metallica, Suicidal Tendencies, Danzig, and Fight, as well as a slot during Woodstock '94, but while in rehearsal for the tour, Staley began using heroin again. Staley's condition prompted the other band members to cancel all scheduled dates one day before the start of the tour, putting the band on hiatus. Alice in Chains was replaced by Candlebox on the tour. Susan Silver's management office sent out a statement saying that the decision to withdraw from the Metallica tour and Woodstock was "due to health problems within the band." The band broke up for six months. Kinney told Rolling Stone in 1996, "Nobody was being honest with each other back then. If we had kept going, there was a good chance we would have self-destructed on the road, and we definitely didn't want that to happen in public." 1995–1996: Alice in Chains While Alice in Chains was inactive during 1995, Staley joined the "grunge supergroup" Mad Season, which also featured Pearl Jam guitarist Mike McCready, bassist John Baker Saunders from The Walkabouts, and Screaming Trees drummer Barrett Martin. Mad Season released one album, Above, for which Staley provided lead vocals and the album artwork. The album spawned a number-two Mainstream Rock chart single, "River of Deceit", as well as a home video release of Live at the Moore. In April 1995, Alice in Chains entered Bad Animals Studio in Seattle with producer Toby Wright, who had previously worked with Corrosion of Conformity and Slayer. While in the studio, an inferior version of the song "Grind" was leaked to radio, and received major airplay. On October 6, 1995, the band released the studio version of the song to radio via satellite uplink to stem excessive spread of taped copies of the song. On November 7, 1995, Columbia Records released the eponymous album, Alice in Chains, which debuted at number one on the Billboard 200 and has since been certified triple platinum. Of the album's four singles, "Grind", "Again", "Over Now", and "Heaven Beside You", three feature Cantrell on lead vocals. Jon Wiederhorn of Rolling Stone called the album "liberating and enlightening, the songs achieve a startling, staggering and palpable impact." On December 12, 1995, the band released the home video The Nona Tapes, a mockumentary featuring interviews with the band members conducted by journalist Nona Weisbaum (played by Jerry Cantrell), and the music video for "Grind". The song "Got Me Wrong" unexpectedly charted three years after its release on the Sap EP. The song was re-released as a single on the soundtrack for the independent film Clerks in 1994, reaching number seven on the Mainstream Rock Tracks chart. The band opted not to tour in support of Alice in Chains, adding to the rumors of drug abuse. Alice in Chains resurfaced on April 10, 1996, to perform their first concert in two and a half years for MTV Unplugged, a program featuring all-acoustic set lists. The performance featured some of the band's highest-charting singles, including "Rooster", "Down in a Hole", "Heaven Beside You", "No Excuses" and "Would?", and introduced a new song, "Killer Is Me", with Cantrell on lead vocals. The show marked Alice in Chains' only appearance as a five-piece band, adding second guitarist Scott Olson. A live album of the performance was released in July 1996, debuting at number three on the Billboard 200, and was accompanied by a home video release, both of which received platinum certification by the RIAA. The band also made an appearance on The Late Show with David Letterman on May 10, 1996, performing the songs "Again" and "We Die Young". Alice in Chains performed four shows supporting the reunited original Kiss lineup on their 1996–97 Alive/Worldwide Tour, including the final live appearance of Layne Staley on July 3, 1996, in Kansas City, Missouri. Shortly after the show, Staley was found unresponsive after he overdosed on heroin and was taken to the hospital. Although he recovered, the band was forced to go on hiatus. 1996–2004: Hiatus, side projects and death of Layne Staley Although Alice in Chains never officially disbanded, Staley became a recluse, rarely leaving his Seattle condominium following the death of his ex-fiancée Demri Parrott due to a drug overdose on October 29, 1996. "Drugs worked for me for years," Staley told Rolling Stone in February 1996, "and now they're turning against me ... now I'm walking through hell and this sucks. I didn't want my fans to think that heroin was cool. But then I've had fans come up to me and give me the thumbs up, telling me they're high. That's exactly what I didn't want to happen.." Unable to continue with new Alice in Chains material, Cantrell released his first solo album, Boggy Depot, in 1998, also featuring Sean Kinney and Mike Inez. Cantrell and Kinney were also featured on Metallica's 1998 album Garage Inc., both were guest musicians in the track "Tuesday's Gone", a cover of Lynyrd Skynyrd. In October 1998, Staley reunited with Alice in Chains to record two new songs, "Get Born Again" and "Died". Originally intended for Cantrell's second solo album, the songs were reworked by Alice in Chains and were released in the fall of 1999 on the box set, Music Bank. The set contains 48 songs, including rarities, demos, and previously released album tracks and singles. The band also released a 15-track compilation titled Nothing Safe: Best of the Box, serving as a sampler for Music Bank, as well as the band's first compilation album; a live album, simply titled Live, released on December 5, 2000; and a second compilation, titled Greatest Hits in 2001. In November 1998, Layne Staley recorded a cover of Pink Floyd's "Another Brick in the Wall" with the supergroup Class of '99, formed by guitarist Tom Morello of Rage Against the Machine, bassist Martyn LeNoble, drummer Stephen Perkins, both from Jane's Addiction and Porno for Pyros, and keyboardist Matt Serletic. The song was featured on the soundtrack to the 1998 horror/sci-fi film, The Faculty. After they toured as part of Cantrell's solo band in 1998, Sean Kinney and Queensrÿche guitarist Chris DeGarmo formed a new band called Spys4Darwin. Mike Inez and Sponge lead vocalist Vin Dombroski joined the supergroup soon after. The band released their first and only album in 2001, a 6-track EP entitled Microfish. In June 2001, Mike Inez joined Zakk Wylde's Black Label Society for the remaining dates of Ozzfest, following the departure of bassist Steve Gibb due to medical reasons. Inez joined the band again for their West Coast and Japanese tour in 2003. By 2002, Cantrell had finished work on his second solo album, Degradation Trip. Written in 1998, the album's lyrical content focused heavily on what Cantrell regarded as the demise of Alice in Chains, which still remained evident as the album approached its June 2002 release. However, in March that year, Cantrell commented, "We're all still around, so it's possible [Alice in Chains] could all do something someday, and I fully hope someday we will." Reflecting on the band's hiatus in a 2011 interview, Kinney said that Staley wasn't the only one battling addiction. "He was the focal point, like singers are. So they'd single him out. But the truth was, it was pretty much everybody. I definitely had my hand firmly on the wheel going off the cliff. And the reason we pulled back – you know when you stop when you have two #1 records, it's not really the greatest career move – but we did that because we love each other and we didn't want to die in public. And I know for a fact in my heart that if we were to continue that I wouldn't be on the phone right now talking to you. I wouldn't have made it. I just wouldn't have." After a decade of battling drug addiction, Layne Staley was found dead in his condominium in Seattle on April 19, 2002. The autopsy and toxicology report on Staley's body revealed that he died from a mixture of heroin and cocaine, known as "speedball". The autopsy concluded that Staley died on April 5, two weeks before his body was found. Cantrell dedicated his 2002 solo album, Degradation Trip, released two months after Staley's death, to his memory. Mike Starr later claimed on Celebrity Rehab that he was the last person to see Staley alive, and admitted to feeling guilty about not calling 911 after Staley had warned him against it. "I wish I hadn't been high on benzodiazepine [that night], I wouldn't have just walked out the door," Starr said. Following Staley's death, Mike Inez joined Heart and toured and recorded with the band from 2002 through 2006. Jerry Cantrell collaborated with several artists such as Heart, Ozzy Osbourne, and Damageplan. In 2004, Cantrell formed the band Cardboard Vampyres along with The Cult guitarist Billy Duffy, Mötley Crüe and Ratt vocalist John Corabi, The Cult bassist Chris Wyse and drummer Josh Howser. On October 22, 2004, Sony BMG terminated their contract with Alice in Chains, 15 years after the band signed with the label, in 1989. 2005–2008: Reunion shows and reformation In 2005, Sean Kinney came up with the idea of doing a benefit concert for the victims of the tsunami disaster that struck South Asia in 2004. Kinney made calls to his former bandmates, as well as friends in the music community, such as former Alice in Chains manager Susan Silver. Kinney was surprised by the enthusiastic response to his idea. On February 18, 2005, Jerry Cantrell, Mike Inez, and Sean Kinney reunited to perform for the first time in nine years at K-Rock Tsunami Continued Care Relief Concert in Seattle. The band featured Damageplan vocalist Pat Lachman, as well as other special guests including Maynard James Keenan of Tool and Ann Wilson of Heart. A few months after that experience, the band called Susan Silver and Cantrell's manager Bill Siddons and said they wanted to tour as Alice in Chains again. Alice in Chains was approached by the producers of the CBS reality show Rock Star about being featured on its second season, but the band turned the offer down. In the show, aspiring singers competed to become the lead vocalist of a featured group. On March 10, 2006, the surviving members performed at VH1's Decades Rock Live concert, honoring fellow Seattle musicians Ann and Nancy Wilson of Heart. They played "Would?" with vocalist Phil Anselmo of Pantera and Down and bass player Duff McKagan of Guns N' Roses and Velvet Revolver, and at the end of the performance Cantrell dedicated the show to Layne Staley and the late Pantera and Damageplan guitarist Dimebag Darrell. They also played "Rooster" with Comes with the Fall vocalist William DuVall and Ann Wilson. The band followed the concert with a short United States club tour named "Finish What We Started", several festival dates in Europe, and a brief tour in Japan. Duff McKagan again joined the band for the reunion tour, playing rhythm guitar on selected songs. During the tour, the band played a 5-minute video tribute to Staley during the changeover from the electric to acoustic set. To coincide with the band's reunion, Sony Music released the long-delayed third Alice in Chains compilation, The Essential Alice in Chains, a double album that includes 28 songs. Jerry Cantrell met William DuVall in Los Angeles in 2000 through a mutual acquaintance who introduced Cantrell to Comes with the Fall's first album. Cantrell started hanging out with the band and occasionally joined them onstage. Between 2001 and 2002, Comes with the Fall was both the opening act on Cantrell's tour for his second solo album, Degradation Trip, and also his backing band, with DuVall singing Staley's parts at the concerts. DuVall joined Alice in Chains as lead singer during the band's reunion concerts in 2006, and made his first public performance with the band at VH1's Decades Rock Live concert. According to Cantrell, it only took one audition for DuVall to get the gig. For his first rehearsal with the band, DuVall sang "Love, Hate, Love". After they finished, Sean Kinney looked at his bandmates and said, "I think the search is pretty much over." According to Mike Inez, DuVall didn't try to emulate Staley, and that's what drew them to him. Cantrell revealed that before he suggested DuVall for the band, Sean Kinney and Mike Inez invited Sponge and Spys4Darwin lead vocalist Vin Dombroski to jam with the band in their rehearsal space. Dombroski jammed with them to a couple of songs but they did not feel he was right for the band. According to Cantrell, Stone Temple Pilots and Velvet Revolver lead singer Scott Weiland was also interested in joining the band. Cantrell explained the reunion saying, "We want to celebrate what we did and the memory of our friend. We have played with some [singers] who can actually bring it and add their own thing to it without being a Layne clone. We're not interested in stepping on [Staley's] rich legacy. It's a tough thing to go through. Do you take the Led Zeppelin approach and never play again, because the guy was that important? That's the approach we've taken for a lot of years. Or, do you give it a shot, try something? We're willing to take a chance on it. It's completely a reunion because the three of us who're left are back together. But it's not about separating and forgetting — it's about remembering and moving on." Before the tour, Kinney mentioned in an interview that he would be interested in writing new material, but not as Alice in Chains. During the VH1 Rock Honors concert honoring Heart on May 12, 2007, Alice in Chains performed Heart's "Barracuda" fronted by country singer Gretchen Wilson. Heart's guitarist Nancy Wilson also joined them onstage. Alice in Chains joined Velvet Revolver for a run of U.S. and Canadian gigs from August through October 2007. During that tour, the band also performed four special acoustic-only shows, named as "The Acoustic Hour". The acoustic performance at The Rave/Eagles Club in Milwaukee, Wisconsin on August 31, 2007, was recorded for an upcoming live album. On November 2, 2007, Alice in Chains performed a four-song set at Benaroya Hall in Seattle for Matt Messina and the Symphony Guild's 10th anniversary benefit concert for the Seattle Children's Hospital & Regional Medical Center. In addition to the band's original material, they also played a cover of Led Zeppelin's "Kashmir" while backed by over 200 musicians, including the Northwest Symphony Orchestra and the Northwest Girlchoir. Sean Kinney said about the band's reunion: "I never called Jerry; he never called me, and said, 'Hey, let's get the band back together,' you know? We had been taking every step extremely cautious and slow, and just doing whatever feels right: If it's genuine and we're doing it for genuine reasons and we're all okay with it then we take a little step. None of us is broke. Nobody needs to be a rock dork, and you know, stroke their ego. I mean, we don't really operate like that. So as long as it felt good and from the right place and it's about making music and carrying on…." About the pressure being put on DuVall for replacing Staley as lead vocalist, Cantrell said, "To put all that weight on Will's shoulders is unfair. We're just figuring out how we work as a team. Although the band has changed, we've lost Layne, we've added Will, and there was no master plan. Playing again in 2005 felt right, so we did the next thing and toured. We did it step by step. It's more than just making music, and it always has been. We've been friends a long time. We've been more of a family than most, and it had to be okay from here," Cantrell said pointing to his heart. Former The Doors manager Bill Siddons and his management company, Core Entertainment, co-managed Alice in Chains with original manager Susan Silver from 2005 to 2007. The band started writing and demoing songs for a new album with DuVall in April 2007. But the band did not show further signs of progress until October 2008, when they announced that they had begun recording with producer Nick Raskulinecz in the studio. 2008–2011: Black Gives Way to Blue and death of Mike Starr Blabbermouth.net reported on September 5, 2008, that Alice in Chains would enter the studio that October to begin recording a new album for a summer 2009 release. On September 14, 2008, Alice in Chains performed at halftime during the Seattle Seahawks vs San Francisco 49ers game at the CenturyLink Field (then-named Qwest Field) in Seattle. The 12-minute performance for a crowd of 67,000 people featured a cover of Led Zeppelin's "Kashmir" accompanied by the Northwest Symphony Orchestra. In October 2008, Alice in Chains began recording its fourth studio album at the Foo Fighters' Studio 606 in Los Angeles with producer Nick Raskulinecz. The band did not have a record label at the time and the album was funded by Jerry Cantrell and Sean Kinney. At the Revolver Golden God Awards, Cantrell said that the group had finished recording on March 18, 2009, and were mixing the album for a September release. The recording process was completed on Cantrell's 43rd birthday and also the same day that William DuVall's son was born. In April 2009, it was reported that the new Alice in Chains album would be released by Virgin/EMI, making it the band's first label change in its 20-plus year career. Susan Silver, who started managing Alice in Chains in 1988, now co-manages the band with David Benveniste and his Velvet Hammer firm. On June 11, 2009, Blabbermouth.net reported that the new album would be titled Black Gives Way to Blue and was officially set to be released on September 29, 2009. The title first appeared on Amazon.com without any prior announcement from the band. In addition, it was announced that Elton John plays piano on the title track, a tribute to Layne Staley written and sung by Cantrell. The album features new vocalist and rhythm guitarist William DuVall sharing vocal duties with lead guitarist/vocalist Jerry Cantrell, who sings lead vocals on most of the songs. DuVall sings lead vocals on the song "Last of My Kind". On June 30, 2009, the song "A Looking in View" was made available for purchase via iTunes and Amazon, and for a limited time it was available as a free download through the official Alice in Chains website in early July. Although it was not the album's first radio single, Rock stations across the U.S. started playing the song. The music video for "A Looking in View" debuted via the band's official website on July 7, 2009. The song was nominated for a Grammy Award for Best Hard Rock Performance. "Check My Brain" was released to radio stations as the first official single from the album on August 14, 2009, and was made available for purchase on August 17, 2009. The music video for "Check My Brain" premiered on September 14, 2009. The song was also nominated for a Grammy Award for Best Hard Rock Performance. To promote the album, the band released an EPK featuring all four of the members being interviewed while the Kiss makeup is being applied on them. An app for iPhone was released on October 27, 2009, featuring songs, music videos, news, photos and networking. Sean Kinney said about the new album and the fans' mixed reactions about the band moving on after Staley's death: "Look, it's a big move to fucking stand up and move on. Some people, the music connected with them so strongly, their opinions, how they feel about it ... It's amazing that they have such a connection but they seem to act like it happened to them. This happened to us and Layne's family, not them. This is actually our lives. If we're okay with it, why can't you be? This happened to us, this didn't happen to you. But this album isn't about that, it's a bigger universal point. We're all going to fucking die, we're all going to lose somebody, and it fucking hurts. How do you move on? This record is us moving on, and hurting. That, to me, is a victory. I already feel like I've won." "Sometimes people ask us, 'Wouldn't Layne have been pissed off that we did this?' And I tell them it would have been the opposite: he would have been pissed off that it took us so long to do this. We're not doing this for money; there is no money in the music business anymore. Jerry and I funded the whole album, and we spent lots of our own money, because we believe in this. And one of the reasons I'm doing this is so more light is turned on to something where the light was turned off." And Cantrell added: "We've toured around the world, we've lost some friends, we buried a dear friend, and somebody that you just can't fucking replace, and then we've chosen by circumstance to get together again. That turned into 'maybe we can fucking do this.' And that turned into this." In September 2008, it was announced that Alice in Chains would headline Australia's Soundwave Festival in 2009, alongside Nine Inch Nails and Lamb of God. In February 2009, it was also announced that Alice in Chains would play at the third annual Rock on the Range festival. On August 1, 2009, Alice in Chains performed, along with Mastodon, Avenged Sevenfold, and Glyder, at Marlay Park, Dublin as direct support to Metallica. The band made an appearance on Later... with Jools Holland on November 10, 2009, performing "Lesson Learned", "Black Gives Way to Blue", and "Check My Brain" as the final performance of the episode. To coincide with the band's European tour, Alice in Chains released its next single, "Your Decision", on November 16, 2009, in the UK and on December 1 in the US. The last single from the album was "Lesson Learned", and it was released to rock radio on June 22, 2010. Black Gives Way to Blue debuted at No. 5 on the Billboard 200. On May 18, 2010, the album was certified gold by the RIAA for selling over 500,000 copies in the U.S. The singles "Check My Brain" and "Your Decision" reached No. 1 on Billboard's Mainstream Rock Tracks, while "Lesson Learned" reached No. 4. "Check My Brain" was also the band's first #1 song on the Alternative Songs chart, and on the Hot Rock Songs chart, it also reached No. 92 on Billboard's Hot 100, becoming the band's first single to appear on the chart. Along with Mastodon and Deftones, Alice in Chains toured the United States and Canada in late 2010 on the Blackdiamondskye tour, an amalgam of the three bands' latest album titles (Black Gives Way to Blue, Diamond Eyes, and Crack the Skye). On March 8, 2011, former Alice in Chains bassist Mike Starr was found dead at his home in Salt Lake City. Police told Reuters they were called to Starr's home at 1:42 pm and found his body; Starr was 44. Reports later surfaced that Starr's roommate had seen him mixing methadone and anxiety medication hours before he was found dead. Later reports indicated Starr's death may have been linked to two different types of antidepressants prescribed to him by his doctor. A public memorial was held for Starr at the Seattle Center's International Fountain on March 20, 2011. A private memorial was also held, which Jerry Cantrell and Sean Kinney attended according to Mike Inez. 2011–2016: The Devil Put Dinosaurs Here On March 21, 2011, Alice in Chains announced that they were working on a fifth studio album, and both Cantrell and Inez later made statements that they had begun the recording process. The album was expected to be finished by summer of 2012 and released by the end of 2012 or beginning of 2013. While Alice in Chains were writing for the album in 2011, Cantrell underwent surgery on his right shoulder, which delayed recording the new material. In an interview published in May 2012, Cantrell explained, "The thing that set me back is I had some bone spurs [and] cartilage issues in my shoulders. I had the same issue in the other shoulder about six years ago so I've had them both done now. It's a repetitive motion injury from playing." Cantrell could not play guitar for eight months while he was recovering from surgery. While recuperating at home in a sling, Cantrell heard a riff in his head and sang it into his phone. The riff later became the song "Stone". Alice in Chains played their first concert in nearly 10 months and their first concert after Cantrell's shoulder surgery at the Winstar Casino in Thackerville, Oklahoma on August 13, 2011. The band's only concert in 2012 was a five-song acoustic set on May 31 at the eighth annual MusiCares MAP Fund Benefit Concert honoring Jerry Cantrell. On December 4, 2012, Cantrell confirmed that the new album had been completed. The first single, "Hollow", debuted online on December 18, available for digital download in January 2013, along with an official music video. On February 13, 2013, Alice in Chains posted on Facebook that their new album title would be an anagram of the letters H V L E N T P S U S D A H I E E O E D T I U R R. The next day they announced that the album would be called The Devil Put Dinosaurs Here, which was released on May 28, 2013, and debuted at No. 2 on the Billboard 200. To promote the album, Alice in Chains teamed up with Funny or Die for an 11-minute mockumentary titled AIC 23, in which Film Studies professor Alan Poole McLard (played by W. Earl Brown) attempts to make a documentary on Alice in Chains without any help from the actual band, interviewing other musicians instead. Among them are country singer Donnie 'Skeeter' Dollarhide Jr. (played by Jerry Cantrell), Reggae singer Nesta Cleveland (played by William DuVall), Black Metal musician Unta Gleeben Glabben Globben Globin (played by Mike Inez) and the hipster Stanley Eisen (played by Sean Kinney). The video was released on April 3, 2013, and also features cameos by Ann and Nancy Wilson from Heart, Mike McCready from Pearl Jam, Kim Thayil from Soundgarden, Duff McKagan from Guns N' Roses, Brent Hinds and Bill Kelliher from Mastodon, and Lars Ulrich and Robert Trujillo from Metallica. In June 2013, the band released a pinball game app for iOS as part of Pinball Rocks HD compilation, featuring the single "Hollow", the band's logo and the album artwork, as well as references to the band's previous albums such as Jar of Flies and the self-titled record. The band released videos for the songs "Hollow", "Stone", "Voices", the title track and "Phantom Limb". "Hollow" and "Stone" reached No. 1 on Billboard's Mainstream Rock Tracks, while "Voices" reached No. 3, and each one of the three songs stayed on the chart for 20 weeks. The Devil Put Dinosaurs Here was nominated for a Grammy Award for Best Engineered Album, Non-Classical in 2014. Alice in Chains toured extensively in the U.S., Canada, and Europe in 2013 and 2014. In May 2013, the band co-headlined the annual MMRBQ festival with Soundgarden in Camden, New Jersey. Asked in September 2013 if Alice in Chains would make another album, Cantrell replied, "It'll be a while. It's [been] four years since we put the last one out, but at least it's not the gap that was between the last one, so that's about right - about three to four years." On January 18, 2015, Alice in Chains performed in the halftime show of the NFC Championship Game between the Seattle Seahawks and the Green Bay Packers at CenturyLink Field in Seattle. Cantrell is a lifelong Seahawks fan and often attends their games. In August 2015, Bassist Mike Inez said that the band had been "throwing around riffs for a new record" and "taking it nice and slow". The band toured in the summer of 2015 and the summer of 2016, including select shows opening for Guns N' Roses as part of the Not in This Lifetime... Tour. The band finished their 2016 tour with a concert at the Grand Sierra Resort and Casino in Reno, Nevada on October 8, 2016. In November 2016, Alice in Chains released a cover of the Rush song "Tears", which was included in the 40th anniversary release of the album 2112. The home video Live Facelift was released on vinyl for the first time on November 25, 2016, as part of Record Store Day's Black Friday event. The album features six songs and only 5000 copies were issued. To celebrate the tenth anniversary of Record Store Day, on April 22, 2017, Legacy Recordings released "Get Born Again"/"What the Hell Have I", a special 45 RPM double 7" single featuring four tracks remastered and available on vinyl for the first time, "What the Hell Have I", "A Little Bitter", "Get Born Again" and "Died". 2017–present: Rainier Fog In January 2017, Mike Inez stated in an interview that the band had begun work on a new album. In June 2017, it was reported that the band would return to Studio X (formerly Bad Animals Studios) in Seattle to record a new album later that month, for a tentative early 2018 release. The sessions were helmed by Nick Raskulinecz, who produced the band's last two albums. Studio X was the studio where Alice in Chains recorded its 1995 self-titled album. According to Inez, the band was not signed to a label, having completed its previous two-record contract with the Universal Music Group. "This [upcoming album], we're not sure where it's gonna land ... I mean, we financed ['Black Gives Way To Blue'] on our own too, so we're not too worried about that stuff. We've just gotta get it out to ... a significant label [with worldwide distribution]." The band started recording their sixth studio album on June 12, 2017. On January 11, 2018, producer Nick Raskulinecz announced via Instagram that the album was nearly finished and that there was only one more day left of recording. During an interview with Guitar World published on April 11, 2018, Jerry Cantrell said that the album was recorded at four studios. After recording at Studio X in Seattle, the band went to Nashville to record vocals and lead guitars at Nick Raskulinecz's home studio. But Cantrell had to take an unexpected break from work for a couple of weeks after getting sick on a trip to Cabo for Sammy Hagar's birthday. Cantrell had the band's engineer, Paul Figueroa, come in to his house and record a lot of his vocals and solos there. The band finished recording the album at the Henson Recording Studios in Los Angeles. Cantrell also said he expects the album to be released "probably sometime this summer." At the press room of the Rock and Roll Hall of Fame Induction Ceremony on April 14, 2018, Cantrell revealed that Alice in Chains had just signed with BMG, and that they had finished mixing their new album. Alice in Chains did not perform live in 2017. The band performed their first concert since October 2016 at the House of Blues in Boston on April 28, 2018. In May 2018, Alice in Chains headlined the festivals Carolina Rebellion, Lunatic Luau, Pointfest, Northern Invasion, the WMMR BBQ festival in Philadelphia, and the Rock on the Range festival in Columbus, Ohio on May 18, 2018, in which they paid tribute to Chris Cornell on the first anniversary of his death covering two Soundgarden songs to close their set, "Hunted Down" and "Boot Camp", respectively. At the end of the show, the lights on stage spelled out "CC" for Chris Cornell and "SG" for Soundgarden as feedback rang out. The band started their European tour in June 2018, and headlined the Tons Of Rock Festival in Norway alongside Ozzy Osbourne and Helloween. Alice in Chains are also scheduled to headline KISW's Pain in the Grass festival in August 2018. The band released a new single, "The One You Know", via Spotify, Amazon and iTunes on May 3, 2018. A music video directed by Adam Mason was released on YouTube the same day. "The One You Know" peaked at No. 9 on Billboard's Mainstream Rock chart. During an interview with Eddie Trunk on Trunk Nation on May 7, 2018, Jerry Cantrell said that the new album would be released at the end of August 2018. The band also revealed that they talked to director Adam Mason, who is making a dark sci-film, about doing two separate pieces of art and maybe molding them together, and that the music video for "The One You Know" is the first chapter of molding Mason's film and the band's music videos together. The second single, "So Far Under", was released on Alice in Chains' YouTube channel and on streaming platforms on June 27, 2018. It was also announced that the album would be titled Rainier Fog, with the release date scheduled for August 24, 2018. The album's artwork and the track listing were also revealed on the same day. Jerry Cantrell told Rolling Stone that the title Rainier Fog was inspired by the Mount Rainier in Seattle, and the title track is a tribute to the Seattle music scene. "This song is a little homage to all of that: where we come from, who we are, all of the triumphs, all of the tragedies, lives lived." The album's third single, "Never Fade", was released on August 10, 2018, through digital and streaming services. The song is a tribute dedicated to frontman William DuVall's grandmother, Chris Cornell, and Alice in Chains' original singer Layne Staley. "Never Fade" peaked at No. 10 on Billboard's Mainstream Rock chart. A music video directed by Adam Mason was released on November 1, 2018, and continued the storyline from the music video of "The One You Know". In June 2018, William DuVall said in an interview with Swedish website Rocksverige that the music video for "The One You Know" is the first chapter of what the band is hoping will be visuals for all ten songs from the album Rainier Fog, and in addition to that, will be a companion piece to the film that director Adam Mason was shooting. On August 20, 2018, the baseball team Seattle Mariners hosted a special "Alice in Chains Night" at the Safeco Field in Seattle to promote Rainier Fog, with the team offering the fans a package that included a Safeco Field terrace club ticket, access to a pre-game listening party of the album, an Alice in Chains T-shirt and a Rainier Fog CD. Jerry Cantrell also threw out the ceremonial first pitch and delivered a strike before the Seattle Mariners vs. Houston Astros game. To mark the launch of the album, on August 21, 2018, Alice in Chains performed an acoustic set at the top of Seattle's Space Needle and debuted the song "Fly". Alice in Chains were the first band to perform on the Space Needle's new "Loupe" glass floor, the world's first and only revolving glass floor 500 feet high. The concert was exclusive for an audience of SiriusXM subscribers. SiriusXM broadcast the concert on their channel Lithium on August 31, 2018. On August 22, 2018, Alice in Chains sent fans on a Scavenger hunt to access a secret gig that the band would be performing in Seattle on August 24. Ten signed CD copies of Rainier Fog were hidden around the city as a ticket into the show, and the band asked the fans to keep an eye on their Instagram story for details on the 10 hidden locations. Once all 10 albums were found, the band revealed that the secret gig would be at the rock club The Crocodile, with limited tickets available with the purchase of their album at a pop-up event at the same venue the next day. Preview clips of each of the album tracks were posted on the band's Instagram. The band also commemorated the release of the album with a pop-up museum installation at The Crocodile in Seattle on August 23 and 24. The museum featured rare Alice in Chains photos, limited-edition merchandise and memorabilia that showcased the band's 30+ year career. Rainier Fog debuted at No. 12 on the Billboard 200 chart, selling 31,000 copies (29,000 in traditional album sales), in its first week of release. The album also debuted at No. 1 on Billboard's Top Rock Albums, Alternative Albums and Hard Rock Albums charts, and at No. 3 on the Vinyl Albums chart. Rainier Fog became Alice in Chains' first top 10 in the UK, peaking at No. 9, and topping UK's Rock & Metal Albums chart. The album has been nominated for a Grammy Award for Best Rock Album. On December 13, 2018, the teaser of the film Black Antenna featuring the song "Rainier Fog" was released on Alice in Chains' official YouTube channel, with drummer Sean Kinney stating; "We've always toyed with the idea of creating videos for every song on one of our albums. Not only did we do that for Rainier Fog, it got totally out of hand and we made a whole goddamn movie. Everything that will be seen in the videos will be footage from Black Antenna to preface the complete film's release." "Rainier Fog" was released as a single on February 26, 2019. The official trailer for Black Antenna was released on Alice In Chains' YouTube Channel on February 28, 2019. Besides a 90-minute film, a 10-part web-series focused on each track from the album will also be released. Episodes 1 and 2, "The One You Know" and "Rainier Fog", respectively, were released on March 7, 2019. The tenth and last episode, "All I Am", was released on July 17, 2019. The official music video for "Rainier Fog" was released on YouTube on May 15, 2019, and was co-directed by Alice in Chains and Peter Darley Miller, who also directed the band's 2013 mockumentary, AIC 23. On December 1, 2020, Alice in Chains was honored with the Founders Award from Seattle's Museum of Pop Culture. The benefit concert featured tribute performances from artists such as Ann Wilson, Korn, Metallica, Fishbone, Dallas Green, Billy Corgan, Tad Doyle, members of Soundgarden and Pearl Jam, among others. The event was made available for streaming for free and raised more than $600,000 for the museum in its first night. A compilation featuring highlights from the tribute was made available for streaming on Amazon Music. Musical style Although Alice in Chains has been labeled grunge by the mainstream media, Jerry Cantrell identifies the band as primarily heavy metal. He told Guitar World in 1996, "We're a lot of different things ... I don't quite know what the mixture is, but there's definitely metal, blues, rock and roll, maybe a touch of punk. The metal part will never leave, and I never want it to." The Edmonton Journal has stated, "Living and playing in Seattle might have got them the grunge tag, but they've always pretty much been a classic metal band to the core." Over the course of their career, the band's sound has also been described as alternative metal, sludge metal, doom metal, drone rock, hard rock, and alternative rock. Regarding the band's constant categorization by the media, Cantrell stated "When we first came out we were metal. Then we started being called alternative metal. Then grunge came out and then we were hard rock. And now, since we've started doing this again I've seen us listed as: hard rock, alternative, alternative metal and just straight metal. I walked into an HMV the other day to check out the placement and see what's on and they've got us relegated back into the metal section. Right back where we started!" Drummer Sean Kinney rejects the grunge label, stating in a 2013 interview "I mean, before we first came out there was no grunge, they hadn't invented that word. Before they invented the word grunge we were alternative rock and alternative metal and metal and rock, and we didn't give a shit whatever, we were a rock and roll band!." According to Mike Inez, they were always the metal stepchildren of the Seattle scene. The band are influenced to a great extent by English metal music; in 2018, Jerry Cantrell proclaimed Black Sabbath guitarist Tony Iommi as "one of his biggest" inspirations, whilst Layne Staley named his "first influences" as Black Sabbath and Deep Purple. Cantrell adjudged English rock singer Elton John as "the artist that made me want to be a musician." In addition, members of Alice in Chains have cited artists including AC/DC, Accept, Aerosmith, The Beatles, Black Flag, David Bowie, John Coltrane, Miles Davis, Dio, Funkadelic, Hanoi Rocks, Heart, Jimi Hendrix, Iron Maiden, King's X, Kiss, Led Zeppelin, Metallica, Motörhead, Mudhoney, Pink Floyd, Queensrÿche, the Rolling Stones, Rush, Scorpions, Soundgarden, The Stooges, Television, Thin Lizzy, U2, UFO, Van Halen, The Velvet Underground, Hank Williams, and ZZ Top as influential or inspirational. Jerry Cantrell's guitar style combines "pummeling riffs and expansive guitar textures" to create "slow, brooding minor-key grinds". He is also recognized for his natural ability to blend acoustic and electric guitars. While down-tuned, distorted guitars mixed with Staley's distinctive "snarl-to-a-scream" vocals appealed to heavy metal fans, the band also had "a sense of melody that was undeniable," which introduced Alice in Chains to a much wider audience outside of the heavy metal underground. According to Stephen Thomas Erlewine of AllMusic, Alice in Chains' sound has a "Black Sabbath-style riffing and an unconventional vocal style." The band has been described by Erlewine as "hard enough for metal fans, yet their dark subject matter and punky attack placed them among the front ranks of the Seattle-based grunge bands." Three of the band's releases feature acoustic music, and while the band initially kept these releases separate, Alice in Chains' self-titled album combined the styles to form "a bleak, nihilistic sound that balanced grinding hard rock with subtly textured acoustic numbers." Alice in Chains is also noted for the unique vocal harmonies of Staley (or DuVall) and Cantrell, which included overlapping passages, dual lead vocals, and trademark harmonies typically separated by a major third. Cantrell said it was Staley who gave him the self-assurance to sing his own songs. Alyssa Burrows said the band's distinctive sound "came from Staley's vocal style and his lyrics dealing with personal struggles and addiction." Staley's songs were often considered "dark", with themes such as drug abuse, depression, and suicide, while Cantrell's lyrics often dealt with personal relationships. Legacy Alice in Chains has sold over 14 million records in the United States, and over 30 million records worldwide, released two number-one albums, had 23 top 40 singles, and has received eleven Grammy Award nominations. The band was ranked number 34 on VH1's 100 Greatest Artists of Hard Rock. Alice in Chains was named 15th greatest live band by Hit Parader, with Staley placing as 27th-greatest heavy metal vocalist of all time. The band's second album, Dirt, was named 5th-best album in the last two decades by Close-Up magazine in 2008. In October 2008, Guitar World ranked Cantrell's solo in "Man in the Box" at No. 77 on their list of "100 Greatest Guitar Solos". In August 2009, Alice in Chains won the Kerrang! Icon Award. In November 2011, Jar of Flies was ranked number four on Guitar World magazine's top ten list of guitar albums of 1994. It was also featured in Guitar World magazine's "Superunknown: 50 Iconic Albums That Defined 1994" list, and in May 2014, the EP was placed at number five on Loudwire's "10 Best Hard Rock Albums of 1994" list. Pantera and Damageplan guitarist Dimebag Darrell had expressed his admiration for Cantrell's guitar work in an interview for Guitar International in 1995, saying that "the layering and the honest feel that Jerry Cantrell gets on [Alice in Chains' Dirt] record is worth a lot more than someone who plays five million notes." Street musician Wesley Willis wrote a song about the band entitled "Alice in Chains", featured on his 1996 album Feel The Power. Billy Corgan revealed that the song "Bleeding The Orchid" from The Smashing Pumpkins' 2007 album Zeitgeist has a bit of an homage to Alice in Chains in the harmonies and was indirectly inspired by the death of Staley. Elton John stated that he is a fan of Alice in Chains and a big admirer of Cantrell. According to Jon Wiederhorn of MTV, Godsmack has "sonically followed Alice in Chains' lead while adding their own distinctive edge." Godsmack singer and founder Sully Erna has also cited Staley as his primary influence. Godsmack was named after the Alice in Chains song "God Smack" from the album Dirt. Staind has covered Alice in Chains' song "Nutshell" live, which appears on the compilation The Singles: 1996-2006, and also wrote a song entitled "Layne", dedicated to Staley, on the album 14 Shades of Grey. Three Days Grace also performs a cover of "Rooster", which can be seen on the DVD Live at the Palace. Other bands that have been influenced by Alice in Chains include 10 Years, Avenged Sevenfold, Breaking Benjamin, Creed, Dallas Green, Days of the New, Hoobastank, Incubus, Korn, Manic Street Preachers, Mudvayne, Nickelback, A Pale Horse Named Death, Puddle of Mudd, Queens of the Stone Age, Rains, Seether, Smile Empty Soul, Stone Sour, Tantric, Taproot, and Theory of a Deadman. Metallica said they have always wanted to tour with the band, citing Alice in Chains as a major inspiration for their 2008 release, Death Magnetic. Alice in Chains has also had a significant influence on modern heavy metal. Their songs were covered by various metal bands such as In Flames, Opeth, Dream Theater, Secrets of the Moon, Suicide Silence, 36 Crazyfists, Cane Hill, Ektomorf, Dritt Skitt, Grave and Thou, who described their 2018 EP Rhea Sylvia as "a melodic grunge, Alice in Chains homage." In 2009, Anders Fridén of Swedish melodic death metal band In Flames cited Layne Staley as an inspiration for his vocals on the band's later albums. In addition to fellow musicians, the band has also received praise from critics, with Steve Huey of AllMusic calling them "one of the best metal bands of the '90s" upon reviewing the 1999 compilation Nothing Safe. In 2009, the Vitamin String Quartet released the album The String Quartet Tribute to Alice in Chains, featuring instrumental versions on viola, violin and cello of 12 of the band's biggest hits. In August 2015, journalist David de Sola published the biography Alice in Chains: The Untold Story. An updated version covering the period from 2014 to 2017 was published in November 2018. Neither the band nor their management had any involvement with the book. Sources tied directly to the band were interviewed instead. In June 2017, Metal Injection ranked Alice in Chains at number 1 on their list of "10 Heaviest Grunge Bands". Ozzy Osbourne ranked Facelift among his list of "10 Favorite Metal Albums". The claymation dolls of the band members used in the music video for "I Stay Away" are on display at the Rock and Roll Hall of Fame museum in Cleveland, Ohio. Band members Current members Jerry Cantrell – lead guitar, lead vocals (1987–2002, 2005–present), rhythm guitar (1987–2002, 2005–2006) Sean Kinney – drums, backing vocals (1987–2002, 2005–present) Mike Inez – bass, backing vocals (1993–2002, 2005–present) William DuVall – lead vocals, rhythm guitar (2006–present) Former members Layne Staley – lead vocals (1987–2002), occasional rhythm guitar (1992–2002; died 2002) Mike Starr – bass, backing vocals (1987–1993; died 2011) Touring members Maynard James Keenan – lead vocals (2005) Timeline Discography Studio albums Facelift (1990) Dirt (1992) Alice in Chains (1995) Black Gives Way to Blue (2009) The Devil Put Dinosaurs Here (2013) Rainier Fog (2018) Awards and nominations References External links VH1 Classic: Alice In Chains 1987 establishments in Washington (state) 2002 disestablishments in Washington (state) 2005 establishments in Washington (state) American alternative metal musical groups Columbia Records artists EMI Records artists American grunge groups Heavy metal musical groups from Washington (state) Kerrang! Awards winners Musical groups established in 1987 Musical groups disestablished in 2002 Musical groups reestablished in 2005 Musical groups from Seattle Musical quartets Virgin Records artists Capitol Records artists	true	[ "A dirt road or track is a type of unpaved road made from the native material of the land surface through which it passes, known to highway engineers as subgrade material. Dirt roads are suitable for vehicles; a narrower path for pedestrians, animals, and possibly small vehicles would be called a dirt track—the distinction is not well-defined. Unpaved roads with a harder surface made by the addition of material such as gravel and aggregate (stones), might be referred to as dirt roads in common usage but are distinguished as improved roads by highway engineers. (Improved unpaved roads include gravel roads, laterite roads, murram roads and macadamized roads.) \n\nCompared to a gravel road, a dirt road is not usually graded regularly to produce an enhanced camber to encourage rainwater to drain off the road, and drainage ditches at the sides may be absent. They are unlikely to have embankments through low-lying areas. This leads to greater waterlogging and erosion, and after heavy rain the road may be impassable even to off-road vehicles. For this reason, in some countries, such as Australia and New Zealand and Finland, they are known as dry-weather roads.\n\nDirt roads take on different characteristics according to the soils and geology where they pass, and may be sandy, stony, rocky or have a bare earth surface, which could be extremely muddy and slippery when wet, and baked hard when dry. They are likely to become impassable after rain. They are common in rural areas of many countries, often very narrow and infrequently used, and are also found in metropolitan areas of many developing countries, where they may also be used as major highways and have considerable width.\n\nTerms similar to dirt road are dry-weather road, earth road, or the \"Class Four Highway\" designation used in the People's Republic of China. A track, dirt track, or earth track would normally be similar but less suitable for larger vehicles.\n\nDriving on dirt roads\nWhile most gravel roads are all-weather roads and can be used by ordinary cars, dirt roads may only be passable by trucks or four-wheel drive vehicles, especially in wet weather, or on rocky or very sandy sections. It is as easy to become bogged in sand as it is in mud; a high clearance under the vehicle may be required for rocky sections.\n\nDriving on dirt roads requires great attention to variations in the surface and it is easier to lose control than on a gravel road.\n\nLaterite and murram roads\nIn Africa, parts of Asia, and parts of America, laterite soils are used to build dirt roads. However laterite, called murram in East Africa, varies considerably. It ranges from a hard gravel to a softer earth embedded with small stones. Not all laterite and murram roads are therefore strictly gravel roads. Laterite and murram which contains a significant proportion of clay becomes very slippery when wet, and in the rainy season, it may be difficult even for four-wheel drive vehicles to avoid slipping off very cambered roads into the drainage ditches at the side of the road. As it dries out, such laterite can become very hard, like sun-dried bricks.\n\nImage gallery\n\nSee also \n\n Byway (road)\n Country lane\n Green lane (road)\n\nTypes of roads", "A vegetable wash is a cleaning product designed to aid in the removal process of dirt, wax and pesticides from fruit and vegetables before they are consumed.\n\nContents and use\nAll fresh produce, even organic, can harbor residual pesticides, dirt or harmful microorganisms on the surface. Vegetable wash also removes germs, waxes on vegetable and fruits, and also the pesticides. Vegetable washes may either be a number of specially-marketed commercial brands, ⁣ or they may be home recipes. Commercial vegetable washes generally contain surfactants, along with chelating agents, antioxidants, and other agents. Home recipes are generally dilutions of hydrogen peroxide or vinegar, the former of which may be dangerous at high concentrations.\n\nEffectiveness\nNeither the U.S. Food and Drug Administration nor the United States Department of Agriculture recommend washing fruits and vegetables in anything other than cold water. To date there is little evidence that vegetable washes are effective at reducing the presence of harmful microorganisms, though their application in removing simple dirt and wax is not contested.\n\nReferences\n\nCleaning products\nVegetables\nEdible fruits" ]
[ "Alice in Chains", "Dirt (1992-1993)", "When did they produce Dirt?", "On September 29, 1992, Alice in Chains released its second album, Dirt." ]	C_68e092ce2d2f47e9ba7736c8e2acfae9_1	Did it reach bill board charts>?	2	Did Dirt by Alice in Chains reach the Billboard charts ?	Alice in Chains	In March 1992, the band returned to the studio. With new songs written primarily on the road, the material has an overall darker feel than Facelift, with six of the album's thirteen songs dealing with the subject of addiction. "We did a lot of soul searching on this album. There's a lot of intense feelings." Cantrell said, "We deal with our daily demons through music. All of the poison that builds up during the day we cleanse when we play". On September 29, 1992, Alice in Chains released its second album, Dirt. The album peaked at number six on the Billboard 200 and since its release has been certified quadruple platinum by the RIAA, making Dirt the band's highest selling album to date. The album was a critical success, with Steve Huey of Allmusic praising the album as a "major artistic statement, and the closest they ever came to recording a flat-out masterpiece". Chris Gill of Guitar World called Dirt "huge and foreboding, yet eerie and intimate", and "sublimely dark and brutally honest". Dirt spawned five top 30 singles, "Would?", "Rooster", "Them Bones", "Angry Chair", and "Down in a Hole", and remained on the charts for nearly two years. Alice in Chains was added as openers to Ozzy Osbourne's No More Tours tour. Days before the tour began, Layne Staley broke his foot in an ATV accident, forcing him to use crutches on stage. Starr left the band shortly after the Hollywood Rock concert in Rio de Janeiro in January 1993, stating that he wanted to spend more time with his family. Staley told Rolling Stone in 1994 about Starr leaving the band, "It was just a difference in priorities. We wanted to continue intense touring and press. Mike was ready to go home." Years later, Starr claimed that he was fired due to his drug addiction. Starr was replaced by former Ozzy Osbourne bassist Mike Inez. In 1993, the band recorded two songs with Inez, "What the Hell Have I" and "A Little Bitter", for the Last Action Hero soundtrack. During the summer of 1993, Alice in Chains toured with the alternative music festival Lollapalooza, their last major tour with Staley. CANNOTANSWER	The album peaked at number six on the Billboard 200	Alice in Chains (often abbreviated as AIC) is an American rock band from Seattle, Washington, formed in 1987 by guitarist and vocalist Jerry Cantrell and drummer Sean Kinney, who later recruited bassist Mike Starr and lead vocalist Layne Staley. Starr was replaced by Mike Inez in 1993. William DuVall joined the band in 2006 as co-lead vocalist and rhythm guitarist, replacing Staley, who died in 2002. The band took its name from Staley's previous group, the glam metal band Alice N' Chains. Often associated with grunge music, Alice in Chains' sound incorporates heavy metal elements. The band is known for its distinctive vocal style, which often included the harmonized vocals between Staley and Cantrell (and later Cantrell and DuVall). Cantrell started to sing lead vocals on the 1992 acoustic EP Sap, and his role continued to grow in the following albums, making Alice in Chains a two-vocal band. Alice in Chains rose to international fame as part of the grunge movement of the early 1990s, along with other Seattle bands such as Nirvana, Pearl Jam, and Soundgarden. They achieved success during the era with the albums Facelift (1990), Dirt (1992), Alice in Chains (1995), as well as the EP Jar of Flies (1994). Although never officially disbanding, Alice in Chains was plagued by extended inactivity from 1996 onward, due to Staley's substance abuse, which resulted in his death in 2002. The band regrouped in 2006, with DuVall taking over as lead vocalist full-time, and they have since released three more albums: Black Gives Way to Blue (2009), The Devil Put Dinosaurs Here (2013), and Rainier Fog (2018). Alice in Chains have sold over 30 million records worldwide, and over 14 million records in the US alone. The band has had 18 Top 10 songs on Billboard's Mainstream Rock Tracks chart, 5 No. 1 hits, and received 11 Grammy Award nominations. The band was ranked number 34 on VH1's 100 Greatest Artists of Hard Rock and was ranked as the 15th greatest live band by Hit Parader. Since its formation, Alice in Chains has released six studio albums, three EPs, three live albums, four compilations, two DVDs, 43 music videos, and 32 singles. History 1984–1989: Formation and early years Before the formation of Alice in Chains, then-drummer Layne Staley landed his first gig as a vocalist when he auditioned to sing for a local glam metal band known as Sleze after receiving some encouragement from his stepbrother Ken Elmer. Other members of this group at that time were guitarists Johnny Bacolas and Zoli Semanate, drummer James Bergstrom, and bassist Byron Hansen. This band went through several lineup changes culminating with Nick Pollock as their sole guitarist and Bacolas switching to bass before discussions arose about changing their name to Alice in Chains. This was prompted by a conversation that Bacolas had with Russ Klatt, the lead singer of Slaughter Haus 5, about backstage passes. One of the passes said "Welcome to Wonderland", and they started talking about that being a reference to Alice in Wonderland, until Klatt said, "What about Alice in Chains? Put her in bondage and stuff like that." Bacolas thought the name "Alice in Chains" was cool and brought it up to his Sleze bandmates and everyone liked it, so they decided to change the name of the band. Due to concerns over the reference to female bondage, the group ultimately chose to spell it differently as Alice N' Chains to allay any parental concerns, though Staley's mother Nancy McCallum has said she was still not happy with this name at first. According to Bacolas, the decision to use the apostrophe-N combination in their name had nothing to do with the Los Angeles band Guns N' Roses. The name change happened in 1986, a year before Guns N' Roses became a household name with their first album Appetite for Destruction, released in July 1987. Staley met guitarist Jerry Cantrell at a party in Seattle around August 1987. A few months prior, Cantrell had watched a concert of Alice N' Chains in his hometown at the Tacoma Little Theatre, and was impressed by Staley's voice. Cantrell was homeless after being kicked out of his family's house, so Staley invited Cantrell to live with him at the rehearsal studio Music Bank, and the two struggling musicians became roommates. Alice N' Chains soon disbanded, and Staley joined a funk band. Cantrell's band, Diamond Lie, broke up and he wanted to form a new band, so Staley gave him the phone number of Melinda Starr, the girlfriend of drummer Sean Kinney, so that Cantrell could talk to him. Cantrell called the number and set up a meeting with Kinney. Kinney and his girlfriend went to the Music Bank and listened to Cantrell's demos, who mentioned that they needed a bass player to jam with them, and he had someone in mind: Mike Starr, with whom Cantrell had played in a band in Burien called Gypsy Rose. Kinney then mentioned that his girlfriend was actually Mike Starr's sister, and that he had been playing in bands together with Starr since they were kids. Kinney called Starr and a few days later he started jamming with him and Cantrell at the Music Bank, but they didn't have a singer. Staley's funk band also required a guitarist at the time, and Staley asked Cantrell to join as a sideman. Cantrell agreed on condition that Staley join his band. Because Cantrell, Starr and Kinney wanted Staley to be their lead singer, they started auditioning terrible lead singers in front of Staley to send a hint. The last straw for Staley was when they auditioned a male stripper – he decided to join the band after that. Eventually the funk project broke up, and in 1987 Staley joined Cantrell's band on a full-time basis. Two weeks after the band's formation, they were playing a gig at Washington State University, trying to fill out a 40-minute set with a couple of original songs along with Hanoi Rocks and David Bowie covers. The band played a couple of gigs in clubs around the Pacific Northwest, calling themselves different monikers, including Diamond Lie, the name of Cantrell's previous band, and "Fuck", before eventually adopting the name that Staley's previous band had initially flirted with, Alice in Chains. Staley contacted his former bandmates and asked for permission to use the name. Nick Pollock wasn't particularly thrilled about it at the time and thought he should come up with a different name, but ultimately both he and James Bergstrom gave Staley their blessing to use the name. Local promoter Randy Hauser became aware of the band at a concert and offered to pay for demo recordings. However, one day before the band was due to record at the Music Bank studio in Washington, police shut down the studio during the biggest cannabis raid in the history of the state. The final demo, completed in 1988, was named The Treehouse Tapes and found its way to music managers Kelly Curtis and Susan Silver, who also managed the Seattle-based band Soundgarden. Curtis and Silver passed the demo on to Columbia Records' A&R representative Nick Terzo, who set up an appointment with label president Don Ienner. Based on The Treehouse Tapes, Terzo signed Alice in Chains to Columbia in 1989. The band also recorded another untitled demo over a three-month period in 1989. This recording can be found on the bootleg release Sweet Alice. 1990–1992: Facelift and Sap Alice in Chains soon became a top priority of the label, which released the band's first official recording in July 1990, a promotional EP called We Die Young. The EP's lead single, "We Die Young", became a hit on metal radio. After its success, the label rushed Alice in Chains' debut album into production with producer Dave Jerden. Cantrell stated the album was intended to have a "moody aura" that was a "direct result of the brooding atmosphere and feel of Seattle." The resulting album, Facelift, was released on August 21, 1990, peaking at number 42 in the summer of 1991 on the Billboard 200 chart. Facelift was not an instant success, selling under 40,000 copies in the first six months of release, until MTV added "Man in the Box" to regular daytime rotation. The single hit number 18 on the Mainstream rock charts, with the album's follow up single, "Sea of Sorrow", reaching number 27, and in six weeks Facelift sold 400,000 copies in the US. The album was a critical success, with Steve Huey of AllMusic citing Facelift as "one of the most important records in establishing an audience for grunge and alternative rock among hard rock and heavy metal listeners." Sammy Hagar claimed he invited the band to tour with Van Halen after he saw the music video for "Man In The Box" on MTV. Facelift was certified gold by the Recording Industry Association of America (RIAA) for selling a half-million copies on September 11, 1991, becoming the first album from Seattle's Grunge movement to be certified gold. The band continued to hone its audience, opening for such artists as Iggy Pop, Van Halen, Poison, and Extreme. Facelift has since been certified triple-platinum by the RIAA, for shipments of three million copies in the United States. The concert at the Moore Theatre in Seattle on December 22, 1990, was recorded and released on VHS on July 30, 1991, as Live Facelift. It features five live songs and three music videos. The home video has been certified gold by the RIAA for sales exceeding 50,000 copies. In early 1991, Alice in Chains landed the opening slot for the Clash of the Titans tour with Anthrax, Megadeth, and Slayer, exposing the band to a wide metal audience but receiving mainly poor reception. Alice in Chains was nominated for a Best Hard Rock Performance Grammy Award in 1992 for "Man in the Box" but lost to Van Halen for their 1991 album For Unlawful Carnal Knowledge. Following the tour, Alice in Chains entered the studio to record demos for its next album, but ended up recording five acoustic songs instead. While in the studio, drummer Sean Kinney had a dream about "making an EP called Sap". The band decided "not to mess with fate", and on February 4, 1992, Alice in Chains released their second EP, Sap. The EP was released while Nirvana's Nevermind was at the top of the Billboard 200 charts, resulting in a rising popularity of Seattle-based bands, and of the term "grunge music". Sap was certified gold within two weeks. The EP features Cantrell on lead vocals on the opening track, "Brother", and guest vocals by Ann Wilson from the band Heart, who joined Staley and Cantrell for the choruses of "Brother" and "Am I Inside". The EP also features Mark Arm of Mudhoney and Chris Cornell of Soundgarden, who shared vocals with Staley and Cantrell on the song "Right Turn", credited to "Alice Mudgarden" in the liner notes. In 1992, Alice in Chains appeared in the Cameron Crowe film Singles, performing as a "bar band". The band also contributed the song "Would?" to the film's soundtrack, whose video received an award for Best Video from a Film at the 1993 MTV Video Music Awards. 1992–1993: Dirt In March 1992, the band returned to the studio. With new songs written primarily on the road, the material has an overall darker feel than Facelift, with six of the album's thirteen songs dealing with the subject of addiction. "We did a lot of soul searching on this album. There's a lot of intense feelings." Cantrell said, "We deal with our daily demons through music. All of the poison that builds up during the day we cleanse when we play." On September 29, 1992, Alice in Chains released its second album, Dirt. The album peaked at number six on the Billboard 200 and since its release has been certified quadruple platinum by the RIAA, making Dirt the band's highest selling album to date. The album was a critical success, with Steve Huey of Allmusic praising the album as a "major artistic statement, and the closest they ever came to recording a flat-out masterpiece." Chris Gill of Guitar World called Dirt "huge and foreboding, yet eerie and intimate", and "sublimely dark and brutally honest." Dirt spawned five singles that reached the top 30 on the Billboard Mainstream Rock chart: "Would?", "Rooster", "Them Bones", "Angry Chair", and "Down in a Hole", and remained on the charts for nearly two years. Alice in Chains was added as openers to Ozzy Osbourne's No More Tours tour. Days before the tour began, Layne Staley broke his foot in an ATV accident, forcing him to use crutches on stage. Starr left the band shortly after the Hollywood Rock concert in Rio de Janeiro on January 22, 1993, stating that he wanted to spend more time with his family. Staley told Rolling Stone in 1994 about Starr leaving the band, "It was just a difference in priorities. We wanted to continue intense touring and press. Mike was ready to go home." Years later, Starr claimed that he was fired due to his drug addiction. Starr was replaced by former Ozzy Osbourne bassist Mike Inez. Inez had met Alice in Chains during Ozzy Osbourne's No More Tours tour and became friends with them. When the band was in Brazil, they called Inez to join them and he accepted. Inez wanted to do the shows in Brazil and even got his immunization shots, but the band called him back telling that Starr wanted to do the last two shows in Brazil, so they would meet Inez in London instead. Inez ended up getting sick with his vaccination shots for a couple of days. Inez played his first concert with Alice in Chains on January 27, 1993, at the Camden Underworld in London. In April 1993, the band recorded two songs with Inez, "What the Hell Have I" and "A Little Bitter", for the Last Action Hero soundtrack. During the summer of 1993, Alice in Chains toured with the alternative music festival Lollapalooza, their last major tour with Staley. 1993–1994: Jar of Flies Following Alice in Chains' extensive 1993 world tour, Staley said the band "just wanted to go into the studio for a few days with our acoustic guitars and see what happened." "We never really planned on the music we made at that time to be released. But the record label heard it and they really liked it. For us, it was just the experience of four guys getting together in the studio and making some music." Columbia Records released Alice in Chains' second acoustic-based EP, Jar of Flies, on January 25, 1994. Written and recorded in one week, Jar of Flies debuted at number one on the Billboard 200, becoming the first EP—and first Alice in Chains release—to top the charts. Paul Evans of Rolling Stone called the EP "darkly gorgeous", and Steve Huey said, "'Jar of Flies' is a low-key stunner, achingly gorgeous and harrowingly sorrowful all at once." Jar of Flies features Alice in Chains' first number-one single on the Mainstream Rock charts, "No Excuses". The second single, "I Stay Away", reached number ten on the Mainstream rock charts, while the final single "Don't Follow", reached number 25. Jar of Flies has been certified triple platinum by the RIAA, with over 2 million copies sold in the United States during its first year. Jar of Flies received two Grammy nominations, Best Hard Rock Performance for "I Stay Away", and Best Recording Package. After the release of Jar of Flies, Staley entered rehab for heroin addiction. The band was scheduled to tour during the summer of 1994 with Metallica, Suicidal Tendencies, Danzig, and Fight, as well as a slot during Woodstock '94, but while in rehearsal for the tour, Staley began using heroin again. Staley's condition prompted the other band members to cancel all scheduled dates one day before the start of the tour, putting the band on hiatus. Alice in Chains was replaced by Candlebox on the tour. Susan Silver's management office sent out a statement saying that the decision to withdraw from the Metallica tour and Woodstock was "due to health problems within the band." The band broke up for six months. Kinney told Rolling Stone in 1996, "Nobody was being honest with each other back then. If we had kept going, there was a good chance we would have self-destructed on the road, and we definitely didn't want that to happen in public." 1995–1996: Alice in Chains While Alice in Chains was inactive during 1995, Staley joined the "grunge supergroup" Mad Season, which also featured Pearl Jam guitarist Mike McCready, bassist John Baker Saunders from The Walkabouts, and Screaming Trees drummer Barrett Martin. Mad Season released one album, Above, for which Staley provided lead vocals and the album artwork. The album spawned a number-two Mainstream Rock chart single, "River of Deceit", as well as a home video release of Live at the Moore. In April 1995, Alice in Chains entered Bad Animals Studio in Seattle with producer Toby Wright, who had previously worked with Corrosion of Conformity and Slayer. While in the studio, an inferior version of the song "Grind" was leaked to radio, and received major airplay. On October 6, 1995, the band released the studio version of the song to radio via satellite uplink to stem excessive spread of taped copies of the song. On November 7, 1995, Columbia Records released the eponymous album, Alice in Chains, which debuted at number one on the Billboard 200 and has since been certified triple platinum. Of the album's four singles, "Grind", "Again", "Over Now", and "Heaven Beside You", three feature Cantrell on lead vocals. Jon Wiederhorn of Rolling Stone called the album "liberating and enlightening, the songs achieve a startling, staggering and palpable impact." On December 12, 1995, the band released the home video The Nona Tapes, a mockumentary featuring interviews with the band members conducted by journalist Nona Weisbaum (played by Jerry Cantrell), and the music video for "Grind". The song "Got Me Wrong" unexpectedly charted three years after its release on the Sap EP. The song was re-released as a single on the soundtrack for the independent film Clerks in 1994, reaching number seven on the Mainstream Rock Tracks chart. The band opted not to tour in support of Alice in Chains, adding to the rumors of drug abuse. Alice in Chains resurfaced on April 10, 1996, to perform their first concert in two and a half years for MTV Unplugged, a program featuring all-acoustic set lists. The performance featured some of the band's highest-charting singles, including "Rooster", "Down in a Hole", "Heaven Beside You", "No Excuses" and "Would?", and introduced a new song, "Killer Is Me", with Cantrell on lead vocals. The show marked Alice in Chains' only appearance as a five-piece band, adding second guitarist Scott Olson. A live album of the performance was released in July 1996, debuting at number three on the Billboard 200, and was accompanied by a home video release, both of which received platinum certification by the RIAA. The band also made an appearance on The Late Show with David Letterman on May 10, 1996, performing the songs "Again" and "We Die Young". Alice in Chains performed four shows supporting the reunited original Kiss lineup on their 1996–97 Alive/Worldwide Tour, including the final live appearance of Layne Staley on July 3, 1996, in Kansas City, Missouri. Shortly after the show, Staley was found unresponsive after he overdosed on heroin and was taken to the hospital. Although he recovered, the band was forced to go on hiatus. 1996–2004: Hiatus, side projects and death of Layne Staley Although Alice in Chains never officially disbanded, Staley became a recluse, rarely leaving his Seattle condominium following the death of his ex-fiancée Demri Parrott due to a drug overdose on October 29, 1996. "Drugs worked for me for years," Staley told Rolling Stone in February 1996, "and now they're turning against me ... now I'm walking through hell and this sucks. I didn't want my fans to think that heroin was cool. But then I've had fans come up to me and give me the thumbs up, telling me they're high. That's exactly what I didn't want to happen.." Unable to continue with new Alice in Chains material, Cantrell released his first solo album, Boggy Depot, in 1998, also featuring Sean Kinney and Mike Inez. Cantrell and Kinney were also featured on Metallica's 1998 album Garage Inc., both were guest musicians in the track "Tuesday's Gone", a cover of Lynyrd Skynyrd. In October 1998, Staley reunited with Alice in Chains to record two new songs, "Get Born Again" and "Died". Originally intended for Cantrell's second solo album, the songs were reworked by Alice in Chains and were released in the fall of 1999 on the box set, Music Bank. The set contains 48 songs, including rarities, demos, and previously released album tracks and singles. The band also released a 15-track compilation titled Nothing Safe: Best of the Box, serving as a sampler for Music Bank, as well as the band's first compilation album; a live album, simply titled Live, released on December 5, 2000; and a second compilation, titled Greatest Hits in 2001. In November 1998, Layne Staley recorded a cover of Pink Floyd's "Another Brick in the Wall" with the supergroup Class of '99, formed by guitarist Tom Morello of Rage Against the Machine, bassist Martyn LeNoble, drummer Stephen Perkins, both from Jane's Addiction and Porno for Pyros, and keyboardist Matt Serletic. The song was featured on the soundtrack to the 1998 horror/sci-fi film, The Faculty. After they toured as part of Cantrell's solo band in 1998, Sean Kinney and Queensrÿche guitarist Chris DeGarmo formed a new band called Spys4Darwin. Mike Inez and Sponge lead vocalist Vin Dombroski joined the supergroup soon after. The band released their first and only album in 2001, a 6-track EP entitled Microfish. In June 2001, Mike Inez joined Zakk Wylde's Black Label Society for the remaining dates of Ozzfest, following the departure of bassist Steve Gibb due to medical reasons. Inez joined the band again for their West Coast and Japanese tour in 2003. By 2002, Cantrell had finished work on his second solo album, Degradation Trip. Written in 1998, the album's lyrical content focused heavily on what Cantrell regarded as the demise of Alice in Chains, which still remained evident as the album approached its June 2002 release. However, in March that year, Cantrell commented, "We're all still around, so it's possible [Alice in Chains] could all do something someday, and I fully hope someday we will." Reflecting on the band's hiatus in a 2011 interview, Kinney said that Staley wasn't the only one battling addiction. "He was the focal point, like singers are. So they'd single him out. But the truth was, it was pretty much everybody. I definitely had my hand firmly on the wheel going off the cliff. And the reason we pulled back – you know when you stop when you have two #1 records, it's not really the greatest career move – but we did that because we love each other and we didn't want to die in public. And I know for a fact in my heart that if we were to continue that I wouldn't be on the phone right now talking to you. I wouldn't have made it. I just wouldn't have." After a decade of battling drug addiction, Layne Staley was found dead in his condominium in Seattle on April 19, 2002. The autopsy and toxicology report on Staley's body revealed that he died from a mixture of heroin and cocaine, known as "speedball". The autopsy concluded that Staley died on April 5, two weeks before his body was found. Cantrell dedicated his 2002 solo album, Degradation Trip, released two months after Staley's death, to his memory. Mike Starr later claimed on Celebrity Rehab that he was the last person to see Staley alive, and admitted to feeling guilty about not calling 911 after Staley had warned him against it. "I wish I hadn't been high on benzodiazepine [that night], I wouldn't have just walked out the door," Starr said. Following Staley's death, Mike Inez joined Heart and toured and recorded with the band from 2002 through 2006. Jerry Cantrell collaborated with several artists such as Heart, Ozzy Osbourne, and Damageplan. In 2004, Cantrell formed the band Cardboard Vampyres along with The Cult guitarist Billy Duffy, Mötley Crüe and Ratt vocalist John Corabi, The Cult bassist Chris Wyse and drummer Josh Howser. On October 22, 2004, Sony BMG terminated their contract with Alice in Chains, 15 years after the band signed with the label, in 1989. 2005–2008: Reunion shows and reformation In 2005, Sean Kinney came up with the idea of doing a benefit concert for the victims of the tsunami disaster that struck South Asia in 2004. Kinney made calls to his former bandmates, as well as friends in the music community, such as former Alice in Chains manager Susan Silver. Kinney was surprised by the enthusiastic response to his idea. On February 18, 2005, Jerry Cantrell, Mike Inez, and Sean Kinney reunited to perform for the first time in nine years at K-Rock Tsunami Continued Care Relief Concert in Seattle. The band featured Damageplan vocalist Pat Lachman, as well as other special guests including Maynard James Keenan of Tool and Ann Wilson of Heart. A few months after that experience, the band called Susan Silver and Cantrell's manager Bill Siddons and said they wanted to tour as Alice in Chains again. Alice in Chains was approached by the producers of the CBS reality show Rock Star about being featured on its second season, but the band turned the offer down. In the show, aspiring singers competed to become the lead vocalist of a featured group. On March 10, 2006, the surviving members performed at VH1's Decades Rock Live concert, honoring fellow Seattle musicians Ann and Nancy Wilson of Heart. They played "Would?" with vocalist Phil Anselmo of Pantera and Down and bass player Duff McKagan of Guns N' Roses and Velvet Revolver, and at the end of the performance Cantrell dedicated the show to Layne Staley and the late Pantera and Damageplan guitarist Dimebag Darrell. They also played "Rooster" with Comes with the Fall vocalist William DuVall and Ann Wilson. The band followed the concert with a short United States club tour named "Finish What We Started", several festival dates in Europe, and a brief tour in Japan. Duff McKagan again joined the band for the reunion tour, playing rhythm guitar on selected songs. During the tour, the band played a 5-minute video tribute to Staley during the changeover from the electric to acoustic set. To coincide with the band's reunion, Sony Music released the long-delayed third Alice in Chains compilation, The Essential Alice in Chains, a double album that includes 28 songs. Jerry Cantrell met William DuVall in Los Angeles in 2000 through a mutual acquaintance who introduced Cantrell to Comes with the Fall's first album. Cantrell started hanging out with the band and occasionally joined them onstage. Between 2001 and 2002, Comes with the Fall was both the opening act on Cantrell's tour for his second solo album, Degradation Trip, and also his backing band, with DuVall singing Staley's parts at the concerts. DuVall joined Alice in Chains as lead singer during the band's reunion concerts in 2006, and made his first public performance with the band at VH1's Decades Rock Live concert. According to Cantrell, it only took one audition for DuVall to get the gig. For his first rehearsal with the band, DuVall sang "Love, Hate, Love". After they finished, Sean Kinney looked at his bandmates and said, "I think the search is pretty much over." According to Mike Inez, DuVall didn't try to emulate Staley, and that's what drew them to him. Cantrell revealed that before he suggested DuVall for the band, Sean Kinney and Mike Inez invited Sponge and Spys4Darwin lead vocalist Vin Dombroski to jam with the band in their rehearsal space. Dombroski jammed with them to a couple of songs but they did not feel he was right for the band. According to Cantrell, Stone Temple Pilots and Velvet Revolver lead singer Scott Weiland was also interested in joining the band. Cantrell explained the reunion saying, "We want to celebrate what we did and the memory of our friend. We have played with some [singers] who can actually bring it and add their own thing to it without being a Layne clone. We're not interested in stepping on [Staley's] rich legacy. It's a tough thing to go through. Do you take the Led Zeppelin approach and never play again, because the guy was that important? That's the approach we've taken for a lot of years. Or, do you give it a shot, try something? We're willing to take a chance on it. It's completely a reunion because the three of us who're left are back together. But it's not about separating and forgetting — it's about remembering and moving on." Before the tour, Kinney mentioned in an interview that he would be interested in writing new material, but not as Alice in Chains. During the VH1 Rock Honors concert honoring Heart on May 12, 2007, Alice in Chains performed Heart's "Barracuda" fronted by country singer Gretchen Wilson. Heart's guitarist Nancy Wilson also joined them onstage. Alice in Chains joined Velvet Revolver for a run of U.S. and Canadian gigs from August through October 2007. During that tour, the band also performed four special acoustic-only shows, named as "The Acoustic Hour". The acoustic performance at The Rave/Eagles Club in Milwaukee, Wisconsin on August 31, 2007, was recorded for an upcoming live album. On November 2, 2007, Alice in Chains performed a four-song set at Benaroya Hall in Seattle for Matt Messina and the Symphony Guild's 10th anniversary benefit concert for the Seattle Children's Hospital & Regional Medical Center. In addition to the band's original material, they also played a cover of Led Zeppelin's "Kashmir" while backed by over 200 musicians, including the Northwest Symphony Orchestra and the Northwest Girlchoir. Sean Kinney said about the band's reunion: "I never called Jerry; he never called me, and said, 'Hey, let's get the band back together,' you know? We had been taking every step extremely cautious and slow, and just doing whatever feels right: If it's genuine and we're doing it for genuine reasons and we're all okay with it then we take a little step. None of us is broke. Nobody needs to be a rock dork, and you know, stroke their ego. I mean, we don't really operate like that. So as long as it felt good and from the right place and it's about making music and carrying on…." About the pressure being put on DuVall for replacing Staley as lead vocalist, Cantrell said, "To put all that weight on Will's shoulders is unfair. We're just figuring out how we work as a team. Although the band has changed, we've lost Layne, we've added Will, and there was no master plan. Playing again in 2005 felt right, so we did the next thing and toured. We did it step by step. It's more than just making music, and it always has been. We've been friends a long time. We've been more of a family than most, and it had to be okay from here," Cantrell said pointing to his heart. Former The Doors manager Bill Siddons and his management company, Core Entertainment, co-managed Alice in Chains with original manager Susan Silver from 2005 to 2007. The band started writing and demoing songs for a new album with DuVall in April 2007. But the band did not show further signs of progress until October 2008, when they announced that they had begun recording with producer Nick Raskulinecz in the studio. 2008–2011: Black Gives Way to Blue and death of Mike Starr Blabbermouth.net reported on September 5, 2008, that Alice in Chains would enter the studio that October to begin recording a new album for a summer 2009 release. On September 14, 2008, Alice in Chains performed at halftime during the Seattle Seahawks vs San Francisco 49ers game at the CenturyLink Field (then-named Qwest Field) in Seattle. The 12-minute performance for a crowd of 67,000 people featured a cover of Led Zeppelin's "Kashmir" accompanied by the Northwest Symphony Orchestra. In October 2008, Alice in Chains began recording its fourth studio album at the Foo Fighters' Studio 606 in Los Angeles with producer Nick Raskulinecz. The band did not have a record label at the time and the album was funded by Jerry Cantrell and Sean Kinney. At the Revolver Golden God Awards, Cantrell said that the group had finished recording on March 18, 2009, and were mixing the album for a September release. The recording process was completed on Cantrell's 43rd birthday and also the same day that William DuVall's son was born. In April 2009, it was reported that the new Alice in Chains album would be released by Virgin/EMI, making it the band's first label change in its 20-plus year career. Susan Silver, who started managing Alice in Chains in 1988, now co-manages the band with David Benveniste and his Velvet Hammer firm. On June 11, 2009, Blabbermouth.net reported that the new album would be titled Black Gives Way to Blue and was officially set to be released on September 29, 2009. The title first appeared on Amazon.com without any prior announcement from the band. In addition, it was announced that Elton John plays piano on the title track, a tribute to Layne Staley written and sung by Cantrell. The album features new vocalist and rhythm guitarist William DuVall sharing vocal duties with lead guitarist/vocalist Jerry Cantrell, who sings lead vocals on most of the songs. DuVall sings lead vocals on the song "Last of My Kind". On June 30, 2009, the song "A Looking in View" was made available for purchase via iTunes and Amazon, and for a limited time it was available as a free download through the official Alice in Chains website in early July. Although it was not the album's first radio single, Rock stations across the U.S. started playing the song. The music video for "A Looking in View" debuted via the band's official website on July 7, 2009. The song was nominated for a Grammy Award for Best Hard Rock Performance. "Check My Brain" was released to radio stations as the first official single from the album on August 14, 2009, and was made available for purchase on August 17, 2009. The music video for "Check My Brain" premiered on September 14, 2009. The song was also nominated for a Grammy Award for Best Hard Rock Performance. To promote the album, the band released an EPK featuring all four of the members being interviewed while the Kiss makeup is being applied on them. An app for iPhone was released on October 27, 2009, featuring songs, music videos, news, photos and networking. Sean Kinney said about the new album and the fans' mixed reactions about the band moving on after Staley's death: "Look, it's a big move to fucking stand up and move on. Some people, the music connected with them so strongly, their opinions, how they feel about it ... It's amazing that they have such a connection but they seem to act like it happened to them. This happened to us and Layne's family, not them. This is actually our lives. If we're okay with it, why can't you be? This happened to us, this didn't happen to you. But this album isn't about that, it's a bigger universal point. We're all going to fucking die, we're all going to lose somebody, and it fucking hurts. How do you move on? This record is us moving on, and hurting. That, to me, is a victory. I already feel like I've won." "Sometimes people ask us, 'Wouldn't Layne have been pissed off that we did this?' And I tell them it would have been the opposite: he would have been pissed off that it took us so long to do this. We're not doing this for money; there is no money in the music business anymore. Jerry and I funded the whole album, and we spent lots of our own money, because we believe in this. And one of the reasons I'm doing this is so more light is turned on to something where the light was turned off." And Cantrell added: "We've toured around the world, we've lost some friends, we buried a dear friend, and somebody that you just can't fucking replace, and then we've chosen by circumstance to get together again. That turned into 'maybe we can fucking do this.' And that turned into this." In September 2008, it was announced that Alice in Chains would headline Australia's Soundwave Festival in 2009, alongside Nine Inch Nails and Lamb of God. In February 2009, it was also announced that Alice in Chains would play at the third annual Rock on the Range festival. On August 1, 2009, Alice in Chains performed, along with Mastodon, Avenged Sevenfold, and Glyder, at Marlay Park, Dublin as direct support to Metallica. The band made an appearance on Later... with Jools Holland on November 10, 2009, performing "Lesson Learned", "Black Gives Way to Blue", and "Check My Brain" as the final performance of the episode. To coincide with the band's European tour, Alice in Chains released its next single, "Your Decision", on November 16, 2009, in the UK and on December 1 in the US. The last single from the album was "Lesson Learned", and it was released to rock radio on June 22, 2010. Black Gives Way to Blue debuted at No. 5 on the Billboard 200. On May 18, 2010, the album was certified gold by the RIAA for selling over 500,000 copies in the U.S. The singles "Check My Brain" and "Your Decision" reached No. 1 on Billboard's Mainstream Rock Tracks, while "Lesson Learned" reached No. 4. "Check My Brain" was also the band's first #1 song on the Alternative Songs chart, and on the Hot Rock Songs chart, it also reached No. 92 on Billboard's Hot 100, becoming the band's first single to appear on the chart. Along with Mastodon and Deftones, Alice in Chains toured the United States and Canada in late 2010 on the Blackdiamondskye tour, an amalgam of the three bands' latest album titles (Black Gives Way to Blue, Diamond Eyes, and Crack the Skye). On March 8, 2011, former Alice in Chains bassist Mike Starr was found dead at his home in Salt Lake City. Police told Reuters they were called to Starr's home at 1:42 pm and found his body; Starr was 44. Reports later surfaced that Starr's roommate had seen him mixing methadone and anxiety medication hours before he was found dead. Later reports indicated Starr's death may have been linked to two different types of antidepressants prescribed to him by his doctor. A public memorial was held for Starr at the Seattle Center's International Fountain on March 20, 2011. A private memorial was also held, which Jerry Cantrell and Sean Kinney attended according to Mike Inez. 2011–2016: The Devil Put Dinosaurs Here On March 21, 2011, Alice in Chains announced that they were working on a fifth studio album, and both Cantrell and Inez later made statements that they had begun the recording process. The album was expected to be finished by summer of 2012 and released by the end of 2012 or beginning of 2013. While Alice in Chains were writing for the album in 2011, Cantrell underwent surgery on his right shoulder, which delayed recording the new material. In an interview published in May 2012, Cantrell explained, "The thing that set me back is I had some bone spurs [and] cartilage issues in my shoulders. I had the same issue in the other shoulder about six years ago so I've had them both done now. It's a repetitive motion injury from playing." Cantrell could not play guitar for eight months while he was recovering from surgery. While recuperating at home in a sling, Cantrell heard a riff in his head and sang it into his phone. The riff later became the song "Stone". Alice in Chains played their first concert in nearly 10 months and their first concert after Cantrell's shoulder surgery at the Winstar Casino in Thackerville, Oklahoma on August 13, 2011. The band's only concert in 2012 was a five-song acoustic set on May 31 at the eighth annual MusiCares MAP Fund Benefit Concert honoring Jerry Cantrell. On December 4, 2012, Cantrell confirmed that the new album had been completed. The first single, "Hollow", debuted online on December 18, available for digital download in January 2013, along with an official music video. On February 13, 2013, Alice in Chains posted on Facebook that their new album title would be an anagram of the letters H V L E N T P S U S D A H I E E O E D T I U R R. The next day they announced that the album would be called The Devil Put Dinosaurs Here, which was released on May 28, 2013, and debuted at No. 2 on the Billboard 200. To promote the album, Alice in Chains teamed up with Funny or Die for an 11-minute mockumentary titled AIC 23, in which Film Studies professor Alan Poole McLard (played by W. Earl Brown) attempts to make a documentary on Alice in Chains without any help from the actual band, interviewing other musicians instead. Among them are country singer Donnie 'Skeeter' Dollarhide Jr. (played by Jerry Cantrell), Reggae singer Nesta Cleveland (played by William DuVall), Black Metal musician Unta Gleeben Glabben Globben Globin (played by Mike Inez) and the hipster Stanley Eisen (played by Sean Kinney). The video was released on April 3, 2013, and also features cameos by Ann and Nancy Wilson from Heart, Mike McCready from Pearl Jam, Kim Thayil from Soundgarden, Duff McKagan from Guns N' Roses, Brent Hinds and Bill Kelliher from Mastodon, and Lars Ulrich and Robert Trujillo from Metallica. In June 2013, the band released a pinball game app for iOS as part of Pinball Rocks HD compilation, featuring the single "Hollow", the band's logo and the album artwork, as well as references to the band's previous albums such as Jar of Flies and the self-titled record. The band released videos for the songs "Hollow", "Stone", "Voices", the title track and "Phantom Limb". "Hollow" and "Stone" reached No. 1 on Billboard's Mainstream Rock Tracks, while "Voices" reached No. 3, and each one of the three songs stayed on the chart for 20 weeks. The Devil Put Dinosaurs Here was nominated for a Grammy Award for Best Engineered Album, Non-Classical in 2014. Alice in Chains toured extensively in the U.S., Canada, and Europe in 2013 and 2014. In May 2013, the band co-headlined the annual MMRBQ festival with Soundgarden in Camden, New Jersey. Asked in September 2013 if Alice in Chains would make another album, Cantrell replied, "It'll be a while. It's [been] four years since we put the last one out, but at least it's not the gap that was between the last one, so that's about right - about three to four years." On January 18, 2015, Alice in Chains performed in the halftime show of the NFC Championship Game between the Seattle Seahawks and the Green Bay Packers at CenturyLink Field in Seattle. Cantrell is a lifelong Seahawks fan and often attends their games. In August 2015, Bassist Mike Inez said that the band had been "throwing around riffs for a new record" and "taking it nice and slow". The band toured in the summer of 2015 and the summer of 2016, including select shows opening for Guns N' Roses as part of the Not in This Lifetime... Tour. The band finished their 2016 tour with a concert at the Grand Sierra Resort and Casino in Reno, Nevada on October 8, 2016. In November 2016, Alice in Chains released a cover of the Rush song "Tears", which was included in the 40th anniversary release of the album 2112. The home video Live Facelift was released on vinyl for the first time on November 25, 2016, as part of Record Store Day's Black Friday event. The album features six songs and only 5000 copies were issued. To celebrate the tenth anniversary of Record Store Day, on April 22, 2017, Legacy Recordings released "Get Born Again"/"What the Hell Have I", a special 45 RPM double 7" single featuring four tracks remastered and available on vinyl for the first time, "What the Hell Have I", "A Little Bitter", "Get Born Again" and "Died". 2017–present: Rainier Fog In January 2017, Mike Inez stated in an interview that the band had begun work on a new album. In June 2017, it was reported that the band would return to Studio X (formerly Bad Animals Studios) in Seattle to record a new album later that month, for a tentative early 2018 release. The sessions were helmed by Nick Raskulinecz, who produced the band's last two albums. Studio X was the studio where Alice in Chains recorded its 1995 self-titled album. According to Inez, the band was not signed to a label, having completed its previous two-record contract with the Universal Music Group. "This [upcoming album], we're not sure where it's gonna land ... I mean, we financed ['Black Gives Way To Blue'] on our own too, so we're not too worried about that stuff. We've just gotta get it out to ... a significant label [with worldwide distribution]." The band started recording their sixth studio album on June 12, 2017. On January 11, 2018, producer Nick Raskulinecz announced via Instagram that the album was nearly finished and that there was only one more day left of recording. During an interview with Guitar World published on April 11, 2018, Jerry Cantrell said that the album was recorded at four studios. After recording at Studio X in Seattle, the band went to Nashville to record vocals and lead guitars at Nick Raskulinecz's home studio. But Cantrell had to take an unexpected break from work for a couple of weeks after getting sick on a trip to Cabo for Sammy Hagar's birthday. Cantrell had the band's engineer, Paul Figueroa, come in to his house and record a lot of his vocals and solos there. The band finished recording the album at the Henson Recording Studios in Los Angeles. Cantrell also said he expects the album to be released "probably sometime this summer." At the press room of the Rock and Roll Hall of Fame Induction Ceremony on April 14, 2018, Cantrell revealed that Alice in Chains had just signed with BMG, and that they had finished mixing their new album. Alice in Chains did not perform live in 2017. The band performed their first concert since October 2016 at the House of Blues in Boston on April 28, 2018. In May 2018, Alice in Chains headlined the festivals Carolina Rebellion, Lunatic Luau, Pointfest, Northern Invasion, the WMMR BBQ festival in Philadelphia, and the Rock on the Range festival in Columbus, Ohio on May 18, 2018, in which they paid tribute to Chris Cornell on the first anniversary of his death covering two Soundgarden songs to close their set, "Hunted Down" and "Boot Camp", respectively. At the end of the show, the lights on stage spelled out "CC" for Chris Cornell and "SG" for Soundgarden as feedback rang out. The band started their European tour in June 2018, and headlined the Tons Of Rock Festival in Norway alongside Ozzy Osbourne and Helloween. Alice in Chains are also scheduled to headline KISW's Pain in the Grass festival in August 2018. The band released a new single, "The One You Know", via Spotify, Amazon and iTunes on May 3, 2018. A music video directed by Adam Mason was released on YouTube the same day. "The One You Know" peaked at No. 9 on Billboard's Mainstream Rock chart. During an interview with Eddie Trunk on Trunk Nation on May 7, 2018, Jerry Cantrell said that the new album would be released at the end of August 2018. The band also revealed that they talked to director Adam Mason, who is making a dark sci-film, about doing two separate pieces of art and maybe molding them together, and that the music video for "The One You Know" is the first chapter of molding Mason's film and the band's music videos together. The second single, "So Far Under", was released on Alice in Chains' YouTube channel and on streaming platforms on June 27, 2018. It was also announced that the album would be titled Rainier Fog, with the release date scheduled for August 24, 2018. The album's artwork and the track listing were also revealed on the same day. Jerry Cantrell told Rolling Stone that the title Rainier Fog was inspired by the Mount Rainier in Seattle, and the title track is a tribute to the Seattle music scene. "This song is a little homage to all of that: where we come from, who we are, all of the triumphs, all of the tragedies, lives lived." The album's third single, "Never Fade", was released on August 10, 2018, through digital and streaming services. The song is a tribute dedicated to frontman William DuVall's grandmother, Chris Cornell, and Alice in Chains' original singer Layne Staley. "Never Fade" peaked at No. 10 on Billboard's Mainstream Rock chart. A music video directed by Adam Mason was released on November 1, 2018, and continued the storyline from the music video of "The One You Know". In June 2018, William DuVall said in an interview with Swedish website Rocksverige that the music video for "The One You Know" is the first chapter of what the band is hoping will be visuals for all ten songs from the album Rainier Fog, and in addition to that, will be a companion piece to the film that director Adam Mason was shooting. On August 20, 2018, the baseball team Seattle Mariners hosted a special "Alice in Chains Night" at the Safeco Field in Seattle to promote Rainier Fog, with the team offering the fans a package that included a Safeco Field terrace club ticket, access to a pre-game listening party of the album, an Alice in Chains T-shirt and a Rainier Fog CD. Jerry Cantrell also threw out the ceremonial first pitch and delivered a strike before the Seattle Mariners vs. Houston Astros game. To mark the launch of the album, on August 21, 2018, Alice in Chains performed an acoustic set at the top of Seattle's Space Needle and debuted the song "Fly". Alice in Chains were the first band to perform on the Space Needle's new "Loupe" glass floor, the world's first and only revolving glass floor 500 feet high. The concert was exclusive for an audience of SiriusXM subscribers. SiriusXM broadcast the concert on their channel Lithium on August 31, 2018. On August 22, 2018, Alice in Chains sent fans on a Scavenger hunt to access a secret gig that the band would be performing in Seattle on August 24. Ten signed CD copies of Rainier Fog were hidden around the city as a ticket into the show, and the band asked the fans to keep an eye on their Instagram story for details on the 10 hidden locations. Once all 10 albums were found, the band revealed that the secret gig would be at the rock club The Crocodile, with limited tickets available with the purchase of their album at a pop-up event at the same venue the next day. Preview clips of each of the album tracks were posted on the band's Instagram. The band also commemorated the release of the album with a pop-up museum installation at The Crocodile in Seattle on August 23 and 24. The museum featured rare Alice in Chains photos, limited-edition merchandise and memorabilia that showcased the band's 30+ year career. Rainier Fog debuted at No. 12 on the Billboard 200 chart, selling 31,000 copies (29,000 in traditional album sales), in its first week of release. The album also debuted at No. 1 on Billboard's Top Rock Albums, Alternative Albums and Hard Rock Albums charts, and at No. 3 on the Vinyl Albums chart. Rainier Fog became Alice in Chains' first top 10 in the UK, peaking at No. 9, and topping UK's Rock & Metal Albums chart. The album has been nominated for a Grammy Award for Best Rock Album. On December 13, 2018, the teaser of the film Black Antenna featuring the song "Rainier Fog" was released on Alice in Chains' official YouTube channel, with drummer Sean Kinney stating; "We've always toyed with the idea of creating videos for every song on one of our albums. Not only did we do that for Rainier Fog, it got totally out of hand and we made a whole goddamn movie. Everything that will be seen in the videos will be footage from Black Antenna to preface the complete film's release." "Rainier Fog" was released as a single on February 26, 2019. The official trailer for Black Antenna was released on Alice In Chains' YouTube Channel on February 28, 2019. Besides a 90-minute film, a 10-part web-series focused on each track from the album will also be released. Episodes 1 and 2, "The One You Know" and "Rainier Fog", respectively, were released on March 7, 2019. The tenth and last episode, "All I Am", was released on July 17, 2019. The official music video for "Rainier Fog" was released on YouTube on May 15, 2019, and was co-directed by Alice in Chains and Peter Darley Miller, who also directed the band's 2013 mockumentary, AIC 23. On December 1, 2020, Alice in Chains was honored with the Founders Award from Seattle's Museum of Pop Culture. The benefit concert featured tribute performances from artists such as Ann Wilson, Korn, Metallica, Fishbone, Dallas Green, Billy Corgan, Tad Doyle, members of Soundgarden and Pearl Jam, among others. The event was made available for streaming for free and raised more than $600,000 for the museum in its first night. A compilation featuring highlights from the tribute was made available for streaming on Amazon Music. Musical style Although Alice in Chains has been labeled grunge by the mainstream media, Jerry Cantrell identifies the band as primarily heavy metal. He told Guitar World in 1996, "We're a lot of different things ... I don't quite know what the mixture is, but there's definitely metal, blues, rock and roll, maybe a touch of punk. The metal part will never leave, and I never want it to." The Edmonton Journal has stated, "Living and playing in Seattle might have got them the grunge tag, but they've always pretty much been a classic metal band to the core." Over the course of their career, the band's sound has also been described as alternative metal, sludge metal, doom metal, drone rock, hard rock, and alternative rock. Regarding the band's constant categorization by the media, Cantrell stated "When we first came out we were metal. Then we started being called alternative metal. Then grunge came out and then we were hard rock. And now, since we've started doing this again I've seen us listed as: hard rock, alternative, alternative metal and just straight metal. I walked into an HMV the other day to check out the placement and see what's on and they've got us relegated back into the metal section. Right back where we started!" Drummer Sean Kinney rejects the grunge label, stating in a 2013 interview "I mean, before we first came out there was no grunge, they hadn't invented that word. Before they invented the word grunge we were alternative rock and alternative metal and metal and rock, and we didn't give a shit whatever, we were a rock and roll band!." According to Mike Inez, they were always the metal stepchildren of the Seattle scene. The band are influenced to a great extent by English metal music; in 2018, Jerry Cantrell proclaimed Black Sabbath guitarist Tony Iommi as "one of his biggest" inspirations, whilst Layne Staley named his "first influences" as Black Sabbath and Deep Purple. Cantrell adjudged English rock singer Elton John as "the artist that made me want to be a musician." In addition, members of Alice in Chains have cited artists including AC/DC, Accept, Aerosmith, The Beatles, Black Flag, David Bowie, John Coltrane, Miles Davis, Dio, Funkadelic, Hanoi Rocks, Heart, Jimi Hendrix, Iron Maiden, King's X, Kiss, Led Zeppelin, Metallica, Motörhead, Mudhoney, Pink Floyd, Queensrÿche, the Rolling Stones, Rush, Scorpions, Soundgarden, The Stooges, Television, Thin Lizzy, U2, UFO, Van Halen, The Velvet Underground, Hank Williams, and ZZ Top as influential or inspirational. Jerry Cantrell's guitar style combines "pummeling riffs and expansive guitar textures" to create "slow, brooding minor-key grinds". He is also recognized for his natural ability to blend acoustic and electric guitars. While down-tuned, distorted guitars mixed with Staley's distinctive "snarl-to-a-scream" vocals appealed to heavy metal fans, the band also had "a sense of melody that was undeniable," which introduced Alice in Chains to a much wider audience outside of the heavy metal underground. According to Stephen Thomas Erlewine of AllMusic, Alice in Chains' sound has a "Black Sabbath-style riffing and an unconventional vocal style." The band has been described by Erlewine as "hard enough for metal fans, yet their dark subject matter and punky attack placed them among the front ranks of the Seattle-based grunge bands." Three of the band's releases feature acoustic music, and while the band initially kept these releases separate, Alice in Chains' self-titled album combined the styles to form "a bleak, nihilistic sound that balanced grinding hard rock with subtly textured acoustic numbers." Alice in Chains is also noted for the unique vocal harmonies of Staley (or DuVall) and Cantrell, which included overlapping passages, dual lead vocals, and trademark harmonies typically separated by a major third. Cantrell said it was Staley who gave him the self-assurance to sing his own songs. Alyssa Burrows said the band's distinctive sound "came from Staley's vocal style and his lyrics dealing with personal struggles and addiction." Staley's songs were often considered "dark", with themes such as drug abuse, depression, and suicide, while Cantrell's lyrics often dealt with personal relationships. Legacy Alice in Chains has sold over 14 million records in the United States, and over 30 million records worldwide, released two number-one albums, had 23 top 40 singles, and has received eleven Grammy Award nominations. The band was ranked number 34 on VH1's 100 Greatest Artists of Hard Rock. Alice in Chains was named 15th greatest live band by Hit Parader, with Staley placing as 27th-greatest heavy metal vocalist of all time. The band's second album, Dirt, was named 5th-best album in the last two decades by Close-Up magazine in 2008. In October 2008, Guitar World ranked Cantrell's solo in "Man in the Box" at No. 77 on their list of "100 Greatest Guitar Solos". In August 2009, Alice in Chains won the Kerrang! Icon Award. In November 2011, Jar of Flies was ranked number four on Guitar World magazine's top ten list of guitar albums of 1994. It was also featured in Guitar World magazine's "Superunknown: 50 Iconic Albums That Defined 1994" list, and in May 2014, the EP was placed at number five on Loudwire's "10 Best Hard Rock Albums of 1994" list. Pantera and Damageplan guitarist Dimebag Darrell had expressed his admiration for Cantrell's guitar work in an interview for Guitar International in 1995, saying that "the layering and the honest feel that Jerry Cantrell gets on [Alice in Chains' Dirt] record is worth a lot more than someone who plays five million notes." Street musician Wesley Willis wrote a song about the band entitled "Alice in Chains", featured on his 1996 album Feel The Power. Billy Corgan revealed that the song "Bleeding The Orchid" from The Smashing Pumpkins' 2007 album Zeitgeist has a bit of an homage to Alice in Chains in the harmonies and was indirectly inspired by the death of Staley. Elton John stated that he is a fan of Alice in Chains and a big admirer of Cantrell. According to Jon Wiederhorn of MTV, Godsmack has "sonically followed Alice in Chains' lead while adding their own distinctive edge." Godsmack singer and founder Sully Erna has also cited Staley as his primary influence. Godsmack was named after the Alice in Chains song "God Smack" from the album Dirt. Staind has covered Alice in Chains' song "Nutshell" live, which appears on the compilation The Singles: 1996-2006, and also wrote a song entitled "Layne", dedicated to Staley, on the album 14 Shades of Grey. Three Days Grace also performs a cover of "Rooster", which can be seen on the DVD Live at the Palace. Other bands that have been influenced by Alice in Chains include 10 Years, Avenged Sevenfold, Breaking Benjamin, Creed, Dallas Green, Days of the New, Hoobastank, Incubus, Korn, Manic Street Preachers, Mudvayne, Nickelback, A Pale Horse Named Death, Puddle of Mudd, Queens of the Stone Age, Rains, Seether, Smile Empty Soul, Stone Sour, Tantric, Taproot, and Theory of a Deadman. Metallica said they have always wanted to tour with the band, citing Alice in Chains as a major inspiration for their 2008 release, Death Magnetic. Alice in Chains has also had a significant influence on modern heavy metal. Their songs were covered by various metal bands such as In Flames, Opeth, Dream Theater, Secrets of the Moon, Suicide Silence, 36 Crazyfists, Cane Hill, Ektomorf, Dritt Skitt, Grave and Thou, who described their 2018 EP Rhea Sylvia as "a melodic grunge, Alice in Chains homage." In 2009, Anders Fridén of Swedish melodic death metal band In Flames cited Layne Staley as an inspiration for his vocals on the band's later albums. In addition to fellow musicians, the band has also received praise from critics, with Steve Huey of AllMusic calling them "one of the best metal bands of the '90s" upon reviewing the 1999 compilation Nothing Safe. In 2009, the Vitamin String Quartet released the album The String Quartet Tribute to Alice in Chains, featuring instrumental versions on viola, violin and cello of 12 of the band's biggest hits. In August 2015, journalist David de Sola published the biography Alice in Chains: The Untold Story. An updated version covering the period from 2014 to 2017 was published in November 2018. Neither the band nor their management had any involvement with the book. Sources tied directly to the band were interviewed instead. In June 2017, Metal Injection ranked Alice in Chains at number 1 on their list of "10 Heaviest Grunge Bands". Ozzy Osbourne ranked Facelift among his list of "10 Favorite Metal Albums". The claymation dolls of the band members used in the music video for "I Stay Away" are on display at the Rock and Roll Hall of Fame museum in Cleveland, Ohio. Band members Current members Jerry Cantrell – lead guitar, lead vocals (1987–2002, 2005–present), rhythm guitar (1987–2002, 2005–2006) Sean Kinney – drums, backing vocals (1987–2002, 2005–present) Mike Inez – bass, backing vocals (1993–2002, 2005–present) William DuVall – lead vocals, rhythm guitar (2006–present) Former members Layne Staley – lead vocals (1987–2002), occasional rhythm guitar (1992–2002; died 2002) Mike Starr – bass, backing vocals (1987–1993; died 2011) Touring members Maynard James Keenan – lead vocals (2005) Timeline Discography Studio albums Facelift (1990) Dirt (1992) Alice in Chains (1995) Black Gives Way to Blue (2009) The Devil Put Dinosaurs Here (2013) Rainier Fog (2018) Awards and nominations References External links VH1 Classic: Alice In Chains 1987 establishments in Washington (state) 2002 disestablishments in Washington (state) 2005 establishments in Washington (state) American alternative metal musical groups Columbia Records artists EMI Records artists American grunge groups Heavy metal musical groups from Washington (state) Kerrang! Awards winners Musical groups established in 1987 Musical groups disestablished in 2002 Musical groups reestablished in 2005 Musical groups from Seattle Musical quartets Virgin Records artists Capitol Records artists	true	[ "Barricades & Brickwalls is the second studio album by Australian country music singer Kasey Chambers released in Australia on 3 September 2001 by Essence Records and on 12 February 2002 on Warner Bros. Records in the U.S. The album was mainly written by Chambers with help from Worm Werchon and her father Bill Chambers. Barricades & Brickwalls debuted in the top ten on the Australian ARIA Albums Chart, and sales were considerably high of those of Chambers first album, The Captain (1999). Its singles were successful in most music markets, \"Not Pretty Enough\", the most successful song from the album gave Chambers her first number-one single in Australia and reached #4 in New Zealand. Other singles includes \"Runaway Train\", \"On a Bad Day\", \"Million Tears\" and \"If I Were You\". The commercial success of the album led the album to eight nominations at the ARIA Awards.\n\nThe song \"Not Pretty Enough\" reached number-one on the Australian ARIA charts, going double platinum, and Chambers became the first musical act in Australian history to have an album and single sit at the top of the charts at the same time. The singles \"Million Tears\" and \"If I Were You\" would later reach the top forty charts. The album did not reach quite the same audience in the United States, not quite hitting the Billboard Hot 100. It did, however, reach the top of the Heatseekers chart as well as hitting the top 20 country albums. The track \"Crossfire\" features The Living End.\n\nThe album would end up going platinum in 2002, becoming the highest selling album by an Australian artist in that year, along with the highest selling single. Chambers, because of the success of this album, won \"Best Country Album,\" \"Best Female Artist,\" and \"Album of the Year\" at the 2002 ARIA awards. In October 2010, the album was listed in the top 40 in the book, 100 Best Australian Albums.\n\nTrack listing\n\nCharts\n\nYear-end charts\n\nDecade-end chart\n\nCertifications\n\nReferences\n\n2001 albums\nARIA Award-winning albums\nKasey Chambers albums", "\"Oh Baby!\" is a song by the Dutch group Twenty 4 Seven. It was released as the first single from their third album, I Wanna Show You. The video was shot in London, and filmed by director Steve Walker. A midtempo ballad, \"Oh Baby\" did not have the same impact on the charts as the group's previous singles, although it did reach the top 40 charts in several European countries.\n\nCharts\n\nWeekly charts\n\nYear-end charts\n\nReferences\n\n1994 singles\n1994 songs\nTwenty 4 Seven songs\n1990s ballads\nPop ballads\nCNR Music singles\nZYX Music singles" ]
[ "Alice in Chains", "Dirt (1992-1993)", "When did they produce Dirt?", "On September 29, 1992, Alice in Chains released its second album, Dirt.", "Did it reach bill board charts>?", "The album peaked at number six on the Billboard 200" ]	C_68e092ce2d2f47e9ba7736c8e2acfae9_1	Did did it receive any awards?	3	Did Dirt by Alice in Chains receive any awards?	Alice in Chains	In March 1992, the band returned to the studio. With new songs written primarily on the road, the material has an overall darker feel than Facelift, with six of the album's thirteen songs dealing with the subject of addiction. "We did a lot of soul searching on this album. There's a lot of intense feelings." Cantrell said, "We deal with our daily demons through music. All of the poison that builds up during the day we cleanse when we play". On September 29, 1992, Alice in Chains released its second album, Dirt. The album peaked at number six on the Billboard 200 and since its release has been certified quadruple platinum by the RIAA, making Dirt the band's highest selling album to date. The album was a critical success, with Steve Huey of Allmusic praising the album as a "major artistic statement, and the closest they ever came to recording a flat-out masterpiece". Chris Gill of Guitar World called Dirt "huge and foreboding, yet eerie and intimate", and "sublimely dark and brutally honest". Dirt spawned five top 30 singles, "Would?", "Rooster", "Them Bones", "Angry Chair", and "Down in a Hole", and remained on the charts for nearly two years. Alice in Chains was added as openers to Ozzy Osbourne's No More Tours tour. Days before the tour began, Layne Staley broke his foot in an ATV accident, forcing him to use crutches on stage. Starr left the band shortly after the Hollywood Rock concert in Rio de Janeiro in January 1993, stating that he wanted to spend more time with his family. Staley told Rolling Stone in 1994 about Starr leaving the band, "It was just a difference in priorities. We wanted to continue intense touring and press. Mike was ready to go home." Years later, Starr claimed that he was fired due to his drug addiction. Starr was replaced by former Ozzy Osbourne bassist Mike Inez. In 1993, the band recorded two songs with Inez, "What the Hell Have I" and "A Little Bitter", for the Last Action Hero soundtrack. During the summer of 1993, Alice in Chains toured with the alternative music festival Lollapalooza, their last major tour with Staley. CANNOTANSWER	CANNOTANSWER	Alice in Chains (often abbreviated as AIC) is an American rock band from Seattle, Washington, formed in 1987 by guitarist and vocalist Jerry Cantrell and drummer Sean Kinney, who later recruited bassist Mike Starr and lead vocalist Layne Staley. Starr was replaced by Mike Inez in 1993. William DuVall joined the band in 2006 as co-lead vocalist and rhythm guitarist, replacing Staley, who died in 2002. The band took its name from Staley's previous group, the glam metal band Alice N' Chains. Often associated with grunge music, Alice in Chains' sound incorporates heavy metal elements. The band is known for its distinctive vocal style, which often included the harmonized vocals between Staley and Cantrell (and later Cantrell and DuVall). Cantrell started to sing lead vocals on the 1992 acoustic EP Sap, and his role continued to grow in the following albums, making Alice in Chains a two-vocal band. Alice in Chains rose to international fame as part of the grunge movement of the early 1990s, along with other Seattle bands such as Nirvana, Pearl Jam, and Soundgarden. They achieved success during the era with the albums Facelift (1990), Dirt (1992), Alice in Chains (1995), as well as the EP Jar of Flies (1994). Although never officially disbanding, Alice in Chains was plagued by extended inactivity from 1996 onward, due to Staley's substance abuse, which resulted in his death in 2002. The band regrouped in 2006, with DuVall taking over as lead vocalist full-time, and they have since released three more albums: Black Gives Way to Blue (2009), The Devil Put Dinosaurs Here (2013), and Rainier Fog (2018). Alice in Chains have sold over 30 million records worldwide, and over 14 million records in the US alone. The band has had 18 Top 10 songs on Billboard's Mainstream Rock Tracks chart, 5 No. 1 hits, and received 11 Grammy Award nominations. The band was ranked number 34 on VH1's 100 Greatest Artists of Hard Rock and was ranked as the 15th greatest live band by Hit Parader. Since its formation, Alice in Chains has released six studio albums, three EPs, three live albums, four compilations, two DVDs, 43 music videos, and 32 singles. History 1984–1989: Formation and early years Before the formation of Alice in Chains, then-drummer Layne Staley landed his first gig as a vocalist when he auditioned to sing for a local glam metal band known as Sleze after receiving some encouragement from his stepbrother Ken Elmer. Other members of this group at that time were guitarists Johnny Bacolas and Zoli Semanate, drummer James Bergstrom, and bassist Byron Hansen. This band went through several lineup changes culminating with Nick Pollock as their sole guitarist and Bacolas switching to bass before discussions arose about changing their name to Alice in Chains. This was prompted by a conversation that Bacolas had with Russ Klatt, the lead singer of Slaughter Haus 5, about backstage passes. One of the passes said "Welcome to Wonderland", and they started talking about that being a reference to Alice in Wonderland, until Klatt said, "What about Alice in Chains? Put her in bondage and stuff like that." Bacolas thought the name "Alice in Chains" was cool and brought it up to his Sleze bandmates and everyone liked it, so they decided to change the name of the band. Due to concerns over the reference to female bondage, the group ultimately chose to spell it differently as Alice N' Chains to allay any parental concerns, though Staley's mother Nancy McCallum has said she was still not happy with this name at first. According to Bacolas, the decision to use the apostrophe-N combination in their name had nothing to do with the Los Angeles band Guns N' Roses. The name change happened in 1986, a year before Guns N' Roses became a household name with their first album Appetite for Destruction, released in July 1987. Staley met guitarist Jerry Cantrell at a party in Seattle around August 1987. A few months prior, Cantrell had watched a concert of Alice N' Chains in his hometown at the Tacoma Little Theatre, and was impressed by Staley's voice. Cantrell was homeless after being kicked out of his family's house, so Staley invited Cantrell to live with him at the rehearsal studio Music Bank, and the two struggling musicians became roommates. Alice N' Chains soon disbanded, and Staley joined a funk band. Cantrell's band, Diamond Lie, broke up and he wanted to form a new band, so Staley gave him the phone number of Melinda Starr, the girlfriend of drummer Sean Kinney, so that Cantrell could talk to him. Cantrell called the number and set up a meeting with Kinney. Kinney and his girlfriend went to the Music Bank and listened to Cantrell's demos, who mentioned that they needed a bass player to jam with them, and he had someone in mind: Mike Starr, with whom Cantrell had played in a band in Burien called Gypsy Rose. Kinney then mentioned that his girlfriend was actually Mike Starr's sister, and that he had been playing in bands together with Starr since they were kids. Kinney called Starr and a few days later he started jamming with him and Cantrell at the Music Bank, but they didn't have a singer. Staley's funk band also required a guitarist at the time, and Staley asked Cantrell to join as a sideman. Cantrell agreed on condition that Staley join his band. Because Cantrell, Starr and Kinney wanted Staley to be their lead singer, they started auditioning terrible lead singers in front of Staley to send a hint. The last straw for Staley was when they auditioned a male stripper – he decided to join the band after that. Eventually the funk project broke up, and in 1987 Staley joined Cantrell's band on a full-time basis. Two weeks after the band's formation, they were playing a gig at Washington State University, trying to fill out a 40-minute set with a couple of original songs along with Hanoi Rocks and David Bowie covers. The band played a couple of gigs in clubs around the Pacific Northwest, calling themselves different monikers, including Diamond Lie, the name of Cantrell's previous band, and "Fuck", before eventually adopting the name that Staley's previous band had initially flirted with, Alice in Chains. Staley contacted his former bandmates and asked for permission to use the name. Nick Pollock wasn't particularly thrilled about it at the time and thought he should come up with a different name, but ultimately both he and James Bergstrom gave Staley their blessing to use the name. Local promoter Randy Hauser became aware of the band at a concert and offered to pay for demo recordings. However, one day before the band was due to record at the Music Bank studio in Washington, police shut down the studio during the biggest cannabis raid in the history of the state. The final demo, completed in 1988, was named The Treehouse Tapes and found its way to music managers Kelly Curtis and Susan Silver, who also managed the Seattle-based band Soundgarden. Curtis and Silver passed the demo on to Columbia Records' A&R representative Nick Terzo, who set up an appointment with label president Don Ienner. Based on The Treehouse Tapes, Terzo signed Alice in Chains to Columbia in 1989. The band also recorded another untitled demo over a three-month period in 1989. This recording can be found on the bootleg release Sweet Alice. 1990–1992: Facelift and Sap Alice in Chains soon became a top priority of the label, which released the band's first official recording in July 1990, a promotional EP called We Die Young. The EP's lead single, "We Die Young", became a hit on metal radio. After its success, the label rushed Alice in Chains' debut album into production with producer Dave Jerden. Cantrell stated the album was intended to have a "moody aura" that was a "direct result of the brooding atmosphere and feel of Seattle." The resulting album, Facelift, was released on August 21, 1990, peaking at number 42 in the summer of 1991 on the Billboard 200 chart. Facelift was not an instant success, selling under 40,000 copies in the first six months of release, until MTV added "Man in the Box" to regular daytime rotation. The single hit number 18 on the Mainstream rock charts, with the album's follow up single, "Sea of Sorrow", reaching number 27, and in six weeks Facelift sold 400,000 copies in the US. The album was a critical success, with Steve Huey of AllMusic citing Facelift as "one of the most important records in establishing an audience for grunge and alternative rock among hard rock and heavy metal listeners." Sammy Hagar claimed he invited the band to tour with Van Halen after he saw the music video for "Man In The Box" on MTV. Facelift was certified gold by the Recording Industry Association of America (RIAA) for selling a half-million copies on September 11, 1991, becoming the first album from Seattle's Grunge movement to be certified gold. The band continued to hone its audience, opening for such artists as Iggy Pop, Van Halen, Poison, and Extreme. Facelift has since been certified triple-platinum by the RIAA, for shipments of three million copies in the United States. The concert at the Moore Theatre in Seattle on December 22, 1990, was recorded and released on VHS on July 30, 1991, as Live Facelift. It features five live songs and three music videos. The home video has been certified gold by the RIAA for sales exceeding 50,000 copies. In early 1991, Alice in Chains landed the opening slot for the Clash of the Titans tour with Anthrax, Megadeth, and Slayer, exposing the band to a wide metal audience but receiving mainly poor reception. Alice in Chains was nominated for a Best Hard Rock Performance Grammy Award in 1992 for "Man in the Box" but lost to Van Halen for their 1991 album For Unlawful Carnal Knowledge. Following the tour, Alice in Chains entered the studio to record demos for its next album, but ended up recording five acoustic songs instead. While in the studio, drummer Sean Kinney had a dream about "making an EP called Sap". The band decided "not to mess with fate", and on February 4, 1992, Alice in Chains released their second EP, Sap. The EP was released while Nirvana's Nevermind was at the top of the Billboard 200 charts, resulting in a rising popularity of Seattle-based bands, and of the term "grunge music". Sap was certified gold within two weeks. The EP features Cantrell on lead vocals on the opening track, "Brother", and guest vocals by Ann Wilson from the band Heart, who joined Staley and Cantrell for the choruses of "Brother" and "Am I Inside". The EP also features Mark Arm of Mudhoney and Chris Cornell of Soundgarden, who shared vocals with Staley and Cantrell on the song "Right Turn", credited to "Alice Mudgarden" in the liner notes. In 1992, Alice in Chains appeared in the Cameron Crowe film Singles, performing as a "bar band". The band also contributed the song "Would?" to the film's soundtrack, whose video received an award for Best Video from a Film at the 1993 MTV Video Music Awards. 1992–1993: Dirt In March 1992, the band returned to the studio. With new songs written primarily on the road, the material has an overall darker feel than Facelift, with six of the album's thirteen songs dealing with the subject of addiction. "We did a lot of soul searching on this album. There's a lot of intense feelings." Cantrell said, "We deal with our daily demons through music. All of the poison that builds up during the day we cleanse when we play." On September 29, 1992, Alice in Chains released its second album, Dirt. The album peaked at number six on the Billboard 200 and since its release has been certified quadruple platinum by the RIAA, making Dirt the band's highest selling album to date. The album was a critical success, with Steve Huey of Allmusic praising the album as a "major artistic statement, and the closest they ever came to recording a flat-out masterpiece." Chris Gill of Guitar World called Dirt "huge and foreboding, yet eerie and intimate", and "sublimely dark and brutally honest." Dirt spawned five singles that reached the top 30 on the Billboard Mainstream Rock chart: "Would?", "Rooster", "Them Bones", "Angry Chair", and "Down in a Hole", and remained on the charts for nearly two years. Alice in Chains was added as openers to Ozzy Osbourne's No More Tours tour. Days before the tour began, Layne Staley broke his foot in an ATV accident, forcing him to use crutches on stage. Starr left the band shortly after the Hollywood Rock concert in Rio de Janeiro on January 22, 1993, stating that he wanted to spend more time with his family. Staley told Rolling Stone in 1994 about Starr leaving the band, "It was just a difference in priorities. We wanted to continue intense touring and press. Mike was ready to go home." Years later, Starr claimed that he was fired due to his drug addiction. Starr was replaced by former Ozzy Osbourne bassist Mike Inez. Inez had met Alice in Chains during Ozzy Osbourne's No More Tours tour and became friends with them. When the band was in Brazil, they called Inez to join them and he accepted. Inez wanted to do the shows in Brazil and even got his immunization shots, but the band called him back telling that Starr wanted to do the last two shows in Brazil, so they would meet Inez in London instead. Inez ended up getting sick with his vaccination shots for a couple of days. Inez played his first concert with Alice in Chains on January 27, 1993, at the Camden Underworld in London. In April 1993, the band recorded two songs with Inez, "What the Hell Have I" and "A Little Bitter", for the Last Action Hero soundtrack. During the summer of 1993, Alice in Chains toured with the alternative music festival Lollapalooza, their last major tour with Staley. 1993–1994: Jar of Flies Following Alice in Chains' extensive 1993 world tour, Staley said the band "just wanted to go into the studio for a few days with our acoustic guitars and see what happened." "We never really planned on the music we made at that time to be released. But the record label heard it and they really liked it. For us, it was just the experience of four guys getting together in the studio and making some music." Columbia Records released Alice in Chains' second acoustic-based EP, Jar of Flies, on January 25, 1994. Written and recorded in one week, Jar of Flies debuted at number one on the Billboard 200, becoming the first EP—and first Alice in Chains release—to top the charts. Paul Evans of Rolling Stone called the EP "darkly gorgeous", and Steve Huey said, "'Jar of Flies' is a low-key stunner, achingly gorgeous and harrowingly sorrowful all at once." Jar of Flies features Alice in Chains' first number-one single on the Mainstream Rock charts, "No Excuses". The second single, "I Stay Away", reached number ten on the Mainstream rock charts, while the final single "Don't Follow", reached number 25. Jar of Flies has been certified triple platinum by the RIAA, with over 2 million copies sold in the United States during its first year. Jar of Flies received two Grammy nominations, Best Hard Rock Performance for "I Stay Away", and Best Recording Package. After the release of Jar of Flies, Staley entered rehab for heroin addiction. The band was scheduled to tour during the summer of 1994 with Metallica, Suicidal Tendencies, Danzig, and Fight, as well as a slot during Woodstock '94, but while in rehearsal for the tour, Staley began using heroin again. Staley's condition prompted the other band members to cancel all scheduled dates one day before the start of the tour, putting the band on hiatus. Alice in Chains was replaced by Candlebox on the tour. Susan Silver's management office sent out a statement saying that the decision to withdraw from the Metallica tour and Woodstock was "due to health problems within the band." The band broke up for six months. Kinney told Rolling Stone in 1996, "Nobody was being honest with each other back then. If we had kept going, there was a good chance we would have self-destructed on the road, and we definitely didn't want that to happen in public." 1995–1996: Alice in Chains While Alice in Chains was inactive during 1995, Staley joined the "grunge supergroup" Mad Season, which also featured Pearl Jam guitarist Mike McCready, bassist John Baker Saunders from The Walkabouts, and Screaming Trees drummer Barrett Martin. Mad Season released one album, Above, for which Staley provided lead vocals and the album artwork. The album spawned a number-two Mainstream Rock chart single, "River of Deceit", as well as a home video release of Live at the Moore. In April 1995, Alice in Chains entered Bad Animals Studio in Seattle with producer Toby Wright, who had previously worked with Corrosion of Conformity and Slayer. While in the studio, an inferior version of the song "Grind" was leaked to radio, and received major airplay. On October 6, 1995, the band released the studio version of the song to radio via satellite uplink to stem excessive spread of taped copies of the song. On November 7, 1995, Columbia Records released the eponymous album, Alice in Chains, which debuted at number one on the Billboard 200 and has since been certified triple platinum. Of the album's four singles, "Grind", "Again", "Over Now", and "Heaven Beside You", three feature Cantrell on lead vocals. Jon Wiederhorn of Rolling Stone called the album "liberating and enlightening, the songs achieve a startling, staggering and palpable impact." On December 12, 1995, the band released the home video The Nona Tapes, a mockumentary featuring interviews with the band members conducted by journalist Nona Weisbaum (played by Jerry Cantrell), and the music video for "Grind". The song "Got Me Wrong" unexpectedly charted three years after its release on the Sap EP. The song was re-released as a single on the soundtrack for the independent film Clerks in 1994, reaching number seven on the Mainstream Rock Tracks chart. The band opted not to tour in support of Alice in Chains, adding to the rumors of drug abuse. Alice in Chains resurfaced on April 10, 1996, to perform their first concert in two and a half years for MTV Unplugged, a program featuring all-acoustic set lists. The performance featured some of the band's highest-charting singles, including "Rooster", "Down in a Hole", "Heaven Beside You", "No Excuses" and "Would?", and introduced a new song, "Killer Is Me", with Cantrell on lead vocals. The show marked Alice in Chains' only appearance as a five-piece band, adding second guitarist Scott Olson. A live album of the performance was released in July 1996, debuting at number three on the Billboard 200, and was accompanied by a home video release, both of which received platinum certification by the RIAA. The band also made an appearance on The Late Show with David Letterman on May 10, 1996, performing the songs "Again" and "We Die Young". Alice in Chains performed four shows supporting the reunited original Kiss lineup on their 1996–97 Alive/Worldwide Tour, including the final live appearance of Layne Staley on July 3, 1996, in Kansas City, Missouri. Shortly after the show, Staley was found unresponsive after he overdosed on heroin and was taken to the hospital. Although he recovered, the band was forced to go on hiatus. 1996–2004: Hiatus, side projects and death of Layne Staley Although Alice in Chains never officially disbanded, Staley became a recluse, rarely leaving his Seattle condominium following the death of his ex-fiancée Demri Parrott due to a drug overdose on October 29, 1996. "Drugs worked for me for years," Staley told Rolling Stone in February 1996, "and now they're turning against me ... now I'm walking through hell and this sucks. I didn't want my fans to think that heroin was cool. But then I've had fans come up to me and give me the thumbs up, telling me they're high. That's exactly what I didn't want to happen.." Unable to continue with new Alice in Chains material, Cantrell released his first solo album, Boggy Depot, in 1998, also featuring Sean Kinney and Mike Inez. Cantrell and Kinney were also featured on Metallica's 1998 album Garage Inc., both were guest musicians in the track "Tuesday's Gone", a cover of Lynyrd Skynyrd. In October 1998, Staley reunited with Alice in Chains to record two new songs, "Get Born Again" and "Died". Originally intended for Cantrell's second solo album, the songs were reworked by Alice in Chains and were released in the fall of 1999 on the box set, Music Bank. The set contains 48 songs, including rarities, demos, and previously released album tracks and singles. The band also released a 15-track compilation titled Nothing Safe: Best of the Box, serving as a sampler for Music Bank, as well as the band's first compilation album; a live album, simply titled Live, released on December 5, 2000; and a second compilation, titled Greatest Hits in 2001. In November 1998, Layne Staley recorded a cover of Pink Floyd's "Another Brick in the Wall" with the supergroup Class of '99, formed by guitarist Tom Morello of Rage Against the Machine, bassist Martyn LeNoble, drummer Stephen Perkins, both from Jane's Addiction and Porno for Pyros, and keyboardist Matt Serletic. The song was featured on the soundtrack to the 1998 horror/sci-fi film, The Faculty. After they toured as part of Cantrell's solo band in 1998, Sean Kinney and Queensrÿche guitarist Chris DeGarmo formed a new band called Spys4Darwin. Mike Inez and Sponge lead vocalist Vin Dombroski joined the supergroup soon after. The band released their first and only album in 2001, a 6-track EP entitled Microfish. In June 2001, Mike Inez joined Zakk Wylde's Black Label Society for the remaining dates of Ozzfest, following the departure of bassist Steve Gibb due to medical reasons. Inez joined the band again for their West Coast and Japanese tour in 2003. By 2002, Cantrell had finished work on his second solo album, Degradation Trip. Written in 1998, the album's lyrical content focused heavily on what Cantrell regarded as the demise of Alice in Chains, which still remained evident as the album approached its June 2002 release. However, in March that year, Cantrell commented, "We're all still around, so it's possible [Alice in Chains] could all do something someday, and I fully hope someday we will." Reflecting on the band's hiatus in a 2011 interview, Kinney said that Staley wasn't the only one battling addiction. "He was the focal point, like singers are. So they'd single him out. But the truth was, it was pretty much everybody. I definitely had my hand firmly on the wheel going off the cliff. And the reason we pulled back – you know when you stop when you have two #1 records, it's not really the greatest career move – but we did that because we love each other and we didn't want to die in public. And I know for a fact in my heart that if we were to continue that I wouldn't be on the phone right now talking to you. I wouldn't have made it. I just wouldn't have." After a decade of battling drug addiction, Layne Staley was found dead in his condominium in Seattle on April 19, 2002. The autopsy and toxicology report on Staley's body revealed that he died from a mixture of heroin and cocaine, known as "speedball". The autopsy concluded that Staley died on April 5, two weeks before his body was found. Cantrell dedicated his 2002 solo album, Degradation Trip, released two months after Staley's death, to his memory. Mike Starr later claimed on Celebrity Rehab that he was the last person to see Staley alive, and admitted to feeling guilty about not calling 911 after Staley had warned him against it. "I wish I hadn't been high on benzodiazepine [that night], I wouldn't have just walked out the door," Starr said. Following Staley's death, Mike Inez joined Heart and toured and recorded with the band from 2002 through 2006. Jerry Cantrell collaborated with several artists such as Heart, Ozzy Osbourne, and Damageplan. In 2004, Cantrell formed the band Cardboard Vampyres along with The Cult guitarist Billy Duffy, Mötley Crüe and Ratt vocalist John Corabi, The Cult bassist Chris Wyse and drummer Josh Howser. On October 22, 2004, Sony BMG terminated their contract with Alice in Chains, 15 years after the band signed with the label, in 1989. 2005–2008: Reunion shows and reformation In 2005, Sean Kinney came up with the idea of doing a benefit concert for the victims of the tsunami disaster that struck South Asia in 2004. Kinney made calls to his former bandmates, as well as friends in the music community, such as former Alice in Chains manager Susan Silver. Kinney was surprised by the enthusiastic response to his idea. On February 18, 2005, Jerry Cantrell, Mike Inez, and Sean Kinney reunited to perform for the first time in nine years at K-Rock Tsunami Continued Care Relief Concert in Seattle. The band featured Damageplan vocalist Pat Lachman, as well as other special guests including Maynard James Keenan of Tool and Ann Wilson of Heart. A few months after that experience, the band called Susan Silver and Cantrell's manager Bill Siddons and said they wanted to tour as Alice in Chains again. Alice in Chains was approached by the producers of the CBS reality show Rock Star about being featured on its second season, but the band turned the offer down. In the show, aspiring singers competed to become the lead vocalist of a featured group. On March 10, 2006, the surviving members performed at VH1's Decades Rock Live concert, honoring fellow Seattle musicians Ann and Nancy Wilson of Heart. They played "Would?" with vocalist Phil Anselmo of Pantera and Down and bass player Duff McKagan of Guns N' Roses and Velvet Revolver, and at the end of the performance Cantrell dedicated the show to Layne Staley and the late Pantera and Damageplan guitarist Dimebag Darrell. They also played "Rooster" with Comes with the Fall vocalist William DuVall and Ann Wilson. The band followed the concert with a short United States club tour named "Finish What We Started", several festival dates in Europe, and a brief tour in Japan. Duff McKagan again joined the band for the reunion tour, playing rhythm guitar on selected songs. During the tour, the band played a 5-minute video tribute to Staley during the changeover from the electric to acoustic set. To coincide with the band's reunion, Sony Music released the long-delayed third Alice in Chains compilation, The Essential Alice in Chains, a double album that includes 28 songs. Jerry Cantrell met William DuVall in Los Angeles in 2000 through a mutual acquaintance who introduced Cantrell to Comes with the Fall's first album. Cantrell started hanging out with the band and occasionally joined them onstage. Between 2001 and 2002, Comes with the Fall was both the opening act on Cantrell's tour for his second solo album, Degradation Trip, and also his backing band, with DuVall singing Staley's parts at the concerts. DuVall joined Alice in Chains as lead singer during the band's reunion concerts in 2006, and made his first public performance with the band at VH1's Decades Rock Live concert. According to Cantrell, it only took one audition for DuVall to get the gig. For his first rehearsal with the band, DuVall sang "Love, Hate, Love". After they finished, Sean Kinney looked at his bandmates and said, "I think the search is pretty much over." According to Mike Inez, DuVall didn't try to emulate Staley, and that's what drew them to him. Cantrell revealed that before he suggested DuVall for the band, Sean Kinney and Mike Inez invited Sponge and Spys4Darwin lead vocalist Vin Dombroski to jam with the band in their rehearsal space. Dombroski jammed with them to a couple of songs but they did not feel he was right for the band. According to Cantrell, Stone Temple Pilots and Velvet Revolver lead singer Scott Weiland was also interested in joining the band. Cantrell explained the reunion saying, "We want to celebrate what we did and the memory of our friend. We have played with some [singers] who can actually bring it and add their own thing to it without being a Layne clone. We're not interested in stepping on [Staley's] rich legacy. It's a tough thing to go through. Do you take the Led Zeppelin approach and never play again, because the guy was that important? That's the approach we've taken for a lot of years. Or, do you give it a shot, try something? We're willing to take a chance on it. It's completely a reunion because the three of us who're left are back together. But it's not about separating and forgetting — it's about remembering and moving on." Before the tour, Kinney mentioned in an interview that he would be interested in writing new material, but not as Alice in Chains. During the VH1 Rock Honors concert honoring Heart on May 12, 2007, Alice in Chains performed Heart's "Barracuda" fronted by country singer Gretchen Wilson. Heart's guitarist Nancy Wilson also joined them onstage. Alice in Chains joined Velvet Revolver for a run of U.S. and Canadian gigs from August through October 2007. During that tour, the band also performed four special acoustic-only shows, named as "The Acoustic Hour". The acoustic performance at The Rave/Eagles Club in Milwaukee, Wisconsin on August 31, 2007, was recorded for an upcoming live album. On November 2, 2007, Alice in Chains performed a four-song set at Benaroya Hall in Seattle for Matt Messina and the Symphony Guild's 10th anniversary benefit concert for the Seattle Children's Hospital & Regional Medical Center. In addition to the band's original material, they also played a cover of Led Zeppelin's "Kashmir" while backed by over 200 musicians, including the Northwest Symphony Orchestra and the Northwest Girlchoir. Sean Kinney said about the band's reunion: "I never called Jerry; he never called me, and said, 'Hey, let's get the band back together,' you know? We had been taking every step extremely cautious and slow, and just doing whatever feels right: If it's genuine and we're doing it for genuine reasons and we're all okay with it then we take a little step. None of us is broke. Nobody needs to be a rock dork, and you know, stroke their ego. I mean, we don't really operate like that. So as long as it felt good and from the right place and it's about making music and carrying on…." About the pressure being put on DuVall for replacing Staley as lead vocalist, Cantrell said, "To put all that weight on Will's shoulders is unfair. We're just figuring out how we work as a team. Although the band has changed, we've lost Layne, we've added Will, and there was no master plan. Playing again in 2005 felt right, so we did the next thing and toured. We did it step by step. It's more than just making music, and it always has been. We've been friends a long time. We've been more of a family than most, and it had to be okay from here," Cantrell said pointing to his heart. Former The Doors manager Bill Siddons and his management company, Core Entertainment, co-managed Alice in Chains with original manager Susan Silver from 2005 to 2007. The band started writing and demoing songs for a new album with DuVall in April 2007. But the band did not show further signs of progress until October 2008, when they announced that they had begun recording with producer Nick Raskulinecz in the studio. 2008–2011: Black Gives Way to Blue and death of Mike Starr Blabbermouth.net reported on September 5, 2008, that Alice in Chains would enter the studio that October to begin recording a new album for a summer 2009 release. On September 14, 2008, Alice in Chains performed at halftime during the Seattle Seahawks vs San Francisco 49ers game at the CenturyLink Field (then-named Qwest Field) in Seattle. The 12-minute performance for a crowd of 67,000 people featured a cover of Led Zeppelin's "Kashmir" accompanied by the Northwest Symphony Orchestra. In October 2008, Alice in Chains began recording its fourth studio album at the Foo Fighters' Studio 606 in Los Angeles with producer Nick Raskulinecz. The band did not have a record label at the time and the album was funded by Jerry Cantrell and Sean Kinney. At the Revolver Golden God Awards, Cantrell said that the group had finished recording on March 18, 2009, and were mixing the album for a September release. The recording process was completed on Cantrell's 43rd birthday and also the same day that William DuVall's son was born. In April 2009, it was reported that the new Alice in Chains album would be released by Virgin/EMI, making it the band's first label change in its 20-plus year career. Susan Silver, who started managing Alice in Chains in 1988, now co-manages the band with David Benveniste and his Velvet Hammer firm. On June 11, 2009, Blabbermouth.net reported that the new album would be titled Black Gives Way to Blue and was officially set to be released on September 29, 2009. The title first appeared on Amazon.com without any prior announcement from the band. In addition, it was announced that Elton John plays piano on the title track, a tribute to Layne Staley written and sung by Cantrell. The album features new vocalist and rhythm guitarist William DuVall sharing vocal duties with lead guitarist/vocalist Jerry Cantrell, who sings lead vocals on most of the songs. DuVall sings lead vocals on the song "Last of My Kind". On June 30, 2009, the song "A Looking in View" was made available for purchase via iTunes and Amazon, and for a limited time it was available as a free download through the official Alice in Chains website in early July. Although it was not the album's first radio single, Rock stations across the U.S. started playing the song. The music video for "A Looking in View" debuted via the band's official website on July 7, 2009. The song was nominated for a Grammy Award for Best Hard Rock Performance. "Check My Brain" was released to radio stations as the first official single from the album on August 14, 2009, and was made available for purchase on August 17, 2009. The music video for "Check My Brain" premiered on September 14, 2009. The song was also nominated for a Grammy Award for Best Hard Rock Performance. To promote the album, the band released an EPK featuring all four of the members being interviewed while the Kiss makeup is being applied on them. An app for iPhone was released on October 27, 2009, featuring songs, music videos, news, photos and networking. Sean Kinney said about the new album and the fans' mixed reactions about the band moving on after Staley's death: "Look, it's a big move to fucking stand up and move on. Some people, the music connected with them so strongly, their opinions, how they feel about it ... It's amazing that they have such a connection but they seem to act like it happened to them. This happened to us and Layne's family, not them. This is actually our lives. If we're okay with it, why can't you be? This happened to us, this didn't happen to you. But this album isn't about that, it's a bigger universal point. We're all going to fucking die, we're all going to lose somebody, and it fucking hurts. How do you move on? This record is us moving on, and hurting. That, to me, is a victory. I already feel like I've won." "Sometimes people ask us, 'Wouldn't Layne have been pissed off that we did this?' And I tell them it would have been the opposite: he would have been pissed off that it took us so long to do this. We're not doing this for money; there is no money in the music business anymore. Jerry and I funded the whole album, and we spent lots of our own money, because we believe in this. And one of the reasons I'm doing this is so more light is turned on to something where the light was turned off." And Cantrell added: "We've toured around the world, we've lost some friends, we buried a dear friend, and somebody that you just can't fucking replace, and then we've chosen by circumstance to get together again. That turned into 'maybe we can fucking do this.' And that turned into this." In September 2008, it was announced that Alice in Chains would headline Australia's Soundwave Festival in 2009, alongside Nine Inch Nails and Lamb of God. In February 2009, it was also announced that Alice in Chains would play at the third annual Rock on the Range festival. On August 1, 2009, Alice in Chains performed, along with Mastodon, Avenged Sevenfold, and Glyder, at Marlay Park, Dublin as direct support to Metallica. The band made an appearance on Later... with Jools Holland on November 10, 2009, performing "Lesson Learned", "Black Gives Way to Blue", and "Check My Brain" as the final performance of the episode. To coincide with the band's European tour, Alice in Chains released its next single, "Your Decision", on November 16, 2009, in the UK and on December 1 in the US. The last single from the album was "Lesson Learned", and it was released to rock radio on June 22, 2010. Black Gives Way to Blue debuted at No. 5 on the Billboard 200. On May 18, 2010, the album was certified gold by the RIAA for selling over 500,000 copies in the U.S. The singles "Check My Brain" and "Your Decision" reached No. 1 on Billboard's Mainstream Rock Tracks, while "Lesson Learned" reached No. 4. "Check My Brain" was also the band's first #1 song on the Alternative Songs chart, and on the Hot Rock Songs chart, it also reached No. 92 on Billboard's Hot 100, becoming the band's first single to appear on the chart. Along with Mastodon and Deftones, Alice in Chains toured the United States and Canada in late 2010 on the Blackdiamondskye tour, an amalgam of the three bands' latest album titles (Black Gives Way to Blue, Diamond Eyes, and Crack the Skye). On March 8, 2011, former Alice in Chains bassist Mike Starr was found dead at his home in Salt Lake City. Police told Reuters they were called to Starr's home at 1:42 pm and found his body; Starr was 44. Reports later surfaced that Starr's roommate had seen him mixing methadone and anxiety medication hours before he was found dead. Later reports indicated Starr's death may have been linked to two different types of antidepressants prescribed to him by his doctor. A public memorial was held for Starr at the Seattle Center's International Fountain on March 20, 2011. A private memorial was also held, which Jerry Cantrell and Sean Kinney attended according to Mike Inez. 2011–2016: The Devil Put Dinosaurs Here On March 21, 2011, Alice in Chains announced that they were working on a fifth studio album, and both Cantrell and Inez later made statements that they had begun the recording process. The album was expected to be finished by summer of 2012 and released by the end of 2012 or beginning of 2013. While Alice in Chains were writing for the album in 2011, Cantrell underwent surgery on his right shoulder, which delayed recording the new material. In an interview published in May 2012, Cantrell explained, "The thing that set me back is I had some bone spurs [and] cartilage issues in my shoulders. I had the same issue in the other shoulder about six years ago so I've had them both done now. It's a repetitive motion injury from playing." Cantrell could not play guitar for eight months while he was recovering from surgery. While recuperating at home in a sling, Cantrell heard a riff in his head and sang it into his phone. The riff later became the song "Stone". Alice in Chains played their first concert in nearly 10 months and their first concert after Cantrell's shoulder surgery at the Winstar Casino in Thackerville, Oklahoma on August 13, 2011. The band's only concert in 2012 was a five-song acoustic set on May 31 at the eighth annual MusiCares MAP Fund Benefit Concert honoring Jerry Cantrell. On December 4, 2012, Cantrell confirmed that the new album had been completed. The first single, "Hollow", debuted online on December 18, available for digital download in January 2013, along with an official music video. On February 13, 2013, Alice in Chains posted on Facebook that their new album title would be an anagram of the letters H V L E N T P S U S D A H I E E O E D T I U R R. The next day they announced that the album would be called The Devil Put Dinosaurs Here, which was released on May 28, 2013, and debuted at No. 2 on the Billboard 200. To promote the album, Alice in Chains teamed up with Funny or Die for an 11-minute mockumentary titled AIC 23, in which Film Studies professor Alan Poole McLard (played by W. Earl Brown) attempts to make a documentary on Alice in Chains without any help from the actual band, interviewing other musicians instead. Among them are country singer Donnie 'Skeeter' Dollarhide Jr. (played by Jerry Cantrell), Reggae singer Nesta Cleveland (played by William DuVall), Black Metal musician Unta Gleeben Glabben Globben Globin (played by Mike Inez) and the hipster Stanley Eisen (played by Sean Kinney). The video was released on April 3, 2013, and also features cameos by Ann and Nancy Wilson from Heart, Mike McCready from Pearl Jam, Kim Thayil from Soundgarden, Duff McKagan from Guns N' Roses, Brent Hinds and Bill Kelliher from Mastodon, and Lars Ulrich and Robert Trujillo from Metallica. In June 2013, the band released a pinball game app for iOS as part of Pinball Rocks HD compilation, featuring the single "Hollow", the band's logo and the album artwork, as well as references to the band's previous albums such as Jar of Flies and the self-titled record. The band released videos for the songs "Hollow", "Stone", "Voices", the title track and "Phantom Limb". "Hollow" and "Stone" reached No. 1 on Billboard's Mainstream Rock Tracks, while "Voices" reached No. 3, and each one of the three songs stayed on the chart for 20 weeks. The Devil Put Dinosaurs Here was nominated for a Grammy Award for Best Engineered Album, Non-Classical in 2014. Alice in Chains toured extensively in the U.S., Canada, and Europe in 2013 and 2014. In May 2013, the band co-headlined the annual MMRBQ festival with Soundgarden in Camden, New Jersey. Asked in September 2013 if Alice in Chains would make another album, Cantrell replied, "It'll be a while. It's [been] four years since we put the last one out, but at least it's not the gap that was between the last one, so that's about right - about three to four years." On January 18, 2015, Alice in Chains performed in the halftime show of the NFC Championship Game between the Seattle Seahawks and the Green Bay Packers at CenturyLink Field in Seattle. Cantrell is a lifelong Seahawks fan and often attends their games. In August 2015, Bassist Mike Inez said that the band had been "throwing around riffs for a new record" and "taking it nice and slow". The band toured in the summer of 2015 and the summer of 2016, including select shows opening for Guns N' Roses as part of the Not in This Lifetime... Tour. The band finished their 2016 tour with a concert at the Grand Sierra Resort and Casino in Reno, Nevada on October 8, 2016. In November 2016, Alice in Chains released a cover of the Rush song "Tears", which was included in the 40th anniversary release of the album 2112. The home video Live Facelift was released on vinyl for the first time on November 25, 2016, as part of Record Store Day's Black Friday event. The album features six songs and only 5000 copies were issued. To celebrate the tenth anniversary of Record Store Day, on April 22, 2017, Legacy Recordings released "Get Born Again"/"What the Hell Have I", a special 45 RPM double 7" single featuring four tracks remastered and available on vinyl for the first time, "What the Hell Have I", "A Little Bitter", "Get Born Again" and "Died". 2017–present: Rainier Fog In January 2017, Mike Inez stated in an interview that the band had begun work on a new album. In June 2017, it was reported that the band would return to Studio X (formerly Bad Animals Studios) in Seattle to record a new album later that month, for a tentative early 2018 release. The sessions were helmed by Nick Raskulinecz, who produced the band's last two albums. Studio X was the studio where Alice in Chains recorded its 1995 self-titled album. According to Inez, the band was not signed to a label, having completed its previous two-record contract with the Universal Music Group. "This [upcoming album], we're not sure where it's gonna land ... I mean, we financed ['Black Gives Way To Blue'] on our own too, so we're not too worried about that stuff. We've just gotta get it out to ... a significant label [with worldwide distribution]." The band started recording their sixth studio album on June 12, 2017. On January 11, 2018, producer Nick Raskulinecz announced via Instagram that the album was nearly finished and that there was only one more day left of recording. During an interview with Guitar World published on April 11, 2018, Jerry Cantrell said that the album was recorded at four studios. After recording at Studio X in Seattle, the band went to Nashville to record vocals and lead guitars at Nick Raskulinecz's home studio. But Cantrell had to take an unexpected break from work for a couple of weeks after getting sick on a trip to Cabo for Sammy Hagar's birthday. Cantrell had the band's engineer, Paul Figueroa, come in to his house and record a lot of his vocals and solos there. The band finished recording the album at the Henson Recording Studios in Los Angeles. Cantrell also said he expects the album to be released "probably sometime this summer." At the press room of the Rock and Roll Hall of Fame Induction Ceremony on April 14, 2018, Cantrell revealed that Alice in Chains had just signed with BMG, and that they had finished mixing their new album. Alice in Chains did not perform live in 2017. The band performed their first concert since October 2016 at the House of Blues in Boston on April 28, 2018. In May 2018, Alice in Chains headlined the festivals Carolina Rebellion, Lunatic Luau, Pointfest, Northern Invasion, the WMMR BBQ festival in Philadelphia, and the Rock on the Range festival in Columbus, Ohio on May 18, 2018, in which they paid tribute to Chris Cornell on the first anniversary of his death covering two Soundgarden songs to close their set, "Hunted Down" and "Boot Camp", respectively. At the end of the show, the lights on stage spelled out "CC" for Chris Cornell and "SG" for Soundgarden as feedback rang out. The band started their European tour in June 2018, and headlined the Tons Of Rock Festival in Norway alongside Ozzy Osbourne and Helloween. Alice in Chains are also scheduled to headline KISW's Pain in the Grass festival in August 2018. The band released a new single, "The One You Know", via Spotify, Amazon and iTunes on May 3, 2018. A music video directed by Adam Mason was released on YouTube the same day. "The One You Know" peaked at No. 9 on Billboard's Mainstream Rock chart. During an interview with Eddie Trunk on Trunk Nation on May 7, 2018, Jerry Cantrell said that the new album would be released at the end of August 2018. The band also revealed that they talked to director Adam Mason, who is making a dark sci-film, about doing two separate pieces of art and maybe molding them together, and that the music video for "The One You Know" is the first chapter of molding Mason's film and the band's music videos together. The second single, "So Far Under", was released on Alice in Chains' YouTube channel and on streaming platforms on June 27, 2018. It was also announced that the album would be titled Rainier Fog, with the release date scheduled for August 24, 2018. The album's artwork and the track listing were also revealed on the same day. Jerry Cantrell told Rolling Stone that the title Rainier Fog was inspired by the Mount Rainier in Seattle, and the title track is a tribute to the Seattle music scene. "This song is a little homage to all of that: where we come from, who we are, all of the triumphs, all of the tragedies, lives lived." The album's third single, "Never Fade", was released on August 10, 2018, through digital and streaming services. The song is a tribute dedicated to frontman William DuVall's grandmother, Chris Cornell, and Alice in Chains' original singer Layne Staley. "Never Fade" peaked at No. 10 on Billboard's Mainstream Rock chart. A music video directed by Adam Mason was released on November 1, 2018, and continued the storyline from the music video of "The One You Know". In June 2018, William DuVall said in an interview with Swedish website Rocksverige that the music video for "The One You Know" is the first chapter of what the band is hoping will be visuals for all ten songs from the album Rainier Fog, and in addition to that, will be a companion piece to the film that director Adam Mason was shooting. On August 20, 2018, the baseball team Seattle Mariners hosted a special "Alice in Chains Night" at the Safeco Field in Seattle to promote Rainier Fog, with the team offering the fans a package that included a Safeco Field terrace club ticket, access to a pre-game listening party of the album, an Alice in Chains T-shirt and a Rainier Fog CD. Jerry Cantrell also threw out the ceremonial first pitch and delivered a strike before the Seattle Mariners vs. Houston Astros game. To mark the launch of the album, on August 21, 2018, Alice in Chains performed an acoustic set at the top of Seattle's Space Needle and debuted the song "Fly". Alice in Chains were the first band to perform on the Space Needle's new "Loupe" glass floor, the world's first and only revolving glass floor 500 feet high. The concert was exclusive for an audience of SiriusXM subscribers. SiriusXM broadcast the concert on their channel Lithium on August 31, 2018. On August 22, 2018, Alice in Chains sent fans on a Scavenger hunt to access a secret gig that the band would be performing in Seattle on August 24. Ten signed CD copies of Rainier Fog were hidden around the city as a ticket into the show, and the band asked the fans to keep an eye on their Instagram story for details on the 10 hidden locations. Once all 10 albums were found, the band revealed that the secret gig would be at the rock club The Crocodile, with limited tickets available with the purchase of their album at a pop-up event at the same venue the next day. Preview clips of each of the album tracks were posted on the band's Instagram. The band also commemorated the release of the album with a pop-up museum installation at The Crocodile in Seattle on August 23 and 24. The museum featured rare Alice in Chains photos, limited-edition merchandise and memorabilia that showcased the band's 30+ year career. Rainier Fog debuted at No. 12 on the Billboard 200 chart, selling 31,000 copies (29,000 in traditional album sales), in its first week of release. The album also debuted at No. 1 on Billboard's Top Rock Albums, Alternative Albums and Hard Rock Albums charts, and at No. 3 on the Vinyl Albums chart. Rainier Fog became Alice in Chains' first top 10 in the UK, peaking at No. 9, and topping UK's Rock & Metal Albums chart. The album has been nominated for a Grammy Award for Best Rock Album. On December 13, 2018, the teaser of the film Black Antenna featuring the song "Rainier Fog" was released on Alice in Chains' official YouTube channel, with drummer Sean Kinney stating; "We've always toyed with the idea of creating videos for every song on one of our albums. Not only did we do that for Rainier Fog, it got totally out of hand and we made a whole goddamn movie. Everything that will be seen in the videos will be footage from Black Antenna to preface the complete film's release." "Rainier Fog" was released as a single on February 26, 2019. The official trailer for Black Antenna was released on Alice In Chains' YouTube Channel on February 28, 2019. Besides a 90-minute film, a 10-part web-series focused on each track from the album will also be released. Episodes 1 and 2, "The One You Know" and "Rainier Fog", respectively, were released on March 7, 2019. The tenth and last episode, "All I Am", was released on July 17, 2019. The official music video for "Rainier Fog" was released on YouTube on May 15, 2019, and was co-directed by Alice in Chains and Peter Darley Miller, who also directed the band's 2013 mockumentary, AIC 23. On December 1, 2020, Alice in Chains was honored with the Founders Award from Seattle's Museum of Pop Culture. The benefit concert featured tribute performances from artists such as Ann Wilson, Korn, Metallica, Fishbone, Dallas Green, Billy Corgan, Tad Doyle, members of Soundgarden and Pearl Jam, among others. The event was made available for streaming for free and raised more than $600,000 for the museum in its first night. A compilation featuring highlights from the tribute was made available for streaming on Amazon Music. Musical style Although Alice in Chains has been labeled grunge by the mainstream media, Jerry Cantrell identifies the band as primarily heavy metal. He told Guitar World in 1996, "We're a lot of different things ... I don't quite know what the mixture is, but there's definitely metal, blues, rock and roll, maybe a touch of punk. The metal part will never leave, and I never want it to." The Edmonton Journal has stated, "Living and playing in Seattle might have got them the grunge tag, but they've always pretty much been a classic metal band to the core." Over the course of their career, the band's sound has also been described as alternative metal, sludge metal, doom metal, drone rock, hard rock, and alternative rock. Regarding the band's constant categorization by the media, Cantrell stated "When we first came out we were metal. Then we started being called alternative metal. Then grunge came out and then we were hard rock. And now, since we've started doing this again I've seen us listed as: hard rock, alternative, alternative metal and just straight metal. I walked into an HMV the other day to check out the placement and see what's on and they've got us relegated back into the metal section. Right back where we started!" Drummer Sean Kinney rejects the grunge label, stating in a 2013 interview "I mean, before we first came out there was no grunge, they hadn't invented that word. Before they invented the word grunge we were alternative rock and alternative metal and metal and rock, and we didn't give a shit whatever, we were a rock and roll band!." According to Mike Inez, they were always the metal stepchildren of the Seattle scene. The band are influenced to a great extent by English metal music; in 2018, Jerry Cantrell proclaimed Black Sabbath guitarist Tony Iommi as "one of his biggest" inspirations, whilst Layne Staley named his "first influences" as Black Sabbath and Deep Purple. Cantrell adjudged English rock singer Elton John as "the artist that made me want to be a musician." In addition, members of Alice in Chains have cited artists including AC/DC, Accept, Aerosmith, The Beatles, Black Flag, David Bowie, John Coltrane, Miles Davis, Dio, Funkadelic, Hanoi Rocks, Heart, Jimi Hendrix, Iron Maiden, King's X, Kiss, Led Zeppelin, Metallica, Motörhead, Mudhoney, Pink Floyd, Queensrÿche, the Rolling Stones, Rush, Scorpions, Soundgarden, The Stooges, Television, Thin Lizzy, U2, UFO, Van Halen, The Velvet Underground, Hank Williams, and ZZ Top as influential or inspirational. Jerry Cantrell's guitar style combines "pummeling riffs and expansive guitar textures" to create "slow, brooding minor-key grinds". He is also recognized for his natural ability to blend acoustic and electric guitars. While down-tuned, distorted guitars mixed with Staley's distinctive "snarl-to-a-scream" vocals appealed to heavy metal fans, the band also had "a sense of melody that was undeniable," which introduced Alice in Chains to a much wider audience outside of the heavy metal underground. According to Stephen Thomas Erlewine of AllMusic, Alice in Chains' sound has a "Black Sabbath-style riffing and an unconventional vocal style." The band has been described by Erlewine as "hard enough for metal fans, yet their dark subject matter and punky attack placed them among the front ranks of the Seattle-based grunge bands." Three of the band's releases feature acoustic music, and while the band initially kept these releases separate, Alice in Chains' self-titled album combined the styles to form "a bleak, nihilistic sound that balanced grinding hard rock with subtly textured acoustic numbers." Alice in Chains is also noted for the unique vocal harmonies of Staley (or DuVall) and Cantrell, which included overlapping passages, dual lead vocals, and trademark harmonies typically separated by a major third. Cantrell said it was Staley who gave him the self-assurance to sing his own songs. Alyssa Burrows said the band's distinctive sound "came from Staley's vocal style and his lyrics dealing with personal struggles and addiction." Staley's songs were often considered "dark", with themes such as drug abuse, depression, and suicide, while Cantrell's lyrics often dealt with personal relationships. Legacy Alice in Chains has sold over 14 million records in the United States, and over 30 million records worldwide, released two number-one albums, had 23 top 40 singles, and has received eleven Grammy Award nominations. The band was ranked number 34 on VH1's 100 Greatest Artists of Hard Rock. Alice in Chains was named 15th greatest live band by Hit Parader, with Staley placing as 27th-greatest heavy metal vocalist of all time. The band's second album, Dirt, was named 5th-best album in the last two decades by Close-Up magazine in 2008. In October 2008, Guitar World ranked Cantrell's solo in "Man in the Box" at No. 77 on their list of "100 Greatest Guitar Solos". In August 2009, Alice in Chains won the Kerrang! Icon Award. In November 2011, Jar of Flies was ranked number four on Guitar World magazine's top ten list of guitar albums of 1994. It was also featured in Guitar World magazine's "Superunknown: 50 Iconic Albums That Defined 1994" list, and in May 2014, the EP was placed at number five on Loudwire's "10 Best Hard Rock Albums of 1994" list. Pantera and Damageplan guitarist Dimebag Darrell had expressed his admiration for Cantrell's guitar work in an interview for Guitar International in 1995, saying that "the layering and the honest feel that Jerry Cantrell gets on [Alice in Chains' Dirt] record is worth a lot more than someone who plays five million notes." Street musician Wesley Willis wrote a song about the band entitled "Alice in Chains", featured on his 1996 album Feel The Power. Billy Corgan revealed that the song "Bleeding The Orchid" from The Smashing Pumpkins' 2007 album Zeitgeist has a bit of an homage to Alice in Chains in the harmonies and was indirectly inspired by the death of Staley. Elton John stated that he is a fan of Alice in Chains and a big admirer of Cantrell. According to Jon Wiederhorn of MTV, Godsmack has "sonically followed Alice in Chains' lead while adding their own distinctive edge." Godsmack singer and founder Sully Erna has also cited Staley as his primary influence. Godsmack was named after the Alice in Chains song "God Smack" from the album Dirt. Staind has covered Alice in Chains' song "Nutshell" live, which appears on the compilation The Singles: 1996-2006, and also wrote a song entitled "Layne", dedicated to Staley, on the album 14 Shades of Grey. Three Days Grace also performs a cover of "Rooster", which can be seen on the DVD Live at the Palace. Other bands that have been influenced by Alice in Chains include 10 Years, Avenged Sevenfold, Breaking Benjamin, Creed, Dallas Green, Days of the New, Hoobastank, Incubus, Korn, Manic Street Preachers, Mudvayne, Nickelback, A Pale Horse Named Death, Puddle of Mudd, Queens of the Stone Age, Rains, Seether, Smile Empty Soul, Stone Sour, Tantric, Taproot, and Theory of a Deadman. Metallica said they have always wanted to tour with the band, citing Alice in Chains as a major inspiration for their 2008 release, Death Magnetic. Alice in Chains has also had a significant influence on modern heavy metal. Their songs were covered by various metal bands such as In Flames, Opeth, Dream Theater, Secrets of the Moon, Suicide Silence, 36 Crazyfists, Cane Hill, Ektomorf, Dritt Skitt, Grave and Thou, who described their 2018 EP Rhea Sylvia as "a melodic grunge, Alice in Chains homage." In 2009, Anders Fridén of Swedish melodic death metal band In Flames cited Layne Staley as an inspiration for his vocals on the band's later albums. In addition to fellow musicians, the band has also received praise from critics, with Steve Huey of AllMusic calling them "one of the best metal bands of the '90s" upon reviewing the 1999 compilation Nothing Safe. In 2009, the Vitamin String Quartet released the album The String Quartet Tribute to Alice in Chains, featuring instrumental versions on viola, violin and cello of 12 of the band's biggest hits. In August 2015, journalist David de Sola published the biography Alice in Chains: The Untold Story. An updated version covering the period from 2014 to 2017 was published in November 2018. Neither the band nor their management had any involvement with the book. Sources tied directly to the band were interviewed instead. In June 2017, Metal Injection ranked Alice in Chains at number 1 on their list of "10 Heaviest Grunge Bands". Ozzy Osbourne ranked Facelift among his list of "10 Favorite Metal Albums". The claymation dolls of the band members used in the music video for "I Stay Away" are on display at the Rock and Roll Hall of Fame museum in Cleveland, Ohio. Band members Current members Jerry Cantrell – lead guitar, lead vocals (1987–2002, 2005–present), rhythm guitar (1987–2002, 2005–2006) Sean Kinney – drums, backing vocals (1987–2002, 2005–present) Mike Inez – bass, backing vocals (1993–2002, 2005–present) William DuVall – lead vocals, rhythm guitar (2006–present) Former members Layne Staley – lead vocals (1987–2002), occasional rhythm guitar (1992–2002; died 2002) Mike Starr – bass, backing vocals (1987–1993; died 2011) Touring members Maynard James Keenan – lead vocals (2005) Timeline Discography Studio albums Facelift (1990) Dirt (1992) Alice in Chains (1995) Black Gives Way to Blue (2009) The Devil Put Dinosaurs Here (2013) Rainier Fog (2018) Awards and nominations References External links VH1 Classic: Alice In Chains 1987 establishments in Washington (state) 2002 disestablishments in Washington (state) 2005 establishments in Washington (state) American alternative metal musical groups Columbia Records artists EMI Records artists American grunge groups Heavy metal musical groups from Washington (state) Kerrang! Awards winners Musical groups established in 1987 Musical groups disestablished in 2002 Musical groups reestablished in 2005 Musical groups from Seattle Musical quartets Virgin Records artists Capitol Records artists	false	[ "Below is a list of awards received by Twins since they were formed in 2001 as a cantopop girl group. They average to receive about 2-3 awards in each Hong Kong music awards. Their major accomplishment is in 2007 when they received the Asia Pacific Most Popular Female Artist Award from Jade Solid Gold Top 10 Awards.\n\nBecause of the Edison Chen photo scandal in 2008, Gillian took a short leave from the group. And thus the group did not record any songs or receive any awards between March 2008 to 2009.\n\nCommercial Radio Hong Kong Ultimate Song Chart Awards\nThe Ultimate Song Chart Awards Presentation (叱咤樂壇流行榜頒獎典禮) is a cantopop award ceremony from one of the famous channel in Commercial Radio Hong Kong known as Ultimate 903 (FM 90.3). Unlike other cantopop award ceremonies, this one is judged based on the popularity of the song/artist on the actual radio show.\n\nGlobal Chinese Music Awards\n\nIFPI Hong Kong Sales Awards\nIFPI Awards is given to artists base on the sales in Hong Kong at the end of the year.\n\nJade Solid Gold Top 10 Awards\nThe Jade Solid Gold Songs Awards Ceremony(十大勁歌金曲頒獎典禮) is held annually in Hong Kong since 1984. The awards are based on Jade Solid Gold show on TVB.\n\nMetro Radio Mandarin Music Awards\n\nMetro Showbiz Hit Awards\nThe Metro Showbiz Hit Awards (新城勁爆頒獎禮) is held in Hong Kong annually by Metro Showbiz radio station. It focus mostly in cantopop music.\n\nRTHK Top 10 Gold Songs Awards\nThe RTHK Top 10 Gold Songs Awards Ceremony(十大中文金曲頒獎音樂會) is held annually in Hong Kong since 1978. The awards are determined by Radio and Television Hong Kong based on the work of all Asian artists (mostly cantopop) for the previous year.\n\nSprite Music Awards\nThe Sprite Music Awards Ceremony is an annual event given by Sprite China for work artists performed in previous years; awards received on 2008 are actually for the work and accomplishment for 2007.\n\nReferences\n\nTwins\nCantopop", "The Drama-Logue Award was an American theater award established in 1977, given by the publishers of Drama-Logue newspaper, a weekly west-coast theater trade publication. Winners were selected by the publication's theater critics, and would receive a certificate at an annual awards ceremony hosted by Drama-Logue founder Bill Bordy. The awards did not require any voting or agreement among critics; each critic could select as many award winners as they wished. As a result, many awards were issued each year. In some years, the number of winners was larger than the seating capacity of the venue where the ceremony was conducted.\n\nThe award categories included Production, Direction, Musical Direction, Choreography, Writing, Performance, Ensemble Performance, Scenic Design, Sound Design, Lighting Design, Costume Design and Hair & Makeup Design.\n\nAcquisition \nIn May 1998, Backstage West bought the Drama-Logue publication, and the two publications merged. The Drama-Logue Awards were subsequently retired and replaced by the Back Stage West Garland Awards.\n\nReferences\n\nAmerican theater awards\nAwards established in 1977\nAwards disestablished in 1998" ]
[ "Alice in Chains", "Dirt (1992-1993)", "When did they produce Dirt?", "On September 29, 1992, Alice in Chains released its second album, Dirt.", "Did it reach bill board charts>?", "The album peaked at number six on the Billboard 200", "Did did it receive any awards?", "I don't know." ]	C_68e092ce2d2f47e9ba7736c8e2acfae9_1	Did they release another after this one?	4	Aside from Dirt, Did Alice in Chains release another album?	Alice in Chains	In March 1992, the band returned to the studio. With new songs written primarily on the road, the material has an overall darker feel than Facelift, with six of the album's thirteen songs dealing with the subject of addiction. "We did a lot of soul searching on this album. There's a lot of intense feelings." Cantrell said, "We deal with our daily demons through music. All of the poison that builds up during the day we cleanse when we play". On September 29, 1992, Alice in Chains released its second album, Dirt. The album peaked at number six on the Billboard 200 and since its release has been certified quadruple platinum by the RIAA, making Dirt the band's highest selling album to date. The album was a critical success, with Steve Huey of Allmusic praising the album as a "major artistic statement, and the closest they ever came to recording a flat-out masterpiece". Chris Gill of Guitar World called Dirt "huge and foreboding, yet eerie and intimate", and "sublimely dark and brutally honest". Dirt spawned five top 30 singles, "Would?", "Rooster", "Them Bones", "Angry Chair", and "Down in a Hole", and remained on the charts for nearly two years. Alice in Chains was added as openers to Ozzy Osbourne's No More Tours tour. Days before the tour began, Layne Staley broke his foot in an ATV accident, forcing him to use crutches on stage. Starr left the band shortly after the Hollywood Rock concert in Rio de Janeiro in January 1993, stating that he wanted to spend more time with his family. Staley told Rolling Stone in 1994 about Starr leaving the band, "It was just a difference in priorities. We wanted to continue intense touring and press. Mike was ready to go home." Years later, Starr claimed that he was fired due to his drug addiction. Starr was replaced by former Ozzy Osbourne bassist Mike Inez. In 1993, the band recorded two songs with Inez, "What the Hell Have I" and "A Little Bitter", for the Last Action Hero soundtrack. During the summer of 1993, Alice in Chains toured with the alternative music festival Lollapalooza, their last major tour with Staley. CANNOTANSWER	CANNOTANSWER	Alice in Chains (often abbreviated as AIC) is an American rock band from Seattle, Washington, formed in 1987 by guitarist and vocalist Jerry Cantrell and drummer Sean Kinney, who later recruited bassist Mike Starr and lead vocalist Layne Staley. Starr was replaced by Mike Inez in 1993. William DuVall joined the band in 2006 as co-lead vocalist and rhythm guitarist, replacing Staley, who died in 2002. The band took its name from Staley's previous group, the glam metal band Alice N' Chains. Often associated with grunge music, Alice in Chains' sound incorporates heavy metal elements. The band is known for its distinctive vocal style, which often included the harmonized vocals between Staley and Cantrell (and later Cantrell and DuVall). Cantrell started to sing lead vocals on the 1992 acoustic EP Sap, and his role continued to grow in the following albums, making Alice in Chains a two-vocal band. Alice in Chains rose to international fame as part of the grunge movement of the early 1990s, along with other Seattle bands such as Nirvana, Pearl Jam, and Soundgarden. They achieved success during the era with the albums Facelift (1990), Dirt (1992), Alice in Chains (1995), as well as the EP Jar of Flies (1994). Although never officially disbanding, Alice in Chains was plagued by extended inactivity from 1996 onward, due to Staley's substance abuse, which resulted in his death in 2002. The band regrouped in 2006, with DuVall taking over as lead vocalist full-time, and they have since released three more albums: Black Gives Way to Blue (2009), The Devil Put Dinosaurs Here (2013), and Rainier Fog (2018). Alice in Chains have sold over 30 million records worldwide, and over 14 million records in the US alone. The band has had 18 Top 10 songs on Billboard's Mainstream Rock Tracks chart, 5 No. 1 hits, and received 11 Grammy Award nominations. The band was ranked number 34 on VH1's 100 Greatest Artists of Hard Rock and was ranked as the 15th greatest live band by Hit Parader. Since its formation, Alice in Chains has released six studio albums, three EPs, three live albums, four compilations, two DVDs, 43 music videos, and 32 singles. History 1984–1989: Formation and early years Before the formation of Alice in Chains, then-drummer Layne Staley landed his first gig as a vocalist when he auditioned to sing for a local glam metal band known as Sleze after receiving some encouragement from his stepbrother Ken Elmer. Other members of this group at that time were guitarists Johnny Bacolas and Zoli Semanate, drummer James Bergstrom, and bassist Byron Hansen. This band went through several lineup changes culminating with Nick Pollock as their sole guitarist and Bacolas switching to bass before discussions arose about changing their name to Alice in Chains. This was prompted by a conversation that Bacolas had with Russ Klatt, the lead singer of Slaughter Haus 5, about backstage passes. One of the passes said "Welcome to Wonderland", and they started talking about that being a reference to Alice in Wonderland, until Klatt said, "What about Alice in Chains? Put her in bondage and stuff like that." Bacolas thought the name "Alice in Chains" was cool and brought it up to his Sleze bandmates and everyone liked it, so they decided to change the name of the band. Due to concerns over the reference to female bondage, the group ultimately chose to spell it differently as Alice N' Chains to allay any parental concerns, though Staley's mother Nancy McCallum has said she was still not happy with this name at first. According to Bacolas, the decision to use the apostrophe-N combination in their name had nothing to do with the Los Angeles band Guns N' Roses. The name change happened in 1986, a year before Guns N' Roses became a household name with their first album Appetite for Destruction, released in July 1987. Staley met guitarist Jerry Cantrell at a party in Seattle around August 1987. A few months prior, Cantrell had watched a concert of Alice N' Chains in his hometown at the Tacoma Little Theatre, and was impressed by Staley's voice. Cantrell was homeless after being kicked out of his family's house, so Staley invited Cantrell to live with him at the rehearsal studio Music Bank, and the two struggling musicians became roommates. Alice N' Chains soon disbanded, and Staley joined a funk band. Cantrell's band, Diamond Lie, broke up and he wanted to form a new band, so Staley gave him the phone number of Melinda Starr, the girlfriend of drummer Sean Kinney, so that Cantrell could talk to him. Cantrell called the number and set up a meeting with Kinney. Kinney and his girlfriend went to the Music Bank and listened to Cantrell's demos, who mentioned that they needed a bass player to jam with them, and he had someone in mind: Mike Starr, with whom Cantrell had played in a band in Burien called Gypsy Rose. Kinney then mentioned that his girlfriend was actually Mike Starr's sister, and that he had been playing in bands together with Starr since they were kids. Kinney called Starr and a few days later he started jamming with him and Cantrell at the Music Bank, but they didn't have a singer. Staley's funk band also required a guitarist at the time, and Staley asked Cantrell to join as a sideman. Cantrell agreed on condition that Staley join his band. Because Cantrell, Starr and Kinney wanted Staley to be their lead singer, they started auditioning terrible lead singers in front of Staley to send a hint. The last straw for Staley was when they auditioned a male stripper – he decided to join the band after that. Eventually the funk project broke up, and in 1987 Staley joined Cantrell's band on a full-time basis. Two weeks after the band's formation, they were playing a gig at Washington State University, trying to fill out a 40-minute set with a couple of original songs along with Hanoi Rocks and David Bowie covers. The band played a couple of gigs in clubs around the Pacific Northwest, calling themselves different monikers, including Diamond Lie, the name of Cantrell's previous band, and "Fuck", before eventually adopting the name that Staley's previous band had initially flirted with, Alice in Chains. Staley contacted his former bandmates and asked for permission to use the name. Nick Pollock wasn't particularly thrilled about it at the time and thought he should come up with a different name, but ultimately both he and James Bergstrom gave Staley their blessing to use the name. Local promoter Randy Hauser became aware of the band at a concert and offered to pay for demo recordings. However, one day before the band was due to record at the Music Bank studio in Washington, police shut down the studio during the biggest cannabis raid in the history of the state. The final demo, completed in 1988, was named The Treehouse Tapes and found its way to music managers Kelly Curtis and Susan Silver, who also managed the Seattle-based band Soundgarden. Curtis and Silver passed the demo on to Columbia Records' A&R representative Nick Terzo, who set up an appointment with label president Don Ienner. Based on The Treehouse Tapes, Terzo signed Alice in Chains to Columbia in 1989. The band also recorded another untitled demo over a three-month period in 1989. This recording can be found on the bootleg release Sweet Alice. 1990–1992: Facelift and Sap Alice in Chains soon became a top priority of the label, which released the band's first official recording in July 1990, a promotional EP called We Die Young. The EP's lead single, "We Die Young", became a hit on metal radio. After its success, the label rushed Alice in Chains' debut album into production with producer Dave Jerden. Cantrell stated the album was intended to have a "moody aura" that was a "direct result of the brooding atmosphere and feel of Seattle." The resulting album, Facelift, was released on August 21, 1990, peaking at number 42 in the summer of 1991 on the Billboard 200 chart. Facelift was not an instant success, selling under 40,000 copies in the first six months of release, until MTV added "Man in the Box" to regular daytime rotation. The single hit number 18 on the Mainstream rock charts, with the album's follow up single, "Sea of Sorrow", reaching number 27, and in six weeks Facelift sold 400,000 copies in the US. The album was a critical success, with Steve Huey of AllMusic citing Facelift as "one of the most important records in establishing an audience for grunge and alternative rock among hard rock and heavy metal listeners." Sammy Hagar claimed he invited the band to tour with Van Halen after he saw the music video for "Man In The Box" on MTV. Facelift was certified gold by the Recording Industry Association of America (RIAA) for selling a half-million copies on September 11, 1991, becoming the first album from Seattle's Grunge movement to be certified gold. The band continued to hone its audience, opening for such artists as Iggy Pop, Van Halen, Poison, and Extreme. Facelift has since been certified triple-platinum by the RIAA, for shipments of three million copies in the United States. The concert at the Moore Theatre in Seattle on December 22, 1990, was recorded and released on VHS on July 30, 1991, as Live Facelift. It features five live songs and three music videos. The home video has been certified gold by the RIAA for sales exceeding 50,000 copies. In early 1991, Alice in Chains landed the opening slot for the Clash of the Titans tour with Anthrax, Megadeth, and Slayer, exposing the band to a wide metal audience but receiving mainly poor reception. Alice in Chains was nominated for a Best Hard Rock Performance Grammy Award in 1992 for "Man in the Box" but lost to Van Halen for their 1991 album For Unlawful Carnal Knowledge. Following the tour, Alice in Chains entered the studio to record demos for its next album, but ended up recording five acoustic songs instead. While in the studio, drummer Sean Kinney had a dream about "making an EP called Sap". The band decided "not to mess with fate", and on February 4, 1992, Alice in Chains released their second EP, Sap. The EP was released while Nirvana's Nevermind was at the top of the Billboard 200 charts, resulting in a rising popularity of Seattle-based bands, and of the term "grunge music". Sap was certified gold within two weeks. The EP features Cantrell on lead vocals on the opening track, "Brother", and guest vocals by Ann Wilson from the band Heart, who joined Staley and Cantrell for the choruses of "Brother" and "Am I Inside". The EP also features Mark Arm of Mudhoney and Chris Cornell of Soundgarden, who shared vocals with Staley and Cantrell on the song "Right Turn", credited to "Alice Mudgarden" in the liner notes. In 1992, Alice in Chains appeared in the Cameron Crowe film Singles, performing as a "bar band". The band also contributed the song "Would?" to the film's soundtrack, whose video received an award for Best Video from a Film at the 1993 MTV Video Music Awards. 1992–1993: Dirt In March 1992, the band returned to the studio. With new songs written primarily on the road, the material has an overall darker feel than Facelift, with six of the album's thirteen songs dealing with the subject of addiction. "We did a lot of soul searching on this album. There's a lot of intense feelings." Cantrell said, "We deal with our daily demons through music. All of the poison that builds up during the day we cleanse when we play." On September 29, 1992, Alice in Chains released its second album, Dirt. The album peaked at number six on the Billboard 200 and since its release has been certified quadruple platinum by the RIAA, making Dirt the band's highest selling album to date. The album was a critical success, with Steve Huey of Allmusic praising the album as a "major artistic statement, and the closest they ever came to recording a flat-out masterpiece." Chris Gill of Guitar World called Dirt "huge and foreboding, yet eerie and intimate", and "sublimely dark and brutally honest." Dirt spawned five singles that reached the top 30 on the Billboard Mainstream Rock chart: "Would?", "Rooster", "Them Bones", "Angry Chair", and "Down in a Hole", and remained on the charts for nearly two years. Alice in Chains was added as openers to Ozzy Osbourne's No More Tours tour. Days before the tour began, Layne Staley broke his foot in an ATV accident, forcing him to use crutches on stage. Starr left the band shortly after the Hollywood Rock concert in Rio de Janeiro on January 22, 1993, stating that he wanted to spend more time with his family. Staley told Rolling Stone in 1994 about Starr leaving the band, "It was just a difference in priorities. We wanted to continue intense touring and press. Mike was ready to go home." Years later, Starr claimed that he was fired due to his drug addiction. Starr was replaced by former Ozzy Osbourne bassist Mike Inez. Inez had met Alice in Chains during Ozzy Osbourne's No More Tours tour and became friends with them. When the band was in Brazil, they called Inez to join them and he accepted. Inez wanted to do the shows in Brazil and even got his immunization shots, but the band called him back telling that Starr wanted to do the last two shows in Brazil, so they would meet Inez in London instead. Inez ended up getting sick with his vaccination shots for a couple of days. Inez played his first concert with Alice in Chains on January 27, 1993, at the Camden Underworld in London. In April 1993, the band recorded two songs with Inez, "What the Hell Have I" and "A Little Bitter", for the Last Action Hero soundtrack. During the summer of 1993, Alice in Chains toured with the alternative music festival Lollapalooza, their last major tour with Staley. 1993–1994: Jar of Flies Following Alice in Chains' extensive 1993 world tour, Staley said the band "just wanted to go into the studio for a few days with our acoustic guitars and see what happened." "We never really planned on the music we made at that time to be released. But the record label heard it and they really liked it. For us, it was just the experience of four guys getting together in the studio and making some music." Columbia Records released Alice in Chains' second acoustic-based EP, Jar of Flies, on January 25, 1994. Written and recorded in one week, Jar of Flies debuted at number one on the Billboard 200, becoming the first EP—and first Alice in Chains release—to top the charts. Paul Evans of Rolling Stone called the EP "darkly gorgeous", and Steve Huey said, "'Jar of Flies' is a low-key stunner, achingly gorgeous and harrowingly sorrowful all at once." Jar of Flies features Alice in Chains' first number-one single on the Mainstream Rock charts, "No Excuses". The second single, "I Stay Away", reached number ten on the Mainstream rock charts, while the final single "Don't Follow", reached number 25. Jar of Flies has been certified triple platinum by the RIAA, with over 2 million copies sold in the United States during its first year. Jar of Flies received two Grammy nominations, Best Hard Rock Performance for "I Stay Away", and Best Recording Package. After the release of Jar of Flies, Staley entered rehab for heroin addiction. The band was scheduled to tour during the summer of 1994 with Metallica, Suicidal Tendencies, Danzig, and Fight, as well as a slot during Woodstock '94, but while in rehearsal for the tour, Staley began using heroin again. Staley's condition prompted the other band members to cancel all scheduled dates one day before the start of the tour, putting the band on hiatus. Alice in Chains was replaced by Candlebox on the tour. Susan Silver's management office sent out a statement saying that the decision to withdraw from the Metallica tour and Woodstock was "due to health problems within the band." The band broke up for six months. Kinney told Rolling Stone in 1996, "Nobody was being honest with each other back then. If we had kept going, there was a good chance we would have self-destructed on the road, and we definitely didn't want that to happen in public." 1995–1996: Alice in Chains While Alice in Chains was inactive during 1995, Staley joined the "grunge supergroup" Mad Season, which also featured Pearl Jam guitarist Mike McCready, bassist John Baker Saunders from The Walkabouts, and Screaming Trees drummer Barrett Martin. Mad Season released one album, Above, for which Staley provided lead vocals and the album artwork. The album spawned a number-two Mainstream Rock chart single, "River of Deceit", as well as a home video release of Live at the Moore. In April 1995, Alice in Chains entered Bad Animals Studio in Seattle with producer Toby Wright, who had previously worked with Corrosion of Conformity and Slayer. While in the studio, an inferior version of the song "Grind" was leaked to radio, and received major airplay. On October 6, 1995, the band released the studio version of the song to radio via satellite uplink to stem excessive spread of taped copies of the song. On November 7, 1995, Columbia Records released the eponymous album, Alice in Chains, which debuted at number one on the Billboard 200 and has since been certified triple platinum. Of the album's four singles, "Grind", "Again", "Over Now", and "Heaven Beside You", three feature Cantrell on lead vocals. Jon Wiederhorn of Rolling Stone called the album "liberating and enlightening, the songs achieve a startling, staggering and palpable impact." On December 12, 1995, the band released the home video The Nona Tapes, a mockumentary featuring interviews with the band members conducted by journalist Nona Weisbaum (played by Jerry Cantrell), and the music video for "Grind". The song "Got Me Wrong" unexpectedly charted three years after its release on the Sap EP. The song was re-released as a single on the soundtrack for the independent film Clerks in 1994, reaching number seven on the Mainstream Rock Tracks chart. The band opted not to tour in support of Alice in Chains, adding to the rumors of drug abuse. Alice in Chains resurfaced on April 10, 1996, to perform their first concert in two and a half years for MTV Unplugged, a program featuring all-acoustic set lists. The performance featured some of the band's highest-charting singles, including "Rooster", "Down in a Hole", "Heaven Beside You", "No Excuses" and "Would?", and introduced a new song, "Killer Is Me", with Cantrell on lead vocals. The show marked Alice in Chains' only appearance as a five-piece band, adding second guitarist Scott Olson. A live album of the performance was released in July 1996, debuting at number three on the Billboard 200, and was accompanied by a home video release, both of which received platinum certification by the RIAA. The band also made an appearance on The Late Show with David Letterman on May 10, 1996, performing the songs "Again" and "We Die Young". Alice in Chains performed four shows supporting the reunited original Kiss lineup on their 1996–97 Alive/Worldwide Tour, including the final live appearance of Layne Staley on July 3, 1996, in Kansas City, Missouri. Shortly after the show, Staley was found unresponsive after he overdosed on heroin and was taken to the hospital. Although he recovered, the band was forced to go on hiatus. 1996–2004: Hiatus, side projects and death of Layne Staley Although Alice in Chains never officially disbanded, Staley became a recluse, rarely leaving his Seattle condominium following the death of his ex-fiancée Demri Parrott due to a drug overdose on October 29, 1996. "Drugs worked for me for years," Staley told Rolling Stone in February 1996, "and now they're turning against me ... now I'm walking through hell and this sucks. I didn't want my fans to think that heroin was cool. But then I've had fans come up to me and give me the thumbs up, telling me they're high. That's exactly what I didn't want to happen.." Unable to continue with new Alice in Chains material, Cantrell released his first solo album, Boggy Depot, in 1998, also featuring Sean Kinney and Mike Inez. Cantrell and Kinney were also featured on Metallica's 1998 album Garage Inc., both were guest musicians in the track "Tuesday's Gone", a cover of Lynyrd Skynyrd. In October 1998, Staley reunited with Alice in Chains to record two new songs, "Get Born Again" and "Died". Originally intended for Cantrell's second solo album, the songs were reworked by Alice in Chains and were released in the fall of 1999 on the box set, Music Bank. The set contains 48 songs, including rarities, demos, and previously released album tracks and singles. The band also released a 15-track compilation titled Nothing Safe: Best of the Box, serving as a sampler for Music Bank, as well as the band's first compilation album; a live album, simply titled Live, released on December 5, 2000; and a second compilation, titled Greatest Hits in 2001. In November 1998, Layne Staley recorded a cover of Pink Floyd's "Another Brick in the Wall" with the supergroup Class of '99, formed by guitarist Tom Morello of Rage Against the Machine, bassist Martyn LeNoble, drummer Stephen Perkins, both from Jane's Addiction and Porno for Pyros, and keyboardist Matt Serletic. The song was featured on the soundtrack to the 1998 horror/sci-fi film, The Faculty. After they toured as part of Cantrell's solo band in 1998, Sean Kinney and Queensrÿche guitarist Chris DeGarmo formed a new band called Spys4Darwin. Mike Inez and Sponge lead vocalist Vin Dombroski joined the supergroup soon after. The band released their first and only album in 2001, a 6-track EP entitled Microfish. In June 2001, Mike Inez joined Zakk Wylde's Black Label Society for the remaining dates of Ozzfest, following the departure of bassist Steve Gibb due to medical reasons. Inez joined the band again for their West Coast and Japanese tour in 2003. By 2002, Cantrell had finished work on his second solo album, Degradation Trip. Written in 1998, the album's lyrical content focused heavily on what Cantrell regarded as the demise of Alice in Chains, which still remained evident as the album approached its June 2002 release. However, in March that year, Cantrell commented, "We're all still around, so it's possible [Alice in Chains] could all do something someday, and I fully hope someday we will." Reflecting on the band's hiatus in a 2011 interview, Kinney said that Staley wasn't the only one battling addiction. "He was the focal point, like singers are. So they'd single him out. But the truth was, it was pretty much everybody. I definitely had my hand firmly on the wheel going off the cliff. And the reason we pulled back – you know when you stop when you have two #1 records, it's not really the greatest career move – but we did that because we love each other and we didn't want to die in public. And I know for a fact in my heart that if we were to continue that I wouldn't be on the phone right now talking to you. I wouldn't have made it. I just wouldn't have." After a decade of battling drug addiction, Layne Staley was found dead in his condominium in Seattle on April 19, 2002. The autopsy and toxicology report on Staley's body revealed that he died from a mixture of heroin and cocaine, known as "speedball". The autopsy concluded that Staley died on April 5, two weeks before his body was found. Cantrell dedicated his 2002 solo album, Degradation Trip, released two months after Staley's death, to his memory. Mike Starr later claimed on Celebrity Rehab that he was the last person to see Staley alive, and admitted to feeling guilty about not calling 911 after Staley had warned him against it. "I wish I hadn't been high on benzodiazepine [that night], I wouldn't have just walked out the door," Starr said. Following Staley's death, Mike Inez joined Heart and toured and recorded with the band from 2002 through 2006. Jerry Cantrell collaborated with several artists such as Heart, Ozzy Osbourne, and Damageplan. In 2004, Cantrell formed the band Cardboard Vampyres along with The Cult guitarist Billy Duffy, Mötley Crüe and Ratt vocalist John Corabi, The Cult bassist Chris Wyse and drummer Josh Howser. On October 22, 2004, Sony BMG terminated their contract with Alice in Chains, 15 years after the band signed with the label, in 1989. 2005–2008: Reunion shows and reformation In 2005, Sean Kinney came up with the idea of doing a benefit concert for the victims of the tsunami disaster that struck South Asia in 2004. Kinney made calls to his former bandmates, as well as friends in the music community, such as former Alice in Chains manager Susan Silver. Kinney was surprised by the enthusiastic response to his idea. On February 18, 2005, Jerry Cantrell, Mike Inez, and Sean Kinney reunited to perform for the first time in nine years at K-Rock Tsunami Continued Care Relief Concert in Seattle. The band featured Damageplan vocalist Pat Lachman, as well as other special guests including Maynard James Keenan of Tool and Ann Wilson of Heart. A few months after that experience, the band called Susan Silver and Cantrell's manager Bill Siddons and said they wanted to tour as Alice in Chains again. Alice in Chains was approached by the producers of the CBS reality show Rock Star about being featured on its second season, but the band turned the offer down. In the show, aspiring singers competed to become the lead vocalist of a featured group. On March 10, 2006, the surviving members performed at VH1's Decades Rock Live concert, honoring fellow Seattle musicians Ann and Nancy Wilson of Heart. They played "Would?" with vocalist Phil Anselmo of Pantera and Down and bass player Duff McKagan of Guns N' Roses and Velvet Revolver, and at the end of the performance Cantrell dedicated the show to Layne Staley and the late Pantera and Damageplan guitarist Dimebag Darrell. They also played "Rooster" with Comes with the Fall vocalist William DuVall and Ann Wilson. The band followed the concert with a short United States club tour named "Finish What We Started", several festival dates in Europe, and a brief tour in Japan. Duff McKagan again joined the band for the reunion tour, playing rhythm guitar on selected songs. During the tour, the band played a 5-minute video tribute to Staley during the changeover from the electric to acoustic set. To coincide with the band's reunion, Sony Music released the long-delayed third Alice in Chains compilation, The Essential Alice in Chains, a double album that includes 28 songs. Jerry Cantrell met William DuVall in Los Angeles in 2000 through a mutual acquaintance who introduced Cantrell to Comes with the Fall's first album. Cantrell started hanging out with the band and occasionally joined them onstage. Between 2001 and 2002, Comes with the Fall was both the opening act on Cantrell's tour for his second solo album, Degradation Trip, and also his backing band, with DuVall singing Staley's parts at the concerts. DuVall joined Alice in Chains as lead singer during the band's reunion concerts in 2006, and made his first public performance with the band at VH1's Decades Rock Live concert. According to Cantrell, it only took one audition for DuVall to get the gig. For his first rehearsal with the band, DuVall sang "Love, Hate, Love". After they finished, Sean Kinney looked at his bandmates and said, "I think the search is pretty much over." According to Mike Inez, DuVall didn't try to emulate Staley, and that's what drew them to him. Cantrell revealed that before he suggested DuVall for the band, Sean Kinney and Mike Inez invited Sponge and Spys4Darwin lead vocalist Vin Dombroski to jam with the band in their rehearsal space. Dombroski jammed with them to a couple of songs but they did not feel he was right for the band. According to Cantrell, Stone Temple Pilots and Velvet Revolver lead singer Scott Weiland was also interested in joining the band. Cantrell explained the reunion saying, "We want to celebrate what we did and the memory of our friend. We have played with some [singers] who can actually bring it and add their own thing to it without being a Layne clone. We're not interested in stepping on [Staley's] rich legacy. It's a tough thing to go through. Do you take the Led Zeppelin approach and never play again, because the guy was that important? That's the approach we've taken for a lot of years. Or, do you give it a shot, try something? We're willing to take a chance on it. It's completely a reunion because the three of us who're left are back together. But it's not about separating and forgetting — it's about remembering and moving on." Before the tour, Kinney mentioned in an interview that he would be interested in writing new material, but not as Alice in Chains. During the VH1 Rock Honors concert honoring Heart on May 12, 2007, Alice in Chains performed Heart's "Barracuda" fronted by country singer Gretchen Wilson. Heart's guitarist Nancy Wilson also joined them onstage. Alice in Chains joined Velvet Revolver for a run of U.S. and Canadian gigs from August through October 2007. During that tour, the band also performed four special acoustic-only shows, named as "The Acoustic Hour". The acoustic performance at The Rave/Eagles Club in Milwaukee, Wisconsin on August 31, 2007, was recorded for an upcoming live album. On November 2, 2007, Alice in Chains performed a four-song set at Benaroya Hall in Seattle for Matt Messina and the Symphony Guild's 10th anniversary benefit concert for the Seattle Children's Hospital & Regional Medical Center. In addition to the band's original material, they also played a cover of Led Zeppelin's "Kashmir" while backed by over 200 musicians, including the Northwest Symphony Orchestra and the Northwest Girlchoir. Sean Kinney said about the band's reunion: "I never called Jerry; he never called me, and said, 'Hey, let's get the band back together,' you know? We had been taking every step extremely cautious and slow, and just doing whatever feels right: If it's genuine and we're doing it for genuine reasons and we're all okay with it then we take a little step. None of us is broke. Nobody needs to be a rock dork, and you know, stroke their ego. I mean, we don't really operate like that. So as long as it felt good and from the right place and it's about making music and carrying on…." About the pressure being put on DuVall for replacing Staley as lead vocalist, Cantrell said, "To put all that weight on Will's shoulders is unfair. We're just figuring out how we work as a team. Although the band has changed, we've lost Layne, we've added Will, and there was no master plan. Playing again in 2005 felt right, so we did the next thing and toured. We did it step by step. It's more than just making music, and it always has been. We've been friends a long time. We've been more of a family than most, and it had to be okay from here," Cantrell said pointing to his heart. Former The Doors manager Bill Siddons and his management company, Core Entertainment, co-managed Alice in Chains with original manager Susan Silver from 2005 to 2007. The band started writing and demoing songs for a new album with DuVall in April 2007. But the band did not show further signs of progress until October 2008, when they announced that they had begun recording with producer Nick Raskulinecz in the studio. 2008–2011: Black Gives Way to Blue and death of Mike Starr Blabbermouth.net reported on September 5, 2008, that Alice in Chains would enter the studio that October to begin recording a new album for a summer 2009 release. On September 14, 2008, Alice in Chains performed at halftime during the Seattle Seahawks vs San Francisco 49ers game at the CenturyLink Field (then-named Qwest Field) in Seattle. The 12-minute performance for a crowd of 67,000 people featured a cover of Led Zeppelin's "Kashmir" accompanied by the Northwest Symphony Orchestra. In October 2008, Alice in Chains began recording its fourth studio album at the Foo Fighters' Studio 606 in Los Angeles with producer Nick Raskulinecz. The band did not have a record label at the time and the album was funded by Jerry Cantrell and Sean Kinney. At the Revolver Golden God Awards, Cantrell said that the group had finished recording on March 18, 2009, and were mixing the album for a September release. The recording process was completed on Cantrell's 43rd birthday and also the same day that William DuVall's son was born. In April 2009, it was reported that the new Alice in Chains album would be released by Virgin/EMI, making it the band's first label change in its 20-plus year career. Susan Silver, who started managing Alice in Chains in 1988, now co-manages the band with David Benveniste and his Velvet Hammer firm. On June 11, 2009, Blabbermouth.net reported that the new album would be titled Black Gives Way to Blue and was officially set to be released on September 29, 2009. The title first appeared on Amazon.com without any prior announcement from the band. In addition, it was announced that Elton John plays piano on the title track, a tribute to Layne Staley written and sung by Cantrell. The album features new vocalist and rhythm guitarist William DuVall sharing vocal duties with lead guitarist/vocalist Jerry Cantrell, who sings lead vocals on most of the songs. DuVall sings lead vocals on the song "Last of My Kind". On June 30, 2009, the song "A Looking in View" was made available for purchase via iTunes and Amazon, and for a limited time it was available as a free download through the official Alice in Chains website in early July. Although it was not the album's first radio single, Rock stations across the U.S. started playing the song. The music video for "A Looking in View" debuted via the band's official website on July 7, 2009. The song was nominated for a Grammy Award for Best Hard Rock Performance. "Check My Brain" was released to radio stations as the first official single from the album on August 14, 2009, and was made available for purchase on August 17, 2009. The music video for "Check My Brain" premiered on September 14, 2009. The song was also nominated for a Grammy Award for Best Hard Rock Performance. To promote the album, the band released an EPK featuring all four of the members being interviewed while the Kiss makeup is being applied on them. An app for iPhone was released on October 27, 2009, featuring songs, music videos, news, photos and networking. Sean Kinney said about the new album and the fans' mixed reactions about the band moving on after Staley's death: "Look, it's a big move to fucking stand up and move on. Some people, the music connected with them so strongly, their opinions, how they feel about it ... It's amazing that they have such a connection but they seem to act like it happened to them. This happened to us and Layne's family, not them. This is actually our lives. If we're okay with it, why can't you be? This happened to us, this didn't happen to you. But this album isn't about that, it's a bigger universal point. We're all going to fucking die, we're all going to lose somebody, and it fucking hurts. How do you move on? This record is us moving on, and hurting. That, to me, is a victory. I already feel like I've won." "Sometimes people ask us, 'Wouldn't Layne have been pissed off that we did this?' And I tell them it would have been the opposite: he would have been pissed off that it took us so long to do this. We're not doing this for money; there is no money in the music business anymore. Jerry and I funded the whole album, and we spent lots of our own money, because we believe in this. And one of the reasons I'm doing this is so more light is turned on to something where the light was turned off." And Cantrell added: "We've toured around the world, we've lost some friends, we buried a dear friend, and somebody that you just can't fucking replace, and then we've chosen by circumstance to get together again. That turned into 'maybe we can fucking do this.' And that turned into this." In September 2008, it was announced that Alice in Chains would headline Australia's Soundwave Festival in 2009, alongside Nine Inch Nails and Lamb of God. In February 2009, it was also announced that Alice in Chains would play at the third annual Rock on the Range festival. On August 1, 2009, Alice in Chains performed, along with Mastodon, Avenged Sevenfold, and Glyder, at Marlay Park, Dublin as direct support to Metallica. The band made an appearance on Later... with Jools Holland on November 10, 2009, performing "Lesson Learned", "Black Gives Way to Blue", and "Check My Brain" as the final performance of the episode. To coincide with the band's European tour, Alice in Chains released its next single, "Your Decision", on November 16, 2009, in the UK and on December 1 in the US. The last single from the album was "Lesson Learned", and it was released to rock radio on June 22, 2010. Black Gives Way to Blue debuted at No. 5 on the Billboard 200. On May 18, 2010, the album was certified gold by the RIAA for selling over 500,000 copies in the U.S. The singles "Check My Brain" and "Your Decision" reached No. 1 on Billboard's Mainstream Rock Tracks, while "Lesson Learned" reached No. 4. "Check My Brain" was also the band's first #1 song on the Alternative Songs chart, and on the Hot Rock Songs chart, it also reached No. 92 on Billboard's Hot 100, becoming the band's first single to appear on the chart. Along with Mastodon and Deftones, Alice in Chains toured the United States and Canada in late 2010 on the Blackdiamondskye tour, an amalgam of the three bands' latest album titles (Black Gives Way to Blue, Diamond Eyes, and Crack the Skye). On March 8, 2011, former Alice in Chains bassist Mike Starr was found dead at his home in Salt Lake City. Police told Reuters they were called to Starr's home at 1:42 pm and found his body; Starr was 44. Reports later surfaced that Starr's roommate had seen him mixing methadone and anxiety medication hours before he was found dead. Later reports indicated Starr's death may have been linked to two different types of antidepressants prescribed to him by his doctor. A public memorial was held for Starr at the Seattle Center's International Fountain on March 20, 2011. A private memorial was also held, which Jerry Cantrell and Sean Kinney attended according to Mike Inez. 2011–2016: The Devil Put Dinosaurs Here On March 21, 2011, Alice in Chains announced that they were working on a fifth studio album, and both Cantrell and Inez later made statements that they had begun the recording process. The album was expected to be finished by summer of 2012 and released by the end of 2012 or beginning of 2013. While Alice in Chains were writing for the album in 2011, Cantrell underwent surgery on his right shoulder, which delayed recording the new material. In an interview published in May 2012, Cantrell explained, "The thing that set me back is I had some bone spurs [and] cartilage issues in my shoulders. I had the same issue in the other shoulder about six years ago so I've had them both done now. It's a repetitive motion injury from playing." Cantrell could not play guitar for eight months while he was recovering from surgery. While recuperating at home in a sling, Cantrell heard a riff in his head and sang it into his phone. The riff later became the song "Stone". Alice in Chains played their first concert in nearly 10 months and their first concert after Cantrell's shoulder surgery at the Winstar Casino in Thackerville, Oklahoma on August 13, 2011. The band's only concert in 2012 was a five-song acoustic set on May 31 at the eighth annual MusiCares MAP Fund Benefit Concert honoring Jerry Cantrell. On December 4, 2012, Cantrell confirmed that the new album had been completed. The first single, "Hollow", debuted online on December 18, available for digital download in January 2013, along with an official music video. On February 13, 2013, Alice in Chains posted on Facebook that their new album title would be an anagram of the letters H V L E N T P S U S D A H I E E O E D T I U R R. The next day they announced that the album would be called The Devil Put Dinosaurs Here, which was released on May 28, 2013, and debuted at No. 2 on the Billboard 200. To promote the album, Alice in Chains teamed up with Funny or Die for an 11-minute mockumentary titled AIC 23, in which Film Studies professor Alan Poole McLard (played by W. Earl Brown) attempts to make a documentary on Alice in Chains without any help from the actual band, interviewing other musicians instead. Among them are country singer Donnie 'Skeeter' Dollarhide Jr. (played by Jerry Cantrell), Reggae singer Nesta Cleveland (played by William DuVall), Black Metal musician Unta Gleeben Glabben Globben Globin (played by Mike Inez) and the hipster Stanley Eisen (played by Sean Kinney). The video was released on April 3, 2013, and also features cameos by Ann and Nancy Wilson from Heart, Mike McCready from Pearl Jam, Kim Thayil from Soundgarden, Duff McKagan from Guns N' Roses, Brent Hinds and Bill Kelliher from Mastodon, and Lars Ulrich and Robert Trujillo from Metallica. In June 2013, the band released a pinball game app for iOS as part of Pinball Rocks HD compilation, featuring the single "Hollow", the band's logo and the album artwork, as well as references to the band's previous albums such as Jar of Flies and the self-titled record. The band released videos for the songs "Hollow", "Stone", "Voices", the title track and "Phantom Limb". "Hollow" and "Stone" reached No. 1 on Billboard's Mainstream Rock Tracks, while "Voices" reached No. 3, and each one of the three songs stayed on the chart for 20 weeks. The Devil Put Dinosaurs Here was nominated for a Grammy Award for Best Engineered Album, Non-Classical in 2014. Alice in Chains toured extensively in the U.S., Canada, and Europe in 2013 and 2014. In May 2013, the band co-headlined the annual MMRBQ festival with Soundgarden in Camden, New Jersey. Asked in September 2013 if Alice in Chains would make another album, Cantrell replied, "It'll be a while. It's [been] four years since we put the last one out, but at least it's not the gap that was between the last one, so that's about right - about three to four years." On January 18, 2015, Alice in Chains performed in the halftime show of the NFC Championship Game between the Seattle Seahawks and the Green Bay Packers at CenturyLink Field in Seattle. Cantrell is a lifelong Seahawks fan and often attends their games. In August 2015, Bassist Mike Inez said that the band had been "throwing around riffs for a new record" and "taking it nice and slow". The band toured in the summer of 2015 and the summer of 2016, including select shows opening for Guns N' Roses as part of the Not in This Lifetime... Tour. The band finished their 2016 tour with a concert at the Grand Sierra Resort and Casino in Reno, Nevada on October 8, 2016. In November 2016, Alice in Chains released a cover of the Rush song "Tears", which was included in the 40th anniversary release of the album 2112. The home video Live Facelift was released on vinyl for the first time on November 25, 2016, as part of Record Store Day's Black Friday event. The album features six songs and only 5000 copies were issued. To celebrate the tenth anniversary of Record Store Day, on April 22, 2017, Legacy Recordings released "Get Born Again"/"What the Hell Have I", a special 45 RPM double 7" single featuring four tracks remastered and available on vinyl for the first time, "What the Hell Have I", "A Little Bitter", "Get Born Again" and "Died". 2017–present: Rainier Fog In January 2017, Mike Inez stated in an interview that the band had begun work on a new album. In June 2017, it was reported that the band would return to Studio X (formerly Bad Animals Studios) in Seattle to record a new album later that month, for a tentative early 2018 release. The sessions were helmed by Nick Raskulinecz, who produced the band's last two albums. Studio X was the studio where Alice in Chains recorded its 1995 self-titled album. According to Inez, the band was not signed to a label, having completed its previous two-record contract with the Universal Music Group. "This [upcoming album], we're not sure where it's gonna land ... I mean, we financed ['Black Gives Way To Blue'] on our own too, so we're not too worried about that stuff. We've just gotta get it out to ... a significant label [with worldwide distribution]." The band started recording their sixth studio album on June 12, 2017. On January 11, 2018, producer Nick Raskulinecz announced via Instagram that the album was nearly finished and that there was only one more day left of recording. During an interview with Guitar World published on April 11, 2018, Jerry Cantrell said that the album was recorded at four studios. After recording at Studio X in Seattle, the band went to Nashville to record vocals and lead guitars at Nick Raskulinecz's home studio. But Cantrell had to take an unexpected break from work for a couple of weeks after getting sick on a trip to Cabo for Sammy Hagar's birthday. Cantrell had the band's engineer, Paul Figueroa, come in to his house and record a lot of his vocals and solos there. The band finished recording the album at the Henson Recording Studios in Los Angeles. Cantrell also said he expects the album to be released "probably sometime this summer." At the press room of the Rock and Roll Hall of Fame Induction Ceremony on April 14, 2018, Cantrell revealed that Alice in Chains had just signed with BMG, and that they had finished mixing their new album. Alice in Chains did not perform live in 2017. The band performed their first concert since October 2016 at the House of Blues in Boston on April 28, 2018. In May 2018, Alice in Chains headlined the festivals Carolina Rebellion, Lunatic Luau, Pointfest, Northern Invasion, the WMMR BBQ festival in Philadelphia, and the Rock on the Range festival in Columbus, Ohio on May 18, 2018, in which they paid tribute to Chris Cornell on the first anniversary of his death covering two Soundgarden songs to close their set, "Hunted Down" and "Boot Camp", respectively. At the end of the show, the lights on stage spelled out "CC" for Chris Cornell and "SG" for Soundgarden as feedback rang out. The band started their European tour in June 2018, and headlined the Tons Of Rock Festival in Norway alongside Ozzy Osbourne and Helloween. Alice in Chains are also scheduled to headline KISW's Pain in the Grass festival in August 2018. The band released a new single, "The One You Know", via Spotify, Amazon and iTunes on May 3, 2018. A music video directed by Adam Mason was released on YouTube the same day. "The One You Know" peaked at No. 9 on Billboard's Mainstream Rock chart. During an interview with Eddie Trunk on Trunk Nation on May 7, 2018, Jerry Cantrell said that the new album would be released at the end of August 2018. The band also revealed that they talked to director Adam Mason, who is making a dark sci-film, about doing two separate pieces of art and maybe molding them together, and that the music video for "The One You Know" is the first chapter of molding Mason's film and the band's music videos together. The second single, "So Far Under", was released on Alice in Chains' YouTube channel and on streaming platforms on June 27, 2018. It was also announced that the album would be titled Rainier Fog, with the release date scheduled for August 24, 2018. The album's artwork and the track listing were also revealed on the same day. Jerry Cantrell told Rolling Stone that the title Rainier Fog was inspired by the Mount Rainier in Seattle, and the title track is a tribute to the Seattle music scene. "This song is a little homage to all of that: where we come from, who we are, all of the triumphs, all of the tragedies, lives lived." The album's third single, "Never Fade", was released on August 10, 2018, through digital and streaming services. The song is a tribute dedicated to frontman William DuVall's grandmother, Chris Cornell, and Alice in Chains' original singer Layne Staley. "Never Fade" peaked at No. 10 on Billboard's Mainstream Rock chart. A music video directed by Adam Mason was released on November 1, 2018, and continued the storyline from the music video of "The One You Know". In June 2018, William DuVall said in an interview with Swedish website Rocksverige that the music video for "The One You Know" is the first chapter of what the band is hoping will be visuals for all ten songs from the album Rainier Fog, and in addition to that, will be a companion piece to the film that director Adam Mason was shooting. On August 20, 2018, the baseball team Seattle Mariners hosted a special "Alice in Chains Night" at the Safeco Field in Seattle to promote Rainier Fog, with the team offering the fans a package that included a Safeco Field terrace club ticket, access to a pre-game listening party of the album, an Alice in Chains T-shirt and a Rainier Fog CD. Jerry Cantrell also threw out the ceremonial first pitch and delivered a strike before the Seattle Mariners vs. Houston Astros game. To mark the launch of the album, on August 21, 2018, Alice in Chains performed an acoustic set at the top of Seattle's Space Needle and debuted the song "Fly". Alice in Chains were the first band to perform on the Space Needle's new "Loupe" glass floor, the world's first and only revolving glass floor 500 feet high. The concert was exclusive for an audience of SiriusXM subscribers. SiriusXM broadcast the concert on their channel Lithium on August 31, 2018. On August 22, 2018, Alice in Chains sent fans on a Scavenger hunt to access a secret gig that the band would be performing in Seattle on August 24. Ten signed CD copies of Rainier Fog were hidden around the city as a ticket into the show, and the band asked the fans to keep an eye on their Instagram story for details on the 10 hidden locations. Once all 10 albums were found, the band revealed that the secret gig would be at the rock club The Crocodile, with limited tickets available with the purchase of their album at a pop-up event at the same venue the next day. Preview clips of each of the album tracks were posted on the band's Instagram. The band also commemorated the release of the album with a pop-up museum installation at The Crocodile in Seattle on August 23 and 24. The museum featured rare Alice in Chains photos, limited-edition merchandise and memorabilia that showcased the band's 30+ year career. Rainier Fog debuted at No. 12 on the Billboard 200 chart, selling 31,000 copies (29,000 in traditional album sales), in its first week of release. The album also debuted at No. 1 on Billboard's Top Rock Albums, Alternative Albums and Hard Rock Albums charts, and at No. 3 on the Vinyl Albums chart. Rainier Fog became Alice in Chains' first top 10 in the UK, peaking at No. 9, and topping UK's Rock & Metal Albums chart. The album has been nominated for a Grammy Award for Best Rock Album. On December 13, 2018, the teaser of the film Black Antenna featuring the song "Rainier Fog" was released on Alice in Chains' official YouTube channel, with drummer Sean Kinney stating; "We've always toyed with the idea of creating videos for every song on one of our albums. Not only did we do that for Rainier Fog, it got totally out of hand and we made a whole goddamn movie. Everything that will be seen in the videos will be footage from Black Antenna to preface the complete film's release." "Rainier Fog" was released as a single on February 26, 2019. The official trailer for Black Antenna was released on Alice In Chains' YouTube Channel on February 28, 2019. Besides a 90-minute film, a 10-part web-series focused on each track from the album will also be released. Episodes 1 and 2, "The One You Know" and "Rainier Fog", respectively, were released on March 7, 2019. The tenth and last episode, "All I Am", was released on July 17, 2019. The official music video for "Rainier Fog" was released on YouTube on May 15, 2019, and was co-directed by Alice in Chains and Peter Darley Miller, who also directed the band's 2013 mockumentary, AIC 23. On December 1, 2020, Alice in Chains was honored with the Founders Award from Seattle's Museum of Pop Culture. The benefit concert featured tribute performances from artists such as Ann Wilson, Korn, Metallica, Fishbone, Dallas Green, Billy Corgan, Tad Doyle, members of Soundgarden and Pearl Jam, among others. The event was made available for streaming for free and raised more than $600,000 for the museum in its first night. A compilation featuring highlights from the tribute was made available for streaming on Amazon Music. Musical style Although Alice in Chains has been labeled grunge by the mainstream media, Jerry Cantrell identifies the band as primarily heavy metal. He told Guitar World in 1996, "We're a lot of different things ... I don't quite know what the mixture is, but there's definitely metal, blues, rock and roll, maybe a touch of punk. The metal part will never leave, and I never want it to." The Edmonton Journal has stated, "Living and playing in Seattle might have got them the grunge tag, but they've always pretty much been a classic metal band to the core." Over the course of their career, the band's sound has also been described as alternative metal, sludge metal, doom metal, drone rock, hard rock, and alternative rock. Regarding the band's constant categorization by the media, Cantrell stated "When we first came out we were metal. Then we started being called alternative metal. Then grunge came out and then we were hard rock. And now, since we've started doing this again I've seen us listed as: hard rock, alternative, alternative metal and just straight metal. I walked into an HMV the other day to check out the placement and see what's on and they've got us relegated back into the metal section. Right back where we started!" Drummer Sean Kinney rejects the grunge label, stating in a 2013 interview "I mean, before we first came out there was no grunge, they hadn't invented that word. Before they invented the word grunge we were alternative rock and alternative metal and metal and rock, and we didn't give a shit whatever, we were a rock and roll band!." According to Mike Inez, they were always the metal stepchildren of the Seattle scene. The band are influenced to a great extent by English metal music; in 2018, Jerry Cantrell proclaimed Black Sabbath guitarist Tony Iommi as "one of his biggest" inspirations, whilst Layne Staley named his "first influences" as Black Sabbath and Deep Purple. Cantrell adjudged English rock singer Elton John as "the artist that made me want to be a musician." In addition, members of Alice in Chains have cited artists including AC/DC, Accept, Aerosmith, The Beatles, Black Flag, David Bowie, John Coltrane, Miles Davis, Dio, Funkadelic, Hanoi Rocks, Heart, Jimi Hendrix, Iron Maiden, King's X, Kiss, Led Zeppelin, Metallica, Motörhead, Mudhoney, Pink Floyd, Queensrÿche, the Rolling Stones, Rush, Scorpions, Soundgarden, The Stooges, Television, Thin Lizzy, U2, UFO, Van Halen, The Velvet Underground, Hank Williams, and ZZ Top as influential or inspirational. Jerry Cantrell's guitar style combines "pummeling riffs and expansive guitar textures" to create "slow, brooding minor-key grinds". He is also recognized for his natural ability to blend acoustic and electric guitars. While down-tuned, distorted guitars mixed with Staley's distinctive "snarl-to-a-scream" vocals appealed to heavy metal fans, the band also had "a sense of melody that was undeniable," which introduced Alice in Chains to a much wider audience outside of the heavy metal underground. According to Stephen Thomas Erlewine of AllMusic, Alice in Chains' sound has a "Black Sabbath-style riffing and an unconventional vocal style." The band has been described by Erlewine as "hard enough for metal fans, yet their dark subject matter and punky attack placed them among the front ranks of the Seattle-based grunge bands." Three of the band's releases feature acoustic music, and while the band initially kept these releases separate, Alice in Chains' self-titled album combined the styles to form "a bleak, nihilistic sound that balanced grinding hard rock with subtly textured acoustic numbers." Alice in Chains is also noted for the unique vocal harmonies of Staley (or DuVall) and Cantrell, which included overlapping passages, dual lead vocals, and trademark harmonies typically separated by a major third. Cantrell said it was Staley who gave him the self-assurance to sing his own songs. Alyssa Burrows said the band's distinctive sound "came from Staley's vocal style and his lyrics dealing with personal struggles and addiction." Staley's songs were often considered "dark", with themes such as drug abuse, depression, and suicide, while Cantrell's lyrics often dealt with personal relationships. Legacy Alice in Chains has sold over 14 million records in the United States, and over 30 million records worldwide, released two number-one albums, had 23 top 40 singles, and has received eleven Grammy Award nominations. The band was ranked number 34 on VH1's 100 Greatest Artists of Hard Rock. Alice in Chains was named 15th greatest live band by Hit Parader, with Staley placing as 27th-greatest heavy metal vocalist of all time. The band's second album, Dirt, was named 5th-best album in the last two decades by Close-Up magazine in 2008. In October 2008, Guitar World ranked Cantrell's solo in "Man in the Box" at No. 77 on their list of "100 Greatest Guitar Solos". In August 2009, Alice in Chains won the Kerrang! Icon Award. In November 2011, Jar of Flies was ranked number four on Guitar World magazine's top ten list of guitar albums of 1994. It was also featured in Guitar World magazine's "Superunknown: 50 Iconic Albums That Defined 1994" list, and in May 2014, the EP was placed at number five on Loudwire's "10 Best Hard Rock Albums of 1994" list. Pantera and Damageplan guitarist Dimebag Darrell had expressed his admiration for Cantrell's guitar work in an interview for Guitar International in 1995, saying that "the layering and the honest feel that Jerry Cantrell gets on [Alice in Chains' Dirt] record is worth a lot more than someone who plays five million notes." Street musician Wesley Willis wrote a song about the band entitled "Alice in Chains", featured on his 1996 album Feel The Power. Billy Corgan revealed that the song "Bleeding The Orchid" from The Smashing Pumpkins' 2007 album Zeitgeist has a bit of an homage to Alice in Chains in the harmonies and was indirectly inspired by the death of Staley. Elton John stated that he is a fan of Alice in Chains and a big admirer of Cantrell. According to Jon Wiederhorn of MTV, Godsmack has "sonically followed Alice in Chains' lead while adding their own distinctive edge." Godsmack singer and founder Sully Erna has also cited Staley as his primary influence. Godsmack was named after the Alice in Chains song "God Smack" from the album Dirt. Staind has covered Alice in Chains' song "Nutshell" live, which appears on the compilation The Singles: 1996-2006, and also wrote a song entitled "Layne", dedicated to Staley, on the album 14 Shades of Grey. Three Days Grace also performs a cover of "Rooster", which can be seen on the DVD Live at the Palace. Other bands that have been influenced by Alice in Chains include 10 Years, Avenged Sevenfold, Breaking Benjamin, Creed, Dallas Green, Days of the New, Hoobastank, Incubus, Korn, Manic Street Preachers, Mudvayne, Nickelback, A Pale Horse Named Death, Puddle of Mudd, Queens of the Stone Age, Rains, Seether, Smile Empty Soul, Stone Sour, Tantric, Taproot, and Theory of a Deadman. Metallica said they have always wanted to tour with the band, citing Alice in Chains as a major inspiration for their 2008 release, Death Magnetic. Alice in Chains has also had a significant influence on modern heavy metal. Their songs were covered by various metal bands such as In Flames, Opeth, Dream Theater, Secrets of the Moon, Suicide Silence, 36 Crazyfists, Cane Hill, Ektomorf, Dritt Skitt, Grave and Thou, who described their 2018 EP Rhea Sylvia as "a melodic grunge, Alice in Chains homage." In 2009, Anders Fridén of Swedish melodic death metal band In Flames cited Layne Staley as an inspiration for his vocals on the band's later albums. In addition to fellow musicians, the band has also received praise from critics, with Steve Huey of AllMusic calling them "one of the best metal bands of the '90s" upon reviewing the 1999 compilation Nothing Safe. In 2009, the Vitamin String Quartet released the album The String Quartet Tribute to Alice in Chains, featuring instrumental versions on viola, violin and cello of 12 of the band's biggest hits. In August 2015, journalist David de Sola published the biography Alice in Chains: The Untold Story. An updated version covering the period from 2014 to 2017 was published in November 2018. Neither the band nor their management had any involvement with the book. Sources tied directly to the band were interviewed instead. In June 2017, Metal Injection ranked Alice in Chains at number 1 on their list of "10 Heaviest Grunge Bands". Ozzy Osbourne ranked Facelift among his list of "10 Favorite Metal Albums". The claymation dolls of the band members used in the music video for "I Stay Away" are on display at the Rock and Roll Hall of Fame museum in Cleveland, Ohio. Band members Current members Jerry Cantrell – lead guitar, lead vocals (1987–2002, 2005–present), rhythm guitar (1987–2002, 2005–2006) Sean Kinney – drums, backing vocals (1987–2002, 2005–present) Mike Inez – bass, backing vocals (1993–2002, 2005–present) William DuVall – lead vocals, rhythm guitar (2006–present) Former members Layne Staley – lead vocals (1987–2002), occasional rhythm guitar (1992–2002; died 2002) Mike Starr – bass, backing vocals (1987–1993; died 2011) Touring members Maynard James Keenan – lead vocals (2005) Timeline Discography Studio albums Facelift (1990) Dirt (1992) Alice in Chains (1995) Black Gives Way to Blue (2009) The Devil Put Dinosaurs Here (2013) Rainier Fog (2018) Awards and nominations References External links VH1 Classic: Alice In Chains 1987 establishments in Washington (state) 2002 disestablishments in Washington (state) 2005 establishments in Washington (state) American alternative metal musical groups Columbia Records artists EMI Records artists American grunge groups Heavy metal musical groups from Washington (state) Kerrang! Awards winners Musical groups established in 1987 Musical groups disestablished in 2002 Musical groups reestablished in 2005 Musical groups from Seattle Musical quartets Virgin Records artists Capitol Records artists	false	[ "Ribozyme is a Norwegian hard rock band formed in 1998. It features progressive drum beats, emotionally strong guitars and an ever-changing vocal style. It has been classified as dark, but not Gothic; angry, but not violent; sad, but not tearful, not hard, but still heavy.\n\nAfter the release of their first EP in 1999, they were featured on the by:Larm festival which led to a massive increase in popularity and allowed them to release an album. In 2004, after two albums, two EPs and a single, one of the guitar players, Jan Ove Knutsen quit the band to concentrate on his family, forcing the band to consider their future. They opted for not hiring another guitarist and instead re-wrote a lot of their old material and experimented with a new sound.\n\nIn 2005 the band went on their first European tour, after more than 100 concerts in Norway.\n\nIn August 2006, only a couple of weeks before the release of Blacklist Mercy, drummer Frank Hertzberg was replaced with Cato Olaisen from the band Major Parkinson. The band toured Norway to support the release, and did also return to Germany for three concerts early in 2007. After playing festivals in Norway in the summer of 2007, the band went into the rehearsal studio to write their next record. In April 2009 Cato Olaisen left Major Parkinson to concentrate his time on Ribozyme, and later that year, on 17 August 2009, their latest release, March Of Crime was released in Norway, and received great reviews in the media. This was Ribozyme's first album with their current lineup which led to a different approach to the band's sound and musical expression. They were also made Ukas Urørt for the track One Day Worth. The band went on to release full-length albums Presenting The Problem in 2012 and Grinding Tune in May, 2015.\n\nDiscography\n\nEPs\n Ribozyme (1999)\n Twintracks (2002)\n\nSingles\n Invidia (2003)\n Trail of Moment (2004)\n Timely Reminder (2015)\n\nAlbums\n (Zilch) (2001)\n Invidia (2003)\n Blacklist Mercy (2006)\n March Of Crime (2009)\n Presenting The Problem (2012)\n Grinding Tune (2015)\n\nReferences\n\nExternal links\n Official website\n Ribozyme at Urørt (Norwegian)\n Robozyme at MySpace\n\nNorwegian hard rock musical groups\nNorwegian progressive rock groups\nMusical groups established in 1998\n1998 establishments in Norway\nMusical groups from Bergen", "Save Face is an American rock band from New Jersey. Formed in 2012, the band is currently signed to Epitaph Records.\n\nHistory \nSave Face released the Folly, a six song EP on July 8, 2016 through independent label Take This To Heart Records. Produced by Jesse Cannon, the release was also pressed to vinyl by Open Door Records and released in the UK/Europe by Backpack Records. They embarked on a two-month long self-booked North American tour on the same day in support of the six song EP, with the first week in support of A Will Away. They released music videos for every song on the EP, with the first three tracks having a thematic series of interconnecting music videos.\n\nAfter the North American tour, they did five more tours through the end of 2017 with Mom Jeans., Born Without Bones and more, including appearances at South By South West and The Fest. They released another EP, Folly: On The Rocks on November 17, 2017. The release was composed of reimagined versions of every song on Folly, incorporating string arrangements, acoustic guitars, various percussion, and modified time signatures and tempos. A both EPs were combined together for a deluxe CD, tape and vinyl that was pressed for the release.\n\nIn March 2018, the band announced spring touring plans including two shows with The Menzingers and a short run with Boston Manor and Free Throw. On April 4, 2018, they announced that they had signed to Epitaph Records with a music video for a new song \"Bad\", and on May 15, 2018 they announced that their label debut full-length album, Merci, would be released on July 13 of that year. On release day, the band posted a YouTube playlist containing a music video for every song on the album where each video was related to the others, referring to it as a Visual Album. The record release was followed by tours with Prince Daddy & The Hyena and The Early November.\n\nDiscography\n\nStudio albums \n\n Merci (2018, Epitaph Records)\n Another Kill For The Highlight Reel (2021, Epitaph Records)\n\nEPs \n\n Folly (2016, Take This To Heart Records, Open Door Records)\n Folly: On the Rocks (2017, Take This To Heart Records)\n\nReferences \n\nPunk rock groups from New Jersey\nMusical groups from New Jersey\nEpitaph Records artists\nMusical groups established in 2012\n2012 establishments in New Jersey" ]
[ "Alice in Chains", "Dirt (1992-1993)", "When did they produce Dirt?", "On September 29, 1992, Alice in Chains released its second album, Dirt.", "Did it reach bill board charts>?", "The album peaked at number six on the Billboard 200", "Did did it receive any awards?", "I don't know.", "Did they release another after this one?", "I don't know." ]	C_68e092ce2d2f47e9ba7736c8e2acfae9_1	What happened in 1993?	5	What happened to Alice in Chains in 1993?	Alice in Chains	In March 1992, the band returned to the studio. With new songs written primarily on the road, the material has an overall darker feel than Facelift, with six of the album's thirteen songs dealing with the subject of addiction. "We did a lot of soul searching on this album. There's a lot of intense feelings." Cantrell said, "We deal with our daily demons through music. All of the poison that builds up during the day we cleanse when we play". On September 29, 1992, Alice in Chains released its second album, Dirt. The album peaked at number six on the Billboard 200 and since its release has been certified quadruple platinum by the RIAA, making Dirt the band's highest selling album to date. The album was a critical success, with Steve Huey of Allmusic praising the album as a "major artistic statement, and the closest they ever came to recording a flat-out masterpiece". Chris Gill of Guitar World called Dirt "huge and foreboding, yet eerie and intimate", and "sublimely dark and brutally honest". Dirt spawned five top 30 singles, "Would?", "Rooster", "Them Bones", "Angry Chair", and "Down in a Hole", and remained on the charts for nearly two years. Alice in Chains was added as openers to Ozzy Osbourne's No More Tours tour. Days before the tour began, Layne Staley broke his foot in an ATV accident, forcing him to use crutches on stage. Starr left the band shortly after the Hollywood Rock concert in Rio de Janeiro in January 1993, stating that he wanted to spend more time with his family. Staley told Rolling Stone in 1994 about Starr leaving the band, "It was just a difference in priorities. We wanted to continue intense touring and press. Mike was ready to go home." Years later, Starr claimed that he was fired due to his drug addiction. Starr was replaced by former Ozzy Osbourne bassist Mike Inez. In 1993, the band recorded two songs with Inez, "What the Hell Have I" and "A Little Bitter", for the Last Action Hero soundtrack. During the summer of 1993, Alice in Chains toured with the alternative music festival Lollapalooza, their last major tour with Staley. CANNOTANSWER	In 1993, the band recorded two songs with Inez,	Alice in Chains (often abbreviated as AIC) is an American rock band from Seattle, Washington, formed in 1987 by guitarist and vocalist Jerry Cantrell and drummer Sean Kinney, who later recruited bassist Mike Starr and lead vocalist Layne Staley. Starr was replaced by Mike Inez in 1993. William DuVall joined the band in 2006 as co-lead vocalist and rhythm guitarist, replacing Staley, who died in 2002. The band took its name from Staley's previous group, the glam metal band Alice N' Chains. Often associated with grunge music, Alice in Chains' sound incorporates heavy metal elements. The band is known for its distinctive vocal style, which often included the harmonized vocals between Staley and Cantrell (and later Cantrell and DuVall). Cantrell started to sing lead vocals on the 1992 acoustic EP Sap, and his role continued to grow in the following albums, making Alice in Chains a two-vocal band. Alice in Chains rose to international fame as part of the grunge movement of the early 1990s, along with other Seattle bands such as Nirvana, Pearl Jam, and Soundgarden. They achieved success during the era with the albums Facelift (1990), Dirt (1992), Alice in Chains (1995), as well as the EP Jar of Flies (1994). Although never officially disbanding, Alice in Chains was plagued by extended inactivity from 1996 onward, due to Staley's substance abuse, which resulted in his death in 2002. The band regrouped in 2006, with DuVall taking over as lead vocalist full-time, and they have since released three more albums: Black Gives Way to Blue (2009), The Devil Put Dinosaurs Here (2013), and Rainier Fog (2018). Alice in Chains have sold over 30 million records worldwide, and over 14 million records in the US alone. The band has had 18 Top 10 songs on Billboard's Mainstream Rock Tracks chart, 5 No. 1 hits, and received 11 Grammy Award nominations. The band was ranked number 34 on VH1's 100 Greatest Artists of Hard Rock and was ranked as the 15th greatest live band by Hit Parader. Since its formation, Alice in Chains has released six studio albums, three EPs, three live albums, four compilations, two DVDs, 43 music videos, and 32 singles. History 1984–1989: Formation and early years Before the formation of Alice in Chains, then-drummer Layne Staley landed his first gig as a vocalist when he auditioned to sing for a local glam metal band known as Sleze after receiving some encouragement from his stepbrother Ken Elmer. Other members of this group at that time were guitarists Johnny Bacolas and Zoli Semanate, drummer James Bergstrom, and bassist Byron Hansen. This band went through several lineup changes culminating with Nick Pollock as their sole guitarist and Bacolas switching to bass before discussions arose about changing their name to Alice in Chains. This was prompted by a conversation that Bacolas had with Russ Klatt, the lead singer of Slaughter Haus 5, about backstage passes. One of the passes said "Welcome to Wonderland", and they started talking about that being a reference to Alice in Wonderland, until Klatt said, "What about Alice in Chains? Put her in bondage and stuff like that." Bacolas thought the name "Alice in Chains" was cool and brought it up to his Sleze bandmates and everyone liked it, so they decided to change the name of the band. Due to concerns over the reference to female bondage, the group ultimately chose to spell it differently as Alice N' Chains to allay any parental concerns, though Staley's mother Nancy McCallum has said she was still not happy with this name at first. According to Bacolas, the decision to use the apostrophe-N combination in their name had nothing to do with the Los Angeles band Guns N' Roses. The name change happened in 1986, a year before Guns N' Roses became a household name with their first album Appetite for Destruction, released in July 1987. Staley met guitarist Jerry Cantrell at a party in Seattle around August 1987. A few months prior, Cantrell had watched a concert of Alice N' Chains in his hometown at the Tacoma Little Theatre, and was impressed by Staley's voice. Cantrell was homeless after being kicked out of his family's house, so Staley invited Cantrell to live with him at the rehearsal studio Music Bank, and the two struggling musicians became roommates. Alice N' Chains soon disbanded, and Staley joined a funk band. Cantrell's band, Diamond Lie, broke up and he wanted to form a new band, so Staley gave him the phone number of Melinda Starr, the girlfriend of drummer Sean Kinney, so that Cantrell could talk to him. Cantrell called the number and set up a meeting with Kinney. Kinney and his girlfriend went to the Music Bank and listened to Cantrell's demos, who mentioned that they needed a bass player to jam with them, and he had someone in mind: Mike Starr, with whom Cantrell had played in a band in Burien called Gypsy Rose. Kinney then mentioned that his girlfriend was actually Mike Starr's sister, and that he had been playing in bands together with Starr since they were kids. Kinney called Starr and a few days later he started jamming with him and Cantrell at the Music Bank, but they didn't have a singer. Staley's funk band also required a guitarist at the time, and Staley asked Cantrell to join as a sideman. Cantrell agreed on condition that Staley join his band. Because Cantrell, Starr and Kinney wanted Staley to be their lead singer, they started auditioning terrible lead singers in front of Staley to send a hint. The last straw for Staley was when they auditioned a male stripper – he decided to join the band after that. Eventually the funk project broke up, and in 1987 Staley joined Cantrell's band on a full-time basis. Two weeks after the band's formation, they were playing a gig at Washington State University, trying to fill out a 40-minute set with a couple of original songs along with Hanoi Rocks and David Bowie covers. The band played a couple of gigs in clubs around the Pacific Northwest, calling themselves different monikers, including Diamond Lie, the name of Cantrell's previous band, and "Fuck", before eventually adopting the name that Staley's previous band had initially flirted with, Alice in Chains. Staley contacted his former bandmates and asked for permission to use the name. Nick Pollock wasn't particularly thrilled about it at the time and thought he should come up with a different name, but ultimately both he and James Bergstrom gave Staley their blessing to use the name. Local promoter Randy Hauser became aware of the band at a concert and offered to pay for demo recordings. However, one day before the band was due to record at the Music Bank studio in Washington, police shut down the studio during the biggest cannabis raid in the history of the state. The final demo, completed in 1988, was named The Treehouse Tapes and found its way to music managers Kelly Curtis and Susan Silver, who also managed the Seattle-based band Soundgarden. Curtis and Silver passed the demo on to Columbia Records' A&R representative Nick Terzo, who set up an appointment with label president Don Ienner. Based on The Treehouse Tapes, Terzo signed Alice in Chains to Columbia in 1989. The band also recorded another untitled demo over a three-month period in 1989. This recording can be found on the bootleg release Sweet Alice. 1990–1992: Facelift and Sap Alice in Chains soon became a top priority of the label, which released the band's first official recording in July 1990, a promotional EP called We Die Young. The EP's lead single, "We Die Young", became a hit on metal radio. After its success, the label rushed Alice in Chains' debut album into production with producer Dave Jerden. Cantrell stated the album was intended to have a "moody aura" that was a "direct result of the brooding atmosphere and feel of Seattle." The resulting album, Facelift, was released on August 21, 1990, peaking at number 42 in the summer of 1991 on the Billboard 200 chart. Facelift was not an instant success, selling under 40,000 copies in the first six months of release, until MTV added "Man in the Box" to regular daytime rotation. The single hit number 18 on the Mainstream rock charts, with the album's follow up single, "Sea of Sorrow", reaching number 27, and in six weeks Facelift sold 400,000 copies in the US. The album was a critical success, with Steve Huey of AllMusic citing Facelift as "one of the most important records in establishing an audience for grunge and alternative rock among hard rock and heavy metal listeners." Sammy Hagar claimed he invited the band to tour with Van Halen after he saw the music video for "Man In The Box" on MTV. Facelift was certified gold by the Recording Industry Association of America (RIAA) for selling a half-million copies on September 11, 1991, becoming the first album from Seattle's Grunge movement to be certified gold. The band continued to hone its audience, opening for such artists as Iggy Pop, Van Halen, Poison, and Extreme. Facelift has since been certified triple-platinum by the RIAA, for shipments of three million copies in the United States. The concert at the Moore Theatre in Seattle on December 22, 1990, was recorded and released on VHS on July 30, 1991, as Live Facelift. It features five live songs and three music videos. The home video has been certified gold by the RIAA for sales exceeding 50,000 copies. In early 1991, Alice in Chains landed the opening slot for the Clash of the Titans tour with Anthrax, Megadeth, and Slayer, exposing the band to a wide metal audience but receiving mainly poor reception. Alice in Chains was nominated for a Best Hard Rock Performance Grammy Award in 1992 for "Man in the Box" but lost to Van Halen for their 1991 album For Unlawful Carnal Knowledge. Following the tour, Alice in Chains entered the studio to record demos for its next album, but ended up recording five acoustic songs instead. While in the studio, drummer Sean Kinney had a dream about "making an EP called Sap". The band decided "not to mess with fate", and on February 4, 1992, Alice in Chains released their second EP, Sap. The EP was released while Nirvana's Nevermind was at the top of the Billboard 200 charts, resulting in a rising popularity of Seattle-based bands, and of the term "grunge music". Sap was certified gold within two weeks. The EP features Cantrell on lead vocals on the opening track, "Brother", and guest vocals by Ann Wilson from the band Heart, who joined Staley and Cantrell for the choruses of "Brother" and "Am I Inside". The EP also features Mark Arm of Mudhoney and Chris Cornell of Soundgarden, who shared vocals with Staley and Cantrell on the song "Right Turn", credited to "Alice Mudgarden" in the liner notes. In 1992, Alice in Chains appeared in the Cameron Crowe film Singles, performing as a "bar band". The band also contributed the song "Would?" to the film's soundtrack, whose video received an award for Best Video from a Film at the 1993 MTV Video Music Awards. 1992–1993: Dirt In March 1992, the band returned to the studio. With new songs written primarily on the road, the material has an overall darker feel than Facelift, with six of the album's thirteen songs dealing with the subject of addiction. "We did a lot of soul searching on this album. There's a lot of intense feelings." Cantrell said, "We deal with our daily demons through music. All of the poison that builds up during the day we cleanse when we play." On September 29, 1992, Alice in Chains released its second album, Dirt. The album peaked at number six on the Billboard 200 and since its release has been certified quadruple platinum by the RIAA, making Dirt the band's highest selling album to date. The album was a critical success, with Steve Huey of Allmusic praising the album as a "major artistic statement, and the closest they ever came to recording a flat-out masterpiece." Chris Gill of Guitar World called Dirt "huge and foreboding, yet eerie and intimate", and "sublimely dark and brutally honest." Dirt spawned five singles that reached the top 30 on the Billboard Mainstream Rock chart: "Would?", "Rooster", "Them Bones", "Angry Chair", and "Down in a Hole", and remained on the charts for nearly two years. Alice in Chains was added as openers to Ozzy Osbourne's No More Tours tour. Days before the tour began, Layne Staley broke his foot in an ATV accident, forcing him to use crutches on stage. Starr left the band shortly after the Hollywood Rock concert in Rio de Janeiro on January 22, 1993, stating that he wanted to spend more time with his family. Staley told Rolling Stone in 1994 about Starr leaving the band, "It was just a difference in priorities. We wanted to continue intense touring and press. Mike was ready to go home." Years later, Starr claimed that he was fired due to his drug addiction. Starr was replaced by former Ozzy Osbourne bassist Mike Inez. Inez had met Alice in Chains during Ozzy Osbourne's No More Tours tour and became friends with them. When the band was in Brazil, they called Inez to join them and he accepted. Inez wanted to do the shows in Brazil and even got his immunization shots, but the band called him back telling that Starr wanted to do the last two shows in Brazil, so they would meet Inez in London instead. Inez ended up getting sick with his vaccination shots for a couple of days. Inez played his first concert with Alice in Chains on January 27, 1993, at the Camden Underworld in London. In April 1993, the band recorded two songs with Inez, "What the Hell Have I" and "A Little Bitter", for the Last Action Hero soundtrack. During the summer of 1993, Alice in Chains toured with the alternative music festival Lollapalooza, their last major tour with Staley. 1993–1994: Jar of Flies Following Alice in Chains' extensive 1993 world tour, Staley said the band "just wanted to go into the studio for a few days with our acoustic guitars and see what happened." "We never really planned on the music we made at that time to be released. But the record label heard it and they really liked it. For us, it was just the experience of four guys getting together in the studio and making some music." Columbia Records released Alice in Chains' second acoustic-based EP, Jar of Flies, on January 25, 1994. Written and recorded in one week, Jar of Flies debuted at number one on the Billboard 200, becoming the first EP—and first Alice in Chains release—to top the charts. Paul Evans of Rolling Stone called the EP "darkly gorgeous", and Steve Huey said, "'Jar of Flies' is a low-key stunner, achingly gorgeous and harrowingly sorrowful all at once." Jar of Flies features Alice in Chains' first number-one single on the Mainstream Rock charts, "No Excuses". The second single, "I Stay Away", reached number ten on the Mainstream rock charts, while the final single "Don't Follow", reached number 25. Jar of Flies has been certified triple platinum by the RIAA, with over 2 million copies sold in the United States during its first year. Jar of Flies received two Grammy nominations, Best Hard Rock Performance for "I Stay Away", and Best Recording Package. After the release of Jar of Flies, Staley entered rehab for heroin addiction. The band was scheduled to tour during the summer of 1994 with Metallica, Suicidal Tendencies, Danzig, and Fight, as well as a slot during Woodstock '94, but while in rehearsal for the tour, Staley began using heroin again. Staley's condition prompted the other band members to cancel all scheduled dates one day before the start of the tour, putting the band on hiatus. Alice in Chains was replaced by Candlebox on the tour. Susan Silver's management office sent out a statement saying that the decision to withdraw from the Metallica tour and Woodstock was "due to health problems within the band." The band broke up for six months. Kinney told Rolling Stone in 1996, "Nobody was being honest with each other back then. If we had kept going, there was a good chance we would have self-destructed on the road, and we definitely didn't want that to happen in public." 1995–1996: Alice in Chains While Alice in Chains was inactive during 1995, Staley joined the "grunge supergroup" Mad Season, which also featured Pearl Jam guitarist Mike McCready, bassist John Baker Saunders from The Walkabouts, and Screaming Trees drummer Barrett Martin. Mad Season released one album, Above, for which Staley provided lead vocals and the album artwork. The album spawned a number-two Mainstream Rock chart single, "River of Deceit", as well as a home video release of Live at the Moore. In April 1995, Alice in Chains entered Bad Animals Studio in Seattle with producer Toby Wright, who had previously worked with Corrosion of Conformity and Slayer. While in the studio, an inferior version of the song "Grind" was leaked to radio, and received major airplay. On October 6, 1995, the band released the studio version of the song to radio via satellite uplink to stem excessive spread of taped copies of the song. On November 7, 1995, Columbia Records released the eponymous album, Alice in Chains, which debuted at number one on the Billboard 200 and has since been certified triple platinum. Of the album's four singles, "Grind", "Again", "Over Now", and "Heaven Beside You", three feature Cantrell on lead vocals. Jon Wiederhorn of Rolling Stone called the album "liberating and enlightening, the songs achieve a startling, staggering and palpable impact." On December 12, 1995, the band released the home video The Nona Tapes, a mockumentary featuring interviews with the band members conducted by journalist Nona Weisbaum (played by Jerry Cantrell), and the music video for "Grind". The song "Got Me Wrong" unexpectedly charted three years after its release on the Sap EP. The song was re-released as a single on the soundtrack for the independent film Clerks in 1994, reaching number seven on the Mainstream Rock Tracks chart. The band opted not to tour in support of Alice in Chains, adding to the rumors of drug abuse. Alice in Chains resurfaced on April 10, 1996, to perform their first concert in two and a half years for MTV Unplugged, a program featuring all-acoustic set lists. The performance featured some of the band's highest-charting singles, including "Rooster", "Down in a Hole", "Heaven Beside You", "No Excuses" and "Would?", and introduced a new song, "Killer Is Me", with Cantrell on lead vocals. The show marked Alice in Chains' only appearance as a five-piece band, adding second guitarist Scott Olson. A live album of the performance was released in July 1996, debuting at number three on the Billboard 200, and was accompanied by a home video release, both of which received platinum certification by the RIAA. The band also made an appearance on The Late Show with David Letterman on May 10, 1996, performing the songs "Again" and "We Die Young". Alice in Chains performed four shows supporting the reunited original Kiss lineup on their 1996–97 Alive/Worldwide Tour, including the final live appearance of Layne Staley on July 3, 1996, in Kansas City, Missouri. Shortly after the show, Staley was found unresponsive after he overdosed on heroin and was taken to the hospital. Although he recovered, the band was forced to go on hiatus. 1996–2004: Hiatus, side projects and death of Layne Staley Although Alice in Chains never officially disbanded, Staley became a recluse, rarely leaving his Seattle condominium following the death of his ex-fiancée Demri Parrott due to a drug overdose on October 29, 1996. "Drugs worked for me for years," Staley told Rolling Stone in February 1996, "and now they're turning against me ... now I'm walking through hell and this sucks. I didn't want my fans to think that heroin was cool. But then I've had fans come up to me and give me the thumbs up, telling me they're high. That's exactly what I didn't want to happen.." Unable to continue with new Alice in Chains material, Cantrell released his first solo album, Boggy Depot, in 1998, also featuring Sean Kinney and Mike Inez. Cantrell and Kinney were also featured on Metallica's 1998 album Garage Inc., both were guest musicians in the track "Tuesday's Gone", a cover of Lynyrd Skynyrd. In October 1998, Staley reunited with Alice in Chains to record two new songs, "Get Born Again" and "Died". Originally intended for Cantrell's second solo album, the songs were reworked by Alice in Chains and were released in the fall of 1999 on the box set, Music Bank. The set contains 48 songs, including rarities, demos, and previously released album tracks and singles. The band also released a 15-track compilation titled Nothing Safe: Best of the Box, serving as a sampler for Music Bank, as well as the band's first compilation album; a live album, simply titled Live, released on December 5, 2000; and a second compilation, titled Greatest Hits in 2001. In November 1998, Layne Staley recorded a cover of Pink Floyd's "Another Brick in the Wall" with the supergroup Class of '99, formed by guitarist Tom Morello of Rage Against the Machine, bassist Martyn LeNoble, drummer Stephen Perkins, both from Jane's Addiction and Porno for Pyros, and keyboardist Matt Serletic. The song was featured on the soundtrack to the 1998 horror/sci-fi film, The Faculty. After they toured as part of Cantrell's solo band in 1998, Sean Kinney and Queensrÿche guitarist Chris DeGarmo formed a new band called Spys4Darwin. Mike Inez and Sponge lead vocalist Vin Dombroski joined the supergroup soon after. The band released their first and only album in 2001, a 6-track EP entitled Microfish. In June 2001, Mike Inez joined Zakk Wylde's Black Label Society for the remaining dates of Ozzfest, following the departure of bassist Steve Gibb due to medical reasons. Inez joined the band again for their West Coast and Japanese tour in 2003. By 2002, Cantrell had finished work on his second solo album, Degradation Trip. Written in 1998, the album's lyrical content focused heavily on what Cantrell regarded as the demise of Alice in Chains, which still remained evident as the album approached its June 2002 release. However, in March that year, Cantrell commented, "We're all still around, so it's possible [Alice in Chains] could all do something someday, and I fully hope someday we will." Reflecting on the band's hiatus in a 2011 interview, Kinney said that Staley wasn't the only one battling addiction. "He was the focal point, like singers are. So they'd single him out. But the truth was, it was pretty much everybody. I definitely had my hand firmly on the wheel going off the cliff. And the reason we pulled back – you know when you stop when you have two #1 records, it's not really the greatest career move – but we did that because we love each other and we didn't want to die in public. And I know for a fact in my heart that if we were to continue that I wouldn't be on the phone right now talking to you. I wouldn't have made it. I just wouldn't have." After a decade of battling drug addiction, Layne Staley was found dead in his condominium in Seattle on April 19, 2002. The autopsy and toxicology report on Staley's body revealed that he died from a mixture of heroin and cocaine, known as "speedball". The autopsy concluded that Staley died on April 5, two weeks before his body was found. Cantrell dedicated his 2002 solo album, Degradation Trip, released two months after Staley's death, to his memory. Mike Starr later claimed on Celebrity Rehab that he was the last person to see Staley alive, and admitted to feeling guilty about not calling 911 after Staley had warned him against it. "I wish I hadn't been high on benzodiazepine [that night], I wouldn't have just walked out the door," Starr said. Following Staley's death, Mike Inez joined Heart and toured and recorded with the band from 2002 through 2006. Jerry Cantrell collaborated with several artists such as Heart, Ozzy Osbourne, and Damageplan. In 2004, Cantrell formed the band Cardboard Vampyres along with The Cult guitarist Billy Duffy, Mötley Crüe and Ratt vocalist John Corabi, The Cult bassist Chris Wyse and drummer Josh Howser. On October 22, 2004, Sony BMG terminated their contract with Alice in Chains, 15 years after the band signed with the label, in 1989. 2005–2008: Reunion shows and reformation In 2005, Sean Kinney came up with the idea of doing a benefit concert for the victims of the tsunami disaster that struck South Asia in 2004. Kinney made calls to his former bandmates, as well as friends in the music community, such as former Alice in Chains manager Susan Silver. Kinney was surprised by the enthusiastic response to his idea. On February 18, 2005, Jerry Cantrell, Mike Inez, and Sean Kinney reunited to perform for the first time in nine years at K-Rock Tsunami Continued Care Relief Concert in Seattle. The band featured Damageplan vocalist Pat Lachman, as well as other special guests including Maynard James Keenan of Tool and Ann Wilson of Heart. A few months after that experience, the band called Susan Silver and Cantrell's manager Bill Siddons and said they wanted to tour as Alice in Chains again. Alice in Chains was approached by the producers of the CBS reality show Rock Star about being featured on its second season, but the band turned the offer down. In the show, aspiring singers competed to become the lead vocalist of a featured group. On March 10, 2006, the surviving members performed at VH1's Decades Rock Live concert, honoring fellow Seattle musicians Ann and Nancy Wilson of Heart. They played "Would?" with vocalist Phil Anselmo of Pantera and Down and bass player Duff McKagan of Guns N' Roses and Velvet Revolver, and at the end of the performance Cantrell dedicated the show to Layne Staley and the late Pantera and Damageplan guitarist Dimebag Darrell. They also played "Rooster" with Comes with the Fall vocalist William DuVall and Ann Wilson. The band followed the concert with a short United States club tour named "Finish What We Started", several festival dates in Europe, and a brief tour in Japan. Duff McKagan again joined the band for the reunion tour, playing rhythm guitar on selected songs. During the tour, the band played a 5-minute video tribute to Staley during the changeover from the electric to acoustic set. To coincide with the band's reunion, Sony Music released the long-delayed third Alice in Chains compilation, The Essential Alice in Chains, a double album that includes 28 songs. Jerry Cantrell met William DuVall in Los Angeles in 2000 through a mutual acquaintance who introduced Cantrell to Comes with the Fall's first album. Cantrell started hanging out with the band and occasionally joined them onstage. Between 2001 and 2002, Comes with the Fall was both the opening act on Cantrell's tour for his second solo album, Degradation Trip, and also his backing band, with DuVall singing Staley's parts at the concerts. DuVall joined Alice in Chains as lead singer during the band's reunion concerts in 2006, and made his first public performance with the band at VH1's Decades Rock Live concert. According to Cantrell, it only took one audition for DuVall to get the gig. For his first rehearsal with the band, DuVall sang "Love, Hate, Love". After they finished, Sean Kinney looked at his bandmates and said, "I think the search is pretty much over." According to Mike Inez, DuVall didn't try to emulate Staley, and that's what drew them to him. Cantrell revealed that before he suggested DuVall for the band, Sean Kinney and Mike Inez invited Sponge and Spys4Darwin lead vocalist Vin Dombroski to jam with the band in their rehearsal space. Dombroski jammed with them to a couple of songs but they did not feel he was right for the band. According to Cantrell, Stone Temple Pilots and Velvet Revolver lead singer Scott Weiland was also interested in joining the band. Cantrell explained the reunion saying, "We want to celebrate what we did and the memory of our friend. We have played with some [singers] who can actually bring it and add their own thing to it without being a Layne clone. We're not interested in stepping on [Staley's] rich legacy. It's a tough thing to go through. Do you take the Led Zeppelin approach and never play again, because the guy was that important? That's the approach we've taken for a lot of years. Or, do you give it a shot, try something? We're willing to take a chance on it. It's completely a reunion because the three of us who're left are back together. But it's not about separating and forgetting — it's about remembering and moving on." Before the tour, Kinney mentioned in an interview that he would be interested in writing new material, but not as Alice in Chains. During the VH1 Rock Honors concert honoring Heart on May 12, 2007, Alice in Chains performed Heart's "Barracuda" fronted by country singer Gretchen Wilson. Heart's guitarist Nancy Wilson also joined them onstage. Alice in Chains joined Velvet Revolver for a run of U.S. and Canadian gigs from August through October 2007. During that tour, the band also performed four special acoustic-only shows, named as "The Acoustic Hour". The acoustic performance at The Rave/Eagles Club in Milwaukee, Wisconsin on August 31, 2007, was recorded for an upcoming live album. On November 2, 2007, Alice in Chains performed a four-song set at Benaroya Hall in Seattle for Matt Messina and the Symphony Guild's 10th anniversary benefit concert for the Seattle Children's Hospital & Regional Medical Center. In addition to the band's original material, they also played a cover of Led Zeppelin's "Kashmir" while backed by over 200 musicians, including the Northwest Symphony Orchestra and the Northwest Girlchoir. Sean Kinney said about the band's reunion: "I never called Jerry; he never called me, and said, 'Hey, let's get the band back together,' you know? We had been taking every step extremely cautious and slow, and just doing whatever feels right: If it's genuine and we're doing it for genuine reasons and we're all okay with it then we take a little step. None of us is broke. Nobody needs to be a rock dork, and you know, stroke their ego. I mean, we don't really operate like that. So as long as it felt good and from the right place and it's about making music and carrying on…." About the pressure being put on DuVall for replacing Staley as lead vocalist, Cantrell said, "To put all that weight on Will's shoulders is unfair. We're just figuring out how we work as a team. Although the band has changed, we've lost Layne, we've added Will, and there was no master plan. Playing again in 2005 felt right, so we did the next thing and toured. We did it step by step. It's more than just making music, and it always has been. We've been friends a long time. We've been more of a family than most, and it had to be okay from here," Cantrell said pointing to his heart. Former The Doors manager Bill Siddons and his management company, Core Entertainment, co-managed Alice in Chains with original manager Susan Silver from 2005 to 2007. The band started writing and demoing songs for a new album with DuVall in April 2007. But the band did not show further signs of progress until October 2008, when they announced that they had begun recording with producer Nick Raskulinecz in the studio. 2008–2011: Black Gives Way to Blue and death of Mike Starr Blabbermouth.net reported on September 5, 2008, that Alice in Chains would enter the studio that October to begin recording a new album for a summer 2009 release. On September 14, 2008, Alice in Chains performed at halftime during the Seattle Seahawks vs San Francisco 49ers game at the CenturyLink Field (then-named Qwest Field) in Seattle. The 12-minute performance for a crowd of 67,000 people featured a cover of Led Zeppelin's "Kashmir" accompanied by the Northwest Symphony Orchestra. In October 2008, Alice in Chains began recording its fourth studio album at the Foo Fighters' Studio 606 in Los Angeles with producer Nick Raskulinecz. The band did not have a record label at the time and the album was funded by Jerry Cantrell and Sean Kinney. At the Revolver Golden God Awards, Cantrell said that the group had finished recording on March 18, 2009, and were mixing the album for a September release. The recording process was completed on Cantrell's 43rd birthday and also the same day that William DuVall's son was born. In April 2009, it was reported that the new Alice in Chains album would be released by Virgin/EMI, making it the band's first label change in its 20-plus year career. Susan Silver, who started managing Alice in Chains in 1988, now co-manages the band with David Benveniste and his Velvet Hammer firm. On June 11, 2009, Blabbermouth.net reported that the new album would be titled Black Gives Way to Blue and was officially set to be released on September 29, 2009. The title first appeared on Amazon.com without any prior announcement from the band. In addition, it was announced that Elton John plays piano on the title track, a tribute to Layne Staley written and sung by Cantrell. The album features new vocalist and rhythm guitarist William DuVall sharing vocal duties with lead guitarist/vocalist Jerry Cantrell, who sings lead vocals on most of the songs. DuVall sings lead vocals on the song "Last of My Kind". On June 30, 2009, the song "A Looking in View" was made available for purchase via iTunes and Amazon, and for a limited time it was available as a free download through the official Alice in Chains website in early July. Although it was not the album's first radio single, Rock stations across the U.S. started playing the song. The music video for "A Looking in View" debuted via the band's official website on July 7, 2009. The song was nominated for a Grammy Award for Best Hard Rock Performance. "Check My Brain" was released to radio stations as the first official single from the album on August 14, 2009, and was made available for purchase on August 17, 2009. The music video for "Check My Brain" premiered on September 14, 2009. The song was also nominated for a Grammy Award for Best Hard Rock Performance. To promote the album, the band released an EPK featuring all four of the members being interviewed while the Kiss makeup is being applied on them. An app for iPhone was released on October 27, 2009, featuring songs, music videos, news, photos and networking. Sean Kinney said about the new album and the fans' mixed reactions about the band moving on after Staley's death: "Look, it's a big move to fucking stand up and move on. Some people, the music connected with them so strongly, their opinions, how they feel about it ... It's amazing that they have such a connection but they seem to act like it happened to them. This happened to us and Layne's family, not them. This is actually our lives. If we're okay with it, why can't you be? This happened to us, this didn't happen to you. But this album isn't about that, it's a bigger universal point. We're all going to fucking die, we're all going to lose somebody, and it fucking hurts. How do you move on? This record is us moving on, and hurting. That, to me, is a victory. I already feel like I've won." "Sometimes people ask us, 'Wouldn't Layne have been pissed off that we did this?' And I tell them it would have been the opposite: he would have been pissed off that it took us so long to do this. We're not doing this for money; there is no money in the music business anymore. Jerry and I funded the whole album, and we spent lots of our own money, because we believe in this. And one of the reasons I'm doing this is so more light is turned on to something where the light was turned off." And Cantrell added: "We've toured around the world, we've lost some friends, we buried a dear friend, and somebody that you just can't fucking replace, and then we've chosen by circumstance to get together again. That turned into 'maybe we can fucking do this.' And that turned into this." In September 2008, it was announced that Alice in Chains would headline Australia's Soundwave Festival in 2009, alongside Nine Inch Nails and Lamb of God. In February 2009, it was also announced that Alice in Chains would play at the third annual Rock on the Range festival. On August 1, 2009, Alice in Chains performed, along with Mastodon, Avenged Sevenfold, and Glyder, at Marlay Park, Dublin as direct support to Metallica. The band made an appearance on Later... with Jools Holland on November 10, 2009, performing "Lesson Learned", "Black Gives Way to Blue", and "Check My Brain" as the final performance of the episode. To coincide with the band's European tour, Alice in Chains released its next single, "Your Decision", on November 16, 2009, in the UK and on December 1 in the US. The last single from the album was "Lesson Learned", and it was released to rock radio on June 22, 2010. Black Gives Way to Blue debuted at No. 5 on the Billboard 200. On May 18, 2010, the album was certified gold by the RIAA for selling over 500,000 copies in the U.S. The singles "Check My Brain" and "Your Decision" reached No. 1 on Billboard's Mainstream Rock Tracks, while "Lesson Learned" reached No. 4. "Check My Brain" was also the band's first #1 song on the Alternative Songs chart, and on the Hot Rock Songs chart, it also reached No. 92 on Billboard's Hot 100, becoming the band's first single to appear on the chart. Along with Mastodon and Deftones, Alice in Chains toured the United States and Canada in late 2010 on the Blackdiamondskye tour, an amalgam of the three bands' latest album titles (Black Gives Way to Blue, Diamond Eyes, and Crack the Skye). On March 8, 2011, former Alice in Chains bassist Mike Starr was found dead at his home in Salt Lake City. Police told Reuters they were called to Starr's home at 1:42 pm and found his body; Starr was 44. Reports later surfaced that Starr's roommate had seen him mixing methadone and anxiety medication hours before he was found dead. Later reports indicated Starr's death may have been linked to two different types of antidepressants prescribed to him by his doctor. A public memorial was held for Starr at the Seattle Center's International Fountain on March 20, 2011. A private memorial was also held, which Jerry Cantrell and Sean Kinney attended according to Mike Inez. 2011–2016: The Devil Put Dinosaurs Here On March 21, 2011, Alice in Chains announced that they were working on a fifth studio album, and both Cantrell and Inez later made statements that they had begun the recording process. The album was expected to be finished by summer of 2012 and released by the end of 2012 or beginning of 2013. While Alice in Chains were writing for the album in 2011, Cantrell underwent surgery on his right shoulder, which delayed recording the new material. In an interview published in May 2012, Cantrell explained, "The thing that set me back is I had some bone spurs [and] cartilage issues in my shoulders. I had the same issue in the other shoulder about six years ago so I've had them both done now. It's a repetitive motion injury from playing." Cantrell could not play guitar for eight months while he was recovering from surgery. While recuperating at home in a sling, Cantrell heard a riff in his head and sang it into his phone. The riff later became the song "Stone". Alice in Chains played their first concert in nearly 10 months and their first concert after Cantrell's shoulder surgery at the Winstar Casino in Thackerville, Oklahoma on August 13, 2011. The band's only concert in 2012 was a five-song acoustic set on May 31 at the eighth annual MusiCares MAP Fund Benefit Concert honoring Jerry Cantrell. On December 4, 2012, Cantrell confirmed that the new album had been completed. The first single, "Hollow", debuted online on December 18, available for digital download in January 2013, along with an official music video. On February 13, 2013, Alice in Chains posted on Facebook that their new album title would be an anagram of the letters H V L E N T P S U S D A H I E E O E D T I U R R. The next day they announced that the album would be called The Devil Put Dinosaurs Here, which was released on May 28, 2013, and debuted at No. 2 on the Billboard 200. To promote the album, Alice in Chains teamed up with Funny or Die for an 11-minute mockumentary titled AIC 23, in which Film Studies professor Alan Poole McLard (played by W. Earl Brown) attempts to make a documentary on Alice in Chains without any help from the actual band, interviewing other musicians instead. Among them are country singer Donnie 'Skeeter' Dollarhide Jr. (played by Jerry Cantrell), Reggae singer Nesta Cleveland (played by William DuVall), Black Metal musician Unta Gleeben Glabben Globben Globin (played by Mike Inez) and the hipster Stanley Eisen (played by Sean Kinney). The video was released on April 3, 2013, and also features cameos by Ann and Nancy Wilson from Heart, Mike McCready from Pearl Jam, Kim Thayil from Soundgarden, Duff McKagan from Guns N' Roses, Brent Hinds and Bill Kelliher from Mastodon, and Lars Ulrich and Robert Trujillo from Metallica. In June 2013, the band released a pinball game app for iOS as part of Pinball Rocks HD compilation, featuring the single "Hollow", the band's logo and the album artwork, as well as references to the band's previous albums such as Jar of Flies and the self-titled record. The band released videos for the songs "Hollow", "Stone", "Voices", the title track and "Phantom Limb". "Hollow" and "Stone" reached No. 1 on Billboard's Mainstream Rock Tracks, while "Voices" reached No. 3, and each one of the three songs stayed on the chart for 20 weeks. The Devil Put Dinosaurs Here was nominated for a Grammy Award for Best Engineered Album, Non-Classical in 2014. Alice in Chains toured extensively in the U.S., Canada, and Europe in 2013 and 2014. In May 2013, the band co-headlined the annual MMRBQ festival with Soundgarden in Camden, New Jersey. Asked in September 2013 if Alice in Chains would make another album, Cantrell replied, "It'll be a while. It's [been] four years since we put the last one out, but at least it's not the gap that was between the last one, so that's about right - about three to four years." On January 18, 2015, Alice in Chains performed in the halftime show of the NFC Championship Game between the Seattle Seahawks and the Green Bay Packers at CenturyLink Field in Seattle. Cantrell is a lifelong Seahawks fan and often attends their games. In August 2015, Bassist Mike Inez said that the band had been "throwing around riffs for a new record" and "taking it nice and slow". The band toured in the summer of 2015 and the summer of 2016, including select shows opening for Guns N' Roses as part of the Not in This Lifetime... Tour. The band finished their 2016 tour with a concert at the Grand Sierra Resort and Casino in Reno, Nevada on October 8, 2016. In November 2016, Alice in Chains released a cover of the Rush song "Tears", which was included in the 40th anniversary release of the album 2112. The home video Live Facelift was released on vinyl for the first time on November 25, 2016, as part of Record Store Day's Black Friday event. The album features six songs and only 5000 copies were issued. To celebrate the tenth anniversary of Record Store Day, on April 22, 2017, Legacy Recordings released "Get Born Again"/"What the Hell Have I", a special 45 RPM double 7" single featuring four tracks remastered and available on vinyl for the first time, "What the Hell Have I", "A Little Bitter", "Get Born Again" and "Died". 2017–present: Rainier Fog In January 2017, Mike Inez stated in an interview that the band had begun work on a new album. In June 2017, it was reported that the band would return to Studio X (formerly Bad Animals Studios) in Seattle to record a new album later that month, for a tentative early 2018 release. The sessions were helmed by Nick Raskulinecz, who produced the band's last two albums. Studio X was the studio where Alice in Chains recorded its 1995 self-titled album. According to Inez, the band was not signed to a label, having completed its previous two-record contract with the Universal Music Group. "This [upcoming album], we're not sure where it's gonna land ... I mean, we financed ['Black Gives Way To Blue'] on our own too, so we're not too worried about that stuff. We've just gotta get it out to ... a significant label [with worldwide distribution]." The band started recording their sixth studio album on June 12, 2017. On January 11, 2018, producer Nick Raskulinecz announced via Instagram that the album was nearly finished and that there was only one more day left of recording. During an interview with Guitar World published on April 11, 2018, Jerry Cantrell said that the album was recorded at four studios. After recording at Studio X in Seattle, the band went to Nashville to record vocals and lead guitars at Nick Raskulinecz's home studio. But Cantrell had to take an unexpected break from work for a couple of weeks after getting sick on a trip to Cabo for Sammy Hagar's birthday. Cantrell had the band's engineer, Paul Figueroa, come in to his house and record a lot of his vocals and solos there. The band finished recording the album at the Henson Recording Studios in Los Angeles. Cantrell also said he expects the album to be released "probably sometime this summer." At the press room of the Rock and Roll Hall of Fame Induction Ceremony on April 14, 2018, Cantrell revealed that Alice in Chains had just signed with BMG, and that they had finished mixing their new album. Alice in Chains did not perform live in 2017. The band performed their first concert since October 2016 at the House of Blues in Boston on April 28, 2018. In May 2018, Alice in Chains headlined the festivals Carolina Rebellion, Lunatic Luau, Pointfest, Northern Invasion, the WMMR BBQ festival in Philadelphia, and the Rock on the Range festival in Columbus, Ohio on May 18, 2018, in which they paid tribute to Chris Cornell on the first anniversary of his death covering two Soundgarden songs to close their set, "Hunted Down" and "Boot Camp", respectively. At the end of the show, the lights on stage spelled out "CC" for Chris Cornell and "SG" for Soundgarden as feedback rang out. The band started their European tour in June 2018, and headlined the Tons Of Rock Festival in Norway alongside Ozzy Osbourne and Helloween. Alice in Chains are also scheduled to headline KISW's Pain in the Grass festival in August 2018. The band released a new single, "The One You Know", via Spotify, Amazon and iTunes on May 3, 2018. A music video directed by Adam Mason was released on YouTube the same day. "The One You Know" peaked at No. 9 on Billboard's Mainstream Rock chart. During an interview with Eddie Trunk on Trunk Nation on May 7, 2018, Jerry Cantrell said that the new album would be released at the end of August 2018. The band also revealed that they talked to director Adam Mason, who is making a dark sci-film, about doing two separate pieces of art and maybe molding them together, and that the music video for "The One You Know" is the first chapter of molding Mason's film and the band's music videos together. The second single, "So Far Under", was released on Alice in Chains' YouTube channel and on streaming platforms on June 27, 2018. It was also announced that the album would be titled Rainier Fog, with the release date scheduled for August 24, 2018. The album's artwork and the track listing were also revealed on the same day. Jerry Cantrell told Rolling Stone that the title Rainier Fog was inspired by the Mount Rainier in Seattle, and the title track is a tribute to the Seattle music scene. "This song is a little homage to all of that: where we come from, who we are, all of the triumphs, all of the tragedies, lives lived." The album's third single, "Never Fade", was released on August 10, 2018, through digital and streaming services. The song is a tribute dedicated to frontman William DuVall's grandmother, Chris Cornell, and Alice in Chains' original singer Layne Staley. "Never Fade" peaked at No. 10 on Billboard's Mainstream Rock chart. A music video directed by Adam Mason was released on November 1, 2018, and continued the storyline from the music video of "The One You Know". In June 2018, William DuVall said in an interview with Swedish website Rocksverige that the music video for "The One You Know" is the first chapter of what the band is hoping will be visuals for all ten songs from the album Rainier Fog, and in addition to that, will be a companion piece to the film that director Adam Mason was shooting. On August 20, 2018, the baseball team Seattle Mariners hosted a special "Alice in Chains Night" at the Safeco Field in Seattle to promote Rainier Fog, with the team offering the fans a package that included a Safeco Field terrace club ticket, access to a pre-game listening party of the album, an Alice in Chains T-shirt and a Rainier Fog CD. Jerry Cantrell also threw out the ceremonial first pitch and delivered a strike before the Seattle Mariners vs. Houston Astros game. To mark the launch of the album, on August 21, 2018, Alice in Chains performed an acoustic set at the top of Seattle's Space Needle and debuted the song "Fly". Alice in Chains were the first band to perform on the Space Needle's new "Loupe" glass floor, the world's first and only revolving glass floor 500 feet high. The concert was exclusive for an audience of SiriusXM subscribers. SiriusXM broadcast the concert on their channel Lithium on August 31, 2018. On August 22, 2018, Alice in Chains sent fans on a Scavenger hunt to access a secret gig that the band would be performing in Seattle on August 24. Ten signed CD copies of Rainier Fog were hidden around the city as a ticket into the show, and the band asked the fans to keep an eye on their Instagram story for details on the 10 hidden locations. Once all 10 albums were found, the band revealed that the secret gig would be at the rock club The Crocodile, with limited tickets available with the purchase of their album at a pop-up event at the same venue the next day. Preview clips of each of the album tracks were posted on the band's Instagram. The band also commemorated the release of the album with a pop-up museum installation at The Crocodile in Seattle on August 23 and 24. The museum featured rare Alice in Chains photos, limited-edition merchandise and memorabilia that showcased the band's 30+ year career. Rainier Fog debuted at No. 12 on the Billboard 200 chart, selling 31,000 copies (29,000 in traditional album sales), in its first week of release. The album also debuted at No. 1 on Billboard's Top Rock Albums, Alternative Albums and Hard Rock Albums charts, and at No. 3 on the Vinyl Albums chart. Rainier Fog became Alice in Chains' first top 10 in the UK, peaking at No. 9, and topping UK's Rock & Metal Albums chart. The album has been nominated for a Grammy Award for Best Rock Album. On December 13, 2018, the teaser of the film Black Antenna featuring the song "Rainier Fog" was released on Alice in Chains' official YouTube channel, with drummer Sean Kinney stating; "We've always toyed with the idea of creating videos for every song on one of our albums. Not only did we do that for Rainier Fog, it got totally out of hand and we made a whole goddamn movie. Everything that will be seen in the videos will be footage from Black Antenna to preface the complete film's release." "Rainier Fog" was released as a single on February 26, 2019. The official trailer for Black Antenna was released on Alice In Chains' YouTube Channel on February 28, 2019. Besides a 90-minute film, a 10-part web-series focused on each track from the album will also be released. Episodes 1 and 2, "The One You Know" and "Rainier Fog", respectively, were released on March 7, 2019. The tenth and last episode, "All I Am", was released on July 17, 2019. The official music video for "Rainier Fog" was released on YouTube on May 15, 2019, and was co-directed by Alice in Chains and Peter Darley Miller, who also directed the band's 2013 mockumentary, AIC 23. On December 1, 2020, Alice in Chains was honored with the Founders Award from Seattle's Museum of Pop Culture. The benefit concert featured tribute performances from artists such as Ann Wilson, Korn, Metallica, Fishbone, Dallas Green, Billy Corgan, Tad Doyle, members of Soundgarden and Pearl Jam, among others. The event was made available for streaming for free and raised more than $600,000 for the museum in its first night. A compilation featuring highlights from the tribute was made available for streaming on Amazon Music. Musical style Although Alice in Chains has been labeled grunge by the mainstream media, Jerry Cantrell identifies the band as primarily heavy metal. He told Guitar World in 1996, "We're a lot of different things ... I don't quite know what the mixture is, but there's definitely metal, blues, rock and roll, maybe a touch of punk. The metal part will never leave, and I never want it to." The Edmonton Journal has stated, "Living and playing in Seattle might have got them the grunge tag, but they've always pretty much been a classic metal band to the core." Over the course of their career, the band's sound has also been described as alternative metal, sludge metal, doom metal, drone rock, hard rock, and alternative rock. Regarding the band's constant categorization by the media, Cantrell stated "When we first came out we were metal. Then we started being called alternative metal. Then grunge came out and then we were hard rock. And now, since we've started doing this again I've seen us listed as: hard rock, alternative, alternative metal and just straight metal. I walked into an HMV the other day to check out the placement and see what's on and they've got us relegated back into the metal section. Right back where we started!" Drummer Sean Kinney rejects the grunge label, stating in a 2013 interview "I mean, before we first came out there was no grunge, they hadn't invented that word. Before they invented the word grunge we were alternative rock and alternative metal and metal and rock, and we didn't give a shit whatever, we were a rock and roll band!." According to Mike Inez, they were always the metal stepchildren of the Seattle scene. The band are influenced to a great extent by English metal music; in 2018, Jerry Cantrell proclaimed Black Sabbath guitarist Tony Iommi as "one of his biggest" inspirations, whilst Layne Staley named his "first influences" as Black Sabbath and Deep Purple. Cantrell adjudged English rock singer Elton John as "the artist that made me want to be a musician." In addition, members of Alice in Chains have cited artists including AC/DC, Accept, Aerosmith, The Beatles, Black Flag, David Bowie, John Coltrane, Miles Davis, Dio, Funkadelic, Hanoi Rocks, Heart, Jimi Hendrix, Iron Maiden, King's X, Kiss, Led Zeppelin, Metallica, Motörhead, Mudhoney, Pink Floyd, Queensrÿche, the Rolling Stones, Rush, Scorpions, Soundgarden, The Stooges, Television, Thin Lizzy, U2, UFO, Van Halen, The Velvet Underground, Hank Williams, and ZZ Top as influential or inspirational. Jerry Cantrell's guitar style combines "pummeling riffs and expansive guitar textures" to create "slow, brooding minor-key grinds". He is also recognized for his natural ability to blend acoustic and electric guitars. While down-tuned, distorted guitars mixed with Staley's distinctive "snarl-to-a-scream" vocals appealed to heavy metal fans, the band also had "a sense of melody that was undeniable," which introduced Alice in Chains to a much wider audience outside of the heavy metal underground. According to Stephen Thomas Erlewine of AllMusic, Alice in Chains' sound has a "Black Sabbath-style riffing and an unconventional vocal style." The band has been described by Erlewine as "hard enough for metal fans, yet their dark subject matter and punky attack placed them among the front ranks of the Seattle-based grunge bands." Three of the band's releases feature acoustic music, and while the band initially kept these releases separate, Alice in Chains' self-titled album combined the styles to form "a bleak, nihilistic sound that balanced grinding hard rock with subtly textured acoustic numbers." Alice in Chains is also noted for the unique vocal harmonies of Staley (or DuVall) and Cantrell, which included overlapping passages, dual lead vocals, and trademark harmonies typically separated by a major third. Cantrell said it was Staley who gave him the self-assurance to sing his own songs. Alyssa Burrows said the band's distinctive sound "came from Staley's vocal style and his lyrics dealing with personal struggles and addiction." Staley's songs were often considered "dark", with themes such as drug abuse, depression, and suicide, while Cantrell's lyrics often dealt with personal relationships. Legacy Alice in Chains has sold over 14 million records in the United States, and over 30 million records worldwide, released two number-one albums, had 23 top 40 singles, and has received eleven Grammy Award nominations. The band was ranked number 34 on VH1's 100 Greatest Artists of Hard Rock. Alice in Chains was named 15th greatest live band by Hit Parader, with Staley placing as 27th-greatest heavy metal vocalist of all time. The band's second album, Dirt, was named 5th-best album in the last two decades by Close-Up magazine in 2008. In October 2008, Guitar World ranked Cantrell's solo in "Man in the Box" at No. 77 on their list of "100 Greatest Guitar Solos". In August 2009, Alice in Chains won the Kerrang! Icon Award. In November 2011, Jar of Flies was ranked number four on Guitar World magazine's top ten list of guitar albums of 1994. It was also featured in Guitar World magazine's "Superunknown: 50 Iconic Albums That Defined 1994" list, and in May 2014, the EP was placed at number five on Loudwire's "10 Best Hard Rock Albums of 1994" list. Pantera and Damageplan guitarist Dimebag Darrell had expressed his admiration for Cantrell's guitar work in an interview for Guitar International in 1995, saying that "the layering and the honest feel that Jerry Cantrell gets on [Alice in Chains' Dirt] record is worth a lot more than someone who plays five million notes." Street musician Wesley Willis wrote a song about the band entitled "Alice in Chains", featured on his 1996 album Feel The Power. Billy Corgan revealed that the song "Bleeding The Orchid" from The Smashing Pumpkins' 2007 album Zeitgeist has a bit of an homage to Alice in Chains in the harmonies and was indirectly inspired by the death of Staley. Elton John stated that he is a fan of Alice in Chains and a big admirer of Cantrell. According to Jon Wiederhorn of MTV, Godsmack has "sonically followed Alice in Chains' lead while adding their own distinctive edge." Godsmack singer and founder Sully Erna has also cited Staley as his primary influence. Godsmack was named after the Alice in Chains song "God Smack" from the album Dirt. Staind has covered Alice in Chains' song "Nutshell" live, which appears on the compilation The Singles: 1996-2006, and also wrote a song entitled "Layne", dedicated to Staley, on the album 14 Shades of Grey. Three Days Grace also performs a cover of "Rooster", which can be seen on the DVD Live at the Palace. Other bands that have been influenced by Alice in Chains include 10 Years, Avenged Sevenfold, Breaking Benjamin, Creed, Dallas Green, Days of the New, Hoobastank, Incubus, Korn, Manic Street Preachers, Mudvayne, Nickelback, A Pale Horse Named Death, Puddle of Mudd, Queens of the Stone Age, Rains, Seether, Smile Empty Soul, Stone Sour, Tantric, Taproot, and Theory of a Deadman. Metallica said they have always wanted to tour with the band, citing Alice in Chains as a major inspiration for their 2008 release, Death Magnetic. Alice in Chains has also had a significant influence on modern heavy metal. Their songs were covered by various metal bands such as In Flames, Opeth, Dream Theater, Secrets of the Moon, Suicide Silence, 36 Crazyfists, Cane Hill, Ektomorf, Dritt Skitt, Grave and Thou, who described their 2018 EP Rhea Sylvia as "a melodic grunge, Alice in Chains homage." In 2009, Anders Fridén of Swedish melodic death metal band In Flames cited Layne Staley as an inspiration for his vocals on the band's later albums. In addition to fellow musicians, the band has also received praise from critics, with Steve Huey of AllMusic calling them "one of the best metal bands of the '90s" upon reviewing the 1999 compilation Nothing Safe. In 2009, the Vitamin String Quartet released the album The String Quartet Tribute to Alice in Chains, featuring instrumental versions on viola, violin and cello of 12 of the band's biggest hits. In August 2015, journalist David de Sola published the biography Alice in Chains: The Untold Story. An updated version covering the period from 2014 to 2017 was published in November 2018. Neither the band nor their management had any involvement with the book. Sources tied directly to the band were interviewed instead. In June 2017, Metal Injection ranked Alice in Chains at number 1 on their list of "10 Heaviest Grunge Bands". Ozzy Osbourne ranked Facelift among his list of "10 Favorite Metal Albums". The claymation dolls of the band members used in the music video for "I Stay Away" are on display at the Rock and Roll Hall of Fame museum in Cleveland, Ohio. Band members Current members Jerry Cantrell – lead guitar, lead vocals (1987–2002, 2005–present), rhythm guitar (1987–2002, 2005–2006) Sean Kinney – drums, backing vocals (1987–2002, 2005–present) Mike Inez – bass, backing vocals (1993–2002, 2005–present) William DuVall – lead vocals, rhythm guitar (2006–present) Former members Layne Staley – lead vocals (1987–2002), occasional rhythm guitar (1992–2002; died 2002) Mike Starr – bass, backing vocals (1987–1993; died 2011) Touring members Maynard James Keenan – lead vocals (2005) Timeline Discography Studio albums Facelift (1990) Dirt (1992) Alice in Chains (1995) Black Gives Way to Blue (2009) The Devil Put Dinosaurs Here (2013) Rainier Fog (2018) Awards and nominations References External links VH1 Classic: Alice In Chains 1987 establishments in Washington (state) 2002 disestablishments in Washington (state) 2005 establishments in Washington (state) American alternative metal musical groups Columbia Records artists EMI Records artists American grunge groups Heavy metal musical groups from Washington (state) Kerrang! Awards winners Musical groups established in 1987 Musical groups disestablished in 2002 Musical groups reestablished in 2005 Musical groups from Seattle Musical quartets Virgin Records artists Capitol Records artists	false	[ "Don Juan Manuel's Tales of Count Lucanor, in Spanish Libro de los ejemplos del conde Lucanor y de Patronio (Book of the Examples of Count Lucanor and of Patronio), also commonly known as El Conde Lucanor, Libro de Patronio, or Libro de los ejemplos (original Old Castilian: Libro de los enxiemplos del Conde Lucanor et de Patronio), is one of the earliest works of prose in Castilian Spanish. It was first written in 1335.\n\nThe book is divided into four parts. The first and most well-known part is a series of 51 short stories (some no more than a page or two) drawn from various sources, such as Aesop and other classical writers, and Arabic folktales.\n\nTales of Count Lucanor was first printed in 1575 when it was published at Seville under the auspices of Argote de Molina. It was again printed at Madrid in 1642, after which it lay forgotten for nearly two centuries.\n\nPurpose and structure\n\nA didactic, moralistic purpose, which would color so much of the Spanish literature to follow (see Novela picaresca), is the mark of this book. Count Lucanor engages in conversation with his advisor Patronio, putting to him a problem (\"Some man has made me a proposition...\" or \"I fear that such and such person intends to...\") and asking for advice. Patronio responds always with the greatest humility, claiming not to wish to offer advice to so illustrious a person as the Count, but offering to tell him a story of which the Count's problem reminds him. (Thus, the stories are \"examples\" [ejemplos] of wise action.) At the end he advises the Count to do as the protagonist of his story did.\n\nEach chapter ends in more or less the same way, with slight variations on: \"And this pleased the Count greatly and he did just so, and found it well. And Don Johán (Juan) saw that this example was very good, and had it written in this book, and composed the following verses.\" A rhymed couplet closes, giving the moral of the story.\n\nOrigin of stories and influence on later literature\nMany of the stories written in the book are the first examples written in a modern European language of various stories, which many other writers would use in the proceeding centuries. Many of the stories he included were themselves derived from other stories, coming from western and Arab sources.\n\nShakespeare's The Taming of the Shrew has the basic elements of Tale 35, \"What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\".\n\nTale 32, \"What Happened to the King and the Tricksters Who Made Cloth\" tells the story that Hans Christian Andersen made popular as The Emperor's New Clothes.\n\nStory 7, \"What Happened to a Woman Named Truhana\", a version of Aesop's The Milkmaid and Her Pail, was claimed by Max Müller to originate in the Hindu cycle Panchatantra.\n\nTale 2, \"What happened to a good Man and his Son, leading a beast to market,\" is the familiar fable The miller, his son and the donkey.\n\nIn 2016, Baroque Decay released a game under the name \"The Count Lucanor\". As well as some protagonists' names, certain events from the books inspired past events in the game.\n\nThe stories\n\nThe book opens with a prologue which introduces the characters of the Count and Patronio. The titles in the following list are those given in Keller and Keating's 1977 translation into English. James York's 1868 translation into English gives a significantly different ordering of the stories and omits the fifty-first.\n\n What Happened to a King and His Favorite \n What Happened to a Good Man and His Son \n How King Richard of England Leapt into the Sea against the Moors\n What a Genoese Said to His Soul When He Was about to Die \n What Happened to a Fox and a Crow Who Had a Piece of Cheese in His Beak\n How the Swallow Warned the Other Birds When She Saw Flax Being Sown \n What Happened to a Woman Named Truhana \n What Happened to a Man Whose Liver Had to Be Washed \n What Happened to Two Horses Which Were Thrown to the Lion \n What Happened to a Man Who on Account of Poverty and Lack of Other Food Was Eating Bitter Lentils \n What Happened to a Dean of Santiago de Compostela and Don Yllán, the Grand Master of Toledo\n What Happened to the Fox and the Rooster \n What Happened to a Man Who Was Hunting Partridges \n The Miracle of Saint Dominick When He Preached against the Usurer \n What Happened to Lorenzo Suárez at the Siege of Seville \n The Reply that count Fernán González Gave to His Relative Núño Laynes \n What Happened to a Very Hungry Man Who Was Half-heartedly Invited to Dinner \n What Happened to Pero Meléndez de Valdés When He Broke His Leg \n What Happened to the Crows and the Owls \n What Happened to a King for Whom a Man Promised to Perform Alchemy \n What Happened to a Young King and a Philosopher to Whom his Father Commended Him \n What Happened to the Lion and the Bull \n How the Ants Provide for Themselves \n What Happened to the King Who Wanted to Test His Three Sons \n What Happened to the Count of Provence and How He Was Freed from Prison by the Advice of Saladin\n What Happened to the Tree of Lies \n What Happened to an Emperor and to Don Alvarfáñez Minaya and Their Wives \n What Happened in Granada to Don Lorenzo Suárez Gallinato When He Beheaded the Renegade Chaplain \n What Happened to a Fox Who Lay down in the Street to Play Dead \n What Happened to King Abenabet of Seville and Ramayquía His Wife \n How a Cardinal Judged between the Canons of Paris and the Friars Minor \n What Happened to the King and the Tricksters Who Made Cloth \n What Happened to Don Juan Manuel's Saker Falcon and an Eagle and a Heron \n What Happened to a Blind Man Who Was Leading Another \n What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\n What Happened to a Merchant When He Found His Son and His Wife Sleeping Together \n What Happened to Count Fernán González with His Men after He Had Won the Battle of Hacinas \n What Happened to a Man Who Was Loaded down with Precious Stones and Drowned in the River \n What Happened to a Man and a Swallow and a Sparrow \n Why the Seneschal of Carcassonne Lost His Soul \n What Happened to a King of Córdova Named Al-Haquem \n What Happened to a Woman of Sham Piety \n What Happened to Good and Evil and the Wise Man and the Madman \n What Happened to Don Pero Núñez the Loyal, to Don Ruy González de Zavallos, and to Don Gutier Roiz de Blaguiello with Don Rodrigo the Generous \n What Happened to a Man Who Became the Devil's Friend and Vassal \n What Happened to a Philosopher who by Accident Went down a Street Where Prostitutes Lived \n What Befell a Moor and His Sister Who Pretended That She Was Timid \n What Happened to a Man Who Tested His Friends \n What Happened to the Man Whom They Cast out Naked on an Island When They Took away from Him the Kingdom He Ruled \n What Happened to Saladin and a Lady, the Wife of a Knight Who Was His Vassal \n What Happened to a Christian King Who Was Very Powerful and Haughty\n\nReferences\n\nNotes\n\nBibliography\n\n Sturm, Harlan\n\n Wacks, David\n\nExternal links\n\nThe Internet Archive provides free access to the 1868 translation by James York.\nJSTOR has the to the 1977 translation by Keller and Keating.\nSelections in English and Spanish (pedagogical edition) with introduction, notes, and bibliography in Open Iberia/América (open access teaching anthology)\n\n14th-century books\nSpanish literature\n1335 books", "\"What Happened to Us\" is a song by Australian recording artist Jessica Mauboy, featuring English recording artist Jay Sean. It was written by Sean, Josh Alexander, Billy Steinberg, Jeremy Skaller, Rob Larow, Khaled Rohaim and Israel Cruz. \"What Happened to Us\" was leaked online in October 2010, and was released on 10 March 2011, as the third single from Mauboy's second studio album, Get 'Em Girls (2010). The song received positive reviews from critics.\n\nA remix of \"What Happened to Us\" made by production team OFM, was released on 11 April 2011. A different version of the song which features Stan Walker, was released on 29 May 2011. \"What Happened to Us\" charted on the ARIA Singles Chart at number 14 and was certified platinum by the Australian Recording Industry Association (ARIA). An accompanying music video was directed by Mark Alston, and reminisces on a former relationship between Mauboy and Sean.\n\nProduction and release\n\n\"What Happened to Us\" was written by Josh Alexander, Billy Steinberg, Jeremy Skaller, Rob Larow, Khaled Rohaim, Israel Cruz and Jay Sean. It was produced by Skaller, Cruz, Rohaim and Bobby Bass. The song uses C, D, and B minor chords in the chorus. \"What Happened to Us\" was sent to contemporary hit radio in Australia on 14 February 2011. The cover art for the song was revealed on 22 February on Mauboy's official Facebook page. A CD release was available for purchase via her official website on 10 March, for one week only. It was released digitally the following day.\n\nReception\nMajhid Heath from ABC Online Indigenous called the song a \"Jordin Sparks-esque duet\", and wrote that it \"has a nice innocence to it that rings true to the experience of losing a first love.\" Chris Urankar from Nine to Five wrote that it as a \"mid-tempo duet ballad\" which signifies Mauboy's strength as a global player. On 21 March 2011, \"What Happened to Us\" debuted at number 30 on the ARIA Singles Chart, and peaked at number 14 the following week. The song was certified platinum by the Australian Recording Industry Association (ARIA), for selling 70,000 copies. \"What Happened to Us\" spent a total of ten weeks in the ARIA top fifty.\n\nMusic video\n\nBackground\nThe music video for the song was shot in the Elizabeth Bay House in Sydney on 26 November 2010. The video was shot during Sean's visit to Australia for the Summerbeatz tour. During an interview with The Daily Telegraph while on the set of the video, Sean said \"the song is sick! ... Jessica's voice is amazing and we're shooting [the video] in this ridiculously beautiful mansion overlooking the harbour.\" The video was directed by Mark Alston, who had previously directed the video for Mauboy's single \"Let Me Be Me\" (2009). It premiered on YouTube on 10 February 2011.\n\nSynopsis and reception\nThe video begins showing Mauboy who appears to be sitting on a yellow antique couch in a mansion, wearing a purple dress. As the video progresses, scenes of memories are displayed of Mauboy and her love interest, played by Sean, spending time there previously. It then cuts to the scenes where Sean appears in the main entrance room of the mansion. The final scene shows Mauboy outdoors in a gold dress, surrounded by green grass and trees. She is later joined by Sean who appears in a black suit and a white shirt, and together they sing the chorus of the song to each other. David Lim of Feed Limmy wrote that the video is \"easily the best thing our R&B princess has committed to film – ever\" and praised the \"mansion and wondrous interior décor\". He also commended Mauboy for choosing Australian talent to direct the video instead of American directors, which she had used for her previous two music videos. Since its release, the video has received over two million views on Vevo.\n\nLive performances\nMauboy performed \"What Happened to Us\" live for the first time during her YouTube Live Sessions program on 4 December 2010. She also appeared on Adam Hills in Gordon Street Tonight on 23 February 2011 for an interview and later performed the song. On 15 March 2011, Mauboy performed \"What Happened to Us\" on Sunrise. She also performed the song with Stan Walker during the Australian leg of Chris Brown's F.A.M.E. Tour in April 2011. Mauboy and Walker later performed \"What Happened to Us\" on Dancing with the Stars Australia on 29 May 2011. From November 2013 to February 2014, \"What Happened to Us\" was part of the set list of the To the End of the Earth Tour, Mauboy's second headlining tour of Australia, with Nathaniel Willemse singing Sean's part.\n\nTrack listing\n\nDigital download\n \"What Happened to Us\" featuring Jay Sean – 3:19\n \"What Happened to Us\" featuring Jay Sean (Sgt Slick Remix) – 6:33\n \"What Happened to Us\" featuring Jay Sean (Just Witness Remix) – 3:45\n\nCD single\n \"What Happened to Us\" featuring Jay Sean (Album Version) – 3:19\n \"What Happened to Us\" featuring Jay Sean (Sgt Slick Remix) – 6:33\n \"What Happened to Us\" featuring Jay Sean (OFM Remix) – 3:39\n\nDigital download – Remix\n \"What Happened to Us\" featuring Jay Sean (OFM Remix) – 3:38\n\nDigital download\n \"What Happened to Us\" featuring Stan Walker – 3:20\n\nPersonnel\nSongwriting – Josh Alexander, Billy Steinberg, Jeremy Skaller, Rob Larow, Khaled Rohaim, Israel Cruz, Jay Sean\nProduction – Jeremy Skaller, Bobby Bass\nAdditional production – Israel Cruz, Khaled Rohaim\nLead vocals – Jessica Mauboy, Jay Sean\nMixing – Phil Tan\nAdditional mixing – Damien Lewis\nMastering – Tom Coyne \nSource:\n\nCharts\n\nWeekly chart\n\nYear-end chart\n\nCertification\n\nRadio dates and release history\n\nReferences\n\n2010 songs\n2011 singles\nJessica Mauboy songs\nJay Sean songs\nSongs written by Billy Steinberg\nSongs written by Jay Sean\nSongs written by Josh Alexander\nSongs written by Israel Cruz\nVocal duets\nSony Music Australia singles\nSongs written by Khaled Rohaim" ]
[ "Alice in Chains", "Dirt (1992-1993)", "When did they produce Dirt?", "On September 29, 1992, Alice in Chains released its second album, Dirt.", "Did it reach bill board charts>?", "The album peaked at number six on the Billboard 200", "Did did it receive any awards?", "I don't know.", "Did they release another after this one?", "I don't know.", "What happened in 1993?", "In 1993, the band recorded two songs with Inez," ]	C_68e092ce2d2f47e9ba7736c8e2acfae9_1	Did they do well?	6	Did the Alice in Chains recordings do well?	Alice in Chains	In March 1992, the band returned to the studio. With new songs written primarily on the road, the material has an overall darker feel than Facelift, with six of the album's thirteen songs dealing with the subject of addiction. "We did a lot of soul searching on this album. There's a lot of intense feelings." Cantrell said, "We deal with our daily demons through music. All of the poison that builds up during the day we cleanse when we play". On September 29, 1992, Alice in Chains released its second album, Dirt. The album peaked at number six on the Billboard 200 and since its release has been certified quadruple platinum by the RIAA, making Dirt the band's highest selling album to date. The album was a critical success, with Steve Huey of Allmusic praising the album as a "major artistic statement, and the closest they ever came to recording a flat-out masterpiece". Chris Gill of Guitar World called Dirt "huge and foreboding, yet eerie and intimate", and "sublimely dark and brutally honest". Dirt spawned five top 30 singles, "Would?", "Rooster", "Them Bones", "Angry Chair", and "Down in a Hole", and remained on the charts for nearly two years. Alice in Chains was added as openers to Ozzy Osbourne's No More Tours tour. Days before the tour began, Layne Staley broke his foot in an ATV accident, forcing him to use crutches on stage. Starr left the band shortly after the Hollywood Rock concert in Rio de Janeiro in January 1993, stating that he wanted to spend more time with his family. Staley told Rolling Stone in 1994 about Starr leaving the band, "It was just a difference in priorities. We wanted to continue intense touring and press. Mike was ready to go home." Years later, Starr claimed that he was fired due to his drug addiction. Starr was replaced by former Ozzy Osbourne bassist Mike Inez. In 1993, the band recorded two songs with Inez, "What the Hell Have I" and "A Little Bitter", for the Last Action Hero soundtrack. During the summer of 1993, Alice in Chains toured with the alternative music festival Lollapalooza, their last major tour with Staley. CANNOTANSWER	CANNOTANSWER	Alice in Chains (often abbreviated as AIC) is an American rock band from Seattle, Washington, formed in 1987 by guitarist and vocalist Jerry Cantrell and drummer Sean Kinney, who later recruited bassist Mike Starr and lead vocalist Layne Staley. Starr was replaced by Mike Inez in 1993. William DuVall joined the band in 2006 as co-lead vocalist and rhythm guitarist, replacing Staley, who died in 2002. The band took its name from Staley's previous group, the glam metal band Alice N' Chains. Often associated with grunge music, Alice in Chains' sound incorporates heavy metal elements. The band is known for its distinctive vocal style, which often included the harmonized vocals between Staley and Cantrell (and later Cantrell and DuVall). Cantrell started to sing lead vocals on the 1992 acoustic EP Sap, and his role continued to grow in the following albums, making Alice in Chains a two-vocal band. Alice in Chains rose to international fame as part of the grunge movement of the early 1990s, along with other Seattle bands such as Nirvana, Pearl Jam, and Soundgarden. They achieved success during the era with the albums Facelift (1990), Dirt (1992), Alice in Chains (1995), as well as the EP Jar of Flies (1994). Although never officially disbanding, Alice in Chains was plagued by extended inactivity from 1996 onward, due to Staley's substance abuse, which resulted in his death in 2002. The band regrouped in 2006, with DuVall taking over as lead vocalist full-time, and they have since released three more albums: Black Gives Way to Blue (2009), The Devil Put Dinosaurs Here (2013), and Rainier Fog (2018). Alice in Chains have sold over 30 million records worldwide, and over 14 million records in the US alone. The band has had 18 Top 10 songs on Billboard's Mainstream Rock Tracks chart, 5 No. 1 hits, and received 11 Grammy Award nominations. The band was ranked number 34 on VH1's 100 Greatest Artists of Hard Rock and was ranked as the 15th greatest live band by Hit Parader. Since its formation, Alice in Chains has released six studio albums, three EPs, three live albums, four compilations, two DVDs, 43 music videos, and 32 singles. History 1984–1989: Formation and early years Before the formation of Alice in Chains, then-drummer Layne Staley landed his first gig as a vocalist when he auditioned to sing for a local glam metal band known as Sleze after receiving some encouragement from his stepbrother Ken Elmer. Other members of this group at that time were guitarists Johnny Bacolas and Zoli Semanate, drummer James Bergstrom, and bassist Byron Hansen. This band went through several lineup changes culminating with Nick Pollock as their sole guitarist and Bacolas switching to bass before discussions arose about changing their name to Alice in Chains. This was prompted by a conversation that Bacolas had with Russ Klatt, the lead singer of Slaughter Haus 5, about backstage passes. One of the passes said "Welcome to Wonderland", and they started talking about that being a reference to Alice in Wonderland, until Klatt said, "What about Alice in Chains? Put her in bondage and stuff like that." Bacolas thought the name "Alice in Chains" was cool and brought it up to his Sleze bandmates and everyone liked it, so they decided to change the name of the band. Due to concerns over the reference to female bondage, the group ultimately chose to spell it differently as Alice N' Chains to allay any parental concerns, though Staley's mother Nancy McCallum has said she was still not happy with this name at first. According to Bacolas, the decision to use the apostrophe-N combination in their name had nothing to do with the Los Angeles band Guns N' Roses. The name change happened in 1986, a year before Guns N' Roses became a household name with their first album Appetite for Destruction, released in July 1987. Staley met guitarist Jerry Cantrell at a party in Seattle around August 1987. A few months prior, Cantrell had watched a concert of Alice N' Chains in his hometown at the Tacoma Little Theatre, and was impressed by Staley's voice. Cantrell was homeless after being kicked out of his family's house, so Staley invited Cantrell to live with him at the rehearsal studio Music Bank, and the two struggling musicians became roommates. Alice N' Chains soon disbanded, and Staley joined a funk band. Cantrell's band, Diamond Lie, broke up and he wanted to form a new band, so Staley gave him the phone number of Melinda Starr, the girlfriend of drummer Sean Kinney, so that Cantrell could talk to him. Cantrell called the number and set up a meeting with Kinney. Kinney and his girlfriend went to the Music Bank and listened to Cantrell's demos, who mentioned that they needed a bass player to jam with them, and he had someone in mind: Mike Starr, with whom Cantrell had played in a band in Burien called Gypsy Rose. Kinney then mentioned that his girlfriend was actually Mike Starr's sister, and that he had been playing in bands together with Starr since they were kids. Kinney called Starr and a few days later he started jamming with him and Cantrell at the Music Bank, but they didn't have a singer. Staley's funk band also required a guitarist at the time, and Staley asked Cantrell to join as a sideman. Cantrell agreed on condition that Staley join his band. Because Cantrell, Starr and Kinney wanted Staley to be their lead singer, they started auditioning terrible lead singers in front of Staley to send a hint. The last straw for Staley was when they auditioned a male stripper – he decided to join the band after that. Eventually the funk project broke up, and in 1987 Staley joined Cantrell's band on a full-time basis. Two weeks after the band's formation, they were playing a gig at Washington State University, trying to fill out a 40-minute set with a couple of original songs along with Hanoi Rocks and David Bowie covers. The band played a couple of gigs in clubs around the Pacific Northwest, calling themselves different monikers, including Diamond Lie, the name of Cantrell's previous band, and "Fuck", before eventually adopting the name that Staley's previous band had initially flirted with, Alice in Chains. Staley contacted his former bandmates and asked for permission to use the name. Nick Pollock wasn't particularly thrilled about it at the time and thought he should come up with a different name, but ultimately both he and James Bergstrom gave Staley their blessing to use the name. Local promoter Randy Hauser became aware of the band at a concert and offered to pay for demo recordings. However, one day before the band was due to record at the Music Bank studio in Washington, police shut down the studio during the biggest cannabis raid in the history of the state. The final demo, completed in 1988, was named The Treehouse Tapes and found its way to music managers Kelly Curtis and Susan Silver, who also managed the Seattle-based band Soundgarden. Curtis and Silver passed the demo on to Columbia Records' A&R representative Nick Terzo, who set up an appointment with label president Don Ienner. Based on The Treehouse Tapes, Terzo signed Alice in Chains to Columbia in 1989. The band also recorded another untitled demo over a three-month period in 1989. This recording can be found on the bootleg release Sweet Alice. 1990–1992: Facelift and Sap Alice in Chains soon became a top priority of the label, which released the band's first official recording in July 1990, a promotional EP called We Die Young. The EP's lead single, "We Die Young", became a hit on metal radio. After its success, the label rushed Alice in Chains' debut album into production with producer Dave Jerden. Cantrell stated the album was intended to have a "moody aura" that was a "direct result of the brooding atmosphere and feel of Seattle." The resulting album, Facelift, was released on August 21, 1990, peaking at number 42 in the summer of 1991 on the Billboard 200 chart. Facelift was not an instant success, selling under 40,000 copies in the first six months of release, until MTV added "Man in the Box" to regular daytime rotation. The single hit number 18 on the Mainstream rock charts, with the album's follow up single, "Sea of Sorrow", reaching number 27, and in six weeks Facelift sold 400,000 copies in the US. The album was a critical success, with Steve Huey of AllMusic citing Facelift as "one of the most important records in establishing an audience for grunge and alternative rock among hard rock and heavy metal listeners." Sammy Hagar claimed he invited the band to tour with Van Halen after he saw the music video for "Man In The Box" on MTV. Facelift was certified gold by the Recording Industry Association of America (RIAA) for selling a half-million copies on September 11, 1991, becoming the first album from Seattle's Grunge movement to be certified gold. The band continued to hone its audience, opening for such artists as Iggy Pop, Van Halen, Poison, and Extreme. Facelift has since been certified triple-platinum by the RIAA, for shipments of three million copies in the United States. The concert at the Moore Theatre in Seattle on December 22, 1990, was recorded and released on VHS on July 30, 1991, as Live Facelift. It features five live songs and three music videos. The home video has been certified gold by the RIAA for sales exceeding 50,000 copies. In early 1991, Alice in Chains landed the opening slot for the Clash of the Titans tour with Anthrax, Megadeth, and Slayer, exposing the band to a wide metal audience but receiving mainly poor reception. Alice in Chains was nominated for a Best Hard Rock Performance Grammy Award in 1992 for "Man in the Box" but lost to Van Halen for their 1991 album For Unlawful Carnal Knowledge. Following the tour, Alice in Chains entered the studio to record demos for its next album, but ended up recording five acoustic songs instead. While in the studio, drummer Sean Kinney had a dream about "making an EP called Sap". The band decided "not to mess with fate", and on February 4, 1992, Alice in Chains released their second EP, Sap. The EP was released while Nirvana's Nevermind was at the top of the Billboard 200 charts, resulting in a rising popularity of Seattle-based bands, and of the term "grunge music". Sap was certified gold within two weeks. The EP features Cantrell on lead vocals on the opening track, "Brother", and guest vocals by Ann Wilson from the band Heart, who joined Staley and Cantrell for the choruses of "Brother" and "Am I Inside". The EP also features Mark Arm of Mudhoney and Chris Cornell of Soundgarden, who shared vocals with Staley and Cantrell on the song "Right Turn", credited to "Alice Mudgarden" in the liner notes. In 1992, Alice in Chains appeared in the Cameron Crowe film Singles, performing as a "bar band". The band also contributed the song "Would?" to the film's soundtrack, whose video received an award for Best Video from a Film at the 1993 MTV Video Music Awards. 1992–1993: Dirt In March 1992, the band returned to the studio. With new songs written primarily on the road, the material has an overall darker feel than Facelift, with six of the album's thirteen songs dealing with the subject of addiction. "We did a lot of soul searching on this album. There's a lot of intense feelings." Cantrell said, "We deal with our daily demons through music. All of the poison that builds up during the day we cleanse when we play." On September 29, 1992, Alice in Chains released its second album, Dirt. The album peaked at number six on the Billboard 200 and since its release has been certified quadruple platinum by the RIAA, making Dirt the band's highest selling album to date. The album was a critical success, with Steve Huey of Allmusic praising the album as a "major artistic statement, and the closest they ever came to recording a flat-out masterpiece." Chris Gill of Guitar World called Dirt "huge and foreboding, yet eerie and intimate", and "sublimely dark and brutally honest." Dirt spawned five singles that reached the top 30 on the Billboard Mainstream Rock chart: "Would?", "Rooster", "Them Bones", "Angry Chair", and "Down in a Hole", and remained on the charts for nearly two years. Alice in Chains was added as openers to Ozzy Osbourne's No More Tours tour. Days before the tour began, Layne Staley broke his foot in an ATV accident, forcing him to use crutches on stage. Starr left the band shortly after the Hollywood Rock concert in Rio de Janeiro on January 22, 1993, stating that he wanted to spend more time with his family. Staley told Rolling Stone in 1994 about Starr leaving the band, "It was just a difference in priorities. We wanted to continue intense touring and press. Mike was ready to go home." Years later, Starr claimed that he was fired due to his drug addiction. Starr was replaced by former Ozzy Osbourne bassist Mike Inez. Inez had met Alice in Chains during Ozzy Osbourne's No More Tours tour and became friends with them. When the band was in Brazil, they called Inez to join them and he accepted. Inez wanted to do the shows in Brazil and even got his immunization shots, but the band called him back telling that Starr wanted to do the last two shows in Brazil, so they would meet Inez in London instead. Inez ended up getting sick with his vaccination shots for a couple of days. Inez played his first concert with Alice in Chains on January 27, 1993, at the Camden Underworld in London. In April 1993, the band recorded two songs with Inez, "What the Hell Have I" and "A Little Bitter", for the Last Action Hero soundtrack. During the summer of 1993, Alice in Chains toured with the alternative music festival Lollapalooza, their last major tour with Staley. 1993–1994: Jar of Flies Following Alice in Chains' extensive 1993 world tour, Staley said the band "just wanted to go into the studio for a few days with our acoustic guitars and see what happened." "We never really planned on the music we made at that time to be released. But the record label heard it and they really liked it. For us, it was just the experience of four guys getting together in the studio and making some music." Columbia Records released Alice in Chains' second acoustic-based EP, Jar of Flies, on January 25, 1994. Written and recorded in one week, Jar of Flies debuted at number one on the Billboard 200, becoming the first EP—and first Alice in Chains release—to top the charts. Paul Evans of Rolling Stone called the EP "darkly gorgeous", and Steve Huey said, "'Jar of Flies' is a low-key stunner, achingly gorgeous and harrowingly sorrowful all at once." Jar of Flies features Alice in Chains' first number-one single on the Mainstream Rock charts, "No Excuses". The second single, "I Stay Away", reached number ten on the Mainstream rock charts, while the final single "Don't Follow", reached number 25. Jar of Flies has been certified triple platinum by the RIAA, with over 2 million copies sold in the United States during its first year. Jar of Flies received two Grammy nominations, Best Hard Rock Performance for "I Stay Away", and Best Recording Package. After the release of Jar of Flies, Staley entered rehab for heroin addiction. The band was scheduled to tour during the summer of 1994 with Metallica, Suicidal Tendencies, Danzig, and Fight, as well as a slot during Woodstock '94, but while in rehearsal for the tour, Staley began using heroin again. Staley's condition prompted the other band members to cancel all scheduled dates one day before the start of the tour, putting the band on hiatus. Alice in Chains was replaced by Candlebox on the tour. Susan Silver's management office sent out a statement saying that the decision to withdraw from the Metallica tour and Woodstock was "due to health problems within the band." The band broke up for six months. Kinney told Rolling Stone in 1996, "Nobody was being honest with each other back then. If we had kept going, there was a good chance we would have self-destructed on the road, and we definitely didn't want that to happen in public." 1995–1996: Alice in Chains While Alice in Chains was inactive during 1995, Staley joined the "grunge supergroup" Mad Season, which also featured Pearl Jam guitarist Mike McCready, bassist John Baker Saunders from The Walkabouts, and Screaming Trees drummer Barrett Martin. Mad Season released one album, Above, for which Staley provided lead vocals and the album artwork. The album spawned a number-two Mainstream Rock chart single, "River of Deceit", as well as a home video release of Live at the Moore. In April 1995, Alice in Chains entered Bad Animals Studio in Seattle with producer Toby Wright, who had previously worked with Corrosion of Conformity and Slayer. While in the studio, an inferior version of the song "Grind" was leaked to radio, and received major airplay. On October 6, 1995, the band released the studio version of the song to radio via satellite uplink to stem excessive spread of taped copies of the song. On November 7, 1995, Columbia Records released the eponymous album, Alice in Chains, which debuted at number one on the Billboard 200 and has since been certified triple platinum. Of the album's four singles, "Grind", "Again", "Over Now", and "Heaven Beside You", three feature Cantrell on lead vocals. Jon Wiederhorn of Rolling Stone called the album "liberating and enlightening, the songs achieve a startling, staggering and palpable impact." On December 12, 1995, the band released the home video The Nona Tapes, a mockumentary featuring interviews with the band members conducted by journalist Nona Weisbaum (played by Jerry Cantrell), and the music video for "Grind". The song "Got Me Wrong" unexpectedly charted three years after its release on the Sap EP. The song was re-released as a single on the soundtrack for the independent film Clerks in 1994, reaching number seven on the Mainstream Rock Tracks chart. The band opted not to tour in support of Alice in Chains, adding to the rumors of drug abuse. Alice in Chains resurfaced on April 10, 1996, to perform their first concert in two and a half years for MTV Unplugged, a program featuring all-acoustic set lists. The performance featured some of the band's highest-charting singles, including "Rooster", "Down in a Hole", "Heaven Beside You", "No Excuses" and "Would?", and introduced a new song, "Killer Is Me", with Cantrell on lead vocals. The show marked Alice in Chains' only appearance as a five-piece band, adding second guitarist Scott Olson. A live album of the performance was released in July 1996, debuting at number three on the Billboard 200, and was accompanied by a home video release, both of which received platinum certification by the RIAA. The band also made an appearance on The Late Show with David Letterman on May 10, 1996, performing the songs "Again" and "We Die Young". Alice in Chains performed four shows supporting the reunited original Kiss lineup on their 1996–97 Alive/Worldwide Tour, including the final live appearance of Layne Staley on July 3, 1996, in Kansas City, Missouri. Shortly after the show, Staley was found unresponsive after he overdosed on heroin and was taken to the hospital. Although he recovered, the band was forced to go on hiatus. 1996–2004: Hiatus, side projects and death of Layne Staley Although Alice in Chains never officially disbanded, Staley became a recluse, rarely leaving his Seattle condominium following the death of his ex-fiancée Demri Parrott due to a drug overdose on October 29, 1996. "Drugs worked for me for years," Staley told Rolling Stone in February 1996, "and now they're turning against me ... now I'm walking through hell and this sucks. I didn't want my fans to think that heroin was cool. But then I've had fans come up to me and give me the thumbs up, telling me they're high. That's exactly what I didn't want to happen.." Unable to continue with new Alice in Chains material, Cantrell released his first solo album, Boggy Depot, in 1998, also featuring Sean Kinney and Mike Inez. Cantrell and Kinney were also featured on Metallica's 1998 album Garage Inc., both were guest musicians in the track "Tuesday's Gone", a cover of Lynyrd Skynyrd. In October 1998, Staley reunited with Alice in Chains to record two new songs, "Get Born Again" and "Died". Originally intended for Cantrell's second solo album, the songs were reworked by Alice in Chains and were released in the fall of 1999 on the box set, Music Bank. The set contains 48 songs, including rarities, demos, and previously released album tracks and singles. The band also released a 15-track compilation titled Nothing Safe: Best of the Box, serving as a sampler for Music Bank, as well as the band's first compilation album; a live album, simply titled Live, released on December 5, 2000; and a second compilation, titled Greatest Hits in 2001. In November 1998, Layne Staley recorded a cover of Pink Floyd's "Another Brick in the Wall" with the supergroup Class of '99, formed by guitarist Tom Morello of Rage Against the Machine, bassist Martyn LeNoble, drummer Stephen Perkins, both from Jane's Addiction and Porno for Pyros, and keyboardist Matt Serletic. The song was featured on the soundtrack to the 1998 horror/sci-fi film, The Faculty. After they toured as part of Cantrell's solo band in 1998, Sean Kinney and Queensrÿche guitarist Chris DeGarmo formed a new band called Spys4Darwin. Mike Inez and Sponge lead vocalist Vin Dombroski joined the supergroup soon after. The band released their first and only album in 2001, a 6-track EP entitled Microfish. In June 2001, Mike Inez joined Zakk Wylde's Black Label Society for the remaining dates of Ozzfest, following the departure of bassist Steve Gibb due to medical reasons. Inez joined the band again for their West Coast and Japanese tour in 2003. By 2002, Cantrell had finished work on his second solo album, Degradation Trip. Written in 1998, the album's lyrical content focused heavily on what Cantrell regarded as the demise of Alice in Chains, which still remained evident as the album approached its June 2002 release. However, in March that year, Cantrell commented, "We're all still around, so it's possible [Alice in Chains] could all do something someday, and I fully hope someday we will." Reflecting on the band's hiatus in a 2011 interview, Kinney said that Staley wasn't the only one battling addiction. "He was the focal point, like singers are. So they'd single him out. But the truth was, it was pretty much everybody. I definitely had my hand firmly on the wheel going off the cliff. And the reason we pulled back – you know when you stop when you have two #1 records, it's not really the greatest career move – but we did that because we love each other and we didn't want to die in public. And I know for a fact in my heart that if we were to continue that I wouldn't be on the phone right now talking to you. I wouldn't have made it. I just wouldn't have." After a decade of battling drug addiction, Layne Staley was found dead in his condominium in Seattle on April 19, 2002. The autopsy and toxicology report on Staley's body revealed that he died from a mixture of heroin and cocaine, known as "speedball". The autopsy concluded that Staley died on April 5, two weeks before his body was found. Cantrell dedicated his 2002 solo album, Degradation Trip, released two months after Staley's death, to his memory. Mike Starr later claimed on Celebrity Rehab that he was the last person to see Staley alive, and admitted to feeling guilty about not calling 911 after Staley had warned him against it. "I wish I hadn't been high on benzodiazepine [that night], I wouldn't have just walked out the door," Starr said. Following Staley's death, Mike Inez joined Heart and toured and recorded with the band from 2002 through 2006. Jerry Cantrell collaborated with several artists such as Heart, Ozzy Osbourne, and Damageplan. In 2004, Cantrell formed the band Cardboard Vampyres along with The Cult guitarist Billy Duffy, Mötley Crüe and Ratt vocalist John Corabi, The Cult bassist Chris Wyse and drummer Josh Howser. On October 22, 2004, Sony BMG terminated their contract with Alice in Chains, 15 years after the band signed with the label, in 1989. 2005–2008: Reunion shows and reformation In 2005, Sean Kinney came up with the idea of doing a benefit concert for the victims of the tsunami disaster that struck South Asia in 2004. Kinney made calls to his former bandmates, as well as friends in the music community, such as former Alice in Chains manager Susan Silver. Kinney was surprised by the enthusiastic response to his idea. On February 18, 2005, Jerry Cantrell, Mike Inez, and Sean Kinney reunited to perform for the first time in nine years at K-Rock Tsunami Continued Care Relief Concert in Seattle. The band featured Damageplan vocalist Pat Lachman, as well as other special guests including Maynard James Keenan of Tool and Ann Wilson of Heart. A few months after that experience, the band called Susan Silver and Cantrell's manager Bill Siddons and said they wanted to tour as Alice in Chains again. Alice in Chains was approached by the producers of the CBS reality show Rock Star about being featured on its second season, but the band turned the offer down. In the show, aspiring singers competed to become the lead vocalist of a featured group. On March 10, 2006, the surviving members performed at VH1's Decades Rock Live concert, honoring fellow Seattle musicians Ann and Nancy Wilson of Heart. They played "Would?" with vocalist Phil Anselmo of Pantera and Down and bass player Duff McKagan of Guns N' Roses and Velvet Revolver, and at the end of the performance Cantrell dedicated the show to Layne Staley and the late Pantera and Damageplan guitarist Dimebag Darrell. They also played "Rooster" with Comes with the Fall vocalist William DuVall and Ann Wilson. The band followed the concert with a short United States club tour named "Finish What We Started", several festival dates in Europe, and a brief tour in Japan. Duff McKagan again joined the band for the reunion tour, playing rhythm guitar on selected songs. During the tour, the band played a 5-minute video tribute to Staley during the changeover from the electric to acoustic set. To coincide with the band's reunion, Sony Music released the long-delayed third Alice in Chains compilation, The Essential Alice in Chains, a double album that includes 28 songs. Jerry Cantrell met William DuVall in Los Angeles in 2000 through a mutual acquaintance who introduced Cantrell to Comes with the Fall's first album. Cantrell started hanging out with the band and occasionally joined them onstage. Between 2001 and 2002, Comes with the Fall was both the opening act on Cantrell's tour for his second solo album, Degradation Trip, and also his backing band, with DuVall singing Staley's parts at the concerts. DuVall joined Alice in Chains as lead singer during the band's reunion concerts in 2006, and made his first public performance with the band at VH1's Decades Rock Live concert. According to Cantrell, it only took one audition for DuVall to get the gig. For his first rehearsal with the band, DuVall sang "Love, Hate, Love". After they finished, Sean Kinney looked at his bandmates and said, "I think the search is pretty much over." According to Mike Inez, DuVall didn't try to emulate Staley, and that's what drew them to him. Cantrell revealed that before he suggested DuVall for the band, Sean Kinney and Mike Inez invited Sponge and Spys4Darwin lead vocalist Vin Dombroski to jam with the band in their rehearsal space. Dombroski jammed with them to a couple of songs but they did not feel he was right for the band. According to Cantrell, Stone Temple Pilots and Velvet Revolver lead singer Scott Weiland was also interested in joining the band. Cantrell explained the reunion saying, "We want to celebrate what we did and the memory of our friend. We have played with some [singers] who can actually bring it and add their own thing to it without being a Layne clone. We're not interested in stepping on [Staley's] rich legacy. It's a tough thing to go through. Do you take the Led Zeppelin approach and never play again, because the guy was that important? That's the approach we've taken for a lot of years. Or, do you give it a shot, try something? We're willing to take a chance on it. It's completely a reunion because the three of us who're left are back together. But it's not about separating and forgetting — it's about remembering and moving on." Before the tour, Kinney mentioned in an interview that he would be interested in writing new material, but not as Alice in Chains. During the VH1 Rock Honors concert honoring Heart on May 12, 2007, Alice in Chains performed Heart's "Barracuda" fronted by country singer Gretchen Wilson. Heart's guitarist Nancy Wilson also joined them onstage. Alice in Chains joined Velvet Revolver for a run of U.S. and Canadian gigs from August through October 2007. During that tour, the band also performed four special acoustic-only shows, named as "The Acoustic Hour". The acoustic performance at The Rave/Eagles Club in Milwaukee, Wisconsin on August 31, 2007, was recorded for an upcoming live album. On November 2, 2007, Alice in Chains performed a four-song set at Benaroya Hall in Seattle for Matt Messina and the Symphony Guild's 10th anniversary benefit concert for the Seattle Children's Hospital & Regional Medical Center. In addition to the band's original material, they also played a cover of Led Zeppelin's "Kashmir" while backed by over 200 musicians, including the Northwest Symphony Orchestra and the Northwest Girlchoir. Sean Kinney said about the band's reunion: "I never called Jerry; he never called me, and said, 'Hey, let's get the band back together,' you know? We had been taking every step extremely cautious and slow, and just doing whatever feels right: If it's genuine and we're doing it for genuine reasons and we're all okay with it then we take a little step. None of us is broke. Nobody needs to be a rock dork, and you know, stroke their ego. I mean, we don't really operate like that. So as long as it felt good and from the right place and it's about making music and carrying on…." About the pressure being put on DuVall for replacing Staley as lead vocalist, Cantrell said, "To put all that weight on Will's shoulders is unfair. We're just figuring out how we work as a team. Although the band has changed, we've lost Layne, we've added Will, and there was no master plan. Playing again in 2005 felt right, so we did the next thing and toured. We did it step by step. It's more than just making music, and it always has been. We've been friends a long time. We've been more of a family than most, and it had to be okay from here," Cantrell said pointing to his heart. Former The Doors manager Bill Siddons and his management company, Core Entertainment, co-managed Alice in Chains with original manager Susan Silver from 2005 to 2007. The band started writing and demoing songs for a new album with DuVall in April 2007. But the band did not show further signs of progress until October 2008, when they announced that they had begun recording with producer Nick Raskulinecz in the studio. 2008–2011: Black Gives Way to Blue and death of Mike Starr Blabbermouth.net reported on September 5, 2008, that Alice in Chains would enter the studio that October to begin recording a new album for a summer 2009 release. On September 14, 2008, Alice in Chains performed at halftime during the Seattle Seahawks vs San Francisco 49ers game at the CenturyLink Field (then-named Qwest Field) in Seattle. The 12-minute performance for a crowd of 67,000 people featured a cover of Led Zeppelin's "Kashmir" accompanied by the Northwest Symphony Orchestra. In October 2008, Alice in Chains began recording its fourth studio album at the Foo Fighters' Studio 606 in Los Angeles with producer Nick Raskulinecz. The band did not have a record label at the time and the album was funded by Jerry Cantrell and Sean Kinney. At the Revolver Golden God Awards, Cantrell said that the group had finished recording on March 18, 2009, and were mixing the album for a September release. The recording process was completed on Cantrell's 43rd birthday and also the same day that William DuVall's son was born. In April 2009, it was reported that the new Alice in Chains album would be released by Virgin/EMI, making it the band's first label change in its 20-plus year career. Susan Silver, who started managing Alice in Chains in 1988, now co-manages the band with David Benveniste and his Velvet Hammer firm. On June 11, 2009, Blabbermouth.net reported that the new album would be titled Black Gives Way to Blue and was officially set to be released on September 29, 2009. The title first appeared on Amazon.com without any prior announcement from the band. In addition, it was announced that Elton John plays piano on the title track, a tribute to Layne Staley written and sung by Cantrell. The album features new vocalist and rhythm guitarist William DuVall sharing vocal duties with lead guitarist/vocalist Jerry Cantrell, who sings lead vocals on most of the songs. DuVall sings lead vocals on the song "Last of My Kind". On June 30, 2009, the song "A Looking in View" was made available for purchase via iTunes and Amazon, and for a limited time it was available as a free download through the official Alice in Chains website in early July. Although it was not the album's first radio single, Rock stations across the U.S. started playing the song. The music video for "A Looking in View" debuted via the band's official website on July 7, 2009. The song was nominated for a Grammy Award for Best Hard Rock Performance. "Check My Brain" was released to radio stations as the first official single from the album on August 14, 2009, and was made available for purchase on August 17, 2009. The music video for "Check My Brain" premiered on September 14, 2009. The song was also nominated for a Grammy Award for Best Hard Rock Performance. To promote the album, the band released an EPK featuring all four of the members being interviewed while the Kiss makeup is being applied on them. An app for iPhone was released on October 27, 2009, featuring songs, music videos, news, photos and networking. Sean Kinney said about the new album and the fans' mixed reactions about the band moving on after Staley's death: "Look, it's a big move to fucking stand up and move on. Some people, the music connected with them so strongly, their opinions, how they feel about it ... It's amazing that they have such a connection but they seem to act like it happened to them. This happened to us and Layne's family, not them. This is actually our lives. If we're okay with it, why can't you be? This happened to us, this didn't happen to you. But this album isn't about that, it's a bigger universal point. We're all going to fucking die, we're all going to lose somebody, and it fucking hurts. How do you move on? This record is us moving on, and hurting. That, to me, is a victory. I already feel like I've won." "Sometimes people ask us, 'Wouldn't Layne have been pissed off that we did this?' And I tell them it would have been the opposite: he would have been pissed off that it took us so long to do this. We're not doing this for money; there is no money in the music business anymore. Jerry and I funded the whole album, and we spent lots of our own money, because we believe in this. And one of the reasons I'm doing this is so more light is turned on to something where the light was turned off." And Cantrell added: "We've toured around the world, we've lost some friends, we buried a dear friend, and somebody that you just can't fucking replace, and then we've chosen by circumstance to get together again. That turned into 'maybe we can fucking do this.' And that turned into this." In September 2008, it was announced that Alice in Chains would headline Australia's Soundwave Festival in 2009, alongside Nine Inch Nails and Lamb of God. In February 2009, it was also announced that Alice in Chains would play at the third annual Rock on the Range festival. On August 1, 2009, Alice in Chains performed, along with Mastodon, Avenged Sevenfold, and Glyder, at Marlay Park, Dublin as direct support to Metallica. The band made an appearance on Later... with Jools Holland on November 10, 2009, performing "Lesson Learned", "Black Gives Way to Blue", and "Check My Brain" as the final performance of the episode. To coincide with the band's European tour, Alice in Chains released its next single, "Your Decision", on November 16, 2009, in the UK and on December 1 in the US. The last single from the album was "Lesson Learned", and it was released to rock radio on June 22, 2010. Black Gives Way to Blue debuted at No. 5 on the Billboard 200. On May 18, 2010, the album was certified gold by the RIAA for selling over 500,000 copies in the U.S. The singles "Check My Brain" and "Your Decision" reached No. 1 on Billboard's Mainstream Rock Tracks, while "Lesson Learned" reached No. 4. "Check My Brain" was also the band's first #1 song on the Alternative Songs chart, and on the Hot Rock Songs chart, it also reached No. 92 on Billboard's Hot 100, becoming the band's first single to appear on the chart. Along with Mastodon and Deftones, Alice in Chains toured the United States and Canada in late 2010 on the Blackdiamondskye tour, an amalgam of the three bands' latest album titles (Black Gives Way to Blue, Diamond Eyes, and Crack the Skye). On March 8, 2011, former Alice in Chains bassist Mike Starr was found dead at his home in Salt Lake City. Police told Reuters they were called to Starr's home at 1:42 pm and found his body; Starr was 44. Reports later surfaced that Starr's roommate had seen him mixing methadone and anxiety medication hours before he was found dead. Later reports indicated Starr's death may have been linked to two different types of antidepressants prescribed to him by his doctor. A public memorial was held for Starr at the Seattle Center's International Fountain on March 20, 2011. A private memorial was also held, which Jerry Cantrell and Sean Kinney attended according to Mike Inez. 2011–2016: The Devil Put Dinosaurs Here On March 21, 2011, Alice in Chains announced that they were working on a fifth studio album, and both Cantrell and Inez later made statements that they had begun the recording process. The album was expected to be finished by summer of 2012 and released by the end of 2012 or beginning of 2013. While Alice in Chains were writing for the album in 2011, Cantrell underwent surgery on his right shoulder, which delayed recording the new material. In an interview published in May 2012, Cantrell explained, "The thing that set me back is I had some bone spurs [and] cartilage issues in my shoulders. I had the same issue in the other shoulder about six years ago so I've had them both done now. It's a repetitive motion injury from playing." Cantrell could not play guitar for eight months while he was recovering from surgery. While recuperating at home in a sling, Cantrell heard a riff in his head and sang it into his phone. The riff later became the song "Stone". Alice in Chains played their first concert in nearly 10 months and their first concert after Cantrell's shoulder surgery at the Winstar Casino in Thackerville, Oklahoma on August 13, 2011. The band's only concert in 2012 was a five-song acoustic set on May 31 at the eighth annual MusiCares MAP Fund Benefit Concert honoring Jerry Cantrell. On December 4, 2012, Cantrell confirmed that the new album had been completed. The first single, "Hollow", debuted online on December 18, available for digital download in January 2013, along with an official music video. On February 13, 2013, Alice in Chains posted on Facebook that their new album title would be an anagram of the letters H V L E N T P S U S D A H I E E O E D T I U R R. The next day they announced that the album would be called The Devil Put Dinosaurs Here, which was released on May 28, 2013, and debuted at No. 2 on the Billboard 200. To promote the album, Alice in Chains teamed up with Funny or Die for an 11-minute mockumentary titled AIC 23, in which Film Studies professor Alan Poole McLard (played by W. Earl Brown) attempts to make a documentary on Alice in Chains without any help from the actual band, interviewing other musicians instead. Among them are country singer Donnie 'Skeeter' Dollarhide Jr. (played by Jerry Cantrell), Reggae singer Nesta Cleveland (played by William DuVall), Black Metal musician Unta Gleeben Glabben Globben Globin (played by Mike Inez) and the hipster Stanley Eisen (played by Sean Kinney). The video was released on April 3, 2013, and also features cameos by Ann and Nancy Wilson from Heart, Mike McCready from Pearl Jam, Kim Thayil from Soundgarden, Duff McKagan from Guns N' Roses, Brent Hinds and Bill Kelliher from Mastodon, and Lars Ulrich and Robert Trujillo from Metallica. In June 2013, the band released a pinball game app for iOS as part of Pinball Rocks HD compilation, featuring the single "Hollow", the band's logo and the album artwork, as well as references to the band's previous albums such as Jar of Flies and the self-titled record. The band released videos for the songs "Hollow", "Stone", "Voices", the title track and "Phantom Limb". "Hollow" and "Stone" reached No. 1 on Billboard's Mainstream Rock Tracks, while "Voices" reached No. 3, and each one of the three songs stayed on the chart for 20 weeks. The Devil Put Dinosaurs Here was nominated for a Grammy Award for Best Engineered Album, Non-Classical in 2014. Alice in Chains toured extensively in the U.S., Canada, and Europe in 2013 and 2014. In May 2013, the band co-headlined the annual MMRBQ festival with Soundgarden in Camden, New Jersey. Asked in September 2013 if Alice in Chains would make another album, Cantrell replied, "It'll be a while. It's [been] four years since we put the last one out, but at least it's not the gap that was between the last one, so that's about right - about three to four years." On January 18, 2015, Alice in Chains performed in the halftime show of the NFC Championship Game between the Seattle Seahawks and the Green Bay Packers at CenturyLink Field in Seattle. Cantrell is a lifelong Seahawks fan and often attends their games. In August 2015, Bassist Mike Inez said that the band had been "throwing around riffs for a new record" and "taking it nice and slow". The band toured in the summer of 2015 and the summer of 2016, including select shows opening for Guns N' Roses as part of the Not in This Lifetime... Tour. The band finished their 2016 tour with a concert at the Grand Sierra Resort and Casino in Reno, Nevada on October 8, 2016. In November 2016, Alice in Chains released a cover of the Rush song "Tears", which was included in the 40th anniversary release of the album 2112. The home video Live Facelift was released on vinyl for the first time on November 25, 2016, as part of Record Store Day's Black Friday event. The album features six songs and only 5000 copies were issued. To celebrate the tenth anniversary of Record Store Day, on April 22, 2017, Legacy Recordings released "Get Born Again"/"What the Hell Have I", a special 45 RPM double 7" single featuring four tracks remastered and available on vinyl for the first time, "What the Hell Have I", "A Little Bitter", "Get Born Again" and "Died". 2017–present: Rainier Fog In January 2017, Mike Inez stated in an interview that the band had begun work on a new album. In June 2017, it was reported that the band would return to Studio X (formerly Bad Animals Studios) in Seattle to record a new album later that month, for a tentative early 2018 release. The sessions were helmed by Nick Raskulinecz, who produced the band's last two albums. Studio X was the studio where Alice in Chains recorded its 1995 self-titled album. According to Inez, the band was not signed to a label, having completed its previous two-record contract with the Universal Music Group. "This [upcoming album], we're not sure where it's gonna land ... I mean, we financed ['Black Gives Way To Blue'] on our own too, so we're not too worried about that stuff. We've just gotta get it out to ... a significant label [with worldwide distribution]." The band started recording their sixth studio album on June 12, 2017. On January 11, 2018, producer Nick Raskulinecz announced via Instagram that the album was nearly finished and that there was only one more day left of recording. During an interview with Guitar World published on April 11, 2018, Jerry Cantrell said that the album was recorded at four studios. After recording at Studio X in Seattle, the band went to Nashville to record vocals and lead guitars at Nick Raskulinecz's home studio. But Cantrell had to take an unexpected break from work for a couple of weeks after getting sick on a trip to Cabo for Sammy Hagar's birthday. Cantrell had the band's engineer, Paul Figueroa, come in to his house and record a lot of his vocals and solos there. The band finished recording the album at the Henson Recording Studios in Los Angeles. Cantrell also said he expects the album to be released "probably sometime this summer." At the press room of the Rock and Roll Hall of Fame Induction Ceremony on April 14, 2018, Cantrell revealed that Alice in Chains had just signed with BMG, and that they had finished mixing their new album. Alice in Chains did not perform live in 2017. The band performed their first concert since October 2016 at the House of Blues in Boston on April 28, 2018. In May 2018, Alice in Chains headlined the festivals Carolina Rebellion, Lunatic Luau, Pointfest, Northern Invasion, the WMMR BBQ festival in Philadelphia, and the Rock on the Range festival in Columbus, Ohio on May 18, 2018, in which they paid tribute to Chris Cornell on the first anniversary of his death covering two Soundgarden songs to close their set, "Hunted Down" and "Boot Camp", respectively. At the end of the show, the lights on stage spelled out "CC" for Chris Cornell and "SG" for Soundgarden as feedback rang out. The band started their European tour in June 2018, and headlined the Tons Of Rock Festival in Norway alongside Ozzy Osbourne and Helloween. Alice in Chains are also scheduled to headline KISW's Pain in the Grass festival in August 2018. The band released a new single, "The One You Know", via Spotify, Amazon and iTunes on May 3, 2018. A music video directed by Adam Mason was released on YouTube the same day. "The One You Know" peaked at No. 9 on Billboard's Mainstream Rock chart. During an interview with Eddie Trunk on Trunk Nation on May 7, 2018, Jerry Cantrell said that the new album would be released at the end of August 2018. The band also revealed that they talked to director Adam Mason, who is making a dark sci-film, about doing two separate pieces of art and maybe molding them together, and that the music video for "The One You Know" is the first chapter of molding Mason's film and the band's music videos together. The second single, "So Far Under", was released on Alice in Chains' YouTube channel and on streaming platforms on June 27, 2018. It was also announced that the album would be titled Rainier Fog, with the release date scheduled for August 24, 2018. The album's artwork and the track listing were also revealed on the same day. Jerry Cantrell told Rolling Stone that the title Rainier Fog was inspired by the Mount Rainier in Seattle, and the title track is a tribute to the Seattle music scene. "This song is a little homage to all of that: where we come from, who we are, all of the triumphs, all of the tragedies, lives lived." The album's third single, "Never Fade", was released on August 10, 2018, through digital and streaming services. The song is a tribute dedicated to frontman William DuVall's grandmother, Chris Cornell, and Alice in Chains' original singer Layne Staley. "Never Fade" peaked at No. 10 on Billboard's Mainstream Rock chart. A music video directed by Adam Mason was released on November 1, 2018, and continued the storyline from the music video of "The One You Know". In June 2018, William DuVall said in an interview with Swedish website Rocksverige that the music video for "The One You Know" is the first chapter of what the band is hoping will be visuals for all ten songs from the album Rainier Fog, and in addition to that, will be a companion piece to the film that director Adam Mason was shooting. On August 20, 2018, the baseball team Seattle Mariners hosted a special "Alice in Chains Night" at the Safeco Field in Seattle to promote Rainier Fog, with the team offering the fans a package that included a Safeco Field terrace club ticket, access to a pre-game listening party of the album, an Alice in Chains T-shirt and a Rainier Fog CD. Jerry Cantrell also threw out the ceremonial first pitch and delivered a strike before the Seattle Mariners vs. Houston Astros game. To mark the launch of the album, on August 21, 2018, Alice in Chains performed an acoustic set at the top of Seattle's Space Needle and debuted the song "Fly". Alice in Chains were the first band to perform on the Space Needle's new "Loupe" glass floor, the world's first and only revolving glass floor 500 feet high. The concert was exclusive for an audience of SiriusXM subscribers. SiriusXM broadcast the concert on their channel Lithium on August 31, 2018. On August 22, 2018, Alice in Chains sent fans on a Scavenger hunt to access a secret gig that the band would be performing in Seattle on August 24. Ten signed CD copies of Rainier Fog were hidden around the city as a ticket into the show, and the band asked the fans to keep an eye on their Instagram story for details on the 10 hidden locations. Once all 10 albums were found, the band revealed that the secret gig would be at the rock club The Crocodile, with limited tickets available with the purchase of their album at a pop-up event at the same venue the next day. Preview clips of each of the album tracks were posted on the band's Instagram. The band also commemorated the release of the album with a pop-up museum installation at The Crocodile in Seattle on August 23 and 24. The museum featured rare Alice in Chains photos, limited-edition merchandise and memorabilia that showcased the band's 30+ year career. Rainier Fog debuted at No. 12 on the Billboard 200 chart, selling 31,000 copies (29,000 in traditional album sales), in its first week of release. The album also debuted at No. 1 on Billboard's Top Rock Albums, Alternative Albums and Hard Rock Albums charts, and at No. 3 on the Vinyl Albums chart. Rainier Fog became Alice in Chains' first top 10 in the UK, peaking at No. 9, and topping UK's Rock & Metal Albums chart. The album has been nominated for a Grammy Award for Best Rock Album. On December 13, 2018, the teaser of the film Black Antenna featuring the song "Rainier Fog" was released on Alice in Chains' official YouTube channel, with drummer Sean Kinney stating; "We've always toyed with the idea of creating videos for every song on one of our albums. Not only did we do that for Rainier Fog, it got totally out of hand and we made a whole goddamn movie. Everything that will be seen in the videos will be footage from Black Antenna to preface the complete film's release." "Rainier Fog" was released as a single on February 26, 2019. The official trailer for Black Antenna was released on Alice In Chains' YouTube Channel on February 28, 2019. Besides a 90-minute film, a 10-part web-series focused on each track from the album will also be released. Episodes 1 and 2, "The One You Know" and "Rainier Fog", respectively, were released on March 7, 2019. The tenth and last episode, "All I Am", was released on July 17, 2019. The official music video for "Rainier Fog" was released on YouTube on May 15, 2019, and was co-directed by Alice in Chains and Peter Darley Miller, who also directed the band's 2013 mockumentary, AIC 23. On December 1, 2020, Alice in Chains was honored with the Founders Award from Seattle's Museum of Pop Culture. The benefit concert featured tribute performances from artists such as Ann Wilson, Korn, Metallica, Fishbone, Dallas Green, Billy Corgan, Tad Doyle, members of Soundgarden and Pearl Jam, among others. The event was made available for streaming for free and raised more than $600,000 for the museum in its first night. A compilation featuring highlights from the tribute was made available for streaming on Amazon Music. Musical style Although Alice in Chains has been labeled grunge by the mainstream media, Jerry Cantrell identifies the band as primarily heavy metal. He told Guitar World in 1996, "We're a lot of different things ... I don't quite know what the mixture is, but there's definitely metal, blues, rock and roll, maybe a touch of punk. The metal part will never leave, and I never want it to." The Edmonton Journal has stated, "Living and playing in Seattle might have got them the grunge tag, but they've always pretty much been a classic metal band to the core." Over the course of their career, the band's sound has also been described as alternative metal, sludge metal, doom metal, drone rock, hard rock, and alternative rock. Regarding the band's constant categorization by the media, Cantrell stated "When we first came out we were metal. Then we started being called alternative metal. Then grunge came out and then we were hard rock. And now, since we've started doing this again I've seen us listed as: hard rock, alternative, alternative metal and just straight metal. I walked into an HMV the other day to check out the placement and see what's on and they've got us relegated back into the metal section. Right back where we started!" Drummer Sean Kinney rejects the grunge label, stating in a 2013 interview "I mean, before we first came out there was no grunge, they hadn't invented that word. Before they invented the word grunge we were alternative rock and alternative metal and metal and rock, and we didn't give a shit whatever, we were a rock and roll band!." According to Mike Inez, they were always the metal stepchildren of the Seattle scene. The band are influenced to a great extent by English metal music; in 2018, Jerry Cantrell proclaimed Black Sabbath guitarist Tony Iommi as "one of his biggest" inspirations, whilst Layne Staley named his "first influences" as Black Sabbath and Deep Purple. Cantrell adjudged English rock singer Elton John as "the artist that made me want to be a musician." In addition, members of Alice in Chains have cited artists including AC/DC, Accept, Aerosmith, The Beatles, Black Flag, David Bowie, John Coltrane, Miles Davis, Dio, Funkadelic, Hanoi Rocks, Heart, Jimi Hendrix, Iron Maiden, King's X, Kiss, Led Zeppelin, Metallica, Motörhead, Mudhoney, Pink Floyd, Queensrÿche, the Rolling Stones, Rush, Scorpions, Soundgarden, The Stooges, Television, Thin Lizzy, U2, UFO, Van Halen, The Velvet Underground, Hank Williams, and ZZ Top as influential or inspirational. Jerry Cantrell's guitar style combines "pummeling riffs and expansive guitar textures" to create "slow, brooding minor-key grinds". He is also recognized for his natural ability to blend acoustic and electric guitars. While down-tuned, distorted guitars mixed with Staley's distinctive "snarl-to-a-scream" vocals appealed to heavy metal fans, the band also had "a sense of melody that was undeniable," which introduced Alice in Chains to a much wider audience outside of the heavy metal underground. According to Stephen Thomas Erlewine of AllMusic, Alice in Chains' sound has a "Black Sabbath-style riffing and an unconventional vocal style." The band has been described by Erlewine as "hard enough for metal fans, yet their dark subject matter and punky attack placed them among the front ranks of the Seattle-based grunge bands." Three of the band's releases feature acoustic music, and while the band initially kept these releases separate, Alice in Chains' self-titled album combined the styles to form "a bleak, nihilistic sound that balanced grinding hard rock with subtly textured acoustic numbers." Alice in Chains is also noted for the unique vocal harmonies of Staley (or DuVall) and Cantrell, which included overlapping passages, dual lead vocals, and trademark harmonies typically separated by a major third. Cantrell said it was Staley who gave him the self-assurance to sing his own songs. Alyssa Burrows said the band's distinctive sound "came from Staley's vocal style and his lyrics dealing with personal struggles and addiction." Staley's songs were often considered "dark", with themes such as drug abuse, depression, and suicide, while Cantrell's lyrics often dealt with personal relationships. Legacy Alice in Chains has sold over 14 million records in the United States, and over 30 million records worldwide, released two number-one albums, had 23 top 40 singles, and has received eleven Grammy Award nominations. The band was ranked number 34 on VH1's 100 Greatest Artists of Hard Rock. Alice in Chains was named 15th greatest live band by Hit Parader, with Staley placing as 27th-greatest heavy metal vocalist of all time. The band's second album, Dirt, was named 5th-best album in the last two decades by Close-Up magazine in 2008. In October 2008, Guitar World ranked Cantrell's solo in "Man in the Box" at No. 77 on their list of "100 Greatest Guitar Solos". In August 2009, Alice in Chains won the Kerrang! Icon Award. In November 2011, Jar of Flies was ranked number four on Guitar World magazine's top ten list of guitar albums of 1994. It was also featured in Guitar World magazine's "Superunknown: 50 Iconic Albums That Defined 1994" list, and in May 2014, the EP was placed at number five on Loudwire's "10 Best Hard Rock Albums of 1994" list. Pantera and Damageplan guitarist Dimebag Darrell had expressed his admiration for Cantrell's guitar work in an interview for Guitar International in 1995, saying that "the layering and the honest feel that Jerry Cantrell gets on [Alice in Chains' Dirt] record is worth a lot more than someone who plays five million notes." Street musician Wesley Willis wrote a song about the band entitled "Alice in Chains", featured on his 1996 album Feel The Power. Billy Corgan revealed that the song "Bleeding The Orchid" from The Smashing Pumpkins' 2007 album Zeitgeist has a bit of an homage to Alice in Chains in the harmonies and was indirectly inspired by the death of Staley. Elton John stated that he is a fan of Alice in Chains and a big admirer of Cantrell. According to Jon Wiederhorn of MTV, Godsmack has "sonically followed Alice in Chains' lead while adding their own distinctive edge." Godsmack singer and founder Sully Erna has also cited Staley as his primary influence. Godsmack was named after the Alice in Chains song "God Smack" from the album Dirt. Staind has covered Alice in Chains' song "Nutshell" live, which appears on the compilation The Singles: 1996-2006, and also wrote a song entitled "Layne", dedicated to Staley, on the album 14 Shades of Grey. Three Days Grace also performs a cover of "Rooster", which can be seen on the DVD Live at the Palace. Other bands that have been influenced by Alice in Chains include 10 Years, Avenged Sevenfold, Breaking Benjamin, Creed, Dallas Green, Days of the New, Hoobastank, Incubus, Korn, Manic Street Preachers, Mudvayne, Nickelback, A Pale Horse Named Death, Puddle of Mudd, Queens of the Stone Age, Rains, Seether, Smile Empty Soul, Stone Sour, Tantric, Taproot, and Theory of a Deadman. Metallica said they have always wanted to tour with the band, citing Alice in Chains as a major inspiration for their 2008 release, Death Magnetic. Alice in Chains has also had a significant influence on modern heavy metal. Their songs were covered by various metal bands such as In Flames, Opeth, Dream Theater, Secrets of the Moon, Suicide Silence, 36 Crazyfists, Cane Hill, Ektomorf, Dritt Skitt, Grave and Thou, who described their 2018 EP Rhea Sylvia as "a melodic grunge, Alice in Chains homage." In 2009, Anders Fridén of Swedish melodic death metal band In Flames cited Layne Staley as an inspiration for his vocals on the band's later albums. In addition to fellow musicians, the band has also received praise from critics, with Steve Huey of AllMusic calling them "one of the best metal bands of the '90s" upon reviewing the 1999 compilation Nothing Safe. In 2009, the Vitamin String Quartet released the album The String Quartet Tribute to Alice in Chains, featuring instrumental versions on viola, violin and cello of 12 of the band's biggest hits. In August 2015, journalist David de Sola published the biography Alice in Chains: The Untold Story. An updated version covering the period from 2014 to 2017 was published in November 2018. Neither the band nor their management had any involvement with the book. Sources tied directly to the band were interviewed instead. In June 2017, Metal Injection ranked Alice in Chains at number 1 on their list of "10 Heaviest Grunge Bands". Ozzy Osbourne ranked Facelift among his list of "10 Favorite Metal Albums". The claymation dolls of the band members used in the music video for "I Stay Away" are on display at the Rock and Roll Hall of Fame museum in Cleveland, Ohio. Band members Current members Jerry Cantrell – lead guitar, lead vocals (1987–2002, 2005–present), rhythm guitar (1987–2002, 2005–2006) Sean Kinney – drums, backing vocals (1987–2002, 2005–present) Mike Inez – bass, backing vocals (1993–2002, 2005–present) William DuVall – lead vocals, rhythm guitar (2006–present) Former members Layne Staley – lead vocals (1987–2002), occasional rhythm guitar (1992–2002; died 2002) Mike Starr – bass, backing vocals (1987–1993; died 2011) Touring members Maynard James Keenan – lead vocals (2005) Timeline Discography Studio albums Facelift (1990) Dirt (1992) Alice in Chains (1995) Black Gives Way to Blue (2009) The Devil Put Dinosaurs Here (2013) Rainier Fog (2018) Awards and nominations References External links VH1 Classic: Alice In Chains 1987 establishments in Washington (state) 2002 disestablishments in Washington (state) 2005 establishments in Washington (state) American alternative metal musical groups Columbia Records artists EMI Records artists American grunge groups Heavy metal musical groups from Washington (state) Kerrang! Awards winners Musical groups established in 1987 Musical groups disestablished in 2002 Musical groups reestablished in 2005 Musical groups from Seattle Musical quartets Virgin Records artists Capitol Records artists	false	[ "Follow Me is the second album of Dutch singer Do.\n\nIt did well in the Netherlands, debuting at #8 in the Mega Top 100 (album chart).\n\nAlbum information\nAfter her successful debut album Do she began working on her second album with her best friend and musical partner Glenn Corneille. They made a basis for the next album but Glenn Corneille died in a car disaster. However, Do needed to go on, so she started again where she left off.\n\nThe album contains 12 songs. Do co-wrote 3 songs; Love Me, Tune Into Me and When Everything is Gone. It features several different music genres, such as Pop, Jazz, Gospel and Country.\n\nTrack listing\n\nChart positions\n\nReferences\n.\n\n2006 albums\nDo (singer) albums\nSony BMG albums", "Do-support (or do-insertion), in English grammar, is the use of the auxiliary verb do, including its inflected forms does and did, to form negated clauses and questions as well as other constructions in which subject–auxiliary inversion is required.\n\nThe verb \"do\" can be used as an auxiliary even in simple declarative sentences, and it usually serves to add emphasis, as in \"I did shut the fridge.\" However, in the negated and inverted clauses referred to above, it is used because the conventions of Modern English syntax permit these constructions only when an auxiliary is present. It is not idiomatic in Modern English to add the negating word not to a lexical verb with finite form; not can be added only to an auxiliary or copular verb. For example, the sentence I am not with the copula be is fully idiomatic, but I know not with a finite lexical verb, while grammatical, is archaic. If there is no other auxiliary present when negation is required, the auxiliary do is used to produce a form like I do not (don't) know. The same applies in clauses requiring inversion, including most questions: inversion must involve the subject and an auxiliary verb so it is not idiomatic to say Know you him?; today's English usually substitutes Do you know him?\n\nDo-support is not used when there is already an auxiliary or copular verb present or with non-finite verb forms (infinitives and participles). It is sometimes used with subjunctive forms. Furthermore, the use of do as an auxiliary should be distinguished from the use of do as a normal lexical verb, as in They do their homework.\n\nCommon uses\nDo-support appears to accommodate a number of varying grammatical constructions:\nquestion formation,\nthe appearance of the negation not, and\nnegative inversion.\nThese constructions often cannot occur without do-support or the presence of some other auxiliary verb.\n\nIn questions\nThe presence of an auxiliary (or copular) verb allows subject–auxiliary inversion to take place, as is required in most interrogative sentences in English. If there is already an auxiliary or copula present, do-support is not required when forming questions:\n\n He will laugh. → Will he laugh? (the auxiliary will inverts with the subject he)\n She is at home. → Is she at home? (the copula is inverts with the subject she)\n\nThis applies not only in yes–no questions but also in questions formed using interrogative words:\n\n When will he laugh?\n\nHowever, if there is no auxiliary or copula present, inversion requires the introduction of an auxiliary in the form of do-support:\n\n I know. → Do I know? (Compare: Know I?)\n He laughs. → Does he laugh? (Compare: Laughs he?)\n She came home. → Did she come home? (Compare: Came she home?)\n\nThe finite (inflected) verb is now the auxiliary do; the following verb is a bare infinitive which does not inflect: does he laugh? (not laughs); did she come? (not came).\n\nIn negated questions, the negating word not may appear either following the subject, or attached to the auxiliary in the contracted form n't. That applies both to do-support and to other auxiliaries:\n\n Why are you not playing? / Why aren't you playing?\n Do you not want to try? / Don't you want to try?\n\nThe above principles do not apply to wh-questions if the interrogative word is the subject or part of the subject. Then, there is no inversion and so there is no need for do-support: Who lives here?, Whose dog bit you?\n\nThe verb have, in the sense of possession, is sometimes used without do-support as if it were an auxiliary, but this is considered dated. The version with do-support is also correct:\n\n Have you any idea what is going on here?\n Do you have any idea what is going on here?\n (Have you got any idea what is going on here? – the order is similar to the first example, but have is an auxiliary verb here)\n\nFor elliptical questions and tag questions, see the elliptical sentences section below.\n\nWith not\nIn the same way that the presence of an auxiliary allows question formation, the appearance of the negating word not is allowed as well. Then too, if no other auxiliary or copular verb is present, do-support is required.\n\n He will laugh. → He will not laugh. (not attaches to the auxiliary will)\n She laughs. → She does not laugh. (not attaches to the added auxiliary does)\n\nIn the second sentence, do-support is required because idiomatic Modern English does not allow forms like She laughs not. The verb have, in the sense of possession, is sometimes negated thus:\n\n I haven't the foggiest idea.\n\nMost combinations of auxiliary/copula plus not have a contracted form ending in -n't, such as isn't, won't, etc. The relevant contractions for negations formed using do-support are don't, doesn't and didn't. Such forms are used very frequently in informal English.\n\nDo-support is required for negated imperatives even when the verb is the copula be:\n\nDo not do that.\nDon't be silly.\n\nHowever, there is no do-support with non-finite, as they are negated by a preceding not:\n\nIt would be a crime not to help him (the infinitive to help is negated)\nNot knowing what else to do, I stood my ground (the present participle knowing is negated)\nNot eating vegetables can harm your health (the gerund eating is negated)\n\nWith subjunctive verb forms, as a present subjunctive, do is infrequently used for negation, which is frequently considered ambiguous or incorrect because it resembles the indicative. The usual method to negate the present subjunctive is to precede the verb with a not, especially if the verb is be (as do-support with it, whether it be indicative or subjunctive, is ungrammatical):\n\nI suggest that he not receive any more funding (the present subjunctive receive is negated)\nIt is important that he not be there (the present subjunctive be is negated)\n\nAs a past subjunctive, however, did is needed for negation (unless the verb is be, whose past subjunctive is were):\n\nI wish that he did not know it\nI wish that he were not here\n\nThe negation in the examples negates the non-finite predicate. Compare the following competing formulations:\n\nI did not try to laugh. vs. I tried not to laugh.\nThey do not want to go. vs. They want not to go.\n\nThere are two predicates in each of the verb chains in the sentences. Do-support is needed when the higher of the two is negated; it is not needed to negate the lower nonfinite predicate.\n\nFor negated questions, see the questions section above. For negated elliptical sentences, see the elliptical sentences section below.\n\nNegative inversion\nThe same principles as for question formation apply to other clauses in which subject–auxiliary inversion is required, particularly after negative expressions and expressions involving only (negative inversion):\n\n Never did he run that fast again. (wrong: Never he did run that fast again. Never ran he that fast again.)\n Only here do I feel at home. (wrong: Only here feel I at home.)\n\nFurther uses\nIn addition to providing do-support in questions and negated clauses as described above, the auxiliary verb do can also be used in clauses that do not require do-support. In such cases, do-support may appear for pragmatic reasons.\n\nFor emphasis\nThe auxiliary generally appears for purposes of emphasis, for instance to establish a contrast or to express a correction:\n Did Bill eat his breakfast? Yes, he did eat his breakfast (did emphasizes the positive answer, which may be unexpected).\n Bill doesn't sing, then. No, he does sing (does emphasizes the correction of the previous statement).\n\nAs before, the main verb following the auxiliary becomes a bare infinitive, which is not inflected (one cannot say did ate or does sings in the above examples).\n\nAs with typical do-support, that usage of do does not occur with other auxiliaries or a copular verb. Then, emphasis can be obtained by adding stress to the auxiliary or copular:\n\n Would you take the risk? Yes, I would take the risk.\n Bill isn't singing, then. No, he is singing.\n\n(Some auxiliaries, such as can, change their pronunciation when stressed; see Weak and strong forms in English.)\n\nIn negative sentences, emphasis can be obtained by adding stress either to the negating word (if used in full) or to the contracted form ending in n't. That applies whether or not do-support is used:\n\n I wouldn't (or would not) take the risk.\n They don't (or do not) appear on the list.\n\nEmphatic do can also be used with imperatives, including with the copula be:\n\n Do take care! Do be careful!\n\nIn elliptical sentences\nThe auxiliary do is also used in various types of elliptical sentences, where the main verb is omitted (it can be said to be \"understood\", usually because it would be the same verb as was used in a preceding sentence or clause). That includes the following types:\n\nTag questions:\n He plays well, doesn't he?\n You don't like Sara, do you?\nElliptical questions:\n I like pasta. Do you?\n I went to the party. Why didn't you?\nElliptical statements:\n They swam, but I didn't.\n He looks smart, and so do you.\n You fell asleep, and I did, too.\n\nSuch uses include cases that do-support would have been used in a complete clause (questions, negatives, inversion) but also cases that (as in the last example) the complete clause would normally have been constructed without do (I fell asleep too). In such instances do may be said to be acting as a pro-verb since it effectively takes the place of a verb or verb phrase: did substitutes for fell asleep.\n\nAs in the principal cases of do-support, do does not normally occur when there is already an auxiliary or copula present; the auxiliary or copula is retained in the elliptical sentence:\n\nHe is playing well, isn't he?\nI can cook pasta. Can you?\nYou should get some sleep, and I should too.\n\nHowever, it is possible to use do as a pro-verb (see below section #Pro-verbs & Do-so Substitution even after auxiliaries in some dialects:\n\nHave you put the shelf up yet? I haven't done (or I haven't), but I will do (or I will).\n(However it is not normally used in this way as a to-infinitive: Have you put the shelf up? I plan to, rather than I plan to do; or as a passive participle: Was it built? Yes, it was, not *Yes, it was done.)\n\nPro-verbal uses of do are also found in the imperative: Please do. Don't!\n\nPro-verbs and do-so substitution\nThe phrases do so and do what for questions are pro-verb forms in English. They can be used as substitutes for verbs in x-bar theory grammar to test verb phrase completeness. Bare infinitives forms often are used in place of the missing pro-verb forms.\n\nExamples from Santorini and Kroch:\n\nTests for constituenthood of a verb-phrase in X'-grammar\nThe do so construction can be used to test if a verb-phrase is a constituent phrase in X'-grammar by substitution similarly to how other pro-forms can be used to test for noun-phrases, etc.\n\nIn X-bar theory, the verb-phrase projects three bar-levels such as this:\n\n VP\n / \\\n ZP X'\n / \\\n X' YP\n \|\n X \n \|\n head\n\nWith a simple sentence:\n\n S\n \|\n VP\n / \\\n / \\\n / \\\n / \\\n NP \\\n / \\ \\ \n DP N' V'\n \| \| / \\\nThe children / \\\n / \\\n V' PP\n / \\ /_\\\n / \\ with gusto\n V NP\n \| /_\\\n ate the pizza\n\nHere again exemplified by Santorini and Kroch, do so substitution for testing constituent verb phrases in the above sample sentence:\n\n S\n \|\n VP\n / \\\n / \\\n / \\\n / \\\n NP \\\n / \\ \\ \n DP N' V'\n \| \| / \\\nThe children / \\\n / \\\n V' PP\n / \\ /_\\\n / \\ with gusto\n V NP\n \| /_\\\n did so the pizza\n\nUse of do as main verb\nApart from its uses as an auxiliary, the verb do (with its inflected forms does, did, done, doing) can be used as an ordinary lexical verb (main verb):\n\nDo your homework!\nWhat are you doing?\n\nLike other non-auxiliary verbs, do cannot be directly negated with not and cannot participate in inversion so it may itself require do-support, with both auxiliary and lexical instances of do appearing together:\n\n They didn't do the laundry on Sunday. (did is the auxiliary, do is the main verb)\n Why do you do karate? (the first do is the auxiliary, the second is the main verb)\n How do you do? (a set phrase used as a polite greeting)\n\nMeaning contribution\nIn the various cases seen above that require do-support, the auxiliary verb do makes no apparent contribution to the meaning of the sentence so it is sometimes called a dummy auxiliary. Historically, however, in Middle English, auxiliary do apparently had a meaning contribution, serving as a marker of aspect (probably perfective aspect, but in some cases, the meaning may have been imperfective). In Early Modern English, the semantic value was lost, and the usage of forms with do began to approximate that found today.\n\nOrigins\n\nSome form of auxiliary \"do\" occurs in all West Germanic languages except Afrikaans. It is generally accepted that the past tense of Germanic weak verbs (in English, -ed) was formed from a combination of the infinitive with a past tense form of \"do\", as exemplified in Gothic. The origins of the construction in English are debated: some scholars argue it was already present in Old English, but not written due to stigmatization. Scholars disagree whether the construction arose from the use of \"do\" as a lexical verb in its own right, or whether periphrastic \"do\" arose from a causative meaning of the verb or vice versa. Examples of auxiliary \"do\" in Old English writing appear to be limited to its use in a causative sense, which is parallel to the earliest uses in other West Germanic languages. Others argue that the construction arose either via the influence of Celtic speakers or that the construction arose as a form of creolization when native speakers addressed foreigners and children.\n\nSee also\n\nEnglish verbs\nEnglish clause syntax\nIntensifier\n\nReferences\n\nEnglish grammar\nWord order\nSyntax\nGenerative syntax" ]

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