id
int32 0
25k
| text
stringlengths 52
13.7k
| label
int64 0
3
| Generalization
stringclasses 1
value |
|---|---|---|---|
16,403 |
La Maman et la Putain has to be watched as a movie that is both related to the time it was released (post-68) and eternal in many respects. True, the actors don't "act" ... True, they talk a lot... But what they talk about is just what makes life worth living... or dying. The very long monologue spoken by Françoise Lebrun is perhaps the most accurate and moving text that was ever written about womanhood, manhood and love. Not easy to translate accurately, though. This movie is a statement about the difficulty of being a man and a woman (or two women in this case). And IMHO, Jean Pierre Léaud is one of the greatest French actors.
| 3 |
trimmed_train
|
18,242 |
This tale based on two Edgar Allen Poe pieces ("The Fall of the House of Usher", "Dance of Death" (poem) ) is actually quite creepy from beginning to end. It is similar to some of the old black-and-white movies about people that meet in an old decrepit house (for example, "The Cat and the Canary", "The Old Dark House", "Night of Terror" and so on). Boris Karloff plays a demented inventor of life-size dolls that terrorize the guests. He dies early in the film (or does he ? ) and the residents of the house are subjected to a number of terrifying experiences. I won't go into too much detail here, but it is definitely a must-see for fans of old dark house mysteries.<br /><br />Watch it with plenty of popcorn and soda in a darkened room.<br /><br />Dan Basinger 8/10
| 0 |
trimmed_train
|
3,599 |
It's been nearly 30 years, and I STILL hate everyone involved in this movie. It remains the worst movie I've ever seen.<br /><br />Before seeing this, I never much minded Rivers, one way or the other. After seeing this movie, I have an allergic reaction when I accidentally see her on television.<br /><br />I got dragged to this - against my better judgment - by peer pressure. However, coming out of the theater, those friends swore an oath to never again overrule my choice of movie. Nearly thirty years later, we still carry around mental scars from this movie.<br /><br />On my deathbed, one of my regrets will be the time I wasted hoping that this movie might get better. It never did.<br /><br />If you are ever given a choice, you would prefer putting your own eyes out to sitting though this movie.<br /><br />I registered for IMDb comments just in the hope that perhaps I can warn others against viewing this movie. If I can save just one person from watching this, then my existence on this earth will have been justified.
| 2 |
trimmed_train
|
19,605 |
In his first go as a Hollywood director, Henry Brommell whips an enthralling yarn that is all of penetrating relatable marital issues with melancholic authenticity, and lacing such with an equally absorbing subplot of a father-son hit-man business. The film is directed astutely and consists of a wonderfully put together cast as well as a swift, family-conscious screenplay (also by Brommell) that brings life to an otherwise fatigued genre. As a bonus, 'Panic' delivers subtle, acerbic humoran unexpected, undeniably charming, and very welcome surprisethrough its bumbling, unsure-of-himself, low-key star, whose ever-cool state is enticing, especially given his line of work.<br /><br />The forever-great William H. Macy again captures our hearts as Alex, a unhappy, torn, middle-aged husband and father who finds solace in the most dubious of persons: a young, attractive, equally-messed-up 23-year-old named Sarah (Neve Campbell), whom he meets in the waiting-room at a psychologist's office, where he awaits the therapy of Dr. Josh Parks (John Ritter) to discuss his growing eagerness to quit the family business that his father (Donald Sutherland) built. Alex, whose lust to lead a new life is obstructed by the fear of disappointing his dictating father, strikes an unwise fancy for Sarah, which ultimately leads him to understand the essence and irrefutable responsibility of being a husband to his wife and, more importantly to him, a good father to his six-year-old son, Sammy (played enthusiastically by the endearing David Dorfman).<br /><br />Henry Brommell's brilliant 'Panic' is something of a rarity in Hollywood seldom seen (with the exception of 2002's 'Road to Perdition') since its conception in 2000it weaves two conflicting genres (organized-crime, family drama) into a fascinating, warm hunk of movie-viewing that is evenly strong in either directionand it's one that will maintain its exceptional, infrequent caliber and gleaming sincerity for ages to come.
| 3 |
trimmed_train
|
10,835 |
I wanted to read the other comments before leaving my review and the majority definately rules: This movie is aweful! From the acting to the non-realistic animation to the countless errors. I was actually hoping that the flaps would have been extended by a stretch of the imagination (can't extend flaps without engines). The landing gear cannot be lowered unless you have electricity. That tiny little fan that was going was not sufficient by any stretch to lower the landing gear. The one thing I thought was quite peculiar is when they landed, the back wheels touched down and then the nose one broke off, thus suspending the plane with both back tires in the air. How did the captain apply left and right brakes to tires that weren't touching the ground? Did they forget the spoilers? Word to the director: Find out *all* you can about planes before attempting a "plane" movie. Sorry for the technical rant, but I give this movie 1/10.
| 2 |
trimmed_train
|
10,834 |
Once in a while you get amazed over how BAD a film can be, and how in the world anybody could raise money to make this kind of crap. There is absolutely No talent included in this film - from a crappy script, to a crappy story to crappy acting. Amazing...
| 2 |
trimmed_train
|
14,995 |
The plot is tight. The acting is flawless. The directing, script, scenery, casting are all well done. I watch this movie frequently, though I don't know what it is about the whole thing that grabs me. See it and drop me a line if you can figure out why I like it so much.
| 3 |
trimmed_train
|
5,884 |
Horrendous pillaging of a classic.<br /><br />It wasn't written convincingly at all why Mary should develop such sympathy for Bates. He may be more stable until they start playing pranks with him, but he still doesn't help himself at all with his actions. (inviting a comparative stranger to stay alone with him in his until recently disused motel; telling the attractive young girl of his past mental issues; lying about the knives, etc... ) This, in addition to her previous knowledge should have kept Mary extremely wary of him, but this somehow doesn't happen just so they can play the 'mistaken-identity-murder-game later on. Which in itself is also ridiculous: 'So-and-so is the real killer - plus her as well - also him! There were too many contrived twists in order to slap a story on screen when the narrative didn't need extending.<br /><br />It was good to see Perkins reprising his famous role again, but that's about the only small pleasure to be had. It's definitely not a patch on Hitchcock, and if you have no intention of even trying to get close then you shouldn't be bothering at all.
| 2 |
trimmed_train
|
22,056 |
This film plays really well with an audience. Especially once the chase begins. Plus, Trevor Howard with his sensible, smart charms and Jean Simmons with her innocent demeanor and piercing eyes are terrific together.<br /><br />The film starts as a psychological drama but after the murder it segues into a chase thriller as the two leads head for the border. Some may think the chase is superfluous but actually the chase is essential because it aids in clearing the mind of the Jean Simmons character by getting her out of the oppressive household, plus it helps bring out the real killer - who is suddenly put into such a position that they have to finish the job. The killer rightly believed that once the Simmons character was arrested she would be put away. And it is true that her lack of control in the household - as well as evidence pointing her way - there is no way she would have gotten out of the murder charge. The chase that ensues helps bring out the truth.<br /><br />This is an entertaining film. Seek it out if you can find it.
| 0 |
trimmed_train
|
20,872 |
Hundstage is an intentionally ugly and unnerving study of life in a particularly dreary suburb of Vienna. It comes from former documentary director Ulrich Seidl who adopts a very documentary-like approach to the material. However, the film veers away from normal types and presents us with characters that are best described as "extremes" some are extremely lonely; some extremely violent; some extremely weird; some extremely devious; some extremely frustrated and misunderstood; and so on. The film combines several near plot less episodes which intertwine from time to time, each following the characters over a couple of days during a sweltering Viennese summer. Very few viewers will come away from the film feeling entertained the intention is to point up the many things that are wrong with people, the many ills that plague our society in general. It is a thought-provoking film and its conclusions are pretty damning on the whole.<br /><br />A fussy old widower fantasises about his elderly cleaning lady and wants her to perform a striptease for him while wearing his deceased wife's clothes. A nightclub dancer contends with the perpetually jealous and violent behaviour of her boy-racer boyfriend. A couple grieving over their dead daughter can no longer communicate with each other and seek solace by having sex with other people. An abusive man mistreats his woman but she forgives him time and again. A security salesman desperately tries to find the culprit behind some vandalism on a work site but ends up picking on an innocent scapegoat. And a mentally ill woman keeps hitching rides with strangers and insulting them until they throw her out of the car! The lives of these disparate characters converge over several days during an intense summer heat wave.<br /><br />The despair in the film is palpable. Many scenes are characterised by long, awkward silences that are twice as effective as a whole passage of dialogue might be. Then there are other scenes during which the dialogue and on-screen events leave you reeling. In particular, a scene during which the security salesman leaves the female hitch-hiker to the mercy of a vengeful guy - to be beaten, raped and humiliated (thankfully all off-screen) for some vandalism she didn't even do - arouses a sour, almost angry taste. In another scene a man has a lit candle wedged in his rear-end and is forced to sing the national anthem at gunpoint, all as part of his punishment for being nasty to his wife. While we might want to cheer that this thug is receiving his come-uppance, we are simultaneously left appalled and unnerved by the nature of his punishment. Indeed, such stark contrasts could act as a summary of the whole film - every moment of light-heartedness is counter-balanced with a moment of coldness. Every shred of hope is countered with a sense of despair. For every character you could like or feel sympathy for, there is another that encourages nothing but anger and hate. We might want to turn away from Hundstage, to dismiss it as an exercise in misery, but it also points up some uncomfortable truths and for that it should be applauded.
| 0 |
trimmed_train
|
12,843 |
As of this writing John Carpenter's 'Halloween' is nearing it's 30th anniversary. It has since spawned 7 sequels, a remake, a whole mess of imitations and every year around Halloween when they do those 'Top 10 Scariest Movies' lists it's always on there. That's quite amazing for a film that was made on a budget of around $300,000 and featured a then almost completely unknown cast of up and coming young talent. I could go on and on, but the big question here is: How does the film hold up today? And all I can say to that is, fantastically! <br /><br />Pros: A simple, but spooky opening credits sequence that really sets the mood. An unforgettable and goosebump-inducing score by director/co-writer John Carpenter and Alan Howarth. Great cinematography. Stellar direction by Carpenter who keeps the suspense high, gets some great shots, and is careful not to show too much of his villain. Good performances from the then mostly unknown cast. A good sense of humor. Michael Myers is one scary, evil guy. A lot of eerie moments that'll stay with you. The pace is slow, but steady and never drags. Unlike most other slasher films, this one is more about suspense and terror than blood and a big body count.<br /><br />Cons: Probably not nearly as scary now as it was then. Many of the goofs really stand out. <br /><br />Final thoughts: I want to start out this section by saying this is not my favorite film in the series. I know that's not a popular opinion, but it's really how I feel. Despite that it truly is an important film that keeps reaching new generations of film buffs. And just because it's been remade for a new generation doesn't mean it'll be forgotten. No way, no how.<br /><br />My rating: 5/5
| 3 |
trimmed_train
|
12,619 |
This is a great example of a good, dumb movie. No, it is not high art by any means. Nor is the script anywhere close to a Woody Allen or Mel Brooks. BUT SO WHAT! The Killer Tomatoes series (four movies and a cartoon series) are basically good-natured romps gleefully trampling on the kind of territory the Zuckers ruled before they switched to making serious flicks.<br /><br />As the title suggests, this fourth installment of the Killer Tomatoes trilogy deals with the Killer Tomatoes plot against France. In this case, Professor Gangrene (John Astin's 3rd time in the role) has a plan to rule France through an ancient prophecy about the return of the rightful King of France. Steve Lundquist returns as Igor, a humanoid tomato who wants to be a sportscaster and who just happens to be a dead ringer for the long-lost true King of France. Obviously he also plays the aforementioned l-l t K of F, happily skewering the French language.<br /><br />Opposing them is the fearless Fuzzy Tomato (like the others, FT was introduced in the second film and would be a main character in the cartoon) and his human allies. Mark Price, recently unemployed as a result of the conclusion of the FAMILY TIES series, plays a thinly disguised version of himself, passing himself as "Michael J Fox" as a way to win the girl of his dreams. And Angela Visser is a dream as Marie, gleefully bouncing between unabashed virginal sexuality and borderline psychosis. Oh that the former Miss Netherlands had had more of a film career! Another returning member of the Killer Tomatoes stock company is Rick Rockwell (now best known as the hapless title subject of "Who Wants to Marry a Millionaire?"). Like co-creator John De Bello, Rockwell works both in front of and behind the camera in this series.<br /><br />What can you say about Jon De Bello? Not much, really, except that he had a singular vision and managed to pull it off and, having done that, has apparently dropped into obscurity. John, if you ever see this, thanks for giving us the Killer Tomatoes.<br /><br />The script is heavily but not obnoxiously aware that this is just a movie. Like RETURN OF THE KILLER TOMATOES, the action occasionally veers off the set and into the middle of the film crew. And Mark Price has a funny forum to complain about his own lack of success compared to his former costar Michael J Fox. This is the biggest budgeted of all the Killer Tomatoes flicks and is a nice send-off to the series. Okay, the show then moved to Fox Kids as a cartoon series (which was also quite clever), but cartoons just aren't the same.
| 0 |
trimmed_train
|
12,373 |
Jean Rollin artistic nonsense about vampires, aliens and the quest for immortality.<br /><br />The women are beautiful and the photography stunning. The dialog is inane. Its a laughable mess. Great to look at but as any semblance of a horror film or thriller purely awful. I'm trying to figure out if we're suppose to be scared or not. At the same time is it a put on or not? Its an odd mix of art film and horror that never quite meshes and while its nice to look at it never seems to "mean" anything, and its by no means scary even if the occasional shot or sequence creates a moment of frisson Its well made pretentious twaddle. Something to leave on in the background as a living wall paper for those who like naked women.
| 1 |
trimmed_train
|
3,239 |
One of the most peculiar oft-used romance movie plots is this one: A seriously messed-up man falls in love with a terminally ill woman, who turns his life around before dying. Occasionally this story is done well and realistically (as in "The Theory of Flight", an excellent weepie), but more frequently it's done like it is here, where as usual the heroine dies of "Old Movie Disease". You know, the terminal illness that has no symptoms but one fainting spell and a need to lie down as you're telling your lover goodbye forever; and your looks aren't affected one bit (and since this is the 70's, neither is your sex life). This is one of the worst versions made of that particular story, where a very silly script puts two incompatible and unbelievable characters together, and they're played by actors who are completely at sea.<br /><br />This has got to be the worst performance of Al Pacino's career, and I say that after having seen "The Devil's Advocate" only two days ago! He plays a control-freak, emotionally constipated race-car driver, and plays an unlikeable character lifelessly. He seems to constantly be asking himself why he's staying around the grating Marthe Keller (so does the audience), and spends most of the movie just... standing there, usually with his mouth hanging open. The only time he shows any sign of life is towards the end, where his character proves that he's changed from uptight to liberated by doing a hilariously bad Mae West imitation. Hey, it *was* the seventies!<br /><br />Marthe Keller is equally terrible as the dying love interest; her character was conceived as bold and free and touching and uninhibited and full of life even though dying, and was probably meant to be played with an actress with the sensitivity of, say, Vanessa Redgrave or Julie Christie. Instead, they got the expressionless face and heavy German accent of Ms. Keller, who comes across as more of a scary Teutonic stereotype ("You VILL eat ze omelet!") than anything like lovable. She's supposed to be reforming Pacino and filling him with courage and spirit and all that, but it doesn't work that way, it's more like she's harping on his faults in the most obnoxious possible fashion. This makes for one of the least convincing romances in movie history, where you can't believe she'd be with someone she finds so worthless, and you can't believe he's with someone who gets on his nerves that much.<br /><br />Some bad-movie fans call this a cult classic, mostly because of Pacino's silly "liberating" Mae West imitation. The scene is a scream, especially in context, but not worth sitting through the rest of the film for. No, only see the film if you're a serious bad-movie aficionado who is especially interested in studying Extreme Lack of Chemistry between leading actors, or Very Bad Casting (not only are the leads terrible, but Pacino's other girlfriend is played by an actress who looks and sounds just likes Keller with shorter hair, I got them totally confused). This isn't one of those laugh-a-minute bad movies like "The Conqueror", it's just a really, really bad movie.<br /><br />
| 2 |
trimmed_train
|
18,441 |
Bravo! Morgan Freeman is an actor, who researches a character he is selected to play, before he makes a commitment. Freeman is a 'good fit' for this film (like he was for "Driving Miss Daisy"), and he is not only believable, but he gets a chance to change his image of playing a character with reserved dignity and propriety. Although there are no guarantees in life, for anyone, this gives an actor a great opportunity to play different or unique characters that stand out, in order to avoid getting stereotyping. And it must be said that stereotyping has hampered, or completely ruined, a significant number of acting careers.<br /><br />This is a low-budget film that, amazingly, was made in a time span of only two weeks. It is a film that is well directed and written by Brad Silberling. The location manager chose Carson, CA for the film's setting, and the location helps set the tone and timing for the film. The editing is fair to good, but a little rough.<br /><br />Silberling was the 'subcontractor', in getting Freeman to do this film, while the actor was in-between film projects.<br /><br />There is a good chemistry between Freeman and Paz Vega, a Spanish actress, and this opens an effective dialog between each of the cast members, who are diverse and come from different cultures. The film also encourages an understanding between people, who not only speak two languages (English and Spanish), but come from two different worlds of ethnicity, race, gender, norms, mores, beliefs, folkways, principles, and values. The film strives for some honesty, and arrives at some truth, to maintain the film's integrity.<br /><br />Part of the comedy is that Freeman plays an unemployed actor that has been out of work for four years. In truth, Freeman is so-in-demand as an actor that he is constantly working.<br /><br />The film offers an adventure of bonding, caring, sharing, changing, and exchanging. And, the film's outtakes give the viewer a preview of some of things an actor must go through in preparing for a role.<br /><br />If necessary, tell your boss that you're taking a 'mental health day', and go see this film. If you're able, take your significant other or your family with you. I rank the film a 10 out of 10. It's enjoyable, interesting, informative, poignant, and worthwhile.
| 3 |
trimmed_train
|
2,761 |
It's unlikely that anyone except those who adore silent films will appreciate any of the lyrical camera-work and busy (but scratchy) background score that accompanies this 1933 release. Although sound came into general use in 1928, there are no more than fifty words spoken to tell the story of a woman, unhappily married, who deserts her husband for a younger man after a romantic interlude in the woods.<br /><br />The most vividly photographed scene has the jealous husband giving a lift to the young man for a ride into town, proceeding to drive normally until he realizes the man is his wife's lover. In a frenzy of jealousy, he drives at top speed toward a railroad crossing but changes his mind at the last moment, losing his nerve. It's probably the most tension-filled scene in the otherwise decidedly slow-moving and obviously contrived story.<br /><br />HEDY LAMARR is given the sort of close-up treatment lavished on Marlene Dietrich by her discoverer, but her beauty had not yet been refined by the cosmeticians as they were when she was transported to Hollywood. Her performance consists mostly of looking sad and morose while mourning the loss of her marriage with only brief glimpses of a smile when she finds her true love (ARIBERT MOG), the handsome young stud who retrieves her clothes after a nude swim.<br /><br />The swimming scene is very brief, discreetly photographed, and not worth all the heat it apparently generated. The love-making scene, later on, is also artfully photographed with the sort of lyrical photography evident throughout most of the film--artfully so. More is left to the imagination with the use of symbolism--and this is the sort of thing that has others proclaiming the film is some kind of lyrical masterpiece.<br /><br />Not so. It's disappointing, primitively crude in its sound portions (including the laborious symphonic music in the background) and certainly Miss Lamarr is fortunate that Louis B. Mayer saw the film and on the basis of it, gave her a career in Hollywood. He must have seen something in her work that I didn't.<br /><br />It's apparent that this was conceived as a silent film with the camera doing all the work. The jarring "workers" scene at the conclusion goes on for too long and is a jarring intrusion where none is needed. It fails to end the film on the proper note.
| 1 |
trimmed_train
|
6,311 |
There have been many movies featuring Bigfoot, the majority of which are not good but most at least have a goofy charm to them. Sasquatch Hunters doesn't even have that going for it. It's just a crashing bore.<br /><br />Sasquatch Hunters is about a group of paleontologists, primatologists, and forest rangers that venture off into a remote part of a Pacific Northwest forest. Bones belonging to some sort of abnormally large primate have been discovered in this region and since apes aren't natural to North America to begin with this leads to a scientific expedition. Sure enough, they soon discover a whole burial ground full of the skeletal remains of these enormous ape-like creatures. I think we all know what happens to people that disturb ancient burial grounds in the movies.<br /><br />The first half of the movie consists of uninteresting, interchangeable characters assembling their gear, hiking through the woods, stopping to rest, hiking through the woods some more, pausing long enough to investigate and discuss a few findings along the way, yet more hiking through the woods, looking for a group member that has vanished, even more hiking through the woods, digging through dirt, random theorizing, and gathering around a campfire to discuss what little they've done that day. When Sasquatch finally shows up it just turns into people stumbling around in the dark while being picked off one at a time (done in a blink and you missed it fashion and the actual killing occurs off-camera). All of this is excruciatingly boring.<br /><br />The movie wants to be taken seriously and the director is clearly trying to build suspense but there is none to be found, thus we are left with dull, drawn out scenes of people wandering around the woods just to get somewhere and wander around the woods at night trying to act scared. I'd be lying if I said I didn't make liberal use of the fast forward button to speed these scenes up.<br /><br />As for Sasquatch himself, much like every other character else in the movie, it doesn't have much to do and lacks a distinct personality. It looks like a shaggier version of King Kong, which isn't all that bad except in the scenes where they used CGI instead of a man in a Bigfoot costume, which is painfully obvious during the daylight monster scenes. A part of me can't help but feel that even using computer effects to bring Bigfoot to life is a tad sacrilegious. If there is any single movie monster that I believe should only be brought to life through situation, it's Bigfoot.<br /><br />This is one of those movies that doesn't so much have a plot as it does a premise. That's all it really is, a premise, which the people involved stretched out to make a feature length motion picture without bothering to add all the ingredients to make a worthwhile movie.
| 2 |
trimmed_train
|
374 |
Recap: Full moon. A creature, a huge werewolf, is on the hunt. Not for flesh, not for blood (not that it seem to mind to take a bite on the way though), but for a mate. He is on the hunt for a girl. Not any girl though. The Girl. The girl that is pure (and also a werewolf, although she doesn't know it yet). Three, well check that, two cops (after the first scene) and an old bag lady is all that can stop it, or even knows that the thing killing and eating a lot of folks around full moon is a werewolf. This particular powerful werewolf, Darkwolf, is closing in on the girl. If he gets her, mankind is doomed. Now the cops has to find the girl, convince her not only that there is someone, a werewolf nonetheless, that wants to rape her, and perhaps kill her, but that she is a werewolf herself. And then they got to stop him...<br /><br />Comments: This is one for the boys, the teenage boys. A lot of scenes with semi-nude girls more or less important for the plot. Mostly less. Well I guess you need something to fill some time because the plot is (expectedly) thin. And unfortunately there is little besides the girls to help the plot from breaking. One usually turns to two main themes. Nudity. Check. And then special effects. Hmm... Well there are some things that you might call effects. They're not very special though. In fact, to be blunt, they are very bad. The movie seems to be suffering of a lack of funds. They couldn't afford clothes for some of the girls ;), and the effects are cheap. Some of the transformations between werewolf and human form, obviously done by computer, are really bad. You might overlook such things. But the Darkwolf in itself is very crude too, and you never get to see any killings. Just some mutilated corpses afterwards. And there is surprisingly little blood about, in a movie that honestly should be drenched in blood.<br /><br />I'm not sure what to say about actors and characters. Most of the times they do well, but unfortunately there are lapses were the characters (or actors) just looses it. A few of these lapses could be connected with the problems mentioned above. Like the poor effects, or the poor budget(?). That could explain why there is precious little shooting, even if the characters are armed like a small army and the target is in plain sight (and not moving). But hey, when you're in real danger, there nothing that will save your life like a good one-liner...<br /><br />Unfortunately that can't explain moments when the Cop, Steve, the only one who knows how to maybe deal with the problem, the werewolf that is, runs away, when the only things he can be sure of, is that the werewolf is coming for the girl, who is just beside him now, and that he cannot let it have her. But sure, it let the makers stretch the ending a little more...<br /><br />But I wouldn't mind seeing none of the lead actors/actresses get another try in another movie.<br /><br />Well. To give a small conclusion: Not a movie that I recommend.<br /><br />3/10
| 1 |
trimmed_train
|
1,055 |
The acting was horrible and they got both of the sports wrongggg.......not only did they get the figure skating rules wrong, but also they rules of GIRLS Ice Hockey. In GIRLS ice hockey you cannot check. You also don't BLOCK for someone. Not all they girls are disgusting gross mean and big. I play hockey and I'm only 4'11 and have been asked to go to schools like the one in the movie. Also not all hockey players hate figure skaters. A lot of current girls hockey players were once figure skaters themselves. Also we skate A LOT faster then the ones in the movie. I was embarrassed by the movie it gave people the idea that we suck.......although i must mention that it is difficult to transition between the sports because of the toe pick on the figure skates.....also some of those twirly moves KAtelin was doing on the ice you couldn't do in a regular hockey game. She basically tripped the person, which is illigal. Its also unrealistic that she would get a HOCKEY scholarship when she figure skates. That really made me angry that scholarship would normally be used to someone who could benefit the team.
| 1 |
trimmed_train
|
14,159 |
Ben Thomas (Smith) plays an IRS Agent who practically gives the store away to everyone's surprise. What kind of IRS Agent is this?<br /><br />Most of us have all heard the line by an IRS Agent, "Hello, I'm from the IRS. I'm here to help." Our smile then spreads into a chuckle that says, "Yeah, right."<br /><br />As you get further and further into this story, you cannot figure this guy out. He goes easy on those who are being audited. What is his motive? Is he from another planet, an angel, a rich guy who wants to do good? He helps so much we want him to be our auditor should we get audited, of course. Hey, IRS, are you listening? (kidding, just kidding)<br /><br />The pace of the movie is perfect and so much so that clues were ignored that would have told me what was really going on. Intense, repeat intense, focus was on Ben and stays there. The whole movie only works because of Ben as we try to figure him out and I didn't see any clues (what clues you talking about, Willis?). Not reading the box before watching the DVD movie was the better way to go here. By the end of the movie I finally put it all together. Well, it was obvious by then. And, yes, it's over the top, but still a great story, mostly because of Will Smith. <br /><br />Will Smith should have been nominated for a Best Actor Award. The rest of the cast were very good as well. <br /><br />Yes, it's over the top and despite the great acting and when you finally get all the answers you must realize that the message of the movie is all wrong. What's the message? Believe me, you will won't need too many clues to figure it out. I didn't. <br /><br />Violence: No. Sex: Yes, but nothing to get excited about. Bland. Nudity: No. Language: No.
| 0 |
trimmed_train
|
16,732 |
What I love about this show is that it follows the lives of modern witches and it's a blast to experience their everyday love, humor and adventure. The literature of magic is so diverse, portraying the ideas of classical, medieval and modern wizardry, like Harry Potter and Sabrina. With Sabrina the Teenage Witch, this show is so fun and unique because it lets us experience a lot of that modern wizardry, seven seasons worth! This show has so many great qualities and it's a joy to watch Sabrina live her daily life in the mortal and "other" realm. I would recommend this to any family because the television series is clean, funny and adventurous. Classic!
| 3 |
trimmed_train
|
17 |
I haven't seen this, & don't plan to see this movie or any other that includes Lindsay......unless & until "poor little rich girl" straightens out her life for a 2 year period beginning with her most recent arrest in July 2007.<br /><br />In fact, I don't know anyone that has gone to see ANY of Lindsay's recent movies. I rather imagine 2007 will be the high water mark in her movie making career, until she cleans up her act. All of the recent publicity has only hindered her movie making career, if she has any further aspirations to make any more movies <br /><br />Up to this time, movie producers have actively sought Lindsay for roles in their upcoming production. Now, Lindsay will probably have to go to auditions & actually compete for ANY role. Her reputation is currently "poison" & quite possible could have a negative effect on box office ticket sales on any movie she is in.<br /><br />Sooooo....now Lindsay is going to have to deal with "not being wanted".....is she going to be able to handle this?<br /><br />I wonder if even Jay Leno will want to have Lindsay back on his TV Show?<br /><br />All of the foregoing is merely my OPINION. I have no inside information.
| 2 |
trimmed_train
|
13,077 |
If you enjoy Cleese & all the British 'Pythonesque' humour of the time, then this little gem is absolutely hilarious.<br /><br />Arthur Lowe is a real treat!<br /><br />I saw this with friends on TV when it first came out, and its classic quotes have formed a part of our jokes for 30 years, and will do forever! I have it on tape and it is continually appreciated.<br /><br />Perhaps some reviewers are taking it too seriously.<br /><br />I can't believe it is now only available in the US (NTSC of course), and not in UK, where it should be an essential part of the history of British humour!!
| 3 |
trimmed_train
|
15,741 |
This is a wonderful film... First impressions of cynicism and crassness are soon dissipated by a fun loving display of how men and women's baser motivations diverge (Vive la difference !) <br /><br />You can love people despite and sometimes because of their weaknesses. Human beings are a bit rubbish really, but we have big hearts and we try our best, despite temptation. It's not our fault when sometimes temptation can't be resisted, that's just who we are.<br /><br />There is a consistent stylishness from start to finish; crisp photography and sharp composition, very pleasant viewing when you add provocative content, well suited music and laugh out loud scripting.<br /><br />Watch out for the very young "lone wise voice"... brilliant; wisdom from innocence balancing comedy from the human condition.
| 0 |
trimmed_train
|
14,666 |
After you see Vertigo, then watch Bell, Book and Candle, made within months of each other.<br /><br />My second favorite Kim Novak film, with Picnic, coming in as third.<br /><br />All three performances are great, Vertigo, being the best, of all.<br /><br />They came to my nowhere Kansas Prairie town, near by, at Salina, Kansas in the 50s, to film, Picnic. <br /><br />Bell, Book and Candle's musical score, I believe is one of Alex North's. Perfect for this bit of comedy.<br /><br />After Vertigo, Stewart and Novak, did this comedy, how amusing to note the dramatic contrast.<br /><br />Worth your time, if you like Kim Novak. The Greta Garbo of my youth.
| 3 |
trimmed_train
|
23,385 |
Ok, so it's an adult movie. But it really is very tastefully done. It's obvious that the producers spent a lot of time and money into making a classy sort of movie. I was pleasantly surprised at just how good it was. Even the acting was fairly decent. The plot was more solid than most adult films I've seen. The camera work was above average. It's just a good flick!!
| 3 |
trimmed_train
|
12,077 |
This show is unbelievable in that . . . what it represents and what it focuses on and . . . words cannot describe how insane ET is. They will report anything. If a celebrity is even remotely indirectly connected to the story ET will report on it. If a dog poop in the Tom Cruise's yard they will report on it. If a celebrity dies . . . they will talk about it for weeks on end to the point where the public envy that celebrity. If a celebrity is on trial . . . ET will report it for MONTHS on end. There is no end to what this show will reports and no time frame that dictates how long they will focus on a story. Is it even considered legitimates reporting? The reports are so dang annoying too, with harsh rambling voices and end with an unnecessary pause to convey a sense of important. I cannot watch this show without questioning humanity's existence. ET is one big reason I avoid pre-evening shows in general. I regret that IMDb can only allow a minimum of one star rating and not zero or even in the negatives. For this show deserve -10 Stars.
| 2 |
trimmed_train
|
3,415 |
This film is justly famous as one of the most horrible examples of propaganda ever produced. The insistent equation of Jews with disease is simply<br /><br />pathological, and even worse it almost becomes believable for brief seconds<br /><br />through its sheer repetition. The fact that something this crude works, even<br /><br />briefly, is an object lesson in itself. You have to have a strong stomach and a firm grip on yourself to sit through this, and I wouldn't recommend trying unless you have a good reason.
| 2 |
trimmed_train
|
18,350 |
and what a combo. Two of the century's great singers star together in this underrated musical. He writes music, she writes lyrics, and they both work for Basil Rathbone who can't write either because his wife died (actually she just got fat!). Best scene is the pawn shop number where Bing sings an impromptu number while the swing band gets their instruments out of hock. Just wonderful. And this is a rare starring role for Broadway legend, Mary Martin, and she's quite good. Charley Grapewin, John Scott Trotter, William Frawley, Oscar Levant (once again the manic pianist), Charles Lane, and Helen Bertram co-star. And who knew Rathbone could be funny?
| 0 |
trimmed_train
|
17,689 |
In New York, Andy Hanson (Philip Seymour Hoffman) is an addicted executive of a real estate office that has embezzled a large amount for his addiction and expensive way of life with his wife Gina (Marisa Tomei). When an audit is scheduled in his department, he becomes desperate for money. His baby brother Hank Hanson (Ethan Hawke) is a complete loser that owes three months of child support to his daughter, and is having a love affair with Gina every Thursday afternoon. Andy plots a heist of the jewelry of their parent in a Saturday morning without the use of guns, expecting to find an old employee working and without financial damage to his parents, since the insurance company would reimburse the loss. On Monday morning, we would raise the necessary money he needs to cover his embezzlement. He invites Hank to participate, since he is very well known in the mall where the jewelry is located and could be recognized. However, Hank yellows and invites the thief Bobby Lasorda (Brian F. O'Byrne) to steal the store, but things go wrong when their mother Nanette (Rosemary Harris) comes to work as the substitute for the clerk and Bobby brings a hidden gun. Nanette reacts and kills Bobby but she is also lethally shot. After the death of Nanette, their father Charles Hanson (Albert Finney) decides to investigate the robbery with tragic consequences.<br /><br />"Before the Devil Knows You're Dead" is a comedy of errors, disclosing a good story. The originality and the difference are in the screenplay, with a non-linear narrative à la "Pulp Fiction". The eighty-three year-old Sidney Lumet has another great work and it is impressive the longevity of this director. Philip Seymour Hoffman is awesome in the role of a dysfunctional man with traumatic relationship with his father that feels the world falling apart mostly because of his insecure and clumsy brother. Marisa Tomei is still impressively gorgeous and sexy, showing a magnificent body. The violent conclusion shows that the world is indeed an evil place. My vote is seven.<br /><br />Title (Brazil): "Antes Que o Diabo Saiba Que Você Está Morto" ("Before the Devil Knows You're Dead")
| 0 |
trimmed_train
|
2,446 |
...and not in a good way. BASEketball is a waste of film in all most every single way. It is offensive to all the senses. This doesn't necessarily bother me, I've seen plenty of bad movies, really bad movies before and will see them again. BASEketball though is a caliber film where you regret wasting ninety minutes of life sitting through it. The reason BASEketball offends me is that it stars Trey Parker and Matt Stone in a film they didn't write. Any respect I had for David Zucker has long since depleted. His recent spoof films are lazy messes that look and feel as if they were made by pre-pubescent boys snickering at penis jokes. "Airplane" was a revolutionary and very funny comedy, watching BASEketball you will be amazed to discover that they were made by the same person.<br /><br />I have so much respect for Trey Parker and Matt Stone. These men are the funniest and smartest comedians in mainstream entertainment today. Their pictures and South Park episodes are as relevant as they are funny. Every joke even the fart jokes have intelligence behind them. It's easy to forget that there is a mature way to approach immaturity. I imagine BASEketball was a major growing experience for them because they hate the film for all the right reasons. It is a stupid mess with no sense of dignity or class. Parker and Stone have essentially whored themselves out. The film plays like a 90 minute episode of Family Guy.<br /><br />Parker and Stone have never been great actors. They've been serviceable in their films. I can't really find a way to describe their performance in BASEketball, other than the fact that it feels like they are spoofing a spoof film spoofing a spoof film. Every line is delivered in such a silly winking way. It's like they are trying to make fun of the worst of these type of pictures and yet they become them in the same way. I am reminded of the South Park episode "How to Eat with your Butt" where Cartman sits in a movie theater watching a gross out comedy with no plot or plausibility except to gross out, Parker and Stone use the same voices they did in that scene for this entire picture. Really it's sad.<br /><br />And yet that is not my problem with BASEketball. My biggest gripe with the picture is that I sit there knowing that Parker and Stone are knowingly following this piece of crap script. I know that if they took the damn thing and rewrote it that this could have been salvaged to the point of being watchable. There isn't any indication that Zucker let them improv scenes either. Parker and Stone are merely tools to a bad director. BASEketball has some funny concepts and I think Parker especially if he were allowed to take Zuckers script could have elaborated on them more. Instead we get potty humor. Don't rent BASEketball you can get the same laughs watching a group of grade schoolers joking around
| 2 |
trimmed_train
|
14,001 |
That 70s Show is the best TV show ever, period. It's up there with the Andy Griffen Show, Saturday Night Live, and The Simpsons in my book. That 70s Show continued on for 8 seasons, all of which focus around a group of teenagers/young adults dealing with relationships, separating from their parents, and their overall futures.<br /><br />The two main characters, Eric and Donna, are two teenagers living next door to each other. They have been living next door to each other for most of their lives, and just begin to feel more feelings for each other at the beginning of the first season. A large amount of the show revolves around how their relationship is working.<br /><br />Two other characters, Red and Kitty, are Eric's parents. Red was in the service, so he really pushes Eric around. Kitty is just the opposite. Even though she drinks heavily, she treats Eric and his friends with a lot of care. Bob, their neighbor, is obviously Donna's Dad. Bob giggles around with several different women throughout the coarse of the show's story. Bob also annoys Red to his full extent.<br /><br />The remaining character, Hyde, Kelso, Fez, and Jackie, are Eric's friends. They also play a major role in the show's story.<br /><br />Well, the First Season is great. This is when the characters are beginning to feel new things for each other. The First Season is original, funny, and enjoyable.<br /><br />The Second Season is good, although it isn't as good as the first. It is a basic continuation of the First. Eric and Donna are together, and everything is working out great.<br /><br />The Third Season is my favorite. It went back and captured the First Season feel and humor. I also think that the character chemistry improved a bunch, making the show all that more fun to watch.<br /><br />The Fourth Season isn't near as good. Eric and Donna Arne't together in this one, making the show slightly less pleasurable. It is still funny, although I didn't enjoy it as much as the previous seasons.<br /><br />The Fifth Season is the last season I enjoyed all the way through. It is the gang's Senior Year, so that really helps with the story. The Fifth Season also had the best ending out of all the seasons.<br /><br />The Sixth Season is good for the most part. It is extremely funny, although it doesn't capture the feel that the other seasons did. The gang is out of High School, so I believe that it didn't hit the teen feel that the previous seasons did. I also didn't like the last three or four episodes considering that they had a major drama feel to them.<br /><br />The Seventh Season captures the same feel that the 5th season had in a way, although it didn't do it all the way. I enjoyed the Seventh Season as I did all the others, and the ending is great.<br /><br />The Last Season flat out sucked. Eric wasn't in it, which ruined it. Kelso wasn't in it for the most part either, which didn't help. I hated the Eighth Season up until the last episode. I thought that the last episode was really good, and a fitting ending to the series.<br /><br />So overall, if you enjoy comedy, give That 70s Show a try. They stopped making new episodes, but it is still on TV a bunch. I also recommend buying Seasons 1-7. It is up to you if you want to buy Season 8.
| 3 |
trimmed_train
|
13,991 |
Michelle Rodriguez is the defining actress who could be the charging force for other actresses to look out for. She has the audacity to place herself in a rarely seen tough-girl role very early in her career (and pull it off), which is a feat that should be recognized. Although her later films pigeonhole her to that same role, this film was made for her ruggedness.<br /><br />Her character is a romanticized student/fighter/lover, struggling to overcome her disenchanted existence in the projects, which is a little overdone in film...but not by a girl. That aspect of this film isn't very original, but the story goes in depth when the heated relationships that this girl has to deal with come to a boil and her primal rage takes over.<br /><br />I haven't seen an actress take such an aggressive stance in movie-making yet, and I'm glad that she's getting that original twist out there in Hollywood. This film got a 7 from me because of the average story of ghetto youth, but it has such a great actress portraying a rarely-seen role in a minimal budget movie. Great work.
| 0 |
trimmed_train
|
9,610 |
I don't know what Margaret Atwood was thinking to allow this movie to have the same name as her book. I've always been a big fan of The Robber Bride and was so excited to learn there was a movie in the works. I am aware that the translation of book to movie isn't perfect but this movie was the worst ever. The names of the women are correct and some of the back story is correct but that is about it. I feel like I lost a good portion of my time trying to make it through this movie. This really should have been a mini-series to tell the story the way it was written.<br /><br />The actors for Roz, Tony, Charis and Zenia were well-chosen even though I was skeptical at first about Mary-Louise Parker. I only wish they'd had a better script to work with because this really had nothing to do with the book at all.
| 2 |
trimmed_train
|
23,206 |
I'm disappointed at the lack of posts on this surprising and effective little film. Jordi Mollà, probably best known for his role as Diego in Ted Demme's "Blow" Writes, directs, and stars.<br /><br />I won't give away any plot points, as the movie (at least for me) was very exciting having not known anything about it.. If you have a netflix account, or have access to a video store that would carry it...I highly recommend it. It's a crazy, fun, and sometimes very thought provoking creation.<br /><br />Mollà's direction is *quite* impressive and shows a lot of promise.<br /><br />Unpredictable, with amazing imagery and a great lead performance spoken in beautiful Spanish "No somos nadie" (God is on Air) is an amazing film you can show off to your friends.<br /><br />SEE IT.
| 3 |
trimmed_train
|
1,711 |
One: Richard Pryor and Jackie Gleason, two great comics turned into saps for a bratty kid. They've both sold themselves out in this one, worse than Pryor's character. Two: Horrible, overly sentimental script that could have been used in a Harold Lloyd movie its so cliched. Three: Choice of a black actor as the toy; the racial subtext of this is unbearable, as its never addressed. There's no message here, Pryor's part could have been played by any comedic actor. Four: That kid...I wish I could go back in time and prevent him from ever acting...that would mean movies like this one and Kid Co. might not have been made...and my childhood would have been free of their mind-warping power. So if you want to watch a couple of great comics defile themselves in a sickly sweet kiddie flick, go ahead. If you want to see them in something good, see Pryor's old standup act and Gleason in something better, like the Honeymooners.
| 2 |
trimmed_train
|
15,499 |
i watched this movie 10 years ago. and have watched it on video an average of once a year since. it's the type of movie that's timeless, because the themes are universal, yet the stories and conversation are so personal. it's also one of the very few movies that capture you from frame one til the credits roll, despite the fact that there are, really, just two (very involving) characters. this owes a lot to the engaging acting by hawke and delpy, who make us believe that they are actually jesse and celine. this is also the first movie i saw that mentioned reality TV, and now, the phenomenon is rampant! i love the way this movie just envelops the audience in its space, and makes you think, however jaded you may be, that you are one of those characters. it also made me want to ride the train around Europe! i have not met anyone who has not been able to relate to this movie. maybe that speaks about myself, my friends, or just the sheer genius of this movie.
| 3 |
trimmed_train
|
15,492 |
I have always enjoyed the Pokemon movies. Yes, I know, all of them are very corny, mediocre in some certain areas and sure, even though they're aimed at little kids they're too adult in some fields to be able to guard them with the statement,"Hey, lighten up, it's a kids movie," but all that aside, aren't they still good pieces of entertainment? In my opinion, they are so and I enjoy them greatly. This one is just as enjoyable as the previous three, and certainly cuter. It has some really sweet and touching moments since it is the introduction of the lovable, fresh Pokemon Celebi. It's not the best Pokemon movie, but I do enjoy it more than the third installment, even though the third is not bad, and the entire series is just entertaining, harmless, popcorn family fun and should be considered nothing more, nothing less. This film has some high marks of intensity and interest, especially around the climax/ending, as do all the installments, and the characters, while a bit more lackluster than the previous three, I thought, are still likable and humorous. This films is the lowest rated and most criticized of the four feature length adaptions, and it doesn't deserve that.
| 0 |
trimmed_train
|
5,724 |
One of a multitude of slashers that appeared in the early eighties, Pranks is notable only for an early performance by Daphne Zuniga (The Sure Thing, The Fly 2); her character dies fairly early on, and the rest of the film is totally forgettable.<br /><br />During their Christmas break, a group of students volunteer to clear a condemned college building of its furniture. A crazy killer, however, throws a spanner in the works by methodically bumping off the youngsters one by one in a variety of gruesome ways.<br /><br />Exploiting every stalk 'n' slash cliché in the book, director Jeffrey Obrow delivers a tedious and unexciting horror that had me praying for the characters to be killed, so that I could get on with watching something more worthwhile. The majority of the deaths (which, let's face it, is why we generally watch this kind of film) are brief and not that gory; the only truly grisly imagery comes right at the end when the bodies of the victims are discovered by the remaining survivor (there is one notably bloody dismembered corpsethe film could've done with more).<br /><br />At the last minute, the film saves itself from the disgrace of receiving the lowest possible score from me by having a nice unexpectedly downbeat ending, but this really is one for slasher completists only.
| 2 |
trimmed_train
|
13,078 |
In April of 1965, CBS broadcast the first of Barbra Streisand's monumental television specials. The show was not only a runaway ratings success, but garnered 5 Emmy awards as well. This is one of the most memorable moments of 1960's television and (unfortunately) the kind of television special they don't produce anymore. Filled with wonderful songs and a spectacular performance by Barbra, this special is a must view for any Streisand fan and anyone interested in early television.
| 3 |
trimmed_train
|
18,662 |
This is an excellent modern-day film noir...."excellent" in that it's interesting, start-to-finish. There are some holes in here and some goofy parts that make you shake your head in disbelief.....but I haven't found anyone who didn't get caught up in this story. The movie has the right amount of action, suspense, plot twists and interesting characters. In addition, it sports some nice colors and cinematography plus a good guitar-based soundtrack. <br /><br />I labeled this crime movie a "film noir" because it's gritty and the all the characters are no good. Even the only supposed-good guy, played by Nicholas Cage, gets himself in trouble by lying and has a quick affair he should't have. He also does something at the end which isn't right, but I'm not going the spoil it by saying. Suffice to say, however, that the rest of the characters are so bad they make Cage look good!<br /><br />Speaking of "bad guys," does anyone do it better than Dennis Hopper? Not many. At least in the "deranged" category, he's tough to beat. Lara Flynn Boyle is fun to watch for a bunch of reasons. J.T. Walsh gives another great supporting performance, too.<br /><br />This is one of those films that never got much publicity, but it should have. You'll have fun watching this. By the way, try saying the name of this movie out loud three times fast without messing it up!
| 3 |
trimmed_train
|
23,204 |
Definitely one of my favourite movies. The story is good, acting is great, all technicals (especially cinematography) are sharp and the script is clever.<br /><br />Heath Ledger is terrific as Edward ''Ned'' Kelly. He is gripping as the legendary outlaw, and is supported well by Geoffrey Rush, Naomi Watts and Orlando Bloom. All action sequences are on point<br /><br />The film is edge-of-your seat stuff right up to to the end. One of my favourite films from the late legend Heath Ledger, who has been the highlight of every film he has starred in. And makes no mistake here.<br /><br />An excellent film all round.
| 3 |
trimmed_train
|
19,620 |
The title sequence shows the credits written on a rain-soaked sidewalk as people trod on it; music is provided by someone whistling Alfred Newman's "Street Scene." Then we meet Det. Sgt. Mark Dixon (Dana Andrews), who always wanted to be something his old man wasn't: a guy on the right side of the law. But he's pretty vicious for a good guy. After several complaints over his roughing people up, his boss, Insp. Nicholas Foley (Robert F. Simon), demotes him. Foley tells him he's a good man, but needs to get his head on straight and be more like Det. Lt. Thomas (Karl Malden), who has just gotten a promotion.<br /><br />Meanwhile, Tommy Scalise (Gary Merrill, in a splendidly slimy performance) has an illegal dice game going and is looking to make a sucker out of the rich Ted Morrison (Harry Von Zell), who was brought in by Ken Paine (Craig Stevens) and his beautiful wife Morgan (Gene Tierney). She figures out too late her husband is using her as a decoy, and Paine strikes her when she refuses to play along. The chivalrous Morrison intervenes but Paine knocks him out cold. That seems to be the worst of it, but later it turns out the guy is dead; and Paine looks guilty.<br /><br />But this won't be Paine's story. Soon Dixon has fallen in love with Morganbut not before losing his temper again and committing a terrible deed that he tries to cover up. Morgan's father, a tale-spinning taxi driver (Tom Tully), may take the rap for it. It's up to Dixon to try to pin the blame on Scalise.<br /><br />Otto Preminger directs a script credited to Ben Hecht and three others from the novel "Night Cry" by William L. Stuart. This is a solid film noir with excellent performances and all the shadowy photography and murky morality we expect from this genre. It holds up until the brightly lit ending, which looks like something the studio had filmed to appease the censors. Of course, the classic noir directed by Preminger and starring Andrews and Tierney is "Laura." You'll enjoy this, but you can't miss that.
| 0 |
trimmed_train
|
17,651 |
Tess of the Storm Country was a Mary Pickford vehicle I had intended to get for some time. I finally found a VHS copy for a reasonable price and got to enjoy it.<br /><br />Mary gives her typical spunky, innocently sexy portrayal of a wrong-side-of-tracks girl who wins the heart of a rich heir. Only this time the stakes are higher: a false murder charge, an illegitimate child (and ensuing case of mistaken motherhood) and contemplated suicide.<br /><br />One can see why Pickford wanted to redo this one. The story is a real morality tale, the kind that she loved to star in. The controversial topics aren't always spelled out plainly; a viewer has to pay attention and pick up on hints to catch everything that is being implied on first viewing although everything is more or less explained in the end.<br /><br />About the only negative remark I can make would be concerning Jean Hersholt and the dog. Hersholt, whose character, Ben Letts, looks to be about 6-2, 200 pounds (bigger next to Mary, of course!), is sent fleeing in panic when a 60-pound chocolate lab charges toward him! Then, to top it off (or maybe to justify his perplexing fear of the dog), it manages to pin him to the ground and somehow injures him so badly that he is still struggling to get up much later, as a bad storm hits! This is the same lovable lab that sleeps with Frederick (Lloyd Hughes) and cuddles with Mary! Yet Mary later throws boiling water in Ben's face, which barely slows him! OK, I've vented about Ben and the chocolate lab! Other than that, the movie was quite touching and certainly held my attention. Pickford's supporting cast was strong and believable. This is certainly among her better films.
| 0 |
trimmed_train
|
18,249 |
This movie is the next segment in the pokemon movies which supplies everything on hopes and dreams of a pokemon warrior named Ash Ketchim and his friends. they go out and they look battle and run into new pokemon and take on new adventures with Pikachu and other pokemon favorites. This adventure takes on with a new pokemon called Celebi a time pokemon. Go join ash Brock and Misty to find all sorts of new things!
| 3 |
trimmed_train
|
4,960 |
The story of a woman (Ann) on her death bed, her two daughters (Nina and Constance) and her thoughts about her past. The flashbacks are concerning a weekend where young Ann is in the wedding of her friend Lila. At the wedding she meets Harris who will impact her for the rest of her life. Through all the ups and downs of her professional and family life she remembers him as her true love. Her daughter Constance is older, more "responsible," a mother of two and has things together. Nina jumps from boyfriend to boyfriend and job to job and is unsure of her direction in life.<br /><br />First of all the good. The period detail in the movie is great. The dresses, hair, cars, houses, etc. really put you in another time and place. And there is some very quality acting in the movie. Vanessa Redgrave is quite good at portraying the main character and her fragile mental state as her life comes to an end. Claire Danes is beautiful and does a great job as the main character when she was young (and she is an outstanding singer). Hugh Dancy brought a lot of life to the character of Lila's brother Buddy.<br /><br />Now for the bad, which unfortunately is everything else. Things constantly disrupt the story as it is being unfolded for us. The chemistry between young Ann and Buddy is great. They have fun and dance. Then... you are supposed to believe that she doesn't really like him more than a friend and that his pining only annoys her. And I thought the whole, "he might be gay" thing was out of the blue and didn't serve a purpose.<br /><br />Then we have Harris. The character acts wooden and creepy. Had this been another genre, you would have known that Harris was the serial killer from the get go. It is an unbelievable stretch to think that all these girls loved him so (but they do portray the other guys as pretty lame to try and help him out).<br /><br />And the grandest problem of all. Why don't Ann and Harris get together? They fall for each other. They have this great night of sex in an old dirty gardener's shack, come home to find out about Buddy's tragic end and then...<br /><br />Nothing.<br /><br />They meet up a few years later and get all misty eyed about each other and I couldn't help but wondering why. WHY? The movie doesn't let you know why they were forced to marry other people and so I had a hard time feeling sorry for them.<br /><br />The part of the story in the present is fairly boring. The cliché good daughter and the cliché bad daughter. Nina changes over the course of the movie but I am not sure why. I'm not sure what convinces her to change her life. There is a "touching" scene where the daughters are connecting that coincides with old Ann dreaming she's chasing a butterfly. It is really lame and embarrassing.<br /><br />"There are no mistakes", Ann advises at us. The statement doesn't ring true with the story. And it doesn't ring true after seeing the movie and wishing they hadn't wasted the talent of such good actors.
| 1 |
trimmed_train
|
5,836 |
I saw this film recently in a film festival. It's the romance of an ex-alcoholic unemployed man who just came out of a big depression and a single middle-aged woman who works in an employment office (INEM). I found the story very simple and full of clichés, taking the 'social' theme of the movie and turn it in to a romance comedy. The lead actor did a good job, he definitely looks like an alcoholic man, but Ana Belen is not believable as a working class woman, she looks, acts and talks very much like a 'high-standing' woman. What I mean is that Ana Belen plays herself. She does it in all her movies anyway. The whole mise-en-scene of the film was very poor. The photography is ugly, not using well at all the panoramic aspect ratio. The dialogue sounds totally scripted and dull most of the times. The comic situations are typical from Gomez Pereira, but in this case they are not funny at all and are resolved poorly. In my opinion this film is not worth watching. Only if you really love Pereira's previous films you might enjoy this one a little bit. Anyway, I walked out of the theater because I felt I was wasting my time. The film-maker was by the door. I wonder what a director feels like when he sees someone walking out of one of his films, specially one that is made to please everybody.
| 2 |
trimmed_train
|
10,753 |
i bought this DVD because it has kari in it and the mpaa ratings said ; "Rated R for strong violence and sexuality, nudity and language".<br /><br />which correctly, IMO, should state ; "Rated R for strong violence, sexuality, nudity and language".<br /><br />the word "sexuality" should come after a "comma", not an "and" because of the huge difference in meaning it make. i think a lot of people who have watched this movie will agree with me that the sexuality and nudity parts ALMOST non-existent. my first impression when i look at the mpaa rating was that i will be watching something like "vivid" movie. that is why i felt cheated. story-wise, it was so-so, after-all who really cares about the story if the gorgeous kari was in it. i know i don't.<br /><br />of course, this is only my opinion.<br /><br />Joseph
| 2 |
trimmed_train
|
19,744 |
Holes, originally a novel by Louis Sachar, was successfully transformed into an entertaining and well-made film. Starring Sigourney Weaver as the warden, Shia Labeouf as Stanley, and Khleo Thomas as Zero, the roles were very well casted, and the actors portrayed their roles well.<br /><br />The film had inter-weaving storylines that all led up to the end. The main storyline is about Stanley Yelnats and his punishment of spending a year and a half at Camp Greenlake. The second storyline is about Sam and Kate Barlow. This plot deals with racism and it is the more deep storyline to the movie. The third is about Elya Yelnats and Madame Zeroni, which explains the 100-year curse on the Yelnats family. In my opinion, these storylines were weaved together very well.<br /><br />Contrary to many people's beliefs, I think that you do not have to have read the book to understand the movie. The film is reasonably easy to understand.<br /><br />The acting in the film was well done, especially Shia Labeouf (Stanley), Khleo Thomas (Zero), Sigourney Weaver (the warden), and Jon Voight (Mr. Sir). The other members of D-Tent, Jake Smith (Squid), Max Kasch (Zig-Zag), Miguel Castro (Magnet), Byron Cotton (Armpit), and Brenden Jefferson (X-Ray), enhanced the comic relief of the movie. However, the best parts were with Zero and Stanley, who made a great team together.<br /><br />Although Holes is a Disney movie, it deals with some serious issues such as racism, shootings, and violence. The film's dramatization at some points is very well done.<br /><br />I would suggest this movie to people of all ages, whether they have read the book or not. You shouldn't miss it.
| 0 |
trimmed_train
|
9,768 |
and it did. It is through my experience that when a horror film reaches "franchise" status, and subsequent titles are released thereafter, they all, in turn, become stricken by one inevitable factor: irrelevance. Omen IV: The Awakening makes no exception to this rule, featuring another small child supposedly embracing their role as the Anti-Christ, foretold by a religious prophecy. Haven't we seen this before? Wasn't it enough that, over the span of three films prior to this release, we've experienced the rise and fall of Damien Thorn? If you're a horror enthusiast such as myself, you'll realize that it's common for a horror movie that has many sequels and prequels to its credit to fade away into redundancy - Children of the Corn, Hellraiser, Phantasm; the list goes on. At this point in the game, I'm sure you know what to expect when you're prepared to view the fourth title in a series. Regardless, there are times when you sit back and realize how shameless some filmmakers are. Omen IV: The Awakening is just that, too - a shameless money making exercise.<br /><br />This film does not offer anything new or intriguing to the Omen lineup. As unique and genuine as Omen IV tries to be compared to its siblings, the similarities and plot devices are embarrassingly alike. Elements like the guardian dog, the involvement of a priest, the skepticism of the people involved, the decapitation death scene (clearly a homage to the original film when the journalist is beheaded by the sheet of glass)...even right down to the father's involvement in politics and prestige within the community make it too predictable. <br /><br />Although it is common to star a B-Rated cast into a horror title this far into a series, the acting is off the charts, chock-full of ridiculousness and unintentional humor due to some of the poorly delivered lines throughout this film. The atmosphere has completely vanished in comparison to the first three titles. In addition, the epic score composed by Goldsmith in the previous movies has been replaced by an auditory debacle; an absolute joke, and made me wonder if it was actually intended to be used for this film or just pulled from a "bank" of stock audio...which really says something, because rarely do I comment on the lousy misuse of a musical score - until now.<br /><br />All in all, I'd call Omen IV: The Awakening a failure. In the world of horror movies that carry a long list of titles behind them, some manage to hit the mark and some don't. If you're interested in creating another notch on your weathered horror belt such as I am for completion purposes, perhaps you could carve this title into it as well - if not for entertainment value, then to appreciate when a film is executed properly, or poorly.
| 2 |
trimmed_train
|
1,082 |
This movie starts out with a certain amount of promise; but, in my view, begins to lose it when the protagonist kidnaps the good Samaritan who comes to his aid when his car breaks down. That this well-meaning stranger begins to fix his car while he is away making a phone call is implausible enough, but that she is one of the few people in the country who can help him put his family's life back on track is the type of coincidence beginning writers are warned against using in their stories.<br /><br />I found this movie average at best. Art direction could have been much better, as could have been cinematography. The acting was good, and so was Eva van der Gucht's singing.
| 1 |
trimmed_train
|
3,973 |
There is this girl and she's running in the woods but she ends up at this woman's clinic and she wants an abortion. Her daddy is outside in a van and he is all angry about it. The whole episode takes place in and outside of this abortion clinic. I'm not really pro-choice but I wanted the choice to kill this episode. I was laughing when I saw the baby come out and it went into the corner. The part where they were doing the ultra sound was pretty funny too. I was really feeling sorry for the poor dad in this episode. He just wanted to protect his daughter and I couldn't really blame him for what he did. I don't know what happened to him at the end or what happened to the other father and daughter in the waiting room. I was just laughing too hard and I would suggest watching "Pick me up" instead of this episode. It wasn't the worst episode but it wasn't that great.
| 1 |
trimmed_train
|
10,765 |
If John Waters had written and directed "House of 1000 Corpses" after being struck about the head repeatedly with a heavy object, the result would probably be something like "The Blood Shed." It's mildly entertaining for the first half hour, but then it slides into a sort of featureless glop of constant screaming and people doing things to each others genitalia with electric carving knives, cutlery and pliers. Susan Adriensen (Sno Cakes) is incredibly annoying and Terry West (Elvis Bullion) is almost as bad in whatever it is he's doing in front of the camera.<br /><br />Maybe the best thing about "The Blood Shed" is that it won't take most viewers very long to forget about it.
| 1 |
trimmed_train
|
5,947 |
beyond the fact crazy people exist and there are religious nuts out there.<br /><br />The characters basically make no sense most of the time.<br /><br />The film has no real beginning, middle or ending, nor is anything ever explained much.<br /><br />The film opens with a young man, with the unlikely name of Hazel Motes, apparently returning from a stint in the army.<br /><br />He hitches a ride to a two story house that is in extreme disrepair, windows boarded over. He goes in the house, walks around and finally writes a note that he leaves there. This scene comes to nothing, and we learn nothing further about the house or its history.<br /><br />It is never explained exactly whose house this is, or where the people have gone, but we are given the impression Hazel has probably lived there at one time.<br /><br />Hazel decides to go to a city. Why - we don't know. Once he arrives in this city he writes down a name & address that he sees on a bathroom wall, and goes to visit this woman, who is a surprisingly fat hooker. He sees her for awhile and then he apparently isn't seeing her anymore. Like everything else in this movie, it comes to nothing and serves no purpose.<br /><br />A young man named Enoch, tries to befriend him, but Hazel really isn't interested, although they keep crossing paths.<br /><br />Enoch is about as crazy as you can get. One of his habits is to go to the zoo and stand in front of the cage where the chimps are and talk at them insultingly.<br /><br />We never really know why Enoch behaves as he does, or why Hazel behaves as he does, beyond the fact Hazel had an overdose of old time scary, fundamentalist religion via his grandfather.<br /><br />Enoch later becomes enthralled with a man who dresses in a gorilla suit, and manages to get the gorilla suit from him and then runs around in it.<br /><br />Hazel, who is wound rather tight and seems to be in a constant borderline rage does a bit of street preaching. I got the impression he was trying to free himself from the untruths of the religion that had been drilled into him.<br /><br />He has several encounters with a preacher and his daughter, although their interactions never really make any particular point, and there is no plot line.<br /><br />Eventually Hazel succumbs to complete religious fervor and begins self-harming.<br /><br />It is a very odd film. Interesting in it's oddness but other than that it has absolutely nothing going for it.<br /><br />The cast does an outstanding job,but this film completely fails to deliver either a point of view or a storyline.<br /><br />The film also has the characters tossing around the N word from time to time with no connection to the rest of the dialog.<br /><br />2 stars
| 2 |
trimmed_train
|
20,747 |
I've read a few of the reviews and I'm kinda sad that a lot of the Story seems glossed over. Its easy to do because its not a Book, its a movie and there's only so much that can be done in a movie- US Or Canadian- or anywhere.<br /><br />Colm Feore does, at least for a recovering "F@g-Hag" like myself, a great job of not only playing the 'friendly neighborhood' gay man- but playing sick. I mean, the man really can't get much more pale! Though, you might never know it from the strip down near the... um, end.<br /><br />If you need decrepit, there are a few SKing movies you might like.<br /><br />Being the daughter of a Recovering Alchoholic, the druggie brother {David Cubitt} was the trick for me. I'm going to give him cred, he grew up quick- and believe me that's good. And, as an Aspiring writer, moimeme, I can dig a lot of his insights and overviews. But I'm more prosy than poetic.<br /><br />I may be easy to please, but I enjoyed it. A nice story pretty well put together- by Canadians, quelle surprise. Just toed the line of the 'Movie of the week,' missing it by not being as drawn out, GREATLY Appreciated. And it was rather cleverly portrayed.
| 0 |
trimmed_train
|
989 |
honestly, if anyone has a brain, there's not 1 positive thing<br /><br />to say about this movie what so ever. <br /><br />I lost my $1 renting this. I'd rather laugh at Will Smith saying "If you got a dream, you got to protect it". <br /><br />all the actors must've been bored or had no fame at the time. even Matthew Mc Conahay *however you spell it* was better then all the actors in this movie, when he played a psycho in Texas Chainsaw 4. If you see this movie, and have anything good to say, you IQ, must be extremely low, with such bad taste in movies, it hurts. Thank YOU...and the TRUTH, has been spoken!<br /><br />Save yourself from the misery. <br /><br />Get Devil's Rejects, now that's a classic.
| 2 |
trimmed_train
|
6,707 |
This was a silly movie with a predictable storyline and dreadful acting!! Willy Nelson was as stiff as his braids. The movie just seemed like a very long advert for the bright red lipstick that Jessica Simpson wore - especially as there were so many close-ups on her face. The premise was not amusing and as I said - soooooooo predictable. Whatever money was spent on making this movie was a shameful waste. Any allusions to other old Marilyn Monroe movies did not enhance the viewing of Blonde Ambition at all. It was also so unbelievable - Jessica Simpson being able to step into an executive secretary position at the drop of a hat - that was laughable!!!
| 2 |
trimmed_train
|
15,441 |
I cannot say this movie is a disappointment because I read some reviews before watching and it did not do as well as I thought it would have. The bar was not set that high, so the fact that my expectations were met is not saying much.<br /><br />The Good: The city of New York. If you live in the city like me, you'll recognize certain places and understand that the city is supposed to be more than just a setting, rather one of the main characters. There are genuinely tender moments, humorous conversations, and plot twists left and right which all keep things interesting.<br /><br />The Bad: The first thing I thought after leaving the theater was that I wanted more, but not in the positive "leave them wanting more" fashion. Certainly the good skits/scenes outweigh the bad, but there are a lot of skits that fall within the "in-between" category, too many in fact, which is what ultimately brings the movie down. Also, New York City's diversity, though hinted at though the many distant pans of the city and mentioned in conversation throughout the movie, is never really realized or analyzed to the point of doing the city justice. For example, many of the skits involve well to do middle aged whites. I mean I know the city is home to many of the said demographic but come on, Paris Je'taime's plot and character diversity makes New York City look like Lancaster, PA, or someplace really white. It is just disappointing to see the city shortchanged on its heritage like that.<br /><br />Still, even after having said this, I would recommend giving New York, I Love You a view. Who knows, maybe you'll disagree with my opinion and maybe you won't. You will never know until you see it for yourself. This review is not meant to deter anyone from watching this movie, as everyone's opinion on art differs. I'm just giving you a very vague heads up on what to expect.
| 0 |
trimmed_train
|
11,575 |
This is just plain bad. Sometimes remakes, even if they stray from the original, are good on their own. They can bring another viewpoint and achieve a certain interpretation that makes them unique and enjoyable. This was as poorly thought out and carried out as can be. This wasn't any good even standing on it's own. Viggo Mortenson is a top-notch actor, but some of his selections of roles and projects leaves something to be desired. The original "Vanishing Point" was such a thrilling, psychological adventure; this is not an adventure at all, and is not enjoyable or entertaining whatsoever. This was made from a by-the-numbers approach to film-making, stuffing in plot points that someone in Hollywood believes will please what they see as today's film-going audience. Basically, they see us as a bunch of idiots. It's insulting that someone will put this out as a feature film, and even attempt to remake a cult classic this sloppily. The manipulative plot devices, the "make-it-obvious-so-they-don't-miss-the-point" aspects, ridiculous dialogue, stereotyped characters, amateurish direction...<br /><br />This is plain bad....
| 2 |
trimmed_train
|
1,967 |
*Warning - no plot spoilers ahead, but movie spoilers nonetheless...* My significant other rented this for me thinking it would be a terrific romance with an all-star cast. Wow - very, very wrong. This movie is an overdone, overwrought, and overly sentimental excuse to theatrically release a student film 15 years after it was shot! The copyright date on the box said 2005, yet during the very first flashback sequence I was looking at the clothes and hairdos that were supposed to be the early 1960s, and noticed that the girls especially were wearing late 80s/early 90s dresses and hairdos. It looked as if it had been shot a good 15 or 20 years before the rest of the film! I tried to convenience myself that it was a flashback, and therefore supposed to look old, but it looked WWWWWWWAAAAAAAAAAAAYYYYYYYYYYY more 80s than 60s or even 21st century trying to be 60s... then an adult coworker of the lead character turns up, and he looks just like the boy featured in the flashback sequences (yet it's a different, much older character whose youth is featured in the flashbacks). I was completely confused until I saw in the special features the short film included - it was all the flashback sequences, shot in 1990 as a complete student film of the same title as this movie! It also features commentary that includes the little boy all grown up (and indeed acting the co-worker in the 2005 scenes). Thus, this movie is just a shell of story woven around an old, re-cut student film put together as an obvious excuse to get it up to theatrical running time. The shell story, shot in 2005, is mostly about a man who has lost his wife and finds healing and redemption at the dance class that he promises a dying man he will attend in his stead (something about a promise made by the dying man in the early 60's to his girl that they would meet on the "fifth day of the fifth month of the fifth year of the new millennium - an excuse to shoot the segments around the old film in 2005?) These new scenes and plot might have been OK except the awful, overly sentimental score that repeats ad nauseum over almost every single new scene and the clichéd action that permeates the new movie. Don't bother. There's a reason why you've never heard of this movie even though it has a well-known cast - it's terrible.
| 2 |
trimmed_train
|
21,670 |
Utterly tactical, strange (watch for the kinky moment of a drop-dead gorgeous blonde acting as pull-string doll for some rich folks), pointless but undoubtedly compelling late-night feature. This unhinged French production is a stew of perplexedly unfocused ideas and random plot illustrations centred on its very charismatic stars (if somewhat anti-heroes) Alain Delon and Charles Bronson. Really they don't get to do all that much, especially during the confined, lengthy mid-section where they hide themselves in a building during the Christmas break to crack a safe with 10,000 possible combinations. Oh fun! But this is when the odd, if intriguing relationship is formed between Delon and Bronson's characters. After a manipulative battle of wills (and childishly sly games against each other), the two come to an understanding that sees them honour each other's involvement and have a mutual respect. This would go on to play a further part in the twisty second half of the story with that undetectable curve-ball. Still their encounters early on suggest there's more, but what we get is vague and this is magnified by that 'What just happen there?' ending that might just make you jump. YEEEEAAAAAHHHHHHHHH! Glad to get that out of the system. <br /><br />The pacing is terribly slow, but placidly measured for it and this seems purposely done to exhaust with its edgy, nervous underlining tension. Watch as the same process is repeated over and over again, and you know something is not quite right and the scheming eventually comes into play. Now everything that does happen feels too spontaneous, but the climax payoff is haunting. The taut, complex script is probably a little too crafty for its own good, but there are some neat novelties (Coins, glass and liquids
try not spilling) and visual symbolisms. Jean Herman's direction is efficiently sophisticated and low-key, but get a tad artificial and infuse an unwelcoming icy atmosphere. The sound FX features more as a potent note, than that of Francois DeRoubaix's funky score that's mainly kept under wrapped after its sizzling opening. Top drawers Delon (who's quite steely) and Bronson (a jovial turn) are solid, and work off each tremendously. Bernard Fresson chalks up the attitude as the Inspector who knows there's more going on than what is being led on. An attractive female cast features able support by Brigitte Fossey and Olga Georges-Picot. <br /><br />A cryptically directionless, but polished crime drama maintained by its two leads and some bizarre inclusions.
| 0 |
trimmed_train
|
2,413 |
A Nightmare on Elm Street: The Dream Child, the fifth installment in the Nightmare on Elm Street series and the worst sequel ever in the series, even worse than A Nightmare on Elm Street 2. I was lucky enough to get the Nightmare on Elm Street DVD box set for my birthday and I watched all the sequels. The dream child was the worst without a doubt, I was surprised too since they were doing so well with the last two sequels. But I guess they just lost the charm, the story was just ridicules and I wasn't happy with where it went. Alice just became more annoying, she's not Nancy or Kirsten, so her carrying this film on her own didn't work for me. Freddy is also loosing his scare, this was just getting a bit silly.<br /><br />Alice is back and she's carrying a child, she couldn't be happier with her life. But Freddy is also back and he's not going to be too light on her since she defeated him so easily in the fourth movie. But anyways, he wants her child and to be born into the world again. Did you ever wonder if Freddy had parents too? Well that's what A Nightmare on Elm Street: The Dream Child investigates and Alice soon finds out what Freddy's childhood was like and that maybe that's the one thing that can defeat him.<br /><br />A Nightmare on Elm Street: The Dream Child is just all in all a bad movie and an insult to the series. I don't think anyone could be happy with this sequel. Just the story was really silly, I mean it could have possibly worked, but once again, it was just executed the wrong way. I know that if you're looking to see the sequels for the Nightmare on Elm Street series, you should watch it, but I really wouldn't recommend it, it's not worth it, at least in my opinion.<br /><br />3/10
| 1 |
trimmed_train
|
5,102 |
How, in the name of all that's holy, did this film ever get distribution? It looks as if it has been shot on someone's mobile phone and takes the screaming girl victim scenario to whole new depths. They literally scream for the full 90 minutes of the movie. And that's all they do. There is no plot, no tension, no characters, and not a lot of acting. Just screaming and more screaming.<br /><br />I gave up after fifteen minutes and fast-wound through it to see if anything happened. It doesn't - except for screaming, of course. Odlly enough, the act of going through it on fast forward highlights another problem - there is no camera-work to speak of. Every shot looks like every other shot - middle distance, one angle, dull, dull, DULL.<br /><br />It's not so bad it's good. It's just plain bad.
| 2 |
trimmed_train
|
876 |
I know, I know, "Plan 9 from Outer Space" is the worst movie, or maybe "Manos, the Hands of Fate." But I can't get worked up over those sock-monkey movies. Of *course* they're bad. How could they be any good? But if you're talking about movies with respectable production values and bankable talent, the T. rex of all turkeys has to be "Yentl." All the treacly phoniness, all the self-absorbed asininity, that stains everything Barbra Streisand has done since 1964, reaches its culmination in this movie. From its lonely summit of awfulness, "Yentl" looks back to "A Star is Born" and forward to "The Mirror Has Two Faces." There is nothing else quite like it. What emotional undertow dragged Streisand out to make this movie I would rather not speculate, and what audience she was playing to I cannot possibly imagine, although I'll bet there's a nine in ten chance you aren't a member of it.<br /><br />Nobel Prize-winner and saintly guardian of Yiddish literature Isaac Bashevis Singer was so outraged by what Streisand did to his story that he blasted her in public for it. It is a tribute to Streisand's impenetrable vulgarity that she not only didn't commit suicide, but went on to make more awful movies.
| 2 |
trimmed_train
|
3,840 |
I saw this for Gary Busey and Fred Williamson thinking they were buddy cops. They are but Busey is in the opening scene then doesn't show up again until like 40 minutes into the movie. Though every scene he's in is awesome. Especially when he disguises himself as a blind hobo.<br /><br />What's incredible about this movie is the plot. In the movie Fred Williamson is trying to find out who stalking and killing phone sex operators. At one point I think thats its Busey. But it turns out I'm only partly right. Busey is not the killer, but he is calling up and harassing the women over the phone. Why? I don't know. In no way is he connected to the killer, he just does it for kicks I guess.
| 2 |
trimmed_train
|
632 |
Before starting to watch the show, I've heard it was great and aesthetically very interesting. What a deception, the scripts are so dumb that I am quite sure the authors are son and grandson of Scoobidoo writers. And what about the SFX and colors, they are so extreme that it is painful to watch, colors are not saturated they are over saturated, like scripts are overwritten and show is overrated. This show is like a bad pie in which a child would have put only sugar and butter thinking that because these ingredients are the best, they are sufficient. Unfortunately for this show, the only two ingredients of this show are finally vacuity and a total lack of credibility.
| 2 |
trimmed_train
|
4,715 |
this film was a major letdown. the level of relentless cruelty and violence in this film was very disturbing. some scenes were truly unnecessarily ugly and mean-spirited. the main characters were impossible to identify with or even sympathize with. the lead protagonist's character was as slimy as they come. the sickroom/hothouse atmosphere lent itself to over-the-top theatrics. little or nothing could be learned about the Spanish civil war from this film. fortunately, i've been to spain and realize this is not realistic! in addition, the use of same-sex attraction as a lurid "horror" was also very offensive and poorly handled, while the DVD is being packaged and advertised to attract gay viewers. the actors seemed uncomfortable in their roles,as if they were trying to distance themselves from this mess.i guess if you like watching children and pets being brutally killed,this film might especially appeal to you.
| 2 |
trimmed_train
|
11,914 |
Mulva is put in a sugercoma by Teen Ape. When she awakens she's considerably hotter (the parts played by Debbie Rochon in this sequel), and out for revenge on those that did her wrong. As the sub-title and box art implies this is indeed a take off on the "Kill Bill" films, but this being a Chris Seaver's film, it's a wildly incompetent satire (and I use that last term extremely loosely) I'd love to say this is better than the first film, but truth be told I was so impossibly drunk off my ass when I saw the previous film that I can't even hope to compare the two at this point in time. But I must have enjoyed it since I bought the sequel (see when I'm drunk I like, for lack of a better word, complete and total crappy movies) There are a few laugh out loud moments (very few) but I do remember Bonejack being funnier though. Well at least at slightly over an hour, it IS over mighty quickly for what it's worth.<br /><br />My Grade: D+ <br /><br />DVD Extras: Audio commentary by Director Chris Seaver, actress Debbie Rochon, and the Lbp gang; Second commentary by Seaver; 31 minute Making of featurette; Lloyd Kaufman's 6 minute tribute to low budget pictures; Fake 2 minute syrup commercial; stills gallery; Promo trailer; and trailers for :Mulva", 'Quest for the Egg Salad", "Fiilthy McNasty"1, 2, & 3; "the Feral Man", "the Bonesetter", "Midnight Skater", "Demon Summer" & "Splatter Rampage Wrestling"
| 1 |
trimmed_train
|
3,240 |
"Bullfighter" was made in 2000 but it is being released on video 5 years later for some reason. I wonder why? Could it be: The confusing storyline, the incomprehensible dialogue said by Oliver Martinez, and the annoying editing? It's got to be. I think the plot was Mary (Michelle Forbes) and Jacque (Oliver Martinez) go on a mystical road trip. They meet a lot of wacky characters and avoid some evil ones too. The movie looks great and there is a lot of style, but there is no substance. Most movies, when trying to subtle, don't call attention to themselves with unanswered plot developments, and weak special effects.<br /><br />Don't be fooled by the cover: Willem Dafoe is in it for 2 minutes at most.
| 1 |
trimmed_train
|
13,010 |
Okay, there are a ton of reviews here, what can I possibly add?<br /><br />I will try anyway. <br /><br />The reason this is my favorite Scrooge is because of EVERYthing. The sets, outdoor locations, costumes are so beautiful and authentic. The music is sweet. The supporting cast is very well done. One of my favorites is the narrator & nephew, played by Roger Rees. His understated sincerity is touching and his voice is the sound of Christmas to me. David Warner is also a totally believable Bob Cratchit. His is a difficult life, but he remains positive and dignified. <br /><br />The best part of course- is George C. Scott as Ebenezer Scrooge. Some have said his portrayal too gruff. I couldn't disagree more. His exchanges at the beginning while cold or harsh, weren't out of character. He is a terribly disillusioned man who's heart has been hardened by the vicissitudes of life and his own lust for wealth. <br /><br />During the flashbacks, it's obvious that he isn't all gruff. This is where we see that there is hope for him. If he was totally gone, his partner Marley would never have come for his sake in the first place. And after all, we are none of us past hoping. I think that is a HUGE part of what Dickens was trying to say. When Scrooge looks in on his dance at his employer's with Belle, you see him smile regretfully as he tells Belle in the flashback that he will go through life "with a grin on my face." Clive Donner was smart enough as the director to allow these moments on film. Sometimes they get left on the editing room floor.<br /><br />And finally, his conversion is so absolutely full of joy that it makes me cry tears of joy EVERY time I see it. His apology to his nephew Fred, so sincere, so moving, it is the spirit not only of Christmas, but of humanity itself. The joy he brings to Fred, to his wife are so apparent. And the line that gets me every time, "God forgive me for the time I've wasted." <br /><br />Bravi tutti!
| 3 |
trimmed_train
|
4,685 |
This grainy film has a cult following and one of those word-of-mouth features you just had to see. Maybe hard to believe, but there is a rural community in southwest Arkansas, Fouke, that knows the legend is true. This tale is told in documentary-style narrated by Vern Stierman and filmed in actual locations talking to actual folks involved. The legend changes with the telling, but during the late 60s and most of the 70s the surrounding area of Fouke was visited by a Bigfoot-like creature that traveled along Boggy Creek. Long limbed with three toes and standing over 7 foot tall, this hirsute creature periodically caused damage and frightened the 'bejeebers' out of most of the community. I personally crossed over the small Boggy Creek bridge in 1974, and yes the hair on the back of my neck did rise. Of course it was about 1 a.m. in the rain. By the time I arrived in Shreveport, I was laughing.
| 1 |
trimmed_train
|
2,314 |
Without a doubt this is one of the worst films I've ever wasted money on! The plot is, erm sorry, did I say there was a plot? The scariest moment was when..., nope can't think of one! The best special effect that had me hiding under the bed covers was..., nope can't think of one for that either. You knew who the killer was right from the start. There was nothing scary about the whole movie, in fact the only two vaguely interesting bits were when you saw the kid sister, Misty, in the shower and when you saw Nurse Toppan take her top off. This film should only be watched to get an idea of how NOT to make a horror movie!!!
| 2 |
trimmed_train
|
2,077 |
If Mr Cranky had rated this, I'd be tempted just to copy his review and paste it here. But as he hasn't, I'll have to give it a go myself.<br /><br />The only thing giving this movie a 1 instead of a 0 is that Malcolm McDowall's acting is excellent. However not even he can save this film from disaster. The director must have been really distracted when he worked on this one because it is just a conglomeration of scenes that were thrown together with very little continuity - reminiscent of bad '70's movies. Even worse, both the actors and director appeared to be making it up as they went along which probably showed how bad the original script was.<br /><br />It's not even worth discussing the story line although it revolves around a futuristic corporation called the Proxate Corporation who put together a crew of dispensable people to carry a dangerous cargo on an old container/slave ship to Nigeria. This ship's computer is a baby kept in a glass jar and wired into one of the crew via USB 12 or something. The company should have been called the Prostate Corporation as the entertainment value of this movie is on a par with an examination of the same name.<br /><br />I honestly can't find one scene that I could say was well made and made any real sense in the context of the movie. I only watched it to the end as I had a touch of the bird flu and this movie reminded me that there were people out there who were actually worse off than me - Malcolm McDowall in particular. I won't hold this against him as he's a great actor and every great actor is entitled to one bad movie in their career and this one is a doosie.<br /><br />So, unless this is the only movie your shop hires out or you're male and you're doctor isn't doing prostate examinations this week and you somehow feel this is a bad thing then give this one a really wide berth unless of course if you're really community minded, buy a copy to support Malcolm and then use it as a drink coaster.
| 2 |
trimmed_train
|
21,050 |
You have to see it to believe it! Directors Alastair Fothergill and Mark Linfield have done a thing really great, it is a 10 out of 10 so I can not believe that other user of this web had rate it so poor, unless they were expecting to see just a normal movie, with people, love scenes, and so on. I am also convinced that this kind of documentaries are an excellent way to wake up us in order to save our beautiful planet. Finally, it has nothing to do with Al Gore's documentary-movie "An inconvenient truth" mainly made of long monologues, painfully and with "truths" not always accurate, as many scientists have pointed already. <br /><br />The best thing you can do on earth is not miss Earth.
| 3 |
trimmed_train
|
15,981 |
I picked up the movie with no cover and not even knowing what it was, but when I watched it I laughed so hard. It is now one of my favorite movies of all time. Rusty and the guys created a masterpiece I would highly recommend this movie to any one with a sense of humor. Thank You Rusty for giving us something to laugh at.
| 3 |
trimmed_train
|
12,186 |
I have watched some pretty poor films in the past, but what the hell were they thinking of when they made this movie. Had the production crew turned into zombies when they came up with the idea of making it, because you sure have to be brain dead to find any enjoyment in it.<br /><br />I am a fan of most genres and enjoy "shoot 'em up" games, but merging the daft scenes from the game just made this ridiculous and unwatchable.<br /><br />As most have already said, there was hardly any script and the acting was weak. I won't waste my time describing it.<br /><br />Anyone who rates this film above 4 has to be part of the production company or Sega, or else they have a very warped concept of entertainment.<br /><br />I must say, I was more annoyed with the video shop, who gave this a thumbs up, which led me to rent it. Thank god I had a second film to watch to restore some of my faith in movies.<br /><br />Comic book guy would be right if he said "Worst movie ever"!
| 2 |
trimmed_train
|
10,797 |
I wanted to punch the TV. Watching it was torture. I hated it. Never watch this movie. The terrorists are annoying. Adam Sandler is annoying. I normally like him but not in this one. I wanted to break the DVD. This is the most irritating film in the world. The comedian he's jealous of is obnoxious. The only remotely funny part is the rocker with the black teeth getting all the girls. It was so irritating I wanted to punch the TV. DO NOT BUY THIS MOVIE UNLESS YOU WANT TO ANNOY SOMEONE. If you even like Adam Sandler a little bit, Don't buy it. It will just make you hate him. Do yourself a favor, if you see it in the store, hide it to put everyone out of danger of buying it. Its a waste of the $1.99 I paid for it.
| 2 |
trimmed_train
|
18,768 |
i think it is a nice movie; i think it is a very romanian movie through scenery and atmoshpere; i think it was not intended to be sensual (sensuality is a result, not a purpose); i think it is very natural; i think it is humane; i think it was interesting; i think the actors never made me think... waw lame acting (they are not Sean Connory & co) neither is the film a block buster, they are like the movie... normal ppl that can act...; i think the movie reached its intention; i think it made me feel things (or feel them again :) ); i think i'm not objective;<br /><br />i really enjoyed it... that i know.
| 0 |
trimmed_train
|
6,844 |
Maria Bello doesn't seem to care what people think of her choices in movie roles. Again she chooses a very difficult and not popular movie to star in. Maybe she needs those movies, to get off the sugar coated (aka "Hollywood") ones she does here and then (Coyote Ugly and of course Mummy 3).<br /><br />While I think fails to achieve what it sets out to do (I won't spoil that), Maria Bello is as great as in her other independent/small movies she stars in. It's her performance that elevates this movie. This combined with the strange subject matter almost did the trick for me. But in the end (and even if I try to overlook some flaws, like bad pacing and dramaturgy), the movie is still too long
| 1 |
trimmed_train
|
14,819 |
When I saw this movie first, it was long ago on VHS-Video. I did like this movie, because it was funny and excitingly. Some years ago I saw another movie, called: *Andy Colby's Incredible Adventure* In this movie were parts of *Wizards of the lost kingdom* used in. They called this movie "KOR the conquerer". I began to search for the "KOR"-Movie many years, because I wanted to see the complete movie, not only the parts which were used in the *Andy Colby*-Movie. No shop had this Kor-Movie to rent and no shop did know this movie. Many years I watched my old VHS-tapes I had at home, and what a wonder... I had this movie since many years still at home, but the movie had a different title, because in Germany it has 3 or 4 titles. So I was happy to find this tape at home and this time I had much more time in watching *KOR the Conquerer again. The music is great during the hole movie, but the best part of filming in combination with the music is this moment, when KOR is walking drunken through the green forrest. The music in the background had some kind of magic. I like Bo Svenson, and also the boy, who played Simon in the movie. Both of them did their job very good. Manfred Kraatz, Germany, 26.10.2004. Thanks to all for reading my comment.
| 3 |
trimmed_train
|
12,020 |
In the first 20 minutes, every cliche possible was trotted out by the hack writer and director. There was the NTSB primary investigator with the tortured family life; the politically-tortured NTSB board member played by [I can kill ANY TV] Ted McGinley; the tortured father of a crash victim; and the torturing sleazy ambulance-chasing lawyer.<br /><br />Hollywood still has no concept of the fragility of aircraft. The crashed plane was a 737 and it was mostly sitting on the ground like a hippo who decided to take a nap. The first third of the fuselage was intact, the rear half of the plane was intact and the debris field showed no wings or engines. Most of the people should have walked away in light of how many people survived that plane that got shredded in Iowa after it lost its hydraulics. Most of this TV plane wasn't even burned.<br /><br />It reminded me of the scene in "Air Force One" where the 747 hits the water and then skips along like it's made of inch-thick steel.<br /><br />The show was so bad it was impossible to watch. Even my wife, who is more accepting than I, was commenting on technical flaws. What had me stunned was how this POS could ever get made. Are the producers of these things so used to clichés that they can't even recognize them? Somebody read this script and said: Yes, I want to spend a million bucks making this real. I wish I was the guy's next appointment. I have title to a wonderful bridge in New York that I'd sell cheap.
| 2 |
trimmed_train
|
9,651 |
This is probably the worst movie ever made it is just to bad the name of Roger Corman is associated with it. I could've understand it in his early years when he had lower budgets but nowadays there is no excuses for giving birth to this! I'm a "B" movie pervert and from certain people point of view all the flicks I love are put aside by "regular viewers" but take my word on this one, Vampire club makes the top of my list of the best of worst.It's hard to Imagine, vampires with no fangs, the music score is totally out of place,the sound effects are just not effective and finally Mr.Savage doesn't seem to know he is in a vampire movie at all witch is too bad 'cause he had a "not to bad" career over all. Let me know i'f I'm to hard on this one cause when I don't like a movie I tend to forget about it's good side.
| 2 |
trimmed_train
|
14,205 |
In France, it's considered polite from French critics to genuflect to the apparently cohesive chain of films Brian De Palma left behind him. However, a good proportion of his films are marred by bombastic effects "Carrie" (1976), "the Fury" (1978) "Scarface" (1983) without mentioning his borrowings from Hitchcock. Here, in "Dressed to Kill", it's impossible not to think of "Vertigo" (1958) for the long sequence in the museum while the key moment in the lift makes inevitably think of the shower anthology sequence in "Psycho" (1960). About our involved film, I don't want to revive the old debate: does De Palma rip off Hitchcock? Instead, i would tend to be generous and to classify "Dressed to Kill" in the category of De Palma's winners alongside "Sisters" (1973) and "Obssession" (1976). With however some reservations and they're the ones I previously enumerated which fuel the bickering between De Palma's rabid fans and his detractors.<br /><br />If there's one sure thing in "Dressed to Kill" which can generate general agreement among film-lovers, it's De Palma's virtuosity in directing. He wields his camera just like a filmmaker expert is supposed to do. His sophisticated camera work brilliantly fuels the suspense which entails a rise of the tension and a discomforting aura. The audience is easily glued in front of the screen. This is helped by the use of several long silent sequences during which everything depends on looks and gestures. By the way, in "Psycho", there were also long silent, suspenseful parts...<br /><br />But the main drawback in De Palma's 1980 vintage is that the quality of the plot can't be found wanting and appears to be a rehash of many formulaic, corny ingredients pertaining to an incalculable number of murder stories. The prostitute is the sole witness of the crime. Then, she's suspected by the police and has to act on her own (with a little help from the victim's son from the scene in the subway onwards)) to track down the murderer and to prove her innocence. Apart from the fact that De Palma uses a type of character who for once isn't demeaned at all, it's a menu which smells the reheated. And the filmmaker ends his film on a sequence that echoes to the opening one. Yes, it's superbly filmed but when one discovers its real function, one figures: "it's almost gratuitous filler". Perhaps De Palma wanted to stretch his film beyond one hour and a half when at this time the viewer knows (and even before) who the killer is.<br /><br />The two central mainsprings in De Palma's set of themes articulate hinges on manipulation and voyeurism. The latter theme is well present in "Dressed to Kill" from the first scene onwards which makes the film almost look like a soft porn movie. And the filmmaker isn't afraid to film his main actress and wife Nancy Allen in her underwear. I find his approach about this theme rather doubtful. But maybe the first sequence was conceived to be a mirror of the viewer and De Palma wanted to stir his peeping tom side.<br /><br />I don't want to demean at all De Palma's work. His prestigious work in directing which entails a communicative treat to film redeems the global weakness of the story and its doubtful aspects. Twenty six years after, the controversy he aroused amid movie-goers isn't ready to subside.
| 0 |
trimmed_train
|
17,044 |
Although well past the target audience, I've always had a soft spot for YA fiction, so, I was naturally intrigued by the return of Nancy Drew to the screen.<br /><br />This is not a bad film. The central mystery involving a long dead actress is presented in straightforward simplistic terms with dashes of jeopardy for the young sleuth. Nancy and her friends never take the threats seriously, so young audience members will not be upset.<br /><br />What I really appreciated from the story was the final results were rather serious and meaningful and Nancy seemed to understand and grow from the experience.<br /><br />Emma Roberts is great as Nancy Drew and hopefully we'll see her again in another mystery.
| 0 |
trimmed_train
|
12,266 |
A family of terrible people must remain in a house for a week or else they will lose their inheritance which will go to the servants who will only get their inheritance if they agree to stay on and keep the house in order. People die (and so will you if you try to sit through this) If you've ever had any desire to see bad actors- many with ill fitting dentures-act or attempt to act in a bad horror movie this is your chance. This is just awful. Its so bad I thought Al Adamson, one of the worst directors ever, directed it, but I was wrong.<br /><br />Its so bad I don't want to say anything more about it, not because it isn't polite but because once I start I may not be able to stop.<br /><br />avoid
| 2 |
trimmed_train
|
19,179 |
This is a good movie, although people unfamiliar with the Modesty Blaise comics and books may find it a little slow and lacking in action. For the Modesty fan, the movie will be very enjoyable, particularly because it is very faithful in its presentation of the Modesty Blaise "history". Peter O'Donnell is listed in the credits as "Creative Consultant" and the film makers must have actually paid attention to him as the plot follows quite closely the details that have been presented in the comic books over the years {although the events have been recast to modern days). The only thing that the true fan may find disappointing is that there is no Willie Garvin in the story. This lack of Willie is again just being faithful to the Modesty Blaise chronology since the movie takes place in the very early days of Modesty's career. Alexandra Staden makes a very believable young Modesty who actually looks a lot like Modesty is supposed to look. A welcome change from the travesty of the Monica Vitti portrayal of Modesty.
| 0 |
trimmed_train
|
2,111 |
Two kinds of movies we like are (1) westerns, and (2) movies from 30 or 40 years ago. We ought to have liked A Man Called Sledge; BUT.....<br /><br />BUT... this picture is disagreeable, annoying and stupid from start to finish. Since there is nobody in the story (good or bad) to warm up to, there is nobody to motivate the necessary suspense to keep the viewer interested. No camaraderie among the guys trying to steal the gold, and no camaraderie among those trying to protect it. Sledge has a pretty girl friend, but there's no reason why she slobbers all over the guy or why she wants to be in the same room with this no-account pig.<br /><br />The film also suffers from an intrusive and gawdawful musical score, and from extremely bad writing and direction by Vic Morrow.<br /><br />Of the last 30 older movies rented from Netflix or Video Vault, this was the rock bottom, the only true dud in the bunch.
| 1 |
trimmed_train
|
19,176 |
CREEP is a straight up serious horror film set in real time that wants nothing more than to just show people get attacked in a empty subway platform by a mutant for 85 minutes. And it does just that. Nothing more, nothing less. Director Christopher Smith draws out the drama a far as he plausibly can by introducing a series of characters that would actually have a reason to be in the subway after it is locked. He also leaves the origins of the titular Creep deliberately vague (unlawful experiments happening in the 60s underground are hinted at) and that little bit of mystery works for the most part. Sadly, he undermines himself toward the end by actually holding back from a twist ending where more genetic malformations would appear (they are hinted at as well). Yes, you heard me right - I wanted a clichéd twist ending! Franka (RUN LOLA RUN) Potente is good as the terrorized female lead and the rest of the cast is fine.
| 0 |
trimmed_train
|
6,089 |
The writers probably had no experience in the army, and probably never glanced at a history book, but I still give this cheaply produced war film some credit for taking a long-needed look at the role of black soldiers in the second world war.<br /><br />The action is confused and unbelievable--any episode of Combat! has better production values, but the cast is interesting. Seeing New York Giant Rosie Greer was worth the buck I paid for this. The art direction is fifth rate--the men wear Korean War uniforms, and it was pretty lousy weather by the time the U.S. Army reached Germany in 1944, not sunny as they show here, and I don't think the terrain resembled Northern California. The script never does make clear why the black support troops are used as combat soldiers. There is a nice touch that shows some of the men carrying Springfield rifles instead of M-1s, which second rate troops probably would have been issued with.<br /><br />This basic story idea(racist southern officer commanding black troops) should have been expanded into a big budget production back then, and its not too late to try it now. You have to take this for what it is, and I admire the creators of this film for making the effort.<br /><br />I remember seeing this a while ago and thinking it was set in Italy, which would have made more sense because there were black combat troops operating there in 1944.
| 1 |
trimmed_train
|
21,781 |
Coming from the same director who'd done "Candyman" and "Immortal Beloved", I'm not surprised it's a good film. Ironically, "Papierhaus" is a movie I'd never heard of until now, yet it must be one of the best movies of the late 80s - partly because that is hands down the worst movie period in recent decades. (Not talking about Iranian or Swedish "cinema" here...) The acting is not brilliant, but merely solid - unlike what some people here claim (they must have dreamt this "wondrous acting", much like Anna). The story is an interesting fantasy that doesn't end in a clever way that ties all the loose ends together neatly. These unanswered questions are probably left there on purpose, leaving it up to the individual's interpretation, and there's nothing wrong with that with a theme such as this. "Pepperhaus" is a somewhat unusual mix of kids' film and horror, with effective use of sounds and music. I like the fact that the central character is not your typical movie-cliché ultra-shy-but-secretly-brilliant social-outcast girl, but a regular, normal kid; very refreshing. I am sick and tired of writers projecting their own misfit-like childhoods into their books and onto the screens, as if anyone cares anymore to watch or read about yet another miserly, lonely childhood, as if that's all there is or as if that kind of character background holds a monopoly on good potential. The scene with Anna and the boy "snogging" (for quite a stretch) was a bit much - evoking feelings of both vague disgust and amusement - considering that she was supposed to be only 11, but predictably it turned out that Burke was 13 or 14 when this was filmed. I have no idea why they didn't upgrade the character's age or get a younger actress. It was quite obvious that Burke isn't that young. Why directors always cast kids older than what they play, hence dilute the realism, I'll never know.
| 0 |
trimmed_train
|
12,548 |
I happen to run into this movie one night so I decided to watch it! I was very pleased with the movie... I thought it was a wonderful plot. It's a great feeling knowing a deceased one has come back and you get that second chance to say what you want to say! And this wife stayed devoted for 23 years!!! I thought it was a great movie!!
| 3 |
trimmed_train
|
15,788 |
From the mind of Robert Bloch, of "Psycho" fame, come four tales of twisty terror in this Amicus anthology film, which, while not quite as much fun, or scary, as I would have liked, still provides for some decent genre entertainment.<br /><br />It's linked by the wrap-around story of a highly skeptical Scotland Yard detective (John Bennett) who is investigating the disappearance of a prominent actor; he's advised that this case is linked to a few others by the house in which they all took place, and our film is off and running.<br /><br />"Method for Murder" has author Charles Hillyer (always delightful Denholm Elliott) haunted by his latest fictional creation, who has seemingly come to life. This sequence has some good surreal and fairly suspenseful moments, and is capped by a reasonably amusing revelation and denouement.<br /><br />"Waxworks" stars horror icon Peter Cushing as retired stockbroker Philip Grayson, who, along with old friend Neville Rogers (Joss Ackland) becomes obsessed with the image of a beautiful woman found in a macabre wax museum. Most effective in this episode is the dream sequence, although it's great as always to watch Cushing. The final images presented to us in this story are pretty shocking.<br /><br />"Sweets to the Sweet" features another well-loved horror star, Christopher Lee, as John Reid, who doesn't treat adorable moppet child Jane (Chloe Franks) with too much kindness, and it's up to new companion / tutor Ann Norton (Nyree Dawn Porter) to find out why. The mystery of this particular episode is handled excellently; the film-makers wisely don't tip their hand so it comes as more of a genuine shock as we get the full truth of this unhappy family. The "dying" moments are particularly horrific.<br /><br />"The Cloak" has the most outright comedy of the four; Jon Pertwee, one of many actors to have played the role of Dr. Who over the years, is a lot of fun as a vain, temperamental horror movie star (in fact, he's the highlight of this story) who, infuriated with the lack of quality in his latest low-budget film, goes out and buys his own cloak. Said cloak has strange powers, which I dare not reveal here. Sexy Ingrid Pitt is a welcome presence as Pertwees' companion; one wonderful example of the humor here is a knowing jab taken at none other than Christopher Lee!<br /><br />The wrap-up story then concludes in a predictable but still effective way as Detective Inspector Holloway learns that he should have taken all of the warnings given him more seriously.<br /><br />Underscored by Michael Dress's unusual, striking, and eerie score, "The House That Dripped Blood" is an entertaining mix of stories; while I don't enjoy it quite as much as, say, "Tales from the Crypt", it's still good fun. Capably directed by Peter Duffell, it moves slowly but surely towards each of its chilling conclusions, and is certainly a good film of its type.<br /><br />7/10
| 0 |
trimmed_train
|
20,551 |
This is not only one of the greatest Jackie Chan films, but also one of the greatest kung-fu movies of all time.<br /><br />We've come to expect crazy stunts, and fast, creative action in Chan's movies, and this one set the benchmark for others to follow. It's two hours of pure entertainment, that impresses all the way through.<br /><br />As well as the superb action, we have a viable storyline and believable characters, with Chan taking what appears to be a more western approach to the writing, mixing eastern resolution methods (ie kicking ass).<br /><br />Overall, it's funny, serious, entertaining and groundbreaking. A must for any kung-fu fan, whilst at the same time remaining accessible to the wider reaches of the film community.
| 0 |
trimmed_train
|
7,006 |
I thought it would at least be aesthetically beautiful. It was slow, pretentious, and boring. I almost fell asleep. There are some decent songs, but there is this one song at the end which is just some guy yelling out "Yaowwww!" while someone taps randomly on a wooden object. That being said, there are some pretty songs, but it's not worth seeing hte movie over. Go on itunes (they have the album), preview it, and choose the good ones. <br /><br />Half the movie is some guy making tea. Well, that's a slight exaggeration. But you'll see what I mean if you see it. That being said: DON'T SEE IT!
| 2 |
trimmed_train
|
17,794 |
~~I was able to see this movie yesterday morning on a early viewing pass~~<br /><br />I am a mom of 2 children, who range from 11 down to 6. So I'm sure plenty of parents can relate to having to see many many "kids" movies. This was refreshing for me. I haven't read this particular book, so I don't know if it stayed true to the book or not. But it sure took the grossness factor to a high level. This is the story of the "new" kid in town and it just so happens that there are a group of boys who have formed a club of sorts and love to pick on kids ....sound familiar? Haven't we all suffered this one time or another. He has the little brother who he cant stand and parents that he is embarrassed about. What I enjoyed most of all was seeing how each character was totally different from another they all stood out. The bully (why do they always make the bully a red head? My daughter has red hair! and she is no bully!..lol) is well a great bully, who finds himself being yelled at by his own big brother. It took twists and turns and well you fall in love with all of them and really find yourself routing for all the characters! Even the parents, great connection between father and son. All around enjoyable, sweet,funny, gross etc......Take your kids!!! You will enjoy it as much as they do!
| 0 |
trimmed_train
|
18,786 |
Say what you want about Andy Milligan - but if his family was even 10% as deranged as the one in this film, well then I guess he could have turned out worse. Unfortunately, the video print of this film contains sex scene inserts originally shot by the distributor to boost the picture's box office appeal. Several times during the film Milligan's ugly camerawork and silent film music abruptly ends, and suddenly good-looking stand-ins for Milligan's homely actors take over and start doing it to psychedelic 60's guitar rock. It's pretty easy to fast-forward through if you're trying to pay attention to Milligan's original film, which, unfortunately, is missing quite a bit of action that was cut to make room for the added sex scenes. What remains, however, is still compelling stuff. I don't think I've ever seen a more hateful mother in any film before.
| 3 |
trimmed_train
|
20,834 |
Thomas Capano was not Anne Marie's boss Tom Carper, the Governor was. That is the reason the Feds became involved, he called Clinton and asked him to get the Feds involved in the case. I lived outside of Philadelphia at the time so the case was front page news every day. I also read Ann Rule's book and saw the "City Confidential" segment on A&E. Tom Capano was a megalomanic(sp.), an uber-controller and a monster. He claimed to love Ann Marie but all he wanted was someone that he could control. When she wouldn't let him do that anymore he killed her, the ultimate form of control. I think it's a waste of money that he is still alive.
| 0 |
trimmed_train
|
2,082 |
"A Town Called Hell" (aka "A Town Called Bastard"), a British/Spanish co-production, was made on the heels of Clint Eastwood's success in the Italian made "Man With No Name" trilogy. The template used in most of these films was to hire recognizable American actors, whose careers were largely in decline and dub their voices. This film is no exception except for the fact that they used some British actors as well.<br /><br />It's difficult to summarize the plot, but here goes. The story opens with rebels or whatever, led by Robert Shaw and Marin Landau raiding a church and killing everyone inside, including the priest. Fast forward to the subject town a few years later where the Shaw character is masquerading as a priest. The mayor of the town (Telly Savalas) is a brutal leader who thinks nothing of meting out justice with his gun.<br /><br />Throw into the mix a grieving widow Alvira (Stella Stevens) who is searching for her husband's killer. Add to this the fact that she rides around in a hearse lying dead like in a coffin for God knows why. After the mayor is murdered by his henchman La Bomba (Al Lettieri) the town is invaded by a federale Colonel (Landau) in search of a rebel leader (I'm sorry but the name escapes me). The Colonel takes over the town and begins summarily executing the townsfolk to force them to reveal the identity of the leader.<br /><br />Even though they opened the film side by side, its difficult to tell from the dialog that the Landau and Shaw characters know each other. A blind man (Fernando Rey) claims he can identify the rebel leader by touching his face. He does so and..............................................<br /><br />I'm sure the principals regretted making this film. It's just plain awful and well deserving of my dreaded "1" rating. Shaw spends most of the film fixating his trademark stare at whomever is handy. Even Landau can't salvage this film. The beautiful Ms. Stevens is totally wasted here too. Having just made Peckinpah's "The Ballad of Cable Hogue" the previous year, I found it odd that she would appear in this mess of a movie. Savalas made several of these pictures, ("Pancho Villa" and "Horror Express" come to mind) during he pre-Kojak period.Michael Craig is also in it somewhere as a character called "Paco".<br /><br />Fernando Rey appeared in many of these "westerns" although he would emerge to play the villain in the two "French Connection" films. Al Lettieri would also emerge with a role in "The Godfather" (1972) and go on to other memorable roles before his untimely death in 1975.<br /><br />In all fairness, the version I watched ran only 88 minutes rather than the longer running times of 95 or 97 minutes listed on IMDb, however I can't see where an extra 7 or 8 minutes would make much difference.<br /><br />Avoid this one.
| 2 |
trimmed_train
|
2,831 |
True, the setting in Paris is great. The actors are fine. The story is a twisted morality play. Is it supposed to say that if you want someone badly enough, it's OK to hurt everyone else along the way? In a real romance, you sort of want less cliché than the man who has become bored with his wife and is willing to dump his family, and the woman who is OK with encouraging him to do this. So what if they are decent looking and if Karen Allen shows off her body? The characters are still self-absorbed and reprehensible. Maybe the moral of the story is "you get what you deserve". I give it a 4, only for the fast scan potential through the "male interest" bits.
| 1 |
trimmed_train
|
16,521 |
This movie has problems in its presentation, may even be offensive to people who are looking for temporal and cultural faithfulness, but it challenges the watcher to reflect on a variety of issues. One of these is the nature and character of the relationship between Jesus and Judas. Another is that of the historical nature of the Bible and faith. And third, is the humanity of Jesus. The tension of the Christ-betrayer relationship is developed and held through the movie. Judas' passion is presented as a darker parallel to that of Christ. When Judas takes his own life, the viewer can sense the angst. Peter's denial and guilt, however moving, are not as powerfully portrayed as the Judas drama. Chris Sarandon offers a novel and provocative Christ, whether believable or not. I would like to find this movie on DVD or even VHS, to use in study or discussion groups.
| 3 |
trimmed_train
|
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.