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Track Listing: 1. Spiderbait - Outta My Head 2. Lash - Take Me Away 3.Lavaland - Everwonder 4. Machine Gun Fellatio - The Girl Of My Dreams(Is Giving Me Nightmares) 5. Butterfly 9 - Growing Pains 6. Grace -Good Thing 7. Katchafire - Giddy Up 8. James - Lick A Lounge 9. K-lee -1+1+1 10. The International Noise Conspiracy - Smash It Up 11. Cartman- Shock (Living With You) 12. Pollyanna - Rebound Girl 13. Filler - Machines Don't Sleep 14. Giants Of Science - Complete This Progression 15. Rocket Science - Hyperspace 16. The Cruel Sea - Three Legged Dog 17. Lazaro's Dog - Home Entertainment System 18. Drag - Secret Design 19. Grinspoon - Chemical Heart (Acoustic Mix) 20. Subware - Come On (Jp Mix) <br /><br />Loved this movie, sure it wasn't Hollywood material (some people complained about the script/acting) but thats the beauty in Australian movies.
pos
This film is about a male escort getting involved in a murder investigation that happened in the circle of powerful men's wives.<br /><br />I thought "The Walker" would be thrilling and engaging, but I was so wrong. The pacing is painfully and excruciatingly slow, that even after 40 minutes of the film nothing happens much. Seriously, the first hour could be condensed into ten minutes. That's how slow it is.<br /><br />The fact that it lacks any thrills or action scenes aggravates the boredom. It's almost shocking that even argument scenes are so plain and devoid of emotion. Maybe it is because of the stiff upper lip of the higher social class? <br /><br />It's sad that "The Walker" becomes such a boring mess, despite such a strong cast. Blame it on the poor plot and even worse pacing.
neg
It isn't the worst film ever made, the actors aren't apalling and the script and director are not completely inept. <br /><br />It isn't the best film ever made, the actors aren't excellent and the script and director are not completely brilliant.<br /><br />It falls somewhere in the middle. A fun somewhere. An enjoyable, well constructed somewhere.<br /><br />No need to say "don't take it seriously" or "so bad its good" or "it wasn't scary". None of these comments are relevant. <br /><br />Cut has atmosphere. It's that atmosphere which is actually very unique, and the one really original aspect of the movie, which personally is what makes the film, for me.
pos
I imagine Victorian literature slowly sinking into the mire of the increasingly distant past, pulled down by the weight of its under-skirts. Along comes television: at its best, it has a redemptive power, and with dramatisations like those the BBC produce so finely, Victorian literature gets a new stab at life. The religious themes, the moral overtones, may be increasingly ill at ease in a world no longer easily shocked, and acquainted with cohabitation, affairs and domestic violence. But those old, well-told stories have enduring power, and this is one's a hidden gem.<br /><br />It's hard to gauge today just how forceful, feminist and extraordinary Ann Bronte's masterpiece, "The Tenant of Wildfell Hall", actually was. Emerging from the primeval slime of restrictive corsets – bodily, mental, societal – her heroine, Helen Huntingdon, escapes a miserable marriage, flees brutality and alcoholism, braves not only her abusive husband's fury, but society's pinched intolerance and malicious gossip, to wreak change in her life. She pays a price; but retains her self-respect; she falls in love along the way; she emerges battered but victorious, and strong. I just love watching women like these on screen.<br /><br />The actors are superb – the best Brits have to offer. The love story is beautifully handled, with real passion and feeling by well-matched actors. Tara Fitzgerald inhabits every aspect of the complicated heroine, and as has been said here by other reviewers, no less sharply defined and beautiful a face could survive that petrifying hairstyle. Toby Stephens, striking sparks off her, contributes just the right combination of headstrong, handsome youth and passionate, yearning vulnerability. Rupert Graves (one of my favourite British actors ever) enjoys himself as the charismatic villain (so much so that you're almost with him at the end. No one's perfect). The supporting cast ably create a world into which you sink without feeling that coarse compromises have been made to modern tastes, and without having felt preached to. Another BBC classic, highly recommended: this is how romantic literature should be dramatised.
pos
A few yrs ago, I remember reading an essay by a feminist film theorist who briefly mentioned Rosalind Russell. This theorist wrote that the 'strength' of the 'strong women' that Rozzie R. played lay partly in their ability to stand by their man (even when he wasn't worth it).<br /><br />I thought of this essay after watching 'Crimes of Passion'.<br /><br />Kathleen Turner exudes the same strength and style as Russell in her portrayal of prostitute China Blue. She's the object of affection for two men: the loony priest played by Anthony Perkins, and a bland whitebread boy who's marriage is slowly fading. And she won't let either of them have a piece of her until ...<br /><br />I won't give away the ending - but I will say that this is ultimately Bland Whitebread Boy's fantasy. No matter how hard Ken Russell tries, he can't disguise the fact that this movie is basically a 1940s melodrama for the MTV generation. Except its retrogressive class and gender politics make those old black-and-white films look revolutionary by comparison.
neg
Subtle, delicate ,touching.<br /><br />A young man in a summer dress on a bike like incarnation of perfect joy. History of a coming -out and anatomy of relationship.<br /><br />Soft ambiguous gestures, slices of desire and a day like space of innocent miracle expression.<br /><br />Two men, a girl, a afternoon on beach, some words and a gift. Religious traces and a pantheist vision. Cercle of light and expression, nooks of an ordinary day and hot evening.<br /><br />A erotic chaste film in which the gay identity or the first sexual relation are only instruments for good definition of a universe with sensitives values.<br /><br />Pledge for self- discover, universe of beauty exploration, the sign of Ozon and same nostalgic air of every creation, "Robe d'ete" is a splendid occasion to understand the moment like projection of dream, to look, with emotion and child soul the essence of the essence beyond the images or people.
pos
I pretty much liked every character on this show from the start except Reba herself. She comes off as an holier than thou type and quite frankly a big Bully. And that stinks because she is in every scene and every episode. In the later seasons Van becomes unlikeable too,like a spoof of his former self. and Kyra walks around sneering and being miserable.The first 3 to 4 seasons are pretty good if you overlook Reba. Towards the end its pretty bleak.. In basically every episode Barbara jean Is walking around being dumb,Reba is being mean to her,but poor Ole Barbara jean desperately wants Reba to like her which results in Barabara jean telling Reba how awesome she is in every episode. I think it is pretty clear to see Reba has self esteem issues and wants to be seen as this all forgiving saint. Its really a shame too because other than her the show had such potential.
neg
I have seen a few of Fred Carpenter's movies on Showtime, Pay Per View and video/DVD and I enjoyed most of these films especially with a few beers, (Carpenter knows how to entertain)"EDDIE MONROE" and "MURDERED INNOCENCE" are my favorites. I recently Viewed a Promo DVD of "EDDIE MONROE" and everything from the cast to the storyline and directing all worked smoothly. (Doug Brown's Music Score was sensational.) I enjoyed seeing Frank Sivero ("Goodfellas", "New York, New York" and "The Wedding Singer"), he is an amazing and very underrated actor.But I especially liked the performance of Paul Vario who played Uncle Benny, I looked up his acting credits on the IMDb and I found out this was his first starring role. Where has this guy been! Give Fred Carpenter credit for discovering Great New Talent, it's only a matter of time you'll be seeing this guy costarring with Pacino and DeNiro. As I mentioned Carpenter knows how to entertain and when your working with a limited budget it is amazing what Carpenter can Produce.(I read the VENT MAGAZINE interview and Carpenter has never made a movie for more than $400,000.00 dollars.) Before I watched "EDDIE MONROE" I saw "Rocky Balboa" and "The Good Shepherd" both great films. "Eddie Monroe" took me on a ride to a surprised ending because of a very good script, good performances from the entire cast(Craig Morris is a movie star waiting to happen and the lead Actress Jessica Tsunis was hot!) great Cinematography, Direction and Doug Brown's Music Score. As I stated I recently seen "Rocky Balboa" and "The Good Shepherd", if I were to write a comment about those two movies I would be saying some of the same things I have stated about "EDDIE MONROE", the only thing those two very good films don't have in common with "Eddie Monroe", they didn't cost a few hundred grand. Great movie and I didn't even drink a beer.
pos
I, like many this evening braved the frigid winter and long lines to see what I had anticipated to be one of the best movies of this year. However, I was left sadly wanting in many ways after the credits rolled. But to be fair, there were redeemable qualities (although very few). Let's start with what worked. First, the Lycans: on point in every way – from their terrifying physicality to their sheer ferocity. The action: sublimely visceral – when it did occur. Nighy/Victor and Sheen/Lucian: Perfect. Now, what did not (and there is plenty). This was less a movie and more a collage of sequences (and do not expect to see any supporting characters from the other movies except Raze and Tannis). Profoundly missing was a well written storyline and anything of real substance to bring these pieces of film together. The story seemed to start right in the middle – at the cusp where Lucian had made up his mind to rebel. Therefore, there was no context; no tension; no sense of betrayal – the devices needed to make everything else work. Moreover, it ended at where the climax should have begun (which needed to be after the feud had simmered for a bit). Oh and it was way too short. Purist will also find offense in some liberties taken to certain facts previously revealed in the first two movies…but judge that for yourself. In the end, this movie lingered to long on what should have been brief "background" scenes (e.g. various council scenes), and as a consequence we never really got to know or care about the principal players...or the movie (ouch). -D
neg
Sadly, every single person I ask about this series says they've never heard of it. I remember it fondly from my early childhood (I wasn't quite 10 when it came out).<br /><br />My favorite story was "A Story Short". Something about the way the "stone soup" story was woven into a greater story gets me every time. And then the storyteller explains why he has no story to tell, and it becomes a story itself. I've always been a fan of Jim Henson, and this is just one reason why.<br /><br />I'm adding this DVD on the self with Labrynth, The Dark Crystal, The Neverending Story, The Princess Bride, The Last Unicorn, Willow and MirrorMask. These are all DVDs I share with my siblings who are 6, 5, and 4 yrs old.
pos
You will marvel at the incredibly sophisticated computer animation, and the novelty probably won't wear off on the first, second or third viewing, but you?ll be drawn in by the characters which are so simple yet intriguing, that you may find yourself actually caring for them in an unexpected way, which may or may not make you feel a little childish due to the medium.<br /><br />Disney continues to firmly hold the title of "Greatest Animation in the World", with "A Bug?s Life" standing as one of their greatest achievements. One of the innovative attachments being the delightful "out-takes" added to the end of the film. The DVD has two sets of these out-takes where as I?m told the VHS cassette has one alternating version per tape. The DVD also features "Gerry?s Game" which is a delightful little PIXAR short that was also shown prior to the film in theaters.<br /><br />This is by far the superior insect-film in comparison to Dreamworks? "Antz", which in all fairness is pretty good, but lacks something in the animation and in the story development and characters. If you look at the star voices of both films, "Antz" is largely cast with big name "movie" stars with a few familiar "TV" star voices, where "A Bug?s Life" is just the opposite, loaded with "TV" stars with Kevin Spacey as the only stand out exception. But the difference in quality is distinct and obvious.<br /><br />Dreamworks can?t be blamed or surprised though, when you go head to head with Disney, you have your work cut out for you. This is the kind of film that almost makes me wish I had children to share it with. Don?t think for a second that this is just a movie for kids, though.
pos
Thought at first this film would be your typical Western film, however, it turned out to be very interesting and kept me spellbound right to the very end, which turned out very unusual. Charlton Heston,(Sam Burgade),"Midway",'76, had past experiences with James Coburn,(Zach Provo),"Deadfall",'93, and Zach never forgave Sam and would stop at nothing to make sure he caught up with him and paid him back. Unfortunately, Barbara Hershey,(Susan Burgade),"The Portrait of a Lady",'96, managed to get caught up in this situation and found herself among sex starved men who never seemed to leave her alone. Sam Burgade had to make some very hard decisions and and I was quite surprised at the conclusion. This is a very entertaining film and the acting was outstanding.
pos
I downloaded this movie yesterday through an internet site the Quality was kinda good! I was watching the movie with high expectations (though i knew it was a flop), especially as the film has superstar Amitabh Bachchan playing the role of a villain.I though at least actors like him would have done some worth to their roles.But unfortunately Mr Bachchan failed to impress as villain this proved that nobody can compete AMJAD KHAN's magic Rgv's trial to re-kindle the past backfired royally! Sholay, the old one is a milestone in Indian cinema with an all-star cast, cult dialogue, stylish cinematography and a brilliant soundtrack which is still a hit with present generations too.A good actor like Ajay Devgan's TALENTS ARE wasted and his performance was average.Prashant Raj, a newcomer doesn't know what acting is . Nisha Kothari proved she is one of the worst actresses we have I don't know how she is still in RGV's crew Urmila & Abhishek seen in a song with no excitement and passion Mohanlal tried his best and Susmitha Sen's work was good i somehow liked her work in this movie It was a Total carnage of the original Sholay
neg
Though it pains me to some degree that I'm bothering to christen the comments board for this new series - mainly because I'd hate to give the false impression that there's actually any semblance of public interest in it - I feel compelled to throw in my chips on this one.<br /><br />To put it simply, never before have I felt so persuaded to root for a TV show's swift and merciless cancellation based solely on the merit of its promo ads. And, in case you're wondering, I'm a dude.<br /><br />Listen, Comedy Network: though your existing original programming is already, shall we politely say, of a 'questionable' quality (I'm looking at you, "Girls Will Be Girls") you have truly outdone yourselves on this one. Whoever green-lit this thing could not be further out of touch with what's cool right now.<br /><br />Best of luck.
neg
I understand this movie was made on a very low budget but that is no excuse for the monstrosity that is Grendel. Deathstalker, The Throne of Fire, Barbarian Queen, Conquest, the Invincible Barbarian were all done on shoestring budgets and poor special effects yet they still managed to create cult classics by adding some scantily clad women warriors and a good sense of humor. The primitive costumes, dark castles and beautiful Bulgarian landscape gave Grendel the potential to be a very good low budget sword and sorcery film, but the makers completely ruined this opportunity by using extremely poor CGI effects and colorless characters. Compare this film to Beowulf (1999). It may not be Citizen Kane but it is a good example of how an entertaining low budget sci-fi/ adventure movie can be made by using credible special effects and appealing characters.
neg
Nice description of the situation in the US, it explains different kinds of Islam, not just show terrorist and extremist. Islam can be other thing that killing, they show why some people become terrorist and how to be Muslim without being extremist. It is a great series that Muslims and no-Muslims should see. Now we hope that other series or films will be done to change the idea of all Muslims are terrorist and all Americans want to destroy Islam. It gave me the interest to discover what Islam is exactly and what the US and also European government do to help cohabitation between people of different religion.
pos
I remember my parents not understanding Saturday Night Live when I was 15. They also did not understand Rock n Roll and many other things. Now that I am approaching their age, I still remember, and find I understand many of the things my kids love. But this is pathetic. I cannot say I have seen any by Sarah except for a few appearances here and there. They were reasonable. I do not see her as anything special. But this show is just so far below what I expected from her. The IMDb write up made it sound like potential. So, just for that, I started watching the first episode. I turned it off half way through. Anything else is better that that. Jokes that are meant for a 5 year old presented on a supposed adult program. Well, Sarah, this adult is inly moved to turn you off. I just cant believe that someone actually financed this insult to comedy. Only good thing I can say is that there are sooooo many bad jokes deposited here, saving other shows from such an embarrassment.
neg
This is a pretty strange movie. It does comes across as an exploitation film with over-the-top violence and unrealistic situations, but unusual for being constructed around rural characters at war with each other, as opposed to an invading 'other'.<br /><br />The movie is an excessive stereotype of Vietnam veterans, in a long line of films that portrayed the vets of that war as dangerous psycopaths. Kris Kristofferson's last line is 'I ain't lost a war yet', as he meets his demise after wreaking a long trail of murder and destruction, including the town's chief of police and his brother's girlfriend in a particularly chilling scene. However, Kristofferson is a good enough actor, and charismatic enough, to carry this villain with a surprising depth. Vincent is clearly the golden boy, but with enough intensity layered over his clean cut goodness. The movie bears some plot resemblance to Winchester 73 where Jimmy Stewart tries to tolerate a criminal brother until being forced to act against him.<br /><br />The movie has b-movie grade action, though the presence of Kristofferson, Vincent, a gorgeous Victoria Principal and Bernadette Peters give it an A-grade lineup.<br /><br />I give it a 7 for being a long lost view into an American psyche of post-Vietnam/pre-Reagan introspection, paranoia, and confusion, and a movie industry that was willing to address such topics at that time.<br /><br />Seen on the THIS channel, a great network that keeps playing lots of old movies of the 70s through 90s, regardless of political bent.
pos
to start off, i'm easily pleased. i'm in no way a real critic, and movies that authentic critics, friends, family, and newspapers may find awful may even be fun for me to watch.<br /><br />not this one however.<br /><br />i got it since it was the newest wesley snipes movie in my DVD-store. i like snipes, but this was a let-down.<br /><br />bad story, bad actors, continuity-glitches, crappy sound, depressing locations, a pseudo- cool snipes, i really had to force myself to finish the movie.<br /><br />they even left some markings in the shots where a car was supposed to come to a stop.<br /><br />and i'm not talking about "small production company/young director/low budget" kind of bad, where you may ignore some mistakes because you feel sympathy.<br /><br />a wanna-be block buster action movie that disappoints like no other in a long time.
neg
after seeing this film for the 3rd time now i think it is almost Adam's worst film PUNCH DRUNK LOVE IS POOR in comparison to this i must say at the end when Dickie gets thrown of the boat it is so funny (the hair is different to his and i like it when he flips everyone off. This film should only be brought if your a true Adam Sandler fan.<br /><br />the characters are poor in comparison to his funny films like the Waterboy, which has the same people in it (Peter Dante) who is one of the assassins trying to kill the Australian bird.<br /><br />this film lack depth and a decent story line and deserves to be in the bottom 100
pos
We've all played Halo and Socom and GTA and Resi etc. but none of them can stand up to GE007. The game itself is great. I have literally burned out my N64 playing this great game, along with Zelda OOT. This game along alone built the mold that is essential for all modern shooters. on top of that the multi-player is great. The Story mode itself is worth playing a hundred times over and more. Its a great game for when your board and you want to just shoot up some people and there are endless unlock ables. (cheats, Aztec, Egyptian, god knows how many Multiplayer charries, and the three difficulties as well as the famous '007' difficulty Our modern games are great but when you sit down and play this game you get a certain feeling that few other games can give you. And with the Online capabilities of newer shooting games we rarely see this old two on two death match style. and when we do its no where near as good as this games. And when you get bored of the story, there are endless mysteries, glitches and easter eggs to be found and taken advantage of. <br /><br />This is definitely one of the greatest shooting games of all time.
pos
I just watched this movie at the Santo Domingo International Film Festival. While watching the movie I had the feeling that I have seen a movie with a similar story before...a movie with Ray Liotta but I can't remember much of it. Of course, this one is a lot more dramatic, especially at the end.<br /><br />This is the story: Emilio's life becomes a lie that he can not longer sustain. After 20 years lying about his entire life to his wife, son and all the people he knows, the truth is chasing him and there is nowhere to go.<br /><br />Watching Emilio make up lies is exiting and funny but after a while you get tired of the same thing...the affair with a young girl was supposed to ad something but it doesn't. Despite that the movie is still funny, exiting and involving. Either it makes you want to help Emilio with his lies or help everybody else catch him. I liked the analogies, photography and the good performances.<br /><br />7.5 out of 10.
pos
The story of Ed Gein is a disturbing and terrifying story. Ed was truly a messed up character and his legacy went on to inspire such 'greats' as The Tooth Fairy, Norman Bates, and Leatherface. How is it then that such a fascinating man has inspired such a boring melodramatic piece of drivel?? Ed Gein made belts out of nipples, bowls out of skulls, lamps out of skin, danced around under the moon in suits of human skin. None of this made it into the movie because they needed to give us a fictitious story of a ridiculously awful deputy and his rather homely, sex-starved girlfriend. This movie seemed to go out of its way to falsify history. What baffles me is that most movies stray from the path of truth to exaggerate history; this one seems to do it to minimize it. I just don't get it.
neg
A below average looking video game is turned into some sort of conspiracy to have the next terrorist discovered in the USA backyard. Welcome to the lunacy of cheaply made direct to video movies. Its full of no-name actors and actresses with little valuable plot.<br /><br />Anyway, this strange game goes on and our "hero" bets real money and does good at it. It is sort of like gambling, except the gambling part is gone and it sucks. Instead its an online game with little real value and you get authorities on your tail if you do good.<br /><br />What makes it even stranger is that two strange computer programs battle it out somehow and all is saved in the end. I will leave the viewer to see how it all comes to fruition.<br /><br />Overall, not even worth a $1 rental. Borrow it, please. "D-"
neg
I don't hand out ten star ratings easily. A movie really has to impress me, and The Bourne Ultimatum has gone far beyond that. Furthermore, this trilogy has come together so nicely, that I believe it to be one of the greatest motion picture trilogies of our time. Though all three films could not be any more different from the Ludlum novels, they still stand as a powerful landmark in cinematic achievement. The Bourne Ultimatum made me want to cry that the series was complete, yet I could not even attempt to stop smiling for hours.<br /><br />From the moment that the opening title appeared, I knew we were in for a ride. Paul Greengrass has done it again. Everything we love from the previous Bourne films is here once again: the action, the dialogue, and of course the shaky camera. However for me, that last one was never a problem. I think it adds to the suspense.<br /><br />I will be back to see this film several times before it is released on DVD, simply because it is genius. It is a perfectly satisfying conclusion, and should stand the test of time as a fantastic movie, and altogether, an unforgettable trilogy.
pos
Set during WWII, Bedknobs and Broomsticks is a fun-filled fantasy adventure for kids, starring Angela Lansbury as an apprentice witch who, with the help of three evacuee children and a 'Professor of Witchcraft', thwarts a Nazi invasion.<br /><br />Brilliantly inventive, with loads of laughs, this movie will delight kids of all ages with its great characters, exciting story and catchy tunes. Lansbury is perfect as Eglantine, the not-quite-perfect witch who takes the three children on the adventure of a lifetime, and her three young co-stars (Cindy O'Callaghan, Roy Snart and Ian Weighill) are equally impressive as the Cockney rascals who aid in battling the nasty Hun.<br /><br />The special effects are somewhat dated, but let's face it, kids don't care too much about these things, so long as they are entertained. And entertained, they will be. With some impressive scenes which brilliantly mix live action and animation to great effect, and more genuine movie magic than a hundred Harry Potters, it would be hard not to enjoy this wonderful slice of cinematic escapism. In fact, only a rather drawn-out musical number set in Portobello Road mars the film's perfection, but with so much else to enjoy, that can easily be forgiven.<br /><br />And besides, any film featuring UK television legend Bruce Forsyth as a 'Flash' Harry style spiv is guaranteed a good rating from me.
pos
Murder in Mesopotamia, I have always considered one of the better Poirot books, as it is very creepy and has an ingenious ending. There is no doubt that the TV adaptation is visually striking, with some lovely photography and a very haunting music score. As always David Suchet is impeccable as Hercule Poirot, the comedic highlight of the episode being Poirot's battle with a mosquito in the middle of the night, and Hugh Fraser is good as the rather naive Captain Hastings. The remainder of the cast turn in decent performances, but are careful not to overshadow the two leads, a danger in some Christie adaptations. Some of the episode was quite creepy, a juxtaposition of an episode as tragic as Five Little Pigs, an episode that I enjoyed a lot more than this one. What made it creepy in particular, putting aside the music was when Louise Leidner sees the ghostly face through the window. About the adaptation, it was fairly faithful to the book, but I will say that there were three things I didn't like. The main problem was the pacing, it is rather slow, and there are some scenes where very little happens. I didn't like the fact also that they made Joseph Mercado a murderer. In the book, I see him as a rather nervous character, but the intervention of the idea of making him a murderer, and under-developing that, made him a less appealing character, though I am glad they didn't miss his drug addiction. (I also noticed that the writers left out the fact that Mrs Mercado in the book falls into hysteria when she believes she is the murderer's next victim.) The other thing that wasn't so impressive was that I felt that it may have been more effective if the adaptation had been in the viewpoint of Amy Leatheran, like it was in the book, Amy somehow seemed less sensitive in the adaptation. On the whole, despite some misjudgements on the writers' behalf, I liked Murder in Mesopotamia. 7/10 Bethany Cox.
pos
I rarely comment on films but I've read the other comments and I cannot believe that there are people applauding this celluloid rubbish. I know there are certain people who have their own agenda but lets take it on merit; poorly acted, badly shot and the story felt as the director was making it up as he was going along. I am not going to focus on the sexual aspect of the film involving little kids as the makers of the film obviously knew what they wanted and what their audience would want. All I can say is it is a terrible film, the content is poor and offensive, the production is amateurish and I am glad they could not make a film like this legally today
neg
Steven Seagal's intent is to be commended, and his acting in this film is equal to that in many of his others, if you ignore the fact that he is supposedly portraying a brilliant scientist. The problem I had was with two items of the plot, which stretched my suspension of disbelief beyond the breaking point.<br /><br />First, how is it that a carefully engineered variation on a nasty germ, whose antidote must be just as carefully researched and engineered by a big lab, is cured by drinking tea from a flower growing high in the mountains? and that Grandpa's family seem to be about the only people who know anything about this?<br /><br />Second, and this one really takes the cake: Having gathered up enough of the cure to fix a whole town, wouldn't you expect the army to land the helicopter and start rushing bags of flowers to all the homes in this small town? No, they instead decide to sprinkle the flowers all over the town and force the sick people to go out and gather them up all over again. Just plain silly, unless under Native belief the power in the drug somehow depends on one's having gone out and gathered the flowers oneself.<br /><br />Add in the cardboard nature of the villains and the unsuitability of the title, and you might think my vote on this movie is actually high.
neg
End of the World is an uneventful movie, which is odd since it is supposed to be about the total destruction of the earth. The main character is some kind of scientist, I'm not exactly sure what kind. He has two jobs at a government(?) facility guarded by four security men. His first job is monitoring transmissions to and from space (although this actually seems more like a hobby he does when not working on job #2). Job #2 requires him to put on a protective suit and go into a dark room...at least that's the best I can figure. Apparently the "plant" is not exactly top-secret, as the scientist brings his wife there. She hangs out (they're on their way to a dinner) while he discovers a message from space: Major Earth Disruption, repeated over and over. He says something about it being the first message from space he's ever been able to decipher; his wife tells him they're going to be late for the dinner party. So they leave and go to the party (!?!). Moments later he finds out that China has suffered a major earthquake. From there, the movie goes... nowhere! Yes, Christopher Lee is in it, but that really doesn't help much. Besides, Lee gives a lackluster performance along the lines of his appearance in Howling II. This movie is boring, but it has enough stupid elements that you might want to suffer through it once if you like Christopher Lee or Z-grade sci-fi. Plus, there's lots of stock footage of the earth being destroyed.
neg
This is not a "loose", but a precise, faithful remake of 1958 Monicelli's classic "I Soliti Ignoti" with Toto', Mastroianni, Gassman, Cardinale etc. And that's the reason is good, it copies all the funny characters and the plot, even in details (like the scene where the photographer steals the camera from the local market).<br /><br />I have watched the superb old version many times and I knew by heart all the gangs and the ending but I still enjoyed "Welcome to Collinwood", which has its own freshness and atmosphere. It is interesting to see how the life and ways of the little thieves in 1950's Italy are adapted to 2002's USA. Things haven't changed much. 8/10.
pos
This series when the Dinosaurus lived for 65 million years ago. The Dinosaurus looks very real and are very realistic when they moves. It is also very interesting how the climate changes.<br /><br />I am very interesting in how the dinosaurs lived and died. I am also interesting in how the dinosaurs behaved.<br /><br />The color of the dinosaurs is also interesting to see and discovered. They think which color they had.<br /><br />The most interesting is why the dinosaurs died and what happened after that.<br /><br />BBC have made a brilliant series how the dinosaurs lived and died!
pos
We get to see who the good guys are. The union. And who the bad guys are, a rich man who steals elections and his spoiled son. The filmmaker forces us to see good from evil. All the characters hate the bad guys so that when watching the film, this can help us along on hating the bad guys. This is the worst kind of film-making - manipulative and childish. The plot centers on a cop who is in-between the good and the bad, and he's stuck in this ugly film. It's boring and pointless. The narration by star Keach is really bad. And a good actor, Don Stroud, overacted to the hilt, playing the guy no one likes, and who we aren't supposed to like. It takes a long time for this bore to take off, and for the title to assert itself; then when it does take off, it crashes a minute later. Boring. One of the worst films ever made.
neg
"Mr. Bean", starring the legendary Rowan Atkinson, was a huge hit during its run in the 1990s, and I probably first saw it when I was around ten, shortly after it ended, so I was seeing reruns. I certainly wasn't much of a fan at the time, and didn't see too many episodes. I didn't really get into the show until my late teens, just a few years ago, which was when I finally watched every episode. Unlike before, it made me laugh many times, and since then, that has always been the case during repeat viewings of episodes! <br /><br />Mr. Bean is a mysterious, self-centred, antisocial, extremely naive buffoon whose best friend is his Teddy! He is pretty much isolated from society, and life is not easy for him, as he constantly struggles with very simple things! This is because he lacks some fairly basic knowledge, and has the mind of a child. He finds himself in various kinds of trouble wherever he goes, and comes up with very bizarre ways to try and solve the problems he faces! Not only does he often cause trouble for himself, but sometimes for other people as well, which he often doesn't tend to realize! In other words, Mr. Bean is a walking disaster! <br /><br />The humour in this show is very visual, and there is very little dialogue. The gags are almost always sight gags, which is mostly what the show is about. While there may be an occasional lacklustre gag, I would say the vast majority of them are funny, often hilarious, (there are so many highlights)! While "Mr. Bean" is certainly not the most sophisticated comedy ever made, it's still great for many of those who like visual humour, and due to the very limited dialogue, you don't even have to speak fluent English to enjoy the show, which is why it has received such a world-wide reputation! The show ran for a few years, but the episodes were made very gradually, so only fourteen were made in total. Nonetheless, it is a classic series, and deserves its wide appeal!
pos
Bill Paxton has taken the true story of the 1913 US golf open and made a film that is about much more than an extra-ordinary game of golf. The film also deals directly with the class tensions of the early twentieth century and touches upon the profound anti-Catholic prejudices of both the British and American establishments. But at heart the film is about that perennial favourite of triumph against the odds.<br /><br />The acting is exemplary throughout. Stephen Dillane is excellent as usual, but the revelation of the movie is Shia LaBoeuf who delivers a disciplined, dignified and highly sympathetic performance as a working class Franco-Irish kid fighting his way through the prejudices of the New England WASP establishment. For those who are only familiar with his slap-stick performances in "Even Stevens" this demonstration of his maturity is a delightful surprise. And Josh Flitter as the ten year old caddy threatens to steal every scene in which he appears.<br /><br />A old fashioned movie in the best sense of the word: fine acting, clear directing and a great story that grips to the end - the final scene an affectionate nod to Casablanca is just one of the many pleasures that fill a great movie.
pos
lovely. i just love the movie. i want to see this movie because Rupert Grint is a fantastic actor. his expressions are great, spectacular. the movie was excellent. Julie Walters it was perfect too. I think that Rupert is the only boy with red hair that i love. Rupert have a beautiful smile, a beautiful voice. and a wonderful accent. i think that the movie was great and was great see Rupert in another thing but harry potter. and its a very good actor, so it deserves that and more. he just have a golden globe but probably it deserves an Oscar academy award. there are some actors that do not act very well but have a Oscar anyway. it does not matter. but he is perfect, brilliant and beautiful
pos
A sharp political comment posturing as a coming of age story is what this movie is. The annoying thing is that it works effectively on both levels. It isn't supposed to but it does. This tale of four boys and a girl growing up in 1953 Communist Belgrade is a heart warmer. It is what gentlemen refer to as classic cinema. Obviously, 1953 Belgrade is not as harsh a dictatorial and fascist environment as the Communist society is often portrayed. One can listen to rock and roll music, one of the songs played is the song "Hey Babu Riba" ala the title of the movie. But jeans cannot be bought nor certain drugs which are illegal to possess. Unlike a heavy-handed criticism of a communist society this movie does it by showing how it affects the lives of the five protagonists who refer to themselves as we four. The girl who has a father in exile in Italy and is awaiting a passport for her mother and she to travel out to join him, the piano that is taken away from communion use from one of the boys, the sudden giving of your home and quarters to your new comrades because they need it. The boys spend a lot of time listening to music and it is made clear they despise the fascism that communism has created as they engage in tiffs with a fascist charlatan who has Stalin tattooed on his hands. These all leads to the actions they take later on and the remembrance of a time fading away, as this movie was released in 1986 in the twilight of the Soviet Empire. A great movie worth seeing again and again. "Repentance is not your enemy but yet it is also nobody's friend."
pos
Once again, there's dastardly government agencies stopping at nothing to prevent public knowledge of some momentous events. In this case, the discovery of a new underwater species that could threaten the planet's ecology. Although the creature is no E.T. he does seem to befriend one youngster, who protects it at all costs, not realising it is but an infant of the species and is going to get a lot bigger – and badder This 2005 series had a lot going for it. It is family drama, sci-fi, thriller with more than a few comedic moments. The characters are believable, well acted and well photographed. The show holds the attention. Of course, as with any sci-fi show, suspension of disbelief has to be achieved. And I think it is here. Alas, the series crashed after season one, so we never get a resolution. Infuriating.. There is a general comment I feel worth making here. Many TV networks and/or film distribution companies cancel, quite arbitrarily, seemingly excellent TV series – particularly intelligent sci-fi ones. Now there may be some very good reasons for this, although the audiences are treated with utmost disdain and rarely told the reasons. This in itself is annoying. What really gets my goat is that, having cancelled the series, they then issue the thing as far as it's got, on DVD, in an obvious attempt to milk the cash cow as far as possible. For previous viewers of the series that's OK, they know what they're in for but … many of these unfinished series end on a cliffhanger. Two that come to mind immediately are "Surface", and "Odyssey 5". If you've heard good things about the series and not seen it you go and buy the blasted DVD and end up with an unresolved plot issue – it makes me very angry!! I enjoyed "Surface" immensely and didn't realise the poor characters would end up in a situation that looked totally untenable – and we'll never know what happened next. I believe that there should be a prominent notice on all such DVD issues, to the effect that the story is unfinished. Nowadays I check on TV series purchases (IMDB is an obvious excellent starting point) to find out whether a 'complete' series is really complete or not. Buyer beware.
pos
Filmmaker Bryan Forbes, who once displayed a light, sardonic touch with beguiling material such as "Whistle Down the Wind" and the original "Stepford Wives", completely bottoms out here. Not only is his direction inept, he also sloppily adapted Sidney Sheldon's early novel; the results are atrocious. Roger Moore plays a psychiatrist framed for the murder of one of his patients; Rod Steiger, chewing the scenery, is a hot-under-the-collar cop (it's easily his most embarrassing performance). The only actor here to exhibit some life is Elliott Gould, who knows a thing or two about enlivening a bum script. Bland, choppy, and produced on the cheap. NO STARS from ****
neg
A movie theater with a bad history of past gruesome murders reopens. Of course, the bloody killings start anew. Written, directed, shot, scored and edited with an appalling lack of flair and finesse by the singularly talentless Rick Sloane (who later disgraced celluloid some more with the absolutely atrocious "Hobgoblins"), this horrendously ham-fisted attempt at a slasher spoof strikes out something rotten in every conceivable way: the excruciatingly lethargic pacing, the painfully static, grainy cinematography (there's a stinky surplus of drab master shots featured throughout), an annoyingly droning and redundant hum'n'shiver synthesizer score, the flat (non)direction, a tediously talky and uneventful script, the groan-inducing sophomoric sense of lowbrow humor, the bloodless murder set pieces, a pitifully unscary killer (he's just some wrinkled-up old guy in pasty make-up), the uniformly obnoxious and unappealing characters, a dissatisfyingly abrupt ending, and lifeless performances from a noticeably uninspired cast all ensure that watching this schlocky swill is about as fun and rewarding as eating rancid raw eels drenched with sour vinegar. This crud totally lacks the necessary crude charm and sleazy vigor required to be enjoyable junk. Instead it's just a bland, plodding and meandering stiff that never catches fire or becomes even remotely amusing in a so-shoddy-it's-smoking sort of way. Only a smidgen of nudity and the delightful presence of the always dependable Mary Woronov as a snarky, sardonic secretary provide a little relief from the overall crumminess of this lousy loser.
neg
The Diary of Anne Frank is the second best-selling nonfiction book in the world, and for good reason. Nonetheless, sitting through this documentary about her life, which fills in some of the details where the diary left off, I thought, "Just another documentary about Anne Frank." I found it to be competent but not extraordinary. That was my complacent attitude because I was already well aware of the story of Anne Frank; most of what the documentary had to tell me wasn't news to me.<br /><br />Everything changed, though, when I got to the end of the documentary---when I saw the motion picture footage of Anne Frank. The emotional impact of seeing this footage, only a second or so long, made everything that came before it a thousand times more real---but not just everything that was in the documentary; everything I had previously known about Anne Frank suddenly became more real to me, more personal. I'd always been moved by her story, but when I saw that footage, what I felt was stronger and deeper and more profound than any other film experience of my life. (I knew beforehand that this documentary contained live footage of Anne Frank, and I'd even seen the footage in a movie review on television, but seeing it in the context of the documentary was a completely different experience. It's not likely that my mentioning it here will spoil it for anyone.)<br /><br />I realize now that many people still don't know the story of Anne Frank; it's discouraging at times to be witness to this kind of ignorance. I think to myself, "How could someone NOT know the story of Anne Frank?" This being the case, though, ANNE FRANK: REMEMBERED, along with reading her diary, is the best place to start. It's a story that everyone should know.
pos
There's really not much need to begin this little review with a plot synopsis. I mean it's Shakespeare's Hamlet for goodness sake – probably one of the best known plays ever written. I'm not embarrassed to admit that I came to this version of Hamlet the way most people on IMDb have – through Mystery Science Theater 3000. While the show may not be the best venue to use to judge a movie, in this case I cannot imagine attempting to watch it without the comedic quips. In a word, this German, made-for-TV version of Hamlet is dreary. 152 minutes? No way! It's too dark and depressing to be anything I want to spend almost three hours on. I've said it any number of times, but entertainment is the thing for me. And this wrist-slitter is far from entertaining. I will, however, give it a couple of points for what I felt was some reasonably good acting. A 3/10 sounds about right to me.<br /><br />As much as I enjoy MST3K, their comments don't help to make Hamlet any more palatable. There are a few good riffs here and there, but overall, Hamlet is just the wrong movie for MST3K. Shakespeare is far too talky to allow the comedy to have any sort of rhythm or flow. As much as it pains me, I've got to give Hamlet a 1/5 on my MST3K rating scale.
neg
I've just revisited this fondly remembered bit of cinematic madness from my early days, and must urge you to beg steal or borrow it.<br /><br />The story begins with a duel between a righteous Shaolin priest and our villain Abbot White, needless to say, Abbot White kicks Buddhist ass, and wages his campaign against Shaolin unhindered with the aid of his new ninja allies (a golden clad one who fights with a gold ring, a black clad one who fights with a spear, and my favourite; one who fights with a pair of knives who can disappear and reappear as a flying carpet). The rest of the story concerns the training of the disciples of the Shaolin monks killed by Abbot white, one of whom is Alexander Lo Rei. Whilst we are treated to the punishing training sequences the two young avengers must go through to learn the Shaolin Finger Jab technique needed to defeat Abbot White's invincible armour technique, we see some of the ways our villain keeps in shape...mostly using Taoist magic to extract the blood from naked ladies. We all know how this is going to end, but it's the psychedelic trip in between that we're here for. In conclusion, this is a good example of what Taiwan was doing when Hong Kong was getting sick of martial arts movies, and that is making more and more outrageous martial arts movies. This movie is very well choreographed, has some nudity, some gore and enough balls to the wall gimickry to keep even the most jaded viewer entertained. Visit your local Beewise today!<br /><br />
pos
"Nurse Betty" is the kind of movie you can't describe on a poster or in a trailer or commericial. It's the kind of movie that you walk in to expecting a more mature "Dumb and Dumber" what with temporarily insane waitress goes on a cross country adventure while avoiding crooks trying to kill her.<br /><br />The fact is, this film is a wonderful, heartwarming tale about two people chasing their dreams. The best part about "Nurse Betty" is it's unpredictability. Director Neil LaBute uses brutal violence to seperate dreams from reality, and along with the touching drama, and hilarious comedy, you can never tell what is going to happen next.
pos
I went in to this thinking another gross movie with gross humor. Telling from my first sentence I don't like that humor and this movie had it's moments but I loved it. Justin Long has really never done comedy like this, where he's sarcastic and clever and I loved it. Lewis Black....enough said. The ending I really did love because It had to take itself seriously I mean how else would you end it? Yes it's another underdog story but not in your typical format and the movie wasn't their ups and downs, it was people coming together for one common goal, To go to college where they were accepted. The cast was amazing and yes I did laugh at loud when I didn't think I would and the laughter lasted longer then I thought to. The parents and sister played their roles well but their characters are put in when necessary. The movie was not focused around them but at the same time they showed up when you expect and not expect them to. They played in to the story very well, and I loved the familiar faces Anthony Heald(Boston Public), Jeremy Howard (I) (Galaxy Quest with Justin Long) Ross Patterson (The New Guy)and Sam Horrigan (Brink). Blake Lively added her certain something to the movie which made it even more enjoyable, as well as B's Friends. I recommend this movie to whoever hated those gross comedies of the last 4 years and really want something with humor and an actually story line!~!
pos
I know sometimes its really really corny... But the acting is amazing and Melissa Joan Hart is as cute as a button. I love this show a lot, and I'm almost embarrassed that I do b/c the show has a rep. for being really corny, but it makes me feel good. My only problem is that sometimes it can be pretty low budget - sometimes actors change and you just have to deal with it... Like Sabrina's father is 2 different guys throughout the course of the movie... I mean, couldn't they just say he was an uncle or something? Still, I can't help but loving this show. Harvey and Sabrina make a really cute couple and Salem is absolutely hilarious. I definitely recommend it if your looking for some light and funny entertainment... My favorite episode is "Pancake Madness"... a HILARIOUS episode. The best season is probably 3... I'm not really a fan of some of the seventh season twists... Once you get to college, Morgan joins the group and her dialog is painful and very poorly acted... Plus she is ugly, so the jokes about how she is only surviving off her good looks were lost on me... But I think it was set up to have a really good eighth season and I was really sad to see one of my favorite shows canceled!
pos
While a 9 might seem like an unusually high score for such a slight film, however, compared to the hundreds and hundreds of series detective films from the 1930s and 40s, this is among the very best and also compares very favorably to Powell's later "Thin Man" films. Now this does NOT mean that the film is that similar to the Thin Man movies, as THE KENNEL MURDER CASE is not a comedy but more a traditional mystery-detective film. Now you'd think that not having Nora Charles or Asta or a traditional comic sidekick (something found in practically all series detective films) along for fun would be a detriment, but I didn't miss them at all because this was such an exceptionally well-written film--having a genuinely interesting case as well as uniformly excellent performances by all.<br /><br />The film begins at the dog show and is called The KENNEL Murder Case, though this Philo Vance film actually spends little of the time at the dog show and dogs are not a super-important part of the film. Instead, a thoroughly hated man is killed and left in a completely sealed room--an idea repeated in quite a few other detective films (such as CRIME DOCTOR'S STRANGEST CASE). However, how all this is explained seems pretty credible and fit together very well--keeping my interest throughout. I sure wish other detective films of the day had as intelligently written plots and exceptional acting as this one. This one is definitely a keeper.
pos
"The Brotherhood of Satan" is a stupefying combination of conventional horror elements mixed with some imaginative characterization and direction (Bernard McEveety). It all starts out with father Charles Bateman (as Ben) driving out west with his pretty blondes: luscious Ahna Capri (as Nicky), and daughter Geri Reischl (as K.T.). Things get weirder and weirder for the trio, as they approach the town of Hillsboro, which is being gripped by a Satanic cult! <br /><br />When the dullish travelers hit Hillsboro, the "action" switches to the film's more interesting assemblage of characters: townies L.Q. Jones (as Pete, the sheriff), Strother Martin (as Doc), Charles Robinson (as Jack, the priest), and Alvy Moore (as Tobey). Their interplay is sometimes fun. Soon enough, it all gets very silly, and predictable. Mr. Martin is the stand-out (as you might expect); he considers the possibility of a Satanic cult to be a "cock-and-bull story", but is (of course) their leader. The "Come in, Children" ending is puzzling; unless, perhaps, it was the film's original title.
neg
This movie was a failure as a comedy and a film in general. It was a very slow paced movie that seemed to be trying to convey a message, but the message was a cliché, hopeless mess to begin with. This movie falls on shameless environmental point, even making a self-righteous point of destroying an SUV and promoting Animal Planet.<br /><br />In sitting through this, I couldn't help but notice that Steve Carell got no more than a single truly funny line. The only thing that could hypothetically mark this as a comedy is the pitiful attempt to give comic relief lines to Wanda Sykes. Her character gets frequent, cringe-worthy lines where they absolutely do not fit.<br /><br />Far from the brilliance of Bruce Almighty, Evan Almighty blows its whole record-breaking budget on special effect plot devices that turn out to barely advance the plot. The movie spends the first half building up to the construction of Evan's ark, but by the end, we learn that the ark was completely meaningless, and the whole plot was a just a vessel for the stupid gags and even stupider messages. The movie concludes when we learn that the whole ark, flood, and animal gathering was just a weak political statement by none other than God. Yes, God was trying to influence politics.
neg
Abysmal pulp adventure exploitation in the jungle woman genre. Lousy audio thankfully obscures the dumb dialog. And it's awfully talky for a movie about people who don't speak English. There's no adventure to be found here; it's a jungle adventure with cliffhangers and one wild animal attack that happens in flashback.<br /><br />Three pale-face dopes wander the African wilderness and encounter warring man-hungry tribes of Amazons. These wild women have advanced out of the Stone Age only so far as to invent makeup, shoes, and underarm hair removal technology. Despite their desperation for "hus-bahnd," the ladies insist that they will fight the men and burn the weaker ones.<br /><br />The only thing of interest, as if there were any question, is the assortment of young women clad in animal skins cleverly designed like the bathing suits of 1951. Plenty of wrestling and bad dancing mixed with stripless 1950s stripper moves. No nudity or appreciable violence. On the other hand, you may be humming the catchy native song for days.
neg
An absoloutely wonderful film that works on several levels. It's a story about a great architect, a son seeking his father, about very loving relationships, and about loss. It's also a great flm about architecture.<br /><br />Very intelligent and very moving. A real treat.
pos
NORTHFORK is above all a masterpiece of widescreen cinematography. For this alone the film is well worth one's time. The stark, wide open plains and badlands of eastern Montana are captured in the spare, muted earth tones of autumn or early spring. The gigantic grey cement Fort Peck Dam is the film's protagonist. The film comments both subtly and not so subtly on about a dozen issues of Western Landscape. The dialogue can be trying at times, yet the images and concepts are powerful enough to lift the film. The 1950's period works so well here and is executed so well. I think that the passing years will be kind to this film.
pos
"Snow Queen" is based, of course, on the fairy tale of the same name, collected in (at least) Andersen's Fairy Tales - and, unlike many other recent productions based on other fairy tales, this one retains the spirit of Faerie, an accomplishment not easy and not well understood by many, especially among Americans. Talking animals, arbitrary prohibitions, appearances of goblins, dragons, and demons, are not to be questioned in a fairy tale; they are as natural an element of Faerie as, say, gravity is in the scientific world, and the reason or explanation for them is completely beside the point of the story. Nor is the story bound by modern Hollywood rules of composition: direct, often to the point of being grotesquely linear in lesser works, and obvious (in retrospect, at least).<br /><br />With this defence against the common criticisms of those who do not understand fairy tales, "Snow Queen" is a delightful movie with wonderful visual effects, skillful acting, and great sentiment. The only flaw in the movie was, I think, not that it was too fantastical but that certain parts of the dialogue were too glaringly modern in slang and expression, a mar on its otherwise timeless nature.
pos
For a movie that gets no respect there sure are a lot of memorable quotes listed for this gem. Imagine a movie where Joe Piscopo is actually funny! Maureen Stapleton is a scene stealer. The Moroni character is an absolute scream. Watch for Alan "The Skipper" Hale jr. as a police Sgt.
pos
Some of the worst, least natural acting performances I've ever seen. Which is perhaps not surprising given the clunky, lame dialog given to the one note characters. Add to that the cheap production values and you've got a movie that doesn't look like it even belongs on television. One doesn't expect much from a Lifetime movie, especially one this old, but this is nearly unwatchably bad.<br /><br />Plot-wise, it's a dreadful, clichéd romance of a type even Harlequin would consider beneath them. It's possible to guess how the remainder of the movie will go by simply watching the opening couple of scenes. Surprise, the only female character who gets any focus and the mysterious stranger end up falling in love.
neg
I was surprised at how fascinating this movie was. The performances were extremely good, especially by Rea as the compassionate no-nonsense detective.<br /><br />Despite a low budget, no big FX or flashy camerawork, Citizen X somehow manages to surpass the majority of similar big Hollywood films by just. Telling. The. Story.<br /><br />True stories tend to end with a whimper rather than a bang, and that's the case here, but apart from that, this is a highly recommended detective yarn.
pos
This movie has more goofs than any other movie I have seen in my life. The special effects are damned terrible. For instance, near the end, when the Concorde is falling after the cargo door tears off, the thing spins like a toy. The special effects of Airport (1970) are way better than this crap. Also, the force of a Concorde opening up at altitude and speed would essentially turn the thing inside-out. (That is if it would even open at all) But the movie has its good points. Mostly when it ends. That's also cheesy. E.g. The Thing lands on a bank of loosely-packed snow, if it did that, it would splinter into a million pieces. Overall, 2 out of 10. Instant flop. Great laugh flick.
neg
I think this is the best Norwegian movie I've ever seen. It's about 40-year old Andreas who gets hit by a subway-train, and suddenly finds himself in a strange city, however, everything here has been made ready for him. He has got a job, a house and clothes. At first, this city seems perfect, no death, no pain and no problems. Everywhere there are men in gray suits who cleans up and fixes everything that doesn't fit into their definition of perfect. However Andreas can't really seem to fit in and starts to long back to his old world, and tries with all means to get back. <br /><br />The thing that impresses my the most in this movie is how they way of making the city seem so surrealistic, even though I have seen a lot of these places in real life they seem so distant. Another thing that contributes greatly to the is the performance from the actors. Trond Fausa Aurvaag is just the perfect guy to play the confused and bothersome Andreas. And all the other characters are also doing a great job by playing apathetic (sounds like a hard job, doesn't it?). The strong difference between Andreas and the others leads to very amusing situations as well. <br /><br />All in all, this is a fabulous movie. The plot may be a little confusing, but the movie has such a great atmosphere I would recommend that everyone should go see it. <br /><br />And I wouldn't recommend listening to "ccscd212", as it seems he has seen too many commercial American movies and seems to have became too used to just getting served the moral on a silver plate. The way I see it there is not much in this film that tries to tell us about suicide being right or wrong. I consider it more of a warning of a direction our society seems to be taking. But sure, everyone can see a film in their own way.
pos
CRAP! I accidentally watched this film-thinking that it was the Swimming Upstream that was released in 2003. I seriously regret wasting an hour of my life sitting through it. Shame on whoever gave this junk an award. I thoroughly loathed this film-in fact I didn't see it through to the end. After an hour I could no longer stand it. I am disgusted that people are amused by such a lousy script-which tries and fails to rip off a dozen other human interest stories and such BA-AD acting. PAINFUL. I rate it 1 star out of 10. An amateur could make a much, much greater movie.
neg
Thre isn't a single Scorsese movie I'd place on a list of my favorite movies. But this is the best thing I've run through my DVD player in about five years. Scorsese's patient elucidation of favorite film moments, and how Hollywood works is incredibly gracious, calm and intelligent. <br /><br />It's 3 DVD-sides worth of material. It would have to be a British production, since everything about American corporate culture would have trampled the quiet, methodical, no frills, put-the-focus-on-the-content approach that is taken here. And an American production would have demanded he say he liked only movies that were popular favorites. I wish everyone took a page from his love of movies. You should love the movies you do for personal, idiosyncratic and specific reasons. Not just more "Me-too" votes for The Godfather, etc.. People have no clue what ideas are being explored in their favorite movies. If they did, movies would be more interesting than they are. Scorsese DOES know what ideas are being explored, and that makes him a compelling, involved speaker on the topic. I really appreciate his articulate, generous interviews over the last decade.<br /><br />On a negative note, Scorsese is best when he's excited to show you some obscure movie, rather than when he's didactically teaching you something well-established about film history. And I do wish he pluck those three hairs out of the bridge of his nose. It's very distracting.
pos
Okay, I am a fan of the Nightmare series and everyone says on here that this is the worst! But it's NOT!!! Haven't's you seen Freddy's Revenge??? WTF! That was the worst of all!!! Now this movie is pretty decent and it sticks to the Freddy story and it's cool that he had a daughter etc. etc.<br /><br />And then I found out it was in 3-D!!! I was so excited, I remember when I saw it on the DVD box set I instantly skipped to the 3-D sequences. Quite a lot was in 3-D though like Lisa Zanes hand, Dream Demons, Freddy's Claw (more than once), Lezlie Dean holding a knife, Lisa Zane with a Baseball Bat, Doc's hand, Freddy's head exploding.<br /><br />I truly loved this movie because it was in 3-D, but I wish the whole movie was in 3-D not just the last 15 minutes.<br /><br />By the Way it's 15 minutes NOT TEN!!!!!!!!!!!!!!!!
pos
With stunning cinematography and a thread of Kafkaesque absurdity, this movie had me from the simple yet fascinating opening scene. The movie plays much like a dream, and I think that may be why people either hate it or love it. Characters are drawn superficially and the story itself is slight and perhaps a little pointless. But these are failings of the movie but conscious choices. The film works isn't trying to work as history, but rather is a deconstruction of 1940s war movies. <br /><br />I would have trouble arguing that there was much real substance to the movie, but the movie is such a cinematic wonder that I was completely swept away. This is one of the most beautifully filmed movies ever, and there is a wild imagination in its style. I can completely understand why people would hate it, but I give it 9/10.
pos
Woeful and unnecessary sequel to a bonafide classic. An American Werewolf in London was, indisputably, a gem of a movie: humorous, demented, with just a dash of romance and so very, very British it made me want to stand up and sing God Save the Queen every time the movie ended. Then came this abomination. You know you are in real trouble when the leads are so utterly unlikeable you are glad when they are slaughtered, and actually start cheering for the lycanthropes. Tell you the truth, folks, I only got about half way through this CGIed travesty before losing the will to live and turning it off. Absolutely pitiful and a putrid waste of anyone's time.
neg
As an native of Bolton, this film has obvious appeal for me. The location shots are fascinating and show a Bolton very much in transition - there are a number of scenes of apparent dereliction but this serves to show the town being rebuilt - and the idea that the old must make way for the new is right at the heart of this film. A slightly miscast James Mason leads an enjoyable ensemble in a story about a fuss over a herring that spirals into a full-blown generational conflict, then a pleasingly schmaltzy resolution. Though I'm a bit too young to remember it fully, the minutiae of Lancashire life in the 60s is all here: cashing up on a Friday, songs round the piano, the Sunday constitutional, good neighbourliness, the trepidations of courtship, the massive importance of self-respect, and I was pleased to see Naughton's funniest lines from the play left intact. There is no doubt that this film ought to be made available on DVD - it is well crafted and most performances are well realised.
pos
I'm sorry, but I just can't help it, I love watching Iron Eagle. Now, do not misunderstand me, I am not saying that this is a great movie. No, rather, I would put it that this is an endlessly entertaining movie. For people who cut this movie to pieces for not being realistic are kinda missing the point. Of course Iron Eagle's plot was ridiculous. But I believe its target audience was kids, and I sure remember finding this cool when I was little. Now I just find it amusing as a guilty pleasure, kinda like Road House. This movie is part of the great pantheon of 80's, kids-taking-on-the-stodgy-adult-power-structure movies. You must remember D.A.R.Y.L, Real Genius, E.T., etc. If you ask me, just watching Doug and Knotcher "Ride the Snake" in the beginning is worth the cost of the DVD. That whole sequence was so STUPID! But, at the same time, it was hilarious, funny, totally 80's, all that good stuff. So bottom line, Iron Eagle is a great 80's guilty pleasure. The hairstyles, the dancing, the music, the dialogue, its all funny as hell. I have Iron Eagle on DVD and to me it was totally worth $9.99 at Best Buy. If you love laughing at dated, unrealistic action movies, this one is a must-see. Oh yeah, and I think its plot was only marginally stupider than 1986's other fighter pilot action pic, Top Gun.
pos
Profanity, stupidity, self-indulgence, and bad acting all join forces for a true tour de force in terrible movie-making. Pesci's attempt to prove My Cousin Vinny was no fluke, shows the opposite instead. He is generally too lightweight and foulmouthed to handle the lead. A true must-miss!
neg
By watching this film you will not only explore the "Turkish music" but will also explore the city of Istanbul with wonderful pictures and scenes from all over the important regions of the city.There are lots of delightful conversations with all sorts of musicians and their thoughts about music,culture.There is also discussions about the mixture of east and west like Istanbul has,how they make their music, how do they see themselves comparing to other country's musicians.It consists the music of Ceza,Duman,Baba Zula,Aynur,Müzeyyan Senar,Orhan Gencebay..The Turkish Queen of Music Sezen Aksu...An important work of art!
pos
God, did I hate this movie! I saw it at a sneak preview 13 years ago, and I STILL have bad flashbacks. It was, without a doubt, the WORST movie I ever paid to see. It was badly written, badly directed, and (surprisingly considering the cast) badly acted. I would rather be thrown off a rooftop onto razor sharp spikes, and then have my skin peeled off, than to sit through it again. Can you guess I didn't enjoy it?
neg
for those of you who were desperate to find out what happened to Twitch in the original movie, heres your chance, and then get back to the real world.<br /><br />The guy who hid the gold in the first movie told Twitch, so he gets transferred to another prison, where wrestling champs hang around looking broody. Twitch plans to leave the jail in a month to get the gold to start a life with his woman.<br /><br />Then something happens and someone gets shot, and the film turns into Die Hard in another prison. But the wrestler's daughter is caught up in it all, so he and twitch go to find her and Twitch's woman.<br /><br />As you can imagine, the acting is below par, it features a lot of (really annoying) rap music, and poorly edited fight scenes. On the plus side, it's got that Hispanic bloke in it, who stars in every prison/action/thriller ever made, and he shuts a door in this.<br /><br />It's not very eventful, but at least it's harmless.<br /><br />If you were a massive fan of the original, it's okay-ish stuff.<br /><br />If not, you have been warned.
neg
This movie came highly recommended, but I am not sure why. I am not really and Adam Sandler fan though, apart from in 50 First Dates where he departs from his usual angry man routine. Damon Wayans is an undercover cop and Adam Sandler is the guy he pretended to be friends with for a year in order to bust him. Naturally Sandler is rather angry about this betrayal. Cue angry shouting and silly facials from the king of variety. They end up on the run and of course they become friends again after a big misunderstanding (involving Sandler shooting Wayans in the head - he survives thus he is Bulletproof). Need I go on? You will work out what is going to happen if you do watch it anyway. When our DVD player kept pausing (hey it was $80 from the supermarket OK?) it was commented that the player knew the film was boring and was refusing to play it.
neg
Out to Sea was a great movie. I expected comedy and from about 10 minutes into the film to the end, there was comedy, and laughing points. Jack and Walter are great together, and the addition of Rue McClanahan made it a wonderful movie, that should be seen over and over again.
pos
This is a movie I had never even thought of seeing until my 3 year old spotted it at the video store and grabbed it after liking the cover picture of the animals on Nabooboo Island. We got it and have watched it repeatedly since; in fact we've rented it several times since. There are very few non-animated movies that my son will watch and pay attention to; what a nice change from Dumbo and the Little Mermaid. The acting is outstanding, the songs are compelling, they get deep into your head and you can't help but singing along. The storyline, while specifically about WW2 is timeless in it's own way and there is something new to see every time you watch. I've heard it compared to Mary Poppins, but I think they are two very different movies, both excellent, but somehow my son has no interest at all in Mary Poppins. This is one of those movies that kids will want to watch over and over again and one that parents won't mind complying with. There are days we watch it before nap time and bed time and I don't feel that groan coming that comes when he wants to repeat any other movie.
pos
oh man, where to even begin.....<br /><br />dropping your gun to get in hand to hand combat w/ a zombie, while holding a bitten soldier down debating to shoot him b4 he turns, then he turns and bites the person holding him down, turning your back on a "fallen" zombie, continuously shooting the chest and seeing it doesn't work, so they shoot the chest some more, having the idea that a kid slumped at a desk w/ blood coming out of his mouth is still alright, walking along a football field like nothing is wrong then all the sudden noticing the zombie football team doing whatever in the middle of the field like they couldn't have been seen up to that point....<br /><br />i could go one for a few more hours, but you get the point.....childish writing and dialog, bad directing, horrid special effects, truly sad and undeveloped storyline (zombie infested campus, must get the viral host then lose it....twice), the only plus i can find is that this one doesn't include clips of the actual game during the "action scenes"....<br /><br />id say don't waste your money, but id be more upset about the waste of time, i saw it on cable and wanted the 2 hours of my life back
neg
This is superb - the acting wonderful, sets, clothes, music - but most of all the story itself.<br /><br />I am amazed there aren't more reviews of this movie - certainly one of the best of the 1980s.<br /><br />It's also a wonderful movie to see in tandem with the great "Random Harvest" which has much the same opening crisis <br /><br />-- a middle aged, unknown English W.W.I officer is in a hospital toward the close of the war, suffering from shell shock and complete amnesia without any idea of his name, origin, or anywhere he belongs - he proves to be a very wealthy established man - when he "recovers", he will not remember the years before the war -- <br /><br />But there the movies' resemblances end.<br /><br />My warmest thanks to all who participated in the movie - particularly the actors Ian Holm, Alan Bates, Ann Margret (what a great and surprising casting choice), Glenda Jackson, Julie Christie.<br /><br />This one stays with you forever.
pos
I watched this movie 11 years ago in company with my best female friend. I got my judgment teeth pulled out so I didn't feel very good.<br /><br />I ended up liking it big time. It's a hard watch if you take in account that it deals with friendship, unwanted betrayal, power, money, drug traffic, and the extreme hard situation that deals with living in a foreign jail.<br /><br />The acting is on it's prime level. Two of the women that I lust the most star and that's a good thing. Claire Danes is as cute and charming as always while Kate Beckinsale is extremely hot and delivers a fine performance. Bill Pullman is also great and demonstrates his histrionic qualities.<br /><br />There are many plot twists to dig from and make it an interesting visual experience. Plus it shows the difficult times at Thailand.<br /><br />This is an underrated movie. Not many films like this one have come up in recent history. It should make you reflex about many things...
pos
The extraordinary Rosemary Forsyth is the main reason to see this flick. Why she never became a bigger store may never be known. But she is exceptional and steals every scene she's in. Garson Kanin directed this piece of fluff and the cast is first rate, with Robert Drivas and Brenda Vaccaro especially memorable. A "9" out of "10."
pos
Ed Wood rides again. The fact that this movie was made should give any young<br /><br />aspiring film maker hope. Any screenplay you might have thought of using to<br /><br />line a litterbox or a birdcage should now not seem that bad. Do not watch this movie unless you have a healthy stash of Tylenol or Rolaids. Watching this<br /><br />movie made me realize that Boa vs. Python was not that bad after all. It probably would have been better to do this movie in Claymation as at least that way no actor would have had to take credit for being in this film. It is understandable why this director has so many aliases. There is a bright side to watching this movie in that if you can get someone to bring you a bag of chips, then you can eat your way out of the cocoon of cheese that surrounds you enabling you to<br /><br />make your toward your TV set's cocoon of cheese that surrounds it.
neg
I liked this movie,,cute and funny.I found this film to be a good family film.the dirtiest part of this movie was when it made references to the New York Yankees. You have to be in Red Sox nation to understand that NY Yankees is a dirty word.Sorry to say that to the Yankee's fans.I recommend this picture for the entire family.Of course with your typical love/comedy movie,,there's a long moment in the movie,,with i'm in love and what do I do,,but the movie makes up for that with all the slapstick moments.The movie show's some moments of how the Red Sox nation( in Fenway Park)how the fans felt about 86 years of the Sox always screwed up at the end of the season and how the love of the Sox and the love with another human go hand to hand.
pos
An excellent period murder melodrama, with Fontaine effectively playing against her earlier naive wallflower type, in a role that reportedly Olivia DeHavilland turned down. That's fine, because Fontaine is wonderful. Scripted by Charles Bennett, who had written for Hitchcock in the thirties and also later penned the excellent script for the classic British horror film Night of the Demon. The opening scene, where Ivy visits a sinister fortune teller played by the wonderful Una O'Connor (the screecher of James Whale fame), is a tour de force, and the film maintains interest throughout the numerous sinister machinations. I hope to see this film on DVD someday, but despair of that ever happening, because it seems to be an undeservedly obscure film. Fortunately I got to see it on AMC some seven or eight years ago, but have not seen since. Catch it if you can!
pos
I originally saw this on its premiere in the UK. I was mesmerised by it, and it had me in tears all throughout its duration. I taped it off the TV for safekeeping, but over the years, it's worn out. And TV never seem to show it. Therefore it was a joy to find out that True Movies own the copyright and were showing it on their channels. This time, I taped it onto a DVD, so I can enjoy it again and again.<br /><br />Lucile Fray (played magnificently by Ann - Margret) discovers she has cancer, and that it is terminal. Her husband has arthritis, and, although he is loving, he is an alcoholic, and would be incapable of taking care of their children after she has gone. Therefore, she has to find new homes for each of her children before she dies.<br /><br />The acting is top notch, the music beautiful, and it has stood the test of time wonderfully (it still makes me cry!) If you ever get the chance, you would be silly to miss this. It is a wonderful film! A must see for everyone!!!
pos
This movie was on the pay channels today and I had nothing to do so I had it on. This has to be the worst football movie ever made. This has to be one of the worst movies period. The premium service on the cable system has a rating system, and they gave 2 stars out of 4. This movie isn't even a half a star. Bad acting, Scott Bakula sinks as usual, Larry Miller?? Sinbad, couldn't act if he tried. Rob Schneider's one liners completely stunk. Fred Thompson should be embarrassed that he was even in this movie. The only saving grace for this movie was the hope you would see Kathy Ireland nude in the shower, not even close. A complete waste of time and of film. If we could give a negative number, minus 9.
neg
Ann-Margret did the best job she has ever done in her history of film making. I felt as if she WAS Mrs. Frey. There might be one or two films of Ann-Margret's I have not seen since her film debut in "Pocket full of Miracles" with Betty Davis in 1961. I feel she has been totally under-rated in the industry. Though she was nominated for an Emmy Award for this role in "Who Will Love My Children," she was overlooked. Like she was nominated for an Academy Award for her roles in "Carnal Knowledge" and "Tommy," she was snubbed. Over all, I think everyone did a superb acting job including all the children in "Who Will Love My Children." Yes, it is a sad movie (as true stories can be), but well worth the time. Thank you.
pos
If you like to comment on films where the script arrive halfway the movie then this is the one. A setting and acting as in a Porn movie but nothing is happening only some groping and touching of the third kind. Which actually becomes very boring after 45 minutes of touchy feely but no action. A few of the actors I've seen in real x rated movies and there their acting then was a lot better. All the special effects are done by the great "Rondo" Whom performs all the magic whit his mind. A cult movie is written on the box. Does that mean that this film is not to be watched at all???<br /><br />Get drunk with some friends and watch this movie on new years eve ore thanks giving.
neg
I am not so much like Love Sick as I image. Finally the film express sexual relationship of Alex, kik, Sandu their triangle love were full of intenseness, frustration and jealous, at last, Alex waked up and realized that they would not have result and future.Ending up was sad.<br /><br />The director Tudor Giurgiu was in AMC theatre on Sunday 12:00PM on 08/10/06, with us watched the movie together. After the movie he told the audiences that the purposed to create this film which was to express the sexual relationships of Romanian were kind of complicate.<br /><br />On my point of view sexual life is always complicated in everywhere, I don't feel any particular impression and effect from the movie. The love proceeding of Alex and Kiki, and Kiki and her brother Sandu were kind of next door neighborhood story.<br /><br />The two main reasons I don't like this movie are, firstly, the film didn't told us how they started to fall in love? Sounds like after Alex moved into the building which Kiki was living, then two girls are fall in love. It doesn't make sense at all. How a girl would fall in love with another girl instead of a man. Too much fragments, you need to image and connect those stories by your mind. Secondly, The whole film didn't have a scene of Alex and Kik's sexual intercourse, that 's what I was waiting for……. However, it still had some parts were deserved to recommend. The "ear piercing " part was kind of interesting. Alex was willing to suffer the pain of ear piercing to appreciate kik's love. That was a touching scene which gave you a little idea of their love. Also, the scene of they were lying in the soccer field, the conversation express their loves were truthful and passionate.
neg
James Marsh's The King is a film that mystifies me. I can't think what its meant to be for. It's a story about a young man called Elvis played by Gael Garcia Bernal who gets an honourable discharge after 3 years Navy service and then goes off to find his biological Father and behaves dishonourably with him and his family. It's all rather sick really. Elvis worms his way into the family by seducing his 16 year old sister Malerie (Pell James). It's rather impossible to identify with anyone in this film from here in Middle England. Preacher Father and bouncy joyful Christian Congregation; I couldn't work out whether the film is meant to be deriding them for their mindless beliefs. Or is the target the happy family and we are meant to think that's unviable. OR is it just saying that some people are lost and just hell bent on destruction. It's shallow. We all know that bad things happen; the interesting bit is to learn why but this film just gratuitously depicts a violence without ever unravelling the thinking that has led to it. "The King" is such a lost opportunity. There are some really interesting questions about honour; the Warrior Code; the changing concepts of valour; honour killings in Indian families and so on. Honour is a very varied concept. But this film just adds nothing to the notion. However, Paul the Projectionist did more than his meagre role suggests. The DVD Projector showed all films in a green-only hue and the only way to repair this was to get it sent to Belgium. He did this through Christmas. I think those postal workers and repairers and Paul went far beyond the call of duty and our reward was this dismal film. But you might see it differently?
neg
In this crackerjack noir thriller from Columbia which is a combination of Panic In The Streets and The Naked City, Evelyn Keyes is unknowingly The Killer That Stalked New York. Evelyn who smuggled some stolen jewels into the country from Cuba also smuggled in smallpox. It gets misdiagnosed by doctor William Bishop and when they do find out what it is the hunt is on for her.<br /><br />For most of the film the Treasury Department is also hunting Keyes, but for the smuggled jewels. It's not until nearly the end of the film that the health department and law enforcement realize they're looking for the same woman.<br /><br />Evelyn's on a mission also. Her husband Charles Korvin has left her flat, the unkindest cut of all being that he was fooling around with her sister while she was in Cuba collecting the gems and contracting smallpox. When Lola Albright as her sister commits suicide over the whole affair, Evelyn's on a mission, get Korvin or die trying. And that's not an idle threat given the situation.<br /><br />The film was mostly shot in New York like The Naked City and its cast is sprinkled liberally with a lot of familiar names and faces. Keep an eye out for good performances by Connie Gilchrist as Evelyn's unsympathetic landlady, Jim Backus as a shifty club owner, and Art Smith as Korvin's fence.<br /><br />A real sleeper in the noir category, don't miss it if broadcast.
pos
$25,000 Pyramid Clues: Deep Blue Sea. Tremors. Slither. Eight Legged Freaks.<br /><br />Pyramid Category: Movies that were funnier and more thrilling than Snakes on a Plane.<br /><br />Hell, with that definition I'd have to include the relatively harrowing journey of Ted and Elaine in Airplane! as superior to Snakes in both laughs and thrills.<br /><br />The sad truth is that this isn't even close to the mother of all unintentionally intentional funny snake movies: Anaconda! Besides the never to be seen again casting of JLo-Cube-O.Wilson-Stoltz-Wuhrer in the same flick, you had Jon Voight pulling off the all-time cinematic heist. His final scene alone represents everything SOAP tried and failed to do as a "so-ludicrous-it's-fun" movie.<br /><br />In the end, Snakes on a Plane is definitive proof that studio execs and fanboys make the worst collaborators possible. Every big scene had been discussed and dissected so much the last year, all that was left to amuse by opening night was the amount of fanboy flop-sweat that had to be mopped up at my theater. I heard more forced laughs here than at a studio taping for "According to Jim".
neg
In a way, Corridors of Time is a success story because the movie reaches its goal : being seen by thousands. But it fails at making them laugh...<br /><br />Les Visiteurs has had its success, because the subject was an original way of considering the time travel : forget about Zemeckis's Back to the future, here comes the old France, the middle-age knight and its nearly barbaric way of life. Full of pride, funny thanks to the ancient words he uses, Montmirail can sometimes be disgusting but he keeps his honor. Then comes the sequel.<br /><br />Nobody had foreseen the tremendous success of Les Visiteurs, the first. And it's no use being a movie expert to realize that the Corridors of Time has been made for money.<br /><br />The general story begins after the end of Les Visiteurs, and immediately tries to justify the sequel with a time paradox that would have needed some second tought. Explanation : it's no use trying to get back the jewelry Jacquouille has stolen ; don't you remember this nice red shiny and expensive car he bought at the end of the 1st episode ? Where do you think he found the money ? Selling the jewelry... And that's only one of many holes Poiré tries to avoid... and fails.<br /><br />Let's have a look at the characters : Montmirail doesn't change, he's just a little more boring. Regarding Frenegonde... that's another story : Valérie Lemercier decided not to compromise herself in this sequel to avoid getting stuck in the bourgeoise role. And Muriel Robin tries to imitate her in a way that I found so pitiful I nearly felt pain for her. And Poiré doesn't realize that a cast of humorists isn't enough to make a good comedy.<br /><br />Forget about the time travels, about the digital effects, concentrate on the story and you'll see that there's enough room on a mail stamp to write it 10 times.<br /><br />The main interest of this film is the landscapes. A movie for youngsters, let's say up to 13 years old.
neg
What I liked best about this flick was the chance to see Joan Woodbury, who awe-struck me as one of the several beauties in the Charles Boyer classic "Algiers", in a leading role. She does well as Rita, an orphan who rises to make good as a lady crime boss. Her ascent to the top reminds me of Joan Crawford's characters, e.g. Mildred Pierce, who realize their ambitions by fierce determination and willpower. If you're looking for a film noir classic, better look elsewhere. At several points, it's difficult to know where this story is going. I first got the impression that it was going to encompass Rita's plot for revenge against the father and son who tricked her into taking the rap for a drunk driving death perpetrated by the playboy son. But payback time ended up being only a minor point, and a springboard to the somewhat confusing second part of the film, where Rita becomes increasingly involved in city corruption. Anyway, it's only 72 minutes, so a second viewing should clear up any haziness. My copy is from a Platinum box set called "Mobster Movies". The picture quality is good, but the soundtrack sucks, constantly skipping fragments of dialog. There are eight films in the $5.50 box, making each movie a fair 69 cents. Look for Anne Archer's father, John Archer, as Rita's childhood friend Bob. Alan Ladd doesn't get much screen time. It's definitely Joan Woodbury's picture.
neg
I watch many movies, but presently my genre number one is Asian horror. I have just bought this DVD and I initially found "Janghwa, Hongryeon" an intriguing but confused film, since I had not understood many parts of the story. But I saw in IMDb Board a message titled "Explanation of a Masterpiece (all your questions answered) Faster load", written by opiemar, and I was really impressed with the high quality of the explanations this user provided to viewers like me that missed points of the story. I would like to congratulate opiemar for his excellent work and suggest him to write a correct summary of this movie in IMDb to help and guide other viewers.<br /><br />In the end, I agree that "Janghwa, Hongryeon" is a great Korean film, but I do not give ten in my vote because very few people can afford to see the same movie more than once, like this film demands, and without the great support of opiemar, I would not be able to understand the story as a whole. I intend to see this movie again in a near future. My vote is eight.<br /><br />Title (Brazil): "Medo" ("Fear")
pos
This movie just didn't do it for me. I like horror and splatter movies but this one has very little to do with horror. The effects are cheap and when they chop of one of her feet it looks so fake. The same goes for the other effects like the tongue torture and the gut sex. They could have spent of few extra bucks on the effects.<br /><br />With lots of sex (with pixelization as in all Japanese movies) this is just a sick fetish porn and there seems to be a market for sick stuff like this. While bloodier, for me it fits in with titles like Squirmfest / Purge and the Genki series. These movies feature girls eating and playing with every fluid that comes out of your body, eating bugs and fish in a gross way and having sex with all kinds of weird animals, like toads, eels and... One look at the covers will tell horror fans to look elsewhere. No horror here,just sick and degrading sex scenes.<br /><br />Horror fans should avoid this one and are better of checking out Guinea Pig2: Flowers of Flesh and Blood or even August Underground Mordum. While these are not great they at least offer a horror experience and Niku Daruma absolutely fails in that department.
neg
You already know how painful to watch this movie is. But I wonder why one of the worst movies ever should include one the most beautiful cars. Why the cars should be not only the victim of violation, but also the only true actors and performers in it. So how on Earth you Porsche, Lamborghini or whatever could allow those people to get in touch with your cars and ruin you reputation for which you give millions.Stop the getting an advantage of the cars and earn money on their chests. It is painful for those who love cars. It is painful for those who love movies.<br /><br />I want my money back !!!
neg
Joe Don Baker is one of a handful of actors who is often better than his material, and almost always under appreciated. He's been in a ton of films either as a heavy or a hero, and has the type of strong, solid presence that Wallace Beery did half a century before him. Baker can delivery material that would sound ridiculous coming out of another actor, and that's what's so great about him. He really seems to mean what he's saying, regardless of how cliché, obvious or silly, which puts him in a league with Tommy Lee Jones, Oliver Reed and Don Stroud. It's what made the WALKING TALL Trilogy work so well, and that same magic is here in FINAL JUSTICE. This was a substantial hit in theaters and on video in the 80s, and it has aged a lot better than many of the perhaps better known action flicks of the era. By moving the action from Texas to Europe, there's a real timeless quality that doesn't jar you away from the action on screen. To be honest, I've always enjoyed the films of Greydon Clark, who is a no-nonsense director in the same vein as 1970s Clint Eastwood, and this is one of his best. FINAL JUSTICE is one of the lost gems of the late 80s, similar to MAN ON FIRE in its true grit and violence. I suppose if they remake this with The Rock, a whole new audience will come to love it as much as I do.
pos
This has to be THE WORST film I have ever seen. I bought the DVD and it didn't work, well the DVD worked fine, its just the film didn't, in fact its so bad that I think non of the actors have worked since (or before judging from the acting). There is no real plot to speak of and no real horror. The production values are rubbish even for a low budget film with some outside scenes being hard to hear due to wind on the microphone.<br /><br />All in all it was so bad a film that a viewer could think it was going to turn into a porno if they didn't know any better (which have been an improvement). There are only two lines in the film that are funny, both of which revolve around the transvestite prostitute. (Although they hardly merit watching all 76 minutes for)<br /><br />As for the marketing of the DVD I feel thoroughly cheated. I mean reading the back I expected it to be bad:<br /><br />He chose his weapons. He selected his victims. He picked his nose. He turned into a GIRL!<br /><br />But I thought it might be funny. Also the case claims it is digitally re mastered, I would love to have seen it beforehand, the print is so grainy you could use it as sand paper. The case also says it is an absolute disgusting movie, IN WHAT WAY?, disgusting production, acting.<br /><br />This film out stays it welcome in the first five minutes, (if you are considering buying this I would say buy `bad taste' instead it is a much better film and is funny, also it has Peter Jackson the director of the LOTR in it.)<br /><br />Incidentally if anyone knows anything about any of the actors (or director Patrick J Mathews) and what they have done since, please post here as I would love to know, purely to find out if there is a worse movie out there, or if anyone in this film ever bothered to learn to act
neg
I caught this movie on IFC and I enjoyed it, although I felt like the editing job was a little rough, though it may have been deliberate. I had a little bit of a hard time figuring out what was going on at first because they seemed to be going for a little bit of a Pulp Fiction-style non-linear plot presentation. It seemed a little forced, though. I certainly think that the movie is worth watching, but I think it could have used a little cleaning up. Some scenes just don't seem to make sense after others. <br /><br />I'm surprised to see the rating here as low as it is. It's not outstanding, but it doesn't have any really serious problems. I gave it a 7/10. The movie did show at least that Laurence Fishburne can act when he wants to. They must have just told him not to in the Matrix movies.
pos
Even Sophie Marceau's presence and the few (very few) good French gags are unable to save this otherwise slow and boring movie! A disappointment. The story is weak and so is acting. This movie was advertised as the French version of The Mummy, but the Mummy has at least spectacular and enjoyable effects...
neg
I give the show a six because of the fact that the show was in fact a platform for Damon Wayans as the Cosby Show was for Bill Cosby, it dealt with a lot of issues with humor and I felt that it in fact tailored to getting a laugh as opposed to letting the jokes come from the character. <br /><br />Michael Kyle An interesting patriarch and a wisecracking person. He is PHENOMENAL in movies, but in the show he was there for the wisecrack and though I loved it, I felt that the laugh was more important than plausibility.<br /><br />Jay Kyle I have loved her since House Party and have enjoyed her in School Daze and Martin, this was a great role for her and she made a great choice in picking this sitcom to co-star in. I also feel that Jay and Michael were more like equals in the show but Jay was more the woman who fed her crazy husbands the lines and went along with his way of unorthodox discipline because she may have felt that it worked<br /><br />Jr Just plain stupid, his character should have been well developed and even though he does have his moments of greatness, we are returned to the stupidity as if he learned nothing, which drives me nuts!!!!!!!! Not to mention that most of the situations (in episodes I've seen) seems to center around him<br /><br />Clair The attractive sister who dated a Christian, I found her boyfriend's character to be more interesting than she was (she'd be better off sticking to movies, the writers should have done more to show her intelligence but it's not stereotypical enough)<br /><br />Kady Lovable and the youngest daughter. I think the writers established her character most on the show aside from the parents and Franklin<br /><br />Franklin I LOVE this character and I think they derived it from Smart Guy (T.J. Mowry) which only lasted one season. They did a great job of casting for this little genius (the effort would have been made if Jr would have been the smart one but show the down sides also)<br /><br />All in all, this sitcom is a wonderful thing and it's homage to the Cosby Show is well done, I love the show and wished it would have stayed on longer than that. I can't wait to see the series finale
neg
When you actually find a video game to be scary or disturbing, you know that the developers have done some very serious and hard work to make the whole thing work. Undying used the Unreal engine but had very little resemblance to that game when it came to actual gameplay. Speaking of gameplay, the pace is slowed down and the sheer difficulty in progressing through the very hard to kill enemies makes for a very unqiue gameplay experience. The production values are so high that you may even forget that it is a video game. The game itself is also packed with loads of secrets that you have to uncover using special vision. The level design in fantastic and the weapons as well as the enemies will really shock you.
pos
"Gypsy" is possibly the greatest musical ever written, so it's too bad that it's film version was such a disappointment. To make up for that, we have this re-make which, if not flawless, is an enjoyable and well done adaption of the musical. The script is completely accurate, all the songs included, and the staging remains close to the original Jerome Robbins' staging. Bette Midler is a deft choice for Rose, her singing and personality Merman-esquire, and her acting splendid. Peter Reigert is a fine Herby, if not a great singer, and Cynthia Gibb is a straight forward, natural Louise. In truth, a live taping of the 1989 revival with Tyne Daly might have been a better idea, if only because "Gypsy" is simply more exciting on stage, But this film is a fine translation of a great musical.
pos
WARNING **SPOILERS**<br /><br />Lord knows I have seen some bad movies in my time and this one makes me just as angry. This is an insult to people who ARE LOOKING for a bad movie. The "story" involves a stewardess who discovers her boyfriend (badly acted by otherwise great Robert Wagner) is a murder, thief, and just an overall puke face. After the Concorde takes off, he sends guided missiles to destroy the Concorde. So while the Concorde is traveling at the speed of light, our "hero" (played with utter stupidity, George Kennedy) opens the window in the cockpit then, sticks his hand OUT THE WINDOW to fire at the missile! I'm no rocket scientist, but it seems his hand would at least get a wind burn. Then towards the final "climax" when the Concorde is headed for certain disaster and everyone will die, a passenger turns to his fiance and proposes marriage. A Priest just happens to be sitting in the next row and proceeds to marry them as the planes is crashing! (I'm not making this up) Wow, the guy who wrote the script must have been sniffing glue for a week.
neg