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If you want mindless action, hot chicks and a post-apocalyptic view of Seattle, then this is the show for you!<br /><br />The concept of Dark Angel isn't anything new (in fact, there's controversy over whether James Cameron stole the idea from a book), but I spend the entire hour watching it every Tuesday from start to finish.<br /><br />Jessica Alba is smoking and Max' friends (original Cindy, Kendra) are just as hot. <br /><br />The fight scenes are getting better, but the dialogues between Original Cindy and Max need to be a little bit better (the slang sounds forced and it sounds like someone living in the suburbs wrote it).<br /><br />In my opinion, Dark Angel is a great guilty pleasure filled with everything an action fan could ask for, but if you're looking for hard hitting, award-winning drama, go watch "The West Wing" or something.

positive

I should have known I was in trouble with Casper Van Diem as the lead character. Words cannot describe, nor do they do justice to just how terrible this movie was. But please allow me to try to describe it: Horrible acting, terrible dialog, corny situations and through it all you get the feeling that you are being force-fed the beliefs and propeganda from the Trinity Broadcasting Network. Its a weak attempt at trying to show Hollywood that a movie can be entertaining and have a deep, religious message attached to it. They failed miserably. It was clearly the worst movie I have seen in a long time.

negative

This is truly an excellent film with a revolutionary message (both in form and content) that should not be missed by any fan of French New Wave or Underground film. There are barely opening or closing credits--we are just dropped into the world of consumerist art, revolution, and youth. This film has little to do with documentary and is more interesting in playing with our ideas of advertising and its relationship to reality. Lines of real and not real are crossed in ways familiar with films discussing documentary, but this time we do it for the sake of consuming and marketing, not for describing the real.

positive

Jiøí Trnka made his last animated short an indictment of totalitarism, which caused him trouble in his native Czechoslovakia. The elements are few, the symbolisms simple, and his trademark ornaments almost absent here, allowing the viewer to concentrate on the fable. A man in his room dedicates to pottery and to take care of his only plant. But suddenly a huge hand enters the room and orders him to make a statue of itself. The man refuses and he's persecuted by the ominous gloved hand. In these days, where the impression of reality factor seems to be erased from most animations that try to replace the real world, it is refreshing to watch a film, which makes its technique part of the enjoyment.

positive

This was one of the highlights of ST:TNG's semi-forgettable second season, before they 'grew up' or grew into their own in the third season and beyond. This was not only a showcase for up-and-comers like Bill Campbell and Teri Hatcher, but was also the continuation of Data's search for his 'humanity', this time through the concept of comedy. Still one of my favorite episodes.<br /><br />On a side-note, I'm still disappointed that there is no credit for the actress with whose character Okona was about to have a tryst(after Teri Hatcher's character) before being rudely interrupted by Lt Worf. I remember watching this episode 'first-run' at my friends comic shop back in the day and we all thought she would've been a perfect Jean Grey/Marvel Girl.<br /><br />It would be nice to know who this pretty lady actually is...

positive

I'm not a writer or an critic...I'M just a student that has seen this movie few minutes ago....AND I want to thank people that worked on creating this movie!It is not the best or the most.... but it touched my heart...why???i would like to understand it myself...it is easy and accessible..it is a movie that makes you feel good after a bad day without any regret about the time wasted on watching it!It is about love and caring, about the life that we have but we miss it sometimes because of material stuff .......Look at all the time that we have but we miss it....why a fu*k do we do that???We need to live like were dying ...care about every second and remember:if we do good things-good things come back to us!HAppiness is real...and it has a special taste in New York...i love this town and the world the we live in!!!!thank you very much for the movie and sorry for my mistakes(English is my second language)...

positive

I watched this film so many times through my child hood that even to this day i can pretty much re-sight all of the dialogue. And when I watch it now it just makes me happy and surprisingly still laugh. I think it's amazing how they managed to train animals especially the cat to the extent that they are able to play the main role of a feature film. However watching it now I can also unfortunately notice that it isn't the masterpiece i once thought it was. But i prefer to remember how i felt about it when i was younger watching it on VHS on my fist TV that would cloud the image in yellow. And and bearing in mind it is a children's film, that is why i would still definitely give it 10/10.

positive

Presenting Lily Mars is a real pleasant little film which showcases the comedy skills of actress Judy Garland, along with her standard singing moments. The plot consists of Lily Mars tagging along after producer John Thornway for her big break. I think the comedy is light and nothing too heavy here. I really recommend this film for everyone. Judy is breathtaking in this role!

positive

Any movie that has nude scenes of Karen Allen and I'm still so bored I walk out, that is a stinker! <br /><br />Karen gets stuck in Paris, and befriends a sissily-handsome French man with whom she is having sex soon. Of course he's married, ("But, cheri, why should that be a problem?") What could be an interesting clash of cultures is (believe it or not) just dull. I walked out. <br /><br />Maybe the movie got a lot better after I left; but it would have had to have gotten a LOT better to make up for a rotten beginning.<br /><br />My advice, if you find yourself in this, run, do not walk, for the exit. Save your time and your energy. Most assuredly save your money. It's a shame the production company didn't save its money.

negative

There is this girl and she's running in the woods but she ends up at this woman's clinic and she wants an abortion. Her daddy is outside in a van and he is all angry about it. The whole episode takes place in and outside of this abortion clinic. I'm not really pro-choice but I wanted the choice to kill this episode. I was laughing when I saw the baby come out and it went into the corner. The part where they were doing the ultra sound was pretty funny too. I was really feeling sorry for the poor dad in this episode. He just wanted to protect his daughter and I couldn't really blame him for what he did. I don't know what happened to him at the end or what happened to the other father and daughter in the waiting room. I was just laughing too hard and I would suggest watching "Pick me up" instead of this episode. It wasn't the worst episode but it wasn't that great.

negative

"Broken Bow" takes us back to where it all began. Set 150 years in our future and 100 years before Kirk, Spock and McCoy. This installment of the "Star Trek" franchise, is in my opinion the first series since "TOS" to recapture the feelings of wonder, danger and excitement of "Going Where No Man Has Gone Before". Scott Bakula is perfectly cast as Jonathan Archer, the first Captain of the first "Star Ship Enterprise". He and the entire cast truly show a true reverence for the Star Trek legacy. John Billingsley is Brilliant as the alien Dr. Phlox, and Jolene Blalock is totally luscious as the tempting but logical Vulcan science officer T'Pol. Broken Bow is in my opinion the best premier episode of any of the Treks, and I believe Gene Roddenberry would surely be proud.

positive

Lizzie Borden's Love Crimes is an important film, dealing with the dark side of female sexuality (and including full frontal female nudity, which sure beats the male kind). It flirts with sadomasochism and the captive falling in love with captor theory.<br /><br />This treatment of feminine libido is sometimes shallow and jerky, but Borden has travelled well beyond feminist dogma of females gaining power through their insatiable lust.<br /><br />One striking scene exposes the female fetish for horses, when the antagonist, a counterfeit fashion photographer, is seducing an older woman wearing breeches by asking her to show how she rides a horse. He shoves a riding crop between her legs, pressing it against her crotch, and this greatly increases her excitement.<br /><br />Then suddenly he leaves her home and she swears abjectly at the closed door.<br /><br />Patrick Bergin plays the con artist, and though he falls a long distance from handsome, he picks on plain Janes and has enough screen presence to make one believe the women could swallow his line. By all reports, Sean Young proves a weird person, and she is scarcely beautiful. Yet in this film as the district attorney her intense face and long-limbed slender body and accentuated hips and periodically disjointed movement alchemize into erotic fascination. Her performance is forceful and complex.<br /><br />Borden possesses an intriguing worldview, and the fact that it stands so at odds with the modern feckless zeitgeist I truly appreciate.

positive

CitizenX(1995) is the developing world's answer to Silence of the Lambs. Where `Silence' terrorized our peace of mind, `Citizen' exhausts and saddens us instead. This dramatization of the Chikatilo case translates rather well, thanks to a Westernized friendship between two Rostov cops who become equals.<br /><br />CitizenX may also argue against(!) the death penalty far better than Kevin Spacey's The Life of David Gayle(2002).<br /><br />Humans are Machiavellian mammals, under which lie limbic brains (lizard-logic). Why did two kids, who knew better, stone to death a toddler they kidnapped? Why do bloodthirsty women yell `li-lilililililii' at acts of OBSCENE terrorism? -My own term for this is `limbic domination', the lizard-logic urge to dominate an `enemy'. If you have the words `enemy'/`vengeance' in your vocabulary, you're easily capable of `limbic domination'.<br /><br />In WWII-devastated 1980s Rostov (located at the mouth of the Don river near the Black Sea), nothing suppressed Andrei Chikatilo's urge for `limbic domination' from overpowering his layers of civilization. Chikatilo(Jeffrey DeMunn)'s easy victims were paupers, usually children, who rode the interurban train for fun, since they couldn't afford anything else.<br /><br />CitizenX reminds us that the denials of a rampant Soviet bureaucracy cost the lives of 52 such `lambs'. Rostov's serial killer roamed free for almost 7 years AFTER the police arrested and let him go.<br /><br />The politicization of crimefighting is harmful to police forces everywhere. Although policing routinely suffers from corruption all over the world, in the west, vote-grabbing by politicians can set up chronic inter-agency rivalries, stymieing a more coordinated response to crime. In the Soviet Union of CitizenX, however, Viktor Burakov(Stephen Rea)'s Killer Department was suffering from a repressive bureaucracy.<br /><br />Geoffrey DeMunn plays the psychosexually inadequate Chikatilo with faultless but understated authority--to the point of complete obscurity. In real life, too, Chikatilo had a lifetime's experience blending in and evading capture.<br /><br />His pursuer, on the other hand, sticks out as a strange bird, given to unheralded, naive outbursts. Perhaps by design, Stephen Rea gives a very strange performance as forensics chief Burakov. Rea's Russian accent is impenetrable; and his Burakov is humourless and sullen, at odds with everyone.<br /><br />So it's Donald Sutherland who walks away with the picture. Sutherland's Col.Fetisov, Burakov's boss, and at first his only supporter, is an overly restrained, patient Militiaman whose dignified carriage bears testimony to decades of bureaucratic machinations. His reawakening as a logic-driven yet still passionate cop becomes the film's cornerstone idealism.<br /><br />Joss Ackland does another turn as a vicious apparatchik, Secretary of Communist Ideology Bondarchuk, overseeing the investigation. Naturally, he quashed the arrest of the most likely suspect, a Communist, in 1984, a man carrying rope and a knife in his bag, supposedly going home: Andrei Chikatilo.<br /><br />Soon, he replaced Burakov with another Moscow apparatchik, Detective Gorbunov(John Wood), insisting that the investigation now focus on `known homosexuals'. The funniest scene of this sad, sad film comes during Bondarchuk's & Gorbunov's institutionalized harassment: one stupid cop earnestly reports, `As I suspected, comrade, it's fornication. I've made some drawings'--cue howling laughter.<br /><br />5yrs after the bodies began piling up, in 1987, the police finally tried soliciting criminal profiles. The only cooperating Soviet psychiatrist was Dr Aleksandr Bukhanovsky(Max Von Sydow), who termed the UNSUB `CitizenX'. He later also observed to Fetisov & Burakov that `...together you make a wonderful person'. We concur.<br /><br />The drawn-out pace, spread over a decade, perfectly captures the institutional inertia of Glasnost--`openness'--that wasn't. The contrast with Perestroika--`restructuring'--couldn't've been greater for the case. Although Chikatilo was still prowling railway stations, police plans were about to bear fruit.<br /><br />In 1990, Col.Fetisov was expeditiously promoted to General. His nemesis Bondarchuk disappeared off the scene, allowing the investigation to finally proceed without political interference. Staff, communications, publicity--suddenly all were available. In just one night of telephoning around, Fetisov got his depressed forensics chief access to the FBI's Serial Murder Task Force at Quantico, where, Fetisov discovered, staff are regularly rotated off serial murder cases to stave off just such psychological damage to investigators.<br /><br />Fetisov advises his newly promoted forensics chief, now `Colonel' Burakov, of all these changes in an avalanche of confession that becomes the movie's powerhouse watershed scene. Fetisov's is the most tender apology I've ever seen on film: `Privately, I offer my deepest apologies to you and your wife. I hope that someday you can forgive me my ignorance', he almost whispers.<br /><br />A HBO production, CitizenX is a film of the highest caliber. Not only do the exteriors look authentically bleak (shot exclusively in the most run-down parts of otherwise spectacular Budapest), but Randy Edelman's soaring soundtrack is entirely overwhelming--and frequently our only respite from the bleak brutality. Those who speak Hungarian will recognize the many Hungarian accents and credits.<br /><br />Chikatilo's actual murders are depicted as bleak, aberrant behaviour born of character flaws and ignorance in an equally bleak world. This makes the murders seem not-entirely-out-of-place--but of course they were. As President Kennedy reminded us, `we all cherish the futures of our children'.<br /><br />CitizenX communicates perfectly that killing is far more grisly and obscene than any vengeance fantasy might imply. Serial rapists rape to dominate; serial killers kill to dominate. So do some soldiers. Such `limbic dominators' make poor humans.<br /><br />WARNING-SPOILER:----------------------------------------------- The real Andrei Chikatilo WAS the world's most prolific known serial killer. Convicted, he was executed in 1992 in the manner of all Soviet Union death sentences: one shot, in the back of the head. Foolishly, such methods destroy any possibility of studying a deviant brain after death.<br /><br />Conclusion:------------------------------------------------------------ The best outcome is always the prevention of killings, not their prosecution. Executions merely guarantee society's failure to learn from the complex reality of victims' deaths when we dispatch even anecdotal evidence of HOW/WHY they died. Nor do killers learn regret if they're dead.<br /><br />Vengeance doesn't unkill victims. Baying for the killer's blood constitutes nothing better than counter-domination--once it's too late.<br /><br />Vengeance on behalf of the grieving isn't justice for the deceased--it's appeasement of the living.(10/10)

positive

me and my sister saw the premiere last night... it was so good we were glued for the whole thing.. hahaha..i think I'm hooked for the season!!.... they have some really good actors in this thing.. the head coach guy and the player that likes pete were very good and the plot has already got me but i don't really understand how they'll keep it stretched for a whole season.. there will probably be some big twist tho..i cant wait till Tuesday.. finally Jeremy sumpter who is he? i can tell hes going to be big!! he was soo good we fell in love with his character right away.. cant wait for the next episode.. GO Jeremy!<br /><br />'Aimee

positive

Simply, one of the funiest movies i've ever seen. It's a parody of crime-life, parody of everything that represents the Chicago 1930.- There is no realy need to underestimate this movie because rating is under 5. Its a opinion of a mass, and mass is hypnotized. Who decide to watch it - it will regret, Who decide not to watch it - will regret more.

positive

How this movie escaped the wrath of MST3K I'll never know. "Gymkata" is a ridiculous action movie, filled (or is that empty?) with paper-thin plots, dumb characters, and preposterous situations. But take it from me, if you enjoy watching poor, yet goofy, movies, you will enjoy "Gymkata" a great deal.<br /><br />The action centers around a gymnast who is chosen by government agents (at least I think they were government agents) to become a spy. You see his dad was another quasi-government agent, who has gone missing competing in this game, called, eloquently, "The Game." So the gymnast (played blandly by Kurt Thomas) trains to compete in this game and find out what happened to his lost dad.<br /><br />Sounds promising doesn't it? Okay, so it doesn't but still, that bare bones plot sypnopsis doesn't begin to describe the joys of this movie. They can be found in the movie's strange details. Like the gymnast's mysterious Asian girlfriend, who doesn't speak for the first half hour of the movie, then all of a sudden begins to talk, and doesn't shut up for the rest of the time! Or the really tough shirtless bad guy who likes to make and break "The Game"'s non-existent rules whenever he so pleases. And of course there's our hero's delightful romp through the "Village of The Crazies" (Evidently that's the place's real name!). Nice place to visit, but I wouldn't want to live there.<br /><br />But where this movie really shines is the action scenes. Since our protagonist is a gymnast, the director thought it wise to stick gymnastic equipment into the back alleys and town squares of Middle Eastern cities, so that our Gymkata master would be better able to use his gymnast skills to fight the scourge of evil on parallel bars and pummel horses. It has to be seen to be believed.<br /><br />One interesting thing of note. A lot, I'd say about half the cast, dies from being shot with an arrow. Interesting because the arrows are the only believable effects or action in the entire movie. If these were indeed effects, my one major note of compliment to whoever devised these very realistic arrows wounds. More likely, this was the film's way of not paying extras. Nevertheless, "Gymkata" deserves a look if you can see it without paying and are looking for some silliness that is an easy target for riffing.<br /><br />

negative

I stumbled upon Nine Dead recently and read the current reviews thinking I could deal with an average movie. This movie however was slightly below average, yet watchable. The script was poorly written and the acting was at average for a B-level movie with a couple standing out as pretty good. The plot borders on that of Saw, teach people what they did wrong in a situation and try to make them appreciate life more, but that is really where the comparison ends. Nine dead tries to have heart and purpose behind simple ideas that are not new. The main fault that I found in Nine dead, was the slap in the face to the viewer of flashbacks that occurred 3 minutes before in the film and were completely unnecessary and a completely inadequate ending that people won't see coming, in a bad way. Barring any spoilers I have seen the worse of bad movies and even they didn't end this poorly. Decent flick, bad acting and ending though...

negative

I think the show had a pretty good concept to work with. But the execution was poor. The script is poor and acting is bad. There were many issues that could have been portrayed in a better way, like the protest against gay marriage or finding the graveyard. The show can't be properly termed as comedy show as it lacks humor miserably. I should say this show was barely successful in putting the life of Muslim community to some extent.<br /><br />Till now second season is worse than the first one. I had my hopes high regarding this show, but I was kind of disappointed. Still I appreciate CBC for putting up such concept in front of the viewers. Anyway I wish best of luck for the future.

negative

Love the characters and the story line. Very funny with plenty of action. Thomas Ian Griffith and Tia Carrer give great performances. I enjoyed the dynamic and comical interaction of Griffith and Career. Donald Southerland plays a very likable, and surprisingly sympathetic, burnt out hit man. All three actors are among my favorites and having them in this movie made for a special treat. A nice addition to my extensive DVD collection. I highly recommend this movie. If you like... Mr. and Mrs. Smith, The Replacement Killers, L.A. Confidential, The Long Kiss Goodnight, The Abyss and, The Whole Nine Yards... you will love this movie.

positive

** possible spoilers **<br /><br />I like this film and have no problem staying awake for it. It reminds me of me at 20, except this is even better. Like Veronica says, two chicks at one time. It brings out the horniness in me, the casual conversation, these two real life chicks, rather than hookers, teasing us every step of the way. I get into the conversations too. Even if they are utterly b.s. at times, so what? Every chick, just about, that I've ever talked to and is high on herself is usually full of the same unreasoned rambling gratuitous self-centered b.s. philosophy. It's just a bunch of nonsense, and about as sensible as that other b.s. philosophy chicks are often into: astrological charts. The only deal with this movie is the guy is almost as feminine as the women, he's into the same b.s. and moodiness. The brunette chick is actually the most masculine person there.<br /><br />I think it's kind of funny that the brunette chick gets so obviously turned on by Veronica. She'd love to pull the little blonde away from Alexander, but Veronica plays her all the way. She's brilliant. She gets the brunette thinking there's something up between them, and then she steals the boy-child/man, which is only appropriate since they appear to be from the same age group. The brunette knows she's been had by the end, when she's dropping her face into the palms of her hands while Marlene Deitrich sings in the background that, paraphrasing, there are a million couples in Paris tonight, but I only have this refrain.<br /><br />But do they get married in the end, Alex and Veronica? Mmmm? I can only imagine a super-tumultuous relationship ending in a pre-marriage breakup. They are too selfish to be anything to each other than stepping stones.<br /><br />I like the film though. It kept me entertained, it's got a nice look, and it's sexy.

positive

Some people have stated that as of the 11th season, South Park has started a trend of leaving behind their politically biting satire for shallow spoofs; but this could not be further from the truth.<br /><br />While this episode does spoof the Living Dead series, there is more. It is a satire of how people treat the homeless. Characters say things like "They're pretending to be just like us" or "They want to be human." This episode attacks a culture of people who ignore the lower class who are often just down on their luck.<br /><br />So yes, it is still a satire, and also a wonderful spoof. What more could you want?

positive

This was quite possibly the worst movie I have ever seen. I watched it with a large group of friends and after it was over not a one of us understood the plot. Aside from the lack of plot, the acting was atrocious, the "special effects" were not so special, and the writing was absolutely horrible. The movie's only redeeming factor is that it's so incredibly bad that it's quite funny. You can't help but laugh at a zombie being run over while actors are spewing crappy dialogue. I wouldn't recommend this film to anyone looking for a good movie, but it's something that a group of friends can get together and have a good laugh about. It's now a running joke among my friends and I. 1 out of 10.

negative

This sequel is a total rehash of the first film. A completely pointless movie. It basically just took every single sceanrio of the first film and they redid it in Omen IV except with a female antichrist this time. It even ends the same way as the first one! The music is too busy and interfering, and because its pretty much a copy of Omen I, it's extremely predictable. It's not a horrible movie, it's not terribly made, there is much worse movies out there, this just had absolutely no point in being made. The Omen remake from 2006 is much worse, even more pointless than this, so I guess it has that. If you someone pointed a gun to your head and you had to choose to watch this sequel or the 2006 reamke, I guess I'd choose this.

negative

This was the third remake of SLEEPING WITH THE ENIEMY After YAARANA(1995) and AGNISAKSHI(1996)<br /><br />AGNISAKSHI was the only one which worked and was a better film<br /><br />DARAAR is directed by Abbas Mustan who sadly failed in their attempt here<br /><br />the story was good but the handling wasn't that good and the heroine was shown too regressive and the climax too was disappointing<br /><br />Direction is bad Music is good<br /><br />Rishi reprises his role of YAARANA(strangely which also was a remake of SWTE) and looks too fat for the lead and is okay Juhi is decent while Arbaaz tries too hard in his debut and does manage in many scenes to chill the audiences but his voice was terrible Johny is too loud

negative

I rented this film thinking it was the sobbingly sad 1959 version I saw as a kid. It was not. I was therefore very disappointed with what I felt was marginal acting, poor character development, and most of all, failure to highlight the relationship between the boy and his dog. In this version... the "Dog of Flanders" is just a cute "aside" to the movie. Get the 1959 version!

negative

The only thing remarkable about this movie? is that all the actors could bomb at the same time. Idiocy. I want my money back...and I got it free from the library. Sheesh. I would rather chew on tin fool and shave my head with a cheese grater then watch this again.

negative

This film made for French TV deals with the tragic effect it has for a close knit family. When Leo, the young man at the center of the story is diagnosed as having the AIDS virus, announces it to his parents, they just can't believe it. The film is a character study on how this family deals with its subject.<br /><br />The director, Christophe Honore, has to be congratulated for bringing this frank account to the screen. Nowhere but in France could this story make it to the movies because of the subject matter.<br /><br />The news has a devastating effect on Marcel, the young brother who hears about what Leo has contracted, in spite of the way the parents want to shelter him from reality.<br /><br />Yaniss Lespart and Pierre Mignard do a convincing job in portraying the brothers.

positive

The film had many fundamental values of family and love. It expressed human emotion and was an inspiring story. The script was clear( it was very easy to understand making it perfect for children)and was enjoyable and humorous at times. There were a few charged symbols to look for. The cinematography was acceptable. There was no sense of experimentation that a lot of cinematographers have been doing today(which quiet frankly is getting a little warn out). It was plainly filmed but had a nice soft quality to it. Although editing could have been done better I thought it was a nice movie for a family to enjoy. And the organization of information was just thrown at you which was something I didn't like either but in all it was a good movie.

positive

I know that in this episode there's other stuff apart from what I am going to discuss, and in fact I think it has some virtues; for example, the fact, after we had been given a very negative opinion of Jin from seeing Sun's flashbacks in "House of the Rising Sun", we get to see Jin's side of things and get a new, more balanced understanding of his life.<br /><br />But there is an element in this story that made me so deeply uncomfortable that it greatly dampened my enjoyment of the whole episode. Before now, in the scene where Jin appeared with blood on his hands and shirt, it had been hinted that Sun's father was someone who was getting rich through shady, illegal methods. I thought maybe he was a mob boss, even; mobs operate in Korea, just like in almost every other country in the world, so it was a reasonable possibility. However, in this episode we learn that Sun's father is in fact the boss (or a top executive) of a Korean automotive company, and that what Jin had been doing was physically attacking a government official (who was actually going to be murdered) on his behalf.<br /><br />I may be especially touchy about this because I happen to work in the automotive industry, but I would say it is SPECTACULARLY offensive and racist to even suggest that this kind of thing goes on in Korea; that huge, serious companies like Hyundai or Kia (which must be the model for this fictitious car company, as they are the only ones that actually exist in reality) operate with these mafia-like methods, instead of like any normal automotive company of the West. it is just unbelievable to me that the writers would have the gall to write something like that into the story, and that there hasn't been an uproar in Korea over it. It feels like extraneous "Buy American!" propaganda, portraying foreign car companies as criminal, untrustworthy, third-world outfits.

negative

First of all, this plot is way overdone - girl wants to make it, everyone loves her, snobby girl intervenes, all looks lost, girl pulls through, everyone loves her again etc. Throw in the fitting in thing, an attractive male crushing on the heroine, plus single-parent troubles and it's so predictable that you can practically recite along with it.<br /><br />Second of all, I really hate how they keep on dissing classical music. They send out the message that everyone involved in classical music is uptight and snobby and close-minded - in fact, I don't recall the quote exactly, but I remember at one point in the movie, Holly says, "Why do they have to be so uptight...so classical?" It's really insulting how label classical music in this way.<br /><br />Third, I've went over it dozens of times, but the only reason that I can think of for making this movie is to promote Britney Spears. there just isn't any point at all.<br /><br />And oh yeah, while the actress who portrayed Holly (I'm not sure whether that was really her singing or not) had a reasonably good voice, it wasn't as amazing as they were making it out to be - especially when she was belting. She was oversupporting the whole time.<br /><br />1/10 stars.

negative

Greenaway's films pose as clever, erudite and innovative. Yet his style and grammar originate and remind viewers of films made in the World War 1 era of film-making: the frame composition, use of mid-shot, the static camera. It may be well to rub against mainstream movies with this style but it is not new. Perhaps like that other "innovator", TS Eliot, he draws more from the past than in looking forward as an authentic innovator would or could.<br /><br />Yet Greenaway's biggest failing is that he cannot write. His dialog and even plot structure is mechanical and logical but without the vitality of another dramatic logician, Brecht. Where this weakness is most apparent is in his humor, which is poised and logical, so the joke is dead before it's delivered. The result is tedium: if it's not funny, it has failed: ask a stand-up comedian to justify their act if the audience doesn't respond. Perhaps the well-read director could learn something from Freud on humor.<br /><br />Finally, like Woody Allen, Greenaway has manipulated his actors over the years to work like clones. They speak the lines with a bored, smug air like narcissistic adolescents.<br /><br />This film, despite its design and lighting, is meretricious.

negative

It is nice to see the likes of Oliver Stone, Brian DePalma, Al Pacino, and even Michelle Pfiefer make one monumental piece of cinematic garbage. It is nice to see people so rich and 'successful' wasting their time on one of the most forgettable, trite, and pathetic pieces of film-making of all time. This movie represents the worst of Hollywood.<br /><br />What is this? Is it based on a true story. Well, they do start with some basic news bites and facts that they read off USA today. But then the movie departs to some fantasy world and a 'cuban' refugee going to make it in the American drug subculture; kind of like Rocky on cocaine. Is it a movie about Cuba or Cubans? For the life of me I don't believe there is a single Cuban in this movie. The accents are totally fake, and scene with Antonio's mother looks like a poster for midwest American values. The whole scene looks like something out of the Dick Van Dyke show. Is this movie about Miami? It looks more like L.A. transposed in Florida. Afterall, a palm tree is a palm tree. Is this a romance novel. The relationship between Pacino and Pfeiffer is so obvious from the getgo, and there is not one shred of possibility that these two characters could ever care for each other. Is this a drug movie? Well, no issues of obsession or addiction are even mentioned. The behavior of the actors after a line of coke is nothing different than had they had a drink of water. Admittedly, the acting is terrible.<br /><br />Let's get to the rest. The music is disgusting and sounds like latin elevator music or something out of a Lawrence Welk show. I think I heard a polka? The camera work is shoddy with too much movement and far more cranes than could ever be effective. Clearly, the photography budget was excessive. The sound is bleached in a number of spots, and the dialogue seems to be carried out in a warehouse. The writing is appalling. This is one of those movies were the script writes itself. You are dragged from one trite piece of dialogue to the next, each pushing the plot like a sack of bricks.<br /><br />So I am going to ask, Is this even a movie? It could be a drama series patched together for two and a half hours. But at least a drama series has some kind of focus. Maybe it is just a bunch of poorly acted scenes taped together. Whatever it is, movie or not, it is a piece of crap.

negative

I have to admit that I'm a great fan of this show, so you must know how disappointed I got when I watched this movie. First of all, the plot was awful, I thought it was going to be something more interesting, like to see what happened to Arnold fathers, or something more interesting, but NOOOOOOO, a maniac wants to destroy Arnold's house, between many other places, so many people tries to stop this.<br /><br />I must admit that the plot wasn't so bad after all, but what really sucked were the steps that Arnold and his friends do to stop this maniac, they become friends of a spy,; they drive a bus (based on a video game, for God sake), and to worse everything, they make super-moves on the bus, things that many persons had already tried and died, but not Arnold, Gerald and Helga, 'cause they are experts on a video game.<br /><br />Honestly, my mom, my sister, even me got really disappointed after watching this movie, 'cause it was the worst way to finish a really good cartoon. I must admit that I used to enjoy "Hey Arnold!", it was one of my favorite cartoons on Nickelodeon, but after this crap of movie, I'm not quite sure if I'm going to watch "Hey Arnold!" as I used to watch it on the past.<br /><br />Other thing Nickelodeon, with that enormous number of dynamite I can assure you that not a simple street would explode, I think that the whole city could explode with that, oh, and please, if all of your future movies from good cartoons are going to be like that, don't do more movies, you give a bad critic to cartoons that used to be good.<br /><br />Honestly, I think this was the worst way to end this show, a good show transformed into this crap of movie.

negative

This movie is entertaining enough due to an excellent performance by Virginia Madsen and the fact that Lindsey Haun is lovely. However the reason the movie is so predictable is that we've seen it all before. I've haven't read the book A Mother's Gift but I hope for Britney and Lynne Spears sake it is completely different than this movie. Unless you consider ending a movie with what is essentially a music video an original idea, the entire movie brings to mind the word plagiarized.

negative

When you get your hands on a British film you expect some sort of quality. And when it comes to acting, camera work, lighting etc; this film does the business. It's done by highly skilled craftsmen. That alone can bring you an enjoyable one and a half hours. But when you look under the layers of professionalism, you don't really find anything. Apart from making you feel good and advocate a drug liberal view, there's really nothing there. The script is mediocre, the plot is predictable and the ending must be one of the worst east of Hollywood. In all it's English cosiness, it's just a shameful and cynical attempt to make another "Full Monty". Why they made this film? I haven't got a clue, apart from making money of course.

negative

I've read many negative reviews of this movie and finally got a chance to see it on DVD. To be honest I really don't know what the problem with it is.<br /><br />It's a decent murder mystery thriller, shown from various points of view, from an eccentric cast of often drugged out potential killers/suspects, including the late porn king, John Holmes. Please read the plot synopsis for the exact details of the movie's plot - I wish to contribute more to a review than a synopsis.<br /><br />Many reviewers went so far to give this movie their lowest rating due to violence but I really don't see it. MANY modern movies were worse - Saving Private Ryan was ultimately more violent than this movie, which often relies on implied blood stains than actual brutal slayings (the murders depicted in this film were done with lead pipes, afterall).<br /><br />I was enthralled with both halves of the movie - the first showing John Holmes as a hopeless cash hungry drug addict, and the second half showing his side as a minor conspirator in a senseless bloodbath. The movie has excellent acting, even though Dylan McDemorant looks more than a bit out of place in his biker-esque personia and goatee'ed bad boy personality.<br /><br />The soundtrack was also awesome - a fantastic mix of 70's B-side rock and obscure pop, spread out over a couple of hours in all the right places ala Boogie Nights.

positive

I didn't feel as if I'd been raped like I did with THE ENCHANTED CHRISTMAS,but BELLE'S MAGICAL WORLD is still the antithesis of BEAUTY AND THE BEAST. Like CHRISTMAS,BMW hates its audience,although not to such an extreme degree. It's ugly,uncanonical,idiotic,and the writing is horrifically bad.None of the stories work. These are not the characters we loved from BATB at all,they're a bunch of pod people. I wanted to dissect it,but after a few minutes,I gave up,because no one in their right mind would take this claptrap seriously. What we have here are three stories. "The Perfect Word" is an overbearing,ponderous study of forgiveness. "Fifi's Folly" only works if you can accept that Babette's name is actually Fifi and that she's a closet James Bond villainess and that Lumiere is an idiot concerning women. "Broken Wing" (or "Broken Wind" as I like to call it) is probably the most heinous of the bunch. Beast hates birds? Since WHEN? Don't watch this crap- every copy of this video deserves to be cremated. BEAUTY AND THE BEAST is still a cinematic classic,a transcendent celebration of love,art, intelligence and the human soul.

negative

This is my favorite show. I think it is utterly brilliant. Thanks to David Chase for bringing this into my life.<br /><br />Season 1<br /><br />1. The Sopranos: 5/5<br /><br />2. 46 Long: 4.5/5<br /><br />3. Denial, Anger, Acceptance: 5/5<br /><br />4. Meadowlands: 4/5<br /><br />5. College:<br /><br />6. Pax Soprana: 5/5<br /><br />7. Down Neck: 4.5/5<br /><br />8. The Legend of Tennessee Moltisanti: 5/5<br /><br />9. Boca: 4.5/5<br /><br />10. A Hit Is a Hit: 3.5/5<br /><br />11. Nobody Knows Anything: 5/5<br /><br />12. Isabella: 5/5<br /><br />13. I Dream of Jeannie Cusamano: 5/5

positive

First saw this movie in about 1990, and absolutely died laughing through it. It became a cult favorite with my circle of friends, and we'd quote from it at the drop of a hat ("I'm going home in a bag!"). Needless to say, the humor is still there, 15 years later. It's become a tradition at Halloween time to expose many of my new friends to this film (good thing you can still buy it off Ebay!) I've found that Halloween candy tastes much better with your tongue planted firmly in your cheek..and this movie provides it all- pathos, suspense, unrequited love,nobility and the list goes on. Royal Dano provides an amazing heartfelt performance as Old Man Wrenchmuller. I remember seeing him in "The 7 Faces of Dr. Lao" as a bad guy who met a bad end. Here, you really feel for the old guy right from the beginning. <br /><br />If you aren't careful, you'll miss some of the levels of humor in this movie. The creators got real subtle in many ways with offhand comments, little subtle costume digs at other sci-fi movies, and even a scene ripped from the pages of Wile E. Coyote!<br /><br />Don't spend too much thought processes trying to analyze a movie, people- this is fun fare without the need for nitpicking, and shouldn't be offensive to anyone (well, maybe stupid people, but they won't know they're being mocked..).<br /><br />-Now if you'll excuse me, I'm gonna go get a 'Zag-nut' bar....<br /><br />-Ramsay "RC" Cowlishaw, karaoke DJ/entertainer

positive

This movie was seriously awful. The acting was the worst! It was worse than a student film. Super cheesy, and I think the worst actor was the old lady. At first I thought to myself, well it's an old movie. Then I remembered that that is no excuse! I've seen older movies with way better acting and such.<br /><br />The music was terrible to. It was really choppy. The editing was poor (most of the dialog was out of sync.)<br /><br />Overall, this movie doesn't even deserve a 1. I only watched it because I was so bored, and the movie hardly entertained me. It was just laughable. My dead grandmother's left pinkie toe could make a better movie than this.

negative

If you want to watch a good film about how women can fight back against sexual assault, then this film is not the film that you want to watch. It was a social commentary about a woman who was victimized and fights back. Spoiler: Rosario Dawson turns the tables on her assailant. Instead of using the criminal justice system, the victim resorts to using vigilantism. She in essence nullifies the judicial system. The film "The Accused" was a much better film because the victim uses the judicial system and wins. What the "Descent" does is telling victims of assault that they should resort to violence? Is victim any better that the accuser? No!!!

negative

I have never seen one of these SciFi originals before, this was the first. I think it only fair to judge the acting, direction/production, set design and even the CGI effects on the other SciFi movies. To compare it to your typical Hollywood production is unfair. I will say, however, that overall Aztec Rex was not exactly reminiscent of Werner Herzog's masterpiece Aguirre, Wrath of God.<br /><br />I will begin by noting that, yes, I do recognize the fact that this movie has more to do with culture-clash than it does with dinosaurs. Despite this being a made-for-TV sci-fi movie, there is some underlying context to the story which I shall examine. The symbolic elements included are evident enough.<br /><br />Consequently, as a student of history, theology, mythology and film: I found the dialogue outrageous and the plot themes to be somewhat insulting. I am not asking for any mea culpas on behalf of the producers - as I said before the movie is what it is. But what concerns me is that much of the younger demographic for this movie probably rely on television to provide them their lessons when it comes to history and cultural diversity.<br /><br />The main problem manifests itself most visibly with the character Ayacoatl (not a commentary on Dichen Lachman's performance, but simply how her character was written, although, I'll say she has some work to do before she receives any Emmy nods). It is through her character that the Spanish Europeans actions are justified. Her function in the film as the love interest of Rios affirms that the European way is the right way, simply because they are European. There is really no other reason given. It's really just left to the assumption that the viewer is meant to associate themselves with the Europeans over the Aztec because their dress, language, ideology, etc is more familiar to them than the Aztec - so therefore the Aztec are portrayed as adversarial and 'backwards.' And it's not simply that the viewer is left with that assumption due to ethnocentric perception on the viewers part, but it really seems like the story is trying to convince the viewer - As if the Aztec were not capable of coming up with a plan - if not a better one - to lure a dinosaur to its death on a bed of punji sticks.<br /><br />In fairness, there is a subgroup of the Spanish who are portrayed as looting temples and intent on simply abusing the native MesoAmericans. There is also a scene where we have the Christian holy man noting the achievements of the Aztec: "They have agriculture, medicine, calendar, etc." - But in the end it is still the Aztec warrior who is portrayed as the main antagonist of the movie, even over the 'thunder lizards' (more on that later). He his portrayed as treacherous, duplicitous and attempts to dispatch the romantic European Spaniard by tricking him into consuming hallucinogenic mind altering mushrooms - an important spiritual component to certain aspects and religions of the native Meso & North Americans (again, more on this later) so that he can keep the female he feels belongs to him and away from the Spaniard. <br /><br />Now in analyzing the true nature of the story (leaving the obvious Christian vs. Pagan themes off of the table) from a symbolic standpoint - a viewer can easily take these so-called thunder lizards to be representatives of the MesoAmerican ideology/theology, which in this movie is portrayed as being one intent on: bloodthirstiness, mercilessness, cruelness, wicked, maybe even evil? In opposition, we have this group of Christian wanderers, led by a young Hernando Cortes who are portrayed as naive, yet overall noble, lambs caught up in the dark heathen world of the Aztec. Also, the name of the film is Aztec Rex, leading one to believe that it is about dinosaurs out to eat people. However, what Aztec Rex translates to is Aztec King, a the head of the Aztec state, or in this instance 'state-of-being.' (Hence, why the title of the film was changed). And so who in fact do we see as the new Aztec king at the end? It's the remaining Spaniard, Rios. Aztec Rex is in reference to the new European ideology which overcame, through disease, bloodshed, war & famine, Native Americans. Rios symbolizes the ideal European - as the presenters of this film would like them to be remembered (in opposition to Cortes who represents the 'practical-yet-still-noble European'). But when you examine the Holocausts of the Americas, let us be honest: don't the symbolic components of this film's story have it backwards? <br /><br />I have to say Aztec Rex is at worst a little racist, or to be kind about it, ignorant at best.<br /><br />And yes, I know it's just a movie, all meant to be in fun, I understand, but so at the end we're left with the idea that Rios was the father of the last remaining Aztec lines? I wonder what Native MesoAmericans would have to think about this ending... as for myself, I thought it was a little too self indulgent.<br /><br />Best supporting performance of the movie goes to Ian Ziering's wig - although conspicuous - it did at least alter Ziering's appearance enough so that I didn't think I was watching the yuppie from 90210 leading a bunch of conquistadors into the heart of darkness. Ziering actually proves himself to be a more-than-capable actor in this movie, I actually bought his performance, or at least I forgot it was Ian Ziering anyway. I don't know whom his agent is, but he should get more work.<br /><br />In closing, it was also a pleasure to see Jim McGee again. I've been a fan ever since his all too brief scene-stealing performance in 1988's Scrooged.<br /><br />Alexander Quaresma - [email protected]

negative

You'd better choose Paul Verhoeven's even if you have watched it.

negative

This film is about a Japanese woman who has an obsession with calligraphy on skin.<br /><br />The plot is absolutely bizarre. I fail to see any "sensual" or "erotic" undertones. The plot turns an ancient art form into a fetishistic pornography. In addition, the scenes that are filmed in Hong Kong are certainly portraying bad parts of Hong Kong, such as the airport in the middle of the city, poor living conditions and noise pollution. Throughout the whole film, I keep thinking that "The Pillow Book" is insulting the Japanese culture and the Hong Kong environment.<br /><br />"The Pillow Book" is a perverted, yet boring film. Seriously stay away from it.

negative

Hip. Erotic. Wickedly sexy ... whatever. It's "The Terminator" with werewolves.<br /><br />No, seriously. The cop saves the girl (waitress!) from the big monster and refers to himself as her 'protector'. The lead actor Ryan Alosio does a pretty good job of emulating Kyle Reese ... there's a massacre in a police precinct ... the bad guy is muscular with red eyes ... and it even contains dialogue along the lines of "You said it yourself, he won't ever stop. Never." The dire script comes from a first-time screenwriter who, thank God, hasn't sold anything since this, and it's all thrown together by famously bad director Richard Friedman.<br /><br />The movie opens in a strip bar (always a good sign), and a mean-looking biker guy bursts in for no apparent reason, pursued by three cops. One of them is black, and (shock horror!) he's the one who gets killed in the first five minutes. The film goes downhill for the next hour or so, then picks up a little with some decent action sequences, before rounding it all up with an abysmal ending.<br /><br />For the most part, the cast come across as competent actors doing what they can with a bad script and a director who's willing to settle for less. If nothing else they appear to be learning how to act in this movie and Alosio, along with some of the supporting cast, shows signs of talent. DarkWolf in his human form is played by gargantuan Kane Hodder -- famous for his numerous portrayals of Jason Vorhees in the 'Friday the 13th' movies. He's decent enough, especially considering he isn't used to speaking roles.<br /><br />It's become famous amongst groups of horny teenage boys for the lesbian rooftop scene between Andrea Bogart and Sasha Williams, who gets her kit off a couple of times in the grand tradition of former 'Power Rangers' actresses. And it's unnervingly clear that the editor spent WAY too much time on that scene ... anyway, the main redeeming feature is that the physical werewolf effects are rather good, and the design of the wolf isn't bad at all.But the CGI is bad. Just plain bad. I mean seriously, if you can't reach some level of realism - why bother? Just throw a little extra money into the make-up! Aside from the terrible script, this movie does have it's moments, many of which are unintentionally funny. It's good for a laugh if you don't have anything better to do, but just don't spend any money on it. Please.

negative

For those who think of Dame May Witty as the kindly, slightly batty, old lady from Hitchcock's The Lady Vanishes, this movie requires an adjustment. Here, she's anything but kindly or batty. Instead, her son, George Macready is the loony one. Just don't give him a knife, otherwise his eyes light up and no furniture cushion in the house is safe. Now we know what he has in mind for the trapped Nina Foch if he can just get out from under Mother's domineering hand.<br /><br />Really tight little woman-in-danger film that keeps the suspense on high throughout. The script never strays from Foch's dilemma. She's held prisoner in a big old Gothic house on the edge of an angry sea. They're going to kill her, but why. Her predicament makes no sense. The tension mounts as she tries one escape ploy after another, but even strangers seem against her. We begin to feel her helplessness and mounting paranoia as the world turns away from her.<br /><br />Director Joseph H. Lewis took a big step toward cult status with this film and understandably so. Then too, watch Foch run subtly through a gamut of emotions without once going over the top. Witty too shines as a really intimidating matriarch who knows what she wants and how to get it if she can just keep her wacko son in line. My one reservation is the climax which seems too contrived considering the timing of the events. Nonetheless, it's a good, nerve-wracking way to spend a little over an hour, courtesy Columbia studios.

positive

FINALLY!!!!!!!!!!! I've been waiting for this film to come out for almost a year, and finally saw it at the premiere in SB. I met a few of the actors, who were really nice and who were great in the movie. i watched the trailer so many times that i didn't know what to expect but got totally sucked in. the film was really beautiful to look at it and the music was good too. i recommend it to anyone who's a ryan donowho fan, and dominique swain was good in it too. the other actors were good also great. I hope it comes out on DVD soon!!!!!<br /><br />i first got into ryan from watching the OC and then saw him in a bunch of good indies like Imaginary Heroes. He is great in this film, and everything that he does that's indie. I also like Dominique but haven't seen her in as much. Hope to see them both in more soon!!!

positive

I truly enjoyed the movie, however, I did not realize that Little Richard had so many things going on in his life. First of all I was not aware of Lucille. There is very little (hardly any) mention of females being intimately involved with Little Richard. Even in his life today there is no mention of any involvement of females in a romantic way. I wonder why this part of his life was not mentioned. Overall the movie was great. I also did not like Leon playing the part of Little Richard, he is a good actor but I feel that the part of should have went to a different actor. Visually he did not remind me of Little Richard. I also was totally unaware of the promiscuity that Little Richard was a part of. From the movie he was pictured as a sexual addict. In todays time he would be referred to counseling for his sexual addition. He was a voyeur. I don't want to ruin the movie for someone that has not seen the movie however there were several things about the movie that I feel should not have been a part of the final cut.

positive

I didn't think the French could make a bad movie, but I was, clearly, very wrong. As has been said before, this film essentially uses its title character as a point of departure; its portrayal of her life and person have little or nothing to do with the real Artemisia Gentileschi. <br /><br />The script is awful -- pretentious, stilted, and vapid -- and its rewriting of the facts is unusually offensive even in a genre that all too often makes its living by distorting, rather than retelling, history. Along with some fairly decent set design, Valentina Cervi's physical charms are the primary asset of this movie, and it's obvious from the beginning that the filmmakers were aware of this too; they waste no time in contriving various "erotic" sequences which have far more to do with titillation than with plot or character development. Unfortunately, the appeal of seeing a pretty young girl in a state of feigned sexual arousal cannot, and does not, sustain this movie. The acting is unremarkable, and the score is all too generic despite an interesting chord or two. The cinematography is OK, and there are some pretty colors, but there are also some pretty ridiculous sequences using distorted-lens effects more appropriate for a 1960s freakout movie than a costume drama. In any event, the script leaves the camera dwelling all too often on Artemisia's body, and all too seldom on her paintings.<br /><br />All told, a near-complete failure. It's not intelligent or tasteful enough to be a serious film, and it's too slow and pretentious to work as soft-core pornography. So the French can fail, after all!

negative

SPOILER ALERT! This Movie, Zero Day, Gives An Inside To The Lives Of Two Students, Andre And Calvin, Who Feel Resentment And Hatred For Anyone And Anything Associated With There School.<br /><br />They Go On A Series Of Self-Thought Out "Missions" All Leading Up To The Huge Mission, Which Is Zero Day. Zero Days Contents Are Not Specified Until The Middle To The End Of The Movie. The Viewer Knows Its Serious And Filled With Hate But Is Never Quite Sure Until The End.<br /><br />Now We All Know, If The Movie Is Based On The Columbine Massacre, The Ending Is Pretty Obvious. And The Ending Is No Different Than Any Other Movie About The Attack, They go And Kill Many Of Their Fellow Students In The End.<br /><br />I Have Seen A lot Of Movies On This Attack, And This Movie By Far Is My Favorite, And Most Respected. It Gives The Viewer And Inside Look To The Lives Of These Two Teens Who Hate Life, And Honestly It Gives The Viewer Some What Of An Understanding, And A Closure On The Horrible Event.<br /><br />Being Only 7 When The Events Played Out, I Never Knew The Seriousness Of The Shootings, Until My English Class Was Assigned An Essay Or Story On A Defining Moment In Our Generation. Well I Knew Everyone Was Going To Pick The Twin Towers, But I Wanted To Be Different, Because Of Course The Twin Towers Was Tragic And Very Defining, But I Didn't Think It Was The Right Choice For Me Because there was Really No Way Of Relating To that Because, I Was Only In The 3rd Grade And I Had No Idea What It All Meant. But The Shootings Did Leave And Effect. I Remember The Interviews, The Sky Views Of The School, And The Hurt And Terror In The Eyes Of Thousands Of People.<br /><br />This Movie Is A Compelling, Down To Earth, And Horrific Masterpiece, And I Would Reccomened It To Anyone.

positive

This is a great ending to the show. The fact that Adm. Janeway was able to do a double switch on the Borg was great. The fact that she allowed herself to be infected, thus infecting the Queen with a "poison" that in, essence, ended the Borg was great. The way they ended it also left some, not a lot, for a reunion movie. However, they did bring them "home" and the way they did it was fantastic!! It was sad to say good bye to a part of my family. Ending it with Tom and B'Lanna having their baby just as they enter the Alpha quad. was a great way to show a new beginning. It would be nice to have a reunion movie of some type - just to see where their characters would be today.

positive

I enjoy quality crapness, and this ranks up there with some of the finest. the cg is out of this world, or at least pre-dates our world, and the insanity of a 6 foot bloke in a rat outfit chasing after people is laughably bad. I quite enjoyed some of this, but the acting is so goddamn awful, and even the obligatory nude scene doesn't really have any baps out in it. just a complete waste of time if ever i saw one. I don't know who wasted more time, me watching this, or the poor saps who got dragged into making it in the faint hope that this will launch their acting careers. I can assure you, it wont. However, on a brighter note, I have managed to successfully do the 6 degrees of Kevin Bacon from this movie, so I think it was almost worthwhile watching the 91 minutes of it.

negative

FLIGHT OF FURY takes the mantle of being the very WORST Steven Seagal flick I've ever seen...Up to now.<br /><br />It's a dreadful bore with no action scenes of any interest, Seagal isn't really trying in this - he's fat and his voice is dubbed once more.<br /><br />The Co-stars fare no better, being a rather sorry load of 3rd raters.<br /><br />The Direction by Keusch is very poor and it comes as no surprise that he's also responsible for another couple of Seagal stinkers (SHADOW MAN & ATTACK FORCE) The screenplay Co-written by Seagal himself is laughably inept.<br /><br />According to IMDb $12M was spent on this boring load of old tosh - If these figures are correct I sense a big tax fiddle as nowhere near that amount was spent.<br /><br />FLIGHT OF FURY is actually a shot for shot remake of the Michael Dudikoff flick BLACK THUNDER - which has to be better than this tripe.<br /><br />This has NO redeeming qualities whatsoever,Give it a MISS! 1/2 * out of *****

negative

Hm. While an enjoyable movie to poke plot holes, point out atrocious acting, primitive (at best) special effects (all of which have caused me to view this movie three times over the past six years), Severed ranks among the worst I've ever seen. I'm never sure who the protagonists are, all I know is that the killer uses a portable guillotine, as seen in the dance floor murder scene. All in all, I don't really like the movie, because only the first 30 minutes are enjoyable, the rest is a mishmash of confusing dialog and imagery that fail to progress the story to a logical conclusion (which I can't remember anyway).

negative

Wasn't sure what to expect from this movie considering its amazing collection of stars and directors but in the end it didn't disappoint.<br /><br />For me one of the highlights was the final episode with the American tourist speaking with a dreadful French accent (which made me feel better about mine) which was actually quite touching and a great way to wrap up the movie.<br /><br />The story of the paramedic and the stabbing victim was also very moving and for pure comedy the Coen Brothers and Steve Buscemi take the award. The Tom Tykwer clip was also impressive although rather ambitious in its scope.<br /><br />However, the Bob Hoskins segment was totally cringeworthy and the vampire story was completely farcical. The dialogue in Wes Craven's section also felt very forced and the Chinatown story was completely incomprehensible.<br /><br />On the whole this film is worth watching for the good bits and has a strong finish. It's not too painful to sit through the bad sections - they only last 5 minutes anyway.<br /><br />Ca vaut la peine!!!

positive

The only redemption was the small part by Larry Miller. It seemed that the movie was trying too hard to be "Something About Mary," but I didn't even like that movie and it still fell short of those standards. The actor who plays Paul was great, but Selma Blair is stuck in the stupidity of her Cruel Intentions character. James Brolin was great, but Paul's father seemed like he was trying too hard to be the Randy Quaid character from the National Lampoon's Vacation movies.

negative

Another classic study of the effects of wealth on a southern family is masterfully depicted in Written on the Wind.<br /><br />Kyle Hadley has it all. Wealth, a plane, you name it. Kyle's best friend, Mitch, has always gotten him out of difficulty. Mitch finished college, Kyle got thrown out. Mitch is not from a wealthy home. Kyle's family, with Hadley Oil, controls most of everything in the town.<br /><br />While in N.Y., Kyle meets the girl of his dreams, nicely played by Lauren Bacall. After a whirlwind romance, he marries her and brings her home. There she meets her father-in-law who warns her how difficult Kyle can be. Kyle sleeps with a gun under his pillow. The Bacall character meets Kyle's sister, Mary Lee, a tramp if ever there were, played to the fullest by Dorothy Malone, who was voted best supporting actress.<br /><br />Rock Hudson plays Mitch, the faithful friend.<br /><br />A year of wedded bliss for Kyle and his bride ends when Kyle is told by the doctor that he can't have children. It is when his wife reveals to him that she is indeed pregnant, Kyle, thinking that the child is Mitch's, goes on a drunken frenzy and is accidentally shot dead in a memorable scene.<br /><br />Mary Lee, who has always loved Mitch, tries but is unsuccessful in blaming Mitch for Kyle's death. In a memorable courtroom scene, Malone pulled out all the stops in finally admitting that Kyle's death was an unfortunate accident. Her Oscar was well deserved.<br /><br />Surprisingly, Robert Stack, brilliant as Kyle Hadley, was nominated for best supporting actor and lost in an upset victory by Anthony Quinn, as Paul Gauguin, in Lust for Life.<br /><br />Douglas Sirk was the master of soap opera films of the 1950s. Written on the Wind is no exception. ***1/2.

positive

Well, at least my theater group did, lol. So of course I remember watching Grease since I was a little girl, while it was never my favorite musical or story, it does still hold a little special place in my heart since it's still a lot of fun to watch. I heard horrible things about Grease 2 and that's why I decided to never watch it, but my boyfriend said that it really wasn't all that bad and my friend agreed, so I decided to give it a shot, but I called them up and just laughed. First off the plot is totally stolen from the first one and it wasn't really clever, not to mention they just used the same characters, but with different names and actors. Tell me, how did the Pink Ladies and T-Birds continue years on after the former gangs left? Not to mention the creator face motor cycle enemy, gee, what a striking resemblance to the guys in the first film as well as these T-Birds were just stupid and ridiculous.<br /><br />Another year at Rydell and the music and dancing hasn't stopped. But when a new student who is Sandy's cousin comes into the scene, he is love struck by a pink lady, Stephanie. But she must stick to the code where only Pink Ladies must stick with the T-Birds, so the new student, decides to train as a T-Bird to win her heart. So he dresses up as a rebel motor cycle bandit who can ride well and defeat the evil bikers from easily kicking the T-Bird's butts. But will he tell Stephanie who he really is or will she find out on her own? Well, find out for yourself.<br /><br />Grease 2 is like a silly TV show of some sort that didn't work. The gang didn't click as well as the first Grease did, not to mention Frenchy coming back was a bit silly and unbelievable, because I thought that she graduated from Rydell, but apparently she didn't. The songs were not really that catchy; I'm glad that Michelle was able to bounce back so fast, but that's probably because she was the only one with talent in this silly little sequel, I wouldn't really recommend this film, other than if you are curious, but I warned you, this is just a pathetic attempt at more money from the famous musical.<br /><br />2/10

negative

Towards the end of this thriller Ally Sheedy's gaunt latter-day image is used creatively to make up more than one hauntingly evil image. She convinces one that, if a nasty Bette Davis-type role were to come her way, she could carry it off brilliantly. Unfortunately, I can't find many other reasons for seeing this. If you've wondered what Sheedy looks like in a pair of old-fashioned glasses (but why should anyone?) then here's your answer. For the rest, Sally Kirkland's sex-starved crazy woman is really tiresome, and even if you like this sort of thing more than I do you'll have to admit that the tension sags badly during these scenes. Savage's drunken brute of an insurance agent is equally distasteful but at least it's a small role. Of the leading actors, Nicholas Walker inspires no sympathy at all for Paul Keller's plight and his acting is wooden. Dara Tomanovich is better and during her scenes with Sheedy the level rises a little. Sheedy's meticulous, understated performance (though she often seems to be on automatic pilot) is admirable in itself but out of context with the rest. The sets are drab, the camera-work undistinguished.

negative

This production never really got off the ground for me. The plot is so cut up as to be disjointed and the production is so short that unless you've read the novel or seen a better adaptation (like the 1995 one with Amanda Root) you're going to be a bit lost since there's no time for character development.<br /><br />I liked Sally Hawkins as Anne, but the rest of the cast fell rather short of what they should have been. Mrs. Croft was far too old, as was Anne's elder sister Elizabeth. Mary uttered everything in such throbbing accents that the general peevishness and selfishness of her character was lost. Much better was Sophie Thompson's Mary, whose selfishness and sense of ill-usage is so well established that by the time Wentworth suggests Anne stay with the injured Louisa and Mary objects that she, as Louisa's sister in law, should stay instead, you can't imagine anyone less suited to do so. In this version, she might as well stay as she is insufficiently differentiated from anyone else in the production.<br /><br />Rupert Penry-Jones is nice to look at, but he made a much better St. John Rivers (1995 Jane Eyre), probably because that character required less implied depth of feeling. I agree with the comments made earlier about the gig scene: seemed more like he was trying to get rid of Anne than do her a favor. Likewise the accident scene: it happens so fast and with so little context, you wonder what all the fuss is about. And moving the speech that Wentworth overhears in the novel to the beginning of this production is a critical misstep that only contributes to the disjointed nature of the script. <br /><br />My other problem with this version was the lighting. Sometimes everything looked like a scene from the CSI morgue -- very very blue. Other times the lighting was so bad it was hard to make out the scene very well, like when Anne visits her old school friend, Mrs. Smith (who, by the way, is supposed to be more or less paralyzed. Having her run up to Anne on the street to tell her of Mr. Elliot's awful character was such a violation that for a minute I couldn't think who she was -- I thought she was one of the Musgrove girls. And she might as well have been. All the girls were pretty much interchangeable). And the running scene at the end...in an era where propriety was at a premium, it's hard to imagine gentle Anne tearing all over Bath like some demented hoyden. How silly can you get? It's too bad. Sally Hawkins had all the makings of a good Anne Elliot, but she was completely hamstrung by a poorly organized script and an over-truncated production.

negative

Beast Wars is a show that is over-hyped, overpraised and overrated. Let's meet the characters of this obnoxious show whose creators must have been on acid to try and make a show like this.<br /><br />Cheetor- Seriously, they need to have censor bars on this guy. How come he dosen't creep out the viewers having the same voice as baby Taz? (at least Razzoff from Rayman 3: Hoodlum Havoc is voiced by Slip & Slide) Action Blast- If you want a line of show that suck, get G4 Tranceformers Cybertron- A show that should go down in a toilet. Good Job Creators (Sarcasm) Show it self-Retarded & boring (at least the Super Mario games are better) This show had a lot of followers sayin' bring it back, but I believe that it was cancelled for its own good.

negative

Though it had the misfortune to hit the festival circuit here in Austin (SXSW Film) just as we were getting tired of things like Shakespeare in Love, and Elizabeth, this movie deserves an audience. An inside look at the staging of "The Scottish Play" as actors call "Macbeth" when producing it to avoid the curse, this is a crisp, efficient and stylish treatment of the treachery which befalls the troupe. With a wonderfully evocative score, and looking and sounding far better than its small budget would suggest, this is a quiet gem, not world-class, but totally satisfying.

positive

It is not often I watch a film that is as dreadful as this one. I continued to watch, every minute hoping that this was intended as a joke only to find it was meant to be taken seriously. Well, as seriously as this genre requests.<br /><br />The acting was disgraceful and the situations horribly contrived and clichéd. If a film was made in 1920 (for example) and had the quality of Hide & Seek (Cord) in its direction we would think that cinema back then was naive. As it happens, this film was made in 2000 and I have yet to see a film from the silent era that has as little charm as this one.<br /><br />Definitely not for the serious movie-goer.<br /><br />[Not worth a rating]

negative

I bought this DVD for $1 at Walmart. After seeing it, I might just return to the store and try to get my money back! The only reason I gave the movie a 2 and not a 1 is that the story has a few novel story elements, though it really never rises to the level of being interesting. This film has all the earmarks of being a made for the drive-in theaters market--ultra-low budget, amateurish acting and a liberal dose of sex (for an early 60s film). In fact, I wonder if perhaps the only reason the film was made was to make a fast buck AND because someone knew some strippers they could use as extras. The film is about a wacko doctor who wants to transplant his girlfriend's severed head onto the body of an unsuspecting donor. Most of the potential donors are skanky strippers or a model--whose only real purpose in the film is to titillate as they remove most of their clothes. However, they keep too much on to make the movie even worth watching for the naughty bits and the film isn't quite awful enough to merit watching by bad film buffs.

negative

Vampires, sexy guys, guns and some blood. Who could ask for more? Moon Child delivers it all in one nicely packaged flick! Gackt is the innocent Sho - who befriends a Vampire Kei (HYDE), their relationship grows with time but as Sho ages, Kei's immortality breaks his heart. It doesn't help that they both fall in love with the same woman. The special effects are pretty good considering the small budget. It's a touching story ripe with human emotions. You will laugh, cry, laugh, then cry some more. Even if you are not a fan of their music, SEE THIS FILM. It works great as a stand alone Vampire movie.<br /><br />9 out of 10

positive

This movie is exciting,daring and the music is very good.The movie Moonwalker was meant to coincide with the album Bad(1987).I have Bad.It is excellent(*****).The movie begins with Michael Jackson performing"Man In The Mirror"on stage.then,it shows a history of Michael,from his early days in the Jackson 5 right up to the Bad era. Oh,and Badder is good too(Badder is a music video parody of the music video for Bad the single).It then shows the Speed Demon video.The song and the video are very,very good indeed.Same for leave me alone,which appears after.Then it shows the movie Moonwalker.after a few minutes,he plays smooth criminal in a club called club 30s.like it when he does the lean.anyway,nice to see you.bye bye.

positive

I've read a number of reviews on this film and I have to say "What is wrong with you people?!?!" This was an excellent film! I thought this film was superb from start to finish and the story was extremely well told. I'm convinced that the people that didn't like this film weren't paying very good attention to the film. There are a number of very important scenes that if you aren't paying attention you will be confused and the following scenes may not make sense. I urge anyone who didn't like this film to watch it again and watch it alone so that you can truly pay attention. The story made perfect sense to me and as I said, was very well told. Every scene in the film has a point and everything fits together at the end of the film.<br /><br />All the actors did a fantastic job! Sean Connery was very good in his role as always. Laurence Fishburne was superb as Tanny Brown, playing a very interesting character. Kate Capshaw was a nice touch as well, and looks fantastic. Blair Underwood was a pleasant surprise, I didn't really expect anything great from him, but he pulled off a great performance. Ed Harris was the real gem in the film. He plays a truly sick individual and really makes you see how disturbed his character is. Watch his eyes in his scenes, just superb!!! Also, there is a very young Scarlett Johansson (as Kate) in one of her first roles...not a bad place to start. Excellent cast in this film!<br /><br />I would strongly recommend this film to anyone that likes any of the cast members or just likes thrillers. This is a great film and should be seen. Don't listen all these other people's opinions, go see the movie and come to your own conclusions. I hope that you will see the film, and I hope that you enjoy it as much as I do. Thanks for reading,<br /><br />-Chris

positive

102 Dalmatians (2000, Dir. Kevin Lima) <br /><br />Believed to be cured, Cruella de Vil (Close) is released from prison and sets out to make a new start in life. Things are going well for Cruella who is busy helping homeless dogs off the street. When the clock strikes on Big Ben, things turn bad. The hypnotic cure is reversed and Cruella is back, and this time she is determined to make that spotted coat she always wanted.<br /><br />Glenn Close reprises her role as Cruella de Vil and once again is the highlight of the film. Every scene with her in is worth watching in this dull sequel, which feels more of a repeat of the previous film, rather than a new story.<br /><br />She's Changed. – Ken Sheperd (Ioan Gruffudd)

negative

When I look back on my college days at Ohio University, there will always be one event in which I will remember with fond memories. Channel 23 is OU's local access channel and until the last few years, pretty much played anything they were sent. This included many DIY movies ranging from a guy microwaving marshmallow Peeps and then scanning pictures of them online, to a version of Macbeth starring 8th graders who had apparently just learned how to make squibs.<br /><br />However, the king, in my opinion, of the channel 23 lineup was Midnight Skater. The first time I watched it was around 2AM. I should have been studying. Or sleeping. Or watching regular TV. But no, all that is for pussies. My roommate and I watched Midnight Skater, and when it was complete, I don't think either of us believed that any of the movie had just happened. But sure enough, it was on a few nights later, and we had to come to grips that this movie did, in fact, exist.<br /><br />I could go on and on about how awful it is, but its the sort of awful that makes life worth living. The plot is disjointed, the acting terrible, the everything soul scarring, but by god, if there are others watching with you, its impossible not to have a good time watching it. Its sort of like the first time you hear "Guts" by Chuck Pahalniuk. You hear it, you're disgusted and shaken, but five minutes later, all you want and desire is to make someone else experience the abject horror you just endured.<br /><br />Long story short, Midnight Skater, for all of its epic flaws, makes for some very late night fun. Plus, I desperately want the Theme to Midnight Skater. Kudos to whoever wrote it and sang it. Sweet God I love that song.

negative

Why bother seeing this movie, if you have great movies to see. It is a total waste of time and money. The movie is so bad that I felt bad for wanting to watching it. Everything in it is BAD. Actors were bad. Script was REALLY bad. The story is stupid. And the worst CGI EVER. The only good moments were the first 60 seconds of the movie in the strip club. One interesting thing that, there is a characther that we wish that he dies because, he is so stupid that we get enough of him.(I don't remember the name but was the BOYFRIEND of the "Chosen One".)<br /><br />NOTE:If you want to see a good movie, this movie isn't the right choice. 0-Stars out of 10

negative

I watched Peter Jackson version of Lord of the Rings when I was half way through reading the Two Towers and I thought it was absolutely brilliant.<br /><br />At this time the animated version of the Lord of the Rings was released on DvD but I told myself that I will finish reading the Two Towers and Return of Kings before watching it (as I thought it showed the whole of the trilogy).<br /><br />So when I did finish the trilogy I went and brought the DvD, which was a stupid idea because it was absolutely rubbish.<br /><br />I was acturly bored 20 minutes in to it which was really strange because I love the book and I am shooked that the maker of this film could of even thought of fitting at least 1 and a half of the books in to a 2 hour 8 minute film.<br /><br />None of the characters had any emotions when they were talking and they seemed to be reading it of a page, even my favourite character who is Gandalf did not seem interesting at all. <br /><br />The animation was the only okay in parts of the film except for the orks (they looked awful) and Aragorn and Sam face.<br /><br />I don't know way this film was released because there was not even a proper ending, but maybe it was good that the maker ran out of money because the film couldn't of got any better. <br /><br />I just hope that nobody judges the books by this film.<br /><br />3/10

negative

Frequently voted China's greatest film ever by Chinese critics, as well as Chinese film enthusiasts from the outside, and, frankly, I don't get it at all. What I saw was one of the most generic melodramas imaginable, blandly directed and acted, with a complete shrew for a protagonist. Wei Wei (don't laugh) is that shrew, a young married woman who has suffered alongside her tubercular husband (Yu Shi) for the past several years. It is post WWII, and they live with the husband's teenage sister (Hongmei Zhang) in a dilapidated home with not much money (the man had been wealthy when they married). Along comes the husband's old best friend (Wei Li), who also used to be the wife's boyfriend when they were teens. She considers running away from her husband with this man, while the husband pretty much remains oblivious, thinking he may engage his little sister to his friend. That's the set-up, and it doesn't go anywhere you wouldn't expect it to. I've actually seen the remake, directed by Blue Kite director Zhuangzhuang Tian. It runs a half hour longer, and is actually kind of dull, too, but at least it was pretty. This supposed classic is pretty intolerable.

negative

There's no denying the first Azumi film was a commercial product; it was an adaptation of a popular manga and had cast of young, attractive actors and certainly wasn't lacking in the budget department. Yet it more than entertained for what it was, and I can't deny I enjoyed it immensely.<br /><br />"Azumi 2" lacks just about everything that made the original so wonderful. The first thing that should set alarm bells ringing is the absence of the superb Ryuhei Kitamura at the helm. With him, he seemed to take not only his own visual flair and kinetics, but the originals style, beauty and most importantly, its heart. While the first had a simple "hitlist" plot, this one has a corkscrew mess of a story, with too many dull characters stabbing each other in the back so many times the potential for any sympathy or pathos is obliterated. Gone is the effective interplay between the lead characters; Azumi and her cohorts are often reduced to a bunch of stroppy teenagers arguing in a forest. Characterisation is non existent; if anyone watching actually cares who lives and who dies, I'll be shocked. The same applies to the villains here. The final battle - in fact all the battles - are completely devoid of any sort of tension. The fact that they are poorly choreographed and abysmally directed - not to mention few and far between - is made a sideline by their own sheer pointlessness. The villains themselves try far too hard to be campy, and even if they were all combined, they don't come within a country mile of the Pete Burnsian antics of Jo Odagiri in the original.<br /><br />####Major Spoiler at end of paragraph!##### <br /><br />Aya Ueto tries her best it has to be said, and she also managed to keep her hair in good condition between the films. Azumi is now a fully fledged assassin, meaning she can wave her sword around in slow motion; unfortunately, now the character is instilled with a sort of Man With No Name style mysteriousness, Ueto's model looks become even more inappropriate. I know this is supposed to be the point, but this combined with the ineffectiveness of everyone else in the film, the stupidity of the plot and the general ineptness of the film in general means it is downright impossible to get behind her character this time around. The less said about Chiaki "Remember me from Kill Bill" Kuriyama's performance the better; it suffices to say her "turn" from good to evil is about as subtle as napalm.<br /><br />Overall, this was just a colossal disappointment. Any merits is does have were done ten times better in the first film. A lazy, unsatisfying - and generally downright boring - mess.

negative

This movie was terrible. The first half hour is much like a... well, apologies for the lack of articulation, but it was simply a bad version of A Clockwork Orange. The first scene is almost photocopied from one of the first in Clockwork! Supposedly it was a tribute, as per the appearance of the Clockwork poster on the protagonist's wall, however "ripoff" is the more appropriate word. The movie felt as though it was torn right from the Kubrick classic, only filmed through a new director's eyes. A blind director. Unfortunately when it stops its massacre of Kubrick's work, the film gets even worse. As another commentator said, the deepness of this film is just shoved down your throat. Arrogant, self absorbed and ultimately meaningless drivel.<br /><br />Perhaps the protagonists ramblings would touch a nerve if there was any actual character development in this movie. I felt absolutely nothing for this guy. And I'm an alcoholic, so I figure that if anyone might be able to feel anything for him, it would be me. Awful character development, dialogue and plot.<br /><br />The worst part about this movie is the title. For a film called "16 Years of Alcohol", the alcoholism is hardly a factor in the flick. See first paragraph - it was such a butchering of A Clockwork Orange I can't get over it. A more suited title would have been "16 Years of Violence," or, even better, "A Clockwork Banana".<br /><br />Just do yourself a favor and avoid this movie. If you disregard my advice and take it out anyway, drink. Trust me.

negative

The first time i saw it i got half of it but i watched and i knew later on it was about a salem witch trials. They focused on the Sara Good's family. SHE is famous for cursing a priest which came true. In the film it depicts her daughter dorcas and her husband the spirit of Ann Putnam Sara's husband comes to the future hunts this girl to redeem her soul. which does happen at the end of the movie. Dorcas is depict as witch at 5years old who is burned at the stake. Which never happen Ann putnam saves her from the flames. the girl is safe she goes to Ann putnam's grave to to see that is not empty but it is at first because she accuse her of witchcraft, and lets her burn to death. Now that ann putnam saves her her spirit is redeemed, and she is not a outcast to society for the salem witch trials.

positive

This is another one of those 'humans vs insects/eco-horror' features; a theme that was popular in the late 70's. Only you can't really call it horror. There's zero suspense and no gruesome events. In other words: this movie is pretty lame. It's not that it's really bad or something; it's just very boring. A construction site near a hotel uncovers a big nest of ants. Later on we learn that, probably due to different sorts of pesticides used in the past, their bite became poisonous. Some people get bitten and rushed to the hospital and it takes ages for the residents of the hospital to figure out what's going on. Robert Foxworth figures it out first and then you can see him go berserk with a digging machine for what seems like several hours. Then they flee in the house, waiting to get rescued. And, man, you should see all the efforts they make for rescuing them. I won't spoil too much, but at one point they even use a big helicopter. All the time when I was watching this, I sat there thinking "Come on, people, you all got shoes on. Just run out of the building. I'm sure a bunch of ants won't catch up with you." It's all pretty ridiculous.<br /><br />Of course, lots of close-ups of crawling ants are shown throughout the whole movie. Ants in the garden. Ants in the garbage. Ants in the kitchen. Ants on the roof. Ants in the bedroom. Ants in the sink. And the best part: Ants crawling on people's faces while the actors are breathing through straws. But when you see groups of ants in wider shots, they indeed look like black rice the set designers glued to the wall.<br /><br />One small surprise came near the end. No, it has nothing to do with a twist in the plot. It was just that Brian Dennehy made an appearance as a chief-fireman. Ehrr... What more can I say? This movie is called IT HAPPENED AT LAKEWOOD MANOR but the box-art of my copy read ANTS and the title during the opening credits was PANIC AT LAKEWOOD MANOR. There you have it. Now, since this is a made-for-TV movie from the 70's, I'll be once again extremely mild in my final rating. Now, THE SAVAGE BEES, another 'humans vs insects' TV-movie from 1976 was much better than this one. I even feel I have to go back and add a few points to its rating after having seen ANTS. Lacking suspense, action, thrills, shocks and creepiness, the only thing you'll be left with after seeing ANTS is an annoying itch.

negative

This movie was made in Hungary i think. anyway,the countryside is gorgeous,the people who play the farming folks were totally fascinating. their horsemanship is awesome. I got more into the native people, the farm life, and how heroic they were trying to hide Brady from the evil Nazis who where looking for these parachutists. They even sacrificed their life in several instances. the young orphan lad that Brady befriends was a sweet kid. you will marvel at the riding i think, and the action of trying to evade the Nazis. it is entertaining and comic in some spots and very tragic in others. Ladies have hankies handy, as you will be devastated at the end. i own it, and have watched it several times. in other words, not just a one time around flick. its a keeper....

positive

I have lost count of just how many times I have seen this movie - I probably know the entire dialog backwards - yet I am drawn to it time and again.<br /><br />Set in Hungary, a young Jimmy Stewart plays the eligible bachelor "Kralik" who becomes the secret admirer of Margaret Sullavan's innocent "Klara". Kralik secretly becomes Klara's pen-friend, and at work together Klara confides in Kralik about the content of his (Kralik's) letters. Clearly Kralik is besotted with Klara - but is unable to make his feelings known whilst he is in competition with the "pen-friend". Confused? Well you wont be - this story has a sweet, almost sugary ending - but we all know it is the ending we all want.<br /><br />Other characters worth mentioning are Frank Morgan playing his usual role, this time as the shop's owner "Hugo Matuschek", Felix Bressart as "Pirovitch", Kralik's confidant. Joseph Schildkraut as the womanising arrogant "Vadas" - so well played that you cannot help but hate him right from the beginning.<br /><br />Finally William Tracy who manages to endear himself to us all with his over-confident upstart of a shop junior "Pepi Katona".<br /><br />Recently re-made as "You've Got Mail" starring Tom Hanks & Meg Ryan for me is not as good as the original - although I suspect younger audiences would disagree.<br /><br />If this film is on in your area over Christmas, I suggest you pour yourself a nice glass of wine, put a log on the fire and have a box of Kleenex handy.

positive

'Cry Freedom' is a movie about how far people will go to find the truth.<br /><br />The first half is an interesting portrayal of an unlikely friendship between activist Steve Biko and Editor Don Woods (played fanatically by Dezel Washington and Kevin Klein). While the second half deals with Woods looking for answers on Biko's death.<br /><br />Although most people favor the first half of the movie which focuses on the unlikely friendship between Biko and Woods'. I found the second half about Don woods struggle to have Biko's story be heard around the world much more interesting.

positive

I really enjoyed this movie and it was a little difficult do that when your brother is making stupid comments in it ever 30 seconds. But this movie I enjoyed, mostly because I'm used to the usual HK action films. Most of the films like this are don't watch it for the story line, watch it for the mindless action. And mindless action is right. You get to see Jet Li Jump, spin, kick, punch, shoot, make impossible jumps and dodge countless bullets. It's true that this movie was released to a broader audience after Li was in Lethal Weapon 4. That is one of the reasons the ratings on this movie dropped. Most people were probably expecting to see a movie that was as polished as a North American film. But you need to remember most HK film budgets aren't nearly as high as a North American film, and the style in a HK action film is usually very different usually requiring in wire work in a lot of them. If you want to see a good action film you should see this just try to ignore the dubbing.<br /><br />My rating was an 8.

positive

Hitchcock was of the opinion that audiences aren't really interested in what puts protagonists into danger - only that they ARE in danger, and need to escape.<br /><br />This film proves Hitchcock was not 100% correct. Police believe Jean Simmons is guilty of a crime, when she plainly isn't. Trevor Howard decides their best course of action is to run for it. And so, the body of the movie has our charismatic pair dodging on and off trains, buses and coaches - jumping across rocks at the top of a waterfall - scrambling across dockyard roofs.<br /><br />All good exciting stuff - but I couldn't get out of my mind that it was all unnecessary. They should have stayed put.<br /><br />In other words, the MacGuffin wasn't strong enough.

positive

I have no idea why this flick is getting such a bad rap by so many IMDb users (Some are saying it's his 'worst movie ever.' What?? Haven't any of you seen Cradle 2 The Grave?) My favorite criticism is that the plot is totally stupid, and just an excuse to hang all of the action sequences on. Duh! What the crap were you expecting from a Jet Li movie? Did you honestly believe that someone thought up the story, then just loaded it up with action? Of course not! Black Mask is awesome, wall-to-wall action throughout nearly it's entire running time. It's also deliciously gruesome, and we get plenty of severed limbs, decapitations, and creative ways of watching the bad guys (and quite a few innocent people, too!) get slaughtered. Most of Li's other martial arts films are nursery-school when compared to Black Mask; there is no holding back on the gratuitous violence, bloodshed, or action sequences whatsoever! And that made me a happy camper. Again: if you go into a Jet Li movie expecting magnificent dialog and an intriguing plot, you are going for the wrong reasons. Black Mask is probably my favorite of his movies (though, beware of the horrendous dubbing).

positive

"The Secretary" is one of those cheesy, cliched, "thrillers" that one is subjected to watching on a Sunday afternoon, when there is virtually nothing else on. While the plot (a demented woman becomes jealous of all who succeed over her in the office and decides to do whatever she can to stop them) may be one of a kind, I recognized countless plot twists, probably taken from other TV movies that I had been subjected to for the very same reason.<br /><br />To make matters worse, I was not wild about the cast. Mel Harris is one of those actresses who appears in so many TV movies as either a "mom" or some sort of "victim" of foul play or abuse, that one must wonder the kind of life she leads. In this one, she gets the joy of playing a mom AND a victim of psycho secretary Sheila Kelly, who was not a very good choice as the villain. While Sheila Kelly has made some good career moves(Singles, Breaking In, and I guess, Law and Order), she is also beset by a string of pitiful TV movie roles, and this one just adds to it. As for the others, I don't have any clear memories of them, so that must say something.<br /><br />This one WILL play on the Lifetime network(I think that's where I saw it), but don't bother watching it, unless you are too bored for words. Not that it will make you any more excitied...

negative

OK, so I am an original Wicker Man fan and I usually don't like British films remade by Americans, so why oh why did I put myself through the most painful cinema experiences ever? I am not a Nicolas Cage fan and I had some kind of moment of madness perhaps? The film was appalling! The bit at the beginning with the crash/fire had no relevance to the film at all and the female cop knew where Edward was going, so the bit at the end with the two girls visiting the mainland, well it wouldn't have happened as the whole thing would have been investigated. The history behind the wicker man wasn't really explored - and I guess being set in America didn't really help the whole pagan theme. This film was slow and contained no atmosphere or suspense. I must say that the best bit was right at the end, when Nicolas Cage goes up in flames! I am in such desperate need to see the original again now, in order to cleanse my disappointed soul. I really can't stress how disappointing this film is, please don't see it if you:<br /><br />A) Don't like American re-makes of British Films B) Are a fan of the original C) Hate Nicolas Cage

negative

The story line has been rehashed a number of times; "a breath of life in the retirement home". Several plays, movies, novels, short stories, poems and news articles have beat the subject to no end, but it's still an excellent platform for character studies.<br /><br />If 'Gideon' was crafted more enthusiastically it could be brilliant, but the dialogue is painfully boring and the story is absolutely flooded with cliches (even the subtitle and summary of Gideon's "simple wisdom" almost made me laugh in its ineffectiveness). Mostly indifferent acting is the final straw for this weak film, but the rest of it is bland enough to make the actors' lack of focus almost irrelevant.

negative

This is the biggest piece of lamo I've ever watched. It is excruciatingly boring I would have rather sat through a seminar on creationism than have watched this if i had known it was going to be as boring as it was. Not even the 40 seconds of the hot chick in the bikini with the big ta tas redeems this of anything lower than a 1.<br /><br />The reviews of this movie claiming that this movie is "unintentionally funny" are absurd and just plain WRONG. Not one thing is funny about this movie. they spend the first 50 or so minutes walking through the woods talking about stuff you wouldn't understand nor care about and it is just as lame when the people start dying because you don't even know who the people are because they are so UNINTERESTING. Honestly though, I didn't watch it to the ending, but that should say something about how horrible it is. WORST MOVIE EVER.<br /><br />Immediately after ejecting this filth from my DVD player I started scraping it against the cement in front of my house, not wanting other blockbuster customers to have to fall upon the same mistake i had made as to rent this movie. Then Zach peed his pants. Thankyou for your time.

negative

Sammi, Curr a metal rock god, they tried to stop him, they tried to ban him, the tried to censor his music!! (much like the real life Dee Snider, from Twisted Sister,[Tipper Gore] or Ozzy Osborne) Killed in a fire, Sammi Cure was suppose to play on halloween at his old high school for a dance.. Now Eddie Weinbauer , his #1 fan, and the only one who knew how sammi was, and what he felt (or did he?) Nuke, the d.j. at the local radio station (Gene Simmons) has and gives the only copy of Sammi's last record Eddie.. But when Eddie tries to play the record backwards, he finds Sammi talking to him from the dead, and telling him what to do to get back at the bullies at his school that hate him and his music.. Everything works out until, Sammi starts to kill!! A great movie and must see for heavy metal hairband fans, with a great sound track by Fastway, and just in case you don't know what The songs sound like or know Fastway and doesn't like them, they changed there voice a bit and there style as well to sound like the more known Cinderella, or Ratt.. Is the movie a true horror movie? Well that depends on what you call a horror movie, To me a true horror movie is a slasher, with lots of killing, or just plain be scary.. This movie is neither, not enough deaths, but it can't be called a action, comedy, drama, suspense, or thriller, so that is why I would guess it has to be a horror.. So if you wanna "Rock N' Roll, Rockin' on the mid night steel your soul!!" Than Sammi Curr and Trick or Treat is the for you.. I mean "what are you afraid of? It's only Rock 'N' Roll!?!"

positive

This is easily one of the worst 5 movies I've ever seen. It's not scary or any of the other things suggested in the plot outline. This movie is agonizingly slow and I was bored for almost all 98 minutes. While the acting is mediocre at best, the biggest problem is the script, which is poorly written, slow and plodding with no real direction. Occasionally an eerie mood is set only to be broken by some useless line or event. I'm not surprised that the entire cast was sick and throwing up between shots, they did after all have to try and digest a terrible script. As a huge fan of good horror movies, I'm always irritated that something this bad gets made. Save yourself 98 minutes you'll never get back.

negative

The plot sounded like it had promise. To be honest I did not watch the entire movie. After about an hour into the movie I had to make a decision. Is this movie worth watching until it conclusion? The answer was clearly NO! It was not the fact that the human body could not receive a transplant from a different species without rejecting it. Nor the premise that he was being chased by secret government authorities for an human / wolf transplant. It was because the movie was badly written, acting lacked emotion and I did not understand the several dream sequences with the wolves and buffaloes. When he was running to the zoo with a dog pack and leaving them at the front of the zoo gate the saying "If you can't run with the big dogs don't leave the porch" kept running through my bored mind. Save yourself the time and skip this movie. I can guarantee if you do dare to watch it you will sit there slack jawed as I did wondering why anyone waste money, time, energy and effort to make this insulting outrage to American cinema.

negative

The character acting is a little stiff, as if it is the first time man of the actors have appeared on screen. Unfortunately one of the better actresses, Jean Simmons (played many bit roles on TV, like in Star Trek TNG and In the Heat of the Night), dies quickly and thereafter her acting can be markedly missed.<br /><br />The lead role is Mr Ballard, as portrayed by Cliff Robertson. Cliff is forced to carry this movie with his body language for most of the time. He doesn't do a poor job, but it is a little overmuch to ask of an actor to plug the oceans of blank screen time during which the characters spend their time NOT talking and also NOT acting. Robertson's most memorable role may have been Ben Parker in the last 3 Spider Man movies (starring Tobey Maguire).<br /><br />The plot is predictable. A husband murders his rich wife for her money. thereafter the wife seems to comeback and haunt the husband driving him insane until he leaps from a high window (fearing the specter of his dead wife approaching him) on the day he is predicted to die no less.<br /><br />The second chauffeur Mr Ballard hires looks a lot like an English mark Hamill. Uncanny really! The only thing that stands out is the utter disregard for dialogue. Many minutes pass in quietness, no one speaks, and few act. It is a shame the MST3K guys never got hold of this movie. It could have been much better, if not just as predictable, with more dialogue, or shorter scenes of 'nothingness'.<br /><br />I kept expecting G'Mork's red eyes to appear from the shadows and proclaim that he works for the "nothing" that inhabits this film.

negative

I finally saw this film tonight after renting it at Blockbuster (VHS). I have to agree that it is wildly original. Yes, maybe the characters were not fully realized but it isn't one of those movies. Rather, we are treated to the director's eye, his vision of what the story is about. And it does not stop. And to be honest, I didn't want it to. I do believe that Sabu had to have influenced the director's of 'Lock, Stock & Two Smoking Barrels' and 'Run, Lola, Run'. But I absolutely loved the way the three leads SEE the beautiful woman on the street to distract them momentarily. I really need to see this director's other work because this film really intrigued me. If you want insight, culture, sturm und drang, go somewhere else. If you want a laugh, camera movement and criminal hilarity, look here.

positive

This movie has so many wonderful elements to it! The debut performance of Reese Witherspoon is, of course, marvelous, but so too is her chemistry with Jason London. The score is remarkable, breezy and pure. James Newton Howard enhances the quality of any film he composes for tenfold. He also seems to have a knack for lost-days-of-youth movies, be sure to catch his score for the recent "Peter Pan" and the haunting Gothic music of "The Village." I first saw this film at about 13 or 14 and now I don't just cry at the ending, I shed a tear or two for the nostalgia. Show this movie to your daughters. It will end up becoming a lifetime comfort film.

positive

The Sopranos is arguably the greatest show in Dramatic Television history.<br /><br />Its hard to think of another series that boasts so much intelligence, sublime writing or first rate performances.<br /><br />Across its epic scope it produces fresh and iconic characters and a constant level of high quality. Centering around the life of one Tony Soprano, a man who lives in two families. One is the conventional wife and two kids nuclear family the other a huge New Jersey Mafia group, of which he is the boss of both. Played by James Gandolfini, of True Romance and The Mexican fame, Tony is a fascinating, scary but also likable guy. Full praise must be given to Gandolfini for making a womanising and horrifically aggressive brute a genuinely identifiable and perfect leading man. Contemporay American drama has never had such an arresting and iconic figure as Tony.<br /><br />The cast of hundreds never boasts a flat performance and such stand out characters like Paulie Walnuts and Ralph Cifaretto will stick in your memory for ever.<br /><br />The true genius of this tale however, is the creator and writers bravery and revolutionary take on a conventional drama series. Twenty minute long dream sequences, powerful and original use of symbolism and metaphorical imagery and truly shocking scenes of violence. Yet all this style is met by truly touching themes of love, honour and respect for family. The series never becomes cold hearted or gratuitous.<br /><br />With TV now competitive and often poor The Sopranos stands tall above the rest as America's most original and compelling drama. Forget Family Redifined. This is Television Redifined.

positive

this is best comedy i ever seen! but not all can understand this you must be from Georgia to understand this amazing movie! :) overall one of best film i ever seen......... Vachtangi(Benjamin) and all supporting actors playing very very good but acting of Kote Daoshvili (Father Germogel) is for my opinion best acting in supporting role in history of films :)) in this movie playing many georgian stars like ipolite xvichia,sergo Zakariadze,sofiko chiaureli,verikoan djafaridze,Sesilia Takaishvili,Dodo Abashidze.... they all are Stars in Georgian cinematography :) plus in this movie is playing great Russian star Evgeni Leonov and of course Director of the film Georgy Danelia is one of the best...... i recommending this movie for everyone but remember you must know good Russian language to watch this movie

positive

no comment - stupid movie, acting average or worse... screenplay - no sense at all... SKIP IT!

negative

Any true wrestling fan would have to consider this Wrestlemania to be one of, if not the best of all time. It was packed with excitement and surprises. One of the greatest matches of all time was between Shawn Michaels and Steve Austin with special guest ref Mike Tyson. The show that Michaels put on was unbelievable, especially considering the shape that his back was in and that this was his last match.

positive

I think i watched this movie, but don't quote me, as i may have fallen asleep during watching it as it didn't exactly "grip my excitement and imagination." At least i know i watched enough of it to know i won't be watching it again soon. Or ever.<br /><br />Jeez, talk about lame... Really lame. Totally lame. It wouldn't even appeal to a six year old. It basically had NO worthwhile dramatic impact. Zilch. Nada. Just shlock turned into dreck. Comedy? That was supposed to be comedy? Ya coulda fooled me-ee-ee...!<br /><br />Now, if the aliens had been insatiably carnivorous like in the movie "Critters", we could have had the human characters do something a little more profound than be overly smugly cutesy... like yelling and screaming and running for their lives so they wouldn't be eaten so the story could be something more exciting than watching paint dry.<br /><br />Don't bother watching this. It's not worth the effort. You can find something more interesting to do. Like watching paint dry. Or falling asleep.

negative

Someone had a great idea: let's have Misty Mundae do her own, R-rated version of Lara Croft - firing two guns not only in skimpy outfits, but topless as well. It WAS indeed a great idea. The problem is that the people who had it couldn't come up with any sort of script or budget to support it. Therefore, we get a "film" that barely reaches medium length by replaying many of its parts (often in slow-motion), and was apparently shot entirely inside a garage. The appeal of Misty Mundae is still evident: she is unbelievably cute and has a natural girl-next-door beauty. However her two female co-stars here, with whom she shares a lengthy lesbian scene, are nowhere near her league. If "Mummy Raider" was presented as a Youtube video, I'd rate it higher, but as a "film" destined for DVD consumption it cannot get more than 1/2 a * out of 4.

negative

This is a story of the Winchester Rifle Model 1873 "The Gun That Won The West" To cowman, outlaw, peace officer or soldier, the Winchester 73 was a treasured possession. An Indian would sell his soul to own one...<br /><br />Winchester 73 is the first collaboration between director Anthony Mann and actor James Stewart, a duo that would go on to create a run of superior Westerns that added a new, psychological depth to the genre. The story sees Stewart as Lin McAdam pursuing the man who killed his father. Riding into Dodge City with his trusty friend, Johnny Williams {Millard Mitchell}, Lin runs into Dutch Henry Brown {Stephen McNally}, the man he wants. But with Wyatt Earp {Will Geer} having taken all the guns from those entering the town, both men are unable to have the shoot-out that they are ready for. The men instead square up in a competition to win a Winchester 73 rifle, a competition that Lin eventually wins. But before he can leave town with the magnificent prize, Dutch ambushes him, steals the rifle and skips town fast. As Lin sets off in hate filled pursuit of both man and rifle, the rifle will changed hands a number of times, with each time adding another dimension as the day of reckoning for all approaches.<br /><br />Very much a benchmark for what became known as the so-called "psychological Western", Winchester 73 is basically a story of a decent man driven to borderline insanity by an event in his past. Tho shot in black and white {the only one of the duos Westerns that was} the landscapes are still breathtaking feasts for the eyes. The tone is set with the opening scene as Lin and Johnny on horseback, and in silhouette, amble over a hillside as they make their way to Dodge City. It's just the starting point that would see Mann use his vistas as a way of running concurrent with his characters emotional states.<br /><br />Stewart gives one of his finest and most intense performances as McAdam, proving once and for all that he was one of Americas finest and most versatile actors. The support cast isn't too bad either. Shelley Winters is excellent as the sole female in amongst the machismo, while Mitchell, McNally, Geer and the always great Dan Duryea add further class to proceedings. There's even bit parts for Tony Curtis and Rock Hudson in here, tho the latter playing an Indian brave is a stretch too far.<br /><br />Originally the film was a project for Fritz Lang, who even had the script ready to run. But Lang walked away from it, something that proved to be a blessing for Western fans. For as great as a director that Lang was, with Mann directing {and with a new script from Borden Chase & Robert Richards in hands} it set the wheels in motion to alter the course of the genre. Not only with the further efforts that Mann & Stewart produced, but also in who they influenced. The likes of Budd Boetticher, Nicholas Ray and Sam Fuller were all taking notes, and gleefully for the Western purists, they followed suit and carried the psychological torch still further.<br /><br />A big hit at the box office back on release, Winchester 73 is a magnificent film that still packs a punch in the modern age. 9.5/10

positive

Alright, I have to admit that I have never seen "Rhoda" and only one or two episodes of "The Mary Tyler Moore Show." Even though I don't know anything about this duo of comedic talent, I still liked this movie a lot.<br /><br />Mary goes back to work. Rose tries her luck at being a comedian. Rhoda struggles with a photography career. And Meredith...what exactly does she do again? These three stories that we follow over two hours are amusing and entertaining in their own way. When the two long time friends reunite, it only makes the film better. <br /><br />I was surprised about how good the writing was. The little jokes thrown in by Mary and Rhoda were funny. The script itself was very well put together.<br /><br />I had seen Moore and Harper in other movies over the past few years and thought that they were very good. But I had no idea that they worked this well as a team. While both actresses do their share to fulfill the title of this movie, they never seem to let me down. (During the run of this movie.) Joie Lenz and Marisa Ryan play their roles okay but nothing great. The rest of the cast like Jonah, Cecile and....everybody else also works well together.<br /><br />Being that this is a reunion, you would expect for a fan of either show to enjoy this. From a non-fan I still enjoyed this little get-together. Good story lines for each character and the two main characters is what makes this film very good. (The newer version of the MTM theme song doesn't hurt either.)

positive