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/m/076zcb8 | After the end of World War II, Jean Madison (Wanda Hendrix), a former WAVE ensign, meets the former aircrew of an Army Air Corps A-20 Havoc light bomber named "Sinful Sinthia" when they go to collect their unemployment benefits. They are all members of the "52-20 Club," a government program which pays unemployed American veterans $20 a week for 52 weeks.[1] Jimmy and his men "prove" to the government clerk that they are looking for work by placing an ad in the newspaper - "At liberty: combat crew. Four specialists eager and willing to drop bombs" - and receive their checks.
The guys take Jean, whom Jimmy dubs the "Admiral", under their wing, showing her how to save money. For example, they open bank accounts in order to receive a free ceramic piggy bank and get their $20 checks cashed, then close their accounts without having to pay a fee. They sell the piggy banks to a pawnbroker for 25 cents each. The gang lives free in an empty aircraft factory because Jimmy is the night watchman. Eddie (Johnny Sands) artfully makes their furniture out of aircraft parts and other war surplus. They get their meals discounted for being stale or in trade, as when Mike (Steve Brodie) stands in for the lifeguard at a private club. Former taxi driver Ollie (Richard Erdman) drives them around in a sound truck from a local music store in exchange for providing advertising over a loudspeaker. All the while, Jean is secretly followed by a private detective.
When Jean learns that her fiancé Henry is returning to the United States, but has not even so much as mentioned her, she becomes upset and decides to get on a bus and go home to Walla Walla.
Meanwhile, Jimmy is summoned to the office of Peter Pedigrew (Rudy Vallee), the "Jukebox King". It was Pedigrew who hired the private detective. He threatens to put the men to work, ending their idyllic lifestyle, unless they keep Jean from leaving for 24 hours. Pedigrew later explains that his ex-wife Shirley (Hillary Brooke) intends to marry Henry. Pedigrew wants to remarry Shirley (again) because, after two expensive divorces, she has most of his money, and he needs capital desperately to expand his business. Also, he is still irresistibly attracted to her, despite her being "so beautifully wicked". So, he wants the crew to help get Henry back together with Jean. Jimmy reluctantly agrees.
Jimmy races to the bus and gets Jean to stay by lying to her about Henry. As they spend time together, Jean discovers that the men are living with a dark secret. Jimmy feels guilty for Mike's injuries when their airplane crashed during the war. Jimmy, the former head of an employment agency, will not rest until all his crewmen have resolved things. Jimmy even takes Mike's place in a boxing match, since the injuries could kill Mike, though Jimmy has never been inside a ring in his life before.
In the end, Pedigrew catches up with Shirley, Henry comes for Jean, and Eddie realizes he needs to go home to find out if his girlfriend will love him, even if he is poor. Finally, Pedigrew agrees to set up Mike and Ollie in business. So, that only leaves Jimmy, who by now is in love with the Admiral. When the unseen Henry finally knocks on her door, she leaves it locked in favor of Jimmy. | The Admiral Was a Lady | ba95a3dc-f2b0-68d7-7e56-eb3913780074 | Why can't Mike take part in a boxing match? | [
"He could be killed"
] | false |
/m/076zcb8 | After the end of World War II, Jean Madison (Wanda Hendrix), a former WAVE ensign, meets the former aircrew of an Army Air Corps A-20 Havoc light bomber named "Sinful Sinthia" when they go to collect their unemployment benefits. They are all members of the "52-20 Club," a government program which pays unemployed American veterans $20 a week for 52 weeks.[1] Jimmy and his men "prove" to the government clerk that they are looking for work by placing an ad in the newspaper - "At liberty: combat crew. Four specialists eager and willing to drop bombs" - and receive their checks.
The guys take Jean, whom Jimmy dubs the "Admiral", under their wing, showing her how to save money. For example, they open bank accounts in order to receive a free ceramic piggy bank and get their $20 checks cashed, then close their accounts without having to pay a fee. They sell the piggy banks to a pawnbroker for 25 cents each. The gang lives free in an empty aircraft factory because Jimmy is the night watchman. Eddie (Johnny Sands) artfully makes their furniture out of aircraft parts and other war surplus. They get their meals discounted for being stale or in trade, as when Mike (Steve Brodie) stands in for the lifeguard at a private club. Former taxi driver Ollie (Richard Erdman) drives them around in a sound truck from a local music store in exchange for providing advertising over a loudspeaker. All the while, Jean is secretly followed by a private detective.
When Jean learns that her fiancé Henry is returning to the United States, but has not even so much as mentioned her, she becomes upset and decides to get on a bus and go home to Walla Walla.
Meanwhile, Jimmy is summoned to the office of Peter Pedigrew (Rudy Vallee), the "Jukebox King". It was Pedigrew who hired the private detective. He threatens to put the men to work, ending their idyllic lifestyle, unless they keep Jean from leaving for 24 hours. Pedigrew later explains that his ex-wife Shirley (Hillary Brooke) intends to marry Henry. Pedigrew wants to remarry Shirley (again) because, after two expensive divorces, she has most of his money, and he needs capital desperately to expand his business. Also, he is still irresistibly attracted to her, despite her being "so beautifully wicked". So, he wants the crew to help get Henry back together with Jean. Jimmy reluctantly agrees.
Jimmy races to the bus and gets Jean to stay by lying to her about Henry. As they spend time together, Jean discovers that the men are living with a dark secret. Jimmy feels guilty for Mike's injuries when their airplane crashed during the war. Jimmy, the former head of an employment agency, will not rest until all his crewmen have resolved things. Jimmy even takes Mike's place in a boxing match, since the injuries could kill Mike, though Jimmy has never been inside a ring in his life before.
In the end, Pedigrew catches up with Shirley, Henry comes for Jean, and Eddie realizes he needs to go home to find out if his girlfriend will love him, even if he is poor. Finally, Pedigrew agrees to set up Mike and Ollie in business. So, that only leaves Jimmy, who by now is in love with the Admiral. When the unseen Henry finally knocks on her door, she leaves it locked in favor of Jimmy. | The Admiral Was a Lady | c2dc3c78-b41e-4a74-30bd-0d6b9fe51c7e | Where is the Admiral's waiting for her fiance to return from? | [
"the war"
] | false |
/m/076zcb8 | After the end of World War II, Jean Madison (Wanda Hendrix), a former WAVE ensign, meets the former aircrew of an Army Air Corps A-20 Havoc light bomber named "Sinful Sinthia" when they go to collect their unemployment benefits. They are all members of the "52-20 Club," a government program which pays unemployed American veterans $20 a week for 52 weeks.[1] Jimmy and his men "prove" to the government clerk that they are looking for work by placing an ad in the newspaper - "At liberty: combat crew. Four specialists eager and willing to drop bombs" - and receive their checks.
The guys take Jean, whom Jimmy dubs the "Admiral", under their wing, showing her how to save money. For example, they open bank accounts in order to receive a free ceramic piggy bank and get their $20 checks cashed, then close their accounts without having to pay a fee. They sell the piggy banks to a pawnbroker for 25 cents each. The gang lives free in an empty aircraft factory because Jimmy is the night watchman. Eddie (Johnny Sands) artfully makes their furniture out of aircraft parts and other war surplus. They get their meals discounted for being stale or in trade, as when Mike (Steve Brodie) stands in for the lifeguard at a private club. Former taxi driver Ollie (Richard Erdman) drives them around in a sound truck from a local music store in exchange for providing advertising over a loudspeaker. All the while, Jean is secretly followed by a private detective.
When Jean learns that her fiancé Henry is returning to the United States, but has not even so much as mentioned her, she becomes upset and decides to get on a bus and go home to Walla Walla.
Meanwhile, Jimmy is summoned to the office of Peter Pedigrew (Rudy Vallee), the "Jukebox King". It was Pedigrew who hired the private detective. He threatens to put the men to work, ending their idyllic lifestyle, unless they keep Jean from leaving for 24 hours. Pedigrew later explains that his ex-wife Shirley (Hillary Brooke) intends to marry Henry. Pedigrew wants to remarry Shirley (again) because, after two expensive divorces, she has most of his money, and he needs capital desperately to expand his business. Also, he is still irresistibly attracted to her, despite her being "so beautifully wicked". So, he wants the crew to help get Henry back together with Jean. Jimmy reluctantly agrees.
Jimmy races to the bus and gets Jean to stay by lying to her about Henry. As they spend time together, Jean discovers that the men are living with a dark secret. Jimmy feels guilty for Mike's injuries when their airplane crashed during the war. Jimmy, the former head of an employment agency, will not rest until all his crewmen have resolved things. Jimmy even takes Mike's place in a boxing match, since the injuries could kill Mike, though Jimmy has never been inside a ring in his life before.
In the end, Pedigrew catches up with Shirley, Henry comes for Jean, and Eddie realizes he needs to go home to find out if his girlfriend will love him, even if he is poor. Finally, Pedigrew agrees to set up Mike and Ollie in business. So, that only leaves Jimmy, who by now is in love with the Admiral. When the unseen Henry finally knocks on her door, she leaves it locked in favor of Jimmy. | The Admiral Was a Lady | a6d00df3-8686-c754-454d-0ec146a64f3e | What decade is The Admiral Was a Lady from? | [
"1940s"
] | false |
/m/076zcb8 | After the end of World War II, Jean Madison (Wanda Hendrix), a former WAVE ensign, meets the former aircrew of an Army Air Corps A-20 Havoc light bomber named "Sinful Sinthia" when they go to collect their unemployment benefits. They are all members of the "52-20 Club," a government program which pays unemployed American veterans $20 a week for 52 weeks.[1] Jimmy and his men "prove" to the government clerk that they are looking for work by placing an ad in the newspaper - "At liberty: combat crew. Four specialists eager and willing to drop bombs" - and receive their checks.
The guys take Jean, whom Jimmy dubs the "Admiral", under their wing, showing her how to save money. For example, they open bank accounts in order to receive a free ceramic piggy bank and get their $20 checks cashed, then close their accounts without having to pay a fee. They sell the piggy banks to a pawnbroker for 25 cents each. The gang lives free in an empty aircraft factory because Jimmy is the night watchman. Eddie (Johnny Sands) artfully makes their furniture out of aircraft parts and other war surplus. They get their meals discounted for being stale or in trade, as when Mike (Steve Brodie) stands in for the lifeguard at a private club. Former taxi driver Ollie (Richard Erdman) drives them around in a sound truck from a local music store in exchange for providing advertising over a loudspeaker. All the while, Jean is secretly followed by a private detective.
When Jean learns that her fiancé Henry is returning to the United States, but has not even so much as mentioned her, she becomes upset and decides to get on a bus and go home to Walla Walla.
Meanwhile, Jimmy is summoned to the office of Peter Pedigrew (Rudy Vallee), the "Jukebox King". It was Pedigrew who hired the private detective. He threatens to put the men to work, ending their idyllic lifestyle, unless they keep Jean from leaving for 24 hours. Pedigrew later explains that his ex-wife Shirley (Hillary Brooke) intends to marry Henry. Pedigrew wants to remarry Shirley (again) because, after two expensive divorces, she has most of his money, and he needs capital desperately to expand his business. Also, he is still irresistibly attracted to her, despite her being "so beautifully wicked". So, he wants the crew to help get Henry back together with Jean. Jimmy reluctantly agrees.
Jimmy races to the bus and gets Jean to stay by lying to her about Henry. As they spend time together, Jean discovers that the men are living with a dark secret. Jimmy feels guilty for Mike's injuries when their airplane crashed during the war. Jimmy, the former head of an employment agency, will not rest until all his crewmen have resolved things. Jimmy even takes Mike's place in a boxing match, since the injuries could kill Mike, though Jimmy has never been inside a ring in his life before.
In the end, Pedigrew catches up with Shirley, Henry comes for Jean, and Eddie realizes he needs to go home to find out if his girlfriend will love him, even if he is poor. Finally, Pedigrew agrees to set up Mike and Ollie in business. So, that only leaves Jimmy, who by now is in love with the Admiral. When the unseen Henry finally knocks on her door, she leaves it locked in favor of Jimmy. | The Admiral Was a Lady | 696ae698-59eb-10a3-31c9-684356dfb3e1 | Who is known as the jukebox king? | [] | true |
/m/076zcb8 | After the end of World War II, Jean Madison (Wanda Hendrix), a former WAVE ensign, meets the former aircrew of an Army Air Corps A-20 Havoc light bomber named "Sinful Sinthia" when they go to collect their unemployment benefits. They are all members of the "52-20 Club," a government program which pays unemployed American veterans $20 a week for 52 weeks.[1] Jimmy and his men "prove" to the government clerk that they are looking for work by placing an ad in the newspaper - "At liberty: combat crew. Four specialists eager and willing to drop bombs" - and receive their checks.
The guys take Jean, whom Jimmy dubs the "Admiral", under their wing, showing her how to save money. For example, they open bank accounts in order to receive a free ceramic piggy bank and get their $20 checks cashed, then close their accounts without having to pay a fee. They sell the piggy banks to a pawnbroker for 25 cents each. The gang lives free in an empty aircraft factory because Jimmy is the night watchman. Eddie (Johnny Sands) artfully makes their furniture out of aircraft parts and other war surplus. They get their meals discounted for being stale or in trade, as when Mike (Steve Brodie) stands in for the lifeguard at a private club. Former taxi driver Ollie (Richard Erdman) drives them around in a sound truck from a local music store in exchange for providing advertising over a loudspeaker. All the while, Jean is secretly followed by a private detective.
When Jean learns that her fiancé Henry is returning to the United States, but has not even so much as mentioned her, she becomes upset and decides to get on a bus and go home to Walla Walla.
Meanwhile, Jimmy is summoned to the office of Peter Pedigrew (Rudy Vallee), the "Jukebox King". It was Pedigrew who hired the private detective. He threatens to put the men to work, ending their idyllic lifestyle, unless they keep Jean from leaving for 24 hours. Pedigrew later explains that his ex-wife Shirley (Hillary Brooke) intends to marry Henry. Pedigrew wants to remarry Shirley (again) because, after two expensive divorces, she has most of his money, and he needs capital desperately to expand his business. Also, he is still irresistibly attracted to her, despite her being "so beautifully wicked". So, he wants the crew to help get Henry back together with Jean. Jimmy reluctantly agrees.
Jimmy races to the bus and gets Jean to stay by lying to her about Henry. As they spend time together, Jean discovers that the men are living with a dark secret. Jimmy feels guilty for Mike's injuries when their airplane crashed during the war. Jimmy, the former head of an employment agency, will not rest until all his crewmen have resolved things. Jimmy even takes Mike's place in a boxing match, since the injuries could kill Mike, though Jimmy has never been inside a ring in his life before.
In the end, Pedigrew catches up with Shirley, Henry comes for Jean, and Eddie realizes he needs to go home to find out if his girlfriend will love him, even if he is poor. Finally, Pedigrew agrees to set up Mike and Ollie in business. So, that only leaves Jimmy, who by now is in love with the Admiral. When the unseen Henry finally knocks on her door, she leaves it locked in favor of Jimmy. | The Admiral Was a Lady | 4e731454-d4d5-81ad-25f7-d93b798ac111 | What is the Admiral's real name? | [
"Jean Madison"
] | false |
/m/076zcb8 | After the end of World War II, Jean Madison (Wanda Hendrix), a former WAVE ensign, meets the former aircrew of an Army Air Corps A-20 Havoc light bomber named "Sinful Sinthia" when they go to collect their unemployment benefits. They are all members of the "52-20 Club," a government program which pays unemployed American veterans $20 a week for 52 weeks.[1] Jimmy and his men "prove" to the government clerk that they are looking for work by placing an ad in the newspaper - "At liberty: combat crew. Four specialists eager and willing to drop bombs" - and receive their checks.
The guys take Jean, whom Jimmy dubs the "Admiral", under their wing, showing her how to save money. For example, they open bank accounts in order to receive a free ceramic piggy bank and get their $20 checks cashed, then close their accounts without having to pay a fee. They sell the piggy banks to a pawnbroker for 25 cents each. The gang lives free in an empty aircraft factory because Jimmy is the night watchman. Eddie (Johnny Sands) artfully makes their furniture out of aircraft parts and other war surplus. They get their meals discounted for being stale or in trade, as when Mike (Steve Brodie) stands in for the lifeguard at a private club. Former taxi driver Ollie (Richard Erdman) drives them around in a sound truck from a local music store in exchange for providing advertising over a loudspeaker. All the while, Jean is secretly followed by a private detective.
When Jean learns that her fiancé Henry is returning to the United States, but has not even so much as mentioned her, she becomes upset and decides to get on a bus and go home to Walla Walla.
Meanwhile, Jimmy is summoned to the office of Peter Pedigrew (Rudy Vallee), the "Jukebox King". It was Pedigrew who hired the private detective. He threatens to put the men to work, ending their idyllic lifestyle, unless they keep Jean from leaving for 24 hours. Pedigrew later explains that his ex-wife Shirley (Hillary Brooke) intends to marry Henry. Pedigrew wants to remarry Shirley (again) because, after two expensive divorces, she has most of his money, and he needs capital desperately to expand his business. Also, he is still irresistibly attracted to her, despite her being "so beautifully wicked". So, he wants the crew to help get Henry back together with Jean. Jimmy reluctantly agrees.
Jimmy races to the bus and gets Jean to stay by lying to her about Henry. As they spend time together, Jean discovers that the men are living with a dark secret. Jimmy feels guilty for Mike's injuries when their airplane crashed during the war. Jimmy, the former head of an employment agency, will not rest until all his crewmen have resolved things. Jimmy even takes Mike's place in a boxing match, since the injuries could kill Mike, though Jimmy has never been inside a ring in his life before.
In the end, Pedigrew catches up with Shirley, Henry comes for Jean, and Eddie realizes he needs to go home to find out if his girlfriend will love him, even if he is poor. Finally, Pedigrew agrees to set up Mike and Ollie in business. So, that only leaves Jimmy, who by now is in love with the Admiral. When the unseen Henry finally knocks on her door, she leaves it locked in favor of Jimmy. | The Admiral Was a Lady | 59ba977b-4fc3-730d-0f04-02d67316d857 | What is Jean Madison's nickname? | [
"Admiral"
] | false |
/m/076zcb8 | After the end of World War II, Jean Madison (Wanda Hendrix), a former WAVE ensign, meets the former aircrew of an Army Air Corps A-20 Havoc light bomber named "Sinful Sinthia" when they go to collect their unemployment benefits. They are all members of the "52-20 Club," a government program which pays unemployed American veterans $20 a week for 52 weeks.[1] Jimmy and his men "prove" to the government clerk that they are looking for work by placing an ad in the newspaper - "At liberty: combat crew. Four specialists eager and willing to drop bombs" - and receive their checks.
The guys take Jean, whom Jimmy dubs the "Admiral", under their wing, showing her how to save money. For example, they open bank accounts in order to receive a free ceramic piggy bank and get their $20 checks cashed, then close their accounts without having to pay a fee. They sell the piggy banks to a pawnbroker for 25 cents each. The gang lives free in an empty aircraft factory because Jimmy is the night watchman. Eddie (Johnny Sands) artfully makes their furniture out of aircraft parts and other war surplus. They get their meals discounted for being stale or in trade, as when Mike (Steve Brodie) stands in for the lifeguard at a private club. Former taxi driver Ollie (Richard Erdman) drives them around in a sound truck from a local music store in exchange for providing advertising over a loudspeaker. All the while, Jean is secretly followed by a private detective.
When Jean learns that her fiancé Henry is returning to the United States, but has not even so much as mentioned her, she becomes upset and decides to get on a bus and go home to Walla Walla.
Meanwhile, Jimmy is summoned to the office of Peter Pedigrew (Rudy Vallee), the "Jukebox King". It was Pedigrew who hired the private detective. He threatens to put the men to work, ending their idyllic lifestyle, unless they keep Jean from leaving for 24 hours. Pedigrew later explains that his ex-wife Shirley (Hillary Brooke) intends to marry Henry. Pedigrew wants to remarry Shirley (again) because, after two expensive divorces, she has most of his money, and he needs capital desperately to expand his business. Also, he is still irresistibly attracted to her, despite her being "so beautifully wicked". So, he wants the crew to help get Henry back together with Jean. Jimmy reluctantly agrees.
Jimmy races to the bus and gets Jean to stay by lying to her about Henry. As they spend time together, Jean discovers that the men are living with a dark secret. Jimmy feels guilty for Mike's injuries when their airplane crashed during the war. Jimmy, the former head of an employment agency, will not rest until all his crewmen have resolved things. Jimmy even takes Mike's place in a boxing match, since the injuries could kill Mike, though Jimmy has never been inside a ring in his life before.
In the end, Pedigrew catches up with Shirley, Henry comes for Jean, and Eddie realizes he needs to go home to find out if his girlfriend will love him, even if he is poor. Finally, Pedigrew agrees to set up Mike and Ollie in business. So, that only leaves Jimmy, who by now is in love with the Admiral. When the unseen Henry finally knocks on her door, she leaves it locked in favor of Jimmy. | The Admiral Was a Lady | 7dd9dc82-8e68-3108-54fb-010a83126f66 | In what war did the four ex-servicemen serve? | [
"World War II"
] | false |
/m/076zcb8 | After the end of World War II, Jean Madison (Wanda Hendrix), a former WAVE ensign, meets the former aircrew of an Army Air Corps A-20 Havoc light bomber named "Sinful Sinthia" when they go to collect their unemployment benefits. They are all members of the "52-20 Club," a government program which pays unemployed American veterans $20 a week for 52 weeks.[1] Jimmy and his men "prove" to the government clerk that they are looking for work by placing an ad in the newspaper - "At liberty: combat crew. Four specialists eager and willing to drop bombs" - and receive their checks.
The guys take Jean, whom Jimmy dubs the "Admiral", under their wing, showing her how to save money. For example, they open bank accounts in order to receive a free ceramic piggy bank and get their $20 checks cashed, then close their accounts without having to pay a fee. They sell the piggy banks to a pawnbroker for 25 cents each. The gang lives free in an empty aircraft factory because Jimmy is the night watchman. Eddie (Johnny Sands) artfully makes their furniture out of aircraft parts and other war surplus. They get their meals discounted for being stale or in trade, as when Mike (Steve Brodie) stands in for the lifeguard at a private club. Former taxi driver Ollie (Richard Erdman) drives them around in a sound truck from a local music store in exchange for providing advertising over a loudspeaker. All the while, Jean is secretly followed by a private detective.
When Jean learns that her fiancé Henry is returning to the United States, but has not even so much as mentioned her, she becomes upset and decides to get on a bus and go home to Walla Walla.
Meanwhile, Jimmy is summoned to the office of Peter Pedigrew (Rudy Vallee), the "Jukebox King". It was Pedigrew who hired the private detective. He threatens to put the men to work, ending their idyllic lifestyle, unless they keep Jean from leaving for 24 hours. Pedigrew later explains that his ex-wife Shirley (Hillary Brooke) intends to marry Henry. Pedigrew wants to remarry Shirley (again) because, after two expensive divorces, she has most of his money, and he needs capital desperately to expand his business. Also, he is still irresistibly attracted to her, despite her being "so beautifully wicked". So, he wants the crew to help get Henry back together with Jean. Jimmy reluctantly agrees.
Jimmy races to the bus and gets Jean to stay by lying to her about Henry. As they spend time together, Jean discovers that the men are living with a dark secret. Jimmy feels guilty for Mike's injuries when their airplane crashed during the war. Jimmy, the former head of an employment agency, will not rest until all his crewmen have resolved things. Jimmy even takes Mike's place in a boxing match, since the injuries could kill Mike, though Jimmy has never been inside a ring in his life before.
In the end, Pedigrew catches up with Shirley, Henry comes for Jean, and Eddie realizes he needs to go home to find out if his girlfriend will love him, even if he is poor. Finally, Pedigrew agrees to set up Mike and Ollie in business. So, that only leaves Jimmy, who by now is in love with the Admiral. When the unseen Henry finally knocks on her door, she leaves it locked in favor of Jimmy. | The Admiral Was a Lady | 49c49fdb-7401-538f-1b0c-050941e24118 | Who was the admiral in love with at the end? | [
"Jimmy"
] | false |
/m/097zcz | Under mysterious circumstances, Blanche DuBois, an aging high school teacher, leaves her home in Auriol, Mississippi to travel to New Orleans to live with her sister, Stella Kowalski. She arrives on the train and boards a streetcar named "Desire" and reaches her sister's home in the French Quarter where she discovers that her sister and brother-in-law, Stanley Kowalski, live in a cramped and dilapidated two-room apartment in an old New Orleans tenement. Blanche and Stella are all that remain of an old aristocratic family. Blanche discloses that the family estate, Belle Reve, has been lost to creditors, and that she wants to stay with Stella and Stanley for a while. Blanche seems lost and broke, with nowhere to go. Stella welcomes her with an open heart.
From the start, Blanche and Stanley are wary of each other. Blanche has a soft-spoken manner; Stanley is rough and loud. His mere presence seems to threaten her, while her behavior and manner arouse suspicion in him. She is especially adroit at patronizing and criticizing Stella from the start. When interrogated about her past, struggling to be polite, Blanche says that she was married and widowed at a young age. She says that she has taken a leave of absence from her job due to her nerves. To satisfy Stanley's skepticism about the loss of the estate, Blanche hands over her papers pertaining to Belle Reve. But Stanley grabs at some of her private papers that she is holding back, and they cascade to the floor. Weeping, she gathers them all back, saying that they are poems from her dead husband. He defends himself by saying that he was just looking out for his family, and then announces that Stella is going to have a baby.
Soon after her arrival, Stanley has a poker night with his friends where Blanche meets Mitch. His courteous manner sets him apart from Stanley's other friends. They like each other right away. This is the start of their romance. Stanley explodes in a drunken rage, striking Stella, and sending his friends running, while Blanche and Stella flee to the upstairs neighbor, Eunice. When his anger subsides, Stanley cries out remorsefully for Stella to come back. "Stella, Stella, hey Stella," he bellows, until she comes down, and Stanley carries her off to bed. In the morning, Blanche tells Stella that she is married to a subhuman animal. In an emotional monologue, she urges her sister to leave Stanley. Stella disagrees with her sister's bluntness and assures Blanche that all is well, and that she does not want to leave.
As the weeks pass into months, the tension rises between Blanche and Stanley. But Blanche has hope in Mitch, telling Stella that she wants to go away with him and not be anyone's problem. She is on the verge of mental collapse, anticipating a marriage proposal from Mitch. Finally, he tells her that they need each other and should be together. But Stanley, still skeptical, begins to research her past and discovers a closet full of skeletons. He tells Stella what Blanche has been concealing from them, that she has a reputation for mental instability and that she was fired from her teaching job in Auriol for having sexual relations with a minor and practically run out of town. He then says that Mitch will not be coming around anymore. Stanley has informed Mitch about Blanche's past, and the news of her promiscuity has turned Mitch off from her. Stella erupts in anger that Stanley has ruined Blanche's chances with Mitch. But the fight is cut short, as she tells Stanley to take her to the hospital; the baby is coming.
As Blanche waits at home for news of the baby, Mitch arrives and confronts her with the stories that Stanley has told him. At first, she denies everything. Then, she breaks down in confession, describing, in a lengthy monologue, her troubled past. As she speaks to Mitch, she gives up the Southern belle façade; her voice grows weary and deep; her face becomes drawn and old; she pleads for his forgiveness, but Mitch is hurt and humiliated and rejects her. Blanche starts screaming, and Mitch runs away. Later that night, while Stella's labor continues, Stanley returns from the hospital to get some sleep, only to find Blanche dressed up in a tattered old gown pretending to be departing on a trip with an old admirer. She disdainfully antagonizes him, asserting her sense of superiority over him, spinning tale after tale about her plans for the future. He sees that she is delusional, but he feels no pity for her. Instead, he seeks to destroy her illusions. They become engaged in a struggle that ends in rape.
Weeks later, at another poker game at the Kowalski apartment, Stella and her neighbor, Eunice, are packing Blanche's belongings. Stella and Eunice have told Blanche that she is going on a vacation, but, in truth, Blanche is being committed to a mental hospital. She has suffered a complete mental breakdown. She has told Stella what happened, but Stella cannot believe Blanche's story. Stella, under obvious stress, does not know what to do. An older gentleman and lady come to the door; it is the doctor and nurse come to take Blanche away. Blanche does not recognize them and resists going; she collapses on the floor seized with total confusion. Mitch, present at the poker game, breaks down in tears. The doctor approaches and helps Blanche up. He offers his arm gently to her, and she goes willingly with him, saying, "Whoever you are, I have always depended upon the kindness of strangers." As the car drives away with Blanche, Stella takes the baby upstairs to Eunice's, and says she is never coming back to Stanley again. | A Streetcar Named Desire | 772615ef-3e11-dc98-6e78-1004bce05c92 | What does the teenage boy accuse Blanche of? | [
"sex with a minor"
] | false |
/m/097zcz | Under mysterious circumstances, Blanche DuBois, an aging high school teacher, leaves her home in Auriol, Mississippi to travel to New Orleans to live with her sister, Stella Kowalski. She arrives on the train and boards a streetcar named "Desire" and reaches her sister's home in the French Quarter where she discovers that her sister and brother-in-law, Stanley Kowalski, live in a cramped and dilapidated two-room apartment in an old New Orleans tenement. Blanche and Stella are all that remain of an old aristocratic family. Blanche discloses that the family estate, Belle Reve, has been lost to creditors, and that she wants to stay with Stella and Stanley for a while. Blanche seems lost and broke, with nowhere to go. Stella welcomes her with an open heart.
From the start, Blanche and Stanley are wary of each other. Blanche has a soft-spoken manner; Stanley is rough and loud. His mere presence seems to threaten her, while her behavior and manner arouse suspicion in him. She is especially adroit at patronizing and criticizing Stella from the start. When interrogated about her past, struggling to be polite, Blanche says that she was married and widowed at a young age. She says that she has taken a leave of absence from her job due to her nerves. To satisfy Stanley's skepticism about the loss of the estate, Blanche hands over her papers pertaining to Belle Reve. But Stanley grabs at some of her private papers that she is holding back, and they cascade to the floor. Weeping, she gathers them all back, saying that they are poems from her dead husband. He defends himself by saying that he was just looking out for his family, and then announces that Stella is going to have a baby.
Soon after her arrival, Stanley has a poker night with his friends where Blanche meets Mitch. His courteous manner sets him apart from Stanley's other friends. They like each other right away. This is the start of their romance. Stanley explodes in a drunken rage, striking Stella, and sending his friends running, while Blanche and Stella flee to the upstairs neighbor, Eunice. When his anger subsides, Stanley cries out remorsefully for Stella to come back. "Stella, Stella, hey Stella," he bellows, until she comes down, and Stanley carries her off to bed. In the morning, Blanche tells Stella that she is married to a subhuman animal. In an emotional monologue, she urges her sister to leave Stanley. Stella disagrees with her sister's bluntness and assures Blanche that all is well, and that she does not want to leave.
As the weeks pass into months, the tension rises between Blanche and Stanley. But Blanche has hope in Mitch, telling Stella that she wants to go away with him and not be anyone's problem. She is on the verge of mental collapse, anticipating a marriage proposal from Mitch. Finally, he tells her that they need each other and should be together. But Stanley, still skeptical, begins to research her past and discovers a closet full of skeletons. He tells Stella what Blanche has been concealing from them, that she has a reputation for mental instability and that she was fired from her teaching job in Auriol for having sexual relations with a minor and practically run out of town. He then says that Mitch will not be coming around anymore. Stanley has informed Mitch about Blanche's past, and the news of her promiscuity has turned Mitch off from her. Stella erupts in anger that Stanley has ruined Blanche's chances with Mitch. But the fight is cut short, as she tells Stanley to take her to the hospital; the baby is coming.
As Blanche waits at home for news of the baby, Mitch arrives and confronts her with the stories that Stanley has told him. At first, she denies everything. Then, she breaks down in confession, describing, in a lengthy monologue, her troubled past. As she speaks to Mitch, she gives up the Southern belle façade; her voice grows weary and deep; her face becomes drawn and old; she pleads for his forgiveness, but Mitch is hurt and humiliated and rejects her. Blanche starts screaming, and Mitch runs away. Later that night, while Stella's labor continues, Stanley returns from the hospital to get some sleep, only to find Blanche dressed up in a tattered old gown pretending to be departing on a trip with an old admirer. She disdainfully antagonizes him, asserting her sense of superiority over him, spinning tale after tale about her plans for the future. He sees that she is delusional, but he feels no pity for her. Instead, he seeks to destroy her illusions. They become engaged in a struggle that ends in rape.
Weeks later, at another poker game at the Kowalski apartment, Stella and her neighbor, Eunice, are packing Blanche's belongings. Stella and Eunice have told Blanche that she is going on a vacation, but, in truth, Blanche is being committed to a mental hospital. She has suffered a complete mental breakdown. She has told Stella what happened, but Stella cannot believe Blanche's story. Stella, under obvious stress, does not know what to do. An older gentleman and lady come to the door; it is the doctor and nurse come to take Blanche away. Blanche does not recognize them and resists going; she collapses on the floor seized with total confusion. Mitch, present at the poker game, breaks down in tears. The doctor approaches and helps Blanche up. He offers his arm gently to her, and she goes willingly with him, saying, "Whoever you are, I have always depended upon the kindness of strangers." As the car drives away with Blanche, Stella takes the baby upstairs to Eunice's, and says she is never coming back to Stanley again. | A Streetcar Named Desire | 21e2c3b7-3671-008f-26b0-00e8f793aaaa | Who investigates, through a friend travelling in Mississippi? | [
"Stanley"
] | false |
/m/097zcz | Under mysterious circumstances, Blanche DuBois, an aging high school teacher, leaves her home in Auriol, Mississippi to travel to New Orleans to live with her sister, Stella Kowalski. She arrives on the train and boards a streetcar named "Desire" and reaches her sister's home in the French Quarter where she discovers that her sister and brother-in-law, Stanley Kowalski, live in a cramped and dilapidated two-room apartment in an old New Orleans tenement. Blanche and Stella are all that remain of an old aristocratic family. Blanche discloses that the family estate, Belle Reve, has been lost to creditors, and that she wants to stay with Stella and Stanley for a while. Blanche seems lost and broke, with nowhere to go. Stella welcomes her with an open heart.
From the start, Blanche and Stanley are wary of each other. Blanche has a soft-spoken manner; Stanley is rough and loud. His mere presence seems to threaten her, while her behavior and manner arouse suspicion in him. She is especially adroit at patronizing and criticizing Stella from the start. When interrogated about her past, struggling to be polite, Blanche says that she was married and widowed at a young age. She says that she has taken a leave of absence from her job due to her nerves. To satisfy Stanley's skepticism about the loss of the estate, Blanche hands over her papers pertaining to Belle Reve. But Stanley grabs at some of her private papers that she is holding back, and they cascade to the floor. Weeping, she gathers them all back, saying that they are poems from her dead husband. He defends himself by saying that he was just looking out for his family, and then announces that Stella is going to have a baby.
Soon after her arrival, Stanley has a poker night with his friends where Blanche meets Mitch. His courteous manner sets him apart from Stanley's other friends. They like each other right away. This is the start of their romance. Stanley explodes in a drunken rage, striking Stella, and sending his friends running, while Blanche and Stella flee to the upstairs neighbor, Eunice. When his anger subsides, Stanley cries out remorsefully for Stella to come back. "Stella, Stella, hey Stella," he bellows, until she comes down, and Stanley carries her off to bed. In the morning, Blanche tells Stella that she is married to a subhuman animal. In an emotional monologue, she urges her sister to leave Stanley. Stella disagrees with her sister's bluntness and assures Blanche that all is well, and that she does not want to leave.
As the weeks pass into months, the tension rises between Blanche and Stanley. But Blanche has hope in Mitch, telling Stella that she wants to go away with him and not be anyone's problem. She is on the verge of mental collapse, anticipating a marriage proposal from Mitch. Finally, he tells her that they need each other and should be together. But Stanley, still skeptical, begins to research her past and discovers a closet full of skeletons. He tells Stella what Blanche has been concealing from them, that she has a reputation for mental instability and that she was fired from her teaching job in Auriol for having sexual relations with a minor and practically run out of town. He then says that Mitch will not be coming around anymore. Stanley has informed Mitch about Blanche's past, and the news of her promiscuity has turned Mitch off from her. Stella erupts in anger that Stanley has ruined Blanche's chances with Mitch. But the fight is cut short, as she tells Stanley to take her to the hospital; the baby is coming.
As Blanche waits at home for news of the baby, Mitch arrives and confronts her with the stories that Stanley has told him. At first, she denies everything. Then, she breaks down in confession, describing, in a lengthy monologue, her troubled past. As she speaks to Mitch, she gives up the Southern belle façade; her voice grows weary and deep; her face becomes drawn and old; she pleads for his forgiveness, but Mitch is hurt and humiliated and rejects her. Blanche starts screaming, and Mitch runs away. Later that night, while Stella's labor continues, Stanley returns from the hospital to get some sleep, only to find Blanche dressed up in a tattered old gown pretending to be departing on a trip with an old admirer. She disdainfully antagonizes him, asserting her sense of superiority over him, spinning tale after tale about her plans for the future. He sees that she is delusional, but he feels no pity for her. Instead, he seeks to destroy her illusions. They become engaged in a struggle that ends in rape.
Weeks later, at another poker game at the Kowalski apartment, Stella and her neighbor, Eunice, are packing Blanche's belongings. Stella and Eunice have told Blanche that she is going on a vacation, but, in truth, Blanche is being committed to a mental hospital. She has suffered a complete mental breakdown. She has told Stella what happened, but Stella cannot believe Blanche's story. Stella, under obvious stress, does not know what to do. An older gentleman and lady come to the door; it is the doctor and nurse come to take Blanche away. Blanche does not recognize them and resists going; she collapses on the floor seized with total confusion. Mitch, present at the poker game, breaks down in tears. The doctor approaches and helps Blanche up. He offers his arm gently to her, and she goes willingly with him, saying, "Whoever you are, I have always depended upon the kindness of strangers." As the car drives away with Blanche, Stella takes the baby upstairs to Eunice's, and says she is never coming back to Stanley again. | A Streetcar Named Desire | 9ab3b3be-8eb0-be08-b5a3-9b41627c01b3 | What does Blanche insist she will do to Stanleys face? | [
"cut him - this isn't in excerpt"
] | false |
/m/097zcz | Under mysterious circumstances, Blanche DuBois, an aging high school teacher, leaves her home in Auriol, Mississippi to travel to New Orleans to live with her sister, Stella Kowalski. She arrives on the train and boards a streetcar named "Desire" and reaches her sister's home in the French Quarter where she discovers that her sister and brother-in-law, Stanley Kowalski, live in a cramped and dilapidated two-room apartment in an old New Orleans tenement. Blanche and Stella are all that remain of an old aristocratic family. Blanche discloses that the family estate, Belle Reve, has been lost to creditors, and that she wants to stay with Stella and Stanley for a while. Blanche seems lost and broke, with nowhere to go. Stella welcomes her with an open heart.
From the start, Blanche and Stanley are wary of each other. Blanche has a soft-spoken manner; Stanley is rough and loud. His mere presence seems to threaten her, while her behavior and manner arouse suspicion in him. She is especially adroit at patronizing and criticizing Stella from the start. When interrogated about her past, struggling to be polite, Blanche says that she was married and widowed at a young age. She says that she has taken a leave of absence from her job due to her nerves. To satisfy Stanley's skepticism about the loss of the estate, Blanche hands over her papers pertaining to Belle Reve. But Stanley grabs at some of her private papers that she is holding back, and they cascade to the floor. Weeping, she gathers them all back, saying that they are poems from her dead husband. He defends himself by saying that he was just looking out for his family, and then announces that Stella is going to have a baby.
Soon after her arrival, Stanley has a poker night with his friends where Blanche meets Mitch. His courteous manner sets him apart from Stanley's other friends. They like each other right away. This is the start of their romance. Stanley explodes in a drunken rage, striking Stella, and sending his friends running, while Blanche and Stella flee to the upstairs neighbor, Eunice. When his anger subsides, Stanley cries out remorsefully for Stella to come back. "Stella, Stella, hey Stella," he bellows, until she comes down, and Stanley carries her off to bed. In the morning, Blanche tells Stella that she is married to a subhuman animal. In an emotional monologue, she urges her sister to leave Stanley. Stella disagrees with her sister's bluntness and assures Blanche that all is well, and that she does not want to leave.
As the weeks pass into months, the tension rises between Blanche and Stanley. But Blanche has hope in Mitch, telling Stella that she wants to go away with him and not be anyone's problem. She is on the verge of mental collapse, anticipating a marriage proposal from Mitch. Finally, he tells her that they need each other and should be together. But Stanley, still skeptical, begins to research her past and discovers a closet full of skeletons. He tells Stella what Blanche has been concealing from them, that she has a reputation for mental instability and that she was fired from her teaching job in Auriol for having sexual relations with a minor and practically run out of town. He then says that Mitch will not be coming around anymore. Stanley has informed Mitch about Blanche's past, and the news of her promiscuity has turned Mitch off from her. Stella erupts in anger that Stanley has ruined Blanche's chances with Mitch. But the fight is cut short, as she tells Stanley to take her to the hospital; the baby is coming.
As Blanche waits at home for news of the baby, Mitch arrives and confronts her with the stories that Stanley has told him. At first, she denies everything. Then, she breaks down in confession, describing, in a lengthy monologue, her troubled past. As she speaks to Mitch, she gives up the Southern belle façade; her voice grows weary and deep; her face becomes drawn and old; she pleads for his forgiveness, but Mitch is hurt and humiliated and rejects her. Blanche starts screaming, and Mitch runs away. Later that night, while Stella's labor continues, Stanley returns from the hospital to get some sleep, only to find Blanche dressed up in a tattered old gown pretending to be departing on a trip with an old admirer. She disdainfully antagonizes him, asserting her sense of superiority over him, spinning tale after tale about her plans for the future. He sees that she is delusional, but he feels no pity for her. Instead, he seeks to destroy her illusions. They become engaged in a struggle that ends in rape.
Weeks later, at another poker game at the Kowalski apartment, Stella and her neighbor, Eunice, are packing Blanche's belongings. Stella and Eunice have told Blanche that she is going on a vacation, but, in truth, Blanche is being committed to a mental hospital. She has suffered a complete mental breakdown. She has told Stella what happened, but Stella cannot believe Blanche's story. Stella, under obvious stress, does not know what to do. An older gentleman and lady come to the door; it is the doctor and nurse come to take Blanche away. Blanche does not recognize them and resists going; she collapses on the floor seized with total confusion. Mitch, present at the poker game, breaks down in tears. The doctor approaches and helps Blanche up. He offers his arm gently to her, and she goes willingly with him, saying, "Whoever you are, I have always depended upon the kindness of strangers." As the car drives away with Blanche, Stella takes the baby upstairs to Eunice's, and says she is never coming back to Stanley again. | A Streetcar Named Desire | 017537a7-4c79-dc49-f041-dc9592bb00bc | What does Blanche say she will cup Stanleys face up with? | [
"knife-not in excerpt"
] | false |
/m/097zcz | Under mysterious circumstances, Blanche DuBois, an aging high school teacher, leaves her home in Auriol, Mississippi to travel to New Orleans to live with her sister, Stella Kowalski. She arrives on the train and boards a streetcar named "Desire" and reaches her sister's home in the French Quarter where she discovers that her sister and brother-in-law, Stanley Kowalski, live in a cramped and dilapidated two-room apartment in an old New Orleans tenement. Blanche and Stella are all that remain of an old aristocratic family. Blanche discloses that the family estate, Belle Reve, has been lost to creditors, and that she wants to stay with Stella and Stanley for a while. Blanche seems lost and broke, with nowhere to go. Stella welcomes her with an open heart.
From the start, Blanche and Stanley are wary of each other. Blanche has a soft-spoken manner; Stanley is rough and loud. His mere presence seems to threaten her, while her behavior and manner arouse suspicion in him. She is especially adroit at patronizing and criticizing Stella from the start. When interrogated about her past, struggling to be polite, Blanche says that she was married and widowed at a young age. She says that she has taken a leave of absence from her job due to her nerves. To satisfy Stanley's skepticism about the loss of the estate, Blanche hands over her papers pertaining to Belle Reve. But Stanley grabs at some of her private papers that she is holding back, and they cascade to the floor. Weeping, she gathers them all back, saying that they are poems from her dead husband. He defends himself by saying that he was just looking out for his family, and then announces that Stella is going to have a baby.
Soon after her arrival, Stanley has a poker night with his friends where Blanche meets Mitch. His courteous manner sets him apart from Stanley's other friends. They like each other right away. This is the start of their romance. Stanley explodes in a drunken rage, striking Stella, and sending his friends running, while Blanche and Stella flee to the upstairs neighbor, Eunice. When his anger subsides, Stanley cries out remorsefully for Stella to come back. "Stella, Stella, hey Stella," he bellows, until she comes down, and Stanley carries her off to bed. In the morning, Blanche tells Stella that she is married to a subhuman animal. In an emotional monologue, she urges her sister to leave Stanley. Stella disagrees with her sister's bluntness and assures Blanche that all is well, and that she does not want to leave.
As the weeks pass into months, the tension rises between Blanche and Stanley. But Blanche has hope in Mitch, telling Stella that she wants to go away with him and not be anyone's problem. She is on the verge of mental collapse, anticipating a marriage proposal from Mitch. Finally, he tells her that they need each other and should be together. But Stanley, still skeptical, begins to research her past and discovers a closet full of skeletons. He tells Stella what Blanche has been concealing from them, that she has a reputation for mental instability and that she was fired from her teaching job in Auriol for having sexual relations with a minor and practically run out of town. He then says that Mitch will not be coming around anymore. Stanley has informed Mitch about Blanche's past, and the news of her promiscuity has turned Mitch off from her. Stella erupts in anger that Stanley has ruined Blanche's chances with Mitch. But the fight is cut short, as she tells Stanley to take her to the hospital; the baby is coming.
As Blanche waits at home for news of the baby, Mitch arrives and confronts her with the stories that Stanley has told him. At first, she denies everything. Then, she breaks down in confession, describing, in a lengthy monologue, her troubled past. As she speaks to Mitch, she gives up the Southern belle façade; her voice grows weary and deep; her face becomes drawn and old; she pleads for his forgiveness, but Mitch is hurt and humiliated and rejects her. Blanche starts screaming, and Mitch runs away. Later that night, while Stella's labor continues, Stanley returns from the hospital to get some sleep, only to find Blanche dressed up in a tattered old gown pretending to be departing on a trip with an old admirer. She disdainfully antagonizes him, asserting her sense of superiority over him, spinning tale after tale about her plans for the future. He sees that she is delusional, but he feels no pity for her. Instead, he seeks to destroy her illusions. They become engaged in a struggle that ends in rape.
Weeks later, at another poker game at the Kowalski apartment, Stella and her neighbor, Eunice, are packing Blanche's belongings. Stella and Eunice have told Blanche that she is going on a vacation, but, in truth, Blanche is being committed to a mental hospital. She has suffered a complete mental breakdown. She has told Stella what happened, but Stella cannot believe Blanche's story. Stella, under obvious stress, does not know what to do. An older gentleman and lady come to the door; it is the doctor and nurse come to take Blanche away. Blanche does not recognize them and resists going; she collapses on the floor seized with total confusion. Mitch, present at the poker game, breaks down in tears. The doctor approaches and helps Blanche up. He offers his arm gently to her, and she goes willingly with him, saying, "Whoever you are, I have always depended upon the kindness of strangers." As the car drives away with Blanche, Stella takes the baby upstairs to Eunice's, and says she is never coming back to Stanley again. | A Streetcar Named Desire | 1c47c1c8-203f-3aa4-80cc-00e4295bf45a | Who plays Stanley a poor boy? | [
"Marlon Brando"
] | false |
/m/097zcz | Under mysterious circumstances, Blanche DuBois, an aging high school teacher, leaves her home in Auriol, Mississippi to travel to New Orleans to live with her sister, Stella Kowalski. She arrives on the train and boards a streetcar named "Desire" and reaches her sister's home in the French Quarter where she discovers that her sister and brother-in-law, Stanley Kowalski, live in a cramped and dilapidated two-room apartment in an old New Orleans tenement. Blanche and Stella are all that remain of an old aristocratic family. Blanche discloses that the family estate, Belle Reve, has been lost to creditors, and that she wants to stay with Stella and Stanley for a while. Blanche seems lost and broke, with nowhere to go. Stella welcomes her with an open heart.
From the start, Blanche and Stanley are wary of each other. Blanche has a soft-spoken manner; Stanley is rough and loud. His mere presence seems to threaten her, while her behavior and manner arouse suspicion in him. She is especially adroit at patronizing and criticizing Stella from the start. When interrogated about her past, struggling to be polite, Blanche says that she was married and widowed at a young age. She says that she has taken a leave of absence from her job due to her nerves. To satisfy Stanley's skepticism about the loss of the estate, Blanche hands over her papers pertaining to Belle Reve. But Stanley grabs at some of her private papers that she is holding back, and they cascade to the floor. Weeping, she gathers them all back, saying that they are poems from her dead husband. He defends himself by saying that he was just looking out for his family, and then announces that Stella is going to have a baby.
Soon after her arrival, Stanley has a poker night with his friends where Blanche meets Mitch. His courteous manner sets him apart from Stanley's other friends. They like each other right away. This is the start of their romance. Stanley explodes in a drunken rage, striking Stella, and sending his friends running, while Blanche and Stella flee to the upstairs neighbor, Eunice. When his anger subsides, Stanley cries out remorsefully for Stella to come back. "Stella, Stella, hey Stella," he bellows, until she comes down, and Stanley carries her off to bed. In the morning, Blanche tells Stella that she is married to a subhuman animal. In an emotional monologue, she urges her sister to leave Stanley. Stella disagrees with her sister's bluntness and assures Blanche that all is well, and that she does not want to leave.
As the weeks pass into months, the tension rises between Blanche and Stanley. But Blanche has hope in Mitch, telling Stella that she wants to go away with him and not be anyone's problem. She is on the verge of mental collapse, anticipating a marriage proposal from Mitch. Finally, he tells her that they need each other and should be together. But Stanley, still skeptical, begins to research her past and discovers a closet full of skeletons. He tells Stella what Blanche has been concealing from them, that she has a reputation for mental instability and that she was fired from her teaching job in Auriol for having sexual relations with a minor and practically run out of town. He then says that Mitch will not be coming around anymore. Stanley has informed Mitch about Blanche's past, and the news of her promiscuity has turned Mitch off from her. Stella erupts in anger that Stanley has ruined Blanche's chances with Mitch. But the fight is cut short, as she tells Stanley to take her to the hospital; the baby is coming.
As Blanche waits at home for news of the baby, Mitch arrives and confronts her with the stories that Stanley has told him. At first, she denies everything. Then, she breaks down in confession, describing, in a lengthy monologue, her troubled past. As she speaks to Mitch, she gives up the Southern belle façade; her voice grows weary and deep; her face becomes drawn and old; she pleads for his forgiveness, but Mitch is hurt and humiliated and rejects her. Blanche starts screaming, and Mitch runs away. Later that night, while Stella's labor continues, Stanley returns from the hospital to get some sleep, only to find Blanche dressed up in a tattered old gown pretending to be departing on a trip with an old admirer. She disdainfully antagonizes him, asserting her sense of superiority over him, spinning tale after tale about her plans for the future. He sees that she is delusional, but he feels no pity for her. Instead, he seeks to destroy her illusions. They become engaged in a struggle that ends in rape.
Weeks later, at another poker game at the Kowalski apartment, Stella and her neighbor, Eunice, are packing Blanche's belongings. Stella and Eunice have told Blanche that she is going on a vacation, but, in truth, Blanche is being committed to a mental hospital. She has suffered a complete mental breakdown. She has told Stella what happened, but Stella cannot believe Blanche's story. Stella, under obvious stress, does not know what to do. An older gentleman and lady come to the door; it is the doctor and nurse come to take Blanche away. Blanche does not recognize them and resists going; she collapses on the floor seized with total confusion. Mitch, present at the poker game, breaks down in tears. The doctor approaches and helps Blanche up. He offers his arm gently to her, and she goes willingly with him, saying, "Whoever you are, I have always depended upon the kindness of strangers." As the car drives away with Blanche, Stella takes the baby upstairs to Eunice's, and says she is never coming back to Stanley again. | A Streetcar Named Desire | 11acb4f5-8acb-3e9a-39ce-15ecbc4bfbf3 | Why does Stella go to the hospital? | [
"have a baby"
] | false |
/m/097zcz | Under mysterious circumstances, Blanche DuBois, an aging high school teacher, leaves her home in Auriol, Mississippi to travel to New Orleans to live with her sister, Stella Kowalski. She arrives on the train and boards a streetcar named "Desire" and reaches her sister's home in the French Quarter where she discovers that her sister and brother-in-law, Stanley Kowalski, live in a cramped and dilapidated two-room apartment in an old New Orleans tenement. Blanche and Stella are all that remain of an old aristocratic family. Blanche discloses that the family estate, Belle Reve, has been lost to creditors, and that she wants to stay with Stella and Stanley for a while. Blanche seems lost and broke, with nowhere to go. Stella welcomes her with an open heart.
From the start, Blanche and Stanley are wary of each other. Blanche has a soft-spoken manner; Stanley is rough and loud. His mere presence seems to threaten her, while her behavior and manner arouse suspicion in him. She is especially adroit at patronizing and criticizing Stella from the start. When interrogated about her past, struggling to be polite, Blanche says that she was married and widowed at a young age. She says that she has taken a leave of absence from her job due to her nerves. To satisfy Stanley's skepticism about the loss of the estate, Blanche hands over her papers pertaining to Belle Reve. But Stanley grabs at some of her private papers that she is holding back, and they cascade to the floor. Weeping, she gathers them all back, saying that they are poems from her dead husband. He defends himself by saying that he was just looking out for his family, and then announces that Stella is going to have a baby.
Soon after her arrival, Stanley has a poker night with his friends where Blanche meets Mitch. His courteous manner sets him apart from Stanley's other friends. They like each other right away. This is the start of their romance. Stanley explodes in a drunken rage, striking Stella, and sending his friends running, while Blanche and Stella flee to the upstairs neighbor, Eunice. When his anger subsides, Stanley cries out remorsefully for Stella to come back. "Stella, Stella, hey Stella," he bellows, until she comes down, and Stanley carries her off to bed. In the morning, Blanche tells Stella that she is married to a subhuman animal. In an emotional monologue, she urges her sister to leave Stanley. Stella disagrees with her sister's bluntness and assures Blanche that all is well, and that she does not want to leave.
As the weeks pass into months, the tension rises between Blanche and Stanley. But Blanche has hope in Mitch, telling Stella that she wants to go away with him and not be anyone's problem. She is on the verge of mental collapse, anticipating a marriage proposal from Mitch. Finally, he tells her that they need each other and should be together. But Stanley, still skeptical, begins to research her past and discovers a closet full of skeletons. He tells Stella what Blanche has been concealing from them, that she has a reputation for mental instability and that she was fired from her teaching job in Auriol for having sexual relations with a minor and practically run out of town. He then says that Mitch will not be coming around anymore. Stanley has informed Mitch about Blanche's past, and the news of her promiscuity has turned Mitch off from her. Stella erupts in anger that Stanley has ruined Blanche's chances with Mitch. But the fight is cut short, as she tells Stanley to take her to the hospital; the baby is coming.
As Blanche waits at home for news of the baby, Mitch arrives and confronts her with the stories that Stanley has told him. At first, she denies everything. Then, she breaks down in confession, describing, in a lengthy monologue, her troubled past. As she speaks to Mitch, she gives up the Southern belle façade; her voice grows weary and deep; her face becomes drawn and old; she pleads for his forgiveness, but Mitch is hurt and humiliated and rejects her. Blanche starts screaming, and Mitch runs away. Later that night, while Stella's labor continues, Stanley returns from the hospital to get some sleep, only to find Blanche dressed up in a tattered old gown pretending to be departing on a trip with an old admirer. She disdainfully antagonizes him, asserting her sense of superiority over him, spinning tale after tale about her plans for the future. He sees that she is delusional, but he feels no pity for her. Instead, he seeks to destroy her illusions. They become engaged in a struggle that ends in rape.
Weeks later, at another poker game at the Kowalski apartment, Stella and her neighbor, Eunice, are packing Blanche's belongings. Stella and Eunice have told Blanche that she is going on a vacation, but, in truth, Blanche is being committed to a mental hospital. She has suffered a complete mental breakdown. She has told Stella what happened, but Stella cannot believe Blanche's story. Stella, under obvious stress, does not know what to do. An older gentleman and lady come to the door; it is the doctor and nurse come to take Blanche away. Blanche does not recognize them and resists going; she collapses on the floor seized with total confusion. Mitch, present at the poker game, breaks down in tears. The doctor approaches and helps Blanche up. He offers his arm gently to her, and she goes willingly with him, saying, "Whoever you are, I have always depended upon the kindness of strangers." As the car drives away with Blanche, Stella takes the baby upstairs to Eunice's, and says she is never coming back to Stanley again. | A Streetcar Named Desire | 3c1558cc-1392-1fe5-1240-c258bba49d92 | Who is Stella's sister who comes to stay with them? | [
"Blanche"
] | false |
/m/097zcz | Under mysterious circumstances, Blanche DuBois, an aging high school teacher, leaves her home in Auriol, Mississippi to travel to New Orleans to live with her sister, Stella Kowalski. She arrives on the train and boards a streetcar named "Desire" and reaches her sister's home in the French Quarter where she discovers that her sister and brother-in-law, Stanley Kowalski, live in a cramped and dilapidated two-room apartment in an old New Orleans tenement. Blanche and Stella are all that remain of an old aristocratic family. Blanche discloses that the family estate, Belle Reve, has been lost to creditors, and that she wants to stay with Stella and Stanley for a while. Blanche seems lost and broke, with nowhere to go. Stella welcomes her with an open heart.
From the start, Blanche and Stanley are wary of each other. Blanche has a soft-spoken manner; Stanley is rough and loud. His mere presence seems to threaten her, while her behavior and manner arouse suspicion in him. She is especially adroit at patronizing and criticizing Stella from the start. When interrogated about her past, struggling to be polite, Blanche says that she was married and widowed at a young age. She says that she has taken a leave of absence from her job due to her nerves. To satisfy Stanley's skepticism about the loss of the estate, Blanche hands over her papers pertaining to Belle Reve. But Stanley grabs at some of her private papers that she is holding back, and they cascade to the floor. Weeping, she gathers them all back, saying that they are poems from her dead husband. He defends himself by saying that he was just looking out for his family, and then announces that Stella is going to have a baby.
Soon after her arrival, Stanley has a poker night with his friends where Blanche meets Mitch. His courteous manner sets him apart from Stanley's other friends. They like each other right away. This is the start of their romance. Stanley explodes in a drunken rage, striking Stella, and sending his friends running, while Blanche and Stella flee to the upstairs neighbor, Eunice. When his anger subsides, Stanley cries out remorsefully for Stella to come back. "Stella, Stella, hey Stella," he bellows, until she comes down, and Stanley carries her off to bed. In the morning, Blanche tells Stella that she is married to a subhuman animal. In an emotional monologue, she urges her sister to leave Stanley. Stella disagrees with her sister's bluntness and assures Blanche that all is well, and that she does not want to leave.
As the weeks pass into months, the tension rises between Blanche and Stanley. But Blanche has hope in Mitch, telling Stella that she wants to go away with him and not be anyone's problem. She is on the verge of mental collapse, anticipating a marriage proposal from Mitch. Finally, he tells her that they need each other and should be together. But Stanley, still skeptical, begins to research her past and discovers a closet full of skeletons. He tells Stella what Blanche has been concealing from them, that she has a reputation for mental instability and that she was fired from her teaching job in Auriol for having sexual relations with a minor and practically run out of town. He then says that Mitch will not be coming around anymore. Stanley has informed Mitch about Blanche's past, and the news of her promiscuity has turned Mitch off from her. Stella erupts in anger that Stanley has ruined Blanche's chances with Mitch. But the fight is cut short, as she tells Stanley to take her to the hospital; the baby is coming.
As Blanche waits at home for news of the baby, Mitch arrives and confronts her with the stories that Stanley has told him. At first, she denies everything. Then, she breaks down in confession, describing, in a lengthy monologue, her troubled past. As she speaks to Mitch, she gives up the Southern belle façade; her voice grows weary and deep; her face becomes drawn and old; she pleads for his forgiveness, but Mitch is hurt and humiliated and rejects her. Blanche starts screaming, and Mitch runs away. Later that night, while Stella's labor continues, Stanley returns from the hospital to get some sleep, only to find Blanche dressed up in a tattered old gown pretending to be departing on a trip with an old admirer. She disdainfully antagonizes him, asserting her sense of superiority over him, spinning tale after tale about her plans for the future. He sees that she is delusional, but he feels no pity for her. Instead, he seeks to destroy her illusions. They become engaged in a struggle that ends in rape.
Weeks later, at another poker game at the Kowalski apartment, Stella and her neighbor, Eunice, are packing Blanche's belongings. Stella and Eunice have told Blanche that she is going on a vacation, but, in truth, Blanche is being committed to a mental hospital. She has suffered a complete mental breakdown. She has told Stella what happened, but Stella cannot believe Blanche's story. Stella, under obvious stress, does not know what to do. An older gentleman and lady come to the door; it is the doctor and nurse come to take Blanche away. Blanche does not recognize them and resists going; she collapses on the floor seized with total confusion. Mitch, present at the poker game, breaks down in tears. The doctor approaches and helps Blanche up. He offers his arm gently to her, and she goes willingly with him, saying, "Whoever you are, I have always depended upon the kindness of strangers." As the car drives away with Blanche, Stella takes the baby upstairs to Eunice's, and says she is never coming back to Stanley again. | A Streetcar Named Desire | db8b45a9-dfd1-ab36-fc37-aabdfe25933c | When does the boy say Blanche makes improper advances towards him? | [
"While she was working as a high school teacher in Auriol, Mississippi"
] | false |
/m/097zcz | Under mysterious circumstances, Blanche DuBois, an aging high school teacher, leaves her home in Auriol, Mississippi to travel to New Orleans to live with her sister, Stella Kowalski. She arrives on the train and boards a streetcar named "Desire" and reaches her sister's home in the French Quarter where she discovers that her sister and brother-in-law, Stanley Kowalski, live in a cramped and dilapidated two-room apartment in an old New Orleans tenement. Blanche and Stella are all that remain of an old aristocratic family. Blanche discloses that the family estate, Belle Reve, has been lost to creditors, and that she wants to stay with Stella and Stanley for a while. Blanche seems lost and broke, with nowhere to go. Stella welcomes her with an open heart.
From the start, Blanche and Stanley are wary of each other. Blanche has a soft-spoken manner; Stanley is rough and loud. His mere presence seems to threaten her, while her behavior and manner arouse suspicion in him. She is especially adroit at patronizing and criticizing Stella from the start. When interrogated about her past, struggling to be polite, Blanche says that she was married and widowed at a young age. She says that she has taken a leave of absence from her job due to her nerves. To satisfy Stanley's skepticism about the loss of the estate, Blanche hands over her papers pertaining to Belle Reve. But Stanley grabs at some of her private papers that she is holding back, and they cascade to the floor. Weeping, she gathers them all back, saying that they are poems from her dead husband. He defends himself by saying that he was just looking out for his family, and then announces that Stella is going to have a baby.
Soon after her arrival, Stanley has a poker night with his friends where Blanche meets Mitch. His courteous manner sets him apart from Stanley's other friends. They like each other right away. This is the start of their romance. Stanley explodes in a drunken rage, striking Stella, and sending his friends running, while Blanche and Stella flee to the upstairs neighbor, Eunice. When his anger subsides, Stanley cries out remorsefully for Stella to come back. "Stella, Stella, hey Stella," he bellows, until she comes down, and Stanley carries her off to bed. In the morning, Blanche tells Stella that she is married to a subhuman animal. In an emotional monologue, she urges her sister to leave Stanley. Stella disagrees with her sister's bluntness and assures Blanche that all is well, and that she does not want to leave.
As the weeks pass into months, the tension rises between Blanche and Stanley. But Blanche has hope in Mitch, telling Stella that she wants to go away with him and not be anyone's problem. She is on the verge of mental collapse, anticipating a marriage proposal from Mitch. Finally, he tells her that they need each other and should be together. But Stanley, still skeptical, begins to research her past and discovers a closet full of skeletons. He tells Stella what Blanche has been concealing from them, that she has a reputation for mental instability and that she was fired from her teaching job in Auriol for having sexual relations with a minor and practically run out of town. He then says that Mitch will not be coming around anymore. Stanley has informed Mitch about Blanche's past, and the news of her promiscuity has turned Mitch off from her. Stella erupts in anger that Stanley has ruined Blanche's chances with Mitch. But the fight is cut short, as she tells Stanley to take her to the hospital; the baby is coming.
As Blanche waits at home for news of the baby, Mitch arrives and confronts her with the stories that Stanley has told him. At first, she denies everything. Then, she breaks down in confession, describing, in a lengthy monologue, her troubled past. As she speaks to Mitch, she gives up the Southern belle façade; her voice grows weary and deep; her face becomes drawn and old; she pleads for his forgiveness, but Mitch is hurt and humiliated and rejects her. Blanche starts screaming, and Mitch runs away. Later that night, while Stella's labor continues, Stanley returns from the hospital to get some sleep, only to find Blanche dressed up in a tattered old gown pretending to be departing on a trip with an old admirer. She disdainfully antagonizes him, asserting her sense of superiority over him, spinning tale after tale about her plans for the future. He sees that she is delusional, but he feels no pity for her. Instead, he seeks to destroy her illusions. They become engaged in a struggle that ends in rape.
Weeks later, at another poker game at the Kowalski apartment, Stella and her neighbor, Eunice, are packing Blanche's belongings. Stella and Eunice have told Blanche that she is going on a vacation, but, in truth, Blanche is being committed to a mental hospital. She has suffered a complete mental breakdown. She has told Stella what happened, but Stella cannot believe Blanche's story. Stella, under obvious stress, does not know what to do. An older gentleman and lady come to the door; it is the doctor and nurse come to take Blanche away. Blanche does not recognize them and resists going; she collapses on the floor seized with total confusion. Mitch, present at the poker game, breaks down in tears. The doctor approaches and helps Blanche up. He offers his arm gently to her, and she goes willingly with him, saying, "Whoever you are, I have always depended upon the kindness of strangers." As the car drives away with Blanche, Stella takes the baby upstairs to Eunice's, and says she is never coming back to Stanley again. | A Streetcar Named Desire | ff50ca97-37d6-512a-5911-f69a042281a6 | Who directed the Broadway play? | [
"Information not in this summary."
] | false |
/m/097zcz | Under mysterious circumstances, Blanche DuBois, an aging high school teacher, leaves her home in Auriol, Mississippi to travel to New Orleans to live with her sister, Stella Kowalski. She arrives on the train and boards a streetcar named "Desire" and reaches her sister's home in the French Quarter where she discovers that her sister and brother-in-law, Stanley Kowalski, live in a cramped and dilapidated two-room apartment in an old New Orleans tenement. Blanche and Stella are all that remain of an old aristocratic family. Blanche discloses that the family estate, Belle Reve, has been lost to creditors, and that she wants to stay with Stella and Stanley for a while. Blanche seems lost and broke, with nowhere to go. Stella welcomes her with an open heart.
From the start, Blanche and Stanley are wary of each other. Blanche has a soft-spoken manner; Stanley is rough and loud. His mere presence seems to threaten her, while her behavior and manner arouse suspicion in him. She is especially adroit at patronizing and criticizing Stella from the start. When interrogated about her past, struggling to be polite, Blanche says that she was married and widowed at a young age. She says that she has taken a leave of absence from her job due to her nerves. To satisfy Stanley's skepticism about the loss of the estate, Blanche hands over her papers pertaining to Belle Reve. But Stanley grabs at some of her private papers that she is holding back, and they cascade to the floor. Weeping, she gathers them all back, saying that they are poems from her dead husband. He defends himself by saying that he was just looking out for his family, and then announces that Stella is going to have a baby.
Soon after her arrival, Stanley has a poker night with his friends where Blanche meets Mitch. His courteous manner sets him apart from Stanley's other friends. They like each other right away. This is the start of their romance. Stanley explodes in a drunken rage, striking Stella, and sending his friends running, while Blanche and Stella flee to the upstairs neighbor, Eunice. When his anger subsides, Stanley cries out remorsefully for Stella to come back. "Stella, Stella, hey Stella," he bellows, until she comes down, and Stanley carries her off to bed. In the morning, Blanche tells Stella that she is married to a subhuman animal. In an emotional monologue, she urges her sister to leave Stanley. Stella disagrees with her sister's bluntness and assures Blanche that all is well, and that she does not want to leave.
As the weeks pass into months, the tension rises between Blanche and Stanley. But Blanche has hope in Mitch, telling Stella that she wants to go away with him and not be anyone's problem. She is on the verge of mental collapse, anticipating a marriage proposal from Mitch. Finally, he tells her that they need each other and should be together. But Stanley, still skeptical, begins to research her past and discovers a closet full of skeletons. He tells Stella what Blanche has been concealing from them, that she has a reputation for mental instability and that she was fired from her teaching job in Auriol for having sexual relations with a minor and practically run out of town. He then says that Mitch will not be coming around anymore. Stanley has informed Mitch about Blanche's past, and the news of her promiscuity has turned Mitch off from her. Stella erupts in anger that Stanley has ruined Blanche's chances with Mitch. But the fight is cut short, as she tells Stanley to take her to the hospital; the baby is coming.
As Blanche waits at home for news of the baby, Mitch arrives and confronts her with the stories that Stanley has told him. At first, she denies everything. Then, she breaks down in confession, describing, in a lengthy monologue, her troubled past. As she speaks to Mitch, she gives up the Southern belle façade; her voice grows weary and deep; her face becomes drawn and old; she pleads for his forgiveness, but Mitch is hurt and humiliated and rejects her. Blanche starts screaming, and Mitch runs away. Later that night, while Stella's labor continues, Stanley returns from the hospital to get some sleep, only to find Blanche dressed up in a tattered old gown pretending to be departing on a trip with an old admirer. She disdainfully antagonizes him, asserting her sense of superiority over him, spinning tale after tale about her plans for the future. He sees that she is delusional, but he feels no pity for her. Instead, he seeks to destroy her illusions. They become engaged in a struggle that ends in rape.
Weeks later, at another poker game at the Kowalski apartment, Stella and her neighbor, Eunice, are packing Blanche's belongings. Stella and Eunice have told Blanche that she is going on a vacation, but, in truth, Blanche is being committed to a mental hospital. She has suffered a complete mental breakdown. She has told Stella what happened, but Stella cannot believe Blanche's story. Stella, under obvious stress, does not know what to do. An older gentleman and lady come to the door; it is the doctor and nurse come to take Blanche away. Blanche does not recognize them and resists going; she collapses on the floor seized with total confusion. Mitch, present at the poker game, breaks down in tears. The doctor approaches and helps Blanche up. He offers his arm gently to her, and she goes willingly with him, saying, "Whoever you are, I have always depended upon the kindness of strangers." As the car drives away with Blanche, Stella takes the baby upstairs to Eunice's, and says she is never coming back to Stanley again. | A Streetcar Named Desire | bd7bad99-7a81-f7b3-de18-92dbdde34f3d | Who plays the role of a landlady? | [
"Jessica Tandy"
] | false |
/m/097zcz | Under mysterious circumstances, Blanche DuBois, an aging high school teacher, leaves her home in Auriol, Mississippi to travel to New Orleans to live with her sister, Stella Kowalski. She arrives on the train and boards a streetcar named "Desire" and reaches her sister's home in the French Quarter where she discovers that her sister and brother-in-law, Stanley Kowalski, live in a cramped and dilapidated two-room apartment in an old New Orleans tenement. Blanche and Stella are all that remain of an old aristocratic family. Blanche discloses that the family estate, Belle Reve, has been lost to creditors, and that she wants to stay with Stella and Stanley for a while. Blanche seems lost and broke, with nowhere to go. Stella welcomes her with an open heart.
From the start, Blanche and Stanley are wary of each other. Blanche has a soft-spoken manner; Stanley is rough and loud. His mere presence seems to threaten her, while her behavior and manner arouse suspicion in him. She is especially adroit at patronizing and criticizing Stella from the start. When interrogated about her past, struggling to be polite, Blanche says that she was married and widowed at a young age. She says that she has taken a leave of absence from her job due to her nerves. To satisfy Stanley's skepticism about the loss of the estate, Blanche hands over her papers pertaining to Belle Reve. But Stanley grabs at some of her private papers that she is holding back, and they cascade to the floor. Weeping, she gathers them all back, saying that they are poems from her dead husband. He defends himself by saying that he was just looking out for his family, and then announces that Stella is going to have a baby.
Soon after her arrival, Stanley has a poker night with his friends where Blanche meets Mitch. His courteous manner sets him apart from Stanley's other friends. They like each other right away. This is the start of their romance. Stanley explodes in a drunken rage, striking Stella, and sending his friends running, while Blanche and Stella flee to the upstairs neighbor, Eunice. When his anger subsides, Stanley cries out remorsefully for Stella to come back. "Stella, Stella, hey Stella," he bellows, until she comes down, and Stanley carries her off to bed. In the morning, Blanche tells Stella that she is married to a subhuman animal. In an emotional monologue, she urges her sister to leave Stanley. Stella disagrees with her sister's bluntness and assures Blanche that all is well, and that she does not want to leave.
As the weeks pass into months, the tension rises between Blanche and Stanley. But Blanche has hope in Mitch, telling Stella that she wants to go away with him and not be anyone's problem. She is on the verge of mental collapse, anticipating a marriage proposal from Mitch. Finally, he tells her that they need each other and should be together. But Stanley, still skeptical, begins to research her past and discovers a closet full of skeletons. He tells Stella what Blanche has been concealing from them, that she has a reputation for mental instability and that she was fired from her teaching job in Auriol for having sexual relations with a minor and practically run out of town. He then says that Mitch will not be coming around anymore. Stanley has informed Mitch about Blanche's past, and the news of her promiscuity has turned Mitch off from her. Stella erupts in anger that Stanley has ruined Blanche's chances with Mitch. But the fight is cut short, as she tells Stanley to take her to the hospital; the baby is coming.
As Blanche waits at home for news of the baby, Mitch arrives and confronts her with the stories that Stanley has told him. At first, she denies everything. Then, she breaks down in confession, describing, in a lengthy monologue, her troubled past. As she speaks to Mitch, she gives up the Southern belle façade; her voice grows weary and deep; her face becomes drawn and old; she pleads for his forgiveness, but Mitch is hurt and humiliated and rejects her. Blanche starts screaming, and Mitch runs away. Later that night, while Stella's labor continues, Stanley returns from the hospital to get some sleep, only to find Blanche dressed up in a tattered old gown pretending to be departing on a trip with an old admirer. She disdainfully antagonizes him, asserting her sense of superiority over him, spinning tale after tale about her plans for the future. He sees that she is delusional, but he feels no pity for her. Instead, he seeks to destroy her illusions. They become engaged in a struggle that ends in rape.
Weeks later, at another poker game at the Kowalski apartment, Stella and her neighbor, Eunice, are packing Blanche's belongings. Stella and Eunice have told Blanche that she is going on a vacation, but, in truth, Blanche is being committed to a mental hospital. She has suffered a complete mental breakdown. She has told Stella what happened, but Stella cannot believe Blanche's story. Stella, under obvious stress, does not know what to do. An older gentleman and lady come to the door; it is the doctor and nurse come to take Blanche away. Blanche does not recognize them and resists going; she collapses on the floor seized with total confusion. Mitch, present at the poker game, breaks down in tears. The doctor approaches and helps Blanche up. He offers his arm gently to her, and she goes willingly with him, saying, "Whoever you are, I have always depended upon the kindness of strangers." As the car drives away with Blanche, Stella takes the baby upstairs to Eunice's, and says she is never coming back to Stanley again. | A Streetcar Named Desire | b5dfe771-b4b8-3911-414a-d1794fbfc21b | Who does Blanche attract the attention of? | [
"Mitch"
] | false |
/m/097zcz | Under mysterious circumstances, Blanche DuBois, an aging high school teacher, leaves her home in Auriol, Mississippi to travel to New Orleans to live with her sister, Stella Kowalski. She arrives on the train and boards a streetcar named "Desire" and reaches her sister's home in the French Quarter where she discovers that her sister and brother-in-law, Stanley Kowalski, live in a cramped and dilapidated two-room apartment in an old New Orleans tenement. Blanche and Stella are all that remain of an old aristocratic family. Blanche discloses that the family estate, Belle Reve, has been lost to creditors, and that she wants to stay with Stella and Stanley for a while. Blanche seems lost and broke, with nowhere to go. Stella welcomes her with an open heart.
From the start, Blanche and Stanley are wary of each other. Blanche has a soft-spoken manner; Stanley is rough and loud. His mere presence seems to threaten her, while her behavior and manner arouse suspicion in him. She is especially adroit at patronizing and criticizing Stella from the start. When interrogated about her past, struggling to be polite, Blanche says that she was married and widowed at a young age. She says that she has taken a leave of absence from her job due to her nerves. To satisfy Stanley's skepticism about the loss of the estate, Blanche hands over her papers pertaining to Belle Reve. But Stanley grabs at some of her private papers that she is holding back, and they cascade to the floor. Weeping, she gathers them all back, saying that they are poems from her dead husband. He defends himself by saying that he was just looking out for his family, and then announces that Stella is going to have a baby.
Soon after her arrival, Stanley has a poker night with his friends where Blanche meets Mitch. His courteous manner sets him apart from Stanley's other friends. They like each other right away. This is the start of their romance. Stanley explodes in a drunken rage, striking Stella, and sending his friends running, while Blanche and Stella flee to the upstairs neighbor, Eunice. When his anger subsides, Stanley cries out remorsefully for Stella to come back. "Stella, Stella, hey Stella," he bellows, until she comes down, and Stanley carries her off to bed. In the morning, Blanche tells Stella that she is married to a subhuman animal. In an emotional monologue, she urges her sister to leave Stanley. Stella disagrees with her sister's bluntness and assures Blanche that all is well, and that she does not want to leave.
As the weeks pass into months, the tension rises between Blanche and Stanley. But Blanche has hope in Mitch, telling Stella that she wants to go away with him and not be anyone's problem. She is on the verge of mental collapse, anticipating a marriage proposal from Mitch. Finally, he tells her that they need each other and should be together. But Stanley, still skeptical, begins to research her past and discovers a closet full of skeletons. He tells Stella what Blanche has been concealing from them, that she has a reputation for mental instability and that she was fired from her teaching job in Auriol for having sexual relations with a minor and practically run out of town. He then says that Mitch will not be coming around anymore. Stanley has informed Mitch about Blanche's past, and the news of her promiscuity has turned Mitch off from her. Stella erupts in anger that Stanley has ruined Blanche's chances with Mitch. But the fight is cut short, as she tells Stanley to take her to the hospital; the baby is coming.
As Blanche waits at home for news of the baby, Mitch arrives and confronts her with the stories that Stanley has told him. At first, she denies everything. Then, she breaks down in confession, describing, in a lengthy monologue, her troubled past. As she speaks to Mitch, she gives up the Southern belle façade; her voice grows weary and deep; her face becomes drawn and old; she pleads for his forgiveness, but Mitch is hurt and humiliated and rejects her. Blanche starts screaming, and Mitch runs away. Later that night, while Stella's labor continues, Stanley returns from the hospital to get some sleep, only to find Blanche dressed up in a tattered old gown pretending to be departing on a trip with an old admirer. She disdainfully antagonizes him, asserting her sense of superiority over him, spinning tale after tale about her plans for the future. He sees that she is delusional, but he feels no pity for her. Instead, he seeks to destroy her illusions. They become engaged in a struggle that ends in rape.
Weeks later, at another poker game at the Kowalski apartment, Stella and her neighbor, Eunice, are packing Blanche's belongings. Stella and Eunice have told Blanche that she is going on a vacation, but, in truth, Blanche is being committed to a mental hospital. She has suffered a complete mental breakdown. She has told Stella what happened, but Stella cannot believe Blanche's story. Stella, under obvious stress, does not know what to do. An older gentleman and lady come to the door; it is the doctor and nurse come to take Blanche away. Blanche does not recognize them and resists going; she collapses on the floor seized with total confusion. Mitch, present at the poker game, breaks down in tears. The doctor approaches and helps Blanche up. He offers his arm gently to her, and she goes willingly with him, saying, "Whoever you are, I have always depended upon the kindness of strangers." As the car drives away with Blanche, Stella takes the baby upstairs to Eunice's, and says she is never coming back to Stanley again. | A Streetcar Named Desire | e4d13fa4-456c-e206-edd7-2c5f1d7b0509 | Where was Stella from? | [
"New Orleans"
] | false |
/m/097zcz | Under mysterious circumstances, Blanche DuBois, an aging high school teacher, leaves her home in Auriol, Mississippi to travel to New Orleans to live with her sister, Stella Kowalski. She arrives on the train and boards a streetcar named "Desire" and reaches her sister's home in the French Quarter where she discovers that her sister and brother-in-law, Stanley Kowalski, live in a cramped and dilapidated two-room apartment in an old New Orleans tenement. Blanche and Stella are all that remain of an old aristocratic family. Blanche discloses that the family estate, Belle Reve, has been lost to creditors, and that she wants to stay with Stella and Stanley for a while. Blanche seems lost and broke, with nowhere to go. Stella welcomes her with an open heart.
From the start, Blanche and Stanley are wary of each other. Blanche has a soft-spoken manner; Stanley is rough and loud. His mere presence seems to threaten her, while her behavior and manner arouse suspicion in him. She is especially adroit at patronizing and criticizing Stella from the start. When interrogated about her past, struggling to be polite, Blanche says that she was married and widowed at a young age. She says that she has taken a leave of absence from her job due to her nerves. To satisfy Stanley's skepticism about the loss of the estate, Blanche hands over her papers pertaining to Belle Reve. But Stanley grabs at some of her private papers that she is holding back, and they cascade to the floor. Weeping, she gathers them all back, saying that they are poems from her dead husband. He defends himself by saying that he was just looking out for his family, and then announces that Stella is going to have a baby.
Soon after her arrival, Stanley has a poker night with his friends where Blanche meets Mitch. His courteous manner sets him apart from Stanley's other friends. They like each other right away. This is the start of their romance. Stanley explodes in a drunken rage, striking Stella, and sending his friends running, while Blanche and Stella flee to the upstairs neighbor, Eunice. When his anger subsides, Stanley cries out remorsefully for Stella to come back. "Stella, Stella, hey Stella," he bellows, until she comes down, and Stanley carries her off to bed. In the morning, Blanche tells Stella that she is married to a subhuman animal. In an emotional monologue, she urges her sister to leave Stanley. Stella disagrees with her sister's bluntness and assures Blanche that all is well, and that she does not want to leave.
As the weeks pass into months, the tension rises between Blanche and Stanley. But Blanche has hope in Mitch, telling Stella that she wants to go away with him and not be anyone's problem. She is on the verge of mental collapse, anticipating a marriage proposal from Mitch. Finally, he tells her that they need each other and should be together. But Stanley, still skeptical, begins to research her past and discovers a closet full of skeletons. He tells Stella what Blanche has been concealing from them, that she has a reputation for mental instability and that she was fired from her teaching job in Auriol for having sexual relations with a minor and practically run out of town. He then says that Mitch will not be coming around anymore. Stanley has informed Mitch about Blanche's past, and the news of her promiscuity has turned Mitch off from her. Stella erupts in anger that Stanley has ruined Blanche's chances with Mitch. But the fight is cut short, as she tells Stanley to take her to the hospital; the baby is coming.
As Blanche waits at home for news of the baby, Mitch arrives and confronts her with the stories that Stanley has told him. At first, she denies everything. Then, she breaks down in confession, describing, in a lengthy monologue, her troubled past. As she speaks to Mitch, she gives up the Southern belle façade; her voice grows weary and deep; her face becomes drawn and old; she pleads for his forgiveness, but Mitch is hurt and humiliated and rejects her. Blanche starts screaming, and Mitch runs away. Later that night, while Stella's labor continues, Stanley returns from the hospital to get some sleep, only to find Blanche dressed up in a tattered old gown pretending to be departing on a trip with an old admirer. She disdainfully antagonizes him, asserting her sense of superiority over him, spinning tale after tale about her plans for the future. He sees that she is delusional, but he feels no pity for her. Instead, he seeks to destroy her illusions. They become engaged in a struggle that ends in rape.
Weeks later, at another poker game at the Kowalski apartment, Stella and her neighbor, Eunice, are packing Blanche's belongings. Stella and Eunice have told Blanche that she is going on a vacation, but, in truth, Blanche is being committed to a mental hospital. She has suffered a complete mental breakdown. She has told Stella what happened, but Stella cannot believe Blanche's story. Stella, under obvious stress, does not know what to do. An older gentleman and lady come to the door; it is the doctor and nurse come to take Blanche away. Blanche does not recognize them and resists going; she collapses on the floor seized with total confusion. Mitch, present at the poker game, breaks down in tears. The doctor approaches and helps Blanche up. He offers his arm gently to her, and she goes willingly with him, saying, "Whoever you are, I have always depended upon the kindness of strangers." As the car drives away with Blanche, Stella takes the baby upstairs to Eunice's, and says she is never coming back to Stanley again. | A Streetcar Named Desire | ec42226b-7f61-e15f-2bcf-ab71b6a96691 | Who attracts the attention of lonely Mitch? | [
"Blanche",
"No one"
] | false |
/m/097zcz | Under mysterious circumstances, Blanche DuBois, an aging high school teacher, leaves her home in Auriol, Mississippi to travel to New Orleans to live with her sister, Stella Kowalski. She arrives on the train and boards a streetcar named "Desire" and reaches her sister's home in the French Quarter where she discovers that her sister and brother-in-law, Stanley Kowalski, live in a cramped and dilapidated two-room apartment in an old New Orleans tenement. Blanche and Stella are all that remain of an old aristocratic family. Blanche discloses that the family estate, Belle Reve, has been lost to creditors, and that she wants to stay with Stella and Stanley for a while. Blanche seems lost and broke, with nowhere to go. Stella welcomes her with an open heart.
From the start, Blanche and Stanley are wary of each other. Blanche has a soft-spoken manner; Stanley is rough and loud. His mere presence seems to threaten her, while her behavior and manner arouse suspicion in him. She is especially adroit at patronizing and criticizing Stella from the start. When interrogated about her past, struggling to be polite, Blanche says that she was married and widowed at a young age. She says that she has taken a leave of absence from her job due to her nerves. To satisfy Stanley's skepticism about the loss of the estate, Blanche hands over her papers pertaining to Belle Reve. But Stanley grabs at some of her private papers that she is holding back, and they cascade to the floor. Weeping, she gathers them all back, saying that they are poems from her dead husband. He defends himself by saying that he was just looking out for his family, and then announces that Stella is going to have a baby.
Soon after her arrival, Stanley has a poker night with his friends where Blanche meets Mitch. His courteous manner sets him apart from Stanley's other friends. They like each other right away. This is the start of their romance. Stanley explodes in a drunken rage, striking Stella, and sending his friends running, while Blanche and Stella flee to the upstairs neighbor, Eunice. When his anger subsides, Stanley cries out remorsefully for Stella to come back. "Stella, Stella, hey Stella," he bellows, until she comes down, and Stanley carries her off to bed. In the morning, Blanche tells Stella that she is married to a subhuman animal. In an emotional monologue, she urges her sister to leave Stanley. Stella disagrees with her sister's bluntness and assures Blanche that all is well, and that she does not want to leave.
As the weeks pass into months, the tension rises between Blanche and Stanley. But Blanche has hope in Mitch, telling Stella that she wants to go away with him and not be anyone's problem. She is on the verge of mental collapse, anticipating a marriage proposal from Mitch. Finally, he tells her that they need each other and should be together. But Stanley, still skeptical, begins to research her past and discovers a closet full of skeletons. He tells Stella what Blanche has been concealing from them, that she has a reputation for mental instability and that she was fired from her teaching job in Auriol for having sexual relations with a minor and practically run out of town. He then says that Mitch will not be coming around anymore. Stanley has informed Mitch about Blanche's past, and the news of her promiscuity has turned Mitch off from her. Stella erupts in anger that Stanley has ruined Blanche's chances with Mitch. But the fight is cut short, as she tells Stanley to take her to the hospital; the baby is coming.
As Blanche waits at home for news of the baby, Mitch arrives and confronts her with the stories that Stanley has told him. At first, she denies everything. Then, she breaks down in confession, describing, in a lengthy monologue, her troubled past. As she speaks to Mitch, she gives up the Southern belle façade; her voice grows weary and deep; her face becomes drawn and old; she pleads for his forgiveness, but Mitch is hurt and humiliated and rejects her. Blanche starts screaming, and Mitch runs away. Later that night, while Stella's labor continues, Stanley returns from the hospital to get some sleep, only to find Blanche dressed up in a tattered old gown pretending to be departing on a trip with an old admirer. She disdainfully antagonizes him, asserting her sense of superiority over him, spinning tale after tale about her plans for the future. He sees that she is delusional, but he feels no pity for her. Instead, he seeks to destroy her illusions. They become engaged in a struggle that ends in rape.
Weeks later, at another poker game at the Kowalski apartment, Stella and her neighbor, Eunice, are packing Blanche's belongings. Stella and Eunice have told Blanche that she is going on a vacation, but, in truth, Blanche is being committed to a mental hospital. She has suffered a complete mental breakdown. She has told Stella what happened, but Stella cannot believe Blanche's story. Stella, under obvious stress, does not know what to do. An older gentleman and lady come to the door; it is the doctor and nurse come to take Blanche away. Blanche does not recognize them and resists going; she collapses on the floor seized with total confusion. Mitch, present at the poker game, breaks down in tears. The doctor approaches and helps Blanche up. He offers his arm gently to her, and she goes willingly with him, saying, "Whoever you are, I have always depended upon the kindness of strangers." As the car drives away with Blanche, Stella takes the baby upstairs to Eunice's, and says she is never coming back to Stanley again. | A Streetcar Named Desire | f86d11c7-43ed-5be8-48b6-f3692e9e8878 | Who grew up with racial slurs but became financially stable? | [] | true |
/m/097zcz | Under mysterious circumstances, Blanche DuBois, an aging high school teacher, leaves her home in Auriol, Mississippi to travel to New Orleans to live with her sister, Stella Kowalski. She arrives on the train and boards a streetcar named "Desire" and reaches her sister's home in the French Quarter where she discovers that her sister and brother-in-law, Stanley Kowalski, live in a cramped and dilapidated two-room apartment in an old New Orleans tenement. Blanche and Stella are all that remain of an old aristocratic family. Blanche discloses that the family estate, Belle Reve, has been lost to creditors, and that she wants to stay with Stella and Stanley for a while. Blanche seems lost and broke, with nowhere to go. Stella welcomes her with an open heart.
From the start, Blanche and Stanley are wary of each other. Blanche has a soft-spoken manner; Stanley is rough and loud. His mere presence seems to threaten her, while her behavior and manner arouse suspicion in him. She is especially adroit at patronizing and criticizing Stella from the start. When interrogated about her past, struggling to be polite, Blanche says that she was married and widowed at a young age. She says that she has taken a leave of absence from her job due to her nerves. To satisfy Stanley's skepticism about the loss of the estate, Blanche hands over her papers pertaining to Belle Reve. But Stanley grabs at some of her private papers that she is holding back, and they cascade to the floor. Weeping, she gathers them all back, saying that they are poems from her dead husband. He defends himself by saying that he was just looking out for his family, and then announces that Stella is going to have a baby.
Soon after her arrival, Stanley has a poker night with his friends where Blanche meets Mitch. His courteous manner sets him apart from Stanley's other friends. They like each other right away. This is the start of their romance. Stanley explodes in a drunken rage, striking Stella, and sending his friends running, while Blanche and Stella flee to the upstairs neighbor, Eunice. When his anger subsides, Stanley cries out remorsefully for Stella to come back. "Stella, Stella, hey Stella," he bellows, until she comes down, and Stanley carries her off to bed. In the morning, Blanche tells Stella that she is married to a subhuman animal. In an emotional monologue, she urges her sister to leave Stanley. Stella disagrees with her sister's bluntness and assures Blanche that all is well, and that she does not want to leave.
As the weeks pass into months, the tension rises between Blanche and Stanley. But Blanche has hope in Mitch, telling Stella that she wants to go away with him and not be anyone's problem. She is on the verge of mental collapse, anticipating a marriage proposal from Mitch. Finally, he tells her that they need each other and should be together. But Stanley, still skeptical, begins to research her past and discovers a closet full of skeletons. He tells Stella what Blanche has been concealing from them, that she has a reputation for mental instability and that she was fired from her teaching job in Auriol for having sexual relations with a minor and practically run out of town. He then says that Mitch will not be coming around anymore. Stanley has informed Mitch about Blanche's past, and the news of her promiscuity has turned Mitch off from her. Stella erupts in anger that Stanley has ruined Blanche's chances with Mitch. But the fight is cut short, as she tells Stanley to take her to the hospital; the baby is coming.
As Blanche waits at home for news of the baby, Mitch arrives and confronts her with the stories that Stanley has told him. At first, she denies everything. Then, she breaks down in confession, describing, in a lengthy monologue, her troubled past. As she speaks to Mitch, she gives up the Southern belle façade; her voice grows weary and deep; her face becomes drawn and old; she pleads for his forgiveness, but Mitch is hurt and humiliated and rejects her. Blanche starts screaming, and Mitch runs away. Later that night, while Stella's labor continues, Stanley returns from the hospital to get some sleep, only to find Blanche dressed up in a tattered old gown pretending to be departing on a trip with an old admirer. She disdainfully antagonizes him, asserting her sense of superiority over him, spinning tale after tale about her plans for the future. He sees that she is delusional, but he feels no pity for her. Instead, he seeks to destroy her illusions. They become engaged in a struggle that ends in rape.
Weeks later, at another poker game at the Kowalski apartment, Stella and her neighbor, Eunice, are packing Blanche's belongings. Stella and Eunice have told Blanche that she is going on a vacation, but, in truth, Blanche is being committed to a mental hospital. She has suffered a complete mental breakdown. She has told Stella what happened, but Stella cannot believe Blanche's story. Stella, under obvious stress, does not know what to do. An older gentleman and lady come to the door; it is the doctor and nurse come to take Blanche away. Blanche does not recognize them and resists going; she collapses on the floor seized with total confusion. Mitch, present at the poker game, breaks down in tears. The doctor approaches and helps Blanche up. He offers his arm gently to her, and she goes willingly with him, saying, "Whoever you are, I have always depended upon the kindness of strangers." As the car drives away with Blanche, Stella takes the baby upstairs to Eunice's, and says she is never coming back to Stanley again. | A Streetcar Named Desire | 8f92089d-c926-de29-5ac9-76021f90ddb5 | Who was Stanley's friend to play cards with? | [
"Mitch"
] | false |
/m/097zcz | Under mysterious circumstances, Blanche DuBois, an aging high school teacher, leaves her home in Auriol, Mississippi to travel to New Orleans to live with her sister, Stella Kowalski. She arrives on the train and boards a streetcar named "Desire" and reaches her sister's home in the French Quarter where she discovers that her sister and brother-in-law, Stanley Kowalski, live in a cramped and dilapidated two-room apartment in an old New Orleans tenement. Blanche and Stella are all that remain of an old aristocratic family. Blanche discloses that the family estate, Belle Reve, has been lost to creditors, and that she wants to stay with Stella and Stanley for a while. Blanche seems lost and broke, with nowhere to go. Stella welcomes her with an open heart.
From the start, Blanche and Stanley are wary of each other. Blanche has a soft-spoken manner; Stanley is rough and loud. His mere presence seems to threaten her, while her behavior and manner arouse suspicion in him. She is especially adroit at patronizing and criticizing Stella from the start. When interrogated about her past, struggling to be polite, Blanche says that she was married and widowed at a young age. She says that she has taken a leave of absence from her job due to her nerves. To satisfy Stanley's skepticism about the loss of the estate, Blanche hands over her papers pertaining to Belle Reve. But Stanley grabs at some of her private papers that she is holding back, and they cascade to the floor. Weeping, she gathers them all back, saying that they are poems from her dead husband. He defends himself by saying that he was just looking out for his family, and then announces that Stella is going to have a baby.
Soon after her arrival, Stanley has a poker night with his friends where Blanche meets Mitch. His courteous manner sets him apart from Stanley's other friends. They like each other right away. This is the start of their romance. Stanley explodes in a drunken rage, striking Stella, and sending his friends running, while Blanche and Stella flee to the upstairs neighbor, Eunice. When his anger subsides, Stanley cries out remorsefully for Stella to come back. "Stella, Stella, hey Stella," he bellows, until she comes down, and Stanley carries her off to bed. In the morning, Blanche tells Stella that she is married to a subhuman animal. In an emotional monologue, she urges her sister to leave Stanley. Stella disagrees with her sister's bluntness and assures Blanche that all is well, and that she does not want to leave.
As the weeks pass into months, the tension rises between Blanche and Stanley. But Blanche has hope in Mitch, telling Stella that she wants to go away with him and not be anyone's problem. She is on the verge of mental collapse, anticipating a marriage proposal from Mitch. Finally, he tells her that they need each other and should be together. But Stanley, still skeptical, begins to research her past and discovers a closet full of skeletons. He tells Stella what Blanche has been concealing from them, that she has a reputation for mental instability and that she was fired from her teaching job in Auriol for having sexual relations with a minor and practically run out of town. He then says that Mitch will not be coming around anymore. Stanley has informed Mitch about Blanche's past, and the news of her promiscuity has turned Mitch off from her. Stella erupts in anger that Stanley has ruined Blanche's chances with Mitch. But the fight is cut short, as she tells Stanley to take her to the hospital; the baby is coming.
As Blanche waits at home for news of the baby, Mitch arrives and confronts her with the stories that Stanley has told him. At first, she denies everything. Then, she breaks down in confession, describing, in a lengthy monologue, her troubled past. As she speaks to Mitch, she gives up the Southern belle façade; her voice grows weary and deep; her face becomes drawn and old; she pleads for his forgiveness, but Mitch is hurt and humiliated and rejects her. Blanche starts screaming, and Mitch runs away. Later that night, while Stella's labor continues, Stanley returns from the hospital to get some sleep, only to find Blanche dressed up in a tattered old gown pretending to be departing on a trip with an old admirer. She disdainfully antagonizes him, asserting her sense of superiority over him, spinning tale after tale about her plans for the future. He sees that she is delusional, but he feels no pity for her. Instead, he seeks to destroy her illusions. They become engaged in a struggle that ends in rape.
Weeks later, at another poker game at the Kowalski apartment, Stella and her neighbor, Eunice, are packing Blanche's belongings. Stella and Eunice have told Blanche that she is going on a vacation, but, in truth, Blanche is being committed to a mental hospital. She has suffered a complete mental breakdown. She has told Stella what happened, but Stella cannot believe Blanche's story. Stella, under obvious stress, does not know what to do. An older gentleman and lady come to the door; it is the doctor and nurse come to take Blanche away. Blanche does not recognize them and resists going; she collapses on the floor seized with total confusion. Mitch, present at the poker game, breaks down in tears. The doctor approaches and helps Blanche up. He offers his arm gently to her, and she goes willingly with him, saying, "Whoever you are, I have always depended upon the kindness of strangers." As the car drives away with Blanche, Stella takes the baby upstairs to Eunice's, and says she is never coming back to Stanley again. | A Streetcar Named Desire | 2752c81b-58c6-5bd4-549a-6dac381bf3b9 | What city does Stanley move to and meet a wife? | [
"New Orleans"
] | false |
/m/097zcz | Under mysterious circumstances, Blanche DuBois, an aging high school teacher, leaves her home in Auriol, Mississippi to travel to New Orleans to live with her sister, Stella Kowalski. She arrives on the train and boards a streetcar named "Desire" and reaches her sister's home in the French Quarter where she discovers that her sister and brother-in-law, Stanley Kowalski, live in a cramped and dilapidated two-room apartment in an old New Orleans tenement. Blanche and Stella are all that remain of an old aristocratic family. Blanche discloses that the family estate, Belle Reve, has been lost to creditors, and that she wants to stay with Stella and Stanley for a while. Blanche seems lost and broke, with nowhere to go. Stella welcomes her with an open heart.
From the start, Blanche and Stanley are wary of each other. Blanche has a soft-spoken manner; Stanley is rough and loud. His mere presence seems to threaten her, while her behavior and manner arouse suspicion in him. She is especially adroit at patronizing and criticizing Stella from the start. When interrogated about her past, struggling to be polite, Blanche says that she was married and widowed at a young age. She says that she has taken a leave of absence from her job due to her nerves. To satisfy Stanley's skepticism about the loss of the estate, Blanche hands over her papers pertaining to Belle Reve. But Stanley grabs at some of her private papers that she is holding back, and they cascade to the floor. Weeping, she gathers them all back, saying that they are poems from her dead husband. He defends himself by saying that he was just looking out for his family, and then announces that Stella is going to have a baby.
Soon after her arrival, Stanley has a poker night with his friends where Blanche meets Mitch. His courteous manner sets him apart from Stanley's other friends. They like each other right away. This is the start of their romance. Stanley explodes in a drunken rage, striking Stella, and sending his friends running, while Blanche and Stella flee to the upstairs neighbor, Eunice. When his anger subsides, Stanley cries out remorsefully for Stella to come back. "Stella, Stella, hey Stella," he bellows, until she comes down, and Stanley carries her off to bed. In the morning, Blanche tells Stella that she is married to a subhuman animal. In an emotional monologue, she urges her sister to leave Stanley. Stella disagrees with her sister's bluntness and assures Blanche that all is well, and that she does not want to leave.
As the weeks pass into months, the tension rises between Blanche and Stanley. But Blanche has hope in Mitch, telling Stella that she wants to go away with him and not be anyone's problem. She is on the verge of mental collapse, anticipating a marriage proposal from Mitch. Finally, he tells her that they need each other and should be together. But Stanley, still skeptical, begins to research her past and discovers a closet full of skeletons. He tells Stella what Blanche has been concealing from them, that she has a reputation for mental instability and that she was fired from her teaching job in Auriol for having sexual relations with a minor and practically run out of town. He then says that Mitch will not be coming around anymore. Stanley has informed Mitch about Blanche's past, and the news of her promiscuity has turned Mitch off from her. Stella erupts in anger that Stanley has ruined Blanche's chances with Mitch. But the fight is cut short, as she tells Stanley to take her to the hospital; the baby is coming.
As Blanche waits at home for news of the baby, Mitch arrives and confronts her with the stories that Stanley has told him. At first, she denies everything. Then, she breaks down in confession, describing, in a lengthy monologue, her troubled past. As she speaks to Mitch, she gives up the Southern belle façade; her voice grows weary and deep; her face becomes drawn and old; she pleads for his forgiveness, but Mitch is hurt and humiliated and rejects her. Blanche starts screaming, and Mitch runs away. Later that night, while Stella's labor continues, Stanley returns from the hospital to get some sleep, only to find Blanche dressed up in a tattered old gown pretending to be departing on a trip with an old admirer. She disdainfully antagonizes him, asserting her sense of superiority over him, spinning tale after tale about her plans for the future. He sees that she is delusional, but he feels no pity for her. Instead, he seeks to destroy her illusions. They become engaged in a struggle that ends in rape.
Weeks later, at another poker game at the Kowalski apartment, Stella and her neighbor, Eunice, are packing Blanche's belongings. Stella and Eunice have told Blanche that she is going on a vacation, but, in truth, Blanche is being committed to a mental hospital. She has suffered a complete mental breakdown. She has told Stella what happened, but Stella cannot believe Blanche's story. Stella, under obvious stress, does not know what to do. An older gentleman and lady come to the door; it is the doctor and nurse come to take Blanche away. Blanche does not recognize them and resists going; she collapses on the floor seized with total confusion. Mitch, present at the poker game, breaks down in tears. The doctor approaches and helps Blanche up. He offers his arm gently to her, and she goes willingly with him, saying, "Whoever you are, I have always depended upon the kindness of strangers." As the car drives away with Blanche, Stella takes the baby upstairs to Eunice's, and says she is never coming back to Stanley again. | A Streetcar Named Desire | 697006a0-0ac2-b5e9-ca71-4cb8f18af5ce | Who is daughter of an Aristocratic MIssissippi family? | [
"Blanche and Stella"
] | false |
/m/097zcz | Under mysterious circumstances, Blanche DuBois, an aging high school teacher, leaves her home in Auriol, Mississippi to travel to New Orleans to live with her sister, Stella Kowalski. She arrives on the train and boards a streetcar named "Desire" and reaches her sister's home in the French Quarter where she discovers that her sister and brother-in-law, Stanley Kowalski, live in a cramped and dilapidated two-room apartment in an old New Orleans tenement. Blanche and Stella are all that remain of an old aristocratic family. Blanche discloses that the family estate, Belle Reve, has been lost to creditors, and that she wants to stay with Stella and Stanley for a while. Blanche seems lost and broke, with nowhere to go. Stella welcomes her with an open heart.
From the start, Blanche and Stanley are wary of each other. Blanche has a soft-spoken manner; Stanley is rough and loud. His mere presence seems to threaten her, while her behavior and manner arouse suspicion in him. She is especially adroit at patronizing and criticizing Stella from the start. When interrogated about her past, struggling to be polite, Blanche says that she was married and widowed at a young age. She says that she has taken a leave of absence from her job due to her nerves. To satisfy Stanley's skepticism about the loss of the estate, Blanche hands over her papers pertaining to Belle Reve. But Stanley grabs at some of her private papers that she is holding back, and they cascade to the floor. Weeping, she gathers them all back, saying that they are poems from her dead husband. He defends himself by saying that he was just looking out for his family, and then announces that Stella is going to have a baby.
Soon after her arrival, Stanley has a poker night with his friends where Blanche meets Mitch. His courteous manner sets him apart from Stanley's other friends. They like each other right away. This is the start of their romance. Stanley explodes in a drunken rage, striking Stella, and sending his friends running, while Blanche and Stella flee to the upstairs neighbor, Eunice. When his anger subsides, Stanley cries out remorsefully for Stella to come back. "Stella, Stella, hey Stella," he bellows, until she comes down, and Stanley carries her off to bed. In the morning, Blanche tells Stella that she is married to a subhuman animal. In an emotional monologue, she urges her sister to leave Stanley. Stella disagrees with her sister's bluntness and assures Blanche that all is well, and that she does not want to leave.
As the weeks pass into months, the tension rises between Blanche and Stanley. But Blanche has hope in Mitch, telling Stella that she wants to go away with him and not be anyone's problem. She is on the verge of mental collapse, anticipating a marriage proposal from Mitch. Finally, he tells her that they need each other and should be together. But Stanley, still skeptical, begins to research her past and discovers a closet full of skeletons. He tells Stella what Blanche has been concealing from them, that she has a reputation for mental instability and that she was fired from her teaching job in Auriol for having sexual relations with a minor and practically run out of town. He then says that Mitch will not be coming around anymore. Stanley has informed Mitch about Blanche's past, and the news of her promiscuity has turned Mitch off from her. Stella erupts in anger that Stanley has ruined Blanche's chances with Mitch. But the fight is cut short, as she tells Stanley to take her to the hospital; the baby is coming.
As Blanche waits at home for news of the baby, Mitch arrives and confronts her with the stories that Stanley has told him. At first, she denies everything. Then, she breaks down in confession, describing, in a lengthy monologue, her troubled past. As she speaks to Mitch, she gives up the Southern belle façade; her voice grows weary and deep; her face becomes drawn and old; she pleads for his forgiveness, but Mitch is hurt and humiliated and rejects her. Blanche starts screaming, and Mitch runs away. Later that night, while Stella's labor continues, Stanley returns from the hospital to get some sleep, only to find Blanche dressed up in a tattered old gown pretending to be departing on a trip with an old admirer. She disdainfully antagonizes him, asserting her sense of superiority over him, spinning tale after tale about her plans for the future. He sees that she is delusional, but he feels no pity for her. Instead, he seeks to destroy her illusions. They become engaged in a struggle that ends in rape.
Weeks later, at another poker game at the Kowalski apartment, Stella and her neighbor, Eunice, are packing Blanche's belongings. Stella and Eunice have told Blanche that she is going on a vacation, but, in truth, Blanche is being committed to a mental hospital. She has suffered a complete mental breakdown. She has told Stella what happened, but Stella cannot believe Blanche's story. Stella, under obvious stress, does not know what to do. An older gentleman and lady come to the door; it is the doctor and nurse come to take Blanche away. Blanche does not recognize them and resists going; she collapses on the floor seized with total confusion. Mitch, present at the poker game, breaks down in tears. The doctor approaches and helps Blanche up. He offers his arm gently to her, and she goes willingly with him, saying, "Whoever you are, I have always depended upon the kindness of strangers." As the car drives away with Blanche, Stella takes the baby upstairs to Eunice's, and says she is never coming back to Stanley again. | A Streetcar Named Desire | a6be670b-9030-08c2-2fb7-3e25b0cf1d0d | Who invited Marlon Brando? | [
"Information not in this summary."
] | false |
/m/097zcz | Under mysterious circumstances, Blanche DuBois, an aging high school teacher, leaves her home in Auriol, Mississippi to travel to New Orleans to live with her sister, Stella Kowalski. She arrives on the train and boards a streetcar named "Desire" and reaches her sister's home in the French Quarter where she discovers that her sister and brother-in-law, Stanley Kowalski, live in a cramped and dilapidated two-room apartment in an old New Orleans tenement. Blanche and Stella are all that remain of an old aristocratic family. Blanche discloses that the family estate, Belle Reve, has been lost to creditors, and that she wants to stay with Stella and Stanley for a while. Blanche seems lost and broke, with nowhere to go. Stella welcomes her with an open heart.
From the start, Blanche and Stanley are wary of each other. Blanche has a soft-spoken manner; Stanley is rough and loud. His mere presence seems to threaten her, while her behavior and manner arouse suspicion in him. She is especially adroit at patronizing and criticizing Stella from the start. When interrogated about her past, struggling to be polite, Blanche says that she was married and widowed at a young age. She says that she has taken a leave of absence from her job due to her nerves. To satisfy Stanley's skepticism about the loss of the estate, Blanche hands over her papers pertaining to Belle Reve. But Stanley grabs at some of her private papers that she is holding back, and they cascade to the floor. Weeping, she gathers them all back, saying that they are poems from her dead husband. He defends himself by saying that he was just looking out for his family, and then announces that Stella is going to have a baby.
Soon after her arrival, Stanley has a poker night with his friends where Blanche meets Mitch. His courteous manner sets him apart from Stanley's other friends. They like each other right away. This is the start of their romance. Stanley explodes in a drunken rage, striking Stella, and sending his friends running, while Blanche and Stella flee to the upstairs neighbor, Eunice. When his anger subsides, Stanley cries out remorsefully for Stella to come back. "Stella, Stella, hey Stella," he bellows, until she comes down, and Stanley carries her off to bed. In the morning, Blanche tells Stella that she is married to a subhuman animal. In an emotional monologue, she urges her sister to leave Stanley. Stella disagrees with her sister's bluntness and assures Blanche that all is well, and that she does not want to leave.
As the weeks pass into months, the tension rises between Blanche and Stanley. But Blanche has hope in Mitch, telling Stella that she wants to go away with him and not be anyone's problem. She is on the verge of mental collapse, anticipating a marriage proposal from Mitch. Finally, he tells her that they need each other and should be together. But Stanley, still skeptical, begins to research her past and discovers a closet full of skeletons. He tells Stella what Blanche has been concealing from them, that she has a reputation for mental instability and that she was fired from her teaching job in Auriol for having sexual relations with a minor and practically run out of town. He then says that Mitch will not be coming around anymore. Stanley has informed Mitch about Blanche's past, and the news of her promiscuity has turned Mitch off from her. Stella erupts in anger that Stanley has ruined Blanche's chances with Mitch. But the fight is cut short, as she tells Stanley to take her to the hospital; the baby is coming.
As Blanche waits at home for news of the baby, Mitch arrives and confronts her with the stories that Stanley has told him. At first, she denies everything. Then, she breaks down in confession, describing, in a lengthy monologue, her troubled past. As she speaks to Mitch, she gives up the Southern belle façade; her voice grows weary and deep; her face becomes drawn and old; she pleads for his forgiveness, but Mitch is hurt and humiliated and rejects her. Blanche starts screaming, and Mitch runs away. Later that night, while Stella's labor continues, Stanley returns from the hospital to get some sleep, only to find Blanche dressed up in a tattered old gown pretending to be departing on a trip with an old admirer. She disdainfully antagonizes him, asserting her sense of superiority over him, spinning tale after tale about her plans for the future. He sees that she is delusional, but he feels no pity for her. Instead, he seeks to destroy her illusions. They become engaged in a struggle that ends in rape.
Weeks later, at another poker game at the Kowalski apartment, Stella and her neighbor, Eunice, are packing Blanche's belongings. Stella and Eunice have told Blanche that she is going on a vacation, but, in truth, Blanche is being committed to a mental hospital. She has suffered a complete mental breakdown. She has told Stella what happened, but Stella cannot believe Blanche's story. Stella, under obvious stress, does not know what to do. An older gentleman and lady come to the door; it is the doctor and nurse come to take Blanche away. Blanche does not recognize them and resists going; she collapses on the floor seized with total confusion. Mitch, present at the poker game, breaks down in tears. The doctor approaches and helps Blanche up. He offers his arm gently to her, and she goes willingly with him, saying, "Whoever you are, I have always depended upon the kindness of strangers." As the car drives away with Blanche, Stella takes the baby upstairs to Eunice's, and says she is never coming back to Stanley again. | A Streetcar Named Desire | 24430ebd-9c9f-85cc-b089-04c05e14c397 | Who sees the remnants of her Aristocratic upbringing? | [
"creditors"
] | false |
/m/097zcz | Under mysterious circumstances, Blanche DuBois, an aging high school teacher, leaves her home in Auriol, Mississippi to travel to New Orleans to live with her sister, Stella Kowalski. She arrives on the train and boards a streetcar named "Desire" and reaches her sister's home in the French Quarter where she discovers that her sister and brother-in-law, Stanley Kowalski, live in a cramped and dilapidated two-room apartment in an old New Orleans tenement. Blanche and Stella are all that remain of an old aristocratic family. Blanche discloses that the family estate, Belle Reve, has been lost to creditors, and that she wants to stay with Stella and Stanley for a while. Blanche seems lost and broke, with nowhere to go. Stella welcomes her with an open heart.
From the start, Blanche and Stanley are wary of each other. Blanche has a soft-spoken manner; Stanley is rough and loud. His mere presence seems to threaten her, while her behavior and manner arouse suspicion in him. She is especially adroit at patronizing and criticizing Stella from the start. When interrogated about her past, struggling to be polite, Blanche says that she was married and widowed at a young age. She says that she has taken a leave of absence from her job due to her nerves. To satisfy Stanley's skepticism about the loss of the estate, Blanche hands over her papers pertaining to Belle Reve. But Stanley grabs at some of her private papers that she is holding back, and they cascade to the floor. Weeping, she gathers them all back, saying that they are poems from her dead husband. He defends himself by saying that he was just looking out for his family, and then announces that Stella is going to have a baby.
Soon after her arrival, Stanley has a poker night with his friends where Blanche meets Mitch. His courteous manner sets him apart from Stanley's other friends. They like each other right away. This is the start of their romance. Stanley explodes in a drunken rage, striking Stella, and sending his friends running, while Blanche and Stella flee to the upstairs neighbor, Eunice. When his anger subsides, Stanley cries out remorsefully for Stella to come back. "Stella, Stella, hey Stella," he bellows, until she comes down, and Stanley carries her off to bed. In the morning, Blanche tells Stella that she is married to a subhuman animal. In an emotional monologue, she urges her sister to leave Stanley. Stella disagrees with her sister's bluntness and assures Blanche that all is well, and that she does not want to leave.
As the weeks pass into months, the tension rises between Blanche and Stanley. But Blanche has hope in Mitch, telling Stella that she wants to go away with him and not be anyone's problem. She is on the verge of mental collapse, anticipating a marriage proposal from Mitch. Finally, he tells her that they need each other and should be together. But Stanley, still skeptical, begins to research her past and discovers a closet full of skeletons. He tells Stella what Blanche has been concealing from them, that she has a reputation for mental instability and that she was fired from her teaching job in Auriol for having sexual relations with a minor and practically run out of town. He then says that Mitch will not be coming around anymore. Stanley has informed Mitch about Blanche's past, and the news of her promiscuity has turned Mitch off from her. Stella erupts in anger that Stanley has ruined Blanche's chances with Mitch. But the fight is cut short, as she tells Stanley to take her to the hospital; the baby is coming.
As Blanche waits at home for news of the baby, Mitch arrives and confronts her with the stories that Stanley has told him. At first, she denies everything. Then, she breaks down in confession, describing, in a lengthy monologue, her troubled past. As she speaks to Mitch, she gives up the Southern belle façade; her voice grows weary and deep; her face becomes drawn and old; she pleads for his forgiveness, but Mitch is hurt and humiliated and rejects her. Blanche starts screaming, and Mitch runs away. Later that night, while Stella's labor continues, Stanley returns from the hospital to get some sleep, only to find Blanche dressed up in a tattered old gown pretending to be departing on a trip with an old admirer. She disdainfully antagonizes him, asserting her sense of superiority over him, spinning tale after tale about her plans for the future. He sees that she is delusional, but he feels no pity for her. Instead, he seeks to destroy her illusions. They become engaged in a struggle that ends in rape.
Weeks later, at another poker game at the Kowalski apartment, Stella and her neighbor, Eunice, are packing Blanche's belongings. Stella and Eunice have told Blanche that she is going on a vacation, but, in truth, Blanche is being committed to a mental hospital. She has suffered a complete mental breakdown. She has told Stella what happened, but Stella cannot believe Blanche's story. Stella, under obvious stress, does not know what to do. An older gentleman and lady come to the door; it is the doctor and nurse come to take Blanche away. Blanche does not recognize them and resists going; she collapses on the floor seized with total confusion. Mitch, present at the poker game, breaks down in tears. The doctor approaches and helps Blanche up. He offers his arm gently to her, and she goes willingly with him, saying, "Whoever you are, I have always depended upon the kindness of strangers." As the car drives away with Blanche, Stella takes the baby upstairs to Eunice's, and says she is never coming back to Stanley again. | A Streetcar Named Desire | 98e5670e-bc70-9e25-5701-87bb1fe6a292 | What caused the change in fortune that forced families to live together? | [
"the family estate, Belle Reve, has been lost to creditors"
] | false |
/m/0gjb2y8 | A group of desperate slum dwellers, living on the margins of society under impossible pressures,
find an invitation to a handball tournament in Bavaria to be the answer to their prayers, a one way ticket to the West and the wealth that will solve all their problems.Manoj and Stanley console themselves after their latest visa application is rejected. For barman Manoj, the recurrent denial of his ultimate dream to live and work in the beautiful West is taking a serious toll, whilst his lifelong friend Stanley, fruit seller in the streets of Colombo, is losing his fight against overwhelming debt, looking after crazy aunts and a young brother on the way to a criminal life.With their spirits at an all time low the chance discovery of an invitation to a handball toul'nament in Bavaria appears to them like a present from the Gods. Even if nobody knows what handball is, a bogus application to the tournament is submitted and soon a mismatched collection of friends and colleagues, creditors and policemen, join together in the unlikely Sri Lanka National Handball
Team.With little thought to the tournament that awaits them on the other side of the world, "training
sessions" are understandably minimalist and any excess energy ploughed into internal skirmishing. As the tournament invitation arrives, handball rules and regulations are side-lined; dreams of leaving poverty behind and a better life take centre stage as they march to the German Embassy for that magical visa...Rejected again! Who the hell mentioned Ministry letters? Why should you need permission from
your own government if you've had an invitation from another? Does this mean the end of the
dream?There's always master forger and all-round crook Ruan of course, but you'd have to seriously be
scraping the barrel to go to him for help.A trade off sees the reluctant last minute inclusion of a bunch of stranded foreigners. The team,
now swollen to capacity, finally gets its much agonised visa and, after painful good byes to families and friends, is on the way to the West and a bright future.But the planned quick getaway on arrival is crushed by the welcoming organisers and a change of schedule sees them confronted by an arena full of sport fans eager to applaud the prowess of the Sri Lanka National Handball Team. | Machan | 8ed2ceef-7e99-42ea-97db-615b09653f8b | what is manoj's profession ? | [
"barman"
] | false |
/m/0gjb2y8 | A group of desperate slum dwellers, living on the margins of society under impossible pressures,
find an invitation to a handball tournament in Bavaria to be the answer to their prayers, a one way ticket to the West and the wealth that will solve all their problems.Manoj and Stanley console themselves after their latest visa application is rejected. For barman Manoj, the recurrent denial of his ultimate dream to live and work in the beautiful West is taking a serious toll, whilst his lifelong friend Stanley, fruit seller in the streets of Colombo, is losing his fight against overwhelming debt, looking after crazy aunts and a young brother on the way to a criminal life.With their spirits at an all time low the chance discovery of an invitation to a handball toul'nament in Bavaria appears to them like a present from the Gods. Even if nobody knows what handball is, a bogus application to the tournament is submitted and soon a mismatched collection of friends and colleagues, creditors and policemen, join together in the unlikely Sri Lanka National Handball
Team.With little thought to the tournament that awaits them on the other side of the world, "training
sessions" are understandably minimalist and any excess energy ploughed into internal skirmishing. As the tournament invitation arrives, handball rules and regulations are side-lined; dreams of leaving poverty behind and a better life take centre stage as they march to the German Embassy for that magical visa...Rejected again! Who the hell mentioned Ministry letters? Why should you need permission from
your own government if you've had an invitation from another? Does this mean the end of the
dream?There's always master forger and all-round crook Ruan of course, but you'd have to seriously be
scraping the barrel to go to him for help.A trade off sees the reluctant last minute inclusion of a bunch of stranded foreigners. The team,
now swollen to capacity, finally gets its much agonised visa and, after painful good byes to families and friends, is on the way to the West and a bright future.But the planned quick getaway on arrival is crushed by the welcoming organisers and a change of schedule sees them confronted by an arena full of sport fans eager to applaud the prowess of the Sri Lanka National Handball Team. | Machan | 09a959e7-e86e-a42a-d4e4-64cc779030b2 | for what country did the missing handball team play? | [
"Sri Lanka"
] | false |
/m/0gjb2y8 | A group of desperate slum dwellers, living on the margins of society under impossible pressures,
find an invitation to a handball tournament in Bavaria to be the answer to their prayers, a one way ticket to the West and the wealth that will solve all their problems.Manoj and Stanley console themselves after their latest visa application is rejected. For barman Manoj, the recurrent denial of his ultimate dream to live and work in the beautiful West is taking a serious toll, whilst his lifelong friend Stanley, fruit seller in the streets of Colombo, is losing his fight against overwhelming debt, looking after crazy aunts and a young brother on the way to a criminal life.With their spirits at an all time low the chance discovery of an invitation to a handball toul'nament in Bavaria appears to them like a present from the Gods. Even if nobody knows what handball is, a bogus application to the tournament is submitted and soon a mismatched collection of friends and colleagues, creditors and policemen, join together in the unlikely Sri Lanka National Handball
Team.With little thought to the tournament that awaits them on the other side of the world, "training
sessions" are understandably minimalist and any excess energy ploughed into internal skirmishing. As the tournament invitation arrives, handball rules and regulations are side-lined; dreams of leaving poverty behind and a better life take centre stage as they march to the German Embassy for that magical visa...Rejected again! Who the hell mentioned Ministry letters? Why should you need permission from
your own government if you've had an invitation from another? Does this mean the end of the
dream?There's always master forger and all-round crook Ruan of course, but you'd have to seriously be
scraping the barrel to go to him for help.A trade off sees the reluctant last minute inclusion of a bunch of stranded foreigners. The team,
now swollen to capacity, finally gets its much agonised visa and, after painful good byes to families and friends, is on the way to the West and a bright future.But the planned quick getaway on arrival is crushed by the welcoming organisers and a change of schedule sees them confronted by an arena full of sport fans eager to applaud the prowess of the Sri Lanka National Handball Team. | Machan | b6da05d0-fa6a-4d1f-c8c1-fc9e53d7b89f | who plays the role of manoj ? | [] | true |
/m/0gjb2y8 | A group of desperate slum dwellers, living on the margins of society under impossible pressures,
find an invitation to a handball tournament in Bavaria to be the answer to their prayers, a one way ticket to the West and the wealth that will solve all their problems.Manoj and Stanley console themselves after their latest visa application is rejected. For barman Manoj, the recurrent denial of his ultimate dream to live and work in the beautiful West is taking a serious toll, whilst his lifelong friend Stanley, fruit seller in the streets of Colombo, is losing his fight against overwhelming debt, looking after crazy aunts and a young brother on the way to a criminal life.With their spirits at an all time low the chance discovery of an invitation to a handball toul'nament in Bavaria appears to them like a present from the Gods. Even if nobody knows what handball is, a bogus application to the tournament is submitted and soon a mismatched collection of friends and colleagues, creditors and policemen, join together in the unlikely Sri Lanka National Handball
Team.With little thought to the tournament that awaits them on the other side of the world, "training
sessions" are understandably minimalist and any excess energy ploughed into internal skirmishing. As the tournament invitation arrives, handball rules and regulations are side-lined; dreams of leaving poverty behind and a better life take centre stage as they march to the German Embassy for that magical visa...Rejected again! Who the hell mentioned Ministry letters? Why should you need permission from
your own government if you've had an invitation from another? Does this mean the end of the
dream?There's always master forger and all-round crook Ruan of course, but you'd have to seriously be
scraping the barrel to go to him for help.A trade off sees the reluctant last minute inclusion of a bunch of stranded foreigners. The team,
now swollen to capacity, finally gets its much agonised visa and, after painful good byes to families and friends, is on the way to the West and a bright future.But the planned quick getaway on arrival is crushed by the welcoming organisers and a change of schedule sees them confronted by an arena full of sport fans eager to applaud the prowess of the Sri Lanka National Handball Team. | Machan | 6e140442-70f0-f653-fdaa-62329a6ace55 | Who plays the role of Manoj ? | [] | true |
/m/0gjb2y8 | A group of desperate slum dwellers, living on the margins of society under impossible pressures,
find an invitation to a handball tournament in Bavaria to be the answer to their prayers, a one way ticket to the West and the wealth that will solve all their problems.Manoj and Stanley console themselves after their latest visa application is rejected. For barman Manoj, the recurrent denial of his ultimate dream to live and work in the beautiful West is taking a serious toll, whilst his lifelong friend Stanley, fruit seller in the streets of Colombo, is losing his fight against overwhelming debt, looking after crazy aunts and a young brother on the way to a criminal life.With their spirits at an all time low the chance discovery of an invitation to a handball toul'nament in Bavaria appears to them like a present from the Gods. Even if nobody knows what handball is, a bogus application to the tournament is submitted and soon a mismatched collection of friends and colleagues, creditors and policemen, join together in the unlikely Sri Lanka National Handball
Team.With little thought to the tournament that awaits them on the other side of the world, "training
sessions" are understandably minimalist and any excess energy ploughed into internal skirmishing. As the tournament invitation arrives, handball rules and regulations are side-lined; dreams of leaving poverty behind and a better life take centre stage as they march to the German Embassy for that magical visa...Rejected again! Who the hell mentioned Ministry letters? Why should you need permission from
your own government if you've had an invitation from another? Does this mean the end of the
dream?There's always master forger and all-round crook Ruan of course, but you'd have to seriously be
scraping the barrel to go to him for help.A trade off sees the reluctant last minute inclusion of a bunch of stranded foreigners. The team,
now swollen to capacity, finally gets its much agonised visa and, after painful good byes to families and friends, is on the way to the West and a bright future.But the planned quick getaway on arrival is crushed by the welcoming organisers and a change of schedule sees them confronted by an arena full of sport fans eager to applaud the prowess of the Sri Lanka National Handball Team. | Machan | eb709249-549d-eca3-8a44-1945e55bda9c | what is stanley's profession ? | [
"fruit seller"
] | false |
/m/0gjb2y8 | A group of desperate slum dwellers, living on the margins of society under impossible pressures,
find an invitation to a handball tournament in Bavaria to be the answer to their prayers, a one way ticket to the West and the wealth that will solve all their problems.Manoj and Stanley console themselves after their latest visa application is rejected. For barman Manoj, the recurrent denial of his ultimate dream to live and work in the beautiful West is taking a serious toll, whilst his lifelong friend Stanley, fruit seller in the streets of Colombo, is losing his fight against overwhelming debt, looking after crazy aunts and a young brother on the way to a criminal life.With their spirits at an all time low the chance discovery of an invitation to a handball toul'nament in Bavaria appears to them like a present from the Gods. Even if nobody knows what handball is, a bogus application to the tournament is submitted and soon a mismatched collection of friends and colleagues, creditors and policemen, join together in the unlikely Sri Lanka National Handball
Team.With little thought to the tournament that awaits them on the other side of the world, "training
sessions" are understandably minimalist and any excess energy ploughed into internal skirmishing. As the tournament invitation arrives, handball rules and regulations are side-lined; dreams of leaving poverty behind and a better life take centre stage as they march to the German Embassy for that magical visa...Rejected again! Who the hell mentioned Ministry letters? Why should you need permission from
your own government if you've had an invitation from another? Does this mean the end of the
dream?There's always master forger and all-round crook Ruan of course, but you'd have to seriously be
scraping the barrel to go to him for help.A trade off sees the reluctant last minute inclusion of a bunch of stranded foreigners. The team,
now swollen to capacity, finally gets its much agonised visa and, after painful good byes to families and friends, is on the way to the West and a bright future.But the planned quick getaway on arrival is crushed by the welcoming organisers and a change of schedule sees them confronted by an arena full of sport fans eager to applaud the prowess of the Sri Lanka National Handball Team. | Machan | aaa53503-5f43-6713-8039-2aa9726a7613 | Who arrive the next morning and ransack the hotel in search for the handball team? | [] | true |
/m/0gjb2y8 | A group of desperate slum dwellers, living on the margins of society under impossible pressures,
find an invitation to a handball tournament in Bavaria to be the answer to their prayers, a one way ticket to the West and the wealth that will solve all their problems.Manoj and Stanley console themselves after their latest visa application is rejected. For barman Manoj, the recurrent denial of his ultimate dream to live and work in the beautiful West is taking a serious toll, whilst his lifelong friend Stanley, fruit seller in the streets of Colombo, is losing his fight against overwhelming debt, looking after crazy aunts and a young brother on the way to a criminal life.With their spirits at an all time low the chance discovery of an invitation to a handball toul'nament in Bavaria appears to them like a present from the Gods. Even if nobody knows what handball is, a bogus application to the tournament is submitted and soon a mismatched collection of friends and colleagues, creditors and policemen, join together in the unlikely Sri Lanka National Handball
Team.With little thought to the tournament that awaits them on the other side of the world, "training
sessions" are understandably minimalist and any excess energy ploughed into internal skirmishing. As the tournament invitation arrives, handball rules and regulations are side-lined; dreams of leaving poverty behind and a better life take centre stage as they march to the German Embassy for that magical visa...Rejected again! Who the hell mentioned Ministry letters? Why should you need permission from
your own government if you've had an invitation from another? Does this mean the end of the
dream?There's always master forger and all-round crook Ruan of course, but you'd have to seriously be
scraping the barrel to go to him for help.A trade off sees the reluctant last minute inclusion of a bunch of stranded foreigners. The team,
now swollen to capacity, finally gets its much agonised visa and, after painful good byes to families and friends, is on the way to the West and a bright future.But the planned quick getaway on arrival is crushed by the welcoming organisers and a change of schedule sees them confronted by an arena full of sport fans eager to applaud the prowess of the Sri Lanka National Handball Team. | Machan | 8d20f87e-252a-669a-8e47-11c3ac581429 | who arrive the next morning and ransack the hotel in search for the handball team? | [] | true |
/m/0479p2d | Somewhere in northern California, Walter Mancini (Franco Nero), an alcoholic reporter, and his spitful wife Eve (Corrine Clery) are on a road trip with a trailer heading back to Los Angeles. Their marriage is strained over their long conflict over Walter's drinking, and Eve's suspected infidelity. During an overnight stay at a local campground, Walter gets a little too roudy with some of the other campers and breaks his left hand.The next day, as Eve is driving with Walter along a deserted two-lane road, they pick up a hitch-hiker (David Hess) whose car has just broken down. The hitchhiker introduces himself as Adam Konitz and he intially asks them to drive him to the nearist gas station so he can get to a phone to call a tow truck for his car. When Eve and Walter protest over driving their guest over a long distance, Konitz pulls out a gun on them and reveals himself to be a sadistic escapee from an institution for the criminally insane, and he is running from the law after robbing two million dollars from a bank in a nearby town with his partners. Holding the couple hostage, he orders Eve to head to Mexico. They are soon stopped by two policemen for speeding. After Walter attempts to signal them by writing "SOS" on his matchbox, Konitz shoots them both. He threatens to kill both of them if they pull another half-baked stunt like that again.While the three stop for the night off the road, Konitz's two partners, whom he had betrayed to get all the loot for himself, shoot at Konitz and take control of the money and the car. They decide to keep the Mancinis alive until reaching the Mexican border. While driving, they are attacked by someone in a truck. The attacker turns out to be Konitz who kills his former associates and again takes the Mancinis hostage. After they reach a secluded place, Konitz rapes Eve and forces Walter to watch the act. As Konitz gets ready to kill Walter, Eve shoots and kills him with Walter's hunting rifle.Despite Eve's opposition, Walter decides to keep the $2 million for themselves instead of going to the police. After four young motorcyclists the couple meet at a gas station pass them and pour oil on the road, the Mancinis' car goes off the road and crashes. One of the youngsters steals Walter's wallet and Eve's purse taking $200 in cash from it and leaves the couple in their wrecked car for death. But the thugs leave the suitcase on the back seat untouched (they do not know about the stolen cash in it). After the road thieves ride away, Walter wakes up and sees that Eve is badly hurt and she requests help from Walter. Walter brings Konitz's body from their trailer and plants it on the accident scene. He then tells the dying Eve that the thieves had only helped him. He had planned to stop after 15 to 20 miles, kill her and make it look like an accident. The sadistic Walter lights up a cigarette and sets the car and the trailer on fire. Eve is burned to death. Walter starts walking and, hearing a car come by, thumbs a ride. | Hitch-Hike | 95673a9f-96f9-22e8-4b44-efc9be405241 | What had Walter planned to do to Eve, after 15-20 miles? | [
"To kill her"
] | false |
/m/0479p2d | Somewhere in northern California, Walter Mancini (Franco Nero), an alcoholic reporter, and his spitful wife Eve (Corrine Clery) are on a road trip with a trailer heading back to Los Angeles. Their marriage is strained over their long conflict over Walter's drinking, and Eve's suspected infidelity. During an overnight stay at a local campground, Walter gets a little too roudy with some of the other campers and breaks his left hand.The next day, as Eve is driving with Walter along a deserted two-lane road, they pick up a hitch-hiker (David Hess) whose car has just broken down. The hitchhiker introduces himself as Adam Konitz and he intially asks them to drive him to the nearist gas station so he can get to a phone to call a tow truck for his car. When Eve and Walter protest over driving their guest over a long distance, Konitz pulls out a gun on them and reveals himself to be a sadistic escapee from an institution for the criminally insane, and he is running from the law after robbing two million dollars from a bank in a nearby town with his partners. Holding the couple hostage, he orders Eve to head to Mexico. They are soon stopped by two policemen for speeding. After Walter attempts to signal them by writing "SOS" on his matchbox, Konitz shoots them both. He threatens to kill both of them if they pull another half-baked stunt like that again.While the three stop for the night off the road, Konitz's two partners, whom he had betrayed to get all the loot for himself, shoot at Konitz and take control of the money and the car. They decide to keep the Mancinis alive until reaching the Mexican border. While driving, they are attacked by someone in a truck. The attacker turns out to be Konitz who kills his former associates and again takes the Mancinis hostage. After they reach a secluded place, Konitz rapes Eve and forces Walter to watch the act. As Konitz gets ready to kill Walter, Eve shoots and kills him with Walter's hunting rifle.Despite Eve's opposition, Walter decides to keep the $2 million for themselves instead of going to the police. After four young motorcyclists the couple meet at a gas station pass them and pour oil on the road, the Mancinis' car goes off the road and crashes. One of the youngsters steals Walter's wallet and Eve's purse taking $200 in cash from it and leaves the couple in their wrecked car for death. But the thugs leave the suitcase on the back seat untouched (they do not know about the stolen cash in it). After the road thieves ride away, Walter wakes up and sees that Eve is badly hurt and she requests help from Walter. Walter brings Konitz's body from their trailer and plants it on the accident scene. He then tells the dying Eve that the thieves had only helped him. He had planned to stop after 15 to 20 miles, kill her and make it look like an accident. The sadistic Walter lights up a cigarette and sets the car and the trailer on fire. Eve is burned to death. Walter starts walking and, hearing a car come by, thumbs a ride. | Hitch-Hike | 43353315-957a-d665-cbe2-0bb525fb40fc | Where are Walter and Eve heading on their road trip? | [
"Los Angeles"
] | false |
/m/0479p2d | Somewhere in northern California, Walter Mancini (Franco Nero), an alcoholic reporter, and his spitful wife Eve (Corrine Clery) are on a road trip with a trailer heading back to Los Angeles. Their marriage is strained over their long conflict over Walter's drinking, and Eve's suspected infidelity. During an overnight stay at a local campground, Walter gets a little too roudy with some of the other campers and breaks his left hand.The next day, as Eve is driving with Walter along a deserted two-lane road, they pick up a hitch-hiker (David Hess) whose car has just broken down. The hitchhiker introduces himself as Adam Konitz and he intially asks them to drive him to the nearist gas station so he can get to a phone to call a tow truck for his car. When Eve and Walter protest over driving their guest over a long distance, Konitz pulls out a gun on them and reveals himself to be a sadistic escapee from an institution for the criminally insane, and he is running from the law after robbing two million dollars from a bank in a nearby town with his partners. Holding the couple hostage, he orders Eve to head to Mexico. They are soon stopped by two policemen for speeding. After Walter attempts to signal them by writing "SOS" on his matchbox, Konitz shoots them both. He threatens to kill both of them if they pull another half-baked stunt like that again.While the three stop for the night off the road, Konitz's two partners, whom he had betrayed to get all the loot for himself, shoot at Konitz and take control of the money and the car. They decide to keep the Mancinis alive until reaching the Mexican border. While driving, they are attacked by someone in a truck. The attacker turns out to be Konitz who kills his former associates and again takes the Mancinis hostage. After they reach a secluded place, Konitz rapes Eve and forces Walter to watch the act. As Konitz gets ready to kill Walter, Eve shoots and kills him with Walter's hunting rifle.Despite Eve's opposition, Walter decides to keep the $2 million for themselves instead of going to the police. After four young motorcyclists the couple meet at a gas station pass them and pour oil on the road, the Mancinis' car goes off the road and crashes. One of the youngsters steals Walter's wallet and Eve's purse taking $200 in cash from it and leaves the couple in their wrecked car for death. But the thugs leave the suitcase on the back seat untouched (they do not know about the stolen cash in it). After the road thieves ride away, Walter wakes up and sees that Eve is badly hurt and she requests help from Walter. Walter brings Konitz's body from their trailer and plants it on the accident scene. He then tells the dying Eve that the thieves had only helped him. He had planned to stop after 15 to 20 miles, kill her and make it look like an accident. The sadistic Walter lights up a cigarette and sets the car and the trailer on fire. Eve is burned to death. Walter starts walking and, hearing a car come by, thumbs a ride. | Hitch-Hike | 5a8070fd-0855-6862-f9e8-ad686b88f55e | What does Walter write "SOS" on? | [
"Matchbox"
] | false |
/m/0479p2d | Somewhere in northern California, Walter Mancini (Franco Nero), an alcoholic reporter, and his spitful wife Eve (Corrine Clery) are on a road trip with a trailer heading back to Los Angeles. Their marriage is strained over their long conflict over Walter's drinking, and Eve's suspected infidelity. During an overnight stay at a local campground, Walter gets a little too roudy with some of the other campers and breaks his left hand.The next day, as Eve is driving with Walter along a deserted two-lane road, they pick up a hitch-hiker (David Hess) whose car has just broken down. The hitchhiker introduces himself as Adam Konitz and he intially asks them to drive him to the nearist gas station so he can get to a phone to call a tow truck for his car. When Eve and Walter protest over driving their guest over a long distance, Konitz pulls out a gun on them and reveals himself to be a sadistic escapee from an institution for the criminally insane, and he is running from the law after robbing two million dollars from a bank in a nearby town with his partners. Holding the couple hostage, he orders Eve to head to Mexico. They are soon stopped by two policemen for speeding. After Walter attempts to signal them by writing "SOS" on his matchbox, Konitz shoots them both. He threatens to kill both of them if they pull another half-baked stunt like that again.While the three stop for the night off the road, Konitz's two partners, whom he had betrayed to get all the loot for himself, shoot at Konitz and take control of the money and the car. They decide to keep the Mancinis alive until reaching the Mexican border. While driving, they are attacked by someone in a truck. The attacker turns out to be Konitz who kills his former associates and again takes the Mancinis hostage. After they reach a secluded place, Konitz rapes Eve and forces Walter to watch the act. As Konitz gets ready to kill Walter, Eve shoots and kills him with Walter's hunting rifle.Despite Eve's opposition, Walter decides to keep the $2 million for themselves instead of going to the police. After four young motorcyclists the couple meet at a gas station pass them and pour oil on the road, the Mancinis' car goes off the road and crashes. One of the youngsters steals Walter's wallet and Eve's purse taking $200 in cash from it and leaves the couple in their wrecked car for death. But the thugs leave the suitcase on the back seat untouched (they do not know about the stolen cash in it). After the road thieves ride away, Walter wakes up and sees that Eve is badly hurt and she requests help from Walter. Walter brings Konitz's body from their trailer and plants it on the accident scene. He then tells the dying Eve that the thieves had only helped him. He had planned to stop after 15 to 20 miles, kill her and make it look like an accident. The sadistic Walter lights up a cigarette and sets the car and the trailer on fire. Eve is burned to death. Walter starts walking and, hearing a car come by, thumbs a ride. | Hitch-Hike | 823acc66-ecb5-ed6e-b30d-1ba9aee35b82 | At which border do Konitz's partners plan to kill the Mancinis? | [
"Mexican"
] | false |
/m/0479p2d | Somewhere in northern California, Walter Mancini (Franco Nero), an alcoholic reporter, and his spitful wife Eve (Corrine Clery) are on a road trip with a trailer heading back to Los Angeles. Their marriage is strained over their long conflict over Walter's drinking, and Eve's suspected infidelity. During an overnight stay at a local campground, Walter gets a little too roudy with some of the other campers and breaks his left hand.The next day, as Eve is driving with Walter along a deserted two-lane road, they pick up a hitch-hiker (David Hess) whose car has just broken down. The hitchhiker introduces himself as Adam Konitz and he intially asks them to drive him to the nearist gas station so he can get to a phone to call a tow truck for his car. When Eve and Walter protest over driving their guest over a long distance, Konitz pulls out a gun on them and reveals himself to be a sadistic escapee from an institution for the criminally insane, and he is running from the law after robbing two million dollars from a bank in a nearby town with his partners. Holding the couple hostage, he orders Eve to head to Mexico. They are soon stopped by two policemen for speeding. After Walter attempts to signal them by writing "SOS" on his matchbox, Konitz shoots them both. He threatens to kill both of them if they pull another half-baked stunt like that again.While the three stop for the night off the road, Konitz's two partners, whom he had betrayed to get all the loot for himself, shoot at Konitz and take control of the money and the car. They decide to keep the Mancinis alive until reaching the Mexican border. While driving, they are attacked by someone in a truck. The attacker turns out to be Konitz who kills his former associates and again takes the Mancinis hostage. After they reach a secluded place, Konitz rapes Eve and forces Walter to watch the act. As Konitz gets ready to kill Walter, Eve shoots and kills him with Walter's hunting rifle.Despite Eve's opposition, Walter decides to keep the $2 million for themselves instead of going to the police. After four young motorcyclists the couple meet at a gas station pass them and pour oil on the road, the Mancinis' car goes off the road and crashes. One of the youngsters steals Walter's wallet and Eve's purse taking $200 in cash from it and leaves the couple in their wrecked car for death. But the thugs leave the suitcase on the back seat untouched (they do not know about the stolen cash in it). After the road thieves ride away, Walter wakes up and sees that Eve is badly hurt and she requests help from Walter. Walter brings Konitz's body from their trailer and plants it on the accident scene. He then tells the dying Eve that the thieves had only helped him. He had planned to stop after 15 to 20 miles, kill her and make it look like an accident. The sadistic Walter lights up a cigarette and sets the car and the trailer on fire. Eve is burned to death. Walter starts walking and, hearing a car come by, thumbs a ride. | Hitch-Hike | a13a3a68-5fca-dd30-bd1e-26590eae8079 | How much does one of the youngsters take from Walter's pocket? | [
"$200"
] | false |
/m/0479p2d | Somewhere in northern California, Walter Mancini (Franco Nero), an alcoholic reporter, and his spitful wife Eve (Corrine Clery) are on a road trip with a trailer heading back to Los Angeles. Their marriage is strained over their long conflict over Walter's drinking, and Eve's suspected infidelity. During an overnight stay at a local campground, Walter gets a little too roudy with some of the other campers and breaks his left hand.The next day, as Eve is driving with Walter along a deserted two-lane road, they pick up a hitch-hiker (David Hess) whose car has just broken down. The hitchhiker introduces himself as Adam Konitz and he intially asks them to drive him to the nearist gas station so he can get to a phone to call a tow truck for his car. When Eve and Walter protest over driving their guest over a long distance, Konitz pulls out a gun on them and reveals himself to be a sadistic escapee from an institution for the criminally insane, and he is running from the law after robbing two million dollars from a bank in a nearby town with his partners. Holding the couple hostage, he orders Eve to head to Mexico. They are soon stopped by two policemen for speeding. After Walter attempts to signal them by writing "SOS" on his matchbox, Konitz shoots them both. He threatens to kill both of them if they pull another half-baked stunt like that again.While the three stop for the night off the road, Konitz's two partners, whom he had betrayed to get all the loot for himself, shoot at Konitz and take control of the money and the car. They decide to keep the Mancinis alive until reaching the Mexican border. While driving, they are attacked by someone in a truck. The attacker turns out to be Konitz who kills his former associates and again takes the Mancinis hostage. After they reach a secluded place, Konitz rapes Eve and forces Walter to watch the act. As Konitz gets ready to kill Walter, Eve shoots and kills him with Walter's hunting rifle.Despite Eve's opposition, Walter decides to keep the $2 million for themselves instead of going to the police. After four young motorcyclists the couple meet at a gas station pass them and pour oil on the road, the Mancinis' car goes off the road and crashes. One of the youngsters steals Walter's wallet and Eve's purse taking $200 in cash from it and leaves the couple in their wrecked car for death. But the thugs leave the suitcase on the back seat untouched (they do not know about the stolen cash in it). After the road thieves ride away, Walter wakes up and sees that Eve is badly hurt and she requests help from Walter. Walter brings Konitz's body from their trailer and plants it on the accident scene. He then tells the dying Eve that the thieves had only helped him. He had planned to stop after 15 to 20 miles, kill her and make it look like an accident. The sadistic Walter lights up a cigarette and sets the car and the trailer on fire. Eve is burned to death. Walter starts walking and, hearing a car come by, thumbs a ride. | Hitch-Hike | ab73bb83-1c32-fe4a-9e1a-4dd0cad21fd3 | What kind of vehicle does Konitz attack his partners in? | [
"A truck"
] | false |
/m/0479p2d | Somewhere in northern California, Walter Mancini (Franco Nero), an alcoholic reporter, and his spitful wife Eve (Corrine Clery) are on a road trip with a trailer heading back to Los Angeles. Their marriage is strained over their long conflict over Walter's drinking, and Eve's suspected infidelity. During an overnight stay at a local campground, Walter gets a little too roudy with some of the other campers and breaks his left hand.The next day, as Eve is driving with Walter along a deserted two-lane road, they pick up a hitch-hiker (David Hess) whose car has just broken down. The hitchhiker introduces himself as Adam Konitz and he intially asks them to drive him to the nearist gas station so he can get to a phone to call a tow truck for his car. When Eve and Walter protest over driving their guest over a long distance, Konitz pulls out a gun on them and reveals himself to be a sadistic escapee from an institution for the criminally insane, and he is running from the law after robbing two million dollars from a bank in a nearby town with his partners. Holding the couple hostage, he orders Eve to head to Mexico. They are soon stopped by two policemen for speeding. After Walter attempts to signal them by writing "SOS" on his matchbox, Konitz shoots them both. He threatens to kill both of them if they pull another half-baked stunt like that again.While the three stop for the night off the road, Konitz's two partners, whom he had betrayed to get all the loot for himself, shoot at Konitz and take control of the money and the car. They decide to keep the Mancinis alive until reaching the Mexican border. While driving, they are attacked by someone in a truck. The attacker turns out to be Konitz who kills his former associates and again takes the Mancinis hostage. After they reach a secluded place, Konitz rapes Eve and forces Walter to watch the act. As Konitz gets ready to kill Walter, Eve shoots and kills him with Walter's hunting rifle.Despite Eve's opposition, Walter decides to keep the $2 million for themselves instead of going to the police. After four young motorcyclists the couple meet at a gas station pass them and pour oil on the road, the Mancinis' car goes off the road and crashes. One of the youngsters steals Walter's wallet and Eve's purse taking $200 in cash from it and leaves the couple in their wrecked car for death. But the thugs leave the suitcase on the back seat untouched (they do not know about the stolen cash in it). After the road thieves ride away, Walter wakes up and sees that Eve is badly hurt and she requests help from Walter. Walter brings Konitz's body from their trailer and plants it on the accident scene. He then tells the dying Eve that the thieves had only helped him. He had planned to stop after 15 to 20 miles, kill her and make it look like an accident. The sadistic Walter lights up a cigarette and sets the car and the trailer on fire. Eve is burned to death. Walter starts walking and, hearing a car come by, thumbs a ride. | Hitch-Hike | 4f82e572-ad6b-990d-a69e-9d0225f6d18b | Who kills Konitz? | [
"Eve"
] | false |
/m/0479p2d | Somewhere in northern California, Walter Mancini (Franco Nero), an alcoholic reporter, and his spitful wife Eve (Corrine Clery) are on a road trip with a trailer heading back to Los Angeles. Their marriage is strained over their long conflict over Walter's drinking, and Eve's suspected infidelity. During an overnight stay at a local campground, Walter gets a little too roudy with some of the other campers and breaks his left hand.The next day, as Eve is driving with Walter along a deserted two-lane road, they pick up a hitch-hiker (David Hess) whose car has just broken down. The hitchhiker introduces himself as Adam Konitz and he intially asks them to drive him to the nearist gas station so he can get to a phone to call a tow truck for his car. When Eve and Walter protest over driving their guest over a long distance, Konitz pulls out a gun on them and reveals himself to be a sadistic escapee from an institution for the criminally insane, and he is running from the law after robbing two million dollars from a bank in a nearby town with his partners. Holding the couple hostage, he orders Eve to head to Mexico. They are soon stopped by two policemen for speeding. After Walter attempts to signal them by writing "SOS" on his matchbox, Konitz shoots them both. He threatens to kill both of them if they pull another half-baked stunt like that again.While the three stop for the night off the road, Konitz's two partners, whom he had betrayed to get all the loot for himself, shoot at Konitz and take control of the money and the car. They decide to keep the Mancinis alive until reaching the Mexican border. While driving, they are attacked by someone in a truck. The attacker turns out to be Konitz who kills his former associates and again takes the Mancinis hostage. After they reach a secluded place, Konitz rapes Eve and forces Walter to watch the act. As Konitz gets ready to kill Walter, Eve shoots and kills him with Walter's hunting rifle.Despite Eve's opposition, Walter decides to keep the $2 million for themselves instead of going to the police. After four young motorcyclists the couple meet at a gas station pass them and pour oil on the road, the Mancinis' car goes off the road and crashes. One of the youngsters steals Walter's wallet and Eve's purse taking $200 in cash from it and leaves the couple in their wrecked car for death. But the thugs leave the suitcase on the back seat untouched (they do not know about the stolen cash in it). After the road thieves ride away, Walter wakes up and sees that Eve is badly hurt and she requests help from Walter. Walter brings Konitz's body from their trailer and plants it on the accident scene. He then tells the dying Eve that the thieves had only helped him. He had planned to stop after 15 to 20 miles, kill her and make it look like an accident. The sadistic Walter lights up a cigarette and sets the car and the trailer on fire. Eve is burned to death. Walter starts walking and, hearing a car come by, thumbs a ride. | Hitch-Hike | 9ba7aa47-6ed5-a872-7ce6-0a785d220bd2 | What do the four young motorcyclists pour on the road? | [
"Oil"
] | false |
/m/0479p2d | Somewhere in northern California, Walter Mancini (Franco Nero), an alcoholic reporter, and his spitful wife Eve (Corrine Clery) are on a road trip with a trailer heading back to Los Angeles. Their marriage is strained over their long conflict over Walter's drinking, and Eve's suspected infidelity. During an overnight stay at a local campground, Walter gets a little too roudy with some of the other campers and breaks his left hand.The next day, as Eve is driving with Walter along a deserted two-lane road, they pick up a hitch-hiker (David Hess) whose car has just broken down. The hitchhiker introduces himself as Adam Konitz and he intially asks them to drive him to the nearist gas station so he can get to a phone to call a tow truck for his car. When Eve and Walter protest over driving their guest over a long distance, Konitz pulls out a gun on them and reveals himself to be a sadistic escapee from an institution for the criminally insane, and he is running from the law after robbing two million dollars from a bank in a nearby town with his partners. Holding the couple hostage, he orders Eve to head to Mexico. They are soon stopped by two policemen for speeding. After Walter attempts to signal them by writing "SOS" on his matchbox, Konitz shoots them both. He threatens to kill both of them if they pull another half-baked stunt like that again.While the three stop for the night off the road, Konitz's two partners, whom he had betrayed to get all the loot for himself, shoot at Konitz and take control of the money and the car. They decide to keep the Mancinis alive until reaching the Mexican border. While driving, they are attacked by someone in a truck. The attacker turns out to be Konitz who kills his former associates and again takes the Mancinis hostage. After they reach a secluded place, Konitz rapes Eve and forces Walter to watch the act. As Konitz gets ready to kill Walter, Eve shoots and kills him with Walter's hunting rifle.Despite Eve's opposition, Walter decides to keep the $2 million for themselves instead of going to the police. After four young motorcyclists the couple meet at a gas station pass them and pour oil on the road, the Mancinis' car goes off the road and crashes. One of the youngsters steals Walter's wallet and Eve's purse taking $200 in cash from it and leaves the couple in their wrecked car for death. But the thugs leave the suitcase on the back seat untouched (they do not know about the stolen cash in it). After the road thieves ride away, Walter wakes up and sees that Eve is badly hurt and she requests help from Walter. Walter brings Konitz's body from their trailer and plants it on the accident scene. He then tells the dying Eve that the thieves had only helped him. He had planned to stop after 15 to 20 miles, kill her and make it look like an accident. The sadistic Walter lights up a cigarette and sets the car and the trailer on fire. Eve is burned to death. Walter starts walking and, hearing a car come by, thumbs a ride. | Hitch-Hike | 506adee8-eea8-e099-589d-06c7a565ac14 | What does Walter do for a living? | [
"Reporter"
] | false |
/m/01ydq5 | In Paris, France, wealthy and aging socialite Madame Adelaide Bonfamille lives with her cat Duchess, and Duchess' three kittens: Berlioz, Toulouse, and Marie. Also in her employ is a butler, named Edgar.One day, Madame sends for her friend, George Hautecourt. The task is to finalize and make up Madame's will. Unknown to the two of them, Edgar is listening in. Madame notes that she has no living relatives, and considers her cats to be just as much a part of her family as anything else. As Edgar listens, he's shocked that Madam is planning to give her entire fortune to them, with the estate to be turned over to Edgar once the cats expire.Of course, Edgar is not at all happy about this, as the cats will easily outlive him! Edgar slips some sleeping pills in the cat's daily serving of cream, and once they have passed out, and night has fallen, he takes them out to the countryside, attempting to abandon them. However, his plans are ruined when a pair of dogs named Lafayette and Napoleon give chase. Edgar abandons the cats in a field before heading back to Paris.The next day, the cats awaken to find themselves not in their home, but in the countryside, and soon meet a cat named Thomas O'Malley. After some talk, O'Malley offers to help get the family back to Madame Bonfamille.Meanwhile, back in Paris, a house-mouse in Madam Bonfamille's residence named Rocquefort confirs with Madame's coach horse, Frou-Frou. Both are unsure what has become of their friends, when Edgar comes into Frou-Frou's stables very chipper. As Frou-Frou can't talk, Edgar shows her the headline from the morning's paper, telling of a mysterious catnapper taking off with Duchess and her children. Edgar seems to think he's gotten away with his little crime...until he realizes that he left his hat and umbrella out in the countryside, and quickly rushes out to retrieve them.Meanwhile, Thomas, Duchess and the kids hitch a ride on a milk truck, before being found out by the driver. They next attempt to follow a train track, until a train causes them to dive off. However, little Marie gets swept up in a nearby river. Thomas jumps in to save her, and the family follows him downstream.They then meet up with two female geese, Abigail and Amelia. The group then follow the two to their Uncle Waldo. Their journey takes them to a restaurant where Uncle Waldo has escaped from becoming the main course. However, being marinated in white wine has caused Uncle Waldo to be quite tipsy.Meanwhile, Edgar returns to the countryside and manages to get back his hat and umbrella, but not before Napoleon and Lafayette attempt to nip at his heels again.Back in Paris, the cats are almost home, but worn out from their trip. O'Malley then takes them to Scat Cat's abode in an abandoned building. Scat Cat and his gang of alley cats entertain the family, before heading off into the night.After the kittens are put to bed, Duchess and O'Malley share a tender moment. While Duchess tells of her eagerness to return to Madame, O'Malley (who has never really known kindness from humans), just thinks Madame sees Duchess and her kittens as housepets. Duchess however, explains that Madame sees them as more than this: they are the equivalent of a family to her.The next morning, O'Malley leads the family back to Madame's mansion. After saying his goodbyes, the cats head to the front door...only to be confronted by Edgar, who quickly throws them in a sack.Rocquefort has seen the whole thing, and after going to Duchess and the kittens in the sack, is told to find O'Malley. Rocquefort runs off and catches up to O'Malley. Thomas heads back to the mansion, and tells Rocquefort to find Scat Cat and his gang.Back in the mansion's stables, Edgar puts the cats into a trunk, telling them of his plans to send them to Timbuktu. He has already called for a truck to pick the trunk up, when O'Malley bursts in and attacks Edgar. Soon after, Scat Cat and his gang arrive to help, while Rocquefort manages to pick the lock and get the cats out. Scat Cat's gang, with some help from Frou-Frou, manage to knock Edgar into the trunk and out the stable's doors, just as the pick-up service arrives, taking it away.Some time afterward, Madame Bonfamille finds that Edgar has gone missing for some unknown reason, and calls on George to repurpose her will, removing him from any inheritance. Thomas is welcomed into the family, and Madam also has chosen to allow her mansion to be a safe haven for all the alley cats in Paris.The film ends with Scat Cat and his gang throwing a wild party at Madame's abode. | The Aristocats | dc87a3f7-b859-2e1a-f373-c9de96383dee | What is the name of the horse? | [
"Frou-Frou"
] | false |
/m/01ydq5 | In Paris, France, wealthy and aging socialite Madame Adelaide Bonfamille lives with her cat Duchess, and Duchess' three kittens: Berlioz, Toulouse, and Marie. Also in her employ is a butler, named Edgar.One day, Madame sends for her friend, George Hautecourt. The task is to finalize and make up Madame's will. Unknown to the two of them, Edgar is listening in. Madame notes that she has no living relatives, and considers her cats to be just as much a part of her family as anything else. As Edgar listens, he's shocked that Madam is planning to give her entire fortune to them, with the estate to be turned over to Edgar once the cats expire.Of course, Edgar is not at all happy about this, as the cats will easily outlive him! Edgar slips some sleeping pills in the cat's daily serving of cream, and once they have passed out, and night has fallen, he takes them out to the countryside, attempting to abandon them. However, his plans are ruined when a pair of dogs named Lafayette and Napoleon give chase. Edgar abandons the cats in a field before heading back to Paris.The next day, the cats awaken to find themselves not in their home, but in the countryside, and soon meet a cat named Thomas O'Malley. After some talk, O'Malley offers to help get the family back to Madame Bonfamille.Meanwhile, back in Paris, a house-mouse in Madam Bonfamille's residence named Rocquefort confirs with Madame's coach horse, Frou-Frou. Both are unsure what has become of their friends, when Edgar comes into Frou-Frou's stables very chipper. As Frou-Frou can't talk, Edgar shows her the headline from the morning's paper, telling of a mysterious catnapper taking off with Duchess and her children. Edgar seems to think he's gotten away with his little crime...until he realizes that he left his hat and umbrella out in the countryside, and quickly rushes out to retrieve them.Meanwhile, Thomas, Duchess and the kids hitch a ride on a milk truck, before being found out by the driver. They next attempt to follow a train track, until a train causes them to dive off. However, little Marie gets swept up in a nearby river. Thomas jumps in to save her, and the family follows him downstream.They then meet up with two female geese, Abigail and Amelia. The group then follow the two to their Uncle Waldo. Their journey takes them to a restaurant where Uncle Waldo has escaped from becoming the main course. However, being marinated in white wine has caused Uncle Waldo to be quite tipsy.Meanwhile, Edgar returns to the countryside and manages to get back his hat and umbrella, but not before Napoleon and Lafayette attempt to nip at his heels again.Back in Paris, the cats are almost home, but worn out from their trip. O'Malley then takes them to Scat Cat's abode in an abandoned building. Scat Cat and his gang of alley cats entertain the family, before heading off into the night.After the kittens are put to bed, Duchess and O'Malley share a tender moment. While Duchess tells of her eagerness to return to Madame, O'Malley (who has never really known kindness from humans), just thinks Madame sees Duchess and her kittens as housepets. Duchess however, explains that Madame sees them as more than this: they are the equivalent of a family to her.The next morning, O'Malley leads the family back to Madame's mansion. After saying his goodbyes, the cats head to the front door...only to be confronted by Edgar, who quickly throws them in a sack.Rocquefort has seen the whole thing, and after going to Duchess and the kittens in the sack, is told to find O'Malley. Rocquefort runs off and catches up to O'Malley. Thomas heads back to the mansion, and tells Rocquefort to find Scat Cat and his gang.Back in the mansion's stables, Edgar puts the cats into a trunk, telling them of his plans to send them to Timbuktu. He has already called for a truck to pick the trunk up, when O'Malley bursts in and attacks Edgar. Soon after, Scat Cat and his gang arrive to help, while Rocquefort manages to pick the lock and get the cats out. Scat Cat's gang, with some help from Frou-Frou, manage to knock Edgar into the trunk and out the stable's doors, just as the pick-up service arrives, taking it away.Some time afterward, Madame Bonfamille finds that Edgar has gone missing for some unknown reason, and calls on George to repurpose her will, removing him from any inheritance. Thomas is welcomed into the family, and Madam also has chosen to allow her mansion to be a safe haven for all the alley cats in Paris.The film ends with Scat Cat and his gang throwing a wild party at Madame's abode. | The Aristocats | fec04610-ccb1-a579-8879-a277d620e278 | What is the name of the retired opera diva? | [] | true |
/m/01ydq5 | In Paris, France, wealthy and aging socialite Madame Adelaide Bonfamille lives with her cat Duchess, and Duchess' three kittens: Berlioz, Toulouse, and Marie. Also in her employ is a butler, named Edgar.One day, Madame sends for her friend, George Hautecourt. The task is to finalize and make up Madame's will. Unknown to the two of them, Edgar is listening in. Madame notes that she has no living relatives, and considers her cats to be just as much a part of her family as anything else. As Edgar listens, he's shocked that Madam is planning to give her entire fortune to them, with the estate to be turned over to Edgar once the cats expire.Of course, Edgar is not at all happy about this, as the cats will easily outlive him! Edgar slips some sleeping pills in the cat's daily serving of cream, and once they have passed out, and night has fallen, he takes them out to the countryside, attempting to abandon them. However, his plans are ruined when a pair of dogs named Lafayette and Napoleon give chase. Edgar abandons the cats in a field before heading back to Paris.The next day, the cats awaken to find themselves not in their home, but in the countryside, and soon meet a cat named Thomas O'Malley. After some talk, O'Malley offers to help get the family back to Madame Bonfamille.Meanwhile, back in Paris, a house-mouse in Madam Bonfamille's residence named Rocquefort confirs with Madame's coach horse, Frou-Frou. Both are unsure what has become of their friends, when Edgar comes into Frou-Frou's stables very chipper. As Frou-Frou can't talk, Edgar shows her the headline from the morning's paper, telling of a mysterious catnapper taking off with Duchess and her children. Edgar seems to think he's gotten away with his little crime...until he realizes that he left his hat and umbrella out in the countryside, and quickly rushes out to retrieve them.Meanwhile, Thomas, Duchess and the kids hitch a ride on a milk truck, before being found out by the driver. They next attempt to follow a train track, until a train causes them to dive off. However, little Marie gets swept up in a nearby river. Thomas jumps in to save her, and the family follows him downstream.They then meet up with two female geese, Abigail and Amelia. The group then follow the two to their Uncle Waldo. Their journey takes them to a restaurant where Uncle Waldo has escaped from becoming the main course. However, being marinated in white wine has caused Uncle Waldo to be quite tipsy.Meanwhile, Edgar returns to the countryside and manages to get back his hat and umbrella, but not before Napoleon and Lafayette attempt to nip at his heels again.Back in Paris, the cats are almost home, but worn out from their trip. O'Malley then takes them to Scat Cat's abode in an abandoned building. Scat Cat and his gang of alley cats entertain the family, before heading off into the night.After the kittens are put to bed, Duchess and O'Malley share a tender moment. While Duchess tells of her eagerness to return to Madame, O'Malley (who has never really known kindness from humans), just thinks Madame sees Duchess and her kittens as housepets. Duchess however, explains that Madame sees them as more than this: they are the equivalent of a family to her.The next morning, O'Malley leads the family back to Madame's mansion. After saying his goodbyes, the cats head to the front door...only to be confronted by Edgar, who quickly throws them in a sack.Rocquefort has seen the whole thing, and after going to Duchess and the kittens in the sack, is told to find O'Malley. Rocquefort runs off and catches up to O'Malley. Thomas heads back to the mansion, and tells Rocquefort to find Scat Cat and his gang.Back in the mansion's stables, Edgar puts the cats into a trunk, telling them of his plans to send them to Timbuktu. He has already called for a truck to pick the trunk up, when O'Malley bursts in and attacks Edgar. Soon after, Scat Cat and his gang arrive to help, while Rocquefort manages to pick the lock and get the cats out. Scat Cat's gang, with some help from Frou-Frou, manage to knock Edgar into the trunk and out the stable's doors, just as the pick-up service arrives, taking it away.Some time afterward, Madame Bonfamille finds that Edgar has gone missing for some unknown reason, and calls on George to repurpose her will, removing him from any inheritance. Thomas is welcomed into the family, and Madam also has chosen to allow her mansion to be a safe haven for all the alley cats in Paris.The film ends with Scat Cat and his gang throwing a wild party at Madame's abode. | The Aristocats | 2dcd2d72-e00b-8ca2-6e8d-53349eef91f9 | Who is removed from Madame Adelaide's will? | [
"George"
] | false |
/m/01ydq5 | In Paris, France, wealthy and aging socialite Madame Adelaide Bonfamille lives with her cat Duchess, and Duchess' three kittens: Berlioz, Toulouse, and Marie. Also in her employ is a butler, named Edgar.One day, Madame sends for her friend, George Hautecourt. The task is to finalize and make up Madame's will. Unknown to the two of them, Edgar is listening in. Madame notes that she has no living relatives, and considers her cats to be just as much a part of her family as anything else. As Edgar listens, he's shocked that Madam is planning to give her entire fortune to them, with the estate to be turned over to Edgar once the cats expire.Of course, Edgar is not at all happy about this, as the cats will easily outlive him! Edgar slips some sleeping pills in the cat's daily serving of cream, and once they have passed out, and night has fallen, he takes them out to the countryside, attempting to abandon them. However, his plans are ruined when a pair of dogs named Lafayette and Napoleon give chase. Edgar abandons the cats in a field before heading back to Paris.The next day, the cats awaken to find themselves not in their home, but in the countryside, and soon meet a cat named Thomas O'Malley. After some talk, O'Malley offers to help get the family back to Madame Bonfamille.Meanwhile, back in Paris, a house-mouse in Madam Bonfamille's residence named Rocquefort confirs with Madame's coach horse, Frou-Frou. Both are unsure what has become of their friends, when Edgar comes into Frou-Frou's stables very chipper. As Frou-Frou can't talk, Edgar shows her the headline from the morning's paper, telling of a mysterious catnapper taking off with Duchess and her children. Edgar seems to think he's gotten away with his little crime...until he realizes that he left his hat and umbrella out in the countryside, and quickly rushes out to retrieve them.Meanwhile, Thomas, Duchess and the kids hitch a ride on a milk truck, before being found out by the driver. They next attempt to follow a train track, until a train causes them to dive off. However, little Marie gets swept up in a nearby river. Thomas jumps in to save her, and the family follows him downstream.They then meet up with two female geese, Abigail and Amelia. The group then follow the two to their Uncle Waldo. Their journey takes them to a restaurant where Uncle Waldo has escaped from becoming the main course. However, being marinated in white wine has caused Uncle Waldo to be quite tipsy.Meanwhile, Edgar returns to the countryside and manages to get back his hat and umbrella, but not before Napoleon and Lafayette attempt to nip at his heels again.Back in Paris, the cats are almost home, but worn out from their trip. O'Malley then takes them to Scat Cat's abode in an abandoned building. Scat Cat and his gang of alley cats entertain the family, before heading off into the night.After the kittens are put to bed, Duchess and O'Malley share a tender moment. While Duchess tells of her eagerness to return to Madame, O'Malley (who has never really known kindness from humans), just thinks Madame sees Duchess and her kittens as housepets. Duchess however, explains that Madame sees them as more than this: they are the equivalent of a family to her.The next morning, O'Malley leads the family back to Madame's mansion. After saying his goodbyes, the cats head to the front door...only to be confronted by Edgar, who quickly throws them in a sack.Rocquefort has seen the whole thing, and after going to Duchess and the kittens in the sack, is told to find O'Malley. Rocquefort runs off and catches up to O'Malley. Thomas heads back to the mansion, and tells Rocquefort to find Scat Cat and his gang.Back in the mansion's stables, Edgar puts the cats into a trunk, telling them of his plans to send them to Timbuktu. He has already called for a truck to pick the trunk up, when O'Malley bursts in and attacks Edgar. Soon after, Scat Cat and his gang arrive to help, while Rocquefort manages to pick the lock and get the cats out. Scat Cat's gang, with some help from Frou-Frou, manage to knock Edgar into the trunk and out the stable's doors, just as the pick-up service arrives, taking it away.Some time afterward, Madame Bonfamille finds that Edgar has gone missing for some unknown reason, and calls on George to repurpose her will, removing him from any inheritance. Thomas is welcomed into the family, and Madam also has chosen to allow her mansion to be a safe haven for all the alley cats in Paris.The film ends with Scat Cat and his gang throwing a wild party at Madame's abode. | The Aristocats | 7132760c-69e8-0e72-0909-bf3d3a997bc6 | Where does Edgar prepare to ship the kittens? | [
"To the countryside"
] | false |
/m/01ydq5 | In Paris, France, wealthy and aging socialite Madame Adelaide Bonfamille lives with her cat Duchess, and Duchess' three kittens: Berlioz, Toulouse, and Marie. Also in her employ is a butler, named Edgar.One day, Madame sends for her friend, George Hautecourt. The task is to finalize and make up Madame's will. Unknown to the two of them, Edgar is listening in. Madame notes that she has no living relatives, and considers her cats to be just as much a part of her family as anything else. As Edgar listens, he's shocked that Madam is planning to give her entire fortune to them, with the estate to be turned over to Edgar once the cats expire.Of course, Edgar is not at all happy about this, as the cats will easily outlive him! Edgar slips some sleeping pills in the cat's daily serving of cream, and once they have passed out, and night has fallen, he takes them out to the countryside, attempting to abandon them. However, his plans are ruined when a pair of dogs named Lafayette and Napoleon give chase. Edgar abandons the cats in a field before heading back to Paris.The next day, the cats awaken to find themselves not in their home, but in the countryside, and soon meet a cat named Thomas O'Malley. After some talk, O'Malley offers to help get the family back to Madame Bonfamille.Meanwhile, back in Paris, a house-mouse in Madam Bonfamille's residence named Rocquefort confirs with Madame's coach horse, Frou-Frou. Both are unsure what has become of their friends, when Edgar comes into Frou-Frou's stables very chipper. As Frou-Frou can't talk, Edgar shows her the headline from the morning's paper, telling of a mysterious catnapper taking off with Duchess and her children. Edgar seems to think he's gotten away with his little crime...until he realizes that he left his hat and umbrella out in the countryside, and quickly rushes out to retrieve them.Meanwhile, Thomas, Duchess and the kids hitch a ride on a milk truck, before being found out by the driver. They next attempt to follow a train track, until a train causes them to dive off. However, little Marie gets swept up in a nearby river. Thomas jumps in to save her, and the family follows him downstream.They then meet up with two female geese, Abigail and Amelia. The group then follow the two to their Uncle Waldo. Their journey takes them to a restaurant where Uncle Waldo has escaped from becoming the main course. However, being marinated in white wine has caused Uncle Waldo to be quite tipsy.Meanwhile, Edgar returns to the countryside and manages to get back his hat and umbrella, but not before Napoleon and Lafayette attempt to nip at his heels again.Back in Paris, the cats are almost home, but worn out from their trip. O'Malley then takes them to Scat Cat's abode in an abandoned building. Scat Cat and his gang of alley cats entertain the family, before heading off into the night.After the kittens are put to bed, Duchess and O'Malley share a tender moment. While Duchess tells of her eagerness to return to Madame, O'Malley (who has never really known kindness from humans), just thinks Madame sees Duchess and her kittens as housepets. Duchess however, explains that Madame sees them as more than this: they are the equivalent of a family to her.The next morning, O'Malley leads the family back to Madame's mansion. After saying his goodbyes, the cats head to the front door...only to be confronted by Edgar, who quickly throws them in a sack.Rocquefort has seen the whole thing, and after going to Duchess and the kittens in the sack, is told to find O'Malley. Rocquefort runs off and catches up to O'Malley. Thomas heads back to the mansion, and tells Rocquefort to find Scat Cat and his gang.Back in the mansion's stables, Edgar puts the cats into a trunk, telling them of his plans to send them to Timbuktu. He has already called for a truck to pick the trunk up, when O'Malley bursts in and attacks Edgar. Soon after, Scat Cat and his gang arrive to help, while Rocquefort manages to pick the lock and get the cats out. Scat Cat's gang, with some help from Frou-Frou, manage to knock Edgar into the trunk and out the stable's doors, just as the pick-up service arrives, taking it away.Some time afterward, Madame Bonfamille finds that Edgar has gone missing for some unknown reason, and calls on George to repurpose her will, removing him from any inheritance. Thomas is welcomed into the family, and Madam also has chosen to allow her mansion to be a safe haven for all the alley cats in Paris.The film ends with Scat Cat and his gang throwing a wild party at Madame's abode. | The Aristocats | 124a1fe9-60ff-9be3-47fb-c6ef6b0cad2e | How did Edgar sedate the cats? | [
"He drugged their cream"
] | false |
/m/01ydq5 | In Paris, France, wealthy and aging socialite Madame Adelaide Bonfamille lives with her cat Duchess, and Duchess' three kittens: Berlioz, Toulouse, and Marie. Also in her employ is a butler, named Edgar.One day, Madame sends for her friend, George Hautecourt. The task is to finalize and make up Madame's will. Unknown to the two of them, Edgar is listening in. Madame notes that she has no living relatives, and considers her cats to be just as much a part of her family as anything else. As Edgar listens, he's shocked that Madam is planning to give her entire fortune to them, with the estate to be turned over to Edgar once the cats expire.Of course, Edgar is not at all happy about this, as the cats will easily outlive him! Edgar slips some sleeping pills in the cat's daily serving of cream, and once they have passed out, and night has fallen, he takes them out to the countryside, attempting to abandon them. However, his plans are ruined when a pair of dogs named Lafayette and Napoleon give chase. Edgar abandons the cats in a field before heading back to Paris.The next day, the cats awaken to find themselves not in their home, but in the countryside, and soon meet a cat named Thomas O'Malley. After some talk, O'Malley offers to help get the family back to Madame Bonfamille.Meanwhile, back in Paris, a house-mouse in Madam Bonfamille's residence named Rocquefort confirs with Madame's coach horse, Frou-Frou. Both are unsure what has become of their friends, when Edgar comes into Frou-Frou's stables very chipper. As Frou-Frou can't talk, Edgar shows her the headline from the morning's paper, telling of a mysterious catnapper taking off with Duchess and her children. Edgar seems to think he's gotten away with his little crime...until he realizes that he left his hat and umbrella out in the countryside, and quickly rushes out to retrieve them.Meanwhile, Thomas, Duchess and the kids hitch a ride on a milk truck, before being found out by the driver. They next attempt to follow a train track, until a train causes them to dive off. However, little Marie gets swept up in a nearby river. Thomas jumps in to save her, and the family follows him downstream.They then meet up with two female geese, Abigail and Amelia. The group then follow the two to their Uncle Waldo. Their journey takes them to a restaurant where Uncle Waldo has escaped from becoming the main course. However, being marinated in white wine has caused Uncle Waldo to be quite tipsy.Meanwhile, Edgar returns to the countryside and manages to get back his hat and umbrella, but not before Napoleon and Lafayette attempt to nip at his heels again.Back in Paris, the cats are almost home, but worn out from their trip. O'Malley then takes them to Scat Cat's abode in an abandoned building. Scat Cat and his gang of alley cats entertain the family, before heading off into the night.After the kittens are put to bed, Duchess and O'Malley share a tender moment. While Duchess tells of her eagerness to return to Madame, O'Malley (who has never really known kindness from humans), just thinks Madame sees Duchess and her kittens as housepets. Duchess however, explains that Madame sees them as more than this: they are the equivalent of a family to her.The next morning, O'Malley leads the family back to Madame's mansion. After saying his goodbyes, the cats head to the front door...only to be confronted by Edgar, who quickly throws them in a sack.Rocquefort has seen the whole thing, and after going to Duchess and the kittens in the sack, is told to find O'Malley. Rocquefort runs off and catches up to O'Malley. Thomas heads back to the mansion, and tells Rocquefort to find Scat Cat and his gang.Back in the mansion's stables, Edgar puts the cats into a trunk, telling them of his plans to send them to Timbuktu. He has already called for a truck to pick the trunk up, when O'Malley bursts in and attacks Edgar. Soon after, Scat Cat and his gang arrive to help, while Rocquefort manages to pick the lock and get the cats out. Scat Cat's gang, with some help from Frou-Frou, manage to knock Edgar into the trunk and out the stable's doors, just as the pick-up service arrives, taking it away.Some time afterward, Madame Bonfamille finds that Edgar has gone missing for some unknown reason, and calls on George to repurpose her will, removing him from any inheritance. Thomas is welcomed into the family, and Madam also has chosen to allow her mansion to be a safe haven for all the alley cats in Paris.The film ends with Scat Cat and his gang throwing a wild party at Madame's abode. | The Aristocats | a0e1a2e6-7112-8e4b-2c1b-15758756f8ad | Who does O'Malley ask to marry him? | [] | true |
/m/06w28q | The initial scenes establish that Joanna Stayton (Goldie Hawn), is a spoiled brat who always gets her way, the ultimate rich bitch, and the pampered wife of pretentious socialite Grant Stayton III (Edward Herrmann).Using Roman numerals after your name is Hollywood shorthand for "pretentious snob", and Grant is that, and self centered to boot, however, Joanna is far worse. She is not only snobbish but also idle, pampered, sharp-tongued, impossible to please and unfailingly rude to anyone she considers her social inferior, which is virtually all of the human race. To describe Joanna as unsympathetic is a huge understatement, a better description would be "prize bitch".When Grant's luxury yacht develops engine trouble, Grant is forced to put into the small Oregon coastal town of Elk Snout for repairs.While the huge yacht is in port, Joanna hires Dean Proffitt (Kurt Russell), a poor carpenter who has just moved to Oregon, to build better shoe storage for her closet in the yacht. Dean is a skilled craftsman, rather picky about what he uses, such as the wood that should be used to protect the leather from salt spray in a ship. Joanna is also not impressed by his taking so long, as he designed intricate shelves that confuse and annoy her.An early funny scene in the movie has Joanna lecturing Andrew the butler ( Roddy McDowall), on why the caviar he had just delivered her was no good, while Dean, standing in the background, has his tape measure pointing suggestively skyward.When the work is complete she refuses to pay him in a dispute over the quality of his workmanship,
claiming that the closet is not up to her standards. In the ensuing argument Joanna loses her temper, pushes Dean overboard and throws his tools after him.The yacht crew has long ago gotten used to keep quiet and accept the guff from Joanna and Grant, despite that they have been treated like dirt, particularly family butler Andrew.After a typically stormy dinner that night, Joanna drops her wedding ring behind a seat on the deck. In reaching for it she loses her balance and falls overboard.A garbage boat rescues her but there is a problem: she is suffering from amnesia and cannot remember anything of her former identity. This we learn as Joanna is interviewed as she is wheeled into a psychiatric hospital.The following morning Grant returns to port, and finds Joanna is safe in a hospital but she has lost her memory, while her personality remains as nasty as ever.Grant, who is weary of Joanna, pretends that he does not recognize her, seeing his chance to be rid of her and to lead a playboy bachelor lifestyle on the yacht.When news of the unidentified amnesiac is televised throughout the city, a still angry Dean recognizes her picture and believes his opportunity for revenge has come. In a stroke of retributive genius, Dean shows up at the hospital audaciously posing as her husband and identifies Joanna as his wife "Annie". He tells her that she's his wife and the mother of his four unruly boys.His motive is not only payback for the way in which Joanna treated him but also his need for someone to do all the housework, as Dean is skilled as a craftsman but less accomplished in parenting and housekeeping. He is a widower with four young sons and finds it difficult to cope. The kids have missed a woman's touch in their home for nearly five years since their Mom died. Since the death of their mother his attitude towards his children and his household has been one of benign neglect. The boys have become undisciplined and badly behaved and the house looks like a war zone.Dean's intention is to get compensation for his unpaid work from Joanna being the household maid for a while. He figures on crediting her for 25 dollars a day. He assumes she'll be good for cleaning up around the house and looking after his four sons. The sons agree to the hoax, so Dean brings Joanna into his highly unkempt home and gets her to do all the chores.Although Joanna cannot recall her previous life with Grant, she is not convinced that she really is Dean's wife, especially as she turns out to be totally unskilled at cleaning and cooking. There isnt any sexual attraction on either side, so she sleeps on the couch in the living room and he keeps his bed.She asks Dean questions like where did we meet, what jobs did I have, and his answers are pretty low class redneck, so the muses to herself, I was a short, fat, slut? Whatever her questions, Dean manages a cover up with some silly story.When she gets curious about why there arent any pictures of her anywhere, Dean arranges for one of his buddies to modify Deans original wedding pictures by inserting Joannas face replacing his first wife.Later on, when Joanna discovers that she is fluent in French, Dean has to make up a tall tale to explain why.Joanna, finally believing she is Annie, struggles to become a good housewife and mother. She accepts her role as the woman of the house. Gradually, however, she gets used to her situation, she gets good at it, Dean even begins to fall in love, as Joanna's hidden talents come out.While overwhelmed at first by having to do unfamiliar work, including cooking, while struggling to remember this family, Joanna slowly works things out. Joanna brings some discipline back into the lives of father and sons.She is able to moderate the wild, "bachelor's hall" lifestyle that Dean has set up for himself and his sons. The boys accept a curtailment of their freedom, which at first they resent but slowly appreciate. A breakthrough with the kids comes when she sticks up for them against a bullying school teacher. A breakthrough with Dean comes when she finds he is earning extra money at a menial moonlighting job on a night that he says he goes out bowling with the guys.Joanna gradually comes to appreciate Dean's good qualities and to sympathize with little people she had previously dismissed as worthless.Dean finds he's got a dilemma to solve, as he too begins to appreciate her. He first feels he truly cares for her when she gets a poison ivy rash and he does everything a loving husband would do to make his wife feel better.She is crucial help to him in landing a construction job for a miniature golf park, she suggests a theme of famous world landmarks, and prepares sketches that sell the concept to the investors. He's missed having a female companion with intelligence. He decides to tell her the truth, but he doesnt get his confession out fast enough, she jumps the gun to tell him she knows the secret. So once again he lies, he apologizes for forgetting her birthday instead, and takes her out on a fun birthday date with lots of music and singing.As they come back home that night, Joanna realizes she is truly happy with him, and they have their first passionate all night encounter as part of the birthday celebration.Of course the situation remains tricky, since it is endangered if Joanna recovers her memories.Meantime, Joannas mother (Catherine Helmond) has been hounding Grant on why she has not heard in weeks from her daughter, makes credible threats, and flies out to stay at the yacht.So Grant, who left her at the hospital originally, is pressured by his mother in law to retrieve her.
Grant finds her easily, drives in his limousine to the house she shares with Dean, and waits.Joanna comes towards house, sees Grant, and her memory functions well enough that she says, Hi, Grant. With that trigger, her memories rapidly return to her and she leaves Dean to rejoin Grant and her old life of material privilege on the yacht.However, Joanna is no longer the woman she once was and she misses Dean and the children. She hates the wealthy snobbishness represented by Grant, her own mother, and the psychiatrist. Her mother (Kathleen Helmond) is constantly using the advice of a fashionable psychiatrist (Henry Alan Miller) on how to treat her daughter. She asks for beer when she is offered champagne, and she spends time in conversations with the cook, the crew, and the butler.The film is clearly intended as a satire on the ways of the ultra-rich. There is a sharp contrast between Joanna's idle, pointless existence before her transformation and her fulfilling, useful life as a blue collar housewife after it.Soon after the yacht departs Elk Snout, Joanna finds out that Grant knew where she was all along, and had abandoned her in the hospital. Furious, she commands the skipper to reverse course and return towards Elk Snout. Meantime, Dean and his kids are unhappy at doing nothing to get her back, and decide together to give it their all in one last grand effort. They pull some favors from buddies and get a Coast Guard boat to chase after the yacht, as long as there isnt any actual call for the Coast Guard boat to chase anyone else.As the two vessels approach each other, the Coast Guard receives an emergency call, and Grant on his yacht fights for control of the bridge, overpowering both the skipper and the butler, and the boats start to veer away from each other. Dean jumps off the ship, Joanna jumps off hers, and naval protocol requires both ships to circle back to pick up the men overboard.Needless to say, there are hugs and kisses and reunions all around. Joanna leaves Grant, and begins a happy life with Dean and the boys, only now on her yacht, instead of Dean's shack.In the last scene, Christmas lists are being prepared. One of the boys asks how does one spell Porsche. Dean asks, What can I give you? You already have everything!.Her answer is You could give me a little girl. | Overboard | 5eb14532-003f-9bcc-5a30-ce756ca77b8a | Who has been lying and using Edith for months? | [
"there is no Edith"
] | false |
/m/06w28q | The initial scenes establish that Joanna Stayton (Goldie Hawn), is a spoiled brat who always gets her way, the ultimate rich bitch, and the pampered wife of pretentious socialite Grant Stayton III (Edward Herrmann).Using Roman numerals after your name is Hollywood shorthand for "pretentious snob", and Grant is that, and self centered to boot, however, Joanna is far worse. She is not only snobbish but also idle, pampered, sharp-tongued, impossible to please and unfailingly rude to anyone she considers her social inferior, which is virtually all of the human race. To describe Joanna as unsympathetic is a huge understatement, a better description would be "prize bitch".When Grant's luxury yacht develops engine trouble, Grant is forced to put into the small Oregon coastal town of Elk Snout for repairs.While the huge yacht is in port, Joanna hires Dean Proffitt (Kurt Russell), a poor carpenter who has just moved to Oregon, to build better shoe storage for her closet in the yacht. Dean is a skilled craftsman, rather picky about what he uses, such as the wood that should be used to protect the leather from salt spray in a ship. Joanna is also not impressed by his taking so long, as he designed intricate shelves that confuse and annoy her.An early funny scene in the movie has Joanna lecturing Andrew the butler ( Roddy McDowall), on why the caviar he had just delivered her was no good, while Dean, standing in the background, has his tape measure pointing suggestively skyward.When the work is complete she refuses to pay him in a dispute over the quality of his workmanship,
claiming that the closet is not up to her standards. In the ensuing argument Joanna loses her temper, pushes Dean overboard and throws his tools after him.The yacht crew has long ago gotten used to keep quiet and accept the guff from Joanna and Grant, despite that they have been treated like dirt, particularly family butler Andrew.After a typically stormy dinner that night, Joanna drops her wedding ring behind a seat on the deck. In reaching for it she loses her balance and falls overboard.A garbage boat rescues her but there is a problem: she is suffering from amnesia and cannot remember anything of her former identity. This we learn as Joanna is interviewed as she is wheeled into a psychiatric hospital.The following morning Grant returns to port, and finds Joanna is safe in a hospital but she has lost her memory, while her personality remains as nasty as ever.Grant, who is weary of Joanna, pretends that he does not recognize her, seeing his chance to be rid of her and to lead a playboy bachelor lifestyle on the yacht.When news of the unidentified amnesiac is televised throughout the city, a still angry Dean recognizes her picture and believes his opportunity for revenge has come. In a stroke of retributive genius, Dean shows up at the hospital audaciously posing as her husband and identifies Joanna as his wife "Annie". He tells her that she's his wife and the mother of his four unruly boys.His motive is not only payback for the way in which Joanna treated him but also his need for someone to do all the housework, as Dean is skilled as a craftsman but less accomplished in parenting and housekeeping. He is a widower with four young sons and finds it difficult to cope. The kids have missed a woman's touch in their home for nearly five years since their Mom died. Since the death of their mother his attitude towards his children and his household has been one of benign neglect. The boys have become undisciplined and badly behaved and the house looks like a war zone.Dean's intention is to get compensation for his unpaid work from Joanna being the household maid for a while. He figures on crediting her for 25 dollars a day. He assumes she'll be good for cleaning up around the house and looking after his four sons. The sons agree to the hoax, so Dean brings Joanna into his highly unkempt home and gets her to do all the chores.Although Joanna cannot recall her previous life with Grant, she is not convinced that she really is Dean's wife, especially as she turns out to be totally unskilled at cleaning and cooking. There isnt any sexual attraction on either side, so she sleeps on the couch in the living room and he keeps his bed.She asks Dean questions like where did we meet, what jobs did I have, and his answers are pretty low class redneck, so the muses to herself, I was a short, fat, slut? Whatever her questions, Dean manages a cover up with some silly story.When she gets curious about why there arent any pictures of her anywhere, Dean arranges for one of his buddies to modify Deans original wedding pictures by inserting Joannas face replacing his first wife.Later on, when Joanna discovers that she is fluent in French, Dean has to make up a tall tale to explain why.Joanna, finally believing she is Annie, struggles to become a good housewife and mother. She accepts her role as the woman of the house. Gradually, however, she gets used to her situation, she gets good at it, Dean even begins to fall in love, as Joanna's hidden talents come out.While overwhelmed at first by having to do unfamiliar work, including cooking, while struggling to remember this family, Joanna slowly works things out. Joanna brings some discipline back into the lives of father and sons.She is able to moderate the wild, "bachelor's hall" lifestyle that Dean has set up for himself and his sons. The boys accept a curtailment of their freedom, which at first they resent but slowly appreciate. A breakthrough with the kids comes when she sticks up for them against a bullying school teacher. A breakthrough with Dean comes when she finds he is earning extra money at a menial moonlighting job on a night that he says he goes out bowling with the guys.Joanna gradually comes to appreciate Dean's good qualities and to sympathize with little people she had previously dismissed as worthless.Dean finds he's got a dilemma to solve, as he too begins to appreciate her. He first feels he truly cares for her when she gets a poison ivy rash and he does everything a loving husband would do to make his wife feel better.She is crucial help to him in landing a construction job for a miniature golf park, she suggests a theme of famous world landmarks, and prepares sketches that sell the concept to the investors. He's missed having a female companion with intelligence. He decides to tell her the truth, but he doesnt get his confession out fast enough, she jumps the gun to tell him she knows the secret. So once again he lies, he apologizes for forgetting her birthday instead, and takes her out on a fun birthday date with lots of music and singing.As they come back home that night, Joanna realizes she is truly happy with him, and they have their first passionate all night encounter as part of the birthday celebration.Of course the situation remains tricky, since it is endangered if Joanna recovers her memories.Meantime, Joannas mother (Catherine Helmond) has been hounding Grant on why she has not heard in weeks from her daughter, makes credible threats, and flies out to stay at the yacht.So Grant, who left her at the hospital originally, is pressured by his mother in law to retrieve her.
Grant finds her easily, drives in his limousine to the house she shares with Dean, and waits.Joanna comes towards house, sees Grant, and her memory functions well enough that she says, Hi, Grant. With that trigger, her memories rapidly return to her and she leaves Dean to rejoin Grant and her old life of material privilege on the yacht.However, Joanna is no longer the woman she once was and she misses Dean and the children. She hates the wealthy snobbishness represented by Grant, her own mother, and the psychiatrist. Her mother (Kathleen Helmond) is constantly using the advice of a fashionable psychiatrist (Henry Alan Miller) on how to treat her daughter. She asks for beer when she is offered champagne, and she spends time in conversations with the cook, the crew, and the butler.The film is clearly intended as a satire on the ways of the ultra-rich. There is a sharp contrast between Joanna's idle, pointless existence before her transformation and her fulfilling, useful life as a blue collar housewife after it.Soon after the yacht departs Elk Snout, Joanna finds out that Grant knew where she was all along, and had abandoned her in the hospital. Furious, she commands the skipper to reverse course and return towards Elk Snout. Meantime, Dean and his kids are unhappy at doing nothing to get her back, and decide together to give it their all in one last grand effort. They pull some favors from buddies and get a Coast Guard boat to chase after the yacht, as long as there isnt any actual call for the Coast Guard boat to chase anyone else.As the two vessels approach each other, the Coast Guard receives an emergency call, and Grant on his yacht fights for control of the bridge, overpowering both the skipper and the butler, and the boats start to veer away from each other. Dean jumps off the ship, Joanna jumps off hers, and naval protocol requires both ships to circle back to pick up the men overboard.Needless to say, there are hugs and kisses and reunions all around. Joanna leaves Grant, and begins a happy life with Dean and the boys, only now on her yacht, instead of Dean's shack.In the last scene, Christmas lists are being prepared. One of the boys asks how does one spell Porsche. Dean asks, What can I give you? You already have everything!.Her answer is You could give me a little girl. | Overboard | 207de62e-07cd-92c6-fb6f-4115f9819e46 | What did Dean say that made Joanna angry? | [
"She is inventing things to complain about because her life is so pampered and boring."
] | false |
/m/06w28q | The initial scenes establish that Joanna Stayton (Goldie Hawn), is a spoiled brat who always gets her way, the ultimate rich bitch, and the pampered wife of pretentious socialite Grant Stayton III (Edward Herrmann).Using Roman numerals after your name is Hollywood shorthand for "pretentious snob", and Grant is that, and self centered to boot, however, Joanna is far worse. She is not only snobbish but also idle, pampered, sharp-tongued, impossible to please and unfailingly rude to anyone she considers her social inferior, which is virtually all of the human race. To describe Joanna as unsympathetic is a huge understatement, a better description would be "prize bitch".When Grant's luxury yacht develops engine trouble, Grant is forced to put into the small Oregon coastal town of Elk Snout for repairs.While the huge yacht is in port, Joanna hires Dean Proffitt (Kurt Russell), a poor carpenter who has just moved to Oregon, to build better shoe storage for her closet in the yacht. Dean is a skilled craftsman, rather picky about what he uses, such as the wood that should be used to protect the leather from salt spray in a ship. Joanna is also not impressed by his taking so long, as he designed intricate shelves that confuse and annoy her.An early funny scene in the movie has Joanna lecturing Andrew the butler ( Roddy McDowall), on why the caviar he had just delivered her was no good, while Dean, standing in the background, has his tape measure pointing suggestively skyward.When the work is complete she refuses to pay him in a dispute over the quality of his workmanship,
claiming that the closet is not up to her standards. In the ensuing argument Joanna loses her temper, pushes Dean overboard and throws his tools after him.The yacht crew has long ago gotten used to keep quiet and accept the guff from Joanna and Grant, despite that they have been treated like dirt, particularly family butler Andrew.After a typically stormy dinner that night, Joanna drops her wedding ring behind a seat on the deck. In reaching for it she loses her balance and falls overboard.A garbage boat rescues her but there is a problem: she is suffering from amnesia and cannot remember anything of her former identity. This we learn as Joanna is interviewed as she is wheeled into a psychiatric hospital.The following morning Grant returns to port, and finds Joanna is safe in a hospital but she has lost her memory, while her personality remains as nasty as ever.Grant, who is weary of Joanna, pretends that he does not recognize her, seeing his chance to be rid of her and to lead a playboy bachelor lifestyle on the yacht.When news of the unidentified amnesiac is televised throughout the city, a still angry Dean recognizes her picture and believes his opportunity for revenge has come. In a stroke of retributive genius, Dean shows up at the hospital audaciously posing as her husband and identifies Joanna as his wife "Annie". He tells her that she's his wife and the mother of his four unruly boys.His motive is not only payback for the way in which Joanna treated him but also his need for someone to do all the housework, as Dean is skilled as a craftsman but less accomplished in parenting and housekeeping. He is a widower with four young sons and finds it difficult to cope. The kids have missed a woman's touch in their home for nearly five years since their Mom died. Since the death of their mother his attitude towards his children and his household has been one of benign neglect. The boys have become undisciplined and badly behaved and the house looks like a war zone.Dean's intention is to get compensation for his unpaid work from Joanna being the household maid for a while. He figures on crediting her for 25 dollars a day. He assumes she'll be good for cleaning up around the house and looking after his four sons. The sons agree to the hoax, so Dean brings Joanna into his highly unkempt home and gets her to do all the chores.Although Joanna cannot recall her previous life with Grant, she is not convinced that she really is Dean's wife, especially as she turns out to be totally unskilled at cleaning and cooking. There isnt any sexual attraction on either side, so she sleeps on the couch in the living room and he keeps his bed.She asks Dean questions like where did we meet, what jobs did I have, and his answers are pretty low class redneck, so the muses to herself, I was a short, fat, slut? Whatever her questions, Dean manages a cover up with some silly story.When she gets curious about why there arent any pictures of her anywhere, Dean arranges for one of his buddies to modify Deans original wedding pictures by inserting Joannas face replacing his first wife.Later on, when Joanna discovers that she is fluent in French, Dean has to make up a tall tale to explain why.Joanna, finally believing she is Annie, struggles to become a good housewife and mother. She accepts her role as the woman of the house. Gradually, however, she gets used to her situation, she gets good at it, Dean even begins to fall in love, as Joanna's hidden talents come out.While overwhelmed at first by having to do unfamiliar work, including cooking, while struggling to remember this family, Joanna slowly works things out. Joanna brings some discipline back into the lives of father and sons.She is able to moderate the wild, "bachelor's hall" lifestyle that Dean has set up for himself and his sons. The boys accept a curtailment of their freedom, which at first they resent but slowly appreciate. A breakthrough with the kids comes when she sticks up for them against a bullying school teacher. A breakthrough with Dean comes when she finds he is earning extra money at a menial moonlighting job on a night that he says he goes out bowling with the guys.Joanna gradually comes to appreciate Dean's good qualities and to sympathize with little people she had previously dismissed as worthless.Dean finds he's got a dilemma to solve, as he too begins to appreciate her. He first feels he truly cares for her when she gets a poison ivy rash and he does everything a loving husband would do to make his wife feel better.She is crucial help to him in landing a construction job for a miniature golf park, she suggests a theme of famous world landmarks, and prepares sketches that sell the concept to the investors. He's missed having a female companion with intelligence. He decides to tell her the truth, but he doesnt get his confession out fast enough, she jumps the gun to tell him she knows the secret. So once again he lies, he apologizes for forgetting her birthday instead, and takes her out on a fun birthday date with lots of music and singing.As they come back home that night, Joanna realizes she is truly happy with him, and they have their first passionate all night encounter as part of the birthday celebration.Of course the situation remains tricky, since it is endangered if Joanna recovers her memories.Meantime, Joannas mother (Catherine Helmond) has been hounding Grant on why she has not heard in weeks from her daughter, makes credible threats, and flies out to stay at the yacht.So Grant, who left her at the hospital originally, is pressured by his mother in law to retrieve her.
Grant finds her easily, drives in his limousine to the house she shares with Dean, and waits.Joanna comes towards house, sees Grant, and her memory functions well enough that she says, Hi, Grant. With that trigger, her memories rapidly return to her and she leaves Dean to rejoin Grant and her old life of material privilege on the yacht.However, Joanna is no longer the woman she once was and she misses Dean and the children. She hates the wealthy snobbishness represented by Grant, her own mother, and the psychiatrist. Her mother (Kathleen Helmond) is constantly using the advice of a fashionable psychiatrist (Henry Alan Miller) on how to treat her daughter. She asks for beer when she is offered champagne, and she spends time in conversations with the cook, the crew, and the butler.The film is clearly intended as a satire on the ways of the ultra-rich. There is a sharp contrast between Joanna's idle, pointless existence before her transformation and her fulfilling, useful life as a blue collar housewife after it.Soon after the yacht departs Elk Snout, Joanna finds out that Grant knew where she was all along, and had abandoned her in the hospital. Furious, she commands the skipper to reverse course and return towards Elk Snout. Meantime, Dean and his kids are unhappy at doing nothing to get her back, and decide together to give it their all in one last grand effort. They pull some favors from buddies and get a Coast Guard boat to chase after the yacht, as long as there isnt any actual call for the Coast Guard boat to chase anyone else.As the two vessels approach each other, the Coast Guard receives an emergency call, and Grant on his yacht fights for control of the bridge, overpowering both the skipper and the butler, and the boats start to veer away from each other. Dean jumps off the ship, Joanna jumps off hers, and naval protocol requires both ships to circle back to pick up the men overboard.Needless to say, there are hugs and kisses and reunions all around. Joanna leaves Grant, and begins a happy life with Dean and the boys, only now on her yacht, instead of Dean's shack.In the last scene, Christmas lists are being prepared. One of the boys asks how does one spell Porsche. Dean asks, What can I give you? You already have everything!.Her answer is You could give me a little girl. | Overboard | fe57d423-eb76-3ee1-802c-0e460cf283df | What does Joanna try to retrieve from the deck? | [
"Her wedding ring",
"she wants to return to Elk Snout"
] | false |
/m/06w28q | The initial scenes establish that Joanna Stayton (Goldie Hawn), is a spoiled brat who always gets her way, the ultimate rich bitch, and the pampered wife of pretentious socialite Grant Stayton III (Edward Herrmann).Using Roman numerals after your name is Hollywood shorthand for "pretentious snob", and Grant is that, and self centered to boot, however, Joanna is far worse. She is not only snobbish but also idle, pampered, sharp-tongued, impossible to please and unfailingly rude to anyone she considers her social inferior, which is virtually all of the human race. To describe Joanna as unsympathetic is a huge understatement, a better description would be "prize bitch".When Grant's luxury yacht develops engine trouble, Grant is forced to put into the small Oregon coastal town of Elk Snout for repairs.While the huge yacht is in port, Joanna hires Dean Proffitt (Kurt Russell), a poor carpenter who has just moved to Oregon, to build better shoe storage for her closet in the yacht. Dean is a skilled craftsman, rather picky about what he uses, such as the wood that should be used to protect the leather from salt spray in a ship. Joanna is also not impressed by his taking so long, as he designed intricate shelves that confuse and annoy her.An early funny scene in the movie has Joanna lecturing Andrew the butler ( Roddy McDowall), on why the caviar he had just delivered her was no good, while Dean, standing in the background, has his tape measure pointing suggestively skyward.When the work is complete she refuses to pay him in a dispute over the quality of his workmanship,
claiming that the closet is not up to her standards. In the ensuing argument Joanna loses her temper, pushes Dean overboard and throws his tools after him.The yacht crew has long ago gotten used to keep quiet and accept the guff from Joanna and Grant, despite that they have been treated like dirt, particularly family butler Andrew.After a typically stormy dinner that night, Joanna drops her wedding ring behind a seat on the deck. In reaching for it she loses her balance and falls overboard.A garbage boat rescues her but there is a problem: she is suffering from amnesia and cannot remember anything of her former identity. This we learn as Joanna is interviewed as she is wheeled into a psychiatric hospital.The following morning Grant returns to port, and finds Joanna is safe in a hospital but she has lost her memory, while her personality remains as nasty as ever.Grant, who is weary of Joanna, pretends that he does not recognize her, seeing his chance to be rid of her and to lead a playboy bachelor lifestyle on the yacht.When news of the unidentified amnesiac is televised throughout the city, a still angry Dean recognizes her picture and believes his opportunity for revenge has come. In a stroke of retributive genius, Dean shows up at the hospital audaciously posing as her husband and identifies Joanna as his wife "Annie". He tells her that she's his wife and the mother of his four unruly boys.His motive is not only payback for the way in which Joanna treated him but also his need for someone to do all the housework, as Dean is skilled as a craftsman but less accomplished in parenting and housekeeping. He is a widower with four young sons and finds it difficult to cope. The kids have missed a woman's touch in their home for nearly five years since their Mom died. Since the death of their mother his attitude towards his children and his household has been one of benign neglect. The boys have become undisciplined and badly behaved and the house looks like a war zone.Dean's intention is to get compensation for his unpaid work from Joanna being the household maid for a while. He figures on crediting her for 25 dollars a day. He assumes she'll be good for cleaning up around the house and looking after his four sons. The sons agree to the hoax, so Dean brings Joanna into his highly unkempt home and gets her to do all the chores.Although Joanna cannot recall her previous life with Grant, she is not convinced that she really is Dean's wife, especially as she turns out to be totally unskilled at cleaning and cooking. There isnt any sexual attraction on either side, so she sleeps on the couch in the living room and he keeps his bed.She asks Dean questions like where did we meet, what jobs did I have, and his answers are pretty low class redneck, so the muses to herself, I was a short, fat, slut? Whatever her questions, Dean manages a cover up with some silly story.When she gets curious about why there arent any pictures of her anywhere, Dean arranges for one of his buddies to modify Deans original wedding pictures by inserting Joannas face replacing his first wife.Later on, when Joanna discovers that she is fluent in French, Dean has to make up a tall tale to explain why.Joanna, finally believing she is Annie, struggles to become a good housewife and mother. She accepts her role as the woman of the house. Gradually, however, she gets used to her situation, she gets good at it, Dean even begins to fall in love, as Joanna's hidden talents come out.While overwhelmed at first by having to do unfamiliar work, including cooking, while struggling to remember this family, Joanna slowly works things out. Joanna brings some discipline back into the lives of father and sons.She is able to moderate the wild, "bachelor's hall" lifestyle that Dean has set up for himself and his sons. The boys accept a curtailment of their freedom, which at first they resent but slowly appreciate. A breakthrough with the kids comes when she sticks up for them against a bullying school teacher. A breakthrough with Dean comes when she finds he is earning extra money at a menial moonlighting job on a night that he says he goes out bowling with the guys.Joanna gradually comes to appreciate Dean's good qualities and to sympathize with little people she had previously dismissed as worthless.Dean finds he's got a dilemma to solve, as he too begins to appreciate her. He first feels he truly cares for her when she gets a poison ivy rash and he does everything a loving husband would do to make his wife feel better.She is crucial help to him in landing a construction job for a miniature golf park, she suggests a theme of famous world landmarks, and prepares sketches that sell the concept to the investors. He's missed having a female companion with intelligence. He decides to tell her the truth, but he doesnt get his confession out fast enough, she jumps the gun to tell him she knows the secret. So once again he lies, he apologizes for forgetting her birthday instead, and takes her out on a fun birthday date with lots of music and singing.As they come back home that night, Joanna realizes she is truly happy with him, and they have their first passionate all night encounter as part of the birthday celebration.Of course the situation remains tricky, since it is endangered if Joanna recovers her memories.Meantime, Joannas mother (Catherine Helmond) has been hounding Grant on why she has not heard in weeks from her daughter, makes credible threats, and flies out to stay at the yacht.So Grant, who left her at the hospital originally, is pressured by his mother in law to retrieve her.
Grant finds her easily, drives in his limousine to the house she shares with Dean, and waits.Joanna comes towards house, sees Grant, and her memory functions well enough that she says, Hi, Grant. With that trigger, her memories rapidly return to her and she leaves Dean to rejoin Grant and her old life of material privilege on the yacht.However, Joanna is no longer the woman she once was and she misses Dean and the children. She hates the wealthy snobbishness represented by Grant, her own mother, and the psychiatrist. Her mother (Kathleen Helmond) is constantly using the advice of a fashionable psychiatrist (Henry Alan Miller) on how to treat her daughter. She asks for beer when she is offered champagne, and she spends time in conversations with the cook, the crew, and the butler.The film is clearly intended as a satire on the ways of the ultra-rich. There is a sharp contrast between Joanna's idle, pointless existence before her transformation and her fulfilling, useful life as a blue collar housewife after it.Soon after the yacht departs Elk Snout, Joanna finds out that Grant knew where she was all along, and had abandoned her in the hospital. Furious, she commands the skipper to reverse course and return towards Elk Snout. Meantime, Dean and his kids are unhappy at doing nothing to get her back, and decide together to give it their all in one last grand effort. They pull some favors from buddies and get a Coast Guard boat to chase after the yacht, as long as there isnt any actual call for the Coast Guard boat to chase anyone else.As the two vessels approach each other, the Coast Guard receives an emergency call, and Grant on his yacht fights for control of the bridge, overpowering both the skipper and the butler, and the boats start to veer away from each other. Dean jumps off the ship, Joanna jumps off hers, and naval protocol requires both ships to circle back to pick up the men overboard.Needless to say, there are hugs and kisses and reunions all around. Joanna leaves Grant, and begins a happy life with Dean and the boys, only now on her yacht, instead of Dean's shack.In the last scene, Christmas lists are being prepared. One of the boys asks how does one spell Porsche. Dean asks, What can I give you? You already have everything!.Her answer is You could give me a little girl. | Overboard | 4811f888-f082-cb2c-2ae3-fc32f3533334 | What does Dean's wife want? | [
"Dean's wife is dead"
] | false |
/m/06w28q | The initial scenes establish that Joanna Stayton (Goldie Hawn), is a spoiled brat who always gets her way, the ultimate rich bitch, and the pampered wife of pretentious socialite Grant Stayton III (Edward Herrmann).Using Roman numerals after your name is Hollywood shorthand for "pretentious snob", and Grant is that, and self centered to boot, however, Joanna is far worse. She is not only snobbish but also idle, pampered, sharp-tongued, impossible to please and unfailingly rude to anyone she considers her social inferior, which is virtually all of the human race. To describe Joanna as unsympathetic is a huge understatement, a better description would be "prize bitch".When Grant's luxury yacht develops engine trouble, Grant is forced to put into the small Oregon coastal town of Elk Snout for repairs.While the huge yacht is in port, Joanna hires Dean Proffitt (Kurt Russell), a poor carpenter who has just moved to Oregon, to build better shoe storage for her closet in the yacht. Dean is a skilled craftsman, rather picky about what he uses, such as the wood that should be used to protect the leather from salt spray in a ship. Joanna is also not impressed by his taking so long, as he designed intricate shelves that confuse and annoy her.An early funny scene in the movie has Joanna lecturing Andrew the butler ( Roddy McDowall), on why the caviar he had just delivered her was no good, while Dean, standing in the background, has his tape measure pointing suggestively skyward.When the work is complete she refuses to pay him in a dispute over the quality of his workmanship,
claiming that the closet is not up to her standards. In the ensuing argument Joanna loses her temper, pushes Dean overboard and throws his tools after him.The yacht crew has long ago gotten used to keep quiet and accept the guff from Joanna and Grant, despite that they have been treated like dirt, particularly family butler Andrew.After a typically stormy dinner that night, Joanna drops her wedding ring behind a seat on the deck. In reaching for it she loses her balance and falls overboard.A garbage boat rescues her but there is a problem: she is suffering from amnesia and cannot remember anything of her former identity. This we learn as Joanna is interviewed as she is wheeled into a psychiatric hospital.The following morning Grant returns to port, and finds Joanna is safe in a hospital but she has lost her memory, while her personality remains as nasty as ever.Grant, who is weary of Joanna, pretends that he does not recognize her, seeing his chance to be rid of her and to lead a playboy bachelor lifestyle on the yacht.When news of the unidentified amnesiac is televised throughout the city, a still angry Dean recognizes her picture and believes his opportunity for revenge has come. In a stroke of retributive genius, Dean shows up at the hospital audaciously posing as her husband and identifies Joanna as his wife "Annie". He tells her that she's his wife and the mother of his four unruly boys.His motive is not only payback for the way in which Joanna treated him but also his need for someone to do all the housework, as Dean is skilled as a craftsman but less accomplished in parenting and housekeeping. He is a widower with four young sons and finds it difficult to cope. The kids have missed a woman's touch in their home for nearly five years since their Mom died. Since the death of their mother his attitude towards his children and his household has been one of benign neglect. The boys have become undisciplined and badly behaved and the house looks like a war zone.Dean's intention is to get compensation for his unpaid work from Joanna being the household maid for a while. He figures on crediting her for 25 dollars a day. He assumes she'll be good for cleaning up around the house and looking after his four sons. The sons agree to the hoax, so Dean brings Joanna into his highly unkempt home and gets her to do all the chores.Although Joanna cannot recall her previous life with Grant, she is not convinced that she really is Dean's wife, especially as she turns out to be totally unskilled at cleaning and cooking. There isnt any sexual attraction on either side, so she sleeps on the couch in the living room and he keeps his bed.She asks Dean questions like where did we meet, what jobs did I have, and his answers are pretty low class redneck, so the muses to herself, I was a short, fat, slut? Whatever her questions, Dean manages a cover up with some silly story.When she gets curious about why there arent any pictures of her anywhere, Dean arranges for one of his buddies to modify Deans original wedding pictures by inserting Joannas face replacing his first wife.Later on, when Joanna discovers that she is fluent in French, Dean has to make up a tall tale to explain why.Joanna, finally believing she is Annie, struggles to become a good housewife and mother. She accepts her role as the woman of the house. Gradually, however, she gets used to her situation, she gets good at it, Dean even begins to fall in love, as Joanna's hidden talents come out.While overwhelmed at first by having to do unfamiliar work, including cooking, while struggling to remember this family, Joanna slowly works things out. Joanna brings some discipline back into the lives of father and sons.She is able to moderate the wild, "bachelor's hall" lifestyle that Dean has set up for himself and his sons. The boys accept a curtailment of their freedom, which at first they resent but slowly appreciate. A breakthrough with the kids comes when she sticks up for them against a bullying school teacher. A breakthrough with Dean comes when she finds he is earning extra money at a menial moonlighting job on a night that he says he goes out bowling with the guys.Joanna gradually comes to appreciate Dean's good qualities and to sympathize with little people she had previously dismissed as worthless.Dean finds he's got a dilemma to solve, as he too begins to appreciate her. He first feels he truly cares for her when she gets a poison ivy rash and he does everything a loving husband would do to make his wife feel better.She is crucial help to him in landing a construction job for a miniature golf park, she suggests a theme of famous world landmarks, and prepares sketches that sell the concept to the investors. He's missed having a female companion with intelligence. He decides to tell her the truth, but he doesnt get his confession out fast enough, she jumps the gun to tell him she knows the secret. So once again he lies, he apologizes for forgetting her birthday instead, and takes her out on a fun birthday date with lots of music and singing.As they come back home that night, Joanna realizes she is truly happy with him, and they have their first passionate all night encounter as part of the birthday celebration.Of course the situation remains tricky, since it is endangered if Joanna recovers her memories.Meantime, Joannas mother (Catherine Helmond) has been hounding Grant on why she has not heard in weeks from her daughter, makes credible threats, and flies out to stay at the yacht.So Grant, who left her at the hospital originally, is pressured by his mother in law to retrieve her.
Grant finds her easily, drives in his limousine to the house she shares with Dean, and waits.Joanna comes towards house, sees Grant, and her memory functions well enough that she says, Hi, Grant. With that trigger, her memories rapidly return to her and she leaves Dean to rejoin Grant and her old life of material privilege on the yacht.However, Joanna is no longer the woman she once was and she misses Dean and the children. She hates the wealthy snobbishness represented by Grant, her own mother, and the psychiatrist. Her mother (Kathleen Helmond) is constantly using the advice of a fashionable psychiatrist (Henry Alan Miller) on how to treat her daughter. She asks for beer when she is offered champagne, and she spends time in conversations with the cook, the crew, and the butler.The film is clearly intended as a satire on the ways of the ultra-rich. There is a sharp contrast between Joanna's idle, pointless existence before her transformation and her fulfilling, useful life as a blue collar housewife after it.Soon after the yacht departs Elk Snout, Joanna finds out that Grant knew where she was all along, and had abandoned her in the hospital. Furious, she commands the skipper to reverse course and return towards Elk Snout. Meantime, Dean and his kids are unhappy at doing nothing to get her back, and decide together to give it their all in one last grand effort. They pull some favors from buddies and get a Coast Guard boat to chase after the yacht, as long as there isnt any actual call for the Coast Guard boat to chase anyone else.As the two vessels approach each other, the Coast Guard receives an emergency call, and Grant on his yacht fights for control of the bridge, overpowering both the skipper and the butler, and the boats start to veer away from each other. Dean jumps off the ship, Joanna jumps off hers, and naval protocol requires both ships to circle back to pick up the men overboard.Needless to say, there are hugs and kisses and reunions all around. Joanna leaves Grant, and begins a happy life with Dean and the boys, only now on her yacht, instead of Dean's shack.In the last scene, Christmas lists are being prepared. One of the boys asks how does one spell Porsche. Dean asks, What can I give you? You already have everything!.Her answer is You could give me a little girl. | Overboard | 04a8733f-4fc4-de82-d01a-ce7597b0cda3 | Dean has a son and a daughter? | [
"Dean has four sons",
"No"
] | false |
/m/06w28q | The initial scenes establish that Joanna Stayton (Goldie Hawn), is a spoiled brat who always gets her way, the ultimate rich bitch, and the pampered wife of pretentious socialite Grant Stayton III (Edward Herrmann).Using Roman numerals after your name is Hollywood shorthand for "pretentious snob", and Grant is that, and self centered to boot, however, Joanna is far worse. She is not only snobbish but also idle, pampered, sharp-tongued, impossible to please and unfailingly rude to anyone she considers her social inferior, which is virtually all of the human race. To describe Joanna as unsympathetic is a huge understatement, a better description would be "prize bitch".When Grant's luxury yacht develops engine trouble, Grant is forced to put into the small Oregon coastal town of Elk Snout for repairs.While the huge yacht is in port, Joanna hires Dean Proffitt (Kurt Russell), a poor carpenter who has just moved to Oregon, to build better shoe storage for her closet in the yacht. Dean is a skilled craftsman, rather picky about what he uses, such as the wood that should be used to protect the leather from salt spray in a ship. Joanna is also not impressed by his taking so long, as he designed intricate shelves that confuse and annoy her.An early funny scene in the movie has Joanna lecturing Andrew the butler ( Roddy McDowall), on why the caviar he had just delivered her was no good, while Dean, standing in the background, has his tape measure pointing suggestively skyward.When the work is complete she refuses to pay him in a dispute over the quality of his workmanship,
claiming that the closet is not up to her standards. In the ensuing argument Joanna loses her temper, pushes Dean overboard and throws his tools after him.The yacht crew has long ago gotten used to keep quiet and accept the guff from Joanna and Grant, despite that they have been treated like dirt, particularly family butler Andrew.After a typically stormy dinner that night, Joanna drops her wedding ring behind a seat on the deck. In reaching for it she loses her balance and falls overboard.A garbage boat rescues her but there is a problem: she is suffering from amnesia and cannot remember anything of her former identity. This we learn as Joanna is interviewed as she is wheeled into a psychiatric hospital.The following morning Grant returns to port, and finds Joanna is safe in a hospital but she has lost her memory, while her personality remains as nasty as ever.Grant, who is weary of Joanna, pretends that he does not recognize her, seeing his chance to be rid of her and to lead a playboy bachelor lifestyle on the yacht.When news of the unidentified amnesiac is televised throughout the city, a still angry Dean recognizes her picture and believes his opportunity for revenge has come. In a stroke of retributive genius, Dean shows up at the hospital audaciously posing as her husband and identifies Joanna as his wife "Annie". He tells her that she's his wife and the mother of his four unruly boys.His motive is not only payback for the way in which Joanna treated him but also his need for someone to do all the housework, as Dean is skilled as a craftsman but less accomplished in parenting and housekeeping. He is a widower with four young sons and finds it difficult to cope. The kids have missed a woman's touch in their home for nearly five years since their Mom died. Since the death of their mother his attitude towards his children and his household has been one of benign neglect. The boys have become undisciplined and badly behaved and the house looks like a war zone.Dean's intention is to get compensation for his unpaid work from Joanna being the household maid for a while. He figures on crediting her for 25 dollars a day. He assumes she'll be good for cleaning up around the house and looking after his four sons. The sons agree to the hoax, so Dean brings Joanna into his highly unkempt home and gets her to do all the chores.Although Joanna cannot recall her previous life with Grant, she is not convinced that she really is Dean's wife, especially as she turns out to be totally unskilled at cleaning and cooking. There isnt any sexual attraction on either side, so she sleeps on the couch in the living room and he keeps his bed.She asks Dean questions like where did we meet, what jobs did I have, and his answers are pretty low class redneck, so the muses to herself, I was a short, fat, slut? Whatever her questions, Dean manages a cover up with some silly story.When she gets curious about why there arent any pictures of her anywhere, Dean arranges for one of his buddies to modify Deans original wedding pictures by inserting Joannas face replacing his first wife.Later on, when Joanna discovers that she is fluent in French, Dean has to make up a tall tale to explain why.Joanna, finally believing she is Annie, struggles to become a good housewife and mother. She accepts her role as the woman of the house. Gradually, however, she gets used to her situation, she gets good at it, Dean even begins to fall in love, as Joanna's hidden talents come out.While overwhelmed at first by having to do unfamiliar work, including cooking, while struggling to remember this family, Joanna slowly works things out. Joanna brings some discipline back into the lives of father and sons.She is able to moderate the wild, "bachelor's hall" lifestyle that Dean has set up for himself and his sons. The boys accept a curtailment of their freedom, which at first they resent but slowly appreciate. A breakthrough with the kids comes when she sticks up for them against a bullying school teacher. A breakthrough with Dean comes when she finds he is earning extra money at a menial moonlighting job on a night that he says he goes out bowling with the guys.Joanna gradually comes to appreciate Dean's good qualities and to sympathize with little people she had previously dismissed as worthless.Dean finds he's got a dilemma to solve, as he too begins to appreciate her. He first feels he truly cares for her when she gets a poison ivy rash and he does everything a loving husband would do to make his wife feel better.She is crucial help to him in landing a construction job for a miniature golf park, she suggests a theme of famous world landmarks, and prepares sketches that sell the concept to the investors. He's missed having a female companion with intelligence. He decides to tell her the truth, but he doesnt get his confession out fast enough, she jumps the gun to tell him she knows the secret. So once again he lies, he apologizes for forgetting her birthday instead, and takes her out on a fun birthday date with lots of music and singing.As they come back home that night, Joanna realizes she is truly happy with him, and they have their first passionate all night encounter as part of the birthday celebration.Of course the situation remains tricky, since it is endangered if Joanna recovers her memories.Meantime, Joannas mother (Catherine Helmond) has been hounding Grant on why she has not heard in weeks from her daughter, makes credible threats, and flies out to stay at the yacht.So Grant, who left her at the hospital originally, is pressured by his mother in law to retrieve her.
Grant finds her easily, drives in his limousine to the house she shares with Dean, and waits.Joanna comes towards house, sees Grant, and her memory functions well enough that she says, Hi, Grant. With that trigger, her memories rapidly return to her and she leaves Dean to rejoin Grant and her old life of material privilege on the yacht.However, Joanna is no longer the woman she once was and she misses Dean and the children. She hates the wealthy snobbishness represented by Grant, her own mother, and the psychiatrist. Her mother (Kathleen Helmond) is constantly using the advice of a fashionable psychiatrist (Henry Alan Miller) on how to treat her daughter. She asks for beer when she is offered champagne, and she spends time in conversations with the cook, the crew, and the butler.The film is clearly intended as a satire on the ways of the ultra-rich. There is a sharp contrast between Joanna's idle, pointless existence before her transformation and her fulfilling, useful life as a blue collar housewife after it.Soon after the yacht departs Elk Snout, Joanna finds out that Grant knew where she was all along, and had abandoned her in the hospital. Furious, she commands the skipper to reverse course and return towards Elk Snout. Meantime, Dean and his kids are unhappy at doing nothing to get her back, and decide together to give it their all in one last grand effort. They pull some favors from buddies and get a Coast Guard boat to chase after the yacht, as long as there isnt any actual call for the Coast Guard boat to chase anyone else.As the two vessels approach each other, the Coast Guard receives an emergency call, and Grant on his yacht fights for control of the bridge, overpowering both the skipper and the butler, and the boats start to veer away from each other. Dean jumps off the ship, Joanna jumps off hers, and naval protocol requires both ships to circle back to pick up the men overboard.Needless to say, there are hugs and kisses and reunions all around. Joanna leaves Grant, and begins a happy life with Dean and the boys, only now on her yacht, instead of Dean's shack.In the last scene, Christmas lists are being prepared. One of the boys asks how does one spell Porsche. Dean asks, What can I give you? You already have everything!.Her answer is You could give me a little girl. | Overboard | 1195ac8b-8448-2c17-4c5e-cbf2df26747d | who is secretly working two jobs to make ends meet? | [
"Dean"
] | false |
/m/06w28q | The initial scenes establish that Joanna Stayton (Goldie Hawn), is a spoiled brat who always gets her way, the ultimate rich bitch, and the pampered wife of pretentious socialite Grant Stayton III (Edward Herrmann).Using Roman numerals after your name is Hollywood shorthand for "pretentious snob", and Grant is that, and self centered to boot, however, Joanna is far worse. She is not only snobbish but also idle, pampered, sharp-tongued, impossible to please and unfailingly rude to anyone she considers her social inferior, which is virtually all of the human race. To describe Joanna as unsympathetic is a huge understatement, a better description would be "prize bitch".When Grant's luxury yacht develops engine trouble, Grant is forced to put into the small Oregon coastal town of Elk Snout for repairs.While the huge yacht is in port, Joanna hires Dean Proffitt (Kurt Russell), a poor carpenter who has just moved to Oregon, to build better shoe storage for her closet in the yacht. Dean is a skilled craftsman, rather picky about what he uses, such as the wood that should be used to protect the leather from salt spray in a ship. Joanna is also not impressed by his taking so long, as he designed intricate shelves that confuse and annoy her.An early funny scene in the movie has Joanna lecturing Andrew the butler ( Roddy McDowall), on why the caviar he had just delivered her was no good, while Dean, standing in the background, has his tape measure pointing suggestively skyward.When the work is complete she refuses to pay him in a dispute over the quality of his workmanship,
claiming that the closet is not up to her standards. In the ensuing argument Joanna loses her temper, pushes Dean overboard and throws his tools after him.The yacht crew has long ago gotten used to keep quiet and accept the guff from Joanna and Grant, despite that they have been treated like dirt, particularly family butler Andrew.After a typically stormy dinner that night, Joanna drops her wedding ring behind a seat on the deck. In reaching for it she loses her balance and falls overboard.A garbage boat rescues her but there is a problem: she is suffering from amnesia and cannot remember anything of her former identity. This we learn as Joanna is interviewed as she is wheeled into a psychiatric hospital.The following morning Grant returns to port, and finds Joanna is safe in a hospital but she has lost her memory, while her personality remains as nasty as ever.Grant, who is weary of Joanna, pretends that he does not recognize her, seeing his chance to be rid of her and to lead a playboy bachelor lifestyle on the yacht.When news of the unidentified amnesiac is televised throughout the city, a still angry Dean recognizes her picture and believes his opportunity for revenge has come. In a stroke of retributive genius, Dean shows up at the hospital audaciously posing as her husband and identifies Joanna as his wife "Annie". He tells her that she's his wife and the mother of his four unruly boys.His motive is not only payback for the way in which Joanna treated him but also his need for someone to do all the housework, as Dean is skilled as a craftsman but less accomplished in parenting and housekeeping. He is a widower with four young sons and finds it difficult to cope. The kids have missed a woman's touch in their home for nearly five years since their Mom died. Since the death of their mother his attitude towards his children and his household has been one of benign neglect. The boys have become undisciplined and badly behaved and the house looks like a war zone.Dean's intention is to get compensation for his unpaid work from Joanna being the household maid for a while. He figures on crediting her for 25 dollars a day. He assumes she'll be good for cleaning up around the house and looking after his four sons. The sons agree to the hoax, so Dean brings Joanna into his highly unkempt home and gets her to do all the chores.Although Joanna cannot recall her previous life with Grant, she is not convinced that she really is Dean's wife, especially as she turns out to be totally unskilled at cleaning and cooking. There isnt any sexual attraction on either side, so she sleeps on the couch in the living room and he keeps his bed.She asks Dean questions like where did we meet, what jobs did I have, and his answers are pretty low class redneck, so the muses to herself, I was a short, fat, slut? Whatever her questions, Dean manages a cover up with some silly story.When she gets curious about why there arent any pictures of her anywhere, Dean arranges for one of his buddies to modify Deans original wedding pictures by inserting Joannas face replacing his first wife.Later on, when Joanna discovers that she is fluent in French, Dean has to make up a tall tale to explain why.Joanna, finally believing she is Annie, struggles to become a good housewife and mother. She accepts her role as the woman of the house. Gradually, however, she gets used to her situation, she gets good at it, Dean even begins to fall in love, as Joanna's hidden talents come out.While overwhelmed at first by having to do unfamiliar work, including cooking, while struggling to remember this family, Joanna slowly works things out. Joanna brings some discipline back into the lives of father and sons.She is able to moderate the wild, "bachelor's hall" lifestyle that Dean has set up for himself and his sons. The boys accept a curtailment of their freedom, which at first they resent but slowly appreciate. A breakthrough with the kids comes when she sticks up for them against a bullying school teacher. A breakthrough with Dean comes when she finds he is earning extra money at a menial moonlighting job on a night that he says he goes out bowling with the guys.Joanna gradually comes to appreciate Dean's good qualities and to sympathize with little people she had previously dismissed as worthless.Dean finds he's got a dilemma to solve, as he too begins to appreciate her. He first feels he truly cares for her when she gets a poison ivy rash and he does everything a loving husband would do to make his wife feel better.She is crucial help to him in landing a construction job for a miniature golf park, she suggests a theme of famous world landmarks, and prepares sketches that sell the concept to the investors. He's missed having a female companion with intelligence. He decides to tell her the truth, but he doesnt get his confession out fast enough, she jumps the gun to tell him she knows the secret. So once again he lies, he apologizes for forgetting her birthday instead, and takes her out on a fun birthday date with lots of music and singing.As they come back home that night, Joanna realizes she is truly happy with him, and they have their first passionate all night encounter as part of the birthday celebration.Of course the situation remains tricky, since it is endangered if Joanna recovers her memories.Meantime, Joannas mother (Catherine Helmond) has been hounding Grant on why she has not heard in weeks from her daughter, makes credible threats, and flies out to stay at the yacht.So Grant, who left her at the hospital originally, is pressured by his mother in law to retrieve her.
Grant finds her easily, drives in his limousine to the house she shares with Dean, and waits.Joanna comes towards house, sees Grant, and her memory functions well enough that she says, Hi, Grant. With that trigger, her memories rapidly return to her and she leaves Dean to rejoin Grant and her old life of material privilege on the yacht.However, Joanna is no longer the woman she once was and she misses Dean and the children. She hates the wealthy snobbishness represented by Grant, her own mother, and the psychiatrist. Her mother (Kathleen Helmond) is constantly using the advice of a fashionable psychiatrist (Henry Alan Miller) on how to treat her daughter. She asks for beer when she is offered champagne, and she spends time in conversations with the cook, the crew, and the butler.The film is clearly intended as a satire on the ways of the ultra-rich. There is a sharp contrast between Joanna's idle, pointless existence before her transformation and her fulfilling, useful life as a blue collar housewife after it.Soon after the yacht departs Elk Snout, Joanna finds out that Grant knew where she was all along, and had abandoned her in the hospital. Furious, she commands the skipper to reverse course and return towards Elk Snout. Meantime, Dean and his kids are unhappy at doing nothing to get her back, and decide together to give it their all in one last grand effort. They pull some favors from buddies and get a Coast Guard boat to chase after the yacht, as long as there isnt any actual call for the Coast Guard boat to chase anyone else.As the two vessels approach each other, the Coast Guard receives an emergency call, and Grant on his yacht fights for control of the bridge, overpowering both the skipper and the butler, and the boats start to veer away from each other. Dean jumps off the ship, Joanna jumps off hers, and naval protocol requires both ships to circle back to pick up the men overboard.Needless to say, there are hugs and kisses and reunions all around. Joanna leaves Grant, and begins a happy life with Dean and the boys, only now on her yacht, instead of Dean's shack.In the last scene, Christmas lists are being prepared. One of the boys asks how does one spell Porsche. Dean asks, What can I give you? You already have everything!.Her answer is You could give me a little girl. | Overboard | 91a76053-c78b-2f08-83f5-b118fca72169 | What did Joanna Stayton ask Dean Proffitt for? | [
"Shoe storage for her closet",
"A little girl"
] | false |
/m/06w28q | The initial scenes establish that Joanna Stayton (Goldie Hawn), is a spoiled brat who always gets her way, the ultimate rich bitch, and the pampered wife of pretentious socialite Grant Stayton III (Edward Herrmann).Using Roman numerals after your name is Hollywood shorthand for "pretentious snob", and Grant is that, and self centered to boot, however, Joanna is far worse. She is not only snobbish but also idle, pampered, sharp-tongued, impossible to please and unfailingly rude to anyone she considers her social inferior, which is virtually all of the human race. To describe Joanna as unsympathetic is a huge understatement, a better description would be "prize bitch".When Grant's luxury yacht develops engine trouble, Grant is forced to put into the small Oregon coastal town of Elk Snout for repairs.While the huge yacht is in port, Joanna hires Dean Proffitt (Kurt Russell), a poor carpenter who has just moved to Oregon, to build better shoe storage for her closet in the yacht. Dean is a skilled craftsman, rather picky about what he uses, such as the wood that should be used to protect the leather from salt spray in a ship. Joanna is also not impressed by his taking so long, as he designed intricate shelves that confuse and annoy her.An early funny scene in the movie has Joanna lecturing Andrew the butler ( Roddy McDowall), on why the caviar he had just delivered her was no good, while Dean, standing in the background, has his tape measure pointing suggestively skyward.When the work is complete she refuses to pay him in a dispute over the quality of his workmanship,
claiming that the closet is not up to her standards. In the ensuing argument Joanna loses her temper, pushes Dean overboard and throws his tools after him.The yacht crew has long ago gotten used to keep quiet and accept the guff from Joanna and Grant, despite that they have been treated like dirt, particularly family butler Andrew.After a typically stormy dinner that night, Joanna drops her wedding ring behind a seat on the deck. In reaching for it she loses her balance and falls overboard.A garbage boat rescues her but there is a problem: she is suffering from amnesia and cannot remember anything of her former identity. This we learn as Joanna is interviewed as she is wheeled into a psychiatric hospital.The following morning Grant returns to port, and finds Joanna is safe in a hospital but she has lost her memory, while her personality remains as nasty as ever.Grant, who is weary of Joanna, pretends that he does not recognize her, seeing his chance to be rid of her and to lead a playboy bachelor lifestyle on the yacht.When news of the unidentified amnesiac is televised throughout the city, a still angry Dean recognizes her picture and believes his opportunity for revenge has come. In a stroke of retributive genius, Dean shows up at the hospital audaciously posing as her husband and identifies Joanna as his wife "Annie". He tells her that she's his wife and the mother of his four unruly boys.His motive is not only payback for the way in which Joanna treated him but also his need for someone to do all the housework, as Dean is skilled as a craftsman but less accomplished in parenting and housekeeping. He is a widower with four young sons and finds it difficult to cope. The kids have missed a woman's touch in their home for nearly five years since their Mom died. Since the death of their mother his attitude towards his children and his household has been one of benign neglect. The boys have become undisciplined and badly behaved and the house looks like a war zone.Dean's intention is to get compensation for his unpaid work from Joanna being the household maid for a while. He figures on crediting her for 25 dollars a day. He assumes she'll be good for cleaning up around the house and looking after his four sons. The sons agree to the hoax, so Dean brings Joanna into his highly unkempt home and gets her to do all the chores.Although Joanna cannot recall her previous life with Grant, she is not convinced that she really is Dean's wife, especially as she turns out to be totally unskilled at cleaning and cooking. There isnt any sexual attraction on either side, so she sleeps on the couch in the living room and he keeps his bed.She asks Dean questions like where did we meet, what jobs did I have, and his answers are pretty low class redneck, so the muses to herself, I was a short, fat, slut? Whatever her questions, Dean manages a cover up with some silly story.When she gets curious about why there arent any pictures of her anywhere, Dean arranges for one of his buddies to modify Deans original wedding pictures by inserting Joannas face replacing his first wife.Later on, when Joanna discovers that she is fluent in French, Dean has to make up a tall tale to explain why.Joanna, finally believing she is Annie, struggles to become a good housewife and mother. She accepts her role as the woman of the house. Gradually, however, she gets used to her situation, she gets good at it, Dean even begins to fall in love, as Joanna's hidden talents come out.While overwhelmed at first by having to do unfamiliar work, including cooking, while struggling to remember this family, Joanna slowly works things out. Joanna brings some discipline back into the lives of father and sons.She is able to moderate the wild, "bachelor's hall" lifestyle that Dean has set up for himself and his sons. The boys accept a curtailment of their freedom, which at first they resent but slowly appreciate. A breakthrough with the kids comes when she sticks up for them against a bullying school teacher. A breakthrough with Dean comes when she finds he is earning extra money at a menial moonlighting job on a night that he says he goes out bowling with the guys.Joanna gradually comes to appreciate Dean's good qualities and to sympathize with little people she had previously dismissed as worthless.Dean finds he's got a dilemma to solve, as he too begins to appreciate her. He first feels he truly cares for her when she gets a poison ivy rash and he does everything a loving husband would do to make his wife feel better.She is crucial help to him in landing a construction job for a miniature golf park, she suggests a theme of famous world landmarks, and prepares sketches that sell the concept to the investors. He's missed having a female companion with intelligence. He decides to tell her the truth, but he doesnt get his confession out fast enough, she jumps the gun to tell him she knows the secret. So once again he lies, he apologizes for forgetting her birthday instead, and takes her out on a fun birthday date with lots of music and singing.As they come back home that night, Joanna realizes she is truly happy with him, and they have their first passionate all night encounter as part of the birthday celebration.Of course the situation remains tricky, since it is endangered if Joanna recovers her memories.Meantime, Joannas mother (Catherine Helmond) has been hounding Grant on why she has not heard in weeks from her daughter, makes credible threats, and flies out to stay at the yacht.So Grant, who left her at the hospital originally, is pressured by his mother in law to retrieve her.
Grant finds her easily, drives in his limousine to the house she shares with Dean, and waits.Joanna comes towards house, sees Grant, and her memory functions well enough that she says, Hi, Grant. With that trigger, her memories rapidly return to her and she leaves Dean to rejoin Grant and her old life of material privilege on the yacht.However, Joanna is no longer the woman she once was and she misses Dean and the children. She hates the wealthy snobbishness represented by Grant, her own mother, and the psychiatrist. Her mother (Kathleen Helmond) is constantly using the advice of a fashionable psychiatrist (Henry Alan Miller) on how to treat her daughter. She asks for beer when she is offered champagne, and she spends time in conversations with the cook, the crew, and the butler.The film is clearly intended as a satire on the ways of the ultra-rich. There is a sharp contrast between Joanna's idle, pointless existence before her transformation and her fulfilling, useful life as a blue collar housewife after it.Soon after the yacht departs Elk Snout, Joanna finds out that Grant knew where she was all along, and had abandoned her in the hospital. Furious, she commands the skipper to reverse course and return towards Elk Snout. Meantime, Dean and his kids are unhappy at doing nothing to get her back, and decide together to give it their all in one last grand effort. They pull some favors from buddies and get a Coast Guard boat to chase after the yacht, as long as there isnt any actual call for the Coast Guard boat to chase anyone else.As the two vessels approach each other, the Coast Guard receives an emergency call, and Grant on his yacht fights for control of the bridge, overpowering both the skipper and the butler, and the boats start to veer away from each other. Dean jumps off the ship, Joanna jumps off hers, and naval protocol requires both ships to circle back to pick up the men overboard.Needless to say, there are hugs and kisses and reunions all around. Joanna leaves Grant, and begins a happy life with Dean and the boys, only now on her yacht, instead of Dean's shack.In the last scene, Christmas lists are being prepared. One of the boys asks how does one spell Porsche. Dean asks, What can I give you? You already have everything!.Her answer is You could give me a little girl. | Overboard | 7d32f4b7-8686-462d-a3c6-7e93ff270124 | Who learns to cook, clean, do laundry, and care for the family dogs? | [
"Joanna learns to cook, clean, do laundry, and care for the family dogs",
"Joanna"
] | false |
/m/06w28q | The initial scenes establish that Joanna Stayton (Goldie Hawn), is a spoiled brat who always gets her way, the ultimate rich bitch, and the pampered wife of pretentious socialite Grant Stayton III (Edward Herrmann).Using Roman numerals after your name is Hollywood shorthand for "pretentious snob", and Grant is that, and self centered to boot, however, Joanna is far worse. She is not only snobbish but also idle, pampered, sharp-tongued, impossible to please and unfailingly rude to anyone she considers her social inferior, which is virtually all of the human race. To describe Joanna as unsympathetic is a huge understatement, a better description would be "prize bitch".When Grant's luxury yacht develops engine trouble, Grant is forced to put into the small Oregon coastal town of Elk Snout for repairs.While the huge yacht is in port, Joanna hires Dean Proffitt (Kurt Russell), a poor carpenter who has just moved to Oregon, to build better shoe storage for her closet in the yacht. Dean is a skilled craftsman, rather picky about what he uses, such as the wood that should be used to protect the leather from salt spray in a ship. Joanna is also not impressed by his taking so long, as he designed intricate shelves that confuse and annoy her.An early funny scene in the movie has Joanna lecturing Andrew the butler ( Roddy McDowall), on why the caviar he had just delivered her was no good, while Dean, standing in the background, has his tape measure pointing suggestively skyward.When the work is complete she refuses to pay him in a dispute over the quality of his workmanship,
claiming that the closet is not up to her standards. In the ensuing argument Joanna loses her temper, pushes Dean overboard and throws his tools after him.The yacht crew has long ago gotten used to keep quiet and accept the guff from Joanna and Grant, despite that they have been treated like dirt, particularly family butler Andrew.After a typically stormy dinner that night, Joanna drops her wedding ring behind a seat on the deck. In reaching for it she loses her balance and falls overboard.A garbage boat rescues her but there is a problem: she is suffering from amnesia and cannot remember anything of her former identity. This we learn as Joanna is interviewed as she is wheeled into a psychiatric hospital.The following morning Grant returns to port, and finds Joanna is safe in a hospital but she has lost her memory, while her personality remains as nasty as ever.Grant, who is weary of Joanna, pretends that he does not recognize her, seeing his chance to be rid of her and to lead a playboy bachelor lifestyle on the yacht.When news of the unidentified amnesiac is televised throughout the city, a still angry Dean recognizes her picture and believes his opportunity for revenge has come. In a stroke of retributive genius, Dean shows up at the hospital audaciously posing as her husband and identifies Joanna as his wife "Annie". He tells her that she's his wife and the mother of his four unruly boys.His motive is not only payback for the way in which Joanna treated him but also his need for someone to do all the housework, as Dean is skilled as a craftsman but less accomplished in parenting and housekeeping. He is a widower with four young sons and finds it difficult to cope. The kids have missed a woman's touch in their home for nearly five years since their Mom died. Since the death of their mother his attitude towards his children and his household has been one of benign neglect. The boys have become undisciplined and badly behaved and the house looks like a war zone.Dean's intention is to get compensation for his unpaid work from Joanna being the household maid for a while. He figures on crediting her for 25 dollars a day. He assumes she'll be good for cleaning up around the house and looking after his four sons. The sons agree to the hoax, so Dean brings Joanna into his highly unkempt home and gets her to do all the chores.Although Joanna cannot recall her previous life with Grant, she is not convinced that she really is Dean's wife, especially as she turns out to be totally unskilled at cleaning and cooking. There isnt any sexual attraction on either side, so she sleeps on the couch in the living room and he keeps his bed.She asks Dean questions like where did we meet, what jobs did I have, and his answers are pretty low class redneck, so the muses to herself, I was a short, fat, slut? Whatever her questions, Dean manages a cover up with some silly story.When she gets curious about why there arent any pictures of her anywhere, Dean arranges for one of his buddies to modify Deans original wedding pictures by inserting Joannas face replacing his first wife.Later on, when Joanna discovers that she is fluent in French, Dean has to make up a tall tale to explain why.Joanna, finally believing she is Annie, struggles to become a good housewife and mother. She accepts her role as the woman of the house. Gradually, however, she gets used to her situation, she gets good at it, Dean even begins to fall in love, as Joanna's hidden talents come out.While overwhelmed at first by having to do unfamiliar work, including cooking, while struggling to remember this family, Joanna slowly works things out. Joanna brings some discipline back into the lives of father and sons.She is able to moderate the wild, "bachelor's hall" lifestyle that Dean has set up for himself and his sons. The boys accept a curtailment of their freedom, which at first they resent but slowly appreciate. A breakthrough with the kids comes when she sticks up for them against a bullying school teacher. A breakthrough with Dean comes when she finds he is earning extra money at a menial moonlighting job on a night that he says he goes out bowling with the guys.Joanna gradually comes to appreciate Dean's good qualities and to sympathize with little people she had previously dismissed as worthless.Dean finds he's got a dilemma to solve, as he too begins to appreciate her. He first feels he truly cares for her when she gets a poison ivy rash and he does everything a loving husband would do to make his wife feel better.She is crucial help to him in landing a construction job for a miniature golf park, she suggests a theme of famous world landmarks, and prepares sketches that sell the concept to the investors. He's missed having a female companion with intelligence. He decides to tell her the truth, but he doesnt get his confession out fast enough, she jumps the gun to tell him she knows the secret. So once again he lies, he apologizes for forgetting her birthday instead, and takes her out on a fun birthday date with lots of music and singing.As they come back home that night, Joanna realizes she is truly happy with him, and they have their first passionate all night encounter as part of the birthday celebration.Of course the situation remains tricky, since it is endangered if Joanna recovers her memories.Meantime, Joannas mother (Catherine Helmond) has been hounding Grant on why she has not heard in weeks from her daughter, makes credible threats, and flies out to stay at the yacht.So Grant, who left her at the hospital originally, is pressured by his mother in law to retrieve her.
Grant finds her easily, drives in his limousine to the house she shares with Dean, and waits.Joanna comes towards house, sees Grant, and her memory functions well enough that she says, Hi, Grant. With that trigger, her memories rapidly return to her and she leaves Dean to rejoin Grant and her old life of material privilege on the yacht.However, Joanna is no longer the woman she once was and she misses Dean and the children. She hates the wealthy snobbishness represented by Grant, her own mother, and the psychiatrist. Her mother (Kathleen Helmond) is constantly using the advice of a fashionable psychiatrist (Henry Alan Miller) on how to treat her daughter. She asks for beer when she is offered champagne, and she spends time in conversations with the cook, the crew, and the butler.The film is clearly intended as a satire on the ways of the ultra-rich. There is a sharp contrast between Joanna's idle, pointless existence before her transformation and her fulfilling, useful life as a blue collar housewife after it.Soon after the yacht departs Elk Snout, Joanna finds out that Grant knew where she was all along, and had abandoned her in the hospital. Furious, she commands the skipper to reverse course and return towards Elk Snout. Meantime, Dean and his kids are unhappy at doing nothing to get her back, and decide together to give it their all in one last grand effort. They pull some favors from buddies and get a Coast Guard boat to chase after the yacht, as long as there isnt any actual call for the Coast Guard boat to chase anyone else.As the two vessels approach each other, the Coast Guard receives an emergency call, and Grant on his yacht fights for control of the bridge, overpowering both the skipper and the butler, and the boats start to veer away from each other. Dean jumps off the ship, Joanna jumps off hers, and naval protocol requires both ships to circle back to pick up the men overboard.Needless to say, there are hugs and kisses and reunions all around. Joanna leaves Grant, and begins a happy life with Dean and the boys, only now on her yacht, instead of Dean's shack.In the last scene, Christmas lists are being prepared. One of the boys asks how does one spell Porsche. Dean asks, What can I give you? You already have everything!.Her answer is You could give me a little girl. | Overboard | d5254157-5fcb-ec5d-8f80-be878c0596fe | What picked Joanna out of the water around midnight? | [
"Coast Guard",
"A garbage boat"
] | false |
/m/06w28q | The initial scenes establish that Joanna Stayton (Goldie Hawn), is a spoiled brat who always gets her way, the ultimate rich bitch, and the pampered wife of pretentious socialite Grant Stayton III (Edward Herrmann).Using Roman numerals after your name is Hollywood shorthand for "pretentious snob", and Grant is that, and self centered to boot, however, Joanna is far worse. She is not only snobbish but also idle, pampered, sharp-tongued, impossible to please and unfailingly rude to anyone she considers her social inferior, which is virtually all of the human race. To describe Joanna as unsympathetic is a huge understatement, a better description would be "prize bitch".When Grant's luxury yacht develops engine trouble, Grant is forced to put into the small Oregon coastal town of Elk Snout for repairs.While the huge yacht is in port, Joanna hires Dean Proffitt (Kurt Russell), a poor carpenter who has just moved to Oregon, to build better shoe storage for her closet in the yacht. Dean is a skilled craftsman, rather picky about what he uses, such as the wood that should be used to protect the leather from salt spray in a ship. Joanna is also not impressed by his taking so long, as he designed intricate shelves that confuse and annoy her.An early funny scene in the movie has Joanna lecturing Andrew the butler ( Roddy McDowall), on why the caviar he had just delivered her was no good, while Dean, standing in the background, has his tape measure pointing suggestively skyward.When the work is complete she refuses to pay him in a dispute over the quality of his workmanship,
claiming that the closet is not up to her standards. In the ensuing argument Joanna loses her temper, pushes Dean overboard and throws his tools after him.The yacht crew has long ago gotten used to keep quiet and accept the guff from Joanna and Grant, despite that they have been treated like dirt, particularly family butler Andrew.After a typically stormy dinner that night, Joanna drops her wedding ring behind a seat on the deck. In reaching for it she loses her balance and falls overboard.A garbage boat rescues her but there is a problem: she is suffering from amnesia and cannot remember anything of her former identity. This we learn as Joanna is interviewed as she is wheeled into a psychiatric hospital.The following morning Grant returns to port, and finds Joanna is safe in a hospital but she has lost her memory, while her personality remains as nasty as ever.Grant, who is weary of Joanna, pretends that he does not recognize her, seeing his chance to be rid of her and to lead a playboy bachelor lifestyle on the yacht.When news of the unidentified amnesiac is televised throughout the city, a still angry Dean recognizes her picture and believes his opportunity for revenge has come. In a stroke of retributive genius, Dean shows up at the hospital audaciously posing as her husband and identifies Joanna as his wife "Annie". He tells her that she's his wife and the mother of his four unruly boys.His motive is not only payback for the way in which Joanna treated him but also his need for someone to do all the housework, as Dean is skilled as a craftsman but less accomplished in parenting and housekeeping. He is a widower with four young sons and finds it difficult to cope. The kids have missed a woman's touch in their home for nearly five years since their Mom died. Since the death of their mother his attitude towards his children and his household has been one of benign neglect. The boys have become undisciplined and badly behaved and the house looks like a war zone.Dean's intention is to get compensation for his unpaid work from Joanna being the household maid for a while. He figures on crediting her for 25 dollars a day. He assumes she'll be good for cleaning up around the house and looking after his four sons. The sons agree to the hoax, so Dean brings Joanna into his highly unkempt home and gets her to do all the chores.Although Joanna cannot recall her previous life with Grant, she is not convinced that she really is Dean's wife, especially as she turns out to be totally unskilled at cleaning and cooking. There isnt any sexual attraction on either side, so she sleeps on the couch in the living room and he keeps his bed.She asks Dean questions like where did we meet, what jobs did I have, and his answers are pretty low class redneck, so the muses to herself, I was a short, fat, slut? Whatever her questions, Dean manages a cover up with some silly story.When she gets curious about why there arent any pictures of her anywhere, Dean arranges for one of his buddies to modify Deans original wedding pictures by inserting Joannas face replacing his first wife.Later on, when Joanna discovers that she is fluent in French, Dean has to make up a tall tale to explain why.Joanna, finally believing she is Annie, struggles to become a good housewife and mother. She accepts her role as the woman of the house. Gradually, however, she gets used to her situation, she gets good at it, Dean even begins to fall in love, as Joanna's hidden talents come out.While overwhelmed at first by having to do unfamiliar work, including cooking, while struggling to remember this family, Joanna slowly works things out. Joanna brings some discipline back into the lives of father and sons.She is able to moderate the wild, "bachelor's hall" lifestyle that Dean has set up for himself and his sons. The boys accept a curtailment of their freedom, which at first they resent but slowly appreciate. A breakthrough with the kids comes when she sticks up for them against a bullying school teacher. A breakthrough with Dean comes when she finds he is earning extra money at a menial moonlighting job on a night that he says he goes out bowling with the guys.Joanna gradually comes to appreciate Dean's good qualities and to sympathize with little people she had previously dismissed as worthless.Dean finds he's got a dilemma to solve, as he too begins to appreciate her. He first feels he truly cares for her when she gets a poison ivy rash and he does everything a loving husband would do to make his wife feel better.She is crucial help to him in landing a construction job for a miniature golf park, she suggests a theme of famous world landmarks, and prepares sketches that sell the concept to the investors. He's missed having a female companion with intelligence. He decides to tell her the truth, but he doesnt get his confession out fast enough, she jumps the gun to tell him she knows the secret. So once again he lies, he apologizes for forgetting her birthday instead, and takes her out on a fun birthday date with lots of music and singing.As they come back home that night, Joanna realizes she is truly happy with him, and they have their first passionate all night encounter as part of the birthday celebration.Of course the situation remains tricky, since it is endangered if Joanna recovers her memories.Meantime, Joannas mother (Catherine Helmond) has been hounding Grant on why she has not heard in weeks from her daughter, makes credible threats, and flies out to stay at the yacht.So Grant, who left her at the hospital originally, is pressured by his mother in law to retrieve her.
Grant finds her easily, drives in his limousine to the house she shares with Dean, and waits.Joanna comes towards house, sees Grant, and her memory functions well enough that she says, Hi, Grant. With that trigger, her memories rapidly return to her and she leaves Dean to rejoin Grant and her old life of material privilege on the yacht.However, Joanna is no longer the woman she once was and she misses Dean and the children. She hates the wealthy snobbishness represented by Grant, her own mother, and the psychiatrist. Her mother (Kathleen Helmond) is constantly using the advice of a fashionable psychiatrist (Henry Alan Miller) on how to treat her daughter. She asks for beer when she is offered champagne, and she spends time in conversations with the cook, the crew, and the butler.The film is clearly intended as a satire on the ways of the ultra-rich. There is a sharp contrast between Joanna's idle, pointless existence before her transformation and her fulfilling, useful life as a blue collar housewife after it.Soon after the yacht departs Elk Snout, Joanna finds out that Grant knew where she was all along, and had abandoned her in the hospital. Furious, she commands the skipper to reverse course and return towards Elk Snout. Meantime, Dean and his kids are unhappy at doing nothing to get her back, and decide together to give it their all in one last grand effort. They pull some favors from buddies and get a Coast Guard boat to chase after the yacht, as long as there isnt any actual call for the Coast Guard boat to chase anyone else.As the two vessels approach each other, the Coast Guard receives an emergency call, and Grant on his yacht fights for control of the bridge, overpowering both the skipper and the butler, and the boats start to veer away from each other. Dean jumps off the ship, Joanna jumps off hers, and naval protocol requires both ships to circle back to pick up the men overboard.Needless to say, there are hugs and kisses and reunions all around. Joanna leaves Grant, and begins a happy life with Dean and the boys, only now on her yacht, instead of Dean's shack.In the last scene, Christmas lists are being prepared. One of the boys asks how does one spell Porsche. Dean asks, What can I give you? You already have everything!.Her answer is You could give me a little girl. | Overboard | a84e70cd-e44a-677d-f4d2-aedb0091d328 | Who plays Billy? | [
"Michael G. Hagerty"
] | false |
/m/06w28q | The initial scenes establish that Joanna Stayton (Goldie Hawn), is a spoiled brat who always gets her way, the ultimate rich bitch, and the pampered wife of pretentious socialite Grant Stayton III (Edward Herrmann).Using Roman numerals after your name is Hollywood shorthand for "pretentious snob", and Grant is that, and self centered to boot, however, Joanna is far worse. She is not only snobbish but also idle, pampered, sharp-tongued, impossible to please and unfailingly rude to anyone she considers her social inferior, which is virtually all of the human race. To describe Joanna as unsympathetic is a huge understatement, a better description would be "prize bitch".When Grant's luxury yacht develops engine trouble, Grant is forced to put into the small Oregon coastal town of Elk Snout for repairs.While the huge yacht is in port, Joanna hires Dean Proffitt (Kurt Russell), a poor carpenter who has just moved to Oregon, to build better shoe storage for her closet in the yacht. Dean is a skilled craftsman, rather picky about what he uses, such as the wood that should be used to protect the leather from salt spray in a ship. Joanna is also not impressed by his taking so long, as he designed intricate shelves that confuse and annoy her.An early funny scene in the movie has Joanna lecturing Andrew the butler ( Roddy McDowall), on why the caviar he had just delivered her was no good, while Dean, standing in the background, has his tape measure pointing suggestively skyward.When the work is complete she refuses to pay him in a dispute over the quality of his workmanship,
claiming that the closet is not up to her standards. In the ensuing argument Joanna loses her temper, pushes Dean overboard and throws his tools after him.The yacht crew has long ago gotten used to keep quiet and accept the guff from Joanna and Grant, despite that they have been treated like dirt, particularly family butler Andrew.After a typically stormy dinner that night, Joanna drops her wedding ring behind a seat on the deck. In reaching for it she loses her balance and falls overboard.A garbage boat rescues her but there is a problem: she is suffering from amnesia and cannot remember anything of her former identity. This we learn as Joanna is interviewed as she is wheeled into a psychiatric hospital.The following morning Grant returns to port, and finds Joanna is safe in a hospital but she has lost her memory, while her personality remains as nasty as ever.Grant, who is weary of Joanna, pretends that he does not recognize her, seeing his chance to be rid of her and to lead a playboy bachelor lifestyle on the yacht.When news of the unidentified amnesiac is televised throughout the city, a still angry Dean recognizes her picture and believes his opportunity for revenge has come. In a stroke of retributive genius, Dean shows up at the hospital audaciously posing as her husband and identifies Joanna as his wife "Annie". He tells her that she's his wife and the mother of his four unruly boys.His motive is not only payback for the way in which Joanna treated him but also his need for someone to do all the housework, as Dean is skilled as a craftsman but less accomplished in parenting and housekeeping. He is a widower with four young sons and finds it difficult to cope. The kids have missed a woman's touch in their home for nearly five years since their Mom died. Since the death of their mother his attitude towards his children and his household has been one of benign neglect. The boys have become undisciplined and badly behaved and the house looks like a war zone.Dean's intention is to get compensation for his unpaid work from Joanna being the household maid for a while. He figures on crediting her for 25 dollars a day. He assumes she'll be good for cleaning up around the house and looking after his four sons. The sons agree to the hoax, so Dean brings Joanna into his highly unkempt home and gets her to do all the chores.Although Joanna cannot recall her previous life with Grant, she is not convinced that she really is Dean's wife, especially as she turns out to be totally unskilled at cleaning and cooking. There isnt any sexual attraction on either side, so she sleeps on the couch in the living room and he keeps his bed.She asks Dean questions like where did we meet, what jobs did I have, and his answers are pretty low class redneck, so the muses to herself, I was a short, fat, slut? Whatever her questions, Dean manages a cover up with some silly story.When she gets curious about why there arent any pictures of her anywhere, Dean arranges for one of his buddies to modify Deans original wedding pictures by inserting Joannas face replacing his first wife.Later on, when Joanna discovers that she is fluent in French, Dean has to make up a tall tale to explain why.Joanna, finally believing she is Annie, struggles to become a good housewife and mother. She accepts her role as the woman of the house. Gradually, however, she gets used to her situation, she gets good at it, Dean even begins to fall in love, as Joanna's hidden talents come out.While overwhelmed at first by having to do unfamiliar work, including cooking, while struggling to remember this family, Joanna slowly works things out. Joanna brings some discipline back into the lives of father and sons.She is able to moderate the wild, "bachelor's hall" lifestyle that Dean has set up for himself and his sons. The boys accept a curtailment of their freedom, which at first they resent but slowly appreciate. A breakthrough with the kids comes when she sticks up for them against a bullying school teacher. A breakthrough with Dean comes when she finds he is earning extra money at a menial moonlighting job on a night that he says he goes out bowling with the guys.Joanna gradually comes to appreciate Dean's good qualities and to sympathize with little people she had previously dismissed as worthless.Dean finds he's got a dilemma to solve, as he too begins to appreciate her. He first feels he truly cares for her when she gets a poison ivy rash and he does everything a loving husband would do to make his wife feel better.She is crucial help to him in landing a construction job for a miniature golf park, she suggests a theme of famous world landmarks, and prepares sketches that sell the concept to the investors. He's missed having a female companion with intelligence. He decides to tell her the truth, but he doesnt get his confession out fast enough, she jumps the gun to tell him she knows the secret. So once again he lies, he apologizes for forgetting her birthday instead, and takes her out on a fun birthday date with lots of music and singing.As they come back home that night, Joanna realizes she is truly happy with him, and they have their first passionate all night encounter as part of the birthday celebration.Of course the situation remains tricky, since it is endangered if Joanna recovers her memories.Meantime, Joannas mother (Catherine Helmond) has been hounding Grant on why she has not heard in weeks from her daughter, makes credible threats, and flies out to stay at the yacht.So Grant, who left her at the hospital originally, is pressured by his mother in law to retrieve her.
Grant finds her easily, drives in his limousine to the house she shares with Dean, and waits.Joanna comes towards house, sees Grant, and her memory functions well enough that she says, Hi, Grant. With that trigger, her memories rapidly return to her and she leaves Dean to rejoin Grant and her old life of material privilege on the yacht.However, Joanna is no longer the woman she once was and she misses Dean and the children. She hates the wealthy snobbishness represented by Grant, her own mother, and the psychiatrist. Her mother (Kathleen Helmond) is constantly using the advice of a fashionable psychiatrist (Henry Alan Miller) on how to treat her daughter. She asks for beer when she is offered champagne, and she spends time in conversations with the cook, the crew, and the butler.The film is clearly intended as a satire on the ways of the ultra-rich. There is a sharp contrast between Joanna's idle, pointless existence before her transformation and her fulfilling, useful life as a blue collar housewife after it.Soon after the yacht departs Elk Snout, Joanna finds out that Grant knew where she was all along, and had abandoned her in the hospital. Furious, she commands the skipper to reverse course and return towards Elk Snout. Meantime, Dean and his kids are unhappy at doing nothing to get her back, and decide together to give it their all in one last grand effort. They pull some favors from buddies and get a Coast Guard boat to chase after the yacht, as long as there isnt any actual call for the Coast Guard boat to chase anyone else.As the two vessels approach each other, the Coast Guard receives an emergency call, and Grant on his yacht fights for control of the bridge, overpowering both the skipper and the butler, and the boats start to veer away from each other. Dean jumps off the ship, Joanna jumps off hers, and naval protocol requires both ships to circle back to pick up the men overboard.Needless to say, there are hugs and kisses and reunions all around. Joanna leaves Grant, and begins a happy life with Dean and the boys, only now on her yacht, instead of Dean's shack.In the last scene, Christmas lists are being prepared. One of the boys asks how does one spell Porsche. Dean asks, What can I give you? You already have everything!.Her answer is You could give me a little girl. | Overboard | dd8120ec-d4c6-9f83-7495-5b2858404767 | What was Joanna suffering from after she fell overboard? | [
"amnesia"
] | false |
/m/06w28q | The initial scenes establish that Joanna Stayton (Goldie Hawn), is a spoiled brat who always gets her way, the ultimate rich bitch, and the pampered wife of pretentious socialite Grant Stayton III (Edward Herrmann).Using Roman numerals after your name is Hollywood shorthand for "pretentious snob", and Grant is that, and self centered to boot, however, Joanna is far worse. She is not only snobbish but also idle, pampered, sharp-tongued, impossible to please and unfailingly rude to anyone she considers her social inferior, which is virtually all of the human race. To describe Joanna as unsympathetic is a huge understatement, a better description would be "prize bitch".When Grant's luxury yacht develops engine trouble, Grant is forced to put into the small Oregon coastal town of Elk Snout for repairs.While the huge yacht is in port, Joanna hires Dean Proffitt (Kurt Russell), a poor carpenter who has just moved to Oregon, to build better shoe storage for her closet in the yacht. Dean is a skilled craftsman, rather picky about what he uses, such as the wood that should be used to protect the leather from salt spray in a ship. Joanna is also not impressed by his taking so long, as he designed intricate shelves that confuse and annoy her.An early funny scene in the movie has Joanna lecturing Andrew the butler ( Roddy McDowall), on why the caviar he had just delivered her was no good, while Dean, standing in the background, has his tape measure pointing suggestively skyward.When the work is complete she refuses to pay him in a dispute over the quality of his workmanship,
claiming that the closet is not up to her standards. In the ensuing argument Joanna loses her temper, pushes Dean overboard and throws his tools after him.The yacht crew has long ago gotten used to keep quiet and accept the guff from Joanna and Grant, despite that they have been treated like dirt, particularly family butler Andrew.After a typically stormy dinner that night, Joanna drops her wedding ring behind a seat on the deck. In reaching for it she loses her balance and falls overboard.A garbage boat rescues her but there is a problem: she is suffering from amnesia and cannot remember anything of her former identity. This we learn as Joanna is interviewed as she is wheeled into a psychiatric hospital.The following morning Grant returns to port, and finds Joanna is safe in a hospital but she has lost her memory, while her personality remains as nasty as ever.Grant, who is weary of Joanna, pretends that he does not recognize her, seeing his chance to be rid of her and to lead a playboy bachelor lifestyle on the yacht.When news of the unidentified amnesiac is televised throughout the city, a still angry Dean recognizes her picture and believes his opportunity for revenge has come. In a stroke of retributive genius, Dean shows up at the hospital audaciously posing as her husband and identifies Joanna as his wife "Annie". He tells her that she's his wife and the mother of his four unruly boys.His motive is not only payback for the way in which Joanna treated him but also his need for someone to do all the housework, as Dean is skilled as a craftsman but less accomplished in parenting and housekeeping. He is a widower with four young sons and finds it difficult to cope. The kids have missed a woman's touch in their home for nearly five years since their Mom died. Since the death of their mother his attitude towards his children and his household has been one of benign neglect. The boys have become undisciplined and badly behaved and the house looks like a war zone.Dean's intention is to get compensation for his unpaid work from Joanna being the household maid for a while. He figures on crediting her for 25 dollars a day. He assumes she'll be good for cleaning up around the house and looking after his four sons. The sons agree to the hoax, so Dean brings Joanna into his highly unkempt home and gets her to do all the chores.Although Joanna cannot recall her previous life with Grant, she is not convinced that she really is Dean's wife, especially as she turns out to be totally unskilled at cleaning and cooking. There isnt any sexual attraction on either side, so she sleeps on the couch in the living room and he keeps his bed.She asks Dean questions like where did we meet, what jobs did I have, and his answers are pretty low class redneck, so the muses to herself, I was a short, fat, slut? Whatever her questions, Dean manages a cover up with some silly story.When she gets curious about why there arent any pictures of her anywhere, Dean arranges for one of his buddies to modify Deans original wedding pictures by inserting Joannas face replacing his first wife.Later on, when Joanna discovers that she is fluent in French, Dean has to make up a tall tale to explain why.Joanna, finally believing she is Annie, struggles to become a good housewife and mother. She accepts her role as the woman of the house. Gradually, however, she gets used to her situation, she gets good at it, Dean even begins to fall in love, as Joanna's hidden talents come out.While overwhelmed at first by having to do unfamiliar work, including cooking, while struggling to remember this family, Joanna slowly works things out. Joanna brings some discipline back into the lives of father and sons.She is able to moderate the wild, "bachelor's hall" lifestyle that Dean has set up for himself and his sons. The boys accept a curtailment of their freedom, which at first they resent but slowly appreciate. A breakthrough with the kids comes when she sticks up for them against a bullying school teacher. A breakthrough with Dean comes when she finds he is earning extra money at a menial moonlighting job on a night that he says he goes out bowling with the guys.Joanna gradually comes to appreciate Dean's good qualities and to sympathize with little people she had previously dismissed as worthless.Dean finds he's got a dilemma to solve, as he too begins to appreciate her. He first feels he truly cares for her when she gets a poison ivy rash and he does everything a loving husband would do to make his wife feel better.She is crucial help to him in landing a construction job for a miniature golf park, she suggests a theme of famous world landmarks, and prepares sketches that sell the concept to the investors. He's missed having a female companion with intelligence. He decides to tell her the truth, but he doesnt get his confession out fast enough, she jumps the gun to tell him she knows the secret. So once again he lies, he apologizes for forgetting her birthday instead, and takes her out on a fun birthday date with lots of music and singing.As they come back home that night, Joanna realizes she is truly happy with him, and they have their first passionate all night encounter as part of the birthday celebration.Of course the situation remains tricky, since it is endangered if Joanna recovers her memories.Meantime, Joannas mother (Catherine Helmond) has been hounding Grant on why she has not heard in weeks from her daughter, makes credible threats, and flies out to stay at the yacht.So Grant, who left her at the hospital originally, is pressured by his mother in law to retrieve her.
Grant finds her easily, drives in his limousine to the house she shares with Dean, and waits.Joanna comes towards house, sees Grant, and her memory functions well enough that she says, Hi, Grant. With that trigger, her memories rapidly return to her and she leaves Dean to rejoin Grant and her old life of material privilege on the yacht.However, Joanna is no longer the woman she once was and she misses Dean and the children. She hates the wealthy snobbishness represented by Grant, her own mother, and the psychiatrist. Her mother (Kathleen Helmond) is constantly using the advice of a fashionable psychiatrist (Henry Alan Miller) on how to treat her daughter. She asks for beer when she is offered champagne, and she spends time in conversations with the cook, the crew, and the butler.The film is clearly intended as a satire on the ways of the ultra-rich. There is a sharp contrast between Joanna's idle, pointless existence before her transformation and her fulfilling, useful life as a blue collar housewife after it.Soon after the yacht departs Elk Snout, Joanna finds out that Grant knew where she was all along, and had abandoned her in the hospital. Furious, she commands the skipper to reverse course and return towards Elk Snout. Meantime, Dean and his kids are unhappy at doing nothing to get her back, and decide together to give it their all in one last grand effort. They pull some favors from buddies and get a Coast Guard boat to chase after the yacht, as long as there isnt any actual call for the Coast Guard boat to chase anyone else.As the two vessels approach each other, the Coast Guard receives an emergency call, and Grant on his yacht fights for control of the bridge, overpowering both the skipper and the butler, and the boats start to veer away from each other. Dean jumps off the ship, Joanna jumps off hers, and naval protocol requires both ships to circle back to pick up the men overboard.Needless to say, there are hugs and kisses and reunions all around. Joanna leaves Grant, and begins a happy life with Dean and the boys, only now on her yacht, instead of Dean's shack.In the last scene, Christmas lists are being prepared. One of the boys asks how does one spell Porsche. Dean asks, What can I give you? You already have everything!.Her answer is You could give me a little girl. | Overboard | cb663e5e-e16e-8b4e-493e-8fcdacd3fdfe | What is Joanna Stayton waiting on? | [
"yacht"
] | false |
/m/06w28q | The initial scenes establish that Joanna Stayton (Goldie Hawn), is a spoiled brat who always gets her way, the ultimate rich bitch, and the pampered wife of pretentious socialite Grant Stayton III (Edward Herrmann).Using Roman numerals after your name is Hollywood shorthand for "pretentious snob", and Grant is that, and self centered to boot, however, Joanna is far worse. She is not only snobbish but also idle, pampered, sharp-tongued, impossible to please and unfailingly rude to anyone she considers her social inferior, which is virtually all of the human race. To describe Joanna as unsympathetic is a huge understatement, a better description would be "prize bitch".When Grant's luxury yacht develops engine trouble, Grant is forced to put into the small Oregon coastal town of Elk Snout for repairs.While the huge yacht is in port, Joanna hires Dean Proffitt (Kurt Russell), a poor carpenter who has just moved to Oregon, to build better shoe storage for her closet in the yacht. Dean is a skilled craftsman, rather picky about what he uses, such as the wood that should be used to protect the leather from salt spray in a ship. Joanna is also not impressed by his taking so long, as he designed intricate shelves that confuse and annoy her.An early funny scene in the movie has Joanna lecturing Andrew the butler ( Roddy McDowall), on why the caviar he had just delivered her was no good, while Dean, standing in the background, has his tape measure pointing suggestively skyward.When the work is complete she refuses to pay him in a dispute over the quality of his workmanship,
claiming that the closet is not up to her standards. In the ensuing argument Joanna loses her temper, pushes Dean overboard and throws his tools after him.The yacht crew has long ago gotten used to keep quiet and accept the guff from Joanna and Grant, despite that they have been treated like dirt, particularly family butler Andrew.After a typically stormy dinner that night, Joanna drops her wedding ring behind a seat on the deck. In reaching for it she loses her balance and falls overboard.A garbage boat rescues her but there is a problem: she is suffering from amnesia and cannot remember anything of her former identity. This we learn as Joanna is interviewed as she is wheeled into a psychiatric hospital.The following morning Grant returns to port, and finds Joanna is safe in a hospital but she has lost her memory, while her personality remains as nasty as ever.Grant, who is weary of Joanna, pretends that he does not recognize her, seeing his chance to be rid of her and to lead a playboy bachelor lifestyle on the yacht.When news of the unidentified amnesiac is televised throughout the city, a still angry Dean recognizes her picture and believes his opportunity for revenge has come. In a stroke of retributive genius, Dean shows up at the hospital audaciously posing as her husband and identifies Joanna as his wife "Annie". He tells her that she's his wife and the mother of his four unruly boys.His motive is not only payback for the way in which Joanna treated him but also his need for someone to do all the housework, as Dean is skilled as a craftsman but less accomplished in parenting and housekeeping. He is a widower with four young sons and finds it difficult to cope. The kids have missed a woman's touch in their home for nearly five years since their Mom died. Since the death of their mother his attitude towards his children and his household has been one of benign neglect. The boys have become undisciplined and badly behaved and the house looks like a war zone.Dean's intention is to get compensation for his unpaid work from Joanna being the household maid for a while. He figures on crediting her for 25 dollars a day. He assumes she'll be good for cleaning up around the house and looking after his four sons. The sons agree to the hoax, so Dean brings Joanna into his highly unkempt home and gets her to do all the chores.Although Joanna cannot recall her previous life with Grant, she is not convinced that she really is Dean's wife, especially as she turns out to be totally unskilled at cleaning and cooking. There isnt any sexual attraction on either side, so she sleeps on the couch in the living room and he keeps his bed.She asks Dean questions like where did we meet, what jobs did I have, and his answers are pretty low class redneck, so the muses to herself, I was a short, fat, slut? Whatever her questions, Dean manages a cover up with some silly story.When she gets curious about why there arent any pictures of her anywhere, Dean arranges for one of his buddies to modify Deans original wedding pictures by inserting Joannas face replacing his first wife.Later on, when Joanna discovers that she is fluent in French, Dean has to make up a tall tale to explain why.Joanna, finally believing she is Annie, struggles to become a good housewife and mother. She accepts her role as the woman of the house. Gradually, however, she gets used to her situation, she gets good at it, Dean even begins to fall in love, as Joanna's hidden talents come out.While overwhelmed at first by having to do unfamiliar work, including cooking, while struggling to remember this family, Joanna slowly works things out. Joanna brings some discipline back into the lives of father and sons.She is able to moderate the wild, "bachelor's hall" lifestyle that Dean has set up for himself and his sons. The boys accept a curtailment of their freedom, which at first they resent but slowly appreciate. A breakthrough with the kids comes when she sticks up for them against a bullying school teacher. A breakthrough with Dean comes when she finds he is earning extra money at a menial moonlighting job on a night that he says he goes out bowling with the guys.Joanna gradually comes to appreciate Dean's good qualities and to sympathize with little people she had previously dismissed as worthless.Dean finds he's got a dilemma to solve, as he too begins to appreciate her. He first feels he truly cares for her when she gets a poison ivy rash and he does everything a loving husband would do to make his wife feel better.She is crucial help to him in landing a construction job for a miniature golf park, she suggests a theme of famous world landmarks, and prepares sketches that sell the concept to the investors. He's missed having a female companion with intelligence. He decides to tell her the truth, but he doesnt get his confession out fast enough, she jumps the gun to tell him she knows the secret. So once again he lies, he apologizes for forgetting her birthday instead, and takes her out on a fun birthday date with lots of music and singing.As they come back home that night, Joanna realizes she is truly happy with him, and they have their first passionate all night encounter as part of the birthday celebration.Of course the situation remains tricky, since it is endangered if Joanna recovers her memories.Meantime, Joannas mother (Catherine Helmond) has been hounding Grant on why she has not heard in weeks from her daughter, makes credible threats, and flies out to stay at the yacht.So Grant, who left her at the hospital originally, is pressured by his mother in law to retrieve her.
Grant finds her easily, drives in his limousine to the house she shares with Dean, and waits.Joanna comes towards house, sees Grant, and her memory functions well enough that she says, Hi, Grant. With that trigger, her memories rapidly return to her and she leaves Dean to rejoin Grant and her old life of material privilege on the yacht.However, Joanna is no longer the woman she once was and she misses Dean and the children. She hates the wealthy snobbishness represented by Grant, her own mother, and the psychiatrist. Her mother (Kathleen Helmond) is constantly using the advice of a fashionable psychiatrist (Henry Alan Miller) on how to treat her daughter. She asks for beer when she is offered champagne, and she spends time in conversations with the cook, the crew, and the butler.The film is clearly intended as a satire on the ways of the ultra-rich. There is a sharp contrast between Joanna's idle, pointless existence before her transformation and her fulfilling, useful life as a blue collar housewife after it.Soon after the yacht departs Elk Snout, Joanna finds out that Grant knew where she was all along, and had abandoned her in the hospital. Furious, she commands the skipper to reverse course and return towards Elk Snout. Meantime, Dean and his kids are unhappy at doing nothing to get her back, and decide together to give it their all in one last grand effort. They pull some favors from buddies and get a Coast Guard boat to chase after the yacht, as long as there isnt any actual call for the Coast Guard boat to chase anyone else.As the two vessels approach each other, the Coast Guard receives an emergency call, and Grant on his yacht fights for control of the bridge, overpowering both the skipper and the butler, and the boats start to veer away from each other. Dean jumps off the ship, Joanna jumps off hers, and naval protocol requires both ships to circle back to pick up the men overboard.Needless to say, there are hugs and kisses and reunions all around. Joanna leaves Grant, and begins a happy life with Dean and the boys, only now on her yacht, instead of Dean's shack.In the last scene, Christmas lists are being prepared. One of the boys asks how does one spell Porsche. Dean asks, What can I give you? You already have everything!.Her answer is You could give me a little girl. | Overboard | 8547770e-342d-b261-7b7c-e1c8c298e699 | What does Joanna help Dean design? | [
"A miniature golf course based on the Seven Wonders of the World."
] | false |
/m/06w28q | The initial scenes establish that Joanna Stayton (Goldie Hawn), is a spoiled brat who always gets her way, the ultimate rich bitch, and the pampered wife of pretentious socialite Grant Stayton III (Edward Herrmann).Using Roman numerals after your name is Hollywood shorthand for "pretentious snob", and Grant is that, and self centered to boot, however, Joanna is far worse. She is not only snobbish but also idle, pampered, sharp-tongued, impossible to please and unfailingly rude to anyone she considers her social inferior, which is virtually all of the human race. To describe Joanna as unsympathetic is a huge understatement, a better description would be "prize bitch".When Grant's luxury yacht develops engine trouble, Grant is forced to put into the small Oregon coastal town of Elk Snout for repairs.While the huge yacht is in port, Joanna hires Dean Proffitt (Kurt Russell), a poor carpenter who has just moved to Oregon, to build better shoe storage for her closet in the yacht. Dean is a skilled craftsman, rather picky about what he uses, such as the wood that should be used to protect the leather from salt spray in a ship. Joanna is also not impressed by his taking so long, as he designed intricate shelves that confuse and annoy her.An early funny scene in the movie has Joanna lecturing Andrew the butler ( Roddy McDowall), on why the caviar he had just delivered her was no good, while Dean, standing in the background, has his tape measure pointing suggestively skyward.When the work is complete she refuses to pay him in a dispute over the quality of his workmanship,
claiming that the closet is not up to her standards. In the ensuing argument Joanna loses her temper, pushes Dean overboard and throws his tools after him.The yacht crew has long ago gotten used to keep quiet and accept the guff from Joanna and Grant, despite that they have been treated like dirt, particularly family butler Andrew.After a typically stormy dinner that night, Joanna drops her wedding ring behind a seat on the deck. In reaching for it she loses her balance and falls overboard.A garbage boat rescues her but there is a problem: she is suffering from amnesia and cannot remember anything of her former identity. This we learn as Joanna is interviewed as she is wheeled into a psychiatric hospital.The following morning Grant returns to port, and finds Joanna is safe in a hospital but she has lost her memory, while her personality remains as nasty as ever.Grant, who is weary of Joanna, pretends that he does not recognize her, seeing his chance to be rid of her and to lead a playboy bachelor lifestyle on the yacht.When news of the unidentified amnesiac is televised throughout the city, a still angry Dean recognizes her picture and believes his opportunity for revenge has come. In a stroke of retributive genius, Dean shows up at the hospital audaciously posing as her husband and identifies Joanna as his wife "Annie". He tells her that she's his wife and the mother of his four unruly boys.His motive is not only payback for the way in which Joanna treated him but also his need for someone to do all the housework, as Dean is skilled as a craftsman but less accomplished in parenting and housekeeping. He is a widower with four young sons and finds it difficult to cope. The kids have missed a woman's touch in their home for nearly five years since their Mom died. Since the death of their mother his attitude towards his children and his household has been one of benign neglect. The boys have become undisciplined and badly behaved and the house looks like a war zone.Dean's intention is to get compensation for his unpaid work from Joanna being the household maid for a while. He figures on crediting her for 25 dollars a day. He assumes she'll be good for cleaning up around the house and looking after his four sons. The sons agree to the hoax, so Dean brings Joanna into his highly unkempt home and gets her to do all the chores.Although Joanna cannot recall her previous life with Grant, she is not convinced that she really is Dean's wife, especially as she turns out to be totally unskilled at cleaning and cooking. There isnt any sexual attraction on either side, so she sleeps on the couch in the living room and he keeps his bed.She asks Dean questions like where did we meet, what jobs did I have, and his answers are pretty low class redneck, so the muses to herself, I was a short, fat, slut? Whatever her questions, Dean manages a cover up with some silly story.When she gets curious about why there arent any pictures of her anywhere, Dean arranges for one of his buddies to modify Deans original wedding pictures by inserting Joannas face replacing his first wife.Later on, when Joanna discovers that she is fluent in French, Dean has to make up a tall tale to explain why.Joanna, finally believing she is Annie, struggles to become a good housewife and mother. She accepts her role as the woman of the house. Gradually, however, she gets used to her situation, she gets good at it, Dean even begins to fall in love, as Joanna's hidden talents come out.While overwhelmed at first by having to do unfamiliar work, including cooking, while struggling to remember this family, Joanna slowly works things out. Joanna brings some discipline back into the lives of father and sons.She is able to moderate the wild, "bachelor's hall" lifestyle that Dean has set up for himself and his sons. The boys accept a curtailment of their freedom, which at first they resent but slowly appreciate. A breakthrough with the kids comes when she sticks up for them against a bullying school teacher. A breakthrough with Dean comes when she finds he is earning extra money at a menial moonlighting job on a night that he says he goes out bowling with the guys.Joanna gradually comes to appreciate Dean's good qualities and to sympathize with little people she had previously dismissed as worthless.Dean finds he's got a dilemma to solve, as he too begins to appreciate her. He first feels he truly cares for her when she gets a poison ivy rash and he does everything a loving husband would do to make his wife feel better.She is crucial help to him in landing a construction job for a miniature golf park, she suggests a theme of famous world landmarks, and prepares sketches that sell the concept to the investors. He's missed having a female companion with intelligence. He decides to tell her the truth, but he doesnt get his confession out fast enough, she jumps the gun to tell him she knows the secret. So once again he lies, he apologizes for forgetting her birthday instead, and takes her out on a fun birthday date with lots of music and singing.As they come back home that night, Joanna realizes she is truly happy with him, and they have their first passionate all night encounter as part of the birthday celebration.Of course the situation remains tricky, since it is endangered if Joanna recovers her memories.Meantime, Joannas mother (Catherine Helmond) has been hounding Grant on why she has not heard in weeks from her daughter, makes credible threats, and flies out to stay at the yacht.So Grant, who left her at the hospital originally, is pressured by his mother in law to retrieve her.
Grant finds her easily, drives in his limousine to the house she shares with Dean, and waits.Joanna comes towards house, sees Grant, and her memory functions well enough that she says, Hi, Grant. With that trigger, her memories rapidly return to her and she leaves Dean to rejoin Grant and her old life of material privilege on the yacht.However, Joanna is no longer the woman she once was and she misses Dean and the children. She hates the wealthy snobbishness represented by Grant, her own mother, and the psychiatrist. Her mother (Kathleen Helmond) is constantly using the advice of a fashionable psychiatrist (Henry Alan Miller) on how to treat her daughter. She asks for beer when she is offered champagne, and she spends time in conversations with the cook, the crew, and the butler.The film is clearly intended as a satire on the ways of the ultra-rich. There is a sharp contrast between Joanna's idle, pointless existence before her transformation and her fulfilling, useful life as a blue collar housewife after it.Soon after the yacht departs Elk Snout, Joanna finds out that Grant knew where she was all along, and had abandoned her in the hospital. Furious, she commands the skipper to reverse course and return towards Elk Snout. Meantime, Dean and his kids are unhappy at doing nothing to get her back, and decide together to give it their all in one last grand effort. They pull some favors from buddies and get a Coast Guard boat to chase after the yacht, as long as there isnt any actual call for the Coast Guard boat to chase anyone else.As the two vessels approach each other, the Coast Guard receives an emergency call, and Grant on his yacht fights for control of the bridge, overpowering both the skipper and the butler, and the boats start to veer away from each other. Dean jumps off the ship, Joanna jumps off hers, and naval protocol requires both ships to circle back to pick up the men overboard.Needless to say, there are hugs and kisses and reunions all around. Joanna leaves Grant, and begins a happy life with Dean and the boys, only now on her yacht, instead of Dean's shack.In the last scene, Christmas lists are being prepared. One of the boys asks how does one spell Porsche. Dean asks, What can I give you? You already have everything!.Her answer is You could give me a little girl. | Overboard | 2e5ba215-5b1c-8740-ea2d-03ed1458842f | Where is Joanna trying to have the yacht steered? | [
"Elk Snout",
"Back toward Elk Snout."
] | false |
/m/06w28q | The initial scenes establish that Joanna Stayton (Goldie Hawn), is a spoiled brat who always gets her way, the ultimate rich bitch, and the pampered wife of pretentious socialite Grant Stayton III (Edward Herrmann).Using Roman numerals after your name is Hollywood shorthand for "pretentious snob", and Grant is that, and self centered to boot, however, Joanna is far worse. She is not only snobbish but also idle, pampered, sharp-tongued, impossible to please and unfailingly rude to anyone she considers her social inferior, which is virtually all of the human race. To describe Joanna as unsympathetic is a huge understatement, a better description would be "prize bitch".When Grant's luxury yacht develops engine trouble, Grant is forced to put into the small Oregon coastal town of Elk Snout for repairs.While the huge yacht is in port, Joanna hires Dean Proffitt (Kurt Russell), a poor carpenter who has just moved to Oregon, to build better shoe storage for her closet in the yacht. Dean is a skilled craftsman, rather picky about what he uses, such as the wood that should be used to protect the leather from salt spray in a ship. Joanna is also not impressed by his taking so long, as he designed intricate shelves that confuse and annoy her.An early funny scene in the movie has Joanna lecturing Andrew the butler ( Roddy McDowall), on why the caviar he had just delivered her was no good, while Dean, standing in the background, has his tape measure pointing suggestively skyward.When the work is complete she refuses to pay him in a dispute over the quality of his workmanship,
claiming that the closet is not up to her standards. In the ensuing argument Joanna loses her temper, pushes Dean overboard and throws his tools after him.The yacht crew has long ago gotten used to keep quiet and accept the guff from Joanna and Grant, despite that they have been treated like dirt, particularly family butler Andrew.After a typically stormy dinner that night, Joanna drops her wedding ring behind a seat on the deck. In reaching for it she loses her balance and falls overboard.A garbage boat rescues her but there is a problem: she is suffering from amnesia and cannot remember anything of her former identity. This we learn as Joanna is interviewed as she is wheeled into a psychiatric hospital.The following morning Grant returns to port, and finds Joanna is safe in a hospital but she has lost her memory, while her personality remains as nasty as ever.Grant, who is weary of Joanna, pretends that he does not recognize her, seeing his chance to be rid of her and to lead a playboy bachelor lifestyle on the yacht.When news of the unidentified amnesiac is televised throughout the city, a still angry Dean recognizes her picture and believes his opportunity for revenge has come. In a stroke of retributive genius, Dean shows up at the hospital audaciously posing as her husband and identifies Joanna as his wife "Annie". He tells her that she's his wife and the mother of his four unruly boys.His motive is not only payback for the way in which Joanna treated him but also his need for someone to do all the housework, as Dean is skilled as a craftsman but less accomplished in parenting and housekeeping. He is a widower with four young sons and finds it difficult to cope. The kids have missed a woman's touch in their home for nearly five years since their Mom died. Since the death of their mother his attitude towards his children and his household has been one of benign neglect. The boys have become undisciplined and badly behaved and the house looks like a war zone.Dean's intention is to get compensation for his unpaid work from Joanna being the household maid for a while. He figures on crediting her for 25 dollars a day. He assumes she'll be good for cleaning up around the house and looking after his four sons. The sons agree to the hoax, so Dean brings Joanna into his highly unkempt home and gets her to do all the chores.Although Joanna cannot recall her previous life with Grant, she is not convinced that she really is Dean's wife, especially as she turns out to be totally unskilled at cleaning and cooking. There isnt any sexual attraction on either side, so she sleeps on the couch in the living room and he keeps his bed.She asks Dean questions like where did we meet, what jobs did I have, and his answers are pretty low class redneck, so the muses to herself, I was a short, fat, slut? Whatever her questions, Dean manages a cover up with some silly story.When she gets curious about why there arent any pictures of her anywhere, Dean arranges for one of his buddies to modify Deans original wedding pictures by inserting Joannas face replacing his first wife.Later on, when Joanna discovers that she is fluent in French, Dean has to make up a tall tale to explain why.Joanna, finally believing she is Annie, struggles to become a good housewife and mother. She accepts her role as the woman of the house. Gradually, however, she gets used to her situation, she gets good at it, Dean even begins to fall in love, as Joanna's hidden talents come out.While overwhelmed at first by having to do unfamiliar work, including cooking, while struggling to remember this family, Joanna slowly works things out. Joanna brings some discipline back into the lives of father and sons.She is able to moderate the wild, "bachelor's hall" lifestyle that Dean has set up for himself and his sons. The boys accept a curtailment of their freedom, which at first they resent but slowly appreciate. A breakthrough with the kids comes when she sticks up for them against a bullying school teacher. A breakthrough with Dean comes when she finds he is earning extra money at a menial moonlighting job on a night that he says he goes out bowling with the guys.Joanna gradually comes to appreciate Dean's good qualities and to sympathize with little people she had previously dismissed as worthless.Dean finds he's got a dilemma to solve, as he too begins to appreciate her. He first feels he truly cares for her when she gets a poison ivy rash and he does everything a loving husband would do to make his wife feel better.She is crucial help to him in landing a construction job for a miniature golf park, she suggests a theme of famous world landmarks, and prepares sketches that sell the concept to the investors. He's missed having a female companion with intelligence. He decides to tell her the truth, but he doesnt get his confession out fast enough, she jumps the gun to tell him she knows the secret. So once again he lies, he apologizes for forgetting her birthday instead, and takes her out on a fun birthday date with lots of music and singing.As they come back home that night, Joanna realizes she is truly happy with him, and they have their first passionate all night encounter as part of the birthday celebration.Of course the situation remains tricky, since it is endangered if Joanna recovers her memories.Meantime, Joannas mother (Catherine Helmond) has been hounding Grant on why she has not heard in weeks from her daughter, makes credible threats, and flies out to stay at the yacht.So Grant, who left her at the hospital originally, is pressured by his mother in law to retrieve her.
Grant finds her easily, drives in his limousine to the house she shares with Dean, and waits.Joanna comes towards house, sees Grant, and her memory functions well enough that she says, Hi, Grant. With that trigger, her memories rapidly return to her and she leaves Dean to rejoin Grant and her old life of material privilege on the yacht.However, Joanna is no longer the woman she once was and she misses Dean and the children. She hates the wealthy snobbishness represented by Grant, her own mother, and the psychiatrist. Her mother (Kathleen Helmond) is constantly using the advice of a fashionable psychiatrist (Henry Alan Miller) on how to treat her daughter. She asks for beer when she is offered champagne, and she spends time in conversations with the cook, the crew, and the butler.The film is clearly intended as a satire on the ways of the ultra-rich. There is a sharp contrast between Joanna's idle, pointless existence before her transformation and her fulfilling, useful life as a blue collar housewife after it.Soon after the yacht departs Elk Snout, Joanna finds out that Grant knew where she was all along, and had abandoned her in the hospital. Furious, she commands the skipper to reverse course and return towards Elk Snout. Meantime, Dean and his kids are unhappy at doing nothing to get her back, and decide together to give it their all in one last grand effort. They pull some favors from buddies and get a Coast Guard boat to chase after the yacht, as long as there isnt any actual call for the Coast Guard boat to chase anyone else.As the two vessels approach each other, the Coast Guard receives an emergency call, and Grant on his yacht fights for control of the bridge, overpowering both the skipper and the butler, and the boats start to veer away from each other. Dean jumps off the ship, Joanna jumps off hers, and naval protocol requires both ships to circle back to pick up the men overboard.Needless to say, there are hugs and kisses and reunions all around. Joanna leaves Grant, and begins a happy life with Dean and the boys, only now on her yacht, instead of Dean's shack.In the last scene, Christmas lists are being prepared. One of the boys asks how does one spell Porsche. Dean asks, What can I give you? You already have everything!.Her answer is You could give me a little girl. | Overboard | 01c6de99-d04b-c75e-c3b3-f7f9d13c4d25 | Where does Grant return to retrieve Edith? | [
"to the house she shares with Dean",
"to port"
] | false |
/m/06w28q | The initial scenes establish that Joanna Stayton (Goldie Hawn), is a spoiled brat who always gets her way, the ultimate rich bitch, and the pampered wife of pretentious socialite Grant Stayton III (Edward Herrmann).Using Roman numerals after your name is Hollywood shorthand for "pretentious snob", and Grant is that, and self centered to boot, however, Joanna is far worse. She is not only snobbish but also idle, pampered, sharp-tongued, impossible to please and unfailingly rude to anyone she considers her social inferior, which is virtually all of the human race. To describe Joanna as unsympathetic is a huge understatement, a better description would be "prize bitch".When Grant's luxury yacht develops engine trouble, Grant is forced to put into the small Oregon coastal town of Elk Snout for repairs.While the huge yacht is in port, Joanna hires Dean Proffitt (Kurt Russell), a poor carpenter who has just moved to Oregon, to build better shoe storage for her closet in the yacht. Dean is a skilled craftsman, rather picky about what he uses, such as the wood that should be used to protect the leather from salt spray in a ship. Joanna is also not impressed by his taking so long, as he designed intricate shelves that confuse and annoy her.An early funny scene in the movie has Joanna lecturing Andrew the butler ( Roddy McDowall), on why the caviar he had just delivered her was no good, while Dean, standing in the background, has his tape measure pointing suggestively skyward.When the work is complete she refuses to pay him in a dispute over the quality of his workmanship,
claiming that the closet is not up to her standards. In the ensuing argument Joanna loses her temper, pushes Dean overboard and throws his tools after him.The yacht crew has long ago gotten used to keep quiet and accept the guff from Joanna and Grant, despite that they have been treated like dirt, particularly family butler Andrew.After a typically stormy dinner that night, Joanna drops her wedding ring behind a seat on the deck. In reaching for it she loses her balance and falls overboard.A garbage boat rescues her but there is a problem: she is suffering from amnesia and cannot remember anything of her former identity. This we learn as Joanna is interviewed as she is wheeled into a psychiatric hospital.The following morning Grant returns to port, and finds Joanna is safe in a hospital but she has lost her memory, while her personality remains as nasty as ever.Grant, who is weary of Joanna, pretends that he does not recognize her, seeing his chance to be rid of her and to lead a playboy bachelor lifestyle on the yacht.When news of the unidentified amnesiac is televised throughout the city, a still angry Dean recognizes her picture and believes his opportunity for revenge has come. In a stroke of retributive genius, Dean shows up at the hospital audaciously posing as her husband and identifies Joanna as his wife "Annie". He tells her that she's his wife and the mother of his four unruly boys.His motive is not only payback for the way in which Joanna treated him but also his need for someone to do all the housework, as Dean is skilled as a craftsman but less accomplished in parenting and housekeeping. He is a widower with four young sons and finds it difficult to cope. The kids have missed a woman's touch in their home for nearly five years since their Mom died. Since the death of their mother his attitude towards his children and his household has been one of benign neglect. The boys have become undisciplined and badly behaved and the house looks like a war zone.Dean's intention is to get compensation for his unpaid work from Joanna being the household maid for a while. He figures on crediting her for 25 dollars a day. He assumes she'll be good for cleaning up around the house and looking after his four sons. The sons agree to the hoax, so Dean brings Joanna into his highly unkempt home and gets her to do all the chores.Although Joanna cannot recall her previous life with Grant, she is not convinced that she really is Dean's wife, especially as she turns out to be totally unskilled at cleaning and cooking. There isnt any sexual attraction on either side, so she sleeps on the couch in the living room and he keeps his bed.She asks Dean questions like where did we meet, what jobs did I have, and his answers are pretty low class redneck, so the muses to herself, I was a short, fat, slut? Whatever her questions, Dean manages a cover up with some silly story.When she gets curious about why there arent any pictures of her anywhere, Dean arranges for one of his buddies to modify Deans original wedding pictures by inserting Joannas face replacing his first wife.Later on, when Joanna discovers that she is fluent in French, Dean has to make up a tall tale to explain why.Joanna, finally believing she is Annie, struggles to become a good housewife and mother. She accepts her role as the woman of the house. Gradually, however, she gets used to her situation, she gets good at it, Dean even begins to fall in love, as Joanna's hidden talents come out.While overwhelmed at first by having to do unfamiliar work, including cooking, while struggling to remember this family, Joanna slowly works things out. Joanna brings some discipline back into the lives of father and sons.She is able to moderate the wild, "bachelor's hall" lifestyle that Dean has set up for himself and his sons. The boys accept a curtailment of their freedom, which at first they resent but slowly appreciate. A breakthrough with the kids comes when she sticks up for them against a bullying school teacher. A breakthrough with Dean comes when she finds he is earning extra money at a menial moonlighting job on a night that he says he goes out bowling with the guys.Joanna gradually comes to appreciate Dean's good qualities and to sympathize with little people she had previously dismissed as worthless.Dean finds he's got a dilemma to solve, as he too begins to appreciate her. He first feels he truly cares for her when she gets a poison ivy rash and he does everything a loving husband would do to make his wife feel better.She is crucial help to him in landing a construction job for a miniature golf park, she suggests a theme of famous world landmarks, and prepares sketches that sell the concept to the investors. He's missed having a female companion with intelligence. He decides to tell her the truth, but he doesnt get his confession out fast enough, she jumps the gun to tell him she knows the secret. So once again he lies, he apologizes for forgetting her birthday instead, and takes her out on a fun birthday date with lots of music and singing.As they come back home that night, Joanna realizes she is truly happy with him, and they have their first passionate all night encounter as part of the birthday celebration.Of course the situation remains tricky, since it is endangered if Joanna recovers her memories.Meantime, Joannas mother (Catherine Helmond) has been hounding Grant on why she has not heard in weeks from her daughter, makes credible threats, and flies out to stay at the yacht.So Grant, who left her at the hospital originally, is pressured by his mother in law to retrieve her.
Grant finds her easily, drives in his limousine to the house she shares with Dean, and waits.Joanna comes towards house, sees Grant, and her memory functions well enough that she says, Hi, Grant. With that trigger, her memories rapidly return to her and she leaves Dean to rejoin Grant and her old life of material privilege on the yacht.However, Joanna is no longer the woman she once was and she misses Dean and the children. She hates the wealthy snobbishness represented by Grant, her own mother, and the psychiatrist. Her mother (Kathleen Helmond) is constantly using the advice of a fashionable psychiatrist (Henry Alan Miller) on how to treat her daughter. She asks for beer when she is offered champagne, and she spends time in conversations with the cook, the crew, and the butler.The film is clearly intended as a satire on the ways of the ultra-rich. There is a sharp contrast between Joanna's idle, pointless existence before her transformation and her fulfilling, useful life as a blue collar housewife after it.Soon after the yacht departs Elk Snout, Joanna finds out that Grant knew where she was all along, and had abandoned her in the hospital. Furious, she commands the skipper to reverse course and return towards Elk Snout. Meantime, Dean and his kids are unhappy at doing nothing to get her back, and decide together to give it their all in one last grand effort. They pull some favors from buddies and get a Coast Guard boat to chase after the yacht, as long as there isnt any actual call for the Coast Guard boat to chase anyone else.As the two vessels approach each other, the Coast Guard receives an emergency call, and Grant on his yacht fights for control of the bridge, overpowering both the skipper and the butler, and the boats start to veer away from each other. Dean jumps off the ship, Joanna jumps off hers, and naval protocol requires both ships to circle back to pick up the men overboard.Needless to say, there are hugs and kisses and reunions all around. Joanna leaves Grant, and begins a happy life with Dean and the boys, only now on her yacht, instead of Dean's shack.In the last scene, Christmas lists are being prepared. One of the boys asks how does one spell Porsche. Dean asks, What can I give you? You already have everything!.Her answer is You could give me a little girl. | Overboard | 72b17ba9-ab1d-d16b-2d08-f0729480247a | How does Dean get "Annie" released? | [
"He claims she is his wife"
] | false |
/m/06w28q | The initial scenes establish that Joanna Stayton (Goldie Hawn), is a spoiled brat who always gets her way, the ultimate rich bitch, and the pampered wife of pretentious socialite Grant Stayton III (Edward Herrmann).Using Roman numerals after your name is Hollywood shorthand for "pretentious snob", and Grant is that, and self centered to boot, however, Joanna is far worse. She is not only snobbish but also idle, pampered, sharp-tongued, impossible to please and unfailingly rude to anyone she considers her social inferior, which is virtually all of the human race. To describe Joanna as unsympathetic is a huge understatement, a better description would be "prize bitch".When Grant's luxury yacht develops engine trouble, Grant is forced to put into the small Oregon coastal town of Elk Snout for repairs.While the huge yacht is in port, Joanna hires Dean Proffitt (Kurt Russell), a poor carpenter who has just moved to Oregon, to build better shoe storage for her closet in the yacht. Dean is a skilled craftsman, rather picky about what he uses, such as the wood that should be used to protect the leather from salt spray in a ship. Joanna is also not impressed by his taking so long, as he designed intricate shelves that confuse and annoy her.An early funny scene in the movie has Joanna lecturing Andrew the butler ( Roddy McDowall), on why the caviar he had just delivered her was no good, while Dean, standing in the background, has his tape measure pointing suggestively skyward.When the work is complete she refuses to pay him in a dispute over the quality of his workmanship,
claiming that the closet is not up to her standards. In the ensuing argument Joanna loses her temper, pushes Dean overboard and throws his tools after him.The yacht crew has long ago gotten used to keep quiet and accept the guff from Joanna and Grant, despite that they have been treated like dirt, particularly family butler Andrew.After a typically stormy dinner that night, Joanna drops her wedding ring behind a seat on the deck. In reaching for it she loses her balance and falls overboard.A garbage boat rescues her but there is a problem: she is suffering from amnesia and cannot remember anything of her former identity. This we learn as Joanna is interviewed as she is wheeled into a psychiatric hospital.The following morning Grant returns to port, and finds Joanna is safe in a hospital but she has lost her memory, while her personality remains as nasty as ever.Grant, who is weary of Joanna, pretends that he does not recognize her, seeing his chance to be rid of her and to lead a playboy bachelor lifestyle on the yacht.When news of the unidentified amnesiac is televised throughout the city, a still angry Dean recognizes her picture and believes his opportunity for revenge has come. In a stroke of retributive genius, Dean shows up at the hospital audaciously posing as her husband and identifies Joanna as his wife "Annie". He tells her that she's his wife and the mother of his four unruly boys.His motive is not only payback for the way in which Joanna treated him but also his need for someone to do all the housework, as Dean is skilled as a craftsman but less accomplished in parenting and housekeeping. He is a widower with four young sons and finds it difficult to cope. The kids have missed a woman's touch in their home for nearly five years since their Mom died. Since the death of their mother his attitude towards his children and his household has been one of benign neglect. The boys have become undisciplined and badly behaved and the house looks like a war zone.Dean's intention is to get compensation for his unpaid work from Joanna being the household maid for a while. He figures on crediting her for 25 dollars a day. He assumes she'll be good for cleaning up around the house and looking after his four sons. The sons agree to the hoax, so Dean brings Joanna into his highly unkempt home and gets her to do all the chores.Although Joanna cannot recall her previous life with Grant, she is not convinced that she really is Dean's wife, especially as she turns out to be totally unskilled at cleaning and cooking. There isnt any sexual attraction on either side, so she sleeps on the couch in the living room and he keeps his bed.She asks Dean questions like where did we meet, what jobs did I have, and his answers are pretty low class redneck, so the muses to herself, I was a short, fat, slut? Whatever her questions, Dean manages a cover up with some silly story.When she gets curious about why there arent any pictures of her anywhere, Dean arranges for one of his buddies to modify Deans original wedding pictures by inserting Joannas face replacing his first wife.Later on, when Joanna discovers that she is fluent in French, Dean has to make up a tall tale to explain why.Joanna, finally believing she is Annie, struggles to become a good housewife and mother. She accepts her role as the woman of the house. Gradually, however, she gets used to her situation, she gets good at it, Dean even begins to fall in love, as Joanna's hidden talents come out.While overwhelmed at first by having to do unfamiliar work, including cooking, while struggling to remember this family, Joanna slowly works things out. Joanna brings some discipline back into the lives of father and sons.She is able to moderate the wild, "bachelor's hall" lifestyle that Dean has set up for himself and his sons. The boys accept a curtailment of their freedom, which at first they resent but slowly appreciate. A breakthrough with the kids comes when she sticks up for them against a bullying school teacher. A breakthrough with Dean comes when she finds he is earning extra money at a menial moonlighting job on a night that he says he goes out bowling with the guys.Joanna gradually comes to appreciate Dean's good qualities and to sympathize with little people she had previously dismissed as worthless.Dean finds he's got a dilemma to solve, as he too begins to appreciate her. He first feels he truly cares for her when she gets a poison ivy rash and he does everything a loving husband would do to make his wife feel better.She is crucial help to him in landing a construction job for a miniature golf park, she suggests a theme of famous world landmarks, and prepares sketches that sell the concept to the investors. He's missed having a female companion with intelligence. He decides to tell her the truth, but he doesnt get his confession out fast enough, she jumps the gun to tell him she knows the secret. So once again he lies, he apologizes for forgetting her birthday instead, and takes her out on a fun birthday date with lots of music and singing.As they come back home that night, Joanna realizes she is truly happy with him, and they have their first passionate all night encounter as part of the birthday celebration.Of course the situation remains tricky, since it is endangered if Joanna recovers her memories.Meantime, Joannas mother (Catherine Helmond) has been hounding Grant on why she has not heard in weeks from her daughter, makes credible threats, and flies out to stay at the yacht.So Grant, who left her at the hospital originally, is pressured by his mother in law to retrieve her.
Grant finds her easily, drives in his limousine to the house she shares with Dean, and waits.Joanna comes towards house, sees Grant, and her memory functions well enough that she says, Hi, Grant. With that trigger, her memories rapidly return to her and she leaves Dean to rejoin Grant and her old life of material privilege on the yacht.However, Joanna is no longer the woman she once was and she misses Dean and the children. She hates the wealthy snobbishness represented by Grant, her own mother, and the psychiatrist. Her mother (Kathleen Helmond) is constantly using the advice of a fashionable psychiatrist (Henry Alan Miller) on how to treat her daughter. She asks for beer when she is offered champagne, and she spends time in conversations with the cook, the crew, and the butler.The film is clearly intended as a satire on the ways of the ultra-rich. There is a sharp contrast between Joanna's idle, pointless existence before her transformation and her fulfilling, useful life as a blue collar housewife after it.Soon after the yacht departs Elk Snout, Joanna finds out that Grant knew where she was all along, and had abandoned her in the hospital. Furious, she commands the skipper to reverse course and return towards Elk Snout. Meantime, Dean and his kids are unhappy at doing nothing to get her back, and decide together to give it their all in one last grand effort. They pull some favors from buddies and get a Coast Guard boat to chase after the yacht, as long as there isnt any actual call for the Coast Guard boat to chase anyone else.As the two vessels approach each other, the Coast Guard receives an emergency call, and Grant on his yacht fights for control of the bridge, overpowering both the skipper and the butler, and the boats start to veer away from each other. Dean jumps off the ship, Joanna jumps off hers, and naval protocol requires both ships to circle back to pick up the men overboard.Needless to say, there are hugs and kisses and reunions all around. Joanna leaves Grant, and begins a happy life with Dean and the boys, only now on her yacht, instead of Dean's shack.In the last scene, Christmas lists are being prepared. One of the boys asks how does one spell Porsche. Dean asks, What can I give you? You already have everything!.Her answer is You could give me a little girl. | Overboard | 0715d738-8e31-3e90-b2b8-bca7b02fc1f7 | How many sons does Dean have? | [
"4"
] | false |
/m/06w28q | The initial scenes establish that Joanna Stayton (Goldie Hawn), is a spoiled brat who always gets her way, the ultimate rich bitch, and the pampered wife of pretentious socialite Grant Stayton III (Edward Herrmann).Using Roman numerals after your name is Hollywood shorthand for "pretentious snob", and Grant is that, and self centered to boot, however, Joanna is far worse. She is not only snobbish but also idle, pampered, sharp-tongued, impossible to please and unfailingly rude to anyone she considers her social inferior, which is virtually all of the human race. To describe Joanna as unsympathetic is a huge understatement, a better description would be "prize bitch".When Grant's luxury yacht develops engine trouble, Grant is forced to put into the small Oregon coastal town of Elk Snout for repairs.While the huge yacht is in port, Joanna hires Dean Proffitt (Kurt Russell), a poor carpenter who has just moved to Oregon, to build better shoe storage for her closet in the yacht. Dean is a skilled craftsman, rather picky about what he uses, such as the wood that should be used to protect the leather from salt spray in a ship. Joanna is also not impressed by his taking so long, as he designed intricate shelves that confuse and annoy her.An early funny scene in the movie has Joanna lecturing Andrew the butler ( Roddy McDowall), on why the caviar he had just delivered her was no good, while Dean, standing in the background, has his tape measure pointing suggestively skyward.When the work is complete she refuses to pay him in a dispute over the quality of his workmanship,
claiming that the closet is not up to her standards. In the ensuing argument Joanna loses her temper, pushes Dean overboard and throws his tools after him.The yacht crew has long ago gotten used to keep quiet and accept the guff from Joanna and Grant, despite that they have been treated like dirt, particularly family butler Andrew.After a typically stormy dinner that night, Joanna drops her wedding ring behind a seat on the deck. In reaching for it she loses her balance and falls overboard.A garbage boat rescues her but there is a problem: she is suffering from amnesia and cannot remember anything of her former identity. This we learn as Joanna is interviewed as she is wheeled into a psychiatric hospital.The following morning Grant returns to port, and finds Joanna is safe in a hospital but she has lost her memory, while her personality remains as nasty as ever.Grant, who is weary of Joanna, pretends that he does not recognize her, seeing his chance to be rid of her and to lead a playboy bachelor lifestyle on the yacht.When news of the unidentified amnesiac is televised throughout the city, a still angry Dean recognizes her picture and believes his opportunity for revenge has come. In a stroke of retributive genius, Dean shows up at the hospital audaciously posing as her husband and identifies Joanna as his wife "Annie". He tells her that she's his wife and the mother of his four unruly boys.His motive is not only payback for the way in which Joanna treated him but also his need for someone to do all the housework, as Dean is skilled as a craftsman but less accomplished in parenting and housekeeping. He is a widower with four young sons and finds it difficult to cope. The kids have missed a woman's touch in their home for nearly five years since their Mom died. Since the death of their mother his attitude towards his children and his household has been one of benign neglect. The boys have become undisciplined and badly behaved and the house looks like a war zone.Dean's intention is to get compensation for his unpaid work from Joanna being the household maid for a while. He figures on crediting her for 25 dollars a day. He assumes she'll be good for cleaning up around the house and looking after his four sons. The sons agree to the hoax, so Dean brings Joanna into his highly unkempt home and gets her to do all the chores.Although Joanna cannot recall her previous life with Grant, she is not convinced that she really is Dean's wife, especially as she turns out to be totally unskilled at cleaning and cooking. There isnt any sexual attraction on either side, so she sleeps on the couch in the living room and he keeps his bed.She asks Dean questions like where did we meet, what jobs did I have, and his answers are pretty low class redneck, so the muses to herself, I was a short, fat, slut? Whatever her questions, Dean manages a cover up with some silly story.When she gets curious about why there arent any pictures of her anywhere, Dean arranges for one of his buddies to modify Deans original wedding pictures by inserting Joannas face replacing his first wife.Later on, when Joanna discovers that she is fluent in French, Dean has to make up a tall tale to explain why.Joanna, finally believing she is Annie, struggles to become a good housewife and mother. She accepts her role as the woman of the house. Gradually, however, she gets used to her situation, she gets good at it, Dean even begins to fall in love, as Joanna's hidden talents come out.While overwhelmed at first by having to do unfamiliar work, including cooking, while struggling to remember this family, Joanna slowly works things out. Joanna brings some discipline back into the lives of father and sons.She is able to moderate the wild, "bachelor's hall" lifestyle that Dean has set up for himself and his sons. The boys accept a curtailment of their freedom, which at first they resent but slowly appreciate. A breakthrough with the kids comes when she sticks up for them against a bullying school teacher. A breakthrough with Dean comes when she finds he is earning extra money at a menial moonlighting job on a night that he says he goes out bowling with the guys.Joanna gradually comes to appreciate Dean's good qualities and to sympathize with little people she had previously dismissed as worthless.Dean finds he's got a dilemma to solve, as he too begins to appreciate her. He first feels he truly cares for her when she gets a poison ivy rash and he does everything a loving husband would do to make his wife feel better.She is crucial help to him in landing a construction job for a miniature golf park, she suggests a theme of famous world landmarks, and prepares sketches that sell the concept to the investors. He's missed having a female companion with intelligence. He decides to tell her the truth, but he doesnt get his confession out fast enough, she jumps the gun to tell him she knows the secret. So once again he lies, he apologizes for forgetting her birthday instead, and takes her out on a fun birthday date with lots of music and singing.As they come back home that night, Joanna realizes she is truly happy with him, and they have their first passionate all night encounter as part of the birthday celebration.Of course the situation remains tricky, since it is endangered if Joanna recovers her memories.Meantime, Joannas mother (Catherine Helmond) has been hounding Grant on why she has not heard in weeks from her daughter, makes credible threats, and flies out to stay at the yacht.So Grant, who left her at the hospital originally, is pressured by his mother in law to retrieve her.
Grant finds her easily, drives in his limousine to the house she shares with Dean, and waits.Joanna comes towards house, sees Grant, and her memory functions well enough that she says, Hi, Grant. With that trigger, her memories rapidly return to her and she leaves Dean to rejoin Grant and her old life of material privilege on the yacht.However, Joanna is no longer the woman she once was and she misses Dean and the children. She hates the wealthy snobbishness represented by Grant, her own mother, and the psychiatrist. Her mother (Kathleen Helmond) is constantly using the advice of a fashionable psychiatrist (Henry Alan Miller) on how to treat her daughter. She asks for beer when she is offered champagne, and she spends time in conversations with the cook, the crew, and the butler.The film is clearly intended as a satire on the ways of the ultra-rich. There is a sharp contrast between Joanna's idle, pointless existence before her transformation and her fulfilling, useful life as a blue collar housewife after it.Soon after the yacht departs Elk Snout, Joanna finds out that Grant knew where she was all along, and had abandoned her in the hospital. Furious, she commands the skipper to reverse course and return towards Elk Snout. Meantime, Dean and his kids are unhappy at doing nothing to get her back, and decide together to give it their all in one last grand effort. They pull some favors from buddies and get a Coast Guard boat to chase after the yacht, as long as there isnt any actual call for the Coast Guard boat to chase anyone else.As the two vessels approach each other, the Coast Guard receives an emergency call, and Grant on his yacht fights for control of the bridge, overpowering both the skipper and the butler, and the boats start to veer away from each other. Dean jumps off the ship, Joanna jumps off hers, and naval protocol requires both ships to circle back to pick up the men overboard.Needless to say, there are hugs and kisses and reunions all around. Joanna leaves Grant, and begins a happy life with Dean and the boys, only now on her yacht, instead of Dean's shack.In the last scene, Christmas lists are being prepared. One of the boys asks how does one spell Porsche. Dean asks, What can I give you? You already have everything!.Her answer is You could give me a little girl. | Overboard | e142fffb-4a96-09cc-96d3-af66c9c2c768 | What monogrammed item does Joanna find? | [
"womens panties"
] | false |
/m/06w28q | The initial scenes establish that Joanna Stayton (Goldie Hawn), is a spoiled brat who always gets her way, the ultimate rich bitch, and the pampered wife of pretentious socialite Grant Stayton III (Edward Herrmann).Using Roman numerals after your name is Hollywood shorthand for "pretentious snob", and Grant is that, and self centered to boot, however, Joanna is far worse. She is not only snobbish but also idle, pampered, sharp-tongued, impossible to please and unfailingly rude to anyone she considers her social inferior, which is virtually all of the human race. To describe Joanna as unsympathetic is a huge understatement, a better description would be "prize bitch".When Grant's luxury yacht develops engine trouble, Grant is forced to put into the small Oregon coastal town of Elk Snout for repairs.While the huge yacht is in port, Joanna hires Dean Proffitt (Kurt Russell), a poor carpenter who has just moved to Oregon, to build better shoe storage for her closet in the yacht. Dean is a skilled craftsman, rather picky about what he uses, such as the wood that should be used to protect the leather from salt spray in a ship. Joanna is also not impressed by his taking so long, as he designed intricate shelves that confuse and annoy her.An early funny scene in the movie has Joanna lecturing Andrew the butler ( Roddy McDowall), on why the caviar he had just delivered her was no good, while Dean, standing in the background, has his tape measure pointing suggestively skyward.When the work is complete she refuses to pay him in a dispute over the quality of his workmanship,
claiming that the closet is not up to her standards. In the ensuing argument Joanna loses her temper, pushes Dean overboard and throws his tools after him.The yacht crew has long ago gotten used to keep quiet and accept the guff from Joanna and Grant, despite that they have been treated like dirt, particularly family butler Andrew.After a typically stormy dinner that night, Joanna drops her wedding ring behind a seat on the deck. In reaching for it she loses her balance and falls overboard.A garbage boat rescues her but there is a problem: she is suffering from amnesia and cannot remember anything of her former identity. This we learn as Joanna is interviewed as she is wheeled into a psychiatric hospital.The following morning Grant returns to port, and finds Joanna is safe in a hospital but she has lost her memory, while her personality remains as nasty as ever.Grant, who is weary of Joanna, pretends that he does not recognize her, seeing his chance to be rid of her and to lead a playboy bachelor lifestyle on the yacht.When news of the unidentified amnesiac is televised throughout the city, a still angry Dean recognizes her picture and believes his opportunity for revenge has come. In a stroke of retributive genius, Dean shows up at the hospital audaciously posing as her husband and identifies Joanna as his wife "Annie". He tells her that she's his wife and the mother of his four unruly boys.His motive is not only payback for the way in which Joanna treated him but also his need for someone to do all the housework, as Dean is skilled as a craftsman but less accomplished in parenting and housekeeping. He is a widower with four young sons and finds it difficult to cope. The kids have missed a woman's touch in their home for nearly five years since their Mom died. Since the death of their mother his attitude towards his children and his household has been one of benign neglect. The boys have become undisciplined and badly behaved and the house looks like a war zone.Dean's intention is to get compensation for his unpaid work from Joanna being the household maid for a while. He figures on crediting her for 25 dollars a day. He assumes she'll be good for cleaning up around the house and looking after his four sons. The sons agree to the hoax, so Dean brings Joanna into his highly unkempt home and gets her to do all the chores.Although Joanna cannot recall her previous life with Grant, she is not convinced that she really is Dean's wife, especially as she turns out to be totally unskilled at cleaning and cooking. There isnt any sexual attraction on either side, so she sleeps on the couch in the living room and he keeps his bed.She asks Dean questions like where did we meet, what jobs did I have, and his answers are pretty low class redneck, so the muses to herself, I was a short, fat, slut? Whatever her questions, Dean manages a cover up with some silly story.When she gets curious about why there arent any pictures of her anywhere, Dean arranges for one of his buddies to modify Deans original wedding pictures by inserting Joannas face replacing his first wife.Later on, when Joanna discovers that she is fluent in French, Dean has to make up a tall tale to explain why.Joanna, finally believing she is Annie, struggles to become a good housewife and mother. She accepts her role as the woman of the house. Gradually, however, she gets used to her situation, she gets good at it, Dean even begins to fall in love, as Joanna's hidden talents come out.While overwhelmed at first by having to do unfamiliar work, including cooking, while struggling to remember this family, Joanna slowly works things out. Joanna brings some discipline back into the lives of father and sons.She is able to moderate the wild, "bachelor's hall" lifestyle that Dean has set up for himself and his sons. The boys accept a curtailment of their freedom, which at first they resent but slowly appreciate. A breakthrough with the kids comes when she sticks up for them against a bullying school teacher. A breakthrough with Dean comes when she finds he is earning extra money at a menial moonlighting job on a night that he says he goes out bowling with the guys.Joanna gradually comes to appreciate Dean's good qualities and to sympathize with little people she had previously dismissed as worthless.Dean finds he's got a dilemma to solve, as he too begins to appreciate her. He first feels he truly cares for her when she gets a poison ivy rash and he does everything a loving husband would do to make his wife feel better.She is crucial help to him in landing a construction job for a miniature golf park, she suggests a theme of famous world landmarks, and prepares sketches that sell the concept to the investors. He's missed having a female companion with intelligence. He decides to tell her the truth, but he doesnt get his confession out fast enough, she jumps the gun to tell him she knows the secret. So once again he lies, he apologizes for forgetting her birthday instead, and takes her out on a fun birthday date with lots of music and singing.As they come back home that night, Joanna realizes she is truly happy with him, and they have their first passionate all night encounter as part of the birthday celebration.Of course the situation remains tricky, since it is endangered if Joanna recovers her memories.Meantime, Joannas mother (Catherine Helmond) has been hounding Grant on why she has not heard in weeks from her daughter, makes credible threats, and flies out to stay at the yacht.So Grant, who left her at the hospital originally, is pressured by his mother in law to retrieve her.
Grant finds her easily, drives in his limousine to the house she shares with Dean, and waits.Joanna comes towards house, sees Grant, and her memory functions well enough that she says, Hi, Grant. With that trigger, her memories rapidly return to her and she leaves Dean to rejoin Grant and her old life of material privilege on the yacht.However, Joanna is no longer the woman she once was and she misses Dean and the children. She hates the wealthy snobbishness represented by Grant, her own mother, and the psychiatrist. Her mother (Kathleen Helmond) is constantly using the advice of a fashionable psychiatrist (Henry Alan Miller) on how to treat her daughter. She asks for beer when she is offered champagne, and she spends time in conversations with the cook, the crew, and the butler.The film is clearly intended as a satire on the ways of the ultra-rich. There is a sharp contrast between Joanna's idle, pointless existence before her transformation and her fulfilling, useful life as a blue collar housewife after it.Soon after the yacht departs Elk Snout, Joanna finds out that Grant knew where she was all along, and had abandoned her in the hospital. Furious, she commands the skipper to reverse course and return towards Elk Snout. Meantime, Dean and his kids are unhappy at doing nothing to get her back, and decide together to give it their all in one last grand effort. They pull some favors from buddies and get a Coast Guard boat to chase after the yacht, as long as there isnt any actual call for the Coast Guard boat to chase anyone else.As the two vessels approach each other, the Coast Guard receives an emergency call, and Grant on his yacht fights for control of the bridge, overpowering both the skipper and the butler, and the boats start to veer away from each other. Dean jumps off the ship, Joanna jumps off hers, and naval protocol requires both ships to circle back to pick up the men overboard.Needless to say, there are hugs and kisses and reunions all around. Joanna leaves Grant, and begins a happy life with Dean and the boys, only now on her yacht, instead of Dean's shack.In the last scene, Christmas lists are being prepared. One of the boys asks how does one spell Porsche. Dean asks, What can I give you? You already have everything!.Her answer is You could give me a little girl. | Overboard | 293fc46c-9f9f-f7c8-43bf-b07b03fe483e | Dean has a Coast Guard friend? | [
"Yes"
] | false |
/m/06w28q | The initial scenes establish that Joanna Stayton (Goldie Hawn), is a spoiled brat who always gets her way, the ultimate rich bitch, and the pampered wife of pretentious socialite Grant Stayton III (Edward Herrmann).Using Roman numerals after your name is Hollywood shorthand for "pretentious snob", and Grant is that, and self centered to boot, however, Joanna is far worse. She is not only snobbish but also idle, pampered, sharp-tongued, impossible to please and unfailingly rude to anyone she considers her social inferior, which is virtually all of the human race. To describe Joanna as unsympathetic is a huge understatement, a better description would be "prize bitch".When Grant's luxury yacht develops engine trouble, Grant is forced to put into the small Oregon coastal town of Elk Snout for repairs.While the huge yacht is in port, Joanna hires Dean Proffitt (Kurt Russell), a poor carpenter who has just moved to Oregon, to build better shoe storage for her closet in the yacht. Dean is a skilled craftsman, rather picky about what he uses, such as the wood that should be used to protect the leather from salt spray in a ship. Joanna is also not impressed by his taking so long, as he designed intricate shelves that confuse and annoy her.An early funny scene in the movie has Joanna lecturing Andrew the butler ( Roddy McDowall), on why the caviar he had just delivered her was no good, while Dean, standing in the background, has his tape measure pointing suggestively skyward.When the work is complete she refuses to pay him in a dispute over the quality of his workmanship,
claiming that the closet is not up to her standards. In the ensuing argument Joanna loses her temper, pushes Dean overboard and throws his tools after him.The yacht crew has long ago gotten used to keep quiet and accept the guff from Joanna and Grant, despite that they have been treated like dirt, particularly family butler Andrew.After a typically stormy dinner that night, Joanna drops her wedding ring behind a seat on the deck. In reaching for it she loses her balance and falls overboard.A garbage boat rescues her but there is a problem: she is suffering from amnesia and cannot remember anything of her former identity. This we learn as Joanna is interviewed as she is wheeled into a psychiatric hospital.The following morning Grant returns to port, and finds Joanna is safe in a hospital but she has lost her memory, while her personality remains as nasty as ever.Grant, who is weary of Joanna, pretends that he does not recognize her, seeing his chance to be rid of her and to lead a playboy bachelor lifestyle on the yacht.When news of the unidentified amnesiac is televised throughout the city, a still angry Dean recognizes her picture and believes his opportunity for revenge has come. In a stroke of retributive genius, Dean shows up at the hospital audaciously posing as her husband and identifies Joanna as his wife "Annie". He tells her that she's his wife and the mother of his four unruly boys.His motive is not only payback for the way in which Joanna treated him but also his need for someone to do all the housework, as Dean is skilled as a craftsman but less accomplished in parenting and housekeeping. He is a widower with four young sons and finds it difficult to cope. The kids have missed a woman's touch in their home for nearly five years since their Mom died. Since the death of their mother his attitude towards his children and his household has been one of benign neglect. The boys have become undisciplined and badly behaved and the house looks like a war zone.Dean's intention is to get compensation for his unpaid work from Joanna being the household maid for a while. He figures on crediting her for 25 dollars a day. He assumes she'll be good for cleaning up around the house and looking after his four sons. The sons agree to the hoax, so Dean brings Joanna into his highly unkempt home and gets her to do all the chores.Although Joanna cannot recall her previous life with Grant, she is not convinced that she really is Dean's wife, especially as she turns out to be totally unskilled at cleaning and cooking. There isnt any sexual attraction on either side, so she sleeps on the couch in the living room and he keeps his bed.She asks Dean questions like where did we meet, what jobs did I have, and his answers are pretty low class redneck, so the muses to herself, I was a short, fat, slut? Whatever her questions, Dean manages a cover up with some silly story.When she gets curious about why there arent any pictures of her anywhere, Dean arranges for one of his buddies to modify Deans original wedding pictures by inserting Joannas face replacing his first wife.Later on, when Joanna discovers that she is fluent in French, Dean has to make up a tall tale to explain why.Joanna, finally believing she is Annie, struggles to become a good housewife and mother. She accepts her role as the woman of the house. Gradually, however, she gets used to her situation, she gets good at it, Dean even begins to fall in love, as Joanna's hidden talents come out.While overwhelmed at first by having to do unfamiliar work, including cooking, while struggling to remember this family, Joanna slowly works things out. Joanna brings some discipline back into the lives of father and sons.She is able to moderate the wild, "bachelor's hall" lifestyle that Dean has set up for himself and his sons. The boys accept a curtailment of their freedom, which at first they resent but slowly appreciate. A breakthrough with the kids comes when she sticks up for them against a bullying school teacher. A breakthrough with Dean comes when she finds he is earning extra money at a menial moonlighting job on a night that he says he goes out bowling with the guys.Joanna gradually comes to appreciate Dean's good qualities and to sympathize with little people she had previously dismissed as worthless.Dean finds he's got a dilemma to solve, as he too begins to appreciate her. He first feels he truly cares for her when she gets a poison ivy rash and he does everything a loving husband would do to make his wife feel better.She is crucial help to him in landing a construction job for a miniature golf park, she suggests a theme of famous world landmarks, and prepares sketches that sell the concept to the investors. He's missed having a female companion with intelligence. He decides to tell her the truth, but he doesnt get his confession out fast enough, she jumps the gun to tell him she knows the secret. So once again he lies, he apologizes for forgetting her birthday instead, and takes her out on a fun birthday date with lots of music and singing.As they come back home that night, Joanna realizes she is truly happy with him, and they have their first passionate all night encounter as part of the birthday celebration.Of course the situation remains tricky, since it is endangered if Joanna recovers her memories.Meantime, Joannas mother (Catherine Helmond) has been hounding Grant on why she has not heard in weeks from her daughter, makes credible threats, and flies out to stay at the yacht.So Grant, who left her at the hospital originally, is pressured by his mother in law to retrieve her.
Grant finds her easily, drives in his limousine to the house she shares with Dean, and waits.Joanna comes towards house, sees Grant, and her memory functions well enough that she says, Hi, Grant. With that trigger, her memories rapidly return to her and she leaves Dean to rejoin Grant and her old life of material privilege on the yacht.However, Joanna is no longer the woman she once was and she misses Dean and the children. She hates the wealthy snobbishness represented by Grant, her own mother, and the psychiatrist. Her mother (Kathleen Helmond) is constantly using the advice of a fashionable psychiatrist (Henry Alan Miller) on how to treat her daughter. She asks for beer when she is offered champagne, and she spends time in conversations with the cook, the crew, and the butler.The film is clearly intended as a satire on the ways of the ultra-rich. There is a sharp contrast between Joanna's idle, pointless existence before her transformation and her fulfilling, useful life as a blue collar housewife after it.Soon after the yacht departs Elk Snout, Joanna finds out that Grant knew where she was all along, and had abandoned her in the hospital. Furious, she commands the skipper to reverse course and return towards Elk Snout. Meantime, Dean and his kids are unhappy at doing nothing to get her back, and decide together to give it their all in one last grand effort. They pull some favors from buddies and get a Coast Guard boat to chase after the yacht, as long as there isnt any actual call for the Coast Guard boat to chase anyone else.As the two vessels approach each other, the Coast Guard receives an emergency call, and Grant on his yacht fights for control of the bridge, overpowering both the skipper and the butler, and the boats start to veer away from each other. Dean jumps off the ship, Joanna jumps off hers, and naval protocol requires both ships to circle back to pick up the men overboard.Needless to say, there are hugs and kisses and reunions all around. Joanna leaves Grant, and begins a happy life with Dean and the boys, only now on her yacht, instead of Dean's shack.In the last scene, Christmas lists are being prepared. One of the boys asks how does one spell Porsche. Dean asks, What can I give you? You already have everything!.Her answer is You could give me a little girl. | Overboard | f900577a-0f9a-a335-3879-b24c538c9053 | Where did Dean see "Annie's" birthmark? | [] | true |
/m/06w28q | The initial scenes establish that Joanna Stayton (Goldie Hawn), is a spoiled brat who always gets her way, the ultimate rich bitch, and the pampered wife of pretentious socialite Grant Stayton III (Edward Herrmann).Using Roman numerals after your name is Hollywood shorthand for "pretentious snob", and Grant is that, and self centered to boot, however, Joanna is far worse. She is not only snobbish but also idle, pampered, sharp-tongued, impossible to please and unfailingly rude to anyone she considers her social inferior, which is virtually all of the human race. To describe Joanna as unsympathetic is a huge understatement, a better description would be "prize bitch".When Grant's luxury yacht develops engine trouble, Grant is forced to put into the small Oregon coastal town of Elk Snout for repairs.While the huge yacht is in port, Joanna hires Dean Proffitt (Kurt Russell), a poor carpenter who has just moved to Oregon, to build better shoe storage for her closet in the yacht. Dean is a skilled craftsman, rather picky about what he uses, such as the wood that should be used to protect the leather from salt spray in a ship. Joanna is also not impressed by his taking so long, as he designed intricate shelves that confuse and annoy her.An early funny scene in the movie has Joanna lecturing Andrew the butler ( Roddy McDowall), on why the caviar he had just delivered her was no good, while Dean, standing in the background, has his tape measure pointing suggestively skyward.When the work is complete she refuses to pay him in a dispute over the quality of his workmanship,
claiming that the closet is not up to her standards. In the ensuing argument Joanna loses her temper, pushes Dean overboard and throws his tools after him.The yacht crew has long ago gotten used to keep quiet and accept the guff from Joanna and Grant, despite that they have been treated like dirt, particularly family butler Andrew.After a typically stormy dinner that night, Joanna drops her wedding ring behind a seat on the deck. In reaching for it she loses her balance and falls overboard.A garbage boat rescues her but there is a problem: she is suffering from amnesia and cannot remember anything of her former identity. This we learn as Joanna is interviewed as she is wheeled into a psychiatric hospital.The following morning Grant returns to port, and finds Joanna is safe in a hospital but she has lost her memory, while her personality remains as nasty as ever.Grant, who is weary of Joanna, pretends that he does not recognize her, seeing his chance to be rid of her and to lead a playboy bachelor lifestyle on the yacht.When news of the unidentified amnesiac is televised throughout the city, a still angry Dean recognizes her picture and believes his opportunity for revenge has come. In a stroke of retributive genius, Dean shows up at the hospital audaciously posing as her husband and identifies Joanna as his wife "Annie". He tells her that she's his wife and the mother of his four unruly boys.His motive is not only payback for the way in which Joanna treated him but also his need for someone to do all the housework, as Dean is skilled as a craftsman but less accomplished in parenting and housekeeping. He is a widower with four young sons and finds it difficult to cope. The kids have missed a woman's touch in their home for nearly five years since their Mom died. Since the death of their mother his attitude towards his children and his household has been one of benign neglect. The boys have become undisciplined and badly behaved and the house looks like a war zone.Dean's intention is to get compensation for his unpaid work from Joanna being the household maid for a while. He figures on crediting her for 25 dollars a day. He assumes she'll be good for cleaning up around the house and looking after his four sons. The sons agree to the hoax, so Dean brings Joanna into his highly unkempt home and gets her to do all the chores.Although Joanna cannot recall her previous life with Grant, she is not convinced that she really is Dean's wife, especially as she turns out to be totally unskilled at cleaning and cooking. There isnt any sexual attraction on either side, so she sleeps on the couch in the living room and he keeps his bed.She asks Dean questions like where did we meet, what jobs did I have, and his answers are pretty low class redneck, so the muses to herself, I was a short, fat, slut? Whatever her questions, Dean manages a cover up with some silly story.When she gets curious about why there arent any pictures of her anywhere, Dean arranges for one of his buddies to modify Deans original wedding pictures by inserting Joannas face replacing his first wife.Later on, when Joanna discovers that she is fluent in French, Dean has to make up a tall tale to explain why.Joanna, finally believing she is Annie, struggles to become a good housewife and mother. She accepts her role as the woman of the house. Gradually, however, she gets used to her situation, she gets good at it, Dean even begins to fall in love, as Joanna's hidden talents come out.While overwhelmed at first by having to do unfamiliar work, including cooking, while struggling to remember this family, Joanna slowly works things out. Joanna brings some discipline back into the lives of father and sons.She is able to moderate the wild, "bachelor's hall" lifestyle that Dean has set up for himself and his sons. The boys accept a curtailment of their freedom, which at first they resent but slowly appreciate. A breakthrough with the kids comes when she sticks up for them against a bullying school teacher. A breakthrough with Dean comes when she finds he is earning extra money at a menial moonlighting job on a night that he says he goes out bowling with the guys.Joanna gradually comes to appreciate Dean's good qualities and to sympathize with little people she had previously dismissed as worthless.Dean finds he's got a dilemma to solve, as he too begins to appreciate her. He first feels he truly cares for her when she gets a poison ivy rash and he does everything a loving husband would do to make his wife feel better.She is crucial help to him in landing a construction job for a miniature golf park, she suggests a theme of famous world landmarks, and prepares sketches that sell the concept to the investors. He's missed having a female companion with intelligence. He decides to tell her the truth, but he doesnt get his confession out fast enough, she jumps the gun to tell him she knows the secret. So once again he lies, he apologizes for forgetting her birthday instead, and takes her out on a fun birthday date with lots of music and singing.As they come back home that night, Joanna realizes she is truly happy with him, and they have their first passionate all night encounter as part of the birthday celebration.Of course the situation remains tricky, since it is endangered if Joanna recovers her memories.Meantime, Joannas mother (Catherine Helmond) has been hounding Grant on why she has not heard in weeks from her daughter, makes credible threats, and flies out to stay at the yacht.So Grant, who left her at the hospital originally, is pressured by his mother in law to retrieve her.
Grant finds her easily, drives in his limousine to the house she shares with Dean, and waits.Joanna comes towards house, sees Grant, and her memory functions well enough that she says, Hi, Grant. With that trigger, her memories rapidly return to her and she leaves Dean to rejoin Grant and her old life of material privilege on the yacht.However, Joanna is no longer the woman she once was and she misses Dean and the children. She hates the wealthy snobbishness represented by Grant, her own mother, and the psychiatrist. Her mother (Kathleen Helmond) is constantly using the advice of a fashionable psychiatrist (Henry Alan Miller) on how to treat her daughter. She asks for beer when she is offered champagne, and she spends time in conversations with the cook, the crew, and the butler.The film is clearly intended as a satire on the ways of the ultra-rich. There is a sharp contrast between Joanna's idle, pointless existence before her transformation and her fulfilling, useful life as a blue collar housewife after it.Soon after the yacht departs Elk Snout, Joanna finds out that Grant knew where she was all along, and had abandoned her in the hospital. Furious, she commands the skipper to reverse course and return towards Elk Snout. Meantime, Dean and his kids are unhappy at doing nothing to get her back, and decide together to give it their all in one last grand effort. They pull some favors from buddies and get a Coast Guard boat to chase after the yacht, as long as there isnt any actual call for the Coast Guard boat to chase anyone else.As the two vessels approach each other, the Coast Guard receives an emergency call, and Grant on his yacht fights for control of the bridge, overpowering both the skipper and the butler, and the boats start to veer away from each other. Dean jumps off the ship, Joanna jumps off hers, and naval protocol requires both ships to circle back to pick up the men overboard.Needless to say, there are hugs and kisses and reunions all around. Joanna leaves Grant, and begins a happy life with Dean and the boys, only now on her yacht, instead of Dean's shack.In the last scene, Christmas lists are being prepared. One of the boys asks how does one spell Porsche. Dean asks, What can I give you? You already have everything!.Her answer is You could give me a little girl. | Overboard | a0fa5ab3-df94-c2cb-272d-cb789673bdfc | What is Andrew's job? | [
"Butler",
"There is no mention of \"Andrew\" in the given passage."
] | false |
/m/06w28q | The initial scenes establish that Joanna Stayton (Goldie Hawn), is a spoiled brat who always gets her way, the ultimate rich bitch, and the pampered wife of pretentious socialite Grant Stayton III (Edward Herrmann).Using Roman numerals after your name is Hollywood shorthand for "pretentious snob", and Grant is that, and self centered to boot, however, Joanna is far worse. She is not only snobbish but also idle, pampered, sharp-tongued, impossible to please and unfailingly rude to anyone she considers her social inferior, which is virtually all of the human race. To describe Joanna as unsympathetic is a huge understatement, a better description would be "prize bitch".When Grant's luxury yacht develops engine trouble, Grant is forced to put into the small Oregon coastal town of Elk Snout for repairs.While the huge yacht is in port, Joanna hires Dean Proffitt (Kurt Russell), a poor carpenter who has just moved to Oregon, to build better shoe storage for her closet in the yacht. Dean is a skilled craftsman, rather picky about what he uses, such as the wood that should be used to protect the leather from salt spray in a ship. Joanna is also not impressed by his taking so long, as he designed intricate shelves that confuse and annoy her.An early funny scene in the movie has Joanna lecturing Andrew the butler ( Roddy McDowall), on why the caviar he had just delivered her was no good, while Dean, standing in the background, has his tape measure pointing suggestively skyward.When the work is complete she refuses to pay him in a dispute over the quality of his workmanship,
claiming that the closet is not up to her standards. In the ensuing argument Joanna loses her temper, pushes Dean overboard and throws his tools after him.The yacht crew has long ago gotten used to keep quiet and accept the guff from Joanna and Grant, despite that they have been treated like dirt, particularly family butler Andrew.After a typically stormy dinner that night, Joanna drops her wedding ring behind a seat on the deck. In reaching for it she loses her balance and falls overboard.A garbage boat rescues her but there is a problem: she is suffering from amnesia and cannot remember anything of her former identity. This we learn as Joanna is interviewed as she is wheeled into a psychiatric hospital.The following morning Grant returns to port, and finds Joanna is safe in a hospital but she has lost her memory, while her personality remains as nasty as ever.Grant, who is weary of Joanna, pretends that he does not recognize her, seeing his chance to be rid of her and to lead a playboy bachelor lifestyle on the yacht.When news of the unidentified amnesiac is televised throughout the city, a still angry Dean recognizes her picture and believes his opportunity for revenge has come. In a stroke of retributive genius, Dean shows up at the hospital audaciously posing as her husband and identifies Joanna as his wife "Annie". He tells her that she's his wife and the mother of his four unruly boys.His motive is not only payback for the way in which Joanna treated him but also his need for someone to do all the housework, as Dean is skilled as a craftsman but less accomplished in parenting and housekeeping. He is a widower with four young sons and finds it difficult to cope. The kids have missed a woman's touch in their home for nearly five years since their Mom died. Since the death of their mother his attitude towards his children and his household has been one of benign neglect. The boys have become undisciplined and badly behaved and the house looks like a war zone.Dean's intention is to get compensation for his unpaid work from Joanna being the household maid for a while. He figures on crediting her for 25 dollars a day. He assumes she'll be good for cleaning up around the house and looking after his four sons. The sons agree to the hoax, so Dean brings Joanna into his highly unkempt home and gets her to do all the chores.Although Joanna cannot recall her previous life with Grant, she is not convinced that she really is Dean's wife, especially as she turns out to be totally unskilled at cleaning and cooking. There isnt any sexual attraction on either side, so she sleeps on the couch in the living room and he keeps his bed.She asks Dean questions like where did we meet, what jobs did I have, and his answers are pretty low class redneck, so the muses to herself, I was a short, fat, slut? Whatever her questions, Dean manages a cover up with some silly story.When she gets curious about why there arent any pictures of her anywhere, Dean arranges for one of his buddies to modify Deans original wedding pictures by inserting Joannas face replacing his first wife.Later on, when Joanna discovers that she is fluent in French, Dean has to make up a tall tale to explain why.Joanna, finally believing she is Annie, struggles to become a good housewife and mother. She accepts her role as the woman of the house. Gradually, however, she gets used to her situation, she gets good at it, Dean even begins to fall in love, as Joanna's hidden talents come out.While overwhelmed at first by having to do unfamiliar work, including cooking, while struggling to remember this family, Joanna slowly works things out. Joanna brings some discipline back into the lives of father and sons.She is able to moderate the wild, "bachelor's hall" lifestyle that Dean has set up for himself and his sons. The boys accept a curtailment of their freedom, which at first they resent but slowly appreciate. A breakthrough with the kids comes when she sticks up for them against a bullying school teacher. A breakthrough with Dean comes when she finds he is earning extra money at a menial moonlighting job on a night that he says he goes out bowling with the guys.Joanna gradually comes to appreciate Dean's good qualities and to sympathize with little people she had previously dismissed as worthless.Dean finds he's got a dilemma to solve, as he too begins to appreciate her. He first feels he truly cares for her when she gets a poison ivy rash and he does everything a loving husband would do to make his wife feel better.She is crucial help to him in landing a construction job for a miniature golf park, she suggests a theme of famous world landmarks, and prepares sketches that sell the concept to the investors. He's missed having a female companion with intelligence. He decides to tell her the truth, but he doesnt get his confession out fast enough, she jumps the gun to tell him she knows the secret. So once again he lies, he apologizes for forgetting her birthday instead, and takes her out on a fun birthday date with lots of music and singing.As they come back home that night, Joanna realizes she is truly happy with him, and they have their first passionate all night encounter as part of the birthday celebration.Of course the situation remains tricky, since it is endangered if Joanna recovers her memories.Meantime, Joannas mother (Catherine Helmond) has been hounding Grant on why she has not heard in weeks from her daughter, makes credible threats, and flies out to stay at the yacht.So Grant, who left her at the hospital originally, is pressured by his mother in law to retrieve her.
Grant finds her easily, drives in his limousine to the house she shares with Dean, and waits.Joanna comes towards house, sees Grant, and her memory functions well enough that she says, Hi, Grant. With that trigger, her memories rapidly return to her and she leaves Dean to rejoin Grant and her old life of material privilege on the yacht.However, Joanna is no longer the woman she once was and she misses Dean and the children. She hates the wealthy snobbishness represented by Grant, her own mother, and the psychiatrist. Her mother (Kathleen Helmond) is constantly using the advice of a fashionable psychiatrist (Henry Alan Miller) on how to treat her daughter. She asks for beer when she is offered champagne, and she spends time in conversations with the cook, the crew, and the butler.The film is clearly intended as a satire on the ways of the ultra-rich. There is a sharp contrast between Joanna's idle, pointless existence before her transformation and her fulfilling, useful life as a blue collar housewife after it.Soon after the yacht departs Elk Snout, Joanna finds out that Grant knew where she was all along, and had abandoned her in the hospital. Furious, she commands the skipper to reverse course and return towards Elk Snout. Meantime, Dean and his kids are unhappy at doing nothing to get her back, and decide together to give it their all in one last grand effort. They pull some favors from buddies and get a Coast Guard boat to chase after the yacht, as long as there isnt any actual call for the Coast Guard boat to chase anyone else.As the two vessels approach each other, the Coast Guard receives an emergency call, and Grant on his yacht fights for control of the bridge, overpowering both the skipper and the butler, and the boats start to veer away from each other. Dean jumps off the ship, Joanna jumps off hers, and naval protocol requires both ships to circle back to pick up the men overboard.Needless to say, there are hugs and kisses and reunions all around. Joanna leaves Grant, and begins a happy life with Dean and the boys, only now on her yacht, instead of Dean's shack.In the last scene, Christmas lists are being prepared. One of the boys asks how does one spell Porsche. Dean asks, What can I give you? You already have everything!.Her answer is You could give me a little girl. | Overboard | de88796a-55df-44b2-e952-d7e75f6b911e | who gives the boys a hard time? | [
"A teacher"
] | false |
/m/06w28q | The initial scenes establish that Joanna Stayton (Goldie Hawn), is a spoiled brat who always gets her way, the ultimate rich bitch, and the pampered wife of pretentious socialite Grant Stayton III (Edward Herrmann).Using Roman numerals after your name is Hollywood shorthand for "pretentious snob", and Grant is that, and self centered to boot, however, Joanna is far worse. She is not only snobbish but also idle, pampered, sharp-tongued, impossible to please and unfailingly rude to anyone she considers her social inferior, which is virtually all of the human race. To describe Joanna as unsympathetic is a huge understatement, a better description would be "prize bitch".When Grant's luxury yacht develops engine trouble, Grant is forced to put into the small Oregon coastal town of Elk Snout for repairs.While the huge yacht is in port, Joanna hires Dean Proffitt (Kurt Russell), a poor carpenter who has just moved to Oregon, to build better shoe storage for her closet in the yacht. Dean is a skilled craftsman, rather picky about what he uses, such as the wood that should be used to protect the leather from salt spray in a ship. Joanna is also not impressed by his taking so long, as he designed intricate shelves that confuse and annoy her.An early funny scene in the movie has Joanna lecturing Andrew the butler ( Roddy McDowall), on why the caviar he had just delivered her was no good, while Dean, standing in the background, has his tape measure pointing suggestively skyward.When the work is complete she refuses to pay him in a dispute over the quality of his workmanship,
claiming that the closet is not up to her standards. In the ensuing argument Joanna loses her temper, pushes Dean overboard and throws his tools after him.The yacht crew has long ago gotten used to keep quiet and accept the guff from Joanna and Grant, despite that they have been treated like dirt, particularly family butler Andrew.After a typically stormy dinner that night, Joanna drops her wedding ring behind a seat on the deck. In reaching for it she loses her balance and falls overboard.A garbage boat rescues her but there is a problem: she is suffering from amnesia and cannot remember anything of her former identity. This we learn as Joanna is interviewed as she is wheeled into a psychiatric hospital.The following morning Grant returns to port, and finds Joanna is safe in a hospital but she has lost her memory, while her personality remains as nasty as ever.Grant, who is weary of Joanna, pretends that he does not recognize her, seeing his chance to be rid of her and to lead a playboy bachelor lifestyle on the yacht.When news of the unidentified amnesiac is televised throughout the city, a still angry Dean recognizes her picture and believes his opportunity for revenge has come. In a stroke of retributive genius, Dean shows up at the hospital audaciously posing as her husband and identifies Joanna as his wife "Annie". He tells her that she's his wife and the mother of his four unruly boys.His motive is not only payback for the way in which Joanna treated him but also his need for someone to do all the housework, as Dean is skilled as a craftsman but less accomplished in parenting and housekeeping. He is a widower with four young sons and finds it difficult to cope. The kids have missed a woman's touch in their home for nearly five years since their Mom died. Since the death of their mother his attitude towards his children and his household has been one of benign neglect. The boys have become undisciplined and badly behaved and the house looks like a war zone.Dean's intention is to get compensation for his unpaid work from Joanna being the household maid for a while. He figures on crediting her for 25 dollars a day. He assumes she'll be good for cleaning up around the house and looking after his four sons. The sons agree to the hoax, so Dean brings Joanna into his highly unkempt home and gets her to do all the chores.Although Joanna cannot recall her previous life with Grant, she is not convinced that she really is Dean's wife, especially as she turns out to be totally unskilled at cleaning and cooking. There isnt any sexual attraction on either side, so she sleeps on the couch in the living room and he keeps his bed.She asks Dean questions like where did we meet, what jobs did I have, and his answers are pretty low class redneck, so the muses to herself, I was a short, fat, slut? Whatever her questions, Dean manages a cover up with some silly story.When she gets curious about why there arent any pictures of her anywhere, Dean arranges for one of his buddies to modify Deans original wedding pictures by inserting Joannas face replacing his first wife.Later on, when Joanna discovers that she is fluent in French, Dean has to make up a tall tale to explain why.Joanna, finally believing she is Annie, struggles to become a good housewife and mother. She accepts her role as the woman of the house. Gradually, however, she gets used to her situation, she gets good at it, Dean even begins to fall in love, as Joanna's hidden talents come out.While overwhelmed at first by having to do unfamiliar work, including cooking, while struggling to remember this family, Joanna slowly works things out. Joanna brings some discipline back into the lives of father and sons.She is able to moderate the wild, "bachelor's hall" lifestyle that Dean has set up for himself and his sons. The boys accept a curtailment of their freedom, which at first they resent but slowly appreciate. A breakthrough with the kids comes when she sticks up for them against a bullying school teacher. A breakthrough with Dean comes when she finds he is earning extra money at a menial moonlighting job on a night that he says he goes out bowling with the guys.Joanna gradually comes to appreciate Dean's good qualities and to sympathize with little people she had previously dismissed as worthless.Dean finds he's got a dilemma to solve, as he too begins to appreciate her. He first feels he truly cares for her when she gets a poison ivy rash and he does everything a loving husband would do to make his wife feel better.She is crucial help to him in landing a construction job for a miniature golf park, she suggests a theme of famous world landmarks, and prepares sketches that sell the concept to the investors. He's missed having a female companion with intelligence. He decides to tell her the truth, but he doesnt get his confession out fast enough, she jumps the gun to tell him she knows the secret. So once again he lies, he apologizes for forgetting her birthday instead, and takes her out on a fun birthday date with lots of music and singing.As they come back home that night, Joanna realizes she is truly happy with him, and they have their first passionate all night encounter as part of the birthday celebration.Of course the situation remains tricky, since it is endangered if Joanna recovers her memories.Meantime, Joannas mother (Catherine Helmond) has been hounding Grant on why she has not heard in weeks from her daughter, makes credible threats, and flies out to stay at the yacht.So Grant, who left her at the hospital originally, is pressured by his mother in law to retrieve her.
Grant finds her easily, drives in his limousine to the house she shares with Dean, and waits.Joanna comes towards house, sees Grant, and her memory functions well enough that she says, Hi, Grant. With that trigger, her memories rapidly return to her and she leaves Dean to rejoin Grant and her old life of material privilege on the yacht.However, Joanna is no longer the woman she once was and she misses Dean and the children. She hates the wealthy snobbishness represented by Grant, her own mother, and the psychiatrist. Her mother (Kathleen Helmond) is constantly using the advice of a fashionable psychiatrist (Henry Alan Miller) on how to treat her daughter. She asks for beer when she is offered champagne, and she spends time in conversations with the cook, the crew, and the butler.The film is clearly intended as a satire on the ways of the ultra-rich. There is a sharp contrast between Joanna's idle, pointless existence before her transformation and her fulfilling, useful life as a blue collar housewife after it.Soon after the yacht departs Elk Snout, Joanna finds out that Grant knew where she was all along, and had abandoned her in the hospital. Furious, she commands the skipper to reverse course and return towards Elk Snout. Meantime, Dean and his kids are unhappy at doing nothing to get her back, and decide together to give it their all in one last grand effort. They pull some favors from buddies and get a Coast Guard boat to chase after the yacht, as long as there isnt any actual call for the Coast Guard boat to chase anyone else.As the two vessels approach each other, the Coast Guard receives an emergency call, and Grant on his yacht fights for control of the bridge, overpowering both the skipper and the butler, and the boats start to veer away from each other. Dean jumps off the ship, Joanna jumps off hers, and naval protocol requires both ships to circle back to pick up the men overboard.Needless to say, there are hugs and kisses and reunions all around. Joanna leaves Grant, and begins a happy life with Dean and the boys, only now on her yacht, instead of Dean's shack.In the last scene, Christmas lists are being prepared. One of the boys asks how does one spell Porsche. Dean asks, What can I give you? You already have everything!.Her answer is You could give me a little girl. | Overboard | 76ee194a-a2c1-f051-b4cb-f087472e0d06 | Who takes over control of the yacht from Joanna? | [
"Grant.",
"Grant"
] | false |
/m/05_74z | The story starts in the city of Mumbai where a motorbike gang starts breaking into banks and other public places and vanishing on Western Express Highway.
Assistant Commissioner of Police Jai Dixit (Abhishek Bachchan) a no-nonsense cop, is called inside the case. Dixit seeks the help of a thief named Ali Khan (Uday Chopra), and devises a trap to catch the gang, but it fails. Kabir (John Abraham), the leader of the gang, eventually taunts Dixit by saying that he couldn't catch him even if he was right in front of him. He is proven correct and the failure of Dixit seemingly leads to the break-up of his partnership with Ali.
Kabir then lures Ali into his gang to take place of Rohit, the gang member who was killed by ACP Dixit. Ali falls in love with Sheena (Esha Deol), another gang member. The gang later goes to Goa to perform one last big heist before becoming disbanded forever. Kabir now sets his eyes on the biggest casino in all of India. Kabir and his gang swiftly loot the casino on New Year's Eve, but soon they realize that Dixit has led them right into a trap. Ali was working for Dixit the whole time and a fight ensues.
Kabir manages to escape from ACP Dixit, and goes back to the gang's truck where Khan has tied up Sheena. Kabir then viciously beats up Khan for his betrayal, but Khan is saved by the timely arrival of Dixit at the scene. The gang flees, except for Sheena; while Dixit and Khan give chase. All the other gang members except Kabir are killed by Dixit and Khan. Kabir tries to escape on his bike. He is then cornered by Dixit and Khan with nowhere to go. So Kabir decides to commit suicide rather than let Dixit arrest him, and rides his bike over the edge of a cliff and into the water. The movie ends with Dixit and Khan arguing with each other. | Dhoom | ba694086-2433-2c13-e3c9-e596d756af35 | Who is the honest police officer? | [
"Assistant Commissioner of Police Jai Dixit"
] | false |
/m/05_74z | The story starts in the city of Mumbai where a motorbike gang starts breaking into banks and other public places and vanishing on Western Express Highway.
Assistant Commissioner of Police Jai Dixit (Abhishek Bachchan) a no-nonsense cop, is called inside the case. Dixit seeks the help of a thief named Ali Khan (Uday Chopra), and devises a trap to catch the gang, but it fails. Kabir (John Abraham), the leader of the gang, eventually taunts Dixit by saying that he couldn't catch him even if he was right in front of him. He is proven correct and the failure of Dixit seemingly leads to the break-up of his partnership with Ali.
Kabir then lures Ali into his gang to take place of Rohit, the gang member who was killed by ACP Dixit. Ali falls in love with Sheena (Esha Deol), another gang member. The gang later goes to Goa to perform one last big heist before becoming disbanded forever. Kabir now sets his eyes on the biggest casino in all of India. Kabir and his gang swiftly loot the casino on New Year's Eve, but soon they realize that Dixit has led them right into a trap. Ali was working for Dixit the whole time and a fight ensues.
Kabir manages to escape from ACP Dixit, and goes back to the gang's truck where Khan has tied up Sheena. Kabir then viciously beats up Khan for his betrayal, but Khan is saved by the timely arrival of Dixit at the scene. The gang flees, except for Sheena; while Dixit and Khan give chase. All the other gang members except Kabir are killed by Dixit and Khan. Kabir tries to escape on his bike. He is then cornered by Dixit and Khan with nowhere to go. So Kabir decides to commit suicide rather than let Dixit arrest him, and rides his bike over the edge of a cliff and into the water. The movie ends with Dixit and Khan arguing with each other. | Dhoom | 198faa7f-2187-2dd5-4d99-42bc3cfe1038 | Who is the gang headed by? | [
"Kabir"
] | false |
/m/05_74z | The story starts in the city of Mumbai where a motorbike gang starts breaking into banks and other public places and vanishing on Western Express Highway.
Assistant Commissioner of Police Jai Dixit (Abhishek Bachchan) a no-nonsense cop, is called inside the case. Dixit seeks the help of a thief named Ali Khan (Uday Chopra), and devises a trap to catch the gang, but it fails. Kabir (John Abraham), the leader of the gang, eventually taunts Dixit by saying that he couldn't catch him even if he was right in front of him. He is proven correct and the failure of Dixit seemingly leads to the break-up of his partnership with Ali.
Kabir then lures Ali into his gang to take place of Rohit, the gang member who was killed by ACP Dixit. Ali falls in love with Sheena (Esha Deol), another gang member. The gang later goes to Goa to perform one last big heist before becoming disbanded forever. Kabir now sets his eyes on the biggest casino in all of India. Kabir and his gang swiftly loot the casino on New Year's Eve, but soon they realize that Dixit has led them right into a trap. Ali was working for Dixit the whole time and a fight ensues.
Kabir manages to escape from ACP Dixit, and goes back to the gang's truck where Khan has tied up Sheena. Kabir then viciously beats up Khan for his betrayal, but Khan is saved by the timely arrival of Dixit at the scene. The gang flees, except for Sheena; while Dixit and Khan give chase. All the other gang members except Kabir are killed by Dixit and Khan. Kabir tries to escape on his bike. He is then cornered by Dixit and Khan with nowhere to go. So Kabir decides to commit suicide rather than let Dixit arrest him, and rides his bike over the edge of a cliff and into the water. The movie ends with Dixit and Khan arguing with each other. | Dhoom | 8586c28a-76ad-0080-fd62-cf1f91f63de1 | Where the tale began? | [] | true |
/m/05_74z | The story starts in the city of Mumbai where a motorbike gang starts breaking into banks and other public places and vanishing on Western Express Highway.
Assistant Commissioner of Police Jai Dixit (Abhishek Bachchan) a no-nonsense cop, is called inside the case. Dixit seeks the help of a thief named Ali Khan (Uday Chopra), and devises a trap to catch the gang, but it fails. Kabir (John Abraham), the leader of the gang, eventually taunts Dixit by saying that he couldn't catch him even if he was right in front of him. He is proven correct and the failure of Dixit seemingly leads to the break-up of his partnership with Ali.
Kabir then lures Ali into his gang to take place of Rohit, the gang member who was killed by ACP Dixit. Ali falls in love with Sheena (Esha Deol), another gang member. The gang later goes to Goa to perform one last big heist before becoming disbanded forever. Kabir now sets his eyes on the biggest casino in all of India. Kabir and his gang swiftly loot the casino on New Year's Eve, but soon they realize that Dixit has led them right into a trap. Ali was working for Dixit the whole time and a fight ensues.
Kabir manages to escape from ACP Dixit, and goes back to the gang's truck where Khan has tied up Sheena. Kabir then viciously beats up Khan for his betrayal, but Khan is saved by the timely arrival of Dixit at the scene. The gang flees, except for Sheena; while Dixit and Khan give chase. All the other gang members except Kabir are killed by Dixit and Khan. Kabir tries to escape on his bike. He is then cornered by Dixit and Khan with nowhere to go. So Kabir decides to commit suicide rather than let Dixit arrest him, and rides his bike over the edge of a cliff and into the water. The movie ends with Dixit and Khan arguing with each other. | Dhoom | 72468e1a-4b7b-76a4-4cd9-8e114e1a4d7e | In what city does the movie begin? | [
"Mumbai"
] | false |
/m/05_74z | The story starts in the city of Mumbai where a motorbike gang starts breaking into banks and other public places and vanishing on Western Express Highway.
Assistant Commissioner of Police Jai Dixit (Abhishek Bachchan) a no-nonsense cop, is called inside the case. Dixit seeks the help of a thief named Ali Khan (Uday Chopra), and devises a trap to catch the gang, but it fails. Kabir (John Abraham), the leader of the gang, eventually taunts Dixit by saying that he couldn't catch him even if he was right in front of him. He is proven correct and the failure of Dixit seemingly leads to the break-up of his partnership with Ali.
Kabir then lures Ali into his gang to take place of Rohit, the gang member who was killed by ACP Dixit. Ali falls in love with Sheena (Esha Deol), another gang member. The gang later goes to Goa to perform one last big heist before becoming disbanded forever. Kabir now sets his eyes on the biggest casino in all of India. Kabir and his gang swiftly loot the casino on New Year's Eve, but soon they realize that Dixit has led them right into a trap. Ali was working for Dixit the whole time and a fight ensues.
Kabir manages to escape from ACP Dixit, and goes back to the gang's truck where Khan has tied up Sheena. Kabir then viciously beats up Khan for his betrayal, but Khan is saved by the timely arrival of Dixit at the scene. The gang flees, except for Sheena; while Dixit and Khan give chase. All the other gang members except Kabir are killed by Dixit and Khan. Kabir tries to escape on his bike. He is then cornered by Dixit and Khan with nowhere to go. So Kabir decides to commit suicide rather than let Dixit arrest him, and rides his bike over the edge of a cliff and into the water. The movie ends with Dixit and Khan arguing with each other. | Dhoom | bb2975b3-df0e-4524-16e3-f4ad08eedb39 | Who is an honest police officer? | [
"Dixit"
] | false |
/m/05_74z | The story starts in the city of Mumbai where a motorbike gang starts breaking into banks and other public places and vanishing on Western Express Highway.
Assistant Commissioner of Police Jai Dixit (Abhishek Bachchan) a no-nonsense cop, is called inside the case. Dixit seeks the help of a thief named Ali Khan (Uday Chopra), and devises a trap to catch the gang, but it fails. Kabir (John Abraham), the leader of the gang, eventually taunts Dixit by saying that he couldn't catch him even if he was right in front of him. He is proven correct and the failure of Dixit seemingly leads to the break-up of his partnership with Ali.
Kabir then lures Ali into his gang to take place of Rohit, the gang member who was killed by ACP Dixit. Ali falls in love with Sheena (Esha Deol), another gang member. The gang later goes to Goa to perform one last big heist before becoming disbanded forever. Kabir now sets his eyes on the biggest casino in all of India. Kabir and his gang swiftly loot the casino on New Year's Eve, but soon they realize that Dixit has led them right into a trap. Ali was working for Dixit the whole time and a fight ensues.
Kabir manages to escape from ACP Dixit, and goes back to the gang's truck where Khan has tied up Sheena. Kabir then viciously beats up Khan for his betrayal, but Khan is saved by the timely arrival of Dixit at the scene. The gang flees, except for Sheena; while Dixit and Khan give chase. All the other gang members except Kabir are killed by Dixit and Khan. Kabir tries to escape on his bike. He is then cornered by Dixit and Khan with nowhere to go. So Kabir decides to commit suicide rather than let Dixit arrest him, and rides his bike over the edge of a cliff and into the water. The movie ends with Dixit and Khan arguing with each other. | Dhoom | de4acae2-f2c7-0627-ea86-4d3f11400015 | What city does this take place in? | [
"In the city of Mumbai."
] | false |
/m/05_74z | The story starts in the city of Mumbai where a motorbike gang starts breaking into banks and other public places and vanishing on Western Express Highway.
Assistant Commissioner of Police Jai Dixit (Abhishek Bachchan) a no-nonsense cop, is called inside the case. Dixit seeks the help of a thief named Ali Khan (Uday Chopra), and devises a trap to catch the gang, but it fails. Kabir (John Abraham), the leader of the gang, eventually taunts Dixit by saying that he couldn't catch him even if he was right in front of him. He is proven correct and the failure of Dixit seemingly leads to the break-up of his partnership with Ali.
Kabir then lures Ali into his gang to take place of Rohit, the gang member who was killed by ACP Dixit. Ali falls in love with Sheena (Esha Deol), another gang member. The gang later goes to Goa to perform one last big heist before becoming disbanded forever. Kabir now sets his eyes on the biggest casino in all of India. Kabir and his gang swiftly loot the casino on New Year's Eve, but soon they realize that Dixit has led them right into a trap. Ali was working for Dixit the whole time and a fight ensues.
Kabir manages to escape from ACP Dixit, and goes back to the gang's truck where Khan has tied up Sheena. Kabir then viciously beats up Khan for his betrayal, but Khan is saved by the timely arrival of Dixit at the scene. The gang flees, except for Sheena; while Dixit and Khan give chase. All the other gang members except Kabir are killed by Dixit and Khan. Kabir tries to escape on his bike. He is then cornered by Dixit and Khan with nowhere to go. So Kabir decides to commit suicide rather than let Dixit arrest him, and rides his bike over the edge of a cliff and into the water. The movie ends with Dixit and Khan arguing with each other. | Dhoom | 0ea49099-57f5-a52d-20e9-1d782992ebb3 | What does Ali ride? | [] | true |
/m/05_74z | The story starts in the city of Mumbai where a motorbike gang starts breaking into banks and other public places and vanishing on Western Express Highway.
Assistant Commissioner of Police Jai Dixit (Abhishek Bachchan) a no-nonsense cop, is called inside the case. Dixit seeks the help of a thief named Ali Khan (Uday Chopra), and devises a trap to catch the gang, but it fails. Kabir (John Abraham), the leader of the gang, eventually taunts Dixit by saying that he couldn't catch him even if he was right in front of him. He is proven correct and the failure of Dixit seemingly leads to the break-up of his partnership with Ali.
Kabir then lures Ali into his gang to take place of Rohit, the gang member who was killed by ACP Dixit. Ali falls in love with Sheena (Esha Deol), another gang member. The gang later goes to Goa to perform one last big heist before becoming disbanded forever. Kabir now sets his eyes on the biggest casino in all of India. Kabir and his gang swiftly loot the casino on New Year's Eve, but soon they realize that Dixit has led them right into a trap. Ali was working for Dixit the whole time and a fight ensues.
Kabir manages to escape from ACP Dixit, and goes back to the gang's truck where Khan has tied up Sheena. Kabir then viciously beats up Khan for his betrayal, but Khan is saved by the timely arrival of Dixit at the scene. The gang flees, except for Sheena; while Dixit and Khan give chase. All the other gang members except Kabir are killed by Dixit and Khan. Kabir tries to escape on his bike. He is then cornered by Dixit and Khan with nowhere to go. So Kabir decides to commit suicide rather than let Dixit arrest him, and rides his bike over the edge of a cliff and into the water. The movie ends with Dixit and Khan arguing with each other. | Dhoom | a0245f2e-f3d8-08d8-3408-20a4d45c5b46 | Who is the garage mechanic? | [] | true |
/m/05_74z | The story starts in the city of Mumbai where a motorbike gang starts breaking into banks and other public places and vanishing on Western Express Highway.
Assistant Commissioner of Police Jai Dixit (Abhishek Bachchan) a no-nonsense cop, is called inside the case. Dixit seeks the help of a thief named Ali Khan (Uday Chopra), and devises a trap to catch the gang, but it fails. Kabir (John Abraham), the leader of the gang, eventually taunts Dixit by saying that he couldn't catch him even if he was right in front of him. He is proven correct and the failure of Dixit seemingly leads to the break-up of his partnership with Ali.
Kabir then lures Ali into his gang to take place of Rohit, the gang member who was killed by ACP Dixit. Ali falls in love with Sheena (Esha Deol), another gang member. The gang later goes to Goa to perform one last big heist before becoming disbanded forever. Kabir now sets his eyes on the biggest casino in all of India. Kabir and his gang swiftly loot the casino on New Year's Eve, but soon they realize that Dixit has led them right into a trap. Ali was working for Dixit the whole time and a fight ensues.
Kabir manages to escape from ACP Dixit, and goes back to the gang's truck where Khan has tied up Sheena. Kabir then viciously beats up Khan for his betrayal, but Khan is saved by the timely arrival of Dixit at the scene. The gang flees, except for Sheena; while Dixit and Khan give chase. All the other gang members except Kabir are killed by Dixit and Khan. Kabir tries to escape on his bike. He is then cornered by Dixit and Khan with nowhere to go. So Kabir decides to commit suicide rather than let Dixit arrest him, and rides his bike over the edge of a cliff and into the water. The movie ends with Dixit and Khan arguing with each other. | Dhoom | 7b979bef-c206-00a9-29ba-d523140e1bca | Who heads the gang? | [
"Kabir"
] | false |
/m/02ttcy | Peter Mitchell, an architect, Jack Holden, an actor, and Michael Kellam, a cartoonist, move into & remodel a Manhattan penthouse. After a large housewarming party, Jack leaves to film a movie in Turkey. Before he leaves the country, he calls his roommates and tells them that a friend of his needs a small package held at the penthouse for a few days until his associates come to pick it up.Peter returns home from jogging one morning and finds a small basket with an infant girl in it at their door. Attached is a note from a woman named Sylvia, who writes in the note that she's leaving the baby, named Mary, with Jack, the father. Peter and Michael take the baby in, assuming it's the "package" Jack's friend meant to leave. Frantic because they don't know how to care for an infant, Peter rushes to the store for supplies and Michael entertains little Mary, who won't stop crying. When their building manager, Mrs. Hathaway, arrives at their door with a small package left for the men at the desk, Michael accepts it and throws it carelessly onto the couch. Peter comes back with diapers and food and the two spend a significant amount of time changing Mary's diaper and washing her when she soils herself and their couch. Caring for Mary quickly consumes all their free time and cancels their social engagements, though they do an admirable job.A few days later two shady men arrive and ask for the "package." Michael and Peter assume they've come for the baby and hand Mary over to the men. Peter is suspicious and sits down on the couch, finding the small package Michael had thrown there. Peter realizes that it is the actual package the men were after and rushes downstairs to stop them before they drive off. In the main foyer of their building, Peter trips and the package bursts open, spilling its contents: small bags of heroin. He meets the two men on the street and tries to take Mary back, saying he made a mistake. When a mounted New York cop becomes involved, the men speed off and the cop stops Peter from retreating. The cop demands to see ID and goes upstairs with Peter. Peter gives Mary and the drug-filled parcel to Michael, ordering him to hide it. When the cop sees Peter's ID is legitimate, he leaves, however a sergeant from the narcotics squad, Melkowitz, shows up and questions them both. Meanwhile, Michael has successfully stashed the heroin in Mary's diaper and has buried it with the other dirty diapers in the bathroom.Peter appeals to his long-term girlfriend, Rebecca, to help him take care of Mary, but she refuses. One day Peter and Michael have Mrs. Hathaway babysit Mary and when they return home they find her tied up and the place ransacked. Mary is found crying, but unharmed in a closet. In the middle of the night Jack (whose part in the film in Turkey was suddenly cut) returns and is nearly beaten up by both Peter and Michael, who think he may have broken in. They tell him about Mary and the drugs that his friend laid on them. Jack remembers that he'd acted in Stratford, England, in a production of The Taming of the Shrew, and had slept with Sylvia, however he wasn't aware that she'd become pregnant. Michael and Peter, angry at having to give up their free time and social lives solely because of Jack's irresponsibility, give Mary to Jack to care for, refusing to help him. Jack appeals to his own mother, who tells him that his life as a womanizer has finally caught up with him, and she refuses to help him as well.Realizing they're caught between violent drug dealers and Moskowitz' narcotics squad staking them out, the guys figure out a way to escape the mess they're in: Jack will sneak out of the apartment dressed as a pregnant woman (with Mary hidden under his dress) and Peter and Michael will go to a designated place to hand off the drugs to the dealers. The police follow Michael and Peter but lose them when Jack picks them up in a taxi and heads off in the opposite direction. The meeting place is a construction zone for a skyscraper Peter had designed; Peter will hand off the drugs, Michael will film it on a video camera and Jack will trap the dealers in the elevator after they receive their package. Peter stalls a bit, getting the dealers to admit their culpability just as Michael, hiding in an aluminum vent cover, slips and falls. Michael and Peter make it to the elevator and begin to escape, however Jack throws the wrong switch, trapping them. The dealers descend in a second elevator but are trapped when Jack finds the right switch. Melkowitz and his squad arrive and arrest the dealers, taking the tape Michael had made for evidence.Free and clear, the roommates take care of Mary for a few more months, working out a schedule beneficial to them all. One day Mary's mother, Sylvia, arrives; she has worked out a way to take Mary back to England and care for her while living with her parents. The guys are very upset at the new development, having grown attached to the baby. Sylvia leaves for the airport and the guys chase after her, arriving too late to stop the plane as it leaves. They return to their penthouse and find Sylvia & Mary at the door, who says she couldn't leave. The three men agree to let Sylvia move in with them. | Three Men and a Baby | 6e0a1450-a435-4690-fe51-b5eb305d3cd8 | What is the name of the two Drug Dealers in the movie? | [
"The Taming of the Shrew"
] | false |
/m/02ttcy | Peter Mitchell, an architect, Jack Holden, an actor, and Michael Kellam, a cartoonist, move into & remodel a Manhattan penthouse. After a large housewarming party, Jack leaves to film a movie in Turkey. Before he leaves the country, he calls his roommates and tells them that a friend of his needs a small package held at the penthouse for a few days until his associates come to pick it up.Peter returns home from jogging one morning and finds a small basket with an infant girl in it at their door. Attached is a note from a woman named Sylvia, who writes in the note that she's leaving the baby, named Mary, with Jack, the father. Peter and Michael take the baby in, assuming it's the "package" Jack's friend meant to leave. Frantic because they don't know how to care for an infant, Peter rushes to the store for supplies and Michael entertains little Mary, who won't stop crying. When their building manager, Mrs. Hathaway, arrives at their door with a small package left for the men at the desk, Michael accepts it and throws it carelessly onto the couch. Peter comes back with diapers and food and the two spend a significant amount of time changing Mary's diaper and washing her when she soils herself and their couch. Caring for Mary quickly consumes all their free time and cancels their social engagements, though they do an admirable job.A few days later two shady men arrive and ask for the "package." Michael and Peter assume they've come for the baby and hand Mary over to the men. Peter is suspicious and sits down on the couch, finding the small package Michael had thrown there. Peter realizes that it is the actual package the men were after and rushes downstairs to stop them before they drive off. In the main foyer of their building, Peter trips and the package bursts open, spilling its contents: small bags of heroin. He meets the two men on the street and tries to take Mary back, saying he made a mistake. When a mounted New York cop becomes involved, the men speed off and the cop stops Peter from retreating. The cop demands to see ID and goes upstairs with Peter. Peter gives Mary and the drug-filled parcel to Michael, ordering him to hide it. When the cop sees Peter's ID is legitimate, he leaves, however a sergeant from the narcotics squad, Melkowitz, shows up and questions them both. Meanwhile, Michael has successfully stashed the heroin in Mary's diaper and has buried it with the other dirty diapers in the bathroom.Peter appeals to his long-term girlfriend, Rebecca, to help him take care of Mary, but she refuses. One day Peter and Michael have Mrs. Hathaway babysit Mary and when they return home they find her tied up and the place ransacked. Mary is found crying, but unharmed in a closet. In the middle of the night Jack (whose part in the film in Turkey was suddenly cut) returns and is nearly beaten up by both Peter and Michael, who think he may have broken in. They tell him about Mary and the drugs that his friend laid on them. Jack remembers that he'd acted in Stratford, England, in a production of The Taming of the Shrew, and had slept with Sylvia, however he wasn't aware that she'd become pregnant. Michael and Peter, angry at having to give up their free time and social lives solely because of Jack's irresponsibility, give Mary to Jack to care for, refusing to help him. Jack appeals to his own mother, who tells him that his life as a womanizer has finally caught up with him, and she refuses to help him as well.Realizing they're caught between violent drug dealers and Moskowitz' narcotics squad staking them out, the guys figure out a way to escape the mess they're in: Jack will sneak out of the apartment dressed as a pregnant woman (with Mary hidden under his dress) and Peter and Michael will go to a designated place to hand off the drugs to the dealers. The police follow Michael and Peter but lose them when Jack picks them up in a taxi and heads off in the opposite direction. The meeting place is a construction zone for a skyscraper Peter had designed; Peter will hand off the drugs, Michael will film it on a video camera and Jack will trap the dealers in the elevator after they receive their package. Peter stalls a bit, getting the dealers to admit their culpability just as Michael, hiding in an aluminum vent cover, slips and falls. Michael and Peter make it to the elevator and begin to escape, however Jack throws the wrong switch, trapping them. The dealers descend in a second elevator but are trapped when Jack finds the right switch. Melkowitz and his squad arrive and arrest the dealers, taking the tape Michael had made for evidence.Free and clear, the roommates take care of Mary for a few more months, working out a schedule beneficial to them all. One day Mary's mother, Sylvia, arrives; she has worked out a way to take Mary back to England and care for her while living with her parents. The guys are very upset at the new development, having grown attached to the baby. Sylvia leaves for the airport and the guys chase after her, arriving too late to stop the plane as it leaves. They return to their penthouse and find Sylvia & Mary at the door, who says she couldn't leave. The three men agree to let Sylvia move in with them. | Three Men and a Baby | d09aa361-d078-5c35-007f-7b3424efae51 | Who went to the store to buy baby supplies for Mary? | [
"Peter Kellam"
] | false |
/m/02ttcy | Peter Mitchell, an architect, Jack Holden, an actor, and Michael Kellam, a cartoonist, move into & remodel a Manhattan penthouse. After a large housewarming party, Jack leaves to film a movie in Turkey. Before he leaves the country, he calls his roommates and tells them that a friend of his needs a small package held at the penthouse for a few days until his associates come to pick it up.Peter returns home from jogging one morning and finds a small basket with an infant girl in it at their door. Attached is a note from a woman named Sylvia, who writes in the note that she's leaving the baby, named Mary, with Jack, the father. Peter and Michael take the baby in, assuming it's the "package" Jack's friend meant to leave. Frantic because they don't know how to care for an infant, Peter rushes to the store for supplies and Michael entertains little Mary, who won't stop crying. When their building manager, Mrs. Hathaway, arrives at their door with a small package left for the men at the desk, Michael accepts it and throws it carelessly onto the couch. Peter comes back with diapers and food and the two spend a significant amount of time changing Mary's diaper and washing her when she soils herself and their couch. Caring for Mary quickly consumes all their free time and cancels their social engagements, though they do an admirable job.A few days later two shady men arrive and ask for the "package." Michael and Peter assume they've come for the baby and hand Mary over to the men. Peter is suspicious and sits down on the couch, finding the small package Michael had thrown there. Peter realizes that it is the actual package the men were after and rushes downstairs to stop them before they drive off. In the main foyer of their building, Peter trips and the package bursts open, spilling its contents: small bags of heroin. He meets the two men on the street and tries to take Mary back, saying he made a mistake. When a mounted New York cop becomes involved, the men speed off and the cop stops Peter from retreating. The cop demands to see ID and goes upstairs with Peter. Peter gives Mary and the drug-filled parcel to Michael, ordering him to hide it. When the cop sees Peter's ID is legitimate, he leaves, however a sergeant from the narcotics squad, Melkowitz, shows up and questions them both. Meanwhile, Michael has successfully stashed the heroin in Mary's diaper and has buried it with the other dirty diapers in the bathroom.Peter appeals to his long-term girlfriend, Rebecca, to help him take care of Mary, but she refuses. One day Peter and Michael have Mrs. Hathaway babysit Mary and when they return home they find her tied up and the place ransacked. Mary is found crying, but unharmed in a closet. In the middle of the night Jack (whose part in the film in Turkey was suddenly cut) returns and is nearly beaten up by both Peter and Michael, who think he may have broken in. They tell him about Mary and the drugs that his friend laid on them. Jack remembers that he'd acted in Stratford, England, in a production of The Taming of the Shrew, and had slept with Sylvia, however he wasn't aware that she'd become pregnant. Michael and Peter, angry at having to give up their free time and social lives solely because of Jack's irresponsibility, give Mary to Jack to care for, refusing to help him. Jack appeals to his own mother, who tells him that his life as a womanizer has finally caught up with him, and she refuses to help him as well.Realizing they're caught between violent drug dealers and Moskowitz' narcotics squad staking them out, the guys figure out a way to escape the mess they're in: Jack will sneak out of the apartment dressed as a pregnant woman (with Mary hidden under his dress) and Peter and Michael will go to a designated place to hand off the drugs to the dealers. The police follow Michael and Peter but lose them when Jack picks them up in a taxi and heads off in the opposite direction. The meeting place is a construction zone for a skyscraper Peter had designed; Peter will hand off the drugs, Michael will film it on a video camera and Jack will trap the dealers in the elevator after they receive their package. Peter stalls a bit, getting the dealers to admit their culpability just as Michael, hiding in an aluminum vent cover, slips and falls. Michael and Peter make it to the elevator and begin to escape, however Jack throws the wrong switch, trapping them. The dealers descend in a second elevator but are trapped when Jack finds the right switch. Melkowitz and his squad arrive and arrest the dealers, taking the tape Michael had made for evidence.Free and clear, the roommates take care of Mary for a few more months, working out a schedule beneficial to them all. One day Mary's mother, Sylvia, arrives; she has worked out a way to take Mary back to England and care for her while living with her parents. The guys are very upset at the new development, having grown attached to the baby. Sylvia leaves for the airport and the guys chase after her, arriving too late to stop the plane as it leaves. They return to their penthouse and find Sylvia & Mary at the door, who says she couldn't leave. The three men agree to let Sylvia move in with them. | Three Men and a Baby | ea3d2966-f3cc-4afa-255d-046b80971eca | What is name of lady they mistakenly give the package in the movie? | [
"Sylvia"
] | false |
/m/02ttcy | Peter Mitchell, an architect, Jack Holden, an actor, and Michael Kellam, a cartoonist, move into & remodel a Manhattan penthouse. After a large housewarming party, Jack leaves to film a movie in Turkey. Before he leaves the country, he calls his roommates and tells them that a friend of his needs a small package held at the penthouse for a few days until his associates come to pick it up.Peter returns home from jogging one morning and finds a small basket with an infant girl in it at their door. Attached is a note from a woman named Sylvia, who writes in the note that she's leaving the baby, named Mary, with Jack, the father. Peter and Michael take the baby in, assuming it's the "package" Jack's friend meant to leave. Frantic because they don't know how to care for an infant, Peter rushes to the store for supplies and Michael entertains little Mary, who won't stop crying. When their building manager, Mrs. Hathaway, arrives at their door with a small package left for the men at the desk, Michael accepts it and throws it carelessly onto the couch. Peter comes back with diapers and food and the two spend a significant amount of time changing Mary's diaper and washing her when she soils herself and their couch. Caring for Mary quickly consumes all their free time and cancels their social engagements, though they do an admirable job.A few days later two shady men arrive and ask for the "package." Michael and Peter assume they've come for the baby and hand Mary over to the men. Peter is suspicious and sits down on the couch, finding the small package Michael had thrown there. Peter realizes that it is the actual package the men were after and rushes downstairs to stop them before they drive off. In the main foyer of their building, Peter trips and the package bursts open, spilling its contents: small bags of heroin. He meets the two men on the street and tries to take Mary back, saying he made a mistake. When a mounted New York cop becomes involved, the men speed off and the cop stops Peter from retreating. The cop demands to see ID and goes upstairs with Peter. Peter gives Mary and the drug-filled parcel to Michael, ordering him to hide it. When the cop sees Peter's ID is legitimate, he leaves, however a sergeant from the narcotics squad, Melkowitz, shows up and questions them both. Meanwhile, Michael has successfully stashed the heroin in Mary's diaper and has buried it with the other dirty diapers in the bathroom.Peter appeals to his long-term girlfriend, Rebecca, to help him take care of Mary, but she refuses. One day Peter and Michael have Mrs. Hathaway babysit Mary and when they return home they find her tied up and the place ransacked. Mary is found crying, but unharmed in a closet. In the middle of the night Jack (whose part in the film in Turkey was suddenly cut) returns and is nearly beaten up by both Peter and Michael, who think he may have broken in. They tell him about Mary and the drugs that his friend laid on them. Jack remembers that he'd acted in Stratford, England, in a production of The Taming of the Shrew, and had slept with Sylvia, however he wasn't aware that she'd become pregnant. Michael and Peter, angry at having to give up their free time and social lives solely because of Jack's irresponsibility, give Mary to Jack to care for, refusing to help him. Jack appeals to his own mother, who tells him that his life as a womanizer has finally caught up with him, and she refuses to help him as well.Realizing they're caught between violent drug dealers and Moskowitz' narcotics squad staking them out, the guys figure out a way to escape the mess they're in: Jack will sneak out of the apartment dressed as a pregnant woman (with Mary hidden under his dress) and Peter and Michael will go to a designated place to hand off the drugs to the dealers. The police follow Michael and Peter but lose them when Jack picks them up in a taxi and heads off in the opposite direction. The meeting place is a construction zone for a skyscraper Peter had designed; Peter will hand off the drugs, Michael will film it on a video camera and Jack will trap the dealers in the elevator after they receive their package. Peter stalls a bit, getting the dealers to admit their culpability just as Michael, hiding in an aluminum vent cover, slips and falls. Michael and Peter make it to the elevator and begin to escape, however Jack throws the wrong switch, trapping them. The dealers descend in a second elevator but are trapped when Jack finds the right switch. Melkowitz and his squad arrive and arrest the dealers, taking the tape Michael had made for evidence.Free and clear, the roommates take care of Mary for a few more months, working out a schedule beneficial to them all. One day Mary's mother, Sylvia, arrives; she has worked out a way to take Mary back to England and care for her while living with her parents. The guys are very upset at the new development, having grown attached to the baby. Sylvia leaves for the airport and the guys chase after her, arriving too late to stop the plane as it leaves. They return to their penthouse and find Sylvia & Mary at the door, who says she couldn't leave. The three men agree to let Sylvia move in with them. | Three Men and a Baby | 2ce403d0-8418-4839-f3af-caa155800c9e | Who arrive at the apartment to pick up the package? | [
"Two shady men"
] | false |
/m/02ttcy | Peter Mitchell, an architect, Jack Holden, an actor, and Michael Kellam, a cartoonist, move into & remodel a Manhattan penthouse. After a large housewarming party, Jack leaves to film a movie in Turkey. Before he leaves the country, he calls his roommates and tells them that a friend of his needs a small package held at the penthouse for a few days until his associates come to pick it up.Peter returns home from jogging one morning and finds a small basket with an infant girl in it at their door. Attached is a note from a woman named Sylvia, who writes in the note that she's leaving the baby, named Mary, with Jack, the father. Peter and Michael take the baby in, assuming it's the "package" Jack's friend meant to leave. Frantic because they don't know how to care for an infant, Peter rushes to the store for supplies and Michael entertains little Mary, who won't stop crying. When their building manager, Mrs. Hathaway, arrives at their door with a small package left for the men at the desk, Michael accepts it and throws it carelessly onto the couch. Peter comes back with diapers and food and the two spend a significant amount of time changing Mary's diaper and washing her when she soils herself and their couch. Caring for Mary quickly consumes all their free time and cancels their social engagements, though they do an admirable job.A few days later two shady men arrive and ask for the "package." Michael and Peter assume they've come for the baby and hand Mary over to the men. Peter is suspicious and sits down on the couch, finding the small package Michael had thrown there. Peter realizes that it is the actual package the men were after and rushes downstairs to stop them before they drive off. In the main foyer of their building, Peter trips and the package bursts open, spilling its contents: small bags of heroin. He meets the two men on the street and tries to take Mary back, saying he made a mistake. When a mounted New York cop becomes involved, the men speed off and the cop stops Peter from retreating. The cop demands to see ID and goes upstairs with Peter. Peter gives Mary and the drug-filled parcel to Michael, ordering him to hide it. When the cop sees Peter's ID is legitimate, he leaves, however a sergeant from the narcotics squad, Melkowitz, shows up and questions them both. Meanwhile, Michael has successfully stashed the heroin in Mary's diaper and has buried it with the other dirty diapers in the bathroom.Peter appeals to his long-term girlfriend, Rebecca, to help him take care of Mary, but she refuses. One day Peter and Michael have Mrs. Hathaway babysit Mary and when they return home they find her tied up and the place ransacked. Mary is found crying, but unharmed in a closet. In the middle of the night Jack (whose part in the film in Turkey was suddenly cut) returns and is nearly beaten up by both Peter and Michael, who think he may have broken in. They tell him about Mary and the drugs that his friend laid on them. Jack remembers that he'd acted in Stratford, England, in a production of The Taming of the Shrew, and had slept with Sylvia, however he wasn't aware that she'd become pregnant. Michael and Peter, angry at having to give up their free time and social lives solely because of Jack's irresponsibility, give Mary to Jack to care for, refusing to help him. Jack appeals to his own mother, who tells him that his life as a womanizer has finally caught up with him, and she refuses to help him as well.Realizing they're caught between violent drug dealers and Moskowitz' narcotics squad staking them out, the guys figure out a way to escape the mess they're in: Jack will sneak out of the apartment dressed as a pregnant woman (with Mary hidden under his dress) and Peter and Michael will go to a designated place to hand off the drugs to the dealers. The police follow Michael and Peter but lose them when Jack picks them up in a taxi and heads off in the opposite direction. The meeting place is a construction zone for a skyscraper Peter had designed; Peter will hand off the drugs, Michael will film it on a video camera and Jack will trap the dealers in the elevator after they receive their package. Peter stalls a bit, getting the dealers to admit their culpability just as Michael, hiding in an aluminum vent cover, slips and falls. Michael and Peter make it to the elevator and begin to escape, however Jack throws the wrong switch, trapping them. The dealers descend in a second elevator but are trapped when Jack finds the right switch. Melkowitz and his squad arrive and arrest the dealers, taking the tape Michael had made for evidence.Free and clear, the roommates take care of Mary for a few more months, working out a schedule beneficial to them all. One day Mary's mother, Sylvia, arrives; she has worked out a way to take Mary back to England and care for her while living with her parents. The guys are very upset at the new development, having grown attached to the baby. Sylvia leaves for the airport and the guys chase after her, arriving too late to stop the plane as it leaves. They return to their penthouse and find Sylvia & Mary at the door, who says she couldn't leave. The three men agree to let Sylvia move in with them. | Three Men and a Baby | b55e5b14-4022-1d5a-179b-232fe0e42a7f | Where is Jack when Mary is left at the doorstep? | [
"In Turkey"
] | false |
/m/02ttcy | Peter Mitchell, an architect, Jack Holden, an actor, and Michael Kellam, a cartoonist, move into & remodel a Manhattan penthouse. After a large housewarming party, Jack leaves to film a movie in Turkey. Before he leaves the country, he calls his roommates and tells them that a friend of his needs a small package held at the penthouse for a few days until his associates come to pick it up.Peter returns home from jogging one morning and finds a small basket with an infant girl in it at their door. Attached is a note from a woman named Sylvia, who writes in the note that she's leaving the baby, named Mary, with Jack, the father. Peter and Michael take the baby in, assuming it's the "package" Jack's friend meant to leave. Frantic because they don't know how to care for an infant, Peter rushes to the store for supplies and Michael entertains little Mary, who won't stop crying. When their building manager, Mrs. Hathaway, arrives at their door with a small package left for the men at the desk, Michael accepts it and throws it carelessly onto the couch. Peter comes back with diapers and food and the two spend a significant amount of time changing Mary's diaper and washing her when she soils herself and their couch. Caring for Mary quickly consumes all their free time and cancels their social engagements, though they do an admirable job.A few days later two shady men arrive and ask for the "package." Michael and Peter assume they've come for the baby and hand Mary over to the men. Peter is suspicious and sits down on the couch, finding the small package Michael had thrown there. Peter realizes that it is the actual package the men were after and rushes downstairs to stop them before they drive off. In the main foyer of their building, Peter trips and the package bursts open, spilling its contents: small bags of heroin. He meets the two men on the street and tries to take Mary back, saying he made a mistake. When a mounted New York cop becomes involved, the men speed off and the cop stops Peter from retreating. The cop demands to see ID and goes upstairs with Peter. Peter gives Mary and the drug-filled parcel to Michael, ordering him to hide it. When the cop sees Peter's ID is legitimate, he leaves, however a sergeant from the narcotics squad, Melkowitz, shows up and questions them both. Meanwhile, Michael has successfully stashed the heroin in Mary's diaper and has buried it with the other dirty diapers in the bathroom.Peter appeals to his long-term girlfriend, Rebecca, to help him take care of Mary, but she refuses. One day Peter and Michael have Mrs. Hathaway babysit Mary and when they return home they find her tied up and the place ransacked. Mary is found crying, but unharmed in a closet. In the middle of the night Jack (whose part in the film in Turkey was suddenly cut) returns and is nearly beaten up by both Peter and Michael, who think he may have broken in. They tell him about Mary and the drugs that his friend laid on them. Jack remembers that he'd acted in Stratford, England, in a production of The Taming of the Shrew, and had slept with Sylvia, however he wasn't aware that she'd become pregnant. Michael and Peter, angry at having to give up their free time and social lives solely because of Jack's irresponsibility, give Mary to Jack to care for, refusing to help him. Jack appeals to his own mother, who tells him that his life as a womanizer has finally caught up with him, and she refuses to help him as well.Realizing they're caught between violent drug dealers and Moskowitz' narcotics squad staking them out, the guys figure out a way to escape the mess they're in: Jack will sneak out of the apartment dressed as a pregnant woman (with Mary hidden under his dress) and Peter and Michael will go to a designated place to hand off the drugs to the dealers. The police follow Michael and Peter but lose them when Jack picks them up in a taxi and heads off in the opposite direction. The meeting place is a construction zone for a skyscraper Peter had designed; Peter will hand off the drugs, Michael will film it on a video camera and Jack will trap the dealers in the elevator after they receive their package. Peter stalls a bit, getting the dealers to admit their culpability just as Michael, hiding in an aluminum vent cover, slips and falls. Michael and Peter make it to the elevator and begin to escape, however Jack throws the wrong switch, trapping them. The dealers descend in a second elevator but are trapped when Jack finds the right switch. Melkowitz and his squad arrive and arrest the dealers, taking the tape Michael had made for evidence.Free and clear, the roommates take care of Mary for a few more months, working out a schedule beneficial to them all. One day Mary's mother, Sylvia, arrives; she has worked out a way to take Mary back to England and care for her while living with her parents. The guys are very upset at the new development, having grown attached to the baby. Sylvia leaves for the airport and the guys chase after her, arriving too late to stop the plane as it leaves. They return to their penthouse and find Sylvia & Mary at the door, who says she couldn't leave. The three men agree to let Sylvia move in with them. | Three Men and a Baby | f396b48b-0a2b-e908-e348-582a79ba11b7 | What does Sylvia not want to give up? | [
"Her daughter Mary"
] | false |
/m/02ttcy | Peter Mitchell, an architect, Jack Holden, an actor, and Michael Kellam, a cartoonist, move into & remodel a Manhattan penthouse. After a large housewarming party, Jack leaves to film a movie in Turkey. Before he leaves the country, he calls his roommates and tells them that a friend of his needs a small package held at the penthouse for a few days until his associates come to pick it up.Peter returns home from jogging one morning and finds a small basket with an infant girl in it at their door. Attached is a note from a woman named Sylvia, who writes in the note that she's leaving the baby, named Mary, with Jack, the father. Peter and Michael take the baby in, assuming it's the "package" Jack's friend meant to leave. Frantic because they don't know how to care for an infant, Peter rushes to the store for supplies and Michael entertains little Mary, who won't stop crying. When their building manager, Mrs. Hathaway, arrives at their door with a small package left for the men at the desk, Michael accepts it and throws it carelessly onto the couch. Peter comes back with diapers and food and the two spend a significant amount of time changing Mary's diaper and washing her when she soils herself and their couch. Caring for Mary quickly consumes all their free time and cancels their social engagements, though they do an admirable job.A few days later two shady men arrive and ask for the "package." Michael and Peter assume they've come for the baby and hand Mary over to the men. Peter is suspicious and sits down on the couch, finding the small package Michael had thrown there. Peter realizes that it is the actual package the men were after and rushes downstairs to stop them before they drive off. In the main foyer of their building, Peter trips and the package bursts open, spilling its contents: small bags of heroin. He meets the two men on the street and tries to take Mary back, saying he made a mistake. When a mounted New York cop becomes involved, the men speed off and the cop stops Peter from retreating. The cop demands to see ID and goes upstairs with Peter. Peter gives Mary and the drug-filled parcel to Michael, ordering him to hide it. When the cop sees Peter's ID is legitimate, he leaves, however a sergeant from the narcotics squad, Melkowitz, shows up and questions them both. Meanwhile, Michael has successfully stashed the heroin in Mary's diaper and has buried it with the other dirty diapers in the bathroom.Peter appeals to his long-term girlfriend, Rebecca, to help him take care of Mary, but she refuses. One day Peter and Michael have Mrs. Hathaway babysit Mary and when they return home they find her tied up and the place ransacked. Mary is found crying, but unharmed in a closet. In the middle of the night Jack (whose part in the film in Turkey was suddenly cut) returns and is nearly beaten up by both Peter and Michael, who think he may have broken in. They tell him about Mary and the drugs that his friend laid on them. Jack remembers that he'd acted in Stratford, England, in a production of The Taming of the Shrew, and had slept with Sylvia, however he wasn't aware that she'd become pregnant. Michael and Peter, angry at having to give up their free time and social lives solely because of Jack's irresponsibility, give Mary to Jack to care for, refusing to help him. Jack appeals to his own mother, who tells him that his life as a womanizer has finally caught up with him, and she refuses to help him as well.Realizing they're caught between violent drug dealers and Moskowitz' narcotics squad staking them out, the guys figure out a way to escape the mess they're in: Jack will sneak out of the apartment dressed as a pregnant woman (with Mary hidden under his dress) and Peter and Michael will go to a designated place to hand off the drugs to the dealers. The police follow Michael and Peter but lose them when Jack picks them up in a taxi and heads off in the opposite direction. The meeting place is a construction zone for a skyscraper Peter had designed; Peter will hand off the drugs, Michael will film it on a video camera and Jack will trap the dealers in the elevator after they receive their package. Peter stalls a bit, getting the dealers to admit their culpability just as Michael, hiding in an aluminum vent cover, slips and falls. Michael and Peter make it to the elevator and begin to escape, however Jack throws the wrong switch, trapping them. The dealers descend in a second elevator but are trapped when Jack finds the right switch. Melkowitz and his squad arrive and arrest the dealers, taking the tape Michael had made for evidence.Free and clear, the roommates take care of Mary for a few more months, working out a schedule beneficial to them all. One day Mary's mother, Sylvia, arrives; she has worked out a way to take Mary back to England and care for her while living with her parents. The guys are very upset at the new development, having grown attached to the baby. Sylvia leaves for the airport and the guys chase after her, arriving too late to stop the plane as it leaves. They return to their penthouse and find Sylvia & Mary at the door, who says she couldn't leave. The three men agree to let Sylvia move in with them. | Three Men and a Baby | 0b573edc-f8f8-23cb-e520-9ae51ea4bc1c | Whom did Peter and Michael pass all responsibility of looking Mary to? | [
"Two shady men"
] | false |
/m/02ttcy | Peter Mitchell, an architect, Jack Holden, an actor, and Michael Kellam, a cartoonist, move into & remodel a Manhattan penthouse. After a large housewarming party, Jack leaves to film a movie in Turkey. Before he leaves the country, he calls his roommates and tells them that a friend of his needs a small package held at the penthouse for a few days until his associates come to pick it up.Peter returns home from jogging one morning and finds a small basket with an infant girl in it at their door. Attached is a note from a woman named Sylvia, who writes in the note that she's leaving the baby, named Mary, with Jack, the father. Peter and Michael take the baby in, assuming it's the "package" Jack's friend meant to leave. Frantic because they don't know how to care for an infant, Peter rushes to the store for supplies and Michael entertains little Mary, who won't stop crying. When their building manager, Mrs. Hathaway, arrives at their door with a small package left for the men at the desk, Michael accepts it and throws it carelessly onto the couch. Peter comes back with diapers and food and the two spend a significant amount of time changing Mary's diaper and washing her when she soils herself and their couch. Caring for Mary quickly consumes all their free time and cancels their social engagements, though they do an admirable job.A few days later two shady men arrive and ask for the "package." Michael and Peter assume they've come for the baby and hand Mary over to the men. Peter is suspicious and sits down on the couch, finding the small package Michael had thrown there. Peter realizes that it is the actual package the men were after and rushes downstairs to stop them before they drive off. In the main foyer of their building, Peter trips and the package bursts open, spilling its contents: small bags of heroin. He meets the two men on the street and tries to take Mary back, saying he made a mistake. When a mounted New York cop becomes involved, the men speed off and the cop stops Peter from retreating. The cop demands to see ID and goes upstairs with Peter. Peter gives Mary and the drug-filled parcel to Michael, ordering him to hide it. When the cop sees Peter's ID is legitimate, he leaves, however a sergeant from the narcotics squad, Melkowitz, shows up and questions them both. Meanwhile, Michael has successfully stashed the heroin in Mary's diaper and has buried it with the other dirty diapers in the bathroom.Peter appeals to his long-term girlfriend, Rebecca, to help him take care of Mary, but she refuses. One day Peter and Michael have Mrs. Hathaway babysit Mary and when they return home they find her tied up and the place ransacked. Mary is found crying, but unharmed in a closet. In the middle of the night Jack (whose part in the film in Turkey was suddenly cut) returns and is nearly beaten up by both Peter and Michael, who think he may have broken in. They tell him about Mary and the drugs that his friend laid on them. Jack remembers that he'd acted in Stratford, England, in a production of The Taming of the Shrew, and had slept with Sylvia, however he wasn't aware that she'd become pregnant. Michael and Peter, angry at having to give up their free time and social lives solely because of Jack's irresponsibility, give Mary to Jack to care for, refusing to help him. Jack appeals to his own mother, who tells him that his life as a womanizer has finally caught up with him, and she refuses to help him as well.Realizing they're caught between violent drug dealers and Moskowitz' narcotics squad staking them out, the guys figure out a way to escape the mess they're in: Jack will sneak out of the apartment dressed as a pregnant woman (with Mary hidden under his dress) and Peter and Michael will go to a designated place to hand off the drugs to the dealers. The police follow Michael and Peter but lose them when Jack picks them up in a taxi and heads off in the opposite direction. The meeting place is a construction zone for a skyscraper Peter had designed; Peter will hand off the drugs, Michael will film it on a video camera and Jack will trap the dealers in the elevator after they receive their package. Peter stalls a bit, getting the dealers to admit their culpability just as Michael, hiding in an aluminum vent cover, slips and falls. Michael and Peter make it to the elevator and begin to escape, however Jack throws the wrong switch, trapping them. The dealers descend in a second elevator but are trapped when Jack finds the right switch. Melkowitz and his squad arrive and arrest the dealers, taking the tape Michael had made for evidence.Free and clear, the roommates take care of Mary for a few more months, working out a schedule beneficial to them all. One day Mary's mother, Sylvia, arrives; she has worked out a way to take Mary back to England and care for her while living with her parents. The guys are very upset at the new development, having grown attached to the baby. Sylvia leaves for the airport and the guys chase after her, arriving too late to stop the plane as it leaves. They return to their penthouse and find Sylvia & Mary at the door, who says she couldn't leave. The three men agree to let Sylvia move in with them. | Three Men and a Baby | d9756536-99cd-b733-f0aa-04955b64060b | Who discovers in the mail a news clipping? | [] | true |
/m/02ttcy | Peter Mitchell, an architect, Jack Holden, an actor, and Michael Kellam, a cartoonist, move into & remodel a Manhattan penthouse. After a large housewarming party, Jack leaves to film a movie in Turkey. Before he leaves the country, he calls his roommates and tells them that a friend of his needs a small package held at the penthouse for a few days until his associates come to pick it up.Peter returns home from jogging one morning and finds a small basket with an infant girl in it at their door. Attached is a note from a woman named Sylvia, who writes in the note that she's leaving the baby, named Mary, with Jack, the father. Peter and Michael take the baby in, assuming it's the "package" Jack's friend meant to leave. Frantic because they don't know how to care for an infant, Peter rushes to the store for supplies and Michael entertains little Mary, who won't stop crying. When their building manager, Mrs. Hathaway, arrives at their door with a small package left for the men at the desk, Michael accepts it and throws it carelessly onto the couch. Peter comes back with diapers and food and the two spend a significant amount of time changing Mary's diaper and washing her when she soils herself and their couch. Caring for Mary quickly consumes all their free time and cancels their social engagements, though they do an admirable job.A few days later two shady men arrive and ask for the "package." Michael and Peter assume they've come for the baby and hand Mary over to the men. Peter is suspicious and sits down on the couch, finding the small package Michael had thrown there. Peter realizes that it is the actual package the men were after and rushes downstairs to stop them before they drive off. In the main foyer of their building, Peter trips and the package bursts open, spilling its contents: small bags of heroin. He meets the two men on the street and tries to take Mary back, saying he made a mistake. When a mounted New York cop becomes involved, the men speed off and the cop stops Peter from retreating. The cop demands to see ID and goes upstairs with Peter. Peter gives Mary and the drug-filled parcel to Michael, ordering him to hide it. When the cop sees Peter's ID is legitimate, he leaves, however a sergeant from the narcotics squad, Melkowitz, shows up and questions them both. Meanwhile, Michael has successfully stashed the heroin in Mary's diaper and has buried it with the other dirty diapers in the bathroom.Peter appeals to his long-term girlfriend, Rebecca, to help him take care of Mary, but she refuses. One day Peter and Michael have Mrs. Hathaway babysit Mary and when they return home they find her tied up and the place ransacked. Mary is found crying, but unharmed in a closet. In the middle of the night Jack (whose part in the film in Turkey was suddenly cut) returns and is nearly beaten up by both Peter and Michael, who think he may have broken in. They tell him about Mary and the drugs that his friend laid on them. Jack remembers that he'd acted in Stratford, England, in a production of The Taming of the Shrew, and had slept with Sylvia, however he wasn't aware that she'd become pregnant. Michael and Peter, angry at having to give up their free time and social lives solely because of Jack's irresponsibility, give Mary to Jack to care for, refusing to help him. Jack appeals to his own mother, who tells him that his life as a womanizer has finally caught up with him, and she refuses to help him as well.Realizing they're caught between violent drug dealers and Moskowitz' narcotics squad staking them out, the guys figure out a way to escape the mess they're in: Jack will sneak out of the apartment dressed as a pregnant woman (with Mary hidden under his dress) and Peter and Michael will go to a designated place to hand off the drugs to the dealers. The police follow Michael and Peter but lose them when Jack picks them up in a taxi and heads off in the opposite direction. The meeting place is a construction zone for a skyscraper Peter had designed; Peter will hand off the drugs, Michael will film it on a video camera and Jack will trap the dealers in the elevator after they receive their package. Peter stalls a bit, getting the dealers to admit their culpability just as Michael, hiding in an aluminum vent cover, slips and falls. Michael and Peter make it to the elevator and begin to escape, however Jack throws the wrong switch, trapping them. The dealers descend in a second elevator but are trapped when Jack finds the right switch. Melkowitz and his squad arrive and arrest the dealers, taking the tape Michael had made for evidence.Free and clear, the roommates take care of Mary for a few more months, working out a schedule beneficial to them all. One day Mary's mother, Sylvia, arrives; she has worked out a way to take Mary back to England and care for her while living with her parents. The guys are very upset at the new development, having grown attached to the baby. Sylvia leaves for the airport and the guys chase after her, arriving too late to stop the plane as it leaves. They return to their penthouse and find Sylvia & Mary at the door, who says she couldn't leave. The three men agree to let Sylvia move in with them. | Three Men and a Baby | d51f2e7c-3a76-9973-94a5-f74a6b78d929 | What did Peter and Michael question Jack about? | [] | true |
/m/02ttcy | Peter Mitchell, an architect, Jack Holden, an actor, and Michael Kellam, a cartoonist, move into & remodel a Manhattan penthouse. After a large housewarming party, Jack leaves to film a movie in Turkey. Before he leaves the country, he calls his roommates and tells them that a friend of his needs a small package held at the penthouse for a few days until his associates come to pick it up.Peter returns home from jogging one morning and finds a small basket with an infant girl in it at their door. Attached is a note from a woman named Sylvia, who writes in the note that she's leaving the baby, named Mary, with Jack, the father. Peter and Michael take the baby in, assuming it's the "package" Jack's friend meant to leave. Frantic because they don't know how to care for an infant, Peter rushes to the store for supplies and Michael entertains little Mary, who won't stop crying. When their building manager, Mrs. Hathaway, arrives at their door with a small package left for the men at the desk, Michael accepts it and throws it carelessly onto the couch. Peter comes back with diapers and food and the two spend a significant amount of time changing Mary's diaper and washing her when she soils herself and their couch. Caring for Mary quickly consumes all their free time and cancels their social engagements, though they do an admirable job.A few days later two shady men arrive and ask for the "package." Michael and Peter assume they've come for the baby and hand Mary over to the men. Peter is suspicious and sits down on the couch, finding the small package Michael had thrown there. Peter realizes that it is the actual package the men were after and rushes downstairs to stop them before they drive off. In the main foyer of their building, Peter trips and the package bursts open, spilling its contents: small bags of heroin. He meets the two men on the street and tries to take Mary back, saying he made a mistake. When a mounted New York cop becomes involved, the men speed off and the cop stops Peter from retreating. The cop demands to see ID and goes upstairs with Peter. Peter gives Mary and the drug-filled parcel to Michael, ordering him to hide it. When the cop sees Peter's ID is legitimate, he leaves, however a sergeant from the narcotics squad, Melkowitz, shows up and questions them both. Meanwhile, Michael has successfully stashed the heroin in Mary's diaper and has buried it with the other dirty diapers in the bathroom.Peter appeals to his long-term girlfriend, Rebecca, to help him take care of Mary, but she refuses. One day Peter and Michael have Mrs. Hathaway babysit Mary and when they return home they find her tied up and the place ransacked. Mary is found crying, but unharmed in a closet. In the middle of the night Jack (whose part in the film in Turkey was suddenly cut) returns and is nearly beaten up by both Peter and Michael, who think he may have broken in. They tell him about Mary and the drugs that his friend laid on them. Jack remembers that he'd acted in Stratford, England, in a production of The Taming of the Shrew, and had slept with Sylvia, however he wasn't aware that she'd become pregnant. Michael and Peter, angry at having to give up their free time and social lives solely because of Jack's irresponsibility, give Mary to Jack to care for, refusing to help him. Jack appeals to his own mother, who tells him that his life as a womanizer has finally caught up with him, and she refuses to help him as well.Realizing they're caught between violent drug dealers and Moskowitz' narcotics squad staking them out, the guys figure out a way to escape the mess they're in: Jack will sneak out of the apartment dressed as a pregnant woman (with Mary hidden under his dress) and Peter and Michael will go to a designated place to hand off the drugs to the dealers. The police follow Michael and Peter but lose them when Jack picks them up in a taxi and heads off in the opposite direction. The meeting place is a construction zone for a skyscraper Peter had designed; Peter will hand off the drugs, Michael will film it on a video camera and Jack will trap the dealers in the elevator after they receive their package. Peter stalls a bit, getting the dealers to admit their culpability just as Michael, hiding in an aluminum vent cover, slips and falls. Michael and Peter make it to the elevator and begin to escape, however Jack throws the wrong switch, trapping them. The dealers descend in a second elevator but are trapped when Jack finds the right switch. Melkowitz and his squad arrive and arrest the dealers, taking the tape Michael had made for evidence.Free and clear, the roommates take care of Mary for a few more months, working out a schedule beneficial to them all. One day Mary's mother, Sylvia, arrives; she has worked out a way to take Mary back to England and care for her while living with her parents. The guys are very upset at the new development, having grown attached to the baby. Sylvia leaves for the airport and the guys chase after her, arriving too late to stop the plane as it leaves. They return to their penthouse and find Sylvia & Mary at the door, who says she couldn't leave. The three men agree to let Sylvia move in with them. | Three Men and a Baby | 4066a212-7f2c-bffc-038f-cf1323cad677 | Who does Slvia indicate the father of Mary is? | [
"Jack"
] | false |
/m/02ttcy | Peter Mitchell, an architect, Jack Holden, an actor, and Michael Kellam, a cartoonist, move into & remodel a Manhattan penthouse. After a large housewarming party, Jack leaves to film a movie in Turkey. Before he leaves the country, he calls his roommates and tells them that a friend of his needs a small package held at the penthouse for a few days until his associates come to pick it up.Peter returns home from jogging one morning and finds a small basket with an infant girl in it at their door. Attached is a note from a woman named Sylvia, who writes in the note that she's leaving the baby, named Mary, with Jack, the father. Peter and Michael take the baby in, assuming it's the "package" Jack's friend meant to leave. Frantic because they don't know how to care for an infant, Peter rushes to the store for supplies and Michael entertains little Mary, who won't stop crying. When their building manager, Mrs. Hathaway, arrives at their door with a small package left for the men at the desk, Michael accepts it and throws it carelessly onto the couch. Peter comes back with diapers and food and the two spend a significant amount of time changing Mary's diaper and washing her when she soils herself and their couch. Caring for Mary quickly consumes all their free time and cancels their social engagements, though they do an admirable job.A few days later two shady men arrive and ask for the "package." Michael and Peter assume they've come for the baby and hand Mary over to the men. Peter is suspicious and sits down on the couch, finding the small package Michael had thrown there. Peter realizes that it is the actual package the men were after and rushes downstairs to stop them before they drive off. In the main foyer of their building, Peter trips and the package bursts open, spilling its contents: small bags of heroin. He meets the two men on the street and tries to take Mary back, saying he made a mistake. When a mounted New York cop becomes involved, the men speed off and the cop stops Peter from retreating. The cop demands to see ID and goes upstairs with Peter. Peter gives Mary and the drug-filled parcel to Michael, ordering him to hide it. When the cop sees Peter's ID is legitimate, he leaves, however a sergeant from the narcotics squad, Melkowitz, shows up and questions them both. Meanwhile, Michael has successfully stashed the heroin in Mary's diaper and has buried it with the other dirty diapers in the bathroom.Peter appeals to his long-term girlfriend, Rebecca, to help him take care of Mary, but she refuses. One day Peter and Michael have Mrs. Hathaway babysit Mary and when they return home they find her tied up and the place ransacked. Mary is found crying, but unharmed in a closet. In the middle of the night Jack (whose part in the film in Turkey was suddenly cut) returns and is nearly beaten up by both Peter and Michael, who think he may have broken in. They tell him about Mary and the drugs that his friend laid on them. Jack remembers that he'd acted in Stratford, England, in a production of The Taming of the Shrew, and had slept with Sylvia, however he wasn't aware that she'd become pregnant. Michael and Peter, angry at having to give up their free time and social lives solely because of Jack's irresponsibility, give Mary to Jack to care for, refusing to help him. Jack appeals to his own mother, who tells him that his life as a womanizer has finally caught up with him, and she refuses to help him as well.Realizing they're caught between violent drug dealers and Moskowitz' narcotics squad staking them out, the guys figure out a way to escape the mess they're in: Jack will sneak out of the apartment dressed as a pregnant woman (with Mary hidden under his dress) and Peter and Michael will go to a designated place to hand off the drugs to the dealers. The police follow Michael and Peter but lose them when Jack picks them up in a taxi and heads off in the opposite direction. The meeting place is a construction zone for a skyscraper Peter had designed; Peter will hand off the drugs, Michael will film it on a video camera and Jack will trap the dealers in the elevator after they receive their package. Peter stalls a bit, getting the dealers to admit their culpability just as Michael, hiding in an aluminum vent cover, slips and falls. Michael and Peter make it to the elevator and begin to escape, however Jack throws the wrong switch, trapping them. The dealers descend in a second elevator but are trapped when Jack finds the right switch. Melkowitz and his squad arrive and arrest the dealers, taking the tape Michael had made for evidence.Free and clear, the roommates take care of Mary for a few more months, working out a schedule beneficial to them all. One day Mary's mother, Sylvia, arrives; she has worked out a way to take Mary back to England and care for her while living with her parents. The guys are very upset at the new development, having grown attached to the baby. Sylvia leaves for the airport and the guys chase after her, arriving too late to stop the plane as it leaves. They return to their penthouse and find Sylvia & Mary at the door, who says she couldn't leave. The three men agree to let Sylvia move in with them. | Three Men and a Baby | c4004ee8-3ec2-575c-956e-61d8412f27ed | Who does Mrs. Hathaway babysit? | [
"Mary"
] | false |
/m/02ttcy | Peter Mitchell, an architect, Jack Holden, an actor, and Michael Kellam, a cartoonist, move into & remodel a Manhattan penthouse. After a large housewarming party, Jack leaves to film a movie in Turkey. Before he leaves the country, he calls his roommates and tells them that a friend of his needs a small package held at the penthouse for a few days until his associates come to pick it up.Peter returns home from jogging one morning and finds a small basket with an infant girl in it at their door. Attached is a note from a woman named Sylvia, who writes in the note that she's leaving the baby, named Mary, with Jack, the father. Peter and Michael take the baby in, assuming it's the "package" Jack's friend meant to leave. Frantic because they don't know how to care for an infant, Peter rushes to the store for supplies and Michael entertains little Mary, who won't stop crying. When their building manager, Mrs. Hathaway, arrives at their door with a small package left for the men at the desk, Michael accepts it and throws it carelessly onto the couch. Peter comes back with diapers and food and the two spend a significant amount of time changing Mary's diaper and washing her when she soils herself and their couch. Caring for Mary quickly consumes all their free time and cancels their social engagements, though they do an admirable job.A few days later two shady men arrive and ask for the "package." Michael and Peter assume they've come for the baby and hand Mary over to the men. Peter is suspicious and sits down on the couch, finding the small package Michael had thrown there. Peter realizes that it is the actual package the men were after and rushes downstairs to stop them before they drive off. In the main foyer of their building, Peter trips and the package bursts open, spilling its contents: small bags of heroin. He meets the two men on the street and tries to take Mary back, saying he made a mistake. When a mounted New York cop becomes involved, the men speed off and the cop stops Peter from retreating. The cop demands to see ID and goes upstairs with Peter. Peter gives Mary and the drug-filled parcel to Michael, ordering him to hide it. When the cop sees Peter's ID is legitimate, he leaves, however a sergeant from the narcotics squad, Melkowitz, shows up and questions them both. Meanwhile, Michael has successfully stashed the heroin in Mary's diaper and has buried it with the other dirty diapers in the bathroom.Peter appeals to his long-term girlfriend, Rebecca, to help him take care of Mary, but she refuses. One day Peter and Michael have Mrs. Hathaway babysit Mary and when they return home they find her tied up and the place ransacked. Mary is found crying, but unharmed in a closet. In the middle of the night Jack (whose part in the film in Turkey was suddenly cut) returns and is nearly beaten up by both Peter and Michael, who think he may have broken in. They tell him about Mary and the drugs that his friend laid on them. Jack remembers that he'd acted in Stratford, England, in a production of The Taming of the Shrew, and had slept with Sylvia, however he wasn't aware that she'd become pregnant. Michael and Peter, angry at having to give up their free time and social lives solely because of Jack's irresponsibility, give Mary to Jack to care for, refusing to help him. Jack appeals to his own mother, who tells him that his life as a womanizer has finally caught up with him, and she refuses to help him as well.Realizing they're caught between violent drug dealers and Moskowitz' narcotics squad staking them out, the guys figure out a way to escape the mess they're in: Jack will sneak out of the apartment dressed as a pregnant woman (with Mary hidden under his dress) and Peter and Michael will go to a designated place to hand off the drugs to the dealers. The police follow Michael and Peter but lose them when Jack picks them up in a taxi and heads off in the opposite direction. The meeting place is a construction zone for a skyscraper Peter had designed; Peter will hand off the drugs, Michael will film it on a video camera and Jack will trap the dealers in the elevator after they receive their package. Peter stalls a bit, getting the dealers to admit their culpability just as Michael, hiding in an aluminum vent cover, slips and falls. Michael and Peter make it to the elevator and begin to escape, however Jack throws the wrong switch, trapping them. The dealers descend in a second elevator but are trapped when Jack finds the right switch. Melkowitz and his squad arrive and arrest the dealers, taking the tape Michael had made for evidence.Free and clear, the roommates take care of Mary for a few more months, working out a schedule beneficial to them all. One day Mary's mother, Sylvia, arrives; she has worked out a way to take Mary back to England and care for her while living with her parents. The guys are very upset at the new development, having grown attached to the baby. Sylvia leaves for the airport and the guys chase after her, arriving too late to stop the plane as it leaves. They return to their penthouse and find Sylvia & Mary at the door, who says she couldn't leave. The three men agree to let Sylvia move in with them. | Three Men and a Baby | 1b441748-20c4-92f8-d85e-26593f0e251f | What is the baby's name that is left on the bachelors' doorstep? | [
"Mary"
] | false |
/m/02ttcy | Peter Mitchell, an architect, Jack Holden, an actor, and Michael Kellam, a cartoonist, move into & remodel a Manhattan penthouse. After a large housewarming party, Jack leaves to film a movie in Turkey. Before he leaves the country, he calls his roommates and tells them that a friend of his needs a small package held at the penthouse for a few days until his associates come to pick it up.Peter returns home from jogging one morning and finds a small basket with an infant girl in it at their door. Attached is a note from a woman named Sylvia, who writes in the note that she's leaving the baby, named Mary, with Jack, the father. Peter and Michael take the baby in, assuming it's the "package" Jack's friend meant to leave. Frantic because they don't know how to care for an infant, Peter rushes to the store for supplies and Michael entertains little Mary, who won't stop crying. When their building manager, Mrs. Hathaway, arrives at their door with a small package left for the men at the desk, Michael accepts it and throws it carelessly onto the couch. Peter comes back with diapers and food and the two spend a significant amount of time changing Mary's diaper and washing her when she soils herself and their couch. Caring for Mary quickly consumes all their free time and cancels their social engagements, though they do an admirable job.A few days later two shady men arrive and ask for the "package." Michael and Peter assume they've come for the baby and hand Mary over to the men. Peter is suspicious and sits down on the couch, finding the small package Michael had thrown there. Peter realizes that it is the actual package the men were after and rushes downstairs to stop them before they drive off. In the main foyer of their building, Peter trips and the package bursts open, spilling its contents: small bags of heroin. He meets the two men on the street and tries to take Mary back, saying he made a mistake. When a mounted New York cop becomes involved, the men speed off and the cop stops Peter from retreating. The cop demands to see ID and goes upstairs with Peter. Peter gives Mary and the drug-filled parcel to Michael, ordering him to hide it. When the cop sees Peter's ID is legitimate, he leaves, however a sergeant from the narcotics squad, Melkowitz, shows up and questions them both. Meanwhile, Michael has successfully stashed the heroin in Mary's diaper and has buried it with the other dirty diapers in the bathroom.Peter appeals to his long-term girlfriend, Rebecca, to help him take care of Mary, but she refuses. One day Peter and Michael have Mrs. Hathaway babysit Mary and when they return home they find her tied up and the place ransacked. Mary is found crying, but unharmed in a closet. In the middle of the night Jack (whose part in the film in Turkey was suddenly cut) returns and is nearly beaten up by both Peter and Michael, who think he may have broken in. They tell him about Mary and the drugs that his friend laid on them. Jack remembers that he'd acted in Stratford, England, in a production of The Taming of the Shrew, and had slept with Sylvia, however he wasn't aware that she'd become pregnant. Michael and Peter, angry at having to give up their free time and social lives solely because of Jack's irresponsibility, give Mary to Jack to care for, refusing to help him. Jack appeals to his own mother, who tells him that his life as a womanizer has finally caught up with him, and she refuses to help him as well.Realizing they're caught between violent drug dealers and Moskowitz' narcotics squad staking them out, the guys figure out a way to escape the mess they're in: Jack will sneak out of the apartment dressed as a pregnant woman (with Mary hidden under his dress) and Peter and Michael will go to a designated place to hand off the drugs to the dealers. The police follow Michael and Peter but lose them when Jack picks them up in a taxi and heads off in the opposite direction. The meeting place is a construction zone for a skyscraper Peter had designed; Peter will hand off the drugs, Michael will film it on a video camera and Jack will trap the dealers in the elevator after they receive their package. Peter stalls a bit, getting the dealers to admit their culpability just as Michael, hiding in an aluminum vent cover, slips and falls. Michael and Peter make it to the elevator and begin to escape, however Jack throws the wrong switch, trapping them. The dealers descend in a second elevator but are trapped when Jack finds the right switch. Melkowitz and his squad arrive and arrest the dealers, taking the tape Michael had made for evidence.Free and clear, the roommates take care of Mary for a few more months, working out a schedule beneficial to them all. One day Mary's mother, Sylvia, arrives; she has worked out a way to take Mary back to England and care for her while living with her parents. The guys are very upset at the new development, having grown attached to the baby. Sylvia leaves for the airport and the guys chase after her, arriving too late to stop the plane as it leaves. They return to their penthouse and find Sylvia & Mary at the door, who says she couldn't leave. The three men agree to let Sylvia move in with them. | Three Men and a Baby | 10daeaff-2153-ba6c-cf2c-e124ab7a1110 | Who is hospitalized after a mugging? | [] | true |
/m/02ttcy | Peter Mitchell, an architect, Jack Holden, an actor, and Michael Kellam, a cartoonist, move into & remodel a Manhattan penthouse. After a large housewarming party, Jack leaves to film a movie in Turkey. Before he leaves the country, he calls his roommates and tells them that a friend of his needs a small package held at the penthouse for a few days until his associates come to pick it up.Peter returns home from jogging one morning and finds a small basket with an infant girl in it at their door. Attached is a note from a woman named Sylvia, who writes in the note that she's leaving the baby, named Mary, with Jack, the father. Peter and Michael take the baby in, assuming it's the "package" Jack's friend meant to leave. Frantic because they don't know how to care for an infant, Peter rushes to the store for supplies and Michael entertains little Mary, who won't stop crying. When their building manager, Mrs. Hathaway, arrives at their door with a small package left for the men at the desk, Michael accepts it and throws it carelessly onto the couch. Peter comes back with diapers and food and the two spend a significant amount of time changing Mary's diaper and washing her when she soils herself and their couch. Caring for Mary quickly consumes all their free time and cancels their social engagements, though they do an admirable job.A few days later two shady men arrive and ask for the "package." Michael and Peter assume they've come for the baby and hand Mary over to the men. Peter is suspicious and sits down on the couch, finding the small package Michael had thrown there. Peter realizes that it is the actual package the men were after and rushes downstairs to stop them before they drive off. In the main foyer of their building, Peter trips and the package bursts open, spilling its contents: small bags of heroin. He meets the two men on the street and tries to take Mary back, saying he made a mistake. When a mounted New York cop becomes involved, the men speed off and the cop stops Peter from retreating. The cop demands to see ID and goes upstairs with Peter. Peter gives Mary and the drug-filled parcel to Michael, ordering him to hide it. When the cop sees Peter's ID is legitimate, he leaves, however a sergeant from the narcotics squad, Melkowitz, shows up and questions them both. Meanwhile, Michael has successfully stashed the heroin in Mary's diaper and has buried it with the other dirty diapers in the bathroom.Peter appeals to his long-term girlfriend, Rebecca, to help him take care of Mary, but she refuses. One day Peter and Michael have Mrs. Hathaway babysit Mary and when they return home they find her tied up and the place ransacked. Mary is found crying, but unharmed in a closet. In the middle of the night Jack (whose part in the film in Turkey was suddenly cut) returns and is nearly beaten up by both Peter and Michael, who think he may have broken in. They tell him about Mary and the drugs that his friend laid on them. Jack remembers that he'd acted in Stratford, England, in a production of The Taming of the Shrew, and had slept with Sylvia, however he wasn't aware that she'd become pregnant. Michael and Peter, angry at having to give up their free time and social lives solely because of Jack's irresponsibility, give Mary to Jack to care for, refusing to help him. Jack appeals to his own mother, who tells him that his life as a womanizer has finally caught up with him, and she refuses to help him as well.Realizing they're caught between violent drug dealers and Moskowitz' narcotics squad staking them out, the guys figure out a way to escape the mess they're in: Jack will sneak out of the apartment dressed as a pregnant woman (with Mary hidden under his dress) and Peter and Michael will go to a designated place to hand off the drugs to the dealers. The police follow Michael and Peter but lose them when Jack picks them up in a taxi and heads off in the opposite direction. The meeting place is a construction zone for a skyscraper Peter had designed; Peter will hand off the drugs, Michael will film it on a video camera and Jack will trap the dealers in the elevator after they receive their package. Peter stalls a bit, getting the dealers to admit their culpability just as Michael, hiding in an aluminum vent cover, slips and falls. Michael and Peter make it to the elevator and begin to escape, however Jack throws the wrong switch, trapping them. The dealers descend in a second elevator but are trapped when Jack finds the right switch. Melkowitz and his squad arrive and arrest the dealers, taking the tape Michael had made for evidence.Free and clear, the roommates take care of Mary for a few more months, working out a schedule beneficial to them all. One day Mary's mother, Sylvia, arrives; she has worked out a way to take Mary back to England and care for her while living with her parents. The guys are very upset at the new development, having grown attached to the baby. Sylvia leaves for the airport and the guys chase after her, arriving too late to stop the plane as it leaves. They return to their penthouse and find Sylvia & Mary at the door, who says she couldn't leave. The three men agree to let Sylvia move in with them. | Three Men and a Baby | 7766dabd-d4de-392b-7f1d-71a74369fff9 | Who invites Sylvia and Mary to move in to Jack and Michael's apartment? | [
"The three men"
] | false |
/m/02ttcy | Peter Mitchell, an architect, Jack Holden, an actor, and Michael Kellam, a cartoonist, move into & remodel a Manhattan penthouse. After a large housewarming party, Jack leaves to film a movie in Turkey. Before he leaves the country, he calls his roommates and tells them that a friend of his needs a small package held at the penthouse for a few days until his associates come to pick it up.Peter returns home from jogging one morning and finds a small basket with an infant girl in it at their door. Attached is a note from a woman named Sylvia, who writes in the note that she's leaving the baby, named Mary, with Jack, the father. Peter and Michael take the baby in, assuming it's the "package" Jack's friend meant to leave. Frantic because they don't know how to care for an infant, Peter rushes to the store for supplies and Michael entertains little Mary, who won't stop crying. When their building manager, Mrs. Hathaway, arrives at their door with a small package left for the men at the desk, Michael accepts it and throws it carelessly onto the couch. Peter comes back with diapers and food and the two spend a significant amount of time changing Mary's diaper and washing her when she soils herself and their couch. Caring for Mary quickly consumes all their free time and cancels their social engagements, though they do an admirable job.A few days later two shady men arrive and ask for the "package." Michael and Peter assume they've come for the baby and hand Mary over to the men. Peter is suspicious and sits down on the couch, finding the small package Michael had thrown there. Peter realizes that it is the actual package the men were after and rushes downstairs to stop them before they drive off. In the main foyer of their building, Peter trips and the package bursts open, spilling its contents: small bags of heroin. He meets the two men on the street and tries to take Mary back, saying he made a mistake. When a mounted New York cop becomes involved, the men speed off and the cop stops Peter from retreating. The cop demands to see ID and goes upstairs with Peter. Peter gives Mary and the drug-filled parcel to Michael, ordering him to hide it. When the cop sees Peter's ID is legitimate, he leaves, however a sergeant from the narcotics squad, Melkowitz, shows up and questions them both. Meanwhile, Michael has successfully stashed the heroin in Mary's diaper and has buried it with the other dirty diapers in the bathroom.Peter appeals to his long-term girlfriend, Rebecca, to help him take care of Mary, but she refuses. One day Peter and Michael have Mrs. Hathaway babysit Mary and when they return home they find her tied up and the place ransacked. Mary is found crying, but unharmed in a closet. In the middle of the night Jack (whose part in the film in Turkey was suddenly cut) returns and is nearly beaten up by both Peter and Michael, who think he may have broken in. They tell him about Mary and the drugs that his friend laid on them. Jack remembers that he'd acted in Stratford, England, in a production of The Taming of the Shrew, and had slept with Sylvia, however he wasn't aware that she'd become pregnant. Michael and Peter, angry at having to give up their free time and social lives solely because of Jack's irresponsibility, give Mary to Jack to care for, refusing to help him. Jack appeals to his own mother, who tells him that his life as a womanizer has finally caught up with him, and she refuses to help him as well.Realizing they're caught between violent drug dealers and Moskowitz' narcotics squad staking them out, the guys figure out a way to escape the mess they're in: Jack will sneak out of the apartment dressed as a pregnant woman (with Mary hidden under his dress) and Peter and Michael will go to a designated place to hand off the drugs to the dealers. The police follow Michael and Peter but lose them when Jack picks them up in a taxi and heads off in the opposite direction. The meeting place is a construction zone for a skyscraper Peter had designed; Peter will hand off the drugs, Michael will film it on a video camera and Jack will trap the dealers in the elevator after they receive their package. Peter stalls a bit, getting the dealers to admit their culpability just as Michael, hiding in an aluminum vent cover, slips and falls. Michael and Peter make it to the elevator and begin to escape, however Jack throws the wrong switch, trapping them. The dealers descend in a second elevator but are trapped when Jack finds the right switch. Melkowitz and his squad arrive and arrest the dealers, taking the tape Michael had made for evidence.Free and clear, the roommates take care of Mary for a few more months, working out a schedule beneficial to them all. One day Mary's mother, Sylvia, arrives; she has worked out a way to take Mary back to England and care for her while living with her parents. The guys are very upset at the new development, having grown attached to the baby. Sylvia leaves for the airport and the guys chase after her, arriving too late to stop the plane as it leaves. They return to their penthouse and find Sylvia & Mary at the door, who says she couldn't leave. The three men agree to let Sylvia move in with them. | Three Men and a Baby | 64666459-a1ec-fbb5-78b4-9c49c9004ff8 | Where does Sylvia intend to take Mary? | [
"England"
] | false |
/m/02ttcy | Peter Mitchell, an architect, Jack Holden, an actor, and Michael Kellam, a cartoonist, move into & remodel a Manhattan penthouse. After a large housewarming party, Jack leaves to film a movie in Turkey. Before he leaves the country, he calls his roommates and tells them that a friend of his needs a small package held at the penthouse for a few days until his associates come to pick it up.Peter returns home from jogging one morning and finds a small basket with an infant girl in it at their door. Attached is a note from a woman named Sylvia, who writes in the note that she's leaving the baby, named Mary, with Jack, the father. Peter and Michael take the baby in, assuming it's the "package" Jack's friend meant to leave. Frantic because they don't know how to care for an infant, Peter rushes to the store for supplies and Michael entertains little Mary, who won't stop crying. When their building manager, Mrs. Hathaway, arrives at their door with a small package left for the men at the desk, Michael accepts it and throws it carelessly onto the couch. Peter comes back with diapers and food and the two spend a significant amount of time changing Mary's diaper and washing her when she soils herself and their couch. Caring for Mary quickly consumes all their free time and cancels their social engagements, though they do an admirable job.A few days later two shady men arrive and ask for the "package." Michael and Peter assume they've come for the baby and hand Mary over to the men. Peter is suspicious and sits down on the couch, finding the small package Michael had thrown there. Peter realizes that it is the actual package the men were after and rushes downstairs to stop them before they drive off. In the main foyer of their building, Peter trips and the package bursts open, spilling its contents: small bags of heroin. He meets the two men on the street and tries to take Mary back, saying he made a mistake. When a mounted New York cop becomes involved, the men speed off and the cop stops Peter from retreating. The cop demands to see ID and goes upstairs with Peter. Peter gives Mary and the drug-filled parcel to Michael, ordering him to hide it. When the cop sees Peter's ID is legitimate, he leaves, however a sergeant from the narcotics squad, Melkowitz, shows up and questions them both. Meanwhile, Michael has successfully stashed the heroin in Mary's diaper and has buried it with the other dirty diapers in the bathroom.Peter appeals to his long-term girlfriend, Rebecca, to help him take care of Mary, but she refuses. One day Peter and Michael have Mrs. Hathaway babysit Mary and when they return home they find her tied up and the place ransacked. Mary is found crying, but unharmed in a closet. In the middle of the night Jack (whose part in the film in Turkey was suddenly cut) returns and is nearly beaten up by both Peter and Michael, who think he may have broken in. They tell him about Mary and the drugs that his friend laid on them. Jack remembers that he'd acted in Stratford, England, in a production of The Taming of the Shrew, and had slept with Sylvia, however he wasn't aware that she'd become pregnant. Michael and Peter, angry at having to give up their free time and social lives solely because of Jack's irresponsibility, give Mary to Jack to care for, refusing to help him. Jack appeals to his own mother, who tells him that his life as a womanizer has finally caught up with him, and she refuses to help him as well.Realizing they're caught between violent drug dealers and Moskowitz' narcotics squad staking them out, the guys figure out a way to escape the mess they're in: Jack will sneak out of the apartment dressed as a pregnant woman (with Mary hidden under his dress) and Peter and Michael will go to a designated place to hand off the drugs to the dealers. The police follow Michael and Peter but lose them when Jack picks them up in a taxi and heads off in the opposite direction. The meeting place is a construction zone for a skyscraper Peter had designed; Peter will hand off the drugs, Michael will film it on a video camera and Jack will trap the dealers in the elevator after they receive their package. Peter stalls a bit, getting the dealers to admit their culpability just as Michael, hiding in an aluminum vent cover, slips and falls. Michael and Peter make it to the elevator and begin to escape, however Jack throws the wrong switch, trapping them. The dealers descend in a second elevator but are trapped when Jack finds the right switch. Melkowitz and his squad arrive and arrest the dealers, taking the tape Michael had made for evidence.Free and clear, the roommates take care of Mary for a few more months, working out a schedule beneficial to them all. One day Mary's mother, Sylvia, arrives; she has worked out a way to take Mary back to England and care for her while living with her parents. The guys are very upset at the new development, having grown attached to the baby. Sylvia leaves for the airport and the guys chase after her, arriving too late to stop the plane as it leaves. They return to their penthouse and find Sylvia & Mary at the door, who says she couldn't leave. The three men agree to let Sylvia move in with them. | Three Men and a Baby | 653cc7c0-e916-a69f-4e45-e2c4758621c7 | Who delivered the package containing heroin? | [
"Mrs. Hathaway"
] | false |
/m/02ttcy | Peter Mitchell, an architect, Jack Holden, an actor, and Michael Kellam, a cartoonist, move into & remodel a Manhattan penthouse. After a large housewarming party, Jack leaves to film a movie in Turkey. Before he leaves the country, he calls his roommates and tells them that a friend of his needs a small package held at the penthouse for a few days until his associates come to pick it up.Peter returns home from jogging one morning and finds a small basket with an infant girl in it at their door. Attached is a note from a woman named Sylvia, who writes in the note that she's leaving the baby, named Mary, with Jack, the father. Peter and Michael take the baby in, assuming it's the "package" Jack's friend meant to leave. Frantic because they don't know how to care for an infant, Peter rushes to the store for supplies and Michael entertains little Mary, who won't stop crying. When their building manager, Mrs. Hathaway, arrives at their door with a small package left for the men at the desk, Michael accepts it and throws it carelessly onto the couch. Peter comes back with diapers and food and the two spend a significant amount of time changing Mary's diaper and washing her when she soils herself and their couch. Caring for Mary quickly consumes all their free time and cancels their social engagements, though they do an admirable job.A few days later two shady men arrive and ask for the "package." Michael and Peter assume they've come for the baby and hand Mary over to the men. Peter is suspicious and sits down on the couch, finding the small package Michael had thrown there. Peter realizes that it is the actual package the men were after and rushes downstairs to stop them before they drive off. In the main foyer of their building, Peter trips and the package bursts open, spilling its contents: small bags of heroin. He meets the two men on the street and tries to take Mary back, saying he made a mistake. When a mounted New York cop becomes involved, the men speed off and the cop stops Peter from retreating. The cop demands to see ID and goes upstairs with Peter. Peter gives Mary and the drug-filled parcel to Michael, ordering him to hide it. When the cop sees Peter's ID is legitimate, he leaves, however a sergeant from the narcotics squad, Melkowitz, shows up and questions them both. Meanwhile, Michael has successfully stashed the heroin in Mary's diaper and has buried it with the other dirty diapers in the bathroom.Peter appeals to his long-term girlfriend, Rebecca, to help him take care of Mary, but she refuses. One day Peter and Michael have Mrs. Hathaway babysit Mary and when they return home they find her tied up and the place ransacked. Mary is found crying, but unharmed in a closet. In the middle of the night Jack (whose part in the film in Turkey was suddenly cut) returns and is nearly beaten up by both Peter and Michael, who think he may have broken in. They tell him about Mary and the drugs that his friend laid on them. Jack remembers that he'd acted in Stratford, England, in a production of The Taming of the Shrew, and had slept with Sylvia, however he wasn't aware that she'd become pregnant. Michael and Peter, angry at having to give up their free time and social lives solely because of Jack's irresponsibility, give Mary to Jack to care for, refusing to help him. Jack appeals to his own mother, who tells him that his life as a womanizer has finally caught up with him, and she refuses to help him as well.Realizing they're caught between violent drug dealers and Moskowitz' narcotics squad staking them out, the guys figure out a way to escape the mess they're in: Jack will sneak out of the apartment dressed as a pregnant woman (with Mary hidden under his dress) and Peter and Michael will go to a designated place to hand off the drugs to the dealers. The police follow Michael and Peter but lose them when Jack picks them up in a taxi and heads off in the opposite direction. The meeting place is a construction zone for a skyscraper Peter had designed; Peter will hand off the drugs, Michael will film it on a video camera and Jack will trap the dealers in the elevator after they receive their package. Peter stalls a bit, getting the dealers to admit their culpability just as Michael, hiding in an aluminum vent cover, slips and falls. Michael and Peter make it to the elevator and begin to escape, however Jack throws the wrong switch, trapping them. The dealers descend in a second elevator but are trapped when Jack finds the right switch. Melkowitz and his squad arrive and arrest the dealers, taking the tape Michael had made for evidence.Free and clear, the roommates take care of Mary for a few more months, working out a schedule beneficial to them all. One day Mary's mother, Sylvia, arrives; she has worked out a way to take Mary back to England and care for her while living with her parents. The guys are very upset at the new development, having grown attached to the baby. Sylvia leaves for the airport and the guys chase after her, arriving too late to stop the plane as it leaves. They return to their penthouse and find Sylvia & Mary at the door, who says she couldn't leave. The three men agree to let Sylvia move in with them. | Three Men and a Baby | 6c84d95b-26f7-d242-c9b8-e6901d4e42fc | What are the dealers demanding? | [
"The heroin"
] | false |
/m/0jqj5 | Act I[edit]
In Clairton, a small working class town in western Pennsylvania, in late 1967, Russian-American steel workers Michael "Mike" Vronsky (Robert De Niro), Steven Pushkov (John Savage), and Nikanor "Nick" Chevotarevich (Christopher Walken), with the support of their friends and co-workers Stan (John Cazale) and Peter "Axel" Axelrod (Chuck Aspegren) and local bar owner and friend John Welsh (George Dzundza), prepare for two rites of passage: marriage and military service. The opening scenes set the traits of the three main characters. Mike is the no-nonsense, serious, but unassuming leader; Steven the loving, groom-to-be, pecked-at by his mother; and Nick the quiet, introspective man who loves deer hunting because, he likes "â¦the treesâ¦the way the trees are". The recurring theme of hunting with "one shot", which is how Mike prefers to take down a deer, is introduced.
Before the trio ships out, Steven and his girlfriend Angela (Rutanya Alda), who is pregnant by another man, but loved by Steven nonetheless, marry in a Russian Orthodox wedding. In the meantime, Mike works to control his feelings for Nick's girlfriend Linda (Meryl Streep). At the wedding reception held at the local VFW hall, the guys drink, dance, sing, and enjoy the festivities, but then notice a soldier in a U.S. Army Special Forces uniform. Mike attempts to ask what Vietnam is like, but the soldier ignores him. After Mike explains that he, Steven, and Nick are going to Vietnam, the Green Beret raises his glass and says "fuck it". After being restrained by the others from starting a fight, Mike goes back to the bar and, in a mocking jest to the soldier, raises his glass and toasts him with "fuck it". The soldier then glances over at Mike and grins.
Later, Steven and Angela drink from conjoined goblets, a traditional part of the Orthodox wedding ceremony. It is believed that if they drink without spilling any wine, they will have good luck for life. Two drops of blood-red wine unknowingly spill on her wedding gown. After Linda catches the bride's bouquet, Nick asks her to marry him, and she agrees. Later that night, a drunken Mike runs through the town, stripping himself naked along the way. After Nick chases him down, he begs Mike not to leave him "over there" if anything happens in combat. The next day, Mike, Nick, Stanley, John, and Axel go deer hunting one last time. Mike is exasperated by his friends, especially Stanley, who drinks and clowns, showing little respect for the ritual of hunting, which to Mike is a nearly sacred experience. Only Nick understands Mike's attitude, but he is more indulgent toward his friends. Mike goes hunting afterwards and kills a deer with one, clean shot.
Act one finishes with the friends arriving back at Welsh's bar, with Michael's deer strapped to the hood of the car. They enter rambunctiously, spraying beers over each other and singing loudly. Welsh then makes his way to a piano and begins playing methodically as the others sit quietly. They sit in silence, strewn all over the bar, as their friend plays Chopin's Nocturne No. 6 Op. 15-3, a peaceful, yet ominous melody.
Act II[edit]
The film then jumps abruptly to war-torn Vietnam, where U.S. helicopters attack a Communist-occupied village with napalm. A North Vietnamese soldier throws a stick grenade into a hiding place full of civilians. An unconscious Mike (now a Staff Sergeant in the U.S. Army Special Forces) wakes up to see the NVA soldier shoot a woman carrying a baby. Mike kills him with a flame thrower. Meanwhile, a unit of UH-1 "Huey" helicopters drops off several U.S. infantrymen, Nick and Steven among them. Mike, Steven, and Nick unexpectedly find each other just before they are captured and held together in a riverside prisoner of war camp with other U.S. Army and ARVN prisoners. For entertainment, the sadistic guards force their prisoners to play Russian roulette and gamble on the outcome. All three friends are forced to play. Steven plays against Mike, who offers moral support, but Steven breaks down and loses control of the gun, grazing himself with the bullet when it discharges. As punishment, the guards put him into an underwater cage full of rats and the bodies of others who earlier faced the same fate. Mike and Nick end up playing against each other, and Mike convinces the guards to let them play roulette with three bullets in the gun. After a tense match, they kill their captors and escape.
Mike earlier argued with Nick about whether or not Steven could be saved, but after killing their captors, he rescues Steven. The three float downriver on a tree branch. An American helicopter finds them, but only Nick is able to climb aboard. The weakened Steven falls back into the water, and Mike plunges in the water to rescue him. Mike helps Steven to reach the river bank, but Steven's legs are broken, so Mike carries him through the jungle to friendly lines. Approaching a caravan of locals escaping the war zone, Mike stops a South Vietnamese military truck and places the wounded Steven on it, asking the soldiers to take care of him.
Nick, who is psychologically damaged, recuperates in a military hospital in Saigon with no knowledge on the status of his friends. After being released, he goes AWOL and aimlessly stumbles through the red-light district at night. At one point, he encounters Julien Grinda, a champagne-drinking, friendly Frenchman, outside a gambling den where men play Russian roulette for money. Grinda entices the reluctant Nick to participate and leads him into the den. Mike is present in the den, watching the game, but the two friends do not notice each other at first. When Mike does see Nick, he is unable to get his attention. When Nick is introduced into the game, he grabs the gun, fires it at the current contestant, and then again at his own temple, causing the audience to riot in protest. Grinda hustles Nick outside to his car to escape the angry mob. Mike cannot catch up with Nick and Grinda as they speed away.
Act III[edit]
Back in the U.S., Mike arrives home but maintains a low profile. While en route home, he tells a cab driver to drive past the house where all his friends are assembled with a large banner outside, as he is embarrassed by the fuss Linda and the others have made. He visits Linda the following day and grows close to her, but only because of the friend they both think they have lost. Mike eventually learns about Angela, whom he goes to visit at the home of Steven's mother. Angela is apathetic and barely responsive. When asked by Mike about Steven's whereabouts, she writes a phone number on a scrap of paper, which leads Mike to the local veterans' hospital where Steven has been for several months. Mike goes hunting with Axel, John, and Stan one more time, and after tracking a deer across the woods, takes his one shot but pulls the rifle up and fires into the air. He then sits on a rock escarpment and yells out, "OK?", which echoes back at him from the opposing rock faces leading down to the river, signifying his fight with his mental demons over losing Steven and Nick. He also berates Stan for carrying around a small revolver and waving it around, not realizing it is still loaded. Mike visits Steven, who has lost both of his legs and is partially paralyzed. Steven reveals that someone in Saigon has been mailing large amounts of money to him, and Mike is convinced that it is Nick. Mike brings a reluctant Steven home to Angela and then travels to Saigon just before its fall in 1975.
He tracks down Grinda, who has made a lot of money from the Russian roulette-playing Nick. He finds Nick in a crowded gambling club, but Nick appears to have no recollection of his friends or his home in Pennsylvania. Mike enters himself in a game of Russian roulette against Nick, hoping to jog Nick's memory and persuade him to come home, but Nick's mind is gone. To keep him from taking another turn, Mike grabs Nick's arms, which are covered in scars (implied to be heroin tracks). At the last moment, after Mike reminds Nick of their hunting trips together, he finally breaks through, and Nick recognizes Mike and smiles. Nick then tells Mike, "one shot", raises the gun to his temple, and pulls the trigger. The round is in the gun's top chamber, and Nick kills himself. Horrified, Mike tries reviving him, but to no avail.
Epilogue[edit]
Back home in 1975, the friends have gathered for Nick's funeral, whom Mike brought home, staying good to his promise. The film ends with everyone at John's bar, singing "God Bless America". Mike toasts in Nick's honor. | The Deer Hunter | 5deaee69-1700-1c97-54e1-d48ea3499cee | What song is sung at the wake in the bar? | [
"Chopin's Nocturne No. 6 Op. 15-3"
] | false |
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