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/m/0564x | On a warm, sunny day, 10-year-old Satsuki (English: Dakota Fanning; Japanese: Noriko Hidaka) and 4-year-old Mei (English: Elle Fanning; Japanese: Chika Sakamoto) Kusakabe drive with their father, Tatsuo (English: Tim Daly; Japanese: Shigesato Itoi), along a rural road towards their new home. The girls are excited about the move since it will bring them closer to their mother, Yasuko (English: Lea Salonga; Japanese: Sumi Shimamoto), who is ill in hospital (it is implied that she has tuberculosis).Their house is old and falling apart in places, but the girls find it charming and set out immediately to explore. They open all the windows and doors before daring to venture up the stairs into the attic. Faint rustling is heard in the darkness above before an acorn falls down the steps. Intrigued, the girls go up and yell at the darkness. When nothing responds, Satsuki runs to the opposite end of the attic to open the window as Mei notices dark, fuzzy things in the wall, staring at them intently. Satsuki goes back downstairs but Mei's curiosity is piqued. She reaches a tentative finger into a crack in the wall and startles a mess of black sootballs, one of which she is able to capture between her hands. Back downstairs, she runs into Granny (English: Pat Carroll; Japanese: Tanie Kitabayashi), an elderly next-door neighbor who's been watching over the house. Granny notices Mei's and Satsuki's hands and feet covered in soot and exclaims that they must have stumbled upon susuwatari, or soot sprites, which will most likely leave soon now that people are in the house. Her grandson, Kanta (English: Paul Butcher; Japanese: Toshiyuki Amagasa), emerges outside and shouts that the house is haunted. Granny scolds him and he runs off.That night, the family enjoys a bath together while the house moans and creaks from the wind. The girls become anxious, but their father encourages them to laugh, saying that their laughter will encourage any spirits in the house to disperse. Sure enough, as they laugh together, the clan of susuwatari leaves the house through the roof and drifts away on the wind.The next morning, Satsuki cooks and assembles lunch for her family. She places Mei's lunch in a bento box and says farewell as she heads off for school. Tatsuo, a professor at a local university, works from home while Mei plays outside. As she plays, she notices two white, rabbit-like ears poking out of the grass. She watches as the figure, a small, semi-transparent creature, walks past her towards the house. She follows it until it runs off and hides under the porch. It emerges with a larger, blue companion carrying a bag full of acorns, and they attempt to sneak past Mei. However, she quickly notices them and chases them to the edge of the woods. She follows them up a path through the shrubbery, losing her hat in the process, to a large camphor tree where they disappear into a hole beneath the roots. Mei falls into it and lands in a mossy hollow where she meets a large, slumbering version of the creatures she followed. It identifies itself with a series of roars that Mei interprets as Totoro (a mispronunciation on her part of tororu, the Japanese word for troll). Mei falls asleep on Totoro's furry belly. (Mei's adventure -- following rabbit-like creatures and falling down a hole, like Lewis Carroll's Alice -- is one of several references the movie makes to older children's stories.)Satsuki arrives home from school to find Mei missing. She and her father search for her until Satsuki finds Mei's hat near the edge of the woods. Following the same path Mei took, Satsuki and her father find her sleeping in a clearing within the bushes. Confused, Mei tries to retrace her steps back to the tree where she found Totoro. When she becomes upset that she can't find it again, Tatsuo explains that she must have come into contact with a spirit of the forest who probably doesn't want to be found right now. They walk together around the property to the large camphor tree that Mei fell into and offer their respects to the spirits for watching over Mei.That afternoon, the family takes a bike ride further into town to see the girls' mother. They pass Granny and Kanta working in rice paddies, and Kanta and Satsuki exchange raspberries. Arriving at the hospital, the girls tell their mother how wonderful the new house is, and Mei brags that when Yasuko is well enough to come home she will sleep with her in her bed. The family enjoys their time together and Yasuko brushes Satsuki's hair.One day while at school, Satsuki is surprised to see Mei and Granny waiting for her outside. Although Mei was given into Granny's care that day while Tatsuo went to university, she wants to be with no one but Satsuki. Satsuki agrees to let Mei stay in school with her, with the teacher's permission. As they walk home that afternoon, a rainstorm comes upon them unexpectedly. Satsuki and Mei take shelter under the roof of a small shrine until Kanta approaches them and silently offers his umbrella to them, though he does so with a little abrasiveness to hide his kindness. Later on, Satsuki and Mei return the umbrella to Kanta's mother (who had not known about Kanta's kind act, though he was pleased with himself) before walking to the bus station to wait for their father.While waiting in their rain gear, with an extra umbrella, Mei grows tired and Satsuki places her on her back to sleep. As she waits, Satsuki suddenly sees two clawed feet stand next to her. She looks up to see none other than Totoro waiting beside her. When she sees that he has nothing to shelter him from the rain besides a large leaf, she offers him the extra umbrella. Pleased with the shelter and the noise the raindrops make on the umbrella, Totoro roars with joy as headlights appear down the dark road. Satsuki becomes puzzled, however, when the headlights start to bounce. A bus does appear, but one that is mainly a large cat. Catbus grins widely at them as Totoro hands Satsuki a leaf-wrapped package before getting on and departing. (With its wide mouth and face, striped body, and ability to disappear, Catbus bears more than a passing resemblance to Lewis Carroll's Cheshire Cat.) Tatsuo arrives on the regular bus, apologizing that he ran late. The girls walk home with him and open their package to find that it is filled with acorns. They go outside to the garden and plant them.That night, Satsuki and Mei are awakened by sounds outside and discover Totoro (who has Tatsuo's umbrella) and his company of smaller totoros walking around the garden in a procession. They join them outside and mimic their dancing to encourage the acorns to grow. Saplings spring and quickly grow larger before merging into one giant tree (à la Jack and the Beanstalk). As the girls cheer, Totoro pulls out a large, spinning top and stands on it. The girls cling to the fur on his belly and he flies into the air (still carrying the umbrella, like Mary Poppins), up the trunk of the tree. They sit on the high branches together, making music with hollow gourds.The next morning, the girls wake up to find the tree gone. However, they notice that the seeds they planted have already started to sprout.During one afternoon, the girls enjoy a picnic with Granny, who has prepared a fresh meal of vegetables grown from her garden. She tells them that fresh vegetables will help their mother get better. A telegram arrives for Tatsuo from the hospital. Worried for her mother, Satsuki rushes to Kanta's house to phone her father. He calls her back after contacting the hospital to tell them that their mother is fine, but won't be able to come home that weekend due to a set-back in her treatment. Despite his assurances, Satsuki takes the news hard and yells at Mei when she fails to understand why their mother can't come home. Granny explains to Satsuki that their mother should be fine but Satsuki begins to cry and fears that her mother will die. Mei sees this and decides to go to the hospital to give her mother an ear of corn so that she will feel better. No one sees her go.By the time Satsuki notices that Mei is missing, she is long gone. The entire neighborhood pitches in to search for her while Satsuki runs everywhere, remorseful for having yelled at her. One tense moment yields to relief when Satsuki identifies a shoe found in a nearby pond as not belonging to Mei. Still desperate to find Mei, Satsuki runs home and asks permission to enter Totoro's realm. She finds the hole in the roots where Mei fell in and stumbles upon Totoro. She tearfully begs him to help her find Mei. Happy to be of assistance, Totoro takes Satsuki to the top of his tree and summons Catbus, who takes her straight to Mei, sitting alone by the side of the road. After hearing that Mei got lost on the way to the hospital, Catbus offers to take them there.Perched in a tree outside their mother's window, the girls see their father visiting. They leave Mei's corn on the windowsill and write a get-well message on the husk. Catbus takes them homeThe end credits show Mei's and Satsuki's mother finally coming home, with scenes of the children playing with friends while Totoro and the other spirits watch them, unseen. | My Neighbor Totoro | 7456aa78-cb25-5485-82fd-7ec00ed26a55 | What are the girls waiting for? | [
"A bus"
] | false |
/m/0564x | On a warm, sunny day, 10-year-old Satsuki (English: Dakota Fanning; Japanese: Noriko Hidaka) and 4-year-old Mei (English: Elle Fanning; Japanese: Chika Sakamoto) Kusakabe drive with their father, Tatsuo (English: Tim Daly; Japanese: Shigesato Itoi), along a rural road towards their new home. The girls are excited about the move since it will bring them closer to their mother, Yasuko (English: Lea Salonga; Japanese: Sumi Shimamoto), who is ill in hospital (it is implied that she has tuberculosis).Their house is old and falling apart in places, but the girls find it charming and set out immediately to explore. They open all the windows and doors before daring to venture up the stairs into the attic. Faint rustling is heard in the darkness above before an acorn falls down the steps. Intrigued, the girls go up and yell at the darkness. When nothing responds, Satsuki runs to the opposite end of the attic to open the window as Mei notices dark, fuzzy things in the wall, staring at them intently. Satsuki goes back downstairs but Mei's curiosity is piqued. She reaches a tentative finger into a crack in the wall and startles a mess of black sootballs, one of which she is able to capture between her hands. Back downstairs, she runs into Granny (English: Pat Carroll; Japanese: Tanie Kitabayashi), an elderly next-door neighbor who's been watching over the house. Granny notices Mei's and Satsuki's hands and feet covered in soot and exclaims that they must have stumbled upon susuwatari, or soot sprites, which will most likely leave soon now that people are in the house. Her grandson, Kanta (English: Paul Butcher; Japanese: Toshiyuki Amagasa), emerges outside and shouts that the house is haunted. Granny scolds him and he runs off.That night, the family enjoys a bath together while the house moans and creaks from the wind. The girls become anxious, but their father encourages them to laugh, saying that their laughter will encourage any spirits in the house to disperse. Sure enough, as they laugh together, the clan of susuwatari leaves the house through the roof and drifts away on the wind.The next morning, Satsuki cooks and assembles lunch for her family. She places Mei's lunch in a bento box and says farewell as she heads off for school. Tatsuo, a professor at a local university, works from home while Mei plays outside. As she plays, she notices two white, rabbit-like ears poking out of the grass. She watches as the figure, a small, semi-transparent creature, walks past her towards the house. She follows it until it runs off and hides under the porch. It emerges with a larger, blue companion carrying a bag full of acorns, and they attempt to sneak past Mei. However, she quickly notices them and chases them to the edge of the woods. She follows them up a path through the shrubbery, losing her hat in the process, to a large camphor tree where they disappear into a hole beneath the roots. Mei falls into it and lands in a mossy hollow where she meets a large, slumbering version of the creatures she followed. It identifies itself with a series of roars that Mei interprets as Totoro (a mispronunciation on her part of tororu, the Japanese word for troll). Mei falls asleep on Totoro's furry belly. (Mei's adventure -- following rabbit-like creatures and falling down a hole, like Lewis Carroll's Alice -- is one of several references the movie makes to older children's stories.)Satsuki arrives home from school to find Mei missing. She and her father search for her until Satsuki finds Mei's hat near the edge of the woods. Following the same path Mei took, Satsuki and her father find her sleeping in a clearing within the bushes. Confused, Mei tries to retrace her steps back to the tree where she found Totoro. When she becomes upset that she can't find it again, Tatsuo explains that she must have come into contact with a spirit of the forest who probably doesn't want to be found right now. They walk together around the property to the large camphor tree that Mei fell into and offer their respects to the spirits for watching over Mei.That afternoon, the family takes a bike ride further into town to see the girls' mother. They pass Granny and Kanta working in rice paddies, and Kanta and Satsuki exchange raspberries. Arriving at the hospital, the girls tell their mother how wonderful the new house is, and Mei brags that when Yasuko is well enough to come home she will sleep with her in her bed. The family enjoys their time together and Yasuko brushes Satsuki's hair.One day while at school, Satsuki is surprised to see Mei and Granny waiting for her outside. Although Mei was given into Granny's care that day while Tatsuo went to university, she wants to be with no one but Satsuki. Satsuki agrees to let Mei stay in school with her, with the teacher's permission. As they walk home that afternoon, a rainstorm comes upon them unexpectedly. Satsuki and Mei take shelter under the roof of a small shrine until Kanta approaches them and silently offers his umbrella to them, though he does so with a little abrasiveness to hide his kindness. Later on, Satsuki and Mei return the umbrella to Kanta's mother (who had not known about Kanta's kind act, though he was pleased with himself) before walking to the bus station to wait for their father.While waiting in their rain gear, with an extra umbrella, Mei grows tired and Satsuki places her on her back to sleep. As she waits, Satsuki suddenly sees two clawed feet stand next to her. She looks up to see none other than Totoro waiting beside her. When she sees that he has nothing to shelter him from the rain besides a large leaf, she offers him the extra umbrella. Pleased with the shelter and the noise the raindrops make on the umbrella, Totoro roars with joy as headlights appear down the dark road. Satsuki becomes puzzled, however, when the headlights start to bounce. A bus does appear, but one that is mainly a large cat. Catbus grins widely at them as Totoro hands Satsuki a leaf-wrapped package before getting on and departing. (With its wide mouth and face, striped body, and ability to disappear, Catbus bears more than a passing resemblance to Lewis Carroll's Cheshire Cat.) Tatsuo arrives on the regular bus, apologizing that he ran late. The girls walk home with him and open their package to find that it is filled with acorns. They go outside to the garden and plant them.That night, Satsuki and Mei are awakened by sounds outside and discover Totoro (who has Tatsuo's umbrella) and his company of smaller totoros walking around the garden in a procession. They join them outside and mimic their dancing to encourage the acorns to grow. Saplings spring and quickly grow larger before merging into one giant tree (à la Jack and the Beanstalk). As the girls cheer, Totoro pulls out a large, spinning top and stands on it. The girls cling to the fur on his belly and he flies into the air (still carrying the umbrella, like Mary Poppins), up the trunk of the tree. They sit on the high branches together, making music with hollow gourds.The next morning, the girls wake up to find the tree gone. However, they notice that the seeds they planted have already started to sprout.During one afternoon, the girls enjoy a picnic with Granny, who has prepared a fresh meal of vegetables grown from her garden. She tells them that fresh vegetables will help their mother get better. A telegram arrives for Tatsuo from the hospital. Worried for her mother, Satsuki rushes to Kanta's house to phone her father. He calls her back after contacting the hospital to tell them that their mother is fine, but won't be able to come home that weekend due to a set-back in her treatment. Despite his assurances, Satsuki takes the news hard and yells at Mei when she fails to understand why their mother can't come home. Granny explains to Satsuki that their mother should be fine but Satsuki begins to cry and fears that her mother will die. Mei sees this and decides to go to the hospital to give her mother an ear of corn so that she will feel better. No one sees her go.By the time Satsuki notices that Mei is missing, she is long gone. The entire neighborhood pitches in to search for her while Satsuki runs everywhere, remorseful for having yelled at her. One tense moment yields to relief when Satsuki identifies a shoe found in a nearby pond as not belonging to Mei. Still desperate to find Mei, Satsuki runs home and asks permission to enter Totoro's realm. She finds the hole in the roots where Mei fell in and stumbles upon Totoro. She tearfully begs him to help her find Mei. Happy to be of assistance, Totoro takes Satsuki to the top of his tree and summons Catbus, who takes her straight to Mei, sitting alone by the side of the road. After hearing that Mei got lost on the way to the hospital, Catbus offers to take them there.Perched in a tree outside their mother's window, the girls see their father visiting. They leave Mei's corn on the windowsill and write a get-well message on the husk. Catbus takes them homeThe end credits show Mei's and Satsuki's mother finally coming home, with scenes of the children playing with friends while Totoro and the other spirits watch them, unseen. | My Neighbor Totoro | e20e0ae8-ce94-0855-3c4d-7e6413835992 | Who does she see and befriend ? | [
"Totoro (blue companion)."
] | false |
/m/0564x | On a warm, sunny day, 10-year-old Satsuki (English: Dakota Fanning; Japanese: Noriko Hidaka) and 4-year-old Mei (English: Elle Fanning; Japanese: Chika Sakamoto) Kusakabe drive with their father, Tatsuo (English: Tim Daly; Japanese: Shigesato Itoi), along a rural road towards their new home. The girls are excited about the move since it will bring them closer to their mother, Yasuko (English: Lea Salonga; Japanese: Sumi Shimamoto), who is ill in hospital (it is implied that she has tuberculosis).Their house is old and falling apart in places, but the girls find it charming and set out immediately to explore. They open all the windows and doors before daring to venture up the stairs into the attic. Faint rustling is heard in the darkness above before an acorn falls down the steps. Intrigued, the girls go up and yell at the darkness. When nothing responds, Satsuki runs to the opposite end of the attic to open the window as Mei notices dark, fuzzy things in the wall, staring at them intently. Satsuki goes back downstairs but Mei's curiosity is piqued. She reaches a tentative finger into a crack in the wall and startles a mess of black sootballs, one of which she is able to capture between her hands. Back downstairs, she runs into Granny (English: Pat Carroll; Japanese: Tanie Kitabayashi), an elderly next-door neighbor who's been watching over the house. Granny notices Mei's and Satsuki's hands and feet covered in soot and exclaims that they must have stumbled upon susuwatari, or soot sprites, which will most likely leave soon now that people are in the house. Her grandson, Kanta (English: Paul Butcher; Japanese: Toshiyuki Amagasa), emerges outside and shouts that the house is haunted. Granny scolds him and he runs off.That night, the family enjoys a bath together while the house moans and creaks from the wind. The girls become anxious, but their father encourages them to laugh, saying that their laughter will encourage any spirits in the house to disperse. Sure enough, as they laugh together, the clan of susuwatari leaves the house through the roof and drifts away on the wind.The next morning, Satsuki cooks and assembles lunch for her family. She places Mei's lunch in a bento box and says farewell as she heads off for school. Tatsuo, a professor at a local university, works from home while Mei plays outside. As she plays, she notices two white, rabbit-like ears poking out of the grass. She watches as the figure, a small, semi-transparent creature, walks past her towards the house. She follows it until it runs off and hides under the porch. It emerges with a larger, blue companion carrying a bag full of acorns, and they attempt to sneak past Mei. However, she quickly notices them and chases them to the edge of the woods. She follows them up a path through the shrubbery, losing her hat in the process, to a large camphor tree where they disappear into a hole beneath the roots. Mei falls into it and lands in a mossy hollow where she meets a large, slumbering version of the creatures she followed. It identifies itself with a series of roars that Mei interprets as Totoro (a mispronunciation on her part of tororu, the Japanese word for troll). Mei falls asleep on Totoro's furry belly. (Mei's adventure -- following rabbit-like creatures and falling down a hole, like Lewis Carroll's Alice -- is one of several references the movie makes to older children's stories.)Satsuki arrives home from school to find Mei missing. She and her father search for her until Satsuki finds Mei's hat near the edge of the woods. Following the same path Mei took, Satsuki and her father find her sleeping in a clearing within the bushes. Confused, Mei tries to retrace her steps back to the tree where she found Totoro. When she becomes upset that she can't find it again, Tatsuo explains that she must have come into contact with a spirit of the forest who probably doesn't want to be found right now. They walk together around the property to the large camphor tree that Mei fell into and offer their respects to the spirits for watching over Mei.That afternoon, the family takes a bike ride further into town to see the girls' mother. They pass Granny and Kanta working in rice paddies, and Kanta and Satsuki exchange raspberries. Arriving at the hospital, the girls tell their mother how wonderful the new house is, and Mei brags that when Yasuko is well enough to come home she will sleep with her in her bed. The family enjoys their time together and Yasuko brushes Satsuki's hair.One day while at school, Satsuki is surprised to see Mei and Granny waiting for her outside. Although Mei was given into Granny's care that day while Tatsuo went to university, she wants to be with no one but Satsuki. Satsuki agrees to let Mei stay in school with her, with the teacher's permission. As they walk home that afternoon, a rainstorm comes upon them unexpectedly. Satsuki and Mei take shelter under the roof of a small shrine until Kanta approaches them and silently offers his umbrella to them, though he does so with a little abrasiveness to hide his kindness. Later on, Satsuki and Mei return the umbrella to Kanta's mother (who had not known about Kanta's kind act, though he was pleased with himself) before walking to the bus station to wait for their father.While waiting in their rain gear, with an extra umbrella, Mei grows tired and Satsuki places her on her back to sleep. As she waits, Satsuki suddenly sees two clawed feet stand next to her. She looks up to see none other than Totoro waiting beside her. When she sees that he has nothing to shelter him from the rain besides a large leaf, she offers him the extra umbrella. Pleased with the shelter and the noise the raindrops make on the umbrella, Totoro roars with joy as headlights appear down the dark road. Satsuki becomes puzzled, however, when the headlights start to bounce. A bus does appear, but one that is mainly a large cat. Catbus grins widely at them as Totoro hands Satsuki a leaf-wrapped package before getting on and departing. (With its wide mouth and face, striped body, and ability to disappear, Catbus bears more than a passing resemblance to Lewis Carroll's Cheshire Cat.) Tatsuo arrives on the regular bus, apologizing that he ran late. The girls walk home with him and open their package to find that it is filled with acorns. They go outside to the garden and plant them.That night, Satsuki and Mei are awakened by sounds outside and discover Totoro (who has Tatsuo's umbrella) and his company of smaller totoros walking around the garden in a procession. They join them outside and mimic their dancing to encourage the acorns to grow. Saplings spring and quickly grow larger before merging into one giant tree (à la Jack and the Beanstalk). As the girls cheer, Totoro pulls out a large, spinning top and stands on it. The girls cling to the fur on his belly and he flies into the air (still carrying the umbrella, like Mary Poppins), up the trunk of the tree. They sit on the high branches together, making music with hollow gourds.The next morning, the girls wake up to find the tree gone. However, they notice that the seeds they planted have already started to sprout.During one afternoon, the girls enjoy a picnic with Granny, who has prepared a fresh meal of vegetables grown from her garden. She tells them that fresh vegetables will help their mother get better. A telegram arrives for Tatsuo from the hospital. Worried for her mother, Satsuki rushes to Kanta's house to phone her father. He calls her back after contacting the hospital to tell them that their mother is fine, but won't be able to come home that weekend due to a set-back in her treatment. Despite his assurances, Satsuki takes the news hard and yells at Mei when she fails to understand why their mother can't come home. Granny explains to Satsuki that their mother should be fine but Satsuki begins to cry and fears that her mother will die. Mei sees this and decides to go to the hospital to give her mother an ear of corn so that she will feel better. No one sees her go.By the time Satsuki notices that Mei is missing, she is long gone. The entire neighborhood pitches in to search for her while Satsuki runs everywhere, remorseful for having yelled at her. One tense moment yields to relief when Satsuki identifies a shoe found in a nearby pond as not belonging to Mei. Still desperate to find Mei, Satsuki runs home and asks permission to enter Totoro's realm. She finds the hole in the roots where Mei fell in and stumbles upon Totoro. She tearfully begs him to help her find Mei. Happy to be of assistance, Totoro takes Satsuki to the top of his tree and summons Catbus, who takes her straight to Mei, sitting alone by the side of the road. After hearing that Mei got lost on the way to the hospital, Catbus offers to take them there.Perched in a tree outside their mother's window, the girls see their father visiting. They leave Mei's corn on the windowsill and write a get-well message on the husk. Catbus takes them homeThe end credits show Mei's and Satsuki's mother finally coming home, with scenes of the children playing with friends while Totoro and the other spirits watch them, unseen. | My Neighbor Totoro | 443b95c3-c325-4544-5bda-fdd18b640cec | Who plant the seeds? | [
"Satsuki and Mei"
] | false |
/m/0b6msm0 | A maniac bomber is ruthlessly targeting Seattle, claiming civilians and bomb disposal teams alike as apartment blocks and office complexes collapse under the impact of his ingenious, complex devices. Calling in ex-Bomb Squad man John Pierce (Sam Elliott) to help them, and using computer assisted disposal techniques and virtual reality simulations, the Squad come to a horrifying realization - the bombs are constructed with tricks and traps intended to kill the disposal teams...and he is the only person who would know such schemes would be a fellow Bomb Squad officer. With the Police marking Pierce as their number one suspect and the bomber on the brink of one final, cataclysmic attack, Pierce must move quickly to unmask the trigger-man behind the carnage or face taking the rap himself. | The Final Cut | 854890a7-bbe2-574e-ddf5-b6463efd2629 | How did Alan's friend die? | [] | true |
/m/0b6msm0 | A maniac bomber is ruthlessly targeting Seattle, claiming civilians and bomb disposal teams alike as apartment blocks and office complexes collapse under the impact of his ingenious, complex devices. Calling in ex-Bomb Squad man John Pierce (Sam Elliott) to help them, and using computer assisted disposal techniques and virtual reality simulations, the Squad come to a horrifying realization - the bombs are constructed with tricks and traps intended to kill the disposal teams...and he is the only person who would know such schemes would be a fellow Bomb Squad officer. With the Police marking Pierce as their number one suspect and the bomber on the brink of one final, cataclysmic attack, Pierce must move quickly to unmask the trigger-man behind the carnage or face taking the rap himself. | The Final Cut | 37ebcc42-e1e8-4a27-4732-e6289c39b4f7 | What happened to Alan? | [] | true |
/m/0b6msm0 | A maniac bomber is ruthlessly targeting Seattle, claiming civilians and bomb disposal teams alike as apartment blocks and office complexes collapse under the impact of his ingenious, complex devices. Calling in ex-Bomb Squad man John Pierce (Sam Elliott) to help them, and using computer assisted disposal techniques and virtual reality simulations, the Squad come to a horrifying realization - the bombs are constructed with tricks and traps intended to kill the disposal teams...and he is the only person who would know such schemes would be a fellow Bomb Squad officer. With the Police marking Pierce as their number one suspect and the bomber on the brink of one final, cataclysmic attack, Pierce must move quickly to unmask the trigger-man behind the carnage or face taking the rap himself. | The Final Cut | 4f913bb6-8df0-84e0-6bcc-057ec0f6c6e8 | What is Alan's job? | [] | true |
/m/0b6msm0 | A maniac bomber is ruthlessly targeting Seattle, claiming civilians and bomb disposal teams alike as apartment blocks and office complexes collapse under the impact of his ingenious, complex devices. Calling in ex-Bomb Squad man John Pierce (Sam Elliott) to help them, and using computer assisted disposal techniques and virtual reality simulations, the Squad come to a horrifying realization - the bombs are constructed with tricks and traps intended to kill the disposal teams...and he is the only person who would know such schemes would be a fellow Bomb Squad officer. With the Police marking Pierce as their number one suspect and the bomber on the brink of one final, cataclysmic attack, Pierce must move quickly to unmask the trigger-man behind the carnage or face taking the rap himself. | The Final Cut | ca204704-193c-9dff-602a-7c81d2668e18 | What did Alan actually set in when leaving the building? | [] | true |
/m/0b6msm0 | A maniac bomber is ruthlessly targeting Seattle, claiming civilians and bomb disposal teams alike as apartment blocks and office complexes collapse under the impact of his ingenious, complex devices. Calling in ex-Bomb Squad man John Pierce (Sam Elliott) to help them, and using computer assisted disposal techniques and virtual reality simulations, the Squad come to a horrifying realization - the bombs are constructed with tricks and traps intended to kill the disposal teams...and he is the only person who would know such schemes would be a fellow Bomb Squad officer. With the Police marking Pierce as their number one suspect and the bomber on the brink of one final, cataclysmic attack, Pierce must move quickly to unmask the trigger-man behind the carnage or face taking the rap himself. | The Final Cut | b86cbb4f-ed60-7de2-cce7-dd2f19283176 | What are the brain chips called? | [] | true |
/m/0b6msm0 | A maniac bomber is ruthlessly targeting Seattle, claiming civilians and bomb disposal teams alike as apartment blocks and office complexes collapse under the impact of his ingenious, complex devices. Calling in ex-Bomb Squad man John Pierce (Sam Elliott) to help them, and using computer assisted disposal techniques and virtual reality simulations, the Squad come to a horrifying realization - the bombs are constructed with tricks and traps intended to kill the disposal teams...and he is the only person who would know such schemes would be a fellow Bomb Squad officer. With the Police marking Pierce as their number one suspect and the bomber on the brink of one final, cataclysmic attack, Pierce must move quickly to unmask the trigger-man behind the carnage or face taking the rap himself. | The Final Cut | 8c60e117-9296-f3ca-6315-684c7b4c7fbb | Who's chip does Alan look for? | [] | true |
/m/0h95_b7 | The story begins in 1994. An outstanding student, Shen Chia-yi is popular among her teachers and classmates. Ko Ching-teng, mischievous and a poor student, claims that he has no interest in her, despite being her classmate since junior high school. One day, Ching-teng is caught masturbating during class, and the principal reseats him, placing him in front of Chia-yi.
One day, Chia-yi forgets her English textbook. Ching-teng slips her his own book and tells their teacher he forgot his own textbook; he then endures a long lecture and is punished. Chia-yi, touched by Ching-teng's generosity, prepares a practice exam for him in return, to encourage him to study. She also convinces him to stay after school to study with her. Their relationship grows, and Ching-teng's grades gradually improve.
On graduation, Ching-teng enrolls at the National Chiao Tung University. Chia-Yi, who did not do well on the admission exam because she was ill on that day, only manages to enter the National Taipei University of Education with her mediocre test results. Depressed and upset, she is consoled by Ching-teng, who calls her long-distance almost every night from university. During the winter holiday season that year, the two go on their first "date", during which Ching-teng asks Chia-yi if she loves him. However, fearing she would say no, he decides that he would rather not hear her answer (it is revealed later that her reply would have been "yes"). Ching-teng later organizes a fight night and invites Chia-yi to watch, hoping to impress her with his "strength". On the contrary, Chia-yi finds it childish for Ching-teng to injure himself for no reason. This upsets Ching-teng, sparking a quarrel that causes the two to break up.
During the two years after their breakup, Ching-teng has no contact with Chia-yi. He qualifies for a graduate research course at Tunghai University, where he begins writing stories online. Ching-teng only regains contact with Chia-yi after the 921 earthquake, when he calls to see if she is okay. During their long conversation with each other, they both lament the fact that they were not fated to become a couple.
Years later, in 2005, Chia-yi suddenly calls Ching-teng to tell him that she is getting married. All of her old friends gather at the wedding, making jokes and trying to embarrass her somewhat-older husband. They are surprised that their past emotions have transformed into deep friendship and serenity. Ching-teng begins to work on a web novel about his experiences with Chia-yi.
Later, when they gather to congratulate the bride and groom, the friends joke that they should be able to kiss the bride. The husband says that anybody who wants to kiss the bride has to kiss him like that first. Ching-teng grabs the groom and pushes him onto the table, kissing him like he would kiss Chia-yi. During their kiss, he remembers how he regrets their fight from years ago, and what could have happened had he apologized for being childish. | You Are the Apple of My Eye | 5a6b0bc6-abe3-b51e-595a-415dd6e643cf | Do Ko's friends like Shen? | [] | true |
/m/0h95_b7 | The story begins in 1994. An outstanding student, Shen Chia-yi is popular among her teachers and classmates. Ko Ching-teng, mischievous and a poor student, claims that he has no interest in her, despite being her classmate since junior high school. One day, Ching-teng is caught masturbating during class, and the principal reseats him, placing him in front of Chia-yi.
One day, Chia-yi forgets her English textbook. Ching-teng slips her his own book and tells their teacher he forgot his own textbook; he then endures a long lecture and is punished. Chia-yi, touched by Ching-teng's generosity, prepares a practice exam for him in return, to encourage him to study. She also convinces him to stay after school to study with her. Their relationship grows, and Ching-teng's grades gradually improve.
On graduation, Ching-teng enrolls at the National Chiao Tung University. Chia-Yi, who did not do well on the admission exam because she was ill on that day, only manages to enter the National Taipei University of Education with her mediocre test results. Depressed and upset, she is consoled by Ching-teng, who calls her long-distance almost every night from university. During the winter holiday season that year, the two go on their first "date", during which Ching-teng asks Chia-yi if she loves him. However, fearing she would say no, he decides that he would rather not hear her answer (it is revealed later that her reply would have been "yes"). Ching-teng later organizes a fight night and invites Chia-yi to watch, hoping to impress her with his "strength". On the contrary, Chia-yi finds it childish for Ching-teng to injure himself for no reason. This upsets Ching-teng, sparking a quarrel that causes the two to break up.
During the two years after their breakup, Ching-teng has no contact with Chia-yi. He qualifies for a graduate research course at Tunghai University, where he begins writing stories online. Ching-teng only regains contact with Chia-yi after the 921 earthquake, when he calls to see if she is okay. During their long conversation with each other, they both lament the fact that they were not fated to become a couple.
Years later, in 2005, Chia-yi suddenly calls Ching-teng to tell him that she is getting married. All of her old friends gather at the wedding, making jokes and trying to embarrass her somewhat-older husband. They are surprised that their past emotions have transformed into deep friendship and serenity. Ching-teng begins to work on a web novel about his experiences with Chia-yi.
Later, when they gather to congratulate the bride and groom, the friends joke that they should be able to kiss the bride. The husband says that anybody who wants to kiss the bride has to kiss him like that first. Ching-teng grabs the groom and pushes him onto the table, kissing him like he would kiss Chia-yi. During their kiss, he remembers how he regrets their fight from years ago, and what could have happened had he apologized for being childish. | You Are the Apple of My Eye | fa435d7c-5ce0-52d0-ea3a-38db7f288f8a | Where is Ko told to sit? | [
"In front of Chia-Yi"
] | false |
/m/0h95_b7 | The story begins in 1994. An outstanding student, Shen Chia-yi is popular among her teachers and classmates. Ko Ching-teng, mischievous and a poor student, claims that he has no interest in her, despite being her classmate since junior high school. One day, Ching-teng is caught masturbating during class, and the principal reseats him, placing him in front of Chia-yi.
One day, Chia-yi forgets her English textbook. Ching-teng slips her his own book and tells their teacher he forgot his own textbook; he then endures a long lecture and is punished. Chia-yi, touched by Ching-teng's generosity, prepares a practice exam for him in return, to encourage him to study. She also convinces him to stay after school to study with her. Their relationship grows, and Ching-teng's grades gradually improve.
On graduation, Ching-teng enrolls at the National Chiao Tung University. Chia-Yi, who did not do well on the admission exam because she was ill on that day, only manages to enter the National Taipei University of Education with her mediocre test results. Depressed and upset, she is consoled by Ching-teng, who calls her long-distance almost every night from university. During the winter holiday season that year, the two go on their first "date", during which Ching-teng asks Chia-yi if she loves him. However, fearing she would say no, he decides that he would rather not hear her answer (it is revealed later that her reply would have been "yes"). Ching-teng later organizes a fight night and invites Chia-yi to watch, hoping to impress her with his "strength". On the contrary, Chia-yi finds it childish for Ching-teng to injure himself for no reason. This upsets Ching-teng, sparking a quarrel that causes the two to break up.
During the two years after their breakup, Ching-teng has no contact with Chia-yi. He qualifies for a graduate research course at Tunghai University, where he begins writing stories online. Ching-teng only regains contact with Chia-yi after the 921 earthquake, when he calls to see if she is okay. During their long conversation with each other, they both lament the fact that they were not fated to become a couple.
Years later, in 2005, Chia-yi suddenly calls Ching-teng to tell him that she is getting married. All of her old friends gather at the wedding, making jokes and trying to embarrass her somewhat-older husband. They are surprised that their past emotions have transformed into deep friendship and serenity. Ching-teng begins to work on a web novel about his experiences with Chia-yi.
Later, when they gather to congratulate the bride and groom, the friends joke that they should be able to kiss the bride. The husband says that anybody who wants to kiss the bride has to kiss him like that first. Ching-teng grabs the groom and pushes him onto the table, kissing him like he would kiss Chia-yi. During their kiss, he remembers how he regrets their fight from years ago, and what could have happened had he apologized for being childish. | You Are the Apple of My Eye | 9c443dab-ab8e-22df-42db-9f7ff863ee98 | What do you do if you feel it violates any copyrights? | [] | true |
/m/0h95_b7 | The story begins in 1994. An outstanding student, Shen Chia-yi is popular among her teachers and classmates. Ko Ching-teng, mischievous and a poor student, claims that he has no interest in her, despite being her classmate since junior high school. One day, Ching-teng is caught masturbating during class, and the principal reseats him, placing him in front of Chia-yi.
One day, Chia-yi forgets her English textbook. Ching-teng slips her his own book and tells their teacher he forgot his own textbook; he then endures a long lecture and is punished. Chia-yi, touched by Ching-teng's generosity, prepares a practice exam for him in return, to encourage him to study. She also convinces him to stay after school to study with her. Their relationship grows, and Ching-teng's grades gradually improve.
On graduation, Ching-teng enrolls at the National Chiao Tung University. Chia-Yi, who did not do well on the admission exam because she was ill on that day, only manages to enter the National Taipei University of Education with her mediocre test results. Depressed and upset, she is consoled by Ching-teng, who calls her long-distance almost every night from university. During the winter holiday season that year, the two go on their first "date", during which Ching-teng asks Chia-yi if she loves him. However, fearing she would say no, he decides that he would rather not hear her answer (it is revealed later that her reply would have been "yes"). Ching-teng later organizes a fight night and invites Chia-yi to watch, hoping to impress her with his "strength". On the contrary, Chia-yi finds it childish for Ching-teng to injure himself for no reason. This upsets Ching-teng, sparking a quarrel that causes the two to break up.
During the two years after their breakup, Ching-teng has no contact with Chia-yi. He qualifies for a graduate research course at Tunghai University, where he begins writing stories online. Ching-teng only regains contact with Chia-yi after the 921 earthquake, when he calls to see if she is okay. During their long conversation with each other, they both lament the fact that they were not fated to become a couple.
Years later, in 2005, Chia-yi suddenly calls Ching-teng to tell him that she is getting married. All of her old friends gather at the wedding, making jokes and trying to embarrass her somewhat-older husband. They are surprised that their past emotions have transformed into deep friendship and serenity. Ching-teng begins to work on a web novel about his experiences with Chia-yi.
Later, when they gather to congratulate the bride and groom, the friends joke that they should be able to kiss the bride. The husband says that anybody who wants to kiss the bride has to kiss him like that first. Ching-teng grabs the groom and pushes him onto the table, kissing him like he would kiss Chia-yi. During their kiss, he remembers how he regrets their fight from years ago, and what could have happened had he apologized for being childish. | You Are the Apple of My Eye | 2216a040-5c3f-e615-ad82-1464db50ca6c | Who is an honor student? | [
"Shen Chia-yi"
] | false |
/m/01d2v1 | The film opens within the New York Public Library, where a librarian (Alice Drummond) is first gathering books, before heading downstairs to a remote and empty section. She places a book back on the shelf, not noticing that the books behind her are levitating across the aisle. Later, she passes the card catalogue shelves as they open behind her and suddenly begin to hurl their contents into the air. Frightened and screaming, she runs through the room before being stopped by an unseen ghost, which scares her terribly. This leads into the title card.After the opening title shot, the film continues in the Paranormal Studies Dept. of Columbia University, where Dr. Peter Venkman (Bill Murray) is conducting a test on ESP with a nerdy male student (Steven Tash) and an attractive female student (Jennifer Runyon). Venkman continually flirts and lies about her abilities, while enjoying administering electric shocks to the male student. Having finally had enough, the male student departs, and Venkman continues to flirt with the young woman. Dr. Ray Stantz (Dan Aykroyd) enters, and frantically begins to tell Venkman about the sighting at the library, insisting they leave at once to check it out. Venkman makes a date with the student, and follows Stantz out.Upon arriving at the library, Venkman and Stantz meet up with Dr. Egon Spengler (Harold Ramis), and Venkman proceeds to ask a series of personal (and cynical) questions about her medical and social history, before the three head down to the area the ghost supposedly inhabits. While down there, the three men collect ectoplasmic residue, discover a tall "symmetrical stacking" of books from floor to ceiling, and narrowly escape a falling bookcase.Turning the same corner as the librarian, they see the ghost: a transparent form of an elderly lady (Ruth Oliver), reading a book. Having no idea what to do, Venkman begins to talk to the ghost as if it were a lady in a bar. She shushes him, before Stantz proclaims he knows what to do. They stealthily approach the ghost, before Ray yells, "Get her!" and the ghost mutates to a ghoulish, skeletal apparition, scaring the hell out of the trio, who run screaming from the library. They ignore the library administrator (John Rothman) in their frantic way out.After they've calmed down a bit, they walk back to the university. Venkman mocks Ray's idiotic plan, and Egon announces that based on his readings, they now have a "good change of actually catching a ghost and holding it indefinitely." However, once they get back to the school, they meet the dean (Jordan Charney) who tells them that their grant has been terminated due to their shoddy and highly suspect findings, research, and methods.Peter and Ray sit drinking on campus, and Ray mopes about their bleak prospects, before Peter suggests this turn of events happened so that they could go into business for themselves, as the world's first firm for paranormal investigations and eliminations.Peter convinces Ray to take out a mortgage on his childhood home, and use it for startup capital. The trio checks out an empty firehouse to use as a headquarters, and while Egon enumerates the many problems with the building itself, Ray is beside himself with excitement at the prospect of living and working there, specially with the fire-fighter pall in the middle of the hall.At 55 Central Park West, classical musician Dana Barrett (Sigourney Weaver) arrives home with groceries. Her neighbor, übernerd and accountant Louis Tully (Rick Moranis), stops her in the hall, telling her that her television had been left on. Louis badgers her about an upcoming party he's hosting, and Dana finally brushes him away and enters her apartment. As she is putting away her groceries, she notices that her eggs are now leaping out of their shells and cooking themselves on her countertop. She then hears a growl coming from her refrigerator, opens it, and sees an otherworldly temple, and a doglike creature that growls the word "Zuul" (voiced by Ivan Reitman), before Dana frantically slams the door shut.Back at the newly christened Ghostbusters headquarters, Ray pulls up, shocking Peter with the new business car, an old beat-up ambulance that needs a lot of work. Peter goes back inside, makes small talk with their new secretary, Janine (Annie Potts), and waits around for business.Dana arrives seeking an explanation for the events in her kitchen. Peter flirts vigorously with her, while Egon and Ray examine her briefly, and speculate as to what may be the cause of her encounter. After deciding on a plan of action, Peter insists on going with Dana back to her apartment, where he haphazardly looks around, but mostly flirts with her. He looks in the kitchen, and sees the eggs on the counter, but nothing else out of the ordinary. Dana is annoyed, but Peter continues to beg her for a date, pledging to solve her problems in an effort to impress her.Later, the Ghostbusters sit around enjoying dinner, when Janine finally gets a call about a ghost. Peter, Ray, and Egon quickly dress, and race out of their headquarters, to the Sedgwick Hotel, where the manager (Michael Ensign) informs them of a ghost on the 12th floor. They've always had problems, he tells them, but lately it's gotten out of hand. The Ghostbusters assure him they'll take care of it, and head up to the 12th floor. Egon and Ray worry about their equipment, which Peter describes as an unlicensed nuclear accelerator, and decide that they'll ignore the danger for now. They make chitchat conversation with a guest (Murray Rubin) outside the elevator, and they tell him they are going to kill a cockroach, to which the guest answers, "That's gotta be some cockroach." He takes the next elevator.Almost immediately after the Ghostbusters exit the elevator, a maid startles them, and they nearly kill her with their proton packs. The three split up, and Ray eventually sees the ghost: a rotund, green blob, eating everything on a room service cart. Ray tries to hit it with his proton pack but misses, and it flies away, frightened. Ray calls Peter on his walkie-talkie, and Peter, who is now face-to-face with the ghost, is suddenly attacked by it. Ray runs to Peter, and finds him on his back, covered in green slime, but otherwise OK. Egon calls them and informs the other two that the ghost went into the hotel's ballroom.They calm the hotel manager, and then set to work on containing the little green ghost. While shooting their weapons all over the room, Egon suddenly warns the others not to cross their streams, because to do so would result in the destruction of "all life as you know it." After destroying much of the ballroom with their seriously unstable proton packs, the Ghostbusters finally trap the ghost, and burst triumphantly from the ballroom, before the anxious manager and a host of guests burst in. The Ghostbusters haggle with the manager over the bill for a moment, and then head back home, victorious.There is a montage of a series of missions, news spots, newspaper clippings, and stories about the Ghostbusters' new fame and success. There are even interviewed by Larry King and Joe Franklin (themselves).Peter briefly meets with Dana after her orchestra practice, and flirts a bit with her before telling her about Zuul, whom he has discovered is associated with an ancient Sumerian god of destruction, Gozer. He tells her that he'll go over it in more detail over dinner, and finally, she agrees to a date.The Ghostbusters soon hire a fourth man, Winston Zeddemore (Ernie Hudson), a black, blue-collar type guy, who is just looking for a job. Hired immediately by Ray and Peter, Winston is handed a couple of traps and led off by Ray to learn about getting rid of the ghosts, while Peter is informed that there is a man from the EPA waiting for him.Walter Peck (William Atherton), the pompous EPA delegate, condescendingly talks to Peter, refusing to acknowledge that Peter is, in fact, a PhD, and therefore, Dr. Venkman, and briefly questions him about the possible environmental impact of their business, and specifically, their custom-built storage facility. He demands to see it, but Peter just patronizes him for a bit before throwing him out.Ray shows Winston how they unload the ghosts they've trapped into the storage facility, while Egon tells them that his latest research indicates that the city is experience a colossal increase in paranormal activity, comparing it to a 600-pound Twinkie. Peter joins them, mentioning the EPA, and memorably asks, "What about the Twinkie?"A brief shot on the top of Dana's building shows that dog-like gargoyle statues atop the roof are breaking apart and real animals are underneath the stone.Back inside, Dana arrives home, and is once again accosted by Louis who is raving about his party. He is disappointed when Dana tells him she has a date. She gets rid of him again, and goes into her apartment, undressing and talking on the phone. She sits in an armchair for a moment before noticing the same growling sounds from the kitchen. Before she can react, three arms burst from the chair and hold Dana down as she is dragged through her kitchen door to one of the Terror Dogs. Another shot on the roof shows that the gargoyles on the roof have completely broken apart, and whatever was in them is loose.Louis' party continues as he rambles on about the price efficiency of his hosting a party. Two guests show up, hand Louis their coats, and he throws them -unnoticing- on the terror dog sitting at his desk. It roars, and bursts through the door, apparently only after Louis. He runs out of the apartment, through Central Park, before being cornered and attacked outside Tavern on the Green.Meanwhile, Peter arrives at Dana's apartment, stepping over the carnage of Louis' party, and knocks on the door. Dana opens it, dressed in a slinky red dress, and asks, "Are you the Keymaster?" Peter says no, so she angrily slams the door in his face. He knocks again, and enters after answering her question "yes". Dana says that she is Zuul, and they must prepare for the coming of Gozer, The Destructor. Peter talks to her and resists the possessed Dana's aggressive advances, before requesting to speak with the real Dana. At first, Dana coyly replies "There is no Dana, there is only Zuul," trying to kiss him but Peter, still trying to get through to the real Dana Barrett, restrains her. The possessed Dana now becomes visibly annoyed at his persistence, as Peter once again inquires about the real Dana; she replies in an unearthly demonic voice "There is no Dana, only Zuul!" Peter sarcastically dismisses her and gives her to the count of three to talk to the real Dana. With each count, Dana presents further signs of her possession: at first demonically rolling her eyes, then panting like an animal, and finally roaring like a demonic beast and magically floating above her bed. She turns over in midair, to face down at Peter whom asks her to please come down. Dana roars fiercely at him, finally frightening him.Louis, looking disheveled and generally abused, runs out from Central Park rambling, and asks a hansom cab horse if he is the "Gatekeeper". The driver (Danny Stone) chases him off, so he runs away, screaming about a sign of Gozer's arrival.The NYPD arrives at the Ghostbusters headquarters, to drop off Louis, who's been captured and rejected by both the city jail and Bellevue's psych ward. Egon looks at him briefly, and takes him inside. Louis reveals his name is Vinz Clortho, Keymaster of Gozer. He goes on about the history of Gozer, how the god assumes various forms and would mean the destruction of the civilization he targets. During the exam, Peter calls, and tells Egon about the developments with Dana, who is now lies heavily sedated on the bed next to him. Egon tells Peter in return about Louis' psychic transformation, and insists Peter come back to headquarters.Winston and Ray are driving back to the office, Winston driving while Ray examines the "very odd" blueprints of Dana's apartment building. Winston asks Ray about his belief in God, and speculates that the reason they've been so busy lately is because the dead have been rising from the grave, as it was foretold in the Book of Revelations, as a precursor to judgment day, and the end of the world. Ray ponders this.Back at headquarters, Walter Peck has returned with a court order, a cop, and a Con Edison worker (Larry Dilg), intent on shutting down the storage facility. Egon tries to talk them out of it, and Peter arrives just in time to antagonize Peck some more, before the cop intervenes and the Con Ed guy shuts off the power grid. A warning buzzer sounds, and everyone clears the building, as the storage facility rumbles and begins to destroy the basement.A supernatural light show occurs, as all kinds of paranormal energy bursts through the building and shoots out of the roof. Across town, Dana, immediately wakes up from her sedation, and walks toward her living room window. Louis is excited, claiming this is the sign he was waiting for. Ray and Winston arrive, and Egon attacks Peck, getting everyone arrested.Ghosts run rampant through the city, but most of the energy seems to run directly to Dana's building. Dana growls at the energy, ripping out the wall of her apartment in a small explosion.Sitting in jail, Ray shows Egon and Peter the blueprints of Dana's apartment building, pointing out highly unorthodox methods and materials, especially near the roof. Egon tells them that the building, he's discovered, was designed by an insane architect/surgeon named Ivo Shandor. In the 20's, Shandor was evidently so disgusted by the First World War, that he decided he would try to bring about the end of the world with a secret society of Gozer worshippers. They performed rituals atop Dana's building, and the roof itself was meant to be the gateway to allow Gozer into our world. A guard arrives (Reginald VelJohnson), and tells the Ghostbusters that the mayor wants to meet them, to deal with the rash of ghosts and other unbelievable phenomenon happening throughout the city.Louis arrives at Dana's demolished apartment, and they share a passionate kiss before slowly making their way up to the roof via a mythical staircase behind the wall where Dana's fridge used to be as lightning flashes ominously.The four men and Peck are brought before the Mayor (David Margulies) both arguing their sides. Peck claims the Ghostbusters are con artists and use nerve gases to force people to hallucinate and have visions of ghosts. Winston steps up and defends the things he's seen as real. Ray reveals that the city is headed for a disaster of "biblical proportions", and Venkman finally appeals to the possibility that the mayor could be responsible for saving the lives of millions of registered voters. The Mayor throws Peck out of his office and offers whatever support he can to the Ghostbusters.People have gathered all around the apartment building, which has clearly become the center of the entire mess. They cheer as the Ghostbusters arrive, and Peter mugs for the crowd. The four men put on their proton packs and are prepared to enter, but a sudden earthquake seems to swallow them beneath the street. Eventually, they emerge unharmed to the continued cheers from the crowd. They band together and head inside.Once inside, they must climb the stairs to Dana's 22nd floor apartment. Dana and Louis lie on a large stone table. Dana seductively wakes up, followed by Louis. They stare in awe at the large Temple in front of them then walk toward the opposite stone pedestals where the Terror Dog statues once stood. The Ghostbusters arrive to find Dana's apartment burned out and more or less destroyed. They see the staircase in the kitchen and go up.Dana and Louis raise their arms to the sky and are suddenly struck by bolts of lightning, redirecting the lightning bolts toward the temple door, causing it to open and signaling the arrival of Gozer the Gozerian. With the temple doors finally open, Dana and Louis now absorb their full power as the Ghostbusters arrive just in time to see the lightning converge on the demonic couple in a huge blast, transforming them back into the monstrous Terror Dogs, who now turn and roar menacingly at the Ghostbusters before leaping towards the side of the Temple doors.Gozer appears in the form of an exotic female with a tall, dark flattop and blood red eyes (Slavitza Jovan). Egon points out that she's not really a woman, but rather, takes the shape of whatever it wants. Peter goads Ray into talking to her. Ray very formally requests that Gozer returns to her place of origin, but she responds by asking if he is a god. He says no, and Gozer responds by shooting lightning from her fingers and nearly hurling the Ghostbusters off the roof.They regroup and decide to attack Gozer, but she nimbly jumps clear of their streams and lands behind them. Another attack proves fruitless as she disappears rather than being caught in the streams. Believing they are victorious, the Ghostbusters begin to celebrate, but it is short-lived as Gozer's booming voice is heard above the city demanding that they "choose the form of the Destructor".Peter tells everyone to clear their minds, and think of nothing, so no form will be taken, but it is clearly too late. Ray admits he did his best, but something just popped in his mind, something he thought could never harm anyone. "It's the Stay Puft Marshmallow Man."A 10-story, white, puffy marshmallow man begins to walk the streets of the city, crushing everything underfoot. When he is close enough, the Ghostbusters open fire, setting Mr. Stay Puft ablaze, as he begins to climb the building, King Kong style.Running for cover, the Ghostbusters appear out of ideas, until Egon suggests that they cross the streams, in an effort to close the door, and destroy Gozer's portal. Realizing this will probably mean their doom, the Ghostbusters go ahead with the plan, and set off to finish the god.Crossing the streams does indeed result in a catastrophic explosion, destroying the temple and incinerating the Stay Puft Marshmallow Man, raining molten marshmallow all over the street, including an onlooking Walter Peck.Back on the roof, the Ghostbusters have survived, and slowly emerge from the rubble, covered in marshmallow. Peter finds the roasted carcasses of the Terror Dogs, and believes Dana dead. Behind him, though, her fingers crack through the hardened ruins of the animal, and the Ghostbusters quickly break apart the rest, freeing her and Louis. They leave the roof, and Winston exclaims, "I love this town!"As the closing credits roll, the Ghostbusters return to the street to the roaring cheers of the crowd. Peter and Dana kiss in front of everyone, Louis is helped into an ambulance, and as they drive off, the green ghost from the hotel roars toward the camera as it fades to black. | Ghostbusters | 8d560acc-45f5-8af2-3102-2fea4341424b | who are New York Public Library to investigators? | [
"they see their first ghost"
] | false |
/m/01d2v1 | The film opens within the New York Public Library, where a librarian (Alice Drummond) is first gathering books, before heading downstairs to a remote and empty section. She places a book back on the shelf, not noticing that the books behind her are levitating across the aisle. Later, she passes the card catalogue shelves as they open behind her and suddenly begin to hurl their contents into the air. Frightened and screaming, she runs through the room before being stopped by an unseen ghost, which scares her terribly. This leads into the title card.After the opening title shot, the film continues in the Paranormal Studies Dept. of Columbia University, where Dr. Peter Venkman (Bill Murray) is conducting a test on ESP with a nerdy male student (Steven Tash) and an attractive female student (Jennifer Runyon). Venkman continually flirts and lies about her abilities, while enjoying administering electric shocks to the male student. Having finally had enough, the male student departs, and Venkman continues to flirt with the young woman. Dr. Ray Stantz (Dan Aykroyd) enters, and frantically begins to tell Venkman about the sighting at the library, insisting they leave at once to check it out. Venkman makes a date with the student, and follows Stantz out.Upon arriving at the library, Venkman and Stantz meet up with Dr. Egon Spengler (Harold Ramis), and Venkman proceeds to ask a series of personal (and cynical) questions about her medical and social history, before the three head down to the area the ghost supposedly inhabits. While down there, the three men collect ectoplasmic residue, discover a tall "symmetrical stacking" of books from floor to ceiling, and narrowly escape a falling bookcase.Turning the same corner as the librarian, they see the ghost: a transparent form of an elderly lady (Ruth Oliver), reading a book. Having no idea what to do, Venkman begins to talk to the ghost as if it were a lady in a bar. She shushes him, before Stantz proclaims he knows what to do. They stealthily approach the ghost, before Ray yells, "Get her!" and the ghost mutates to a ghoulish, skeletal apparition, scaring the hell out of the trio, who run screaming from the library. They ignore the library administrator (John Rothman) in their frantic way out.After they've calmed down a bit, they walk back to the university. Venkman mocks Ray's idiotic plan, and Egon announces that based on his readings, they now have a "good change of actually catching a ghost and holding it indefinitely." However, once they get back to the school, they meet the dean (Jordan Charney) who tells them that their grant has been terminated due to their shoddy and highly suspect findings, research, and methods.Peter and Ray sit drinking on campus, and Ray mopes about their bleak prospects, before Peter suggests this turn of events happened so that they could go into business for themselves, as the world's first firm for paranormal investigations and eliminations.Peter convinces Ray to take out a mortgage on his childhood home, and use it for startup capital. The trio checks out an empty firehouse to use as a headquarters, and while Egon enumerates the many problems with the building itself, Ray is beside himself with excitement at the prospect of living and working there, specially with the fire-fighter pall in the middle of the hall.At 55 Central Park West, classical musician Dana Barrett (Sigourney Weaver) arrives home with groceries. Her neighbor, übernerd and accountant Louis Tully (Rick Moranis), stops her in the hall, telling her that her television had been left on. Louis badgers her about an upcoming party he's hosting, and Dana finally brushes him away and enters her apartment. As she is putting away her groceries, she notices that her eggs are now leaping out of their shells and cooking themselves on her countertop. She then hears a growl coming from her refrigerator, opens it, and sees an otherworldly temple, and a doglike creature that growls the word "Zuul" (voiced by Ivan Reitman), before Dana frantically slams the door shut.Back at the newly christened Ghostbusters headquarters, Ray pulls up, shocking Peter with the new business car, an old beat-up ambulance that needs a lot of work. Peter goes back inside, makes small talk with their new secretary, Janine (Annie Potts), and waits around for business.Dana arrives seeking an explanation for the events in her kitchen. Peter flirts vigorously with her, while Egon and Ray examine her briefly, and speculate as to what may be the cause of her encounter. After deciding on a plan of action, Peter insists on going with Dana back to her apartment, where he haphazardly looks around, but mostly flirts with her. He looks in the kitchen, and sees the eggs on the counter, but nothing else out of the ordinary. Dana is annoyed, but Peter continues to beg her for a date, pledging to solve her problems in an effort to impress her.Later, the Ghostbusters sit around enjoying dinner, when Janine finally gets a call about a ghost. Peter, Ray, and Egon quickly dress, and race out of their headquarters, to the Sedgwick Hotel, where the manager (Michael Ensign) informs them of a ghost on the 12th floor. They've always had problems, he tells them, but lately it's gotten out of hand. The Ghostbusters assure him they'll take care of it, and head up to the 12th floor. Egon and Ray worry about their equipment, which Peter describes as an unlicensed nuclear accelerator, and decide that they'll ignore the danger for now. They make chitchat conversation with a guest (Murray Rubin) outside the elevator, and they tell him they are going to kill a cockroach, to which the guest answers, "That's gotta be some cockroach." He takes the next elevator.Almost immediately after the Ghostbusters exit the elevator, a maid startles them, and they nearly kill her with their proton packs. The three split up, and Ray eventually sees the ghost: a rotund, green blob, eating everything on a room service cart. Ray tries to hit it with his proton pack but misses, and it flies away, frightened. Ray calls Peter on his walkie-talkie, and Peter, who is now face-to-face with the ghost, is suddenly attacked by it. Ray runs to Peter, and finds him on his back, covered in green slime, but otherwise OK. Egon calls them and informs the other two that the ghost went into the hotel's ballroom.They calm the hotel manager, and then set to work on containing the little green ghost. While shooting their weapons all over the room, Egon suddenly warns the others not to cross their streams, because to do so would result in the destruction of "all life as you know it." After destroying much of the ballroom with their seriously unstable proton packs, the Ghostbusters finally trap the ghost, and burst triumphantly from the ballroom, before the anxious manager and a host of guests burst in. The Ghostbusters haggle with the manager over the bill for a moment, and then head back home, victorious.There is a montage of a series of missions, news spots, newspaper clippings, and stories about the Ghostbusters' new fame and success. There are even interviewed by Larry King and Joe Franklin (themselves).Peter briefly meets with Dana after her orchestra practice, and flirts a bit with her before telling her about Zuul, whom he has discovered is associated with an ancient Sumerian god of destruction, Gozer. He tells her that he'll go over it in more detail over dinner, and finally, she agrees to a date.The Ghostbusters soon hire a fourth man, Winston Zeddemore (Ernie Hudson), a black, blue-collar type guy, who is just looking for a job. Hired immediately by Ray and Peter, Winston is handed a couple of traps and led off by Ray to learn about getting rid of the ghosts, while Peter is informed that there is a man from the EPA waiting for him.Walter Peck (William Atherton), the pompous EPA delegate, condescendingly talks to Peter, refusing to acknowledge that Peter is, in fact, a PhD, and therefore, Dr. Venkman, and briefly questions him about the possible environmental impact of their business, and specifically, their custom-built storage facility. He demands to see it, but Peter just patronizes him for a bit before throwing him out.Ray shows Winston how they unload the ghosts they've trapped into the storage facility, while Egon tells them that his latest research indicates that the city is experience a colossal increase in paranormal activity, comparing it to a 600-pound Twinkie. Peter joins them, mentioning the EPA, and memorably asks, "What about the Twinkie?"A brief shot on the top of Dana's building shows that dog-like gargoyle statues atop the roof are breaking apart and real animals are underneath the stone.Back inside, Dana arrives home, and is once again accosted by Louis who is raving about his party. He is disappointed when Dana tells him she has a date. She gets rid of him again, and goes into her apartment, undressing and talking on the phone. She sits in an armchair for a moment before noticing the same growling sounds from the kitchen. Before she can react, three arms burst from the chair and hold Dana down as she is dragged through her kitchen door to one of the Terror Dogs. Another shot on the roof shows that the gargoyles on the roof have completely broken apart, and whatever was in them is loose.Louis' party continues as he rambles on about the price efficiency of his hosting a party. Two guests show up, hand Louis their coats, and he throws them -unnoticing- on the terror dog sitting at his desk. It roars, and bursts through the door, apparently only after Louis. He runs out of the apartment, through Central Park, before being cornered and attacked outside Tavern on the Green.Meanwhile, Peter arrives at Dana's apartment, stepping over the carnage of Louis' party, and knocks on the door. Dana opens it, dressed in a slinky red dress, and asks, "Are you the Keymaster?" Peter says no, so she angrily slams the door in his face. He knocks again, and enters after answering her question "yes". Dana says that she is Zuul, and they must prepare for the coming of Gozer, The Destructor. Peter talks to her and resists the possessed Dana's aggressive advances, before requesting to speak with the real Dana. At first, Dana coyly replies "There is no Dana, there is only Zuul," trying to kiss him but Peter, still trying to get through to the real Dana Barrett, restrains her. The possessed Dana now becomes visibly annoyed at his persistence, as Peter once again inquires about the real Dana; she replies in an unearthly demonic voice "There is no Dana, only Zuul!" Peter sarcastically dismisses her and gives her to the count of three to talk to the real Dana. With each count, Dana presents further signs of her possession: at first demonically rolling her eyes, then panting like an animal, and finally roaring like a demonic beast and magically floating above her bed. She turns over in midair, to face down at Peter whom asks her to please come down. Dana roars fiercely at him, finally frightening him.Louis, looking disheveled and generally abused, runs out from Central Park rambling, and asks a hansom cab horse if he is the "Gatekeeper". The driver (Danny Stone) chases him off, so he runs away, screaming about a sign of Gozer's arrival.The NYPD arrives at the Ghostbusters headquarters, to drop off Louis, who's been captured and rejected by both the city jail and Bellevue's psych ward. Egon looks at him briefly, and takes him inside. Louis reveals his name is Vinz Clortho, Keymaster of Gozer. He goes on about the history of Gozer, how the god assumes various forms and would mean the destruction of the civilization he targets. During the exam, Peter calls, and tells Egon about the developments with Dana, who is now lies heavily sedated on the bed next to him. Egon tells Peter in return about Louis' psychic transformation, and insists Peter come back to headquarters.Winston and Ray are driving back to the office, Winston driving while Ray examines the "very odd" blueprints of Dana's apartment building. Winston asks Ray about his belief in God, and speculates that the reason they've been so busy lately is because the dead have been rising from the grave, as it was foretold in the Book of Revelations, as a precursor to judgment day, and the end of the world. Ray ponders this.Back at headquarters, Walter Peck has returned with a court order, a cop, and a Con Edison worker (Larry Dilg), intent on shutting down the storage facility. Egon tries to talk them out of it, and Peter arrives just in time to antagonize Peck some more, before the cop intervenes and the Con Ed guy shuts off the power grid. A warning buzzer sounds, and everyone clears the building, as the storage facility rumbles and begins to destroy the basement.A supernatural light show occurs, as all kinds of paranormal energy bursts through the building and shoots out of the roof. Across town, Dana, immediately wakes up from her sedation, and walks toward her living room window. Louis is excited, claiming this is the sign he was waiting for. Ray and Winston arrive, and Egon attacks Peck, getting everyone arrested.Ghosts run rampant through the city, but most of the energy seems to run directly to Dana's building. Dana growls at the energy, ripping out the wall of her apartment in a small explosion.Sitting in jail, Ray shows Egon and Peter the blueprints of Dana's apartment building, pointing out highly unorthodox methods and materials, especially near the roof. Egon tells them that the building, he's discovered, was designed by an insane architect/surgeon named Ivo Shandor. In the 20's, Shandor was evidently so disgusted by the First World War, that he decided he would try to bring about the end of the world with a secret society of Gozer worshippers. They performed rituals atop Dana's building, and the roof itself was meant to be the gateway to allow Gozer into our world. A guard arrives (Reginald VelJohnson), and tells the Ghostbusters that the mayor wants to meet them, to deal with the rash of ghosts and other unbelievable phenomenon happening throughout the city.Louis arrives at Dana's demolished apartment, and they share a passionate kiss before slowly making their way up to the roof via a mythical staircase behind the wall where Dana's fridge used to be as lightning flashes ominously.The four men and Peck are brought before the Mayor (David Margulies) both arguing their sides. Peck claims the Ghostbusters are con artists and use nerve gases to force people to hallucinate and have visions of ghosts. Winston steps up and defends the things he's seen as real. Ray reveals that the city is headed for a disaster of "biblical proportions", and Venkman finally appeals to the possibility that the mayor could be responsible for saving the lives of millions of registered voters. The Mayor throws Peck out of his office and offers whatever support he can to the Ghostbusters.People have gathered all around the apartment building, which has clearly become the center of the entire mess. They cheer as the Ghostbusters arrive, and Peter mugs for the crowd. The four men put on their proton packs and are prepared to enter, but a sudden earthquake seems to swallow them beneath the street. Eventually, they emerge unharmed to the continued cheers from the crowd. They band together and head inside.Once inside, they must climb the stairs to Dana's 22nd floor apartment. Dana and Louis lie on a large stone table. Dana seductively wakes up, followed by Louis. They stare in awe at the large Temple in front of them then walk toward the opposite stone pedestals where the Terror Dog statues once stood. The Ghostbusters arrive to find Dana's apartment burned out and more or less destroyed. They see the staircase in the kitchen and go up.Dana and Louis raise their arms to the sky and are suddenly struck by bolts of lightning, redirecting the lightning bolts toward the temple door, causing it to open and signaling the arrival of Gozer the Gozerian. With the temple doors finally open, Dana and Louis now absorb their full power as the Ghostbusters arrive just in time to see the lightning converge on the demonic couple in a huge blast, transforming them back into the monstrous Terror Dogs, who now turn and roar menacingly at the Ghostbusters before leaping towards the side of the Temple doors.Gozer appears in the form of an exotic female with a tall, dark flattop and blood red eyes (Slavitza Jovan). Egon points out that she's not really a woman, but rather, takes the shape of whatever it wants. Peter goads Ray into talking to her. Ray very formally requests that Gozer returns to her place of origin, but she responds by asking if he is a god. He says no, and Gozer responds by shooting lightning from her fingers and nearly hurling the Ghostbusters off the roof.They regroup and decide to attack Gozer, but she nimbly jumps clear of their streams and lands behind them. Another attack proves fruitless as she disappears rather than being caught in the streams. Believing they are victorious, the Ghostbusters begin to celebrate, but it is short-lived as Gozer's booming voice is heard above the city demanding that they "choose the form of the Destructor".Peter tells everyone to clear their minds, and think of nothing, so no form will be taken, but it is clearly too late. Ray admits he did his best, but something just popped in his mind, something he thought could never harm anyone. "It's the Stay Puft Marshmallow Man."A 10-story, white, puffy marshmallow man begins to walk the streets of the city, crushing everything underfoot. When he is close enough, the Ghostbusters open fire, setting Mr. Stay Puft ablaze, as he begins to climb the building, King Kong style.Running for cover, the Ghostbusters appear out of ideas, until Egon suggests that they cross the streams, in an effort to close the door, and destroy Gozer's portal. Realizing this will probably mean their doom, the Ghostbusters go ahead with the plan, and set off to finish the god.Crossing the streams does indeed result in a catastrophic explosion, destroying the temple and incinerating the Stay Puft Marshmallow Man, raining molten marshmallow all over the street, including an onlooking Walter Peck.Back on the roof, the Ghostbusters have survived, and slowly emerge from the rubble, covered in marshmallow. Peter finds the roasted carcasses of the Terror Dogs, and believes Dana dead. Behind him, though, her fingers crack through the hardened ruins of the animal, and the Ghostbusters quickly break apart the rest, freeing her and Louis. They leave the roof, and Winston exclaims, "I love this town!"As the closing credits roll, the Ghostbusters return to the street to the roaring cheers of the crowd. Peter and Dana kiss in front of everyone, Louis is helped into an ambulance, and as they drive off, the green ghost from the hotel roars toward the camera as it fades to black. | Ghostbusters | 98ae0737-f09e-4d40-83f9-1c2f2b10396d | How are the Ghostbusters welcomed ? | [
"As con artist",
"with cheers",
"They become famous."
] | false |
/m/01d2v1 | The film opens within the New York Public Library, where a librarian (Alice Drummond) is first gathering books, before heading downstairs to a remote and empty section. She places a book back on the shelf, not noticing that the books behind her are levitating across the aisle. Later, she passes the card catalogue shelves as they open behind her and suddenly begin to hurl their contents into the air. Frightened and screaming, she runs through the room before being stopped by an unseen ghost, which scares her terribly. This leads into the title card.After the opening title shot, the film continues in the Paranormal Studies Dept. of Columbia University, where Dr. Peter Venkman (Bill Murray) is conducting a test on ESP with a nerdy male student (Steven Tash) and an attractive female student (Jennifer Runyon). Venkman continually flirts and lies about her abilities, while enjoying administering electric shocks to the male student. Having finally had enough, the male student departs, and Venkman continues to flirt with the young woman. Dr. Ray Stantz (Dan Aykroyd) enters, and frantically begins to tell Venkman about the sighting at the library, insisting they leave at once to check it out. Venkman makes a date with the student, and follows Stantz out.Upon arriving at the library, Venkman and Stantz meet up with Dr. Egon Spengler (Harold Ramis), and Venkman proceeds to ask a series of personal (and cynical) questions about her medical and social history, before the three head down to the area the ghost supposedly inhabits. While down there, the three men collect ectoplasmic residue, discover a tall "symmetrical stacking" of books from floor to ceiling, and narrowly escape a falling bookcase.Turning the same corner as the librarian, they see the ghost: a transparent form of an elderly lady (Ruth Oliver), reading a book. Having no idea what to do, Venkman begins to talk to the ghost as if it were a lady in a bar. She shushes him, before Stantz proclaims he knows what to do. They stealthily approach the ghost, before Ray yells, "Get her!" and the ghost mutates to a ghoulish, skeletal apparition, scaring the hell out of the trio, who run screaming from the library. They ignore the library administrator (John Rothman) in their frantic way out.After they've calmed down a bit, they walk back to the university. Venkman mocks Ray's idiotic plan, and Egon announces that based on his readings, they now have a "good change of actually catching a ghost and holding it indefinitely." However, once they get back to the school, they meet the dean (Jordan Charney) who tells them that their grant has been terminated due to their shoddy and highly suspect findings, research, and methods.Peter and Ray sit drinking on campus, and Ray mopes about their bleak prospects, before Peter suggests this turn of events happened so that they could go into business for themselves, as the world's first firm for paranormal investigations and eliminations.Peter convinces Ray to take out a mortgage on his childhood home, and use it for startup capital. The trio checks out an empty firehouse to use as a headquarters, and while Egon enumerates the many problems with the building itself, Ray is beside himself with excitement at the prospect of living and working there, specially with the fire-fighter pall in the middle of the hall.At 55 Central Park West, classical musician Dana Barrett (Sigourney Weaver) arrives home with groceries. Her neighbor, übernerd and accountant Louis Tully (Rick Moranis), stops her in the hall, telling her that her television had been left on. Louis badgers her about an upcoming party he's hosting, and Dana finally brushes him away and enters her apartment. As she is putting away her groceries, she notices that her eggs are now leaping out of their shells and cooking themselves on her countertop. She then hears a growl coming from her refrigerator, opens it, and sees an otherworldly temple, and a doglike creature that growls the word "Zuul" (voiced by Ivan Reitman), before Dana frantically slams the door shut.Back at the newly christened Ghostbusters headquarters, Ray pulls up, shocking Peter with the new business car, an old beat-up ambulance that needs a lot of work. Peter goes back inside, makes small talk with their new secretary, Janine (Annie Potts), and waits around for business.Dana arrives seeking an explanation for the events in her kitchen. Peter flirts vigorously with her, while Egon and Ray examine her briefly, and speculate as to what may be the cause of her encounter. After deciding on a plan of action, Peter insists on going with Dana back to her apartment, where he haphazardly looks around, but mostly flirts with her. He looks in the kitchen, and sees the eggs on the counter, but nothing else out of the ordinary. Dana is annoyed, but Peter continues to beg her for a date, pledging to solve her problems in an effort to impress her.Later, the Ghostbusters sit around enjoying dinner, when Janine finally gets a call about a ghost. Peter, Ray, and Egon quickly dress, and race out of their headquarters, to the Sedgwick Hotel, where the manager (Michael Ensign) informs them of a ghost on the 12th floor. They've always had problems, he tells them, but lately it's gotten out of hand. The Ghostbusters assure him they'll take care of it, and head up to the 12th floor. Egon and Ray worry about their equipment, which Peter describes as an unlicensed nuclear accelerator, and decide that they'll ignore the danger for now. They make chitchat conversation with a guest (Murray Rubin) outside the elevator, and they tell him they are going to kill a cockroach, to which the guest answers, "That's gotta be some cockroach." He takes the next elevator.Almost immediately after the Ghostbusters exit the elevator, a maid startles them, and they nearly kill her with their proton packs. The three split up, and Ray eventually sees the ghost: a rotund, green blob, eating everything on a room service cart. Ray tries to hit it with his proton pack but misses, and it flies away, frightened. Ray calls Peter on his walkie-talkie, and Peter, who is now face-to-face with the ghost, is suddenly attacked by it. Ray runs to Peter, and finds him on his back, covered in green slime, but otherwise OK. Egon calls them and informs the other two that the ghost went into the hotel's ballroom.They calm the hotel manager, and then set to work on containing the little green ghost. While shooting their weapons all over the room, Egon suddenly warns the others not to cross their streams, because to do so would result in the destruction of "all life as you know it." After destroying much of the ballroom with their seriously unstable proton packs, the Ghostbusters finally trap the ghost, and burst triumphantly from the ballroom, before the anxious manager and a host of guests burst in. The Ghostbusters haggle with the manager over the bill for a moment, and then head back home, victorious.There is a montage of a series of missions, news spots, newspaper clippings, and stories about the Ghostbusters' new fame and success. There are even interviewed by Larry King and Joe Franklin (themselves).Peter briefly meets with Dana after her orchestra practice, and flirts a bit with her before telling her about Zuul, whom he has discovered is associated with an ancient Sumerian god of destruction, Gozer. He tells her that he'll go over it in more detail over dinner, and finally, she agrees to a date.The Ghostbusters soon hire a fourth man, Winston Zeddemore (Ernie Hudson), a black, blue-collar type guy, who is just looking for a job. Hired immediately by Ray and Peter, Winston is handed a couple of traps and led off by Ray to learn about getting rid of the ghosts, while Peter is informed that there is a man from the EPA waiting for him.Walter Peck (William Atherton), the pompous EPA delegate, condescendingly talks to Peter, refusing to acknowledge that Peter is, in fact, a PhD, and therefore, Dr. Venkman, and briefly questions him about the possible environmental impact of their business, and specifically, their custom-built storage facility. He demands to see it, but Peter just patronizes him for a bit before throwing him out.Ray shows Winston how they unload the ghosts they've trapped into the storage facility, while Egon tells them that his latest research indicates that the city is experience a colossal increase in paranormal activity, comparing it to a 600-pound Twinkie. Peter joins them, mentioning the EPA, and memorably asks, "What about the Twinkie?"A brief shot on the top of Dana's building shows that dog-like gargoyle statues atop the roof are breaking apart and real animals are underneath the stone.Back inside, Dana arrives home, and is once again accosted by Louis who is raving about his party. He is disappointed when Dana tells him she has a date. She gets rid of him again, and goes into her apartment, undressing and talking on the phone. She sits in an armchair for a moment before noticing the same growling sounds from the kitchen. Before she can react, three arms burst from the chair and hold Dana down as she is dragged through her kitchen door to one of the Terror Dogs. Another shot on the roof shows that the gargoyles on the roof have completely broken apart, and whatever was in them is loose.Louis' party continues as he rambles on about the price efficiency of his hosting a party. Two guests show up, hand Louis their coats, and he throws them -unnoticing- on the terror dog sitting at his desk. It roars, and bursts through the door, apparently only after Louis. He runs out of the apartment, through Central Park, before being cornered and attacked outside Tavern on the Green.Meanwhile, Peter arrives at Dana's apartment, stepping over the carnage of Louis' party, and knocks on the door. Dana opens it, dressed in a slinky red dress, and asks, "Are you the Keymaster?" Peter says no, so she angrily slams the door in his face. He knocks again, and enters after answering her question "yes". Dana says that she is Zuul, and they must prepare for the coming of Gozer, The Destructor. Peter talks to her and resists the possessed Dana's aggressive advances, before requesting to speak with the real Dana. At first, Dana coyly replies "There is no Dana, there is only Zuul," trying to kiss him but Peter, still trying to get through to the real Dana Barrett, restrains her. The possessed Dana now becomes visibly annoyed at his persistence, as Peter once again inquires about the real Dana; she replies in an unearthly demonic voice "There is no Dana, only Zuul!" Peter sarcastically dismisses her and gives her to the count of three to talk to the real Dana. With each count, Dana presents further signs of her possession: at first demonically rolling her eyes, then panting like an animal, and finally roaring like a demonic beast and magically floating above her bed. She turns over in midair, to face down at Peter whom asks her to please come down. Dana roars fiercely at him, finally frightening him.Louis, looking disheveled and generally abused, runs out from Central Park rambling, and asks a hansom cab horse if he is the "Gatekeeper". The driver (Danny Stone) chases him off, so he runs away, screaming about a sign of Gozer's arrival.The NYPD arrives at the Ghostbusters headquarters, to drop off Louis, who's been captured and rejected by both the city jail and Bellevue's psych ward. Egon looks at him briefly, and takes him inside. Louis reveals his name is Vinz Clortho, Keymaster of Gozer. He goes on about the history of Gozer, how the god assumes various forms and would mean the destruction of the civilization he targets. During the exam, Peter calls, and tells Egon about the developments with Dana, who is now lies heavily sedated on the bed next to him. Egon tells Peter in return about Louis' psychic transformation, and insists Peter come back to headquarters.Winston and Ray are driving back to the office, Winston driving while Ray examines the "very odd" blueprints of Dana's apartment building. Winston asks Ray about his belief in God, and speculates that the reason they've been so busy lately is because the dead have been rising from the grave, as it was foretold in the Book of Revelations, as a precursor to judgment day, and the end of the world. Ray ponders this.Back at headquarters, Walter Peck has returned with a court order, a cop, and a Con Edison worker (Larry Dilg), intent on shutting down the storage facility. Egon tries to talk them out of it, and Peter arrives just in time to antagonize Peck some more, before the cop intervenes and the Con Ed guy shuts off the power grid. A warning buzzer sounds, and everyone clears the building, as the storage facility rumbles and begins to destroy the basement.A supernatural light show occurs, as all kinds of paranormal energy bursts through the building and shoots out of the roof. Across town, Dana, immediately wakes up from her sedation, and walks toward her living room window. Louis is excited, claiming this is the sign he was waiting for. Ray and Winston arrive, and Egon attacks Peck, getting everyone arrested.Ghosts run rampant through the city, but most of the energy seems to run directly to Dana's building. Dana growls at the energy, ripping out the wall of her apartment in a small explosion.Sitting in jail, Ray shows Egon and Peter the blueprints of Dana's apartment building, pointing out highly unorthodox methods and materials, especially near the roof. Egon tells them that the building, he's discovered, was designed by an insane architect/surgeon named Ivo Shandor. In the 20's, Shandor was evidently so disgusted by the First World War, that he decided he would try to bring about the end of the world with a secret society of Gozer worshippers. They performed rituals atop Dana's building, and the roof itself was meant to be the gateway to allow Gozer into our world. A guard arrives (Reginald VelJohnson), and tells the Ghostbusters that the mayor wants to meet them, to deal with the rash of ghosts and other unbelievable phenomenon happening throughout the city.Louis arrives at Dana's demolished apartment, and they share a passionate kiss before slowly making their way up to the roof via a mythical staircase behind the wall where Dana's fridge used to be as lightning flashes ominously.The four men and Peck are brought before the Mayor (David Margulies) both arguing their sides. Peck claims the Ghostbusters are con artists and use nerve gases to force people to hallucinate and have visions of ghosts. Winston steps up and defends the things he's seen as real. Ray reveals that the city is headed for a disaster of "biblical proportions", and Venkman finally appeals to the possibility that the mayor could be responsible for saving the lives of millions of registered voters. The Mayor throws Peck out of his office and offers whatever support he can to the Ghostbusters.People have gathered all around the apartment building, which has clearly become the center of the entire mess. They cheer as the Ghostbusters arrive, and Peter mugs for the crowd. The four men put on their proton packs and are prepared to enter, but a sudden earthquake seems to swallow them beneath the street. Eventually, they emerge unharmed to the continued cheers from the crowd. They band together and head inside.Once inside, they must climb the stairs to Dana's 22nd floor apartment. Dana and Louis lie on a large stone table. Dana seductively wakes up, followed by Louis. They stare in awe at the large Temple in front of them then walk toward the opposite stone pedestals where the Terror Dog statues once stood. The Ghostbusters arrive to find Dana's apartment burned out and more or less destroyed. They see the staircase in the kitchen and go up.Dana and Louis raise their arms to the sky and are suddenly struck by bolts of lightning, redirecting the lightning bolts toward the temple door, causing it to open and signaling the arrival of Gozer the Gozerian. With the temple doors finally open, Dana and Louis now absorb their full power as the Ghostbusters arrive just in time to see the lightning converge on the demonic couple in a huge blast, transforming them back into the monstrous Terror Dogs, who now turn and roar menacingly at the Ghostbusters before leaping towards the side of the Temple doors.Gozer appears in the form of an exotic female with a tall, dark flattop and blood red eyes (Slavitza Jovan). Egon points out that she's not really a woman, but rather, takes the shape of whatever it wants. Peter goads Ray into talking to her. Ray very formally requests that Gozer returns to her place of origin, but she responds by asking if he is a god. He says no, and Gozer responds by shooting lightning from her fingers and nearly hurling the Ghostbusters off the roof.They regroup and decide to attack Gozer, but she nimbly jumps clear of their streams and lands behind them. Another attack proves fruitless as she disappears rather than being caught in the streams. Believing they are victorious, the Ghostbusters begin to celebrate, but it is short-lived as Gozer's booming voice is heard above the city demanding that they "choose the form of the Destructor".Peter tells everyone to clear their minds, and think of nothing, so no form will be taken, but it is clearly too late. Ray admits he did his best, but something just popped in his mind, something he thought could never harm anyone. "It's the Stay Puft Marshmallow Man."A 10-story, white, puffy marshmallow man begins to walk the streets of the city, crushing everything underfoot. When he is close enough, the Ghostbusters open fire, setting Mr. Stay Puft ablaze, as he begins to climb the building, King Kong style.Running for cover, the Ghostbusters appear out of ideas, until Egon suggests that they cross the streams, in an effort to close the door, and destroy Gozer's portal. Realizing this will probably mean their doom, the Ghostbusters go ahead with the plan, and set off to finish the god.Crossing the streams does indeed result in a catastrophic explosion, destroying the temple and incinerating the Stay Puft Marshmallow Man, raining molten marshmallow all over the street, including an onlooking Walter Peck.Back on the roof, the Ghostbusters have survived, and slowly emerge from the rubble, covered in marshmallow. Peter finds the roasted carcasses of the Terror Dogs, and believes Dana dead. Behind him, though, her fingers crack through the hardened ruins of the animal, and the Ghostbusters quickly break apart the rest, freeing her and Louis. They leave the roof, and Winston exclaims, "I love this town!"As the closing credits roll, the Ghostbusters return to the street to the roaring cheers of the crowd. Peter and Dana kiss in front of everyone, Louis is helped into an ambulance, and as they drive off, the green ghost from the hotel roars toward the camera as it fades to black. | Ghostbusters | fc1a4f27-6cc4-7dd7-2833-885b9def52d2 | What do the Ghostbusters do to Gozer's portal ? | [
"cross the streams of their proton packs"
] | false |
/m/01d2v1 | The film opens within the New York Public Library, where a librarian (Alice Drummond) is first gathering books, before heading downstairs to a remote and empty section. She places a book back on the shelf, not noticing that the books behind her are levitating across the aisle. Later, she passes the card catalogue shelves as they open behind her and suddenly begin to hurl their contents into the air. Frightened and screaming, she runs through the room before being stopped by an unseen ghost, which scares her terribly. This leads into the title card.After the opening title shot, the film continues in the Paranormal Studies Dept. of Columbia University, where Dr. Peter Venkman (Bill Murray) is conducting a test on ESP with a nerdy male student (Steven Tash) and an attractive female student (Jennifer Runyon). Venkman continually flirts and lies about her abilities, while enjoying administering electric shocks to the male student. Having finally had enough, the male student departs, and Venkman continues to flirt with the young woman. Dr. Ray Stantz (Dan Aykroyd) enters, and frantically begins to tell Venkman about the sighting at the library, insisting they leave at once to check it out. Venkman makes a date with the student, and follows Stantz out.Upon arriving at the library, Venkman and Stantz meet up with Dr. Egon Spengler (Harold Ramis), and Venkman proceeds to ask a series of personal (and cynical) questions about her medical and social history, before the three head down to the area the ghost supposedly inhabits. While down there, the three men collect ectoplasmic residue, discover a tall "symmetrical stacking" of books from floor to ceiling, and narrowly escape a falling bookcase.Turning the same corner as the librarian, they see the ghost: a transparent form of an elderly lady (Ruth Oliver), reading a book. Having no idea what to do, Venkman begins to talk to the ghost as if it were a lady in a bar. She shushes him, before Stantz proclaims he knows what to do. They stealthily approach the ghost, before Ray yells, "Get her!" and the ghost mutates to a ghoulish, skeletal apparition, scaring the hell out of the trio, who run screaming from the library. They ignore the library administrator (John Rothman) in their frantic way out.After they've calmed down a bit, they walk back to the university. Venkman mocks Ray's idiotic plan, and Egon announces that based on his readings, they now have a "good change of actually catching a ghost and holding it indefinitely." However, once they get back to the school, they meet the dean (Jordan Charney) who tells them that their grant has been terminated due to their shoddy and highly suspect findings, research, and methods.Peter and Ray sit drinking on campus, and Ray mopes about their bleak prospects, before Peter suggests this turn of events happened so that they could go into business for themselves, as the world's first firm for paranormal investigations and eliminations.Peter convinces Ray to take out a mortgage on his childhood home, and use it for startup capital. The trio checks out an empty firehouse to use as a headquarters, and while Egon enumerates the many problems with the building itself, Ray is beside himself with excitement at the prospect of living and working there, specially with the fire-fighter pall in the middle of the hall.At 55 Central Park West, classical musician Dana Barrett (Sigourney Weaver) arrives home with groceries. Her neighbor, übernerd and accountant Louis Tully (Rick Moranis), stops her in the hall, telling her that her television had been left on. Louis badgers her about an upcoming party he's hosting, and Dana finally brushes him away and enters her apartment. As she is putting away her groceries, she notices that her eggs are now leaping out of their shells and cooking themselves on her countertop. She then hears a growl coming from her refrigerator, opens it, and sees an otherworldly temple, and a doglike creature that growls the word "Zuul" (voiced by Ivan Reitman), before Dana frantically slams the door shut.Back at the newly christened Ghostbusters headquarters, Ray pulls up, shocking Peter with the new business car, an old beat-up ambulance that needs a lot of work. Peter goes back inside, makes small talk with their new secretary, Janine (Annie Potts), and waits around for business.Dana arrives seeking an explanation for the events in her kitchen. Peter flirts vigorously with her, while Egon and Ray examine her briefly, and speculate as to what may be the cause of her encounter. After deciding on a plan of action, Peter insists on going with Dana back to her apartment, where he haphazardly looks around, but mostly flirts with her. He looks in the kitchen, and sees the eggs on the counter, but nothing else out of the ordinary. Dana is annoyed, but Peter continues to beg her for a date, pledging to solve her problems in an effort to impress her.Later, the Ghostbusters sit around enjoying dinner, when Janine finally gets a call about a ghost. Peter, Ray, and Egon quickly dress, and race out of their headquarters, to the Sedgwick Hotel, where the manager (Michael Ensign) informs them of a ghost on the 12th floor. They've always had problems, he tells them, but lately it's gotten out of hand. The Ghostbusters assure him they'll take care of it, and head up to the 12th floor. Egon and Ray worry about their equipment, which Peter describes as an unlicensed nuclear accelerator, and decide that they'll ignore the danger for now. They make chitchat conversation with a guest (Murray Rubin) outside the elevator, and they tell him they are going to kill a cockroach, to which the guest answers, "That's gotta be some cockroach." He takes the next elevator.Almost immediately after the Ghostbusters exit the elevator, a maid startles them, and they nearly kill her with their proton packs. The three split up, and Ray eventually sees the ghost: a rotund, green blob, eating everything on a room service cart. Ray tries to hit it with his proton pack but misses, and it flies away, frightened. Ray calls Peter on his walkie-talkie, and Peter, who is now face-to-face with the ghost, is suddenly attacked by it. Ray runs to Peter, and finds him on his back, covered in green slime, but otherwise OK. Egon calls them and informs the other two that the ghost went into the hotel's ballroom.They calm the hotel manager, and then set to work on containing the little green ghost. While shooting their weapons all over the room, Egon suddenly warns the others not to cross their streams, because to do so would result in the destruction of "all life as you know it." After destroying much of the ballroom with their seriously unstable proton packs, the Ghostbusters finally trap the ghost, and burst triumphantly from the ballroom, before the anxious manager and a host of guests burst in. The Ghostbusters haggle with the manager over the bill for a moment, and then head back home, victorious.There is a montage of a series of missions, news spots, newspaper clippings, and stories about the Ghostbusters' new fame and success. There are even interviewed by Larry King and Joe Franklin (themselves).Peter briefly meets with Dana after her orchestra practice, and flirts a bit with her before telling her about Zuul, whom he has discovered is associated with an ancient Sumerian god of destruction, Gozer. He tells her that he'll go over it in more detail over dinner, and finally, she agrees to a date.The Ghostbusters soon hire a fourth man, Winston Zeddemore (Ernie Hudson), a black, blue-collar type guy, who is just looking for a job. Hired immediately by Ray and Peter, Winston is handed a couple of traps and led off by Ray to learn about getting rid of the ghosts, while Peter is informed that there is a man from the EPA waiting for him.Walter Peck (William Atherton), the pompous EPA delegate, condescendingly talks to Peter, refusing to acknowledge that Peter is, in fact, a PhD, and therefore, Dr. Venkman, and briefly questions him about the possible environmental impact of their business, and specifically, their custom-built storage facility. He demands to see it, but Peter just patronizes him for a bit before throwing him out.Ray shows Winston how they unload the ghosts they've trapped into the storage facility, while Egon tells them that his latest research indicates that the city is experience a colossal increase in paranormal activity, comparing it to a 600-pound Twinkie. Peter joins them, mentioning the EPA, and memorably asks, "What about the Twinkie?"A brief shot on the top of Dana's building shows that dog-like gargoyle statues atop the roof are breaking apart and real animals are underneath the stone.Back inside, Dana arrives home, and is once again accosted by Louis who is raving about his party. He is disappointed when Dana tells him she has a date. She gets rid of him again, and goes into her apartment, undressing and talking on the phone. She sits in an armchair for a moment before noticing the same growling sounds from the kitchen. Before she can react, three arms burst from the chair and hold Dana down as she is dragged through her kitchen door to one of the Terror Dogs. Another shot on the roof shows that the gargoyles on the roof have completely broken apart, and whatever was in them is loose.Louis' party continues as he rambles on about the price efficiency of his hosting a party. Two guests show up, hand Louis their coats, and he throws them -unnoticing- on the terror dog sitting at his desk. It roars, and bursts through the door, apparently only after Louis. He runs out of the apartment, through Central Park, before being cornered and attacked outside Tavern on the Green.Meanwhile, Peter arrives at Dana's apartment, stepping over the carnage of Louis' party, and knocks on the door. Dana opens it, dressed in a slinky red dress, and asks, "Are you the Keymaster?" Peter says no, so she angrily slams the door in his face. He knocks again, and enters after answering her question "yes". Dana says that she is Zuul, and they must prepare for the coming of Gozer, The Destructor. Peter talks to her and resists the possessed Dana's aggressive advances, before requesting to speak with the real Dana. At first, Dana coyly replies "There is no Dana, there is only Zuul," trying to kiss him but Peter, still trying to get through to the real Dana Barrett, restrains her. The possessed Dana now becomes visibly annoyed at his persistence, as Peter once again inquires about the real Dana; she replies in an unearthly demonic voice "There is no Dana, only Zuul!" Peter sarcastically dismisses her and gives her to the count of three to talk to the real Dana. With each count, Dana presents further signs of her possession: at first demonically rolling her eyes, then panting like an animal, and finally roaring like a demonic beast and magically floating above her bed. She turns over in midair, to face down at Peter whom asks her to please come down. Dana roars fiercely at him, finally frightening him.Louis, looking disheveled and generally abused, runs out from Central Park rambling, and asks a hansom cab horse if he is the "Gatekeeper". The driver (Danny Stone) chases him off, so he runs away, screaming about a sign of Gozer's arrival.The NYPD arrives at the Ghostbusters headquarters, to drop off Louis, who's been captured and rejected by both the city jail and Bellevue's psych ward. Egon looks at him briefly, and takes him inside. Louis reveals his name is Vinz Clortho, Keymaster of Gozer. He goes on about the history of Gozer, how the god assumes various forms and would mean the destruction of the civilization he targets. During the exam, Peter calls, and tells Egon about the developments with Dana, who is now lies heavily sedated on the bed next to him. Egon tells Peter in return about Louis' psychic transformation, and insists Peter come back to headquarters.Winston and Ray are driving back to the office, Winston driving while Ray examines the "very odd" blueprints of Dana's apartment building. Winston asks Ray about his belief in God, and speculates that the reason they've been so busy lately is because the dead have been rising from the grave, as it was foretold in the Book of Revelations, as a precursor to judgment day, and the end of the world. Ray ponders this.Back at headquarters, Walter Peck has returned with a court order, a cop, and a Con Edison worker (Larry Dilg), intent on shutting down the storage facility. Egon tries to talk them out of it, and Peter arrives just in time to antagonize Peck some more, before the cop intervenes and the Con Ed guy shuts off the power grid. A warning buzzer sounds, and everyone clears the building, as the storage facility rumbles and begins to destroy the basement.A supernatural light show occurs, as all kinds of paranormal energy bursts through the building and shoots out of the roof. Across town, Dana, immediately wakes up from her sedation, and walks toward her living room window. Louis is excited, claiming this is the sign he was waiting for. Ray and Winston arrive, and Egon attacks Peck, getting everyone arrested.Ghosts run rampant through the city, but most of the energy seems to run directly to Dana's building. Dana growls at the energy, ripping out the wall of her apartment in a small explosion.Sitting in jail, Ray shows Egon and Peter the blueprints of Dana's apartment building, pointing out highly unorthodox methods and materials, especially near the roof. Egon tells them that the building, he's discovered, was designed by an insane architect/surgeon named Ivo Shandor. In the 20's, Shandor was evidently so disgusted by the First World War, that he decided he would try to bring about the end of the world with a secret society of Gozer worshippers. They performed rituals atop Dana's building, and the roof itself was meant to be the gateway to allow Gozer into our world. A guard arrives (Reginald VelJohnson), and tells the Ghostbusters that the mayor wants to meet them, to deal with the rash of ghosts and other unbelievable phenomenon happening throughout the city.Louis arrives at Dana's demolished apartment, and they share a passionate kiss before slowly making their way up to the roof via a mythical staircase behind the wall where Dana's fridge used to be as lightning flashes ominously.The four men and Peck are brought before the Mayor (David Margulies) both arguing their sides. Peck claims the Ghostbusters are con artists and use nerve gases to force people to hallucinate and have visions of ghosts. Winston steps up and defends the things he's seen as real. Ray reveals that the city is headed for a disaster of "biblical proportions", and Venkman finally appeals to the possibility that the mayor could be responsible for saving the lives of millions of registered voters. The Mayor throws Peck out of his office and offers whatever support he can to the Ghostbusters.People have gathered all around the apartment building, which has clearly become the center of the entire mess. They cheer as the Ghostbusters arrive, and Peter mugs for the crowd. The four men put on their proton packs and are prepared to enter, but a sudden earthquake seems to swallow them beneath the street. Eventually, they emerge unharmed to the continued cheers from the crowd. They band together and head inside.Once inside, they must climb the stairs to Dana's 22nd floor apartment. Dana and Louis lie on a large stone table. Dana seductively wakes up, followed by Louis. They stare in awe at the large Temple in front of them then walk toward the opposite stone pedestals where the Terror Dog statues once stood. The Ghostbusters arrive to find Dana's apartment burned out and more or less destroyed. They see the staircase in the kitchen and go up.Dana and Louis raise their arms to the sky and are suddenly struck by bolts of lightning, redirecting the lightning bolts toward the temple door, causing it to open and signaling the arrival of Gozer the Gozerian. With the temple doors finally open, Dana and Louis now absorb their full power as the Ghostbusters arrive just in time to see the lightning converge on the demonic couple in a huge blast, transforming them back into the monstrous Terror Dogs, who now turn and roar menacingly at the Ghostbusters before leaping towards the side of the Temple doors.Gozer appears in the form of an exotic female with a tall, dark flattop and blood red eyes (Slavitza Jovan). Egon points out that she's not really a woman, but rather, takes the shape of whatever it wants. Peter goads Ray into talking to her. Ray very formally requests that Gozer returns to her place of origin, but she responds by asking if he is a god. He says no, and Gozer responds by shooting lightning from her fingers and nearly hurling the Ghostbusters off the roof.They regroup and decide to attack Gozer, but she nimbly jumps clear of their streams and lands behind them. Another attack proves fruitless as she disappears rather than being caught in the streams. Believing they are victorious, the Ghostbusters begin to celebrate, but it is short-lived as Gozer's booming voice is heard above the city demanding that they "choose the form of the Destructor".Peter tells everyone to clear their minds, and think of nothing, so no form will be taken, but it is clearly too late. Ray admits he did his best, but something just popped in his mind, something he thought could never harm anyone. "It's the Stay Puft Marshmallow Man."A 10-story, white, puffy marshmallow man begins to walk the streets of the city, crushing everything underfoot. When he is close enough, the Ghostbusters open fire, setting Mr. Stay Puft ablaze, as he begins to climb the building, King Kong style.Running for cover, the Ghostbusters appear out of ideas, until Egon suggests that they cross the streams, in an effort to close the door, and destroy Gozer's portal. Realizing this will probably mean their doom, the Ghostbusters go ahead with the plan, and set off to finish the god.Crossing the streams does indeed result in a catastrophic explosion, destroying the temple and incinerating the Stay Puft Marshmallow Man, raining molten marshmallow all over the street, including an onlooking Walter Peck.Back on the roof, the Ghostbusters have survived, and slowly emerge from the rubble, covered in marshmallow. Peter finds the roasted carcasses of the Terror Dogs, and believes Dana dead. Behind him, though, her fingers crack through the hardened ruins of the animal, and the Ghostbusters quickly break apart the rest, freeing her and Louis. They leave the roof, and Winston exclaims, "I love this town!"As the closing credits roll, the Ghostbusters return to the street to the roaring cheers of the crowd. Peter and Dana kiss in front of everyone, Louis is helped into an ambulance, and as they drive off, the green ghost from the hotel roars toward the camera as it fades to black. | Ghostbusters | ff522766-1375-0fff-9135-62a697d85cef | Why are the Ghostbusters released from custody ? | [
"the Mayor wants their help",
"The mayor wanted to meet with them"
] | false |
/m/01d2v1 | The film opens within the New York Public Library, where a librarian (Alice Drummond) is first gathering books, before heading downstairs to a remote and empty section. She places a book back on the shelf, not noticing that the books behind her are levitating across the aisle. Later, she passes the card catalogue shelves as they open behind her and suddenly begin to hurl their contents into the air. Frightened and screaming, she runs through the room before being stopped by an unseen ghost, which scares her terribly. This leads into the title card.After the opening title shot, the film continues in the Paranormal Studies Dept. of Columbia University, where Dr. Peter Venkman (Bill Murray) is conducting a test on ESP with a nerdy male student (Steven Tash) and an attractive female student (Jennifer Runyon). Venkman continually flirts and lies about her abilities, while enjoying administering electric shocks to the male student. Having finally had enough, the male student departs, and Venkman continues to flirt with the young woman. Dr. Ray Stantz (Dan Aykroyd) enters, and frantically begins to tell Venkman about the sighting at the library, insisting they leave at once to check it out. Venkman makes a date with the student, and follows Stantz out.Upon arriving at the library, Venkman and Stantz meet up with Dr. Egon Spengler (Harold Ramis), and Venkman proceeds to ask a series of personal (and cynical) questions about her medical and social history, before the three head down to the area the ghost supposedly inhabits. While down there, the three men collect ectoplasmic residue, discover a tall "symmetrical stacking" of books from floor to ceiling, and narrowly escape a falling bookcase.Turning the same corner as the librarian, they see the ghost: a transparent form of an elderly lady (Ruth Oliver), reading a book. Having no idea what to do, Venkman begins to talk to the ghost as if it were a lady in a bar. She shushes him, before Stantz proclaims he knows what to do. They stealthily approach the ghost, before Ray yells, "Get her!" and the ghost mutates to a ghoulish, skeletal apparition, scaring the hell out of the trio, who run screaming from the library. They ignore the library administrator (John Rothman) in their frantic way out.After they've calmed down a bit, they walk back to the university. Venkman mocks Ray's idiotic plan, and Egon announces that based on his readings, they now have a "good change of actually catching a ghost and holding it indefinitely." However, once they get back to the school, they meet the dean (Jordan Charney) who tells them that their grant has been terminated due to their shoddy and highly suspect findings, research, and methods.Peter and Ray sit drinking on campus, and Ray mopes about their bleak prospects, before Peter suggests this turn of events happened so that they could go into business for themselves, as the world's first firm for paranormal investigations and eliminations.Peter convinces Ray to take out a mortgage on his childhood home, and use it for startup capital. The trio checks out an empty firehouse to use as a headquarters, and while Egon enumerates the many problems with the building itself, Ray is beside himself with excitement at the prospect of living and working there, specially with the fire-fighter pall in the middle of the hall.At 55 Central Park West, classical musician Dana Barrett (Sigourney Weaver) arrives home with groceries. Her neighbor, übernerd and accountant Louis Tully (Rick Moranis), stops her in the hall, telling her that her television had been left on. Louis badgers her about an upcoming party he's hosting, and Dana finally brushes him away and enters her apartment. As she is putting away her groceries, she notices that her eggs are now leaping out of their shells and cooking themselves on her countertop. She then hears a growl coming from her refrigerator, opens it, and sees an otherworldly temple, and a doglike creature that growls the word "Zuul" (voiced by Ivan Reitman), before Dana frantically slams the door shut.Back at the newly christened Ghostbusters headquarters, Ray pulls up, shocking Peter with the new business car, an old beat-up ambulance that needs a lot of work. Peter goes back inside, makes small talk with their new secretary, Janine (Annie Potts), and waits around for business.Dana arrives seeking an explanation for the events in her kitchen. Peter flirts vigorously with her, while Egon and Ray examine her briefly, and speculate as to what may be the cause of her encounter. After deciding on a plan of action, Peter insists on going with Dana back to her apartment, where he haphazardly looks around, but mostly flirts with her. He looks in the kitchen, and sees the eggs on the counter, but nothing else out of the ordinary. Dana is annoyed, but Peter continues to beg her for a date, pledging to solve her problems in an effort to impress her.Later, the Ghostbusters sit around enjoying dinner, when Janine finally gets a call about a ghost. Peter, Ray, and Egon quickly dress, and race out of their headquarters, to the Sedgwick Hotel, where the manager (Michael Ensign) informs them of a ghost on the 12th floor. They've always had problems, he tells them, but lately it's gotten out of hand. The Ghostbusters assure him they'll take care of it, and head up to the 12th floor. Egon and Ray worry about their equipment, which Peter describes as an unlicensed nuclear accelerator, and decide that they'll ignore the danger for now. They make chitchat conversation with a guest (Murray Rubin) outside the elevator, and they tell him they are going to kill a cockroach, to which the guest answers, "That's gotta be some cockroach." He takes the next elevator.Almost immediately after the Ghostbusters exit the elevator, a maid startles them, and they nearly kill her with their proton packs. The three split up, and Ray eventually sees the ghost: a rotund, green blob, eating everything on a room service cart. Ray tries to hit it with his proton pack but misses, and it flies away, frightened. Ray calls Peter on his walkie-talkie, and Peter, who is now face-to-face with the ghost, is suddenly attacked by it. Ray runs to Peter, and finds him on his back, covered in green slime, but otherwise OK. Egon calls them and informs the other two that the ghost went into the hotel's ballroom.They calm the hotel manager, and then set to work on containing the little green ghost. While shooting their weapons all over the room, Egon suddenly warns the others not to cross their streams, because to do so would result in the destruction of "all life as you know it." After destroying much of the ballroom with their seriously unstable proton packs, the Ghostbusters finally trap the ghost, and burst triumphantly from the ballroom, before the anxious manager and a host of guests burst in. The Ghostbusters haggle with the manager over the bill for a moment, and then head back home, victorious.There is a montage of a series of missions, news spots, newspaper clippings, and stories about the Ghostbusters' new fame and success. There are even interviewed by Larry King and Joe Franklin (themselves).Peter briefly meets with Dana after her orchestra practice, and flirts a bit with her before telling her about Zuul, whom he has discovered is associated with an ancient Sumerian god of destruction, Gozer. He tells her that he'll go over it in more detail over dinner, and finally, she agrees to a date.The Ghostbusters soon hire a fourth man, Winston Zeddemore (Ernie Hudson), a black, blue-collar type guy, who is just looking for a job. Hired immediately by Ray and Peter, Winston is handed a couple of traps and led off by Ray to learn about getting rid of the ghosts, while Peter is informed that there is a man from the EPA waiting for him.Walter Peck (William Atherton), the pompous EPA delegate, condescendingly talks to Peter, refusing to acknowledge that Peter is, in fact, a PhD, and therefore, Dr. Venkman, and briefly questions him about the possible environmental impact of their business, and specifically, their custom-built storage facility. He demands to see it, but Peter just patronizes him for a bit before throwing him out.Ray shows Winston how they unload the ghosts they've trapped into the storage facility, while Egon tells them that his latest research indicates that the city is experience a colossal increase in paranormal activity, comparing it to a 600-pound Twinkie. Peter joins them, mentioning the EPA, and memorably asks, "What about the Twinkie?"A brief shot on the top of Dana's building shows that dog-like gargoyle statues atop the roof are breaking apart and real animals are underneath the stone.Back inside, Dana arrives home, and is once again accosted by Louis who is raving about his party. He is disappointed when Dana tells him she has a date. She gets rid of him again, and goes into her apartment, undressing and talking on the phone. She sits in an armchair for a moment before noticing the same growling sounds from the kitchen. Before she can react, three arms burst from the chair and hold Dana down as she is dragged through her kitchen door to one of the Terror Dogs. Another shot on the roof shows that the gargoyles on the roof have completely broken apart, and whatever was in them is loose.Louis' party continues as he rambles on about the price efficiency of his hosting a party. Two guests show up, hand Louis their coats, and he throws them -unnoticing- on the terror dog sitting at his desk. It roars, and bursts through the door, apparently only after Louis. He runs out of the apartment, through Central Park, before being cornered and attacked outside Tavern on the Green.Meanwhile, Peter arrives at Dana's apartment, stepping over the carnage of Louis' party, and knocks on the door. Dana opens it, dressed in a slinky red dress, and asks, "Are you the Keymaster?" Peter says no, so she angrily slams the door in his face. He knocks again, and enters after answering her question "yes". Dana says that she is Zuul, and they must prepare for the coming of Gozer, The Destructor. Peter talks to her and resists the possessed Dana's aggressive advances, before requesting to speak with the real Dana. At first, Dana coyly replies "There is no Dana, there is only Zuul," trying to kiss him but Peter, still trying to get through to the real Dana Barrett, restrains her. The possessed Dana now becomes visibly annoyed at his persistence, as Peter once again inquires about the real Dana; she replies in an unearthly demonic voice "There is no Dana, only Zuul!" Peter sarcastically dismisses her and gives her to the count of three to talk to the real Dana. With each count, Dana presents further signs of her possession: at first demonically rolling her eyes, then panting like an animal, and finally roaring like a demonic beast and magically floating above her bed. She turns over in midair, to face down at Peter whom asks her to please come down. Dana roars fiercely at him, finally frightening him.Louis, looking disheveled and generally abused, runs out from Central Park rambling, and asks a hansom cab horse if he is the "Gatekeeper". The driver (Danny Stone) chases him off, so he runs away, screaming about a sign of Gozer's arrival.The NYPD arrives at the Ghostbusters headquarters, to drop off Louis, who's been captured and rejected by both the city jail and Bellevue's psych ward. Egon looks at him briefly, and takes him inside. Louis reveals his name is Vinz Clortho, Keymaster of Gozer. He goes on about the history of Gozer, how the god assumes various forms and would mean the destruction of the civilization he targets. During the exam, Peter calls, and tells Egon about the developments with Dana, who is now lies heavily sedated on the bed next to him. Egon tells Peter in return about Louis' psychic transformation, and insists Peter come back to headquarters.Winston and Ray are driving back to the office, Winston driving while Ray examines the "very odd" blueprints of Dana's apartment building. Winston asks Ray about his belief in God, and speculates that the reason they've been so busy lately is because the dead have been rising from the grave, as it was foretold in the Book of Revelations, as a precursor to judgment day, and the end of the world. Ray ponders this.Back at headquarters, Walter Peck has returned with a court order, a cop, and a Con Edison worker (Larry Dilg), intent on shutting down the storage facility. Egon tries to talk them out of it, and Peter arrives just in time to antagonize Peck some more, before the cop intervenes and the Con Ed guy shuts off the power grid. A warning buzzer sounds, and everyone clears the building, as the storage facility rumbles and begins to destroy the basement.A supernatural light show occurs, as all kinds of paranormal energy bursts through the building and shoots out of the roof. Across town, Dana, immediately wakes up from her sedation, and walks toward her living room window. Louis is excited, claiming this is the sign he was waiting for. Ray and Winston arrive, and Egon attacks Peck, getting everyone arrested.Ghosts run rampant through the city, but most of the energy seems to run directly to Dana's building. Dana growls at the energy, ripping out the wall of her apartment in a small explosion.Sitting in jail, Ray shows Egon and Peter the blueprints of Dana's apartment building, pointing out highly unorthodox methods and materials, especially near the roof. Egon tells them that the building, he's discovered, was designed by an insane architect/surgeon named Ivo Shandor. In the 20's, Shandor was evidently so disgusted by the First World War, that he decided he would try to bring about the end of the world with a secret society of Gozer worshippers. They performed rituals atop Dana's building, and the roof itself was meant to be the gateway to allow Gozer into our world. A guard arrives (Reginald VelJohnson), and tells the Ghostbusters that the mayor wants to meet them, to deal with the rash of ghosts and other unbelievable phenomenon happening throughout the city.Louis arrives at Dana's demolished apartment, and they share a passionate kiss before slowly making their way up to the roof via a mythical staircase behind the wall where Dana's fridge used to be as lightning flashes ominously.The four men and Peck are brought before the Mayor (David Margulies) both arguing their sides. Peck claims the Ghostbusters are con artists and use nerve gases to force people to hallucinate and have visions of ghosts. Winston steps up and defends the things he's seen as real. Ray reveals that the city is headed for a disaster of "biblical proportions", and Venkman finally appeals to the possibility that the mayor could be responsible for saving the lives of millions of registered voters. The Mayor throws Peck out of his office and offers whatever support he can to the Ghostbusters.People have gathered all around the apartment building, which has clearly become the center of the entire mess. They cheer as the Ghostbusters arrive, and Peter mugs for the crowd. The four men put on their proton packs and are prepared to enter, but a sudden earthquake seems to swallow them beneath the street. Eventually, they emerge unharmed to the continued cheers from the crowd. They band together and head inside.Once inside, they must climb the stairs to Dana's 22nd floor apartment. Dana and Louis lie on a large stone table. Dana seductively wakes up, followed by Louis. They stare in awe at the large Temple in front of them then walk toward the opposite stone pedestals where the Terror Dog statues once stood. The Ghostbusters arrive to find Dana's apartment burned out and more or less destroyed. They see the staircase in the kitchen and go up.Dana and Louis raise their arms to the sky and are suddenly struck by bolts of lightning, redirecting the lightning bolts toward the temple door, causing it to open and signaling the arrival of Gozer the Gozerian. With the temple doors finally open, Dana and Louis now absorb their full power as the Ghostbusters arrive just in time to see the lightning converge on the demonic couple in a huge blast, transforming them back into the monstrous Terror Dogs, who now turn and roar menacingly at the Ghostbusters before leaping towards the side of the Temple doors.Gozer appears in the form of an exotic female with a tall, dark flattop and blood red eyes (Slavitza Jovan). Egon points out that she's not really a woman, but rather, takes the shape of whatever it wants. Peter goads Ray into talking to her. Ray very formally requests that Gozer returns to her place of origin, but she responds by asking if he is a god. He says no, and Gozer responds by shooting lightning from her fingers and nearly hurling the Ghostbusters off the roof.They regroup and decide to attack Gozer, but she nimbly jumps clear of their streams and lands behind them. Another attack proves fruitless as she disappears rather than being caught in the streams. Believing they are victorious, the Ghostbusters begin to celebrate, but it is short-lived as Gozer's booming voice is heard above the city demanding that they "choose the form of the Destructor".Peter tells everyone to clear their minds, and think of nothing, so no form will be taken, but it is clearly too late. Ray admits he did his best, but something just popped in his mind, something he thought could never harm anyone. "It's the Stay Puft Marshmallow Man."A 10-story, white, puffy marshmallow man begins to walk the streets of the city, crushing everything underfoot. When he is close enough, the Ghostbusters open fire, setting Mr. Stay Puft ablaze, as he begins to climb the building, King Kong style.Running for cover, the Ghostbusters appear out of ideas, until Egon suggests that they cross the streams, in an effort to close the door, and destroy Gozer's portal. Realizing this will probably mean their doom, the Ghostbusters go ahead with the plan, and set off to finish the god.Crossing the streams does indeed result in a catastrophic explosion, destroying the temple and incinerating the Stay Puft Marshmallow Man, raining molten marshmallow all over the street, including an onlooking Walter Peck.Back on the roof, the Ghostbusters have survived, and slowly emerge from the rubble, covered in marshmallow. Peter finds the roasted carcasses of the Terror Dogs, and believes Dana dead. Behind him, though, her fingers crack through the hardened ruins of the animal, and the Ghostbusters quickly break apart the rest, freeing her and Louis. They leave the roof, and Winston exclaims, "I love this town!"As the closing credits roll, the Ghostbusters return to the street to the roaring cheers of the crowd. Peter and Dana kiss in front of everyone, Louis is helped into an ambulance, and as they drive off, the green ghost from the hotel roars toward the camera as it fades to black. | Ghostbusters | 4c02cc0c-565b-3127-65b7-d5bb1d0d3c62 | What is released when the ghost containment is deactivated? | [
"A supernatural light and ghost running rampant throughout the city",
"Ghosts"
] | false |
/m/01d2v1 | The film opens within the New York Public Library, where a librarian (Alice Drummond) is first gathering books, before heading downstairs to a remote and empty section. She places a book back on the shelf, not noticing that the books behind her are levitating across the aisle. Later, she passes the card catalogue shelves as they open behind her and suddenly begin to hurl their contents into the air. Frightened and screaming, she runs through the room before being stopped by an unseen ghost, which scares her terribly. This leads into the title card.After the opening title shot, the film continues in the Paranormal Studies Dept. of Columbia University, where Dr. Peter Venkman (Bill Murray) is conducting a test on ESP with a nerdy male student (Steven Tash) and an attractive female student (Jennifer Runyon). Venkman continually flirts and lies about her abilities, while enjoying administering electric shocks to the male student. Having finally had enough, the male student departs, and Venkman continues to flirt with the young woman. Dr. Ray Stantz (Dan Aykroyd) enters, and frantically begins to tell Venkman about the sighting at the library, insisting they leave at once to check it out. Venkman makes a date with the student, and follows Stantz out.Upon arriving at the library, Venkman and Stantz meet up with Dr. Egon Spengler (Harold Ramis), and Venkman proceeds to ask a series of personal (and cynical) questions about her medical and social history, before the three head down to the area the ghost supposedly inhabits. While down there, the three men collect ectoplasmic residue, discover a tall "symmetrical stacking" of books from floor to ceiling, and narrowly escape a falling bookcase.Turning the same corner as the librarian, they see the ghost: a transparent form of an elderly lady (Ruth Oliver), reading a book. Having no idea what to do, Venkman begins to talk to the ghost as if it were a lady in a bar. She shushes him, before Stantz proclaims he knows what to do. They stealthily approach the ghost, before Ray yells, "Get her!" and the ghost mutates to a ghoulish, skeletal apparition, scaring the hell out of the trio, who run screaming from the library. They ignore the library administrator (John Rothman) in their frantic way out.After they've calmed down a bit, they walk back to the university. Venkman mocks Ray's idiotic plan, and Egon announces that based on his readings, they now have a "good change of actually catching a ghost and holding it indefinitely." However, once they get back to the school, they meet the dean (Jordan Charney) who tells them that their grant has been terminated due to their shoddy and highly suspect findings, research, and methods.Peter and Ray sit drinking on campus, and Ray mopes about their bleak prospects, before Peter suggests this turn of events happened so that they could go into business for themselves, as the world's first firm for paranormal investigations and eliminations.Peter convinces Ray to take out a mortgage on his childhood home, and use it for startup capital. The trio checks out an empty firehouse to use as a headquarters, and while Egon enumerates the many problems with the building itself, Ray is beside himself with excitement at the prospect of living and working there, specially with the fire-fighter pall in the middle of the hall.At 55 Central Park West, classical musician Dana Barrett (Sigourney Weaver) arrives home with groceries. Her neighbor, übernerd and accountant Louis Tully (Rick Moranis), stops her in the hall, telling her that her television had been left on. Louis badgers her about an upcoming party he's hosting, and Dana finally brushes him away and enters her apartment. As she is putting away her groceries, she notices that her eggs are now leaping out of their shells and cooking themselves on her countertop. She then hears a growl coming from her refrigerator, opens it, and sees an otherworldly temple, and a doglike creature that growls the word "Zuul" (voiced by Ivan Reitman), before Dana frantically slams the door shut.Back at the newly christened Ghostbusters headquarters, Ray pulls up, shocking Peter with the new business car, an old beat-up ambulance that needs a lot of work. Peter goes back inside, makes small talk with their new secretary, Janine (Annie Potts), and waits around for business.Dana arrives seeking an explanation for the events in her kitchen. Peter flirts vigorously with her, while Egon and Ray examine her briefly, and speculate as to what may be the cause of her encounter. After deciding on a plan of action, Peter insists on going with Dana back to her apartment, where he haphazardly looks around, but mostly flirts with her. He looks in the kitchen, and sees the eggs on the counter, but nothing else out of the ordinary. Dana is annoyed, but Peter continues to beg her for a date, pledging to solve her problems in an effort to impress her.Later, the Ghostbusters sit around enjoying dinner, when Janine finally gets a call about a ghost. Peter, Ray, and Egon quickly dress, and race out of their headquarters, to the Sedgwick Hotel, where the manager (Michael Ensign) informs them of a ghost on the 12th floor. They've always had problems, he tells them, but lately it's gotten out of hand. The Ghostbusters assure him they'll take care of it, and head up to the 12th floor. Egon and Ray worry about their equipment, which Peter describes as an unlicensed nuclear accelerator, and decide that they'll ignore the danger for now. They make chitchat conversation with a guest (Murray Rubin) outside the elevator, and they tell him they are going to kill a cockroach, to which the guest answers, "That's gotta be some cockroach." He takes the next elevator.Almost immediately after the Ghostbusters exit the elevator, a maid startles them, and they nearly kill her with their proton packs. The three split up, and Ray eventually sees the ghost: a rotund, green blob, eating everything on a room service cart. Ray tries to hit it with his proton pack but misses, and it flies away, frightened. Ray calls Peter on his walkie-talkie, and Peter, who is now face-to-face with the ghost, is suddenly attacked by it. Ray runs to Peter, and finds him on his back, covered in green slime, but otherwise OK. Egon calls them and informs the other two that the ghost went into the hotel's ballroom.They calm the hotel manager, and then set to work on containing the little green ghost. While shooting their weapons all over the room, Egon suddenly warns the others not to cross their streams, because to do so would result in the destruction of "all life as you know it." After destroying much of the ballroom with their seriously unstable proton packs, the Ghostbusters finally trap the ghost, and burst triumphantly from the ballroom, before the anxious manager and a host of guests burst in. The Ghostbusters haggle with the manager over the bill for a moment, and then head back home, victorious.There is a montage of a series of missions, news spots, newspaper clippings, and stories about the Ghostbusters' new fame and success. There are even interviewed by Larry King and Joe Franklin (themselves).Peter briefly meets with Dana after her orchestra practice, and flirts a bit with her before telling her about Zuul, whom he has discovered is associated with an ancient Sumerian god of destruction, Gozer. He tells her that he'll go over it in more detail over dinner, and finally, she agrees to a date.The Ghostbusters soon hire a fourth man, Winston Zeddemore (Ernie Hudson), a black, blue-collar type guy, who is just looking for a job. Hired immediately by Ray and Peter, Winston is handed a couple of traps and led off by Ray to learn about getting rid of the ghosts, while Peter is informed that there is a man from the EPA waiting for him.Walter Peck (William Atherton), the pompous EPA delegate, condescendingly talks to Peter, refusing to acknowledge that Peter is, in fact, a PhD, and therefore, Dr. Venkman, and briefly questions him about the possible environmental impact of their business, and specifically, their custom-built storage facility. He demands to see it, but Peter just patronizes him for a bit before throwing him out.Ray shows Winston how they unload the ghosts they've trapped into the storage facility, while Egon tells them that his latest research indicates that the city is experience a colossal increase in paranormal activity, comparing it to a 600-pound Twinkie. Peter joins them, mentioning the EPA, and memorably asks, "What about the Twinkie?"A brief shot on the top of Dana's building shows that dog-like gargoyle statues atop the roof are breaking apart and real animals are underneath the stone.Back inside, Dana arrives home, and is once again accosted by Louis who is raving about his party. He is disappointed when Dana tells him she has a date. She gets rid of him again, and goes into her apartment, undressing and talking on the phone. She sits in an armchair for a moment before noticing the same growling sounds from the kitchen. Before she can react, three arms burst from the chair and hold Dana down as she is dragged through her kitchen door to one of the Terror Dogs. Another shot on the roof shows that the gargoyles on the roof have completely broken apart, and whatever was in them is loose.Louis' party continues as he rambles on about the price efficiency of his hosting a party. Two guests show up, hand Louis their coats, and he throws them -unnoticing- on the terror dog sitting at his desk. It roars, and bursts through the door, apparently only after Louis. He runs out of the apartment, through Central Park, before being cornered and attacked outside Tavern on the Green.Meanwhile, Peter arrives at Dana's apartment, stepping over the carnage of Louis' party, and knocks on the door. Dana opens it, dressed in a slinky red dress, and asks, "Are you the Keymaster?" Peter says no, so she angrily slams the door in his face. He knocks again, and enters after answering her question "yes". Dana says that she is Zuul, and they must prepare for the coming of Gozer, The Destructor. Peter talks to her and resists the possessed Dana's aggressive advances, before requesting to speak with the real Dana. At first, Dana coyly replies "There is no Dana, there is only Zuul," trying to kiss him but Peter, still trying to get through to the real Dana Barrett, restrains her. The possessed Dana now becomes visibly annoyed at his persistence, as Peter once again inquires about the real Dana; she replies in an unearthly demonic voice "There is no Dana, only Zuul!" Peter sarcastically dismisses her and gives her to the count of three to talk to the real Dana. With each count, Dana presents further signs of her possession: at first demonically rolling her eyes, then panting like an animal, and finally roaring like a demonic beast and magically floating above her bed. She turns over in midair, to face down at Peter whom asks her to please come down. Dana roars fiercely at him, finally frightening him.Louis, looking disheveled and generally abused, runs out from Central Park rambling, and asks a hansom cab horse if he is the "Gatekeeper". The driver (Danny Stone) chases him off, so he runs away, screaming about a sign of Gozer's arrival.The NYPD arrives at the Ghostbusters headquarters, to drop off Louis, who's been captured and rejected by both the city jail and Bellevue's psych ward. Egon looks at him briefly, and takes him inside. Louis reveals his name is Vinz Clortho, Keymaster of Gozer. He goes on about the history of Gozer, how the god assumes various forms and would mean the destruction of the civilization he targets. During the exam, Peter calls, and tells Egon about the developments with Dana, who is now lies heavily sedated on the bed next to him. Egon tells Peter in return about Louis' psychic transformation, and insists Peter come back to headquarters.Winston and Ray are driving back to the office, Winston driving while Ray examines the "very odd" blueprints of Dana's apartment building. Winston asks Ray about his belief in God, and speculates that the reason they've been so busy lately is because the dead have been rising from the grave, as it was foretold in the Book of Revelations, as a precursor to judgment day, and the end of the world. Ray ponders this.Back at headquarters, Walter Peck has returned with a court order, a cop, and a Con Edison worker (Larry Dilg), intent on shutting down the storage facility. Egon tries to talk them out of it, and Peter arrives just in time to antagonize Peck some more, before the cop intervenes and the Con Ed guy shuts off the power grid. A warning buzzer sounds, and everyone clears the building, as the storage facility rumbles and begins to destroy the basement.A supernatural light show occurs, as all kinds of paranormal energy bursts through the building and shoots out of the roof. Across town, Dana, immediately wakes up from her sedation, and walks toward her living room window. Louis is excited, claiming this is the sign he was waiting for. Ray and Winston arrive, and Egon attacks Peck, getting everyone arrested.Ghosts run rampant through the city, but most of the energy seems to run directly to Dana's building. Dana growls at the energy, ripping out the wall of her apartment in a small explosion.Sitting in jail, Ray shows Egon and Peter the blueprints of Dana's apartment building, pointing out highly unorthodox methods and materials, especially near the roof. Egon tells them that the building, he's discovered, was designed by an insane architect/surgeon named Ivo Shandor. In the 20's, Shandor was evidently so disgusted by the First World War, that he decided he would try to bring about the end of the world with a secret society of Gozer worshippers. They performed rituals atop Dana's building, and the roof itself was meant to be the gateway to allow Gozer into our world. A guard arrives (Reginald VelJohnson), and tells the Ghostbusters that the mayor wants to meet them, to deal with the rash of ghosts and other unbelievable phenomenon happening throughout the city.Louis arrives at Dana's demolished apartment, and they share a passionate kiss before slowly making their way up to the roof via a mythical staircase behind the wall where Dana's fridge used to be as lightning flashes ominously.The four men and Peck are brought before the Mayor (David Margulies) both arguing their sides. Peck claims the Ghostbusters are con artists and use nerve gases to force people to hallucinate and have visions of ghosts. Winston steps up and defends the things he's seen as real. Ray reveals that the city is headed for a disaster of "biblical proportions", and Venkman finally appeals to the possibility that the mayor could be responsible for saving the lives of millions of registered voters. The Mayor throws Peck out of his office and offers whatever support he can to the Ghostbusters.People have gathered all around the apartment building, which has clearly become the center of the entire mess. They cheer as the Ghostbusters arrive, and Peter mugs for the crowd. The four men put on their proton packs and are prepared to enter, but a sudden earthquake seems to swallow them beneath the street. Eventually, they emerge unharmed to the continued cheers from the crowd. They band together and head inside.Once inside, they must climb the stairs to Dana's 22nd floor apartment. Dana and Louis lie on a large stone table. Dana seductively wakes up, followed by Louis. They stare in awe at the large Temple in front of them then walk toward the opposite stone pedestals where the Terror Dog statues once stood. The Ghostbusters arrive to find Dana's apartment burned out and more or less destroyed. They see the staircase in the kitchen and go up.Dana and Louis raise their arms to the sky and are suddenly struck by bolts of lightning, redirecting the lightning bolts toward the temple door, causing it to open and signaling the arrival of Gozer the Gozerian. With the temple doors finally open, Dana and Louis now absorb their full power as the Ghostbusters arrive just in time to see the lightning converge on the demonic couple in a huge blast, transforming them back into the monstrous Terror Dogs, who now turn and roar menacingly at the Ghostbusters before leaping towards the side of the Temple doors.Gozer appears in the form of an exotic female with a tall, dark flattop and blood red eyes (Slavitza Jovan). Egon points out that she's not really a woman, but rather, takes the shape of whatever it wants. Peter goads Ray into talking to her. Ray very formally requests that Gozer returns to her place of origin, but she responds by asking if he is a god. He says no, and Gozer responds by shooting lightning from her fingers and nearly hurling the Ghostbusters off the roof.They regroup and decide to attack Gozer, but she nimbly jumps clear of their streams and lands behind them. Another attack proves fruitless as she disappears rather than being caught in the streams. Believing they are victorious, the Ghostbusters begin to celebrate, but it is short-lived as Gozer's booming voice is heard above the city demanding that they "choose the form of the Destructor".Peter tells everyone to clear their minds, and think of nothing, so no form will be taken, but it is clearly too late. Ray admits he did his best, but something just popped in his mind, something he thought could never harm anyone. "It's the Stay Puft Marshmallow Man."A 10-story, white, puffy marshmallow man begins to walk the streets of the city, crushing everything underfoot. When he is close enough, the Ghostbusters open fire, setting Mr. Stay Puft ablaze, as he begins to climb the building, King Kong style.Running for cover, the Ghostbusters appear out of ideas, until Egon suggests that they cross the streams, in an effort to close the door, and destroy Gozer's portal. Realizing this will probably mean their doom, the Ghostbusters go ahead with the plan, and set off to finish the god.Crossing the streams does indeed result in a catastrophic explosion, destroying the temple and incinerating the Stay Puft Marshmallow Man, raining molten marshmallow all over the street, including an onlooking Walter Peck.Back on the roof, the Ghostbusters have survived, and slowly emerge from the rubble, covered in marshmallow. Peter finds the roasted carcasses of the Terror Dogs, and believes Dana dead. Behind him, though, her fingers crack through the hardened ruins of the animal, and the Ghostbusters quickly break apart the rest, freeing her and Louis. They leave the roof, and Winston exclaims, "I love this town!"As the closing credits roll, the Ghostbusters return to the street to the roaring cheers of the crowd. Peter and Dana kiss in front of everyone, Louis is helped into an ambulance, and as they drive off, the green ghost from the hotel roars toward the camera as it fades to black. | Ghostbusters | e7d129c4-1556-ab7c-fe52-41f8a971c4f0 | Who haunts Dana Barrett's apartment? | [
"Zuul",
"One of the Terror Dogs.",
"Gozer",
"Dog like creature that calls \"Zuul\""
] | false |
/m/01d2v1 | The film opens within the New York Public Library, where a librarian (Alice Drummond) is first gathering books, before heading downstairs to a remote and empty section. She places a book back on the shelf, not noticing that the books behind her are levitating across the aisle. Later, she passes the card catalogue shelves as they open behind her and suddenly begin to hurl their contents into the air. Frightened and screaming, she runs through the room before being stopped by an unseen ghost, which scares her terribly. This leads into the title card.After the opening title shot, the film continues in the Paranormal Studies Dept. of Columbia University, where Dr. Peter Venkman (Bill Murray) is conducting a test on ESP with a nerdy male student (Steven Tash) and an attractive female student (Jennifer Runyon). Venkman continually flirts and lies about her abilities, while enjoying administering electric shocks to the male student. Having finally had enough, the male student departs, and Venkman continues to flirt with the young woman. Dr. Ray Stantz (Dan Aykroyd) enters, and frantically begins to tell Venkman about the sighting at the library, insisting they leave at once to check it out. Venkman makes a date with the student, and follows Stantz out.Upon arriving at the library, Venkman and Stantz meet up with Dr. Egon Spengler (Harold Ramis), and Venkman proceeds to ask a series of personal (and cynical) questions about her medical and social history, before the three head down to the area the ghost supposedly inhabits. While down there, the three men collect ectoplasmic residue, discover a tall "symmetrical stacking" of books from floor to ceiling, and narrowly escape a falling bookcase.Turning the same corner as the librarian, they see the ghost: a transparent form of an elderly lady (Ruth Oliver), reading a book. Having no idea what to do, Venkman begins to talk to the ghost as if it were a lady in a bar. She shushes him, before Stantz proclaims he knows what to do. They stealthily approach the ghost, before Ray yells, "Get her!" and the ghost mutates to a ghoulish, skeletal apparition, scaring the hell out of the trio, who run screaming from the library. They ignore the library administrator (John Rothman) in their frantic way out.After they've calmed down a bit, they walk back to the university. Venkman mocks Ray's idiotic plan, and Egon announces that based on his readings, they now have a "good change of actually catching a ghost and holding it indefinitely." However, once they get back to the school, they meet the dean (Jordan Charney) who tells them that their grant has been terminated due to their shoddy and highly suspect findings, research, and methods.Peter and Ray sit drinking on campus, and Ray mopes about their bleak prospects, before Peter suggests this turn of events happened so that they could go into business for themselves, as the world's first firm for paranormal investigations and eliminations.Peter convinces Ray to take out a mortgage on his childhood home, and use it for startup capital. The trio checks out an empty firehouse to use as a headquarters, and while Egon enumerates the many problems with the building itself, Ray is beside himself with excitement at the prospect of living and working there, specially with the fire-fighter pall in the middle of the hall.At 55 Central Park West, classical musician Dana Barrett (Sigourney Weaver) arrives home with groceries. Her neighbor, übernerd and accountant Louis Tully (Rick Moranis), stops her in the hall, telling her that her television had been left on. Louis badgers her about an upcoming party he's hosting, and Dana finally brushes him away and enters her apartment. As she is putting away her groceries, she notices that her eggs are now leaping out of their shells and cooking themselves on her countertop. She then hears a growl coming from her refrigerator, opens it, and sees an otherworldly temple, and a doglike creature that growls the word "Zuul" (voiced by Ivan Reitman), before Dana frantically slams the door shut.Back at the newly christened Ghostbusters headquarters, Ray pulls up, shocking Peter with the new business car, an old beat-up ambulance that needs a lot of work. Peter goes back inside, makes small talk with their new secretary, Janine (Annie Potts), and waits around for business.Dana arrives seeking an explanation for the events in her kitchen. Peter flirts vigorously with her, while Egon and Ray examine her briefly, and speculate as to what may be the cause of her encounter. After deciding on a plan of action, Peter insists on going with Dana back to her apartment, where he haphazardly looks around, but mostly flirts with her. He looks in the kitchen, and sees the eggs on the counter, but nothing else out of the ordinary. Dana is annoyed, but Peter continues to beg her for a date, pledging to solve her problems in an effort to impress her.Later, the Ghostbusters sit around enjoying dinner, when Janine finally gets a call about a ghost. Peter, Ray, and Egon quickly dress, and race out of their headquarters, to the Sedgwick Hotel, where the manager (Michael Ensign) informs them of a ghost on the 12th floor. They've always had problems, he tells them, but lately it's gotten out of hand. The Ghostbusters assure him they'll take care of it, and head up to the 12th floor. Egon and Ray worry about their equipment, which Peter describes as an unlicensed nuclear accelerator, and decide that they'll ignore the danger for now. They make chitchat conversation with a guest (Murray Rubin) outside the elevator, and they tell him they are going to kill a cockroach, to which the guest answers, "That's gotta be some cockroach." He takes the next elevator.Almost immediately after the Ghostbusters exit the elevator, a maid startles them, and they nearly kill her with their proton packs. The three split up, and Ray eventually sees the ghost: a rotund, green blob, eating everything on a room service cart. Ray tries to hit it with his proton pack but misses, and it flies away, frightened. Ray calls Peter on his walkie-talkie, and Peter, who is now face-to-face with the ghost, is suddenly attacked by it. Ray runs to Peter, and finds him on his back, covered in green slime, but otherwise OK. Egon calls them and informs the other two that the ghost went into the hotel's ballroom.They calm the hotel manager, and then set to work on containing the little green ghost. While shooting their weapons all over the room, Egon suddenly warns the others not to cross their streams, because to do so would result in the destruction of "all life as you know it." After destroying much of the ballroom with their seriously unstable proton packs, the Ghostbusters finally trap the ghost, and burst triumphantly from the ballroom, before the anxious manager and a host of guests burst in. The Ghostbusters haggle with the manager over the bill for a moment, and then head back home, victorious.There is a montage of a series of missions, news spots, newspaper clippings, and stories about the Ghostbusters' new fame and success. There are even interviewed by Larry King and Joe Franklin (themselves).Peter briefly meets with Dana after her orchestra practice, and flirts a bit with her before telling her about Zuul, whom he has discovered is associated with an ancient Sumerian god of destruction, Gozer. He tells her that he'll go over it in more detail over dinner, and finally, she agrees to a date.The Ghostbusters soon hire a fourth man, Winston Zeddemore (Ernie Hudson), a black, blue-collar type guy, who is just looking for a job. Hired immediately by Ray and Peter, Winston is handed a couple of traps and led off by Ray to learn about getting rid of the ghosts, while Peter is informed that there is a man from the EPA waiting for him.Walter Peck (William Atherton), the pompous EPA delegate, condescendingly talks to Peter, refusing to acknowledge that Peter is, in fact, a PhD, and therefore, Dr. Venkman, and briefly questions him about the possible environmental impact of their business, and specifically, their custom-built storage facility. He demands to see it, but Peter just patronizes him for a bit before throwing him out.Ray shows Winston how they unload the ghosts they've trapped into the storage facility, while Egon tells them that his latest research indicates that the city is experience a colossal increase in paranormal activity, comparing it to a 600-pound Twinkie. Peter joins them, mentioning the EPA, and memorably asks, "What about the Twinkie?"A brief shot on the top of Dana's building shows that dog-like gargoyle statues atop the roof are breaking apart and real animals are underneath the stone.Back inside, Dana arrives home, and is once again accosted by Louis who is raving about his party. He is disappointed when Dana tells him she has a date. She gets rid of him again, and goes into her apartment, undressing and talking on the phone. She sits in an armchair for a moment before noticing the same growling sounds from the kitchen. Before she can react, three arms burst from the chair and hold Dana down as she is dragged through her kitchen door to one of the Terror Dogs. Another shot on the roof shows that the gargoyles on the roof have completely broken apart, and whatever was in them is loose.Louis' party continues as he rambles on about the price efficiency of his hosting a party. Two guests show up, hand Louis their coats, and he throws them -unnoticing- on the terror dog sitting at his desk. It roars, and bursts through the door, apparently only after Louis. He runs out of the apartment, through Central Park, before being cornered and attacked outside Tavern on the Green.Meanwhile, Peter arrives at Dana's apartment, stepping over the carnage of Louis' party, and knocks on the door. Dana opens it, dressed in a slinky red dress, and asks, "Are you the Keymaster?" Peter says no, so she angrily slams the door in his face. He knocks again, and enters after answering her question "yes". Dana says that she is Zuul, and they must prepare for the coming of Gozer, The Destructor. Peter talks to her and resists the possessed Dana's aggressive advances, before requesting to speak with the real Dana. At first, Dana coyly replies "There is no Dana, there is only Zuul," trying to kiss him but Peter, still trying to get through to the real Dana Barrett, restrains her. The possessed Dana now becomes visibly annoyed at his persistence, as Peter once again inquires about the real Dana; she replies in an unearthly demonic voice "There is no Dana, only Zuul!" Peter sarcastically dismisses her and gives her to the count of three to talk to the real Dana. With each count, Dana presents further signs of her possession: at first demonically rolling her eyes, then panting like an animal, and finally roaring like a demonic beast and magically floating above her bed. She turns over in midair, to face down at Peter whom asks her to please come down. Dana roars fiercely at him, finally frightening him.Louis, looking disheveled and generally abused, runs out from Central Park rambling, and asks a hansom cab horse if he is the "Gatekeeper". The driver (Danny Stone) chases him off, so he runs away, screaming about a sign of Gozer's arrival.The NYPD arrives at the Ghostbusters headquarters, to drop off Louis, who's been captured and rejected by both the city jail and Bellevue's psych ward. Egon looks at him briefly, and takes him inside. Louis reveals his name is Vinz Clortho, Keymaster of Gozer. He goes on about the history of Gozer, how the god assumes various forms and would mean the destruction of the civilization he targets. During the exam, Peter calls, and tells Egon about the developments with Dana, who is now lies heavily sedated on the bed next to him. Egon tells Peter in return about Louis' psychic transformation, and insists Peter come back to headquarters.Winston and Ray are driving back to the office, Winston driving while Ray examines the "very odd" blueprints of Dana's apartment building. Winston asks Ray about his belief in God, and speculates that the reason they've been so busy lately is because the dead have been rising from the grave, as it was foretold in the Book of Revelations, as a precursor to judgment day, and the end of the world. Ray ponders this.Back at headquarters, Walter Peck has returned with a court order, a cop, and a Con Edison worker (Larry Dilg), intent on shutting down the storage facility. Egon tries to talk them out of it, and Peter arrives just in time to antagonize Peck some more, before the cop intervenes and the Con Ed guy shuts off the power grid. A warning buzzer sounds, and everyone clears the building, as the storage facility rumbles and begins to destroy the basement.A supernatural light show occurs, as all kinds of paranormal energy bursts through the building and shoots out of the roof. Across town, Dana, immediately wakes up from her sedation, and walks toward her living room window. Louis is excited, claiming this is the sign he was waiting for. Ray and Winston arrive, and Egon attacks Peck, getting everyone arrested.Ghosts run rampant through the city, but most of the energy seems to run directly to Dana's building. Dana growls at the energy, ripping out the wall of her apartment in a small explosion.Sitting in jail, Ray shows Egon and Peter the blueprints of Dana's apartment building, pointing out highly unorthodox methods and materials, especially near the roof. Egon tells them that the building, he's discovered, was designed by an insane architect/surgeon named Ivo Shandor. In the 20's, Shandor was evidently so disgusted by the First World War, that he decided he would try to bring about the end of the world with a secret society of Gozer worshippers. They performed rituals atop Dana's building, and the roof itself was meant to be the gateway to allow Gozer into our world. A guard arrives (Reginald VelJohnson), and tells the Ghostbusters that the mayor wants to meet them, to deal with the rash of ghosts and other unbelievable phenomenon happening throughout the city.Louis arrives at Dana's demolished apartment, and they share a passionate kiss before slowly making their way up to the roof via a mythical staircase behind the wall where Dana's fridge used to be as lightning flashes ominously.The four men and Peck are brought before the Mayor (David Margulies) both arguing their sides. Peck claims the Ghostbusters are con artists and use nerve gases to force people to hallucinate and have visions of ghosts. Winston steps up and defends the things he's seen as real. Ray reveals that the city is headed for a disaster of "biblical proportions", and Venkman finally appeals to the possibility that the mayor could be responsible for saving the lives of millions of registered voters. The Mayor throws Peck out of his office and offers whatever support he can to the Ghostbusters.People have gathered all around the apartment building, which has clearly become the center of the entire mess. They cheer as the Ghostbusters arrive, and Peter mugs for the crowd. The four men put on their proton packs and are prepared to enter, but a sudden earthquake seems to swallow them beneath the street. Eventually, they emerge unharmed to the continued cheers from the crowd. They band together and head inside.Once inside, they must climb the stairs to Dana's 22nd floor apartment. Dana and Louis lie on a large stone table. Dana seductively wakes up, followed by Louis. They stare in awe at the large Temple in front of them then walk toward the opposite stone pedestals where the Terror Dog statues once stood. The Ghostbusters arrive to find Dana's apartment burned out and more or less destroyed. They see the staircase in the kitchen and go up.Dana and Louis raise their arms to the sky and are suddenly struck by bolts of lightning, redirecting the lightning bolts toward the temple door, causing it to open and signaling the arrival of Gozer the Gozerian. With the temple doors finally open, Dana and Louis now absorb their full power as the Ghostbusters arrive just in time to see the lightning converge on the demonic couple in a huge blast, transforming them back into the monstrous Terror Dogs, who now turn and roar menacingly at the Ghostbusters before leaping towards the side of the Temple doors.Gozer appears in the form of an exotic female with a tall, dark flattop and blood red eyes (Slavitza Jovan). Egon points out that she's not really a woman, but rather, takes the shape of whatever it wants. Peter goads Ray into talking to her. Ray very formally requests that Gozer returns to her place of origin, but she responds by asking if he is a god. He says no, and Gozer responds by shooting lightning from her fingers and nearly hurling the Ghostbusters off the roof.They regroup and decide to attack Gozer, but she nimbly jumps clear of their streams and lands behind them. Another attack proves fruitless as she disappears rather than being caught in the streams. Believing they are victorious, the Ghostbusters begin to celebrate, but it is short-lived as Gozer's booming voice is heard above the city demanding that they "choose the form of the Destructor".Peter tells everyone to clear their minds, and think of nothing, so no form will be taken, but it is clearly too late. Ray admits he did his best, but something just popped in his mind, something he thought could never harm anyone. "It's the Stay Puft Marshmallow Man."A 10-story, white, puffy marshmallow man begins to walk the streets of the city, crushing everything underfoot. When he is close enough, the Ghostbusters open fire, setting Mr. Stay Puft ablaze, as he begins to climb the building, King Kong style.Running for cover, the Ghostbusters appear out of ideas, until Egon suggests that they cross the streams, in an effort to close the door, and destroy Gozer's portal. Realizing this will probably mean their doom, the Ghostbusters go ahead with the plan, and set off to finish the god.Crossing the streams does indeed result in a catastrophic explosion, destroying the temple and incinerating the Stay Puft Marshmallow Man, raining molten marshmallow all over the street, including an onlooking Walter Peck.Back on the roof, the Ghostbusters have survived, and slowly emerge from the rubble, covered in marshmallow. Peter finds the roasted carcasses of the Terror Dogs, and believes Dana dead. Behind him, though, her fingers crack through the hardened ruins of the animal, and the Ghostbusters quickly break apart the rest, freeing her and Louis. They leave the roof, and Winston exclaims, "I love this town!"As the closing credits roll, the Ghostbusters return to the street to the roaring cheers of the crowd. Peter and Dana kiss in front of everyone, Louis is helped into an ambulance, and as they drive off, the green ghost from the hotel roars toward the camera as it fades to black. | Ghostbusters | 843bb50d-7b3f-fc81-dd47-6ab33b500c69 | Who is the "Keymaster"? | [
"Vinz Clortho"
] | false |
/m/01d2v1 | The film opens within the New York Public Library, where a librarian (Alice Drummond) is first gathering books, before heading downstairs to a remote and empty section. She places a book back on the shelf, not noticing that the books behind her are levitating across the aisle. Later, she passes the card catalogue shelves as they open behind her and suddenly begin to hurl their contents into the air. Frightened and screaming, she runs through the room before being stopped by an unseen ghost, which scares her terribly. This leads into the title card.After the opening title shot, the film continues in the Paranormal Studies Dept. of Columbia University, where Dr. Peter Venkman (Bill Murray) is conducting a test on ESP with a nerdy male student (Steven Tash) and an attractive female student (Jennifer Runyon). Venkman continually flirts and lies about her abilities, while enjoying administering electric shocks to the male student. Having finally had enough, the male student departs, and Venkman continues to flirt with the young woman. Dr. Ray Stantz (Dan Aykroyd) enters, and frantically begins to tell Venkman about the sighting at the library, insisting they leave at once to check it out. Venkman makes a date with the student, and follows Stantz out.Upon arriving at the library, Venkman and Stantz meet up with Dr. Egon Spengler (Harold Ramis), and Venkman proceeds to ask a series of personal (and cynical) questions about her medical and social history, before the three head down to the area the ghost supposedly inhabits. While down there, the three men collect ectoplasmic residue, discover a tall "symmetrical stacking" of books from floor to ceiling, and narrowly escape a falling bookcase.Turning the same corner as the librarian, they see the ghost: a transparent form of an elderly lady (Ruth Oliver), reading a book. Having no idea what to do, Venkman begins to talk to the ghost as if it were a lady in a bar. She shushes him, before Stantz proclaims he knows what to do. They stealthily approach the ghost, before Ray yells, "Get her!" and the ghost mutates to a ghoulish, skeletal apparition, scaring the hell out of the trio, who run screaming from the library. They ignore the library administrator (John Rothman) in their frantic way out.After they've calmed down a bit, they walk back to the university. Venkman mocks Ray's idiotic plan, and Egon announces that based on his readings, they now have a "good change of actually catching a ghost and holding it indefinitely." However, once they get back to the school, they meet the dean (Jordan Charney) who tells them that their grant has been terminated due to their shoddy and highly suspect findings, research, and methods.Peter and Ray sit drinking on campus, and Ray mopes about their bleak prospects, before Peter suggests this turn of events happened so that they could go into business for themselves, as the world's first firm for paranormal investigations and eliminations.Peter convinces Ray to take out a mortgage on his childhood home, and use it for startup capital. The trio checks out an empty firehouse to use as a headquarters, and while Egon enumerates the many problems with the building itself, Ray is beside himself with excitement at the prospect of living and working there, specially with the fire-fighter pall in the middle of the hall.At 55 Central Park West, classical musician Dana Barrett (Sigourney Weaver) arrives home with groceries. Her neighbor, übernerd and accountant Louis Tully (Rick Moranis), stops her in the hall, telling her that her television had been left on. Louis badgers her about an upcoming party he's hosting, and Dana finally brushes him away and enters her apartment. As she is putting away her groceries, she notices that her eggs are now leaping out of their shells and cooking themselves on her countertop. She then hears a growl coming from her refrigerator, opens it, and sees an otherworldly temple, and a doglike creature that growls the word "Zuul" (voiced by Ivan Reitman), before Dana frantically slams the door shut.Back at the newly christened Ghostbusters headquarters, Ray pulls up, shocking Peter with the new business car, an old beat-up ambulance that needs a lot of work. Peter goes back inside, makes small talk with their new secretary, Janine (Annie Potts), and waits around for business.Dana arrives seeking an explanation for the events in her kitchen. Peter flirts vigorously with her, while Egon and Ray examine her briefly, and speculate as to what may be the cause of her encounter. After deciding on a plan of action, Peter insists on going with Dana back to her apartment, where he haphazardly looks around, but mostly flirts with her. He looks in the kitchen, and sees the eggs on the counter, but nothing else out of the ordinary. Dana is annoyed, but Peter continues to beg her for a date, pledging to solve her problems in an effort to impress her.Later, the Ghostbusters sit around enjoying dinner, when Janine finally gets a call about a ghost. Peter, Ray, and Egon quickly dress, and race out of their headquarters, to the Sedgwick Hotel, where the manager (Michael Ensign) informs them of a ghost on the 12th floor. They've always had problems, he tells them, but lately it's gotten out of hand. The Ghostbusters assure him they'll take care of it, and head up to the 12th floor. Egon and Ray worry about their equipment, which Peter describes as an unlicensed nuclear accelerator, and decide that they'll ignore the danger for now. They make chitchat conversation with a guest (Murray Rubin) outside the elevator, and they tell him they are going to kill a cockroach, to which the guest answers, "That's gotta be some cockroach." He takes the next elevator.Almost immediately after the Ghostbusters exit the elevator, a maid startles them, and they nearly kill her with their proton packs. The three split up, and Ray eventually sees the ghost: a rotund, green blob, eating everything on a room service cart. Ray tries to hit it with his proton pack but misses, and it flies away, frightened. Ray calls Peter on his walkie-talkie, and Peter, who is now face-to-face with the ghost, is suddenly attacked by it. Ray runs to Peter, and finds him on his back, covered in green slime, but otherwise OK. Egon calls them and informs the other two that the ghost went into the hotel's ballroom.They calm the hotel manager, and then set to work on containing the little green ghost. While shooting their weapons all over the room, Egon suddenly warns the others not to cross their streams, because to do so would result in the destruction of "all life as you know it." After destroying much of the ballroom with their seriously unstable proton packs, the Ghostbusters finally trap the ghost, and burst triumphantly from the ballroom, before the anxious manager and a host of guests burst in. The Ghostbusters haggle with the manager over the bill for a moment, and then head back home, victorious.There is a montage of a series of missions, news spots, newspaper clippings, and stories about the Ghostbusters' new fame and success. There are even interviewed by Larry King and Joe Franklin (themselves).Peter briefly meets with Dana after her orchestra practice, and flirts a bit with her before telling her about Zuul, whom he has discovered is associated with an ancient Sumerian god of destruction, Gozer. He tells her that he'll go over it in more detail over dinner, and finally, she agrees to a date.The Ghostbusters soon hire a fourth man, Winston Zeddemore (Ernie Hudson), a black, blue-collar type guy, who is just looking for a job. Hired immediately by Ray and Peter, Winston is handed a couple of traps and led off by Ray to learn about getting rid of the ghosts, while Peter is informed that there is a man from the EPA waiting for him.Walter Peck (William Atherton), the pompous EPA delegate, condescendingly talks to Peter, refusing to acknowledge that Peter is, in fact, a PhD, and therefore, Dr. Venkman, and briefly questions him about the possible environmental impact of their business, and specifically, their custom-built storage facility. He demands to see it, but Peter just patronizes him for a bit before throwing him out.Ray shows Winston how they unload the ghosts they've trapped into the storage facility, while Egon tells them that his latest research indicates that the city is experience a colossal increase in paranormal activity, comparing it to a 600-pound Twinkie. Peter joins them, mentioning the EPA, and memorably asks, "What about the Twinkie?"A brief shot on the top of Dana's building shows that dog-like gargoyle statues atop the roof are breaking apart and real animals are underneath the stone.Back inside, Dana arrives home, and is once again accosted by Louis who is raving about his party. He is disappointed when Dana tells him she has a date. She gets rid of him again, and goes into her apartment, undressing and talking on the phone. She sits in an armchair for a moment before noticing the same growling sounds from the kitchen. Before she can react, three arms burst from the chair and hold Dana down as she is dragged through her kitchen door to one of the Terror Dogs. Another shot on the roof shows that the gargoyles on the roof have completely broken apart, and whatever was in them is loose.Louis' party continues as he rambles on about the price efficiency of his hosting a party. Two guests show up, hand Louis their coats, and he throws them -unnoticing- on the terror dog sitting at his desk. It roars, and bursts through the door, apparently only after Louis. He runs out of the apartment, through Central Park, before being cornered and attacked outside Tavern on the Green.Meanwhile, Peter arrives at Dana's apartment, stepping over the carnage of Louis' party, and knocks on the door. Dana opens it, dressed in a slinky red dress, and asks, "Are you the Keymaster?" Peter says no, so she angrily slams the door in his face. He knocks again, and enters after answering her question "yes". Dana says that she is Zuul, and they must prepare for the coming of Gozer, The Destructor. Peter talks to her and resists the possessed Dana's aggressive advances, before requesting to speak with the real Dana. At first, Dana coyly replies "There is no Dana, there is only Zuul," trying to kiss him but Peter, still trying to get through to the real Dana Barrett, restrains her. The possessed Dana now becomes visibly annoyed at his persistence, as Peter once again inquires about the real Dana; she replies in an unearthly demonic voice "There is no Dana, only Zuul!" Peter sarcastically dismisses her and gives her to the count of three to talk to the real Dana. With each count, Dana presents further signs of her possession: at first demonically rolling her eyes, then panting like an animal, and finally roaring like a demonic beast and magically floating above her bed. She turns over in midair, to face down at Peter whom asks her to please come down. Dana roars fiercely at him, finally frightening him.Louis, looking disheveled and generally abused, runs out from Central Park rambling, and asks a hansom cab horse if he is the "Gatekeeper". The driver (Danny Stone) chases him off, so he runs away, screaming about a sign of Gozer's arrival.The NYPD arrives at the Ghostbusters headquarters, to drop off Louis, who's been captured and rejected by both the city jail and Bellevue's psych ward. Egon looks at him briefly, and takes him inside. Louis reveals his name is Vinz Clortho, Keymaster of Gozer. He goes on about the history of Gozer, how the god assumes various forms and would mean the destruction of the civilization he targets. During the exam, Peter calls, and tells Egon about the developments with Dana, who is now lies heavily sedated on the bed next to him. Egon tells Peter in return about Louis' psychic transformation, and insists Peter come back to headquarters.Winston and Ray are driving back to the office, Winston driving while Ray examines the "very odd" blueprints of Dana's apartment building. Winston asks Ray about his belief in God, and speculates that the reason they've been so busy lately is because the dead have been rising from the grave, as it was foretold in the Book of Revelations, as a precursor to judgment day, and the end of the world. Ray ponders this.Back at headquarters, Walter Peck has returned with a court order, a cop, and a Con Edison worker (Larry Dilg), intent on shutting down the storage facility. Egon tries to talk them out of it, and Peter arrives just in time to antagonize Peck some more, before the cop intervenes and the Con Ed guy shuts off the power grid. A warning buzzer sounds, and everyone clears the building, as the storage facility rumbles and begins to destroy the basement.A supernatural light show occurs, as all kinds of paranormal energy bursts through the building and shoots out of the roof. Across town, Dana, immediately wakes up from her sedation, and walks toward her living room window. Louis is excited, claiming this is the sign he was waiting for. Ray and Winston arrive, and Egon attacks Peck, getting everyone arrested.Ghosts run rampant through the city, but most of the energy seems to run directly to Dana's building. Dana growls at the energy, ripping out the wall of her apartment in a small explosion.Sitting in jail, Ray shows Egon and Peter the blueprints of Dana's apartment building, pointing out highly unorthodox methods and materials, especially near the roof. Egon tells them that the building, he's discovered, was designed by an insane architect/surgeon named Ivo Shandor. In the 20's, Shandor was evidently so disgusted by the First World War, that he decided he would try to bring about the end of the world with a secret society of Gozer worshippers. They performed rituals atop Dana's building, and the roof itself was meant to be the gateway to allow Gozer into our world. A guard arrives (Reginald VelJohnson), and tells the Ghostbusters that the mayor wants to meet them, to deal with the rash of ghosts and other unbelievable phenomenon happening throughout the city.Louis arrives at Dana's demolished apartment, and they share a passionate kiss before slowly making their way up to the roof via a mythical staircase behind the wall where Dana's fridge used to be as lightning flashes ominously.The four men and Peck are brought before the Mayor (David Margulies) both arguing their sides. Peck claims the Ghostbusters are con artists and use nerve gases to force people to hallucinate and have visions of ghosts. Winston steps up and defends the things he's seen as real. Ray reveals that the city is headed for a disaster of "biblical proportions", and Venkman finally appeals to the possibility that the mayor could be responsible for saving the lives of millions of registered voters. The Mayor throws Peck out of his office and offers whatever support he can to the Ghostbusters.People have gathered all around the apartment building, which has clearly become the center of the entire mess. They cheer as the Ghostbusters arrive, and Peter mugs for the crowd. The four men put on their proton packs and are prepared to enter, but a sudden earthquake seems to swallow them beneath the street. Eventually, they emerge unharmed to the continued cheers from the crowd. They band together and head inside.Once inside, they must climb the stairs to Dana's 22nd floor apartment. Dana and Louis lie on a large stone table. Dana seductively wakes up, followed by Louis. They stare in awe at the large Temple in front of them then walk toward the opposite stone pedestals where the Terror Dog statues once stood. The Ghostbusters arrive to find Dana's apartment burned out and more or less destroyed. They see the staircase in the kitchen and go up.Dana and Louis raise their arms to the sky and are suddenly struck by bolts of lightning, redirecting the lightning bolts toward the temple door, causing it to open and signaling the arrival of Gozer the Gozerian. With the temple doors finally open, Dana and Louis now absorb their full power as the Ghostbusters arrive just in time to see the lightning converge on the demonic couple in a huge blast, transforming them back into the monstrous Terror Dogs, who now turn and roar menacingly at the Ghostbusters before leaping towards the side of the Temple doors.Gozer appears in the form of an exotic female with a tall, dark flattop and blood red eyes (Slavitza Jovan). Egon points out that she's not really a woman, but rather, takes the shape of whatever it wants. Peter goads Ray into talking to her. Ray very formally requests that Gozer returns to her place of origin, but she responds by asking if he is a god. He says no, and Gozer responds by shooting lightning from her fingers and nearly hurling the Ghostbusters off the roof.They regroup and decide to attack Gozer, but she nimbly jumps clear of their streams and lands behind them. Another attack proves fruitless as she disappears rather than being caught in the streams. Believing they are victorious, the Ghostbusters begin to celebrate, but it is short-lived as Gozer's booming voice is heard above the city demanding that they "choose the form of the Destructor".Peter tells everyone to clear their minds, and think of nothing, so no form will be taken, but it is clearly too late. Ray admits he did his best, but something just popped in his mind, something he thought could never harm anyone. "It's the Stay Puft Marshmallow Man."A 10-story, white, puffy marshmallow man begins to walk the streets of the city, crushing everything underfoot. When he is close enough, the Ghostbusters open fire, setting Mr. Stay Puft ablaze, as he begins to climb the building, King Kong style.Running for cover, the Ghostbusters appear out of ideas, until Egon suggests that they cross the streams, in an effort to close the door, and destroy Gozer's portal. Realizing this will probably mean their doom, the Ghostbusters go ahead with the plan, and set off to finish the god.Crossing the streams does indeed result in a catastrophic explosion, destroying the temple and incinerating the Stay Puft Marshmallow Man, raining molten marshmallow all over the street, including an onlooking Walter Peck.Back on the roof, the Ghostbusters have survived, and slowly emerge from the rubble, covered in marshmallow. Peter finds the roasted carcasses of the Terror Dogs, and believes Dana dead. Behind him, though, her fingers crack through the hardened ruins of the animal, and the Ghostbusters quickly break apart the rest, freeing her and Louis. They leave the roof, and Winston exclaims, "I love this town!"As the closing credits roll, the Ghostbusters return to the street to the roaring cheers of the crowd. Peter and Dana kiss in front of everyone, Louis is helped into an ambulance, and as they drive off, the green ghost from the hotel roars toward the camera as it fades to black. | Ghostbusters | 92250b03-ea27-6098-af70-0122e4d16c0d | Who designed the building as a gateway to Gozer? | [
"Ivo Shandor",
"Zuul"
] | false |
/m/01d2v1 | The film opens within the New York Public Library, where a librarian (Alice Drummond) is first gathering books, before heading downstairs to a remote and empty section. She places a book back on the shelf, not noticing that the books behind her are levitating across the aisle. Later, she passes the card catalogue shelves as they open behind her and suddenly begin to hurl their contents into the air. Frightened and screaming, she runs through the room before being stopped by an unseen ghost, which scares her terribly. This leads into the title card.After the opening title shot, the film continues in the Paranormal Studies Dept. of Columbia University, where Dr. Peter Venkman (Bill Murray) is conducting a test on ESP with a nerdy male student (Steven Tash) and an attractive female student (Jennifer Runyon). Venkman continually flirts and lies about her abilities, while enjoying administering electric shocks to the male student. Having finally had enough, the male student departs, and Venkman continues to flirt with the young woman. Dr. Ray Stantz (Dan Aykroyd) enters, and frantically begins to tell Venkman about the sighting at the library, insisting they leave at once to check it out. Venkman makes a date with the student, and follows Stantz out.Upon arriving at the library, Venkman and Stantz meet up with Dr. Egon Spengler (Harold Ramis), and Venkman proceeds to ask a series of personal (and cynical) questions about her medical and social history, before the three head down to the area the ghost supposedly inhabits. While down there, the three men collect ectoplasmic residue, discover a tall "symmetrical stacking" of books from floor to ceiling, and narrowly escape a falling bookcase.Turning the same corner as the librarian, they see the ghost: a transparent form of an elderly lady (Ruth Oliver), reading a book. Having no idea what to do, Venkman begins to talk to the ghost as if it were a lady in a bar. She shushes him, before Stantz proclaims he knows what to do. They stealthily approach the ghost, before Ray yells, "Get her!" and the ghost mutates to a ghoulish, skeletal apparition, scaring the hell out of the trio, who run screaming from the library. They ignore the library administrator (John Rothman) in their frantic way out.After they've calmed down a bit, they walk back to the university. Venkman mocks Ray's idiotic plan, and Egon announces that based on his readings, they now have a "good change of actually catching a ghost and holding it indefinitely." However, once they get back to the school, they meet the dean (Jordan Charney) who tells them that their grant has been terminated due to their shoddy and highly suspect findings, research, and methods.Peter and Ray sit drinking on campus, and Ray mopes about their bleak prospects, before Peter suggests this turn of events happened so that they could go into business for themselves, as the world's first firm for paranormal investigations and eliminations.Peter convinces Ray to take out a mortgage on his childhood home, and use it for startup capital. The trio checks out an empty firehouse to use as a headquarters, and while Egon enumerates the many problems with the building itself, Ray is beside himself with excitement at the prospect of living and working there, specially with the fire-fighter pall in the middle of the hall.At 55 Central Park West, classical musician Dana Barrett (Sigourney Weaver) arrives home with groceries. Her neighbor, übernerd and accountant Louis Tully (Rick Moranis), stops her in the hall, telling her that her television had been left on. Louis badgers her about an upcoming party he's hosting, and Dana finally brushes him away and enters her apartment. As she is putting away her groceries, she notices that her eggs are now leaping out of their shells and cooking themselves on her countertop. She then hears a growl coming from her refrigerator, opens it, and sees an otherworldly temple, and a doglike creature that growls the word "Zuul" (voiced by Ivan Reitman), before Dana frantically slams the door shut.Back at the newly christened Ghostbusters headquarters, Ray pulls up, shocking Peter with the new business car, an old beat-up ambulance that needs a lot of work. Peter goes back inside, makes small talk with their new secretary, Janine (Annie Potts), and waits around for business.Dana arrives seeking an explanation for the events in her kitchen. Peter flirts vigorously with her, while Egon and Ray examine her briefly, and speculate as to what may be the cause of her encounter. After deciding on a plan of action, Peter insists on going with Dana back to her apartment, where he haphazardly looks around, but mostly flirts with her. He looks in the kitchen, and sees the eggs on the counter, but nothing else out of the ordinary. Dana is annoyed, but Peter continues to beg her for a date, pledging to solve her problems in an effort to impress her.Later, the Ghostbusters sit around enjoying dinner, when Janine finally gets a call about a ghost. Peter, Ray, and Egon quickly dress, and race out of their headquarters, to the Sedgwick Hotel, where the manager (Michael Ensign) informs them of a ghost on the 12th floor. They've always had problems, he tells them, but lately it's gotten out of hand. The Ghostbusters assure him they'll take care of it, and head up to the 12th floor. Egon and Ray worry about their equipment, which Peter describes as an unlicensed nuclear accelerator, and decide that they'll ignore the danger for now. They make chitchat conversation with a guest (Murray Rubin) outside the elevator, and they tell him they are going to kill a cockroach, to which the guest answers, "That's gotta be some cockroach." He takes the next elevator.Almost immediately after the Ghostbusters exit the elevator, a maid startles them, and they nearly kill her with their proton packs. The three split up, and Ray eventually sees the ghost: a rotund, green blob, eating everything on a room service cart. Ray tries to hit it with his proton pack but misses, and it flies away, frightened. Ray calls Peter on his walkie-talkie, and Peter, who is now face-to-face with the ghost, is suddenly attacked by it. Ray runs to Peter, and finds him on his back, covered in green slime, but otherwise OK. Egon calls them and informs the other two that the ghost went into the hotel's ballroom.They calm the hotel manager, and then set to work on containing the little green ghost. While shooting their weapons all over the room, Egon suddenly warns the others not to cross their streams, because to do so would result in the destruction of "all life as you know it." After destroying much of the ballroom with their seriously unstable proton packs, the Ghostbusters finally trap the ghost, and burst triumphantly from the ballroom, before the anxious manager and a host of guests burst in. The Ghostbusters haggle with the manager over the bill for a moment, and then head back home, victorious.There is a montage of a series of missions, news spots, newspaper clippings, and stories about the Ghostbusters' new fame and success. There are even interviewed by Larry King and Joe Franklin (themselves).Peter briefly meets with Dana after her orchestra practice, and flirts a bit with her before telling her about Zuul, whom he has discovered is associated with an ancient Sumerian god of destruction, Gozer. He tells her that he'll go over it in more detail over dinner, and finally, she agrees to a date.The Ghostbusters soon hire a fourth man, Winston Zeddemore (Ernie Hudson), a black, blue-collar type guy, who is just looking for a job. Hired immediately by Ray and Peter, Winston is handed a couple of traps and led off by Ray to learn about getting rid of the ghosts, while Peter is informed that there is a man from the EPA waiting for him.Walter Peck (William Atherton), the pompous EPA delegate, condescendingly talks to Peter, refusing to acknowledge that Peter is, in fact, a PhD, and therefore, Dr. Venkman, and briefly questions him about the possible environmental impact of their business, and specifically, their custom-built storage facility. He demands to see it, but Peter just patronizes him for a bit before throwing him out.Ray shows Winston how they unload the ghosts they've trapped into the storage facility, while Egon tells them that his latest research indicates that the city is experience a colossal increase in paranormal activity, comparing it to a 600-pound Twinkie. Peter joins them, mentioning the EPA, and memorably asks, "What about the Twinkie?"A brief shot on the top of Dana's building shows that dog-like gargoyle statues atop the roof are breaking apart and real animals are underneath the stone.Back inside, Dana arrives home, and is once again accosted by Louis who is raving about his party. He is disappointed when Dana tells him she has a date. She gets rid of him again, and goes into her apartment, undressing and talking on the phone. She sits in an armchair for a moment before noticing the same growling sounds from the kitchen. Before she can react, three arms burst from the chair and hold Dana down as she is dragged through her kitchen door to one of the Terror Dogs. Another shot on the roof shows that the gargoyles on the roof have completely broken apart, and whatever was in them is loose.Louis' party continues as he rambles on about the price efficiency of his hosting a party. Two guests show up, hand Louis their coats, and he throws them -unnoticing- on the terror dog sitting at his desk. It roars, and bursts through the door, apparently only after Louis. He runs out of the apartment, through Central Park, before being cornered and attacked outside Tavern on the Green.Meanwhile, Peter arrives at Dana's apartment, stepping over the carnage of Louis' party, and knocks on the door. Dana opens it, dressed in a slinky red dress, and asks, "Are you the Keymaster?" Peter says no, so she angrily slams the door in his face. He knocks again, and enters after answering her question "yes". Dana says that she is Zuul, and they must prepare for the coming of Gozer, The Destructor. Peter talks to her and resists the possessed Dana's aggressive advances, before requesting to speak with the real Dana. At first, Dana coyly replies "There is no Dana, there is only Zuul," trying to kiss him but Peter, still trying to get through to the real Dana Barrett, restrains her. The possessed Dana now becomes visibly annoyed at his persistence, as Peter once again inquires about the real Dana; she replies in an unearthly demonic voice "There is no Dana, only Zuul!" Peter sarcastically dismisses her and gives her to the count of three to talk to the real Dana. With each count, Dana presents further signs of her possession: at first demonically rolling her eyes, then panting like an animal, and finally roaring like a demonic beast and magically floating above her bed. She turns over in midair, to face down at Peter whom asks her to please come down. Dana roars fiercely at him, finally frightening him.Louis, looking disheveled and generally abused, runs out from Central Park rambling, and asks a hansom cab horse if he is the "Gatekeeper". The driver (Danny Stone) chases him off, so he runs away, screaming about a sign of Gozer's arrival.The NYPD arrives at the Ghostbusters headquarters, to drop off Louis, who's been captured and rejected by both the city jail and Bellevue's psych ward. Egon looks at him briefly, and takes him inside. Louis reveals his name is Vinz Clortho, Keymaster of Gozer. He goes on about the history of Gozer, how the god assumes various forms and would mean the destruction of the civilization he targets. During the exam, Peter calls, and tells Egon about the developments with Dana, who is now lies heavily sedated on the bed next to him. Egon tells Peter in return about Louis' psychic transformation, and insists Peter come back to headquarters.Winston and Ray are driving back to the office, Winston driving while Ray examines the "very odd" blueprints of Dana's apartment building. Winston asks Ray about his belief in God, and speculates that the reason they've been so busy lately is because the dead have been rising from the grave, as it was foretold in the Book of Revelations, as a precursor to judgment day, and the end of the world. Ray ponders this.Back at headquarters, Walter Peck has returned with a court order, a cop, and a Con Edison worker (Larry Dilg), intent on shutting down the storage facility. Egon tries to talk them out of it, and Peter arrives just in time to antagonize Peck some more, before the cop intervenes and the Con Ed guy shuts off the power grid. A warning buzzer sounds, and everyone clears the building, as the storage facility rumbles and begins to destroy the basement.A supernatural light show occurs, as all kinds of paranormal energy bursts through the building and shoots out of the roof. Across town, Dana, immediately wakes up from her sedation, and walks toward her living room window. Louis is excited, claiming this is the sign he was waiting for. Ray and Winston arrive, and Egon attacks Peck, getting everyone arrested.Ghosts run rampant through the city, but most of the energy seems to run directly to Dana's building. Dana growls at the energy, ripping out the wall of her apartment in a small explosion.Sitting in jail, Ray shows Egon and Peter the blueprints of Dana's apartment building, pointing out highly unorthodox methods and materials, especially near the roof. Egon tells them that the building, he's discovered, was designed by an insane architect/surgeon named Ivo Shandor. In the 20's, Shandor was evidently so disgusted by the First World War, that he decided he would try to bring about the end of the world with a secret society of Gozer worshippers. They performed rituals atop Dana's building, and the roof itself was meant to be the gateway to allow Gozer into our world. A guard arrives (Reginald VelJohnson), and tells the Ghostbusters that the mayor wants to meet them, to deal with the rash of ghosts and other unbelievable phenomenon happening throughout the city.Louis arrives at Dana's demolished apartment, and they share a passionate kiss before slowly making their way up to the roof via a mythical staircase behind the wall where Dana's fridge used to be as lightning flashes ominously.The four men and Peck are brought before the Mayor (David Margulies) both arguing their sides. Peck claims the Ghostbusters are con artists and use nerve gases to force people to hallucinate and have visions of ghosts. Winston steps up and defends the things he's seen as real. Ray reveals that the city is headed for a disaster of "biblical proportions", and Venkman finally appeals to the possibility that the mayor could be responsible for saving the lives of millions of registered voters. The Mayor throws Peck out of his office and offers whatever support he can to the Ghostbusters.People have gathered all around the apartment building, which has clearly become the center of the entire mess. They cheer as the Ghostbusters arrive, and Peter mugs for the crowd. The four men put on their proton packs and are prepared to enter, but a sudden earthquake seems to swallow them beneath the street. Eventually, they emerge unharmed to the continued cheers from the crowd. They band together and head inside.Once inside, they must climb the stairs to Dana's 22nd floor apartment. Dana and Louis lie on a large stone table. Dana seductively wakes up, followed by Louis. They stare in awe at the large Temple in front of them then walk toward the opposite stone pedestals where the Terror Dog statues once stood. The Ghostbusters arrive to find Dana's apartment burned out and more or less destroyed. They see the staircase in the kitchen and go up.Dana and Louis raise their arms to the sky and are suddenly struck by bolts of lightning, redirecting the lightning bolts toward the temple door, causing it to open and signaling the arrival of Gozer the Gozerian. With the temple doors finally open, Dana and Louis now absorb their full power as the Ghostbusters arrive just in time to see the lightning converge on the demonic couple in a huge blast, transforming them back into the monstrous Terror Dogs, who now turn and roar menacingly at the Ghostbusters before leaping towards the side of the Temple doors.Gozer appears in the form of an exotic female with a tall, dark flattop and blood red eyes (Slavitza Jovan). Egon points out that she's not really a woman, but rather, takes the shape of whatever it wants. Peter goads Ray into talking to her. Ray very formally requests that Gozer returns to her place of origin, but she responds by asking if he is a god. He says no, and Gozer responds by shooting lightning from her fingers and nearly hurling the Ghostbusters off the roof.They regroup and decide to attack Gozer, but she nimbly jumps clear of their streams and lands behind them. Another attack proves fruitless as she disappears rather than being caught in the streams. Believing they are victorious, the Ghostbusters begin to celebrate, but it is short-lived as Gozer's booming voice is heard above the city demanding that they "choose the form of the Destructor".Peter tells everyone to clear their minds, and think of nothing, so no form will be taken, but it is clearly too late. Ray admits he did his best, but something just popped in his mind, something he thought could never harm anyone. "It's the Stay Puft Marshmallow Man."A 10-story, white, puffy marshmallow man begins to walk the streets of the city, crushing everything underfoot. When he is close enough, the Ghostbusters open fire, setting Mr. Stay Puft ablaze, as he begins to climb the building, King Kong style.Running for cover, the Ghostbusters appear out of ideas, until Egon suggests that they cross the streams, in an effort to close the door, and destroy Gozer's portal. Realizing this will probably mean their doom, the Ghostbusters go ahead with the plan, and set off to finish the god.Crossing the streams does indeed result in a catastrophic explosion, destroying the temple and incinerating the Stay Puft Marshmallow Man, raining molten marshmallow all over the street, including an onlooking Walter Peck.Back on the roof, the Ghostbusters have survived, and slowly emerge from the rubble, covered in marshmallow. Peter finds the roasted carcasses of the Terror Dogs, and believes Dana dead. Behind him, though, her fingers crack through the hardened ruins of the animal, and the Ghostbusters quickly break apart the rest, freeing her and Louis. They leave the roof, and Winston exclaims, "I love this town!"As the closing credits roll, the Ghostbusters return to the street to the roaring cheers of the crowd. Peter and Dana kiss in front of everyone, Louis is helped into an ambulance, and as they drive off, the green ghost from the hotel roars toward the camera as it fades to black. | Ghostbusters | 04017d3b-be13-639d-7e2a-dbcad353a8e2 | Zul is the servant of what God? | [
"Gozer the Gozerian"
] | false |
/m/01d2v1 | The film opens within the New York Public Library, where a librarian (Alice Drummond) is first gathering books, before heading downstairs to a remote and empty section. She places a book back on the shelf, not noticing that the books behind her are levitating across the aisle. Later, she passes the card catalogue shelves as they open behind her and suddenly begin to hurl their contents into the air. Frightened and screaming, she runs through the room before being stopped by an unseen ghost, which scares her terribly. This leads into the title card.After the opening title shot, the film continues in the Paranormal Studies Dept. of Columbia University, where Dr. Peter Venkman (Bill Murray) is conducting a test on ESP with a nerdy male student (Steven Tash) and an attractive female student (Jennifer Runyon). Venkman continually flirts and lies about her abilities, while enjoying administering electric shocks to the male student. Having finally had enough, the male student departs, and Venkman continues to flirt with the young woman. Dr. Ray Stantz (Dan Aykroyd) enters, and frantically begins to tell Venkman about the sighting at the library, insisting they leave at once to check it out. Venkman makes a date with the student, and follows Stantz out.Upon arriving at the library, Venkman and Stantz meet up with Dr. Egon Spengler (Harold Ramis), and Venkman proceeds to ask a series of personal (and cynical) questions about her medical and social history, before the three head down to the area the ghost supposedly inhabits. While down there, the three men collect ectoplasmic residue, discover a tall "symmetrical stacking" of books from floor to ceiling, and narrowly escape a falling bookcase.Turning the same corner as the librarian, they see the ghost: a transparent form of an elderly lady (Ruth Oliver), reading a book. Having no idea what to do, Venkman begins to talk to the ghost as if it were a lady in a bar. She shushes him, before Stantz proclaims he knows what to do. They stealthily approach the ghost, before Ray yells, "Get her!" and the ghost mutates to a ghoulish, skeletal apparition, scaring the hell out of the trio, who run screaming from the library. They ignore the library administrator (John Rothman) in their frantic way out.After they've calmed down a bit, they walk back to the university. Venkman mocks Ray's idiotic plan, and Egon announces that based on his readings, they now have a "good change of actually catching a ghost and holding it indefinitely." However, once they get back to the school, they meet the dean (Jordan Charney) who tells them that their grant has been terminated due to their shoddy and highly suspect findings, research, and methods.Peter and Ray sit drinking on campus, and Ray mopes about their bleak prospects, before Peter suggests this turn of events happened so that they could go into business for themselves, as the world's first firm for paranormal investigations and eliminations.Peter convinces Ray to take out a mortgage on his childhood home, and use it for startup capital. The trio checks out an empty firehouse to use as a headquarters, and while Egon enumerates the many problems with the building itself, Ray is beside himself with excitement at the prospect of living and working there, specially with the fire-fighter pall in the middle of the hall.At 55 Central Park West, classical musician Dana Barrett (Sigourney Weaver) arrives home with groceries. Her neighbor, übernerd and accountant Louis Tully (Rick Moranis), stops her in the hall, telling her that her television had been left on. Louis badgers her about an upcoming party he's hosting, and Dana finally brushes him away and enters her apartment. As she is putting away her groceries, she notices that her eggs are now leaping out of their shells and cooking themselves on her countertop. She then hears a growl coming from her refrigerator, opens it, and sees an otherworldly temple, and a doglike creature that growls the word "Zuul" (voiced by Ivan Reitman), before Dana frantically slams the door shut.Back at the newly christened Ghostbusters headquarters, Ray pulls up, shocking Peter with the new business car, an old beat-up ambulance that needs a lot of work. Peter goes back inside, makes small talk with their new secretary, Janine (Annie Potts), and waits around for business.Dana arrives seeking an explanation for the events in her kitchen. Peter flirts vigorously with her, while Egon and Ray examine her briefly, and speculate as to what may be the cause of her encounter. After deciding on a plan of action, Peter insists on going with Dana back to her apartment, where he haphazardly looks around, but mostly flirts with her. He looks in the kitchen, and sees the eggs on the counter, but nothing else out of the ordinary. Dana is annoyed, but Peter continues to beg her for a date, pledging to solve her problems in an effort to impress her.Later, the Ghostbusters sit around enjoying dinner, when Janine finally gets a call about a ghost. Peter, Ray, and Egon quickly dress, and race out of their headquarters, to the Sedgwick Hotel, where the manager (Michael Ensign) informs them of a ghost on the 12th floor. They've always had problems, he tells them, but lately it's gotten out of hand. The Ghostbusters assure him they'll take care of it, and head up to the 12th floor. Egon and Ray worry about their equipment, which Peter describes as an unlicensed nuclear accelerator, and decide that they'll ignore the danger for now. They make chitchat conversation with a guest (Murray Rubin) outside the elevator, and they tell him they are going to kill a cockroach, to which the guest answers, "That's gotta be some cockroach." He takes the next elevator.Almost immediately after the Ghostbusters exit the elevator, a maid startles them, and they nearly kill her with their proton packs. The three split up, and Ray eventually sees the ghost: a rotund, green blob, eating everything on a room service cart. Ray tries to hit it with his proton pack but misses, and it flies away, frightened. Ray calls Peter on his walkie-talkie, and Peter, who is now face-to-face with the ghost, is suddenly attacked by it. Ray runs to Peter, and finds him on his back, covered in green slime, but otherwise OK. Egon calls them and informs the other two that the ghost went into the hotel's ballroom.They calm the hotel manager, and then set to work on containing the little green ghost. While shooting their weapons all over the room, Egon suddenly warns the others not to cross their streams, because to do so would result in the destruction of "all life as you know it." After destroying much of the ballroom with their seriously unstable proton packs, the Ghostbusters finally trap the ghost, and burst triumphantly from the ballroom, before the anxious manager and a host of guests burst in. The Ghostbusters haggle with the manager over the bill for a moment, and then head back home, victorious.There is a montage of a series of missions, news spots, newspaper clippings, and stories about the Ghostbusters' new fame and success. There are even interviewed by Larry King and Joe Franklin (themselves).Peter briefly meets with Dana after her orchestra practice, and flirts a bit with her before telling her about Zuul, whom he has discovered is associated with an ancient Sumerian god of destruction, Gozer. He tells her that he'll go over it in more detail over dinner, and finally, she agrees to a date.The Ghostbusters soon hire a fourth man, Winston Zeddemore (Ernie Hudson), a black, blue-collar type guy, who is just looking for a job. Hired immediately by Ray and Peter, Winston is handed a couple of traps and led off by Ray to learn about getting rid of the ghosts, while Peter is informed that there is a man from the EPA waiting for him.Walter Peck (William Atherton), the pompous EPA delegate, condescendingly talks to Peter, refusing to acknowledge that Peter is, in fact, a PhD, and therefore, Dr. Venkman, and briefly questions him about the possible environmental impact of their business, and specifically, their custom-built storage facility. He demands to see it, but Peter just patronizes him for a bit before throwing him out.Ray shows Winston how they unload the ghosts they've trapped into the storage facility, while Egon tells them that his latest research indicates that the city is experience a colossal increase in paranormal activity, comparing it to a 600-pound Twinkie. Peter joins them, mentioning the EPA, and memorably asks, "What about the Twinkie?"A brief shot on the top of Dana's building shows that dog-like gargoyle statues atop the roof are breaking apart and real animals are underneath the stone.Back inside, Dana arrives home, and is once again accosted by Louis who is raving about his party. He is disappointed when Dana tells him she has a date. She gets rid of him again, and goes into her apartment, undressing and talking on the phone. She sits in an armchair for a moment before noticing the same growling sounds from the kitchen. Before she can react, three arms burst from the chair and hold Dana down as she is dragged through her kitchen door to one of the Terror Dogs. Another shot on the roof shows that the gargoyles on the roof have completely broken apart, and whatever was in them is loose.Louis' party continues as he rambles on about the price efficiency of his hosting a party. Two guests show up, hand Louis their coats, and he throws them -unnoticing- on the terror dog sitting at his desk. It roars, and bursts through the door, apparently only after Louis. He runs out of the apartment, through Central Park, before being cornered and attacked outside Tavern on the Green.Meanwhile, Peter arrives at Dana's apartment, stepping over the carnage of Louis' party, and knocks on the door. Dana opens it, dressed in a slinky red dress, and asks, "Are you the Keymaster?" Peter says no, so she angrily slams the door in his face. He knocks again, and enters after answering her question "yes". Dana says that she is Zuul, and they must prepare for the coming of Gozer, The Destructor. Peter talks to her and resists the possessed Dana's aggressive advances, before requesting to speak with the real Dana. At first, Dana coyly replies "There is no Dana, there is only Zuul," trying to kiss him but Peter, still trying to get through to the real Dana Barrett, restrains her. The possessed Dana now becomes visibly annoyed at his persistence, as Peter once again inquires about the real Dana; she replies in an unearthly demonic voice "There is no Dana, only Zuul!" Peter sarcastically dismisses her and gives her to the count of three to talk to the real Dana. With each count, Dana presents further signs of her possession: at first demonically rolling her eyes, then panting like an animal, and finally roaring like a demonic beast and magically floating above her bed. She turns over in midair, to face down at Peter whom asks her to please come down. Dana roars fiercely at him, finally frightening him.Louis, looking disheveled and generally abused, runs out from Central Park rambling, and asks a hansom cab horse if he is the "Gatekeeper". The driver (Danny Stone) chases him off, so he runs away, screaming about a sign of Gozer's arrival.The NYPD arrives at the Ghostbusters headquarters, to drop off Louis, who's been captured and rejected by both the city jail and Bellevue's psych ward. Egon looks at him briefly, and takes him inside. Louis reveals his name is Vinz Clortho, Keymaster of Gozer. He goes on about the history of Gozer, how the god assumes various forms and would mean the destruction of the civilization he targets. During the exam, Peter calls, and tells Egon about the developments with Dana, who is now lies heavily sedated on the bed next to him. Egon tells Peter in return about Louis' psychic transformation, and insists Peter come back to headquarters.Winston and Ray are driving back to the office, Winston driving while Ray examines the "very odd" blueprints of Dana's apartment building. Winston asks Ray about his belief in God, and speculates that the reason they've been so busy lately is because the dead have been rising from the grave, as it was foretold in the Book of Revelations, as a precursor to judgment day, and the end of the world. Ray ponders this.Back at headquarters, Walter Peck has returned with a court order, a cop, and a Con Edison worker (Larry Dilg), intent on shutting down the storage facility. Egon tries to talk them out of it, and Peter arrives just in time to antagonize Peck some more, before the cop intervenes and the Con Ed guy shuts off the power grid. A warning buzzer sounds, and everyone clears the building, as the storage facility rumbles and begins to destroy the basement.A supernatural light show occurs, as all kinds of paranormal energy bursts through the building and shoots out of the roof. Across town, Dana, immediately wakes up from her sedation, and walks toward her living room window. Louis is excited, claiming this is the sign he was waiting for. Ray and Winston arrive, and Egon attacks Peck, getting everyone arrested.Ghosts run rampant through the city, but most of the energy seems to run directly to Dana's building. Dana growls at the energy, ripping out the wall of her apartment in a small explosion.Sitting in jail, Ray shows Egon and Peter the blueprints of Dana's apartment building, pointing out highly unorthodox methods and materials, especially near the roof. Egon tells them that the building, he's discovered, was designed by an insane architect/surgeon named Ivo Shandor. In the 20's, Shandor was evidently so disgusted by the First World War, that he decided he would try to bring about the end of the world with a secret society of Gozer worshippers. They performed rituals atop Dana's building, and the roof itself was meant to be the gateway to allow Gozer into our world. A guard arrives (Reginald VelJohnson), and tells the Ghostbusters that the mayor wants to meet them, to deal with the rash of ghosts and other unbelievable phenomenon happening throughout the city.Louis arrives at Dana's demolished apartment, and they share a passionate kiss before slowly making their way up to the roof via a mythical staircase behind the wall where Dana's fridge used to be as lightning flashes ominously.The four men and Peck are brought before the Mayor (David Margulies) both arguing their sides. Peck claims the Ghostbusters are con artists and use nerve gases to force people to hallucinate and have visions of ghosts. Winston steps up and defends the things he's seen as real. Ray reveals that the city is headed for a disaster of "biblical proportions", and Venkman finally appeals to the possibility that the mayor could be responsible for saving the lives of millions of registered voters. The Mayor throws Peck out of his office and offers whatever support he can to the Ghostbusters.People have gathered all around the apartment building, which has clearly become the center of the entire mess. They cheer as the Ghostbusters arrive, and Peter mugs for the crowd. The four men put on their proton packs and are prepared to enter, but a sudden earthquake seems to swallow them beneath the street. Eventually, they emerge unharmed to the continued cheers from the crowd. They band together and head inside.Once inside, they must climb the stairs to Dana's 22nd floor apartment. Dana and Louis lie on a large stone table. Dana seductively wakes up, followed by Louis. They stare in awe at the large Temple in front of them then walk toward the opposite stone pedestals where the Terror Dog statues once stood. The Ghostbusters arrive to find Dana's apartment burned out and more or less destroyed. They see the staircase in the kitchen and go up.Dana and Louis raise their arms to the sky and are suddenly struck by bolts of lightning, redirecting the lightning bolts toward the temple door, causing it to open and signaling the arrival of Gozer the Gozerian. With the temple doors finally open, Dana and Louis now absorb their full power as the Ghostbusters arrive just in time to see the lightning converge on the demonic couple in a huge blast, transforming them back into the monstrous Terror Dogs, who now turn and roar menacingly at the Ghostbusters before leaping towards the side of the Temple doors.Gozer appears in the form of an exotic female with a tall, dark flattop and blood red eyes (Slavitza Jovan). Egon points out that she's not really a woman, but rather, takes the shape of whatever it wants. Peter goads Ray into talking to her. Ray very formally requests that Gozer returns to her place of origin, but she responds by asking if he is a god. He says no, and Gozer responds by shooting lightning from her fingers and nearly hurling the Ghostbusters off the roof.They regroup and decide to attack Gozer, but she nimbly jumps clear of their streams and lands behind them. Another attack proves fruitless as she disappears rather than being caught in the streams. Believing they are victorious, the Ghostbusters begin to celebrate, but it is short-lived as Gozer's booming voice is heard above the city demanding that they "choose the form of the Destructor".Peter tells everyone to clear their minds, and think of nothing, so no form will be taken, but it is clearly too late. Ray admits he did his best, but something just popped in his mind, something he thought could never harm anyone. "It's the Stay Puft Marshmallow Man."A 10-story, white, puffy marshmallow man begins to walk the streets of the city, crushing everything underfoot. When he is close enough, the Ghostbusters open fire, setting Mr. Stay Puft ablaze, as he begins to climb the building, King Kong style.Running for cover, the Ghostbusters appear out of ideas, until Egon suggests that they cross the streams, in an effort to close the door, and destroy Gozer's portal. Realizing this will probably mean their doom, the Ghostbusters go ahead with the plan, and set off to finish the god.Crossing the streams does indeed result in a catastrophic explosion, destroying the temple and incinerating the Stay Puft Marshmallow Man, raining molten marshmallow all over the street, including an onlooking Walter Peck.Back on the roof, the Ghostbusters have survived, and slowly emerge from the rubble, covered in marshmallow. Peter finds the roasted carcasses of the Terror Dogs, and believes Dana dead. Behind him, though, her fingers crack through the hardened ruins of the animal, and the Ghostbusters quickly break apart the rest, freeing her and Louis. They leave the roof, and Winston exclaims, "I love this town!"As the closing credits roll, the Ghostbusters return to the street to the roaring cheers of the crowd. Peter and Dana kiss in front of everyone, Louis is helped into an ambulance, and as they drive off, the green ghost from the hotel roars toward the camera as it fades to black. | Ghostbusters | 5f170d38-80ac-3387-2238-386f9ff0c9ce | where was personal activities are increases? | [
"The kitchen",
"the apartment building"
] | false |
/m/01d2v1 | The film opens within the New York Public Library, where a librarian (Alice Drummond) is first gathering books, before heading downstairs to a remote and empty section. She places a book back on the shelf, not noticing that the books behind her are levitating across the aisle. Later, she passes the card catalogue shelves as they open behind her and suddenly begin to hurl their contents into the air. Frightened and screaming, she runs through the room before being stopped by an unseen ghost, which scares her terribly. This leads into the title card.After the opening title shot, the film continues in the Paranormal Studies Dept. of Columbia University, where Dr. Peter Venkman (Bill Murray) is conducting a test on ESP with a nerdy male student (Steven Tash) and an attractive female student (Jennifer Runyon). Venkman continually flirts and lies about her abilities, while enjoying administering electric shocks to the male student. Having finally had enough, the male student departs, and Venkman continues to flirt with the young woman. Dr. Ray Stantz (Dan Aykroyd) enters, and frantically begins to tell Venkman about the sighting at the library, insisting they leave at once to check it out. Venkman makes a date with the student, and follows Stantz out.Upon arriving at the library, Venkman and Stantz meet up with Dr. Egon Spengler (Harold Ramis), and Venkman proceeds to ask a series of personal (and cynical) questions about her medical and social history, before the three head down to the area the ghost supposedly inhabits. While down there, the three men collect ectoplasmic residue, discover a tall "symmetrical stacking" of books from floor to ceiling, and narrowly escape a falling bookcase.Turning the same corner as the librarian, they see the ghost: a transparent form of an elderly lady (Ruth Oliver), reading a book. Having no idea what to do, Venkman begins to talk to the ghost as if it were a lady in a bar. She shushes him, before Stantz proclaims he knows what to do. They stealthily approach the ghost, before Ray yells, "Get her!" and the ghost mutates to a ghoulish, skeletal apparition, scaring the hell out of the trio, who run screaming from the library. They ignore the library administrator (John Rothman) in their frantic way out.After they've calmed down a bit, they walk back to the university. Venkman mocks Ray's idiotic plan, and Egon announces that based on his readings, they now have a "good change of actually catching a ghost and holding it indefinitely." However, once they get back to the school, they meet the dean (Jordan Charney) who tells them that their grant has been terminated due to their shoddy and highly suspect findings, research, and methods.Peter and Ray sit drinking on campus, and Ray mopes about their bleak prospects, before Peter suggests this turn of events happened so that they could go into business for themselves, as the world's first firm for paranormal investigations and eliminations.Peter convinces Ray to take out a mortgage on his childhood home, and use it for startup capital. The trio checks out an empty firehouse to use as a headquarters, and while Egon enumerates the many problems with the building itself, Ray is beside himself with excitement at the prospect of living and working there, specially with the fire-fighter pall in the middle of the hall.At 55 Central Park West, classical musician Dana Barrett (Sigourney Weaver) arrives home with groceries. Her neighbor, übernerd and accountant Louis Tully (Rick Moranis), stops her in the hall, telling her that her television had been left on. Louis badgers her about an upcoming party he's hosting, and Dana finally brushes him away and enters her apartment. As she is putting away her groceries, she notices that her eggs are now leaping out of their shells and cooking themselves on her countertop. She then hears a growl coming from her refrigerator, opens it, and sees an otherworldly temple, and a doglike creature that growls the word "Zuul" (voiced by Ivan Reitman), before Dana frantically slams the door shut.Back at the newly christened Ghostbusters headquarters, Ray pulls up, shocking Peter with the new business car, an old beat-up ambulance that needs a lot of work. Peter goes back inside, makes small talk with their new secretary, Janine (Annie Potts), and waits around for business.Dana arrives seeking an explanation for the events in her kitchen. Peter flirts vigorously with her, while Egon and Ray examine her briefly, and speculate as to what may be the cause of her encounter. After deciding on a plan of action, Peter insists on going with Dana back to her apartment, where he haphazardly looks around, but mostly flirts with her. He looks in the kitchen, and sees the eggs on the counter, but nothing else out of the ordinary. Dana is annoyed, but Peter continues to beg her for a date, pledging to solve her problems in an effort to impress her.Later, the Ghostbusters sit around enjoying dinner, when Janine finally gets a call about a ghost. Peter, Ray, and Egon quickly dress, and race out of their headquarters, to the Sedgwick Hotel, where the manager (Michael Ensign) informs them of a ghost on the 12th floor. They've always had problems, he tells them, but lately it's gotten out of hand. The Ghostbusters assure him they'll take care of it, and head up to the 12th floor. Egon and Ray worry about their equipment, which Peter describes as an unlicensed nuclear accelerator, and decide that they'll ignore the danger for now. They make chitchat conversation with a guest (Murray Rubin) outside the elevator, and they tell him they are going to kill a cockroach, to which the guest answers, "That's gotta be some cockroach." He takes the next elevator.Almost immediately after the Ghostbusters exit the elevator, a maid startles them, and they nearly kill her with their proton packs. The three split up, and Ray eventually sees the ghost: a rotund, green blob, eating everything on a room service cart. Ray tries to hit it with his proton pack but misses, and it flies away, frightened. Ray calls Peter on his walkie-talkie, and Peter, who is now face-to-face with the ghost, is suddenly attacked by it. Ray runs to Peter, and finds him on his back, covered in green slime, but otherwise OK. Egon calls them and informs the other two that the ghost went into the hotel's ballroom.They calm the hotel manager, and then set to work on containing the little green ghost. While shooting their weapons all over the room, Egon suddenly warns the others not to cross their streams, because to do so would result in the destruction of "all life as you know it." After destroying much of the ballroom with their seriously unstable proton packs, the Ghostbusters finally trap the ghost, and burst triumphantly from the ballroom, before the anxious manager and a host of guests burst in. The Ghostbusters haggle with the manager over the bill for a moment, and then head back home, victorious.There is a montage of a series of missions, news spots, newspaper clippings, and stories about the Ghostbusters' new fame and success. There are even interviewed by Larry King and Joe Franklin (themselves).Peter briefly meets with Dana after her orchestra practice, and flirts a bit with her before telling her about Zuul, whom he has discovered is associated with an ancient Sumerian god of destruction, Gozer. He tells her that he'll go over it in more detail over dinner, and finally, she agrees to a date.The Ghostbusters soon hire a fourth man, Winston Zeddemore (Ernie Hudson), a black, blue-collar type guy, who is just looking for a job. Hired immediately by Ray and Peter, Winston is handed a couple of traps and led off by Ray to learn about getting rid of the ghosts, while Peter is informed that there is a man from the EPA waiting for him.Walter Peck (William Atherton), the pompous EPA delegate, condescendingly talks to Peter, refusing to acknowledge that Peter is, in fact, a PhD, and therefore, Dr. Venkman, and briefly questions him about the possible environmental impact of their business, and specifically, their custom-built storage facility. He demands to see it, but Peter just patronizes him for a bit before throwing him out.Ray shows Winston how they unload the ghosts they've trapped into the storage facility, while Egon tells them that his latest research indicates that the city is experience a colossal increase in paranormal activity, comparing it to a 600-pound Twinkie. Peter joins them, mentioning the EPA, and memorably asks, "What about the Twinkie?"A brief shot on the top of Dana's building shows that dog-like gargoyle statues atop the roof are breaking apart and real animals are underneath the stone.Back inside, Dana arrives home, and is once again accosted by Louis who is raving about his party. He is disappointed when Dana tells him she has a date. She gets rid of him again, and goes into her apartment, undressing and talking on the phone. She sits in an armchair for a moment before noticing the same growling sounds from the kitchen. Before she can react, three arms burst from the chair and hold Dana down as she is dragged through her kitchen door to one of the Terror Dogs. Another shot on the roof shows that the gargoyles on the roof have completely broken apart, and whatever was in them is loose.Louis' party continues as he rambles on about the price efficiency of his hosting a party. Two guests show up, hand Louis their coats, and he throws them -unnoticing- on the terror dog sitting at his desk. It roars, and bursts through the door, apparently only after Louis. He runs out of the apartment, through Central Park, before being cornered and attacked outside Tavern on the Green.Meanwhile, Peter arrives at Dana's apartment, stepping over the carnage of Louis' party, and knocks on the door. Dana opens it, dressed in a slinky red dress, and asks, "Are you the Keymaster?" Peter says no, so she angrily slams the door in his face. He knocks again, and enters after answering her question "yes". Dana says that she is Zuul, and they must prepare for the coming of Gozer, The Destructor. Peter talks to her and resists the possessed Dana's aggressive advances, before requesting to speak with the real Dana. At first, Dana coyly replies "There is no Dana, there is only Zuul," trying to kiss him but Peter, still trying to get through to the real Dana Barrett, restrains her. The possessed Dana now becomes visibly annoyed at his persistence, as Peter once again inquires about the real Dana; she replies in an unearthly demonic voice "There is no Dana, only Zuul!" Peter sarcastically dismisses her and gives her to the count of three to talk to the real Dana. With each count, Dana presents further signs of her possession: at first demonically rolling her eyes, then panting like an animal, and finally roaring like a demonic beast and magically floating above her bed. She turns over in midair, to face down at Peter whom asks her to please come down. Dana roars fiercely at him, finally frightening him.Louis, looking disheveled and generally abused, runs out from Central Park rambling, and asks a hansom cab horse if he is the "Gatekeeper". The driver (Danny Stone) chases him off, so he runs away, screaming about a sign of Gozer's arrival.The NYPD arrives at the Ghostbusters headquarters, to drop off Louis, who's been captured and rejected by both the city jail and Bellevue's psych ward. Egon looks at him briefly, and takes him inside. Louis reveals his name is Vinz Clortho, Keymaster of Gozer. He goes on about the history of Gozer, how the god assumes various forms and would mean the destruction of the civilization he targets. During the exam, Peter calls, and tells Egon about the developments with Dana, who is now lies heavily sedated on the bed next to him. Egon tells Peter in return about Louis' psychic transformation, and insists Peter come back to headquarters.Winston and Ray are driving back to the office, Winston driving while Ray examines the "very odd" blueprints of Dana's apartment building. Winston asks Ray about his belief in God, and speculates that the reason they've been so busy lately is because the dead have been rising from the grave, as it was foretold in the Book of Revelations, as a precursor to judgment day, and the end of the world. Ray ponders this.Back at headquarters, Walter Peck has returned with a court order, a cop, and a Con Edison worker (Larry Dilg), intent on shutting down the storage facility. Egon tries to talk them out of it, and Peter arrives just in time to antagonize Peck some more, before the cop intervenes and the Con Ed guy shuts off the power grid. A warning buzzer sounds, and everyone clears the building, as the storage facility rumbles and begins to destroy the basement.A supernatural light show occurs, as all kinds of paranormal energy bursts through the building and shoots out of the roof. Across town, Dana, immediately wakes up from her sedation, and walks toward her living room window. Louis is excited, claiming this is the sign he was waiting for. Ray and Winston arrive, and Egon attacks Peck, getting everyone arrested.Ghosts run rampant through the city, but most of the energy seems to run directly to Dana's building. Dana growls at the energy, ripping out the wall of her apartment in a small explosion.Sitting in jail, Ray shows Egon and Peter the blueprints of Dana's apartment building, pointing out highly unorthodox methods and materials, especially near the roof. Egon tells them that the building, he's discovered, was designed by an insane architect/surgeon named Ivo Shandor. In the 20's, Shandor was evidently so disgusted by the First World War, that he decided he would try to bring about the end of the world with a secret society of Gozer worshippers. They performed rituals atop Dana's building, and the roof itself was meant to be the gateway to allow Gozer into our world. A guard arrives (Reginald VelJohnson), and tells the Ghostbusters that the mayor wants to meet them, to deal with the rash of ghosts and other unbelievable phenomenon happening throughout the city.Louis arrives at Dana's demolished apartment, and they share a passionate kiss before slowly making their way up to the roof via a mythical staircase behind the wall where Dana's fridge used to be as lightning flashes ominously.The four men and Peck are brought before the Mayor (David Margulies) both arguing their sides. Peck claims the Ghostbusters are con artists and use nerve gases to force people to hallucinate and have visions of ghosts. Winston steps up and defends the things he's seen as real. Ray reveals that the city is headed for a disaster of "biblical proportions", and Venkman finally appeals to the possibility that the mayor could be responsible for saving the lives of millions of registered voters. The Mayor throws Peck out of his office and offers whatever support he can to the Ghostbusters.People have gathered all around the apartment building, which has clearly become the center of the entire mess. They cheer as the Ghostbusters arrive, and Peter mugs for the crowd. The four men put on their proton packs and are prepared to enter, but a sudden earthquake seems to swallow them beneath the street. Eventually, they emerge unharmed to the continued cheers from the crowd. They band together and head inside.Once inside, they must climb the stairs to Dana's 22nd floor apartment. Dana and Louis lie on a large stone table. Dana seductively wakes up, followed by Louis. They stare in awe at the large Temple in front of them then walk toward the opposite stone pedestals where the Terror Dog statues once stood. The Ghostbusters arrive to find Dana's apartment burned out and more or less destroyed. They see the staircase in the kitchen and go up.Dana and Louis raise their arms to the sky and are suddenly struck by bolts of lightning, redirecting the lightning bolts toward the temple door, causing it to open and signaling the arrival of Gozer the Gozerian. With the temple doors finally open, Dana and Louis now absorb their full power as the Ghostbusters arrive just in time to see the lightning converge on the demonic couple in a huge blast, transforming them back into the monstrous Terror Dogs, who now turn and roar menacingly at the Ghostbusters before leaping towards the side of the Temple doors.Gozer appears in the form of an exotic female with a tall, dark flattop and blood red eyes (Slavitza Jovan). Egon points out that she's not really a woman, but rather, takes the shape of whatever it wants. Peter goads Ray into talking to her. Ray very formally requests that Gozer returns to her place of origin, but she responds by asking if he is a god. He says no, and Gozer responds by shooting lightning from her fingers and nearly hurling the Ghostbusters off the roof.They regroup and decide to attack Gozer, but she nimbly jumps clear of their streams and lands behind them. Another attack proves fruitless as she disappears rather than being caught in the streams. Believing they are victorious, the Ghostbusters begin to celebrate, but it is short-lived as Gozer's booming voice is heard above the city demanding that they "choose the form of the Destructor".Peter tells everyone to clear their minds, and think of nothing, so no form will be taken, but it is clearly too late. Ray admits he did his best, but something just popped in his mind, something he thought could never harm anyone. "It's the Stay Puft Marshmallow Man."A 10-story, white, puffy marshmallow man begins to walk the streets of the city, crushing everything underfoot. When he is close enough, the Ghostbusters open fire, setting Mr. Stay Puft ablaze, as he begins to climb the building, King Kong style.Running for cover, the Ghostbusters appear out of ideas, until Egon suggests that they cross the streams, in an effort to close the door, and destroy Gozer's portal. Realizing this will probably mean their doom, the Ghostbusters go ahead with the plan, and set off to finish the god.Crossing the streams does indeed result in a catastrophic explosion, destroying the temple and incinerating the Stay Puft Marshmallow Man, raining molten marshmallow all over the street, including an onlooking Walter Peck.Back on the roof, the Ghostbusters have survived, and slowly emerge from the rubble, covered in marshmallow. Peter finds the roasted carcasses of the Terror Dogs, and believes Dana dead. Behind him, though, her fingers crack through the hardened ruins of the animal, and the Ghostbusters quickly break apart the rest, freeing her and Louis. They leave the roof, and Winston exclaims, "I love this town!"As the closing credits roll, the Ghostbusters return to the street to the roaring cheers of the crowd. Peter and Dana kiss in front of everyone, Louis is helped into an ambulance, and as they drive off, the green ghost from the hotel roars toward the camera as it fades to black. | Ghostbusters | 775a8ad3-2074-b68c-07e7-4f3c28fd65f7 | What do Dana and Louis transform into? | [
"Terror Dogs"
] | false |
/m/01d2v1 | The film opens within the New York Public Library, where a librarian (Alice Drummond) is first gathering books, before heading downstairs to a remote and empty section. She places a book back on the shelf, not noticing that the books behind her are levitating across the aisle. Later, she passes the card catalogue shelves as they open behind her and suddenly begin to hurl their contents into the air. Frightened and screaming, she runs through the room before being stopped by an unseen ghost, which scares her terribly. This leads into the title card.After the opening title shot, the film continues in the Paranormal Studies Dept. of Columbia University, where Dr. Peter Venkman (Bill Murray) is conducting a test on ESP with a nerdy male student (Steven Tash) and an attractive female student (Jennifer Runyon). Venkman continually flirts and lies about her abilities, while enjoying administering electric shocks to the male student. Having finally had enough, the male student departs, and Venkman continues to flirt with the young woman. Dr. Ray Stantz (Dan Aykroyd) enters, and frantically begins to tell Venkman about the sighting at the library, insisting they leave at once to check it out. Venkman makes a date with the student, and follows Stantz out.Upon arriving at the library, Venkman and Stantz meet up with Dr. Egon Spengler (Harold Ramis), and Venkman proceeds to ask a series of personal (and cynical) questions about her medical and social history, before the three head down to the area the ghost supposedly inhabits. While down there, the three men collect ectoplasmic residue, discover a tall "symmetrical stacking" of books from floor to ceiling, and narrowly escape a falling bookcase.Turning the same corner as the librarian, they see the ghost: a transparent form of an elderly lady (Ruth Oliver), reading a book. Having no idea what to do, Venkman begins to talk to the ghost as if it were a lady in a bar. She shushes him, before Stantz proclaims he knows what to do. They stealthily approach the ghost, before Ray yells, "Get her!" and the ghost mutates to a ghoulish, skeletal apparition, scaring the hell out of the trio, who run screaming from the library. They ignore the library administrator (John Rothman) in their frantic way out.After they've calmed down a bit, they walk back to the university. Venkman mocks Ray's idiotic plan, and Egon announces that based on his readings, they now have a "good change of actually catching a ghost and holding it indefinitely." However, once they get back to the school, they meet the dean (Jordan Charney) who tells them that their grant has been terminated due to their shoddy and highly suspect findings, research, and methods.Peter and Ray sit drinking on campus, and Ray mopes about their bleak prospects, before Peter suggests this turn of events happened so that they could go into business for themselves, as the world's first firm for paranormal investigations and eliminations.Peter convinces Ray to take out a mortgage on his childhood home, and use it for startup capital. The trio checks out an empty firehouse to use as a headquarters, and while Egon enumerates the many problems with the building itself, Ray is beside himself with excitement at the prospect of living and working there, specially with the fire-fighter pall in the middle of the hall.At 55 Central Park West, classical musician Dana Barrett (Sigourney Weaver) arrives home with groceries. Her neighbor, übernerd and accountant Louis Tully (Rick Moranis), stops her in the hall, telling her that her television had been left on. Louis badgers her about an upcoming party he's hosting, and Dana finally brushes him away and enters her apartment. As she is putting away her groceries, she notices that her eggs are now leaping out of their shells and cooking themselves on her countertop. She then hears a growl coming from her refrigerator, opens it, and sees an otherworldly temple, and a doglike creature that growls the word "Zuul" (voiced by Ivan Reitman), before Dana frantically slams the door shut.Back at the newly christened Ghostbusters headquarters, Ray pulls up, shocking Peter with the new business car, an old beat-up ambulance that needs a lot of work. Peter goes back inside, makes small talk with their new secretary, Janine (Annie Potts), and waits around for business.Dana arrives seeking an explanation for the events in her kitchen. Peter flirts vigorously with her, while Egon and Ray examine her briefly, and speculate as to what may be the cause of her encounter. After deciding on a plan of action, Peter insists on going with Dana back to her apartment, where he haphazardly looks around, but mostly flirts with her. He looks in the kitchen, and sees the eggs on the counter, but nothing else out of the ordinary. Dana is annoyed, but Peter continues to beg her for a date, pledging to solve her problems in an effort to impress her.Later, the Ghostbusters sit around enjoying dinner, when Janine finally gets a call about a ghost. Peter, Ray, and Egon quickly dress, and race out of their headquarters, to the Sedgwick Hotel, where the manager (Michael Ensign) informs them of a ghost on the 12th floor. They've always had problems, he tells them, but lately it's gotten out of hand. The Ghostbusters assure him they'll take care of it, and head up to the 12th floor. Egon and Ray worry about their equipment, which Peter describes as an unlicensed nuclear accelerator, and decide that they'll ignore the danger for now. They make chitchat conversation with a guest (Murray Rubin) outside the elevator, and they tell him they are going to kill a cockroach, to which the guest answers, "That's gotta be some cockroach." He takes the next elevator.Almost immediately after the Ghostbusters exit the elevator, a maid startles them, and they nearly kill her with their proton packs. The three split up, and Ray eventually sees the ghost: a rotund, green blob, eating everything on a room service cart. Ray tries to hit it with his proton pack but misses, and it flies away, frightened. Ray calls Peter on his walkie-talkie, and Peter, who is now face-to-face with the ghost, is suddenly attacked by it. Ray runs to Peter, and finds him on his back, covered in green slime, but otherwise OK. Egon calls them and informs the other two that the ghost went into the hotel's ballroom.They calm the hotel manager, and then set to work on containing the little green ghost. While shooting their weapons all over the room, Egon suddenly warns the others not to cross their streams, because to do so would result in the destruction of "all life as you know it." After destroying much of the ballroom with their seriously unstable proton packs, the Ghostbusters finally trap the ghost, and burst triumphantly from the ballroom, before the anxious manager and a host of guests burst in. The Ghostbusters haggle with the manager over the bill for a moment, and then head back home, victorious.There is a montage of a series of missions, news spots, newspaper clippings, and stories about the Ghostbusters' new fame and success. There are even interviewed by Larry King and Joe Franklin (themselves).Peter briefly meets with Dana after her orchestra practice, and flirts a bit with her before telling her about Zuul, whom he has discovered is associated with an ancient Sumerian god of destruction, Gozer. He tells her that he'll go over it in more detail over dinner, and finally, she agrees to a date.The Ghostbusters soon hire a fourth man, Winston Zeddemore (Ernie Hudson), a black, blue-collar type guy, who is just looking for a job. Hired immediately by Ray and Peter, Winston is handed a couple of traps and led off by Ray to learn about getting rid of the ghosts, while Peter is informed that there is a man from the EPA waiting for him.Walter Peck (William Atherton), the pompous EPA delegate, condescendingly talks to Peter, refusing to acknowledge that Peter is, in fact, a PhD, and therefore, Dr. Venkman, and briefly questions him about the possible environmental impact of their business, and specifically, their custom-built storage facility. He demands to see it, but Peter just patronizes him for a bit before throwing him out.Ray shows Winston how they unload the ghosts they've trapped into the storage facility, while Egon tells them that his latest research indicates that the city is experience a colossal increase in paranormal activity, comparing it to a 600-pound Twinkie. Peter joins them, mentioning the EPA, and memorably asks, "What about the Twinkie?"A brief shot on the top of Dana's building shows that dog-like gargoyle statues atop the roof are breaking apart and real animals are underneath the stone.Back inside, Dana arrives home, and is once again accosted by Louis who is raving about his party. He is disappointed when Dana tells him she has a date. She gets rid of him again, and goes into her apartment, undressing and talking on the phone. She sits in an armchair for a moment before noticing the same growling sounds from the kitchen. Before she can react, three arms burst from the chair and hold Dana down as she is dragged through her kitchen door to one of the Terror Dogs. Another shot on the roof shows that the gargoyles on the roof have completely broken apart, and whatever was in them is loose.Louis' party continues as he rambles on about the price efficiency of his hosting a party. Two guests show up, hand Louis their coats, and he throws them -unnoticing- on the terror dog sitting at his desk. It roars, and bursts through the door, apparently only after Louis. He runs out of the apartment, through Central Park, before being cornered and attacked outside Tavern on the Green.Meanwhile, Peter arrives at Dana's apartment, stepping over the carnage of Louis' party, and knocks on the door. Dana opens it, dressed in a slinky red dress, and asks, "Are you the Keymaster?" Peter says no, so she angrily slams the door in his face. He knocks again, and enters after answering her question "yes". Dana says that she is Zuul, and they must prepare for the coming of Gozer, The Destructor. Peter talks to her and resists the possessed Dana's aggressive advances, before requesting to speak with the real Dana. At first, Dana coyly replies "There is no Dana, there is only Zuul," trying to kiss him but Peter, still trying to get through to the real Dana Barrett, restrains her. The possessed Dana now becomes visibly annoyed at his persistence, as Peter once again inquires about the real Dana; she replies in an unearthly demonic voice "There is no Dana, only Zuul!" Peter sarcastically dismisses her and gives her to the count of three to talk to the real Dana. With each count, Dana presents further signs of her possession: at first demonically rolling her eyes, then panting like an animal, and finally roaring like a demonic beast and magically floating above her bed. She turns over in midair, to face down at Peter whom asks her to please come down. Dana roars fiercely at him, finally frightening him.Louis, looking disheveled and generally abused, runs out from Central Park rambling, and asks a hansom cab horse if he is the "Gatekeeper". The driver (Danny Stone) chases him off, so he runs away, screaming about a sign of Gozer's arrival.The NYPD arrives at the Ghostbusters headquarters, to drop off Louis, who's been captured and rejected by both the city jail and Bellevue's psych ward. Egon looks at him briefly, and takes him inside. Louis reveals his name is Vinz Clortho, Keymaster of Gozer. He goes on about the history of Gozer, how the god assumes various forms and would mean the destruction of the civilization he targets. During the exam, Peter calls, and tells Egon about the developments with Dana, who is now lies heavily sedated on the bed next to him. Egon tells Peter in return about Louis' psychic transformation, and insists Peter come back to headquarters.Winston and Ray are driving back to the office, Winston driving while Ray examines the "very odd" blueprints of Dana's apartment building. Winston asks Ray about his belief in God, and speculates that the reason they've been so busy lately is because the dead have been rising from the grave, as it was foretold in the Book of Revelations, as a precursor to judgment day, and the end of the world. Ray ponders this.Back at headquarters, Walter Peck has returned with a court order, a cop, and a Con Edison worker (Larry Dilg), intent on shutting down the storage facility. Egon tries to talk them out of it, and Peter arrives just in time to antagonize Peck some more, before the cop intervenes and the Con Ed guy shuts off the power grid. A warning buzzer sounds, and everyone clears the building, as the storage facility rumbles and begins to destroy the basement.A supernatural light show occurs, as all kinds of paranormal energy bursts through the building and shoots out of the roof. Across town, Dana, immediately wakes up from her sedation, and walks toward her living room window. Louis is excited, claiming this is the sign he was waiting for. Ray and Winston arrive, and Egon attacks Peck, getting everyone arrested.Ghosts run rampant through the city, but most of the energy seems to run directly to Dana's building. Dana growls at the energy, ripping out the wall of her apartment in a small explosion.Sitting in jail, Ray shows Egon and Peter the blueprints of Dana's apartment building, pointing out highly unorthodox methods and materials, especially near the roof. Egon tells them that the building, he's discovered, was designed by an insane architect/surgeon named Ivo Shandor. In the 20's, Shandor was evidently so disgusted by the First World War, that he decided he would try to bring about the end of the world with a secret society of Gozer worshippers. They performed rituals atop Dana's building, and the roof itself was meant to be the gateway to allow Gozer into our world. A guard arrives (Reginald VelJohnson), and tells the Ghostbusters that the mayor wants to meet them, to deal with the rash of ghosts and other unbelievable phenomenon happening throughout the city.Louis arrives at Dana's demolished apartment, and they share a passionate kiss before slowly making their way up to the roof via a mythical staircase behind the wall where Dana's fridge used to be as lightning flashes ominously.The four men and Peck are brought before the Mayor (David Margulies) both arguing their sides. Peck claims the Ghostbusters are con artists and use nerve gases to force people to hallucinate and have visions of ghosts. Winston steps up and defends the things he's seen as real. Ray reveals that the city is headed for a disaster of "biblical proportions", and Venkman finally appeals to the possibility that the mayor could be responsible for saving the lives of millions of registered voters. The Mayor throws Peck out of his office and offers whatever support he can to the Ghostbusters.People have gathered all around the apartment building, which has clearly become the center of the entire mess. They cheer as the Ghostbusters arrive, and Peter mugs for the crowd. The four men put on their proton packs and are prepared to enter, but a sudden earthquake seems to swallow them beneath the street. Eventually, they emerge unharmed to the continued cheers from the crowd. They band together and head inside.Once inside, they must climb the stairs to Dana's 22nd floor apartment. Dana and Louis lie on a large stone table. Dana seductively wakes up, followed by Louis. They stare in awe at the large Temple in front of them then walk toward the opposite stone pedestals where the Terror Dog statues once stood. The Ghostbusters arrive to find Dana's apartment burned out and more or less destroyed. They see the staircase in the kitchen and go up.Dana and Louis raise their arms to the sky and are suddenly struck by bolts of lightning, redirecting the lightning bolts toward the temple door, causing it to open and signaling the arrival of Gozer the Gozerian. With the temple doors finally open, Dana and Louis now absorb their full power as the Ghostbusters arrive just in time to see the lightning converge on the demonic couple in a huge blast, transforming them back into the monstrous Terror Dogs, who now turn and roar menacingly at the Ghostbusters before leaping towards the side of the Temple doors.Gozer appears in the form of an exotic female with a tall, dark flattop and blood red eyes (Slavitza Jovan). Egon points out that she's not really a woman, but rather, takes the shape of whatever it wants. Peter goads Ray into talking to her. Ray very formally requests that Gozer returns to her place of origin, but she responds by asking if he is a god. He says no, and Gozer responds by shooting lightning from her fingers and nearly hurling the Ghostbusters off the roof.They regroup and decide to attack Gozer, but she nimbly jumps clear of their streams and lands behind them. Another attack proves fruitless as she disappears rather than being caught in the streams. Believing they are victorious, the Ghostbusters begin to celebrate, but it is short-lived as Gozer's booming voice is heard above the city demanding that they "choose the form of the Destructor".Peter tells everyone to clear their minds, and think of nothing, so no form will be taken, but it is clearly too late. Ray admits he did his best, but something just popped in his mind, something he thought could never harm anyone. "It's the Stay Puft Marshmallow Man."A 10-story, white, puffy marshmallow man begins to walk the streets of the city, crushing everything underfoot. When he is close enough, the Ghostbusters open fire, setting Mr. Stay Puft ablaze, as he begins to climb the building, King Kong style.Running for cover, the Ghostbusters appear out of ideas, until Egon suggests that they cross the streams, in an effort to close the door, and destroy Gozer's portal. Realizing this will probably mean their doom, the Ghostbusters go ahead with the plan, and set off to finish the god.Crossing the streams does indeed result in a catastrophic explosion, destroying the temple and incinerating the Stay Puft Marshmallow Man, raining molten marshmallow all over the street, including an onlooking Walter Peck.Back on the roof, the Ghostbusters have survived, and slowly emerge from the rubble, covered in marshmallow. Peter finds the roasted carcasses of the Terror Dogs, and believes Dana dead. Behind him, though, her fingers crack through the hardened ruins of the animal, and the Ghostbusters quickly break apart the rest, freeing her and Louis. They leave the roof, and Winston exclaims, "I love this town!"As the closing credits roll, the Ghostbusters return to the street to the roaring cheers of the crowd. Peter and Dana kiss in front of everyone, Louis is helped into an ambulance, and as they drive off, the green ghost from the hotel roars toward the camera as it fades to black. | Ghostbusters | 092dc2e7-8f9f-bf7a-697f-e71a9cdec47e | where was losing their job? | [
"Peck who arrests them"
] | false |
/m/0122r8 | On the planet Mars, the Martian's Leader named Kimar notices a listlessness that seems to be taking ahold of the children of Mars. This is evident when he finds his own children (Bomar & Girmar) spending much time watching Earth Programs on the videoscope. Kimar's wife, Momar, suggests that he seek advice from Chochem, the Ancient One.Kimar gathers a number of other Martians and goes to see Chochem. Though it is the middle of Septober on Mars, Chochem explains that on Earth, it is drawing closer to Christmas, and this could explain why the children of Mars are behaving so strangely. Chochem then goes on to decry how Mars tends immediately work on educating their young, giving no time for play or fun. Chochem finally decrees that the children must have fun, and says that Mars needs a Santa Claus, just as Earth has.Kimar takes Chochem's words to heart, and assembles a crew to go to Earth to capture Santa Claus. Of the crew, almost everyone is in agreement except for Voldar, who reluctantly comes along, even though he feels this is a mistake.Observing the Earth, the men are shocked to find that there seem to be hundreds of Santa's, many of whom are standing on corners ringing bells. Kimar believes that if they capture the real Santa, they then won't have any trouble with hundreds of Santa's running around.Setting down near a small lake, the martians meet two children named Billy and Betty. After explaining what they saw, Billy informs the Martians that the ones they saw were Santa's helpers, and that the real Santa lives at the North Pole. The martians then take the two kids with them, to prevent them from telling the authorities.On the Martian ship, Billy and Betty are supervised by a clumsy martian named Dropo. After sneaking them onto the ship's bridge, Dropo quickly hides the two in the radar box before Voldar enters onto the bridge.As the ship lands at the North Pole, the two children overhear the martians planning to kidnap Santa Claus, and also take the two of them to Mars. After the martians leave the ship, Billy and Betty escape, planning to get to Santa first to warn him. However, before they can get far, they encounter a Polar Bear, and then a robot named Torr, who captures them. The children are returned to the ship shortly thereafter.Torr and the Martians then head to Santa's workshop. Upon finding others there, Voldar and another martian use a freeze-ray, that stops several elves and Mrs Claus in their tracks. Kimar assures Santa the effect will wear off in a few hours, before taking Santa with them.Sometime afterward, Mrs Claus unfreezes, and alerts the media. The United Nations and the Space Program then immediately decide to send a rescue ship to try and catch the Martians, but it's too late as the ship is too far away.On the Martian's ship, Santa's jolly spirit infects many of the crew, but Voldar finds the entire cheeriness ridiculous, and attempts to shoot Santa and the kids out of the ship's airlock. Voldar is then captured and locked in a cell. Though right after the ship lands, several other martians instead find Dropo in the cell, and find Voldar has escaped the ship entirely. Kimar orders Santa and the Earth Children to have a constant guard, certain that Voldar will try something else.Santa, Billy, and Betty are then brought to meet Bomar and Gimar. Upon meeting Santa, he incites the children into laughter...something that Kimar and Momar have never heard before. After his greeting, Santa requests that a toy factory be built immediately, as he then plans to head back to Earth. It is then that Kimar explains that Santa will not be returning to Earth, and that he now belongs to Mars.Meanwhile, Voldar has taken into hiding in some caves along Mars' Transverse Canal. He is assisted by a nervous martian named Stobo, and another named Shim. Shim works as a double-agent, investigating Santa's toy factory. Voldar's original plan to kill Santa is dismissed in favor of trying to find a way to discredit him.Meanwhile, Bomar, Gimar, Billy and Betty assist Santa in working in the toy factory. Momar even makes Santa an extra suit (and fake beard to go with it). Dropo asks to wear it, which is meant with a jovial laugh by Santa, who claims the martian would need to fatten up first.Back at Kimar's home, Bomar and Gimar have grown much happier, but Billy and Betty have begun to seem sullen, much the way that Bomar and Gimar once were. Momar explains to Kimar that the two should be returned to Earth, but he refuses.Meanwhile, Droppo has gotten ahold of Santa's extra suit and beard, and after using a pillow, happily decides to go down to the workshop.Unknown to him, Voldar, Stobo and Shim have arrived there, and attempt to sabotage the machine. As they complete their work, they see Dropo enter, and mistake him for Santa (even though his face and hands are green).Dropo is taken back to Voldar's lair, but every question he is asked, is answered with 'ho ho ho.' | Santa Claus Conquers the Martians | 304129a1-d090-f26d-8ac1-965cc7920adc | Who was held hostage in a cave? | [
"Voldar"
] | false |
/m/0122r8 | On the planet Mars, the Martian's Leader named Kimar notices a listlessness that seems to be taking ahold of the children of Mars. This is evident when he finds his own children (Bomar & Girmar) spending much time watching Earth Programs on the videoscope. Kimar's wife, Momar, suggests that he seek advice from Chochem, the Ancient One.Kimar gathers a number of other Martians and goes to see Chochem. Though it is the middle of Septober on Mars, Chochem explains that on Earth, it is drawing closer to Christmas, and this could explain why the children of Mars are behaving so strangely. Chochem then goes on to decry how Mars tends immediately work on educating their young, giving no time for play or fun. Chochem finally decrees that the children must have fun, and says that Mars needs a Santa Claus, just as Earth has.Kimar takes Chochem's words to heart, and assembles a crew to go to Earth to capture Santa Claus. Of the crew, almost everyone is in agreement except for Voldar, who reluctantly comes along, even though he feels this is a mistake.Observing the Earth, the men are shocked to find that there seem to be hundreds of Santa's, many of whom are standing on corners ringing bells. Kimar believes that if they capture the real Santa, they then won't have any trouble with hundreds of Santa's running around.Setting down near a small lake, the martians meet two children named Billy and Betty. After explaining what they saw, Billy informs the Martians that the ones they saw were Santa's helpers, and that the real Santa lives at the North Pole. The martians then take the two kids with them, to prevent them from telling the authorities.On the Martian ship, Billy and Betty are supervised by a clumsy martian named Dropo. After sneaking them onto the ship's bridge, Dropo quickly hides the two in the radar box before Voldar enters onto the bridge.As the ship lands at the North Pole, the two children overhear the martians planning to kidnap Santa Claus, and also take the two of them to Mars. After the martians leave the ship, Billy and Betty escape, planning to get to Santa first to warn him. However, before they can get far, they encounter a Polar Bear, and then a robot named Torr, who captures them. The children are returned to the ship shortly thereafter.Torr and the Martians then head to Santa's workshop. Upon finding others there, Voldar and another martian use a freeze-ray, that stops several elves and Mrs Claus in their tracks. Kimar assures Santa the effect will wear off in a few hours, before taking Santa with them.Sometime afterward, Mrs Claus unfreezes, and alerts the media. The United Nations and the Space Program then immediately decide to send a rescue ship to try and catch the Martians, but it's too late as the ship is too far away.On the Martian's ship, Santa's jolly spirit infects many of the crew, but Voldar finds the entire cheeriness ridiculous, and attempts to shoot Santa and the kids out of the ship's airlock. Voldar is then captured and locked in a cell. Though right after the ship lands, several other martians instead find Dropo in the cell, and find Voldar has escaped the ship entirely. Kimar orders Santa and the Earth Children to have a constant guard, certain that Voldar will try something else.Santa, Billy, and Betty are then brought to meet Bomar and Gimar. Upon meeting Santa, he incites the children into laughter...something that Kimar and Momar have never heard before. After his greeting, Santa requests that a toy factory be built immediately, as he then plans to head back to Earth. It is then that Kimar explains that Santa will not be returning to Earth, and that he now belongs to Mars.Meanwhile, Voldar has taken into hiding in some caves along Mars' Transverse Canal. He is assisted by a nervous martian named Stobo, and another named Shim. Shim works as a double-agent, investigating Santa's toy factory. Voldar's original plan to kill Santa is dismissed in favor of trying to find a way to discredit him.Meanwhile, Bomar, Gimar, Billy and Betty assist Santa in working in the toy factory. Momar even makes Santa an extra suit (and fake beard to go with it). Dropo asks to wear it, which is meant with a jovial laugh by Santa, who claims the martian would need to fatten up first.Back at Kimar's home, Bomar and Gimar have grown much happier, but Billy and Betty have begun to seem sullen, much the way that Bomar and Gimar once were. Momar explains to Kimar that the two should be returned to Earth, but he refuses.Meanwhile, Droppo has gotten ahold of Santa's extra suit and beard, and after using a pillow, happily decides to go down to the workshop.Unknown to him, Voldar, Stobo and Shim have arrived there, and attempt to sabotage the machine. As they complete their work, they see Dropo enter, and mistake him for Santa (even though his face and hands are green).Dropo is taken back to Voldar's lair, but every question he is asked, is answered with 'ho ho ho.' | Santa Claus Conquers the Martians | 346a1028-44ba-1ceb-1bce-66a0ddcd4e72 | Who do Voldar and Stobo go back to the factory to make a deal with? | [
"Droppo"
] | false |
/m/0122r8 | On the planet Mars, the Martian's Leader named Kimar notices a listlessness that seems to be taking ahold of the children of Mars. This is evident when he finds his own children (Bomar & Girmar) spending much time watching Earth Programs on the videoscope. Kimar's wife, Momar, suggests that he seek advice from Chochem, the Ancient One.Kimar gathers a number of other Martians and goes to see Chochem. Though it is the middle of Septober on Mars, Chochem explains that on Earth, it is drawing closer to Christmas, and this could explain why the children of Mars are behaving so strangely. Chochem then goes on to decry how Mars tends immediately work on educating their young, giving no time for play or fun. Chochem finally decrees that the children must have fun, and says that Mars needs a Santa Claus, just as Earth has.Kimar takes Chochem's words to heart, and assembles a crew to go to Earth to capture Santa Claus. Of the crew, almost everyone is in agreement except for Voldar, who reluctantly comes along, even though he feels this is a mistake.Observing the Earth, the men are shocked to find that there seem to be hundreds of Santa's, many of whom are standing on corners ringing bells. Kimar believes that if they capture the real Santa, they then won't have any trouble with hundreds of Santa's running around.Setting down near a small lake, the martians meet two children named Billy and Betty. After explaining what they saw, Billy informs the Martians that the ones they saw were Santa's helpers, and that the real Santa lives at the North Pole. The martians then take the two kids with them, to prevent them from telling the authorities.On the Martian ship, Billy and Betty are supervised by a clumsy martian named Dropo. After sneaking them onto the ship's bridge, Dropo quickly hides the two in the radar box before Voldar enters onto the bridge.As the ship lands at the North Pole, the two children overhear the martians planning to kidnap Santa Claus, and also take the two of them to Mars. After the martians leave the ship, Billy and Betty escape, planning to get to Santa first to warn him. However, before they can get far, they encounter a Polar Bear, and then a robot named Torr, who captures them. The children are returned to the ship shortly thereafter.Torr and the Martians then head to Santa's workshop. Upon finding others there, Voldar and another martian use a freeze-ray, that stops several elves and Mrs Claus in their tracks. Kimar assures Santa the effect will wear off in a few hours, before taking Santa with them.Sometime afterward, Mrs Claus unfreezes, and alerts the media. The United Nations and the Space Program then immediately decide to send a rescue ship to try and catch the Martians, but it's too late as the ship is too far away.On the Martian's ship, Santa's jolly spirit infects many of the crew, but Voldar finds the entire cheeriness ridiculous, and attempts to shoot Santa and the kids out of the ship's airlock. Voldar is then captured and locked in a cell. Though right after the ship lands, several other martians instead find Dropo in the cell, and find Voldar has escaped the ship entirely. Kimar orders Santa and the Earth Children to have a constant guard, certain that Voldar will try something else.Santa, Billy, and Betty are then brought to meet Bomar and Gimar. Upon meeting Santa, he incites the children into laughter...something that Kimar and Momar have never heard before. After his greeting, Santa requests that a toy factory be built immediately, as he then plans to head back to Earth. It is then that Kimar explains that Santa will not be returning to Earth, and that he now belongs to Mars.Meanwhile, Voldar has taken into hiding in some caves along Mars' Transverse Canal. He is assisted by a nervous martian named Stobo, and another named Shim. Shim works as a double-agent, investigating Santa's toy factory. Voldar's original plan to kill Santa is dismissed in favor of trying to find a way to discredit him.Meanwhile, Bomar, Gimar, Billy and Betty assist Santa in working in the toy factory. Momar even makes Santa an extra suit (and fake beard to go with it). Dropo asks to wear it, which is meant with a jovial laugh by Santa, who claims the martian would need to fatten up first.Back at Kimar's home, Bomar and Gimar have grown much happier, but Billy and Betty have begun to seem sullen, much the way that Bomar and Gimar once were. Momar explains to Kimar that the two should be returned to Earth, but he refuses.Meanwhile, Droppo has gotten ahold of Santa's extra suit and beard, and after using a pillow, happily decides to go down to the workshop.Unknown to him, Voldar, Stobo and Shim have arrived there, and attempt to sabotage the machine. As they complete their work, they see Dropo enter, and mistake him for Santa (even though his face and hands are green).Dropo is taken back to Voldar's lair, but every question he is asked, is answered with 'ho ho ho.' | Santa Claus Conquers the Martians | e6798dd4-520d-dda6-4e96-32b360cad91e | According to the Martian sage, why are the children of Mars growing distracted? | [
"Christmas is coming"
] | false |
/m/0122r8 | On the planet Mars, the Martian's Leader named Kimar notices a listlessness that seems to be taking ahold of the children of Mars. This is evident when he finds his own children (Bomar & Girmar) spending much time watching Earth Programs on the videoscope. Kimar's wife, Momar, suggests that he seek advice from Chochem, the Ancient One.Kimar gathers a number of other Martians and goes to see Chochem. Though it is the middle of Septober on Mars, Chochem explains that on Earth, it is drawing closer to Christmas, and this could explain why the children of Mars are behaving so strangely. Chochem then goes on to decry how Mars tends immediately work on educating their young, giving no time for play or fun. Chochem finally decrees that the children must have fun, and says that Mars needs a Santa Claus, just as Earth has.Kimar takes Chochem's words to heart, and assembles a crew to go to Earth to capture Santa Claus. Of the crew, almost everyone is in agreement except for Voldar, who reluctantly comes along, even though he feels this is a mistake.Observing the Earth, the men are shocked to find that there seem to be hundreds of Santa's, many of whom are standing on corners ringing bells. Kimar believes that if they capture the real Santa, they then won't have any trouble with hundreds of Santa's running around.Setting down near a small lake, the martians meet two children named Billy and Betty. After explaining what they saw, Billy informs the Martians that the ones they saw were Santa's helpers, and that the real Santa lives at the North Pole. The martians then take the two kids with them, to prevent them from telling the authorities.On the Martian ship, Billy and Betty are supervised by a clumsy martian named Dropo. After sneaking them onto the ship's bridge, Dropo quickly hides the two in the radar box before Voldar enters onto the bridge.As the ship lands at the North Pole, the two children overhear the martians planning to kidnap Santa Claus, and also take the two of them to Mars. After the martians leave the ship, Billy and Betty escape, planning to get to Santa first to warn him. However, before they can get far, they encounter a Polar Bear, and then a robot named Torr, who captures them. The children are returned to the ship shortly thereafter.Torr and the Martians then head to Santa's workshop. Upon finding others there, Voldar and another martian use a freeze-ray, that stops several elves and Mrs Claus in their tracks. Kimar assures Santa the effect will wear off in a few hours, before taking Santa with them.Sometime afterward, Mrs Claus unfreezes, and alerts the media. The United Nations and the Space Program then immediately decide to send a rescue ship to try and catch the Martians, but it's too late as the ship is too far away.On the Martian's ship, Santa's jolly spirit infects many of the crew, but Voldar finds the entire cheeriness ridiculous, and attempts to shoot Santa and the kids out of the ship's airlock. Voldar is then captured and locked in a cell. Though right after the ship lands, several other martians instead find Dropo in the cell, and find Voldar has escaped the ship entirely. Kimar orders Santa and the Earth Children to have a constant guard, certain that Voldar will try something else.Santa, Billy, and Betty are then brought to meet Bomar and Gimar. Upon meeting Santa, he incites the children into laughter...something that Kimar and Momar have never heard before. After his greeting, Santa requests that a toy factory be built immediately, as he then plans to head back to Earth. It is then that Kimar explains that Santa will not be returning to Earth, and that he now belongs to Mars.Meanwhile, Voldar has taken into hiding in some caves along Mars' Transverse Canal. He is assisted by a nervous martian named Stobo, and another named Shim. Shim works as a double-agent, investigating Santa's toy factory. Voldar's original plan to kill Santa is dismissed in favor of trying to find a way to discredit him.Meanwhile, Bomar, Gimar, Billy and Betty assist Santa in working in the toy factory. Momar even makes Santa an extra suit (and fake beard to go with it). Dropo asks to wear it, which is meant with a jovial laugh by Santa, who claims the martian would need to fatten up first.Back at Kimar's home, Bomar and Gimar have grown much happier, but Billy and Betty have begun to seem sullen, much the way that Bomar and Gimar once were. Momar explains to Kimar that the two should be returned to Earth, but he refuses.Meanwhile, Droppo has gotten ahold of Santa's extra suit and beard, and after using a pillow, happily decides to go down to the workshop.Unknown to him, Voldar, Stobo and Shim have arrived there, and attempt to sabotage the machine. As they complete their work, they see Dropo enter, and mistake him for Santa (even though his face and hands are green).Dropo is taken back to Voldar's lair, but every question he is asked, is answered with 'ho ho ho.' | Santa Claus Conquers the Martians | 6123bf43-1fe9-6896-bb1f-072bc75f99f1 | Who does KID-TV interview? | [] | true |
/m/0122r8 | On the planet Mars, the Martian's Leader named Kimar notices a listlessness that seems to be taking ahold of the children of Mars. This is evident when he finds his own children (Bomar & Girmar) spending much time watching Earth Programs on the videoscope. Kimar's wife, Momar, suggests that he seek advice from Chochem, the Ancient One.Kimar gathers a number of other Martians and goes to see Chochem. Though it is the middle of Septober on Mars, Chochem explains that on Earth, it is drawing closer to Christmas, and this could explain why the children of Mars are behaving so strangely. Chochem then goes on to decry how Mars tends immediately work on educating their young, giving no time for play or fun. Chochem finally decrees that the children must have fun, and says that Mars needs a Santa Claus, just as Earth has.Kimar takes Chochem's words to heart, and assembles a crew to go to Earth to capture Santa Claus. Of the crew, almost everyone is in agreement except for Voldar, who reluctantly comes along, even though he feels this is a mistake.Observing the Earth, the men are shocked to find that there seem to be hundreds of Santa's, many of whom are standing on corners ringing bells. Kimar believes that if they capture the real Santa, they then won't have any trouble with hundreds of Santa's running around.Setting down near a small lake, the martians meet two children named Billy and Betty. After explaining what they saw, Billy informs the Martians that the ones they saw were Santa's helpers, and that the real Santa lives at the North Pole. The martians then take the two kids with them, to prevent them from telling the authorities.On the Martian ship, Billy and Betty are supervised by a clumsy martian named Dropo. After sneaking them onto the ship's bridge, Dropo quickly hides the two in the radar box before Voldar enters onto the bridge.As the ship lands at the North Pole, the two children overhear the martians planning to kidnap Santa Claus, and also take the two of them to Mars. After the martians leave the ship, Billy and Betty escape, planning to get to Santa first to warn him. However, before they can get far, they encounter a Polar Bear, and then a robot named Torr, who captures them. The children are returned to the ship shortly thereafter.Torr and the Martians then head to Santa's workshop. Upon finding others there, Voldar and another martian use a freeze-ray, that stops several elves and Mrs Claus in their tracks. Kimar assures Santa the effect will wear off in a few hours, before taking Santa with them.Sometime afterward, Mrs Claus unfreezes, and alerts the media. The United Nations and the Space Program then immediately decide to send a rescue ship to try and catch the Martians, but it's too late as the ship is too far away.On the Martian's ship, Santa's jolly spirit infects many of the crew, but Voldar finds the entire cheeriness ridiculous, and attempts to shoot Santa and the kids out of the ship's airlock. Voldar is then captured and locked in a cell. Though right after the ship lands, several other martians instead find Dropo in the cell, and find Voldar has escaped the ship entirely. Kimar orders Santa and the Earth Children to have a constant guard, certain that Voldar will try something else.Santa, Billy, and Betty are then brought to meet Bomar and Gimar. Upon meeting Santa, he incites the children into laughter...something that Kimar and Momar have never heard before. After his greeting, Santa requests that a toy factory be built immediately, as he then plans to head back to Earth. It is then that Kimar explains that Santa will not be returning to Earth, and that he now belongs to Mars.Meanwhile, Voldar has taken into hiding in some caves along Mars' Transverse Canal. He is assisted by a nervous martian named Stobo, and another named Shim. Shim works as a double-agent, investigating Santa's toy factory. Voldar's original plan to kill Santa is dismissed in favor of trying to find a way to discredit him.Meanwhile, Bomar, Gimar, Billy and Betty assist Santa in working in the toy factory. Momar even makes Santa an extra suit (and fake beard to go with it). Dropo asks to wear it, which is meant with a jovial laugh by Santa, who claims the martian would need to fatten up first.Back at Kimar's home, Bomar and Gimar have grown much happier, but Billy and Betty have begun to seem sullen, much the way that Bomar and Gimar once were. Momar explains to Kimar that the two should be returned to Earth, but he refuses.Meanwhile, Droppo has gotten ahold of Santa's extra suit and beard, and after using a pillow, happily decides to go down to the workshop.Unknown to him, Voldar, Stobo and Shim have arrived there, and attempt to sabotage the machine. As they complete their work, they see Dropo enter, and mistake him for Santa (even though his face and hands are green).Dropo is taken back to Voldar's lair, but every question he is asked, is answered with 'ho ho ho.' | Santa Claus Conquers the Martians | ab39a071-7bc9-b40a-a332-d77c22d33a40 | Which alien tries to kill Santa? | [
"Mars"
] | false |
/m/0122r8 | On the planet Mars, the Martian's Leader named Kimar notices a listlessness that seems to be taking ahold of the children of Mars. This is evident when he finds his own children (Bomar & Girmar) spending much time watching Earth Programs on the videoscope. Kimar's wife, Momar, suggests that he seek advice from Chochem, the Ancient One.Kimar gathers a number of other Martians and goes to see Chochem. Though it is the middle of Septober on Mars, Chochem explains that on Earth, it is drawing closer to Christmas, and this could explain why the children of Mars are behaving so strangely. Chochem then goes on to decry how Mars tends immediately work on educating their young, giving no time for play or fun. Chochem finally decrees that the children must have fun, and says that Mars needs a Santa Claus, just as Earth has.Kimar takes Chochem's words to heart, and assembles a crew to go to Earth to capture Santa Claus. Of the crew, almost everyone is in agreement except for Voldar, who reluctantly comes along, even though he feels this is a mistake.Observing the Earth, the men are shocked to find that there seem to be hundreds of Santa's, many of whom are standing on corners ringing bells. Kimar believes that if they capture the real Santa, they then won't have any trouble with hundreds of Santa's running around.Setting down near a small lake, the martians meet two children named Billy and Betty. After explaining what they saw, Billy informs the Martians that the ones they saw were Santa's helpers, and that the real Santa lives at the North Pole. The martians then take the two kids with them, to prevent them from telling the authorities.On the Martian ship, Billy and Betty are supervised by a clumsy martian named Dropo. After sneaking them onto the ship's bridge, Dropo quickly hides the two in the radar box before Voldar enters onto the bridge.As the ship lands at the North Pole, the two children overhear the martians planning to kidnap Santa Claus, and also take the two of them to Mars. After the martians leave the ship, Billy and Betty escape, planning to get to Santa first to warn him. However, before they can get far, they encounter a Polar Bear, and then a robot named Torr, who captures them. The children are returned to the ship shortly thereafter.Torr and the Martians then head to Santa's workshop. Upon finding others there, Voldar and another martian use a freeze-ray, that stops several elves and Mrs Claus in their tracks. Kimar assures Santa the effect will wear off in a few hours, before taking Santa with them.Sometime afterward, Mrs Claus unfreezes, and alerts the media. The United Nations and the Space Program then immediately decide to send a rescue ship to try and catch the Martians, but it's too late as the ship is too far away.On the Martian's ship, Santa's jolly spirit infects many of the crew, but Voldar finds the entire cheeriness ridiculous, and attempts to shoot Santa and the kids out of the ship's airlock. Voldar is then captured and locked in a cell. Though right after the ship lands, several other martians instead find Dropo in the cell, and find Voldar has escaped the ship entirely. Kimar orders Santa and the Earth Children to have a constant guard, certain that Voldar will try something else.Santa, Billy, and Betty are then brought to meet Bomar and Gimar. Upon meeting Santa, he incites the children into laughter...something that Kimar and Momar have never heard before. After his greeting, Santa requests that a toy factory be built immediately, as he then plans to head back to Earth. It is then that Kimar explains that Santa will not be returning to Earth, and that he now belongs to Mars.Meanwhile, Voldar has taken into hiding in some caves along Mars' Transverse Canal. He is assisted by a nervous martian named Stobo, and another named Shim. Shim works as a double-agent, investigating Santa's toy factory. Voldar's original plan to kill Santa is dismissed in favor of trying to find a way to discredit him.Meanwhile, Bomar, Gimar, Billy and Betty assist Santa in working in the toy factory. Momar even makes Santa an extra suit (and fake beard to go with it). Dropo asks to wear it, which is meant with a jovial laugh by Santa, who claims the martian would need to fatten up first.Back at Kimar's home, Bomar and Gimar have grown much happier, but Billy and Betty have begun to seem sullen, much the way that Bomar and Gimar once were. Momar explains to Kimar that the two should be returned to Earth, but he refuses.Meanwhile, Droppo has gotten ahold of Santa's extra suit and beard, and after using a pillow, happily decides to go down to the workshop.Unknown to him, Voldar, Stobo and Shim have arrived there, and attempt to sabotage the machine. As they complete their work, they see Dropo enter, and mistake him for Santa (even though his face and hands are green).Dropo is taken back to Voldar's lair, but every question he is asked, is answered with 'ho ho ho.' | Santa Claus Conquers the Martians | 18c47f1b-27e1-d993-3c50-acfbf84ea328 | What have been tampered with in the factory? | [
"The machine"
] | false |
/m/0122r8 | On the planet Mars, the Martian's Leader named Kimar notices a listlessness that seems to be taking ahold of the children of Mars. This is evident when he finds his own children (Bomar & Girmar) spending much time watching Earth Programs on the videoscope. Kimar's wife, Momar, suggests that he seek advice from Chochem, the Ancient One.Kimar gathers a number of other Martians and goes to see Chochem. Though it is the middle of Septober on Mars, Chochem explains that on Earth, it is drawing closer to Christmas, and this could explain why the children of Mars are behaving so strangely. Chochem then goes on to decry how Mars tends immediately work on educating their young, giving no time for play or fun. Chochem finally decrees that the children must have fun, and says that Mars needs a Santa Claus, just as Earth has.Kimar takes Chochem's words to heart, and assembles a crew to go to Earth to capture Santa Claus. Of the crew, almost everyone is in agreement except for Voldar, who reluctantly comes along, even though he feels this is a mistake.Observing the Earth, the men are shocked to find that there seem to be hundreds of Santa's, many of whom are standing on corners ringing bells. Kimar believes that if they capture the real Santa, they then won't have any trouble with hundreds of Santa's running around.Setting down near a small lake, the martians meet two children named Billy and Betty. After explaining what they saw, Billy informs the Martians that the ones they saw were Santa's helpers, and that the real Santa lives at the North Pole. The martians then take the two kids with them, to prevent them from telling the authorities.On the Martian ship, Billy and Betty are supervised by a clumsy martian named Dropo. After sneaking them onto the ship's bridge, Dropo quickly hides the two in the radar box before Voldar enters onto the bridge.As the ship lands at the North Pole, the two children overhear the martians planning to kidnap Santa Claus, and also take the two of them to Mars. After the martians leave the ship, Billy and Betty escape, planning to get to Santa first to warn him. However, before they can get far, they encounter a Polar Bear, and then a robot named Torr, who captures them. The children are returned to the ship shortly thereafter.Torr and the Martians then head to Santa's workshop. Upon finding others there, Voldar and another martian use a freeze-ray, that stops several elves and Mrs Claus in their tracks. Kimar assures Santa the effect will wear off in a few hours, before taking Santa with them.Sometime afterward, Mrs Claus unfreezes, and alerts the media. The United Nations and the Space Program then immediately decide to send a rescue ship to try and catch the Martians, but it's too late as the ship is too far away.On the Martian's ship, Santa's jolly spirit infects many of the crew, but Voldar finds the entire cheeriness ridiculous, and attempts to shoot Santa and the kids out of the ship's airlock. Voldar is then captured and locked in a cell. Though right after the ship lands, several other martians instead find Dropo in the cell, and find Voldar has escaped the ship entirely. Kimar orders Santa and the Earth Children to have a constant guard, certain that Voldar will try something else.Santa, Billy, and Betty are then brought to meet Bomar and Gimar. Upon meeting Santa, he incites the children into laughter...something that Kimar and Momar have never heard before. After his greeting, Santa requests that a toy factory be built immediately, as he then plans to head back to Earth. It is then that Kimar explains that Santa will not be returning to Earth, and that he now belongs to Mars.Meanwhile, Voldar has taken into hiding in some caves along Mars' Transverse Canal. He is assisted by a nervous martian named Stobo, and another named Shim. Shim works as a double-agent, investigating Santa's toy factory. Voldar's original plan to kill Santa is dismissed in favor of trying to find a way to discredit him.Meanwhile, Bomar, Gimar, Billy and Betty assist Santa in working in the toy factory. Momar even makes Santa an extra suit (and fake beard to go with it). Dropo asks to wear it, which is meant with a jovial laugh by Santa, who claims the martian would need to fatten up first.Back at Kimar's home, Bomar and Gimar have grown much happier, but Billy and Betty have begun to seem sullen, much the way that Bomar and Gimar once were. Momar explains to Kimar that the two should be returned to Earth, but he refuses.Meanwhile, Droppo has gotten ahold of Santa's extra suit and beard, and after using a pillow, happily decides to go down to the workshop.Unknown to him, Voldar, Stobo and Shim have arrived there, and attempt to sabotage the machine. As they complete their work, they see Dropo enter, and mistake him for Santa (even though his face and hands are green).Dropo is taken back to Voldar's lair, but every question he is asked, is answered with 'ho ho ho.' | Santa Claus Conquers the Martians | f39499b0-4f48-9637-dae9-78a9cd0133a5 | What are the children watching too much of? | [
"earth programs"
] | false |
/m/0122r8 | On the planet Mars, the Martian's Leader named Kimar notices a listlessness that seems to be taking ahold of the children of Mars. This is evident when he finds his own children (Bomar & Girmar) spending much time watching Earth Programs on the videoscope. Kimar's wife, Momar, suggests that he seek advice from Chochem, the Ancient One.Kimar gathers a number of other Martians and goes to see Chochem. Though it is the middle of Septober on Mars, Chochem explains that on Earth, it is drawing closer to Christmas, and this could explain why the children of Mars are behaving so strangely. Chochem then goes on to decry how Mars tends immediately work on educating their young, giving no time for play or fun. Chochem finally decrees that the children must have fun, and says that Mars needs a Santa Claus, just as Earth has.Kimar takes Chochem's words to heart, and assembles a crew to go to Earth to capture Santa Claus. Of the crew, almost everyone is in agreement except for Voldar, who reluctantly comes along, even though he feels this is a mistake.Observing the Earth, the men are shocked to find that there seem to be hundreds of Santa's, many of whom are standing on corners ringing bells. Kimar believes that if they capture the real Santa, they then won't have any trouble with hundreds of Santa's running around.Setting down near a small lake, the martians meet two children named Billy and Betty. After explaining what they saw, Billy informs the Martians that the ones they saw were Santa's helpers, and that the real Santa lives at the North Pole. The martians then take the two kids with them, to prevent them from telling the authorities.On the Martian ship, Billy and Betty are supervised by a clumsy martian named Dropo. After sneaking them onto the ship's bridge, Dropo quickly hides the two in the radar box before Voldar enters onto the bridge.As the ship lands at the North Pole, the two children overhear the martians planning to kidnap Santa Claus, and also take the two of them to Mars. After the martians leave the ship, Billy and Betty escape, planning to get to Santa first to warn him. However, before they can get far, they encounter a Polar Bear, and then a robot named Torr, who captures them. The children are returned to the ship shortly thereafter.Torr and the Martians then head to Santa's workshop. Upon finding others there, Voldar and another martian use a freeze-ray, that stops several elves and Mrs Claus in their tracks. Kimar assures Santa the effect will wear off in a few hours, before taking Santa with them.Sometime afterward, Mrs Claus unfreezes, and alerts the media. The United Nations and the Space Program then immediately decide to send a rescue ship to try and catch the Martians, but it's too late as the ship is too far away.On the Martian's ship, Santa's jolly spirit infects many of the crew, but Voldar finds the entire cheeriness ridiculous, and attempts to shoot Santa and the kids out of the ship's airlock. Voldar is then captured and locked in a cell. Though right after the ship lands, several other martians instead find Dropo in the cell, and find Voldar has escaped the ship entirely. Kimar orders Santa and the Earth Children to have a constant guard, certain that Voldar will try something else.Santa, Billy, and Betty are then brought to meet Bomar and Gimar. Upon meeting Santa, he incites the children into laughter...something that Kimar and Momar have never heard before. After his greeting, Santa requests that a toy factory be built immediately, as he then plans to head back to Earth. It is then that Kimar explains that Santa will not be returning to Earth, and that he now belongs to Mars.Meanwhile, Voldar has taken into hiding in some caves along Mars' Transverse Canal. He is assisted by a nervous martian named Stobo, and another named Shim. Shim works as a double-agent, investigating Santa's toy factory. Voldar's original plan to kill Santa is dismissed in favor of trying to find a way to discredit him.Meanwhile, Bomar, Gimar, Billy and Betty assist Santa in working in the toy factory. Momar even makes Santa an extra suit (and fake beard to go with it). Dropo asks to wear it, which is meant with a jovial laugh by Santa, who claims the martian would need to fatten up first.Back at Kimar's home, Bomar and Gimar have grown much happier, but Billy and Betty have begun to seem sullen, much the way that Bomar and Gimar once were. Momar explains to Kimar that the two should be returned to Earth, but he refuses.Meanwhile, Droppo has gotten ahold of Santa's extra suit and beard, and after using a pillow, happily decides to go down to the workshop.Unknown to him, Voldar, Stobo and Shim have arrived there, and attempt to sabotage the machine. As they complete their work, they see Dropo enter, and mistake him for Santa (even though his face and hands are green).Dropo is taken back to Voldar's lair, but every question he is asked, is answered with 'ho ho ho.' | Santa Claus Conquers the Martians | 6f362284-018d-0291-9521-9784bc6c739b | Why did Voldar kidnap Kimar's assistant, Dropo? | [
"acting like Santa Claus"
] | false |
/m/0122r8 | On the planet Mars, the Martian's Leader named Kimar notices a listlessness that seems to be taking ahold of the children of Mars. This is evident when he finds his own children (Bomar & Girmar) spending much time watching Earth Programs on the videoscope. Kimar's wife, Momar, suggests that he seek advice from Chochem, the Ancient One.Kimar gathers a number of other Martians and goes to see Chochem. Though it is the middle of Septober on Mars, Chochem explains that on Earth, it is drawing closer to Christmas, and this could explain why the children of Mars are behaving so strangely. Chochem then goes on to decry how Mars tends immediately work on educating their young, giving no time for play or fun. Chochem finally decrees that the children must have fun, and says that Mars needs a Santa Claus, just as Earth has.Kimar takes Chochem's words to heart, and assembles a crew to go to Earth to capture Santa Claus. Of the crew, almost everyone is in agreement except for Voldar, who reluctantly comes along, even though he feels this is a mistake.Observing the Earth, the men are shocked to find that there seem to be hundreds of Santa's, many of whom are standing on corners ringing bells. Kimar believes that if they capture the real Santa, they then won't have any trouble with hundreds of Santa's running around.Setting down near a small lake, the martians meet two children named Billy and Betty. After explaining what they saw, Billy informs the Martians that the ones they saw were Santa's helpers, and that the real Santa lives at the North Pole. The martians then take the two kids with them, to prevent them from telling the authorities.On the Martian ship, Billy and Betty are supervised by a clumsy martian named Dropo. After sneaking them onto the ship's bridge, Dropo quickly hides the two in the radar box before Voldar enters onto the bridge.As the ship lands at the North Pole, the two children overhear the martians planning to kidnap Santa Claus, and also take the two of them to Mars. After the martians leave the ship, Billy and Betty escape, planning to get to Santa first to warn him. However, before they can get far, they encounter a Polar Bear, and then a robot named Torr, who captures them. The children are returned to the ship shortly thereafter.Torr and the Martians then head to Santa's workshop. Upon finding others there, Voldar and another martian use a freeze-ray, that stops several elves and Mrs Claus in their tracks. Kimar assures Santa the effect will wear off in a few hours, before taking Santa with them.Sometime afterward, Mrs Claus unfreezes, and alerts the media. The United Nations and the Space Program then immediately decide to send a rescue ship to try and catch the Martians, but it's too late as the ship is too far away.On the Martian's ship, Santa's jolly spirit infects many of the crew, but Voldar finds the entire cheeriness ridiculous, and attempts to shoot Santa and the kids out of the ship's airlock. Voldar is then captured and locked in a cell. Though right after the ship lands, several other martians instead find Dropo in the cell, and find Voldar has escaped the ship entirely. Kimar orders Santa and the Earth Children to have a constant guard, certain that Voldar will try something else.Santa, Billy, and Betty are then brought to meet Bomar and Gimar. Upon meeting Santa, he incites the children into laughter...something that Kimar and Momar have never heard before. After his greeting, Santa requests that a toy factory be built immediately, as he then plans to head back to Earth. It is then that Kimar explains that Santa will not be returning to Earth, and that he now belongs to Mars.Meanwhile, Voldar has taken into hiding in some caves along Mars' Transverse Canal. He is assisted by a nervous martian named Stobo, and another named Shim. Shim works as a double-agent, investigating Santa's toy factory. Voldar's original plan to kill Santa is dismissed in favor of trying to find a way to discredit him.Meanwhile, Bomar, Gimar, Billy and Betty assist Santa in working in the toy factory. Momar even makes Santa an extra suit (and fake beard to go with it). Dropo asks to wear it, which is meant with a jovial laugh by Santa, who claims the martian would need to fatten up first.Back at Kimar's home, Bomar and Gimar have grown much happier, but Billy and Betty have begun to seem sullen, much the way that Bomar and Gimar once were. Momar explains to Kimar that the two should be returned to Earth, but he refuses.Meanwhile, Droppo has gotten ahold of Santa's extra suit and beard, and after using a pillow, happily decides to go down to the workshop.Unknown to him, Voldar, Stobo and Shim have arrived there, and attempt to sabotage the machine. As they complete their work, they see Dropo enter, and mistake him for Santa (even though his face and hands are green).Dropo is taken back to Voldar's lair, but every question he is asked, is answered with 'ho ho ho.' | Santa Claus Conquers the Martians | 4cdb54ac-c618-c2c3-1def-d19f3dd21714 | How old is Chochem? | [] | true |
/m/0122r8 | On the planet Mars, the Martian's Leader named Kimar notices a listlessness that seems to be taking ahold of the children of Mars. This is evident when he finds his own children (Bomar & Girmar) spending much time watching Earth Programs on the videoscope. Kimar's wife, Momar, suggests that he seek advice from Chochem, the Ancient One.Kimar gathers a number of other Martians and goes to see Chochem. Though it is the middle of Septober on Mars, Chochem explains that on Earth, it is drawing closer to Christmas, and this could explain why the children of Mars are behaving so strangely. Chochem then goes on to decry how Mars tends immediately work on educating their young, giving no time for play or fun. Chochem finally decrees that the children must have fun, and says that Mars needs a Santa Claus, just as Earth has.Kimar takes Chochem's words to heart, and assembles a crew to go to Earth to capture Santa Claus. Of the crew, almost everyone is in agreement except for Voldar, who reluctantly comes along, even though he feels this is a mistake.Observing the Earth, the men are shocked to find that there seem to be hundreds of Santa's, many of whom are standing on corners ringing bells. Kimar believes that if they capture the real Santa, they then won't have any trouble with hundreds of Santa's running around.Setting down near a small lake, the martians meet two children named Billy and Betty. After explaining what they saw, Billy informs the Martians that the ones they saw were Santa's helpers, and that the real Santa lives at the North Pole. The martians then take the two kids with them, to prevent them from telling the authorities.On the Martian ship, Billy and Betty are supervised by a clumsy martian named Dropo. After sneaking them onto the ship's bridge, Dropo quickly hides the two in the radar box before Voldar enters onto the bridge.As the ship lands at the North Pole, the two children overhear the martians planning to kidnap Santa Claus, and also take the two of them to Mars. After the martians leave the ship, Billy and Betty escape, planning to get to Santa first to warn him. However, before they can get far, they encounter a Polar Bear, and then a robot named Torr, who captures them. The children are returned to the ship shortly thereafter.Torr and the Martians then head to Santa's workshop. Upon finding others there, Voldar and another martian use a freeze-ray, that stops several elves and Mrs Claus in their tracks. Kimar assures Santa the effect will wear off in a few hours, before taking Santa with them.Sometime afterward, Mrs Claus unfreezes, and alerts the media. The United Nations and the Space Program then immediately decide to send a rescue ship to try and catch the Martians, but it's too late as the ship is too far away.On the Martian's ship, Santa's jolly spirit infects many of the crew, but Voldar finds the entire cheeriness ridiculous, and attempts to shoot Santa and the kids out of the ship's airlock. Voldar is then captured and locked in a cell. Though right after the ship lands, several other martians instead find Dropo in the cell, and find Voldar has escaped the ship entirely. Kimar orders Santa and the Earth Children to have a constant guard, certain that Voldar will try something else.Santa, Billy, and Betty are then brought to meet Bomar and Gimar. Upon meeting Santa, he incites the children into laughter...something that Kimar and Momar have never heard before. After his greeting, Santa requests that a toy factory be built immediately, as he then plans to head back to Earth. It is then that Kimar explains that Santa will not be returning to Earth, and that he now belongs to Mars.Meanwhile, Voldar has taken into hiding in some caves along Mars' Transverse Canal. He is assisted by a nervous martian named Stobo, and another named Shim. Shim works as a double-agent, investigating Santa's toy factory. Voldar's original plan to kill Santa is dismissed in favor of trying to find a way to discredit him.Meanwhile, Bomar, Gimar, Billy and Betty assist Santa in working in the toy factory. Momar even makes Santa an extra suit (and fake beard to go with it). Dropo asks to wear it, which is meant with a jovial laugh by Santa, who claims the martian would need to fatten up first.Back at Kimar's home, Bomar and Gimar have grown much happier, but Billy and Betty have begun to seem sullen, much the way that Bomar and Gimar once were. Momar explains to Kimar that the two should be returned to Earth, but he refuses.Meanwhile, Droppo has gotten ahold of Santa's extra suit and beard, and after using a pillow, happily decides to go down to the workshop.Unknown to him, Voldar, Stobo and Shim have arrived there, and attempt to sabotage the machine. As they complete their work, they see Dropo enter, and mistake him for Santa (even though his face and hands are green).Dropo is taken back to Voldar's lair, but every question he is asked, is answered with 'ho ho ho.' | Santa Claus Conquers the Martians | 72d00b60-e2ea-4261-008c-8c86a2a8ca8f | The story involves the people of which planet? | [
"Mars"
] | false |
/m/0122r8 | On the planet Mars, the Martian's Leader named Kimar notices a listlessness that seems to be taking ahold of the children of Mars. This is evident when he finds his own children (Bomar & Girmar) spending much time watching Earth Programs on the videoscope. Kimar's wife, Momar, suggests that he seek advice from Chochem, the Ancient One.Kimar gathers a number of other Martians and goes to see Chochem. Though it is the middle of Septober on Mars, Chochem explains that on Earth, it is drawing closer to Christmas, and this could explain why the children of Mars are behaving so strangely. Chochem then goes on to decry how Mars tends immediately work on educating their young, giving no time for play or fun. Chochem finally decrees that the children must have fun, and says that Mars needs a Santa Claus, just as Earth has.Kimar takes Chochem's words to heart, and assembles a crew to go to Earth to capture Santa Claus. Of the crew, almost everyone is in agreement except for Voldar, who reluctantly comes along, even though he feels this is a mistake.Observing the Earth, the men are shocked to find that there seem to be hundreds of Santa's, many of whom are standing on corners ringing bells. Kimar believes that if they capture the real Santa, they then won't have any trouble with hundreds of Santa's running around.Setting down near a small lake, the martians meet two children named Billy and Betty. After explaining what they saw, Billy informs the Martians that the ones they saw were Santa's helpers, and that the real Santa lives at the North Pole. The martians then take the two kids with them, to prevent them from telling the authorities.On the Martian ship, Billy and Betty are supervised by a clumsy martian named Dropo. After sneaking them onto the ship's bridge, Dropo quickly hides the two in the radar box before Voldar enters onto the bridge.As the ship lands at the North Pole, the two children overhear the martians planning to kidnap Santa Claus, and also take the two of them to Mars. After the martians leave the ship, Billy and Betty escape, planning to get to Santa first to warn him. However, before they can get far, they encounter a Polar Bear, and then a robot named Torr, who captures them. The children are returned to the ship shortly thereafter.Torr and the Martians then head to Santa's workshop. Upon finding others there, Voldar and another martian use a freeze-ray, that stops several elves and Mrs Claus in their tracks. Kimar assures Santa the effect will wear off in a few hours, before taking Santa with them.Sometime afterward, Mrs Claus unfreezes, and alerts the media. The United Nations and the Space Program then immediately decide to send a rescue ship to try and catch the Martians, but it's too late as the ship is too far away.On the Martian's ship, Santa's jolly spirit infects many of the crew, but Voldar finds the entire cheeriness ridiculous, and attempts to shoot Santa and the kids out of the ship's airlock. Voldar is then captured and locked in a cell. Though right after the ship lands, several other martians instead find Dropo in the cell, and find Voldar has escaped the ship entirely. Kimar orders Santa and the Earth Children to have a constant guard, certain that Voldar will try something else.Santa, Billy, and Betty are then brought to meet Bomar and Gimar. Upon meeting Santa, he incites the children into laughter...something that Kimar and Momar have never heard before. After his greeting, Santa requests that a toy factory be built immediately, as he then plans to head back to Earth. It is then that Kimar explains that Santa will not be returning to Earth, and that he now belongs to Mars.Meanwhile, Voldar has taken into hiding in some caves along Mars' Transverse Canal. He is assisted by a nervous martian named Stobo, and another named Shim. Shim works as a double-agent, investigating Santa's toy factory. Voldar's original plan to kill Santa is dismissed in favor of trying to find a way to discredit him.Meanwhile, Bomar, Gimar, Billy and Betty assist Santa in working in the toy factory. Momar even makes Santa an extra suit (and fake beard to go with it). Dropo asks to wear it, which is meant with a jovial laugh by Santa, who claims the martian would need to fatten up first.Back at Kimar's home, Bomar and Gimar have grown much happier, but Billy and Betty have begun to seem sullen, much the way that Bomar and Gimar once were. Momar explains to Kimar that the two should be returned to Earth, but he refuses.Meanwhile, Droppo has gotten ahold of Santa's extra suit and beard, and after using a pillow, happily decides to go down to the workshop.Unknown to him, Voldar, Stobo and Shim have arrived there, and attempt to sabotage the machine. As they complete their work, they see Dropo enter, and mistake him for Santa (even though his face and hands are green).Dropo is taken back to Voldar's lair, but every question he is asked, is answered with 'ho ho ho.' | Santa Claus Conquers the Martians | 2081b727-02e5-4463-4691-6d40cf7d4652 | Where did Santa and the children build a factory? | [
"back to Earth"
] | false |
/m/0122r8 | On the planet Mars, the Martian's Leader named Kimar notices a listlessness that seems to be taking ahold of the children of Mars. This is evident when he finds his own children (Bomar & Girmar) spending much time watching Earth Programs on the videoscope. Kimar's wife, Momar, suggests that he seek advice from Chochem, the Ancient One.Kimar gathers a number of other Martians and goes to see Chochem. Though it is the middle of Septober on Mars, Chochem explains that on Earth, it is drawing closer to Christmas, and this could explain why the children of Mars are behaving so strangely. Chochem then goes on to decry how Mars tends immediately work on educating their young, giving no time for play or fun. Chochem finally decrees that the children must have fun, and says that Mars needs a Santa Claus, just as Earth has.Kimar takes Chochem's words to heart, and assembles a crew to go to Earth to capture Santa Claus. Of the crew, almost everyone is in agreement except for Voldar, who reluctantly comes along, even though he feels this is a mistake.Observing the Earth, the men are shocked to find that there seem to be hundreds of Santa's, many of whom are standing on corners ringing bells. Kimar believes that if they capture the real Santa, they then won't have any trouble with hundreds of Santa's running around.Setting down near a small lake, the martians meet two children named Billy and Betty. After explaining what they saw, Billy informs the Martians that the ones they saw were Santa's helpers, and that the real Santa lives at the North Pole. The martians then take the two kids with them, to prevent them from telling the authorities.On the Martian ship, Billy and Betty are supervised by a clumsy martian named Dropo. After sneaking them onto the ship's bridge, Dropo quickly hides the two in the radar box before Voldar enters onto the bridge.As the ship lands at the North Pole, the two children overhear the martians planning to kidnap Santa Claus, and also take the two of them to Mars. After the martians leave the ship, Billy and Betty escape, planning to get to Santa first to warn him. However, before they can get far, they encounter a Polar Bear, and then a robot named Torr, who captures them. The children are returned to the ship shortly thereafter.Torr and the Martians then head to Santa's workshop. Upon finding others there, Voldar and another martian use a freeze-ray, that stops several elves and Mrs Claus in their tracks. Kimar assures Santa the effect will wear off in a few hours, before taking Santa with them.Sometime afterward, Mrs Claus unfreezes, and alerts the media. The United Nations and the Space Program then immediately decide to send a rescue ship to try and catch the Martians, but it's too late as the ship is too far away.On the Martian's ship, Santa's jolly spirit infects many of the crew, but Voldar finds the entire cheeriness ridiculous, and attempts to shoot Santa and the kids out of the ship's airlock. Voldar is then captured and locked in a cell. Though right after the ship lands, several other martians instead find Dropo in the cell, and find Voldar has escaped the ship entirely. Kimar orders Santa and the Earth Children to have a constant guard, certain that Voldar will try something else.Santa, Billy, and Betty are then brought to meet Bomar and Gimar. Upon meeting Santa, he incites the children into laughter...something that Kimar and Momar have never heard before. After his greeting, Santa requests that a toy factory be built immediately, as he then plans to head back to Earth. It is then that Kimar explains that Santa will not be returning to Earth, and that he now belongs to Mars.Meanwhile, Voldar has taken into hiding in some caves along Mars' Transverse Canal. He is assisted by a nervous martian named Stobo, and another named Shim. Shim works as a double-agent, investigating Santa's toy factory. Voldar's original plan to kill Santa is dismissed in favor of trying to find a way to discredit him.Meanwhile, Bomar, Gimar, Billy and Betty assist Santa in working in the toy factory. Momar even makes Santa an extra suit (and fake beard to go with it). Dropo asks to wear it, which is meant with a jovial laugh by Santa, who claims the martian would need to fatten up first.Back at Kimar's home, Bomar and Gimar have grown much happier, but Billy and Betty have begun to seem sullen, much the way that Bomar and Gimar once were. Momar explains to Kimar that the two should be returned to Earth, but he refuses.Meanwhile, Droppo has gotten ahold of Santa's extra suit and beard, and after using a pillow, happily decides to go down to the workshop.Unknown to him, Voldar, Stobo and Shim have arrived there, and attempt to sabotage the machine. As they complete their work, they see Dropo enter, and mistake him for Santa (even though his face and hands are green).Dropo is taken back to Voldar's lair, but every question he is asked, is answered with 'ho ho ho.' | Santa Claus Conquers the Martians | 800908c5-bd5e-5ea8-da9e-c9e77ac5503d | How many children do the aliens kidnap in order to find the real santa among all the fake ones? | [
"2"
] | false |
/m/0122r8 | On the planet Mars, the Martian's Leader named Kimar notices a listlessness that seems to be taking ahold of the children of Mars. This is evident when he finds his own children (Bomar & Girmar) spending much time watching Earth Programs on the videoscope. Kimar's wife, Momar, suggests that he seek advice from Chochem, the Ancient One.Kimar gathers a number of other Martians and goes to see Chochem. Though it is the middle of Septober on Mars, Chochem explains that on Earth, it is drawing closer to Christmas, and this could explain why the children of Mars are behaving so strangely. Chochem then goes on to decry how Mars tends immediately work on educating their young, giving no time for play or fun. Chochem finally decrees that the children must have fun, and says that Mars needs a Santa Claus, just as Earth has.Kimar takes Chochem's words to heart, and assembles a crew to go to Earth to capture Santa Claus. Of the crew, almost everyone is in agreement except for Voldar, who reluctantly comes along, even though he feels this is a mistake.Observing the Earth, the men are shocked to find that there seem to be hundreds of Santa's, many of whom are standing on corners ringing bells. Kimar believes that if they capture the real Santa, they then won't have any trouble with hundreds of Santa's running around.Setting down near a small lake, the martians meet two children named Billy and Betty. After explaining what they saw, Billy informs the Martians that the ones they saw were Santa's helpers, and that the real Santa lives at the North Pole. The martians then take the two kids with them, to prevent them from telling the authorities.On the Martian ship, Billy and Betty are supervised by a clumsy martian named Dropo. After sneaking them onto the ship's bridge, Dropo quickly hides the two in the radar box before Voldar enters onto the bridge.As the ship lands at the North Pole, the two children overhear the martians planning to kidnap Santa Claus, and also take the two of them to Mars. After the martians leave the ship, Billy and Betty escape, planning to get to Santa first to warn him. However, before they can get far, they encounter a Polar Bear, and then a robot named Torr, who captures them. The children are returned to the ship shortly thereafter.Torr and the Martians then head to Santa's workshop. Upon finding others there, Voldar and another martian use a freeze-ray, that stops several elves and Mrs Claus in their tracks. Kimar assures Santa the effect will wear off in a few hours, before taking Santa with them.Sometime afterward, Mrs Claus unfreezes, and alerts the media. The United Nations and the Space Program then immediately decide to send a rescue ship to try and catch the Martians, but it's too late as the ship is too far away.On the Martian's ship, Santa's jolly spirit infects many of the crew, but Voldar finds the entire cheeriness ridiculous, and attempts to shoot Santa and the kids out of the ship's airlock. Voldar is then captured and locked in a cell. Though right after the ship lands, several other martians instead find Dropo in the cell, and find Voldar has escaped the ship entirely. Kimar orders Santa and the Earth Children to have a constant guard, certain that Voldar will try something else.Santa, Billy, and Betty are then brought to meet Bomar and Gimar. Upon meeting Santa, he incites the children into laughter...something that Kimar and Momar have never heard before. After his greeting, Santa requests that a toy factory be built immediately, as he then plans to head back to Earth. It is then that Kimar explains that Santa will not be returning to Earth, and that he now belongs to Mars.Meanwhile, Voldar has taken into hiding in some caves along Mars' Transverse Canal. He is assisted by a nervous martian named Stobo, and another named Shim. Shim works as a double-agent, investigating Santa's toy factory. Voldar's original plan to kill Santa is dismissed in favor of trying to find a way to discredit him.Meanwhile, Bomar, Gimar, Billy and Betty assist Santa in working in the toy factory. Momar even makes Santa an extra suit (and fake beard to go with it). Dropo asks to wear it, which is meant with a jovial laugh by Santa, who claims the martian would need to fatten up first.Back at Kimar's home, Bomar and Gimar have grown much happier, but Billy and Betty have begun to seem sullen, much the way that Bomar and Gimar once were. Momar explains to Kimar that the two should be returned to Earth, but he refuses.Meanwhile, Droppo has gotten ahold of Santa's extra suit and beard, and after using a pillow, happily decides to go down to the workshop.Unknown to him, Voldar, Stobo and Shim have arrived there, and attempt to sabotage the machine. As they complete their work, they see Dropo enter, and mistake him for Santa (even though his face and hands are green).Dropo is taken back to Voldar's lair, but every question he is asked, is answered with 'ho ho ho.' | Santa Claus Conquers the Martians | 609d3b85-b5a0-82d2-e92f-95dd536a8873 | What are the names of Momar and Kimar's children? | [
"children of Mars"
] | false |
/m/0122r8 | On the planet Mars, the Martian's Leader named Kimar notices a listlessness that seems to be taking ahold of the children of Mars. This is evident when he finds his own children (Bomar & Girmar) spending much time watching Earth Programs on the videoscope. Kimar's wife, Momar, suggests that he seek advice from Chochem, the Ancient One.Kimar gathers a number of other Martians and goes to see Chochem. Though it is the middle of Septober on Mars, Chochem explains that on Earth, it is drawing closer to Christmas, and this could explain why the children of Mars are behaving so strangely. Chochem then goes on to decry how Mars tends immediately work on educating their young, giving no time for play or fun. Chochem finally decrees that the children must have fun, and says that Mars needs a Santa Claus, just as Earth has.Kimar takes Chochem's words to heart, and assembles a crew to go to Earth to capture Santa Claus. Of the crew, almost everyone is in agreement except for Voldar, who reluctantly comes along, even though he feels this is a mistake.Observing the Earth, the men are shocked to find that there seem to be hundreds of Santa's, many of whom are standing on corners ringing bells. Kimar believes that if they capture the real Santa, they then won't have any trouble with hundreds of Santa's running around.Setting down near a small lake, the martians meet two children named Billy and Betty. After explaining what they saw, Billy informs the Martians that the ones they saw were Santa's helpers, and that the real Santa lives at the North Pole. The martians then take the two kids with them, to prevent them from telling the authorities.On the Martian ship, Billy and Betty are supervised by a clumsy martian named Dropo. After sneaking them onto the ship's bridge, Dropo quickly hides the two in the radar box before Voldar enters onto the bridge.As the ship lands at the North Pole, the two children overhear the martians planning to kidnap Santa Claus, and also take the two of them to Mars. After the martians leave the ship, Billy and Betty escape, planning to get to Santa first to warn him. However, before they can get far, they encounter a Polar Bear, and then a robot named Torr, who captures them. The children are returned to the ship shortly thereafter.Torr and the Martians then head to Santa's workshop. Upon finding others there, Voldar and another martian use a freeze-ray, that stops several elves and Mrs Claus in their tracks. Kimar assures Santa the effect will wear off in a few hours, before taking Santa with them.Sometime afterward, Mrs Claus unfreezes, and alerts the media. The United Nations and the Space Program then immediately decide to send a rescue ship to try and catch the Martians, but it's too late as the ship is too far away.On the Martian's ship, Santa's jolly spirit infects many of the crew, but Voldar finds the entire cheeriness ridiculous, and attempts to shoot Santa and the kids out of the ship's airlock. Voldar is then captured and locked in a cell. Though right after the ship lands, several other martians instead find Dropo in the cell, and find Voldar has escaped the ship entirely. Kimar orders Santa and the Earth Children to have a constant guard, certain that Voldar will try something else.Santa, Billy, and Betty are then brought to meet Bomar and Gimar. Upon meeting Santa, he incites the children into laughter...something that Kimar and Momar have never heard before. After his greeting, Santa requests that a toy factory be built immediately, as he then plans to head back to Earth. It is then that Kimar explains that Santa will not be returning to Earth, and that he now belongs to Mars.Meanwhile, Voldar has taken into hiding in some caves along Mars' Transverse Canal. He is assisted by a nervous martian named Stobo, and another named Shim. Shim works as a double-agent, investigating Santa's toy factory. Voldar's original plan to kill Santa is dismissed in favor of trying to find a way to discredit him.Meanwhile, Bomar, Gimar, Billy and Betty assist Santa in working in the toy factory. Momar even makes Santa an extra suit (and fake beard to go with it). Dropo asks to wear it, which is meant with a jovial laugh by Santa, who claims the martian would need to fatten up first.Back at Kimar's home, Bomar and Gimar have grown much happier, but Billy and Betty have begun to seem sullen, much the way that Bomar and Gimar once were. Momar explains to Kimar that the two should be returned to Earth, but he refuses.Meanwhile, Droppo has gotten ahold of Santa's extra suit and beard, and after using a pillow, happily decides to go down to the workshop.Unknown to him, Voldar, Stobo and Shim have arrived there, and attempt to sabotage the machine. As they complete their work, they see Dropo enter, and mistake him for Santa (even though his face and hands are green).Dropo is taken back to Voldar's lair, but every question he is asked, is answered with 'ho ho ho.' | Santa Claus Conquers the Martians | dce293ce-ba52-a9d4-3bf8-c67ed2cd5aa4 | Who do the Martian leaders want to abduct? | [
"Santa Claus"
] | false |
/m/0grk0 | In the summertime, described as vacation time, a Woman from the city (Margaret Livingston) travels to the country to sight see.She lingers in one particular town for weeks. One day she dresses up, asking the wife of her landlord to shine her high heeled shoes, and wanders through town. She arrives at the house of a farmer, The Man (George O'Brien) and his Wife (Janet Gaynor). The Man is about to sit down to dinner with his wife and notices the woman waiting for him. He seems guilty and nervous but he waves the City Woman to an area beyond the house, changes his coat, and leaves his house. His wife comes out from the kitchen, carrying dinner, and sadly notices that her husband has left. Two townswomen discuss how the young married couple used to be as happy as children. A flashback shows a happy farmer, wife, and child. The two old townswomen discuss how things have changed since the city woman arrived. They discuss how money lenders are stripping the farm while the wife sits alone. Another flashback shows two men leading a cow away as the Man watches. The wife leaves the empty dinner table to cry on her childs pillow.
The farmer walks under the moon. He travels deeper into wooded brush, crossing fences and shadows, to meet the Woman from the City. She waits under the moon, fixing her makeup. They meet and kiss. The wife cries alone with her child as the Man embraces the Woman from the City. The Woman from the City says, "Tell me you are all mine." He nods assent. She says, "Sell your farm and come with me to the city." The Man asks, "And my wife?" The Woman from the City says, "Couldn't she get drowned?" The Man recoils at the thought, and nearly chokes the woman in anger. She kisses his anger away and he calms down. The Woman from the City insists that he come to the city. Images of the city, brass bands and skyscrapers, flash above them. The Woman from the City dances under the moonlight. She concocts a plan to kill the wife in a boat accident. She instructs the Man to use a bundle of reeds to save himself, and the Man slinks home. He slinks into his bedroom, lays on his bed and looks at his sleeping wife. He thinks of the dark water and falls asleep.
The Wife watches the Man as he sleeps. She covers him in a blanket and stares at him adoringly. He wakes, sees his bundle of weeds, and remembers his dark purpose. He sees his wife and feels deep remorse. A ghostly image of the Woman from the City caresses him, urging him to commit the murder. He goes to his wife and asks her to accompany him. She responds happily. She leaves her child with a friend, saying that she and her husband are going on a trip across the water. She says goodbye to the child and the family dog. They go to the boat and the farmer stows his bundle of reeds. The dog, tied up at the house, begins to bark wildly, and the Man is disturbed. The dog breaks free and follows them out into the water. It climbs aboard but the Man returns to the shore and takes it back to the house. They disembark again. The Man refuses to look his wife in the eye as he rows. The Wife becomes worried by the crazed look in her eye. The man stops rowing, he looks at his wife, he rises and shuffles ominously toward her. She cowers in fear and raises her hands prayerfully toward him. He loses his urge to kill, falls back to the oars, and rows furiously toward the shore. The boat lands and the Wife immediately runs away. The Man chases her, telling her not to be afraid. The Wife runs to a trolley car and climbs aboard. The man catches the car at the last moment. The car travels through the woods and goes into the city. When the car stops, the Wife bolts into traffic. The Man follows, saying again "Don't be afraid of me" The Man catches his wife and leads her into a restaurant. He gets her a plate of cakes and they sit in silence. Neither can look the other in the eye. She takes a cake and breaks down, weeping bitterly. She leaves the restaurant and the Man follows. He buys her flowers and holds her until her fear and sadness pass. They hear church bells and wander into a wedding ceremony. While watching the exchange of vows the Man breaks down. He cries in terrible shame and guilt, realizing how horrible a husband he has been. He cries in his wife's lap, she leads him away from the ceremony. He begs her for forgiveness. The bells sound and they kiss, their vows renewed. They leave the church and wander into the street oblivious to the busy traffic around them. The city scene around them dissolves into a wooded meadow. When the city returns they wake up in the middle of the street with the traffic stopped around them. They move to the sidewalk and embrace in wedded bliss. They look at wedding photos in a shop window. The Wife urges the Man to get a shave. They enter a barber shop. The Man sits for a shave while the Wife waits and watches. She is annoyed to see a manicurist showing her husband attention. The Man shoos her away. He is annoyed to see a waiting male customer showing her attention. After his shave the Man approaches the customer and frightens him with a pocket knife. The couple go to the photographers shop to have their picture taken. While they try to look austere they become humorous with love and teasing. They kiss deeply and the photographer takes the picture. As they wait for their photo they knock over a statue. When the photographer returns they pay for the picture and leave quickly. The Man replaces the statue head with a rubber duck ball, which amuses the photographer when he sees it.
Meanwhile, the Woman from the City plots selling the farm through a newspaper ad.
The couple go to a large pleasure fair/entertainment district. They play carnival games. At one game a baby pig escapes and everyone in the crowd tries to catch it. There are comic antics involved in catching the pig. The Man succeeds in catching the pig and the crowd cheers him. The crowd urges the couple to dance, and a band plays a country song. The man and Wife do a country dance and the crowd cheer. After the dance, the couple are ushered to a table and drink wine in celebration. They are in a bliss of love and wedded union, they visualize angels drifting above their heads. The waiter arrives to give them their bill. They each pay a part of the bill and leave the carnival as fireworks light up the sky. They board the trolley for home. Soon, they are sailing back to the farm under the moonlight. They drift peacefully. They pass a skiff filled with festive people. The Wife falls asleep. A storm begins to rise. The storm blows through the city and the pleasure district. The storm rocks the boat of the Man and Wife. The Man tries desperately to control the boat. Losing hope, the Man straps the reeds to his wife. They cling together as the boat capsizes.
The storm passes and the man awakes on the rocks. The Man climbs ashore and calls for his wife.
The Woman from the City wakes to the frantic mobilization of the townsfolk. She leaves to witness the search.
The Man is maddened in his search for his wife. Boats search the water, calling her name. The Man follows a trail of floating weeds till he is convinced she has drowned. The man goes home in desolated sadness. The Woman from the City goes to his house. She calls him out. He goes to her in a murderous rage for all he has lost. As he begins to choke her he hears the call that his wife has been found alive. He runs home and arrives as she wakes up. They embrace. A fisherman describes how he found her and the townsfolk share their happiness.
As the sun rises, the Woman from the City leaves on a cart.
As the sun rises, the Man sits by the bed where his wife smiles radiantly at him. They embrace.
They dissolve into the sunrise itself.FINIS | Sunrise: A Song of Two Humans | d1662f63-dfa0-8407-3684-9977f739fdf8 | What causes the boat to begin sinking? | [
"it doesnt say",
"A sudden storm causes the boat to begin sinking",
"Because man stops rowing",
"Storm",
"a storm",
"not mentioned"
] | false |
/m/0grk0 | In the summertime, described as vacation time, a Woman from the city (Margaret Livingston) travels to the country to sight see.She lingers in one particular town for weeks. One day she dresses up, asking the wife of her landlord to shine her high heeled shoes, and wanders through town. She arrives at the house of a farmer, The Man (George O'Brien) and his Wife (Janet Gaynor). The Man is about to sit down to dinner with his wife and notices the woman waiting for him. He seems guilty and nervous but he waves the City Woman to an area beyond the house, changes his coat, and leaves his house. His wife comes out from the kitchen, carrying dinner, and sadly notices that her husband has left. Two townswomen discuss how the young married couple used to be as happy as children. A flashback shows a happy farmer, wife, and child. The two old townswomen discuss how things have changed since the city woman arrived. They discuss how money lenders are stripping the farm while the wife sits alone. Another flashback shows two men leading a cow away as the Man watches. The wife leaves the empty dinner table to cry on her childs pillow.
The farmer walks under the moon. He travels deeper into wooded brush, crossing fences and shadows, to meet the Woman from the City. She waits under the moon, fixing her makeup. They meet and kiss. The wife cries alone with her child as the Man embraces the Woman from the City. The Woman from the City says, "Tell me you are all mine." He nods assent. She says, "Sell your farm and come with me to the city." The Man asks, "And my wife?" The Woman from the City says, "Couldn't she get drowned?" The Man recoils at the thought, and nearly chokes the woman in anger. She kisses his anger away and he calms down. The Woman from the City insists that he come to the city. Images of the city, brass bands and skyscrapers, flash above them. The Woman from the City dances under the moonlight. She concocts a plan to kill the wife in a boat accident. She instructs the Man to use a bundle of reeds to save himself, and the Man slinks home. He slinks into his bedroom, lays on his bed and looks at his sleeping wife. He thinks of the dark water and falls asleep.
The Wife watches the Man as he sleeps. She covers him in a blanket and stares at him adoringly. He wakes, sees his bundle of weeds, and remembers his dark purpose. He sees his wife and feels deep remorse. A ghostly image of the Woman from the City caresses him, urging him to commit the murder. He goes to his wife and asks her to accompany him. She responds happily. She leaves her child with a friend, saying that she and her husband are going on a trip across the water. She says goodbye to the child and the family dog. They go to the boat and the farmer stows his bundle of reeds. The dog, tied up at the house, begins to bark wildly, and the Man is disturbed. The dog breaks free and follows them out into the water. It climbs aboard but the Man returns to the shore and takes it back to the house. They disembark again. The Man refuses to look his wife in the eye as he rows. The Wife becomes worried by the crazed look in her eye. The man stops rowing, he looks at his wife, he rises and shuffles ominously toward her. She cowers in fear and raises her hands prayerfully toward him. He loses his urge to kill, falls back to the oars, and rows furiously toward the shore. The boat lands and the Wife immediately runs away. The Man chases her, telling her not to be afraid. The Wife runs to a trolley car and climbs aboard. The man catches the car at the last moment. The car travels through the woods and goes into the city. When the car stops, the Wife bolts into traffic. The Man follows, saying again "Don't be afraid of me" The Man catches his wife and leads her into a restaurant. He gets her a plate of cakes and they sit in silence. Neither can look the other in the eye. She takes a cake and breaks down, weeping bitterly. She leaves the restaurant and the Man follows. He buys her flowers and holds her until her fear and sadness pass. They hear church bells and wander into a wedding ceremony. While watching the exchange of vows the Man breaks down. He cries in terrible shame and guilt, realizing how horrible a husband he has been. He cries in his wife's lap, she leads him away from the ceremony. He begs her for forgiveness. The bells sound and they kiss, their vows renewed. They leave the church and wander into the street oblivious to the busy traffic around them. The city scene around them dissolves into a wooded meadow. When the city returns they wake up in the middle of the street with the traffic stopped around them. They move to the sidewalk and embrace in wedded bliss. They look at wedding photos in a shop window. The Wife urges the Man to get a shave. They enter a barber shop. The Man sits for a shave while the Wife waits and watches. She is annoyed to see a manicurist showing her husband attention. The Man shoos her away. He is annoyed to see a waiting male customer showing her attention. After his shave the Man approaches the customer and frightens him with a pocket knife. The couple go to the photographers shop to have their picture taken. While they try to look austere they become humorous with love and teasing. They kiss deeply and the photographer takes the picture. As they wait for their photo they knock over a statue. When the photographer returns they pay for the picture and leave quickly. The Man replaces the statue head with a rubber duck ball, which amuses the photographer when he sees it.
Meanwhile, the Woman from the City plots selling the farm through a newspaper ad.
The couple go to a large pleasure fair/entertainment district. They play carnival games. At one game a baby pig escapes and everyone in the crowd tries to catch it. There are comic antics involved in catching the pig. The Man succeeds in catching the pig and the crowd cheers him. The crowd urges the couple to dance, and a band plays a country song. The man and Wife do a country dance and the crowd cheer. After the dance, the couple are ushered to a table and drink wine in celebration. They are in a bliss of love and wedded union, they visualize angels drifting above their heads. The waiter arrives to give them their bill. They each pay a part of the bill and leave the carnival as fireworks light up the sky. They board the trolley for home. Soon, they are sailing back to the farm under the moonlight. They drift peacefully. They pass a skiff filled with festive people. The Wife falls asleep. A storm begins to rise. The storm blows through the city and the pleasure district. The storm rocks the boat of the Man and Wife. The Man tries desperately to control the boat. Losing hope, the Man straps the reeds to his wife. They cling together as the boat capsizes.
The storm passes and the man awakes on the rocks. The Man climbs ashore and calls for his wife.
The Woman from the City wakes to the frantic mobilization of the townsfolk. She leaves to witness the search.
The Man is maddened in his search for his wife. Boats search the water, calling her name. The Man follows a trail of floating weeds till he is convinced she has drowned. The man goes home in desolated sadness. The Woman from the City goes to his house. She calls him out. He goes to her in a murderous rage for all he has lost. As he begins to choke her he hears the call that his wife has been found alive. He runs home and arrives as she wakes up. They embrace. A fisherman describes how he found her and the townsfolk share their happiness.
As the sun rises, the Woman from the City leaves on a cart.
As the sun rises, the Man sits by the bed where his wife smiles radiantly at him. They embrace.
They dissolve into the sunrise itself.FINIS | Sunrise: A Song of Two Humans | e4c391bd-8aa4-f53c-3934-2e5269489261 | Where do the man and woman meet? | [
"City",
"not mentioned",
"his house",
"moonlight",
"under a street light near a wooded area",
"an area beyond the house",
"by the bed"
] | false |
/m/0grk0 | In the summertime, described as vacation time, a Woman from the city (Margaret Livingston) travels to the country to sight see.She lingers in one particular town for weeks. One day she dresses up, asking the wife of her landlord to shine her high heeled shoes, and wanders through town. She arrives at the house of a farmer, The Man (George O'Brien) and his Wife (Janet Gaynor). The Man is about to sit down to dinner with his wife and notices the woman waiting for him. He seems guilty and nervous but he waves the City Woman to an area beyond the house, changes his coat, and leaves his house. His wife comes out from the kitchen, carrying dinner, and sadly notices that her husband has left. Two townswomen discuss how the young married couple used to be as happy as children. A flashback shows a happy farmer, wife, and child. The two old townswomen discuss how things have changed since the city woman arrived. They discuss how money lenders are stripping the farm while the wife sits alone. Another flashback shows two men leading a cow away as the Man watches. The wife leaves the empty dinner table to cry on her childs pillow.
The farmer walks under the moon. He travels deeper into wooded brush, crossing fences and shadows, to meet the Woman from the City. She waits under the moon, fixing her makeup. They meet and kiss. The wife cries alone with her child as the Man embraces the Woman from the City. The Woman from the City says, "Tell me you are all mine." He nods assent. She says, "Sell your farm and come with me to the city." The Man asks, "And my wife?" The Woman from the City says, "Couldn't she get drowned?" The Man recoils at the thought, and nearly chokes the woman in anger. She kisses his anger away and he calms down. The Woman from the City insists that he come to the city. Images of the city, brass bands and skyscrapers, flash above them. The Woman from the City dances under the moonlight. She concocts a plan to kill the wife in a boat accident. She instructs the Man to use a bundle of reeds to save himself, and the Man slinks home. He slinks into his bedroom, lays on his bed and looks at his sleeping wife. He thinks of the dark water and falls asleep.
The Wife watches the Man as he sleeps. She covers him in a blanket and stares at him adoringly. He wakes, sees his bundle of weeds, and remembers his dark purpose. He sees his wife and feels deep remorse. A ghostly image of the Woman from the City caresses him, urging him to commit the murder. He goes to his wife and asks her to accompany him. She responds happily. She leaves her child with a friend, saying that she and her husband are going on a trip across the water. She says goodbye to the child and the family dog. They go to the boat and the farmer stows his bundle of reeds. The dog, tied up at the house, begins to bark wildly, and the Man is disturbed. The dog breaks free and follows them out into the water. It climbs aboard but the Man returns to the shore and takes it back to the house. They disembark again. The Man refuses to look his wife in the eye as he rows. The Wife becomes worried by the crazed look in her eye. The man stops rowing, he looks at his wife, he rises and shuffles ominously toward her. She cowers in fear and raises her hands prayerfully toward him. He loses his urge to kill, falls back to the oars, and rows furiously toward the shore. The boat lands and the Wife immediately runs away. The Man chases her, telling her not to be afraid. The Wife runs to a trolley car and climbs aboard. The man catches the car at the last moment. The car travels through the woods and goes into the city. When the car stops, the Wife bolts into traffic. The Man follows, saying again "Don't be afraid of me" The Man catches his wife and leads her into a restaurant. He gets her a plate of cakes and they sit in silence. Neither can look the other in the eye. She takes a cake and breaks down, weeping bitterly. She leaves the restaurant and the Man follows. He buys her flowers and holds her until her fear and sadness pass. They hear church bells and wander into a wedding ceremony. While watching the exchange of vows the Man breaks down. He cries in terrible shame and guilt, realizing how horrible a husband he has been. He cries in his wife's lap, she leads him away from the ceremony. He begs her for forgiveness. The bells sound and they kiss, their vows renewed. They leave the church and wander into the street oblivious to the busy traffic around them. The city scene around them dissolves into a wooded meadow. When the city returns they wake up in the middle of the street with the traffic stopped around them. They move to the sidewalk and embrace in wedded bliss. They look at wedding photos in a shop window. The Wife urges the Man to get a shave. They enter a barber shop. The Man sits for a shave while the Wife waits and watches. She is annoyed to see a manicurist showing her husband attention. The Man shoos her away. He is annoyed to see a waiting male customer showing her attention. After his shave the Man approaches the customer and frightens him with a pocket knife. The couple go to the photographers shop to have their picture taken. While they try to look austere they become humorous with love and teasing. They kiss deeply and the photographer takes the picture. As they wait for their photo they knock over a statue. When the photographer returns they pay for the picture and leave quickly. The Man replaces the statue head with a rubber duck ball, which amuses the photographer when he sees it.
Meanwhile, the Woman from the City plots selling the farm through a newspaper ad.
The couple go to a large pleasure fair/entertainment district. They play carnival games. At one game a baby pig escapes and everyone in the crowd tries to catch it. There are comic antics involved in catching the pig. The Man succeeds in catching the pig and the crowd cheers him. The crowd urges the couple to dance, and a band plays a country song. The man and Wife do a country dance and the crowd cheer. After the dance, the couple are ushered to a table and drink wine in celebration. They are in a bliss of love and wedded union, they visualize angels drifting above their heads. The waiter arrives to give them their bill. They each pay a part of the bill and leave the carnival as fireworks light up the sky. They board the trolley for home. Soon, they are sailing back to the farm under the moonlight. They drift peacefully. They pass a skiff filled with festive people. The Wife falls asleep. A storm begins to rise. The storm blows through the city and the pleasure district. The storm rocks the boat of the Man and Wife. The Man tries desperately to control the boat. Losing hope, the Man straps the reeds to his wife. They cling together as the boat capsizes.
The storm passes and the man awakes on the rocks. The Man climbs ashore and calls for his wife.
The Woman from the City wakes to the frantic mobilization of the townsfolk. She leaves to witness the search.
The Man is maddened in his search for his wife. Boats search the water, calling her name. The Man follows a trail of floating weeds till he is convinced she has drowned. The man goes home in desolated sadness. The Woman from the City goes to his house. She calls him out. He goes to her in a murderous rage for all he has lost. As he begins to choke her he hears the call that his wife has been found alive. He runs home and arrives as she wakes up. They embrace. A fisherman describes how he found her and the townsfolk share their happiness.
As the sun rises, the Woman from the City leaves on a cart.
As the sun rises, the Man sits by the bed where his wife smiles radiantly at him. They embrace.
They dissolve into the sunrise itself.FINIS | Sunrise: A Song of Two Humans | c9552315-d367-f225-2866-92adeb55513f | What does the man tie around his wife? | [
"not mentioned",
"Reeds"
] | false |
/m/0grk0 | In the summertime, described as vacation time, a Woman from the city (Margaret Livingston) travels to the country to sight see.She lingers in one particular town for weeks. One day she dresses up, asking the wife of her landlord to shine her high heeled shoes, and wanders through town. She arrives at the house of a farmer, The Man (George O'Brien) and his Wife (Janet Gaynor). The Man is about to sit down to dinner with his wife and notices the woman waiting for him. He seems guilty and nervous but he waves the City Woman to an area beyond the house, changes his coat, and leaves his house. His wife comes out from the kitchen, carrying dinner, and sadly notices that her husband has left. Two townswomen discuss how the young married couple used to be as happy as children. A flashback shows a happy farmer, wife, and child. The two old townswomen discuss how things have changed since the city woman arrived. They discuss how money lenders are stripping the farm while the wife sits alone. Another flashback shows two men leading a cow away as the Man watches. The wife leaves the empty dinner table to cry on her childs pillow.
The farmer walks under the moon. He travels deeper into wooded brush, crossing fences and shadows, to meet the Woman from the City. She waits under the moon, fixing her makeup. They meet and kiss. The wife cries alone with her child as the Man embraces the Woman from the City. The Woman from the City says, "Tell me you are all mine." He nods assent. She says, "Sell your farm and come with me to the city." The Man asks, "And my wife?" The Woman from the City says, "Couldn't she get drowned?" The Man recoils at the thought, and nearly chokes the woman in anger. She kisses his anger away and he calms down. The Woman from the City insists that he come to the city. Images of the city, brass bands and skyscrapers, flash above them. The Woman from the City dances under the moonlight. She concocts a plan to kill the wife in a boat accident. She instructs the Man to use a bundle of reeds to save himself, and the Man slinks home. He slinks into his bedroom, lays on his bed and looks at his sleeping wife. He thinks of the dark water and falls asleep.
The Wife watches the Man as he sleeps. She covers him in a blanket and stares at him adoringly. He wakes, sees his bundle of weeds, and remembers his dark purpose. He sees his wife and feels deep remorse. A ghostly image of the Woman from the City caresses him, urging him to commit the murder. He goes to his wife and asks her to accompany him. She responds happily. She leaves her child with a friend, saying that she and her husband are going on a trip across the water. She says goodbye to the child and the family dog. They go to the boat and the farmer stows his bundle of reeds. The dog, tied up at the house, begins to bark wildly, and the Man is disturbed. The dog breaks free and follows them out into the water. It climbs aboard but the Man returns to the shore and takes it back to the house. They disembark again. The Man refuses to look his wife in the eye as he rows. The Wife becomes worried by the crazed look in her eye. The man stops rowing, he looks at his wife, he rises and shuffles ominously toward her. She cowers in fear and raises her hands prayerfully toward him. He loses his urge to kill, falls back to the oars, and rows furiously toward the shore. The boat lands and the Wife immediately runs away. The Man chases her, telling her not to be afraid. The Wife runs to a trolley car and climbs aboard. The man catches the car at the last moment. The car travels through the woods and goes into the city. When the car stops, the Wife bolts into traffic. The Man follows, saying again "Don't be afraid of me" The Man catches his wife and leads her into a restaurant. He gets her a plate of cakes and they sit in silence. Neither can look the other in the eye. She takes a cake and breaks down, weeping bitterly. She leaves the restaurant and the Man follows. He buys her flowers and holds her until her fear and sadness pass. They hear church bells and wander into a wedding ceremony. While watching the exchange of vows the Man breaks down. He cries in terrible shame and guilt, realizing how horrible a husband he has been. He cries in his wife's lap, she leads him away from the ceremony. He begs her for forgiveness. The bells sound and they kiss, their vows renewed. They leave the church and wander into the street oblivious to the busy traffic around them. The city scene around them dissolves into a wooded meadow. When the city returns they wake up in the middle of the street with the traffic stopped around them. They move to the sidewalk and embrace in wedded bliss. They look at wedding photos in a shop window. The Wife urges the Man to get a shave. They enter a barber shop. The Man sits for a shave while the Wife waits and watches. She is annoyed to see a manicurist showing her husband attention. The Man shoos her away. He is annoyed to see a waiting male customer showing her attention. After his shave the Man approaches the customer and frightens him with a pocket knife. The couple go to the photographers shop to have their picture taken. While they try to look austere they become humorous with love and teasing. They kiss deeply and the photographer takes the picture. As they wait for their photo they knock over a statue. When the photographer returns they pay for the picture and leave quickly. The Man replaces the statue head with a rubber duck ball, which amuses the photographer when he sees it.
Meanwhile, the Woman from the City plots selling the farm through a newspaper ad.
The couple go to a large pleasure fair/entertainment district. They play carnival games. At one game a baby pig escapes and everyone in the crowd tries to catch it. There are comic antics involved in catching the pig. The Man succeeds in catching the pig and the crowd cheers him. The crowd urges the couple to dance, and a band plays a country song. The man and Wife do a country dance and the crowd cheer. After the dance, the couple are ushered to a table and drink wine in celebration. They are in a bliss of love and wedded union, they visualize angels drifting above their heads. The waiter arrives to give them their bill. They each pay a part of the bill and leave the carnival as fireworks light up the sky. They board the trolley for home. Soon, they are sailing back to the farm under the moonlight. They drift peacefully. They pass a skiff filled with festive people. The Wife falls asleep. A storm begins to rise. The storm blows through the city and the pleasure district. The storm rocks the boat of the Man and Wife. The Man tries desperately to control the boat. Losing hope, the Man straps the reeds to his wife. They cling together as the boat capsizes.
The storm passes and the man awakes on the rocks. The Man climbs ashore and calls for his wife.
The Woman from the City wakes to the frantic mobilization of the townsfolk. She leaves to witness the search.
The Man is maddened in his search for his wife. Boats search the water, calling her name. The Man follows a trail of floating weeds till he is convinced she has drowned. The man goes home in desolated sadness. The Woman from the City goes to his house. She calls him out. He goes to her in a murderous rage for all he has lost. As he begins to choke her he hears the call that his wife has been found alive. He runs home and arrives as she wakes up. They embrace. A fisherman describes how he found her and the townsfolk share their happiness.
As the sun rises, the Woman from the City leaves on a cart.
As the sun rises, the Man sits by the bed where his wife smiles radiantly at him. They embrace.
They dissolve into the sunrise itself.FINIS | Sunrise: A Song of Two Humans | 7387c1d9-3c88-e4eb-4b97-0cc7eea22582 | What did the Wife cling to to survive | [
"not mentioned"
] | false |
/m/0grk0 | In the summertime, described as vacation time, a Woman from the city (Margaret Livingston) travels to the country to sight see.She lingers in one particular town for weeks. One day she dresses up, asking the wife of her landlord to shine her high heeled shoes, and wanders through town. She arrives at the house of a farmer, The Man (George O'Brien) and his Wife (Janet Gaynor). The Man is about to sit down to dinner with his wife and notices the woman waiting for him. He seems guilty and nervous but he waves the City Woman to an area beyond the house, changes his coat, and leaves his house. His wife comes out from the kitchen, carrying dinner, and sadly notices that her husband has left. Two townswomen discuss how the young married couple used to be as happy as children. A flashback shows a happy farmer, wife, and child. The two old townswomen discuss how things have changed since the city woman arrived. They discuss how money lenders are stripping the farm while the wife sits alone. Another flashback shows two men leading a cow away as the Man watches. The wife leaves the empty dinner table to cry on her childs pillow.
The farmer walks under the moon. He travels deeper into wooded brush, crossing fences and shadows, to meet the Woman from the City. She waits under the moon, fixing her makeup. They meet and kiss. The wife cries alone with her child as the Man embraces the Woman from the City. The Woman from the City says, "Tell me you are all mine." He nods assent. She says, "Sell your farm and come with me to the city." The Man asks, "And my wife?" The Woman from the City says, "Couldn't she get drowned?" The Man recoils at the thought, and nearly chokes the woman in anger. She kisses his anger away and he calms down. The Woman from the City insists that he come to the city. Images of the city, brass bands and skyscrapers, flash above them. The Woman from the City dances under the moonlight. She concocts a plan to kill the wife in a boat accident. She instructs the Man to use a bundle of reeds to save himself, and the Man slinks home. He slinks into his bedroom, lays on his bed and looks at his sleeping wife. He thinks of the dark water and falls asleep.
The Wife watches the Man as he sleeps. She covers him in a blanket and stares at him adoringly. He wakes, sees his bundle of weeds, and remembers his dark purpose. He sees his wife and feels deep remorse. A ghostly image of the Woman from the City caresses him, urging him to commit the murder. He goes to his wife and asks her to accompany him. She responds happily. She leaves her child with a friend, saying that she and her husband are going on a trip across the water. She says goodbye to the child and the family dog. They go to the boat and the farmer stows his bundle of reeds. The dog, tied up at the house, begins to bark wildly, and the Man is disturbed. The dog breaks free and follows them out into the water. It climbs aboard but the Man returns to the shore and takes it back to the house. They disembark again. The Man refuses to look his wife in the eye as he rows. The Wife becomes worried by the crazed look in her eye. The man stops rowing, he looks at his wife, he rises and shuffles ominously toward her. She cowers in fear and raises her hands prayerfully toward him. He loses his urge to kill, falls back to the oars, and rows furiously toward the shore. The boat lands and the Wife immediately runs away. The Man chases her, telling her not to be afraid. The Wife runs to a trolley car and climbs aboard. The man catches the car at the last moment. The car travels through the woods and goes into the city. When the car stops, the Wife bolts into traffic. The Man follows, saying again "Don't be afraid of me" The Man catches his wife and leads her into a restaurant. He gets her a plate of cakes and they sit in silence. Neither can look the other in the eye. She takes a cake and breaks down, weeping bitterly. She leaves the restaurant and the Man follows. He buys her flowers and holds her until her fear and sadness pass. They hear church bells and wander into a wedding ceremony. While watching the exchange of vows the Man breaks down. He cries in terrible shame and guilt, realizing how horrible a husband he has been. He cries in his wife's lap, she leads him away from the ceremony. He begs her for forgiveness. The bells sound and they kiss, their vows renewed. They leave the church and wander into the street oblivious to the busy traffic around them. The city scene around them dissolves into a wooded meadow. When the city returns they wake up in the middle of the street with the traffic stopped around them. They move to the sidewalk and embrace in wedded bliss. They look at wedding photos in a shop window. The Wife urges the Man to get a shave. They enter a barber shop. The Man sits for a shave while the Wife waits and watches. She is annoyed to see a manicurist showing her husband attention. The Man shoos her away. He is annoyed to see a waiting male customer showing her attention. After his shave the Man approaches the customer and frightens him with a pocket knife. The couple go to the photographers shop to have their picture taken. While they try to look austere they become humorous with love and teasing. They kiss deeply and the photographer takes the picture. As they wait for their photo they knock over a statue. When the photographer returns they pay for the picture and leave quickly. The Man replaces the statue head with a rubber duck ball, which amuses the photographer when he sees it.
Meanwhile, the Woman from the City plots selling the farm through a newspaper ad.
The couple go to a large pleasure fair/entertainment district. They play carnival games. At one game a baby pig escapes and everyone in the crowd tries to catch it. There are comic antics involved in catching the pig. The Man succeeds in catching the pig and the crowd cheers him. The crowd urges the couple to dance, and a band plays a country song. The man and Wife do a country dance and the crowd cheer. After the dance, the couple are ushered to a table and drink wine in celebration. They are in a bliss of love and wedded union, they visualize angels drifting above their heads. The waiter arrives to give them their bill. They each pay a part of the bill and leave the carnival as fireworks light up the sky. They board the trolley for home. Soon, they are sailing back to the farm under the moonlight. They drift peacefully. They pass a skiff filled with festive people. The Wife falls asleep. A storm begins to rise. The storm blows through the city and the pleasure district. The storm rocks the boat of the Man and Wife. The Man tries desperately to control the boat. Losing hope, the Man straps the reeds to his wife. They cling together as the boat capsizes.
The storm passes and the man awakes on the rocks. The Man climbs ashore and calls for his wife.
The Woman from the City wakes to the frantic mobilization of the townsfolk. She leaves to witness the search.
The Man is maddened in his search for his wife. Boats search the water, calling her name. The Man follows a trail of floating weeds till he is convinced she has drowned. The man goes home in desolated sadness. The Woman from the City goes to his house. She calls him out. He goes to her in a murderous rage for all he has lost. As he begins to choke her he hears the call that his wife has been found alive. He runs home and arrives as she wakes up. They embrace. A fisherman describes how he found her and the townsfolk share their happiness.
As the sun rises, the Woman from the City leaves on a cart.
As the sun rises, the Man sits by the bed where his wife smiles radiantly at him. They embrace.
They dissolve into the sunrise itself.FINIS | Sunrise: A Song of Two Humans | 1d161142-e5e3-9f71-1fb8-44449df48d02 | What do the man and woman do as darkness falls? | [
"NO NSWER",
"not mentioned",
"leave the carnival after the fireworks",
"meet , kiss and plan to kill the man's wife"
] | false |
/m/0grk0 | In the summertime, described as vacation time, a Woman from the city (Margaret Livingston) travels to the country to sight see.She lingers in one particular town for weeks. One day she dresses up, asking the wife of her landlord to shine her high heeled shoes, and wanders through town. She arrives at the house of a farmer, The Man (George O'Brien) and his Wife (Janet Gaynor). The Man is about to sit down to dinner with his wife and notices the woman waiting for him. He seems guilty and nervous but he waves the City Woman to an area beyond the house, changes his coat, and leaves his house. His wife comes out from the kitchen, carrying dinner, and sadly notices that her husband has left. Two townswomen discuss how the young married couple used to be as happy as children. A flashback shows a happy farmer, wife, and child. The two old townswomen discuss how things have changed since the city woman arrived. They discuss how money lenders are stripping the farm while the wife sits alone. Another flashback shows two men leading a cow away as the Man watches. The wife leaves the empty dinner table to cry on her childs pillow.
The farmer walks under the moon. He travels deeper into wooded brush, crossing fences and shadows, to meet the Woman from the City. She waits under the moon, fixing her makeup. They meet and kiss. The wife cries alone with her child as the Man embraces the Woman from the City. The Woman from the City says, "Tell me you are all mine." He nods assent. She says, "Sell your farm and come with me to the city." The Man asks, "And my wife?" The Woman from the City says, "Couldn't she get drowned?" The Man recoils at the thought, and nearly chokes the woman in anger. She kisses his anger away and he calms down. The Woman from the City insists that he come to the city. Images of the city, brass bands and skyscrapers, flash above them. The Woman from the City dances under the moonlight. She concocts a plan to kill the wife in a boat accident. She instructs the Man to use a bundle of reeds to save himself, and the Man slinks home. He slinks into his bedroom, lays on his bed and looks at his sleeping wife. He thinks of the dark water and falls asleep.
The Wife watches the Man as he sleeps. She covers him in a blanket and stares at him adoringly. He wakes, sees his bundle of weeds, and remembers his dark purpose. He sees his wife and feels deep remorse. A ghostly image of the Woman from the City caresses him, urging him to commit the murder. He goes to his wife and asks her to accompany him. She responds happily. She leaves her child with a friend, saying that she and her husband are going on a trip across the water. She says goodbye to the child and the family dog. They go to the boat and the farmer stows his bundle of reeds. The dog, tied up at the house, begins to bark wildly, and the Man is disturbed. The dog breaks free and follows them out into the water. It climbs aboard but the Man returns to the shore and takes it back to the house. They disembark again. The Man refuses to look his wife in the eye as he rows. The Wife becomes worried by the crazed look in her eye. The man stops rowing, he looks at his wife, he rises and shuffles ominously toward her. She cowers in fear and raises her hands prayerfully toward him. He loses his urge to kill, falls back to the oars, and rows furiously toward the shore. The boat lands and the Wife immediately runs away. The Man chases her, telling her not to be afraid. The Wife runs to a trolley car and climbs aboard. The man catches the car at the last moment. The car travels through the woods and goes into the city. When the car stops, the Wife bolts into traffic. The Man follows, saying again "Don't be afraid of me" The Man catches his wife and leads her into a restaurant. He gets her a plate of cakes and they sit in silence. Neither can look the other in the eye. She takes a cake and breaks down, weeping bitterly. She leaves the restaurant and the Man follows. He buys her flowers and holds her until her fear and sadness pass. They hear church bells and wander into a wedding ceremony. While watching the exchange of vows the Man breaks down. He cries in terrible shame and guilt, realizing how horrible a husband he has been. He cries in his wife's lap, she leads him away from the ceremony. He begs her for forgiveness. The bells sound and they kiss, their vows renewed. They leave the church and wander into the street oblivious to the busy traffic around them. The city scene around them dissolves into a wooded meadow. When the city returns they wake up in the middle of the street with the traffic stopped around them. They move to the sidewalk and embrace in wedded bliss. They look at wedding photos in a shop window. The Wife urges the Man to get a shave. They enter a barber shop. The Man sits for a shave while the Wife waits and watches. She is annoyed to see a manicurist showing her husband attention. The Man shoos her away. He is annoyed to see a waiting male customer showing her attention. After his shave the Man approaches the customer and frightens him with a pocket knife. The couple go to the photographers shop to have their picture taken. While they try to look austere they become humorous with love and teasing. They kiss deeply and the photographer takes the picture. As they wait for their photo they knock over a statue. When the photographer returns they pay for the picture and leave quickly. The Man replaces the statue head with a rubber duck ball, which amuses the photographer when he sees it.
Meanwhile, the Woman from the City plots selling the farm through a newspaper ad.
The couple go to a large pleasure fair/entertainment district. They play carnival games. At one game a baby pig escapes and everyone in the crowd tries to catch it. There are comic antics involved in catching the pig. The Man succeeds in catching the pig and the crowd cheers him. The crowd urges the couple to dance, and a band plays a country song. The man and Wife do a country dance and the crowd cheer. After the dance, the couple are ushered to a table and drink wine in celebration. They are in a bliss of love and wedded union, they visualize angels drifting above their heads. The waiter arrives to give them their bill. They each pay a part of the bill and leave the carnival as fireworks light up the sky. They board the trolley for home. Soon, they are sailing back to the farm under the moonlight. They drift peacefully. They pass a skiff filled with festive people. The Wife falls asleep. A storm begins to rise. The storm blows through the city and the pleasure district. The storm rocks the boat of the Man and Wife. The Man tries desperately to control the boat. Losing hope, the Man straps the reeds to his wife. They cling together as the boat capsizes.
The storm passes and the man awakes on the rocks. The Man climbs ashore and calls for his wife.
The Woman from the City wakes to the frantic mobilization of the townsfolk. She leaves to witness the search.
The Man is maddened in his search for his wife. Boats search the water, calling her name. The Man follows a trail of floating weeds till he is convinced she has drowned. The man goes home in desolated sadness. The Woman from the City goes to his house. She calls him out. He goes to her in a murderous rage for all he has lost. As he begins to choke her he hears the call that his wife has been found alive. He runs home and arrives as she wakes up. They embrace. A fisherman describes how he found her and the townsfolk share their happiness.
As the sun rises, the Woman from the City leaves on a cart.
As the sun rises, the Man sits by the bed where his wife smiles radiantly at him. They embrace.
They dissolve into the sunrise itself.FINIS | Sunrise: A Song of Two Humans | 6df9f89b-4061-74be-b804-897976fd4c52 | What did the man gift her with ? | [
"Gift who? Not mentioned",
"Flowers and cakes"
] | false |
/m/0grk0 | In the summertime, described as vacation time, a Woman from the city (Margaret Livingston) travels to the country to sight see.She lingers in one particular town for weeks. One day she dresses up, asking the wife of her landlord to shine her high heeled shoes, and wanders through town. She arrives at the house of a farmer, The Man (George O'Brien) and his Wife (Janet Gaynor). The Man is about to sit down to dinner with his wife and notices the woman waiting for him. He seems guilty and nervous but he waves the City Woman to an area beyond the house, changes his coat, and leaves his house. His wife comes out from the kitchen, carrying dinner, and sadly notices that her husband has left. Two townswomen discuss how the young married couple used to be as happy as children. A flashback shows a happy farmer, wife, and child. The two old townswomen discuss how things have changed since the city woman arrived. They discuss how money lenders are stripping the farm while the wife sits alone. Another flashback shows two men leading a cow away as the Man watches. The wife leaves the empty dinner table to cry on her childs pillow.
The farmer walks under the moon. He travels deeper into wooded brush, crossing fences and shadows, to meet the Woman from the City. She waits under the moon, fixing her makeup. They meet and kiss. The wife cries alone with her child as the Man embraces the Woman from the City. The Woman from the City says, "Tell me you are all mine." He nods assent. She says, "Sell your farm and come with me to the city." The Man asks, "And my wife?" The Woman from the City says, "Couldn't she get drowned?" The Man recoils at the thought, and nearly chokes the woman in anger. She kisses his anger away and he calms down. The Woman from the City insists that he come to the city. Images of the city, brass bands and skyscrapers, flash above them. The Woman from the City dances under the moonlight. She concocts a plan to kill the wife in a boat accident. She instructs the Man to use a bundle of reeds to save himself, and the Man slinks home. He slinks into his bedroom, lays on his bed and looks at his sleeping wife. He thinks of the dark water and falls asleep.
The Wife watches the Man as he sleeps. She covers him in a blanket and stares at him adoringly. He wakes, sees his bundle of weeds, and remembers his dark purpose. He sees his wife and feels deep remorse. A ghostly image of the Woman from the City caresses him, urging him to commit the murder. He goes to his wife and asks her to accompany him. She responds happily. She leaves her child with a friend, saying that she and her husband are going on a trip across the water. She says goodbye to the child and the family dog. They go to the boat and the farmer stows his bundle of reeds. The dog, tied up at the house, begins to bark wildly, and the Man is disturbed. The dog breaks free and follows them out into the water. It climbs aboard but the Man returns to the shore and takes it back to the house. They disembark again. The Man refuses to look his wife in the eye as he rows. The Wife becomes worried by the crazed look in her eye. The man stops rowing, he looks at his wife, he rises and shuffles ominously toward her. She cowers in fear and raises her hands prayerfully toward him. He loses his urge to kill, falls back to the oars, and rows furiously toward the shore. The boat lands and the Wife immediately runs away. The Man chases her, telling her not to be afraid. The Wife runs to a trolley car and climbs aboard. The man catches the car at the last moment. The car travels through the woods and goes into the city. When the car stops, the Wife bolts into traffic. The Man follows, saying again "Don't be afraid of me" The Man catches his wife and leads her into a restaurant. He gets her a plate of cakes and they sit in silence. Neither can look the other in the eye. She takes a cake and breaks down, weeping bitterly. She leaves the restaurant and the Man follows. He buys her flowers and holds her until her fear and sadness pass. They hear church bells and wander into a wedding ceremony. While watching the exchange of vows the Man breaks down. He cries in terrible shame and guilt, realizing how horrible a husband he has been. He cries in his wife's lap, she leads him away from the ceremony. He begs her for forgiveness. The bells sound and they kiss, their vows renewed. They leave the church and wander into the street oblivious to the busy traffic around them. The city scene around them dissolves into a wooded meadow. When the city returns they wake up in the middle of the street with the traffic stopped around them. They move to the sidewalk and embrace in wedded bliss. They look at wedding photos in a shop window. The Wife urges the Man to get a shave. They enter a barber shop. The Man sits for a shave while the Wife waits and watches. She is annoyed to see a manicurist showing her husband attention. The Man shoos her away. He is annoyed to see a waiting male customer showing her attention. After his shave the Man approaches the customer and frightens him with a pocket knife. The couple go to the photographers shop to have their picture taken. While they try to look austere they become humorous with love and teasing. They kiss deeply and the photographer takes the picture. As they wait for their photo they knock over a statue. When the photographer returns they pay for the picture and leave quickly. The Man replaces the statue head with a rubber duck ball, which amuses the photographer when he sees it.
Meanwhile, the Woman from the City plots selling the farm through a newspaper ad.
The couple go to a large pleasure fair/entertainment district. They play carnival games. At one game a baby pig escapes and everyone in the crowd tries to catch it. There are comic antics involved in catching the pig. The Man succeeds in catching the pig and the crowd cheers him. The crowd urges the couple to dance, and a band plays a country song. The man and Wife do a country dance and the crowd cheer. After the dance, the couple are ushered to a table and drink wine in celebration. They are in a bliss of love and wedded union, they visualize angels drifting above their heads. The waiter arrives to give them their bill. They each pay a part of the bill and leave the carnival as fireworks light up the sky. They board the trolley for home. Soon, they are sailing back to the farm under the moonlight. They drift peacefully. They pass a skiff filled with festive people. The Wife falls asleep. A storm begins to rise. The storm blows through the city and the pleasure district. The storm rocks the boat of the Man and Wife. The Man tries desperately to control the boat. Losing hope, the Man straps the reeds to his wife. They cling together as the boat capsizes.
The storm passes and the man awakes on the rocks. The Man climbs ashore and calls for his wife.
The Woman from the City wakes to the frantic mobilization of the townsfolk. She leaves to witness the search.
The Man is maddened in his search for his wife. Boats search the water, calling her name. The Man follows a trail of floating weeds till he is convinced she has drowned. The man goes home in desolated sadness. The Woman from the City goes to his house. She calls him out. He goes to her in a murderous rage for all he has lost. As he begins to choke her he hears the call that his wife has been found alive. He runs home and arrives as she wakes up. They embrace. A fisherman describes how he found her and the townsfolk share their happiness.
As the sun rises, the Woman from the City leaves on a cart.
As the sun rises, the Man sits by the bed where his wife smiles radiantly at him. They embrace.
They dissolve into the sunrise itself.FINIS | Sunrise: A Song of Two Humans | 171bc0ee-bade-068a-9ae2-0fe5841f90d6 | What does The Wife do when the boat reaches land? | [
"Run away",
"They dissolve into the sunrise itself",
"Hug his husband",
"not mentioned"
] | false |
/m/0grk0 | In the summertime, described as vacation time, a Woman from the city (Margaret Livingston) travels to the country to sight see.She lingers in one particular town for weeks. One day she dresses up, asking the wife of her landlord to shine her high heeled shoes, and wanders through town. She arrives at the house of a farmer, The Man (George O'Brien) and his Wife (Janet Gaynor). The Man is about to sit down to dinner with his wife and notices the woman waiting for him. He seems guilty and nervous but he waves the City Woman to an area beyond the house, changes his coat, and leaves his house. His wife comes out from the kitchen, carrying dinner, and sadly notices that her husband has left. Two townswomen discuss how the young married couple used to be as happy as children. A flashback shows a happy farmer, wife, and child. The two old townswomen discuss how things have changed since the city woman arrived. They discuss how money lenders are stripping the farm while the wife sits alone. Another flashback shows two men leading a cow away as the Man watches. The wife leaves the empty dinner table to cry on her childs pillow.
The farmer walks under the moon. He travels deeper into wooded brush, crossing fences and shadows, to meet the Woman from the City. She waits under the moon, fixing her makeup. They meet and kiss. The wife cries alone with her child as the Man embraces the Woman from the City. The Woman from the City says, "Tell me you are all mine." He nods assent. She says, "Sell your farm and come with me to the city." The Man asks, "And my wife?" The Woman from the City says, "Couldn't she get drowned?" The Man recoils at the thought, and nearly chokes the woman in anger. She kisses his anger away and he calms down. The Woman from the City insists that he come to the city. Images of the city, brass bands and skyscrapers, flash above them. The Woman from the City dances under the moonlight. She concocts a plan to kill the wife in a boat accident. She instructs the Man to use a bundle of reeds to save himself, and the Man slinks home. He slinks into his bedroom, lays on his bed and looks at his sleeping wife. He thinks of the dark water and falls asleep.
The Wife watches the Man as he sleeps. She covers him in a blanket and stares at him adoringly. He wakes, sees his bundle of weeds, and remembers his dark purpose. He sees his wife and feels deep remorse. A ghostly image of the Woman from the City caresses him, urging him to commit the murder. He goes to his wife and asks her to accompany him. She responds happily. She leaves her child with a friend, saying that she and her husband are going on a trip across the water. She says goodbye to the child and the family dog. They go to the boat and the farmer stows his bundle of reeds. The dog, tied up at the house, begins to bark wildly, and the Man is disturbed. The dog breaks free and follows them out into the water. It climbs aboard but the Man returns to the shore and takes it back to the house. They disembark again. The Man refuses to look his wife in the eye as he rows. The Wife becomes worried by the crazed look in her eye. The man stops rowing, he looks at his wife, he rises and shuffles ominously toward her. She cowers in fear and raises her hands prayerfully toward him. He loses his urge to kill, falls back to the oars, and rows furiously toward the shore. The boat lands and the Wife immediately runs away. The Man chases her, telling her not to be afraid. The Wife runs to a trolley car and climbs aboard. The man catches the car at the last moment. The car travels through the woods and goes into the city. When the car stops, the Wife bolts into traffic. The Man follows, saying again "Don't be afraid of me" The Man catches his wife and leads her into a restaurant. He gets her a plate of cakes and they sit in silence. Neither can look the other in the eye. She takes a cake and breaks down, weeping bitterly. She leaves the restaurant and the Man follows. He buys her flowers and holds her until her fear and sadness pass. They hear church bells and wander into a wedding ceremony. While watching the exchange of vows the Man breaks down. He cries in terrible shame and guilt, realizing how horrible a husband he has been. He cries in his wife's lap, she leads him away from the ceremony. He begs her for forgiveness. The bells sound and they kiss, their vows renewed. They leave the church and wander into the street oblivious to the busy traffic around them. The city scene around them dissolves into a wooded meadow. When the city returns they wake up in the middle of the street with the traffic stopped around them. They move to the sidewalk and embrace in wedded bliss. They look at wedding photos in a shop window. The Wife urges the Man to get a shave. They enter a barber shop. The Man sits for a shave while the Wife waits and watches. She is annoyed to see a manicurist showing her husband attention. The Man shoos her away. He is annoyed to see a waiting male customer showing her attention. After his shave the Man approaches the customer and frightens him with a pocket knife. The couple go to the photographers shop to have their picture taken. While they try to look austere they become humorous with love and teasing. They kiss deeply and the photographer takes the picture. As they wait for their photo they knock over a statue. When the photographer returns they pay for the picture and leave quickly. The Man replaces the statue head with a rubber duck ball, which amuses the photographer when he sees it.
Meanwhile, the Woman from the City plots selling the farm through a newspaper ad.
The couple go to a large pleasure fair/entertainment district. They play carnival games. At one game a baby pig escapes and everyone in the crowd tries to catch it. There are comic antics involved in catching the pig. The Man succeeds in catching the pig and the crowd cheers him. The crowd urges the couple to dance, and a band plays a country song. The man and Wife do a country dance and the crowd cheer. After the dance, the couple are ushered to a table and drink wine in celebration. They are in a bliss of love and wedded union, they visualize angels drifting above their heads. The waiter arrives to give them their bill. They each pay a part of the bill and leave the carnival as fireworks light up the sky. They board the trolley for home. Soon, they are sailing back to the farm under the moonlight. They drift peacefully. They pass a skiff filled with festive people. The Wife falls asleep. A storm begins to rise. The storm blows through the city and the pleasure district. The storm rocks the boat of the Man and Wife. The Man tries desperately to control the boat. Losing hope, the Man straps the reeds to his wife. They cling together as the boat capsizes.
The storm passes and the man awakes on the rocks. The Man climbs ashore and calls for his wife.
The Woman from the City wakes to the frantic mobilization of the townsfolk. She leaves to witness the search.
The Man is maddened in his search for his wife. Boats search the water, calling her name. The Man follows a trail of floating weeds till he is convinced she has drowned. The man goes home in desolated sadness. The Woman from the City goes to his house. She calls him out. He goes to her in a murderous rage for all he has lost. As he begins to choke her he hears the call that his wife has been found alive. He runs home and arrives as she wakes up. They embrace. A fisherman describes how he found her and the townsfolk share their happiness.
As the sun rises, the Woman from the City leaves on a cart.
As the sun rises, the Man sits by the bed where his wife smiles radiantly at him. They embrace.
They dissolve into the sunrise itself.FINIS | Sunrise: A Song of Two Humans | af5fef1f-b12b-8907-513e-5f32885d4b1e | The Wife survived clinging to a bundle of what? | [
"not mentioned",
"reeds"
] | false |
/m/0grk0 | In the summertime, described as vacation time, a Woman from the city (Margaret Livingston) travels to the country to sight see.She lingers in one particular town for weeks. One day she dresses up, asking the wife of her landlord to shine her high heeled shoes, and wanders through town. She arrives at the house of a farmer, The Man (George O'Brien) and his Wife (Janet Gaynor). The Man is about to sit down to dinner with his wife and notices the woman waiting for him. He seems guilty and nervous but he waves the City Woman to an area beyond the house, changes his coat, and leaves his house. His wife comes out from the kitchen, carrying dinner, and sadly notices that her husband has left. Two townswomen discuss how the young married couple used to be as happy as children. A flashback shows a happy farmer, wife, and child. The two old townswomen discuss how things have changed since the city woman arrived. They discuss how money lenders are stripping the farm while the wife sits alone. Another flashback shows two men leading a cow away as the Man watches. The wife leaves the empty dinner table to cry on her childs pillow.
The farmer walks under the moon. He travels deeper into wooded brush, crossing fences and shadows, to meet the Woman from the City. She waits under the moon, fixing her makeup. They meet and kiss. The wife cries alone with her child as the Man embraces the Woman from the City. The Woman from the City says, "Tell me you are all mine." He nods assent. She says, "Sell your farm and come with me to the city." The Man asks, "And my wife?" The Woman from the City says, "Couldn't she get drowned?" The Man recoils at the thought, and nearly chokes the woman in anger. She kisses his anger away and he calms down. The Woman from the City insists that he come to the city. Images of the city, brass bands and skyscrapers, flash above them. The Woman from the City dances under the moonlight. She concocts a plan to kill the wife in a boat accident. She instructs the Man to use a bundle of reeds to save himself, and the Man slinks home. He slinks into his bedroom, lays on his bed and looks at his sleeping wife. He thinks of the dark water and falls asleep.
The Wife watches the Man as he sleeps. She covers him in a blanket and stares at him adoringly. He wakes, sees his bundle of weeds, and remembers his dark purpose. He sees his wife and feels deep remorse. A ghostly image of the Woman from the City caresses him, urging him to commit the murder. He goes to his wife and asks her to accompany him. She responds happily. She leaves her child with a friend, saying that she and her husband are going on a trip across the water. She says goodbye to the child and the family dog. They go to the boat and the farmer stows his bundle of reeds. The dog, tied up at the house, begins to bark wildly, and the Man is disturbed. The dog breaks free and follows them out into the water. It climbs aboard but the Man returns to the shore and takes it back to the house. They disembark again. The Man refuses to look his wife in the eye as he rows. The Wife becomes worried by the crazed look in her eye. The man stops rowing, he looks at his wife, he rises and shuffles ominously toward her. She cowers in fear and raises her hands prayerfully toward him. He loses his urge to kill, falls back to the oars, and rows furiously toward the shore. The boat lands and the Wife immediately runs away. The Man chases her, telling her not to be afraid. The Wife runs to a trolley car and climbs aboard. The man catches the car at the last moment. The car travels through the woods and goes into the city. When the car stops, the Wife bolts into traffic. The Man follows, saying again "Don't be afraid of me" The Man catches his wife and leads her into a restaurant. He gets her a plate of cakes and they sit in silence. Neither can look the other in the eye. She takes a cake and breaks down, weeping bitterly. She leaves the restaurant and the Man follows. He buys her flowers and holds her until her fear and sadness pass. They hear church bells and wander into a wedding ceremony. While watching the exchange of vows the Man breaks down. He cries in terrible shame and guilt, realizing how horrible a husband he has been. He cries in his wife's lap, she leads him away from the ceremony. He begs her for forgiveness. The bells sound and they kiss, their vows renewed. They leave the church and wander into the street oblivious to the busy traffic around them. The city scene around them dissolves into a wooded meadow. When the city returns they wake up in the middle of the street with the traffic stopped around them. They move to the sidewalk and embrace in wedded bliss. They look at wedding photos in a shop window. The Wife urges the Man to get a shave. They enter a barber shop. The Man sits for a shave while the Wife waits and watches. She is annoyed to see a manicurist showing her husband attention. The Man shoos her away. He is annoyed to see a waiting male customer showing her attention. After his shave the Man approaches the customer and frightens him with a pocket knife. The couple go to the photographers shop to have their picture taken. While they try to look austere they become humorous with love and teasing. They kiss deeply and the photographer takes the picture. As they wait for their photo they knock over a statue. When the photographer returns they pay for the picture and leave quickly. The Man replaces the statue head with a rubber duck ball, which amuses the photographer when he sees it.
Meanwhile, the Woman from the City plots selling the farm through a newspaper ad.
The couple go to a large pleasure fair/entertainment district. They play carnival games. At one game a baby pig escapes and everyone in the crowd tries to catch it. There are comic antics involved in catching the pig. The Man succeeds in catching the pig and the crowd cheers him. The crowd urges the couple to dance, and a band plays a country song. The man and Wife do a country dance and the crowd cheer. After the dance, the couple are ushered to a table and drink wine in celebration. They are in a bliss of love and wedded union, they visualize angels drifting above their heads. The waiter arrives to give them their bill. They each pay a part of the bill and leave the carnival as fireworks light up the sky. They board the trolley for home. Soon, they are sailing back to the farm under the moonlight. They drift peacefully. They pass a skiff filled with festive people. The Wife falls asleep. A storm begins to rise. The storm blows through the city and the pleasure district. The storm rocks the boat of the Man and Wife. The Man tries desperately to control the boat. Losing hope, the Man straps the reeds to his wife. They cling together as the boat capsizes.
The storm passes and the man awakes on the rocks. The Man climbs ashore and calls for his wife.
The Woman from the City wakes to the frantic mobilization of the townsfolk. She leaves to witness the search.
The Man is maddened in his search for his wife. Boats search the water, calling her name. The Man follows a trail of floating weeds till he is convinced she has drowned. The man goes home in desolated sadness. The Woman from the City goes to his house. She calls him out. He goes to her in a murderous rage for all he has lost. As he begins to choke her he hears the call that his wife has been found alive. He runs home and arrives as she wakes up. They embrace. A fisherman describes how he found her and the townsfolk share their happiness.
As the sun rises, the Woman from the City leaves on a cart.
As the sun rises, the Man sits by the bed where his wife smiles radiantly at him. They embrace.
They dissolve into the sunrise itself.FINIS | Sunrise: A Song of Two Humans | 915bb535-09a2-3982-60e5-b99418ab01e0 | Where does the Man kneels ? | [
"by the bed",
"crowd cheer",
"By his wife's bed",
"Rocks",
"by is wife's bed.",
"not mentioned"
] | false |
/m/0grk0 | In the summertime, described as vacation time, a Woman from the city (Margaret Livingston) travels to the country to sight see.She lingers in one particular town for weeks. One day she dresses up, asking the wife of her landlord to shine her high heeled shoes, and wanders through town. She arrives at the house of a farmer, The Man (George O'Brien) and his Wife (Janet Gaynor). The Man is about to sit down to dinner with his wife and notices the woman waiting for him. He seems guilty and nervous but he waves the City Woman to an area beyond the house, changes his coat, and leaves his house. His wife comes out from the kitchen, carrying dinner, and sadly notices that her husband has left. Two townswomen discuss how the young married couple used to be as happy as children. A flashback shows a happy farmer, wife, and child. The two old townswomen discuss how things have changed since the city woman arrived. They discuss how money lenders are stripping the farm while the wife sits alone. Another flashback shows two men leading a cow away as the Man watches. The wife leaves the empty dinner table to cry on her childs pillow.
The farmer walks under the moon. He travels deeper into wooded brush, crossing fences and shadows, to meet the Woman from the City. She waits under the moon, fixing her makeup. They meet and kiss. The wife cries alone with her child as the Man embraces the Woman from the City. The Woman from the City says, "Tell me you are all mine." He nods assent. She says, "Sell your farm and come with me to the city." The Man asks, "And my wife?" The Woman from the City says, "Couldn't she get drowned?" The Man recoils at the thought, and nearly chokes the woman in anger. She kisses his anger away and he calms down. The Woman from the City insists that he come to the city. Images of the city, brass bands and skyscrapers, flash above them. The Woman from the City dances under the moonlight. She concocts a plan to kill the wife in a boat accident. She instructs the Man to use a bundle of reeds to save himself, and the Man slinks home. He slinks into his bedroom, lays on his bed and looks at his sleeping wife. He thinks of the dark water and falls asleep.
The Wife watches the Man as he sleeps. She covers him in a blanket and stares at him adoringly. He wakes, sees his bundle of weeds, and remembers his dark purpose. He sees his wife and feels deep remorse. A ghostly image of the Woman from the City caresses him, urging him to commit the murder. He goes to his wife and asks her to accompany him. She responds happily. She leaves her child with a friend, saying that she and her husband are going on a trip across the water. She says goodbye to the child and the family dog. They go to the boat and the farmer stows his bundle of reeds. The dog, tied up at the house, begins to bark wildly, and the Man is disturbed. The dog breaks free and follows them out into the water. It climbs aboard but the Man returns to the shore and takes it back to the house. They disembark again. The Man refuses to look his wife in the eye as he rows. The Wife becomes worried by the crazed look in her eye. The man stops rowing, he looks at his wife, he rises and shuffles ominously toward her. She cowers in fear and raises her hands prayerfully toward him. He loses his urge to kill, falls back to the oars, and rows furiously toward the shore. The boat lands and the Wife immediately runs away. The Man chases her, telling her not to be afraid. The Wife runs to a trolley car and climbs aboard. The man catches the car at the last moment. The car travels through the woods and goes into the city. When the car stops, the Wife bolts into traffic. The Man follows, saying again "Don't be afraid of me" The Man catches his wife and leads her into a restaurant. He gets her a plate of cakes and they sit in silence. Neither can look the other in the eye. She takes a cake and breaks down, weeping bitterly. She leaves the restaurant and the Man follows. He buys her flowers and holds her until her fear and sadness pass. They hear church bells and wander into a wedding ceremony. While watching the exchange of vows the Man breaks down. He cries in terrible shame and guilt, realizing how horrible a husband he has been. He cries in his wife's lap, she leads him away from the ceremony. He begs her for forgiveness. The bells sound and they kiss, their vows renewed. They leave the church and wander into the street oblivious to the busy traffic around them. The city scene around them dissolves into a wooded meadow. When the city returns they wake up in the middle of the street with the traffic stopped around them. They move to the sidewalk and embrace in wedded bliss. They look at wedding photos in a shop window. The Wife urges the Man to get a shave. They enter a barber shop. The Man sits for a shave while the Wife waits and watches. She is annoyed to see a manicurist showing her husband attention. The Man shoos her away. He is annoyed to see a waiting male customer showing her attention. After his shave the Man approaches the customer and frightens him with a pocket knife. The couple go to the photographers shop to have their picture taken. While they try to look austere they become humorous with love and teasing. They kiss deeply and the photographer takes the picture. As they wait for their photo they knock over a statue. When the photographer returns they pay for the picture and leave quickly. The Man replaces the statue head with a rubber duck ball, which amuses the photographer when he sees it.
Meanwhile, the Woman from the City plots selling the farm through a newspaper ad.
The couple go to a large pleasure fair/entertainment district. They play carnival games. At one game a baby pig escapes and everyone in the crowd tries to catch it. There are comic antics involved in catching the pig. The Man succeeds in catching the pig and the crowd cheers him. The crowd urges the couple to dance, and a band plays a country song. The man and Wife do a country dance and the crowd cheer. After the dance, the couple are ushered to a table and drink wine in celebration. They are in a bliss of love and wedded union, they visualize angels drifting above their heads. The waiter arrives to give them their bill. They each pay a part of the bill and leave the carnival as fireworks light up the sky. They board the trolley for home. Soon, they are sailing back to the farm under the moonlight. They drift peacefully. They pass a skiff filled with festive people. The Wife falls asleep. A storm begins to rise. The storm blows through the city and the pleasure district. The storm rocks the boat of the Man and Wife. The Man tries desperately to control the boat. Losing hope, the Man straps the reeds to his wife. They cling together as the boat capsizes.
The storm passes and the man awakes on the rocks. The Man climbs ashore and calls for his wife.
The Woman from the City wakes to the frantic mobilization of the townsfolk. She leaves to witness the search.
The Man is maddened in his search for his wife. Boats search the water, calling her name. The Man follows a trail of floating weeds till he is convinced she has drowned. The man goes home in desolated sadness. The Woman from the City goes to his house. She calls him out. He goes to her in a murderous rage for all he has lost. As he begins to choke her he hears the call that his wife has been found alive. He runs home and arrives as she wakes up. They embrace. A fisherman describes how he found her and the townsfolk share their happiness.
As the sun rises, the Woman from the City leaves on a cart.
As the sun rises, the Man sits by the bed where his wife smiles radiantly at him. They embrace.
They dissolve into the sunrise itself.FINIS | Sunrise: A Song of Two Humans | 8a508aad-4d1c-23b4-c138-492de331a07a | How long do they stay intown? | [
"Till sunrise",
"not mentioned"
] | false |
/m/0grk0 | In the summertime, described as vacation time, a Woman from the city (Margaret Livingston) travels to the country to sight see.She lingers in one particular town for weeks. One day she dresses up, asking the wife of her landlord to shine her high heeled shoes, and wanders through town. She arrives at the house of a farmer, The Man (George O'Brien) and his Wife (Janet Gaynor). The Man is about to sit down to dinner with his wife and notices the woman waiting for him. He seems guilty and nervous but he waves the City Woman to an area beyond the house, changes his coat, and leaves his house. His wife comes out from the kitchen, carrying dinner, and sadly notices that her husband has left. Two townswomen discuss how the young married couple used to be as happy as children. A flashback shows a happy farmer, wife, and child. The two old townswomen discuss how things have changed since the city woman arrived. They discuss how money lenders are stripping the farm while the wife sits alone. Another flashback shows two men leading a cow away as the Man watches. The wife leaves the empty dinner table to cry on her childs pillow.
The farmer walks under the moon. He travels deeper into wooded brush, crossing fences and shadows, to meet the Woman from the City. She waits under the moon, fixing her makeup. They meet and kiss. The wife cries alone with her child as the Man embraces the Woman from the City. The Woman from the City says, "Tell me you are all mine." He nods assent. She says, "Sell your farm and come with me to the city." The Man asks, "And my wife?" The Woman from the City says, "Couldn't she get drowned?" The Man recoils at the thought, and nearly chokes the woman in anger. She kisses his anger away and he calms down. The Woman from the City insists that he come to the city. Images of the city, brass bands and skyscrapers, flash above them. The Woman from the City dances under the moonlight. She concocts a plan to kill the wife in a boat accident. She instructs the Man to use a bundle of reeds to save himself, and the Man slinks home. He slinks into his bedroom, lays on his bed and looks at his sleeping wife. He thinks of the dark water and falls asleep.
The Wife watches the Man as he sleeps. She covers him in a blanket and stares at him adoringly. He wakes, sees his bundle of weeds, and remembers his dark purpose. He sees his wife and feels deep remorse. A ghostly image of the Woman from the City caresses him, urging him to commit the murder. He goes to his wife and asks her to accompany him. She responds happily. She leaves her child with a friend, saying that she and her husband are going on a trip across the water. She says goodbye to the child and the family dog. They go to the boat and the farmer stows his bundle of reeds. The dog, tied up at the house, begins to bark wildly, and the Man is disturbed. The dog breaks free and follows them out into the water. It climbs aboard but the Man returns to the shore and takes it back to the house. They disembark again. The Man refuses to look his wife in the eye as he rows. The Wife becomes worried by the crazed look in her eye. The man stops rowing, he looks at his wife, he rises and shuffles ominously toward her. She cowers in fear and raises her hands prayerfully toward him. He loses his urge to kill, falls back to the oars, and rows furiously toward the shore. The boat lands and the Wife immediately runs away. The Man chases her, telling her not to be afraid. The Wife runs to a trolley car and climbs aboard. The man catches the car at the last moment. The car travels through the woods and goes into the city. When the car stops, the Wife bolts into traffic. The Man follows, saying again "Don't be afraid of me" The Man catches his wife and leads her into a restaurant. He gets her a plate of cakes and they sit in silence. Neither can look the other in the eye. She takes a cake and breaks down, weeping bitterly. She leaves the restaurant and the Man follows. He buys her flowers and holds her until her fear and sadness pass. They hear church bells and wander into a wedding ceremony. While watching the exchange of vows the Man breaks down. He cries in terrible shame and guilt, realizing how horrible a husband he has been. He cries in his wife's lap, she leads him away from the ceremony. He begs her for forgiveness. The bells sound and they kiss, their vows renewed. They leave the church and wander into the street oblivious to the busy traffic around them. The city scene around them dissolves into a wooded meadow. When the city returns they wake up in the middle of the street with the traffic stopped around them. They move to the sidewalk and embrace in wedded bliss. They look at wedding photos in a shop window. The Wife urges the Man to get a shave. They enter a barber shop. The Man sits for a shave while the Wife waits and watches. She is annoyed to see a manicurist showing her husband attention. The Man shoos her away. He is annoyed to see a waiting male customer showing her attention. After his shave the Man approaches the customer and frightens him with a pocket knife. The couple go to the photographers shop to have their picture taken. While they try to look austere they become humorous with love and teasing. They kiss deeply and the photographer takes the picture. As they wait for their photo they knock over a statue. When the photographer returns they pay for the picture and leave quickly. The Man replaces the statue head with a rubber duck ball, which amuses the photographer when he sees it.
Meanwhile, the Woman from the City plots selling the farm through a newspaper ad.
The couple go to a large pleasure fair/entertainment district. They play carnival games. At one game a baby pig escapes and everyone in the crowd tries to catch it. There are comic antics involved in catching the pig. The Man succeeds in catching the pig and the crowd cheers him. The crowd urges the couple to dance, and a band plays a country song. The man and Wife do a country dance and the crowd cheer. After the dance, the couple are ushered to a table and drink wine in celebration. They are in a bliss of love and wedded union, they visualize angels drifting above their heads. The waiter arrives to give them their bill. They each pay a part of the bill and leave the carnival as fireworks light up the sky. They board the trolley for home. Soon, they are sailing back to the farm under the moonlight. They drift peacefully. They pass a skiff filled with festive people. The Wife falls asleep. A storm begins to rise. The storm blows through the city and the pleasure district. The storm rocks the boat of the Man and Wife. The Man tries desperately to control the boat. Losing hope, the Man straps the reeds to his wife. They cling together as the boat capsizes.
The storm passes and the man awakes on the rocks. The Man climbs ashore and calls for his wife.
The Woman from the City wakes to the frantic mobilization of the townsfolk. She leaves to witness the search.
The Man is maddened in his search for his wife. Boats search the water, calling her name. The Man follows a trail of floating weeds till he is convinced she has drowned. The man goes home in desolated sadness. The Woman from the City goes to his house. She calls him out. He goes to her in a murderous rage for all he has lost. As he begins to choke her he hears the call that his wife has been found alive. He runs home and arrives as she wakes up. They embrace. A fisherman describes how he found her and the townsfolk share their happiness.
As the sun rises, the Woman from the City leaves on a cart.
As the sun rises, the Man sits by the bed where his wife smiles radiantly at him. They embrace.
They dissolve into the sunrise itself.FINIS | Sunrise: A Song of Two Humans | f75f339c-4b37-5aa7-e0e8-997ea7848231 | How does she feel in the trolley? | [
"afraid",
"Frantic",
"not mentioned",
"peaceful"
] | false |
/m/0grk0 | In the summertime, described as vacation time, a Woman from the city (Margaret Livingston) travels to the country to sight see.She lingers in one particular town for weeks. One day she dresses up, asking the wife of her landlord to shine her high heeled shoes, and wanders through town. She arrives at the house of a farmer, The Man (George O'Brien) and his Wife (Janet Gaynor). The Man is about to sit down to dinner with his wife and notices the woman waiting for him. He seems guilty and nervous but he waves the City Woman to an area beyond the house, changes his coat, and leaves his house. His wife comes out from the kitchen, carrying dinner, and sadly notices that her husband has left. Two townswomen discuss how the young married couple used to be as happy as children. A flashback shows a happy farmer, wife, and child. The two old townswomen discuss how things have changed since the city woman arrived. They discuss how money lenders are stripping the farm while the wife sits alone. Another flashback shows two men leading a cow away as the Man watches. The wife leaves the empty dinner table to cry on her childs pillow.
The farmer walks under the moon. He travels deeper into wooded brush, crossing fences and shadows, to meet the Woman from the City. She waits under the moon, fixing her makeup. They meet and kiss. The wife cries alone with her child as the Man embraces the Woman from the City. The Woman from the City says, "Tell me you are all mine." He nods assent. She says, "Sell your farm and come with me to the city." The Man asks, "And my wife?" The Woman from the City says, "Couldn't she get drowned?" The Man recoils at the thought, and nearly chokes the woman in anger. She kisses his anger away and he calms down. The Woman from the City insists that he come to the city. Images of the city, brass bands and skyscrapers, flash above them. The Woman from the City dances under the moonlight. She concocts a plan to kill the wife in a boat accident. She instructs the Man to use a bundle of reeds to save himself, and the Man slinks home. He slinks into his bedroom, lays on his bed and looks at his sleeping wife. He thinks of the dark water and falls asleep.
The Wife watches the Man as he sleeps. She covers him in a blanket and stares at him adoringly. He wakes, sees his bundle of weeds, and remembers his dark purpose. He sees his wife and feels deep remorse. A ghostly image of the Woman from the City caresses him, urging him to commit the murder. He goes to his wife and asks her to accompany him. She responds happily. She leaves her child with a friend, saying that she and her husband are going on a trip across the water. She says goodbye to the child and the family dog. They go to the boat and the farmer stows his bundle of reeds. The dog, tied up at the house, begins to bark wildly, and the Man is disturbed. The dog breaks free and follows them out into the water. It climbs aboard but the Man returns to the shore and takes it back to the house. They disembark again. The Man refuses to look his wife in the eye as he rows. The Wife becomes worried by the crazed look in her eye. The man stops rowing, he looks at his wife, he rises and shuffles ominously toward her. She cowers in fear and raises her hands prayerfully toward him. He loses his urge to kill, falls back to the oars, and rows furiously toward the shore. The boat lands and the Wife immediately runs away. The Man chases her, telling her not to be afraid. The Wife runs to a trolley car and climbs aboard. The man catches the car at the last moment. The car travels through the woods and goes into the city. When the car stops, the Wife bolts into traffic. The Man follows, saying again "Don't be afraid of me" The Man catches his wife and leads her into a restaurant. He gets her a plate of cakes and they sit in silence. Neither can look the other in the eye. She takes a cake and breaks down, weeping bitterly. She leaves the restaurant and the Man follows. He buys her flowers and holds her until her fear and sadness pass. They hear church bells and wander into a wedding ceremony. While watching the exchange of vows the Man breaks down. He cries in terrible shame and guilt, realizing how horrible a husband he has been. He cries in his wife's lap, she leads him away from the ceremony. He begs her for forgiveness. The bells sound and they kiss, their vows renewed. They leave the church and wander into the street oblivious to the busy traffic around them. The city scene around them dissolves into a wooded meadow. When the city returns they wake up in the middle of the street with the traffic stopped around them. They move to the sidewalk and embrace in wedded bliss. They look at wedding photos in a shop window. The Wife urges the Man to get a shave. They enter a barber shop. The Man sits for a shave while the Wife waits and watches. She is annoyed to see a manicurist showing her husband attention. The Man shoos her away. He is annoyed to see a waiting male customer showing her attention. After his shave the Man approaches the customer and frightens him with a pocket knife. The couple go to the photographers shop to have their picture taken. While they try to look austere they become humorous with love and teasing. They kiss deeply and the photographer takes the picture. As they wait for their photo they knock over a statue. When the photographer returns they pay for the picture and leave quickly. The Man replaces the statue head with a rubber duck ball, which amuses the photographer when he sees it.
Meanwhile, the Woman from the City plots selling the farm through a newspaper ad.
The couple go to a large pleasure fair/entertainment district. They play carnival games. At one game a baby pig escapes and everyone in the crowd tries to catch it. There are comic antics involved in catching the pig. The Man succeeds in catching the pig and the crowd cheers him. The crowd urges the couple to dance, and a band plays a country song. The man and Wife do a country dance and the crowd cheer. After the dance, the couple are ushered to a table and drink wine in celebration. They are in a bliss of love and wedded union, they visualize angels drifting above their heads. The waiter arrives to give them their bill. They each pay a part of the bill and leave the carnival as fireworks light up the sky. They board the trolley for home. Soon, they are sailing back to the farm under the moonlight. They drift peacefully. They pass a skiff filled with festive people. The Wife falls asleep. A storm begins to rise. The storm blows through the city and the pleasure district. The storm rocks the boat of the Man and Wife. The Man tries desperately to control the boat. Losing hope, the Man straps the reeds to his wife. They cling together as the boat capsizes.
The storm passes and the man awakes on the rocks. The Man climbs ashore and calls for his wife.
The Woman from the City wakes to the frantic mobilization of the townsfolk. She leaves to witness the search.
The Man is maddened in his search for his wife. Boats search the water, calling her name. The Man follows a trail of floating weeds till he is convinced she has drowned. The man goes home in desolated sadness. The Woman from the City goes to his house. She calls him out. He goes to her in a murderous rage for all he has lost. As he begins to choke her he hears the call that his wife has been found alive. He runs home and arrives as she wakes up. They embrace. A fisherman describes how he found her and the townsfolk share their happiness.
As the sun rises, the Woman from the City leaves on a cart.
As the sun rises, the Man sits by the bed where his wife smiles radiantly at him. They embrace.
They dissolve into the sunrise itself.FINIS | Sunrise: A Song of Two Humans | 6bcc01ce-3603-0fd9-021f-33c11d051880 | Where is the vacationing Woman when she whistles to The Man? | [
"not mentioned"
] | false |
/m/0grk0 | In the summertime, described as vacation time, a Woman from the city (Margaret Livingston) travels to the country to sight see.She lingers in one particular town for weeks. One day she dresses up, asking the wife of her landlord to shine her high heeled shoes, and wanders through town. She arrives at the house of a farmer, The Man (George O'Brien) and his Wife (Janet Gaynor). The Man is about to sit down to dinner with his wife and notices the woman waiting for him. He seems guilty and nervous but he waves the City Woman to an area beyond the house, changes his coat, and leaves his house. His wife comes out from the kitchen, carrying dinner, and sadly notices that her husband has left. Two townswomen discuss how the young married couple used to be as happy as children. A flashback shows a happy farmer, wife, and child. The two old townswomen discuss how things have changed since the city woman arrived. They discuss how money lenders are stripping the farm while the wife sits alone. Another flashback shows two men leading a cow away as the Man watches. The wife leaves the empty dinner table to cry on her childs pillow.
The farmer walks under the moon. He travels deeper into wooded brush, crossing fences and shadows, to meet the Woman from the City. She waits under the moon, fixing her makeup. They meet and kiss. The wife cries alone with her child as the Man embraces the Woman from the City. The Woman from the City says, "Tell me you are all mine." He nods assent. She says, "Sell your farm and come with me to the city." The Man asks, "And my wife?" The Woman from the City says, "Couldn't she get drowned?" The Man recoils at the thought, and nearly chokes the woman in anger. She kisses his anger away and he calms down. The Woman from the City insists that he come to the city. Images of the city, brass bands and skyscrapers, flash above them. The Woman from the City dances under the moonlight. She concocts a plan to kill the wife in a boat accident. She instructs the Man to use a bundle of reeds to save himself, and the Man slinks home. He slinks into his bedroom, lays on his bed and looks at his sleeping wife. He thinks of the dark water and falls asleep.
The Wife watches the Man as he sleeps. She covers him in a blanket and stares at him adoringly. He wakes, sees his bundle of weeds, and remembers his dark purpose. He sees his wife and feels deep remorse. A ghostly image of the Woman from the City caresses him, urging him to commit the murder. He goes to his wife and asks her to accompany him. She responds happily. She leaves her child with a friend, saying that she and her husband are going on a trip across the water. She says goodbye to the child and the family dog. They go to the boat and the farmer stows his bundle of reeds. The dog, tied up at the house, begins to bark wildly, and the Man is disturbed. The dog breaks free and follows them out into the water. It climbs aboard but the Man returns to the shore and takes it back to the house. They disembark again. The Man refuses to look his wife in the eye as he rows. The Wife becomes worried by the crazed look in her eye. The man stops rowing, he looks at his wife, he rises and shuffles ominously toward her. She cowers in fear and raises her hands prayerfully toward him. He loses his urge to kill, falls back to the oars, and rows furiously toward the shore. The boat lands and the Wife immediately runs away. The Man chases her, telling her not to be afraid. The Wife runs to a trolley car and climbs aboard. The man catches the car at the last moment. The car travels through the woods and goes into the city. When the car stops, the Wife bolts into traffic. The Man follows, saying again "Don't be afraid of me" The Man catches his wife and leads her into a restaurant. He gets her a plate of cakes and they sit in silence. Neither can look the other in the eye. She takes a cake and breaks down, weeping bitterly. She leaves the restaurant and the Man follows. He buys her flowers and holds her until her fear and sadness pass. They hear church bells and wander into a wedding ceremony. While watching the exchange of vows the Man breaks down. He cries in terrible shame and guilt, realizing how horrible a husband he has been. He cries in his wife's lap, she leads him away from the ceremony. He begs her for forgiveness. The bells sound and they kiss, their vows renewed. They leave the church and wander into the street oblivious to the busy traffic around them. The city scene around them dissolves into a wooded meadow. When the city returns they wake up in the middle of the street with the traffic stopped around them. They move to the sidewalk and embrace in wedded bliss. They look at wedding photos in a shop window. The Wife urges the Man to get a shave. They enter a barber shop. The Man sits for a shave while the Wife waits and watches. She is annoyed to see a manicurist showing her husband attention. The Man shoos her away. He is annoyed to see a waiting male customer showing her attention. After his shave the Man approaches the customer and frightens him with a pocket knife. The couple go to the photographers shop to have their picture taken. While they try to look austere they become humorous with love and teasing. They kiss deeply and the photographer takes the picture. As they wait for their photo they knock over a statue. When the photographer returns they pay for the picture and leave quickly. The Man replaces the statue head with a rubber duck ball, which amuses the photographer when he sees it.
Meanwhile, the Woman from the City plots selling the farm through a newspaper ad.
The couple go to a large pleasure fair/entertainment district. They play carnival games. At one game a baby pig escapes and everyone in the crowd tries to catch it. There are comic antics involved in catching the pig. The Man succeeds in catching the pig and the crowd cheers him. The crowd urges the couple to dance, and a band plays a country song. The man and Wife do a country dance and the crowd cheer. After the dance, the couple are ushered to a table and drink wine in celebration. They are in a bliss of love and wedded union, they visualize angels drifting above their heads. The waiter arrives to give them their bill. They each pay a part of the bill and leave the carnival as fireworks light up the sky. They board the trolley for home. Soon, they are sailing back to the farm under the moonlight. They drift peacefully. They pass a skiff filled with festive people. The Wife falls asleep. A storm begins to rise. The storm blows through the city and the pleasure district. The storm rocks the boat of the Man and Wife. The Man tries desperately to control the boat. Losing hope, the Man straps the reeds to his wife. They cling together as the boat capsizes.
The storm passes and the man awakes on the rocks. The Man climbs ashore and calls for his wife.
The Woman from the City wakes to the frantic mobilization of the townsfolk. She leaves to witness the search.
The Man is maddened in his search for his wife. Boats search the water, calling her name. The Man follows a trail of floating weeds till he is convinced she has drowned. The man goes home in desolated sadness. The Woman from the City goes to his house. She calls him out. He goes to her in a murderous rage for all he has lost. As he begins to choke her he hears the call that his wife has been found alive. He runs home and arrives as she wakes up. They embrace. A fisherman describes how he found her and the townsfolk share their happiness.
As the sun rises, the Woman from the City leaves on a cart.
As the sun rises, the Man sits by the bed where his wife smiles radiantly at him. They embrace.
They dissolve into the sunrise itself.FINIS | Sunrise: A Song of Two Humans | c5608071-2f53-e6ad-4111-44a18e371696 | Why did they enter the church? | [
"Follow a bride",
"there is no church.",
"they heard church bells"
] | false |
/m/0grk0 | In the summertime, described as vacation time, a Woman from the city (Margaret Livingston) travels to the country to sight see.She lingers in one particular town for weeks. One day she dresses up, asking the wife of her landlord to shine her high heeled shoes, and wanders through town. She arrives at the house of a farmer, The Man (George O'Brien) and his Wife (Janet Gaynor). The Man is about to sit down to dinner with his wife and notices the woman waiting for him. He seems guilty and nervous but he waves the City Woman to an area beyond the house, changes his coat, and leaves his house. His wife comes out from the kitchen, carrying dinner, and sadly notices that her husband has left. Two townswomen discuss how the young married couple used to be as happy as children. A flashback shows a happy farmer, wife, and child. The two old townswomen discuss how things have changed since the city woman arrived. They discuss how money lenders are stripping the farm while the wife sits alone. Another flashback shows two men leading a cow away as the Man watches. The wife leaves the empty dinner table to cry on her childs pillow.
The farmer walks under the moon. He travels deeper into wooded brush, crossing fences and shadows, to meet the Woman from the City. She waits under the moon, fixing her makeup. They meet and kiss. The wife cries alone with her child as the Man embraces the Woman from the City. The Woman from the City says, "Tell me you are all mine." He nods assent. She says, "Sell your farm and come with me to the city." The Man asks, "And my wife?" The Woman from the City says, "Couldn't she get drowned?" The Man recoils at the thought, and nearly chokes the woman in anger. She kisses his anger away and he calms down. The Woman from the City insists that he come to the city. Images of the city, brass bands and skyscrapers, flash above them. The Woman from the City dances under the moonlight. She concocts a plan to kill the wife in a boat accident. She instructs the Man to use a bundle of reeds to save himself, and the Man slinks home. He slinks into his bedroom, lays on his bed and looks at his sleeping wife. He thinks of the dark water and falls asleep.
The Wife watches the Man as he sleeps. She covers him in a blanket and stares at him adoringly. He wakes, sees his bundle of weeds, and remembers his dark purpose. He sees his wife and feels deep remorse. A ghostly image of the Woman from the City caresses him, urging him to commit the murder. He goes to his wife and asks her to accompany him. She responds happily. She leaves her child with a friend, saying that she and her husband are going on a trip across the water. She says goodbye to the child and the family dog. They go to the boat and the farmer stows his bundle of reeds. The dog, tied up at the house, begins to bark wildly, and the Man is disturbed. The dog breaks free and follows them out into the water. It climbs aboard but the Man returns to the shore and takes it back to the house. They disembark again. The Man refuses to look his wife in the eye as he rows. The Wife becomes worried by the crazed look in her eye. The man stops rowing, he looks at his wife, he rises and shuffles ominously toward her. She cowers in fear and raises her hands prayerfully toward him. He loses his urge to kill, falls back to the oars, and rows furiously toward the shore. The boat lands and the Wife immediately runs away. The Man chases her, telling her not to be afraid. The Wife runs to a trolley car and climbs aboard. The man catches the car at the last moment. The car travels through the woods and goes into the city. When the car stops, the Wife bolts into traffic. The Man follows, saying again "Don't be afraid of me" The Man catches his wife and leads her into a restaurant. He gets her a plate of cakes and they sit in silence. Neither can look the other in the eye. She takes a cake and breaks down, weeping bitterly. She leaves the restaurant and the Man follows. He buys her flowers and holds her until her fear and sadness pass. They hear church bells and wander into a wedding ceremony. While watching the exchange of vows the Man breaks down. He cries in terrible shame and guilt, realizing how horrible a husband he has been. He cries in his wife's lap, she leads him away from the ceremony. He begs her for forgiveness. The bells sound and they kiss, their vows renewed. They leave the church and wander into the street oblivious to the busy traffic around them. The city scene around them dissolves into a wooded meadow. When the city returns they wake up in the middle of the street with the traffic stopped around them. They move to the sidewalk and embrace in wedded bliss. They look at wedding photos in a shop window. The Wife urges the Man to get a shave. They enter a barber shop. The Man sits for a shave while the Wife waits and watches. She is annoyed to see a manicurist showing her husband attention. The Man shoos her away. He is annoyed to see a waiting male customer showing her attention. After his shave the Man approaches the customer and frightens him with a pocket knife. The couple go to the photographers shop to have their picture taken. While they try to look austere they become humorous with love and teasing. They kiss deeply and the photographer takes the picture. As they wait for their photo they knock over a statue. When the photographer returns they pay for the picture and leave quickly. The Man replaces the statue head with a rubber duck ball, which amuses the photographer when he sees it.
Meanwhile, the Woman from the City plots selling the farm through a newspaper ad.
The couple go to a large pleasure fair/entertainment district. They play carnival games. At one game a baby pig escapes and everyone in the crowd tries to catch it. There are comic antics involved in catching the pig. The Man succeeds in catching the pig and the crowd cheers him. The crowd urges the couple to dance, and a band plays a country song. The man and Wife do a country dance and the crowd cheer. After the dance, the couple are ushered to a table and drink wine in celebration. They are in a bliss of love and wedded union, they visualize angels drifting above their heads. The waiter arrives to give them their bill. They each pay a part of the bill and leave the carnival as fireworks light up the sky. They board the trolley for home. Soon, they are sailing back to the farm under the moonlight. They drift peacefully. They pass a skiff filled with festive people. The Wife falls asleep. A storm begins to rise. The storm blows through the city and the pleasure district. The storm rocks the boat of the Man and Wife. The Man tries desperately to control the boat. Losing hope, the Man straps the reeds to his wife. They cling together as the boat capsizes.
The storm passes and the man awakes on the rocks. The Man climbs ashore and calls for his wife.
The Woman from the City wakes to the frantic mobilization of the townsfolk. She leaves to witness the search.
The Man is maddened in his search for his wife. Boats search the water, calling her name. The Man follows a trail of floating weeds till he is convinced she has drowned. The man goes home in desolated sadness. The Woman from the City goes to his house. She calls him out. He goes to her in a murderous rage for all he has lost. As he begins to choke her he hears the call that his wife has been found alive. He runs home and arrives as she wakes up. They embrace. A fisherman describes how he found her and the townsfolk share their happiness.
As the sun rises, the Woman from the City leaves on a cart.
As the sun rises, the Man sits by the bed where his wife smiles radiantly at him. They embrace.
They dissolve into the sunrise itself.FINIS | Sunrise: A Song of Two Humans | 6e509a64-920c-4ce8-2f22-67ab85de8109 | What doe The Man begin to do when The Woman From the City arrives? | [
"Changes his coat",
"He goes to his wife and asks her to accompany him",
"not mentioned",
"to choke her",
"He kiss her"
] | false |
/m/0grk0 | In the summertime, described as vacation time, a Woman from the city (Margaret Livingston) travels to the country to sight see.She lingers in one particular town for weeks. One day she dresses up, asking the wife of her landlord to shine her high heeled shoes, and wanders through town. She arrives at the house of a farmer, The Man (George O'Brien) and his Wife (Janet Gaynor). The Man is about to sit down to dinner with his wife and notices the woman waiting for him. He seems guilty and nervous but he waves the City Woman to an area beyond the house, changes his coat, and leaves his house. His wife comes out from the kitchen, carrying dinner, and sadly notices that her husband has left. Two townswomen discuss how the young married couple used to be as happy as children. A flashback shows a happy farmer, wife, and child. The two old townswomen discuss how things have changed since the city woman arrived. They discuss how money lenders are stripping the farm while the wife sits alone. Another flashback shows two men leading a cow away as the Man watches. The wife leaves the empty dinner table to cry on her childs pillow.
The farmer walks under the moon. He travels deeper into wooded brush, crossing fences and shadows, to meet the Woman from the City. She waits under the moon, fixing her makeup. They meet and kiss. The wife cries alone with her child as the Man embraces the Woman from the City. The Woman from the City says, "Tell me you are all mine." He nods assent. She says, "Sell your farm and come with me to the city." The Man asks, "And my wife?" The Woman from the City says, "Couldn't she get drowned?" The Man recoils at the thought, and nearly chokes the woman in anger. She kisses his anger away and he calms down. The Woman from the City insists that he come to the city. Images of the city, brass bands and skyscrapers, flash above them. The Woman from the City dances under the moonlight. She concocts a plan to kill the wife in a boat accident. She instructs the Man to use a bundle of reeds to save himself, and the Man slinks home. He slinks into his bedroom, lays on his bed and looks at his sleeping wife. He thinks of the dark water and falls asleep.
The Wife watches the Man as he sleeps. She covers him in a blanket and stares at him adoringly. He wakes, sees his bundle of weeds, and remembers his dark purpose. He sees his wife and feels deep remorse. A ghostly image of the Woman from the City caresses him, urging him to commit the murder. He goes to his wife and asks her to accompany him. She responds happily. She leaves her child with a friend, saying that she and her husband are going on a trip across the water. She says goodbye to the child and the family dog. They go to the boat and the farmer stows his bundle of reeds. The dog, tied up at the house, begins to bark wildly, and the Man is disturbed. The dog breaks free and follows them out into the water. It climbs aboard but the Man returns to the shore and takes it back to the house. They disembark again. The Man refuses to look his wife in the eye as he rows. The Wife becomes worried by the crazed look in her eye. The man stops rowing, he looks at his wife, he rises and shuffles ominously toward her. She cowers in fear and raises her hands prayerfully toward him. He loses his urge to kill, falls back to the oars, and rows furiously toward the shore. The boat lands and the Wife immediately runs away. The Man chases her, telling her not to be afraid. The Wife runs to a trolley car and climbs aboard. The man catches the car at the last moment. The car travels through the woods and goes into the city. When the car stops, the Wife bolts into traffic. The Man follows, saying again "Don't be afraid of me" The Man catches his wife and leads her into a restaurant. He gets her a plate of cakes and they sit in silence. Neither can look the other in the eye. She takes a cake and breaks down, weeping bitterly. She leaves the restaurant and the Man follows. He buys her flowers and holds her until her fear and sadness pass. They hear church bells and wander into a wedding ceremony. While watching the exchange of vows the Man breaks down. He cries in terrible shame and guilt, realizing how horrible a husband he has been. He cries in his wife's lap, she leads him away from the ceremony. He begs her for forgiveness. The bells sound and they kiss, their vows renewed. They leave the church and wander into the street oblivious to the busy traffic around them. The city scene around them dissolves into a wooded meadow. When the city returns they wake up in the middle of the street with the traffic stopped around them. They move to the sidewalk and embrace in wedded bliss. They look at wedding photos in a shop window. The Wife urges the Man to get a shave. They enter a barber shop. The Man sits for a shave while the Wife waits and watches. She is annoyed to see a manicurist showing her husband attention. The Man shoos her away. He is annoyed to see a waiting male customer showing her attention. After his shave the Man approaches the customer and frightens him with a pocket knife. The couple go to the photographers shop to have their picture taken. While they try to look austere they become humorous with love and teasing. They kiss deeply and the photographer takes the picture. As they wait for their photo they knock over a statue. When the photographer returns they pay for the picture and leave quickly. The Man replaces the statue head with a rubber duck ball, which amuses the photographer when he sees it.
Meanwhile, the Woman from the City plots selling the farm through a newspaper ad.
The couple go to a large pleasure fair/entertainment district. They play carnival games. At one game a baby pig escapes and everyone in the crowd tries to catch it. There are comic antics involved in catching the pig. The Man succeeds in catching the pig and the crowd cheers him. The crowd urges the couple to dance, and a band plays a country song. The man and Wife do a country dance and the crowd cheer. After the dance, the couple are ushered to a table and drink wine in celebration. They are in a bliss of love and wedded union, they visualize angels drifting above their heads. The waiter arrives to give them their bill. They each pay a part of the bill and leave the carnival as fireworks light up the sky. They board the trolley for home. Soon, they are sailing back to the farm under the moonlight. They drift peacefully. They pass a skiff filled with festive people. The Wife falls asleep. A storm begins to rise. The storm blows through the city and the pleasure district. The storm rocks the boat of the Man and Wife. The Man tries desperately to control the boat. Losing hope, the Man straps the reeds to his wife. They cling together as the boat capsizes.
The storm passes and the man awakes on the rocks. The Man climbs ashore and calls for his wife.
The Woman from the City wakes to the frantic mobilization of the townsfolk. She leaves to witness the search.
The Man is maddened in his search for his wife. Boats search the water, calling her name. The Man follows a trail of floating weeds till he is convinced she has drowned. The man goes home in desolated sadness. The Woman from the City goes to his house. She calls him out. He goes to her in a murderous rage for all he has lost. As he begins to choke her he hears the call that his wife has been found alive. He runs home and arrives as she wakes up. They embrace. A fisherman describes how he found her and the townsfolk share their happiness.
As the sun rises, the Woman from the City leaves on a cart.
As the sun rises, the Man sits by the bed where his wife smiles radiantly at him. They embrace.
They dissolve into the sunrise itself.FINIS | Sunrise: A Song of Two Humans | b589863e-6d52-8ed0-23fb-c03448f45fc8 | what happened when the boat reached land? | [
"the Wife immediately runs away",
"not mentioned"
] | false |
/m/0grk0 | In the summertime, described as vacation time, a Woman from the city (Margaret Livingston) travels to the country to sight see.She lingers in one particular town for weeks. One day she dresses up, asking the wife of her landlord to shine her high heeled shoes, and wanders through town. She arrives at the house of a farmer, The Man (George O'Brien) and his Wife (Janet Gaynor). The Man is about to sit down to dinner with his wife and notices the woman waiting for him. He seems guilty and nervous but he waves the City Woman to an area beyond the house, changes his coat, and leaves his house. His wife comes out from the kitchen, carrying dinner, and sadly notices that her husband has left. Two townswomen discuss how the young married couple used to be as happy as children. A flashback shows a happy farmer, wife, and child. The two old townswomen discuss how things have changed since the city woman arrived. They discuss how money lenders are stripping the farm while the wife sits alone. Another flashback shows two men leading a cow away as the Man watches. The wife leaves the empty dinner table to cry on her childs pillow.
The farmer walks under the moon. He travels deeper into wooded brush, crossing fences and shadows, to meet the Woman from the City. She waits under the moon, fixing her makeup. They meet and kiss. The wife cries alone with her child as the Man embraces the Woman from the City. The Woman from the City says, "Tell me you are all mine." He nods assent. She says, "Sell your farm and come with me to the city." The Man asks, "And my wife?" The Woman from the City says, "Couldn't she get drowned?" The Man recoils at the thought, and nearly chokes the woman in anger. She kisses his anger away and he calms down. The Woman from the City insists that he come to the city. Images of the city, brass bands and skyscrapers, flash above them. The Woman from the City dances under the moonlight. She concocts a plan to kill the wife in a boat accident. She instructs the Man to use a bundle of reeds to save himself, and the Man slinks home. He slinks into his bedroom, lays on his bed and looks at his sleeping wife. He thinks of the dark water and falls asleep.
The Wife watches the Man as he sleeps. She covers him in a blanket and stares at him adoringly. He wakes, sees his bundle of weeds, and remembers his dark purpose. He sees his wife and feels deep remorse. A ghostly image of the Woman from the City caresses him, urging him to commit the murder. He goes to his wife and asks her to accompany him. She responds happily. She leaves her child with a friend, saying that she and her husband are going on a trip across the water. She says goodbye to the child and the family dog. They go to the boat and the farmer stows his bundle of reeds. The dog, tied up at the house, begins to bark wildly, and the Man is disturbed. The dog breaks free and follows them out into the water. It climbs aboard but the Man returns to the shore and takes it back to the house. They disembark again. The Man refuses to look his wife in the eye as he rows. The Wife becomes worried by the crazed look in her eye. The man stops rowing, he looks at his wife, he rises and shuffles ominously toward her. She cowers in fear and raises her hands prayerfully toward him. He loses his urge to kill, falls back to the oars, and rows furiously toward the shore. The boat lands and the Wife immediately runs away. The Man chases her, telling her not to be afraid. The Wife runs to a trolley car and climbs aboard. The man catches the car at the last moment. The car travels through the woods and goes into the city. When the car stops, the Wife bolts into traffic. The Man follows, saying again "Don't be afraid of me" The Man catches his wife and leads her into a restaurant. He gets her a plate of cakes and they sit in silence. Neither can look the other in the eye. She takes a cake and breaks down, weeping bitterly. She leaves the restaurant and the Man follows. He buys her flowers and holds her until her fear and sadness pass. They hear church bells and wander into a wedding ceremony. While watching the exchange of vows the Man breaks down. He cries in terrible shame and guilt, realizing how horrible a husband he has been. He cries in his wife's lap, she leads him away from the ceremony. He begs her for forgiveness. The bells sound and they kiss, their vows renewed. They leave the church and wander into the street oblivious to the busy traffic around them. The city scene around them dissolves into a wooded meadow. When the city returns they wake up in the middle of the street with the traffic stopped around them. They move to the sidewalk and embrace in wedded bliss. They look at wedding photos in a shop window. The Wife urges the Man to get a shave. They enter a barber shop. The Man sits for a shave while the Wife waits and watches. She is annoyed to see a manicurist showing her husband attention. The Man shoos her away. He is annoyed to see a waiting male customer showing her attention. After his shave the Man approaches the customer and frightens him with a pocket knife. The couple go to the photographers shop to have their picture taken. While they try to look austere they become humorous with love and teasing. They kiss deeply and the photographer takes the picture. As they wait for their photo they knock over a statue. When the photographer returns they pay for the picture and leave quickly. The Man replaces the statue head with a rubber duck ball, which amuses the photographer when he sees it.
Meanwhile, the Woman from the City plots selling the farm through a newspaper ad.
The couple go to a large pleasure fair/entertainment district. They play carnival games. At one game a baby pig escapes and everyone in the crowd tries to catch it. There are comic antics involved in catching the pig. The Man succeeds in catching the pig and the crowd cheers him. The crowd urges the couple to dance, and a band plays a country song. The man and Wife do a country dance and the crowd cheer. After the dance, the couple are ushered to a table and drink wine in celebration. They are in a bliss of love and wedded union, they visualize angels drifting above their heads. The waiter arrives to give them their bill. They each pay a part of the bill and leave the carnival as fireworks light up the sky. They board the trolley for home. Soon, they are sailing back to the farm under the moonlight. They drift peacefully. They pass a skiff filled with festive people. The Wife falls asleep. A storm begins to rise. The storm blows through the city and the pleasure district. The storm rocks the boat of the Man and Wife. The Man tries desperately to control the boat. Losing hope, the Man straps the reeds to his wife. They cling together as the boat capsizes.
The storm passes and the man awakes on the rocks. The Man climbs ashore and calls for his wife.
The Woman from the City wakes to the frantic mobilization of the townsfolk. She leaves to witness the search.
The Man is maddened in his search for his wife. Boats search the water, calling her name. The Man follows a trail of floating weeds till he is convinced she has drowned. The man goes home in desolated sadness. The Woman from the City goes to his house. She calls him out. He goes to her in a murderous rage for all he has lost. As he begins to choke her he hears the call that his wife has been found alive. He runs home and arrives as she wakes up. They embrace. A fisherman describes how he found her and the townsfolk share their happiness.
As the sun rises, the Woman from the City leaves on a cart.
As the sun rises, the Man sits by the bed where his wife smiles radiantly at him. They embrace.
They dissolve into the sunrise itself.FINIS | Sunrise: A Song of Two Humans | c56819c2-bca4-ec8c-8f61-5b8cb5c9e2b2 | how does the husband attempt to kill the wife? | [
"In a Boat Accident",
"not mentioned"
] | false |
/m/0grk0 | In the summertime, described as vacation time, a Woman from the city (Margaret Livingston) travels to the country to sight see.She lingers in one particular town for weeks. One day she dresses up, asking the wife of her landlord to shine her high heeled shoes, and wanders through town. She arrives at the house of a farmer, The Man (George O'Brien) and his Wife (Janet Gaynor). The Man is about to sit down to dinner with his wife and notices the woman waiting for him. He seems guilty and nervous but he waves the City Woman to an area beyond the house, changes his coat, and leaves his house. His wife comes out from the kitchen, carrying dinner, and sadly notices that her husband has left. Two townswomen discuss how the young married couple used to be as happy as children. A flashback shows a happy farmer, wife, and child. The two old townswomen discuss how things have changed since the city woman arrived. They discuss how money lenders are stripping the farm while the wife sits alone. Another flashback shows two men leading a cow away as the Man watches. The wife leaves the empty dinner table to cry on her childs pillow.
The farmer walks under the moon. He travels deeper into wooded brush, crossing fences and shadows, to meet the Woman from the City. She waits under the moon, fixing her makeup. They meet and kiss. The wife cries alone with her child as the Man embraces the Woman from the City. The Woman from the City says, "Tell me you are all mine." He nods assent. She says, "Sell your farm and come with me to the city." The Man asks, "And my wife?" The Woman from the City says, "Couldn't she get drowned?" The Man recoils at the thought, and nearly chokes the woman in anger. She kisses his anger away and he calms down. The Woman from the City insists that he come to the city. Images of the city, brass bands and skyscrapers, flash above them. The Woman from the City dances under the moonlight. She concocts a plan to kill the wife in a boat accident. She instructs the Man to use a bundle of reeds to save himself, and the Man slinks home. He slinks into his bedroom, lays on his bed and looks at his sleeping wife. He thinks of the dark water and falls asleep.
The Wife watches the Man as he sleeps. She covers him in a blanket and stares at him adoringly. He wakes, sees his bundle of weeds, and remembers his dark purpose. He sees his wife and feels deep remorse. A ghostly image of the Woman from the City caresses him, urging him to commit the murder. He goes to his wife and asks her to accompany him. She responds happily. She leaves her child with a friend, saying that she and her husband are going on a trip across the water. She says goodbye to the child and the family dog. They go to the boat and the farmer stows his bundle of reeds. The dog, tied up at the house, begins to bark wildly, and the Man is disturbed. The dog breaks free and follows them out into the water. It climbs aboard but the Man returns to the shore and takes it back to the house. They disembark again. The Man refuses to look his wife in the eye as he rows. The Wife becomes worried by the crazed look in her eye. The man stops rowing, he looks at his wife, he rises and shuffles ominously toward her. She cowers in fear and raises her hands prayerfully toward him. He loses his urge to kill, falls back to the oars, and rows furiously toward the shore. The boat lands and the Wife immediately runs away. The Man chases her, telling her not to be afraid. The Wife runs to a trolley car and climbs aboard. The man catches the car at the last moment. The car travels through the woods and goes into the city. When the car stops, the Wife bolts into traffic. The Man follows, saying again "Don't be afraid of me" The Man catches his wife and leads her into a restaurant. He gets her a plate of cakes and they sit in silence. Neither can look the other in the eye. She takes a cake and breaks down, weeping bitterly. She leaves the restaurant and the Man follows. He buys her flowers and holds her until her fear and sadness pass. They hear church bells and wander into a wedding ceremony. While watching the exchange of vows the Man breaks down. He cries in terrible shame and guilt, realizing how horrible a husband he has been. He cries in his wife's lap, she leads him away from the ceremony. He begs her for forgiveness. The bells sound and they kiss, their vows renewed. They leave the church and wander into the street oblivious to the busy traffic around them. The city scene around them dissolves into a wooded meadow. When the city returns they wake up in the middle of the street with the traffic stopped around them. They move to the sidewalk and embrace in wedded bliss. They look at wedding photos in a shop window. The Wife urges the Man to get a shave. They enter a barber shop. The Man sits for a shave while the Wife waits and watches. She is annoyed to see a manicurist showing her husband attention. The Man shoos her away. He is annoyed to see a waiting male customer showing her attention. After his shave the Man approaches the customer and frightens him with a pocket knife. The couple go to the photographers shop to have their picture taken. While they try to look austere they become humorous with love and teasing. They kiss deeply and the photographer takes the picture. As they wait for their photo they knock over a statue. When the photographer returns they pay for the picture and leave quickly. The Man replaces the statue head with a rubber duck ball, which amuses the photographer when he sees it.
Meanwhile, the Woman from the City plots selling the farm through a newspaper ad.
The couple go to a large pleasure fair/entertainment district. They play carnival games. At one game a baby pig escapes and everyone in the crowd tries to catch it. There are comic antics involved in catching the pig. The Man succeeds in catching the pig and the crowd cheers him. The crowd urges the couple to dance, and a band plays a country song. The man and Wife do a country dance and the crowd cheer. After the dance, the couple are ushered to a table and drink wine in celebration. They are in a bliss of love and wedded union, they visualize angels drifting above their heads. The waiter arrives to give them their bill. They each pay a part of the bill and leave the carnival as fireworks light up the sky. They board the trolley for home. Soon, they are sailing back to the farm under the moonlight. They drift peacefully. They pass a skiff filled with festive people. The Wife falls asleep. A storm begins to rise. The storm blows through the city and the pleasure district. The storm rocks the boat of the Man and Wife. The Man tries desperately to control the boat. Losing hope, the Man straps the reeds to his wife. They cling together as the boat capsizes.
The storm passes and the man awakes on the rocks. The Man climbs ashore and calls for his wife.
The Woman from the City wakes to the frantic mobilization of the townsfolk. She leaves to witness the search.
The Man is maddened in his search for his wife. Boats search the water, calling her name. The Man follows a trail of floating weeds till he is convinced she has drowned. The man goes home in desolated sadness. The Woman from the City goes to his house. She calls him out. He goes to her in a murderous rage for all he has lost. As he begins to choke her he hears the call that his wife has been found alive. He runs home and arrives as she wakes up. They embrace. A fisherman describes how he found her and the townsfolk share their happiness.
As the sun rises, the Woman from the City leaves on a cart.
As the sun rises, the Man sits by the bed where his wife smiles radiantly at him. They embrace.
They dissolve into the sunrise itself.FINIS | Sunrise: A Song of Two Humans | 4086c2ac-8bad-7291-a019-85d4108b3c14 | What type of transporttion takes the man and woman into the city? | [
"trolley",
"not mentioned",
"roadways"
] | false |
/m/0grk0 | In the summertime, described as vacation time, a Woman from the city (Margaret Livingston) travels to the country to sight see.She lingers in one particular town for weeks. One day she dresses up, asking the wife of her landlord to shine her high heeled shoes, and wanders through town. She arrives at the house of a farmer, The Man (George O'Brien) and his Wife (Janet Gaynor). The Man is about to sit down to dinner with his wife and notices the woman waiting for him. He seems guilty and nervous but he waves the City Woman to an area beyond the house, changes his coat, and leaves his house. His wife comes out from the kitchen, carrying dinner, and sadly notices that her husband has left. Two townswomen discuss how the young married couple used to be as happy as children. A flashback shows a happy farmer, wife, and child. The two old townswomen discuss how things have changed since the city woman arrived. They discuss how money lenders are stripping the farm while the wife sits alone. Another flashback shows two men leading a cow away as the Man watches. The wife leaves the empty dinner table to cry on her childs pillow.
The farmer walks under the moon. He travels deeper into wooded brush, crossing fences and shadows, to meet the Woman from the City. She waits under the moon, fixing her makeup. They meet and kiss. The wife cries alone with her child as the Man embraces the Woman from the City. The Woman from the City says, "Tell me you are all mine." He nods assent. She says, "Sell your farm and come with me to the city." The Man asks, "And my wife?" The Woman from the City says, "Couldn't she get drowned?" The Man recoils at the thought, and nearly chokes the woman in anger. She kisses his anger away and he calms down. The Woman from the City insists that he come to the city. Images of the city, brass bands and skyscrapers, flash above them. The Woman from the City dances under the moonlight. She concocts a plan to kill the wife in a boat accident. She instructs the Man to use a bundle of reeds to save himself, and the Man slinks home. He slinks into his bedroom, lays on his bed and looks at his sleeping wife. He thinks of the dark water and falls asleep.
The Wife watches the Man as he sleeps. She covers him in a blanket and stares at him adoringly. He wakes, sees his bundle of weeds, and remembers his dark purpose. He sees his wife and feels deep remorse. A ghostly image of the Woman from the City caresses him, urging him to commit the murder. He goes to his wife and asks her to accompany him. She responds happily. She leaves her child with a friend, saying that she and her husband are going on a trip across the water. She says goodbye to the child and the family dog. They go to the boat and the farmer stows his bundle of reeds. The dog, tied up at the house, begins to bark wildly, and the Man is disturbed. The dog breaks free and follows them out into the water. It climbs aboard but the Man returns to the shore and takes it back to the house. They disembark again. The Man refuses to look his wife in the eye as he rows. The Wife becomes worried by the crazed look in her eye. The man stops rowing, he looks at his wife, he rises and shuffles ominously toward her. She cowers in fear and raises her hands prayerfully toward him. He loses his urge to kill, falls back to the oars, and rows furiously toward the shore. The boat lands and the Wife immediately runs away. The Man chases her, telling her not to be afraid. The Wife runs to a trolley car and climbs aboard. The man catches the car at the last moment. The car travels through the woods and goes into the city. When the car stops, the Wife bolts into traffic. The Man follows, saying again "Don't be afraid of me" The Man catches his wife and leads her into a restaurant. He gets her a plate of cakes and they sit in silence. Neither can look the other in the eye. She takes a cake and breaks down, weeping bitterly. She leaves the restaurant and the Man follows. He buys her flowers and holds her until her fear and sadness pass. They hear church bells and wander into a wedding ceremony. While watching the exchange of vows the Man breaks down. He cries in terrible shame and guilt, realizing how horrible a husband he has been. He cries in his wife's lap, she leads him away from the ceremony. He begs her for forgiveness. The bells sound and they kiss, their vows renewed. They leave the church and wander into the street oblivious to the busy traffic around them. The city scene around them dissolves into a wooded meadow. When the city returns they wake up in the middle of the street with the traffic stopped around them. They move to the sidewalk and embrace in wedded bliss. They look at wedding photos in a shop window. The Wife urges the Man to get a shave. They enter a barber shop. The Man sits for a shave while the Wife waits and watches. She is annoyed to see a manicurist showing her husband attention. The Man shoos her away. He is annoyed to see a waiting male customer showing her attention. After his shave the Man approaches the customer and frightens him with a pocket knife. The couple go to the photographers shop to have their picture taken. While they try to look austere they become humorous with love and teasing. They kiss deeply and the photographer takes the picture. As they wait for their photo they knock over a statue. When the photographer returns they pay for the picture and leave quickly. The Man replaces the statue head with a rubber duck ball, which amuses the photographer when he sees it.
Meanwhile, the Woman from the City plots selling the farm through a newspaper ad.
The couple go to a large pleasure fair/entertainment district. They play carnival games. At one game a baby pig escapes and everyone in the crowd tries to catch it. There are comic antics involved in catching the pig. The Man succeeds in catching the pig and the crowd cheers him. The crowd urges the couple to dance, and a band plays a country song. The man and Wife do a country dance and the crowd cheer. After the dance, the couple are ushered to a table and drink wine in celebration. They are in a bliss of love and wedded union, they visualize angels drifting above their heads. The waiter arrives to give them their bill. They each pay a part of the bill and leave the carnival as fireworks light up the sky. They board the trolley for home. Soon, they are sailing back to the farm under the moonlight. They drift peacefully. They pass a skiff filled with festive people. The Wife falls asleep. A storm begins to rise. The storm blows through the city and the pleasure district. The storm rocks the boat of the Man and Wife. The Man tries desperately to control the boat. Losing hope, the Man straps the reeds to his wife. They cling together as the boat capsizes.
The storm passes and the man awakes on the rocks. The Man climbs ashore and calls for his wife.
The Woman from the City wakes to the frantic mobilization of the townsfolk. She leaves to witness the search.
The Man is maddened in his search for his wife. Boats search the water, calling her name. The Man follows a trail of floating weeds till he is convinced she has drowned. The man goes home in desolated sadness. The Woman from the City goes to his house. She calls him out. He goes to her in a murderous rage for all he has lost. As he begins to choke her he hears the call that his wife has been found alive. He runs home and arrives as she wakes up. They embrace. A fisherman describes how he found her and the townsfolk share their happiness.
As the sun rises, the Woman from the City leaves on a cart.
As the sun rises, the Man sits by the bed where his wife smiles radiantly at him. They embrace.
They dissolve into the sunrise itself.FINIS | Sunrise: A Song of Two Humans | fd1dec18-0806-e451-634c-568f692b8485 | How does the woman suggest solving the problem of the man's wife? | [
"she suggests that he solve the problem of his wife by drowning her",
"drown her in a boating accident",
"Ghostly image fof the woman",
"not mentioned"
] | false |
/m/0grk0 | In the summertime, described as vacation time, a Woman from the city (Margaret Livingston) travels to the country to sight see.She lingers in one particular town for weeks. One day she dresses up, asking the wife of her landlord to shine her high heeled shoes, and wanders through town. She arrives at the house of a farmer, The Man (George O'Brien) and his Wife (Janet Gaynor). The Man is about to sit down to dinner with his wife and notices the woman waiting for him. He seems guilty and nervous but he waves the City Woman to an area beyond the house, changes his coat, and leaves his house. His wife comes out from the kitchen, carrying dinner, and sadly notices that her husband has left. Two townswomen discuss how the young married couple used to be as happy as children. A flashback shows a happy farmer, wife, and child. The two old townswomen discuss how things have changed since the city woman arrived. They discuss how money lenders are stripping the farm while the wife sits alone. Another flashback shows two men leading a cow away as the Man watches. The wife leaves the empty dinner table to cry on her childs pillow.
The farmer walks under the moon. He travels deeper into wooded brush, crossing fences and shadows, to meet the Woman from the City. She waits under the moon, fixing her makeup. They meet and kiss. The wife cries alone with her child as the Man embraces the Woman from the City. The Woman from the City says, "Tell me you are all mine." He nods assent. She says, "Sell your farm and come with me to the city." The Man asks, "And my wife?" The Woman from the City says, "Couldn't she get drowned?" The Man recoils at the thought, and nearly chokes the woman in anger. She kisses his anger away and he calms down. The Woman from the City insists that he come to the city. Images of the city, brass bands and skyscrapers, flash above them. The Woman from the City dances under the moonlight. She concocts a plan to kill the wife in a boat accident. She instructs the Man to use a bundle of reeds to save himself, and the Man slinks home. He slinks into his bedroom, lays on his bed and looks at his sleeping wife. He thinks of the dark water and falls asleep.
The Wife watches the Man as he sleeps. She covers him in a blanket and stares at him adoringly. He wakes, sees his bundle of weeds, and remembers his dark purpose. He sees his wife and feels deep remorse. A ghostly image of the Woman from the City caresses him, urging him to commit the murder. He goes to his wife and asks her to accompany him. She responds happily. She leaves her child with a friend, saying that she and her husband are going on a trip across the water. She says goodbye to the child and the family dog. They go to the boat and the farmer stows his bundle of reeds. The dog, tied up at the house, begins to bark wildly, and the Man is disturbed. The dog breaks free and follows them out into the water. It climbs aboard but the Man returns to the shore and takes it back to the house. They disembark again. The Man refuses to look his wife in the eye as he rows. The Wife becomes worried by the crazed look in her eye. The man stops rowing, he looks at his wife, he rises and shuffles ominously toward her. She cowers in fear and raises her hands prayerfully toward him. He loses his urge to kill, falls back to the oars, and rows furiously toward the shore. The boat lands and the Wife immediately runs away. The Man chases her, telling her not to be afraid. The Wife runs to a trolley car and climbs aboard. The man catches the car at the last moment. The car travels through the woods and goes into the city. When the car stops, the Wife bolts into traffic. The Man follows, saying again "Don't be afraid of me" The Man catches his wife and leads her into a restaurant. He gets her a plate of cakes and they sit in silence. Neither can look the other in the eye. She takes a cake and breaks down, weeping bitterly. She leaves the restaurant and the Man follows. He buys her flowers and holds her until her fear and sadness pass. They hear church bells and wander into a wedding ceremony. While watching the exchange of vows the Man breaks down. He cries in terrible shame and guilt, realizing how horrible a husband he has been. He cries in his wife's lap, she leads him away from the ceremony. He begs her for forgiveness. The bells sound and they kiss, their vows renewed. They leave the church and wander into the street oblivious to the busy traffic around them. The city scene around them dissolves into a wooded meadow. When the city returns they wake up in the middle of the street with the traffic stopped around them. They move to the sidewalk and embrace in wedded bliss. They look at wedding photos in a shop window. The Wife urges the Man to get a shave. They enter a barber shop. The Man sits for a shave while the Wife waits and watches. She is annoyed to see a manicurist showing her husband attention. The Man shoos her away. He is annoyed to see a waiting male customer showing her attention. After his shave the Man approaches the customer and frightens him with a pocket knife. The couple go to the photographers shop to have their picture taken. While they try to look austere they become humorous with love and teasing. They kiss deeply and the photographer takes the picture. As they wait for their photo they knock over a statue. When the photographer returns they pay for the picture and leave quickly. The Man replaces the statue head with a rubber duck ball, which amuses the photographer when he sees it.
Meanwhile, the Woman from the City plots selling the farm through a newspaper ad.
The couple go to a large pleasure fair/entertainment district. They play carnival games. At one game a baby pig escapes and everyone in the crowd tries to catch it. There are comic antics involved in catching the pig. The Man succeeds in catching the pig and the crowd cheers him. The crowd urges the couple to dance, and a band plays a country song. The man and Wife do a country dance and the crowd cheer. After the dance, the couple are ushered to a table and drink wine in celebration. They are in a bliss of love and wedded union, they visualize angels drifting above their heads. The waiter arrives to give them their bill. They each pay a part of the bill and leave the carnival as fireworks light up the sky. They board the trolley for home. Soon, they are sailing back to the farm under the moonlight. They drift peacefully. They pass a skiff filled with festive people. The Wife falls asleep. A storm begins to rise. The storm blows through the city and the pleasure district. The storm rocks the boat of the Man and Wife. The Man tries desperately to control the boat. Losing hope, the Man straps the reeds to his wife. They cling together as the boat capsizes.
The storm passes and the man awakes on the rocks. The Man climbs ashore and calls for his wife.
The Woman from the City wakes to the frantic mobilization of the townsfolk. She leaves to witness the search.
The Man is maddened in his search for his wife. Boats search the water, calling her name. The Man follows a trail of floating weeds till he is convinced she has drowned. The man goes home in desolated sadness. The Woman from the City goes to his house. She calls him out. He goes to her in a murderous rage for all he has lost. As he begins to choke her he hears the call that his wife has been found alive. He runs home and arrives as she wakes up. They embrace. A fisherman describes how he found her and the townsfolk share their happiness.
As the sun rises, the Woman from the City leaves on a cart.
As the sun rises, the Man sits by the bed where his wife smiles radiantly at him. They embrace.
They dissolve into the sunrise itself.FINIS | Sunrise: A Song of Two Humans | 25403056-07d6-2710-2a9e-5c3e76251fc3 | Who does the man choke? | [
"The city woman",
"the customer",
"The Woman From the City",
"not mentioned"
] | false |
/m/0grk0 | In the summertime, described as vacation time, a Woman from the city (Margaret Livingston) travels to the country to sight see.She lingers in one particular town for weeks. One day she dresses up, asking the wife of her landlord to shine her high heeled shoes, and wanders through town. She arrives at the house of a farmer, The Man (George O'Brien) and his Wife (Janet Gaynor). The Man is about to sit down to dinner with his wife and notices the woman waiting for him. He seems guilty and nervous but he waves the City Woman to an area beyond the house, changes his coat, and leaves his house. His wife comes out from the kitchen, carrying dinner, and sadly notices that her husband has left. Two townswomen discuss how the young married couple used to be as happy as children. A flashback shows a happy farmer, wife, and child. The two old townswomen discuss how things have changed since the city woman arrived. They discuss how money lenders are stripping the farm while the wife sits alone. Another flashback shows two men leading a cow away as the Man watches. The wife leaves the empty dinner table to cry on her childs pillow.
The farmer walks under the moon. He travels deeper into wooded brush, crossing fences and shadows, to meet the Woman from the City. She waits under the moon, fixing her makeup. They meet and kiss. The wife cries alone with her child as the Man embraces the Woman from the City. The Woman from the City says, "Tell me you are all mine." He nods assent. She says, "Sell your farm and come with me to the city." The Man asks, "And my wife?" The Woman from the City says, "Couldn't she get drowned?" The Man recoils at the thought, and nearly chokes the woman in anger. She kisses his anger away and he calms down. The Woman from the City insists that he come to the city. Images of the city, brass bands and skyscrapers, flash above them. The Woman from the City dances under the moonlight. She concocts a plan to kill the wife in a boat accident. She instructs the Man to use a bundle of reeds to save himself, and the Man slinks home. He slinks into his bedroom, lays on his bed and looks at his sleeping wife. He thinks of the dark water and falls asleep.
The Wife watches the Man as he sleeps. She covers him in a blanket and stares at him adoringly. He wakes, sees his bundle of weeds, and remembers his dark purpose. He sees his wife and feels deep remorse. A ghostly image of the Woman from the City caresses him, urging him to commit the murder. He goes to his wife and asks her to accompany him. She responds happily. She leaves her child with a friend, saying that she and her husband are going on a trip across the water. She says goodbye to the child and the family dog. They go to the boat and the farmer stows his bundle of reeds. The dog, tied up at the house, begins to bark wildly, and the Man is disturbed. The dog breaks free and follows them out into the water. It climbs aboard but the Man returns to the shore and takes it back to the house. They disembark again. The Man refuses to look his wife in the eye as he rows. The Wife becomes worried by the crazed look in her eye. The man stops rowing, he looks at his wife, he rises and shuffles ominously toward her. She cowers in fear and raises her hands prayerfully toward him. He loses his urge to kill, falls back to the oars, and rows furiously toward the shore. The boat lands and the Wife immediately runs away. The Man chases her, telling her not to be afraid. The Wife runs to a trolley car and climbs aboard. The man catches the car at the last moment. The car travels through the woods and goes into the city. When the car stops, the Wife bolts into traffic. The Man follows, saying again "Don't be afraid of me" The Man catches his wife and leads her into a restaurant. He gets her a plate of cakes and they sit in silence. Neither can look the other in the eye. She takes a cake and breaks down, weeping bitterly. She leaves the restaurant and the Man follows. He buys her flowers and holds her until her fear and sadness pass. They hear church bells and wander into a wedding ceremony. While watching the exchange of vows the Man breaks down. He cries in terrible shame and guilt, realizing how horrible a husband he has been. He cries in his wife's lap, she leads him away from the ceremony. He begs her for forgiveness. The bells sound and they kiss, their vows renewed. They leave the church and wander into the street oblivious to the busy traffic around them. The city scene around them dissolves into a wooded meadow. When the city returns they wake up in the middle of the street with the traffic stopped around them. They move to the sidewalk and embrace in wedded bliss. They look at wedding photos in a shop window. The Wife urges the Man to get a shave. They enter a barber shop. The Man sits for a shave while the Wife waits and watches. She is annoyed to see a manicurist showing her husband attention. The Man shoos her away. He is annoyed to see a waiting male customer showing her attention. After his shave the Man approaches the customer and frightens him with a pocket knife. The couple go to the photographers shop to have their picture taken. While they try to look austere they become humorous with love and teasing. They kiss deeply and the photographer takes the picture. As they wait for their photo they knock over a statue. When the photographer returns they pay for the picture and leave quickly. The Man replaces the statue head with a rubber duck ball, which amuses the photographer when he sees it.
Meanwhile, the Woman from the City plots selling the farm through a newspaper ad.
The couple go to a large pleasure fair/entertainment district. They play carnival games. At one game a baby pig escapes and everyone in the crowd tries to catch it. There are comic antics involved in catching the pig. The Man succeeds in catching the pig and the crowd cheers him. The crowd urges the couple to dance, and a band plays a country song. The man and Wife do a country dance and the crowd cheer. After the dance, the couple are ushered to a table and drink wine in celebration. They are in a bliss of love and wedded union, they visualize angels drifting above their heads. The waiter arrives to give them their bill. They each pay a part of the bill and leave the carnival as fireworks light up the sky. They board the trolley for home. Soon, they are sailing back to the farm under the moonlight. They drift peacefully. They pass a skiff filled with festive people. The Wife falls asleep. A storm begins to rise. The storm blows through the city and the pleasure district. The storm rocks the boat of the Man and Wife. The Man tries desperately to control the boat. Losing hope, the Man straps the reeds to his wife. They cling together as the boat capsizes.
The storm passes and the man awakes on the rocks. The Man climbs ashore and calls for his wife.
The Woman from the City wakes to the frantic mobilization of the townsfolk. She leaves to witness the search.
The Man is maddened in his search for his wife. Boats search the water, calling her name. The Man follows a trail of floating weeds till he is convinced she has drowned. The man goes home in desolated sadness. The Woman from the City goes to his house. She calls him out. He goes to her in a murderous rage for all he has lost. As he begins to choke her he hears the call that his wife has been found alive. He runs home and arrives as she wakes up. They embrace. A fisherman describes how he found her and the townsfolk share their happiness.
As the sun rises, the Woman from the City leaves on a cart.
As the sun rises, the Man sits by the bed where his wife smiles radiantly at him. They embrace.
They dissolve into the sunrise itself.FINIS | Sunrise: A Song of Two Humans | c1b3d6d6-75f6-b86f-c5e8-bb7991551157 | Who does the Man live with? | [
"The Wife and her child",
"his wife",
"His wife."
] | false |
/m/0grk0 | In the summertime, described as vacation time, a Woman from the city (Margaret Livingston) travels to the country to sight see.She lingers in one particular town for weeks. One day she dresses up, asking the wife of her landlord to shine her high heeled shoes, and wanders through town. She arrives at the house of a farmer, The Man (George O'Brien) and his Wife (Janet Gaynor). The Man is about to sit down to dinner with his wife and notices the woman waiting for him. He seems guilty and nervous but he waves the City Woman to an area beyond the house, changes his coat, and leaves his house. His wife comes out from the kitchen, carrying dinner, and sadly notices that her husband has left. Two townswomen discuss how the young married couple used to be as happy as children. A flashback shows a happy farmer, wife, and child. The two old townswomen discuss how things have changed since the city woman arrived. They discuss how money lenders are stripping the farm while the wife sits alone. Another flashback shows two men leading a cow away as the Man watches. The wife leaves the empty dinner table to cry on her childs pillow.
The farmer walks under the moon. He travels deeper into wooded brush, crossing fences and shadows, to meet the Woman from the City. She waits under the moon, fixing her makeup. They meet and kiss. The wife cries alone with her child as the Man embraces the Woman from the City. The Woman from the City says, "Tell me you are all mine." He nods assent. She says, "Sell your farm and come with me to the city." The Man asks, "And my wife?" The Woman from the City says, "Couldn't she get drowned?" The Man recoils at the thought, and nearly chokes the woman in anger. She kisses his anger away and he calms down. The Woman from the City insists that he come to the city. Images of the city, brass bands and skyscrapers, flash above them. The Woman from the City dances under the moonlight. She concocts a plan to kill the wife in a boat accident. She instructs the Man to use a bundle of reeds to save himself, and the Man slinks home. He slinks into his bedroom, lays on his bed and looks at his sleeping wife. He thinks of the dark water and falls asleep.
The Wife watches the Man as he sleeps. She covers him in a blanket and stares at him adoringly. He wakes, sees his bundle of weeds, and remembers his dark purpose. He sees his wife and feels deep remorse. A ghostly image of the Woman from the City caresses him, urging him to commit the murder. He goes to his wife and asks her to accompany him. She responds happily. She leaves her child with a friend, saying that she and her husband are going on a trip across the water. She says goodbye to the child and the family dog. They go to the boat and the farmer stows his bundle of reeds. The dog, tied up at the house, begins to bark wildly, and the Man is disturbed. The dog breaks free and follows them out into the water. It climbs aboard but the Man returns to the shore and takes it back to the house. They disembark again. The Man refuses to look his wife in the eye as he rows. The Wife becomes worried by the crazed look in her eye. The man stops rowing, he looks at his wife, he rises and shuffles ominously toward her. She cowers in fear and raises her hands prayerfully toward him. He loses his urge to kill, falls back to the oars, and rows furiously toward the shore. The boat lands and the Wife immediately runs away. The Man chases her, telling her not to be afraid. The Wife runs to a trolley car and climbs aboard. The man catches the car at the last moment. The car travels through the woods and goes into the city. When the car stops, the Wife bolts into traffic. The Man follows, saying again "Don't be afraid of me" The Man catches his wife and leads her into a restaurant. He gets her a plate of cakes and they sit in silence. Neither can look the other in the eye. She takes a cake and breaks down, weeping bitterly. She leaves the restaurant and the Man follows. He buys her flowers and holds her until her fear and sadness pass. They hear church bells and wander into a wedding ceremony. While watching the exchange of vows the Man breaks down. He cries in terrible shame and guilt, realizing how horrible a husband he has been. He cries in his wife's lap, she leads him away from the ceremony. He begs her for forgiveness. The bells sound and they kiss, their vows renewed. They leave the church and wander into the street oblivious to the busy traffic around them. The city scene around them dissolves into a wooded meadow. When the city returns they wake up in the middle of the street with the traffic stopped around them. They move to the sidewalk and embrace in wedded bliss. They look at wedding photos in a shop window. The Wife urges the Man to get a shave. They enter a barber shop. The Man sits for a shave while the Wife waits and watches. She is annoyed to see a manicurist showing her husband attention. The Man shoos her away. He is annoyed to see a waiting male customer showing her attention. After his shave the Man approaches the customer and frightens him with a pocket knife. The couple go to the photographers shop to have their picture taken. While they try to look austere they become humorous with love and teasing. They kiss deeply and the photographer takes the picture. As they wait for their photo they knock over a statue. When the photographer returns they pay for the picture and leave quickly. The Man replaces the statue head with a rubber duck ball, which amuses the photographer when he sees it.
Meanwhile, the Woman from the City plots selling the farm through a newspaper ad.
The couple go to a large pleasure fair/entertainment district. They play carnival games. At one game a baby pig escapes and everyone in the crowd tries to catch it. There are comic antics involved in catching the pig. The Man succeeds in catching the pig and the crowd cheers him. The crowd urges the couple to dance, and a band plays a country song. The man and Wife do a country dance and the crowd cheer. After the dance, the couple are ushered to a table and drink wine in celebration. They are in a bliss of love and wedded union, they visualize angels drifting above their heads. The waiter arrives to give them their bill. They each pay a part of the bill and leave the carnival as fireworks light up the sky. They board the trolley for home. Soon, they are sailing back to the farm under the moonlight. They drift peacefully. They pass a skiff filled with festive people. The Wife falls asleep. A storm begins to rise. The storm blows through the city and the pleasure district. The storm rocks the boat of the Man and Wife. The Man tries desperately to control the boat. Losing hope, the Man straps the reeds to his wife. They cling together as the boat capsizes.
The storm passes and the man awakes on the rocks. The Man climbs ashore and calls for his wife.
The Woman from the City wakes to the frantic mobilization of the townsfolk. She leaves to witness the search.
The Man is maddened in his search for his wife. Boats search the water, calling her name. The Man follows a trail of floating weeds till he is convinced she has drowned. The man goes home in desolated sadness. The Woman from the City goes to his house. She calls him out. He goes to her in a murderous rage for all he has lost. As he begins to choke her he hears the call that his wife has been found alive. He runs home and arrives as she wakes up. They embrace. A fisherman describes how he found her and the townsfolk share their happiness.
As the sun rises, the Woman from the City leaves on a cart.
As the sun rises, the Man sits by the bed where his wife smiles radiantly at him. They embrace.
They dissolve into the sunrise itself.FINIS | Sunrise: A Song of Two Humans | 1197f860-b87c-3c3f-1582-c7711a05a29a | What did she board? | [
"trolley",
"not mentioned",
"trolley car",
"a cart"
] | false |
/m/0grk0 | In the summertime, described as vacation time, a Woman from the city (Margaret Livingston) travels to the country to sight see.She lingers in one particular town for weeks. One day she dresses up, asking the wife of her landlord to shine her high heeled shoes, and wanders through town. She arrives at the house of a farmer, The Man (George O'Brien) and his Wife (Janet Gaynor). The Man is about to sit down to dinner with his wife and notices the woman waiting for him. He seems guilty and nervous but he waves the City Woman to an area beyond the house, changes his coat, and leaves his house. His wife comes out from the kitchen, carrying dinner, and sadly notices that her husband has left. Two townswomen discuss how the young married couple used to be as happy as children. A flashback shows a happy farmer, wife, and child. The two old townswomen discuss how things have changed since the city woman arrived. They discuss how money lenders are stripping the farm while the wife sits alone. Another flashback shows two men leading a cow away as the Man watches. The wife leaves the empty dinner table to cry on her childs pillow.
The farmer walks under the moon. He travels deeper into wooded brush, crossing fences and shadows, to meet the Woman from the City. She waits under the moon, fixing her makeup. They meet and kiss. The wife cries alone with her child as the Man embraces the Woman from the City. The Woman from the City says, "Tell me you are all mine." He nods assent. She says, "Sell your farm and come with me to the city." The Man asks, "And my wife?" The Woman from the City says, "Couldn't she get drowned?" The Man recoils at the thought, and nearly chokes the woman in anger. She kisses his anger away and he calms down. The Woman from the City insists that he come to the city. Images of the city, brass bands and skyscrapers, flash above them. The Woman from the City dances under the moonlight. She concocts a plan to kill the wife in a boat accident. She instructs the Man to use a bundle of reeds to save himself, and the Man slinks home. He slinks into his bedroom, lays on his bed and looks at his sleeping wife. He thinks of the dark water and falls asleep.
The Wife watches the Man as he sleeps. She covers him in a blanket and stares at him adoringly. He wakes, sees his bundle of weeds, and remembers his dark purpose. He sees his wife and feels deep remorse. A ghostly image of the Woman from the City caresses him, urging him to commit the murder. He goes to his wife and asks her to accompany him. She responds happily. She leaves her child with a friend, saying that she and her husband are going on a trip across the water. She says goodbye to the child and the family dog. They go to the boat and the farmer stows his bundle of reeds. The dog, tied up at the house, begins to bark wildly, and the Man is disturbed. The dog breaks free and follows them out into the water. It climbs aboard but the Man returns to the shore and takes it back to the house. They disembark again. The Man refuses to look his wife in the eye as he rows. The Wife becomes worried by the crazed look in her eye. The man stops rowing, he looks at his wife, he rises and shuffles ominously toward her. She cowers in fear and raises her hands prayerfully toward him. He loses his urge to kill, falls back to the oars, and rows furiously toward the shore. The boat lands and the Wife immediately runs away. The Man chases her, telling her not to be afraid. The Wife runs to a trolley car and climbs aboard. The man catches the car at the last moment. The car travels through the woods and goes into the city. When the car stops, the Wife bolts into traffic. The Man follows, saying again "Don't be afraid of me" The Man catches his wife and leads her into a restaurant. He gets her a plate of cakes and they sit in silence. Neither can look the other in the eye. She takes a cake and breaks down, weeping bitterly. She leaves the restaurant and the Man follows. He buys her flowers and holds her until her fear and sadness pass. They hear church bells and wander into a wedding ceremony. While watching the exchange of vows the Man breaks down. He cries in terrible shame and guilt, realizing how horrible a husband he has been. He cries in his wife's lap, she leads him away from the ceremony. He begs her for forgiveness. The bells sound and they kiss, their vows renewed. They leave the church and wander into the street oblivious to the busy traffic around them. The city scene around them dissolves into a wooded meadow. When the city returns they wake up in the middle of the street with the traffic stopped around them. They move to the sidewalk and embrace in wedded bliss. They look at wedding photos in a shop window. The Wife urges the Man to get a shave. They enter a barber shop. The Man sits for a shave while the Wife waits and watches. She is annoyed to see a manicurist showing her husband attention. The Man shoos her away. He is annoyed to see a waiting male customer showing her attention. After his shave the Man approaches the customer and frightens him with a pocket knife. The couple go to the photographers shop to have their picture taken. While they try to look austere they become humorous with love and teasing. They kiss deeply and the photographer takes the picture. As they wait for their photo they knock over a statue. When the photographer returns they pay for the picture and leave quickly. The Man replaces the statue head with a rubber duck ball, which amuses the photographer when he sees it.
Meanwhile, the Woman from the City plots selling the farm through a newspaper ad.
The couple go to a large pleasure fair/entertainment district. They play carnival games. At one game a baby pig escapes and everyone in the crowd tries to catch it. There are comic antics involved in catching the pig. The Man succeeds in catching the pig and the crowd cheers him. The crowd urges the couple to dance, and a band plays a country song. The man and Wife do a country dance and the crowd cheer. After the dance, the couple are ushered to a table and drink wine in celebration. They are in a bliss of love and wedded union, they visualize angels drifting above their heads. The waiter arrives to give them their bill. They each pay a part of the bill and leave the carnival as fireworks light up the sky. They board the trolley for home. Soon, they are sailing back to the farm under the moonlight. They drift peacefully. They pass a skiff filled with festive people. The Wife falls asleep. A storm begins to rise. The storm blows through the city and the pleasure district. The storm rocks the boat of the Man and Wife. The Man tries desperately to control the boat. Losing hope, the Man straps the reeds to his wife. They cling together as the boat capsizes.
The storm passes and the man awakes on the rocks. The Man climbs ashore and calls for his wife.
The Woman from the City wakes to the frantic mobilization of the townsfolk. She leaves to witness the search.
The Man is maddened in his search for his wife. Boats search the water, calling her name. The Man follows a trail of floating weeds till he is convinced she has drowned. The man goes home in desolated sadness. The Woman from the City goes to his house. She calls him out. He goes to her in a murderous rage for all he has lost. As he begins to choke her he hears the call that his wife has been found alive. He runs home and arrives as she wakes up. They embrace. A fisherman describes how he found her and the townsfolk share their happiness.
As the sun rises, the Woman from the City leaves on a cart.
As the sun rises, the Man sits by the bed where his wife smiles radiantly at him. They embrace.
They dissolve into the sunrise itself.FINIS | Sunrise: A Song of Two Humans | 811b282e-0e63-27f5-09ff-3b3c170bcd28 | The Wife suspects what when her husband suggests an outing? | [
"not mentioned",
"A storm begins to rise",
"That he's going to kill",
"Something happening bad"
] | false |
/m/0grk0 | In the summertime, described as vacation time, a Woman from the city (Margaret Livingston) travels to the country to sight see.She lingers in one particular town for weeks. One day she dresses up, asking the wife of her landlord to shine her high heeled shoes, and wanders through town. She arrives at the house of a farmer, The Man (George O'Brien) and his Wife (Janet Gaynor). The Man is about to sit down to dinner with his wife and notices the woman waiting for him. He seems guilty and nervous but he waves the City Woman to an area beyond the house, changes his coat, and leaves his house. His wife comes out from the kitchen, carrying dinner, and sadly notices that her husband has left. Two townswomen discuss how the young married couple used to be as happy as children. A flashback shows a happy farmer, wife, and child. The two old townswomen discuss how things have changed since the city woman arrived. They discuss how money lenders are stripping the farm while the wife sits alone. Another flashback shows two men leading a cow away as the Man watches. The wife leaves the empty dinner table to cry on her childs pillow.
The farmer walks under the moon. He travels deeper into wooded brush, crossing fences and shadows, to meet the Woman from the City. She waits under the moon, fixing her makeup. They meet and kiss. The wife cries alone with her child as the Man embraces the Woman from the City. The Woman from the City says, "Tell me you are all mine." He nods assent. She says, "Sell your farm and come with me to the city." The Man asks, "And my wife?" The Woman from the City says, "Couldn't she get drowned?" The Man recoils at the thought, and nearly chokes the woman in anger. She kisses his anger away and he calms down. The Woman from the City insists that he come to the city. Images of the city, brass bands and skyscrapers, flash above them. The Woman from the City dances under the moonlight. She concocts a plan to kill the wife in a boat accident. She instructs the Man to use a bundle of reeds to save himself, and the Man slinks home. He slinks into his bedroom, lays on his bed and looks at his sleeping wife. He thinks of the dark water and falls asleep.
The Wife watches the Man as he sleeps. She covers him in a blanket and stares at him adoringly. He wakes, sees his bundle of weeds, and remembers his dark purpose. He sees his wife and feels deep remorse. A ghostly image of the Woman from the City caresses him, urging him to commit the murder. He goes to his wife and asks her to accompany him. She responds happily. She leaves her child with a friend, saying that she and her husband are going on a trip across the water. She says goodbye to the child and the family dog. They go to the boat and the farmer stows his bundle of reeds. The dog, tied up at the house, begins to bark wildly, and the Man is disturbed. The dog breaks free and follows them out into the water. It climbs aboard but the Man returns to the shore and takes it back to the house. They disembark again. The Man refuses to look his wife in the eye as he rows. The Wife becomes worried by the crazed look in her eye. The man stops rowing, he looks at his wife, he rises and shuffles ominously toward her. She cowers in fear and raises her hands prayerfully toward him. He loses his urge to kill, falls back to the oars, and rows furiously toward the shore. The boat lands and the Wife immediately runs away. The Man chases her, telling her not to be afraid. The Wife runs to a trolley car and climbs aboard. The man catches the car at the last moment. The car travels through the woods and goes into the city. When the car stops, the Wife bolts into traffic. The Man follows, saying again "Don't be afraid of me" The Man catches his wife and leads her into a restaurant. He gets her a plate of cakes and they sit in silence. Neither can look the other in the eye. She takes a cake and breaks down, weeping bitterly. She leaves the restaurant and the Man follows. He buys her flowers and holds her until her fear and sadness pass. They hear church bells and wander into a wedding ceremony. While watching the exchange of vows the Man breaks down. He cries in terrible shame and guilt, realizing how horrible a husband he has been. He cries in his wife's lap, she leads him away from the ceremony. He begs her for forgiveness. The bells sound and they kiss, their vows renewed. They leave the church and wander into the street oblivious to the busy traffic around them. The city scene around them dissolves into a wooded meadow. When the city returns they wake up in the middle of the street with the traffic stopped around them. They move to the sidewalk and embrace in wedded bliss. They look at wedding photos in a shop window. The Wife urges the Man to get a shave. They enter a barber shop. The Man sits for a shave while the Wife waits and watches. She is annoyed to see a manicurist showing her husband attention. The Man shoos her away. He is annoyed to see a waiting male customer showing her attention. After his shave the Man approaches the customer and frightens him with a pocket knife. The couple go to the photographers shop to have their picture taken. While they try to look austere they become humorous with love and teasing. They kiss deeply and the photographer takes the picture. As they wait for their photo they knock over a statue. When the photographer returns they pay for the picture and leave quickly. The Man replaces the statue head with a rubber duck ball, which amuses the photographer when he sees it.
Meanwhile, the Woman from the City plots selling the farm through a newspaper ad.
The couple go to a large pleasure fair/entertainment district. They play carnival games. At one game a baby pig escapes and everyone in the crowd tries to catch it. There are comic antics involved in catching the pig. The Man succeeds in catching the pig and the crowd cheers him. The crowd urges the couple to dance, and a band plays a country song. The man and Wife do a country dance and the crowd cheer. After the dance, the couple are ushered to a table and drink wine in celebration. They are in a bliss of love and wedded union, they visualize angels drifting above their heads. The waiter arrives to give them their bill. They each pay a part of the bill and leave the carnival as fireworks light up the sky. They board the trolley for home. Soon, they are sailing back to the farm under the moonlight. They drift peacefully. They pass a skiff filled with festive people. The Wife falls asleep. A storm begins to rise. The storm blows through the city and the pleasure district. The storm rocks the boat of the Man and Wife. The Man tries desperately to control the boat. Losing hope, the Man straps the reeds to his wife. They cling together as the boat capsizes.
The storm passes and the man awakes on the rocks. The Man climbs ashore and calls for his wife.
The Woman from the City wakes to the frantic mobilization of the townsfolk. She leaves to witness the search.
The Man is maddened in his search for his wife. Boats search the water, calling her name. The Man follows a trail of floating weeds till he is convinced she has drowned. The man goes home in desolated sadness. The Woman from the City goes to his house. She calls him out. He goes to her in a murderous rage for all he has lost. As he begins to choke her he hears the call that his wife has been found alive. He runs home and arrives as she wakes up. They embrace. A fisherman describes how he found her and the townsfolk share their happiness.
As the sun rises, the Woman from the City leaves on a cart.
As the sun rises, the Man sits by the bed where his wife smiles radiantly at him. They embrace.
They dissolve into the sunrise itself.FINIS | Sunrise: A Song of Two Humans | 73a337a2-4807-65e3-18cf-74a3087997df | What does the man give the woman to get her to stop crying? | [
"not mentioned",
"reeds and a embrace"
] | false |
/m/0grk0 | In the summertime, described as vacation time, a Woman from the city (Margaret Livingston) travels to the country to sight see.She lingers in one particular town for weeks. One day she dresses up, asking the wife of her landlord to shine her high heeled shoes, and wanders through town. She arrives at the house of a farmer, The Man (George O'Brien) and his Wife (Janet Gaynor). The Man is about to sit down to dinner with his wife and notices the woman waiting for him. He seems guilty and nervous but he waves the City Woman to an area beyond the house, changes his coat, and leaves his house. His wife comes out from the kitchen, carrying dinner, and sadly notices that her husband has left. Two townswomen discuss how the young married couple used to be as happy as children. A flashback shows a happy farmer, wife, and child. The two old townswomen discuss how things have changed since the city woman arrived. They discuss how money lenders are stripping the farm while the wife sits alone. Another flashback shows two men leading a cow away as the Man watches. The wife leaves the empty dinner table to cry on her childs pillow.
The farmer walks under the moon. He travels deeper into wooded brush, crossing fences and shadows, to meet the Woman from the City. She waits under the moon, fixing her makeup. They meet and kiss. The wife cries alone with her child as the Man embraces the Woman from the City. The Woman from the City says, "Tell me you are all mine." He nods assent. She says, "Sell your farm and come with me to the city." The Man asks, "And my wife?" The Woman from the City says, "Couldn't she get drowned?" The Man recoils at the thought, and nearly chokes the woman in anger. She kisses his anger away and he calms down. The Woman from the City insists that he come to the city. Images of the city, brass bands and skyscrapers, flash above them. The Woman from the City dances under the moonlight. She concocts a plan to kill the wife in a boat accident. She instructs the Man to use a bundle of reeds to save himself, and the Man slinks home. He slinks into his bedroom, lays on his bed and looks at his sleeping wife. He thinks of the dark water and falls asleep.
The Wife watches the Man as he sleeps. She covers him in a blanket and stares at him adoringly. He wakes, sees his bundle of weeds, and remembers his dark purpose. He sees his wife and feels deep remorse. A ghostly image of the Woman from the City caresses him, urging him to commit the murder. He goes to his wife and asks her to accompany him. She responds happily. She leaves her child with a friend, saying that she and her husband are going on a trip across the water. She says goodbye to the child and the family dog. They go to the boat and the farmer stows his bundle of reeds. The dog, tied up at the house, begins to bark wildly, and the Man is disturbed. The dog breaks free and follows them out into the water. It climbs aboard but the Man returns to the shore and takes it back to the house. They disembark again. The Man refuses to look his wife in the eye as he rows. The Wife becomes worried by the crazed look in her eye. The man stops rowing, he looks at his wife, he rises and shuffles ominously toward her. She cowers in fear and raises her hands prayerfully toward him. He loses his urge to kill, falls back to the oars, and rows furiously toward the shore. The boat lands and the Wife immediately runs away. The Man chases her, telling her not to be afraid. The Wife runs to a trolley car and climbs aboard. The man catches the car at the last moment. The car travels through the woods and goes into the city. When the car stops, the Wife bolts into traffic. The Man follows, saying again "Don't be afraid of me" The Man catches his wife and leads her into a restaurant. He gets her a plate of cakes and they sit in silence. Neither can look the other in the eye. She takes a cake and breaks down, weeping bitterly. She leaves the restaurant and the Man follows. He buys her flowers and holds her until her fear and sadness pass. They hear church bells and wander into a wedding ceremony. While watching the exchange of vows the Man breaks down. He cries in terrible shame and guilt, realizing how horrible a husband he has been. He cries in his wife's lap, she leads him away from the ceremony. He begs her for forgiveness. The bells sound and they kiss, their vows renewed. They leave the church and wander into the street oblivious to the busy traffic around them. The city scene around them dissolves into a wooded meadow. When the city returns they wake up in the middle of the street with the traffic stopped around them. They move to the sidewalk and embrace in wedded bliss. They look at wedding photos in a shop window. The Wife urges the Man to get a shave. They enter a barber shop. The Man sits for a shave while the Wife waits and watches. She is annoyed to see a manicurist showing her husband attention. The Man shoos her away. He is annoyed to see a waiting male customer showing her attention. After his shave the Man approaches the customer and frightens him with a pocket knife. The couple go to the photographers shop to have their picture taken. While they try to look austere they become humorous with love and teasing. They kiss deeply and the photographer takes the picture. As they wait for their photo they knock over a statue. When the photographer returns they pay for the picture and leave quickly. The Man replaces the statue head with a rubber duck ball, which amuses the photographer when he sees it.
Meanwhile, the Woman from the City plots selling the farm through a newspaper ad.
The couple go to a large pleasure fair/entertainment district. They play carnival games. At one game a baby pig escapes and everyone in the crowd tries to catch it. There are comic antics involved in catching the pig. The Man succeeds in catching the pig and the crowd cheers him. The crowd urges the couple to dance, and a band plays a country song. The man and Wife do a country dance and the crowd cheer. After the dance, the couple are ushered to a table and drink wine in celebration. They are in a bliss of love and wedded union, they visualize angels drifting above their heads. The waiter arrives to give them their bill. They each pay a part of the bill and leave the carnival as fireworks light up the sky. They board the trolley for home. Soon, they are sailing back to the farm under the moonlight. They drift peacefully. They pass a skiff filled with festive people. The Wife falls asleep. A storm begins to rise. The storm blows through the city and the pleasure district. The storm rocks the boat of the Man and Wife. The Man tries desperately to control the boat. Losing hope, the Man straps the reeds to his wife. They cling together as the boat capsizes.
The storm passes and the man awakes on the rocks. The Man climbs ashore and calls for his wife.
The Woman from the City wakes to the frantic mobilization of the townsfolk. She leaves to witness the search.
The Man is maddened in his search for his wife. Boats search the water, calling her name. The Man follows a trail of floating weeds till he is convinced she has drowned. The man goes home in desolated sadness. The Woman from the City goes to his house. She calls him out. He goes to her in a murderous rage for all he has lost. As he begins to choke her he hears the call that his wife has been found alive. He runs home and arrives as she wakes up. They embrace. A fisherman describes how he found her and the townsfolk share their happiness.
As the sun rises, the Woman from the City leaves on a cart.
As the sun rises, the Man sits by the bed where his wife smiles radiantly at him. They embrace.
They dissolve into the sunrise itself.FINIS | Sunrise: A Song of Two Humans | 6fb05137-7fe2-4cae-038e-9b4b1c4195a8 | Where does the vacationing woman linger? | [
"in an unnamed town"
] | false |
/m/0grk0 | In the summertime, described as vacation time, a Woman from the city (Margaret Livingston) travels to the country to sight see.She lingers in one particular town for weeks. One day she dresses up, asking the wife of her landlord to shine her high heeled shoes, and wanders through town. She arrives at the house of a farmer, The Man (George O'Brien) and his Wife (Janet Gaynor). The Man is about to sit down to dinner with his wife and notices the woman waiting for him. He seems guilty and nervous but he waves the City Woman to an area beyond the house, changes his coat, and leaves his house. His wife comes out from the kitchen, carrying dinner, and sadly notices that her husband has left. Two townswomen discuss how the young married couple used to be as happy as children. A flashback shows a happy farmer, wife, and child. The two old townswomen discuss how things have changed since the city woman arrived. They discuss how money lenders are stripping the farm while the wife sits alone. Another flashback shows two men leading a cow away as the Man watches. The wife leaves the empty dinner table to cry on her childs pillow.
The farmer walks under the moon. He travels deeper into wooded brush, crossing fences and shadows, to meet the Woman from the City. She waits under the moon, fixing her makeup. They meet and kiss. The wife cries alone with her child as the Man embraces the Woman from the City. The Woman from the City says, "Tell me you are all mine." He nods assent. She says, "Sell your farm and come with me to the city." The Man asks, "And my wife?" The Woman from the City says, "Couldn't she get drowned?" The Man recoils at the thought, and nearly chokes the woman in anger. She kisses his anger away and he calms down. The Woman from the City insists that he come to the city. Images of the city, brass bands and skyscrapers, flash above them. The Woman from the City dances under the moonlight. She concocts a plan to kill the wife in a boat accident. She instructs the Man to use a bundle of reeds to save himself, and the Man slinks home. He slinks into his bedroom, lays on his bed and looks at his sleeping wife. He thinks of the dark water and falls asleep.
The Wife watches the Man as he sleeps. She covers him in a blanket and stares at him adoringly. He wakes, sees his bundle of weeds, and remembers his dark purpose. He sees his wife and feels deep remorse. A ghostly image of the Woman from the City caresses him, urging him to commit the murder. He goes to his wife and asks her to accompany him. She responds happily. She leaves her child with a friend, saying that she and her husband are going on a trip across the water. She says goodbye to the child and the family dog. They go to the boat and the farmer stows his bundle of reeds. The dog, tied up at the house, begins to bark wildly, and the Man is disturbed. The dog breaks free and follows them out into the water. It climbs aboard but the Man returns to the shore and takes it back to the house. They disembark again. The Man refuses to look his wife in the eye as he rows. The Wife becomes worried by the crazed look in her eye. The man stops rowing, he looks at his wife, he rises and shuffles ominously toward her. She cowers in fear and raises her hands prayerfully toward him. He loses his urge to kill, falls back to the oars, and rows furiously toward the shore. The boat lands and the Wife immediately runs away. The Man chases her, telling her not to be afraid. The Wife runs to a trolley car and climbs aboard. The man catches the car at the last moment. The car travels through the woods and goes into the city. When the car stops, the Wife bolts into traffic. The Man follows, saying again "Don't be afraid of me" The Man catches his wife and leads her into a restaurant. He gets her a plate of cakes and they sit in silence. Neither can look the other in the eye. She takes a cake and breaks down, weeping bitterly. She leaves the restaurant and the Man follows. He buys her flowers and holds her until her fear and sadness pass. They hear church bells and wander into a wedding ceremony. While watching the exchange of vows the Man breaks down. He cries in terrible shame and guilt, realizing how horrible a husband he has been. He cries in his wife's lap, she leads him away from the ceremony. He begs her for forgiveness. The bells sound and they kiss, their vows renewed. They leave the church and wander into the street oblivious to the busy traffic around them. The city scene around them dissolves into a wooded meadow. When the city returns they wake up in the middle of the street with the traffic stopped around them. They move to the sidewalk and embrace in wedded bliss. They look at wedding photos in a shop window. The Wife urges the Man to get a shave. They enter a barber shop. The Man sits for a shave while the Wife waits and watches. She is annoyed to see a manicurist showing her husband attention. The Man shoos her away. He is annoyed to see a waiting male customer showing her attention. After his shave the Man approaches the customer and frightens him with a pocket knife. The couple go to the photographers shop to have their picture taken. While they try to look austere they become humorous with love and teasing. They kiss deeply and the photographer takes the picture. As they wait for their photo they knock over a statue. When the photographer returns they pay for the picture and leave quickly. The Man replaces the statue head with a rubber duck ball, which amuses the photographer when he sees it.
Meanwhile, the Woman from the City plots selling the farm through a newspaper ad.
The couple go to a large pleasure fair/entertainment district. They play carnival games. At one game a baby pig escapes and everyone in the crowd tries to catch it. There are comic antics involved in catching the pig. The Man succeeds in catching the pig and the crowd cheers him. The crowd urges the couple to dance, and a band plays a country song. The man and Wife do a country dance and the crowd cheer. After the dance, the couple are ushered to a table and drink wine in celebration. They are in a bliss of love and wedded union, they visualize angels drifting above their heads. The waiter arrives to give them their bill. They each pay a part of the bill and leave the carnival as fireworks light up the sky. They board the trolley for home. Soon, they are sailing back to the farm under the moonlight. They drift peacefully. They pass a skiff filled with festive people. The Wife falls asleep. A storm begins to rise. The storm blows through the city and the pleasure district. The storm rocks the boat of the Man and Wife. The Man tries desperately to control the boat. Losing hope, the Man straps the reeds to his wife. They cling together as the boat capsizes.
The storm passes and the man awakes on the rocks. The Man climbs ashore and calls for his wife.
The Woman from the City wakes to the frantic mobilization of the townsfolk. She leaves to witness the search.
The Man is maddened in his search for his wife. Boats search the water, calling her name. The Man follows a trail of floating weeds till he is convinced she has drowned. The man goes home in desolated sadness. The Woman from the City goes to his house. She calls him out. He goes to her in a murderous rage for all he has lost. As he begins to choke her he hears the call that his wife has been found alive. He runs home and arrives as she wakes up. They embrace. A fisherman describes how he found her and the townsfolk share their happiness.
As the sun rises, the Woman from the City leaves on a cart.
As the sun rises, the Man sits by the bed where his wife smiles radiantly at him. They embrace.
They dissolve into the sunrise itself.FINIS | Sunrise: A Song of Two Humans | 6c2447e4-98c2-c7ee-b17a-b0984e7fd99e | Who kneels by the Wife's bed? | [
"The Man",
"the man",
"The storm rocks the boat of the Man and Wife",
"Her husband",
"no one - not mentioned",
"not mentioned",
"The man."
] | false |
/m/0grk0 | In the summertime, described as vacation time, a Woman from the city (Margaret Livingston) travels to the country to sight see.She lingers in one particular town for weeks. One day she dresses up, asking the wife of her landlord to shine her high heeled shoes, and wanders through town. She arrives at the house of a farmer, The Man (George O'Brien) and his Wife (Janet Gaynor). The Man is about to sit down to dinner with his wife and notices the woman waiting for him. He seems guilty and nervous but he waves the City Woman to an area beyond the house, changes his coat, and leaves his house. His wife comes out from the kitchen, carrying dinner, and sadly notices that her husband has left. Two townswomen discuss how the young married couple used to be as happy as children. A flashback shows a happy farmer, wife, and child. The two old townswomen discuss how things have changed since the city woman arrived. They discuss how money lenders are stripping the farm while the wife sits alone. Another flashback shows two men leading a cow away as the Man watches. The wife leaves the empty dinner table to cry on her childs pillow.
The farmer walks under the moon. He travels deeper into wooded brush, crossing fences and shadows, to meet the Woman from the City. She waits under the moon, fixing her makeup. They meet and kiss. The wife cries alone with her child as the Man embraces the Woman from the City. The Woman from the City says, "Tell me you are all mine." He nods assent. She says, "Sell your farm and come with me to the city." The Man asks, "And my wife?" The Woman from the City says, "Couldn't she get drowned?" The Man recoils at the thought, and nearly chokes the woman in anger. She kisses his anger away and he calms down. The Woman from the City insists that he come to the city. Images of the city, brass bands and skyscrapers, flash above them. The Woman from the City dances under the moonlight. She concocts a plan to kill the wife in a boat accident. She instructs the Man to use a bundle of reeds to save himself, and the Man slinks home. He slinks into his bedroom, lays on his bed and looks at his sleeping wife. He thinks of the dark water and falls asleep.
The Wife watches the Man as he sleeps. She covers him in a blanket and stares at him adoringly. He wakes, sees his bundle of weeds, and remembers his dark purpose. He sees his wife and feels deep remorse. A ghostly image of the Woman from the City caresses him, urging him to commit the murder. He goes to his wife and asks her to accompany him. She responds happily. She leaves her child with a friend, saying that she and her husband are going on a trip across the water. She says goodbye to the child and the family dog. They go to the boat and the farmer stows his bundle of reeds. The dog, tied up at the house, begins to bark wildly, and the Man is disturbed. The dog breaks free and follows them out into the water. It climbs aboard but the Man returns to the shore and takes it back to the house. They disembark again. The Man refuses to look his wife in the eye as he rows. The Wife becomes worried by the crazed look in her eye. The man stops rowing, he looks at his wife, he rises and shuffles ominously toward her. She cowers in fear and raises her hands prayerfully toward him. He loses his urge to kill, falls back to the oars, and rows furiously toward the shore. The boat lands and the Wife immediately runs away. The Man chases her, telling her not to be afraid. The Wife runs to a trolley car and climbs aboard. The man catches the car at the last moment. The car travels through the woods and goes into the city. When the car stops, the Wife bolts into traffic. The Man follows, saying again "Don't be afraid of me" The Man catches his wife and leads her into a restaurant. He gets her a plate of cakes and they sit in silence. Neither can look the other in the eye. She takes a cake and breaks down, weeping bitterly. She leaves the restaurant and the Man follows. He buys her flowers and holds her until her fear and sadness pass. They hear church bells and wander into a wedding ceremony. While watching the exchange of vows the Man breaks down. He cries in terrible shame and guilt, realizing how horrible a husband he has been. He cries in his wife's lap, she leads him away from the ceremony. He begs her for forgiveness. The bells sound and they kiss, their vows renewed. They leave the church and wander into the street oblivious to the busy traffic around them. The city scene around them dissolves into a wooded meadow. When the city returns they wake up in the middle of the street with the traffic stopped around them. They move to the sidewalk and embrace in wedded bliss. They look at wedding photos in a shop window. The Wife urges the Man to get a shave. They enter a barber shop. The Man sits for a shave while the Wife waits and watches. She is annoyed to see a manicurist showing her husband attention. The Man shoos her away. He is annoyed to see a waiting male customer showing her attention. After his shave the Man approaches the customer and frightens him with a pocket knife. The couple go to the photographers shop to have their picture taken. While they try to look austere they become humorous with love and teasing. They kiss deeply and the photographer takes the picture. As they wait for their photo they knock over a statue. When the photographer returns they pay for the picture and leave quickly. The Man replaces the statue head with a rubber duck ball, which amuses the photographer when he sees it.
Meanwhile, the Woman from the City plots selling the farm through a newspaper ad.
The couple go to a large pleasure fair/entertainment district. They play carnival games. At one game a baby pig escapes and everyone in the crowd tries to catch it. There are comic antics involved in catching the pig. The Man succeeds in catching the pig and the crowd cheers him. The crowd urges the couple to dance, and a band plays a country song. The man and Wife do a country dance and the crowd cheer. After the dance, the couple are ushered to a table and drink wine in celebration. They are in a bliss of love and wedded union, they visualize angels drifting above their heads. The waiter arrives to give them their bill. They each pay a part of the bill and leave the carnival as fireworks light up the sky. They board the trolley for home. Soon, they are sailing back to the farm under the moonlight. They drift peacefully. They pass a skiff filled with festive people. The Wife falls asleep. A storm begins to rise. The storm blows through the city and the pleasure district. The storm rocks the boat of the Man and Wife. The Man tries desperately to control the boat. Losing hope, the Man straps the reeds to his wife. They cling together as the boat capsizes.
The storm passes and the man awakes on the rocks. The Man climbs ashore and calls for his wife.
The Woman from the City wakes to the frantic mobilization of the townsfolk. She leaves to witness the search.
The Man is maddened in his search for his wife. Boats search the water, calling her name. The Man follows a trail of floating weeds till he is convinced she has drowned. The man goes home in desolated sadness. The Woman from the City goes to his house. She calls him out. He goes to her in a murderous rage for all he has lost. As he begins to choke her he hears the call that his wife has been found alive. He runs home and arrives as she wakes up. They embrace. A fisherman describes how he found her and the townsfolk share their happiness.
As the sun rises, the Woman from the City leaves on a cart.
As the sun rises, the Man sits by the bed where his wife smiles radiantly at him. They embrace.
They dissolve into the sunrise itself.FINIS | Sunrise: A Song of Two Humans | a547ceb4-58bf-88fd-76da-e6f3347604c8 | Where does the vacationing woman go after dark? | [
"a farmer's house"
] | false |
/m/0grk0 | In the summertime, described as vacation time, a Woman from the city (Margaret Livingston) travels to the country to sight see.She lingers in one particular town for weeks. One day she dresses up, asking the wife of her landlord to shine her high heeled shoes, and wanders through town. She arrives at the house of a farmer, The Man (George O'Brien) and his Wife (Janet Gaynor). The Man is about to sit down to dinner with his wife and notices the woman waiting for him. He seems guilty and nervous but he waves the City Woman to an area beyond the house, changes his coat, and leaves his house. His wife comes out from the kitchen, carrying dinner, and sadly notices that her husband has left. Two townswomen discuss how the young married couple used to be as happy as children. A flashback shows a happy farmer, wife, and child. The two old townswomen discuss how things have changed since the city woman arrived. They discuss how money lenders are stripping the farm while the wife sits alone. Another flashback shows two men leading a cow away as the Man watches. The wife leaves the empty dinner table to cry on her childs pillow.
The farmer walks under the moon. He travels deeper into wooded brush, crossing fences and shadows, to meet the Woman from the City. She waits under the moon, fixing her makeup. They meet and kiss. The wife cries alone with her child as the Man embraces the Woman from the City. The Woman from the City says, "Tell me you are all mine." He nods assent. She says, "Sell your farm and come with me to the city." The Man asks, "And my wife?" The Woman from the City says, "Couldn't she get drowned?" The Man recoils at the thought, and nearly chokes the woman in anger. She kisses his anger away and he calms down. The Woman from the City insists that he come to the city. Images of the city, brass bands and skyscrapers, flash above them. The Woman from the City dances under the moonlight. She concocts a plan to kill the wife in a boat accident. She instructs the Man to use a bundle of reeds to save himself, and the Man slinks home. He slinks into his bedroom, lays on his bed and looks at his sleeping wife. He thinks of the dark water and falls asleep.
The Wife watches the Man as he sleeps. She covers him in a blanket and stares at him adoringly. He wakes, sees his bundle of weeds, and remembers his dark purpose. He sees his wife and feels deep remorse. A ghostly image of the Woman from the City caresses him, urging him to commit the murder. He goes to his wife and asks her to accompany him. She responds happily. She leaves her child with a friend, saying that she and her husband are going on a trip across the water. She says goodbye to the child and the family dog. They go to the boat and the farmer stows his bundle of reeds. The dog, tied up at the house, begins to bark wildly, and the Man is disturbed. The dog breaks free and follows them out into the water. It climbs aboard but the Man returns to the shore and takes it back to the house. They disembark again. The Man refuses to look his wife in the eye as he rows. The Wife becomes worried by the crazed look in her eye. The man stops rowing, he looks at his wife, he rises and shuffles ominously toward her. She cowers in fear and raises her hands prayerfully toward him. He loses his urge to kill, falls back to the oars, and rows furiously toward the shore. The boat lands and the Wife immediately runs away. The Man chases her, telling her not to be afraid. The Wife runs to a trolley car and climbs aboard. The man catches the car at the last moment. The car travels through the woods and goes into the city. When the car stops, the Wife bolts into traffic. The Man follows, saying again "Don't be afraid of me" The Man catches his wife and leads her into a restaurant. He gets her a plate of cakes and they sit in silence. Neither can look the other in the eye. She takes a cake and breaks down, weeping bitterly. She leaves the restaurant and the Man follows. He buys her flowers and holds her until her fear and sadness pass. They hear church bells and wander into a wedding ceremony. While watching the exchange of vows the Man breaks down. He cries in terrible shame and guilt, realizing how horrible a husband he has been. He cries in his wife's lap, she leads him away from the ceremony. He begs her for forgiveness. The bells sound and they kiss, their vows renewed. They leave the church and wander into the street oblivious to the busy traffic around them. The city scene around them dissolves into a wooded meadow. When the city returns they wake up in the middle of the street with the traffic stopped around them. They move to the sidewalk and embrace in wedded bliss. They look at wedding photos in a shop window. The Wife urges the Man to get a shave. They enter a barber shop. The Man sits for a shave while the Wife waits and watches. She is annoyed to see a manicurist showing her husband attention. The Man shoos her away. He is annoyed to see a waiting male customer showing her attention. After his shave the Man approaches the customer and frightens him with a pocket knife. The couple go to the photographers shop to have their picture taken. While they try to look austere they become humorous with love and teasing. They kiss deeply and the photographer takes the picture. As they wait for their photo they knock over a statue. When the photographer returns they pay for the picture and leave quickly. The Man replaces the statue head with a rubber duck ball, which amuses the photographer when he sees it.
Meanwhile, the Woman from the City plots selling the farm through a newspaper ad.
The couple go to a large pleasure fair/entertainment district. They play carnival games. At one game a baby pig escapes and everyone in the crowd tries to catch it. There are comic antics involved in catching the pig. The Man succeeds in catching the pig and the crowd cheers him. The crowd urges the couple to dance, and a band plays a country song. The man and Wife do a country dance and the crowd cheer. After the dance, the couple are ushered to a table and drink wine in celebration. They are in a bliss of love and wedded union, they visualize angels drifting above their heads. The waiter arrives to give them their bill. They each pay a part of the bill and leave the carnival as fireworks light up the sky. They board the trolley for home. Soon, they are sailing back to the farm under the moonlight. They drift peacefully. They pass a skiff filled with festive people. The Wife falls asleep. A storm begins to rise. The storm blows through the city and the pleasure district. The storm rocks the boat of the Man and Wife. The Man tries desperately to control the boat. Losing hope, the Man straps the reeds to his wife. They cling together as the boat capsizes.
The storm passes and the man awakes on the rocks. The Man climbs ashore and calls for his wife.
The Woman from the City wakes to the frantic mobilization of the townsfolk. She leaves to witness the search.
The Man is maddened in his search for his wife. Boats search the water, calling her name. The Man follows a trail of floating weeds till he is convinced she has drowned. The man goes home in desolated sadness. The Woman from the City goes to his house. She calls him out. He goes to her in a murderous rage for all he has lost. As he begins to choke her he hears the call that his wife has been found alive. He runs home and arrives as she wakes up. They embrace. A fisherman describes how he found her and the townsfolk share their happiness.
As the sun rises, the Woman from the City leaves on a cart.
As the sun rises, the Man sits by the bed where his wife smiles radiantly at him. They embrace.
They dissolve into the sunrise itself.FINIS | Sunrise: A Song of Two Humans | 40dd44d2-369d-b366-4645-86a311f40f99 | Where do the man and the woman meet? | [
"City",
"near a wooded area under a street light",
"his house",
"moonlight",
"not mentioned",
"an area beyond the house",
"By the bed"
] | false |
/m/0grk0 | In the summertime, described as vacation time, a Woman from the city (Margaret Livingston) travels to the country to sight see.She lingers in one particular town for weeks. One day she dresses up, asking the wife of her landlord to shine her high heeled shoes, and wanders through town. She arrives at the house of a farmer, The Man (George O'Brien) and his Wife (Janet Gaynor). The Man is about to sit down to dinner with his wife and notices the woman waiting for him. He seems guilty and nervous but he waves the City Woman to an area beyond the house, changes his coat, and leaves his house. His wife comes out from the kitchen, carrying dinner, and sadly notices that her husband has left. Two townswomen discuss how the young married couple used to be as happy as children. A flashback shows a happy farmer, wife, and child. The two old townswomen discuss how things have changed since the city woman arrived. They discuss how money lenders are stripping the farm while the wife sits alone. Another flashback shows two men leading a cow away as the Man watches. The wife leaves the empty dinner table to cry on her childs pillow.
The farmer walks under the moon. He travels deeper into wooded brush, crossing fences and shadows, to meet the Woman from the City. She waits under the moon, fixing her makeup. They meet and kiss. The wife cries alone with her child as the Man embraces the Woman from the City. The Woman from the City says, "Tell me you are all mine." He nods assent. She says, "Sell your farm and come with me to the city." The Man asks, "And my wife?" The Woman from the City says, "Couldn't she get drowned?" The Man recoils at the thought, and nearly chokes the woman in anger. She kisses his anger away and he calms down. The Woman from the City insists that he come to the city. Images of the city, brass bands and skyscrapers, flash above them. The Woman from the City dances under the moonlight. She concocts a plan to kill the wife in a boat accident. She instructs the Man to use a bundle of reeds to save himself, and the Man slinks home. He slinks into his bedroom, lays on his bed and looks at his sleeping wife. He thinks of the dark water and falls asleep.
The Wife watches the Man as he sleeps. She covers him in a blanket and stares at him adoringly. He wakes, sees his bundle of weeds, and remembers his dark purpose. He sees his wife and feels deep remorse. A ghostly image of the Woman from the City caresses him, urging him to commit the murder. He goes to his wife and asks her to accompany him. She responds happily. She leaves her child with a friend, saying that she and her husband are going on a trip across the water. She says goodbye to the child and the family dog. They go to the boat and the farmer stows his bundle of reeds. The dog, tied up at the house, begins to bark wildly, and the Man is disturbed. The dog breaks free and follows them out into the water. It climbs aboard but the Man returns to the shore and takes it back to the house. They disembark again. The Man refuses to look his wife in the eye as he rows. The Wife becomes worried by the crazed look in her eye. The man stops rowing, he looks at his wife, he rises and shuffles ominously toward her. She cowers in fear and raises her hands prayerfully toward him. He loses his urge to kill, falls back to the oars, and rows furiously toward the shore. The boat lands and the Wife immediately runs away. The Man chases her, telling her not to be afraid. The Wife runs to a trolley car and climbs aboard. The man catches the car at the last moment. The car travels through the woods and goes into the city. When the car stops, the Wife bolts into traffic. The Man follows, saying again "Don't be afraid of me" The Man catches his wife and leads her into a restaurant. He gets her a plate of cakes and they sit in silence. Neither can look the other in the eye. She takes a cake and breaks down, weeping bitterly. She leaves the restaurant and the Man follows. He buys her flowers and holds her until her fear and sadness pass. They hear church bells and wander into a wedding ceremony. While watching the exchange of vows the Man breaks down. He cries in terrible shame and guilt, realizing how horrible a husband he has been. He cries in his wife's lap, she leads him away from the ceremony. He begs her for forgiveness. The bells sound and they kiss, their vows renewed. They leave the church and wander into the street oblivious to the busy traffic around them. The city scene around them dissolves into a wooded meadow. When the city returns they wake up in the middle of the street with the traffic stopped around them. They move to the sidewalk and embrace in wedded bliss. They look at wedding photos in a shop window. The Wife urges the Man to get a shave. They enter a barber shop. The Man sits for a shave while the Wife waits and watches. She is annoyed to see a manicurist showing her husband attention. The Man shoos her away. He is annoyed to see a waiting male customer showing her attention. After his shave the Man approaches the customer and frightens him with a pocket knife. The couple go to the photographers shop to have their picture taken. While they try to look austere they become humorous with love and teasing. They kiss deeply and the photographer takes the picture. As they wait for their photo they knock over a statue. When the photographer returns they pay for the picture and leave quickly. The Man replaces the statue head with a rubber duck ball, which amuses the photographer when he sees it.
Meanwhile, the Woman from the City plots selling the farm through a newspaper ad.
The couple go to a large pleasure fair/entertainment district. They play carnival games. At one game a baby pig escapes and everyone in the crowd tries to catch it. There are comic antics involved in catching the pig. The Man succeeds in catching the pig and the crowd cheers him. The crowd urges the couple to dance, and a band plays a country song. The man and Wife do a country dance and the crowd cheer. After the dance, the couple are ushered to a table and drink wine in celebration. They are in a bliss of love and wedded union, they visualize angels drifting above their heads. The waiter arrives to give them their bill. They each pay a part of the bill and leave the carnival as fireworks light up the sky. They board the trolley for home. Soon, they are sailing back to the farm under the moonlight. They drift peacefully. They pass a skiff filled with festive people. The Wife falls asleep. A storm begins to rise. The storm blows through the city and the pleasure district. The storm rocks the boat of the Man and Wife. The Man tries desperately to control the boat. Losing hope, the Man straps the reeds to his wife. They cling together as the boat capsizes.
The storm passes and the man awakes on the rocks. The Man climbs ashore and calls for his wife.
The Woman from the City wakes to the frantic mobilization of the townsfolk. She leaves to witness the search.
The Man is maddened in his search for his wife. Boats search the water, calling her name. The Man follows a trail of floating weeds till he is convinced she has drowned. The man goes home in desolated sadness. The Woman from the City goes to his house. She calls him out. He goes to her in a murderous rage for all he has lost. As he begins to choke her he hears the call that his wife has been found alive. He runs home and arrives as she wakes up. They embrace. A fisherman describes how he found her and the townsfolk share their happiness.
As the sun rises, the Woman from the City leaves on a cart.
As the sun rises, the Man sits by the bed where his wife smiles radiantly at him. They embrace.
They dissolve into the sunrise itself.FINIS | Sunrise: A Song of Two Humans | 5aa80030-ced2-6ced-da6e-288bd9dc78bf | What happens when The Man kneels by the Wife's bed? | [
"They embrace.",
"they visualize angels drifting above their heads",
"He realizes his dark purpose and feels the urge to murder",
"storm passes",
"not mentioned"
] | false |
/m/0grk0 | In the summertime, described as vacation time, a Woman from the city (Margaret Livingston) travels to the country to sight see.She lingers in one particular town for weeks. One day she dresses up, asking the wife of her landlord to shine her high heeled shoes, and wanders through town. She arrives at the house of a farmer, The Man (George O'Brien) and his Wife (Janet Gaynor). The Man is about to sit down to dinner with his wife and notices the woman waiting for him. He seems guilty and nervous but he waves the City Woman to an area beyond the house, changes his coat, and leaves his house. His wife comes out from the kitchen, carrying dinner, and sadly notices that her husband has left. Two townswomen discuss how the young married couple used to be as happy as children. A flashback shows a happy farmer, wife, and child. The two old townswomen discuss how things have changed since the city woman arrived. They discuss how money lenders are stripping the farm while the wife sits alone. Another flashback shows two men leading a cow away as the Man watches. The wife leaves the empty dinner table to cry on her childs pillow.
The farmer walks under the moon. He travels deeper into wooded brush, crossing fences and shadows, to meet the Woman from the City. She waits under the moon, fixing her makeup. They meet and kiss. The wife cries alone with her child as the Man embraces the Woman from the City. The Woman from the City says, "Tell me you are all mine." He nods assent. She says, "Sell your farm and come with me to the city." The Man asks, "And my wife?" The Woman from the City says, "Couldn't she get drowned?" The Man recoils at the thought, and nearly chokes the woman in anger. She kisses his anger away and he calms down. The Woman from the City insists that he come to the city. Images of the city, brass bands and skyscrapers, flash above them. The Woman from the City dances under the moonlight. She concocts a plan to kill the wife in a boat accident. She instructs the Man to use a bundle of reeds to save himself, and the Man slinks home. He slinks into his bedroom, lays on his bed and looks at his sleeping wife. He thinks of the dark water and falls asleep.
The Wife watches the Man as he sleeps. She covers him in a blanket and stares at him adoringly. He wakes, sees his bundle of weeds, and remembers his dark purpose. He sees his wife and feels deep remorse. A ghostly image of the Woman from the City caresses him, urging him to commit the murder. He goes to his wife and asks her to accompany him. She responds happily. She leaves her child with a friend, saying that she and her husband are going on a trip across the water. She says goodbye to the child and the family dog. They go to the boat and the farmer stows his bundle of reeds. The dog, tied up at the house, begins to bark wildly, and the Man is disturbed. The dog breaks free and follows them out into the water. It climbs aboard but the Man returns to the shore and takes it back to the house. They disembark again. The Man refuses to look his wife in the eye as he rows. The Wife becomes worried by the crazed look in her eye. The man stops rowing, he looks at his wife, he rises and shuffles ominously toward her. She cowers in fear and raises her hands prayerfully toward him. He loses his urge to kill, falls back to the oars, and rows furiously toward the shore. The boat lands and the Wife immediately runs away. The Man chases her, telling her not to be afraid. The Wife runs to a trolley car and climbs aboard. The man catches the car at the last moment. The car travels through the woods and goes into the city. When the car stops, the Wife bolts into traffic. The Man follows, saying again "Don't be afraid of me" The Man catches his wife and leads her into a restaurant. He gets her a plate of cakes and they sit in silence. Neither can look the other in the eye. She takes a cake and breaks down, weeping bitterly. She leaves the restaurant and the Man follows. He buys her flowers and holds her until her fear and sadness pass. They hear church bells and wander into a wedding ceremony. While watching the exchange of vows the Man breaks down. He cries in terrible shame and guilt, realizing how horrible a husband he has been. He cries in his wife's lap, she leads him away from the ceremony. He begs her for forgiveness. The bells sound and they kiss, their vows renewed. They leave the church and wander into the street oblivious to the busy traffic around them. The city scene around them dissolves into a wooded meadow. When the city returns they wake up in the middle of the street with the traffic stopped around them. They move to the sidewalk and embrace in wedded bliss. They look at wedding photos in a shop window. The Wife urges the Man to get a shave. They enter a barber shop. The Man sits for a shave while the Wife waits and watches. She is annoyed to see a manicurist showing her husband attention. The Man shoos her away. He is annoyed to see a waiting male customer showing her attention. After his shave the Man approaches the customer and frightens him with a pocket knife. The couple go to the photographers shop to have their picture taken. While they try to look austere they become humorous with love and teasing. They kiss deeply and the photographer takes the picture. As they wait for their photo they knock over a statue. When the photographer returns they pay for the picture and leave quickly. The Man replaces the statue head with a rubber duck ball, which amuses the photographer when he sees it.
Meanwhile, the Woman from the City plots selling the farm through a newspaper ad.
The couple go to a large pleasure fair/entertainment district. They play carnival games. At one game a baby pig escapes and everyone in the crowd tries to catch it. There are comic antics involved in catching the pig. The Man succeeds in catching the pig and the crowd cheers him. The crowd urges the couple to dance, and a band plays a country song. The man and Wife do a country dance and the crowd cheer. After the dance, the couple are ushered to a table and drink wine in celebration. They are in a bliss of love and wedded union, they visualize angels drifting above their heads. The waiter arrives to give them their bill. They each pay a part of the bill and leave the carnival as fireworks light up the sky. They board the trolley for home. Soon, they are sailing back to the farm under the moonlight. They drift peacefully. They pass a skiff filled with festive people. The Wife falls asleep. A storm begins to rise. The storm blows through the city and the pleasure district. The storm rocks the boat of the Man and Wife. The Man tries desperately to control the boat. Losing hope, the Man straps the reeds to his wife. They cling together as the boat capsizes.
The storm passes and the man awakes on the rocks. The Man climbs ashore and calls for his wife.
The Woman from the City wakes to the frantic mobilization of the townsfolk. She leaves to witness the search.
The Man is maddened in his search for his wife. Boats search the water, calling her name. The Man follows a trail of floating weeds till he is convinced she has drowned. The man goes home in desolated sadness. The Woman from the City goes to his house. She calls him out. He goes to her in a murderous rage for all he has lost. As he begins to choke her he hears the call that his wife has been found alive. He runs home and arrives as she wakes up. They embrace. A fisherman describes how he found her and the townsfolk share their happiness.
As the sun rises, the Woman from the City leaves on a cart.
As the sun rises, the Man sits by the bed where his wife smiles radiantly at him. They embrace.
They dissolve into the sunrise itself.FINIS | Sunrise: A Song of Two Humans | 95f057a8-4087-ee4c-eb06-3cd68f553674 | Who gathered bundles of reeds? | [
"the man",
"The Man",
"The Farmer",
"the husband to same himself from the boating accident",
"the woman"
] | false |
/m/0grk0 | In the summertime, described as vacation time, a Woman from the city (Margaret Livingston) travels to the country to sight see.She lingers in one particular town for weeks. One day she dresses up, asking the wife of her landlord to shine her high heeled shoes, and wanders through town. She arrives at the house of a farmer, The Man (George O'Brien) and his Wife (Janet Gaynor). The Man is about to sit down to dinner with his wife and notices the woman waiting for him. He seems guilty and nervous but he waves the City Woman to an area beyond the house, changes his coat, and leaves his house. His wife comes out from the kitchen, carrying dinner, and sadly notices that her husband has left. Two townswomen discuss how the young married couple used to be as happy as children. A flashback shows a happy farmer, wife, and child. The two old townswomen discuss how things have changed since the city woman arrived. They discuss how money lenders are stripping the farm while the wife sits alone. Another flashback shows two men leading a cow away as the Man watches. The wife leaves the empty dinner table to cry on her childs pillow.
The farmer walks under the moon. He travels deeper into wooded brush, crossing fences and shadows, to meet the Woman from the City. She waits under the moon, fixing her makeup. They meet and kiss. The wife cries alone with her child as the Man embraces the Woman from the City. The Woman from the City says, "Tell me you are all mine." He nods assent. She says, "Sell your farm and come with me to the city." The Man asks, "And my wife?" The Woman from the City says, "Couldn't she get drowned?" The Man recoils at the thought, and nearly chokes the woman in anger. She kisses his anger away and he calms down. The Woman from the City insists that he come to the city. Images of the city, brass bands and skyscrapers, flash above them. The Woman from the City dances under the moonlight. She concocts a plan to kill the wife in a boat accident. She instructs the Man to use a bundle of reeds to save himself, and the Man slinks home. He slinks into his bedroom, lays on his bed and looks at his sleeping wife. He thinks of the dark water and falls asleep.
The Wife watches the Man as he sleeps. She covers him in a blanket and stares at him adoringly. He wakes, sees his bundle of weeds, and remembers his dark purpose. He sees his wife and feels deep remorse. A ghostly image of the Woman from the City caresses him, urging him to commit the murder. He goes to his wife and asks her to accompany him. She responds happily. She leaves her child with a friend, saying that she and her husband are going on a trip across the water. She says goodbye to the child and the family dog. They go to the boat and the farmer stows his bundle of reeds. The dog, tied up at the house, begins to bark wildly, and the Man is disturbed. The dog breaks free and follows them out into the water. It climbs aboard but the Man returns to the shore and takes it back to the house. They disembark again. The Man refuses to look his wife in the eye as he rows. The Wife becomes worried by the crazed look in her eye. The man stops rowing, he looks at his wife, he rises and shuffles ominously toward her. She cowers in fear and raises her hands prayerfully toward him. He loses his urge to kill, falls back to the oars, and rows furiously toward the shore. The boat lands and the Wife immediately runs away. The Man chases her, telling her not to be afraid. The Wife runs to a trolley car and climbs aboard. The man catches the car at the last moment. The car travels through the woods and goes into the city. When the car stops, the Wife bolts into traffic. The Man follows, saying again "Don't be afraid of me" The Man catches his wife and leads her into a restaurant. He gets her a plate of cakes and they sit in silence. Neither can look the other in the eye. She takes a cake and breaks down, weeping bitterly. She leaves the restaurant and the Man follows. He buys her flowers and holds her until her fear and sadness pass. They hear church bells and wander into a wedding ceremony. While watching the exchange of vows the Man breaks down. He cries in terrible shame and guilt, realizing how horrible a husband he has been. He cries in his wife's lap, she leads him away from the ceremony. He begs her for forgiveness. The bells sound and they kiss, their vows renewed. They leave the church and wander into the street oblivious to the busy traffic around them. The city scene around them dissolves into a wooded meadow. When the city returns they wake up in the middle of the street with the traffic stopped around them. They move to the sidewalk and embrace in wedded bliss. They look at wedding photos in a shop window. The Wife urges the Man to get a shave. They enter a barber shop. The Man sits for a shave while the Wife waits and watches. She is annoyed to see a manicurist showing her husband attention. The Man shoos her away. He is annoyed to see a waiting male customer showing her attention. After his shave the Man approaches the customer and frightens him with a pocket knife. The couple go to the photographers shop to have their picture taken. While they try to look austere they become humorous with love and teasing. They kiss deeply and the photographer takes the picture. As they wait for their photo they knock over a statue. When the photographer returns they pay for the picture and leave quickly. The Man replaces the statue head with a rubber duck ball, which amuses the photographer when he sees it.
Meanwhile, the Woman from the City plots selling the farm through a newspaper ad.
The couple go to a large pleasure fair/entertainment district. They play carnival games. At one game a baby pig escapes and everyone in the crowd tries to catch it. There are comic antics involved in catching the pig. The Man succeeds in catching the pig and the crowd cheers him. The crowd urges the couple to dance, and a band plays a country song. The man and Wife do a country dance and the crowd cheer. After the dance, the couple are ushered to a table and drink wine in celebration. They are in a bliss of love and wedded union, they visualize angels drifting above their heads. The waiter arrives to give them their bill. They each pay a part of the bill and leave the carnival as fireworks light up the sky. They board the trolley for home. Soon, they are sailing back to the farm under the moonlight. They drift peacefully. They pass a skiff filled with festive people. The Wife falls asleep. A storm begins to rise. The storm blows through the city and the pleasure district. The storm rocks the boat of the Man and Wife. The Man tries desperately to control the boat. Losing hope, the Man straps the reeds to his wife. They cling together as the boat capsizes.
The storm passes and the man awakes on the rocks. The Man climbs ashore and calls for his wife.
The Woman from the City wakes to the frantic mobilization of the townsfolk. She leaves to witness the search.
The Man is maddened in his search for his wife. Boats search the water, calling her name. The Man follows a trail of floating weeds till he is convinced she has drowned. The man goes home in desolated sadness. The Woman from the City goes to his house. She calls him out. He goes to her in a murderous rage for all he has lost. As he begins to choke her he hears the call that his wife has been found alive. He runs home and arrives as she wakes up. They embrace. A fisherman describes how he found her and the townsfolk share their happiness.
As the sun rises, the Woman from the City leaves on a cart.
As the sun rises, the Man sits by the bed where his wife smiles radiantly at him. They embrace.
They dissolve into the sunrise itself.FINIS | Sunrise: A Song of Two Humans | 683dc7ff-5810-cc2c-040d-96cf5f106919 | How do the go to the city? | [
"by boat",
"not mentioned",
"By Cart"
] | false |
/m/02rhjj | Searching for Bobby Fischer was inspired by the life of chess prodigy Josh Waitzkin, as written by his father Fred Waitzkin. Josh (Max Pomeranc) is a "regular kid" who begins evincing signs of being a genius at chess. His father (Joe Mantegna) encourages this, hoping that it won't fundamentally change his son's healthy outlook on life. But Josh is taken under the wing of cold-blooded chess instructor Bruce Pandolfini (Ben Kingsley), who indoctrinates the boy in the "Bobby Fischer" strategy. Unfortunately, Pandolfini emphasizes all of Fischer's negative traits, especially his contempt for his opponents. Josh is in danger throughout the film of sacrificing his essential decency, but in a rousing conclusion, the boy is able to successfully blend ruthless competition with good sportsmanship. ~ Hal Erickson, All Movie Guide | Searching for Bobby Fischer | 14b5ca53-7798-5ffa-bafa-0a5aee8d1ff2 | What is the game shown in the film | [
"Chess",
"Chess"
] | false |
/m/02rhjj | Searching for Bobby Fischer was inspired by the life of chess prodigy Josh Waitzkin, as written by his father Fred Waitzkin. Josh (Max Pomeranc) is a "regular kid" who begins evincing signs of being a genius at chess. His father (Joe Mantegna) encourages this, hoping that it won't fundamentally change his son's healthy outlook on life. But Josh is taken under the wing of cold-blooded chess instructor Bruce Pandolfini (Ben Kingsley), who indoctrinates the boy in the "Bobby Fischer" strategy. Unfortunately, Pandolfini emphasizes all of Fischer's negative traits, especially his contempt for his opponents. Josh is in danger throughout the film of sacrificing his essential decency, but in a rousing conclusion, the boy is able to successfully blend ruthless competition with good sportsmanship. ~ Hal Erickson, All Movie Guide | Searching for Bobby Fischer | ff37e27f-64c8-100c-218f-de5af487d5f2 | How are Fred Waitzkin and Josh related to the movie | [
"Father and Son",
"Fred is Josh's father"
] | false |
/m/02rhjj | Searching for Bobby Fischer was inspired by the life of chess prodigy Josh Waitzkin, as written by his father Fred Waitzkin. Josh (Max Pomeranc) is a "regular kid" who begins evincing signs of being a genius at chess. His father (Joe Mantegna) encourages this, hoping that it won't fundamentally change his son's healthy outlook on life. But Josh is taken under the wing of cold-blooded chess instructor Bruce Pandolfini (Ben Kingsley), who indoctrinates the boy in the "Bobby Fischer" strategy. Unfortunately, Pandolfini emphasizes all of Fischer's negative traits, especially his contempt for his opponents. Josh is in danger throughout the film of sacrificing his essential decency, but in a rousing conclusion, the boy is able to successfully blend ruthless competition with good sportsmanship. ~ Hal Erickson, All Movie Guide | Searching for Bobby Fischer | ec8565f4-3c4b-93ba-6206-bee3e9aa1d48 | What inspired Bobby Fischer | [
"Life of Josh Waitzkin",
"No Answer"
] | false |
/m/02rhjj | Searching for Bobby Fischer was inspired by the life of chess prodigy Josh Waitzkin, as written by his father Fred Waitzkin. Josh (Max Pomeranc) is a "regular kid" who begins evincing signs of being a genius at chess. His father (Joe Mantegna) encourages this, hoping that it won't fundamentally change his son's healthy outlook on life. But Josh is taken under the wing of cold-blooded chess instructor Bruce Pandolfini (Ben Kingsley), who indoctrinates the boy in the "Bobby Fischer" strategy. Unfortunately, Pandolfini emphasizes all of Fischer's negative traits, especially his contempt for his opponents. Josh is in danger throughout the film of sacrificing his essential decency, but in a rousing conclusion, the boy is able to successfully blend ruthless competition with good sportsmanship. ~ Hal Erickson, All Movie Guide | Searching for Bobby Fischer | 2dfdeda6-83ec-38d3-bc4b-ab7ef82ce96e | Who is the Director of the Film | [
"Steven Zaillian",
"No Answer"
] | false |
/m/02rhjj | Searching for Bobby Fischer was inspired by the life of chess prodigy Josh Waitzkin, as written by his father Fred Waitzkin. Josh (Max Pomeranc) is a "regular kid" who begins evincing signs of being a genius at chess. His father (Joe Mantegna) encourages this, hoping that it won't fundamentally change his son's healthy outlook on life. But Josh is taken under the wing of cold-blooded chess instructor Bruce Pandolfini (Ben Kingsley), who indoctrinates the boy in the "Bobby Fischer" strategy. Unfortunately, Pandolfini emphasizes all of Fischer's negative traits, especially his contempt for his opponents. Josh is in danger throughout the film of sacrificing his essential decency, but in a rousing conclusion, the boy is able to successfully blend ruthless competition with good sportsmanship. ~ Hal Erickson, All Movie Guide | Searching for Bobby Fischer | 98236d93-ce98-fa79-fd46-e437fd2b5634 | Who is the movie inspired by? | [
"Josh Waitzkin",
"Chess prodigy Josh Waitzkin"
] | false |
/m/02rhjj | Searching for Bobby Fischer was inspired by the life of chess prodigy Josh Waitzkin, as written by his father Fred Waitzkin. Josh (Max Pomeranc) is a "regular kid" who begins evincing signs of being a genius at chess. His father (Joe Mantegna) encourages this, hoping that it won't fundamentally change his son's healthy outlook on life. But Josh is taken under the wing of cold-blooded chess instructor Bruce Pandolfini (Ben Kingsley), who indoctrinates the boy in the "Bobby Fischer" strategy. Unfortunately, Pandolfini emphasizes all of Fischer's negative traits, especially his contempt for his opponents. Josh is in danger throughout the film of sacrificing his essential decency, but in a rousing conclusion, the boy is able to successfully blend ruthless competition with good sportsmanship. ~ Hal Erickson, All Movie Guide | Searching for Bobby Fischer | 9fdb5cc2-eaa5-e4ab-602e-631fdf8b43a3 | Who is the staring of the film | [
"Joe Mantegna",
"Max Pomeranc, Joe Mantegna, and Ben Kingsley"
] | false |
/m/02rhjj | Searching for Bobby Fischer was inspired by the life of chess prodigy Josh Waitzkin, as written by his father Fred Waitzkin. Josh (Max Pomeranc) is a "regular kid" who begins evincing signs of being a genius at chess. His father (Joe Mantegna) encourages this, hoping that it won't fundamentally change his son's healthy outlook on life. But Josh is taken under the wing of cold-blooded chess instructor Bruce Pandolfini (Ben Kingsley), who indoctrinates the boy in the "Bobby Fischer" strategy. Unfortunately, Pandolfini emphasizes all of Fischer's negative traits, especially his contempt for his opponents. Josh is in danger throughout the film of sacrificing his essential decency, but in a rousing conclusion, the boy is able to successfully blend ruthless competition with good sportsmanship. ~ Hal Erickson, All Movie Guide | Searching for Bobby Fischer | 68943f25-886f-4ddd-2f53-39b64e523cd4 | What strategy does Josh use? | [
"The Bobby Fischer Strategy",
"The \"Bobby Fischer\" strategy"
] | false |
/m/02rhjj | Searching for Bobby Fischer was inspired by the life of chess prodigy Josh Waitzkin, as written by his father Fred Waitzkin. Josh (Max Pomeranc) is a "regular kid" who begins evincing signs of being a genius at chess. His father (Joe Mantegna) encourages this, hoping that it won't fundamentally change his son's healthy outlook on life. But Josh is taken under the wing of cold-blooded chess instructor Bruce Pandolfini (Ben Kingsley), who indoctrinates the boy in the "Bobby Fischer" strategy. Unfortunately, Pandolfini emphasizes all of Fischer's negative traits, especially his contempt for his opponents. Josh is in danger throughout the film of sacrificing his essential decency, but in a rousing conclusion, the boy is able to successfully blend ruthless competition with good sportsmanship. ~ Hal Erickson, All Movie Guide | Searching for Bobby Fischer | 6535603e-e45f-9599-d544-9de49a0ff76a | What is the name of Josh's chess instructor? | [
"Bruce Pandolfini",
"Bruce Pandolfini"
] | false |
/m/02rhjj | Searching for Bobby Fischer was inspired by the life of chess prodigy Josh Waitzkin, as written by his father Fred Waitzkin. Josh (Max Pomeranc) is a "regular kid" who begins evincing signs of being a genius at chess. His father (Joe Mantegna) encourages this, hoping that it won't fundamentally change his son's healthy outlook on life. But Josh is taken under the wing of cold-blooded chess instructor Bruce Pandolfini (Ben Kingsley), who indoctrinates the boy in the "Bobby Fischer" strategy. Unfortunately, Pandolfini emphasizes all of Fischer's negative traits, especially his contempt for his opponents. Josh is in danger throughout the film of sacrificing his essential decency, but in a rousing conclusion, the boy is able to successfully blend ruthless competition with good sportsmanship. ~ Hal Erickson, All Movie Guide | Searching for Bobby Fischer | 9b9ba2c6-6871-43eb-4721-8eaeead042eb | In which year the film released | [
"1993",
"No Answer"
] | false |
/m/0fbrd7 | Joe (Cage) is a professional freelance contract killer. He works strictly by the rules; He never socializes outside his work, he stays secluded in quiet spots, never meets his handlers and always leaves on time, leaving without a trace. He usually hires young pickpockets or small-time criminals as his local help, whom he usually murders after the end of the job to prevent any identification. He uses multiple aliases and also has middlemen between him and his handlers. He also carries a watch to perform a hit in specific time and correctly visualizes his every target.
After completing a hit in Prague and killing his current help, Joe travels to Bangkok for an assignment to assassinate four people for notorious Bangkok crime boss Surat, whom he never meets. Joe occasionally provides insight via voiceover narration throughout the film. He hires a local pickpocket with simple English knowledge, Kong, as his go-between in Bangkok, a condition of the contract being that the gang will never meet Joe. Contracts from the Bangkok gangsters are passed to Kong one by one via a nightclub dancer, Aom. Joe's first execution in Bangkok is done on motorcycle; when the target car stops at a red light, Joe kills all the passengers with a machine pistol.
Kong retrieves information about the second target, again via Aom, and the pair become friendlier with every contact. Before Joe executes his mission, Kong informs him of the target, Pramod Juntasa, another notorious gang lord and Surat's rival crime boss who acts as sex trafficker, buying young girls from impoverished parents and selling them after sex deals. Joe sneaks into the target's penthouse and drowns him in his pool. Unsatisfied with Kong's assistance, Joe contemplates killing him, but after a brief confrontation when Kong is ambushed by local gangsters regarding a briefcase containing information files of Surat's/Joe's targets, he instead decides to act as Kong's mentor and trains him for self-defense.
Midway through the movie, Joe meets Fon, a deaf-mute pharmacist, with whom he becomes intrigued after a brief consultation. Joe later returns to the pharmacy to invite Fon out for dinner. Soon after Joe falls for Fon and meets her mother. The affair is cut short when he shoots and kills two assailants in Fon's presence. Blood splatters on Fon, and she runs off, trembling and traumatized by the violent deaths. Feeling betrayed, Fon cannot forgive Joe and ends their relationship.
Before the third kill, the gang attempts to identify Joe, and he warns them off. For the third execution that takes place at the Damnoen Saduak market, Kong assists Joe. The kill does not go as planned, and the target nearly gets away but Joe manages to catch and assassinate him. Before beginning his last mission Joe visits Fon, presumably to say goodbye. She initially ignores him but as Joe begins to drive away she runs after his car.
His fourth target is the Prime Minister of Thailand. Joe is about to make the kill when he has second thoughts, is spotted, and escapes through a panicking crowd. Meanwhile, the gang has abducted Aom and Kong with plans to execute them. Joe, now a target, is attacked at his house by four of Surat's henchmen. He uses explosives to take them out and is faced with the choice of rescuing Kong or leaving the country unharmed. Joe decides to rescue Kong, so he sets off to the gang's headquarters with one of the half-alive attackers.
Joe goes to the gang's headquarters, kills most of the gang including Surat's underboss/bodyguard (who is blown into half by explosives), and saves Kong and Aom. The fearful gang leader flees to his car with three other accomplices. Joe spots him and shoots the gang members, then gets into the back seat with Surat. As the police arrive at the location, Joe realizes he has only one bullet. He puts his head adjacent to Surat's, puts the gun up to his temple and pulls the trigger, killing himself and Surat. | Bangkok Dangerous | a32ff91c-fd42-116d-b575-e41eb760c00c | How many gang members attack Joe at his house? | [
"Four",
"Two."
] | false |
/m/0fbrd7 | Joe (Cage) is a professional freelance contract killer. He works strictly by the rules; He never socializes outside his work, he stays secluded in quiet spots, never meets his handlers and always leaves on time, leaving without a trace. He usually hires young pickpockets or small-time criminals as his local help, whom he usually murders after the end of the job to prevent any identification. He uses multiple aliases and also has middlemen between him and his handlers. He also carries a watch to perform a hit in specific time and correctly visualizes his every target.
After completing a hit in Prague and killing his current help, Joe travels to Bangkok for an assignment to assassinate four people for notorious Bangkok crime boss Surat, whom he never meets. Joe occasionally provides insight via voiceover narration throughout the film. He hires a local pickpocket with simple English knowledge, Kong, as his go-between in Bangkok, a condition of the contract being that the gang will never meet Joe. Contracts from the Bangkok gangsters are passed to Kong one by one via a nightclub dancer, Aom. Joe's first execution in Bangkok is done on motorcycle; when the target car stops at a red light, Joe kills all the passengers with a machine pistol.
Kong retrieves information about the second target, again via Aom, and the pair become friendlier with every contact. Before Joe executes his mission, Kong informs him of the target, Pramod Juntasa, another notorious gang lord and Surat's rival crime boss who acts as sex trafficker, buying young girls from impoverished parents and selling them after sex deals. Joe sneaks into the target's penthouse and drowns him in his pool. Unsatisfied with Kong's assistance, Joe contemplates killing him, but after a brief confrontation when Kong is ambushed by local gangsters regarding a briefcase containing information files of Surat's/Joe's targets, he instead decides to act as Kong's mentor and trains him for self-defense.
Midway through the movie, Joe meets Fon, a deaf-mute pharmacist, with whom he becomes intrigued after a brief consultation. Joe later returns to the pharmacy to invite Fon out for dinner. Soon after Joe falls for Fon and meets her mother. The affair is cut short when he shoots and kills two assailants in Fon's presence. Blood splatters on Fon, and she runs off, trembling and traumatized by the violent deaths. Feeling betrayed, Fon cannot forgive Joe and ends their relationship.
Before the third kill, the gang attempts to identify Joe, and he warns them off. For the third execution that takes place at the Damnoen Saduak market, Kong assists Joe. The kill does not go as planned, and the target nearly gets away but Joe manages to catch and assassinate him. Before beginning his last mission Joe visits Fon, presumably to say goodbye. She initially ignores him but as Joe begins to drive away she runs after his car.
His fourth target is the Prime Minister of Thailand. Joe is about to make the kill when he has second thoughts, is spotted, and escapes through a panicking crowd. Meanwhile, the gang has abducted Aom and Kong with plans to execute them. Joe, now a target, is attacked at his house by four of Surat's henchmen. He uses explosives to take them out and is faced with the choice of rescuing Kong or leaving the country unharmed. Joe decides to rescue Kong, so he sets off to the gang's headquarters with one of the half-alive attackers.
Joe goes to the gang's headquarters, kills most of the gang including Surat's underboss/bodyguard (who is blown into half by explosives), and saves Kong and Aom. The fearful gang leader flees to his car with three other accomplices. Joe spots him and shoots the gang members, then gets into the back seat with Surat. As the police arrive at the location, Joe realizes he has only one bullet. He puts his head adjacent to Surat's, puts the gun up to his temple and pulls the trigger, killing himself and Surat. | Bangkok Dangerous | 75441593-efc2-197f-510c-c8baa78401d3 | Who is Kong? | [
"Killer",
"Someone Joe saves",
"a local pickpocket with simple English knowledge"
] | false |
/m/0fbrd7 | Joe (Cage) is a professional freelance contract killer. He works strictly by the rules; He never socializes outside his work, he stays secluded in quiet spots, never meets his handlers and always leaves on time, leaving without a trace. He usually hires young pickpockets or small-time criminals as his local help, whom he usually murders after the end of the job to prevent any identification. He uses multiple aliases and also has middlemen between him and his handlers. He also carries a watch to perform a hit in specific time and correctly visualizes his every target.
After completing a hit in Prague and killing his current help, Joe travels to Bangkok for an assignment to assassinate four people for notorious Bangkok crime boss Surat, whom he never meets. Joe occasionally provides insight via voiceover narration throughout the film. He hires a local pickpocket with simple English knowledge, Kong, as his go-between in Bangkok, a condition of the contract being that the gang will never meet Joe. Contracts from the Bangkok gangsters are passed to Kong one by one via a nightclub dancer, Aom. Joe's first execution in Bangkok is done on motorcycle; when the target car stops at a red light, Joe kills all the passengers with a machine pistol.
Kong retrieves information about the second target, again via Aom, and the pair become friendlier with every contact. Before Joe executes his mission, Kong informs him of the target, Pramod Juntasa, another notorious gang lord and Surat's rival crime boss who acts as sex trafficker, buying young girls from impoverished parents and selling them after sex deals. Joe sneaks into the target's penthouse and drowns him in his pool. Unsatisfied with Kong's assistance, Joe contemplates killing him, but after a brief confrontation when Kong is ambushed by local gangsters regarding a briefcase containing information files of Surat's/Joe's targets, he instead decides to act as Kong's mentor and trains him for self-defense.
Midway through the movie, Joe meets Fon, a deaf-mute pharmacist, with whom he becomes intrigued after a brief consultation. Joe later returns to the pharmacy to invite Fon out for dinner. Soon after Joe falls for Fon and meets her mother. The affair is cut short when he shoots and kills two assailants in Fon's presence. Blood splatters on Fon, and she runs off, trembling and traumatized by the violent deaths. Feeling betrayed, Fon cannot forgive Joe and ends their relationship.
Before the third kill, the gang attempts to identify Joe, and he warns them off. For the third execution that takes place at the Damnoen Saduak market, Kong assists Joe. The kill does not go as planned, and the target nearly gets away but Joe manages to catch and assassinate him. Before beginning his last mission Joe visits Fon, presumably to say goodbye. She initially ignores him but as Joe begins to drive away she runs after his car.
His fourth target is the Prime Minister of Thailand. Joe is about to make the kill when he has second thoughts, is spotted, and escapes through a panicking crowd. Meanwhile, the gang has abducted Aom and Kong with plans to execute them. Joe, now a target, is attacked at his house by four of Surat's henchmen. He uses explosives to take them out and is faced with the choice of rescuing Kong or leaving the country unharmed. Joe decides to rescue Kong, so he sets off to the gang's headquarters with one of the half-alive attackers.
Joe goes to the gang's headquarters, kills most of the gang including Surat's underboss/bodyguard (who is blown into half by explosives), and saves Kong and Aom. The fearful gang leader flees to his car with three other accomplices. Joe spots him and shoots the gang members, then gets into the back seat with Surat. As the police arrive at the location, Joe realizes he has only one bullet. He puts his head adjacent to Surat's, puts the gun up to his temple and pulls the trigger, killing himself and Surat. | Bangkok Dangerous | a4d1e2c8-c228-3b6d-e28b-2593f0aa4fc5 | Who does Joe hire in Bangkok? | [
"He hires a local pickpocket with simple English knowledge, Kong",
"a local Thai pickpocket named kong",
"not mentioned",
"Kong"
] | false |
/m/0fbrd7 | Joe (Cage) is a professional freelance contract killer. He works strictly by the rules; He never socializes outside his work, he stays secluded in quiet spots, never meets his handlers and always leaves on time, leaving without a trace. He usually hires young pickpockets or small-time criminals as his local help, whom he usually murders after the end of the job to prevent any identification. He uses multiple aliases and also has middlemen between him and his handlers. He also carries a watch to perform a hit in specific time and correctly visualizes his every target.
After completing a hit in Prague and killing his current help, Joe travels to Bangkok for an assignment to assassinate four people for notorious Bangkok crime boss Surat, whom he never meets. Joe occasionally provides insight via voiceover narration throughout the film. He hires a local pickpocket with simple English knowledge, Kong, as his go-between in Bangkok, a condition of the contract being that the gang will never meet Joe. Contracts from the Bangkok gangsters are passed to Kong one by one via a nightclub dancer, Aom. Joe's first execution in Bangkok is done on motorcycle; when the target car stops at a red light, Joe kills all the passengers with a machine pistol.
Kong retrieves information about the second target, again via Aom, and the pair become friendlier with every contact. Before Joe executes his mission, Kong informs him of the target, Pramod Juntasa, another notorious gang lord and Surat's rival crime boss who acts as sex trafficker, buying young girls from impoverished parents and selling them after sex deals. Joe sneaks into the target's penthouse and drowns him in his pool. Unsatisfied with Kong's assistance, Joe contemplates killing him, but after a brief confrontation when Kong is ambushed by local gangsters regarding a briefcase containing information files of Surat's/Joe's targets, he instead decides to act as Kong's mentor and trains him for self-defense.
Midway through the movie, Joe meets Fon, a deaf-mute pharmacist, with whom he becomes intrigued after a brief consultation. Joe later returns to the pharmacy to invite Fon out for dinner. Soon after Joe falls for Fon and meets her mother. The affair is cut short when he shoots and kills two assailants in Fon's presence. Blood splatters on Fon, and she runs off, trembling and traumatized by the violent deaths. Feeling betrayed, Fon cannot forgive Joe and ends their relationship.
Before the third kill, the gang attempts to identify Joe, and he warns them off. For the third execution that takes place at the Damnoen Saduak market, Kong assists Joe. The kill does not go as planned, and the target nearly gets away but Joe manages to catch and assassinate him. Before beginning his last mission Joe visits Fon, presumably to say goodbye. She initially ignores him but as Joe begins to drive away she runs after his car.
His fourth target is the Prime Minister of Thailand. Joe is about to make the kill when he has second thoughts, is spotted, and escapes through a panicking crowd. Meanwhile, the gang has abducted Aom and Kong with plans to execute them. Joe, now a target, is attacked at his house by four of Surat's henchmen. He uses explosives to take them out and is faced with the choice of rescuing Kong or leaving the country unharmed. Joe decides to rescue Kong, so he sets off to the gang's headquarters with one of the half-alive attackers.
Joe goes to the gang's headquarters, kills most of the gang including Surat's underboss/bodyguard (who is blown into half by explosives), and saves Kong and Aom. The fearful gang leader flees to his car with three other accomplices. Joe spots him and shoots the gang members, then gets into the back seat with Surat. As the police arrive at the location, Joe realizes he has only one bullet. He puts his head adjacent to Surat's, puts the gun up to his temple and pulls the trigger, killing himself and Surat. | Bangkok Dangerous | b7417a58-3dd7-9835-ec64-d118c896f673 | Where does hitman joe go for a month long assignment? | [
"bangkok",
"Thailand",
"not mentioned",
"Damnoen Saduak market",
"Bangkok"
] | false |
/m/0fbrd7 | Joe (Cage) is a professional freelance contract killer. He works strictly by the rules; He never socializes outside his work, he stays secluded in quiet spots, never meets his handlers and always leaves on time, leaving without a trace. He usually hires young pickpockets or small-time criminals as his local help, whom he usually murders after the end of the job to prevent any identification. He uses multiple aliases and also has middlemen between him and his handlers. He also carries a watch to perform a hit in specific time and correctly visualizes his every target.
After completing a hit in Prague and killing his current help, Joe travels to Bangkok for an assignment to assassinate four people for notorious Bangkok crime boss Surat, whom he never meets. Joe occasionally provides insight via voiceover narration throughout the film. He hires a local pickpocket with simple English knowledge, Kong, as his go-between in Bangkok, a condition of the contract being that the gang will never meet Joe. Contracts from the Bangkok gangsters are passed to Kong one by one via a nightclub dancer, Aom. Joe's first execution in Bangkok is done on motorcycle; when the target car stops at a red light, Joe kills all the passengers with a machine pistol.
Kong retrieves information about the second target, again via Aom, and the pair become friendlier with every contact. Before Joe executes his mission, Kong informs him of the target, Pramod Juntasa, another notorious gang lord and Surat's rival crime boss who acts as sex trafficker, buying young girls from impoverished parents and selling them after sex deals. Joe sneaks into the target's penthouse and drowns him in his pool. Unsatisfied with Kong's assistance, Joe contemplates killing him, but after a brief confrontation when Kong is ambushed by local gangsters regarding a briefcase containing information files of Surat's/Joe's targets, he instead decides to act as Kong's mentor and trains him for self-defense.
Midway through the movie, Joe meets Fon, a deaf-mute pharmacist, with whom he becomes intrigued after a brief consultation. Joe later returns to the pharmacy to invite Fon out for dinner. Soon after Joe falls for Fon and meets her mother. The affair is cut short when he shoots and kills two assailants in Fon's presence. Blood splatters on Fon, and she runs off, trembling and traumatized by the violent deaths. Feeling betrayed, Fon cannot forgive Joe and ends their relationship.
Before the third kill, the gang attempts to identify Joe, and he warns them off. For the third execution that takes place at the Damnoen Saduak market, Kong assists Joe. The kill does not go as planned, and the target nearly gets away but Joe manages to catch and assassinate him. Before beginning his last mission Joe visits Fon, presumably to say goodbye. She initially ignores him but as Joe begins to drive away she runs after his car.
His fourth target is the Prime Minister of Thailand. Joe is about to make the kill when he has second thoughts, is spotted, and escapes through a panicking crowd. Meanwhile, the gang has abducted Aom and Kong with plans to execute them. Joe, now a target, is attacked at his house by four of Surat's henchmen. He uses explosives to take them out and is faced with the choice of rescuing Kong or leaving the country unharmed. Joe decides to rescue Kong, so he sets off to the gang's headquarters with one of the half-alive attackers.
Joe goes to the gang's headquarters, kills most of the gang including Surat's underboss/bodyguard (who is blown into half by explosives), and saves Kong and Aom. The fearful gang leader flees to his car with three other accomplices. Joe spots him and shoots the gang members, then gets into the back seat with Surat. As the police arrive at the location, Joe realizes he has only one bullet. He puts his head adjacent to Surat's, puts the gun up to his temple and pulls the trigger, killing himself and Surat. | Bangkok Dangerous | 954d7b22-fed3-38f3-2113-6c2bfc67cc43 | Who is Hitman Joe's fourth target? | [
"Surat",
"Prime minister"
] | false |
/m/0fbrd7 | Joe (Cage) is a professional freelance contract killer. He works strictly by the rules; He never socializes outside his work, he stays secluded in quiet spots, never meets his handlers and always leaves on time, leaving without a trace. He usually hires young pickpockets or small-time criminals as his local help, whom he usually murders after the end of the job to prevent any identification. He uses multiple aliases and also has middlemen between him and his handlers. He also carries a watch to perform a hit in specific time and correctly visualizes his every target.
After completing a hit in Prague and killing his current help, Joe travels to Bangkok for an assignment to assassinate four people for notorious Bangkok crime boss Surat, whom he never meets. Joe occasionally provides insight via voiceover narration throughout the film. He hires a local pickpocket with simple English knowledge, Kong, as his go-between in Bangkok, a condition of the contract being that the gang will never meet Joe. Contracts from the Bangkok gangsters are passed to Kong one by one via a nightclub dancer, Aom. Joe's first execution in Bangkok is done on motorcycle; when the target car stops at a red light, Joe kills all the passengers with a machine pistol.
Kong retrieves information about the second target, again via Aom, and the pair become friendlier with every contact. Before Joe executes his mission, Kong informs him of the target, Pramod Juntasa, another notorious gang lord and Surat's rival crime boss who acts as sex trafficker, buying young girls from impoverished parents and selling them after sex deals. Joe sneaks into the target's penthouse and drowns him in his pool. Unsatisfied with Kong's assistance, Joe contemplates killing him, but after a brief confrontation when Kong is ambushed by local gangsters regarding a briefcase containing information files of Surat's/Joe's targets, he instead decides to act as Kong's mentor and trains him for self-defense.
Midway through the movie, Joe meets Fon, a deaf-mute pharmacist, with whom he becomes intrigued after a brief consultation. Joe later returns to the pharmacy to invite Fon out for dinner. Soon after Joe falls for Fon and meets her mother. The affair is cut short when he shoots and kills two assailants in Fon's presence. Blood splatters on Fon, and she runs off, trembling and traumatized by the violent deaths. Feeling betrayed, Fon cannot forgive Joe and ends their relationship.
Before the third kill, the gang attempts to identify Joe, and he warns them off. For the third execution that takes place at the Damnoen Saduak market, Kong assists Joe. The kill does not go as planned, and the target nearly gets away but Joe manages to catch and assassinate him. Before beginning his last mission Joe visits Fon, presumably to say goodbye. She initially ignores him but as Joe begins to drive away she runs after his car.
His fourth target is the Prime Minister of Thailand. Joe is about to make the kill when he has second thoughts, is spotted, and escapes through a panicking crowd. Meanwhile, the gang has abducted Aom and Kong with plans to execute them. Joe, now a target, is attacked at his house by four of Surat's henchmen. He uses explosives to take them out and is faced with the choice of rescuing Kong or leaving the country unharmed. Joe decides to rescue Kong, so he sets off to the gang's headquarters with one of the half-alive attackers.
Joe goes to the gang's headquarters, kills most of the gang including Surat's underboss/bodyguard (who is blown into half by explosives), and saves Kong and Aom. The fearful gang leader flees to his car with three other accomplices. Joe spots him and shoots the gang members, then gets into the back seat with Surat. As the police arrive at the location, Joe realizes he has only one bullet. He puts his head adjacent to Surat's, puts the gun up to his temple and pulls the trigger, killing himself and Surat. | Bangkok Dangerous | 43f83ec1-f92a-d7c4-d5ce-594ea4ad8c03 | Who is Hitman Joe's fourth target? | [
"Fon",
"Prime Minister of Thailand"
] | false |
/m/0fbrd7 | Joe (Cage) is a professional freelance contract killer. He works strictly by the rules; He never socializes outside his work, he stays secluded in quiet spots, never meets his handlers and always leaves on time, leaving without a trace. He usually hires young pickpockets or small-time criminals as his local help, whom he usually murders after the end of the job to prevent any identification. He uses multiple aliases and also has middlemen between him and his handlers. He also carries a watch to perform a hit in specific time and correctly visualizes his every target.
After completing a hit in Prague and killing his current help, Joe travels to Bangkok for an assignment to assassinate four people for notorious Bangkok crime boss Surat, whom he never meets. Joe occasionally provides insight via voiceover narration throughout the film. He hires a local pickpocket with simple English knowledge, Kong, as his go-between in Bangkok, a condition of the contract being that the gang will never meet Joe. Contracts from the Bangkok gangsters are passed to Kong one by one via a nightclub dancer, Aom. Joe's first execution in Bangkok is done on motorcycle; when the target car stops at a red light, Joe kills all the passengers with a machine pistol.
Kong retrieves information about the second target, again via Aom, and the pair become friendlier with every contact. Before Joe executes his mission, Kong informs him of the target, Pramod Juntasa, another notorious gang lord and Surat's rival crime boss who acts as sex trafficker, buying young girls from impoverished parents and selling them after sex deals. Joe sneaks into the target's penthouse and drowns him in his pool. Unsatisfied with Kong's assistance, Joe contemplates killing him, but after a brief confrontation when Kong is ambushed by local gangsters regarding a briefcase containing information files of Surat's/Joe's targets, he instead decides to act as Kong's mentor and trains him for self-defense.
Midway through the movie, Joe meets Fon, a deaf-mute pharmacist, with whom he becomes intrigued after a brief consultation. Joe later returns to the pharmacy to invite Fon out for dinner. Soon after Joe falls for Fon and meets her mother. The affair is cut short when he shoots and kills two assailants in Fon's presence. Blood splatters on Fon, and she runs off, trembling and traumatized by the violent deaths. Feeling betrayed, Fon cannot forgive Joe and ends their relationship.
Before the third kill, the gang attempts to identify Joe, and he warns them off. For the third execution that takes place at the Damnoen Saduak market, Kong assists Joe. The kill does not go as planned, and the target nearly gets away but Joe manages to catch and assassinate him. Before beginning his last mission Joe visits Fon, presumably to say goodbye. She initially ignores him but as Joe begins to drive away she runs after his car.
His fourth target is the Prime Minister of Thailand. Joe is about to make the kill when he has second thoughts, is spotted, and escapes through a panicking crowd. Meanwhile, the gang has abducted Aom and Kong with plans to execute them. Joe, now a target, is attacked at his house by four of Surat's henchmen. He uses explosives to take them out and is faced with the choice of rescuing Kong or leaving the country unharmed. Joe decides to rescue Kong, so he sets off to the gang's headquarters with one of the half-alive attackers.
Joe goes to the gang's headquarters, kills most of the gang including Surat's underboss/bodyguard (who is blown into half by explosives), and saves Kong and Aom. The fearful gang leader flees to his car with three other accomplices. Joe spots him and shoots the gang members, then gets into the back seat with Surat. As the police arrive at the location, Joe realizes he has only one bullet. He puts his head adjacent to Surat's, puts the gun up to his temple and pulls the trigger, killing himself and Surat. | Bangkok Dangerous | 0ac18e94-1bed-6197-99a6-14ca3007e40d | Why does Hitman Joe go to Bangkok? | [
"not mentioned",
"To assassinate the president of Thailand",
"To assassinate four people",
"Joe travels to Bangkok for an assignment to assassinate four people",
"To assassinate"
] | false |
/m/0fbrd7 | Joe (Cage) is a professional freelance contract killer. He works strictly by the rules; He never socializes outside his work, he stays secluded in quiet spots, never meets his handlers and always leaves on time, leaving without a trace. He usually hires young pickpockets or small-time criminals as his local help, whom he usually murders after the end of the job to prevent any identification. He uses multiple aliases and also has middlemen between him and his handlers. He also carries a watch to perform a hit in specific time and correctly visualizes his every target.
After completing a hit in Prague and killing his current help, Joe travels to Bangkok for an assignment to assassinate four people for notorious Bangkok crime boss Surat, whom he never meets. Joe occasionally provides insight via voiceover narration throughout the film. He hires a local pickpocket with simple English knowledge, Kong, as his go-between in Bangkok, a condition of the contract being that the gang will never meet Joe. Contracts from the Bangkok gangsters are passed to Kong one by one via a nightclub dancer, Aom. Joe's first execution in Bangkok is done on motorcycle; when the target car stops at a red light, Joe kills all the passengers with a machine pistol.
Kong retrieves information about the second target, again via Aom, and the pair become friendlier with every contact. Before Joe executes his mission, Kong informs him of the target, Pramod Juntasa, another notorious gang lord and Surat's rival crime boss who acts as sex trafficker, buying young girls from impoverished parents and selling them after sex deals. Joe sneaks into the target's penthouse and drowns him in his pool. Unsatisfied with Kong's assistance, Joe contemplates killing him, but after a brief confrontation when Kong is ambushed by local gangsters regarding a briefcase containing information files of Surat's/Joe's targets, he instead decides to act as Kong's mentor and trains him for self-defense.
Midway through the movie, Joe meets Fon, a deaf-mute pharmacist, with whom he becomes intrigued after a brief consultation. Joe later returns to the pharmacy to invite Fon out for dinner. Soon after Joe falls for Fon and meets her mother. The affair is cut short when he shoots and kills two assailants in Fon's presence. Blood splatters on Fon, and she runs off, trembling and traumatized by the violent deaths. Feeling betrayed, Fon cannot forgive Joe and ends their relationship.
Before the third kill, the gang attempts to identify Joe, and he warns them off. For the third execution that takes place at the Damnoen Saduak market, Kong assists Joe. The kill does not go as planned, and the target nearly gets away but Joe manages to catch and assassinate him. Before beginning his last mission Joe visits Fon, presumably to say goodbye. She initially ignores him but as Joe begins to drive away she runs after his car.
His fourth target is the Prime Minister of Thailand. Joe is about to make the kill when he has second thoughts, is spotted, and escapes through a panicking crowd. Meanwhile, the gang has abducted Aom and Kong with plans to execute them. Joe, now a target, is attacked at his house by four of Surat's henchmen. He uses explosives to take them out and is faced with the choice of rescuing Kong or leaving the country unharmed. Joe decides to rescue Kong, so he sets off to the gang's headquarters with one of the half-alive attackers.
Joe goes to the gang's headquarters, kills most of the gang including Surat's underboss/bodyguard (who is blown into half by explosives), and saves Kong and Aom. The fearful gang leader flees to his car with three other accomplices. Joe spots him and shoots the gang members, then gets into the back seat with Surat. As the police arrive at the location, Joe realizes he has only one bullet. He puts his head adjacent to Surat's, puts the gun up to his temple and pulls the trigger, killing himself and Surat. | Bangkok Dangerous | 11cba33a-3d15-78bd-0768-eaa4e599bcd7 | Who does Hitman Joe hire as his go-between in Bangkok? | [
"Young criminals",
"Use explosives",
"no naswer",
"Kong"
] | false |
/m/0fbrd7 | Joe (Cage) is a professional freelance contract killer. He works strictly by the rules; He never socializes outside his work, he stays secluded in quiet spots, never meets his handlers and always leaves on time, leaving without a trace. He usually hires young pickpockets or small-time criminals as his local help, whom he usually murders after the end of the job to prevent any identification. He uses multiple aliases and also has middlemen between him and his handlers. He also carries a watch to perform a hit in specific time and correctly visualizes his every target.
After completing a hit in Prague and killing his current help, Joe travels to Bangkok for an assignment to assassinate four people for notorious Bangkok crime boss Surat, whom he never meets. Joe occasionally provides insight via voiceover narration throughout the film. He hires a local pickpocket with simple English knowledge, Kong, as his go-between in Bangkok, a condition of the contract being that the gang will never meet Joe. Contracts from the Bangkok gangsters are passed to Kong one by one via a nightclub dancer, Aom. Joe's first execution in Bangkok is done on motorcycle; when the target car stops at a red light, Joe kills all the passengers with a machine pistol.
Kong retrieves information about the second target, again via Aom, and the pair become friendlier with every contact. Before Joe executes his mission, Kong informs him of the target, Pramod Juntasa, another notorious gang lord and Surat's rival crime boss who acts as sex trafficker, buying young girls from impoverished parents and selling them after sex deals. Joe sneaks into the target's penthouse and drowns him in his pool. Unsatisfied with Kong's assistance, Joe contemplates killing him, but after a brief confrontation when Kong is ambushed by local gangsters regarding a briefcase containing information files of Surat's/Joe's targets, he instead decides to act as Kong's mentor and trains him for self-defense.
Midway through the movie, Joe meets Fon, a deaf-mute pharmacist, with whom he becomes intrigued after a brief consultation. Joe later returns to the pharmacy to invite Fon out for dinner. Soon after Joe falls for Fon and meets her mother. The affair is cut short when he shoots and kills two assailants in Fon's presence. Blood splatters on Fon, and she runs off, trembling and traumatized by the violent deaths. Feeling betrayed, Fon cannot forgive Joe and ends their relationship.
Before the third kill, the gang attempts to identify Joe, and he warns them off. For the third execution that takes place at the Damnoen Saduak market, Kong assists Joe. The kill does not go as planned, and the target nearly gets away but Joe manages to catch and assassinate him. Before beginning his last mission Joe visits Fon, presumably to say goodbye. She initially ignores him but as Joe begins to drive away she runs after his car.
His fourth target is the Prime Minister of Thailand. Joe is about to make the kill when he has second thoughts, is spotted, and escapes through a panicking crowd. Meanwhile, the gang has abducted Aom and Kong with plans to execute them. Joe, now a target, is attacked at his house by four of Surat's henchmen. He uses explosives to take them out and is faced with the choice of rescuing Kong or leaving the country unharmed. Joe decides to rescue Kong, so he sets off to the gang's headquarters with one of the half-alive attackers.
Joe goes to the gang's headquarters, kills most of the gang including Surat's underboss/bodyguard (who is blown into half by explosives), and saves Kong and Aom. The fearful gang leader flees to his car with three other accomplices. Joe spots him and shoots the gang members, then gets into the back seat with Surat. As the police arrive at the location, Joe realizes he has only one bullet. He puts his head adjacent to Surat's, puts the gun up to his temple and pulls the trigger, killing himself and Surat. | Bangkok Dangerous | f3371a95-c340-36b3-c830-949a1ebd2fa4 | What is the name of the Bangkok gang lord? | [
"Surat",
"Henchman",
"Pramod Juntasa"
] | false |
/m/0fbrd7 | Joe (Cage) is a professional freelance contract killer. He works strictly by the rules; He never socializes outside his work, he stays secluded in quiet spots, never meets his handlers and always leaves on time, leaving without a trace. He usually hires young pickpockets or small-time criminals as his local help, whom he usually murders after the end of the job to prevent any identification. He uses multiple aliases and also has middlemen between him and his handlers. He also carries a watch to perform a hit in specific time and correctly visualizes his every target.
After completing a hit in Prague and killing his current help, Joe travels to Bangkok for an assignment to assassinate four people for notorious Bangkok crime boss Surat, whom he never meets. Joe occasionally provides insight via voiceover narration throughout the film. He hires a local pickpocket with simple English knowledge, Kong, as his go-between in Bangkok, a condition of the contract being that the gang will never meet Joe. Contracts from the Bangkok gangsters are passed to Kong one by one via a nightclub dancer, Aom. Joe's first execution in Bangkok is done on motorcycle; when the target car stops at a red light, Joe kills all the passengers with a machine pistol.
Kong retrieves information about the second target, again via Aom, and the pair become friendlier with every contact. Before Joe executes his mission, Kong informs him of the target, Pramod Juntasa, another notorious gang lord and Surat's rival crime boss who acts as sex trafficker, buying young girls from impoverished parents and selling them after sex deals. Joe sneaks into the target's penthouse and drowns him in his pool. Unsatisfied with Kong's assistance, Joe contemplates killing him, but after a brief confrontation when Kong is ambushed by local gangsters regarding a briefcase containing information files of Surat's/Joe's targets, he instead decides to act as Kong's mentor and trains him for self-defense.
Midway through the movie, Joe meets Fon, a deaf-mute pharmacist, with whom he becomes intrigued after a brief consultation. Joe later returns to the pharmacy to invite Fon out for dinner. Soon after Joe falls for Fon and meets her mother. The affair is cut short when he shoots and kills two assailants in Fon's presence. Blood splatters on Fon, and she runs off, trembling and traumatized by the violent deaths. Feeling betrayed, Fon cannot forgive Joe and ends their relationship.
Before the third kill, the gang attempts to identify Joe, and he warns them off. For the third execution that takes place at the Damnoen Saduak market, Kong assists Joe. The kill does not go as planned, and the target nearly gets away but Joe manages to catch and assassinate him. Before beginning his last mission Joe visits Fon, presumably to say goodbye. She initially ignores him but as Joe begins to drive away she runs after his car.
His fourth target is the Prime Minister of Thailand. Joe is about to make the kill when he has second thoughts, is spotted, and escapes through a panicking crowd. Meanwhile, the gang has abducted Aom and Kong with plans to execute them. Joe, now a target, is attacked at his house by four of Surat's henchmen. He uses explosives to take them out and is faced with the choice of rescuing Kong or leaving the country unharmed. Joe decides to rescue Kong, so he sets off to the gang's headquarters with one of the half-alive attackers.
Joe goes to the gang's headquarters, kills most of the gang including Surat's underboss/bodyguard (who is blown into half by explosives), and saves Kong and Aom. The fearful gang leader flees to his car with three other accomplices. Joe spots him and shoots the gang members, then gets into the back seat with Surat. As the police arrive at the location, Joe realizes he has only one bullet. He puts his head adjacent to Surat's, puts the gun up to his temple and pulls the trigger, killing himself and Surat. | Bangkok Dangerous | eab06749-02d5-2c7f-4e0c-f526ac9dc64e | Why does Joe go to Bangkok? | [
"To Kill",
"not mentioned",
"for an assignment",
"To assasinate the President of Thailand",
"Joe travels to Bangkok for an assignment to assassinate four people"
] | false |
/m/0fbrd7 | Joe (Cage) is a professional freelance contract killer. He works strictly by the rules; He never socializes outside his work, he stays secluded in quiet spots, never meets his handlers and always leaves on time, leaving without a trace. He usually hires young pickpockets or small-time criminals as his local help, whom he usually murders after the end of the job to prevent any identification. He uses multiple aliases and also has middlemen between him and his handlers. He also carries a watch to perform a hit in specific time and correctly visualizes his every target.
After completing a hit in Prague and killing his current help, Joe travels to Bangkok for an assignment to assassinate four people for notorious Bangkok crime boss Surat, whom he never meets. Joe occasionally provides insight via voiceover narration throughout the film. He hires a local pickpocket with simple English knowledge, Kong, as his go-between in Bangkok, a condition of the contract being that the gang will never meet Joe. Contracts from the Bangkok gangsters are passed to Kong one by one via a nightclub dancer, Aom. Joe's first execution in Bangkok is done on motorcycle; when the target car stops at a red light, Joe kills all the passengers with a machine pistol.
Kong retrieves information about the second target, again via Aom, and the pair become friendlier with every contact. Before Joe executes his mission, Kong informs him of the target, Pramod Juntasa, another notorious gang lord and Surat's rival crime boss who acts as sex trafficker, buying young girls from impoverished parents and selling them after sex deals. Joe sneaks into the target's penthouse and drowns him in his pool. Unsatisfied with Kong's assistance, Joe contemplates killing him, but after a brief confrontation when Kong is ambushed by local gangsters regarding a briefcase containing information files of Surat's/Joe's targets, he instead decides to act as Kong's mentor and trains him for self-defense.
Midway through the movie, Joe meets Fon, a deaf-mute pharmacist, with whom he becomes intrigued after a brief consultation. Joe later returns to the pharmacy to invite Fon out for dinner. Soon after Joe falls for Fon and meets her mother. The affair is cut short when he shoots and kills two assailants in Fon's presence. Blood splatters on Fon, and she runs off, trembling and traumatized by the violent deaths. Feeling betrayed, Fon cannot forgive Joe and ends their relationship.
Before the third kill, the gang attempts to identify Joe, and he warns them off. For the third execution that takes place at the Damnoen Saduak market, Kong assists Joe. The kill does not go as planned, and the target nearly gets away but Joe manages to catch and assassinate him. Before beginning his last mission Joe visits Fon, presumably to say goodbye. She initially ignores him but as Joe begins to drive away she runs after his car.
His fourth target is the Prime Minister of Thailand. Joe is about to make the kill when he has second thoughts, is spotted, and escapes through a panicking crowd. Meanwhile, the gang has abducted Aom and Kong with plans to execute them. Joe, now a target, is attacked at his house by four of Surat's henchmen. He uses explosives to take them out and is faced with the choice of rescuing Kong or leaving the country unharmed. Joe decides to rescue Kong, so he sets off to the gang's headquarters with one of the half-alive attackers.
Joe goes to the gang's headquarters, kills most of the gang including Surat's underboss/bodyguard (who is blown into half by explosives), and saves Kong and Aom. The fearful gang leader flees to his car with three other accomplices. Joe spots him and shoots the gang members, then gets into the back seat with Surat. As the police arrive at the location, Joe realizes he has only one bullet. He puts his head adjacent to Surat's, puts the gun up to his temple and pulls the trigger, killing himself and Surat. | Bangkok Dangerous | 99fd2c61-833a-0b14-33c8-a8cfa10454d7 | Where is Joe's first execution done? | [
"not mentioned",
"Damnoen Saduak market",
"motorcycle"
] | false |
/m/0fbrd7 | Joe (Cage) is a professional freelance contract killer. He works strictly by the rules; He never socializes outside his work, he stays secluded in quiet spots, never meets his handlers and always leaves on time, leaving without a trace. He usually hires young pickpockets or small-time criminals as his local help, whom he usually murders after the end of the job to prevent any identification. He uses multiple aliases and also has middlemen between him and his handlers. He also carries a watch to perform a hit in specific time and correctly visualizes his every target.
After completing a hit in Prague and killing his current help, Joe travels to Bangkok for an assignment to assassinate four people for notorious Bangkok crime boss Surat, whom he never meets. Joe occasionally provides insight via voiceover narration throughout the film. He hires a local pickpocket with simple English knowledge, Kong, as his go-between in Bangkok, a condition of the contract being that the gang will never meet Joe. Contracts from the Bangkok gangsters are passed to Kong one by one via a nightclub dancer, Aom. Joe's first execution in Bangkok is done on motorcycle; when the target car stops at a red light, Joe kills all the passengers with a machine pistol.
Kong retrieves information about the second target, again via Aom, and the pair become friendlier with every contact. Before Joe executes his mission, Kong informs him of the target, Pramod Juntasa, another notorious gang lord and Surat's rival crime boss who acts as sex trafficker, buying young girls from impoverished parents and selling them after sex deals. Joe sneaks into the target's penthouse and drowns him in his pool. Unsatisfied with Kong's assistance, Joe contemplates killing him, but after a brief confrontation when Kong is ambushed by local gangsters regarding a briefcase containing information files of Surat's/Joe's targets, he instead decides to act as Kong's mentor and trains him for self-defense.
Midway through the movie, Joe meets Fon, a deaf-mute pharmacist, with whom he becomes intrigued after a brief consultation. Joe later returns to the pharmacy to invite Fon out for dinner. Soon after Joe falls for Fon and meets her mother. The affair is cut short when he shoots and kills two assailants in Fon's presence. Blood splatters on Fon, and she runs off, trembling and traumatized by the violent deaths. Feeling betrayed, Fon cannot forgive Joe and ends their relationship.
Before the third kill, the gang attempts to identify Joe, and he warns them off. For the third execution that takes place at the Damnoen Saduak market, Kong assists Joe. The kill does not go as planned, and the target nearly gets away but Joe manages to catch and assassinate him. Before beginning his last mission Joe visits Fon, presumably to say goodbye. She initially ignores him but as Joe begins to drive away she runs after his car.
His fourth target is the Prime Minister of Thailand. Joe is about to make the kill when he has second thoughts, is spotted, and escapes through a panicking crowd. Meanwhile, the gang has abducted Aom and Kong with plans to execute them. Joe, now a target, is attacked at his house by four of Surat's henchmen. He uses explosives to take them out and is faced with the choice of rescuing Kong or leaving the country unharmed. Joe decides to rescue Kong, so he sets off to the gang's headquarters with one of the half-alive attackers.
Joe goes to the gang's headquarters, kills most of the gang including Surat's underboss/bodyguard (who is blown into half by explosives), and saves Kong and Aom. The fearful gang leader flees to his car with three other accomplices. Joe spots him and shoots the gang members, then gets into the back seat with Surat. As the police arrive at the location, Joe realizes he has only one bullet. He puts his head adjacent to Surat's, puts the gun up to his temple and pulls the trigger, killing himself and Surat. | Bangkok Dangerous | 5ef3b221-f2ba-cf04-e259-35b939ad4e2c | How does Joe die? | [
"Use explosives",
"Shopts himself"
] | false |
/m/06m4p7 | A pharmaceutical company sends biochemist Dr. Rae Crane into the Amazonian Rainforest to check on Dr. Robert Campbell after he cuts off outside contact, his wife and research partner having left him.
Crane is bringing supplies (everything from golf balls to a gas chromatograph), but Campbell is upset that he was not given the research partner he had requested. He tries to send her home but Crane dismisses Campbell's attempts to spurn her, as her job is to evaluate whether the company should continue funding his research.Campbell reveals to her shock that he has found a cure for cancer, but that subsequent attempts to recreate the formula have failed.They wondered why peak 37 is not seen in the chromatograph. With the initial successful serum running dangerously low, Campbell has isolated a mysterious chemical compound connected to a species of flower and with Crane's help is determined to find its source.Time is of the essence, as a nearby logging company is building a road that is headed straight for the village. Campbell refuses to ask the pharmaceutical company for help, fearing that they would send in more researchers from the outside world, unintentionally wiping out the native population with exposure to foreign diseases.
Campbell reveals that a similar event previously had happened when he was conducting field research for a new pain reliever. He feels guilt at causing the death of an entire village, revealing that his wife left because he would not let her forgive him.A small boy shows symptoms of malignant neoplasms that will kill him if not treated. The boy's father takes him to find the village's previous medicine man, from whom Campbell had originally learned about the existence of the flowers. Campbell's presence caused the medicine man to feel overshadowed and leave. He is reluctant to face the medicine man again, but Crane convinces him they must.Campbell first rescues Crane from a fall, then locates the medicine man. Campbell is forced to fight him in an attempt to soothe the medicine man's hurt pride and gain information. Unhappily, the medicine man reveals that the flowers have no "juju." As a consolation, the father and ill son do agree to return.
Back at the village, Crane refuses to let Campbell use the last of the serum on the boy until they have managed to synthesize more of it. Faced with the prospect of letting a child die, Crane's conscience overcomes her hesitation. She saves the boy with the last of the working serum.The next morning, the boy is better but the village is in tumult. The logging road has nearly reached it. Campbell appeals to the company's workers to halt construction until he can conclude his research, but they refuse to stop the bulldozers without more conclusive proof.In desperation after their new samples fail to reveal the missing compound, Crane runs the chromatograph one more time. She accidentally discovers that the source of the cure is not the flower but a species of rare, indigenous ant.Campbell rushes to stop the construction. A fight results in a bulldozer catching fire, burning down the village and the research post along with many acres of rain forest.The next day, Crane promises to send Campbell new equipment and his originally requested research assistant. She is about to return home when she meets the old medicine man. He symbolically passes on his mantle to Campbell, and she accepts an invitation to continue working with Campbell in exchange for co-credit for the discovery. | Medicine Man | 34991cf1-cf82-34bd-0d25-3732a2554675 | What is the source of the cure? | [
"A species of rare, indigenous ant."
] | false |
/m/06m4p7 | A pharmaceutical company sends biochemist Dr. Rae Crane into the Amazonian Rainforest to check on Dr. Robert Campbell after he cuts off outside contact, his wife and research partner having left him.
Crane is bringing supplies (everything from golf balls to a gas chromatograph), but Campbell is upset that he was not given the research partner he had requested. He tries to send her home but Crane dismisses Campbell's attempts to spurn her, as her job is to evaluate whether the company should continue funding his research.Campbell reveals to her shock that he has found a cure for cancer, but that subsequent attempts to recreate the formula have failed.They wondered why peak 37 is not seen in the chromatograph. With the initial successful serum running dangerously low, Campbell has isolated a mysterious chemical compound connected to a species of flower and with Crane's help is determined to find its source.Time is of the essence, as a nearby logging company is building a road that is headed straight for the village. Campbell refuses to ask the pharmaceutical company for help, fearing that they would send in more researchers from the outside world, unintentionally wiping out the native population with exposure to foreign diseases.
Campbell reveals that a similar event previously had happened when he was conducting field research for a new pain reliever. He feels guilt at causing the death of an entire village, revealing that his wife left because he would not let her forgive him.A small boy shows symptoms of malignant neoplasms that will kill him if not treated. The boy's father takes him to find the village's previous medicine man, from whom Campbell had originally learned about the existence of the flowers. Campbell's presence caused the medicine man to feel overshadowed and leave. He is reluctant to face the medicine man again, but Crane convinces him they must.Campbell first rescues Crane from a fall, then locates the medicine man. Campbell is forced to fight him in an attempt to soothe the medicine man's hurt pride and gain information. Unhappily, the medicine man reveals that the flowers have no "juju." As a consolation, the father and ill son do agree to return.
Back at the village, Crane refuses to let Campbell use the last of the serum on the boy until they have managed to synthesize more of it. Faced with the prospect of letting a child die, Crane's conscience overcomes her hesitation. She saves the boy with the last of the working serum.The next morning, the boy is better but the village is in tumult. The logging road has nearly reached it. Campbell appeals to the company's workers to halt construction until he can conclude his research, but they refuse to stop the bulldozers without more conclusive proof.In desperation after their new samples fail to reveal the missing compound, Crane runs the chromatograph one more time. She accidentally discovers that the source of the cure is not the flower but a species of rare, indigenous ant.Campbell rushes to stop the construction. A fight results in a bulldozer catching fire, burning down the village and the research post along with many acres of rain forest.The next day, Crane promises to send Campbell new equipment and his originally requested research assistant. She is about to return home when she meets the old medicine man. He symbolically passes on his mantle to Campbell, and she accepts an invitation to continue working with Campbell in exchange for co-credit for the discovery. | Medicine Man | 38c9239f-216a-c420-2057-11f409e9c59a | What needs to be synthesized? | [
"The successful serum"
] | false |
/m/06m4p7 | A pharmaceutical company sends biochemist Dr. Rae Crane into the Amazonian Rainforest to check on Dr. Robert Campbell after he cuts off outside contact, his wife and research partner having left him.
Crane is bringing supplies (everything from golf balls to a gas chromatograph), but Campbell is upset that he was not given the research partner he had requested. He tries to send her home but Crane dismisses Campbell's attempts to spurn her, as her job is to evaluate whether the company should continue funding his research.Campbell reveals to her shock that he has found a cure for cancer, but that subsequent attempts to recreate the formula have failed.They wondered why peak 37 is not seen in the chromatograph. With the initial successful serum running dangerously low, Campbell has isolated a mysterious chemical compound connected to a species of flower and with Crane's help is determined to find its source.Time is of the essence, as a nearby logging company is building a road that is headed straight for the village. Campbell refuses to ask the pharmaceutical company for help, fearing that they would send in more researchers from the outside world, unintentionally wiping out the native population with exposure to foreign diseases.
Campbell reveals that a similar event previously had happened when he was conducting field research for a new pain reliever. He feels guilt at causing the death of an entire village, revealing that his wife left because he would not let her forgive him.A small boy shows symptoms of malignant neoplasms that will kill him if not treated. The boy's father takes him to find the village's previous medicine man, from whom Campbell had originally learned about the existence of the flowers. Campbell's presence caused the medicine man to feel overshadowed and leave. He is reluctant to face the medicine man again, but Crane convinces him they must.Campbell first rescues Crane from a fall, then locates the medicine man. Campbell is forced to fight him in an attempt to soothe the medicine man's hurt pride and gain information. Unhappily, the medicine man reveals that the flowers have no "juju." As a consolation, the father and ill son do agree to return.
Back at the village, Crane refuses to let Campbell use the last of the serum on the boy until they have managed to synthesize more of it. Faced with the prospect of letting a child die, Crane's conscience overcomes her hesitation. She saves the boy with the last of the working serum.The next morning, the boy is better but the village is in tumult. The logging road has nearly reached it. Campbell appeals to the company's workers to halt construction until he can conclude his research, but they refuse to stop the bulldozers without more conclusive proof.In desperation after their new samples fail to reveal the missing compound, Crane runs the chromatograph one more time. She accidentally discovers that the source of the cure is not the flower but a species of rare, indigenous ant.Campbell rushes to stop the construction. A fight results in a bulldozer catching fire, burning down the village and the research post along with many acres of rain forest.The next day, Crane promises to send Campbell new equipment and his originally requested research assistant. She is about to return home when she meets the old medicine man. He symbolically passes on his mantle to Campbell, and she accepts an invitation to continue working with Campbell in exchange for co-credit for the discovery. | Medicine Man | d474b3d1-ee01-4c71-93b5-3ac341868da6 | Who sends biochemist Dr. Rae Crane (Bracco) into the Amazon rainforect? | [
"A Pharmaceutical company"
] | false |
/m/06m4p7 | A pharmaceutical company sends biochemist Dr. Rae Crane into the Amazonian Rainforest to check on Dr. Robert Campbell after he cuts off outside contact, his wife and research partner having left him.
Crane is bringing supplies (everything from golf balls to a gas chromatograph), but Campbell is upset that he was not given the research partner he had requested. He tries to send her home but Crane dismisses Campbell's attempts to spurn her, as her job is to evaluate whether the company should continue funding his research.Campbell reveals to her shock that he has found a cure for cancer, but that subsequent attempts to recreate the formula have failed.They wondered why peak 37 is not seen in the chromatograph. With the initial successful serum running dangerously low, Campbell has isolated a mysterious chemical compound connected to a species of flower and with Crane's help is determined to find its source.Time is of the essence, as a nearby logging company is building a road that is headed straight for the village. Campbell refuses to ask the pharmaceutical company for help, fearing that they would send in more researchers from the outside world, unintentionally wiping out the native population with exposure to foreign diseases.
Campbell reveals that a similar event previously had happened when he was conducting field research for a new pain reliever. He feels guilt at causing the death of an entire village, revealing that his wife left because he would not let her forgive him.A small boy shows symptoms of malignant neoplasms that will kill him if not treated. The boy's father takes him to find the village's previous medicine man, from whom Campbell had originally learned about the existence of the flowers. Campbell's presence caused the medicine man to feel overshadowed and leave. He is reluctant to face the medicine man again, but Crane convinces him they must.Campbell first rescues Crane from a fall, then locates the medicine man. Campbell is forced to fight him in an attempt to soothe the medicine man's hurt pride and gain information. Unhappily, the medicine man reveals that the flowers have no "juju." As a consolation, the father and ill son do agree to return.
Back at the village, Crane refuses to let Campbell use the last of the serum on the boy until they have managed to synthesize more of it. Faced with the prospect of letting a child die, Crane's conscience overcomes her hesitation. She saves the boy with the last of the working serum.The next morning, the boy is better but the village is in tumult. The logging road has nearly reached it. Campbell appeals to the company's workers to halt construction until he can conclude his research, but they refuse to stop the bulldozers without more conclusive proof.In desperation after their new samples fail to reveal the missing compound, Crane runs the chromatograph one more time. She accidentally discovers that the source of the cure is not the flower but a species of rare, indigenous ant.Campbell rushes to stop the construction. A fight results in a bulldozer catching fire, burning down the village and the research post along with many acres of rain forest.The next day, Crane promises to send Campbell new equipment and his originally requested research assistant. She is about to return home when she meets the old medicine man. He symbolically passes on his mantle to Campbell, and she accepts an invitation to continue working with Campbell in exchange for co-credit for the discovery. | Medicine Man | 9e5b3c2a-77ca-c1a1-9581-88c851717cb8 | What happens after the bulldozer catches fire? | [
"The village, research post, and many acred of rainforest are burned"
] | false |
/m/06m4p7 | A pharmaceutical company sends biochemist Dr. Rae Crane into the Amazonian Rainforest to check on Dr. Robert Campbell after he cuts off outside contact, his wife and research partner having left him.
Crane is bringing supplies (everything from golf balls to a gas chromatograph), but Campbell is upset that he was not given the research partner he had requested. He tries to send her home but Crane dismisses Campbell's attempts to spurn her, as her job is to evaluate whether the company should continue funding his research.Campbell reveals to her shock that he has found a cure for cancer, but that subsequent attempts to recreate the formula have failed.They wondered why peak 37 is not seen in the chromatograph. With the initial successful serum running dangerously low, Campbell has isolated a mysterious chemical compound connected to a species of flower and with Crane's help is determined to find its source.Time is of the essence, as a nearby logging company is building a road that is headed straight for the village. Campbell refuses to ask the pharmaceutical company for help, fearing that they would send in more researchers from the outside world, unintentionally wiping out the native population with exposure to foreign diseases.
Campbell reveals that a similar event previously had happened when he was conducting field research for a new pain reliever. He feels guilt at causing the death of an entire village, revealing that his wife left because he would not let her forgive him.A small boy shows symptoms of malignant neoplasms that will kill him if not treated. The boy's father takes him to find the village's previous medicine man, from whom Campbell had originally learned about the existence of the flowers. Campbell's presence caused the medicine man to feel overshadowed and leave. He is reluctant to face the medicine man again, but Crane convinces him they must.Campbell first rescues Crane from a fall, then locates the medicine man. Campbell is forced to fight him in an attempt to soothe the medicine man's hurt pride and gain information. Unhappily, the medicine man reveals that the flowers have no "juju." As a consolation, the father and ill son do agree to return.
Back at the village, Crane refuses to let Campbell use the last of the serum on the boy until they have managed to synthesize more of it. Faced with the prospect of letting a child die, Crane's conscience overcomes her hesitation. She saves the boy with the last of the working serum.The next morning, the boy is better but the village is in tumult. The logging road has nearly reached it. Campbell appeals to the company's workers to halt construction until he can conclude his research, but they refuse to stop the bulldozers without more conclusive proof.In desperation after their new samples fail to reveal the missing compound, Crane runs the chromatograph one more time. She accidentally discovers that the source of the cure is not the flower but a species of rare, indigenous ant.Campbell rushes to stop the construction. A fight results in a bulldozer catching fire, burning down the village and the research post along with many acres of rain forest.The next day, Crane promises to send Campbell new equipment and his originally requested research assistant. She is about to return home when she meets the old medicine man. He symbolically passes on his mantle to Campbell, and she accepts an invitation to continue working with Campbell in exchange for co-credit for the discovery. | Medicine Man | d88620f2-1f8a-b42b-254b-1ae5aefa0fe3 | Who is building a road headed straight for the village? | [
"A nearby logging company"
] | false |
/m/06m4p7 | A pharmaceutical company sends biochemist Dr. Rae Crane into the Amazonian Rainforest to check on Dr. Robert Campbell after he cuts off outside contact, his wife and research partner having left him.
Crane is bringing supplies (everything from golf balls to a gas chromatograph), but Campbell is upset that he was not given the research partner he had requested. He tries to send her home but Crane dismisses Campbell's attempts to spurn her, as her job is to evaluate whether the company should continue funding his research.Campbell reveals to her shock that he has found a cure for cancer, but that subsequent attempts to recreate the formula have failed.They wondered why peak 37 is not seen in the chromatograph. With the initial successful serum running dangerously low, Campbell has isolated a mysterious chemical compound connected to a species of flower and with Crane's help is determined to find its source.Time is of the essence, as a nearby logging company is building a road that is headed straight for the village. Campbell refuses to ask the pharmaceutical company for help, fearing that they would send in more researchers from the outside world, unintentionally wiping out the native population with exposure to foreign diseases.
Campbell reveals that a similar event previously had happened when he was conducting field research for a new pain reliever. He feels guilt at causing the death of an entire village, revealing that his wife left because he would not let her forgive him.A small boy shows symptoms of malignant neoplasms that will kill him if not treated. The boy's father takes him to find the village's previous medicine man, from whom Campbell had originally learned about the existence of the flowers. Campbell's presence caused the medicine man to feel overshadowed and leave. He is reluctant to face the medicine man again, but Crane convinces him they must.Campbell first rescues Crane from a fall, then locates the medicine man. Campbell is forced to fight him in an attempt to soothe the medicine man's hurt pride and gain information. Unhappily, the medicine man reveals that the flowers have no "juju." As a consolation, the father and ill son do agree to return.
Back at the village, Crane refuses to let Campbell use the last of the serum on the boy until they have managed to synthesize more of it. Faced with the prospect of letting a child die, Crane's conscience overcomes her hesitation. She saves the boy with the last of the working serum.The next morning, the boy is better but the village is in tumult. The logging road has nearly reached it. Campbell appeals to the company's workers to halt construction until he can conclude his research, but they refuse to stop the bulldozers without more conclusive proof.In desperation after their new samples fail to reveal the missing compound, Crane runs the chromatograph one more time. She accidentally discovers that the source of the cure is not the flower but a species of rare, indigenous ant.Campbell rushes to stop the construction. A fight results in a bulldozer catching fire, burning down the village and the research post along with many acres of rain forest.The next day, Crane promises to send Campbell new equipment and his originally requested research assistant. She is about to return home when she meets the old medicine man. He symbolically passes on his mantle to Campbell, and she accepts an invitation to continue working with Campbell in exchange for co-credit for the discovery. | Medicine Man | 1b919746-75ef-e901-3fe3-04bf22166c19 | Who promised Campbell that new equipment and a research assistant will be sent to him? | [
"Crane"
] | false |
/m/06m4p7 | A pharmaceutical company sends biochemist Dr. Rae Crane into the Amazonian Rainforest to check on Dr. Robert Campbell after he cuts off outside contact, his wife and research partner having left him.
Crane is bringing supplies (everything from golf balls to a gas chromatograph), but Campbell is upset that he was not given the research partner he had requested. He tries to send her home but Crane dismisses Campbell's attempts to spurn her, as her job is to evaluate whether the company should continue funding his research.Campbell reveals to her shock that he has found a cure for cancer, but that subsequent attempts to recreate the formula have failed.They wondered why peak 37 is not seen in the chromatograph. With the initial successful serum running dangerously low, Campbell has isolated a mysterious chemical compound connected to a species of flower and with Crane's help is determined to find its source.Time is of the essence, as a nearby logging company is building a road that is headed straight for the village. Campbell refuses to ask the pharmaceutical company for help, fearing that they would send in more researchers from the outside world, unintentionally wiping out the native population with exposure to foreign diseases.
Campbell reveals that a similar event previously had happened when he was conducting field research for a new pain reliever. He feels guilt at causing the death of an entire village, revealing that his wife left because he would not let her forgive him.A small boy shows symptoms of malignant neoplasms that will kill him if not treated. The boy's father takes him to find the village's previous medicine man, from whom Campbell had originally learned about the existence of the flowers. Campbell's presence caused the medicine man to feel overshadowed and leave. He is reluctant to face the medicine man again, but Crane convinces him they must.Campbell first rescues Crane from a fall, then locates the medicine man. Campbell is forced to fight him in an attempt to soothe the medicine man's hurt pride and gain information. Unhappily, the medicine man reveals that the flowers have no "juju." As a consolation, the father and ill son do agree to return.
Back at the village, Crane refuses to let Campbell use the last of the serum on the boy until they have managed to synthesize more of it. Faced with the prospect of letting a child die, Crane's conscience overcomes her hesitation. She saves the boy with the last of the working serum.The next morning, the boy is better but the village is in tumult. The logging road has nearly reached it. Campbell appeals to the company's workers to halt construction until he can conclude his research, but they refuse to stop the bulldozers without more conclusive proof.In desperation after their new samples fail to reveal the missing compound, Crane runs the chromatograph one more time. She accidentally discovers that the source of the cure is not the flower but a species of rare, indigenous ant.Campbell rushes to stop the construction. A fight results in a bulldozer catching fire, burning down the village and the research post along with many acres of rain forest.The next day, Crane promises to send Campbell new equipment and his originally requested research assistant. She is about to return home when she meets the old medicine man. He symbolically passes on his mantle to Campbell, and she accepts an invitation to continue working with Campbell in exchange for co-credit for the discovery. | Medicine Man | a3988708-b5bc-63db-6eb1-3c79705e02e9 | Who does Campbell's Entourage seek? | [
"Whether the company should continue funding his research."
] | false |
/m/06m4p7 | A pharmaceutical company sends biochemist Dr. Rae Crane into the Amazonian Rainforest to check on Dr. Robert Campbell after he cuts off outside contact, his wife and research partner having left him.
Crane is bringing supplies (everything from golf balls to a gas chromatograph), but Campbell is upset that he was not given the research partner he had requested. He tries to send her home but Crane dismisses Campbell's attempts to spurn her, as her job is to evaluate whether the company should continue funding his research.Campbell reveals to her shock that he has found a cure for cancer, but that subsequent attempts to recreate the formula have failed.They wondered why peak 37 is not seen in the chromatograph. With the initial successful serum running dangerously low, Campbell has isolated a mysterious chemical compound connected to a species of flower and with Crane's help is determined to find its source.Time is of the essence, as a nearby logging company is building a road that is headed straight for the village. Campbell refuses to ask the pharmaceutical company for help, fearing that they would send in more researchers from the outside world, unintentionally wiping out the native population with exposure to foreign diseases.
Campbell reveals that a similar event previously had happened when he was conducting field research for a new pain reliever. He feels guilt at causing the death of an entire village, revealing that his wife left because he would not let her forgive him.A small boy shows symptoms of malignant neoplasms that will kill him if not treated. The boy's father takes him to find the village's previous medicine man, from whom Campbell had originally learned about the existence of the flowers. Campbell's presence caused the medicine man to feel overshadowed and leave. He is reluctant to face the medicine man again, but Crane convinces him they must.Campbell first rescues Crane from a fall, then locates the medicine man. Campbell is forced to fight him in an attempt to soothe the medicine man's hurt pride and gain information. Unhappily, the medicine man reveals that the flowers have no "juju." As a consolation, the father and ill son do agree to return.
Back at the village, Crane refuses to let Campbell use the last of the serum on the boy until they have managed to synthesize more of it. Faced with the prospect of letting a child die, Crane's conscience overcomes her hesitation. She saves the boy with the last of the working serum.The next morning, the boy is better but the village is in tumult. The logging road has nearly reached it. Campbell appeals to the company's workers to halt construction until he can conclude his research, but they refuse to stop the bulldozers without more conclusive proof.In desperation after their new samples fail to reveal the missing compound, Crane runs the chromatograph one more time. She accidentally discovers that the source of the cure is not the flower but a species of rare, indigenous ant.Campbell rushes to stop the construction. A fight results in a bulldozer catching fire, burning down the village and the research post along with many acres of rain forest.The next day, Crane promises to send Campbell new equipment and his originally requested research assistant. She is about to return home when she meets the old medicine man. He symbolically passes on his mantle to Campbell, and she accepts an invitation to continue working with Campbell in exchange for co-credit for the discovery. | Medicine Man | b420cb67-bad1-4320-abaf-f78d994f27ee | What is Crane bringing? | [
"new equipment and the promised research assistant"
] | false |
/m/06m4p7 | A pharmaceutical company sends biochemist Dr. Rae Crane into the Amazonian Rainforest to check on Dr. Robert Campbell after he cuts off outside contact, his wife and research partner having left him.
Crane is bringing supplies (everything from golf balls to a gas chromatograph), but Campbell is upset that he was not given the research partner he had requested. He tries to send her home but Crane dismisses Campbell's attempts to spurn her, as her job is to evaluate whether the company should continue funding his research.Campbell reveals to her shock that he has found a cure for cancer, but that subsequent attempts to recreate the formula have failed.They wondered why peak 37 is not seen in the chromatograph. With the initial successful serum running dangerously low, Campbell has isolated a mysterious chemical compound connected to a species of flower and with Crane's help is determined to find its source.Time is of the essence, as a nearby logging company is building a road that is headed straight for the village. Campbell refuses to ask the pharmaceutical company for help, fearing that they would send in more researchers from the outside world, unintentionally wiping out the native population with exposure to foreign diseases.
Campbell reveals that a similar event previously had happened when he was conducting field research for a new pain reliever. He feels guilt at causing the death of an entire village, revealing that his wife left because he would not let her forgive him.A small boy shows symptoms of malignant neoplasms that will kill him if not treated. The boy's father takes him to find the village's previous medicine man, from whom Campbell had originally learned about the existence of the flowers. Campbell's presence caused the medicine man to feel overshadowed and leave. He is reluctant to face the medicine man again, but Crane convinces him they must.Campbell first rescues Crane from a fall, then locates the medicine man. Campbell is forced to fight him in an attempt to soothe the medicine man's hurt pride and gain information. Unhappily, the medicine man reveals that the flowers have no "juju." As a consolation, the father and ill son do agree to return.
Back at the village, Crane refuses to let Campbell use the last of the serum on the boy until they have managed to synthesize more of it. Faced with the prospect of letting a child die, Crane's conscience overcomes her hesitation. She saves the boy with the last of the working serum.The next morning, the boy is better but the village is in tumult. The logging road has nearly reached it. Campbell appeals to the company's workers to halt construction until he can conclude his research, but they refuse to stop the bulldozers without more conclusive proof.In desperation after their new samples fail to reveal the missing compound, Crane runs the chromatograph one more time. She accidentally discovers that the source of the cure is not the flower but a species of rare, indigenous ant.Campbell rushes to stop the construction. A fight results in a bulldozer catching fire, burning down the village and the research post along with many acres of rain forest.The next day, Crane promises to send Campbell new equipment and his originally requested research assistant. She is about to return home when she meets the old medicine man. He symbolically passes on his mantle to Campbell, and she accepts an invitation to continue working with Campbell in exchange for co-credit for the discovery. | Medicine Man | ce3ed875-4f9d-f737-2897-01c8ee8c18a2 | Who helps Campbell with synthesizing the compound? | [
"Crane"
] | false |
/m/06m4p7 | A pharmaceutical company sends biochemist Dr. Rae Crane into the Amazonian Rainforest to check on Dr. Robert Campbell after he cuts off outside contact, his wife and research partner having left him.
Crane is bringing supplies (everything from golf balls to a gas chromatograph), but Campbell is upset that he was not given the research partner he had requested. He tries to send her home but Crane dismisses Campbell's attempts to spurn her, as her job is to evaluate whether the company should continue funding his research.Campbell reveals to her shock that he has found a cure for cancer, but that subsequent attempts to recreate the formula have failed.They wondered why peak 37 is not seen in the chromatograph. With the initial successful serum running dangerously low, Campbell has isolated a mysterious chemical compound connected to a species of flower and with Crane's help is determined to find its source.Time is of the essence, as a nearby logging company is building a road that is headed straight for the village. Campbell refuses to ask the pharmaceutical company for help, fearing that they would send in more researchers from the outside world, unintentionally wiping out the native population with exposure to foreign diseases.
Campbell reveals that a similar event previously had happened when he was conducting field research for a new pain reliever. He feels guilt at causing the death of an entire village, revealing that his wife left because he would not let her forgive him.A small boy shows symptoms of malignant neoplasms that will kill him if not treated. The boy's father takes him to find the village's previous medicine man, from whom Campbell had originally learned about the existence of the flowers. Campbell's presence caused the medicine man to feel overshadowed and leave. He is reluctant to face the medicine man again, but Crane convinces him they must.Campbell first rescues Crane from a fall, then locates the medicine man. Campbell is forced to fight him in an attempt to soothe the medicine man's hurt pride and gain information. Unhappily, the medicine man reveals that the flowers have no "juju." As a consolation, the father and ill son do agree to return.
Back at the village, Crane refuses to let Campbell use the last of the serum on the boy until they have managed to synthesize more of it. Faced with the prospect of letting a child die, Crane's conscience overcomes her hesitation. She saves the boy with the last of the working serum.The next morning, the boy is better but the village is in tumult. The logging road has nearly reached it. Campbell appeals to the company's workers to halt construction until he can conclude his research, but they refuse to stop the bulldozers without more conclusive proof.In desperation after their new samples fail to reveal the missing compound, Crane runs the chromatograph one more time. She accidentally discovers that the source of the cure is not the flower but a species of rare, indigenous ant.Campbell rushes to stop the construction. A fight results in a bulldozer catching fire, burning down the village and the research post along with many acres of rain forest.The next day, Crane promises to send Campbell new equipment and his originally requested research assistant. She is about to return home when she meets the old medicine man. He symbolically passes on his mantle to Campbell, and she accepts an invitation to continue working with Campbell in exchange for co-credit for the discovery. | Medicine Man | 69d0bb14-1daa-219d-279e-a97ff783f029 | What ailment does the boy have? | [
"Malignant neoplasms"
] | false |
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