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/m/02r52jr | Jerry is snoozing in a hammock, until Tom walks out with a drink, a radio, a pillow and a newspaper and tries to sit on it. He spots the mouse and is angry. He slides Jerry off the hammock and into the water. Jerry wakes up and gasps for breath. He sees that Tom did it and flips the hammock over so that he swallows his drink glass and falls. He responds by shaking Jerry off the hammock and into the air. Jerry, by pure fortune, falls into a bird's nest, which transports him through a tree trunk and right back onto the hammock before he can lay down. Tom is dumbfounded, but scoops up the mouse and deposits him on top of a marching ant army. Before Jerry can understand what has happened, he bumps his head on a steel sprinkler. Jerry redirects the ants such that they march onto the hammock, causing the strings to snap and Tom to be rolled up.Tom has patched up the broken strings and takes a drink while keeping a lookout. Jerry gets onto a lily pad and kicks a bullfrog into his drink. Tom notices nothing and drinks the drink and the frog. All is well until the frog jumps inside of him and hops the cat all the way home. Tom hits his head numerous times along the way. Jerry steals a sip of hi's drink until he gives chase. Jerry unleashes a lawn mower on the cat, and Tom, fearing the loss of his fur, runs away until he gets tied up into the hammock and gets sheared.Tom has patched up the hammock and sleeps with a baseball bat. Jerry hooks up the hammock to a crank, pulls the crank back as far as it goes, and cuts the line, catapulting him into the air, still asleep. He wakes up when he sees and hears an airplane, but returns to sleep. When Tom sees a flying bird, he is puzzled and looks down to see nothing but ocean below him. He panics and hits the ocean so hard he breaks into 16 pieces.Meanwhile, Jerry invites his friend, Spike onto the hammock with a bone. Tom is irate and storms back faster than a speeding bullet to catch him in the hammock. Assuming that it's Jerry on the hammock, he quickly unhooks his hammock, wraps Spike up, and hits him numerous times. Tom reaches in and pulls out a collar. He tries to figure out what that could go to. He immediately discounts Jerry because he's a mouse and would be to small to fit it. Then he hits it right on the mark with his second guess: his friend, Spike. Tom gulps as he emerges from the wrapped up hammock, barking mad. He wraps him in his own collar and runs off. Spike easily frees himself by flexing and annihilates Tom (off camera).The scene ends with Tom being Spike's slave as he has to fan Jerry, while being kicked by him. | Cat Napping | 8999507f-ced3-30c5-8f8f-c7566671a574 | What does Jerry kick into Tom's drink? | [
"a bullfrog"
] | false |
/m/02r52jr | Jerry is snoozing in a hammock, until Tom walks out with a drink, a radio, a pillow and a newspaper and tries to sit on it. He spots the mouse and is angry. He slides Jerry off the hammock and into the water. Jerry wakes up and gasps for breath. He sees that Tom did it and flips the hammock over so that he swallows his drink glass and falls. He responds by shaking Jerry off the hammock and into the air. Jerry, by pure fortune, falls into a bird's nest, which transports him through a tree trunk and right back onto the hammock before he can lay down. Tom is dumbfounded, but scoops up the mouse and deposits him on top of a marching ant army. Before Jerry can understand what has happened, he bumps his head on a steel sprinkler. Jerry redirects the ants such that they march onto the hammock, causing the strings to snap and Tom to be rolled up.Tom has patched up the broken strings and takes a drink while keeping a lookout. Jerry gets onto a lily pad and kicks a bullfrog into his drink. Tom notices nothing and drinks the drink and the frog. All is well until the frog jumps inside of him and hops the cat all the way home. Tom hits his head numerous times along the way. Jerry steals a sip of hi's drink until he gives chase. Jerry unleashes a lawn mower on the cat, and Tom, fearing the loss of his fur, runs away until he gets tied up into the hammock and gets sheared.Tom has patched up the hammock and sleeps with a baseball bat. Jerry hooks up the hammock to a crank, pulls the crank back as far as it goes, and cuts the line, catapulting him into the air, still asleep. He wakes up when he sees and hears an airplane, but returns to sleep. When Tom sees a flying bird, he is puzzled and looks down to see nothing but ocean below him. He panics and hits the ocean so hard he breaks into 16 pieces.Meanwhile, Jerry invites his friend, Spike onto the hammock with a bone. Tom is irate and storms back faster than a speeding bullet to catch him in the hammock. Assuming that it's Jerry on the hammock, he quickly unhooks his hammock, wraps Spike up, and hits him numerous times. Tom reaches in and pulls out a collar. He tries to figure out what that could go to. He immediately discounts Jerry because he's a mouse and would be to small to fit it. Then he hits it right on the mark with his second guess: his friend, Spike. Tom gulps as he emerges from the wrapped up hammock, barking mad. He wraps him in his own collar and runs off. Spike easily frees himself by flexing and annihilates Tom (off camera).The scene ends with Tom being Spike's slave as he has to fan Jerry, while being kicked by him. | Cat Napping | aab212ac-d694-3cc2-60b3-e70955c9a45a | What happens to Jerry as he bumps his head on a sprinkler? | [
"He falls into a birds nest"
] | false |
/m/02r52jr | Jerry is snoozing in a hammock, until Tom walks out with a drink, a radio, a pillow and a newspaper and tries to sit on it. He spots the mouse and is angry. He slides Jerry off the hammock and into the water. Jerry wakes up and gasps for breath. He sees that Tom did it and flips the hammock over so that he swallows his drink glass and falls. He responds by shaking Jerry off the hammock and into the air. Jerry, by pure fortune, falls into a bird's nest, which transports him through a tree trunk and right back onto the hammock before he can lay down. Tom is dumbfounded, but scoops up the mouse and deposits him on top of a marching ant army. Before Jerry can understand what has happened, he bumps his head on a steel sprinkler. Jerry redirects the ants such that they march onto the hammock, causing the strings to snap and Tom to be rolled up.Tom has patched up the broken strings and takes a drink while keeping a lookout. Jerry gets onto a lily pad and kicks a bullfrog into his drink. Tom notices nothing and drinks the drink and the frog. All is well until the frog jumps inside of him and hops the cat all the way home. Tom hits his head numerous times along the way. Jerry steals a sip of hi's drink until he gives chase. Jerry unleashes a lawn mower on the cat, and Tom, fearing the loss of his fur, runs away until he gets tied up into the hammock and gets sheared.Tom has patched up the hammock and sleeps with a baseball bat. Jerry hooks up the hammock to a crank, pulls the crank back as far as it goes, and cuts the line, catapulting him into the air, still asleep. He wakes up when he sees and hears an airplane, but returns to sleep. When Tom sees a flying bird, he is puzzled and looks down to see nothing but ocean below him. He panics and hits the ocean so hard he breaks into 16 pieces.Meanwhile, Jerry invites his friend, Spike onto the hammock with a bone. Tom is irate and storms back faster than a speeding bullet to catch him in the hammock. Assuming that it's Jerry on the hammock, he quickly unhooks his hammock, wraps Spike up, and hits him numerous times. Tom reaches in and pulls out a collar. He tries to figure out what that could go to. He immediately discounts Jerry because he's a mouse and would be to small to fit it. Then he hits it right on the mark with his second guess: his friend, Spike. Tom gulps as he emerges from the wrapped up hammock, barking mad. He wraps him in his own collar and runs off. Spike easily frees himself by flexing and annihilates Tom (off camera).The scene ends with Tom being Spike's slave as he has to fan Jerry, while being kicked by him. | Cat Napping | 3b481822-e1ad-0fee-be1a-5b240e690c13 | Who was in the hammock when Tom was hitting it with the bat | [
"Spike"
] | false |
/m/02r52jr | Jerry is snoozing in a hammock, until Tom walks out with a drink, a radio, a pillow and a newspaper and tries to sit on it. He spots the mouse and is angry. He slides Jerry off the hammock and into the water. Jerry wakes up and gasps for breath. He sees that Tom did it and flips the hammock over so that he swallows his drink glass and falls. He responds by shaking Jerry off the hammock and into the air. Jerry, by pure fortune, falls into a bird's nest, which transports him through a tree trunk and right back onto the hammock before he can lay down. Tom is dumbfounded, but scoops up the mouse and deposits him on top of a marching ant army. Before Jerry can understand what has happened, he bumps his head on a steel sprinkler. Jerry redirects the ants such that they march onto the hammock, causing the strings to snap and Tom to be rolled up.Tom has patched up the broken strings and takes a drink while keeping a lookout. Jerry gets onto a lily pad and kicks a bullfrog into his drink. Tom notices nothing and drinks the drink and the frog. All is well until the frog jumps inside of him and hops the cat all the way home. Tom hits his head numerous times along the way. Jerry steals a sip of hi's drink until he gives chase. Jerry unleashes a lawn mower on the cat, and Tom, fearing the loss of his fur, runs away until he gets tied up into the hammock and gets sheared.Tom has patched up the hammock and sleeps with a baseball bat. Jerry hooks up the hammock to a crank, pulls the crank back as far as it goes, and cuts the line, catapulting him into the air, still asleep. He wakes up when he sees and hears an airplane, but returns to sleep. When Tom sees a flying bird, he is puzzled and looks down to see nothing but ocean below him. He panics and hits the ocean so hard he breaks into 16 pieces.Meanwhile, Jerry invites his friend, Spike onto the hammock with a bone. Tom is irate and storms back faster than a speeding bullet to catch him in the hammock. Assuming that it's Jerry on the hammock, he quickly unhooks his hammock, wraps Spike up, and hits him numerous times. Tom reaches in and pulls out a collar. He tries to figure out what that could go to. He immediately discounts Jerry because he's a mouse and would be to small to fit it. Then he hits it right on the mark with his second guess: his friend, Spike. Tom gulps as he emerges from the wrapped up hammock, barking mad. He wraps him in his own collar and runs off. Spike easily frees himself by flexing and annihilates Tom (off camera).The scene ends with Tom being Spike's slave as he has to fan Jerry, while being kicked by him. | Cat Napping | a6b0144e-373d-871d-d868-b7e9382a9059 | What is Tom turned into when the mower runs over him? | [
"A sheared cat"
] | false |
/m/02r52jr | Jerry is snoozing in a hammock, until Tom walks out with a drink, a radio, a pillow and a newspaper and tries to sit on it. He spots the mouse and is angry. He slides Jerry off the hammock and into the water. Jerry wakes up and gasps for breath. He sees that Tom did it and flips the hammock over so that he swallows his drink glass and falls. He responds by shaking Jerry off the hammock and into the air. Jerry, by pure fortune, falls into a bird's nest, which transports him through a tree trunk and right back onto the hammock before he can lay down. Tom is dumbfounded, but scoops up the mouse and deposits him on top of a marching ant army. Before Jerry can understand what has happened, he bumps his head on a steel sprinkler. Jerry redirects the ants such that they march onto the hammock, causing the strings to snap and Tom to be rolled up.Tom has patched up the broken strings and takes a drink while keeping a lookout. Jerry gets onto a lily pad and kicks a bullfrog into his drink. Tom notices nothing and drinks the drink and the frog. All is well until the frog jumps inside of him and hops the cat all the way home. Tom hits his head numerous times along the way. Jerry steals a sip of hi's drink until he gives chase. Jerry unleashes a lawn mower on the cat, and Tom, fearing the loss of his fur, runs away until he gets tied up into the hammock and gets sheared.Tom has patched up the hammock and sleeps with a baseball bat. Jerry hooks up the hammock to a crank, pulls the crank back as far as it goes, and cuts the line, catapulting him into the air, still asleep. He wakes up when he sees and hears an airplane, but returns to sleep. When Tom sees a flying bird, he is puzzled and looks down to see nothing but ocean below him. He panics and hits the ocean so hard he breaks into 16 pieces.Meanwhile, Jerry invites his friend, Spike onto the hammock with a bone. Tom is irate and storms back faster than a speeding bullet to catch him in the hammock. Assuming that it's Jerry on the hammock, he quickly unhooks his hammock, wraps Spike up, and hits him numerous times. Tom reaches in and pulls out a collar. He tries to figure out what that could go to. He immediately discounts Jerry because he's a mouse and would be to small to fit it. Then he hits it right on the mark with his second guess: his friend, Spike. Tom gulps as he emerges from the wrapped up hammock, barking mad. He wraps him in his own collar and runs off. Spike easily frees himself by flexing and annihilates Tom (off camera).The scene ends with Tom being Spike's slave as he has to fan Jerry, while being kicked by him. | Cat Napping | f4db12ff-6629-f89b-12a1-44e1c0a048ab | What did Tom go to sleep with? | [
"A baseball bat"
] | false |
/m/02r52jr | Jerry is snoozing in a hammock, until Tom walks out with a drink, a radio, a pillow and a newspaper and tries to sit on it. He spots the mouse and is angry. He slides Jerry off the hammock and into the water. Jerry wakes up and gasps for breath. He sees that Tom did it and flips the hammock over so that he swallows his drink glass and falls. He responds by shaking Jerry off the hammock and into the air. Jerry, by pure fortune, falls into a bird's nest, which transports him through a tree trunk and right back onto the hammock before he can lay down. Tom is dumbfounded, but scoops up the mouse and deposits him on top of a marching ant army. Before Jerry can understand what has happened, he bumps his head on a steel sprinkler. Jerry redirects the ants such that they march onto the hammock, causing the strings to snap and Tom to be rolled up.Tom has patched up the broken strings and takes a drink while keeping a lookout. Jerry gets onto a lily pad and kicks a bullfrog into his drink. Tom notices nothing and drinks the drink and the frog. All is well until the frog jumps inside of him and hops the cat all the way home. Tom hits his head numerous times along the way. Jerry steals a sip of hi's drink until he gives chase. Jerry unleashes a lawn mower on the cat, and Tom, fearing the loss of his fur, runs away until he gets tied up into the hammock and gets sheared.Tom has patched up the hammock and sleeps with a baseball bat. Jerry hooks up the hammock to a crank, pulls the crank back as far as it goes, and cuts the line, catapulting him into the air, still asleep. He wakes up when he sees and hears an airplane, but returns to sleep. When Tom sees a flying bird, he is puzzled and looks down to see nothing but ocean below him. He panics and hits the ocean so hard he breaks into 16 pieces.Meanwhile, Jerry invites his friend, Spike onto the hammock with a bone. Tom is irate and storms back faster than a speeding bullet to catch him in the hammock. Assuming that it's Jerry on the hammock, he quickly unhooks his hammock, wraps Spike up, and hits him numerous times. Tom reaches in and pulls out a collar. He tries to figure out what that could go to. He immediately discounts Jerry because he's a mouse and would be to small to fit it. Then he hits it right on the mark with his second guess: his friend, Spike. Tom gulps as he emerges from the wrapped up hammock, barking mad. He wraps him in his own collar and runs off. Spike easily frees himself by flexing and annihilates Tom (off camera).The scene ends with Tom being Spike's slave as he has to fan Jerry, while being kicked by him. | Cat Napping | 1b324c28-3569-aa5e-d8ac-c347a023fcbe | What does Tom take out with him? | [
"A drink, a radio, a pillow, and a newspaper"
] | false |
/m/026sv1t | Famed psychic and ghost hunter Agatha Brewster (Minerva Urecal) returns home to the U.S. and is met at the docks by a gaggle of press wanting to interview her. Young news reporter Jeff Carter (Wallace Ford) catches her interest though as he says he is researching a story about the disappearance of her brother, the scientist James Brewster (Bela Lugosi). Agatha was unaware that her brother was missing and agrees to arrange for Carter to visit her at her home for an interview. Agatha immediately goes to see her brother's research partner Dr George Randall (Henry Hall) where she learns that James has not really vanished but in fact has gone into a self-imposed exile as the result of a disastrous experiment. In order to try and prove his evolutionary theories Dr Brewster had injected himself with an experimental serum to turn himself into a 'missing-link' between man and ape. The serum had succeeded in transforming James into an ape-man but with no way of turning himself back into a man the scientist has retained his intelligence but is now trapped in the body of a hideous man-beast. George tells Agatha that her brother keeps himself locked in his secret laboratory at Springfield, the Brewster estate, with a gorilla in a cage as he desperately seeks a remedy to his problem.Meanwhile at the newspaper office Jeff Carter is assigned a keen, female photographer Billie Mason (Louise Currie) to accompany him to the Brewster place for the pre-arranged interview with Agatha Brewster. During the interview both Jeff and Billie hear cries that sound like a gorilla. Agatha dismisses their suggestions but Billie thinks she sees something and takes another photo of Agatha. When the duo return to the newspaper offices Billie develops the photos she took at the Brewster place and sees the ape-like face of James Brewster in the background of one of them.James secretly goes to visit his colleague George Randall to tell him that he has made a breakthrough and believes that a possible cure for his condition lies with human spinal fluids, but when he realises how James means to obtain them George refuses to help James, so James in a rage murders George's butler (George Kirby) and obtains the spinal fluid from his body. James forces his reluctant colleague to inject him with the spinal fluid. The serum does not work but James is convinced that it is merely not a large enough dose to restore his humanity. George flatly refuses to help the murderous James obtain any more spinal fluid. So, back at his lab James (who can communicate with his gorilla in guttural grunts and cries) hatches a plan to send the gorilla out to obtain specimens for him to extract the vital spinal fluid from. The two go on a murderous rampage killing and killing again so that James can build up his stores of spinal fluid.Jeff and Billie become suspicious of the odd Brewster siblings when they read the press reports of the killings all of which state that the victims were found to be clutching ape hair in their dead hands. While the two newshounds are investigating the Brewster mansion, James again visits George to try and force him to inject him with the spinal fluid he has obtained, but George angrily smashes the vial of fluids. Enraged, James kills George moments before Agatha arrives - who has rushed over to warn George of her brothers intentions. Returning to the Brewster mansion James surprises Billie and takes her down to his secret lab intending to draw her spinal fluid. However, the gorilla becomes territorial and attacks James. After killing the ape-man the gorilla goes after Billie but Agatha provides Jeff and the police with the clue to the secret entrance to the lab and the police shoot the gorilla before it can harm Billie. | The Ape Man | 91b6e11a-47df-44c9-a17e-41c4bfe343f0 | What does the doctor transform into? | [
"ape-man"
] | false |
/m/026sv1t | Famed psychic and ghost hunter Agatha Brewster (Minerva Urecal) returns home to the U.S. and is met at the docks by a gaggle of press wanting to interview her. Young news reporter Jeff Carter (Wallace Ford) catches her interest though as he says he is researching a story about the disappearance of her brother, the scientist James Brewster (Bela Lugosi). Agatha was unaware that her brother was missing and agrees to arrange for Carter to visit her at her home for an interview. Agatha immediately goes to see her brother's research partner Dr George Randall (Henry Hall) where she learns that James has not really vanished but in fact has gone into a self-imposed exile as the result of a disastrous experiment. In order to try and prove his evolutionary theories Dr Brewster had injected himself with an experimental serum to turn himself into a 'missing-link' between man and ape. The serum had succeeded in transforming James into an ape-man but with no way of turning himself back into a man the scientist has retained his intelligence but is now trapped in the body of a hideous man-beast. George tells Agatha that her brother keeps himself locked in his secret laboratory at Springfield, the Brewster estate, with a gorilla in a cage as he desperately seeks a remedy to his problem.Meanwhile at the newspaper office Jeff Carter is assigned a keen, female photographer Billie Mason (Louise Currie) to accompany him to the Brewster place for the pre-arranged interview with Agatha Brewster. During the interview both Jeff and Billie hear cries that sound like a gorilla. Agatha dismisses their suggestions but Billie thinks she sees something and takes another photo of Agatha. When the duo return to the newspaper offices Billie develops the photos she took at the Brewster place and sees the ape-like face of James Brewster in the background of one of them.James secretly goes to visit his colleague George Randall to tell him that he has made a breakthrough and believes that a possible cure for his condition lies with human spinal fluids, but when he realises how James means to obtain them George refuses to help James, so James in a rage murders George's butler (George Kirby) and obtains the spinal fluid from his body. James forces his reluctant colleague to inject him with the spinal fluid. The serum does not work but James is convinced that it is merely not a large enough dose to restore his humanity. George flatly refuses to help the murderous James obtain any more spinal fluid. So, back at his lab James (who can communicate with his gorilla in guttural grunts and cries) hatches a plan to send the gorilla out to obtain specimens for him to extract the vital spinal fluid from. The two go on a murderous rampage killing and killing again so that James can build up his stores of spinal fluid.Jeff and Billie become suspicious of the odd Brewster siblings when they read the press reports of the killings all of which state that the victims were found to be clutching ape hair in their dead hands. While the two newshounds are investigating the Brewster mansion, James again visits George to try and force him to inject him with the spinal fluid he has obtained, but George angrily smashes the vial of fluids. Enraged, James kills George moments before Agatha arrives - who has rushed over to warn George of her brothers intentions. Returning to the Brewster mansion James surprises Billie and takes her down to his secret lab intending to draw her spinal fluid. However, the gorilla becomes territorial and attacks James. After killing the ape-man the gorilla goes after Billie but Agatha provides Jeff and the police with the clue to the secret entrance to the lab and the police shoot the gorilla before it can harm Billie. | The Ape Man | ef262a86-489c-66f6-e844-3952f8c4ddf3 | What does Brewster believe it will be necessary to inject himself with? | [
"spinal fluid"
] | false |
/m/026sv1t | Famed psychic and ghost hunter Agatha Brewster (Minerva Urecal) returns home to the U.S. and is met at the docks by a gaggle of press wanting to interview her. Young news reporter Jeff Carter (Wallace Ford) catches her interest though as he says he is researching a story about the disappearance of her brother, the scientist James Brewster (Bela Lugosi). Agatha was unaware that her brother was missing and agrees to arrange for Carter to visit her at her home for an interview. Agatha immediately goes to see her brother's research partner Dr George Randall (Henry Hall) where she learns that James has not really vanished but in fact has gone into a self-imposed exile as the result of a disastrous experiment. In order to try and prove his evolutionary theories Dr Brewster had injected himself with an experimental serum to turn himself into a 'missing-link' between man and ape. The serum had succeeded in transforming James into an ape-man but with no way of turning himself back into a man the scientist has retained his intelligence but is now trapped in the body of a hideous man-beast. George tells Agatha that her brother keeps himself locked in his secret laboratory at Springfield, the Brewster estate, with a gorilla in a cage as he desperately seeks a remedy to his problem.Meanwhile at the newspaper office Jeff Carter is assigned a keen, female photographer Billie Mason (Louise Currie) to accompany him to the Brewster place for the pre-arranged interview with Agatha Brewster. During the interview both Jeff and Billie hear cries that sound like a gorilla. Agatha dismisses their suggestions but Billie thinks she sees something and takes another photo of Agatha. When the duo return to the newspaper offices Billie develops the photos she took at the Brewster place and sees the ape-like face of James Brewster in the background of one of them.James secretly goes to visit his colleague George Randall to tell him that he has made a breakthrough and believes that a possible cure for his condition lies with human spinal fluids, but when he realises how James means to obtain them George refuses to help James, so James in a rage murders George's butler (George Kirby) and obtains the spinal fluid from his body. James forces his reluctant colleague to inject him with the spinal fluid. The serum does not work but James is convinced that it is merely not a large enough dose to restore his humanity. George flatly refuses to help the murderous James obtain any more spinal fluid. So, back at his lab James (who can communicate with his gorilla in guttural grunts and cries) hatches a plan to send the gorilla out to obtain specimens for him to extract the vital spinal fluid from. The two go on a murderous rampage killing and killing again so that James can build up his stores of spinal fluid.Jeff and Billie become suspicious of the odd Brewster siblings when they read the press reports of the killings all of which state that the victims were found to be clutching ape hair in their dead hands. While the two newshounds are investigating the Brewster mansion, James again visits George to try and force him to inject him with the spinal fluid he has obtained, but George angrily smashes the vial of fluids. Enraged, James kills George moments before Agatha arrives - who has rushed over to warn George of her brothers intentions. Returning to the Brewster mansion James surprises Billie and takes her down to his secret lab intending to draw her spinal fluid. However, the gorilla becomes territorial and attacks James. After killing the ape-man the gorilla goes after Billie but Agatha provides Jeff and the police with the clue to the secret entrance to the lab and the police shoot the gorilla before it can harm Billie. | The Ape Man | a7ee3da5-7f00-9eb8-18b2-7a091189e7bc | Who is involved with Brewster in the experiment? | [
"Dr George Randall"
] | false |
/m/026fvrj | Meet larger than life cuddly Cara - Ethel, socially acquard and known as the wierdest girl in school, but when she orders pizza on the eve of her 18th birthday she gets more than her average slice. A chance encounter with her hunky 30 year old delivery driver 'Matt Firenzi' brings an evening of awakening into her womanhood and a night of firsts from first job to first party to first beer to first kiss, Cara as she now prefers to be called is experiencing the real outside world outwith her small shelted life with her almost as equally acquard Mother and her Aunt Grandma. But she knows that her new friend 'Matt' isn't as happy with his life as he makes out, so in turn tries to get him to better himself and discover that there's more to life than pizza, Cara's feelings begin to grow stronger for Matt but he is a free spirit who prefers to go from meaningless relationship to meaningless relationship, Pizza is a real heartwarming story of a will they wont they friendship forming out of two lonely people. | Pizza | 5a387173-ff72-f461-3100-21d54c7ef2c1 | who comes to the door? | [
"Ethyl?"
] | false |
/m/026fvrj | Meet larger than life cuddly Cara - Ethel, socially acquard and known as the wierdest girl in school, but when she orders pizza on the eve of her 18th birthday she gets more than her average slice. A chance encounter with her hunky 30 year old delivery driver 'Matt Firenzi' brings an evening of awakening into her womanhood and a night of firsts from first job to first party to first beer to first kiss, Cara as she now prefers to be called is experiencing the real outside world outwith her small shelted life with her almost as equally acquard Mother and her Aunt Grandma. But she knows that her new friend 'Matt' isn't as happy with his life as he makes out, so in turn tries to get him to better himself and discover that there's more to life than pizza, Cara's feelings begin to grow stronger for Matt but he is a free spirit who prefers to go from meaningless relationship to meaningless relationship, Pizza is a real heartwarming story of a will they wont they friendship forming out of two lonely people. | Pizza | 571bf2e9-51ee-20f8-bb16-aa3ae7288fe6 | Who is a sheltered girl? | [
"Cara-Ethyl"
] | false |
/m/026fvrj | Meet larger than life cuddly Cara - Ethel, socially acquard and known as the wierdest girl in school, but when she orders pizza on the eve of her 18th birthday she gets more than her average slice. A chance encounter with her hunky 30 year old delivery driver 'Matt Firenzi' brings an evening of awakening into her womanhood and a night of firsts from first job to first party to first beer to first kiss, Cara as she now prefers to be called is experiencing the real outside world outwith her small shelted life with her almost as equally acquard Mother and her Aunt Grandma. But she knows that her new friend 'Matt' isn't as happy with his life as he makes out, so in turn tries to get him to better himself and discover that there's more to life than pizza, Cara's feelings begin to grow stronger for Matt but he is a free spirit who prefers to go from meaningless relationship to meaningless relationship, Pizza is a real heartwarming story of a will they wont they friendship forming out of two lonely people. | Pizza | ac1b246d-653d-4eb7-ce2a-eef2df6a27c5 | Who is blind? | [] | true |
/m/026fvrj | Meet larger than life cuddly Cara - Ethel, socially acquard and known as the wierdest girl in school, but when she orders pizza on the eve of her 18th birthday she gets more than her average slice. A chance encounter with her hunky 30 year old delivery driver 'Matt Firenzi' brings an evening of awakening into her womanhood and a night of firsts from first job to first party to first beer to first kiss, Cara as she now prefers to be called is experiencing the real outside world outwith her small shelted life with her almost as equally acquard Mother and her Aunt Grandma. But she knows that her new friend 'Matt' isn't as happy with his life as he makes out, so in turn tries to get him to better himself and discover that there's more to life than pizza, Cara's feelings begin to grow stronger for Matt but he is a free spirit who prefers to go from meaningless relationship to meaningless relationship, Pizza is a real heartwarming story of a will they wont they friendship forming out of two lonely people. | Pizza | e8b58aa1-2b10-87fb-dcfb-5a41a4dcffd7 | what do Cara-Ethyl and Matt impart? | [] | true |
/m/02h22 | The movie opens with a screen noting that 40,000 Germans went out on submarines in WW2, and that 30,000 never came back. Then you find out that it is near the end of 1941, and the German Atlantic U-Boat fleet is a mere 12 subs.Now cut to the officers of U-96 driving down a dark road by the shore. Enlisted sailors are drunk and hanging out on the road. They harass the officers in a fairly obnoxious way, including urinating on their car as it goes by. The officers (including, as you soon find out, the Captain) take this in stride.The next scene is in a raucous beer hall. It is an award banquet for a sub captain Thomsen (Otto Sander), who just received a commendation, as well as a sending off for U-96's crew. Various scenes of debauchery play out. The officers are just a bunch of rowdy kids having fun. U-96's Captain (Jürgen Prochnow) looks on calmly. The Captain is then introduced to a party reporter, Lt. Werner (Herbert Grönemeyer) who will be accompanying them on their next tour to report on the greatness of the Reich's sub crews. They meet the Captain's chief engineer and de facto second-in-command "The Chief", (Klaus Wennemann), who is older and bedraggled and obviously doesn't look forward to another tour.The Captain goes to find Thomsen as it is time for the old guy to give a speech. He finds Thomsen nearly passed out drunk in a disgusting bathroom. He manages to get Thomsen to his feet with the help of another officer and guides him to the podium. They note sadly that all the crews these days are just kids, and that the old guard is almost gone. Thomsen gives a speech full of what comes very close to anti-Nazi rhetoric (a couple guys in the audience, possibly SS men, look tense), but ends it on a positive note without saying anything too incriminating.Now U-96 leaves port and you meet the rest of the crew. Of most note are the first lieutenant (Hubertus Bengsch), a prissy young hardcore Nazi, and the second lieutenant (Martin Semmelrogge) who is a clever jokester and constantly winds up the first lieutenant. Lt. Werner, the reporter, is led to the junior officer's bunks where he finds out that even the officers have to share beds because of space constraints. Lt. Werner is ribbed by Pilgrim (Jan Fedder), another jokester, and befriends a very young officer, Ullmann, with a French girlfriend back home who he constantly writes letters to. You also get your first shot of Johann, the head of the engine room, a pale, gangly fellow whom the crew members call "The Ghost".Now is the first stretch of drudgery in the movie. Lt. Werner snaps pictures of everything in sight initially, but gradually calms down. The crew goes about their day to day business with increasing dreariness, all of them except the first lieutenant stop shaving and grow beards, and their moil is only broken by a false alarm arranged by the Captain to keep them on their toes. During this time you learn that the Captain has no love for the Nazis, and morale amongst the higher officers seems abysmal.The Captain at one point decides to see how deep the sub can dive. The gauge limits the "safe" zone down to only 170 meters, but the Captain, much to the chagrin of the crew, takes it down to almost 200. This causes ominous creaking noises to emit from the hull, and everyone is relieved when the Captain orders the sub back up.After more boredom, the sub receives a transmission that a convoy has been spotted. The crew leaps at the opportunity to go after them, but the Captain says they have no chance of getting there in time and so they go back to twiddling their thumbs.Shortly thereafter, they get a message about a convoy that they will be able to intercept, and the Captain kicks the sub into full gear to catch it. They approach the convoy in very heavy fog, but before they can even get close enough to see anything one of the escort destroyers spots them and the sub has to dive. After being depth charged repeatedly by the destroyer but taking no real damage, the Captain manages to lose them and escape. The Captain notes that the British destroyers are getting smarter, and that they no longer make mistakes.Now is the final really long stretch of nothing happening. The crew is totally demoralised since they didn't even get close to sinking a ship and barely escaped with their lives, but still remain in fairly good spirits. Lt. Werner is obviously no longer enjoying himself and has stopped snapping pictures of everything in sight. Half the crew ends up with crabs. They randomly run into one of the other eleven subs in the Atlantic, which is a brief happy interlude, followed by the Captain being annoyed at the horrible planning and navigation that resulted in 1/6 of the fleet being in the same spot for no good reason.Now they get a transmission that there is a large convoy spotted and that several other subs are already converging on it. They decide to go for it too, and this time they approach the convoy unnoticed and fire several torpedoes at two of the freighters, landing direct hits. While they are launching the torpedoes they spot a destroyer in the distance, but don't think it will cause a problem. However, after launching the last of the torpedoes the Captain can't see the destroyer in the periscope any more. When he finally does see it, it is rapidly coming straight for them.They dive in a panic and manage to get far enough away that the depth charges don't cause any damage. They hear the torpedoes hit, and are quite happy until the first dreadful ping of the destroyer's ASDIC (British sonar) system sounds. The sub sits there with the pings getting closer and louder, the destroyer approaching, unable to do much besides hope it doesn't notice them. It does notice them, though, and starts depth charging them like mad. You see a shot of Johann wedged under some machinery, holding his head in his hands and looking freaked out and miserable.The Captain manages to evade the destroyer, only to have a second destroyer come at them from a different direction. Left with no choice, the Captain orders them to dive VERY deep, well into the red zone on their depth gauge. The water pressure causes bolts to start popping inwards, damaging equipment and wounding a crewmember. At this point Johann, now totally out of his mind, stumbles onto the bridge babbling incoherently. The Captain orders him back to his post, but Johann just lurches towards him. The Captain moves away and eventually the other officers are able to get Johann out. You see that the Captain was about to shoot him.Finally all signs of the destroyers fade, and the sub hangs under water for six more hours just to be safe. It then surfaces to find that one of the ships it torpedoed was an oil tanker, which is now surrounded by burning oil but not actually sinking. The Captain orders another torpedo fired at it to finish the job. As this torpedo hits, the sub crew is able to see that there are still survivors on the tanker. The Captain is incensed that in six hours no one came to rescue them. The survivors swim towards the sub, but the Captain sadly orders them to move away. The crew who witness this, particularly Lt. Werner, are very distressed.Running low on supplies and fuel, the crew expects that they are now to dock at La Rochelle, France. Instead they are given grim orders: they are to secretly dock with an undercover German supply ship at Vigo, a neutral Spanish port, then make the crossing of the British-controlled Straights of Gibraltar into the Mediterranean to reach the Italian coastal town of La Spezia. The Captain knows that this is essentially a suicide mission, and he arranges for Lt. Werner and The Chief (whose wife is very ill) to leave the sub at the Spanish port and make their way back to Germany. Lt. Werner doesn't want to go, but the Captain insists that he's already been in too much danger. Werner agrees to take the junior officer's love letters (there are dozens of them) to his French girlfriend.Johann comes to the Captain and apologises for leaving his post, insisting that it won't happen again and begging the Captain to not court martial him. The Captain is hesitant, but eventually accepts Johann's apology and sends him off.They make it to Vigo and the secret supply ship turns out to be fantastically well appointed. The officers go aboard and are treated like heroes by the fawning crew. The officers are sullen and do not take kindly to the princely treatment. They are even more annoyed by the ship's crew begging them to tell their exciting stories.In the midst of this the Captain receives a telegram from headquarters. Leave for Lt. Werner and The Chief has been denied. They have to stay with the ship til the end. The Chief is visibly upset, but says that it's a good thing as his replacement would be some incompetent kid. Lt. Werner is conflicted, but definitely unhappy about having to give the junior officer back his love letters. The ship is resupplied and they go on their way.The sub stops away from the Straights of Gibraltar to take stock of things. They can see a fleet of British warships patrolling the depressingly narrow gap between the cliffs. The Captain, for lack of a better idea, decides that they will make a silent run towards the gap, then dive deep at the last minute and hope that the tide can help them drift under the enemy fleet. No one, including the Captain himself, seems to put much stock in this plan.When the time is right, they begin their run towards the Straights. They are immediately noticed and shots from the ships begin exploding around them. The Captain and the navigator are on the ship's lookout when a plane flies overhead, strafing them with gunfire and hitting the sub with a bomb. The Captain and navigator (who is badly shot up) head back into the sub, which immediately starts diving.Unfortunately, due to the damage from the bomb the sub is unable to pull out of the dive. It goes deeper and deeper, past the point that the bolts start blowing out again and horrible noises come from the hull. The pressure causes several pipes to burst and parts of the sub start flooding. The sub eventually comes to a rest on a rock at about 280 meters down, well beyond the limit of the depth gauge.The sub is flooding badly and its engines aren't working. Meanwhile, the navigator is bleeding to death and the doctor is desperately trying to keep him alive. The crew goes into a panic of trying to patch up the damage and stop the water from flooding the entire sub. Amidst the chaos of people madly jamming whatever they can into the leaks, Johann heroically dives into a deep flood puddle to find and jam the source of a major leak. The Chief shimmies under floor panels to replace a bunch of damaged batteries, braving the noxious fumes created by the spilled battery acid in the process.As the leaks stop and the shot navigator stabilizes, the Captain and the Chief assess their situation. There is a bunch of damage to fix, and all the water needs to be bailed out, and if all goes perfectly they might have one shot at surfacing. They are also short on oxygen and need to do everything quickly so they don't run out.The crew goes about bailing the massive amount of water, bucket-brigade style, into the bilge where it will be blown out when they try to surface. The Chief starts repairs. After hours the water is all bailed and the crew is utterly exhausted from the effort. Oxygen is critically low. The Captain orders all men to go to their bunks and relax, while the Chief continues his repairs.The crew is all collapsed about the sub, oxygen deprived and resigned to death. Even the Captain despairs and blames his own recklessness for the crew's fate. The Chief finishes repairs, however, and believes that they still have a chance. The Captain and the Chief resolve to give it a try. They blow their ballast and slowly start rising. Johann fires the engines and, amazingly, they start and work. They surface and everyone takes ecstatic breaths of fresh air. The Captain notes that since they are presumed sunk, they can easily escape and make port back in La Rochelle.The sub limps back to La Rochelle. Droves of people are out to greet them, and the tired mariners get a heroes' welcome. They look exhausted but happy that they made it.Just as the movie seems about to end happily, an air raid siren sounds. Enemy warplanes swoop in, gunning and bombing everyone and everything in sight. Lt. Werner and the Chief manage to make it into a shelter along with a few of the sub's crew. After the planes leave Lt. Werner goes out to survey the damage.Most of the crew is dead. You see the corpses of Johann, the second lieutenant, the junior officer with the French girlfriend, and others. Finally Werner comes to the Captain, who is still standing... but a trickle of blood flows from his mouth and he slowly collapses. Werner looks on, horrified. The Captain lives just long enough to see U-96 sink from sight. The camera zooms out of the scene, with Werner holding the dead Captain. | Das Boot | dd633d82-83b6-a376-15f4-73d90a576083 | What attacks the crew? | [
"British fighter plane",
"a destroyer",
"Allied planes bomb and strafe the facilities",
"British destroyer"
] | false |
/m/02h22 | The movie opens with a screen noting that 40,000 Germans went out on submarines in WW2, and that 30,000 never came back. Then you find out that it is near the end of 1941, and the German Atlantic U-Boat fleet is a mere 12 subs.Now cut to the officers of U-96 driving down a dark road by the shore. Enlisted sailors are drunk and hanging out on the road. They harass the officers in a fairly obnoxious way, including urinating on their car as it goes by. The officers (including, as you soon find out, the Captain) take this in stride.The next scene is in a raucous beer hall. It is an award banquet for a sub captain Thomsen (Otto Sander), who just received a commendation, as well as a sending off for U-96's crew. Various scenes of debauchery play out. The officers are just a bunch of rowdy kids having fun. U-96's Captain (Jürgen Prochnow) looks on calmly. The Captain is then introduced to a party reporter, Lt. Werner (Herbert Grönemeyer) who will be accompanying them on their next tour to report on the greatness of the Reich's sub crews. They meet the Captain's chief engineer and de facto second-in-command "The Chief", (Klaus Wennemann), who is older and bedraggled and obviously doesn't look forward to another tour.The Captain goes to find Thomsen as it is time for the old guy to give a speech. He finds Thomsen nearly passed out drunk in a disgusting bathroom. He manages to get Thomsen to his feet with the help of another officer and guides him to the podium. They note sadly that all the crews these days are just kids, and that the old guard is almost gone. Thomsen gives a speech full of what comes very close to anti-Nazi rhetoric (a couple guys in the audience, possibly SS men, look tense), but ends it on a positive note without saying anything too incriminating.Now U-96 leaves port and you meet the rest of the crew. Of most note are the first lieutenant (Hubertus Bengsch), a prissy young hardcore Nazi, and the second lieutenant (Martin Semmelrogge) who is a clever jokester and constantly winds up the first lieutenant. Lt. Werner, the reporter, is led to the junior officer's bunks where he finds out that even the officers have to share beds because of space constraints. Lt. Werner is ribbed by Pilgrim (Jan Fedder), another jokester, and befriends a very young officer, Ullmann, with a French girlfriend back home who he constantly writes letters to. You also get your first shot of Johann, the head of the engine room, a pale, gangly fellow whom the crew members call "The Ghost".Now is the first stretch of drudgery in the movie. Lt. Werner snaps pictures of everything in sight initially, but gradually calms down. The crew goes about their day to day business with increasing dreariness, all of them except the first lieutenant stop shaving and grow beards, and their moil is only broken by a false alarm arranged by the Captain to keep them on their toes. During this time you learn that the Captain has no love for the Nazis, and morale amongst the higher officers seems abysmal.The Captain at one point decides to see how deep the sub can dive. The gauge limits the "safe" zone down to only 170 meters, but the Captain, much to the chagrin of the crew, takes it down to almost 200. This causes ominous creaking noises to emit from the hull, and everyone is relieved when the Captain orders the sub back up.After more boredom, the sub receives a transmission that a convoy has been spotted. The crew leaps at the opportunity to go after them, but the Captain says they have no chance of getting there in time and so they go back to twiddling their thumbs.Shortly thereafter, they get a message about a convoy that they will be able to intercept, and the Captain kicks the sub into full gear to catch it. They approach the convoy in very heavy fog, but before they can even get close enough to see anything one of the escort destroyers spots them and the sub has to dive. After being depth charged repeatedly by the destroyer but taking no real damage, the Captain manages to lose them and escape. The Captain notes that the British destroyers are getting smarter, and that they no longer make mistakes.Now is the final really long stretch of nothing happening. The crew is totally demoralised since they didn't even get close to sinking a ship and barely escaped with their lives, but still remain in fairly good spirits. Lt. Werner is obviously no longer enjoying himself and has stopped snapping pictures of everything in sight. Half the crew ends up with crabs. They randomly run into one of the other eleven subs in the Atlantic, which is a brief happy interlude, followed by the Captain being annoyed at the horrible planning and navigation that resulted in 1/6 of the fleet being in the same spot for no good reason.Now they get a transmission that there is a large convoy spotted and that several other subs are already converging on it. They decide to go for it too, and this time they approach the convoy unnoticed and fire several torpedoes at two of the freighters, landing direct hits. While they are launching the torpedoes they spot a destroyer in the distance, but don't think it will cause a problem. However, after launching the last of the torpedoes the Captain can't see the destroyer in the periscope any more. When he finally does see it, it is rapidly coming straight for them.They dive in a panic and manage to get far enough away that the depth charges don't cause any damage. They hear the torpedoes hit, and are quite happy until the first dreadful ping of the destroyer's ASDIC (British sonar) system sounds. The sub sits there with the pings getting closer and louder, the destroyer approaching, unable to do much besides hope it doesn't notice them. It does notice them, though, and starts depth charging them like mad. You see a shot of Johann wedged under some machinery, holding his head in his hands and looking freaked out and miserable.The Captain manages to evade the destroyer, only to have a second destroyer come at them from a different direction. Left with no choice, the Captain orders them to dive VERY deep, well into the red zone on their depth gauge. The water pressure causes bolts to start popping inwards, damaging equipment and wounding a crewmember. At this point Johann, now totally out of his mind, stumbles onto the bridge babbling incoherently. The Captain orders him back to his post, but Johann just lurches towards him. The Captain moves away and eventually the other officers are able to get Johann out. You see that the Captain was about to shoot him.Finally all signs of the destroyers fade, and the sub hangs under water for six more hours just to be safe. It then surfaces to find that one of the ships it torpedoed was an oil tanker, which is now surrounded by burning oil but not actually sinking. The Captain orders another torpedo fired at it to finish the job. As this torpedo hits, the sub crew is able to see that there are still survivors on the tanker. The Captain is incensed that in six hours no one came to rescue them. The survivors swim towards the sub, but the Captain sadly orders them to move away. The crew who witness this, particularly Lt. Werner, are very distressed.Running low on supplies and fuel, the crew expects that they are now to dock at La Rochelle, France. Instead they are given grim orders: they are to secretly dock with an undercover German supply ship at Vigo, a neutral Spanish port, then make the crossing of the British-controlled Straights of Gibraltar into the Mediterranean to reach the Italian coastal town of La Spezia. The Captain knows that this is essentially a suicide mission, and he arranges for Lt. Werner and The Chief (whose wife is very ill) to leave the sub at the Spanish port and make their way back to Germany. Lt. Werner doesn't want to go, but the Captain insists that he's already been in too much danger. Werner agrees to take the junior officer's love letters (there are dozens of them) to his French girlfriend.Johann comes to the Captain and apologises for leaving his post, insisting that it won't happen again and begging the Captain to not court martial him. The Captain is hesitant, but eventually accepts Johann's apology and sends him off.They make it to Vigo and the secret supply ship turns out to be fantastically well appointed. The officers go aboard and are treated like heroes by the fawning crew. The officers are sullen and do not take kindly to the princely treatment. They are even more annoyed by the ship's crew begging them to tell their exciting stories.In the midst of this the Captain receives a telegram from headquarters. Leave for Lt. Werner and The Chief has been denied. They have to stay with the ship til the end. The Chief is visibly upset, but says that it's a good thing as his replacement would be some incompetent kid. Lt. Werner is conflicted, but definitely unhappy about having to give the junior officer back his love letters. The ship is resupplied and they go on their way.The sub stops away from the Straights of Gibraltar to take stock of things. They can see a fleet of British warships patrolling the depressingly narrow gap between the cliffs. The Captain, for lack of a better idea, decides that they will make a silent run towards the gap, then dive deep at the last minute and hope that the tide can help them drift under the enemy fleet. No one, including the Captain himself, seems to put much stock in this plan.When the time is right, they begin their run towards the Straights. They are immediately noticed and shots from the ships begin exploding around them. The Captain and the navigator are on the ship's lookout when a plane flies overhead, strafing them with gunfire and hitting the sub with a bomb. The Captain and navigator (who is badly shot up) head back into the sub, which immediately starts diving.Unfortunately, due to the damage from the bomb the sub is unable to pull out of the dive. It goes deeper and deeper, past the point that the bolts start blowing out again and horrible noises come from the hull. The pressure causes several pipes to burst and parts of the sub start flooding. The sub eventually comes to a rest on a rock at about 280 meters down, well beyond the limit of the depth gauge.The sub is flooding badly and its engines aren't working. Meanwhile, the navigator is bleeding to death and the doctor is desperately trying to keep him alive. The crew goes into a panic of trying to patch up the damage and stop the water from flooding the entire sub. Amidst the chaos of people madly jamming whatever they can into the leaks, Johann heroically dives into a deep flood puddle to find and jam the source of a major leak. The Chief shimmies under floor panels to replace a bunch of damaged batteries, braving the noxious fumes created by the spilled battery acid in the process.As the leaks stop and the shot navigator stabilizes, the Captain and the Chief assess their situation. There is a bunch of damage to fix, and all the water needs to be bailed out, and if all goes perfectly they might have one shot at surfacing. They are also short on oxygen and need to do everything quickly so they don't run out.The crew goes about bailing the massive amount of water, bucket-brigade style, into the bilge where it will be blown out when they try to surface. The Chief starts repairs. After hours the water is all bailed and the crew is utterly exhausted from the effort. Oxygen is critically low. The Captain orders all men to go to their bunks and relax, while the Chief continues his repairs.The crew is all collapsed about the sub, oxygen deprived and resigned to death. Even the Captain despairs and blames his own recklessness for the crew's fate. The Chief finishes repairs, however, and believes that they still have a chance. The Captain and the Chief resolve to give it a try. They blow their ballast and slowly start rising. Johann fires the engines and, amazingly, they start and work. They surface and everyone takes ecstatic breaths of fresh air. The Captain notes that since they are presumed sunk, they can easily escape and make port back in La Rochelle.The sub limps back to La Rochelle. Droves of people are out to greet them, and the tired mariners get a heroes' welcome. They look exhausted but happy that they made it.Just as the movie seems about to end happily, an air raid siren sounds. Enemy warplanes swoop in, gunning and bombing everyone and everything in sight. Lt. Werner and the Chief manage to make it into a shelter along with a few of the sub's crew. After the planes leave Lt. Werner goes out to survey the damage.Most of the crew is dead. You see the corpses of Johann, the second lieutenant, the junior officer with the French girlfriend, and others. Finally Werner comes to the Captain, who is still standing... but a trickle of blood flows from his mouth and he slowly collapses. Werner looks on, horrified. The Captain lives just long enough to see U-96 sink from sight. The camera zooms out of the scene, with Werner holding the dead Captain. | Das Boot | 4a24cebe-48bb-7849-6569-7aa98ff6d4df | who plays a role as Lt. Werner ? | [
"Herbert Grönemeyer",
"Herbert Grnemeyer"
] | false |
/m/02h22 | The movie opens with a screen noting that 40,000 Germans went out on submarines in WW2, and that 30,000 never came back. Then you find out that it is near the end of 1941, and the German Atlantic U-Boat fleet is a mere 12 subs.Now cut to the officers of U-96 driving down a dark road by the shore. Enlisted sailors are drunk and hanging out on the road. They harass the officers in a fairly obnoxious way, including urinating on their car as it goes by. The officers (including, as you soon find out, the Captain) take this in stride.The next scene is in a raucous beer hall. It is an award banquet for a sub captain Thomsen (Otto Sander), who just received a commendation, as well as a sending off for U-96's crew. Various scenes of debauchery play out. The officers are just a bunch of rowdy kids having fun. U-96's Captain (Jürgen Prochnow) looks on calmly. The Captain is then introduced to a party reporter, Lt. Werner (Herbert Grönemeyer) who will be accompanying them on their next tour to report on the greatness of the Reich's sub crews. They meet the Captain's chief engineer and de facto second-in-command "The Chief", (Klaus Wennemann), who is older and bedraggled and obviously doesn't look forward to another tour.The Captain goes to find Thomsen as it is time for the old guy to give a speech. He finds Thomsen nearly passed out drunk in a disgusting bathroom. He manages to get Thomsen to his feet with the help of another officer and guides him to the podium. They note sadly that all the crews these days are just kids, and that the old guard is almost gone. Thomsen gives a speech full of what comes very close to anti-Nazi rhetoric (a couple guys in the audience, possibly SS men, look tense), but ends it on a positive note without saying anything too incriminating.Now U-96 leaves port and you meet the rest of the crew. Of most note are the first lieutenant (Hubertus Bengsch), a prissy young hardcore Nazi, and the second lieutenant (Martin Semmelrogge) who is a clever jokester and constantly winds up the first lieutenant. Lt. Werner, the reporter, is led to the junior officer's bunks where he finds out that even the officers have to share beds because of space constraints. Lt. Werner is ribbed by Pilgrim (Jan Fedder), another jokester, and befriends a very young officer, Ullmann, with a French girlfriend back home who he constantly writes letters to. You also get your first shot of Johann, the head of the engine room, a pale, gangly fellow whom the crew members call "The Ghost".Now is the first stretch of drudgery in the movie. Lt. Werner snaps pictures of everything in sight initially, but gradually calms down. The crew goes about their day to day business with increasing dreariness, all of them except the first lieutenant stop shaving and grow beards, and their moil is only broken by a false alarm arranged by the Captain to keep them on their toes. During this time you learn that the Captain has no love for the Nazis, and morale amongst the higher officers seems abysmal.The Captain at one point decides to see how deep the sub can dive. The gauge limits the "safe" zone down to only 170 meters, but the Captain, much to the chagrin of the crew, takes it down to almost 200. This causes ominous creaking noises to emit from the hull, and everyone is relieved when the Captain orders the sub back up.After more boredom, the sub receives a transmission that a convoy has been spotted. The crew leaps at the opportunity to go after them, but the Captain says they have no chance of getting there in time and so they go back to twiddling their thumbs.Shortly thereafter, they get a message about a convoy that they will be able to intercept, and the Captain kicks the sub into full gear to catch it. They approach the convoy in very heavy fog, but before they can even get close enough to see anything one of the escort destroyers spots them and the sub has to dive. After being depth charged repeatedly by the destroyer but taking no real damage, the Captain manages to lose them and escape. The Captain notes that the British destroyers are getting smarter, and that they no longer make mistakes.Now is the final really long stretch of nothing happening. The crew is totally demoralised since they didn't even get close to sinking a ship and barely escaped with their lives, but still remain in fairly good spirits. Lt. Werner is obviously no longer enjoying himself and has stopped snapping pictures of everything in sight. Half the crew ends up with crabs. They randomly run into one of the other eleven subs in the Atlantic, which is a brief happy interlude, followed by the Captain being annoyed at the horrible planning and navigation that resulted in 1/6 of the fleet being in the same spot for no good reason.Now they get a transmission that there is a large convoy spotted and that several other subs are already converging on it. They decide to go for it too, and this time they approach the convoy unnoticed and fire several torpedoes at two of the freighters, landing direct hits. While they are launching the torpedoes they spot a destroyer in the distance, but don't think it will cause a problem. However, after launching the last of the torpedoes the Captain can't see the destroyer in the periscope any more. When he finally does see it, it is rapidly coming straight for them.They dive in a panic and manage to get far enough away that the depth charges don't cause any damage. They hear the torpedoes hit, and are quite happy until the first dreadful ping of the destroyer's ASDIC (British sonar) system sounds. The sub sits there with the pings getting closer and louder, the destroyer approaching, unable to do much besides hope it doesn't notice them. It does notice them, though, and starts depth charging them like mad. You see a shot of Johann wedged under some machinery, holding his head in his hands and looking freaked out and miserable.The Captain manages to evade the destroyer, only to have a second destroyer come at them from a different direction. Left with no choice, the Captain orders them to dive VERY deep, well into the red zone on their depth gauge. The water pressure causes bolts to start popping inwards, damaging equipment and wounding a crewmember. At this point Johann, now totally out of his mind, stumbles onto the bridge babbling incoherently. The Captain orders him back to his post, but Johann just lurches towards him. The Captain moves away and eventually the other officers are able to get Johann out. You see that the Captain was about to shoot him.Finally all signs of the destroyers fade, and the sub hangs under water for six more hours just to be safe. It then surfaces to find that one of the ships it torpedoed was an oil tanker, which is now surrounded by burning oil but not actually sinking. The Captain orders another torpedo fired at it to finish the job. As this torpedo hits, the sub crew is able to see that there are still survivors on the tanker. The Captain is incensed that in six hours no one came to rescue them. The survivors swim towards the sub, but the Captain sadly orders them to move away. The crew who witness this, particularly Lt. Werner, are very distressed.Running low on supplies and fuel, the crew expects that they are now to dock at La Rochelle, France. Instead they are given grim orders: they are to secretly dock with an undercover German supply ship at Vigo, a neutral Spanish port, then make the crossing of the British-controlled Straights of Gibraltar into the Mediterranean to reach the Italian coastal town of La Spezia. The Captain knows that this is essentially a suicide mission, and he arranges for Lt. Werner and The Chief (whose wife is very ill) to leave the sub at the Spanish port and make their way back to Germany. Lt. Werner doesn't want to go, but the Captain insists that he's already been in too much danger. Werner agrees to take the junior officer's love letters (there are dozens of them) to his French girlfriend.Johann comes to the Captain and apologises for leaving his post, insisting that it won't happen again and begging the Captain to not court martial him. The Captain is hesitant, but eventually accepts Johann's apology and sends him off.They make it to Vigo and the secret supply ship turns out to be fantastically well appointed. The officers go aboard and are treated like heroes by the fawning crew. The officers are sullen and do not take kindly to the princely treatment. They are even more annoyed by the ship's crew begging them to tell their exciting stories.In the midst of this the Captain receives a telegram from headquarters. Leave for Lt. Werner and The Chief has been denied. They have to stay with the ship til the end. The Chief is visibly upset, but says that it's a good thing as his replacement would be some incompetent kid. Lt. Werner is conflicted, but definitely unhappy about having to give the junior officer back his love letters. The ship is resupplied and they go on their way.The sub stops away from the Straights of Gibraltar to take stock of things. They can see a fleet of British warships patrolling the depressingly narrow gap between the cliffs. The Captain, for lack of a better idea, decides that they will make a silent run towards the gap, then dive deep at the last minute and hope that the tide can help them drift under the enemy fleet. No one, including the Captain himself, seems to put much stock in this plan.When the time is right, they begin their run towards the Straights. They are immediately noticed and shots from the ships begin exploding around them. The Captain and the navigator are on the ship's lookout when a plane flies overhead, strafing them with gunfire and hitting the sub with a bomb. The Captain and navigator (who is badly shot up) head back into the sub, which immediately starts diving.Unfortunately, due to the damage from the bomb the sub is unable to pull out of the dive. It goes deeper and deeper, past the point that the bolts start blowing out again and horrible noises come from the hull. The pressure causes several pipes to burst and parts of the sub start flooding. The sub eventually comes to a rest on a rock at about 280 meters down, well beyond the limit of the depth gauge.The sub is flooding badly and its engines aren't working. Meanwhile, the navigator is bleeding to death and the doctor is desperately trying to keep him alive. The crew goes into a panic of trying to patch up the damage and stop the water from flooding the entire sub. Amidst the chaos of people madly jamming whatever they can into the leaks, Johann heroically dives into a deep flood puddle to find and jam the source of a major leak. The Chief shimmies under floor panels to replace a bunch of damaged batteries, braving the noxious fumes created by the spilled battery acid in the process.As the leaks stop and the shot navigator stabilizes, the Captain and the Chief assess their situation. There is a bunch of damage to fix, and all the water needs to be bailed out, and if all goes perfectly they might have one shot at surfacing. They are also short on oxygen and need to do everything quickly so they don't run out.The crew goes about bailing the massive amount of water, bucket-brigade style, into the bilge where it will be blown out when they try to surface. The Chief starts repairs. After hours the water is all bailed and the crew is utterly exhausted from the effort. Oxygen is critically low. The Captain orders all men to go to their bunks and relax, while the Chief continues his repairs.The crew is all collapsed about the sub, oxygen deprived and resigned to death. Even the Captain despairs and blames his own recklessness for the crew's fate. The Chief finishes repairs, however, and believes that they still have a chance. The Captain and the Chief resolve to give it a try. They blow their ballast and slowly start rising. Johann fires the engines and, amazingly, they start and work. They surface and everyone takes ecstatic breaths of fresh air. The Captain notes that since they are presumed sunk, they can easily escape and make port back in La Rochelle.The sub limps back to La Rochelle. Droves of people are out to greet them, and the tired mariners get a heroes' welcome. They look exhausted but happy that they made it.Just as the movie seems about to end happily, an air raid siren sounds. Enemy warplanes swoop in, gunning and bombing everyone and everything in sight. Lt. Werner and the Chief manage to make it into a shelter along with a few of the sub's crew. After the planes leave Lt. Werner goes out to survey the damage.Most of the crew is dead. You see the corpses of Johann, the second lieutenant, the junior officer with the French girlfriend, and others. Finally Werner comes to the Captain, who is still standing... but a trickle of blood flows from his mouth and he slowly collapses. Werner looks on, horrified. The Captain lives just long enough to see U-96 sink from sight. The camera zooms out of the scene, with Werner holding the dead Captain. | Das Boot | 05d5bbc0-308f-e920-ac38-d36280f36aaf | What bombs the facilities? | [
"a plane",
"destroyer",
"Planes"
] | false |
/m/02h22 | The movie opens with a screen noting that 40,000 Germans went out on submarines in WW2, and that 30,000 never came back. Then you find out that it is near the end of 1941, and the German Atlantic U-Boat fleet is a mere 12 subs.Now cut to the officers of U-96 driving down a dark road by the shore. Enlisted sailors are drunk and hanging out on the road. They harass the officers in a fairly obnoxious way, including urinating on their car as it goes by. The officers (including, as you soon find out, the Captain) take this in stride.The next scene is in a raucous beer hall. It is an award banquet for a sub captain Thomsen (Otto Sander), who just received a commendation, as well as a sending off for U-96's crew. Various scenes of debauchery play out. The officers are just a bunch of rowdy kids having fun. U-96's Captain (Jürgen Prochnow) looks on calmly. The Captain is then introduced to a party reporter, Lt. Werner (Herbert Grönemeyer) who will be accompanying them on their next tour to report on the greatness of the Reich's sub crews. They meet the Captain's chief engineer and de facto second-in-command "The Chief", (Klaus Wennemann), who is older and bedraggled and obviously doesn't look forward to another tour.The Captain goes to find Thomsen as it is time for the old guy to give a speech. He finds Thomsen nearly passed out drunk in a disgusting bathroom. He manages to get Thomsen to his feet with the help of another officer and guides him to the podium. They note sadly that all the crews these days are just kids, and that the old guard is almost gone. Thomsen gives a speech full of what comes very close to anti-Nazi rhetoric (a couple guys in the audience, possibly SS men, look tense), but ends it on a positive note without saying anything too incriminating.Now U-96 leaves port and you meet the rest of the crew. Of most note are the first lieutenant (Hubertus Bengsch), a prissy young hardcore Nazi, and the second lieutenant (Martin Semmelrogge) who is a clever jokester and constantly winds up the first lieutenant. Lt. Werner, the reporter, is led to the junior officer's bunks where he finds out that even the officers have to share beds because of space constraints. Lt. Werner is ribbed by Pilgrim (Jan Fedder), another jokester, and befriends a very young officer, Ullmann, with a French girlfriend back home who he constantly writes letters to. You also get your first shot of Johann, the head of the engine room, a pale, gangly fellow whom the crew members call "The Ghost".Now is the first stretch of drudgery in the movie. Lt. Werner snaps pictures of everything in sight initially, but gradually calms down. The crew goes about their day to day business with increasing dreariness, all of them except the first lieutenant stop shaving and grow beards, and their moil is only broken by a false alarm arranged by the Captain to keep them on their toes. During this time you learn that the Captain has no love for the Nazis, and morale amongst the higher officers seems abysmal.The Captain at one point decides to see how deep the sub can dive. The gauge limits the "safe" zone down to only 170 meters, but the Captain, much to the chagrin of the crew, takes it down to almost 200. This causes ominous creaking noises to emit from the hull, and everyone is relieved when the Captain orders the sub back up.After more boredom, the sub receives a transmission that a convoy has been spotted. The crew leaps at the opportunity to go after them, but the Captain says they have no chance of getting there in time and so they go back to twiddling their thumbs.Shortly thereafter, they get a message about a convoy that they will be able to intercept, and the Captain kicks the sub into full gear to catch it. They approach the convoy in very heavy fog, but before they can even get close enough to see anything one of the escort destroyers spots them and the sub has to dive. After being depth charged repeatedly by the destroyer but taking no real damage, the Captain manages to lose them and escape. The Captain notes that the British destroyers are getting smarter, and that they no longer make mistakes.Now is the final really long stretch of nothing happening. The crew is totally demoralised since they didn't even get close to sinking a ship and barely escaped with their lives, but still remain in fairly good spirits. Lt. Werner is obviously no longer enjoying himself and has stopped snapping pictures of everything in sight. Half the crew ends up with crabs. They randomly run into one of the other eleven subs in the Atlantic, which is a brief happy interlude, followed by the Captain being annoyed at the horrible planning and navigation that resulted in 1/6 of the fleet being in the same spot for no good reason.Now they get a transmission that there is a large convoy spotted and that several other subs are already converging on it. They decide to go for it too, and this time they approach the convoy unnoticed and fire several torpedoes at two of the freighters, landing direct hits. While they are launching the torpedoes they spot a destroyer in the distance, but don't think it will cause a problem. However, after launching the last of the torpedoes the Captain can't see the destroyer in the periscope any more. When he finally does see it, it is rapidly coming straight for them.They dive in a panic and manage to get far enough away that the depth charges don't cause any damage. They hear the torpedoes hit, and are quite happy until the first dreadful ping of the destroyer's ASDIC (British sonar) system sounds. The sub sits there with the pings getting closer and louder, the destroyer approaching, unable to do much besides hope it doesn't notice them. It does notice them, though, and starts depth charging them like mad. You see a shot of Johann wedged under some machinery, holding his head in his hands and looking freaked out and miserable.The Captain manages to evade the destroyer, only to have a second destroyer come at them from a different direction. Left with no choice, the Captain orders them to dive VERY deep, well into the red zone on their depth gauge. The water pressure causes bolts to start popping inwards, damaging equipment and wounding a crewmember. At this point Johann, now totally out of his mind, stumbles onto the bridge babbling incoherently. The Captain orders him back to his post, but Johann just lurches towards him. The Captain moves away and eventually the other officers are able to get Johann out. You see that the Captain was about to shoot him.Finally all signs of the destroyers fade, and the sub hangs under water for six more hours just to be safe. It then surfaces to find that one of the ships it torpedoed was an oil tanker, which is now surrounded by burning oil but not actually sinking. The Captain orders another torpedo fired at it to finish the job. As this torpedo hits, the sub crew is able to see that there are still survivors on the tanker. The Captain is incensed that in six hours no one came to rescue them. The survivors swim towards the sub, but the Captain sadly orders them to move away. The crew who witness this, particularly Lt. Werner, are very distressed.Running low on supplies and fuel, the crew expects that they are now to dock at La Rochelle, France. Instead they are given grim orders: they are to secretly dock with an undercover German supply ship at Vigo, a neutral Spanish port, then make the crossing of the British-controlled Straights of Gibraltar into the Mediterranean to reach the Italian coastal town of La Spezia. The Captain knows that this is essentially a suicide mission, and he arranges for Lt. Werner and The Chief (whose wife is very ill) to leave the sub at the Spanish port and make their way back to Germany. Lt. Werner doesn't want to go, but the Captain insists that he's already been in too much danger. Werner agrees to take the junior officer's love letters (there are dozens of them) to his French girlfriend.Johann comes to the Captain and apologises for leaving his post, insisting that it won't happen again and begging the Captain to not court martial him. The Captain is hesitant, but eventually accepts Johann's apology and sends him off.They make it to Vigo and the secret supply ship turns out to be fantastically well appointed. The officers go aboard and are treated like heroes by the fawning crew. The officers are sullen and do not take kindly to the princely treatment. They are even more annoyed by the ship's crew begging them to tell their exciting stories.In the midst of this the Captain receives a telegram from headquarters. Leave for Lt. Werner and The Chief has been denied. They have to stay with the ship til the end. The Chief is visibly upset, but says that it's a good thing as his replacement would be some incompetent kid. Lt. Werner is conflicted, but definitely unhappy about having to give the junior officer back his love letters. The ship is resupplied and they go on their way.The sub stops away from the Straights of Gibraltar to take stock of things. They can see a fleet of British warships patrolling the depressingly narrow gap between the cliffs. The Captain, for lack of a better idea, decides that they will make a silent run towards the gap, then dive deep at the last minute and hope that the tide can help them drift under the enemy fleet. No one, including the Captain himself, seems to put much stock in this plan.When the time is right, they begin their run towards the Straights. They are immediately noticed and shots from the ships begin exploding around them. The Captain and the navigator are on the ship's lookout when a plane flies overhead, strafing them with gunfire and hitting the sub with a bomb. The Captain and navigator (who is badly shot up) head back into the sub, which immediately starts diving.Unfortunately, due to the damage from the bomb the sub is unable to pull out of the dive. It goes deeper and deeper, past the point that the bolts start blowing out again and horrible noises come from the hull. The pressure causes several pipes to burst and parts of the sub start flooding. The sub eventually comes to a rest on a rock at about 280 meters down, well beyond the limit of the depth gauge.The sub is flooding badly and its engines aren't working. Meanwhile, the navigator is bleeding to death and the doctor is desperately trying to keep him alive. The crew goes into a panic of trying to patch up the damage and stop the water from flooding the entire sub. Amidst the chaos of people madly jamming whatever they can into the leaks, Johann heroically dives into a deep flood puddle to find and jam the source of a major leak. The Chief shimmies under floor panels to replace a bunch of damaged batteries, braving the noxious fumes created by the spilled battery acid in the process.As the leaks stop and the shot navigator stabilizes, the Captain and the Chief assess their situation. There is a bunch of damage to fix, and all the water needs to be bailed out, and if all goes perfectly they might have one shot at surfacing. They are also short on oxygen and need to do everything quickly so they don't run out.The crew goes about bailing the massive amount of water, bucket-brigade style, into the bilge where it will be blown out when they try to surface. The Chief starts repairs. After hours the water is all bailed and the crew is utterly exhausted from the effort. Oxygen is critically low. The Captain orders all men to go to their bunks and relax, while the Chief continues his repairs.The crew is all collapsed about the sub, oxygen deprived and resigned to death. Even the Captain despairs and blames his own recklessness for the crew's fate. The Chief finishes repairs, however, and believes that they still have a chance. The Captain and the Chief resolve to give it a try. They blow their ballast and slowly start rising. Johann fires the engines and, amazingly, they start and work. They surface and everyone takes ecstatic breaths of fresh air. The Captain notes that since they are presumed sunk, they can easily escape and make port back in La Rochelle.The sub limps back to La Rochelle. Droves of people are out to greet them, and the tired mariners get a heroes' welcome. They look exhausted but happy that they made it.Just as the movie seems about to end happily, an air raid siren sounds. Enemy warplanes swoop in, gunning and bombing everyone and everything in sight. Lt. Werner and the Chief manage to make it into a shelter along with a few of the sub's crew. After the planes leave Lt. Werner goes out to survey the damage.Most of the crew is dead. You see the corpses of Johann, the second lieutenant, the junior officer with the French girlfriend, and others. Finally Werner comes to the Captain, who is still standing... but a trickle of blood flows from his mouth and he slowly collapses. Werner looks on, horrified. The Captain lives just long enough to see U-96 sink from sight. The camera zooms out of the scene, with Werner holding the dead Captain. | Das Boot | fe10b8ef-a043-d52a-f30c-c230e8b3c13a | What country is the crew going to? | [
"French bordello",
"Germany",
"France"
] | false |
/m/02h22 | The movie opens with a screen noting that 40,000 Germans went out on submarines in WW2, and that 30,000 never came back. Then you find out that it is near the end of 1941, and the German Atlantic U-Boat fleet is a mere 12 subs.Now cut to the officers of U-96 driving down a dark road by the shore. Enlisted sailors are drunk and hanging out on the road. They harass the officers in a fairly obnoxious way, including urinating on their car as it goes by. The officers (including, as you soon find out, the Captain) take this in stride.The next scene is in a raucous beer hall. It is an award banquet for a sub captain Thomsen (Otto Sander), who just received a commendation, as well as a sending off for U-96's crew. Various scenes of debauchery play out. The officers are just a bunch of rowdy kids having fun. U-96's Captain (Jürgen Prochnow) looks on calmly. The Captain is then introduced to a party reporter, Lt. Werner (Herbert Grönemeyer) who will be accompanying them on their next tour to report on the greatness of the Reich's sub crews. They meet the Captain's chief engineer and de facto second-in-command "The Chief", (Klaus Wennemann), who is older and bedraggled and obviously doesn't look forward to another tour.The Captain goes to find Thomsen as it is time for the old guy to give a speech. He finds Thomsen nearly passed out drunk in a disgusting bathroom. He manages to get Thomsen to his feet with the help of another officer and guides him to the podium. They note sadly that all the crews these days are just kids, and that the old guard is almost gone. Thomsen gives a speech full of what comes very close to anti-Nazi rhetoric (a couple guys in the audience, possibly SS men, look tense), but ends it on a positive note without saying anything too incriminating.Now U-96 leaves port and you meet the rest of the crew. Of most note are the first lieutenant (Hubertus Bengsch), a prissy young hardcore Nazi, and the second lieutenant (Martin Semmelrogge) who is a clever jokester and constantly winds up the first lieutenant. Lt. Werner, the reporter, is led to the junior officer's bunks where he finds out that even the officers have to share beds because of space constraints. Lt. Werner is ribbed by Pilgrim (Jan Fedder), another jokester, and befriends a very young officer, Ullmann, with a French girlfriend back home who he constantly writes letters to. You also get your first shot of Johann, the head of the engine room, a pale, gangly fellow whom the crew members call "The Ghost".Now is the first stretch of drudgery in the movie. Lt. Werner snaps pictures of everything in sight initially, but gradually calms down. The crew goes about their day to day business with increasing dreariness, all of them except the first lieutenant stop shaving and grow beards, and their moil is only broken by a false alarm arranged by the Captain to keep them on their toes. During this time you learn that the Captain has no love for the Nazis, and morale amongst the higher officers seems abysmal.The Captain at one point decides to see how deep the sub can dive. The gauge limits the "safe" zone down to only 170 meters, but the Captain, much to the chagrin of the crew, takes it down to almost 200. This causes ominous creaking noises to emit from the hull, and everyone is relieved when the Captain orders the sub back up.After more boredom, the sub receives a transmission that a convoy has been spotted. The crew leaps at the opportunity to go after them, but the Captain says they have no chance of getting there in time and so they go back to twiddling their thumbs.Shortly thereafter, they get a message about a convoy that they will be able to intercept, and the Captain kicks the sub into full gear to catch it. They approach the convoy in very heavy fog, but before they can even get close enough to see anything one of the escort destroyers spots them and the sub has to dive. After being depth charged repeatedly by the destroyer but taking no real damage, the Captain manages to lose them and escape. The Captain notes that the British destroyers are getting smarter, and that they no longer make mistakes.Now is the final really long stretch of nothing happening. The crew is totally demoralised since they didn't even get close to sinking a ship and barely escaped with their lives, but still remain in fairly good spirits. Lt. Werner is obviously no longer enjoying himself and has stopped snapping pictures of everything in sight. Half the crew ends up with crabs. They randomly run into one of the other eleven subs in the Atlantic, which is a brief happy interlude, followed by the Captain being annoyed at the horrible planning and navigation that resulted in 1/6 of the fleet being in the same spot for no good reason.Now they get a transmission that there is a large convoy spotted and that several other subs are already converging on it. They decide to go for it too, and this time they approach the convoy unnoticed and fire several torpedoes at two of the freighters, landing direct hits. While they are launching the torpedoes they spot a destroyer in the distance, but don't think it will cause a problem. However, after launching the last of the torpedoes the Captain can't see the destroyer in the periscope any more. When he finally does see it, it is rapidly coming straight for them.They dive in a panic and manage to get far enough away that the depth charges don't cause any damage. They hear the torpedoes hit, and are quite happy until the first dreadful ping of the destroyer's ASDIC (British sonar) system sounds. The sub sits there with the pings getting closer and louder, the destroyer approaching, unable to do much besides hope it doesn't notice them. It does notice them, though, and starts depth charging them like mad. You see a shot of Johann wedged under some machinery, holding his head in his hands and looking freaked out and miserable.The Captain manages to evade the destroyer, only to have a second destroyer come at them from a different direction. Left with no choice, the Captain orders them to dive VERY deep, well into the red zone on their depth gauge. The water pressure causes bolts to start popping inwards, damaging equipment and wounding a crewmember. At this point Johann, now totally out of his mind, stumbles onto the bridge babbling incoherently. The Captain orders him back to his post, but Johann just lurches towards him. The Captain moves away and eventually the other officers are able to get Johann out. You see that the Captain was about to shoot him.Finally all signs of the destroyers fade, and the sub hangs under water for six more hours just to be safe. It then surfaces to find that one of the ships it torpedoed was an oil tanker, which is now surrounded by burning oil but not actually sinking. The Captain orders another torpedo fired at it to finish the job. As this torpedo hits, the sub crew is able to see that there are still survivors on the tanker. The Captain is incensed that in six hours no one came to rescue them. The survivors swim towards the sub, but the Captain sadly orders them to move away. The crew who witness this, particularly Lt. Werner, are very distressed.Running low on supplies and fuel, the crew expects that they are now to dock at La Rochelle, France. Instead they are given grim orders: they are to secretly dock with an undercover German supply ship at Vigo, a neutral Spanish port, then make the crossing of the British-controlled Straights of Gibraltar into the Mediterranean to reach the Italian coastal town of La Spezia. The Captain knows that this is essentially a suicide mission, and he arranges for Lt. Werner and The Chief (whose wife is very ill) to leave the sub at the Spanish port and make their way back to Germany. Lt. Werner doesn't want to go, but the Captain insists that he's already been in too much danger. Werner agrees to take the junior officer's love letters (there are dozens of them) to his French girlfriend.Johann comes to the Captain and apologises for leaving his post, insisting that it won't happen again and begging the Captain to not court martial him. The Captain is hesitant, but eventually accepts Johann's apology and sends him off.They make it to Vigo and the secret supply ship turns out to be fantastically well appointed. The officers go aboard and are treated like heroes by the fawning crew. The officers are sullen and do not take kindly to the princely treatment. They are even more annoyed by the ship's crew begging them to tell their exciting stories.In the midst of this the Captain receives a telegram from headquarters. Leave for Lt. Werner and The Chief has been denied. They have to stay with the ship til the end. The Chief is visibly upset, but says that it's a good thing as his replacement would be some incompetent kid. Lt. Werner is conflicted, but definitely unhappy about having to give the junior officer back his love letters. The ship is resupplied and they go on their way.The sub stops away from the Straights of Gibraltar to take stock of things. They can see a fleet of British warships patrolling the depressingly narrow gap between the cliffs. The Captain, for lack of a better idea, decides that they will make a silent run towards the gap, then dive deep at the last minute and hope that the tide can help them drift under the enemy fleet. No one, including the Captain himself, seems to put much stock in this plan.When the time is right, they begin their run towards the Straights. They are immediately noticed and shots from the ships begin exploding around them. The Captain and the navigator are on the ship's lookout when a plane flies overhead, strafing them with gunfire and hitting the sub with a bomb. The Captain and navigator (who is badly shot up) head back into the sub, which immediately starts diving.Unfortunately, due to the damage from the bomb the sub is unable to pull out of the dive. It goes deeper and deeper, past the point that the bolts start blowing out again and horrible noises come from the hull. The pressure causes several pipes to burst and parts of the sub start flooding. The sub eventually comes to a rest on a rock at about 280 meters down, well beyond the limit of the depth gauge.The sub is flooding badly and its engines aren't working. Meanwhile, the navigator is bleeding to death and the doctor is desperately trying to keep him alive. The crew goes into a panic of trying to patch up the damage and stop the water from flooding the entire sub. Amidst the chaos of people madly jamming whatever they can into the leaks, Johann heroically dives into a deep flood puddle to find and jam the source of a major leak. The Chief shimmies under floor panels to replace a bunch of damaged batteries, braving the noxious fumes created by the spilled battery acid in the process.As the leaks stop and the shot navigator stabilizes, the Captain and the Chief assess their situation. There is a bunch of damage to fix, and all the water needs to be bailed out, and if all goes perfectly they might have one shot at surfacing. They are also short on oxygen and need to do everything quickly so they don't run out.The crew goes about bailing the massive amount of water, bucket-brigade style, into the bilge where it will be blown out when they try to surface. The Chief starts repairs. After hours the water is all bailed and the crew is utterly exhausted from the effort. Oxygen is critically low. The Captain orders all men to go to their bunks and relax, while the Chief continues his repairs.The crew is all collapsed about the sub, oxygen deprived and resigned to death. Even the Captain despairs and blames his own recklessness for the crew's fate. The Chief finishes repairs, however, and believes that they still have a chance. The Captain and the Chief resolve to give it a try. They blow their ballast and slowly start rising. Johann fires the engines and, amazingly, they start and work. They surface and everyone takes ecstatic breaths of fresh air. The Captain notes that since they are presumed sunk, they can easily escape and make port back in La Rochelle.The sub limps back to La Rochelle. Droves of people are out to greet them, and the tired mariners get a heroes' welcome. They look exhausted but happy that they made it.Just as the movie seems about to end happily, an air raid siren sounds. Enemy warplanes swoop in, gunning and bombing everyone and everything in sight. Lt. Werner and the Chief manage to make it into a shelter along with a few of the sub's crew. After the planes leave Lt. Werner goes out to survey the damage.Most of the crew is dead. You see the corpses of Johann, the second lieutenant, the junior officer with the French girlfriend, and others. Finally Werner comes to the Captain, who is still standing... but a trickle of blood flows from his mouth and he slowly collapses. Werner looks on, horrified. The Captain lives just long enough to see U-96 sink from sight. The camera zooms out of the scene, with Werner holding the dead Captain. | Das Boot | ac42d274-fcde-e13d-b17c-143eb586a523 | How deep is the sea shelf? | [
"280 metres",
"depth of 280 metres"
] | false |
/m/02h22 | The movie opens with a screen noting that 40,000 Germans went out on submarines in WW2, and that 30,000 never came back. Then you find out that it is near the end of 1941, and the German Atlantic U-Boat fleet is a mere 12 subs.Now cut to the officers of U-96 driving down a dark road by the shore. Enlisted sailors are drunk and hanging out on the road. They harass the officers in a fairly obnoxious way, including urinating on their car as it goes by. The officers (including, as you soon find out, the Captain) take this in stride.The next scene is in a raucous beer hall. It is an award banquet for a sub captain Thomsen (Otto Sander), who just received a commendation, as well as a sending off for U-96's crew. Various scenes of debauchery play out. The officers are just a bunch of rowdy kids having fun. U-96's Captain (Jürgen Prochnow) looks on calmly. The Captain is then introduced to a party reporter, Lt. Werner (Herbert Grönemeyer) who will be accompanying them on their next tour to report on the greatness of the Reich's sub crews. They meet the Captain's chief engineer and de facto second-in-command "The Chief", (Klaus Wennemann), who is older and bedraggled and obviously doesn't look forward to another tour.The Captain goes to find Thomsen as it is time for the old guy to give a speech. He finds Thomsen nearly passed out drunk in a disgusting bathroom. He manages to get Thomsen to his feet with the help of another officer and guides him to the podium. They note sadly that all the crews these days are just kids, and that the old guard is almost gone. Thomsen gives a speech full of what comes very close to anti-Nazi rhetoric (a couple guys in the audience, possibly SS men, look tense), but ends it on a positive note without saying anything too incriminating.Now U-96 leaves port and you meet the rest of the crew. Of most note are the first lieutenant (Hubertus Bengsch), a prissy young hardcore Nazi, and the second lieutenant (Martin Semmelrogge) who is a clever jokester and constantly winds up the first lieutenant. Lt. Werner, the reporter, is led to the junior officer's bunks where he finds out that even the officers have to share beds because of space constraints. Lt. Werner is ribbed by Pilgrim (Jan Fedder), another jokester, and befriends a very young officer, Ullmann, with a French girlfriend back home who he constantly writes letters to. You also get your first shot of Johann, the head of the engine room, a pale, gangly fellow whom the crew members call "The Ghost".Now is the first stretch of drudgery in the movie. Lt. Werner snaps pictures of everything in sight initially, but gradually calms down. The crew goes about their day to day business with increasing dreariness, all of them except the first lieutenant stop shaving and grow beards, and their moil is only broken by a false alarm arranged by the Captain to keep them on their toes. During this time you learn that the Captain has no love for the Nazis, and morale amongst the higher officers seems abysmal.The Captain at one point decides to see how deep the sub can dive. The gauge limits the "safe" zone down to only 170 meters, but the Captain, much to the chagrin of the crew, takes it down to almost 200. This causes ominous creaking noises to emit from the hull, and everyone is relieved when the Captain orders the sub back up.After more boredom, the sub receives a transmission that a convoy has been spotted. The crew leaps at the opportunity to go after them, but the Captain says they have no chance of getting there in time and so they go back to twiddling their thumbs.Shortly thereafter, they get a message about a convoy that they will be able to intercept, and the Captain kicks the sub into full gear to catch it. They approach the convoy in very heavy fog, but before they can even get close enough to see anything one of the escort destroyers spots them and the sub has to dive. After being depth charged repeatedly by the destroyer but taking no real damage, the Captain manages to lose them and escape. The Captain notes that the British destroyers are getting smarter, and that they no longer make mistakes.Now is the final really long stretch of nothing happening. The crew is totally demoralised since they didn't even get close to sinking a ship and barely escaped with their lives, but still remain in fairly good spirits. Lt. Werner is obviously no longer enjoying himself and has stopped snapping pictures of everything in sight. Half the crew ends up with crabs. They randomly run into one of the other eleven subs in the Atlantic, which is a brief happy interlude, followed by the Captain being annoyed at the horrible planning and navigation that resulted in 1/6 of the fleet being in the same spot for no good reason.Now they get a transmission that there is a large convoy spotted and that several other subs are already converging on it. They decide to go for it too, and this time they approach the convoy unnoticed and fire several torpedoes at two of the freighters, landing direct hits. While they are launching the torpedoes they spot a destroyer in the distance, but don't think it will cause a problem. However, after launching the last of the torpedoes the Captain can't see the destroyer in the periscope any more. When he finally does see it, it is rapidly coming straight for them.They dive in a panic and manage to get far enough away that the depth charges don't cause any damage. They hear the torpedoes hit, and are quite happy until the first dreadful ping of the destroyer's ASDIC (British sonar) system sounds. The sub sits there with the pings getting closer and louder, the destroyer approaching, unable to do much besides hope it doesn't notice them. It does notice them, though, and starts depth charging them like mad. You see a shot of Johann wedged under some machinery, holding his head in his hands and looking freaked out and miserable.The Captain manages to evade the destroyer, only to have a second destroyer come at them from a different direction. Left with no choice, the Captain orders them to dive VERY deep, well into the red zone on their depth gauge. The water pressure causes bolts to start popping inwards, damaging equipment and wounding a crewmember. At this point Johann, now totally out of his mind, stumbles onto the bridge babbling incoherently. The Captain orders him back to his post, but Johann just lurches towards him. The Captain moves away and eventually the other officers are able to get Johann out. You see that the Captain was about to shoot him.Finally all signs of the destroyers fade, and the sub hangs under water for six more hours just to be safe. It then surfaces to find that one of the ships it torpedoed was an oil tanker, which is now surrounded by burning oil but not actually sinking. The Captain orders another torpedo fired at it to finish the job. As this torpedo hits, the sub crew is able to see that there are still survivors on the tanker. The Captain is incensed that in six hours no one came to rescue them. The survivors swim towards the sub, but the Captain sadly orders them to move away. The crew who witness this, particularly Lt. Werner, are very distressed.Running low on supplies and fuel, the crew expects that they are now to dock at La Rochelle, France. Instead they are given grim orders: they are to secretly dock with an undercover German supply ship at Vigo, a neutral Spanish port, then make the crossing of the British-controlled Straights of Gibraltar into the Mediterranean to reach the Italian coastal town of La Spezia. The Captain knows that this is essentially a suicide mission, and he arranges for Lt. Werner and The Chief (whose wife is very ill) to leave the sub at the Spanish port and make their way back to Germany. Lt. Werner doesn't want to go, but the Captain insists that he's already been in too much danger. Werner agrees to take the junior officer's love letters (there are dozens of them) to his French girlfriend.Johann comes to the Captain and apologises for leaving his post, insisting that it won't happen again and begging the Captain to not court martial him. The Captain is hesitant, but eventually accepts Johann's apology and sends him off.They make it to Vigo and the secret supply ship turns out to be fantastically well appointed. The officers go aboard and are treated like heroes by the fawning crew. The officers are sullen and do not take kindly to the princely treatment. They are even more annoyed by the ship's crew begging them to tell their exciting stories.In the midst of this the Captain receives a telegram from headquarters. Leave for Lt. Werner and The Chief has been denied. They have to stay with the ship til the end. The Chief is visibly upset, but says that it's a good thing as his replacement would be some incompetent kid. Lt. Werner is conflicted, but definitely unhappy about having to give the junior officer back his love letters. The ship is resupplied and they go on their way.The sub stops away from the Straights of Gibraltar to take stock of things. They can see a fleet of British warships patrolling the depressingly narrow gap between the cliffs. The Captain, for lack of a better idea, decides that they will make a silent run towards the gap, then dive deep at the last minute and hope that the tide can help them drift under the enemy fleet. No one, including the Captain himself, seems to put much stock in this plan.When the time is right, they begin their run towards the Straights. They are immediately noticed and shots from the ships begin exploding around them. The Captain and the navigator are on the ship's lookout when a plane flies overhead, strafing them with gunfire and hitting the sub with a bomb. The Captain and navigator (who is badly shot up) head back into the sub, which immediately starts diving.Unfortunately, due to the damage from the bomb the sub is unable to pull out of the dive. It goes deeper and deeper, past the point that the bolts start blowing out again and horrible noises come from the hull. The pressure causes several pipes to burst and parts of the sub start flooding. The sub eventually comes to a rest on a rock at about 280 meters down, well beyond the limit of the depth gauge.The sub is flooding badly and its engines aren't working. Meanwhile, the navigator is bleeding to death and the doctor is desperately trying to keep him alive. The crew goes into a panic of trying to patch up the damage and stop the water from flooding the entire sub. Amidst the chaos of people madly jamming whatever they can into the leaks, Johann heroically dives into a deep flood puddle to find and jam the source of a major leak. The Chief shimmies under floor panels to replace a bunch of damaged batteries, braving the noxious fumes created by the spilled battery acid in the process.As the leaks stop and the shot navigator stabilizes, the Captain and the Chief assess their situation. There is a bunch of damage to fix, and all the water needs to be bailed out, and if all goes perfectly they might have one shot at surfacing. They are also short on oxygen and need to do everything quickly so they don't run out.The crew goes about bailing the massive amount of water, bucket-brigade style, into the bilge where it will be blown out when they try to surface. The Chief starts repairs. After hours the water is all bailed and the crew is utterly exhausted from the effort. Oxygen is critically low. The Captain orders all men to go to their bunks and relax, while the Chief continues his repairs.The crew is all collapsed about the sub, oxygen deprived and resigned to death. Even the Captain despairs and blames his own recklessness for the crew's fate. The Chief finishes repairs, however, and believes that they still have a chance. The Captain and the Chief resolve to give it a try. They blow their ballast and slowly start rising. Johann fires the engines and, amazingly, they start and work. They surface and everyone takes ecstatic breaths of fresh air. The Captain notes that since they are presumed sunk, they can easily escape and make port back in La Rochelle.The sub limps back to La Rochelle. Droves of people are out to greet them, and the tired mariners get a heroes' welcome. They look exhausted but happy that they made it.Just as the movie seems about to end happily, an air raid siren sounds. Enemy warplanes swoop in, gunning and bombing everyone and everything in sight. Lt. Werner and the Chief manage to make it into a shelter along with a few of the sub's crew. After the planes leave Lt. Werner goes out to survey the damage.Most of the crew is dead. You see the corpses of Johann, the second lieutenant, the junior officer with the French girlfriend, and others. Finally Werner comes to the Captain, who is still standing... but a trickle of blood flows from his mouth and he slowly collapses. Werner looks on, horrified. The Captain lives just long enough to see U-96 sink from sight. The camera zooms out of the scene, with Werner holding the dead Captain. | Das Boot | 7e40996f-48c4-3edd-6c1c-43836465a390 | What is the name of the Chief mechanic ? | [
"Johann"
] | false |
/m/02h22 | The movie opens with a screen noting that 40,000 Germans went out on submarines in WW2, and that 30,000 never came back. Then you find out that it is near the end of 1941, and the German Atlantic U-Boat fleet is a mere 12 subs.Now cut to the officers of U-96 driving down a dark road by the shore. Enlisted sailors are drunk and hanging out on the road. They harass the officers in a fairly obnoxious way, including urinating on their car as it goes by. The officers (including, as you soon find out, the Captain) take this in stride.The next scene is in a raucous beer hall. It is an award banquet for a sub captain Thomsen (Otto Sander), who just received a commendation, as well as a sending off for U-96's crew. Various scenes of debauchery play out. The officers are just a bunch of rowdy kids having fun. U-96's Captain (Jürgen Prochnow) looks on calmly. The Captain is then introduced to a party reporter, Lt. Werner (Herbert Grönemeyer) who will be accompanying them on their next tour to report on the greatness of the Reich's sub crews. They meet the Captain's chief engineer and de facto second-in-command "The Chief", (Klaus Wennemann), who is older and bedraggled and obviously doesn't look forward to another tour.The Captain goes to find Thomsen as it is time for the old guy to give a speech. He finds Thomsen nearly passed out drunk in a disgusting bathroom. He manages to get Thomsen to his feet with the help of another officer and guides him to the podium. They note sadly that all the crews these days are just kids, and that the old guard is almost gone. Thomsen gives a speech full of what comes very close to anti-Nazi rhetoric (a couple guys in the audience, possibly SS men, look tense), but ends it on a positive note without saying anything too incriminating.Now U-96 leaves port and you meet the rest of the crew. Of most note are the first lieutenant (Hubertus Bengsch), a prissy young hardcore Nazi, and the second lieutenant (Martin Semmelrogge) who is a clever jokester and constantly winds up the first lieutenant. Lt. Werner, the reporter, is led to the junior officer's bunks where he finds out that even the officers have to share beds because of space constraints. Lt. Werner is ribbed by Pilgrim (Jan Fedder), another jokester, and befriends a very young officer, Ullmann, with a French girlfriend back home who he constantly writes letters to. You also get your first shot of Johann, the head of the engine room, a pale, gangly fellow whom the crew members call "The Ghost".Now is the first stretch of drudgery in the movie. Lt. Werner snaps pictures of everything in sight initially, but gradually calms down. The crew goes about their day to day business with increasing dreariness, all of them except the first lieutenant stop shaving and grow beards, and their moil is only broken by a false alarm arranged by the Captain to keep them on their toes. During this time you learn that the Captain has no love for the Nazis, and morale amongst the higher officers seems abysmal.The Captain at one point decides to see how deep the sub can dive. The gauge limits the "safe" zone down to only 170 meters, but the Captain, much to the chagrin of the crew, takes it down to almost 200. This causes ominous creaking noises to emit from the hull, and everyone is relieved when the Captain orders the sub back up.After more boredom, the sub receives a transmission that a convoy has been spotted. The crew leaps at the opportunity to go after them, but the Captain says they have no chance of getting there in time and so they go back to twiddling their thumbs.Shortly thereafter, they get a message about a convoy that they will be able to intercept, and the Captain kicks the sub into full gear to catch it. They approach the convoy in very heavy fog, but before they can even get close enough to see anything one of the escort destroyers spots them and the sub has to dive. After being depth charged repeatedly by the destroyer but taking no real damage, the Captain manages to lose them and escape. The Captain notes that the British destroyers are getting smarter, and that they no longer make mistakes.Now is the final really long stretch of nothing happening. The crew is totally demoralised since they didn't even get close to sinking a ship and barely escaped with their lives, but still remain in fairly good spirits. Lt. Werner is obviously no longer enjoying himself and has stopped snapping pictures of everything in sight. Half the crew ends up with crabs. They randomly run into one of the other eleven subs in the Atlantic, which is a brief happy interlude, followed by the Captain being annoyed at the horrible planning and navigation that resulted in 1/6 of the fleet being in the same spot for no good reason.Now they get a transmission that there is a large convoy spotted and that several other subs are already converging on it. They decide to go for it too, and this time they approach the convoy unnoticed and fire several torpedoes at two of the freighters, landing direct hits. While they are launching the torpedoes they spot a destroyer in the distance, but don't think it will cause a problem. However, after launching the last of the torpedoes the Captain can't see the destroyer in the periscope any more. When he finally does see it, it is rapidly coming straight for them.They dive in a panic and manage to get far enough away that the depth charges don't cause any damage. They hear the torpedoes hit, and are quite happy until the first dreadful ping of the destroyer's ASDIC (British sonar) system sounds. The sub sits there with the pings getting closer and louder, the destroyer approaching, unable to do much besides hope it doesn't notice them. It does notice them, though, and starts depth charging them like mad. You see a shot of Johann wedged under some machinery, holding his head in his hands and looking freaked out and miserable.The Captain manages to evade the destroyer, only to have a second destroyer come at them from a different direction. Left with no choice, the Captain orders them to dive VERY deep, well into the red zone on their depth gauge. The water pressure causes bolts to start popping inwards, damaging equipment and wounding a crewmember. At this point Johann, now totally out of his mind, stumbles onto the bridge babbling incoherently. The Captain orders him back to his post, but Johann just lurches towards him. The Captain moves away and eventually the other officers are able to get Johann out. You see that the Captain was about to shoot him.Finally all signs of the destroyers fade, and the sub hangs under water for six more hours just to be safe. It then surfaces to find that one of the ships it torpedoed was an oil tanker, which is now surrounded by burning oil but not actually sinking. The Captain orders another torpedo fired at it to finish the job. As this torpedo hits, the sub crew is able to see that there are still survivors on the tanker. The Captain is incensed that in six hours no one came to rescue them. The survivors swim towards the sub, but the Captain sadly orders them to move away. The crew who witness this, particularly Lt. Werner, are very distressed.Running low on supplies and fuel, the crew expects that they are now to dock at La Rochelle, France. Instead they are given grim orders: they are to secretly dock with an undercover German supply ship at Vigo, a neutral Spanish port, then make the crossing of the British-controlled Straights of Gibraltar into the Mediterranean to reach the Italian coastal town of La Spezia. The Captain knows that this is essentially a suicide mission, and he arranges for Lt. Werner and The Chief (whose wife is very ill) to leave the sub at the Spanish port and make their way back to Germany. Lt. Werner doesn't want to go, but the Captain insists that he's already been in too much danger. Werner agrees to take the junior officer's love letters (there are dozens of them) to his French girlfriend.Johann comes to the Captain and apologises for leaving his post, insisting that it won't happen again and begging the Captain to not court martial him. The Captain is hesitant, but eventually accepts Johann's apology and sends him off.They make it to Vigo and the secret supply ship turns out to be fantastically well appointed. The officers go aboard and are treated like heroes by the fawning crew. The officers are sullen and do not take kindly to the princely treatment. They are even more annoyed by the ship's crew begging them to tell their exciting stories.In the midst of this the Captain receives a telegram from headquarters. Leave for Lt. Werner and The Chief has been denied. They have to stay with the ship til the end. The Chief is visibly upset, but says that it's a good thing as his replacement would be some incompetent kid. Lt. Werner is conflicted, but definitely unhappy about having to give the junior officer back his love letters. The ship is resupplied and they go on their way.The sub stops away from the Straights of Gibraltar to take stock of things. They can see a fleet of British warships patrolling the depressingly narrow gap between the cliffs. The Captain, for lack of a better idea, decides that they will make a silent run towards the gap, then dive deep at the last minute and hope that the tide can help them drift under the enemy fleet. No one, including the Captain himself, seems to put much stock in this plan.When the time is right, they begin their run towards the Straights. They are immediately noticed and shots from the ships begin exploding around them. The Captain and the navigator are on the ship's lookout when a plane flies overhead, strafing them with gunfire and hitting the sub with a bomb. The Captain and navigator (who is badly shot up) head back into the sub, which immediately starts diving.Unfortunately, due to the damage from the bomb the sub is unable to pull out of the dive. It goes deeper and deeper, past the point that the bolts start blowing out again and horrible noises come from the hull. The pressure causes several pipes to burst and parts of the sub start flooding. The sub eventually comes to a rest on a rock at about 280 meters down, well beyond the limit of the depth gauge.The sub is flooding badly and its engines aren't working. Meanwhile, the navigator is bleeding to death and the doctor is desperately trying to keep him alive. The crew goes into a panic of trying to patch up the damage and stop the water from flooding the entire sub. Amidst the chaos of people madly jamming whatever they can into the leaks, Johann heroically dives into a deep flood puddle to find and jam the source of a major leak. The Chief shimmies under floor panels to replace a bunch of damaged batteries, braving the noxious fumes created by the spilled battery acid in the process.As the leaks stop and the shot navigator stabilizes, the Captain and the Chief assess their situation. There is a bunch of damage to fix, and all the water needs to be bailed out, and if all goes perfectly they might have one shot at surfacing. They are also short on oxygen and need to do everything quickly so they don't run out.The crew goes about bailing the massive amount of water, bucket-brigade style, into the bilge where it will be blown out when they try to surface. The Chief starts repairs. After hours the water is all bailed and the crew is utterly exhausted from the effort. Oxygen is critically low. The Captain orders all men to go to their bunks and relax, while the Chief continues his repairs.The crew is all collapsed about the sub, oxygen deprived and resigned to death. Even the Captain despairs and blames his own recklessness for the crew's fate. The Chief finishes repairs, however, and believes that they still have a chance. The Captain and the Chief resolve to give it a try. They blow their ballast and slowly start rising. Johann fires the engines and, amazingly, they start and work. They surface and everyone takes ecstatic breaths of fresh air. The Captain notes that since they are presumed sunk, they can easily escape and make port back in La Rochelle.The sub limps back to La Rochelle. Droves of people are out to greet them, and the tired mariners get a heroes' welcome. They look exhausted but happy that they made it.Just as the movie seems about to end happily, an air raid siren sounds. Enemy warplanes swoop in, gunning and bombing everyone and everything in sight. Lt. Werner and the Chief manage to make it into a shelter along with a few of the sub's crew. After the planes leave Lt. Werner goes out to survey the damage.Most of the crew is dead. You see the corpses of Johann, the second lieutenant, the junior officer with the French girlfriend, and others. Finally Werner comes to the Captain, who is still standing... but a trickle of blood flows from his mouth and he slowly collapses. Werner looks on, horrified. The Captain lives just long enough to see U-96 sink from sight. The camera zooms out of the scene, with Werner holding the dead Captain. | Das Boot | f885f439-3683-5776-814c-7de2871769e5 | when the movie takes place? | [
"end of 1941",
"1941",
"October 1941"
] | false |
/m/02h22 | The movie opens with a screen noting that 40,000 Germans went out on submarines in WW2, and that 30,000 never came back. Then you find out that it is near the end of 1941, and the German Atlantic U-Boat fleet is a mere 12 subs.Now cut to the officers of U-96 driving down a dark road by the shore. Enlisted sailors are drunk and hanging out on the road. They harass the officers in a fairly obnoxious way, including urinating on their car as it goes by. The officers (including, as you soon find out, the Captain) take this in stride.The next scene is in a raucous beer hall. It is an award banquet for a sub captain Thomsen (Otto Sander), who just received a commendation, as well as a sending off for U-96's crew. Various scenes of debauchery play out. The officers are just a bunch of rowdy kids having fun. U-96's Captain (Jürgen Prochnow) looks on calmly. The Captain is then introduced to a party reporter, Lt. Werner (Herbert Grönemeyer) who will be accompanying them on their next tour to report on the greatness of the Reich's sub crews. They meet the Captain's chief engineer and de facto second-in-command "The Chief", (Klaus Wennemann), who is older and bedraggled and obviously doesn't look forward to another tour.The Captain goes to find Thomsen as it is time for the old guy to give a speech. He finds Thomsen nearly passed out drunk in a disgusting bathroom. He manages to get Thomsen to his feet with the help of another officer and guides him to the podium. They note sadly that all the crews these days are just kids, and that the old guard is almost gone. Thomsen gives a speech full of what comes very close to anti-Nazi rhetoric (a couple guys in the audience, possibly SS men, look tense), but ends it on a positive note without saying anything too incriminating.Now U-96 leaves port and you meet the rest of the crew. Of most note are the first lieutenant (Hubertus Bengsch), a prissy young hardcore Nazi, and the second lieutenant (Martin Semmelrogge) who is a clever jokester and constantly winds up the first lieutenant. Lt. Werner, the reporter, is led to the junior officer's bunks where he finds out that even the officers have to share beds because of space constraints. Lt. Werner is ribbed by Pilgrim (Jan Fedder), another jokester, and befriends a very young officer, Ullmann, with a French girlfriend back home who he constantly writes letters to. You also get your first shot of Johann, the head of the engine room, a pale, gangly fellow whom the crew members call "The Ghost".Now is the first stretch of drudgery in the movie. Lt. Werner snaps pictures of everything in sight initially, but gradually calms down. The crew goes about their day to day business with increasing dreariness, all of them except the first lieutenant stop shaving and grow beards, and their moil is only broken by a false alarm arranged by the Captain to keep them on their toes. During this time you learn that the Captain has no love for the Nazis, and morale amongst the higher officers seems abysmal.The Captain at one point decides to see how deep the sub can dive. The gauge limits the "safe" zone down to only 170 meters, but the Captain, much to the chagrin of the crew, takes it down to almost 200. This causes ominous creaking noises to emit from the hull, and everyone is relieved when the Captain orders the sub back up.After more boredom, the sub receives a transmission that a convoy has been spotted. The crew leaps at the opportunity to go after them, but the Captain says they have no chance of getting there in time and so they go back to twiddling their thumbs.Shortly thereafter, they get a message about a convoy that they will be able to intercept, and the Captain kicks the sub into full gear to catch it. They approach the convoy in very heavy fog, but before they can even get close enough to see anything one of the escort destroyers spots them and the sub has to dive. After being depth charged repeatedly by the destroyer but taking no real damage, the Captain manages to lose them and escape. The Captain notes that the British destroyers are getting smarter, and that they no longer make mistakes.Now is the final really long stretch of nothing happening. The crew is totally demoralised since they didn't even get close to sinking a ship and barely escaped with their lives, but still remain in fairly good spirits. Lt. Werner is obviously no longer enjoying himself and has stopped snapping pictures of everything in sight. Half the crew ends up with crabs. They randomly run into one of the other eleven subs in the Atlantic, which is a brief happy interlude, followed by the Captain being annoyed at the horrible planning and navigation that resulted in 1/6 of the fleet being in the same spot for no good reason.Now they get a transmission that there is a large convoy spotted and that several other subs are already converging on it. They decide to go for it too, and this time they approach the convoy unnoticed and fire several torpedoes at two of the freighters, landing direct hits. While they are launching the torpedoes they spot a destroyer in the distance, but don't think it will cause a problem. However, after launching the last of the torpedoes the Captain can't see the destroyer in the periscope any more. When he finally does see it, it is rapidly coming straight for them.They dive in a panic and manage to get far enough away that the depth charges don't cause any damage. They hear the torpedoes hit, and are quite happy until the first dreadful ping of the destroyer's ASDIC (British sonar) system sounds. The sub sits there with the pings getting closer and louder, the destroyer approaching, unable to do much besides hope it doesn't notice them. It does notice them, though, and starts depth charging them like mad. You see a shot of Johann wedged under some machinery, holding his head in his hands and looking freaked out and miserable.The Captain manages to evade the destroyer, only to have a second destroyer come at them from a different direction. Left with no choice, the Captain orders them to dive VERY deep, well into the red zone on their depth gauge. The water pressure causes bolts to start popping inwards, damaging equipment and wounding a crewmember. At this point Johann, now totally out of his mind, stumbles onto the bridge babbling incoherently. The Captain orders him back to his post, but Johann just lurches towards him. The Captain moves away and eventually the other officers are able to get Johann out. You see that the Captain was about to shoot him.Finally all signs of the destroyers fade, and the sub hangs under water for six more hours just to be safe. It then surfaces to find that one of the ships it torpedoed was an oil tanker, which is now surrounded by burning oil but not actually sinking. The Captain orders another torpedo fired at it to finish the job. As this torpedo hits, the sub crew is able to see that there are still survivors on the tanker. The Captain is incensed that in six hours no one came to rescue them. The survivors swim towards the sub, but the Captain sadly orders them to move away. The crew who witness this, particularly Lt. Werner, are very distressed.Running low on supplies and fuel, the crew expects that they are now to dock at La Rochelle, France. Instead they are given grim orders: they are to secretly dock with an undercover German supply ship at Vigo, a neutral Spanish port, then make the crossing of the British-controlled Straights of Gibraltar into the Mediterranean to reach the Italian coastal town of La Spezia. The Captain knows that this is essentially a suicide mission, and he arranges for Lt. Werner and The Chief (whose wife is very ill) to leave the sub at the Spanish port and make their way back to Germany. Lt. Werner doesn't want to go, but the Captain insists that he's already been in too much danger. Werner agrees to take the junior officer's love letters (there are dozens of them) to his French girlfriend.Johann comes to the Captain and apologises for leaving his post, insisting that it won't happen again and begging the Captain to not court martial him. The Captain is hesitant, but eventually accepts Johann's apology and sends him off.They make it to Vigo and the secret supply ship turns out to be fantastically well appointed. The officers go aboard and are treated like heroes by the fawning crew. The officers are sullen and do not take kindly to the princely treatment. They are even more annoyed by the ship's crew begging them to tell their exciting stories.In the midst of this the Captain receives a telegram from headquarters. Leave for Lt. Werner and The Chief has been denied. They have to stay with the ship til the end. The Chief is visibly upset, but says that it's a good thing as his replacement would be some incompetent kid. Lt. Werner is conflicted, but definitely unhappy about having to give the junior officer back his love letters. The ship is resupplied and they go on their way.The sub stops away from the Straights of Gibraltar to take stock of things. They can see a fleet of British warships patrolling the depressingly narrow gap between the cliffs. The Captain, for lack of a better idea, decides that they will make a silent run towards the gap, then dive deep at the last minute and hope that the tide can help them drift under the enemy fleet. No one, including the Captain himself, seems to put much stock in this plan.When the time is right, they begin their run towards the Straights. They are immediately noticed and shots from the ships begin exploding around them. The Captain and the navigator are on the ship's lookout when a plane flies overhead, strafing them with gunfire and hitting the sub with a bomb. The Captain and navigator (who is badly shot up) head back into the sub, which immediately starts diving.Unfortunately, due to the damage from the bomb the sub is unable to pull out of the dive. It goes deeper and deeper, past the point that the bolts start blowing out again and horrible noises come from the hull. The pressure causes several pipes to burst and parts of the sub start flooding. The sub eventually comes to a rest on a rock at about 280 meters down, well beyond the limit of the depth gauge.The sub is flooding badly and its engines aren't working. Meanwhile, the navigator is bleeding to death and the doctor is desperately trying to keep him alive. The crew goes into a panic of trying to patch up the damage and stop the water from flooding the entire sub. Amidst the chaos of people madly jamming whatever they can into the leaks, Johann heroically dives into a deep flood puddle to find and jam the source of a major leak. The Chief shimmies under floor panels to replace a bunch of damaged batteries, braving the noxious fumes created by the spilled battery acid in the process.As the leaks stop and the shot navigator stabilizes, the Captain and the Chief assess their situation. There is a bunch of damage to fix, and all the water needs to be bailed out, and if all goes perfectly they might have one shot at surfacing. They are also short on oxygen and need to do everything quickly so they don't run out.The crew goes about bailing the massive amount of water, bucket-brigade style, into the bilge where it will be blown out when they try to surface. The Chief starts repairs. After hours the water is all bailed and the crew is utterly exhausted from the effort. Oxygen is critically low. The Captain orders all men to go to their bunks and relax, while the Chief continues his repairs.The crew is all collapsed about the sub, oxygen deprived and resigned to death. Even the Captain despairs and blames his own recklessness for the crew's fate. The Chief finishes repairs, however, and believes that they still have a chance. The Captain and the Chief resolve to give it a try. They blow their ballast and slowly start rising. Johann fires the engines and, amazingly, they start and work. They surface and everyone takes ecstatic breaths of fresh air. The Captain notes that since they are presumed sunk, they can easily escape and make port back in La Rochelle.The sub limps back to La Rochelle. Droves of people are out to greet them, and the tired mariners get a heroes' welcome. They look exhausted but happy that they made it.Just as the movie seems about to end happily, an air raid siren sounds. Enemy warplanes swoop in, gunning and bombing everyone and everything in sight. Lt. Werner and the Chief manage to make it into a shelter along with a few of the sub's crew. After the planes leave Lt. Werner goes out to survey the damage.Most of the crew is dead. You see the corpses of Johann, the second lieutenant, the junior officer with the French girlfriend, and others. Finally Werner comes to the Captain, who is still standing... but a trickle of blood flows from his mouth and he slowly collapses. Werner looks on, horrified. The Captain lives just long enough to see U-96 sink from sight. The camera zooms out of the scene, with Werner holding the dead Captain. | Das Boot | de6b42ee-3de9-ec37-f1eb-31ec0c72734e | which is area heavily defended by the Royal Navy? | [
"No Answser",
"The habor of Vigo",
"Straits of Gilbartar"
] | false |
/m/02h22 | The movie opens with a screen noting that 40,000 Germans went out on submarines in WW2, and that 30,000 never came back. Then you find out that it is near the end of 1941, and the German Atlantic U-Boat fleet is a mere 12 subs.Now cut to the officers of U-96 driving down a dark road by the shore. Enlisted sailors are drunk and hanging out on the road. They harass the officers in a fairly obnoxious way, including urinating on their car as it goes by. The officers (including, as you soon find out, the Captain) take this in stride.The next scene is in a raucous beer hall. It is an award banquet for a sub captain Thomsen (Otto Sander), who just received a commendation, as well as a sending off for U-96's crew. Various scenes of debauchery play out. The officers are just a bunch of rowdy kids having fun. U-96's Captain (Jürgen Prochnow) looks on calmly. The Captain is then introduced to a party reporter, Lt. Werner (Herbert Grönemeyer) who will be accompanying them on their next tour to report on the greatness of the Reich's sub crews. They meet the Captain's chief engineer and de facto second-in-command "The Chief", (Klaus Wennemann), who is older and bedraggled and obviously doesn't look forward to another tour.The Captain goes to find Thomsen as it is time for the old guy to give a speech. He finds Thomsen nearly passed out drunk in a disgusting bathroom. He manages to get Thomsen to his feet with the help of another officer and guides him to the podium. They note sadly that all the crews these days are just kids, and that the old guard is almost gone. Thomsen gives a speech full of what comes very close to anti-Nazi rhetoric (a couple guys in the audience, possibly SS men, look tense), but ends it on a positive note without saying anything too incriminating.Now U-96 leaves port and you meet the rest of the crew. Of most note are the first lieutenant (Hubertus Bengsch), a prissy young hardcore Nazi, and the second lieutenant (Martin Semmelrogge) who is a clever jokester and constantly winds up the first lieutenant. Lt. Werner, the reporter, is led to the junior officer's bunks where he finds out that even the officers have to share beds because of space constraints. Lt. Werner is ribbed by Pilgrim (Jan Fedder), another jokester, and befriends a very young officer, Ullmann, with a French girlfriend back home who he constantly writes letters to. You also get your first shot of Johann, the head of the engine room, a pale, gangly fellow whom the crew members call "The Ghost".Now is the first stretch of drudgery in the movie. Lt. Werner snaps pictures of everything in sight initially, but gradually calms down. The crew goes about their day to day business with increasing dreariness, all of them except the first lieutenant stop shaving and grow beards, and their moil is only broken by a false alarm arranged by the Captain to keep them on their toes. During this time you learn that the Captain has no love for the Nazis, and morale amongst the higher officers seems abysmal.The Captain at one point decides to see how deep the sub can dive. The gauge limits the "safe" zone down to only 170 meters, but the Captain, much to the chagrin of the crew, takes it down to almost 200. This causes ominous creaking noises to emit from the hull, and everyone is relieved when the Captain orders the sub back up.After more boredom, the sub receives a transmission that a convoy has been spotted. The crew leaps at the opportunity to go after them, but the Captain says they have no chance of getting there in time and so they go back to twiddling their thumbs.Shortly thereafter, they get a message about a convoy that they will be able to intercept, and the Captain kicks the sub into full gear to catch it. They approach the convoy in very heavy fog, but before they can even get close enough to see anything one of the escort destroyers spots them and the sub has to dive. After being depth charged repeatedly by the destroyer but taking no real damage, the Captain manages to lose them and escape. The Captain notes that the British destroyers are getting smarter, and that they no longer make mistakes.Now is the final really long stretch of nothing happening. The crew is totally demoralised since they didn't even get close to sinking a ship and barely escaped with their lives, but still remain in fairly good spirits. Lt. Werner is obviously no longer enjoying himself and has stopped snapping pictures of everything in sight. Half the crew ends up with crabs. They randomly run into one of the other eleven subs in the Atlantic, which is a brief happy interlude, followed by the Captain being annoyed at the horrible planning and navigation that resulted in 1/6 of the fleet being in the same spot for no good reason.Now they get a transmission that there is a large convoy spotted and that several other subs are already converging on it. They decide to go for it too, and this time they approach the convoy unnoticed and fire several torpedoes at two of the freighters, landing direct hits. While they are launching the torpedoes they spot a destroyer in the distance, but don't think it will cause a problem. However, after launching the last of the torpedoes the Captain can't see the destroyer in the periscope any more. When he finally does see it, it is rapidly coming straight for them.They dive in a panic and manage to get far enough away that the depth charges don't cause any damage. They hear the torpedoes hit, and are quite happy until the first dreadful ping of the destroyer's ASDIC (British sonar) system sounds. The sub sits there with the pings getting closer and louder, the destroyer approaching, unable to do much besides hope it doesn't notice them. It does notice them, though, and starts depth charging them like mad. You see a shot of Johann wedged under some machinery, holding his head in his hands and looking freaked out and miserable.The Captain manages to evade the destroyer, only to have a second destroyer come at them from a different direction. Left with no choice, the Captain orders them to dive VERY deep, well into the red zone on their depth gauge. The water pressure causes bolts to start popping inwards, damaging equipment and wounding a crewmember. At this point Johann, now totally out of his mind, stumbles onto the bridge babbling incoherently. The Captain orders him back to his post, but Johann just lurches towards him. The Captain moves away and eventually the other officers are able to get Johann out. You see that the Captain was about to shoot him.Finally all signs of the destroyers fade, and the sub hangs under water for six more hours just to be safe. It then surfaces to find that one of the ships it torpedoed was an oil tanker, which is now surrounded by burning oil but not actually sinking. The Captain orders another torpedo fired at it to finish the job. As this torpedo hits, the sub crew is able to see that there are still survivors on the tanker. The Captain is incensed that in six hours no one came to rescue them. The survivors swim towards the sub, but the Captain sadly orders them to move away. The crew who witness this, particularly Lt. Werner, are very distressed.Running low on supplies and fuel, the crew expects that they are now to dock at La Rochelle, France. Instead they are given grim orders: they are to secretly dock with an undercover German supply ship at Vigo, a neutral Spanish port, then make the crossing of the British-controlled Straights of Gibraltar into the Mediterranean to reach the Italian coastal town of La Spezia. The Captain knows that this is essentially a suicide mission, and he arranges for Lt. Werner and The Chief (whose wife is very ill) to leave the sub at the Spanish port and make their way back to Germany. Lt. Werner doesn't want to go, but the Captain insists that he's already been in too much danger. Werner agrees to take the junior officer's love letters (there are dozens of them) to his French girlfriend.Johann comes to the Captain and apologises for leaving his post, insisting that it won't happen again and begging the Captain to not court martial him. The Captain is hesitant, but eventually accepts Johann's apology and sends him off.They make it to Vigo and the secret supply ship turns out to be fantastically well appointed. The officers go aboard and are treated like heroes by the fawning crew. The officers are sullen and do not take kindly to the princely treatment. They are even more annoyed by the ship's crew begging them to tell their exciting stories.In the midst of this the Captain receives a telegram from headquarters. Leave for Lt. Werner and The Chief has been denied. They have to stay with the ship til the end. The Chief is visibly upset, but says that it's a good thing as his replacement would be some incompetent kid. Lt. Werner is conflicted, but definitely unhappy about having to give the junior officer back his love letters. The ship is resupplied and they go on their way.The sub stops away from the Straights of Gibraltar to take stock of things. They can see a fleet of British warships patrolling the depressingly narrow gap between the cliffs. The Captain, for lack of a better idea, decides that they will make a silent run towards the gap, then dive deep at the last minute and hope that the tide can help them drift under the enemy fleet. No one, including the Captain himself, seems to put much stock in this plan.When the time is right, they begin their run towards the Straights. They are immediately noticed and shots from the ships begin exploding around them. The Captain and the navigator are on the ship's lookout when a plane flies overhead, strafing them with gunfire and hitting the sub with a bomb. The Captain and navigator (who is badly shot up) head back into the sub, which immediately starts diving.Unfortunately, due to the damage from the bomb the sub is unable to pull out of the dive. It goes deeper and deeper, past the point that the bolts start blowing out again and horrible noises come from the hull. The pressure causes several pipes to burst and parts of the sub start flooding. The sub eventually comes to a rest on a rock at about 280 meters down, well beyond the limit of the depth gauge.The sub is flooding badly and its engines aren't working. Meanwhile, the navigator is bleeding to death and the doctor is desperately trying to keep him alive. The crew goes into a panic of trying to patch up the damage and stop the water from flooding the entire sub. Amidst the chaos of people madly jamming whatever they can into the leaks, Johann heroically dives into a deep flood puddle to find and jam the source of a major leak. The Chief shimmies under floor panels to replace a bunch of damaged batteries, braving the noxious fumes created by the spilled battery acid in the process.As the leaks stop and the shot navigator stabilizes, the Captain and the Chief assess their situation. There is a bunch of damage to fix, and all the water needs to be bailed out, and if all goes perfectly they might have one shot at surfacing. They are also short on oxygen and need to do everything quickly so they don't run out.The crew goes about bailing the massive amount of water, bucket-brigade style, into the bilge where it will be blown out when they try to surface. The Chief starts repairs. After hours the water is all bailed and the crew is utterly exhausted from the effort. Oxygen is critically low. The Captain orders all men to go to their bunks and relax, while the Chief continues his repairs.The crew is all collapsed about the sub, oxygen deprived and resigned to death. Even the Captain despairs and blames his own recklessness for the crew's fate. The Chief finishes repairs, however, and believes that they still have a chance. The Captain and the Chief resolve to give it a try. They blow their ballast and slowly start rising. Johann fires the engines and, amazingly, they start and work. They surface and everyone takes ecstatic breaths of fresh air. The Captain notes that since they are presumed sunk, they can easily escape and make port back in La Rochelle.The sub limps back to La Rochelle. Droves of people are out to greet them, and the tired mariners get a heroes' welcome. They look exhausted but happy that they made it.Just as the movie seems about to end happily, an air raid siren sounds. Enemy warplanes swoop in, gunning and bombing everyone and everything in sight. Lt. Werner and the Chief manage to make it into a shelter along with a few of the sub's crew. After the planes leave Lt. Werner goes out to survey the damage.Most of the crew is dead. You see the corpses of Johann, the second lieutenant, the junior officer with the French girlfriend, and others. Finally Werner comes to the Captain, who is still standing... but a trickle of blood flows from his mouth and he slowly collapses. Werner looks on, horrified. The Captain lives just long enough to see U-96 sink from sight. The camera zooms out of the scene, with Werner holding the dead Captain. | Das Boot | 53719a2e-0b8b-c2b0-119f-88d61cb4d0bc | What orders does the Captain give ? | [
"Boat away",
"The boat away",
"dive to 200 meters, dive to avoid the destroyer."
] | false |
/m/02h22 | The movie opens with a screen noting that 40,000 Germans went out on submarines in WW2, and that 30,000 never came back. Then you find out that it is near the end of 1941, and the German Atlantic U-Boat fleet is a mere 12 subs.Now cut to the officers of U-96 driving down a dark road by the shore. Enlisted sailors are drunk and hanging out on the road. They harass the officers in a fairly obnoxious way, including urinating on their car as it goes by. The officers (including, as you soon find out, the Captain) take this in stride.The next scene is in a raucous beer hall. It is an award banquet for a sub captain Thomsen (Otto Sander), who just received a commendation, as well as a sending off for U-96's crew. Various scenes of debauchery play out. The officers are just a bunch of rowdy kids having fun. U-96's Captain (Jürgen Prochnow) looks on calmly. The Captain is then introduced to a party reporter, Lt. Werner (Herbert Grönemeyer) who will be accompanying them on their next tour to report on the greatness of the Reich's sub crews. They meet the Captain's chief engineer and de facto second-in-command "The Chief", (Klaus Wennemann), who is older and bedraggled and obviously doesn't look forward to another tour.The Captain goes to find Thomsen as it is time for the old guy to give a speech. He finds Thomsen nearly passed out drunk in a disgusting bathroom. He manages to get Thomsen to his feet with the help of another officer and guides him to the podium. They note sadly that all the crews these days are just kids, and that the old guard is almost gone. Thomsen gives a speech full of what comes very close to anti-Nazi rhetoric (a couple guys in the audience, possibly SS men, look tense), but ends it on a positive note without saying anything too incriminating.Now U-96 leaves port and you meet the rest of the crew. Of most note are the first lieutenant (Hubertus Bengsch), a prissy young hardcore Nazi, and the second lieutenant (Martin Semmelrogge) who is a clever jokester and constantly winds up the first lieutenant. Lt. Werner, the reporter, is led to the junior officer's bunks where he finds out that even the officers have to share beds because of space constraints. Lt. Werner is ribbed by Pilgrim (Jan Fedder), another jokester, and befriends a very young officer, Ullmann, with a French girlfriend back home who he constantly writes letters to. You also get your first shot of Johann, the head of the engine room, a pale, gangly fellow whom the crew members call "The Ghost".Now is the first stretch of drudgery in the movie. Lt. Werner snaps pictures of everything in sight initially, but gradually calms down. The crew goes about their day to day business with increasing dreariness, all of them except the first lieutenant stop shaving and grow beards, and their moil is only broken by a false alarm arranged by the Captain to keep them on their toes. During this time you learn that the Captain has no love for the Nazis, and morale amongst the higher officers seems abysmal.The Captain at one point decides to see how deep the sub can dive. The gauge limits the "safe" zone down to only 170 meters, but the Captain, much to the chagrin of the crew, takes it down to almost 200. This causes ominous creaking noises to emit from the hull, and everyone is relieved when the Captain orders the sub back up.After more boredom, the sub receives a transmission that a convoy has been spotted. The crew leaps at the opportunity to go after them, but the Captain says they have no chance of getting there in time and so they go back to twiddling their thumbs.Shortly thereafter, they get a message about a convoy that they will be able to intercept, and the Captain kicks the sub into full gear to catch it. They approach the convoy in very heavy fog, but before they can even get close enough to see anything one of the escort destroyers spots them and the sub has to dive. After being depth charged repeatedly by the destroyer but taking no real damage, the Captain manages to lose them and escape. The Captain notes that the British destroyers are getting smarter, and that they no longer make mistakes.Now is the final really long stretch of nothing happening. The crew is totally demoralised since they didn't even get close to sinking a ship and barely escaped with their lives, but still remain in fairly good spirits. Lt. Werner is obviously no longer enjoying himself and has stopped snapping pictures of everything in sight. Half the crew ends up with crabs. They randomly run into one of the other eleven subs in the Atlantic, which is a brief happy interlude, followed by the Captain being annoyed at the horrible planning and navigation that resulted in 1/6 of the fleet being in the same spot for no good reason.Now they get a transmission that there is a large convoy spotted and that several other subs are already converging on it. They decide to go for it too, and this time they approach the convoy unnoticed and fire several torpedoes at two of the freighters, landing direct hits. While they are launching the torpedoes they spot a destroyer in the distance, but don't think it will cause a problem. However, after launching the last of the torpedoes the Captain can't see the destroyer in the periscope any more. When he finally does see it, it is rapidly coming straight for them.They dive in a panic and manage to get far enough away that the depth charges don't cause any damage. They hear the torpedoes hit, and are quite happy until the first dreadful ping of the destroyer's ASDIC (British sonar) system sounds. The sub sits there with the pings getting closer and louder, the destroyer approaching, unable to do much besides hope it doesn't notice them. It does notice them, though, and starts depth charging them like mad. You see a shot of Johann wedged under some machinery, holding his head in his hands and looking freaked out and miserable.The Captain manages to evade the destroyer, only to have a second destroyer come at them from a different direction. Left with no choice, the Captain orders them to dive VERY deep, well into the red zone on their depth gauge. The water pressure causes bolts to start popping inwards, damaging equipment and wounding a crewmember. At this point Johann, now totally out of his mind, stumbles onto the bridge babbling incoherently. The Captain orders him back to his post, but Johann just lurches towards him. The Captain moves away and eventually the other officers are able to get Johann out. You see that the Captain was about to shoot him.Finally all signs of the destroyers fade, and the sub hangs under water for six more hours just to be safe. It then surfaces to find that one of the ships it torpedoed was an oil tanker, which is now surrounded by burning oil but not actually sinking. The Captain orders another torpedo fired at it to finish the job. As this torpedo hits, the sub crew is able to see that there are still survivors on the tanker. The Captain is incensed that in six hours no one came to rescue them. The survivors swim towards the sub, but the Captain sadly orders them to move away. The crew who witness this, particularly Lt. Werner, are very distressed.Running low on supplies and fuel, the crew expects that they are now to dock at La Rochelle, France. Instead they are given grim orders: they are to secretly dock with an undercover German supply ship at Vigo, a neutral Spanish port, then make the crossing of the British-controlled Straights of Gibraltar into the Mediterranean to reach the Italian coastal town of La Spezia. The Captain knows that this is essentially a suicide mission, and he arranges for Lt. Werner and The Chief (whose wife is very ill) to leave the sub at the Spanish port and make their way back to Germany. Lt. Werner doesn't want to go, but the Captain insists that he's already been in too much danger. Werner agrees to take the junior officer's love letters (there are dozens of them) to his French girlfriend.Johann comes to the Captain and apologises for leaving his post, insisting that it won't happen again and begging the Captain to not court martial him. The Captain is hesitant, but eventually accepts Johann's apology and sends him off.They make it to Vigo and the secret supply ship turns out to be fantastically well appointed. The officers go aboard and are treated like heroes by the fawning crew. The officers are sullen and do not take kindly to the princely treatment. They are even more annoyed by the ship's crew begging them to tell their exciting stories.In the midst of this the Captain receives a telegram from headquarters. Leave for Lt. Werner and The Chief has been denied. They have to stay with the ship til the end. The Chief is visibly upset, but says that it's a good thing as his replacement would be some incompetent kid. Lt. Werner is conflicted, but definitely unhappy about having to give the junior officer back his love letters. The ship is resupplied and they go on their way.The sub stops away from the Straights of Gibraltar to take stock of things. They can see a fleet of British warships patrolling the depressingly narrow gap between the cliffs. The Captain, for lack of a better idea, decides that they will make a silent run towards the gap, then dive deep at the last minute and hope that the tide can help them drift under the enemy fleet. No one, including the Captain himself, seems to put much stock in this plan.When the time is right, they begin their run towards the Straights. They are immediately noticed and shots from the ships begin exploding around them. The Captain and the navigator are on the ship's lookout when a plane flies overhead, strafing them with gunfire and hitting the sub with a bomb. The Captain and navigator (who is badly shot up) head back into the sub, which immediately starts diving.Unfortunately, due to the damage from the bomb the sub is unable to pull out of the dive. It goes deeper and deeper, past the point that the bolts start blowing out again and horrible noises come from the hull. The pressure causes several pipes to burst and parts of the sub start flooding. The sub eventually comes to a rest on a rock at about 280 meters down, well beyond the limit of the depth gauge.The sub is flooding badly and its engines aren't working. Meanwhile, the navigator is bleeding to death and the doctor is desperately trying to keep him alive. The crew goes into a panic of trying to patch up the damage and stop the water from flooding the entire sub. Amidst the chaos of people madly jamming whatever they can into the leaks, Johann heroically dives into a deep flood puddle to find and jam the source of a major leak. The Chief shimmies under floor panels to replace a bunch of damaged batteries, braving the noxious fumes created by the spilled battery acid in the process.As the leaks stop and the shot navigator stabilizes, the Captain and the Chief assess their situation. There is a bunch of damage to fix, and all the water needs to be bailed out, and if all goes perfectly they might have one shot at surfacing. They are also short on oxygen and need to do everything quickly so they don't run out.The crew goes about bailing the massive amount of water, bucket-brigade style, into the bilge where it will be blown out when they try to surface. The Chief starts repairs. After hours the water is all bailed and the crew is utterly exhausted from the effort. Oxygen is critically low. The Captain orders all men to go to their bunks and relax, while the Chief continues his repairs.The crew is all collapsed about the sub, oxygen deprived and resigned to death. Even the Captain despairs and blames his own recklessness for the crew's fate. The Chief finishes repairs, however, and believes that they still have a chance. The Captain and the Chief resolve to give it a try. They blow their ballast and slowly start rising. Johann fires the engines and, amazingly, they start and work. They surface and everyone takes ecstatic breaths of fresh air. The Captain notes that since they are presumed sunk, they can easily escape and make port back in La Rochelle.The sub limps back to La Rochelle. Droves of people are out to greet them, and the tired mariners get a heroes' welcome. They look exhausted but happy that they made it.Just as the movie seems about to end happily, an air raid siren sounds. Enemy warplanes swoop in, gunning and bombing everyone and everything in sight. Lt. Werner and the Chief manage to make it into a shelter along with a few of the sub's crew. After the planes leave Lt. Werner goes out to survey the damage.Most of the crew is dead. You see the corpses of Johann, the second lieutenant, the junior officer with the French girlfriend, and others. Finally Werner comes to the Captain, who is still standing... but a trickle of blood flows from his mouth and he slowly collapses. Werner looks on, horrified. The Captain lives just long enough to see U-96 sink from sight. The camera zooms out of the scene, with Werner holding the dead Captain. | Das Boot | 78c5b2dd-504e-df9c-3a70-09c1b485f40d | which makes a secret night rendezvous at the harbour of Vigo? | [
"Lt. Werner and The Chief",
"Secret supply ship"
] | false |
/m/02h22 | The movie opens with a screen noting that 40,000 Germans went out on submarines in WW2, and that 30,000 never came back. Then you find out that it is near the end of 1941, and the German Atlantic U-Boat fleet is a mere 12 subs.Now cut to the officers of U-96 driving down a dark road by the shore. Enlisted sailors are drunk and hanging out on the road. They harass the officers in a fairly obnoxious way, including urinating on their car as it goes by. The officers (including, as you soon find out, the Captain) take this in stride.The next scene is in a raucous beer hall. It is an award banquet for a sub captain Thomsen (Otto Sander), who just received a commendation, as well as a sending off for U-96's crew. Various scenes of debauchery play out. The officers are just a bunch of rowdy kids having fun. U-96's Captain (Jürgen Prochnow) looks on calmly. The Captain is then introduced to a party reporter, Lt. Werner (Herbert Grönemeyer) who will be accompanying them on their next tour to report on the greatness of the Reich's sub crews. They meet the Captain's chief engineer and de facto second-in-command "The Chief", (Klaus Wennemann), who is older and bedraggled and obviously doesn't look forward to another tour.The Captain goes to find Thomsen as it is time for the old guy to give a speech. He finds Thomsen nearly passed out drunk in a disgusting bathroom. He manages to get Thomsen to his feet with the help of another officer and guides him to the podium. They note sadly that all the crews these days are just kids, and that the old guard is almost gone. Thomsen gives a speech full of what comes very close to anti-Nazi rhetoric (a couple guys in the audience, possibly SS men, look tense), but ends it on a positive note without saying anything too incriminating.Now U-96 leaves port and you meet the rest of the crew. Of most note are the first lieutenant (Hubertus Bengsch), a prissy young hardcore Nazi, and the second lieutenant (Martin Semmelrogge) who is a clever jokester and constantly winds up the first lieutenant. Lt. Werner, the reporter, is led to the junior officer's bunks where he finds out that even the officers have to share beds because of space constraints. Lt. Werner is ribbed by Pilgrim (Jan Fedder), another jokester, and befriends a very young officer, Ullmann, with a French girlfriend back home who he constantly writes letters to. You also get your first shot of Johann, the head of the engine room, a pale, gangly fellow whom the crew members call "The Ghost".Now is the first stretch of drudgery in the movie. Lt. Werner snaps pictures of everything in sight initially, but gradually calms down. The crew goes about their day to day business with increasing dreariness, all of them except the first lieutenant stop shaving and grow beards, and their moil is only broken by a false alarm arranged by the Captain to keep them on their toes. During this time you learn that the Captain has no love for the Nazis, and morale amongst the higher officers seems abysmal.The Captain at one point decides to see how deep the sub can dive. The gauge limits the "safe" zone down to only 170 meters, but the Captain, much to the chagrin of the crew, takes it down to almost 200. This causes ominous creaking noises to emit from the hull, and everyone is relieved when the Captain orders the sub back up.After more boredom, the sub receives a transmission that a convoy has been spotted. The crew leaps at the opportunity to go after them, but the Captain says they have no chance of getting there in time and so they go back to twiddling their thumbs.Shortly thereafter, they get a message about a convoy that they will be able to intercept, and the Captain kicks the sub into full gear to catch it. They approach the convoy in very heavy fog, but before they can even get close enough to see anything one of the escort destroyers spots them and the sub has to dive. After being depth charged repeatedly by the destroyer but taking no real damage, the Captain manages to lose them and escape. The Captain notes that the British destroyers are getting smarter, and that they no longer make mistakes.Now is the final really long stretch of nothing happening. The crew is totally demoralised since they didn't even get close to sinking a ship and barely escaped with their lives, but still remain in fairly good spirits. Lt. Werner is obviously no longer enjoying himself and has stopped snapping pictures of everything in sight. Half the crew ends up with crabs. They randomly run into one of the other eleven subs in the Atlantic, which is a brief happy interlude, followed by the Captain being annoyed at the horrible planning and navigation that resulted in 1/6 of the fleet being in the same spot for no good reason.Now they get a transmission that there is a large convoy spotted and that several other subs are already converging on it. They decide to go for it too, and this time they approach the convoy unnoticed and fire several torpedoes at two of the freighters, landing direct hits. While they are launching the torpedoes they spot a destroyer in the distance, but don't think it will cause a problem. However, after launching the last of the torpedoes the Captain can't see the destroyer in the periscope any more. When he finally does see it, it is rapidly coming straight for them.They dive in a panic and manage to get far enough away that the depth charges don't cause any damage. They hear the torpedoes hit, and are quite happy until the first dreadful ping of the destroyer's ASDIC (British sonar) system sounds. The sub sits there with the pings getting closer and louder, the destroyer approaching, unable to do much besides hope it doesn't notice them. It does notice them, though, and starts depth charging them like mad. You see a shot of Johann wedged under some machinery, holding his head in his hands and looking freaked out and miserable.The Captain manages to evade the destroyer, only to have a second destroyer come at them from a different direction. Left with no choice, the Captain orders them to dive VERY deep, well into the red zone on their depth gauge. The water pressure causes bolts to start popping inwards, damaging equipment and wounding a crewmember. At this point Johann, now totally out of his mind, stumbles onto the bridge babbling incoherently. The Captain orders him back to his post, but Johann just lurches towards him. The Captain moves away and eventually the other officers are able to get Johann out. You see that the Captain was about to shoot him.Finally all signs of the destroyers fade, and the sub hangs under water for six more hours just to be safe. It then surfaces to find that one of the ships it torpedoed was an oil tanker, which is now surrounded by burning oil but not actually sinking. The Captain orders another torpedo fired at it to finish the job. As this torpedo hits, the sub crew is able to see that there are still survivors on the tanker. The Captain is incensed that in six hours no one came to rescue them. The survivors swim towards the sub, but the Captain sadly orders them to move away. The crew who witness this, particularly Lt. Werner, are very distressed.Running low on supplies and fuel, the crew expects that they are now to dock at La Rochelle, France. Instead they are given grim orders: they are to secretly dock with an undercover German supply ship at Vigo, a neutral Spanish port, then make the crossing of the British-controlled Straights of Gibraltar into the Mediterranean to reach the Italian coastal town of La Spezia. The Captain knows that this is essentially a suicide mission, and he arranges for Lt. Werner and The Chief (whose wife is very ill) to leave the sub at the Spanish port and make their way back to Germany. Lt. Werner doesn't want to go, but the Captain insists that he's already been in too much danger. Werner agrees to take the junior officer's love letters (there are dozens of them) to his French girlfriend.Johann comes to the Captain and apologises for leaving his post, insisting that it won't happen again and begging the Captain to not court martial him. The Captain is hesitant, but eventually accepts Johann's apology and sends him off.They make it to Vigo and the secret supply ship turns out to be fantastically well appointed. The officers go aboard and are treated like heroes by the fawning crew. The officers are sullen and do not take kindly to the princely treatment. They are even more annoyed by the ship's crew begging them to tell their exciting stories.In the midst of this the Captain receives a telegram from headquarters. Leave for Lt. Werner and The Chief has been denied. They have to stay with the ship til the end. The Chief is visibly upset, but says that it's a good thing as his replacement would be some incompetent kid. Lt. Werner is conflicted, but definitely unhappy about having to give the junior officer back his love letters. The ship is resupplied and they go on their way.The sub stops away from the Straights of Gibraltar to take stock of things. They can see a fleet of British warships patrolling the depressingly narrow gap between the cliffs. The Captain, for lack of a better idea, decides that they will make a silent run towards the gap, then dive deep at the last minute and hope that the tide can help them drift under the enemy fleet. No one, including the Captain himself, seems to put much stock in this plan.When the time is right, they begin their run towards the Straights. They are immediately noticed and shots from the ships begin exploding around them. The Captain and the navigator are on the ship's lookout when a plane flies overhead, strafing them with gunfire and hitting the sub with a bomb. The Captain and navigator (who is badly shot up) head back into the sub, which immediately starts diving.Unfortunately, due to the damage from the bomb the sub is unable to pull out of the dive. It goes deeper and deeper, past the point that the bolts start blowing out again and horrible noises come from the hull. The pressure causes several pipes to burst and parts of the sub start flooding. The sub eventually comes to a rest on a rock at about 280 meters down, well beyond the limit of the depth gauge.The sub is flooding badly and its engines aren't working. Meanwhile, the navigator is bleeding to death and the doctor is desperately trying to keep him alive. The crew goes into a panic of trying to patch up the damage and stop the water from flooding the entire sub. Amidst the chaos of people madly jamming whatever they can into the leaks, Johann heroically dives into a deep flood puddle to find and jam the source of a major leak. The Chief shimmies under floor panels to replace a bunch of damaged batteries, braving the noxious fumes created by the spilled battery acid in the process.As the leaks stop and the shot navigator stabilizes, the Captain and the Chief assess their situation. There is a bunch of damage to fix, and all the water needs to be bailed out, and if all goes perfectly they might have one shot at surfacing. They are also short on oxygen and need to do everything quickly so they don't run out.The crew goes about bailing the massive amount of water, bucket-brigade style, into the bilge where it will be blown out when they try to surface. The Chief starts repairs. After hours the water is all bailed and the crew is utterly exhausted from the effort. Oxygen is critically low. The Captain orders all men to go to their bunks and relax, while the Chief continues his repairs.The crew is all collapsed about the sub, oxygen deprived and resigned to death. Even the Captain despairs and blames his own recklessness for the crew's fate. The Chief finishes repairs, however, and believes that they still have a chance. The Captain and the Chief resolve to give it a try. They blow their ballast and slowly start rising. Johann fires the engines and, amazingly, they start and work. They surface and everyone takes ecstatic breaths of fresh air. The Captain notes that since they are presumed sunk, they can easily escape and make port back in La Rochelle.The sub limps back to La Rochelle. Droves of people are out to greet them, and the tired mariners get a heroes' welcome. They look exhausted but happy that they made it.Just as the movie seems about to end happily, an air raid siren sounds. Enemy warplanes swoop in, gunning and bombing everyone and everything in sight. Lt. Werner and the Chief manage to make it into a shelter along with a few of the sub's crew. After the planes leave Lt. Werner goes out to survey the damage.Most of the crew is dead. You see the corpses of Johann, the second lieutenant, the junior officer with the French girlfriend, and others. Finally Werner comes to the Captain, who is still standing... but a trickle of blood flows from his mouth and he slowly collapses. Werner looks on, horrified. The Captain lives just long enough to see U-96 sink from sight. The camera zooms out of the scene, with Werner holding the dead Captain. | Das Boot | b680bdb7-d212-0ef3-c9f0-96a94143483b | What does the boat encounter? | [
"A fleet of british warships",
"British convoy",
"2 destroyers",
"An escort destroyer"
] | false |
/m/02h22 | The movie opens with a screen noting that 40,000 Germans went out on submarines in WW2, and that 30,000 never came back. Then you find out that it is near the end of 1941, and the German Atlantic U-Boat fleet is a mere 12 subs.Now cut to the officers of U-96 driving down a dark road by the shore. Enlisted sailors are drunk and hanging out on the road. They harass the officers in a fairly obnoxious way, including urinating on their car as it goes by. The officers (including, as you soon find out, the Captain) take this in stride.The next scene is in a raucous beer hall. It is an award banquet for a sub captain Thomsen (Otto Sander), who just received a commendation, as well as a sending off for U-96's crew. Various scenes of debauchery play out. The officers are just a bunch of rowdy kids having fun. U-96's Captain (Jürgen Prochnow) looks on calmly. The Captain is then introduced to a party reporter, Lt. Werner (Herbert Grönemeyer) who will be accompanying them on their next tour to report on the greatness of the Reich's sub crews. They meet the Captain's chief engineer and de facto second-in-command "The Chief", (Klaus Wennemann), who is older and bedraggled and obviously doesn't look forward to another tour.The Captain goes to find Thomsen as it is time for the old guy to give a speech. He finds Thomsen nearly passed out drunk in a disgusting bathroom. He manages to get Thomsen to his feet with the help of another officer and guides him to the podium. They note sadly that all the crews these days are just kids, and that the old guard is almost gone. Thomsen gives a speech full of what comes very close to anti-Nazi rhetoric (a couple guys in the audience, possibly SS men, look tense), but ends it on a positive note without saying anything too incriminating.Now U-96 leaves port and you meet the rest of the crew. Of most note are the first lieutenant (Hubertus Bengsch), a prissy young hardcore Nazi, and the second lieutenant (Martin Semmelrogge) who is a clever jokester and constantly winds up the first lieutenant. Lt. Werner, the reporter, is led to the junior officer's bunks where he finds out that even the officers have to share beds because of space constraints. Lt. Werner is ribbed by Pilgrim (Jan Fedder), another jokester, and befriends a very young officer, Ullmann, with a French girlfriend back home who he constantly writes letters to. You also get your first shot of Johann, the head of the engine room, a pale, gangly fellow whom the crew members call "The Ghost".Now is the first stretch of drudgery in the movie. Lt. Werner snaps pictures of everything in sight initially, but gradually calms down. The crew goes about their day to day business with increasing dreariness, all of them except the first lieutenant stop shaving and grow beards, and their moil is only broken by a false alarm arranged by the Captain to keep them on their toes. During this time you learn that the Captain has no love for the Nazis, and morale amongst the higher officers seems abysmal.The Captain at one point decides to see how deep the sub can dive. The gauge limits the "safe" zone down to only 170 meters, but the Captain, much to the chagrin of the crew, takes it down to almost 200. This causes ominous creaking noises to emit from the hull, and everyone is relieved when the Captain orders the sub back up.After more boredom, the sub receives a transmission that a convoy has been spotted. The crew leaps at the opportunity to go after them, but the Captain says they have no chance of getting there in time and so they go back to twiddling their thumbs.Shortly thereafter, they get a message about a convoy that they will be able to intercept, and the Captain kicks the sub into full gear to catch it. They approach the convoy in very heavy fog, but before they can even get close enough to see anything one of the escort destroyers spots them and the sub has to dive. After being depth charged repeatedly by the destroyer but taking no real damage, the Captain manages to lose them and escape. The Captain notes that the British destroyers are getting smarter, and that they no longer make mistakes.Now is the final really long stretch of nothing happening. The crew is totally demoralised since they didn't even get close to sinking a ship and barely escaped with their lives, but still remain in fairly good spirits. Lt. Werner is obviously no longer enjoying himself and has stopped snapping pictures of everything in sight. Half the crew ends up with crabs. They randomly run into one of the other eleven subs in the Atlantic, which is a brief happy interlude, followed by the Captain being annoyed at the horrible planning and navigation that resulted in 1/6 of the fleet being in the same spot for no good reason.Now they get a transmission that there is a large convoy spotted and that several other subs are already converging on it. They decide to go for it too, and this time they approach the convoy unnoticed and fire several torpedoes at two of the freighters, landing direct hits. While they are launching the torpedoes they spot a destroyer in the distance, but don't think it will cause a problem. However, after launching the last of the torpedoes the Captain can't see the destroyer in the periscope any more. When he finally does see it, it is rapidly coming straight for them.They dive in a panic and manage to get far enough away that the depth charges don't cause any damage. They hear the torpedoes hit, and are quite happy until the first dreadful ping of the destroyer's ASDIC (British sonar) system sounds. The sub sits there with the pings getting closer and louder, the destroyer approaching, unable to do much besides hope it doesn't notice them. It does notice them, though, and starts depth charging them like mad. You see a shot of Johann wedged under some machinery, holding his head in his hands and looking freaked out and miserable.The Captain manages to evade the destroyer, only to have a second destroyer come at them from a different direction. Left with no choice, the Captain orders them to dive VERY deep, well into the red zone on their depth gauge. The water pressure causes bolts to start popping inwards, damaging equipment and wounding a crewmember. At this point Johann, now totally out of his mind, stumbles onto the bridge babbling incoherently. The Captain orders him back to his post, but Johann just lurches towards him. The Captain moves away and eventually the other officers are able to get Johann out. You see that the Captain was about to shoot him.Finally all signs of the destroyers fade, and the sub hangs under water for six more hours just to be safe. It then surfaces to find that one of the ships it torpedoed was an oil tanker, which is now surrounded by burning oil but not actually sinking. The Captain orders another torpedo fired at it to finish the job. As this torpedo hits, the sub crew is able to see that there are still survivors on the tanker. The Captain is incensed that in six hours no one came to rescue them. The survivors swim towards the sub, but the Captain sadly orders them to move away. The crew who witness this, particularly Lt. Werner, are very distressed.Running low on supplies and fuel, the crew expects that they are now to dock at La Rochelle, France. Instead they are given grim orders: they are to secretly dock with an undercover German supply ship at Vigo, a neutral Spanish port, then make the crossing of the British-controlled Straights of Gibraltar into the Mediterranean to reach the Italian coastal town of La Spezia. The Captain knows that this is essentially a suicide mission, and he arranges for Lt. Werner and The Chief (whose wife is very ill) to leave the sub at the Spanish port and make their way back to Germany. Lt. Werner doesn't want to go, but the Captain insists that he's already been in too much danger. Werner agrees to take the junior officer's love letters (there are dozens of them) to his French girlfriend.Johann comes to the Captain and apologises for leaving his post, insisting that it won't happen again and begging the Captain to not court martial him. The Captain is hesitant, but eventually accepts Johann's apology and sends him off.They make it to Vigo and the secret supply ship turns out to be fantastically well appointed. The officers go aboard and are treated like heroes by the fawning crew. The officers are sullen and do not take kindly to the princely treatment. They are even more annoyed by the ship's crew begging them to tell their exciting stories.In the midst of this the Captain receives a telegram from headquarters. Leave for Lt. Werner and The Chief has been denied. They have to stay with the ship til the end. The Chief is visibly upset, but says that it's a good thing as his replacement would be some incompetent kid. Lt. Werner is conflicted, but definitely unhappy about having to give the junior officer back his love letters. The ship is resupplied and they go on their way.The sub stops away from the Straights of Gibraltar to take stock of things. They can see a fleet of British warships patrolling the depressingly narrow gap between the cliffs. The Captain, for lack of a better idea, decides that they will make a silent run towards the gap, then dive deep at the last minute and hope that the tide can help them drift under the enemy fleet. No one, including the Captain himself, seems to put much stock in this plan.When the time is right, they begin their run towards the Straights. They are immediately noticed and shots from the ships begin exploding around them. The Captain and the navigator are on the ship's lookout when a plane flies overhead, strafing them with gunfire and hitting the sub with a bomb. The Captain and navigator (who is badly shot up) head back into the sub, which immediately starts diving.Unfortunately, due to the damage from the bomb the sub is unable to pull out of the dive. It goes deeper and deeper, past the point that the bolts start blowing out again and horrible noises come from the hull. The pressure causes several pipes to burst and parts of the sub start flooding. The sub eventually comes to a rest on a rock at about 280 meters down, well beyond the limit of the depth gauge.The sub is flooding badly and its engines aren't working. Meanwhile, the navigator is bleeding to death and the doctor is desperately trying to keep him alive. The crew goes into a panic of trying to patch up the damage and stop the water from flooding the entire sub. Amidst the chaos of people madly jamming whatever they can into the leaks, Johann heroically dives into a deep flood puddle to find and jam the source of a major leak. The Chief shimmies under floor panels to replace a bunch of damaged batteries, braving the noxious fumes created by the spilled battery acid in the process.As the leaks stop and the shot navigator stabilizes, the Captain and the Chief assess their situation. There is a bunch of damage to fix, and all the water needs to be bailed out, and if all goes perfectly they might have one shot at surfacing. They are also short on oxygen and need to do everything quickly so they don't run out.The crew goes about bailing the massive amount of water, bucket-brigade style, into the bilge where it will be blown out when they try to surface. The Chief starts repairs. After hours the water is all bailed and the crew is utterly exhausted from the effort. Oxygen is critically low. The Captain orders all men to go to their bunks and relax, while the Chief continues his repairs.The crew is all collapsed about the sub, oxygen deprived and resigned to death. Even the Captain despairs and blames his own recklessness for the crew's fate. The Chief finishes repairs, however, and believes that they still have a chance. The Captain and the Chief resolve to give it a try. They blow their ballast and slowly start rising. Johann fires the engines and, amazingly, they start and work. They surface and everyone takes ecstatic breaths of fresh air. The Captain notes that since they are presumed sunk, they can easily escape and make port back in La Rochelle.The sub limps back to La Rochelle. Droves of people are out to greet them, and the tired mariners get a heroes' welcome. They look exhausted but happy that they made it.Just as the movie seems about to end happily, an air raid siren sounds. Enemy warplanes swoop in, gunning and bombing everyone and everything in sight. Lt. Werner and the Chief manage to make it into a shelter along with a few of the sub's crew. After the planes leave Lt. Werner goes out to survey the damage.Most of the crew is dead. You see the corpses of Johann, the second lieutenant, the junior officer with the French girlfriend, and others. Finally Werner comes to the Captain, who is still standing... but a trickle of blood flows from his mouth and he slowly collapses. Werner looks on, horrified. The Captain lives just long enough to see U-96 sink from sight. The camera zooms out of the scene, with Werner holding the dead Captain. | Das Boot | 247b7257-2acf-2eaa-faa6-a967333d3a64 | Which harbour do they sail out of to a cheering crowd and a playing band? | [
"Vigo",
"La Rochelle"
] | false |
/m/02h22 | The movie opens with a screen noting that 40,000 Germans went out on submarines in WW2, and that 30,000 never came back. Then you find out that it is near the end of 1941, and the German Atlantic U-Boat fleet is a mere 12 subs.Now cut to the officers of U-96 driving down a dark road by the shore. Enlisted sailors are drunk and hanging out on the road. They harass the officers in a fairly obnoxious way, including urinating on their car as it goes by. The officers (including, as you soon find out, the Captain) take this in stride.The next scene is in a raucous beer hall. It is an award banquet for a sub captain Thomsen (Otto Sander), who just received a commendation, as well as a sending off for U-96's crew. Various scenes of debauchery play out. The officers are just a bunch of rowdy kids having fun. U-96's Captain (Jürgen Prochnow) looks on calmly. The Captain is then introduced to a party reporter, Lt. Werner (Herbert Grönemeyer) who will be accompanying them on their next tour to report on the greatness of the Reich's sub crews. They meet the Captain's chief engineer and de facto second-in-command "The Chief", (Klaus Wennemann), who is older and bedraggled and obviously doesn't look forward to another tour.The Captain goes to find Thomsen as it is time for the old guy to give a speech. He finds Thomsen nearly passed out drunk in a disgusting bathroom. He manages to get Thomsen to his feet with the help of another officer and guides him to the podium. They note sadly that all the crews these days are just kids, and that the old guard is almost gone. Thomsen gives a speech full of what comes very close to anti-Nazi rhetoric (a couple guys in the audience, possibly SS men, look tense), but ends it on a positive note without saying anything too incriminating.Now U-96 leaves port and you meet the rest of the crew. Of most note are the first lieutenant (Hubertus Bengsch), a prissy young hardcore Nazi, and the second lieutenant (Martin Semmelrogge) who is a clever jokester and constantly winds up the first lieutenant. Lt. Werner, the reporter, is led to the junior officer's bunks where he finds out that even the officers have to share beds because of space constraints. Lt. Werner is ribbed by Pilgrim (Jan Fedder), another jokester, and befriends a very young officer, Ullmann, with a French girlfriend back home who he constantly writes letters to. You also get your first shot of Johann, the head of the engine room, a pale, gangly fellow whom the crew members call "The Ghost".Now is the first stretch of drudgery in the movie. Lt. Werner snaps pictures of everything in sight initially, but gradually calms down. The crew goes about their day to day business with increasing dreariness, all of them except the first lieutenant stop shaving and grow beards, and their moil is only broken by a false alarm arranged by the Captain to keep them on their toes. During this time you learn that the Captain has no love for the Nazis, and morale amongst the higher officers seems abysmal.The Captain at one point decides to see how deep the sub can dive. The gauge limits the "safe" zone down to only 170 meters, but the Captain, much to the chagrin of the crew, takes it down to almost 200. This causes ominous creaking noises to emit from the hull, and everyone is relieved when the Captain orders the sub back up.After more boredom, the sub receives a transmission that a convoy has been spotted. The crew leaps at the opportunity to go after them, but the Captain says they have no chance of getting there in time and so they go back to twiddling their thumbs.Shortly thereafter, they get a message about a convoy that they will be able to intercept, and the Captain kicks the sub into full gear to catch it. They approach the convoy in very heavy fog, but before they can even get close enough to see anything one of the escort destroyers spots them and the sub has to dive. After being depth charged repeatedly by the destroyer but taking no real damage, the Captain manages to lose them and escape. The Captain notes that the British destroyers are getting smarter, and that they no longer make mistakes.Now is the final really long stretch of nothing happening. The crew is totally demoralised since they didn't even get close to sinking a ship and barely escaped with their lives, but still remain in fairly good spirits. Lt. Werner is obviously no longer enjoying himself and has stopped snapping pictures of everything in sight. Half the crew ends up with crabs. They randomly run into one of the other eleven subs in the Atlantic, which is a brief happy interlude, followed by the Captain being annoyed at the horrible planning and navigation that resulted in 1/6 of the fleet being in the same spot for no good reason.Now they get a transmission that there is a large convoy spotted and that several other subs are already converging on it. They decide to go for it too, and this time they approach the convoy unnoticed and fire several torpedoes at two of the freighters, landing direct hits. While they are launching the torpedoes they spot a destroyer in the distance, but don't think it will cause a problem. However, after launching the last of the torpedoes the Captain can't see the destroyer in the periscope any more. When he finally does see it, it is rapidly coming straight for them.They dive in a panic and manage to get far enough away that the depth charges don't cause any damage. They hear the torpedoes hit, and are quite happy until the first dreadful ping of the destroyer's ASDIC (British sonar) system sounds. The sub sits there with the pings getting closer and louder, the destroyer approaching, unable to do much besides hope it doesn't notice them. It does notice them, though, and starts depth charging them like mad. You see a shot of Johann wedged under some machinery, holding his head in his hands and looking freaked out and miserable.The Captain manages to evade the destroyer, only to have a second destroyer come at them from a different direction. Left with no choice, the Captain orders them to dive VERY deep, well into the red zone on their depth gauge. The water pressure causes bolts to start popping inwards, damaging equipment and wounding a crewmember. At this point Johann, now totally out of his mind, stumbles onto the bridge babbling incoherently. The Captain orders him back to his post, but Johann just lurches towards him. The Captain moves away and eventually the other officers are able to get Johann out. You see that the Captain was about to shoot him.Finally all signs of the destroyers fade, and the sub hangs under water for six more hours just to be safe. It then surfaces to find that one of the ships it torpedoed was an oil tanker, which is now surrounded by burning oil but not actually sinking. The Captain orders another torpedo fired at it to finish the job. As this torpedo hits, the sub crew is able to see that there are still survivors on the tanker. The Captain is incensed that in six hours no one came to rescue them. The survivors swim towards the sub, but the Captain sadly orders them to move away. The crew who witness this, particularly Lt. Werner, are very distressed.Running low on supplies and fuel, the crew expects that they are now to dock at La Rochelle, France. Instead they are given grim orders: they are to secretly dock with an undercover German supply ship at Vigo, a neutral Spanish port, then make the crossing of the British-controlled Straights of Gibraltar into the Mediterranean to reach the Italian coastal town of La Spezia. The Captain knows that this is essentially a suicide mission, and he arranges for Lt. Werner and The Chief (whose wife is very ill) to leave the sub at the Spanish port and make their way back to Germany. Lt. Werner doesn't want to go, but the Captain insists that he's already been in too much danger. Werner agrees to take the junior officer's love letters (there are dozens of them) to his French girlfriend.Johann comes to the Captain and apologises for leaving his post, insisting that it won't happen again and begging the Captain to not court martial him. The Captain is hesitant, but eventually accepts Johann's apology and sends him off.They make it to Vigo and the secret supply ship turns out to be fantastically well appointed. The officers go aboard and are treated like heroes by the fawning crew. The officers are sullen and do not take kindly to the princely treatment. They are even more annoyed by the ship's crew begging them to tell their exciting stories.In the midst of this the Captain receives a telegram from headquarters. Leave for Lt. Werner and The Chief has been denied. They have to stay with the ship til the end. The Chief is visibly upset, but says that it's a good thing as his replacement would be some incompetent kid. Lt. Werner is conflicted, but definitely unhappy about having to give the junior officer back his love letters. The ship is resupplied and they go on their way.The sub stops away from the Straights of Gibraltar to take stock of things. They can see a fleet of British warships patrolling the depressingly narrow gap between the cliffs. The Captain, for lack of a better idea, decides that they will make a silent run towards the gap, then dive deep at the last minute and hope that the tide can help them drift under the enemy fleet. No one, including the Captain himself, seems to put much stock in this plan.When the time is right, they begin their run towards the Straights. They are immediately noticed and shots from the ships begin exploding around them. The Captain and the navigator are on the ship's lookout when a plane flies overhead, strafing them with gunfire and hitting the sub with a bomb. The Captain and navigator (who is badly shot up) head back into the sub, which immediately starts diving.Unfortunately, due to the damage from the bomb the sub is unable to pull out of the dive. It goes deeper and deeper, past the point that the bolts start blowing out again and horrible noises come from the hull. The pressure causes several pipes to burst and parts of the sub start flooding. The sub eventually comes to a rest on a rock at about 280 meters down, well beyond the limit of the depth gauge.The sub is flooding badly and its engines aren't working. Meanwhile, the navigator is bleeding to death and the doctor is desperately trying to keep him alive. The crew goes into a panic of trying to patch up the damage and stop the water from flooding the entire sub. Amidst the chaos of people madly jamming whatever they can into the leaks, Johann heroically dives into a deep flood puddle to find and jam the source of a major leak. The Chief shimmies under floor panels to replace a bunch of damaged batteries, braving the noxious fumes created by the spilled battery acid in the process.As the leaks stop and the shot navigator stabilizes, the Captain and the Chief assess their situation. There is a bunch of damage to fix, and all the water needs to be bailed out, and if all goes perfectly they might have one shot at surfacing. They are also short on oxygen and need to do everything quickly so they don't run out.The crew goes about bailing the massive amount of water, bucket-brigade style, into the bilge where it will be blown out when they try to surface. The Chief starts repairs. After hours the water is all bailed and the crew is utterly exhausted from the effort. Oxygen is critically low. The Captain orders all men to go to their bunks and relax, while the Chief continues his repairs.The crew is all collapsed about the sub, oxygen deprived and resigned to death. Even the Captain despairs and blames his own recklessness for the crew's fate. The Chief finishes repairs, however, and believes that they still have a chance. The Captain and the Chief resolve to give it a try. They blow their ballast and slowly start rising. Johann fires the engines and, amazingly, they start and work. They surface and everyone takes ecstatic breaths of fresh air. The Captain notes that since they are presumed sunk, they can easily escape and make port back in La Rochelle.The sub limps back to La Rochelle. Droves of people are out to greet them, and the tired mariners get a heroes' welcome. They look exhausted but happy that they made it.Just as the movie seems about to end happily, an air raid siren sounds. Enemy warplanes swoop in, gunning and bombing everyone and everything in sight. Lt. Werner and the Chief manage to make it into a shelter along with a few of the sub's crew. After the planes leave Lt. Werner goes out to survey the damage.Most of the crew is dead. You see the corpses of Johann, the second lieutenant, the junior officer with the French girlfriend, and others. Finally Werner comes to the Captain, who is still standing... but a trickle of blood flows from his mouth and he slowly collapses. Werner looks on, horrified. The Captain lives just long enough to see U-96 sink from sight. The camera zooms out of the scene, with Werner holding the dead Captain. | Das Boot | f4f3df7b-2e1d-fb61-7035-81b1bcb2d984 | When does the crew reach La Rochelle? | [
"After surviving the destroyer attack"
] | false |
/m/02h22 | The movie opens with a screen noting that 40,000 Germans went out on submarines in WW2, and that 30,000 never came back. Then you find out that it is near the end of 1941, and the German Atlantic U-Boat fleet is a mere 12 subs.Now cut to the officers of U-96 driving down a dark road by the shore. Enlisted sailors are drunk and hanging out on the road. They harass the officers in a fairly obnoxious way, including urinating on their car as it goes by. The officers (including, as you soon find out, the Captain) take this in stride.The next scene is in a raucous beer hall. It is an award banquet for a sub captain Thomsen (Otto Sander), who just received a commendation, as well as a sending off for U-96's crew. Various scenes of debauchery play out. The officers are just a bunch of rowdy kids having fun. U-96's Captain (Jürgen Prochnow) looks on calmly. The Captain is then introduced to a party reporter, Lt. Werner (Herbert Grönemeyer) who will be accompanying them on their next tour to report on the greatness of the Reich's sub crews. They meet the Captain's chief engineer and de facto second-in-command "The Chief", (Klaus Wennemann), who is older and bedraggled and obviously doesn't look forward to another tour.The Captain goes to find Thomsen as it is time for the old guy to give a speech. He finds Thomsen nearly passed out drunk in a disgusting bathroom. He manages to get Thomsen to his feet with the help of another officer and guides him to the podium. They note sadly that all the crews these days are just kids, and that the old guard is almost gone. Thomsen gives a speech full of what comes very close to anti-Nazi rhetoric (a couple guys in the audience, possibly SS men, look tense), but ends it on a positive note without saying anything too incriminating.Now U-96 leaves port and you meet the rest of the crew. Of most note are the first lieutenant (Hubertus Bengsch), a prissy young hardcore Nazi, and the second lieutenant (Martin Semmelrogge) who is a clever jokester and constantly winds up the first lieutenant. Lt. Werner, the reporter, is led to the junior officer's bunks where he finds out that even the officers have to share beds because of space constraints. Lt. Werner is ribbed by Pilgrim (Jan Fedder), another jokester, and befriends a very young officer, Ullmann, with a French girlfriend back home who he constantly writes letters to. You also get your first shot of Johann, the head of the engine room, a pale, gangly fellow whom the crew members call "The Ghost".Now is the first stretch of drudgery in the movie. Lt. Werner snaps pictures of everything in sight initially, but gradually calms down. The crew goes about their day to day business with increasing dreariness, all of them except the first lieutenant stop shaving and grow beards, and their moil is only broken by a false alarm arranged by the Captain to keep them on their toes. During this time you learn that the Captain has no love for the Nazis, and morale amongst the higher officers seems abysmal.The Captain at one point decides to see how deep the sub can dive. The gauge limits the "safe" zone down to only 170 meters, but the Captain, much to the chagrin of the crew, takes it down to almost 200. This causes ominous creaking noises to emit from the hull, and everyone is relieved when the Captain orders the sub back up.After more boredom, the sub receives a transmission that a convoy has been spotted. The crew leaps at the opportunity to go after them, but the Captain says they have no chance of getting there in time and so they go back to twiddling their thumbs.Shortly thereafter, they get a message about a convoy that they will be able to intercept, and the Captain kicks the sub into full gear to catch it. They approach the convoy in very heavy fog, but before they can even get close enough to see anything one of the escort destroyers spots them and the sub has to dive. After being depth charged repeatedly by the destroyer but taking no real damage, the Captain manages to lose them and escape. The Captain notes that the British destroyers are getting smarter, and that they no longer make mistakes.Now is the final really long stretch of nothing happening. The crew is totally demoralised since they didn't even get close to sinking a ship and barely escaped with their lives, but still remain in fairly good spirits. Lt. Werner is obviously no longer enjoying himself and has stopped snapping pictures of everything in sight. Half the crew ends up with crabs. They randomly run into one of the other eleven subs in the Atlantic, which is a brief happy interlude, followed by the Captain being annoyed at the horrible planning and navigation that resulted in 1/6 of the fleet being in the same spot for no good reason.Now they get a transmission that there is a large convoy spotted and that several other subs are already converging on it. They decide to go for it too, and this time they approach the convoy unnoticed and fire several torpedoes at two of the freighters, landing direct hits. While they are launching the torpedoes they spot a destroyer in the distance, but don't think it will cause a problem. However, after launching the last of the torpedoes the Captain can't see the destroyer in the periscope any more. When he finally does see it, it is rapidly coming straight for them.They dive in a panic and manage to get far enough away that the depth charges don't cause any damage. They hear the torpedoes hit, and are quite happy until the first dreadful ping of the destroyer's ASDIC (British sonar) system sounds. The sub sits there with the pings getting closer and louder, the destroyer approaching, unable to do much besides hope it doesn't notice them. It does notice them, though, and starts depth charging them like mad. You see a shot of Johann wedged under some machinery, holding his head in his hands and looking freaked out and miserable.The Captain manages to evade the destroyer, only to have a second destroyer come at them from a different direction. Left with no choice, the Captain orders them to dive VERY deep, well into the red zone on their depth gauge. The water pressure causes bolts to start popping inwards, damaging equipment and wounding a crewmember. At this point Johann, now totally out of his mind, stumbles onto the bridge babbling incoherently. The Captain orders him back to his post, but Johann just lurches towards him. The Captain moves away and eventually the other officers are able to get Johann out. You see that the Captain was about to shoot him.Finally all signs of the destroyers fade, and the sub hangs under water for six more hours just to be safe. It then surfaces to find that one of the ships it torpedoed was an oil tanker, which is now surrounded by burning oil but not actually sinking. The Captain orders another torpedo fired at it to finish the job. As this torpedo hits, the sub crew is able to see that there are still survivors on the tanker. The Captain is incensed that in six hours no one came to rescue them. The survivors swim towards the sub, but the Captain sadly orders them to move away. The crew who witness this, particularly Lt. Werner, are very distressed.Running low on supplies and fuel, the crew expects that they are now to dock at La Rochelle, France. Instead they are given grim orders: they are to secretly dock with an undercover German supply ship at Vigo, a neutral Spanish port, then make the crossing of the British-controlled Straights of Gibraltar into the Mediterranean to reach the Italian coastal town of La Spezia. The Captain knows that this is essentially a suicide mission, and he arranges for Lt. Werner and The Chief (whose wife is very ill) to leave the sub at the Spanish port and make their way back to Germany. Lt. Werner doesn't want to go, but the Captain insists that he's already been in too much danger. Werner agrees to take the junior officer's love letters (there are dozens of them) to his French girlfriend.Johann comes to the Captain and apologises for leaving his post, insisting that it won't happen again and begging the Captain to not court martial him. The Captain is hesitant, but eventually accepts Johann's apology and sends him off.They make it to Vigo and the secret supply ship turns out to be fantastically well appointed. The officers go aboard and are treated like heroes by the fawning crew. The officers are sullen and do not take kindly to the princely treatment. They are even more annoyed by the ship's crew begging them to tell their exciting stories.In the midst of this the Captain receives a telegram from headquarters. Leave for Lt. Werner and The Chief has been denied. They have to stay with the ship til the end. The Chief is visibly upset, but says that it's a good thing as his replacement would be some incompetent kid. Lt. Werner is conflicted, but definitely unhappy about having to give the junior officer back his love letters. The ship is resupplied and they go on their way.The sub stops away from the Straights of Gibraltar to take stock of things. They can see a fleet of British warships patrolling the depressingly narrow gap between the cliffs. The Captain, for lack of a better idea, decides that they will make a silent run towards the gap, then dive deep at the last minute and hope that the tide can help them drift under the enemy fleet. No one, including the Captain himself, seems to put much stock in this plan.When the time is right, they begin their run towards the Straights. They are immediately noticed and shots from the ships begin exploding around them. The Captain and the navigator are on the ship's lookout when a plane flies overhead, strafing them with gunfire and hitting the sub with a bomb. The Captain and navigator (who is badly shot up) head back into the sub, which immediately starts diving.Unfortunately, due to the damage from the bomb the sub is unable to pull out of the dive. It goes deeper and deeper, past the point that the bolts start blowing out again and horrible noises come from the hull. The pressure causes several pipes to burst and parts of the sub start flooding. The sub eventually comes to a rest on a rock at about 280 meters down, well beyond the limit of the depth gauge.The sub is flooding badly and its engines aren't working. Meanwhile, the navigator is bleeding to death and the doctor is desperately trying to keep him alive. The crew goes into a panic of trying to patch up the damage and stop the water from flooding the entire sub. Amidst the chaos of people madly jamming whatever they can into the leaks, Johann heroically dives into a deep flood puddle to find and jam the source of a major leak. The Chief shimmies under floor panels to replace a bunch of damaged batteries, braving the noxious fumes created by the spilled battery acid in the process.As the leaks stop and the shot navigator stabilizes, the Captain and the Chief assess their situation. There is a bunch of damage to fix, and all the water needs to be bailed out, and if all goes perfectly they might have one shot at surfacing. They are also short on oxygen and need to do everything quickly so they don't run out.The crew goes about bailing the massive amount of water, bucket-brigade style, into the bilge where it will be blown out when they try to surface. The Chief starts repairs. After hours the water is all bailed and the crew is utterly exhausted from the effort. Oxygen is critically low. The Captain orders all men to go to their bunks and relax, while the Chief continues his repairs.The crew is all collapsed about the sub, oxygen deprived and resigned to death. Even the Captain despairs and blames his own recklessness for the crew's fate. The Chief finishes repairs, however, and believes that they still have a chance. The Captain and the Chief resolve to give it a try. They blow their ballast and slowly start rising. Johann fires the engines and, amazingly, they start and work. They surface and everyone takes ecstatic breaths of fresh air. The Captain notes that since they are presumed sunk, they can easily escape and make port back in La Rochelle.The sub limps back to La Rochelle. Droves of people are out to greet them, and the tired mariners get a heroes' welcome. They look exhausted but happy that they made it.Just as the movie seems about to end happily, an air raid siren sounds. Enemy warplanes swoop in, gunning and bombing everyone and everything in sight. Lt. Werner and the Chief manage to make it into a shelter along with a few of the sub's crew. After the planes leave Lt. Werner goes out to survey the damage.Most of the crew is dead. You see the corpses of Johann, the second lieutenant, the junior officer with the French girlfriend, and others. Finally Werner comes to the Captain, who is still standing... but a trickle of blood flows from his mouth and he slowly collapses. Werner looks on, horrified. The Captain lives just long enough to see U-96 sink from sight. The camera zooms out of the scene, with Werner holding the dead Captain. | Das Boot | e3fd6e5a-fe5a-ff32-1c01-b9ce929cbc4d | where the u-boat returning? | [
"Germany",
"La Rochelle"
] | false |
/m/02h22 | The movie opens with a screen noting that 40,000 Germans went out on submarines in WW2, and that 30,000 never came back. Then you find out that it is near the end of 1941, and the German Atlantic U-Boat fleet is a mere 12 subs.Now cut to the officers of U-96 driving down a dark road by the shore. Enlisted sailors are drunk and hanging out on the road. They harass the officers in a fairly obnoxious way, including urinating on their car as it goes by. The officers (including, as you soon find out, the Captain) take this in stride.The next scene is in a raucous beer hall. It is an award banquet for a sub captain Thomsen (Otto Sander), who just received a commendation, as well as a sending off for U-96's crew. Various scenes of debauchery play out. The officers are just a bunch of rowdy kids having fun. U-96's Captain (Jürgen Prochnow) looks on calmly. The Captain is then introduced to a party reporter, Lt. Werner (Herbert Grönemeyer) who will be accompanying them on their next tour to report on the greatness of the Reich's sub crews. They meet the Captain's chief engineer and de facto second-in-command "The Chief", (Klaus Wennemann), who is older and bedraggled and obviously doesn't look forward to another tour.The Captain goes to find Thomsen as it is time for the old guy to give a speech. He finds Thomsen nearly passed out drunk in a disgusting bathroom. He manages to get Thomsen to his feet with the help of another officer and guides him to the podium. They note sadly that all the crews these days are just kids, and that the old guard is almost gone. Thomsen gives a speech full of what comes very close to anti-Nazi rhetoric (a couple guys in the audience, possibly SS men, look tense), but ends it on a positive note without saying anything too incriminating.Now U-96 leaves port and you meet the rest of the crew. Of most note are the first lieutenant (Hubertus Bengsch), a prissy young hardcore Nazi, and the second lieutenant (Martin Semmelrogge) who is a clever jokester and constantly winds up the first lieutenant. Lt. Werner, the reporter, is led to the junior officer's bunks where he finds out that even the officers have to share beds because of space constraints. Lt. Werner is ribbed by Pilgrim (Jan Fedder), another jokester, and befriends a very young officer, Ullmann, with a French girlfriend back home who he constantly writes letters to. You also get your first shot of Johann, the head of the engine room, a pale, gangly fellow whom the crew members call "The Ghost".Now is the first stretch of drudgery in the movie. Lt. Werner snaps pictures of everything in sight initially, but gradually calms down. The crew goes about their day to day business with increasing dreariness, all of them except the first lieutenant stop shaving and grow beards, and their moil is only broken by a false alarm arranged by the Captain to keep them on their toes. During this time you learn that the Captain has no love for the Nazis, and morale amongst the higher officers seems abysmal.The Captain at one point decides to see how deep the sub can dive. The gauge limits the "safe" zone down to only 170 meters, but the Captain, much to the chagrin of the crew, takes it down to almost 200. This causes ominous creaking noises to emit from the hull, and everyone is relieved when the Captain orders the sub back up.After more boredom, the sub receives a transmission that a convoy has been spotted. The crew leaps at the opportunity to go after them, but the Captain says they have no chance of getting there in time and so they go back to twiddling their thumbs.Shortly thereafter, they get a message about a convoy that they will be able to intercept, and the Captain kicks the sub into full gear to catch it. They approach the convoy in very heavy fog, but before they can even get close enough to see anything one of the escort destroyers spots them and the sub has to dive. After being depth charged repeatedly by the destroyer but taking no real damage, the Captain manages to lose them and escape. The Captain notes that the British destroyers are getting smarter, and that they no longer make mistakes.Now is the final really long stretch of nothing happening. The crew is totally demoralised since they didn't even get close to sinking a ship and barely escaped with their lives, but still remain in fairly good spirits. Lt. Werner is obviously no longer enjoying himself and has stopped snapping pictures of everything in sight. Half the crew ends up with crabs. They randomly run into one of the other eleven subs in the Atlantic, which is a brief happy interlude, followed by the Captain being annoyed at the horrible planning and navigation that resulted in 1/6 of the fleet being in the same spot for no good reason.Now they get a transmission that there is a large convoy spotted and that several other subs are already converging on it. They decide to go for it too, and this time they approach the convoy unnoticed and fire several torpedoes at two of the freighters, landing direct hits. While they are launching the torpedoes they spot a destroyer in the distance, but don't think it will cause a problem. However, after launching the last of the torpedoes the Captain can't see the destroyer in the periscope any more. When he finally does see it, it is rapidly coming straight for them.They dive in a panic and manage to get far enough away that the depth charges don't cause any damage. They hear the torpedoes hit, and are quite happy until the first dreadful ping of the destroyer's ASDIC (British sonar) system sounds. The sub sits there with the pings getting closer and louder, the destroyer approaching, unable to do much besides hope it doesn't notice them. It does notice them, though, and starts depth charging them like mad. You see a shot of Johann wedged under some machinery, holding his head in his hands and looking freaked out and miserable.The Captain manages to evade the destroyer, only to have a second destroyer come at them from a different direction. Left with no choice, the Captain orders them to dive VERY deep, well into the red zone on their depth gauge. The water pressure causes bolts to start popping inwards, damaging equipment and wounding a crewmember. At this point Johann, now totally out of his mind, stumbles onto the bridge babbling incoherently. The Captain orders him back to his post, but Johann just lurches towards him. The Captain moves away and eventually the other officers are able to get Johann out. You see that the Captain was about to shoot him.Finally all signs of the destroyers fade, and the sub hangs under water for six more hours just to be safe. It then surfaces to find that one of the ships it torpedoed was an oil tanker, which is now surrounded by burning oil but not actually sinking. The Captain orders another torpedo fired at it to finish the job. As this torpedo hits, the sub crew is able to see that there are still survivors on the tanker. The Captain is incensed that in six hours no one came to rescue them. The survivors swim towards the sub, but the Captain sadly orders them to move away. The crew who witness this, particularly Lt. Werner, are very distressed.Running low on supplies and fuel, the crew expects that they are now to dock at La Rochelle, France. Instead they are given grim orders: they are to secretly dock with an undercover German supply ship at Vigo, a neutral Spanish port, then make the crossing of the British-controlled Straights of Gibraltar into the Mediterranean to reach the Italian coastal town of La Spezia. The Captain knows that this is essentially a suicide mission, and he arranges for Lt. Werner and The Chief (whose wife is very ill) to leave the sub at the Spanish port and make their way back to Germany. Lt. Werner doesn't want to go, but the Captain insists that he's already been in too much danger. Werner agrees to take the junior officer's love letters (there are dozens of them) to his French girlfriend.Johann comes to the Captain and apologises for leaving his post, insisting that it won't happen again and begging the Captain to not court martial him. The Captain is hesitant, but eventually accepts Johann's apology and sends him off.They make it to Vigo and the secret supply ship turns out to be fantastically well appointed. The officers go aboard and are treated like heroes by the fawning crew. The officers are sullen and do not take kindly to the princely treatment. They are even more annoyed by the ship's crew begging them to tell their exciting stories.In the midst of this the Captain receives a telegram from headquarters. Leave for Lt. Werner and The Chief has been denied. They have to stay with the ship til the end. The Chief is visibly upset, but says that it's a good thing as his replacement would be some incompetent kid. Lt. Werner is conflicted, but definitely unhappy about having to give the junior officer back his love letters. The ship is resupplied and they go on their way.The sub stops away from the Straights of Gibraltar to take stock of things. They can see a fleet of British warships patrolling the depressingly narrow gap between the cliffs. The Captain, for lack of a better idea, decides that they will make a silent run towards the gap, then dive deep at the last minute and hope that the tide can help them drift under the enemy fleet. No one, including the Captain himself, seems to put much stock in this plan.When the time is right, they begin their run towards the Straights. They are immediately noticed and shots from the ships begin exploding around them. The Captain and the navigator are on the ship's lookout when a plane flies overhead, strafing them with gunfire and hitting the sub with a bomb. The Captain and navigator (who is badly shot up) head back into the sub, which immediately starts diving.Unfortunately, due to the damage from the bomb the sub is unable to pull out of the dive. It goes deeper and deeper, past the point that the bolts start blowing out again and horrible noises come from the hull. The pressure causes several pipes to burst and parts of the sub start flooding. The sub eventually comes to a rest on a rock at about 280 meters down, well beyond the limit of the depth gauge.The sub is flooding badly and its engines aren't working. Meanwhile, the navigator is bleeding to death and the doctor is desperately trying to keep him alive. The crew goes into a panic of trying to patch up the damage and stop the water from flooding the entire sub. Amidst the chaos of people madly jamming whatever they can into the leaks, Johann heroically dives into a deep flood puddle to find and jam the source of a major leak. The Chief shimmies under floor panels to replace a bunch of damaged batteries, braving the noxious fumes created by the spilled battery acid in the process.As the leaks stop and the shot navigator stabilizes, the Captain and the Chief assess their situation. There is a bunch of damage to fix, and all the water needs to be bailed out, and if all goes perfectly they might have one shot at surfacing. They are also short on oxygen and need to do everything quickly so they don't run out.The crew goes about bailing the massive amount of water, bucket-brigade style, into the bilge where it will be blown out when they try to surface. The Chief starts repairs. After hours the water is all bailed and the crew is utterly exhausted from the effort. Oxygen is critically low. The Captain orders all men to go to their bunks and relax, while the Chief continues his repairs.The crew is all collapsed about the sub, oxygen deprived and resigned to death. Even the Captain despairs and blames his own recklessness for the crew's fate. The Chief finishes repairs, however, and believes that they still have a chance. The Captain and the Chief resolve to give it a try. They blow their ballast and slowly start rising. Johann fires the engines and, amazingly, they start and work. They surface and everyone takes ecstatic breaths of fresh air. The Captain notes that since they are presumed sunk, they can easily escape and make port back in La Rochelle.The sub limps back to La Rochelle. Droves of people are out to greet them, and the tired mariners get a heroes' welcome. They look exhausted but happy that they made it.Just as the movie seems about to end happily, an air raid siren sounds. Enemy warplanes swoop in, gunning and bombing everyone and everything in sight. Lt. Werner and the Chief manage to make it into a shelter along with a few of the sub's crew. After the planes leave Lt. Werner goes out to survey the damage.Most of the crew is dead. You see the corpses of Johann, the second lieutenant, the junior officer with the French girlfriend, and others. Finally Werner comes to the Captain, who is still standing... but a trickle of blood flows from his mouth and he slowly collapses. Werner looks on, horrified. The Captain lives just long enough to see U-96 sink from sight. The camera zooms out of the scene, with Werner holding the dead Captain. | Das Boot | 1179ebab-5da9-b803-f400-7ed73e3a0dfa | Who is given a tour of the boat? | [
"The reporter",
"the officers",
"Werner"
] | false |
/m/02h22 | The movie opens with a screen noting that 40,000 Germans went out on submarines in WW2, and that 30,000 never came back. Then you find out that it is near the end of 1941, and the German Atlantic U-Boat fleet is a mere 12 subs.Now cut to the officers of U-96 driving down a dark road by the shore. Enlisted sailors are drunk and hanging out on the road. They harass the officers in a fairly obnoxious way, including urinating on their car as it goes by. The officers (including, as you soon find out, the Captain) take this in stride.The next scene is in a raucous beer hall. It is an award banquet for a sub captain Thomsen (Otto Sander), who just received a commendation, as well as a sending off for U-96's crew. Various scenes of debauchery play out. The officers are just a bunch of rowdy kids having fun. U-96's Captain (Jürgen Prochnow) looks on calmly. The Captain is then introduced to a party reporter, Lt. Werner (Herbert Grönemeyer) who will be accompanying them on their next tour to report on the greatness of the Reich's sub crews. They meet the Captain's chief engineer and de facto second-in-command "The Chief", (Klaus Wennemann), who is older and bedraggled and obviously doesn't look forward to another tour.The Captain goes to find Thomsen as it is time for the old guy to give a speech. He finds Thomsen nearly passed out drunk in a disgusting bathroom. He manages to get Thomsen to his feet with the help of another officer and guides him to the podium. They note sadly that all the crews these days are just kids, and that the old guard is almost gone. Thomsen gives a speech full of what comes very close to anti-Nazi rhetoric (a couple guys in the audience, possibly SS men, look tense), but ends it on a positive note without saying anything too incriminating.Now U-96 leaves port and you meet the rest of the crew. Of most note are the first lieutenant (Hubertus Bengsch), a prissy young hardcore Nazi, and the second lieutenant (Martin Semmelrogge) who is a clever jokester and constantly winds up the first lieutenant. Lt. Werner, the reporter, is led to the junior officer's bunks where he finds out that even the officers have to share beds because of space constraints. Lt. Werner is ribbed by Pilgrim (Jan Fedder), another jokester, and befriends a very young officer, Ullmann, with a French girlfriend back home who he constantly writes letters to. You also get your first shot of Johann, the head of the engine room, a pale, gangly fellow whom the crew members call "The Ghost".Now is the first stretch of drudgery in the movie. Lt. Werner snaps pictures of everything in sight initially, but gradually calms down. The crew goes about their day to day business with increasing dreariness, all of them except the first lieutenant stop shaving and grow beards, and their moil is only broken by a false alarm arranged by the Captain to keep them on their toes. During this time you learn that the Captain has no love for the Nazis, and morale amongst the higher officers seems abysmal.The Captain at one point decides to see how deep the sub can dive. The gauge limits the "safe" zone down to only 170 meters, but the Captain, much to the chagrin of the crew, takes it down to almost 200. This causes ominous creaking noises to emit from the hull, and everyone is relieved when the Captain orders the sub back up.After more boredom, the sub receives a transmission that a convoy has been spotted. The crew leaps at the opportunity to go after them, but the Captain says they have no chance of getting there in time and so they go back to twiddling their thumbs.Shortly thereafter, they get a message about a convoy that they will be able to intercept, and the Captain kicks the sub into full gear to catch it. They approach the convoy in very heavy fog, but before they can even get close enough to see anything one of the escort destroyers spots them and the sub has to dive. After being depth charged repeatedly by the destroyer but taking no real damage, the Captain manages to lose them and escape. The Captain notes that the British destroyers are getting smarter, and that they no longer make mistakes.Now is the final really long stretch of nothing happening. The crew is totally demoralised since they didn't even get close to sinking a ship and barely escaped with their lives, but still remain in fairly good spirits. Lt. Werner is obviously no longer enjoying himself and has stopped snapping pictures of everything in sight. Half the crew ends up with crabs. They randomly run into one of the other eleven subs in the Atlantic, which is a brief happy interlude, followed by the Captain being annoyed at the horrible planning and navigation that resulted in 1/6 of the fleet being in the same spot for no good reason.Now they get a transmission that there is a large convoy spotted and that several other subs are already converging on it. They decide to go for it too, and this time they approach the convoy unnoticed and fire several torpedoes at two of the freighters, landing direct hits. While they are launching the torpedoes they spot a destroyer in the distance, but don't think it will cause a problem. However, after launching the last of the torpedoes the Captain can't see the destroyer in the periscope any more. When he finally does see it, it is rapidly coming straight for them.They dive in a panic and manage to get far enough away that the depth charges don't cause any damage. They hear the torpedoes hit, and are quite happy until the first dreadful ping of the destroyer's ASDIC (British sonar) system sounds. The sub sits there with the pings getting closer and louder, the destroyer approaching, unable to do much besides hope it doesn't notice them. It does notice them, though, and starts depth charging them like mad. You see a shot of Johann wedged under some machinery, holding his head in his hands and looking freaked out and miserable.The Captain manages to evade the destroyer, only to have a second destroyer come at them from a different direction. Left with no choice, the Captain orders them to dive VERY deep, well into the red zone on their depth gauge. The water pressure causes bolts to start popping inwards, damaging equipment and wounding a crewmember. At this point Johann, now totally out of his mind, stumbles onto the bridge babbling incoherently. The Captain orders him back to his post, but Johann just lurches towards him. The Captain moves away and eventually the other officers are able to get Johann out. You see that the Captain was about to shoot him.Finally all signs of the destroyers fade, and the sub hangs under water for six more hours just to be safe. It then surfaces to find that one of the ships it torpedoed was an oil tanker, which is now surrounded by burning oil but not actually sinking. The Captain orders another torpedo fired at it to finish the job. As this torpedo hits, the sub crew is able to see that there are still survivors on the tanker. The Captain is incensed that in six hours no one came to rescue them. The survivors swim towards the sub, but the Captain sadly orders them to move away. The crew who witness this, particularly Lt. Werner, are very distressed.Running low on supplies and fuel, the crew expects that they are now to dock at La Rochelle, France. Instead they are given grim orders: they are to secretly dock with an undercover German supply ship at Vigo, a neutral Spanish port, then make the crossing of the British-controlled Straights of Gibraltar into the Mediterranean to reach the Italian coastal town of La Spezia. The Captain knows that this is essentially a suicide mission, and he arranges for Lt. Werner and The Chief (whose wife is very ill) to leave the sub at the Spanish port and make their way back to Germany. Lt. Werner doesn't want to go, but the Captain insists that he's already been in too much danger. Werner agrees to take the junior officer's love letters (there are dozens of them) to his French girlfriend.Johann comes to the Captain and apologises for leaving his post, insisting that it won't happen again and begging the Captain to not court martial him. The Captain is hesitant, but eventually accepts Johann's apology and sends him off.They make it to Vigo and the secret supply ship turns out to be fantastically well appointed. The officers go aboard and are treated like heroes by the fawning crew. The officers are sullen and do not take kindly to the princely treatment. They are even more annoyed by the ship's crew begging them to tell their exciting stories.In the midst of this the Captain receives a telegram from headquarters. Leave for Lt. Werner and The Chief has been denied. They have to stay with the ship til the end. The Chief is visibly upset, but says that it's a good thing as his replacement would be some incompetent kid. Lt. Werner is conflicted, but definitely unhappy about having to give the junior officer back his love letters. The ship is resupplied and they go on their way.The sub stops away from the Straights of Gibraltar to take stock of things. They can see a fleet of British warships patrolling the depressingly narrow gap between the cliffs. The Captain, for lack of a better idea, decides that they will make a silent run towards the gap, then dive deep at the last minute and hope that the tide can help them drift under the enemy fleet. No one, including the Captain himself, seems to put much stock in this plan.When the time is right, they begin their run towards the Straights. They are immediately noticed and shots from the ships begin exploding around them. The Captain and the navigator are on the ship's lookout when a plane flies overhead, strafing them with gunfire and hitting the sub with a bomb. The Captain and navigator (who is badly shot up) head back into the sub, which immediately starts diving.Unfortunately, due to the damage from the bomb the sub is unable to pull out of the dive. It goes deeper and deeper, past the point that the bolts start blowing out again and horrible noises come from the hull. The pressure causes several pipes to burst and parts of the sub start flooding. The sub eventually comes to a rest on a rock at about 280 meters down, well beyond the limit of the depth gauge.The sub is flooding badly and its engines aren't working. Meanwhile, the navigator is bleeding to death and the doctor is desperately trying to keep him alive. The crew goes into a panic of trying to patch up the damage and stop the water from flooding the entire sub. Amidst the chaos of people madly jamming whatever they can into the leaks, Johann heroically dives into a deep flood puddle to find and jam the source of a major leak. The Chief shimmies under floor panels to replace a bunch of damaged batteries, braving the noxious fumes created by the spilled battery acid in the process.As the leaks stop and the shot navigator stabilizes, the Captain and the Chief assess their situation. There is a bunch of damage to fix, and all the water needs to be bailed out, and if all goes perfectly they might have one shot at surfacing. They are also short on oxygen and need to do everything quickly so they don't run out.The crew goes about bailing the massive amount of water, bucket-brigade style, into the bilge where it will be blown out when they try to surface. The Chief starts repairs. After hours the water is all bailed and the crew is utterly exhausted from the effort. Oxygen is critically low. The Captain orders all men to go to their bunks and relax, while the Chief continues his repairs.The crew is all collapsed about the sub, oxygen deprived and resigned to death. Even the Captain despairs and blames his own recklessness for the crew's fate. The Chief finishes repairs, however, and believes that they still have a chance. The Captain and the Chief resolve to give it a try. They blow their ballast and slowly start rising. Johann fires the engines and, amazingly, they start and work. They surface and everyone takes ecstatic breaths of fresh air. The Captain notes that since they are presumed sunk, they can easily escape and make port back in La Rochelle.The sub limps back to La Rochelle. Droves of people are out to greet them, and the tired mariners get a heroes' welcome. They look exhausted but happy that they made it.Just as the movie seems about to end happily, an air raid siren sounds. Enemy warplanes swoop in, gunning and bombing everyone and everything in sight. Lt. Werner and the Chief manage to make it into a shelter along with a few of the sub's crew. After the planes leave Lt. Werner goes out to survey the damage.Most of the crew is dead. You see the corpses of Johann, the second lieutenant, the junior officer with the French girlfriend, and others. Finally Werner comes to the Captain, who is still standing... but a trickle of blood flows from his mouth and he slowly collapses. Werner looks on, horrified. The Captain lives just long enough to see U-96 sink from sight. The camera zooms out of the scene, with Werner holding the dead Captain. | Das Boot | 830b5608-d9a4-6b48-9d51-8a3c80f9c41d | Is the captain embittered and cynical about the war? | [
"Yes",
"yes",
"no, he still believes that they can win"
] | false |
/m/02h22 | The movie opens with a screen noting that 40,000 Germans went out on submarines in WW2, and that 30,000 never came back. Then you find out that it is near the end of 1941, and the German Atlantic U-Boat fleet is a mere 12 subs.Now cut to the officers of U-96 driving down a dark road by the shore. Enlisted sailors are drunk and hanging out on the road. They harass the officers in a fairly obnoxious way, including urinating on their car as it goes by. The officers (including, as you soon find out, the Captain) take this in stride.The next scene is in a raucous beer hall. It is an award banquet for a sub captain Thomsen (Otto Sander), who just received a commendation, as well as a sending off for U-96's crew. Various scenes of debauchery play out. The officers are just a bunch of rowdy kids having fun. U-96's Captain (Jürgen Prochnow) looks on calmly. The Captain is then introduced to a party reporter, Lt. Werner (Herbert Grönemeyer) who will be accompanying them on their next tour to report on the greatness of the Reich's sub crews. They meet the Captain's chief engineer and de facto second-in-command "The Chief", (Klaus Wennemann), who is older and bedraggled and obviously doesn't look forward to another tour.The Captain goes to find Thomsen as it is time for the old guy to give a speech. He finds Thomsen nearly passed out drunk in a disgusting bathroom. He manages to get Thomsen to his feet with the help of another officer and guides him to the podium. They note sadly that all the crews these days are just kids, and that the old guard is almost gone. Thomsen gives a speech full of what comes very close to anti-Nazi rhetoric (a couple guys in the audience, possibly SS men, look tense), but ends it on a positive note without saying anything too incriminating.Now U-96 leaves port and you meet the rest of the crew. Of most note are the first lieutenant (Hubertus Bengsch), a prissy young hardcore Nazi, and the second lieutenant (Martin Semmelrogge) who is a clever jokester and constantly winds up the first lieutenant. Lt. Werner, the reporter, is led to the junior officer's bunks where he finds out that even the officers have to share beds because of space constraints. Lt. Werner is ribbed by Pilgrim (Jan Fedder), another jokester, and befriends a very young officer, Ullmann, with a French girlfriend back home who he constantly writes letters to. You also get your first shot of Johann, the head of the engine room, a pale, gangly fellow whom the crew members call "The Ghost".Now is the first stretch of drudgery in the movie. Lt. Werner snaps pictures of everything in sight initially, but gradually calms down. The crew goes about their day to day business with increasing dreariness, all of them except the first lieutenant stop shaving and grow beards, and their moil is only broken by a false alarm arranged by the Captain to keep them on their toes. During this time you learn that the Captain has no love for the Nazis, and morale amongst the higher officers seems abysmal.The Captain at one point decides to see how deep the sub can dive. The gauge limits the "safe" zone down to only 170 meters, but the Captain, much to the chagrin of the crew, takes it down to almost 200. This causes ominous creaking noises to emit from the hull, and everyone is relieved when the Captain orders the sub back up.After more boredom, the sub receives a transmission that a convoy has been spotted. The crew leaps at the opportunity to go after them, but the Captain says they have no chance of getting there in time and so they go back to twiddling their thumbs.Shortly thereafter, they get a message about a convoy that they will be able to intercept, and the Captain kicks the sub into full gear to catch it. They approach the convoy in very heavy fog, but before they can even get close enough to see anything one of the escort destroyers spots them and the sub has to dive. After being depth charged repeatedly by the destroyer but taking no real damage, the Captain manages to lose them and escape. The Captain notes that the British destroyers are getting smarter, and that they no longer make mistakes.Now is the final really long stretch of nothing happening. The crew is totally demoralised since they didn't even get close to sinking a ship and barely escaped with their lives, but still remain in fairly good spirits. Lt. Werner is obviously no longer enjoying himself and has stopped snapping pictures of everything in sight. Half the crew ends up with crabs. They randomly run into one of the other eleven subs in the Atlantic, which is a brief happy interlude, followed by the Captain being annoyed at the horrible planning and navigation that resulted in 1/6 of the fleet being in the same spot for no good reason.Now they get a transmission that there is a large convoy spotted and that several other subs are already converging on it. They decide to go for it too, and this time they approach the convoy unnoticed and fire several torpedoes at two of the freighters, landing direct hits. While they are launching the torpedoes they spot a destroyer in the distance, but don't think it will cause a problem. However, after launching the last of the torpedoes the Captain can't see the destroyer in the periscope any more. When he finally does see it, it is rapidly coming straight for them.They dive in a panic and manage to get far enough away that the depth charges don't cause any damage. They hear the torpedoes hit, and are quite happy until the first dreadful ping of the destroyer's ASDIC (British sonar) system sounds. The sub sits there with the pings getting closer and louder, the destroyer approaching, unable to do much besides hope it doesn't notice them. It does notice them, though, and starts depth charging them like mad. You see a shot of Johann wedged under some machinery, holding his head in his hands and looking freaked out and miserable.The Captain manages to evade the destroyer, only to have a second destroyer come at them from a different direction. Left with no choice, the Captain orders them to dive VERY deep, well into the red zone on their depth gauge. The water pressure causes bolts to start popping inwards, damaging equipment and wounding a crewmember. At this point Johann, now totally out of his mind, stumbles onto the bridge babbling incoherently. The Captain orders him back to his post, but Johann just lurches towards him. The Captain moves away and eventually the other officers are able to get Johann out. You see that the Captain was about to shoot him.Finally all signs of the destroyers fade, and the sub hangs under water for six more hours just to be safe. It then surfaces to find that one of the ships it torpedoed was an oil tanker, which is now surrounded by burning oil but not actually sinking. The Captain orders another torpedo fired at it to finish the job. As this torpedo hits, the sub crew is able to see that there are still survivors on the tanker. The Captain is incensed that in six hours no one came to rescue them. The survivors swim towards the sub, but the Captain sadly orders them to move away. The crew who witness this, particularly Lt. Werner, are very distressed.Running low on supplies and fuel, the crew expects that they are now to dock at La Rochelle, France. Instead they are given grim orders: they are to secretly dock with an undercover German supply ship at Vigo, a neutral Spanish port, then make the crossing of the British-controlled Straights of Gibraltar into the Mediterranean to reach the Italian coastal town of La Spezia. The Captain knows that this is essentially a suicide mission, and he arranges for Lt. Werner and The Chief (whose wife is very ill) to leave the sub at the Spanish port and make their way back to Germany. Lt. Werner doesn't want to go, but the Captain insists that he's already been in too much danger. Werner agrees to take the junior officer's love letters (there are dozens of them) to his French girlfriend.Johann comes to the Captain and apologises for leaving his post, insisting that it won't happen again and begging the Captain to not court martial him. The Captain is hesitant, but eventually accepts Johann's apology and sends him off.They make it to Vigo and the secret supply ship turns out to be fantastically well appointed. The officers go aboard and are treated like heroes by the fawning crew. The officers are sullen and do not take kindly to the princely treatment. They are even more annoyed by the ship's crew begging them to tell their exciting stories.In the midst of this the Captain receives a telegram from headquarters. Leave for Lt. Werner and The Chief has been denied. They have to stay with the ship til the end. The Chief is visibly upset, but says that it's a good thing as his replacement would be some incompetent kid. Lt. Werner is conflicted, but definitely unhappy about having to give the junior officer back his love letters. The ship is resupplied and they go on their way.The sub stops away from the Straights of Gibraltar to take stock of things. They can see a fleet of British warships patrolling the depressingly narrow gap between the cliffs. The Captain, for lack of a better idea, decides that they will make a silent run towards the gap, then dive deep at the last minute and hope that the tide can help them drift under the enemy fleet. No one, including the Captain himself, seems to put much stock in this plan.When the time is right, they begin their run towards the Straights. They are immediately noticed and shots from the ships begin exploding around them. The Captain and the navigator are on the ship's lookout when a plane flies overhead, strafing them with gunfire and hitting the sub with a bomb. The Captain and navigator (who is badly shot up) head back into the sub, which immediately starts diving.Unfortunately, due to the damage from the bomb the sub is unable to pull out of the dive. It goes deeper and deeper, past the point that the bolts start blowing out again and horrible noises come from the hull. The pressure causes several pipes to burst and parts of the sub start flooding. The sub eventually comes to a rest on a rock at about 280 meters down, well beyond the limit of the depth gauge.The sub is flooding badly and its engines aren't working. Meanwhile, the navigator is bleeding to death and the doctor is desperately trying to keep him alive. The crew goes into a panic of trying to patch up the damage and stop the water from flooding the entire sub. Amidst the chaos of people madly jamming whatever they can into the leaks, Johann heroically dives into a deep flood puddle to find and jam the source of a major leak. The Chief shimmies under floor panels to replace a bunch of damaged batteries, braving the noxious fumes created by the spilled battery acid in the process.As the leaks stop and the shot navigator stabilizes, the Captain and the Chief assess their situation. There is a bunch of damage to fix, and all the water needs to be bailed out, and if all goes perfectly they might have one shot at surfacing. They are also short on oxygen and need to do everything quickly so they don't run out.The crew goes about bailing the massive amount of water, bucket-brigade style, into the bilge where it will be blown out when they try to surface. The Chief starts repairs. After hours the water is all bailed and the crew is utterly exhausted from the effort. Oxygen is critically low. The Captain orders all men to go to their bunks and relax, while the Chief continues his repairs.The crew is all collapsed about the sub, oxygen deprived and resigned to death. Even the Captain despairs and blames his own recklessness for the crew's fate. The Chief finishes repairs, however, and believes that they still have a chance. The Captain and the Chief resolve to give it a try. They blow their ballast and slowly start rising. Johann fires the engines and, amazingly, they start and work. They surface and everyone takes ecstatic breaths of fresh air. The Captain notes that since they are presumed sunk, they can easily escape and make port back in La Rochelle.The sub limps back to La Rochelle. Droves of people are out to greet them, and the tired mariners get a heroes' welcome. They look exhausted but happy that they made it.Just as the movie seems about to end happily, an air raid siren sounds. Enemy warplanes swoop in, gunning and bombing everyone and everything in sight. Lt. Werner and the Chief manage to make it into a shelter along with a few of the sub's crew. After the planes leave Lt. Werner goes out to survey the damage.Most of the crew is dead. You see the corpses of Johann, the second lieutenant, the junior officer with the French girlfriend, and others. Finally Werner comes to the Captain, who is still standing... but a trickle of blood flows from his mouth and he slowly collapses. Werner looks on, horrified. The Captain lives just long enough to see U-96 sink from sight. The camera zooms out of the scene, with Werner holding the dead Captain. | Das Boot | 700cfb0f-427c-b961-7118-b8b4eb798a9a | Where is the wounded navigator taken ashore? | [
"On the surface",
"La rochelle"
] | false |
/m/02rtf4 | A 12-year-old schoolboy in Las Vegas, Nevada named Trevor McKinney (Haley Joel Osment) is given a class project to complete by his social studies teacher Eugene Simonet (Kevin Spacey), a man with terrible burn scars on his face and neck. His task is to come up with a plan that will change the world through direct action. On his way home from school later that day, Trevor notices a homeless man, Jerry (James Caviezel) and decides to make a difference in Jerry's life. Trevor then comes up with the plan to "pay it forward" by doing a good deed for three people who must in turn each do good deeds for three other people, creating a charitable pyramid scheme. Trevor's plan is to help Jerry by feeding and housing him so he can "get on his feet."The next morning, Trevor's mother, Arlene McKinney (Helen Hunt), a single mother recovering from alcoholism, becomes angry with Trevor after finding Jerry in their house. She then accuses and confronts Eugene at the school about the reason Trevor has allowed Jerry into their home. Eugene is also intrigued by Trevor's response to the social studies project.Later that night back at their home, Trevor confronts his mother about her alcoholism, and in a fit of anger she slaps him across the face. Trevor runs away from home, and Arlene asks Eugene to help her find him. They find Trevor at a bus station, about to be molested. Trevor and Arlene embrace in relief after Arlene apologizes profusely.Meanwhile, Chris (Jay Mohr), a journalist, is trying to find out why a total stranger gave him a brand new Jaguar S-Type car after Chris' old 1965 Ford Mustang was damaged in a car accident. The stranger's only explanation is that he is simply "paying it forward". When Chris asks him for more information, the man explains that, when he recently visited a hospital while his daughter was suffering an asthma attack, a gang member suffering from a stab wound actually took up a gun to force the doctors to look at the man's daughter before she collapsed, prompting Chris to begin his search again.After Trevor's apparently unsuccessful attempt to help Jerry, he decides to help Eugene by setting him up with Arlene, Trevor's own mother. Their relationship grows in strength until Arlene's ex-husband, Ricky (Jon Bon Jovi), who claims he has "changed" and has quit drinking, shows up unannounced and Arlene decides to give him another chance.When Arlene later tries to explain her choice to Eugene, the audience learns how Eugene's burns were the result of terrible child abuse by his father. Eugene is concerned not just about the abusive and violent nature of Trevor's father, but that the simple absence of a loving father is detrimental to Trevor's well-being. He explains that his father was always abusive of him and his mother always took him back. At thirteen, Eugene ran away from home and returned home when he was 16, asking his mother to come with him but his father knocked him out and proceeded to burn him, resulting in a number of scars on his chest. Arlene feels that she must nevertheless give her ex-husband another chance, but shortly thereafter he becomes angry and violent and it appears that he has not in fact stopped drinking alcohol. Arlene realizes what a terrible mistake she has made. She feels that Eugene will never take her back, and Eugene for his part is not prepared to rekindle the relationship.At around this point, Jerry, who has moved on to another city, discovers a woman about to commit suicide by jumping off a bridge; even when she throws her purse at him and yells at him to get away, Jerry simply talks gently to her, encouraging her to come down and talk to him about her problems. Meanwhile, Chris discovers the gang member who helped the man's daughter, who reveals that he was brought into the 'pay it forward' movement when he was rescued from the police by a homeless woman in a car. Having located the woman (played by Angie Dickinson), she tells Chris that she herself was given the idea by her daughter--who turns out to be Arlene.Arlene seeks out her mother, Grace, whom she has not seen in three years. She says she wishes to say something to her and gives her mother the gift that enables Grace to have faith that she can become sober for a few days, long enough to visit the family and see her grandson: Arlene tells her mother that she forgives her for everything.Chris finally identifies Trevor as the originator of "pay it forward," and conducts a recorded interview at the school. Trevor explains his hopes for the concept, but voices his concerns that people may be too afraid to change their own lives in order to make the whole world a better place. Eugene and Arlene are both present during the interview. When Eugene hears Trevor's words, he realizes that he and Arlene should be together.As Eugene and Arlene reconcile with a passionate embrace, they hear shouts and scuffling outside. Trevor has come to the defense of a friend who is being attacked by bullies, and is trying to fight them off, although they are older and bigger. As Eugene and Arlene run down to stop the fight, the main bully who is a gangster-like boy impulsively pulls out a knife. Trevor is pushed onto the boy with the knife and is thus inadvertently stabbed in the abdomen. Trevor is rushed to hospital, where he dies from the stabbing.Terribly distraught, Arlene and Eugene are later watching a television news report about "pay it forward" and Trevor's death, and learn that the movement has grown nationwide. Venturing outside, they see hundreds of people gathering in a vigil to pay their respects to Trevor, with yet more people arriving in a stream of vehicles visible in the distance as the movie ends.(Source: WikiPedia. Bangs_McCoy) | Pay It Forward | 1232705e-d8dd-2968-1c96-80cae7a1216e | Who's school project started the chain? | [
"Trevor's"
] | false |
/m/02rtf4 | A 12-year-old schoolboy in Las Vegas, Nevada named Trevor McKinney (Haley Joel Osment) is given a class project to complete by his social studies teacher Eugene Simonet (Kevin Spacey), a man with terrible burn scars on his face and neck. His task is to come up with a plan that will change the world through direct action. On his way home from school later that day, Trevor notices a homeless man, Jerry (James Caviezel) and decides to make a difference in Jerry's life. Trevor then comes up with the plan to "pay it forward" by doing a good deed for three people who must in turn each do good deeds for three other people, creating a charitable pyramid scheme. Trevor's plan is to help Jerry by feeding and housing him so he can "get on his feet."The next morning, Trevor's mother, Arlene McKinney (Helen Hunt), a single mother recovering from alcoholism, becomes angry with Trevor after finding Jerry in their house. She then accuses and confronts Eugene at the school about the reason Trevor has allowed Jerry into their home. Eugene is also intrigued by Trevor's response to the social studies project.Later that night back at their home, Trevor confronts his mother about her alcoholism, and in a fit of anger she slaps him across the face. Trevor runs away from home, and Arlene asks Eugene to help her find him. They find Trevor at a bus station, about to be molested. Trevor and Arlene embrace in relief after Arlene apologizes profusely.Meanwhile, Chris (Jay Mohr), a journalist, is trying to find out why a total stranger gave him a brand new Jaguar S-Type car after Chris' old 1965 Ford Mustang was damaged in a car accident. The stranger's only explanation is that he is simply "paying it forward". When Chris asks him for more information, the man explains that, when he recently visited a hospital while his daughter was suffering an asthma attack, a gang member suffering from a stab wound actually took up a gun to force the doctors to look at the man's daughter before she collapsed, prompting Chris to begin his search again.After Trevor's apparently unsuccessful attempt to help Jerry, he decides to help Eugene by setting him up with Arlene, Trevor's own mother. Their relationship grows in strength until Arlene's ex-husband, Ricky (Jon Bon Jovi), who claims he has "changed" and has quit drinking, shows up unannounced and Arlene decides to give him another chance.When Arlene later tries to explain her choice to Eugene, the audience learns how Eugene's burns were the result of terrible child abuse by his father. Eugene is concerned not just about the abusive and violent nature of Trevor's father, but that the simple absence of a loving father is detrimental to Trevor's well-being. He explains that his father was always abusive of him and his mother always took him back. At thirteen, Eugene ran away from home and returned home when he was 16, asking his mother to come with him but his father knocked him out and proceeded to burn him, resulting in a number of scars on his chest. Arlene feels that she must nevertheless give her ex-husband another chance, but shortly thereafter he becomes angry and violent and it appears that he has not in fact stopped drinking alcohol. Arlene realizes what a terrible mistake she has made. She feels that Eugene will never take her back, and Eugene for his part is not prepared to rekindle the relationship.At around this point, Jerry, who has moved on to another city, discovers a woman about to commit suicide by jumping off a bridge; even when she throws her purse at him and yells at him to get away, Jerry simply talks gently to her, encouraging her to come down and talk to him about her problems. Meanwhile, Chris discovers the gang member who helped the man's daughter, who reveals that he was brought into the 'pay it forward' movement when he was rescued from the police by a homeless woman in a car. Having located the woman (played by Angie Dickinson), she tells Chris that she herself was given the idea by her daughter--who turns out to be Arlene.Arlene seeks out her mother, Grace, whom she has not seen in three years. She says she wishes to say something to her and gives her mother the gift that enables Grace to have faith that she can become sober for a few days, long enough to visit the family and see her grandson: Arlene tells her mother that she forgives her for everything.Chris finally identifies Trevor as the originator of "pay it forward," and conducts a recorded interview at the school. Trevor explains his hopes for the concept, but voices his concerns that people may be too afraid to change their own lives in order to make the whole world a better place. Eugene and Arlene are both present during the interview. When Eugene hears Trevor's words, he realizes that he and Arlene should be together.As Eugene and Arlene reconcile with a passionate embrace, they hear shouts and scuffling outside. Trevor has come to the defense of a friend who is being attacked by bullies, and is trying to fight them off, although they are older and bigger. As Eugene and Arlene run down to stop the fight, the main bully who is a gangster-like boy impulsively pulls out a knife. Trevor is pushed onto the boy with the knife and is thus inadvertently stabbed in the abdomen. Trevor is rushed to hospital, where he dies from the stabbing.Terribly distraught, Arlene and Eugene are later watching a television news report about "pay it forward" and Trevor's death, and learn that the movement has grown nationwide. Venturing outside, they see hundreds of people gathering in a vigil to pay their respects to Trevor, with yet more people arriving in a stream of vehicles visible in the distance as the movie ends.(Source: WikiPedia. Bangs_McCoy) | Pay It Forward | 14a684a2-1fc8-2af7-ff2c-e99e34042cab | Who warns Arlene of Ricky's potential for abuse? | [
"Eugene"
] | false |
/m/02rtf4 | A 12-year-old schoolboy in Las Vegas, Nevada named Trevor McKinney (Haley Joel Osment) is given a class project to complete by his social studies teacher Eugene Simonet (Kevin Spacey), a man with terrible burn scars on his face and neck. His task is to come up with a plan that will change the world through direct action. On his way home from school later that day, Trevor notices a homeless man, Jerry (James Caviezel) and decides to make a difference in Jerry's life. Trevor then comes up with the plan to "pay it forward" by doing a good deed for three people who must in turn each do good deeds for three other people, creating a charitable pyramid scheme. Trevor's plan is to help Jerry by feeding and housing him so he can "get on his feet."The next morning, Trevor's mother, Arlene McKinney (Helen Hunt), a single mother recovering from alcoholism, becomes angry with Trevor after finding Jerry in their house. She then accuses and confronts Eugene at the school about the reason Trevor has allowed Jerry into their home. Eugene is also intrigued by Trevor's response to the social studies project.Later that night back at their home, Trevor confronts his mother about her alcoholism, and in a fit of anger she slaps him across the face. Trevor runs away from home, and Arlene asks Eugene to help her find him. They find Trevor at a bus station, about to be molested. Trevor and Arlene embrace in relief after Arlene apologizes profusely.Meanwhile, Chris (Jay Mohr), a journalist, is trying to find out why a total stranger gave him a brand new Jaguar S-Type car after Chris' old 1965 Ford Mustang was damaged in a car accident. The stranger's only explanation is that he is simply "paying it forward". When Chris asks him for more information, the man explains that, when he recently visited a hospital while his daughter was suffering an asthma attack, a gang member suffering from a stab wound actually took up a gun to force the doctors to look at the man's daughter before she collapsed, prompting Chris to begin his search again.After Trevor's apparently unsuccessful attempt to help Jerry, he decides to help Eugene by setting him up with Arlene, Trevor's own mother. Their relationship grows in strength until Arlene's ex-husband, Ricky (Jon Bon Jovi), who claims he has "changed" and has quit drinking, shows up unannounced and Arlene decides to give him another chance.When Arlene later tries to explain her choice to Eugene, the audience learns how Eugene's burns were the result of terrible child abuse by his father. Eugene is concerned not just about the abusive and violent nature of Trevor's father, but that the simple absence of a loving father is detrimental to Trevor's well-being. He explains that his father was always abusive of him and his mother always took him back. At thirteen, Eugene ran away from home and returned home when he was 16, asking his mother to come with him but his father knocked him out and proceeded to burn him, resulting in a number of scars on his chest. Arlene feels that she must nevertheless give her ex-husband another chance, but shortly thereafter he becomes angry and violent and it appears that he has not in fact stopped drinking alcohol. Arlene realizes what a terrible mistake she has made. She feels that Eugene will never take her back, and Eugene for his part is not prepared to rekindle the relationship.At around this point, Jerry, who has moved on to another city, discovers a woman about to commit suicide by jumping off a bridge; even when she throws her purse at him and yells at him to get away, Jerry simply talks gently to her, encouraging her to come down and talk to him about her problems. Meanwhile, Chris discovers the gang member who helped the man's daughter, who reveals that he was brought into the 'pay it forward' movement when he was rescued from the police by a homeless woman in a car. Having located the woman (played by Angie Dickinson), she tells Chris that she herself was given the idea by her daughter--who turns out to be Arlene.Arlene seeks out her mother, Grace, whom she has not seen in three years. She says she wishes to say something to her and gives her mother the gift that enables Grace to have faith that she can become sober for a few days, long enough to visit the family and see her grandson: Arlene tells her mother that she forgives her for everything.Chris finally identifies Trevor as the originator of "pay it forward," and conducts a recorded interview at the school. Trevor explains his hopes for the concept, but voices his concerns that people may be too afraid to change their own lives in order to make the whole world a better place. Eugene and Arlene are both present during the interview. When Eugene hears Trevor's words, he realizes that he and Arlene should be together.As Eugene and Arlene reconcile with a passionate embrace, they hear shouts and scuffling outside. Trevor has come to the defense of a friend who is being attacked by bullies, and is trying to fight them off, although they are older and bigger. As Eugene and Arlene run down to stop the fight, the main bully who is a gangster-like boy impulsively pulls out a knife. Trevor is pushed onto the boy with the knife and is thus inadvertently stabbed in the abdomen. Trevor is rushed to hospital, where he dies from the stabbing.Terribly distraught, Arlene and Eugene are later watching a television news report about "pay it forward" and Trevor's death, and learn that the movement has grown nationwide. Venturing outside, they see hundreds of people gathering in a vigil to pay their respects to Trevor, with yet more people arriving in a stream of vehicles visible in the distance as the movie ends.(Source: WikiPedia. Bangs_McCoy) | Pay It Forward | da6230dd-4f77-47e4-d7b0-5dc253153a62 | Who does Trevor allow to live in his garage? | [
"Jerry"
] | false |
/m/02rtf4 | A 12-year-old schoolboy in Las Vegas, Nevada named Trevor McKinney (Haley Joel Osment) is given a class project to complete by his social studies teacher Eugene Simonet (Kevin Spacey), a man with terrible burn scars on his face and neck. His task is to come up with a plan that will change the world through direct action. On his way home from school later that day, Trevor notices a homeless man, Jerry (James Caviezel) and decides to make a difference in Jerry's life. Trevor then comes up with the plan to "pay it forward" by doing a good deed for three people who must in turn each do good deeds for three other people, creating a charitable pyramid scheme. Trevor's plan is to help Jerry by feeding and housing him so he can "get on his feet."The next morning, Trevor's mother, Arlene McKinney (Helen Hunt), a single mother recovering from alcoholism, becomes angry with Trevor after finding Jerry in their house. She then accuses and confronts Eugene at the school about the reason Trevor has allowed Jerry into their home. Eugene is also intrigued by Trevor's response to the social studies project.Later that night back at their home, Trevor confronts his mother about her alcoholism, and in a fit of anger she slaps him across the face. Trevor runs away from home, and Arlene asks Eugene to help her find him. They find Trevor at a bus station, about to be molested. Trevor and Arlene embrace in relief after Arlene apologizes profusely.Meanwhile, Chris (Jay Mohr), a journalist, is trying to find out why a total stranger gave him a brand new Jaguar S-Type car after Chris' old 1965 Ford Mustang was damaged in a car accident. The stranger's only explanation is that he is simply "paying it forward". When Chris asks him for more information, the man explains that, when he recently visited a hospital while his daughter was suffering an asthma attack, a gang member suffering from a stab wound actually took up a gun to force the doctors to look at the man's daughter before she collapsed, prompting Chris to begin his search again.After Trevor's apparently unsuccessful attempt to help Jerry, he decides to help Eugene by setting him up with Arlene, Trevor's own mother. Their relationship grows in strength until Arlene's ex-husband, Ricky (Jon Bon Jovi), who claims he has "changed" and has quit drinking, shows up unannounced and Arlene decides to give him another chance.When Arlene later tries to explain her choice to Eugene, the audience learns how Eugene's burns were the result of terrible child abuse by his father. Eugene is concerned not just about the abusive and violent nature of Trevor's father, but that the simple absence of a loving father is detrimental to Trevor's well-being. He explains that his father was always abusive of him and his mother always took him back. At thirteen, Eugene ran away from home and returned home when he was 16, asking his mother to come with him but his father knocked him out and proceeded to burn him, resulting in a number of scars on his chest. Arlene feels that she must nevertheless give her ex-husband another chance, but shortly thereafter he becomes angry and violent and it appears that he has not in fact stopped drinking alcohol. Arlene realizes what a terrible mistake she has made. She feels that Eugene will never take her back, and Eugene for his part is not prepared to rekindle the relationship.At around this point, Jerry, who has moved on to another city, discovers a woman about to commit suicide by jumping off a bridge; even when she throws her purse at him and yells at him to get away, Jerry simply talks gently to her, encouraging her to come down and talk to him about her problems. Meanwhile, Chris discovers the gang member who helped the man's daughter, who reveals that he was brought into the 'pay it forward' movement when he was rescued from the police by a homeless woman in a car. Having located the woman (played by Angie Dickinson), she tells Chris that she herself was given the idea by her daughter--who turns out to be Arlene.Arlene seeks out her mother, Grace, whom she has not seen in three years. She says she wishes to say something to her and gives her mother the gift that enables Grace to have faith that she can become sober for a few days, long enough to visit the family and see her grandson: Arlene tells her mother that she forgives her for everything.Chris finally identifies Trevor as the originator of "pay it forward," and conducts a recorded interview at the school. Trevor explains his hopes for the concept, but voices his concerns that people may be too afraid to change their own lives in order to make the whole world a better place. Eugene and Arlene are both present during the interview. When Eugene hears Trevor's words, he realizes that he and Arlene should be together.As Eugene and Arlene reconcile with a passionate embrace, they hear shouts and scuffling outside. Trevor has come to the defense of a friend who is being attacked by bullies, and is trying to fight them off, although they are older and bigger. As Eugene and Arlene run down to stop the fight, the main bully who is a gangster-like boy impulsively pulls out a knife. Trevor is pushed onto the boy with the knife and is thus inadvertently stabbed in the abdomen. Trevor is rushed to hospital, where he dies from the stabbing.Terribly distraught, Arlene and Eugene are later watching a television news report about "pay it forward" and Trevor's death, and learn that the movement has grown nationwide. Venturing outside, they see hundreds of people gathering in a vigil to pay their respects to Trevor, with yet more people arriving in a stream of vehicles visible in the distance as the movie ends.(Source: WikiPedia. Bangs_McCoy) | Pay It Forward | 1953f8cf-90d9-34a8-fbb3-10434910357f | Who pursues Eugene then breaks it off with him later? | [
"Arlene McKinney"
] | false |
/m/02rtf4 | A 12-year-old schoolboy in Las Vegas, Nevada named Trevor McKinney (Haley Joel Osment) is given a class project to complete by his social studies teacher Eugene Simonet (Kevin Spacey), a man with terrible burn scars on his face and neck. His task is to come up with a plan that will change the world through direct action. On his way home from school later that day, Trevor notices a homeless man, Jerry (James Caviezel) and decides to make a difference in Jerry's life. Trevor then comes up with the plan to "pay it forward" by doing a good deed for three people who must in turn each do good deeds for three other people, creating a charitable pyramid scheme. Trevor's plan is to help Jerry by feeding and housing him so he can "get on his feet."The next morning, Trevor's mother, Arlene McKinney (Helen Hunt), a single mother recovering from alcoholism, becomes angry with Trevor after finding Jerry in their house. She then accuses and confronts Eugene at the school about the reason Trevor has allowed Jerry into their home. Eugene is also intrigued by Trevor's response to the social studies project.Later that night back at their home, Trevor confronts his mother about her alcoholism, and in a fit of anger she slaps him across the face. Trevor runs away from home, and Arlene asks Eugene to help her find him. They find Trevor at a bus station, about to be molested. Trevor and Arlene embrace in relief after Arlene apologizes profusely.Meanwhile, Chris (Jay Mohr), a journalist, is trying to find out why a total stranger gave him a brand new Jaguar S-Type car after Chris' old 1965 Ford Mustang was damaged in a car accident. The stranger's only explanation is that he is simply "paying it forward". When Chris asks him for more information, the man explains that, when he recently visited a hospital while his daughter was suffering an asthma attack, a gang member suffering from a stab wound actually took up a gun to force the doctors to look at the man's daughter before she collapsed, prompting Chris to begin his search again.After Trevor's apparently unsuccessful attempt to help Jerry, he decides to help Eugene by setting him up with Arlene, Trevor's own mother. Their relationship grows in strength until Arlene's ex-husband, Ricky (Jon Bon Jovi), who claims he has "changed" and has quit drinking, shows up unannounced and Arlene decides to give him another chance.When Arlene later tries to explain her choice to Eugene, the audience learns how Eugene's burns were the result of terrible child abuse by his father. Eugene is concerned not just about the abusive and violent nature of Trevor's father, but that the simple absence of a loving father is detrimental to Trevor's well-being. He explains that his father was always abusive of him and his mother always took him back. At thirteen, Eugene ran away from home and returned home when he was 16, asking his mother to come with him but his father knocked him out and proceeded to burn him, resulting in a number of scars on his chest. Arlene feels that she must nevertheless give her ex-husband another chance, but shortly thereafter he becomes angry and violent and it appears that he has not in fact stopped drinking alcohol. Arlene realizes what a terrible mistake she has made. She feels that Eugene will never take her back, and Eugene for his part is not prepared to rekindle the relationship.At around this point, Jerry, who has moved on to another city, discovers a woman about to commit suicide by jumping off a bridge; even when she throws her purse at him and yells at him to get away, Jerry simply talks gently to her, encouraging her to come down and talk to him about her problems. Meanwhile, Chris discovers the gang member who helped the man's daughter, who reveals that he was brought into the 'pay it forward' movement when he was rescued from the police by a homeless woman in a car. Having located the woman (played by Angie Dickinson), she tells Chris that she herself was given the idea by her daughter--who turns out to be Arlene.Arlene seeks out her mother, Grace, whom she has not seen in three years. She says she wishes to say something to her and gives her mother the gift that enables Grace to have faith that she can become sober for a few days, long enough to visit the family and see her grandson: Arlene tells her mother that she forgives her for everything.Chris finally identifies Trevor as the originator of "pay it forward," and conducts a recorded interview at the school. Trevor explains his hopes for the concept, but voices his concerns that people may be too afraid to change their own lives in order to make the whole world a better place. Eugene and Arlene are both present during the interview. When Eugene hears Trevor's words, he realizes that he and Arlene should be together.As Eugene and Arlene reconcile with a passionate embrace, they hear shouts and scuffling outside. Trevor has come to the defense of a friend who is being attacked by bullies, and is trying to fight them off, although they are older and bigger. As Eugene and Arlene run down to stop the fight, the main bully who is a gangster-like boy impulsively pulls out a knife. Trevor is pushed onto the boy with the knife and is thus inadvertently stabbed in the abdomen. Trevor is rushed to hospital, where he dies from the stabbing.Terribly distraught, Arlene and Eugene are later watching a television news report about "pay it forward" and Trevor's death, and learn that the movement has grown nationwide. Venturing outside, they see hundreds of people gathering in a vigil to pay their respects to Trevor, with yet more people arriving in a stream of vehicles visible in the distance as the movie ends.(Source: WikiPedia. Bangs_McCoy) | Pay It Forward | c4e20fc6-a9c6-6c3f-f0f9-504905177461 | Who was discovered in the house? | [
"Jerry"
] | false |
/m/02rtf4 | A 12-year-old schoolboy in Las Vegas, Nevada named Trevor McKinney (Haley Joel Osment) is given a class project to complete by his social studies teacher Eugene Simonet (Kevin Spacey), a man with terrible burn scars on his face and neck. His task is to come up with a plan that will change the world through direct action. On his way home from school later that day, Trevor notices a homeless man, Jerry (James Caviezel) and decides to make a difference in Jerry's life. Trevor then comes up with the plan to "pay it forward" by doing a good deed for three people who must in turn each do good deeds for three other people, creating a charitable pyramid scheme. Trevor's plan is to help Jerry by feeding and housing him so he can "get on his feet."The next morning, Trevor's mother, Arlene McKinney (Helen Hunt), a single mother recovering from alcoholism, becomes angry with Trevor after finding Jerry in their house. She then accuses and confronts Eugene at the school about the reason Trevor has allowed Jerry into their home. Eugene is also intrigued by Trevor's response to the social studies project.Later that night back at their home, Trevor confronts his mother about her alcoholism, and in a fit of anger she slaps him across the face. Trevor runs away from home, and Arlene asks Eugene to help her find him. They find Trevor at a bus station, about to be molested. Trevor and Arlene embrace in relief after Arlene apologizes profusely.Meanwhile, Chris (Jay Mohr), a journalist, is trying to find out why a total stranger gave him a brand new Jaguar S-Type car after Chris' old 1965 Ford Mustang was damaged in a car accident. The stranger's only explanation is that he is simply "paying it forward". When Chris asks him for more information, the man explains that, when he recently visited a hospital while his daughter was suffering an asthma attack, a gang member suffering from a stab wound actually took up a gun to force the doctors to look at the man's daughter before she collapsed, prompting Chris to begin his search again.After Trevor's apparently unsuccessful attempt to help Jerry, he decides to help Eugene by setting him up with Arlene, Trevor's own mother. Their relationship grows in strength until Arlene's ex-husband, Ricky (Jon Bon Jovi), who claims he has "changed" and has quit drinking, shows up unannounced and Arlene decides to give him another chance.When Arlene later tries to explain her choice to Eugene, the audience learns how Eugene's burns were the result of terrible child abuse by his father. Eugene is concerned not just about the abusive and violent nature of Trevor's father, but that the simple absence of a loving father is detrimental to Trevor's well-being. He explains that his father was always abusive of him and his mother always took him back. At thirteen, Eugene ran away from home and returned home when he was 16, asking his mother to come with him but his father knocked him out and proceeded to burn him, resulting in a number of scars on his chest. Arlene feels that she must nevertheless give her ex-husband another chance, but shortly thereafter he becomes angry and violent and it appears that he has not in fact stopped drinking alcohol. Arlene realizes what a terrible mistake she has made. She feels that Eugene will never take her back, and Eugene for his part is not prepared to rekindle the relationship.At around this point, Jerry, who has moved on to another city, discovers a woman about to commit suicide by jumping off a bridge; even when she throws her purse at him and yells at him to get away, Jerry simply talks gently to her, encouraging her to come down and talk to him about her problems. Meanwhile, Chris discovers the gang member who helped the man's daughter, who reveals that he was brought into the 'pay it forward' movement when he was rescued from the police by a homeless woman in a car. Having located the woman (played by Angie Dickinson), she tells Chris that she herself was given the idea by her daughter--who turns out to be Arlene.Arlene seeks out her mother, Grace, whom she has not seen in three years. She says she wishes to say something to her and gives her mother the gift that enables Grace to have faith that she can become sober for a few days, long enough to visit the family and see her grandson: Arlene tells her mother that she forgives her for everything.Chris finally identifies Trevor as the originator of "pay it forward," and conducts a recorded interview at the school. Trevor explains his hopes for the concept, but voices his concerns that people may be too afraid to change their own lives in order to make the whole world a better place. Eugene and Arlene are both present during the interview. When Eugene hears Trevor's words, he realizes that he and Arlene should be together.As Eugene and Arlene reconcile with a passionate embrace, they hear shouts and scuffling outside. Trevor has come to the defense of a friend who is being attacked by bullies, and is trying to fight them off, although they are older and bigger. As Eugene and Arlene run down to stop the fight, the main bully who is a gangster-like boy impulsively pulls out a knife. Trevor is pushed onto the boy with the knife and is thus inadvertently stabbed in the abdomen. Trevor is rushed to hospital, where he dies from the stabbing.Terribly distraught, Arlene and Eugene are later watching a television news report about "pay it forward" and Trevor's death, and learn that the movement has grown nationwide. Venturing outside, they see hundreds of people gathering in a vigil to pay their respects to Trevor, with yet more people arriving in a stream of vehicles visible in the distance as the movie ends.(Source: WikiPedia. Bangs_McCoy) | Pay It Forward | f6ddf537-4c41-7a4e-7860-111073e4cb6c | Who was the originator of "pay it forward?" | [
"Trevor"
] | false |
/m/02rtf4 | A 12-year-old schoolboy in Las Vegas, Nevada named Trevor McKinney (Haley Joel Osment) is given a class project to complete by his social studies teacher Eugene Simonet (Kevin Spacey), a man with terrible burn scars on his face and neck. His task is to come up with a plan that will change the world through direct action. On his way home from school later that day, Trevor notices a homeless man, Jerry (James Caviezel) and decides to make a difference in Jerry's life. Trevor then comes up with the plan to "pay it forward" by doing a good deed for three people who must in turn each do good deeds for three other people, creating a charitable pyramid scheme. Trevor's plan is to help Jerry by feeding and housing him so he can "get on his feet."The next morning, Trevor's mother, Arlene McKinney (Helen Hunt), a single mother recovering from alcoholism, becomes angry with Trevor after finding Jerry in their house. She then accuses and confronts Eugene at the school about the reason Trevor has allowed Jerry into their home. Eugene is also intrigued by Trevor's response to the social studies project.Later that night back at their home, Trevor confronts his mother about her alcoholism, and in a fit of anger she slaps him across the face. Trevor runs away from home, and Arlene asks Eugene to help her find him. They find Trevor at a bus station, about to be molested. Trevor and Arlene embrace in relief after Arlene apologizes profusely.Meanwhile, Chris (Jay Mohr), a journalist, is trying to find out why a total stranger gave him a brand new Jaguar S-Type car after Chris' old 1965 Ford Mustang was damaged in a car accident. The stranger's only explanation is that he is simply "paying it forward". When Chris asks him for more information, the man explains that, when he recently visited a hospital while his daughter was suffering an asthma attack, a gang member suffering from a stab wound actually took up a gun to force the doctors to look at the man's daughter before she collapsed, prompting Chris to begin his search again.After Trevor's apparently unsuccessful attempt to help Jerry, he decides to help Eugene by setting him up with Arlene, Trevor's own mother. Their relationship grows in strength until Arlene's ex-husband, Ricky (Jon Bon Jovi), who claims he has "changed" and has quit drinking, shows up unannounced and Arlene decides to give him another chance.When Arlene later tries to explain her choice to Eugene, the audience learns how Eugene's burns were the result of terrible child abuse by his father. Eugene is concerned not just about the abusive and violent nature of Trevor's father, but that the simple absence of a loving father is detrimental to Trevor's well-being. He explains that his father was always abusive of him and his mother always took him back. At thirteen, Eugene ran away from home and returned home when he was 16, asking his mother to come with him but his father knocked him out and proceeded to burn him, resulting in a number of scars on his chest. Arlene feels that she must nevertheless give her ex-husband another chance, but shortly thereafter he becomes angry and violent and it appears that he has not in fact stopped drinking alcohol. Arlene realizes what a terrible mistake she has made. She feels that Eugene will never take her back, and Eugene for his part is not prepared to rekindle the relationship.At around this point, Jerry, who has moved on to another city, discovers a woman about to commit suicide by jumping off a bridge; even when she throws her purse at him and yells at him to get away, Jerry simply talks gently to her, encouraging her to come down and talk to him about her problems. Meanwhile, Chris discovers the gang member who helped the man's daughter, who reveals that he was brought into the 'pay it forward' movement when he was rescued from the police by a homeless woman in a car. Having located the woman (played by Angie Dickinson), she tells Chris that she herself was given the idea by her daughter--who turns out to be Arlene.Arlene seeks out her mother, Grace, whom she has not seen in three years. She says she wishes to say something to her and gives her mother the gift that enables Grace to have faith that she can become sober for a few days, long enough to visit the family and see her grandson: Arlene tells her mother that she forgives her for everything.Chris finally identifies Trevor as the originator of "pay it forward," and conducts a recorded interview at the school. Trevor explains his hopes for the concept, but voices his concerns that people may be too afraid to change their own lives in order to make the whole world a better place. Eugene and Arlene are both present during the interview. When Eugene hears Trevor's words, he realizes that he and Arlene should be together.As Eugene and Arlene reconcile with a passionate embrace, they hear shouts and scuffling outside. Trevor has come to the defense of a friend who is being attacked by bullies, and is trying to fight them off, although they are older and bigger. As Eugene and Arlene run down to stop the fight, the main bully who is a gangster-like boy impulsively pulls out a knife. Trevor is pushed onto the boy with the knife and is thus inadvertently stabbed in the abdomen. Trevor is rushed to hospital, where he dies from the stabbing.Terribly distraught, Arlene and Eugene are later watching a television news report about "pay it forward" and Trevor's death, and learn that the movement has grown nationwide. Venturing outside, they see hundreds of people gathering in a vigil to pay their respects to Trevor, with yet more people arriving in a stream of vehicles visible in the distance as the movie ends.(Source: WikiPedia. Bangs_McCoy) | Pay It Forward | 7177cbc6-df81-06d8-67dd-cbb44d58d324 | What does Eugene's father pour on him to cause the burns? | [
"Gasoline"
] | false |
/m/02rtf4 | A 12-year-old schoolboy in Las Vegas, Nevada named Trevor McKinney (Haley Joel Osment) is given a class project to complete by his social studies teacher Eugene Simonet (Kevin Spacey), a man with terrible burn scars on his face and neck. His task is to come up with a plan that will change the world through direct action. On his way home from school later that day, Trevor notices a homeless man, Jerry (James Caviezel) and decides to make a difference in Jerry's life. Trevor then comes up with the plan to "pay it forward" by doing a good deed for three people who must in turn each do good deeds for three other people, creating a charitable pyramid scheme. Trevor's plan is to help Jerry by feeding and housing him so he can "get on his feet."The next morning, Trevor's mother, Arlene McKinney (Helen Hunt), a single mother recovering from alcoholism, becomes angry with Trevor after finding Jerry in their house. She then accuses and confronts Eugene at the school about the reason Trevor has allowed Jerry into their home. Eugene is also intrigued by Trevor's response to the social studies project.Later that night back at their home, Trevor confronts his mother about her alcoholism, and in a fit of anger she slaps him across the face. Trevor runs away from home, and Arlene asks Eugene to help her find him. They find Trevor at a bus station, about to be molested. Trevor and Arlene embrace in relief after Arlene apologizes profusely.Meanwhile, Chris (Jay Mohr), a journalist, is trying to find out why a total stranger gave him a brand new Jaguar S-Type car after Chris' old 1965 Ford Mustang was damaged in a car accident. The stranger's only explanation is that he is simply "paying it forward". When Chris asks him for more information, the man explains that, when he recently visited a hospital while his daughter was suffering an asthma attack, a gang member suffering from a stab wound actually took up a gun to force the doctors to look at the man's daughter before she collapsed, prompting Chris to begin his search again.After Trevor's apparently unsuccessful attempt to help Jerry, he decides to help Eugene by setting him up with Arlene, Trevor's own mother. Their relationship grows in strength until Arlene's ex-husband, Ricky (Jon Bon Jovi), who claims he has "changed" and has quit drinking, shows up unannounced and Arlene decides to give him another chance.When Arlene later tries to explain her choice to Eugene, the audience learns how Eugene's burns were the result of terrible child abuse by his father. Eugene is concerned not just about the abusive and violent nature of Trevor's father, but that the simple absence of a loving father is detrimental to Trevor's well-being. He explains that his father was always abusive of him and his mother always took him back. At thirteen, Eugene ran away from home and returned home when he was 16, asking his mother to come with him but his father knocked him out and proceeded to burn him, resulting in a number of scars on his chest. Arlene feels that she must nevertheless give her ex-husband another chance, but shortly thereafter he becomes angry and violent and it appears that he has not in fact stopped drinking alcohol. Arlene realizes what a terrible mistake she has made. She feels that Eugene will never take her back, and Eugene for his part is not prepared to rekindle the relationship.At around this point, Jerry, who has moved on to another city, discovers a woman about to commit suicide by jumping off a bridge; even when she throws her purse at him and yells at him to get away, Jerry simply talks gently to her, encouraging her to come down and talk to him about her problems. Meanwhile, Chris discovers the gang member who helped the man's daughter, who reveals that he was brought into the 'pay it forward' movement when he was rescued from the police by a homeless woman in a car. Having located the woman (played by Angie Dickinson), she tells Chris that she herself was given the idea by her daughter--who turns out to be Arlene.Arlene seeks out her mother, Grace, whom she has not seen in three years. She says she wishes to say something to her and gives her mother the gift that enables Grace to have faith that she can become sober for a few days, long enough to visit the family and see her grandson: Arlene tells her mother that she forgives her for everything.Chris finally identifies Trevor as the originator of "pay it forward," and conducts a recorded interview at the school. Trevor explains his hopes for the concept, but voices his concerns that people may be too afraid to change their own lives in order to make the whole world a better place. Eugene and Arlene are both present during the interview. When Eugene hears Trevor's words, he realizes that he and Arlene should be together.As Eugene and Arlene reconcile with a passionate embrace, they hear shouts and scuffling outside. Trevor has come to the defense of a friend who is being attacked by bullies, and is trying to fight them off, although they are older and bigger. As Eugene and Arlene run down to stop the fight, the main bully who is a gangster-like boy impulsively pulls out a knife. Trevor is pushed onto the boy with the knife and is thus inadvertently stabbed in the abdomen. Trevor is rushed to hospital, where he dies from the stabbing.Terribly distraught, Arlene and Eugene are later watching a television news report about "pay it forward" and Trevor's death, and learn that the movement has grown nationwide. Venturing outside, they see hundreds of people gathering in a vigil to pay their respects to Trevor, with yet more people arriving in a stream of vehicles visible in the distance as the movie ends.(Source: WikiPedia. Bangs_McCoy) | Pay It Forward | 8ea362a0-0fdd-e72a-f0bc-64dce96f1e8a | What is given to Chris Chandler? | [
"A car"
] | false |
/m/02rtf4 | A 12-year-old schoolboy in Las Vegas, Nevada named Trevor McKinney (Haley Joel Osment) is given a class project to complete by his social studies teacher Eugene Simonet (Kevin Spacey), a man with terrible burn scars on his face and neck. His task is to come up with a plan that will change the world through direct action. On his way home from school later that day, Trevor notices a homeless man, Jerry (James Caviezel) and decides to make a difference in Jerry's life. Trevor then comes up with the plan to "pay it forward" by doing a good deed for three people who must in turn each do good deeds for three other people, creating a charitable pyramid scheme. Trevor's plan is to help Jerry by feeding and housing him so he can "get on his feet."The next morning, Trevor's mother, Arlene McKinney (Helen Hunt), a single mother recovering from alcoholism, becomes angry with Trevor after finding Jerry in their house. She then accuses and confronts Eugene at the school about the reason Trevor has allowed Jerry into their home. Eugene is also intrigued by Trevor's response to the social studies project.Later that night back at their home, Trevor confronts his mother about her alcoholism, and in a fit of anger she slaps him across the face. Trevor runs away from home, and Arlene asks Eugene to help her find him. They find Trevor at a bus station, about to be molested. Trevor and Arlene embrace in relief after Arlene apologizes profusely.Meanwhile, Chris (Jay Mohr), a journalist, is trying to find out why a total stranger gave him a brand new Jaguar S-Type car after Chris' old 1965 Ford Mustang was damaged in a car accident. The stranger's only explanation is that he is simply "paying it forward". When Chris asks him for more information, the man explains that, when he recently visited a hospital while his daughter was suffering an asthma attack, a gang member suffering from a stab wound actually took up a gun to force the doctors to look at the man's daughter before she collapsed, prompting Chris to begin his search again.After Trevor's apparently unsuccessful attempt to help Jerry, he decides to help Eugene by setting him up with Arlene, Trevor's own mother. Their relationship grows in strength until Arlene's ex-husband, Ricky (Jon Bon Jovi), who claims he has "changed" and has quit drinking, shows up unannounced and Arlene decides to give him another chance.When Arlene later tries to explain her choice to Eugene, the audience learns how Eugene's burns were the result of terrible child abuse by his father. Eugene is concerned not just about the abusive and violent nature of Trevor's father, but that the simple absence of a loving father is detrimental to Trevor's well-being. He explains that his father was always abusive of him and his mother always took him back. At thirteen, Eugene ran away from home and returned home when he was 16, asking his mother to come with him but his father knocked him out and proceeded to burn him, resulting in a number of scars on his chest. Arlene feels that she must nevertheless give her ex-husband another chance, but shortly thereafter he becomes angry and violent and it appears that he has not in fact stopped drinking alcohol. Arlene realizes what a terrible mistake she has made. She feels that Eugene will never take her back, and Eugene for his part is not prepared to rekindle the relationship.At around this point, Jerry, who has moved on to another city, discovers a woman about to commit suicide by jumping off a bridge; even when she throws her purse at him and yells at him to get away, Jerry simply talks gently to her, encouraging her to come down and talk to him about her problems. Meanwhile, Chris discovers the gang member who helped the man's daughter, who reveals that he was brought into the 'pay it forward' movement when he was rescued from the police by a homeless woman in a car. Having located the woman (played by Angie Dickinson), she tells Chris that she herself was given the idea by her daughter--who turns out to be Arlene.Arlene seeks out her mother, Grace, whom she has not seen in three years. She says she wishes to say something to her and gives her mother the gift that enables Grace to have faith that she can become sober for a few days, long enough to visit the family and see her grandson: Arlene tells her mother that she forgives her for everything.Chris finally identifies Trevor as the originator of "pay it forward," and conducts a recorded interview at the school. Trevor explains his hopes for the concept, but voices his concerns that people may be too afraid to change their own lives in order to make the whole world a better place. Eugene and Arlene are both present during the interview. When Eugene hears Trevor's words, he realizes that he and Arlene should be together.As Eugene and Arlene reconcile with a passionate embrace, they hear shouts and scuffling outside. Trevor has come to the defense of a friend who is being attacked by bullies, and is trying to fight them off, although they are older and bigger. As Eugene and Arlene run down to stop the fight, the main bully who is a gangster-like boy impulsively pulls out a knife. Trevor is pushed onto the boy with the knife and is thus inadvertently stabbed in the abdomen. Trevor is rushed to hospital, where he dies from the stabbing.Terribly distraught, Arlene and Eugene are later watching a television news report about "pay it forward" and Trevor's death, and learn that the movement has grown nationwide. Venturing outside, they see hundreds of people gathering in a vigil to pay their respects to Trevor, with yet more people arriving in a stream of vehicles visible in the distance as the movie ends.(Source: WikiPedia. Bangs_McCoy) | Pay It Forward | cde62668-1f20-74ef-e661-194e3a8e0663 | When does Eugene realize that he and Arlene should be together? | [] | true |
/m/02rtf4 | A 12-year-old schoolboy in Las Vegas, Nevada named Trevor McKinney (Haley Joel Osment) is given a class project to complete by his social studies teacher Eugene Simonet (Kevin Spacey), a man with terrible burn scars on his face and neck. His task is to come up with a plan that will change the world through direct action. On his way home from school later that day, Trevor notices a homeless man, Jerry (James Caviezel) and decides to make a difference in Jerry's life. Trevor then comes up with the plan to "pay it forward" by doing a good deed for three people who must in turn each do good deeds for three other people, creating a charitable pyramid scheme. Trevor's plan is to help Jerry by feeding and housing him so he can "get on his feet."The next morning, Trevor's mother, Arlene McKinney (Helen Hunt), a single mother recovering from alcoholism, becomes angry with Trevor after finding Jerry in their house. She then accuses and confronts Eugene at the school about the reason Trevor has allowed Jerry into their home. Eugene is also intrigued by Trevor's response to the social studies project.Later that night back at their home, Trevor confronts his mother about her alcoholism, and in a fit of anger she slaps him across the face. Trevor runs away from home, and Arlene asks Eugene to help her find him. They find Trevor at a bus station, about to be molested. Trevor and Arlene embrace in relief after Arlene apologizes profusely.Meanwhile, Chris (Jay Mohr), a journalist, is trying to find out why a total stranger gave him a brand new Jaguar S-Type car after Chris' old 1965 Ford Mustang was damaged in a car accident. The stranger's only explanation is that he is simply "paying it forward". When Chris asks him for more information, the man explains that, when he recently visited a hospital while his daughter was suffering an asthma attack, a gang member suffering from a stab wound actually took up a gun to force the doctors to look at the man's daughter before she collapsed, prompting Chris to begin his search again.After Trevor's apparently unsuccessful attempt to help Jerry, he decides to help Eugene by setting him up with Arlene, Trevor's own mother. Their relationship grows in strength until Arlene's ex-husband, Ricky (Jon Bon Jovi), who claims he has "changed" and has quit drinking, shows up unannounced and Arlene decides to give him another chance.When Arlene later tries to explain her choice to Eugene, the audience learns how Eugene's burns were the result of terrible child abuse by his father. Eugene is concerned not just about the abusive and violent nature of Trevor's father, but that the simple absence of a loving father is detrimental to Trevor's well-being. He explains that his father was always abusive of him and his mother always took him back. At thirteen, Eugene ran away from home and returned home when he was 16, asking his mother to come with him but his father knocked him out and proceeded to burn him, resulting in a number of scars on his chest. Arlene feels that she must nevertheless give her ex-husband another chance, but shortly thereafter he becomes angry and violent and it appears that he has not in fact stopped drinking alcohol. Arlene realizes what a terrible mistake she has made. She feels that Eugene will never take her back, and Eugene for his part is not prepared to rekindle the relationship.At around this point, Jerry, who has moved on to another city, discovers a woman about to commit suicide by jumping off a bridge; even when she throws her purse at him and yells at him to get away, Jerry simply talks gently to her, encouraging her to come down and talk to him about her problems. Meanwhile, Chris discovers the gang member who helped the man's daughter, who reveals that he was brought into the 'pay it forward' movement when he was rescued from the police by a homeless woman in a car. Having located the woman (played by Angie Dickinson), she tells Chris that she herself was given the idea by her daughter--who turns out to be Arlene.Arlene seeks out her mother, Grace, whom she has not seen in three years. She says she wishes to say something to her and gives her mother the gift that enables Grace to have faith that she can become sober for a few days, long enough to visit the family and see her grandson: Arlene tells her mother that she forgives her for everything.Chris finally identifies Trevor as the originator of "pay it forward," and conducts a recorded interview at the school. Trevor explains his hopes for the concept, but voices his concerns that people may be too afraid to change their own lives in order to make the whole world a better place. Eugene and Arlene are both present during the interview. When Eugene hears Trevor's words, he realizes that he and Arlene should be together.As Eugene and Arlene reconcile with a passionate embrace, they hear shouts and scuffling outside. Trevor has come to the defense of a friend who is being attacked by bullies, and is trying to fight them off, although they are older and bigger. As Eugene and Arlene run down to stop the fight, the main bully who is a gangster-like boy impulsively pulls out a knife. Trevor is pushed onto the boy with the knife and is thus inadvertently stabbed in the abdomen. Trevor is rushed to hospital, where he dies from the stabbing.Terribly distraught, Arlene and Eugene are later watching a television news report about "pay it forward" and Trevor's death, and learn that the movement has grown nationwide. Venturing outside, they see hundreds of people gathering in a vigil to pay their respects to Trevor, with yet more people arriving in a stream of vehicles visible in the distance as the movie ends.(Source: WikiPedia. Bangs_McCoy) | Pay It Forward | 2c133240-64bd-e02c-c7d9-8545a8b8ae05 | How many people does Trevor do a favor for? | [
"4"
] | false |
/m/02rtf4 | A 12-year-old schoolboy in Las Vegas, Nevada named Trevor McKinney (Haley Joel Osment) is given a class project to complete by his social studies teacher Eugene Simonet (Kevin Spacey), a man with terrible burn scars on his face and neck. His task is to come up with a plan that will change the world through direct action. On his way home from school later that day, Trevor notices a homeless man, Jerry (James Caviezel) and decides to make a difference in Jerry's life. Trevor then comes up with the plan to "pay it forward" by doing a good deed for three people who must in turn each do good deeds for three other people, creating a charitable pyramid scheme. Trevor's plan is to help Jerry by feeding and housing him so he can "get on his feet."The next morning, Trevor's mother, Arlene McKinney (Helen Hunt), a single mother recovering from alcoholism, becomes angry with Trevor after finding Jerry in their house. She then accuses and confronts Eugene at the school about the reason Trevor has allowed Jerry into their home. Eugene is also intrigued by Trevor's response to the social studies project.Later that night back at their home, Trevor confronts his mother about her alcoholism, and in a fit of anger she slaps him across the face. Trevor runs away from home, and Arlene asks Eugene to help her find him. They find Trevor at a bus station, about to be molested. Trevor and Arlene embrace in relief after Arlene apologizes profusely.Meanwhile, Chris (Jay Mohr), a journalist, is trying to find out why a total stranger gave him a brand new Jaguar S-Type car after Chris' old 1965 Ford Mustang was damaged in a car accident. The stranger's only explanation is that he is simply "paying it forward". When Chris asks him for more information, the man explains that, when he recently visited a hospital while his daughter was suffering an asthma attack, a gang member suffering from a stab wound actually took up a gun to force the doctors to look at the man's daughter before she collapsed, prompting Chris to begin his search again.After Trevor's apparently unsuccessful attempt to help Jerry, he decides to help Eugene by setting him up with Arlene, Trevor's own mother. Their relationship grows in strength until Arlene's ex-husband, Ricky (Jon Bon Jovi), who claims he has "changed" and has quit drinking, shows up unannounced and Arlene decides to give him another chance.When Arlene later tries to explain her choice to Eugene, the audience learns how Eugene's burns were the result of terrible child abuse by his father. Eugene is concerned not just about the abusive and violent nature of Trevor's father, but that the simple absence of a loving father is detrimental to Trevor's well-being. He explains that his father was always abusive of him and his mother always took him back. At thirteen, Eugene ran away from home and returned home when he was 16, asking his mother to come with him but his father knocked him out and proceeded to burn him, resulting in a number of scars on his chest. Arlene feels that she must nevertheless give her ex-husband another chance, but shortly thereafter he becomes angry and violent and it appears that he has not in fact stopped drinking alcohol. Arlene realizes what a terrible mistake she has made. She feels that Eugene will never take her back, and Eugene for his part is not prepared to rekindle the relationship.At around this point, Jerry, who has moved on to another city, discovers a woman about to commit suicide by jumping off a bridge; even when she throws her purse at him and yells at him to get away, Jerry simply talks gently to her, encouraging her to come down and talk to him about her problems. Meanwhile, Chris discovers the gang member who helped the man's daughter, who reveals that he was brought into the 'pay it forward' movement when he was rescued from the police by a homeless woman in a car. Having located the woman (played by Angie Dickinson), she tells Chris that she herself was given the idea by her daughter--who turns out to be Arlene.Arlene seeks out her mother, Grace, whom she has not seen in three years. She says she wishes to say something to her and gives her mother the gift that enables Grace to have faith that she can become sober for a few days, long enough to visit the family and see her grandson: Arlene tells her mother that she forgives her for everything.Chris finally identifies Trevor as the originator of "pay it forward," and conducts a recorded interview at the school. Trevor explains his hopes for the concept, but voices his concerns that people may be too afraid to change their own lives in order to make the whole world a better place. Eugene and Arlene are both present during the interview. When Eugene hears Trevor's words, he realizes that he and Arlene should be together.As Eugene and Arlene reconcile with a passionate embrace, they hear shouts and scuffling outside. Trevor has come to the defense of a friend who is being attacked by bullies, and is trying to fight them off, although they are older and bigger. As Eugene and Arlene run down to stop the fight, the main bully who is a gangster-like boy impulsively pulls out a knife. Trevor is pushed onto the boy with the knife and is thus inadvertently stabbed in the abdomen. Trevor is rushed to hospital, where he dies from the stabbing.Terribly distraught, Arlene and Eugene are later watching a television news report about "pay it forward" and Trevor's death, and learn that the movement has grown nationwide. Venturing outside, they see hundreds of people gathering in a vigil to pay their respects to Trevor, with yet more people arriving in a stream of vehicles visible in the distance as the movie ends.(Source: WikiPedia. Bangs_McCoy) | Pay It Forward | ca9bbc58-1dc9-6081-1da6-89f5bda9ccd4 | What does the gang member do? | [
"Bully Adam then stab Trevor in the abdomen."
] | false |
/m/02rtf4 | A 12-year-old schoolboy in Las Vegas, Nevada named Trevor McKinney (Haley Joel Osment) is given a class project to complete by his social studies teacher Eugene Simonet (Kevin Spacey), a man with terrible burn scars on his face and neck. His task is to come up with a plan that will change the world through direct action. On his way home from school later that day, Trevor notices a homeless man, Jerry (James Caviezel) and decides to make a difference in Jerry's life. Trevor then comes up with the plan to "pay it forward" by doing a good deed for three people who must in turn each do good deeds for three other people, creating a charitable pyramid scheme. Trevor's plan is to help Jerry by feeding and housing him so he can "get on his feet."The next morning, Trevor's mother, Arlene McKinney (Helen Hunt), a single mother recovering from alcoholism, becomes angry with Trevor after finding Jerry in their house. She then accuses and confronts Eugene at the school about the reason Trevor has allowed Jerry into their home. Eugene is also intrigued by Trevor's response to the social studies project.Later that night back at their home, Trevor confronts his mother about her alcoholism, and in a fit of anger she slaps him across the face. Trevor runs away from home, and Arlene asks Eugene to help her find him. They find Trevor at a bus station, about to be molested. Trevor and Arlene embrace in relief after Arlene apologizes profusely.Meanwhile, Chris (Jay Mohr), a journalist, is trying to find out why a total stranger gave him a brand new Jaguar S-Type car after Chris' old 1965 Ford Mustang was damaged in a car accident. The stranger's only explanation is that he is simply "paying it forward". When Chris asks him for more information, the man explains that, when he recently visited a hospital while his daughter was suffering an asthma attack, a gang member suffering from a stab wound actually took up a gun to force the doctors to look at the man's daughter before she collapsed, prompting Chris to begin his search again.After Trevor's apparently unsuccessful attempt to help Jerry, he decides to help Eugene by setting him up with Arlene, Trevor's own mother. Their relationship grows in strength until Arlene's ex-husband, Ricky (Jon Bon Jovi), who claims he has "changed" and has quit drinking, shows up unannounced and Arlene decides to give him another chance.When Arlene later tries to explain her choice to Eugene, the audience learns how Eugene's burns were the result of terrible child abuse by his father. Eugene is concerned not just about the abusive and violent nature of Trevor's father, but that the simple absence of a loving father is detrimental to Trevor's well-being. He explains that his father was always abusive of him and his mother always took him back. At thirteen, Eugene ran away from home and returned home when he was 16, asking his mother to come with him but his father knocked him out and proceeded to burn him, resulting in a number of scars on his chest. Arlene feels that she must nevertheless give her ex-husband another chance, but shortly thereafter he becomes angry and violent and it appears that he has not in fact stopped drinking alcohol. Arlene realizes what a terrible mistake she has made. She feels that Eugene will never take her back, and Eugene for his part is not prepared to rekindle the relationship.At around this point, Jerry, who has moved on to another city, discovers a woman about to commit suicide by jumping off a bridge; even when she throws her purse at him and yells at him to get away, Jerry simply talks gently to her, encouraging her to come down and talk to him about her problems. Meanwhile, Chris discovers the gang member who helped the man's daughter, who reveals that he was brought into the 'pay it forward' movement when he was rescued from the police by a homeless woman in a car. Having located the woman (played by Angie Dickinson), she tells Chris that she herself was given the idea by her daughter--who turns out to be Arlene.Arlene seeks out her mother, Grace, whom she has not seen in three years. She says she wishes to say something to her and gives her mother the gift that enables Grace to have faith that she can become sober for a few days, long enough to visit the family and see her grandson: Arlene tells her mother that she forgives her for everything.Chris finally identifies Trevor as the originator of "pay it forward," and conducts a recorded interview at the school. Trevor explains his hopes for the concept, but voices his concerns that people may be too afraid to change their own lives in order to make the whole world a better place. Eugene and Arlene are both present during the interview. When Eugene hears Trevor's words, he realizes that he and Arlene should be together.As Eugene and Arlene reconcile with a passionate embrace, they hear shouts and scuffling outside. Trevor has come to the defense of a friend who is being attacked by bullies, and is trying to fight them off, although they are older and bigger. As Eugene and Arlene run down to stop the fight, the main bully who is a gangster-like boy impulsively pulls out a knife. Trevor is pushed onto the boy with the knife and is thus inadvertently stabbed in the abdomen. Trevor is rushed to hospital, where he dies from the stabbing.Terribly distraught, Arlene and Eugene are later watching a television news report about "pay it forward" and Trevor's death, and learn that the movement has grown nationwide. Venturing outside, they see hundreds of people gathering in a vigil to pay their respects to Trevor, with yet more people arriving in a stream of vehicles visible in the distance as the movie ends.(Source: WikiPedia. Bangs_McCoy) | Pay It Forward | 73572635-8d8d-520c-8e6b-ddb71728f049 | What happens to Trevor when he tries to stop the bullies? | [
"He is stabbed and dies."
] | false |
/m/02rtf4 | A 12-year-old schoolboy in Las Vegas, Nevada named Trevor McKinney (Haley Joel Osment) is given a class project to complete by his social studies teacher Eugene Simonet (Kevin Spacey), a man with terrible burn scars on his face and neck. His task is to come up with a plan that will change the world through direct action. On his way home from school later that day, Trevor notices a homeless man, Jerry (James Caviezel) and decides to make a difference in Jerry's life. Trevor then comes up with the plan to "pay it forward" by doing a good deed for three people who must in turn each do good deeds for three other people, creating a charitable pyramid scheme. Trevor's plan is to help Jerry by feeding and housing him so he can "get on his feet."The next morning, Trevor's mother, Arlene McKinney (Helen Hunt), a single mother recovering from alcoholism, becomes angry with Trevor after finding Jerry in their house. She then accuses and confronts Eugene at the school about the reason Trevor has allowed Jerry into their home. Eugene is also intrigued by Trevor's response to the social studies project.Later that night back at their home, Trevor confronts his mother about her alcoholism, and in a fit of anger she slaps him across the face. Trevor runs away from home, and Arlene asks Eugene to help her find him. They find Trevor at a bus station, about to be molested. Trevor and Arlene embrace in relief after Arlene apologizes profusely.Meanwhile, Chris (Jay Mohr), a journalist, is trying to find out why a total stranger gave him a brand new Jaguar S-Type car after Chris' old 1965 Ford Mustang was damaged in a car accident. The stranger's only explanation is that he is simply "paying it forward". When Chris asks him for more information, the man explains that, when he recently visited a hospital while his daughter was suffering an asthma attack, a gang member suffering from a stab wound actually took up a gun to force the doctors to look at the man's daughter before she collapsed, prompting Chris to begin his search again.After Trevor's apparently unsuccessful attempt to help Jerry, he decides to help Eugene by setting him up with Arlene, Trevor's own mother. Their relationship grows in strength until Arlene's ex-husband, Ricky (Jon Bon Jovi), who claims he has "changed" and has quit drinking, shows up unannounced and Arlene decides to give him another chance.When Arlene later tries to explain her choice to Eugene, the audience learns how Eugene's burns were the result of terrible child abuse by his father. Eugene is concerned not just about the abusive and violent nature of Trevor's father, but that the simple absence of a loving father is detrimental to Trevor's well-being. He explains that his father was always abusive of him and his mother always took him back. At thirteen, Eugene ran away from home and returned home when he was 16, asking his mother to come with him but his father knocked him out and proceeded to burn him, resulting in a number of scars on his chest. Arlene feels that she must nevertheless give her ex-husband another chance, but shortly thereafter he becomes angry and violent and it appears that he has not in fact stopped drinking alcohol. Arlene realizes what a terrible mistake she has made. She feels that Eugene will never take her back, and Eugene for his part is not prepared to rekindle the relationship.At around this point, Jerry, who has moved on to another city, discovers a woman about to commit suicide by jumping off a bridge; even when she throws her purse at him and yells at him to get away, Jerry simply talks gently to her, encouraging her to come down and talk to him about her problems. Meanwhile, Chris discovers the gang member who helped the man's daughter, who reveals that he was brought into the 'pay it forward' movement when he was rescued from the police by a homeless woman in a car. Having located the woman (played by Angie Dickinson), she tells Chris that she herself was given the idea by her daughter--who turns out to be Arlene.Arlene seeks out her mother, Grace, whom she has not seen in three years. She says she wishes to say something to her and gives her mother the gift that enables Grace to have faith that she can become sober for a few days, long enough to visit the family and see her grandson: Arlene tells her mother that she forgives her for everything.Chris finally identifies Trevor as the originator of "pay it forward," and conducts a recorded interview at the school. Trevor explains his hopes for the concept, but voices his concerns that people may be too afraid to change their own lives in order to make the whole world a better place. Eugene and Arlene are both present during the interview. When Eugene hears Trevor's words, he realizes that he and Arlene should be together.As Eugene and Arlene reconcile with a passionate embrace, they hear shouts and scuffling outside. Trevor has come to the defense of a friend who is being attacked by bullies, and is trying to fight them off, although they are older and bigger. As Eugene and Arlene run down to stop the fight, the main bully who is a gangster-like boy impulsively pulls out a knife. Trevor is pushed onto the boy with the knife and is thus inadvertently stabbed in the abdomen. Trevor is rushed to hospital, where he dies from the stabbing.Terribly distraught, Arlene and Eugene are later watching a television news report about "pay it forward" and Trevor's death, and learn that the movement has grown nationwide. Venturing outside, they see hundreds of people gathering in a vigil to pay their respects to Trevor, with yet more people arriving in a stream of vehicles visible in the distance as the movie ends.(Source: WikiPedia. Bangs_McCoy) | Pay It Forward | aca9b5c0-a38f-8dba-bf23-a1b1f9ac7e83 | Who does Trevor's mother confront? | [
"Eugene"
] | false |
/m/05d2n_ | Kersti Adams-Ray interviews John Travolta in Sweden about Staying Alive, September 1983
Six years after the events depicted in Saturday Night Fever, former disco king Anthony "Tony" Manero is 25, out of Brooklyn, and now living in Manhattan. He lives in a flophouse and works as a dance instructor and a waiter at a dance club and searches for a big break in the modern dance productions on Broadway. The break from his Brooklyn life, family, and friends seems to have matured Tony and refined his personality, including his diminished Brooklyn accent, an avoidance of alcohol and less use of profanity. Other attitudes remain unchanged, such as his disregard for his most recent girlfriend, the forgiving Jackie (Cynthia Rhodes). Still immature, Tony maintains some of his other macho and childish double standards, such as seeing other women but offended if he sees Jackie with other men.
Tony watches a show which features Jackie as a dancer in the chorus, but focuses on the lead, a seemingly-wealthy English dancer, Laura (Finola Hughes). Tony pursues her with seduction in mind, and spends the night with her. He's annoyed when she dismisses him afterward, not understanding that she intended their encounter to be a one-night stand. Laura coldly justifies her treatment of him with a statement that "Everybody uses everybody," and implies that Tony used her in order to get his dance role in her upcoming show.
Jackie is hurt when Tony breaks several promises to meet with her. Jackie is the vocalist for a local rock band in addition to her dance career. Unable to trust Tony, and tired of being disregarded when other women catch his eye, Jackie finally ends their personal relationship. She displays an apparent interest in her band's rhythm guitarist (Frank Stallone). Tony's wounded ego takes another blow in addition to his conflict with Laura.
Jackie, Tony and Laura audition for the Broadway production Satan's Alley. Jackie and Tony land small roles and Laura is cast in the role of the lead female dancer.
Tony begins to realize how callous he's been to Jackie, and walks all the way from Manhattan to his old Bay Ridge neighborhood in Brooklyn in the middle of the night. He passes The 2001 Odyssey Discothèque, his former Saturday night hangout, now a gay nightclub, and realizes how much his life has changed. He goes to visit his mother (Julie Bovasso), and apologizes for his selfishness and trouble-making ways of his youth. She points out that his selfish behavior as a teen was what helped him escape a dead-end life in Bay Ridge. Tony feels better after this and heads back to Manhattan to repair his relationship with Jackie. His hostility and distance from the arrogant Laura increase as the production progresses.
Tony decides to take a shot at replacing the male lead of "Satan's Alley" and asks Jackie to help him practice the number. Laura is disgusted when Tony succeeds and openly displays her resentment at having to partner him in the show. They can't hide their chemistry on stage despite her animosity, which pleases the show's director.
"Satan's Alley" sells out and the cast takes the stage to a standing-room-only crowd. The first act is a success despite Tony's brash disregard for the script when he kisses Laura at the end of their number. Laura angrily retaliates by clawing Tony's face. The director blasts Tony backstage, telling him to take his personal war away from the production. Laura seems to offer a truce when she asks to see him after the show to "clear things up." Tony now fully aware of her manipulative ways coldly tells her he has other commitments, and Laura snidely tells him "you don't have it," presumably what it takes to be a star dancer.
The second act is a dazzling display of dance and special effects, and Tony suddenly abandons the script near the end of the show. He hurls Laura away and gives way to his anger in a solo dance. He finishes and holds out his hand to Laura with a command to jump. She halts amid Jackie's and the director's commands, but finally leaps in his arms for a climactic finish to the show. Their thrilled audience erupts into cheers and a standing ovation.
Tony celebrates with his jubilant cast mates and reconciles with Jackie. He says he's got to get out and what he really must do is "strut" in celebration. Tony Manero leaves the theater and struts through Times Square in a reminiscent replay of his famous opening walk in Saturday Night Fever, beaming with his newfound success. | Staying Alive | 0a65e7ec-7a37-d5cb-1dad-ba026c9b61c8 | Who plays Tony's mother? | [] | true |
/m/05d2n_ | Kersti Adams-Ray interviews John Travolta in Sweden about Staying Alive, September 1983
Six years after the events depicted in Saturday Night Fever, former disco king Anthony "Tony" Manero is 25, out of Brooklyn, and now living in Manhattan. He lives in a flophouse and works as a dance instructor and a waiter at a dance club and searches for a big break in the modern dance productions on Broadway. The break from his Brooklyn life, family, and friends seems to have matured Tony and refined his personality, including his diminished Brooklyn accent, an avoidance of alcohol and less use of profanity. Other attitudes remain unchanged, such as his disregard for his most recent girlfriend, the forgiving Jackie (Cynthia Rhodes). Still immature, Tony maintains some of his other macho and childish double standards, such as seeing other women but offended if he sees Jackie with other men.
Tony watches a show which features Jackie as a dancer in the chorus, but focuses on the lead, a seemingly-wealthy English dancer, Laura (Finola Hughes). Tony pursues her with seduction in mind, and spends the night with her. He's annoyed when she dismisses him afterward, not understanding that she intended their encounter to be a one-night stand. Laura coldly justifies her treatment of him with a statement that "Everybody uses everybody," and implies that Tony used her in order to get his dance role in her upcoming show.
Jackie is hurt when Tony breaks several promises to meet with her. Jackie is the vocalist for a local rock band in addition to her dance career. Unable to trust Tony, and tired of being disregarded when other women catch his eye, Jackie finally ends their personal relationship. She displays an apparent interest in her band's rhythm guitarist (Frank Stallone). Tony's wounded ego takes another blow in addition to his conflict with Laura.
Jackie, Tony and Laura audition for the Broadway production Satan's Alley. Jackie and Tony land small roles and Laura is cast in the role of the lead female dancer.
Tony begins to realize how callous he's been to Jackie, and walks all the way from Manhattan to his old Bay Ridge neighborhood in Brooklyn in the middle of the night. He passes The 2001 Odyssey Discothèque, his former Saturday night hangout, now a gay nightclub, and realizes how much his life has changed. He goes to visit his mother (Julie Bovasso), and apologizes for his selfishness and trouble-making ways of his youth. She points out that his selfish behavior as a teen was what helped him escape a dead-end life in Bay Ridge. Tony feels better after this and heads back to Manhattan to repair his relationship with Jackie. His hostility and distance from the arrogant Laura increase as the production progresses.
Tony decides to take a shot at replacing the male lead of "Satan's Alley" and asks Jackie to help him practice the number. Laura is disgusted when Tony succeeds and openly displays her resentment at having to partner him in the show. They can't hide their chemistry on stage despite her animosity, which pleases the show's director.
"Satan's Alley" sells out and the cast takes the stage to a standing-room-only crowd. The first act is a success despite Tony's brash disregard for the script when he kisses Laura at the end of their number. Laura angrily retaliates by clawing Tony's face. The director blasts Tony backstage, telling him to take his personal war away from the production. Laura seems to offer a truce when she asks to see him after the show to "clear things up." Tony now fully aware of her manipulative ways coldly tells her he has other commitments, and Laura snidely tells him "you don't have it," presumably what it takes to be a star dancer.
The second act is a dazzling display of dance and special effects, and Tony suddenly abandons the script near the end of the show. He hurls Laura away and gives way to his anger in a solo dance. He finishes and holds out his hand to Laura with a command to jump. She halts amid Jackie's and the director's commands, but finally leaps in his arms for a climactic finish to the show. Their thrilled audience erupts into cheers and a standing ovation.
Tony celebrates with his jubilant cast mates and reconciles with Jackie. He says he's got to get out and what he really must do is "strut" in celebration. Tony Manero leaves the theater and struts through Times Square in a reminiscent replay of his famous opening walk in Saturday Night Fever, beaming with his newfound success. | Staying Alive | 24fe0e96-b5e3-1959-6cf1-c2cb091b3225 | Who does Tony kiss during a performance on opening night? | [
"Laura"
] | false |
/m/05d2n_ | Kersti Adams-Ray interviews John Travolta in Sweden about Staying Alive, September 1983
Six years after the events depicted in Saturday Night Fever, former disco king Anthony "Tony" Manero is 25, out of Brooklyn, and now living in Manhattan. He lives in a flophouse and works as a dance instructor and a waiter at a dance club and searches for a big break in the modern dance productions on Broadway. The break from his Brooklyn life, family, and friends seems to have matured Tony and refined his personality, including his diminished Brooklyn accent, an avoidance of alcohol and less use of profanity. Other attitudes remain unchanged, such as his disregard for his most recent girlfriend, the forgiving Jackie (Cynthia Rhodes). Still immature, Tony maintains some of his other macho and childish double standards, such as seeing other women but offended if he sees Jackie with other men.
Tony watches a show which features Jackie as a dancer in the chorus, but focuses on the lead, a seemingly-wealthy English dancer, Laura (Finola Hughes). Tony pursues her with seduction in mind, and spends the night with her. He's annoyed when she dismisses him afterward, not understanding that she intended their encounter to be a one-night stand. Laura coldly justifies her treatment of him with a statement that "Everybody uses everybody," and implies that Tony used her in order to get his dance role in her upcoming show.
Jackie is hurt when Tony breaks several promises to meet with her. Jackie is the vocalist for a local rock band in addition to her dance career. Unable to trust Tony, and tired of being disregarded when other women catch his eye, Jackie finally ends their personal relationship. She displays an apparent interest in her band's rhythm guitarist (Frank Stallone). Tony's wounded ego takes another blow in addition to his conflict with Laura.
Jackie, Tony and Laura audition for the Broadway production Satan's Alley. Jackie and Tony land small roles and Laura is cast in the role of the lead female dancer.
Tony begins to realize how callous he's been to Jackie, and walks all the way from Manhattan to his old Bay Ridge neighborhood in Brooklyn in the middle of the night. He passes The 2001 Odyssey Discothèque, his former Saturday night hangout, now a gay nightclub, and realizes how much his life has changed. He goes to visit his mother (Julie Bovasso), and apologizes for his selfishness and trouble-making ways of his youth. She points out that his selfish behavior as a teen was what helped him escape a dead-end life in Bay Ridge. Tony feels better after this and heads back to Manhattan to repair his relationship with Jackie. His hostility and distance from the arrogant Laura increase as the production progresses.
Tony decides to take a shot at replacing the male lead of "Satan's Alley" and asks Jackie to help him practice the number. Laura is disgusted when Tony succeeds and openly displays her resentment at having to partner him in the show. They can't hide their chemistry on stage despite her animosity, which pleases the show's director.
"Satan's Alley" sells out and the cast takes the stage to a standing-room-only crowd. The first act is a success despite Tony's brash disregard for the script when he kisses Laura at the end of their number. Laura angrily retaliates by clawing Tony's face. The director blasts Tony backstage, telling him to take his personal war away from the production. Laura seems to offer a truce when she asks to see him after the show to "clear things up." Tony now fully aware of her manipulative ways coldly tells her he has other commitments, and Laura snidely tells him "you don't have it," presumably what it takes to be a star dancer.
The second act is a dazzling display of dance and special effects, and Tony suddenly abandons the script near the end of the show. He hurls Laura away and gives way to his anger in a solo dance. He finishes and holds out his hand to Laura with a command to jump. She halts amid Jackie's and the director's commands, but finally leaps in his arms for a climactic finish to the show. Their thrilled audience erupts into cheers and a standing ovation.
Tony celebrates with his jubilant cast mates and reconciles with Jackie. He says he's got to get out and what he really must do is "strut" in celebration. Tony Manero leaves the theater and struts through Times Square in a reminiscent replay of his famous opening walk in Saturday Night Fever, beaming with his newfound success. | Staying Alive | 99ef7cb3-46ca-dfcc-feda-aa48ee371d5d | Who plays Jackie? | [] | true |
/m/05d2n_ | Kersti Adams-Ray interviews John Travolta in Sweden about Staying Alive, September 1983
Six years after the events depicted in Saturday Night Fever, former disco king Anthony "Tony" Manero is 25, out of Brooklyn, and now living in Manhattan. He lives in a flophouse and works as a dance instructor and a waiter at a dance club and searches for a big break in the modern dance productions on Broadway. The break from his Brooklyn life, family, and friends seems to have matured Tony and refined his personality, including his diminished Brooklyn accent, an avoidance of alcohol and less use of profanity. Other attitudes remain unchanged, such as his disregard for his most recent girlfriend, the forgiving Jackie (Cynthia Rhodes). Still immature, Tony maintains some of his other macho and childish double standards, such as seeing other women but offended if he sees Jackie with other men.
Tony watches a show which features Jackie as a dancer in the chorus, but focuses on the lead, a seemingly-wealthy English dancer, Laura (Finola Hughes). Tony pursues her with seduction in mind, and spends the night with her. He's annoyed when she dismisses him afterward, not understanding that she intended their encounter to be a one-night stand. Laura coldly justifies her treatment of him with a statement that "Everybody uses everybody," and implies that Tony used her in order to get his dance role in her upcoming show.
Jackie is hurt when Tony breaks several promises to meet with her. Jackie is the vocalist for a local rock band in addition to her dance career. Unable to trust Tony, and tired of being disregarded when other women catch his eye, Jackie finally ends their personal relationship. She displays an apparent interest in her band's rhythm guitarist (Frank Stallone). Tony's wounded ego takes another blow in addition to his conflict with Laura.
Jackie, Tony and Laura audition for the Broadway production Satan's Alley. Jackie and Tony land small roles and Laura is cast in the role of the lead female dancer.
Tony begins to realize how callous he's been to Jackie, and walks all the way from Manhattan to his old Bay Ridge neighborhood in Brooklyn in the middle of the night. He passes The 2001 Odyssey Discothèque, his former Saturday night hangout, now a gay nightclub, and realizes how much his life has changed. He goes to visit his mother (Julie Bovasso), and apologizes for his selfishness and trouble-making ways of his youth. She points out that his selfish behavior as a teen was what helped him escape a dead-end life in Bay Ridge. Tony feels better after this and heads back to Manhattan to repair his relationship with Jackie. His hostility and distance from the arrogant Laura increase as the production progresses.
Tony decides to take a shot at replacing the male lead of "Satan's Alley" and asks Jackie to help him practice the number. Laura is disgusted when Tony succeeds and openly displays her resentment at having to partner him in the show. They can't hide their chemistry on stage despite her animosity, which pleases the show's director.
"Satan's Alley" sells out and the cast takes the stage to a standing-room-only crowd. The first act is a success despite Tony's brash disregard for the script when he kisses Laura at the end of their number. Laura angrily retaliates by clawing Tony's face. The director blasts Tony backstage, telling him to take his personal war away from the production. Laura seems to offer a truce when she asks to see him after the show to "clear things up." Tony now fully aware of her manipulative ways coldly tells her he has other commitments, and Laura snidely tells him "you don't have it," presumably what it takes to be a star dancer.
The second act is a dazzling display of dance and special effects, and Tony suddenly abandons the script near the end of the show. He hurls Laura away and gives way to his anger in a solo dance. He finishes and holds out his hand to Laura with a command to jump. She halts amid Jackie's and the director's commands, but finally leaps in his arms for a climactic finish to the show. Their thrilled audience erupts into cheers and a standing ovation.
Tony celebrates with his jubilant cast mates and reconciles with Jackie. He says he's got to get out and what he really must do is "strut" in celebration. Tony Manero leaves the theater and struts through Times Square in a reminiscent replay of his famous opening walk in Saturday Night Fever, beaming with his newfound success. | Staying Alive | 35ad8ac3-0135-d97a-f71f-78c05794a950 | What broadway production do Jackie, Tony, and Laura all try out for? | [
"dancers"
] | false |
/m/05d2n_ | Kersti Adams-Ray interviews John Travolta in Sweden about Staying Alive, September 1983
Six years after the events depicted in Saturday Night Fever, former disco king Anthony "Tony" Manero is 25, out of Brooklyn, and now living in Manhattan. He lives in a flophouse and works as a dance instructor and a waiter at a dance club and searches for a big break in the modern dance productions on Broadway. The break from his Brooklyn life, family, and friends seems to have matured Tony and refined his personality, including his diminished Brooklyn accent, an avoidance of alcohol and less use of profanity. Other attitudes remain unchanged, such as his disregard for his most recent girlfriend, the forgiving Jackie (Cynthia Rhodes). Still immature, Tony maintains some of his other macho and childish double standards, such as seeing other women but offended if he sees Jackie with other men.
Tony watches a show which features Jackie as a dancer in the chorus, but focuses on the lead, a seemingly-wealthy English dancer, Laura (Finola Hughes). Tony pursues her with seduction in mind, and spends the night with her. He's annoyed when she dismisses him afterward, not understanding that she intended their encounter to be a one-night stand. Laura coldly justifies her treatment of him with a statement that "Everybody uses everybody," and implies that Tony used her in order to get his dance role in her upcoming show.
Jackie is hurt when Tony breaks several promises to meet with her. Jackie is the vocalist for a local rock band in addition to her dance career. Unable to trust Tony, and tired of being disregarded when other women catch his eye, Jackie finally ends their personal relationship. She displays an apparent interest in her band's rhythm guitarist (Frank Stallone). Tony's wounded ego takes another blow in addition to his conflict with Laura.
Jackie, Tony and Laura audition for the Broadway production Satan's Alley. Jackie and Tony land small roles and Laura is cast in the role of the lead female dancer.
Tony begins to realize how callous he's been to Jackie, and walks all the way from Manhattan to his old Bay Ridge neighborhood in Brooklyn in the middle of the night. He passes The 2001 Odyssey Discothèque, his former Saturday night hangout, now a gay nightclub, and realizes how much his life has changed. He goes to visit his mother (Julie Bovasso), and apologizes for his selfishness and trouble-making ways of his youth. She points out that his selfish behavior as a teen was what helped him escape a dead-end life in Bay Ridge. Tony feels better after this and heads back to Manhattan to repair his relationship with Jackie. His hostility and distance from the arrogant Laura increase as the production progresses.
Tony decides to take a shot at replacing the male lead of "Satan's Alley" and asks Jackie to help him practice the number. Laura is disgusted when Tony succeeds and openly displays her resentment at having to partner him in the show. They can't hide their chemistry on stage despite her animosity, which pleases the show's director.
"Satan's Alley" sells out and the cast takes the stage to a standing-room-only crowd. The first act is a success despite Tony's brash disregard for the script when he kisses Laura at the end of their number. Laura angrily retaliates by clawing Tony's face. The director blasts Tony backstage, telling him to take his personal war away from the production. Laura seems to offer a truce when she asks to see him after the show to "clear things up." Tony now fully aware of her manipulative ways coldly tells her he has other commitments, and Laura snidely tells him "you don't have it," presumably what it takes to be a star dancer.
The second act is a dazzling display of dance and special effects, and Tony suddenly abandons the script near the end of the show. He hurls Laura away and gives way to his anger in a solo dance. He finishes and holds out his hand to Laura with a command to jump. She halts amid Jackie's and the director's commands, but finally leaps in his arms for a climactic finish to the show. Their thrilled audience erupts into cheers and a standing ovation.
Tony celebrates with his jubilant cast mates and reconciles with Jackie. He says he's got to get out and what he really must do is "strut" in celebration. Tony Manero leaves the theater and struts through Times Square in a reminiscent replay of his famous opening walk in Saturday Night Fever, beaming with his newfound success. | Staying Alive | 7d57355e-e712-21af-a829-0ac2dc975c3e | How old is Tony in the movie? | [
"25"
] | false |
/m/05d2n_ | Kersti Adams-Ray interviews John Travolta in Sweden about Staying Alive, September 1983
Six years after the events depicted in Saturday Night Fever, former disco king Anthony "Tony" Manero is 25, out of Brooklyn, and now living in Manhattan. He lives in a flophouse and works as a dance instructor and a waiter at a dance club and searches for a big break in the modern dance productions on Broadway. The break from his Brooklyn life, family, and friends seems to have matured Tony and refined his personality, including his diminished Brooklyn accent, an avoidance of alcohol and less use of profanity. Other attitudes remain unchanged, such as his disregard for his most recent girlfriend, the forgiving Jackie (Cynthia Rhodes). Still immature, Tony maintains some of his other macho and childish double standards, such as seeing other women but offended if he sees Jackie with other men.
Tony watches a show which features Jackie as a dancer in the chorus, but focuses on the lead, a seemingly-wealthy English dancer, Laura (Finola Hughes). Tony pursues her with seduction in mind, and spends the night with her. He's annoyed when she dismisses him afterward, not understanding that she intended their encounter to be a one-night stand. Laura coldly justifies her treatment of him with a statement that "Everybody uses everybody," and implies that Tony used her in order to get his dance role in her upcoming show.
Jackie is hurt when Tony breaks several promises to meet with her. Jackie is the vocalist for a local rock band in addition to her dance career. Unable to trust Tony, and tired of being disregarded when other women catch his eye, Jackie finally ends their personal relationship. She displays an apparent interest in her band's rhythm guitarist (Frank Stallone). Tony's wounded ego takes another blow in addition to his conflict with Laura.
Jackie, Tony and Laura audition for the Broadway production Satan's Alley. Jackie and Tony land small roles and Laura is cast in the role of the lead female dancer.
Tony begins to realize how callous he's been to Jackie, and walks all the way from Manhattan to his old Bay Ridge neighborhood in Brooklyn in the middle of the night. He passes The 2001 Odyssey Discothèque, his former Saturday night hangout, now a gay nightclub, and realizes how much his life has changed. He goes to visit his mother (Julie Bovasso), and apologizes for his selfishness and trouble-making ways of his youth. She points out that his selfish behavior as a teen was what helped him escape a dead-end life in Bay Ridge. Tony feels better after this and heads back to Manhattan to repair his relationship with Jackie. His hostility and distance from the arrogant Laura increase as the production progresses.
Tony decides to take a shot at replacing the male lead of "Satan's Alley" and asks Jackie to help him practice the number. Laura is disgusted when Tony succeeds and openly displays her resentment at having to partner him in the show. They can't hide their chemistry on stage despite her animosity, which pleases the show's director.
"Satan's Alley" sells out and the cast takes the stage to a standing-room-only crowd. The first act is a success despite Tony's brash disregard for the script when he kisses Laura at the end of their number. Laura angrily retaliates by clawing Tony's face. The director blasts Tony backstage, telling him to take his personal war away from the production. Laura seems to offer a truce when she asks to see him after the show to "clear things up." Tony now fully aware of her manipulative ways coldly tells her he has other commitments, and Laura snidely tells him "you don't have it," presumably what it takes to be a star dancer.
The second act is a dazzling display of dance and special effects, and Tony suddenly abandons the script near the end of the show. He hurls Laura away and gives way to his anger in a solo dance. He finishes and holds out his hand to Laura with a command to jump. She halts amid Jackie's and the director's commands, but finally leaps in his arms for a climactic finish to the show. Their thrilled audience erupts into cheers and a standing ovation.
Tony celebrates with his jubilant cast mates and reconciles with Jackie. He says he's got to get out and what he really must do is "strut" in celebration. Tony Manero leaves the theater and struts through Times Square in a reminiscent replay of his famous opening walk in Saturday Night Fever, beaming with his newfound success. | Staying Alive | 9e84c2de-d5fd-34ce-9236-684ec82e039f | What is the name of the Broadway show that Tony auditions for in the movie? | [
"Satan's Alley"
] | false |
/m/05d2n_ | Kersti Adams-Ray interviews John Travolta in Sweden about Staying Alive, September 1983
Six years after the events depicted in Saturday Night Fever, former disco king Anthony "Tony" Manero is 25, out of Brooklyn, and now living in Manhattan. He lives in a flophouse and works as a dance instructor and a waiter at a dance club and searches for a big break in the modern dance productions on Broadway. The break from his Brooklyn life, family, and friends seems to have matured Tony and refined his personality, including his diminished Brooklyn accent, an avoidance of alcohol and less use of profanity. Other attitudes remain unchanged, such as his disregard for his most recent girlfriend, the forgiving Jackie (Cynthia Rhodes). Still immature, Tony maintains some of his other macho and childish double standards, such as seeing other women but offended if he sees Jackie with other men.
Tony watches a show which features Jackie as a dancer in the chorus, but focuses on the lead, a seemingly-wealthy English dancer, Laura (Finola Hughes). Tony pursues her with seduction in mind, and spends the night with her. He's annoyed when she dismisses him afterward, not understanding that she intended their encounter to be a one-night stand. Laura coldly justifies her treatment of him with a statement that "Everybody uses everybody," and implies that Tony used her in order to get his dance role in her upcoming show.
Jackie is hurt when Tony breaks several promises to meet with her. Jackie is the vocalist for a local rock band in addition to her dance career. Unable to trust Tony, and tired of being disregarded when other women catch his eye, Jackie finally ends their personal relationship. She displays an apparent interest in her band's rhythm guitarist (Frank Stallone). Tony's wounded ego takes another blow in addition to his conflict with Laura.
Jackie, Tony and Laura audition for the Broadway production Satan's Alley. Jackie and Tony land small roles and Laura is cast in the role of the lead female dancer.
Tony begins to realize how callous he's been to Jackie, and walks all the way from Manhattan to his old Bay Ridge neighborhood in Brooklyn in the middle of the night. He passes The 2001 Odyssey Discothèque, his former Saturday night hangout, now a gay nightclub, and realizes how much his life has changed. He goes to visit his mother (Julie Bovasso), and apologizes for his selfishness and trouble-making ways of his youth. She points out that his selfish behavior as a teen was what helped him escape a dead-end life in Bay Ridge. Tony feels better after this and heads back to Manhattan to repair his relationship with Jackie. His hostility and distance from the arrogant Laura increase as the production progresses.
Tony decides to take a shot at replacing the male lead of "Satan's Alley" and asks Jackie to help him practice the number. Laura is disgusted when Tony succeeds and openly displays her resentment at having to partner him in the show. They can't hide their chemistry on stage despite her animosity, which pleases the show's director.
"Satan's Alley" sells out and the cast takes the stage to a standing-room-only crowd. The first act is a success despite Tony's brash disregard for the script when he kisses Laura at the end of their number. Laura angrily retaliates by clawing Tony's face. The director blasts Tony backstage, telling him to take his personal war away from the production. Laura seems to offer a truce when she asks to see him after the show to "clear things up." Tony now fully aware of her manipulative ways coldly tells her he has other commitments, and Laura snidely tells him "you don't have it," presumably what it takes to be a star dancer.
The second act is a dazzling display of dance and special effects, and Tony suddenly abandons the script near the end of the show. He hurls Laura away and gives way to his anger in a solo dance. He finishes and holds out his hand to Laura with a command to jump. She halts amid Jackie's and the director's commands, but finally leaps in his arms for a climactic finish to the show. Their thrilled audience erupts into cheers and a standing ovation.
Tony celebrates with his jubilant cast mates and reconciles with Jackie. He says he's got to get out and what he really must do is "strut" in celebration. Tony Manero leaves the theater and struts through Times Square in a reminiscent replay of his famous opening walk in Saturday Night Fever, beaming with his newfound success. | Staying Alive | 37d09fae-a111-8dc5-e8b7-336260f74eae | What is the name of Tony's old Saturday night hangout spot? | [
"The 2001 Odyssey"
] | false |
/m/05d2n_ | Kersti Adams-Ray interviews John Travolta in Sweden about Staying Alive, September 1983
Six years after the events depicted in Saturday Night Fever, former disco king Anthony "Tony" Manero is 25, out of Brooklyn, and now living in Manhattan. He lives in a flophouse and works as a dance instructor and a waiter at a dance club and searches for a big break in the modern dance productions on Broadway. The break from his Brooklyn life, family, and friends seems to have matured Tony and refined his personality, including his diminished Brooklyn accent, an avoidance of alcohol and less use of profanity. Other attitudes remain unchanged, such as his disregard for his most recent girlfriend, the forgiving Jackie (Cynthia Rhodes). Still immature, Tony maintains some of his other macho and childish double standards, such as seeing other women but offended if he sees Jackie with other men.
Tony watches a show which features Jackie as a dancer in the chorus, but focuses on the lead, a seemingly-wealthy English dancer, Laura (Finola Hughes). Tony pursues her with seduction in mind, and spends the night with her. He's annoyed when she dismisses him afterward, not understanding that she intended their encounter to be a one-night stand. Laura coldly justifies her treatment of him with a statement that "Everybody uses everybody," and implies that Tony used her in order to get his dance role in her upcoming show.
Jackie is hurt when Tony breaks several promises to meet with her. Jackie is the vocalist for a local rock band in addition to her dance career. Unable to trust Tony, and tired of being disregarded when other women catch his eye, Jackie finally ends their personal relationship. She displays an apparent interest in her band's rhythm guitarist (Frank Stallone). Tony's wounded ego takes another blow in addition to his conflict with Laura.
Jackie, Tony and Laura audition for the Broadway production Satan's Alley. Jackie and Tony land small roles and Laura is cast in the role of the lead female dancer.
Tony begins to realize how callous he's been to Jackie, and walks all the way from Manhattan to his old Bay Ridge neighborhood in Brooklyn in the middle of the night. He passes The 2001 Odyssey Discothèque, his former Saturday night hangout, now a gay nightclub, and realizes how much his life has changed. He goes to visit his mother (Julie Bovasso), and apologizes for his selfishness and trouble-making ways of his youth. She points out that his selfish behavior as a teen was what helped him escape a dead-end life in Bay Ridge. Tony feels better after this and heads back to Manhattan to repair his relationship with Jackie. His hostility and distance from the arrogant Laura increase as the production progresses.
Tony decides to take a shot at replacing the male lead of "Satan's Alley" and asks Jackie to help him practice the number. Laura is disgusted when Tony succeeds and openly displays her resentment at having to partner him in the show. They can't hide their chemistry on stage despite her animosity, which pleases the show's director.
"Satan's Alley" sells out and the cast takes the stage to a standing-room-only crowd. The first act is a success despite Tony's brash disregard for the script when he kisses Laura at the end of their number. Laura angrily retaliates by clawing Tony's face. The director blasts Tony backstage, telling him to take his personal war away from the production. Laura seems to offer a truce when she asks to see him after the show to "clear things up." Tony now fully aware of her manipulative ways coldly tells her he has other commitments, and Laura snidely tells him "you don't have it," presumably what it takes to be a star dancer.
The second act is a dazzling display of dance and special effects, and Tony suddenly abandons the script near the end of the show. He hurls Laura away and gives way to his anger in a solo dance. He finishes and holds out his hand to Laura with a command to jump. She halts amid Jackie's and the director's commands, but finally leaps in his arms for a climactic finish to the show. Their thrilled audience erupts into cheers and a standing ovation.
Tony celebrates with his jubilant cast mates and reconciles with Jackie. He says he's got to get out and what he really must do is "strut" in celebration. Tony Manero leaves the theater and struts through Times Square in a reminiscent replay of his famous opening walk in Saturday Night Fever, beaming with his newfound success. | Staying Alive | 5277e05d-f5e6-eda0-502d-bf92ca428b1b | Who is cast as the lead female dancer in Satan's Alley? | [] | true |
/m/05d2n_ | Kersti Adams-Ray interviews John Travolta in Sweden about Staying Alive, September 1983
Six years after the events depicted in Saturday Night Fever, former disco king Anthony "Tony" Manero is 25, out of Brooklyn, and now living in Manhattan. He lives in a flophouse and works as a dance instructor and a waiter at a dance club and searches for a big break in the modern dance productions on Broadway. The break from his Brooklyn life, family, and friends seems to have matured Tony and refined his personality, including his diminished Brooklyn accent, an avoidance of alcohol and less use of profanity. Other attitudes remain unchanged, such as his disregard for his most recent girlfriend, the forgiving Jackie (Cynthia Rhodes). Still immature, Tony maintains some of his other macho and childish double standards, such as seeing other women but offended if he sees Jackie with other men.
Tony watches a show which features Jackie as a dancer in the chorus, but focuses on the lead, a seemingly-wealthy English dancer, Laura (Finola Hughes). Tony pursues her with seduction in mind, and spends the night with her. He's annoyed when she dismisses him afterward, not understanding that she intended their encounter to be a one-night stand. Laura coldly justifies her treatment of him with a statement that "Everybody uses everybody," and implies that Tony used her in order to get his dance role in her upcoming show.
Jackie is hurt when Tony breaks several promises to meet with her. Jackie is the vocalist for a local rock band in addition to her dance career. Unable to trust Tony, and tired of being disregarded when other women catch his eye, Jackie finally ends their personal relationship. She displays an apparent interest in her band's rhythm guitarist (Frank Stallone). Tony's wounded ego takes another blow in addition to his conflict with Laura.
Jackie, Tony and Laura audition for the Broadway production Satan's Alley. Jackie and Tony land small roles and Laura is cast in the role of the lead female dancer.
Tony begins to realize how callous he's been to Jackie, and walks all the way from Manhattan to his old Bay Ridge neighborhood in Brooklyn in the middle of the night. He passes The 2001 Odyssey Discothèque, his former Saturday night hangout, now a gay nightclub, and realizes how much his life has changed. He goes to visit his mother (Julie Bovasso), and apologizes for his selfishness and trouble-making ways of his youth. She points out that his selfish behavior as a teen was what helped him escape a dead-end life in Bay Ridge. Tony feels better after this and heads back to Manhattan to repair his relationship with Jackie. His hostility and distance from the arrogant Laura increase as the production progresses.
Tony decides to take a shot at replacing the male lead of "Satan's Alley" and asks Jackie to help him practice the number. Laura is disgusted when Tony succeeds and openly displays her resentment at having to partner him in the show. They can't hide their chemistry on stage despite her animosity, which pleases the show's director.
"Satan's Alley" sells out and the cast takes the stage to a standing-room-only crowd. The first act is a success despite Tony's brash disregard for the script when he kisses Laura at the end of their number. Laura angrily retaliates by clawing Tony's face. The director blasts Tony backstage, telling him to take his personal war away from the production. Laura seems to offer a truce when she asks to see him after the show to "clear things up." Tony now fully aware of her manipulative ways coldly tells her he has other commitments, and Laura snidely tells him "you don't have it," presumably what it takes to be a star dancer.
The second act is a dazzling display of dance and special effects, and Tony suddenly abandons the script near the end of the show. He hurls Laura away and gives way to his anger in a solo dance. He finishes and holds out his hand to Laura with a command to jump. She halts amid Jackie's and the director's commands, but finally leaps in his arms for a climactic finish to the show. Their thrilled audience erupts into cheers and a standing ovation.
Tony celebrates with his jubilant cast mates and reconciles with Jackie. He says he's got to get out and what he really must do is "strut" in celebration. Tony Manero leaves the theater and struts through Times Square in a reminiscent replay of his famous opening walk in Saturday Night Fever, beaming with his newfound success. | Staying Alive | 381bdef2-5d97-b91f-8122-fd5e503b0337 | How old is Anthony "Tony" Manero in this film? | [
"18"
] | false |
/m/05d2n_ | Kersti Adams-Ray interviews John Travolta in Sweden about Staying Alive, September 1983
Six years after the events depicted in Saturday Night Fever, former disco king Anthony "Tony" Manero is 25, out of Brooklyn, and now living in Manhattan. He lives in a flophouse and works as a dance instructor and a waiter at a dance club and searches for a big break in the modern dance productions on Broadway. The break from his Brooklyn life, family, and friends seems to have matured Tony and refined his personality, including his diminished Brooklyn accent, an avoidance of alcohol and less use of profanity. Other attitudes remain unchanged, such as his disregard for his most recent girlfriend, the forgiving Jackie (Cynthia Rhodes). Still immature, Tony maintains some of his other macho and childish double standards, such as seeing other women but offended if he sees Jackie with other men.
Tony watches a show which features Jackie as a dancer in the chorus, but focuses on the lead, a seemingly-wealthy English dancer, Laura (Finola Hughes). Tony pursues her with seduction in mind, and spends the night with her. He's annoyed when she dismisses him afterward, not understanding that she intended their encounter to be a one-night stand. Laura coldly justifies her treatment of him with a statement that "Everybody uses everybody," and implies that Tony used her in order to get his dance role in her upcoming show.
Jackie is hurt when Tony breaks several promises to meet with her. Jackie is the vocalist for a local rock band in addition to her dance career. Unable to trust Tony, and tired of being disregarded when other women catch his eye, Jackie finally ends their personal relationship. She displays an apparent interest in her band's rhythm guitarist (Frank Stallone). Tony's wounded ego takes another blow in addition to his conflict with Laura.
Jackie, Tony and Laura audition for the Broadway production Satan's Alley. Jackie and Tony land small roles and Laura is cast in the role of the lead female dancer.
Tony begins to realize how callous he's been to Jackie, and walks all the way from Manhattan to his old Bay Ridge neighborhood in Brooklyn in the middle of the night. He passes The 2001 Odyssey Discothèque, his former Saturday night hangout, now a gay nightclub, and realizes how much his life has changed. He goes to visit his mother (Julie Bovasso), and apologizes for his selfishness and trouble-making ways of his youth. She points out that his selfish behavior as a teen was what helped him escape a dead-end life in Bay Ridge. Tony feels better after this and heads back to Manhattan to repair his relationship with Jackie. His hostility and distance from the arrogant Laura increase as the production progresses.
Tony decides to take a shot at replacing the male lead of "Satan's Alley" and asks Jackie to help him practice the number. Laura is disgusted when Tony succeeds and openly displays her resentment at having to partner him in the show. They can't hide their chemistry on stage despite her animosity, which pleases the show's director.
"Satan's Alley" sells out and the cast takes the stage to a standing-room-only crowd. The first act is a success despite Tony's brash disregard for the script when he kisses Laura at the end of their number. Laura angrily retaliates by clawing Tony's face. The director blasts Tony backstage, telling him to take his personal war away from the production. Laura seems to offer a truce when she asks to see him after the show to "clear things up." Tony now fully aware of her manipulative ways coldly tells her he has other commitments, and Laura snidely tells him "you don't have it," presumably what it takes to be a star dancer.
The second act is a dazzling display of dance and special effects, and Tony suddenly abandons the script near the end of the show. He hurls Laura away and gives way to his anger in a solo dance. He finishes and holds out his hand to Laura with a command to jump. She halts amid Jackie's and the director's commands, but finally leaps in his arms for a climactic finish to the show. Their thrilled audience erupts into cheers and a standing ovation.
Tony celebrates with his jubilant cast mates and reconciles with Jackie. He says he's got to get out and what he really must do is "strut" in celebration. Tony Manero leaves the theater and struts through Times Square in a reminiscent replay of his famous opening walk in Saturday Night Fever, beaming with his newfound success. | Staying Alive | 6ecea01b-3c44-1037-4dc3-3a93e92a10ba | What city is Tony living in now that he has left Brooklyn? | [
"Manhattan"
] | false |
/m/06zgd5 | A whitewater rafting trip is underway, with 3 long-time friends on board. Leading the trip is the bold adventurer, Juno (Natalie Mendoza). Also there is wife and mother Sarah (Shauna Macdonald) and her closest friend, Beth (Alex Reid), both British. Awaiting at the end of the raft adventure is Sarah's husband, Paul (Oliver Milburn) and daughter, Jessica (Molly Kayll). Paul and Juno share a strange moment before he drives to go back home with Sarah and Jessica. While Sarah and Paul are seemingly on the cusp of an argument, a small truck plows head-on to their car, sending a metal rod right through Paul's skull.Sarah has the first in a series of dreams where Jessica appears in a party dress and seems to offer Sarah a birthday cake. Awakening from her injuries in the accident in the hospital, Sarah panics and runs down the hallway, imagining the hospital getting dark around her. Beth embraces her and they both weep. Juno, standing in the distance and also crying, turns and leaves them.A year later, Juno has organized a spelunking (caving-diving) trip in the Appalachian Mountains. The three women from the raft trip gather at a cabin the day before this adventure. An additional 3 adventurers join them, including Juno's butch friend Holly (Nora-Jane Noone), who even Juno considers too reckless. The other two are a pair of European-rooted sisters, the safety-cautious, older sister, Rebecca (Saskia Mulder) and medical student Sam (MyAnna Buring), who, though competent, is the least experienced adventurer of the group.Tension remains between Juno and Beth and Sarah over Juno's abandonment of them last year. Holly laments the the cave they are to explore is just a tourist trap and offers no challenges. That night, Sarah has a nightmare that a steel rod hits her face just as it did Paul's.Waking her five companions the following morning, Juno leads them on a long drive over rough country road. When leaving the cars, Juno seems to intentionally leave behind the cave map. Hiking to the cave entrance, they encounter the huge carcass of a bull elk, with his throat seemingly having been torn open. All the women except Juno and Holly become hesitant when they see the cavernous entrance to the cave. They all rappel down into the first pocket in the cave. Descending still further, all daylight is vanished. Juno lights a series of flares, illuminating the huge cavern of the cave system that they've entered. Even Holly is impressed, recording her surroundings with her high-tech night-vision digital camera. As the women temporarily further prepare, Juno indicates they are looking for a tunnel to bring them further into the cave system. Juno apologizes to Sarah for leaving the previous year and grows tearful when recalling Paul. Seemingly trying to avoid this conversation, Sarah goes off on her own and finds a small tunnel entrance.One by one, the women go into the tunnel, which grows even smaller midway before coming out in another large space of the caves. Sarah is the last to come through and gets stuck on a rock. Sarah turns to claustrophobic panic. Beth, at first, tries to calm Sarah and then climbs back down the tunnel to help her out. As Beth pulls Sarah out, the tunnel roof begins to tremble and, just as the two pull out, totally collapses behind them. The whole group is distraught at the tunnel collapse, since it is obviously their return route out of the caves. Juno then reveals to the others that she not only didn't bring the cave map, but she has intentionally taken them to an unexplored cave rather than the cave to which she claimed she was taking them. Juno desired to be the first to explore these caves and have the caves named after her. The others are angered, but Juno informs them that they must keep moving and look for another exit to the cave lest they die in there.The group comes to an enormous precipice in the cave. In order to get across to a hopeful exit, they must set up a pulley system on the roof of the precipice. Rebecca painfully climbs along the roof using only her arms, hooking the rope to the cave roof. Finally arriving to the opposite side of the precipice, Rebecca sees a hook obviously left by a previous explorer of the cave. Each of the women cross the precipice using the pulley system and Juno goes last. Claiming they will need all the equipment they can get, Juno pulls down the rope pulley as she crosses the roof. Near the end, Juno loses her grip and falls. Rebecca must grab the rope to get keep Juno from falling and her hands nearly tear in half supporting Juno's weight. Juno finally climbs up the precipice wall to join the others.As the six women move on, a drooling mouth is seen in the foreground but is not detected by the women. When walking through the caves, they encounter an ancient-looking mural, resembling a community drawn by early Native Americans. Beth notices that a second exit from the cave is shown on the mural.When it's time to continue, Holly runs in the front. She sees what appears to be daylight (but is actually just phosphorescent rock) and rushes even more, despite Juno telling her to slow down. Suddenly Holly falls down a huge pit in the cave. Her leg is snapped in the fall, her bone painfully protruding from her skin. All the others rappel down into the pit and tend to Holly. Sam pulls Holly's leg back into place and makes a makeshift tourniquet for her. Meanwhile, Sarah has wandered away from the group. She finds an old, rusty miner's helmet. Looking up she is shocked to see a grotesque creature in the distance. The creature appears humanoid, but is hairless and deformed-looking with sharp claws and small eye sockets. In a moment, the creature disappears as Juno comes to find Sarah. Juno and the group don't believe Sarah about the creature and they all, including the limping Holly, go on to find a way out of the cave.They come to a part of the cave with three tunnels and even Juno is vexed as to which one to go down. A blood-curdling noise is heard, frightening the women. Suddenly the grotesque creature Sarah had seen is standing next to the women. Within seconds, the creature climbs with startling speed up the cave wall and out of sight. The creature then jumps on top of Holly. The group is frightened and Sam and Rebecca run down one of the tunnels and Sarah another. Sarah shortly loses her footing while running and falls down another pit, knocking her unconscious.The creature bites Holly in the throat, killing her. Juno begins to get into a tug-of-war with the hideous beast over Holly's body. When the creature confronts Juno she slashes its face with her pick-axe. Another similar creature jumps onto Juno. The injured creature drags off Holly's body as the second creature struggles with Juno. Juno finally kills the second creature with her pick-axe. Seconds after killing the creature, Juno hears something coming up behind her and swings the pick-axe. It is actually Beth and Juno has stabbed her through the throat. Grabbing Juno's bracelet, Beth collapses in a pool of her own blood and pleads with Juno to help her. A shocked Juno backs away into one of the tunnels, leaving Beth to die.Sarah has another dream about her daughter and the cake, but her daughter now has the face of a creature. She awakes and realizes she's in a dark pit of fresh kills, practically flooded with the blood and entrails of various animals. Suddenly, the body of Holly is dropped into the pit. Using Holly's night vision camera to see, Sarah watches in horror as several of the creatures, yelping like hyenas and making clicking noises like the echolocation of bats, ravenously devour Holly. Gagging at the sight, Sarah causes one of the creatures to become aware of her presence. Coming to within inches of Sarah's face, it seems unable to detect her presence as she doesn't move a muscle. Juno is soon heard above calling from the others. The creatures all descend from the feeding pit to go after the other prey. Sarah makes a torch so she can find her way out of the pitch-black feeding pit.One of the creatures happens into Sam and Rebecca, who are embracing and remaining as still as possible. This creature roars in their general direction, but fails to see them, confirming that the creatures are totally blind and instead rely on sound to hunt. Juno again calls out for the others and the creature leaves Sam and Rebecca's vicinity. Sam and Rebecca move on to hopefully find a way out of the caves. Turning a corner, they are attacked by one of the creatures. The creature tries to maul Rebecca while Sam is frozen with fear. However, Juno appears and stabs this creature through the skull with her pick-axe, killing it.Meanwhile, Sarah is also trying to escape, returning to where they came in and finds Beth. Beth has lost a lot of blood and explains to Sarah that Juno had stabbed her and left her. Beth shows Sarah Juno's bracelet as proof. Beth pleads with Sarah to mercy-kill her, which a mournful Sarah does with a nearby rock. Moments later, a small, child-like creature appears and attacks Sarah, jumping on her back. Sarah smashes the small creature into the cave roof and flips it onto the floor, killing it.Within moments, another creature appears, this one apparently a female with long hair and distinct breasts and also apparently the small creature's mother. When the female creature attacks her, Sarah knocks her back and then she falls back into another pit. This time she falls into what appears to be a pond of blood. As she tries to climb out of the blood pond, Sarah is again attacked by the female creature. Though the creature has her pinned down, Sarah manages to reach a nearby jagged bone and stabs the female creature through the face, killing her. A male creature then arrives, failing to detect Sarah's presence as she lies motionless beneath his feet. Sarah assaults the creature, managing to kill him also with the jagged bone. Traumatized and bloodied, Sarah lets out a blood-curdling scream.Juno, Rebecca, and Sam hear Sarah's scream. Juno vows not to leave the caves without Sarah, but changes her tune when she turns to see about a dozen of the creatures crawling in pursuit of them. The three of them run off down the tunnel. Sam takes the lead and comes to another precipice. Though she knows she is too short on rope, she tries to establish another rope-pulley system to get across. When Juno and Rebecca run up behind, they plead with Sam to be careful. A creature jumps out, clings to the cave roof, and attacks Sam. It manages to rip out Sam's throat, but Sam, with her last ounce of strength, stabs the creature, which falls into the water at the bottom. The pursuing creatures arrive and pull down Rebecca. They rip open the screaming Rebecca's stomach and throat, killing her. Cornered at the edge of the precipice, Juno jumps down.Juno lands in a large pool of water at the bottom. Underwater, the creature awaits Juno, but she uses Rebecca's knife to kill it. Juno climbs up the slippery walls, but she loses her grip and begins to fall again. Suddenly, a hand grabs her, pulling her up. It turns out to be Sarah. Sarah is now bloodied and nearly silent, looking upon Juno with poorly-disguised scorn for harming Beth. Juno and Sarah run off, still looking for an escape. Coming into a cavern, they realized they are surrounded by four of the creatures. When the creatures close in, a violent struggle ensues. Juno and Sarah each kill a creature with their pick-axes, but are disarmed by a second wave of attacking creatures. Sarah kills her attacker by gouging out his eyes, while Juno kills the other by stabbing him through the throat with Sarah's flaming torch.After the fight, a tense stand-off with the pick-axes occurs between Juno and Sarah. Momentarily distracted by the sound of more creatures coming near, Juno is stabbed through the leg by Sarah's pick-axe. Just as Juno left Beth to die, Sarah leaves Juno to die. As she runs off, Sarah hears the sounds of the creatures attacking Juno and Juno screaming.Sarah runs into a side cavern and finds it full of bones. At the top of the cavern, daylight peeks through. Sarah frantically climbs to the light and pulls herself up into the woods above, blinded by the daylight. Now maniacal, Sarah runs back to the cars and takes off in one of them. Driving off back down the country roads they had come in on, Sarah is startled by the bloodied figure of Juno appearing in the passenger seat. Shifting her head, Sarah realizes that she's still in the cavern and that her escape was a fantasy. The cavern actually is a dead-end. To comfort herself, Sarah fantasizes about her daughter Jessica giving her the birthday cake again. As Sarah drifts off in her own mind, the sounds of the creatures draw nearer. | The Descent | 85d63a86-e297-5aaf-01ae-b3b872daba8c | Which DVD "The Descent" contains the original ending? | [
"The Unrated DVD"
] | false |
/m/06zgd5 | A whitewater rafting trip is underway, with 3 long-time friends on board. Leading the trip is the bold adventurer, Juno (Natalie Mendoza). Also there is wife and mother Sarah (Shauna Macdonald) and her closest friend, Beth (Alex Reid), both British. Awaiting at the end of the raft adventure is Sarah's husband, Paul (Oliver Milburn) and daughter, Jessica (Molly Kayll). Paul and Juno share a strange moment before he drives to go back home with Sarah and Jessica. While Sarah and Paul are seemingly on the cusp of an argument, a small truck plows head-on to their car, sending a metal rod right through Paul's skull.Sarah has the first in a series of dreams where Jessica appears in a party dress and seems to offer Sarah a birthday cake. Awakening from her injuries in the accident in the hospital, Sarah panics and runs down the hallway, imagining the hospital getting dark around her. Beth embraces her and they both weep. Juno, standing in the distance and also crying, turns and leaves them.A year later, Juno has organized a spelunking (caving-diving) trip in the Appalachian Mountains. The three women from the raft trip gather at a cabin the day before this adventure. An additional 3 adventurers join them, including Juno's butch friend Holly (Nora-Jane Noone), who even Juno considers too reckless. The other two are a pair of European-rooted sisters, the safety-cautious, older sister, Rebecca (Saskia Mulder) and medical student Sam (MyAnna Buring), who, though competent, is the least experienced adventurer of the group.Tension remains between Juno and Beth and Sarah over Juno's abandonment of them last year. Holly laments the the cave they are to explore is just a tourist trap and offers no challenges. That night, Sarah has a nightmare that a steel rod hits her face just as it did Paul's.Waking her five companions the following morning, Juno leads them on a long drive over rough country road. When leaving the cars, Juno seems to intentionally leave behind the cave map. Hiking to the cave entrance, they encounter the huge carcass of a bull elk, with his throat seemingly having been torn open. All the women except Juno and Holly become hesitant when they see the cavernous entrance to the cave. They all rappel down into the first pocket in the cave. Descending still further, all daylight is vanished. Juno lights a series of flares, illuminating the huge cavern of the cave system that they've entered. Even Holly is impressed, recording her surroundings with her high-tech night-vision digital camera. As the women temporarily further prepare, Juno indicates they are looking for a tunnel to bring them further into the cave system. Juno apologizes to Sarah for leaving the previous year and grows tearful when recalling Paul. Seemingly trying to avoid this conversation, Sarah goes off on her own and finds a small tunnel entrance.One by one, the women go into the tunnel, which grows even smaller midway before coming out in another large space of the caves. Sarah is the last to come through and gets stuck on a rock. Sarah turns to claustrophobic panic. Beth, at first, tries to calm Sarah and then climbs back down the tunnel to help her out. As Beth pulls Sarah out, the tunnel roof begins to tremble and, just as the two pull out, totally collapses behind them. The whole group is distraught at the tunnel collapse, since it is obviously their return route out of the caves. Juno then reveals to the others that she not only didn't bring the cave map, but she has intentionally taken them to an unexplored cave rather than the cave to which she claimed she was taking them. Juno desired to be the first to explore these caves and have the caves named after her. The others are angered, but Juno informs them that they must keep moving and look for another exit to the cave lest they die in there.The group comes to an enormous precipice in the cave. In order to get across to a hopeful exit, they must set up a pulley system on the roof of the precipice. Rebecca painfully climbs along the roof using only her arms, hooking the rope to the cave roof. Finally arriving to the opposite side of the precipice, Rebecca sees a hook obviously left by a previous explorer of the cave. Each of the women cross the precipice using the pulley system and Juno goes last. Claiming they will need all the equipment they can get, Juno pulls down the rope pulley as she crosses the roof. Near the end, Juno loses her grip and falls. Rebecca must grab the rope to get keep Juno from falling and her hands nearly tear in half supporting Juno's weight. Juno finally climbs up the precipice wall to join the others.As the six women move on, a drooling mouth is seen in the foreground but is not detected by the women. When walking through the caves, they encounter an ancient-looking mural, resembling a community drawn by early Native Americans. Beth notices that a second exit from the cave is shown on the mural.When it's time to continue, Holly runs in the front. She sees what appears to be daylight (but is actually just phosphorescent rock) and rushes even more, despite Juno telling her to slow down. Suddenly Holly falls down a huge pit in the cave. Her leg is snapped in the fall, her bone painfully protruding from her skin. All the others rappel down into the pit and tend to Holly. Sam pulls Holly's leg back into place and makes a makeshift tourniquet for her. Meanwhile, Sarah has wandered away from the group. She finds an old, rusty miner's helmet. Looking up she is shocked to see a grotesque creature in the distance. The creature appears humanoid, but is hairless and deformed-looking with sharp claws and small eye sockets. In a moment, the creature disappears as Juno comes to find Sarah. Juno and the group don't believe Sarah about the creature and they all, including the limping Holly, go on to find a way out of the cave.They come to a part of the cave with three tunnels and even Juno is vexed as to which one to go down. A blood-curdling noise is heard, frightening the women. Suddenly the grotesque creature Sarah had seen is standing next to the women. Within seconds, the creature climbs with startling speed up the cave wall and out of sight. The creature then jumps on top of Holly. The group is frightened and Sam and Rebecca run down one of the tunnels and Sarah another. Sarah shortly loses her footing while running and falls down another pit, knocking her unconscious.The creature bites Holly in the throat, killing her. Juno begins to get into a tug-of-war with the hideous beast over Holly's body. When the creature confronts Juno she slashes its face with her pick-axe. Another similar creature jumps onto Juno. The injured creature drags off Holly's body as the second creature struggles with Juno. Juno finally kills the second creature with her pick-axe. Seconds after killing the creature, Juno hears something coming up behind her and swings the pick-axe. It is actually Beth and Juno has stabbed her through the throat. Grabbing Juno's bracelet, Beth collapses in a pool of her own blood and pleads with Juno to help her. A shocked Juno backs away into one of the tunnels, leaving Beth to die.Sarah has another dream about her daughter and the cake, but her daughter now has the face of a creature. She awakes and realizes she's in a dark pit of fresh kills, practically flooded with the blood and entrails of various animals. Suddenly, the body of Holly is dropped into the pit. Using Holly's night vision camera to see, Sarah watches in horror as several of the creatures, yelping like hyenas and making clicking noises like the echolocation of bats, ravenously devour Holly. Gagging at the sight, Sarah causes one of the creatures to become aware of her presence. Coming to within inches of Sarah's face, it seems unable to detect her presence as she doesn't move a muscle. Juno is soon heard above calling from the others. The creatures all descend from the feeding pit to go after the other prey. Sarah makes a torch so she can find her way out of the pitch-black feeding pit.One of the creatures happens into Sam and Rebecca, who are embracing and remaining as still as possible. This creature roars in their general direction, but fails to see them, confirming that the creatures are totally blind and instead rely on sound to hunt. Juno again calls out for the others and the creature leaves Sam and Rebecca's vicinity. Sam and Rebecca move on to hopefully find a way out of the caves. Turning a corner, they are attacked by one of the creatures. The creature tries to maul Rebecca while Sam is frozen with fear. However, Juno appears and stabs this creature through the skull with her pick-axe, killing it.Meanwhile, Sarah is also trying to escape, returning to where they came in and finds Beth. Beth has lost a lot of blood and explains to Sarah that Juno had stabbed her and left her. Beth shows Sarah Juno's bracelet as proof. Beth pleads with Sarah to mercy-kill her, which a mournful Sarah does with a nearby rock. Moments later, a small, child-like creature appears and attacks Sarah, jumping on her back. Sarah smashes the small creature into the cave roof and flips it onto the floor, killing it.Within moments, another creature appears, this one apparently a female with long hair and distinct breasts and also apparently the small creature's mother. When the female creature attacks her, Sarah knocks her back and then she falls back into another pit. This time she falls into what appears to be a pond of blood. As she tries to climb out of the blood pond, Sarah is again attacked by the female creature. Though the creature has her pinned down, Sarah manages to reach a nearby jagged bone and stabs the female creature through the face, killing her. A male creature then arrives, failing to detect Sarah's presence as she lies motionless beneath his feet. Sarah assaults the creature, managing to kill him also with the jagged bone. Traumatized and bloodied, Sarah lets out a blood-curdling scream.Juno, Rebecca, and Sam hear Sarah's scream. Juno vows not to leave the caves without Sarah, but changes her tune when she turns to see about a dozen of the creatures crawling in pursuit of them. The three of them run off down the tunnel. Sam takes the lead and comes to another precipice. Though she knows she is too short on rope, she tries to establish another rope-pulley system to get across. When Juno and Rebecca run up behind, they plead with Sam to be careful. A creature jumps out, clings to the cave roof, and attacks Sam. It manages to rip out Sam's throat, but Sam, with her last ounce of strength, stabs the creature, which falls into the water at the bottom. The pursuing creatures arrive and pull down Rebecca. They rip open the screaming Rebecca's stomach and throat, killing her. Cornered at the edge of the precipice, Juno jumps down.Juno lands in a large pool of water at the bottom. Underwater, the creature awaits Juno, but she uses Rebecca's knife to kill it. Juno climbs up the slippery walls, but she loses her grip and begins to fall again. Suddenly, a hand grabs her, pulling her up. It turns out to be Sarah. Sarah is now bloodied and nearly silent, looking upon Juno with poorly-disguised scorn for harming Beth. Juno and Sarah run off, still looking for an escape. Coming into a cavern, they realized they are surrounded by four of the creatures. When the creatures close in, a violent struggle ensues. Juno and Sarah each kill a creature with their pick-axes, but are disarmed by a second wave of attacking creatures. Sarah kills her attacker by gouging out his eyes, while Juno kills the other by stabbing him through the throat with Sarah's flaming torch.After the fight, a tense stand-off with the pick-axes occurs between Juno and Sarah. Momentarily distracted by the sound of more creatures coming near, Juno is stabbed through the leg by Sarah's pick-axe. Just as Juno left Beth to die, Sarah leaves Juno to die. As she runs off, Sarah hears the sounds of the creatures attacking Juno and Juno screaming.Sarah runs into a side cavern and finds it full of bones. At the top of the cavern, daylight peeks through. Sarah frantically climbs to the light and pulls herself up into the woods above, blinded by the daylight. Now maniacal, Sarah runs back to the cars and takes off in one of them. Driving off back down the country roads they had come in on, Sarah is startled by the bloodied figure of Juno appearing in the passenger seat. Shifting her head, Sarah realizes that she's still in the cavern and that her escape was a fantasy. The cavern actually is a dead-end. To comfort herself, Sarah fantasizes about her daughter Jessica giving her the birthday cake again. As Sarah drifts off in her own mind, the sounds of the creatures draw nearer. | The Descent | e11928dc-378b-946e-a83c-4f9e7cb865e2 | Who plays Beth ? | [
"Alex Reid"
] | false |
/m/06zgd5 | A whitewater rafting trip is underway, with 3 long-time friends on board. Leading the trip is the bold adventurer, Juno (Natalie Mendoza). Also there is wife and mother Sarah (Shauna Macdonald) and her closest friend, Beth (Alex Reid), both British. Awaiting at the end of the raft adventure is Sarah's husband, Paul (Oliver Milburn) and daughter, Jessica (Molly Kayll). Paul and Juno share a strange moment before he drives to go back home with Sarah and Jessica. While Sarah and Paul are seemingly on the cusp of an argument, a small truck plows head-on to their car, sending a metal rod right through Paul's skull.Sarah has the first in a series of dreams where Jessica appears in a party dress and seems to offer Sarah a birthday cake. Awakening from her injuries in the accident in the hospital, Sarah panics and runs down the hallway, imagining the hospital getting dark around her. Beth embraces her and they both weep. Juno, standing in the distance and also crying, turns and leaves them.A year later, Juno has organized a spelunking (caving-diving) trip in the Appalachian Mountains. The three women from the raft trip gather at a cabin the day before this adventure. An additional 3 adventurers join them, including Juno's butch friend Holly (Nora-Jane Noone), who even Juno considers too reckless. The other two are a pair of European-rooted sisters, the safety-cautious, older sister, Rebecca (Saskia Mulder) and medical student Sam (MyAnna Buring), who, though competent, is the least experienced adventurer of the group.Tension remains between Juno and Beth and Sarah over Juno's abandonment of them last year. Holly laments the the cave they are to explore is just a tourist trap and offers no challenges. That night, Sarah has a nightmare that a steel rod hits her face just as it did Paul's.Waking her five companions the following morning, Juno leads them on a long drive over rough country road. When leaving the cars, Juno seems to intentionally leave behind the cave map. Hiking to the cave entrance, they encounter the huge carcass of a bull elk, with his throat seemingly having been torn open. All the women except Juno and Holly become hesitant when they see the cavernous entrance to the cave. They all rappel down into the first pocket in the cave. Descending still further, all daylight is vanished. Juno lights a series of flares, illuminating the huge cavern of the cave system that they've entered. Even Holly is impressed, recording her surroundings with her high-tech night-vision digital camera. As the women temporarily further prepare, Juno indicates they are looking for a tunnel to bring them further into the cave system. Juno apologizes to Sarah for leaving the previous year and grows tearful when recalling Paul. Seemingly trying to avoid this conversation, Sarah goes off on her own and finds a small tunnel entrance.One by one, the women go into the tunnel, which grows even smaller midway before coming out in another large space of the caves. Sarah is the last to come through and gets stuck on a rock. Sarah turns to claustrophobic panic. Beth, at first, tries to calm Sarah and then climbs back down the tunnel to help her out. As Beth pulls Sarah out, the tunnel roof begins to tremble and, just as the two pull out, totally collapses behind them. The whole group is distraught at the tunnel collapse, since it is obviously their return route out of the caves. Juno then reveals to the others that she not only didn't bring the cave map, but she has intentionally taken them to an unexplored cave rather than the cave to which she claimed she was taking them. Juno desired to be the first to explore these caves and have the caves named after her. The others are angered, but Juno informs them that they must keep moving and look for another exit to the cave lest they die in there.The group comes to an enormous precipice in the cave. In order to get across to a hopeful exit, they must set up a pulley system on the roof of the precipice. Rebecca painfully climbs along the roof using only her arms, hooking the rope to the cave roof. Finally arriving to the opposite side of the precipice, Rebecca sees a hook obviously left by a previous explorer of the cave. Each of the women cross the precipice using the pulley system and Juno goes last. Claiming they will need all the equipment they can get, Juno pulls down the rope pulley as she crosses the roof. Near the end, Juno loses her grip and falls. Rebecca must grab the rope to get keep Juno from falling and her hands nearly tear in half supporting Juno's weight. Juno finally climbs up the precipice wall to join the others.As the six women move on, a drooling mouth is seen in the foreground but is not detected by the women. When walking through the caves, they encounter an ancient-looking mural, resembling a community drawn by early Native Americans. Beth notices that a second exit from the cave is shown on the mural.When it's time to continue, Holly runs in the front. She sees what appears to be daylight (but is actually just phosphorescent rock) and rushes even more, despite Juno telling her to slow down. Suddenly Holly falls down a huge pit in the cave. Her leg is snapped in the fall, her bone painfully protruding from her skin. All the others rappel down into the pit and tend to Holly. Sam pulls Holly's leg back into place and makes a makeshift tourniquet for her. Meanwhile, Sarah has wandered away from the group. She finds an old, rusty miner's helmet. Looking up she is shocked to see a grotesque creature in the distance. The creature appears humanoid, but is hairless and deformed-looking with sharp claws and small eye sockets. In a moment, the creature disappears as Juno comes to find Sarah. Juno and the group don't believe Sarah about the creature and they all, including the limping Holly, go on to find a way out of the cave.They come to a part of the cave with three tunnels and even Juno is vexed as to which one to go down. A blood-curdling noise is heard, frightening the women. Suddenly the grotesque creature Sarah had seen is standing next to the women. Within seconds, the creature climbs with startling speed up the cave wall and out of sight. The creature then jumps on top of Holly. The group is frightened and Sam and Rebecca run down one of the tunnels and Sarah another. Sarah shortly loses her footing while running and falls down another pit, knocking her unconscious.The creature bites Holly in the throat, killing her. Juno begins to get into a tug-of-war with the hideous beast over Holly's body. When the creature confronts Juno she slashes its face with her pick-axe. Another similar creature jumps onto Juno. The injured creature drags off Holly's body as the second creature struggles with Juno. Juno finally kills the second creature with her pick-axe. Seconds after killing the creature, Juno hears something coming up behind her and swings the pick-axe. It is actually Beth and Juno has stabbed her through the throat. Grabbing Juno's bracelet, Beth collapses in a pool of her own blood and pleads with Juno to help her. A shocked Juno backs away into one of the tunnels, leaving Beth to die.Sarah has another dream about her daughter and the cake, but her daughter now has the face of a creature. She awakes and realizes she's in a dark pit of fresh kills, practically flooded with the blood and entrails of various animals. Suddenly, the body of Holly is dropped into the pit. Using Holly's night vision camera to see, Sarah watches in horror as several of the creatures, yelping like hyenas and making clicking noises like the echolocation of bats, ravenously devour Holly. Gagging at the sight, Sarah causes one of the creatures to become aware of her presence. Coming to within inches of Sarah's face, it seems unable to detect her presence as she doesn't move a muscle. Juno is soon heard above calling from the others. The creatures all descend from the feeding pit to go after the other prey. Sarah makes a torch so she can find her way out of the pitch-black feeding pit.One of the creatures happens into Sam and Rebecca, who are embracing and remaining as still as possible. This creature roars in their general direction, but fails to see them, confirming that the creatures are totally blind and instead rely on sound to hunt. Juno again calls out for the others and the creature leaves Sam and Rebecca's vicinity. Sam and Rebecca move on to hopefully find a way out of the caves. Turning a corner, they are attacked by one of the creatures. The creature tries to maul Rebecca while Sam is frozen with fear. However, Juno appears and stabs this creature through the skull with her pick-axe, killing it.Meanwhile, Sarah is also trying to escape, returning to where they came in and finds Beth. Beth has lost a lot of blood and explains to Sarah that Juno had stabbed her and left her. Beth shows Sarah Juno's bracelet as proof. Beth pleads with Sarah to mercy-kill her, which a mournful Sarah does with a nearby rock. Moments later, a small, child-like creature appears and attacks Sarah, jumping on her back. Sarah smashes the small creature into the cave roof and flips it onto the floor, killing it.Within moments, another creature appears, this one apparently a female with long hair and distinct breasts and also apparently the small creature's mother. When the female creature attacks her, Sarah knocks her back and then she falls back into another pit. This time she falls into what appears to be a pond of blood. As she tries to climb out of the blood pond, Sarah is again attacked by the female creature. Though the creature has her pinned down, Sarah manages to reach a nearby jagged bone and stabs the female creature through the face, killing her. A male creature then arrives, failing to detect Sarah's presence as she lies motionless beneath his feet. Sarah assaults the creature, managing to kill him also with the jagged bone. Traumatized and bloodied, Sarah lets out a blood-curdling scream.Juno, Rebecca, and Sam hear Sarah's scream. Juno vows not to leave the caves without Sarah, but changes her tune when she turns to see about a dozen of the creatures crawling in pursuit of them. The three of them run off down the tunnel. Sam takes the lead and comes to another precipice. Though she knows she is too short on rope, she tries to establish another rope-pulley system to get across. When Juno and Rebecca run up behind, they plead with Sam to be careful. A creature jumps out, clings to the cave roof, and attacks Sam. It manages to rip out Sam's throat, but Sam, with her last ounce of strength, stabs the creature, which falls into the water at the bottom. The pursuing creatures arrive and pull down Rebecca. They rip open the screaming Rebecca's stomach and throat, killing her. Cornered at the edge of the precipice, Juno jumps down.Juno lands in a large pool of water at the bottom. Underwater, the creature awaits Juno, but she uses Rebecca's knife to kill it. Juno climbs up the slippery walls, but she loses her grip and begins to fall again. Suddenly, a hand grabs her, pulling her up. It turns out to be Sarah. Sarah is now bloodied and nearly silent, looking upon Juno with poorly-disguised scorn for harming Beth. Juno and Sarah run off, still looking for an escape. Coming into a cavern, they realized they are surrounded by four of the creatures. When the creatures close in, a violent struggle ensues. Juno and Sarah each kill a creature with their pick-axes, but are disarmed by a second wave of attacking creatures. Sarah kills her attacker by gouging out his eyes, while Juno kills the other by stabbing him through the throat with Sarah's flaming torch.After the fight, a tense stand-off with the pick-axes occurs between Juno and Sarah. Momentarily distracted by the sound of more creatures coming near, Juno is stabbed through the leg by Sarah's pick-axe. Just as Juno left Beth to die, Sarah leaves Juno to die. As she runs off, Sarah hears the sounds of the creatures attacking Juno and Juno screaming.Sarah runs into a side cavern and finds it full of bones. At the top of the cavern, daylight peeks through. Sarah frantically climbs to the light and pulls herself up into the woods above, blinded by the daylight. Now maniacal, Sarah runs back to the cars and takes off in one of them. Driving off back down the country roads they had come in on, Sarah is startled by the bloodied figure of Juno appearing in the passenger seat. Shifting her head, Sarah realizes that she's still in the cavern and that her escape was a fantasy. The cavern actually is a dead-end. To comfort herself, Sarah fantasizes about her daughter Jessica giving her the birthday cake again. As Sarah drifts off in her own mind, the sounds of the creatures draw nearer. | The Descent | d0079e1b-e315-2627-c08f-c9358a2c2f43 | Who does Sarah say is smiling next to her? | [
"Jessica"
] | false |
/m/06zgd5 | A whitewater rafting trip is underway, with 3 long-time friends on board. Leading the trip is the bold adventurer, Juno (Natalie Mendoza). Also there is wife and mother Sarah (Shauna Macdonald) and her closest friend, Beth (Alex Reid), both British. Awaiting at the end of the raft adventure is Sarah's husband, Paul (Oliver Milburn) and daughter, Jessica (Molly Kayll). Paul and Juno share a strange moment before he drives to go back home with Sarah and Jessica. While Sarah and Paul are seemingly on the cusp of an argument, a small truck plows head-on to their car, sending a metal rod right through Paul's skull.Sarah has the first in a series of dreams where Jessica appears in a party dress and seems to offer Sarah a birthday cake. Awakening from her injuries in the accident in the hospital, Sarah panics and runs down the hallway, imagining the hospital getting dark around her. Beth embraces her and they both weep. Juno, standing in the distance and also crying, turns and leaves them.A year later, Juno has organized a spelunking (caving-diving) trip in the Appalachian Mountains. The three women from the raft trip gather at a cabin the day before this adventure. An additional 3 adventurers join them, including Juno's butch friend Holly (Nora-Jane Noone), who even Juno considers too reckless. The other two are a pair of European-rooted sisters, the safety-cautious, older sister, Rebecca (Saskia Mulder) and medical student Sam (MyAnna Buring), who, though competent, is the least experienced adventurer of the group.Tension remains between Juno and Beth and Sarah over Juno's abandonment of them last year. Holly laments the the cave they are to explore is just a tourist trap and offers no challenges. That night, Sarah has a nightmare that a steel rod hits her face just as it did Paul's.Waking her five companions the following morning, Juno leads them on a long drive over rough country road. When leaving the cars, Juno seems to intentionally leave behind the cave map. Hiking to the cave entrance, they encounter the huge carcass of a bull elk, with his throat seemingly having been torn open. All the women except Juno and Holly become hesitant when they see the cavernous entrance to the cave. They all rappel down into the first pocket in the cave. Descending still further, all daylight is vanished. Juno lights a series of flares, illuminating the huge cavern of the cave system that they've entered. Even Holly is impressed, recording her surroundings with her high-tech night-vision digital camera. As the women temporarily further prepare, Juno indicates they are looking for a tunnel to bring them further into the cave system. Juno apologizes to Sarah for leaving the previous year and grows tearful when recalling Paul. Seemingly trying to avoid this conversation, Sarah goes off on her own and finds a small tunnel entrance.One by one, the women go into the tunnel, which grows even smaller midway before coming out in another large space of the caves. Sarah is the last to come through and gets stuck on a rock. Sarah turns to claustrophobic panic. Beth, at first, tries to calm Sarah and then climbs back down the tunnel to help her out. As Beth pulls Sarah out, the tunnel roof begins to tremble and, just as the two pull out, totally collapses behind them. The whole group is distraught at the tunnel collapse, since it is obviously their return route out of the caves. Juno then reveals to the others that she not only didn't bring the cave map, but she has intentionally taken them to an unexplored cave rather than the cave to which she claimed she was taking them. Juno desired to be the first to explore these caves and have the caves named after her. The others are angered, but Juno informs them that they must keep moving and look for another exit to the cave lest they die in there.The group comes to an enormous precipice in the cave. In order to get across to a hopeful exit, they must set up a pulley system on the roof of the precipice. Rebecca painfully climbs along the roof using only her arms, hooking the rope to the cave roof. Finally arriving to the opposite side of the precipice, Rebecca sees a hook obviously left by a previous explorer of the cave. Each of the women cross the precipice using the pulley system and Juno goes last. Claiming they will need all the equipment they can get, Juno pulls down the rope pulley as she crosses the roof. Near the end, Juno loses her grip and falls. Rebecca must grab the rope to get keep Juno from falling and her hands nearly tear in half supporting Juno's weight. Juno finally climbs up the precipice wall to join the others.As the six women move on, a drooling mouth is seen in the foreground but is not detected by the women. When walking through the caves, they encounter an ancient-looking mural, resembling a community drawn by early Native Americans. Beth notices that a second exit from the cave is shown on the mural.When it's time to continue, Holly runs in the front. She sees what appears to be daylight (but is actually just phosphorescent rock) and rushes even more, despite Juno telling her to slow down. Suddenly Holly falls down a huge pit in the cave. Her leg is snapped in the fall, her bone painfully protruding from her skin. All the others rappel down into the pit and tend to Holly. Sam pulls Holly's leg back into place and makes a makeshift tourniquet for her. Meanwhile, Sarah has wandered away from the group. She finds an old, rusty miner's helmet. Looking up she is shocked to see a grotesque creature in the distance. The creature appears humanoid, but is hairless and deformed-looking with sharp claws and small eye sockets. In a moment, the creature disappears as Juno comes to find Sarah. Juno and the group don't believe Sarah about the creature and they all, including the limping Holly, go on to find a way out of the cave.They come to a part of the cave with three tunnels and even Juno is vexed as to which one to go down. A blood-curdling noise is heard, frightening the women. Suddenly the grotesque creature Sarah had seen is standing next to the women. Within seconds, the creature climbs with startling speed up the cave wall and out of sight. The creature then jumps on top of Holly. The group is frightened and Sam and Rebecca run down one of the tunnels and Sarah another. Sarah shortly loses her footing while running and falls down another pit, knocking her unconscious.The creature bites Holly in the throat, killing her. Juno begins to get into a tug-of-war with the hideous beast over Holly's body. When the creature confronts Juno she slashes its face with her pick-axe. Another similar creature jumps onto Juno. The injured creature drags off Holly's body as the second creature struggles with Juno. Juno finally kills the second creature with her pick-axe. Seconds after killing the creature, Juno hears something coming up behind her and swings the pick-axe. It is actually Beth and Juno has stabbed her through the throat. Grabbing Juno's bracelet, Beth collapses in a pool of her own blood and pleads with Juno to help her. A shocked Juno backs away into one of the tunnels, leaving Beth to die.Sarah has another dream about her daughter and the cake, but her daughter now has the face of a creature. She awakes and realizes she's in a dark pit of fresh kills, practically flooded with the blood and entrails of various animals. Suddenly, the body of Holly is dropped into the pit. Using Holly's night vision camera to see, Sarah watches in horror as several of the creatures, yelping like hyenas and making clicking noises like the echolocation of bats, ravenously devour Holly. Gagging at the sight, Sarah causes one of the creatures to become aware of her presence. Coming to within inches of Sarah's face, it seems unable to detect her presence as she doesn't move a muscle. Juno is soon heard above calling from the others. The creatures all descend from the feeding pit to go after the other prey. Sarah makes a torch so she can find her way out of the pitch-black feeding pit.One of the creatures happens into Sam and Rebecca, who are embracing and remaining as still as possible. This creature roars in their general direction, but fails to see them, confirming that the creatures are totally blind and instead rely on sound to hunt. Juno again calls out for the others and the creature leaves Sam and Rebecca's vicinity. Sam and Rebecca move on to hopefully find a way out of the caves. Turning a corner, they are attacked by one of the creatures. The creature tries to maul Rebecca while Sam is frozen with fear. However, Juno appears and stabs this creature through the skull with her pick-axe, killing it.Meanwhile, Sarah is also trying to escape, returning to where they came in and finds Beth. Beth has lost a lot of blood and explains to Sarah that Juno had stabbed her and left her. Beth shows Sarah Juno's bracelet as proof. Beth pleads with Sarah to mercy-kill her, which a mournful Sarah does with a nearby rock. Moments later, a small, child-like creature appears and attacks Sarah, jumping on her back. Sarah smashes the small creature into the cave roof and flips it onto the floor, killing it.Within moments, another creature appears, this one apparently a female with long hair and distinct breasts and also apparently the small creature's mother. When the female creature attacks her, Sarah knocks her back and then she falls back into another pit. This time she falls into what appears to be a pond of blood. As she tries to climb out of the blood pond, Sarah is again attacked by the female creature. Though the creature has her pinned down, Sarah manages to reach a nearby jagged bone and stabs the female creature through the face, killing her. A male creature then arrives, failing to detect Sarah's presence as she lies motionless beneath his feet. Sarah assaults the creature, managing to kill him also with the jagged bone. Traumatized and bloodied, Sarah lets out a blood-curdling scream.Juno, Rebecca, and Sam hear Sarah's scream. Juno vows not to leave the caves without Sarah, but changes her tune when she turns to see about a dozen of the creatures crawling in pursuit of them. The three of them run off down the tunnel. Sam takes the lead and comes to another precipice. Though she knows she is too short on rope, she tries to establish another rope-pulley system to get across. When Juno and Rebecca run up behind, they plead with Sam to be careful. A creature jumps out, clings to the cave roof, and attacks Sam. It manages to rip out Sam's throat, but Sam, with her last ounce of strength, stabs the creature, which falls into the water at the bottom. The pursuing creatures arrive and pull down Rebecca. They rip open the screaming Rebecca's stomach and throat, killing her. Cornered at the edge of the precipice, Juno jumps down.Juno lands in a large pool of water at the bottom. Underwater, the creature awaits Juno, but she uses Rebecca's knife to kill it. Juno climbs up the slippery walls, but she loses her grip and begins to fall again. Suddenly, a hand grabs her, pulling her up. It turns out to be Sarah. Sarah is now bloodied and nearly silent, looking upon Juno with poorly-disguised scorn for harming Beth. Juno and Sarah run off, still looking for an escape. Coming into a cavern, they realized they are surrounded by four of the creatures. When the creatures close in, a violent struggle ensues. Juno and Sarah each kill a creature with their pick-axes, but are disarmed by a second wave of attacking creatures. Sarah kills her attacker by gouging out his eyes, while Juno kills the other by stabbing him through the throat with Sarah's flaming torch.After the fight, a tense stand-off with the pick-axes occurs between Juno and Sarah. Momentarily distracted by the sound of more creatures coming near, Juno is stabbed through the leg by Sarah's pick-axe. Just as Juno left Beth to die, Sarah leaves Juno to die. As she runs off, Sarah hears the sounds of the creatures attacking Juno and Juno screaming.Sarah runs into a side cavern and finds it full of bones. At the top of the cavern, daylight peeks through. Sarah frantically climbs to the light and pulls herself up into the woods above, blinded by the daylight. Now maniacal, Sarah runs back to the cars and takes off in one of them. Driving off back down the country roads they had come in on, Sarah is startled by the bloodied figure of Juno appearing in the passenger seat. Shifting her head, Sarah realizes that she's still in the cavern and that her escape was a fantasy. The cavern actually is a dead-end. To comfort herself, Sarah fantasizes about her daughter Jessica giving her the birthday cake again. As Sarah drifts off in her own mind, the sounds of the creatures draw nearer. | The Descent | 95c5c4f1-2526-6630-bb6e-90f7026c6d54 | How does the film "The Descent" end for the US theatrical release? | [
"With the appearance of Juno in the car"
] | false |
/m/06zgd5 | A whitewater rafting trip is underway, with 3 long-time friends on board. Leading the trip is the bold adventurer, Juno (Natalie Mendoza). Also there is wife and mother Sarah (Shauna Macdonald) and her closest friend, Beth (Alex Reid), both British. Awaiting at the end of the raft adventure is Sarah's husband, Paul (Oliver Milburn) and daughter, Jessica (Molly Kayll). Paul and Juno share a strange moment before he drives to go back home with Sarah and Jessica. While Sarah and Paul are seemingly on the cusp of an argument, a small truck plows head-on to their car, sending a metal rod right through Paul's skull.Sarah has the first in a series of dreams where Jessica appears in a party dress and seems to offer Sarah a birthday cake. Awakening from her injuries in the accident in the hospital, Sarah panics and runs down the hallway, imagining the hospital getting dark around her. Beth embraces her and they both weep. Juno, standing in the distance and also crying, turns and leaves them.A year later, Juno has organized a spelunking (caving-diving) trip in the Appalachian Mountains. The three women from the raft trip gather at a cabin the day before this adventure. An additional 3 adventurers join them, including Juno's butch friend Holly (Nora-Jane Noone), who even Juno considers too reckless. The other two are a pair of European-rooted sisters, the safety-cautious, older sister, Rebecca (Saskia Mulder) and medical student Sam (MyAnna Buring), who, though competent, is the least experienced adventurer of the group.Tension remains between Juno and Beth and Sarah over Juno's abandonment of them last year. Holly laments the the cave they are to explore is just a tourist trap and offers no challenges. That night, Sarah has a nightmare that a steel rod hits her face just as it did Paul's.Waking her five companions the following morning, Juno leads them on a long drive over rough country road. When leaving the cars, Juno seems to intentionally leave behind the cave map. Hiking to the cave entrance, they encounter the huge carcass of a bull elk, with his throat seemingly having been torn open. All the women except Juno and Holly become hesitant when they see the cavernous entrance to the cave. They all rappel down into the first pocket in the cave. Descending still further, all daylight is vanished. Juno lights a series of flares, illuminating the huge cavern of the cave system that they've entered. Even Holly is impressed, recording her surroundings with her high-tech night-vision digital camera. As the women temporarily further prepare, Juno indicates they are looking for a tunnel to bring them further into the cave system. Juno apologizes to Sarah for leaving the previous year and grows tearful when recalling Paul. Seemingly trying to avoid this conversation, Sarah goes off on her own and finds a small tunnel entrance.One by one, the women go into the tunnel, which grows even smaller midway before coming out in another large space of the caves. Sarah is the last to come through and gets stuck on a rock. Sarah turns to claustrophobic panic. Beth, at first, tries to calm Sarah and then climbs back down the tunnel to help her out. As Beth pulls Sarah out, the tunnel roof begins to tremble and, just as the two pull out, totally collapses behind them. The whole group is distraught at the tunnel collapse, since it is obviously their return route out of the caves. Juno then reveals to the others that she not only didn't bring the cave map, but she has intentionally taken them to an unexplored cave rather than the cave to which she claimed she was taking them. Juno desired to be the first to explore these caves and have the caves named after her. The others are angered, but Juno informs them that they must keep moving and look for another exit to the cave lest they die in there.The group comes to an enormous precipice in the cave. In order to get across to a hopeful exit, they must set up a pulley system on the roof of the precipice. Rebecca painfully climbs along the roof using only her arms, hooking the rope to the cave roof. Finally arriving to the opposite side of the precipice, Rebecca sees a hook obviously left by a previous explorer of the cave. Each of the women cross the precipice using the pulley system and Juno goes last. Claiming they will need all the equipment they can get, Juno pulls down the rope pulley as she crosses the roof. Near the end, Juno loses her grip and falls. Rebecca must grab the rope to get keep Juno from falling and her hands nearly tear in half supporting Juno's weight. Juno finally climbs up the precipice wall to join the others.As the six women move on, a drooling mouth is seen in the foreground but is not detected by the women. When walking through the caves, they encounter an ancient-looking mural, resembling a community drawn by early Native Americans. Beth notices that a second exit from the cave is shown on the mural.When it's time to continue, Holly runs in the front. She sees what appears to be daylight (but is actually just phosphorescent rock) and rushes even more, despite Juno telling her to slow down. Suddenly Holly falls down a huge pit in the cave. Her leg is snapped in the fall, her bone painfully protruding from her skin. All the others rappel down into the pit and tend to Holly. Sam pulls Holly's leg back into place and makes a makeshift tourniquet for her. Meanwhile, Sarah has wandered away from the group. She finds an old, rusty miner's helmet. Looking up she is shocked to see a grotesque creature in the distance. The creature appears humanoid, but is hairless and deformed-looking with sharp claws and small eye sockets. In a moment, the creature disappears as Juno comes to find Sarah. Juno and the group don't believe Sarah about the creature and they all, including the limping Holly, go on to find a way out of the cave.They come to a part of the cave with three tunnels and even Juno is vexed as to which one to go down. A blood-curdling noise is heard, frightening the women. Suddenly the grotesque creature Sarah had seen is standing next to the women. Within seconds, the creature climbs with startling speed up the cave wall and out of sight. The creature then jumps on top of Holly. The group is frightened and Sam and Rebecca run down one of the tunnels and Sarah another. Sarah shortly loses her footing while running and falls down another pit, knocking her unconscious.The creature bites Holly in the throat, killing her. Juno begins to get into a tug-of-war with the hideous beast over Holly's body. When the creature confronts Juno she slashes its face with her pick-axe. Another similar creature jumps onto Juno. The injured creature drags off Holly's body as the second creature struggles with Juno. Juno finally kills the second creature with her pick-axe. Seconds after killing the creature, Juno hears something coming up behind her and swings the pick-axe. It is actually Beth and Juno has stabbed her through the throat. Grabbing Juno's bracelet, Beth collapses in a pool of her own blood and pleads with Juno to help her. A shocked Juno backs away into one of the tunnels, leaving Beth to die.Sarah has another dream about her daughter and the cake, but her daughter now has the face of a creature. She awakes and realizes she's in a dark pit of fresh kills, practically flooded with the blood and entrails of various animals. Suddenly, the body of Holly is dropped into the pit. Using Holly's night vision camera to see, Sarah watches in horror as several of the creatures, yelping like hyenas and making clicking noises like the echolocation of bats, ravenously devour Holly. Gagging at the sight, Sarah causes one of the creatures to become aware of her presence. Coming to within inches of Sarah's face, it seems unable to detect her presence as she doesn't move a muscle. Juno is soon heard above calling from the others. The creatures all descend from the feeding pit to go after the other prey. Sarah makes a torch so she can find her way out of the pitch-black feeding pit.One of the creatures happens into Sam and Rebecca, who are embracing and remaining as still as possible. This creature roars in their general direction, but fails to see them, confirming that the creatures are totally blind and instead rely on sound to hunt. Juno again calls out for the others and the creature leaves Sam and Rebecca's vicinity. Sam and Rebecca move on to hopefully find a way out of the caves. Turning a corner, they are attacked by one of the creatures. The creature tries to maul Rebecca while Sam is frozen with fear. However, Juno appears and stabs this creature through the skull with her pick-axe, killing it.Meanwhile, Sarah is also trying to escape, returning to where they came in and finds Beth. Beth has lost a lot of blood and explains to Sarah that Juno had stabbed her and left her. Beth shows Sarah Juno's bracelet as proof. Beth pleads with Sarah to mercy-kill her, which a mournful Sarah does with a nearby rock. Moments later, a small, child-like creature appears and attacks Sarah, jumping on her back. Sarah smashes the small creature into the cave roof and flips it onto the floor, killing it.Within moments, another creature appears, this one apparently a female with long hair and distinct breasts and also apparently the small creature's mother. When the female creature attacks her, Sarah knocks her back and then she falls back into another pit. This time she falls into what appears to be a pond of blood. As she tries to climb out of the blood pond, Sarah is again attacked by the female creature. Though the creature has her pinned down, Sarah manages to reach a nearby jagged bone and stabs the female creature through the face, killing her. A male creature then arrives, failing to detect Sarah's presence as she lies motionless beneath his feet. Sarah assaults the creature, managing to kill him also with the jagged bone. Traumatized and bloodied, Sarah lets out a blood-curdling scream.Juno, Rebecca, and Sam hear Sarah's scream. Juno vows not to leave the caves without Sarah, but changes her tune when she turns to see about a dozen of the creatures crawling in pursuit of them. The three of them run off down the tunnel. Sam takes the lead and comes to another precipice. Though she knows she is too short on rope, she tries to establish another rope-pulley system to get across. When Juno and Rebecca run up behind, they plead with Sam to be careful. A creature jumps out, clings to the cave roof, and attacks Sam. It manages to rip out Sam's throat, but Sam, with her last ounce of strength, stabs the creature, which falls into the water at the bottom. The pursuing creatures arrive and pull down Rebecca. They rip open the screaming Rebecca's stomach and throat, killing her. Cornered at the edge of the precipice, Juno jumps down.Juno lands in a large pool of water at the bottom. Underwater, the creature awaits Juno, but she uses Rebecca's knife to kill it. Juno climbs up the slippery walls, but she loses her grip and begins to fall again. Suddenly, a hand grabs her, pulling her up. It turns out to be Sarah. Sarah is now bloodied and nearly silent, looking upon Juno with poorly-disguised scorn for harming Beth. Juno and Sarah run off, still looking for an escape. Coming into a cavern, they realized they are surrounded by four of the creatures. When the creatures close in, a violent struggle ensues. Juno and Sarah each kill a creature with their pick-axes, but are disarmed by a second wave of attacking creatures. Sarah kills her attacker by gouging out his eyes, while Juno kills the other by stabbing him through the throat with Sarah's flaming torch.After the fight, a tense stand-off with the pick-axes occurs between Juno and Sarah. Momentarily distracted by the sound of more creatures coming near, Juno is stabbed through the leg by Sarah's pick-axe. Just as Juno left Beth to die, Sarah leaves Juno to die. As she runs off, Sarah hears the sounds of the creatures attacking Juno and Juno screaming.Sarah runs into a side cavern and finds it full of bones. At the top of the cavern, daylight peeks through. Sarah frantically climbs to the light and pulls herself up into the woods above, blinded by the daylight. Now maniacal, Sarah runs back to the cars and takes off in one of them. Driving off back down the country roads they had come in on, Sarah is startled by the bloodied figure of Juno appearing in the passenger seat. Shifting her head, Sarah realizes that she's still in the cavern and that her escape was a fantasy. The cavern actually is a dead-end. To comfort herself, Sarah fantasizes about her daughter Jessica giving her the birthday cake again. As Sarah drifts off in her own mind, the sounds of the creatures draw nearer. | The Descent | 96229f97-6b8e-716e-5dc1-56b5b7ecd24c | Whose body is being consumed by a crawler? | [
"Holly"
] | false |
/m/06zgd5 | A whitewater rafting trip is underway, with 3 long-time friends on board. Leading the trip is the bold adventurer, Juno (Natalie Mendoza). Also there is wife and mother Sarah (Shauna Macdonald) and her closest friend, Beth (Alex Reid), both British. Awaiting at the end of the raft adventure is Sarah's husband, Paul (Oliver Milburn) and daughter, Jessica (Molly Kayll). Paul and Juno share a strange moment before he drives to go back home with Sarah and Jessica. While Sarah and Paul are seemingly on the cusp of an argument, a small truck plows head-on to their car, sending a metal rod right through Paul's skull.Sarah has the first in a series of dreams where Jessica appears in a party dress and seems to offer Sarah a birthday cake. Awakening from her injuries in the accident in the hospital, Sarah panics and runs down the hallway, imagining the hospital getting dark around her. Beth embraces her and they both weep. Juno, standing in the distance and also crying, turns and leaves them.A year later, Juno has organized a spelunking (caving-diving) trip in the Appalachian Mountains. The three women from the raft trip gather at a cabin the day before this adventure. An additional 3 adventurers join them, including Juno's butch friend Holly (Nora-Jane Noone), who even Juno considers too reckless. The other two are a pair of European-rooted sisters, the safety-cautious, older sister, Rebecca (Saskia Mulder) and medical student Sam (MyAnna Buring), who, though competent, is the least experienced adventurer of the group.Tension remains between Juno and Beth and Sarah over Juno's abandonment of them last year. Holly laments the the cave they are to explore is just a tourist trap and offers no challenges. That night, Sarah has a nightmare that a steel rod hits her face just as it did Paul's.Waking her five companions the following morning, Juno leads them on a long drive over rough country road. When leaving the cars, Juno seems to intentionally leave behind the cave map. Hiking to the cave entrance, they encounter the huge carcass of a bull elk, with his throat seemingly having been torn open. All the women except Juno and Holly become hesitant when they see the cavernous entrance to the cave. They all rappel down into the first pocket in the cave. Descending still further, all daylight is vanished. Juno lights a series of flares, illuminating the huge cavern of the cave system that they've entered. Even Holly is impressed, recording her surroundings with her high-tech night-vision digital camera. As the women temporarily further prepare, Juno indicates they are looking for a tunnel to bring them further into the cave system. Juno apologizes to Sarah for leaving the previous year and grows tearful when recalling Paul. Seemingly trying to avoid this conversation, Sarah goes off on her own and finds a small tunnel entrance.One by one, the women go into the tunnel, which grows even smaller midway before coming out in another large space of the caves. Sarah is the last to come through and gets stuck on a rock. Sarah turns to claustrophobic panic. Beth, at first, tries to calm Sarah and then climbs back down the tunnel to help her out. As Beth pulls Sarah out, the tunnel roof begins to tremble and, just as the two pull out, totally collapses behind them. The whole group is distraught at the tunnel collapse, since it is obviously their return route out of the caves. Juno then reveals to the others that she not only didn't bring the cave map, but she has intentionally taken them to an unexplored cave rather than the cave to which she claimed she was taking them. Juno desired to be the first to explore these caves and have the caves named after her. The others are angered, but Juno informs them that they must keep moving and look for another exit to the cave lest they die in there.The group comes to an enormous precipice in the cave. In order to get across to a hopeful exit, they must set up a pulley system on the roof of the precipice. Rebecca painfully climbs along the roof using only her arms, hooking the rope to the cave roof. Finally arriving to the opposite side of the precipice, Rebecca sees a hook obviously left by a previous explorer of the cave. Each of the women cross the precipice using the pulley system and Juno goes last. Claiming they will need all the equipment they can get, Juno pulls down the rope pulley as she crosses the roof. Near the end, Juno loses her grip and falls. Rebecca must grab the rope to get keep Juno from falling and her hands nearly tear in half supporting Juno's weight. Juno finally climbs up the precipice wall to join the others.As the six women move on, a drooling mouth is seen in the foreground but is not detected by the women. When walking through the caves, they encounter an ancient-looking mural, resembling a community drawn by early Native Americans. Beth notices that a second exit from the cave is shown on the mural.When it's time to continue, Holly runs in the front. She sees what appears to be daylight (but is actually just phosphorescent rock) and rushes even more, despite Juno telling her to slow down. Suddenly Holly falls down a huge pit in the cave. Her leg is snapped in the fall, her bone painfully protruding from her skin. All the others rappel down into the pit and tend to Holly. Sam pulls Holly's leg back into place and makes a makeshift tourniquet for her. Meanwhile, Sarah has wandered away from the group. She finds an old, rusty miner's helmet. Looking up she is shocked to see a grotesque creature in the distance. The creature appears humanoid, but is hairless and deformed-looking with sharp claws and small eye sockets. In a moment, the creature disappears as Juno comes to find Sarah. Juno and the group don't believe Sarah about the creature and they all, including the limping Holly, go on to find a way out of the cave.They come to a part of the cave with three tunnels and even Juno is vexed as to which one to go down. A blood-curdling noise is heard, frightening the women. Suddenly the grotesque creature Sarah had seen is standing next to the women. Within seconds, the creature climbs with startling speed up the cave wall and out of sight. The creature then jumps on top of Holly. The group is frightened and Sam and Rebecca run down one of the tunnels and Sarah another. Sarah shortly loses her footing while running and falls down another pit, knocking her unconscious.The creature bites Holly in the throat, killing her. Juno begins to get into a tug-of-war with the hideous beast over Holly's body. When the creature confronts Juno she slashes its face with her pick-axe. Another similar creature jumps onto Juno. The injured creature drags off Holly's body as the second creature struggles with Juno. Juno finally kills the second creature with her pick-axe. Seconds after killing the creature, Juno hears something coming up behind her and swings the pick-axe. It is actually Beth and Juno has stabbed her through the throat. Grabbing Juno's bracelet, Beth collapses in a pool of her own blood and pleads with Juno to help her. A shocked Juno backs away into one of the tunnels, leaving Beth to die.Sarah has another dream about her daughter and the cake, but her daughter now has the face of a creature. She awakes and realizes she's in a dark pit of fresh kills, practically flooded with the blood and entrails of various animals. Suddenly, the body of Holly is dropped into the pit. Using Holly's night vision camera to see, Sarah watches in horror as several of the creatures, yelping like hyenas and making clicking noises like the echolocation of bats, ravenously devour Holly. Gagging at the sight, Sarah causes one of the creatures to become aware of her presence. Coming to within inches of Sarah's face, it seems unable to detect her presence as she doesn't move a muscle. Juno is soon heard above calling from the others. The creatures all descend from the feeding pit to go after the other prey. Sarah makes a torch so she can find her way out of the pitch-black feeding pit.One of the creatures happens into Sam and Rebecca, who are embracing and remaining as still as possible. This creature roars in their general direction, but fails to see them, confirming that the creatures are totally blind and instead rely on sound to hunt. Juno again calls out for the others and the creature leaves Sam and Rebecca's vicinity. Sam and Rebecca move on to hopefully find a way out of the caves. Turning a corner, they are attacked by one of the creatures. The creature tries to maul Rebecca while Sam is frozen with fear. However, Juno appears and stabs this creature through the skull with her pick-axe, killing it.Meanwhile, Sarah is also trying to escape, returning to where they came in and finds Beth. Beth has lost a lot of blood and explains to Sarah that Juno had stabbed her and left her. Beth shows Sarah Juno's bracelet as proof. Beth pleads with Sarah to mercy-kill her, which a mournful Sarah does with a nearby rock. Moments later, a small, child-like creature appears and attacks Sarah, jumping on her back. Sarah smashes the small creature into the cave roof and flips it onto the floor, killing it.Within moments, another creature appears, this one apparently a female with long hair and distinct breasts and also apparently the small creature's mother. When the female creature attacks her, Sarah knocks her back and then she falls back into another pit. This time she falls into what appears to be a pond of blood. As she tries to climb out of the blood pond, Sarah is again attacked by the female creature. Though the creature has her pinned down, Sarah manages to reach a nearby jagged bone and stabs the female creature through the face, killing her. A male creature then arrives, failing to detect Sarah's presence as she lies motionless beneath his feet. Sarah assaults the creature, managing to kill him also with the jagged bone. Traumatized and bloodied, Sarah lets out a blood-curdling scream.Juno, Rebecca, and Sam hear Sarah's scream. Juno vows not to leave the caves without Sarah, but changes her tune when she turns to see about a dozen of the creatures crawling in pursuit of them. The three of them run off down the tunnel. Sam takes the lead and comes to another precipice. Though she knows she is too short on rope, she tries to establish another rope-pulley system to get across. When Juno and Rebecca run up behind, they plead with Sam to be careful. A creature jumps out, clings to the cave roof, and attacks Sam. It manages to rip out Sam's throat, but Sam, with her last ounce of strength, stabs the creature, which falls into the water at the bottom. The pursuing creatures arrive and pull down Rebecca. They rip open the screaming Rebecca's stomach and throat, killing her. Cornered at the edge of the precipice, Juno jumps down.Juno lands in a large pool of water at the bottom. Underwater, the creature awaits Juno, but she uses Rebecca's knife to kill it. Juno climbs up the slippery walls, but she loses her grip and begins to fall again. Suddenly, a hand grabs her, pulling her up. It turns out to be Sarah. Sarah is now bloodied and nearly silent, looking upon Juno with poorly-disguised scorn for harming Beth. Juno and Sarah run off, still looking for an escape. Coming into a cavern, they realized they are surrounded by four of the creatures. When the creatures close in, a violent struggle ensues. Juno and Sarah each kill a creature with their pick-axes, but are disarmed by a second wave of attacking creatures. Sarah kills her attacker by gouging out his eyes, while Juno kills the other by stabbing him through the throat with Sarah's flaming torch.After the fight, a tense stand-off with the pick-axes occurs between Juno and Sarah. Momentarily distracted by the sound of more creatures coming near, Juno is stabbed through the leg by Sarah's pick-axe. Just as Juno left Beth to die, Sarah leaves Juno to die. As she runs off, Sarah hears the sounds of the creatures attacking Juno and Juno screaming.Sarah runs into a side cavern and finds it full of bones. At the top of the cavern, daylight peeks through. Sarah frantically climbs to the light and pulls herself up into the woods above, blinded by the daylight. Now maniacal, Sarah runs back to the cars and takes off in one of them. Driving off back down the country roads they had come in on, Sarah is startled by the bloodied figure of Juno appearing in the passenger seat. Shifting her head, Sarah realizes that she's still in the cavern and that her escape was a fantasy. The cavern actually is a dead-end. To comfort herself, Sarah fantasizes about her daughter Jessica giving her the birthday cake again. As Sarah drifts off in her own mind, the sounds of the creatures draw nearer. | The Descent | d5d89c80-539e-0b3c-52d2-7d9c933a41fd | Who plays Juno ? | [
"Natalie Mendoza"
] | false |
/m/06zgd5 | A whitewater rafting trip is underway, with 3 long-time friends on board. Leading the trip is the bold adventurer, Juno (Natalie Mendoza). Also there is wife and mother Sarah (Shauna Macdonald) and her closest friend, Beth (Alex Reid), both British. Awaiting at the end of the raft adventure is Sarah's husband, Paul (Oliver Milburn) and daughter, Jessica (Molly Kayll). Paul and Juno share a strange moment before he drives to go back home with Sarah and Jessica. While Sarah and Paul are seemingly on the cusp of an argument, a small truck plows head-on to their car, sending a metal rod right through Paul's skull.Sarah has the first in a series of dreams where Jessica appears in a party dress and seems to offer Sarah a birthday cake. Awakening from her injuries in the accident in the hospital, Sarah panics and runs down the hallway, imagining the hospital getting dark around her. Beth embraces her and they both weep. Juno, standing in the distance and also crying, turns and leaves them.A year later, Juno has organized a spelunking (caving-diving) trip in the Appalachian Mountains. The three women from the raft trip gather at a cabin the day before this adventure. An additional 3 adventurers join them, including Juno's butch friend Holly (Nora-Jane Noone), who even Juno considers too reckless. The other two are a pair of European-rooted sisters, the safety-cautious, older sister, Rebecca (Saskia Mulder) and medical student Sam (MyAnna Buring), who, though competent, is the least experienced adventurer of the group.Tension remains between Juno and Beth and Sarah over Juno's abandonment of them last year. Holly laments the the cave they are to explore is just a tourist trap and offers no challenges. That night, Sarah has a nightmare that a steel rod hits her face just as it did Paul's.Waking her five companions the following morning, Juno leads them on a long drive over rough country road. When leaving the cars, Juno seems to intentionally leave behind the cave map. Hiking to the cave entrance, they encounter the huge carcass of a bull elk, with his throat seemingly having been torn open. All the women except Juno and Holly become hesitant when they see the cavernous entrance to the cave. They all rappel down into the first pocket in the cave. Descending still further, all daylight is vanished. Juno lights a series of flares, illuminating the huge cavern of the cave system that they've entered. Even Holly is impressed, recording her surroundings with her high-tech night-vision digital camera. As the women temporarily further prepare, Juno indicates they are looking for a tunnel to bring them further into the cave system. Juno apologizes to Sarah for leaving the previous year and grows tearful when recalling Paul. Seemingly trying to avoid this conversation, Sarah goes off on her own and finds a small tunnel entrance.One by one, the women go into the tunnel, which grows even smaller midway before coming out in another large space of the caves. Sarah is the last to come through and gets stuck on a rock. Sarah turns to claustrophobic panic. Beth, at first, tries to calm Sarah and then climbs back down the tunnel to help her out. As Beth pulls Sarah out, the tunnel roof begins to tremble and, just as the two pull out, totally collapses behind them. The whole group is distraught at the tunnel collapse, since it is obviously their return route out of the caves. Juno then reveals to the others that she not only didn't bring the cave map, but she has intentionally taken them to an unexplored cave rather than the cave to which she claimed she was taking them. Juno desired to be the first to explore these caves and have the caves named after her. The others are angered, but Juno informs them that they must keep moving and look for another exit to the cave lest they die in there.The group comes to an enormous precipice in the cave. In order to get across to a hopeful exit, they must set up a pulley system on the roof of the precipice. Rebecca painfully climbs along the roof using only her arms, hooking the rope to the cave roof. Finally arriving to the opposite side of the precipice, Rebecca sees a hook obviously left by a previous explorer of the cave. Each of the women cross the precipice using the pulley system and Juno goes last. Claiming they will need all the equipment they can get, Juno pulls down the rope pulley as she crosses the roof. Near the end, Juno loses her grip and falls. Rebecca must grab the rope to get keep Juno from falling and her hands nearly tear in half supporting Juno's weight. Juno finally climbs up the precipice wall to join the others.As the six women move on, a drooling mouth is seen in the foreground but is not detected by the women. When walking through the caves, they encounter an ancient-looking mural, resembling a community drawn by early Native Americans. Beth notices that a second exit from the cave is shown on the mural.When it's time to continue, Holly runs in the front. She sees what appears to be daylight (but is actually just phosphorescent rock) and rushes even more, despite Juno telling her to slow down. Suddenly Holly falls down a huge pit in the cave. Her leg is snapped in the fall, her bone painfully protruding from her skin. All the others rappel down into the pit and tend to Holly. Sam pulls Holly's leg back into place and makes a makeshift tourniquet for her. Meanwhile, Sarah has wandered away from the group. She finds an old, rusty miner's helmet. Looking up she is shocked to see a grotesque creature in the distance. The creature appears humanoid, but is hairless and deformed-looking with sharp claws and small eye sockets. In a moment, the creature disappears as Juno comes to find Sarah. Juno and the group don't believe Sarah about the creature and they all, including the limping Holly, go on to find a way out of the cave.They come to a part of the cave with three tunnels and even Juno is vexed as to which one to go down. A blood-curdling noise is heard, frightening the women. Suddenly the grotesque creature Sarah had seen is standing next to the women. Within seconds, the creature climbs with startling speed up the cave wall and out of sight. The creature then jumps on top of Holly. The group is frightened and Sam and Rebecca run down one of the tunnels and Sarah another. Sarah shortly loses her footing while running and falls down another pit, knocking her unconscious.The creature bites Holly in the throat, killing her. Juno begins to get into a tug-of-war with the hideous beast over Holly's body. When the creature confronts Juno she slashes its face with her pick-axe. Another similar creature jumps onto Juno. The injured creature drags off Holly's body as the second creature struggles with Juno. Juno finally kills the second creature with her pick-axe. Seconds after killing the creature, Juno hears something coming up behind her and swings the pick-axe. It is actually Beth and Juno has stabbed her through the throat. Grabbing Juno's bracelet, Beth collapses in a pool of her own blood and pleads with Juno to help her. A shocked Juno backs away into one of the tunnels, leaving Beth to die.Sarah has another dream about her daughter and the cake, but her daughter now has the face of a creature. She awakes and realizes she's in a dark pit of fresh kills, practically flooded with the blood and entrails of various animals. Suddenly, the body of Holly is dropped into the pit. Using Holly's night vision camera to see, Sarah watches in horror as several of the creatures, yelping like hyenas and making clicking noises like the echolocation of bats, ravenously devour Holly. Gagging at the sight, Sarah causes one of the creatures to become aware of her presence. Coming to within inches of Sarah's face, it seems unable to detect her presence as she doesn't move a muscle. Juno is soon heard above calling from the others. The creatures all descend from the feeding pit to go after the other prey. Sarah makes a torch so she can find her way out of the pitch-black feeding pit.One of the creatures happens into Sam and Rebecca, who are embracing and remaining as still as possible. This creature roars in their general direction, but fails to see them, confirming that the creatures are totally blind and instead rely on sound to hunt. Juno again calls out for the others and the creature leaves Sam and Rebecca's vicinity. Sam and Rebecca move on to hopefully find a way out of the caves. Turning a corner, they are attacked by one of the creatures. The creature tries to maul Rebecca while Sam is frozen with fear. However, Juno appears and stabs this creature through the skull with her pick-axe, killing it.Meanwhile, Sarah is also trying to escape, returning to where they came in and finds Beth. Beth has lost a lot of blood and explains to Sarah that Juno had stabbed her and left her. Beth shows Sarah Juno's bracelet as proof. Beth pleads with Sarah to mercy-kill her, which a mournful Sarah does with a nearby rock. Moments later, a small, child-like creature appears and attacks Sarah, jumping on her back. Sarah smashes the small creature into the cave roof and flips it onto the floor, killing it.Within moments, another creature appears, this one apparently a female with long hair and distinct breasts and also apparently the small creature's mother. When the female creature attacks her, Sarah knocks her back and then she falls back into another pit. This time she falls into what appears to be a pond of blood. As she tries to climb out of the blood pond, Sarah is again attacked by the female creature. Though the creature has her pinned down, Sarah manages to reach a nearby jagged bone and stabs the female creature through the face, killing her. A male creature then arrives, failing to detect Sarah's presence as she lies motionless beneath his feet. Sarah assaults the creature, managing to kill him also with the jagged bone. Traumatized and bloodied, Sarah lets out a blood-curdling scream.Juno, Rebecca, and Sam hear Sarah's scream. Juno vows not to leave the caves without Sarah, but changes her tune when she turns to see about a dozen of the creatures crawling in pursuit of them. The three of them run off down the tunnel. Sam takes the lead and comes to another precipice. Though she knows she is too short on rope, she tries to establish another rope-pulley system to get across. When Juno and Rebecca run up behind, they plead with Sam to be careful. A creature jumps out, clings to the cave roof, and attacks Sam. It manages to rip out Sam's throat, but Sam, with her last ounce of strength, stabs the creature, which falls into the water at the bottom. The pursuing creatures arrive and pull down Rebecca. They rip open the screaming Rebecca's stomach and throat, killing her. Cornered at the edge of the precipice, Juno jumps down.Juno lands in a large pool of water at the bottom. Underwater, the creature awaits Juno, but she uses Rebecca's knife to kill it. Juno climbs up the slippery walls, but she loses her grip and begins to fall again. Suddenly, a hand grabs her, pulling her up. It turns out to be Sarah. Sarah is now bloodied and nearly silent, looking upon Juno with poorly-disguised scorn for harming Beth. Juno and Sarah run off, still looking for an escape. Coming into a cavern, they realized they are surrounded by four of the creatures. When the creatures close in, a violent struggle ensues. Juno and Sarah each kill a creature with their pick-axes, but are disarmed by a second wave of attacking creatures. Sarah kills her attacker by gouging out his eyes, while Juno kills the other by stabbing him through the throat with Sarah's flaming torch.After the fight, a tense stand-off with the pick-axes occurs between Juno and Sarah. Momentarily distracted by the sound of more creatures coming near, Juno is stabbed through the leg by Sarah's pick-axe. Just as Juno left Beth to die, Sarah leaves Juno to die. As she runs off, Sarah hears the sounds of the creatures attacking Juno and Juno screaming.Sarah runs into a side cavern and finds it full of bones. At the top of the cavern, daylight peeks through. Sarah frantically climbs to the light and pulls herself up into the woods above, blinded by the daylight. Now maniacal, Sarah runs back to the cars and takes off in one of them. Driving off back down the country roads they had come in on, Sarah is startled by the bloodied figure of Juno appearing in the passenger seat. Shifting her head, Sarah realizes that she's still in the cavern and that her escape was a fantasy. The cavern actually is a dead-end. To comfort herself, Sarah fantasizes about her daughter Jessica giving her the birthday cake again. As Sarah drifts off in her own mind, the sounds of the creatures draw nearer. | The Descent | b0c2fead-4354-f03e-1a58-b62319f18868 | What did Sarah use to injure Juno in the leg? | [
"a pickaxe",
"pickaxe",
"Juno is stabbed through the leg by Sarah's pick-axe."
] | false |
/m/06zgd5 | A whitewater rafting trip is underway, with 3 long-time friends on board. Leading the trip is the bold adventurer, Juno (Natalie Mendoza). Also there is wife and mother Sarah (Shauna Macdonald) and her closest friend, Beth (Alex Reid), both British. Awaiting at the end of the raft adventure is Sarah's husband, Paul (Oliver Milburn) and daughter, Jessica (Molly Kayll). Paul and Juno share a strange moment before he drives to go back home with Sarah and Jessica. While Sarah and Paul are seemingly on the cusp of an argument, a small truck plows head-on to their car, sending a metal rod right through Paul's skull.Sarah has the first in a series of dreams where Jessica appears in a party dress and seems to offer Sarah a birthday cake. Awakening from her injuries in the accident in the hospital, Sarah panics and runs down the hallway, imagining the hospital getting dark around her. Beth embraces her and they both weep. Juno, standing in the distance and also crying, turns and leaves them.A year later, Juno has organized a spelunking (caving-diving) trip in the Appalachian Mountains. The three women from the raft trip gather at a cabin the day before this adventure. An additional 3 adventurers join them, including Juno's butch friend Holly (Nora-Jane Noone), who even Juno considers too reckless. The other two are a pair of European-rooted sisters, the safety-cautious, older sister, Rebecca (Saskia Mulder) and medical student Sam (MyAnna Buring), who, though competent, is the least experienced adventurer of the group.Tension remains between Juno and Beth and Sarah over Juno's abandonment of them last year. Holly laments the the cave they are to explore is just a tourist trap and offers no challenges. That night, Sarah has a nightmare that a steel rod hits her face just as it did Paul's.Waking her five companions the following morning, Juno leads them on a long drive over rough country road. When leaving the cars, Juno seems to intentionally leave behind the cave map. Hiking to the cave entrance, they encounter the huge carcass of a bull elk, with his throat seemingly having been torn open. All the women except Juno and Holly become hesitant when they see the cavernous entrance to the cave. They all rappel down into the first pocket in the cave. Descending still further, all daylight is vanished. Juno lights a series of flares, illuminating the huge cavern of the cave system that they've entered. Even Holly is impressed, recording her surroundings with her high-tech night-vision digital camera. As the women temporarily further prepare, Juno indicates they are looking for a tunnel to bring them further into the cave system. Juno apologizes to Sarah for leaving the previous year and grows tearful when recalling Paul. Seemingly trying to avoid this conversation, Sarah goes off on her own and finds a small tunnel entrance.One by one, the women go into the tunnel, which grows even smaller midway before coming out in another large space of the caves. Sarah is the last to come through and gets stuck on a rock. Sarah turns to claustrophobic panic. Beth, at first, tries to calm Sarah and then climbs back down the tunnel to help her out. As Beth pulls Sarah out, the tunnel roof begins to tremble and, just as the two pull out, totally collapses behind them. The whole group is distraught at the tunnel collapse, since it is obviously their return route out of the caves. Juno then reveals to the others that she not only didn't bring the cave map, but she has intentionally taken them to an unexplored cave rather than the cave to which she claimed she was taking them. Juno desired to be the first to explore these caves and have the caves named after her. The others are angered, but Juno informs them that they must keep moving and look for another exit to the cave lest they die in there.The group comes to an enormous precipice in the cave. In order to get across to a hopeful exit, they must set up a pulley system on the roof of the precipice. Rebecca painfully climbs along the roof using only her arms, hooking the rope to the cave roof. Finally arriving to the opposite side of the precipice, Rebecca sees a hook obviously left by a previous explorer of the cave. Each of the women cross the precipice using the pulley system and Juno goes last. Claiming they will need all the equipment they can get, Juno pulls down the rope pulley as she crosses the roof. Near the end, Juno loses her grip and falls. Rebecca must grab the rope to get keep Juno from falling and her hands nearly tear in half supporting Juno's weight. Juno finally climbs up the precipice wall to join the others.As the six women move on, a drooling mouth is seen in the foreground but is not detected by the women. When walking through the caves, they encounter an ancient-looking mural, resembling a community drawn by early Native Americans. Beth notices that a second exit from the cave is shown on the mural.When it's time to continue, Holly runs in the front. She sees what appears to be daylight (but is actually just phosphorescent rock) and rushes even more, despite Juno telling her to slow down. Suddenly Holly falls down a huge pit in the cave. Her leg is snapped in the fall, her bone painfully protruding from her skin. All the others rappel down into the pit and tend to Holly. Sam pulls Holly's leg back into place and makes a makeshift tourniquet for her. Meanwhile, Sarah has wandered away from the group. She finds an old, rusty miner's helmet. Looking up she is shocked to see a grotesque creature in the distance. The creature appears humanoid, but is hairless and deformed-looking with sharp claws and small eye sockets. In a moment, the creature disappears as Juno comes to find Sarah. Juno and the group don't believe Sarah about the creature and they all, including the limping Holly, go on to find a way out of the cave.They come to a part of the cave with three tunnels and even Juno is vexed as to which one to go down. A blood-curdling noise is heard, frightening the women. Suddenly the grotesque creature Sarah had seen is standing next to the women. Within seconds, the creature climbs with startling speed up the cave wall and out of sight. The creature then jumps on top of Holly. The group is frightened and Sam and Rebecca run down one of the tunnels and Sarah another. Sarah shortly loses her footing while running and falls down another pit, knocking her unconscious.The creature bites Holly in the throat, killing her. Juno begins to get into a tug-of-war with the hideous beast over Holly's body. When the creature confronts Juno she slashes its face with her pick-axe. Another similar creature jumps onto Juno. The injured creature drags off Holly's body as the second creature struggles with Juno. Juno finally kills the second creature with her pick-axe. Seconds after killing the creature, Juno hears something coming up behind her and swings the pick-axe. It is actually Beth and Juno has stabbed her through the throat. Grabbing Juno's bracelet, Beth collapses in a pool of her own blood and pleads with Juno to help her. A shocked Juno backs away into one of the tunnels, leaving Beth to die.Sarah has another dream about her daughter and the cake, but her daughter now has the face of a creature. She awakes and realizes she's in a dark pit of fresh kills, practically flooded with the blood and entrails of various animals. Suddenly, the body of Holly is dropped into the pit. Using Holly's night vision camera to see, Sarah watches in horror as several of the creatures, yelping like hyenas and making clicking noises like the echolocation of bats, ravenously devour Holly. Gagging at the sight, Sarah causes one of the creatures to become aware of her presence. Coming to within inches of Sarah's face, it seems unable to detect her presence as she doesn't move a muscle. Juno is soon heard above calling from the others. The creatures all descend from the feeding pit to go after the other prey. Sarah makes a torch so she can find her way out of the pitch-black feeding pit.One of the creatures happens into Sam and Rebecca, who are embracing and remaining as still as possible. This creature roars in their general direction, but fails to see them, confirming that the creatures are totally blind and instead rely on sound to hunt. Juno again calls out for the others and the creature leaves Sam and Rebecca's vicinity. Sam and Rebecca move on to hopefully find a way out of the caves. Turning a corner, they are attacked by one of the creatures. The creature tries to maul Rebecca while Sam is frozen with fear. However, Juno appears and stabs this creature through the skull with her pick-axe, killing it.Meanwhile, Sarah is also trying to escape, returning to where they came in and finds Beth. Beth has lost a lot of blood and explains to Sarah that Juno had stabbed her and left her. Beth shows Sarah Juno's bracelet as proof. Beth pleads with Sarah to mercy-kill her, which a mournful Sarah does with a nearby rock. Moments later, a small, child-like creature appears and attacks Sarah, jumping on her back. Sarah smashes the small creature into the cave roof and flips it onto the floor, killing it.Within moments, another creature appears, this one apparently a female with long hair and distinct breasts and also apparently the small creature's mother. When the female creature attacks her, Sarah knocks her back and then she falls back into another pit. This time she falls into what appears to be a pond of blood. As she tries to climb out of the blood pond, Sarah is again attacked by the female creature. Though the creature has her pinned down, Sarah manages to reach a nearby jagged bone and stabs the female creature through the face, killing her. A male creature then arrives, failing to detect Sarah's presence as she lies motionless beneath his feet. Sarah assaults the creature, managing to kill him also with the jagged bone. Traumatized and bloodied, Sarah lets out a blood-curdling scream.Juno, Rebecca, and Sam hear Sarah's scream. Juno vows not to leave the caves without Sarah, but changes her tune when she turns to see about a dozen of the creatures crawling in pursuit of them. The three of them run off down the tunnel. Sam takes the lead and comes to another precipice. Though she knows she is too short on rope, she tries to establish another rope-pulley system to get across. When Juno and Rebecca run up behind, they plead with Sam to be careful. A creature jumps out, clings to the cave roof, and attacks Sam. It manages to rip out Sam's throat, but Sam, with her last ounce of strength, stabs the creature, which falls into the water at the bottom. The pursuing creatures arrive and pull down Rebecca. They rip open the screaming Rebecca's stomach and throat, killing her. Cornered at the edge of the precipice, Juno jumps down.Juno lands in a large pool of water at the bottom. Underwater, the creature awaits Juno, but she uses Rebecca's knife to kill it. Juno climbs up the slippery walls, but she loses her grip and begins to fall again. Suddenly, a hand grabs her, pulling her up. It turns out to be Sarah. Sarah is now bloodied and nearly silent, looking upon Juno with poorly-disguised scorn for harming Beth. Juno and Sarah run off, still looking for an escape. Coming into a cavern, they realized they are surrounded by four of the creatures. When the creatures close in, a violent struggle ensues. Juno and Sarah each kill a creature with their pick-axes, but are disarmed by a second wave of attacking creatures. Sarah kills her attacker by gouging out his eyes, while Juno kills the other by stabbing him through the throat with Sarah's flaming torch.After the fight, a tense stand-off with the pick-axes occurs between Juno and Sarah. Momentarily distracted by the sound of more creatures coming near, Juno is stabbed through the leg by Sarah's pick-axe. Just as Juno left Beth to die, Sarah leaves Juno to die. As she runs off, Sarah hears the sounds of the creatures attacking Juno and Juno screaming.Sarah runs into a side cavern and finds it full of bones. At the top of the cavern, daylight peeks through. Sarah frantically climbs to the light and pulls herself up into the woods above, blinded by the daylight. Now maniacal, Sarah runs back to the cars and takes off in one of them. Driving off back down the country roads they had come in on, Sarah is startled by the bloodied figure of Juno appearing in the passenger seat. Shifting her head, Sarah realizes that she's still in the cavern and that her escape was a fantasy. The cavern actually is a dead-end. To comfort herself, Sarah fantasizes about her daughter Jessica giving her the birthday cake again. As Sarah drifts off in her own mind, the sounds of the creatures draw nearer. | The Descent | 2efe07a4-6b08-082c-fdbf-63c41e507aad | Who does Sarah leave for dead? | [
"Sarah",
"Juno"
] | false |
/m/06zgd5 | A whitewater rafting trip is underway, with 3 long-time friends on board. Leading the trip is the bold adventurer, Juno (Natalie Mendoza). Also there is wife and mother Sarah (Shauna Macdonald) and her closest friend, Beth (Alex Reid), both British. Awaiting at the end of the raft adventure is Sarah's husband, Paul (Oliver Milburn) and daughter, Jessica (Molly Kayll). Paul and Juno share a strange moment before he drives to go back home with Sarah and Jessica. While Sarah and Paul are seemingly on the cusp of an argument, a small truck plows head-on to their car, sending a metal rod right through Paul's skull.Sarah has the first in a series of dreams where Jessica appears in a party dress and seems to offer Sarah a birthday cake. Awakening from her injuries in the accident in the hospital, Sarah panics and runs down the hallway, imagining the hospital getting dark around her. Beth embraces her and they both weep. Juno, standing in the distance and also crying, turns and leaves them.A year later, Juno has organized a spelunking (caving-diving) trip in the Appalachian Mountains. The three women from the raft trip gather at a cabin the day before this adventure. An additional 3 adventurers join them, including Juno's butch friend Holly (Nora-Jane Noone), who even Juno considers too reckless. The other two are a pair of European-rooted sisters, the safety-cautious, older sister, Rebecca (Saskia Mulder) and medical student Sam (MyAnna Buring), who, though competent, is the least experienced adventurer of the group.Tension remains between Juno and Beth and Sarah over Juno's abandonment of them last year. Holly laments the the cave they are to explore is just a tourist trap and offers no challenges. That night, Sarah has a nightmare that a steel rod hits her face just as it did Paul's.Waking her five companions the following morning, Juno leads them on a long drive over rough country road. When leaving the cars, Juno seems to intentionally leave behind the cave map. Hiking to the cave entrance, they encounter the huge carcass of a bull elk, with his throat seemingly having been torn open. All the women except Juno and Holly become hesitant when they see the cavernous entrance to the cave. They all rappel down into the first pocket in the cave. Descending still further, all daylight is vanished. Juno lights a series of flares, illuminating the huge cavern of the cave system that they've entered. Even Holly is impressed, recording her surroundings with her high-tech night-vision digital camera. As the women temporarily further prepare, Juno indicates they are looking for a tunnel to bring them further into the cave system. Juno apologizes to Sarah for leaving the previous year and grows tearful when recalling Paul. Seemingly trying to avoid this conversation, Sarah goes off on her own and finds a small tunnel entrance.One by one, the women go into the tunnel, which grows even smaller midway before coming out in another large space of the caves. Sarah is the last to come through and gets stuck on a rock. Sarah turns to claustrophobic panic. Beth, at first, tries to calm Sarah and then climbs back down the tunnel to help her out. As Beth pulls Sarah out, the tunnel roof begins to tremble and, just as the two pull out, totally collapses behind them. The whole group is distraught at the tunnel collapse, since it is obviously their return route out of the caves. Juno then reveals to the others that she not only didn't bring the cave map, but she has intentionally taken them to an unexplored cave rather than the cave to which she claimed she was taking them. Juno desired to be the first to explore these caves and have the caves named after her. The others are angered, but Juno informs them that they must keep moving and look for another exit to the cave lest they die in there.The group comes to an enormous precipice in the cave. In order to get across to a hopeful exit, they must set up a pulley system on the roof of the precipice. Rebecca painfully climbs along the roof using only her arms, hooking the rope to the cave roof. Finally arriving to the opposite side of the precipice, Rebecca sees a hook obviously left by a previous explorer of the cave. Each of the women cross the precipice using the pulley system and Juno goes last. Claiming they will need all the equipment they can get, Juno pulls down the rope pulley as she crosses the roof. Near the end, Juno loses her grip and falls. Rebecca must grab the rope to get keep Juno from falling and her hands nearly tear in half supporting Juno's weight. Juno finally climbs up the precipice wall to join the others.As the six women move on, a drooling mouth is seen in the foreground but is not detected by the women. When walking through the caves, they encounter an ancient-looking mural, resembling a community drawn by early Native Americans. Beth notices that a second exit from the cave is shown on the mural.When it's time to continue, Holly runs in the front. She sees what appears to be daylight (but is actually just phosphorescent rock) and rushes even more, despite Juno telling her to slow down. Suddenly Holly falls down a huge pit in the cave. Her leg is snapped in the fall, her bone painfully protruding from her skin. All the others rappel down into the pit and tend to Holly. Sam pulls Holly's leg back into place and makes a makeshift tourniquet for her. Meanwhile, Sarah has wandered away from the group. She finds an old, rusty miner's helmet. Looking up she is shocked to see a grotesque creature in the distance. The creature appears humanoid, but is hairless and deformed-looking with sharp claws and small eye sockets. In a moment, the creature disappears as Juno comes to find Sarah. Juno and the group don't believe Sarah about the creature and they all, including the limping Holly, go on to find a way out of the cave.They come to a part of the cave with three tunnels and even Juno is vexed as to which one to go down. A blood-curdling noise is heard, frightening the women. Suddenly the grotesque creature Sarah had seen is standing next to the women. Within seconds, the creature climbs with startling speed up the cave wall and out of sight. The creature then jumps on top of Holly. The group is frightened and Sam and Rebecca run down one of the tunnels and Sarah another. Sarah shortly loses her footing while running and falls down another pit, knocking her unconscious.The creature bites Holly in the throat, killing her. Juno begins to get into a tug-of-war with the hideous beast over Holly's body. When the creature confronts Juno she slashes its face with her pick-axe. Another similar creature jumps onto Juno. The injured creature drags off Holly's body as the second creature struggles with Juno. Juno finally kills the second creature with her pick-axe. Seconds after killing the creature, Juno hears something coming up behind her and swings the pick-axe. It is actually Beth and Juno has stabbed her through the throat. Grabbing Juno's bracelet, Beth collapses in a pool of her own blood and pleads with Juno to help her. A shocked Juno backs away into one of the tunnels, leaving Beth to die.Sarah has another dream about her daughter and the cake, but her daughter now has the face of a creature. She awakes and realizes she's in a dark pit of fresh kills, practically flooded with the blood and entrails of various animals. Suddenly, the body of Holly is dropped into the pit. Using Holly's night vision camera to see, Sarah watches in horror as several of the creatures, yelping like hyenas and making clicking noises like the echolocation of bats, ravenously devour Holly. Gagging at the sight, Sarah causes one of the creatures to become aware of her presence. Coming to within inches of Sarah's face, it seems unable to detect her presence as she doesn't move a muscle. Juno is soon heard above calling from the others. The creatures all descend from the feeding pit to go after the other prey. Sarah makes a torch so she can find her way out of the pitch-black feeding pit.One of the creatures happens into Sam and Rebecca, who are embracing and remaining as still as possible. This creature roars in their general direction, but fails to see them, confirming that the creatures are totally blind and instead rely on sound to hunt. Juno again calls out for the others and the creature leaves Sam and Rebecca's vicinity. Sam and Rebecca move on to hopefully find a way out of the caves. Turning a corner, they are attacked by one of the creatures. The creature tries to maul Rebecca while Sam is frozen with fear. However, Juno appears and stabs this creature through the skull with her pick-axe, killing it.Meanwhile, Sarah is also trying to escape, returning to where they came in and finds Beth. Beth has lost a lot of blood and explains to Sarah that Juno had stabbed her and left her. Beth shows Sarah Juno's bracelet as proof. Beth pleads with Sarah to mercy-kill her, which a mournful Sarah does with a nearby rock. Moments later, a small, child-like creature appears and attacks Sarah, jumping on her back. Sarah smashes the small creature into the cave roof and flips it onto the floor, killing it.Within moments, another creature appears, this one apparently a female with long hair and distinct breasts and also apparently the small creature's mother. When the female creature attacks her, Sarah knocks her back and then she falls back into another pit. This time she falls into what appears to be a pond of blood. As she tries to climb out of the blood pond, Sarah is again attacked by the female creature. Though the creature has her pinned down, Sarah manages to reach a nearby jagged bone and stabs the female creature through the face, killing her. A male creature then arrives, failing to detect Sarah's presence as she lies motionless beneath his feet. Sarah assaults the creature, managing to kill him also with the jagged bone. Traumatized and bloodied, Sarah lets out a blood-curdling scream.Juno, Rebecca, and Sam hear Sarah's scream. Juno vows not to leave the caves without Sarah, but changes her tune when she turns to see about a dozen of the creatures crawling in pursuit of them. The three of them run off down the tunnel. Sam takes the lead and comes to another precipice. Though she knows she is too short on rope, she tries to establish another rope-pulley system to get across. When Juno and Rebecca run up behind, they plead with Sam to be careful. A creature jumps out, clings to the cave roof, and attacks Sam. It manages to rip out Sam's throat, but Sam, with her last ounce of strength, stabs the creature, which falls into the water at the bottom. The pursuing creatures arrive and pull down Rebecca. They rip open the screaming Rebecca's stomach and throat, killing her. Cornered at the edge of the precipice, Juno jumps down.Juno lands in a large pool of water at the bottom. Underwater, the creature awaits Juno, but she uses Rebecca's knife to kill it. Juno climbs up the slippery walls, but she loses her grip and begins to fall again. Suddenly, a hand grabs her, pulling her up. It turns out to be Sarah. Sarah is now bloodied and nearly silent, looking upon Juno with poorly-disguised scorn for harming Beth. Juno and Sarah run off, still looking for an escape. Coming into a cavern, they realized they are surrounded by four of the creatures. When the creatures close in, a violent struggle ensues. Juno and Sarah each kill a creature with their pick-axes, but are disarmed by a second wave of attacking creatures. Sarah kills her attacker by gouging out his eyes, while Juno kills the other by stabbing him through the throat with Sarah's flaming torch.After the fight, a tense stand-off with the pick-axes occurs between Juno and Sarah. Momentarily distracted by the sound of more creatures coming near, Juno is stabbed through the leg by Sarah's pick-axe. Just as Juno left Beth to die, Sarah leaves Juno to die. As she runs off, Sarah hears the sounds of the creatures attacking Juno and Juno screaming.Sarah runs into a side cavern and finds it full of bones. At the top of the cavern, daylight peeks through. Sarah frantically climbs to the light and pulls herself up into the woods above, blinded by the daylight. Now maniacal, Sarah runs back to the cars and takes off in one of them. Driving off back down the country roads they had come in on, Sarah is startled by the bloodied figure of Juno appearing in the passenger seat. Shifting her head, Sarah realizes that she's still in the cavern and that her escape was a fantasy. The cavern actually is a dead-end. To comfort herself, Sarah fantasizes about her daughter Jessica giving her the birthday cake again. As Sarah drifts off in her own mind, the sounds of the creatures draw nearer. | The Descent | 2f993db2-29a9-4ad4-99fc-19cfdfdb8c8f | Who leads the group into the more dangerous part of the cave system? | [
"Holly",
"Juno"
] | false |
/m/06zgd5 | A whitewater rafting trip is underway, with 3 long-time friends on board. Leading the trip is the bold adventurer, Juno (Natalie Mendoza). Also there is wife and mother Sarah (Shauna Macdonald) and her closest friend, Beth (Alex Reid), both British. Awaiting at the end of the raft adventure is Sarah's husband, Paul (Oliver Milburn) and daughter, Jessica (Molly Kayll). Paul and Juno share a strange moment before he drives to go back home with Sarah and Jessica. While Sarah and Paul are seemingly on the cusp of an argument, a small truck plows head-on to their car, sending a metal rod right through Paul's skull.Sarah has the first in a series of dreams where Jessica appears in a party dress and seems to offer Sarah a birthday cake. Awakening from her injuries in the accident in the hospital, Sarah panics and runs down the hallway, imagining the hospital getting dark around her. Beth embraces her and they both weep. Juno, standing in the distance and also crying, turns and leaves them.A year later, Juno has organized a spelunking (caving-diving) trip in the Appalachian Mountains. The three women from the raft trip gather at a cabin the day before this adventure. An additional 3 adventurers join them, including Juno's butch friend Holly (Nora-Jane Noone), who even Juno considers too reckless. The other two are a pair of European-rooted sisters, the safety-cautious, older sister, Rebecca (Saskia Mulder) and medical student Sam (MyAnna Buring), who, though competent, is the least experienced adventurer of the group.Tension remains between Juno and Beth and Sarah over Juno's abandonment of them last year. Holly laments the the cave they are to explore is just a tourist trap and offers no challenges. That night, Sarah has a nightmare that a steel rod hits her face just as it did Paul's.Waking her five companions the following morning, Juno leads them on a long drive over rough country road. When leaving the cars, Juno seems to intentionally leave behind the cave map. Hiking to the cave entrance, they encounter the huge carcass of a bull elk, with his throat seemingly having been torn open. All the women except Juno and Holly become hesitant when they see the cavernous entrance to the cave. They all rappel down into the first pocket in the cave. Descending still further, all daylight is vanished. Juno lights a series of flares, illuminating the huge cavern of the cave system that they've entered. Even Holly is impressed, recording her surroundings with her high-tech night-vision digital camera. As the women temporarily further prepare, Juno indicates they are looking for a tunnel to bring them further into the cave system. Juno apologizes to Sarah for leaving the previous year and grows tearful when recalling Paul. Seemingly trying to avoid this conversation, Sarah goes off on her own and finds a small tunnel entrance.One by one, the women go into the tunnel, which grows even smaller midway before coming out in another large space of the caves. Sarah is the last to come through and gets stuck on a rock. Sarah turns to claustrophobic panic. Beth, at first, tries to calm Sarah and then climbs back down the tunnel to help her out. As Beth pulls Sarah out, the tunnel roof begins to tremble and, just as the two pull out, totally collapses behind them. The whole group is distraught at the tunnel collapse, since it is obviously their return route out of the caves. Juno then reveals to the others that she not only didn't bring the cave map, but she has intentionally taken them to an unexplored cave rather than the cave to which she claimed she was taking them. Juno desired to be the first to explore these caves and have the caves named after her. The others are angered, but Juno informs them that they must keep moving and look for another exit to the cave lest they die in there.The group comes to an enormous precipice in the cave. In order to get across to a hopeful exit, they must set up a pulley system on the roof of the precipice. Rebecca painfully climbs along the roof using only her arms, hooking the rope to the cave roof. Finally arriving to the opposite side of the precipice, Rebecca sees a hook obviously left by a previous explorer of the cave. Each of the women cross the precipice using the pulley system and Juno goes last. Claiming they will need all the equipment they can get, Juno pulls down the rope pulley as she crosses the roof. Near the end, Juno loses her grip and falls. Rebecca must grab the rope to get keep Juno from falling and her hands nearly tear in half supporting Juno's weight. Juno finally climbs up the precipice wall to join the others.As the six women move on, a drooling mouth is seen in the foreground but is not detected by the women. When walking through the caves, they encounter an ancient-looking mural, resembling a community drawn by early Native Americans. Beth notices that a second exit from the cave is shown on the mural.When it's time to continue, Holly runs in the front. She sees what appears to be daylight (but is actually just phosphorescent rock) and rushes even more, despite Juno telling her to slow down. Suddenly Holly falls down a huge pit in the cave. Her leg is snapped in the fall, her bone painfully protruding from her skin. All the others rappel down into the pit and tend to Holly. Sam pulls Holly's leg back into place and makes a makeshift tourniquet for her. Meanwhile, Sarah has wandered away from the group. She finds an old, rusty miner's helmet. Looking up she is shocked to see a grotesque creature in the distance. The creature appears humanoid, but is hairless and deformed-looking with sharp claws and small eye sockets. In a moment, the creature disappears as Juno comes to find Sarah. Juno and the group don't believe Sarah about the creature and they all, including the limping Holly, go on to find a way out of the cave.They come to a part of the cave with three tunnels and even Juno is vexed as to which one to go down. A blood-curdling noise is heard, frightening the women. Suddenly the grotesque creature Sarah had seen is standing next to the women. Within seconds, the creature climbs with startling speed up the cave wall and out of sight. The creature then jumps on top of Holly. The group is frightened and Sam and Rebecca run down one of the tunnels and Sarah another. Sarah shortly loses her footing while running and falls down another pit, knocking her unconscious.The creature bites Holly in the throat, killing her. Juno begins to get into a tug-of-war with the hideous beast over Holly's body. When the creature confronts Juno she slashes its face with her pick-axe. Another similar creature jumps onto Juno. The injured creature drags off Holly's body as the second creature struggles with Juno. Juno finally kills the second creature with her pick-axe. Seconds after killing the creature, Juno hears something coming up behind her and swings the pick-axe. It is actually Beth and Juno has stabbed her through the throat. Grabbing Juno's bracelet, Beth collapses in a pool of her own blood and pleads with Juno to help her. A shocked Juno backs away into one of the tunnels, leaving Beth to die.Sarah has another dream about her daughter and the cake, but her daughter now has the face of a creature. She awakes and realizes she's in a dark pit of fresh kills, practically flooded with the blood and entrails of various animals. Suddenly, the body of Holly is dropped into the pit. Using Holly's night vision camera to see, Sarah watches in horror as several of the creatures, yelping like hyenas and making clicking noises like the echolocation of bats, ravenously devour Holly. Gagging at the sight, Sarah causes one of the creatures to become aware of her presence. Coming to within inches of Sarah's face, it seems unable to detect her presence as she doesn't move a muscle. Juno is soon heard above calling from the others. The creatures all descend from the feeding pit to go after the other prey. Sarah makes a torch so she can find her way out of the pitch-black feeding pit.One of the creatures happens into Sam and Rebecca, who are embracing and remaining as still as possible. This creature roars in their general direction, but fails to see them, confirming that the creatures are totally blind and instead rely on sound to hunt. Juno again calls out for the others and the creature leaves Sam and Rebecca's vicinity. Sam and Rebecca move on to hopefully find a way out of the caves. Turning a corner, they are attacked by one of the creatures. The creature tries to maul Rebecca while Sam is frozen with fear. However, Juno appears and stabs this creature through the skull with her pick-axe, killing it.Meanwhile, Sarah is also trying to escape, returning to where they came in and finds Beth. Beth has lost a lot of blood and explains to Sarah that Juno had stabbed her and left her. Beth shows Sarah Juno's bracelet as proof. Beth pleads with Sarah to mercy-kill her, which a mournful Sarah does with a nearby rock. Moments later, a small, child-like creature appears and attacks Sarah, jumping on her back. Sarah smashes the small creature into the cave roof and flips it onto the floor, killing it.Within moments, another creature appears, this one apparently a female with long hair and distinct breasts and also apparently the small creature's mother. When the female creature attacks her, Sarah knocks her back and then she falls back into another pit. This time she falls into what appears to be a pond of blood. As she tries to climb out of the blood pond, Sarah is again attacked by the female creature. Though the creature has her pinned down, Sarah manages to reach a nearby jagged bone and stabs the female creature through the face, killing her. A male creature then arrives, failing to detect Sarah's presence as she lies motionless beneath his feet. Sarah assaults the creature, managing to kill him also with the jagged bone. Traumatized and bloodied, Sarah lets out a blood-curdling scream.Juno, Rebecca, and Sam hear Sarah's scream. Juno vows not to leave the caves without Sarah, but changes her tune when she turns to see about a dozen of the creatures crawling in pursuit of them. The three of them run off down the tunnel. Sam takes the lead and comes to another precipice. Though she knows she is too short on rope, she tries to establish another rope-pulley system to get across. When Juno and Rebecca run up behind, they plead with Sam to be careful. A creature jumps out, clings to the cave roof, and attacks Sam. It manages to rip out Sam's throat, but Sam, with her last ounce of strength, stabs the creature, which falls into the water at the bottom. The pursuing creatures arrive and pull down Rebecca. They rip open the screaming Rebecca's stomach and throat, killing her. Cornered at the edge of the precipice, Juno jumps down.Juno lands in a large pool of water at the bottom. Underwater, the creature awaits Juno, but she uses Rebecca's knife to kill it. Juno climbs up the slippery walls, but she loses her grip and begins to fall again. Suddenly, a hand grabs her, pulling her up. It turns out to be Sarah. Sarah is now bloodied and nearly silent, looking upon Juno with poorly-disguised scorn for harming Beth. Juno and Sarah run off, still looking for an escape. Coming into a cavern, they realized they are surrounded by four of the creatures. When the creatures close in, a violent struggle ensues. Juno and Sarah each kill a creature with their pick-axes, but are disarmed by a second wave of attacking creatures. Sarah kills her attacker by gouging out his eyes, while Juno kills the other by stabbing him through the throat with Sarah's flaming torch.After the fight, a tense stand-off with the pick-axes occurs between Juno and Sarah. Momentarily distracted by the sound of more creatures coming near, Juno is stabbed through the leg by Sarah's pick-axe. Just as Juno left Beth to die, Sarah leaves Juno to die. As she runs off, Sarah hears the sounds of the creatures attacking Juno and Juno screaming.Sarah runs into a side cavern and finds it full of bones. At the top of the cavern, daylight peeks through. Sarah frantically climbs to the light and pulls herself up into the woods above, blinded by the daylight. Now maniacal, Sarah runs back to the cars and takes off in one of them. Driving off back down the country roads they had come in on, Sarah is startled by the bloodied figure of Juno appearing in the passenger seat. Shifting her head, Sarah realizes that she's still in the cavern and that her escape was a fantasy. The cavern actually is a dead-end. To comfort herself, Sarah fantasizes about her daughter Jessica giving her the birthday cake again. As Sarah drifts off in her own mind, the sounds of the creatures draw nearer. | The Descent | 33e38be0-3c0b-236e-1864-2d9a0da5f331 | How many people meet at the cabin? | [
"1 just Sarah",
"6"
] | false |
/m/06zgd5 | A whitewater rafting trip is underway, with 3 long-time friends on board. Leading the trip is the bold adventurer, Juno (Natalie Mendoza). Also there is wife and mother Sarah (Shauna Macdonald) and her closest friend, Beth (Alex Reid), both British. Awaiting at the end of the raft adventure is Sarah's husband, Paul (Oliver Milburn) and daughter, Jessica (Molly Kayll). Paul and Juno share a strange moment before he drives to go back home with Sarah and Jessica. While Sarah and Paul are seemingly on the cusp of an argument, a small truck plows head-on to their car, sending a metal rod right through Paul's skull.Sarah has the first in a series of dreams where Jessica appears in a party dress and seems to offer Sarah a birthday cake. Awakening from her injuries in the accident in the hospital, Sarah panics and runs down the hallway, imagining the hospital getting dark around her. Beth embraces her and they both weep. Juno, standing in the distance and also crying, turns and leaves them.A year later, Juno has organized a spelunking (caving-diving) trip in the Appalachian Mountains. The three women from the raft trip gather at a cabin the day before this adventure. An additional 3 adventurers join them, including Juno's butch friend Holly (Nora-Jane Noone), who even Juno considers too reckless. The other two are a pair of European-rooted sisters, the safety-cautious, older sister, Rebecca (Saskia Mulder) and medical student Sam (MyAnna Buring), who, though competent, is the least experienced adventurer of the group.Tension remains between Juno and Beth and Sarah over Juno's abandonment of them last year. Holly laments the the cave they are to explore is just a tourist trap and offers no challenges. That night, Sarah has a nightmare that a steel rod hits her face just as it did Paul's.Waking her five companions the following morning, Juno leads them on a long drive over rough country road. When leaving the cars, Juno seems to intentionally leave behind the cave map. Hiking to the cave entrance, they encounter the huge carcass of a bull elk, with his throat seemingly having been torn open. All the women except Juno and Holly become hesitant when they see the cavernous entrance to the cave. They all rappel down into the first pocket in the cave. Descending still further, all daylight is vanished. Juno lights a series of flares, illuminating the huge cavern of the cave system that they've entered. Even Holly is impressed, recording her surroundings with her high-tech night-vision digital camera. As the women temporarily further prepare, Juno indicates they are looking for a tunnel to bring them further into the cave system. Juno apologizes to Sarah for leaving the previous year and grows tearful when recalling Paul. Seemingly trying to avoid this conversation, Sarah goes off on her own and finds a small tunnel entrance.One by one, the women go into the tunnel, which grows even smaller midway before coming out in another large space of the caves. Sarah is the last to come through and gets stuck on a rock. Sarah turns to claustrophobic panic. Beth, at first, tries to calm Sarah and then climbs back down the tunnel to help her out. As Beth pulls Sarah out, the tunnel roof begins to tremble and, just as the two pull out, totally collapses behind them. The whole group is distraught at the tunnel collapse, since it is obviously their return route out of the caves. Juno then reveals to the others that she not only didn't bring the cave map, but she has intentionally taken them to an unexplored cave rather than the cave to which she claimed she was taking them. Juno desired to be the first to explore these caves and have the caves named after her. The others are angered, but Juno informs them that they must keep moving and look for another exit to the cave lest they die in there.The group comes to an enormous precipice in the cave. In order to get across to a hopeful exit, they must set up a pulley system on the roof of the precipice. Rebecca painfully climbs along the roof using only her arms, hooking the rope to the cave roof. Finally arriving to the opposite side of the precipice, Rebecca sees a hook obviously left by a previous explorer of the cave. Each of the women cross the precipice using the pulley system and Juno goes last. Claiming they will need all the equipment they can get, Juno pulls down the rope pulley as she crosses the roof. Near the end, Juno loses her grip and falls. Rebecca must grab the rope to get keep Juno from falling and her hands nearly tear in half supporting Juno's weight. Juno finally climbs up the precipice wall to join the others.As the six women move on, a drooling mouth is seen in the foreground but is not detected by the women. When walking through the caves, they encounter an ancient-looking mural, resembling a community drawn by early Native Americans. Beth notices that a second exit from the cave is shown on the mural.When it's time to continue, Holly runs in the front. She sees what appears to be daylight (but is actually just phosphorescent rock) and rushes even more, despite Juno telling her to slow down. Suddenly Holly falls down a huge pit in the cave. Her leg is snapped in the fall, her bone painfully protruding from her skin. All the others rappel down into the pit and tend to Holly. Sam pulls Holly's leg back into place and makes a makeshift tourniquet for her. Meanwhile, Sarah has wandered away from the group. She finds an old, rusty miner's helmet. Looking up she is shocked to see a grotesque creature in the distance. The creature appears humanoid, but is hairless and deformed-looking with sharp claws and small eye sockets. In a moment, the creature disappears as Juno comes to find Sarah. Juno and the group don't believe Sarah about the creature and they all, including the limping Holly, go on to find a way out of the cave.They come to a part of the cave with three tunnels and even Juno is vexed as to which one to go down. A blood-curdling noise is heard, frightening the women. Suddenly the grotesque creature Sarah had seen is standing next to the women. Within seconds, the creature climbs with startling speed up the cave wall and out of sight. The creature then jumps on top of Holly. The group is frightened and Sam and Rebecca run down one of the tunnels and Sarah another. Sarah shortly loses her footing while running and falls down another pit, knocking her unconscious.The creature bites Holly in the throat, killing her. Juno begins to get into a tug-of-war with the hideous beast over Holly's body. When the creature confronts Juno she slashes its face with her pick-axe. Another similar creature jumps onto Juno. The injured creature drags off Holly's body as the second creature struggles with Juno. Juno finally kills the second creature with her pick-axe. Seconds after killing the creature, Juno hears something coming up behind her and swings the pick-axe. It is actually Beth and Juno has stabbed her through the throat. Grabbing Juno's bracelet, Beth collapses in a pool of her own blood and pleads with Juno to help her. A shocked Juno backs away into one of the tunnels, leaving Beth to die.Sarah has another dream about her daughter and the cake, but her daughter now has the face of a creature. She awakes and realizes she's in a dark pit of fresh kills, practically flooded with the blood and entrails of various animals. Suddenly, the body of Holly is dropped into the pit. Using Holly's night vision camera to see, Sarah watches in horror as several of the creatures, yelping like hyenas and making clicking noises like the echolocation of bats, ravenously devour Holly. Gagging at the sight, Sarah causes one of the creatures to become aware of her presence. Coming to within inches of Sarah's face, it seems unable to detect her presence as she doesn't move a muscle. Juno is soon heard above calling from the others. The creatures all descend from the feeding pit to go after the other prey. Sarah makes a torch so she can find her way out of the pitch-black feeding pit.One of the creatures happens into Sam and Rebecca, who are embracing and remaining as still as possible. This creature roars in their general direction, but fails to see them, confirming that the creatures are totally blind and instead rely on sound to hunt. Juno again calls out for the others and the creature leaves Sam and Rebecca's vicinity. Sam and Rebecca move on to hopefully find a way out of the caves. Turning a corner, they are attacked by one of the creatures. The creature tries to maul Rebecca while Sam is frozen with fear. However, Juno appears and stabs this creature through the skull with her pick-axe, killing it.Meanwhile, Sarah is also trying to escape, returning to where they came in and finds Beth. Beth has lost a lot of blood and explains to Sarah that Juno had stabbed her and left her. Beth shows Sarah Juno's bracelet as proof. Beth pleads with Sarah to mercy-kill her, which a mournful Sarah does with a nearby rock. Moments later, a small, child-like creature appears and attacks Sarah, jumping on her back. Sarah smashes the small creature into the cave roof and flips it onto the floor, killing it.Within moments, another creature appears, this one apparently a female with long hair and distinct breasts and also apparently the small creature's mother. When the female creature attacks her, Sarah knocks her back and then she falls back into another pit. This time she falls into what appears to be a pond of blood. As she tries to climb out of the blood pond, Sarah is again attacked by the female creature. Though the creature has her pinned down, Sarah manages to reach a nearby jagged bone and stabs the female creature through the face, killing her. A male creature then arrives, failing to detect Sarah's presence as she lies motionless beneath his feet. Sarah assaults the creature, managing to kill him also with the jagged bone. Traumatized and bloodied, Sarah lets out a blood-curdling scream.Juno, Rebecca, and Sam hear Sarah's scream. Juno vows not to leave the caves without Sarah, but changes her tune when she turns to see about a dozen of the creatures crawling in pursuit of them. The three of them run off down the tunnel. Sam takes the lead and comes to another precipice. Though she knows she is too short on rope, she tries to establish another rope-pulley system to get across. When Juno and Rebecca run up behind, they plead with Sam to be careful. A creature jumps out, clings to the cave roof, and attacks Sam. It manages to rip out Sam's throat, but Sam, with her last ounce of strength, stabs the creature, which falls into the water at the bottom. The pursuing creatures arrive and pull down Rebecca. They rip open the screaming Rebecca's stomach and throat, killing her. Cornered at the edge of the precipice, Juno jumps down.Juno lands in a large pool of water at the bottom. Underwater, the creature awaits Juno, but she uses Rebecca's knife to kill it. Juno climbs up the slippery walls, but she loses her grip and begins to fall again. Suddenly, a hand grabs her, pulling her up. It turns out to be Sarah. Sarah is now bloodied and nearly silent, looking upon Juno with poorly-disguised scorn for harming Beth. Juno and Sarah run off, still looking for an escape. Coming into a cavern, they realized they are surrounded by four of the creatures. When the creatures close in, a violent struggle ensues. Juno and Sarah each kill a creature with their pick-axes, but are disarmed by a second wave of attacking creatures. Sarah kills her attacker by gouging out his eyes, while Juno kills the other by stabbing him through the throat with Sarah's flaming torch.After the fight, a tense stand-off with the pick-axes occurs between Juno and Sarah. Momentarily distracted by the sound of more creatures coming near, Juno is stabbed through the leg by Sarah's pick-axe. Just as Juno left Beth to die, Sarah leaves Juno to die. As she runs off, Sarah hears the sounds of the creatures attacking Juno and Juno screaming.Sarah runs into a side cavern and finds it full of bones. At the top of the cavern, daylight peeks through. Sarah frantically climbs to the light and pulls herself up into the woods above, blinded by the daylight. Now maniacal, Sarah runs back to the cars and takes off in one of them. Driving off back down the country roads they had come in on, Sarah is startled by the bloodied figure of Juno appearing in the passenger seat. Shifting her head, Sarah realizes that she's still in the cavern and that her escape was a fantasy. The cavern actually is a dead-end. To comfort herself, Sarah fantasizes about her daughter Jessica giving her the birthday cake again. As Sarah drifts off in her own mind, the sounds of the creatures draw nearer. | The Descent | 6f20a6f3-20a0-a1b2-d62f-16acc48c1ea8 | Who wanders off? | [
"Sarah",
"Sarah drifts off in her own mind."
] | false |
/m/06zgd5 | A whitewater rafting trip is underway, with 3 long-time friends on board. Leading the trip is the bold adventurer, Juno (Natalie Mendoza). Also there is wife and mother Sarah (Shauna Macdonald) and her closest friend, Beth (Alex Reid), both British. Awaiting at the end of the raft adventure is Sarah's husband, Paul (Oliver Milburn) and daughter, Jessica (Molly Kayll). Paul and Juno share a strange moment before he drives to go back home with Sarah and Jessica. While Sarah and Paul are seemingly on the cusp of an argument, a small truck plows head-on to their car, sending a metal rod right through Paul's skull.Sarah has the first in a series of dreams where Jessica appears in a party dress and seems to offer Sarah a birthday cake. Awakening from her injuries in the accident in the hospital, Sarah panics and runs down the hallway, imagining the hospital getting dark around her. Beth embraces her and they both weep. Juno, standing in the distance and also crying, turns and leaves them.A year later, Juno has organized a spelunking (caving-diving) trip in the Appalachian Mountains. The three women from the raft trip gather at a cabin the day before this adventure. An additional 3 adventurers join them, including Juno's butch friend Holly (Nora-Jane Noone), who even Juno considers too reckless. The other two are a pair of European-rooted sisters, the safety-cautious, older sister, Rebecca (Saskia Mulder) and medical student Sam (MyAnna Buring), who, though competent, is the least experienced adventurer of the group.Tension remains between Juno and Beth and Sarah over Juno's abandonment of them last year. Holly laments the the cave they are to explore is just a tourist trap and offers no challenges. That night, Sarah has a nightmare that a steel rod hits her face just as it did Paul's.Waking her five companions the following morning, Juno leads them on a long drive over rough country road. When leaving the cars, Juno seems to intentionally leave behind the cave map. Hiking to the cave entrance, they encounter the huge carcass of a bull elk, with his throat seemingly having been torn open. All the women except Juno and Holly become hesitant when they see the cavernous entrance to the cave. They all rappel down into the first pocket in the cave. Descending still further, all daylight is vanished. Juno lights a series of flares, illuminating the huge cavern of the cave system that they've entered. Even Holly is impressed, recording her surroundings with her high-tech night-vision digital camera. As the women temporarily further prepare, Juno indicates they are looking for a tunnel to bring them further into the cave system. Juno apologizes to Sarah for leaving the previous year and grows tearful when recalling Paul. Seemingly trying to avoid this conversation, Sarah goes off on her own and finds a small tunnel entrance.One by one, the women go into the tunnel, which grows even smaller midway before coming out in another large space of the caves. Sarah is the last to come through and gets stuck on a rock. Sarah turns to claustrophobic panic. Beth, at first, tries to calm Sarah and then climbs back down the tunnel to help her out. As Beth pulls Sarah out, the tunnel roof begins to tremble and, just as the two pull out, totally collapses behind them. The whole group is distraught at the tunnel collapse, since it is obviously their return route out of the caves. Juno then reveals to the others that she not only didn't bring the cave map, but she has intentionally taken them to an unexplored cave rather than the cave to which she claimed she was taking them. Juno desired to be the first to explore these caves and have the caves named after her. The others are angered, but Juno informs them that they must keep moving and look for another exit to the cave lest they die in there.The group comes to an enormous precipice in the cave. In order to get across to a hopeful exit, they must set up a pulley system on the roof of the precipice. Rebecca painfully climbs along the roof using only her arms, hooking the rope to the cave roof. Finally arriving to the opposite side of the precipice, Rebecca sees a hook obviously left by a previous explorer of the cave. Each of the women cross the precipice using the pulley system and Juno goes last. Claiming they will need all the equipment they can get, Juno pulls down the rope pulley as she crosses the roof. Near the end, Juno loses her grip and falls. Rebecca must grab the rope to get keep Juno from falling and her hands nearly tear in half supporting Juno's weight. Juno finally climbs up the precipice wall to join the others.As the six women move on, a drooling mouth is seen in the foreground but is not detected by the women. When walking through the caves, they encounter an ancient-looking mural, resembling a community drawn by early Native Americans. Beth notices that a second exit from the cave is shown on the mural.When it's time to continue, Holly runs in the front. She sees what appears to be daylight (but is actually just phosphorescent rock) and rushes even more, despite Juno telling her to slow down. Suddenly Holly falls down a huge pit in the cave. Her leg is snapped in the fall, her bone painfully protruding from her skin. All the others rappel down into the pit and tend to Holly. Sam pulls Holly's leg back into place and makes a makeshift tourniquet for her. Meanwhile, Sarah has wandered away from the group. She finds an old, rusty miner's helmet. Looking up she is shocked to see a grotesque creature in the distance. The creature appears humanoid, but is hairless and deformed-looking with sharp claws and small eye sockets. In a moment, the creature disappears as Juno comes to find Sarah. Juno and the group don't believe Sarah about the creature and they all, including the limping Holly, go on to find a way out of the cave.They come to a part of the cave with three tunnels and even Juno is vexed as to which one to go down. A blood-curdling noise is heard, frightening the women. Suddenly the grotesque creature Sarah had seen is standing next to the women. Within seconds, the creature climbs with startling speed up the cave wall and out of sight. The creature then jumps on top of Holly. The group is frightened and Sam and Rebecca run down one of the tunnels and Sarah another. Sarah shortly loses her footing while running and falls down another pit, knocking her unconscious.The creature bites Holly in the throat, killing her. Juno begins to get into a tug-of-war with the hideous beast over Holly's body. When the creature confronts Juno she slashes its face with her pick-axe. Another similar creature jumps onto Juno. The injured creature drags off Holly's body as the second creature struggles with Juno. Juno finally kills the second creature with her pick-axe. Seconds after killing the creature, Juno hears something coming up behind her and swings the pick-axe. It is actually Beth and Juno has stabbed her through the throat. Grabbing Juno's bracelet, Beth collapses in a pool of her own blood and pleads with Juno to help her. A shocked Juno backs away into one of the tunnels, leaving Beth to die.Sarah has another dream about her daughter and the cake, but her daughter now has the face of a creature. She awakes and realizes she's in a dark pit of fresh kills, practically flooded with the blood and entrails of various animals. Suddenly, the body of Holly is dropped into the pit. Using Holly's night vision camera to see, Sarah watches in horror as several of the creatures, yelping like hyenas and making clicking noises like the echolocation of bats, ravenously devour Holly. Gagging at the sight, Sarah causes one of the creatures to become aware of her presence. Coming to within inches of Sarah's face, it seems unable to detect her presence as she doesn't move a muscle. Juno is soon heard above calling from the others. The creatures all descend from the feeding pit to go after the other prey. Sarah makes a torch so she can find her way out of the pitch-black feeding pit.One of the creatures happens into Sam and Rebecca, who are embracing and remaining as still as possible. This creature roars in their general direction, but fails to see them, confirming that the creatures are totally blind and instead rely on sound to hunt. Juno again calls out for the others and the creature leaves Sam and Rebecca's vicinity. Sam and Rebecca move on to hopefully find a way out of the caves. Turning a corner, they are attacked by one of the creatures. The creature tries to maul Rebecca while Sam is frozen with fear. However, Juno appears and stabs this creature through the skull with her pick-axe, killing it.Meanwhile, Sarah is also trying to escape, returning to where they came in and finds Beth. Beth has lost a lot of blood and explains to Sarah that Juno had stabbed her and left her. Beth shows Sarah Juno's bracelet as proof. Beth pleads with Sarah to mercy-kill her, which a mournful Sarah does with a nearby rock. Moments later, a small, child-like creature appears and attacks Sarah, jumping on her back. Sarah smashes the small creature into the cave roof and flips it onto the floor, killing it.Within moments, another creature appears, this one apparently a female with long hair and distinct breasts and also apparently the small creature's mother. When the female creature attacks her, Sarah knocks her back and then she falls back into another pit. This time she falls into what appears to be a pond of blood. As she tries to climb out of the blood pond, Sarah is again attacked by the female creature. Though the creature has her pinned down, Sarah manages to reach a nearby jagged bone and stabs the female creature through the face, killing her. A male creature then arrives, failing to detect Sarah's presence as she lies motionless beneath his feet. Sarah assaults the creature, managing to kill him also with the jagged bone. Traumatized and bloodied, Sarah lets out a blood-curdling scream.Juno, Rebecca, and Sam hear Sarah's scream. Juno vows not to leave the caves without Sarah, but changes her tune when she turns to see about a dozen of the creatures crawling in pursuit of them. The three of them run off down the tunnel. Sam takes the lead and comes to another precipice. Though she knows she is too short on rope, she tries to establish another rope-pulley system to get across. When Juno and Rebecca run up behind, they plead with Sam to be careful. A creature jumps out, clings to the cave roof, and attacks Sam. It manages to rip out Sam's throat, but Sam, with her last ounce of strength, stabs the creature, which falls into the water at the bottom. The pursuing creatures arrive and pull down Rebecca. They rip open the screaming Rebecca's stomach and throat, killing her. Cornered at the edge of the precipice, Juno jumps down.Juno lands in a large pool of water at the bottom. Underwater, the creature awaits Juno, but she uses Rebecca's knife to kill it. Juno climbs up the slippery walls, but she loses her grip and begins to fall again. Suddenly, a hand grabs her, pulling her up. It turns out to be Sarah. Sarah is now bloodied and nearly silent, looking upon Juno with poorly-disguised scorn for harming Beth. Juno and Sarah run off, still looking for an escape. Coming into a cavern, they realized they are surrounded by four of the creatures. When the creatures close in, a violent struggle ensues. Juno and Sarah each kill a creature with their pick-axes, but are disarmed by a second wave of attacking creatures. Sarah kills her attacker by gouging out his eyes, while Juno kills the other by stabbing him through the throat with Sarah's flaming torch.After the fight, a tense stand-off with the pick-axes occurs between Juno and Sarah. Momentarily distracted by the sound of more creatures coming near, Juno is stabbed through the leg by Sarah's pick-axe. Just as Juno left Beth to die, Sarah leaves Juno to die. As she runs off, Sarah hears the sounds of the creatures attacking Juno and Juno screaming.Sarah runs into a side cavern and finds it full of bones. At the top of the cavern, daylight peeks through. Sarah frantically climbs to the light and pulls herself up into the woods above, blinded by the daylight. Now maniacal, Sarah runs back to the cars and takes off in one of them. Driving off back down the country roads they had come in on, Sarah is startled by the bloodied figure of Juno appearing in the passenger seat. Shifting her head, Sarah realizes that she's still in the cavern and that her escape was a fantasy. The cavern actually is a dead-end. To comfort herself, Sarah fantasizes about her daughter Jessica giving her the birthday cake again. As Sarah drifts off in her own mind, the sounds of the creatures draw nearer. | The Descent | e8d29be9-bb3b-48d4-b973-856e48dd049d | Who previously suffered from an accident? | [
"Sarah",
"Paul",
"Beth"
] | false |
/m/06zgd5 | A whitewater rafting trip is underway, with 3 long-time friends on board. Leading the trip is the bold adventurer, Juno (Natalie Mendoza). Also there is wife and mother Sarah (Shauna Macdonald) and her closest friend, Beth (Alex Reid), both British. Awaiting at the end of the raft adventure is Sarah's husband, Paul (Oliver Milburn) and daughter, Jessica (Molly Kayll). Paul and Juno share a strange moment before he drives to go back home with Sarah and Jessica. While Sarah and Paul are seemingly on the cusp of an argument, a small truck plows head-on to their car, sending a metal rod right through Paul's skull.Sarah has the first in a series of dreams where Jessica appears in a party dress and seems to offer Sarah a birthday cake. Awakening from her injuries in the accident in the hospital, Sarah panics and runs down the hallway, imagining the hospital getting dark around her. Beth embraces her and they both weep. Juno, standing in the distance and also crying, turns and leaves them.A year later, Juno has organized a spelunking (caving-diving) trip in the Appalachian Mountains. The three women from the raft trip gather at a cabin the day before this adventure. An additional 3 adventurers join them, including Juno's butch friend Holly (Nora-Jane Noone), who even Juno considers too reckless. The other two are a pair of European-rooted sisters, the safety-cautious, older sister, Rebecca (Saskia Mulder) and medical student Sam (MyAnna Buring), who, though competent, is the least experienced adventurer of the group.Tension remains between Juno and Beth and Sarah over Juno's abandonment of them last year. Holly laments the the cave they are to explore is just a tourist trap and offers no challenges. That night, Sarah has a nightmare that a steel rod hits her face just as it did Paul's.Waking her five companions the following morning, Juno leads them on a long drive over rough country road. When leaving the cars, Juno seems to intentionally leave behind the cave map. Hiking to the cave entrance, they encounter the huge carcass of a bull elk, with his throat seemingly having been torn open. All the women except Juno and Holly become hesitant when they see the cavernous entrance to the cave. They all rappel down into the first pocket in the cave. Descending still further, all daylight is vanished. Juno lights a series of flares, illuminating the huge cavern of the cave system that they've entered. Even Holly is impressed, recording her surroundings with her high-tech night-vision digital camera. As the women temporarily further prepare, Juno indicates they are looking for a tunnel to bring them further into the cave system. Juno apologizes to Sarah for leaving the previous year and grows tearful when recalling Paul. Seemingly trying to avoid this conversation, Sarah goes off on her own and finds a small tunnel entrance.One by one, the women go into the tunnel, which grows even smaller midway before coming out in another large space of the caves. Sarah is the last to come through and gets stuck on a rock. Sarah turns to claustrophobic panic. Beth, at first, tries to calm Sarah and then climbs back down the tunnel to help her out. As Beth pulls Sarah out, the tunnel roof begins to tremble and, just as the two pull out, totally collapses behind them. The whole group is distraught at the tunnel collapse, since it is obviously their return route out of the caves. Juno then reveals to the others that she not only didn't bring the cave map, but she has intentionally taken them to an unexplored cave rather than the cave to which she claimed she was taking them. Juno desired to be the first to explore these caves and have the caves named after her. The others are angered, but Juno informs them that they must keep moving and look for another exit to the cave lest they die in there.The group comes to an enormous precipice in the cave. In order to get across to a hopeful exit, they must set up a pulley system on the roof of the precipice. Rebecca painfully climbs along the roof using only her arms, hooking the rope to the cave roof. Finally arriving to the opposite side of the precipice, Rebecca sees a hook obviously left by a previous explorer of the cave. Each of the women cross the precipice using the pulley system and Juno goes last. Claiming they will need all the equipment they can get, Juno pulls down the rope pulley as she crosses the roof. Near the end, Juno loses her grip and falls. Rebecca must grab the rope to get keep Juno from falling and her hands nearly tear in half supporting Juno's weight. Juno finally climbs up the precipice wall to join the others.As the six women move on, a drooling mouth is seen in the foreground but is not detected by the women. When walking through the caves, they encounter an ancient-looking mural, resembling a community drawn by early Native Americans. Beth notices that a second exit from the cave is shown on the mural.When it's time to continue, Holly runs in the front. She sees what appears to be daylight (but is actually just phosphorescent rock) and rushes even more, despite Juno telling her to slow down. Suddenly Holly falls down a huge pit in the cave. Her leg is snapped in the fall, her bone painfully protruding from her skin. All the others rappel down into the pit and tend to Holly. Sam pulls Holly's leg back into place and makes a makeshift tourniquet for her. Meanwhile, Sarah has wandered away from the group. She finds an old, rusty miner's helmet. Looking up she is shocked to see a grotesque creature in the distance. The creature appears humanoid, but is hairless and deformed-looking with sharp claws and small eye sockets. In a moment, the creature disappears as Juno comes to find Sarah. Juno and the group don't believe Sarah about the creature and they all, including the limping Holly, go on to find a way out of the cave.They come to a part of the cave with three tunnels and even Juno is vexed as to which one to go down. A blood-curdling noise is heard, frightening the women. Suddenly the grotesque creature Sarah had seen is standing next to the women. Within seconds, the creature climbs with startling speed up the cave wall and out of sight. The creature then jumps on top of Holly. The group is frightened and Sam and Rebecca run down one of the tunnels and Sarah another. Sarah shortly loses her footing while running and falls down another pit, knocking her unconscious.The creature bites Holly in the throat, killing her. Juno begins to get into a tug-of-war with the hideous beast over Holly's body. When the creature confronts Juno she slashes its face with her pick-axe. Another similar creature jumps onto Juno. The injured creature drags off Holly's body as the second creature struggles with Juno. Juno finally kills the second creature with her pick-axe. Seconds after killing the creature, Juno hears something coming up behind her and swings the pick-axe. It is actually Beth and Juno has stabbed her through the throat. Grabbing Juno's bracelet, Beth collapses in a pool of her own blood and pleads with Juno to help her. A shocked Juno backs away into one of the tunnels, leaving Beth to die.Sarah has another dream about her daughter and the cake, but her daughter now has the face of a creature. She awakes and realizes she's in a dark pit of fresh kills, practically flooded with the blood and entrails of various animals. Suddenly, the body of Holly is dropped into the pit. Using Holly's night vision camera to see, Sarah watches in horror as several of the creatures, yelping like hyenas and making clicking noises like the echolocation of bats, ravenously devour Holly. Gagging at the sight, Sarah causes one of the creatures to become aware of her presence. Coming to within inches of Sarah's face, it seems unable to detect her presence as she doesn't move a muscle. Juno is soon heard above calling from the others. The creatures all descend from the feeding pit to go after the other prey. Sarah makes a torch so she can find her way out of the pitch-black feeding pit.One of the creatures happens into Sam and Rebecca, who are embracing and remaining as still as possible. This creature roars in their general direction, but fails to see them, confirming that the creatures are totally blind and instead rely on sound to hunt. Juno again calls out for the others and the creature leaves Sam and Rebecca's vicinity. Sam and Rebecca move on to hopefully find a way out of the caves. Turning a corner, they are attacked by one of the creatures. The creature tries to maul Rebecca while Sam is frozen with fear. However, Juno appears and stabs this creature through the skull with her pick-axe, killing it.Meanwhile, Sarah is also trying to escape, returning to where they came in and finds Beth. Beth has lost a lot of blood and explains to Sarah that Juno had stabbed her and left her. Beth shows Sarah Juno's bracelet as proof. Beth pleads with Sarah to mercy-kill her, which a mournful Sarah does with a nearby rock. Moments later, a small, child-like creature appears and attacks Sarah, jumping on her back. Sarah smashes the small creature into the cave roof and flips it onto the floor, killing it.Within moments, another creature appears, this one apparently a female with long hair and distinct breasts and also apparently the small creature's mother. When the female creature attacks her, Sarah knocks her back and then she falls back into another pit. This time she falls into what appears to be a pond of blood. As she tries to climb out of the blood pond, Sarah is again attacked by the female creature. Though the creature has her pinned down, Sarah manages to reach a nearby jagged bone and stabs the female creature through the face, killing her. A male creature then arrives, failing to detect Sarah's presence as she lies motionless beneath his feet. Sarah assaults the creature, managing to kill him also with the jagged bone. Traumatized and bloodied, Sarah lets out a blood-curdling scream.Juno, Rebecca, and Sam hear Sarah's scream. Juno vows not to leave the caves without Sarah, but changes her tune when she turns to see about a dozen of the creatures crawling in pursuit of them. The three of them run off down the tunnel. Sam takes the lead and comes to another precipice. Though she knows she is too short on rope, she tries to establish another rope-pulley system to get across. When Juno and Rebecca run up behind, they plead with Sam to be careful. A creature jumps out, clings to the cave roof, and attacks Sam. It manages to rip out Sam's throat, but Sam, with her last ounce of strength, stabs the creature, which falls into the water at the bottom. The pursuing creatures arrive and pull down Rebecca. They rip open the screaming Rebecca's stomach and throat, killing her. Cornered at the edge of the precipice, Juno jumps down.Juno lands in a large pool of water at the bottom. Underwater, the creature awaits Juno, but she uses Rebecca's knife to kill it. Juno climbs up the slippery walls, but she loses her grip and begins to fall again. Suddenly, a hand grabs her, pulling her up. It turns out to be Sarah. Sarah is now bloodied and nearly silent, looking upon Juno with poorly-disguised scorn for harming Beth. Juno and Sarah run off, still looking for an escape. Coming into a cavern, they realized they are surrounded by four of the creatures. When the creatures close in, a violent struggle ensues. Juno and Sarah each kill a creature with their pick-axes, but are disarmed by a second wave of attacking creatures. Sarah kills her attacker by gouging out his eyes, while Juno kills the other by stabbing him through the throat with Sarah's flaming torch.After the fight, a tense stand-off with the pick-axes occurs between Juno and Sarah. Momentarily distracted by the sound of more creatures coming near, Juno is stabbed through the leg by Sarah's pick-axe. Just as Juno left Beth to die, Sarah leaves Juno to die. As she runs off, Sarah hears the sounds of the creatures attacking Juno and Juno screaming.Sarah runs into a side cavern and finds it full of bones. At the top of the cavern, daylight peeks through. Sarah frantically climbs to the light and pulls herself up into the woods above, blinded by the daylight. Now maniacal, Sarah runs back to the cars and takes off in one of them. Driving off back down the country roads they had come in on, Sarah is startled by the bloodied figure of Juno appearing in the passenger seat. Shifting her head, Sarah realizes that she's still in the cavern and that her escape was a fantasy. The cavern actually is a dead-end. To comfort herself, Sarah fantasizes about her daughter Jessica giving her the birthday cake again. As Sarah drifts off in her own mind, the sounds of the creatures draw nearer. | The Descent | 54849651-debc-6a27-6821-3bb75edcdef8 | Who discovers markings pointing to a specific path? | [
"Juno"
] | false |
/m/06zgd5 | A whitewater rafting trip is underway, with 3 long-time friends on board. Leading the trip is the bold adventurer, Juno (Natalie Mendoza). Also there is wife and mother Sarah (Shauna Macdonald) and her closest friend, Beth (Alex Reid), both British. Awaiting at the end of the raft adventure is Sarah's husband, Paul (Oliver Milburn) and daughter, Jessica (Molly Kayll). Paul and Juno share a strange moment before he drives to go back home with Sarah and Jessica. While Sarah and Paul are seemingly on the cusp of an argument, a small truck plows head-on to their car, sending a metal rod right through Paul's skull.Sarah has the first in a series of dreams where Jessica appears in a party dress and seems to offer Sarah a birthday cake. Awakening from her injuries in the accident in the hospital, Sarah panics and runs down the hallway, imagining the hospital getting dark around her. Beth embraces her and they both weep. Juno, standing in the distance and also crying, turns and leaves them.A year later, Juno has organized a spelunking (caving-diving) trip in the Appalachian Mountains. The three women from the raft trip gather at a cabin the day before this adventure. An additional 3 adventurers join them, including Juno's butch friend Holly (Nora-Jane Noone), who even Juno considers too reckless. The other two are a pair of European-rooted sisters, the safety-cautious, older sister, Rebecca (Saskia Mulder) and medical student Sam (MyAnna Buring), who, though competent, is the least experienced adventurer of the group.Tension remains between Juno and Beth and Sarah over Juno's abandonment of them last year. Holly laments the the cave they are to explore is just a tourist trap and offers no challenges. That night, Sarah has a nightmare that a steel rod hits her face just as it did Paul's.Waking her five companions the following morning, Juno leads them on a long drive over rough country road. When leaving the cars, Juno seems to intentionally leave behind the cave map. Hiking to the cave entrance, they encounter the huge carcass of a bull elk, with his throat seemingly having been torn open. All the women except Juno and Holly become hesitant when they see the cavernous entrance to the cave. They all rappel down into the first pocket in the cave. Descending still further, all daylight is vanished. Juno lights a series of flares, illuminating the huge cavern of the cave system that they've entered. Even Holly is impressed, recording her surroundings with her high-tech night-vision digital camera. As the women temporarily further prepare, Juno indicates they are looking for a tunnel to bring them further into the cave system. Juno apologizes to Sarah for leaving the previous year and grows tearful when recalling Paul. Seemingly trying to avoid this conversation, Sarah goes off on her own and finds a small tunnel entrance.One by one, the women go into the tunnel, which grows even smaller midway before coming out in another large space of the caves. Sarah is the last to come through and gets stuck on a rock. Sarah turns to claustrophobic panic. Beth, at first, tries to calm Sarah and then climbs back down the tunnel to help her out. As Beth pulls Sarah out, the tunnel roof begins to tremble and, just as the two pull out, totally collapses behind them. The whole group is distraught at the tunnel collapse, since it is obviously their return route out of the caves. Juno then reveals to the others that she not only didn't bring the cave map, but she has intentionally taken them to an unexplored cave rather than the cave to which she claimed she was taking them. Juno desired to be the first to explore these caves and have the caves named after her. The others are angered, but Juno informs them that they must keep moving and look for another exit to the cave lest they die in there.The group comes to an enormous precipice in the cave. In order to get across to a hopeful exit, they must set up a pulley system on the roof of the precipice. Rebecca painfully climbs along the roof using only her arms, hooking the rope to the cave roof. Finally arriving to the opposite side of the precipice, Rebecca sees a hook obviously left by a previous explorer of the cave. Each of the women cross the precipice using the pulley system and Juno goes last. Claiming they will need all the equipment they can get, Juno pulls down the rope pulley as she crosses the roof. Near the end, Juno loses her grip and falls. Rebecca must grab the rope to get keep Juno from falling and her hands nearly tear in half supporting Juno's weight. Juno finally climbs up the precipice wall to join the others.As the six women move on, a drooling mouth is seen in the foreground but is not detected by the women. When walking through the caves, they encounter an ancient-looking mural, resembling a community drawn by early Native Americans. Beth notices that a second exit from the cave is shown on the mural.When it's time to continue, Holly runs in the front. She sees what appears to be daylight (but is actually just phosphorescent rock) and rushes even more, despite Juno telling her to slow down. Suddenly Holly falls down a huge pit in the cave. Her leg is snapped in the fall, her bone painfully protruding from her skin. All the others rappel down into the pit and tend to Holly. Sam pulls Holly's leg back into place and makes a makeshift tourniquet for her. Meanwhile, Sarah has wandered away from the group. She finds an old, rusty miner's helmet. Looking up she is shocked to see a grotesque creature in the distance. The creature appears humanoid, but is hairless and deformed-looking with sharp claws and small eye sockets. In a moment, the creature disappears as Juno comes to find Sarah. Juno and the group don't believe Sarah about the creature and they all, including the limping Holly, go on to find a way out of the cave.They come to a part of the cave with three tunnels and even Juno is vexed as to which one to go down. A blood-curdling noise is heard, frightening the women. Suddenly the grotesque creature Sarah had seen is standing next to the women. Within seconds, the creature climbs with startling speed up the cave wall and out of sight. The creature then jumps on top of Holly. The group is frightened and Sam and Rebecca run down one of the tunnels and Sarah another. Sarah shortly loses her footing while running and falls down another pit, knocking her unconscious.The creature bites Holly in the throat, killing her. Juno begins to get into a tug-of-war with the hideous beast over Holly's body. When the creature confronts Juno she slashes its face with her pick-axe. Another similar creature jumps onto Juno. The injured creature drags off Holly's body as the second creature struggles with Juno. Juno finally kills the second creature with her pick-axe. Seconds after killing the creature, Juno hears something coming up behind her and swings the pick-axe. It is actually Beth and Juno has stabbed her through the throat. Grabbing Juno's bracelet, Beth collapses in a pool of her own blood and pleads with Juno to help her. A shocked Juno backs away into one of the tunnels, leaving Beth to die.Sarah has another dream about her daughter and the cake, but her daughter now has the face of a creature. She awakes and realizes she's in a dark pit of fresh kills, practically flooded with the blood and entrails of various animals. Suddenly, the body of Holly is dropped into the pit. Using Holly's night vision camera to see, Sarah watches in horror as several of the creatures, yelping like hyenas and making clicking noises like the echolocation of bats, ravenously devour Holly. Gagging at the sight, Sarah causes one of the creatures to become aware of her presence. Coming to within inches of Sarah's face, it seems unable to detect her presence as she doesn't move a muscle. Juno is soon heard above calling from the others. The creatures all descend from the feeding pit to go after the other prey. Sarah makes a torch so she can find her way out of the pitch-black feeding pit.One of the creatures happens into Sam and Rebecca, who are embracing and remaining as still as possible. This creature roars in their general direction, but fails to see them, confirming that the creatures are totally blind and instead rely on sound to hunt. Juno again calls out for the others and the creature leaves Sam and Rebecca's vicinity. Sam and Rebecca move on to hopefully find a way out of the caves. Turning a corner, they are attacked by one of the creatures. The creature tries to maul Rebecca while Sam is frozen with fear. However, Juno appears and stabs this creature through the skull with her pick-axe, killing it.Meanwhile, Sarah is also trying to escape, returning to where they came in and finds Beth. Beth has lost a lot of blood and explains to Sarah that Juno had stabbed her and left her. Beth shows Sarah Juno's bracelet as proof. Beth pleads with Sarah to mercy-kill her, which a mournful Sarah does with a nearby rock. Moments later, a small, child-like creature appears and attacks Sarah, jumping on her back. Sarah smashes the small creature into the cave roof and flips it onto the floor, killing it.Within moments, another creature appears, this one apparently a female with long hair and distinct breasts and also apparently the small creature's mother. When the female creature attacks her, Sarah knocks her back and then she falls back into another pit. This time she falls into what appears to be a pond of blood. As she tries to climb out of the blood pond, Sarah is again attacked by the female creature. Though the creature has her pinned down, Sarah manages to reach a nearby jagged bone and stabs the female creature through the face, killing her. A male creature then arrives, failing to detect Sarah's presence as she lies motionless beneath his feet. Sarah assaults the creature, managing to kill him also with the jagged bone. Traumatized and bloodied, Sarah lets out a blood-curdling scream.Juno, Rebecca, and Sam hear Sarah's scream. Juno vows not to leave the caves without Sarah, but changes her tune when she turns to see about a dozen of the creatures crawling in pursuit of them. The three of them run off down the tunnel. Sam takes the lead and comes to another precipice. Though she knows she is too short on rope, she tries to establish another rope-pulley system to get across. When Juno and Rebecca run up behind, they plead with Sam to be careful. A creature jumps out, clings to the cave roof, and attacks Sam. It manages to rip out Sam's throat, but Sam, with her last ounce of strength, stabs the creature, which falls into the water at the bottom. The pursuing creatures arrive and pull down Rebecca. They rip open the screaming Rebecca's stomach and throat, killing her. Cornered at the edge of the precipice, Juno jumps down.Juno lands in a large pool of water at the bottom. Underwater, the creature awaits Juno, but she uses Rebecca's knife to kill it. Juno climbs up the slippery walls, but she loses her grip and begins to fall again. Suddenly, a hand grabs her, pulling her up. It turns out to be Sarah. Sarah is now bloodied and nearly silent, looking upon Juno with poorly-disguised scorn for harming Beth. Juno and Sarah run off, still looking for an escape. Coming into a cavern, they realized they are surrounded by four of the creatures. When the creatures close in, a violent struggle ensues. Juno and Sarah each kill a creature with their pick-axes, but are disarmed by a second wave of attacking creatures. Sarah kills her attacker by gouging out his eyes, while Juno kills the other by stabbing him through the throat with Sarah's flaming torch.After the fight, a tense stand-off with the pick-axes occurs between Juno and Sarah. Momentarily distracted by the sound of more creatures coming near, Juno is stabbed through the leg by Sarah's pick-axe. Just as Juno left Beth to die, Sarah leaves Juno to die. As she runs off, Sarah hears the sounds of the creatures attacking Juno and Juno screaming.Sarah runs into a side cavern and finds it full of bones. At the top of the cavern, daylight peeks through. Sarah frantically climbs to the light and pulls herself up into the woods above, blinded by the daylight. Now maniacal, Sarah runs back to the cars and takes off in one of them. Driving off back down the country roads they had come in on, Sarah is startled by the bloodied figure of Juno appearing in the passenger seat. Shifting her head, Sarah realizes that she's still in the cavern and that her escape was a fantasy. The cavern actually is a dead-end. To comfort herself, Sarah fantasizes about her daughter Jessica giving her the birthday cake again. As Sarah drifts off in her own mind, the sounds of the creatures draw nearer. | The Descent | e4298fbb-fc37-c6f0-65f0-5cc42c14be3f | What is the group attacked by? | [
"by the creature",
"Cave dwelling creatures.",
"The creatures",
"creature"
] | false |
/m/06zgd5 | A whitewater rafting trip is underway, with 3 long-time friends on board. Leading the trip is the bold adventurer, Juno (Natalie Mendoza). Also there is wife and mother Sarah (Shauna Macdonald) and her closest friend, Beth (Alex Reid), both British. Awaiting at the end of the raft adventure is Sarah's husband, Paul (Oliver Milburn) and daughter, Jessica (Molly Kayll). Paul and Juno share a strange moment before he drives to go back home with Sarah and Jessica. While Sarah and Paul are seemingly on the cusp of an argument, a small truck plows head-on to their car, sending a metal rod right through Paul's skull.Sarah has the first in a series of dreams where Jessica appears in a party dress and seems to offer Sarah a birthday cake. Awakening from her injuries in the accident in the hospital, Sarah panics and runs down the hallway, imagining the hospital getting dark around her. Beth embraces her and they both weep. Juno, standing in the distance and also crying, turns and leaves them.A year later, Juno has organized a spelunking (caving-diving) trip in the Appalachian Mountains. The three women from the raft trip gather at a cabin the day before this adventure. An additional 3 adventurers join them, including Juno's butch friend Holly (Nora-Jane Noone), who even Juno considers too reckless. The other two are a pair of European-rooted sisters, the safety-cautious, older sister, Rebecca (Saskia Mulder) and medical student Sam (MyAnna Buring), who, though competent, is the least experienced adventurer of the group.Tension remains between Juno and Beth and Sarah over Juno's abandonment of them last year. Holly laments the the cave they are to explore is just a tourist trap and offers no challenges. That night, Sarah has a nightmare that a steel rod hits her face just as it did Paul's.Waking her five companions the following morning, Juno leads them on a long drive over rough country road. When leaving the cars, Juno seems to intentionally leave behind the cave map. Hiking to the cave entrance, they encounter the huge carcass of a bull elk, with his throat seemingly having been torn open. All the women except Juno and Holly become hesitant when they see the cavernous entrance to the cave. They all rappel down into the first pocket in the cave. Descending still further, all daylight is vanished. Juno lights a series of flares, illuminating the huge cavern of the cave system that they've entered. Even Holly is impressed, recording her surroundings with her high-tech night-vision digital camera. As the women temporarily further prepare, Juno indicates they are looking for a tunnel to bring them further into the cave system. Juno apologizes to Sarah for leaving the previous year and grows tearful when recalling Paul. Seemingly trying to avoid this conversation, Sarah goes off on her own and finds a small tunnel entrance.One by one, the women go into the tunnel, which grows even smaller midway before coming out in another large space of the caves. Sarah is the last to come through and gets stuck on a rock. Sarah turns to claustrophobic panic. Beth, at first, tries to calm Sarah and then climbs back down the tunnel to help her out. As Beth pulls Sarah out, the tunnel roof begins to tremble and, just as the two pull out, totally collapses behind them. The whole group is distraught at the tunnel collapse, since it is obviously their return route out of the caves. Juno then reveals to the others that she not only didn't bring the cave map, but she has intentionally taken them to an unexplored cave rather than the cave to which she claimed she was taking them. Juno desired to be the first to explore these caves and have the caves named after her. The others are angered, but Juno informs them that they must keep moving and look for another exit to the cave lest they die in there.The group comes to an enormous precipice in the cave. In order to get across to a hopeful exit, they must set up a pulley system on the roof of the precipice. Rebecca painfully climbs along the roof using only her arms, hooking the rope to the cave roof. Finally arriving to the opposite side of the precipice, Rebecca sees a hook obviously left by a previous explorer of the cave. Each of the women cross the precipice using the pulley system and Juno goes last. Claiming they will need all the equipment they can get, Juno pulls down the rope pulley as she crosses the roof. Near the end, Juno loses her grip and falls. Rebecca must grab the rope to get keep Juno from falling and her hands nearly tear in half supporting Juno's weight. Juno finally climbs up the precipice wall to join the others.As the six women move on, a drooling mouth is seen in the foreground but is not detected by the women. When walking through the caves, they encounter an ancient-looking mural, resembling a community drawn by early Native Americans. Beth notices that a second exit from the cave is shown on the mural.When it's time to continue, Holly runs in the front. She sees what appears to be daylight (but is actually just phosphorescent rock) and rushes even more, despite Juno telling her to slow down. Suddenly Holly falls down a huge pit in the cave. Her leg is snapped in the fall, her bone painfully protruding from her skin. All the others rappel down into the pit and tend to Holly. Sam pulls Holly's leg back into place and makes a makeshift tourniquet for her. Meanwhile, Sarah has wandered away from the group. She finds an old, rusty miner's helmet. Looking up she is shocked to see a grotesque creature in the distance. The creature appears humanoid, but is hairless and deformed-looking with sharp claws and small eye sockets. In a moment, the creature disappears as Juno comes to find Sarah. Juno and the group don't believe Sarah about the creature and they all, including the limping Holly, go on to find a way out of the cave.They come to a part of the cave with three tunnels and even Juno is vexed as to which one to go down. A blood-curdling noise is heard, frightening the women. Suddenly the grotesque creature Sarah had seen is standing next to the women. Within seconds, the creature climbs with startling speed up the cave wall and out of sight. The creature then jumps on top of Holly. The group is frightened and Sam and Rebecca run down one of the tunnels and Sarah another. Sarah shortly loses her footing while running and falls down another pit, knocking her unconscious.The creature bites Holly in the throat, killing her. Juno begins to get into a tug-of-war with the hideous beast over Holly's body. When the creature confronts Juno she slashes its face with her pick-axe. Another similar creature jumps onto Juno. The injured creature drags off Holly's body as the second creature struggles with Juno. Juno finally kills the second creature with her pick-axe. Seconds after killing the creature, Juno hears something coming up behind her and swings the pick-axe. It is actually Beth and Juno has stabbed her through the throat. Grabbing Juno's bracelet, Beth collapses in a pool of her own blood and pleads with Juno to help her. A shocked Juno backs away into one of the tunnels, leaving Beth to die.Sarah has another dream about her daughter and the cake, but her daughter now has the face of a creature. She awakes and realizes she's in a dark pit of fresh kills, practically flooded with the blood and entrails of various animals. Suddenly, the body of Holly is dropped into the pit. Using Holly's night vision camera to see, Sarah watches in horror as several of the creatures, yelping like hyenas and making clicking noises like the echolocation of bats, ravenously devour Holly. Gagging at the sight, Sarah causes one of the creatures to become aware of her presence. Coming to within inches of Sarah's face, it seems unable to detect her presence as she doesn't move a muscle. Juno is soon heard above calling from the others. The creatures all descend from the feeding pit to go after the other prey. Sarah makes a torch so she can find her way out of the pitch-black feeding pit.One of the creatures happens into Sam and Rebecca, who are embracing and remaining as still as possible. This creature roars in their general direction, but fails to see them, confirming that the creatures are totally blind and instead rely on sound to hunt. Juno again calls out for the others and the creature leaves Sam and Rebecca's vicinity. Sam and Rebecca move on to hopefully find a way out of the caves. Turning a corner, they are attacked by one of the creatures. The creature tries to maul Rebecca while Sam is frozen with fear. However, Juno appears and stabs this creature through the skull with her pick-axe, killing it.Meanwhile, Sarah is also trying to escape, returning to where they came in and finds Beth. Beth has lost a lot of blood and explains to Sarah that Juno had stabbed her and left her. Beth shows Sarah Juno's bracelet as proof. Beth pleads with Sarah to mercy-kill her, which a mournful Sarah does with a nearby rock. Moments later, a small, child-like creature appears and attacks Sarah, jumping on her back. Sarah smashes the small creature into the cave roof and flips it onto the floor, killing it.Within moments, another creature appears, this one apparently a female with long hair and distinct breasts and also apparently the small creature's mother. When the female creature attacks her, Sarah knocks her back and then she falls back into another pit. This time she falls into what appears to be a pond of blood. As she tries to climb out of the blood pond, Sarah is again attacked by the female creature. Though the creature has her pinned down, Sarah manages to reach a nearby jagged bone and stabs the female creature through the face, killing her. A male creature then arrives, failing to detect Sarah's presence as she lies motionless beneath his feet. Sarah assaults the creature, managing to kill him also with the jagged bone. Traumatized and bloodied, Sarah lets out a blood-curdling scream.Juno, Rebecca, and Sam hear Sarah's scream. Juno vows not to leave the caves without Sarah, but changes her tune when she turns to see about a dozen of the creatures crawling in pursuit of them. The three of them run off down the tunnel. Sam takes the lead and comes to another precipice. Though she knows she is too short on rope, she tries to establish another rope-pulley system to get across. When Juno and Rebecca run up behind, they plead with Sam to be careful. A creature jumps out, clings to the cave roof, and attacks Sam. It manages to rip out Sam's throat, but Sam, with her last ounce of strength, stabs the creature, which falls into the water at the bottom. The pursuing creatures arrive and pull down Rebecca. They rip open the screaming Rebecca's stomach and throat, killing her. Cornered at the edge of the precipice, Juno jumps down.Juno lands in a large pool of water at the bottom. Underwater, the creature awaits Juno, but she uses Rebecca's knife to kill it. Juno climbs up the slippery walls, but she loses her grip and begins to fall again. Suddenly, a hand grabs her, pulling her up. It turns out to be Sarah. Sarah is now bloodied and nearly silent, looking upon Juno with poorly-disguised scorn for harming Beth. Juno and Sarah run off, still looking for an escape. Coming into a cavern, they realized they are surrounded by four of the creatures. When the creatures close in, a violent struggle ensues. Juno and Sarah each kill a creature with their pick-axes, but are disarmed by a second wave of attacking creatures. Sarah kills her attacker by gouging out his eyes, while Juno kills the other by stabbing him through the throat with Sarah's flaming torch.After the fight, a tense stand-off with the pick-axes occurs between Juno and Sarah. Momentarily distracted by the sound of more creatures coming near, Juno is stabbed through the leg by Sarah's pick-axe. Just as Juno left Beth to die, Sarah leaves Juno to die. As she runs off, Sarah hears the sounds of the creatures attacking Juno and Juno screaming.Sarah runs into a side cavern and finds it full of bones. At the top of the cavern, daylight peeks through. Sarah frantically climbs to the light and pulls herself up into the woods above, blinded by the daylight. Now maniacal, Sarah runs back to the cars and takes off in one of them. Driving off back down the country roads they had come in on, Sarah is startled by the bloodied figure of Juno appearing in the passenger seat. Shifting her head, Sarah realizes that she's still in the cavern and that her escape was a fantasy. The cavern actually is a dead-end. To comfort herself, Sarah fantasizes about her daughter Jessica giving her the birthday cake again. As Sarah drifts off in her own mind, the sounds of the creatures draw nearer. | The Descent | 2034ea06-8804-f475-6eb3-af0e838f76a8 | Who stabs Beth? | [
"Sam",
"Juno"
] | false |
/m/06zgd5 | A whitewater rafting trip is underway, with 3 long-time friends on board. Leading the trip is the bold adventurer, Juno (Natalie Mendoza). Also there is wife and mother Sarah (Shauna Macdonald) and her closest friend, Beth (Alex Reid), both British. Awaiting at the end of the raft adventure is Sarah's husband, Paul (Oliver Milburn) and daughter, Jessica (Molly Kayll). Paul and Juno share a strange moment before he drives to go back home with Sarah and Jessica. While Sarah and Paul are seemingly on the cusp of an argument, a small truck plows head-on to their car, sending a metal rod right through Paul's skull.Sarah has the first in a series of dreams where Jessica appears in a party dress and seems to offer Sarah a birthday cake. Awakening from her injuries in the accident in the hospital, Sarah panics and runs down the hallway, imagining the hospital getting dark around her. Beth embraces her and they both weep. Juno, standing in the distance and also crying, turns and leaves them.A year later, Juno has organized a spelunking (caving-diving) trip in the Appalachian Mountains. The three women from the raft trip gather at a cabin the day before this adventure. An additional 3 adventurers join them, including Juno's butch friend Holly (Nora-Jane Noone), who even Juno considers too reckless. The other two are a pair of European-rooted sisters, the safety-cautious, older sister, Rebecca (Saskia Mulder) and medical student Sam (MyAnna Buring), who, though competent, is the least experienced adventurer of the group.Tension remains between Juno and Beth and Sarah over Juno's abandonment of them last year. Holly laments the the cave they are to explore is just a tourist trap and offers no challenges. That night, Sarah has a nightmare that a steel rod hits her face just as it did Paul's.Waking her five companions the following morning, Juno leads them on a long drive over rough country road. When leaving the cars, Juno seems to intentionally leave behind the cave map. Hiking to the cave entrance, they encounter the huge carcass of a bull elk, with his throat seemingly having been torn open. All the women except Juno and Holly become hesitant when they see the cavernous entrance to the cave. They all rappel down into the first pocket in the cave. Descending still further, all daylight is vanished. Juno lights a series of flares, illuminating the huge cavern of the cave system that they've entered. Even Holly is impressed, recording her surroundings with her high-tech night-vision digital camera. As the women temporarily further prepare, Juno indicates they are looking for a tunnel to bring them further into the cave system. Juno apologizes to Sarah for leaving the previous year and grows tearful when recalling Paul. Seemingly trying to avoid this conversation, Sarah goes off on her own and finds a small tunnel entrance.One by one, the women go into the tunnel, which grows even smaller midway before coming out in another large space of the caves. Sarah is the last to come through and gets stuck on a rock. Sarah turns to claustrophobic panic. Beth, at first, tries to calm Sarah and then climbs back down the tunnel to help her out. As Beth pulls Sarah out, the tunnel roof begins to tremble and, just as the two pull out, totally collapses behind them. The whole group is distraught at the tunnel collapse, since it is obviously their return route out of the caves. Juno then reveals to the others that she not only didn't bring the cave map, but she has intentionally taken them to an unexplored cave rather than the cave to which she claimed she was taking them. Juno desired to be the first to explore these caves and have the caves named after her. The others are angered, but Juno informs them that they must keep moving and look for another exit to the cave lest they die in there.The group comes to an enormous precipice in the cave. In order to get across to a hopeful exit, they must set up a pulley system on the roof of the precipice. Rebecca painfully climbs along the roof using only her arms, hooking the rope to the cave roof. Finally arriving to the opposite side of the precipice, Rebecca sees a hook obviously left by a previous explorer of the cave. Each of the women cross the precipice using the pulley system and Juno goes last. Claiming they will need all the equipment they can get, Juno pulls down the rope pulley as she crosses the roof. Near the end, Juno loses her grip and falls. Rebecca must grab the rope to get keep Juno from falling and her hands nearly tear in half supporting Juno's weight. Juno finally climbs up the precipice wall to join the others.As the six women move on, a drooling mouth is seen in the foreground but is not detected by the women. When walking through the caves, they encounter an ancient-looking mural, resembling a community drawn by early Native Americans. Beth notices that a second exit from the cave is shown on the mural.When it's time to continue, Holly runs in the front. She sees what appears to be daylight (but is actually just phosphorescent rock) and rushes even more, despite Juno telling her to slow down. Suddenly Holly falls down a huge pit in the cave. Her leg is snapped in the fall, her bone painfully protruding from her skin. All the others rappel down into the pit and tend to Holly. Sam pulls Holly's leg back into place and makes a makeshift tourniquet for her. Meanwhile, Sarah has wandered away from the group. She finds an old, rusty miner's helmet. Looking up she is shocked to see a grotesque creature in the distance. The creature appears humanoid, but is hairless and deformed-looking with sharp claws and small eye sockets. In a moment, the creature disappears as Juno comes to find Sarah. Juno and the group don't believe Sarah about the creature and they all, including the limping Holly, go on to find a way out of the cave.They come to a part of the cave with three tunnels and even Juno is vexed as to which one to go down. A blood-curdling noise is heard, frightening the women. Suddenly the grotesque creature Sarah had seen is standing next to the women. Within seconds, the creature climbs with startling speed up the cave wall and out of sight. The creature then jumps on top of Holly. The group is frightened and Sam and Rebecca run down one of the tunnels and Sarah another. Sarah shortly loses her footing while running and falls down another pit, knocking her unconscious.The creature bites Holly in the throat, killing her. Juno begins to get into a tug-of-war with the hideous beast over Holly's body. When the creature confronts Juno she slashes its face with her pick-axe. Another similar creature jumps onto Juno. The injured creature drags off Holly's body as the second creature struggles with Juno. Juno finally kills the second creature with her pick-axe. Seconds after killing the creature, Juno hears something coming up behind her and swings the pick-axe. It is actually Beth and Juno has stabbed her through the throat. Grabbing Juno's bracelet, Beth collapses in a pool of her own blood and pleads with Juno to help her. A shocked Juno backs away into one of the tunnels, leaving Beth to die.Sarah has another dream about her daughter and the cake, but her daughter now has the face of a creature. She awakes and realizes she's in a dark pit of fresh kills, practically flooded with the blood and entrails of various animals. Suddenly, the body of Holly is dropped into the pit. Using Holly's night vision camera to see, Sarah watches in horror as several of the creatures, yelping like hyenas and making clicking noises like the echolocation of bats, ravenously devour Holly. Gagging at the sight, Sarah causes one of the creatures to become aware of her presence. Coming to within inches of Sarah's face, it seems unable to detect her presence as she doesn't move a muscle. Juno is soon heard above calling from the others. The creatures all descend from the feeding pit to go after the other prey. Sarah makes a torch so she can find her way out of the pitch-black feeding pit.One of the creatures happens into Sam and Rebecca, who are embracing and remaining as still as possible. This creature roars in their general direction, but fails to see them, confirming that the creatures are totally blind and instead rely on sound to hunt. Juno again calls out for the others and the creature leaves Sam and Rebecca's vicinity. Sam and Rebecca move on to hopefully find a way out of the caves. Turning a corner, they are attacked by one of the creatures. The creature tries to maul Rebecca while Sam is frozen with fear. However, Juno appears and stabs this creature through the skull with her pick-axe, killing it.Meanwhile, Sarah is also trying to escape, returning to where they came in and finds Beth. Beth has lost a lot of blood and explains to Sarah that Juno had stabbed her and left her. Beth shows Sarah Juno's bracelet as proof. Beth pleads with Sarah to mercy-kill her, which a mournful Sarah does with a nearby rock. Moments later, a small, child-like creature appears and attacks Sarah, jumping on her back. Sarah smashes the small creature into the cave roof and flips it onto the floor, killing it.Within moments, another creature appears, this one apparently a female with long hair and distinct breasts and also apparently the small creature's mother. When the female creature attacks her, Sarah knocks her back and then she falls back into another pit. This time she falls into what appears to be a pond of blood. As she tries to climb out of the blood pond, Sarah is again attacked by the female creature. Though the creature has her pinned down, Sarah manages to reach a nearby jagged bone and stabs the female creature through the face, killing her. A male creature then arrives, failing to detect Sarah's presence as she lies motionless beneath his feet. Sarah assaults the creature, managing to kill him also with the jagged bone. Traumatized and bloodied, Sarah lets out a blood-curdling scream.Juno, Rebecca, and Sam hear Sarah's scream. Juno vows not to leave the caves without Sarah, but changes her tune when she turns to see about a dozen of the creatures crawling in pursuit of them. The three of them run off down the tunnel. Sam takes the lead and comes to another precipice. Though she knows she is too short on rope, she tries to establish another rope-pulley system to get across. When Juno and Rebecca run up behind, they plead with Sam to be careful. A creature jumps out, clings to the cave roof, and attacks Sam. It manages to rip out Sam's throat, but Sam, with her last ounce of strength, stabs the creature, which falls into the water at the bottom. The pursuing creatures arrive and pull down Rebecca. They rip open the screaming Rebecca's stomach and throat, killing her. Cornered at the edge of the precipice, Juno jumps down.Juno lands in a large pool of water at the bottom. Underwater, the creature awaits Juno, but she uses Rebecca's knife to kill it. Juno climbs up the slippery walls, but she loses her grip and begins to fall again. Suddenly, a hand grabs her, pulling her up. It turns out to be Sarah. Sarah is now bloodied and nearly silent, looking upon Juno with poorly-disguised scorn for harming Beth. Juno and Sarah run off, still looking for an escape. Coming into a cavern, they realized they are surrounded by four of the creatures. When the creatures close in, a violent struggle ensues. Juno and Sarah each kill a creature with their pick-axes, but are disarmed by a second wave of attacking creatures. Sarah kills her attacker by gouging out his eyes, while Juno kills the other by stabbing him through the throat with Sarah's flaming torch.After the fight, a tense stand-off with the pick-axes occurs between Juno and Sarah. Momentarily distracted by the sound of more creatures coming near, Juno is stabbed through the leg by Sarah's pick-axe. Just as Juno left Beth to die, Sarah leaves Juno to die. As she runs off, Sarah hears the sounds of the creatures attacking Juno and Juno screaming.Sarah runs into a side cavern and finds it full of bones. At the top of the cavern, daylight peeks through. Sarah frantically climbs to the light and pulls herself up into the woods above, blinded by the daylight. Now maniacal, Sarah runs back to the cars and takes off in one of them. Driving off back down the country roads they had come in on, Sarah is startled by the bloodied figure of Juno appearing in the passenger seat. Shifting her head, Sarah realizes that she's still in the cavern and that her escape was a fantasy. The cavern actually is a dead-end. To comfort herself, Sarah fantasizes about her daughter Jessica giving her the birthday cake again. As Sarah drifts off in her own mind, the sounds of the creatures draw nearer. | The Descent | 7c48b31c-2f00-996f-5695-7d360008e02b | Who finds themselves in a den of human and animal carcasses? | [
"Sarah"
] | false |
/m/01l0jh | Jim Hardy (Bing Crosby), Ted Hanover (Fred Astaire), and Lila Dixon (Virginia Dale) have a musical act popular in the New York City nightlife scene. On Christmas Eve, Jim prepares to give his last performance as part of the act before marrying Lila and retiring with her to a farm in Connecticut. At the last minute, Lila decides she is not ready to stop performing, and that she has fallen in love with Ted. She tells Jim that she will stay on as Ted's dancing partner. While heartbroken, Jim follows through with his plan and bids the act goodbye.
One year later on Christmas Eve, Jim is back in New York City. Farm life has proven difficult and he plans to turn his farm into an entertainment venue called "Holiday Inn", which will only be open on public holidays. Ted and his agent Danny Reed (Walter Abel) scoff at the plan, but wish him luck. Later at the airport flower shop, while ordering flowers for Lila from Ted, Danny is accosted by employee Linda Mason (Marjorie Reynolds) who recognizes him as a talent agent and begs him for a start in show business. Danny refers her to Holiday Inn and gives her a pass to Ted's club. That night, Linda sits at the performer's table with Jim, who pretends he owns a big club and isn't sure he could use an act like Hanover and Dixon. Linda pretends she's a celebrity and friend of Ted's, then escapes when the two performers come to Jim's table.
The next morning, Christmas Day, Linda arrives at Holiday Inn, where she meets Jimâboth realizing they were fooling each other the previous evening. Jim is preparing the place for New Year's Eve, and they take to each other immediately. Jim sings her his new song, "White Christmas", which he would have performed had the inn been open that night. Later that week, on New Year's Eve, Holiday Inn opens to a packed house.
Meanwhile, in New York City, Ted learns that Lila is leaving him for a Texas millionaire. Drinking heavily, he drives up to Holiday Inn to talk with Jim, arriving at midnight. While wandering aimlessly across the dance floor, Ted sees Linda, who remembers him from Christmas Eve. They dance, with Ted bringing down the house despite his inebriated state. Danny arrives just as the dance ends and is ecstatic that Ted found a new partner. The next morning, however, Ted remembers very little and doesn't remember Linda at all. Jim doesn't say anything and hides Linda away, afraid that Ted will steal her away from the inn.
At the next performance, Lincoln's Birthday, Ted and Danny return to Holiday Inn in search of Linda. Jim is ready for them and decides to run the night's big minstrel show number "Abraham" with disguised performers, including Linda, in an effort to foil the search. While applying Linda's blackface makeup, Jim asks if she will stay with him between holidays, and Linda takes this as a proposal. Having come up empty, Ted and Danny will not give up and plan to be back for the next holiday.
During rehearsals for the Valentine's Day performance, Jim presents Linda with a unique Valentine, a new song called "Be Careful, It's My Heart". While Jim sings with his back to her, Linda begins dancing alone, and as Ted enters, he spots Linda and launches into an impromptu romantic dance with her. Convinced that Linda is the girl he danced with on New Year's Eve, Ted demands that Jim provide a number for them to perform on the next holiday, and Jim reluctantly agrees.
On Washington's Birthday, Ted and Linda perform in elaborate 18th century period costumes, while Jim attempts to sabotage their dance, changing the tempo from a minuet to jazz every time the couple attempts to kiss. Afterwards, Ted asks Linda to join him as his new dance partner. Linda refuses, saying she has promised to stay at the inn and that she and Jim are to be married. When Ted asks him about the marriage, Jim plays it off, but Ted is unconvinced, telling Danny he will continue to pursue Linda.
At Easter, romance continues to blossom between Jim and Linda as they travel home from church in a carriage. When they reach the inn, Ted is sitting on the porch waiting for them. Ted asks Jim if he can remain in his shows, claiming he wants to experience "the true happiness" they've found at the inn. While Linda is charmed, Jim is suspicious.
Jim's suspicions are confirmed on Independence Day when he overhears Ted and Danny discussing an offer Ted received from Hollywood representatives, who will attend that night's show and determine if Ted and Linda are suitable for motion pictures. Desperate, Jim bribes hired hand Gus (Irving Bacon) to ensure that Linda does not arrive at the inn. After Gus drives the inn's car into a creek attempting to delay her, Linda tries to return to the inn and is picked up by Lila, who left the Texas millionaire after his tax problems were revealed. Lila tells Linda, who is pretending to be a waitress, about the studio tryout and that Lila will be Ted's partner. Assuming that Jim arranged for her to take Linda's place, Linda directs Lila into the same river.
Back at the inn, Ted is forced to perform a solo dance. When Linda eventually makes her way to the inn, she finds that Ted has impressed the studio honchos with his improvised solo and the opportunity stands. Irritated with Jim for not trusting her to make her own decision, Linda takes the offer and leaves for Hollywood. The producers want to make a film about Holiday Inn, and Jim reluctantly agrees.
At Thanksgiving, the inn is closed and Jim is deeply depressed, barely touching the turkey dinner prepared by his housekeeper Mamie (Louise Beavers). Jim is prepared to mail to Hollywood a recording of his new Thanksgiving song, but, before he does, he plays it on a record player and makes negative comments over the positive ones in the recording. Realizing what is wrong and ignoring decorum, Mamie implores him to travel to California to win Linda back by telling her how he really feels.
Jim arrives at the studio on Christmas Eve, just as Ted is preparing to leave with Linda to get married. Jim confronts Ted in his dressing room, then locks him in it. Before Linda films the final scene for her movie, which features a recreation of Holiday Inn, Jim walks around the set with the director, who boasts it is the most exact recreation ever created for a motion picture. Jim leaves his pipe on the set's piano and hides nearby. Linda enters the room and sits at the piano, performing "White Christmas". Startled by the pipe's presence, she falters, then continues as Jim's voice joins her. Jim appears and Linda runs to him as the director yells "cut". Meanwhile, Ted and Danny learn of Jim's plan, but they are too late to stop him.
At Holiday Inn on New Year's Eve, Ted is reunited with Lila, who is ready and willing to perform with him again. Jim and Linda prepare to stay together and run the inn. | Holiday Inn | 0e17d2c8-a6f2-6e00-ed64-3cc825ddf680 | what does jim hardy plan to do? | [
"marrying Lila and retiring with her to a farm in Connecticut"
] | false |
/m/01l0jh | Jim Hardy (Bing Crosby), Ted Hanover (Fred Astaire), and Lila Dixon (Virginia Dale) have a musical act popular in the New York City nightlife scene. On Christmas Eve, Jim prepares to give his last performance as part of the act before marrying Lila and retiring with her to a farm in Connecticut. At the last minute, Lila decides she is not ready to stop performing, and that she has fallen in love with Ted. She tells Jim that she will stay on as Ted's dancing partner. While heartbroken, Jim follows through with his plan and bids the act goodbye.
One year later on Christmas Eve, Jim is back in New York City. Farm life has proven difficult and he plans to turn his farm into an entertainment venue called "Holiday Inn", which will only be open on public holidays. Ted and his agent Danny Reed (Walter Abel) scoff at the plan, but wish him luck. Later at the airport flower shop, while ordering flowers for Lila from Ted, Danny is accosted by employee Linda Mason (Marjorie Reynolds) who recognizes him as a talent agent and begs him for a start in show business. Danny refers her to Holiday Inn and gives her a pass to Ted's club. That night, Linda sits at the performer's table with Jim, who pretends he owns a big club and isn't sure he could use an act like Hanover and Dixon. Linda pretends she's a celebrity and friend of Ted's, then escapes when the two performers come to Jim's table.
The next morning, Christmas Day, Linda arrives at Holiday Inn, where she meets Jimâboth realizing they were fooling each other the previous evening. Jim is preparing the place for New Year's Eve, and they take to each other immediately. Jim sings her his new song, "White Christmas", which he would have performed had the inn been open that night. Later that week, on New Year's Eve, Holiday Inn opens to a packed house.
Meanwhile, in New York City, Ted learns that Lila is leaving him for a Texas millionaire. Drinking heavily, he drives up to Holiday Inn to talk with Jim, arriving at midnight. While wandering aimlessly across the dance floor, Ted sees Linda, who remembers him from Christmas Eve. They dance, with Ted bringing down the house despite his inebriated state. Danny arrives just as the dance ends and is ecstatic that Ted found a new partner. The next morning, however, Ted remembers very little and doesn't remember Linda at all. Jim doesn't say anything and hides Linda away, afraid that Ted will steal her away from the inn.
At the next performance, Lincoln's Birthday, Ted and Danny return to Holiday Inn in search of Linda. Jim is ready for them and decides to run the night's big minstrel show number "Abraham" with disguised performers, including Linda, in an effort to foil the search. While applying Linda's blackface makeup, Jim asks if she will stay with him between holidays, and Linda takes this as a proposal. Having come up empty, Ted and Danny will not give up and plan to be back for the next holiday.
During rehearsals for the Valentine's Day performance, Jim presents Linda with a unique Valentine, a new song called "Be Careful, It's My Heart". While Jim sings with his back to her, Linda begins dancing alone, and as Ted enters, he spots Linda and launches into an impromptu romantic dance with her. Convinced that Linda is the girl he danced with on New Year's Eve, Ted demands that Jim provide a number for them to perform on the next holiday, and Jim reluctantly agrees.
On Washington's Birthday, Ted and Linda perform in elaborate 18th century period costumes, while Jim attempts to sabotage their dance, changing the tempo from a minuet to jazz every time the couple attempts to kiss. Afterwards, Ted asks Linda to join him as his new dance partner. Linda refuses, saying she has promised to stay at the inn and that she and Jim are to be married. When Ted asks him about the marriage, Jim plays it off, but Ted is unconvinced, telling Danny he will continue to pursue Linda.
At Easter, romance continues to blossom between Jim and Linda as they travel home from church in a carriage. When they reach the inn, Ted is sitting on the porch waiting for them. Ted asks Jim if he can remain in his shows, claiming he wants to experience "the true happiness" they've found at the inn. While Linda is charmed, Jim is suspicious.
Jim's suspicions are confirmed on Independence Day when he overhears Ted and Danny discussing an offer Ted received from Hollywood representatives, who will attend that night's show and determine if Ted and Linda are suitable for motion pictures. Desperate, Jim bribes hired hand Gus (Irving Bacon) to ensure that Linda does not arrive at the inn. After Gus drives the inn's car into a creek attempting to delay her, Linda tries to return to the inn and is picked up by Lila, who left the Texas millionaire after his tax problems were revealed. Lila tells Linda, who is pretending to be a waitress, about the studio tryout and that Lila will be Ted's partner. Assuming that Jim arranged for her to take Linda's place, Linda directs Lila into the same river.
Back at the inn, Ted is forced to perform a solo dance. When Linda eventually makes her way to the inn, she finds that Ted has impressed the studio honchos with his improvised solo and the opportunity stands. Irritated with Jim for not trusting her to make her own decision, Linda takes the offer and leaves for Hollywood. The producers want to make a film about Holiday Inn, and Jim reluctantly agrees.
At Thanksgiving, the inn is closed and Jim is deeply depressed, barely touching the turkey dinner prepared by his housekeeper Mamie (Louise Beavers). Jim is prepared to mail to Hollywood a recording of his new Thanksgiving song, but, before he does, he plays it on a record player and makes negative comments over the positive ones in the recording. Realizing what is wrong and ignoring decorum, Mamie implores him to travel to California to win Linda back by telling her how he really feels.
Jim arrives at the studio on Christmas Eve, just as Ted is preparing to leave with Linda to get married. Jim confronts Ted in his dressing room, then locks him in it. Before Linda films the final scene for her movie, which features a recreation of Holiday Inn, Jim walks around the set with the director, who boasts it is the most exact recreation ever created for a motion picture. Jim leaves his pipe on the set's piano and hides nearby. Linda enters the room and sits at the piano, performing "White Christmas". Startled by the pipe's presence, she falters, then continues as Jim's voice joins her. Jim appears and Linda runs to him as the director yells "cut". Meanwhile, Ted and Danny learn of Jim's plan, but they are too late to stop him.
At Holiday Inn on New Year's Eve, Ted is reunited with Lila, who is ready and willing to perform with him again. Jim and Linda prepare to stay together and run the inn. | Holiday Inn | 1b82e839-07a0-4e12-3578-3360a040e288 | who gets drunk and dances with linda at the club? | [
"Hanover and Dixon"
] | false |
/m/01l0jh | Jim Hardy (Bing Crosby), Ted Hanover (Fred Astaire), and Lila Dixon (Virginia Dale) have a musical act popular in the New York City nightlife scene. On Christmas Eve, Jim prepares to give his last performance as part of the act before marrying Lila and retiring with her to a farm in Connecticut. At the last minute, Lila decides she is not ready to stop performing, and that she has fallen in love with Ted. She tells Jim that she will stay on as Ted's dancing partner. While heartbroken, Jim follows through with his plan and bids the act goodbye.
One year later on Christmas Eve, Jim is back in New York City. Farm life has proven difficult and he plans to turn his farm into an entertainment venue called "Holiday Inn", which will only be open on public holidays. Ted and his agent Danny Reed (Walter Abel) scoff at the plan, but wish him luck. Later at the airport flower shop, while ordering flowers for Lila from Ted, Danny is accosted by employee Linda Mason (Marjorie Reynolds) who recognizes him as a talent agent and begs him for a start in show business. Danny refers her to Holiday Inn and gives her a pass to Ted's club. That night, Linda sits at the performer's table with Jim, who pretends he owns a big club and isn't sure he could use an act like Hanover and Dixon. Linda pretends she's a celebrity and friend of Ted's, then escapes when the two performers come to Jim's table.
The next morning, Christmas Day, Linda arrives at Holiday Inn, where she meets Jimâboth realizing they were fooling each other the previous evening. Jim is preparing the place for New Year's Eve, and they take to each other immediately. Jim sings her his new song, "White Christmas", which he would have performed had the inn been open that night. Later that week, on New Year's Eve, Holiday Inn opens to a packed house.
Meanwhile, in New York City, Ted learns that Lila is leaving him for a Texas millionaire. Drinking heavily, he drives up to Holiday Inn to talk with Jim, arriving at midnight. While wandering aimlessly across the dance floor, Ted sees Linda, who remembers him from Christmas Eve. They dance, with Ted bringing down the house despite his inebriated state. Danny arrives just as the dance ends and is ecstatic that Ted found a new partner. The next morning, however, Ted remembers very little and doesn't remember Linda at all. Jim doesn't say anything and hides Linda away, afraid that Ted will steal her away from the inn.
At the next performance, Lincoln's Birthday, Ted and Danny return to Holiday Inn in search of Linda. Jim is ready for them and decides to run the night's big minstrel show number "Abraham" with disguised performers, including Linda, in an effort to foil the search. While applying Linda's blackface makeup, Jim asks if she will stay with him between holidays, and Linda takes this as a proposal. Having come up empty, Ted and Danny will not give up and plan to be back for the next holiday.
During rehearsals for the Valentine's Day performance, Jim presents Linda with a unique Valentine, a new song called "Be Careful, It's My Heart". While Jim sings with his back to her, Linda begins dancing alone, and as Ted enters, he spots Linda and launches into an impromptu romantic dance with her. Convinced that Linda is the girl he danced with on New Year's Eve, Ted demands that Jim provide a number for them to perform on the next holiday, and Jim reluctantly agrees.
On Washington's Birthday, Ted and Linda perform in elaborate 18th century period costumes, while Jim attempts to sabotage their dance, changing the tempo from a minuet to jazz every time the couple attempts to kiss. Afterwards, Ted asks Linda to join him as his new dance partner. Linda refuses, saying she has promised to stay at the inn and that she and Jim are to be married. When Ted asks him about the marriage, Jim plays it off, but Ted is unconvinced, telling Danny he will continue to pursue Linda.
At Easter, romance continues to blossom between Jim and Linda as they travel home from church in a carriage. When they reach the inn, Ted is sitting on the porch waiting for them. Ted asks Jim if he can remain in his shows, claiming he wants to experience "the true happiness" they've found at the inn. While Linda is charmed, Jim is suspicious.
Jim's suspicions are confirmed on Independence Day when he overhears Ted and Danny discussing an offer Ted received from Hollywood representatives, who will attend that night's show and determine if Ted and Linda are suitable for motion pictures. Desperate, Jim bribes hired hand Gus (Irving Bacon) to ensure that Linda does not arrive at the inn. After Gus drives the inn's car into a creek attempting to delay her, Linda tries to return to the inn and is picked up by Lila, who left the Texas millionaire after his tax problems were revealed. Lila tells Linda, who is pretending to be a waitress, about the studio tryout and that Lila will be Ted's partner. Assuming that Jim arranged for her to take Linda's place, Linda directs Lila into the same river.
Back at the inn, Ted is forced to perform a solo dance. When Linda eventually makes her way to the inn, she finds that Ted has impressed the studio honchos with his improvised solo and the opportunity stands. Irritated with Jim for not trusting her to make her own decision, Linda takes the offer and leaves for Hollywood. The producers want to make a film about Holiday Inn, and Jim reluctantly agrees.
At Thanksgiving, the inn is closed and Jim is deeply depressed, barely touching the turkey dinner prepared by his housekeeper Mamie (Louise Beavers). Jim is prepared to mail to Hollywood a recording of his new Thanksgiving song, but, before he does, he plays it on a record player and makes negative comments over the positive ones in the recording. Realizing what is wrong and ignoring decorum, Mamie implores him to travel to California to win Linda back by telling her how he really feels.
Jim arrives at the studio on Christmas Eve, just as Ted is preparing to leave with Linda to get married. Jim confronts Ted in his dressing room, then locks him in it. Before Linda films the final scene for her movie, which features a recreation of Holiday Inn, Jim walks around the set with the director, who boasts it is the most exact recreation ever created for a motion picture. Jim leaves his pipe on the set's piano and hides nearby. Linda enters the room and sits at the piano, performing "White Christmas". Startled by the pipe's presence, she falters, then continues as Jim's voice joins her. Jim appears and Linda runs to him as the director yells "cut". Meanwhile, Ted and Danny learn of Jim's plan, but they are too late to stop him.
At Holiday Inn on New Year's Eve, Ted is reunited with Lila, who is ready and willing to perform with him again. Jim and Linda prepare to stay together and run the inn. | Holiday Inn | 4c3eb456-975b-ab48-b3fb-537a2631d5c5 | where does linda mason have her audition? | [
"Holiday Inn"
] | false |
/m/01l0jh | Jim Hardy (Bing Crosby), Ted Hanover (Fred Astaire), and Lila Dixon (Virginia Dale) have a musical act popular in the New York City nightlife scene. On Christmas Eve, Jim prepares to give his last performance as part of the act before marrying Lila and retiring with her to a farm in Connecticut. At the last minute, Lila decides she is not ready to stop performing, and that she has fallen in love with Ted. She tells Jim that she will stay on as Ted's dancing partner. While heartbroken, Jim follows through with his plan and bids the act goodbye.
One year later on Christmas Eve, Jim is back in New York City. Farm life has proven difficult and he plans to turn his farm into an entertainment venue called "Holiday Inn", which will only be open on public holidays. Ted and his agent Danny Reed (Walter Abel) scoff at the plan, but wish him luck. Later at the airport flower shop, while ordering flowers for Lila from Ted, Danny is accosted by employee Linda Mason (Marjorie Reynolds) who recognizes him as a talent agent and begs him for a start in show business. Danny refers her to Holiday Inn and gives her a pass to Ted's club. That night, Linda sits at the performer's table with Jim, who pretends he owns a big club and isn't sure he could use an act like Hanover and Dixon. Linda pretends she's a celebrity and friend of Ted's, then escapes when the two performers come to Jim's table.
The next morning, Christmas Day, Linda arrives at Holiday Inn, where she meets Jimâboth realizing they were fooling each other the previous evening. Jim is preparing the place for New Year's Eve, and they take to each other immediately. Jim sings her his new song, "White Christmas", which he would have performed had the inn been open that night. Later that week, on New Year's Eve, Holiday Inn opens to a packed house.
Meanwhile, in New York City, Ted learns that Lila is leaving him for a Texas millionaire. Drinking heavily, he drives up to Holiday Inn to talk with Jim, arriving at midnight. While wandering aimlessly across the dance floor, Ted sees Linda, who remembers him from Christmas Eve. They dance, with Ted bringing down the house despite his inebriated state. Danny arrives just as the dance ends and is ecstatic that Ted found a new partner. The next morning, however, Ted remembers very little and doesn't remember Linda at all. Jim doesn't say anything and hides Linda away, afraid that Ted will steal her away from the inn.
At the next performance, Lincoln's Birthday, Ted and Danny return to Holiday Inn in search of Linda. Jim is ready for them and decides to run the night's big minstrel show number "Abraham" with disguised performers, including Linda, in an effort to foil the search. While applying Linda's blackface makeup, Jim asks if she will stay with him between holidays, and Linda takes this as a proposal. Having come up empty, Ted and Danny will not give up and plan to be back for the next holiday.
During rehearsals for the Valentine's Day performance, Jim presents Linda with a unique Valentine, a new song called "Be Careful, It's My Heart". While Jim sings with his back to her, Linda begins dancing alone, and as Ted enters, he spots Linda and launches into an impromptu romantic dance with her. Convinced that Linda is the girl he danced with on New Year's Eve, Ted demands that Jim provide a number for them to perform on the next holiday, and Jim reluctantly agrees.
On Washington's Birthday, Ted and Linda perform in elaborate 18th century period costumes, while Jim attempts to sabotage their dance, changing the tempo from a minuet to jazz every time the couple attempts to kiss. Afterwards, Ted asks Linda to join him as his new dance partner. Linda refuses, saying she has promised to stay at the inn and that she and Jim are to be married. When Ted asks him about the marriage, Jim plays it off, but Ted is unconvinced, telling Danny he will continue to pursue Linda.
At Easter, romance continues to blossom between Jim and Linda as they travel home from church in a carriage. When they reach the inn, Ted is sitting on the porch waiting for them. Ted asks Jim if he can remain in his shows, claiming he wants to experience "the true happiness" they've found at the inn. While Linda is charmed, Jim is suspicious.
Jim's suspicions are confirmed on Independence Day when he overhears Ted and Danny discussing an offer Ted received from Hollywood representatives, who will attend that night's show and determine if Ted and Linda are suitable for motion pictures. Desperate, Jim bribes hired hand Gus (Irving Bacon) to ensure that Linda does not arrive at the inn. After Gus drives the inn's car into a creek attempting to delay her, Linda tries to return to the inn and is picked up by Lila, who left the Texas millionaire after his tax problems were revealed. Lila tells Linda, who is pretending to be a waitress, about the studio tryout and that Lila will be Ted's partner. Assuming that Jim arranged for her to take Linda's place, Linda directs Lila into the same river.
Back at the inn, Ted is forced to perform a solo dance. When Linda eventually makes her way to the inn, she finds that Ted has impressed the studio honchos with his improvised solo and the opportunity stands. Irritated with Jim for not trusting her to make her own decision, Linda takes the offer and leaves for Hollywood. The producers want to make a film about Holiday Inn, and Jim reluctantly agrees.
At Thanksgiving, the inn is closed and Jim is deeply depressed, barely touching the turkey dinner prepared by his housekeeper Mamie (Louise Beavers). Jim is prepared to mail to Hollywood a recording of his new Thanksgiving song, but, before he does, he plays it on a record player and makes negative comments over the positive ones in the recording. Realizing what is wrong and ignoring decorum, Mamie implores him to travel to California to win Linda back by telling her how he really feels.
Jim arrives at the studio on Christmas Eve, just as Ted is preparing to leave with Linda to get married. Jim confronts Ted in his dressing room, then locks him in it. Before Linda films the final scene for her movie, which features a recreation of Holiday Inn, Jim walks around the set with the director, who boasts it is the most exact recreation ever created for a motion picture. Jim leaves his pipe on the set's piano and hides nearby. Linda enters the room and sits at the piano, performing "White Christmas". Startled by the pipe's presence, she falters, then continues as Jim's voice joins her. Jim appears and Linda runs to him as the director yells "cut". Meanwhile, Ted and Danny learn of Jim's plan, but they are too late to stop him.
At Holiday Inn on New Year's Eve, Ted is reunited with Lila, who is ready and willing to perform with him again. Jim and Linda prepare to stay together and run the inn. | Holiday Inn | 86675171-b5c6-d135-b06a-699883f8ce92 | when does ted rediscover his mysterious dance partner? | [
"Lila"
] | false |
/m/01l0jh | Jim Hardy (Bing Crosby), Ted Hanover (Fred Astaire), and Lila Dixon (Virginia Dale) have a musical act popular in the New York City nightlife scene. On Christmas Eve, Jim prepares to give his last performance as part of the act before marrying Lila and retiring with her to a farm in Connecticut. At the last minute, Lila decides she is not ready to stop performing, and that she has fallen in love with Ted. She tells Jim that she will stay on as Ted's dancing partner. While heartbroken, Jim follows through with his plan and bids the act goodbye.
One year later on Christmas Eve, Jim is back in New York City. Farm life has proven difficult and he plans to turn his farm into an entertainment venue called "Holiday Inn", which will only be open on public holidays. Ted and his agent Danny Reed (Walter Abel) scoff at the plan, but wish him luck. Later at the airport flower shop, while ordering flowers for Lila from Ted, Danny is accosted by employee Linda Mason (Marjorie Reynolds) who recognizes him as a talent agent and begs him for a start in show business. Danny refers her to Holiday Inn and gives her a pass to Ted's club. That night, Linda sits at the performer's table with Jim, who pretends he owns a big club and isn't sure he could use an act like Hanover and Dixon. Linda pretends she's a celebrity and friend of Ted's, then escapes when the two performers come to Jim's table.
The next morning, Christmas Day, Linda arrives at Holiday Inn, where she meets Jimâboth realizing they were fooling each other the previous evening. Jim is preparing the place for New Year's Eve, and they take to each other immediately. Jim sings her his new song, "White Christmas", which he would have performed had the inn been open that night. Later that week, on New Year's Eve, Holiday Inn opens to a packed house.
Meanwhile, in New York City, Ted learns that Lila is leaving him for a Texas millionaire. Drinking heavily, he drives up to Holiday Inn to talk with Jim, arriving at midnight. While wandering aimlessly across the dance floor, Ted sees Linda, who remembers him from Christmas Eve. They dance, with Ted bringing down the house despite his inebriated state. Danny arrives just as the dance ends and is ecstatic that Ted found a new partner. The next morning, however, Ted remembers very little and doesn't remember Linda at all. Jim doesn't say anything and hides Linda away, afraid that Ted will steal her away from the inn.
At the next performance, Lincoln's Birthday, Ted and Danny return to Holiday Inn in search of Linda. Jim is ready for them and decides to run the night's big minstrel show number "Abraham" with disguised performers, including Linda, in an effort to foil the search. While applying Linda's blackface makeup, Jim asks if she will stay with him between holidays, and Linda takes this as a proposal. Having come up empty, Ted and Danny will not give up and plan to be back for the next holiday.
During rehearsals for the Valentine's Day performance, Jim presents Linda with a unique Valentine, a new song called "Be Careful, It's My Heart". While Jim sings with his back to her, Linda begins dancing alone, and as Ted enters, he spots Linda and launches into an impromptu romantic dance with her. Convinced that Linda is the girl he danced with on New Year's Eve, Ted demands that Jim provide a number for them to perform on the next holiday, and Jim reluctantly agrees.
On Washington's Birthday, Ted and Linda perform in elaborate 18th century period costumes, while Jim attempts to sabotage their dance, changing the tempo from a minuet to jazz every time the couple attempts to kiss. Afterwards, Ted asks Linda to join him as his new dance partner. Linda refuses, saying she has promised to stay at the inn and that she and Jim are to be married. When Ted asks him about the marriage, Jim plays it off, but Ted is unconvinced, telling Danny he will continue to pursue Linda.
At Easter, romance continues to blossom between Jim and Linda as they travel home from church in a carriage. When they reach the inn, Ted is sitting on the porch waiting for them. Ted asks Jim if he can remain in his shows, claiming he wants to experience "the true happiness" they've found at the inn. While Linda is charmed, Jim is suspicious.
Jim's suspicions are confirmed on Independence Day when he overhears Ted and Danny discussing an offer Ted received from Hollywood representatives, who will attend that night's show and determine if Ted and Linda are suitable for motion pictures. Desperate, Jim bribes hired hand Gus (Irving Bacon) to ensure that Linda does not arrive at the inn. After Gus drives the inn's car into a creek attempting to delay her, Linda tries to return to the inn and is picked up by Lila, who left the Texas millionaire after his tax problems were revealed. Lila tells Linda, who is pretending to be a waitress, about the studio tryout and that Lila will be Ted's partner. Assuming that Jim arranged for her to take Linda's place, Linda directs Lila into the same river.
Back at the inn, Ted is forced to perform a solo dance. When Linda eventually makes her way to the inn, she finds that Ted has impressed the studio honchos with his improvised solo and the opportunity stands. Irritated with Jim for not trusting her to make her own decision, Linda takes the offer and leaves for Hollywood. The producers want to make a film about Holiday Inn, and Jim reluctantly agrees.
At Thanksgiving, the inn is closed and Jim is deeply depressed, barely touching the turkey dinner prepared by his housekeeper Mamie (Louise Beavers). Jim is prepared to mail to Hollywood a recording of his new Thanksgiving song, but, before he does, he plays it on a record player and makes negative comments over the positive ones in the recording. Realizing what is wrong and ignoring decorum, Mamie implores him to travel to California to win Linda back by telling her how he really feels.
Jim arrives at the studio on Christmas Eve, just as Ted is preparing to leave with Linda to get married. Jim confronts Ted in his dressing room, then locks him in it. Before Linda films the final scene for her movie, which features a recreation of Holiday Inn, Jim walks around the set with the director, who boasts it is the most exact recreation ever created for a motion picture. Jim leaves his pipe on the set's piano and hides nearby. Linda enters the room and sits at the piano, performing "White Christmas". Startled by the pipe's presence, she falters, then continues as Jim's voice joins her. Jim appears and Linda runs to him as the director yells "cut". Meanwhile, Ted and Danny learn of Jim's plan, but they are too late to stop him.
At Holiday Inn on New Year's Eve, Ted is reunited with Lila, who is ready and willing to perform with him again. Jim and Linda prepare to stay together and run the inn. | Holiday Inn | 74fe63e4-cc17-9f43-73ef-10d8714a5b55 | what is the title of the movie? | [
"Holiday Inn"
] | false |
/m/01l0jh | Jim Hardy (Bing Crosby), Ted Hanover (Fred Astaire), and Lila Dixon (Virginia Dale) have a musical act popular in the New York City nightlife scene. On Christmas Eve, Jim prepares to give his last performance as part of the act before marrying Lila and retiring with her to a farm in Connecticut. At the last minute, Lila decides she is not ready to stop performing, and that she has fallen in love with Ted. She tells Jim that she will stay on as Ted's dancing partner. While heartbroken, Jim follows through with his plan and bids the act goodbye.
One year later on Christmas Eve, Jim is back in New York City. Farm life has proven difficult and he plans to turn his farm into an entertainment venue called "Holiday Inn", which will only be open on public holidays. Ted and his agent Danny Reed (Walter Abel) scoff at the plan, but wish him luck. Later at the airport flower shop, while ordering flowers for Lila from Ted, Danny is accosted by employee Linda Mason (Marjorie Reynolds) who recognizes him as a talent agent and begs him for a start in show business. Danny refers her to Holiday Inn and gives her a pass to Ted's club. That night, Linda sits at the performer's table with Jim, who pretends he owns a big club and isn't sure he could use an act like Hanover and Dixon. Linda pretends she's a celebrity and friend of Ted's, then escapes when the two performers come to Jim's table.
The next morning, Christmas Day, Linda arrives at Holiday Inn, where she meets Jimâboth realizing they were fooling each other the previous evening. Jim is preparing the place for New Year's Eve, and they take to each other immediately. Jim sings her his new song, "White Christmas", which he would have performed had the inn been open that night. Later that week, on New Year's Eve, Holiday Inn opens to a packed house.
Meanwhile, in New York City, Ted learns that Lila is leaving him for a Texas millionaire. Drinking heavily, he drives up to Holiday Inn to talk with Jim, arriving at midnight. While wandering aimlessly across the dance floor, Ted sees Linda, who remembers him from Christmas Eve. They dance, with Ted bringing down the house despite his inebriated state. Danny arrives just as the dance ends and is ecstatic that Ted found a new partner. The next morning, however, Ted remembers very little and doesn't remember Linda at all. Jim doesn't say anything and hides Linda away, afraid that Ted will steal her away from the inn.
At the next performance, Lincoln's Birthday, Ted and Danny return to Holiday Inn in search of Linda. Jim is ready for them and decides to run the night's big minstrel show number "Abraham" with disguised performers, including Linda, in an effort to foil the search. While applying Linda's blackface makeup, Jim asks if she will stay with him between holidays, and Linda takes this as a proposal. Having come up empty, Ted and Danny will not give up and plan to be back for the next holiday.
During rehearsals for the Valentine's Day performance, Jim presents Linda with a unique Valentine, a new song called "Be Careful, It's My Heart". While Jim sings with his back to her, Linda begins dancing alone, and as Ted enters, he spots Linda and launches into an impromptu romantic dance with her. Convinced that Linda is the girl he danced with on New Year's Eve, Ted demands that Jim provide a number for them to perform on the next holiday, and Jim reluctantly agrees.
On Washington's Birthday, Ted and Linda perform in elaborate 18th century period costumes, while Jim attempts to sabotage their dance, changing the tempo from a minuet to jazz every time the couple attempts to kiss. Afterwards, Ted asks Linda to join him as his new dance partner. Linda refuses, saying she has promised to stay at the inn and that she and Jim are to be married. When Ted asks him about the marriage, Jim plays it off, but Ted is unconvinced, telling Danny he will continue to pursue Linda.
At Easter, romance continues to blossom between Jim and Linda as they travel home from church in a carriage. When they reach the inn, Ted is sitting on the porch waiting for them. Ted asks Jim if he can remain in his shows, claiming he wants to experience "the true happiness" they've found at the inn. While Linda is charmed, Jim is suspicious.
Jim's suspicions are confirmed on Independence Day when he overhears Ted and Danny discussing an offer Ted received from Hollywood representatives, who will attend that night's show and determine if Ted and Linda are suitable for motion pictures. Desperate, Jim bribes hired hand Gus (Irving Bacon) to ensure that Linda does not arrive at the inn. After Gus drives the inn's car into a creek attempting to delay her, Linda tries to return to the inn and is picked up by Lila, who left the Texas millionaire after his tax problems were revealed. Lila tells Linda, who is pretending to be a waitress, about the studio tryout and that Lila will be Ted's partner. Assuming that Jim arranged for her to take Linda's place, Linda directs Lila into the same river.
Back at the inn, Ted is forced to perform a solo dance. When Linda eventually makes her way to the inn, she finds that Ted has impressed the studio honchos with his improvised solo and the opportunity stands. Irritated with Jim for not trusting her to make her own decision, Linda takes the offer and leaves for Hollywood. The producers want to make a film about Holiday Inn, and Jim reluctantly agrees.
At Thanksgiving, the inn is closed and Jim is deeply depressed, barely touching the turkey dinner prepared by his housekeeper Mamie (Louise Beavers). Jim is prepared to mail to Hollywood a recording of his new Thanksgiving song, but, before he does, he plays it on a record player and makes negative comments over the positive ones in the recording. Realizing what is wrong and ignoring decorum, Mamie implores him to travel to California to win Linda back by telling her how he really feels.
Jim arrives at the studio on Christmas Eve, just as Ted is preparing to leave with Linda to get married. Jim confronts Ted in his dressing room, then locks him in it. Before Linda films the final scene for her movie, which features a recreation of Holiday Inn, Jim walks around the set with the director, who boasts it is the most exact recreation ever created for a motion picture. Jim leaves his pipe on the set's piano and hides nearby. Linda enters the room and sits at the piano, performing "White Christmas". Startled by the pipe's presence, she falters, then continues as Jim's voice joins her. Jim appears and Linda runs to him as the director yells "cut". Meanwhile, Ted and Danny learn of Jim's plan, but they are too late to stop him.
At Holiday Inn on New Year's Eve, Ted is reunited with Lila, who is ready and willing to perform with him again. Jim and Linda prepare to stay together and run the inn. | Holiday Inn | 3ea34008-8078-82f1-25e3-a27f8d89f082 | which state does jim hardy intend to take his fiance to live in? | [
"Connecticut"
] | false |
/m/01l0jh | Jim Hardy (Bing Crosby), Ted Hanover (Fred Astaire), and Lila Dixon (Virginia Dale) have a musical act popular in the New York City nightlife scene. On Christmas Eve, Jim prepares to give his last performance as part of the act before marrying Lila and retiring with her to a farm in Connecticut. At the last minute, Lila decides she is not ready to stop performing, and that she has fallen in love with Ted. She tells Jim that she will stay on as Ted's dancing partner. While heartbroken, Jim follows through with his plan and bids the act goodbye.
One year later on Christmas Eve, Jim is back in New York City. Farm life has proven difficult and he plans to turn his farm into an entertainment venue called "Holiday Inn", which will only be open on public holidays. Ted and his agent Danny Reed (Walter Abel) scoff at the plan, but wish him luck. Later at the airport flower shop, while ordering flowers for Lila from Ted, Danny is accosted by employee Linda Mason (Marjorie Reynolds) who recognizes him as a talent agent and begs him for a start in show business. Danny refers her to Holiday Inn and gives her a pass to Ted's club. That night, Linda sits at the performer's table with Jim, who pretends he owns a big club and isn't sure he could use an act like Hanover and Dixon. Linda pretends she's a celebrity and friend of Ted's, then escapes when the two performers come to Jim's table.
The next morning, Christmas Day, Linda arrives at Holiday Inn, where she meets Jimâboth realizing they were fooling each other the previous evening. Jim is preparing the place for New Year's Eve, and they take to each other immediately. Jim sings her his new song, "White Christmas", which he would have performed had the inn been open that night. Later that week, on New Year's Eve, Holiday Inn opens to a packed house.
Meanwhile, in New York City, Ted learns that Lila is leaving him for a Texas millionaire. Drinking heavily, he drives up to Holiday Inn to talk with Jim, arriving at midnight. While wandering aimlessly across the dance floor, Ted sees Linda, who remembers him from Christmas Eve. They dance, with Ted bringing down the house despite his inebriated state. Danny arrives just as the dance ends and is ecstatic that Ted found a new partner. The next morning, however, Ted remembers very little and doesn't remember Linda at all. Jim doesn't say anything and hides Linda away, afraid that Ted will steal her away from the inn.
At the next performance, Lincoln's Birthday, Ted and Danny return to Holiday Inn in search of Linda. Jim is ready for them and decides to run the night's big minstrel show number "Abraham" with disguised performers, including Linda, in an effort to foil the search. While applying Linda's blackface makeup, Jim asks if she will stay with him between holidays, and Linda takes this as a proposal. Having come up empty, Ted and Danny will not give up and plan to be back for the next holiday.
During rehearsals for the Valentine's Day performance, Jim presents Linda with a unique Valentine, a new song called "Be Careful, It's My Heart". While Jim sings with his back to her, Linda begins dancing alone, and as Ted enters, he spots Linda and launches into an impromptu romantic dance with her. Convinced that Linda is the girl he danced with on New Year's Eve, Ted demands that Jim provide a number for them to perform on the next holiday, and Jim reluctantly agrees.
On Washington's Birthday, Ted and Linda perform in elaborate 18th century period costumes, while Jim attempts to sabotage their dance, changing the tempo from a minuet to jazz every time the couple attempts to kiss. Afterwards, Ted asks Linda to join him as his new dance partner. Linda refuses, saying she has promised to stay at the inn and that she and Jim are to be married. When Ted asks him about the marriage, Jim plays it off, but Ted is unconvinced, telling Danny he will continue to pursue Linda.
At Easter, romance continues to blossom between Jim and Linda as they travel home from church in a carriage. When they reach the inn, Ted is sitting on the porch waiting for them. Ted asks Jim if he can remain in his shows, claiming he wants to experience "the true happiness" they've found at the inn. While Linda is charmed, Jim is suspicious.
Jim's suspicions are confirmed on Independence Day when he overhears Ted and Danny discussing an offer Ted received from Hollywood representatives, who will attend that night's show and determine if Ted and Linda are suitable for motion pictures. Desperate, Jim bribes hired hand Gus (Irving Bacon) to ensure that Linda does not arrive at the inn. After Gus drives the inn's car into a creek attempting to delay her, Linda tries to return to the inn and is picked up by Lila, who left the Texas millionaire after his tax problems were revealed. Lila tells Linda, who is pretending to be a waitress, about the studio tryout and that Lila will be Ted's partner. Assuming that Jim arranged for her to take Linda's place, Linda directs Lila into the same river.
Back at the inn, Ted is forced to perform a solo dance. When Linda eventually makes her way to the inn, she finds that Ted has impressed the studio honchos with his improvised solo and the opportunity stands. Irritated with Jim for not trusting her to make her own decision, Linda takes the offer and leaves for Hollywood. The producers want to make a film about Holiday Inn, and Jim reluctantly agrees.
At Thanksgiving, the inn is closed and Jim is deeply depressed, barely touching the turkey dinner prepared by his housekeeper Mamie (Louise Beavers). Jim is prepared to mail to Hollywood a recording of his new Thanksgiving song, but, before he does, he plays it on a record player and makes negative comments over the positive ones in the recording. Realizing what is wrong and ignoring decorum, Mamie implores him to travel to California to win Linda back by telling her how he really feels.
Jim arrives at the studio on Christmas Eve, just as Ted is preparing to leave with Linda to get married. Jim confronts Ted in his dressing room, then locks him in it. Before Linda films the final scene for her movie, which features a recreation of Holiday Inn, Jim walks around the set with the director, who boasts it is the most exact recreation ever created for a motion picture. Jim leaves his pipe on the set's piano and hides nearby. Linda enters the room and sits at the piano, performing "White Christmas". Startled by the pipe's presence, she falters, then continues as Jim's voice joins her. Jim appears and Linda runs to him as the director yells "cut". Meanwhile, Ted and Danny learn of Jim's plan, but they are too late to stop him.
At Holiday Inn on New Year's Eve, Ted is reunited with Lila, who is ready and willing to perform with him again. Jim and Linda prepare to stay together and run the inn. | Holiday Inn | 82fa7be7-4cd4-a034-083f-cd1ff94f11a3 | What idea does Jim Hardy have for his old barn? | [
"Connecticut"
] | false |
/m/01l0jh | Jim Hardy (Bing Crosby), Ted Hanover (Fred Astaire), and Lila Dixon (Virginia Dale) have a musical act popular in the New York City nightlife scene. On Christmas Eve, Jim prepares to give his last performance as part of the act before marrying Lila and retiring with her to a farm in Connecticut. At the last minute, Lila decides she is not ready to stop performing, and that she has fallen in love with Ted. She tells Jim that she will stay on as Ted's dancing partner. While heartbroken, Jim follows through with his plan and bids the act goodbye.
One year later on Christmas Eve, Jim is back in New York City. Farm life has proven difficult and he plans to turn his farm into an entertainment venue called "Holiday Inn", which will only be open on public holidays. Ted and his agent Danny Reed (Walter Abel) scoff at the plan, but wish him luck. Later at the airport flower shop, while ordering flowers for Lila from Ted, Danny is accosted by employee Linda Mason (Marjorie Reynolds) who recognizes him as a talent agent and begs him for a start in show business. Danny refers her to Holiday Inn and gives her a pass to Ted's club. That night, Linda sits at the performer's table with Jim, who pretends he owns a big club and isn't sure he could use an act like Hanover and Dixon. Linda pretends she's a celebrity and friend of Ted's, then escapes when the two performers come to Jim's table.
The next morning, Christmas Day, Linda arrives at Holiday Inn, where she meets Jimâboth realizing they were fooling each other the previous evening. Jim is preparing the place for New Year's Eve, and they take to each other immediately. Jim sings her his new song, "White Christmas", which he would have performed had the inn been open that night. Later that week, on New Year's Eve, Holiday Inn opens to a packed house.
Meanwhile, in New York City, Ted learns that Lila is leaving him for a Texas millionaire. Drinking heavily, he drives up to Holiday Inn to talk with Jim, arriving at midnight. While wandering aimlessly across the dance floor, Ted sees Linda, who remembers him from Christmas Eve. They dance, with Ted bringing down the house despite his inebriated state. Danny arrives just as the dance ends and is ecstatic that Ted found a new partner. The next morning, however, Ted remembers very little and doesn't remember Linda at all. Jim doesn't say anything and hides Linda away, afraid that Ted will steal her away from the inn.
At the next performance, Lincoln's Birthday, Ted and Danny return to Holiday Inn in search of Linda. Jim is ready for them and decides to run the night's big minstrel show number "Abraham" with disguised performers, including Linda, in an effort to foil the search. While applying Linda's blackface makeup, Jim asks if she will stay with him between holidays, and Linda takes this as a proposal. Having come up empty, Ted and Danny will not give up and plan to be back for the next holiday.
During rehearsals for the Valentine's Day performance, Jim presents Linda with a unique Valentine, a new song called "Be Careful, It's My Heart". While Jim sings with his back to her, Linda begins dancing alone, and as Ted enters, he spots Linda and launches into an impromptu romantic dance with her. Convinced that Linda is the girl he danced with on New Year's Eve, Ted demands that Jim provide a number for them to perform on the next holiday, and Jim reluctantly agrees.
On Washington's Birthday, Ted and Linda perform in elaborate 18th century period costumes, while Jim attempts to sabotage their dance, changing the tempo from a minuet to jazz every time the couple attempts to kiss. Afterwards, Ted asks Linda to join him as his new dance partner. Linda refuses, saying she has promised to stay at the inn and that she and Jim are to be married. When Ted asks him about the marriage, Jim plays it off, but Ted is unconvinced, telling Danny he will continue to pursue Linda.
At Easter, romance continues to blossom between Jim and Linda as they travel home from church in a carriage. When they reach the inn, Ted is sitting on the porch waiting for them. Ted asks Jim if he can remain in his shows, claiming he wants to experience "the true happiness" they've found at the inn. While Linda is charmed, Jim is suspicious.
Jim's suspicions are confirmed on Independence Day when he overhears Ted and Danny discussing an offer Ted received from Hollywood representatives, who will attend that night's show and determine if Ted and Linda are suitable for motion pictures. Desperate, Jim bribes hired hand Gus (Irving Bacon) to ensure that Linda does not arrive at the inn. After Gus drives the inn's car into a creek attempting to delay her, Linda tries to return to the inn and is picked up by Lila, who left the Texas millionaire after his tax problems were revealed. Lila tells Linda, who is pretending to be a waitress, about the studio tryout and that Lila will be Ted's partner. Assuming that Jim arranged for her to take Linda's place, Linda directs Lila into the same river.
Back at the inn, Ted is forced to perform a solo dance. When Linda eventually makes her way to the inn, she finds that Ted has impressed the studio honchos with his improvised solo and the opportunity stands. Irritated with Jim for not trusting her to make her own decision, Linda takes the offer and leaves for Hollywood. The producers want to make a film about Holiday Inn, and Jim reluctantly agrees.
At Thanksgiving, the inn is closed and Jim is deeply depressed, barely touching the turkey dinner prepared by his housekeeper Mamie (Louise Beavers). Jim is prepared to mail to Hollywood a recording of his new Thanksgiving song, but, before he does, he plays it on a record player and makes negative comments over the positive ones in the recording. Realizing what is wrong and ignoring decorum, Mamie implores him to travel to California to win Linda back by telling her how he really feels.
Jim arrives at the studio on Christmas Eve, just as Ted is preparing to leave with Linda to get married. Jim confronts Ted in his dressing room, then locks him in it. Before Linda films the final scene for her movie, which features a recreation of Holiday Inn, Jim walks around the set with the director, who boasts it is the most exact recreation ever created for a motion picture. Jim leaves his pipe on the set's piano and hides nearby. Linda enters the room and sits at the piano, performing "White Christmas". Startled by the pipe's presence, she falters, then continues as Jim's voice joins her. Jim appears and Linda runs to him as the director yells "cut". Meanwhile, Ted and Danny learn of Jim's plan, but they are too late to stop him.
At Holiday Inn on New Year's Eve, Ted is reunited with Lila, who is ready and willing to perform with him again. Jim and Linda prepare to stay together and run the inn. | Holiday Inn | 032f29b5-dbf7-ff8d-2ac0-2f874f2fed47 | what is the name of the woman jim falls in love for? | [
"Linda"
] | false |
/m/01l0jh | Jim Hardy (Bing Crosby), Ted Hanover (Fred Astaire), and Lila Dixon (Virginia Dale) have a musical act popular in the New York City nightlife scene. On Christmas Eve, Jim prepares to give his last performance as part of the act before marrying Lila and retiring with her to a farm in Connecticut. At the last minute, Lila decides she is not ready to stop performing, and that she has fallen in love with Ted. She tells Jim that she will stay on as Ted's dancing partner. While heartbroken, Jim follows through with his plan and bids the act goodbye.
One year later on Christmas Eve, Jim is back in New York City. Farm life has proven difficult and he plans to turn his farm into an entertainment venue called "Holiday Inn", which will only be open on public holidays. Ted and his agent Danny Reed (Walter Abel) scoff at the plan, but wish him luck. Later at the airport flower shop, while ordering flowers for Lila from Ted, Danny is accosted by employee Linda Mason (Marjorie Reynolds) who recognizes him as a talent agent and begs him for a start in show business. Danny refers her to Holiday Inn and gives her a pass to Ted's club. That night, Linda sits at the performer's table with Jim, who pretends he owns a big club and isn't sure he could use an act like Hanover and Dixon. Linda pretends she's a celebrity and friend of Ted's, then escapes when the two performers come to Jim's table.
The next morning, Christmas Day, Linda arrives at Holiday Inn, where she meets Jimâboth realizing they were fooling each other the previous evening. Jim is preparing the place for New Year's Eve, and they take to each other immediately. Jim sings her his new song, "White Christmas", which he would have performed had the inn been open that night. Later that week, on New Year's Eve, Holiday Inn opens to a packed house.
Meanwhile, in New York City, Ted learns that Lila is leaving him for a Texas millionaire. Drinking heavily, he drives up to Holiday Inn to talk with Jim, arriving at midnight. While wandering aimlessly across the dance floor, Ted sees Linda, who remembers him from Christmas Eve. They dance, with Ted bringing down the house despite his inebriated state. Danny arrives just as the dance ends and is ecstatic that Ted found a new partner. The next morning, however, Ted remembers very little and doesn't remember Linda at all. Jim doesn't say anything and hides Linda away, afraid that Ted will steal her away from the inn.
At the next performance, Lincoln's Birthday, Ted and Danny return to Holiday Inn in search of Linda. Jim is ready for them and decides to run the night's big minstrel show number "Abraham" with disguised performers, including Linda, in an effort to foil the search. While applying Linda's blackface makeup, Jim asks if she will stay with him between holidays, and Linda takes this as a proposal. Having come up empty, Ted and Danny will not give up and plan to be back for the next holiday.
During rehearsals for the Valentine's Day performance, Jim presents Linda with a unique Valentine, a new song called "Be Careful, It's My Heart". While Jim sings with his back to her, Linda begins dancing alone, and as Ted enters, he spots Linda and launches into an impromptu romantic dance with her. Convinced that Linda is the girl he danced with on New Year's Eve, Ted demands that Jim provide a number for them to perform on the next holiday, and Jim reluctantly agrees.
On Washington's Birthday, Ted and Linda perform in elaborate 18th century period costumes, while Jim attempts to sabotage their dance, changing the tempo from a minuet to jazz every time the couple attempts to kiss. Afterwards, Ted asks Linda to join him as his new dance partner. Linda refuses, saying she has promised to stay at the inn and that she and Jim are to be married. When Ted asks him about the marriage, Jim plays it off, but Ted is unconvinced, telling Danny he will continue to pursue Linda.
At Easter, romance continues to blossom between Jim and Linda as they travel home from church in a carriage. When they reach the inn, Ted is sitting on the porch waiting for them. Ted asks Jim if he can remain in his shows, claiming he wants to experience "the true happiness" they've found at the inn. While Linda is charmed, Jim is suspicious.
Jim's suspicions are confirmed on Independence Day when he overhears Ted and Danny discussing an offer Ted received from Hollywood representatives, who will attend that night's show and determine if Ted and Linda are suitable for motion pictures. Desperate, Jim bribes hired hand Gus (Irving Bacon) to ensure that Linda does not arrive at the inn. After Gus drives the inn's car into a creek attempting to delay her, Linda tries to return to the inn and is picked up by Lila, who left the Texas millionaire after his tax problems were revealed. Lila tells Linda, who is pretending to be a waitress, about the studio tryout and that Lila will be Ted's partner. Assuming that Jim arranged for her to take Linda's place, Linda directs Lila into the same river.
Back at the inn, Ted is forced to perform a solo dance. When Linda eventually makes her way to the inn, she finds that Ted has impressed the studio honchos with his improvised solo and the opportunity stands. Irritated with Jim for not trusting her to make her own decision, Linda takes the offer and leaves for Hollywood. The producers want to make a film about Holiday Inn, and Jim reluctantly agrees.
At Thanksgiving, the inn is closed and Jim is deeply depressed, barely touching the turkey dinner prepared by his housekeeper Mamie (Louise Beavers). Jim is prepared to mail to Hollywood a recording of his new Thanksgiving song, but, before he does, he plays it on a record player and makes negative comments over the positive ones in the recording. Realizing what is wrong and ignoring decorum, Mamie implores him to travel to California to win Linda back by telling her how he really feels.
Jim arrives at the studio on Christmas Eve, just as Ted is preparing to leave with Linda to get married. Jim confronts Ted in his dressing room, then locks him in it. Before Linda films the final scene for her movie, which features a recreation of Holiday Inn, Jim walks around the set with the director, who boasts it is the most exact recreation ever created for a motion picture. Jim leaves his pipe on the set's piano and hides nearby. Linda enters the room and sits at the piano, performing "White Christmas". Startled by the pipe's presence, she falters, then continues as Jim's voice joins her. Jim appears and Linda runs to him as the director yells "cut". Meanwhile, Ted and Danny learn of Jim's plan, but they are too late to stop him.
At Holiday Inn on New Year's Eve, Ted is reunited with Lila, who is ready and willing to perform with him again. Jim and Linda prepare to stay together and run the inn. | Holiday Inn | 40f37a04-e923-4b60-9479-8d8ca6a2ab37 | what holiday is this said to be a 'treasure that shows a simpler time in history'? | [
"Christmas"
] | false |
/m/01l0jh | Jim Hardy (Bing Crosby), Ted Hanover (Fred Astaire), and Lila Dixon (Virginia Dale) have a musical act popular in the New York City nightlife scene. On Christmas Eve, Jim prepares to give his last performance as part of the act before marrying Lila and retiring with her to a farm in Connecticut. At the last minute, Lila decides she is not ready to stop performing, and that she has fallen in love with Ted. She tells Jim that she will stay on as Ted's dancing partner. While heartbroken, Jim follows through with his plan and bids the act goodbye.
One year later on Christmas Eve, Jim is back in New York City. Farm life has proven difficult and he plans to turn his farm into an entertainment venue called "Holiday Inn", which will only be open on public holidays. Ted and his agent Danny Reed (Walter Abel) scoff at the plan, but wish him luck. Later at the airport flower shop, while ordering flowers for Lila from Ted, Danny is accosted by employee Linda Mason (Marjorie Reynolds) who recognizes him as a talent agent and begs him for a start in show business. Danny refers her to Holiday Inn and gives her a pass to Ted's club. That night, Linda sits at the performer's table with Jim, who pretends he owns a big club and isn't sure he could use an act like Hanover and Dixon. Linda pretends she's a celebrity and friend of Ted's, then escapes when the two performers come to Jim's table.
The next morning, Christmas Day, Linda arrives at Holiday Inn, where she meets Jimâboth realizing they were fooling each other the previous evening. Jim is preparing the place for New Year's Eve, and they take to each other immediately. Jim sings her his new song, "White Christmas", which he would have performed had the inn been open that night. Later that week, on New Year's Eve, Holiday Inn opens to a packed house.
Meanwhile, in New York City, Ted learns that Lila is leaving him for a Texas millionaire. Drinking heavily, he drives up to Holiday Inn to talk with Jim, arriving at midnight. While wandering aimlessly across the dance floor, Ted sees Linda, who remembers him from Christmas Eve. They dance, with Ted bringing down the house despite his inebriated state. Danny arrives just as the dance ends and is ecstatic that Ted found a new partner. The next morning, however, Ted remembers very little and doesn't remember Linda at all. Jim doesn't say anything and hides Linda away, afraid that Ted will steal her away from the inn.
At the next performance, Lincoln's Birthday, Ted and Danny return to Holiday Inn in search of Linda. Jim is ready for them and decides to run the night's big minstrel show number "Abraham" with disguised performers, including Linda, in an effort to foil the search. While applying Linda's blackface makeup, Jim asks if she will stay with him between holidays, and Linda takes this as a proposal. Having come up empty, Ted and Danny will not give up and plan to be back for the next holiday.
During rehearsals for the Valentine's Day performance, Jim presents Linda with a unique Valentine, a new song called "Be Careful, It's My Heart". While Jim sings with his back to her, Linda begins dancing alone, and as Ted enters, he spots Linda and launches into an impromptu romantic dance with her. Convinced that Linda is the girl he danced with on New Year's Eve, Ted demands that Jim provide a number for them to perform on the next holiday, and Jim reluctantly agrees.
On Washington's Birthday, Ted and Linda perform in elaborate 18th century period costumes, while Jim attempts to sabotage their dance, changing the tempo from a minuet to jazz every time the couple attempts to kiss. Afterwards, Ted asks Linda to join him as his new dance partner. Linda refuses, saying she has promised to stay at the inn and that she and Jim are to be married. When Ted asks him about the marriage, Jim plays it off, but Ted is unconvinced, telling Danny he will continue to pursue Linda.
At Easter, romance continues to blossom between Jim and Linda as they travel home from church in a carriage. When they reach the inn, Ted is sitting on the porch waiting for them. Ted asks Jim if he can remain in his shows, claiming he wants to experience "the true happiness" they've found at the inn. While Linda is charmed, Jim is suspicious.
Jim's suspicions are confirmed on Independence Day when he overhears Ted and Danny discussing an offer Ted received from Hollywood representatives, who will attend that night's show and determine if Ted and Linda are suitable for motion pictures. Desperate, Jim bribes hired hand Gus (Irving Bacon) to ensure that Linda does not arrive at the inn. After Gus drives the inn's car into a creek attempting to delay her, Linda tries to return to the inn and is picked up by Lila, who left the Texas millionaire after his tax problems were revealed. Lila tells Linda, who is pretending to be a waitress, about the studio tryout and that Lila will be Ted's partner. Assuming that Jim arranged for her to take Linda's place, Linda directs Lila into the same river.
Back at the inn, Ted is forced to perform a solo dance. When Linda eventually makes her way to the inn, she finds that Ted has impressed the studio honchos with his improvised solo and the opportunity stands. Irritated with Jim for not trusting her to make her own decision, Linda takes the offer and leaves for Hollywood. The producers want to make a film about Holiday Inn, and Jim reluctantly agrees.
At Thanksgiving, the inn is closed and Jim is deeply depressed, barely touching the turkey dinner prepared by his housekeeper Mamie (Louise Beavers). Jim is prepared to mail to Hollywood a recording of his new Thanksgiving song, but, before he does, he plays it on a record player and makes negative comments over the positive ones in the recording. Realizing what is wrong and ignoring decorum, Mamie implores him to travel to California to win Linda back by telling her how he really feels.
Jim arrives at the studio on Christmas Eve, just as Ted is preparing to leave with Linda to get married. Jim confronts Ted in his dressing room, then locks him in it. Before Linda films the final scene for her movie, which features a recreation of Holiday Inn, Jim walks around the set with the director, who boasts it is the most exact recreation ever created for a motion picture. Jim leaves his pipe on the set's piano and hides nearby. Linda enters the room and sits at the piano, performing "White Christmas". Startled by the pipe's presence, she falters, then continues as Jim's voice joins her. Jim appears and Linda runs to him as the director yells "cut". Meanwhile, Ted and Danny learn of Jim's plan, but they are too late to stop him.
At Holiday Inn on New Year's Eve, Ted is reunited with Lila, who is ready and willing to perform with him again. Jim and Linda prepare to stay together and run the inn. | Holiday Inn | a614b907-7540-7e56-e6b7-0d3ab711cff0 | who has fallen in love with linda? | [
"Jim"
] | false |
/m/01l0jh | Jim Hardy (Bing Crosby), Ted Hanover (Fred Astaire), and Lila Dixon (Virginia Dale) have a musical act popular in the New York City nightlife scene. On Christmas Eve, Jim prepares to give his last performance as part of the act before marrying Lila and retiring with her to a farm in Connecticut. At the last minute, Lila decides she is not ready to stop performing, and that she has fallen in love with Ted. She tells Jim that she will stay on as Ted's dancing partner. While heartbroken, Jim follows through with his plan and bids the act goodbye.
One year later on Christmas Eve, Jim is back in New York City. Farm life has proven difficult and he plans to turn his farm into an entertainment venue called "Holiday Inn", which will only be open on public holidays. Ted and his agent Danny Reed (Walter Abel) scoff at the plan, but wish him luck. Later at the airport flower shop, while ordering flowers for Lila from Ted, Danny is accosted by employee Linda Mason (Marjorie Reynolds) who recognizes him as a talent agent and begs him for a start in show business. Danny refers her to Holiday Inn and gives her a pass to Ted's club. That night, Linda sits at the performer's table with Jim, who pretends he owns a big club and isn't sure he could use an act like Hanover and Dixon. Linda pretends she's a celebrity and friend of Ted's, then escapes when the two performers come to Jim's table.
The next morning, Christmas Day, Linda arrives at Holiday Inn, where she meets Jimâboth realizing they were fooling each other the previous evening. Jim is preparing the place for New Year's Eve, and they take to each other immediately. Jim sings her his new song, "White Christmas", which he would have performed had the inn been open that night. Later that week, on New Year's Eve, Holiday Inn opens to a packed house.
Meanwhile, in New York City, Ted learns that Lila is leaving him for a Texas millionaire. Drinking heavily, he drives up to Holiday Inn to talk with Jim, arriving at midnight. While wandering aimlessly across the dance floor, Ted sees Linda, who remembers him from Christmas Eve. They dance, with Ted bringing down the house despite his inebriated state. Danny arrives just as the dance ends and is ecstatic that Ted found a new partner. The next morning, however, Ted remembers very little and doesn't remember Linda at all. Jim doesn't say anything and hides Linda away, afraid that Ted will steal her away from the inn.
At the next performance, Lincoln's Birthday, Ted and Danny return to Holiday Inn in search of Linda. Jim is ready for them and decides to run the night's big minstrel show number "Abraham" with disguised performers, including Linda, in an effort to foil the search. While applying Linda's blackface makeup, Jim asks if she will stay with him between holidays, and Linda takes this as a proposal. Having come up empty, Ted and Danny will not give up and plan to be back for the next holiday.
During rehearsals for the Valentine's Day performance, Jim presents Linda with a unique Valentine, a new song called "Be Careful, It's My Heart". While Jim sings with his back to her, Linda begins dancing alone, and as Ted enters, he spots Linda and launches into an impromptu romantic dance with her. Convinced that Linda is the girl he danced with on New Year's Eve, Ted demands that Jim provide a number for them to perform on the next holiday, and Jim reluctantly agrees.
On Washington's Birthday, Ted and Linda perform in elaborate 18th century period costumes, while Jim attempts to sabotage their dance, changing the tempo from a minuet to jazz every time the couple attempts to kiss. Afterwards, Ted asks Linda to join him as his new dance partner. Linda refuses, saying she has promised to stay at the inn and that she and Jim are to be married. When Ted asks him about the marriage, Jim plays it off, but Ted is unconvinced, telling Danny he will continue to pursue Linda.
At Easter, romance continues to blossom between Jim and Linda as they travel home from church in a carriage. When they reach the inn, Ted is sitting on the porch waiting for them. Ted asks Jim if he can remain in his shows, claiming he wants to experience "the true happiness" they've found at the inn. While Linda is charmed, Jim is suspicious.
Jim's suspicions are confirmed on Independence Day when he overhears Ted and Danny discussing an offer Ted received from Hollywood representatives, who will attend that night's show and determine if Ted and Linda are suitable for motion pictures. Desperate, Jim bribes hired hand Gus (Irving Bacon) to ensure that Linda does not arrive at the inn. After Gus drives the inn's car into a creek attempting to delay her, Linda tries to return to the inn and is picked up by Lila, who left the Texas millionaire after his tax problems were revealed. Lila tells Linda, who is pretending to be a waitress, about the studio tryout and that Lila will be Ted's partner. Assuming that Jim arranged for her to take Linda's place, Linda directs Lila into the same river.
Back at the inn, Ted is forced to perform a solo dance. When Linda eventually makes her way to the inn, she finds that Ted has impressed the studio honchos with his improvised solo and the opportunity stands. Irritated with Jim for not trusting her to make her own decision, Linda takes the offer and leaves for Hollywood. The producers want to make a film about Holiday Inn, and Jim reluctantly agrees.
At Thanksgiving, the inn is closed and Jim is deeply depressed, barely touching the turkey dinner prepared by his housekeeper Mamie (Louise Beavers). Jim is prepared to mail to Hollywood a recording of his new Thanksgiving song, but, before he does, he plays it on a record player and makes negative comments over the positive ones in the recording. Realizing what is wrong and ignoring decorum, Mamie implores him to travel to California to win Linda back by telling her how he really feels.
Jim arrives at the studio on Christmas Eve, just as Ted is preparing to leave with Linda to get married. Jim confronts Ted in his dressing room, then locks him in it. Before Linda films the final scene for her movie, which features a recreation of Holiday Inn, Jim walks around the set with the director, who boasts it is the most exact recreation ever created for a motion picture. Jim leaves his pipe on the set's piano and hides nearby. Linda enters the room and sits at the piano, performing "White Christmas". Startled by the pipe's presence, she falters, then continues as Jim's voice joins her. Jim appears and Linda runs to him as the director yells "cut". Meanwhile, Ted and Danny learn of Jim's plan, but they are too late to stop him.
At Holiday Inn on New Year's Eve, Ted is reunited with Lila, who is ready and willing to perform with him again. Jim and Linda prepare to stay together and run the inn. | Holiday Inn | f158fecb-4221-4a3f-ff84-c55b37381f7b | who leaves with a texas millionaire? | [
"Lila"
] | false |
/m/01l0jh | Jim Hardy (Bing Crosby), Ted Hanover (Fred Astaire), and Lila Dixon (Virginia Dale) have a musical act popular in the New York City nightlife scene. On Christmas Eve, Jim prepares to give his last performance as part of the act before marrying Lila and retiring with her to a farm in Connecticut. At the last minute, Lila decides she is not ready to stop performing, and that she has fallen in love with Ted. She tells Jim that she will stay on as Ted's dancing partner. While heartbroken, Jim follows through with his plan and bids the act goodbye.
One year later on Christmas Eve, Jim is back in New York City. Farm life has proven difficult and he plans to turn his farm into an entertainment venue called "Holiday Inn", which will only be open on public holidays. Ted and his agent Danny Reed (Walter Abel) scoff at the plan, but wish him luck. Later at the airport flower shop, while ordering flowers for Lila from Ted, Danny is accosted by employee Linda Mason (Marjorie Reynolds) who recognizes him as a talent agent and begs him for a start in show business. Danny refers her to Holiday Inn and gives her a pass to Ted's club. That night, Linda sits at the performer's table with Jim, who pretends he owns a big club and isn't sure he could use an act like Hanover and Dixon. Linda pretends she's a celebrity and friend of Ted's, then escapes when the two performers come to Jim's table.
The next morning, Christmas Day, Linda arrives at Holiday Inn, where she meets Jimâboth realizing they were fooling each other the previous evening. Jim is preparing the place for New Year's Eve, and they take to each other immediately. Jim sings her his new song, "White Christmas", which he would have performed had the inn been open that night. Later that week, on New Year's Eve, Holiday Inn opens to a packed house.
Meanwhile, in New York City, Ted learns that Lila is leaving him for a Texas millionaire. Drinking heavily, he drives up to Holiday Inn to talk with Jim, arriving at midnight. While wandering aimlessly across the dance floor, Ted sees Linda, who remembers him from Christmas Eve. They dance, with Ted bringing down the house despite his inebriated state. Danny arrives just as the dance ends and is ecstatic that Ted found a new partner. The next morning, however, Ted remembers very little and doesn't remember Linda at all. Jim doesn't say anything and hides Linda away, afraid that Ted will steal her away from the inn.
At the next performance, Lincoln's Birthday, Ted and Danny return to Holiday Inn in search of Linda. Jim is ready for them and decides to run the night's big minstrel show number "Abraham" with disguised performers, including Linda, in an effort to foil the search. While applying Linda's blackface makeup, Jim asks if she will stay with him between holidays, and Linda takes this as a proposal. Having come up empty, Ted and Danny will not give up and plan to be back for the next holiday.
During rehearsals for the Valentine's Day performance, Jim presents Linda with a unique Valentine, a new song called "Be Careful, It's My Heart". While Jim sings with his back to her, Linda begins dancing alone, and as Ted enters, he spots Linda and launches into an impromptu romantic dance with her. Convinced that Linda is the girl he danced with on New Year's Eve, Ted demands that Jim provide a number for them to perform on the next holiday, and Jim reluctantly agrees.
On Washington's Birthday, Ted and Linda perform in elaborate 18th century period costumes, while Jim attempts to sabotage their dance, changing the tempo from a minuet to jazz every time the couple attempts to kiss. Afterwards, Ted asks Linda to join him as his new dance partner. Linda refuses, saying she has promised to stay at the inn and that she and Jim are to be married. When Ted asks him about the marriage, Jim plays it off, but Ted is unconvinced, telling Danny he will continue to pursue Linda.
At Easter, romance continues to blossom between Jim and Linda as they travel home from church in a carriage. When they reach the inn, Ted is sitting on the porch waiting for them. Ted asks Jim if he can remain in his shows, claiming he wants to experience "the true happiness" they've found at the inn. While Linda is charmed, Jim is suspicious.
Jim's suspicions are confirmed on Independence Day when he overhears Ted and Danny discussing an offer Ted received from Hollywood representatives, who will attend that night's show and determine if Ted and Linda are suitable for motion pictures. Desperate, Jim bribes hired hand Gus (Irving Bacon) to ensure that Linda does not arrive at the inn. After Gus drives the inn's car into a creek attempting to delay her, Linda tries to return to the inn and is picked up by Lila, who left the Texas millionaire after his tax problems were revealed. Lila tells Linda, who is pretending to be a waitress, about the studio tryout and that Lila will be Ted's partner. Assuming that Jim arranged for her to take Linda's place, Linda directs Lila into the same river.
Back at the inn, Ted is forced to perform a solo dance. When Linda eventually makes her way to the inn, she finds that Ted has impressed the studio honchos with his improvised solo and the opportunity stands. Irritated with Jim for not trusting her to make her own decision, Linda takes the offer and leaves for Hollywood. The producers want to make a film about Holiday Inn, and Jim reluctantly agrees.
At Thanksgiving, the inn is closed and Jim is deeply depressed, barely touching the turkey dinner prepared by his housekeeper Mamie (Louise Beavers). Jim is prepared to mail to Hollywood a recording of his new Thanksgiving song, but, before he does, he plays it on a record player and makes negative comments over the positive ones in the recording. Realizing what is wrong and ignoring decorum, Mamie implores him to travel to California to win Linda back by telling her how he really feels.
Jim arrives at the studio on Christmas Eve, just as Ted is preparing to leave with Linda to get married. Jim confronts Ted in his dressing room, then locks him in it. Before Linda films the final scene for her movie, which features a recreation of Holiday Inn, Jim walks around the set with the director, who boasts it is the most exact recreation ever created for a motion picture. Jim leaves his pipe on the set's piano and hides nearby. Linda enters the room and sits at the piano, performing "White Christmas". Startled by the pipe's presence, she falters, then continues as Jim's voice joins her. Jim appears and Linda runs to him as the director yells "cut". Meanwhile, Ted and Danny learn of Jim's plan, but they are too late to stop him.
At Holiday Inn on New Year's Eve, Ted is reunited with Lila, who is ready and willing to perform with him again. Jim and Linda prepare to stay together and run the inn. | Holiday Inn | d3e342cb-cbe9-2ba4-2a39-25eeacff78aa | Does jim Hardy live well in the countryside? | [
"the holiday inn"
] | false |
/m/01l0jh | Jim Hardy (Bing Crosby), Ted Hanover (Fred Astaire), and Lila Dixon (Virginia Dale) have a musical act popular in the New York City nightlife scene. On Christmas Eve, Jim prepares to give his last performance as part of the act before marrying Lila and retiring with her to a farm in Connecticut. At the last minute, Lila decides she is not ready to stop performing, and that she has fallen in love with Ted. She tells Jim that she will stay on as Ted's dancing partner. While heartbroken, Jim follows through with his plan and bids the act goodbye.
One year later on Christmas Eve, Jim is back in New York City. Farm life has proven difficult and he plans to turn his farm into an entertainment venue called "Holiday Inn", which will only be open on public holidays. Ted and his agent Danny Reed (Walter Abel) scoff at the plan, but wish him luck. Later at the airport flower shop, while ordering flowers for Lila from Ted, Danny is accosted by employee Linda Mason (Marjorie Reynolds) who recognizes him as a talent agent and begs him for a start in show business. Danny refers her to Holiday Inn and gives her a pass to Ted's club. That night, Linda sits at the performer's table with Jim, who pretends he owns a big club and isn't sure he could use an act like Hanover and Dixon. Linda pretends she's a celebrity and friend of Ted's, then escapes when the two performers come to Jim's table.
The next morning, Christmas Day, Linda arrives at Holiday Inn, where she meets Jimâboth realizing they were fooling each other the previous evening. Jim is preparing the place for New Year's Eve, and they take to each other immediately. Jim sings her his new song, "White Christmas", which he would have performed had the inn been open that night. Later that week, on New Year's Eve, Holiday Inn opens to a packed house.
Meanwhile, in New York City, Ted learns that Lila is leaving him for a Texas millionaire. Drinking heavily, he drives up to Holiday Inn to talk with Jim, arriving at midnight. While wandering aimlessly across the dance floor, Ted sees Linda, who remembers him from Christmas Eve. They dance, with Ted bringing down the house despite his inebriated state. Danny arrives just as the dance ends and is ecstatic that Ted found a new partner. The next morning, however, Ted remembers very little and doesn't remember Linda at all. Jim doesn't say anything and hides Linda away, afraid that Ted will steal her away from the inn.
At the next performance, Lincoln's Birthday, Ted and Danny return to Holiday Inn in search of Linda. Jim is ready for them and decides to run the night's big minstrel show number "Abraham" with disguised performers, including Linda, in an effort to foil the search. While applying Linda's blackface makeup, Jim asks if she will stay with him between holidays, and Linda takes this as a proposal. Having come up empty, Ted and Danny will not give up and plan to be back for the next holiday.
During rehearsals for the Valentine's Day performance, Jim presents Linda with a unique Valentine, a new song called "Be Careful, It's My Heart". While Jim sings with his back to her, Linda begins dancing alone, and as Ted enters, he spots Linda and launches into an impromptu romantic dance with her. Convinced that Linda is the girl he danced with on New Year's Eve, Ted demands that Jim provide a number for them to perform on the next holiday, and Jim reluctantly agrees.
On Washington's Birthday, Ted and Linda perform in elaborate 18th century period costumes, while Jim attempts to sabotage their dance, changing the tempo from a minuet to jazz every time the couple attempts to kiss. Afterwards, Ted asks Linda to join him as his new dance partner. Linda refuses, saying she has promised to stay at the inn and that she and Jim are to be married. When Ted asks him about the marriage, Jim plays it off, but Ted is unconvinced, telling Danny he will continue to pursue Linda.
At Easter, romance continues to blossom between Jim and Linda as they travel home from church in a carriage. When they reach the inn, Ted is sitting on the porch waiting for them. Ted asks Jim if he can remain in his shows, claiming he wants to experience "the true happiness" they've found at the inn. While Linda is charmed, Jim is suspicious.
Jim's suspicions are confirmed on Independence Day when he overhears Ted and Danny discussing an offer Ted received from Hollywood representatives, who will attend that night's show and determine if Ted and Linda are suitable for motion pictures. Desperate, Jim bribes hired hand Gus (Irving Bacon) to ensure that Linda does not arrive at the inn. After Gus drives the inn's car into a creek attempting to delay her, Linda tries to return to the inn and is picked up by Lila, who left the Texas millionaire after his tax problems were revealed. Lila tells Linda, who is pretending to be a waitress, about the studio tryout and that Lila will be Ted's partner. Assuming that Jim arranged for her to take Linda's place, Linda directs Lila into the same river.
Back at the inn, Ted is forced to perform a solo dance. When Linda eventually makes her way to the inn, she finds that Ted has impressed the studio honchos with his improvised solo and the opportunity stands. Irritated with Jim for not trusting her to make her own decision, Linda takes the offer and leaves for Hollywood. The producers want to make a film about Holiday Inn, and Jim reluctantly agrees.
At Thanksgiving, the inn is closed and Jim is deeply depressed, barely touching the turkey dinner prepared by his housekeeper Mamie (Louise Beavers). Jim is prepared to mail to Hollywood a recording of his new Thanksgiving song, but, before he does, he plays it on a record player and makes negative comments over the positive ones in the recording. Realizing what is wrong and ignoring decorum, Mamie implores him to travel to California to win Linda back by telling her how he really feels.
Jim arrives at the studio on Christmas Eve, just as Ted is preparing to leave with Linda to get married. Jim confronts Ted in his dressing room, then locks him in it. Before Linda films the final scene for her movie, which features a recreation of Holiday Inn, Jim walks around the set with the director, who boasts it is the most exact recreation ever created for a motion picture. Jim leaves his pipe on the set's piano and hides nearby. Linda enters the room and sits at the piano, performing "White Christmas". Startled by the pipe's presence, she falters, then continues as Jim's voice joins her. Jim appears and Linda runs to him as the director yells "cut". Meanwhile, Ted and Danny learn of Jim's plan, but they are too late to stop him.
At Holiday Inn on New Year's Eve, Ted is reunited with Lila, who is ready and willing to perform with him again. Jim and Linda prepare to stay together and run the inn. | Holiday Inn | 0f8dd57b-de61-2d96-2b99-17868f127d89 | want does jim hardy want to do everyday? | [
"run the inn"
] | false |
/m/01l0jh | Jim Hardy (Bing Crosby), Ted Hanover (Fred Astaire), and Lila Dixon (Virginia Dale) have a musical act popular in the New York City nightlife scene. On Christmas Eve, Jim prepares to give his last performance as part of the act before marrying Lila and retiring with her to a farm in Connecticut. At the last minute, Lila decides she is not ready to stop performing, and that she has fallen in love with Ted. She tells Jim that she will stay on as Ted's dancing partner. While heartbroken, Jim follows through with his plan and bids the act goodbye.
One year later on Christmas Eve, Jim is back in New York City. Farm life has proven difficult and he plans to turn his farm into an entertainment venue called "Holiday Inn", which will only be open on public holidays. Ted and his agent Danny Reed (Walter Abel) scoff at the plan, but wish him luck. Later at the airport flower shop, while ordering flowers for Lila from Ted, Danny is accosted by employee Linda Mason (Marjorie Reynolds) who recognizes him as a talent agent and begs him for a start in show business. Danny refers her to Holiday Inn and gives her a pass to Ted's club. That night, Linda sits at the performer's table with Jim, who pretends he owns a big club and isn't sure he could use an act like Hanover and Dixon. Linda pretends she's a celebrity and friend of Ted's, then escapes when the two performers come to Jim's table.
The next morning, Christmas Day, Linda arrives at Holiday Inn, where she meets Jimâboth realizing they were fooling each other the previous evening. Jim is preparing the place for New Year's Eve, and they take to each other immediately. Jim sings her his new song, "White Christmas", which he would have performed had the inn been open that night. Later that week, on New Year's Eve, Holiday Inn opens to a packed house.
Meanwhile, in New York City, Ted learns that Lila is leaving him for a Texas millionaire. Drinking heavily, he drives up to Holiday Inn to talk with Jim, arriving at midnight. While wandering aimlessly across the dance floor, Ted sees Linda, who remembers him from Christmas Eve. They dance, with Ted bringing down the house despite his inebriated state. Danny arrives just as the dance ends and is ecstatic that Ted found a new partner. The next morning, however, Ted remembers very little and doesn't remember Linda at all. Jim doesn't say anything and hides Linda away, afraid that Ted will steal her away from the inn.
At the next performance, Lincoln's Birthday, Ted and Danny return to Holiday Inn in search of Linda. Jim is ready for them and decides to run the night's big minstrel show number "Abraham" with disguised performers, including Linda, in an effort to foil the search. While applying Linda's blackface makeup, Jim asks if she will stay with him between holidays, and Linda takes this as a proposal. Having come up empty, Ted and Danny will not give up and plan to be back for the next holiday.
During rehearsals for the Valentine's Day performance, Jim presents Linda with a unique Valentine, a new song called "Be Careful, It's My Heart". While Jim sings with his back to her, Linda begins dancing alone, and as Ted enters, he spots Linda and launches into an impromptu romantic dance with her. Convinced that Linda is the girl he danced with on New Year's Eve, Ted demands that Jim provide a number for them to perform on the next holiday, and Jim reluctantly agrees.
On Washington's Birthday, Ted and Linda perform in elaborate 18th century period costumes, while Jim attempts to sabotage their dance, changing the tempo from a minuet to jazz every time the couple attempts to kiss. Afterwards, Ted asks Linda to join him as his new dance partner. Linda refuses, saying she has promised to stay at the inn and that she and Jim are to be married. When Ted asks him about the marriage, Jim plays it off, but Ted is unconvinced, telling Danny he will continue to pursue Linda.
At Easter, romance continues to blossom between Jim and Linda as they travel home from church in a carriage. When they reach the inn, Ted is sitting on the porch waiting for them. Ted asks Jim if he can remain in his shows, claiming he wants to experience "the true happiness" they've found at the inn. While Linda is charmed, Jim is suspicious.
Jim's suspicions are confirmed on Independence Day when he overhears Ted and Danny discussing an offer Ted received from Hollywood representatives, who will attend that night's show and determine if Ted and Linda are suitable for motion pictures. Desperate, Jim bribes hired hand Gus (Irving Bacon) to ensure that Linda does not arrive at the inn. After Gus drives the inn's car into a creek attempting to delay her, Linda tries to return to the inn and is picked up by Lila, who left the Texas millionaire after his tax problems were revealed. Lila tells Linda, who is pretending to be a waitress, about the studio tryout and that Lila will be Ted's partner. Assuming that Jim arranged for her to take Linda's place, Linda directs Lila into the same river.
Back at the inn, Ted is forced to perform a solo dance. When Linda eventually makes her way to the inn, she finds that Ted has impressed the studio honchos with his improvised solo and the opportunity stands. Irritated with Jim for not trusting her to make her own decision, Linda takes the offer and leaves for Hollywood. The producers want to make a film about Holiday Inn, and Jim reluctantly agrees.
At Thanksgiving, the inn is closed and Jim is deeply depressed, barely touching the turkey dinner prepared by his housekeeper Mamie (Louise Beavers). Jim is prepared to mail to Hollywood a recording of his new Thanksgiving song, but, before he does, he plays it on a record player and makes negative comments over the positive ones in the recording. Realizing what is wrong and ignoring decorum, Mamie implores him to travel to California to win Linda back by telling her how he really feels.
Jim arrives at the studio on Christmas Eve, just as Ted is preparing to leave with Linda to get married. Jim confronts Ted in his dressing room, then locks him in it. Before Linda films the final scene for her movie, which features a recreation of Holiday Inn, Jim walks around the set with the director, who boasts it is the most exact recreation ever created for a motion picture. Jim leaves his pipe on the set's piano and hides nearby. Linda enters the room and sits at the piano, performing "White Christmas". Startled by the pipe's presence, she falters, then continues as Jim's voice joins her. Jim appears and Linda runs to him as the director yells "cut". Meanwhile, Ted and Danny learn of Jim's plan, but they are too late to stop him.
At Holiday Inn on New Year's Eve, Ted is reunited with Lila, who is ready and willing to perform with him again. Jim and Linda prepare to stay together and run the inn. | Holiday Inn | dbf4e695-8744-a2a4-b0d7-6bc628a16dfb | How late does Ted wake up? | [] | true |
/m/01l0jh | Jim Hardy (Bing Crosby), Ted Hanover (Fred Astaire), and Lila Dixon (Virginia Dale) have a musical act popular in the New York City nightlife scene. On Christmas Eve, Jim prepares to give his last performance as part of the act before marrying Lila and retiring with her to a farm in Connecticut. At the last minute, Lila decides she is not ready to stop performing, and that she has fallen in love with Ted. She tells Jim that she will stay on as Ted's dancing partner. While heartbroken, Jim follows through with his plan and bids the act goodbye.
One year later on Christmas Eve, Jim is back in New York City. Farm life has proven difficult and he plans to turn his farm into an entertainment venue called "Holiday Inn", which will only be open on public holidays. Ted and his agent Danny Reed (Walter Abel) scoff at the plan, but wish him luck. Later at the airport flower shop, while ordering flowers for Lila from Ted, Danny is accosted by employee Linda Mason (Marjorie Reynolds) who recognizes him as a talent agent and begs him for a start in show business. Danny refers her to Holiday Inn and gives her a pass to Ted's club. That night, Linda sits at the performer's table with Jim, who pretends he owns a big club and isn't sure he could use an act like Hanover and Dixon. Linda pretends she's a celebrity and friend of Ted's, then escapes when the two performers come to Jim's table.
The next morning, Christmas Day, Linda arrives at Holiday Inn, where she meets Jimâboth realizing they were fooling each other the previous evening. Jim is preparing the place for New Year's Eve, and they take to each other immediately. Jim sings her his new song, "White Christmas", which he would have performed had the inn been open that night. Later that week, on New Year's Eve, Holiday Inn opens to a packed house.
Meanwhile, in New York City, Ted learns that Lila is leaving him for a Texas millionaire. Drinking heavily, he drives up to Holiday Inn to talk with Jim, arriving at midnight. While wandering aimlessly across the dance floor, Ted sees Linda, who remembers him from Christmas Eve. They dance, with Ted bringing down the house despite his inebriated state. Danny arrives just as the dance ends and is ecstatic that Ted found a new partner. The next morning, however, Ted remembers very little and doesn't remember Linda at all. Jim doesn't say anything and hides Linda away, afraid that Ted will steal her away from the inn.
At the next performance, Lincoln's Birthday, Ted and Danny return to Holiday Inn in search of Linda. Jim is ready for them and decides to run the night's big minstrel show number "Abraham" with disguised performers, including Linda, in an effort to foil the search. While applying Linda's blackface makeup, Jim asks if she will stay with him between holidays, and Linda takes this as a proposal. Having come up empty, Ted and Danny will not give up and plan to be back for the next holiday.
During rehearsals for the Valentine's Day performance, Jim presents Linda with a unique Valentine, a new song called "Be Careful, It's My Heart". While Jim sings with his back to her, Linda begins dancing alone, and as Ted enters, he spots Linda and launches into an impromptu romantic dance with her. Convinced that Linda is the girl he danced with on New Year's Eve, Ted demands that Jim provide a number for them to perform on the next holiday, and Jim reluctantly agrees.
On Washington's Birthday, Ted and Linda perform in elaborate 18th century period costumes, while Jim attempts to sabotage their dance, changing the tempo from a minuet to jazz every time the couple attempts to kiss. Afterwards, Ted asks Linda to join him as his new dance partner. Linda refuses, saying she has promised to stay at the inn and that she and Jim are to be married. When Ted asks him about the marriage, Jim plays it off, but Ted is unconvinced, telling Danny he will continue to pursue Linda.
At Easter, romance continues to blossom between Jim and Linda as they travel home from church in a carriage. When they reach the inn, Ted is sitting on the porch waiting for them. Ted asks Jim if he can remain in his shows, claiming he wants to experience "the true happiness" they've found at the inn. While Linda is charmed, Jim is suspicious.
Jim's suspicions are confirmed on Independence Day when he overhears Ted and Danny discussing an offer Ted received from Hollywood representatives, who will attend that night's show and determine if Ted and Linda are suitable for motion pictures. Desperate, Jim bribes hired hand Gus (Irving Bacon) to ensure that Linda does not arrive at the inn. After Gus drives the inn's car into a creek attempting to delay her, Linda tries to return to the inn and is picked up by Lila, who left the Texas millionaire after his tax problems were revealed. Lila tells Linda, who is pretending to be a waitress, about the studio tryout and that Lila will be Ted's partner. Assuming that Jim arranged for her to take Linda's place, Linda directs Lila into the same river.
Back at the inn, Ted is forced to perform a solo dance. When Linda eventually makes her way to the inn, she finds that Ted has impressed the studio honchos with his improvised solo and the opportunity stands. Irritated with Jim for not trusting her to make her own decision, Linda takes the offer and leaves for Hollywood. The producers want to make a film about Holiday Inn, and Jim reluctantly agrees.
At Thanksgiving, the inn is closed and Jim is deeply depressed, barely touching the turkey dinner prepared by his housekeeper Mamie (Louise Beavers). Jim is prepared to mail to Hollywood a recording of his new Thanksgiving song, but, before he does, he plays it on a record player and makes negative comments over the positive ones in the recording. Realizing what is wrong and ignoring decorum, Mamie implores him to travel to California to win Linda back by telling her how he really feels.
Jim arrives at the studio on Christmas Eve, just as Ted is preparing to leave with Linda to get married. Jim confronts Ted in his dressing room, then locks him in it. Before Linda films the final scene for her movie, which features a recreation of Holiday Inn, Jim walks around the set with the director, who boasts it is the most exact recreation ever created for a motion picture. Jim leaves his pipe on the set's piano and hides nearby. Linda enters the room and sits at the piano, performing "White Christmas". Startled by the pipe's presence, she falters, then continues as Jim's voice joins her. Jim appears and Linda runs to him as the director yells "cut". Meanwhile, Ted and Danny learn of Jim's plan, but they are too late to stop him.
At Holiday Inn on New Year's Eve, Ted is reunited with Lila, who is ready and willing to perform with him again. Jim and Linda prepare to stay together and run the inn. | Holiday Inn | 1b1cb489-dd2d-bad3-5b1a-b71bff2994b8 | what idea does jim hardy have for his old barn? | [] | true |
/m/01l0jh | Jim Hardy (Bing Crosby), Ted Hanover (Fred Astaire), and Lila Dixon (Virginia Dale) have a musical act popular in the New York City nightlife scene. On Christmas Eve, Jim prepares to give his last performance as part of the act before marrying Lila and retiring with her to a farm in Connecticut. At the last minute, Lila decides she is not ready to stop performing, and that she has fallen in love with Ted. She tells Jim that she will stay on as Ted's dancing partner. While heartbroken, Jim follows through with his plan and bids the act goodbye.
One year later on Christmas Eve, Jim is back in New York City. Farm life has proven difficult and he plans to turn his farm into an entertainment venue called "Holiday Inn", which will only be open on public holidays. Ted and his agent Danny Reed (Walter Abel) scoff at the plan, but wish him luck. Later at the airport flower shop, while ordering flowers for Lila from Ted, Danny is accosted by employee Linda Mason (Marjorie Reynolds) who recognizes him as a talent agent and begs him for a start in show business. Danny refers her to Holiday Inn and gives her a pass to Ted's club. That night, Linda sits at the performer's table with Jim, who pretends he owns a big club and isn't sure he could use an act like Hanover and Dixon. Linda pretends she's a celebrity and friend of Ted's, then escapes when the two performers come to Jim's table.
The next morning, Christmas Day, Linda arrives at Holiday Inn, where she meets Jimâboth realizing they were fooling each other the previous evening. Jim is preparing the place for New Year's Eve, and they take to each other immediately. Jim sings her his new song, "White Christmas", which he would have performed had the inn been open that night. Later that week, on New Year's Eve, Holiday Inn opens to a packed house.
Meanwhile, in New York City, Ted learns that Lila is leaving him for a Texas millionaire. Drinking heavily, he drives up to Holiday Inn to talk with Jim, arriving at midnight. While wandering aimlessly across the dance floor, Ted sees Linda, who remembers him from Christmas Eve. They dance, with Ted bringing down the house despite his inebriated state. Danny arrives just as the dance ends and is ecstatic that Ted found a new partner. The next morning, however, Ted remembers very little and doesn't remember Linda at all. Jim doesn't say anything and hides Linda away, afraid that Ted will steal her away from the inn.
At the next performance, Lincoln's Birthday, Ted and Danny return to Holiday Inn in search of Linda. Jim is ready for them and decides to run the night's big minstrel show number "Abraham" with disguised performers, including Linda, in an effort to foil the search. While applying Linda's blackface makeup, Jim asks if she will stay with him between holidays, and Linda takes this as a proposal. Having come up empty, Ted and Danny will not give up and plan to be back for the next holiday.
During rehearsals for the Valentine's Day performance, Jim presents Linda with a unique Valentine, a new song called "Be Careful, It's My Heart". While Jim sings with his back to her, Linda begins dancing alone, and as Ted enters, he spots Linda and launches into an impromptu romantic dance with her. Convinced that Linda is the girl he danced with on New Year's Eve, Ted demands that Jim provide a number for them to perform on the next holiday, and Jim reluctantly agrees.
On Washington's Birthday, Ted and Linda perform in elaborate 18th century period costumes, while Jim attempts to sabotage their dance, changing the tempo from a minuet to jazz every time the couple attempts to kiss. Afterwards, Ted asks Linda to join him as his new dance partner. Linda refuses, saying she has promised to stay at the inn and that she and Jim are to be married. When Ted asks him about the marriage, Jim plays it off, but Ted is unconvinced, telling Danny he will continue to pursue Linda.
At Easter, romance continues to blossom between Jim and Linda as they travel home from church in a carriage. When they reach the inn, Ted is sitting on the porch waiting for them. Ted asks Jim if he can remain in his shows, claiming he wants to experience "the true happiness" they've found at the inn. While Linda is charmed, Jim is suspicious.
Jim's suspicions are confirmed on Independence Day when he overhears Ted and Danny discussing an offer Ted received from Hollywood representatives, who will attend that night's show and determine if Ted and Linda are suitable for motion pictures. Desperate, Jim bribes hired hand Gus (Irving Bacon) to ensure that Linda does not arrive at the inn. After Gus drives the inn's car into a creek attempting to delay her, Linda tries to return to the inn and is picked up by Lila, who left the Texas millionaire after his tax problems were revealed. Lila tells Linda, who is pretending to be a waitress, about the studio tryout and that Lila will be Ted's partner. Assuming that Jim arranged for her to take Linda's place, Linda directs Lila into the same river.
Back at the inn, Ted is forced to perform a solo dance. When Linda eventually makes her way to the inn, she finds that Ted has impressed the studio honchos with his improvised solo and the opportunity stands. Irritated with Jim for not trusting her to make her own decision, Linda takes the offer and leaves for Hollywood. The producers want to make a film about Holiday Inn, and Jim reluctantly agrees.
At Thanksgiving, the inn is closed and Jim is deeply depressed, barely touching the turkey dinner prepared by his housekeeper Mamie (Louise Beavers). Jim is prepared to mail to Hollywood a recording of his new Thanksgiving song, but, before he does, he plays it on a record player and makes negative comments over the positive ones in the recording. Realizing what is wrong and ignoring decorum, Mamie implores him to travel to California to win Linda back by telling her how he really feels.
Jim arrives at the studio on Christmas Eve, just as Ted is preparing to leave with Linda to get married. Jim confronts Ted in his dressing room, then locks him in it. Before Linda films the final scene for her movie, which features a recreation of Holiday Inn, Jim walks around the set with the director, who boasts it is the most exact recreation ever created for a motion picture. Jim leaves his pipe on the set's piano and hides nearby. Linda enters the room and sits at the piano, performing "White Christmas". Startled by the pipe's presence, she falters, then continues as Jim's voice joins her. Jim appears and Linda runs to him as the director yells "cut". Meanwhile, Ted and Danny learn of Jim's plan, but they are too late to stop him.
At Holiday Inn on New Year's Eve, Ted is reunited with Lila, who is ready and willing to perform with him again. Jim and Linda prepare to stay together and run the inn. | Holiday Inn | b52afa85-5ca5-1cf7-93d5-b3f00232a869 | who steals lila from jim? | [
"Linda"
] | false |
/m/01l0jh | Jim Hardy (Bing Crosby), Ted Hanover (Fred Astaire), and Lila Dixon (Virginia Dale) have a musical act popular in the New York City nightlife scene. On Christmas Eve, Jim prepares to give his last performance as part of the act before marrying Lila and retiring with her to a farm in Connecticut. At the last minute, Lila decides she is not ready to stop performing, and that she has fallen in love with Ted. She tells Jim that she will stay on as Ted's dancing partner. While heartbroken, Jim follows through with his plan and bids the act goodbye.
One year later on Christmas Eve, Jim is back in New York City. Farm life has proven difficult and he plans to turn his farm into an entertainment venue called "Holiday Inn", which will only be open on public holidays. Ted and his agent Danny Reed (Walter Abel) scoff at the plan, but wish him luck. Later at the airport flower shop, while ordering flowers for Lila from Ted, Danny is accosted by employee Linda Mason (Marjorie Reynolds) who recognizes him as a talent agent and begs him for a start in show business. Danny refers her to Holiday Inn and gives her a pass to Ted's club. That night, Linda sits at the performer's table with Jim, who pretends he owns a big club and isn't sure he could use an act like Hanover and Dixon. Linda pretends she's a celebrity and friend of Ted's, then escapes when the two performers come to Jim's table.
The next morning, Christmas Day, Linda arrives at Holiday Inn, where she meets Jimâboth realizing they were fooling each other the previous evening. Jim is preparing the place for New Year's Eve, and they take to each other immediately. Jim sings her his new song, "White Christmas", which he would have performed had the inn been open that night. Later that week, on New Year's Eve, Holiday Inn opens to a packed house.
Meanwhile, in New York City, Ted learns that Lila is leaving him for a Texas millionaire. Drinking heavily, he drives up to Holiday Inn to talk with Jim, arriving at midnight. While wandering aimlessly across the dance floor, Ted sees Linda, who remembers him from Christmas Eve. They dance, with Ted bringing down the house despite his inebriated state. Danny arrives just as the dance ends and is ecstatic that Ted found a new partner. The next morning, however, Ted remembers very little and doesn't remember Linda at all. Jim doesn't say anything and hides Linda away, afraid that Ted will steal her away from the inn.
At the next performance, Lincoln's Birthday, Ted and Danny return to Holiday Inn in search of Linda. Jim is ready for them and decides to run the night's big minstrel show number "Abraham" with disguised performers, including Linda, in an effort to foil the search. While applying Linda's blackface makeup, Jim asks if she will stay with him between holidays, and Linda takes this as a proposal. Having come up empty, Ted and Danny will not give up and plan to be back for the next holiday.
During rehearsals for the Valentine's Day performance, Jim presents Linda with a unique Valentine, a new song called "Be Careful, It's My Heart". While Jim sings with his back to her, Linda begins dancing alone, and as Ted enters, he spots Linda and launches into an impromptu romantic dance with her. Convinced that Linda is the girl he danced with on New Year's Eve, Ted demands that Jim provide a number for them to perform on the next holiday, and Jim reluctantly agrees.
On Washington's Birthday, Ted and Linda perform in elaborate 18th century period costumes, while Jim attempts to sabotage their dance, changing the tempo from a minuet to jazz every time the couple attempts to kiss. Afterwards, Ted asks Linda to join him as his new dance partner. Linda refuses, saying she has promised to stay at the inn and that she and Jim are to be married. When Ted asks him about the marriage, Jim plays it off, but Ted is unconvinced, telling Danny he will continue to pursue Linda.
At Easter, romance continues to blossom between Jim and Linda as they travel home from church in a carriage. When they reach the inn, Ted is sitting on the porch waiting for them. Ted asks Jim if he can remain in his shows, claiming he wants to experience "the true happiness" they've found at the inn. While Linda is charmed, Jim is suspicious.
Jim's suspicions are confirmed on Independence Day when he overhears Ted and Danny discussing an offer Ted received from Hollywood representatives, who will attend that night's show and determine if Ted and Linda are suitable for motion pictures. Desperate, Jim bribes hired hand Gus (Irving Bacon) to ensure that Linda does not arrive at the inn. After Gus drives the inn's car into a creek attempting to delay her, Linda tries to return to the inn and is picked up by Lila, who left the Texas millionaire after his tax problems were revealed. Lila tells Linda, who is pretending to be a waitress, about the studio tryout and that Lila will be Ted's partner. Assuming that Jim arranged for her to take Linda's place, Linda directs Lila into the same river.
Back at the inn, Ted is forced to perform a solo dance. When Linda eventually makes her way to the inn, she finds that Ted has impressed the studio honchos with his improvised solo and the opportunity stands. Irritated with Jim for not trusting her to make her own decision, Linda takes the offer and leaves for Hollywood. The producers want to make a film about Holiday Inn, and Jim reluctantly agrees.
At Thanksgiving, the inn is closed and Jim is deeply depressed, barely touching the turkey dinner prepared by his housekeeper Mamie (Louise Beavers). Jim is prepared to mail to Hollywood a recording of his new Thanksgiving song, but, before he does, he plays it on a record player and makes negative comments over the positive ones in the recording. Realizing what is wrong and ignoring decorum, Mamie implores him to travel to California to win Linda back by telling her how he really feels.
Jim arrives at the studio on Christmas Eve, just as Ted is preparing to leave with Linda to get married. Jim confronts Ted in his dressing room, then locks him in it. Before Linda films the final scene for her movie, which features a recreation of Holiday Inn, Jim walks around the set with the director, who boasts it is the most exact recreation ever created for a motion picture. Jim leaves his pipe on the set's piano and hides nearby. Linda enters the room and sits at the piano, performing "White Christmas". Startled by the pipe's presence, she falters, then continues as Jim's voice joins her. Jim appears and Linda runs to him as the director yells "cut". Meanwhile, Ted and Danny learn of Jim's plan, but they are too late to stop him.
At Holiday Inn on New Year's Eve, Ted is reunited with Lila, who is ready and willing to perform with him again. Jim and Linda prepare to stay together and run the inn. | Holiday Inn | 236314e0-fbf0-ba4f-4097-5a74443a19ac | who did jim invite in order to prevent linda from attending the performance? | [
"Linda"
] | false |
/m/01l0jh | Jim Hardy (Bing Crosby), Ted Hanover (Fred Astaire), and Lila Dixon (Virginia Dale) have a musical act popular in the New York City nightlife scene. On Christmas Eve, Jim prepares to give his last performance as part of the act before marrying Lila and retiring with her to a farm in Connecticut. At the last minute, Lila decides she is not ready to stop performing, and that she has fallen in love with Ted. She tells Jim that she will stay on as Ted's dancing partner. While heartbroken, Jim follows through with his plan and bids the act goodbye.
One year later on Christmas Eve, Jim is back in New York City. Farm life has proven difficult and he plans to turn his farm into an entertainment venue called "Holiday Inn", which will only be open on public holidays. Ted and his agent Danny Reed (Walter Abel) scoff at the plan, but wish him luck. Later at the airport flower shop, while ordering flowers for Lila from Ted, Danny is accosted by employee Linda Mason (Marjorie Reynolds) who recognizes him as a talent agent and begs him for a start in show business. Danny refers her to Holiday Inn and gives her a pass to Ted's club. That night, Linda sits at the performer's table with Jim, who pretends he owns a big club and isn't sure he could use an act like Hanover and Dixon. Linda pretends she's a celebrity and friend of Ted's, then escapes when the two performers come to Jim's table.
The next morning, Christmas Day, Linda arrives at Holiday Inn, where she meets Jimâboth realizing they were fooling each other the previous evening. Jim is preparing the place for New Year's Eve, and they take to each other immediately. Jim sings her his new song, "White Christmas", which he would have performed had the inn been open that night. Later that week, on New Year's Eve, Holiday Inn opens to a packed house.
Meanwhile, in New York City, Ted learns that Lila is leaving him for a Texas millionaire. Drinking heavily, he drives up to Holiday Inn to talk with Jim, arriving at midnight. While wandering aimlessly across the dance floor, Ted sees Linda, who remembers him from Christmas Eve. They dance, with Ted bringing down the house despite his inebriated state. Danny arrives just as the dance ends and is ecstatic that Ted found a new partner. The next morning, however, Ted remembers very little and doesn't remember Linda at all. Jim doesn't say anything and hides Linda away, afraid that Ted will steal her away from the inn.
At the next performance, Lincoln's Birthday, Ted and Danny return to Holiday Inn in search of Linda. Jim is ready for them and decides to run the night's big minstrel show number "Abraham" with disguised performers, including Linda, in an effort to foil the search. While applying Linda's blackface makeup, Jim asks if she will stay with him between holidays, and Linda takes this as a proposal. Having come up empty, Ted and Danny will not give up and plan to be back for the next holiday.
During rehearsals for the Valentine's Day performance, Jim presents Linda with a unique Valentine, a new song called "Be Careful, It's My Heart". While Jim sings with his back to her, Linda begins dancing alone, and as Ted enters, he spots Linda and launches into an impromptu romantic dance with her. Convinced that Linda is the girl he danced with on New Year's Eve, Ted demands that Jim provide a number for them to perform on the next holiday, and Jim reluctantly agrees.
On Washington's Birthday, Ted and Linda perform in elaborate 18th century period costumes, while Jim attempts to sabotage their dance, changing the tempo from a minuet to jazz every time the couple attempts to kiss. Afterwards, Ted asks Linda to join him as his new dance partner. Linda refuses, saying she has promised to stay at the inn and that she and Jim are to be married. When Ted asks him about the marriage, Jim plays it off, but Ted is unconvinced, telling Danny he will continue to pursue Linda.
At Easter, romance continues to blossom between Jim and Linda as they travel home from church in a carriage. When they reach the inn, Ted is sitting on the porch waiting for them. Ted asks Jim if he can remain in his shows, claiming he wants to experience "the true happiness" they've found at the inn. While Linda is charmed, Jim is suspicious.
Jim's suspicions are confirmed on Independence Day when he overhears Ted and Danny discussing an offer Ted received from Hollywood representatives, who will attend that night's show and determine if Ted and Linda are suitable for motion pictures. Desperate, Jim bribes hired hand Gus (Irving Bacon) to ensure that Linda does not arrive at the inn. After Gus drives the inn's car into a creek attempting to delay her, Linda tries to return to the inn and is picked up by Lila, who left the Texas millionaire after his tax problems were revealed. Lila tells Linda, who is pretending to be a waitress, about the studio tryout and that Lila will be Ted's partner. Assuming that Jim arranged for her to take Linda's place, Linda directs Lila into the same river.
Back at the inn, Ted is forced to perform a solo dance. When Linda eventually makes her way to the inn, she finds that Ted has impressed the studio honchos with his improvised solo and the opportunity stands. Irritated with Jim for not trusting her to make her own decision, Linda takes the offer and leaves for Hollywood. The producers want to make a film about Holiday Inn, and Jim reluctantly agrees.
At Thanksgiving, the inn is closed and Jim is deeply depressed, barely touching the turkey dinner prepared by his housekeeper Mamie (Louise Beavers). Jim is prepared to mail to Hollywood a recording of his new Thanksgiving song, but, before he does, he plays it on a record player and makes negative comments over the positive ones in the recording. Realizing what is wrong and ignoring decorum, Mamie implores him to travel to California to win Linda back by telling her how he really feels.
Jim arrives at the studio on Christmas Eve, just as Ted is preparing to leave with Linda to get married. Jim confronts Ted in his dressing room, then locks him in it. Before Linda films the final scene for her movie, which features a recreation of Holiday Inn, Jim walks around the set with the director, who boasts it is the most exact recreation ever created for a motion picture. Jim leaves his pipe on the set's piano and hides nearby. Linda enters the room and sits at the piano, performing "White Christmas". Startled by the pipe's presence, she falters, then continues as Jim's voice joins her. Jim appears and Linda runs to him as the director yells "cut". Meanwhile, Ted and Danny learn of Jim's plan, but they are too late to stop him.
At Holiday Inn on New Year's Eve, Ted is reunited with Lila, who is ready and willing to perform with him again. Jim and Linda prepare to stay together and run the inn. | Holiday Inn | acb4031d-0d3b-4254-1b8b-c74c5be34ac9 | Where does Jim plan to take his fiance Lila? | [
"connecticut"
] | false |
/m/01l0jh | Jim Hardy (Bing Crosby), Ted Hanover (Fred Astaire), and Lila Dixon (Virginia Dale) have a musical act popular in the New York City nightlife scene. On Christmas Eve, Jim prepares to give his last performance as part of the act before marrying Lila and retiring with her to a farm in Connecticut. At the last minute, Lila decides she is not ready to stop performing, and that she has fallen in love with Ted. She tells Jim that she will stay on as Ted's dancing partner. While heartbroken, Jim follows through with his plan and bids the act goodbye.
One year later on Christmas Eve, Jim is back in New York City. Farm life has proven difficult and he plans to turn his farm into an entertainment venue called "Holiday Inn", which will only be open on public holidays. Ted and his agent Danny Reed (Walter Abel) scoff at the plan, but wish him luck. Later at the airport flower shop, while ordering flowers for Lila from Ted, Danny is accosted by employee Linda Mason (Marjorie Reynolds) who recognizes him as a talent agent and begs him for a start in show business. Danny refers her to Holiday Inn and gives her a pass to Ted's club. That night, Linda sits at the performer's table with Jim, who pretends he owns a big club and isn't sure he could use an act like Hanover and Dixon. Linda pretends she's a celebrity and friend of Ted's, then escapes when the two performers come to Jim's table.
The next morning, Christmas Day, Linda arrives at Holiday Inn, where she meets Jimâboth realizing they were fooling each other the previous evening. Jim is preparing the place for New Year's Eve, and they take to each other immediately. Jim sings her his new song, "White Christmas", which he would have performed had the inn been open that night. Later that week, on New Year's Eve, Holiday Inn opens to a packed house.
Meanwhile, in New York City, Ted learns that Lila is leaving him for a Texas millionaire. Drinking heavily, he drives up to Holiday Inn to talk with Jim, arriving at midnight. While wandering aimlessly across the dance floor, Ted sees Linda, who remembers him from Christmas Eve. They dance, with Ted bringing down the house despite his inebriated state. Danny arrives just as the dance ends and is ecstatic that Ted found a new partner. The next morning, however, Ted remembers very little and doesn't remember Linda at all. Jim doesn't say anything and hides Linda away, afraid that Ted will steal her away from the inn.
At the next performance, Lincoln's Birthday, Ted and Danny return to Holiday Inn in search of Linda. Jim is ready for them and decides to run the night's big minstrel show number "Abraham" with disguised performers, including Linda, in an effort to foil the search. While applying Linda's blackface makeup, Jim asks if she will stay with him between holidays, and Linda takes this as a proposal. Having come up empty, Ted and Danny will not give up and plan to be back for the next holiday.
During rehearsals for the Valentine's Day performance, Jim presents Linda with a unique Valentine, a new song called "Be Careful, It's My Heart". While Jim sings with his back to her, Linda begins dancing alone, and as Ted enters, he spots Linda and launches into an impromptu romantic dance with her. Convinced that Linda is the girl he danced with on New Year's Eve, Ted demands that Jim provide a number for them to perform on the next holiday, and Jim reluctantly agrees.
On Washington's Birthday, Ted and Linda perform in elaborate 18th century period costumes, while Jim attempts to sabotage their dance, changing the tempo from a minuet to jazz every time the couple attempts to kiss. Afterwards, Ted asks Linda to join him as his new dance partner. Linda refuses, saying she has promised to stay at the inn and that she and Jim are to be married. When Ted asks him about the marriage, Jim plays it off, but Ted is unconvinced, telling Danny he will continue to pursue Linda.
At Easter, romance continues to blossom between Jim and Linda as they travel home from church in a carriage. When they reach the inn, Ted is sitting on the porch waiting for them. Ted asks Jim if he can remain in his shows, claiming he wants to experience "the true happiness" they've found at the inn. While Linda is charmed, Jim is suspicious.
Jim's suspicions are confirmed on Independence Day when he overhears Ted and Danny discussing an offer Ted received from Hollywood representatives, who will attend that night's show and determine if Ted and Linda are suitable for motion pictures. Desperate, Jim bribes hired hand Gus (Irving Bacon) to ensure that Linda does not arrive at the inn. After Gus drives the inn's car into a creek attempting to delay her, Linda tries to return to the inn and is picked up by Lila, who left the Texas millionaire after his tax problems were revealed. Lila tells Linda, who is pretending to be a waitress, about the studio tryout and that Lila will be Ted's partner. Assuming that Jim arranged for her to take Linda's place, Linda directs Lila into the same river.
Back at the inn, Ted is forced to perform a solo dance. When Linda eventually makes her way to the inn, she finds that Ted has impressed the studio honchos with his improvised solo and the opportunity stands. Irritated with Jim for not trusting her to make her own decision, Linda takes the offer and leaves for Hollywood. The producers want to make a film about Holiday Inn, and Jim reluctantly agrees.
At Thanksgiving, the inn is closed and Jim is deeply depressed, barely touching the turkey dinner prepared by his housekeeper Mamie (Louise Beavers). Jim is prepared to mail to Hollywood a recording of his new Thanksgiving song, but, before he does, he plays it on a record player and makes negative comments over the positive ones in the recording. Realizing what is wrong and ignoring decorum, Mamie implores him to travel to California to win Linda back by telling her how he really feels.
Jim arrives at the studio on Christmas Eve, just as Ted is preparing to leave with Linda to get married. Jim confronts Ted in his dressing room, then locks him in it. Before Linda films the final scene for her movie, which features a recreation of Holiday Inn, Jim walks around the set with the director, who boasts it is the most exact recreation ever created for a motion picture. Jim leaves his pipe on the set's piano and hides nearby. Linda enters the room and sits at the piano, performing "White Christmas". Startled by the pipe's presence, she falters, then continues as Jim's voice joins her. Jim appears and Linda runs to him as the director yells "cut". Meanwhile, Ted and Danny learn of Jim's plan, but they are too late to stop him.
At Holiday Inn on New Year's Eve, Ted is reunited with Lila, who is ready and willing to perform with him again. Jim and Linda prepare to stay together and run the inn. | Holiday Inn | ba51ca3c-2ade-6469-3efb-f20a880b8bcb | where does danny discover linda mason? | [
"Airport flower shop"
] | false |
/m/01l0jh | Jim Hardy (Bing Crosby), Ted Hanover (Fred Astaire), and Lila Dixon (Virginia Dale) have a musical act popular in the New York City nightlife scene. On Christmas Eve, Jim prepares to give his last performance as part of the act before marrying Lila and retiring with her to a farm in Connecticut. At the last minute, Lila decides she is not ready to stop performing, and that she has fallen in love with Ted. She tells Jim that she will stay on as Ted's dancing partner. While heartbroken, Jim follows through with his plan and bids the act goodbye.
One year later on Christmas Eve, Jim is back in New York City. Farm life has proven difficult and he plans to turn his farm into an entertainment venue called "Holiday Inn", which will only be open on public holidays. Ted and his agent Danny Reed (Walter Abel) scoff at the plan, but wish him luck. Later at the airport flower shop, while ordering flowers for Lila from Ted, Danny is accosted by employee Linda Mason (Marjorie Reynolds) who recognizes him as a talent agent and begs him for a start in show business. Danny refers her to Holiday Inn and gives her a pass to Ted's club. That night, Linda sits at the performer's table with Jim, who pretends he owns a big club and isn't sure he could use an act like Hanover and Dixon. Linda pretends she's a celebrity and friend of Ted's, then escapes when the two performers come to Jim's table.
The next morning, Christmas Day, Linda arrives at Holiday Inn, where she meets Jimâboth realizing they were fooling each other the previous evening. Jim is preparing the place for New Year's Eve, and they take to each other immediately. Jim sings her his new song, "White Christmas", which he would have performed had the inn been open that night. Later that week, on New Year's Eve, Holiday Inn opens to a packed house.
Meanwhile, in New York City, Ted learns that Lila is leaving him for a Texas millionaire. Drinking heavily, he drives up to Holiday Inn to talk with Jim, arriving at midnight. While wandering aimlessly across the dance floor, Ted sees Linda, who remembers him from Christmas Eve. They dance, with Ted bringing down the house despite his inebriated state. Danny arrives just as the dance ends and is ecstatic that Ted found a new partner. The next morning, however, Ted remembers very little and doesn't remember Linda at all. Jim doesn't say anything and hides Linda away, afraid that Ted will steal her away from the inn.
At the next performance, Lincoln's Birthday, Ted and Danny return to Holiday Inn in search of Linda. Jim is ready for them and decides to run the night's big minstrel show number "Abraham" with disguised performers, including Linda, in an effort to foil the search. While applying Linda's blackface makeup, Jim asks if she will stay with him between holidays, and Linda takes this as a proposal. Having come up empty, Ted and Danny will not give up and plan to be back for the next holiday.
During rehearsals for the Valentine's Day performance, Jim presents Linda with a unique Valentine, a new song called "Be Careful, It's My Heart". While Jim sings with his back to her, Linda begins dancing alone, and as Ted enters, he spots Linda and launches into an impromptu romantic dance with her. Convinced that Linda is the girl he danced with on New Year's Eve, Ted demands that Jim provide a number for them to perform on the next holiday, and Jim reluctantly agrees.
On Washington's Birthday, Ted and Linda perform in elaborate 18th century period costumes, while Jim attempts to sabotage their dance, changing the tempo from a minuet to jazz every time the couple attempts to kiss. Afterwards, Ted asks Linda to join him as his new dance partner. Linda refuses, saying she has promised to stay at the inn and that she and Jim are to be married. When Ted asks him about the marriage, Jim plays it off, but Ted is unconvinced, telling Danny he will continue to pursue Linda.
At Easter, romance continues to blossom between Jim and Linda as they travel home from church in a carriage. When they reach the inn, Ted is sitting on the porch waiting for them. Ted asks Jim if he can remain in his shows, claiming he wants to experience "the true happiness" they've found at the inn. While Linda is charmed, Jim is suspicious.
Jim's suspicions are confirmed on Independence Day when he overhears Ted and Danny discussing an offer Ted received from Hollywood representatives, who will attend that night's show and determine if Ted and Linda are suitable for motion pictures. Desperate, Jim bribes hired hand Gus (Irving Bacon) to ensure that Linda does not arrive at the inn. After Gus drives the inn's car into a creek attempting to delay her, Linda tries to return to the inn and is picked up by Lila, who left the Texas millionaire after his tax problems were revealed. Lila tells Linda, who is pretending to be a waitress, about the studio tryout and that Lila will be Ted's partner. Assuming that Jim arranged for her to take Linda's place, Linda directs Lila into the same river.
Back at the inn, Ted is forced to perform a solo dance. When Linda eventually makes her way to the inn, she finds that Ted has impressed the studio honchos with his improvised solo and the opportunity stands. Irritated with Jim for not trusting her to make her own decision, Linda takes the offer and leaves for Hollywood. The producers want to make a film about Holiday Inn, and Jim reluctantly agrees.
At Thanksgiving, the inn is closed and Jim is deeply depressed, barely touching the turkey dinner prepared by his housekeeper Mamie (Louise Beavers). Jim is prepared to mail to Hollywood a recording of his new Thanksgiving song, but, before he does, he plays it on a record player and makes negative comments over the positive ones in the recording. Realizing what is wrong and ignoring decorum, Mamie implores him to travel to California to win Linda back by telling her how he really feels.
Jim arrives at the studio on Christmas Eve, just as Ted is preparing to leave with Linda to get married. Jim confronts Ted in his dressing room, then locks him in it. Before Linda films the final scene for her movie, which features a recreation of Holiday Inn, Jim walks around the set with the director, who boasts it is the most exact recreation ever created for a motion picture. Jim leaves his pipe on the set's piano and hides nearby. Linda enters the room and sits at the piano, performing "White Christmas". Startled by the pipe's presence, she falters, then continues as Jim's voice joins her. Jim appears and Linda runs to him as the director yells "cut". Meanwhile, Ted and Danny learn of Jim's plan, but they are too late to stop him.
At Holiday Inn on New Year's Eve, Ted is reunited with Lila, who is ready and willing to perform with him again. Jim and Linda prepare to stay together and run the inn. | Holiday Inn | e603bc2f-578a-9567-53b4-804b703aec1c | who closes the inn and mopes around? | [
"Jim"
] | false |
/m/01l0jh | Jim Hardy (Bing Crosby), Ted Hanover (Fred Astaire), and Lila Dixon (Virginia Dale) have a musical act popular in the New York City nightlife scene. On Christmas Eve, Jim prepares to give his last performance as part of the act before marrying Lila and retiring with her to a farm in Connecticut. At the last minute, Lila decides she is not ready to stop performing, and that she has fallen in love with Ted. She tells Jim that she will stay on as Ted's dancing partner. While heartbroken, Jim follows through with his plan and bids the act goodbye.
One year later on Christmas Eve, Jim is back in New York City. Farm life has proven difficult and he plans to turn his farm into an entertainment venue called "Holiday Inn", which will only be open on public holidays. Ted and his agent Danny Reed (Walter Abel) scoff at the plan, but wish him luck. Later at the airport flower shop, while ordering flowers for Lila from Ted, Danny is accosted by employee Linda Mason (Marjorie Reynolds) who recognizes him as a talent agent and begs him for a start in show business. Danny refers her to Holiday Inn and gives her a pass to Ted's club. That night, Linda sits at the performer's table with Jim, who pretends he owns a big club and isn't sure he could use an act like Hanover and Dixon. Linda pretends she's a celebrity and friend of Ted's, then escapes when the two performers come to Jim's table.
The next morning, Christmas Day, Linda arrives at Holiday Inn, where she meets Jimâboth realizing they were fooling each other the previous evening. Jim is preparing the place for New Year's Eve, and they take to each other immediately. Jim sings her his new song, "White Christmas", which he would have performed had the inn been open that night. Later that week, on New Year's Eve, Holiday Inn opens to a packed house.
Meanwhile, in New York City, Ted learns that Lila is leaving him for a Texas millionaire. Drinking heavily, he drives up to Holiday Inn to talk with Jim, arriving at midnight. While wandering aimlessly across the dance floor, Ted sees Linda, who remembers him from Christmas Eve. They dance, with Ted bringing down the house despite his inebriated state. Danny arrives just as the dance ends and is ecstatic that Ted found a new partner. The next morning, however, Ted remembers very little and doesn't remember Linda at all. Jim doesn't say anything and hides Linda away, afraid that Ted will steal her away from the inn.
At the next performance, Lincoln's Birthday, Ted and Danny return to Holiday Inn in search of Linda. Jim is ready for them and decides to run the night's big minstrel show number "Abraham" with disguised performers, including Linda, in an effort to foil the search. While applying Linda's blackface makeup, Jim asks if she will stay with him between holidays, and Linda takes this as a proposal. Having come up empty, Ted and Danny will not give up and plan to be back for the next holiday.
During rehearsals for the Valentine's Day performance, Jim presents Linda with a unique Valentine, a new song called "Be Careful, It's My Heart". While Jim sings with his back to her, Linda begins dancing alone, and as Ted enters, he spots Linda and launches into an impromptu romantic dance with her. Convinced that Linda is the girl he danced with on New Year's Eve, Ted demands that Jim provide a number for them to perform on the next holiday, and Jim reluctantly agrees.
On Washington's Birthday, Ted and Linda perform in elaborate 18th century period costumes, while Jim attempts to sabotage their dance, changing the tempo from a minuet to jazz every time the couple attempts to kiss. Afterwards, Ted asks Linda to join him as his new dance partner. Linda refuses, saying she has promised to stay at the inn and that she and Jim are to be married. When Ted asks him about the marriage, Jim plays it off, but Ted is unconvinced, telling Danny he will continue to pursue Linda.
At Easter, romance continues to blossom between Jim and Linda as they travel home from church in a carriage. When they reach the inn, Ted is sitting on the porch waiting for them. Ted asks Jim if he can remain in his shows, claiming he wants to experience "the true happiness" they've found at the inn. While Linda is charmed, Jim is suspicious.
Jim's suspicions are confirmed on Independence Day when he overhears Ted and Danny discussing an offer Ted received from Hollywood representatives, who will attend that night's show and determine if Ted and Linda are suitable for motion pictures. Desperate, Jim bribes hired hand Gus (Irving Bacon) to ensure that Linda does not arrive at the inn. After Gus drives the inn's car into a creek attempting to delay her, Linda tries to return to the inn and is picked up by Lila, who left the Texas millionaire after his tax problems were revealed. Lila tells Linda, who is pretending to be a waitress, about the studio tryout and that Lila will be Ted's partner. Assuming that Jim arranged for her to take Linda's place, Linda directs Lila into the same river.
Back at the inn, Ted is forced to perform a solo dance. When Linda eventually makes her way to the inn, she finds that Ted has impressed the studio honchos with his improvised solo and the opportunity stands. Irritated with Jim for not trusting her to make her own decision, Linda takes the offer and leaves for Hollywood. The producers want to make a film about Holiday Inn, and Jim reluctantly agrees.
At Thanksgiving, the inn is closed and Jim is deeply depressed, barely touching the turkey dinner prepared by his housekeeper Mamie (Louise Beavers). Jim is prepared to mail to Hollywood a recording of his new Thanksgiving song, but, before he does, he plays it on a record player and makes negative comments over the positive ones in the recording. Realizing what is wrong and ignoring decorum, Mamie implores him to travel to California to win Linda back by telling her how he really feels.
Jim arrives at the studio on Christmas Eve, just as Ted is preparing to leave with Linda to get married. Jim confronts Ted in his dressing room, then locks him in it. Before Linda films the final scene for her movie, which features a recreation of Holiday Inn, Jim walks around the set with the director, who boasts it is the most exact recreation ever created for a motion picture. Jim leaves his pipe on the set's piano and hides nearby. Linda enters the room and sits at the piano, performing "White Christmas". Startled by the pipe's presence, she falters, then continues as Jim's voice joins her. Jim appears and Linda runs to him as the director yells "cut". Meanwhile, Ted and Danny learn of Jim's plan, but they are too late to stop him.
At Holiday Inn on New Year's Eve, Ted is reunited with Lila, who is ready and willing to perform with him again. Jim and Linda prepare to stay together and run the inn. | Holiday Inn | 8c79c04b-9133-3a9e-da98-7aedaa2f6e1a | who will resume his dancing career with lila? | [
"Ted"
] | false |
/m/01l0jh | Jim Hardy (Bing Crosby), Ted Hanover (Fred Astaire), and Lila Dixon (Virginia Dale) have a musical act popular in the New York City nightlife scene. On Christmas Eve, Jim prepares to give his last performance as part of the act before marrying Lila and retiring with her to a farm in Connecticut. At the last minute, Lila decides she is not ready to stop performing, and that she has fallen in love with Ted. She tells Jim that she will stay on as Ted's dancing partner. While heartbroken, Jim follows through with his plan and bids the act goodbye.
One year later on Christmas Eve, Jim is back in New York City. Farm life has proven difficult and he plans to turn his farm into an entertainment venue called "Holiday Inn", which will only be open on public holidays. Ted and his agent Danny Reed (Walter Abel) scoff at the plan, but wish him luck. Later at the airport flower shop, while ordering flowers for Lila from Ted, Danny is accosted by employee Linda Mason (Marjorie Reynolds) who recognizes him as a talent agent and begs him for a start in show business. Danny refers her to Holiday Inn and gives her a pass to Ted's club. That night, Linda sits at the performer's table with Jim, who pretends he owns a big club and isn't sure he could use an act like Hanover and Dixon. Linda pretends she's a celebrity and friend of Ted's, then escapes when the two performers come to Jim's table.
The next morning, Christmas Day, Linda arrives at Holiday Inn, where she meets Jimâboth realizing they were fooling each other the previous evening. Jim is preparing the place for New Year's Eve, and they take to each other immediately. Jim sings her his new song, "White Christmas", which he would have performed had the inn been open that night. Later that week, on New Year's Eve, Holiday Inn opens to a packed house.
Meanwhile, in New York City, Ted learns that Lila is leaving him for a Texas millionaire. Drinking heavily, he drives up to Holiday Inn to talk with Jim, arriving at midnight. While wandering aimlessly across the dance floor, Ted sees Linda, who remembers him from Christmas Eve. They dance, with Ted bringing down the house despite his inebriated state. Danny arrives just as the dance ends and is ecstatic that Ted found a new partner. The next morning, however, Ted remembers very little and doesn't remember Linda at all. Jim doesn't say anything and hides Linda away, afraid that Ted will steal her away from the inn.
At the next performance, Lincoln's Birthday, Ted and Danny return to Holiday Inn in search of Linda. Jim is ready for them and decides to run the night's big minstrel show number "Abraham" with disguised performers, including Linda, in an effort to foil the search. While applying Linda's blackface makeup, Jim asks if she will stay with him between holidays, and Linda takes this as a proposal. Having come up empty, Ted and Danny will not give up and plan to be back for the next holiday.
During rehearsals for the Valentine's Day performance, Jim presents Linda with a unique Valentine, a new song called "Be Careful, It's My Heart". While Jim sings with his back to her, Linda begins dancing alone, and as Ted enters, he spots Linda and launches into an impromptu romantic dance with her. Convinced that Linda is the girl he danced with on New Year's Eve, Ted demands that Jim provide a number for them to perform on the next holiday, and Jim reluctantly agrees.
On Washington's Birthday, Ted and Linda perform in elaborate 18th century period costumes, while Jim attempts to sabotage their dance, changing the tempo from a minuet to jazz every time the couple attempts to kiss. Afterwards, Ted asks Linda to join him as his new dance partner. Linda refuses, saying she has promised to stay at the inn and that she and Jim are to be married. When Ted asks him about the marriage, Jim plays it off, but Ted is unconvinced, telling Danny he will continue to pursue Linda.
At Easter, romance continues to blossom between Jim and Linda as they travel home from church in a carriage. When they reach the inn, Ted is sitting on the porch waiting for them. Ted asks Jim if he can remain in his shows, claiming he wants to experience "the true happiness" they've found at the inn. While Linda is charmed, Jim is suspicious.
Jim's suspicions are confirmed on Independence Day when he overhears Ted and Danny discussing an offer Ted received from Hollywood representatives, who will attend that night's show and determine if Ted and Linda are suitable for motion pictures. Desperate, Jim bribes hired hand Gus (Irving Bacon) to ensure that Linda does not arrive at the inn. After Gus drives the inn's car into a creek attempting to delay her, Linda tries to return to the inn and is picked up by Lila, who left the Texas millionaire after his tax problems were revealed. Lila tells Linda, who is pretending to be a waitress, about the studio tryout and that Lila will be Ted's partner. Assuming that Jim arranged for her to take Linda's place, Linda directs Lila into the same river.
Back at the inn, Ted is forced to perform a solo dance. When Linda eventually makes her way to the inn, she finds that Ted has impressed the studio honchos with his improvised solo and the opportunity stands. Irritated with Jim for not trusting her to make her own decision, Linda takes the offer and leaves for Hollywood. The producers want to make a film about Holiday Inn, and Jim reluctantly agrees.
At Thanksgiving, the inn is closed and Jim is deeply depressed, barely touching the turkey dinner prepared by his housekeeper Mamie (Louise Beavers). Jim is prepared to mail to Hollywood a recording of his new Thanksgiving song, but, before he does, he plays it on a record player and makes negative comments over the positive ones in the recording. Realizing what is wrong and ignoring decorum, Mamie implores him to travel to California to win Linda back by telling her how he really feels.
Jim arrives at the studio on Christmas Eve, just as Ted is preparing to leave with Linda to get married. Jim confronts Ted in his dressing room, then locks him in it. Before Linda films the final scene for her movie, which features a recreation of Holiday Inn, Jim walks around the set with the director, who boasts it is the most exact recreation ever created for a motion picture. Jim leaves his pipe on the set's piano and hides nearby. Linda enters the room and sits at the piano, performing "White Christmas". Startled by the pipe's presence, she falters, then continues as Jim's voice joins her. Jim appears and Linda runs to him as the director yells "cut". Meanwhile, Ted and Danny learn of Jim's plan, but they are too late to stop him.
At Holiday Inn on New Year's Eve, Ted is reunited with Lila, who is ready and willing to perform with him again. Jim and Linda prepare to stay together and run the inn. | Holiday Inn | 2d6d7872-db3b-40be-422a-2ed59fceb898 | what are the names of the male protagonists? | [
"Jim, Ted, and Danny"
] | false |
/m/01l0jh | Jim Hardy (Bing Crosby), Ted Hanover (Fred Astaire), and Lila Dixon (Virginia Dale) have a musical act popular in the New York City nightlife scene. On Christmas Eve, Jim prepares to give his last performance as part of the act before marrying Lila and retiring with her to a farm in Connecticut. At the last minute, Lila decides she is not ready to stop performing, and that she has fallen in love with Ted. She tells Jim that she will stay on as Ted's dancing partner. While heartbroken, Jim follows through with his plan and bids the act goodbye.
One year later on Christmas Eve, Jim is back in New York City. Farm life has proven difficult and he plans to turn his farm into an entertainment venue called "Holiday Inn", which will only be open on public holidays. Ted and his agent Danny Reed (Walter Abel) scoff at the plan, but wish him luck. Later at the airport flower shop, while ordering flowers for Lila from Ted, Danny is accosted by employee Linda Mason (Marjorie Reynolds) who recognizes him as a talent agent and begs him for a start in show business. Danny refers her to Holiday Inn and gives her a pass to Ted's club. That night, Linda sits at the performer's table with Jim, who pretends he owns a big club and isn't sure he could use an act like Hanover and Dixon. Linda pretends she's a celebrity and friend of Ted's, then escapes when the two performers come to Jim's table.
The next morning, Christmas Day, Linda arrives at Holiday Inn, where she meets Jimâboth realizing they were fooling each other the previous evening. Jim is preparing the place for New Year's Eve, and they take to each other immediately. Jim sings her his new song, "White Christmas", which he would have performed had the inn been open that night. Later that week, on New Year's Eve, Holiday Inn opens to a packed house.
Meanwhile, in New York City, Ted learns that Lila is leaving him for a Texas millionaire. Drinking heavily, he drives up to Holiday Inn to talk with Jim, arriving at midnight. While wandering aimlessly across the dance floor, Ted sees Linda, who remembers him from Christmas Eve. They dance, with Ted bringing down the house despite his inebriated state. Danny arrives just as the dance ends and is ecstatic that Ted found a new partner. The next morning, however, Ted remembers very little and doesn't remember Linda at all. Jim doesn't say anything and hides Linda away, afraid that Ted will steal her away from the inn.
At the next performance, Lincoln's Birthday, Ted and Danny return to Holiday Inn in search of Linda. Jim is ready for them and decides to run the night's big minstrel show number "Abraham" with disguised performers, including Linda, in an effort to foil the search. While applying Linda's blackface makeup, Jim asks if she will stay with him between holidays, and Linda takes this as a proposal. Having come up empty, Ted and Danny will not give up and plan to be back for the next holiday.
During rehearsals for the Valentine's Day performance, Jim presents Linda with a unique Valentine, a new song called "Be Careful, It's My Heart". While Jim sings with his back to her, Linda begins dancing alone, and as Ted enters, he spots Linda and launches into an impromptu romantic dance with her. Convinced that Linda is the girl he danced with on New Year's Eve, Ted demands that Jim provide a number for them to perform on the next holiday, and Jim reluctantly agrees.
On Washington's Birthday, Ted and Linda perform in elaborate 18th century period costumes, while Jim attempts to sabotage their dance, changing the tempo from a minuet to jazz every time the couple attempts to kiss. Afterwards, Ted asks Linda to join him as his new dance partner. Linda refuses, saying she has promised to stay at the inn and that she and Jim are to be married. When Ted asks him about the marriage, Jim plays it off, but Ted is unconvinced, telling Danny he will continue to pursue Linda.
At Easter, romance continues to blossom between Jim and Linda as they travel home from church in a carriage. When they reach the inn, Ted is sitting on the porch waiting for them. Ted asks Jim if he can remain in his shows, claiming he wants to experience "the true happiness" they've found at the inn. While Linda is charmed, Jim is suspicious.
Jim's suspicions are confirmed on Independence Day when he overhears Ted and Danny discussing an offer Ted received from Hollywood representatives, who will attend that night's show and determine if Ted and Linda are suitable for motion pictures. Desperate, Jim bribes hired hand Gus (Irving Bacon) to ensure that Linda does not arrive at the inn. After Gus drives the inn's car into a creek attempting to delay her, Linda tries to return to the inn and is picked up by Lila, who left the Texas millionaire after his tax problems were revealed. Lila tells Linda, who is pretending to be a waitress, about the studio tryout and that Lila will be Ted's partner. Assuming that Jim arranged for her to take Linda's place, Linda directs Lila into the same river.
Back at the inn, Ted is forced to perform a solo dance. When Linda eventually makes her way to the inn, she finds that Ted has impressed the studio honchos with his improvised solo and the opportunity stands. Irritated with Jim for not trusting her to make her own decision, Linda takes the offer and leaves for Hollywood. The producers want to make a film about Holiday Inn, and Jim reluctantly agrees.
At Thanksgiving, the inn is closed and Jim is deeply depressed, barely touching the turkey dinner prepared by his housekeeper Mamie (Louise Beavers). Jim is prepared to mail to Hollywood a recording of his new Thanksgiving song, but, before he does, he plays it on a record player and makes negative comments over the positive ones in the recording. Realizing what is wrong and ignoring decorum, Mamie implores him to travel to California to win Linda back by telling her how he really feels.
Jim arrives at the studio on Christmas Eve, just as Ted is preparing to leave with Linda to get married. Jim confronts Ted in his dressing room, then locks him in it. Before Linda films the final scene for her movie, which features a recreation of Holiday Inn, Jim walks around the set with the director, who boasts it is the most exact recreation ever created for a motion picture. Jim leaves his pipe on the set's piano and hides nearby. Linda enters the room and sits at the piano, performing "White Christmas". Startled by the pipe's presence, she falters, then continues as Jim's voice joins her. Jim appears and Linda runs to him as the director yells "cut". Meanwhile, Ted and Danny learn of Jim's plan, but they are too late to stop him.
At Holiday Inn on New Year's Eve, Ted is reunited with Lila, who is ready and willing to perform with him again. Jim and Linda prepare to stay together and run the inn. | Holiday Inn | 3d0562a2-abc4-5991-9ce8-a5f41e8eee05 | where does jim plan to take his fiance lila? | [] | true |
/m/01l0jh | Jim Hardy (Bing Crosby), Ted Hanover (Fred Astaire), and Lila Dixon (Virginia Dale) have a musical act popular in the New York City nightlife scene. On Christmas Eve, Jim prepares to give his last performance as part of the act before marrying Lila and retiring with her to a farm in Connecticut. At the last minute, Lila decides she is not ready to stop performing, and that she has fallen in love with Ted. She tells Jim that she will stay on as Ted's dancing partner. While heartbroken, Jim follows through with his plan and bids the act goodbye.
One year later on Christmas Eve, Jim is back in New York City. Farm life has proven difficult and he plans to turn his farm into an entertainment venue called "Holiday Inn", which will only be open on public holidays. Ted and his agent Danny Reed (Walter Abel) scoff at the plan, but wish him luck. Later at the airport flower shop, while ordering flowers for Lila from Ted, Danny is accosted by employee Linda Mason (Marjorie Reynolds) who recognizes him as a talent agent and begs him for a start in show business. Danny refers her to Holiday Inn and gives her a pass to Ted's club. That night, Linda sits at the performer's table with Jim, who pretends he owns a big club and isn't sure he could use an act like Hanover and Dixon. Linda pretends she's a celebrity and friend of Ted's, then escapes when the two performers come to Jim's table.
The next morning, Christmas Day, Linda arrives at Holiday Inn, where she meets Jimâboth realizing they were fooling each other the previous evening. Jim is preparing the place for New Year's Eve, and they take to each other immediately. Jim sings her his new song, "White Christmas", which he would have performed had the inn been open that night. Later that week, on New Year's Eve, Holiday Inn opens to a packed house.
Meanwhile, in New York City, Ted learns that Lila is leaving him for a Texas millionaire. Drinking heavily, he drives up to Holiday Inn to talk with Jim, arriving at midnight. While wandering aimlessly across the dance floor, Ted sees Linda, who remembers him from Christmas Eve. They dance, with Ted bringing down the house despite his inebriated state. Danny arrives just as the dance ends and is ecstatic that Ted found a new partner. The next morning, however, Ted remembers very little and doesn't remember Linda at all. Jim doesn't say anything and hides Linda away, afraid that Ted will steal her away from the inn.
At the next performance, Lincoln's Birthday, Ted and Danny return to Holiday Inn in search of Linda. Jim is ready for them and decides to run the night's big minstrel show number "Abraham" with disguised performers, including Linda, in an effort to foil the search. While applying Linda's blackface makeup, Jim asks if she will stay with him between holidays, and Linda takes this as a proposal. Having come up empty, Ted and Danny will not give up and plan to be back for the next holiday.
During rehearsals for the Valentine's Day performance, Jim presents Linda with a unique Valentine, a new song called "Be Careful, It's My Heart". While Jim sings with his back to her, Linda begins dancing alone, and as Ted enters, he spots Linda and launches into an impromptu romantic dance with her. Convinced that Linda is the girl he danced with on New Year's Eve, Ted demands that Jim provide a number for them to perform on the next holiday, and Jim reluctantly agrees.
On Washington's Birthday, Ted and Linda perform in elaborate 18th century period costumes, while Jim attempts to sabotage their dance, changing the tempo from a minuet to jazz every time the couple attempts to kiss. Afterwards, Ted asks Linda to join him as his new dance partner. Linda refuses, saying she has promised to stay at the inn and that she and Jim are to be married. When Ted asks him about the marriage, Jim plays it off, but Ted is unconvinced, telling Danny he will continue to pursue Linda.
At Easter, romance continues to blossom between Jim and Linda as they travel home from church in a carriage. When they reach the inn, Ted is sitting on the porch waiting for them. Ted asks Jim if he can remain in his shows, claiming he wants to experience "the true happiness" they've found at the inn. While Linda is charmed, Jim is suspicious.
Jim's suspicions are confirmed on Independence Day when he overhears Ted and Danny discussing an offer Ted received from Hollywood representatives, who will attend that night's show and determine if Ted and Linda are suitable for motion pictures. Desperate, Jim bribes hired hand Gus (Irving Bacon) to ensure that Linda does not arrive at the inn. After Gus drives the inn's car into a creek attempting to delay her, Linda tries to return to the inn and is picked up by Lila, who left the Texas millionaire after his tax problems were revealed. Lila tells Linda, who is pretending to be a waitress, about the studio tryout and that Lila will be Ted's partner. Assuming that Jim arranged for her to take Linda's place, Linda directs Lila into the same river.
Back at the inn, Ted is forced to perform a solo dance. When Linda eventually makes her way to the inn, she finds that Ted has impressed the studio honchos with his improvised solo and the opportunity stands. Irritated with Jim for not trusting her to make her own decision, Linda takes the offer and leaves for Hollywood. The producers want to make a film about Holiday Inn, and Jim reluctantly agrees.
At Thanksgiving, the inn is closed and Jim is deeply depressed, barely touching the turkey dinner prepared by his housekeeper Mamie (Louise Beavers). Jim is prepared to mail to Hollywood a recording of his new Thanksgiving song, but, before he does, he plays it on a record player and makes negative comments over the positive ones in the recording. Realizing what is wrong and ignoring decorum, Mamie implores him to travel to California to win Linda back by telling her how he really feels.
Jim arrives at the studio on Christmas Eve, just as Ted is preparing to leave with Linda to get married. Jim confronts Ted in his dressing room, then locks him in it. Before Linda films the final scene for her movie, which features a recreation of Holiday Inn, Jim walks around the set with the director, who boasts it is the most exact recreation ever created for a motion picture. Jim leaves his pipe on the set's piano and hides nearby. Linda enters the room and sits at the piano, performing "White Christmas". Startled by the pipe's presence, she falters, then continues as Jim's voice joins her. Jim appears and Linda runs to him as the director yells "cut". Meanwhile, Ted and Danny learn of Jim's plan, but they are too late to stop him.
At Holiday Inn on New Year's Eve, Ted is reunited with Lila, who is ready and willing to perform with him again. Jim and Linda prepare to stay together and run the inn. | Holiday Inn | 95ead456-30dc-f2d7-1112-bcc6a91edbd9 | who did jim fall in love with? | [
"Linda"
] | false |
/m/01l0jh | Jim Hardy (Bing Crosby), Ted Hanover (Fred Astaire), and Lila Dixon (Virginia Dale) have a musical act popular in the New York City nightlife scene. On Christmas Eve, Jim prepares to give his last performance as part of the act before marrying Lila and retiring with her to a farm in Connecticut. At the last minute, Lila decides she is not ready to stop performing, and that she has fallen in love with Ted. She tells Jim that she will stay on as Ted's dancing partner. While heartbroken, Jim follows through with his plan and bids the act goodbye.
One year later on Christmas Eve, Jim is back in New York City. Farm life has proven difficult and he plans to turn his farm into an entertainment venue called "Holiday Inn", which will only be open on public holidays. Ted and his agent Danny Reed (Walter Abel) scoff at the plan, but wish him luck. Later at the airport flower shop, while ordering flowers for Lila from Ted, Danny is accosted by employee Linda Mason (Marjorie Reynolds) who recognizes him as a talent agent and begs him for a start in show business. Danny refers her to Holiday Inn and gives her a pass to Ted's club. That night, Linda sits at the performer's table with Jim, who pretends he owns a big club and isn't sure he could use an act like Hanover and Dixon. Linda pretends she's a celebrity and friend of Ted's, then escapes when the two performers come to Jim's table.
The next morning, Christmas Day, Linda arrives at Holiday Inn, where she meets Jimâboth realizing they were fooling each other the previous evening. Jim is preparing the place for New Year's Eve, and they take to each other immediately. Jim sings her his new song, "White Christmas", which he would have performed had the inn been open that night. Later that week, on New Year's Eve, Holiday Inn opens to a packed house.
Meanwhile, in New York City, Ted learns that Lila is leaving him for a Texas millionaire. Drinking heavily, he drives up to Holiday Inn to talk with Jim, arriving at midnight. While wandering aimlessly across the dance floor, Ted sees Linda, who remembers him from Christmas Eve. They dance, with Ted bringing down the house despite his inebriated state. Danny arrives just as the dance ends and is ecstatic that Ted found a new partner. The next morning, however, Ted remembers very little and doesn't remember Linda at all. Jim doesn't say anything and hides Linda away, afraid that Ted will steal her away from the inn.
At the next performance, Lincoln's Birthday, Ted and Danny return to Holiday Inn in search of Linda. Jim is ready for them and decides to run the night's big minstrel show number "Abraham" with disguised performers, including Linda, in an effort to foil the search. While applying Linda's blackface makeup, Jim asks if she will stay with him between holidays, and Linda takes this as a proposal. Having come up empty, Ted and Danny will not give up and plan to be back for the next holiday.
During rehearsals for the Valentine's Day performance, Jim presents Linda with a unique Valentine, a new song called "Be Careful, It's My Heart". While Jim sings with his back to her, Linda begins dancing alone, and as Ted enters, he spots Linda and launches into an impromptu romantic dance with her. Convinced that Linda is the girl he danced with on New Year's Eve, Ted demands that Jim provide a number for them to perform on the next holiday, and Jim reluctantly agrees.
On Washington's Birthday, Ted and Linda perform in elaborate 18th century period costumes, while Jim attempts to sabotage their dance, changing the tempo from a minuet to jazz every time the couple attempts to kiss. Afterwards, Ted asks Linda to join him as his new dance partner. Linda refuses, saying she has promised to stay at the inn and that she and Jim are to be married. When Ted asks him about the marriage, Jim plays it off, but Ted is unconvinced, telling Danny he will continue to pursue Linda.
At Easter, romance continues to blossom between Jim and Linda as they travel home from church in a carriage. When they reach the inn, Ted is sitting on the porch waiting for them. Ted asks Jim if he can remain in his shows, claiming he wants to experience "the true happiness" they've found at the inn. While Linda is charmed, Jim is suspicious.
Jim's suspicions are confirmed on Independence Day when he overhears Ted and Danny discussing an offer Ted received from Hollywood representatives, who will attend that night's show and determine if Ted and Linda are suitable for motion pictures. Desperate, Jim bribes hired hand Gus (Irving Bacon) to ensure that Linda does not arrive at the inn. After Gus drives the inn's car into a creek attempting to delay her, Linda tries to return to the inn and is picked up by Lila, who left the Texas millionaire after his tax problems were revealed. Lila tells Linda, who is pretending to be a waitress, about the studio tryout and that Lila will be Ted's partner. Assuming that Jim arranged for her to take Linda's place, Linda directs Lila into the same river.
Back at the inn, Ted is forced to perform a solo dance. When Linda eventually makes her way to the inn, she finds that Ted has impressed the studio honchos with his improvised solo and the opportunity stands. Irritated with Jim for not trusting her to make her own decision, Linda takes the offer and leaves for Hollywood. The producers want to make a film about Holiday Inn, and Jim reluctantly agrees.
At Thanksgiving, the inn is closed and Jim is deeply depressed, barely touching the turkey dinner prepared by his housekeeper Mamie (Louise Beavers). Jim is prepared to mail to Hollywood a recording of his new Thanksgiving song, but, before he does, he plays it on a record player and makes negative comments over the positive ones in the recording. Realizing what is wrong and ignoring decorum, Mamie implores him to travel to California to win Linda back by telling her how he really feels.
Jim arrives at the studio on Christmas Eve, just as Ted is preparing to leave with Linda to get married. Jim confronts Ted in his dressing room, then locks him in it. Before Linda films the final scene for her movie, which features a recreation of Holiday Inn, Jim walks around the set with the director, who boasts it is the most exact recreation ever created for a motion picture. Jim leaves his pipe on the set's piano and hides nearby. Linda enters the room and sits at the piano, performing "White Christmas". Startled by the pipe's presence, she falters, then continues as Jim's voice joins her. Jim appears and Linda runs to him as the director yells "cut". Meanwhile, Ted and Danny learn of Jim's plan, but they are too late to stop him.
At Holiday Inn on New Year's Eve, Ted is reunited with Lila, who is ready and willing to perform with him again. Jim and Linda prepare to stay together and run the inn. | Holiday Inn | c0437397-48a1-80a4-83c3-00c807c9acd8 | does jim hardy live well in the countryside? | [] | true |
/m/01l0jh | Jim Hardy (Bing Crosby), Ted Hanover (Fred Astaire), and Lila Dixon (Virginia Dale) have a musical act popular in the New York City nightlife scene. On Christmas Eve, Jim prepares to give his last performance as part of the act before marrying Lila and retiring with her to a farm in Connecticut. At the last minute, Lila decides she is not ready to stop performing, and that she has fallen in love with Ted. She tells Jim that she will stay on as Ted's dancing partner. While heartbroken, Jim follows through with his plan and bids the act goodbye.
One year later on Christmas Eve, Jim is back in New York City. Farm life has proven difficult and he plans to turn his farm into an entertainment venue called "Holiday Inn", which will only be open on public holidays. Ted and his agent Danny Reed (Walter Abel) scoff at the plan, but wish him luck. Later at the airport flower shop, while ordering flowers for Lila from Ted, Danny is accosted by employee Linda Mason (Marjorie Reynolds) who recognizes him as a talent agent and begs him for a start in show business. Danny refers her to Holiday Inn and gives her a pass to Ted's club. That night, Linda sits at the performer's table with Jim, who pretends he owns a big club and isn't sure he could use an act like Hanover and Dixon. Linda pretends she's a celebrity and friend of Ted's, then escapes when the two performers come to Jim's table.
The next morning, Christmas Day, Linda arrives at Holiday Inn, where she meets Jimâboth realizing they were fooling each other the previous evening. Jim is preparing the place for New Year's Eve, and they take to each other immediately. Jim sings her his new song, "White Christmas", which he would have performed had the inn been open that night. Later that week, on New Year's Eve, Holiday Inn opens to a packed house.
Meanwhile, in New York City, Ted learns that Lila is leaving him for a Texas millionaire. Drinking heavily, he drives up to Holiday Inn to talk with Jim, arriving at midnight. While wandering aimlessly across the dance floor, Ted sees Linda, who remembers him from Christmas Eve. They dance, with Ted bringing down the house despite his inebriated state. Danny arrives just as the dance ends and is ecstatic that Ted found a new partner. The next morning, however, Ted remembers very little and doesn't remember Linda at all. Jim doesn't say anything and hides Linda away, afraid that Ted will steal her away from the inn.
At the next performance, Lincoln's Birthday, Ted and Danny return to Holiday Inn in search of Linda. Jim is ready for them and decides to run the night's big minstrel show number "Abraham" with disguised performers, including Linda, in an effort to foil the search. While applying Linda's blackface makeup, Jim asks if she will stay with him between holidays, and Linda takes this as a proposal. Having come up empty, Ted and Danny will not give up and plan to be back for the next holiday.
During rehearsals for the Valentine's Day performance, Jim presents Linda with a unique Valentine, a new song called "Be Careful, It's My Heart". While Jim sings with his back to her, Linda begins dancing alone, and as Ted enters, he spots Linda and launches into an impromptu romantic dance with her. Convinced that Linda is the girl he danced with on New Year's Eve, Ted demands that Jim provide a number for them to perform on the next holiday, and Jim reluctantly agrees.
On Washington's Birthday, Ted and Linda perform in elaborate 18th century period costumes, while Jim attempts to sabotage their dance, changing the tempo from a minuet to jazz every time the couple attempts to kiss. Afterwards, Ted asks Linda to join him as his new dance partner. Linda refuses, saying she has promised to stay at the inn and that she and Jim are to be married. When Ted asks him about the marriage, Jim plays it off, but Ted is unconvinced, telling Danny he will continue to pursue Linda.
At Easter, romance continues to blossom between Jim and Linda as they travel home from church in a carriage. When they reach the inn, Ted is sitting on the porch waiting for them. Ted asks Jim if he can remain in his shows, claiming he wants to experience "the true happiness" they've found at the inn. While Linda is charmed, Jim is suspicious.
Jim's suspicions are confirmed on Independence Day when he overhears Ted and Danny discussing an offer Ted received from Hollywood representatives, who will attend that night's show and determine if Ted and Linda are suitable for motion pictures. Desperate, Jim bribes hired hand Gus (Irving Bacon) to ensure that Linda does not arrive at the inn. After Gus drives the inn's car into a creek attempting to delay her, Linda tries to return to the inn and is picked up by Lila, who left the Texas millionaire after his tax problems were revealed. Lila tells Linda, who is pretending to be a waitress, about the studio tryout and that Lila will be Ted's partner. Assuming that Jim arranged for her to take Linda's place, Linda directs Lila into the same river.
Back at the inn, Ted is forced to perform a solo dance. When Linda eventually makes her way to the inn, she finds that Ted has impressed the studio honchos with his improvised solo and the opportunity stands. Irritated with Jim for not trusting her to make her own decision, Linda takes the offer and leaves for Hollywood. The producers want to make a film about Holiday Inn, and Jim reluctantly agrees.
At Thanksgiving, the inn is closed and Jim is deeply depressed, barely touching the turkey dinner prepared by his housekeeper Mamie (Louise Beavers). Jim is prepared to mail to Hollywood a recording of his new Thanksgiving song, but, before he does, he plays it on a record player and makes negative comments over the positive ones in the recording. Realizing what is wrong and ignoring decorum, Mamie implores him to travel to California to win Linda back by telling her how he really feels.
Jim arrives at the studio on Christmas Eve, just as Ted is preparing to leave with Linda to get married. Jim confronts Ted in his dressing room, then locks him in it. Before Linda films the final scene for her movie, which features a recreation of Holiday Inn, Jim walks around the set with the director, who boasts it is the most exact recreation ever created for a motion picture. Jim leaves his pipe on the set's piano and hides nearby. Linda enters the room and sits at the piano, performing "White Christmas". Startled by the pipe's presence, she falters, then continues as Jim's voice joins her. Jim appears and Linda runs to him as the director yells "cut". Meanwhile, Ted and Danny learn of Jim's plan, but they are too late to stop him.
At Holiday Inn on New Year's Eve, Ted is reunited with Lila, who is ready and willing to perform with him again. Jim and Linda prepare to stay together and run the inn. | Holiday Inn | f4867ca8-38fe-feed-7028-5f33232286e8 | how late does ted wake up? | [] | true |
/m/01l0jh | Jim Hardy (Bing Crosby), Ted Hanover (Fred Astaire), and Lila Dixon (Virginia Dale) have a musical act popular in the New York City nightlife scene. On Christmas Eve, Jim prepares to give his last performance as part of the act before marrying Lila and retiring with her to a farm in Connecticut. At the last minute, Lila decides she is not ready to stop performing, and that she has fallen in love with Ted. She tells Jim that she will stay on as Ted's dancing partner. While heartbroken, Jim follows through with his plan and bids the act goodbye.
One year later on Christmas Eve, Jim is back in New York City. Farm life has proven difficult and he plans to turn his farm into an entertainment venue called "Holiday Inn", which will only be open on public holidays. Ted and his agent Danny Reed (Walter Abel) scoff at the plan, but wish him luck. Later at the airport flower shop, while ordering flowers for Lila from Ted, Danny is accosted by employee Linda Mason (Marjorie Reynolds) who recognizes him as a talent agent and begs him for a start in show business. Danny refers her to Holiday Inn and gives her a pass to Ted's club. That night, Linda sits at the performer's table with Jim, who pretends he owns a big club and isn't sure he could use an act like Hanover and Dixon. Linda pretends she's a celebrity and friend of Ted's, then escapes when the two performers come to Jim's table.
The next morning, Christmas Day, Linda arrives at Holiday Inn, where she meets Jimâboth realizing they were fooling each other the previous evening. Jim is preparing the place for New Year's Eve, and they take to each other immediately. Jim sings her his new song, "White Christmas", which he would have performed had the inn been open that night. Later that week, on New Year's Eve, Holiday Inn opens to a packed house.
Meanwhile, in New York City, Ted learns that Lila is leaving him for a Texas millionaire. Drinking heavily, he drives up to Holiday Inn to talk with Jim, arriving at midnight. While wandering aimlessly across the dance floor, Ted sees Linda, who remembers him from Christmas Eve. They dance, with Ted bringing down the house despite his inebriated state. Danny arrives just as the dance ends and is ecstatic that Ted found a new partner. The next morning, however, Ted remembers very little and doesn't remember Linda at all. Jim doesn't say anything and hides Linda away, afraid that Ted will steal her away from the inn.
At the next performance, Lincoln's Birthday, Ted and Danny return to Holiday Inn in search of Linda. Jim is ready for them and decides to run the night's big minstrel show number "Abraham" with disguised performers, including Linda, in an effort to foil the search. While applying Linda's blackface makeup, Jim asks if she will stay with him between holidays, and Linda takes this as a proposal. Having come up empty, Ted and Danny will not give up and plan to be back for the next holiday.
During rehearsals for the Valentine's Day performance, Jim presents Linda with a unique Valentine, a new song called "Be Careful, It's My Heart". While Jim sings with his back to her, Linda begins dancing alone, and as Ted enters, he spots Linda and launches into an impromptu romantic dance with her. Convinced that Linda is the girl he danced with on New Year's Eve, Ted demands that Jim provide a number for them to perform on the next holiday, and Jim reluctantly agrees.
On Washington's Birthday, Ted and Linda perform in elaborate 18th century period costumes, while Jim attempts to sabotage their dance, changing the tempo from a minuet to jazz every time the couple attempts to kiss. Afterwards, Ted asks Linda to join him as his new dance partner. Linda refuses, saying she has promised to stay at the inn and that she and Jim are to be married. When Ted asks him about the marriage, Jim plays it off, but Ted is unconvinced, telling Danny he will continue to pursue Linda.
At Easter, romance continues to blossom between Jim and Linda as they travel home from church in a carriage. When they reach the inn, Ted is sitting on the porch waiting for them. Ted asks Jim if he can remain in his shows, claiming he wants to experience "the true happiness" they've found at the inn. While Linda is charmed, Jim is suspicious.
Jim's suspicions are confirmed on Independence Day when he overhears Ted and Danny discussing an offer Ted received from Hollywood representatives, who will attend that night's show and determine if Ted and Linda are suitable for motion pictures. Desperate, Jim bribes hired hand Gus (Irving Bacon) to ensure that Linda does not arrive at the inn. After Gus drives the inn's car into a creek attempting to delay her, Linda tries to return to the inn and is picked up by Lila, who left the Texas millionaire after his tax problems were revealed. Lila tells Linda, who is pretending to be a waitress, about the studio tryout and that Lila will be Ted's partner. Assuming that Jim arranged for her to take Linda's place, Linda directs Lila into the same river.
Back at the inn, Ted is forced to perform a solo dance. When Linda eventually makes her way to the inn, she finds that Ted has impressed the studio honchos with his improvised solo and the opportunity stands. Irritated with Jim for not trusting her to make her own decision, Linda takes the offer and leaves for Hollywood. The producers want to make a film about Holiday Inn, and Jim reluctantly agrees.
At Thanksgiving, the inn is closed and Jim is deeply depressed, barely touching the turkey dinner prepared by his housekeeper Mamie (Louise Beavers). Jim is prepared to mail to Hollywood a recording of his new Thanksgiving song, but, before he does, he plays it on a record player and makes negative comments over the positive ones in the recording. Realizing what is wrong and ignoring decorum, Mamie implores him to travel to California to win Linda back by telling her how he really feels.
Jim arrives at the studio on Christmas Eve, just as Ted is preparing to leave with Linda to get married. Jim confronts Ted in his dressing room, then locks him in it. Before Linda films the final scene for her movie, which features a recreation of Holiday Inn, Jim walks around the set with the director, who boasts it is the most exact recreation ever created for a motion picture. Jim leaves his pipe on the set's piano and hides nearby. Linda enters the room and sits at the piano, performing "White Christmas". Startled by the pipe's presence, she falters, then continues as Jim's voice joins her. Jim appears and Linda runs to him as the director yells "cut". Meanwhile, Ted and Danny learn of Jim's plan, but they are too late to stop him.
At Holiday Inn on New Year's Eve, Ted is reunited with Lila, who is ready and willing to perform with him again. Jim and Linda prepare to stay together and run the inn. | Holiday Inn | 7b853529-cf7c-011b-04fd-8a4eb251d38c | who advises jim to follow linda to hollywood | [
"Danny"
] | false |
/m/07j7zz | Sylvester is in another chase with Tweety, and is just about to eat him when he is interrupted by his friend Sam, who tells Sylvester to return Tweety to his cage. Sylvester does this, and listens to Sam explain how he can become addicted to birds and "suddenly, without realizing it, you're a victim." Sam gives Sylvester a card linking to an organization called Birds Anonymous, and advises Sylvester to join if he wants to curb his addiction to birds.Sylvester attends a meeting of "B.A." and listens to several cats recount how becoming a member of the organization helped them greatly (one cat even petting a bird on the head). Sylvester proudly tells the club members, "From now on, my motto is 'Birds is strictly for the birds!'", leading to rapturous applause.Sylvester returns home, greeting an astonished Tweety on the way in, convinced that nothing is going to tempt him to chase and eat Tweety now. He turns on the television, to discover a show on cooking birds is playing. The program immediately fills him with temptation. He tries to go after Tweety, but slaps himself repeatedly to stop himself. He turns on the radio to try and get his mind off birds, but the radio happens to be playing songs that mention birds in the title ("Bye, Bye, Blackbird" and "When the Red, Red Robin Comes Bob, Bob, Bobbin' Along", to be specific). Sylvester then handcuffs himself to a radiator so he is unable to get at Tweety. This prompts the yellow bird to ask Sylvester, "Don't you like me anymore?" This drives Sylvester into an insane rage, and he snaps away from the radiator and captures Tweety. Before Sylvester can eat him, Sam intervenes and fires a plunger into Sylvester's mouth. He apologizes, but admits it was necessary because Sylvester seemed to be weakening.That night, Sylvester is completely unable to sleep because of his obsession with birds. He snatches Tweety again, convincing himself that just one more bird would be okay before he quits. Sam stops him by pouring alum into his mouth, causing his mouth to pucker up. Sylvester then tries to suck Tweety through a straw, but the straw breaks. Sylvester then breaks down in tears, pounding on the floor and screaming, "I gotta have a bird!" Sam attempts to lecture Sylvester on how cats and birds can live together, and proves his point by kissing Tweety. However, upon doing this, his allegedly quashed desire reawakens, and laughing maniacally, attempts to eat Tweety. Sylvester restrains Sam, holding him down and yelling at him to control himself. Tweety, watching all of this take place from a distance, remarks, "Like I said before-- once a bad ol' putty tat, always a bad ol' putty tat." Iris out. | Birds Anonymous | 1fe932f6-b9c8-01e1-ec9b-ecdc8c7f8924 | What color is the cat who tells Sylvester he has a problem? | [
"grey"
] | false |
/m/07j7zz | Sylvester is in another chase with Tweety, and is just about to eat him when he is interrupted by his friend Sam, who tells Sylvester to return Tweety to his cage. Sylvester does this, and listens to Sam explain how he can become addicted to birds and "suddenly, without realizing it, you're a victim." Sam gives Sylvester a card linking to an organization called Birds Anonymous, and advises Sylvester to join if he wants to curb his addiction to birds.Sylvester attends a meeting of "B.A." and listens to several cats recount how becoming a member of the organization helped them greatly (one cat even petting a bird on the head). Sylvester proudly tells the club members, "From now on, my motto is 'Birds is strictly for the birds!'", leading to rapturous applause.Sylvester returns home, greeting an astonished Tweety on the way in, convinced that nothing is going to tempt him to chase and eat Tweety now. He turns on the television, to discover a show on cooking birds is playing. The program immediately fills him with temptation. He tries to go after Tweety, but slaps himself repeatedly to stop himself. He turns on the radio to try and get his mind off birds, but the radio happens to be playing songs that mention birds in the title ("Bye, Bye, Blackbird" and "When the Red, Red Robin Comes Bob, Bob, Bobbin' Along", to be specific). Sylvester then handcuffs himself to a radiator so he is unable to get at Tweety. This prompts the yellow bird to ask Sylvester, "Don't you like me anymore?" This drives Sylvester into an insane rage, and he snaps away from the radiator and captures Tweety. Before Sylvester can eat him, Sam intervenes and fires a plunger into Sylvester's mouth. He apologizes, but admits it was necessary because Sylvester seemed to be weakening.That night, Sylvester is completely unable to sleep because of his obsession with birds. He snatches Tweety again, convincing himself that just one more bird would be okay before he quits. Sam stops him by pouring alum into his mouth, causing his mouth to pucker up. Sylvester then tries to suck Tweety through a straw, but the straw breaks. Sylvester then breaks down in tears, pounding on the floor and screaming, "I gotta have a bird!" Sam attempts to lecture Sylvester on how cats and birds can live together, and proves his point by kissing Tweety. However, upon doing this, his allegedly quashed desire reawakens, and laughing maniacally, attempts to eat Tweety. Sylvester restrains Sam, holding him down and yelling at him to control himself. Tweety, watching all of this take place from a distance, remarks, "Like I said before-- once a bad ol' putty tat, always a bad ol' putty tat." Iris out. | Birds Anonymous | 528a6064-ead7-53a2-3ac5-120eb1c97346 | What does Sylvester try to drink Tweety with? | [
"a straw"
] | false |
/m/07j7zz | Sylvester is in another chase with Tweety, and is just about to eat him when he is interrupted by his friend Sam, who tells Sylvester to return Tweety to his cage. Sylvester does this, and listens to Sam explain how he can become addicted to birds and "suddenly, without realizing it, you're a victim." Sam gives Sylvester a card linking to an organization called Birds Anonymous, and advises Sylvester to join if he wants to curb his addiction to birds.Sylvester attends a meeting of "B.A." and listens to several cats recount how becoming a member of the organization helped them greatly (one cat even petting a bird on the head). Sylvester proudly tells the club members, "From now on, my motto is 'Birds is strictly for the birds!'", leading to rapturous applause.Sylvester returns home, greeting an astonished Tweety on the way in, convinced that nothing is going to tempt him to chase and eat Tweety now. He turns on the television, to discover a show on cooking birds is playing. The program immediately fills him with temptation. He tries to go after Tweety, but slaps himself repeatedly to stop himself. He turns on the radio to try and get his mind off birds, but the radio happens to be playing songs that mention birds in the title ("Bye, Bye, Blackbird" and "When the Red, Red Robin Comes Bob, Bob, Bobbin' Along", to be specific). Sylvester then handcuffs himself to a radiator so he is unable to get at Tweety. This prompts the yellow bird to ask Sylvester, "Don't you like me anymore?" This drives Sylvester into an insane rage, and he snaps away from the radiator and captures Tweety. Before Sylvester can eat him, Sam intervenes and fires a plunger into Sylvester's mouth. He apologizes, but admits it was necessary because Sylvester seemed to be weakening.That night, Sylvester is completely unable to sleep because of his obsession with birds. He snatches Tweety again, convincing himself that just one more bird would be okay before he quits. Sam stops him by pouring alum into his mouth, causing his mouth to pucker up. Sylvester then tries to suck Tweety through a straw, but the straw breaks. Sylvester then breaks down in tears, pounding on the floor and screaming, "I gotta have a bird!" Sam attempts to lecture Sylvester on how cats and birds can live together, and proves his point by kissing Tweety. However, upon doing this, his allegedly quashed desire reawakens, and laughing maniacally, attempts to eat Tweety. Sylvester restrains Sam, holding him down and yelling at him to control himself. Tweety, watching all of this take place from a distance, remarks, "Like I said before-- once a bad ol' putty tat, always a bad ol' putty tat." Iris out. | Birds Anonymous | affcba85-3514-1893-9942-27e6ff94f5a4 | What kind of animal does Sylvester meet? | [
"Cat- sam"
] | false |
/m/07j7zz | Sylvester is in another chase with Tweety, and is just about to eat him when he is interrupted by his friend Sam, who tells Sylvester to return Tweety to his cage. Sylvester does this, and listens to Sam explain how he can become addicted to birds and "suddenly, without realizing it, you're a victim." Sam gives Sylvester a card linking to an organization called Birds Anonymous, and advises Sylvester to join if he wants to curb his addiction to birds.Sylvester attends a meeting of "B.A." and listens to several cats recount how becoming a member of the organization helped them greatly (one cat even petting a bird on the head). Sylvester proudly tells the club members, "From now on, my motto is 'Birds is strictly for the birds!'", leading to rapturous applause.Sylvester returns home, greeting an astonished Tweety on the way in, convinced that nothing is going to tempt him to chase and eat Tweety now. He turns on the television, to discover a show on cooking birds is playing. The program immediately fills him with temptation. He tries to go after Tweety, but slaps himself repeatedly to stop himself. He turns on the radio to try and get his mind off birds, but the radio happens to be playing songs that mention birds in the title ("Bye, Bye, Blackbird" and "When the Red, Red Robin Comes Bob, Bob, Bobbin' Along", to be specific). Sylvester then handcuffs himself to a radiator so he is unable to get at Tweety. This prompts the yellow bird to ask Sylvester, "Don't you like me anymore?" This drives Sylvester into an insane rage, and he snaps away from the radiator and captures Tweety. Before Sylvester can eat him, Sam intervenes and fires a plunger into Sylvester's mouth. He apologizes, but admits it was necessary because Sylvester seemed to be weakening.That night, Sylvester is completely unable to sleep because of his obsession with birds. He snatches Tweety again, convincing himself that just one more bird would be okay before he quits. Sam stops him by pouring alum into his mouth, causing his mouth to pucker up. Sylvester then tries to suck Tweety through a straw, but the straw breaks. Sylvester then breaks down in tears, pounding on the floor and screaming, "I gotta have a bird!" Sam attempts to lecture Sylvester on how cats and birds can live together, and proves his point by kissing Tweety. However, upon doing this, his allegedly quashed desire reawakens, and laughing maniacally, attempts to eat Tweety. Sylvester restrains Sam, holding him down and yelling at him to control himself. Tweety, watching all of this take place from a distance, remarks, "Like I said before-- once a bad ol' putty tat, always a bad ol' putty tat." Iris out. | Birds Anonymous | 51f92c15-0b7a-7a03-2510-d2c6922b8678 | Who asks Sylvester, " Don't you wike me anymore"? | [
"Iris"
] | false |
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