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|---|---|---|---|---|---|---|---|---|---|---|
durom.1979.16.13
|
durom.1979.16.13-bb.jpg
|
data/raw/images/oriental/1979
|
Black and white photograph, showing a group of people outside a building, they all either have their left or right foot forwards. Notes on the back read "all from Cheeloo? Except Miss Martin, (second from the left) Dr Wang, Miss Hsu, Miss Lee, Dr Pan, Miss lew, Dr Kung, Me, Thea".
| 361photographs
| null |
paper
| null |
China
|
data/processed/OM_images_white/oriental/1979
|
|
durom.1979.16.13
|
durom.1979.16.13-bb.jpg
|
data/raw/images/oriental/1979
|
Black and white photograph, showing a group of people outside a building, they all either have their left or right foot forwards. Notes on the back read "all from Cheeloo? Except Miss Martin, (second from the left) Dr Wang, Miss Hsu, Miss Lee, Dr Pan, Miss lew, Dr Kung, Me, Thea".
| 361photographs
| null |
paper
| null |
China
|
data/processed/OM_images_white/oriental/1979
|
|
durom.1979.16.13
|
durom.1979.16.13-bb.jpg
|
data/raw/images/oriental/1979
|
Black and white photograph, showing a group of people outside a building, they all either have their left or right foot forwards. Notes on the back read "all from Cheeloo? Except Miss Martin, (second from the left) Dr Wang, Miss Hsu, Miss Lee, Dr Pan, Miss lew, Dr Kung, Me, Thea".
| 361photographs
| null |
paper
| null |
China
|
data/processed/OM_images_white/oriental/1979
|
|
durom.1979.16.13
|
durom.1979.16.13-bb.jpg
|
data/raw/images/oriental/1979
|
Black and white photograph, showing a group of people outside a building, they all either have their left or right foot forwards. Notes on the back read "all from Cheeloo? Except Miss Martin, (second from the left) Dr Wang, Miss Hsu, Miss Lee, Dr Pan, Miss lew, Dr Kung, Me, Thea".
| 361photographs
| null |
paper
| null |
China
|
data/processed/OM_images_white/oriental/1979
|
|
durom.1979.16.13
|
durom.1979.16.13-bb.jpg
|
data/raw/images/oriental/1979
|
Black and white photograph, showing a group of people outside a building, they all either have their left or right foot forwards. Notes on the back read "all from Cheeloo? Except Miss Martin, (second from the left) Dr Wang, Miss Hsu, Miss Lee, Dr Pan, Miss lew, Dr Kung, Me, Thea".
| 361photographs
| null |
paper
| null |
China
|
data/processed/OM_images_white/oriental/1979
|
|
durom.1962.202
|
durom.1962.202-tt1.jpg
|
data/raw/images/oriental/1962
|
Bronze figure of a standing Bodhisattva Guanyin, traces of paint and gilt. The figure wears a long robe with has a hood covering the crown which the figure is wearing. There is no clothing or jewelry covering the chest of the figure, which is more likely to be the feature of a Buddha or Luohan (Arhat) rather than that of a Guanyin; on the other hand, a Buddha or Luohan would not wear a long skirt such as the one this figure is wearing. The left hand of the figure is holding a bottle or vase, while the right arm and hand is not seen. At the back, a 6-character inscription of the Buddhist charm 'Nan mo a mi tuo fo (Namo Amitabha)', meaning 'devotion to the Buddha of Infinite Light'.
| 271figurines
|
青铜描金加彩观音像
|
bronze
|
Ming
|
China
|
data/processed/OM_images_white/oriental/1962
|
|
durom.1962.202
|
durom.1962.202-tt1.jpg
|
data/raw/images/oriental/1962
|
Bronze figure of a standing Bodhisattva Guanyin, traces of paint and gilt. The figure wears a long robe with has a hood covering the crown which the figure is wearing. There is no clothing or jewelry covering the chest of the figure, which is more likely to be the feature of a Buddha or Luohan (Arhat) rather than that of a Guanyin; on the other hand, a Buddha or Luohan would not wear a long skirt such as the one this figure is wearing. The left hand of the figure is holding a bottle or vase, while the right arm and hand is not seen. At the back, a 6-character inscription of the Buddhist charm 'Nan mo a mi tuo fo (Namo Amitabha)', meaning 'devotion to the Buddha of Infinite Light'.
| 271figurines
|
青铜描金加彩观音像
|
bronze
|
Ming
|
China
|
data/processed/OM_images_white/oriental/1962
|
|
durom.1962.202
|
durom.1962.202-tt1.jpg
|
data/raw/images/oriental/1962
|
Bronze figure of a standing Bodhisattva Guanyin, traces of paint and gilt. The figure wears a long robe with has a hood covering the crown which the figure is wearing. There is no clothing or jewelry covering the chest of the figure, which is more likely to be the feature of a Buddha or Luohan (Arhat) rather than that of a Guanyin; on the other hand, a Buddha or Luohan would not wear a long skirt such as the one this figure is wearing. The left hand of the figure is holding a bottle or vase, while the right arm and hand is not seen. At the back, a 6-character inscription of the Buddhist charm 'Nan mo a mi tuo fo (Namo Amitabha)', meaning 'devotion to the Buddha of Infinite Light'.
| 271figurines
|
青铜描金加彩观音像
|
bronze
|
Ming
|
China
|
data/processed/OM_images_white/oriental/1962
|
|
durom.1962.202
|
durom.1962.202-tt1.jpg
|
data/raw/images/oriental/1962
|
Bronze figure of a standing Bodhisattva Guanyin, traces of paint and gilt. The figure wears a long robe with has a hood covering the crown which the figure is wearing. There is no clothing or jewelry covering the chest of the figure, which is more likely to be the feature of a Buddha or Luohan (Arhat) rather than that of a Guanyin; on the other hand, a Buddha or Luohan would not wear a long skirt such as the one this figure is wearing. The left hand of the figure is holding a bottle or vase, while the right arm and hand is not seen. At the back, a 6-character inscription of the Buddhist charm 'Nan mo a mi tuo fo (Namo Amitabha)', meaning 'devotion to the Buddha of Infinite Light'.
| 271figurines
|
青铜描金加彩观音像
|
bronze
|
Ming
|
China
|
data/processed/OM_images_white/oriental/1962
|
|
durom.1962.202
|
durom.1962.202-tt1.jpg
|
data/raw/images/oriental/1962
|
Bronze figure of a standing Bodhisattva Guanyin, traces of paint and gilt. The figure wears a long robe with has a hood covering the crown which the figure is wearing. There is no clothing or jewelry covering the chest of the figure, which is more likely to be the feature of a Buddha or Luohan (Arhat) rather than that of a Guanyin; on the other hand, a Buddha or Luohan would not wear a long skirt such as the one this figure is wearing. The left hand of the figure is holding a bottle or vase, while the right arm and hand is not seen. At the back, a 6-character inscription of the Buddhist charm 'Nan mo a mi tuo fo (Namo Amitabha)', meaning 'devotion to the Buddha of Infinite Light'.
| 271figurines
|
青铜描金加彩观音像
|
bronze
|
Ming
|
China
|
data/processed/OM_images_white/oriental/1962
|
|
eg5573
|
eg5573-u10218-rr.jpg
|
data/raw/images/egyptian/eg
|
dark brown stone heart scarab. Head, clypeus, prothorax, divided elytra, feathered legs. Base incised with 7 lines of text. Side chipped.
| 70Heart Scarab
|
heart scarab
|
stone
| null |
Egypt
|
data/processed/OM_images_white/egyptian/eg
|
|
eg5573
|
eg5573-u10218-rr.jpg
|
data/raw/images/egyptian/eg
|
dark brown stone heart scarab. Head, clypeus, prothorax, divided elytra, feathered legs. Base incised with 7 lines of text. Side chipped.
| 70Heart Scarab
|
heart scarab
|
stone
| null |
Egypt
|
data/processed/OM_images_white/egyptian/eg
|
|
eg5573
|
eg5573-u10218-rr.jpg
|
data/raw/images/egyptian/eg
|
dark brown stone heart scarab. Head, clypeus, prothorax, divided elytra, feathered legs. Base incised with 7 lines of text. Side chipped.
| 70Heart Scarab
|
heart scarab
|
stone
| null |
Egypt
|
data/processed/OM_images_white/egyptian/eg
|
|
eg5573
|
eg5573-u10218-rr.jpg
|
data/raw/images/egyptian/eg
|
dark brown stone heart scarab. Head, clypeus, prothorax, divided elytra, feathered legs. Base incised with 7 lines of text. Side chipped.
| 70Heart Scarab
|
heart scarab
|
stone
| null |
Egypt
|
data/processed/OM_images_white/egyptian/eg
|
|
eg5573
|
eg5573-u10218-rr.jpg
|
data/raw/images/egyptian/eg
|
dark brown stone heart scarab. Head, clypeus, prothorax, divided elytra, feathered legs. Base incised with 7 lines of text. Side chipped.
| 70Heart Scarab
|
heart scarab
|
stone
| null |
Egypt
|
data/processed/OM_images_white/egyptian/eg
|
|
durom.2017.33
|
2017.33 d3.jpg
|
data/raw/images/castle/2017
|
Mottled grey jade cup of irregular shape, with fungus. With wooden stand. Fungus represents longevity.
| 244cups
|
玉雕酒盏
|
jade
|
Ming/Qing Dynasty
|
China
|
data/processed/OM_images_white/castle/2017
|
|
durom.2017.33
|
2017.33 d3.jpg
|
data/raw/images/castle/2017
|
Mottled grey jade cup of irregular shape, with fungus. With wooden stand. Fungus represents longevity.
| 244cups
|
玉雕酒盏
|
jade
|
Ming/Qing Dynasty
|
China
|
data/processed/OM_images_white/castle/2017
|
|
durom.2017.33
|
2017.33 d3.jpg
|
data/raw/images/castle/2017
|
Mottled grey jade cup of irregular shape, with fungus. With wooden stand. Fungus represents longevity.
| 244cups
|
玉雕酒盏
|
jade
|
Ming/Qing Dynasty
|
China
|
data/processed/OM_images_white/castle/2017
|
|
durom.2017.33
|
2017.33 d3.jpg
|
data/raw/images/castle/2017
|
Mottled grey jade cup of irregular shape, with fungus. With wooden stand. Fungus represents longevity.
| 244cups
|
玉雕酒盏
|
jade
|
Ming/Qing Dynasty
|
China
|
data/processed/OM_images_white/castle/2017
|
|
durom.2017.33
|
2017.33 d3.jpg
|
data/raw/images/castle/2017
|
Mottled grey jade cup of irregular shape, with fungus. With wooden stand. Fungus represents longevity.
| 244cups
|
玉雕酒盏
|
jade
|
Ming/Qing Dynasty
|
China
|
data/processed/OM_images_white/castle/2017
|
|
durom.1962.71
|
1962.71.jpg
|
data/raw/images/oriental/1962
|
Colour woodblock print depicting the warrior Nitta Yoshisada on horseback wielding his sword under a storm of arrows: by Hashimoto Chikanobu, Japan, 1880s (Signed: Yoshu Chikanobu)
| 155Woodblock Print
|
Nishikie
|
rice paper
|
Meiji Period
|
Japan (country)
|
data/processed/OM_images_white/oriental/1962
|
|
durom.1962.71
|
1962.71.jpg
|
data/raw/images/oriental/1962
|
Colour woodblock print depicting the warrior Nitta Yoshisada on horseback wielding his sword under a storm of arrows: by Hashimoto Chikanobu, Japan, 1880s (Signed: Yoshu Chikanobu)
| 155Woodblock Print
|
Nishikie
|
rice paper
|
Meiji Period
|
Japan (country)
|
data/processed/OM_images_white/oriental/1962
|
|
durom.1962.71
|
1962.71.jpg
|
data/raw/images/oriental/1962
|
Colour woodblock print depicting the warrior Nitta Yoshisada on horseback wielding his sword under a storm of arrows: by Hashimoto Chikanobu, Japan, 1880s (Signed: Yoshu Chikanobu)
| 155Woodblock Print
|
Nishikie
|
rice paper
|
Meiji Period
|
Japan (country)
|
data/processed/OM_images_white/oriental/1962
|
|
durom.1962.71
|
1962.71.jpg
|
data/raw/images/oriental/1962
|
Colour woodblock print depicting the warrior Nitta Yoshisada on horseback wielding his sword under a storm of arrows: by Hashimoto Chikanobu, Japan, 1880s (Signed: Yoshu Chikanobu)
| 155Woodblock Print
|
Nishikie
|
rice paper
|
Meiji Period
|
Japan (country)
|
data/processed/OM_images_white/oriental/1962
|
|
durom.1962.71
|
1962.71.jpg
|
data/raw/images/oriental/1962
|
Colour woodblock print depicting the warrior Nitta Yoshisada on horseback wielding his sword under a storm of arrows: by Hashimoto Chikanobu, Japan, 1880s (Signed: Yoshu Chikanobu)
| 155Woodblock Print
|
Nishikie
|
rice paper
|
Meiji Period
|
Japan (country)
|
data/processed/OM_images_white/oriental/1962
|
|
durma.2020.3.1125
|
durma.2020.3.1125.ff.jpg
|
data/raw/images/fulling_mill/2020
|
A Roman copper-alloy coin from the Piercebridge River Assemblage. A copper-alloy as of Hadrian dating to the period AD 125 to 138 (Reece period 6). Obverse laureate head facing right, legend reads HADRIANVS AVGVSTVS [...]. Reverse Salus standing right, feeding snake in arms, legend reads C[OS III] S C. In Ancient Roman religion Salus was the goddess of safety and well-being. _x000D__x000D_
_x000D__x000D_
Mint of Rome. RIC II, p. 427, no. 669 or RIC II, p. 469, no. 975._x000D__x000D_
_x000D__x000D_
Portable Antiquities Scheme record-https://finds.org.uk/database/artefacts/record/id/576317
| 237coins
| null |
metal
|
Roman
|
Rome
|
data/processed/OM_images_white/fulling_mill/2020
|
|
durma.2020.3.1125
|
durma.2020.3.1125.ff.jpg
|
data/raw/images/fulling_mill/2020
|
A Roman copper-alloy coin from the Piercebridge River Assemblage. A copper-alloy as of Hadrian dating to the period AD 125 to 138 (Reece period 6). Obverse laureate head facing right, legend reads HADRIANVS AVGVSTVS [...]. Reverse Salus standing right, feeding snake in arms, legend reads C[OS III] S C. In Ancient Roman religion Salus was the goddess of safety and well-being. _x000D__x000D_
_x000D__x000D_
Mint of Rome. RIC II, p. 427, no. 669 or RIC II, p. 469, no. 975._x000D__x000D_
_x000D__x000D_
Portable Antiquities Scheme record-https://finds.org.uk/database/artefacts/record/id/576317
| 237coins
| null |
metal
|
Roman
|
Rome
|
data/processed/OM_images_white/fulling_mill/2020
|
|
durma.2020.3.1125
|
durma.2020.3.1125.ff.jpg
|
data/raw/images/fulling_mill/2020
|
A Roman copper-alloy coin from the Piercebridge River Assemblage. A copper-alloy as of Hadrian dating to the period AD 125 to 138 (Reece period 6). Obverse laureate head facing right, legend reads HADRIANVS AVGVSTVS [...]. Reverse Salus standing right, feeding snake in arms, legend reads C[OS III] S C. In Ancient Roman religion Salus was the goddess of safety and well-being. _x000D__x000D_
_x000D__x000D_
Mint of Rome. RIC II, p. 427, no. 669 or RIC II, p. 469, no. 975._x000D__x000D_
_x000D__x000D_
Portable Antiquities Scheme record-https://finds.org.uk/database/artefacts/record/id/576317
| 237coins
| null |
metal
|
Roman
|
Rome
|
data/processed/OM_images_white/fulling_mill/2020
|
|
durma.2020.3.1125
|
durma.2020.3.1125.ff.jpg
|
data/raw/images/fulling_mill/2020
|
A Roman copper-alloy coin from the Piercebridge River Assemblage. A copper-alloy as of Hadrian dating to the period AD 125 to 138 (Reece period 6). Obverse laureate head facing right, legend reads HADRIANVS AVGVSTVS [...]. Reverse Salus standing right, feeding snake in arms, legend reads C[OS III] S C. In Ancient Roman religion Salus was the goddess of safety and well-being. _x000D__x000D_
_x000D__x000D_
Mint of Rome. RIC II, p. 427, no. 669 or RIC II, p. 469, no. 975._x000D__x000D_
_x000D__x000D_
Portable Antiquities Scheme record-https://finds.org.uk/database/artefacts/record/id/576317
| 237coins
| null |
metal
|
Roman
|
Rome
|
data/processed/OM_images_white/fulling_mill/2020
|
|
durma.2020.3.1125
|
durma.2020.3.1125.ff.jpg
|
data/raw/images/fulling_mill/2020
|
A Roman copper-alloy coin from the Piercebridge River Assemblage. A copper-alloy as of Hadrian dating to the period AD 125 to 138 (Reece period 6). Obverse laureate head facing right, legend reads HADRIANVS AVGVSTVS [...]. Reverse Salus standing right, feeding snake in arms, legend reads C[OS III] S C. In Ancient Roman religion Salus was the goddess of safety and well-being. _x000D__x000D_
_x000D__x000D_
Mint of Rome. RIC II, p. 427, no. 669 or RIC II, p. 469, no. 975._x000D__x000D_
_x000D__x000D_
Portable Antiquities Scheme record-https://finds.org.uk/database/artefacts/record/id/576317
| 237coins
| null |
metal
|
Roman
|
Rome
|
data/processed/OM_images_white/fulling_mill/2020
|
|
durom.2012.38
|
2012.38-d3.jpg
|
data/raw/images/oriental/2012
|
White porcelain container with silver coloured metallic palladium leaf lining. Two silver coloured dots on the inside lip correspond to enable closing. The box is composed of two equal sized hemispherical domes, the base of one slightly flattened and left free of decoration to allow it to stand on its base. The rest of the surface of the box is covered with overlapping hand sculpted representations of chrysanthemum flowers.
| 21Box
| null |
porcelain
|
Heisei Period
|
Greater London
|
data/processed/OM_images_white/oriental/2012
|
|
durom.2012.38
|
2012.38-d3.jpg
|
data/raw/images/oriental/2012
|
White porcelain container with silver coloured metallic palladium leaf lining. Two silver coloured dots on the inside lip correspond to enable closing. The box is composed of two equal sized hemispherical domes, the base of one slightly flattened and left free of decoration to allow it to stand on its base. The rest of the surface of the box is covered with overlapping hand sculpted representations of chrysanthemum flowers.
| 21Box
| null |
porcelain
|
Heisei Period
|
Greater London
|
data/processed/OM_images_white/oriental/2012
|
|
durom.2012.38
|
2012.38-d3.jpg
|
data/raw/images/oriental/2012
|
White porcelain container with silver coloured metallic palladium leaf lining. Two silver coloured dots on the inside lip correspond to enable closing. The box is composed of two equal sized hemispherical domes, the base of one slightly flattened and left free of decoration to allow it to stand on its base. The rest of the surface of the box is covered with overlapping hand sculpted representations of chrysanthemum flowers.
| 21Box
| null |
porcelain
|
Heisei Period
|
Greater London
|
data/processed/OM_images_white/oriental/2012
|
|
durom.2012.38
|
2012.38-d3.jpg
|
data/raw/images/oriental/2012
|
White porcelain container with silver coloured metallic palladium leaf lining. Two silver coloured dots on the inside lip correspond to enable closing. The box is composed of two equal sized hemispherical domes, the base of one slightly flattened and left free of decoration to allow it to stand on its base. The rest of the surface of the box is covered with overlapping hand sculpted representations of chrysanthemum flowers.
| 21Box
| null |
porcelain
|
Heisei Period
|
Greater London
|
data/processed/OM_images_white/oriental/2012
|
|
durom.2012.38
|
2012.38-d3.jpg
|
data/raw/images/oriental/2012
|
White porcelain container with silver coloured metallic palladium leaf lining. Two silver coloured dots on the inside lip correspond to enable closing. The box is composed of two equal sized hemispherical domes, the base of one slightly flattened and left free of decoration to allow it to stand on its base. The rest of the surface of the box is covered with overlapping hand sculpted representations of chrysanthemum flowers.
| 21Box
| null |
porcelain
|
Heisei Period
|
Greater London
|
data/processed/OM_images_white/oriental/2012
|
|
durma.2020.3.827
|
durma.2020.3.827-ff.jpg
|
data/raw/images/fulling_mill/2020
|
A copper-alloy bell-shaped stud of Allason-Jones Type 1 dating to the Roman period (Allason-Jones 1985), part of the Piercebridge River Assemblage. The stud comprises a cylindrical base from which extends a circular-section iron stem fragment. The base also expands to a dish shaped plate with central conical boss. The conical boss has a circular depression at its apex. The stud has a diameter of 17mm, a thickness of 19mm and a weight of 9.7g._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/107537
| 444studs
| null |
copper alloy
|
Roman
| null |
data/processed/OM_images_white/fulling_mill/2020
|
|
durma.2020.3.827
|
durma.2020.3.827-ff.jpg
|
data/raw/images/fulling_mill/2020
|
A copper-alloy bell-shaped stud of Allason-Jones Type 1 dating to the Roman period (Allason-Jones 1985), part of the Piercebridge River Assemblage. The stud comprises a cylindrical base from which extends a circular-section iron stem fragment. The base also expands to a dish shaped plate with central conical boss. The conical boss has a circular depression at its apex. The stud has a diameter of 17mm, a thickness of 19mm and a weight of 9.7g._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/107537
| 444studs
| null |
copper alloy
|
Roman
| null |
data/processed/OM_images_white/fulling_mill/2020
|
|
durma.2020.3.827
|
durma.2020.3.827-ff.jpg
|
data/raw/images/fulling_mill/2020
|
A copper-alloy bell-shaped stud of Allason-Jones Type 1 dating to the Roman period (Allason-Jones 1985), part of the Piercebridge River Assemblage. The stud comprises a cylindrical base from which extends a circular-section iron stem fragment. The base also expands to a dish shaped plate with central conical boss. The conical boss has a circular depression at its apex. The stud has a diameter of 17mm, a thickness of 19mm and a weight of 9.7g._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/107537
| 444studs
| null |
copper alloy
|
Roman
| null |
data/processed/OM_images_white/fulling_mill/2020
|
|
durma.2020.3.827
|
durma.2020.3.827-ff.jpg
|
data/raw/images/fulling_mill/2020
|
A copper-alloy bell-shaped stud of Allason-Jones Type 1 dating to the Roman period (Allason-Jones 1985), part of the Piercebridge River Assemblage. The stud comprises a cylindrical base from which extends a circular-section iron stem fragment. The base also expands to a dish shaped plate with central conical boss. The conical boss has a circular depression at its apex. The stud has a diameter of 17mm, a thickness of 19mm and a weight of 9.7g._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/107537
| 444studs
| null |
copper alloy
|
Roman
| null |
data/processed/OM_images_white/fulling_mill/2020
|
|
durma.2020.3.827
|
durma.2020.3.827-ff.jpg
|
data/raw/images/fulling_mill/2020
|
A copper-alloy bell-shaped stud of Allason-Jones Type 1 dating to the Roman period (Allason-Jones 1985), part of the Piercebridge River Assemblage. The stud comprises a cylindrical base from which extends a circular-section iron stem fragment. The base also expands to a dish shaped plate with central conical boss. The conical boss has a circular depression at its apex. The stud has a diameter of 17mm, a thickness of 19mm and a weight of 9.7g._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/107537
| 444studs
| null |
copper alloy
|
Roman
| null |
data/processed/OM_images_white/fulling_mill/2020
|
|
durom.2006.36
|
2006.36.2.jpg
|
data/raw/images/oriental/2006
|
Horn libation cup carved with a scene of two cranes carrying ling zho fungus in a landscape with a pine tree. On a carved wooden stand.
| 244cups
| null |
horn
| null |
China
|
data/processed/OM_images_white/oriental/2006
|
|
durom.2006.36
|
2006.36.2.jpg
|
data/raw/images/oriental/2006
|
Horn libation cup carved with a scene of two cranes carrying ling zho fungus in a landscape with a pine tree. On a carved wooden stand.
| 244cups
| null |
horn
| null |
China
|
data/processed/OM_images_white/oriental/2006
|
|
durom.2006.36
|
2006.36.2.jpg
|
data/raw/images/oriental/2006
|
Horn libation cup carved with a scene of two cranes carrying ling zho fungus in a landscape with a pine tree. On a carved wooden stand.
| 244cups
| null |
horn
| null |
China
|
data/processed/OM_images_white/oriental/2006
|
|
durom.2006.36
|
2006.36.2.jpg
|
data/raw/images/oriental/2006
|
Horn libation cup carved with a scene of two cranes carrying ling zho fungus in a landscape with a pine tree. On a carved wooden stand.
| 244cups
| null |
horn
| null |
China
|
data/processed/OM_images_white/oriental/2006
|
|
durom.2006.36
|
2006.36.2.jpg
|
data/raw/images/oriental/2006
|
Horn libation cup carved with a scene of two cranes carrying ling zho fungus in a landscape with a pine tree. On a carved wooden stand.
| 244cups
| null |
horn
| null |
China
|
data/processed/OM_images_white/oriental/2006
|
|
durom.1960.4c.2
|
1960.4c.2.jpg
|
data/raw/images/oriental/1960
|
One of an extensive collection of slides and glass plates. Black and white glass plate with an image looking out over roof tops. Grand building with large windows on left-hand side.
| 134Slide
| null |
glass
| null |
England
|
data/processed/OM_images_white/oriental/1960
|
|
durom.1960.4c.2
|
1960.4c.2.jpg
|
data/raw/images/oriental/1960
|
One of an extensive collection of slides and glass plates. Black and white glass plate with an image looking out over roof tops. Grand building with large windows on left-hand side.
| 134Slide
| null |
glass
| null |
England
|
data/processed/OM_images_white/oriental/1960
|
|
durom.1960.4c.2
|
1960.4c.2.jpg
|
data/raw/images/oriental/1960
|
One of an extensive collection of slides and glass plates. Black and white glass plate with an image looking out over roof tops. Grand building with large windows on left-hand side.
| 134Slide
| null |
glass
| null |
England
|
data/processed/OM_images_white/oriental/1960
|
|
durom.1960.4c.2
|
1960.4c.2.jpg
|
data/raw/images/oriental/1960
|
One of an extensive collection of slides and glass plates. Black and white glass plate with an image looking out over roof tops. Grand building with large windows on left-hand side.
| 134Slide
| null |
glass
| null |
England
|
data/processed/OM_images_white/oriental/1960
|
|
durom.1960.4c.2
|
1960.4c.2.jpg
|
data/raw/images/oriental/1960
|
One of an extensive collection of slides and glass plates. Black and white glass plate with an image looking out over roof tops. Grand building with large windows on left-hand side.
| 134Slide
| null |
glass
| null |
England
|
data/processed/OM_images_white/oriental/1960
|
|
durom.1952.1.23
|
1952.1.23-bb.jpg
|
data/raw/images/oriental/1952
|
The Buddha figure has an oval face with a serene expression and well defined features. The eyes are very prominent with arched upper eyelids and a long thin nose with pronounced septum leads to raised pursed lips. The ears are long and thin with elongated lobes and wavy hair is drawn back into a central ushnisha which is bound by a thin fillet. Framing the entire head and emerging from the shoulders is an almost complete circular halo and below the left shoulder a rough surface indicates a scar for an arm for abhaya. The figure is broken diagonally from the right elbow across the torso and the left arm. The over-robe covers both shoulders and forms a thick raised neckline and the evenly spaced drapery folds are ridged and terraced in high relief. The back of the piece has the usual diagonal chisel marks.
| 270figures
| null |
schist
|
Gandhara Period
|
Asia, Indian Subcontinent, India, Gandhara
|
data/processed/OM_images_white/oriental/1952
|
|
durom.1952.1.23
|
1952.1.23-bb.jpg
|
data/raw/images/oriental/1952
|
The Buddha figure has an oval face with a serene expression and well defined features. The eyes are very prominent with arched upper eyelids and a long thin nose with pronounced septum leads to raised pursed lips. The ears are long and thin with elongated lobes and wavy hair is drawn back into a central ushnisha which is bound by a thin fillet. Framing the entire head and emerging from the shoulders is an almost complete circular halo and below the left shoulder a rough surface indicates a scar for an arm for abhaya. The figure is broken diagonally from the right elbow across the torso and the left arm. The over-robe covers both shoulders and forms a thick raised neckline and the evenly spaced drapery folds are ridged and terraced in high relief. The back of the piece has the usual diagonal chisel marks.
| 270figures
| null |
schist
|
Gandhara Period
|
Asia, Indian Subcontinent, India, Gandhara
|
data/processed/OM_images_white/oriental/1952
|
|
durom.1952.1.23
|
1952.1.23-bb.jpg
|
data/raw/images/oriental/1952
|
The Buddha figure has an oval face with a serene expression and well defined features. The eyes are very prominent with arched upper eyelids and a long thin nose with pronounced septum leads to raised pursed lips. The ears are long and thin with elongated lobes and wavy hair is drawn back into a central ushnisha which is bound by a thin fillet. Framing the entire head and emerging from the shoulders is an almost complete circular halo and below the left shoulder a rough surface indicates a scar for an arm for abhaya. The figure is broken diagonally from the right elbow across the torso and the left arm. The over-robe covers both shoulders and forms a thick raised neckline and the evenly spaced drapery folds are ridged and terraced in high relief. The back of the piece has the usual diagonal chisel marks.
| 270figures
| null |
schist
|
Gandhara Period
|
Asia, Indian Subcontinent, India, Gandhara
|
data/processed/OM_images_white/oriental/1952
|
|
durom.1952.1.23
|
1952.1.23-bb.jpg
|
data/raw/images/oriental/1952
|
The Buddha figure has an oval face with a serene expression and well defined features. The eyes are very prominent with arched upper eyelids and a long thin nose with pronounced septum leads to raised pursed lips. The ears are long and thin with elongated lobes and wavy hair is drawn back into a central ushnisha which is bound by a thin fillet. Framing the entire head and emerging from the shoulders is an almost complete circular halo and below the left shoulder a rough surface indicates a scar for an arm for abhaya. The figure is broken diagonally from the right elbow across the torso and the left arm. The over-robe covers both shoulders and forms a thick raised neckline and the evenly spaced drapery folds are ridged and terraced in high relief. The back of the piece has the usual diagonal chisel marks.
| 270figures
| null |
schist
|
Gandhara Period
|
Asia, Indian Subcontinent, India, Gandhara
|
data/processed/OM_images_white/oriental/1952
|
|
durom.1952.1.23
|
1952.1.23-bb.jpg
|
data/raw/images/oriental/1952
|
The Buddha figure has an oval face with a serene expression and well defined features. The eyes are very prominent with arched upper eyelids and a long thin nose with pronounced septum leads to raised pursed lips. The ears are long and thin with elongated lobes and wavy hair is drawn back into a central ushnisha which is bound by a thin fillet. Framing the entire head and emerging from the shoulders is an almost complete circular halo and below the left shoulder a rough surface indicates a scar for an arm for abhaya. The figure is broken diagonally from the right elbow across the torso and the left arm. The over-robe covers both shoulders and forms a thick raised neckline and the evenly spaced drapery folds are ridged and terraced in high relief. The back of the piece has the usual diagonal chisel marks.
| 270figures
| null |
schist
|
Gandhara Period
|
Asia, Indian Subcontinent, India, Gandhara
|
data/processed/OM_images_white/oriental/1952
|
|
eg907
|
eg907-u372-pc1.jpg
|
data/raw/images/egyptian/eg
|
small round pale green faience bowl with black decoration, shallow with no exterior foot. The exterior is decorated to look like a large blue lotus flower (Nypmphaea caerulea), with a band of large black dots around the rim between two horizontal black lines. The interior is decorated with a design of two tilapia fish (Tilapia nilotica) and lotus flowers, with a central square checkerboard panel.
| 196bowls
|
bowl
|
faience
|
18th Dynasty
|
Egypt
|
data/processed/OM_images_white/egyptian/eg
|
|
eg907
|
eg907-u372-pc1.jpg
|
data/raw/images/egyptian/eg
|
small round pale green faience bowl with black decoration, shallow with no exterior foot. The exterior is decorated to look like a large blue lotus flower (Nypmphaea caerulea), with a band of large black dots around the rim between two horizontal black lines. The interior is decorated with a design of two tilapia fish (Tilapia nilotica) and lotus flowers, with a central square checkerboard panel.
| 196bowls
|
bowl
|
faience
|
18th Dynasty
|
Egypt
|
data/processed/OM_images_white/egyptian/eg
|
|
eg907
|
eg907-u372-pc1.jpg
|
data/raw/images/egyptian/eg
|
small round pale green faience bowl with black decoration, shallow with no exterior foot. The exterior is decorated to look like a large blue lotus flower (Nypmphaea caerulea), with a band of large black dots around the rim between two horizontal black lines. The interior is decorated with a design of two tilapia fish (Tilapia nilotica) and lotus flowers, with a central square checkerboard panel.
| 196bowls
|
bowl
|
faience
|
18th Dynasty
|
Egypt
|
data/processed/OM_images_white/egyptian/eg
|
|
eg907
|
eg907-u372-pc1.jpg
|
data/raw/images/egyptian/eg
|
small round pale green faience bowl with black decoration, shallow with no exterior foot. The exterior is decorated to look like a large blue lotus flower (Nypmphaea caerulea), with a band of large black dots around the rim between two horizontal black lines. The interior is decorated with a design of two tilapia fish (Tilapia nilotica) and lotus flowers, with a central square checkerboard panel.
| 196bowls
|
bowl
|
faience
|
18th Dynasty
|
Egypt
|
data/processed/OM_images_white/egyptian/eg
|
|
eg907
|
eg907-u372-pc1.jpg
|
data/raw/images/egyptian/eg
|
small round pale green faience bowl with black decoration, shallow with no exterior foot. The exterior is decorated to look like a large blue lotus flower (Nypmphaea caerulea), with a band of large black dots around the rim between two horizontal black lines. The interior is decorated with a design of two tilapia fish (Tilapia nilotica) and lotus flowers, with a central square checkerboard panel.
| 196bowls
|
bowl
|
faience
|
18th Dynasty
|
Egypt
|
data/processed/OM_images_white/egyptian/eg
|
|
durom.1960.4080
|
1960.4080-tt.jpg
|
data/raw/images/oriental/1960
|
Bronze ruler with carved geometric, diamond patterns. The ruler is about 23.75cm long and the patterns are about 1.2cm long each. There is a drilled hole at one end and three carved triangles at the other end. Back, a piece of fabric attached to the ruler. Not inscribed.
| 397rulers
|
菱纹铜尺
|
bronze
|
Han dynasty
|
China
|
data/processed/OM_images_white/oriental/1960
|
|
durom.1960.4080
|
1960.4080-tt.jpg
|
data/raw/images/oriental/1960
|
Bronze ruler with carved geometric, diamond patterns. The ruler is about 23.75cm long and the patterns are about 1.2cm long each. There is a drilled hole at one end and three carved triangles at the other end. Back, a piece of fabric attached to the ruler. Not inscribed.
| 397rulers
|
菱纹铜尺
|
bronze
|
Han dynasty
|
China
|
data/processed/OM_images_white/oriental/1960
|
|
durom.1960.4080
|
1960.4080-tt.jpg
|
data/raw/images/oriental/1960
|
Bronze ruler with carved geometric, diamond patterns. The ruler is about 23.75cm long and the patterns are about 1.2cm long each. There is a drilled hole at one end and three carved triangles at the other end. Back, a piece of fabric attached to the ruler. Not inscribed.
| 397rulers
|
菱纹铜尺
|
bronze
|
Han dynasty
|
China
|
data/processed/OM_images_white/oriental/1960
|
|
durom.1960.4080
|
1960.4080-tt.jpg
|
data/raw/images/oriental/1960
|
Bronze ruler with carved geometric, diamond patterns. The ruler is about 23.75cm long and the patterns are about 1.2cm long each. There is a drilled hole at one end and three carved triangles at the other end. Back, a piece of fabric attached to the ruler. Not inscribed.
| 397rulers
|
菱纹铜尺
|
bronze
|
Han dynasty
|
China
|
data/processed/OM_images_white/oriental/1960
|
|
durom.1960.4080
|
1960.4080-tt.jpg
|
data/raw/images/oriental/1960
|
Bronze ruler with carved geometric, diamond patterns. The ruler is about 23.75cm long and the patterns are about 1.2cm long each. There is a drilled hole at one end and three carved triangles at the other end. Back, a piece of fabric attached to the ruler. Not inscribed.
| 397rulers
|
菱纹铜尺
|
bronze
|
Han dynasty
|
China
|
data/processed/OM_images_white/oriental/1960
|
|
durom.1960.4.160
|
1960.4.160.jpg
|
data/raw/images/oriental/1960
|
Extensive collection of slides and glass plates(?). A black and white image of simple buildings set amongst trees.
| 134Slide
| null |
glass
| null |
India
|
data/processed/OM_images_white/oriental/1960
|
|
durom.1960.4.160
|
1960.4.160.jpg
|
data/raw/images/oriental/1960
|
Extensive collection of slides and glass plates(?). A black and white image of simple buildings set amongst trees.
| 134Slide
| null |
glass
| null |
India
|
data/processed/OM_images_white/oriental/1960
|
|
durom.1960.4.160
|
1960.4.160.jpg
|
data/raw/images/oriental/1960
|
Extensive collection of slides and glass plates(?). A black and white image of simple buildings set amongst trees.
| 134Slide
| null |
glass
| null |
India
|
data/processed/OM_images_white/oriental/1960
|
|
durom.1960.4.160
|
1960.4.160.jpg
|
data/raw/images/oriental/1960
|
Extensive collection of slides and glass plates(?). A black and white image of simple buildings set amongst trees.
| 134Slide
| null |
glass
| null |
India
|
data/processed/OM_images_white/oriental/1960
|
|
durom.1960.4.160
|
1960.4.160.jpg
|
data/raw/images/oriental/1960
|
Extensive collection of slides and glass plates(?). A black and white image of simple buildings set amongst trees.
| 134Slide
| null |
glass
| null |
India
|
data/processed/OM_images_white/oriental/1960
|
|
eg3976
|
eg3976-uu.jpg
|
data/raw/images/egyptian/eg
|
black granite head of an 18th dynasty tuthmoside queen. The queen wears a heavy plaited wig surmounted by a modius (much worn away) and a ureaus. The nose has been worn flat.
| 435statues
|
statue head of an unidentified queen
|
granite
|
18th Dynasty
|
Egypt
|
data/processed/OM_images_white/egyptian/eg
|
|
eg3976
|
eg3976-uu.jpg
|
data/raw/images/egyptian/eg
|
black granite head of an 18th dynasty tuthmoside queen. The queen wears a heavy plaited wig surmounted by a modius (much worn away) and a ureaus. The nose has been worn flat.
| 435statues
|
statue head of an unidentified queen
|
granite
|
18th Dynasty
|
Egypt
|
data/processed/OM_images_white/egyptian/eg
|
|
eg3976
|
eg3976-uu.jpg
|
data/raw/images/egyptian/eg
|
black granite head of an 18th dynasty tuthmoside queen. The queen wears a heavy plaited wig surmounted by a modius (much worn away) and a ureaus. The nose has been worn flat.
| 435statues
|
statue head of an unidentified queen
|
granite
|
18th Dynasty
|
Egypt
|
data/processed/OM_images_white/egyptian/eg
|
|
eg3976
|
eg3976-uu.jpg
|
data/raw/images/egyptian/eg
|
black granite head of an 18th dynasty tuthmoside queen. The queen wears a heavy plaited wig surmounted by a modius (much worn away) and a ureaus. The nose has been worn flat.
| 435statues
|
statue head of an unidentified queen
|
granite
|
18th Dynasty
|
Egypt
|
data/processed/OM_images_white/egyptian/eg
|
|
eg3976
|
eg3976-uu.jpg
|
data/raw/images/egyptian/eg
|
black granite head of an 18th dynasty tuthmoside queen. The queen wears a heavy plaited wig surmounted by a modius (much worn away) and a ureaus. The nose has been worn flat.
| 435statues
|
statue head of an unidentified queen
|
granite
|
18th Dynasty
|
Egypt
|
data/processed/OM_images_white/egyptian/eg
|
|
durom.2015.290
|
durom.2015.290.jpg
|
data/raw/images/oriental/2015
|
Vietnamese propaganda print created in the style of a woodblock print, printed onto traditional paper that has been adhered to an A4 sheet of paper for support. The image in the centre of the print shows a black shark with its mouth extended wide open and the word "China" left plain along the back of the shark. There are three red padlocks with yellow stars in the centre that are placed on the tail, centre of the body and over the extended open mouth respectively. This print was created by the artist Trần Công Dững in 2014, and the signature and date of the piece is visible on the print underneath the tail of the shark and in the lower right corner on the front of the print. This print was created to protest against China drilling for oil in the East Sea. The poster is not mounted.
| 155Woodblock Print
| null |
paper
| null |
Vietnam
|
data/processed/OM_images_white/oriental/2015
|
|
durom.2015.290
|
durom.2015.290.jpg
|
data/raw/images/oriental/2015
|
Vietnamese propaganda print created in the style of a woodblock print, printed onto traditional paper that has been adhered to an A4 sheet of paper for support. The image in the centre of the print shows a black shark with its mouth extended wide open and the word "China" left plain along the back of the shark. There are three red padlocks with yellow stars in the centre that are placed on the tail, centre of the body and over the extended open mouth respectively. This print was created by the artist Trần Công Dững in 2014, and the signature and date of the piece is visible on the print underneath the tail of the shark and in the lower right corner on the front of the print. This print was created to protest against China drilling for oil in the East Sea. The poster is not mounted.
| 155Woodblock Print
| null |
paper
| null |
Vietnam
|
data/processed/OM_images_white/oriental/2015
|
|
durom.2015.290
|
durom.2015.290.jpg
|
data/raw/images/oriental/2015
|
Vietnamese propaganda print created in the style of a woodblock print, printed onto traditional paper that has been adhered to an A4 sheet of paper for support. The image in the centre of the print shows a black shark with its mouth extended wide open and the word "China" left plain along the back of the shark. There are three red padlocks with yellow stars in the centre that are placed on the tail, centre of the body and over the extended open mouth respectively. This print was created by the artist Trần Công Dững in 2014, and the signature and date of the piece is visible on the print underneath the tail of the shark and in the lower right corner on the front of the print. This print was created to protest against China drilling for oil in the East Sea. The poster is not mounted.
| 155Woodblock Print
| null |
paper
| null |
Vietnam
|
data/processed/OM_images_white/oriental/2015
|
|
durom.2015.290
|
durom.2015.290.jpg
|
data/raw/images/oriental/2015
|
Vietnamese propaganda print created in the style of a woodblock print, printed onto traditional paper that has been adhered to an A4 sheet of paper for support. The image in the centre of the print shows a black shark with its mouth extended wide open and the word "China" left plain along the back of the shark. There are three red padlocks with yellow stars in the centre that are placed on the tail, centre of the body and over the extended open mouth respectively. This print was created by the artist Trần Công Dững in 2014, and the signature and date of the piece is visible on the print underneath the tail of the shark and in the lower right corner on the front of the print. This print was created to protest against China drilling for oil in the East Sea. The poster is not mounted.
| 155Woodblock Print
| null |
paper
| null |
Vietnam
|
data/processed/OM_images_white/oriental/2015
|
|
durom.2015.290
|
durom.2015.290.jpg
|
data/raw/images/oriental/2015
|
Vietnamese propaganda print created in the style of a woodblock print, printed onto traditional paper that has been adhered to an A4 sheet of paper for support. The image in the centre of the print shows a black shark with its mouth extended wide open and the word "China" left plain along the back of the shark. There are three red padlocks with yellow stars in the centre that are placed on the tail, centre of the body and over the extended open mouth respectively. This print was created by the artist Trần Công Dững in 2014, and the signature and date of the piece is visible on the print underneath the tail of the shark and in the lower right corner on the front of the print. This print was created to protest against China drilling for oil in the East Sea. The poster is not mounted.
| 155Woodblock Print
| null |
paper
| null |
Vietnam
|
data/processed/OM_images_white/oriental/2015
|
|
durom.1969.5
|
1969.5-uu.jpg
|
data/raw/images/oriental/1969
|
heavily potted red earthenware vase with bulging belly, low base, short slender neck surmounted by a bowl-shaped mouth harmonising with the shape of the base. Covered outside with a finely crackled dark green glaze which is partly decomposed and shows silvery iridescence. The interior of the bowl-shaped mouth is filled with a greenish-yellow glaze. Three accidental warts on the mouth-rim, and three wedge-shaped spur marks on the flat base.
| 479vases
|
绿釉弦纹壶
|
earthenware
|
Han dynasty
|
North China
|
data/processed/OM_images_white/oriental/1969
|
|
durom.1969.5
|
1969.5-uu.jpg
|
data/raw/images/oriental/1969
|
heavily potted red earthenware vase with bulging belly, low base, short slender neck surmounted by a bowl-shaped mouth harmonising with the shape of the base. Covered outside with a finely crackled dark green glaze which is partly decomposed and shows silvery iridescence. The interior of the bowl-shaped mouth is filled with a greenish-yellow glaze. Three accidental warts on the mouth-rim, and three wedge-shaped spur marks on the flat base.
| 479vases
|
绿釉弦纹壶
|
earthenware
|
Han dynasty
|
North China
|
data/processed/OM_images_white/oriental/1969
|
|
durom.1969.5
|
1969.5-uu.jpg
|
data/raw/images/oriental/1969
|
heavily potted red earthenware vase with bulging belly, low base, short slender neck surmounted by a bowl-shaped mouth harmonising with the shape of the base. Covered outside with a finely crackled dark green glaze which is partly decomposed and shows silvery iridescence. The interior of the bowl-shaped mouth is filled with a greenish-yellow glaze. Three accidental warts on the mouth-rim, and three wedge-shaped spur marks on the flat base.
| 479vases
|
绿釉弦纹壶
|
earthenware
|
Han dynasty
|
North China
|
data/processed/OM_images_white/oriental/1969
|
|
durom.1969.5
|
1969.5-uu.jpg
|
data/raw/images/oriental/1969
|
heavily potted red earthenware vase with bulging belly, low base, short slender neck surmounted by a bowl-shaped mouth harmonising with the shape of the base. Covered outside with a finely crackled dark green glaze which is partly decomposed and shows silvery iridescence. The interior of the bowl-shaped mouth is filled with a greenish-yellow glaze. Three accidental warts on the mouth-rim, and three wedge-shaped spur marks on the flat base.
| 479vases
|
绿釉弦纹壶
|
earthenware
|
Han dynasty
|
North China
|
data/processed/OM_images_white/oriental/1969
|
|
durom.1969.5
|
1969.5-uu.jpg
|
data/raw/images/oriental/1969
|
heavily potted red earthenware vase with bulging belly, low base, short slender neck surmounted by a bowl-shaped mouth harmonising with the shape of the base. Covered outside with a finely crackled dark green glaze which is partly decomposed and shows silvery iridescence. The interior of the bowl-shaped mouth is filled with a greenish-yellow glaze. Three accidental warts on the mouth-rim, and three wedge-shaped spur marks on the flat base.
| 479vases
|
绿釉弦纹壶
|
earthenware
|
Han dynasty
|
North China
|
data/processed/OM_images_white/oriental/1969
|
|
durom.2014.119
|
2014.119 d4.jpg
|
data/raw/images/oriental/2014
|
Bulbous jar in a yellow terracotta fabric, with an exterior decoration consisting of a central at band resembling a row of repeating ‘3’ symbols. The sides of the jar are quite near to the foot of the jar. Quite wide rim, the pot is unglazed
| 313jars
| null |
terracotta
|
Indus Valley Civilisation
|
Pakistan
|
data/processed/OM_images_white/oriental/2014
|
|
durom.2014.119
|
2014.119 d4.jpg
|
data/raw/images/oriental/2014
|
Bulbous jar in a yellow terracotta fabric, with an exterior decoration consisting of a central at band resembling a row of repeating ‘3’ symbols. The sides of the jar are quite near to the foot of the jar. Quite wide rim, the pot is unglazed
| 313jars
| null |
terracotta
|
Indus Valley Civilisation
|
Pakistan
|
data/processed/OM_images_white/oriental/2014
|
|
durom.2014.119
|
2014.119 d4.jpg
|
data/raw/images/oriental/2014
|
Bulbous jar in a yellow terracotta fabric, with an exterior decoration consisting of a central at band resembling a row of repeating ‘3’ symbols. The sides of the jar are quite near to the foot of the jar. Quite wide rim, the pot is unglazed
| 313jars
| null |
terracotta
|
Indus Valley Civilisation
|
Pakistan
|
data/processed/OM_images_white/oriental/2014
|
|
durom.2014.119
|
2014.119 d4.jpg
|
data/raw/images/oriental/2014
|
Bulbous jar in a yellow terracotta fabric, with an exterior decoration consisting of a central at band resembling a row of repeating ‘3’ symbols. The sides of the jar are quite near to the foot of the jar. Quite wide rim, the pot is unglazed
| 313jars
| null |
terracotta
|
Indus Valley Civilisation
|
Pakistan
|
data/processed/OM_images_white/oriental/2014
|
|
durom.2014.119
|
2014.119 d4.jpg
|
data/raw/images/oriental/2014
|
Bulbous jar in a yellow terracotta fabric, with an exterior decoration consisting of a central at band resembling a row of repeating ‘3’ symbols. The sides of the jar are quite near to the foot of the jar. Quite wide rim, the pot is unglazed
| 313jars
| null |
terracotta
|
Indus Valley Civilisation
|
Pakistan
|
data/processed/OM_images_white/oriental/2014
|
|
durom.2013.31
|
2013.31.jpg
|
data/raw/images/oriental/2013
|
From the Echino (sometimes Echino Decoro) collection. Length of blue linen cotton mix fabric printed with a repeating design of white spots and stag heads. The stag heads have antlers and some have spectacles printed to look as though they have been drawn on in black.
| 19Bolt
| null |
cotton
|
Heisei Period
|
Japan (country)
|
data/processed/OM_images_white/oriental/2013
|
|
durom.2013.31
|
2013.31.jpg
|
data/raw/images/oriental/2013
|
From the Echino (sometimes Echino Decoro) collection. Length of blue linen cotton mix fabric printed with a repeating design of white spots and stag heads. The stag heads have antlers and some have spectacles printed to look as though they have been drawn on in black.
| 19Bolt
| null |
cotton
|
Heisei Period
|
Japan (country)
|
data/processed/OM_images_white/oriental/2013
|
|
durom.2013.31
|
2013.31.jpg
|
data/raw/images/oriental/2013
|
From the Echino (sometimes Echino Decoro) collection. Length of blue linen cotton mix fabric printed with a repeating design of white spots and stag heads. The stag heads have antlers and some have spectacles printed to look as though they have been drawn on in black.
| 19Bolt
| null |
cotton
|
Heisei Period
|
Japan (country)
|
data/processed/OM_images_white/oriental/2013
|
|
durom.2013.31
|
2013.31.jpg
|
data/raw/images/oriental/2013
|
From the Echino (sometimes Echino Decoro) collection. Length of blue linen cotton mix fabric printed with a repeating design of white spots and stag heads. The stag heads have antlers and some have spectacles printed to look as though they have been drawn on in black.
| 19Bolt
| null |
cotton
|
Heisei Period
|
Japan (country)
|
data/processed/OM_images_white/oriental/2013
|
|
durom.2013.31
|
2013.31.jpg
|
data/raw/images/oriental/2013
|
From the Echino (sometimes Echino Decoro) collection. Length of blue linen cotton mix fabric printed with a repeating design of white spots and stag heads. The stag heads have antlers and some have spectacles printed to look as though they have been drawn on in black.
| 19Bolt
| null |
cotton
|
Heisei Period
|
Japan (country)
|
data/processed/OM_images_white/oriental/2013
|
|
durom.1962.106
|
1962.106.jpg
|
data/raw/images/oriental/1962
|
Light blue embroidered lady's jacket, with wide, black applique borders along side fastening, hem and sleeves. On the inside of the proper right hand side is a breast pocket of the same blue brocaded silk.
| 311jackets
| null |
silk
|
Qing
|
China
|
data/processed/OM_images_white/oriental/1962
|
|
durom.1962.106
|
1962.106.jpg
|
data/raw/images/oriental/1962
|
Light blue embroidered lady's jacket, with wide, black applique borders along side fastening, hem and sleeves. On the inside of the proper right hand side is a breast pocket of the same blue brocaded silk.
| 311jackets
| null |
silk
|
Qing
|
China
|
data/processed/OM_images_white/oriental/1962
|
|
durom.1962.106
|
1962.106.jpg
|
data/raw/images/oriental/1962
|
Light blue embroidered lady's jacket, with wide, black applique borders along side fastening, hem and sleeves. On the inside of the proper right hand side is a breast pocket of the same blue brocaded silk.
| 311jackets
| null |
silk
|
Qing
|
China
|
data/processed/OM_images_white/oriental/1962
|
|
durom.1962.106
|
1962.106.jpg
|
data/raw/images/oriental/1962
|
Light blue embroidered lady's jacket, with wide, black applique borders along side fastening, hem and sleeves. On the inside of the proper right hand side is a breast pocket of the same blue brocaded silk.
| 311jackets
| null |
silk
|
Qing
|
China
|
data/processed/OM_images_white/oriental/1962
|
|
durom.1962.106
|
1962.106.jpg
|
data/raw/images/oriental/1962
|
Light blue embroidered lady's jacket, with wide, black applique borders along side fastening, hem and sleeves. On the inside of the proper right hand side is a breast pocket of the same blue brocaded silk.
| 311jackets
| null |
silk
|
Qing
|
China
|
data/processed/OM_images_white/oriental/1962
|
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