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q10 | unknown | 0 | The Armed Forces of Equatorial Guinea consists of approximately 2,500 service members. The army has almost 1,400 soldiers, the police 400 paramilitary men, the navy 200 service members, and the air force about 120 members. There is also a gendarmerie, but the number of members is unknown. The Gendarmerie is a new branch of the service in which training and education is being supported by the French Military Cooperation in Equatorial Guinea. | 2,733 | YES | There is also a gendarmerie, but the number of members is unknown. | If you were to read the financial statements of a local tailor who revealed exactly how many distinct gendarmerie uniforms and name patches were made for the current year, would this give you any new information that you could not have gotten from the passage? | 231 | The Armed Forces of Equatorial Guinea consists of approximately 2,500 service members. The army has almost 1,400 soldiers, the police 400 paramilitary men, the navy 200 service members, and the air force about 120 members. There is also a gendarmerie, but the number of members is unknown. The Gendarmerie is a new branch of the service in which training and education is being supported by the French Military Cooperation in Equatorial Guinea. |
q20 | unknown | 0 | The Armed Forces of Equatorial Guinea consists of approximately 2,500 service members. The army has almost 1,400 soldiers, the police 400 paramilitary men, the navy 200 service members, and the air force about 120 members. There is also a gendarmerie, but the number of members is unknown. The Gendarmerie is a new branch of the service in which training and education is being supported by the French Military Cooperation in Equatorial Guinea. | 2,734 | YES | There is also a gendarmerie, but the number of members is unknown. | Given the small size of the nation and her military, is it possible that every member of the gendarmerie is also counted as a member of the police paramilitary organization? | 231 | The Armed Forces of Equatorial Guinea consists of approximately 2,500 service members. The army has almost 1,400 soldiers, the police 400 paramilitary men, the navy 200 service members, and the air force about 120 members. There is also a gendarmerie, but the number of members is unknown. The Gendarmerie is a new branch of the service in which training and education is being supported by the French Military Cooperation in Equatorial Guinea. |
q30 | unknown | 0 | The Armed Forces of Equatorial Guinea consists of approximately 2,500 service members. The army has almost 1,400 soldiers, the police 400 paramilitary men, the navy 200 service members, and the air force about 120 members. There is also a gendarmerie, but the number of members is unknown. The Gendarmerie is a new branch of the service in which training and education is being supported by the French Military Cooperation in Equatorial Guinea. | 2,735 | NO | There is also a gendarmerie, but the number of members is unknown. | If an NGO was trying to track the proliferation of high-powered weapons in West Africa, would they be able to put together an accurate figure of exactly how many unique individuals are indeed legitimately armed as uniformed members of Equatorial Guinea's police or military forces? | 231 | The Armed Forces of Equatorial Guinea consists of approximately 2,500 service members. The army has almost 1,400 soldiers, the police 400 paramilitary men, the navy 200 service members, and the air force about 120 members. There is also a gendarmerie, but the number of members is unknown. The Gendarmerie is a new branch of the service in which training and education is being supported by the French Military Cooperation in Equatorial Guinea. |
q10 | unknown | 1 | The Armed Forces of Equatorial Guinea consists of approximately 2,500 service members. The army has almost 1,400 soldiers, the police 400 paramilitary men, the navy 200 service members, and the air force about 120 members. There is also a gendarmerie, but the number of members is unknown. The Gendarmerie is a new branch of the service in which training and education is being supported by the French Military Cooperation in Equatorial Guinea. | 2,736 | YES | There is also a gendarmerie, but the number of members is unknown. | If you were to read the financial statements of a local tailor who revealed exactly how many distinct gendarmerie uniforms and name patches were made for the current year, would this give you any new information that you could not have gotten from the passage? | 231 | The Armed Forces of Equatorial Guinea consists of approximately 2,500 service members. The army has almost 1,400 soldiers, the police 400 paramilitary men, the navy 200 service members, and the air force about 120 members. The nation also boasts a gendarmerie, with an unknown number of members. The Gendarmerie is a new branch of the service in which training and education is being supported by the French Military Cooperation in Equatorial Guinea. |
q20 | unknown | 1 | The Armed Forces of Equatorial Guinea consists of approximately 2,500 service members. The army has almost 1,400 soldiers, the police 400 paramilitary men, the navy 200 service members, and the air force about 120 members. There is also a gendarmerie, but the number of members is unknown. The Gendarmerie is a new branch of the service in which training and education is being supported by the French Military Cooperation in Equatorial Guinea. | 2,737 | YES | There is also a gendarmerie, but the number of members is unknown. | Given the small size of the nation and her military, is it possible that every member of the gendarmerie is also counted as a member of the police paramilitary organization? | 231 | The Armed Forces of Equatorial Guinea consists of approximately 2,500 service members. The army has almost 1,400 soldiers, the police 400 paramilitary men, the navy 200 service members, and the air force about 120 members. The nation also boasts a gendarmerie, with an unknown number of members. The Gendarmerie is a new branch of the service in which training and education is being supported by the French Military Cooperation in Equatorial Guinea. |
q30 | unknown | 1 | The Armed Forces of Equatorial Guinea consists of approximately 2,500 service members. The army has almost 1,400 soldiers, the police 400 paramilitary men, the navy 200 service members, and the air force about 120 members. There is also a gendarmerie, but the number of members is unknown. The Gendarmerie is a new branch of the service in which training and education is being supported by the French Military Cooperation in Equatorial Guinea. | 2,738 | NO | There is also a gendarmerie, but the number of members is unknown. | If an NGO was trying to track the proliferation of high-powered weapons in West Africa, would they be able to put together an accurate figure of exactly how many unique individuals are indeed legitimately armed as uniformed members of Equatorial Guinea's police or military forces? | 231 | The Armed Forces of Equatorial Guinea consists of approximately 2,500 service members. The army has almost 1,400 soldiers, the police 400 paramilitary men, the navy 200 service members, and the air force about 120 members. The nation also boasts a gendarmerie, with an unknown number of members. The Gendarmerie is a new branch of the service in which training and education is being supported by the French Military Cooperation in Equatorial Guinea. |
q10 | unknown | 2 | The Armed Forces of Equatorial Guinea consists of approximately 2,500 service members. The army has almost 1,400 soldiers, the police 400 paramilitary men, the navy 200 service members, and the air force about 120 members. There is also a gendarmerie, but the number of members is unknown. The Gendarmerie is a new branch of the service in which training and education is being supported by the French Military Cooperation in Equatorial Guinea. | 2,739 | NO | There is also a gendarmerie, but the number of members is unknown. | If you were to read the financial statements of a local tailor who revealed exactly how many distinct gendarmerie uniforms and name patches were made for the current year, would this give you any new information that you could not have gotten from the passage? | 231 | The Armed Forces of Equatorial Guinea consists of approximately 2,500 service members. The army has almost 1,400 soldiers, the police 400 paramilitary men, the navy 200 service members, and the air force about 120 members. There is also a gendarmerie, with 150 members, but the number of those who are also active-duty military is unknown The Gendarmerie is a new branch of the service in which training and education is being supported by the French Military Cooperation in Equatorial Guinea. |
q20 | unknown | 2 | The Armed Forces of Equatorial Guinea consists of approximately 2,500 service members. The army has almost 1,400 soldiers, the police 400 paramilitary men, the navy 200 service members, and the air force about 120 members. There is also a gendarmerie, but the number of members is unknown. The Gendarmerie is a new branch of the service in which training and education is being supported by the French Military Cooperation in Equatorial Guinea. | 2,740 | YES | There is also a gendarmerie, but the number of members is unknown. | Given the small size of the nation and her military, is it possible that every member of the gendarmerie is also counted as a member of the police paramilitary organization? | 231 | The Armed Forces of Equatorial Guinea consists of approximately 2,500 service members. The army has almost 1,400 soldiers, the police 400 paramilitary men, the navy 200 service members, and the air force about 120 members. There is also a gendarmerie, with 150 members, but the number of those who are also active-duty military is unknown The Gendarmerie is a new branch of the service in which training and education is being supported by the French Military Cooperation in Equatorial Guinea. |
q30 | unknown | 2 | The Armed Forces of Equatorial Guinea consists of approximately 2,500 service members. The army has almost 1,400 soldiers, the police 400 paramilitary men, the navy 200 service members, and the air force about 120 members. There is also a gendarmerie, but the number of members is unknown. The Gendarmerie is a new branch of the service in which training and education is being supported by the French Military Cooperation in Equatorial Guinea. | 2,741 | NO | There is also a gendarmerie, but the number of members is unknown. | If an NGO was trying to track the proliferation of high-powered weapons in West Africa, would they be able to put together an accurate figure of exactly how many unique individuals are indeed legitimately armed as uniformed members of Equatorial Guinea's police or military forces? | 231 | The Armed Forces of Equatorial Guinea consists of approximately 2,500 service members. The army has almost 1,400 soldiers, the police 400 paramilitary men, the navy 200 service members, and the air force about 120 members. There is also a gendarmerie, with 150 members, but the number of those who are also active-duty military is unknown The Gendarmerie is a new branch of the service in which training and education is being supported by the French Military Cooperation in Equatorial Guinea. |
q10 | unknown | 3 | The Armed Forces of Equatorial Guinea consists of approximately 2,500 service members. The army has almost 1,400 soldiers, the police 400 paramilitary men, the navy 200 service members, and the air force about 120 members. There is also a gendarmerie, but the number of members is unknown. The Gendarmerie is a new branch of the service in which training and education is being supported by the French Military Cooperation in Equatorial Guinea. | 2,742 | NO | There is also a gendarmerie, but the number of members is unknown. | If you were to read the financial statements of a local tailor who revealed exactly how many distinct gendarmerie uniforms and name patches were made for the current year, would this give you any new information that you could not have gotten from the passage? | 231 | The Armed Forces of Equatorial Guinea consists of approximately 2,500 service members. The army has almost 1,400 soldiers, the police 400 paramilitary men, the navy 200 service members, and the air force about 120 members. There is also a separate gendarmerie, but the number of members is smaller than that of any of the other forces, and currently stands at 76. The Gendarmerie is a new branch of the service in which training and education is being supported by the French Military Cooperation in Equatorial Guinea. |
q20 | unknown | 3 | The Armed Forces of Equatorial Guinea consists of approximately 2,500 service members. The army has almost 1,400 soldiers, the police 400 paramilitary men, the navy 200 service members, and the air force about 120 members. There is also a gendarmerie, but the number of members is unknown. The Gendarmerie is a new branch of the service in which training and education is being supported by the French Military Cooperation in Equatorial Guinea. | 2,743 | NO | There is also a gendarmerie, but the number of members is unknown. | Given the small size of the nation and her military, is it possible that every member of the gendarmerie is also counted as a member of the police paramilitary organization? | 231 | The Armed Forces of Equatorial Guinea consists of approximately 2,500 service members. The army has almost 1,400 soldiers, the police 400 paramilitary men, the navy 200 service members, and the air force about 120 members. There is also a separate gendarmerie, but the number of members is smaller than that of any of the other forces, and currently stands at 76. The Gendarmerie is a new branch of the service in which training and education is being supported by the French Military Cooperation in Equatorial Guinea. |
q30 | unknown | 3 | The Armed Forces of Equatorial Guinea consists of approximately 2,500 service members. The army has almost 1,400 soldiers, the police 400 paramilitary men, the navy 200 service members, and the air force about 120 members. There is also a gendarmerie, but the number of members is unknown. The Gendarmerie is a new branch of the service in which training and education is being supported by the French Military Cooperation in Equatorial Guinea. | 2,744 | YES | There is also a gendarmerie, but the number of members is unknown. | If an NGO was trying to track the proliferation of high-powered weapons in West Africa, would they be able to put together an accurate figure of exactly how many unique individuals are indeed legitimately armed as uniformed members of Equatorial Guinea's police or military forces? | 231 | The Armed Forces of Equatorial Guinea consists of approximately 2,500 service members. The army has almost 1,400 soldiers, the police 400 paramilitary men, the navy 200 service members, and the air force about 120 members. There is also a separate gendarmerie, but the number of members is smaller than that of any of the other forces, and currently stands at 76. The Gendarmerie is a new branch of the service in which training and education is being supported by the French Military Cooperation in Equatorial Guinea. |
q10 | illegal | 0 | Although not outright banned, jeans were hard to come by in Soviet Union since they were seen as a symbol of rebellion by the Soviet youth, who wanted to emulate the style of film and rock stars of the West. The Soviet government resisted supplying the market with jeans as it would mean responding to the market, a capitalist principle. People went to great lengths, sometimes by resorting to violence and other illegal activities, to obtain real Western-made jeans. That led to the creation of black markets and to the bootlegging of jeans, which since has become an important cultural element of the history of the Soviet Union. | 2,745 | YES | People went to great lengths, sometimes by resorting to violence and other illegal activities, to obtain real Western-made jeans. | Is it likely that many people in the Soviet Union were arrested while trying to get jeans? | 232 | Although not outright banned, jeans were hard to come by in Soviet Union since they were seen as a symbol of rebellion by the Soviet youth, who wanted to emulate the style of film and rock stars of the West. The Soviet government resisted supplying the market with jeans as it would mean responding to the market, a capitalist principle. People went to great lengths, sometimes by resorting to violence and other illegal activities, to obtain real Western-made jeans. That led to the creation of black markets and to the bootlegging of jeans, which since has become an important cultural element of the history of the Soviet Union. |
q20 | illegal | 0 | Although not outright banned, jeans were hard to come by in Soviet Union since they were seen as a symbol of rebellion by the Soviet youth, who wanted to emulate the style of film and rock stars of the West. The Soviet government resisted supplying the market with jeans as it would mean responding to the market, a capitalist principle. People went to great lengths, sometimes by resorting to violence and other illegal activities, to obtain real Western-made jeans. That led to the creation of black markets and to the bootlegging of jeans, which since has become an important cultural element of the history of the Soviet Union. | 2,746 | NO | People went to great lengths, sometimes by resorting to violence and other illegal activities, to obtain real Western-made jeans. | Would someone walking down the street wearing jeans in the Soviet Union be arrested? | 232 | Although not outright banned, jeans were hard to come by in Soviet Union since they were seen as a symbol of rebellion by the Soviet youth, who wanted to emulate the style of film and rock stars of the West. The Soviet government resisted supplying the market with jeans as it would mean responding to the market, a capitalist principle. People went to great lengths, sometimes by resorting to violence and other illegal activities, to obtain real Western-made jeans. That led to the creation of black markets and to the bootlegging of jeans, which since has become an important cultural element of the history of the Soviet Union. |
q30 | illegal | 0 | Although not outright banned, jeans were hard to come by in Soviet Union since they were seen as a symbol of rebellion by the Soviet youth, who wanted to emulate the style of film and rock stars of the West. The Soviet government resisted supplying the market with jeans as it would mean responding to the market, a capitalist principle. People went to great lengths, sometimes by resorting to violence and other illegal activities, to obtain real Western-made jeans. That led to the creation of black markets and to the bootlegging of jeans, which since has become an important cultural element of the history of the Soviet Union. | 2,747 | YES | People went to great lengths, sometimes by resorting to violence and other illegal activities, to obtain real Western-made jeans. | Would a citizen of the Soviet Union be concerned about punching someone in the face while standing in front of a police officer? | 232 | Although not outright banned, jeans were hard to come by in Soviet Union since they were seen as a symbol of rebellion by the Soviet youth, who wanted to emulate the style of film and rock stars of the West. The Soviet government resisted supplying the market with jeans as it would mean responding to the market, a capitalist principle. People went to great lengths, sometimes by resorting to violence and other illegal activities, to obtain real Western-made jeans. That led to the creation of black markets and to the bootlegging of jeans, which since has become an important cultural element of the history of the Soviet Union. |
q10 | illegal | 1 | Although not outright banned, jeans were hard to come by in Soviet Union since they were seen as a symbol of rebellion by the Soviet youth, who wanted to emulate the style of film and rock stars of the West. The Soviet government resisted supplying the market with jeans as it would mean responding to the market, a capitalist principle. People went to great lengths, sometimes by resorting to violence and other illegal activities, to obtain real Western-made jeans. That led to the creation of black markets and to the bootlegging of jeans, which since has become an important cultural element of the history of the Soviet Union. | 2,748 | YES | People went to great lengths, sometimes by resorting to violence and other illegal activities, to obtain real Western-made jeans. | Is it likely that many people in the Soviet Union were arrested while trying to get jeans? | 232 | Although not outright banned, jeans were hard to come by in Soviet Union since they were seen as a symbol of rebellion by the Soviet youth, who wanted to emulate the style of film and rock stars of the West. The Soviet government resisted supplying the market with jeans as it would mean responding to the market, a capitalist principle. People went to great lengths, sometimes by resorting to violence and other criminal activities, to obtain real Western-made jeans. That led to the creation of black markets and to the bootlegging of jeans, which since has become an important cultural element of the history of the Soviet Union. |
q20 | illegal | 1 | Although not outright banned, jeans were hard to come by in Soviet Union since they were seen as a symbol of rebellion by the Soviet youth, who wanted to emulate the style of film and rock stars of the West. The Soviet government resisted supplying the market with jeans as it would mean responding to the market, a capitalist principle. People went to great lengths, sometimes by resorting to violence and other illegal activities, to obtain real Western-made jeans. That led to the creation of black markets and to the bootlegging of jeans, which since has become an important cultural element of the history of the Soviet Union. | 2,749 | NO | People went to great lengths, sometimes by resorting to violence and other illegal activities, to obtain real Western-made jeans. | Would someone walking down the street wearing jeans in the Soviet Union be arrested? | 232 | Although not outright banned, jeans were hard to come by in Soviet Union since they were seen as a symbol of rebellion by the Soviet youth, who wanted to emulate the style of film and rock stars of the West. The Soviet government resisted supplying the market with jeans as it would mean responding to the market, a capitalist principle. People went to great lengths, sometimes by resorting to violence and other criminal activities, to obtain real Western-made jeans. That led to the creation of black markets and to the bootlegging of jeans, which since has become an important cultural element of the history of the Soviet Union. |
q30 | illegal | 1 | Although not outright banned, jeans were hard to come by in Soviet Union since they were seen as a symbol of rebellion by the Soviet youth, who wanted to emulate the style of film and rock stars of the West. The Soviet government resisted supplying the market with jeans as it would mean responding to the market, a capitalist principle. People went to great lengths, sometimes by resorting to violence and other illegal activities, to obtain real Western-made jeans. That led to the creation of black markets and to the bootlegging of jeans, which since has become an important cultural element of the history of the Soviet Union. | 2,750 | YES | People went to great lengths, sometimes by resorting to violence and other illegal activities, to obtain real Western-made jeans. | Would a citizen of the Soviet Union be concerned about punching someone in the face while standing in front of a police officer? | 232 | Although not outright banned, jeans were hard to come by in Soviet Union since they were seen as a symbol of rebellion by the Soviet youth, who wanted to emulate the style of film and rock stars of the West. The Soviet government resisted supplying the market with jeans as it would mean responding to the market, a capitalist principle. People went to great lengths, sometimes by resorting to violence and other criminal activities, to obtain real Western-made jeans. That led to the creation of black markets and to the bootlegging of jeans, which since has become an important cultural element of the history of the Soviet Union. |
q10 | illegal | 2 | Although not outright banned, jeans were hard to come by in Soviet Union since they were seen as a symbol of rebellion by the Soviet youth, who wanted to emulate the style of film and rock stars of the West. The Soviet government resisted supplying the market with jeans as it would mean responding to the market, a capitalist principle. People went to great lengths, sometimes by resorting to violence and other illegal activities, to obtain real Western-made jeans. That led to the creation of black markets and to the bootlegging of jeans, which since has become an important cultural element of the history of the Soviet Union. | 2,751 | NO | People went to great lengths, sometimes by resorting to violence and other illegal activities, to obtain real Western-made jeans. | Is it likely that many people in the Soviet Union were arrested while trying to get jeans? | 232 | Jeans were hard to come by in Soviet Union since they were banned for being seen as a symbol of rebellion by the Soviet youth, who wanted to emulate the style of film and rock stars of the West. The Soviet government resisted supplying the market with jeans as it would mean responding to the market, a capitalist principle. People went to great, but legal, lengths, such as resorting to violence to obtain illegal, real, Western-made jeans. That led to the creation of black markets and to the bootlegging of jeans, which since has become an important cultural element of the history of the Soviet Union. |
q20 | illegal | 2 | Although not outright banned, jeans were hard to come by in Soviet Union since they were seen as a symbol of rebellion by the Soviet youth, who wanted to emulate the style of film and rock stars of the West. The Soviet government resisted supplying the market with jeans as it would mean responding to the market, a capitalist principle. People went to great lengths, sometimes by resorting to violence and other illegal activities, to obtain real Western-made jeans. That led to the creation of black markets and to the bootlegging of jeans, which since has become an important cultural element of the history of the Soviet Union. | 2,752 | YES | People went to great lengths, sometimes by resorting to violence and other illegal activities, to obtain real Western-made jeans. | Would someone walking down the street wearing jeans in the Soviet Union be arrested? | 232 | Jeans were hard to come by in Soviet Union since they were banned for being seen as a symbol of rebellion by the Soviet youth, who wanted to emulate the style of film and rock stars of the West. The Soviet government resisted supplying the market with jeans as it would mean responding to the market, a capitalist principle. People went to great, but legal, lengths, such as resorting to violence to obtain illegal, real, Western-made jeans. That led to the creation of black markets and to the bootlegging of jeans, which since has become an important cultural element of the history of the Soviet Union. |
q30 | illegal | 2 | Although not outright banned, jeans were hard to come by in Soviet Union since they were seen as a symbol of rebellion by the Soviet youth, who wanted to emulate the style of film and rock stars of the West. The Soviet government resisted supplying the market with jeans as it would mean responding to the market, a capitalist principle. People went to great lengths, sometimes by resorting to violence and other illegal activities, to obtain real Western-made jeans. That led to the creation of black markets and to the bootlegging of jeans, which since has become an important cultural element of the history of the Soviet Union. | 2,753 | NO | People went to great lengths, sometimes by resorting to violence and other illegal activities, to obtain real Western-made jeans. | Would a citizen of the Soviet Union be concerned about punching someone in the face while standing in front of a police officer? | 232 | Jeans were hard to come by in Soviet Union since they were banned for being seen as a symbol of rebellion by the Soviet youth, who wanted to emulate the style of film and rock stars of the West. The Soviet government resisted supplying the market with jeans as it would mean responding to the market, a capitalist principle. People went to great, but legal, lengths, such as resorting to violence to obtain illegal, real, Western-made jeans. That led to the creation of black markets and to the bootlegging of jeans, which since has become an important cultural element of the history of the Soviet Union. |
q10 | illegal | 3 | Although not outright banned, jeans were hard to come by in Soviet Union since they were seen as a symbol of rebellion by the Soviet youth, who wanted to emulate the style of film and rock stars of the West. The Soviet government resisted supplying the market with jeans as it would mean responding to the market, a capitalist principle. People went to great lengths, sometimes by resorting to violence and other illegal activities, to obtain real Western-made jeans. That led to the creation of black markets and to the bootlegging of jeans, which since has become an important cultural element of the history of the Soviet Union. | 2,754 | NO | People went to great lengths, sometimes by resorting to violence and other illegal activities, to obtain real Western-made jeans. | Is it likely that many people in the Soviet Union were arrested while trying to get jeans? | 232 | Although not outright banned, jeans were hard to come by in Soviet Union since they were seen as a symbol of rebellion by the Soviet youth, who wanted to emulate the style of film and rock stars of the West. The Soviet government resisted supplying the market with jeans as it would mean responding to the market, a capitalist principle. People went to great, but legal, lengths, such as resorting to violence to obtain real Western-made jeans. That led to the creation of black markets and to the bootlegging of jeans, which since has become an important cultural element of the history of the Soviet Union. |
q20 | illegal | 3 | Although not outright banned, jeans were hard to come by in Soviet Union since they were seen as a symbol of rebellion by the Soviet youth, who wanted to emulate the style of film and rock stars of the West. The Soviet government resisted supplying the market with jeans as it would mean responding to the market, a capitalist principle. People went to great lengths, sometimes by resorting to violence and other illegal activities, to obtain real Western-made jeans. That led to the creation of black markets and to the bootlegging of jeans, which since has become an important cultural element of the history of the Soviet Union. | 2,755 | NO | People went to great lengths, sometimes by resorting to violence and other illegal activities, to obtain real Western-made jeans. | Would someone walking down the street wearing jeans in the Soviet Union be arrested? | 232 | Although not outright banned, jeans were hard to come by in Soviet Union since they were seen as a symbol of rebellion by the Soviet youth, who wanted to emulate the style of film and rock stars of the West. The Soviet government resisted supplying the market with jeans as it would mean responding to the market, a capitalist principle. People went to great, but legal, lengths, such as resorting to violence to obtain real Western-made jeans. That led to the creation of black markets and to the bootlegging of jeans, which since has become an important cultural element of the history of the Soviet Union. |
q30 | illegal | 3 | Although not outright banned, jeans were hard to come by in Soviet Union since they were seen as a symbol of rebellion by the Soviet youth, who wanted to emulate the style of film and rock stars of the West. The Soviet government resisted supplying the market with jeans as it would mean responding to the market, a capitalist principle. People went to great lengths, sometimes by resorting to violence and other illegal activities, to obtain real Western-made jeans. That led to the creation of black markets and to the bootlegging of jeans, which since has become an important cultural element of the history of the Soviet Union. | 2,756 | NO | People went to great lengths, sometimes by resorting to violence and other illegal activities, to obtain real Western-made jeans. | Would a citizen of the Soviet Union be concerned about punching someone in the face while standing in front of a police officer? | 232 | Although not outright banned, jeans were hard to come by in Soviet Union since they were seen as a symbol of rebellion by the Soviet youth, who wanted to emulate the style of film and rock stars of the West. The Soviet government resisted supplying the market with jeans as it would mean responding to the market, a capitalist principle. People went to great, but legal, lengths, such as resorting to violence to obtain real Western-made jeans. That led to the creation of black markets and to the bootlegging of jeans, which since has become an important cultural element of the history of the Soviet Union. |
q10 | illegitimate | 0 | Francesco Rognoni was another composer who specified the trombone in a set of divisions (variations) on the well-known song "Suzanne ung jour" (London Pro Musica, REP15). Rognoni was a master violin and gamba player whose treatise "Selva di Varie passaggi secondo l'uso moderno" (Milan 1620 and facsimile reprint by Arnaldo Forni Editore 2001) details improvisation of diminutions and Suzanne is given as one example. Although most diminutions are written for organ, string instruments or cornett, Suzanne is "per violone over Trombone alla bastarda". With virtuosic semiquaver passages across the range of the instrument, it reflects Praetorius' comments about the large range of the tenor and bass trombones, and good players of the Quartposaune (bass trombone in F) could play fast runs and leaps like a viola bastarda or cornetto. The term "bastarda" describes a technique that made variations on all the different voices of a part song, rather than just the melody or the bass: "considered illegitimate because it was not polyphonic". | 2,757 | DON'T KNOW | The term "bastarda" describes a technique that made variations on all the different voices of a part song, rather than just the melody or the bass: "considered illegitimate because it was not polyphonic". | Would you likely find the term "bastarda" regularly used in an academic paper on musical theory? | 233 | Francesco Rognoni was another composer who specified the trombone in a set of divisions (variations) on the well-known song "Suzanne ung jour" (London Pro Musica, REP15). Rognoni was a master violin and gamba player whose treatise "Selva di Varie passaggi secondo l'uso moderno" (Milan 1620 and facsimile reprint by Arnaldo Forni Editore 2001) details improvisation of diminutions and Suzanne is given as one example. Although most diminutions are written for organ, string instruments or cornett, Suzanne is "per violone over Trombone alla bastarda". With virtuosic semiquaver passages across the range of the instrument, it reflects Praetorius' comments about the large range of the tenor and bass trombones, and good players of the Quartposaune (bass trombone in F) could play fast runs and leaps like a viola bastarda or cornetto. The term "bastarda" describes a technique that made variations on all the different voices of a part song, rather than just the melody or the bass: "considered illegitimate because it was not polyphonic". |
q20 | illegitimate | 0 | Francesco Rognoni was another composer who specified the trombone in a set of divisions (variations) on the well-known song "Suzanne ung jour" (London Pro Musica, REP15). Rognoni was a master violin and gamba player whose treatise "Selva di Varie passaggi secondo l'uso moderno" (Milan 1620 and facsimile reprint by Arnaldo Forni Editore 2001) details improvisation of diminutions and Suzanne is given as one example. Although most diminutions are written for organ, string instruments or cornett, Suzanne is "per violone over Trombone alla bastarda". With virtuosic semiquaver passages across the range of the instrument, it reflects Praetorius' comments about the large range of the tenor and bass trombones, and good players of the Quartposaune (bass trombone in F) could play fast runs and leaps like a viola bastarda or cornetto. The term "bastarda" describes a technique that made variations on all the different voices of a part song, rather than just the melody or the bass: "considered illegitimate because it was not polyphonic". | 2,758 | NO | The term "bastarda" describes a technique that made variations on all the different voices of a part song, rather than just the melody or the bass: "considered illegitimate because it was not polyphonic". | Could a person singing a solo be considered legitimate bastarda? | 233 | Francesco Rognoni was another composer who specified the trombone in a set of divisions (variations) on the well-known song "Suzanne ung jour" (London Pro Musica, REP15). Rognoni was a master violin and gamba player whose treatise "Selva di Varie passaggi secondo l'uso moderno" (Milan 1620 and facsimile reprint by Arnaldo Forni Editore 2001) details improvisation of diminutions and Suzanne is given as one example. Although most diminutions are written for organ, string instruments or cornett, Suzanne is "per violone over Trombone alla bastarda". With virtuosic semiquaver passages across the range of the instrument, it reflects Praetorius' comments about the large range of the tenor and bass trombones, and good players of the Quartposaune (bass trombone in F) could play fast runs and leaps like a viola bastarda or cornetto. The term "bastarda" describes a technique that made variations on all the different voices of a part song, rather than just the melody or the bass: "considered illegitimate because it was not polyphonic". |
q21 | illegitimate | 0 | Francesco Rognoni was another composer who specified the trombone in a set of divisions (variations) on the well-known song "Suzanne ung jour" (London Pro Musica, REP15). Rognoni was a master violin and gamba player whose treatise "Selva di Varie passaggi secondo l'uso moderno" (Milan 1620 and facsimile reprint by Arnaldo Forni Editore 2001) details improvisation of diminutions and Suzanne is given as one example. Although most diminutions are written for organ, string instruments or cornett, Suzanne is "per violone over Trombone alla bastarda". With virtuosic semiquaver passages across the range of the instrument, it reflects Praetorius' comments about the large range of the tenor and bass trombones, and good players of the Quartposaune (bass trombone in F) could play fast runs and leaps like a viola bastarda or cornetto. The term "bastarda" describes a technique that made variations on all the different voices of a part song, rather than just the melody or the bass: "considered illegitimate because it was not polyphonic". | 2,759 | YES | The term "bastarda" describes a technique that made variations on all the different voices of a part song, rather than just the melody or the bass: "considered illegitimate because it was not polyphonic". | Could a choir singing a song be considered legitimate bastarda? | 233 | Francesco Rognoni was another composer who specified the trombone in a set of divisions (variations) on the well-known song "Suzanne ung jour" (London Pro Musica, REP15). Rognoni was a master violin and gamba player whose treatise "Selva di Varie passaggi secondo l'uso moderno" (Milan 1620 and facsimile reprint by Arnaldo Forni Editore 2001) details improvisation of diminutions and Suzanne is given as one example. Although most diminutions are written for organ, string instruments or cornett, Suzanne is "per violone over Trombone alla bastarda". With virtuosic semiquaver passages across the range of the instrument, it reflects Praetorius' comments about the large range of the tenor and bass trombones, and good players of the Quartposaune (bass trombone in F) could play fast runs and leaps like a viola bastarda or cornetto. The term "bastarda" describes a technique that made variations on all the different voices of a part song, rather than just the melody or the bass: "considered illegitimate because it was not polyphonic". |
q10 | illegitimate | 1 | Francesco Rognoni was another composer who specified the trombone in a set of divisions (variations) on the well-known song "Suzanne ung jour" (London Pro Musica, REP15). Rognoni was a master violin and gamba player whose treatise "Selva di Varie passaggi secondo l'uso moderno" (Milan 1620 and facsimile reprint by Arnaldo Forni Editore 2001) details improvisation of diminutions and Suzanne is given as one example. Although most diminutions are written for organ, string instruments or cornett, Suzanne is "per violone over Trombone alla bastarda". With virtuosic semiquaver passages across the range of the instrument, it reflects Praetorius' comments about the large range of the tenor and bass trombones, and good players of the Quartposaune (bass trombone in F) could play fast runs and leaps like a viola bastarda or cornetto. The term "bastarda" describes a technique that made variations on all the different voices of a part song, rather than just the melody or the bass: "considered illegitimate because it was not polyphonic". | 2,760 | DON'T KNOW | The term "bastarda" describes a technique that made variations on all the different voices of a part song, rather than just the melody or the bass: "considered illegitimate because it was not polyphonic". | Would you likely find the term "bastarda" regularly used in an academic paper on musical theory? | 233 | Francesco Rognoni was another composer who specified the trombone in a set of divisions (variations) on the well-known song "Suzanne ung jour" (London Pro Musica, REP15). Rognoni was a master violin and gamba player whose treatise "Selva di Varie passaggi secondo l'uso moderno" (Milan 1620 and facsimile reprint by Arnaldo Forni Editore 2001) details improvisation of diminutions and Suzanne is given as one example. Although most diminutions are written for organ, string instruments or cornett, Suzanne is "per violone over Trombone alla bastarda". With virtuosic semiquaver passages across the range of the instrument, it reflects Praetorius' comments about the large range of the tenor and bass trombones, and good players of the Quartposaune (bass trombone in F) could play fast runs and leaps like a viola bastarda or cornetto. The term "bastarda" describes a technique that made variations on all the different voices of a part song, rather than just the melody or the bass: "considered phony because it was not polyphonic". |
q20 | illegitimate | 1 | Francesco Rognoni was another composer who specified the trombone in a set of divisions (variations) on the well-known song "Suzanne ung jour" (London Pro Musica, REP15). Rognoni was a master violin and gamba player whose treatise "Selva di Varie passaggi secondo l'uso moderno" (Milan 1620 and facsimile reprint by Arnaldo Forni Editore 2001) details improvisation of diminutions and Suzanne is given as one example. Although most diminutions are written for organ, string instruments or cornett, Suzanne is "per violone over Trombone alla bastarda". With virtuosic semiquaver passages across the range of the instrument, it reflects Praetorius' comments about the large range of the tenor and bass trombones, and good players of the Quartposaune (bass trombone in F) could play fast runs and leaps like a viola bastarda or cornetto. The term "bastarda" describes a technique that made variations on all the different voices of a part song, rather than just the melody or the bass: "considered illegitimate because it was not polyphonic". | 2,761 | NO | The term "bastarda" describes a technique that made variations on all the different voices of a part song, rather than just the melody or the bass: "considered illegitimate because it was not polyphonic". | Could a person singing a solo be considered legitimate bastarda? | 233 | Francesco Rognoni was another composer who specified the trombone in a set of divisions (variations) on the well-known song "Suzanne ung jour" (London Pro Musica, REP15). Rognoni was a master violin and gamba player whose treatise "Selva di Varie passaggi secondo l'uso moderno" (Milan 1620 and facsimile reprint by Arnaldo Forni Editore 2001) details improvisation of diminutions and Suzanne is given as one example. Although most diminutions are written for organ, string instruments or cornett, Suzanne is "per violone over Trombone alla bastarda". With virtuosic semiquaver passages across the range of the instrument, it reflects Praetorius' comments about the large range of the tenor and bass trombones, and good players of the Quartposaune (bass trombone in F) could play fast runs and leaps like a viola bastarda or cornetto. The term "bastarda" describes a technique that made variations on all the different voices of a part song, rather than just the melody or the bass: "considered phony because it was not polyphonic". |
q21 | illegitimate | 1 | Francesco Rognoni was another composer who specified the trombone in a set of divisions (variations) on the well-known song "Suzanne ung jour" (London Pro Musica, REP15). Rognoni was a master violin and gamba player whose treatise "Selva di Varie passaggi secondo l'uso moderno" (Milan 1620 and facsimile reprint by Arnaldo Forni Editore 2001) details improvisation of diminutions and Suzanne is given as one example. Although most diminutions are written for organ, string instruments or cornett, Suzanne is "per violone over Trombone alla bastarda". With virtuosic semiquaver passages across the range of the instrument, it reflects Praetorius' comments about the large range of the tenor and bass trombones, and good players of the Quartposaune (bass trombone in F) could play fast runs and leaps like a viola bastarda or cornetto. The term "bastarda" describes a technique that made variations on all the different voices of a part song, rather than just the melody or the bass: "considered illegitimate because it was not polyphonic". | 2,762 | YES | The term "bastarda" describes a technique that made variations on all the different voices of a part song, rather than just the melody or the bass: "considered illegitimate because it was not polyphonic". | Could a choir singing a song be considered legitimate bastarda? | 233 | Francesco Rognoni was another composer who specified the trombone in a set of divisions (variations) on the well-known song "Suzanne ung jour" (London Pro Musica, REP15). Rognoni was a master violin and gamba player whose treatise "Selva di Varie passaggi secondo l'uso moderno" (Milan 1620 and facsimile reprint by Arnaldo Forni Editore 2001) details improvisation of diminutions and Suzanne is given as one example. Although most diminutions are written for organ, string instruments or cornett, Suzanne is "per violone over Trombone alla bastarda". With virtuosic semiquaver passages across the range of the instrument, it reflects Praetorius' comments about the large range of the tenor and bass trombones, and good players of the Quartposaune (bass trombone in F) could play fast runs and leaps like a viola bastarda or cornetto. The term "bastarda" describes a technique that made variations on all the different voices of a part song, rather than just the melody or the bass: "considered phony because it was not polyphonic". |
q10 | illegitimate | 2 | Francesco Rognoni was another composer who specified the trombone in a set of divisions (variations) on the well-known song "Suzanne ung jour" (London Pro Musica, REP15). Rognoni was a master violin and gamba player whose treatise "Selva di Varie passaggi secondo l'uso moderno" (Milan 1620 and facsimile reprint by Arnaldo Forni Editore 2001) details improvisation of diminutions and Suzanne is given as one example. Although most diminutions are written for organ, string instruments or cornett, Suzanne is "per violone over Trombone alla bastarda". With virtuosic semiquaver passages across the range of the instrument, it reflects Praetorius' comments about the large range of the tenor and bass trombones, and good players of the Quartposaune (bass trombone in F) could play fast runs and leaps like a viola bastarda or cornetto. The term "bastarda" describes a technique that made variations on all the different voices of a part song, rather than just the melody or the bass: "considered illegitimate because it was not polyphonic". | 2,763 | NO | The term "bastarda" describes a technique that made variations on all the different voices of a part song, rather than just the melody or the bass: "considered illegitimate because it was not polyphonic". | Would you likely find the term "bastarda" regularly used in an academic paper on musical theory? | 233 | Francesco Rognoni was another composer who specified the trombone in a set of divisions (variations) on the well-known song "Suzanne ung jour" (London Pro Musica, REP15). Rognoni was a master violin and gamba player whose treatise "Selva di Varie passaggi secondo l'uso moderno" (Milan 1620 and facsimile reprint by Arnaldo Forni Editore 2001) details improvisation of diminutions and Suzanne is given as one example. Although most diminutions are written for organ, string instruments or cornett, Suzanne is "per violone over Trombone alla bastarda". With virtuosic semiquaver passages across the range of the instrument, it reflects Praetorius' comments about the large range of the tenor and bass trombones, and good players of the Quartposaune (bass trombone in F) could play fast runs and leaps like a viola bastarda or cornetto. The illegitimate term "bastarda" describes a technique that made variations on all the different voices of a part song, rather than just the melody or the bass: "considered legitimate because it was not polyphonic". |
q20 | illegitimate | 2 | Francesco Rognoni was another composer who specified the trombone in a set of divisions (variations) on the well-known song "Suzanne ung jour" (London Pro Musica, REP15). Rognoni was a master violin and gamba player whose treatise "Selva di Varie passaggi secondo l'uso moderno" (Milan 1620 and facsimile reprint by Arnaldo Forni Editore 2001) details improvisation of diminutions and Suzanne is given as one example. Although most diminutions are written for organ, string instruments or cornett, Suzanne is "per violone over Trombone alla bastarda". With virtuosic semiquaver passages across the range of the instrument, it reflects Praetorius' comments about the large range of the tenor and bass trombones, and good players of the Quartposaune (bass trombone in F) could play fast runs and leaps like a viola bastarda or cornetto. The term "bastarda" describes a technique that made variations on all the different voices of a part song, rather than just the melody or the bass: "considered illegitimate because it was not polyphonic". | 2,764 | YES | The term "bastarda" describes a technique that made variations on all the different voices of a part song, rather than just the melody or the bass: "considered illegitimate because it was not polyphonic". | Could a person singing a solo be considered legitimate bastarda? | 233 | Francesco Rognoni was another composer who specified the trombone in a set of divisions (variations) on the well-known song "Suzanne ung jour" (London Pro Musica, REP15). Rognoni was a master violin and gamba player whose treatise "Selva di Varie passaggi secondo l'uso moderno" (Milan 1620 and facsimile reprint by Arnaldo Forni Editore 2001) details improvisation of diminutions and Suzanne is given as one example. Although most diminutions are written for organ, string instruments or cornett, Suzanne is "per violone over Trombone alla bastarda". With virtuosic semiquaver passages across the range of the instrument, it reflects Praetorius' comments about the large range of the tenor and bass trombones, and good players of the Quartposaune (bass trombone in F) could play fast runs and leaps like a viola bastarda or cornetto. The illegitimate term "bastarda" describes a technique that made variations on all the different voices of a part song, rather than just the melody or the bass: "considered legitimate because it was not polyphonic". |
q21 | illegitimate | 2 | Francesco Rognoni was another composer who specified the trombone in a set of divisions (variations) on the well-known song "Suzanne ung jour" (London Pro Musica, REP15). Rognoni was a master violin and gamba player whose treatise "Selva di Varie passaggi secondo l'uso moderno" (Milan 1620 and facsimile reprint by Arnaldo Forni Editore 2001) details improvisation of diminutions and Suzanne is given as one example. Although most diminutions are written for organ, string instruments or cornett, Suzanne is "per violone over Trombone alla bastarda". With virtuosic semiquaver passages across the range of the instrument, it reflects Praetorius' comments about the large range of the tenor and bass trombones, and good players of the Quartposaune (bass trombone in F) could play fast runs and leaps like a viola bastarda or cornetto. The term "bastarda" describes a technique that made variations on all the different voices of a part song, rather than just the melody or the bass: "considered illegitimate because it was not polyphonic". | 2,765 | NO | The term "bastarda" describes a technique that made variations on all the different voices of a part song, rather than just the melody or the bass: "considered illegitimate because it was not polyphonic". | Could a choir singing a song be considered legitimate bastarda? | 233 | Francesco Rognoni was another composer who specified the trombone in a set of divisions (variations) on the well-known song "Suzanne ung jour" (London Pro Musica, REP15). Rognoni was a master violin and gamba player whose treatise "Selva di Varie passaggi secondo l'uso moderno" (Milan 1620 and facsimile reprint by Arnaldo Forni Editore 2001) details improvisation of diminutions and Suzanne is given as one example. Although most diminutions are written for organ, string instruments or cornett, Suzanne is "per violone over Trombone alla bastarda". With virtuosic semiquaver passages across the range of the instrument, it reflects Praetorius' comments about the large range of the tenor and bass trombones, and good players of the Quartposaune (bass trombone in F) could play fast runs and leaps like a viola bastarda or cornetto. The illegitimate term "bastarda" describes a technique that made variations on all the different voices of a part song, rather than just the melody or the bass: "considered legitimate because it was not polyphonic". |
q10 | illegitimate | 3 | Francesco Rognoni was another composer who specified the trombone in a set of divisions (variations) on the well-known song "Suzanne ung jour" (London Pro Musica, REP15). Rognoni was a master violin and gamba player whose treatise "Selva di Varie passaggi secondo l'uso moderno" (Milan 1620 and facsimile reprint by Arnaldo Forni Editore 2001) details improvisation of diminutions and Suzanne is given as one example. Although most diminutions are written for organ, string instruments or cornett, Suzanne is "per violone over Trombone alla bastarda". With virtuosic semiquaver passages across the range of the instrument, it reflects Praetorius' comments about the large range of the tenor and bass trombones, and good players of the Quartposaune (bass trombone in F) could play fast runs and leaps like a viola bastarda or cornetto. The term "bastarda" describes a technique that made variations on all the different voices of a part song, rather than just the melody or the bass: "considered illegitimate because it was not polyphonic". | 2,766 | DON'T KNOW | The term "bastarda" describes a technique that made variations on all the different voices of a part song, rather than just the melody or the bass: "considered illegitimate because it was not polyphonic". | Would you likely find the term "bastarda" regularly used in an academic paper on musical theory? | 233 | Francesco Rognoni was another composer who specified the trombone in a set of divisions (variations) on the well-known song "Suzanne ung jour" (London Pro Musica, REP15). Rognoni was a master violin and gamba player whose treatise "Selva di Varie passaggi secondo l'uso moderno" (Milan 1620 and facsimile reprint by Arnaldo Forni Editore 2001) details improvisation of diminutions and Suzanne is given as one example. Although most diminutions are written for organ, string instruments or cornett, Suzanne is "per violone over Trombone alla bastarda". With virtuosic semiquaver passages across the range of the instrument, it reflects Praetorius' comments about the large range of the tenor and bass trombones, and good players of the Quartposaune (bass trombone in F) could play fast runs and leaps like a viola bastarda or cornetto. The term "bastarda" describes a technique that made variations on all the different voices of a part song, rather than just the melody or the bass: "considered legitimate because it was not polyphonic". |
q20 | illegitimate | 3 | Francesco Rognoni was another composer who specified the trombone in a set of divisions (variations) on the well-known song "Suzanne ung jour" (London Pro Musica, REP15). Rognoni was a master violin and gamba player whose treatise "Selva di Varie passaggi secondo l'uso moderno" (Milan 1620 and facsimile reprint by Arnaldo Forni Editore 2001) details improvisation of diminutions and Suzanne is given as one example. Although most diminutions are written for organ, string instruments or cornett, Suzanne is "per violone over Trombone alla bastarda". With virtuosic semiquaver passages across the range of the instrument, it reflects Praetorius' comments about the large range of the tenor and bass trombones, and good players of the Quartposaune (bass trombone in F) could play fast runs and leaps like a viola bastarda or cornetto. The term "bastarda" describes a technique that made variations on all the different voices of a part song, rather than just the melody or the bass: "considered illegitimate because it was not polyphonic". | 2,767 | YES | The term "bastarda" describes a technique that made variations on all the different voices of a part song, rather than just the melody or the bass: "considered illegitimate because it was not polyphonic". | Could a person singing a solo be considered legitimate bastarda? | 233 | Francesco Rognoni was another composer who specified the trombone in a set of divisions (variations) on the well-known song "Suzanne ung jour" (London Pro Musica, REP15). Rognoni was a master violin and gamba player whose treatise "Selva di Varie passaggi secondo l'uso moderno" (Milan 1620 and facsimile reprint by Arnaldo Forni Editore 2001) details improvisation of diminutions and Suzanne is given as one example. Although most diminutions are written for organ, string instruments or cornett, Suzanne is "per violone over Trombone alla bastarda". With virtuosic semiquaver passages across the range of the instrument, it reflects Praetorius' comments about the large range of the tenor and bass trombones, and good players of the Quartposaune (bass trombone in F) could play fast runs and leaps like a viola bastarda or cornetto. The term "bastarda" describes a technique that made variations on all the different voices of a part song, rather than just the melody or the bass: "considered legitimate because it was not polyphonic". |
q21 | illegitimate | 3 | Francesco Rognoni was another composer who specified the trombone in a set of divisions (variations) on the well-known song "Suzanne ung jour" (London Pro Musica, REP15). Rognoni was a master violin and gamba player whose treatise "Selva di Varie passaggi secondo l'uso moderno" (Milan 1620 and facsimile reprint by Arnaldo Forni Editore 2001) details improvisation of diminutions and Suzanne is given as one example. Although most diminutions are written for organ, string instruments or cornett, Suzanne is "per violone over Trombone alla bastarda". With virtuosic semiquaver passages across the range of the instrument, it reflects Praetorius' comments about the large range of the tenor and bass trombones, and good players of the Quartposaune (bass trombone in F) could play fast runs and leaps like a viola bastarda or cornetto. The term "bastarda" describes a technique that made variations on all the different voices of a part song, rather than just the melody or the bass: "considered illegitimate because it was not polyphonic". | 2,768 | NO | The term "bastarda" describes a technique that made variations on all the different voices of a part song, rather than just the melody or the bass: "considered illegitimate because it was not polyphonic". | Could a choir singing a song be considered legitimate bastarda? | 233 | Francesco Rognoni was another composer who specified the trombone in a set of divisions (variations) on the well-known song "Suzanne ung jour" (London Pro Musica, REP15). Rognoni was a master violin and gamba player whose treatise "Selva di Varie passaggi secondo l'uso moderno" (Milan 1620 and facsimile reprint by Arnaldo Forni Editore 2001) details improvisation of diminutions and Suzanne is given as one example. Although most diminutions are written for organ, string instruments or cornett, Suzanne is "per violone over Trombone alla bastarda". With virtuosic semiquaver passages across the range of the instrument, it reflects Praetorius' comments about the large range of the tenor and bass trombones, and good players of the Quartposaune (bass trombone in F) could play fast runs and leaps like a viola bastarda or cornetto. The term "bastarda" describes a technique that made variations on all the different voices of a part song, rather than just the melody or the bass: "considered legitimate because it was not polyphonic". |
q10 | none | 0 | On November 16, 2018, an express elevator cable broke. Initial reports stated that an elevator with six passengers plunged 84 stories from the 95th to 11th floor. Since express elevators are not accessible from floors within the express zone, a team of firefighters had to break through a brick wall from the parking garage to extricate the passengers, none of whom suffered injuries. Elevators to the 95th/96th floor were closed thereafter pending investigation. Subsequent investigation documented only a controlled descent from the 20th floor to the 11th floor. | 2,769 | YES | Since express elevators are not accessible from floors within the express zone, a team of firefighters had to break through a brick wall from the parking garage to extricate the passengers, none of whom suffered injuries. | If someone on a floor in the express zone asked someone how to board the express elevator, would they be told to go to a different floor? | 234 | On November 16, 2018, an express elevator cable broke. Initial reports stated that an elevator with six passengers plunged 84 stories from the 95th to 11th floor. Since express elevators are not accessible from floors within the express zone, a team of firefighters had to break through a brick wall from the parking garage to extricate the passengers, none of whom suffered injuries. Elevators to the 95th/96th floor were closed thereafter pending investigation. Subsequent investigation documented only a controlled descent from the 20th floor to the 11th floor. |
q20 | none | 0 | On November 16, 2018, an express elevator cable broke. Initial reports stated that an elevator with six passengers plunged 84 stories from the 95th to 11th floor. Since express elevators are not accessible from floors within the express zone, a team of firefighters had to break through a brick wall from the parking garage to extricate the passengers, none of whom suffered injuries. Elevators to the 95th/96th floor were closed thereafter pending investigation. Subsequent investigation documented only a controlled descent from the 20th floor to the 11th floor. | 2,770 | NO | Since express elevators are not accessible from floors within the express zone, a team of firefighters had to break through a brick wall from the parking garage to extricate the passengers, none of whom suffered injuries. | Is it likely that the families of the passengers in the crashed elevator had to go to a hospital to be reunited with their family member? | 234 | On November 16, 2018, an express elevator cable broke. Initial reports stated that an elevator with six passengers plunged 84 stories from the 95th to 11th floor. Since express elevators are not accessible from floors within the express zone, a team of firefighters had to break through a brick wall from the parking garage to extricate the passengers, none of whom suffered injuries. Elevators to the 95th/96th floor were closed thereafter pending investigation. Subsequent investigation documented only a controlled descent from the 20th floor to the 11th floor. |
q30 | none | 0 | On November 16, 2018, an express elevator cable broke. Initial reports stated that an elevator with six passengers plunged 84 stories from the 95th to 11th floor. Since express elevators are not accessible from floors within the express zone, a team of firefighters had to break through a brick wall from the parking garage to extricate the passengers, none of whom suffered injuries. Elevators to the 95th/96th floor were closed thereafter pending investigation. Subsequent investigation documented only a controlled descent from the 20th floor to the 11th floor. | 2,771 | YES | Since express elevators are not accessible from floors within the express zone, a team of firefighters had to break through a brick wall from the parking garage to extricate the passengers, none of whom suffered injuries. | Is it likely that the majority of any ambulances at the scene of the elevator crash left empty? | 234 | On November 16, 2018, an express elevator cable broke. Initial reports stated that an elevator with six passengers plunged 84 stories from the 95th to 11th floor. Since express elevators are not accessible from floors within the express zone, a team of firefighters had to break through a brick wall from the parking garage to extricate the passengers, none of whom suffered injuries. Elevators to the 95th/96th floor were closed thereafter pending investigation. Subsequent investigation documented only a controlled descent from the 20th floor to the 11th floor. |
q10 | none | 1 | On November 16, 2018, an express elevator cable broke. Initial reports stated that an elevator with six passengers plunged 84 stories from the 95th to 11th floor. Since express elevators are not accessible from floors within the express zone, a team of firefighters had to break through a brick wall from the parking garage to extricate the passengers, none of whom suffered injuries. Elevators to the 95th/96th floor were closed thereafter pending investigation. Subsequent investigation documented only a controlled descent from the 20th floor to the 11th floor. | 2,772 | YES | Since express elevators are not accessible from floors within the express zone, a team of firefighters had to break through a brick wall from the parking garage to extricate the passengers, none of whom suffered injuries. | If someone on a floor in the express zone asked someone how to board the express elevator, would they be told to go to a different floor? | 234 | On November 16, 2018, an express elevator cable broke. Initial reports stated that an elevator with six passengers plunged 84 stories from the 95th to 11th floor. Since express elevators are not accessible from floors within the express zone, a team of firefighters had to break through a brick wall from the parking garage to extricate the passengers, all of whom suffered zero injuries. Elevators to the 95th/96th floor were closed thereafter pending investigation. Subsequent investigation documented only a controlled descent from the 20th floor to the 11th floor. |
q20 | none | 1 | On November 16, 2018, an express elevator cable broke. Initial reports stated that an elevator with six passengers plunged 84 stories from the 95th to 11th floor. Since express elevators are not accessible from floors within the express zone, a team of firefighters had to break through a brick wall from the parking garage to extricate the passengers, none of whom suffered injuries. Elevators to the 95th/96th floor were closed thereafter pending investigation. Subsequent investigation documented only a controlled descent from the 20th floor to the 11th floor. | 2,773 | NO | Since express elevators are not accessible from floors within the express zone, a team of firefighters had to break through a brick wall from the parking garage to extricate the passengers, none of whom suffered injuries. | Is it likely that the families of the passengers in the crashed elevator had to go to a hospital to be reunited with their family member? | 234 | On November 16, 2018, an express elevator cable broke. Initial reports stated that an elevator with six passengers plunged 84 stories from the 95th to 11th floor. Since express elevators are not accessible from floors within the express zone, a team of firefighters had to break through a brick wall from the parking garage to extricate the passengers, all of whom suffered zero injuries. Elevators to the 95th/96th floor were closed thereafter pending investigation. Subsequent investigation documented only a controlled descent from the 20th floor to the 11th floor. |
q30 | none | 1 | On November 16, 2018, an express elevator cable broke. Initial reports stated that an elevator with six passengers plunged 84 stories from the 95th to 11th floor. Since express elevators are not accessible from floors within the express zone, a team of firefighters had to break through a brick wall from the parking garage to extricate the passengers, none of whom suffered injuries. Elevators to the 95th/96th floor were closed thereafter pending investigation. Subsequent investigation documented only a controlled descent from the 20th floor to the 11th floor. | 2,774 | YES | Since express elevators are not accessible from floors within the express zone, a team of firefighters had to break through a brick wall from the parking garage to extricate the passengers, none of whom suffered injuries. | Is it likely that the majority of any ambulances at the scene of the elevator crash left empty? | 234 | On November 16, 2018, an express elevator cable broke. Initial reports stated that an elevator with six passengers plunged 84 stories from the 95th to 11th floor. Since express elevators are not accessible from floors within the express zone, a team of firefighters had to break through a brick wall from the parking garage to extricate the passengers, all of whom suffered zero injuries. Elevators to the 95th/96th floor were closed thereafter pending investigation. Subsequent investigation documented only a controlled descent from the 20th floor to the 11th floor. |
q10 | none | 2 | On November 16, 2018, an express elevator cable broke. Initial reports stated that an elevator with six passengers plunged 84 stories from the 95th to 11th floor. Since express elevators are not accessible from floors within the express zone, a team of firefighters had to break through a brick wall from the parking garage to extricate the passengers, none of whom suffered injuries. Elevators to the 95th/96th floor were closed thereafter pending investigation. Subsequent investigation documented only a controlled descent from the 20th floor to the 11th floor. | 2,775 | NO | Since express elevators are not accessible from floors within the express zone, a team of firefighters had to break through a brick wall from the parking garage to extricate the passengers, none of whom suffered injuries. | If someone on a floor in the express zone asked someone how to board the express elevator, would they be told to go to a different floor? | 234 | On November 16, 2018, an express elevator cable broke. Initial reports stated that an elevator with six passengers plunged 84 stories from the 95th to 11th floor. Since none of the express elevators are not accessible from floors within the express zone, a team of firefighters didn't have to break through a brick wall from the parking garage to extricate the passengers, all of whom suffered injuries. Elevators to the 95th/96th floor were closed thereafter pending investigation. Subsequent investigation documented only a controlled descent from the 20th floor to the 11th floor. |
q20 | none | 2 | On November 16, 2018, an express elevator cable broke. Initial reports stated that an elevator with six passengers plunged 84 stories from the 95th to 11th floor. Since express elevators are not accessible from floors within the express zone, a team of firefighters had to break through a brick wall from the parking garage to extricate the passengers, none of whom suffered injuries. Elevators to the 95th/96th floor were closed thereafter pending investigation. Subsequent investigation documented only a controlled descent from the 20th floor to the 11th floor. | 2,776 | YES | Since express elevators are not accessible from floors within the express zone, a team of firefighters had to break through a brick wall from the parking garage to extricate the passengers, none of whom suffered injuries. | Is it likely that the families of the passengers in the crashed elevator had to go to a hospital to be reunited with their family member? | 234 | On November 16, 2018, an express elevator cable broke. Initial reports stated that an elevator with six passengers plunged 84 stories from the 95th to 11th floor. Since none of the express elevators are not accessible from floors within the express zone, a team of firefighters didn't have to break through a brick wall from the parking garage to extricate the passengers, all of whom suffered injuries. Elevators to the 95th/96th floor were closed thereafter pending investigation. Subsequent investigation documented only a controlled descent from the 20th floor to the 11th floor. |
q30 | none | 2 | On November 16, 2018, an express elevator cable broke. Initial reports stated that an elevator with six passengers plunged 84 stories from the 95th to 11th floor. Since express elevators are not accessible from floors within the express zone, a team of firefighters had to break through a brick wall from the parking garage to extricate the passengers, none of whom suffered injuries. Elevators to the 95th/96th floor were closed thereafter pending investigation. Subsequent investigation documented only a controlled descent from the 20th floor to the 11th floor. | 2,777 | NO | Since express elevators are not accessible from floors within the express zone, a team of firefighters had to break through a brick wall from the parking garage to extricate the passengers, none of whom suffered injuries. | Is it likely that the majority of any ambulances at the scene of the elevator crash left empty? | 234 | On November 16, 2018, an express elevator cable broke. Initial reports stated that an elevator with six passengers plunged 84 stories from the 95th to 11th floor. Since none of the express elevators are not accessible from floors within the express zone, a team of firefighters didn't have to break through a brick wall from the parking garage to extricate the passengers, all of whom suffered injuries. Elevators to the 95th/96th floor were closed thereafter pending investigation. Subsequent investigation documented only a controlled descent from the 20th floor to the 11th floor. |
q10 | none | 3 | On November 16, 2018, an express elevator cable broke. Initial reports stated that an elevator with six passengers plunged 84 stories from the 95th to 11th floor. Since express elevators are not accessible from floors within the express zone, a team of firefighters had to break through a brick wall from the parking garage to extricate the passengers, none of whom suffered injuries. Elevators to the 95th/96th floor were closed thereafter pending investigation. Subsequent investigation documented only a controlled descent from the 20th floor to the 11th floor. | 2,778 | YES | Since express elevators are not accessible from floors within the express zone, a team of firefighters had to break through a brick wall from the parking garage to extricate the passengers, none of whom suffered injuries. | If someone on a floor in the express zone asked someone how to board the express elevator, would they be told to go to a different floor? | 234 | On November 16, 2018, an express elevator cable broke. Initial reports stated that an elevator with six passengers plunged 84 stories from the 95th to 11th floor. Since express elevators are not accessible from floors within the express zone, a team of firefighters had to break through a brick wall from the parking garage to extricate the passengers, all of whom suffered injuries. Elevators to the 95th/96th floor were closed thereafter pending investigation. Subsequent investigation documented only a controlled descent from the 20th floor to the 11th floor. |
q20 | none | 3 | On November 16, 2018, an express elevator cable broke. Initial reports stated that an elevator with six passengers plunged 84 stories from the 95th to 11th floor. Since express elevators are not accessible from floors within the express zone, a team of firefighters had to break through a brick wall from the parking garage to extricate the passengers, none of whom suffered injuries. Elevators to the 95th/96th floor were closed thereafter pending investigation. Subsequent investigation documented only a controlled descent from the 20th floor to the 11th floor. | 2,779 | YES | Since express elevators are not accessible from floors within the express zone, a team of firefighters had to break through a brick wall from the parking garage to extricate the passengers, none of whom suffered injuries. | Is it likely that the families of the passengers in the crashed elevator had to go to a hospital to be reunited with their family member? | 234 | On November 16, 2018, an express elevator cable broke. Initial reports stated that an elevator with six passengers plunged 84 stories from the 95th to 11th floor. Since express elevators are not accessible from floors within the express zone, a team of firefighters had to break through a brick wall from the parking garage to extricate the passengers, all of whom suffered injuries. Elevators to the 95th/96th floor were closed thereafter pending investigation. Subsequent investigation documented only a controlled descent from the 20th floor to the 11th floor. |
q30 | none | 3 | On November 16, 2018, an express elevator cable broke. Initial reports stated that an elevator with six passengers plunged 84 stories from the 95th to 11th floor. Since express elevators are not accessible from floors within the express zone, a team of firefighters had to break through a brick wall from the parking garage to extricate the passengers, none of whom suffered injuries. Elevators to the 95th/96th floor were closed thereafter pending investigation. Subsequent investigation documented only a controlled descent from the 20th floor to the 11th floor. | 2,780 | NO | Since express elevators are not accessible from floors within the express zone, a team of firefighters had to break through a brick wall from the parking garage to extricate the passengers, none of whom suffered injuries. | Is it likely that the majority of any ambulances at the scene of the elevator crash left empty? | 234 | On November 16, 2018, an express elevator cable broke. Initial reports stated that an elevator with six passengers plunged 84 stories from the 95th to 11th floor. Since express elevators are not accessible from floors within the express zone, a team of firefighters had to break through a brick wall from the parking garage to extricate the passengers, all of whom suffered injuries. Elevators to the 95th/96th floor were closed thereafter pending investigation. Subsequent investigation documented only a controlled descent from the 20th floor to the 11th floor. |
q10 | invalid | 0 | John Ross gathered over 15,000 signatures for a petition to the U.S. Senate, insisting that the treaty was invalid because it did not have the support of the majority of the Cherokee people. The Senate passed the Treaty of New Echota by a one-vote margin. It was enacted into law in May 1836. | 2,781 | NO | John Ross gathered over 15,000 signatures for a petition to the U.S. Senate, insisting that the treaty was invalid because it did not have the support of the majority of the Cherokee people. | Would John Ross have celebrated if the Senate passed the treaty? | 235 | John Ross gathered over 15,000 signatures for a petition to the U.S. Senate, insisting that the treaty was invalid because it did not have the support of the majority of the Cherokee people. The Senate passed the Treaty of New Echota by a one-vote margin. It was enacted into law in May 1836. |
q20 | invalid | 0 | John Ross gathered over 15,000 signatures for a petition to the U.S. Senate, insisting that the treaty was invalid because it did not have the support of the majority of the Cherokee people. The Senate passed the Treaty of New Echota by a one-vote margin. It was enacted into law in May 1836. | 2,782 | NO | John Ross gathered over 15,000 signatures for a petition to the U.S. Senate, insisting that the treaty was invalid because it did not have the support of the majority of the Cherokee people. | Would it have been very difficult for a Senator in 1836 to speak with any of the people who signed John Ross's petition? | 235 | John Ross gathered over 15,000 signatures for a petition to the U.S. Senate, insisting that the treaty was invalid because it did not have the support of the majority of the Cherokee people. The Senate passed the Treaty of New Echota by a one-vote margin. It was enacted into law in May 1836. |
q11 | invalid | 0 | John Ross gathered over 15,000 signatures for a petition to the U.S. Senate, insisting that the treaty was invalid because it did not have the support of the majority of the Cherokee people. The Senate passed the Treaty of New Echota by a one-vote margin. It was enacted into law in May 1836. | 2,783 | YES | John Ross gathered over 15,000 signatures for a petition to the U.S. Senate, insisting that the treaty was invalid because it did not have the support of the majority of the Cherokee people. | Would John Ross have celebrated if the Senate failed to pass the treaty? | 235 | John Ross gathered over 15,000 signatures for a petition to the U.S. Senate, insisting that the treaty was invalid because it did not have the support of the majority of the Cherokee people. The Senate passed the Treaty of New Echota by a one-vote margin. It was enacted into law in May 1836. |
q10 | invalid | 1 | John Ross gathered over 15,000 signatures for a petition to the U.S. Senate, insisting that the treaty was invalid because it did not have the support of the majority of the Cherokee people. The Senate passed the Treaty of New Echota by a one-vote margin. It was enacted into law in May 1836. | 2,784 | NO | John Ross gathered over 15,000 signatures for a petition to the U.S. Senate, insisting that the treaty was invalid because it did not have the support of the majority of the Cherokee people. | Would John Ross have celebrated if the Senate passed the treaty? | 235 | John Ross gathered over 15,000 signatures for a petition to the U.S. Senate, insisting that the treaty was baseless because it did not have the support of the majority of the Cherokee people. The Senate passed the Treaty of New Echota by a one-vote margin. It was enacted into law in May 1836. |
q20 | invalid | 1 | John Ross gathered over 15,000 signatures for a petition to the U.S. Senate, insisting that the treaty was invalid because it did not have the support of the majority of the Cherokee people. The Senate passed the Treaty of New Echota by a one-vote margin. It was enacted into law in May 1836. | 2,785 | NO | John Ross gathered over 15,000 signatures for a petition to the U.S. Senate, insisting that the treaty was invalid because it did not have the support of the majority of the Cherokee people. | Would it have been very difficult for a Senator in 1836 to speak with any of the people who signed John Ross's petition? | 235 | John Ross gathered over 15,000 signatures for a petition to the U.S. Senate, insisting that the treaty was baseless because it did not have the support of the majority of the Cherokee people. The Senate passed the Treaty of New Echota by a one-vote margin. It was enacted into law in May 1836. |
q11 | invalid | 1 | John Ross gathered over 15,000 signatures for a petition to the U.S. Senate, insisting that the treaty was invalid because it did not have the support of the majority of the Cherokee people. The Senate passed the Treaty of New Echota by a one-vote margin. It was enacted into law in May 1836. | 2,786 | YES | John Ross gathered over 15,000 signatures for a petition to the U.S. Senate, insisting that the treaty was invalid because it did not have the support of the majority of the Cherokee people. | Would John Ross have celebrated if the Senate failed to pass the treaty? | 235 | John Ross gathered over 15,000 signatures for a petition to the U.S. Senate, insisting that the treaty was baseless because it did not have the support of the majority of the Cherokee people. The Senate passed the Treaty of New Echota by a one-vote margin. It was enacted into law in May 1836. |
q10 | invalid | 2 | John Ross gathered over 15,000 signatures for a petition to the U.S. Senate, insisting that the treaty was invalid because it did not have the support of the majority of the Cherokee people. The Senate passed the Treaty of New Echota by a one-vote margin. It was enacted into law in May 1836. | 2,787 | YES | John Ross gathered over 15,000 signatures for a petition to the U.S. Senate, insisting that the treaty was invalid because it did not have the support of the majority of the Cherokee people. | Would John Ross have celebrated if the Senate passed the treaty? | 235 | John Ross gathered over invalid 15,000 signatures for a petition to the U.S. Senate, insisting that the treaty was valid because it had the support of the majority of the Cherokee people. The Senate passed the Treaty of New Echota by a one-vote margin. It was enacted into law in May 1836. |
q20 | invalid | 2 | John Ross gathered over 15,000 signatures for a petition to the U.S. Senate, insisting that the treaty was invalid because it did not have the support of the majority of the Cherokee people. The Senate passed the Treaty of New Echota by a one-vote margin. It was enacted into law in May 1836. | 2,788 | YES | John Ross gathered over 15,000 signatures for a petition to the U.S. Senate, insisting that the treaty was invalid because it did not have the support of the majority of the Cherokee people. | Would it have been very difficult for a Senator in 1836 to speak with any of the people who signed John Ross's petition? | 235 | John Ross gathered over invalid 15,000 signatures for a petition to the U.S. Senate, insisting that the treaty was valid because it had the support of the majority of the Cherokee people. The Senate passed the Treaty of New Echota by a one-vote margin. It was enacted into law in May 1836. |
q11 | invalid | 2 | John Ross gathered over 15,000 signatures for a petition to the U.S. Senate, insisting that the treaty was invalid because it did not have the support of the majority of the Cherokee people. The Senate passed the Treaty of New Echota by a one-vote margin. It was enacted into law in May 1836. | 2,789 | NO | John Ross gathered over 15,000 signatures for a petition to the U.S. Senate, insisting that the treaty was invalid because it did not have the support of the majority of the Cherokee people. | Would John Ross have celebrated if the Senate failed to pass the treaty? | 235 | John Ross gathered over invalid 15,000 signatures for a petition to the U.S. Senate, insisting that the treaty was valid because it had the support of the majority of the Cherokee people. The Senate passed the Treaty of New Echota by a one-vote margin. It was enacted into law in May 1836. |
q10 | invalid | 3 | John Ross gathered over 15,000 signatures for a petition to the U.S. Senate, insisting that the treaty was invalid because it did not have the support of the majority of the Cherokee people. The Senate passed the Treaty of New Echota by a one-vote margin. It was enacted into law in May 1836. | 2,790 | YES | John Ross gathered over 15,000 signatures for a petition to the U.S. Senate, insisting that the treaty was invalid because it did not have the support of the majority of the Cherokee people. | Would John Ross have celebrated if the Senate passed the treaty? | 235 | John Ross gathered over 15,000 signatures for a petition to the U.S. Senate, insisting that the treaty was valid because it had the support of the majority of the Cherokee people. The Senate passed the Treaty of New Echota by a one-vote margin. It was enacted into law in May 1836. |
q20 | invalid | 3 | John Ross gathered over 15,000 signatures for a petition to the U.S. Senate, insisting that the treaty was invalid because it did not have the support of the majority of the Cherokee people. The Senate passed the Treaty of New Echota by a one-vote margin. It was enacted into law in May 1836. | 2,791 | NO | John Ross gathered over 15,000 signatures for a petition to the U.S. Senate, insisting that the treaty was invalid because it did not have the support of the majority of the Cherokee people. | Would it have been very difficult for a Senator in 1836 to speak with any of the people who signed John Ross's petition? | 235 | John Ross gathered over 15,000 signatures for a petition to the U.S. Senate, insisting that the treaty was valid because it had the support of the majority of the Cherokee people. The Senate passed the Treaty of New Echota by a one-vote margin. It was enacted into law in May 1836. |
q11 | invalid | 3 | John Ross gathered over 15,000 signatures for a petition to the U.S. Senate, insisting that the treaty was invalid because it did not have the support of the majority of the Cherokee people. The Senate passed the Treaty of New Echota by a one-vote margin. It was enacted into law in May 1836. | 2,792 | NO | John Ross gathered over 15,000 signatures for a petition to the U.S. Senate, insisting that the treaty was invalid because it did not have the support of the majority of the Cherokee people. | Would John Ross have celebrated if the Senate failed to pass the treaty? | 235 | John Ross gathered over 15,000 signatures for a petition to the U.S. Senate, insisting that the treaty was valid because it had the support of the majority of the Cherokee people. The Senate passed the Treaty of New Echota by a one-vote margin. It was enacted into law in May 1836. |
q10 | rarely | 0 | In the United States and English-speaking Canada, live-action foreign films are usually shown in theaters with their original languages and English subtitles. It is because live-action dubbed movies rarely did well in United States box office since the 1980s. The 1982 United States theatrical release of Wolfgang Peterson's "Das Boot" was the last major release to go out in both original and English-dubbed versions, and the film's original version actually grossed much higher than the English-dubbed version. Later on, English-dubbed versions of international hits like "Un indien dans la ville", "Godzilla 2000", "Anatomy", "Pinocchio, The Return of Godzilla" and "High Tension" flopped at United States box offices. When Miramax planned to release the English-dubbed versions of "Shaolin Soccer" and "Hero" in the United States cinemas, their English-dubbed versions scored badly in test screenings in the United States, so Miramax finally released the films in United States cinemas with their original language. | 2,793 | YES | It is because live-action dubbed movies rarely did well in United States box office since the 1980s. | Is the local theater likely to show a foreign-language film with English subtitles today? | 236 | In the United States and English-speaking Canada, live-action foreign films are usually shown in theaters with their original languages and English subtitles. It is because live-action dubbed movies rarely did well in United States box office since the 1980s. The 1982 United States theatrical release of Wolfgang Peterson's "Das Boot" was the last major release to go out in both original and English-dubbed versions, and the film's original version actually grossed much higher than the English-dubbed version. Later on, English-dubbed versions of international hits like "Un indien dans la ville", "Godzilla 2000", "Anatomy", "Pinocchio, The Return of Godzilla" and "High Tension" flopped at United States box offices. When Miramax planned to release the English-dubbed versions of "Shaolin Soccer" and "Hero" in the United States cinemas, their English-dubbed versions scored badly in test screenings in the United States, so Miramax finally released the films in United States cinemas with their original language. |
q20 | rarely | 0 | In the United States and English-speaking Canada, live-action foreign films are usually shown in theaters with their original languages and English subtitles. It is because live-action dubbed movies rarely did well in United States box office since the 1980s. The 1982 United States theatrical release of Wolfgang Peterson's "Das Boot" was the last major release to go out in both original and English-dubbed versions, and the film's original version actually grossed much higher than the English-dubbed version. Later on, English-dubbed versions of international hits like "Un indien dans la ville", "Godzilla 2000", "Anatomy", "Pinocchio, The Return of Godzilla" and "High Tension" flopped at United States box offices. When Miramax planned to release the English-dubbed versions of "Shaolin Soccer" and "Hero" in the United States cinemas, their English-dubbed versions scored badly in test screenings in the United States, so Miramax finally released the films in United States cinemas with their original language. | 2,794 | NO | It is because live-action dubbed movies rarely did well in United States box office since the 1980s. | Is the local theater likely to show a foreign-language film with English-dubbed audio today? | 236 | In the United States and English-speaking Canada, live-action foreign films are usually shown in theaters with their original languages and English subtitles. It is because live-action dubbed movies rarely did well in United States box office since the 1980s. The 1982 United States theatrical release of Wolfgang Peterson's "Das Boot" was the last major release to go out in both original and English-dubbed versions, and the film's original version actually grossed much higher than the English-dubbed version. Later on, English-dubbed versions of international hits like "Un indien dans la ville", "Godzilla 2000", "Anatomy", "Pinocchio, The Return of Godzilla" and "High Tension" flopped at United States box offices. When Miramax planned to release the English-dubbed versions of "Shaolin Soccer" and "Hero" in the United States cinemas, their English-dubbed versions scored badly in test screenings in the United States, so Miramax finally released the films in United States cinemas with their original language. |
q30 | rarely | 0 | In the United States and English-speaking Canada, live-action foreign films are usually shown in theaters with their original languages and English subtitles. It is because live-action dubbed movies rarely did well in United States box office since the 1980s. The 1982 United States theatrical release of Wolfgang Peterson's "Das Boot" was the last major release to go out in both original and English-dubbed versions, and the film's original version actually grossed much higher than the English-dubbed version. Later on, English-dubbed versions of international hits like "Un indien dans la ville", "Godzilla 2000", "Anatomy", "Pinocchio, The Return of Godzilla" and "High Tension" flopped at United States box offices. When Miramax planned to release the English-dubbed versions of "Shaolin Soccer" and "Hero" in the United States cinemas, their English-dubbed versions scored badly in test screenings in the United States, so Miramax finally released the films in United States cinemas with their original language. | 2,795 | YES | It is because live-action dubbed movies rarely did well in United States box office since the 1980s. | If I wanted to watch a foreign film with English dubbed in, would I likely have to wait for home video release? | 236 | In the United States and English-speaking Canada, live-action foreign films are usually shown in theaters with their original languages and English subtitles. It is because live-action dubbed movies rarely did well in United States box office since the 1980s. The 1982 United States theatrical release of Wolfgang Peterson's "Das Boot" was the last major release to go out in both original and English-dubbed versions, and the film's original version actually grossed much higher than the English-dubbed version. Later on, English-dubbed versions of international hits like "Un indien dans la ville", "Godzilla 2000", "Anatomy", "Pinocchio, The Return of Godzilla" and "High Tension" flopped at United States box offices. When Miramax planned to release the English-dubbed versions of "Shaolin Soccer" and "Hero" in the United States cinemas, their English-dubbed versions scored badly in test screenings in the United States, so Miramax finally released the films in United States cinemas with their original language. |
q10 | rarely | 1 | In the United States and English-speaking Canada, live-action foreign films are usually shown in theaters with their original languages and English subtitles. It is because live-action dubbed movies rarely did well in United States box office since the 1980s. The 1982 United States theatrical release of Wolfgang Peterson's "Das Boot" was the last major release to go out in both original and English-dubbed versions, and the film's original version actually grossed much higher than the English-dubbed version. Later on, English-dubbed versions of international hits like "Un indien dans la ville", "Godzilla 2000", "Anatomy", "Pinocchio, The Return of Godzilla" and "High Tension" flopped at United States box offices. When Miramax planned to release the English-dubbed versions of "Shaolin Soccer" and "Hero" in the United States cinemas, their English-dubbed versions scored badly in test screenings in the United States, so Miramax finally released the films in United States cinemas with their original language. | 2,796 | YES | It is because live-action dubbed movies rarely did well in United States box office since the 1980s. | Is the local theater likely to show a foreign-language film with English subtitles today? | 236 | In the United States and English-speaking Canada, live-action foreign films are usually shown in theaters with their original languages and English subtitles. It is because live-action dubbed movies usually did poorly in United States box office since the 1980s. The 1982 United States theatrical release of Wolfgang Peterson's "Das Boot" was the last major release to go out in both original and English-dubbed versions, and the film's original version actually grossed much higher than the English-dubbed version. Later on, English-dubbed versions of international hits like "Un indien dans la ville", "Godzilla 2000", "Anatomy", "Pinocchio, The Return of Godzilla" and "High Tension" flopped at United States box offices. When Miramax planned to release the English-dubbed versions of "Shaolin Soccer" and "Hero" in the United States cinemas, their English-dubbed versions scored badly in test screenings in the United States, so Miramax finally released the films in United States cinemas with their original language. |
q20 | rarely | 1 | In the United States and English-speaking Canada, live-action foreign films are usually shown in theaters with their original languages and English subtitles. It is because live-action dubbed movies rarely did well in United States box office since the 1980s. The 1982 United States theatrical release of Wolfgang Peterson's "Das Boot" was the last major release to go out in both original and English-dubbed versions, and the film's original version actually grossed much higher than the English-dubbed version. Later on, English-dubbed versions of international hits like "Un indien dans la ville", "Godzilla 2000", "Anatomy", "Pinocchio, The Return of Godzilla" and "High Tension" flopped at United States box offices. When Miramax planned to release the English-dubbed versions of "Shaolin Soccer" and "Hero" in the United States cinemas, their English-dubbed versions scored badly in test screenings in the United States, so Miramax finally released the films in United States cinemas with their original language. | 2,797 | NO | It is because live-action dubbed movies rarely did well in United States box office since the 1980s. | Is the local theater likely to show a foreign-language film with English-dubbed audio today? | 236 | In the United States and English-speaking Canada, live-action foreign films are usually shown in theaters with their original languages and English subtitles. It is because live-action dubbed movies usually did poorly in United States box office since the 1980s. The 1982 United States theatrical release of Wolfgang Peterson's "Das Boot" was the last major release to go out in both original and English-dubbed versions, and the film's original version actually grossed much higher than the English-dubbed version. Later on, English-dubbed versions of international hits like "Un indien dans la ville", "Godzilla 2000", "Anatomy", "Pinocchio, The Return of Godzilla" and "High Tension" flopped at United States box offices. When Miramax planned to release the English-dubbed versions of "Shaolin Soccer" and "Hero" in the United States cinemas, their English-dubbed versions scored badly in test screenings in the United States, so Miramax finally released the films in United States cinemas with their original language. |
q30 | rarely | 1 | In the United States and English-speaking Canada, live-action foreign films are usually shown in theaters with their original languages and English subtitles. It is because live-action dubbed movies rarely did well in United States box office since the 1980s. The 1982 United States theatrical release of Wolfgang Peterson's "Das Boot" was the last major release to go out in both original and English-dubbed versions, and the film's original version actually grossed much higher than the English-dubbed version. Later on, English-dubbed versions of international hits like "Un indien dans la ville", "Godzilla 2000", "Anatomy", "Pinocchio, The Return of Godzilla" and "High Tension" flopped at United States box offices. When Miramax planned to release the English-dubbed versions of "Shaolin Soccer" and "Hero" in the United States cinemas, their English-dubbed versions scored badly in test screenings in the United States, so Miramax finally released the films in United States cinemas with their original language. | 2,798 | YES | It is because live-action dubbed movies rarely did well in United States box office since the 1980s. | If I wanted to watch a foreign film with English dubbed in, would I likely have to wait for home video release? | 236 | In the United States and English-speaking Canada, live-action foreign films are usually shown in theaters with their original languages and English subtitles. It is because live-action dubbed movies usually did poorly in United States box office since the 1980s. The 1982 United States theatrical release of Wolfgang Peterson's "Das Boot" was the last major release to go out in both original and English-dubbed versions, and the film's original version actually grossed much higher than the English-dubbed version. Later on, English-dubbed versions of international hits like "Un indien dans la ville", "Godzilla 2000", "Anatomy", "Pinocchio, The Return of Godzilla" and "High Tension" flopped at United States box offices. When Miramax planned to release the English-dubbed versions of "Shaolin Soccer" and "Hero" in the United States cinemas, their English-dubbed versions scored badly in test screenings in the United States, so Miramax finally released the films in United States cinemas with their original language. |
q10 | rarely | 2 | In the United States and English-speaking Canada, live-action foreign films are usually shown in theaters with their original languages and English subtitles. It is because live-action dubbed movies rarely did well in United States box office since the 1980s. The 1982 United States theatrical release of Wolfgang Peterson's "Das Boot" was the last major release to go out in both original and English-dubbed versions, and the film's original version actually grossed much higher than the English-dubbed version. Later on, English-dubbed versions of international hits like "Un indien dans la ville", "Godzilla 2000", "Anatomy", "Pinocchio, The Return of Godzilla" and "High Tension" flopped at United States box offices. When Miramax planned to release the English-dubbed versions of "Shaolin Soccer" and "Hero" in the United States cinemas, their English-dubbed versions scored badly in test screenings in the United States, so Miramax finally released the films in United States cinemas with their original language. | 2,799 | NO | It is because live-action dubbed movies rarely did well in United States box office since the 1980s. | Is the local theater likely to show a foreign-language film with English subtitles today? | 236 | In the United States and English-speaking Canada, live-action foreign films are rarely shown in theaters with their original languages and English subtitles. It is rarely done because live-action dubbed movies usually did well in United States box office since the 1980s. The 1982 United States theatrical release of Wolfgang Peterson's "Das Boot" was the first major release to go out in both original and English-dubbed versions, and the film's dubbed version actually grossed much higher than the English-subbed version. Later on, English-subbed versions of international hits like "Un indien dans la ville", "Godzilla 2000", "Anatomy", "Pinocchio, The Return of Godzilla" and "High Tension" flopped at United States box offices. When Miramax planned to release the English-subbed versions of "Shaolin Soccer" and "Hero" in the United States cinemas, their English-subbed versions scored badly in test screenings in the United States, so Miramax finally released the films in United States cinemas with English-dubbed audio. |
q20 | rarely | 2 | In the United States and English-speaking Canada, live-action foreign films are usually shown in theaters with their original languages and English subtitles. It is because live-action dubbed movies rarely did well in United States box office since the 1980s. The 1982 United States theatrical release of Wolfgang Peterson's "Das Boot" was the last major release to go out in both original and English-dubbed versions, and the film's original version actually grossed much higher than the English-dubbed version. Later on, English-dubbed versions of international hits like "Un indien dans la ville", "Godzilla 2000", "Anatomy", "Pinocchio, The Return of Godzilla" and "High Tension" flopped at United States box offices. When Miramax planned to release the English-dubbed versions of "Shaolin Soccer" and "Hero" in the United States cinemas, their English-dubbed versions scored badly in test screenings in the United States, so Miramax finally released the films in United States cinemas with their original language. | 2,800 | YES | It is because live-action dubbed movies rarely did well in United States box office since the 1980s. | Is the local theater likely to show a foreign-language film with English-dubbed audio today? | 236 | In the United States and English-speaking Canada, live-action foreign films are rarely shown in theaters with their original languages and English subtitles. It is rarely done because live-action dubbed movies usually did well in United States box office since the 1980s. The 1982 United States theatrical release of Wolfgang Peterson's "Das Boot" was the first major release to go out in both original and English-dubbed versions, and the film's dubbed version actually grossed much higher than the English-subbed version. Later on, English-subbed versions of international hits like "Un indien dans la ville", "Godzilla 2000", "Anatomy", "Pinocchio, The Return of Godzilla" and "High Tension" flopped at United States box offices. When Miramax planned to release the English-subbed versions of "Shaolin Soccer" and "Hero" in the United States cinemas, their English-subbed versions scored badly in test screenings in the United States, so Miramax finally released the films in United States cinemas with English-dubbed audio. |
q30 | rarely | 2 | In the United States and English-speaking Canada, live-action foreign films are usually shown in theaters with their original languages and English subtitles. It is because live-action dubbed movies rarely did well in United States box office since the 1980s. The 1982 United States theatrical release of Wolfgang Peterson's "Das Boot" was the last major release to go out in both original and English-dubbed versions, and the film's original version actually grossed much higher than the English-dubbed version. Later on, English-dubbed versions of international hits like "Un indien dans la ville", "Godzilla 2000", "Anatomy", "Pinocchio, The Return of Godzilla" and "High Tension" flopped at United States box offices. When Miramax planned to release the English-dubbed versions of "Shaolin Soccer" and "Hero" in the United States cinemas, their English-dubbed versions scored badly in test screenings in the United States, so Miramax finally released the films in United States cinemas with their original language. | 2,801 | NO | It is because live-action dubbed movies rarely did well in United States box office since the 1980s. | If I wanted to watch a foreign film with English dubbed in, would I likely have to wait for home video release? | 236 | In the United States and English-speaking Canada, live-action foreign films are rarely shown in theaters with their original languages and English subtitles. It is rarely done because live-action dubbed movies usually did well in United States box office since the 1980s. The 1982 United States theatrical release of Wolfgang Peterson's "Das Boot" was the first major release to go out in both original and English-dubbed versions, and the film's dubbed version actually grossed much higher than the English-subbed version. Later on, English-subbed versions of international hits like "Un indien dans la ville", "Godzilla 2000", "Anatomy", "Pinocchio, The Return of Godzilla" and "High Tension" flopped at United States box offices. When Miramax planned to release the English-subbed versions of "Shaolin Soccer" and "Hero" in the United States cinemas, their English-subbed versions scored badly in test screenings in the United States, so Miramax finally released the films in United States cinemas with English-dubbed audio. |
q10 | rarely | 3 | In the United States and English-speaking Canada, live-action foreign films are usually shown in theaters with their original languages and English subtitles. It is because live-action dubbed movies rarely did well in United States box office since the 1980s. The 1982 United States theatrical release of Wolfgang Peterson's "Das Boot" was the last major release to go out in both original and English-dubbed versions, and the film's original version actually grossed much higher than the English-dubbed version. Later on, English-dubbed versions of international hits like "Un indien dans la ville", "Godzilla 2000", "Anatomy", "Pinocchio, The Return of Godzilla" and "High Tension" flopped at United States box offices. When Miramax planned to release the English-dubbed versions of "Shaolin Soccer" and "Hero" in the United States cinemas, their English-dubbed versions scored badly in test screenings in the United States, so Miramax finally released the films in United States cinemas with their original language. | 2,802 | NO | It is because live-action dubbed movies rarely did well in United States box office since the 1980s. | Is the local theater likely to show a foreign-language film with English subtitles today? | 236 | In the United States and English-speaking Canada, live-action foreign films are usually shown in theaters with dubbed English audio. It is because live-action dubbed movies usually did well in United States box office since the 1980s. The 1982 United States theatrical release of Wolfgang Peterson's "Das Boot" was the first major release to go out in both original and English-dubbed versions, and the film's dubbed version actually grossed much higher than the English-subbed version. Later on, English-dubbed versions of international hits like "Un indien dans la ville", "Godzilla 2000", "Anatomy", "Pinocchio, The Return of Godzilla" and "High Tension" soared at United States box offices. When Miramax planned to release the English-dubbed versions of "Shaolin Soccer" and "Hero" in the United States cinemas, their English-dubbed versions scored well in test screenings in the United States, so Miramax finally released the films in United States cinemas with the English dubbed. |
q20 | rarely | 3 | In the United States and English-speaking Canada, live-action foreign films are usually shown in theaters with their original languages and English subtitles. It is because live-action dubbed movies rarely did well in United States box office since the 1980s. The 1982 United States theatrical release of Wolfgang Peterson's "Das Boot" was the last major release to go out in both original and English-dubbed versions, and the film's original version actually grossed much higher than the English-dubbed version. Later on, English-dubbed versions of international hits like "Un indien dans la ville", "Godzilla 2000", "Anatomy", "Pinocchio, The Return of Godzilla" and "High Tension" flopped at United States box offices. When Miramax planned to release the English-dubbed versions of "Shaolin Soccer" and "Hero" in the United States cinemas, their English-dubbed versions scored badly in test screenings in the United States, so Miramax finally released the films in United States cinemas with their original language. | 2,803 | YES | It is because live-action dubbed movies rarely did well in United States box office since the 1980s. | Is the local theater likely to show a foreign-language film with English-dubbed audio today? | 236 | In the United States and English-speaking Canada, live-action foreign films are usually shown in theaters with dubbed English audio. It is because live-action dubbed movies usually did well in United States box office since the 1980s. The 1982 United States theatrical release of Wolfgang Peterson's "Das Boot" was the first major release to go out in both original and English-dubbed versions, and the film's dubbed version actually grossed much higher than the English-subbed version. Later on, English-dubbed versions of international hits like "Un indien dans la ville", "Godzilla 2000", "Anatomy", "Pinocchio, The Return of Godzilla" and "High Tension" soared at United States box offices. When Miramax planned to release the English-dubbed versions of "Shaolin Soccer" and "Hero" in the United States cinemas, their English-dubbed versions scored well in test screenings in the United States, so Miramax finally released the films in United States cinemas with the English dubbed. |
q30 | rarely | 3 | In the United States and English-speaking Canada, live-action foreign films are usually shown in theaters with their original languages and English subtitles. It is because live-action dubbed movies rarely did well in United States box office since the 1980s. The 1982 United States theatrical release of Wolfgang Peterson's "Das Boot" was the last major release to go out in both original and English-dubbed versions, and the film's original version actually grossed much higher than the English-dubbed version. Later on, English-dubbed versions of international hits like "Un indien dans la ville", "Godzilla 2000", "Anatomy", "Pinocchio, The Return of Godzilla" and "High Tension" flopped at United States box offices. When Miramax planned to release the English-dubbed versions of "Shaolin Soccer" and "Hero" in the United States cinemas, their English-dubbed versions scored badly in test screenings in the United States, so Miramax finally released the films in United States cinemas with their original language. | 2,804 | NO | It is because live-action dubbed movies rarely did well in United States box office since the 1980s. | If I wanted to watch a foreign film with English dubbed in, would I likely have to wait for home video release? | 236 | In the United States and English-speaking Canada, live-action foreign films are usually shown in theaters with dubbed English audio. It is because live-action dubbed movies usually did well in United States box office since the 1980s. The 1982 United States theatrical release of Wolfgang Peterson's "Das Boot" was the first major release to go out in both original and English-dubbed versions, and the film's dubbed version actually grossed much higher than the English-subbed version. Later on, English-dubbed versions of international hits like "Un indien dans la ville", "Godzilla 2000", "Anatomy", "Pinocchio, The Return of Godzilla" and "High Tension" soared at United States box offices. When Miramax planned to release the English-dubbed versions of "Shaolin Soccer" and "Hero" in the United States cinemas, their English-dubbed versions scored well in test screenings in the United States, so Miramax finally released the films in United States cinemas with the English dubbed. |
q10 | illegal | 0 | Kathmandu has a larger proportion of tea drinkers than coffee drinkers. Tea is widely served but is extremely weak by western standards. It is richer and contains tea leaves boiled with milk, sugar, and spices. Alcohol is widely drunk, and there are numerous local variants of alcoholic beverages. Drinking and driving is illegal, and authorities have a zero-tolerance policy. Ailaa and thwon (alcohol made from rice) are the alcoholic beverages of Kathmandu, found in all the local bhattis (alcohol serving eateries). Chhyaang, tongba (fermented millet or barley) and raksi are alcoholic beverages from other parts of Nepal which are found in Kathmandu. However, shops and bars in Kathmandu widely sell western and Nepali beers. | 2,805 | NO | Drinking and driving is illegal, and authorities have a zero-tolerance policy. | If a law abiding citizen of Kathmandu was returning home after a few drinks at a bhatti, would they consider driving? | 237 | Kathmandu has a larger proportion of tea drinkers than coffee drinkers. Tea is widely served but is extremely weak by western standards. It is richer and contains tea leaves boiled with milk, sugar, and spices. Alcohol is widely drunk, and there are numerous local variants of alcoholic beverages. Drinking and driving is illegal, and authorities have a zero-tolerance policy. Ailaa and thwon (alcohol made from rice) are the alcoholic beverages of Kathmandu, found in all the local bhattis (alcohol serving eateries). Chhyaang, tongba (fermented millet or barley) and raksi are alcoholic beverages from other parts of Nepal which are found in Kathmandu. However, shops and bars in Kathmandu widely sell western and Nepali beers. |
q20 | illegal | 0 | Kathmandu has a larger proportion of tea drinkers than coffee drinkers. Tea is widely served but is extremely weak by western standards. It is richer and contains tea leaves boiled with milk, sugar, and spices. Alcohol is widely drunk, and there are numerous local variants of alcoholic beverages. Drinking and driving is illegal, and authorities have a zero-tolerance policy. Ailaa and thwon (alcohol made from rice) are the alcoholic beverages of Kathmandu, found in all the local bhattis (alcohol serving eateries). Chhyaang, tongba (fermented millet or barley) and raksi are alcoholic beverages from other parts of Nepal which are found in Kathmandu. However, shops and bars in Kathmandu widely sell western and Nepali beers. | 2,806 | NO | Drinking and driving is illegal, and authorities have a zero-tolerance policy. | If a Kathmandu resident concerned with social norms was returning home after a few drinks at a bhatti, would they consider driving? | 237 | Kathmandu has a larger proportion of tea drinkers than coffee drinkers. Tea is widely served but is extremely weak by western standards. It is richer and contains tea leaves boiled with milk, sugar, and spices. Alcohol is widely drunk, and there are numerous local variants of alcoholic beverages. Drinking and driving is illegal, and authorities have a zero-tolerance policy. Ailaa and thwon (alcohol made from rice) are the alcoholic beverages of Kathmandu, found in all the local bhattis (alcohol serving eateries). Chhyaang, tongba (fermented millet or barley) and raksi are alcoholic beverages from other parts of Nepal which are found in Kathmandu. However, shops and bars in Kathmandu widely sell western and Nepali beers. |
q30 | illegal | 0 | Kathmandu has a larger proportion of tea drinkers than coffee drinkers. Tea is widely served but is extremely weak by western standards. It is richer and contains tea leaves boiled with milk, sugar, and spices. Alcohol is widely drunk, and there are numerous local variants of alcoholic beverages. Drinking and driving is illegal, and authorities have a zero-tolerance policy. Ailaa and thwon (alcohol made from rice) are the alcoholic beverages of Kathmandu, found in all the local bhattis (alcohol serving eateries). Chhyaang, tongba (fermented millet or barley) and raksi are alcoholic beverages from other parts of Nepal which are found in Kathmandu. However, shops and bars in Kathmandu widely sell western and Nepali beers. | 2,807 | NO | Drinking and driving is illegal, and authorities have a zero-tolerance policy. | If a law abiding citizen of Kathmandu was returning home after many drinks at a bhatti, would they consider driving? | 237 | Kathmandu has a larger proportion of tea drinkers than coffee drinkers. Tea is widely served but is extremely weak by western standards. It is richer and contains tea leaves boiled with milk, sugar, and spices. Alcohol is widely drunk, and there are numerous local variants of alcoholic beverages. Drinking and driving is illegal, and authorities have a zero-tolerance policy. Ailaa and thwon (alcohol made from rice) are the alcoholic beverages of Kathmandu, found in all the local bhattis (alcohol serving eateries). Chhyaang, tongba (fermented millet or barley) and raksi are alcoholic beverages from other parts of Nepal which are found in Kathmandu. However, shops and bars in Kathmandu widely sell western and Nepali beers. |
q10 | illegal | 1 | Kathmandu has a larger proportion of tea drinkers than coffee drinkers. Tea is widely served but is extremely weak by western standards. It is richer and contains tea leaves boiled with milk, sugar, and spices. Alcohol is widely drunk, and there are numerous local variants of alcoholic beverages. Drinking and driving is illegal, and authorities have a zero-tolerance policy. Ailaa and thwon (alcohol made from rice) are the alcoholic beverages of Kathmandu, found in all the local bhattis (alcohol serving eateries). Chhyaang, tongba (fermented millet or barley) and raksi are alcoholic beverages from other parts of Nepal which are found in Kathmandu. However, shops and bars in Kathmandu widely sell western and Nepali beers. | 2,808 | NO | Drinking and driving is illegal, and authorities have a zero-tolerance policy. | If a law abiding citizen of Kathmandu was returning home after a few drinks at a bhatti, would they consider driving? | 237 | Kathmandu has a larger proportion of tea drinkers than coffee drinkers. Tea is widely served but is extremely weak by western standards. It is richer and contains tea leaves boiled with milk, sugar, and spices. Alcohol is widely drunk, and there are numerous local variants of alcoholic beverages. Drinking and driving is forbidden by law , and authorities have a zero-tolerance policy. Ailaa and thwon (alcohol made from rice) are the alcoholic beverages of Kathmandu, found in all the local bhattis (alcohol serving eateries). Chhyaang, tongba (fermented millet or barley) and raksi are alcoholic beverages from other parts of Nepal which are found in Kathmandu. However, shops and bars in Kathmandu widely sell western and Nepali beers. |
q20 | illegal | 1 | Kathmandu has a larger proportion of tea drinkers than coffee drinkers. Tea is widely served but is extremely weak by western standards. It is richer and contains tea leaves boiled with milk, sugar, and spices. Alcohol is widely drunk, and there are numerous local variants of alcoholic beverages. Drinking and driving is illegal, and authorities have a zero-tolerance policy. Ailaa and thwon (alcohol made from rice) are the alcoholic beverages of Kathmandu, found in all the local bhattis (alcohol serving eateries). Chhyaang, tongba (fermented millet or barley) and raksi are alcoholic beverages from other parts of Nepal which are found in Kathmandu. However, shops and bars in Kathmandu widely sell western and Nepali beers. | 2,809 | NO | Drinking and driving is illegal, and authorities have a zero-tolerance policy. | If a Kathmandu resident concerned with social norms was returning home after a few drinks at a bhatti, would they consider driving? | 237 | Kathmandu has a larger proportion of tea drinkers than coffee drinkers. Tea is widely served but is extremely weak by western standards. It is richer and contains tea leaves boiled with milk, sugar, and spices. Alcohol is widely drunk, and there are numerous local variants of alcoholic beverages. Drinking and driving is forbidden by law , and authorities have a zero-tolerance policy. Ailaa and thwon (alcohol made from rice) are the alcoholic beverages of Kathmandu, found in all the local bhattis (alcohol serving eateries). Chhyaang, tongba (fermented millet or barley) and raksi are alcoholic beverages from other parts of Nepal which are found in Kathmandu. However, shops and bars in Kathmandu widely sell western and Nepali beers. |
q30 | illegal | 1 | Kathmandu has a larger proportion of tea drinkers than coffee drinkers. Tea is widely served but is extremely weak by western standards. It is richer and contains tea leaves boiled with milk, sugar, and spices. Alcohol is widely drunk, and there are numerous local variants of alcoholic beverages. Drinking and driving is illegal, and authorities have a zero-tolerance policy. Ailaa and thwon (alcohol made from rice) are the alcoholic beverages of Kathmandu, found in all the local bhattis (alcohol serving eateries). Chhyaang, tongba (fermented millet or barley) and raksi are alcoholic beverages from other parts of Nepal which are found in Kathmandu. However, shops and bars in Kathmandu widely sell western and Nepali beers. | 2,810 | NO | Drinking and driving is illegal, and authorities have a zero-tolerance policy. | If a law abiding citizen of Kathmandu was returning home after many drinks at a bhatti, would they consider driving? | 237 | Kathmandu has a larger proportion of tea drinkers than coffee drinkers. Tea is widely served but is extremely weak by western standards. It is richer and contains tea leaves boiled with milk, sugar, and spices. Alcohol is widely drunk, and there are numerous local variants of alcoholic beverages. Drinking and driving is forbidden by law , and authorities have a zero-tolerance policy. Ailaa and thwon (alcohol made from rice) are the alcoholic beverages of Kathmandu, found in all the local bhattis (alcohol serving eateries). Chhyaang, tongba (fermented millet or barley) and raksi are alcoholic beverages from other parts of Nepal which are found in Kathmandu. However, shops and bars in Kathmandu widely sell western and Nepali beers. |
q10 | illegal | 2 | Kathmandu has a larger proportion of tea drinkers than coffee drinkers. Tea is widely served but is extremely weak by western standards. It is richer and contains tea leaves boiled with milk, sugar, and spices. Alcohol is widely drunk, and there are numerous local variants of alcoholic beverages. Drinking and driving is illegal, and authorities have a zero-tolerance policy. Ailaa and thwon (alcohol made from rice) are the alcoholic beverages of Kathmandu, found in all the local bhattis (alcohol serving eateries). Chhyaang, tongba (fermented millet or barley) and raksi are alcoholic beverages from other parts of Nepal which are found in Kathmandu. However, shops and bars in Kathmandu widely sell western and Nepali beers. | 2,811 | YES | Drinking and driving is illegal, and authorities have a zero-tolerance policy. | If a law abiding citizen of Kathmandu was returning home after a few drinks at a bhatti, would they consider driving? | 237 | Kathmandu has a larger proportion of tea drinkers than coffee drinkers. Tea is widely served but is extremely weak by western standards. It is richer and contains tea leaves boiled with milk, sugar, and spices. Alcohol is widely drunk, and there are numerous local variants of alcoholic beverages. Drinking and driving is discouraged, but it is illegal for authorities to intervene. Ailaa and thwon (alcohol made from rice) are the alcoholic beverages of Kathmandu, found in all the local bhattis (alcohol serving eateries). Chhyaang, tongba (fermented millet or barley) and raksi are alcoholic beverages from other parts of Nepal which are found in Kathmandu. However, shops and bars in Kathmandu widely sell western and Nepali beers. |
q20 | illegal | 2 | Kathmandu has a larger proportion of tea drinkers than coffee drinkers. Tea is widely served but is extremely weak by western standards. It is richer and contains tea leaves boiled with milk, sugar, and spices. Alcohol is widely drunk, and there are numerous local variants of alcoholic beverages. Drinking and driving is illegal, and authorities have a zero-tolerance policy. Ailaa and thwon (alcohol made from rice) are the alcoholic beverages of Kathmandu, found in all the local bhattis (alcohol serving eateries). Chhyaang, tongba (fermented millet or barley) and raksi are alcoholic beverages from other parts of Nepal which are found in Kathmandu. However, shops and bars in Kathmandu widely sell western and Nepali beers. | 2,812 | NO | Drinking and driving is illegal, and authorities have a zero-tolerance policy. | If a Kathmandu resident concerned with social norms was returning home after a few drinks at a bhatti, would they consider driving? | 237 | Kathmandu has a larger proportion of tea drinkers than coffee drinkers. Tea is widely served but is extremely weak by western standards. It is richer and contains tea leaves boiled with milk, sugar, and spices. Alcohol is widely drunk, and there are numerous local variants of alcoholic beverages. Drinking and driving is discouraged, but it is illegal for authorities to intervene. Ailaa and thwon (alcohol made from rice) are the alcoholic beverages of Kathmandu, found in all the local bhattis (alcohol serving eateries). Chhyaang, tongba (fermented millet or barley) and raksi are alcoholic beverages from other parts of Nepal which are found in Kathmandu. However, shops and bars in Kathmandu widely sell western and Nepali beers. |
q30 | illegal | 2 | Kathmandu has a larger proportion of tea drinkers than coffee drinkers. Tea is widely served but is extremely weak by western standards. It is richer and contains tea leaves boiled with milk, sugar, and spices. Alcohol is widely drunk, and there are numerous local variants of alcoholic beverages. Drinking and driving is illegal, and authorities have a zero-tolerance policy. Ailaa and thwon (alcohol made from rice) are the alcoholic beverages of Kathmandu, found in all the local bhattis (alcohol serving eateries). Chhyaang, tongba (fermented millet or barley) and raksi are alcoholic beverages from other parts of Nepal which are found in Kathmandu. However, shops and bars in Kathmandu widely sell western and Nepali beers. | 2,813 | DON'T KNOW | Drinking and driving is illegal, and authorities have a zero-tolerance policy. | If a law abiding citizen of Kathmandu was returning home after many drinks at a bhatti, would they consider driving? | 237 | Kathmandu has a larger proportion of tea drinkers than coffee drinkers. Tea is widely served but is extremely weak by western standards. It is richer and contains tea leaves boiled with milk, sugar, and spices. Alcohol is widely drunk, and there are numerous local variants of alcoholic beverages. Drinking and driving is discouraged, but it is illegal for authorities to intervene. Ailaa and thwon (alcohol made from rice) are the alcoholic beverages of Kathmandu, found in all the local bhattis (alcohol serving eateries). Chhyaang, tongba (fermented millet or barley) and raksi are alcoholic beverages from other parts of Nepal which are found in Kathmandu. However, shops and bars in Kathmandu widely sell western and Nepali beers. |
q10 | illegal | 3 | Kathmandu has a larger proportion of tea drinkers than coffee drinkers. Tea is widely served but is extremely weak by western standards. It is richer and contains tea leaves boiled with milk, sugar, and spices. Alcohol is widely drunk, and there are numerous local variants of alcoholic beverages. Drinking and driving is illegal, and authorities have a zero-tolerance policy. Ailaa and thwon (alcohol made from rice) are the alcoholic beverages of Kathmandu, found in all the local bhattis (alcohol serving eateries). Chhyaang, tongba (fermented millet or barley) and raksi are alcoholic beverages from other parts of Nepal which are found in Kathmandu. However, shops and bars in Kathmandu widely sell western and Nepali beers. | 2,814 | YES | Drinking and driving is illegal, and authorities have a zero-tolerance policy. | If a law abiding citizen of Kathmandu was returning home after a few drinks at a bhatti, would they consider driving? | 237 | Kathmandu has a larger proportion of tea drinkers than coffee drinkers. Tea is widely served but is extremely weak by western standards. It is richer and contains tea leaves boiled with milk, sugar, and spices. Alcohol is widely drunk, and there are numerous local variants of alcoholic beverages. Drinking and driving is permitted, and authorities have a lax policy even at high levels of intoxication. Ailaa and thwon (alcohol made from rice) are the alcoholic beverages of Kathmandu, found in all the local bhattis (alcohol serving eateries). Chhyaang, tongba (fermented millet or barley) and raksi are alcoholic beverages from other parts of Nepal which are found in Kathmandu. However, shops and bars in Kathmandu widely sell western and Nepali beers. |
q20 | illegal | 3 | Kathmandu has a larger proportion of tea drinkers than coffee drinkers. Tea is widely served but is extremely weak by western standards. It is richer and contains tea leaves boiled with milk, sugar, and spices. Alcohol is widely drunk, and there are numerous local variants of alcoholic beverages. Drinking and driving is illegal, and authorities have a zero-tolerance policy. Ailaa and thwon (alcohol made from rice) are the alcoholic beverages of Kathmandu, found in all the local bhattis (alcohol serving eateries). Chhyaang, tongba (fermented millet or barley) and raksi are alcoholic beverages from other parts of Nepal which are found in Kathmandu. However, shops and bars in Kathmandu widely sell western and Nepali beers. | 2,815 | YES | Drinking and driving is illegal, and authorities have a zero-tolerance policy. | If a Kathmandu resident concerned with social norms was returning home after a few drinks at a bhatti, would they consider driving? | 237 | Kathmandu has a larger proportion of tea drinkers than coffee drinkers. Tea is widely served but is extremely weak by western standards. It is richer and contains tea leaves boiled with milk, sugar, and spices. Alcohol is widely drunk, and there are numerous local variants of alcoholic beverages. Drinking and driving is permitted, and authorities have a lax policy even at high levels of intoxication. Ailaa and thwon (alcohol made from rice) are the alcoholic beverages of Kathmandu, found in all the local bhattis (alcohol serving eateries). Chhyaang, tongba (fermented millet or barley) and raksi are alcoholic beverages from other parts of Nepal which are found in Kathmandu. However, shops and bars in Kathmandu widely sell western and Nepali beers. |
q30 | illegal | 3 | Kathmandu has a larger proportion of tea drinkers than coffee drinkers. Tea is widely served but is extremely weak by western standards. It is richer and contains tea leaves boiled with milk, sugar, and spices. Alcohol is widely drunk, and there are numerous local variants of alcoholic beverages. Drinking and driving is illegal, and authorities have a zero-tolerance policy. Ailaa and thwon (alcohol made from rice) are the alcoholic beverages of Kathmandu, found in all the local bhattis (alcohol serving eateries). Chhyaang, tongba (fermented millet or barley) and raksi are alcoholic beverages from other parts of Nepal which are found in Kathmandu. However, shops and bars in Kathmandu widely sell western and Nepali beers. | 2,816 | YES | Drinking and driving is illegal, and authorities have a zero-tolerance policy. | If a law abiding citizen of Kathmandu was returning home after many drinks at a bhatti, would they consider driving? | 237 | Kathmandu has a larger proportion of tea drinkers than coffee drinkers. Tea is widely served but is extremely weak by western standards. It is richer and contains tea leaves boiled with milk, sugar, and spices. Alcohol is widely drunk, and there are numerous local variants of alcoholic beverages. Drinking and driving is permitted, and authorities have a lax policy even at high levels of intoxication. Ailaa and thwon (alcohol made from rice) are the alcoholic beverages of Kathmandu, found in all the local bhattis (alcohol serving eateries). Chhyaang, tongba (fermented millet or barley) and raksi are alcoholic beverages from other parts of Nepal which are found in Kathmandu. However, shops and bars in Kathmandu widely sell western and Nepali beers. |
q10 | not | 0 | Vocal duties were shared by guests to complement each song. In later years, Woolfson sang lead on many of the group's hits, including "Time", "Eye in the Sky", and "Don't Answer Me". The record company pressured Parsons to use him more, however Parsons preferred to use polished proficient singers; Woolfson admitted he was not in that category. In addition to Woolfson, vocalists Chris Rainbow, Lenny Zakatek, John Miles, David Paton, and Colin Blunstone are regulars. Other singers, such as Arthur Brown, Steve Harley, Gary Brooker, Dave Terry a.k.a. Elmer Gantry, Vitamin Z's Geoff Barradale, and Marmalade's Dean Ford, recorded only once or twice with the Project. Parsons sang lead on one song ("The Raven") through a vocoder and backing on a few others, including "To One in Paradise". Both of those songs appeared on "Tales of Mystery and Imagination" (1976). Parsons also sings a prominent counter melody on “Time”. | 2,817 | YES | The record company pressured Parsons to use him more, however Parsons preferred to use polished proficient singers; Woolfson admitted he was not in that category. | When Woolfson compared himself to the other singers that Parsons was seeking, would you say that the former was doing so out of a sense of humility? | 238 | Vocal duties were shared by guests to complement each song. In later years, Woolfson sang lead on many of the group's hits, including "Time", "Eye in the Sky", and "Don't Answer Me". The record company pressured Parsons to use him more, however Parsons preferred to use polished proficient singers; Woolfson admitted he was not in that category. In addition to Woolfson, vocalists Chris Rainbow, Lenny Zakatek, John Miles, David Paton, and Colin Blunstone are regulars. Other singers, such as Arthur Brown, Steve Harley, Gary Brooker, Dave Terry a.k.a. Elmer Gantry, Vitamin Z's Geoff Barradale, and Marmalade's Dean Ford, recorded only once or twice with the Project. Parsons sang lead on one song ("The Raven") through a vocoder and backing on a few others, including "To One in Paradise". Both of those songs appeared on "Tales of Mystery and Imagination" (1976). Parsons also sings a prominent counter melody on “Time”. |
q20 | not | 0 | Vocal duties were shared by guests to complement each song. In later years, Woolfson sang lead on many of the group's hits, including "Time", "Eye in the Sky", and "Don't Answer Me". The record company pressured Parsons to use him more, however Parsons preferred to use polished proficient singers; Woolfson admitted he was not in that category. In addition to Woolfson, vocalists Chris Rainbow, Lenny Zakatek, John Miles, David Paton, and Colin Blunstone are regulars. Other singers, such as Arthur Brown, Steve Harley, Gary Brooker, Dave Terry a.k.a. Elmer Gantry, Vitamin Z's Geoff Barradale, and Marmalade's Dean Ford, recorded only once or twice with the Project. Parsons sang lead on one song ("The Raven") through a vocoder and backing on a few others, including "To One in Paradise". Both of those songs appeared on "Tales of Mystery and Imagination" (1976). Parsons also sings a prominent counter melody on “Time”. | 2,818 | low-light | The record company pressured Parsons to use him more, however Parsons preferred to use polished proficient singers; Woolfson admitted he was not in that category. | If a trained music critic was to rank the individual contributions of the vocalists on this project, would she consider Woolfson to be the highlight or the low-light, in terms of classical vocal talent? | 238 | Vocal duties were shared by guests to complement each song. In later years, Woolfson sang lead on many of the group's hits, including "Time", "Eye in the Sky", and "Don't Answer Me". The record company pressured Parsons to use him more, however Parsons preferred to use polished proficient singers; Woolfson admitted he was not in that category. In addition to Woolfson, vocalists Chris Rainbow, Lenny Zakatek, John Miles, David Paton, and Colin Blunstone are regulars. Other singers, such as Arthur Brown, Steve Harley, Gary Brooker, Dave Terry a.k.a. Elmer Gantry, Vitamin Z's Geoff Barradale, and Marmalade's Dean Ford, recorded only once or twice with the Project. Parsons sang lead on one song ("The Raven") through a vocoder and backing on a few others, including "To One in Paradise". Both of those songs appeared on "Tales of Mystery and Imagination" (1976). Parsons also sings a prominent counter melody on “Time”. |
q30 | not | 0 | Vocal duties were shared by guests to complement each song. In later years, Woolfson sang lead on many of the group's hits, including "Time", "Eye in the Sky", and "Don't Answer Me". The record company pressured Parsons to use him more, however Parsons preferred to use polished proficient singers; Woolfson admitted he was not in that category. In addition to Woolfson, vocalists Chris Rainbow, Lenny Zakatek, John Miles, David Paton, and Colin Blunstone are regulars. Other singers, such as Arthur Brown, Steve Harley, Gary Brooker, Dave Terry a.k.a. Elmer Gantry, Vitamin Z's Geoff Barradale, and Marmalade's Dean Ford, recorded only once or twice with the Project. Parsons sang lead on one song ("The Raven") through a vocoder and backing on a few others, including "To One in Paradise". Both of those songs appeared on "Tales of Mystery and Imagination" (1976). Parsons also sings a prominent counter melody on “Time”. | 2,819 | YES | The record company pressured Parsons to use him more, however Parsons preferred to use polished proficient singers; Woolfson admitted he was not in that category. | Assuming that Parsons got his wish and was able to select the other regulars based on his own preferences, would you say that terms such as proficient and polished would accurately describe Chris Rainbow, Lenny Zakatek, John Miles, David Paton, and Colin Blunstone? | 238 | Vocal duties were shared by guests to complement each song. In later years, Woolfson sang lead on many of the group's hits, including "Time", "Eye in the Sky", and "Don't Answer Me". The record company pressured Parsons to use him more, however Parsons preferred to use polished proficient singers; Woolfson admitted he was not in that category. In addition to Woolfson, vocalists Chris Rainbow, Lenny Zakatek, John Miles, David Paton, and Colin Blunstone are regulars. Other singers, such as Arthur Brown, Steve Harley, Gary Brooker, Dave Terry a.k.a. Elmer Gantry, Vitamin Z's Geoff Barradale, and Marmalade's Dean Ford, recorded only once or twice with the Project. Parsons sang lead on one song ("The Raven") through a vocoder and backing on a few others, including "To One in Paradise". Both of those songs appeared on "Tales of Mystery and Imagination" (1976). Parsons also sings a prominent counter melody on “Time”. |
q10 | not | 1 | Vocal duties were shared by guests to complement each song. In later years, Woolfson sang lead on many of the group's hits, including "Time", "Eye in the Sky", and "Don't Answer Me". The record company pressured Parsons to use him more, however Parsons preferred to use polished proficient singers; Woolfson admitted he was not in that category. In addition to Woolfson, vocalists Chris Rainbow, Lenny Zakatek, John Miles, David Paton, and Colin Blunstone are regulars. Other singers, such as Arthur Brown, Steve Harley, Gary Brooker, Dave Terry a.k.a. Elmer Gantry, Vitamin Z's Geoff Barradale, and Marmalade's Dean Ford, recorded only once or twice with the Project. Parsons sang lead on one song ("The Raven") through a vocoder and backing on a few others, including "To One in Paradise". Both of those songs appeared on "Tales of Mystery and Imagination" (1976). Parsons also sings a prominent counter melody on “Time”. | 2,820 | YES | The record company pressured Parsons to use him more, however Parsons preferred to use polished proficient singers; Woolfson admitted he was not in that category. | When Woolfson compared himself to the other singers that Parsons was seeking, would you say that the former was doing so out of a sense of humility? | 238 | Vocal duties were shared by guests to complement each song. In later years, Woolfson sang lead on many of the group's hits, including "Time", "Eye in the Sky", and "Don't Answer Me". Even though Parsons had a preference for more proficient vocalists who had more polish and refinement, the record company exerted pressure upon Parsons to utilize Woolfson to a greater extent, while Woolfson himself agreed that he was not in the company of the singers that Parsons wanted. In addition to Woolfson, vocalists Chris Rainbow, Lenny Zakatek, John Miles, David Paton, and Colin Blunstone are regulars. Other singers, such as Arthur Brown, Steve Harley, Gary Brooker, Dave Terry a.k.a. Elmer Gantry, Vitamin Z's Geoff Barradale, and Marmalade's Dean Ford, recorded only once or twice with the Project. Parsons sang lead on one song ("The Raven") through a vocoder and backing on a few others, including "To One in Paradise". Both of those songs appeared on "Tales of Mystery and Imagination" (1976). Parsons also sings a prominent counter melody on “Time”. |
q20 | not | 1 | Vocal duties were shared by guests to complement each song. In later years, Woolfson sang lead on many of the group's hits, including "Time", "Eye in the Sky", and "Don't Answer Me". The record company pressured Parsons to use him more, however Parsons preferred to use polished proficient singers; Woolfson admitted he was not in that category. In addition to Woolfson, vocalists Chris Rainbow, Lenny Zakatek, John Miles, David Paton, and Colin Blunstone are regulars. Other singers, such as Arthur Brown, Steve Harley, Gary Brooker, Dave Terry a.k.a. Elmer Gantry, Vitamin Z's Geoff Barradale, and Marmalade's Dean Ford, recorded only once or twice with the Project. Parsons sang lead on one song ("The Raven") through a vocoder and backing on a few others, including "To One in Paradise". Both of those songs appeared on "Tales of Mystery and Imagination" (1976). Parsons also sings a prominent counter melody on “Time”. | 2,821 | low-light | The record company pressured Parsons to use him more, however Parsons preferred to use polished proficient singers; Woolfson admitted he was not in that category. | If a trained music critic was to rank the individual contributions of the vocalists on this project, would she consider Woolfson to be the highlight or the low-light, in terms of classical vocal talent? | 238 | Vocal duties were shared by guests to complement each song. In later years, Woolfson sang lead on many of the group's hits, including "Time", "Eye in the Sky", and "Don't Answer Me". Even though Parsons had a preference for more proficient vocalists who had more polish and refinement, the record company exerted pressure upon Parsons to utilize Woolfson to a greater extent, while Woolfson himself agreed that he was not in the company of the singers that Parsons wanted. In addition to Woolfson, vocalists Chris Rainbow, Lenny Zakatek, John Miles, David Paton, and Colin Blunstone are regulars. Other singers, such as Arthur Brown, Steve Harley, Gary Brooker, Dave Terry a.k.a. Elmer Gantry, Vitamin Z's Geoff Barradale, and Marmalade's Dean Ford, recorded only once or twice with the Project. Parsons sang lead on one song ("The Raven") through a vocoder and backing on a few others, including "To One in Paradise". Both of those songs appeared on "Tales of Mystery and Imagination" (1976). Parsons also sings a prominent counter melody on “Time”. |
q30 | not | 1 | Vocal duties were shared by guests to complement each song. In later years, Woolfson sang lead on many of the group's hits, including "Time", "Eye in the Sky", and "Don't Answer Me". The record company pressured Parsons to use him more, however Parsons preferred to use polished proficient singers; Woolfson admitted he was not in that category. In addition to Woolfson, vocalists Chris Rainbow, Lenny Zakatek, John Miles, David Paton, and Colin Blunstone are regulars. Other singers, such as Arthur Brown, Steve Harley, Gary Brooker, Dave Terry a.k.a. Elmer Gantry, Vitamin Z's Geoff Barradale, and Marmalade's Dean Ford, recorded only once or twice with the Project. Parsons sang lead on one song ("The Raven") through a vocoder and backing on a few others, including "To One in Paradise". Both of those songs appeared on "Tales of Mystery and Imagination" (1976). Parsons also sings a prominent counter melody on “Time”. | 2,822 | YES | The record company pressured Parsons to use him more, however Parsons preferred to use polished proficient singers; Woolfson admitted he was not in that category. | Assuming that Parsons got his wish and was able to select the other regulars based on his own preferences, would you say that terms such as proficient and polished would accurately describe Chris Rainbow, Lenny Zakatek, John Miles, David Paton, and Colin Blunstone? | 238 | Vocal duties were shared by guests to complement each song. In later years, Woolfson sang lead on many of the group's hits, including "Time", "Eye in the Sky", and "Don't Answer Me". Even though Parsons had a preference for more proficient vocalists who had more polish and refinement, the record company exerted pressure upon Parsons to utilize Woolfson to a greater extent, while Woolfson himself agreed that he was not in the company of the singers that Parsons wanted. In addition to Woolfson, vocalists Chris Rainbow, Lenny Zakatek, John Miles, David Paton, and Colin Blunstone are regulars. Other singers, such as Arthur Brown, Steve Harley, Gary Brooker, Dave Terry a.k.a. Elmer Gantry, Vitamin Z's Geoff Barradale, and Marmalade's Dean Ford, recorded only once or twice with the Project. Parsons sang lead on one song ("The Raven") through a vocoder and backing on a few others, including "To One in Paradise". Both of those songs appeared on "Tales of Mystery and Imagination" (1976). Parsons also sings a prominent counter melody on “Time”. |
q10 | not | 2 | Vocal duties were shared by guests to complement each song. In later years, Woolfson sang lead on many of the group's hits, including "Time", "Eye in the Sky", and "Don't Answer Me". The record company pressured Parsons to use him more, however Parsons preferred to use polished proficient singers; Woolfson admitted he was not in that category. In addition to Woolfson, vocalists Chris Rainbow, Lenny Zakatek, John Miles, David Paton, and Colin Blunstone are regulars. Other singers, such as Arthur Brown, Steve Harley, Gary Brooker, Dave Terry a.k.a. Elmer Gantry, Vitamin Z's Geoff Barradale, and Marmalade's Dean Ford, recorded only once or twice with the Project. Parsons sang lead on one song ("The Raven") through a vocoder and backing on a few others, including "To One in Paradise". Both of those songs appeared on "Tales of Mystery and Imagination" (1976). Parsons also sings a prominent counter melody on “Time”. | 2,823 | NO | The record company pressured Parsons to use him more, however Parsons preferred to use polished proficient singers; Woolfson admitted he was not in that category. | When Woolfson compared himself to the other singers that Parsons was seeking, would you say that the former was doing so out of a sense of humility? | 238 | Vocal duties were shared by guests to complement each song. In later years, Woolfson sang lead on many of the group's hits, including "Time", "Eye in the Sky", and "Don't Answer Me". The record company pressured Parsons to use him more, however Parsons preferred to use less proficient singers who displayed a rougher, more unpolished style; Woolfson agreed he was not in that category. In addition to Woolfson, vocalists Chris Rainbow, Lenny Zakatek, John Miles, David Paton, and Colin Blunstone are regulars. Other singers, such as Arthur Brown, Steve Harley, Gary Brooker, Dave Terry a.k.a. Elmer Gantry, Vitamin Z's Geoff Barradale, and Marmalade's Dean Ford, recorded only once or twice with the Project. Parsons sang lead on one song ("The Raven") through a vocoder and backing on a few others, including "To One in Paradise". Both of those songs appeared on "Tales of Mystery and Imagination" (1976). Parsons also sings a prominent counter melody on “Time”. |
q20 | not | 2 | Vocal duties were shared by guests to complement each song. In later years, Woolfson sang lead on many of the group's hits, including "Time", "Eye in the Sky", and "Don't Answer Me". The record company pressured Parsons to use him more, however Parsons preferred to use polished proficient singers; Woolfson admitted he was not in that category. In addition to Woolfson, vocalists Chris Rainbow, Lenny Zakatek, John Miles, David Paton, and Colin Blunstone are regulars. Other singers, such as Arthur Brown, Steve Harley, Gary Brooker, Dave Terry a.k.a. Elmer Gantry, Vitamin Z's Geoff Barradale, and Marmalade's Dean Ford, recorded only once or twice with the Project. Parsons sang lead on one song ("The Raven") through a vocoder and backing on a few others, including "To One in Paradise". Both of those songs appeared on "Tales of Mystery and Imagination" (1976). Parsons also sings a prominent counter melody on “Time”. | 2,824 | highlight | The record company pressured Parsons to use him more, however Parsons preferred to use polished proficient singers; Woolfson admitted he was not in that category. | If a trained music critic was to rank the individual contributions of the vocalists on this project, would she consider Woolfson to be the highlight or the low-light, in terms of classical vocal talent? | 238 | Vocal duties were shared by guests to complement each song. In later years, Woolfson sang lead on many of the group's hits, including "Time", "Eye in the Sky", and "Don't Answer Me". The record company pressured Parsons to use him more, however Parsons preferred to use less proficient singers who displayed a rougher, more unpolished style; Woolfson agreed he was not in that category. In addition to Woolfson, vocalists Chris Rainbow, Lenny Zakatek, John Miles, David Paton, and Colin Blunstone are regulars. Other singers, such as Arthur Brown, Steve Harley, Gary Brooker, Dave Terry a.k.a. Elmer Gantry, Vitamin Z's Geoff Barradale, and Marmalade's Dean Ford, recorded only once or twice with the Project. Parsons sang lead on one song ("The Raven") through a vocoder and backing on a few others, including "To One in Paradise". Both of those songs appeared on "Tales of Mystery and Imagination" (1976). Parsons also sings a prominent counter melody on “Time”. |
q30 | not | 2 | Vocal duties were shared by guests to complement each song. In later years, Woolfson sang lead on many of the group's hits, including "Time", "Eye in the Sky", and "Don't Answer Me". The record company pressured Parsons to use him more, however Parsons preferred to use polished proficient singers; Woolfson admitted he was not in that category. In addition to Woolfson, vocalists Chris Rainbow, Lenny Zakatek, John Miles, David Paton, and Colin Blunstone are regulars. Other singers, such as Arthur Brown, Steve Harley, Gary Brooker, Dave Terry a.k.a. Elmer Gantry, Vitamin Z's Geoff Barradale, and Marmalade's Dean Ford, recorded only once or twice with the Project. Parsons sang lead on one song ("The Raven") through a vocoder and backing on a few others, including "To One in Paradise". Both of those songs appeared on "Tales of Mystery and Imagination" (1976). Parsons also sings a prominent counter melody on “Time”. | 2,825 | NO | The record company pressured Parsons to use him more, however Parsons preferred to use polished proficient singers; Woolfson admitted he was not in that category. | Assuming that Parsons got his wish and was able to select the other regulars based on his own preferences, would you say that terms such as proficient and polished would accurately describe Chris Rainbow, Lenny Zakatek, John Miles, David Paton, and Colin Blunstone? | 238 | Vocal duties were shared by guests to complement each song. In later years, Woolfson sang lead on many of the group's hits, including "Time", "Eye in the Sky", and "Don't Answer Me". The record company pressured Parsons to use him more, however Parsons preferred to use less proficient singers who displayed a rougher, more unpolished style; Woolfson agreed he was not in that category. In addition to Woolfson, vocalists Chris Rainbow, Lenny Zakatek, John Miles, David Paton, and Colin Blunstone are regulars. Other singers, such as Arthur Brown, Steve Harley, Gary Brooker, Dave Terry a.k.a. Elmer Gantry, Vitamin Z's Geoff Barradale, and Marmalade's Dean Ford, recorded only once or twice with the Project. Parsons sang lead on one song ("The Raven") through a vocoder and backing on a few others, including "To One in Paradise". Both of those songs appeared on "Tales of Mystery and Imagination" (1976). Parsons also sings a prominent counter melody on “Time”. |
q10 | not | 3 | Vocal duties were shared by guests to complement each song. In later years, Woolfson sang lead on many of the group's hits, including "Time", "Eye in the Sky", and "Don't Answer Me". The record company pressured Parsons to use him more, however Parsons preferred to use polished proficient singers; Woolfson admitted he was not in that category. In addition to Woolfson, vocalists Chris Rainbow, Lenny Zakatek, John Miles, David Paton, and Colin Blunstone are regulars. Other singers, such as Arthur Brown, Steve Harley, Gary Brooker, Dave Terry a.k.a. Elmer Gantry, Vitamin Z's Geoff Barradale, and Marmalade's Dean Ford, recorded only once or twice with the Project. Parsons sang lead on one song ("The Raven") through a vocoder and backing on a few others, including "To One in Paradise". Both of those songs appeared on "Tales of Mystery and Imagination" (1976). Parsons also sings a prominent counter melody on “Time”. | 2,826 | NO | The record company pressured Parsons to use him more, however Parsons preferred to use polished proficient singers; Woolfson admitted he was not in that category. | When Woolfson compared himself to the other singers that Parsons was seeking, would you say that the former was doing so out of a sense of humility? | 238 | Vocal duties were shared by guests to complement each song. In later years, Woolfson sang lead on many of the group's hits, including "Time", "Eye in the Sky", and "Don't Answer Me". The record company pressured Parsons to use him more, however Parsons preferred to use less proficient singers whose style was rough and unpolished; Woolfson proudly called himself an outsider in such company. In addition to Woolfson, vocalists Chris Rainbow, Lenny Zakatek, John Miles, David Paton, and Colin Blunstone are regulars. Other singers, such as Arthur Brown, Steve Harley, Gary Brooker, Dave Terry a.k.a. Elmer Gantry, Vitamin Z's Geoff Barradale, and Marmalade's Dean Ford, recorded only once or twice with the Project. Parsons sang lead on one song ("The Raven") through a vocoder and backing on a few others, including "To One in Paradise". Both of those songs appeared on "Tales of Mystery and Imagination" (1976). Parsons also sings a prominent counter melody on “Time”. |
q20 | not | 3 | Vocal duties were shared by guests to complement each song. In later years, Woolfson sang lead on many of the group's hits, including "Time", "Eye in the Sky", and "Don't Answer Me". The record company pressured Parsons to use him more, however Parsons preferred to use polished proficient singers; Woolfson admitted he was not in that category. In addition to Woolfson, vocalists Chris Rainbow, Lenny Zakatek, John Miles, David Paton, and Colin Blunstone are regulars. Other singers, such as Arthur Brown, Steve Harley, Gary Brooker, Dave Terry a.k.a. Elmer Gantry, Vitamin Z's Geoff Barradale, and Marmalade's Dean Ford, recorded only once or twice with the Project. Parsons sang lead on one song ("The Raven") through a vocoder and backing on a few others, including "To One in Paradise". Both of those songs appeared on "Tales of Mystery and Imagination" (1976). Parsons also sings a prominent counter melody on “Time”. | 2,827 | highlight | The record company pressured Parsons to use him more, however Parsons preferred to use polished proficient singers; Woolfson admitted he was not in that category. | If a trained music critic was to rank the individual contributions of the vocalists on this project, would she consider Woolfson to be the highlight or the low-light, in terms of classical vocal talent? | 238 | Vocal duties were shared by guests to complement each song. In later years, Woolfson sang lead on many of the group's hits, including "Time", "Eye in the Sky", and "Don't Answer Me". The record company pressured Parsons to use him more, however Parsons preferred to use less proficient singers whose style was rough and unpolished; Woolfson proudly called himself an outsider in such company. In addition to Woolfson, vocalists Chris Rainbow, Lenny Zakatek, John Miles, David Paton, and Colin Blunstone are regulars. Other singers, such as Arthur Brown, Steve Harley, Gary Brooker, Dave Terry a.k.a. Elmer Gantry, Vitamin Z's Geoff Barradale, and Marmalade's Dean Ford, recorded only once or twice with the Project. Parsons sang lead on one song ("The Raven") through a vocoder and backing on a few others, including "To One in Paradise". Both of those songs appeared on "Tales of Mystery and Imagination" (1976). Parsons also sings a prominent counter melody on “Time”. |
q30 | not | 3 | Vocal duties were shared by guests to complement each song. In later years, Woolfson sang lead on many of the group's hits, including "Time", "Eye in the Sky", and "Don't Answer Me". The record company pressured Parsons to use him more, however Parsons preferred to use polished proficient singers; Woolfson admitted he was not in that category. In addition to Woolfson, vocalists Chris Rainbow, Lenny Zakatek, John Miles, David Paton, and Colin Blunstone are regulars. Other singers, such as Arthur Brown, Steve Harley, Gary Brooker, Dave Terry a.k.a. Elmer Gantry, Vitamin Z's Geoff Barradale, and Marmalade's Dean Ford, recorded only once or twice with the Project. Parsons sang lead on one song ("The Raven") through a vocoder and backing on a few others, including "To One in Paradise". Both of those songs appeared on "Tales of Mystery and Imagination" (1976). Parsons also sings a prominent counter melody on “Time”. | 2,828 | NO | The record company pressured Parsons to use him more, however Parsons preferred to use polished proficient singers; Woolfson admitted he was not in that category. | Assuming that Parsons got his wish and was able to select the other regulars based on his own preferences, would you say that terms such as proficient and polished would accurately describe Chris Rainbow, Lenny Zakatek, John Miles, David Paton, and Colin Blunstone? | 238 | Vocal duties were shared by guests to complement each song. In later years, Woolfson sang lead on many of the group's hits, including "Time", "Eye in the Sky", and "Don't Answer Me". The record company pressured Parsons to use him more, however Parsons preferred to use less proficient singers whose style was rough and unpolished; Woolfson proudly called himself an outsider in such company. In addition to Woolfson, vocalists Chris Rainbow, Lenny Zakatek, John Miles, David Paton, and Colin Blunstone are regulars. Other singers, such as Arthur Brown, Steve Harley, Gary Brooker, Dave Terry a.k.a. Elmer Gantry, Vitamin Z's Geoff Barradale, and Marmalade's Dean Ford, recorded only once or twice with the Project. Parsons sang lead on one song ("The Raven") through a vocoder and backing on a few others, including "To One in Paradise". Both of those songs appeared on "Tales of Mystery and Imagination" (1976). Parsons also sings a prominent counter melody on “Time”. |
q10 | a lack of | 0 | While wintering, bald eagles tend to be less habitat and disturbance sensitive. They will commonly congregate at spots with plentiful perches and waters with plentiful prey and (in northern climes) partially unfrozen waters. Alternately, non-breeding or wintering bald eagles, particularly in areas with a lack of human disturbance, spend their time in various upland, terrestrial habitats sometimes quite far away from waterways. In the northern half of North America (especially the interior portion), this terrestrial inhabitance by bald eagles tends to be especially prevalent because unfrozen water may not be accessible. Upland wintering habitats often consist of open habitats with concentrations of medium-sized mammals, such as prairies, meadows or tundra, or open forests with regular carrion access. | 2,829 | YES | Alternately, non-breeding or wintering bald eagles, particularly in areas with a lack of human disturbance, spend their time in various upland, terrestrial habitats sometimes quite far away from waterways. | Does the prevalence of humans in an area affect where bald eagles choose to live? | 239 | While wintering, bald eagles tend to be less habitat and disturbance sensitive. They will commonly congregate at spots with plentiful perches and waters with plentiful prey and (in northern climes) partially unfrozen waters. Alternately, non-breeding or wintering bald eagles, particularly in areas with a lack of human disturbance, spend their time in various upland, terrestrial habitats sometimes quite far away from waterways. In the northern half of North America (especially the interior portion), this terrestrial inhabitance by bald eagles tends to be especially prevalent because unfrozen water may not be accessible. Upland wintering habitats often consist of open habitats with concentrations of medium-sized mammals, such as prairies, meadows or tundra, or open forests with regular carrion access. |
q20 | a lack of | 0 | While wintering, bald eagles tend to be less habitat and disturbance sensitive. They will commonly congregate at spots with plentiful perches and waters with plentiful prey and (in northern climes) partially unfrozen waters. Alternately, non-breeding or wintering bald eagles, particularly in areas with a lack of human disturbance, spend their time in various upland, terrestrial habitats sometimes quite far away from waterways. In the northern half of North America (especially the interior portion), this terrestrial inhabitance by bald eagles tends to be especially prevalent because unfrozen water may not be accessible. Upland wintering habitats often consist of open habitats with concentrations of medium-sized mammals, such as prairies, meadows or tundra, or open forests with regular carrion access. | 2,830 | YES | Alternately, non-breeding or wintering bald eagles, particularly in areas with a lack of human disturbance, spend their time in various upland, terrestrial habitats sometimes quite far away from waterways. | Do bald eagles avoid human settlement in areas away from water? | 239 | While wintering, bald eagles tend to be less habitat and disturbance sensitive. They will commonly congregate at spots with plentiful perches and waters with plentiful prey and (in northern climes) partially unfrozen waters. Alternately, non-breeding or wintering bald eagles, particularly in areas with a lack of human disturbance, spend their time in various upland, terrestrial habitats sometimes quite far away from waterways. In the northern half of North America (especially the interior portion), this terrestrial inhabitance by bald eagles tends to be especially prevalent because unfrozen water may not be accessible. Upland wintering habitats often consist of open habitats with concentrations of medium-sized mammals, such as prairies, meadows or tundra, or open forests with regular carrion access. |
q30 | a lack of | 0 | While wintering, bald eagles tend to be less habitat and disturbance sensitive. They will commonly congregate at spots with plentiful perches and waters with plentiful prey and (in northern climes) partially unfrozen waters. Alternately, non-breeding or wintering bald eagles, particularly in areas with a lack of human disturbance, spend their time in various upland, terrestrial habitats sometimes quite far away from waterways. In the northern half of North America (especially the interior portion), this terrestrial inhabitance by bald eagles tends to be especially prevalent because unfrozen water may not be accessible. Upland wintering habitats often consist of open habitats with concentrations of medium-sized mammals, such as prairies, meadows or tundra, or open forests with regular carrion access. | 2,831 | DON'T KNOW | Alternately, non-breeding or wintering bald eagles, particularly in areas with a lack of human disturbance, spend their time in various upland, terrestrial habitats sometimes quite far away from waterways. | Do bald eagles avoid human settlement along bodies of water? | 239 | While wintering, bald eagles tend to be less habitat and disturbance sensitive. They will commonly congregate at spots with plentiful perches and waters with plentiful prey and (in northern climes) partially unfrozen waters. Alternately, non-breeding or wintering bald eagles, particularly in areas with a lack of human disturbance, spend their time in various upland, terrestrial habitats sometimes quite far away from waterways. In the northern half of North America (especially the interior portion), this terrestrial inhabitance by bald eagles tends to be especially prevalent because unfrozen water may not be accessible. Upland wintering habitats often consist of open habitats with concentrations of medium-sized mammals, such as prairies, meadows or tundra, or open forests with regular carrion access. |
q10 | a lack of | 1 | While wintering, bald eagles tend to be less habitat and disturbance sensitive. They will commonly congregate at spots with plentiful perches and waters with plentiful prey and (in northern climes) partially unfrozen waters. Alternately, non-breeding or wintering bald eagles, particularly in areas with a lack of human disturbance, spend their time in various upland, terrestrial habitats sometimes quite far away from waterways. In the northern half of North America (especially the interior portion), this terrestrial inhabitance by bald eagles tends to be especially prevalent because unfrozen water may not be accessible. Upland wintering habitats often consist of open habitats with concentrations of medium-sized mammals, such as prairies, meadows or tundra, or open forests with regular carrion access. | 2,832 | YES | Alternately, non-breeding or wintering bald eagles, particularly in areas with a lack of human disturbance, spend their time in various upland, terrestrial habitats sometimes quite far away from waterways. | Does the prevalence of humans in an area affect where bald eagles choose to live? | 239 | While wintering, bald eagles tend to be less habitat and disturbance sensitive. They will commonly congregate at spots with plentiful perches and waters with plentiful prey and (in northern climes) partially unfrozen waters. Alternately, non-breeding or wintering bald eagles, particularly in areas that are devoid of human interference, spend their time in various upland, terrestrial habitats sometimes quite far away from waterways. In the northern half of North America (especially the interior portion), this terrestrial inhabitance by bald eagles tends to be especially prevalent because unfrozen water may not be accessible. Upland wintering habitats often consist of open habitats with concentrations of medium-sized mammals, such as prairies, meadows or tundra, or open forests with regular carrion access. |
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