prompt
stringlengths 1.83k
11.9k
| references
sequence |
---|---|
Title: Fifth Beatle
Background: The fifth Beatle is an informal title that various commentators in the press and entertainment industry have applied to people who were at one point a member of the Beatles, or who had a strong association with the "Fab Four" (John Lennon, Paul McCartney, George Harrison, and Ringo Starr) during the group's existence. The "fifth Beatle" claims first appeared in the press immediately upon the band's rise to global fame in 1963-64. The members have offered their own beliefs of the "fifth Beatle": Lennon was critical of individuals who claimed credit for the Beatles' success, including the individual Beatles themselves, saying in his 1970 interview with Jann Wenner, "I'm not the Beatles. I'm me.
Section: Brian Epstein
Passage: Brian Epstein, the band's manager from 1961 until his death in 1967, was instrumental in the Beatles' rise to global fame. Epstein "discovered" the band in Liverpool, saw their potential, and never wavered in his faith and commitment to them. He purposefully restricted his oversight of the band, limiting himself to business matters and public image, and gave the band free creative rein in their music. Epstein also doggedly sought a recording contract for the band in London at a crucial moment in their career, fighting their perception as provincial "northern" musicians. Epstein's death in essence marked the beginning of the Beatles' dissolution, as Lennon admitted later. Because he was not creatively involved with the band, Epstein was only infrequently called the "fifth Beatle", but over the years he and producer George Martin have clearly been recognised as the inner circle members who most profoundly affected the band's career. In an interview in the 1990s describing Epstein's involvement in the band's rise to fame, Martin declared "He's the fifth Beatle, if there ever was one." McCartney summarized the importance of Epstein to the Beatles when he was interviewed in 1997 for a BBC documentary about Epstein. He stated: "If anyone was the fifth Beatle, it was Brian." In 2013 Epstein was the subject of a graphic novel entitled The Fifth Beatle by Vivek Tiwary. The book was released in November and spent several weeks on The New York Times best-seller list, reaching no. 1 in its third week of release.
Question: Who is Brian Epstein?
Answer: Brian Epstein, the band's manager
Question: What did he accomplish with the band? | [
"Epstein also doggedly sought a recording contract for the band in London at a crucial moment in their career, fighting their perception as provincial \"northern\" musicians."
] |
Title: Alla Nazimova
Background: She was born Marem-Ides Leventon (Russian name Adelaida Yakovlevna Leventon) in Yalta, Crimea, Russian Empire. Her stage name Alla Nazimova was a combination of Alla (a diminutive of Adelaida) and the surname of Nadezhda Nazimova, the heroine of the Russian novel Children of the Streets. She was widely known as just Nazimova, and also went under the name Alia Nasimoff. She was the youngest of three children of Jewish parents Yakov Abramovich Leventon, a pharmacist, and Sofia (Sara) Lvovna Horowitz, who moved to Yalta in 1870 from Kishinev.
Section: Career
Passage: Nazimova's theater career blossomed early; and by 1903 she was a major star in Moscow and Saint Petersburg. She toured Europe, including London and Berlin, with her boyfriend Pavel Orlenev, a flamboyant actor and producer. In 1905 they moved to New York City and founded a Russian-language theater on the Lower East Side. The venture was unsuccessful; and Orlenev returned to Russia while Nazimova stayed in New York. She was signed up by the American producer Henry Miller and made her Broadway debut in New York City in 1906 to critical and popular success. Her English-language premiere in November 1906 was in the title role of Hedda Gabler. She quickly became extremely popular (a theater was named after her) and remained a major Broadway star for years, often acting in the plays of Henrik Ibsen and Anton Chekhov. Dorothy Parker described her as the finest Hedda Gabler she had ever seen. Due to her notoriety in a 35-minute 1915 play entitled War Brides, Nazimova made her silent film debut in 1916 in the filmed version of the play, which was produced by Lewis J. Selznick. A young actor with a bit part in the movie was Richard Barthelmess, whose mother taught Nazimova English. Nazimova had encouraged him to try out for movies and he later became a star. In 1917, she negotiated a contract with Metro Pictures, a precursor to MGM, that included a weekly salary of $13,000. She moved from New York to Hollywood, where she made a number of highly successful films for Metro that earned her considerable money. In 1927, she became a naturalized citizen of the United States. Nazimova soon felt confident enough in her abilities to begin producing and writing films in which she also starred. In her film adaptations of works by such notable writers as Oscar Wilde and Ibsen, she developed her own filmmaking techniques, which were considered daring at the time. Her projects, including A Doll's House (1922), based on Ibsen, and Salome (1923), based on Wilde's play, were critical and commercial failures. By 1925 Nazimova could no longer afford to invest in more films; and financial backers withdrew their support. Left with few options, she gave up on the film industry, returning to perform on Broadway, notably starring as Natalya Petrovna in Rouben Mamoulian's 1930 New York production of Turgenev's A Month in the Country and an acclaimed performance as Mrs. Alving in Ibsen's Ghosts, which the critic Pauline Kael later described as the greatest performance she had ever seen on the American stage. In the early 1940s, she appeared in a few more films, playing Robert Taylor's mother in Escape (1940) and Tyrone Power's mother in Blood and Sand (1941). This late return to motion pictures fortunately preserves Nazimova and her art on sound film.
Question: What did alla do for a career?
Answer: She was signed up by the American producer Henry Miller and made her Broadway debut in New York City in 1906
Question: what as her broadway debut?
Answer: Her English-language premiere in November 1906 was in the title role of Hedda Gabler.
Question: was it successful?
Answer: She quickly became extremely popular (a theater was named after her) and remained a major Broadway star for years,
Question: what else did she do?
Answer: Nazimova soon felt confident enough in her abilities to begin producing and writing films in which she also starred.
Question: were any of these successful? | [
"based on Wilde's play, were critical and commercial failures."
] |
Title: Alla Nazimova
Background: She was born Marem-Ides Leventon (Russian name Adelaida Yakovlevna Leventon) in Yalta, Crimea, Russian Empire. Her stage name Alla Nazimova was a combination of Alla (a diminutive of Adelaida) and the surname of Nadezhda Nazimova, the heroine of the Russian novel Children of the Streets. She was widely known as just Nazimova, and also went under the name Alia Nasimoff. She was the youngest of three children of Jewish parents Yakov Abramovich Leventon, a pharmacist, and Sofia (Sara) Lvovna Horowitz, who moved to Yalta in 1870 from Kishinev.
Section: Relationships with women
Passage: From 1917 to 1922, Nazimova wielded considerable influence and power in Hollywood. Nazimova helped start the careers of both of Rudolph Valentino's wives, Jean Acker and Natacha Rambova. Although she was involved in an affair with Acker, it is debated as to whether her connection with Rambova ever developed into a sexual affair. Nevertheless, there were rumors that Nazimova and Rambova were involved in a lesbian affair (they are discussed at length in Dark Lover, Emily Leider's biography of Rudolph Valentino) but those rumors have never been definitely confirmed. She was very impressed by Rambova's skills as an art director, and Rambova designed the innovative sets for Nazimova's film productions of Camille and Salome. Of those Nazimova is confirmed to have been involved with romantically, the list includes actress Eva Le Gallienne, director Dorothy Arzner, writer Mercedes de Acosta, and Oscar Wilde's niece, Dolly Wilde. Bridget Bate Tichenor, a Magic Realist artist and Surrealist painter, was also rumored to be one of Nazimova's favored lovers in Hollywood during the World War II years of 1940 to 1942. The two had been introduced by the poet and art collector Edward James, and according to Tichenor, their intimate relationship angered Nazimova's longtime companion, Glesca Marshall. However, the fact that Tichenor was pregnant most of 1940, giving birth to her son on Dec. 21, 1940, along with the 40-year age gap between the two women, casts some doubt on this rumor. It is believed that Nazimova coined the phrase "sewing circle" as code to refer to lesbian or bisexual actresses of her day who concealed their true sexuality. Nazimova lived with Glesca Marshall from 1929 until her death in 1945.
Question: Who did she have relationships with?
Answer: rumors that Nazimova and Rambova were involved in a lesbian affair (they are discussed at length in Dark Lover, Emily Leider's biography of Rudolph Valentino)
Question: Who was Rambova?
Answer: Nazimova helped start the careers of both of Rudolph Valentino's wives, Jean Acker and Natacha Rambova.
Question: Who else was Nazimova involved with? | [
"Of those Nazimova is confirmed to have been involved with romantically, the list includes actress Eva Le Gallienne, director Dorothy Arzner, writer Mercedes de Acosta,"
] |
Title: Alfred Cellier
Background: Alfred Cellier (1 December 1844 - 28 December 1891) was an English composer, orchestrator and conductor. In addition to conducting and music directing the original productions of several of the most famous Gilbert and Sullivan works and writing the overtures to some of them, Cellier conducted at many theatres in London, New York and on tour in Britain, America and Australia. He composed over a dozen operas and other works for the theatre, as well as for orchestra, but his 1886 comic opera, Dorothy, was by far his most successful work. It became the longest-running piece of musical theatre in the nineteenth century.
Section: Dorothy and later pieces
Passage: In 1885, Cellier composed a song, "There once was a time, my darling", for a piece produced by George Edwardes, Little Jack Sheppard (1885). Meanwhile he had composed what would become his greatest success, the comic opera Dorothy, with a libretto by B. C. Stephenson. To create the score, Cellier repurposed some of his music from his 1876 failure, Nell Gwynne, which had, nevertheless, received praise for its music. Dorothy had been announced for production at the Royalty Theatre in 1884, but ultimately Edwardes mounted it at his Gaiety Theatre on 25 September 1886. Cellier was in Australia from February 1886 to February 1887, conducting The Mikado and other Gilbert and Sullivan operas for the J. C. Williamson organization and was absent from London during the productions of The Carp, at the Savoy, and Dorothy. Neither the music nor the libretto of Dorothy initially attracted critical praise. The Times wrote, "Gentility reigns supreme, and with it unfortunately also a good deal of the refined feebleness and the ineptitude which are the defects of that quality." Stephenson rewrote the lyrics of one of Cellier's old songs, "Old Dreams" as "Queen of My Heart"; this helped the work to find success after it transferred in December to the Prince of Wales Theatre. The following year H. J. Leslie took over the production from Edwardes and introduced new stars, including Marie Tempest. Dorothy became an even greater success at the box office and transferred in December 1888 to the Lyric Theatre, built using the profits from the production, where it ran into 1889. Its initial run of a total of 931 performances was the longest of any piece of musical theatre up to that time, longer than even The Mikado, a fact that caused consternation to Cellier's friend Arthur Sullivan. Some critics reconsidered their earlier condemnation, the work became regarded as a classic Victorian piece, and the initially despised plot was traced seriously back to the Restoration playwrights David Garrick and Aphra Behn, and to Oliver Goldsmith and even Shakespeare. Its success led to revivals of some of Cellier's earlier works. Cellier returned to Australia in 1888 to conduct Dorothy and made a final brief visit there for health reasons in early 1891, together with Stephenson. His last comic operas, Doris (1889, with Stephenson) and The Mountebanks (with Gilbert, produced in January 1892, a few days after the composer's death), were both modestly successful. Also after Cellier's death, Rutland Barrington used some of his music in his 1902 adaptation of Water Babies. Often in ill health throughout his life, Cellier was unable to finish The Mountebanks, and Ivan Caryll completed the score. Cellier owed much to the influence of Sullivan. He was a fertile melodist, and his writing exhibited elegance and refinement, although he was not able to infuse his music with humour in the way that Sullivan did. Cellier died at his home in Bloomsbury, London, at the age of 47. He was buried in West Norwood Cemetery.
Question: Who was Dorothy?
Answer: the comic opera Dorothy, with a libretto by B. C. Stephenson.
Question: What was later pieces?
Answer: CANNOTANSWER
Question: Are there any other interesting aspects about this article?
Answer: Dorothy had been announced for production at the Royalty Theatre in 1884,
Question: Was it successful?
Answer: Neither the music nor the libretto of Dorothy initially attracted critical praise.
Question: What else can you share about the article?
Answer: Stephenson rewrote the lyrics of one of Cellier's old songs, "Old Dreams" as "Queen of My Heart"; this helped the work to find success
Question: Where there any other later pieces after that?
Answer: His last comic operas, Doris (1889, with Stephenson) and The Mountebanks (with Gilbert, produced in January 1892, a few days after the composer's death), were both modestly successful.
Question: Why did he die? | [
"Cellier died at his home in Bloomsbury, London, at the age of 47. He was buried in West Norwood Cemetery."
] |
Title: Alfred Cellier
Background: Alfred Cellier (1 December 1844 - 28 December 1891) was an English composer, orchestrator and conductor. In addition to conducting and music directing the original productions of several of the most famous Gilbert and Sullivan works and writing the overtures to some of them, Cellier conducted at many theatres in London, New York and on tour in Britain, America and Australia. He composed over a dozen operas and other works for the theatre, as well as for orchestra, but his 1886 comic opera, Dorothy, was by far his most successful work. It became the longest-running piece of musical theatre in the nineteenth century.
Section: D'Oyly Carte years
Passage: In December 1877 Cellier joined the D'Oyly Carte company as musical director at the Opera Comique in London. There he conducted The Sorcerer (1877), H.M.S. Pinafore (1878, for which he wrote the overture, based on themes from the opera), Trial by Jury (1878), George Grossmith's Cups and Saucers (1878-79), and three of his own one-act works: Dora's Dream (1877-78 revival), The Spectre Knight (1878), and After All! (1878-79). Cellier was conducting the performance of Pinafore during which the partners of The Comedy Opera Company attempted to repossess the set, and he was noted for his attempts to calm the audience during the fracas. His brother, Francois, succeeded him as musical director at the Opera Comique in 1879. Alfred Cellier was a conductor of a series of promenade concerts at the Queen's Theatre, Long Acre and, in 1878-1879 he was joint conductor, with Sullivan, of the Covent Garden Promenade Concerts. In 1879, he travelled with Gilbert, Sullivan, and Carte to America, where he acted as conductor for Pinafore and The Pirates of Penzance, with Carte's first American touring company. Cellier prepared the overture to Pirates using Sullivan's music from the rest of the score. Back in London in July 1880, he directed the music at the Opera Comique for Pirates and another of his own pieces with Desprez, In the Sulks. In April 1881, he left the D'Oyly Carte company, ceding the baton to his brother. Cellier composed a three-act grand opera, Pandora, a version of Longfellow's The Masque of Pandora (with a libretto by B. C. Stephenson) that was presented in Boston in 1881. He returned to America later that year as music director of D'Oyly Carte's New York and touring productions of Billee Taylor (1882), Les Manteaux Noirs and Rip Van Winkle (both in the fall of 1882), and Iolanthe (1882-83), for the latter of which he prepared the New York overture. In 1883, Cellier's setting of Gray's Elegy, in the form of a cantata, was produced at the Leeds music festival. In 1883, Cellier left the D'Oyly Carte company, but he was back for brief periods as music director with D'Oyly Carte's touring companies for Princess Ida (1884) and The Mikado (1885). In 1885, also, Cellier composed incidental music for a production of As You Like It. He composed two more companion pieces that had Savoy Theatre premieres: The Carp (performed with The Mikado and Ruddigore in 1886-87), and Mrs. Jarramie's Genie (composed together with his brother Francois, with libretti by Desprez, which played together with several different operas at the Savoy between 1887 and 1889). While in London, Cellier conducted at several London theatres, including the Criterion, the St James's, and the Savoy. Later, as a result of ill health, he resided abroad, notably in America and Australia, where he was a representative for the D'Oyly Carte company.
Question: What are the D'Oyly years
Answer: Cellier joined the D'Oyly Carte company as musical director at the Opera Comique in London.
Question: What shows did he direct
Answer: In 1883, Cellier's setting of Gray's Elegy, in the form of a cantata, was produced at the Leeds music festival.
Question: how did the public react to it
Answer: CANNOTANSWER
Question: What other things did he work in
Answer: While in London, Cellier conducted at several London theatres, including the Criterion, the St James's, and the Savoy.
Question: which was the other one | [
"Mrs. Jarramie's Genie (composed together with his brother Francois, with libretti by Desprez, which played together with several different operas at the Savoy between 1887 and 1889)."
] |
Title: Juliana Hatfield
Background: Hatfield was born in Wiscasset, Maine, the daughter of Philip M. Hatfield, a radiologist, and Julie Hatfield, a former Boston Globe features, society, travel writer, and fashion critic who currently works as a freelance travel writer. Hatfield grew up in the Boston suburb of Duxbury. Although well known for the early 1990s hit, "My Sister", Hatfield has two brothers, but no sisters. Hatfield's father claimed his family were descendants of the West Virginia Hatfields of the Hatfield-McCoy feud following the Civil War.
Section: Touring and disbanding
Passage: In 1995, following the success of Become What You Are she released her follow-up album, Only Everything, in which she "turned up the volume and the distortion and had a lot of fun". One reviewer describes it as "a fun, engaging pop album". The album spawned another alternative radio hit for Hatfield in "Universal Heartbeat". The video featured Hatfield as an overly demanding aerobics instructor. Prior to the tour for Only Everything, Hatfield released Phillips and brought on Jason Sutter (American Hi-Fi, Chris Cornell, Jack Drag), as well as Ed Slanker (Thudpucker, Tinsel) on 2nd guitar, and Lisa Mednick on keyboards. Two weeks into the tour, Hatfield canceled the tour, which her publicist explained as due to "nervous exhaustion," and took a month-long break. In her memoir, Hatfield writes that in truth she was suffering from depression severe enough to the point of being suicidal. Hatfield disagreed with the decision not to be upfront about her depression. The drummer was, once again, replaced, this time by Phillips, and touring resumed with Jeff Buckley as the opening act. In 1996, she traveled to Woodstock, New York where she recorded tracks for God's Foot, which was to be her fourth solo album (third if not counting Become What You Are, which was recorded with the Juliana Hatfield Three), intended for 1997 release. After three failed attempts to satisfy requests from Atlantic Records to come up with a "single" that the label could release, Juliana requested she be released from her contract. The label obliged, but kept the rights to the songs produced during these sessions (Atlantic had reportedly paid $180,000 to that point on the recordings). Two tracks - "Mountains of Love" and "Fade Away" - were eventually released on a greatest hits collection entitled Gold Stars, while still another, "Can't Kill Myself," was available for download from Hatfield's official website. The remaining tracks have surfaced only as substandard bootleg versions (which do not meet Hatfield's approval) and she has rarely featured them in her subsequent live performances. In 1997 Hatfield toured with the first Lilith Fair, a prominent all-female rock festival founded by singer Sarah McLachlan.
Question: Where did they tour?
Answer: CANNOTANSWER
Question: When did they disband?
Answer: CANNOTANSWER
Question: Are there any other interesting aspects about this article?
Answer: In 1997 Hatfield toured with the first Lilith Fair, a prominent all-female rock festival founded by singer Sarah McLachlan.
Question: Who else did she tour with?
Answer: (American Hi-Fi, Chris Cornell, Jack Drag), as well as Ed Slanker (Thudpucker, Tinsel) on 2nd guitar, and Lisa Mednick on keyboards.
Question: What did she do after the break? | [
"Hatfield writes that in truth she was suffering from depression severe enough to the point of being suicidal."
] |
Title: Juliana Hatfield
Background: Hatfield was born in Wiscasset, Maine, the daughter of Philip M. Hatfield, a radiologist, and Julie Hatfield, a former Boston Globe features, society, travel writer, and fashion critic who currently works as a freelance travel writer. Hatfield grew up in the Boston suburb of Duxbury. Although well known for the early 1990s hit, "My Sister", Hatfield has two brothers, but no sisters. Hatfield's father claimed his family were descendants of the West Virginia Hatfields of the Hatfield-McCoy feud following the Civil War.
Section: 2014: Reformation and Whatever, My Love
Passage: In 2014 The Juliana Hatfield Three was reformed after two decades of hiatus, and Hatfield, drummer Todd Philips, and bassist Dean Fisher began practicing new material for an album. The album marked the band's first release in twenty two years, since their LP Become What You Are in 1993. Stated Hatfield about the new album, "We haven't totally reinvented the wheel or anything," and that the tracks exhibit the "stuff I am sort of known for, I guess. But I am a lot more confident now than I was then with the first album. And I had more fun recording this one." The twelve tracks for Whatever, My Love were recorded at Nuthouse Recording in Hoboken, New Jersey, with Beaujour and Hatfield co-producing the project. The lead single from the album, "If I Could," was released in December 2014, and was premiered in publications such as Rolling Stone. That month the album was made available for pre-order on American Laundromat Records, with an announced release date for Whatever, My Love on February 17, 2015. The band announced they would tour the United States in support of the album throughout February, hitting cities on both coasts and the midwest, as well as venues such as the Bowery Ballroom in New York city and The Roxy Theatre in Los Angeles in late March. In late December 2014, Stereogum named the album "one of their most anticipated albums of 2015," and on January 4, 2015, Consequence of Sound named it "one of the 50 most anticipated albums of 2015." On January 9, 2015, Hatfield was featured at Nylon.com, who wrote that the upcoming album came off as "unforced, and with its sly lyrics and mega-hooky coffeehouse-grunge aesthetic." The album's second single "Ordinary Guy" premiered on Consequence of Sound on January 14, 2015.
Question: What happened to Hatfield in 2014?
Answer: The Juliana Hatfield Three was reformed after two decades of hiatus, and
Question: What happened after that?
Answer: Hatfield, drummer Todd Philips, and bassist Dean Fisher began practicing new material for an album.
Question: Did they do Reformation and Whatever, My love?
Answer: The twelve tracks for Whatever, My Love were recorded at Nuthouse Recording in Hoboken, New Jersey,
Question: Was it successful?
Answer: Hatfield was featured at Nylon.com, who wrote that the upcoming album came off as "unforced, and with its sly lyrics and mega-hooky coffeehouse-grunge aesthetic."
Question: What happened to the next? | [
"The band announced they would tour the United States in support of the album throughout February, hitting cities on both coasts and the midwest,"
] |
Title: Phil Lesh
Background: Philip Chapman Lesh (born March 15, 1940) is a musician and a founding member of the Grateful Dead, with whom he played bass guitar throughout their 30-year career. After the band's disbanding in 1995, Lesh continued the tradition of Grateful Dead family music with side project Phil Lesh and Friends, which paid homage to the Dead's music by playing their originals, common covers, and the songs of the members of his band. Lesh operates a music venue called Terrapin Crossroads. He scaled back his touring regimen in 2014 but continues to perform with Phil Lesh & Friends at select venues.
Section: Music
Passage: Lesh was an innovator in the new role that the electric bass developed during the mid-1960s. Contemporaries such as Casady, Bruce, James Jamerson and Paul McCartney adopted a more melodic, contrapuntal approach to the instrument; before this, bass players in rock had generally played a conventional timekeeping role within the beat of the song, and within (or underpinning) the song's harmonic or chord structure. While not abandoning these aspects, Lesh took his own improvised excursions during a song or instrumental. This was a characteristic aspect of the so-called San Francisco Sound in the new rock music. In many Dead jams, Lesh's bass is, in essence, as much a lead instrument as Garcia's guitar. Lesh was not a prolific composer or singer with the Grateful Dead, although some of the songs he did contribute--"New Potato Caboose", "Box of Rain", "Unbroken Chain", and "Pride of Cucamonga"--are among the best-known in the band's repertoire. Lesh's high tenor voice contributed to the Grateful Dead's three-part harmony sections in their group vocals in the early days of the band, until he largely relinquished singing high parts to Donna Godchaux (and thence Brent Mydland and Vince Welnick) in 1976 due to vocal cord damage from improper singing technique. In 1985, he resumed singing lead vocals on select songs as a baritone. Throughout the Grateful Dead's career, his interest in avant-garde music remained a crucial influence on the group. In 1994, he was inducted into The Rock and Roll Hall of Fame as a member of the Grateful Dead.
Question: what instrument did he play
Answer: bass
Question: was he influenced by another musician
Answer: Lesh took his own improvised excursions during a song
Question: what was his first song
Answer: CANNOTANSWER
Question: did he win any awards for his music
Answer: In 1994, he was inducted into The Rock and Roll Hall of Fame
Question: what was his first tour
Answer: CANNOTANSWER
Question: What was his most popular song | [
"--\"New Potato Caboose\", \"Box of Rain\", \"Unbroken Chain\", and \"Pride of Cucamonga\"--are among the best-known"
] |
Title: Phil Lesh
Background: Philip Chapman Lesh (born March 15, 1940) is a musician and a founding member of the Grateful Dead, with whom he played bass guitar throughout their 30-year career. After the band's disbanding in 1995, Lesh continued the tradition of Grateful Dead family music with side project Phil Lesh and Friends, which paid homage to the Dead's music by playing their originals, common covers, and the songs of the members of his band. Lesh operates a music venue called Terrapin Crossroads. He scaled back his touring regimen in 2014 but continues to perform with Phil Lesh & Friends at select venues.
Section: Background
Passage: Lesh was born in Berkeley, California, and started out as a violin player. While enrolled at Berkeley High School, he switched to trumpet and participated in all of the school's music-related extracurricular activities. Studying the instrument under Bob Hansen, conductor of the symphonic Golden Gate Park Band, he developed a keen interest in avant-garde classical music and free jazz. After attending San Francisco State University for a semester, Lesh was unable to secure a favorable position in the school's band or orchestra and determined that he was not ready to pursue a higher education. Upon dropping out, he successfully auditioned for the renowned Sixth Army Band (then stationed at the Presidio of San Francisco) with the assistance of Hansen but was ultimately determined to be unfit for military service. Shortly thereafter, he enrolled at the College of San Mateo, where he wrote charts for the community college's well-regarded big band and ascended to the first trumpet chair. (A snippet of tape of Lesh on trumpet at CSM can be heard on "Born Cross-Eyed" from the Grateful Dead's 1968 release Anthem of the Sun.) After transferring with sophomore standing to the University of California, Berkeley in 1961, he befriended future Grateful Dead keyboardist Tom Constanten before dropping out again after less than a semester. At the behest of Constanten, he studied under the Italian modernist Luciano Berio in a graduate-level course at Mills College in the spring of 1962; their classmates included Steve Reich and Stanford University cross-registrant John Chowning. While volunteering for KPFA as a recording engineer during this period, he met bluegrass banjo player Jerry Garcia. Despite seemingly opposite musical interests, they soon formed a friendship. Following a brief period as a Post Office Department employee and keno marker in Las Vegas (initially rooming with Constanten, who soon departed to study under Berio and other members of the Darmstadt School in Europe); a second stint with the Post Office in San Francisco; and a collaboration with the likes of Reich, Jon Gibson and Constanten upon the latter's return from Europe under the auspices of the San Francisco Mime Troupe, Lesh was talked into becoming the bassist for Garcia's new rock group (then known as The Warlocks) in the fall of 1964. This was a peculiar turn of events, as Lesh had never played bass before. According to Lesh, the first song he rehearsed with the band was "I Know You Rider". He joined them for their third or fourth gig (memories vary) and stayed until the end. Since Lesh had never played bass, it meant that to a great extent he learned "on the job", yet it also meant he had no preconceived attitudes about the instrument's traditional rhythm section role. In his autobiography, he credits Jack Casady (who was playing with Jefferson Airplane) as a confirming influence on the direction his instincts were leading him into. He has said that his playing style was influenced more by Bach counterpoint than by contemporaneous rock and soul bass players--although one can also hear the fluidity and power of a jazz bassist such as Charles Mingus or Jimmy Garrison in Lesh's work, along with stylistic allusions to Casady. Lesh has also cited Jack Bruce of Cream as an influence.
Question: What ind of background did Phil have?
Answer: started out as a violin player. While enrolled at Berkeley High School, he switched to trumpet and participated in all of the school's music-related extracurricular activities.
Question: How did he do in school?
Answer: Lesh was unable to secure a favorable position in the school's band or orchestra and determined that he was not ready to pursue a higher education.
Question: What did he do after school?
Answer: volunteering for KPFA as a recording engineer
Question: How did he get out of the KPFA? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Paul Rudd
Background: Rudd was born in Passaic, New Jersey. His father, Michael Rudd, was a historical tour guide and former vice-president of Trans World Airlines who died of cancer. His mother, Gloria Irene (Granville), was a sales manager at the television station KCMO-TV in Kansas City, Missouri. His parents were born in England; his father was from Edgware and his mother from Surbiton, both in London.
Section: 2010-present: Continued success and Ant-Man
Passage: In 2010, Rudd reunited with Steve Carell for the first time since The 40-Year-Old Virgin for the Jay Roach-directed comedy Dinner for Schmucks. In 2012, he had a supporting role in the teen drama The Perks of Being a Wallflower, playing Mr. Anderson, a teacher of Charlie, played by Logan Lerman. He starred in the 2011 comedy-drama film Our Idiot Brother with Elizabeth Banks, Zooey Deschanel, and Emily Mortimer. It was the fifth film that Rudd starred in with Elizabeth Banks. He had previously appeared with her in Wet Hot American Summer (2001), The Baxter (2005), The 40-Year-Old Virgin (2005) and Role Models (2008). In 2012, he signed to appear on four episodes of NBC's Parks and Recreation as Bobby Newport, a candidate for City Council and a rival of Amy Poehler's character Leslie Knope, a role for which he won the Critics' Choice Television Award for Best Guest Performer in a Comedy Series. In 2014, he began providing voiceovers for Hyundai television commercials. He has also voiced the audiobook recordings of John Hodgman's books The Areas of My Expertise (2005) and More Information Than You Require (2008). On December 19, 2013, Rudd was officially confirmed as cast in the 2015 Marvel film Ant-Man. He played lead character Scott Lang/Ant-Man, and also co-wrote the screenplay with Adam McKay. Rudd reprised his role in Captain America: Civil War (2016). Rudd reprised his role as Andy from Wet Hot American Summer in the Netflix prequel Wet Hot American Summer: First Day of Camp, alongside an ensemble cast including Bradley Cooper, Amy Poehler and Elizabeth Banks, all reprising their roles from the 2001 film. In 2016, he appeared in the comedy-drama film The Fundamentals of Caring, alongside Selena Gomez, and lent his voice to the animated films The Little Prince and Sausage Party. Rudd often stars with other Apatow film regulars like Seth Rogen (four films), Steve Carell (four films), Jonah Hill (three films), Leslie Mann (three films), Kristen Wiig (three films), Jason Segel (three films), Elizabeth Banks (five films), and Joe Lo Truglio (seven films), as well as working with director David Wain (five films).
Question: What is his most current movie?
Answer: Rudd reprised his role in Captain America: Civil War (2016).
Question: Was this a successful role?
Answer: CANNOTANSWER
Question: Are there any other interesting aspects about this article?
Answer: In 2010, Rudd reunited with Steve Carell for the first time since The 40-Year-Old Virgin for the Jay Roach-directed comedy Dinner for Schmucks.
Question: What other notable people has he worked with?
Answer: He starred in the 2011 comedy-drama film Our Idiot Brother with Elizabeth Banks, Zooey Deschanel, and Emily Mortimer.
Question: Has he won any awards?
Answer: he won the Critics' Choice Television Award for Best Guest Performer in a Comedy Series.
Question: What other films has he been in during this time?
Answer: On December 19, 2013, Rudd was officially confirmed as cast in the 2015 Marvel film Ant-Man. He played lead character Scott Lang/Ant-Man,
Question: Did he write on any other films? | [
"as well as working with director David Wain (five films)."
] |
Title: Lepa Brena
Background: Born into a Bosniak family near Tuzla, SR Bosnia and Herzegovina, she grew up in Brcko, the youngest child of Abid Jahic (c. 1928 - 22 October 2010) and Ifeta (nee Smajlovic; 15 April 1934 - 21 November 2014). Both of her parents are originally from villages near Srebrenik; her father was born in Jezinac and her maternal family hailed from Cehaje. Fahreta grew up in a Muslim home with sister Faketa and brother Faruk. At the start of the Bosnian War in 1992, her sister Faketa escaped to Canada, where she lives today, while Brena stayed in Belgrade where she had been living since 1980.
Section: 1980-83: Slatki Greh and career beginnings
Passage: In early 1980, at the age of 19, Fahreta began singing with a band called Lira Show when the group's original singer Spasa left the band because her husband, a boxer, did not want his wife to be a singer. Sasa Popovic, the band's frontman, was initially opposed to the idea that Fahreta should be the band's new singer, but later changed his opinion. She subsequently moved to Novi Sad and then to Belgrade. Brena's first performance with Lira Show occurred on 6 April 1980 in the hotel Turist in Backa Palanka. Lira Show changed their name to Slatki Greh (Sweet Sin) in 1981. Brena and Slatki Greh premiered their first studio album, Cacak, Cacak, on 3 February 1982. It was named after the Serbian city Cacak. The album was written mostly by Milutin Popovic-Zahar, and the career-manager was Vladimir Cvetkovic. Since her career began in 1980, she has become arguably the most popular singer of the former Yugoslavia, and a top-selling female recording artist with more than 40 million records sold. That same year Lepa Brena and Slatki Greh appeared in the first part of Yugoslav classic comedy film Tesna koza with popular comedian Nikola Simic and actress Ruzica Sokic, which raised their profile and brought them almost instant fame. They would again team up with songwriter Milutin Popovic-Zahar for their second studio album Mile voli disko, released 18 November 1982. In addition to the title song, the album had a couple of other hit songs: "Duge noge" and "Dama iz Londona". In 1983, Lepa Brena and Slatki Greh ended their collaboration with Milutin Popovic-Zahar and Vladimir Cvetkovic. That same year Lepa Brena and Slatki Greh participated in Jugovizija, the Yugoslav selection for the Eurovision Song Contest, with the song "Sitnije, Cile, sitnije". The song was released on an extended play of the same name, along with another song. Their appearance on Jugovizija caused confusion among the audience, since the competition was considered exclusively reserved for pop singers. Although they did not qualify for the prestigious European competition, Lepa Brena and Slatki Greh won the contest, gaining even more popularity.
Question: What is Slati Greh?
Answer: Lira Show changed their name to Slatki Greh
Question: Did they release an album?
Answer: Brena and Slatki Greh premiered their first studio album,
Question: What is the name of the album?
Answer: Cacak, Cacak,
Question: What is a single from the album?
Answer: CANNOTANSWER
Question: Was the album a success?
Answer: CANNOTANSWER
Question: Who else was in Lira Show?
Answer: Sasa Popovic,
Question: How many albums has she sold? | [
"40 million records sold."
] |
Title: Lepa Brena
Background: Born into a Bosniak family near Tuzla, SR Bosnia and Herzegovina, she grew up in Brcko, the youngest child of Abid Jahic (c. 1928 - 22 October 2010) and Ifeta (nee Smajlovic; 15 April 1934 - 21 November 2014). Both of her parents are originally from villages near Srebrenik; her father was born in Jezinac and her maternal family hailed from Cehaje. Fahreta grew up in a Muslim home with sister Faketa and brother Faruk. At the start of the Bosnian War in 1992, her sister Faketa escaped to Canada, where she lives today, while Brena stayed in Belgrade where she had been living since 1980.
Section: 1984-90: Bato, Bato and Hajde da se volimo
Passage: 1984 saw Brena and her band begin a cooperation with a new manager and producer, Raka Dokic. Bato, Bato, their third album, was released the same year. A new provocative image was accompanied by a new musical style, different from the one fostered by Popovic. Later that year, they held a concert in neighboring Romania, at the stadium in Timisoara to an audience of 65,000, what was at time among the most successful concerts of a Yugoslav musician outside their home country. Their next three albums, Pile moje (1985) and Voli me, voli and Uske pantalone (both 1986) would propel her to the throne of the Yugoslav music scene. Along with these albums, Brena established a cooperation with Serbian folk star Miroslav Ilic and recorded a collaborative extended play Jedan dan zivota, which featured four songs, including a romantic duet called "Jedan dan zivota", and the song "Zivela Jugoslavija", which was received with a mixed response. The latter song was in line with Brena's only official political stance: an uncompromising support of a united Yugoslavia, with her becoming a symbol of this view. By the end of 1986, Lepa Brena had become the star of Belgrade social jet-set, and the most successful public figure in Yugoslavia. Brena's manager Raka Dokic came up with the idea that her seventh studio album should be followed by a movie in which she would play the lead role. This idea was successfully implemented in 1987 when the motion picture Hajde da se volimo was filmed. The movie had the same name as the album. Many then-popular Yugoslav actors co-starred in the film, including Dragomir Gidra Bojanic, Milutin Karadzic, Velimir Bata Zivojinovic, Milan Strljic, etc. During the premiere of the film on 24 October 1987, Brena met her future husband, Serbian tennis star Slobodan Zivojinovic. Based on the success of the original, two sequels were produced: Hajde da se volimo 2 (1989) and Hajde da se volimo 3 (1990), which was followed by the studio album Boli me uvo za sve. Boli me uvo za sve also had multiple hit songs including "Cik pogodi", "Bice belaja", "Tamba Lamba", and the title track. Their eighth studio album Cetiri godine was released on 1 October 1989 and contained the controversial song Jugoslovenka with Bosnian rock musician Alen Islamovic. The music video for the pop-folk song Cuvala me mama was filmed on the Croatian island Lopud. Lepa Brena and Slati Greh held more than 350 concerts yearly, and would often hold two concerts in one day. They set a record by holding thirty-one concerts consecutively at Dom Sindikata, and seventeen concerts consecutively at the Sava Center. On 24 July 1990, Brena was lowered with a helicopter at Levski stadium in Sofia, Bulgaria, and held her then-most-attended concert with an audience of 110,000 people. While she was in Bulgaria in July 1990, she met with the Bulgarian mystic Baba Vanga.
Question: What happened to Lepa Brena in 1984?
Answer: Brena and her band begin a cooperation with a new manager and producer,
Question: Who was their new manager?
Answer: Raka Dokic.
Question: Who was their producer?
Answer: producer, Raka Dokic.
Question: What is Bato?
Answer: their third album,
Question: What is Bato and Hajde da se volimo?
Answer: Bato, Bato, their third album,
Question: When was their third album released?
Answer: 1984
Question: What was their seventh album called? | [
"Hajde da se volimo"
] |
Title: Soulfly
Background: Soulfly is an American heavy metal band formed in 1997 and based in Phoenix, Arizona. The original lyrical content revolved around spirituality, political and religious themes, with later albums encompassing other themes including war, violence, aggression, slavery, hatred and anger. Soulfly is led by former Sepultura frontman Max Cavalera, who formed the band after he left the Brazilian group in 1996. To date the band has released ten studio albums, one tour EP, twenty-three singles, one video album, and twelve music videos.
Section: Conquer and Omen (2008-2010)
Passage: Cavalera was troubled during the recording of Soulfly's self-titled album, and on the band's website he said that he founded the band "with the idea of combined sounds and spiritual beliefs". As well as leaving Sepultura, one of the world's most renowned thrash/groove metal bands, he had to deal with the death of his stepson and best friend Dana Wells. The self-titled debut album was released in April 1998, and reached number 79 on the Billboard 200. In addition to the core band, which at the time consisted of Lucio Maia (Jackson Bandeira) on guitar, Cello Dias on bass, and Roy Mayorga on drums, Soulfly featured Burton C. Bell, Dino Cazares and Christian Olde Wolbers from Fear Factory, Fred Durst and DJ Lethal from Limp Bizkit, Chino Moreno from Deftones, Benji Webbe formerly of Welsh band Dub War and now a member of Skindred, Eric Bobo from Cypress Hill, Jorge do Peixe and Gilmar Bola Oito from Chico Science & Nacao Zumbi, and Mario C.. The album was recorded at Indigo Ranch Studios in Malibu, California and was overseen by producer Ross Robinson. In addition to fronting Soulfly, Cavalera also branched out into other areas not usually associated with heavy metal musicians. He became a speaker at music conventions, appearing at CMJ's New Music Marathon in New York and Holland's Crossing Border Festival, both in late 1997, and sang a TV commercial for Sprite in Brazil. After recording the first album, Jackson Bandeira returned to Brazil with Nacao Zumbi and was replaced by Logan Mader of Machine Head for the live tour that followed. Soulfly played on the 1998 Ozzfest mainstage alongside Ozzy Osbourne, Megadeth, and Tool, and played small club tours around the world with bands such as System of a Down and Snot. After the world tour in support of Soulfly, Logan Mader was replaced by Mikey Doling who had just been displaced by the breakup of Snot. A variety of influences, including nu metal, appeared on 2000s Primitive, and it was the most successful album by the band in the U.S., reaching number 32 on the Billboard 200 and number 11 on the independent charts. Joe Nunez, from Chicago, replaced Roy Mayorga on drums for Primitive. The album featured a number of guest appearances as well, including Corey Taylor of Slipknot and Stone Sour, Sean Lennon, Chino Moreno of Deftones, Tom Araya of Slayer, Grady Avenell of Will Haven, Cutthroat Logic, Babatunde and Asha Rabouin and was produced by Toby Wright. In addition, artwork was created by longtime Bob Marley artist Neville Garrick. The release of the album was followed by world tours with the likes of Pantera, Morbid Angel and Ozzfest. In late 2001, Joe Nunez left Soulfly to join Stripping the Pistol, saying that it was "time for [him] to move on". Roy Mayorga departed from his band Medication to rejoin Soulfly for the recording of their third album. 3 was the first Soulfly album which was produced by Max Cavalera. Other musicians performing on 3 included Cristian Machado of Ill Nino, and guitarist Wiley Arnet and drummer Greg Hall, and Max's stepson Richie Cavalera. The album reached number 46 on the Billboard 200 in that year. After the release of 3 on June 25, 2002, Soulfly toured throughout Europe and North America with bands such as Slayer, In Flames, God Forbid, and Will Haven. In September 2003, after the world tour for 3, Marcelo Dias was fired from the band, and Mikey Doling and Roy Mayorga both left the band in protest, leaving Cavalera as the sole remaining member for a period of three weeks. Cavalera recruited a new lineup in October 2003 for the recording of Soulfly's Prophecy album. Joe Nunez returned on drums with New Jersey native Marc Rizzo, formerly of Ill Nino, on guitar and Kentucky native Bobby Burns, formerly of Primer 55, on bass. David Ellefson, formerly of Megadeth at the time, also played bass on several of the album's songs. Max Cavalera explained on the band's website that he wanted to use different musicians as part of the group for each album. "This is an approach that I've wanted to do for a while. I never wanted Soulfly to be a band like Metallica, with the same four guys. On every Soulfly album, we've changed the line up and it will probably continue that way. In order to do that, I had to start from the inside out and bring in people who caught my attention, that I had never played with before, and create this." While a member of Sepultura, Cavalera had shown an interest in world music as shown in Roots, featuring elements of the music of Brazil's indigenous peoples. This approach continued on the Prophecy album, with Cavalera traveling to Serbia to record with traditional musicians. On the song "Moses", he worked with Serbian band Eyesburn, which also features reggae influences from one of his heroes, Bob Marley. Other tracks on the album feature instruments from the Middle Ages, sheepskin bagpipes, and Serbian Gypsies. Danny Marianino and Asha Rabouin returned as guest vocalists on Prophecy, as well, and Max Cavalera produced the album. Prophecy was released on March 30, 2004 and in April of that year had reached a peak of number 82 on the Billboard 200, although it has reached the top 50 of the Australian album charts. Soulfly followed the album release with tours supporting Black Sabbath and Morbid Angel. In February 2005, Soulfly released their first DVD, entitled The Song Remains Insane. This was a biography of the band, containing live footage from all over the globe, interviews, and all of the band's music videos. In August 2005, Roadrunner Records reissued their self-titled first album as part of the label's 25th anniversary celebration. In August 2007, Soulfly did a tour that consisted of a mixture of festival and club shows through Europe before playing the 11th Annual D-Low Memorial Show in Tempe, AZ on August 31, 2007. Cavalera Conspiracy also made their debut live performance at the show by opening for Soulfly. One week after performing the show, Soulfly went to Bobby Burns and Tim Lau's newly renovated Porch Studio in Orlando, FL to begin work on their sixth studio album, which Cavalera had begun writing during the summer. After working halfway through recording until September 29, Cavalera halted the session to travel throughout Egypt to record more sounds to integrate into the new songs. In November 2007, Cavalera returned to Orlando to complete tracking and the album was mixed by Andy Sneap in early 2008. The album featured collaborations Dave Peters from Throwdown and David Vincent from Morbid Angel. Soulfly released their sixth album entitled Conquer on July 29, 2008. Following the release of the album, the band toured the United States with Devastation and Bleed the Sky in the fall, toured Europe in winter of 2009 with Incite, played a small UK and European festivals during the spring and summer of 2009, and went on a fall 2009 U.S. headlining tour with Cattle Decapitation, Prong, and Mutiny Within. Soulfly entered the Edge of the Earth Studios in Los Angeles, California on November 6, 2009 to begin recording their seventh album with Max Cavalera and Logan Mader both producing. Through a series of streaming web video updates, frontman Max Cavalera revealed on November 13, 2009 that the album would be called Omen and would feature guest appearances by Tommy Victor of Prong and Greg Puciato of The Dillinger Escape Plan. Additionally, the album features performances on drums from Max's sons: Zyon Cavalera on a b-side cover of Sepultura's "Refuse-Resist" and Igor Cavalera (not to be confused with his brother of the same name) on a cover of Excel's "Your Life, My Life". Omen has been released worldwide on May 25, 2010. From May 13 - December 16, 2010, Soulfly conducted a world tour in support of their new album Omen. On July 18, 2010, bassist Bobby Burns posted following message on his Twitter profile: "To all the fans... SOULFLY and I have decided to part ways. Stay tuned for my next projects already in the works. Thanks 4 ur support!!!"
Question: What can you tell me about Conquer
Answer: Soulfly released their sixth album entitled Conquer on July 29, 2008. Following the release of the album, the band toured the United States
Question: How well did the tour sell
Answer: CANNOTANSWER
Question: How did the album do
Answer: CANNOTANSWER
Question: why did they decide to part ways | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Soulfly
Background: Soulfly is an American heavy metal band formed in 1997 and based in Phoenix, Arizona. The original lyrical content revolved around spirituality, political and religious themes, with later albums encompassing other themes including war, violence, aggression, slavery, hatred and anger. Soulfly is led by former Sepultura frontman Max Cavalera, who formed the band after he left the Brazilian group in 1996. To date the band has released ten studio albums, one tour EP, twenty-three singles, one video album, and twelve music videos.
Section: Line up change, Enslaved and Savages (2011-2013)
Passage: On July 1, 2011, Soulfly has announced that the group has recruited former Static-X and current Asesino, and then Prong, and Ministry bassist Tony Campos into the band, replacing former bassist Bobby Burns, who left the group in July of last year. In August 2011, Joe Nunez was replaced by Borknagar drummer David Kinkade. In September 2011, the band announced they entered the recording studio to make their next album due for an early 2012 release. In late October it was revealed that recording had finished, and Kinkade claimed that the new album is like "Arise on crack". Confirmed guests on the album were Adam Warren of Oceano and Dez Fafara of Coal Chamber and DevilDriver, although Warren pulled out of recording and was replaced by Cattle Decapitation frontman Travis Ryan. In the December 2011 issue of Metal Hammer, Cavalera stated that the main theme of the album will be slavery, with confirmed song titles "Slave", "Chains", "Legions" (a song about the Roman Empire), "Gladiator", "Redemption of Man by God" (featuring Dez Fafara), and "Revengeance" (with Max's 3 sons featuring: Zyon on drums, Richie on vocals and Iggor writing half the guitar riffs). The album was produced by Zeuss with artwork from Marcelo Vasco, who has designed album artwork for bands such as Borknagar, Obituary, and Dimmu Borgir. On December 6, the album title was announced to be Enslaved and has a release date of March 13, 2012. Soulfly performed at the 13th annual Gathering of the Juggalos in Cave-in-Rock, IL August 2012. Throughout 2012, Soulfly have headlined the "Maximum Cavalera Tour", supported by Incite (fronted by Richie Cavalera) and Lody Kong (featuring Igor Cavalera Jr. and Zyon Cavalera). In October 2012 Kinkade announced his retirement from drumming, leaving Soulfly after their show in Bangkok. Max's son Zyon, who performed during the South America tour earlier in the year, will take over drums for the upcoming US tour and for the foreseeable future. In April 2013 Max announced Soulfly's intention to record more material after their tour, with producer Terry Date, and confirmed on May 3 that Zyon would perform drums on the album. In July Max announced that the album would be called Savages. The band released the album on September 30 in the UK, October 1 in the US, and October 4 in Europe. Savages features a number of guest vocalists including Igor Cavalera Jr. of Lody Kong, Jamie Hanks of I Declare War, Neil Fallon of Clutch, and Mitch Harris of Napalm Death.
Question: what line up changes did they have
Answer: On July 1, 2011, Soulfly has announced that the group has recruited former Static-X and current Asesino,
Question: what do they do now in the band
Answer: In August 2011, Joe Nunez was replaced by Borknagar drummer David Kinkade.
Question: was that successful | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: The Clark Sisters
Background: The Clark Sisters are an American gospel vocal group consisting of five sisters: Jacky Clark Chisholm (b. 1948), Denise Clark Bradford (b. 1953), Elbernita "Twinkie" Clark-Terrell (b. 1954), Dorinda Clark-Cole (b. 1957), and Karen Clark Sheard (b. 1960). The Clark Sisters are the daughters of gospel musician and choral director Mattie Moss Clark. They are credited for helping to bring gospel music to the mainstream and are considered as pioneers of contemporary gospel.
Section: The early years
Passage: The Clark Sisters were born and raised in Detroit, Michigan. They each began singing at an early age, and by the late 1960s they were all performing together in church services, usually singing songs written and arranged by their mother. A few years later, Dr. Mattie Moss Clark turned over control of the group to Twinkie, who would then go on to write, arrange, conduct, and produce all of the Clark Sisters' recordings. In 1973, the sisters recorded their first album, Jesus Has A Lot To Give, on their uncle's local label Billesse Records. The following year, Dr. Mattie Moss Clark Presents The Clark Sisters was released and people around Detroit began to take notice of the group. The Clark Sisters signed to Sound of Gospel Records in 1974. Under this association, the group released albums such as Unworthy, Count It All Joy, and He Gave Me Nothing to Lose. It was not until the early 1980s that The Clark Sisters began to become more widely known. Their popularity soared with the release of the live recording Is My Living In Vain. The first live recording by The Clark Sisters spent an entire year at number one on Billboard's Gospel Music chart. Opening with the bluesy title track, each sister vocally declares that their dedication to Christ is not a useless effort. The innovative "Hi ya" was funky enough to find its way into a Tonex produced track over two decades later. Karen Clark's lead on "Speak Lord" expresses deep faith while the call to worship is raised on "Now Is The Time". Another hit from this release, "Expect Your Miracle", is still a staple in black churches across the country. Their next release You Brought the Sunshine would prove to be a monster hit via the title track. Reminiscent of Stevie Wonder's "Master Blaster (Jammin')," the song became a hit in church houses and on dance floors, including New York's Studio 54. "Sunshine" was picked up from its original independent gospel record label Sounds of Gospel and distributed by both Westbound Records and Elektra Records. In 1983, the song peaked at #16 on the Black Singles chart, #27 on the Club Play Charts, and #80 on the Hot R&B Charts driving the album to Gold sales. This album continues to display Twinkie's signature blend of scripture with unprecedented vocal and musical arrangements on biblically based songs like "Psalms 31." The album's other songs include the sincere prayer found within the lyrics of both "Center of Thy Will" and "Endow Me," featuring a young but already vocally mature Karen, as well as "Overdose of the Holy Ghost", showcasing Dorinda's vocal dexterity. The disco-inspired "He Keeps Me Company" is noted for its bubbly syncopation. The sisters delivered another progressive effort in 1982, Sincerely, which included "Name It And Claim It" and the politically charged "World." Though its success was overshadowed by the previous hit "You Brought The Sunshine", the album received a Grammy nomination.
Question: What did they do in their early years?
Answer: They each began singing at an early age,
Question: were they real sisters?
Answer: usually singing songs written and arranged by their mother.
Question: where did they sing? | [
"they were all performing together in church services,"
] |
Title: The Clark Sisters
Background: The Clark Sisters are an American gospel vocal group consisting of five sisters: Jacky Clark Chisholm (b. 1948), Denise Clark Bradford (b. 1953), Elbernita "Twinkie" Clark-Terrell (b. 1954), Dorinda Clark-Cole (b. 1957), and Karen Clark Sheard (b. 1960). The Clark Sisters are the daughters of gospel musician and choral director Mattie Moss Clark. They are credited for helping to bring gospel music to the mainstream and are considered as pioneers of contemporary gospel.
Section: More success
Passage: After a four-year gap between releases, the sisters continued as a foursome, signing with Rejoice Records, a division of Word. This new deal yielded the Grammy-nominated Heart & Soul (1986) featuring the mainstream single "Time Out". This project made a top 5 debut on Billboard's Gospel Charts and garnered the group a coveted Dove Award. It featured the original versions of "Jesus Is A Love Song", "Balm in Gilead", and "Pray for the USA", which has been re-recorded several times. The music took on a more contemporary sound with programmed drums and synthesizers. Also included on this album were "Smile, God Loves You", "Time Out", "I Am Blessed", and the funky "He'll Turn Your Scars Into Stars." In 1988, The Clark Sisters released their Billboard chart-topping and critically acclaimed album Conqueror. It featured a bolder, more intense sound, with synthesizers, drum machines and more funk-oriented beats. Conqueror quickly became a fan favorite with hits like "The Darkest Hour Is Just Before The Day" and the original studio version of "Jesus Forevermore". In 1989, The Clark Sisters released their highly anticipated live album, Bringing it Back Home, recorded in their home town of Detroit. It was the last recording from The Clark Sisters on Word Records' Rejoice imprint and the last group album with Twinkie just before the launch of her solo career. The album included both previous hits and new material. It featured guest appearances from gospel icon Rance Allen and backing choir vocals from The Michigan State Choir directed by Dr. Mattie Moss Clark. In 1994, the Clark Sisters released their last studio album before breaking grounds into their successful solo careers. Their last studio album of the decade, Miracle, was the first album The Clark Sisters recorded without the songwriting and vocals of Twinkie Clark. Produced by BeBe Winans & Michael J. Powell, this disc features a very pop version of the Clark Sisters classic "Expect A Miracle" (now titled "Miracle") and a remake of the classic "Jesus Is The Best Thing". Dorinda made her songwriting debut on a Clark Sisters recording with "Work To Do". That album, although it fared well in sales, did not match the success of previous albums due to the Clark Sisters not being able to tour and promote the project, due to the illness of their mother, Dr. Mattie Moss Clark, who died in September 1994 from diabetes complications.
Question: what did the sisters have more success with?
Answer: After a four-year gap between releases, the sisters continued as a foursome, signing with Rejoice Records, a division of Word.
Question: did the sisters have any top hits?
Answer: This new deal yielded the Grammy-nominated Heart & Soul (1986) featuring the mainstream single "Time Out".
Question: Are there any other interesting aspects about this article?
Answer: In 1988, The Clark Sisters released their Billboard chart-topping and critically acclaimed album Conqueror.
Question: what songs were on this album?
Answer: Conqueror quickly became a fan favorite with hits like "The Darkest Hour Is Just Before The Day" and the original studio version of "Jesus Forevermore".
Question: what was their biggest accomplishment? | [
"1989, The Clark Sisters released their highly anticipated live album, Bringing it Back Home, recorded in their home town of Detroit."
] |
Title: Joe Biden
Background: Biden was born on November 20, 1942, at St. Mary's Hospital in Scranton, Pennsylvania, to Catherine Eugenia "Jean" Biden (nee Finnegan) and Joseph Robinette "Joe" Biden Sr. He was the first of four siblings in a Catholic family, with a sister, Valerie, and two brothers, James and Frank, following. His mother was of Irish descent, with roots variously attributed to County Louth or County Londonderry. His paternal grandparents, Mary Elizabeth (Robinette) and Joseph H. Biden, an oil businessman from Baltimore, Maryland, were of English, French, and Irish ancestry.
Section: Post-Vice Presidency (2017-present)
Passage: During a tour of the U.S. Senate with reporters before leaving office, on December 5, 2016, Biden refused to rule out a potential bid for the Presidency in the 2020 presidential election, after leaving office as Vice President. If he were to run in 2020, Biden would be 77 years old on election day and 78 on inauguration day in 2021. He reasserted his ambivalence about running on an appearance of The Late Show with Stephen Colbert on December 7, in which he stated "never say never" about running for President in 2020, while also admitting he did not see a scenario in which he would run for office again. He seemingly announced on January 13, 2017, exactly one week prior to the expiration of his vice presidential term, that he would not run. However, four days later, on January 17, he seemed to backtrack, stating "I'll run if I can walk." A political action committee known as Time for Biden was formed in January 2018, seeking Biden's entry into the race. In 2017, he was named the Benjamin Franklin Presidential Practice professor at the University of Pennsylvania, where he will focus on foreign policy, diplomacy, and national security while leading the Penn Biden Center for Diplomacy and Global Engagement. He will also pursue his "Cancer Moonshot" agenda. On March 12, 2017, Biden during a keynote speech at the annual SXSW festival stated, "The only bipartisan thing left in America is the fight against cancer." On April 21, 2017, amidst speaking to a New York urban planning conference, Biden cited the "infinite wisdom" of Governor of New Jersey Chris Christie as the cause behind the termination of a rail tunnel project and called the Gateway Program "the most important infrastructure project in America." During a Las Vegas, Nevada hedge fund conference interview on May 18, Biden said that he had never been confident in Clinton's candidacy: "I never thought she was a great candidate. I thought I was a great candidate." Biden delivered a speech to the graduating class of Colby College on May 21, 2017, calling for a return to "unity and purpose", and three days later expressed confidence in contemporary students being able to handle "the challenges that lie ahead" at Harvard University during the college's Class Day ceremony.
Question: what did Biden do in 2017?
Answer: He seemingly announced on January 13, 2017, exactly one week prior to the expiration of his vice presidential term, that he would not run.
Question: why did he decide not to run?
Answer: However, four days later, on January 17, he seemed to backtrack, stating "I'll run if I can walk."
Question: what is he doing now?
Answer: Biden delivered a speech to the graduating class of Colby College on May 21, 2017, calling for a return to "unity and purpose",
Question: is he doing anything else?
Answer: During a Las Vegas, Nevada hedge fund conference interview on May 18, Biden said that he had never been confident in Clinton's candidacy:
Question: did he say why he had no confidence in Clinton?
Answer: "I never thought she was a great candidate. I thought I was a great candidate."
Question: does he have any future plans in politics?
Answer: Biden refused to rule out a potential bid for the Presidency in the 2020 presidential election, after leaving office as Vice President.
Question: has he chosen a running mate? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Mahatma Gandhi
Background: Mohandas Karamchand Gandhi (; Hindustani: ['mo:h@nda:s 'k@r@mtS@nd 'ga:ndhi] ( listen); 2 October 1869 - 30 January 1948) was an Indian activist who was the leader of the Indian independence movement against British rule.
Section: Salt Satyagraha (Salt March)
Passage: After his early release from prison for political crimes in 1924, over the second half of the 1920s, Gandhi continued to pursue swaraj. He pushed through a resolution at the Calcutta Congress in December 1928 calling on the British government to grant India dominion status or face a new campaign of non-co-operation with complete independence for the country as its goal. After his support for the World War I with Indian combat troops, and the failure of Khilafat movement in preserving the rule of Caliph in Turkey, followed by a collapse in Muslim support for his leadership, some such as Subhas Chandra Bose and Bhagat Singh questioned his values and non-violent approach. While many Hindu leaders championed a demand for immediate independence, Gandhi revised his own call to a one-year wait, instead of two. The British did not respond favourably to Gandhi's proposal. British political leaders such as Lord Birkenhead and Winston Churchill announced opposition to "the appeasers of Gandhi", in their discussions with European diplomats who sympathised with Indian demands. On 31 December 1929, the flag of India was unfurled in Lahore. Gandhi led Congress celebrated 26 January 1930 as India's Independence Day in Lahore. This day was commemorated by almost every other Indian organisation. Gandhi then launched a new Satyagraha against the tax on salt in March 1930. This was highlighted by the famous Salt March to Dandi from 12 March to 6 April, where he marched 388 kilometres (241 mi) from Ahmedabad to Dandi, Gujarat to make salt himself. Thousands of Indians joined him on this march to the sea. This campaign was one of his most successful at upsetting British hold on India; Britain responded by imprisoning over 60,000 people. According to Sarma, Gandhi recruited women to participate in the salt tax campaigns and the boycott of foreign products, which gave many women a new self-confidence and dignity in the mainstream of Indian public life. However, other scholars such as Marilyn French state that Gandhi barred women from joining his civil disobedience movement because he feared he would be accused of using women as political shield. When women insisted that they join the movement and public demonstrations, according to Thapar-Bjorkert, Gandhi asked the volunteers to get permissions of their guardians and only those women who can arrange child-care should join him. Regardless of Gandhi's apprehensions and views, Indian women joined the Salt March by the thousands to defy the British salt taxes and monopoly on salt mining. After Gandhi's arrest, the women marched and picketed shops on their own, accepting violence and verbal abuse from British authorities for the cause in a manner Gandhi inspired.
Question: Was the Salt March (Salt Satyagraha) part of the Khilafat movement?
Answer: Salt March to Dandi from 12 March to 6 April,
Question: Who led the Salt March? | [
"Gandhi then launched a new Satyagraha against the tax on salt in March 1930."
] |
Title: Boston (band)
Background: Boston is an American rock band from Boston, Massachusetts, who had their most notable successes during the 1970s and 1980s. Centered on multi-instrumentalist founder and leader Tom Scholz, the band is a staple of classic rock radio playlists. Boston's best-known works include the songs "More Than a Feeling", "Peace of Mind", "Foreplay/Long Time", "Rock and Roll Band", "Smokin'", "Don't Look Back", "A Man I'll Never Be", and "Amanda". They have sold more than 75 million records worldwide, including 31 million albums in the United States, of which 17 million were from their self-titled debut album and seven million were for their second album,
Section: Solo projects and CBS lawsuit (1979-1985)
Passage: In late 1979, Scholz began writing new material, but Boston's former co-manager, Paul Ahern, argued that, according to an agreement Scholz had signed years earlier with Ahern, Ahern owned a percentage of all songs Scholz wrote from that point on. Delayed further by the dispute, Scholz suggested that in the meantime the individual members should work on whatever other projects they might be considering. Goudreau then decided to record a solo album that featured Boston members Delp and Hashian, and which was recorded with the help of Paul Grupp, an engineer and producer familiar with Scholz's studio techniques. The album, released in 1980, was titled Barry Goudreau and featured the minor hit single "Dreams". There was tension when CBS's marketing connected Goudreau's solo album to Boston's signature guitar sound, despite Scholz not having played at all on this album. Scholz objected to the ad copy, but it became irrelevant when Epic dropped promotion on Goudreau's album citing lack of interest. Goudreau left the band in 1981 and formed Orion the Hunter. Delp contributed vocals and co-wrote songs on the debut album, but returned to Boston and recorded vocals on the third Boston album. While Scholz and Delp were recording new material for the third Boston album, CBS filed a $60 million lawsuit against Scholz, alleging breach of contract for failing to deliver a new Boston album on time. During this same period, Scholz founded his high-tech company Scholz Research & Development (SR&D), which made amplifiers and other musical electronic equipment. Its most famous product, the Rockman amplifier, was introduced in 1982. The legal trouble slowed progress toward the completion of the next album, which took six years to record and produce. Joining Scholz in the album's development again were Delp and Jim Masdea. In 1985, guitarist Gary Pihl left Sammy Hagar's touring band to work with Scholz as both a musician and an SR&D executive. As CBS v. Scholz played out in court, CBS opted to withhold royalty payments to Scholz, hoping to force him to settle on unfavorable terms. The lawsuit's first round was eventually decided in Scholz's favor, and Scholz moved the band to MCA Records.
Question: When did they start working on solo projects?
Answer: In late 1979,
Question: What was the problem that occurred?
Answer: Boston's former co-manager, Paul Ahern, argued that, according to an agreement Scholz had signed years earlier with Ahern, Ahern owned a percentage of all songs
Question: When did the solo album release? | [
"The album, released in 1980,"
] |
Title: Al Sharpton
Background: Alfred Charles Sharpton Jr. was born in the Brownsville neighborhood of Brooklyn, New York City, to Ada (nee Richards) and Alfred Charles Sharpton Sr. The family has some Cherokee roots. He preached his first sermon at the age of four and toured with gospel singer Mahalia Jackson. In 1963, Sharpton's father left his wife to have a relationship with Sharpton's half-sister.
Section: Work as FBI informant
Passage: Sharpton said in 1988 that he informed for the government in order to stem the flow of crack cocaine into black neighborhoods. He denied informing on civil rights leaders. In 2002, HBO's Real Sports with Bryant Gumbel aired a 19-year-old FBI videotape of an undercover sting operation showing Sharpton with an undercover FBI agent posing as a Latin American businessman and a reputed Colombo crime family captain. During the discussion, the undercover agent offered Sharpton a 10% commission for arranging drug sales. On the videotape, Sharpton mostly nods and allows the FBI agent to do most of the talking. No drug deal was ever consummated, and no charges were brought against Sharpton as a result of the tape. In April 2014, The Smoking Gun obtained documents indicating that Sharpton became an FBI informant in 1983 following Sharpton's role in a drug sting involving Colombo crime family captain Michael Franzese. Sharpton allegedly recorded incriminating conversations with Genovese and Gambino family mobsters, contributing to the indictments of several underworld figures. Sharpton is referred to in FBI documents as "CI-7." Summarizing the evidence supporting that Sharpton was an active FBI informant in the 1980s, William Bastone, the Smoking Gun's founder, stated: "If he (Sharpton) didn't think he was an informant, the 'Genovese squad' of the FBI and NYPD officials sure knew him to be an informant. He was paid to be an informant, he carried a briefcase with a recording device in it, and he made surreptitious tape recordings of a Gambino crime family member 10 separate times as an informant. He did it at the direction of the FBI, he was prepped by the FBI, was handed the briefcase by the FBI and was debriefed after the meetings. That's an informant." Sharpton disputes portions of the allegations. Sharpton is alleged to have secretly recorded conversations with black activists in the 1980s regarding Joanne Chesimard (Assata Shakur) and other underground black militants. Veteran activist Ahmed Obafemi told the New York Daily News that he had long suspected Sharpton of taping him with the bugged briefcase.
Question: How did Sharpton become an informant for the FBI
Answer: Sharpton said in 1988 that he informed for the government in order to stem the flow of crack cocaine into black neighborhoods.
Question: Was it voluntary?
Answer: He denied informing on civil rights leaders.
Question: Was the effort successful at reducing the crack/cocaine in black neighborhoods?
Answer: CANNOTANSWER
Question: was he in fact informing on civil rights leaders, despite his denial?
Answer: CANNOTANSWER
Question: What does he dispute about the allegations | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: George Washington
Background: George Washington (February 22, 1732 - December 14, 1799) was an American statesman and soldier who served as the first President of the United States from 1789 to 1797 and was one of the Founding Fathers of the United States. He served as Commander-in-Chief of the Continental Army during the American Revolutionary War, and later presided over the 1787 convention that drafted the United States Constitution. As a driving force behind the nation's establishment he came to be known as the "father of the country," both during his lifetime and to this day. Washington was born into the provincial gentry of Colonial Virginia to a family of wealthy planters who owned tobacco plantations and slaves, which he inherited.
Section: Early life (1732-1753)
Passage: George Washington was the first child of Augustine Washington and his second wife Mary Ball Washington, born on their Popes Creek Estate near Colonial Beach in Westmoreland County, Virginia. He was born on February 11, 1731, according to the Julian calendar and Annunciation Style of enumerating years then in use in the British Empire. The Gregorian calendar was adopted within the British Empire in 1752, and it renders a birth date of February 22, 1732. Washington was of primarily English gentry descent, especially from Sulgrave, England. His great-grandfather John Washington immigrated to Virginia in 1656 and began accumulating land and slaves, as did his son Lawrence and his grandson, George's father Augustine. Augustine was a tobacco planter who also tried his hand at iron manufacturing, and later he was the Justice of the Westmoreland County Court. In Washington's youth, his family was moderately prosperous and considered members of Virginia's "country level gentry" of "middling rank," rather than one of the leading wealthy planter elite families. His wife Sally was also a friend of Washington and an early romantic interest, and maintained correspondence when she moved to England with her father, but most of the letters were intercepted by the British during the war. Lawrence Washington inherited a plantation from their father on the Potomac River at Little Hunting Creek which he named Mount Vernon in honor of his commanding officer Vice Admiral Edward Vernon. Washington inherited Ferry Farm upon his father's death and eventually acquired Mount Vernon after Lawrence's death. The death of his father prevented Washington from an education at England's Appleby Grammar School such as his older brothers had received. He achieved the equivalent of an elementary school education from a variety of tutors, as well as from a school run by an Anglican clergyman in or near Fredericksburg. His education totaled seven or eight years, while he lived with relatives at various places that included the Westmoreland and the Chotank regions of Virginia, as well as Ferry Farm and Mount Vernon. He was trained in mathematics, trigonometry, and surveying that developed a natural talent of draftsmanship and map making. He was also an avid reader and purchased books on military affairs, agriculture, and history, as well as the popular novels of his times. There was talk of securing an appointment for him in the Royal Navy when he was 15, but it was dropped when his widowed mother objected. In 1751, Washington traveled with Lawrence to Barbados (his only trip abroad) in the hope that the climate would be beneficial to Lawrence's declining health, as he was suffering from tuberculosis. Washington contracted smallpox during the trip, which left his face slightly scarred but immunized him against future exposures to the disease. Lawrence's health failed to improve, and he returned to Mount Vernon where he died in the summer of 1752. His position as Adjutant General (militia leader) of Virginia was divided into four district offices after his death, and Washington was appointed by Governor Dinwiddie as one of the four district adjutants in February 1753, with the rank of major in the Virginia militia. He also became a freemason while in Fredericksburg during this period, although his involvement was minimal.
Question: Where was Washington born?
Answer: born on their Popes Creek Estate near Colonial Beach in Westmoreland County, Virginia.
Question: Who was his father?
Answer: Augustine Washington
Question: Who was his mother?
Answer: Mary Ball Washington,
Question: Where was his family from? | [
"Washington was of primarily English gentry descent, especially from Sulgrave, England."
] |
Title: Dan Dierdorf
Background: Daniel Lee Dierdorf (born June 29, 1949) is a former American football offensive lineman and current sportscaster. A native of Canton, Ohio, Dierdorf played college football for the University of Michigan from 1968 to 1970 and was selected as a consensus first-team All-American in 1970 and a first-team All-Big Ten Conference player in 1969 and 1970. He was inducted into the University of Michigan Athletic Hall of Honor in 1996 and the College Football Hall of Fame in 2000. Dierdorf played professional football in National Football League (NFL) with the St. Louis Cardinals for 13 seasons from 1971 to 1983.
Section: 1974 to 1978 seasons
Passage: From 1974 to 1976, Dierdorf started every game at right tackle for the Cardinals during a three-year span in which the team compiled records of 10-4, 11-3, and 10-4 under head coach Don Coryell. In 1977, Dierdorf sustained a broken jaw and missed two games to injury as the Cardinals fell to 7-7. In 1978, Dierdorf started all 16 games at right tackle for the Cardinals. During his peak years from 1974 to 1978, Dierdorf was regarded as one of the best offensive lineman in the NFL. He was selected by the National Football League Players Association as the Offensive Lineman of the Year for three consecutive years from 1976 to 1978. The Cardinals' offensive line, led by Dierdorf, Conrad Dobler, and Tom Banks, led the NFL with the fewest sacks allowed for three years (and the National Football Conference for five years) in the mid-1970s. In 1975, the group set an NFL record, allowing only eight sacks in 14 games. Dierdorf did not allow a sack during the entire 1976 and 1977 seasons. His streak ended in the first game of the 1978 season when Chicago Bears defensive end Tommy Hart tallied two sacks against Dierdorf. Dierdorf had not given up a sack since the 1975 NFC Divisional playoff game when Jack Youngblood sacked Jim Hart. Dierdorf was selected to play in the Pro Bowl for five consecutive years from 1974 to 1978. Dierdorf also received first-team All-NFL honors as follows: in 1975 from the Pro Football Writers Association (PFWA); in 1976 from the Associated Press (AP), PFWA, Newspaper Enterprise Association (NEA), and Pro Football Weekly (PFW); in 1977 from AP, PFWA, NEA, and PFW; and in 1978 from AP, PFWA, NEA, PFW. He was named as the NFC choice for the NFLPA/Coca-Cola Offensive Lineman of the Year Award three straight years (1976-78) and was the Seagram's Seven Crowns of Sports Offensive Lineman of the Year in 1975. He also won the Forrest Gregg Award for NFL Offensive Lineman of the Year in 1975.
Question: what happened with dan in 1974
Answer: From 1974 to 1976, Dierdorf started every game at right tackle for the Cardinals during a three-year span in
Question: during a three-year span in what?
Answer: the team compiled records of 10-4, 11-3, and 10-4 under head coach Don Coryell.
Question: what was their best game?
Answer: CANNOTANSWER
Question: Are there any other interesting aspects about this article? | [
"Dierdorf did not allow a sack during the entire 1976 and 1977 seasons."
] |
Title: Mahatma Gandhi
Background: Mohandas Karamchand Gandhi (; Hindustani: ['mo:h@nda:s 'k@r@mtS@nd 'ga:ndhi] ( listen); 2 October 1869 - 30 January 1948) was an Indian activist who was the leader of the Indian independence movement against British rule.
Section: Khilafat movement
Passage: In 1919, Gandhi then aged 49, after the World War I was over, sought political co-operation from Muslims in his fight against British imperialism by supporting the Ottoman Empire that had been defeated in the World War. Before this initiative of Gandhi, communal disputes and religious riots between Hindus and Muslims were common in British India, such as the riots of 1917-18. Gandhi had already supported the British crown with resources and by recruiting Indian soldiers to fight the war in Europe on the British side. This effort of Gandhi was in part motivated by the British promise to reciprocate the help with swaraj (self-government) to Indians after the end of World War I. The British government, instead of self government, had offered minor reforms instead, disappointing Gandhi. Gandhi announced his satyagraha (civil disobedience) intentions. The British colonial officials made their counter move by passing the Rowlatt Act, to block Gandhi's movement. The Act allowed the British government to treat civil disobedience participants as criminals and gave it the legal basis to arrest anyone for "preventive indefinite detention, incarceration without judicial review or any need for a trial". Gandhi felt that Hindu-Muslim co-operation was necessary for political progress against the British. He leveraged the Khilafat movement, wherein Sunni Muslims in India, their leaders such as the sultans of princely states in India and Ali brothers championed the Turkish Caliph as a solidarity symbol of Sunni Islamic community (ummah). They saw the Caliph as their means to support Islam and the Islamic law after the defeat of Ottoman Empire in World War I. Gandhi's support to the Khilafat movement led to mixed results. It initially led to a strong Muslim support for Gandhi. However, the Hindu leaders including Rabindranath Tagore questioned Gandhi's leadership because they were largely against recognising or supporting the Sunni Islamic Caliph in Turkey. The increasing Muslim support for Gandhi, after he championed the Caliph's cause, temporarily stopped the Hindu-Muslim communal violence. It offered evidence of inter-communal harmony in joint Rowlatt satyagraha demonstration rallies, raising Gandhi's stature as the political leader to the British. His support for the Khilafat movement also helped him sideline Muhammad Ali Jinnah, who had announced his opposition to the satyagraha non-cooperation movement approach of Gandhi. Jinnah began creating his independent support, and later went on to lead the demand for West and East Pakistan. By the end of 1922 the Khilafat movement had collapsed. Turkey's Ataturk had ended the Caliphate, Khilafat movement ended, and Muslim support for Gandhi largely evaporated. Muslim leaders and delegates abandoned Gandhi and his Congress. Hindu-Muslim communal conflicts reignited. Deadly religious riots re-appeared in numerous cities, with 91 in United Provinces of Agra and Oudh alone.
Question: When did the Khilafat movement begin?
Answer: In 1919,
Question: What was it?
Answer: Gandhi felt that Hindu-Muslim co-operation was necessary for political progress against the British.
Question: How long did it last?
Answer: end of 1922
Question: Did it have any lasting effects?
Answer: initially led to a strong Muslim support for Gandhi.
Question: Is there anything you found particularly interesting?
Answer: Hindu leaders including Rabindranath Tagore questioned Gandhi's leadership because they were largely against recognising or supporting the Sunni Islamic Caliph in Turkey.
Question: How did that effect him?
Answer: Muslim support for Gandhi largely evaporated. Muslim leaders and delegates abandoned Gandhi and his Congress.
Question: What happened after that?
Answer: Deadly religious riots re-appeared in numerous cities,
Question: What cities were involved? | [
"United Provinces of Agra and Oudh alone."
] |
Title: Doris Duke
Background: Duke was born in New York City, the only child of tobacco and hydroelectric power tycoon James Buchanan Duke and his second wife, Nanaline Holt Inman, widow of Dr. William Patterson Inman. At his death in 1925, the elder Duke's will bequeathed the majority of his estate to his wife and daughter, along with $17 million in two separate clauses of the will, to The Duke Endowment he had created in 1924. The total value of the estate was not disclosed, but was estimated variously at $60 million to $100 million (equivalent to $837 million to $1.395 billion in 2018), the majority culled from J.B. Duke's holds in Lucky Strike cigarettes. Duke spent her early childhood at Duke Farms, her father's 2,700-acre (11 km2) estate in Hillsborough Township, New Jersey.
Section: Philanthropy
Passage: Duke's first major philanthropic act was to establish Independent Aid, Inc., in 1934, when she was 21 years old, in order to manage the many requests for financial assistance addressed to her. In 1958, she established the Duke Gardens Foundation to endow the public display gardens she started to create at Duke Farms. Her Foundation intended that Duke Gardens "reveal the interests and philanthropic aspirations of the Duke family, as well as an appreciation for other cultures and a yearning for global understanding.". Duke Gardens were the center of a controversy over the decision by the trustees of the Doris Duke Charitable Foundation to close them on May 25, 2008. In 1968, Duke created the Newport Restoration Foundation with the goal of preserving more than eighty colonial buildings in the town. Historic properties include Rough Point, Samuel Whitehorne House, Prescott Farm, the Buloid-Perry House, the King's Arms Tavern, the Baptist Meetinghouse, and the Cotton House. Seventy-one buildings are rented to tenants. Only five function as museums. She also funded the construction of Maharishi Mahesh Yogi's ashram in India, visited by the Beatles in 1968. Duke's extensive travels led to an interest in a variety of cultures, and during her lifetime she amassed a considerable collection of Islamic and Southeast Asian art. After her death, numerous pieces were donated to The Asian Art Museum of San Francisco and the Walters Art Museum of Baltimore. Duke did much additional philanthropic work and was a major benefactor of medical research and child welfare programs. In the late 1980s, Duke donated $2 million to Duke University to be used for AIDS research. Her foundation, Independent Aid, became the Doris Duke Foundation, which still exists as a private grant-making entity. After her death, the Doris Duke Charitable Foundation was established in 1996, supporting four national grant making programs and Doris Duke's three estates, Shangri La, Rough Point, and Duke Farms.
Question: what did doris contribute to?
Answer: Duke's first major philanthropic act was to establish Independent Aid, Inc., in 1934,
Question: what else did she contribute to?
Answer: In 1958, she established the Duke Gardens Foundation to endow the public display gardens
Question: Did volunteers work on those gardens?
Answer: CANNOTANSWER
Question: What kind of diseases that they wanted to help and support? | [
"Duke donated $2 million to Duke University to be used for AIDS research."
] |
Title: Dan Dierdorf
Background: Daniel Lee Dierdorf (born June 29, 1949) is a former American football offensive lineman and current sportscaster. A native of Canton, Ohio, Dierdorf played college football for the University of Michigan from 1968 to 1970 and was selected as a consensus first-team All-American in 1970 and a first-team All-Big Ten Conference player in 1969 and 1970. He was inducted into the University of Michigan Athletic Hall of Honor in 1996 and the College Football Hall of Fame in 2000. Dierdorf played professional football in National Football League (NFL) with the St. Louis Cardinals for 13 seasons from 1971 to 1983.
Section: 1979 to 1983 seasons
Passage: On September 9, 1979, Dierforf sustained torn ligaments in his left knee during an extra point attempt in the second quarter of the second game of the season against the New York Giants. After the game, Dierdorf said, "The knee was completely out of the socket. It moved a couple of inches off to the side. My leg was all twisted around and my foot was pointing in the wrong direction. It was painful. Very painful." Dierdorf was carried off the field on a stretcher, underwent knee surgery, and missed the remainder of the 1979 season. Dierdorf returned to the Cardinals in 1980, starting all 16 games for the team at right tackle in both the 1980 and 1981 seasons. In 1980, he was selected to play in the Pro Bowl and was selected as a first-team All-NFL player by the NEA. In 1982, Dierdorf moved to center and was the starter at that position for all nine games in a strike-shortened season. In 1983, Dierdorf returned to his right tackle position and appeared in seven games, only four as a starter. On October 11, 1983, after the Cardinals began the season with a 1-5 record, Dierdorf announced that he would retire at the end of the 1983 season. At the press conference announcing his retirement, Dierdorf said, "This was an easy decision for me to make. . . . Physically, I just can't play the type of game I want to." He added: "Ninety-five percent of me is sad that I'm retiring, but my knees are very, very happy."
Question: What team did he play on in these years?
Answer: Cardinals
Question: How did the Cardinals do in the late 70s/early 80s?
Answer: Cardinals began the season with a 1-5 record,
Question: How did he do as right tackle? | [
"appeared in seven games, only four as a starter."
] |
Title: French people
Background: The French (French: Francais) are an ethnic group and nation who are identified with the country of France. This connection may be legal, historical, or cultural. Historically the French people's heritage is diverse, including populations of Gauls, Ligures, Latins, Franks, Iberians, Alamans and Norsemen. France has long been a patchwork of local customs and regional differences, and while most French people still speak the French language as their mother tongue, languages like Norman, Occitan, Catalan, Auvergnat, Corsican, Basque, French Flemish, Lorraine Franconian, Alsatian and Breton remain spoken in their respective regions.
Section: Citizenship and legal residence
Passage: To be French, according to the first article of the French Constitution, is to be a citizen of France, regardless of one's origin, race, or religion (sans distinction d'origine, de race ou de religion). According to its principles, France has devoted itself to the destiny of a proposition nation, a generic territory where people are bounded only by the French language and the assumed willingness to live together, as defined by Ernest Renan's "plebiscite de tous les jours" ('everyday plebiscite') on the willingness to live together, in Renan's 1882 essay "Qu'est-ce qu'une nation?"). The debate concerning the integration of this view with the principles underlying the European Community remains open. A large number of foreigners have traditionally been permitted to live in France and succeeded in doing so. Indeed, the country has long valued its openness, tolerance and the quality of services available. Application for French citizenship is often interpreted as a renunciation of previous state allegiance unless a dual citizenship agreement exists between the two countries (for instance, this is the case with Switzerland: one can be both French and Swiss). The European treaties have formally permitted movement and European citizens enjoy formal rights to employment in the state sector (though not as trainees in reserved branches, e.g., as magistrates). Seeing itself as an inclusive nation with universal values, France has always valued and strongly advocated assimilation. However, the success of such assimilation has recently been called into question. There is increasing dissatisfaction with, and within, growing ethno-cultural enclaves (communautarisme). The 2005 French riots in some troubled and impoverished suburbs (les quartiers sensibles) were an example of such tensions. However they should not be interpreted as ethnic conflicts (as appeared before in other countries like the USA and the UK) but as social conflicts born out of socioeconomic problems endangering proper integration.
Question: What does it take to be a citizen?
Answer: Application for French citizenship is often interpreted as a renunciation of previous state allegiance unless a dual citizenship agreement exists between the two countries (
Question: Are there any others that have this agreement? | [
"The European treaties have formally permitted movement and European citizens enjoy formal rights to employment in the state sector"
] |
Title: French people
Background: The French (French: Francais) are an ethnic group and nation who are identified with the country of France. This connection may be legal, historical, or cultural. Historically the French people's heritage is diverse, including populations of Gauls, Ligures, Latins, Franks, Iberians, Alamans and Norsemen. France has long been a patchwork of local customs and regional differences, and while most French people still speak the French language as their mother tongue, languages like Norman, Occitan, Catalan, Auvergnat, Corsican, Basque, French Flemish, Lorraine Franconian, Alsatian and Breton remain spoken in their respective regions.
Section: Frankish Kingdom
Passage: With the decline of the Roman Empire in Western Europe, a federation of Germanic peoples entered the picture: the Franks, from which the word "French" derives. The Franks were Germanic pagans who began to settle in northern Gaul as laeti, already during the Roman era. They continued to filter across the Rhine River from present-day Netherlands and Germany between the third to the 7th century. At the beginning, they served in the Roman army and reached high commands. Their language is still spoken as a kind of Dutch (Flemish - Low Frankish) in northern France (Westhoek) and Frankish (Central Franconian) in German speaking Lorraine. Another Germanic people immigrated massively to Alsace: the Alamans, which explains the Alemannic German spoken there. They were competitors of the Franks; that's why, in Renaissance times, it became the French word for "German": Allemand. By the early 6th century the Franks, led by the Merovingian king Clovis I and his sons, had consolidated their hold on much of modern-day France, the country to which they gave their name. The other major Germanic people to arrive in France (after the Burgundians and the Visigoths) were the Norsemen or Northmen, (which was shortened to Norman in France), Viking raiders from modern Denmark and Norway, who settled with Anglo-Scandinavians and Anglo-Saxons from the Danelaw definitely in the northern region known today as Normandy in the 9th and 10th century, and which was given in fiefdom of the kingdom of France by king Charles III. The Vikings eventually intermarried with the local people, converting to Christianity in the process. It was the Normans who, two centuries later, would go on to conquer England and Southern Italy. Eventually, though, the largely autonomous duchy of Normandy was incorporated back into the royal domain (i. e. the territory under direct control of the French king) in the Middle Ages. In the crusader Kingdom of Jerusalem, founded in 1099, at most 120 000 Franks (predominantly French-speaking Western Christians) ruled over 350,000 Muslims, Jews, and native Eastern Christians.
Question: What does the Frankish Kingdom entail?
Answer: a federation of Germanic peoples entered the picture: the Franks, from which the word "French" derives.
Question: How far did the Frankish Kingdom spread?
Answer: They continued to filter across the Rhine River from present-day Netherlands and Germany between the third to the 7th century.
Question: Did they prevail against the Franks? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Cancer Bats
Background: Cancer Bats are a Canadian hardcore punk band from Toronto, Ontario. They have released five studio albums and six extended plays. The band is composed of vocalist Liam Cormier, guitarist Scott Middleton, drummer Mike Peters and bassist Jaye R. Schwarzer. Cancer Bats take a wide variety of influences from heavy metal subgenres and fuse them into hardcore and punk rock, and also include elements of Southern rock.
Section: Early years and Birthing the Giant (2004-2006)
Passage: Cancer Bats was founded in May 2004 by singer Liam Cormier and guitarist Scott Middleton, a former member of Toronto heavy metal band At the Mercy of Inspiration. The two wanted to form a project that combined their favorite parts of bands like Entombed, Refused, Black Flag, Led Zeppelin and Down, among others. The lineup was completed with the addition of Andrew McCracken on bass and Joel Bath on drums, with Cormier moving to vocals. The four-piece wrote and recorded songs for a self-released demo that saw light in January 2005, and led to Canadian independent record label Distort Entertainment signing the band. The story is that the band considered the names Cancer Bats and Pneumonia Hawk after deciding that a combination of illness and animal name would give the best band name. Soon after, Mike Peters replaced Bath on the drums and the band began playing throughout Southern Ontario, playing live shows with bands like Billy Talent, Every Time I Die, Nora, Alexisonfire, Haste the Day, It Dies Today, Bane, Comeback Kid, Buried Inside, Attack in Black, Misery Signals, This Is Hell, Rise Against, The Bronx and Gallows. On June 2, 2006, the band took part in a short interview and then played a free CD release show at The Edge 102.1 (CFNY-FM) and then on June 6 Birthing the Giant was released into major record stores. The album includes guest vocals by George Pettit of Alexisonfire. On June 7, 2006 they hosted All Things Rock, a show on MTV Canada, and had their own video played at the end of the show.
Question: How did the band get together?
Answer: Cancer Bats was founded in May 2004 by singer Liam Cormier and guitarist Scott Middleton,
Question: Who else was in the band?
Answer: The lineup was completed with the addition of Andrew McCracken on bass and
Question: Were there other members?
Answer: Cormier moving to vocals.
Question: How did the demo do? | [
"led to Canadian independent record label Distort Entertainment signing the band."
] |
Title: Cancer Bats
Background: Cancer Bats are a Canadian hardcore punk band from Toronto, Ontario. They have released five studio albums and six extended plays. The band is composed of vocalist Liam Cormier, guitarist Scott Middleton, drummer Mike Peters and bassist Jaye R. Schwarzer. Cancer Bats take a wide variety of influences from heavy metal subgenres and fuse them into hardcore and punk rock, and also include elements of Southern rock.
Section: Lineup changes and Hail Destroyer (2007-2008)
Passage: Bass player Andrew McCracken left to concentrate on his design company Doublenaut. His spot was filled in by Jason Bailey (former member of Figure Four and Shattered Realm) for most of 2007. However, Bailey was then replaced by Jaye R. Schwarzer (formerly of Left Behind, Hope to Die, Minesweeper, and Kover) as he wanted to focus on being a graphic designer; he still designs artworks for Cancer Bats and remains friends with Liam Cormier. The band released their second studio album called Hail Destroyer on April 22, 2008. The album features guest vocals by Wade MacNeil of Alexisonfire and Black Lungs, Tim McIlrath of Rise Against and Ben Kowalewicz of Billy Talent. The release was held at the Mod Club in downtown Toronto with Liam Cormier not only singing for Cancer Bats, but also performing drums for Black Lungs. On May 17, 2008, Cancer Bats were put on the cover of Kerrang!, a publication which gave their album Hail Destroyer a KKKKK review (highest possible) as well as a 5k Live review on their headlining UK tour. Cancer Bats were also nominated for 2008 Album of the Year for the 2008 Kerrang! awards. Cancer Bats have performed at the Download Festival in 2007, Groezrock 2007 and at both Reading and Leeds Festivals in 2007 and 2008. In the summer of 2008, the band did an extensive summer and autumn tour with Bullet for My Valentine, Black Tide and Bleeding Through, as part of the No Fear music tour across North America. Also in 2008, they were a support act for Welsh band Funeral for a Friend during their tour of Britain and northern Europe.
Question: What does the title Hail Destroyer pertain to?
Answer: The band released their second studio album called Hail Destroyer on April 22, 2008.
Question: In what studio did they record the album?
Answer: CANNOTANSWER
Question: How successful was their second album?
Answer: Kerrang!, a publication which gave their album Hail Destroyer a KKKKK review (highest possible) as well as a 5k Live review on their headlining UK tour.
Question: Did they receive any other good reviews to this album?
Answer: Cancer Bats were also nominated for 2008 Album of the Year for the 2008 Kerrang! awards.
Question: Where there any changes to the band's lineup in 2007 or 2008?
Answer: Bass player Andrew McCracken left to concentrate on his design company Doublenaut. His spot was filled in by Jason Bailey (
Question: Did Bailey come from another band?
Answer: (former member of Figure Four and Shattered Realm)
Question: Were there any other changes to the band during that time?
Answer: Bailey was then replaced by Jaye R. Schwarzer (formerly of Left Behind, Hope to Die, Minesweeper, and Kover)
Question: Did the new members work well with the original band members?
Answer: CANNOTANSWER
Question: Is there anything else noteworthy that happened to the band during this time?
Answer: Cancer Bats have performed at the Download Festival in 2007, Groezrock 2007 and at both Reading and Leeds Festivals in 2007 and 2008.
Question: Did they tour anywhere else?
Answer: 2008, the band did an extensive summer and autumn tour with Bullet for My Valentine, Black Tide and Bleeding Through,
Question: How was the attendance at their shows? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Genelia D'Souza
Background: Born in Mumbai Genelia is an East Indian, a Marathi speaking Christian from North Konkan. She was raised in the Bandra suburb of Mumbai. Her mother Jeanette D'Souza was a managing director of the Pharma Multinational corporation. She left her job in 2004 to help Genelia with her career.
Section: Return to Bollywood and recent work (June 2008-present)
Passage: When Genelia was offered a role in Tujhe Meri Kasam, initially she turned it down, as she was not keen to pursue a career in acting. But the crew insisted and kept contacting her for two months, and she agreed when she saw the Telugu version of the movie. Tamil director, S. Shankar, was impressed with her performance in the Parker Pen commercial and decided to cast her in a leading role in his 2003 Tamil film Boys. Genelia was selected among 300 girls, who had auditioned for the movie. She signed three movies simultaneously in three different languages, Tujhe Meri Kasam (Hindi), Boys (Tamil), and Satyam (Telugu). Genelia's professional movie career began, with her Bollywood debut Tujhe Meri Kasam in 2003. Film critic Taran Adarsh noted, "Genelia is a wonderful performer. She catches you unaware with a performance that's natural to the core." The film was a box-office success. However, it could not do much to propel her career in Bollywood. Later, she decided to act in South Indian films. The same year, she made her Tamil debut as the teenage girl Harini in Boys, a story about five teenagers having stereotypical teen-boy fantasies. The movie, though noted for its vulgar sexual content, was a box-office success, and subsequently she started receiving Telugu film offers. She left Tamil cinema for a while to concentrate on the Telugu film industry. She made her Telugu debut in 2003 as a medical student in Satyam. Sify noted in their review that, "Genelia is excellent as her body language is her major asset." The movie was well received, and it raised her profile in the Telugu film industry. In 2004, Genelia appeared in her second Bollywood movie, Masti. The comedy focuses on three close friends who reunite after three years, but are now married and are being harassed by their wives. Genelia portrayed the character of one of the wives. Taran Adarsh was complimentary of Genelia's role, saying, "Amongst the wives, Genelia is the best, [...] Genelia looks the stern and demanding wife and is sure to be noticed." The film was a box-office success. The same year, she appeared in two Telugu movies Samba, and Sye, both succeeding at the box-office. After appearing in her first Telugu movie in 2005, Naa Alludu, she starred in the Tamil romantic entertainer Sachein. A review in The Hindu noted, "Genelia, who hardly made an impression in Boys, makes much impact in Sachein." The movie evoked mixed response from audiences, but was well received with the younger generation. She later appeared in the Telugu patriotic movie Subhash Chandra Bose. The year 2006 marked a significant turning point in Genelia's career. She completed two Telugu movies in early 2006, one was the romantic comedy Happy, and the other was Raam. She then portrayed the role of Haasini, a vibrant, effervescent and a happy-go-lucky young girl, in the 2006 Telugu romantic film Bommarillu. The movie, a blockbuster at the box-office, grossed Rs250 million (US$3.8 million) in India, and also won the 2006 Golden Nandi award. Her character was well received, and garnered her the Telugu Filmfare Award for Best Actress, besides Nandi Special Jury Award and Santosham Award for Best Actress. Sify concluded about her acting in their review that, "The scene stealer is Genelia with her innocent looks and cute mannerisms. She does not overact and we just fall in love with her character. Genelia looks like a dream in chic skirts and is the life of the party and raises the bar of the film." Following the success of Bommarillu, Genelia played the role of the daughter of a local don, in the Tamil gangster film Chennai Kadhal alongside Boys co-star Bharath. Rediff.com criticized her commenting, "Genelia stands up yet again to prove the point that if you are pretty and well dressed, you can get away with anything, without acting." Shortly afterwards in 2007, Genelia played the role of sister of a notorious gangster in the blockbuster Telugu movie Dhee, set against a gang war backdrop. The following year, Genelia appeared in the 2008 Telugu romantic thriller Mr. Medhavi, in which she portrayed the role of a student from Canada. The movie was successful, with Rediff.com complimenting her performance saying, "Genelia is her effervescent self - full of joie-de-vivre and lights up the screen." She made her Kannada debut in Satya in Love the same year. Later, she was cast in a leading role in Santhosh Subramaniam, a Tamil remake of Bommarillu. The film also turned out to be rather successful as its predecessor. Sify described Genelia's portrayal as "the soul of the film" and the film's "biggest strength", however Rediff.com described her character as "appears a little too good to be true." In June 2008, following a nearly five-year hiatus in Bollywood, she appeared in Mere Baap Pehle Aap, which failed to make profit at the box-office. A Rediff review noted, "besides her apparent cuteness, brings in tons of freshness and traits to the youthful characters she chooses to play", while a Sify review criticized her stating, "Genelia is sprightly but has a standard two-three expressions bank in this film." She later appeared in the Telugu love story Ready alongside Ram, which was well received. Her breakthrough performance in 2008 was through the portrayal of the role of Aditi Mahant in the blockbuster Jaane Tu... Ya Jaane Na, which was an economic success across India and overseas, grossing Rs564 million (US$8.6 million). Her role was widely admired for her sweetness and freshness, and new style of acting, with Rediff describing her acting as a "spark that has been missing in Hindi cinema for well over a decade now". In that same year, Genelia acted in the Telugu romantic comedy Sasirekha Parinayam. The movie received favorable reviews, and Sify noted in their review that, "The life of the film is definitely Genelia and she has shown the varied emotions from innocence, sadness, romance and anger in equal proportions without a hitch." In 2009, Genelia was cast in the Hindi film Life Partner, in which she was criticized for her performance. Indian film critic Rajeev Masand commented, "The adorable little imp from Jaane Tu... Ya Jaane Na has turned into a nagging harridan in this film, and how you wish she'd immediately enroll for acting lessons." Her next appearance in 2009 was in the Telugu thriller Katha, which was well received, and for which she won the 2009 Nandi Special Jury Award. In 2010, Genelia appeared in Chance Pe Dance and Orange, both receiving poor reviews from critics, but her Uthama Puthiran was a moderate success in Tamil. D'Souza had a major role in 2011, starring as the Muslim warrior princess Arackal Ayesha, in her debut Malayalam film Urumi. The film is about a fictional story happening in Calicut, Kerala during the 15th century, about a boy who plots to assassinate the Portuguese explorer Vasco Da Gama. She learned horse riding, and spent two weeks of training to use the sword, the short stick, and movements of the Dravidian martial art Kalarippayattu. The movie portrayed her image makeover from typically girl-next-door roles to more serious roles. Her next appearance was in the Bollywood action thriller Force, which received mixed reception from critics, with Taran Adarsh of Bollywood Hungama noting that D'Souza is strikingly sweet and subdued. She played the role of a journalist alongside leading actor Vijay in Velayudham, which was also commercially successful. She appeared in Tere Naal Love Ho Gaya and Naa Ishtam in 2012 and in cameo appearances in Jai Ho and Lai Bhaari in 2014. Future films of D'Souza include Hook Ya Crook and It's My Life (a remake of Bommarillu in Hindi).
Question: What film marked D'Souza's return to Bollywood?
Answer: Tujhe Meri Kasam,
Question: How was the film received by fans and critics?
Answer: CANNOTANSWER
Question: Are there any other interesting aspects about this article? | [
"The film was a box-office success. The same year, she appeared in two Telugu movies Samba, and Sye,"
] |
Title: Bon Jovi
Background: Bon Jovi is an American rock band from Sayreville, New Jersey. Formed in 1983, Bon Jovi consists of lead singer and namesake Jon Bon Jovi, pianist and keyboardist David Bryan, drummer Tico Torres, lead guitarist Phil X, and bassist Hugh McDonald. The band's lineup has remained mostly static during its history, with the only exceptions being the 1994 dismissal of bass player Alec John Such, who was unofficially replaced by Hugh McDonald, and the departure of longtime guitarist and co-songwriter Richie Sambora in 2013. Phil X and McDonald both became official members in 2016.
Section: Bon Jovi and 7800deg Fahrenheit (1984-1985)
Passage: Once the band began playing showcases and opening for local talent, they caught the attention of record executive Derek Shulman, who signed them to Mercury Records and who was part of the PolyGram company. Because Jon Bon Jovi wanted a group name, Pamela Maher, a friend of Richard Fischer and an employee of Doc McGhee, suggested they call themselves Bon Jovi, following the example of the other famous two-word bands such as Van Halen. This name was chosen instead of the original idea of Johnny Electric. Pamela's suggestion of the name was met with little enthusiasm, but two years later they hit the charts under that name. With the help of their new manager Doc McGhee they recorded the band's debut album, Bon Jovi, which was released on January 21, 1984. The album included the band's first hit single, "Runaway", reaching top forty on the Billboard Hot 100. The album peaked at number forty-three on the Billboard 200 album chart. The group soon found itself opening for Scorpions in U.S. and for Kiss in Europe. In 1985, Bon Jovi's second album 7800deg Fahrenheit was released. The band released three singles "Only Lonely", "In and Out of Love" and the ballad "Silent Night". The album peaked at number thirty seven on Billboard 200 and certified Gold by RIAA. While the album did not do as well as they'd hoped in terms of sales, it allowed Bon Jovi to get out on the road touring again. In May 1985, Bon Jovi headlined venues in Japan and Europe. At the end of the European tour, the band began a six-month run of U.S. tour dates supporting Ratt. In the midst of that tour they managed to make appearances at the Texas Jam and Castle Donington's Monsters of Rock concerts in England. The band also performed at the very first Farm Aid in 1985.
Question: Was Bon Jovi their first album?
Answer: debut album, Bon Jovi,
Question: Were there singles from this album? | [
"\"Runaway\","
] |
Title: Cross Road Blues
Background: "Cross Road Blues" (also known as "Crossroads") is a blues song written and recorded by American blues artist Robert Johnson in 1936. Johnson performed it as a solo piece with his vocal and acoustic slide guitar in the Delta blues-style. The song has become part of the Robert Johnson mythology as referring to the place where he supposedly sold his soul to the Devil in exchange for his musical talents, although the lyrics do not contain any specific references. Bluesman Elmore James revived the song with recordings in 1954 and 1960-1961.
Section: Recording
Passage: Little is known about Johnson's life and musical career, although his recordings are well documented. In October 1936, Johnson auditioned for music store owner and sometime talent scout H. C. Speir in Jackson, Mississippi; Speir passed on Johnson's contact information to Ernie Oertle, who was a representative for ARC Records. After a second audition, Oertle arranged for Johnson to travel to San Antonio, Texas, for a recording session. Johnson recorded 22 songs for ARC over three days from November 23 to 27, 1936. During the first session, he recorded his most commercially appealing songs. They mostly represented his original pieces and reflected current, piano-influenced musical trends. The songs include "Terraplane Blues" (his first single and most popular record) along with "Sweet Home Chicago" and "I Believe I'll Dust My Broom", which became blues standards after others recorded them. A second and third recording date took place in San Antonio after a two-day break. Johnson reached back into his long-standing repertoire for songs to record. The material reflects the styles of country blues performers Charley Patton and Son House, who influenced Johnson in his youth. The songs are among Johnson's most heartfelt and forceful, and music historian Ted Gioia sees a shift in the lyrical themes: At the close of the San Antonio session, the darker, more apocalyptic side of Johnson's work emerges ... [he] evokes the themes of damnation and redemption, darkness and light ... glimpses into the musician's inner life, and all its attendant turmoils. "Cross Road Blues" was recorded during Johnson's third session in San Antonio, on Friday November 27, 1936. The sessions continued at an improvised studio in Room 414 at the Gunter Hotel. ARC producers Art Satherley and Don Law supervised the recording and used a portable disc cutting machine. It is unknown what input, if any, they had into Johnson's selection of material to record or how to present it. Two similar takes of the song were recorded.
Question: When did he do his first recording?
Answer: Johnson recorded 22 songs for ARC over three days from November 23 to 27, 1936.
Question: Were any record hits?
Answer: "Sweet Home Chicago" and "I Believe I'll Dust My Broom", which became blues standards after others recorded them.
Question: Did any reach the bill board charts?
Answer: CANNOTANSWER
Question: What was his number one hit?
Answer: CANNOTANSWER
Question: How many copies did that sale? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Billy May
Background: May was born in Pittsburgh, Pennsylvania. He started out playing the tuba in the high school band. "I sat in the rear of the stand. [...] I didn't realize it at the time, but I was intrigued with becoming an arranger and an orchestrator." At the age of seventeen May began playing with Gene Olsen's Polish-American Orchestra.
Section: With Capitol Records
Passage: At Capitol, May wrote arrangements for many top artists. These included Frank Sinatra on the albums Come Fly with Me (1958), Come Dance with Me! (1959) and Come Swing with Me! (1961); Nat King Cole on the albums Just One of Those Things and Let's Face the Music!, as well as numerous singles (all his work with Cole being packaged later on the 2-CD set The Billy May Sessions); Stan Freberg, with whom he was a longtime collaborator, featuring on many of the artist's comedy recordings; Peggy Lee on the album Pretty Eyes; Sue Raney on her second album Songs for a Raney Day; Vic Damone on the albums The Lively Ones and Strange Enchantment; Jeri Southern on the album Jeri Southern Meets Cole Porter; Keely Smith on the album Politely and on a duet single, "Nothing In Common"/"How Are Ya Fixed For Love?", with Sinatra; Bobby Darin on the album Oh! Look at Me Now; Nancy Wilson on the albums Like In Love, Something Wonderful, Tender Loving Care, Nancy - Naturally! and various tracks from the albums Just For Now and Lush Life; Matt Monro on several tracks from the albums Invitation to the Movies, Invitation to Broadway, and These Years; Bing Crosby and Rosemary Clooney on the albums That Travelin' Two-Beat and Fancy Meeting You Here; and Sir George Shearing on the albums Satin Affair and Burnished Brass, co-arranged with Shearing (May also conducted Shearing's album Concerto for My Love, on which Shearing had sole credit for the arrangements). May's orchestra was featured on many Capitol Records children's projects, including cowboy star, Hopalong Cassidy. He worked closely with early 1950s satirist Stan Freberg, using his arranging skills to help Freberg create his spoofs of current hits by creating musical backing often stunningly close to the original hit single. On Freberg's Wun'erful, Wun'erful! a lacerating spoof of bandleader Lawrence Welk, May hired some of the best jazz musicians in Hollywood for his recording sessions, and they relished the idea of mocking the financially successful Welk sound, which they considered musically awful. The result was a note-perfect recreation of Welk's sound as Freberg and a group of vocalists created parodies of Welk's "musical family". Freberg has recounted that Welk was less than amused by the results. May also composed and conducted the music for Freberg's short-lived comedy radio series on CBS, which ran for fifteen episodes in 1957. His send-up of trashy horror-film music ("Gray Flannel Hat Full of Teenage Werewolves") is notable. May won two Grammy Awards including Best Performance by an Orchestra in 1958 and for Best Arrangement in 1959. Much of May's work for Capitol has been reissued on the Ultra-Lounge series of CDs.
Question: When did he sign with capital records?
Answer: CANNOTANSWER
Question: Are there any other interesting aspects about this article?
Answer: CANNOTANSWER
Question: Who did he sing with? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Russell Means
Background: Means was born in Porcupine, South Dakota, on the Pine Ridge Indian Reservation, to Theodora Louise Feather and Walter "Hank" Means. His mother was a Yankton Dakota from Greenwood, South Dakota, and his father, an Oglala Lakota. As well as Russell, the family had two other boys (William "Bill" and Warren ) and three girls (Madonna, Mabel Ann and Phyllis). He was given the name Wanbli Ohitika by his mother, which means "Brave Eagle" in the Lakota language.
Section: Anna Mae Aquash
Passage: On November 3, 1999, Means and Robert Pictou-Branscombe, a maternal cousin of Aquash from Canada, held a press conference in Denver at the Federal Building to discuss the slow progress of the government's investigation into Aquash's murder. It had been under investigation both by the Denver police, as Aquash had been kidnapped from there, and by the FBI, as she had been taken across state lines and killed on the Pine Ridge Reservation. Both Branscombe and Means accused Vernon Bellecourt, a high-ranking leader of AIM, of having ordered her execution. Means said that Clyde Bellecourt, a founder of AIM, had ensured that it was carried out at the Pine Ridge Reservation. Means said that an AIM tribunal had banned the Bellecourt brothers but tried to keep the reason for the dissension internal to protect AIM. The Associated Press (AP) reporter Robert Weller noted that this was the first time that an AIM leader active at the time of Aquash's death had publicly implicated AIM in her murder. There had long been rumors. Means and Branscombe accused three indigenous people: Arlo Looking Cloud, Theda Nelson Clarke and John Graham, of having been directly involved in the kidnapping and murder of Aquash. The two men were indicted in 2003 and convicted in separate trials in 2004 and 2010, respectively. By then in a nursing home, Clark was not indicted. As of 2004, Means' website stated that he was a board member of the Colorado AIM chapter, which is affiliated with AIM-Autonomous Chapters.
Question: Who is Anna Mae to Russell Means?
Answer: Means and Robert Pictou-Branscombe, a maternal cousin of Aquash from Canada,
Question: Why is Anna Mae important to Russell?
Answer: investigation into Aquash's murder.
Question: What did Russell want from Anna Mae?
Answer: CANNOTANSWER
Question: What did Anna Mae do with Russell during her investigation?
Answer: Aquash's death had publicly implicated AIM in her murder.
Question: What happened as a result of AIM being implicated?
Answer: There had long been rumors. Means and Branscombe accused three indigenous people:
Question: Who were the indigenous people that were accused?
Answer: Means and Branscombe accused three indigenous people: Arlo Looking Cloud, Theda Nelson Clarke and John Graham,
Question: What were the findings of the accusations? | [
"The two men were indicted in 2003 and convicted in separate trials in 2004 and 2010, respectively. By then in a nursing home, Clark was not indicted."
] |
Title: Russell Means
Background: Means was born in Porcupine, South Dakota, on the Pine Ridge Indian Reservation, to Theodora Louise Feather and Walter "Hank" Means. His mother was a Yankton Dakota from Greenwood, South Dakota, and his father, an Oglala Lakota. As well as Russell, the family had two other boys (William "Bill" and Warren ) and three girls (Madonna, Mabel Ann and Phyllis). He was given the name Wanbli Ohitika by his mother, which means "Brave Eagle" in the Lakota language.
Section: Splits in AIM
Passage: In the 1980s, AIM divided into several competing factions, in part over differences among members regarding support for the indigenous peoples in Nicaragua. Means supported the Miskito group MISURASATA (later known as YATAMA), which was allied with the Contras. He traveled to Nicaragua in 1985 and 1986 on fact-finding tours. He came to believe that the Miskito as a people were being targeted for elimination. Some AIM members supported the Sandinistas of the national government, although they had forced removal of thousands of Miskito from their traditional territory. At that time, the "Grand Governing Council" of AIM, based in Minnesota, asked Means to cease representing himself as a leader of AIM. Other chapters of AIM continued to support Means. On January 8, 1988, Means held a press conference to announce his retirement from AIM, saying it had achieved its goals. That January, the "AIM Grand Governing Council", headed by the Bellecourt brothers, released a press release noting this was the sixth resignation by Means since 1974, and asking the press to "never again report either that he is a founder of the American Indian Movement, or [that] he is a leader of the American Indian Movement". The "AIM General Governing Council" noted there were many open issues and legislation regarding Native Americans for which they were continuing to work. In 1993, the organization divided officially into two main factions: "AIM Grand Governing Council", based in Minnesota, which copyrighted the name; and American Indian Movement of Colorado, based in Colorado and allied with Means.
Question: When did the splits in AIM take place?
Answer: In the 1980s,
Question: What does AIM mean?
Answer: CANNOTANSWER
Question: What does AIM do?
Answer: support for the indigenous peoples in Nicaragua.
Question: Did AIM ever have a press conference? | [
"On January 8, 1988, Means held a press conference to announce his retirement from AIM,"
] |
Title: Sylvia (singer)
Background: Sylvia Jane Hutton (nee Kirby, born December 9, 1956), known simply by her first name Sylvia during the 1980s, is an American country music and country pop singer and songwriter. Some original source books have her birth name as Sylvia Kirby Allen; however, Allen was her first husband's last name. She consequently used only her first name. There was also a point in time that she used Sylvia Rutledge.
Section: Surprises, country roots and retirement
Passage: The release of her fourth album, Surprise, spurred her second foray into the Adult Contemporary charts, but neither its sound, nor her newly shorn locks courtesy Francesco Scavullo, were well received in country music. Surprise was the last of Sylvia's first four albums to be produced by Tom Collins, who also produced Mandrell, Charley Pride, and Ronnie Milsap. They have been described by critics as too slick for country music. Her following album, One Step Closer, produced by The Judds' producer Brent Maher, had a more guitar-driven feel to it as opposed to her previously more orchestrated affairs. It was followed up by Sylvia's last top 40 country hit, "Nothin' Ventured, Nothin' Gained", from the unreleased album Knockin Around. The shelving of this album marked the end of Sylvia's tenure with RCA Records. The label did release a Greatest Hits compilation and a single from it titled "Straight from my Heart" (written with Jimmy Fortune of The Statler Brothers). The record received little promotion from RCA and the single charted in the low 60s. In the late 1980s, RCA began streamlining its roster of country-pop artists and the casualties included Sylvia, Dolly Parton, Louise Mandrell, Deborah Allen, Juice Newton, John Denver and Kenny Rogers. Over an eight-year period, Sylvia crisscrossed America many times with her popular concert performances (over 200 per year), and she was a frequent guest on network television talk shows and specials -- from The Today Show and Good Morning, America to Dick Clark's American Bandstand and the Country Music Awards. Her decision to stop touring and recording at the end of the 1980s was not fueled by the grueling schedule, as some might guess, but by her desire to bring more of herself to the music, she turned her energies to songwriting.
Question: What were surprises for her?
Answer: The release of her fourth album, Surprise,
Question: Was the album a success?
Answer: They have been described by critics as too slick for country music.
Question: Did she release any singles off the album?
Answer: CANNOTANSWER
Question: When did she retire?
Answer: Her decision to stop touring and recording at the end of the 1980s was not fueled by the grueling schedule,
Question: What was the reason for her decision?
Answer: but by her desire to bring more of herself to the music, she turned her energies to songwriting.
Question: What songs has she written since her retirement?
Answer: CANNOTANSWER
Question: How did that album sell? | [
"It was followed up by Sylvia's last top 40 country hit,"
] |
Title: Eddie Rickenbacker
Background: Edward Rickenbacker was born in Columbus, Ohio, to Swiss German-speaking immigrants. From childhood, he loved machines and experimented with them, encouraged by his father's words: "A machine has to have a purpose". In what was to become one of the defining characteristics of Rickenbacker's life, he nearly died many times in events ranging from an early run-in with a horse-drawn carriage, to a botched tonsillectomy, to airplane crashes. His first life-threatening experience occurred when he was in the "Horsehead Gang".
Section: Eastern Air Lines
Passage: Rickenbacker's most lasting business endeavor was his longtime leadership of Eastern Air Lines. Through the 1920s, he had worked with and for General Motors (GM): first as the California distributor for its new car, the short-lived Sheridan, then later as a marketer for the LaSalle, and finally as vice president of sales for their affiliate, Fokker Aircraft Company. He persuaded GM to purchase North American Aviation, a conglomerate whose assets included Eastern Air Transport. GM asked him to manage Eastern, beginning in 1935. With the help of some friends, Rickenbacker merged Eastern Air Transport and Florida Airways to form Eastern Air Lines, an airline that eventually grew from a company flying a few thousand miles per week into a major airline. In April 1938, after learning that GM was considering selling Eastern to John D. Hertz, Rickenbacker met with GM's Chairman of the Board, Alfred P. Sloan, and bought the company for $3.5 million. Rickenbacker oversaw many radical changes in the field of commercial aviation. He negotiated with the U.S. government to acquire air mail routes, a great advantage to companies in need of business. He helped develop and support new aircraft designs. Rickenbacker bought the new, large, faster airliners for Eastern Air Lines, including the four-engined Lockheed Constellation and Douglas DC-4. Rickenbacker personally collaborated with many of the pioneers of aviation, including Donald W. Douglas, the founder of the Douglas Aircraft Company, and the designer and builder of the large, four-engined airliners, the DC-4, DC-6, DC-7, and DC-8 (its first jet airliner). Rickenbacker promoted flying to the American public, but, always aware of the possibility of accidents, he wrote in his autobiography, "I have never liked to use the word "safe" in connection with either Eastern Air Lines or the entire transportation field; I prefer the word 'reliable'."
Question: Did he work for Eastern Air Lines?
Answer: Eastern Air Lines.
Question: What was his position there?
Answer: Rickenbacker's most lasting business endeavor was his longtime leadership of Eastern Air Lines.
Question: Are there any other interesting aspects about this article?
Answer: Through the 1920s, he had worked with and for General Motors (GM):
Question: What type of projects did he work on while at Eastern?
Answer: He helped develop and support new aircraft designs.
Question: What were his dealings with GM about?
Answer: first as the California distributor for its new car, the short-lived Sheridan, then later as a marketer for the LaSalle,
Question: What is another project he worked on while working there?
Answer: finally as vice president of sales for their affiliate, Fokker Aircraft Company.
Question: How old was he when he worked there? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Eddie Rickenbacker
Background: Edward Rickenbacker was born in Columbus, Ohio, to Swiss German-speaking immigrants. From childhood, he loved machines and experimented with them, encouraged by his father's words: "A machine has to have a purpose". In what was to become one of the defining characteristics of Rickenbacker's life, he nearly died many times in events ranging from an early run-in with a horse-drawn carriage, to a botched tonsillectomy, to airplane crashes. His first life-threatening experience occurred when he was in the "Horsehead Gang".
Section: Pre-U.S. entry
Passage: Rickenbacker wanted to join the Allied troops in World War I, but the U.S. had not yet entered the war. He had several chance encounters with aviators, including a fortuitous incident in which he repaired a stranded aircraft for Townsend F. Dodd, a man who later became General John J. Pershing's aviation officer and an important contact in Rickenbacker's attempt to join air combat. During World War I, with its anti-German atmosphere, he -- like many other German Americans -- changed his surname; the "h" in "Rickenbacher" became a "k" in an effort to "take the Hun out of his name." As he was already well known at the time, the change received wide publicity. "From then on", as he wrote in his autobiography, "most Rickenbachers were practically forced to spell their name in the way I had..." He believed his given name "looked a little plain." He signed his name 26 times, with a different middle initial each time. After settling upon "V", he selected "Vernon" as a middle name. In 1916, Rickenbacker traveled to London, with the aim of developing an English car for American races. Because of an erroneous press story and Rickenbacker's known Swiss heritage, he was suspected of being a spy. En route and in England, agents closely monitored his actions. On a sea voyage back to America, he came up with the idea to recruit his race car driver friends as fighter pilots, on the theory that such men were accustomed to tight spaces and high speeds. His suggestion was ignored by the military.
Question: What was Eddie doing before he entered the US?
Answer: Rickenbacker wanted to join the Allied troops in World War I, but the U.S. had not yet entered the war.
Question: What year did he enter the US
Answer: CANNOTANSWER
Question: Was there any fact that you found interesting about his life before he entered US?
Answer: he came up with the idea to recruit his race car driver friends as fighter pilots, on the theory that such men were accustomed to tight spaces and high speeds.
Question: What kind of education did he have in his early years?
Answer: CANNOTANSWER
Question: is there anything that stands out in the article that you find interesting? | [
"Because of an erroneous press story and Rickenbacker's known Swiss heritage, he was suspected of being a spy."
] |
Title: Sylvia (singer)
Background: Sylvia Jane Hutton (nee Kirby, born December 9, 1956), known simply by her first name Sylvia during the 1980s, is an American country music and country pop singer and songwriter. Some original source books have her birth name as Sylvia Kirby Allen; however, Allen was her first husband's last name. She consequently used only her first name. There was also a point in time that she used Sylvia Rutledge.
Section: Career heights in the 1980s
Passage: In 1982, from her Just Sylvia studio album, the singer released the single "Nobody", which reached No. 1 on the country music charts, hit No. 15 on Billboard's Hot 100 chart, and sold more than a million copies. The song was also an Adult Contemporary hit, making the Top 5. "Nobody" became Sylvia's signature song and made her a success on both the Country and Pop music charts, which was what many of her contemporaries, such as Barbara Mandrell, Juice Newton, Dolly Parton, Anne Murray, Ronnie Milsap and Kenny Rogers were doing at the time. "Nobody" and the album Just Sylvia were certified gold in the United States and Canada. "Nobody" was the 1982 BMI Song of the Year, awarded for receiving more radio airplay than any other single that year. Sylvia's bouncy and sly style made her popular among teenagers, making her a teen idol briefly, which foreshadowed the female pop teen idols of the late 1980s, such as Debbie Gibson and Tiffany. In 1982, Sylvia was the Academy of Country Music's "Female Vocalist of the Year" and a Grammy nominee for "Best Female Vocalist". In 1983 Sylvia's album Snapshot was released; its title song climbed to No. 5 on the Country charts and became her second-highest selling single release. She had two other songs in the Top 20 that year, "I Never Quite Got Back" and "The Boy Gets Around" (which she described in the notes of her 1998 anthology album as being "pretty forgettable"). In 1985, the momentum continued with the hits "Fallin' in Love" and "Cry Just a Little Bit."). By 1986 though, Sylvia's chart success was fading as more traditionally styled country singers, such as Randy Travis, dominated the charts. Sylvia continued to record for RCA until the end of 1987, charting 11 Top Ten and No. 1 songs, and sold more than four million records.
Question: what hapened n 1980
Answer: In 1982, from her Just Sylvia studio album, the singer released the single "Nobody", which reached No. 1 on the country music charts,
Question: what other single did she released
Answer: In 1983 Sylvia's album Snapshot was released; its title song climbed to No. 5 on the Country charts and became her second-highest selling single release.
Question: did she get an award | [
"In 1982, Sylvia was the Academy of Country Music's \"Female Vocalist of the Year\" and a Grammy nominee for \"Best Female Vocalist\"."
] |
Title: Labelle
Background: Labelle is an American all-female singing group who were a popular vocal group of the 1960s and 1970s. The group was formed after the disbanding of two rival girl groups in the Philadelphia/Trenton areas, the Ordettes and the Del-Capris, forming as a new version of the former group, later changing their name to The Blue Belles (later Bluebelles). The founding members were Patti LaBelle (formerly Patricia Holt), Cindy Birdsong, Nona Hendryx and Sarah Dash. As The Bluebelles, and later Patti LaBelle and the Bluebelles, the group found success with ballads in the doo-wop genre, most notably "Down the Aisle (The Wedding Song)", "You'll Never Walk Alone" and "Over the Rainbow".
Section: Solo careers and reunions
Passage: Following her departure from the Blue Belles, Cindy Birdsong enjoyed success as member of the Supremes, singing background on hits such as "Stoned Love". Birdsong prominently left the group in 1975, only sporadically recording music as a solo artist. The song, "(Can I Speak to You Before You Go To) Hollywood", from Pressure Cookin', was allegedly written by Hendryx as a response to Birdsong's departure, featuring each band member singing verses. Sarah Dash found some solo success after signing with Don Kirshner's label, with the disco single "Sinner Man". Dash eventually sang backup for the Rolling Stones and sung for Keith Richards' spinoff group X-pensive Winos. The more experimental Nona Hendryx has recorded in various genres including hard rock, hip-hop, house and new age, and charting with the singles, "Keep It Confidential" and "Why Should I Cry?" Patti LaBelle became an international solo superstar following Labelle's departure, recording crossover hits such as "New Attitude", "Stir It Up" and "On My Own", resulting in Grammy wins and a star on the Hollywood Walk of Fame. In 1991, Patti LaBelle reunited with Nona Hendryx and Sarah Dash on the track, "Release Yourself", from LaBelle's Grammy-winning album, Burnin. The trio reunited onstage at the Apollo Theater in 1991 to perform the song on LaBelle's second concert performance video while promoting the release of Burnin'. In addition to "Release Yourself", Hendryx and LaBelle composed the gospel-flavored ballad "When You've Been Blessed (Feels Like Heaven)". In 1995, the trio reunited again for the dance single, "Turn it Out", for the soundtrack to the film, To Wong Foo, Thanks for Everything! Julie Newmar. The song became their first charted hit in nineteen years peaking at number-one on the Billboard dance singles chart. Four years later, the original Blue Belles reunited to receive an award from the R&B Foundation for Lifetime Achievement. In 2008, Labelle reunited for their first studio album in 32 years with the critically acclaimed Back to Now. That year, the trio went back on tour together which carried through the spring of 2009. In an interview with the Toronto Star, Patti LaBelle explained why she, Dash and Hendryx waited over 32 years to record a full-length album: "You don't want to half-step something this important....it was about finding the right time and place. We were never ones to do anything on anyone else's time anyway; we were always unconventional. I still have my glitter boots to prove it." The group performed a triumphant show at the Apollo Theatre in New York City on December 19, 2008.
Question: Who embarked on a solo career?
Answer: Birdsong prominently left the group in 1975, only sporadically recording music as a solo artist.
Question: When did they reunite? | [
"In 1991, Patti LaBelle reunited with Nona Hendryx and Sarah Dash"
] |
Title: SMAP
Background: SMAP was a Japanese boy band, composed of Masahiro Nakai, Takuya Kimura, Goro Inagaki, Tsuyoshi Kusanagi, and Shingo Katori. The group was created in 1988 by music producer Johnny Kitagawa, founder of Johnny & Associates, originally as a six-piece with Katsuyuki Mori, until his departure from the band in 1996. After making their debut in 1991, the group took the Japanese entertainment industry by storm, becoming the most successful boy band in Japanese history and the bestselling band in Asia, often referred to as a "national treasure" and a "fortune and property of the country" in Japan. SMAP was regarded as an iconic figure in Japan, after achieving an unprecedented level of success in numerous genres in the entertainment industry, including music, television, film, radio, and theater, as a group and individually.
Section: Philanthropy
Passage: SMAP was heavily involved in philanthropic activities. They have actively offered philanthropic support especially to the victims and regions affected by the 2011 Tohoku earthquake and tsunami and the 2016 Kumamoto earthquakes. On August 26 and 27, 1995, SMAP hosted NTV's annual telethon, 24 Hour Television, and raised 1.1 billion yen. On August 27 and 28, 2005, Kusanagi and Katori hosted the 24 Hour Television, again, and raised one billion yen. In 2011, after the Tohoku earthquake and tsunami, they bought a 30-second television commercial block in their weekly television program, SMAPxSMAP, to air a commercial on the information about the Japanese Red Cross Society and a message from the band members encouraging people to donate. Rather than reusing the ones aired in the past, they have been reshooting the commercial every time they have a taping and have them aired every week at the end of the program. Since March 2011, they have actively worked as the members of Marching J, a charity organization established by their agency, Johnny & Associates. Each band member have also made individual donations. On May 4, 2011, their first and only digital single, "Not Alone" was released. Initially scheduled to serve as the band's 46th single, it was later canceled and released digitally in light of the earthquake and the situation in Japan, considering circumstances in power shortages and distribution. One hundred yen per single downloaded was donated to the victims. On July 23 and 24, 2011, Nakai hosted the annual twenty-seven hour long television special, FNS 27 Hour Television, for the fifth time. A special episode of "Bistro SMAP", a cooking segment on SMAPxSMAP, was aired during the show, titled "Bistro SMAP On The Go". Four members flew to regions that were affected by the earthquake and tsunami, Kimura and Inagaki to Iwate prefecture and Kusanagi and Katori to Fukushima. The four members cooked a total of one-thousand meals to the victims evacuated in these areas. Nakai started to host his own music show, Ongaku no Hi, meaning "music day", to show their support to all those affected by the earthquake and tsunami. The program is aired every summer since 2011. On August 17, 2011, the band released their fifth compilation album, SMAP Aid, to support the people affect by the earthquake and tsunami. Two-hundred yen per album sold were donated to the victims. Being that it was the band's twentieth anniversary, many predicted a tour after the release of the album but the band canceled it due to power shortage in Japan that year. After the 2016 Kumamoto earthquakes, the content of their 30-second long commercial changed, adding a new message by the band members toward the victims in Kumamoto. On April 24, ten days after the earthquake, Nakai made an unannounced surprise visit to an elementary school in Kumamoto, used as a shelter for the evacuees. He, later went back to Kumamoto on 2 more occasions: May 7 and again on May 15 with Katori. On June 12, Kimura made a visit to Kumamoto as well.
Question: What is Philanthropy?
Answer: They have actively offered philanthropic support especially to the victims and regions affected by the 2011 Tohoku earthquake and tsunami
Question: Have done anything else for them? | [
"and the 2016 Kumamoto earthquakes."
] |
Title: SMAP
Background: SMAP was a Japanese boy band, composed of Masahiro Nakai, Takuya Kimura, Goro Inagaki, Tsuyoshi Kusanagi, and Shingo Katori. The group was created in 1988 by music producer Johnny Kitagawa, founder of Johnny & Associates, originally as a six-piece with Katsuyuki Mori, until his departure from the band in 1996. After making their debut in 1991, the group took the Japanese entertainment industry by storm, becoming the most successful boy band in Japanese history and the bestselling band in Asia, often referred to as a "national treasure" and a "fortune and property of the country" in Japan. SMAP was regarded as an iconic figure in Japan, after achieving an unprecedented level of success in numerous genres in the entertainment industry, including music, television, film, radio, and theater, as a group and individually.
Section: 1991-1993: Debut and early years
Passage: On January 1, 1991, the band held their first concert in Nippon Budokan and their first tour from March through April, before releasing any music. On September 9, 1991, they released their first single, "Can't Stop -Loving-" from Victor Entertainment, which peaked at #2 on the charts. Subsequent singles, "Seigi no Mikata wa Ate ni Naranai", "Kokoro no Kagami", "Makeru na Baby" peaked in the top 10. The band asked the fans to write the lyrics for "Kokoro no Kagami", and the one submitted by a fourteen-year-old girl was chosen. The song was later used in a Panasonic television commercial. They were invited to perform the song at Kohaku Uta Gassen, an annual music show, on December 31, 1991. At the same time of their debut, the Japanese music industry experienced what is frequently referred to as an "Idol Ice Age", where many of the popular music shows that aired weekly since the 1980s ended, and singers and bands lost a place to perform, resulting in scarce opportunities for TV exposure. Therefore, the agency decided to market the band through variety programs, where members participated in sketch comedies and game shows along with other television personalities. This non-mainstream marketing approach turned out to be a success, as the members' humorous and playful spirits on these shows propelled them to gain new fans, despite not having many musical performances on television since their debut. In 1991, the band's first self-titled television show, SMAP no Gakuen Kids, got renewed and changed to, I Love SMAP, which aired until 1996. From October 7, 1991, Inagaki launched his radio program, Stop The SMAP, still airing as of 2016. From April 1992 to September 1995, the group appeared regularly on a weekly variety program, Yume ga Mori Mori. Due to the fact that this was the first time in Japanese history, that a band participated in a sketch comedy, this rare act attracted wide attention. On January 1, 1992, they released their first album, SMAP 001, which peaked at #14 and released another album, SMAP 002, in the same year and peaked at #6. Their singles, "Egao no Genki", "Yuki ga Futtekita", "Zutto Wasurenai", "Hajimete no Natsu", "Kimi wa Kimi dayo", "$10", and "Kimi iro Omoi", released from 1992 through 1994, all peaked at the top 10. They headlined three tours in 1992, from January to August. In 1993, they released their third and fourth album, SMAP 003 and SMAP 004, which peaked at #11 and #3 respectively. In 1992, Inagaki starred in a drama television series, Hatachi no Yakusoku, as the main role. In 1993, Kimura starred in a drama television series, Asunaro Hakusho, which became a massive hit, with an average household share rating of 27% and 31.9% for the season finale. Kimura's popularity soared and from then on, members of the band started their acting careers individually.
Question: Was the band formed in 91?
Answer: On January 1, 1991, the band held their first concert in Nippon Budokan and their first tour from March through April, before releasing any music.
Question: Which album was first for them?
Answer: On January 1, 1992, they released their first album, SMAP 001,
Question: Was the album successful? Did it land any records or honors?
Answer: which peaked at #14
Question: Which song was this one in particular?
Answer: Their singles, "Egao no Genki",
Question: Are there any other interesting aspects about this article?
Answer: At the same time of their debut, the Japanese music industry experienced what is frequently referred to as an "Idol Ice Age",
Question: What were some songs from the album?
Answer: CANNOTANSWER
Question: Who else was a member of the group? | [
"Kimura"
] |
Title: Count Dooku
Background: Count Dooku of Serenno, from the House of Dooku is a fictional character from the Star Wars franchise, appearing in Star Wars: Episode II - Attack of the Clones and Star Wars: Episode III - Revenge of the Sith, as a primary antagonist. He was portrayed by Christopher Lee and voiced by Corey Burton in the animated series Star Wars: The Clone Wars and Star Wars: Clone Wars.
Section: The Clone Wars
Passage: In the 2008 animated series Star Wars: The Clone Wars, Dooku is the leader of the Separatists. In addition to sending Grievous and Ventress on missions to antagonize the Republic, he works with the terrorist group Death Watch to give the Republic a reason to send a military presence to Mandalore, which would play in his favor. The plan falls through when Duchess Satine Kryze of Mandalore urges the Galactic Senate to hold off a military force. In the third season, Dooku is forced to eliminate Ventress to prove his loyalty to Sidious. Ventress survives, however, and works with Mother Talzin to kill Dooku by giving him Savage Opress as a replacement apprentice. During a confrontation between Dooku and Ventress, Savage turns on both. In the fourth season, after defeating Anakin in three separate lightsaber duels, Dooku gets his revenge on Ventress by having Grievous order the systematic genocide of the Nightsisters. Believing both Ventress and Talzin have been killed, Dooku knows the only threat left to him is Savage while sensing his eventual meeting with Darth Maul. In the fifth season, Dooku plays minor roles via hologram in guiding King Rash of Onderon and Grievous taking over Florrum. In the sixth season, Dooku finds out the clone trooper Tup executed Order 66 prematurely and works behind the scenes to stop the Republic's investigation. He then manipulates the Banking Clan and its representative Rush Clovis into putting all their resources in the hands of the Sith, bringing war to the planet Scipio. The Jedi find a lightsaber belonging to deceased Jedi Master Sifo-Dyas--whom Dooku murdered years earlier--and start an investigation. Sidious forces Dooku to clean up their trail. Dooku confronts Anakin and Obi-Wan on Oba Diah, revealing his alter-ego Darth Tyranus to the Jedi, and they realize that it was he who created the clone army. Some further investigation by Yoda prompts Dooku and his master to perform a Sith ritual in an unsuccessful attempt to break the Jedi Master; Dooku appears to fight Anakin in the illusion, but is executed in a manner very similar to his eventual demise.
Question: When was the clone wars?
Answer: In the 2008 animated series Star Wars: The Clone Wars,
Question: What were the clones wars about?
Answer: Dooku is the leader of the Separatists. In addition to sending Grievous and Ventress on missions to antagonize the Republic, he works with the terrorist group Death Watch
Question: What missions did he take part in?
Answer: In the third season, Dooku is forced to eliminate Ventress to prove his loyalty to Sidious.
Question: What does ventress do in retaliation? | [
"Dooku gets his revenge on Ventress by having Grievous order the systematic genocide of the Nightsisters."
] |
Title: Labelle
Background: Labelle is an American all-female singing group who were a popular vocal group of the 1960s and 1970s. The group was formed after the disbanding of two rival girl groups in the Philadelphia/Trenton areas, the Ordettes and the Del-Capris, forming as a new version of the former group, later changing their name to The Blue Belles (later Bluebelles). The founding members were Patti LaBelle (formerly Patricia Holt), Cindy Birdsong, Nona Hendryx and Sarah Dash. As The Bluebelles, and later Patti LaBelle and the Bluebelles, the group found success with ballads in the doo-wop genre, most notably "Down the Aisle (The Wedding Song)", "You'll Never Walk Alone" and "Over the Rainbow".
Section: Origins
Passage: In 1959, a fifteen-year-old teenager, Patricia "Patti" Holt won her first talent contest in high school. Following this, she sought to form her own singing group the following year called the Ordettes. Holt formed the group with singers Jean Brown, Yvonne Hogen and Johnnie Dawson. The group gained a local following. Dawson was eventually replaced by Sundray Tucker. By 1961, Jean Brown and Yvonne Hogan had ditched the group to get married and Patti and Sundray carried on as soloists. Later in 1961, Patti and Sundray's manager Bernard Montague contacted two singers from the Trenton, NJ singing group the Del-Capris, Nona Hendryx and Sarah Dash. Eventually Hendryx and Dash became official replacements for Brown and Hogan as the Ordettes. The group soon began working diligently by musician Morris Bailey. Bailey and Montague's schedule led to Tucker's parents to disband her from the group. Eventually, another singer, Cindy Birdsong, from Camden, New Jersey, was allowed to join the group after an audition, under the advice of Patti. The group soon toured the chitlin' circuit, gaining a following in the eastern U.S. In 1962, Chicago-based group The Starlets had traveled to Philadelphia to do sessions for producer Bobby Martin and record label owner Harold Robinson, president of Newtown Records. One of the sessions included a cover of the standard, "I Sold My Heart to the Junkman". At the time of the song's release, the group had a hit with the song "Better Tell Him No" and were unable to promote the song due to them being signed to another label. The song was credited under the name "The Blue Belles". The Ordettes auditioned by singing the song. Before hearing the group, Robinson turned them down due to being unimpressed with Patti's looks but upon hearing Patti singing, he changed his mind and signed the group to Newtown. When "I Sold My Heart" became popular, Robinson sent the Ordettes to promote it under the assumed name of the Blue Belles. After a televised performance at American Bandstand featuring the Ordettes, the Starlets' manager sued Harold Robinson and Bobby Martin. Around the same time, Robinson was also sued for having another group use the name "Blue Belles". Following the aftermath of the ordeals, Robinson gave Patti Holt a new name, "Patti LaBelle", and the group's name was rechristened as "Patti LaBelle and The Blue Belles".
Question: Are there any other interesting aspects about this article?
Answer: In 1959, a fifteen-year-old teenager, Patricia "Patti" Holt won her first talent contest in high school.
Question: When did they join as a band?
Answer: Holt formed the group with singers Jean Brown, Yvonne Hogen and Johnnie Dawson.
Question: When did they leave? | [
"By 1961, Jean Brown and Yvonne Hogan had ditched the group to get married"
] |
Title: Blue (English band)
Background: Blue is an English boyband consisting of members Antony Costa, Duncan James, Lee Ryan and Simon Webbe. The band originally formed in 2000 and has released three studio albums, All Rise (2001), One Love (2002) and Guilty (2003) that all peaked at number one in the United Kingdom alongside releasing 16 singles, over a four-year period. The group also worked alongside artists such as Stevie Wonder, Elton John and Lil' Kim. In late 2004, the group announced a hiatus and released their first compilation album, Best of Blue, on 15 November 2004.
Section: 2000-01: Formation and All Rise
Passage: In May 1999, Lee Ryan and Antony Costa met at the ages of 15 and 17, respectively, when auditioning for a boy band on ITV's This Morning, with Simon Cowell putting the group together. Ryan made it into the band, as did 21-year-old Will Young (who would go on to win the first series of Pop Idol in 2002), although Costa was not chosen. The boy band never took off, but Ryan and Costa remained friends following their meeting. In 2000, Costa and another one of his friends, Duncan James, decided to form their own band, and they were soon joined by Ryan. Their manager Daniel Glatman said, "Duncan came to see me with his friend, Antony Costa, who was also in the same position [wanted to be in the music industry], and they told me that they wanted to do something together. When I asked them if they had anyone in mind to work with, they said they had a friend, Lee Ryan, whom they wanted to invite to join their band. The three of them came in a couple of days later and I was completely blown away by the incredibly talented stars that stood before me." Ryan, Costa, James and Glatman all felt that something was missing and so they went on to audition for a fourth member, a position eventually filled by Ryan's flatmate, Simon Webbe. Blue started recording for their debut album following their new line-up. They released their debut single "All Rise" in May 2001 and it reached number four on the UK Singles Chart. Their follow-up single "Too Close" was released in August 2001 and peaked at number one. Following this, the band went to New York City to film the "Too Close" music video, and while there, they witnessed the attacks on the World Trade Center. The following month, Blue were being interviewed by British newspaper The Sun and Ryan commented that "This New York thing is being blown out of proportion" and asked "What about whales? They are ignoring animals that are more important. Animals need saving and that's more important." The other members of the band tried to silence Ryan, but he went on. This caused a huge media backlash that resulted in Blue losing a record deal in the United States and campaigns to sack Ryan from the group. Despite the backlash, Blue went on to achieve a second number one in November with the ballad "If You Come Back". The album All Rise was released in time for Christmas and reached number one, eventually selling in excess of 1.8 million copies in the UK. The final single from the album, "Fly by II", reached number six in March 2002.
Question: When did the band form?
Answer: In May 1999, Lee Ryan and Antony Costa met at the ages of 15 and 17,
Question: What happened after they met?
Answer: respectively, when auditioning for a boy band on ITV's This Morning, with Simon Cowell putting the group together.
Question: What happened on the show?
Answer: CANNOTANSWER
Question: Did they keep performing together?
Answer: The boy band never took off, but Ryan and Costa remained friends following their meeting.
Question: Did they record new music? | [
"Blue started recording for their debut album following their new line-up."
] |
Title: Blue (English band)
Background: Blue is an English boyband consisting of members Antony Costa, Duncan James, Lee Ryan and Simon Webbe. The band originally formed in 2000 and has released three studio albums, All Rise (2001), One Love (2002) and Guilty (2003) that all peaked at number one in the United Kingdom alongside releasing 16 singles, over a four-year period. The group also worked alongside artists such as Stevie Wonder, Elton John and Lil' Kim. In late 2004, the group announced a hiatus and released their first compilation album, Best of Blue, on 15 November 2004.
Section: 2011-12: Return and Eurovision Song Contest
Passage: It was announced on 29 January 2011 that Blue would reunite and also represent the United Kingdom in the Eurovision Song Contest 2011, with their entry "I Can". It coincided with the tenth anniversary of the establishment of the band in 2001 and a one-hour documentary, Eurovision: Your Country Needs Blue, was broadcast in April 2011 celebrated their preparations for the final. It was the third time the group has Eurovision ambitions as group member Lee Ryan wrote and composed "Guardian Angel", Andy Scott-Lee's song for the 2005 edition of Making Your Mind Up. Furthermore, Antony Costa came second in the 2006 edition of the show with the song "It's A Beautiful Thing". Group member Duncan James was a panellist on all episodes of the Eurovision: Your Country Needs You series in 2009, which Jade Ewen won. He also announced the UK votes in the Eurovision Song Contest 2009 final. Blue became the first UK representatives since The Shadows in 1975 to have had multiple no.1 singles in the UK chart prior to appearing in Eurovision, and the first since Sonia in 1993 to have had a no.1 at all before entering the competition. The song "I Can" premiered on 11 March 2011, on The Graham Norton Show. In the contest, they came 11th with 100 points. After the contest Blue said they were the victims of political voting, claiming they would have finished higher if countries had voted for the performance rather than their neighbours. It later turned out when the European Broadcasting Union (who runs Eurovision) released the split Televote & Jury results, That Blue came in 5th place with the European voters and the final result was down to coming in 22nd place on the Jury vote. Duncan James insisted that the result of their Eurovision bid won't affect their UK comeback, adding: "Should the worst happen, we're still going to press ahead with the album. It won't be the last of us - we're all fully committed to this band again." The band revealed during an interview that they had recorded a collaboration with American R&B superstar Bruno Mars for their upcoming fourth studio album. Discussing the record with Digital Spy, Lee Ryan said: "We've been writing with Ne-Yo, and I've written at least a couple of songs on my own that will probably make the album. We've also been working with Bruno Mars on a song called "Black and Blue" - he's sending his parts over from a demo we recorded a while ago. It's got some haunting notes on the chorus." They also revealed that three tracks on the album had been produced by RedOne, and that they felt that the material was "their best work to date". During February 2012, the band embarked on a small tour across Manila, performing with fellow boyband A1 and Jeff Timmons in three special concerts, two of which included the Smart Araneta Coliseum on 25 February 2012, and the Singapore Indoor Stadium on 28 February. The tour was billed as "Boybands: The Greatest Hits Tour".
Question: What is Return and Eurovision Song Contest?
Answer: It was announced on 29 January 2011 that Blue would reunite and also represent the United Kingdom in the Eurovision Song Contest 2011, with their entry "I Can".
Question: How well did their entry go?
Answer: ". It coincided with the tenth anniversary of the establishment of the band in 2001 and a one-hour documentary,
Question: What happened after that?
Answer: Blue became the first UK representatives since The Shadows in 1975 to have had multiple no.1 singles in the UK chart prior to appearing in Eurovision,
Question: Can you tell me how long the singles stayed on the chart?
Answer: The song "I Can" premiered on 11 March 2011, on The Graham Norton Show. In the contest, they came 11th with 100 points.
Question: Were there anymore singles to premier?
Answer: After the contest Blue said they were the victims of political voting, claiming they would have finished higher if countries had voted for the performance rather than their neighbours. It
Question: What did they do about that situation?
Answer: It later turned out when the European Broadcasting Union (who runs Eurovision) released the split Televote & Jury results, That Blue came in 5th place
Question: Was it successful?
Answer: coming in 22nd place on the Jury vote. Duncan James insisted that the result of their Eurovision bid won't affect their UK comeback,
Question: How long did they work with Bruno Mars? | [
"We've also been working with Bruno Mars on a song called \"Black and Blue\" - he's sending his parts over from a demo we recorded a while ago."
] |
Title: Death Cab for Cutie
Background: Death Cab for Cutie is an American alternative rock band, formed in Bellingham, Washington in 1997. The band is composed of Ben Gibbard (vocals, guitar, piano), Nick Harmer (bass), Dave Depper (guitar, keyboards, vocals), Zac Rae (keyboards, guitar), and Jason McGerr (drums). In 2014, founding guitarist and producer Chris Walla announced that he would be departing from the band after recording their eighth studio album, Kintsugi. The band was originally a solo project by Ben Gibbard, when he released the demo album You Can Play These Songs with Chords to positive reception.
Section: Early years (1997-2002)
Passage: Death Cab for Cutie began as a solo project of Ben Gibbard in 1997, while he was the guitar player for the band Pinwheel, and was recorded under the name All-Time Quarterback. As Death Cab for Cutie, Gibbard released a cassette titled You Can Play These Songs with Chords the same year. The release was surprisingly successful, and Gibbard decided to expand the project into a complete band, recruiting Chris Walla (who had also worked on the cassette) as lead guitarist, Nick Harmer as bass player, and Nathan Good as drummer. Death Cab for Cutie was officially formed at Western Washington University in Bellingham, Washington, and lyrics from early songs include local references that were important to the band's development. Many of the early songs were recorded in the basement of an Ellis Street home Gibbard lived in with several roommates in Bellingham. The four released their debut full-length studio album, Something About Airplanes, on August 18, 1998. The album was favorably reviewed in the independent music scene. In 1998 the band also met their long-term manager Jordan Kurland. Kurland had heard good things about them, and after a failed attempt to see them play at South By Southwest finally hooked up with them when touring with his then client, the band Crumb. The band released their follow-up second album, We Have the Facts and We're Voting Yes, in March 2000. Nathan Good left the band at some point during this album's production, and was briefly replaced by Jayson Tolzdorf-Larson. Gibbard played drums on the majority of the album, with Good's playing on "The Employment Pages" and "Company Calls Epilogue" being kept on the final release. Although Tolzdorf-Larson did not contribute to the album, he did appear on the song "Spring Break Broke", from the "Death Cab for Fiver" 7-inch record, and also joined the band on two tours, including their first full tour of the United States. Tolzdorf-Larson was later replaced by Michael Schorr, who would first appear on The Forbidden Love EP, released on October 24, 2000. In 2001, Death Cab for Cutie released their third album, The Photo Album. Limited editions of this album contained three bonus tracks, which were later released separately as The Stability EP. The album produced the band's first charting single "A Movie Script Ending", which reached number 123 on the UK Singles Chart, and was the first of three songs by the band to be featured on the television show The O.C.. The Photo Album's two other singles, "I Was a Kaleidoscope" and "We Laugh Indoors", also reached numbers 115 and 122 on the UK Singles Chart, respectively.
Question: What happened in 97?
Answer: Death Cab for Cutie began as a solo project of Ben Gibbard in 1997,
Question: What happened from there?
Answer: Gibbard released a cassette titled You Can Play These Songs with Chords the same year. The release was surprisingly successful,
Question: What type of success did it have? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Death Cab for Cutie
Background: Death Cab for Cutie is an American alternative rock band, formed in Bellingham, Washington in 1997. The band is composed of Ben Gibbard (vocals, guitar, piano), Nick Harmer (bass), Dave Depper (guitar, keyboards, vocals), Zac Rae (keyboards, guitar), and Jason McGerr (drums). In 2014, founding guitarist and producer Chris Walla announced that he would be departing from the band after recording their eighth studio album, Kintsugi. The band was originally a solo project by Ben Gibbard, when he released the demo album You Can Play These Songs with Chords to positive reception.
Section: Signing to Atlantic and Plans (2004-2006)
Passage: In early 2004 the band recorded a live EP, entitled The John Byrd EP, named for their sound engineer was released on Barsuk Records in March. Death Cab for Cutie had been contacted by major labels on-and-off for several years, but it was only after the proven success of Transatlanticism that they decided to start talking to labels about a potential deal. The fact that they had already achieved considerable success allowed the band to negotiate with a lot of creative freedom. According to their manager Jordan Kurland, the band had spoken to "pretty much all of them", and then decided they were most satisfied with their offer from Atlantic Records. In November 2004, the band signed a "long-term worldwide deal" with Atlantic, leaving their long-time label Barsuk Records. Gibbard stated on the band's official website that nothing would change, except that "next to the picture of Barsuk holding a 7", there will be the letter "A" on both the spine and back of our upcoming albums." After signing to Atlantic, the band was still nervous about corporate economics, and encouraged fans to download its songs from the Internet. The band released their fifth studio album and debut major-label release, Plans, on August 30, 2005, to critical and commercial success. Two singles from the album, "Soul Meets Body" and "Crooked Teeth", reached the top ten of the US Billboard Alternative Songs chart, while the single "I Will Follow You into the Dark" became the band's best-selling single to date. Death Cab for Cutie performed "Crooked Teeth" live on Saturday Night Live on January 14, 2006. Plans received a nomination for the Grammy Award for Best Alternative Album of 2005, as well as achieving gold certification in 2006 after being featured on the Billboard Album chart for 47 consecutive weeks, and later was certified platinum by the Recording Industry Association of America in early May 2008. The band released a touring DVD, Drive Well, Sleep Carefully, in 2005. Copies of the DVD were given away to promote animal rights, and the band are supporters of the activist group PETA. In early 2006, the band announced the upcoming release of Directions: The Plans Video Album, which features eleven short films inspired by songs from the Plans album, each directed by a different person. The videos were posted one at a time at the band's website, and the DVD went on sale April 11, 2006. The iTunes Store began selling the videos (formatted for iPod) early on March 28, 2006. Lance Bangs, P.R. Brown, Ace Norton, Jeffrey Brown, Lightborne, Autumn de Wilde, Rob Schrab, Laurent Briet and Monkmus, as well as Aaron Stewart-Ahn, are among directors that have contributed to the project. An episode of MTV2's Subterranean played these videos for the whole hour, plus discussion with members of the band. Death Cab for Cutie made their first appearance at Neil Young's annual Bridge School Benefit, and completed their lengthy 2006 tour of the United States on December 10, 2006, finishing with a show at the KeyArena in Seattle, Washington.
Question: What happened in 2004?
Answer: the band recorded a live EP, entitled
Question: Is that when Atlantic picked them up?
Answer: November 2004, the band signed a "long-term worldwide deal" with Atlantic,
Question: Did they grow in popularity afterward?
Answer: The band released their fifth studio album and debut major-label release, Plans, on August 30, 2005, to critical and commercial success.
Question: Were there any singles on that album?
Answer: Two singles from the album, "Soul Meets Body" and "Crooked Teeth", reached the top
Question: Did they tour or make any notable appearances?
Answer: The band released a touring DVD, Drive Well, Sleep Carefully,
Question: Was there any other interesting events for the band in this timeframe? | [
"Plans received a nomination for"
] |
Title: Margot Kidder
Background: Kidder, one of five children, was born in Yellowknife, Northwest Territories, the daughter of Jocelyn Mary "Jill" (nee Wilson), a history teacher, and Kendall Kidder, an explosives expert and engineer. Kidder also spent time growing up in Labrador City, Newfoundland and Labrador. Her mother was from British Columbia, Canada, and her father was from New Mexico, United States. She is of Welsh and English descent.
Section: 1980-1999: Later roles; decline
Passage: Kidder made her film debut in a 49-minute film titled The Best Damn Fiddler from Calabogie to Kaladar (1968), a drama set in a Canadian logging community, which was produced by the Challenge for Change. Her first major feature was the 1969 American film Gaily, Gaily, a comedy starring Beau Bridges. She appeared in a number of TV drama series for the CBC, including guest appearances on Wojeck, Adventures in Rainbow Country, and a semi-regular role as a young reporter on McQueen, and as a panelist on Mantrap which featured discussions centered on a feminist perspective. During the 1971-72 season, she co-starred as barmaid Ruth in Nichols, a James Garner western, which aired 22 episodes on NBC. In the late 1960s, Kidder was based in Toronto, and in 1970, relocated to Vancouver. During an August 3, 1970 interview on The Dick Cavett Show, Kidder stated that she was ambivalent toward having a film career, and was considering working as a film editor in the future. She appeared in "Such Dust As Dreams Are Made On", the first pilot for Harry O which aired in March 1973. She was a guest star in a 1972 episode of the George Peppard detective series Banacek. After moving to Los Angeles, Kidder was cast opposite Gene Wilder in Quackser Fortune Has a Cousin in the Bronx (1970) as an exchange student in Ireland who becomes the love interest of a poor horse manure collector in Dublin whom she almost runs over with her car. After filming in Ireland, Kidder relocated to New York City to further study acting. A year later, she returned to California, and was cast in the Brian De Palma cult classic Sisters (1973), which gained notoriety for both director and Kidder, who as leading lady, portrayed conjoined twins. Kidder had been in a relationship with De Palma at the time, and had been roommates with co-star Jennifer Salt in Los Angeles. She then starred in the slasher film Black Christmas in 1974, for which she won a Canadian Film Award for Best Actress; followed by a role as a prostitute in the Terrence Malick-scripted The Gravy Train (1974). She received another Canadian Film Award for Best Actress for her performance in the war drama A Quiet Day in Belfast (1974). In 1975, Kidder was cast in a lead role in The Great Waldo Pepper opposite Robert Redford, she also appeared in The Reincarnation of Peter Proud and 92 in the Shade (1975) with Peter Fonda, all of which established her as a commercially viable leading lady. Kidder famously married the director of 92 in the Shade, Thomas McGuane. She appeared on the March 9, 1975 edition of The American Sportsman, learning how to hang glide with her providing the narration and a remote microphone recording her reactions in flight; the segment concluded with Kidder doing solos soaring amid the Wyoming Rockies. After taking a break from acting after the birth of her daughter in 1976, Kidder sought to return to making films in the late 1970s. After doing a reading of Lois Lane for the 1978 superhero film Superman: The Movie, Kidder was flown to England by Richard Donner for screen-tests. Donner ultimately cast Kidder in the role, which would become her most iconic. Filming took over a year, and the film was released during Christmas 1978, to major commercial success. Kidder won a Saturn Award for best actress for her performance in the film. Kidder publicly disagreed with the decision of producers Alexander Salkind and Ilya Salkind to replace Richard Donner as director for Superman II (1980). It was reported that as a result, Kidder's role in Superman III (1983) consisted of less than five minutes of footage, though the producers have denied this in DVD commentaries. Her role in Superman IV: The Quest for Peace (1987) was more substantial. Kidder's performance as Kathy Lutz in the 1979 summer release of The Amityville Horror further cemented her status as one of Hollywood's leading ladies. Though it received mixed reviews from critics, The Amityville Horror was a major commercial success, grossing over $86 million in the United States. Janet Maslin of The New York Times, though giving the film a mixed review, said Kidder "stubbornly remains the bright-eyed life of the party [in the film]." In retrospect, Kidder called the film "a piece of shit." The same year, Kidder hosted an episode of the American sketch comedy TV show Saturday Night Live. Kidder continued to work in film throughout the 1980s, appearing in Paul Mazursky's Willie & Phil and Some Kind of Hero. Her performance in 1981's Heartaches generated critical acclaim and Oscar buzz. As court stenographer-cum-private eye Mickey Raymond, the PG rating that 1983's Trenchcoat received led Disney to launch Touchstone Pictures. She appeared opposite James Garner in the controversial Hollywood crime drama The Glitter Dome (1984). In 1985, she toplined Little Treasure for Columbia Tri-Star with co-stars Ted Danson and Burt Lancaster, where she played a distraught stripper looking for her bank robber-father's buried fortune. In 1986 she was selected as the English narrator for the Japanese animated series The Wonderful Wizard of Oz. A 1982 stage performance of Bus Stop starring Kidder as Cherie and Tim Matheson as Bo, was broadcast on HBO. In 1983, she produced and starred as Eliza Doolittle in a version of Pygmalion with Peter O'Toole for Showtime. She produced and starred in the French-Canadian period television film Louisiana (1984) as a plantation owner in the American South who returns from Paris to find her estate and holdings have been lost. Body of Evidence (1988), a CBS Movie of the Week, cast Kidder as nurse who is suspicious that her medical pathologist second husband is a serial killer. In 1994, Kidder played the bartender at the Broken Skull Tavern in Under a Killing Moon, an IBM PC adventure game. In 1994 she took time to appear in the Disney Channel movie WindRunner, with Russell Means and Jason Wiles. She made uncredited cameo appearances in Maverick (1994) and Delirious (1991). By the mid-1990s, Kidder's career began to decline, which was attributed to her widely publicized nervous breakdown in 1996.
Question: what was one of the roles she had in 1980 - 1999?
Answer: result, Kidder's role in Superman III (1983) consisted of less than five minutes of footage, though the producers have denied
Question: did she have any other roles in that time frame?
Answer: The Quest for Peace (1987) was more substantial.
Question: did she play another role in those years? | [
"drama The Glitter Dome (1984)."
] |
Title: Margot Kidder
Background: Kidder, one of five children, was born in Yellowknife, Northwest Territories, the daughter of Jocelyn Mary "Jill" (nee Wilson), a history teacher, and Kendall Kidder, an explosives expert and engineer. Kidder also spent time growing up in Labrador City, Newfoundland and Labrador. Her mother was from British Columbia, Canada, and her father was from New Mexico, United States. She is of Welsh and English descent.
Section: 2000-present: Independent films, television
Passage: In 2000, Kidder played Eileen Canboro in Apocalypse III: Tribulation, a Christian film dealing with Christian eschatology and the Rapture. Kidder stated afterwards that she did not realize until she was on the set that the movie was serious. Also that year she appeared in three episodes of Peter Benchley's Amazon (1999 TV series), playing a striking role as an insane Canadian woman bent on domination of all the local tribes. In 2001, she played the abusive mother of a serial killer in "Pique", an episode of Law & Order: Special Victims Unit. In 2002, she appeared alongside Crispin Glover and Vanessa Redgrave in the film adaptation of Crime and Punishment. Kidder appeared on Broadway in The Vagina Monologues in December 2002, and toured with the show for two years. After this, she appeared on Robson Arms, a Canadian sitcom set in an apartment block in Vancouver's west end. She played a quirky neighbor of the main cast members. She also had a cameo in Rich Hall's Election Special on BBC Four. In 2006, Kidder played Jenny Schecter's mother Sandy Ziskin on The L Word, a repressed Jewish woman coming to terms with her daughter's sexuality. In 2007, Kidder began appearing on the television series Brothers and Sisters, playing Emily Craft. In 2004, Kidder briefly returned to the Superman franchise in two episodes of the television series Smallville, as Dr. Bridgette Crosby, an emissary of Dr. Swann (played by her Superman co-star, Christopher Reeve). She portrayed an embattled guidance counselor in the 2008 gay-themed mystery film On the Other Hand, Death, as well as a supporting role as Laurie Strode's therapist, in Rob Zombie's Halloween II (2009). In an interview with the LGBT publication The Advocate, Kidder discussed her later career choices, saying: "I'm not choosy at all! I'll do practically anything. I'm the biggest whore on the block. I live in a little town in Montana, and you have to drag me out of here to get to L.A., so I'm not readily available. But unless it's something sexist or cruel, I just love to work. I've done all sorts of things, but you just haven't seen them because they're often very bad and shown at 4 in the morning." In 2015 Kidder won an Emmy award for Outstanding Performer in Children's Programming for her performance in R.L. Stine's The Haunting Hour.
Question: Are there any other interesting aspects about this article?
Answer: In 2000, Kidder played Eileen Canboro in Apocalypse III: Tribulation,
Question: What else she played in
Answer: Peter Benchley's Amazon
Question: What other shows or films | [
"Crime and Punishment."
] |
Title: Edward Sapir
Background: Edward Sapir (; January 26, 1884 - February 4, 1939) was an American anthropologist-linguist, who is widely considered to be one of the most important figures in the early development of the discipline of linguistics. Sapir was born in German Pomerania; his parents emigrated to United States of America when he was a child. He studied Germanic linguistics at Columbia, where he came under the influence of Franz Boas who inspired him to work on Native American languages.
Section: At Yale
Passage: From 1931 until his death in 1939, Sapir taught at Yale University, where he became the head of the Department of Anthropology. He was invited to Yale to found an interdisciplinary program combining anthropology, linguistics and psychology, aimed at studying "the impact of culture on personality". While Sapir was explicitly given the task of founding a distinct anthropology department, this was not well received by the department of sociology who worked by William Graham Sumner's "Evolutionary sociology", which was anathema to Sapir's Boasian approach, nor by the two anthropologists of the Institute for Human Relations Clark Wissler and G. P. Murdock. Sapir never thrived at Yale, where as one of only four Jewish faculty members out of 569 he was denied membership to the faculty club where the senior faculty discussed academic business. At Yale, Sapir's graduate students included Morris Swadesh, Benjamin Lee Whorf, Mary Haas, Charles Hockett, and Harry Hoijer, several of whom he brought with him from Chicago. Sapir came to regard a young Semiticist named Zellig Harris as his intellectual heir, although Harris was never a formal student of Sapir. (For a time he dated Sapir's daughter.) In 1936 Sapir clashed with the Institute for Human Relations over the research proposal by anthropologist Hortense Powdermaker, who proposed a study of the black community of Indianola, Mississippi. Sapir argued that her research should be funded instead of the more sociological work of John Dollard. Sapir eventually lost the discussion and Powdermaker had to leave Yale. In the summer of 1937 while teaching at the Linguistic Institute of the Linguistic Society of America in Ann Arbor, Sapir began having problems with a heart condition that had initially been diagnosed a couple of years earlier. In 1938, he had to take a leave from Yale, during which Benjamin Lee Whorf taught his courses and G. P. Murdock advised some of his students. After Sapir's death in 1939, G. P. Murdock became the chair of the anthropology department. Murdock, who despised the Boasian paradigm of cultural anthropology, dismantled most of Sapir's efforts to integrate anthropology, psychology, and linguistics.
Question: What years was Sapir at Yale?
Answer: From 1931 until his death in 1939,
Question: Was he a student at Yale or a professor?
Answer: Sapir taught at Yale University, where he became the head of the Department of Anthropology.
Question: Did he work on any other projects during this time?
Answer: Sapir was explicitly given the task of founding a distinct anthropology department,
Question: Did his graduate students do anything notable? | [
"Sapir came to regard a young Semiticist named Zellig Harris as his intellectual heir, although Harris was never a formal student of Sapir. ("
] |
Title: Doris Day
Background: Doris Mary Ann Kappelhoff was born on April 3, 1922, in Cincinnati, Ohio, the daughter of Alma Sophia (nee Welz), a housewife, and William Joseph Kappelhoff, a music teacher and choir master. All of her grandparents were German immigrants. For most of her life, Day reportedly believed she had been born in 1924 and reported her age accordingly; it was not until her 95th birthday, when the Associated Press found her birth certificate, showing a 1922 date, that she learned otherwise. The youngest of three siblings, she had two older brothers: Richard (who died before her birth) and Paul, 2-3 years older.
Section: Breakthrough (1955-1958)
Passage: Having become primarily recognized as a musical-comedy actress, Day gradually took on more dramatic roles to broaden her range. Her dramatic star-turn as singer Ruth Etting in Love Me or Leave Me (1955), co-starring James Cagney, received critical and commercial success, becoming Day's biggest hit thus far. Day said it was her best film performance. Producer Joe Pasternak said, "I was stunned that Doris did not get an Oscar nomination." The soundtrack album from that movie was a No. 1 hit. Day starred in Alfred Hitchcock's suspense film, The Man Who Knew Too Much (1956) with James Stewart. She sang two songs in the film, "Que Sera, Sera (Whatever Will Be, Will Be)", which won an Academy Award for Best Original Song, and "We'll Love Again". The film was Day's 10th movie to be in the Top 10 at the box office. In 1956, Day played the title role in the thriller/noir Julie with Louis Jourdan. After three successive dramatic films, Day returned to her musical/comedic roots in 1957's The Pajama Game with John Raitt. The film was based on the Broadway play of the same name. She worked with Paramount Pictures for the comedy Teacher's Pet (1958), alongside Clark Gable and Gig Young. She co-starred with Richard Widmark and Gig Young in the romantic comedy film, The Tunnel of Love (1958), but found scant success opposite Jack Lemmon in It Happened to Jane (1959). Billboard's annual nationwide poll of disc jockeys had ranked Day as the No. 1 female vocalist nine times in ten years (1949 through 1958), but her success and popularity as a singer was now being overshadowed by her box-office appeal.
Question: How did she break through
Answer: Love Me or Leave Me (1955), co-starring James Cagney, received critical and commercial success, becoming Day's biggest hit
Question: did she win awards
Answer: "I was stunned that Doris did not get an Oscar nomination."
Question: did she have any other great films
Answer: Day starred in Alfred Hitchcock's suspense film, The Man Who Knew Too Much (1956) with James Stewart.
Question: Did the film win any other awards | [
"won an Academy Award for Best Original Song, and \"We'll Love Again\"."
] |
Title: Sergei Korolev
Background: Korolev was born in Zhytomyr, Russian Empire. His father, Pavel Yakovlevich Korolev, was born in Mogilev to a clerk of the Imperial Russian Army and a peasant mother. His mother, Maria Nikolaevna Koroleva (Moskalenko/Bulanina), was a daughter of a wealthy merchant in the city of Nezhin with Cossack heritage. On his maternal side, in addition to Cossacks, he also had Greek and Polish ancestry.
Section: Education
Passage: Korolev received vocational training in carpentry and in various academics at the Odessa Building Trades School (Stroyprofshkola No. 1). Enjoyment of a 1913 air show inspired interest in aeronautical engineering. Korolev began designing a glider as a diversion while studying for his graduation exams at the vocational school. He made an independent study of flight theory, and worked in the local glider club. A detachment of military seaplanes had been stationed in Odessa, and Korolev took a keen interest in their operations. In 1923 he joined the Society of Aviation and Aerial Navigation of Ukraine and the Crimea (OAVUK). He had his first flying lesson after joining the Odessa hydroplane squadron and had many opportunities to fly as a passenger. In 1924 he personally designed an OAVUK construction project glider called the K-5. He briefly trained in gymnastics until his academic work suffered from this distraction. Korolev hoped to attend the Zhukovsky Academy in Moscow, but his qualifications did not meet the academy's standards. He attended the Kiev Polytechnic Institute's aviation branch in 1924 while living with his uncle Yuri, and earning money to pay for his courses by performing odd jobs. His curriculum was technically oriented, and included various engineering, physics and mathematics classes. He met and became attracted to a classmate, Xenia Vincentini, who would later become his first wife. In 1925 he was accepted into a limited class on glider construction, and suffered two broken ribs flying the training glider they built. He continued courses at Kiev until he was accepted into the Bauman Moscow State Technical University (MVTU, BMSTU) in July 1926. Korolev studied specialized aviation topics until 1929, while living with his family in the typically crowded conditions of Moscow. Korolev enjoyed opportunities to fly gliders and powered aircraft during this part of his education. He designed a glider in 1928, and flew it in a competition the next year. The Communist Party accelerated the education of engineers in 1929 to meet the country's urgent need for their skills. Korolev obtained a diploma by producing a practical aircraft design by the end of the year. His advisor was the famous Andrei Tupolev.
Question: What schools did Korolev attend?
Answer: Odessa Building Trades School
Question: Did he attend anywhere else?
Answer: Kiev Polytechnic Institute's aviation branch
Question: DId he have any educational achievements?
Answer: obtained a diploma
Question: What else did he design? | [
"construction project glider called the K-5."
] |
Title: Sergei Korolev
Background: Korolev was born in Zhytomyr, Russian Empire. His father, Pavel Yakovlevich Korolev, was born in Mogilev to a clerk of the Imperial Russian Army and a peasant mother. His mother, Maria Nikolaevna Koroleva (Moskalenko/Bulanina), was a daughter of a wealthy merchant in the city of Nezhin with Cossack heritage. On his maternal side, in addition to Cossacks, he also had Greek and Polish ancestry.
Section: Early career
Passage: After graduation, Korolev worked with some of the best Soviet designers at the 4th Experimental Section aircraft design bureau OPO-4 headed by Paul Aime Richard who emigrated to the USSR from France in the 1920s. He did not stand out in this group, but while so employed he also worked independently to design a glider capable of performing aerobatics. In 1930 he became interested in the possibilities of liquid-fueled rocket engines to propel airplanes while working as a lead engineer on the Tupolev TB-3 heavy bomber. Korolev earned his pilot's license in 1930 and explored the operational limits of the aircraft he piloted, wondering what was beyond his plane's altitude limit and how he could get there. Many believe this was the start of his interest in space. Korolev married Xenia Vincentini on 6 August 1931. He had first proposed marriage to her in 1924, but she then declined so she might continue her higher education. In 1931, Korolev and space travel enthusiast Friedrich Zander participated in the creation of the Group for the Study of Reactive Motion (GIRD), one of the earliest state-sponsored centers for rocket development in the USSR. In May 1932 Korolev was appointed chief of the group; and military interest encouraged funding of group projects. GIRD developed three different propulsion systems, each more successful than the last. Their first launch of a liquid-fueled rocket was GIRD-X in 1933. (Although this is often cited as the GIRD-09, the hybrid GIRD-09 used solid gasoline and liquid oxygen.) This was just seventeen years after Colonel Ivan Platonovich Grave's first launch in 1916 (patent in 1924). Growing military interest in this new technology caused GIRD to be merged with the Gas Dynamics Laboratory (GDL) at Leningrad in 1933 to create the Jet Propulsion Research Institute (RNII), headed up by the military engineer Ivan Kleimenov and containing a number of enthusiastic proponents of space travel, including Valentin Glushko. Korolev became the Deputy Chief of the institute, where he supervised development of cruise missiles and a manned rocket-powered glider. "Rocket Flight in Stratosphere" was published by Korolev in 1934. On 10 April 1935, Korolev's wife gave birth to their daughter, Natalya; and they moved out of Sergei's parents' home and into their own apartment in 1936. Both Korolev and his wife had careers, and Sergei always spent long hours at his design office. By now he was chief engineer at RNII. The RNII team continued their development work on rocketry, with particular focus on the area of stability and control. They developed automated gyroscope stabilization systems that allowed stable flight along a programmed trajectory. Korolev was a charismatic leader who served primarily as an engineering project manager. He was a demanding, hard-working man, with a disciplinary style of management. Korolev personally monitored all key stages of the programs and paid meticulous attention to detail.
Question: What did Sergei first do for a living?
Answer: After graduation, Korolev worked with some of the best Soviet designers at the 4th Experimental Section aircraft design bureau OPO-4
Question: Did it perform well? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Secretariat (horse)
Background: Secretariat (March 30, 1970 - October 4, 1989) was an American Thoroughbred racehorse who, in 1973, became the first Triple Crown winner in 25 years. His record-breaking win in the Belmont Stakes, where he left the field 31 lengths behind him, is widely regarded as one of the greatest races of all time. During his racing career, he won five Eclipse Awards, including Horse of the Year honors at ages two and three. He was elected to the National Museum of Racing and Hall of Fame in 1974.
Section: Whitney Stakes
Passage: Secretariat raced in Meadow Stables' blue-and-white-checkered colors. He never raced in track bandages, but typically wore a blinker hood, mostly to help him focus, but also because he had a tendency to run in towards the rail during races. In January 1972, he joined trainer Lucien Laurin's winter stable at Hialeah. Secretariat gained a reputation as a kind horse, likeable and unruffled in crowds or by the bumping that occurs between young horses. He had the physique of a runner, but at first was awkward and clumsy. He was frequently outpaced by more precocious stable mates, running a quarter-mile in 26 seconds compared to 23 seconds by his peers. His regular exercise riders were Jim Gaffney and Charlie Davis. Davis was not initially impressed. "He was a big fat sucker", Davis said. "I mean, he was big. He wasn't in a hurry to do nothin'. He took his time. The quality was there, but he didn't show it until he wanted to." Gaffney though recalled his first ride on Secretariat in early 1972 as "having this big red machine under me, and from that very first day I knew he had a power of strength that I have never felt before ..." Groom Eddie Sweat was another important member of the Secretariat team, providing most of the daily hands-on care. Sweat once told a reporter, "I guess a groom gets closer to a horse than anyone. The owner, the trainer, they maybe see him once a day. But I lived with him, worked with him." Laurin sent Chenery regular updates on Secretariat's progress, saying that the colt was still learning to run, or that he still needed to lose his baby fat. Chenery recalled that when Secretariat was in training, Lucien once said: "Your big Bold Ruler colt don't show me nothin'. He can't outrun a fat man." But Secretariat made steady progress over the spring. On June 6, he wore blinkers for the first time to keep his attention focused and responded with a half-mile workout in a solid 47 3/5 seconds. On June 24, he ran a "bullet", the fastest workout of the day, at 6 furlongs in 1:12 4/5 on a sloppy track. Laurin called Chenery at her Colorado home and advised her that Secretariat was ready to race. The 1973 Kentucky Derby on May 5 attracted a crowd of 134,476 to Churchill Downs, then the largest crowd in North American racing history. The bettors made the entry of Secretariat and Angle Light the 3-2 favorite, with Sham the second choice at 5-2. The start was marred when Twice a Prince reared in his stall, hitting Our Native, positioned next to him, and causing Sham to bang his head against the gate, loosening two teeth. Sham then broke poorly and cut himself, also bumping into Navajo. Secretariat avoided problems by breaking last from post position 10, then cut over to the rail. Early leader Shecky Greene set a reasonable pace, then gave way to Sham around the far turn. Secretariat came charging as they entered the stretch and battled with Sham down the stretch, finally pulling away to win by 2 1/2 lengths. Our Native finished eight lengths further back in third. On his way to a still-standing track record of 1:59 2/5, Secretariat ran each quarter-mile segment faster than the one before it. The successive quarter-mile times were :25 1/5, :24, :23 4/5, :23 2/5, and :23. This means he was still accelerating as of the final quarter-mile of the race. No other horse had won the Derby in less than 2 minutes before, and it would not be accomplished again until Monarchos ran the race in 1:59.97 in 2001. Sportswriter Mike Sullivan later said: I was at Secretariat's Derby, in '73 ... That was ... just beauty, you know? He started in last place, which he tended to do. I was covering the second-place horse, which wound up being Sham. It looked like Sham's race going into the last turn, I think. The thing you have to understand is that Sham was fast, a beautiful horse. He would have had the Triple Crown in another year. And it just didn't seem like there could be anything faster than that. Everybody was watching him. It was over, more or less. And all of a sudden there was this, like, just a disruption in the corner of your eye, in your peripheral vision. And then before you could make out what it was, here Secretariat came. And then Secretariat had passed him. No one had ever seen anything run like that - a lot of the old guys said the same thing. It was like he was some other animal out there. Secretariat next went to Saratoga, popularly nicknamed "the graveyard of champions", in preparation for the Whitney Stakes on August 4, where he would face older horses the first time. On July 27, he put in a stunning workout of 1:34 for a mile on a sloppy track, a time that would have broken Saratoga's track record. On race day though, he was beaten by the Allen Jerkens-trained Onion, a four-year-old gelding who had set a track record at 6 1/2 furlongs in his previous start. The track condition for the Whitney was labelled fast but was running slow, especially along the inside rail. Secretariat broke poorly and Onion led from the start, setting a slow pace running well off the rail. Down the backstretch, Turcotte chose to make his move along the rail rather than sweeping wide. Secretariat responded more sluggishly than usual and Turcotte went to the whip. Secretariat closed to within a head on the final turn before Onion pulled ahead in the straight to win by a length. A record crowd of more than 30,000 witnessed what was described as an "astonishing" upset. Despite Jerkens's reputation as the "Giant Killer," Secretariat's stunning loss can possibly be attributed to a viral infection, which caused a low-grade fever and diarrhea. "I was learning then that anything could happen in horse racing", said Chenery. "We knew he had a low-grade infection. But we decided he was strong enough to win anyway, and we were wrong." Secretariat lost his appetite and acted sluggishly for several days. Charles Hatton wrote: "He seemed distressingly ill walking off, and he missed the Travers. Returned to Belmont to point for the $250,000 Marlboro, the sport's pin-up horse looked bloody awful, rather like one of those sick paintings which betoken an inner theatre of the macabre. It required supernatural recuperative powers to recover as he did. He was subjected to four severe preps in two weeks. Astonishingly, he gained weight and blossomed with every trial."
Question: Who is Whitney stakes?
Answer: The track condition for the Whitney was labelled fast
Question: Are there any other interesting aspects about this article?
Answer: On race day though, he was beaten by the Allen Jerkens-trained Onion, a four-year-old gelding who had set a track record at 6 1/2 furlongs in his previous start.
Question: Did he have any other losses?
Answer: CANNOTANSWER
Question: Did he win ?
Answer: On race day though, he was beaten by the Allen Jerkens-trained Onion,
Question: Can you tell me more about the race itself? | [
"Secretariat broke poorly and Onion led from the start, setting a slow pace running well off the rail."
] |
Title: Charles Willson Peale
Background: Peale was born in 1741 in Chester, Queen Anne's County, Maryland, the son of Charles Peale and his wife Margaret. He had a younger brother, James Peale (1749-1831). Charles became an apprentice to a saddle maker when he was thirteen years old. Upon reaching maturity, he opened his own saddle shop; however, when his Loyalist creditors discovered he had joined the Sons of Liberty, they conspired to bankrupt his business.
Section: Marriage and family
Passage: In 1762, Peale married Rachel Brewer (1744-1790), who bore him ten children, most named for Peale's favorite artists, male and female. The sons included Raphaelle Peale (1774-1825), Rembrandt Peale (1778-1860), who was another famous portrait painter and museum owner/operator in Baltimore, and scientific inventor and businessman, Titian Peale I (1780-1798), and Rubens Peale (1784-1865). Among the daughters: Angelica Kauffman Peale (named for Angelica Kauffman, Peale's favorite female painter) married Alexander Robinson, her daughter Priscilla Peale wed Dr. Henry Boteler, and Sophonisba Angusciola Peale (named for Sofonisba Anguissola) married Coleman Sellers. After Rachel's death in 1790, Peale married Elizabeth de Peyster (d. 1804) the next year. With his second wife, he had six additional children. One son, Franklin Peale, born on October 15, 1795, became the Chief Coiner at the Philadelphia Mint. Their youngest son, Titian Ramsay Peale (1799-1885), became an important naturalist and pioneer in photography. Their daughter, Elizabeth De Peyster Peale (1802-57), married William Augustus Patterson (1792-1833) in 1820. Hannah More, a Quaker from Philadelphia, married Peale in 1804, becoming his third wife. She helped raise the younger children from his previous two marriages. Peale's slave, Moses Williams, was also trained in the arts while growing up in the Peale household and later became a professional silhouette artist. In 1810, Peale purchased a farm in Germantown where he intended to retire. He named this estate 'Belfield', and cultivated extensive gardens there. After Hannah's death in 1821, Peale lived with his son Rubens and sold Belfield in 1826. Peale died on February 22, 1827, and was buried at the Saint Peter's Episcopal Church in Philadelphia.
Question: Who was Charles Willson Peale wife ?
Answer: In 1762, Peale married Rachel Brewer
Question: What year was Charles Willson Peale born ?
Answer: CANNOTANSWER
Question: Where was Charles Willson Peale was born ? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Secretariat (horse)
Background: Secretariat (March 30, 1970 - October 4, 1989) was an American Thoroughbred racehorse who, in 1973, became the first Triple Crown winner in 25 years. His record-breaking win in the Belmont Stakes, where he left the field 31 lengths behind him, is widely regarded as one of the greatest races of all time. During his racing career, he won five Eclipse Awards, including Horse of the Year honors at ages two and three. He was elected to the National Museum of Racing and Hall of Fame in 1974.
Section: Canadian International Stakes
Passage: The syndication deal for Secretariat precluded the horse racing past age three. Accordingly, Secretariat's last race was against older horses in the Canadian International Stakes over one and five-eighths miles on the turf at Woodbine Racetrack in Toronto, Ontario, Canada on October 28, 1973. The race was chosen in part because of long-time ties between E.P. Taylor and the Chenery family, and partly to honor Secretariat's Canadian connections, Laurin and Turcotte. Unfortunately, Turcotte missed the race with a five-day suspension: Eddie Maple got the mount. The day of the race was cold, windy and wet, but the Marshall turf course was firm. Despite the weather, some 35,000 people turned out to greet Secretariat in a "virtual hysteria" that Secretariat seemed not to notice. His biggest opponents were Kennedy Road, who he had already beaten in the Marlboro Cup, and Big Spruce, who had finished third in the Man o' War. Kennedy Road went to the early lead, while Secretariat moved to second after breaking from an outside post. On the backstretch, Secretariat made his move and forged to the lead. "Snorting steam in the raw twilight", he rounded the far turn with a 12-length lead before gearing down in the final furlong, ultimately winning by 6 1/2 lengths. Once again, many winning tickets went uncashed by souvenir hunters. After the race, Secretariat was brought to Aqueduct Racetrack where he was paraded with Turcotte dressed in the Meadow silks before a crowd of 32,990 in his final public appearance. "It's a sad day, and yet it's a great day", said Laurin. "I certainly wish he could run as a 4-year-old. He's a great horse and he loves to run." Altogether, Secretariat won 16 of his 21 career races, with three seconds and one third, and total earnings of $1,316,808. For 1973, Secretariat was again named Horse of the Year, and won Eclipse Awards as the American Champion Three-Year-Old Male Horse and the American Champion Male Turf Horse.
Question: when were the canadian international stakes?
Answer: October 28, 1973.
Question: what happened there?
Answer: The race was chosen in part because of long-time ties between E.P. Taylor and the Chenery family, and partly to honor Secretariat's Canadian connections,
Question: did he win there?
Answer: ultimately winning by 6 1/2 lengths.
Question: who did he beat?
Answer: CANNOTANSWER
Question: What else did you find interesting?
Answer: For 1973, Secretariat was again named Horse of the Year, and won Eclipse Awards
Question: did he win any other awards?
Answer: American Champion Three-Year-Old Male Horse
Question: Is there anything else you found interesting? | [
"After the race, Secretariat was brought to Aqueduct Racetrack where he was paraded with Turcotte dressed in the Meadow silks before a crowd of 32,990 in his final public"
] |
Title: Ted Kaczynski
Background: Theodore John Kaczynski (; born May 22, 1942), also known as the Unabomber, is an American domestic terrorist. A mathematics prodigy, he abandoned an academic career in 1969 to pursue a primitive lifestyle, then between 1978 and 1995 he killed three people, and injured 23 others, in a nationwide bombing campaign targeting those involved with modern technology. In conjunction, he issued a social critique opposing industrialization and advancing a nature-centered form of anarchism.
Section: Harvard, Psychological Experiments
Passage: At Harvard, Kaczynski lived during his first year at 8 Prescott Street, which was designed to accommodate the youngest, most precocious freshmen in a small, intimate living space. The next three years he lived at Eliot House. One of his suitemates there recalled that he avoided contact with others and "would just rush through the suite, go into his room, and slam the door." Another suitemate said Kaczynski was reserved, but regarded him as a genius: "It's just an opinion - but Ted was brilliant." Other students stated Kaczynski was less socially averse than these descriptions imply; an Eliot House resident who dined with Kaczynski at times called him "very quiet, but personable ... He would enter into the discussions maybe a little less so than most [but] he was certainly friendly." As a sophomore, Kaczynski participated in a study described by author Alton Chase as a "purposely brutalizing psychological experiment", led by Harvard psychologist Henry Murray. Subjects were told they would be debating personal philosophy with a fellow student, and were asked to write essays detailing their personal beliefs and aspirations. The essays were turned over to an anonymous attorney, who in a later session would confront and belittle the subject - making "vehement, sweeping, and personally abusive" attacks - using the content of the essays as ammunition, while electrodes monitored the subject's physiological reactions. These encounters were filmed, and subjects' expressions of rage were later played back to them repeatedly. The experiment ultimately lasted three years, with someone verbally abusing and humiliating Kaczynski each week. In total, Kaczynski spent 200 hours as part of the study. Kaczynski's lawyers later attributed his hostility towards mind control techniques to this experience. Some sources have suggested that Murray's experiments were part of the US government's research into mind control, known as Project MKUltra. Chase and others have also suggested that this experience may have motivated Kaczynski's criminal activities, while philosopher Jonathan D. Moreno has said that, while "Kaczynski's anti-technological fixation and his critique itself had some roots in the Harvard curriculum," Kaczynski's later bombing campaign can "by no means be laid at Harvard's door". Kaczynski earned his Bachelor of Arts degree in mathematics from Harvard in 1962. He finished with an above-average 3.12 GPA but had been expected to perform better.
Question: What did Ted do at Harvard?
Answer: participated in a study described by author Alton Chase as a "purposely brutalizing psychological experiment",
Question: what did this experiment entail?
Answer: Subjects were told they would be debating personal philosophy with a fellow student, and were asked to write essays detailing their personal beliefs
Question: What else did he study at Harvard?
Answer: Bachelor of Arts degree in mathematics
Question: How did he react to the experiment? | [
"Kaczynski's lawyers later attributed his hostility towards mind control techniques to this experience."
] |
Title: Ted Kaczynski
Background: Theodore John Kaczynski (; born May 22, 1942), also known as the Unabomber, is an American domestic terrorist. A mathematics prodigy, he abandoned an academic career in 1969 to pursue a primitive lifestyle, then between 1978 and 1995 he killed three people, and injured 23 others, in a nationwide bombing campaign targeting those involved with modern technology. In conjunction, he issued a social critique opposing industrialization and advancing a nature-centered form of anarchism.
Section: Childhood
Passage: Kaczynski was born on May 22, 1942, in Chicago, Illinois, to working-class, second-generation Polish Americans, Wanda Theresa (nee Dombek) and Theodore Richard Kaczynski. His parents told his younger brother, David Kaczynski, that Ted had been a happy baby until severe hives forced him into hospital isolation with only limited contact with others, after which he "showed little emotion for months". Wanda later recalled Ted recoiling from a picture of himself as an infant being held down by physicians examining his hives, and said he always showed sympathy to animals in cages or otherwise helpless, which she speculated stemmed from his experience in hospital isolation. From first to fourth grade, Kaczynski attended Sherman Elementary School in Chicago, where administrators described him as "healthy" and "well-adjusted". In 1952, three years after David was born, the family moved to southwest suburban Evergreen Park, Illinois; Ted transferred to Evergreen Park Central School. After testing scored his IQ at 167, he skipped the sixth grade. Kaczynski later described this as a pivotal event: previously he had socialized with his peers and was even a leader, but after skipping ahead he felt he did not fit in with the older children and was bullied. Neighbors in Evergreen Park later described the Kaczynskis as "civic-minded folks", one stating that the parents "sacrificed everything they had for their children". Both Ted and David were intelligent, but Ted stood out in particular. One neighbor said she had "never known anyone who had a brain like [Ted's]," while another commented that Ted was "strictly a loner" who "didn't play ... an old man before his time." His mother recalled Ted as a shy child who would become unresponsive if pressured into a social situation. At one point she was so worried about Ted's social development that she considered entering him in a study for autistic children led by Bruno Bettelheim, but decided against it after observing Bettelheim's abrupt and cold manner.
Question: Where was he born?
Answer: Chicago, Illinois,
Question: Who were his parents?
Answer: Polish Americans, Wanda Theresa (nee Dombek) and Theodore Richard Kaczynski.
Question: Did he have siblings?
Answer: younger brother, David Kaczynski,
Question: Was David his only sibling?
Answer: CANNOTANSWER
Question: How long did he remain isolated? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: David Walliams
Background: David Edward Williams, OBE (born 20 August 1971), known professionally as David Walliams, is an English comedian, actor, talent-show judge, author, presenter, and activist, known for his partnership with Matt Lucas on the BBC One sketch show Little Britain. Since 2012, Walliams has been a judge on the ITV talent show: Britain's Got Talent. He wrote and starred in two series of the BBC One sitcom: Big School, playing the role of chemistry teacher Keith Church. In 2015, he starred as Tommy Beresford in the BBC series: Partners in Crime based on the Tommy and Tuppence novels by Agatha Christie.
Section: Awards and honours
Passage: Walliams was given a special award in recognition of his sporting efforts for charity. Matt Lucas produced a documentary on the subject, entitled Little Britain's Big Swim. On 6 November 2006, Walliams won the Pride of Britain Award for "The Most Influential Public Figure" as he raised more than PS1.5 million swimming the channel for the Sport Relief charity. Although initially tipped as a contender for the BBC's Sports Personality of the Year poll for 2006, Walliams failed to make the final shortlist of 10 contenders. Walliams was given a special award during the ceremony for his achievement. In July 2006, he became Patron of 'Cardiac Risk in the Young'. In September 2011 Walliams won the Lincolnshire Young People's Book Award in the 9-11-year-old category with his book, Mr Stink. The award is voted for by the school children of Lincolnshire. At the 2012 National Television Awards, Walliams won the 'Landmark Achievement Award', for his television career and achievements for Sport Relief. In December 2012 he won the Specsavers National Book Awards "Children's Book of the Year" for Ratburger. In December 2013 he won the Specsavers National Book Awards "Children's Book of the Year" for Demon Dentist. In December 2014 he won the Specsavers National Book Awards "Children's Book of the Year" for Awful Auntie. Awful Auntie also won the 2014 Specsavers National Book Awards "Audiobook of the Year". Walliams won the award for Best TV Judge at the 2015 National Television Awards. He was appointed Officer of the Order of the British Empire (OBE) in the 2017 Birthday Honours for services to charity and the arts.
Question: Name one of his awards
Answer: Walliams was given a special award in recognition of his sporting efforts for charity.
Question: What other awards was he given
Answer: On 6 November 2006, Walliams won the Pride of Britain Award for "The Most Influential Public Figure"
Question: What was his honours
Answer: In July 2006, he became Patron of 'Cardiac Risk in the Young'.
Question: Are there any other interesting aspects about this article? | [
"At the 2012 National Television Awards, Walliams won the 'Landmark Achievement Award',"
] |
Title: David Walliams
Background: David Edward Williams, OBE (born 20 August 1971), known professionally as David Walliams, is an English comedian, actor, talent-show judge, author, presenter, and activist, known for his partnership with Matt Lucas on the BBC One sketch show Little Britain. Since 2012, Walliams has been a judge on the ITV talent show: Britain's Got Talent. He wrote and starred in two series of the BBC One sitcom: Big School, playing the role of chemistry teacher Keith Church. In 2015, he starred as Tommy Beresford in the BBC series: Partners in Crime based on the Tommy and Tuppence novels by Agatha Christie.
Section: Matt Lucas
Passage: Walliams and Matt Lucas first met at the National Youth Theatre. At their first meeting, Lucas did an impression of Jimmy Savile and Walliams an impression of Frankie Howerd. They would not meet again for another year. In the late 1990s, playing minor roles in sketches such as The Club, Walliams and Lucas played grotesque caricatures of various rock musicians in the series Rock Profile and in the spoof documentary series Sir Bernard's Stately Homes. They were also stars of the Paramount Comedy Channel show Mash and Peas, and it was in this guise that they appeared in the Fat Les video (see above). Walliams and Lucas also had small roles in Plunkett and Maclaine as prisoners. The duo appeared together in a music video for the Pet Shop Boys single "I'm with Stupid", in which the two are apparently auditioning their version of the song's video for Neil Tennant and Chris Lowe, who are tied up and appear to be hostages. The pair are best known for Little Britain, which ran from 2003 to 2009 on the BBC in the UK and from 2008 onwards on HBO in the USA. Among the characters Walliams played were Emily Howard, a deluded "transvestite", Ray McCooney, an insane Scottish hotel owner, and Sebastian Love, an aide de camp to the Prime Minister (portrayed by Anthony Head) on whom Love has a huge crush. The characters from Little Britain, played by Walliams and Lucas, appeared in a 2010 UK television advertising campaign for the Nationwide Building Society. In January 2005 Walliams and Lucas were named the most powerful people in TV comedy by Radio Times. Their later series was Come Fly with Me, a six-part series airing on BBC One. The first episode was the third most watched programme of Christmas Day 2010, and the most watched comedy of the year. The duo have not worked or made any public appearances together since early 2011 (although they each make separate cameo appearances in Michael Winterbottom's 2013 film The Look of Love).
Question: What was David Walliams relationship to Matt Lucas?
Answer: The Club, Walliams and Lucas played grotesque caricatures of various rock musicians in
Question: What are some works that they made together?
Answer: ). Walliams and Lucas also had small roles in Plunkett and Maclaine as prisoners.
Question: Did they win any awards for their work together?
Answer: January 2005 Walliams and Lucas were named the most powerful people in TV comedy by Radio Times.
Question: Are there any other interesting aspects about this article?
Answer: The characters from Little Britain, played by Walliams and Lucas, appeared in a 2010 UK television
Question: What awards did Little Britain win?
Answer: Society. In January 2005 Walliams and Lucas were named the most powerful people in TV comedy by Radio Times.
Question: Were there any problems with Matt Lucas?
Answer: CANNOTANSWER
Question: What happened in 2011? | [
"year. The duo have not worked or made any public appearances together since early 2011 ("
] |
Title: Eunhyuk
Background: Eunhyuk was born Lee Hyuk-jae in Seoul, South Korea. He has an older sister Lee So-ra. Raised in a family that struggled financially, he was interested in street performing as a child. Inspired by the likes of H.O.T's Jang Woo-hyuk, Michael Jackson and singer-dancer Yoo Seung-jun, Eunhyuk trained himself at a young age.
Section: 2010-2011: Musical theatre and album releases
Passage: On 26 February 2010, Eunhyuk was diagnosed with H1N1 influenza, but was set to appear as a guest at label mate Girls' Generation's Into the New World encore concert in Seoul, hence had to pull out and was replaced by bandmates Leeteuk and Heechul. Super Junior released their 4th studio album, Bonamana, with similar success in Korea, sweeping awards in music programs after the release date. Their follow-up song, Boom Boom, was choreographed by Eunhyuk and performed on music programs Inkigayo and Music Core. On October 8, 2010, the digital single 'Angel' for HARU OST was released, with Eunhyuk featuring a rap verse. In 2011, Eunhyuk, along with Sungmin was placed two new members of Super Junior-M. On 27 September 2011, he along with Yesung and Shindong filled in for bandmate Heechul, who enlisted for mandatory military service on 1 September, during the performance on Music Bank and Show! Music Core of Kim Jang-hoon latest single, "Breakups are So Like Me". Heechul is featured in the song and starred in the music video, which was completed the day before he enlisted. Mr. Simple, Super Junior's award-winning 5th studio album, was promoted heavily with Eunhyuk participating in much of the album's production through choreography, and rap lyrics for the track, Oops. The album sold over 500,000 units and won the Disk Daesang Award at the 26th Golden Disk Awards and 21st Seoul Music Awards, as well as Album of the year at the 13th Mnet Asian Music Awards. The album is listed as the 2nd best-selling album as of the year 2011. In November, Eunhyuk made his musical theatre debut in Fame, where he played Tyrone Jackson, along with Tiffany of Girls' Generation, Son Ho Young, Lina of The Grace and Kim Jung Mo of TRAX. It was on at the Woori Financial Art Hall from 25 November 2011 to 29 January 2012. It was announced on 30 November 2011 that after five years, he and Leeteuk would leave Super Junior's Kiss the Radio and was replaced by fellow members, Sungmin and Ryeowook on 4 December 2011.
Question: Did Eunyuk ever poop on stage?
Answer: In 2011, Eunhyuk, along with Sungmin was placed two new members of Super Junior-M. On 27 September 2011,
Question: Did he have any albums?
Answer: Super Junior released their 4th studio album, Bonamana,
Question: What happened in 2010?
Answer: On October 8, 2010, the digital single 'Angel' for HARU OST was released, with Eunhyuk featuring a rap verse.
Question: Did he perform at all during 2011 or have any album releases?
Answer: In 2011, Eunhyuk, along with Sungmin was placed two new members of Super Junior-M.
Question: What was Super Junior-M?
Answer: On 27 September 2011, he along with Yesung and Shindong filled in for bandmate Heechul, who enlisted for mandatory military service on 1 September,
Question: Are there any other interesting aspects about this article?
Answer: Mr. Simple, Super Junior's award-winning 5th studio album,
Question: Who is Mr. Simple?
Answer: Super Junior's award-winning 5th studio album,
Question: Was that track a mistake? | [
"The album sold over 500,000 units and won the Disk Daesang Award at the 26th Golden Disk Awards"
] |
Title: Jennifer Aniston
Background: Aniston was born in Sherman Oaks, California, the daughter of actor John Aniston and actress Nancy Dow (1936-2016). Her father is Greek, while her mother was born in New York City. One of her maternal great-grandfathers was an Italian immigrant, and her mother's other ancestry includes English, Irish, Scottish, and a small amount of Greek. Aniston has two half-brothers, John Melick, her older maternal half-brother, and Alex Aniston, her younger paternal half-brother.
Section: Other work and business ventures
Passage: Aniston has appeared in various commercials and music videos throughout her career. In 1996, she was in Tom Petty and The Heartbreakers music video for "Walls". In 2001, Aniston was in Melissa Etheridge's music video for "I Want To Be In Love". She was cast in a Heineken commercial which was later banned in the U.S. due to branding issues. Aniston has also been in commercials for L'Oreal hair products. In 1995, Aniston and her Friends co-star Matthew Perry shot a 60-minute instructional video for the release of Microsoft's Windows 95 operating system. Along with Brad Pitt and Brad Grey, CEO of Paramount Pictures, Aniston founded the film production company Plan B Entertainment in 2002, although she and Grey withdrew in 2005. In 2008, she and producer Kristin Hahn formed the production company Echo Films. Under a contract with Elizabeth Arden, Inc., Aniston worked for over a year on a new perfume, which was released on July 21, 2010, at Harrods in London. Original plans called for the perfume to be named Lolavie by Jennifer Aniston, but to avoid confusion with a similarly named perfume, the name was changed to simply Jennifer Aniston. In an interview following the launch, Aniston said that she would also like to create a fragrance for men. In 2014, she launched her second perfume named J. In 2015, she launched her third perfume named Near Dusk and created her fourth scent in 2016, named Beachscape. In July 2017, her fifth perfume Luxe is released. The same year, in October, she released her sixth perfume : Chapter One. Since 2007, Aniston has worked in a publicity campaign for the drink SmartWater; on March 7, 2011, she released a YouTube video, titled "Jennifer Aniston Goes Viral", for SmartWater, which tripled online interest in the product within 24 hours of its release. In January 2013, Aniston became the new spokesperson and face of Aveeno Skincare. The commercials began airing in May 2013. In 2015, she became the new face of Emirates airline in a deal reported to be roughly US$5 million. Aniston's marketing campaign for the Dubai-based Emirates airline was reportedly a success, with the airline bagging No.1 position as the most popular brand in the UAE for the second consecutive year. The 5th October 2016, a second ad was released. In 2016, she became the spokesperson for the eyelove campaign. From 2012 to 2016, She was also a spokesperson and co-owner of hair care brand Living Proof. Unilever bought the company in 2016 and Aniston left at that time.
Question: What was her other work?
Answer: Aniston has appeared in various commercials and music videos throughout her career.
Question: Any specific commercials?
Answer: She was cast in a Heineken commercial which was later banned in the U.S. due to branding issues.
Question: What music videos has she done? | [
"In 1996, she was in Tom Petty and The Heartbreakers music video for \"Walls\"."
] |
Title: Laurie Baker
Background: Baker was born into a staunch Methodist family, the youngest son of Birmingham Gas Department's chief accountant, Charles Frederick Baker and Millie Baker. His early schooling was at King Edwards Grammar School. His elder brothers, Leonard and Norman studied law, and he had a sister, Edna who was the oldest of them all. In his teens Baker began to question what religion meant to him and decided to become a Quaker, since it was closer to what he believed in.
Section: Architectural style
Passage: Throughout his practice, Baker became well known for designing and building low cost, high quality, beautiful homes, with a great portion of his work suited to or built for lower-middle to lower class clients. His buildings tend to emphasise prolific - at times virtuosic - masonry construction, instilling privacy and evoking history with brick jali walls, a perforated brick screen which invites a natural air flow to cool the buildings' interior, in addition to creating intricate patterns of light and shadow. Another significant Baker feature is irregular, pyramid-like structures on roofs, with one side left open and tilting into the wind. Baker's designs invariably have traditional Indian sloping roofs and terracotta Mangalore tile shingling with gables and vents allowing rising hot air to escape. Curved walls enter Baker's architectural vocabulary as a means to enclose more volume at lower material cost than straight walls, and for Laurie, "building [became] more fun with the circle." A testament to his frugality, Baker was often seen rummaging through salvage heaps looking for suitable building materials, door and window frames, sometimes hitting a stroke of luck as evidenced by the intricately carved entry to the Chitralekha Film Studio (Aakulam, Trivandrum, 1974-76): a capricious architectural element found in a junk heap. Baker made many simple suggestions for cost reduction including the use of Rat trap bond for brick walls, having bends in walls that increased the strength and provided readymade shelves, thin concrete roofs and even simple precautions like shifting dug up soil into the built area rather that out of it. He advocated the use of low energy consuming mud walls, using holes in the wall to get light, using overlaid brick over doorways, incorporating places to sit into the structure, simpler windows and a variety of roof construction approaches. He liked bare brick surfaces and considered plastering and other embellishments as superfluous. Baker's architectural method is one of improvisation, in which initial drawings have only an idealistic link to the final construction, with most of the accommodations and design choices being made on-site by the architect himself. Compartments for milk bottles near the doorstep, windowsills that double as bench surfaces, and a heavy emphasis on taking cues from the natural condition of the site are just some examples. His Quaker-instilled respect for nature lead him to let the idiosyncrasies of a site inform his architectural improvisations, rarely is a topography line marred or a tree uprooted. This saves construction cost as well, since working around difficult site conditions is much more cost-effective than clear-cutting. ("I think it's a waste of money to level a well-moulded site") Resistant to "high-technology" that addresses building environment issues by ignoring natural environment, at the Centre for Development Studies (Trivandrum, 1971) Baker created a cooling system by placing a high, latticed, brick wall near a pond that uses air pressure differences to draw cool air through the building. Various features of his work such as using recycled material, natural environment control and frugality of design may be seen as sustainable architecture or green building with its emphasis on sustainability. His responsiveness to never-identical site conditions quite obviously allowed for the variegation that permeates his work.
Question: What led her to this style
Answer: designing and building low cost, high quality, beautiful homes, with a great portion of his work suited to or built for lower-middle to lower class clients.
Question: Why did this lead him to do
Answer: His buildings tend to emphasise prolific - at times virtuosic - masonry construction, instilling privacy and evoking history with brick jali walls,
Question: What was wrong with this
Answer: a perforated brick screen which invites a natural air flow to cool the buildings' interior, in addition to creating intricate patterns of light and shadow.
Question: What did he also bring about
Answer: Another significant Baker feature is irregular, pyramid-like structures on roofs, with one side left open and tilting into the wind.
Question: What did this do to him
Answer: Baker's designs invariably have traditional Indian sloping roofs and terracotta Mangalore tile shingling with gables and vents allowing rising hot air to escape.
Question: What else was so unique
Answer: Curved walls enter Baker's architectural vocabulary as a means to enclose more volume at lower material cost than straight walls,
Question: What did this do to him
Answer: Baker was often seen rummaging through salvage heaps looking for suitable building materials, door and window frames, sometimes hitting a stroke of luck as evidenced
Question: Why was this important | [
"Baker made many simple suggestions for cost reduction including the use of Rat trap bond for brick walls,"
] |
Title: Laurie Baker
Background: Baker was born into a staunch Methodist family, the youngest son of Birmingham Gas Department's chief accountant, Charles Frederick Baker and Millie Baker. His early schooling was at King Edwards Grammar School. His elder brothers, Leonard and Norman studied law, and he had a sister, Edna who was the oldest of them all. In his teens Baker began to question what religion meant to him and decided to become a Quaker, since it was closer to what he believed in.
Section: Architecture
Passage: While at Pithoragarh, Baker found his English construction education to be inadequate for the types of issues and materials he was faced with: termites and the yearly monsoon, as well as laterite, cow dung, and mud walls, respectively, Baker had no choice but to observe and learn from the methods and practices of vernacular architecture. He soon learned that the indigenous architecture and methods of these places were in fact the only viable means to deal with local problems. Inspired by his discoveries (which he modestly admitted were 'discoveries' only for him, and mere common knowledge to those who developed the practices he observed), he realized that unlike the Modernist architectural movement that was gaining popularity at the time denouncing all that was old just because it was old didn't make sense. Baker adopted local craftsmanship, traditional techniques and materials but then combined it with modern design principles and technology wherever it made sense to do so. This prudent adoption of modern technology helped local architecture retain its cultural identity and kept costs low due to the use of local materials. It also revived the local economy due to the use of local labour for both construction of the buildings and for manufacture of construction materials such as brick and lime surkhi. Baker built several schools, chapels and hospitals in the hills. Eventually, as word spread of his cost-effective buildings more clients from the plains started to contact Baker. One of the early clients was Welthy Fisher, who sought to set up a 'Literacy Village' in which she intended to use puppetry, music and art as teaching methods to help illiterate and newly-literate adults add to their skills. An ageing woman who risked her health to visit Laurie, she refused to leave until she received plans for the village. More and more hospital commissions were received as medical professionals realised that the surroundings for their patients were as much a part of the healing process as any other form of treatment, and that Baker seemed the only architect who cared enough to become familiarised with how to build what made Indian patients comfortable with those surroundings. His presence would also soon be required on-site at Ms. Fisher's "Village," and he became well known for his constant presence on the construction sites of all his projects, often finalising designs through hand-drawn instructions to masons and labourers on how to achieve certain design solutions.
Question: What was her first acrhitectural goal
Answer: While at Pithoragarh, Baker found his English construction education to be inadequate for the types of issues
Question: What was the issue with the product
Answer: materials he was faced with: termites and the yearly monsoon, as well as laterite, cow dung, and mud walls,
Question: What did this mean to his cost
Answer: Baker had no choice but to observe and learn from the methods and practices of vernacular architecture.
Question: What did he learn
Answer: He soon learned that the indigenous architecture and methods of these places were in fact the only viable means to deal with local problems.
Question: What was so crazy about this
Answer: Inspired by his discoveries (which he modestly admitted were 'discoveries' only for him, and mere common knowledge
Question: What inspired this change
Answer: Baker adopted local craftsmanship, traditional techniques and materials but then combined it with modern design principles and technology wherever it made sense to do so.
Question: Why was this so crazy
Answer: because it was old didn't make sense. Baker adopted local craftsmanship, traditional techniques and materials but then combined it with modern design principles
Question: What kept the cost down | [
"local labour for both construction of the buildings and for manufacture of construction materials such as brick and lime surkhi."
] |
Title: Jennifer Aniston
Background: Aniston was born in Sherman Oaks, California, the daughter of actor John Aniston and actress Nancy Dow (1936-2016). Her father is Greek, while her mother was born in New York City. One of her maternal great-grandfathers was an Italian immigrant, and her mother's other ancestry includes English, Irish, Scottish, and a small amount of Greek. Aniston has two half-brothers, John Melick, her older maternal half-brother, and Alex Aniston, her younger paternal half-brother.
Section: 1994-2002: Television breakthrough and rising film career
Passage: Depressed over her four unsuccessful television shows, Aniston approached Warren Littlefield at a Los Angeles gas station asking for reassurance about her career. The head of NBC entertainment encouraged Aniston to continue acting, and a few months later helped cast her for Friends, a sitcom that was set to debut on NBC's 1994-1995 fall lineup. The producers of the show originally wanted Aniston to audition for the role of Monica Geller, but Courteney Cox was considered to be better suited to the role. Thus, Aniston was cast as Rachel Green. She was also offered a spot as a featured player on Saturday Night Live, but turned it down to do Friends. She played the character of Rachel from 1994 until the show ended in 2004. The program was successful and Aniston, along with her co-stars, gained worldwide recognition among television viewers. Aniston received a salary of US$1 million per episode for the last two seasons of Friends, as well as five Emmy nominations (two for Supporting Actress, three for Lead Actress), including a win for Outstanding Lead Actress in a Comedy Series. She was also nominated for two Golden Globe Awards and won, in 2003, the Golden Globe Award for Best Actress - Television Series Musical or Comedy. According to the Guinness World Book of Records (2005), Aniston (along with her female costars) became the highest-paid TV actress of all time with her US$1 million-per-episode paycheck for the final season of Friends. Her character's relationship with Ross Geller, portrayed by David Schwimmer in the show, was widely popular among audiences, and the couple were frequently voted as TV's favorite couple by polls and magazines. Following a four-year hiatus from cinema, Aniston returned to film work in 1996, when she performed in the ensemble cast of the independent films She's the One (1996), and Dream for an Insomniac (1998). Aniston's first starring vehicle was the film Picture Perfect (1997), in which she starred opposite Kevin Bacon and Jay Mohr. While the film received mixed reviews, Aniston's performance was more warmly received, with many critics suggesting that she had screen presence. She starred in the cult film Office Space (1999) for director Mike Judge. She appeared in The Object of My Affection (1998), a comedy-drama about a woman who falls for a gay man (played by Paul Rudd). She gained critical acclaim for her performance in the low-budget film The Good Girl (2002), playing an unglamorous cashier who cheats on her husband. The latter film opened in relatively few theaters - under 700 in total - taking US$14 million at the U.S. box office. In 2002, film critic Roger Ebert declared the role as her breakthrough film, stating that, "after languishing in a series of overlooked movies that ranged from the entertaining Office Space to the disposable Picture Perfect (1997), Jennifer Aniston has at last decisively broken with her "Friends" image in an independent film of satiric fire and emotional turmoil. It will no longer be possible to consider her in the same way."
Question: With what show did Aniston achieve her TV breakthrough?
Answer: Friends,
Question: What role did she play on Friends?
Answer: Rachel Green.
Question: How did the show do with the critics and fans?
Answer: program was successful
Question: What films did she at that time?
Answer: She's the One (1996), and Dream for an Insomniac (1998).
Question: Who was involved in these films with her?
Answer: first starring vehicle was the film Picture Perfect (1997), in which she starred opposite Kevin Bacon and Jay Mohr.
Question: How was the film received by fans and critics?
Answer: the film received mixed reviews, Aniston's performance was more warmly received, with many critics suggesting
Question: Did any of her films win awards? | [
"She gained critical acclaim for her performance in the low-budget film The Good Girl (2002"
] |
Title: Buck Owens
Background: Alvis Edgar "Buck" Owens Jr. (August 12, 1929 - March 25, 2006) was an American musician, singer, songwriter and band leader who had 21 No. 1 hits on the Billboard country music charts with his band the Buckaroos. They pioneered what came to be called the Bakersfield sound, a reference to Bakersfield, California, the city Owens called home and from which he drew inspiration for what he preferred to call American music. While Owens originally used fiddle and retained pedal steel guitar into the 1970s, his sound on records and onstage was always more stripped-down and elemental. His signature style was based on simple storylines, infectious choruses, a twangy electric guitar, an insistent rhythm supplied by a drum track placed forward in the mix, and high two-part harmonies featuring Owens and his guitarist Don Rich.
Section: Death
Passage: Buck Owens died in his sleep of an apparent heart attack on March 25, 2006, only hours after performing at his Crystal Palace restaurant, club and museum in Bakersfield. He had successfully recovered from oral cancer in the early 1990s, but had additional health problems near the end of the 1990s and the early 2000s, including pneumonia and a minor stroke suffered in 2004. These health problems had forced him to curtail his regular weekly performances with the Buckaroos at his Crystal Palace. The Los Angeles Times interviewed longtime Owens spokesman (and Buckaroos keyboard player) Jim Shaw, who said Owens "had come to the club early and had a chicken fried steak dinner and bragged that it's his favorite meal." Afterward, Owens told band members that he wasn't feeling well and was going to skip that night's performance. Shaw said a group of fans introduced themselves while Owens was preparing to drive home; when they told him that they had traveled from Oregon to hear him perform, Owens changed his mind and took the stage anyway. Shaw recalled Owens telling the audience, "If somebody's come all that way, I'm gonna do the show and give it my best shot. I might groan and squeak, but I'll see what I can do." Shaw added, "So, he had his favorite meal, played a show and died in his sleep. We thought, that's not too bad." The front of the mausoleum where Owens is buried is inscribed "The Buck Owens Family" with the words "Buck's Place" beneath.
Question: What year did Owens Die?
Answer: March 25, 2006,
Question: How did he die?
Answer: Buck Owens died in his sleep of an apparent heart attack
Question: Is any of his family still alive? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Jodie Foster
Background: Alicia Christian "Jodie" Foster (born November 19, 1962) is an American actress, director, and producer. Foster began her professional career as a child model when she was three years old in 1965, and two years later she moved to acting in television series, when she debuted the sitcom Mayberry R.F.D. In the late 1960s and early 1970s, she worked in several primetime television series and starred in children's films. Foster's breakthrough came with Martin Scorsese's Taxi Driver (1976), in which she played a teenage prostitute and at the age of 14, received a nomination for the Academy Award for Best Supporting Actress.
Section: 2000-2009: Career setbacks and thrillers
Passage: Foster's first project of the new decade was Keith Gordon's film Waking the Dead (2000), which she produced. She declined to reprise her role as Clarice Starling in Hannibal (2001), with the part going instead to Julianne Moore, and concentrated on a new directorial project, Flora Plum. It was to focus on a 1930s circus and star Claire Danes and Russell Crowe, but had to be shelved after Crowe was injured on set and could not complete filming on schedule; Foster unsuccessfully attempted to revive the project several times in the following years. Controversially, she also expressed interest in directing and starring in a biopic of Nazi film director Leni Riefenstahl, who did not like the idea. In addition to these setbacks, Foster shut down Egg Pictures in 2001, stating that producing was "just a really thankless, bad job". The company's last production, The Dangerous Lives of Altar Boys, premiered at the Sundance Film Festival in January 2002. It received good reviews, and had a limited theatrical release in the summer. After the cancellation of Flora Plum, Foster took on the main role in David Fincher's thriller Panic Room after its intended star, Nicole Kidman, had to drop out due to an injury on set. Before filming resumed, Foster was given only a week to prepare for the role of a woman who moves with her daughter to a house fitted with a panic room, which they have to use on their first night due to a home invasion. It grossed over $30 million on its North American opening weekend in March 2002, thus becoming the most successful film opening of Foster's career as of 2015. In addition to being a box office success, the film also received largely positive reviews. After a minor appearance in the French period drama A Very Long Engagement (2004), Foster starred in three more thrillers. The first was Flightplan (2005), in which she played a woman whose daughter vanishes during an overnight flight. It became a global box office success, but received mainly negative reviews. It was followed by Spike Lee's critically and commercially successful Inside Man (2006), about a bank heist on Wall Street, which co-starred Denzel Washington and Clive Owen. The third thriller, The Brave One (2007), prompted some comparisons to Taxi Driver, as Foster played a New Yorker who becomes a vigilante after being seriously injured and losing her fiance and dog in a random street attack. It was not a success, but earned Foster her sixth Golden Globe nomination. Her last film role of the decade was in the children's adventure film Nim's Island (2008), in which she portrayed an agoraphobic writer opposite Gerard Butler and Abigail Breslin. It was the first comedy that she had starred in since Maverick (1994), and was a commercial success but a critical failure. In 2009, she provided the voice for Maggie in a tetralogy episode of The Simpsons titled "Four Great Women and a Manicure".
Question: What occurred in her career on 2000?
Answer: Foster's first project of the new decade was Keith Gordon's film Waking the Dead (2000), which she produced.
Question: What was a career setback?
Answer: She declined to reprise her role as Clarice Starling in Hannibal (2001), with the part going instead to Julianne Moore,
Question: Why did she decline the role?
Answer: concentrated on a new directorial project, Flora Plum.
Question: Was Flora Plum successful?
Answer: had to be shelved after Crowe was injured on set and could not complete filming on schedule;
Question: How did she respond?
Answer: Foster unsuccessfully attempted to revive the project several times in the following years.
Question: After that setback, what did she move on to?
Answer: After the cancellation of Flora Plum, Foster took on the main role in David Fincher's thriller Panic Room
Question: What thrillers did she star in? | [
"The first was Flightplan (2005), in which she played a woman whose daughter vanishes during an overnight flight."
] |
Title: Jodie Foster
Background: Alicia Christian "Jodie" Foster (born November 19, 1962) is an American actress, director, and producer. Foster began her professional career as a child model when she was three years old in 1965, and two years later she moved to acting in television series, when she debuted the sitcom Mayberry R.F.D. In the late 1960s and early 1970s, she worked in several primetime television series and starred in children's films. Foster's breakthrough came with Martin Scorsese's Taxi Driver (1976), in which she played a teenage prostitute and at the age of 14, received a nomination for the Academy Award for Best Supporting Actress.
Section: 1965-1975: Early work
Passage: Foster's career began with an appearance as the Coppertone girl in a television advertisement in 1965, when she was only three years old. Her mother had originally intended only for her older brother Buddy to audition for the ad, but had taken Jodie with them to the casting call, where she was noticed by the casting agents. The television spot led to more advertisement work, and in 1968 to a minor appearance in the sitcom Mayberry R.F.D., in which her brother starred. In the following years Foster continued working in advertisements and appeared in over fifty television shows; she and her brother became the breadwinners of the family during this time. Although most of Foster's television appearances were minor, she had recurring roles in The Courtship of Eddie's Father (1969-1971) and Bob & Carol & Ted & Alice (1973), and starred opposite Christopher Connelly in the short-lived Paper Moon (1974), adapted from the hit film. Foster also appeared in films, mostly for Disney. After a role in the television film Menace on the Mountain (1970), she made her feature film debut in Napoleon and Samantha (1972), playing a girl who becomes friends with a boy, played by Johnny Whitaker, and his pet lion. She was accidentally grabbed by the lion on set, which left her with permanent scars on her back. Her other early film work includes the Raquel Welch vehicle Kansas City Bomber (1972), the Western One Little Indian (1973), the Mark Twain adaptation Tom Sawyer (1973), and Martin Scorsese's Alice Doesn't Live Here Anymore (1974), in which she appeared in a supporting role as a "Ripple-drinking street kid". Foster has said she loved acting as a child, and values her early work for the experience it gave her: "Some people get quick breaks and declare, 'I'll never do commercials! That's so lowbrow!' I want to tell them, 'Well, I'm real glad you've got a pretty face, because I worked for 20 years doing that stuff and I feel it's really invaluable; it really taught me a lot.'"
Question: What was Foster's first acting role?
Answer: Foster's career began with an appearance as the Coppertone girl in a television advertisement
Question: What year was that?
Answer: 1965,
Question: Did she do other commercials?
Answer: Foster continued working in advertisements
Question: What was her first movie role?
Answer: she made her feature film debut in Napoleon and Samantha
Question: What year was that?
Answer: (1972),
Question: What was her most successful role during these years? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: The Triffids
Background: The Triffids were an Australian alternative rock and pop band, formed in Perth in Western Australia in May 1978 with David McComb as singer-songwriter, guitarist, bass guitarist and keyboardist. They achieved negligible success in Australia, but greater success in the UK and in Scandinavia in the 1980s before disbanding in 1989. Some of their best-known songs include "Wide Open Road" (February 1986) and "Bury Me Deep in Love" (October 1987). SBS television featured their 1986 album, Born Sandy Devotional, on the Great Australian Albums series in 2007, and in 2010 it ranked 5th in the book
Section: Breakup and aftermath
Passage: Following the breakup of the band, Alsy MacDonald, Jill Birt and Robert McComb took "proper jobs" as a lawyer (currently with the Equal Opportunity Commission), architect and teacher respectively, with MacDonald and Birt marrying (Robert McComb currently teaches at Melbourne High School). David McComb and Lee continued to be involved with The Blackeyed Susans, a group David McComb formed as a side band during an earlier Triffids' summer tour of Australia. Martyn Casey briefly joined the Blackeyed Susans and then became a permanent member of Nick Cave and the Bad Seeds in April 1990. In 1990, David McComb moved back to London with the aim of pursuing his solo career. Since sustaining crushed vertebrae in the UK in 1986 McComb had suffered chronic and severe back pain that plagued him till his death. In 1992, after no success, he returned to Australia to make some solo recordings for Mushroom Records (featuring both Casey and Lee), releasing just one solo album, Love of Will, in 1994. He also worked with many other musicians on various projects, including assembling a band, the Red Ponies, to tour Europe. In June 1993 three former members of The Triffids: David McComb, Robert McComb and Lee; as well as Charlie Owen and Chris Wilson guested on Acuff's Rose's debut studio album, Never Comin' Down. Another project, costar, was formed when David moved to Melbourne, but due to his ill health they only played sporadically around Melbourne, although recordings had begun and a single was ready for a limited release. Following the Red Ponies tour David McComb suffered substance abuse-related health problems, which ultimately resulted in him undergoing a heart transplant in 1996. Despite the exacerbation of his back problem from the transplant procedure he embarked on a university course and his prolific output of songs continued.He recorded 7 demos at the studio of Julian Wu, a long time supporter with old friends Martin Casey, Mick Harvey, Warren Ellis, Kiernan Box and Stuart Solar on drums. Forming 'costar' with Graham Lee, Kiernan Box on piano, Stuart Soler on drums Will Akers on bass and Matt Habbin on Saxophone. Ill health limited live performances but writing, arranging and other literary projects continued at a furious pace. Following a car accident in Melbourne, he was admitted to St Vincent's hospital. Three days later he died at home, on 2 February 1999, a few days short of his 37th birthday. In February 2000, after the State Coroner of Victoria published his findings, The West Australian newspaper wrote: "[Coroner] Johnstone said McComb's mental and physical condition had deteriorated after his (car) accident but his death was due to heroin toxicity and mild acute rejection of his 1996 heart transplant."
Question: What year did they break up?
Answer: CANNOTANSWER
Question: What caused the breakup?
Answer: CANNOTANSWER
Question: What happened in the aftermath?
Answer: Following the breakup of the band, Alsy MacDonald, Jill Birt and Robert McComb took "proper jobs" as a lawyer
Question: Did they ever have a reunion? | [
"In June 1993 three former members of The Triffids: David McComb, Robert McComb and Lee; as well as Charlie Owen and Chris Wilson guested on Acuff's Rose's debut studio album,"
] |
Title: The Triffids
Background: The Triffids were an Australian alternative rock and pop band, formed in Perth in Western Australia in May 1978 with David McComb as singer-songwriter, guitarist, bass guitarist and keyboardist. They achieved negligible success in Australia, but greater success in the UK and in Scandinavia in the 1980s before disbanding in 1989. Some of their best-known songs include "Wide Open Road" (February 1986) and "Bury Me Deep in Love" (October 1987). SBS television featured their 1986 album, Born Sandy Devotional, on the Great Australian Albums series in 2007, and in 2010 it ranked 5th in the book
Section: Formation and early years (1976-1981)
Passage: In 1976 in Perth, high school students David McComb, on acoustic and bass guitars and vocals, and Alan "Alsy" MacDonald, on drums and vocals, formed Dalsy as a multimedia project, making music, books and photographs. They wrote and performed songs with Phil Kakulas on guitars and vocals (all three later in The Blackeyed Susans), then soon became Blok Musik and Logic (for a day). In May 1978, they became The Triffids, taking their name from the post-apocalyptic novel by John Wyndham, The Day of the Triffids. They were soon joined by Andrew McGowan on guitar and Julian Douglas-Smith on piano. When Byron Sinclair joined on bass guitar in September, McComb switched to rhythm guitar. The Triffids began partly in response to the punk rock movement. Writing in his diary as a teenager, McComb traced the band's emergence in Perth: "On the night of 27 November 1976, a tape was made by Alsy MacDonald, playing a single toy drum, and Dave McComb playing acoustic guitar. The multimedia group 'Dalsy' had come into being. Dalsy went on to make several remarkable tapes (mainly of original material): The Loft Tapes, Rock 'n' Roll Accountancy, Live at Ding Dongs, Bored Kids, Domestic Cosmos, People Are Strange Dalsy Are Stranger, Steve's and the seminal punk work, Pale Horse Have a Fit ... Dalsy did paintings, sculptures and poetry, and wrote a book named "Lunch". They were tinny and quirky, obsessive and manic, versatile and productive. They were also immensely unpopular ... The members of Dalsy grew to hate their audience. They still do, and this hate is an integral part of their music. Dalsy split up towards the end of 1977 ... They launched into 1978 as Blok Musik, with their famous Blok Musik tape ... In April, they played at the Leederville Town Hall Punk Fest, alongside Perth's punk rock contingent but, as usual, no one danced. After that they went home and metamorphosised into Logic. Within a day they changed their minds, and metamorphosised into the Triffids." Between 1978 and 1981, McComb had written over 100 original songs and The Triffids had recorded and independently released six cassette tapes, simply called, 1st (1978), 2nd (1978), 3rd (1979), 4th (1979), Tape 5 (1980) and Sixth (1981) (see List of The Triffids Cassettes). By 1979, Kakulas and Sinclair had left and were replaced by David's older brother, Robert McComb on violin and guitar, and Will Akers on bass guitar, and in 1980 Margaret Gillard joined on keyboards. At year's end, the band won a song competition run by the Western Australian Institute of Technology (now Curtin University) Student Guild's radio show on 6NR (now Curtin FM), and in July 1981 they released their first single, "Stand Up", on the Shake Some Action label. MacDonald had briefly left the band for two months, and the single was recorded with Mark Peters as drummer.
Question: What happened in 1976?
Answer: formed Dalsy as a multimedia project, making music, books and photographs.
Question: what music did they make? | [
"punk rock"
] |
Title: Mary Mary
Background: Mary Mary are an American gospel duo composed of sisters Erica Atkins-Campbell and Trecina Atkins-Campbell. Formed in 1998, Mary Mary was launched into mainstream recognition following the release of their best-selling debut album, Thankful (2000), which contained the hit single "Shackles (Praise You)". Their followup album Incredible (2002), reached number one on the Top Gospel Albums chart. Their third album, Mary Mary (2005), which contains themes the public interpreted as a channel to the group's experience, contains the worldwide hits "Heaven", "The Real Party", and "Yesterday".
Section: Early years
Passage: The Atkins sisters, born Erica Monique and Trecina Evette, grew up in a large family with seven siblings in Inglewood, California. Their mother, Thomasina Atkins, is an evangelist and choir director at the Church of God in Christ. Their father, Eddie A. Atkins, was also a member of the Church of God In Christ, and a youth counselor, before he died in 2013. Due to their proximity in age, the two sisters grew up closer to one another than to any of their siblings: Darrell Atkins (born 1965, the only living boy- the second boy died as a child), Maliea Atkins (born 1967), Erica (born 1972), Tina (born 1974), Delisa Atkins-Brown (born 1977), Thomasina Atkins (born 1979), Alana Atkins-Jamison (born 1985), and Shanta Atkins (born 1986). Later, they would work creatively with over half of their siblings; Thomasina, Alana, Delisa and Shanta Atkins all sing background on Mary Mary's albums and during stage performances and Delisa was originally a member of the group but left before they started recording professionally due to pursuing college. Eventually, all eight Atkins children united on the Bobby Jones Gospel show on BET. During this time, Erica and Trecina entered the world of church choirs, traveling gospel shows, and television productions. The sisters enrolled at El Camino College to study voice. There they encountered the division between rigorous academic study of music versus the popular musical world. "We had to study classical and sing arias, which was fine," Erica told Times, "but the teachers would tell us if we sang anything else it would damage our instrument." In 1995 the two toured with Michael Matthews' traveling gospel shows, Mama I'm Sorry and Sneaky. Each sister subsequently toured as a backup singer for a variety of R&B acts, including Brandy.
Question: When was Mary born?
Answer: Thomasina, Alana, Delisa and Shanta Atkins all sing background on Mary Mary's albums
Question: Who are Mary Mary parents?
Answer: Their mother, Thomasina Atkins, is an evangelist and choir director at the Church of God in Christ.
Question: Did they go to school?
Answer: The sisters enrolled at El Camino College to study voice.
Question: When did they decide to get into singing?
Answer: Delisa was originally a member of the group but left before they started recording professionally due to pursuing college.
Question: Did Mary Mary play any instruments?
Answer: CANNOTANSWER
Question: Where did Mary Mary grow up? | [
"The Atkins sisters, born Erica Monique and Trecina Evette, grew up in a large family with seven siblings in Inglewood, California."
] |
Title: Joe Montana
Background: Montana was born to Joseph Clifford Montana Sr. (1932-2017) and Theresa Marie Bavuso Montana (1935-2004) in New Eagle, Pennsylvania, a borough of Washington County located in the western portion of the state. He grew up in the city of Monongahela, a coal mining town 25 miles (40 km) south of Pittsburgh. His maternal grandparents, Vincenzo "James" Bavuso and Josephine Savarino Bavuso, were both Italian immigrants.
Section: 1985-1987
Passage: Aided in part by Montana's performance at quarterback, the 49ers advanced to the NFL Playoffs again in 1985; however, they lost in the NFC Wild card game to the New York Giants. In 1986, Montana suffered a severe back injury during week one of the season. The injury was to a spinal disc in Montana's lower back and required immediate surgery. The injury was so severe that Montana's doctors suggested that Montana retire. On September 15, 1986, the 49ers placed Montana on the injured reserve list; however, he returned to the team on November 6 of that year. In his first game back from injury Montana passed for 270 yards and three touchdown passes in a 43-17 49er victory against the St. Louis Cardinals. Montana appeared in just eight games that season, and threw more interceptions than touchdown passes for the only time in his career. The 49ers finished the season with a record of 10-5-1. Montana was co-recipient (with Minnesota Vikings quarterback Tommy Kramer) of the 1986 NFL Comeback Player of the Year Award. In 1987, Montana had 31 touchdown passes, a career-high, in just 13 games. Montana crossed the picket line during the NFLPA strike and threw five touchdowns against replacement players. In 1987, he also set the NFL record for most consecutive pass attempts without an incomplete pass (22), passed for 3,054 yards, and had a passer rating of 102.1. Though the 49ers finished with the best record in the NFL, they lost in the Divisional Round of the playoffs to the Minnesota Vikings. Prior to the 1987 season, Bill Walsh completed a trade for Steve Young, then a quarterback with the Tampa Bay Buccaneers. Young went on to appear in eight regular season games for the team and finished the year with a passer rating of 120.8.
Question: What happened in 1985?
Answer: Aided in part by Montana's performance at quarterback, the 49ers advanced to the NFL Playoffs again in 1985;
Question: How did Montana play in the 1985 season? | [
"Aided in part by Montana's performance at quarterback, the 49ers advanced to the NFL Playoffs again in 1985;"
] |
Title: Havelock Ellis
Background: Henry Havelock Ellis, known as Havelock Ellis (2 February 1859 - 8 July 1939), was an English physician, writer, progressive intellectual and social reformer who studied human sexuality. He co-authored the first medical textbook in English on homosexuality in 1897, and also published works on a variety of sexual practices and inclinations, as well as on transgender psychology. He is credited with introducing the notions of narcissism and autoeroticism, later adopted by psychoanalysis. Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896.
Section: Early life and teaching career
Passage: Ellis, son of Edward Peppen Ellis and Susannah Mary Wheatley, was born in Croydon, Surrey (now part of Greater London). He had four sisters, none of whom married. His father was a sea captain, his mother the daughter of a sea captain, and many other relatives lived on or near the sea. When he was seven his father took him on one of his voyages, during which they called at Sydney, Callao and Antwerp. After his return, Ellis attended the French and German College near Wimbledon, and afterward attended a school in Mitcham. In April 1875, Ellis sailed on his father's ship for Australia; soon after his arrival in Sydney, he obtained a position as a master at a private school. After the discovery of his lack of training, he was fired and became a tutor for a family living a few miles from Carcoar. He spent a year there and then obtained a position as a master at a grammar school in Grafton. The headmaster had died and Ellis carried on the school for that year, but was unsuccessful. At the end of the year, he returned to Sydney and, after three months' training, was given charge of two government part-time elementary schools, one at Sparkes Creek, near Scone, New South Wales and the other at Junction Creek. He lived at the school house on Sparkes Creek for a year. He wrote in his autobiography, "In Australia, I gained health of body, I attained peace of soul, my life task was revealed to me, I was able to decide on a professional vocation, I became an artist in literature these five points covered the whole activity of my life in the world. Some of them I should doubtless have reached without the aid of the Australian environment, scarcely all, and most of them I could never have achieved so completely if chance had not cast me into the solitude of the Liverpool Range."
Question: Where did he grow up?
Answer: was born in Croydon, Surrey (now part of Greater London).
Question: Who were his parents?
Answer: son of Edward Peppen Ellis and Susannah Mary Wheatley,
Question: Did he have any siblings?
Answer: ). He had four sisters,
Question: What was his childhood like?
Answer: When he was seven his father took him on one of his voyages, during which they called at Sydney, Callao and Antwerp.
Question: Are there any other interesting aspects about this article? | [
"In April 1875, Ellis sailed on his father's ship for Australia; soon after his arrival in Sydney, he obtained a position as a master at a private school."
] |
Title: Havelock Ellis
Background: Henry Havelock Ellis, known as Havelock Ellis (2 February 1859 - 8 July 1939), was an English physician, writer, progressive intellectual and social reformer who studied human sexuality. He co-authored the first medical textbook in English on homosexuality in 1897, and also published works on a variety of sexual practices and inclinations, as well as on transgender psychology. He is credited with introducing the notions of narcissism and autoeroticism, later adopted by psychoanalysis. Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896.
Section: Medicine and psychology
Passage: Ellis returned to England in April 1879. He had decided to take up the study of sex, and felt his first step must be to qualify as a physician. He studied at St Thomas's Hospital Medical School now part of King's College London, but never had a regular medical practice. His training was aided by a small legacy and also income earned from editing works in the Mermaid Series of lesser known Elizabethan and Jacobean drama. He joined The Fellowship of the New Life in 1883, meeting other social reformers Eleanor Marx, Edward Carpenter and George Bernard Shaw. The 1897 English translation of Ellis's book Sexual Inversion, co-authored with John Addington Symonds and originally published in German in 1896, was the first English medical textbook on homosexuality. It describes the sexual relations of homosexual males, including men with boys. Ellis wrote the first objective study of homosexuality, as he did not characterise it as a disease, immoral, or a crime. The work assumes that same-sex love transcended age taboos as well as gender taboos. In 1897 a bookseller was prosecuted for stocking Ellis's book. Although the term homosexual is attributed to Ellis, he wrote in 1897, "'Homosexual' is a barbarously hybrid word, and I claim no responsibility for it." Ellis may have developed psychological concepts of autoerotism and narcissism, both of which were later developed further by Sigmund Freud. Ellis's influence may have reached Radclyffe Hall, who would have been about 17 years old at the time Sexual Inversion was published. She later referred to herself as a sexual invert and wrote of female "sexual inverts" in Miss Ogilvy Finds Herself and The Well of Loneliness. When Ellis bowed out as the star witness in the trial of The Well of Loneliness on 14 May 1928, Norman Haire was set to replace him but no witnesses were called.
Question: What did he accomplish in medicine?
Answer: He had decided to take up the study of sex, and felt his first step must be to qualify as a physician.
Question: Where did he go to medical school?
Answer: physician. He studied at St Thomas's Hospital Medical School
Question: Did he graduate from Medical School? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Jim Jones
Background: Jones was born on May 13, 1931 in a rural area of Crete, Indiana, to James Thurman Jones (1887-1951), a World War I veteran, and Lynetta Putnam (1902-1977). Jones was of Irish and Welsh descent; he later claimed partial Cherokee ancestry through his mother, but his maternal second cousin later stated this was likely untrue. Economic difficulties during the Great Depression necessitated that Jones' family move to the town of Lynn in 1934, where he grew up in a shack without plumbing.
Section: Indiana beginnings
Passage: In 1951, Jones began attending gatherings of the Communist Party USA in Indianapolis. He became flustered with harassment he received during the McCarthy Hearings, particularly regarding an event he attended with his mother focusing on Paul Robeson, after which she was harassed by the FBI in front of her co-workers for attending. He also became frustrated with ostracism of open communists in the United States, especially during the trial of Julius and Ethel Rosenberg. This frustration, among other things, provoked a seminal moment for Jones in which he asked himself, "How can I demonstrate my Marxism? The thought was, infiltrate the church." Jones was surprised when a Methodist superintendent helped him get a start in the church even though he knew Jones to be a communist and Jones did not meet him through the Communist Party USA. In 1952, he became a student pastor in Sommerset Southside Methodist Church, but claimed he left that church because its leaders barred him from integrating blacks into his congregation. Around this time, Jones witnessed a faith-healing service at a Seventh Day Baptist Church. He observed that it attracted people and their money and concluded that, with financial resources from such healings, he could help accomplish his social goals. Jones organized a mammoth religious convention to take place on June 11 through June 15, 1956, in a cavernous Indianapolis hall called Cadle Tabernacle. To draw the crowds, Jim needed a religious headliner, and so he arranged to share the pulpit with Rev. William M. Branham, a healing evangelist and religious author who at the time was as highly revered as Oral Roberts. Following the convention, Jones was able to launch his own church, which changed names until it became the Peoples Temple Christian Church Full Gospel. The Peoples Temple was initially made as an inter-racial mission.
Question: What happened during the Jim Jones Indiana beginnings?
Answer: In 1951, Jones began attending gatherings of the Communist Party USA in Indianapolis.
Question: Did these gatherings grow violent?
Answer: He became flustered with harassment he received during the McCarthy Hearings,
Question: Did his mother get hurt? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Jim Jones
Background: Jones was born on May 13, 1931 in a rural area of Crete, Indiana, to James Thurman Jones (1887-1951), a World War I veteran, and Lynetta Putnam (1902-1977). Jones was of Irish and Welsh descent; he later claimed partial Cherokee ancestry through his mother, but his maternal second cousin later stated this was likely untrue. Economic difficulties during the Great Depression necessitated that Jones' family move to the town of Lynn in 1934, where he grew up in a shack without plumbing.
Section: Racial integrationist
Passage: In 1960, Indianapolis Mayor Charles Boswell appointed Jones director of the Human Rights Commission. Jones ignored Boswell's advice to keep a low profile, finding new outlets for his views on local radio and television programs. When the mayor and other commissioners asked Jones to curtail his public actions, he resisted and was wildly cheered at a meeting of the NAACP and Urban League when he yelled for his audience to be more militant, and then climaxed with, "Let my people go!" During this time, Jones also helped to racially integrate churches, restaurants, the telephone company, the police department, a theater, an amusement park, and the Methodist Hospital. After swastikas were painted on the homes of two African-American families, Jones personally walked the neighborhood comforting local black people and counseling white families not to move, in order to prevent white flight. Jones set up stings to catch restaurants refusing to serve black customers and wrote to American Nazi leaders and then leaked their responses to the media. When Jones was accidentally placed in the black ward of a hospital after a collapse in 1961, he refused to be moved; he began to make the beds and empty the bed pans of black patients. Political pressures resulting from Jones' actions caused hospital officials to desegregate the wards. Jones received considerable criticism in Indiana for his integrationist views. White-owned businesses and locals were critical of him. A swastika was placed on the Temple, a stick of dynamite was left in a Temple coal pile, and a dead cat was thrown at Jones' house after a threatening phone call. Other incidents occurred, though some suspect that Jones himself may have been involved in at least some of them.
Question: how was Jim Jones involved in Racial Integration?
Answer: Jones also helped to racially integrate churches, restaurants, the telephone company,
Question: How did he do it, was he a politician at the time?
Answer: In 1960, Indianapolis Mayor Charles Boswell appointed Jones director of the Human Rights Commission.
Question: What did the white locals have to say about him? | [
"A swastika was placed on the Temple, a stick of dynamite was left in a Temple coal pile,"
] |
Title: James Fenimore Cooper
Background: James Fenimore Cooper (September 15, 1789 - September 14, 1851) was a prolific and popular American writer of the first half of the 19th century. His historical romances draw a picture of frontier and American Indian life in the early American days which created a unique form of American literature. He lived most of his life in Cooperstown, New York, which was founded by his father William on property that he owned. Cooper was a lifelong member of the Episcopal Church and contributed generously to it.
Section: First endeavors
Passage: In 1820, Cooper's wife Susan wagered that he could write a book better than the one that she was reading. In response to the wager, Cooper wrote the novel Precaution (1820). Its focus on morals and manners was influenced by Jane Austen's approach to fiction. He anonymously published Precaution and it received favorable notice from the United States and England. By contrast, his second novel The Spy (1821) was inspired by a tale related to him by neighbor and family friend John Jay. It was more successful and became a bestseller; the setting of this Revolutionary War tale is widely believed to have been John Jay's family home "The Locusts" in Rye, New York. In 1823, Cooper published The Pioneers, the first of the Leatherstocking series. The series features Natty Bumppo, a resourceful American woodsman at home with the Delaware Indians and their chief Chingachgook. Bumppo was also the main character of Cooper's most famous novel The Last of the Mohicans (1826), written in New York City where Cooper and his family lived from 1822 to 1826. The book became one of the most widely read American novels of the 19th century. In 1823, Cooper was living in New York on Beach Street in what is now downtown's Tribeca. While there, he became a member of the Philadelphia Philosophical Society. In August of that year, his first son died. In 1824, General Lafayette arrived from France aboard the Cadmus at Castle Garden in New York City as the nation's guest. Cooper witnessed his arrival and was one of the active committee of welcome and entertainment.
Question: What were some of his first endeavors?
Answer: reading. In response to the wager, Cooper wrote the novel Precaution (1820).
Question: What other novels did he write?
Answer: The Spy (1821)
Question: What success of recognition did these novels have? | [
"The book became one of the most widely read American novels of the 19th century."
] |
Title: Bipasha Basu
Background: Bipasha Basu (born 7 January 1979), also known by her married name Bipasha Basu Singh Grover, is an Indian film actress and model. Primarily known for her work in Hindi films, she has also appeared in Tamil, Telugu, Bengali and English language films. One of the most popular and highest-paid actresses in India, Basu is the recipient of numerous accolades, including one Filmfare Award, among six nominations. Particularly known for her work in the thriller and horror film genres, she is frequently cited in the media as a sex symbol.
Section: Debut: 2001-02Edit
Passage: One of the judges of the Godrej Cinthol Supermodel Contest in which Basu participated, Vinod Khanna, wanted to launch her alongside his son Akshaye Khanna in Himalay Putra, but she felt she was too young and declined the role, which eventually went to Anjala Zaveri. After returning home, she was convinced by Jaya Bachchan to star opposite her son Abhishek Bachchan in J. P. Dutta's Aakhari Mughal. However, the film was cancelled, and Dutta instead changed the script and made Refugee with Kareena Kapoor. Basu was also offered a role in Refugee opposite Sunil Shetty, which she declined. In 2001, Basu finally made her debut opposite Akshay Kumar in Vijay Galani's Ajnabee. The film, directed by Abbas-Mustan, was inspired by the American film Consenting Adults. It was a moderate box-office success and attracted unfavorable reviews from critics. However, Basu's performance in a negative role was appreciated by critics and won her the Filmfare Award for Best Female Debut. In 2002, Basu starred in the year's most successful thriller, Raaz. Directed by Vikram Bhatt, it established Basu in the Hindi film industry. Her portrayal of a woman who is pursued by a spirit received positive reviews. One review in The Tribune noted, "... it is Bipasha Basu who steals the show with her fine performance." She was nominated for the Filmfare Award for Best Actress for Raaz. She was appreciated in a supporting role in Sanjay Gadhvi's Mere Yaar Ki Shaadi Hai, a moderate critical and commercial success. However, in David Dhawan's Chor Machaaye Shor, was her first commercial failure. She appeared in a supporting role opposite Mahesh Babu and Lisa Ray in the Telugu film, Takkari Donga. Gunaah, which released later that year, was also a box-office failure. She played the role of a cop who loves a convict and tries to reform him. Derek Elley of Variety observed that Basu was a miscast as the "idealistic cop".
Question: How did she start her acting career?
Answer: In 2001, Basu finally made her debut opposite Akshay Kumar in Vijay Galani's Ajnabee. The film, directed by Abbas-Mustan, was inspired by the American film Consenting Adults.
Question: Was the film successful?
Answer: It was a moderate box-office success and attracted unfavorable reviews from critics.
Question: Did she receive good reviews for her performance?
Answer: Basu's performance in a negative role was appreciated by critics and won her the Filmfare Award for Best Female Debut.
Question: Did she win any awards for this role? | [
"She was nominated for the Filmfare Award for Best Actress for Raaz."
] |
Title: Bipasha Basu
Background: Bipasha Basu (born 7 January 1979), also known by her married name Bipasha Basu Singh Grover, is an Indian film actress and model. Primarily known for her work in Hindi films, she has also appeared in Tamil, Telugu, Bengali and English language films. One of the most popular and highest-paid actresses in India, Basu is the recipient of numerous accolades, including one Filmfare Award, among six nominations. Particularly known for her work in the thriller and horror film genres, she is frequently cited in the media as a sex symbol.
Section: Early life and modelling careerEdit
Passage: Bipasha Basu was born on 7 January 1979 to a Bengali family in Delhi. Her father, Hirak, is a civil engineer, and her mother, Mamta, is a homemaker. She has one elder sister, Bidisha, and one younger sister, Vijayeta. According to Basu, her name means "dark deep desire", and is also a river's name. She added "Due to my dusky skin, I was considered ugly in my younger years." In Delhi, Basu lived at Pamposh Enclave, Nehru Place, till the age of eight and studied at Apeejay High School. Her family then shifted to Kolkata, where she attended Bhavan's Gangabux Kanoria Vidyamandir, located in Bidhannagar. In her school, Basu was appointed as the head girl and was fondly called 'Lady Goonda' due to her short and commanding personality. She remarked "As a child, I was a tomboy and I was pampered a lot, due to which I became very naughty. I used to keep a stick in my hand and straighten out all the colony boys if they acted smart. I used to be very short as a child and I was the monitor in school. When the tall boys would be up to mischief, I'd jump on their back during breaks and pull their hair and beat them up". Basu was enrolled in medical science studies until twelfth standard, but switched to commerce thereafter. In 1996, Basu was spotted at a hotel in Kolkata by the model Mehr Jesia Rampal, who suggested she take up modelling. That year, she participated in and eventually won the Godrej Cinthol Supermodel Contest (organised by Ford), thereby representing India at Ford Models Supermodel of the World contest in Miami. She later appeared in the Calida commercial with her then-boyfriend Dino Morea, which was controversial for picturing them sultrily; she had some protesters outside her house after that. With appearance on several magazine covers, Basu continued to pursue a career in fashion modeling during her late teens, until she became an actress.
Question: When did she start modeling?
Answer: In 1996,
Question: Was it her goal to become an actress? | [
"Basu was enrolled in medical science studies until twelfth standard,"
] |
Title: Mackinac Island
Background: Mackinac Island ( MAK-in-aw) is an island and resort area, covering 3.8 square miles (9.8 km2) in land area, in the U.S. state of Michigan. It is located in Lake Huron, at the eastern end of the Straits of Mackinac, between the state's Upper and Lower Peninsulas. The island was home to an Odawa settlement before European exploration began in the 17th century. It served a strategic position as a center on the commerce of the Great Lakes fur trade.
Section: 19th century to present
Passage: During the War of 1812, the British captured the fort in the Siege of Fort Mackinac, the first battle of the conflict, because the Americans had not yet heard that war had been declared. The victorious British attempted to protect their prize by building Fort George on the high ground behind Fort Mackinac. In 1814, the Americans and British fought a second battle on the north side of the island. The American second-in-command, Major Andrew Holmes, was killed and the Americans failed to recapture the island. Despite this outcome, the Treaty of Ghent of 1815 forced the British to return the island and surrounding mainland to the U.S. The United States reoccupied Fort Mackinac, and renamed Fort George as Fort Holmes, after Major Holmes. Fort Mackinac remained under the control of the United States government until 1895 and provided volunteers to defend the Union during the American Civil War. The fort was used as a prison for three Confederate States of America sympathizers. John Jacob Astor's American Fur Company was centered on Mackinac Island after the War of 1812 and exported beaver pelts for thirty years. By the middle of the 19th century, commercial fishing for common whitefish and lake trout began to replace the fur trade as the island's primary industry. As sport fishing became more popular in the 1880s, hotels and restaurants accommodated tourists coming by train or lake boat from Detroit. Following the Civil War, the island became a popular tourist destination for residents of cities on the Great Lakes. Much of the federal land on Mackinac Island was designated as the second national park, Mackinac National Park, in 1875, just three years after Yellowstone National Park was named as the first national park. To accommodate an influx of tourists in the 1880s, the boat and railroad companies built hotels, including the Grand Hotel. Souvenir shops began to spring up as a way for island residents to profit from the tourists. Many wealthy business magnates built summer "cottages" along the island's bluffs for extended stays. When the federal government left the island in 1895, all of the federal land, including Fort Mackinac, was given to the state of Michigan and became Michigan's first state park. The Mackinac Island State Park Commission appointed to oversee the island has limited private development in the park and requires leaseholders to maintain the island's distinctive Victorian architecture. Motor vehicles were restricted at the end of the 19th century because of concerns for the health and safety of the island's residents and horses after local carriage drivers complained that automobiles startled their horses. This ban continues to the present with exceptions only for emergency and construction vehicles.
Question: What is the Island being used for currently?
Answer: residents and horses
Question: Why did it lose popularity? | [
"Motor vehicles were restricted at the end of the 19th century"
] |
Title: Mackinac Island
Background: Mackinac Island ( MAK-in-aw) is an island and resort area, covering 3.8 square miles (9.8 km2) in land area, in the U.S. state of Michigan. It is located in Lake Huron, at the eastern end of the Straits of Mackinac, between the state's Upper and Lower Peninsulas. The island was home to an Odawa settlement before European exploration began in the 17th century. It served a strategic position as a center on the commerce of the Great Lakes fur trade.
Section: Etymology
Passage: Like many historic places in the Great Lakes region, Mackinac Island's name derives from a Native American language. Native Americans in the Straits of Mackinac region likened the shape of the island to that of a turtle so they named it "Mitchimakinak" (Ojibwe: mishimikinaak) "Big Turtle". Andrew Blackbird, an official interpreter for the U.S. government and an Ottawa chief's son, said it was named after a tribe that had lived there. The French spelled it with their version of the original pronunciation: Michilimackinac. The British shortened it to the present name: "Mackinac." Michillimackinac is also spelled as Mishinimakinago, Mishima'kinung, Mi-shi-ne-macki naw-go, Missilimakinak, Teiodondoraghie. The Menominee traditionally lived in a large territory of 10 million acres extending from Wisconsin to the Upper Peninsula of Michigan. Historic references include one by Father Frederic Baraga, a Slovenian missionary priest in Michigan, who in his 1878 dictionary wrote: Mishinimakinago; pl.-g.--This name is given to some strange Indians (according to the sayings of the Otchipwes [Ojibwe]), who are rowing through the woods, and who are sometimes heard shooting, but never seen. And from this word, the name of the village of Mackinac, or Michillimackinac, is derived. Maehkaenah is the Menominee word for turtle. In his 1952 The Indian Tribes of North America, John Reed Swanton recorded under the "Wisconsin" section: "Menominee," a band named "Misi'nimak Kimiko Wini'niwuk, 'Michilimackinac People,' near the old fort at Mackinac, Mich." In an early written history of Mackinac Island (1887) by Andrew Blackbird, the Odawa historian, he describes that a small independent tribe called "Mi-shi-ne-macki naw-go" once occupied Mackinac Island. They became confederated with the Ottawa from Ottawa Island (now Manitoulin Island) situated north of Lake Huron. One winter the Mi-shi-ne-macki naw-go on Mackinac Island were almost entirely annihilated by the Seneca people from New York, who were part of the Iroquois Confederacy. Only two of the local natives escaped by hiding in one of the natural caves at the island. To commemorate the losses of this allied tribe, the Ottawa named what is now Mackinac Island, as "Mi-shi-ne-macki-nong." In 1895 Fort Mackinac's John R. Bailey, M. D. published his history, entitled Mackinac formerly Michilimackinac, describing some of the first recorded presence on Mackinac of French traders. They arrived in 1654 with a large party of Huron and Ottawa heading to Three Rivers; another visitor was an adventurer making a canoe voyage in 1665.
Question: How did the island get its name?
Answer: Mackinac Island's name derives from a Native American language.
Question: Which tribe of Native Americans?
Answer: Ottawa
Question: What does it mean?
Answer: ) "Big Turtle".
Question: Why is it called that?
Answer: Native Americans in the Straits of Mackinac region likened the shape of the island to that of a turtle
Question: Did it go by any other names?
Answer: Mishinimakinago, Mishima'kinung, Mi-shi-ne-macki naw-go, Missilimakinak, Teiodondoraghie.
Question: Do those all mean turtle as well?
Answer: CANNOTANSWER
Question: Are there other words for turtle? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Dan Devine
Background: Daniel John "Dan" Devine (December 22, 1924 - May 9, 2002) was an American football player and coach. He served as the head football coach at Arizona State University from 1955 to 1957, the University of Missouri from 1958 to 1970, and the University of Notre Dame from 1975 to 1980, compiling a career college football mark of 173-56-9. Devine was also the head coach of the National Football League's Green Bay Packers from 1971 to 1974, tallying a mark of 25-27-4. His 1977 Notre Dame team won a national championship after beating Texas in the Cotton Bowl.
Section: Notre Dame
Passage: Devine had been a leading candidate for the head coaching job at Notre Dame in 1964, when Ara Parseghian was hired. When approached for the job following Parseghian's resignation, Devine accepted immediately, joking that it was probably the shortest job interview in history. In his six seasons at Notre Dame, Devine compiled a 53-16-1 mark (.764). His lasting achievement came midway through this run, when the Fighting Irish won the 1977 national championship, led by junior quarterback Joe Montana. The regular season was highlighted by the Irish's 21-17 come-from-behind win over Clemson at Death Valley, when Devine repeatedly gave the middle finger salute to the raucous home crowd. The championship season was completed with a convincing 38-10 win in the 1978 Cotton Bowl Classic over previously top-ranked Texas, led by Heisman Trophy winner Earl Campbell. The win vaulted the Irish from fifth to first in the polls. Earlier in the season, before the annual game against USC, played at home on October 22, Devine changed the team's jerseys from navy blue & white to kelly green & gold, which would remain for the rest of his time at the school. He also added names to the players' jerseys on a permanent basis when he took over at Notre Dame. Previously, names had been included on jerseys only during bowl games. (The traditional navy blue & white jerseys without names returned in the 1980s under Lou Holtz.) Devine's teams won three bowl games, including consecutive Cotton Bowl Classics. In the 1979 Cotton Bowl Classic, the Irish trailed 34-12 with 7:27 remaining in the game. They rallied for 23 unanswered points behind ailing senior quarterback Joe Montana for an incredible 35-34 victory over Houston. The game became part of college football folklore, referred to as the Chicken Soup Game. Because he had the unenviable task of following a legend, Devine came under heavy scrutiny while at Notre Dame and it was felt that he was never fully embraced by the Notre Dame community, despite winning a national championship. After a 5-2 start in his first season, rumors of incompetence were circulated and that Devine would be dismissed and replaced by Don Shula or even Ara Parseghian (who went so far as to say he would not return to Notre Dame under any circumstances). Even on the day of the 1977 USC game, "Dump Devine" bumper stickers were being sold outside Notre Dame Stadium. He also had the notoriety of losing to his old program, a shocking 3-0 loss to the Tigers at South Bend in 1978. It wasn't until after Devine had left Notre Dame that fans began to appreciate him. Like Joe Kuharich before him, Devine was involved in a game while at Notre Dame whose ending resulted in a rule change still in effect today. On September 15, 1979, the Irish faced the Michigan Wolverines in Ann Arbor in their season opener. With six seconds remaining, Michigan lined up for a game-winning field goal attempt. Notre Dame linebacker Bob Crable climbed up onto the back of opposing long snapper Mike Trgovac and was able to block the kick, preserving a 12-10 Irish victory. A new rule was implemented the following season that prohibited this tactic.
Question: When did he play for ND?
Answer: Devine had been a leading candidate for the head coaching job at Notre Dame in 1964,
Question: Did he accept?
Answer: Devine accepted immediately,
Question: How long was he head coach?
Answer: six seasons at Notre Dame,
Question: when he he leave? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Dan Devine
Background: Daniel John "Dan" Devine (December 22, 1924 - May 9, 2002) was an American football player and coach. He served as the head football coach at Arizona State University from 1955 to 1957, the University of Missouri from 1958 to 1970, and the University of Notre Dame from 1975 to 1980, compiling a career college football mark of 173-56-9. Devine was also the head coach of the National Football League's Green Bay Packers from 1971 to 1974, tallying a mark of 25-27-4. His 1977 Notre Dame team won a national championship after beating Texas in the Cotton Bowl.
Section: Green Bay Packers
Passage: After suffering his first losing season in 1970, Devine departed on January 14, 1971, to become the head coach and general manager of the Green Bay Packers of the NFL, succeeding Phil Bengtson. Devine acknowledged the pressure of the position, but had the benefit of not immediately following legendary coach Vince Lombardi. Bengtson had endured three years of unrealistic expectations following Lombardi's brief retirement after Super Bowl II. Devine's career in Green Bay got off to a painful start when he suffered a broken leg following a sideline collision in the season opener, a 42-40 loss to the New York Giants. After finishing 4-8-2 in 1971, Devine headed a brief resurgence that "The Pack is Back," by dethroning the four-time division champion Minnesota Vikings in 1972 to reach the playoffs, the Packers' first post-season in five years. The Packers lost 16-3 in the first round to the Washington Redskins at RFK Stadium on Christmas Eve. The Packers would not reach the post-season for another decade, during the expanded 16-team playoffs of the strike-shortened 1982 season. Green Bay would not return to the playoffs in a non-strike year until 1993. Unable to recapture the success of 1972, Devine's final two seasons at Green Bay were disappointing (5-7-2 in 1973 and 6-8 in 1974). Midway through his last season as Packers head coach in 1974, Devine traded two 1st round picks, two 2nd round picks, and a 3rd round pick for 34-year-old quarterback John Hadl from the Los Angeles Rams. The Packers were 3-3 at the time despite lackluster play from quarterback Jerry Tagge, and Devine apparently believed an experienced quarterback was the last piece of the puzzle. Hadl played only two years as a Packer, winning only seven games and throwing 29 interceptions in that time. Meanwhile, the Rams used the picks acquired in the trade to draft players who would help them dominate the NFC West in the 1970s. To this day, many Packer fans have never forgiven Devine for the trade, which is widely reckoned as the worst trade for a starting quarterback in NFL history. The Packers would not have another true franchise quarterback until the arrival of Brett Favre in 1991. On a personal note, Devine's wife developed multiple sclerosis during the season. After a three-game losing streak knocked the Packers out of the playoffs, Devine resigned on December 16, 1974, to become the head coach at the University of Notre Dame.
Question: What did Dan Devine do with the Green Bay Packers?
Answer: the head coach and general manager of the Green Bay Packers of the NFL,
Question: Did the Packers win any games?
Answer: After finishing 4-8-2 in 1971, Devine headed a brief resurgence that "The Pack is Back,
Question: What other games did he lead them to win?
Answer: by dethroning the four-time division champion Minnesota Vikings in 1972 to reach the playoffs,
Question: Did they lose any big games?
Answer: The Packers lost 16-3 in the first round to the Washington Redskins at RFK Stadium on Christmas Eve.
Question: When did Devine leave the Packers?
Answer: After a three-game losing streak knocked the Packers out of the playoffs, Devine resigned on December 16, 1974,
Question: Did fans and players like him as the Packers coach?
Answer: 1970s. To this day, many Packer fans have never forgiven Devine for the trade,
Question: Are there any other interesting aspects about this article? | [
"On a personal note, Devine's wife developed multiple sclerosis during the season."
] |
Title: Joseph Conrad
Background: Joseph Conrad (Polish pronunciation: ['juzef ,kon.rad]; born Jozef Teodor Konrad Korzeniowski; 3 December 1857 - 3 August 1924) was a Polish-British writer regarded as one of the greatest novelists to write in the English language. He joined the British merchant marine in 1878, and was granted British citizenship in 1886. Though he did not speak English fluently until his twenties, he was a master prose stylist who brought a non-English sensibility into English literature. He wrote stories and novels, many with a nautical setting, that depict trials of the human spirit in the midst of an impassive, inscrutable universe.
Section: Legacy
Passage: After the publication of Chance in 1913, Conrad was the subject of more discussion and praise than any other English writer of the time. He had a genius for companionship, and his circle of friends, which he had begun assembling even prior to his first publications, included authors and other leading lights in the arts, such as Henry James, Robert Bontine Cunninghame Graham, John Galsworthy, Edward Garnett, Garnett's wife Constance Garnett (translator of Russian literature), Stephen Crane, Hugh Walpole, George Bernard Shaw, H. G. Wells, Arnold Bennett, Norman Douglas, Jacob Epstein, T. E. Lawrence, Andre Gide, Paul Valery, Maurice Ravel, Valery Larbaud, Saint-John Perse, Edith Wharton, James Huneker, anthropologist Bronislaw Malinowski, Jozef Retinger (later a founder of the European Movement, which led to the European Union, and author of Conrad and His Contemporaries). Conrad encouraged and mentored younger writers. In the early 1900s he composed a short series of novels in collaboration with Ford Madox Ford. In 1919 and 1922 Conrad's growing renown and prestige among writers and critics in continental Europe fostered his hopes for a Nobel Prize in Literature. Interestingly, it was apparently the French and Swedes - not the English - who favoured Conrad's candidacy. In April 1924 Conrad, who possessed a hereditary Polish status of nobility and coat-of-arms (Nalecz), declined a (non-hereditary) British knighthood offered by Labour Party Prime Minister Ramsay MacDonald. Conrad kept a distance from official structures -- he never voted in British national elections -- and seems to have been averse to public honours generally; he had already refused honorary degrees from Cambridge, Durham, Edinburgh, Liverpool, and Yale universities. In the Polish People's Republic, translations of Conrad's works were openly published, except for Under Western Eyes, which in the 1980s was published as an underground "bibula". Conrad's narrative style and anti-heroic characters have influenced many authors, including T. S. Eliot, Maria Dabrowska, F. Scott Fitzgerald, William Faulkner, Gerald Basil Edwards, Ernest Hemingway, Antoine de Saint-Exupery, Andre Malraux, George Orwell, Graham Greene, William Golding, William Burroughs, Saul Bellow, Gabriel Garcia Marquez, Peter Matthiessen, John le Carre, V. S. Naipaul, Philip Roth, Joan Didion, Thomas Pynchon J. M. Coetzee, and Salman Rushdie. Many films have been adapted from, or inspired by, Conrad's works.
Question: what was his legacy?
Answer: After the publication of Chance in 1913, Conrad was the subject of more discussion and praise than any other English writer of the time.
Question: did he win any awards?
Answer: In 1919 and 1922 Conrad's growing renown and prestige among writers and critics in continental Europe fostered his hopes for a Nobel Prize in Literature.
Question: what did he write?
Answer: Under Western Eyes, which in the 1980s was published as an underground "bibula".
Question: did he write for any magazines?
Answer: In the early 1900s he composed a short series of novels in collaboration with Ford Madox Ford.
Question: were they popular?
Answer: In the Polish People's Republic, translations of Conrad's works were openly published,
Question: were they popular anywhere else?
Answer: Conrad's narrative style and anti-heroic characters have influenced many authors,
Question: Did he ever meet any of these authors? | [
"his circle of friends, which he had begun assembling even prior to his first publications, included authors and other leading lights in the arts,"
] |
Title: Joseph Conrad
Background: Joseph Conrad (Polish pronunciation: ['juzef ,kon.rad]; born Jozef Teodor Konrad Korzeniowski; 3 December 1857 - 3 August 1924) was a Polish-British writer regarded as one of the greatest novelists to write in the English language. He joined the British merchant marine in 1878, and was granted British citizenship in 1886. Though he did not speak English fluently until his twenties, he was a master prose stylist who brought a non-English sensibility into English literature. He wrote stories and novels, many with a nautical setting, that depict trials of the human spirit in the midst of an impassive, inscrutable universe.
Section: Citizenship
Passage: Conrad was a Russian subject, having been born in the Russian part of what had once been the Polish-Lithuanian Commonwealth. In December 1867, with the Russian government's permission, his father Apollo had taken him to the Austrian part of the former Commonwealth, which enjoyed considerable internal freedom and a degree of self-government. After the father's death, Conrad's uncle Bobrowski had attempted to secure Austrian citizenship for him - to no avail, probably because Conrad had not received permission from Russian authorities to remain abroad permanently and had not been released from being a Russian subject. Conrad could not return to Ukraine, in the Russian Empire - he would have been liable to many years' military service and, as the son of political exiles, to harassment. In a letter of 9 August 1877, Conrad's uncle Bobrowski broached two important subjects: the desirability of Conrad's naturalisation abroad (tantamount to release from being a Russian subject) and Conrad's plans to join the British merchant marine. "[D]o you speak English?... I never wished you to become naturalized in France, mainly because of the compulsory military service... I thought, however, of your getting naturalized in Switzerland..." In his next letter, Bobrowski supported Conrad's idea of seeking citizenship of the United States or of "one of the more important Southern Republics". Eventually Conrad would make his home in England. On 2 July 1886 he applied for British nationality, which was granted on 19 August 1886. Yet, in spite of having become a subject of Queen Victoria, Conrad had not ceased to be a subject of Tsar Alexander III. To achieve the latter, he had to make many visits to the Russian Embassy in London and politely reiterate his request. He would later recall the Embassy's home at Belgrave Square in his novel The Secret Agent. Finally, on 2 April 1889, the Russian Ministry of Home Affairs released "the son of a Polish man of letters, captain of the British merchant marine" from the status of Russian subject.
Question: Where was Joseph Conrad a citizen?
Answer: Conrad was a Russian subject, having been born in the Russian part of what had once been the Polish-Lithuanian Commonwealth.
Question: Did he get Austrian citizenship? | [
"to no avail, probably because Conrad had not received permission from Russian authorities to remain abroad permanently"
] |
Title: Judith Butler
Background: Judith Butler FBA (born February 24, 1956) is an American philosopher and gender theorist whose work has influenced political philosophy, ethics and the fields of third-wave feminist, queer and literary theory. Since 1993, she has taught at the University of California, Berkeley, where she is now Maxine Elliot Professor in the Department of Comparative Literature and the Program of Critical Theory. She is also the Hannah Arendt Chair at the European Graduate School. Butler is best known for her books Gender Trouble:
Section: Early life and education
Passage: Judith Butler was born in Cleveland, Ohio, to a family of Hungarian-Jewish and Russian-Jewish descent. Most of her maternal grandmother's family perished in the Holocaust. As a child and teenager, she attended both Hebrew school and special classes on Jewish ethics, where she received her "first training in philosophy". Butler stated in a 2010 interview with Haaretz that she began the ethics classes at the age of 14 and that they were created as a form of punishment by her Hebrew school's Rabbi because she was "too talkative in class". Butler also stated that she was "thrilled" by the idea of these tutorials, and when asked what she wanted to study in these special sessions, she responded with three questions preoccupying her at the time: "Why was Spinoza excommunicated from the synagogue? Could German Idealism be held accountable for Nazism? And how was one to understand existential theology, including the work of Martin Buber?" Butler attended Bennington College and then Yale University where she studied philosophy, receiving her B.A. in 1978 and her Ph.D. in 1984. She spent one academic year at Heidelberg University as a Fulbright-Scholar. She taught at Wesleyan University, George Washington University, and Johns Hopkins University before joining University of California, Berkeley, in 1993. In 2002 she held the Spinoza Chair of Philosophy at the University of Amsterdam. In addition, she joined the department of English and Comparative Literature at Columbia University as Wun Tsun Tam Mellon Visiting Professor of the Humanities in the spring semesters of 2012, 2013 and 2014 with the option of remaining as full-time faculty. Butler serves on the editorial board or advisory board of academic journals including JAC: A Journal of Rhetoric, Culture, and Politics and Signs: Journal of Women in Culture and Society.
Question: Did Judith Butler have any siblings?
Answer: CANNOTANSWER
Question: Where did Judith Butler attend college?
Answer: Butler attended Bennington College and then Yale University
Question: What did she study at Bennington College?
Answer: she studied philosophy, receiving her B.A.
Question: Did she publish any papers regarding philosophy while she was in college? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Judith Butler
Background: Judith Butler FBA (born February 24, 1956) is an American philosopher and gender theorist whose work has influenced political philosophy, ethics and the fields of third-wave feminist, queer and literary theory. Since 1993, she has taught at the University of California, Berkeley, where she is now Maxine Elliot Professor in the Department of Comparative Literature and the Program of Critical Theory. She is also the Hannah Arendt Chair at the European Graduate School. Butler is best known for her books Gender Trouble:
Section: "Performative Acts and Gender Constitution" (1988)
Passage: In this essay, Judith Butler proposes her theory of gender performativity, which would be later taken up in 1990 throughout her work, Gender Trouble. She begins by basing her theory of gender performativity on a feminist phenomenological point of view. She suggests that both phenomenology and feminism ground their theories in "lived experience". Further, in comparing phenomenologist Maurice Merleau-Ponty and feminist Simone de Beauvoir, Butler argues that both theories view the sexual body as a historical idea or situation; she accepts this notion of a "distinction between sex, as biological facticity, and gender, as the cultural interpretation or signification of that facticity". This combination of theories is essential for founding Butler's view of "theatrical" or performative genders in society. Butler argues that it is more valid to perceive gender as a performance in which an individual agent acts. The performative element of her theory suggests a social audience. For Butler, the "script" of gender performance is effortlessly transmitted generation to generation in the form of socially established "meanings": She states, "gender is not a radical choice... [nor is it] imposed or inscribed upon the individual". Given the social nature of human beings, most actions are witnessed, reproduced, and internalized and thus take on a performative or theatric quality. With Butler's theory, gender is essentially a performative repetition of acts associated with the male or female. Currently, the actions appropriate for men and women have been transmitted to produce a social atmosphere that both maintains and legitimizes a seemingly natural gender binary. Consistently with her acceptance of the body as a historical idea, she suggests that our concept of gender is seen as natural or innate because the body "becomes its gender through a series of acts which are renewed, revised, and consolidated through time". Butler argues that the performance of gender itself creates gender. Additionally, she compares the performativity of gender to the performance of the theater. She brings many similarities, including the idea of each individual functioning as an actor of their gender. However, she also brings into light a critical difference between gender performance in reality and theater performances. She explains how the theater is much less threatening and does not produce the same fear that gender performances often encounter because of the fact that there is a clear distinction from reality within the theater. Butler uses Sigmund Freud's notion of how a person's identity is modeled in terms of the normal. She revises Freud's notion of this concept's applicability to lesbianism, where Freud says that lesbians are modeling their behavior on men, the perceived normal or ideal. She instead says that all gender works in this way of performativity and a representing of an internalized notion of gender norms.
Question: What was Judith Butler's role in the gender constitution?
Answer: She revises Freud's notion of this concept's applicability to lesbianism, where Freud says that lesbians are modeling their behavior on men, the perceived normal or ideal.
Question: Did she work alone?
Answer: In this essay, Judith Butler proposes her theory of gender performativity, which would be later taken up in 1990 throughout her work, Gender Trouble.
Question: Is there anything else interesting? | [
"Butler argues that it is more valid to perceive gender as a performance in which an individual agent acts."
] |
Title: Eminem
Background: Marshall Bruce Mathers III (born October 17, 1972), known professionally as Eminem (often stylized as EMIN3M), is an American rapper, songwriter, record producer, record executive, and actor. Eminem is the best-selling artist of the 2000s in the United States. Throughout his career, he has had 10 number-one albums on the Billboard 200 and five number-one singles on the Billboard Hot 100. With 47.4 million albums sold in the US and 220 million records globally, he is among the world's best-selling artists of all time.
Section: 2008-2009: Comeback, Relapse and Refill
Passage: Eminem appeared on his Shade 45 Sirius channel in September 2008, saying: "Right now I'm kinda just concentrating on my own stuff, for right now and just banging out tracks and producing a lot of stuff. You know, the more I keep producing the better it seems like I get 'cause I just start knowing stuff." Interscope confirmed that a new album would be released in spring 2009. In December 2008, Eminem provided more details about the album, entitled Relapse: "Me and Dre are back in the lab like the old days, man. Dre will end up producing the majority of the tracks on 'Relapse'. We are up to our old mischievous ways ... let's just leave it at that." According to a March 5, 2009 press release, Eminem would release two new albums that year. Relapse, the first, was released on May 19; its first single and music video, "We Made You", had been released on April 7. Although Relapse did not sell as well as Eminem's previous albums and received mixed reviews, it was a commercial success and re-established his presence in the hip-hop world. It sold more than five million copies worldwide. During the 2009 MTV Movie Awards, Sacha Baron Cohen descended on the audience in an angel costume. He landed buttocks-first on Eminem, who stormed out of the ceremony; three days later, Eminem said that the stunt had been staged. On October 30 he headlined at the Voodoo Experience in New Orleans, his first full performance of the year. Eminem's act included several songs from Relapse, many of his older hits and an appearance by D12. On November 19, he announced on his website that Relapse: Refill would be released on December 21. The album was a re-release of Relapse with seven bonus tracks, including "Forever" and "Taking My Ball". Eminem described the CD: I want to deliver more material for the fans this year like I originally planned ... Hopefully these tracks on The Refill will tide the fans over until we put out Relapse 2 next year ... I got back in with Dre and then a few more producers, including Just Blaze, and went in a completely different direction which made me start from scratch. The new tracks started to sound very different than the tracks I originally intended to be on Relapse 2, but I still want the other stuff to be heard.
Question: Are there any other interesting aspects about this article?
Answer: In December 2008, Eminem provided more details about the album, entitled Relapse: "Me and Dre are back in the lab like the old days, man.
Question: What was his influence with his comeback album?
Answer: We are up to our old mischievous ways ... let's just leave it at that."
Question: Was that album well received? | [
"Although Relapse did not sell as well as Eminem's previous albums and received mixed reviews, it was a commercial success and re-established his presence in the hip-hop world."
] |
Title: Eminem
Background: Marshall Bruce Mathers III (born October 17, 1972), known professionally as Eminem (often stylized as EMIN3M), is an American rapper, songwriter, record producer, record executive, and actor. Eminem is the best-selling artist of the 2000s in the United States. Throughout his career, he has had 10 number-one albums on the Billboard 200 and five number-one singles on the Billboard Hot 100. With 47.4 million albums sold in the US and 220 million records globally, he is among the world's best-selling artists of all time.
Section: 1998-1999: Introduction to Slim Shady, The Slim Shady LP and rise to success
Passage: Eminem attracted more attention when he developed Slim Shady, a sadistic, violent alter ego. The character allowed him to express his anger with lyrics about drugs, rape, and murder. In the spring of 1997 he recorded his debut EP, the Slim Shady EP, which was released that winter by Web Entertainment. The EP, with frequent references to drug use, sexual acts, mental instability and violence, also explored the more-serious themes of dealing with poverty and marital and family difficulties and revealed his direct, self-deprecating response to criticism. Hip-hop magazine The Source featured Eminem in its "Unsigned Hype" column in March 1998. After he was evicted from his home, Eminem went to Los Angeles to compete in the 1997 Rap Olympics, an annual, nationwide battle rap competition. He placed second, and Interscope Records staff in attendance sent a copy of the Slim Shady EP to company CEO Jimmy Iovine. Iovine played the tape for record producer Dr. Dre, founder of Aftermath Entertainment and founding member of hip-hop group N.W.A. Dre recalled, "In my entire career in the music industry, I have never found anything from a demo tape or a CD. When Jimmy played this, I said, 'Find him. Now.'" Although his associates criticized him for hiring a white rapper, he was confident in his decision: "I don't give a fuck if you're purple; if you can kick it, I'm working with you." Eminem had idolized Dre since listening to N.W.A. as a teenager, and was nervous about working with him on an album: "I didn't want to be starstruck or kiss his ass too much ... I'm just a little white boy from Detroit. I had never seen stars, let alone Dr. Dre." He became more comfortable working with Dre after a series of productive recording sessions. Eminem released The Slim Shady LP in February 1999. Although it was one of the year's most popular albums (certified triple platinum by the end of the year), he was accused of imitating the style and subject matter of underground rapper Cage. The album's popularity was accompanied by controversy over its lyrics; in "'97 Bonnie and Clyde" Eminem describes a trip with his infant daughter when he disposes of his wife's body, and in "Guilty Conscience" which encourages a man to murder his wife and her lover. "Guilty Conscience" marked the beginning of a friendship and musical bond between Dr. Dre and Eminem. The label-mates later collaborated on a number of hit songs ("Forgot About Dre" and "What's the Difference" from Dr. Dre's album 2001, "Bitch Please II" from The Marshall Mathers LP, "Say What You Say" from The Eminem Show, "Encore/Curtains Down" from Encore, and "Old Time's Sake" and "Crack a Bottle" from Relapse), and Dre made at least one guest appearance on each of Eminem's Aftermath albums. The Slim Shady LP has been certified quadruple platinum by the RIAA.
Question: Was this his first album?
Answer: In the spring of 1997 he recorded his debut EP, the Slim Shady EP, which was released that winter by Web Entertainment.
Question: What was the most popular song from the album? | [
"The label-mates later collaborated on a number of hit songs (\"Forgot About Dre\""
] |
Title: Lennie Tristano
Background: Tristano was born in Chicago on March 19, 1919. His mother, Rose Tristano (nee Malano), was also born in Chicago. His father, Michael Joseph Tristano, was born in Italy and moved to the United States as a child. Lennie was the second of four brothers.
Section: 1960s and 1970s
Passage: Tristano's second album for Atlantic was recorded in 1961 and released the following year. The New Tristano, as was stressed on the album cover, consisted entirely of piano solos and no overdubbing or tape-speed manipulation was employed. The tracks contain left-hand bass lines that provide structure to each performance as well as counterpoint for the right-hand playing; block chords, unclear harmonies and contrasting rhythms also appear. Other solo piano recordings that Tristano made in 1961 were not released until the 1970s. Tristano and his wife formally divorced in 1962. Their son, Steve, who was born in 1952, met his father only once after their initial 1956 separation. Tristano married again in the early 1960s. His second wife was Carol Miller, one of his students. They had a son, Bud, and two daughters, Tania and Carol. The couple divorced in 1964, and Tristano later lost a custody battle with his ex-wife over the children. In 1964 the pianist reformed his quintet with Konitz and Marsh for a two-month engagement at the Half Note and more performances in Canada. The quartet, missing Konitz, played in Toronto again in the following year. Tristano played on occasion at the Half Note Club until the mid-1960s, and toured Europe in 1965. His European tour was mainly as a solo pianist, and the playing was in the style of his The New Tristano recordings. He performed with Ind and others in concerts in the UK in 1968; they were well received, and Tristano returned the following year. His last public performance in the US was in 1968. Tristano declined offers to perform in the 1970s; he explained that he did not like to travel, and that the requirement for a career-minded musician to play concerts was not something that he wanted to follow. He continued teaching, and helped to organize concerts for some of his students. Another album, Descent into the Maelstrom, was released in the 1970s; it consisted of recordings made between 1951 and 1966. Tristano had a series of illnesses in the 1970s, including eye pain and emphysema (he smoked for most of his life). On November 18, 1978 he died of a heart attack at home in Jamaica, New York.
Question: What was the first thing he did according to the article
Answer: Tristano's second album for Atlantic was recorded in 1961 and released the following year.
Question: What did this album consist of
Answer: The New Tristano, as was stressed on the album cover, consisted entirely of piano solos and no overdubbing or tape-speed manipulation was employed.
Question: How where the tracks described as
Answer: The tracks contain left-hand bass lines that provide structure to each performance as well as counterpoint for the right-hand playing;
Question: How else where these tracks percived
Answer: block chords, unclear harmonies and contrasting rhythms also appear.
Question: How where his other piano recordings
Answer: Other solo piano recordings that Tristano made in 1961 were not released until the 1970s.
Question: What happened t their child | [
"Their son, Steve, who was born in 1952, met his father only once after their initial 1956 separation."
] |
Title: Lennie Tristano
Background: Tristano was born in Chicago on March 19, 1919. His mother, Rose Tristano (nee Malano), was also born in Chicago. His father, Michael Joseph Tristano, was born in Italy and moved to the United States as a child. Lennie was the second of four brothers.
Section: Personality and views on music
Passage: In Ind's view, Tristano "was always so gentle, so charming and so quietly spoken that his directness could be unnerving." This directness was noted by others, including bassist Chubby Jackson, who commented that Tristano had almost no tact and would not worry about being rude or making others feel incompetent. Some of his students described Tristano as domineering, but others indicated that this impression came from his demanding discipline in training and attitude to music. Writer Barry Ulanov commented in 1946 that Tristano "was not content merely to feel something, [...] he had to explore ideas, to experience them, to think them through carefully, thoroughly, logically until he could fully grasp them and then hold on to them." Tristano criticized the free jazz that began in the 1960s for its lack of musical logic as well as its expression of negative emotions. "If you feel angry with somebody you hit him on the nose - not try to play angry music", he commented; "Express all that is positive. Beauty is a positive thing." He expanded on this by distinguishing emotion from feeling, and suggested that playing a particular emotion was egotistical and lacking in feeling. Tristano also complained about the commercialization of jazz and what he perceived to be the requirement to abandon the artistic part of playing in order to earn a living from performing. Later commentators have suggested that these complaints ignored the freedom that he was given by Atlantic and blamed others for what in many cases were the outcomes of his own career decisions.
Question: How did most people descrbe Tristano
Answer: In Ind's view, Tristano "was always so gentle, so charming and so quietly spoken that his directness could be unnerving.
Question: Who else described him
Answer: Chubby Jackson,
Question: What did Chubby Jackson say
Answer: who commented that Tristano had almost no tact and would not worry about being rude or making others feel incompetent.
Question: What did the eople he taught say
Answer: Some of his students described Tristano as domineering, but others indicated that this impression came from his demanding discipline in training and attitude to music.
Question: What did Winter Barry U say about him
Answer: he had to explore ideas, to experience them, to think them through carefully, thoroughly, logically until he could fully grasp them and then hold on to them.
Question: What year did he say this
Answer: 1946
Question: What did he say exactalyy aboout this | [
"If you feel angry with somebody you hit him on the nose - not try to play angry music"
] |
Title: Bruce Hornsby
Background: Bruce Randall Hornsby (born November 23, 1954) is an American singer and pianist. Hornsby draws frequently from classical, jazz, bluegrass, folk, Motown, gospel, rock, blues, and jam band musical traditions. Hornsby's recordings have been recognized on a number of occasions with industry awards, including the 1987 Grammy Award for Best New Artist with Bruce Hornsby and the Range, the 1990 Grammy Award for Best Bluegrass Album, and the 1994 Grammy Award for Best Pop Instrumental Performance. Hornsby has also achieved recognition for his solo albums and performances, his touring band Bruce Hornsby and the Noisemakers, his bluegrass project with Ricky Skaggs and his appearances as a session and guest musician.
Section: Early years
Passage: Bruce Randall Hornsby was born in Williamsburg, Virginia, a son of Robert Stanley Hornsby (1920-1998), an attorney, real-estate developer and former musician, and his wife, nee Lois Saunier. Raised a Christian Scientist, he has two siblings: Robert Saunier "Bobby" Hornsby, a realtor with Hornsby Realty and locally known musician, and Jonathan Bigelow Hornsby, an engineer who has collaborated in songwriting. He graduated from James Blair High School in Williamsburg, Virginia, in 1973, where he played on the basketball team. He studied music at the University of Richmond, as well as Berklee College of Music and the University of Miami, from which he graduated in 1977. In the spring of 1974 Hornsby's older brother Bobby, who attended the University of Virginia, formed the band "Bobby Hi-Test and the Octane Kids" to play fraternity parties, featuring Bruce on Fender Rhodes and vocals. The band, which is listed in Skeleton Key: A Dictionary for Deadheads, performed covers of Allman Brothers Band, The Band, and predominantly Grateful Dead songs. Although Hornsby's collaboration with Bobby Hornsby would be relatively short-lived, Bobby's son R.S. was a recurring guest-guitarist with Hornsby's band and periodically toured with his uncle. His performances were often looked forward to by fans. R.S. Hornsby died on January 15, 2009 in a car accident near Crozet, Virginia. He was 28. Following his graduation from the University of Miami, in 1977, Hornsby returned to his hometown of Williamsburg, and played in local clubs and hotel bars. In 1980, he and his younger brother (and songwriting partner) John Hornsby moved to Los Angeles, where they spent three years writing for 20th Century Fox. Before moving back to his native southeastern Virginia, he also spent time in Los Angeles as a session musician. In 1982 Hornsby joined the band Ambrosia for their last album Road Island and can be seen in the band's video for the album's single "How Can You Love Me." After Ambrosia disbanded, he and bassist Joe Puerta performed as members of the touring band for pop star Sheena Easton. Hornsby can clearly be seen in the music video for Easton's 1984 hit single "Strut."
Question: What year was Bruce Hornsby born ?
Answer: CANNOTANSWER
Question: When year did Bruce Hornsby started playing with the band Grateful Dead ?
Answer: CANNOTANSWER
Question: What year did Bruce Hornsby presented the group with Rock and Roll live award ? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Doctor Doom
Background: Dr. Victor Von Doom (commonly known as Doctor Doom, or simply Doom) is a fictional character appearing in American comic books published by Marvel Comics. The son of a Romani witch, Von Doom has been depicted as a supervillain, the archenemy of the Fantastic Four, and the leader of the fictional nation called Latveria. While his chief opponents have been the Fantastic Four, he has also come into conflict with Spider-Man, Iron Man, Black Panther, and multiple others. Von Doom has also been depicted as a superhero, being the third character to take up the mantle of Iron Man and joining the Avengers.
Section: Creation and development
Passage: Like many of Marvel's Silver Age characters, Doom was conceived by Stan Lee and Jack Kirby. With the Fantastic Four title performing well, Lee and Kirby were trying to dream up a "soul-stirring...super sensational new villain." Looking for a name, Lee latched onto "Doctor Doom" as "eloquent in its simplicity -- magnificent in its implied menace." Due to the rush to publish, the character was not given a full origin story until Fantastic Four Annual #2, two years after his debut. Jack Kirby modelled Doom after Death, with the armor standing in for that character's skeleton; "It was the reason for the armor and the hood. Death is connected with armor and the inhuman-like steel. Death is something without mercy, and human flesh contains that mercy." Kirby further described Doom as being "paranoid", wrecked by his twisted face and wanting the whole world to be like him. Kirby went on to say that although "Doom is an evil person, but he's not always been evil. He was [respected]...but through a flaw in his own character, he was a perfectionist." At one point in the 1970s, Kirby drew his interpretation of what Doom would look like under the mask, giving Doom only "a tiny scar on his cheek." Due to this slight imperfection, Doom hides his face not from the world, but from himself. To Kirby, this is the motivation for Doom's vengeance against the world; because others are superior due to this slight scar, Doom wants to elevate himself above them. Typical of Lee's writing characterization of Doom is his arrogance; his pride leads to Von Doom's disfigurement at the hands of his own machine, and to the failures of many of his schemes. While the Fantastic Four had fought various villains such as the Mole Man, Skrulls, the Miracle Man, and Namor the Sub-Mariner, Doom managed to overshadow them all and became the Fantastic Four's archnemesis. During the 1970s, Doom branched out to more Marvel titles such as Astonishing Tales, The Incredible Hulk, and Super-Villain Team-Up, starting in 1975, as well as appearances in Marvel Team-Up, beginning with issue #42 (February 1976). Doom's origin was also a feature in Astonishing Tales when his ties to the villain Mephisto were revealed.
Question: Who created him?
Answer: Doom was conceived by Stan Lee and Jack Kirby.
Question: Around what year was this?
Answer: 1970s,
Question: How was he developed?
Answer: Jack Kirby modelled Doom after Death, with the armor standing in for that character's skeleton; "It was the reason for the armor and the hood.
Question: What other characteristics did they develop?
Answer: Kirby further described Doom as being "paranoid", wrecked by his twisted face and wanting the whole world to be like him.
Question: Are there any other interesting aspects about this article? | [
"During the 1970s, Doom branched out to more Marvel titles"
] |
Title: Doctor Doom
Background: Dr. Victor Von Doom (commonly known as Doctor Doom, or simply Doom) is a fictional character appearing in American comic books published by Marvel Comics. The son of a Romani witch, Von Doom has been depicted as a supervillain, the archenemy of the Fantastic Four, and the leader of the fictional nation called Latveria. While his chief opponents have been the Fantastic Four, he has also come into conflict with Spider-Man, Iron Man, Black Panther, and multiple others. Von Doom has also been depicted as a superhero, being the third character to take up the mantle of Iron Man and joining the Avengers.
Section: 1980s-1990s
Passage: In 1976, Marvel and DC Comics collaborated on Superman vs. the Amazing Spider-Man, and seeking to replicate that success the two companies again teamed the characters in Superman and Spider-Man in 1981. Marvel editor in chief Jim Shooter co-wrote the story with Marv Wolfman, and recalled choosing Victor von Doom based on his iconic status: "I figured I needed the heaviest-duty bad guy we had to offer -- Doctor Doom. Their greatest hero against our greatest villain." The same year, John Byrne began his six-year run writing and illustrating Fantastic Four, sparking a "second golden age" for the title but also attempting to "turn the clock back [...] get back and see fresh what it was that made the book great at its inception." Doctor Doom made his first appearance under Byrne's tenure with issue #236. Whereas Kirby had intimated that Doom's disfigurement was more a figment of Victor's vain personality, Byrne decided that Doom's face was truly ravaged: only Doom's own robot slaves are allowed to see the monarch without his helmet. Byrne emphasized other aspects of Doom's personality; despite his ruthless nature, Victor von Doom is a man of honor. Returning to Latveria after being temporarily deposed, Doctor Doom abandons a scheme to wrest mystical secrets from Doctor Strange in order to oversee his land's reconstruction. Despite a tempestuous temper, Doom occasionally shows warmth and empathy to others; he tries to free his mother from Mephisto and treats Kristoff Vernard like his own son. Byrne gave further detail regarding Doom's scarring: Byrne introduced the idea that the accident at Empire State University only left Victor with a small scar that was exaggerated into a more disfiguring accident by Doom's own arrogance--by donning his newly forged face mask before it had fully cooled, he caused massive irreparable damage. After Byrne's departure Doom continued to be a major villain in Fantastic Four, and as the 1980s continued Doom appeared in other comics such as Punisher, The Spectacular Spider-Man, and Excalibur. Under Fantastic Four writer Steven Englehart, Doom became exiled from Latveria by his heir Kristoff, who was brainwashed into thinking he was Victor von Doom. Doom would spend most of his time in exile planning his return, but Englehart left the title before he could resolve the storyline. This storyline ultimately ended with the controversial Fantastic Four #350, where writer Walt Simonson had the Victor von Doom who had been seen in the book during the Englehart run being revealed to be a robotic imposter and the real Von Doom, in a newly redesigned armor, returning to claim his country from his usurper. According to Simonson's retcon, the last appearance of the real Victor von Doom was in the "Battle of the Baxter Building" story arc, but Simonson's interpretation of the character was unaware of certain major changes at the time to the Fantastic Four. Simonson drew up a list of stories which featured the real Doom and those which did not but later writers ignored Simonson's choices, retconning these story elements as an attempt by Doom to blame his own past failures on unruly robots.
Question: What comics were released about Doctor Doom in the 1980s?
Answer: made the book great at its inception." Doctor Doom made his first appearance under Byrne's tenure with issue #236.
Question: What happened in issue #236?
Answer: Kirby had intimated that Doom's disfigurement was more a figment of Victor's vain personality, Byrne decided that Doom's face was truly ravaged:
Question: How was Doom's face disfigured?
Answer: Byrne introduced the idea that the accident at Empire State University only left Victor with a small scar that was exaggerated into a more disfiguring accident by Doom's own arrogance
Question: What caused the accident that disfigured Doom?
Answer: CANNOTANSWER
Question: Are there any other interesting aspects about this article?
Answer: After Byrne's departure Doom continued to be a major villain in Fantastic Four, and as the 1980s continued Doom appeared in other comics such as
Question: What happned to Doom in the 1990s? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Tim Pawlenty
Background: Timothy James Pawlenty (; born November 27, 1960) is an American businessman and politician who is president and CEO of Financial Services Roundtable, a Washington, D.C.-based industry advocacy group. He was a Republican politician who served as the 39th Governor of Minnesota (2003-2011). He previously served in the Minnesota House of Representatives (1993-2003), where he was majority leader for two terms.
Section: Minnesota Supreme Court case
Passage: Pawlenty was born in Saint Paul, Minnesota, to Eugene Joseph Pawlenty, and his wife, Virginia Frances (nee Oldenburg). His father, who drove a milk delivery truck, was of Polish descent, while his mother was of German ancestry. His mother died of cancer when he was 16. Pawlenty grew up in South St. Paul, where he played ice hockey on his high school's junior varsity squad. Intending to become a dentist, Pawlenty enrolled in the University of Minnesota, the only one in his family to go beyond high school. However, he changed his plans and spent the summers of 1980 and 1982 working as an intern at the office of U.S. Senator David Durenberger. In 1983, he graduated with a B.A. in political science. He received a Juris Doctor from the University of Minnesota Law School in 1986. While in law school, he met wife, Mary Anderson, whom he married in 1987. Pawlenty first worked as a labor law attorney at the firm Rider Bennett (later Rider, Bennett, Egan & Arundel), where he had interned while a law student. He later became vice president of a software as a service company, Wizmo Inc. Having moved to Eagan, Minnesota, a suburb of Minneapolis - Saint Paul, Pawlenty was appointed to the city's Planning Commission by Mayor Vic Ellison. One year later, at age 28, he was elected to the City Council. Pawlenty entered state politics in 1990 as a campaign advisor for Jon Grunseth's losing bid for Minnesota governor. After Pawlenty himself became governor, he appointed Grunseth's ex-wife, Vicky Tigwell, to the board of the Minneapolis-Saint Paul International Airport, an action which became an ethics and accountability issue in 2003. Pawlenty was elected in 2002 on a platform of balancing the state's budget without raising taxes. He emphasized his campaign and first term with the Taxpayers League of Minnesota slogan "no new taxes." His governorship was characterized by a historically low rate of spending growth. According to the Minnesota Management and Budget Department, general-fund expenditures from 2004 to 2011 increased an average of 3.5 percent per two-year term, compared to an average of 21.1 percent from 1960 to 2003 (these numbers, however, are not inflation-adjusted). University of Minnesota political science professor Larry Jacobs said that slowing down state spending and opposing tax increases were the "signature issue" of Pawlenty's governorship. In his first year as governor, Pawlenty inherited a projected two-year budget deficit of $4.3 billion, the largest in Minnesota's history. After a contentious budget session with a Democrat-controlled Senate, he signed a package of fee increases, spending reductions, and government reorganization which eliminated the deficit. The budget reduced the rate of funding increases for state services, including transportation, social services, and welfare. It also enacted a perennial proposal to restructure city aid based on immediate need, rather than historical factors. In negotiations the governor agreed to several compromises, abandoning a desired public employee wage freeze and property tax restrictions. During his second term, Pawlenty erased a $2.7-billion deficit by cutting spending, shifting payments, and using one-time federal stimulus money. His final budget (2010-2011) was the state's first two-year period since 1960 in which net government expenditures decreased. Pawlenty has claimed this as "the first time in 150 years" that spending has been cut, but fact-checkers have disputed this claim as no public budget records prior to 1960 are known to exist. Pawlenty has been criticized by some for providing a short-term budget solution but coming up short in his long-term strategy as governor. The state department of Management and Budget reports that the two-year budget starting in July 2011 is projected to come up $4.4 billion short. Former Minnesota Governor Arne Carlson, a Republican, criticized Pawlenty's budget strategy: he borrowed more than $1 billion from the tobacco settlement (money set aside for health care), borrowed more than $1.4 billion from K-12 education funding, borrowed more than $400 [million] from the Health Care Access Fund for low-income families, among other short-term shifts in accounting. The result was a $5-billion deficit, the seventh largest in the United States. Minnesota property taxes rose $2.5 billion, more than the previous 16 years combined, and Moody's lowered the state's bond rating. Carlson told Time, "I don't think any governor has left behind a worse financial mess than he [Pawlenty] has." Pawlenty responded, "My friend governor Arne Carlson is, of course, now an Obama and John Kerry supporter." While Pawlenty said he was "confident" in his right to use unallotment, the Minnesota Supreme Court ultimately decided against him, voting 4 to 3 in a decision in May 2010. His budget had been the subject of a lawsuit in Ramsey County District Court, which was decided against him. Judge Kathleen Gearin decided Pawlenty exceeded his constitutional authority in making unilateral spending cuts to a $5.3-million special dietary program that he had unalloted. Attorney David Lillehaug said initially, "This is, I don't think it's understating this to say, this is one of the most important court cases in Minnesota legal history." Pawlenty announced the following day that he would appeal; he filed his defense in February, and arguments were heard on March 15. In May, the Supreme Court affirmed Judge Gearin, deciding that "Because the legislative and executive branches never enacted a balanced budget for the 2010-2011 biennium, use of the unallotment power to address the unresolved deficit exceeded the authority granted to the executive branch by the statute". Pawlenty responded: I will fight to reduce spending and taxes in Minnesota and that battle continues. My commitment to the people of Minnesota remains the same: we will balance the budget without raising taxes. After the court ruling, as the 2010 legislative session drew to a close, Pawlenty vetoed a budget which would fix a $2.9-billion deficit by adding a new tax bracket for six-figure incomes. In response to the proposal, he criticized Democrats for attempting to raise taxes in the midst of an extremely difficult economic situation. Eventually, due in part to the efforts of House Speaker Margaret Kelliher, who was running for the 2010 Democratic nomination for governor of Minnesota, the General Assembly passed legislation approving nearly all the original unallotments.
Question: what was the minnesota supreme case?
Answer: While Pawlenty said he was "confident" in his right to use unallotment, the Minnesota Supreme Court ultimately decided against him, voting 4 to 3 in a decision in May 2010.
Question: what came of this?
Answer: His budget had been the subject of a lawsuit in Ramsey County District Court, which was decided against him.
Question: how did they balance the budget? | [
"who was running for the 2010 Democratic nomination for governor of Minnesota, the General Assembly passed legislation approving nearly all the original unallotments."
] |
Title: Tim Pawlenty
Background: Timothy James Pawlenty (; born November 27, 1960) is an American businessman and politician who is president and CEO of Financial Services Roundtable, a Washington, D.C.-based industry advocacy group. He was a Republican politician who served as the 39th Governor of Minnesota (2003-2011). He previously served in the Minnesota House of Representatives (1993-2003), where he was majority leader for two terms.
Section: Funding projects
Passage: Since the Minnesota Constitution prohibits state-run gambling outside of Native territory, Pawlenty proposed negotiating with Minnesota's 11 tribes over profit-sharing of their casinos. Legislators also pushed a proposal to turn Canterbury Park horse track into a racino. The plan was poorly received by Northern Tribes who would operate part of the racino, citing reluctance to compete with other tribes. Tribes with casinos opposed the expanded gambling and some legislators objected on moral grounds that the state shouldn't exploit problem gamblers. Politicians in heavy tribal areas feared losing campaign-finance sources if they supported the plan. Delays by the Legislature ended with the bill being pulled from committee. Tribes had spent millions lobbying legislatures in 2004. Pawlenty worked throughout 2006 to fund a Minnesota Twins baseball stadium in Minneapolis. The resulting Minnesota Twins-Hennepin County ballpark bill called for an increased county sales tax which passed the state legislature and was symbolically signed in at the Hubert H. Humphrey Metrodome. The majority of Hennepin County commissioners did not feel a referendum was necessary to approve the sales tax because of the delay it would cause. Pawlenty and the Legislature agreed, citing 10 years already of the project's debate, and exempted the county from state law requiring one in the bill. In June 2006, Pawlenty signed a $999.9-million public works bill that included funding for additional work on the Northstar Commuter rail line (a change in position from reservations about the idea he initially expressed), an expanded Faribault prison, a bioscience building at the University of Minnesota, and science facilities at Minnesota State University in Mankato. The bill also funded a $26-million expansion of the University of Minnesota's Carlson School of Management. In 2011, Pawlenty shut down an Islamic finance program, that was part of a larger program to increase home ownership in Minnesota, and his spokesperson said that the program accommodated the Muslim ban on interest. Adam Sorensen from TIME questioned whether this was a case of double standards, pointing out New York's kosher food regulations, Blue Laws that prohibit alcohol sales on Sundays, and Pawlenty's own creation of "The Governor's Council On Faith-Based And Community Initiatives".
Question: What projects has he invested in?
Answer: profit-sharing of their casinos.
Question: What other projects did he support
Answer: Legislators also pushed a proposal to turn Canterbury Park horse track into a racino.
Question: Did it pass?
Answer: Tribes with casinos opposed the expanded gambling and some legislators objected
Question: Did he try to sway the vote in any way?
Answer: Delays by the Legislature ended with the bill being pulled from committee.
Question: Did they ever bring up this project again after it was pulled?
Answer: CANNOTANSWER
Question: Was the project successful in passing through with fundiNg? | [
"passed the state legislature"
] |
Title: Inzamam-ul-Haq
Background: Inzamam-ul-Haq ( pronunciation ;Punjabi, Urdu: nDmm lHq; born 3 March 1970), also known as Inzy, is a former Pakistani cricketer, and former captain. He is the leading run scorer for Pakistan in one-day internationals, and the third-highest run scorer for Pakistan in Test cricket. He was the captain of the Pakistan national cricket team from 2003-07 and is considered to be one of the best leaders in Pakistan Cricket history. Inzamam rose to fame in the semi-final of the 1992 Cricket World Cup.
Section: Captaincy
Passage: Inzamam captained Pakistan in thirty Tests, winning eleven, drawing nine and losing ten. Only three players have captained Pakistan in more Test matches, but all have better win-loss records and only Imran Khan has a lower win percentage than Inzamam. Although the Oval Test match in 2006 was poised as a victory for Pakistan before the controversy took place and had it not occurred, Inzamam's record would have had a win more and a loss less. However, Inzamam held the captaincy until March 2007, the longest captaincy tenure since 1992, when Imran Khan retired. Captaincy had a positive effect on Inzamam's batting, often leading by example in pressure situations, averaging greater as a captain (52) than without (50). In ODI's Inzamam also held the highest average as captain in ODI's and is currently third on that list behind the former Australian skipper Ricky Ponting and the Indian captain Mahendra Singh Dhoni. After early failures in Australia, he took a depleted Pakistan side to India in 2005 and played an important role in securing a draw by winning the final test match from an unlikely position with an innings of 184 runs. He subsequently led his side to an ODI success against West Indies (away), England (home) and Sri Lanka (away) as well as Test Series victories against England (home), India (home), Sri Lanka (away). Inzamam had seemed to have united the Pakistan side and victories led them to 2nd place in the ICC Test Rankings and 3rd place in the ICC ODI Ranking. The latter part of Inzamam's tenure as Pakistan captain was less successful and the team was embroiled in many controversies culminating in a disappointingly early exit from the 2007 Cricket World Cup at the hands of lowly ranked Ireland. In the 2007 Cricket World Cup, Inzamam captained the Pakistani team to its first loss to associate ICC member Ireland (on St Patrick's Day). This result and their previous loss to West Indies, led to them being knocked out of the tournament. A day later he announced his retirement from One Day International Cricket and resignation as Test captain. The announcement was made the same day that Bob Woolmer, Pakistan's coach, died in his hotel room in Kingston, Jamaica. He dedicated his final ODI to Woolmer to whom he shared a good relationship with for three years and affectionately called him 'The Bob'.
Question: When was "Inzy" captain of a team?
Answer: until March 2007,
Question: What team was he captain of?
Answer: Pakistan
Question: How did Pakistan do during his captaincy?
Answer: winning eleven, drawing nine and losing ten.
Question: Did Inzy set any records as Captain? | [
"ODI's Inzamam also held the highest average as captain"
] |
Title: Inzamam-ul-Haq
Background: Inzamam-ul-Haq ( pronunciation ;Punjabi, Urdu: nDmm lHq; born 3 March 1970), also known as Inzy, is a former Pakistani cricketer, and former captain. He is the leading run scorer for Pakistan in one-day internationals, and the third-highest run scorer for Pakistan in Test cricket. He was the captain of the Pakistan national cricket team from 2003-07 and is considered to be one of the best leaders in Pakistan Cricket history. Inzamam rose to fame in the semi-final of the 1992 Cricket World Cup.
Section: One Day International Cricket
Passage: Inzamam made his (ODI) debut in a home series against West Indies in 1991, and made a good start to his career by scoring 20 and 60 runs in two matches against West Indies. This was followed by 48, 60, 101, and 117 runs against Sri Lanka. Handpicked by former Pakistan captain Imran Khan for the 1992 Cricket World Cup in Australia and New Zealand, 22-year-old Inzamam was relatively unheard of before the tournament. To the surprise of many he was persevered with throughout the tournament, coming in at various positions in the batting line-up, despite not being very successful early on. Yet it was his performances at the most crucial stage of the competition that made fans and summarisers take note. Inzamam rose to fame in Pakistan's dramatic semi-final against New Zealand at Auckland. With his side in a precarious position, chasing 262 against an impressive New Zealand side, he hit a fiery 60 run innings from just 37 balls to rescue his side and guide them into the final. The innings was regarded as one of the finest World Cup performances. He hit a massive six in that match which was described by David Lloyd as the shot of the tournament. Inzamam made an equally vital contribution in the final of the World Cup, scoring 42 runs off just 35 balls, helping Pakistan reach a score of 249 after a sluggish start. These innings established Inzamam's billing as a big-game player, although he was unable to replicate his World Cup success in later tournaments. Inzamam regard his best least highlighted innings of 90 not out against West Indies when Pakistan won their first ODI in the West Indies on 27 March 1993. In total, Inzamam set a record for scoring the most half centuries in One Day Internationals, 83 - though this is now surpassed by Sachin Tendulkar, Jacques Kallis and Kumar Sangakkara. He also became the second batsman to score 10,000 runs in One-day Internationals (again after Tendulkar) and was named in the ICC World XI for both Tests and One-day Internationals in the 2005 ICC Awards. In his final ODI for Pakistan, playing against Zimbabwe in the 2007 Cricket World Cup, he took three catches whilst fielding, including the last one of the match, ending his One Day career.
Question: whats his record?
Answer: He also became the second batsman to score 10,000 runs in One-day Internationals (
Question: what about this is special. | [
"These innings established Inzamam's billing as a big-game player, although he was unable to replicate his World Cup success in later tournaments."
] |
Title: Hermione Gingold
Background: Hermione Ferdinanda Gingold (9 December 1897 - 24 May 1987) was an English actress known for her sharp-tongued, eccentric persona. Her signature drawling, deep voice was a result of nodes on her vocal cords she developed in the 1920s and early 1930s. After a successful career as a child actress, she later established herself on the stage as an adult, playing in comedy, drama and experimental theatre, and broadcasting on the radio. She found her milieu in revue, which she played from the 1930s to the 1950s, co-starring several times with Hermione Baddeley.
Section: Early years
Passage: Gingold was born in Carlton Hill, Maida Vale, London, the elder daughter of a prosperous Vienna-born Jewish stockbroker James Gingold and his wife, Kate (nee Walter). Her paternal grandparents were the Ottoman-born British subject, Moritz "Maurice" Gingold, a London stockbroker, and his Austrian-born wife, Hermine, after whom Hermione was named (Gingold mentions in her autobiography that her mother might have got Hermione from the Shakespeare's play The Winter's Tale, which she was reading shortly before her birth). On her father's side, she was descended from the celebrated Solomon Sulzer, a famous synagogue cantor and Jewish liturgical composer in Vienna. Her mother was from a "well-to-do Jewish family". James felt that religion was something children needed to decide on for themselves, and Gingold grew up with no particular religious beliefs. Gingold first appeared on stage in a kindergarten staging of Shakespeare's Henry VIII, in the role of Wolsey. Her professional debut was in 1908 when she had just turned eleven. She played the herald in Herbert Beerbohm Tree's production of Pinkie and the Fairies by W. Graham Robertson, in a cast including Ellen Terry, Frederick Volpe, Marie Lohr and Viola Tree. She was promoted to the leading role of Pinkie for a provincial tour. Tree cast her as Falstaff's page, Robin, in The Merry Wives of Windsor. She attended Rosina Filippi's stage school in London. In 1911 she was cast in the original production of Where the Rainbow Ends which opened to very good reviews on 21 December 1911. Among her colleagues as child-actors in "Where the Rainbow Ends" were Philip Tonge and Noel Coward. On 10 December 1912, the day after her fifteenth birthday, Gingold played Cassandra in William Poel's production of Troilus and Cressida at the King's Hall, Covent Garden, with Esme Percy as Troilus and Edith Evans as Cressida. The following year she appeared in a musical production, The Marriage Market, in a small role in a cast that included Tom Walls, W H Berry, and Gertie Millar. In 1914 she played Jessica in The Merchant of Venice at the Old Vic. In 1918 Gingold married the publisher Michael Joseph, with whom she had two sons, the younger of whom, Stephen, became a pioneer of theatre in the round in Britain.
Question: How did Hermione Gingold start her career?
Answer: Her professional debut was in 1908 when she had just turned eleven.
Question: How did the critics respond to her performance? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.