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Title: Scott Weiland Background: Scott Richard Weiland (; ne Kline, October 27, 1967 - December 3, 2015) was an American musician, singer and songwriter. During a career spanning three decades, Weiland was best known as the lead singer of the band Stone Temple Pilots from 1989 to 2002 and 2008 to 2013. He was also a member of supergroup Velvet Revolver from 2003 to 2008 and recorded one album with another supergroup, Art of Anarchy. Section: Relationships and family Passage: Weiland married Janina Castaneda on September 17, 1994; the couple divorced in 2000. He married model Mary Forsberg on May 20, 2000. They had two children, Noah (born 2000) and Lucy (born 2002). Weiland and Forsberg divorced in 2007. In 2005, Weiland and his son Noah were featured on comedian David Spade's The Showbiz Show with David Spade during a comedy sketch about discouraging music file sharing. Noah has a line during the sketch in which he asks a little girl, "Please buy my daddy's album so I can have food to eat." Weiland was a Notre Dame Fighting Irish football fan, as his stepfather is an alumnus. In September 2006, Weiland performed at the University of Notre Dame's Legends Restaurant on the night before a football game. He sang several of his solo songs as well as "Interstate Love Song" and a cover of Pink Floyd's "Wish You Were Here". In a 2007 interview with Blender magazine, Weiland mentioned that he was raised a Catholic. Mary Forsberg Weiland's autobiography Fall to Pieces was co-written with Larkin Warren and released in 2009. Scott Weiland's autobiography, Not Dead & Not for Sale, co-written with David Ritz, was released May 17, 2011. In a November 2012 interview with Rolling Stone, Weiland revealed that he was engaged to photographer Jamie Wachtel whom he met during the 2011 filming of his music video for the song, "I'll Be Home for Christmas". Weiland and Wachtel married on June 22, 2013, at their Los Angeles home. Question: What was his family life like? Answer: Weiland married Janina Castaneda on September 17, 1994; Question: Where did he marry Janina? Answer: CANNOTANSWER Question: Did he have any children? Answer: They had two children, Noah (born 2000) and Lucy (born 2002). Question: Anything interesting about this article? Answer: He married model Mary Forsberg on May 20, 2000. Question: What was his family life like?was he involved	[ "Weiland and Forsberg divorced in 2007." ]
Title: Lillian Moller Gilbreth Background: Lillian Evelyn Moller Gilbreth (May 24, 1878 - January 2, 1972) was an American psychologist, industrial engineer, consultant, and educator who was an early pioneer in applying psychology to time-and-motion studies. She was described in the 1940s as "a genius in the art of living." Gilbreth, one of the first female engineers to earn a Ph.D., is considered to be the first industrial/organizational psychologist. Section: Career Passage: For more than forty years, Gilbreth's career combined psychology with the study of scientific management and engineering. She also included her perspectives as a wife and mother in her research, writing, and consulting work. Gilbreth became a pioneer in what is now known as Industrial and organizational psychology. She helped industrial engineers recognized the importance of the psychological dimensions of work. In addition, she became the first American engineer ever to create a synthesis of psychology and scientific management. (Gilbreth introduced the concept of using psychology to study management at the Dartmouth College Conference on Scientific Management in 1911.) In addition to jointly running Gilbreth Incorporated, their business and engineering consulting firm, Lillian and Frank wrote numerous publications as sole authors, as well as co-authoring multiple books and more than fifty papers on a variety of scientific topics. However, in their joint publications Lillian was not always named as a co-author, possibly due to publishers' concerns about a female writer. Althhough her credentials included a doctorate in psychology, she is less frequently credited in their joing publications than her husband, who did not attend college. The Gilbreths were certain that the revolutionary ideas of Frederick Winslow Taylor would be neither easy to implement nor sufficient; their implementation would require hard work by engineers and psychologists to make them successful. The Gilbreths also believed that scientific management as formulated by Taylor fell short when it came to managing the human element on the shop floor. The Gilbreths helped formulate a constructive critique of Taylorism; this critique had the support of other successful managers. Question: What type of work did Lillian do? Answer: For more than forty years, Gilbreth's career combined psychology with the study of scientific management and engineering. Question: What type of books did she write?	[ "more than fifty papers on a variety of scientific topics." ]
Title: Jerry Garcia Background: Jerome John Garcia (August 1, 1942 - August 9, 1995) was an American singer-songwriter and guitarist, best known for his work as the lead guitarist and as a vocalist with the band Grateful Dead, which came to prominence during the counterculture era in the 1960s. Although he disavowed the role, Garcia was viewed by many as the leader or "spokesman" of the group. One of its founders, Garcia performed with the Grateful Dead for their entire thirty-year career (1965-1995). Garcia also founded and participated in a variety of side projects, including the Saunders-Garcia Band (with longtime friend Merl Saunders), the Jerry Garcia Band, Old and in the Way, the Garcia/Grisman acoustic duo, Legion of Mary, and the New Riders of the Purple Sage (which Garcia co-founded with John Dawson and David Nelson). Section: Death Passage: On August 9, 1995, at 4:23 am, eight days after his 53rd birthday, Garcia was found dead in his room at the rehabilitation clinic. The cause of death was a heart attack. Garcia had long struggled with drug addiction, weight problems, sleep apnea, heavy smoking, and diabetes--all of which contributed to his physical decline. Lesh remarked that upon hearing of Garcia's death, "I was struck numb; I had lost my oldest surviving friend, my brother." Garcia's funeral was held on August 12, at St. Stephen's Episcopal Church in Belvedere. It was attended by his family, the remaining Grateful Dead members, and their friends, including former basketball player Bill Walton and musician Bob Dylan. Deborah Koons barred Garcia's former wives from the ceremony. On August 13, approximately 25,000 people attended a municipally sanctioned public memorial at the Polo Fields of San Francisco's Golden Gate Park. Crowds produced hundreds of flowers, gifts, images, and a bagpipe rendition of "Amazing Grace" in remembrance. In the Haight, a single white rose was reportedly tied to a tree near the Dead's former Ashbury house, where a group of followers gathered to mourn. On the morning of April 4, 1996, after a total lunar eclipse earlier that day, Weir and Deborah Koons, accompanied by Sanjay Mishra, spread half of Garcia's ashes into the Ganges River at the holy city of Rishikesh, India, a site sacred to Hindus. The remaining ashes were poured into the San Francisco Bay. Koons did not allow former wife Carolyn Garcia to attend the spreading of the ashes. Question: When was he found Answer: August 9, 1995, Question: what time Answer: 4:23 am, Question: what was this close too Answer: 53rd birthday, Question: how close was this Answer: eight days after Question: Where was he found at Answer: Garcia was found dead in his room at the rehabilitation clinic. Question: what was the cause of his death Answer: The cause of death was a heart attack. Question: What else troubled him	[ "weight problems, sleep apnea," ]
Title: Karch Kiraly Background: Kiraly grew up in Santa Barbara, California. He began playing volleyball at age six with encouragement from his father, Dr. Laszlo Kiraly, who had been a member of the Hungarian Junior National team prior to fleeing the country during the Hungarian national uprising of 1956. At age 11, Kiraly entered his first beach volleyball tournament paired with his father. Kiraly attended Santa Barbara High School, where he was a member of the boys' varsity volleyball team. Section: United States national team Passage: Kiraly joined the national team in 1981. Playing outside hitter, he proved to be an extremely solid passer. Along with teammate Aldis Berzins, Kiraly was the foundation for the "two-man" serve reception system Doug Beal created in 1983. Along with covering half the court on serve receive and consistently delivering the ball to team setter Dusty Dvorak, Kiraly proved to be an excellent defender and a highly productive outside hitter. Kiraly led U.S National Team to the gold medal at the 1984 Summer Olympics, overcoming a pool play loss to Brazil to defeat Brazil in the finals. Kiraly was the youngest player on the gold medal team. The 1984 Olympics were marred by the boycott of the Soviet and eastern bloc teams. The US National team showed their place as the world's best team by winning the 1985 FIVB World Cup, followed by the 1986 FIVB World Championship. In the 1988 Summer Olympics the team won its second Olympic gold medal, this time defeating the USSR in the championship match. Kiraly was selected as a captain for the 1988 team at Seoul. FIVB named Kiraly the top player in the world in 1986 and 1988. Following the 1988 Olympics, Kiraly retired from the national team. He and teammate Steve Timmons played professional volleyball for Il Messaggero Ravenna in Italy from 1990 to 1992. The team included Italians Fabio Vullo and Andrea Gardini, Roberto Masciarelli and Stefano Margutti as team members. In two seasons the team won a series of titles, including the Italian Volleyball League (1991), the Italian Cup (1991), FIVB Volleyball Men's Club World Championship (1991), CEV Champions League (1992), and the European Supercup (1992). Question: When did he start with US team? Answer: Kiraly joined the national team in 1981. Question: who were his team mates?	[ "Along with teammate Aldis Berzins, Kiraly was the foundation for the \"two-man\" serve reception system Doug Beal created in 1983." ]
Title: Matthew Paris Background: Matthew Paris, known as Matthew of Paris (Latin: Matthaeus Parisiensis, lit. "Matthew the Parisian"; c. 1200 - 1259), was a Benedictine monk, English chronicler, artist in illuminated manuscripts and cartographer, based at St Albans Abbey in Hertfordshire. He wrote a number of works, mostly historical, which he scribed and illuminated himself, typically in drawings partly coloured with watercolour washes, sometimes called "tinted drawings". Some were written in Latin, some in Anglo-Norman or French verse. Section: Paris as an artist Passage: In some of Paris' manuscripts, a framed miniature occupies the upper half of the page, and in others they are "marginal" - unframed and occupying the bottom quarter (approximately) of the page. Tinted drawings were an established style well before Paris, and became especially popular in the first half of the 13th century. They were certainly much cheaper and quicker than fully painted illuminations. The tradition of tinted drawings or outline drawings with ink supplemented by coloured wash was distinctively English, dating back to the Anglo-Saxon art of the mid-10th century, and connected with the English Benedictine Reform of the period. A strong influence on one branch of the style was the Carolingian Utrecht Psalter, which was at Canterbury from about 1000 to 1640. This was copied in the 1020s in the Harley Psalter, and in the Eadwine Psalter of the mid-12th century. Recent scholarship, notably that of Nigel Morgan, suggests that Paris' influence on other artists of the period has been exaggerated. This is likely because so much more is known about him than other English illuminators of the period, who are mostly anonymous. Most manuscripts seem to have been produced by lay artists in this period. William de Brailes is shown with a clerical tonsure, but he was married, which suggests he had minor orders only. The manuscripts produced by Paris show few signs of collaboration, but art historians detect a School of St Albans' surviving after Paris' death, influenced by him. Paris' style suggests that it was formed by works from around 1200. He was somewhat old-fashioned in retaining a roundness in his figures, rather than adopting the thin angularity of most of his artist contemporaries, especially those in London. His compositions are very inventive; his position as a well-connected monk may have given him more confidence in creating new compositions, whereas a lay artist would prefer to stick to traditional formulae. It may also reflect the lack of full training in the art of the period. His colouring emphasises green and blue, and together with his characteristic layout of a picture in the top half of a page, is relatively distinctive. What are probably his final sketches are found in Vitae duorum Offarum in BL MS Cotton Nero D I. Question: When was Paris an artist? Answer: first half of the 13th century. Question: What did he paint? Answer: He was somewhat old-fashioned in retaining a roundness in his figures, Question: Was he a popular artist? Answer: became especially popular in the first half of the 13th century. Question: What did he draw?	[ "His compositions are very inventive; his position as a well-connected monk may have given him more confidence in creating new compositions," ]
Title: Matthew Paris Background: Matthew Paris, known as Matthew of Paris (Latin: Matthaeus Parisiensis, lit. "Matthew the Parisian"; c. 1200 - 1259), was a Benedictine monk, English chronicler, artist in illuminated manuscripts and cartographer, based at St Albans Abbey in Hertfordshire. He wrote a number of works, mostly historical, which he scribed and illuminated himself, typically in drawings partly coloured with watercolour washes, sometimes called "tinted drawings". Some were written in Latin, some in Anglo-Norman or French verse. Section: Paris as a historian Passage: From 1235, the point at which Wendover dropped his pen, Paris continued the history on the plan which his predecessors had followed. He derived much of his information from the letters of important people, which he sometimes inserts, but much more from conversation with the eyewitnesses of events. Among his informants were Richard, Earl of Cornwall and King Henry III, with whom he appears to have been on intimate terms. The king knew that Paris was writing a history, and wanted it to be as exact as possible. In 1257, in the course of a week's visit to St Albans, Henry kept the chronicler beside him night and day, "and guided my pen," says Paris, "with much goodwill and diligence." It is curious that the Chronica majora gives so unfavourable an account of the king's policy. Henry Richards Luard supposes that Paris never intended his work to be read in its present form. Many passages of the autograph have written next to them, the note offendiculum, which shows that the writer understood the danger which he ran. On the other hand, unexpurgated copies were made in Paris's lifetime. Although the offending passages are duly omitted or softened in his abridgment of his longer work, the Historia Anglorum (written about 1253), Paris's real feelings must have been an open secret. There is no ground for the old theory that he was an official historiographer. Naturalists have praised his descriptions of the English wildlife of his time, brief though they are: in particular his valuable description of the first irruption into England in 1254 of the common crossbill. Question: what did Matthew Paris do as a historian? Answer: Paris continued the history on the plan which his predecessors had followed. Question: what did he write about?	[ "from conversation with the eyewitnesses of events." ]
Title: Mal Waldron Background: Mal Waldron was born in New York City on August 16, 1925, to West Indian immigrants. His father was a mechanical engineer who worked on the Long Island Rail Road. The family moved to Jamaica, Queens when Mal was four years old. Waldron's parents discouraged his initial interest in jazz, but he was able to maintain it by listening to swing on the radio. Section: Early career in New York Passage: Waldron went on to work with Ike Quebec in New York in 1950 and made his recording debut with the saxophonist in 1952. They played at Cafe Society Downtown on Mondays for six or seven months, which helped Waldron gain exposure and more work. Waldron worked frequently with Charles Mingus from 1954 to 1956, as part of the latter's jazz composers' workshop. He was pianist on several Mingus recordings, including Pithecanthropus Erectus, which was a key development in the movement towards freer collective improvisation in jazz. In 1955, Waldron worked with Lucky Millinder and Lucky Thompson. Waldron formed his own band in 1956, which consisted of Idrees Sulieman (trumpet), Gigi Gryce (alto saxophone), Julian Euell (bass), and Arthur Edgehill (drums). This band recorded Waldron's first release as a leader, Mal-1, in November of that year. Waldron was Billie Holiday's regular accompanist from April 1957 until her death in July 1959, including for the all-star television broadcast The Sound of Jazz. Waldron played on numerous sessions for Prestige Records from 1956 to 1958, as he was the house pianist with the label, a position he acquired after being introduced to Prestige by saxophonist Jackie McLean. Waldron appeared on several McLean-led recordings, and was praised by critic John S. Wilson for these performances as being "a consistently interesting and inventive pianist, who apparently can create fresh and provocative ideas even in the midst of a shrilling bedlam". Other leaders he worked under at Prestige included Gene Ammons, Kenny Burrell, John Coltrane, and Phil Woods. Waldron often used his own arrangements and compositions for the Prestige sessions, of which his most famous, "Soul Eyes", written for Coltrane, became a widely recorded jazz standard following its initial appearance on the 1957 album Interplay for 2 Trumpets and 2 Tenors. He composed at night at home in St. Albans between all-day recording sessions, and in a car travelling to and from the studio in Hackensack. Waldron estimated that he composed more than 400 pieces of music during his time with Prestige. After Holiday died, Waldron played with vocalist Abbey Lincoln and her husband, drummer Max Roach. Around this time, Waldron's playing on his own recordings became darker, featuring emotional shifts and variations in minor keys. In 1961, Waldron played in Eric Dolphy and Booker Little's quintet, a promising combination that ended when Little died that year, aged 23. In addition to writing for his own band and those led by others, Waldron wrote and arranged for early play-along records that were published by Music Minus One. Some of these recordings on which Waldron played were released under his name. He also wrote scores for modern ballet in the 1950s and started writing film scores in the following decade. His writing for the film The Cool World (released in 1964) was described in The Oxford Companion to Jazz as one of the first attempts to stress improvisation rather than composition in a jazz-based film score. Question: What was his early career like? Answer: Waldron went on to work with Ike Quebec in New York in 1950 and made his recording debut with the saxophonist in 1952. Question: Did he release an album? Answer: He was pianist on several Mingus recordings, including Pithecanthropus Erectus, which was a key development in the movement towards freer collective improvisation in jazz. Question: Did he have any influences? Answer: In 1955, Waldron worked with Lucky Millinder and Lucky Thompson. Waldron formed his own band in 1956, Question: Are there any other interesting aspects about this article?	[ "Waldron played on numerous sessions for Prestige Records from 1956 to 1958, as he was the house pianist with the label," ]
Title: Loki (comics) Background: Loki is a fictional character appearing in American comic books published by Marvel Comics. Created by writer Stan Lee, scripter Larry Lieber, and penciller Jack Kirby, a version of the character first appeared in Venus #6 (August 1949). The modern day incarnation of Loki first appeared in Journey into Mystery #85 (October 1962). He is the adopted brother and often the enemy of the superhero Thor. Section: MC2 Passage: In the reality of Earth-982, Loki kidnaps several major superheroes including Thunderstrike (Kevin Masterson), The Stinger, Jolt, Jubilation Lee, Speedball, J2 and Mainframe after sending a fake distress call from the former Avengers mansion. He ties them up and takes them to Asgard where he wants to use Thunderstrike's mace's powers for himself, but Kevin disrupts the spell, absorbing the mace into himself and transforming into a new Thunderstrike in the process. Loki and his army of Trolls are defeated by the heroes, with help from Thor, now the King of Asgard, and Loki and his army retreated. Thunderstrike, Stinger, J2 and Mainframe decide to stay together as the new Avengers. The adult heroes decline to stay with the reformed team because of personal reasons. Years later, Loki is bitter about the fact that he was the cause of the Avengers formation and wants to get his revenge. He starts kidnapping heroes, holding them prisoner in life sized crystals when Captain America, J2, Thunderstrike, Spider-Girl and Wild Thing show up through a portal they found in another universe. The heroes are quickly outnumbered by Loki's robots and he vows to end The Age of Heroes. J2 and Spider-Girl escape but Captain America and Thunderstrike are chained and Loki plans to brainwash the heroes to send them back to Earth where they will become violent and turn against each so they will eventually destroy all the heroes. His plan is ruined by Thor when he shows up after figuring out why certain superheroes are acting so different. Together, Thor, Captain America, Hulk and Spider-Girl get Loki to surrender. Captain America notices a gem hanging on Loki's neck, and smashes it with his shield. Loki was using this gem to help turn the heroes evil but once the gem is destroyed, the heroes revert to normal. A furious Loki releases a deadly blast on Captain America, killing him. Thor uses his hammer and sends Loki into Limbo forever and the Hulk decides to join him to make sure that Loki remains there. After Captain America dies, Thor uses his hammer to grant Captain America's soul immortality. His soul floats into the skies, and creates a shiny new, bright star in the sky in the form of Captain America's shield, meant to always inspire the heroes and future generations to come. In this universe, Loki has a daughter, Sylene. She seeks revenge on the Avengers especially Thor for her father being sent to Limbo. Question: What is MC2? Answer: In the reality of Earth-982, Loki kidnaps several major superheroes including Thunderstrike (Kevin Masterson), Question: What happens after the kidnapping? Answer: He ties them up and takes them to Asgard where he wants to use Thunderstrike's mace's powers for himself, Question: Does he succeed ? Answer: but Kevin disrupts the spell, Question: After he transforms into Thunderstrike, what happens ?	[ "Loki and his army of Trolls are defeated by the heroes, with help from Thor," ]
Title: Loki (comics) Background: Loki is a fictional character appearing in American comic books published by Marvel Comics. Created by writer Stan Lee, scripter Larry Lieber, and penciller Jack Kirby, a version of the character first appeared in Venus #6 (August 1949). The modern day incarnation of Loki first appeared in Journey into Mystery #85 (October 1962). He is the adopted brother and often the enemy of the superhero Thor. Section: Journey into Mystery Passage: With the Asgardian population other than Thor still wary of Loki, Loki revealed to his brother that he was attempting to learn more about Earth and humans, to which Thor approves. When a magpie exploded in his quarters carrying a key, it led to a chain of events where at the end, Loki was contacted by an echo of his former incarnation, who revealed he chose to sacrifice himself fighting the Void as part of a greater plan which would involve his death and return. The child Loki refused to follow this path, wanting to be his own person, and transformed the spirit of his former self into a magpie named Ikol. On returning to Earth, he witnessed Odin striking down Thor. Odin prepared all of Asgard for an unknown battle and imprisoned Thor for attempting to protect Midgard from being scoured. Loki, who disagreed with Odin's actions, was put to work by Volstagg into cleaning the stables of Thor's goats to keep him out of trouble and danger. Using the wool of one of the goats, Loki descended into the roots of the World Tree at the advice of Ikol to ask questions from the Nornish women who live there. After receiving his answers, Loki wept but decided to turn to the imprisoned Thor for his opinion before making his final decision. Breaking into the prison by stealth, Loki asked his brother what he would do if he had to let something bad happen in order to prevent something worse from happening and what if it cost him everything. With Thor's answer, Loki decided to free one of the imprisoned Hel Wolves and bind it to him in servitude using the bridle of Thor's goats. He revealed he needed help from one more 'personage' before heading for the realm of Hela. Having recovered Thor's hammer after he was killed and erased from memory following the war against the Serpent, Loki was able to work with the Silver Surfer to restore the hammer to its natural state and send it to Thor in the afterlife, restoring his memory and allowing him to fight his way back into the realm of the living. After Thor's return, Ikol would afterwards reveal that circumstances had been manipulated to force the young Loki to allow his former personality to subsume him and live again, his former slate wiped clean by the "new" Loki's actions. During his adventures, the young Loki had inadvertently helped create and was tied to a powerful artifact that was about to be used by Mephisto to conquer all the Hells and ultimately everything. However, if the new Loki ceased to be, the artifact would lose all power. Seeing no other option, Loki allowed Ikol to become Loki again, ceasing to be, but he warned beforehand that the Ikol personality was incapable of true change and believed this older persona would ultimately be stopped by those who always stopped him before, his brother included. Question: What is the relation between Loki and MC2 Answer: CANNOTANSWER Question: What is the relation between Loki and Journey to Mystery? Answer: Loki revealed to his brother that he was attempting to learn more about Earth and humans, to which Thor approves. Question: What happened after that? Answer: On returning to Earth, he witnessed Odin striking down Thor. Question: What did Odin did next? Answer: Odin prepared all of Asgard for an unknown battle and imprisoned Thor for attempting to protect Midgard from being scoured. Question: What are the tools required for the process? Answer: CANNOTANSWER Question: Are there any other interesting aspects about this article? Answer: Loki, who disagreed with Odin's actions, was put to work by Volstagg into cleaning the stables of Thor's goats to keep him out of trouble and danger. Question: What was his favorite weapon or tool?	[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Mal Waldron Background: Mal Waldron was born in New York City on August 16, 1925, to West Indian immigrants. His father was a mechanical engineer who worked on the Long Island Rail Road. The family moved to Jamaica, Queens when Mal was four years old. Waldron's parents discouraged his initial interest in jazz, but he was able to maintain it by listening to swing on the radio. Section: Artistry Passage: When he first played with Mingus, Waldron was a follower of Horace Silver's style, which used added chords and passing notes, as well as Bud Powell's, which contained many runs. Mingus encouraged him to strip away these things and concentrate on basic and altered harmonies. Before his breakdown, Waldron played in a lyrical way, but after it, "I couldn't find that lyricism inside myself any more, so I became a very angular player", becoming more like Thelonious Monk in playing and composition style. From the time he moved to Europe, Waldron played mostly in a free style, while being able to play in a more traditional style when the audience or situation required it. He used thick chords in the lower bass register; his emphasis on weight, texture and frequent repetition of a single and simple motif as opposed to linear and melodic improvisation gave a heavy and dark color to his sound. One facet of his playing was, according to The Penguin Guide to Jazz, "likened to American minimalism: a slow accretion of almost subliminal harmonic and rhythmic shifts steadily pile up until the music seems ready to overbalance". As an accompanist to vocalists Holiday, Lincoln, Lee and others, Waldron was described by critic and musician Alyn Shipton as "one of the most sublime accompanists in jazz". Waldron's own assessment of his style was that it was partly a reflection of his personality: "It's part of my personality to be very economical with what I have and to use it in all variations before I move to the next set of notes". He acknowledged the influences of Holiday (on his conception of space and playing behind the beat), Mingus (for the importance of individuality), and Roach (on the value of time signatures other than the usual 4/4), as well as pianists Duke Ellington, Monk, Powell and Art Tatum. Question: what was special about the artistry? Answer: Waldron played in a lyrical way, Question: what did he play? Answer: CANNOTANSWER Question: Are there any other interesting aspects about this article?	[ "Waldron was described by critic and musician Alyn Shipton as \"one of the most sublime accompanists in jazz\"." ]
Title: Utada Hikaru Background: Utada Hikaru (Yu Duo Tian hikaru, born January 19, 1983), who also goes by the mononym Utada (English: ), is a Japanese-American singer-songwriter and producer. Born in New York City to Japanese parents, record producer Utada Teruzane and enka singer Abe Junko, Utada began to write music and lyrics at an early age and often traveled to Tokyo, as a result of her father's job. Eventually, a recording contract with Toshiba-EMI was signed and, under the stage name "Cubic U", Utada released her English-language debut album Precious in early 1998, but was a commercial failure. In the following year, heavily influenced by R&B and dance-pop, her Japanese-language debut First Love was released and became an instant success. Section: 2004-05: Foray into international market, and Exodus Passage: Her first singles compilation album Utada Hikaru Single Collection Vol. 1 was released on March 31, 2004. It became the best-selling album of 2004 in Japan, making her the only solo or group artist to reach number 1 four times on the yearly charts. It was the first compilation album to reach number 1 in six years on the yearly charts, and the first compilation album to reach number 1 in twenty-six years by a female artist. Despite its success, the album received little promotion and no new material; moreover, it charted longer on the Oricon Albums chart longer than any other Utada release to date (over 2 years). The album sold over 2.575 million units in Japan, making it the 34th best-selling album ever in the country. A month later, on April 21, she released her only Japanese single in 2004, "Dareka no Negai ga Kanau Koro," which topped the singles chart for two consecutive weeks and sold 365,000 units by the year's end and was also the main theme song for Casshern, directed by her then husband Kazuaki Kiriya. In mid-2004, Utada moved back to New York, and began work on a new recording contract with Island Def Jam Music Group. On October 5, 2004, she released her North American English-language debut album, Exodus, under the name "Utada," which was her new American-given artist title at the Universal Convention. It was released on September 9 in Japan, with a special booklet and housed in a cardboard slipcase. In an MTV interview, Utada said: "I don't think it's the music that I'm concerned about. It's obviously that I look really different and there really aren't any completely Asian people [who are popular singers in the U.S.] right now." Exodus became Utada's fourth consecutive release to debut at number 1 and boast 500,000 copies in its first-week sales in Japan. American sales were not as successful, it reached number 160 in the US Billboard 200 chart; it however peaked at number 5 in the Heatseekers chart. "Easy Breezy" was released as the lead single in early August 2004, followed up by "Devil Inside" a month and two weeks later. And Utada became the cover of the Interview magazine June 2005 issue. "Exodus '04" was released at the end of June 2005 and featured remixes from The Scumfrog, Richard Vission, JJ Flores and Peter Bailey. In the UK, Mercury added another 2 remixes for "You Make Me Want to Be a Man" in the original album Exodus 04, titled "You Make Me Want to Be a Man [Bloodshy & Avant Mix]" and "You Make Me Want to Be a Man [Junior Jack Mix]." By the end of the year Utada was voted "Number 1 Favorite Artist of 2004" by Oricon's annual readers poll. The fourth single from Exodus, "You Make Me Want to Be a Man", was released in October 2005 in the UK. "Devil Inside" became a club hit in the U.S. and topped the Billboard Hot Dance/Club Airplay charts. Both the Exodus album and the "You Make Me Want to Be a Man" single were released in the UK, with different artwork from the USA and Japanese versions. Question: When did she try the international market? Answer: Her first singles compilation album Utada Hikaru Single Collection Vol. 1 was released on March 31, 2004. Question: Was it popular? Answer: It became the best-selling album of 2004 in Japan, Question: Was it popular in worldwide or was this still before she went international? Answer: CANNOTANSWER Question: Did she leave Japan during this time? Answer: In mid-2004, Utada moved back to New York, Question: What did she do there? Answer: began work on a new recording contract with Island Def Jam Music Group. Question: Did she make and albums or songs with them? Answer: On October 5, 2004, she released her North American English-language debut album, Exodus, under the name "Utada, Question: Was this popular too? Answer: Exodus became Utada's fourth consecutive release to debut at number 1 and boast 500,000 copies in its first-week sales in Japan. Question: Were there any singles released from this album?	[ "\"Easy Breezy\" was released as the lead single in early August 2004," ]
Title: Tom Cousineau Background: Thomas Michael Cousineau (born May 6, 1957) is an American former college and professional football player who was a linebacker in the Canadian Football League (CFL) and National Football League (NFL) for nine seasons during the 1970s and 1980s. He played college football for Ohio State University, and twice earned All-American honors. He was the first overall pick of the 1979 NFL Draft, and played professionally for the CFL's Montreal Alouettes and the NFL's Cleveland Browns and San Francisco 49ers. Cousineau is a member of the College Football Hall of Fame, elected in the class of 2016. Section: College football career Passage: Cousineau attended Ohio State University, where he played for legendary coach Woody Hayes' Ohio State Buckeyes football team from 1975 to 1978. During that span, Ohio State had an overall record of 36-10-2 and 28-4 in the Big Ten, were three-time Big Ten champs. The Buckeyes played four bowl games after each of the seasons he played: in the Rose Bowl, Orange Bowl, Sugar Bowl and Gator Bowl. They were a Top 5 team for 36 weeks over these four years and the No. 1 team in the nation for eight weeks in 1975, and ultimately finished fourth, sixth and 12th in the final Associated Press polls in 1975, 1976 and 1977, respectively. Cousineau majored in marketing. It is rumored that he frequently ate Ken Boock's lunch while attending Ohio State. He was a consensus first-team All-American, breaking the school record with 211 tackles in a single season in 1978, an average of 17.5 a game. He also broke the school record for most tackles in a game with 29 against Penn State in 1978, and was the MVP of the 1977 Orange Bowl. Cousineau's last game for the Buckeyes was the infamous 1978 Gator Bowl against Clemson, during which Coach Hayes punched Clemson linebacker Charlie Bauman in the final minutes of the game. Hayes was fired the following day for the incident. Cousineau still holds many of Ohio State's tackling records. As of 2016, he holds six of the top 10 single-game tackling records, 29 single-game tackles (since tied by fellow College Football Hall of Famer Chris Spielman), most solo tackles in a single game, (16 against SMU in 1978). He also ranks second on both the all-time OSU tackle list with 569 (three behind Marcus Marek) and on the career solo tackles list with 259. He was named an All-American in 1977 and 1978. The Chicago Tribune named him the MVP of the Big Ten in 1978. He graduated from OSU in 1979. In 2016, he became the 25th Ohio State player, along with seven Buckeye coaches, to be named to the College Football Hall of Fame. Question: What college did Tom Cousineau go to? Answer: Ohio State University, Question: Did He play well during his time at Ohio State?	[ "He was a consensus first-team All-American, breaking the school record" ]
Title: '03 Bonnie & Clyde Background: "'03 Bonnie & Clyde" is a song recorded by American rapper Jay-Z featuring his then-girlfriend, American singer Beyonce. It was composed by Shawn Carter, Kanye West, Prince Nelson, Tupac Shakur, Darryl Harper, Ricky Rouse and Tyrone Wrice for Jay-Z's seventh studio album The Blueprint 2: The Gift & The Curse (2002). Section: Toni Braxton feud Passage: On October 8, 2002, Toni Braxton and her team released a statement claiming that Jay-Z's song "'03 Bonnie & Clyde" had stolen Braxton's idea to sample the 1996 Tupac Shakur song "Me and My Girlfriend". Braxton sampled Shakur's song on the track "Me & My Boyfriend", included on Braxton's album, More Than a Woman (2002). In a call to a New York radio station, Braxton stated that "Jay-Z and Beyonce are messing with my money. They're trying to steal my mojo". Braxton said her song was recorded over the summer of 2002, and alleged that Jay-Z only decided to do "'03 Bonnie & Clyde" after she played her version of the song for Def Jam Recordings. Kanye West responded to Braxton's claim in an interview for MTV News, "I had no idea about Toni Braxton's [song]. She can't act like ain't nobody ever heard 'Me and My Girlfriend' before. People hear the song all the time. I can [understand her complaint] if it [was] an original song." West defended the song's sample, stating that the idea came to him after listening to a friend's Makaveli album one night. Roc-A-Fella Records' Co-CEO responded to Braxton's claims: Jay is a talented dude. I don't think he would steal anything intentionally. It's an ill coincidence, and things happen for a reason. We'll see what happens behind it... I read it in the paper, and Jay and I were talking about it this morning and it was a little funny. I know he didn't intentionally make the same record she made. I don't think he even heard it. [My] reaction is, 'Sorry, it wasn't intentional.' Jay makes records and puts them out. This [sh--] is music. It's just music. We don't sit around and have a blueprint to [f---] anybody's life up. The music business has been good to us. I'm not getting into any beef or nothing over music. Speaking for MTV News, Jay-Z responded to Braxton's claims: "I wouldn't want to take it from her. I don't even think like that. My first thought would be, 'Maybe I could call her up, maybe I could get on that record.' The most obvious [explanation] is it's neither one of our records. It's not like you made an original idea. She's not in hip-hop, but it happens in hip-hop often. We go to sample the same thing and my record came out first. I'm sorry. What can I do?" He went on saying that if he had known they were both planning to sample the same Tupac song, he would have arranged a duet with her. Question: Who is Tony Braxton Answer: CANNOTANSWER Question: What was the fraud with tony braxton about Answer: Toni Braxton and her team released a statement claiming that Jay-Z's song "'03 Bonnie & Clyde" had stolen Braxton's idea Question: what else can you tell me about the fraud	[ "). In a call to a New York radio station, Braxton stated that \"Jay-Z and Beyonce are messing with my money." ]
Title: Keane (band) Background: Keane are an English rock band from Battle, East Sussex, formed in 1995. The band currently comprises Tom Chaplin (lead vocals, electric/acoustic guitar), Tim Rice-Oxley (piano, synthesisers, bass guitar, backing vocals), Richard Hughes (drums, percussion, backing vocals), and Jesse Quin (bass guitar, acoustic/electric guitar, backing vocals). Their original line-up included founder and guitarist Dominic Scott, who left in 2001. Keane achieved mainstream, international success with the release of their debut album, Hopes and Fears, in 2004. Section: 2008-09: Perfect Symmetry Passage: In a March 2007 video interview, Chaplin and Hughes spoke of wanting to take a more "organic" approach on album three, but played down suggestions about the use of guitars, referring to them as "a fun part of the live set" at present; however, the cover of "She Sells Sanctuary", became the first song recorded since "The Happy Soldier" (2001) to feature the instrument. Photographic updates to the Keane website also implied the use of guitars in the album's recording sessions. Jesse Quin joined the band since this album as permanent studio and live member. He plays the bass, percussion, guitar, synths and backing vocals. On 25 August 2008, Keane appeared as studio guests on BBC 6 Music with Steve Lamacq where three of the new songs from Perfect Symmetry were played for the first time: "Spiralling", "The Lovers Are Losing", and "Better Than This". The album was released on 13, October 2008, and reached number one on the UK Albums Chart on 19 October. It also reached number 7 on the Billboard 200 chart. In December 2008, it was voted Best Album of the Year by the readers, listeners and visitors of Q Magazine, Q Radio and Qthemusic.com. The song "Perfect Symmetry" was voted best track. In November of the same year, they started their third world tour, the Perfect Symmetry World Tour. On 2 April 2009, Keane became the first band ever to broadcast a live show in 3D. It was filmed at Abbey Road, the site of the world's first satellite broadcast (by The Beatles). Keane fans were prompted to buy 3D glasses along with the new 7" single, "Better Than This", or also to hand-make their own glasses. The show is available to watch on Keane's official site in high definition. Question: What is Perfect Symmetry? Answer: their third world tour, the Perfect Symmetry World Tour. Question: Was Perfect Symmetry well attended?	[ "Beatles). Keane fans were prompted to buy 3D glasses along with the new 7\" single, \"Better Than This\", or also to hand-make their own glasses." ]
Title: Keane (band) Background: Keane are an English rock band from Battle, East Sussex, formed in 1995. The band currently comprises Tom Chaplin (lead vocals, electric/acoustic guitar), Tim Rice-Oxley (piano, synthesisers, bass guitar, backing vocals), Richard Hughes (drums, percussion, backing vocals), and Jesse Quin (bass guitar, acoustic/electric guitar, backing vocals). Their original line-up included founder and guitarist Dominic Scott, who left in 2001. Keane achieved mainstream, international success with the release of their debut album, Hopes and Fears, in 2004. Section: 1995-99: Early years and formation Passage: Tom Chaplin and Tim Rice-Oxley became friends when very young. Chaplin's father David was the headmaster of Vinehall School in Robertsbridge, East Sussex, (owned by Chaplin's family) for 25 years, the school all three attended until the age of 13. They later attended Tonbridge School in Kent, where Rice-Oxley met Dominic Scott; both of them discovered rapidly their liking for music. Richard Hughes, Keane's future drummer, also attended Tonbridge. Chaplin had also learned to play the flute but none of them considered music as a proper career at the time. In 1995, while studying at University College London for a degree in classics, Rice-Oxley formed a rock band with Scott, and invited Hughes to play drums. The band, named "Lotus Eaters", started as a cover band, playing songs by the members' favourite bands, including U2, Oasis, and The Beatles, and rehearsing at home. After listening to Rice-Oxley's piano playing during a weekend at Virginia Water, Surrey in 1997, Chris Martin invited him to join his newly formed band Coldplay. However, Rice-Oxley declined because he did not want to leave "The Lotus Eaters", stating, "I was seriously interested, but Keane were already operational and Coldplay's keyboard player idea was dropped." Because of Martin's offer, and although Hughes and Scott were originally opposed to it, Chaplin joined the band in 1997, taking Rice-Oxley's place as vocalist and adding himself as the acoustic guitarist. Chaplin's recruitment also marked a change of name from "The Lotus Eaters" to "Cherry Keane", after a friend of Chaplin's mother, whom Rice-Oxley and Chaplin knew when they were young. She took care of them and would tell them to go for their dreams. At her death from cancer, she had left money for Chaplin's family. Chaplin commented: "I used some of the money to see me through the harder times with the music." The name was shortened to Keane soon afterward. Chaplin departed for South Africa in the summer of 1997 to work as a volunteer during his gap year. Chaplin's early experiences there would later be reflected in the band's position for the Make Poverty History campaign. Returning a year later, in July 1998, following a meeting with friend David Lloyd Seaman, Hughes' first words when the band picked up Chaplin at the airport were, "we've got a gig in ten days." With original material, Keane made their debut live appearance at the "Hope & Anchor" pub on 13 July 1998. In this same year, Chaplin went to Edinburgh University to study for a degree in art history. However, he later quit his degree and moved to London in order to pursue a full-time musical career with his friends. After their debut performance, the band went touring London's pub gig circuit throughout 1998 and 1999. Question: What happen in 1995 Answer: while studying at University College London for a degree in classics, Rice-Oxley formed a rock band with Scott, and invited Hughes to play drums. Question: Are there any other interesting aspects about this article?	[ "After listening to Rice-Oxley's piano playing during a weekend at Virginia Water, Surrey in 1997, Chris Martin invited him to join his newly formed band Coldplay." ]
Title: Gary Barlow Background: Gary Barlow OBE (born 20 January 1971) is an English singer, songwriter and record producer. He is best known as the lead singer of the British pop group Take That. Barlow also served as head judge of The X Factor UK in 2011, 2012 and 2013 and Let It Shine in 2017. Barlow is one of Britain's most successful songwriters, having written fourteen number one singles and twenty-four top 10 hits. Section: Musical theatre Passage: On 25 June 2013, it was announced that Barlow had been signed up to work on a new musical version of Finding Neverland and will co-write the score for the theatre project, which is being developed by Hollywood producer Harvey Weinstein. Barlow said of the project: "This is something I've always wanted to do so it's a real privilege to be involved. I'm really enjoying working with the team and I love the story; it's also great to be working with a legendary creative like Harvey Weinstein." Weinstein echoed the sentiment by expressing his admiration for Barlow, whom he described as "one of the finest songwriters in the world". On 1 March 2014, Barlow attended the Bob and Harvey Weinstein's pre-Academy Awards party at the Montage in Beverly Hills to perform a selection of songs from the musical score he had written for Finding Neverland. He played the lead role of Peter Pan author J. M. Barrie, and sung a duet with noted British musical actress Laura Michelle Kelly along with four back-up artists featured in the Oscar-nominated documentary 20 Feet from Stardom. Barlow's performance was well received, and after a successful performance run in Boston, Finding Neverland opened on Broadway in spring 2015. On its first Broadway preview, the show sold out the theatre and posted a box office performance that, if it continued for a whole week of performances, would have seen the show top $1 million. Gary has also co-written a musical alongside hometown friend Tim Firth, titled The Girls, which opened at the Phoenix Theatre, London in January 2017. Question: What was Barlow's role in musical theatre? Answer: On 25 June 2013, it was announced that Barlow had been signed up to work on a new musical version of Finding Neverland and will co-write the score Question: Was this successful? Answer: the show sold out the theatre and posted a box office performance that, if it continued for a whole week of performances, would have seen the show top $1 million. Question: What was the result of this?	[ "Barlow's performance was well received, and after a successful performance run in Boston, Finding Neverland opened on Broadway" ]
Title: Tommy Lawton Background: Thomas Lawton was born on 6 October 1919 to Elizabeth Riley and Thomas Lawton senior in Farnworth, Lancashire. His father was a railway signalman of Irish extraction, and his mother worked as a weaver at Harrowby Mill. His father left the family 18 months after Lawton was born, and Elizabeth moved back into her parents' home in Bolton. Elizabeth's father, James Hugh "Jim" Riley, became Lawton's surrogate father. Section: Burnley Passage: Lawton played his first game for Burnley Reserves against Manchester City Reserves in September 1935, and though he struggled in this game he went on to become a regular Reserve team player by the age of 16. After a poor run of form from Cecil Smith, Lawton was selected ahead of Smith for the Second Division game against Doncaster Rovers at Turf Moor on 28 March 1936; aged 16 years and 174 days, this made him the youngest centre-forward ever to play in the Football League. Rovers centre-half Syd Bycroft, also making his league debut, marked Lawton out of the game, which ended in a 1-1 draw. Burnley had played poorly, though Lawton was praised for his "keen and fearless" performance by the Express & News newspaper. He retained his place for the following game, and scored two goals in a 3-1 victory over Swansea Town at Vetch Field. He picked up a groin strain in his third appearance which caused him to miss two fixtures, before he returned to the first team for the final four games of the 1935-36 season; he claimed three more goals to take his season tally to five goals from seven games. Lawton continued to train his heading skills intensely in the summer of 1936, and also played cricket for Burnley Cricket Club as a batsman in the Lancashire League. He scored a six against both Learie Constantine and Amar Singh. He scored 369 runs in 15 completed innings for an average of 24.06. He turned professional at Burnley at the age of 17 on wages of PS7 a week. His grandfather attempted to negotiate a PS500 signing-on fee on his behalf but was rebuffed after the club alerted Charles Sutcliffe, Secretary of the Football League, who informed them that any attempt to circumvent the league's maximum wage was illegal. Lawton scored in his first appearance since signing the contract after just 30 seconds, before going on to record a hat-trick in a 3-1 win over Tottenham Hotspur, scoring a goal with either foot and one with his head. Question: When did Tommy play for Burnley? Answer: Lawton played his first game for Burnley Reserves against Manchester City Reserves in September 1935, Question: How did he play? Answer: he struggled in this game he went on to become a regular Reserve team player by the age of 16. Question: What other things happened during his career? Answer: Lawton was selected ahead of Smith for the Second Division game against Doncaster Rovers at Turf Moor on 28 March 1936; Question: Did he play well after this? Answer: Lawton was praised for his "keen and fearless" performance by the Express & News newspaper. Question: Did he continue playing well? Answer: he claimed three more goals to take his season tally to five goals from seven games. Question: Did he have other career highlights? Answer: He turned professional at Burnley at the age of 17 on wages of PS7 a week. Question: Did anything else happen to him?	[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Benjamin Lee Whorf Background: Benjamin Lee Whorf (; April 24, 1897 - July 26, 1941) was an American linguist and fire prevention engineer. Whorf is widely known as an advocate for the idea that differences between the structures of different languages shape how their speakers perceive and conceptualize the world. This principle has frequently been called the "Sapir-Whorf hypothesis", after him and his mentor Edward Sapir, but Whorf called it the principle of linguistic relativity, because he saw the idea as having implications similar to Einstein's principle of physical relativity. Throughout his life Whorf was a chemical engineer by profession, but as a young man he took up an interest in linguistics. Section: At Yale Passage: Until his return from Mexico in 1930 Whorf had been entirely an autodidact in linguistic theory and field methodology, yet he had already made a name for himself in Middle American linguistics. Whorf had met Sapir, the leading US linguist of the day, at professional conferences, and in 1931 Sapir came to Yale from the University of Chicago to take a position as Professor of Anthropology. Alfred Tozzer sent Sapir a copy of Whorf's paper on "Nahuatl tones and saltillo". Sapir replied stating that it "should by all means be published"; however, it was not until 1993 that it was prepared for publication by Lyle Campbell and Frances Karttunen. Whorf took Sapir's first course at Yale on "American Indian Linguistics". He enrolled in a program of graduate studies, nominally working towards a PhD in linguistics, but he never actually attempted to obtain a degree, satisfying himself with participating in the intellectual community around Sapir. At Yale, Whorf joined the circle of Sapir's students that included such luminary linguists as Morris Swadesh, Mary Haas, Harry Hoijer, G. L. Trager and Charles F. Voegelin. Whorf took on a central role among Sapir's students and was well respected. Sapir had a profound influence on Whorf's thinking. Sapir's earliest writings had espoused views of the relation between thought and language stemming from the Humboldtian tradition he acquired through Franz Boas, which regarded language as the historical embodiment of volksgeist, or ethnic world view. But Sapir had since become influenced by a current of logical positivism, such as that of Bertrand Russell and the early Ludwig Wittgenstein, particularly through Ogden and Richards' The Meaning of Meaning, from which he adopted the view that natural language potentially obscures, rather than facilitates, the mind to perceive and describe the world as it really is. In this view, proper perception could only be accomplished through formal logics. During his stay at Yale, Whorf acquired this current of thought partly from Sapir and partly through his own readings of Russell and Ogden and Richards. As Whorf became more influenced by positivist science he also distanced himself from some approaches to language and meaning that he saw as lacking in rigor and insight. One of these was Polish philosopher Alfred Korzybski's General semantics, which was espoused in the US by Stuart Chase. Chase admired Whorf's work and frequently sought out a reluctant Whorf, who considered Chase to be "utterly incompetent by training and background to handle such a subject." Ironically, Chase would later write the foreword for Carroll's collection of Whorf's writings. Question: Where did he attend college? Answer: Whorf took Sapir's first course at Yale on "American Indian Linguistics". Question: What year did he attend Yale? Answer: CANNOTANSWER Question: Why was he interested in the community around Sapir?	[ "At Yale, Whorf joined the circle of Sapir's students that included such luminary linguists as Morris Swadesh, Mary Haas, Harry Hoijer, G. L. Trager and Charles F. Voegelin." ]
Title: Bill Evans Background: William John Evans ( , August 16, 1929 - September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today. Born in Plainfield, New Jersey, in 1929, he was classically trained, and studied at Southeastern Louisiana University and the Mannes School of Music, where he majored in composition and received the Artist Diploma. In 1955, he moved to New York City, where he worked with bandleader and theorist George Russell. Section: Views on contemporaneous music tendencies Passage: Evans' career began just before the rock explosion in the 1960s. During this decade, jazz was swept in a corner, and most new talents had few opportunities to gain recognition, especially in America. However, Evans believed he had been lucky to gain some exposure before this profound change in the music world, and never had problems finding employers and recording opportunities. Evans never embraced new music movements; he kept his style intact. For example, he lamented watching Davis shift his style towards jazz fusion, and blamed the change on considerations of commerce. Evans commented "I would like to hear more of the consummate melodic master [Davis], but I feel that big business and his record company have had a corrupting influence on his material. The rock and pop thing certainly draws a wider audience. It happens more and more these days, that unqualified people with executive positions try to tell musicians what is good and what is bad music." However, Evans and Davis kept in touch throughout their lives. While Evans considered himself an acoustic pianist, from the 1970 album From Left to Right on, he also released some material with Fender-Rhodes piano intermissions. However, unlike other jazz players (e.g. Herbie Hancock) he never fully embraced the new instrument, and invariably ended up returning to the acoustic sound. "I don't think too much about the electronic thing, except that it's kind of fun to have it as an alternate voice. (...) [It's] merely an alternate keyboard instrument, that offers a certain kind of sound that's appropriate sometimes. I find that it's a refreshing auxiliary to the piano--but I don't need it (...) I don't enjoy spending a lot of time with the electric piano. I play it for a period of time, then I quickly tire of it, and I want to get back to the acoustic piano." He commented that electronic music: "just doesn't attract me. I'm of a certain period, a certain evolution. I hear music differently. For me, comparing electric bass to acoustic bass is sacrilege." Question: What was his most promient veiw? Answer: It happens more and more these days, that unqualified people with executive positions try to tell musicians what is good and what is bad music. Question: Did he have any other views? Answer: "I don't think too much about the electronic thing, except that it's kind of fun to have it as an alternate voice. (...) [It's] merely an alternate keyboard instrument, Question: Are there any other interesting aspects about this article? Answer: Evans' career began just before the rock explosion in the 1960s. Question: How was he influenced by this? Answer: Evans believed he had been lucky to gain some exposure before this profound change in the music world, and never had problems finding employers and recording opportunities. Question: was he influences by any other genre? Answer: Evans never embraced new music movements; he kept his style intact. Question: Did he have any major influences other than what was mentioned?	[ "big business and his record company have had a corrupting influence on his material." ]
Title: Gary Barlow Background: Gary Barlow OBE (born 20 January 1971) is an English singer, songwriter and record producer. He is best known as the lead singer of the British pop group Take That. Barlow also served as head judge of The X Factor UK in 2011, 2012 and 2013 and Let It Shine in 2017. Barlow is one of Britain's most successful songwriters, having written fourteen number one singles and twenty-four top 10 hits. Section: Songwriting, producing and publishing Passage: After leaving his career as a solo artist Barlow returned to his first love of writing music. He soon signed a song writing publishing deal with Sony and went to the US on a six-month songwriting project, residing in Nashville, Los Angeles and New York with his wife, Dawn and first child, Daniel. Upon his return he set up True North Productions with Eliot Kennedy and Tim Woodcock. In his autobiography 'My Take' Barlow partly blames his fall as a solo artist on his commitments to being a star in the United States. After his disappointing second album, Barlow remained out of the public eye for half a decade, choosing to continue to write and produce songs for other artists such as Shirley Bassey and Charlotte Church In October 2007, Barlow founded San Remo Live Publishings as an independently run management company to establish and support artists and songwriters. In 2010 Barlow signed a new 5-year song writing publishing deal with Sony music. He has been voted as the greatest British songwriter of all time in a 2009 OnePoll, who surveyed 3,000 people John Lennon and Paul McCartney, of The Beatles, were placed second and third respectively. In 2011, Barlow wrote the song "Run for Your Life" for The X Factor series 7 winner Matt Cardle's debut album. Cardle told The Sun: "We had 99% of the album finished then the track came through from Gary. I'd been trying to write a song like that for a long, long time, probably five or six years. As soon as I heard it I just felt the song was mine. Lyrically it's about not being good enough for the person you're with. I was nearly in tears recording the vocals. I'm proud that I've written a lot of the album but Gary is a genius as a writer - I couldn't pass it up." He has also written for the likes of Robbie Williams, Westlife, Lily Allen, Blue, Elton John, Olly Murs Matt Cardle, T-Pain, Will Young N-Dubz, Lawson, Shirley Bassey, Donny Osmond, Delta Goodrem, Elaine Paige, Agnetha Faltskog and many more while also being commissioned by the Queen to write the official single for her Diamond Jubilee which saw Barlow collaborate with Andrew Lloyd Webber. To date Barlow has written 14 number 1 singles in the UK, and 2 Billboard Hot 100 top 10 singles in the United States including Back for Good which went to number 1 in 31 countries across the world. Question: When did Gary Barlow start songwriting? Answer: He soon signed a song writing publishing deal with Sony and went to the US on a six-month songwriting project, Question: Who do he write songs for? Answer: In 2011, Barlow wrote the song "Run for Your Life" for The X Factor series 7 winner Matt Cardle's debut album. Question: What is another artist that Gary worked with?	[ "He has also written for the likes of Robbie Williams, Westlife, Lily Allen, Blue, Elton John," ]
Title: George Wright (sportsman) Background: George Wright (January 28, 1847 - August 21, 1937) was an American baseball player. He played shortstop for the original Cincinnati Red Stockings, the first fully professional team, when he was the game's best player. In 1868, Wright won the Clipper Medal for being the best shortstop in baseball. He was elected to the Baseball Hall of Fame in 1937. Section: Amateur era Passage: At some times during the war, both Wright brothers played for the venerable Gothams, the second eldest baseball team after the Knickerbockers. According to Ivor-Campbell (1996), George moved from the Gotham juniors to the senior team when he was fifteen. At seventeen in 1864 he was the regular catcher. Baseball's recovery from the American Civil War was far advanced in greater New York City (always untouched by the military conflict), as the leading clubs played more than twenty National Association of Base Ball Players (NABBP) matches, the Gothams eleven. George played eight and led the team both in runs, scoring 2.4 times per game, and "hands lost", put out only 2.4 times per game, average being three per player in a 9-inning game. In seven matches infielder Harry was fourth in scoring at 2.0 and second behind George in hands lost at 2.6 (Wright 2000: 91). For the 1865 season George was hired by the Philadelphia Cricket Club; that summer he played in five matches for the Olympic Ball Club of that city. The Olympic club was the devoted to games in the base ball genus, established in 1833. At the December annual meeting, the first in peacetime, NAABP membership tripled, including isolated clubs from as far as Fort Leavenworth, Kansas and Chattanooga, Tennessee. Wright returned to the Gothams for base ball; he was nineteen and nearing his athletic peak. At the same time, Harry Wright moved to Cincinnati for a job at the Union Cricket Club. Early in the summer of 1866, Wright moved from catcher for Gotham, which played eight NABBP matches that year, to shortstop for Union, which played 28, the leading number. The Union of Morrisania, now in the New York borough of the Bronx, were another charter member of the first Association, but one that moved toward professionalism in the postwar years, as the Gothams did not. In 1867, he joined the Nationals of Washington, D.C., eldest club in that city, whose approach to professionalism was arranging government jobs, mainly with the Treasury. He played second base, shortstop, and pitcher in 29 of the 30 matches fully on record and in those matches led the team both in scoring and hands lost. Next year he returned to the Unions for the association's last officially all-amateur season and moved permanently to the shortstop position. Question: where did he get his start? Answer: ), George moved from the Gotham juniors to the senior team when he was fifteen. At seventeen in 1864 he was the regular catcher. Question: How long before he went pro Answer: Early in the summer of 1866, Wright moved from catcher for Gotham, which played eight NABBP matches Question: did he have any outstanding accomplishments during his early career Answer: He played second base, shortstop, and pitcher in 29 of the 30 matches fully on record and in those matches led the team Question: did he win any championships? Answer: CANNOTANSWER Question: Had he always wanted to play Answer: For the 1865 season George was hired by the Philadelphia Cricket Club; that summer he played in five matches for the Olympic Ball Club of that city. Question: was he influenced by any of the greats	[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: George Wright (sportsman) Background: George Wright (January 28, 1847 - August 21, 1937) was an American baseball player. He played shortstop for the original Cincinnati Red Stockings, the first fully professional team, when he was the game's best player. In 1868, Wright won the Clipper Medal for being the best shortstop in baseball. He was elected to the Baseball Hall of Fame in 1937. Section: New England Passage: Harry Wright was hired to organize a new team in Boston, where he signed three teammates including George for 1871. He brought along the nickname, too; if the nickname is the tenth man or the player-manager counts double, Harry thereby composed half the team that just missed winning the first National Association pennant. George suffered a broken leg and missed half the season; one more win at the right time would have been decisive in Boston's favor. With some personnel changes, the Boston Red Stockings won the other four NA pennants, dominating so severely in 1875 that they helped provoke a new league. The team trailed badly in the first National League season, after the defection of its Big Four western players to Chicago, but rebounded to win again both 1877-78. George Wright had played an even decade for Harry's teams, beginning with the First Nine and closing with six league championships in seven. (Another 1869 hire, Andy Leonard, was present for all but the 1871 second-place finish.) The Providence Grays, new in the NL for 1878, hired George to lead the team in 1879. He did as well as possible, wrestling the championship for himself from older brother Harry; for Providence and Rhode Island from older and regionally dominant Boston and Massachusetts. But Wright & Ditson Sporting Goods was growing, so George returned to Boston for business reasons. He remains the only man to win the pennant in his lone season as manager. Meanwhile, the National League introduced the reserve list system, and Providence listed George, so he was not free to sign with Boston. (Until the 1879-80 off-season, every professional baseball player was a "free agent" for every season.) During the next two seasons he played only a few games.. When Boston changed managers for 1882, Harry signed to lead Providence and inherited the right to sign his brother. George agreed to play another season full-time, retiring after the 1882 season with a .302 batting average in the major leagues from 1871. In 1882 George Wright took up cricket seriously again with the Longwood Cricket Club of Boston where he dominated local cricket sides with Isaac Chambers, the Longwood cricket pro and greenskeeper, holding up the other bowling end. In 1891 George Wright captained the Longwood Cricket Club against Lord Hawke's visiting English side. Wright's side surprised the visiting English first-class players with accurate bowling which kept the tourist in check. In 1892 George Wright donated cricket gear to British Guianese (Guyana) cricket players thereby starting a century old tradition of West Indian cricket in New England. Question: When did George move to New England? Answer: where he signed three teammates including George for 1871. Question: who signed him up? Answer: Harry Wright Question: what did team george play for? Answer: Boston Red Stockings Question: What other team did he play for? Answer: The Providence Grays, Question: Did he win any awards while in of the teams? Answer: He remains the only man to win the pennant in his lone season as manager. Question: which team was he manager of? Answer: The Providence Grays, Question: When did he play his last game?	[ "George agreed to play another season full-time, retiring after the 1882" ]
Title: Dan Aykroyd Background: Aykroyd was born on Dominion Day (July 1), 1952 at The Ottawa Hospital in Ottawa, Ontario, Canada. He grew up in Ottawa, Canada's capital, where his father, Samuel Cuthbert Peter Hugh Aykroyd, a civil engineer, worked as a policy adviser to Canadian Prime Minister Pierre Trudeau. His mother, Lorraine Helene (nee Gougeon), was a secretary. His mother was of French Canadian descent and his father of English, Irish, Scottish, Dutch and French ancestry. Section: Personal life Passage: Aykroyd was briefly engaged to actress Carrie Fisher. He proposed to her on the set of The Blues Brothers (1980), in which she appeared as a spurned girlfriend of John Belushi's Jake Blues who was trying to kill both brothers. The engagement ended when she reconciled with her former boyfriend, musician Paul Simon. In 1983, he married actress Donna Dixon, with whom he starred in the movies Doctor Detroit (1983), on whose set they first met; Spies Like Us (1985); and The Couch Trip (1988). They have three daughters, Danielle, Stella and Belle. Aykroyd maintains his Canadian roots as a longtime resident of Sydenham, Ontario, with his estate on Loughborough Lake. In a 2004 NPR interview with host Terry Gross, Aykroyd said that he had been diagnosed in childhood with Tourette syndrome (TS) as well as Asperger syndrome (AS). He stated that his TS was successfully treated with therapy. In 2015, he stated during a HuffPost Show interview with hosts Roy Sekoff and Marc Lamont Hill that his AS was "never diagnosed" but was "sort of a self-diagnosis" based on several of his own characteristics. Aykroyd is a former reserve commander for the police department in Harahan, Louisiana, working for Chief of Police Peter Dale. Aykroyd would carry his badge with him at all times. He currently serves as a Reserve Deputy of the Hinds County Sheriff's Department in Hinds County, Mississippi. He supports the Reserves with a fundraiser concert along with other Blues and Gospel singers in the State of Mississippi. Question: Was Dan Aykroyd married? Answer: he married actress Donna Dixon, Question: How long was he married to Donna Dixon? Answer: CANNOTANSWER Question: Who are the daughters that Dan had with Donna Dixon?	[ "Danielle, Stella and Belle." ]
Title: Ranveer Singh Background: Ranveer Singh Bhavnani (born 6 July 1985) is an Indian actor who appears in Hindi films. He is the recipient of several awards, including two Filmfare Awards, and is among the highest-paid actors in the country. After completing a bachelor's degree from Indiana University Bloomington, Singh returned to India to pursue his career in films. He made his acting debut in 2010 with a leading role in Yash Raj Films' romantic comedy Band Baaja Baaraat. Section: Film debut and breakthrough (2010-2011) Passage: In January 2010, Singh was called for an audition by Shanoo Sharma, the head of the casting division for Yash Raj Films. They informed him that it was for a lead role in their film titled Band Baaja Baaraat, a romantic comedy set in the world of wedding planning. Aditya Chopra, the vice president of the company, later saw the audition tapes on video and was impressed by Singh's acting, and decided that he fit the part of Bittoo Sharma, the hero of the film. However, the director Maneesh Sharma needed some more convincing and he was called for a few more auditions over the next two weeks until they were completely convinced of his caliber. After the two weeks of testing, Singh was confirmed for the role of Bittoo, with Anushka Sharma playing the female lead. Singh described the role of Bittoo Sharma as a typical Delhi boy. To prepare for the role, he spent time with students at the Delhi University campus. Prior to the release of the film, trade analysts were skeptical of the film's commercial potential, citing the middling response to Yash Raj Films' last few productions, the lack of a male star and the fact that the female lead, Anushka Sharma, was by then an "almost-forgotten" actress. However, Band Baaja Baaraat went on to become a sleeper hit. Singh's portrayal of Bittoo was praised, with Anupama Chopra of NDTV writing that Singh was "pitch perfect in the role of the uncouth but good-hearted small town slacker who is a bit of a duffer when it comes to matters of the heart." The film earned approximately Rs214 million (US$3.3 million) at the domestic box office. At the 56th Filmfare Awards, Singh won the award for Best Male Debut. Following Band Baaja Baarat, Singh signed on for Ladies vs Ricky Bahl, a romantic comedy produced by Chopra and directed by Maneesh Sharma. He played a conman Ricky Bahl who cons girls for a living but finally meets his match. The film co-starred Anushka Sharma, Parineeti Chopra, Dipannita Sharma and Aditi Sharma. According to Singh, the title character had various avatars in the film, including a chirpy, entertaining side and a sinister side. Nikhat Kazmi of The Times of India wrote, "Ranveer is, well Ranveer: your average Joe kind of hero who looks convincing enough as Sunny, Deven, Iqbal, Ricky, his sundry avatars." Commercially, Ladies vs Ricky Bahl earned Rs370 million (US$5.7 million) domestically. Question: What was Ranveer Singh's first major film? Answer: They informed him that it was for a lead role in their film titled Band Baaja Baaraat, a romantic comedy set in the world of wedding planning. Question: When was Band Baaja Baaraat released?	[ "Prior to the release of the film, trade analysts were skeptical of the film's commercial potential, citing the middling response to Yash Raj Films' last few productions," ]
Title: Ranveer Singh Background: Ranveer Singh Bhavnani (born 6 July 1985) is an Indian actor who appears in Hindi films. He is the recipient of several awards, including two Filmfare Awards, and is among the highest-paid actors in the country. After completing a bachelor's degree from Indiana University Bloomington, Singh returned to India to pursue his career in films. He made his acting debut in 2010 with a leading role in Yash Raj Films' romantic comedy Band Baaja Baaraat. Section: Early life and education Passage: Singh was born on 6 July 1985 into a Sindhi family in Mumbai, to Anju and Jagjit Singh Bhavnani. His grandparents, Sunder Singh Bhavnani and Chand Burke, moved to Mumbai from Karachi, Sindh, (present-day Pakistan) during the Partition of India. He has an elder sister named Ritika Bhavnani. Singh is the maternal cousin of actress Sonam Kapoor and producer Rhea Kapoor, daughters of actor Anil Kapoor and wife Sunita Kapoor (nee Bhavnani). Singh explains that he dropped his surname Bhavnani, since he felt that the name would have been "too long, too many syllables", thus downplaying his brand as a "saleable commodity". Singh always aspired to be an actor, participating in several school plays and debates. Once when he had gone for a birthday party, his grandmother asked him to dance and entertain her. Singh remembers that he suddenly jumped in the lawn and started dancing to the song "Chumma Chumma" from the 1991 action film, Hum. He felt the thrill of performing and was interested in acting and dancing. However, after he joined H.R. College of Commerce and Economics in Mumbai, Singh realised that getting a break in the film industry was not at all easy, as it was mostly people with a film background who got these opportunities. Feeling that the idea of acting was "too far-fetched", Singh focused on creative writing. He went to the United States where he received his Bachelor of Arts degree from Indiana University. At the university, he decided to take acting classes and took up theatre as his minor. After completing his studies and returning to Mumbai in 2007, Singh worked for a few years in advertising as a copywriter, with agencies like O&M and J. Walter Thompson. He then worked as an assistant director, but left it to pursue acting. He then decided to send his portfolio to directors. He would go for all kinds of auditions, but did not get any good opportunities, while only getting calls for minor roles: "Everything was so bleak. It was very frustrating. There were times I would think whether I was doing the right thing or not." Question: When was he born? Answer: 6 July 1985 Question: Is he a star in his country?	[ "after he joined H.R. College of Commerce and Economics in Mumbai, Singh realised that getting a break in the film industry was not at all easy," ]
Title: Marat Safin Background: Safin was born in Moscow to Tatar parents, Mubin ("Mikhail") Safin and Rauza Islanova. He speaks Russian, English, and Spanish as well as his native Tatar. His parents are former tennis players and coaches. His younger sister, Dinara, is a former world number one professional tennis player and silver medalist at the 2008 Olympic Games in Beijing. Section: World No. 1 and Grand Slam history Passage: Safin held the No. 1 ATP ranking for 9 weeks during 2000 (making him the tallest No. 1 ranked player of all time) when he won his first Grand Slam tournament at the US Open, becoming the only Russian in history to win this tournament in the men's singles draw, by defeating Pete Sampras in straight sets. He barely missed finishing the year as #1, the top spot being overtaken by Gustavo Kuerten at the last match of the season, the final of the 2000 Tennis Masters Cup and ATP Tour World Championships (3-0 win over Andre Agassi). Safin reached three more Grand Slam finals, all at the Australian Open (2002, 2004, and 2005). He has cited nervousness as the reason for his loss in the 2002 event, and physical exhaustion for the 2004 loss. He defeated Lleyton Hewitt in the 2005 final to secure his second Grand Slam in five years. En route to this final, he defeated top-ranked Roger Federer in a five-set semifinal match. Safin described the match as "a brain fight." He also defeated future world No. 1 Novak Djokovic, who was making his first appearance in the main draw of a Grand Slam tournament, in the first round losing just three games. His best result at Wimbledon was reaching the semifinals in 2008, beating world No. 3 Novak Djokovic en route. He often lost in the first or second rounds in other years, although he made the quarterfinals in 2001, losing in four sets to eventual champion Goran Ivanisevic. Safin dismissed his performance in the 2001 tournament as a result of luck. Safin disliked playing on grass. Safin has said: "It's difficult to [break serve]. It's difficult to play off the baseline because [of] a lot of bad bounces." With Safin's semifinal performance at Wimbledon in 2008, he became the fourth of five active players at the time to reach the semifinals in all four Grand Slams, joining Roger Federer, David Nalbandian, and Novak Djokovic. Other active players have since then joined the list. Question: Can you provide me with information on World No. ! and Grand Slam history? Answer: Safin held the No. 1 ATP ranking for 9 weeks during 2000 ( Question: Are there any other interesting aspects about this article? Answer: he won his first Grand Slam tournament at the US Open, becoming the only Russian in history to win this tournament in the men's singles draw, Question: What happened after he won the tournament?	[ "He barely missed finishing the year as #1, the top spot being overtaken by Gustavo Kuerten at the last match of the season," ]
Title: Marat Safin Background: Safin was born in Moscow to Tatar parents, Mubin ("Mikhail") Safin and Rauza Islanova. He speaks Russian, English, and Spanish as well as his native Tatar. His parents are former tennis players and coaches. His younger sister, Dinara, is a former world number one professional tennis player and silver medalist at the 2008 Olympic Games in Beijing. Section: Injury History Passage: A succession of injuries hindered Safin's progress throughout his career. In 2003, he missed the majority of the season due to a wrist injury. During the 2005 clay-court season, Safin suffered a knee injury, which he played through all the way up to Wimbledon with the help of pain killers and anti-inflammatories. Safin was subsequently defeated in the early rounds of each of the seven tournaments he played between the Australian Open and the French Open, culminating in an early round defeat at the French Open. Safin made a surprise finals appearance at the Wimbledon tune-up tournament in Halle on grass. He lost the final narrowly to the defending champion, Federer. He only played one tournament in the summer hard-court season, in Cincinnati, where he lost in the quarterfinals to Robby Ginepri. He also missed the Tennis Masters Cup. Injuries continued to bother Safin in 2006. Although Safin made appearances at the 2006 ATP Masters tournaments at Indian Wells, Miami, Monte Carlo, Rome and Hamburg, his ranking plummeted to as low as No. 104. He began to recover in time for the 2006 US Open, in which Safin defeated Argentine David Nalbandian, who was then world No. 4 in a riveting second-round match. Safin then lost in the fourth round to former world No. 2 German Tommy Haas, also in a fifth-set tiebreaker. Positive performances at the Thailand Open, where he was narrowly edged out by No. 7 seed, James Blake, and the Kremlin Cup in Moscow, the first all-Russian final at that event, losing to compatriot, Ukrainian-born Nikolay Davydenko, marked Safin's recovery. Despite the injury, Safin still posted 7 wins against top ten players in 2006, fourth-most on the ATP tour behind just Federer (19), Nadal (10), and Blake (8). Question: What was his most devastating injury? Answer: In 2003, he missed the majority of the season due to a wrist injury. Question: What other injuries has he suffered?	[ "During the 2005 clay-court season, Safin suffered a knee injury, which he played through all the way up to Wimbledon with the help of pain killers and anti-inflammatories." ]
Title: Rammstein Background: Rammstein (German pronunciation: ['RamStaIn]) is a German Neue Deutsche Harte band, formed in 1994 in Berlin. Throughout its existence, Rammstein's six-man lineup has remained unchanged--lead guitarist Richard Z. Kruspe, bassist Oliver "Ollie" Riedel, drummer Christoph "Doom" Schneider, lead vocalist Till Lindemann, rhythm guitarist Paul H. Landers, and keyboardist Christian "Flake" Lorenz. The band helped to found a subgenre within German hard rock and metal that became known as Neue Deutsche Harte. The majority of their songs are in German, but they have also performed songs entirely or partially in other languages including English, Spanish, French, and Russian. Section: Side projects, video releases, and 7th studio album, 2014-present Passage: In September 2014, band co-founder Richard Z. Kruspe (who is working with his side band, Emigrate) said the band was preparing some more live DVDs and that they were taking some time off from the studio. The band will meet again in 2015 to decide if the time is right to return to the studio. In May 2015, Lindemann confirmed in an interview with MusikUniverse that Rammstein will start pre-production on a possible new album in September, and that production will most likely go on until 2017. According to Peter Tagtgren - who works with frontman Till Lindemann on their side-project Lindemann - Till will be regrouping with his Rammstein bandmates later in 2015 to start pre-production on a new full-length album, which normally takes two years to be released. In early August 2015, Rammstein released a trailer for an upcoming project, titled "In Amerika". On August 15, the band announced Rammstein in Amerika, a video release that includes a 2010 concert at Madison Square Garden in New York City and a documentary made from archived footage recorded during the band's career. Rammstein played several festivals in Europe and North America during 2016, and in November announced plans to perform at a similar string of European festivals in 2017. On 18 January 2017 Rammstein announced a new live video release titled Paris, a recording of a March 2012 concert that took place at Palais Omnisports de Paris-Bercy in Paris. It premiered on 23 March in selected cinemas, and it was released worldwide on DVD/Blu-Ray and CD on 19 May 2017. In an interview in March 2017, Richard Kruspe said that Rammstein had about 35 new songs that were close to complete, though the release date of the band's seventh studio album was an open question. In May, Rammstein started touring once again. Also in May, music producer Sky Van Hoff was announced to be Rammstein's newest producer. In a July interview with Resurrection Fest, Kruspe said that the album could be the band's last. Question: what type of side projects did they have? Answer: According to Peter Tagtgren - who works with frontman Till Lindemann on their side-project Lindemann - Question: Are there any other interesting aspects about this article? Answer: In early August 2015, Rammstein released a trailer for an upcoming project, titled "In Amerika". Question: When did it actually release? Answer: August 15, the band announced Rammstein in Amerika, Question: What was their most recent hit released?	[ "In an interview in March 2017, Richard Kruspe said that Rammstein had about 35 new songs that were close to complete," ]
Title: Rammstein Background: Rammstein (German pronunciation: ['RamStaIn]) is a German Neue Deutsche Harte band, formed in 1994 in Berlin. Throughout its existence, Rammstein's six-man lineup has remained unchanged--lead guitarist Richard Z. Kruspe, bassist Oliver "Ollie" Riedel, drummer Christoph "Doom" Schneider, lead vocalist Till Lindemann, rhythm guitarist Paul H. Landers, and keyboardist Christian "Flake" Lorenz. The band helped to found a subgenre within German hard rock and metal that became known as Neue Deutsche Harte. The majority of their songs are in German, but they have also performed songs entirely or partially in other languages including English, Spanish, French, and Russian. Section: Reise, Reise, 2003-2005 Passage: Rammstein started recording Sehnsucht in November 1996 at the Temple Studios in Malta. The album was again produced by Jacob Hellner. "Engel", the first single from the album, was released on 1 April 1997 and reached gold status in Germany on 23 May. This prompted the release of a fan edition of the single, named Engel - Fan Edition. This contained two previously unreleased songs, "Feuerrader" and "Wilder Wein". Release of the second single from the album Sehnsucht was "Du hast", which hit the German single charts August 1997 at number 5. Rammstein then continued touring in the summer while Sehnsucht was released on 22 August 1997. The album reached number 1 in Germany after two weeks in the charts. Simultaneously, Herzeleid and both Sehnsucht singles ("Du hast" and "Engel") were in the Top 20 of the German charts. Rammstein continued to headline sold-out shows throughout Europe in September and October. On 5 December 1997, they embarked on their first tour of the United States as the opening act for KMFDM. In August 1998, the band released a cover of the song Stripped, originally released by Depeche Mode in early 1986; it was included on the tribute album For the Masses, the Rammstein version obtained moderate success in Germany and Austria. On 22-23 August 1998, Rammstein played to over 17,000 fans at the Wuhlheide in Berlin; the biggest show the band had played there up to that date. Supporting acts were Danzig, Nina Hagen, Joachim Witt and Alaska. The show was professionally filmed, intended to be released on their upcoming live DVD, Live aus Berlin. Rammstein embarked on a live tour with Korn, Ice Cube, Orgy and Limp Bizkit called the Family Values Tour in September through to late October 1998. Continuing their success in the US, Sehnsucht received Gold record status there on November 2. The band was nominated at the MTV European Music Awards for Best Rock Act and performed "Du hast" live on 12 November that year. Rammstein had further success in 1999, starting off the year in February with a nomination for Best Metal Performance at the 41st-annual Grammy Awards. A year after it was filmed, the Live aus Berlin concert was released on CD on 30 August 1999, with a limited edition double CD also available. Two weeks after it was released, Live aus Berlin went to number one in the German Album Charts. On 13 September and 26 November 1999 the video and DVD versions of the concert were released respectively. Further popularity ensued with the inclusion of "Du hast" in The Matrix: Music from the Motion Picture. Rammstein's album Mutter was recorded in the south of France in May and June 2000, and mixed in Stockholm in October of that year. During December 2000, Rammstein released an MP3 version of "Links 2-3-4" as a teaser for their new album. 2001 was a busy year for Rammstein, as the band needed to finish off the Sehnsucht Tour ending in January and February with the band playing the Big Day Out festival in Australia and New Zealand and playing some concerts in Japan. January also heralded the shooting of the video for their upcoming single, "Sonne", recorded in Potsdam at Babelsberger Filmstudios from 13 to 15 January 2001. The video was released on 29 January 2001. The single for "Sonne" was released on 12 February 2001 in Europe, featuring an instrumental version of the song, two remixes by Clawfinger and the song "Adios" from the upcoming album. Mutter was released on 2 April 2001, sparking another Rammstein tour through Germany, Austria, and Switzerland. On 14 May, the second single from the album, "Links 2 3 4", was released, along with a video of the single on 18 May. After a tour throughout Europe in June, the band then toured the U.S., Canada and Mexico from June to August 2001. "Ich will", the third single from the album, was released on 10 September 2001 and a Tour edition of the Mutter album (the cover of which is red) was released, featuring alternative artwork and live versions of "Ich will", "Links 2 3 4", "Sonne" and "Spieluhr". From 8 to 12 January 2002, Rammstein traveled to Prague to participate in a minor scene for the film XXX. The band is seen in the opening scene, performing their song "Feuer frei!" in a concert. "Feuer frei!" was released across Europe as the first single from the XXX soundtrack on 14 October 2002. Rammstein released two remixes of the song. Furthermore, the single's track listing included "Du hast" and "Buck dich" cover versions by Battery. The video for the single was edited by Rob Cohen and contains part Rammstein performance at the beginning of the film and part snippets from the film itself. Rammstein recorded Reise, Reise (meaning "journey, journey", or as a command "travel, travel", but also an archaic Reveille) at the El Cortijo studio in southern Spain in November and December 2003; it was mixed at Toytown studio in Stockholm, Sweden in April and May 2004. The first single from the album was "Mein Teil", released on 26 July. The video was shot in the Arena, in the Treptow district of Berlin. Outdoor shooting took place at the Deutsche Oper (Opera House) U-Bahn station on Bismarckstrasse. The director was Zoran Bihac, who also filmed the "Links 2 3 4" video. The video for the second single, "Amerika", was filmed on 6 and 7 August 2004 in the ruins of the former cement works in Rudersdorf, near Berlin, under the direction of Jorn Heitmann (who also directed the "Ich Will" music video, among others). The space suits for the moon scenes were borrowed from Hollywood and 240 tons of ash were needed to create the moon landscape. The video premiered on 20 August, while the single was released on 13 September. Reise, Reise was released on 27 September 2004 and went straight into top 10 charts throughout Europe. According to the Billboard charts, Rammstein were at that stage the most successful German-language band of all time. Rammstein toured Germany through November and some of December 2004, releasing the single "Ohne dich" on 22 November. In February 2005, Rammstein toured Europe again. By 28 February, Rammstein had played 21 concerts in front of more than 200,000 spectators in ten countries. It was on this tour that the band was faced with several lawsuits resulting from severe fire breathing accidents involving audience members. "Keine Lust" the fourth single from Reise, Reise, was released on 28 February 2005. From 27 May to 30 July 2005, Rammstein played music festivals across Europe. Footage from these concerts can be seen on Rammstein's live DVD Volkerball, released in November 2006. Question: When was Reise, reise released? Answer: meaning "journey, journey", or as a command "travel, travel", but also an archaic Reveille) at the El Cortijo studio in southern Spain in November and December 2003; Question: What is the name of the band that made this album? Answer: Rammstein Question: Did the album make the charts? Answer: CANNOTANSWER Question: Did the band go on tour for the album? Answer: Rammstein toured Germany through November and some of December 2004, Question: Did the album have any singles? Answer: "Ohne dich" on 22 November. Question: What location was the album recorded? Answer: Germany Question: Where is the band from? Answer: Germany Question: Did they release a video for the album? Answer: January also heralded the shooting of the video for their upcoming single, "Sonne", Question: What was the video called? Answer: Sonne Question: What is an interesting fact about this album?	[ "From 8 to 12 January 2002, Rammstein traveled to Prague to participate in a minor scene for the film XXX." ]
Title: Lee de Forest Background: Lee de Forest was born in 1873 in Council Bluffs, Iowa, the son of Anna Margaret (nee Robbins) and Henry Swift DeForest. He was a direct descendant of Jesse de Forest, the leader of a group of Walloon Huguenots who fled Europe in the 17th Century due to religious persecution. De Forest's father was a Congregational Church minister who hoped his son would also become a pastor. In 1879 the elder de Forest became president of the American Missionary Association's Talladega College in Talladega, Alabama, a school "open to all of either sex, without regard to sect, race, or color", and which educated primarily African-Americans. Section: Audio frequency amplification Passage: One of de Forest's areas of research at Federal Telegraph was improving the reception of signals, and he came up with the idea of strengthening the audio frequency output from a grid Audion by feeding it into a second tube for additional amplification. He called this a "cascade amplifier", which eventually consisted of chaining together up to three Audions. At this time the American Telephone and Telegraph Company was researching ways to amplify telephone signals to provide better long-distance service, and it was recognized that de Forest's device had potential as a telephone line repeater. In mid-1912 an associate, John Stone Stone, contacted AT&T to arrange for de Forest to demonstrate his invention. It was found that de Forest's "gassy" version of the Audion could not handle even the relatively low voltages used by telephone lines. (Due to the way he constructed the tubes, de Forest's Audions would cease to operate with too high a vacuum.) However, careful research by Dr. Harold D. Arnold and his team at AT&T's Western Electric subsidiary determined that by improving the tube's design, it could be more fully evacuated, and the high vacuum allowed it to successfully operate at telephone line voltages. With these changes the Audion evolved into a modern electron-discharge vacuum tube, using electron flows rather than ions. (Dr. Irving Langmuir at the General Electric Corporation made similar findings, and both he and Arnold attempted to patent the "high vacuum" construction, but the U.S. Supreme Court ruled in 1931 that this modification could not be patented). After a delay of ten months, in July 1913 AT&T, through a third party who disguised his link to the telephone company, purchased the wire rights to seven Audion patents for $50,000. De Forest had hoped for a higher payment, but was again in bad financial shape and was unable to bargain for more. In 1915, AT&T used the innovation to conduct the first transcontinental telephone calls, in conjunction with the Panama-Pacific International Exposition at San Francisco. Question: was audio frequency amplification something he studied about? Answer: One of de Forest's areas of research at Federal Telegraph was improving the reception of signals, Question: Did he work alone in his research?	[ "an associate, John Stone Stone," ]
Title: Ahmet Ertegun Background: Ahmet Ertegun (, Turkish spelling: Ahmet Ertegun ([ah'met erte'jyn]); (July 31 [O.S. 18 July] 1923 - December 14, 2006) was a Turkish-American businessman, songwriter and philanthropist. He was best known as the co-founder and president of Atlantic Records, and for discovering and championing many leading rhythm and blues and rock musicians. He also wrote classic blues and pop songs, and served as the chairman of the Rock and Roll Hall of Fame and museum, located in Cleveland, Ohio. Ertegun has been described as "one of the most significant figures in the modern recording industry." Section: Early career Passage: In 1946 Ertegun became friends with Herb Abramson, a dental student and A&R man for National Records, and they decided to start a new independent record label for gospel, jazz, and R&B music. Financed by family dentist Dr. Vahdi Sabit, they formed Atlantic Records in September 1947 in New York City. The first recording sessions took place that November. In 1949, after 22 unsuccessful record releases, including the first recordings by Professor Longhair, Atlantic had its first major hit with Stick McGhee's "Drinkin' Wine Spo-Dee-O-Dee". The company expanded through the 1950s, with Jerry Wexler and, later, Ertegun's brother Nesuhi on board as partners. Hit artists that recorded on Atlantic included Ruth Brown, Big Joe Turner, The Clovers, The Drifters, The Coasters and Ray Charles. Like the Erteguns, many independent record executives were from immigrant backgrounds, including the Bihari and the Chess brothers. The Ertegun brothers brought a jazz sensibility (and many jazz artists) into R&B, successfully combining blues and jazz styles from around the country. Atlantic helped challenge the primacy of the major labels of the time by discovering, developing, and nurturing new talent. It became the premier rhythm and blues label in a few years and, with the help of innovative engineer/producer Tom Dowd, set new standards in producing high-quality recordings. In 1957 Atlantic was among the first labels to record in stereo, and in 1958 introduced 4-track and later, 8-track taped multitrack recording. Ertegun himself wrote a number of classic blues songs, including "Chains of Love" and "Sweet Sixteen", under the pseudonym "A. Nugetre" ("Ertegun" backwards). The songs were given expression first by Big Joe Turner and continued in B.B. King's repertoire. "Chains of Love" was a popular hit for Pat Boone. He also wrote the Ray Charles hit "Mess Around", with lyrics that drew heavily on "Pinetop's Boogie Woogie". He was briefly listed as "Nuggy" in the credits before changing to "A. Nugetre". Ertegun was part of the shouting choral group on Turner's "Shake, Rattle and Roll", along with Wexler and songwriter Jesse Stone. He also wrote "Ting A Ling", a 1956 hit for The Clovers that was covered by Buddy Holly. "Fool, Fool, Fool", another Clovers song was a hit for Kay Starr. His "Don't Play That Song (You Lied)" was recorded by Aretha Franklin, Ben E. King, and in an international version by Adriano Celentano. The lyrics of "Lovey Dovey" by the Clovers were used to a different tune by Steve Miller in his hit "The Joker". Other Nugetre rhythm and blues hits include "Whatcha Gonna Do" by The Drifters, "Wild, Wild Young Men" by Ruth Brown, Ray Charles's "Heartbreaker", "Middle of the Night" by The Clovers, "Ti-Ri-Lee" by Big Joe Turner, and "Story of My Love" by LaVern Baker. All of these were originally recorded for Atlantic Records. He also wrote "Missa Olit Silloin (Dawn in Ankara)" for Finnish singer Irina Milan as Ahmet Ertegun. Question: In what year did Ertegun get his start? Answer: In 1946 Ertegun became friends with Herb Abramson, a dental student and A&R man for National Records, and they decided to start a new independent record label Question: What record label did they start? Answer: Financed by family dentist Dr. Vahdi Sabit, they formed Atlantic Records in September 1947 in New York City. Question: Was their new record label immediately successful?	[ "In 1949, after 22 unsuccessful record releases, including the first recordings by Professor Longhair," ]
Title: Good Night, and Good Luck Background: Good Night, and Good Luck is a 2005 American historical drama film directed by George Clooney and starring David Strathairn, George Clooney, Robert Downey, Jr., Patricia Clarkson and Jeff Daniels. The movie was written by Clooney and Grant Heslov (both of whom also have acting roles in the film) and portrays the conflict between veteran radio and television journalist Edward R. Murrow and U.S. Senator Joseph McCarthy of Wisconsin, especially relating to the anti-Communist Senator's actions with the Senate Permanent Subcommittee on Investigations. Although released in black and white, Good Night, and Good Luck was filmed on color film stock but on a greyscale set, and was color corrected to black and white during post-production. It focuses on the theme of media responsibility, and also addresses what occurs when the media offer a voice of dissent from government policy. Section: Production Passage: In September 2005, Clooney explained his interest in the story to an audience at the New York Film Festival: "I thought it was a good time to raise the idea of using fear to stifle political debate." Having majored in journalism in college, Clooney was well-versed in the subject matter. His father, Nick Clooney, was a television journalist for many years, appearing as an anchorman in Cincinnati, Ohio, Salt Lake City, Utah, Los Angeles, California, and Buffalo, New York. The elder Clooney also ran for Congress in 2004. George Clooney was paid $1 each for writing, directing, and acting in Good Night, and Good Luck., which cost $7.5 million to make. Due to an injury he received on the set of Syriana a few months earlier, Clooney could not pass the tests to be insured. He then mortgaged his own house in Los Angeles in order to make the film. Dallas Mavericks owner Mark Cuban and former eBay president Jeff Skoll invested money in the project as executive producers. The film ultimately grossed more than $54 million worldwide. The CBS offices and studios seen in the movie were all sets on a soundstage. To accomplish a pair of scenes showing characters going up an elevator, different "floors" of the building were laid out on the same level. The "elevator" was actually built on a large turntable at the intersection of the two floor sets, and rotated once the doors were closed. When the doors reopened, the actors appeared to be in a different location. In doing so, the movie exercised a bit of dramatic license--the CBS executive offices at the time were located at 485 Madison Avenue. CBS News was located in an office building just north of Grand Central Terminal (demolished and now the site of the Met Life Building); and the See It Now studio was located in Grand Central Terminal itself, above the waiting room. For dramatic effect, all three areas were depicted as being in the same building. Clooney and producer Grant Heslov decided to use only archival footage of Joseph McCarthy in his depiction. As all of that footage was black-and-white, that determined the color scheme of the film. A young Robert Kennedy is also shown in the movie during McCarthy's hearing sessions. He was then a staff member on the Senate subcommittee chaired by McCarthy. Question: How was Good Night, and Good Luck produced? Answer: The CBS offices and studios seen in the movie were all sets on a soundstage. Question: Was the production successful? Answer: The film ultimately grossed more than $54 million worldwide. Question: Who was involved in the production of this film? Answer: Dallas Mavericks owner Mark Cuban and former eBay president Jeff Skoll invested money in the project as executive producers. Question: How much was Clooney paid in total?	[ "$1 each for writing, directing, and acting in Good Night, and Good Luck.," ]
Title: Good Night, and Good Luck Background: Good Night, and Good Luck is a 2005 American historical drama film directed by George Clooney and starring David Strathairn, George Clooney, Robert Downey, Jr., Patricia Clarkson and Jeff Daniels. The movie was written by Clooney and Grant Heslov (both of whom also have acting roles in the film) and portrays the conflict between veteran radio and television journalist Edward R. Murrow and U.S. Senator Joseph McCarthy of Wisconsin, especially relating to the anti-Communist Senator's actions with the Senate Permanent Subcommittee on Investigations. Although released in black and white, Good Night, and Good Luck was filmed on color film stock but on a greyscale set, and was color corrected to black and white during post-production. It focuses on the theme of media responsibility, and also addresses what occurs when the media offer a voice of dissent from government policy. Section: Reception Passage: The film was critically acclaimed upon release. It was named "Best Reviewed Film of 2005 in Limited Release" by Rotten Tomatoes, where it achieved a 93% positive review rating, based on reviews from 217 critics. The film received six Academy Award nominations, including Best Picture, Director (Clooney), and Actor (Strathairn). Roger Ebert, in his Chicago Sun-Times review, contends that "the movie is not really about the abuses of McCarthy, but about the process by which Murrow and his team eventually brought about his downfall (some would say his self-destruction). It is like a morality play, from which we learn how journalists should behave. It shows Murrow as fearless, but not flawless." Margaret Pomeranz and David Stratton from the ABC show At the Movies each gave the film five stars, making Good Night, and Good Luck the only other film besides Brokeback Mountain to receive such a score from the hosts in 2005. Both described the film as "beautiful" but also praised Clooney for the film's importance. Margaret commented that "[The film] is so important, because it's about things that are really vital today, like the responsibility of the press and examining the press' role in forming opinion." David noted "Though [the film] is in black-and-white, there's nothing monochromatic about Clooney's passion for his subject or the importance of his message." Jack Shafer, a libertarian-leaning columnist for the online magazine Slate, accused the film of continuing what he characterizes as the hagiography of Murrow. Clooney's film gives the impression that Murrow brought down McCarthy single-handedly, while Shafer notes that in reality much of the mainstream media, many Democrats and some of McCarthy's Republican peers were condemning him before Murrow. Furthermore, Shafer writes, evidence obtained via the declassified Venona espionage program confirmed that many Soviet agents and sympathizers were in fact in positions of influence in the U.S. government, a disclosure the film entirely overlooks: "Clooney and company ignore the material that might argue against their simple-minded thesis about Murrow, the era, and the press to produce an after-school special". One complaint about the film among test audiences was their belief that the actor playing McCarthy was too over the top, not realizing that the film used actual archive footage of McCarthy himself. Question: What was the reception of the film? Answer: The film was critically acclaimed upon release. It was named "Best Reviewed Film of 2005 in Limited Release" Question: Did the film have any negative reviews? Answer: Jack Shafer, a libertarian-leaning columnist for the online magazine Slate, accused the film of continuing what he characterizes as the hagiography of Murrow. Question: What was a positive review of the film? Answer: "[The film] is so important, because it's about things that are really vital today, like the responsibility of the press and examining the press' role in forming opinion." Question: Did it win an Academy Award?	[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Violent J Background: Joseph Bruce is a native of Berkley, Michigan. He was the last born of three children. His father, Richard Bruce, stole all of the family's money and left when Bruce was two years old. Joe's mother, Linda, was forced to care for him and his siblings, Robert and Theresa, off the income she made as a janitor. Section: Independent circuit (1990, 1994-2004) Passage: After being released from jail in 1990, Bruce decided to get away from gang life and start a career in professional wrestling. Bruce's friend, Rudy Hill, got him booked in a local wrestling promotion. Rudy had lied to the promoter by telling him that Bruce had been trained at the Chris Adams Wrestling School in Texas. At the event, Bruce met Rob Van Dam and Sabu, two other first-timers with whom he became very good friends. Bruce wrestled as Corporal Darryl Daniels, wearing a U.S. Army uniform that his brother had sent him while in the Gulf War, and had his first match against "Irish" Mickey Doyle at Azteca Hall in Southwest Detroit. Training alongside Rob Van Dam, Bruce went on to wrestle for Al Snow, including the event which featured the debut of Van Dam. After a short run in the business, Joe realized his dislike for the backstage politics, and decided to take up a career in music, taking the name Violent J. Bruce returned to wrestling in the independent circuit in 1994, under the name Hector Hatchet. He competed for Midwest Championship Wrestling throughout the next year, wrestling in between recording sessions and touring. From 1996 to 1998, Bruce was involved in a rivalry with Sewer Dwella in Insane Championship Wrestling. He continued to compete in several independent promotions for the next three years, including IWA Mid-South and NWA Mid American Wrestling. In 2001, Bruce appeared in Xtreme Pro Wrestling at XPW Rapture to aid Utsler. After Bruce suffered a real-life injury from a sloppy clothesline, the duo left the company. On October 5, 2002, he and Utsler wrestled in Ring of Honor and defeated Oman Tortuga and Diablo Santiago. Bruce was later made a playable character in both Eidos Interactive's video games Backyard Wrestling: Don't Try This at Home and Backyard Wrestling 2: There Goes the Neighborhood as Violent J. To help promote the games, he competed in a series of matches for Backyard Wrestling in 2003 and 2004. Question: what happened in 1990? Answer: After being released from jail in 1990, Bruce decided to get away from gang life and start a career in professional wrestling. Question: how did he get his start? Answer: Bruce's friend, Rudy Hill, got him booked in a local wrestling promotion. Rudy had lied to the promoter Question: what was his first match?	[ "his first match against \"Irish\" Mickey Doyle" ]
Title: Violent J Background: Joseph Bruce is a native of Berkley, Michigan. He was the last born of three children. His father, Richard Bruce, stole all of the family's money and left when Bruce was two years old. Joe's mother, Linda, was forced to care for him and his siblings, Robert and Theresa, off the income she made as a janitor. Section: Total Nonstop Action Wrestling (2004, 2006) Passage: On January 21, 2004, Bruce appeared alongside Utsler on an episode of the weekly NWA Total Nonstop Action PPV. The duo were shown partying in the crowd alongside the Juggalos in attendance. In the main event of the night, which featured Jeff Jarrett going against El Leon, Jarrett and El Leon were fighting in the crowd when Insane Clown Posse sprayed Faygo in Jarrett's eyes. The following week, Insane Clown Posse were interviewed in the ring by Mike Tenay. The duo explained that they were fans of TNA, and that they wanted to be a part of the promotion themselves. As they started making kayfabe negative remarks toward Jarrett, Glenn Gilberti and David Young interrupted. When Gilberti tried to convince the duo to apologize to Jarrett, Insane Clown Posse chased Gilbertti and Young out of the ring before challenging the team to a match for the next week. On February 4, Insane Clown Posse defeated Glen Gilbertti and David Young. Later that night, Scott Hudson interviewed Insane Clown Posse, and the duo announced that they would face whoever Jeff Jarrett threw at them next in a "Juggalo Street Fight". Insane Clown Posse won against the team of Glen Gilbertti and Kid Kash on February 18. Two weeks later, Insane Clown Posse announced that they would take part in a "Dark Carnival match" the next week against Glen Gilbertti and any partner he chooses. The following week, Insane Clown Posse and 2 Tuff Tony took on Glen Gilbertti, Kid Kash, and David Young. "The Alpha Male" Monty Brown made his TNA return, and cost Insane Clown Posse and 2 Tuff Tony the match. During their stint in TNA, Insane Clown Posse brought the company its largest paying crowds in history. After the duo left, they remained close with the company. On March 17, 2006, Insane Clown Posse hosted and booked TNA's first ever house show, which took place in Detroit, Michigan. The duo defeated Team Canada members Eric Young and Petey Williams. Question: What name did he perform under im 2004? Answer: On January 21, 2004, Bruce appeared alongside Utsler on an episode of the weekly NWA Total Nonstop Action PPV. Question: What happened after they sprayed him with Faygo?	[ "The duo explained that they were fans of TNA, and that they wanted to be a part of the promotion themselves." ]
Title: James Cameron Background: Cameron was born in 1954 in Kapuskasing, Ontario, Canada, the son of Shirley (nee Lowe), an artist and nurse, and Phillip Cameron, an electrical engineer. His paternal great-great-great-grandfather emigrated from Balquhidder, Scotland, in 1825. Cameron grew up in Chippawa, Ontario, and attended Stamford Collegiate School in Niagara Falls, Ontario. His family moved to Brea, California in 1971, when Cameron was 17 years old. Section: Early career Passage: He was the director, writer, producer, and production designer for Xenogenesis (1978). He then became an uncredited production assistant on Rock and Roll High School in 1979. While continuing to educate himself in filmmaking techniques, Cameron started working as a miniature model maker at Roger Corman Studios. Making rapidly produced, low-budget productions taught Cameron to work efficiently. He soon found employment as an art director in the sci-fi movie Battle Beyond the Stars (1980). He did special effects work design and direction on John Carpenter's Escape from New York (1981), acted as production designer on Galaxy of Terror (1981), and consulted on the design of Android (1982). Cameron was hired as the special effects director for the sequel to Piranha, entitled Piranha II: The Spawning in 1981. The original director, Miller Drake, left the project due to creative differences with producer Ovidio Assonitis, who then gave Cameron his first job as director. The interior scenes were filmed in Rome, Italy, while the underwater sequences were shot at Grand Cayman Island. The movie was to be produced in Jamaica. On location, production slowed due to numerous problems and adverse weather. James Cameron was fired after failing to get a close up of Carole Davis in her opening scene. Ovidio ordered Cameron to do the close-up the next day before he started on that day's shooting. Cameron spent the entire day sailing around the resort, reproducing the lighting but still failed to get the close-up. After he was fired, Ovidio invited Cameron to stay on location and assist in the shooting. Once in Rome, Ovidio took over the editing when Cameron was stricken with food poisoning. During his illness, Cameron had a nightmare about an invincible robot hitman sent from the future to kill him, giving him the idea for The Terminator, which later catapulted his film career. Question: What is significant about Cameron's early career? Answer: Making rapidly produced, low-budget productions taught Cameron to work efficiently. Question: What else did he do? Answer: He soon found employment as an art director in the sci-fi movie Battle Beyond the Stars (1980). Question: What other films did he produce in his early career?	[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: James Cameron Background: Cameron was born in 1954 in Kapuskasing, Ontario, Canada, the son of Shirley (nee Lowe), an artist and nurse, and Phillip Cameron, an electrical engineer. His paternal great-great-great-grandfather emigrated from Balquhidder, Scotland, in 1825. Cameron grew up in Chippawa, Ontario, and attended Stamford Collegiate School in Niagara Falls, Ontario. His family moved to Brea, California in 1971, when Cameron was 17 years old. Section: The Terminator (1984) Passage: After completing a screenplay for The Terminator, Cameron decided to sell it so that he could direct the movie. However, the production companies he contacted, while expressing interest in the project, were unwilling to let a largely inexperienced feature film director make the movie. Finally, Cameron found a company called Hemdale Pictures, which was willing to let him direct. Gale Anne Hurd, who had started her own production company, Pacific Western Productions, had previously worked with Cameron in Roger Corman's company and agreed to buy Cameron's screenplay for one dollar, on the condition that Cameron direct the film. Hurd was signed on as a producer, and Cameron finally got his first break as director. Orion Pictures distributed the film. Hurd and Cameron were married from 1985 to 1989. For the role of the Terminator, Cameron envisioned a man who was not exceptionally muscular, who could "blend into" a crowd. Lance Henriksen, who had starred in Piranha II: The Spawning, was considered for the title role, but when Arnold Schwarzenegger and Cameron first met over lunch to discuss Schwarzenegger's playing the role of Kyle Reese, both came to the conclusion that the cyborg villain would be the more compelling role for the Austrian bodybuilder; Henriksen got the smaller part of LAPD detective Hal Vukovich and the role of Kyle Reese went to Michael Biehn. In addition, Linda Hamilton first appeared in this film in her iconic role of Sarah Connor, and later married Cameron. The Terminator was a box-office hit, breaking expectations by Orion Pictures executives that the film would be regarded as no more than a sci-fi film, and then only last a week in theaters. It was a low-budget film which cost $6.5 million to make, cutting expenses in such ways as recording the audio track in mono. However, The Terminator eventually earned over $78 million worldwide. Question: What is the Terminator about? Answer: CANNOTANSWER Question: Were there any other movies made by James?	[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Big Star Background: Big Star was an American rock band formed in Memphis, Tennessee, in 1971 by Alex Chilton, Chris Bell, Jody Stephens, and Andy Hummel. The group broke up in 1974, and reorganized with a new line-up nearly 20 years later. In its first era, the band's musical style drew on the vocal harmonies of the Beatles, as well as the swaggering rhythms of the Rolling Stones and the jangling guitars of the Byrds. To the resulting power pop, Big Star added dark, existential themes, and produced a style that foreshadowed the alternative rock of the 1980s and 1990s. Section: "Big Star's Third" shows Passage: Three months after Chilton's death, Hummel died of cancer on July 19, 2010. Asked about the band's plans after the death of Chilton and Hummel, Stephens told Billboard, "It's music we all really love to play, and we love to play it together, so we're trying to figure out a way forward where we can keep doing it." In a Rolling Stone interview, Stephens said that the May 2010 tribute performance would be the group's final show as Big Star, although not his last show with Auer and Stringfellow, stating, "I can't see us going out as Big Star ... But I would hate to compound the loss of Alex by saying,'That's it' for Ken and Jon, too. I can't imagine not playing with them. There's so much fun--but an emotional bond there too." In December 2010, under the billing "Big Star's Third", Stephens teamed with Mitch Easter, Stamey, and Mills, along with a string section, to perform a live tribute performance of Big Star's album Third/Sister Lovers in Chapel Hill, North Carolina. Joined by additional performers such as Matthew Sweet, Big Star's Third was performed in a similar tribute concert in New York City on March 26, 2011, and at the Barbican in London on May 28, 2012. The project continued with concerts in Chicago and New York in 2013, a January 2014 concert in Sydney, Australia, and a series of U.S. shows that included Seattle's Bumbershoot festival on August 31, 2014. In November 2014, Auer and Stringfellow rejoined Stephens, Easter, Stamey, and Mills for a free benefit performance in Athens, Georgia. As of 2017, Big Star's Third continues to perform. On April 21, 2017, Concord Records released a Big Star's Third live concert documentary on two DVDs, along with a three-CD live album, both titled Thank You, Friends: Big Star's Third Live... and More. The concert was performed in April 2016 at Glendale, California's Alex Theatre. Question: When did the "Big Star's Third" shows happen? Answer: December 2010, Question: Where did the shows take place? Answer: Chapel Hill, North Carolina. Question: Did the shows take place anywhere else? Answer: New York City on March 26, 2011, and at the Barbican in London on May 28, 2012. The project continued with concerts in Chicago and New York Question: Are they still performing? Answer: As of 2017, Big Star's Third continues to perform. Question: Did they release any albums during this time? Answer: On April 21, 2017, Concord Records released a Big Star's Third live concert documentary on two DVDs, along with a three-CD live album, Question: What was the name of the album? Answer: Thank You, Friends: Big Star's Third Live... and More. Question: Are there any other interesting aspects about this article?	[ "Asked about the band's plans after the death of Chilton and Hummel, Stephens told Billboard, \"It's music we all really love to play," ]
Title: Big Star Background: Big Star was an American rock band formed in Memphis, Tennessee, in 1971 by Alex Chilton, Chris Bell, Jody Stephens, and Andy Hummel. The group broke up in 1974, and reorganized with a new line-up nearly 20 years later. In its first era, the band's musical style drew on the vocal harmonies of the Beatles, as well as the swaggering rhythms of the Rolling Stones and the jangling guitars of the Byrds. To the resulting power pop, Big Star added dark, existential themes, and produced a style that foreshadowed the alternative rock of the 1980s and 1990s. Section: Second era: 1993-2010 Passage: Big Star returned in 1993 with a new line-up when guitarist Jon Auer and bassist Ken Stringfellow joined Chilton and Stephens. Auer and Stringfellow remained members of the Posies, founded by the pair in 1986. Stringfellow is also known for his work with R.E.M. and the Minus 5. Hummel elected not to participate. First-era material dominated Big Star's performances, with the occasional addition of a song from the 2005 album In Space; Stringfellow recalled that during the 1990s, "We were working out the set list and we went to this little cafe. Little did I know we'd be playing that set for the next ten years". The resurrected band made its debut at the 1993 University of Missouri spring music festival. A recording of the performance was issued on CD by Zoo Records as Columbia: Live at Missouri University. The concert was followed by tours of Europe and Japan, as well as an appearance on The Tonight Show. Big Star's first post-reunion studio recording was the song "Hot Thing", recorded in the mid-1990s for the Big Star tribute album Big Star, Small . As with their prior studio release, however, the tribute album was delayed for years due to its record company going under. Originally scheduled for a 1998 release on Ignition Records, the album was eventually released in 2006 on Koch Records. In Space was released on September 27, 2005 on the Rykodisc label. Recorded during 2004, the album consisted of new material mostly co-written by Chilton, Stephens, Auer, and Stringfellow. Reviewing In Space, Rolling Stone's David Fricke first pointed out that the context of the release was now "a world expecting that American Beatles ideal all over again" from a band that "achieved its power-pop perfection when no one else was looking." In Fricke's estimation, this seemingly unrealistic expectation was met in part: "It's here - in the jangly longing and ice-wall harmonies of 'Lady Sweet'" - however, Fricke found that the successful songs were interleaved with "the eccentric R&B and demo-quality glam rock that have made Chilton's solo records a mixed blessing," and that "'A Whole New Thing' starts out like old T.Rex, then goes nowhere special." Warming nevertheless to "the rough sunshine" of "Best Chance", Fricke concluded, "In Space is no #1 Record, but at its brightest, it is Big Star in every way." The band appeared at San Francisco's Fillmore Auditorium on October 20, 2007. San Francisco-based band Oranger, performed as opening act. Big Star performed at the 2008 Rhythm Festival, staged from August 29-31 in Bedfordshire, UK. On June 16, 2009, the #1 Record/Radio City double album was reissued in remastered form. The same month, it was announced that a film of Big Star's history, based on biographer Rob Jovanovic's book Big Star: The Story of Rock's Forgotten Band, was in pre-production. On July 1, 2009, Big Star performed at a concert in Hyde Park, London, UK. On September 15, 2009, Rhino Records issued a four-CD box set containing 98 recordings made between 1968 and 1975. Keep an Eye on the Sky included live and demo versions of Big Star songs, solo work, and material from Bell's earlier bands Rock City and Icewater. On November 18, 2009, the band performed at the Brooklyn Masonic Temple in New York City. Question: How did the lineup change in the second era? Answer: guitarist Jon Auer and bassist Ken Stringfellow joined Chilton and Stephens. Question: What did the other members end up doing? Answer: Auer and Stringfellow remained members of the Posies, Question: What else did the other members do? Answer: Stringfellow is also known for his work with R.E.M. and the Minus 5. Question: Were any of the other original members mentioned? Answer: Hummel elected not to participate. Question: Did they release any new albums? Answer: the Big Star tribute album Big Star, Small Question: Did the album win any awards?	[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Władysław Gomułka Background: Wladyslaw Gomulka (Polish: [vwa'diswaf go'muwka]; 6 February 1905 - 1 September 1982) was a Polish communist politician. He was the de facto leader of post-war Poland until 1948. Following the Polish October he became leader again from 1956 to 1970. Gomulka was initially very popular for his reforms; his seeking a "Polish way to socialism"; and giving rise to the period known as "Gomulka's thaw". Section: Early life and activities Passage: Wladyslaw Gomulka was born on 6 February 1905 in Bialobrzegi Franciszkanskie village on the outskirts of Krosno, into a worker's family living in the Austrian Partition (the Galicia region). His parents had met and married in the United States, where each had emigrated in search of work in the late 19th century, but returned to occupied Poland in the early 20th century because Wladyslaw's father Jan was unable to find gainful employment in America. Jan Gomulka then worked as a laborer in the Subcarpathian oil industry. Wladyslaw's older sister Jozefa, born in the US, returned there upon turning eighteen to join her extended family, most of whom had emigrated, and to preserve her US citizenship. Wladyslaw and his two other siblings experienced a childhood of the proverbial Galician poverty: they lived in a dilapidated hut and ate mostly potatoes. Wladyslaw received only rudimentary education before being employed in the oil industry of the region. Gomulka attended schools in Krosno for six or seven years, until the age of thirteen, when he had to start an apprenticeship in a metalworks shop. Throughout his life Gomulka was an avid reader and accomplished a great deal of self-education, but remained a subject of jokes because of his lack of formal education and demeanor. In 1922, Gomulka passed his apprenticeship exams and began working at a local refinery. The re-established Polish state of Gomulka's teen years was a scene of growing political polarization and radicalization. The young worker developed connections with the radical Left, joining the Sila (Power) youth organization in 1922 and the Independent Peasant Party in 1925. Gomulka was known for his activism in the metal workers and, from 1922, chemical industry unions. He was involved in union-organized strikes and in 1924, during a protest gathering in Krosno, participated in a polemical debate with Herman Lieberman. He published radical texts in leftist newspapers. In May 1926 the young Gomulka was for the first time arrested, but soon released because of worker demands. The incident was the subject of a parliamentary intervention by the Peasant Party. In October 1926, Gomulka became a secretary of the managing council in the Chemical Industry Workers Union for the Drohobych District and remained involved with that communist-dominated union until 1930. He around this time learned on his own basic Ukrainian. Question: Where was he born? Answer: in Bialobrzegi Franciszkanskie village on the outskirts of Krosno, Question: What did he enjoy doing as a child? Answer: Throughout his life Gomulka was an avid reader and accomplished a great deal of self-education, but remained a subject of jokes Question: Where did he attend school? Answer: Gomulka attended schools in Krosno for six or seven years, until the age of thirteen, Question: When did he become involved in politics? Answer: The re-established Polish state of Gomulka's teen years was a scene of growing political polarization and radicalization. Question: At what age did he start speaking out in public or giving speeches?	[ "He was involved in union-organized strikes and in 1924, during a protest gathering in Krosno," ]