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Title: Willie Brown (politician) Background: Brown was born in Mineola, a small segregated town in east Texas marked by racial tensions, to Minnie Collins Boyd and Lewis Brown. Brown was the fourth of five children. During Brown's childhood, mob violence periodically erupted in Mineola, keeping African- Americans from voting. His first job was a shoeshine boy in a whites-only barber shop. Section: Mass transit Passage: One of Brown's central campaign promises was his "100-Day Plan for Muni," in which he boasted he would fix the city's municipal bus system in that many days. Brown supported the "Peer Pressure" Bus Patrol program, which paid former gang members and troubled youth to patrol Muni buses. Brown claimed the program helped reduce crime. He fired Muni chief Phil Adams and replaced him with his chief of staff Emilio Cruz. In 1998, Brown was Mayor during the summer of the Muni meltdown as Muni implemented the new ATC system and Brown promised riders there would be better times ahead. A voter approved initiative in the following year would help improve Muni services. Brown increased Muni's budget by tens of millions of dollars over his tenure. Brown later said he made a mistake in over promising with his 100-Day Plan. Brown helped mediate a settlement to the 1997 BART strike. During his first term as mayor, Brown quietly favored the demolition and abolition of the Transbay Terminal to accommodate the redevelopment of the site for market-rate housing. Centrally located at First and Mission Streets near the Financial District and South Beach, the terminal originally served as the San Francisco terminus for the electric commuter trains of the East Bay Electric Lines, the Key System of streetcars and the Sacramento Northern railroads which ran on the lower deck of the San Francisco-Oakland Bay Bridge. Following the termination of streetcar service in 1958, the terminal has seen continuous service as a major bus facility for East Bay commuters; AC Transit buses transport riders from the terminal directly into neighborhoods throughout the inner East Bay. The terminal also serves passengers traveling to San Mateo County and the North Bay aboard SamTrans and Golden Gate Transit buses respectively, and to tourists arriving by bus motorcoach. Today, the terminal is being planned for redevelopment as a region wide mass transit hub maintaining the current bus services, but with a new tunnel that would extend the Caltrain commuter rail line from its current terminus at Fourth and Townsend Streets to the site. Once completed, Caltrain riders would no longer need to transfer to Muni in order to reach the downtown financial district. Additionally, the heavy rail portion of the terminal would be designed to accommodate the planned High Speed Rail lines to Los Angeles. In 1998, The Berkeley, California-based Bicycle Civil Liberties Union, produced a two-hour documentary film in the muckraker journalism tradition, July 25: The Secret is Out, which gives evidence of Brown's designs for the Transbay Terminal site. Question: What did Willie Brown do for mass transit? Answer: In 1998, Brown was Mayor during the summer of the Muni meltdown as Muni implemented the new ATC system and Brown promised riders there would be better times ahead. Question: Did he improve transit? Answer: Brown increased Muni's budget by tens of millions of dollars over his tenure. Brown later said he made a mistake in over promising with his 100-Day Plan. Question: What were some of the mistakes he made? Answer: During his first term as mayor, Brown quietly favored the demolition and abolition of the Transbay Terminal to accommodate the redevelopment of the site for market-rate housing. Question: What was the biggest improvement he made? Answer: Brown helped mediate a settlement to the 1997 BART strike. Question: Were there any budget changes? Answer: Brown increased Muni's budget by tens of millions of dollars over his tenure. Question: What are some other notable aspects?	[ "In 1998, The Berkeley, California-based Bicycle Civil Liberties Union, produced a two-hour documentary film in the muckraker journalism tradition," ]
Title: Sun Ra Background: Sun Ra (born Herman Poole Blount, legal name Le Sony'r Ra; May 22, 1914 - May 30, 1993) was an American jazz composer, bandleader, piano and synthesizer player, and poet known for his experimental music, "cosmic" philosophy, prolific output, and theatrical performances. For much of his career, Ra led "The Arkestra", an ensemble with an ever-changing name and flexible line-up. Born and raised in Alabama, Blount eventually became involved in the Chicago jazz scene during the 1940s. He soon abandoned his birth name, taking the name Sun Ra (after Ra, the Egyptian God of the Sun) and developing a complex persona and mythology that would make him a pioneer of Afrofuturism: he claimed he was an alien from Saturn on a mission to preach peace, and throughout his life he consistently denied any ties to his prior identity. Section: Draft and wartime experiences Passage: In 1934 Blount was offered his first full-time musical job by Ethel Harper--his biology teacher from the high school, who had organized a band to pursue a career as a singer. Blount joined a musicians' trade union and toured with Harper's group through the US Southeast and Midwest. When Harper left the group mid-tour to move to New York (she later was a member of the modestly successful singing group the Ginger Snaps), Blount took over leadership of the group, renaming it the Sonny Blount Orchestra. They continued touring for several months before dissolving as unprofitable. Though the first edition of the Sonny Blount Orchestra was not financially successful, they earned positive notice from fans and other musicians. Blount afterward found steady employment as a musician in Birmingham. Birmingham clubs often featured exotic trappings, such as vivid lighting and murals with tropical or oasis scenes. Some believe these influenced the elements Sun Ra incorporated in his later stage shows. Playing for the big bands gave black musicians a sense of pride and togetherness, and they were highly regarded in the black community. They were expected to be disciplined and presentable, and in the segregated South, black musicians had wide acceptance in white society. They often played for elite white society audiences (though they were typically forbidden from associating with the audience). In 1936, Whatley's intercession led to Blount's being awarded a scholarship at Alabama Agricultural and Mechanical University. He was a music education major, studying composition, orchestration, and music theory. He dropped out after a year. Sun Ra soon left college because, he claimed, he had a visionary experience as a college student that had a major, long-term influence on him. In 1936 or 1937, in the midst of deep religious concentration, Sun Ra claimed that a bright light appeared around him, and, as he later said: My whole body changed into something else. I could see through myself. And I went up... I wasn't in human form... I landed on a planet that I identified as Saturn... they teleported me and I was down on [a] stage with them. They wanted to talk with me. They had one little antenna on each ear. A little antenna over each eye. They talked to me. They told me to stop [attending college] because there was going to be great trouble in schools... the world was going into complete chaos... I would speak [through music], and the world would listen. That's what they told me. Sun Ra said that this experience occurred in 1936 or 1937. According to Szwed, the musician's closest associates cannot date the story any earlier than 1952. (Sun Ra also said that the incident happened when he was living in Chicago, where he did not settle until the late 1940s). Sun Ra discussed the vision, with no substantive variation, to the end of his life. His trip to Saturn allegedly occurred a full decade before flying saucers entered public consciousness with the 1947 encounter of Kenneth Arnold. It was earlier than other public accounts: about 15 years before George Adamski wrote about contact with benevolent beings; and almost 20 years before the 1961 case of Barney and Betty Hill, who recounted sinister UFO abductions. Szwed says that, "even if this story is revisionist autobiography... Sonny was pulling together several strains of his life. He was both prophesizing his future and explaining his past with a single act of personal mythology." In October 1942 Blount received a selective service notification that he had been drafted into the Military of the United States. He quickly declared himself a conscientious objector, citing religious objections to war and killing, his financial support of his great-aunt Ida, and his chronic hernia. The local draft board rejected his claim. In an appeal to the national draft board, Blount wrote that the lack of black men on the draft appeal board "smacks of Hitlerism." Sonny's refusal to join the military deeply embarrassed his family, and many relatives ostracized him. He was eventually approved for alternate service at Civilian Public Service camp in Pennsylvania--but he did not appear at the camp as required on December 8, 1942. Shortly after, he was arrested in Alabama. In court, Blount said that alternate service was unacceptable; he debated the judge on points of law and Biblical interpretation. Though sympathetic, the judge ruled that Blount was violating the law and was at risk for being drafted into the U.S. military. Blount responded that if inducted, he would use military weapons and training to kill the first high-ranking military officer possible. The judge sentenced Blount to jail (pending draft board and CPS rulings), and then said, "I've never seen a nigger like you before." Blount replied, "No, and you never will again." In January 1943 Blount wrote to the United States Marshals Service from the Walker County, Alabama jail in Jasper. He said he was facing a nervous breakdown from the stress of imprisonment, that he was suicidal, and that he was in constant fear of sexual assault. When his conscientious objector status was reaffirmed in February 1943, he was escorted to Pennsylvania. He did forestry work as assigned during the day and was allowed to play piano at night. Psychiatrists there described him as "a psychopathic personality [and] sexually perverted," but also as "a well-educated colored intellectual." In March 1943, the draft board reclassified Blount as 4-F because of his hernia, and he returned to Birmingham, embittered and angered. He formed a new band and soon was playing professionally. After his beloved great-aunt Ida died in 1945, Blount felt no reason to stay in Birmingham. He dissolved the band, and moved to Chicago--part of the Second Great Migration, southern African Americans who moved north during and after World War II. Question: When was the draft? Answer: In March 1943, the draft board reclassified Blount as 4-F because of his hernia, and he returned to Birmingham, embittered and angered. Question: What were some wartime experiences?	[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Snoop Dogg Background: Calvin Cordozar Broadus Jr. was born in Long Beach, California, the second of three sons. He was named after his stepfather, Calvin Cordozar Broadus Sr. His mother is Beverly Broadus (nee Tate). His father, Vernell Varnado, was a Vietnam veteran, singer, and mail carrier who was said to be frequently absent from his life. Section: 1998-2006: Signing with No Limit and continued success Passage: Snoop signed with Master P's No Limit Records (distributed by Priority/EMI Records) in 1998 and debuted on the label with Da Game Is to Be Sold, Not to Be Told that year. His other albums from No Limit were No Limit Top Dogg in 1999 (selling over 1,503,865 copies) and Tha Last Meal in 2000 (selling over 2,000,000). In 1999, his autobiography, Tha Doggfather, was published. In 2002, he released the album Paid tha Cost to Be da Bo$$, on Priority/Capitol/EMI, with it selling over 1,300,000 copies. The album featured the hit singles "From tha Chuuuch to da Palace" and "Beautiful", featuring guest vocals by Pharrell. By this stage in his career, Snoop Dogg had left behind his "gangster" image and embraced a "pimp" image. In 2004, Snoop signed to Geffen Records/Star Trak Entertainment both of which were distributed through Interscope Records; Star Trak is headed by producer duo the Neptunes, which produced several tracks for Snoop's 2004 release R&G (Rhythm & Gangsta): The Masterpiece. "Drop It Like It's Hot" (featuring Pharrell), the first single released from the album, was a hit and became Snoop Dogg's first single to reach number one. His third release was "Signs", featuring Justin Timberlake and Charlie Wilson, which entered the UK chart at No. 2. This was his highest entry ever in the UK chart. The album sold 1,724,000 copies in the U.S. alone, and most of its singles were heavily played on radio and television. Snoop Dogg joined Warren G and Nate Dogg to form the group 213 and released album The Hard Way in 2004. Debuting at No.4 on the Billboard 200 and No.1 on the Top R&B/Hip-Hop Albums, it included single "Groupie Luv". Snoop Dogg appeared in the music video for Korn's "Twisted Transistor", along with fellow rappers Lil Jon, Xzibit, and David Banner, Snoop Dogg's appeared on two tracks from Ice Cube's 2006 album Laugh Now, Cry Later, including the single "Go to Church", and on several tracks on Tha Dogg Pound's Cali Iz Active the same year. Also, his latest song, "Real Talk", was leaked over the Internet in the summer of 2006 and a video was later released on the Internet. "Real Talk" was a dedication to former Crips leader Stanley "Tookie" Williams and a diss to Arnold Schwarzenegger, the Governor of California. Two other singles on which Snoop made a guest performance were "Keep Bouncing" by Too $hort (also with will.i.am of the Black Eyed Peas) and "Gangsta Walk" by Coolio. Snoop's 2006 album, Tha Blue Carpet Treatment, debuted on the Billboard 200 at No.5 and has sold over 850,000 copies. The album and the second single "That's That Shit" featuring R. Kelly were well received by critics. In the album, he collaborated in a video with E-40 and other West Coast rappers for his single "Candy (Drippin' Like Water)". Question: who did he sign with? Answer: Snoop signed with Master P's No Limit Records Question: how old was he when he got his start? Answer: CANNOTANSWER Question: where was he living at that time? Answer: CANNOTANSWER Question: where else was he successful? Answer: In 2004, Snoop signed to Geffen Records/Star Trak Entertainment both of which were distributed through Interscope Records; Question: what happened after he signed with Geffen Records? Answer: The Masterpiece. "Drop It Like It's Hot" (featuring Pharrell), the first single released from the album, was a hit and became Snoop Dogg's first single to reach number one. Question: What success happened later on?	[ "The album sold 1,724,000 copies in the U.S. alone, and most of its singles were heavily played on radio and television." ]
Title: Snoop Dogg Background: Calvin Cordozar Broadus Jr. was born in Long Beach, California, the second of three sons. He was named after his stepfather, Calvin Cordozar Broadus Sr. His mother is Beverly Broadus (nee Tate). His father, Vernell Varnado, was a Vietnam veteran, singer, and mail carrier who was said to be frequently absent from his life. Section: 2007-12: Ego Trippin', Malice n Wonderland and Doggumentary Passage: In July 2007, Snoop Dogg made history by becoming the first artist to release a track as a ringtone prior to its release as a single, which was "It's the D.O.G.". On July 7, 2007, Snoop Dogg performed at the Live Earth concert, Hamburg. Snoop Dogg has ventured into singing for Bollywood with his first ever rap for an Indian movie Singh Is Kinng; the title of the song is also "Singh is Kinng". He also appears in the movie as himself. The album featuring the song was released on June 8, 2008 on Junglee Music Records. He released his ninth studio album, Ego Trippin' (selling 400,000 copies in the U.S.), along with the first single, "Sexual Eruption". The single peaked at No. 7 on the Billboard 100, featuring Snoop using autotune. The album featured production from QDT (Quik-Dogg-Teddy). Snoop was appointed an executive position at Priority Records. His tenth studio album, Malice n Wonderland, was released on December 8, 2009. The first single from the album, "Gangsta Luv", featuring The-Dream, peaked at No.35 on the Billboard Hot 100. The album debuted at No.23 on the Billboard 200, selling 61,000 copies its first week, making it his lowest charting album. His third single, "I Wanna Rock", peaked at No.41 on the Billboard Hot 100. The fourth single from Malice n Wonderland, titled "Pronto", featuring Soulja Boy Tell 'Em, was released on iTunes on December 1, 2009. Snoop re-released the album under the name More Malice. Snoop collaborated with Katy Perry on "California Gurls", the first single from her album Teenage Dream, which was released on May 11, 2010. Snoop can also be heard on the track "Flashing" by Dr. Dre and on Curren$y's song "Seat Change". He was also featured on a new single from Australian singer Jessica Mauboy, titled "Get 'em Girls" (released September 2010). Snoop's latest effort was backing American recording artist, Emii, on her second single entitled "Mr. Romeo" (released October 26, 2010 as a follow-up to "Magic"). Snoop also collaborated with American comedy troupe the Lonely Island in their song "Turtleneck & Chain", in their 2011 album Turtleneck & Chain. Snoop Dogg's eleventh studio album is Doggumentary. The album went through several tentative titles including Doggystyle 2: Tha Doggumentary and Doggumentary Music: 0020 before being released under the final title Doggumentary during March 2011. Snoop was featured on Gorillaz' latest album Plastic Beach on a track called: "Welcome to the World of the Plastic Beach" with the Hypnotic Brass Ensemble, he also completed another track with them entitled "Sumthing Like This Night" which does not appear on Plastic Beach, yet does appear on Doggumentary. He also appears on the latest Tech N9ne album All 6's and 7's (released June 7, 2011) on a track called "Pornographic" which also features E-40 and Krizz Kaliko. Question: What album had the best sales? Answer: His tenth studio album, Malice n Wonderland, Question: Did he tour with that album release? Answer: CANNOTANSWER Question: Are there any other interesting aspects about this article? Answer: Snoop collaborated with Katy Perry on "California Gurls", Question: Who else did he collaborate with? Answer: Snoop can also be heard on the track "Flashing" by Dr. Dre and on Curren$y's song "Seat Change". Question: Are there any albums that didnt do well? Answer: Malice n Wonderland, Question: Why did it do so poorly?	[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Bruce Lee Background: Bruce Lee was born on November 27, 1940, at the Chinese Hospital, in San Francisco's Chinatown. According to the Chinese zodiac, Lee was born in both the hour and the year of the Dragon, which according to tradition is a strong and fortuitous omen. Lee and his parents returned to Hong Kong when he was three months old. Bruce's father, Lee Hoi-chuen, (Li Hai Quan ) was Han Chinese, and his mother, Grace Ho (He Ai Yu ), was of Eurasian ancestry. Section: Leaving Hong Kong Passage: After attending Tak Sun School (De Xin Xue Xiao ) (several blocks from his home at 218 Nathan Road, Kowloon), Lee entered the primary school division of the Catholic La Salle College at the age of 12. In 1956, due to poor academic performance (or possibly poor conduct as well), he was transferred to St. Francis Xavier's College (high school), where he would be mentored by Brother Edward, a teacher and coach of the school boxing team. In 1958 Bruce won the Hong Kong schools boxing tournament, knocking out the previous champion in the final. In the spring of 1959, Lee got into another street fight and the police were called. Until his late teens, Lee's street fights became more frequent and included beating the son of a feared triad family. Eventually, Lee's father decided his son should leave Hong Kong to pursue a safer and healthier life in the United States. His parents confirmed the police's fear that this time Lee's opponent had an organised crime background, and there was the possibility that a contract was out for his life. The police detective came and he says "Excuse me Mr. Lee, your son is really fighting bad in school. If he gets into just one more fight I might have to put him in jail". In April 1959, Lee's parents decided to send him to the United States to stay with his older sister, Agnes Lee (Li Qiu Feng ), who was already living with family friends in San Francisco. Question: Why did Bruce lee leave Hong Kong? Answer: Lee's father decided his son should leave Hong Kong to pursue a safer and healthier life in the United States. Question: What age was he when he left? Answer: his late teens, Question: Where did he move to in the united states? Answer: in San Francisco. Question: Was he upset about moving to the states?	[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Sun Ra Background: Sun Ra (born Herman Poole Blount, legal name Le Sony'r Ra; May 22, 1914 - May 30, 1993) was an American jazz composer, bandleader, piano and synthesizer player, and poet known for his experimental music, "cosmic" philosophy, prolific output, and theatrical performances. For much of his career, Ra led "The Arkestra", an ensemble with an ever-changing name and flexible line-up. Born and raised in Alabama, Blount eventually became involved in the Chicago jazz scene during the 1940s. He soon abandoned his birth name, taking the name Sun Ra (after Ra, the Egyptian God of the Sun) and developing a complex persona and mythology that would make him a pioneer of Afrofuturism: he claimed he was an alien from Saturn on a mission to preach peace, and throughout his life he consistently denied any ties to his prior identity. Section: New York phase Passage: After the move to New York, Sun Ra and company plunged headlong into the experimentalism that they had only hinted at in Chicago. The music was often extremely loud and the Arkestra grew to include multiple drummers and percussionists. In recordings of this era, Ra began to use new technologies--such as extensive use of tape delay--to assemble spatial sound pieces that were far removed from earlier compositions such as Saturn. Recordings and live performances often featured passages for unusual instrumental combinations, and passages of collective playing that incorporated free improvisation. It is often difficult to tell where compositions end and improvisations begin. In this era, Sun Ra began conducting using hand and body gestures. This system inspired cornetist Butch Morris, who later developed his own more highly refined way to conduct improvisers. Though often associated with avant-garde jazz, Sun Ra did not believe his work could be classified as "free music": "I have to make sure that every note, every nuance, is correct... If you want to call it that, spell it p-h-r-e, because ph is a definite article and re is the name of the sun. So I play phre music - music of the sun." Seeking to broaden his compositional possibilities, Sun Ra insisted all band members double on various percussion instruments - predating world music by drawing on various ethnic musical forms - and most saxophonists became multireedists, adding instruments such as flutes, oboes, or clarinets to their arsenals. In this era, Sun Ra was among the first of any musicians to make extensive and pioneering use of synthesizers and other various electronic keyboards; he was given a prototype Minimoog by its inventor, Robert Moog. According to the Bob Moog Foundation: "Sun Ra first met Robert Moog after Downbeat journalist and Sun Ra acquaintance Tam Fiofori arranged for a visit to Moog's factory in Trumansburg in the Fall of 1969....it was during this visit that Moog loaned Sun Ra a prototype Minimoog (Model B), several months before the commercial instrument (Model D) was introduced in March 1970. Ra immediately added the instrument to his repertoire of keyboards, later acquired a second, and featured the Minimoog prominently on many of his recordings of the early 1970s." Notable titles from this period include The Magic City, Cosmic Tones for Mental Therapy, When Sun Comes Out, The Heliocentric Worlds of Sun Ra, Volume One, Atlantis, Secrets of the Sun and Other Planes of There. Question: What was the new york phase Answer: After the move to New York, Sun Ra and company plunged headlong into the experimentalism Question: What are some other interesting aspects about this article?	[ "Though often associated with avant-garde jazz, Sun Ra did not believe his work could be classified as \"free music\":" ]
Title: Tippi Hedren Background: Hedren was born on January 19, 1930, in New Ulm, Minnesota, to Bernard Carl and Dorothea Henrietta (nee Eckhardt) Hedren. For much of her career, Hedren's year of birth was reported as 1935. In 2004, however, she acknowledged that she was actually born in 1930 (which is consistent with the birth registration index at the Minnesota Historical Society). Her paternal grandparents were Swedish immigrants, while her maternal ancestry is German and Norwegian. Section: The Birds (1963) Passage: The Birds (1963) was Hedren's screen debut. Hitchcock became her drama coach, and gave her an education in film-making as she attended many of the production meetings such as script, music or photography conferences. Hedren said, "I probably learned in three years what it would have taken me 15 years to learn otherwise." She learned how to break down a script, to become another character, and to study the relationship of different characters. Hedren portrayed her role of Melanie Daniels as Hitchcock requested. She said, "He gives his actors very little leeway. He'll listen, but he has a very definite plan in mind as to how he wants his characters to act. With me, it was understandable, because I was not an actress of stature. I welcomed his guidance." During the six months of principal photography, Hedren's schedule was tight, as she was only given one afternoon off a week. At first, she found the shooting "wonderful". Hitchcock told a reporter, after a few weeks of filming, that she was remarkable, and said, "She's already reaching the lows and highs of terror." Nonetheless, Hedren recalled the week she did the final bird attack scene in a second-floor bedroom as the worst of her life. Before filming it, she asked Hitchcock about her character's motivations to go upstairs, and his response was, "Because I tell you to." She was then assured that the crew would use mechanical birds. Instead, Hedren endured five solid days of prop men, protected by thick leather gloves, flinging dozens of live gulls, ravens and crows at her (their beaks clamped shut with elastic bands). In a state of exhaustion, when one of the birds gouged her cheek and narrowly missed her eye, Hedren sat down on the set and began crying. A physician ordered a week's rest. Hitchcock protested, according to Hedren, saying there was nobody but her to film. The doctor's reply was, "Are you trying to kill her?" She said the week also appeared to be an ordeal for the director. Universal's executives, who did not back Hitchcock's decision to hire Hedren in the first place, were impressed with her performance and Wasserman described it as "remarkable". While promoting The Birds, Hitchcock was full of praise for his new protegee, and compared her to Grace Kelly. "Tippi has a faster tempo, city glibness, more humor [than Grace Kelly]. She displayed jaunty assuredness, pertness, an attractive throw of the head. And she memorized and read lines extraordinarily well and is sharper in expression." The film was screened out of competition in May at a prestigious invitational showing at the 1963 Cannes Film Festival. Hedren's performance was praised in Variety's review: "Aside from the birds, the film belongs to Hedren, who makes an auspicious screen bow. She virtually has to carry the picture alone for the first forty-five minute stretch, prior to the advent of the first wave of organized attackers from the sky. Miss Hedren has a star quality and Hitchcock has provided her with a potent vehicle to launch her career". Hedren received the Golden Globe Award for New Star of the Year, tied with Elke Sommer and Ursula Andress. Her role as Melanie Daniels was named by Premiere magazine as one of the greatest movie characters of all time. Question: What can you tell me about The Birds? Answer: The Birds (1963) was Hedren's screen debut. Hitchcock became her drama coach, and gave her an education in film-making Question: Was it successful? Answer: were impressed with her performance and Wasserman described it as "remarkable". Question: What did Variety have to say?	[ "\"Aside from the birds, the film belongs to Hedren, who makes an auspicious screen bow." ]
Title: Buena Vista Social Club Background: Buena Vista Social Club is an ensemble of Cuban musicians established in 1996 to revive the music of pre-revolutionary Cuba. The project was organized by World Circuit executive Nick Gold, produced by American guitarist Ry Cooder and directed by Juan de Marcos Gonzalez. They named the group after the homonymous members' club in the Buenavista quarter of Havana, a popular music venue in the 1940s. To showcase the popular styles of the time, such as son, bolero and danzon, they recruited a dozen veteran musicians, many of whom had been retired for years. Section: Live performances Passage: The first performances by the full line up of Buena Vista Social Club, including Cooder, were those filmed by Wenders in Amsterdam and New York. Other international shows and T.V. appearances soon followed with varying line ups. Ibrahim Ferrer and Ruben Gonzalez performed together in Los Angeles in 1998 to an audience that included Alanis Morissette, Sean Combs, and Jennifer Lopez, Ferrer dedicating the song Mami Me Gusto to the Hispanic Lopez. Performances in Florida, which has a large Cuban exile and Cuban American community, were rare after the release of the film due to the political climate. In the late 1990s, a concert by Cuban jazz pianist Gonzalo Rubalcaba turned into a near riot when concert goers were attacked and spat at by protesters opposed to the Cuban government. When "Buena Vista" musicians played for a music industry conference at Miami Beach in 1998, hundreds of protesters chanted outside and the convention center hall was cleared briefly because of a bomb threat. In 1999, Ferrer and Ruben Gonzalez were forced to cancel Miami shows citing fears for their safety after fellow-Cubans Los Van Van drew 4,000 protesters at a previous show, and Compay Segundo was forced to cut short a 1999 Miami performance due to another bomb threat. When touring the U.S., the Cubans are only entitled to their per diem (transportation and lodging) and are not permitted performance fees due to the U.S. embargo. In 2001 a Buena Vista Social Club (with Ibrahim Ferrer) performance was recorded in Austin for PBS and broadcast on Austin City Limits in 2002. Buena Vista Social Club continue to tour throughout the world as Orquesta Buena Vista Social Club, and despite the deaths of six of the original members, the collective performs with many of the remaining ensemble members including Barbarito Torres and "Guajiro" Mirabal. Ry Cooder's guitar parts are handled by Manuel Galban, a former member of Cuban vocal group Los Zafiros, who played on Ibrahim Ferrer's first solo record with Cooder and appeared in Wim Wenders' film. Following a 2007 performance in London, a reviewer at The Independent described the ensemble as "something of an anomaly in music business terms, due to their changing line-up and the fact that they've never really had one defining front person", adding, "It's hard to know what to expect from what is more of a brand than a band." Question: What were some notable live performances at the Buena Vista Social Club? Answer: When "Buena Vista" musicians played for a music industry conference at Miami Beach in 1998, hundreds of protesters chanted outside Question: What other live performances are important?	[ "Buena Vista Social Club continue to tour throughout the world as Orquesta Buena Vista Social Club," ]
Title: Roger Clemens Background: Clemens was born in Dayton, Ohio, the fifth child of Bill and Bess (Lee) Clemens. He is of German descent, his great-grandfather Joseph Clemens having immigrated in the 1880s. Clemens's parents separated when he was an infant. His mother soon married Woody Booher, whom Clemens considers his father. Section: Return to the Yankees (2007) Passage: Clemens unexpectedly appeared in the owner's box at Yankee Stadium on May 6, 2007, during the seventh-inning stretch of a game against the Seattle Mariners, and made a brief statement: "Thank y'all. Well they came and got me out of Texas, and uhh, I can tell you it's a privilege to be back. I'll be talkin' to y'all soon." It was simultaneously announced that Clemens had rejoined the Yankees roster, agreeing to a pro-rated one-year deal worth $28,000,022, or about $4.7 million per month. Over the contract life, he would make $18.7 million. This equated to just over $1 million per start that season. Clemens made his 2007 return on June 9, defeating the Pittsburgh Pirates by pitching six innings with seven strikeouts and 3 runs allowed. On June 21, with a single in the 5th inning against the Colorado Rockies, Clemens became the oldest New York Yankee to record a hit (44 years, 321 days). On June 24, Clemens pitched an inning in relief against the San Francisco Giants. It had been 22 years and 341 days since his previous regular-season relief appearance, the longest such gap in major league history. On July 2, Clemens collected his 350th win against the Minnesota Twins at Yankee Stadium, giving up just two hits and one run over eight innings. Clemens is one of only three pitchers to pitch his entire career in the live-ball era and reach 350 wins. The other two are Warren Spahn (whose catcher for his 350th win was Joe Torre, Clemens's manager for his 350th), and Greg Maddux, who earned his 350th win in 2008. His final regular season appearance was a start against the Red Sox at Fenway Park, in which he allowed 2 hits and 1 unearned run in 6 innings, and received a no-decision. Clemens finished the 2007 regular season with a record of 6-6 and a 4.18 ERA. Clemens was forced to leave Game 3 of the 2007 ALDS in the third inning after aggravating a hamstring injury. He struck out Victor Martinez of the Cleveland Indians with his final pitch, and was replaced by right-hander Phil Hughes. Yankees manager Joe Torre removed Clemens from the roster due to his injury, and replaced him with left-hander Ron Villone. Question: When was Clemens born? Answer: CANNOTANSWER Question: Why did Clemens join the Yankees? Answer: rejoined the Yankees roster, agreeing to a pro-rated one-year deal worth $28,000,022, or about $4.7 million per month. Question: Did the team win a world series while he played?	[ "Clemens was forced to leave Game 3 of the 2007 ALDS in the third inning after aggravating a hamstring injury." ]
Title: Roger Clemens Background: Clemens was born in Dayton, Ohio, the fifth child of Bill and Bess (Lee) Clemens. He is of German descent, his great-grandfather Joseph Clemens having immigrated in the 1880s. Clemens's parents separated when he was an infant. His mother soon married Woody Booher, whom Clemens considers his father. Section: Boston Red Sox Passage: In the 1986 American League Championship Series, Clemens pitched poorly in the opening game, watched the Boston bullpen blow his 3-0 lead in the bottom of the ninth inning of Game 4, and then pitched a strong Game 7 to wrap up the series for Boston. The 1986 ALCS clincher was Clemens' first postseason career victory. He did not win his second until 13 years later. After a bad start in Game 2 of the 1986 World Series, Clemens returned to the mound for Game 6, which would have clinched the World Series for the Boston Red Sox. Clemens left the game after 7 innings leading 3-2, but the Red Sox went on to lose the game in the 10th inning, and subsequently, the championship. Clemens' departure was highly debated and remains a bone of contention among the participants. Red Sox manager John McNamara claimed Clemens took himself out due to a blister, though Clemens strongly denies that. Clemens greatest postseason failure came in the second inning of the final game of the 1990 ALCS against the Oakland Athletics, when he was ejected for arguing balls and strikes with umpire Terry Cooney, accentuating the A's three-game sweep of the Red Sox. He was suspended for the first five games of the 1991 season and fined $10,000. Clemens had two other playoff no-decisions, in 1988 and 1995, both occurring while Boston was being swept. Clemens' overall postseason record with Boston was 1-2 with a 3.88 ERA, and 45 strikeouts and 19 walks in 56 innings. Question: When did you join the Red Sox? Answer: CANNOTANSWER Question: What is something interesting about his time with the Red Sox?	[ "The 1986 ALCS clincher was Clemens' first postseason career victory. He did not win his second until 13 years later." ]
Title: Charles Taze Russell Background: Charles Taze Russell was born to Scottish-Irish parents, immigrant Joseph Lytel Russell (d. December 17, 1897) and Ann Eliza Birney (d. January 25, 1861), on February 16, 1852 in Allegheny, Pennsylvania. Russell was the second of five children, of whom two survived into adulthood. His mother died when he was 9 years old. The Russells lived for a time in Philadelphia before moving to Pittsburgh, where they became members of the Presbyterian Church. Section: Publications Passage: With the formation of the Watch Tower Society, Russell intensified his ministry. His Bible study group had grown to hundreds of local members, with followers throughout New England, the Virginias, Ohio, and elsewhere. They annually re-elected him "Pastor", and commonly referred to him as "Pastor Russell". Congregations that eventually formed in other nations also followed this tradition. In 1881, Russell published his first work to gain wide distribution: Food for Thinking Christians. The 162-page "pamphlet" was published using donated funds amounting to approximately $40,000 (current value $1,014,345). It had a circulation of nearly 1.5 million copies over a period of four months distributed throughout the United States, Canada and Great Britain by various channels. During the same year he published Tabernacle and its Teachings which was quickly expanded and reissued as Tabernacle Shadows of the "Better Sacrifices", outlining his interpretation of the various animal sacrifices and tabernacle ceremonies instituted by Moses. Russell claimed that the distribution of these works and other tracts by the Watch Tower Society during 1881 exceeded by eight times that of the American Tract Society for the year 1880. In 1903, newspapers began publishing his written sermons. These newspaper sermons were syndicated worldwide in as many as 4,000 newspapers, eventually reaching an estimated readership of some 15 million in the United States and Canada. In 1910 the secular journal Overland Monthly calculated that by 1909, Russell's writings had become the most widely distributed, privately produced English-language works in the United States. It said that the entire corpus of his works were the third most circulated on earth, after the Bible and the Chinese Almanac. In 1912 The Continent, a Presbyterian journal, stated that in North America Russell's writings had achieved a greater circulation "than the combined circulation of the writings of all the priests and preachers in North America." Russell also had many critics, and he was frequently described as a heretic in this period. Question: What was his first pubcliation? Answer: Russell published his first work to gain wide distribution: Food for Thinking Christians. Question: did he have any other publications?	[ "Tabernacle and its Teachings which was quickly expanded and reissued as Tabernacle Shadows of the \"Better Sacrifices\"," ]
Title: Charles Taze Russell Background: Charles Taze Russell was born to Scottish-Irish parents, immigrant Joseph Lytel Russell (d. December 17, 1897) and Ann Eliza Birney (d. January 25, 1861), on February 16, 1852 in Allegheny, Pennsylvania. Russell was the second of five children, of whom two survived into adulthood. His mother died when he was 9 years old. The Russells lived for a time in Philadelphia before moving to Pittsburgh, where they became members of the Presbyterian Church. Section: Allegation of immoral conduct Passage: In 1897 Russell's wife, Maria, left him after a disagreement over the management of Zion's Watch Tower magazine. According to Russell's successor Joseph Franklin Rutherford, she believed that, as his wife, she should have equal control over its administration and equal privilege in writing articles, preaching, and traveling abroad as his representative. In 1903 she filed for legal separation on the grounds of mental cruelty, referring to forced celibacy and frequent cold, indifferent treatment by him. The separation was granted in 1906, with Russell charged to pay alimony. During the trial Mrs. Russell's attorney alleged that in 1894 Mr. Russell had engaged in "improper intimacy" with Rose Ball, by then a 25-year-old woman. The Russells had cared for her as a foster daughter said to be an orphan. Mrs. Russell alleged that Ball had told her Mr. Russell claimed to be an amorous "jellyfish floating around" to different women until someone responded to his advances. Mr. Russell denied the accusations and said he had never used such language to describe himself. When the judge asked Mrs. Russell if she was accusing her husband of adultery, she replied, "No". The Washington Post and the Mission Friend of Chicago reprinted the "jellyfish" story while also accusing Russell of immoral conduct. Russell sued the papers for libel; the jury decided in his favor, awarding him one dollar. Following an appeal, Russell received a cash settlement of $15,000 (current value $409,000) plus court costs, and an agreement that the two papers publish his weekly syndicated sermons as well as a retraction defending his character. Rose Ball later married and lived in Australia. As Rose Ball Henninges, she died November 22, 1950 at the age of 81 in Melbourne, Australia. For several years she had written articles for The People's Paper and was associated with the Bible Students in Australia until her death. Question: Was there ever an allegation made against Russell? Answer: she filed for legal separation on the grounds of mental cruelty, referring to forced celibacy and frequent cold, indifferent treatment by him. Question: Was was the courts ruling? Answer: The separation was granted in 1906, with Russell charged to pay alimony. Question: How did the congregation react to the seperation?	[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Jane Seymour Background: Jane was probably born at Wulfhall, Wiltshire, although West Bower Manor has also been suggested, the daughter of Sir John Seymour and Margery Wentworth. Her birth date was not recorded, but it is generally estimated as occurring in or around 1508. Through her maternal grandfather, she was a descendant of King Edward III's son Lionel of Antwerp, 1st Duke of Clarence. Because of this, she and King Henry VIII were fifth cousins. Section: Marriage and birth of heir Passage: Henry VIII was betrothed to Jane on 20 May 1536, just one day after Anne Boleyn's execution. The couple were married at the Palace of Whitehall, Whitehall, London, in the Queen's closet by Bishop Gardiner on 30 May 1536. As a wedding gift the King made her a grant of 104 manors in four counties as well as a number of forests and hunting chases for her jointure, the income to support her during their marriage. She was publicly proclaimed queen on 4 June 1536. Jane's well-publicised sympathy for the late Queen Catherine and her daughter Mary showed her to be compassionate and made her a popular figure with the common people and most of the courtiers. She was never crowned because of plague in London, where the coronation was to take place. Henry may have been reluctant to have Jane crowned before she had fulfilled her duty as a queen consort by bearing him a son and a male heir. As queen, Jane Seymour was said to be strict and formal. Jane would form a close relationship with her stepdaughter, Mary. The lavish entertainments, gaiety, and extravagance of the queen's household, which had reached its peak during the time of Anne Boleyn, was replaced by a strict enforcement of decorum. For example, she banned the French fashions that Anne Boleyn had introduced. Politically, Seymour appears to have been conservative. Her only reported involvement in national affairs, in 1536, was when she asked for pardons for participants in the Pilgrimage of Grace. Henry is said to have rejected this, reminding her of the fate her predecessor met with when she "meddled in his affairs". Her motto as a queen was "Bound to obey and serve." Jane put forth much effort to restore Mary to court and to the royal succession, behind any children that Jane might have with Henry. Jane brought up the issue of Mary's restoration both before and after she became queen. While Jane was unable to restore Mary to the line of succession, she was able to reconcile her with Henry. Eustace Chapuys wrote to Charles V of Jane's compassion and efforts on behalf of Mary's return to favour. A letter from Mary to Jane shows that Mary was grateful to Jane. While it was Jane who first pushed for the restoration, Mary and Elizabeth were not reinstated to the succession until Henry's sixth wife, Catherine Parr, convinced him to do so. In January 1537, Jane became pregnant. During her pregnancy, she developed a craving for quail, which Henry ordered for her from Calais and Flanders. During the summer, she took no public engagements and led a relatively quiet life, being attended by the royal physicians and the best midwives in the kingdom. She went into confinement in September 1537 and gave birth to the coveted male heir, the future King Edward VI, at two o'clock in the morning on 12 October 1537 at Hampton Court Palace. Edward was christened on 15 October 1537, without his mother in attendance, as was the custom. He was the only legitimate son of Henry VIII to survive infancy. Both of the King's daughters, Mary and Elizabeth, were present and carried the infant's train during the ceremony. Question: What year did she marry? Answer: 20 May 1536, Question: Who did she marry? Answer: Henry VIII Question: How did they meet? Answer: CANNOTANSWER Question: When did she give birth? Answer: at two o'clock in the morning on 12 October 1537 Question: What did they name him?	[ "the future King Edward VI," ]
Title: Henry Molaison Background: Henry Gustav Molaison (February 26, 1926 - December 2, 2008), known widely as H.M., was an American memory disorder patient who had a bilateral medial temporal lobectomy to surgically resect the anterior two thirds of his hippocampi, parahippocampal cortices, entorhinal cortices, piriform cortices, and amygdalae in an attempt to cure his epilepsy. Although the surgery was partially successful in controlling his epilepsy, a severe side effect was that he became unable to form new memories. H.M. was widely studied from late 1957 until his death in 2008. His case played an important role in the development of theories that explain the link between brain function and memory, and in the development of cognitive neuropsychology, a branch of psychology that aims to understand how the structure and function of the brain relates to specific psychological processes. Section: Biography Passage: Henry Molaison was born on February 26, 1926, and experienced intractable epilepsy that has sometimes been attributed to a bicycle accident at the age of seven. (This accident was initially reported to have occurred at age nine, but was corrected by the patient's mother at a later stage.) He had partial seizures for many years, and then several tonic-clonic seizures following his 16th birthday. In 1953, he was referred to William Beecher Scoville, a neurosurgeon at Hartford Hospital, for treatment. Scoville localized Molaison's epilepsy to his left and right medial temporal lobes (MTLs) and suggested surgical resection of the MTLs as a treatment. On September 1, 1953, at the age of 27, Molaison's bilateral medial temporal lobe resection included the removal of the hippocampal formation and adjacent structures, including most of the amygdaloid complex and entorhinal cortex. His hippocampi appeared entirely nonfunctional because the remaining 2 cm of hippocampal tissue appeared to have atrophied and because the entire entorhinal cortex, which forms the major sensory input to the hippocampus, was destroyed. Some of his anterolateral temporal cortex was also destroyed. After the surgery, which was partially successful in its primary goal of controlling his epilepsy, Molaison developed severe anterograde amnesia: although his working memory and procedural memory were intact, he could not commit new events to his explicit memory. According to some scientists, he was impaired in his ability to form new semantic knowledge, but researchers argue over the extent of this impairment. He also had moderate retrograde amnesia, and could not remember most events in the one- to two-year period before surgery, nor some events up to 11 years before, meaning that his amnesia was temporally graded. However, his ability to form long-term procedural memories was intact; thus he could, for example, learn new motor skills, despite not being able to remember learning them. The case was first reported in a paper by Scoville and Brenda Milner in 1957. Near the end of his life, Molaison regularly filled in crossword puzzles. He was able to fill in answers to clues that referred to pre-1953 knowledge. For post-1953 information he was able to modify old memories with new information. For instance, he could add a memory about Jonas Salk by modifying his memory of polio. He died on December 2, 2008. Question: When was Henry born? Answer: Henry Molaison was born on February 26, 1926, Question: What happened to him as a child? Answer: bicycle accident at the age of seven. Question: What resulted from the accident? Answer: experienced intractable epilepsy Question: How did epilepsy effect him? Answer: He had partial seizures for many years, and then several tonic-clonic seizures following his 16th birthday. Question: Did he ever get any treatment? Answer: Scoville localized Molaison's epilepsy to his left and right medial temporal lobes (MTLs) and suggested surgical resection of the MTLs as a treatment. Question: What other surgeries did he have? Answer: Molaison's bilateral medial temporal lobe resection included the removal of the hippocampal formation and adjacent structures, including most of the amygdaloid complex and entorhinal cortex. Question: Did he ever get any better from the operations? Answer: After the surgery, which was partially successful in its primary goal of controlling his epilepsy, Molaison developed severe anterograde amnesia: Question: What type of impairments was he having?	[ "He also had moderate retrograde amnesia, and could not remember most events in the one- to two-year period before surgery," ]
Title: Sigmund Freud Background: Sigmund Freud ( FROYD; German: ['zi:kmUnt 'fRoYt]; born Sigismund Schlomo Freud; 6 May 1856 - 23 September 1939) was an Austrian neurologist and the founder of psychoanalysis, a clinical method for treating psychopathology through dialogue between a patient and a psychoanalyst. Freud was born to Galician Jewish parents in the Moravian town of Freiberg, in the Austrian Empire. He qualified as a doctor of medicine in 1881 at the University of Vienna. Upon completing his habilitation in 1885, he was appointed a docent in neuropathology and became an affiliated professor in 1902. Section: Early life and education Passage: Freud was born to Jewish parents in the Moravian town of Freiberg, in the Austrian Empire (later Pribor, Czech Republic), the first of eight children. Both of his parents were from Galicia, in modern-day Ukraine. His father, Jakob Freud (1815-1896), a wool merchant, had two sons, Emanuel (1833-1914) and Philipp (1836-1911), by his first marriage. Jakob's family were Hasidic Jews, and although Jakob himself had moved away from the tradition, he came to be known for his Torah study. He and Freud's mother, Amalia Nathansohn, who was 20 years younger and his third wife, were married by Rabbi Isaac Noah Mannheimer on 29 July 1855. They were struggling financially and living in a rented room, in a locksmith's house at Schlossergasse 117 when their son Sigmund was born. He was born with a caul, which his mother saw as a positive omen for the boy's future. In 1859, the Freud family left Freiberg. Freud's half brothers emigrated to Manchester, England, parting him from the "inseparable" playmate of his early childhood, Emanuel's son, John. Jakob Freud took his wife and two children (Freud's sister, Anna, was born in 1858; a brother, Julius born in 1857, had died in infancy) firstly to Leipzig and then in 1860 to Vienna where four sisters and a brother were born: Rosa (b. 1860), Marie (b. 1861), Adolfine (b. 1862), Paula (b. 1864), Alexander (b. 1866). In 1865, the nine-year-old Freud entered the Leopoldstadter Kommunal-Realgymnasium, a prominent high school. He proved an outstanding pupil and graduated from the Matura in 1873 with honors. He loved literature and was proficient in German, French, Italian, Spanish, English, Hebrew, Latin and Greek. Freud entered the University of Vienna at age 17. He had planned to study law, but joined the medical faculty at the university, where his studies included philosophy under Franz Brentano, physiology under Ernst Brucke, and zoology under Darwinist professor Carl Claus. In 1876, Freud spent four weeks at Claus's zoological research station in Trieste, dissecting hundreds of eels in an inconclusive search for their male reproductive organs. He graduated with an MD in 1881. Question: What was his early life like? Answer: Freud was born to Jewish parents in the Moravian town of Freiberg, Question: Where did he receive his education? Answer: Freud entered the University of Vienna at age 17. Question: What did he study? Answer: his studies included philosophy under Franz Brentano, physiology under Ernst Brucke, and zoology under Darwinist professor Carl Claus. Question: When did he complete his schooling? Answer: He graduated with an MD in 1881. Question: Where did he go after that? Answer: CANNOTANSWER Question: What else do we know about his life growing up?	[ "Both of his parents were from Galicia, in modern-day Ukraine." ]
Title: Dion DiMucci Background: Dion Francis DiMucci (born July 18, 1939), better known mononymously as Dion, is an American singer, songwriter whose work has incorporated elements of doo-wop, rock and R&B styles--and, most recently, straight blues. He was one of the most popular American rock and roll performers of the pre-British Invasion era. He had 39 Top 40 hits in the late 1950s and early 1960s as a solo performer, with the Belmonts or with the Del Satins. He is best remembered for the singles "Runaround Sue", "The Wanderer", "Ruby Baby" and "Lovers Who Wander", among his other hits. Section: With the Belmonts: 1957-1960 Passage: Bob and Gene Schwartz also signed Dion's friends, the Belmonts, (Carlo Mastrangelo, Fred Milano, and Angelo D'Aleo), a vocal group named for nearby Belmont Avenue, and teamed them, with Dion singing lead. The new group's breakthrough came in early 1958, when "I Wonder Why" (on their newly formed "Laurie" label) made No. 22 on the U.S. charts. Dion said of the Belmonts; "I'd give 'em sounds. I'd give 'em parts and stuff. That's what 'I Wonder Why' was about. We kind of invented this percussive rhythmic sound. If you listen to that song, everybody was doing something different. There's four guys, one guy was doing bass, I was singing lead, one guy's going 'ooh wah ooh,' and another guy's doing tenor. It was totally amazing. When I listen to it today, oftentimes I think, 'man, those kids are talented.'" Their initial hit was followed by "No One Knows" and "Don't Pity Me," which also charted the Billboard Top 100. This success won a place for Dion and the Belmonts on the ill-fated "The Winter Dance Party" tour with Buddy Holly, Ritchie Valens, the Big Bopper (J.P. Richardson), Frankie Sardo, and other performers. On February 3, 1959, after a concert stop in Clear Lake, Iowa, Holly and others decided to charter a flight to the next venue rather than travel on the tour bus. Dion was invited to accompany the group but decided that he did not want to spend $36 for the flight, as it was the same monthly rent his parents paid for his childhood apartment and he couldn't justify the indulgence. The plane crashed, killing all on board; Holly, Valens, Richardson, and the pilot Roger Peterson. Dion and the Belmonts continued on the tour, along with Frankie Sardo, while Bobby Vee, then an unknown artist, performed in Holly's place at the very next concert. Later, Jimmy Clanton, Frankie Avalon, and Fabian were added to replace the other now-deceased headliners. Dion and the Belmonts' next single, "A Teenager in Love," was released in March 1959, eventually hitting No. 5 on the U.S. pop charts and No. 28 in the UK. The group's biggest hit, "Where or When," was released in November of that year, and reached No. 3 on the U.S. charts. However, in early 1960, Dion checked into hospital for heroin addiction, a problem he had had since his mid-teens. Further single releases for the group that year were less successful. There were musical, personal and financial differences between Dion and members of the Belmonts, and in October 1960, Dion decided to quit for a solo career. By the time of their breakup, all eight Laurie releases had charted on the Hot 100. Question: Who were the other members of the Belmonts? Answer: Carlo Mastrangelo, Fred Milano, and Angelo D'Aleo Question: Did they know each other from school? Answer: CANNOTANSWER Question: How old were the members of the group? Answer: No One Knows Question: when did the group split up?	[ "in October 1960, Dion decided to quit for a solo career." ]
Title: Lord Voldemort Background: Lord Voldemort (; in the films; born Tom Marvolo Riddle) is a fictional character and the main antagonist in J. K. Rowling's series of Harry Potter novels. Voldemort first appeared in Harry Potter and the Philosopher's Stone, which was released in 1997. Voldemort appears either in person or in flashbacks in each book and its film adaptation in the series, except the third, Harry Potter and the Prisoner of Azkaban, where he is only mentioned. Voldemort is the archenemy of Harry Potter, who according to a prophecy has "the power to vanquish the Dark Lord". Section: Harry Potter and the Half-Blood Prince Passage: Voldemort does not appear in Harry Potter and the Half-Blood Prince, although his presence and actions are felt: he once again declares war, and begins to rise to power once more. He murders Amelia Bones of the Department of Magical Law Enforcement, and begins to target members of the Order of the Phoenix, including Emmeline Vance. Rowling uses several chapters as exposition to establish Voldemort's backstory. In a series of flashbacks, using the pensieve as a plot device, she reveals that Voldemort was the son of the witch Merope Gaunt and a Muggle called Tom Riddle. Riddle abandoned Merope before their child's birth, soon after which Merope died, just hours after giving birth. After living in an orphanage, young Riddle met Dumbledore, who told him he was a wizard and arranged for him to attend Hogwarts. Riddle was outwardly a model student, but was in reality a psychopath who takes sadistic pleasure in using his powers to harm and control people. He eventually murdered his father and grandparents as revenge for abandoning him. The book also discusses Riddle's hatred of "Muggles", his obsession with Horcruxes, and his desire to split his soul to achieve immortality. Rowling stated Voldemort's conception under the influence of a love potion symbolises the prejudicial circumstances under which he was brought into the world. In the main plot of the book, Voldemort's next step is to engineer an assault on Hogwarts, and to attack Dumbledore. This is accomplished by Draco Malfoy, who arranges transportation of Death Eaters into Hogwarts by a pair of Vanishing Cabinets, which bypass the extensive protective enchantments placed around the school. The cabinets allow Voldemort's Death Eaters to enter Hogwarts, where battle commences and Dumbledore is cornered. Hogwarts professor (and re-doubled agent) Severus Snape uses the Killing Curse against Dumbledore when Draco could not force himself to do so. Question: Does Voldemort appear in Harry Potter and the Half-Blood Prince? Answer: Voldemort does not appear in Harry Potter and the Half-Blood Prince, Question: Was there any flashbacks? Answer: In a series of flashbacks, using the pensieve as a plot device, Question: Who was the author of Harry Potter and the Half-Blood Prince? Answer: Rowling Question: Did Voldemort have to assault anyone? Answer: He murders Amelia Bones of the Department of Magical Law Enforcement, Question: Did he have to fight any hogwarts? Answer: In the main plot of the book, Voldemort's next step is to engineer an assault on Hogwarts, Question: What was the witches name?	[ "Merope Gaunt" ]
Title: Lord Voldemort Background: Lord Voldemort (; in the films; born Tom Marvolo Riddle) is a fictional character and the main antagonist in J. K. Rowling's series of Harry Potter novels. Voldemort first appeared in Harry Potter and the Philosopher's Stone, which was released in 1997. Voldemort appears either in person or in flashbacks in each book and its film adaptation in the series, except the third, Harry Potter and the Prisoner of Azkaban, where he is only mentioned. Voldemort is the archenemy of Harry Potter, who according to a prophecy has "the power to vanquish the Dark Lord". Section: Character development Passage: In a 2001 interview, Rowling said Voldemort was invented as a nemesis for Harry Potter (the protagonist of the novels), and she intentionally did not flesh out Voldemort's backstory at first. "The basic idea [was that Harry] didn't know he was a wizard ... And so then I kind of worked backwards from that position to find out how that could be, that he wouldn't know what he was. ... When he was one year old, the most evil wizard for hundreds and hundreds of years attempted to kill him. He killed Harry's parents, and then he tried to kill Harry--he tried to curse him. ... Harry has to find out, before we find out. And--so--but for some mysterious reason the curse didn't work on Harry. So he's left with this lightning bolt shaped scar on his forehead and the curse rebounded upon the evil wizard, who has been in hiding ever since." In the second book, Rowling establishes that Voldemort hates non-pure-blood wizards, despite being a half-blood himself. In a 2000 interview with the BBC, Rowling described Voldemort as a self-hating bully: "Well I think it is often the case that the biggest bullies take what they know to be their own defects, as they see it, and they put them right on someone else and then they try and destroy the other and that's what Voldemort does." In the same year, Rowling became more precise about Voldemort. She began to link him to real-life tyrants, describing him as "a raging psychopath, devoid of the normal human responses to other people's suffering". In 2004, though, Rowling said that she did not base Voldemort on any real person. In 2006, Rowling told an interviewer that Voldemort at his core has a human fear: the fear of death. She said: "Voldemort's fear is death, ignominious death. I mean, he regards death itself as ignominious. He thinks that it's a shameful human weakness, as you know. His worst fear is death." Throughout the series, Rowling establishes that Voldemort is so feared in the wizarding world that it is considered dangerous even to speak his name. Most characters in the novels refer to him as "You-Know-Who" or "He-Who-Must-Not-Be-Named" rather than say his name aloud. In Harry Potter and the Deathly Hallows, a "taboo" spell is placed upon the name, such that Voldemort or his followers may trace anyone who utters it. By this means, his followers eventually find and capture Harry and his friends Ron Weasley and Hermione Granger. In the second book, Rowling reveals that I am Lord Voldemort is an anagram of the character's birth name, Tom Marvolo Riddle. According to the author, Voldemort's name is an invented word. Some literary analysts have considered possible meanings in the name: Philip Nel states that Voldemort is derived from the French for "flight of death", and in a 2002 paper, Nilsen and Nilsen suggest that readers get a "creepy feeling" from the name Voldemort, because of the French word "mort" ("death") within it and that word's association with cognate English words derived from the Latin mors. Question: in what way was his character developed? Answer: Rowling said Voldemort was invented as a nemesis for Harry Potter Question: what was his character like? Answer: he was a wizard ... Question: did he ever cause any harm to Harry Potter?	[ "Harry has to find out, before we find out. And--so--but for some mysterious reason the curse didn't work on Harry." ]
Title: Richard Lewontin Background: Richard Charles "Dick" Lewontin (born March 29, 1929) is an American evolutionary biologist, mathematician, geneticist, and social commentator. A leader in developing the mathematical basis of population genetics and evolutionary theory, he pioneered the application of techniques from molecular biology, such as gel electrophoresis, to questions of genetic variation and evolution. In a pair of seminal 1966 papers co-authored with J.L. Hubby in the journal Genetics, Lewontin helped set the stage for the modern field of molecular evolution. In 1979 he and Stephen Jay Gould introduced the term "spandrel" into evolutionary theory. Section: Work in population genetics Passage: Lewontin has worked in both theoretical and experimental population genetics. A hallmark of his work has been an interest in new technology. He was the first person to do a computer simulation of the behavior of a single gene locus (previous simulation work having been of models with multiple loci). In 1960 he and Ken-Ichi Kojima were the first population geneticists to give the equations for change of haplotype frequencies with interacting natural selection at two loci. This set off a wave of theoretical work on two-locus selection in the 1960s and 1970s. Their paper gave a theoretical derivation of the equilibria expected, and also investigated the dynamics of the model by computer iteration. Lewontin later introduced the D' measure of linkage disequilibrium. (He also introduced the term "linkage disequilibrium", about which many population geneticists have been unenthusiastic.) In 1966, he and Jack Hubby published a paper that revolutionized population genetics. They used protein gel electrophoresis to survey dozens of loci in the fruit fly Drosophila pseudoobscura, and reported that a large fraction of the loci were polymorphic, and that at the average locus there was about a 15% chance that the individual was heterozygous. (Harry Harris reported similar results for humans at about the same time.) Previous work with gel electrophoresis had been reports of variation in single loci and did not give any sense of how common variation was. Lewontin and Hubby's paper also discussed the possible explanation of the high levels of variability by either balancing selection or neutral mutation. Although they did not commit themselves to advocating neutrality, this was the first clear statement of the neutral theory for levels of variability within species. Lewontin and Hubby's paper had great impact--the discovery of high levels of molecular variability gave population geneticists ample material to work on, and gave them access to variation at single loci. The possible theoretical explanations of this rampant polymorphism became the focus of most population genetics work thereafter. Martin Kreitman was later to do a pioneering survey of population-level variability in DNA sequences while a Ph.D. student in Lewontin's lab. Question: What did he do with population genetics? Answer: Lewontin has worked in both theoretical and experimental population genetics. Question: was the information recieved well?	[ "This set off a wave of theoretical work on two-locus selection in the 1960s and 1970s." ]
Title: Richard Lewontin Background: Richard Charles "Dick" Lewontin (born March 29, 1929) is an American evolutionary biologist, mathematician, geneticist, and social commentator. A leader in developing the mathematical basis of population genetics and evolutionary theory, he pioneered the application of techniques from molecular biology, such as gel electrophoresis, to questions of genetic variation and evolution. In a pair of seminal 1966 papers co-authored with J.L. Hubby in the journal Genetics, Lewontin helped set the stage for the modern field of molecular evolution. In 1979 he and Stephen Jay Gould introduced the term "spandrel" into evolutionary theory. Section: Sociobiology and evolutionary psychology Passage: Along with others, such as Gould, Lewontin has been a persistent critic of some themes in neo-Darwinism. Specifically, he has criticised proponents of sociobiology and evolutionary psychology such as Edward O. Wilson and Richard Dawkins, who attempt to explain animal behaviour and social structures in terms of evolutionary advantage or strategy. He and others criticize this approach when applied to humans, as he sees it as genetic determinism. In his writing, Lewontin suggests a more nuanced view of evolution is needed, which requires a more careful understanding of the context of the whole organism as well as the environment. Such concerns about what he views as the oversimplification of genetics has led Lewontin to be a frequent participant in debates, and an active life as a public intellectual. He has lectured widely to promote his views on evolutionary biology and science. In books such as Not in Our Genes (co-authored with Steven Rose and Leon J. Kamin) and numerous articles, Lewontin has questioned much of the claimed heritability of human behavioral traits, such as intelligence as measured by IQ tests. Some academics have criticized him for rejecting sociobiology for non-scientific reasons. Edward Wilson (1995) suggested that Lewontin's political beliefs affected his scientific view. Robert Trivers described Lewontin as "...a man with great talents who often wasted them on foolishness, on preening and showing off, on shallow political thinking and on useless philosophical rumination while limiting his genetic work by assumptions congenial to his politics." Lewontin has at times identified himself as Marxist, and admitted that his ideological views have affected his scientific work (Levins and Lewontin 1985). Others such as Kitcher (1985) have countered that Lewontin's criticisms of sociobiology are genuine scientific concerns about the discipline. He wrote that attacking Lewontin's motives amounts to an ad hominem argument. Question: What about sociobiology did Richard have to do with? Answer: he has criticised proponents of sociobiology and evolutionary psychology such as Edward O. Wilson and Richard Dawkins, Question: why did he criticised them? Answer: He and others criticize this approach when applied to humans, as he sees it as genetic determinism. Question: Did he criticize others? Answer: CANNOTANSWER Question: Did others not like him for this?	[ "Robert Trivers described Lewontin as \"...a man with great talents who often wasted them on foolishness," ]
Title: Public Enemy (band) Background: Public Enemy is an American hip hop group consisting of Chuck D, Flavor Flav, Professor Griff, Khari Wynn, DJ Lord, and the S1W group. Founding member DJ Terminator X left the group in 1999. Formed on Long Island, New York, in 1986, they are known for their politically charged music and criticism of the American media, with an active interest in the frustrations and concerns of the African American community. Their first four albums during the late 1980s and early 1990s were all certified either gold or platinum and were, according to music critic Robert Hilburn in 1998, "the most acclaimed body of work ever by a hip hop act". Section: Formation and early years (1986-1987) Passage: Carlton Ridenhour (Chuck D) and William Drayton (Flavor Flav) met at Long Island's Adelphi University in the mid-1980s. Developing his talents as an MC with Flav while delivering furniture for his father's business, Chuck D and Spectrum City, as the group was called, released the record "Check Out the Radio", backed by "Lies", a social commentary--both of which would influence RUSH Productions' Run-D.M.C. and Beastie Boys. Chuck D put out a tape to promote WBAU (the radio station where he was working at the time) and to fend off a local MC who wanted to battle him. He called the tape Public Enemy #1 because he felt like he was being persecuted by people in the local scene. This was the first reference to the notion of a public enemy in any of Chuck D's songs. The single was created by Chuck D with a contribution by Flavor Flav, though this was before the group Public Enemy was officially assembled. Around 1986, Bill Stephney, the former Program Director at WBAU, was approached by Ali Hafezi and offered a position with the label. Stephney accepted, and his first assignment was to help fledgling producer Rick Rubin sign Chuck D, whose song "Public Enemy Number One" Rubin had heard from Andre "Doctor Dre" Brown. According to the book The History of Rap Music by Cookie Lommel, "Stephney thought it was time to mesh the hard-hitting style of Run DMC with politics that addressed black youth. Chuck recruited Spectrum City, which included Hank Shocklee, his brother Keith Shocklee, and Eric "Vietnam" Sadler, collectively known as the Bomb Squad, to be his production team and added another Spectrum City partner, Professor Griff, to become the group's Minister of Information. With the addition of Flavor Flav and another local mobile DJ named Terminator X, the group Public Enemy was born." According to Chuck, The S1W, which stands for Security of the First World, "represents that the black man can be just as intelligent as he is strong. It stands for the fact that we're not third-world people, we're first-world people; we're the original people." Hank Shocklee came up with the name Public Enemy based on "underdog love and their developing politics" and the idea from Def Jam staffer Bill Stephney following the Howard Beach racial incident, Bernhard Goetz, and the death of Michael Stewart: "The Black man is definitely the public enemy." Public Enemy started out as opening act for the Beastie Boys during the latter's Licensed to Ill popularity, and in 1987 released their debut album Yo! Bum Rush the Show. Question: Who founded the band? Answer: Carlton Ridenhour (Chuck D) and William Drayton (Flavor Flav) met at Long Island's Adelphi University in the mid-1980s. Question: Did the band experience success at first? Answer: CANNOTANSWER Question: What was the name of the label?	[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Public Enemy (band) Background: Public Enemy is an American hip hop group consisting of Chuck D, Flavor Flav, Professor Griff, Khari Wynn, DJ Lord, and the S1W group. Founding member DJ Terminator X left the group in 1999. Formed on Long Island, New York, in 1986, they are known for their politically charged music and criticism of the American media, with an active interest in the frustrations and concerns of the African American community. Their first four albums during the late 1980s and early 1990s were all certified either gold or platinum and were, according to music critic Robert Hilburn in 1998, "the most acclaimed body of work ever by a hip hop act". Section: Mainstream success (1987-1994) Passage: Their debut album, Yo! Bum Rush the Show, was released in 1987 to critical acclaim. The album was the group's first step toward stardom. In October 1987, music critic Simon Reynolds dubbed Public Enemy "a superlative rock band". They released their second album It Takes a Nation of Millions to Hold Us Back in 1988, which performed better in the charts than their previous release, and included the hit single "Don't Believe the Hype" in addition to "Bring the Noise". Nation of Millions... was the first hip hop album to be voted album of the year in The Village Voice's influential Pazz & Jop critics' poll. In 1989, the group returned to the studio to record Fear of a Black Planet, which continued their politically charged themes. The album was supposed to be released in late 1989, but was pushed back to April 1990. It was the most successful of any of their albums and, in 2005, was selected for preservation in the Library of Congress. It included the singles "Welcome To The Terrordome", "911 Is a Joke", which criticized emergency response units for taking longer to arrive at emergencies in the black community than those in the white community, and "Fight the Power". "Fight the Power" is regarded as one of the most popular and influential songs in hip hop history. It was the theme song of Spike Lee's Do the Right Thing. The group's next release, Apocalypse '91...The Enemy Strikes Black, continued this trend, with songs like "Can't Truss It", which addressed the history of slavery and how the black community can fight back against oppression; "I Don't Wanna be Called Yo Nigga", a track that takes issue with the use of the word nigga outside of its original derogatory context. The album also included the controversial song and video "By the Time I Get to Arizona", which chronicled the black community's frustration that some US states did not recognize Martin Luther King Jr.'s birthday as a national holiday. The video featured members of Public Enemy taking out their frustrations on politicians in the states not recognizing the holiday. In 1992, the group was one of the first rap acts to perform at the Reading Festival, in England, headlining the second day of the three-day festival. Question: What mainstream success did the band have? Answer: Nation of Millions... was the first hip hop album to be voted album of the year in The Village Voice's influential Pazz & Jop critics' poll. Question: Did the album had any other singles?	[ "By the Time I Get to Arizona" ]
Title: Brian Wilson Background: Brian Douglas Wilson (born June 20, 1942) is an American musician, singer, songwriter, and record producer who co-founded the Beach Boys. After signing with Capitol Records in 1962, Wilson wrote or co-wrote more than two dozen Top 40 hits for the group. In addition to his lifelong struggles with mental illness, Wilson is known for his unorthodox approaches to pop composition and mastery of recording techniques, and he is widely acknowledged as one of the most innovative and significant songwriters of the late 20th century. The Beach Boys were formed by Brian, his brothers Carl and Dennis, their cousin Mike Love, and friend Al Jardine. Section: Early years and performances Passage: Brian Douglas Wilson was born on June 20, 1942, at Centinela Hospital in Inglewood, California, the eldest son of Audree Neva (nee Korthof) and Murry Wilson. His two younger brothers were Dennis and Carl. He has English, Swedish, Dutch, German, and Irish ancestry. When Brian was two, the family moved from Inglewood to 3701 West 119th Street in nearby Hawthorne, California. Speaking of Brian's unusual musical abilities prior to his first birthday, his father said that, as a baby, he could repeat the melody from "When the Caissons Go Rolling Along" after only a few verses had been sung by the father. Murry Wilson said, "He was very clever and quick. I just fell in love with him." At about age two, Brian heard George Gershwin's Rhapsody in Blue, which had an enormous emotional impact on him. A few years later, he was discovered to have diminished hearing in his right ear. The exact cause of this hearing loss is unclear, though theories range from him simply being born partially deaf to a blow to the head from his father, or a neighborhood bully, being to blame. While Brian's father Murry was ostensibly a reasonable provider, he was often abusive. A minor musician and songwriter, he also encouraged his children in this field in numerous ways. At an early age, Brian was given six weeks of lessons on a "toy accordion" and, at seven and eight, sang solos in church with a choir behind him. At Hawthorne High School, Brian was on the football team as a quarterback, played baseball and was a cross-country runner in his senior year. He sang with various students at school functions and with his family and friends at home, teaching his two brothers harmony parts that all three would then practice. He also played piano obsessively after school, deconstructing the harmonies of the Four Freshmen by listening to short segments of their songs on a phonograph, then working to recreate the blended sounds note by note on the keyboard. He received a Wollensak tape recorder on his 16th birthday, allowing him to experiment with recording songs and early group vocals. Surviving home tapes document his initial efforts singing with various friends and family. In his senior year at Hawthorne High, in addition to classroom music studies, he sang at lunch time with friends like Keith Lent and Bruce Griffin. Brian and Keith worked on a revised version of the tune "Hully Gully" to support the campaign of a classmate named Carol Hess when she ran for senior class president. Enlisting his cousin and frequent singing partner Mike Love as well as his own brother Carl, Brian's next public performance featured more ambitious arrangements at a fall arts program at his high school. To entice Carl into the group, Brian named the newly formed membership Carl and the Passions. The performance featured tunes by Dion and the Belmonts and the Four Freshmen ("It's a Blue World"), the latter of which proved difficult for the ensemble. The event was notable for the impression which it made on another musician and classmate of Brian in the audience that night, Al Jardine, who would join the three Wilson brothers and Mike Love a few years later in the Beach Boys. Question: What happend at Brian Early years and performance? Answer: When Brian was two, the family moved from Inglewood to 3701 West 119th Street in nearby Hawthorne, California. Question: Where was he born? Answer: Centinela Hospital in Inglewood, California, Question: When was he born? Answer: June 20, 1942, Question: Did he live with his parent?	[ "the eldest son of Audree Neva (nee Korthof) and Murry Wilson." ]
Title: Brian Wilson Background: Brian Douglas Wilson (born June 20, 1942) is an American musician, singer, songwriter, and record producer who co-founded the Beach Boys. After signing with Capitol Records in 1962, Wilson wrote or co-wrote more than two dozen Top 40 hits for the group. In addition to his lifelong struggles with mental illness, Wilson is known for his unorthodox approaches to pop composition and mastery of recording techniques, and he is widely acknowledged as one of the most innovative and significant songwriters of the late 20th century. The Beach Boys were formed by Brian, his brothers Carl and Dennis, their cousin Mike Love, and friend Al Jardine. Section: Success and record producing Passage: Recording sessions for the band's first album took place in Capitol's basement studios in the famous tower building in August 1962, but early on Brian lobbied for a different place to cut Beach Boy tracks. The large rooms were built to record the big orchestras and ensembles of the 1950s, not small rock groups. At Brian's insistence, Capitol agreed to let the Beach Boys pay for their own outside recording sessions, to which Capitol would own all the rights, and in return the band would receive a higher royalty rate on their record sales. Additionally, during the taping of their first LP Brian fought for, and won, the right to be in charge of the production - though this fact was not acknowledged with an album liner notes production credit. In January 1963, the Beach Boys recorded their first top-ten (cresting at number three in the United States) single, "Surfin' U.S.A.", which began their long run of highly successful recording efforts at Hollywood's United Western Recorders on Sunset Boulevard. It was during the sessions for this single that Brian made the production decision from that point on to use double tracking on the group's vocals, resulting in a deeper and more resonant sound. The Surfin' U.S.A. album was also a big hit in the United States, reaching number two on the national sales charts by early July 1963. The Beach Boys had become a top-rank recording and touring band. Brian was for the first time officially credited as the Beach Boys' producer on the Surfer Girl album, recorded in June and July 1963 and released that September. This LP reached number seven on the national charts, containing singles that were top 15 hits. Feeling that surfing songs had become limiting, Brian decided to produce a set of largely car-oriented tunes for the Beach Boys' fourth album, Little Deuce Coupe, which was released in October 1963, only three weeks after the Surfer Girl LP. The departure of guitarist David Marks from the band that month meant that Brian was forced to resume touring with the Beach Boys, for a time reducing his availability in the recording studio. For much of the decade, Brian attempted to establish himself as a record producer by working with various artists. On July 20, 1963, "Surf City", which he co-wrote with Jan Berry of Jan and Dean, was his first composition to reach the top of the US charts. The resulting success pleased Brian, but angered both Murry and Capitol Records. Murry went so far as to order his oldest son to sever any future collaborations with Jan and Dean. Brian's other non-Beach Boy work in this period included tracks by the Castells, Donna Loren, Sharon Marie, the Timers, and the Survivors. The most notable group to which Wilson would attach himself in this era would be the Honeys, which Wilson intended as the female counterpart to the Beach Boys, and as an attempt to compete with Phil Spector-led girl groups such as the Crystals and the Ronettes. He continued juggling between recording with the Beach Boys and producing records for other artists, but with less success at the latter--except for Jan and Dean. Question: What were his successes? Answer: Recording sessions for the band's first album took place in Capitol's basement studios in the famous tower building in August 1962, Question: Was the album sucessful?	[ "The Surfin' U.S.A. album was also a big hit in the United States," ]
Title: Color Me Badd Background: Color Me Badd is an American contemporary R&B group that was formed in Oklahoma City, Oklahoma. The original members of the group were lead singer Bryan Abrams (born November 16, 1969), second tenor Mark Calderon (born September 27, 1970), second tenor Sam Watters (born July 23, 1970) and baritone Kevin Thornton (born June 17, 1969). They formed in 1985 and broke up in 1998 before reuniting in 2010, with various lineups since. As of 2016, they operate as a trio with Abrams, Calderon and Adam Emil. Section: Formation (1985-90) Passage: Thornton and Abrams became friends in junior high school, and Watters and Calderon became friends in grade school. The four met in the mid-1980s while attending Northwest Classen High School in Oklahoma City. They were all members of the school choir. The group originally formed in 1985 as Take One, but changed their name to Color Me Badd to avoid confusion with an a cappella band named Take 6. Watters selected the name, after a horse at the racetrack named Color Me Bad. They aimed to be a vocal group in the vein of New Edition and New Kids on the Block. They first performed together in a school talent show, influenced by doo-wop a cappella groups of the past, such as Sam Cooke, The Temptations and the Four Tops. The group came up with a plan to spontaneously audition for any big name acts playing in Oklahoma City. They met Robert Bell of Kool & the Gang on May 27, 1987, when they were in Oklahoma City for a performance. They auditioned for him and he introduced them to his then-road manager, Adil Bayyan, who would become Color Me Badd's manager and convince them to move to New York City to pursue a record deal. They also sang for Huey Lewis and the News, Sheila E. and Ronnie Milsap, and opened for Tony! Toni! Tone! in Oklahoma City in 1988. One afternoon in 1989, Thornton saw Jon Bon Jovi in a movie theater and called the other band members to join him. They waited for him to leave the theater and then sung the 1961 doo-wop hit "Daddy's Home" a cappella for him. Bon Jovi invited them to be his band's opening act the following night, to perform in front of 20,000 audience members. They moved to New York City on September 23, 1989. In 1990, they bumped into Tony! Toni! Tone!, who got them into the ASCAP Music Awards. There, Color Me Badd approached producers Jimmy Jam and Terry Lewis and started singing for them. The producers advised that, being a multicultural group, they write a half-English, half-Spanish song. They wrote "I Adore Mi Amor" back in Oklahoma City with their producer and friend Hamza Lee. Giant Records executive Cassandra Mills heard a tape of the band singing the song, and they signed with Giant on August 11, 1990. Question: How did Color Me Badd get together? Answer: Thornton and Abrams became friends in junior high school, and Watters and Calderon became friends in grade school. The four met in the mid-1980s Question: How did they decide on the band name? Answer: The group originally formed in 1985 as Take One, but changed their name to Color Me Badd to avoid confusion with an a cappella band named Take 6. Question: How did they meet the other band members? Answer: The four met in the mid-1980s while attending Northwest Classen High School in Oklahoma City. Question: Did they tour? Answer: They aimed to be a vocal group in the vein of New Edition and New Kids on the Block. They first performed together in a school talent show, Question: When did they start getting successful? Answer: They also sang for Huey Lewis and the News, Sheila E. and Ronnie Milsap, and opened for Tony! Toni! Tone! in Oklahoma City in 1988. Question: Did they have any hit songs? Answer: They wrote "I Adore Mi Amor" back in Oklahoma City with their producer and friend Hamza Lee. Question: What was the inspiration for the song? Answer: The producers advised that, being a multicultural group, they write a half-English, half-Spanish song. Question: Who managed the band?	[ "Adil Bayyan, who would become Color Me Badd's manager and convince them to move to New York City to pursue a record deal." ]
Title: James Cameron Background: Cameron was born in 1954 in Kapuskasing, Ontario, Canada, the son of Shirley (nee Lowe), an artist and nurse, and Phillip Cameron, an electrical engineer. His paternal great-great-great-grandfather emigrated from Balquhidder, Scotland, in 1825. Cameron grew up in Chippawa, Ontario, and attended Stamford Collegiate School in Niagara Falls, Ontario. His family moved to Brea, California in 1971, when Cameron was 17 years old. Section: Titanic (1997) Passage: Cameron expressed interest in the 1912 sinking of the ship RMS Titanic and decided to script and film his next project based on this event. The picture revolved around a fictional romance story between two young lovers from different social classes who meet on board. Before production began, he took dives to the bottom of the Atlantic and shot actual footage of the ship underwater, which he inserted into the final film. Much of the film's dialogue was also written during these dives. Subsequently, Cameron cast Leonardo DiCaprio, Kate Winslet, Billy Zane, Kathy Bates, Frances Fisher, Gloria Stuart, Bernard Hill, Jonathan Hyde, Victor Garber, Danny Nucci, David Warner, Suzy Amis, and Bill Paxton as the film's principal cast. Cameron's budget for the film reached about $200 million, making it the most expensive movie ever made at the time. Before its release, the film was widely ridiculed for its expense and protracted production schedule. Released to theaters on December 19, 1997, Titanic grossed less in its first weekend ($28.6 million) than in its second ($35.4 million), an increase of 23.8%. This is unheard of for a widely released film, which is a testament to the movie's appeal. This was especially noteworthy, considering that the film's running time of more than three hours limited the number of showings each theater could schedule. It held the No. 1 spot on the box-office charts for months, eventually grossing a total of $600.8 million in the United States and Canada and more than $1.84 billion worldwide. Titanic became the highest-grossing film of all time, both worldwide and in the United States and Canada, and was also the first film to gross more than $1 billion worldwide. It was the highest-grossing film from 1998 until 2010, when Cameron's 2009 film Avatar surpassed its gross. The CG visuals surrounding the sinking and destruction of the ship were considered spectacular. Despite criticism during production of the film, it received a record-tying 14 Oscar nominations (tied with All About Eve) at the 1998 Academy Awards. It won 11 Oscars (also tying the record for most Oscar wins with Ben-Hur and later The Lord of the Rings: The Return of the King), including: Best Picture, Best Director, Best Art Direction, Best Cinematography, Best Visual Effects, Best Film Editing, Best Costume Design, Best Sound Mixing, Best Sound Editing, Best Original Dramatic Score, Best Original Song. Upon receiving the Best Director Oscar, Cameron exclaimed, "I'm king of the world!", in reference to one of the main characters' lines from the film. After receiving the Best Picture Oscar along with Jon Landau, Cameron asked for a moment of silence for the 1,500 men, women, and children who died when the ship sank. In March 2010, Cameron revealed that Titanic would be re-released in 3D in April 2012, to commemorate the 100th anniversary of the sinking of the real ship. On March 27, 2012, Cameron attended the world premiere with Kate Winslet at the Royal Albert Hall in London. Following the re-release, Titanic's domestic total was pushed to $658.6 million and more than $2.18 billion worldwide. It became the second film to gross more than $2 billion worldwide (the first being Avatar). Question: What was Titanic about? Answer: Cameron expressed interest in the 1912 sinking of the ship RMS Titanic and decided to script and film his next project based on this event. Question: Who starred in the movie? Answer: Leonardo DiCaprio, Question: Who else? Answer: Kate Winslet, Billy Zane, Kathy Bates, Frances Fisher, Gloria Stuart, Bernard Hill, Jonathan Hyde, Victor Garber, Question: Any other notable names in the movie? Answer: Victor Garber, Danny Nucci, David Warner, Suzy Amis, and Bill Paxton as the film's principal cast. Question: When was it released? Answer: Released to theaters on December 19, 1997, Question: How much money did it earn?	[ "No. 1 spot on the box-office charts for months, eventually grossing a total of $600.8 million in the United States and Canada and more than $1.84 billion worldwide." ]
Title: James Cameron Background: Cameron was born in 1954 in Kapuskasing, Ontario, Canada, the son of Shirley (nee Lowe), an artist and nurse, and Phillip Cameron, an electrical engineer. His paternal great-great-great-grandfather emigrated from Balquhidder, Scotland, in 1825. Cameron grew up in Chippawa, Ontario, and attended Stamford Collegiate School in Niagara Falls, Ontario. His family moved to Brea, California in 1971, when Cameron was 17 years old. Section: Avatar (2009) Passage: In June 2005, Cameron was announced to be working on a project tentatively titled "Project 880" (now known to be Avatar) in parallel with another project, Alita: Battle Angel (an adaptation of the manga series Battle Angel Alita). Both movies were to be shot in 3D. By December, Cameron stated that he wanted to film Battle Angel first, followed by Avatar. However, in February 2006, he switched goals for the two film projects and decided to film Avatar first. He mentioned that if both films were successful, he would be interested in seeing a trilogy being made for both. Alita: Battle Angel eventually began production in 2016 with Cameron writing and producing and Robert Rodriguez directing. Avatar had an estimated budget of over $300 million and was released on December 18, 2009. This marked his first feature film since 1997's Titanic. It is composed almost entirely of computer-generated animation, using a more-advanced version of the "performance capture" technique used by director Robert Zemeckis in The Polar Express. James Cameron had written an 80-page scriptment for Avatar in 1995 and announced in 1996 that he would make the film after completing Titanic. In December 2006, Cameron explained that the delay in producing the film since the 1990s had been to wait until the technology necessary to create his project was advanced enough, since at the time no studio would finance for the development of the visual effects. The film was originally scheduled to be released in May 2009 but was pushed back to December 2009 to allow more time for post-production on the complex CGI and to give more time for theatres worldwide to install 3D projectors. Cameron originally intended Avatar to be 3D-only. Avatar broke several box office records during its initial theatrical run. It grossed $749.7 million in the United States and Canada and more than $2.74 billion worldwide, becoming the highest-grossing film of all time in the United States and Canada, surpassing Cameron's Titanic. Avatar also became the first movie to ever earn more than $2 billion worldwide. Including revenue from the re-release of Avatar featuring extended footage, it grossed $760.5 million in the United States and Canada and more than $2.78 billion worldwide. It was nominated for nine Academy Awards, including Best Picture and Best Director, and won three for Best Art Direction, Best Cinematography and Best Visual Effects. Avatar's success made Cameron the highest earner in Hollywood for 2010, netting him $257 million as reported by Vanity Fair. Disney announced in September 2011 that it would adapt James Cameron's film Avatar into Pandora-The World of Avatar, a themed area at Disney's Animal Kingdom in Lake Buena Vista, Florida. Question: wwhen was avatar released Answer: on December 18, 2009. Question: who starred in the movie	[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Hugo (film) Background: Hugo is a 2011 epic historical adventure drama film directed and co-produced by Martin Scorsese and adapted for the screen by John Logan. Based on Brian Selznick's book The Invention of Hugo Cabret, it is about a boy who lives alone in the Gare Montparnasse railway station in Paris in the 1930s. A co-production between Graham King's GK Films and Johnny Depp's Infinitum Nihil, the film stars Ben Kingsley, Sacha Baron Cohen, Asa Butterfield, Chloe Grace Moretz, Ray Winstone, Emily Mortimer, Jude Law, Helen McCrory, and Christopher Lee. Hugo is Scorsese's first film shot in 3D, of which the filmmaker remarked, "I found 3D to be really interesting, because the actors were more upfront emotionally. Section: Critical reception Passage: The film currently holds a 94% "Certified Fresh" rating on aggregate review site Rotten Tomatoes based on 206 reviews, with an average score of 8.3/10. The site's main consensus reads, "Hugo is an extravagant, elegant fantasy with an innocence lacking in many modern kids' movies, and one that emanates an unabashed love for the magic of cinema." Metacritic gave the film an average score of 83 out of 100, based on 41 reviews, indicating "universal acclaim". Roger Ebert of the Chicago Sun-Times gave the film four out of four stars, saying "Hugo is unlike any other film Martin Scorsese has ever made, and yet possibly the closest to his heart: a big-budget, family epic in 3-D, and in some ways, a mirror of his own life. We feel a great artist has been given command of the tools and resources he needs to make a movie about--movies." Peter Rainer of The Christian Science Monitor gave it a "B+" grade and termed it as "an odd mixture: a deeply personal impersonal movie" and concluded that "Hugo is a mixed bag but one well worth rummaging through." Christy Lemire said that it had an "abundant love of the power of film; being a hardcore cinephile (like Scorsese) might add a layer of enjoyment, but it certainly isn't a prerequisite for walking in the door" besides being "slightly repetitive and overlong". Michael Phillips of the Chicago Tribune rated it three stars and described it as "rich and stimulating even when it wanders" explaining "every locale in Scorsese's vision of 1931 Paris looks and feels like another planet. The filmmaker embraces storybook artifice as wholeheartedly as he relays the tale's lessons in the importance of film preservation." Joe Morgenstern of The Wall Street Journal said that "visually Hugo is a marvel, but dramatically it's a clockwork lemon". Hugo was selected for the Royal Film Performance 2011 with a screening at the Odeon, Leicester Square, in London on 28 November 2011 in the presence of the Prince of Wales and the Duchess of Cornwall in support of the Cinema and Television Benevolent Fund. Richard Corliss of Time named it one of the Top 10 Best Movies of 2011, saying, "Scorsese's love poem, rendered gorgeously in 3-D, restores both the reputation of an early pioneer and the glory of movie history--the birth of a popular art form given new life through a master's application of the coolest new techniques". James Cameron called Hugo "a masterpiece" and that the film had the best use of 3D he had seen, surpassing even his own acclaimed films. Question: What was critical reception about Answer: The film currently holds a 94% "Certified Fresh" rating on aggregate review site Rotten Tomatoes Question: Are there any other interesting aspects about this article? Answer: Roger Ebert of the Chicago Sun-Times gave the film four out of four stars, Question: Did anyone else rate the film or gave a comment on the film	[ "Michael Phillips of the Chicago Tribune rated it three stars" ]
Title: Hugo (film) Background: Hugo is a 2011 epic historical adventure drama film directed and co-produced by Martin Scorsese and adapted for the screen by John Logan. Based on Brian Selznick's book The Invention of Hugo Cabret, it is about a boy who lives alone in the Gare Montparnasse railway station in Paris in the 1930s. A co-production between Graham King's GK Films and Johnny Depp's Infinitum Nihil, the film stars Ben Kingsley, Sacha Baron Cohen, Asa Butterfield, Chloe Grace Moretz, Ray Winstone, Emily Mortimer, Jude Law, Helen McCrory, and Christopher Lee. Hugo is Scorsese's first film shot in 3D, of which the filmmaker remarked, "I found 3D to be really interesting, because the actors were more upfront emotionally. Section: Historical references Passage: The backstory and primary features of Georges Melies' life as depicted in the film are largely accurate: He became interested in film after seeing a demonstration of the Lumiere brothers' camera; he was a magician and toymaker; he experimented with automata; he owned a theatre (Theatre Robert-Houdin); he was forced into bankruptcy; his film stock was reportedly melted down for its celluloid; he became a toy salesman at the Montparnasse station, and he was eventually awarded the Legion d'honneur medal after a period of terrible neglect. Many of the early silent films shown in the movie are Melies's actual works, such as Le voyage dans la lune (1902). However, the film does not mention Melies' two children, his brother Gaston (who worked with Melies during his film-making career), or his first wife Eugenie, who was married to Melies during the time he made films (and who died in 1913). The film shows Melies married to Jeanne d'Alcy during their filmmaking period, when in reality they did not marry until 1925. The movie actually downplayed the number of movies Melies created, stating he had made "over 500 films." When, in actuality it was over 1500. The automaton's design was inspired by the Maillardet's automaton made by the Swiss watchmaker Henri Maillardet, which Selznick had seen in the Franklin Institute, Philadelphia, as well as the Jaquet-Droz automaton "the writer". A portion of the scene with Harold Lloyd in Safety Last! (1923), hanging from the clock, is shown when the main characters sneak into a movie theater. Later, Hugo, like Lloyd in Safety Last!, hangs from the hands of a large clock on a clock tower to escape from a pursuer. Several viewings of the film L'Arrivee d'un train en gare de La Ciotat are portrayed, depicting the shocked reaction of the audience--although this view is in doubt. Emil Lager, Ben Addis, and Robert Gill make cameo appearances as the father of Gypsy jazz guitar, Django Reinhardt, the Spanish surrealist painter, Salvador Dali, and the Irish writer James Joyce, respectively. The names of all three characters appear towards the end of the film's cast credit list. The book that Monsieur Labisse gives Hugo as a gift, Robin Hood le proscrit (Robin Hood the outlaw), was written by Alexandre Dumas in 1864 as a French translation of an 1838 work by Pierce Egan the Younger in England. The book is symbolic, as Hugo must avoid the "righteous" law enforcement (Inspector Gustave) to live in the station and later to restore the automaton both to a functioning status and to its rightful owner. The particular copy given to Hugo looks like the 1917 English-language edition (David McKay publisher, Philadelphia, United States) with cover and interior illustrations by N.C. Wyeth, but with "Le Proscrit" added to the cover by the prop department. There is also a depiction of the Montparnasse derailment, when at 4 pm on 22 October 1895, the Granville-Paris Express overran the buffer stop at its Gare Montparnasse terminus. Question: What are some of the historical references in this film? Answer: such as Le voyage dans la lune (1902). Question: What era is the film based on? Answer: He became interested in film after seeing a demonstration of the Lumiere brothers' camera; Question: Was there a theme to the historical references that were chosen for this film?	[ "Several viewings of the film L'Arrivee d'un train en gare de La Ciotat are portrayed," ]
Title: Gorillaz Background: Gorillaz are an English virtual band created in 1998 by musician Damon Albarn and artist Jamie Hewlett. The band consists of four animated members: 2-D (lead vocals, keyboards), Murdoc Niccals (bass guitar), Noodle (guitar, keyboards), and Russel Hobbs (drums and percussion). These members are fictional and are not personas of any "real life" musicians involved in the project. Their fictional universe is explored through the band's music videos, as well as a number of other short cartoons. Section: Phase One: Celebrity Take Down (2000-03) Passage: The band's first release was the EP Tomorrow Comes Today, released in 2000. The band's first single was "Clint Eastwood" and was released on 5 March 2001, reaching No. 4 in the UK. It was produced by hip hop producer Dan the Automator and originally featured UK rap group Phi Life Cypher, but the version that appears on the album features American rapper Del the Funky Homosapien, known on the album as Del tha' Ghost Rapper, a spirit in the band's drummer Russel Hobbs. The Phi Life Cypher version of "Clint Eastwood" appears on the B-side album G Sides. Later that same month, their first full-length album, the self-titled Gorillaz, was released, producing four singles: "Clint Eastwood", "19-2000", "Tomorrow Comes Today", and "Rock the House". In June 2001, "19-2000" charted at No. 6 in the UK, and the song was used as the title theme for EA Sports FIFA video game FIFA Football 2002. The end of the year brought the song "911", a collaboration between Gorillaz and hip hop group D12 (without Eminem) and Terry Hall about the September 11 attacks. Meanwhile, G Sides, a compilation of the B-sides from the Tomorrow Comes Today EP and first three singles, was released in Japan on 12 December 2001 and quickly followed with international releases in early 2002. Gorillaz performed at the 2002 Brit Awards in London on 22 February, appearing in 3D animation on four large screens along with rap accompaniment by Phi Life Cypher. The band were nominated for four Brit Awards, including Best British Group, Best British Album and British Breakthrough Act, but did not win any awards. In November 2002, a DVD titled Phase One: Celebrity Take Down was released, giving the phase its name. The DVD contains the four Phase One promos, the abandoned video for "5/4", the Charts of Darkness documentary, the five Gorilla Bitez (comedic shorts starring the band characters), a tour of the website by the MEL 9000 server and more. The DVD's menu was designed much like the band's website and depicts an abandoned Kong Studios. Rumours were circulating at this time that the Gorillaz team were busy preparing a film, but Hewlett said that the film project had been abandoned: "We lost all interest in doing it as soon as we started meeting with studios and talking to these Hollywood executive types, we just weren't on the same page. We said, fuck it, we'll sit on the idea until we can do it ourselves, and maybe even raise the money ourselves." Question: What did the album do in the charts? Answer: No. 4 in the UK. Question: Was this their first album? Answer: Clint Eastwood Question: Anything else interesting?	[ "version that appears on the album features American rapper Del the Funky Homosapien," ]
Title: Aquaman Background: For the upcoming film about the superhero character, see Aquaman (film). Aquaman is a fictional superhero appearing in American comic books published by DC Comics. Created by Paul Norris and Mort Weisinger, the character debuted in More Fun Comics #73 (November 1941). Initially a backup feature in DC's anthology titles, Aquaman later starred in several volumes of a solo comic book series. Section: Silver Age Passage: Aquaman's adventures continued to be published in Adventure Comics through the 1940s and 1950s, as one of the few superheroes to last through the 1950s in continuous publication. Starting in the late 1950s, new elements to Aquaman's backstory were introduced, with various new supporting characters added and several adjustments made to the character, his origins, his powers, and persona. The first of these elements was the story "Aquaman's Undersea Partner" in Adventure Comics #229 (October 1956), where his octopus sidekick, Topo, was first introduced. This and subsequent elements were later, after the establishment of DC's multiverse in the 1960s, attributed to the Aquaman of Earth-One. In Adventure Comics #260 (May 1959) and subsequent Silver Age comics, it was revealed that Aquaman was Arthur Curry, the son of Tom Curry, a lighthouse keeper, and Atlanna, a water-breathing outcast from the lost, underwater city of Atlantis. Due to his heritage, Aquaman discovers as a youth that he possesses various superhuman abilities, including the powers of surviving underwater, communication with sea life, and tremendous swimming prowess. Eventually, Arthur decided to use his talents to become the defender of the Earth's oceans. It was later revealed that he had, in his youth, adventured as Aquaboy and on one occasion, met Superboy, Earth's only other publicly active superpowered hero at the time. When Arthur grew up, he called himself "Aquaman". It was later revealed that after Atlanna's death, Tom Curry met and married an ordinary human woman and had a son named Orm Curry, Aquaman's half-brother. Orm grew up as a troubled youth in the shadow of his brother, who constantly bailed him out of trouble with the law. He grew to hate Aquaman not only for the powers that he could never possess but also because he believed that their father would always favor Aquaman. Orm disappeared after becoming an amnesiac and would resurface years later as Aquaman's nemesis, Ocean Master. Aquaman's ability to talk with fish eventually expanded to full-fledged telepathic communication with sea creatures even from great distances. He also retroactively developed a specific weakness akin to Superman's vulnerability to kryptonite or Green Lantern's vulnerability to the color yellow: Aquaman had to come into contact with water at least once per hour, or he would die. Prior to this story, Aquaman could exist both in and out of water indefinitely. Question: What was the Silver Age? Answer: 1940s and 1950s, Question: Who wrote the silver age comics?	[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Aquaman Background: For the upcoming film about the superhero character, see Aquaman (film). Aquaman is a fictional superhero appearing in American comic books published by DC Comics. Created by Paul Norris and Mort Weisinger, the character debuted in More Fun Comics #73 (November 1941). Initially a backup feature in DC's anthology titles, Aquaman later starred in several volumes of a solo comic book series. Section: Golden Age Passage: Aquaman's first origin story was presented in flashback from his debut in More Fun Comics #73 (November 1941), narrated by the character himself: The story must start with my father, a famous undersea explorer--if I spoke his name, you would recognize it. My mother died when I was a baby, and he turned to his work of solving the ocean's secrets. His greatest discovery was an ancient city, in the depths where no other diver had ever penetrated. My father believed it was the lost kingdom of Atlantis. He made himself a water-tight home in one of the palaces and lived there, studying the records and devices of the race's marvelous wisdom. From the books and records, he learned ways of teaching me to live under the ocean, drawing oxygen from the water and using all the power of the sea to make me wonderfully strong and swift. By training and a hundred scientific secrets, I became what you see--a human being who lives and thrives under the water. In his early Golden Age appearances, Aquaman can breathe underwater and control fish and other underwater life for up to a minute. Initially, he was depicted as speaking to sea creatures "in their own language" rather than telepathically, and only when they were close enough to hear him (within a 20 yards (18 m) radius). Aquaman's adventures took place all across the world, and his base was "a wrecked fishing boat kept underwater," in which he lived. During his wartime adventures, most of Aquaman's foes were Nazi U-boat commanders and various Axis villains where he once worked with the All-Star Squadron. The rest of his adventures in the 1940s and 1950s had him dealing with various sea-based criminals, including modern-day pirates such as his longtime archenemy Black Jack, as well as various threats to aquatic life, shipping lanes, and sailors. Aquaman's last appearance in More Fun Comics was in issue #107, before being moved along with Superboy and Green Arrow to Adventure Comics, starting with issue #103 in 1946. Question: When did the Golden Age begin? Answer: Aquaman's first origin story was presented in flashback from his debut in More Fun Comics #73 (November 1941), Question: Who was his father?	[ "if I spoke his name, you would recognize it." ]
Title: Vito Fossella Background: Vito John Fossella Jr. (born March 9, 1965) is a U.S. Republican politician from the state of New York who formerly represented the state's 13th Congressional district in the U.S. House of Representatives for six terms, from 1997 to 2009 serving as the lone Republican from New York City. Fossella, a Staten Island native, was born to a family that included several politicians. Fossella initially took office in 1997, after winning a special election held to replace the resigning Susan Molinari. As a result of a DUI arrest in Alexandria, Virginia on May 1, 2008, followed by the public disclosure a week later that he had had an affair with Laura Fay, a retired US Air Force lieutenant colonel, that had resulted in a three-year-old child while Fossella was married, he announced on his official website on May 20 that he had chosen to serve out the remainder of his term, which ended on January 3, 2009, but decided not to run for re-election. Section: Early life, education and family Passage: Fossella was born on Staten Island into a Roman Catholic family of Irish and Italian descent. Fossella's great-grandfather James A. O'Leary represented Staten Island in Congress from 1935 to 1944. One of his uncles, Frank Fossella, was a prominent Staten Island Democrat who was a City Council member for four years, ending in 1985. His father, Vito John Fossella Sr., served in various appointed positions in the city administrations of Democratic Mayors Edward I. Koch and Abraham D. Beame, then became a successful construction engineer. Fossella, the fourth of seven children, was a basketball player at Monsignor Farrell High School, where he got his first political experience in the student council. He briefly played violin and percussion with the Christian pop band Sonseed. He attended Iona College in New Rochelle, then transferred to the Wharton School of the University of Pennsylvania, where he received a Bachelor of Science degree in economics in 1987. At Penn, he was a member of the Sigma Phi Epsilon fraternity. After college, Fossella worked as a management consultant at the accounting firm Deloitte & Touche. Deloitte Touche Tohmatsu was the second largest campaign contributor to Fossella in the 2006 campaign cycle and among the largest contributors in the 2008 campaign cycle. Fossella then attended law school. He received a Juris Doctor from the Fordham University School of Law in 1993, and worked as an associate at a medical malpractice defense law firm Schiavetti Begos & Nicholson. In 1990, Fossella married Mary Patricia Rowan. They have three children and live in the Great Kills neighborhood on Staten Island. Fossella also had a daughter out-of-wedlock in 2005 with retired Lt. Col. Laura Fay. Question: Where was Vito born? Answer: Staten Island Question: Where did he go to school?	[ "Iona College" ]
Title: Hugo (film) Background: Hugo is a 2011 epic historical adventure drama film directed and co-produced by Martin Scorsese and adapted for the screen by John Logan. Based on Brian Selznick's book The Invention of Hugo Cabret, it is about a boy who lives alone in the Gare Montparnasse railway station in Paris in the 1930s. A co-production between Graham King's GK Films and Johnny Depp's Infinitum Nihil, the film stars Ben Kingsley, Sacha Baron Cohen, Asa Butterfield, Chloe Grace Moretz, Ray Winstone, Emily Mortimer, Jude Law, Helen McCrory, and Christopher Lee. Hugo is Scorsese's first film shot in 3D, of which the filmmaker remarked, "I found 3D to be really interesting, because the actors were more upfront emotionally. Section: Critical reception Passage: The film currently holds a 94% "Certified Fresh" rating on aggregate review site Rotten Tomatoes based on 206 reviews, with an average score of 8.3/10. The site's main consensus reads, "Hugo is an extravagant, elegant fantasy with an innocence lacking in many modern kids' movies, and one that emanates an unabashed love for the magic of cinema." Metacritic gave the film an average score of 83 out of 100, based on 41 reviews, indicating "universal acclaim". Roger Ebert of the Chicago Sun-Times gave the film four out of four stars, saying "Hugo is unlike any other film Martin Scorsese has ever made, and yet possibly the closest to his heart: a big-budget, family epic in 3-D, and in some ways, a mirror of his own life. We feel a great artist has been given command of the tools and resources he needs to make a movie about--movies." Peter Rainer of The Christian Science Monitor gave it a "B+" grade and termed it as "an odd mixture: a deeply personal impersonal movie" and concluded that "Hugo is a mixed bag but one well worth rummaging through." Christy Lemire said that it had an "abundant love of the power of film; being a hardcore cinephile (like Scorsese) might add a layer of enjoyment, but it certainly isn't a prerequisite for walking in the door" besides being "slightly repetitive and overlong". Michael Phillips of the Chicago Tribune rated it three stars and described it as "rich and stimulating even when it wanders" explaining "every locale in Scorsese's vision of 1931 Paris looks and feels like another planet. The filmmaker embraces storybook artifice as wholeheartedly as he relays the tale's lessons in the importance of film preservation." Joe Morgenstern of The Wall Street Journal said that "visually Hugo is a marvel, but dramatically it's a clockwork lemon". Hugo was selected for the Royal Film Performance 2011 with a screening at the Odeon, Leicester Square, in London on 28 November 2011 in the presence of the Prince of Wales and the Duchess of Cornwall in support of the Cinema and Television Benevolent Fund. Richard Corliss of Time named it one of the Top 10 Best Movies of 2011, saying, "Scorsese's love poem, rendered gorgeously in 3-D, restores both the reputation of an early pioneer and the glory of movie history--the birth of a popular art form given new life through a master's application of the coolest new techniques". James Cameron called Hugo "a masterpiece" and that the film had the best use of 3D he had seen, surpassing even his own acclaimed films. Question: How was Hugo received? Answer: 94% "Certified Fresh" rating on aggregate review site Question: What were some other reviews or ratings?	[ "Metacritic gave the film an average score of 83 out of 100, based on 41 reviews, indicating \"universal acclaim\"." ]
Title: Judith Butler Background: Judith Butler FBA (born February 24, 1956) is an American philosopher and gender theorist whose work has influenced political philosophy, ethics and the fields of third-wave feminist, queer and literary theory. Since 1993, she has taught at the University of California, Berkeley, where she is now Maxine Elliot Professor in the Department of Comparative Literature and the Program of Critical Theory. She is also the Hannah Arendt Chair at the European Graduate School. Butler is best known for her books Gender Trouble: Section: "Performative Acts and Gender Constitution" (1988) Passage: In this essay, Judith Butler proposes her theory of gender performativity, which would be later taken up in 1990 throughout her work, Gender Trouble. She begins by basing her theory of gender performativity on a feminist phenomenological point of view. She suggests that both phenomenology and feminism ground their theories in "lived experience". Further, in comparing phenomenologist Maurice Merleau-Ponty and feminist Simone de Beauvoir, Butler argues that both theories view the sexual body as a historical idea or situation; she accepts this notion of a "distinction between sex, as biological facticity, and gender, as the cultural interpretation or signification of that facticity". This combination of theories is essential for founding Butler's view of "theatrical" or performative genders in society. Butler argues that it is more valid to perceive gender as a performance in which an individual agent acts. The performative element of her theory suggests a social audience. For Butler, the "script" of gender performance is effortlessly transmitted generation to generation in the form of socially established "meanings": She states, "gender is not a radical choice... [nor is it] imposed or inscribed upon the individual". Given the social nature of human beings, most actions are witnessed, reproduced, and internalized and thus take on a performative or theatric quality. With Butler's theory, gender is essentially a performative repetition of acts associated with the male or female. Currently, the actions appropriate for men and women have been transmitted to produce a social atmosphere that both maintains and legitimizes a seemingly natural gender binary. Consistently with her acceptance of the body as a historical idea, she suggests that our concept of gender is seen as natural or innate because the body "becomes its gender through a series of acts which are renewed, revised, and consolidated through time". Butler argues that the performance of gender itself creates gender. Additionally, she compares the performativity of gender to the performance of the theater. She brings many similarities, including the idea of each individual functioning as an actor of their gender. However, she also brings into light a critical difference between gender performance in reality and theater performances. She explains how the theater is much less threatening and does not produce the same fear that gender performances often encounter because of the fact that there is a clear distinction from reality within the theater. Butler uses Sigmund Freud's notion of how a person's identity is modeled in terms of the normal. She revises Freud's notion of this concept's applicability to lesbianism, where Freud says that lesbians are modeling their behavior on men, the perceived normal or ideal. She instead says that all gender works in this way of performativity and a representing of an internalized notion of gender norms. Question: What did he do in 1988? Answer: In this essay, Judith Butler proposes her theory of gender performativity, which would be later taken up in 1990 throughout her work, Gender Trouble. Question: what was her theory about? Answer: that both phenomenology and feminism ground their theories in "lived experience". Question: what did people think of this theory?	[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Judith Butler Background: Judith Butler FBA (born February 24, 1956) is an American philosopher and gender theorist whose work has influenced political philosophy, ethics and the fields of third-wave feminist, queer and literary theory. Since 1993, she has taught at the University of California, Berkeley, where she is now Maxine Elliot Professor in the Department of Comparative Literature and the Program of Critical Theory. She is also the Hannah Arendt Chair at the European Graduate School. Butler is best known for her books Gender Trouble: Section: Early life and education Passage: Judith Butler was born in Cleveland, Ohio, to a family of Hungarian-Jewish and Russian-Jewish descent. Most of her maternal grandmother's family perished in the Holocaust. As a child and teenager, she attended both Hebrew school and special classes on Jewish ethics, where she received her "first training in philosophy". Butler stated in a 2010 interview with Haaretz that she began the ethics classes at the age of 14 and that they were created as a form of punishment by her Hebrew school's Rabbi because she was "too talkative in class". Butler also stated that she was "thrilled" by the idea of these tutorials, and when asked what she wanted to study in these special sessions, she responded with three questions preoccupying her at the time: "Why was Spinoza excommunicated from the synagogue? Could German Idealism be held accountable for Nazism? And how was one to understand existential theology, including the work of Martin Buber?" Butler attended Bennington College and then Yale University where she studied philosophy, receiving her B.A. in 1978 and her Ph.D. in 1984. She spent one academic year at Heidelberg University as a Fulbright-Scholar. She taught at Wesleyan University, George Washington University, and Johns Hopkins University before joining University of California, Berkeley, in 1993. In 2002 she held the Spinoza Chair of Philosophy at the University of Amsterdam. In addition, she joined the department of English and Comparative Literature at Columbia University as Wun Tsun Tam Mellon Visiting Professor of the Humanities in the spring semesters of 2012, 2013 and 2014 with the option of remaining as full-time faculty. Butler serves on the editorial board or advisory board of academic journals including JAC: A Journal of Rhetoric, Culture, and Politics and Signs: Journal of Women in Culture and Society. Question: Where was he born? Answer: Cleveland, Ohio, Question: when was he born? Answer: CANNOTANSWER Question: Who were his parents? Answer: family of Hungarian-Jewish and Russian-Jewish descent. Most of her maternal grandmother's family perished in the Holocaust. Question: Where did he go to school?	[ "she attended both Hebrew school and special classes on Jewish ethics," ]
Title: Nicole Kidman Background: Kidman was born 20 June 1967 in Honolulu, Hawaii, while her Australian parents were temporarily in the United States on student visas. Her father was Antony Kidman (1938-2014), a biochemist, clinical psychologist and author, who died of a heart attack in Singapore aged 75. Her mother, Janelle Ann (nee Glenny), is a nursing instructor who edited her husband's books and was a member of the Women's Electoral Lobby. Kidman's ancestry includes Irish, Scottish and English heritage. Section: 1983-1994: Career beginnings Passage: In 1983, aged 16, Kidman made her film debut in a remake of the Australian holiday season favourite Bush Christmas. By the end of 1983, she had a supporting role in the television series Five Mile Creek. In 1984, her mother was diagnosed with breast cancer, which caused Kidman to halt her acting work temporarily while she studied massage so she could help her mother with physical therapy. She began gaining popularity in the mid-1980s after appearing in several film roles, including BMX Bandits (1983), Watch the Shadows Dance (1987 aka Nightmaster), and the romantic comedy Windrider (1986), which earned Kidman attention due to her racy scenes. Also during the decade, she appeared in several Australian productions, including the soap opera A Country Practice and the miniseries Vietnam (1986). She also made guest appearances on Australian television programs and TV movies. In 1988, Kidman appeared in Emerald City, based on the play of the same name. The Australian film earned her an Australian Film Institute for Best Supporting Actress. Kidman next starred with Sam Neill in Dead Calm (1989) as Rae Ingram, playing the wife of a naval officer. The thriller brought Kidman to international recognition; Variety commented: "Throughout the film, Kidman is excellent. She gives the character of Rae real tenacity and energy." Meanwhile, critic Roger Ebert noted the excellent chemistry between the leads, stating, "Kidman and Zane do generate real, palpable hatred in their scenes together." She followed that up with the Australian miniseries Bangkok Hilton. She next moved on to star alongside her then-boyfriend and future husband, Tom Cruise, in the 1990 auto racing film Days of Thunder, as a young doctor who falls in love with a NASCAR driver. It is Kidman's American debut and was among the highest-grossing films of the year. In 1991, she co-starred with Thandie Newton and former classmate Naomi Watts in the Australian independent film Flirting. They portrayed high school girls in this coming of age story, which won the Australian Film Institute Award for Best Film. That same year, her work in the film Billy Bathgate earned Kidman her first Golden Globe Award nomination, for Best Supporting Actress. The New York Times, in its film review, called her "a beauty with, it seems, a sense of humor". The following year, she and Cruise re-teamed for Ron Howard's Irish epic Far and Away (1992), which was a modest critical and commercial success. In 1993, she starred in the thriller Malice opposite Alec Baldwin and the drama My Life opposite Michael Keaton. Question: How did she get into show business? Answer: In 1983, aged 16, Kidman made her film debut in a remake of the Australian holiday season favourite Bush Christmas. Question: Did the series last long?	[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Nicole Kidman Background: Kidman was born 20 June 1967 in Honolulu, Hawaii, while her Australian parents were temporarily in the United States on student visas. Her father was Antony Kidman (1938-2014), a biochemist, clinical psychologist and author, who died of a heart attack in Singapore aged 75. Her mother, Janelle Ann (nee Glenny), is a nursing instructor who edited her husband's books and was a member of the Women's Electoral Lobby. Kidman's ancestry includes Irish, Scottish and English heritage. Section: 2016-present: Resurgence Passage: In 2016, Kidman's performance in Lion earned rave reviews, as well as nominations for the Academy Award for Best Supporting Actress, her fourth nomination overall, the Critics Choice for Best Supporting Actress, the Screen Actors Guild for Outstanding Performance by a Female Actor in a Supporting Role, the BAFTA Award for Best Actress in a Supporting Role, a win in the same category at the Hollywood Film Awards as well as her third Golden Globe nomination for Best Supporting Actress, and her eleventh nomination overall. Kidman portrayed Sue Brierly, the adoptive mother of Saroo, an Indian boy who was separated from his birth family, a role she felt connected to as she herself is the mother of adopted children. Richard Roeper of The Chicago Sun-Times felt that "Kidman gives a powerful and moving performance as Saroo's adoptive mother, who loves her son with every molecule of her being but comes to understand his quest. It's as good as anything she's done in the last decade." In 2017, Kidman returned to television in the seven-part miniseries adaptation of the Liane Moriarty bestseller Big Little Lies, which premiered on HBO. She produced the miniseries along with her co-star, Reese Witherspoon, and the show's director, Jean-Marc Vallee. She plays Celeste Wright, a former lawyer and housewife, who is concealing her abusive relationship with her younger husband, played by Alexander Skarsgard. Kidman has garnered critical acclaim for her performance, with Matthew Jacobs of The Huffington Post stating that she "delivered a career-defining performance." Ann Hornaday of The Washington Post wrote that "Kidman belongs in the pantheon of great actresses." She has received a nomination from the Television Critics Association and won the Primetime Emmy Award for Outstanding Lead Actress in a Limited Series or Movie for her performance, as well as winning the Primetime Emmy Award for Outstanding Limited Series as a producer. She went on to win a Golden Globe and SAG Award for her role. She then played Martha Farnsworth, the headmistress of an all-girls school during the Civil War, in Sofia Coppola's drama The Beguiled, an adaptation of the novel written by Thomas P. Cullinan, which premiered at the 2017 Cannes Film Festival, competing for the Palme d'Or. The film received positive reviews, as did Kidman's performance, with Katie Walsh of Tribune News Service noting "Nicole Kidman is particularly, unsurprisingly excellent in her performance as the steely Miss Martha. She is controlled and in control, unflappable. Her genteel manners and femininity coexist easily with her toughness." Kidman had two other films premiere at the festival, the science-fiction romantic comedy How to Talk to Girls at Parties, reuniting her with director John Cameron Mitchell, and the psychological thriller The Killing of a Sacred Deer, directed by Yorgos Lanthimos, which also competed for the Palme d'Or. Also in 2017, Kidman played a supporting role in the television series Top of the Lake: China Girl. Question: When did she make her come back? Answer: In 2016, Kidman's performance in Lion earned rave reviews, as well as nominations for the Academy Award for Best Supporting Actress, Question: Did she win any other awards? Answer: won the Primetime Emmy Award for Outstanding Lead Actress in a Limited Series or Movie for her performance, Question: What film earned her this award? Answer: the seven-part miniseries adaptation of the Liane Moriarty bestseller Big Little Lies, which premiered on HBO. Question: Did she have any other award winning roles?	[ "She went on to win a Golden Globe and SAG Award for her role." ]
Title: Tim Russert Background: Russert was born in Buffalo, New York, the son of Elizabeth "Betty" (nee Seeley; January 9, 1929 - August 14, 2005), a homemaker, and Timothy Joseph "Big Russ" Russert (November 29, 1923 - September 24, 2009), a sanitation worker. Elizabeth and Joseph were married for 30 years, before separating in 1976. Russert was the only son and the second of four children; his sisters are Betty Ann (B.A.), Kathleen (Kathy) and Patricia (Trish). His parents were Catholics, and he had German and Irish ancestry. Section: Enthusiasm for sports Passage: Russert grew up as a New York Yankees fan, switching his allegiance to the Nationals when they were established in Washington, D.C. Russert held season tickets to both the Washington Nationals and the Washington Wizards and was elected to the board of directors of the Baseball Hall of Fame in Cooperstown, New York in 2003. A lifelong fan of the Buffalo Bills football team, Russert often closed Sunday broadcasts during the football season with a statement of encouragement for the franchise. The team released a statement on the day of his death, saying that listening to Russert's "Go Bills" exhortation was part of their Sunday morning game preparation. He once prayed publicly on the show with his father when the Bills were going for the Super Bowl for the fourth consecutive time before Super Bowl XXVIII. On July 23, 2008, U.S. Route 20 leading to the Bills' Ralph Wilson Stadium in Orchard Park, New York was renamed the "Timothy J. Russert Highway". Russert was also a Buffalo Sabres fan and appeared on an episode of Meet the Press next to the Stanley Cup during a Sabres playoff run. While his son was attending Boston College, he often ended Meet the Press with a mention of the success of various Boston College sports teams. Russert, then a student at the Cleveland-Marshall College of Law, attended Ten Cent Beer Night, a promotion by the Cleveland Indians which ended in a riot at the stadium. "I went with $2 in my pocket," he recalled. "You do the math." Question: What were his favorite sports? Answer: Baseball Question: What sport did he broadcast? Answer: football Question: How many children did he have? Answer: CANNOTANSWER Question: How old was his son?	[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Ruud Gullit Background: Gullit was born Rudi Dil in Amsterdam to George Gullit, a Surinamese migrant who arrived in the Netherlands with Herman Rijkaard, father of Frank Rijkaard, and Ria Dil, his mistress, from the Jordaan district of Amsterdam. The family lived in one split level room on the top floor of a small apartment building. Gullit's father worked as an economics teacher at a local school, his mother as a custodian at the Rijksmuseum. Gullit developed his football skills in the confines of the Rozendwarsstraat, and street football was instrumental in his formative years. Section: Los Angeles Galaxy Passage: On 8 November 2007, Gullit became head coach for the LA Galaxy, signing a three-year contract. His US$2 million per year salary was the highest ever given to a Major League Soccer (MLS) head coach. Gullit arrived as replacement for Frank Yallop who was let go after Galaxy failed to make the 2007 MLS playoffs despite having a record signing David Beckham on the roster. From the start, Gullit's time with Galaxy was troublesome. Not well-versed in the intricacies and specifics of the MLS such as salary cap and draft rules, the Dutchman never adapted well to the North American league. The ill-fated January 2008 acquisition of left back Celestine Babayaro (who was brought in on Gullit's personal wishes before getting dismissed quickly and unceremoniously without even getting a chance to play any competitive matches due to extreme lack of commitment in pre-season) set the tone for the league campaign that was about to start. After getting blown out 0-4 in the season opener, Gullit clashed with midfielder Peter Vagenas, who criticized him for completely neglecting set play practice during training. As the season progressed, Gullit would clash with just about every player, notably Landon Donovan and Abel Xavier, the latter who criticized the Dutchman's managerial style claiming he did not have respect for most of the players. Eventually, it also came out that Gullit's very appointment came in controversial fashion as Galaxy general manager at the time, Alexi Lalas, got bypassed in the process, with the decision coming straight from David Beckham's personal handlers: his management company 19 Entertainment and his personal manager Terry Byrne. On 11 August 2008, Gullit resigned as coach from the Galaxy, citing personal reasons. This came following a seven-game winless streak. General manager Lalas was fired on the same occasion. Question: What is Gullit's connection to LA Galaxy? Answer: On 8 November 2007, Gullit became head coach for the LA Galaxy, signing a three-year contract. Question: What else happened during his time with the Galaxy?	[ "The ill-fated January 2008 acquisition of left back Celestine Babayaro (who was brought in on Gullit's personal wishes before getting dismissed quickly" ]
Title: Winnie Madikizela-Mandela Background: Madikizela-Mandela's Xhosa name was Nomzamo ("She who tries"). She was born in the village of Mbongweni, Bizana, Pondoland, in what is now the Eastern Cape province. She was the fourth of eight children, seven sisters and a brother. Her parents, Columbus and Gertrude, who had a white father, and Xhosa mother, were both teachers. Section: In popular culture Passage: Mandela was portrayed by Alfre Woodard in the 1987 HBO TV movie, Mandela. Ms Woodard earned both a CableACE Award and an NAACP Image Award for her performance, as did costar Danny Glover, who portrayed Nelson Mandela. Tina Lifford played her in the 1997 TV film Mandela and de Klerk. Sophie Okonedo portrayed her in the BBC drama Mrs Mandela, first broadcast on BBC Four on 25 January 2010. Jennifer Hudson played her in Winnie Mandela, directed by Darrell Roodt, released in Canada by D Films on 16 September 2011. Roodt, Andre Pieterse, and Paul L. Johnson based the film's script on Anne Marie du Preez Bezdrob's biography, Winnie Mandela: A Life. The Creative Workers Union of South Africa opposed the choice of Hudson in the title role, saying the use of foreign actors to tell the country's stories undermined efforts to develop the national film industry. In 2007, an opera based on her life called The Passion of Winnie was produced in Canada, however, she was declined a visa to attend its world premiere and associated gala fundraising concert. Mandela was again portrayed in the 2013 film Mandela: Long Walk to Freedom by actress Naomie Harris (British actor Idris Elba played Nelson Mandela). On viewing the film, Madikizela-Mandela told Harris it was "the first time she felt her story had been captured on film". Gugulethu okaMseleku, writing in The Guardian, stated that the film had returned Winnie Mandela to her rightful place, recognising her role in "the struggle" that, "for South African women ... was more fundamental than her husband's." Question: Are there any other interesting aspects about this article? Answer: Mandela was portrayed by Alfre Woodard in the 1987 HBO TV movie, Mandela. Question: Did the film win any awards? Answer: Ms Woodard earned both a CableACE Award and an NAACP Image Award for her performance, Question: Did Winnie say anything about the movie? Answer: CANNOTANSWER Question: Did that film rate highly with critics or the public?	[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Weeb Ewbank Background: Wilbur Charles "Weeb" Ewbank (May 6, 1907 - November 17, 1998) was an American professional football coach. He led the Baltimore Colts to NFL championships in 1958 and 1959 and the New York Jets to victory in Super Bowl III in 1969. He is the only coach to win a championship in both the National Football League (NFL) and American Football League (AFL). Section: Coaching career Passage: Shortly after graduating from Miami in 1928, Ewbank took his first coaching job at Van Wert High School in Van Wert, Ohio, overseeing the football, basketball and baseball teams. He remained there until 1930, when he moved back to Oxford and took a position coaching football and basketball at McGuffey High School, a private institution run by Miami University. He also taught physical education at Miami. Ewbank took a break from coaching in 1932 to pursue a master's degree at Columbia University in New York City and filled in as Miami's basketball coach in 1939 after the previous coach left for another job, but otherwise held his coaching positions at McGuffey until 1943. Under his tutelage, the school's Green Devils football team had a win-loss record of 71-21 in thirteen seasons. This included a streak of three undefeated seasons between 1936 and 1939 and one season - 1936 - where the team did not allow any scoring by opponents. Ewbank joined the U.S. Navy in 1943 as American involvement in World War II intensified. He was assigned for training to Naval Station Great Lakes near Chicago, where Paul Brown, a former classmate who succeeded him as Miami's starting quarterback, was coaching the base football team. Brown had become a successful high school coach in Ohio before being named head football coach at Ohio State University in 1941. At Great Lakes, Ewbank was an assistant to Brown on the football team and coached the basketball team. Following his discharge from the Navy at the end of the war in 1945, Ewbank became the backfield coach under Charles "Rip" Engle at Brown University. He also was head coach of the basketball team in the 1946-47 season, his only one at Brown. Ewbank's next stop was as head football coach at Washington University in St. Louis for the 1947 and 1948 seasons. Ewbank guided the Washington University Bears to a 14-4 record in two seasons. The team had nine wins and just one loss in 1948. Question: When did Ewbank start coaching? Answer: Shortly after graduating from Miami in 1928, Ewbank took his first coaching job at Van Wert High School Question: What did he coach? Answer: the football, basketball and baseball teams. Question: Did they win any awards or honors? Answer: CANNOTANSWER Question: Did he win any awards for coaching?	[ "a streak of three undefeated seasons between 1936 and 1939 and one season - 1936 - where the team did not allow any scoring by opponents." ]
Title: Limp Bizkit Background: Limp Bizkit is an American rap rock band from Jacksonville, Florida, formed in 1994. Their lineup consists of Fred Durst (lead vocals), Sam Rivers (bass, backing vocals), John Otto (drums, percussion), and Wes Borland (guitars, backing vocals). Their music is marked by Durst's angry vocal delivery and Borland's sonic experimentation. Borland's elaborate visual appearance, which includes face and body paint, masks and uniforms, also plays a large role in the band's elaborate live shows. Section: Live performances Passage: Borland is known for performing in costumes and body paint during concerts, appearing in bunny and kung fu suits, and painted as a skeleton and what he describes as a "burnt match". Describing the character, he stated, "I go onstage wearing almost nothing. I have underwear and my boots on, and I paint my whole head black--from the neck up--and I have the black contacts. All you can see is these glowing teeth." Borland's black contacts were customized for him by a company noted for making contacts for the science fiction TV series Babylon 5. In addition to Borland's visual appearance, the band has also used elaborate stage setups in their performances. Their Ladies Night in Cambodia club tour visually paid tribute to the film Apocalypse Now, with an elaborate stage setup which featured an empty Jeep, camouflage mesh and palm trees. During the band's tour with Primus, Limp Bizkit took inspiration from Primus' trademark self-deprecatory slogan "Primus sucks": Durst, Borland, Rivers, Otto and Lethal took the stage with middle fingers raised. According to Borland, "they finger us back--and you know what that means to us--that they love us. It's kind of like saying something is bad when you really mean good. Les Claypool came out the first night of the tour and got a big kick out of it. We figured it was the right idea. It makes hecklers go 'huh.'" During the band's sets at Ozzfest, audience members at the tour heckled Limp Bizkit, leading the band to use a 30-foot toilet as a stage prop, which they would emerge from during each performance; the band punctuated their sets by "flushing" cardboard cutouts of pop stars like Hanson and the Spice Girls. During their appearance at the first Family Values Tour, Limp Bizkit performed on a set which the Los Angeles Times described as "a mix of The War Of The Worlds and Mars Attacks". The band emerged from a spaceship during the tour, and Borland continued to experiment with visual appearances. During the band's Halloween performance on the tour, each of the band's members dressed as Elvis Presley at various stages in his career. Question: Where have they performed live? Answer: Their Ladies Night in Cambodia club tour visually paid tribute to the film Apocalypse Now, Question: what is interesting about their live performances? Answer: Limp Bizkit performed on a set which the Los Angeles Times described as "a mix of The War Of The Worlds and Mars Attacks Question: Why was it described as a mix of the War of the Worlds? Answer: ". The band emerged from a spaceship during the tour, and Borland continued to experiment with visual appearances. Question: Did they do anything different during their live performances compared to others? Answer: with an elaborate stage setup which featured an empty Jeep, camouflage mesh and palm trees. Question: why would they finger them back?	[ "It's kind of like saying something is bad when you really mean good." ]
Title: Julian Huxley Background: Sir Julian Sorell Huxley FRS (22 June 1887 - 14 February 1975) was a British evolutionary biologist, eugenicist, and internationalist. He was a proponent of natural selection, and a leading figure in the mid-twentieth century modern synthesis. He was secretary of the Zoological Society of London (1935-1942), the first Director of UNESCO, a founding member of the World Wildlife Fund and the first President of the British Humanist Association. Huxley was well known for his presentation of science in books and articles, and on radio and television. Section: Personal influence Passage: In the early 20th century he was one of the minority of biologists who believed that natural selection was the main driving force of evolution, and that evolution occurred by small steps and not by saltation (jumps). These opinions are now standard. Though his time as an academic was quite brief, he taught and encouraged a number of evolutionary biologists at the University of Oxford in the 1920s. Charles Elton (ecology), Alister Hardy (marine biology) and John Baker (cytology) all became highly successful, and Baker eventually wrote Huxley's Royal Society obituary memoir. Perhaps the most significant was Edmund Brisco Ford, who founded a field of research called ecological genetics, which played a role in the evolutionary synthesis. Another important disciple was Gavin de Beer, who wrote on evolution and development, and became Director of the Natural History Museum. Both these fine scholars had attended Huxley's lectures on genetics, experimental zoology (including embryology) and ethology. Later, they became his collaborators, and then leaders in their own right. In an era when scientists did not travel so frequently as today, Huxley was an exception, for he travelled widely in Europe, Africa and the United States. He was therefore able to learn from and influence other scientists, naturalists and administrators. In the US he was able to meet other evolutionists at a critical time in the reassessment of natural selection. In Africa he was able to influence colonial administrators about education and wild-life conservation. In Europe, through UNESCO, he was at the centre of the post-World War II revival of education. In Russia, however, his experiences were mixed. His initially favourable view was changed by his growing awareness of Stalin's murderous repression, and the Lysenko affair. There seems little evidence that he had any effect on the Soviet Union, and the same could be said for some other Western scientists. "Marxist-Leninism had become a dogmatic religion... and like all dogmatic religions, it had turned from reform to persecution." Question: Who had the largest influence on Huxley? Answer: evolutionary biologists at the University of Oxford in the 1920s. Charles Elton (ecology), Alister Hardy (marine biology) and John Baker (cytology) all became highly successful, Question: What did Huxley believe?	[ "natural selection was the main driving force of evolution," ]
Title: Linkin Park Background: Linkin Park is an American rock band from Agoura Hills, California. Formed in 1996, the band rose to international fame with their debut album Hybrid Theory (2000), which was certified Diamond by the RIAA in 2005 and multi-Platinum in several other countries. Their following studio album Meteora continued the band's success, topping the Billboard 200 album chart in 2003, and was followed by extensive touring and charity work. Having adapted nu metal and rap metal to a radio-friendly yet densely layered style in Hybrid Theory and Meteora, the band explored other genres on their next studio album, Minutes to Midnight (2007). Section: 2013-2015: The Hunting Party Passage: In an interview with Fuse, Shinoda confirmed that Linkin Park had begun recording their sixth studio album in May 2013. The band released the first single from their upcoming album, titled, "Guilty All the Same" on March 6, 2014 through Shazam. The single was later released on the following day by Warner Bros. Records and debut at No. 28 on the US Billboard Rock Airplay charts before peaking at No. 1 on the Mainstream Rock charts in the following weeks. Shortly after the single's release, the band revealed their sixth album would be titled The Hunting Party. The album was produced by Shinoda and Delson, who wanted to explore musical elements from Hybrid Theory and the band's earlier material. Shinoda commented the album is a "90s style of rock record". He elaborated, "It's a rock record. It's loud and it's rock, but not in the sense of what you've heard before, which is more like '90s hardcore-punk-thrash.' The album includes musical contributions from rapper Rakim, Page Hamilton of Helmet, Tom Morello of Rage Against the Machine, and Daron Malakian of System of a Down. The Hunting Party was released on June 13, 2014, in most countries, and later released in the United States on June 17. Linkin Park performed at Download Festival on June 14, 2014, where they played their debut album, Hybrid Theory, in its entirety. Linkin Park headlined Rock am Ring and Rock im Park in 2014, along with Metallica, Kings of Leon, and Iron Maiden. They also headlined with Iron Maiden again at the Greenfield Festival in July. On June 22, Linkin Park made an unscheduled headline appearance at the Vans Warped Tour, where they played with members of Issues, The Devil Wears Prada, A Day To Remember, Yellowcard, Breathe Carolina, Finch, and Machine Gun Kelly. In January 2015, the band embarked on a tour to promote the release of The Hunting Party, consisting of 17 concerts across the United States and Canada. The tour was canceled after only three concerts when Bennington injured his ankle. On May 9, Linkin Park performed at the first edition of Rock in Rio USA, in direct support for Metallica. On November 9, 2014, MTV Europe named Linkin Park the "Best Rock" act of 2014 at their annual music awards ceremony. The band won the 'Best Rock Band' and 'Best Live Act' titles of 2014 on Loudwire's Music Awards. Revolver ranked The Hunting Party as the fourth best album of 2014. In an interview with AltWire on May 4, Shinoda reflected on The Hunting Party and commented on Linkin Park's future, stating; "I'm really happy with the reaction from The Hunting Party, and I think we're ready to move somewhere new on the next album, which will be coming [in 2016]". Linkin Park collaborated with Steve Aoki on the song "Darker Than Blood" for Aoki's album Neon Future II, which was released in May 2015. The first preview of the song came during Aoki's performance on February 28, 2015 at the Aragon Ballroom in Chicago, Illinois. The song was debuted on Twitch.tv on April 13 and released on April 14. Linkin Park performed at the closing ceremony of Blizzcon 2015, Blizzard's video game convention. Question: What happened in 2013? Answer: Linkin Park had begun recording their sixth studio album in May 2013. Question: was the album successful?	[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Fugazi Background: Fugazi (; foo-GAH-zee) is an American punk rock band that formed in Washington, D.C. in 1987. The band consists of guitarists and vocalists Ian MacKaye and Guy Picciotto, bassist Joe Lally and drummer Brendan Canty. Fugazi are noted for their unique sound, blending of elements of dub/reggae with high energy rock and punk/hardcore-styled guitars, as well as for their business practices and contempt towards the music industry. The band, and others from the punk and hardcore scene leading up to the early 1990s, were among the early adopters of what grew to be known as the DIY ethic. Section: In On the Kill Taker and Red Medicine (1993-1996) Passage: After the hardcore punk group Minor Threat dissolved, Ian MacKaye (vocals and guitar) was active with a few short-lived groups, most notably Embrace. MacKaye decided he wanted a project that was "like The Stooges with reggae", but was wary about forming another band after Embrace's break up. MacKaye recalled, "My interests were not necessarily to be in a band, but to be with people who wanted to play music with me." MacKaye recruited ex-Dag Nasty drummer Colin Sears and bass guitarist Joe Lally, and the trio began practicing together in September 1986. After a few months of rehearsals, Sears returned to Dag Nasty and was replaced by Brendan Canty (earlier of Rites of Spring). One day Canty's Rites of Spring bandmate Guy Picciotto dropped by during a practice session to see how his friend was getting along; he later admitted he secretly harbored the idea of joining the group. But Picciotto was disappointed that there seemed to be no place for him. After some uncertainty from Canty about what he wanted to do with his future, the trio regrouped and booked their first show at the Wilson Center in early September 1987. The group still needed a name, so MacKaye chose the word "fugazi" from Mark Baker's Nam, a compilation of stories of Vietnam War veterans, it there being a slang acronym for "Fucked Up, Got Ambushed, Zipped In [into a body bag]". The band began inviting Picciotto to practices. Inspired by use of a foil in hip hop, Picciotto sang backup vocals. After his band Happy Go Licky broke up, he became more involved with Fugazi. MacKaye eventually asked Picciotto to become a full member, which he accepted. With Picciotto playing guitar full-time, Fugazi made the transition into jamming and writing new material as a band as opposed to performing songs composed solely by MacKaye. In addition to working on new material, songs they had been performing live were refined, such as "Merchandise" and "Turnover", for inclusion on their first official full-length studio album. Released on April 19, 1990, through Dischord Records, Repeater did not initially reach the Billboard 200 charts or become a commercial success. However, the band spent most of 1990 and 1991 touring heavily behind Repeater, performing a total of 250 concerts between March 1990 and June 1991, routinely selling out 1,000-plus capacity venues throughout the world. By summer 1991, the album sold more than 300,000 copies, a large number for a label that relied on minimal promotion. While major labels began to court Fugazi, the band decided to stay with Dischord and refused the offers of those labels. Repeater ultimately went on to sell more than 1 million copies in the U.S. alone, and more than 2 million worldwide. The album was critically well received and featured an alternative rock sound that pre-dated significant releases such as Nirvana's Nevermind and Pearl Jam's Ten, which would unexpectedly go on to break the genre into the mainstream. For Fugazi's second studio-album Steady Diet of Nothing, released in July 1991, the band once again asked Ted Niceley to produce. Niceley had become a chef and had to reluctantly turn down the job, so the band members decided to produce the record themselves. After the success of Repeater and its subsequent world tour, Steady Diet was highly anticipated, six months prior to its release Dischord had pre-orders in excess of 160,000 for the album. Fugazi recorded its third album In on the Kill Taker in the fall of 1992 with Steve Albini in Chicago; however, the results were deemed unsatisfactory and the band re-recorded the album with Ted Niceley & Don Zientara. With the breakthrough of alternative rock in the early 1990s, In on the Kill Taker; released on June 30, 1993, became the group's first record to enter the Billboard album charts, received critical praise from Spin, TIME magazine and Rolling Stone, sold 180,000 copies in its first week of release and subsequently became the band's breakthrough album. By the In on the Kill Taker tour, the group began to sell-out large auditoriums and arenas, as well as receive more lucrative major label offers. During the band's sold-out 3-night stint at New York City's Roseland Ballroom in September 1993, music mogul and Atlantic Records president Ahmet Ertegun met with the band backstage in an attempt to sign them. Ertegun offered the band "anything you want", their own subsidiary label and more than $10 million just to sign with Atlantic. Fugazi declined the offer. The organizers of Lollapalooza also attempted to recruit the band for a headlining slot on its 1993 tour, which the band considered but ultimately turned down. Fugazi began writing the material for Red Medicine in late 1994, after touring in support of In on the Kill Taker. The band worked with engineer Don Zientara, but did not choose to work with producer Ted Niceley again. Fugazi opted to retreat from the in-your-face production values of In on the Kill Taker and instead worked to create an ambient sound which would display greater range and depth. To achieve this, the band handled production duties themselves, and in doing so, became more confident with in-studio experimentation. Red Medicine would take Fugazi a step further toward art rock. The band began an extensive worldwide tour in support of the album, playing a total of 172 shows between March 1995 and November 1996. Question: What is the Kill Taker? Answer: Fugazi recorded its third album In on the Kill Taker Question: What about the red medicine? Answer: Fugazi began writing the material for Red Medicine in late 1994, Question: When was it released officially? Answer: CANNOTANSWER Question: When did kill taker release? Answer: fall of 1992 Question: Who is Ted Niceley?	[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: The Strokes Background: The Strokes are an American rock band from New York City. Formed in 1998, the band is composed of singer Julian Casablancas, lead guitarist Nick Valensi, rhythm guitarist Albert Hammond Jr., bassist Nikolai Fraiture, and drummer Fabrizio Moretti. Following the conclusion of five-album deals with RCA and Rough Trade, the band has continued to release new music through Casablancas' Cult Records. Met with widespread critical acclaim, the Strokes' 2001 debut, Is This It, helped usher in the garage rock revival movement of the early-21st century--and ranks number eight on Rolling Stone's 100 Best Debut Albums of All Time, number two on Rolling Stone's 100 Best Albums of the '00s, 199 on Rolling Stone's 500 Greatest Albums of All Time and number four in the NME top 500 albums of all time. Section: Is This It (2001-2002) Passage: The Strokes released their debut album, Is This It, in the US in October 2001. The album was produced by Gordon Raphael, as was their follow-up album Room On Fire. RCA delayed the North American (US) release over concerns with the album's cover and lyrics. The UK-released cover features a black-and-white photo of a gloved hand on a woman's naked backside, shown in semi-profile (photographer Colin Lane's then-girlfriend,) while the North American version replaced it with a photo of particle collisions in the Big European Bubble Chamber. RCA replaced the track "New York City Cops" with "When It Started", as the former featured potentially inflammatory lyrics in the wake of the September 11 attacks. The track "New York City Cops"--featuring the refrain, "New York City Cops, they ain't too smart"--was listed as No. 12 on New York Magazine's "Ultimate New York Playlist" on March 1, 2010. Despite its delayed release (and the potential controversy), Is This It received critical acclaim--among other accolades, four stars from Rolling Stone, and a 9.1 from Pitchfork Media. The album made many critic's top-ten lists, was named the best album of the year by Entertainment Weekly and TIME, and (in an article previewing summer concerts) NME urged readers to attend the Strokes' shows--as they were touring some of the "best pop songs ever." While critics noted the influence of CBGB stalwarts Television, Casablancas and bandmates claimed to have never heard the band, instead citing the Velvet Underground as a reference point. After the release of Is This It, the band toured around the world--including Japan, Australia, New Zealand, Europe, and North America (the band opened for the Rolling Stones on numerous occasions during the North-American leg of their tour). The self-made mini-documentary "In Transit" was filmed during the summer tour of Europe. In August 2002, the band headlined UK's Carling Weekend festivals for the second time, subsequently playing at New York's Radio City Music Hall on a bill with the White Stripes. Jack White joined the Strokes on stage to perform the guitar solo on "New York City Cops". During that period, the band also appeared as musical guests on numerous late-night talk shows. Is This It yielded several singles and music videos, all of which were directed by Roman Coppola. Is This It has had an enduring impact on fans and critics alike. In 2009, NME named Is This It as the Greatest Album of the Decade (2000s). The album placed second on a similar list compiled by Rolling Stone (the same issue featured a list of the '100 Best Songs of the 00's', featuring "Hard to Explain" and "Last Nite" at No. 59 and 16, respectively). In January 2011, Rolling Stone conducted a survey among their Facebook fans to determine the top ten debut albums of all time. Is This It came in at number ten and was also the most recent behind Pearl Jam's 1991 debut. As of 2010, Is This It has sold over 3.5 million copies worldwide. Question: What was Is This It? Answer: The Strokes released their debut album, Is This It, Question: How did the album do? Answer: Is This It received critical acclaim--among other accolades, four stars from Rolling Stone, and a 9.1 from Pitchfork Media. Question: Were there any awards?	[ "The album placed second on a similar list compiled by Rolling Stone (the same issue featured a list of the '100 Best Songs of the 00's'," ]
Title: The Strokes Background: The Strokes are an American rock band from New York City. Formed in 1998, the band is composed of singer Julian Casablancas, lead guitarist Nick Valensi, rhythm guitarist Albert Hammond Jr., bassist Nikolai Fraiture, and drummer Fabrizio Moretti. Following the conclusion of five-album deals with RCA and Rough Trade, the band has continued to release new music through Casablancas' Cult Records. Met with widespread critical acclaim, the Strokes' 2001 debut, Is This It, helped usher in the garage rock revival movement of the early-21st century--and ranks number eight on Rolling Stone's 100 Best Debut Albums of All Time, number two on Rolling Stone's 100 Best Albums of the '00s, 199 on Rolling Stone's 500 Greatest Albums of All Time and number four in the NME top 500 albums of all time. Section: Room on Fire (2003-2004) Passage: The group began recording their follow-up in 2002 with producer Nigel Godrich (best known for his work with Radiohead), but later split with him in favor of Gordon Raphael, the producer of Is This It. Recordings with Godrich were never revealed. In August 2003, the band toured Japan, playing a couple of the upcoming songs: "Reptilia", "Meet Me In The Bathroom", "The Way It Is", "Between Love & Hate" (formerly known as "Ze Newie") and "12:51" (formerly known as "Supernova"). The band also played Paul Anka's "My Way" with Japanese lyrics. The Strokes released their second album Room on Fire in October 2003. It received praise from critics but was less commercially successful, although it still went gold. The album's sound maintained the Strokes' familiar reference points, while also evoking groups such as the Cars, Bob Marley, and Blondie. In the process, they made the cover of Spin Magazine for the second time, with each member receiving his own cover. They also made the cover of Rolling Stone for the first time. Additional media coverage of the band came from the relationship between Moretti and actress Drew Barrymore, which ended in January 2007. The first single taken from Room on Fire was the song "12:51", which used distinct keyboard-like sounds produced by Valensi's guitar. The video was also directed by Roman Coppola, and was inspired by the futuristic look of the 1980s film Tron. This consisted of a mainly black scene, with instances of glowing picton blue and riptide. In November 2003, the Strokes played on Late Night with Conan O'Brien, performing "Reptilia", "What Ever Happened", "Under Control" and "I Can't Win". During the 2003/2004 "Room on Fire Tour", the band played with Kings of Leon as support act and Regina Spektor. While on tour, Spektor and the Strokes recorded the song "Modern Girls & Old Fashion Men", released as a B-side on the "Reptilia" single. Also during the tour, the band included the Clash's "Clampdown" as a cover, which was released as the B-side for "The End Has No End". In late 2004, the Strokes revealed plans to release a live album. The Live in London LP was planned for release in October 2004, but was abandoned, reportedly due to recording quality problems. The chosen gig was one held at the legendary Alexandra Palace in North London. Question: what happened in 2003? Answer: In August 2003, the band toured Japan, playing a couple of the upcoming songs: " Question: what were some of the songs? Answer: "Reptilia", "Meet Me In The Bathroom", "The Way It Is", "Between Love & Hate" (formerly known as "Ze Newie") and "12:51" ( Question: did they make any other music?	[ "The Strokes released their second album Room on Fire in October 2003." ]
Title: Alejandro Jodorowsky Background: Alejandro Jodorowsky Prullansky (Spanish: [ale'xandro xodo'rofski]; born 17 February 1929) is a Chilean-French filmmaker. Active since 1948, in seventy years of his artistic career Jodorowsky has experienced it in almost all creative forms: writer (in his five facets: novelist, storyteller, poet, playwright and essayist), film director and producer, actor of cinema and theatre, playwright, theatre director, screenwriter, film editor, comics writer, musician, soundtrack composer, philosopher, puppeteer, mime, psychologist and psychoanalyst, draughtsman, painter, eventually sculptor and spiritual guru. Best known for his avant-garde films, he has been "venerated by cult cinema enthusiasts" for his work which "is filled with violently surreal images and a hybrid blend of mysticism and religious provocation". Born to Jewish-Ukrainian parents in Chile, Jodorowsky experienced an unhappy and alienated childhood, and so immersed himself in reading and writing poetry. Section: Santa Sangre and The Rainbow Thief (1981-1990) Passage: In 1982 Jodorowsky divorced his wife. In 1989, Jodorowsky completed the Mexican-Italian production Santa Sangre (Holy Blood). The film received limited theatrical distribution, putting Jodorowsky back on the cultural map despite its mixed critical reviews. Santa Sangre was a surrealistic slasher film with a plot like a mix of Alfred Hitchcock's Psycho with Robert Wiene's "The Hands of Orlac". It featured a protagonist who, as a child, saw his mother lose both her arms, and as an adult let his own arms act as hers, and so was forced to commit murders at her whim. Several of Jodorowsky's sons were recruited as actors. He followed in 1990 with a very different film, The Rainbow Thief. Though it gave Jodorowsky a chance to work with the "movie stars" Peter O'Toole and Omar Sharif, the executive producer, Alexander Salkind, effectively curtailed most of Jodorowsky's artistic inclinations, threatening to fire him on the spot if anything in the script was changed (Salkind's wife, Berta Dominguez D., wrote the screenplay). That same year (1990), Jodorowsky and his family returned to live in France. In 1995, Alejandro's son, Teo, died in an accident while his father was busy preparing for a trip to Mexico City to promote his new book. Upon arriving in Mexico City, he gave a lecture at the Julio Castillo Theatre where once again he met Ejo Takata, who at this time had moved into a poor suburb of the city where he had continued to teach meditation and Zen. Takata would die two years later, and Jodorowsky would never get to see his old friend again. Question: is santa sangre the name of a movie? Answer: Jodorowsky completed the Mexican-Italian production Santa Sangre (Holy Blood). The film Question: Did the film do well? Answer: The film received limited theatrical distribution, putting Jodorowsky back on the cultural map despite its mixed critical reviews. Question: When was the rainbow thief produced? Answer: He followed in 1990 with a very different film, The Rainbow Thief. Question: did either film receive any awards?	[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Alejandro Jodorowsky Background: Alejandro Jodorowsky Prullansky (Spanish: [ale'xandro xodo'rofski]; born 17 February 1929) is a Chilean-French filmmaker. Active since 1948, in seventy years of his artistic career Jodorowsky has experienced it in almost all creative forms: writer (in his five facets: novelist, storyteller, poet, playwright and essayist), film director and producer, actor of cinema and theatre, playwright, theatre director, screenwriter, film editor, comics writer, musician, soundtrack composer, philosopher, puppeteer, mime, psychologist and psychoanalyst, draughtsman, painter, eventually sculptor and spiritual guru. Best known for his avant-garde films, he has been "venerated by cult cinema enthusiasts" for his work which "is filled with violently surreal images and a hybrid blend of mysticism and religious provocation". Born to Jewish-Ukrainian parents in Chile, Jodorowsky experienced an unhappy and alienated childhood, and so immersed himself in reading and writing poetry. Section: Attempts to return to filmmaking (1990-2011) Passage: In 2000, Jodorowsky won the Jack Smith Lifetime Achievement Award from the Chicago Underground Film Festival (CUFF). Jodorowsky attended the festival and his films were shown, including El Topo and The Holy Mountain, which at the time had grey legal status. According to festival director Bryan Wendorf, it was an open question of whether CUFF would be allowed to show both films, or whether the police would show up and shut the festival down. Until 2007, Fando y Lis and Santa Sangre were the only Jodorowsky works available on DVD. Neither El Topo nor The Holy Mountain were available on videocassette or DVD in the United States or the United Kingdom, due to ownership disputes with distributor Allen Klein. After settlement of the dispute in 2004, however, plans to re-release Jodorowsky's films were announced by ABKCO Films. On 19 January 2007, the website, announced that on 1 May 2007, Anchor Bay released a box set including El Topo, The Holy Mountain, and Fando y Lis. A limited edition of the set includes both the El Topo and The Holy Mountain soundtracks. And, in early February 2007, Tartan Video announced its 14 May 2007, release date for the UK PAL DVD editions of El Topo, The Holy Mountain, and the six-disc box set which, alongside the aforementioned feature films, includes the two soundtrack CDs, as well as separate DVD editions of Jodorowsky's 1968 debut feature Fando y Lis (with his 1957 short La cravate a.k.a. Les tetes interverties, included as an extra) and the 1994 feature-length documentary La constellation Jodorowsky. Notably, Fando y Lis and La cravate were digitally restored extensively and remastered in London during late 2006, thus providing the perfect complement to the quality restoration work undertaken on El Topo and The Holy Mountain in the States by Abkco, and ensuring that the presentation of Fando y Lis is a significant improvement over the 2001 Fantoma DVD edition. Prior to the availability of these legitimate releases, only inferior quality, optically censored, bootleg copies of both El Topo and The Holy Mountain have been circulated on the Internet and on DVD. In the 1990s and early 2000s, Jodorowsky attempted to make a sequel to El Topo, called at different times The Sons of El Topo and Abel Cain, but could not find investors for the project. In an interview with Premiere Magazine, Jodorowsky said he intended his next project to be a gangster film called King Shot. In an interview with The Guardian newspaper in November 2009, however, Jodorowsky revealed that he was unable to find the funds to make King Shot, and instead would be entering preparations on Sons of El Topo, for which he claimed to have signed a contract with "some Russian producers". In 2010, the Museum of Arts and Design in New York City staged the first American cinema retrospective of Alejandro Jodorowsky entitled Blood into Gold: The Cinematic Alchemy of Alejandro Jodorowsky. Jodorowsky would attend the retrospective and hold a master class on art as a way of transformation. This retrospective would inspire the museum MOMA PS1 to present the exhibition Alejandro Jodorowsky: The Holy Mountain in 2011. Question: Can you name a film he made between 1990 and 2011? Answer: El Topo Question: How was El Topo received ?	[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: The Flaming Lips Background: The Flaming Lips are an American rock band formed in 1983 in Oklahoma City, Oklahoma. The group recorded several albums and EPs on an indie label, Restless, in the 1980s and early 1990s. After signing to Warner Brothers, they released their first record with Warner, "Hit to Death in the Future Head" (1992). They later released The Soft Bulletin (1999), which was NME magazine's Album of the Year, and then Yoshimi Battles the Pink Robots (2002). Section: Early history and releases (1983-1990) Passage: The Flaming Lips formed in Norman, Oklahoma in 1983 with Wayne Coyne on guitar, his brother Mark singing lead vocals, Michael Ivins on bass and Dave Kotska on drums. The band debuted at Oklahoma City's Blue Note Lounge. After they got Dave Kotska as the drummer, Richard English joined the band in 1984. That same year they recorded their only release with Mark Coyne singing lead vocals-The Flaming Lips. After his brother's departure, Wayne assumed the vocal duties and the band released their first full-length album, Hear It Is, on Pink Dust Records (the psychedelic-rock imprint of Enigma Records) in 1986. This line-up recorded two more albums: 1987's Oh My Gawd!!! and 1989's Telepathic Surgery, the latter originally planned to be a 30-minute sound collage. Drummer Nathan Roberts replaced English and guitarist Jonathan Donahue (also a member of the alternative rock band Mercury Rev) joined in 1989. In a Priest Driven Ambulance, their first album with producer Dave Fridmann, was recorded at the State University of New York in Fredonia for $5 an hour on a $10,000 budget. The album was host to a marked expansion in the band's sound and their previous experiments in tape loops and effects were given a more prominent role. During this period, Coyne made his transition to a higher, more strained vocal style akin to Neil Young, which he first used on Telepathic Surgery's "Chrome Plated Suicide" and has employed ever since. In 1990 the band caught the attention of Warner Bros. Records and were signed promptly after a representative of the label witnessed a show at which the band almost burned down the venue (American Legion Hall in Norman, Oklahoma) with the use of pyrotechnics. Question: What happened in 1983? Answer: The Flaming Lips formed in Norman, Oklahoma in 1983 Question: Was the group successful?	[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: The Flaming Lips Background: The Flaming Lips are an American rock band formed in 1983 in Oklahoma City, Oklahoma. The group recorded several albums and EPs on an indie label, Restless, in the 1980s and early 1990s. After signing to Warner Brothers, they released their first record with Warner, "Hit to Death in the Future Head" (1992). They later released The Soft Bulletin (1999), which was NME magazine's Album of the Year, and then Yoshimi Battles the Pink Robots (2002). Section: Signed to Warner Bros. (Hit to Death in the Future Head to Clouds Taste Metallic) (1991-1996) Passage: In 1991, the band started recording their major label debut Hit to Death in the Future Head. The album's release was halted for nearly a year due to the use of a sample from Michael Kamen's score for the film Brazil in the track "You Have to Be Joking (Autopsy of the Devil's Brain)", which required a lengthy clearance process. After the recording of this album Donahue left the band to concentrate on Mercury Rev and Roberts left the band as well, citing creative differences. They were replaced by Ronald Jones and Steven Drozd respectively. In 1993, they released Transmissions from the Satellite Heart. This was the only studio album since In a Priest Driven Ambulance to date in which Dave Fridmann has not been involved. Because of the success of the album and the single "She Don't Use Jelly", the band was featured on four popular television series: Beverly Hills, 90210, Late Show with David Letterman, Charmed and Beavis and Butt-head. The success of this record led to long stints of touring, opening for bands including the Red Hot Chili Peppers and Candlebox. Clouds Taste Metallic was released to much critical fanfare in late 1995, though it did not achieve the commercial success of its predecessor. The strain of the year-long Clouds tour, added to the stress from the three years touring in support of Transmissions, was a major factor in the departure of Ronald Jones in late 1996. He was said to be suffering from a severe case of agoraphobia, although the documentary Fearless Freaks states that he left because of his growing concerns over Drozd's drug use. In September 2014, the Lips paid tribute to former bandmate Ronald Jones and the impact his music had on their developing sound by performing Transmissions from the Satellite Heart live at First Avenue. In February 2015, they performed Clouds Taste Metallic live at the same venue and in December 2015, a 20th Anniversary box set called Heady Nuggs: 20 Years After Clouds Taste Metallic 1994-1997 surrounding the album's release, and the cult status it has achieved over the years was also released. Question: What was the first album with Warner Bros? Answer: Hit to Death in the Future Head. Question: How much were they paid with Warner Bros?	[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Marc Hunter Background: Marc Alexander Hunter was born in Taumarunui on 7 September 1953. In the late 1950s his family performed publicly where his father, Stuart, played saxophone, his mother, Voi, on piano and his older brother, Todd Hunter (born 1951), on guitar with Marc providing drums. He also grew up with two younger brothers, Ross and Brett. Hunter remembered, "We got guitars for Christmas one year, I broke mine but Todd played his. Section: 1982-89: Dragon reborn, Party Boys and solo Communication Passage: In August 1982 Dragon reformed with the line-up of Marc, Todd, Hewson, Jacobsen and Robert Taylor on guitar (ex-Mammal) for a national Class Reunion tour. McFarlane noted that it was "Ostensibly run to pay off outstanding debts, the tour proved so successful that the band re-formed on a permanent basis." Their single, "Rain", was issued in July 1983, which peaked at No. 2. It was co-written by Marc, Todd and the latter's then-girlfriend, Johanna Pigott; and had Mansfield producing. Soon after Mansfield joined Dragon on keyboards and as a songwriter. In June 1984 the group's next album, Body and the Beat, which was produced by Mansfield and Carey Taylor, was released and peaked at No. 5. The group provided "a much fuller, more rock-oriented sound... [it] was a polished, contemporary sounding Adult Oriented Rock rock album." After a tour in support of the album, Hewson left to return to New Zealand, he died of a heroin overdose in January 1985. While on a break between Dragon tours Hunter joined the Party Boys, a "good-time rock'n'roll band" with a floating ensemble, for their Great Bars of Australia tour. The line-up of Hunter, Borich, Paul Christie on bass guitar (ex-Mondo Rock), Richard Harvey on drums (ex-Divinyls) and Joe Walsh on guitar and lead vocals (of the Eagles), recorded that group's fourth live album, You Need Professional Help (1985), during the tour. Hunter issued his third solo album, Communication, in September 1985 with various session musicians used: Jeff "Skunk" Baxter, Kirk Lorange, Mark Punch and Peter Walker on guitars, Todd Hunter and Phil Scorgie on bass guitar, Allan Mansfield and Don Walker on keyboards, and Mark Kennedy and Ricky Fataar on drums. Mansfield produced the album, which McFarlane described as "a polished set of Adult Oriented Rock (AOR) songs." Its title track had been released as a single in 1984. Hunter returned to his duties with Dragon and was recorded on two more studio albums by the end of the decade. Question: What did Hunter do in 1992? Answer: In August 1982 Dragon reformed with the line-up of Marc, Todd, Hewson, Jacobsen and Robert Taylor on guitar Question: Did they record any albums? Answer: In June 1984 the group's next album, Body and the Beat, which was produced by Mansfield and Carey Taylor, was released Question: How was the single received?	[ "peaked at No. 2." ]
Title: Marc Hunter Background: Marc Alexander Hunter was born in Taumarunui on 7 September 1953. In the late 1950s his family performed publicly where his father, Stuart, played saxophone, his mother, Voi, on piano and his older brother, Todd Hunter (born 1951), on guitar with Marc providing drums. He also grew up with two younger brothers, Ross and Brett. Hunter remembered, "We got guitars for Christmas one year, I broke mine but Todd played his. Section: 1979-82: Fiji Bitter and Big City Talk Passage: Marc Hunter travelled overseas to recuperate, he visited Morocco and London. Back in Australia he signed a recording deal with CBS, which issued his debut solo album, Fiji Bitter, in November 1979. For the sessions he used Todd on bass guitar, John Annas on drums (ex-Kevin Borich Express), Harvey James on guitar (from Sherbet), and Terry Wilson on guitar (ex-Original Batter-sea Heroes, Wasted Daze). Fiji Bitter was recorded at Studio 301, Sydney with Richard Lush producing and engineering - Hunter wrote or co-wrote most of its tracks. The album's lead single, "Island Nights" (July), peaked at No. 20. He formed Marc Hunter and the Romantics, with Annas and James, to promote the album. Two more singles, "Don't Take Me" (November) and "When You Walk in the Room" (January 1980), appeared - neither reached the top 50. In 1980 Hunter, on lead vocals, formed an R&B group in Sydney, the Headhunters, with Todd on bass guitar (by then ex-Dragon), Kevin Borich on guitar, Mick Cocks on guitar (ex-Rose Tattoo), John Watson on drums (ex-Kevin Borich Express). Australian musicologist, Ian McFarlane, described them as "an ad hoc aggregation of musicians who were drawn together by a love of playing raucous R&B". Hunter resumed his solo career with his second album, Big City Talk, which appeared in August 1981 on PolyGram/Mercury labels. It was co-produced by Hunter and Todd. Debbie Muir of The Canberra Times, felt it "covered a wide range of material that bore some resemblance to his last album, Fiji Bitter, but was totally different to his old, Dragon days." He had used session musicians: Borich, Dave Mason (of The Reels) and Mark Punch (ex-Renee Geyer Band). Muir's fellow journalist at The Canberra Times, Garry Raffaele, opined that it "is flat, directionless, unexciting, effete rock and roll. It is devoid of feeling." On working as a solo artist, he declared, "I am happier now on my own. I was in a wretched state of mind when I was in the band... I miss the camaraderie involved but then I prefer to make my own decisions." The title track, "Big City Talk", was released as a single in July and reached No. 25. Follow up singles, "(Rock'n'Roll is) a Loser's Game" (September), "Side Show" (November) and "Nothing but a Lie" (May 1982) did not chart. In 1981 he formed the Marc Hunter Band and in October they toured Australia with Renee Geyer; the set included a duet by Hunter and Geyer. During 1982 Hunter was working with US-born keyboardist and record producer, Alan Mansfield. In March of that year he was arrested for "$4500 in unpaid parking fines", he described his jail cell as "unbelievably filthy." Question: What is Fiji Bitter? Answer: Fiji Bitter was recorded at Studio 301, Sydney with Richard Lush producing and engineering - Hunter wrote or co-wrote most of its tracks. Question: What songs were on it? Answer: The album's lead single, "Island Nights" (July), peaked at No. 20. Question: Did it win any awards?	[ "The album's lead single, \"Island Nights\" (July), peaked at No. 20." ]
Title: Harold Shipman Background: Harold Frederick Shipman (14 January 1946 - 13 January 2004) was a British general practitioner and one of the most prolific serial killers in recorded history. On 31 January 2000, a jury found Shipman guilty of fifteen murders for killing patients under his care. He was sentenced to life imprisonment with the recommendation that he never be released. The Shipman Inquiry, a two-year-long investigation of all deaths certified by Shipman, which was chaired by Dame Janet Smith, examined Shipman's crimes. Section: Detection Passage: In March 1998, Linda Reynolds of the Donneybrook Surgery in Hyde, prompted by Deborah Massey from Frank Massey and Son's funeral parlour, expressed concerns to John Pollard, the coroner for the South Manchester District, about the high death rate among Shipman's patients. In particular, she was concerned about the large number of cremation forms for elderly women that he had needed countersigned. The matter was brought to the attention of the police, who were unable to find sufficient evidence to bring charges; the Shipman Inquiry later blamed the police for assigning inexperienced officers to the case. Between 17 April 1998, when the police abandoned the investigation, and Shipman's eventual arrest, he killed three more people. His last victim was Kathleen Grundy, who was found dead at her home on 24 June 1998. Shipman was the last person to see her alive and later signed her death certificate, recording "old age" as the cause of death. In August 1998, taxi driver John Shaw, from Hyde, contacted the police, informing them that he suspected Shipman of murdering 21 of his patients. Grundy's daughter, lawyer Angela Woodruff, became concerned when solicitor Brian Burgess informed her that a will had been made, apparently by her mother. There were doubts about its authenticity. The will excluded her and her children, but left PS386,000 to Shipman. Burgess told Woodruff to report it, and she went to the police, who began an investigation. Grundy's body was exhumed and when examined, was found to contain traces of diamorphine, often used for pain control in terminal cancer patients. Shipman claimed that she was an addict and showed them comments in his computerised medical journal, but a program on his computer showed they were written after her death. Shipman was arrested on 7 September 1998, and was found to own a typewriter of the kind used to make the forged will. The police then investigated other deaths Shipman had certified, and created a list of 15 specimen cases to investigate. They discovered a pattern of his administering lethal doses of diamorphine, signing patients' death certificates, and then falsifying medical records to indicate that they had been in poor health. Prescription For Murder, a 2000 book by journalists Brian Whittle and Jean Ritchie, advanced two theories on Shipman's motive for forging the will: that he wanted to be caught because his life was out of control, or that he planned to retire at age 55 and leave the UK. In 2003, David Spiegelhalter et al. suggested that "statistical monitoring could have led to an alarm being raised at the end of 1996, when there were 67 excess deaths in females aged over 65 years, compared with 119 by 1998." Question: What was detection? Answer: CANNOTANSWER Question: Are there any other interesting aspects about this article? Answer: case. Between 17 April 1998, when the police abandoned the investigation, and Shipman's eventual arrest, Question: What was he being investigated for? Answer: he killed three more people. His last victim was Kathleen Grundy, who was found dead Question: How did he kill them? Answer: the last person to see her alive and later signed her death certificate, recording "old age" as the cause of death. Question: When was he caught? Answer: September 1998, Question: Was he a serial killer?	[ "The police then investigated other deaths Shipman had certified, and created a list of 15 specimen cases to investigate." ]
Title: Harold Shipman Background: Harold Frederick Shipman (14 January 1946 - 13 January 2004) was a British general practitioner and one of the most prolific serial killers in recorded history. On 31 January 2000, a jury found Shipman guilty of fifteen murders for killing patients under his care. He was sentenced to life imprisonment with the recommendation that he never be released. The Shipman Inquiry, a two-year-long investigation of all deaths certified by Shipman, which was chaired by Dame Janet Smith, examined Shipman's crimes. Section: Early life and career Passage: Harold Frederick Shipman was born on the Bestwood council estate in Nottingham, England, the second of the four children of Harold Frederick Shipman (12 May 1914 - 5 January 1985), a lorry driver, and Vera Brittan (23 December 1919 - 21 June 1963). His working-class parents were devout Methodists. Growing up, Shipman proved himself an accomplished rugby player in youth leagues. In 1957 he passed his eleven-plus moving to High Pavement Grammar School, Nottingham where he left in 1964. He excelled as a distance runner and in his final year at school, served as vice-captain of the athletics team. Shipman was particularly close to his mother, who died of lung cancer when he was seventeen. Her death came in a manner similar to what later became Shipman's own modus operandi: in the later stages of her disease, she had morphine administered at home by a doctor. Shipman witnessed his mother's pain subside despite her terminal condition, up until her death on 21 June 1963. On 5 November 1966, Shipman married Primrose May Oxtoby. They had four children. Shipman studied medicine at Leeds School of Medicine and graduated in 1970. He started working at Pontefract General Infirmary in Pontefract, West Riding of Yorkshire, and in 1974 took his first position as a general practitioner (GP) at the Abraham Ormerod Medical Centre in Todmorden, West Yorkshire. In 1975, he was caught forging prescriptions of pethidine (Demerol) for his own use. He was fined PS600 and briefly attended a drug rehabilitation clinic in York. He became a GP at the Donneybrook Medical Centre in Hyde near Manchester, in 1977. Shipman continued working as a GP in Hyde throughout the 1980s and began his own surgery at 21 Market Street in 1993, becoming a respected member of the community. In 1983, he was interviewed on the Granada Television documentary World in Action on how the mentally ill should be treated in the community. A year after his conviction, the interview was re-broadcast on Tonight with Trevor McDonald. Question: What was his career? Answer: working at Pontefract General Infirmary in Pontefract, West Riding of Yorkshire, Question: What was his early life like Answer: working-class parents were devout Methodists. Growing up, Shipman proved himself an accomplished rugby player in youth leagues. Question: What else was he known for? Answer: He excelled as a distance runner and in his final year at school, served as vice-captain of the athletics team. Question: Are there any other interesting aspects about this article? Answer: his mother, who died of lung cancer when he was seventeen. Her death came in a manner similar to what later became Shipman's own modus operandi: Question: What happen to his father? Answer: CANNOTANSWER Question: What else did you see that stood out in this article Answer: he was caught forging prescriptions of pethidine (Demerol) for his own use. Question: What happened next?	[ "He became a GP at the Donneybrook Medical Centre in Hyde near Manchester, in 1977." ]
Title: Linkin Park Background: Linkin Park is an American rock band from Agoura Hills, California. Formed in 1996, the band rose to international fame with their debut album Hybrid Theory (2000), which was certified Diamond by the RIAA in 2005 and multi-Platinum in several other countries. Their following studio album Meteora continued the band's success, topping the Billboard 200 album chart in 2003, and was followed by extensive touring and charity work. Having adapted nu metal and rap metal to a radio-friendly yet densely layered style in Hybrid Theory and Meteora, the band explored other genres on their next studio album, Minutes to Midnight (2007). Section: Legacy and influence Passage: Linkin Park has sold more than 70 million records. The group's first studio album Hybrid Theory is one of the best-selling albums in the US (10 million copies shipped) and worldwide (27 million copies sold). Billboard estimates that Linkin Park earned US$5 million between May 2011 and May 2012, making them the 40th-highest-paid musical artist. 11 of the band's singles have reached the number one position on Billboard's Alternative Songs chart, the second-most for any artist. In 2003, MTV2 named Linkin Park the sixth-greatest band of the music video era and the third-best of the new millennium. Billboard ranked Linkin Park No. 19 on the Best Artists of the Decade chart. The band was recently voted as the greatest artist of the 2000s in a Bracket Madness poll on VH1. In 2014, the band was declared as the Biggest Rock Band in the World Right Now by Kerrang!. In 2015, Kerrang! gave "In the End" and "Final Masquerade" the top two positions on Kerrang!'s Rock 100 list. Linkin Park became the first rock band to achieve more than one billion YouTube hits. Linkin Park also became the fifteenth most liked page on Facebook, tenth most liked artist, and most liked group followed by the Black Eyed Peas. Linkin Park's "Numb" is the third and "In the End" is the sixth "timeless song" on Spotify. The two songs making Linkin Park the only artist to have two timeless songs in top ten. Hybrid Theory by the group is listed in the book 1001 Albums You Must Hear Before You Die, It was also ranked at #11 on Billboard's Hot 200 Albums of the Decade. In addition the album was included in Best of 2001 by Record Collector, The top 150 Albums of the Generation by Rock Sound and 50 Best Rock Albums of the 2000's by Kerrang!. The album Meteora was included in Top 200 Albums of the Decade by Billboard at #36. The album sold 20 million copies worldwide. The collaborated EP Collision Course with Jay-Z, became the second ever EP to top the Billboard 200, going on to sell over 300,000 copies in its first week after Alice in Chains' Jar of Flies in 1994. The album Minutes to Midnight in the United States, the album had the biggest first week sales of 2007 at the time, with 625,000 albums sold. In Canada, the album sold over 50,000 copies in its first week and debuted at number one on the Canadian Albums Chart. Worldwide, the album shipped over 3.3 million copies in its first four weeks of release. The New York Times' Jon Caramanica commented Linkin Park "brought the collision of hard rock and hip-hop to its commercial and aesthetic peak" at the beginning of the 2000s. Several rock and non-rock artists have cited Linkin Park as an influence, including Proyecto Eskhata, Of Mice & Men, One Ok Rock, Bishop Nehru, Misono, From Ashes to New, Bring Me the Horizon, Red, Girl on Fire, Manafest, Silento, 3OH!3, The Prom Kings, AJ Tracey, Kiiara, The Chainsmokers, Kevin Rudolf, blackbear, Tokio Hotel, and Stormzy. Question: what is linkin parks legacy? Answer: Linkin Park has sold more than 70 million records. Question: anyone else Linkin park influenced?	[ "From Ashes to New, Bring Me the Horizon, Red, Girl on Fire, Manafest, Silento, 3OH!3, The Prom Kings, AJ Tracey, Kiiara, The" ]
Title: James Levine Background: James Lawrence Levine (; born June 23, 1943) is an American conductor and pianist. He is primarily known for his tenure as Music Director of the Metropolitan Opera (the "Met"), a position he held for 40 years (1976-2016). He was formally terminated by the Met from all his positions and affiliations with the company on March 12, 2018 over sexual misconduct allegations which he denies. Section: Metropolitan Opera Passage: Levine made his Metropolitan Opera (the "Met") debut at age 28 on June 5, 1971, leading a June Festival performance of Tosca. Following further appearances with the company, he was named principal conductor of the Metropolitan Opera in February 1972. He became the Met's principal conductor in 1973, and its Music Director in 1975. In 1983, he served as conductor and musical director for the Franco Zeffirelli screen adaptation of La Traviata, which featured the Met orchestra and chorus members. He became the company's first artistic director in 1986, and relinquished the title in 2004. In 2005, Levine's combined salary from the Boston Symphony Orchestra and the Met made him the highest-paid conductor in the country, at $3.5 million. During Levine's tenure, the Metropolitan Opera orchestra expanded its activities into the realms of recording, and separate concert series for the orchestra and chamber ensembles from The Met Orchestra at Carnegie Hall. Levine led the Metropolitan Opera on many domestic and international tours. For the 25th anniversary of his Met debut, Levine conducted the world premiere of John Harbison's The Great Gatsby, commissioned especially to mark the occasion. On his appointment as general manager of the Met, Peter Gelb emphasized that Levine was welcome to remain as long as he wanted to direct music there. Levine was paid $2.1 million by the Met in 2010. Following a series of injuries that began with a fall (see below), Levine's subsequent health problems led to his withdrawal from many Metropolitan Opera conducting engagements. Following a May 2011 performance of Die Walkure, Levine formally withdrew from all conducting engagements at the Met. After two years of physical therapy, Levine returned to conducting with a May 2013 concert with the Metropolitan Opera Orchestra at Carnegie Hall. On September 25, 2013, Levine conducted his first Met performance since May 2011, in a revival production of Cosi fan tutte. Levine was scheduled to conduct three productions at the opera house and three concerts at Carnegie Hall in the 2013-14 season. On April 14, 2016, Met management announced that Levine would step down from his position as Music Director at the end of the 2015-16 season. Levine was paid $1.8 million by the Met for the 2015/16 season. He assumed the new title of Music Director Emeritus, which he held until December 2017, when in the wake of allegations that Levine had sexually abused four young men, the Met suspended its relationship with him and cancelled all his future scheduled performances with the company. Question: What did he do with the Opera? Answer: During Levine's tenure, the Metropolitan Opera orchestra expanded its activities into the realms of recording, and separate concert series for the orchestra Question: How long did he work with them?	[ "Following a May 2011 performance of Die Walkure, Levine formally withdrew from all conducting engagements at the Met." ]
Title: James Levine Background: James Lawrence Levine (; born June 23, 1943) is an American conductor and pianist. He is primarily known for his tenure as Music Director of the Metropolitan Opera (the "Met"), a position he held for 40 years (1976-2016). He was formally terminated by the Met from all his positions and affiliations with the company on March 12, 2018 over sexual misconduct allegations which he denies. Section: Early years and personal life Passage: Levine was born in Cincinnati, Ohio, to a Jewish, musical family. His maternal grandfather was a composer and a cantor in a synagogue, his father (Lawrence) was a violinist who led dance bands under the name "Larry Lee" before entering his father's clothing business, and his mother (Helen Goldstein Levine) was briefly an actress on Broadway, performing as "Helen Golden". He has a brother Tom who is two years younger, who followed him to New York City from Cincinnati in 1974, and with whom he is very close. He employs Tom as his business assistant (looking after all of his affairs, arranging his rehearsal schedules, fielding queries, scouting out where he will live, meeting with accountants, and accompanying Levine on trips to Europe), and his brother is a painter as well. He also has a younger sister, Janet, who is a marriage counselor. He began to play the piano as a small child. On February 21, 1954, at the age of 10, Levine made his concert debut as soloist playing Felix Mendelssohn's Piano Concerto No. 2 at a youth concert of the Cincinnati Symphony Orchestra in Ohio. Levine subsequently studied music with Walter Levin, first violinist in the LaSalle Quartet. In 1956 he took piano lessons with Rudolf Serkin at the Marlboro Music School, in Vermont. In the following year he began to study piano with Rosina Lhevinne at the Aspen Music School. He graduated from Walnut Hills High School, an acclaimed magnet school in Cincinnati. He entered the Juilliard School of Music in New York City in 1961, and took courses in conducting with Jean Morel. He graduated from the Juilliard School in 1964, and joined the American Conductors project connected with the Baltimore Symphony Orchestra. Levine lives in The San Remo on Central Park West in New York City. Question: when was he born Answer: CANNOTANSWER Question: where was he born Answer: Cincinnati, Ohio, Question: which school did he attended Answer: Marlboro Music School, Question: where was his school located Answer: Cincinnati. Question: what did he study in school	[ "conducting" ]
Title: Harrison Ford Background: Ford was born at the Swedish Covenant Hospital in Chicago, Illinois to Christopher Ford (born John William Ford), an advertising executive and former actor, and Dorothy (nee Nidelman), a former radio actress. His father is Irish and his mother is Jewish. A younger brother, Terence, was born in 1945. Ford's paternal grandparents, John Fitzgerald Ford and Florence Veronica Niehaus, were of Irish Catholic and German descent, respectively. Section: Incidents Passage: On October 23, 1999, Harrison Ford was involved in the crash of a Bell 206L4 LongRanger helicopter (N36R). The NTSB accident report states that Ford was piloting the aircraft over the Lake Piru riverbed near Santa Clarita, California, on a routine training flight. While making his second attempt at an autorotation with powered recovery, Ford allowed the aircraft's altitude to drop to 150-200 feet before beginning power-up. The aircraft was unable to recover power before hitting the ground. The aircraft landed hard and began skidding forward in the loose gravel before one of its skids struck a partially embedded log, flipping the aircraft onto its side. Neither Ford nor the instructor pilot suffered any injuries, though the helicopter was seriously damaged. When asked about the incident by fellow pilot James Lipton in an interview on the TV show Inside the Actor's Studio, Ford replied, "I broke it." On March 5, 2015, Ford's plane, believed to be a Ryan PT-22 Recruit, made an emergency landing on the Penmar Golf Course in Venice, California. Ford had radioed in to report that the plane had experienced engine failure. He was taken to Ronald Reagan UCLA Medical Center, where he was reported to be in fair to moderate condition. Ford suffered a broken pelvis and broken ankle during the accident, as well as other injuries. On February 13, 2017, Ford landed an Aviat Husky at John Wayne Airport on the taxiway left of runway 20L. A Boeing 737 was holding short of the runway on the taxiway when Ford overflew them. Question: what types of incidents has happened to him? Answer: CANNOTANSWER Question: has Ford had any accidents or incidents that are noteworthy? Answer: Ford suffered a broken pelvis and broken ankle during the accident, as well as other injuries. Question: when was the accident he suffered a broken pelvis and ankle? Answer: On March 5, 2015, Question: was Ford flying the plane?	[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Harrison Ford Background: Ford was born at the Swedish Covenant Hospital in Chicago, Illinois to Christopher Ford (born John William Ford), an advertising executive and former actor, and Dorothy (nee Nidelman), a former radio actress. His father is Irish and his mother is Jewish. A younger brother, Terence, was born in 1945. Ford's paternal grandparents, John Fitzgerald Ford and Florence Veronica Niehaus, were of Irish Catholic and German descent, respectively. Section: Early career Passage: In 1964, after a season of summer stock with the Belfry Players in Wisconsin, Ford traveled to Los Angeles to apply for a job in radio voice-overs. He did not get it, but stayed in California and eventually signed a $150-a-week contract with Columbia Pictures' New Talent program, playing bit roles in films. His first known role was an uncredited one as a bellhop in Dead Heat on a Merry-Go-Round (1966). There is little record of his non-speaking roles (or "extra" work) in film. Ford was at the bottom of the hiring list, having offended producer Jerry Tokovsky after he played a bellboy in the feature. He was told by Tokovsky that when actor Tony Curtis delivered a bag of groceries, he did it like a movie star; Ford felt his job was to act like a bellboy. Ford managed to secure other roles in movies, such as A Time for Killing (The Long Ride Home), starring Glenn Ford; George Hamilton; and Inger Stevens. His speaking roles continued next with Luv (1967), though he was still uncredited. He was finally credited as "Harrison J. Ford" in the 1967 Western film A Time for Killing, but the "J" did not stand for anything, since he has no middle name. It was added to avoid confusion with a silent film actor named Harrison Ford, who appeared in more than 80 films between 1915 and 1932 and died in 1957. Ford later said that he was unaware of the existence of the earlier actor until he came upon a star with his own name on the Hollywood Walk of Fame. Ford soon dropped the "J" and worked for Universal Studios, playing minor roles in many television series throughout the late 1960s and early 1970s, including Gunsmoke, Ironside, The Virginian, The F.B.I., Love, American Style, and Kung Fu. He appeared in the western Journey to Shiloh (1968) and had an uncredited, non-speaking role in Michelangelo Antonioni's 1970 film Zabriskie Point as an arrested student protester. Not happy with the roles being offered to him, Ford became a self-taught professional carpenter to support his then-wife and two young sons. Casting director and fledgling producer Fred Roos championed the young Ford and secured him an audition with George Lucas for the role of Bob Falfa, which Ford went on to play in American Graffiti (1973). Ford's relationship with Lucas would profoundly affect his career later on. After director Francis Ford Coppola's film The Godfather was a success, he hired Ford to expand his office and gave him small roles in his next two films, The Conversation (1974) and Apocalypse Now (1979); in the latter film he played an army officer named "G. Lucas". Question: How did his career get started? Answer: signed a $150-a-week contract with Columbia Pictures' New Talent program, playing bit roles in films. Question: When was he signed? Answer: In 1964, Question: Did his career take off right away? Answer: Ford traveled to Los Angeles to apply for a job in radio voice-overs. He did not get it, Question: What was his first part?	[ "In 1964, after a season of summer stock with the Belfry Players in Wisconsin, Ford traveled to Los Angeles" ]
Title: Patrick O'Brian Background: Patrick O'Brian, CBE (12 December 1914 - 2 January 2000), born Richard Patrick Russ, was an English novelist and translator, best known for his Aubrey-Maturin series of sea novels set in the Royal Navy during the Napoleonic Wars, and centred on the friendship of the English naval captain Jack Aubrey and the Irish-Catalan physician Stephen Maturin. The 20-novel series, the first of which is Master and Commander, is known for its well-researched and highly detailed portrayal of early 19th-century life, as well as its authentic and evocative language. A partially finished 21st novel in the series was published posthumously containing facing pages of handwriting and typescript. O'Brian wrote a number of other novels and short stories, most of which were published before he achieved success with the Aubrey-Maturin series. Section: Childhood, early career and marriages Passage: O'Brian was born Richard Patrick Russ, in Chalfont St. Peter, Buckinghamshire, to Charles Russ, an English physician of German descent, and Jessie Russ (nee Goddard), an English woman of Irish descent. The eighth of nine children, O'Brian lost his mother at the age of four, and his biographers describe a fairly isolated childhood, limited by poverty, with sporadic schooling and long intervals at home with his father and stepmother Zoe Center in Lewes, East Sussex. His literary career began in his childhood with the publishing of his earliest works, including several short stories, the book "Hussein, An Entertainment", and the short story collection Beasts Royal; the latter two brought him considerable critical praise especially considering his youth. He published his first novel at age 15, Caesar: The Life Story of a Panda Leopard, with help from his father. In 1934, he underwent a brief period of pilot training with the Royal Air Force, but this was not successful, and he left the RAF. Prior to that, his application to the Royal Navy had been rejected on health grounds. In 1935, he was living in London, where he married his first wife, Elizabeth Jones, in 1936. They had two children. The second was a daughter who suffered from spina bifida; she died in 1942, aged three, in a country village in Sussex. When the child died, O'Brian had already returned to London, where he worked throughout the war. The details of his work during the Second World War are murky. He worked as an ambulance driver, and he stated that he worked in intelligence. Dean King has claimed that O'Brian was actively involved in intelligence work and perhaps special operations overseas during the war. Indeed, despite his usual extreme reticence about his past, O'Brian wrote in an essay, "Black, Choleric and Married?", included in the book Patrick O'Brian: Critical Appreciations and a Bibliography (1994) that: "Some time after the blitz had died away I joined one of those intelligence organisations that flourished during the War, perpetually changing their initials and competing with one another. Our work had to do with France, and more than that I shall not say, since disclosing methods and stratagems that have deceived the enemy once and that may deceive him again seems to me foolish. After the war we retired to Wales (I say we because my wife and I had driven ambulances and served in intelligence together) where we lived for a while in a high Welsh-speaking valley..." which confirms in first person the intelligence connection, as well as introducing his wife Mary Wicksteed Tolstoy as a co-worker and fellow intelligence operative. Nikolai Tolstoy, stepson through O'Brian's marriage to Mary Tolstoy, disputes this account, confirming only that O'Brian worked as a volunteer ambulance driver during the Blitz. Doing this work, he met Mary, the separated wife of Russian-born nobleman and lawyer Count Dimitri Tolstoy. They lived together through the latter part of the war and, after both were divorced from their previous spouses, they married in July 1945. The following month he changed his name by deed poll to Patrick O'Brian. Question: Where did Patrick O'Brian spend his childhood? Answer: Lewes, East Sussex. Question: What is the name of his wife Answer: wife Mary Wicksteed Tolstoy Question: Aside from writing what other job he does? Answer: my wife and I had driven ambulances and served in intelligence together Question: When did he first publish his novel?	[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Patrick O'Brian Background: Patrick O'Brian, CBE (12 December 1914 - 2 January 2000), born Richard Patrick Russ, was an English novelist and translator, best known for his Aubrey-Maturin series of sea novels set in the Royal Navy during the Napoleonic Wars, and centred on the friendship of the English naval captain Jack Aubrey and the Irish-Catalan physician Stephen Maturin. The 20-novel series, the first of which is Master and Commander, is known for its well-researched and highly detailed portrayal of early 19th-century life, as well as its authentic and evocative language. A partially finished 21st novel in the series was published posthumously containing facing pages of handwriting and typescript. O'Brian wrote a number of other novels and short stories, most of which were published before he achieved success with the Aubrey-Maturin series. Section: As Patrick O'Brian Passage: O'Brian returned to writing after the war, when he moved to rural Wales. His non-fiction anthology A Book of Voyages (1947) attracted little attention. A collection of short stories, The Last Pool, was published in 1950 and was more widely and favourably reviewed, although sales were low. The countryside and people around his village in Wales provided inspiration for many of his short stories of the period, and also his novel Testimonies (1952), which is set in a thinly disguised Cwm Croesor, and which was well received by Delmore Schwartz in Partisan Review in 1952. In the 1950s O'Brian wrote three books aimed at a younger age group, The Road to Samarcand, The Golden Ocean, and The Unknown Shore. Although written many years before the Aubrey-Maturin series, the two naval novels reveal literary antecedents of Aubrey and Maturin. In The Golden Ocean and The Unknown Shore, based on events of George Anson's voyage around the world from 1740 to 1744, they can be clearly seen in the characters of Jack Byron and Tobias Barrow in the latter novel. Over four decades he worked on his own writings, his British literary reputation growing slowly. He became an established translator of French works into English. His early novels and several of the translations were published by Rupert Hart-Davis from 1953 to 1974. O'Brian wrote the first of the Aubrey-Maturin series in 1969 at the suggestion of American publisher J.B. Lippincott, following the death of C. S. Forester in 1966, a writer of popular nautical novels. The Aubrey-Maturin books were quietly popular in Britain; after the first four volumes they were not published in the United States. In the early 1990s the series was successfully relaunched into the American market by the interest of Starling Lawrence of W. W. Norton publishers, attracting critical acclaim and dramatically increasing O'Brian's sales and public profile in the UK and America. Paul D. Colford notes that when O'Brian "visited the United States a few weeks ago, fans waiting to meet, lunch and have tea with him included Walter Cronkite, Sen. Dirk Kempthorne (R-Idaho) and Supreme Court Justice Anthony Kennedy, who invited O'Brian to attend a session of the high court. Hollywood also wants a piece of the press-shy storyteller." The novels sold over 3 million copies in 20 languages. In its review of 21 (published in 2004), Publishers Weekly says that over 6 million copies have been sold. Thus O'Brian's greatest success in writing, gaining him fame, a following and invitations to events and interviews came late in his life, when he was well into his seventies, and accustomed to his private life. Shortly before his last completed novel was published in October 1999, O'Brian wrote an article for a series of the best in the millennium ending, titled Full Nelson, choosing for his topic Admiral Nelson's victory in the Battle of the Nile in 1798. Question: What did he publish as Patrick O'Brian? Answer: non-fiction anthology A Book of Voyages (1947) Question: Did he write anything besides prose fiction?	[ "non-fiction anthology A Book of Voyages (1947) attracted little attention." ]
Title: Richard Stallman Background: Stallman was born to Alice Lippman, a school teacher, and Daniel Stallman, a printing press broker, in 1953 in New York City. Stallman had a difficult relationship with his parents, as his father had a drinking habit and verbally abused his stepmother. He later came to describe his parents as "tyrants". He was interested in computers at a young age; when Stallman was a pre-teen at a summer camp, he read manuals for the IBM 7094. Section: Harvard University and MIT Passage: As a first-year student at Harvard University in fall 1970, Stallman was known for his strong performance in Math 55. He was happy: "For the first time in my life, I felt I had found a home at Harvard." In 1971, near the end of his first year at Harvard, he became a programmer at the MIT Artificial Intelligence Laboratory, and became a regular in the hacker community, where he was usually known by his initials, RMS (which was the name of his computer accounts). Stallman received a bachelor's degree in physics (magna cum laude) from Harvard in 1974. Stallman considered staying on at Harvard, but instead he decided to enroll as a graduate student at MIT. He pursued a doctorate in physics for one year, but left that program to focus on his programming at the MIT AI Laboratory. While working (starting in 1975) as a research assistant at MIT under Gerry Sussman, Stallman published a paper (with Sussman) in 1977 on an AI truth maintenance system, called dependency-directed backtracking. This paper was an early work on the problem of intelligent backtracking in constraint satisfaction problems. As of 2009, the technique Stallman and Sussman introduced is still the most general and powerful form of intelligent backtracking. The technique of constraint recording, wherein partial results of a search are recorded for later reuse, was also introduced in this paper. As a hacker in MIT's AI laboratory, Stallman worked on software projects such as TECO, Emacs for ITS, and the Lisp machine operating system (the CONS of 1974-1976 and the CADR of 1977-1979--this latter unit was commercialized by Symbolics and LMI starting around 1980). He would become an ardent critic of restricted computer access in the lab, which at that time was funded primarily by the Defense Advanced Research Projects Agency. When MIT's Laboratory for Computer Science (LCS) installed a password control system in 1977, Stallman found a way to decrypt the passwords and sent users messages containing their decoded password, with a suggestion to change it to the empty string (that is, no password) instead, to re-enable anonymous access to the systems. Around 20% of the users followed his advice at the time, although passwords ultimately prevailed. Stallman boasted of the success of his campaign for many years afterward. Question: What did he do at Harvard? Answer: As a first-year student at Harvard University in fall 1970, Stallman was known for his strong performance in Math 55. Question: What did he do at MIT? Answer: In 1971, near the end of his first year at Harvard, he became a programmer at the MIT Artificial Intelligence Laboratory, and became a regular in the hacker community, Question: Was he well liked at MIT?	[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Richard Stallman Background: Stallman was born to Alice Lippman, a school teacher, and Daniel Stallman, a printing press broker, in 1953 in New York City. Stallman had a difficult relationship with his parents, as his father had a drinking habit and verbally abused his stepmother. He later came to describe his parents as "tyrants". He was interested in computers at a young age; when Stallman was a pre-teen at a summer camp, he read manuals for the IBM 7094. Section: Terminology Passage: Stallman places great importance on the words and labels people use to talk about the world, including the relationship between software and freedom. He asks people to say free software and GNU/Linux, and to avoid the terms intellectual property and piracy (in relation to copyright). One of his criteria for giving an interview to a journalist is that the journalist agree to use his terminology throughout the article. He has been known to turn down speaking requests over some terminology issues. Stallman argues that the term "intellectual property" is designed to confuse people, and is used to prevent intelligent discussion on the specifics of copyright, patent, trademark, and other laws by lumping together areas of law that are more dissimilar than similar. He also argues that by referring to these laws as property laws, the term biases the discussion when thinking about how to treat these issues. These laws originated separately, evolved differently, cover different activities, have different rules, and raise different public policy issues. Copyright law was designed to promote authorship and art, and covers the details of a work of authorship or art. Patent law was intended to encourage publication of ideas, at the price of finite monopolies over these ideas - a price that may be worth paying in some fields and not in others. Trademark law was not intended to promote any business activity, but simply to enable buyers to know what they are buying. An example of cautioning others to avoid other terminology while also offering suggestions for possible alternatives is this sentence of an e-mail by Stallman to a public mailing list: I think it is ok for authors (please let's not call them creators, they are not gods) to ask for money for copies of their works (please let's not devalue these works by calling them content) in order to gain income (the term compensation falsely implies it is a matter of making up for some kind of damages). Question: Can you provide information on Terminology? Answer: Stallman places great importance on the words and labels people use to talk about the world, Question: Was he very popular or very well known for this? Answer: CANNOTANSWER Question: What else was unique about his terminology? Answer: He asks people to say free software and GNU/Linux, and to avoid the terms intellectual property and piracy ( Question: Why did he say that? Answer: argues that the term "intellectual property" is designed to confuse people, and is used to prevent intelligent discussion on the specifics Question: What other terminology did he use?	[ "cautioning others to avoid other terminology while also offering suggestions for possible alternatives" ]
Title: Adrian Smith Background: Adrian Frederick "H" Smith (born 27 February 1957) is an English guitarist, best known as a member of Iron Maiden, for whom he writes songs and performs live backing vocals on some tracks. Smith grew up in Camden, London and became interested in rock music at 15. He soon formed a friendship with future Iron Maiden guitarist Dave Murray, who inspired him to take up the guitar. After leaving school at 16, he formed a band called Urchin, which he led until their demise in 1980. Section: Return to Iron Maiden: 1999-present Passage: In 1999, Smith re-joined Iron Maiden, along with vocalist Bruce Dickinson, who commented, "When he left the band in 1990, I think everybody was a bit surprised at how much we missed him and certainly, I don't think anybody had realized how much the fans would miss him - big time. I wouldn't have rejoined Iron Maiden if he wasn't in the band. I just don't think it would have been complete without Adrian, and now, it's great having three guitarists." The band embarked on a short tour, after which the new line-up's first album, Brave New World, was recorded with producer Kevin Shirley and released in 2000. He remains in Iron Maiden, with whom he has released four further studio albums, 2003's Dance of Death, 2006's A Matter of Life and Death, 2010's The Final Frontier and 2015's The Book of Souls. Smith claims that his guitar playing improved after leaving the band in 1990, in particular while working with Roy Z, from whom he "learned a lot about picking" and became "more disciplined." Since returning to Iron Maiden, he has also continued experimenting with tuning (which he began doing in Psycho Motel), stating that he has used drop D tuning in live renditions of "Run to the Hills", "Wrathchild", "The Trooper" and "Hallowed Be Thy Name". Although Smith had previously been known to contribute shorter, more "commercial" tracks, since his return to the band he has penned many longer songs, beginning with "Paschendale" from Dance of Death. Smith performs lead guitar, bass and backing vocals on the album Awoken Broken by his collaborative studio project with Mikee Goodman of SikTh called Primal Rock Rebellion. The title was released on 27 February 2012, while one song, "I See Lights", was released as a free download on the project's official website on 2 January. Question: Why did Smith return to Iron Maiden? Answer: Smith re-joined Iron Maiden, along with vocalist Bruce Dickinson, Question: Is he still with Iron Maiden? Answer: He remains in Iron Maiden, Question: What did the band do after Smith rejoined? Answer: " The band embarked on a short tour, Question: Are there any other interesting aspects about this article?	[ "in Iron Maiden, with whom he has released four further studio albums," ]
Title: Good Charlotte Background: Good Charlotte is an American rock band from Waldorf, Maryland, that formed in 1996. Since 1998, the band's constant members have been vocalist Joel Madden, guitarist and vocalist Benji Madden, bassist Paul Thomas, guitarist and keyboardist Billy Martin, while drummer Dean Butterworth has been a member of the band since 2005. After a four-year-long hiatus, the band announced its comeback on November 3, 2015. The band has released six studio albums: Good Charlotte (2000), The Young and the Hopeless (2002), The Chronicles of Life and Death (2004), Good Morning Revival (2007), Cardiology (2010) and Youth Authority (2016), as well as two compilations: Greatest Remixes (2008) and Greatest Hits (2010). Section: Cardiology and hiatus (2009-11) Passage: Good Charlotte's fifth album, with the help of former Dear Christie lead singer Adam Markin, was released on November 2, 2010. The album, which was released nearly 6 weeks later than anticipated due to Markin's constant battle with HPV, was an immediate success. Describing the sound to MTV news, Joel Madden said it would sound a lot like Blink-182. Joel Madden went on to say in the same MTV interview that "There's nothing dance-y on the record, though, at all, which is different from our last one," further implying a movement away from the sound of Good Morning Revival. On December 3, 2008 Kerrang! magazine announced that Good Charlotte would be releasing its fifth studio album, Cardiology in 2009. The title of which, according to Joel, comes from the lyrical content of the album, which he explained is "all connected to the heart". Madden also added that the band had already written 20 songs for the new album, and are said to be heading back to their pop-punk roots. On January 24, 2010 Good Charlotte announced that the band had finished the album, but were going to completely scrap it and record with a different producer, Don Gilmore, who also produced the band's first and fourth records, Good Charlotte and Good Morning Revival. The band released its first single "Like It's Her Birthday" featuring Tonight Alive from the new album on August 24, 2010. The band posted the song online August 5, 2010, and wrote on its website that if the video of the song received more than 100,000 views, the band would post another song from the album. The video reached 100,000 views on August 15, 2010 and the band released "Counting the Days" as a video on its YouTube channel and announced that it will be the second single from the album. The music video for "Like It's Her Birthday" has cameos from The Maine's lead singer John O'Callaghan and guitarist Kennedy Brock and Boys Like Girls' lead singer Martin Johnson, and guitarist Paul DiGiovanni. On November 5, 2010, Good Charlotte's former label, Sony Music, released a Greatest Hits compilation for Australia, spanning 16 singles from the band's four studio albums released on that label. The compilation was later released in the US on January 6, 2011, and in Japan on February 16, 2011. On September 13, 2010, it was announced that Good Charlotte will be headlining the 2011 Kerrang! Relentless Tour, with supporting acts Four Year Strong, Framing Hanley, and The Wonder Years. On March 3, 2011, Good Charlotte went on tour with This Century and Forever The Sickest Kids throughout North America. In June 2011 Good Charlotte set out on a U.S. tour co-headlining with Yellowcard and opening act Runner Runner. In June 2011 on an interview with Punkvideosrock.com Billy and Paul stated they were in the process of planning tours for the next 5 years. On September 1, 2011, Good Charlotte announced a hiatus via interview with Rolling Stone, but The Madden Brothers released a free mix tape in October 2011, Before -- Volume One. and their debut album Greetings From California was released in September 2014, which featured Good Charlotte drummer Dean Butterworth as session performer. Question: What happened in 2009? Answer: Good Charlotte would be releasing its fifth studio album, Cardiology in 2009. Question: What is Cardiology? Answer: fifth studio album, Question: What happened in 2011?	[ "On September 1, 2011, Good Charlotte announced a hiatus" ]
Title: Good Charlotte Background: Good Charlotte is an American rock band from Waldorf, Maryland, that formed in 1996. Since 1998, the band's constant members have been vocalist Joel Madden, guitarist and vocalist Benji Madden, bassist Paul Thomas, guitarist and keyboardist Billy Martin, while drummer Dean Butterworth has been a member of the band since 2005. After a four-year-long hiatus, the band announced its comeback on November 3, 2015. The band has released six studio albums: Good Charlotte (2000), The Young and the Hopeless (2002), The Chronicles of Life and Death (2004), Good Morning Revival (2007), Cardiology (2010) and Youth Authority (2016), as well as two compilations: Greatest Remixes (2008) and Greatest Hits (2010). Section: The Chronicles of Life and Death (2004-07) Passage: Good Charlotte's third album, The Chronicles of Life and Death, was released by Epic Records in 2004. The album received mixed reactions from both the music press and Good Charlotte's fan base. The album sold 2.2 million copies. The album has been widely considered a departure from the band's previous two albums, mixing new elements such as lyrical topics into Good Charlotte's youthful sound. Singles released from the album include the two hits "Predictable" and "I Just Wanna Live", as well as "The Chronicles of Life and Death" and "We Believe". The only single from The Chronicles of Life and Death which managed to chart on the U.S. Hot 100 was the hit "I Just Wanna Live". All of the singles released from the album went top 30 in the UK, except for "We Believe". The band would then go on tour with Sum 41. In May 2005, after much speculation from fans, it was officially confirmed that Chris Wilson had left the band citing personal health reasons. Benji also told Kerrang! magazine that, for him, "Chris leaving the band was the worst part of 2005." Chris then joined the pop/punk band The Summer Obsession until 2011. He currently plays drums for JMSN. On Good Charlotte's "Noise to the World" Tour, performing with Simple Plan and Relient K, the band recruited Dean Butterworth (who had previously played for Morrissey) as the band's temporary drummer. Later, in March 2007, Butterworth was confirmed as the band's permanent drummer. Benji Madden has claimed in interviews that he feels this record was not as successful as the previous record due to it being "too selfish." Question: was the Chronicles of life and death an album? Answer: Good Charlotte's third album, The Chronicles of Life and Death, was released by Epic Records in 2004. Question: were there any singles? Answer: The only single from The Chronicles of Life and Death which managed to chart on the U.S. Hot 100 was the hit "I Just Wanna Live". Question: how many albums did they sell?	[ "The album sold 2.2 million copies." ]
Title: Hereditary peer Background: The Hereditary peers form part of the peerage in the United Kingdom. As of 1999, there were about 800 peers holding titles that could be inherited. Not all hereditary titles are titles of the peerage. For instance, baronets and baronetesses may pass on their titles, but they are not peers. Section: Roles Passage: Until 1963 peers could not disclaim their peerage in order to sit in the House of Commons, and thus a peerage was sometimes seen as an impediment to a future political career. In 1999, the House of Lords Act abolished the automatic right of hereditary peers to sit in the House of Lords. Out of about 750 hereditary peers, only 92 may sit in the House of Lords. The Act provides that 90 of those 92 seats are to be elected by other members of the House: 15 by vote of the whole house (including life peers), 42 by the Conservative hereditary peers, two by the Labour hereditary peers, three by the Liberal Democrat hereditary peers, and 28 by the crossbench hereditary peers. Elections were held in October and November 1999 to choose those initial 90 peers, with all hereditary peers eligible to vote. Hereditary peers elected hold their seats until their death, resignation or exclusion for non-attendance (the latter two means introduced by the House of Lords Reform Act 2014), at which point by-elections are held to maintain the number at 92. The remaining two hold their seats by right of the hereditary offices of Earl Marshal and Lord Great Chamberlain. These offices are hereditary in themselves, and in recent times have been held by the Dukes of Norfolk and the Marquesses of Cholmondeley respectively. These are the only two hereditary peers whose right to sit is automatic. The Government reserves a number of political and ceremonial positions for hereditary peers. To encourage hereditary peers in the House of Lords to follow the party line, a number of Lords-in-Waiting (government whips) are usually hereditary peers. This practice was not adhered to by the Labour government of 1997-2010 due to the small number of Labour hereditary peers in the House of Lords. Question: What are the main roles? Answer: Out of about 750 hereditary peers, only 92 may sit in the House of Lords. Question: Are there any other interesting aspects about this article?	[ "Until 1963 peers could not disclaim their peerage in order to sit in the House of Commons," ]
Title: Hereditary peer Background: The Hereditary peers form part of the peerage in the United Kingdom. As of 1999, there were about 800 peers holding titles that could be inherited. Not all hereditary titles are titles of the peerage. For instance, baronets and baronetesses may pass on their titles, but they are not peers. Section: Ranks and titles Passage: The ranks of the Peerage in most of the United Kingdom are, in descending order of rank, duke, marquess, earl, viscount and baron; the female equivalents are duchess, marchioness, countess, viscountess and baroness respectively. In the Scottish peerage, the lowest rank is lordship of Parliament, the male holder thereof being known as a lord of Parliament. A Scottish barony is a feudal rank, and not of the Peerage. The barony by tenure or feudal barony in England and Wales was similar to a Scottish feudal barony, in being hereditary, but is long obsolete, the last full summons of the English feudal barons to military service having occurred in 1327. The Tenures Abolition Act 1660 finally quashed any remaining doubt as to their continued status. Peerage dignities are created by the Sovereign by either writs of summons or letters patent. Under modern constitutional conventions, no peerage dignity, with the possible exception of those given to members of the Royal Family, would be created except upon the advice of the Prime Minister. Many peers hold more than one hereditary title; for example, the same individual may be a duke, an earl, a viscount and a baron by virtue of different peerages. If such a person is entitled to sit in the House of Lords, he still only has one vote. However, until the House of Lords Act 1999 it was possible for one of the peer's subsidiary titles to be passed to his heir before his death by means of a writ of acceleration, in which case the peer and his heir would have one vote each. Where this is not done, the heir may still use one of the father's subsidiary titles as a "courtesy title", but he is not considered a peer. Question: What is the lowest rank in the hereditary peerage? Answer: baron; Question: How does one address a baron? Answer: CANNOTANSWER Question: How many Viscounts are there?	[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Mayday Parade Background: Mayday Parade is an American rock band from Tallahassee, Florida. Their debut EP Tales Told by Dead Friends was released in 2006, and sold over 50,000 copies without any label support. In July 2007, Mayday Parade released their debut album A Lesson in Romantics. Section: Valdosta EP and Mayday Parade (2011-2012) Passage: In 2011, the band released an EP, entitled Valdosta (named after Valdosta, GA) that contained six tracks, including 2 brand new tracks titled "Amber Lynn" and "Terrible Things". The EP contained acoustic versions of "Kids in Love" and "Bruised and Scarred" from their second full-length studio album Anywhere But Here, "Your Song" from their Tales Told by Dead Friends and "Jamie All Over" from A Lesson in Romantics. Valdosta was released through Atlantic and Fearless Records on March 8, 2011. On March 10, Songkick recognized Mayday Parade as the hardest-working band of 2010, with 194 bookings and 74,000 miles logged in the entire year, with Willie Nelson and Lady Gaga ranking No. 7 and No. 8 in comparison. Mayday Parade played all the dates on the Australian 2009 Soundwave Festival. The band also played Slam Dunk Festival (both North and South) in Leeds and Hatfield (UK) on 28 and 29 May 2009, coinciding with their UK tour with A Rocket to the Moon and We Are the In Crowd. Written by the band in a beach house in Panacea, Florida, the self-titled album was produced by Zack Odom and Kenneth Mount, who also produced A Lesson in Romantics. Kenneth Mount tweeted a picture of the album's tentative track list on April 13, 2011. Lead singer Derek Sanders also stated that "Oh Well, Oh Well" would likely be the first track. Four days later, Jake Bundrick, the drummer of Mayday Parade, tweeted to confirm that their third full-length album had been completed. On July 6, 2011, Mayday Parade announced that they would be releasing their new self-titled album on October 4, 2011. They also released the track listing, revealing that the album had 12 songs. On July 27, Mayday Parade premiered the track "Oh Well, Oh Well" for the first time online at Alternative Press. On September 4, it was posted on Mayday Parade's Facebook page that they would be releasing a song from the new album, called "When You See My Friends" via iTunes on September 9. This was posted followed by a series of pictures of the band captioned with lyrics from the song. On October 4, 2011 Mayday Parade released their new self-titled album, which quickly reached No. 5 on the iTunes albums list. Also on October 5, 2011 Mayday Parade released their new music video for "Oh Well, Oh Well" Directed by Thunder Down Country. The animated video won the IndieStar TV award for Best Music Video of 2011. On April 4, 2012, the band released the music video for the single "Stay". On May 1, 2012, the debut album "A Lesson In Romantics" was released on vinyl. There was a set of 1500 "First Edition" album sets that featured the vinyl in red rather than the traditional black. On July 22, 2012, on a video post via Alternative Press lead singer Derek Sanders said the band would start writing a new album in December or January. Together with Californian Rock musician Vic Fuentes they charted with a cover of Gotye's "Somebody That I Used To Know", which is on the fifth album of the "Punk Goes Pop..." series in the US-Rockcharts. Question: What happened in 2011? Answer: In 2011, the band released an EP, entitled Valdosta (named after Valdosta, GA) that contained six tracks, Question: What songs were on the EP? Answer: 2 brand new tracks titled "Amber Lynn" and "Terrible Things". Question: Who produced the EP? Answer: Valdosta was released through Atlantic and Fearless Records Question: Did they tour for the record?	[ "with 194 bookings and 74,000 miles logged in the entire year," ]
Title: Rufus Thomas Background: Thomas was born in the rural community of Cayce, Mississippi, the son of a sharecropper. He moved with his family to Memphis, Tennessee, around 1920. His mother was a "church woman". Thomas made his debut as a performer at the age of six, playing a frog in a school theatrical production. Section: Later career Passage: Thomas continued to record and toured internationally, billing himself as "The World's Oldest Teenager" and describing himself as "the funkiest man alive". He "drew upon his vaudeville background to put [his songs] over on stage with fancy footwork that displayed remarkable agility for a man well into his fifties", and usually performed "while clothed in a wardrobe of hot pants, boots and capes, all in wild colors." He continued as a DJ at WDIA until 1974, and worked for a period at WLOK before returning to WDIA in the mid 1980s to co-host a blues show. He appeared regularly on television and recorded albums for various labels. Thomas performed regularly at the Porretta Soul Festival in Italy; the outdoor amphitheater in which he performed was later renamed Rufus Thomas Park. He played an important part in the Stax reunion of 1988, and appeared in Jim Jarmusch's 1989 film Mystery Train, Robert Altman's 1999 film Cookie's Fortune, and D. A. Pennebaker's documentary Only the Strong Survive. Thomas released an album of straight-ahead blues, That Woman is Poison!, with Alligator Records in 1990, featuring saxophonist Noble "Thin Man" Watts. In 1996, he and William Bell headlined at the Olympics in Atlanta, Georgia. In 1997, he released an album, Rufus Live!, on Ecko Records. In 1998, he hosted two New Year's Eve shows on Beale Street. In 1997, to commemorate his 80th birthday, the City of Memphis renamed a road off Beale Street, close to the old Palace Theater, as Rufus Thomas Boulevard. He received a Pioneer Award from the Rhythm and Blues Foundation in 1992, and a lifetime achievement award from ASCAP in 1997. He was inducted into the Blues Hall of Fame in 2001. Question: Is he still putting out albums Answer: Thomas released an album of straight-ahead blues, Question: When was it released? Answer: in 1990, Question: Did it have any hits on the charts Answer: CANNOTANSWER Question: Did he release any other album Answer: In 1997, he released an album, Rufus Live!, Question: Are there any other interesting aspects about this article? Answer: to commemorate his 80th birthday, the City of Memphis renamed a road Question: Is he still alive	[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Rufus Thomas Background: Thomas was born in the rural community of Cayce, Mississippi, the son of a sharecropper. He moved with his family to Memphis, Tennessee, around 1920. His mother was a "church woman". Thomas made his debut as a performer at the age of six, playing a frog in a school theatrical production. Section: Stax Records Passage: In 1960 he made his first recordings with his 17-year-old daughter Carla, for the Satellite label in Memphis, which changed its name to Stax the following year. The song, "Cause I Love You", featuring a rhythm borrowed from Jesse Hill's "Ooh Poo Pa Doo", was a regional hit; the musicians included Thomas' son Marvell on keyboards, Steinberg, and the 16-year-old Booker T. Jones. The record's success led to Stax gaining production and distribution deal with the much larger Atlantic Records. Rufus Thomas continued to record for the label after Carla's record "Gee Whiz" reached the national R&B chart in 1961. He had his own hit with "The Dog", a song he had originally improvised in performance based on a Willie Mitchell bass line, complete with imitations of a barking dog. The 1963 follow-up, "Walking the Dog", engineered by Tom Dowd of Atlantic, became one of his most successful records, reaching #10 on the Billboard pop chart. He became the first, and still the only, father to debut in the Top 10 after his daughter had first appeared there. The song was recorded in early 1964 by the Rolling Stones on their debut album, and was a minor UK chart hit for Merseybeat group the Dennisons later that year. As well as recording and appearing on radio and in clubs, Thomas continued to work as a boiler operator in the textile plant, where he claimed the noises sometimes suggested musical rhythms and lyrics to him, before he finally gave up the job in 1963, to focus on his role as a singer and entertainer. He recorded a series of novelty dance tracks, including "Can Your Monkey Do the Dog'" and '"Somebody Stole My Dog" for Stax, where he was often backed by Booker T. & the MGs or the Bar-Kays. He also became a mentor to younger Stax stars, giving advice on stage moves to performers like Otis Redding, who partnered daughter Carla on record. After "Jump Back" in 1964, the hits dried up for several years, as Stax gave more attention to younger artists and musicians. However, in 1970 he had another big hit with "Do the Funky Chicken", which reached #5 on the R&B chart, #28 on the pop chart, and #18 in Britain where it was his only chart hit. Thomas improvised the song while performing with Willie Mitchell's band at a club in Covington, Tennessee, including a spoken word section that he regularly used as a shtick as a radio DJ: "Oh I feel so unnecessary - this is the kind of stuff that makes you feel like you wanna do something nasty, like waste some chicken gravy on your white shirt right down front." The recording was produced by Al Bell and Tom Nixon, and used the Bar-Kays, featuring guitarist Michael Toles. Thomas continued to work with Bell and Nixon as producers, and later in 1970 had his only number 1 R&B hit, and his highest pop charting record, with another dance song, "Do the Push and Pull". A further dance-oriented release in 1971, "The Breakdown", climbed to number 2 R&B and number 31 Pop. In 1972, he featured in the Wattstax concert, and he had several further, less successful, hits before Stax collapsed in 1976. Question: What did Rufus Thomas do at Stax Record ? Answer: In 1960 he made his first recordings with his 17-year-old daughter Carla, for the Satellite label in Memphis, which changed its name to Stax the following year. Question: Did the record had any success ? Answer: The record's success led to Stax gaining production and distribution deal with the much larger Atlantic Records. Question: Did he recorded a second album ? Answer: The 1963 follow-up, "Walking the Dog", engineered by Tom Dowd of Atlantic, became one of his most successful records, reaching #10 on the Billboard pop chart. Question: Did he went on tour when he recorded at Stax ? Answer: CANNOTANSWER Question: Did he recorded a third album with Stax ? Answer: However, in 1970 he had another big hit with "Do the Funky Chicken", Question: How high it went on the charts ? Answer: #5 on the R&B chart, #28 on the pop chart, and #18 in Britain Question: Did he recorded a fourth album with Stax ?	[ "later in 1970 had his only number 1 R&B hit, and his highest pop charting record, with another dance song, \"Do the Push and Pull\"." ]
Title: Alvin and the Chipmunks Background: Alvin and the Chipmunks, originally David Seville and the Chipmunks or simply The Chipmunks, is an American animated music group created by Ross Bagdasarian Sr. for a novelty record in 1958. The group consists of three singing animated anthropomorphic chipmunks: Alvin, the mischievous troublemaker, who quickly became the star of the group; Simon, the tall, bespectacled intellectual; and Theodore, the chubby, impressionable one. The trio is managed by their human adoptive father, David (Dave) Seville. In reality, "David Seville" was Bagdasarian's stage name, and the Chipmunks themselves are named after the executives of their original record label. Section: Simon Seville Passage: In addition to having an IQ just north of Einstein, Simon possesses a dry sense of humor as well as keen wit. He is kind, gentle, logical, and at times poetic. He often takes charge when Alvin goes too far with his harebrained schemes. Although Simon tends to disagree with Alvin and even argue with him, he truly loves his brother and sticks by him despite everything. He wears glasses and blue attire, and has blue eyes. Simon plays the bass, bass clarinet, saxophone, bagpipes, tuba, and drums, among others. In vocal harmonies, he consistently sings the lower parts due to having a deeper voice than his brothers. He is shown playing the keyboard in the original open for the 1980s series. He was also shown playing guitar in a 1980s Hardee's commercial. Simon is often implied to have a crush on Jeanette, as she is like him in many details; wearing glasses and blue and purple attire and having a high IQ, possibly rivalling his own. However, he seems braver in standing up to siblings than her because Jeanette doesn't often stand up for herself when Brittany pushes her around, but like Simon to Alvin, Jeanette shares a sisterly bond with Brittany. In one animated episode, a chemistry experiment gone wrong resulted in Simon becoming a handsome, Casanova-like romancer. He called himself "Mr. Heartthrob" (an obvious parody of Mr. Hyde), and enchanted every girl he met before being returned to normal. Like his brothers, he was originally voiced by Ross Bagdasarian Sr. In the animated series and film, he was voiced by Ross Bagdasarian Jr. Matthew Gray Gubler voiced Simon in the live-action/animated film series. Question: who was simon seville? Answer: In addition to having an IQ just north of Einstein, Simon possesses a dry sense of humor as well as keen wit. Question: who did he sing with?	[ "originally voiced by Ross Bagdasarian Sr. In the animated series and film, he was voiced by Ross Bagdasarian Jr. Matthew Gray Gubler voiced Simon in the live-action/animated film series." ]
Title: Alvin and the Chipmunks Background: Alvin and the Chipmunks, originally David Seville and the Chipmunks or simply The Chipmunks, is an American animated music group created by Ross Bagdasarian Sr. for a novelty record in 1958. The group consists of three singing animated anthropomorphic chipmunks: Alvin, the mischievous troublemaker, who quickly became the star of the group; Simon, the tall, bespectacled intellectual; and Theodore, the chubby, impressionable one. The trio is managed by their human adoptive father, David (Dave) Seville. In reality, "David Seville" was Bagdasarian's stage name, and the Chipmunks themselves are named after the executives of their original record label. Section: Alvin and the Chipmunks (1983-90) Passage: The group's name changed from the "Chipmunks" to "Alvin and the Chipmunks". In 1983, a second animated television series for the group, produced by Ruby-Spears Productions, was released. Titled simply Alvin and the Chipmunks, the outline of the show closely paralleled the original Alvin Show. The series lasted eight production seasons, until 1990. In the first season, the show introduced the Chipettes, three female versions of the Chipmunks -- Brittany, Jeanette, and Eleanor, who each paralleled the original Chipmunks in personality except for Brittany being vainer than Alvin, with Jeanette smart like Simon, and Eleanor fond of food like Theodore, with their own human guardian, the myopic Miss Beatrice Miller (who arrived for the 1986 season). The success of the show led to the release of a soundtrack album in 1984, Songs from Our TV Shows. The Chipmunks even walked a variation of NBC's "Let's All Be There" campaign for its Saturday-morning lineup in 1984 (shows included The Smurfs, Snorks, Going Bananas, Pink Panther and Sons, Kidd Video, Spider-Man and His Amazing Friends, Mister T, etc.). After 1988, the show was renamed just The Chipmunks to indicate that there were now two groups of them. Also introduced was the boys' "Uncle" Harry, who may or may not have actually been a relative. The show reflected contemporaneous trends popular culture; the Chipmunks sang recent hits, and wore contemporary clothing. One "documentary" episode spoofed John Lennon's 1966 infamous comment that The Beatles had become "more popular than Jesus", by recalling how the Chipmunks had fallen in popularity after Alvin boasted they were "bigger than Mickey Mouse!". In 1985, the Chipmunks, along with the Chipettes, were featured in the live stage show, Alvin and the Chipmunks and the Amazing Computer. In 1987, during the fifth season of the show on television, the Chipmunks had their first animated feature film, The Chipmunk Adventure, directed by Janice Karman and Ross Bagdasarian Jr. and released to theaters by The Samuel Goldwyn Company. The film featured the Chipmunks and the Chipettes in a contest traveling around the world. In the 1988-89 season, the show switched production companies to DIC Entertainment, by which time the Chipmunks had truly become anthropomorphized. In 1990, the show switched titles again to The Chipmunks Go to the Movies. Each episode in this season was a spoof of a Hollywood film, such as Back to the Future, King Kong, and others. In addition, several television specials featuring the characters were also released. At the conclusion of the eighth season, the show was canceled again. In 1990, a documentary was produced about the show entitled Alvin and the Chipmunks/Five Decades with the Chipmunks. In that year, the Chipmunks also teamed up for the only time with other famous cartoon stars (such as Bugs Bunny, Garfield, etc.) for the drug abuse-prevention special Cartoon All-Stars to the Rescue. Question: Who is Alvin? Answer: The group's name changed from the "Chipmunks" to "Alvin and the Chipmunks". Question: Why was the name changed? Answer: Titled simply Alvin and the Chipmunks, the outline of the show closely paralleled the original Alvin Show. Question: What is well known for Alvin and the Chipmunks? Answer: Show. The series lasted eight production seasons, until 1990. Question: What was the show about?	[ "Each episode in this season was a spoof of a Hollywood film, such as Back to the Future, King Kong, and others." ]
Title: Jack Abramoff Background: Jack Abramoff was born on February 28, 1959 in Atlantic City, New Jersey, into a Jewish family. His parents were Jane (nee Divac) and Franklin Abramoff, who was president of the Franchises unit of Diners Club credit card company. Abramoff's family moved to Beverly Hills, California, when he was ten (in 1968). After seeing the film version of Fiddler on the Roof at age twelve, Abramoff decided to practice Orthodox Judaism. Section: Work in film production, and South Africa connections Passage: Abramoff spent 10 years in Hollywood. He developed (wrote the story) and produced, with his brother Robert, the 1989 film Red Scorpion. The film ultimately cost $16 million (from an $8 million initial budget) and starred Dolph Lundgren playing the Spetsnaz-like Soviet commando Nikolai, sent by the USSR to assassinate an African revolutionary in a country similar to Angola. Nikolai sees the evil of the Soviets and changes sides, becoming a freedom fighter for the African side. Abramoff also executive-produced its 1994 sequel Red Scorpion 2. The South African government financed the film via the International Freedom Foundation, a front-group chaired by Abramoff, as part of its efforts to undermine international sympathy for the African National Congress. The filming location was in South-West Africa (now Namibia). On April 27, 1998, Abramoff wrote a letter to the editor of The Seattle Times rebutting an article critical of him and his alleged role as effectively a Public Relations puppet of the then-apartheid South African military. Abramoff rebutted: The IFF was a conservative group which I headed. It was vigorously anti-Communist, but it was also actively anti-apartheid. In 1987, it was one of the first conservative groups to call for the release of Nelson Mandela, a position for which it was roundly criticized by other conservatives at the time. While I headed the IFF, we accepted funding only from private individuals and corporations and would have absolutely rejected any offer of South African military funding, or any other kind of funding from any government - good or evil. During this period in South Africa, Abramoff first met South African-born rabbi David Lapin, who would become his religious advisor. He also met Lapin's brother and fellow rabbi Daniel Lapin, who allegedly introduced Abramoff to Congressman Tom DeLay (R-TX) at a Washington, DC dinner shortly after the Republican takeover of Congress in 1994. Lapin later claimed that he did not recall making that introduction. Question: How was Jack Abramoff's work in film production? Answer: He developed (wrote the story) and produced, with his brother Robert, the 1989 film Red Scorpion. Question: What were his connections like in South Africa?	[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Jack Abramoff Background: Jack Abramoff was born on February 28, 1959 in Atlantic City, New Jersey, into a Jewish family. His parents were Jane (nee Divac) and Franklin Abramoff, who was president of the Franchises unit of Diners Club credit card company. Abramoff's family moved to Beverly Hills, California, when he was ten (in 1968). After seeing the film version of Fiddler on the Roof at age twelve, Abramoff decided to practice Orthodox Judaism. Section: Long-standing college political alliances Passage: At the CRNC, Abramoff developed political alliances with College Republican chapter presidents across the nation. Many would later hold key roles in state and national politics and business, and some would later interact with Abramoff in his role as a lobbyist. Some of those relationships were at the core of the federal investigation. At the CRNC, Abramoff, Norquist and Reed formed what was known as the "Abramoff-Norquist-Reed triumvirate". After Abramoff's election, the trio purged "dissidents" and re-wrote the CRNC's bylaws to consolidate their control over the organization. According to Easton's Gang of Five, Reed was the "hatchet man" and "carried out Abramoff-Norquist orders with ruthless efficiency, not bothering to hide his fingerprints". In 1983, the CRNC passed a resolution condemning "deliberate planted propaganda by the KGB and Soviet proxy forces" against the government of South Africa, at a time when the country's government was under worldwide criticism for its apartheid regime. In 1984, Abramoff and other College Republicans formed the "USA Foundation", a non-partisan tax-exempt organization which held two days of rallies on college campuses around the United States celebrating the first anniversary of the invasion of Grenada. In a letter to campus Republican leaders, Abramoff claimed: While the Student Liberation Day Coalition is nonpartisan and intended only for educational purposes, I don't need to tell you how important this project is to our efforts as [College Republicans]. I am confident that an impartial study of the contrasts between the Carter/Mondale failure in Iran and the Reagan victory in Grenada will be most enlightening to voters 12 days before the general election. Question: Where did Jack go to college ? Answer: CANNOTANSWER Question: Who else did he develop alliances with ?	[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Taking Back Sunday Background: Taking Back Sunday is an American rock band from Long Island, New York. The band was formed by guitarist Eddie Reyes in 1999. The band's members are Adam Lazzara (lead vocals), John Nolan (lead guitar, keyboards, vocals), Eddie Reyes (rhythm guitar), Shaun Cooper (bass guitar) and Mark O'Connell (drums). The band has released three studio albums with various past members Fred Mascherino (guitar, vocals), Matthew Rubano (bass guitar), and Matthew Fazzi (guitar, keyboards, vocals). Section: Major label debut (2005-2007) Passage: On June 10, 2005, it was announced that the band had signed with major label Warner Bros. Records and would begin recording their third album later in 2005. That month, the group contributed "Error: Operator" to the video-game adaption of Fantastic Four, and it was later added to the film's soundtrack as well. On September 21, 2005, it was announced that Taking Back Sunday had begun recording their third album with Eric Valentine. The group chose Valentine because he had produced Queens of the Stone Age's Songs for the Deaf (2002) and Third Eye Blind's self-titled album (1997). On April 25, 2006, Taking Back Sunday released their third album, entitled Louder Now, on Warner Bros. Records. The members' comments on the album reflected the dramatic change the band had undergone in the two years since their last release. Matt Rubano noted that the move to a major label was not something the band took lightly, but it was a move that made sense given the band's tumultuous past. Lazzara stated that fans seemed to feel their live shows had more energy than their recordings, and that Louder Now brought more of that across. Taking Back Sunday received mainstream exposure by appearing on the late night talk shows The Tonight Show with Jay Leno, Jimmy Kimmel Live!, and Late Night with Conan O'Brien, as well as the teen drama Degrassi: The Next Generation in an episode entitled "What's It Feel Like To Be A Ghost?". In December 2006, the band released its first documentary, Louder Now: PartOne, featuring behind-the-scenes tour footage and four live concerts. Following months of touring to support Louder Now, Taking Back Sunday appeared in the American leg of Live Earth on July 7, 2007. During the summer of 2007, Taking Back Sunday was also a part of Linkin Park's Projekt Revolution tour, along with My Chemical Romance, HIM, and several other bands. On October 30, 2006, the band's former record label, Victory Records, released Notes from the Past, which featured four songs from Tell All Your Friends, six songs from Where You Want To Be, and two B-sides: The Ballad of Sal Villanueva and Your Own Disaster ('04 mix). The band then released Louder Now: Part Two on November 20, 2007, a DVD of unreleased live concert footage from their show at Long Beach Arena in Long Beach, California, which included special features such as the video for "Twenty-Twenty Surgery", made to be released in Europe. The DVD was packaged with a companion CD featuring eight live tracks, two B-sides that were previously unreleased in America, and a special "Twelve Days of Christmas" track. In 2007, the band contributed the song "What's It Feel Like to Be a Ghost?" to the soundtrack for the science fiction action film Transformers, although the song did not appear in the film. Question: What is the name of the band? Answer: Taking Back Sunday Question: When was their major label debut? Answer: On June 10, 2005, it was announced that the band had signed with major label Warner Bros. Records and would begin recording their third album later in 2005. Question: Did they will any awards?	[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Luke Skywalker Background: Luke Skywalker is a fictional character and the main protagonist of the original film trilogy of the Star Wars franchise created by George Lucas. The character, portrayed by Mark Hamill, is an important figure in the Rebel Alliance's struggle against the Galactic Empire. He is the twin brother of Rebellion leader Princess Leia Organa of Alderaan, a friend and brother-in-law of smuggler Han Solo, an apprentice to Jedi Masters Obi-Wan "Ben" Kenobi and Yoda, the son of fallen Jedi Anakin Skywalker (Darth Vader) and Queen of Naboo/Republic Senator Padme Amidala and maternal uncle of Kylo Ren/Ben Solo. The now non-canon Star Wars expanded universe depicts him as a powerful Jedi Master, husband of Mara Jade, the father of Ben Skywalker and maternal uncle of Jaina, Jacen and Anakin Solo. Section: Concept and creation Passage: Luke Skywalker was initially called "Luke Starkiller", and went through multiple design changes. The character was at one point designed as a 60-year-old grizzled war hero, later as a Jedi Master, and as a woman. The last name "Starkiller" remained for the first few months of production, Hamill on-camera used the name 'Luke Starkiller" the sole time he referred to himself during filming. "Starkiller" was dropped due to what Lucas called "unpleasant connotations". An alternative ending pitched by George Lucas for Return of the Jedi was Luke assuming his father's role as Darth Vader after the latter's death and intending to rule in his place. Though Lawrence Kasdan favored the idea, Lucas ultimately declined, since the films were made for children. Another conclusion to the film featured the character disappearing into the wilderness akin to "Clint Eastwood in the spaghetti westerns". During the filming of the original Star Wars trilogy, George Lucas informed Hamill that he would be needed to reprise the role when he was middle aged. Lucas further explained that his role as Luke would be handing "Excalibur to the next generation". Hamill had no reaction at the time, as he thought of making Star Wars films decades in the future as an abstract concept. Hamill learned of the sequel trilogy over the summer of 2012 at a Star Wars celebration during lunch where Lucas told him one was in development. Hamill recalled shaving his beard to portray The Trickster in The Flash, then letting it grow back for the filming of his scenes. Luke's lack of screen time in The Force Awakens was due to concerns by screenwriter Michael Arndt that his presence would mean the audience would have less interest in protagonist Rey, leading to an agreement that he be removed from the plot and instead become a plot device. Hamill attended meetings for script readings, and helped conceal Luke's role in the film; instead of dialogue, he read stage directions. Abrams said it allowed him to remain involved and that his reading helped make a "better experience for everyone." Question: How was Luke Skywalker created? Answer: went through multiple design changes. Question: Who created him? Answer: George Lucas Question: What year was he created? Answer: CANNOTANSWER Question: Who played Luke Skywalker?	[ "Hamill" ]
Title: Luke Skywalker Background: Luke Skywalker is a fictional character and the main protagonist of the original film trilogy of the Star Wars franchise created by George Lucas. The character, portrayed by Mark Hamill, is an important figure in the Rebel Alliance's struggle against the Galactic Empire. He is the twin brother of Rebellion leader Princess Leia Organa of Alderaan, a friend and brother-in-law of smuggler Han Solo, an apprentice to Jedi Masters Obi-Wan "Ben" Kenobi and Yoda, the son of fallen Jedi Anakin Skywalker (Darth Vader) and Queen of Naboo/Republic Senator Padme Amidala and maternal uncle of Kylo Ren/Ben Solo. The now non-canon Star Wars expanded universe depicts him as a powerful Jedi Master, husband of Mara Jade, the father of Ben Skywalker and maternal uncle of Jaina, Jacen and Anakin Solo. Section: A New Hope (1977) Passage: Introduced in the 1977 film Star Wars (later dubbed Episode IV - A New Hope), the character represents the hero archetype of "the young man, called to adventure, the hero going out facing the trials and ordeals, and coming back after his victory with a boon for the community". Luke Skywalker lives on a moisture farm on Tatooine with his Uncle Owen and Aunt Beru. Luke takes his first steps toward his destiny when he purchases the droids C-3PO and R2-D2. While examining R2-D2, he sees a message from Leia. When R2-D2 goes missing, Luke goes out to search for the droid, but is knocked out by Tusken Raiders in the process. He then encounters Obi-Wan Kenobi, an old hermit. Luke and Obi-Wan seek shelter, and R2-D2 plays the full message for Obi-Wan from Leia, beseeching him to help her defeat the Galactic Empire. Obi-Wan says that he and Luke's father were once Jedi Knights, and that his father was murdered by a traitorous Jedi named Darth Vader. Obi-Wan presents Luke with his father's lightsaber and offers to take him to Alderaan and train him in the ways of the Force, but Luke rejects his offer. Luke changes his mind when he returns home to find out that Imperial stormtroopers have killed his aunt and uncle. He and Obi-Wan then travel to Mos Eisley, where they meet smugglers Han Solo and Chewbacca at the Cantina. They team up and travel on the Millennium Falcon to Alderaan, only to find out that it has been destroyed by the Death Star. They board the Death Star and rescue Princess Leia. Obi-Wan deactivates the tractor beam, and he later sacrifices his life in a duel with Vader, so that Luke and his friends can board the Falcon and escape. During the Battle of Yavin, Luke joins the Rebel Alliance in attacking the Death Star. In the trench leading to the Death Star's exhaust port, Luke hears Obi-Wan's voice, telling him to "trust his feelings"; he takes Obi-Wan's advice and switches off his X-wing's missile guidance system, instead using the Force to guide the missiles and destroy the Death Star. Question: What was a new hope? Answer: Introduced in the 1977 film Star Wars (later dubbed Episode IV - A New Hope), the character represents the hero archetype of "the young man, called to adventure, Question: Was Luke in this production? Answer: Luke Skywalker lives on a moisture farm on Tatooine with his Uncle Owen and Aunt Beru. Question: Does he have any children in the film? Answer: CANNOTANSWER Question: Is this a sequel to episode 3? Answer: later dubbed Episode IV Question: How many were they planning on making at this time? Answer: CANNOTANSWER Question: What else can you tell me about episode 4? Answer: Luke takes his first steps toward his destiny when he purchases the droids C-3PO and R2-D2. Question: What did leia say?	[ "beseeching him to help her defeat the Galactic Empire." ]
Title: Steffi Graf Background: Stefanie Graf was born on 14 June 1969, in Mannheim, Baden-Wurttemberg, West Germany, to Heidi Schalk and Peter Graf (18 June 1938 - 30 November 2013), a car and insurance salesman. When she was nine years old her family moved to the neighbouring town of Bruhl. She has a younger brother Michael. Graf was introduced to tennis by her father, an aspiring tennis coach, who taught his three-year-old daughter how to swing a wooden racket in the family's living room. Section: Playing style Passage: The main weapons in Graf's game were her powerful inside-out forehand drive (which earned her the moniker Fraulein Forehand) and her intricate footwork. She often positioned herself in her backhand corner and although this left her forehand wide open and vulnerable to attack, her court speed meant that only the most accurate shots wide to her forehand caused any trouble. Graf's technique on the forehand was unique and instantly recognizable: generating considerable racquet head speed with her swing, she reached the point of contact late and typically out of the air. As a result, she hit her forehand with exceptional pace and accuracy. According to her coaches Pavel Slozil and Heinz Gunthardt, Graf's superior sense of timing was the key behind the success of her forehand. Graf also had a powerful backhand drive but over the course of her career tended to use it less frequently, opting more often for an effective backhand slice. Starting in the early 1990s, she used the slice almost exclusively in baseline rallies and mostly limited the topspin backhand to passing shots. Her accuracy with the slice, both cross-court and down the line and her ability to skid the ball and keep it low, enabled her to use it as an offensive weapon to set the ball up for her forehand put-aways. However, Graf admitted in 1995 that she would have preferred having a two-handed backhand in retrospect. She built her powerful and accurate serve up to 174 km/h (108 mph), making it one of the fastest serves in women's tennis and was a capable volleyer. An exceptionally versatile competitor, Graf remains the only player, male or female, to have won the calendar-year Grand Slam on three surfaces or to have won each Grand Slam at least four times. Eighteen-time Grand Slam champion and former rival Chris Evert opined, "Steffi Graf is the best all-around player. Martina [Navratilova] won more on fast courts and I won more on slow courts, but Steffi came along and won more titles on both surfaces." Her endurance and superior footwork allowed her to excel on clay courts, where, in addition to six French Open titles, she won 26 regular tour events, including a record eight titles at the German Open. Meanwhile, her naturally aggressive style of play, effective backhand slice and speed around the court made her even more dominant on fast surfaces such as hard courts, grass and carpet. Graf stated that grass was her favorite surface to play on, while clay was her least favorite. Question: whos playing style are we talking about in this story? Answer: Graf's Question: what is the first name of this person Answer: Steffi Question: what was something about this persons playing style that really stuck out Answer: She often positioned herself in her backhand corner and although this left her forehand wide open and vulnerable to attack, Question: did this style do good for her and help her win Answer: As a result, she hit her forehand with exceptional pace and accuracy. Question: did she ever get hurt using this style Answer: CANNOTANSWER Question: what was something else she did? Answer: Graf remains the only player, male or female, to have won the calendar-year Grand Slam on three surfaces or to have won each Grand Slam at least four times. Question: did this playing style win her any awards Answer: Her endurance and superior footwork allowed her to excel on clay courts, Question: what else interesting happened	[ "in addition to six French Open titles, she won 26 regular tour events, including a record eight titles at the German Open." ]
Title: Joe Perry (musician) Background: Joseph Anthony Pereira (born September 10, 1950), better known by his stage name Joe Perry, is the lead guitarist, backing and occasional lead vocalist, and contributing songwriter for the American rock band Aerosmith. He was ranked 84th in Rolling Stone's list of The 100 Greatest Guitarists of All Time. In 2001, he was inducted into the Rock and Roll Hall of Fame as part of Aerosmith, and in 2013, Perry and his songwriting partner Steven Tyler were recipients of the ASCAP Founders Award and were also inducted into the Songwriters Hall of Fame. In October 2014, Simon & Schuster released Rocks: Section: Personal life Passage: Perry was married to Elyssa Jerret from 1975 to 1982. Together they had a son, Adrian. With his second wife, Billie, whom he married in 1985, he has two sons, Tony and Roman. She has a son, Aaron, from a previous relationship. Adrian and Tony Perry are founding members of the rock group Dead Boots. As of circa 2014, Perry and his wife had homes in Vermont, Massachusetts, Florida and Los Angeles. Perry endorsed John McCain for the 2008 Presidential election, and described himself as a "lifelong Republican". "I love America," he said. "I love the culture. I love the freedom that it stands for. But I don't like the politics. I don't feel the people are represented the way they should be. So many things that made America great have been kinda stepped on by politicians. Politics is a business. First thing they do when they get into office is figure out how they're gonna get reelected." Perry has spearheaded the creation of a line of hot sauces with Ashley Food Company: Joe Perry's Rock Your World Hot Sauces, featured widely in the marketplace. A quesadilla featuring a flavor of his hot sauce is available as an appetizer at Hard Rock Cafe. Perry was featured in an episode of TV's Inside Dish with Rachael Ray during a stop on an Aerosmith tour. He prepared a meal, displayed his passion for knives, discussed his hot sauce brand and cooking, and gave insight into meal preparations on tour. Until 2006, Perry, with bandmate Steven Tyler and other partners, co-owned Mount Blue, a restaurant in Norwell, Massachusetts. Perry resides in Massachusetts, and maintains a home in Pomfret, Vermont. Question: What is interesting aspect about Joe Perry's Personal life? Answer: Perry endorsed John McCain for the 2008 Presidential election, and described himself as a "lifelong Republican". " Question: what else happened in his personal life that you found interesting?	[ "\" Perry has spearheaded the creation of a line of hot sauces with Ashley Food Company:" ]
Title: Joe Perry (musician) Background: Joseph Anthony Pereira (born September 10, 1950), better known by his stage name Joe Perry, is the lead guitarist, backing and occasional lead vocalist, and contributing songwriter for the American rock band Aerosmith. He was ranked 84th in Rolling Stone's list of The 100 Greatest Guitarists of All Time. In 2001, he was inducted into the Rock and Roll Hall of Fame as part of Aerosmith, and in 2013, Perry and his songwriting partner Steven Tyler were recipients of the ASCAP Founders Award and were also inducted into the Songwriters Hall of Fame. In October 2014, Simon & Schuster released Rocks: Section: Formation and initial success of Aerosmith (1970-1979) Passage: During Perry's early years he formed a band with Tom Hamilton called The Jam Band. Steven Tyler, Brad Whitford and Joey Kramer eventually joined them and the band became Aerosmith. While initially dismissed as The Rolling Stones knock-offs, the band came into its own during the mid-1970s with a string of hit records. Chief among these successes were Toys in the Attic (1975) and Rocks (1976), thanks largely to the prevalence of free-form, album-oriented FM radio. The group also managed hit singles on the radio with songs like "Dream On", "Same Old Song and Dance", "Sweet Emotion", "Walk This Way", "Back in the Saddle", and "Last Child". During this time, Perry and Tyler became known as the "Toxic Twins" for their notorious hard-partying and drug use. Aerosmith's crowd earned the nickname "The Blue Army", so called by the band after the seemingly endless number of teenagers in the audience wearing blue denim jackets and blue jeans. The audience was abundantly male with long hair. Following Rocks, the group began to stumble. Drug use escalated and the creative process became hampered by strained relationships within the band. This was highlighted during the recording process for their next album, which was recorded at an abandoned convent in upstate New York. During their time there, Tyler and Perry would spend much of the time in their rooms getting high, away from the rest of the band, and would often record their parts separately. The band, hampered by heavy drug use and distracted by hobbies such as driving fast cars on the nearby parkways and shooting high-powered firearms in the building's attic, struggled to come up with material. Draw the Line, released in 1977, became a hit nonetheless, going double Platinum. However, it was not as successful as their prior efforts, with the singles "Draw the Line" and "Kings and Queens" both charting in the Hot 100, but failing to crack the Top 40. On the album, Perry sang lead vocals on the track "Bright Light Fright". The band toured throughout 1977 and 1978 in support of the album, but increasing violence at concerts (such as bottles, cherry bombs, M-80s, and firecrackers being thrown on-stage, including several notorious incidents at The Spectrum in Philadelphia) as well as the band's heavy drug use began to mar the performances. In 1978, Aerosmith released the live collection Live! Bootleg, released the stand-alone single "Chip Away the Stone", and starred as "The Future Villain Band" in the film Sgt. Pepper's Lonely Hearts Club Band. For the film, the band released a cover of The Beatles' "Come Together", which would become the band's last Top 40 hit for nearly a decade. Question: How was Aerosmith formed? Answer: Steven Tyler, Brad Whitford and Joey Kramer eventually joined them and the band became Aerosmith. Question: Where did the name Aerosmith come from? Answer: CANNOTANSWER Question: When was the group formed? Answer: mid-1970s Question: What was their first hit?	[ "The group also managed hit singles on the radio with songs like \"Dream On\", \"Same Old Song and Dance\", \"" ]
Title: Martin Brodeur Background: Martin Brodeur was born on May 6, 1972, in Montreal. He was one of five children of Denis and Mireille Brodeur. Denis played in the 1956 Olympics for Team Canada and won a bronze medal. After his playing career, Denis was a longtime photographer for the Montreal Canadiens. Section: 1995-1999 Passage: After a year of success, the Devils were in the middle of the pack for most of the 1995-96 season and barely missed the playoffs. Brodeur played in 74 of his team's 82 games, setting a single-season record for most minutes played by a goalie, while having the 2nd-most shutouts (6) in the league. He was named the starter in the All-Star Game for the Eastern Conference and stopped all 12 shots he faced. He finished fourth in voting for the Vezina Trophy, which is awarded to the league's top goaltender. Brodeur also played on Team Canada during the 1996 World Cup of Hockey, where Canada lost to the United States in the gold medal finals. In the 1996-97 season, the Devils finished 3rd in the NHL. Brodeur was runner-up for the Vezina Trophy, was named to the All-Star team, and had the lowest goals against average by a goalie in almost 30 years, earning him the Jennings Trophy. He also had 10 shutouts and a .927 save percentage. On April 17, 1997, in the first game of a first-round playoff matchup against the Montreal Canadiens, Brodeur fired the puck the length of the ice and into the Canadiens' empty net to ensure a 5-2 victory. It was only the second time in NHL history that a goaltender had scored in the playoffs, and the fifth time overall. The Devils went on to win that series, but lost in the second round to the rival New York Rangers. The following year, Brodeur had 43 wins and 10 shutouts in the regular season. The Devils finished first in the Eastern Conference, but lost in the first round of the playoffs to the eighth-seeded Ottawa Senators. Once again, Brodeur made the All-Star Team, finished as a runner-up for the Vezina Trophy, and won the Jennings Trophy. In the 1998-99 season, the Devils finished first in the Eastern Conference for the third straight year, with Brodeur winning 39 games. He was among the contenders for the Vezina Trophy and started in the All-Star game, making his fourth appearance. However, the Devils lost in the first round to the Penguins. It was Brodeur's worst playoff performance to date statistically, as he allowed 20 goals in seven games with an .856 save percentage. Question: What team did Martin play for in 1995? Answer: After a year of success, the Devils were in the middle of the pack for most of the 1995-96 season and barely missed the playoffs. Question: How was his performance that year? Answer: Brodeur played in 74 of his team's 82 games, setting a single-season record for most minutes played by a goalie, while having the 2nd-most shutouts (6) in the league. Question: Who did he play for the next season?	[ "In the 1996-97 season, the Devils finished 3rd in the NHL. Brodeur was runner-up for the Vezina Trophy, was named to the All-Star team," ]
Title: Martin Brodeur Background: Martin Brodeur was born on May 6, 1972, in Montreal. He was one of five children of Denis and Mireille Brodeur. Denis played in the 1956 Olympics for Team Canada and won a bronze medal. After his playing career, Denis was a longtime photographer for the Montreal Canadiens. Section: 1991-1995 Passage: In the 1991-92 NHL season, Brodeur spent most of his time with Saint-Hyacinthe in the QMJHL, but was called up to the NHL on an emergency basis for four games when New Jersey goaltenders Chris Terreri and Craig Billington became injured. Brodeur won his NHL debut against the Boston Bruins, 4-2, and played in one playoff game that season. Brodeur spent the following season with the Utica Devils of the American Hockey League (AHL). However, in the 1993-94 season, Brodeur returned to the NHL permanently and gained recognition when he won the Calder Trophy, an annual award for the best rookie in the NHL. He led the Devils to the second-best record in the league and the Eastern Conference Finals in the playoffs, where they lost to the New York Rangers in seven games. He finished 2nd in goals against average (GAA) (2.40) and 4th in save percentage (.915) in 47 games played during the regular season, helping him eventually land the starting job over Terreri. In the 1994-95 NHL season, which was shortened to 48 games due to an extended lockout, the Devils finished tied for 9th overall, 5th in their conference. With the leadership of Brodeur, they defeated the Boston Bruins in the 1st round, shutting them out in three of their four wins. In the second round against the Pittsburgh Penguins, Brodeur gave up only nine goals and helped the Devils defeat the Penguins in five games. In the third round, the Devils defeated the Philadelphia Flyers in six games, giving them their first Stanley Cup Final appearance in franchise history, against the heavily favoured Detroit Red Wings. The strong play of Brodeur and the Devils' "trap" method of defence made the series lopsided in favour of New Jersey, who swept the Red Wings 4 games to 0 while holding them to just seven goals in four games. Brodeur won a Stanley Cup in only his second full season in the NHL. After the victory, he was quoted as saying: In the last game against Detroit, the time from ten minutes left to one minute left was probably the longest nine minutes of my life. But from one to zero was probably the greatest time I've ever had. I didn't want the clock to run out. It was such a great feeling: people crying in the stands, people jumping up and down, people cheering. Guys couldn't even sit up on the bench. It was probably the best minute of my life. Question: Where did he play during 1991? Answer: In the 1991-92 NHL season, Brodeur spent most of his time with Saint-Hyacinthe in the QMJHL, but was called up to the NHL on an emergency basis Question: How long did he stay with the NHL? Answer: emergency basis for four games when New Jersey goaltenders Chris Terreri and Craig Billington became injured. Question: How did he play in those games? Answer: Brodeur won his NHL debut against the Boston Bruins, 4-2, and played in one playoff game that season. Question: Did he have any other game highlights? Answer: in the 1993-94 season, Brodeur returned to the NHL permanently and gained recognition when he won the Calder Trophy, an annual award for the best rookie Question: How did he play in other seasons?	[ "Brodeur won a Stanley Cup in only his second full season in the NHL." ]
Title: Evanescence Background: Evanescence () is an American rock band founded in Little Rock, Arkansas, in 1995 by singer/pianist Amy Lee and guitarist Ben Moody. After recording independent albums, the band released their first full-length album, Fallen, on Wind-up Records in 2003. Fallen sold more than 17 million copies worldwide and helped the band win two Grammy Awards out of seven nominations. A year later, Evanescence released their first live album, Anywhere but Home, which sold more than one million copies worldwide. Section: 2006-2009: The Open Door Passage: A spokesperson for the band's label confirmed on July 14, 2006, that bassist Will Boyd had left the band for "not wanting to do another big tour" and wanting "to be close to his family." Amy Lee originally broke the news to the fans in a post on an unofficial Evanescence site, EvBoard.com. In an interview with MTV, posted on their website on August 10, 2006, Lee announced that Tim McCord, former Revolution Smile guitarist, would switch instruments and play bass for the band. The album progressed slowly for several reasons, including Amy Lee's desire to maximize the creative process and not rush production, other band members' side projects, Balsamo's stroke, and turbulence within their management. Although Lee stated on the fan forum Evboard that Evanescence's new album would be completed in March 2006, the release was pushed back allegedly because "Wind-up...wanted to make a few changes to the upcoming single 'Call Me When You're Sober'", which hit modern rock and alternative rock radio on August 7, 2006. The 13-track album The Open Door was released in Canada and the United States on October 3, 2006; the United Kingdom on October 2, 2006; and Australia on September 30, 2006. The album sold 447,000 copies in the United States in its first week of sales and earned their first No. 1 ranking on the Billboard 200 album chart. The music video for "Call Me When You're Sober" was shot in Los Angeles and is based on the fairy tale Little Red Riding Hood. The Open Door became available for pre-order on the iTunes Store on August 15, 2006; the music video for "Call Me When You're Sober" was also made available. The tour for The Open Door began on October 5, 2006, in Toronto and included locations in Canada, the U.S. and Europe during that year. This first tour continued on January 5, 2007, and included stops in Canada (alongside band Stone Sour), Japan and Australia (alongside band Shihad) and then returned to the U.S. for a second tour in the spring (alongside bands Chevelle and Finger Eleven). As part of their tour, Evanescence performed on April 15, 2007, on the Argentinian festival Quilmes Rock 07 along with Aerosmith, Velvet Revolver and other local bands. They also co-headlined on the Family Values Tour 2007 along with Korn and other bands. The group closed their European tour with a sell-out concert at the Amphi in Ra'anana, Israel, on June 26, 2007, and finished the album tour on December 9, 2007. On May 4, 2007, John LeCompt announced that he had been fired from Evanescence, and also stated that drummer Rocky Gray had decided to quit. They both would join Moody to eventually form the band We Are the Fallen. Wind-up issued a press release on May 17, 2007, stating that two Dark New Day members, drummer Will Hunt and guitarist Troy McLawhorn, would be joining the band to replace LeCompt and Gray. It was initially stated that Hunt and McLawhorn would tour with Evanescence until the end of the Family Values Tour in September 2007, but both continued to play with the band through The Open Door tour. Question: what was open door? Answer: The 13-track album The Open Door Question: how did the album do? Answer: sold 447,000 copies in the United States in its first week of sales and earned their first No. 1 ranking on the Billboard 200 album chart. Question: did they tour? Answer: The tour for The Open Door began on October 5, 2006, in Question: Are there any other interesting aspects about this article? Answer: On May 4, 2007, John LeCompt announced that he had been fired from Evanescence, Question: why was he fired? Answer: CANNOTANSWER Question: did they produce any music with the new member?	[ "was initially stated that Hunt and McLawhorn would tour with Evanescence until the end of the Family Values Tour in September 2007," ]
Title: Evanescence Background: Evanescence () is an American rock band founded in Little Rock, Arkansas, in 1995 by singer/pianist Amy Lee and guitarist Ben Moody. After recording independent albums, the band released their first full-length album, Fallen, on Wind-up Records in 2003. Fallen sold more than 17 million copies worldwide and helped the band win two Grammy Awards out of seven nominations. A year later, Evanescence released their first live album, Anywhere but Home, which sold more than one million copies worldwide. Section: 2015-present: Return and Synthesis Passage: On April 27, 2015, it was announced that the band would perform at Japan's Ozzfest on November 21, 2015, as the second headline act, making it the band's first live performance since their hiatus. Prior to Ozzfest, Evanescence would play three shows in the United States. On August 7, 2015, Lee announced that long-time guitarist Terry Balsamo had departed the band. His position was filled by German singer and guitarist Jen Majura, bassist for folk metal band Equilibrium. In an October 2015 interview, Lee stated that the band would continue to tour in 2016, but that when it came to recording new music, she was focusing on recording a solo album rather than a new Evanescence album. In late 2016, the band toured select cities in the United States, choosing alternative rock band Veridia as their opener. On September 13, 2016, the band announced a vinyl box set titled The Ultimate Collection that includes all of their albums (including Origin) and a new version of "Even in Death", a song which first appeared on Origin. The set was released on December 9, 2016. During an interview with Loudwire, Lee stated "there is Evanescence in the future" and that there had been work on another pre-Fallen song which would be released later. On February 18, 2017, a compilation album titled Lost Whispers was made available for streaming and downloading on Spotify, iTunes and Anghami. It contained the rerecorded "Even in Death", previously released B-sides, the four deluxe edition bonus tracks to Evanescence, and the new song "Lost Whispers". On March 20, 2017, Lee spoke to AOL Build about her solo single, "Speak to Me"; during the interview, she spoke of "a new album" in the works by Evanescence, saying "We're working on something. [...] It's not just a straightforward 'next Evanescence album'," implying a stylistic change. In a March 23 interview with Metal Hammer, Lee stated that "It's something unique, something complex, something a little bit beyond that - and it's definitely new territory for all of us." The album was intended for release later in 2017. In a Facebook post, Lee revealed that the new album is titled Synthesis. According to Lee, the album will be an orchestral piece that contains instruments such as brass and other orchestral elements. She also revealed that David Campbell, who worked on all of the band's previous albums, would return to compose for the new project. Lee said that the album is about "orchestra and electronica", and that the band is taking selected songs from their previous albums and stripping out the rock guitars and drums, rebuilding them into a classical arrangement reminiscent of a soundtrack. The album will also contain two new original songs. The first recording session for Synthesis took place on May 23, 2017, and a remake of "Bring Me To Life" was released as a single on August 18. On August 15, the band announced that recording Synthesis was in its final stages. Evanescence will be touring with a full orchestra in late 2017 in support of the album, and tickets will be sold starting on August 18. The band will later be touring across the US. Each ticket purchased comes with a digital copy of Synthesis after its release. On September 14, 2017, the single "Imperfection" was officially released. Question: Are there any other interesting aspects about this article? Answer: November 21, 2015, as the second headline act, making it the band's first live performance since their hiatus. Question: What was they top music Answer: "Even in Death", Question: What happen in 2015 Answer: On August 7, 2015, Lee announced that long-time guitarist Terry Balsamo had departed the band. Question: Why did he leave Answer: CANNOTANSWER Question: What happen in 2016 Answer: In late 2016, the band toured select cities in the United States, choosing alternative rock band Veridia as their opener. Question: Is the group still together	[ "On September 14, 2017, the single \"Imperfection\" was officially released." ]
Title: Camille Pissarro Background: Camille Pissarro (French: [kamij pisaRo]; 10 July 1830 - 13 November 1903) was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas (now in the US Virgin Islands, but then in the Danish West Indies). His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54. Section: Early years Passage: Jacob Abraham Camille Pissarro was born on 10 July 1830 on the island of St. Thomas to Frederick and Rachel Manzano de Pissarro. His father was of Portuguese Jewish descent and held French nationality. His mother was from a French-Jewish family from the island of St. Thomas. His father was a merchant who came to the island from France to deal with the hardware store of a deceased uncle and married his widow. The marriage caused a stir within St. Thomas' small Jewish community because she was previously married to Frederick's uncle and according to Jewish law a man is forbidden from marrying his aunt. In subsequent years his four children were forced to attend the all-black primary school. Upon his death, his will specified that his estate be split equally between the synagogue and St. Thomas' Protestant church. When Camille was twelve his father sent him to boarding school in France. He studied at the Savary Academy in Passy near Paris. While a young student, he developed an early appreciation of the French art masters. Monsieur Savary himself gave him a strong grounding in drawing and painting and suggested he draw from nature when he returned to St. Thomas, which he did when he was seventeen. However, his father preferred he work in his business, giving him a job working as a cargo clerk. He took every opportunity during those next five years at the job to practise drawing during breaks and after work. When Pissarro turned twenty-one, Danish artist Fritz Melbye, then living on St. Thomas, inspired him to take on painting as a full-time profession, becoming his teacher and friend. Pissarro then chose to leave his family and job and live in Venezuela, where he and Melbye spent the next two years working as artists in Caracas and La Guaira. He drew everything he could, including landscapes, village scenes, and numerous sketches, enough to fill up multiple sketchbooks. In 1855 he moved back to Paris where he began working as assistant to Anton Melbye, Fritz Melbye's brother. Question: Where was he born? Answer: on the island of St. Thomas to Frederick and Rachel Manzano de Pissarro. Question: When did he show an interest in painting? Answer: living on St. Thomas, inspired him to take on painting as a full-time profession, becoming his teacher and friend. Question: Did he do well at the acadamey?	[ "While a young student, he developed an early appreciation of the French art masters. Monsieur Savary himself gave him a strong grounding in drawing and painting" ]
Title: Camille Pissarro Background: Camille Pissarro (French: [kamij pisaRo]; 10 July 1830 - 13 November 1903) was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas (now in the US Virgin Islands, but then in the Danish West Indies). His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54. Section: French Impressionism Passage: When Pissarro returned to his home in France after the war, he discovered that of the 1,500 paintings he had done over 20 years, which he was forced to leave behind when he moved to London, only 40 remained. The rest had been damaged or destroyed by the soldiers, who often used them as floor mats outside in the mud to keep their boots clean. It is assumed that many of those lost were done in the Impressionist style he was then developing, thereby "documenting the birth of Impressionism." Armand Silvestre, a critic, went so far as to call Pissarro "basically the inventor of this [Impressionist] painting"; however, Pissarro's role in the Impressionist movement was "less that of the great man of ideas than that of the good counselor and appeaser ..." "Monet ... could be seen as the guiding force." He soon reestablished his friendships with the other Impressionist artists of his earlier group, including Cezanne, Monet, Manet, Renoir, and Degas. Pissarro now expressed his opinion to the group that he wanted an alternative to the Salon so their group could display their own unique styles. To assist in that endeavour, in 1873 he helped establish a separate collective, called the "Societe Anonyme des Artistes, Peintres, Sculpteurs et Graveurs," which included fifteen artists. Pissarro created the group's first charter and became the "pivotal" figure in establishing and holding the group together. One writer noted that with his prematurely grey beard, the forty-three-year-old Pissarro was regarded as a "wise elder and father figure" by the group. Yet he was able to work alongside the other artists on equal terms due to his youthful temperament and creativity. Another writer said of him that "he has unchanging spiritual youth and the look of an ancestor who remained a young man". Question: Was Camille a from France? Answer: Pissarro returned to his home in France after the war, Question: Was was the impressionism? Answer: Impressionist style he was then developing, Question: Did he do a lot of paintings? Answer: 1,500 paintings he had done over 20 years, Question: Did he do a specific find of impressionism of paintings? Answer: CANNOTANSWER Question: Who were some of the other impressionist he had dealings with?	[ "Cezanne, Monet, Manet, Renoir, and Degas." ]
Title: Aaron Carter Background: Aaron Charles Carter was born on December 7, 1987, at the Tampa General Hospital in Tampa, Florida, where his parents, Jane Elizabeth (nee Spaulding) and Robert Gene Carter (1952-2017), ran the Garden Villa Retirement Home. The family was originally from New York City, where his older brother Nick, of the boy band Backstreet Boys, was born. In addition to his brother Nick, he also has three sisters: twin sister Angel (a model), B.J. and Leslie (1986-2012). Carter is named after his paternal grandfather, Aaron Charles Carter, and his maternal grandfather, Douglas "Charles" Spaulding. Section: 2002-2008: Another Earthquake, lawsuits, relationships, Most Requested Hits, Saturday Night and House of Carters Passage: Carter's next album, Another Earthquake!, was released on September 3, 2002, during the "Rock, Rap, and Retro" tour. The album featured the patriotic-themed "America A.O." and the ballad "Do You Remember". He guest starred on three episodes of the Nickelodeon TV show, All That and sang the theme song to the PBS animated series Liberty's Kids, titled "Through my own Eyes." During that time, Carter's parents filed a lawsuit against his former manager, Lou Pearlman (now deceased), in 2002 alleging failure to pay hundreds of thousands of dollars in royalties on Carter's 1998 album, which was released through Pearlman's label and production company, Trans Continental. On March 13, 2003, Pearlman was declared in contempt of court for ignoring a court order to produce documents relating to royalty payments. Carter had also dated Lindsay Lohan along with his girlfriend Hilary Duff at the same time (leading to a feud between the two), but he broke up with Lohan in April 2003, and resumed dating Duff. Later, that same year, he reportedly cheated on her and Duff ended their on-and-off relationship after two years. Carter's Most Requested Hits, a collection including tracks from his last three albums as well as a new single, "One Better", was released on November 3, 2003. "Saturday Night", which was released on March 22, 2005 and was promoted by Carter during his summer 2005 Remix Tour. The song was released by Trans Continental label, with Lou Pearlman as executive producer. The single was also featured in the soundtrack of the film Popstar, in which Carter starred. The direct-to-video film was based heavily on his own life as a performer. A real-life motocross racer, Carter also appeared in 2005's Supercross. On March 21, 2006, Trans Continental filed a lawsuit against Carter within the Los Angeles Superior Court, citing that Carter allegedly reneged on a recording deal. Carter had signed the contract on December 7, 2004, when he was 17 and underage. His attorney however stated that Carter had the right to "cancel or void various agreements" that were signed when he was a minor. Carter and his siblings starred in a reality show, House of Carters, which ran in October-November 2006 on E!. The series features all five Carter siblings reuniting to live in the same house. On September 18, 2006, it was reported that Carter was engaged to former beauty queen and Playboy model Kari Ann Peniche. US Weekly later reported that Carter had broken off his engagement to Peniche, saying he was impulsive in proposing to her. Question: Is Another Earthquake an album? Answer: Carter's next album, Another Earthquake!, was released on September 3, 2002, Question: What were the lawsuits about? Answer: alleging failure to pay hundreds of thousands of dollars in royalties on Carter's 1998 album, Question: Did he win the lawsuit? Answer: On March 13, 2003, Pearlman was declared in contempt of court for ignoring a court order to produce documents relating to royalty payments. Question: What were some of his most requested hits? Answer: One Better", was released on November 3, 2003. Question: What was Saturday Night? Answer: "Saturday Night", which was released on March 22, 2005 Question: Were there any other lawsuits?	[ "Trans Continental filed a lawsuit against Carter within the Los Angeles Superior Court, citing that Carter allegedly reneged on a recording deal." ]
Title: Aaron Carter Background: Aaron Charles Carter was born on December 7, 1987, at the Tampa General Hospital in Tampa, Florida, where his parents, Jane Elizabeth (nee Spaulding) and Robert Gene Carter (1952-2017), ran the Garden Villa Retirement Home. The family was originally from New York City, where his older brother Nick, of the boy band Backstreet Boys, was born. In addition to his brother Nick, he also has three sisters: twin sister Angel (a model), B.J. and Leslie (1986-2012). Carter is named after his paternal grandfather, Aaron Charles Carter, and his maternal grandfather, Douglas "Charles" Spaulding. Section: 2000-2002: Aaron's Party (Come Get It), acting debut, and Oh Aaron Passage: Carter's next album, Aaron's Party (Come Get It) was released in the United States on September 26, 2000 under the Jive label. The album sold more than three million copies in the United States and was certified 3x platinum by RIAA. The album included the hit singles, "I Want Candy", "Aaron's Party (Come Get It)", "That's How I Beat Shaq" and "Bounce", which songs received airplay on Disney and Nickelodeon. He also made several guest appearances on Nickelodeon and performed as opening act in several concerts for Britney Spears and the Backstreet Boys. In December of that year the album went platinum and he began dating teen actress Hilary Duff. In March 2001, he made his acting debut, guest starring on an episode of the Disney Channel series Lizzie McGuire. That same month, he and fellow teen star Samantha Mumba performed a concert in MGM studios live on Disney Channel, titled Aaron Carter and Samantha Mumba in Concert. Aaron's part of the concert was released to DVD that same month as Aaron's Party: Live in Concert. In April 2001, he made his Broadway debut, playing JoJo the Who in Seussical the Musical by Lynn Ahrens and Stephen Flaherty. At the age of 13, Carter recorded the album Oh Aaron, which was released on August 7, 2001 and featured his first duet recording with his brother, Nick, and a duet with the new group at the time, No Secrets. Play Along Toys also created an Aaron Carter action figure in conjunction with the album's release. Oh Aaron also went platinum that same year and a live concert at Baton Rouge, Louisiana, was released to DVD as Oh Aaron: Live In Concert. Question: Was "Come Get It" Aaron Carter's first album produced? Answer: Carter's next album, Aaron's Party (Come Get It) was released in the United States on September 26, 2000 under the Jive label. Question: What was his first acting job?	[ "guest starring on an episode of the Disney Channel series Lizzie McGuire." ]
Title: Beck Background: Beck was born in Los Angeles, to David Campbell and Bibbe Hansen. His father is a Canadian-born arranger, composer and conductor who worked on hundreds of albums and numerous films. Beck's mother grew up amid New York's Andy Warhol Factory art scene of the 1960s, where she was a Warhol superstar, but moved to California at age 17, where she met Campbell; she is a visual artist. Bibbe's maternal grandmother was Jewish, while Bibbe's father, artist Al Hansen, was partly of Norwegian descent. Section: Guero and The Information (2004-07) Passage: Guero, Beck's eighth studio album, was recorded over the span of nine months during which several significant events occurred in his life: his girlfriend, Marissa Ribisi, became pregnant; they were married; their son, Cosimo, was born; and they moved out of Silver Lake. The collaboration with the Dust Brothers, his second, was notable for their use of high-tech measures to achieve a lo-fi sound. For example, after recording a "sonically perfect" version of a song at one of the nicest recording studios in Hollywood, the Dust Brothers processed it in an Echoplex to create a gritty, reverb-heavy sound: "We did this high-tech recording and ran it through a transistor radio. It sounded too good, that was the problem." Initially due to be released in October 2004, Guero faced delays and did not come out till March 2005, though unmastered copies of the tracks surfaced online in January. Guero debuted at number two on the Billboard 200, selling 162,000 copies, an all-time sales high. Lead single "E-Pro" peaked at number one at Modern Rock radio, making it his first chart-topper since "Loser". Beck, inspired by the Nintendocore remix scene and feeling a connection with its lo-fi, home-recording method, collaborated with artists 8-Bit and Paza on Hell Yes, an EP issued in February 2005. In December 2005, Geffen also issued Guerolito, a fully reworked version of Guero featuring remixes by the Beastie Boys' Ad-Rock, the Dust Brothers' John King and Scottish electronic duo Boards of Canada. Guerolito combines remixes previously heard as B-sides and new versions of album tracks to make a track-by-track reconfiguration of the album. Also released in 2005 was A Brief Overview, a 12-track promotional-only "History of Beck" compilation CD sampler that featured a combination of older and newer Beck tracks. The Information, Beck's ninth studio album, began production around the same time as Guero, in 2003. Working with producer Nigel Godrich, Beck built a studio in his garden, where they wrote many of the tracks. "The idea was to get people in a room together recording live, hitting bad notes and screaming," said Beck, adding that the album is best described as "introspective hip hop". Beck described the recording process as "painful", noting that he edited down songs constantly and he perhaps recorded the album three times. For the release, Beck was allowed for the first time to fulfill a long-running wish for an unconventional rollout: he made low-budget videos to accompany each song, packaged the CD with sheets of stickers so buyers could customize the cover, and leaked tracks and videos on his website months ahead of the album's release. Digital download releases automatically downloaded the song's additional video for each single sale, and physical copies came bundled with an additional DVD featuring fifteen videos. Question: Is Guero the name of an album? Answer: Guero, Beck's eighth studio album, Question: Was it a success? Answer: Guero debuted at number two on the Billboard 200, selling 162,000 copies, an all-time sales high. Question: When was The Information released?	[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Beck Background: Beck was born in Los Angeles, to David Campbell and Bibbe Hansen. His father is a Canadian-born arranger, composer and conductor who worked on hundreds of albums and numerous films. Beck's mother grew up amid New York's Andy Warhol Factory art scene of the 1960s, where she was a Warhol superstar, but moved to California at age 17, where she met Campbell; she is a visual artist. Bibbe's maternal grandmother was Jewish, while Bibbe's father, artist Al Hansen, was partly of Norwegian descent. Section: Sea Change (2002-03) Passage: In 2000, Beck and his fiancee, stylist Leigh Limon, ended their nine-year relationship. Beck lapsed into a period of melancholy and introspection, during which he wrote the bleak, acoustic-based tracks later found on Sea Change. Beck sat on the songs, not wanting to talk about his personal life; he later said that he wanted to focus on music and "not really strew my baggage across the public lobby". Eventually, however, he decided the songs spoke to a common experience (a relationship breakup), and that it would not seem self-indulgent to record them. In 2001, Beck drifted back to the songs and called producer Nigel Godrich. Retailers initially predicted that the album would not receive much radio support, but they also believed that Beck's maverick reputation and critical acclaim, in addition to the possibility of multiple Grammy nominations, might offset Sea Change's noncommercial sound. Sea Change, issued by Geffen in September 2002, was regardless a commercial hit and critical darling, with Rolling Stone revering it as "the best album Beck has ever made, [...] an impeccable album of truth and light from the end of love. This is his Blood on the Tracks." The album was later listed by the magazine as one of the best records of the decade and of all-time, and it also placed second on the year's Pazz & Jop Critics Poll. Sea Change yielded a low-key, theater-based acoustic tour, as well as a larger tour with The Flaming Lips as Beck's opening and backing band. Beck was playful and energetic, sometimes throwing in covers of The Rolling Stones, Big Star, The Zombies and The Velvet Underground. Following the release of Sea Change, Beck felt newer compositions were sketches for something more evolved in the same direction, and wrote nearly 35 more songs in the coming months, keeping demos of them on tapes in a suitcase. During his solo tour, the tapes were left backstage during a stop in Washington, D.C., and Beck was never able to recover them. It was disheartening to the musician, who felt the two years of songwriting represented something more technically complex. As a result, Beck took a break and wrote no original compositions in 2003. Feeling as though it might take him a while to "get back to that [songwriting] territory", he entered the studio with Dust Brothers to complete a project that dated back to Odelay. Nearly half of the songs had existed since the 1990s. Question: Did Sea Change sell well? Answer: Rolling Stone revering it as "the best album Beck has ever made, [...] Question: How many albums were sold?	[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Namdev Background: Namdev, also transliterated as Namdeo and Namadeva, (traditionally, c. 1270 - c. 1350) was a poet-saint from Maharashtra, India who is significant to the Varkari sect of Hinduism. He is also venerated in Sikhism, as well as Hindu warrior-ascetic traditions such as the Dadupanthis and the Niranjani Sampraday that emerged in north India during the Islamic rule. The details of Namdev's life are unclear. He is the subject of many miracle-filled hagiographies composed centuries after he died. Section: Reliability of hagiographies Passage: The literary works of Namdev were influenced by Vaishnava philosophy and a belief in Vithoba. Along with the Jnanesvari, a sacred work of Jnanesvar, and of Bhakti movement teacher-writers such as Tukaram, the writings of Namdev form the basis of the beliefs held by the Varkari sect of Hinduism. He was thus among those responsible for disseminating the monotheistic Varkari faith that had emerged first in Karnataka in the mid-to-late 12th century and then spread to Pandharpur in Maharashtra. Namdev and Jnanesvar used the Marathi language to convey their beliefs rather than using the traditional Sanskrit language that was essentially a buttress for the pre-eminence of the Brahmin priests. Namdev's style was to compose simply worded praise for Vithoba and to use a melodic device called samkirtana, both of which were accessible to common people. Shima Iwao says that "He taught that all can be saved equally, without regard to caste, through devotion (bhakti) to Vithoba" and that he greatly influenced groups of people who were forbidden by the Brahmin elite from studying the Vedas, such as women and members of the Shudra and untouchable communities. The earliest anthological record of Namdev's works occurs in the Guru Granth Sahib, the Sikh scriptures compiled in 1604, although Novetzke notes that while the manuscript records of Namdev mostly date from the 17th and 18th centuries, there exists a manuscript from 1581 that presents a rarely recounted variant version of Namdev's Tirthavli, a Marathi-language autobiographical piece. It is evident that the Guru Granth record is an accurate rendition of what Namdev wrote: the oral tradition probably accounts significantly for the changes and additions that appear to have been made by that time. The numerous subsequently produced manuscripts also show variant texts and additions that are attributed to him. Of around 2500 abhangs that were credited to him and written in the Marathi language, perhaps only 600 - 700 are authentic. The surviving manuscripts are geographically dispersed and of uncertain provenance. Question: What are hagiographies? Answer: Namdev and Jnanesvar used the Marathi language to convey their beliefs rather than using the traditional Sanskrit language Question: Was their reliability in question? Answer: "He taught that all can be saved equally, without regard to caste, through devotion (bhakti) to Vithoba" and that he greatly influenced groups of people who were forbidden Question: Did he have a large following? Answer: he greatly influenced groups of people who were forbidden by the Brahmin elite from studying the Vedas, such as women and members of the Shudra and untouchable communities. Question: When did produce his works?	[ "The earliest anthological record of Namdev's works occurs in the Guru Granth Sahib, the Sikh scriptures compiled in 1604," ]
Title: Namdev Background: Namdev, also transliterated as Namdeo and Namadeva, (traditionally, c. 1270 - c. 1350) was a poet-saint from Maharashtra, India who is significant to the Varkari sect of Hinduism. He is also venerated in Sikhism, as well as Hindu warrior-ascetic traditions such as the Dadupanthis and the Niranjani Sampraday that emerged in north India during the Islamic rule. The details of Namdev's life are unclear. He is the subject of many miracle-filled hagiographies composed centuries after he died. Section: Bhajans Passage: Namdev's padas are not mere poems, according to Callewaert and Lath. Like other Bhakti movement sants, Namdev composed bhajans, that is songs meant to be sung to music. A Bhajan literally means "a thing enjoyed or shared". Namdev's songs were composed to be melodious and carry a spiritual message. They built on one among the many ancient Indian traditions for making music and singing. Namdev's bhajans, note Callewaert and Lath, deployed particular species of Raag, used Bhanita (or Chhap, a stamp of the composer's name inside the poem, in his case Nama), applied a Tek (or dhruva, repeated refrain) and a meter than helps harmonise the wording with the musical instrument, all according to Sangita manuals refined from the 8th to 13th centuries. The musical genre of Namdev's literary works was a form of Prabandha - itself a very large and rich genre that includes dhrupad, thumri, tappa, geet, bhajan and other species. In some species of Indian music, it is the music that dominates while words and their meaning are secondary. In contrast, in Namdev's bhajan the spiritual message in the words has a central role, and the structure resonates with the singing and music. The songs and music that went with Namdev's works, were usually transmitted verbally across generations, in a guru-sisya-parampara (teacher-student tradition), within singing gharanas (family-like musical units). Callewaert and Lath state that, "each single song of Namdev is a musical and textual unit and this unit is the basis for textual considerations". The unit contained Antaras, which are the smallest independent unit within that can be shifted around, dropped or added, without affecting the harmony or meaning, when a bhajan is being sung with music. In Namdev's songs, the dominant pattern is Caturasra, or an avarta with the 4x4 square pattern of musical matras (beat). Question: How did he start his teachings? Answer: Namdev's songs were composed to be melodious and carry a spiritual message. They built on one among the many ancient Indian traditions for making music and singing. Question: What were the Bhajans? Answer: Namdev composed bhajans, that is songs meant to be sung to music. A Bhajan literally means "a thing enjoyed or shared Question: Who did he teach the Bhajans to? Answer: The songs and music that went with Namdev's works, were usually transmitted verbally across generations, in a guru-sisya-parampara Question: Did he have help composing the Bhajans? Answer: CANNOTANSWER Question: Are there any other interesting aspects about this article? Answer: In Namdev's songs, the dominant pattern is Caturasra, or an avarta with the 4x4 square pattern of musical matras (beat). Question: when was the Bhajans created?	[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Lou Holtz Background: Louis Leo Holtz (born January 6, 1937) is a former American football player, coach, and analyst. He served as the head football coach at The College of William & Mary (1969-1971), North Carolina State University (1972-1975), the New York Jets (1976), the University of Arkansas (1977-1983), the University of Minnesota (1984-1985), the University of Notre Dame (1986-1996), and the University of South Carolina (1999-2004), compiling a career record of 249-132-7. Holtz's 1988 Notre Dame team went 12-0 with a victory in the Fiesta Bowl and was the consensus national champion. Holtz is the only college football coach to lead six different programs to bowl games and the only coach to guide four different programs to the final top 20 rankings. Section: Notre Dame Passage: In 1986, Holtz left Minnesota to take over the then-struggling Notre Dame Fighting Irish football program. A taskmaster and strict disciplinarian, Holtz had the names removed from the backs of the players' jerseys when he took over at Notre Dame, wanting to emphasize team effort. With the exception of select bowl games, names have not been included on Notre Dame's jerseys since. Although his 1986 squad posted an identical 5-6 mark that the 1985 edition had, five of their six losses were by a combined total of 14 points. In the season finale against the archrival USC Trojans, Notre Dame overcame a 17-point fourth-quarter deficit and pulled out a 38-37 win. In his second season, Holtz led the Fighting Irish to an appearance in the Cotton Bowl Classic, where the Irish lost to the Texas A&M Aggies, 35-10. The following year, Notre Dame won all eleven of their regular season games and defeated the third-ranked West Virginia Mountaineers, 34-21, in the Fiesta Bowl, claiming the national championship. The 1989 squad also won their first eleven games (and in the process set a school record with a 23-game winning streak) and remained in the No. 1 spot all season until losing to Miami in the season finale. A 21-6 win over Colorado in the Orange Bowl gave the Irish a second-place ranking in the final standings, as well as back-to-back 12-win seasons for the first time in school history. Holtz's 1993 Irish team ended the season with an 11-1 record and ranked second in the final AP poll. Although the Florida State Seminoles were defeated by the Irish in a battle of unbeatens during the regular season and both teams had only 1 loss at season's end (Notre Dame lost to seventeenth-ranked Boston College), FSU was then voted national champion in the final 1993 AP and Coaches Poll. Between 1988 and 1993, Holtz's teams posted an overall 64-9-1 record. He also took the Irish to bowl games for nine consecutive seasons, still a Notre Dame record. Following an investigation in 1999, the NCAA placed Notre Dame on two years probation for extra benefits provided to football players between 1993 and 1999 by Kim Dunbar, a South Bend bookkeeper involved in a $1.4 million embezzlement scheme at her employer, as well as one instance of academic fraud that occurred under Holtz's successor, Bob Davie. The NCAA found that Holtz and members of his staff learned of the violations but failed to make appropriate inquiry or to take prompt action, finding Holtz's efforts "inadequate." On September 13, 2008 Lou Holtz was invited back to the campus where a statue of the former coach was unveiled. The ceremony took place during the weekend of the Notre Dame/Michigan game, almost twenty-two years to the day after Holtz coached his first Notre Dame team against the Wolverines. Question: What did Lou Holtz do at Notre Dame? Answer: In 1986, Holtz left Minnesota to take over the then-struggling Notre Dame Fighting Irish football program. Question: Was he able to turn their program around? Answer: In his second season, Holtz led the Fighting Irish to an appearance in the Cotton Bowl Classic, Question: Did he offer any wins while he was there?	[ "Between 1988 and 1993, Holtz's teams posted an overall 64-9-1" ]
Title: Lou Holtz Background: Louis Leo Holtz (born January 6, 1937) is a former American football player, coach, and analyst. He served as the head football coach at The College of William & Mary (1969-1971), North Carolina State University (1972-1975), the New York Jets (1976), the University of Arkansas (1977-1983), the University of Minnesota (1984-1985), the University of Notre Dame (1986-1996), and the University of South Carolina (1999-2004), compiling a career record of 249-132-7. Holtz's 1988 Notre Dame team went 12-0 with a victory in the Fiesta Bowl and was the consensus national champion. Holtz is the only college football coach to lead six different programs to bowl games and the only coach to guide four different programs to the final top 20 rankings. Section: South Carolina Passage: After two seasons as a commentator for CBS Sports, Holtz came out of retirement in 1999 and returned to the University of South Carolina, where he had been an assistant in the 1960s. The year before Holtz arrived, the Gamecocks went 1-10, and the team subsequently went 0-11 during Holtz's first season. In his second season, South Carolina went 8-4, winning the Outback Bowl over the heavily favored Ohio State Buckeyes. The eight-game improvement from the previous year was the best in the nation in 2000 and the third best single-season turnaround in NCAA history. It also earned National Coach of the Year honors for Holtz from Football News and American Football Coaches Quarterly. In his third season, Holtz's success continued, leading the Gamecocks to a 9-3 record and another Outback Bowl victory over Ohio State. The nine wins for the season were the second highest total in the history of the program. Under Holtz's leadership, the Gamecocks posted their best two-year mark in school history from 2000 to 2001, going 17-7 overall and 10-6 in SEC play. After consecutive 5-7 campaigns in 2002 and 2003, Holtz finished his South Carolina tenure on a winning note with a 6-5 record in 2004. Holtz's time in Columbia saw the resurrection of Gamecock Football, as the program had only one bowl win and no Top 25 finishes in the ten years before his hire. Upon his exit, USC had posted AP Top 25 finishes in 2000 and 2001 (#19 and No. 13 respectively) and had made consecutive New Year's Day bowls for the first time in its history. Holtz finished his six-year tenure at South Carolina with a 2-4 record versus his former team, Arkansas, beating the Razorbacks in Columbia, SC in 2000 and 2004. In 2005, the NCAA imposed three years probation and reductions in two scholarships on the program for ten admitted violations under Holtz, five of which were found to be major. The violations involved improper tutoring and off-season workouts, as well as a lack of institutional control. No games were forfeited, and no television or postseason ban was imposed. Holtz issued a statement after the sanctions were announced stating, "There was no money involved. No athletes were paid. There were no recruiting inducements. No cars. No jobs offered. No ticket scandal." Question: When did he start coaching South Carolina? Answer: Holtz came out of retirement in 1999 and returned to the University of South Carolina, Question: What did he do for the program? Answer: The eight-game improvement from the previous year was the best in the nation in 2000 Question: How long did he remain their coach? Answer: Holtz finished his six-year tenure at South Carolina with a 2-4 record versus his former team, Arkansas, Question: Why did he leave South Carolina?	[ "In 2005, the NCAA imposed three years probation and reductions in two scholarships on the program for ten admitted violations under Holtz," ]
Title: Motörhead Background: Motorhead () were an English rock band formed in June 1975 by bassist, singer, and songwriter Ian "Lemmy" Kilmister, who was the sole constant member, guitarist Larry Wallis and drummer Lucas Fox. The band are often considered a precursor to the new wave of British heavy metal, which re-energised heavy metal in the late 1970s and early 1980s. Though several guitarists and drummers have played in Motorhead, most of their best-selling albums and singles feature the work of "Fast" Eddie Clarke on guitar and Phil "Philthy Animal" Taylor on drums. Motorhead released 22 studio albums, 10 live recordings, 12 compilation albums, and five EPs over a career spanning 40 years. Section: Orgasmatron and Rock 'n' Roll, 1986-1989 Passage: From 26 March to 3 April 1986, the band toured Germany, the Netherlands and Denmark on their "Easter Metal Blast" and in June, played two dates in Bologna and Milan in Italy. The court case with Bronze was finally settled in the band's favour. The band's management instigated their own label, GWR. Recording took place in Master Rock Studios, London and the single "Deaf Forever" was released on 5 July as a taster for the Orgasmatron album, which was released on 9 August. On the same day as the release of the album, Lemmy and Wurzel were interviewed by Andy Kershaw on the BBC Radio 1 Saturday Live show and "Orgasmatron" and "Deaf Forever" were played. The single reached No. 67 and the album reached No. 21 in the UK charts. On 16 August, the band played at the Monsters of Rock at Castle Donington and was recorded by BBC Radio 1 for a future Friday Rock Show broadcast. The performance closed with a flyover by a couple of Second World War German aircraft. Also that day Lemmy was filmed giving his views on spoof metal act "Bad News" for inclusion in a Peter Richardson Comic Strip film entitled "More Bad News" since the band featuring Rik Mayall, Peter Richardson, Nigel Planer and Adrian Edmondson were also performing at Donington. In September the band conducted their "Orgasmatron" tour in Great Britain, supported by fledgling act Zodiac Mindwarp and the Love Reaction. In October they toured America and in December were in Germany. In 1987, during the filming of Eat the Rich - in which Lemmy was taking a starring role alongside well-known comedy actors such as Robbie Coltrane, Kathy Burke, the regulars from The Comic Strip ensemble, and various other musician cameo appearances - Gill left the band and Taylor returned to appear in the band's cameo as "In House Club Band" alongside Wurzel and Campbell. The band wrote "Eat the Rich" especially for the film, its soundtrack featured tracks from Orgasmatron and Wurzel's solo single "Bess". The band's second album for GWR was Rock 'n' Roll, released on 5 September, after a tight work schedule in the studio. While having some popular tracks and using "Eat the Rich" as its second track, the band commented that the album was virtually "nailed together". On 2 July 1988 Motorhead were one of the performers at the Giants of Rock Festival in Hameenlinna, Finland. The tracks were released as No Sleep at All on 15 October. A single from the album was planned with the band wanting "Traitor" as the A-side, but "Ace of Spades" was chosen instead. When the band noticed the change, they refused to allow the single to be distributed to the shops, and it was withdrawn and became available only on the "No Sleep at All" tour and through the Motorheadbangers fan club. While they continued to play live shows during 1989 and 1990, Motorhead once again felt unhappy with their career, and a court case with GWR followed, which was not resolved until mid-1990. Question: is Orgasmatron the name of an album? Answer: was released on 5 July as a taster for the Orgasmatron album, Question: Did is sell well? Answer: the album reached No. 21 in the UK charts. Question: Did it win any awards? Answer: CANNOTANSWER Question: did any singles from Orgasmatron become hits? Answer: "Orgasmatron" and "Deaf Forever" were played. The single reached No. 67 and the album reached No. 21 in the UK charts. Question: was rock'n' roll also the name of an album? Answer: The band's second album for GWR was Rock 'n' Roll, released on 5 September, Question: was this album successful? Answer: While having some popular tracks and using "Eat the Rich" as its second track, Question: Are there any other interesting aspects about this article?	[ "club. While they continued to play live shows during 1989 and 1990, Motorhead once again felt unhappy with their career, and a court case with GWR followed," ]
Title: Motörhead Background: Motorhead () were an English rock band formed in June 1975 by bassist, singer, and songwriter Ian "Lemmy" Kilmister, who was the sole constant member, guitarist Larry Wallis and drummer Lucas Fox. The band are often considered a precursor to the new wave of British heavy metal, which re-energised heavy metal in the late 1970s and early 1980s. Though several guitarists and drummers have played in Motorhead, most of their best-selling albums and singles feature the work of "Fast" Eddie Clarke on guitar and Phil "Philthy Animal" Taylor on drums. Motorhead released 22 studio albums, 10 live recordings, 12 compilation albums, and five EPs over a career spanning 40 years. Section: Rise to success: Overkill and Bomber, 1978-1979 Passage: In July 1978, the band returned to the management of Douglas Smith, who secured a one-off singles deal with Bronze Records. The resulting "Louie Louie" single was issued in September peaking at number 68 on the UK Singles Chart, and the band toured the UK to promote it, recorded a BBC Radio 1 John Peel in session on 18 September (these tracks were later issued on the 2005 BBC Live & In-Session album), and appeared for the first time on BBC Television's Top of the Pops on 25 October. Chiswick capitalised on this new level of success by re-issuing the debut album Motorhead on white vinyl through EMI Records. The single's success led to Bronze extending their contract, and put the band back into the studio to record an album, this time with producer Jimmy Miller at Roundhouse Studios. A hint of what the band had recorded for the album came on 9 March 1979 when the band played "Overkill" on Top of the Pops to support the release of the single ahead of the Overkill album, which was released on 24 March. It became Motorhead's first album to break into the top 40 of the UK Albums chart, reaching number 24, with the single reaching number 39 on the UK Singles Chart. These releases were followed by the "Overkill" UK tour which began on 23 March. A subsequent single was released in June, coupling the album track "No Class" as the A-side with the previously unreleased song "Like a Nightmare" on the B-side. It fared worse than both the album and previous single but reached number 61 on the UK singles chart. During July and August, except for a break to appear at the Reading Festival, the band were working on their next album, Bomber. Released on 27 October, it reached number 12 on the UK Albums Chart. On 1 December, it was followed by the "Bomber" single, which reached number 34 on the UK Singles Chart. The "Bomber" Europe and UK tour followed, with support from Saxon. The stage show featured a spectacular aircraft bomber-shaped lighting rig. During the "Bomber" tour, United Artists put together tapes recorded during the Rockfield Studios sessions in 1975-1976 and released them as the album On Parole, which peaked at number 65 on the UK Albums Chart in December. On 8 May 1980, while the band were on tour in Europe, Bronze released The Golden Years, which sold better than any of their previous releases, reaching number eight on the UK Singles Chart. The band had, however, preferred the title Flying Tonight, in reference to the "Bomber" lighting rig. On 20 August, the band (40 minutes) and Girlschool (20 minutes) were filmed performing live at the Nottingham Theatre Royal for the Rockstage programme, broadcast on UK television by the ATV station on 4 April 1981. Question: Is Overkill the name of an album? Answer: the Overkill album, which was released on 24 March. Question: What is the name of a song from the album? Answer: coupling the album track "No Class" as the A-side with the previously unreleased song "Like a Nightmare" on the B-side. Question: How was "No Class" received by the public? Answer: It fared worse than both the album and previous single but reached number 61 on the UK singles chart. Question: What record label were they with during this time? Answer: producer Jimmy Miller at Roundhouse Studios. Question: Did they tour for this album? Answer: "Overkill" UK tour which began on 23 March. Question: When was "Bomber" released? Answer: Released on 27 October, Question: Did it contain a popular single?	[ "the \"Bomber\" single," ]
Title: Elkie Brooks Background: Elkie Brooks (born Elaine Bookbinder, 25 February 1945) is an English singer, a vocalist with the bands Dada and Vinegar Joe, and later a solo artist. She gained her biggest success in the late 1970s and 1980s and has been nominated twice for Brit Awards. She is known for her powerful husky voice and hit singles such as "Pearl's a Singer", "Lilac Wine", "Don't Cry Out Loud", "Fool (If You Think It's Over)", and "No More the Fool", and top-selling album Pearls. Section: Early career and Vinegar Joe Passage: Brooks was born Elaine Bookbinder in Broughton, Salford, the daughter of Marjorie Violet "Vi" (nee Newton) and Kalmon Charles "Charlie" Bookbinder. She was raised in Prestwich. She attended North Salford Secondary Modern School. Her older brother is Anthony Bookbinder (born 28 May 1943), who went by the stage name of Tony Mansfield, and was drummer for Billy J. Kramer with the Dakotas, on their run of 1960s hit records. According to Brooks, her unofficial debut was a gig at a club called the "Laronde" on Cheetham Hill Road, Manchester, when she was 13 years old. She first sang professionally at the age of 15, and her first record, a cover of Etta James's "Something's Got a Hold on Me", was released on Decca in 1964. Brooks spent most of the 1960s on Britain's cabaret scene, a period of her life that she did not particularly enjoy. In the mid 1960s she supported the Beatles in their Christmas show in London, then, as an established act, helped the Small Faces in their early career by introducing them at several venues. She went on to tour the United States with several bands, including the Animals. After she met Pete Gage, whom she would marry, she joined the short-lived fusioneers Dada before forming Vinegar Joe with Gage and Robert Palmer. Brooks gained the reputation as the wild woman of rock 'n' roll due to her wild stage performances. After three albums, they split up in 1974, and Brooks and Palmer pursued separate solo careers. After a time as backing singer with the American southern boogie band Wet Willie, she returned to England. Question: Where was Elkie born? Answer: in Broughton, Question: Who were her parents? Answer: Marjorie Violet "Vi" (nee Newton) and Kalmon Charles "Charlie" Bookbinder. Question: Did she have any siblings? Answer: Her older brother is Anthony Bookbinder Question: Did she have any other musicians in the family? Answer: Her older brother Question: What instrument did he play? Answer: was drummer for Billy J. Kramer with the Dakotas, Question: Was Vinegar Joe the name of an album?	[ "forming Vinegar Joe" ]

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