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Title: Sean Waltman
Background: Sean Michael Waltman (born July 13, 1972) is an American professional wrestler. He wrestled for the World Wrestling Federation (WWF, now called WWE) under the ring names 1-2-3 Kid and X-Pac intermittently between 1993 and 2002, World Championship Wrestling (WCW) as Syxx, and Total Nonstop Action Wrestling (TNA) as Syxx-Pac and Sean Waltman. He is currently signed with WWE working in their Legends program. Waltman has won a dozen championships between WWE, WCW, and TNA; the majority were cruiserweight and tag team titles.
Section: World Championship Wrestling (1996-1998)
Passage: On September 16, 1996, Waltman was shown sitting in the front row for a live episode of Nitro. Later that night, he stood and used a remote control to release New World Order (nWo) propaganda from the ceiling, revealing himself as the newest member of the recently formed faction. He was called Syxx, because he was the sixth member of the nWo, and six is the sum of numbers in "1-2-3 Kid". In his first major angle, Syxx stole Eddie Guerrero's WCW United States Heavyweight Championship belt, leading to a ladder match for the title at Souled Out in January 1997, which Syxx lost. The next month, at SuperBrawl VII, Syxx pinned Dean Malenko for the WCW Cruiserweight Championship, after hitting him with the title belt, which he had grabbed from Guerrero at ringside. In June 1997, he lost the championship to Chris Jericho at a webcast house show in Los Angeles, California, minutes after successfully defending against Rey Mysterio, Jr. During a feud with Ric Flair, and a loss to him at Road Wild in August, Syxx disparagingly portrayed Flair as part of an nWo segment parodying his Four Horsemen group. This segment led to a WarGames match at Fall Brawl, where Syxx, Kevin Nash, Buff Bagwell and Konnan defeated The Four Horsemen (Flair, Steve McMichael, Chris Benoit and Curt Hennig) after Hennig betrayed the Horsemen and joined the nWo. In mid-1997, the nWo invoked "Wolfpac Rules", allowing Syxx to replace the injured Kevin Nash in defending the WCW World Tag Team Championship with Scott Hall. On October 13, 1997, Hall and Syxx lost the title to The Steiner Brothers (Rick and Scott). In October, a neck injury sidelined Waltman from wrestling, but he continued to appear on TV for several weeks after. While later recuperating at home, he was fired via Federal Express by WCW President Eric Bischoff. Waltman claims this was a power play aimed at his friends Hall and Nash, whose backstage influence was felt as a threat. Bischoff later said Waltman was a competent performer when sober, but sober periods were "few and far between", and "in many ways, Sean was lucky to even have a job".
Question: What was Waltman's career like in 1996?
Answer: September 16, 1996, Waltman was shown sitting in the front row for a live episode of Nitro.
Question: What happened during that episode?
Answer: he stood and used a remote control to release New World Order (nWo) propaganda from the ceiling, revealing himself as the newest member of the recently formed faction.
Question: How did this affiliation effect his career?
Answer: He was called Syxx, because he was the sixth member of the nWo, and six is the sum of numbers in "1-2-3 Kid".
Question: Did he win his matches with NWO?
Answer: In his first major angle, Syxx stole Eddie Guerrero's WCW United States Heavyweight Championship belt, leading to a ladder match
Question: Who won the ladder match?
Answer: January 1997, which Syxx lost.
Question: What else is notable about this time in Waltman's career?
Answer: During a feud with Ric Flair, and a loss to him at Road Wild in August, Syxx disparagingly portrayed Flair
Question: How did Flair react?
Answer: led to a WarGames match at Fall Brawl, where Syxx, Kevin Nash, Buff Bagwell and Konnan defeated The Four Horsemen (Flair, Steve McMichael, Chris Benoit and Curt Hennig
Question: Why was he fired? | [
"Bischoff later said Waltman was a competent performer when sober, but"
] |
Title: Stone Temple Pilots
Background: Stone Temple Pilots (often abbreviated as STP) is an American rock band from San Diego, California, that originally consisted of Scott Weiland (lead vocals), brothers Dean DeLeo (guitar) and Robert DeLeo (bass, backing vocals), and Eric Kretz (drums). From the band's formation in 1989, its line-up remained unchanged until the firing of Weiland in February 2013. Linkin Park vocalist Chester Bennington joined the band in May 2013. In November 2015, Bennington left the band to focus solely on Linkin Park.
Section: 1992-1995: Core and Purple
Passage: Stone Temple Pilots developed a fan base in San Diego clubs. In 1992, Stone Temple Pilots signed with Atlantic Records. Their first album, Core, was released on September 29, 1992, and peaked at No. 3 on the Billboard Albums Chart. Core was a big success, producing hits "Sex Type Thing," "Plush," "Creep", and "Wicked Garden." While the album was a major commercial success, some in the music press criticized the band as "grunge imitators." The same year, Scott Weiland and Dean DeLeo played an acoustic version of "Plush" on the MTV show "Headbanger's Ball." This is considered one of Weiland's greatest vocal performances. Despite hostile reviews from some critics, Stone Temple Pilots continued to gain fans. They toured for four weeks, opening for bands such as Rage Against the Machine and Megadeth. 1993 brought continued success on the road, with the band headlining a two-and-a-half-month American tour, often performing at benefits for pro-choice organizations. In 1993, the band filmed an episode of MTV Unplugged, where they debuted the song "Big Empty." In a January 1994 Rolling Stone poll, the band was simultaneously voted Best New Band by Rolling Stone's readers and Worst New Band by the magazine's music critics. The following month the group won Favorite Pop/Rock New Artist and Heavy Metal/Hard Rock New Artist at the American Music Awards. In March 1994, the group won a Grammy Award for Best Hard Rock Performance for the song "Plush". In the spring of 1994, Stone Temple Pilots returned to the studio to work on their second album, Purple. Completed in less than a month, Purple debuted at number one in the United States upon its release on June 7, 1994. The radio-friendly "Interstate Love Song" quickly became a big hit, spending a record-setting fifteen weeks atop the album rock tracks chart. Other hits from the album included "Vasoline" and "Big Empty" (the latter also being featured on the soundtrack to the film The Crow). By October, just four months after its release, Purple had sold three million copies.
Question: what was core?
Answer: Their first album, Core,
Question: when was it released?
Answer: released on September 29, 1992,
Question: which recording company did they use?
Answer: Atlantic Records.
Question: what were some of the singles in Core? | [
"Core was a big success, producing hits \"Sex Type Thing,\" \"Plush,\" \"Creep\", and \"Wicked Garden.\""
] |
Title: Stone Temple Pilots
Background: Stone Temple Pilots (often abbreviated as STP) is an American rock band from San Diego, California, that originally consisted of Scott Weiland (lead vocals), brothers Dean DeLeo (guitar) and Robert DeLeo (bass, backing vocals), and Eric Kretz (drums). From the band's formation in 1989, its line-up remained unchanged until the firing of Weiland in February 2013. Linkin Park vocalist Chester Bennington joined the band in May 2013. In November 2015, Bennington left the band to focus solely on Linkin Park.
Section: 1985-1992: Formation and early years as Mighty Joe Young
Passage: Two conflicting stories of how frontman Scott Weiland and bassist Robert DeLeo met have been described by the band; one was that Weiland and DeLeo met at a Black Flag concert in Long Beach, California in 1985. They began discussing their girlfriends, only to realize they were dating the same woman. However, instead of letting this come between them, they developed a bond and formed a band after they each subsequently broke it off with the girl. Weiland presented a different version of meeting Robert in his autobiography, stating that Weiland and his friends--guitarist Corey Hicock and drummer David Allin--pursued Robert after witnessing him play live with him sitting in during sets at various gigs with their band Soi Disant. However, after a few years Allin went his separate way pursuing other interests. The remaining members witnessed drummer Eric Kretz play in a Long Beach club and convinced him to join the band. Guitarist Hicock eventually left the band in 1989; in need of a replacement and auditioning many guitarists, Robert suggested his older brother, Dean. At the time, Dean was a successful businessman who had left behind his previous career as a musician, but still played guitar as a hobby. The band managed to convince Dean to play guitar for Swing, completing the original STP lineup. Dean reportedly refused to continue playing in a band called "Swing," and shortly afterwards the band became Mighty Joe Young. The band recorded a demo tape that was completed around 1990. The Mighty Joe Young demo features tracks that would go on to be re-recorded for the band's first studio album, as well as some musical styles that would not be featured on any of STP's studio albums, such as funk and yodeling. Mighty Joe Young played several gigs in the San Diego area, building up a fanbase. Their first show was supporting Henry Rollins at the Whisky a Go Go. The group then began to work on their debut album with Brendan O'Brien. During the recording, they received a call from their lawyer who informed them that there was a bluesman who had already claimed the name Mighty Joe Young. Inspired by the STP Motor Oil stickers that the band members were fans of in their youth, various ideas on the initials "STP" were shared by the band, including "Shirley Temple's Pussy" and Stereo Temple Pirates. They eventually settled on the name "Stone Temple Pilots."
Question: How did the founding members meet?
Answer: Two conflicting stories of how frontman Scott Weiland and bassist Robert DeLeo met have been described by the band;
Question: Tell me one.
Answer: one was that Weiland and DeLeo met at a Black Flag concert in Long Beach, California in 1985. They began discussing their girlfriends,
Question: What did they say about their girlfriends?
Answer: only to realize they were dating the same woman. However, instead of letting this come between them, they developed a bond and
Question: What is the other story about how they met? | [
"stating that Weiland and his friends--guitarist Corey Hicock and drummer David Allin--pursued Robert after witnessing him"
] |
Title: Rakim
Background: Rakim is the nephew of the late American R&B singer and actress Ruth Brown. He grew up in Wyandanch, New York, and became involved in the New York hip hop scene when he was eighteen years old. Eric B. brought him to Marley Marl's house to record "Eric B. Is President" in 1986. Rakim, then known as Kid Wizard in 1985, made his first recordings live at Wyandanch High School.
Section: 2011-present: Fourth studio album
Passage: In 2011, Rakim performed Paid in Full in its entirety at the Blue Note Jazz Club in New York City, in honor of the album's 25th anniversary. He was backed by The Roots. In 2012, Rakim announced that he and Eric B. will release a 25th anniversary edition of their 1987 album Paid in Full, which will contain new tracks recorded by Eric B. & Rakim, by the end of 2012; Rakim announced he would release a new solo album by the end of 2012. He performed at the annual Roots' Picnic in Philadelphia in June. In an interview with The Detroit Free Press he announced he was in the studio with Pharrell Williams working on a new album set to be released in 2013, saying the first single will be released before the end of the year. On September 24, 2013, he released a collaborative single with DMX entitled "Don't Call Me". In 2014, Rakim is featured on the collaborative single with American rock band Linkin Park, titled "Guilty All the Same". The song was released on March 6, 2014 under Warner Bros. Records, as the first single from their sixth studio album, titled The Hunting Party. He contributed his rap vocals during the bridge for the main version of the song; however, he is not featured on a radio edit of the song. The song was officially released on March 7, 2014, for digital download. On April 27, 2015, Rakim announced he was working on a new album and planned to release it in the middle or end of 2015. He said "This is one of those albums where I can have fun. My last album, The Seventh Seal, was somewhat of a conscious album. I wanted to make a statement on that album."
Question: What other songs are on the album
Answer: he and Eric B. will release a 25th anniversary edition of their 1987 album Paid in Full, which will contain new tracks recorded by Eric B. & Rakim,
Question: Who else will appear on the album?
Answer: The Detroit Free Press he announced he was in the studio with Pharrell Williams working on a new album set to be released in 2013,
Question: What is the name of the album?
Answer: On September 24, 2013, he released a collaborative single with DMX entitled "Don't Call Me".
Question: When was the album realesed
Answer: by the end of 2012; Rakim announced he would release a new solo album by the end of 2012.
Question: What where his motives
Answer: CANNOTANSWER
Question: Any cool facts | [
"In 2014, Rakim is featured on the collaborative single with American rock band Linkin Park, titled \"Guilty All the Same\"."
] |
Title: Otaku
Background: Otaku (otaku/otaku) is a Japanese term for people with obsessive interests, commonly the anime and manga fandom. Its contemporary usage originated with Akio Nakamori's 1983 essay in Manga Burikko. Otaku may be used as a pejorative; its negativity stems from the stereotypical view of otaku and the media's reporting on Tsutomu Miyazaki, "The Otaku Murderer", in 1989. According to studies published in 2013, the term has become less negative, and an increasing number of people now self-identify as otaku, both in Japan and elsewhere.
Section: Etymology
Passage: Otaku is derived from a Japanese term for another person's house or family (oZhai , otaku). This word is often used metaphorically, as an honorific second-person pronoun. In this usage, its literal translation is "you". For example, early in the anime Macross, first aired in 1982, the characters Hikaru Ichijyo and Lynn Minmay use the term this way to address one another, until they get to know each other better. The modern slang form, which is distinguished from the older usage by being written only in hiragana (otaku), katakana (otaku or, less frequently, wotaku) or rarely in romaji, first appeared in public discourse in the 1980s, through the work of humorist and essayist Akio Nakamori. His 1983 series An Investigation of "Otaku" ({otaku} noYan Jiu , "Otaku" no Kenkyu), printed in the lolicon magazine Manga Burikko, applied the term to unpleasant fans in caricature. Animators Haruhiko Mikimoto and Shoji Kawamori had used the term between themselves as an honorific second-person pronoun since the late 1970s. Supposedly, some fans used it past the point in their relationships where others would have moved on to a less formal style. Because this misuse indicated social awkwardness, Nakamori chose the word itself to label the fans. Morikawa Kaichiro, an author and lecturer at Meiji University, identified this as the origin of its contemporary usage. Another claim for the origin of the term comes from the works of science fiction author Motoko Arai, who used the word in her novels as a second-person pronoun and the readers adopted the term for themselves. However, a different claim points to a 1981 Variety magazine essay. In 1989, the case of Tsutomu Miyazaki, "The Otaku Murderer", brought the fandom, very negatively, to national attention. Miyazaki, who randomly chose and murdered four girls, had a collection of 5,763 video tapes, some containing anime and slasher films that were found interspersed with videos and pictures of his victims. Later that year, the contemporary knowledge magazine Bessatsu Takarajima dedicated its 104th issue to the topic of otaku. It was called Otaku no Hon (otakunoBen , lit. The Book of Otaku) and delved into the subculture of otaku with 19 articles by otaku insiders, among them Akio Nakamori. This publication has been claimed by scholar Rudyard Pesimo to have popularized the term.
Question: Where did the word otaku come from?
Answer: Otaku is derived from a Japanese term for another person's house or family (oZhai , otaku).
Question: Are there negative connotations for the word? | [
"In 1989, the case of Tsutomu Miyazaki, \"The Otaku Murderer\", brought the fandom, very negatively, to national attention."
] |
Title: Gulbuddin Hekmatyar
Background: Gulbuddin Hekmatyar was born in 1947 in Imam Sahib District of the Kunduz province, northern Afghanistan, a member of the Kharoti tribe of the Ghilji Pashtun. His father, Ghulam Qader, who migrated to Kunduz, is originally from the center of Ghazni province. Afghan businessman and Kharoti tribal leader Gholam Serwar Nasher deemed Hekmatyar to be a bright young man and sent him to the Mahtab Qala military academy in 1968, but he was expelled due to his political views two years later. From 1970 to 1972, Hekmatyar attended Kabul University's engineering department.
Section: Post-DRA civil war
Passage: A highly controversial commander, Hekmatyar has been dubbed the "Butcher of Kabul", accused of being responsible for the destruction and civilian deaths Kabul experienced in the early 1990s. According to the U.S. Special Envoy to Afghanistan in 1989-1992, Peter Tomsen, Gulbuddin Hekmatyar was hired in 1990 by the Pakistani Inter-Services Intelligence (ISI) to conquer and rule Afghanistan in the benefit of Pakistani interests, which plan was delayed until 1992 due to US pressure to cancel that plan. In April 1992, as the Democratic Republic of Afghanistan began to collapse, government officials joined the mujahideen, choosing different parties according to their ethnic and political affinities. For the most part, the members of the khalq faction of the PDPA, who were predominantly Pashtuns, joined with Hekmatyar. With their help, he began on 24 April to infiltrate troops into Kabul, and announced that he had seized the city, and that should any other leaders try to fly into Kabul, he would shoot their plane down. The new leader of the "Islamic Interim Government of Afghanistan", Sibghatullah Mojaddedi, appointed Ahmad Shah Massoud as defense minister, and urged him to take action. This he did, taking the offensive on 25 April, and after two days heavy fighting, the Hezb-i Islami and its allies were expelled from Kabul. A peace agreement was signed with Massoud on 25 May 1992, which made Hekmatyar Prime Minister. However, the agreement fell apart when he was blamed for a rocket attack on President Mojaddedi's plane. The following day, fighting resumed between Burhanuddin Rabbani's and Ahmed Shah Massoud's Jamiat, Abdul Rashid Dostum's Jumbish forces and Hekmatyar's Hezb-i Islami forces. From 1992 to 1996, the warring factions destroyed most of Kabul and killed thousands of people, most of them civilians, during the Afghan civil war. All the different parties participated in the destruction, but Hekmatyar's group was responsible for most of the damage, because of his practice of deliberately targeting civilian areas. Hekmatyar is thought to have bombarded Kabul in retaliation for what he considered its inhabitants' collaboration with the Soviets, and out of religious conviction. He once told a New York Times journalist that Afghanistan "already had one and a half million martyrs. We are ready to offer as many to establish a true Islamic Republic." His attacks also had a political objective: to undermine the Rabbani government by proving that Rabbani and Massoud were unable to protect the population. In 1994 Hekmatyar would shift alliances, joining with Dostum as well as Hizb-e-Wahdat, a Hazara Shi'a party, to form the Shura-i Hamahangi ("Council of coordination"). Together they laid Siege of Kabul, unleashing massive barrages of artillery and rockets that led to the evacuation of U.N. personnel from Kabul, and caused several government members to abandon their posts. However the new alliance did not spell victory for Hekmatyar, and in June 1994, Massoud had driven Dostum's troops from the capital.
Question: What happened after the DRA civil war?
Answer: In April 1992, as the Democratic Republic of Afghanistan began to collapse,
Question: What happened after that?
Answer: government officials joined the mujahideen, choosing different parties according to their ethnic and political affinities.
Question: What roles did the different parties play?
Answer: For the most part, the members of the khalq faction of the PDPA, who were predominantly Pashtuns, joined with Hekmatyar.
Question: When he seized the city how did the people feel? | [
"A peace agreement was signed with Massoud on 25 May 1992,"
] |
Title: Katie Couric
Background: Katherine Anne Couric ( KURR-ik; born January 7, 1957) is an American journalist and author. She recently served as Yahoo! Global News Anchor. Couric has been a television host on all Big Three television networks in the United States, and in her early career was an Assignment Editor for CNN.
Section: Katie (2012-2014)
Passage: On June 6, 2011, ABC announced that Couric had signed a record US$40-million contract, and would begin hosting a daytime talk show for its Disney-ABC Domestic Television arm that would debut in September 2012; Couric would also contribute to ABC News programming. On August 22, 2011, it was announced that Couric's talk show would be called Katie. Katie is the second web show that Couric has been affiliated with, the first being @katiecouric on the CBS Evening News. The first episode aired on September 10, 2012. Couric has incorporated her affiliation with the ABC News Division with her ABC Daytime show by having news colleagues Christiane Amanpour, Deborah Roberts, Mike Boettcher, Matt Gutman, Richard Besser, Marci Gonzalez, Jim Avila, Dan Abrams, Josh Elliott, Brian Ross, ABC News weather anchors Sam Champion and Ginger Zee, as well as ABC World News anchors Diane Sawyer and David Muir correspond on Katie for important news events. On the domestic end of her affiliation, Couric has had as guests The View co-host Whoopi Goldberg, Kelly Ripa and Michael Strahan of Live! with Kelly and Michael, as well as some cast members of the soap opera General Hospital. Disney-ABC Domestic Television renewed Katie for a second season starting in fall 2013. However, in October 2013, The Hollywood Reporter wrote that Katie was close to cancellation because of a low Q Score, low ratings, and a reported disdain of her core female audience. The syndicated show averaged a 1.7 household rating during its first season and a 1.8 in the 2013-14 season. In December 2013, Disney-ABC Domestic Television announced that Katie had been canceled. Production was scheduled to continue until June 2014.
Question: Who is katie?
Answer: On June 6, 2011, ABC announced that Couric had signed a record US$40-million contract,
Question: How did the show perform? | [
"Disney-ABC Domestic Television announced that Katie had been canceled."
] |
Title: The Buggles
Background: The Buggles were an English new wave band formed in London, England in 1977 by singer and bassist Trevor Horn and keyboardist Geoffrey Downes. They are best known for their 1979 debut single "Video Killed the Radio Star" that topped the UK Singles Chart and reached number one in 15 other countries. The duo released their first album, The Age of Plastic, in January 1980 with "Video Killed the Radio Star" as its lead single. Soon after the album's release, Horn and Downes joined the progressive rock band
Section: 1981-1982: Adventures in Modern Recording
Passage: In early 1981, following the disbanding of Yes, Downes and Horn reconvened at Sarm East Studios to record The Buggles' second studio album, Adventures in Modern Recording. However, Downes left the group on the day the recording of the album was meant to begin to help form Asia with Howe citing musical differences. Horn was angry that Island Records renegotiated publishing terms for Downes to join Asia, but never did for Horn since, in his words, he was "washed up, career-wise". To fix this problem, Jill Sinclair made a deal with the French label Carrere, whose leader Claude Carrere, whom Horn described as a "very nice man", helped fund the album. Horn was now left to complete much of the album with several additional personnel. Released in November 1981, Adventures in Modern Recording involved Horn experimenting with numerous production techniques, especially with the heavy use of sampling with the Fairlight CMI, with instruments from the computer such as the drums on "Inner City" and the big band jazz sounds on "Vermillion Sands". These same sampling techniques would later be used in records he produced such as Slave To The Rhythm by Grace Jones, Yes's 90125, Art of Noise's The Seduction of Claude Debussy and Frankie Goes To Hollywood's Welcome to the Pleasuredome. While the album garnered little attention in the United Kingdom, Horn recalled in 2010 that the album was a commercial success in France, and in the United States the album peaked at number 161 on the American Billboard 200. By the time of the album's release, when Horn was also producing ABC's album The Lexicon of Love, he decided to take Sinclair's advice that he always was meant to be a producer rather than a performer or songwriter, thus the performance of "Lenny" on a TV show in the Netherlands, with ABC as the backing band, marked the end of the Buggles. As Horn recalled when he was interviewed after the show: "I'll never forget it because the guy said to me, 'well, things are not looking so good for you', and I said 'how do you mean?' And he said 'well, you know, your first record was a big hit now this record is number eleven, so your career is going downhill'. And I said 'well you know what? You see these guys, this is a band called ABC and I'm a producer now I don't really care about this stuff, I'm just doing it to promote the record. And I may be on the skids as an artist but things are looking up in other areas. End of interview. Fuck off.'"
Question: What company were they contracted to?
Answer: Sarm East Studios
Question: Why didn't they renegotiate for Horn to join? | [
"Horn was now left to complete much of the album with several additional personnel."
] |
Title: Zell Miller
Background: Zell Bryan Miller (February 24, 1932 - March 23, 2018) was an American author and politician from the U.S. state of Georgia. A Democrat, Miller served as lieutenant governor from 1975 to 1991, 79th Governor of Georgia from 1991 to 1999, and as U.S. Senator from 2000 to 2005. Miller was a conservative Democrat. In 2004, he supported Republican President George W. Bush against the Democratic nominee John Kerry in the presidential election.
Section: Senate
Passage: Miller's successor as governor, Roy Barnes, appointed Miller to a U.S. Senate seat following the death of Republican Sen. Paul Coverdell in July 2000. While the Democratic Party's historic control of Georgia politics had waned for years, Miller remained popular. He defeated Mack Mattingly in a special election to keep the seat in November 2000. Miller often supported Republicans and criticized Democrats during his tenure in the Senate. He supported much of George W. Bush's agenda, including tax cuts and oil drilling in the Arctic National Wildlife Refuge. He supported pro-life policies as a senator, after supporting abortion rights as governor. However, Miller remained a Democrat, saying, "I'll be a Democrat 'til the day I die." Miller campaigned for fellow Georgia Democrat Max Cleland in his 2002 re-election campaign against Republican Congressman Saxby Chambliss, despite their ideological differences. Miller argued in his book A National Party No More: The Conscience of a Conservative Democrat (authored and published in 2003) that the Democratic Party lost its majority because it does not stand for the same ideals that it did in the era of John F. Kennedy. He argued that the Democratic Party, as it now stands, is a far left-wing party that is out of touch with the America of today and that the Republican Party now embraces the conservative Democratic ideals that he has held for so long. The book spent nine weeks in the New York Times Best Seller list for hardback non-fiction, rising to fourth position. In 2003, Miller announced that he would not seek re-election after completing his term in the Senate. He also announced that he would support President George W. Bush in the 2004 presidential election rather than any of the nine candidates then competing for his own party's nomination. Democratic Congresswoman Denise Majette sought to fill Miller's Senate seat, but lost the 2004 election to Republican Johnny Isakson.
Question: When did Zell Miller become a senator?
Answer: July 2000.
Question: What legislation did Miller propose in the Senate? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Exile (American band)
Background: Exile, originally known as The Exiles, is an American band founded in Richmond, Kentucky, by J.P. Pennington. They started by playing local clubs which led to touring with Dick Clark's Caravan of Stars opening shows and providing backup for major rock artists of the period. Their name was shortened to Exile in 1973, consisting of guitarist Pennington, leader/lead singer Jimmy Stokley, Bernie Faulkner B3 sax acoustic guitar, Billy Luxon trumpet, keyboardist Buzz Cornelison, bassist Kenny Weir, and drummer Bobby Johns.
Section: 1970s - First chart success
Passage: The band changed musical styles throughout the late 1960s and early 1970s. They shortened their name to Exile in 1973 and released their eponymous debut album through Wooden Nickel Records that same year. Singles released from the album proved unsuccessful, and it would be a good five years before the band released a full-length follow-up album. In 1977, the band released the single "Try it On" on Atco Records, and it became a minor hit. The following year, Mike Chapman, an Australian who had established himself as a record producer in the UK, came to the United States in search of an experienced group who wrote their own material. Chapman heard an Exile demo and went to their next concert. Chapman evidently enjoyed what he saw. He and Exile decided to collaborate and together they produced the Mixed Emotions album on Warner/Curb Records. The first single release from that album was Kiss You All Over. The single reached Billboard's Top 40 on 5 August 1978. It remained on the chart for seventeen weeks and was No. 1 for four weeks in September. It was a best-seller for six months. Their follow up single, "You Thrill Me," also from the Mixed Emotions LP did not fare as well, although it did reach the Top 40 for one week on 3 February 1979. The band toured with Aerosmith, Heart, Dave Mason, Boston, Seals & Crofts and other hot pop acts of the late seventies throughout the United States, Europe and Africa. All There Is, the group's second Warner Bros. Records album, recorded a year later with a distinct disco beat, yielded a foreign hit, "The Part Of Me That Needs You Most." This single did particularly well in Europe and South Africa. Don't Leave Me This Way, their third album, produced by Peter Coleman, yielded two more singles, "Take Me Down" and "Smooth Sailing." Once again, it did well in Europe and South Africa although their popularity in the United States waned. Numerous personnel changes took place in 1979. Perhaps most significantly, Stokley would leave the group that year, forcing remaining members guitarist/vocalist J.P. Pennington, keyboardist Buzz Cornelison, keyboardist/vocalist Marlon Hargis, bassist/vocalist Sonny Lemaire and drummers Steve Goetzman and Gary Freeman to search for a new lead singer. A young singer, Les Taylor, accepted an invitation to join the group and shared lead vocal duties with Pennington. By the early 1980s, other lineup changes took place, including the exit of original member Buzz Cornelison, plus keyboardist Mark Gray, who co-wrote "The Closer You Get" and "Take Me Down", both of which became hits for the group Alabama, played a short stint from 1980 to 1982.
Question: What album was their first chart success?
Answer: They shortened their name to Exile in 1973 and released their eponymous debut album through Wooden Nickel Records that same year.
Question: What else happened in 1973?
Answer: Singles released from the album proved unsuccessful, and it would be a good five years before the band released a full-length follow-up album.
Question: What was the album released 5 years later called?
Answer: In 1977, the band released the single "Try it On" on Atco Records, and it became a minor hit.
Question: What was the single that followed "Try it On' called? | [
"The first single release from that album was Kiss You All Over."
] |
Title: Exile (American band)
Background: Exile, originally known as The Exiles, is an American band founded in Richmond, Kentucky, by J.P. Pennington. They started by playing local clubs which led to touring with Dick Clark's Caravan of Stars opening shows and providing backup for major rock artists of the period. Their name was shortened to Exile in 1973, consisting of guitarist Pennington, leader/lead singer Jimmy Stokley, Bernie Faulkner B3 sax acoustic guitar, Billy Luxon trumpet, keyboardist Buzz Cornelison, bassist Kenny Weir, and drummer Bobby Johns.
Section: 1960s - Early rock and roll years
Passage: In 1963, a group of high school students started a rock and roll band in Richmond, Kentucky. They called themselves the Exiles. Those original Richmond Exiles were Jimmy Stokley, Ronnie 'Mack' Davenport, Paul Smith, Mike Howard, Billy Luxon, J.P. Pennington, and Buzz Cornelison. Richmond native Danny Williams was also a member in the 1960s. Their chosen name may have resulted from the influx of Cubans into the United States after the Fidel Castro takeover in 1959. According to original Exile Pennington, "There were a lot of Cuban exiles coming across...the word was in the news and we felt we were also somewhat ostracized from the local society. We had long hair back then..." Most of the Exiles were students at Madison Central and Madison High School in Richmond when the band formed and played together from 1963 to 1965. They were an offshoot of Ronnie (Hall) and the Fascinations. They were briefly known in those early years as Jimmy Stokley and the Exiles. Stokley (18 October 1943 - 13 August 1985) was the lead singer of the group and continued in that capacity until 1979. It is Stokley's lead voice that is prominent on Exile's 1978 Billboard pop music chart-topper, "Kiss You All Over". When the Dick Clark Caravan Of Stars hit the road in 1965, they picked up the Exiles to perform on several dates in and around Kentucky. They continued touring nationally with the Caravan of Stars through to 1968; opening the show and providing back-up for headlining stars like Freddy Cannon, B. J. Thomas, Paul Revere and the Raiders and others. In the early 1960s the Exiles recorded their first record in the studios of WEKY Radio Station in Richmond. Side one was named "The Answer to Her Prayers" written by Paul Smith, Jr. and the back side was called "Come On". The recording was produced by WEKY Radio DJ" Jimmy K" (Kincer) on his own record label "JIMBO Records". In the late 1960s, they recorded for both Date Records and Columbia Records, and in the early 1970s for SSS International, Date, Curb and Wooden Nickel record labels. With the help of Cecil Jones of Lemco Sound Studios in Lexington, the Exiles developed and polished their sound. The band scored regional hits such as "Devil's Bite" and "Church Street Soul Revival" (written and produced by Tommy James).
Question: what happened in the 1960s?
Answer: In 1963, a group of high school students started a rock and roll band in Richmond, Kentucky.
Question: what did they call the rock band?
Answer: They called themselves the Exiles.
Question: who were the members?
Answer: Those original Richmond Exiles were Jimmy Stokley, Ronnie 'Mack' Davenport, Paul Smith, Mike Howard, Billy Luxon, J.P. Pennington, and Buzz Cornelison.
Question: what was the record called? | [
"Side one was named \"The Answer to Her Prayers\" written by Paul Smith, Jr. and the back side was called \"Come On\"."
] |
Title: Eugenie Bouchard
Background: Eugenie "Genie" Bouchard (; French: Eugenie Bouchard, pronounced [oZeni buSaR]); born February 25, 1994) is a Canadian professional tennis player. At the 2014 Wimbledon Championships, Bouchard became the first Canadian-born player representing Canada to reach the finals of a Grand Slam in singles, finishing runner-up to Petra Kvitova. She also reached the semifinals of the 2014 Australian Open and 2014 French Open, and won the 2012 Wimbledon girls' title. Following the end of the 2013 WTA Tour, she was named WTA Newcomer of the Year.
Section: 2017: Continued struggles with form
Passage: Bouchard started the year by playing at the Brisbane International. She was defeated in the first round by Shelby Rogers. At the Sydney International, Bouchard defeated world No. 23 Zhang Shuai in the first round. She then defeated world No. 6 Dominika Cibulkova in straight sets to set up a quarterfinal meeting with world No. 27 Anastasia Pavlyuchenkova, whom she defeated to reach her first semifinal since February 2016. She lost to world No. 10 Johanna Konta. At the Australian Open, Bouchard defeated Louisa Chirico and Peng Shuai in her first two matches, but lost to Coco Vandeweghe in three sets in the third round. She lost in the first round of her next four tournaments, the Mexican Open, Indian Wells Masters, Miami Open and Monterrey Open respectively. Bouchard made a return to the ITF Pro Circuit for the first time in nearly four years at the ITF 80K in Indian Harbour Beach, but was defeated by Victoria Duval in the quarterfinals. Two weeks later, she lost in the opening round of the Istanbul Cup to Jana Cepelova. In May at the WTA Premier Mandatory Madrid Open, she won her first tour-level match since the Australian Open in January with a victory over Alize Cornet. She then managed to defeat Maria Sharapova in the second round, her first win in five meetings, to set up a match with world No. 2 Angelique Kerber in the third round. Bouchard won the first set and was up 5-0 in the second before Kerber had to retire with a left thigh injury. Her run was ended by world No. 9 Svetlana Kuznetsova in the quarterfinals. At the French Open, she won her first round match over Risa Ozaki but was defeated by Anastasija Sevastova in the second. Bouchard lost in the opening round of the Wimbledon Championships to Carla Suarez Navarro. At the Citi Open in August, she reached her second WTA doubles final but lost to Shuko Aoyama and Renata Voracova with partner Sloane Stephens. In October, at her last tournament of the season, the BGL Luxembourg Open, she and partner Kirsten Flipkens advanced to the doubles final but were defeated by Lesley Kerkhove and Lidziya Marozava. In December, it was announced that trial for Bouchard's lawsuit against the USTA (regarding the alleged head injury caused to Bouchard by the slippery surface in a physiotherapy room at the 2015 US Open) would take place in late February 2018, and is expected to last around 10 days.
Question: What struggles did she have with her form?
Answer: CANNOTANSWER
Question: Did she have any injuries that affected her play?
Answer: Bouchard's lawsuit against the USTA (regarding the alleged head injury caused to Bouchard by the slippery surface in a physiotherapy room at the 2015 US Open)
Question: Did she have coahing to improve her form? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Eugenie Bouchard
Background: Eugenie "Genie" Bouchard (; French: Eugenie Bouchard, pronounced [oZeni buSaR]); born February 25, 1994) is a Canadian professional tennis player. At the 2014 Wimbledon Championships, Bouchard became the first Canadian-born player representing Canada to reach the finals of a Grand Slam in singles, finishing runner-up to Petra Kvitova. She also reached the semifinals of the 2014 Australian Open and 2014 French Open, and won the 2012 Wimbledon girls' title. Following the end of the 2013 WTA Tour, she was named WTA Newcomer of the Year.
Section: 2016: Mixed results
Passage: After over three months since her last match, Bouchard started the new season at the Shenzhen Open, winning in the first two rounds over Donna Vekic and Nicole Gibbs, respectively. She was defeated by Timea Babos in the quarterfinals. The following week at the Hobart International, she had her most decisive victory in almost a year, beating Bethanie Mattek-Sands with the loss of just three games, followed by a tough straight-set win over Alison Van Uytvanck to bring her into her second straight quarterfinal of the year. She then defeated Camila Giorgi and Dominika Cibulkova to reach her first final since the 2014 Wuhan Open; however, she lost in straight sets to Alize Cornet. Bouchard next played the Australian Open, where she was unseeded at a Grand Slam for the first time since 2013. She won her opening match against Aleksandra Krunic, before falling to world No. 4 Agnieszka Radwanska in the second round. In February, she reached the third round of the Qatar Total Open before falling to Zheng Saisai in straight sets. In March at the Malaysian Open, Bouchard advanced to her second final of the season where she was defeated by Elina Svitolina in three sets. At Indian Wells, she lost in the third round to Timea Bacsinszky. After mutually parting ways with Thomas Hogstedt, Bouchard re-hired Saviano as coach prior to the clay court season. At the French Open, she advanced to the second round but lost to Bacsinszky again, despite leading 4-1 in the first set. After the match, Bouchard publicly admitted that her struggles on the court the previous year had led to her struggling to eat properly. This sparked rumours that she had developed an eating disorder, which she soon denied. Bouchard's grass court season began with a loss to qualifier Elise Mertens at the Ricoh Open in which she won just two games. She went on to be eliminated at the second round of the Mallorca Open by Anastasija Sevastova and then reached the third round at Eastbourne, losing again to Radwanska. At Wimbledon, Bouchard beat Magdalena Rybarikova in straight sets, in a match that began on the outside courts but was finished under the closed roof of Centre Court due to an extremely long rain delay. Less than 24 hours later, she was back on Centre Court and won back-to-back matches in a Grand Slam for the first time this year, defeating Johanna Konta in three sets. In the third round, she lost in straight sets to Dominika Cibulkova. At her home tournament the Rogers Cup, Bouchard advanced to the third round with wins over Lucie Safarova and world No. 10 Dominika Cibulkova. Her run was stopped by qualifier Kristina Kucova. She next competed at the Summer Olympics in Rio. She won her opening match over Sloane Stephens, but was defeated by world No. 2 Angelique Kerber in the next round. She also reached the second round in doubles with Gabriela Dabrowski. At the US Open, Bouchard lost to Katerina Siniakova in the first round. Post-US Open, she lost in two more first rounds, and a second round, in her last three tournaments of the year, and ended the year ranked no. 46.
Question: What were her troubles in 2016?
Answer: In February, she reached the third round of the Qatar Total Open before falling to Zheng Saisai in straight sets. In
Question: Did she lose any other matches?
Answer: In March at the Malaysian Open, Bouchard advanced to her second final of the season where she was defeated by Elina Svitolina in three sets.
Question: Was this a comeback for her? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: The Drew Carey Show
Background: The Drew Carey Show is an American sitcom that aired on ABC from 1995 to 2004, and was set in Cleveland, Ohio, and revolved around the retail office and home life of "everyman" Drew Carey, a fictionalized version of the actor. The show was created by Carey, who had both stand-up comedy and writing experience, and Bruce Helford, who was once a writer for Roseanne. It was the first television show to have an episode simulcast on the Internet. Produced by Mohawk Productions in association with Warner Bros. Television, it debuted on September 13, 1995, and ranked among the Top 30 programs for four seasons before sliding in popularity.
Section: Seasons 2-7 (1996-2002)
Passage: "Moon Over Parma" was phased out during the second season by "Five O'Clock World" sung by The Vogues. This season introduced openings that paid homage to music videos which included the cast dancing and singing around the various sets of the show. In the third season, yet another change was made to "Cleveland Rocks", a cover of an Ian Hunter song performed by The Presidents of the United States of America. This change lasted until the second "wave" of the show ended, with the finale of Season 7. The man who took over Mr. Bell's job after his firing was Nigel Wick, who served as a foil for both Drew and Mimi in the workplace. During this period, Drew and Mr. Wick also periodically took the top management job away from each other. This would usually result in Drew ending up back at his old job as Assistant Director of Personnel and Mr. Wick would miraculously retain his job as manager. By the end of Season 7, they were both Co-Managers before Winfred-Louder was closed down (albeit after undergoing drastic changes to stay in business). Kate and Oswald became closer and eventually became romantically involved and almost married during the third season, but Kate stood Oswald up at the altar. Kate and Drew also became romantically involved and were on the verge of getting married, but they called it off when they realized they didn't feel the same about the prospect of children. Drew's cross-dressing brother Steve was introduced during this period. He eventually fell in love with Mimi and they had a child together, Gus (whose name was decided by means of a contest). Drew also got married a number of times during this portion of the show. His first marriage was to Diane, a cocktail waitress in Las Vegas. This was only temporary however, as she needed Drew to retain custody of her children. His second marriage was to Mr. Wick, who forced Drew to marry him in a sham same-sex civil union in Vermont (the only place it was legal at the time) in hopes that the marriage would placate the Immigration and Naturalization Service. At the beginning of Season 7, Drew married both Nikki and Kate (the former had been a recurring character for some time since Season 3, and suffered from weight problems). They found out about this and all three of these marriages ended in divorce, and Drew became known as the "Impotent Bisexual Bigamist". Nikki eventually returned, and the actress, Kate Walsh, donned a fat suit again and moved in with Drew. During this period the show also had frequent "event" episodes. Recurring themes were "What's Wrong With This Episode?", in which the show contained numerous deliberate continuity errors and other mistakes and invited viewers at home to find the most errors and win a prize, and live episodes, with loose plots and improvised scenes featuring cast members from Carey's improvisational comedy show Whose Line Is It Anyway? (Brad Sherwood, Wayne Brady, Colin Mochrie, Greg Proops, Chip Esten, Kathy Greenwood, Jeff Davis, Laura Hall, and Linda Taylor) contributed to these episodes, with Brad Sherwood hosting.
Question: what was special about seasons 2-7
Answer: Moon Over Parma" was phased out during the second season by "Five O'Clock World" sung by The Vogues.
Question: how did the audience respond to that
Answer: CANNOTANSWER
Question: what was interesting about those seasons? | [
"During this period the show also had frequent \"event\" episodes. Recurring themes were \"What's Wrong With This Episode?\","
] |
Title: Wang Leehom
Background: Wang Leehom (born May 17, 1976), sometimes credited as Leehom Wang, is a Taiwanese-American singer-songwriter, record producer, actor and film director. Formally trained at the Eastman School of Music, Williams College and Berklee College of Music, his musical style is known for fusing Chinese elements (such as Beijing opera, traditional styles of ethnic minorities, Chinese classical orchestra) with hip-hop and R&B. Wang debuted in 1995 and since then has released over 25 albums, with sales of over 50 million copies. He is also a four-time winner and 19-time nominee of Taiwan's Golden Melody Awards, the "Grammys" of Chinese music.
Section: Childhood and early beginnings
Passage: Born in Rochester, New York, Wang is the second of three sons of immigrants from Taiwan of waishengren heritage. His father, a pediatrician, and his mother, moved to the United States to further their college studies in the early 1960s. Influenced by his older brother, Leo Wang, who had been taking violin lessons since he was seven, Wang began to develop a curious interest towards the violin and its musical counterparts when he was three. He begged his mother to put him in violin lessons with his brother but his mother was against it, reasoning that he was too young. When Wang turned six, his mother enrolled him in violin classes, performing along with his brother. As he became a teenager, he began taking piano lessons, also teaching himself the guitar. He also worked several jobs to earn money to buy a second hand drum kit. He attended Jefferson Road Elementary School, Pittsford Middle School, and Pittsford Sutherland High School in Pittsford, New York. He graduated from Pittsford Sutherland. Passionate for a career in music, he chose to attend Williams College double majoring in music and Asian studies. He joined an all-male a cappella group, The Springstreeters, and the group recorded several demo tracks. In the summer of 1995, while Wang was visiting his grandparents in Taiwan, he was offered a professional recording contract by Bertelsmann Music Group (BMG) after he participated in a talent competition hosted by the label. Not wanting to lose the opportunity, he immediately began preparing for his debut, and released his debut album Love Rival, Beethoven (Qing Di Bei Duo Fen ) that December. The record received little limelight, forcing him to leave the label. He signed with Decca Records the following year, a label then famous for producing "powerful singers" (Shi Li Pai Ge Shou ) in Taiwan. Wanting to also have control in the idol market, the label initially planned to market Wang as the mainstream "romantic idol", like with their previous artist Mavis Fan. However, after discovering Wang's talent in music-making, Decca began promoting him as Taiwan's "quality idol" (You Zhi Ou Xiang ) instead. Wang released his second album If You Heard My Song in 1996, which included some of his own compositions. He co-wrote the album's eponymous title song, which earned positive responses from the audience. The album drew moderately successful sales, and he became a rising star in the idol market, also finding similar successes with his third and fourth albums. During this time, Wang was asked to leave his college studies to pursue a full-time singing career, but he insisted on finishing school first.
Question: Where was Wang born?
Answer: Born in Rochester, New York,
Question: Did he have any siblings? | [
"the second of three sons"
] |
Title: Wang Leehom
Background: Wang Leehom (born May 17, 1976), sometimes credited as Leehom Wang, is a Taiwanese-American singer-songwriter, record producer, actor and film director. Formally trained at the Eastman School of Music, Williams College and Berklee College of Music, his musical style is known for fusing Chinese elements (such as Beijing opera, traditional styles of ethnic minorities, Chinese classical orchestra) with hip-hop and R&B. Wang debuted in 1995 and since then has released over 25 albums, with sales of over 50 million copies. He is also a four-time winner and 19-time nominee of Taiwan's Golden Melody Awards, the "Grammys" of Chinese music.
Section: Rise to prominence (1998-2000)
Passage: Wang's contract with Decca Records was terminated after the release of his fourth album White Paper in the summer of 1997. After graduating with honors at Williams College, he released his first award-winning album Revolution under Sony Music Entertainment in August 1998. The album became his breakthrough album, immediately selling over 10,000 domestic units in the first week of release. Critics rated the album highly, and it won Wang two Golden Melody Awards--Best Producer and Best Mandarin Male Singer. He was the youngest artist to win in either of the two categories. Wang has been nominated the Best Mandarin Male Singer at the awards every year since the success of Revolution. The singles of Revolution also achieved similar success-"Revolution" became Wang Leehom's first No. 1 single, becoming one of the top 20 songs of the year on Channel V Taiwan. He continued his studies by attending Berklee College of Music's Professional Music program, with voice as his principal instrument. In 1999, Wang released his sixth album Impossible to Miss You, which combined the catchy pop melodies of Revolution with a quirky style of new-found dance-pop. It became his then best-selling album, selling over 1 million copies. All of the album's promotional singles topped KTV charts and yearly music charts, including the upbeat "Julia" and the ballad "Crying Palm". His album also attracted international attention-Wang won three Best Male Vocalist awards at three different award ceremonies and was also awarded for his musical merit in the album at the 1st annual Asia Chinese Music Awards. At the beginning of the millennium, Wang began filming for several Cantonese-language Hong Kong blockbusters, which inspired him to study the Cantonese language. He included a Cantonese track, "Love My Song," in the Hong Kong release of Forever's First Day (2000), his seventh album. Unlike his previous two albums, Forever's First Day consisted mainly of melodic R&B tunes. The album's eponymous single is a tragic romantic ballad, speaking of a separation of two individuals. Although raised in New York for most of his life, living in Taiwan made Wang realize the deep roots of his Chinese heritage. Forever's First Day yielded a cover of his uncle's signature song "Descendants of the Dragon"; Wang re-arranged the song with heavier rock and dance elements. The song also included a rap bridge that summarized experiences of his parents living as a Chinese American in New York.
Question: How did Wang become popular?
Answer: he released his first award-winning album Revolution under Sony Music Entertainment in August 1998.
Question: What instrument did he use? | [
"Mandarin Male Singer."
] |
Title: Jean-Marie Le Pen
Background: Jean-Marie Le Pen (French pronunciation: [Za ma.Ri [email protected]]; born 20 June 1928) is a French politician who has served as Honorary President of the National Front since January 2011 and a Member of the European Parliament (MEP) from France since 2004, previously between 1984 to 2003. He previously served as President of the National Front from 1972 to 2011.
Section: Public perception
Passage: Le Pen is often nicknamed the "Menhir", due to his "granitic nature" as he is perceived as someone who does not give way to pressure or who cannot be easily knocked down. It also connects him to France's Celtic origins. Le Pen is often described as one of the most flamboyant and charismatic orators in Europe, whose speech blends folksy humour, crude attacks and rhetorical finesse. However, Le Pen remains a polarizing figure in France: opinions regarding him tend to be quite strong. A 2002 IPSOS poll showed that while 22% of the electorate have a good or very good opinion of Le Pen, and 13% an unfavorable opinion, 61% have a very unfavorable opinion. Le Pen and the National Front are described by much of the media and nearly all commentators as far right. Le Pen himself and the rest of his party disagree with this label; earlier in his political career, Le Pen described his position as "neither right, nor left, but French" (ni droite, ni gauche, francais). He later described his position as right-wing and opposed to the "socialo-communists" and other right-wing parties, which he deems are not real right-wing parties. At other times, for example during the 2002 election campaign, he declared himself "socially left-wing, economically right-wing, nationally French" (socialement a gauche, economiquement a droite, nationalement francais). He further contends that most of the French political and media class are corrupt and out of touch with the real needs of the common people, and conspire to exclude Le Pen and his party from mainstream politics. Le Pen criticizes the other political parties as the "establishment" and lumped all major parties (Communist, Socialist, Union for French Democracy (UDF) and Rally for the Republic (RPR)) into the "Gang of Four" (la bande des quatre - an allusion to the Gang of Four during China's Cultural Revolution).
Question: what kind of perception did the public have with Jean?
Answer: Le Pen remains a polarizing figure in France: opinions regarding him tend to be quite strong.
Question: What did the people who had a good opinion say about him? | [
"Le Pen is often described as one of the most flamboyant and charismatic orators in Europe,"
] |
Title: Jean-Marie Le Pen
Background: Jean-Marie Le Pen (French pronunciation: [Za ma.Ri [email protected]]; born 20 June 1928) is a French politician who has served as Honorary President of the National Front since January 2011 and a Member of the European Parliament (MEP) from France since 2004, previously between 1984 to 2003. He previously served as President of the National Front from 1972 to 2011.
Section: Other legal problems and allegations
Passage: Prosecution for assault : In April 2000, Le Pen was suspended from the European Parliament following prosecution for the physical assault of Socialist candidate Annette Peulvast-Bergeal during the 1997 general election. This ultimately led to him losing his seat in the European parliament in 2003. The Versailles appeals court banned him from seeking office for one year. Statements about Muslims in France : In 2005 and 2008, Le Pen was fined, in both case 10,000 euros for "incitement to discrimination, hatred and violence towards a group of people", on account of statements made about Muslims in France. In 2010. the European Court of Human Rights declared Le Pen's application inadmissible. Allegations of war crimes in Algeria : Le Pen allegedly practiced torture during the Algerian War (1954-1962), when he was a lieutenant in the French Army. Although he denied it, he lost a trial when he attacked Le Monde newspaper on charges of defamation, following accusations by the newspaper that he had used torture. Le Monde has produced in May 2003 the dagger he allegedly used to commit war crimes as court evidence. Although war crimes committed during the Algerian War are amnestied in France, this was publicised by the newspapers Le Canard Enchaine, Liberation, and Le Monde, and by Michel Rocard (ex-Prime Minister) on TV (TF1 1993). Le Pen sued the papers and Michel Rocard. This affair ended in 2000 when the Cour de cassation (French supreme jurisdiction) concluded that it was legitimate to publish these assertions. However, because of the amnesty and the statute of limitations, there can be no criminal proceedings against Le Pen for the crimes he is alleged to have committed in Algeria. In 1995, Le Pen unsuccessfully sued Jean Dufour, regional counselor of the Provence-Alpes-Cote d'Azur (French Communist Party) for the same reason.
Question: What type of legal problems did Le Pen have?
Answer: Prosecution for assault : In April 2000,
Question: Who did he assault?
Answer: the physical assault of Socialist candidate Annette Peulvast-Bergeal during the 1997 general election.
Question: What led up to the assault?
Answer: CANNOTANSWER
Question: Were there other allegations other than the assault? | [
"Statements about Muslims in France : In 2005 and 2008,"
] |
Title: Black Seminoles
Background: The Black Seminoles are black Indians associated with the Seminole people in Florida and Oklahoma. They are the descendants of free blacks and of escaped slaves (called maroons) who allied with Seminole groups in Spanish Florida. Historically, the Black Seminoles lived mostly in distinct bands near the Native American Seminole. Some were held as slaves of particular Seminole leaders; but they had more freedom than did slaves held by whites in the South and by other Native American tribes, including the right to bear arms.
Section: Culture
Passage: The Black Seminole culture that took shape after 1800 was a dynamic mixture of African, Native American, Spanish, and slave traditions. Adopting certain practices of the Native Americans, maroons wore Seminole clothing and ate the same foodstuffs prepared the same way: they gathered the roots of a native plant called coontie, grinding, soaking, and straining them to make a starchy flour similar to arrowroot, as well as mashing corn with a mortar and pestle to make sofkee, a sort of porridge often used as a beverage, with water added-- ashes from the fire wood used to cook the sofkee were occasionally added to it for extra flavor. They also introduced their Gullah staple of rice to the Seminole, and continued to use it as a basic part of their diets. Rice remained part of the diet of the Black Seminoles who moved to Oklahoma. Initially living apart from the Native Americans, the maroons developed their own unique African-American culture, based in the Gullah culture of the Lowcountry. Black Seminoles inclined toward a syncretic form of Christianity developed during the plantation years. Certain cultural practices, such as "jumping the broom" to celebrate marriage, hailed from the plantations; other customs, such as some names used for black towns, reflected African heritage. As time progressed, the Seminole and Blacks had limited intermarriage, but historians and anthropologists have come to believe that generally the Black Seminoles had independent communities. They allied with the Seminole at times of war. The Seminole society was based on a matrilineal kinship system, in which inheritance and descent went through the maternal line. Children were considered to belong to the mother's clan, so those born to ethnic African mothers would have been considered black by the Seminole. While the children might integrate customs from both parents' cultures, the Seminole believed they belonged to the mother's group more than the father's. African Americans adopted some elements of the European-American patriarchal system. But, under the South's adoption of the principle of partus sequitur ventrem in the 17th century and incorporated into slavery law in slave states, children of slave mothers were considered legally slaves. Under the Fugitive Slave Law of 1850, even if the mother escaped to a free state, she and her children were legally considered slaves and fugitives. As a result, the Black Seminoles born to slave mothers were always at risk from slave raiders.
Question: What was the culture like?
Answer: was a dynamic mixture of African, Native American, Spanish, and slave traditions.
Question: What were some of their rituals?
Answer: maroons wore Seminole clothing and ate the same foodstuffs prepared the same way:
Question: What was the flour used for? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Black Seminoles
Background: The Black Seminoles are black Indians associated with the Seminole people in Florida and Oklahoma. They are the descendants of free blacks and of escaped slaves (called maroons) who allied with Seminole groups in Spanish Florida. Historically, the Black Seminoles lived mostly in distinct bands near the Native American Seminole. Some were held as slaves of particular Seminole leaders; but they had more freedom than did slaves held by whites in the South and by other Native American tribes, including the right to bear arms.
Section: Indian Territory/Oklahoma
Passage: Throughout the period, several hundred Black Seminoles remained in the Indian Territory (present-day Oklahoma). Because most of the Seminole and the other Five Civilized Tribes supported the Confederacy during the American Civil War, in 1866 the US required new peace treaties with them. The US required the tribes emancipate any slaves and extend to the freedmen full citizenship rights in the tribes if they chose to stay in Indian Territory. In the late nineteenth century, Seminole Freedmen thrived in towns near the Seminole communities on the reservation. Most had not been living as slaves to the Indians before the war. They lived --as their descendants still do-- in and around Wewoka, Oklahoma, the community founded in 1849 by John Horse as a black settlement. Today it is the capital of the federally recognized Seminole Nation of Oklahoma. Following the Civil War, some Freedmen's leaders in Indian Territory practiced polygyny, as did ethnic African leaders in other diaspora communities. In 1900 there were 1,000 Freedmen listed in the population of the Seminole Nation in Indian Territory, about one-third of the total. By the time of the Dawes Rolls, there were numerous female-headed households registered. The Freedmen's towns were made up of large, closely connected families. After allotment, "[f]reedmen, unlike their [Indian] peers on the blood roll, were permitted to sell their land without clearing the transaction through the Indian Bureau. That made the poorly educated Freedmen easy marks for white settlers migrating from the Deep South." Numerous Seminole Freedmen lost their land in the early decades after allotment, and some moved to urban areas. Others left the state because of its conditions of racial segregation. As US citizens, they were exposed to the harsher racial laws of Oklahoma. Since 1954, the Freedmen have been included in the constitution of the Seminole Nation of Oklahoma. They have two bands, each representing more than one town and named for 19th-century band leaders: the Cesar Bruner band covers towns south of Little River; the Dosar Barkus covers the several towns located north of the river. Each of the bands elects two representatives to the General Council of the Seminole Nation.
Question: what is indian territory?
Answer: Throughout the period, several hundred Black Seminoles remained in the Indian Territory (present-day Oklahoma).
Question: how many years was this their territory?
Answer: Since 1954, the Freedmen have been included in the constitution of the Seminole Nation of Oklahoma. They have two bands, each representing more than one town
Question: what are the two bands?
Answer: the Cesar Bruner band covers towns south of Little River; the Dosar Barkus covers the several towns located north of the river.
Question: does the article name any of the towns, specifically?
Answer: CANNOTANSWER
Question: Are there any other interesting aspects about this article?
Answer: The US required the tribes emancipate any slaves and extend to the freedmen full citizenship rights in the tribes if they chose to stay in Indian Territory.
Question: what else is there to know about this culture and where they lived? | [
"In 1900 there were 1,000 Freedmen listed in the population of the Seminole Nation in Indian Territory,"
] |
Title: Joan Crawford
Background: Born Lucille Fay LeSueur in San Antonio, Texas, the youngest and third child of Anna Bell (Johnson) and Thomas E. LeSueur, a laundry laborer. She was of English, French Huguenot, Swedish, and Irish ancestry. Crawford's elder siblings were sister Daisy LeSueur, who died before Lucille's birth, and brother Hal LeSueur. Crawford's father abandoned the family a few months before her birth, reappearing later in 1930 in Abilene, Texas, reportedly working as a construction laborer.
Section: Death and legacy
Passage: On May 8, 1977, Crawford gave away her beloved Shih Tzu, "Princess Lotus Blossom," being too weak to care for her. Crawford died two days later at her New York apartment of a heart attack. A funeral was held at Campbell Funeral Home, New York, on May 13, 1977. In her will, which was signed on October 28, 1976, Crawford bequeathed to her two youngest children, Cindy and Cathy, $77,500 each from her $2,000,000 estate. She explicitly disinherited the two eldest, Christina and Christopher: "It is my intention to make no provision herein for my son, Christopher, or my daughter, Christina, for reasons which are well known to them". She also bequeathed nothing to her niece, Joan Lowe (1933-1999; born Joan Crawford LeSueur, the only child of her estranged brother, Hal). Crawford left money to her favorite charities: the U.S.O. of New York, the Motion Picture Home, the American Cancer Society, the Muscular Dystrophy Association, the American Heart Association, and the Wiltwyck School for Boys. A memorial service was held for Crawford at All Souls' Unitarian Church on Lexington Avenue in New York on May 16, 1977, and was attended by, among others, her old Hollywood friend Myrna Loy. Another memorial service, organized by George Cukor, was held on June 24 in the Samuel Goldwyn Theater at the Academy of Motion Picture Arts and Sciences in Beverly Hills. Crawford was cremated and her ashes were placed in a crypt with her fourth and final husband, Alfred Steele, in Ferncliff Cemetery, Hartsdale, New York. Joan Crawford's handprints and footprints are immortalized in the forecourt of Grauman's Chinese Theater on Hollywood Boulevard in Hollywood. She has a star on the Hollywood Walk of Fame at 1752 Vine Street for her contributions to the motion picture industry. Playboy listed Crawford as #84 of the "100 Sexiest Women of the 20th century". Crawford was also voted the tenth greatest female star of the classic American cinema by the American Film Institute.
Question: How did Crawford die?
Answer: Crawford died two days later at her New York apartment of a heart attack.
Question: How has she been remembered? | [
"Joan Crawford's handprints and footprints are immortalized in the forecourt of Grauman's Chinese Theater on Hollywood Boulevard in Hollywood."
] |
Title: Joan Crawford
Background: Born Lucille Fay LeSueur in San Antonio, Texas, the youngest and third child of Anna Bell (Johnson) and Thomas E. LeSueur, a laundry laborer. She was of English, French Huguenot, Swedish, and Irish ancestry. Crawford's elder siblings were sister Daisy LeSueur, who died before Lucille's birth, and brother Hal LeSueur. Crawford's father abandoned the family a few months before her birth, reappearing later in 1930 in Abilene, Texas, reportedly working as a construction laborer.
Section: Final years
Passage: In 1970, Crawford was presented with the Cecil B. DeMille Award by John Wayne at the Golden Globes, which was telecast from the Coconut Grove at The Ambassador Hotel in Los Angeles. She also spoke at Stephens College, where she had been a student for two months in 1922. Crawford published her autobiography, A Portrait of Joan, co-written with Jane Kesner Ardmore, in 1962 through Doubleday. Crawford's next book, My Way of Life, was published in 1971 by Simon & Schuster. Those expecting a racy tell-all were disappointed, although Crawford's meticulous ways were revealed in her advice on grooming, wardrobe, exercise, and even food storage. Upon her death there were found in her apartment photographs of John F. Kennedy, for whom she had voted for in the 1960 presidential election. In September 1973, Crawford moved from apartment 22-G to a smaller apartment next door (22-H) at the Imperial House, 150 East 69th Street. Her last public appearance was made on September 23, 1974, at a party honoring her old friend Rosalind Russell at New York's Rainbow Room. Russell was suffering from breast cancer and arthritis at the time. When Crawford saw the unflattering photos that appeared in the papers the next day, she said, "If that's how I look, then they won't see me anymore." Crawford cancelled all public appearances, began declining interviews and left her apartment less and less. Dental-related issues, including surgery which left her needing round-the-clock nursing care, plagued her from 1972 until mid-1975. While on antibiotics for this problem in October 1974, her drinking caused her to pass out, slip and strike her face. The incident scared her enough to give up drinking, although she insisted that it was because of her return to Christian Science. The incident is recorded in a series of letters sent to her insurance company held in the stack files on the 3rd floor of the New York Public Library for the Performing Arts; it is also documented by Carl Johnnes in his biography of the actress, Joan Crawford: The Last Years. When it came to personal politics, Crawford aligned herself as a Democrat who greatly supported, and admired, the administrations of John F. Kennedy and Franklin D. Roosevelt. She was once noted as saying: "The Democratic party is one that I've always observed. I have struggled greatly in life from the day I was born and I am honored to be a part of something that focuses on working class citizens and molds them into a proud specimen. Mr. Roosevelt and Mr. Kennedy have done so much in that regard for the two generations they've won over during their career course."
Question: Was she married in her final years?
Answer: CANNOTANSWER
Question: Did she accomplish anything in her final years?
Answer: Crawford published her autobiography, A Portrait of Joan, co-written with Jane Kesner Ardmore, in 1962 through Doubleday.
Question: Was there any movies she starred in?
Answer: CANNOTANSWER
Question: Was there anything else she accomplished during her final years? | [
"Her last public appearance was made on September 23, 1974, at a party honoring her old friend Rosalind Russell at New York's Rainbow Room."
] |
Title: Paul McCartney
Background: James Paul McCartney was born on 18 June 1942 in Walton Hospital, Liverpool, England, where his mother, Mary Patricia (nee Mohin), had qualified to practise as a nurse. His father, James ("Jim") McCartney, was absent from his son's birth due to his work as a volunteer firefighter during World War II. McCartney has one younger brother named Michael.
Section: Reaction to Lennon's murder
Passage: McCartney's skill as a bass player has been acknowledged by other bassists, including Sting, Dr. Dre bassist Mike Elizondo, and Colin Moulding of XTC. Best known for primarily using a plectrum or pick, McCartney occasionally plays fingerstyle. He does not use slapping techniques. He was strongly influenced by Motown artists, in particular James Jamerson, whom McCartney called a hero for his melodic style. He was also influenced by Brian Wilson, as he commented: "because he went to very unusual places". Another favourite bassist of his is Stanley Clarke. During McCartney's early years with the Beatles, he primarily used a Hofner 500/1 bass, although from 1965, he favoured his Rickenbacker 4001S for recording. While typically using Vox amplifiers, by 1967 he had also begun using a Fender Bassman for amplification. During the late 1980s and early 1990s, he used a Wal 5-String, which he said made him play more thick-sounding basslines, in contrast to the much lighter Hofner, which inspired him to play more sensitively, something he considers fundamental to his playing style. He changed back to the Hofner around 1990 for that reason. He uses Mesa Boogie bass amplifiers while performing live. MacDonald identified "She's a Woman" as the turning point when McCartney's bass playing began to evolve dramatically, and Beatles biographer Chris Ingham singled out Rubber Soul as the moment when McCartney's playing exhibited significant progress, particularly on "The Word". Bacon and Morgan agreed, calling McCartney's groove on the track "a high point in pop bass playing and ... the first proof on a recording of his serious technical ability on the instrument." MacDonald inferred the influence of James Brown's "Papa's Got a Brand New Bag" and Wilson Pickett's "In the Midnight Hour", American soul tracks from which McCartney absorbed elements and drew inspiration as he "delivered his most spontaneous bass-part to date". Bacon and Morgan described his bassline for the Beatles song "Rain" as "an astonishing piece of playing ... [McCartney] thinking in terms of both rhythm and 'lead bass' ... [choosing] the area of the neck ... he correctly perceives will give him clarity for melody without rendering his sound too thin for groove." MacDonald identified the influence of Indian classical music in "exotic melismas in the bass part" on "Rain" and described the playing as "so inventive that it threatens to overwhelm the track". By contrast, he recognised McCartney's bass part on the Harrison-composed "Something" as creative but overly busy and "too fussily extemporised". McCartney identified Sgt. Pepper's Lonely Hearts Club Band as containing his strongest and most inventive bass playing, particularly on "Lucy in the Sky with Diamonds". McCartney first used drugs in the Beatles' Hamburg days, when they often used Preludin to maintain their energy while performing for long periods. Bob Dylan introduced them to marijuana in a New York hotel room in 1964; McCartney recalls getting "very high" and "giggling uncontrollably". His use of the drug soon became habitual, and according to Miles, McCartney wrote the lyrics "another kind of mind" in "Got to Get You into My Life" specifically as a reference to cannabis. During the filming of Help!, McCartney occasionally smoked a joint in the car on the way to the studio during filming, and often forgot his lines. Director Richard Lester overheard two physically attractive women trying to persuade McCartney to use heroin, but he refused. Introduced to cocaine by Robert Fraser, McCartney used the drug regularly during the recording of Sgt. Pepper's Lonely Hearts Club Band, and for about a year total but stopped because of his dislike of the unpleasant melancholy he felt afterwards. Initially reluctant to try LSD, McCartney eventually did so in late 1966, and took his second "acid trip" in March 1967, with Lennon, after a Sgt. Pepper studio session. He later became the first Beatle to discuss the drug publicly, declaring, "It opened my eyes ... [and] made me a better, more honest, more tolerant member of society." He made his attitude about cannabis public in 1967, when he, along with the other Beatles and Epstein, added his name to a July advertisement in The Times, which called for its legalisation, the release of those imprisoned for possession, and research into marijuana's medical uses. In 1972, a Swedish court fined McCartney PS1,000 for cannabis possession. Soon after, Scottish police found marijuana plants growing on his farm, leading to his 1973 conviction for illegal cultivation and a PS100 fine. As a result of his drug convictions, the US government repeatedly denied him a visa until December 1973. Arrested again for marijuana possession in 1975, in Los Angeles, Linda took the blame, and the court soon dismissed the charges. In January 1980, when Wings flew to Tokyo for a tour of Japan, customs officials found approximately 8 ounces (200 g) of cannabis in his luggage. They arrested McCartney and brought him to a local jail while the Japanese government decided what to do. After ten days, they released and deported him without charge. In 1984, while McCartney was on holiday in Barbados, authorities arrested him for possession of marijuana and fined him $200. Upon his return to England, he stated: "cannabis is ... less harmful than rum punch, whiskey, nicotine and glue, all of which are perfectly legal ... I don't think ... I was doing anyone any harm whatsoever." In 1997, he spoke out in support of decriminalisation of the drug: "People are smoking pot anyway and to make them criminals is wrong." He did however, decide to quit cannabis in 2015, citing a desire to set a good example for his grandchildren. On 9 December 1980, McCartney followed the news that Lennon had been murdered the previous night; Lennon's death created a media frenzy around the surviving members of the band. McCartney was leaving an Oxford Street recording studio that evening when he was surrounded by reporters who asked him for his reaction; he responded: "It's a drag". The press quickly criticised him for what appeared to be a superficial response. He later explained, "When John was killed somebody stuck a microphone at me and said: 'What do you think about it?' I said, 'It's a dra-a-ag' and meant it with every inch of melancholy I could muster. When you put that in print it says, 'McCartney in London today when asked for a comment on his dead friend said, "It's a drag".' It seemed a very flippant comment to make." He described his first exchange with Ono after the murder, and his last conversation with Lennon: I talked to Yoko the day after he was killed, and the first thing she said was, "John was really fond of you." The last telephone conversation I had with him we were still the best of mates. He was always a very warm guy, John. His bluff was all on the surface. He used to take his glasses down, those granny glasses, and say, "it's only me." They were like a wall you know? A shield. Those are the moments I treasure. In 1983, McCartney said, "I would not have been as typically human and standoffish as I was if I knew John was going to die. I would have made more of an effort to try and get behind his "mask" and have a better relationship with him." He said that he went home that night, watched the news on television with his children and cried most of the evening. In 1997, he said that Lennon's death made the remaining ex-Beatles nervous that they might also be murdered. He told Mojo magazine in 2002 that Lennon was his greatest hero. In 1981, McCartney sang backup on Harrison's tribute to their ex-bandmate, "All Those Years Ago", which featured Starr on drums. McCartney released "Here Today" in 1982, a song Everett described as "a haunting tribute" to McCartney's friendship with Lennon.
Question: What was his reaction
Answer: he responded: "It's a drag".
Question: What happen to Lennon
Answer: murdered
Question: When was his funeral | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Paul McCartney
Background: James Paul McCartney was born on 18 June 1942 in Walton Hospital, Liverpool, England, where his mother, Mary Patricia (nee Mohin), had qualified to practise as a nurse. His father, James ("Jim") McCartney, was absent from his son's birth due to his work as a volunteer firefighter during World War II. McCartney has one younger brother named Michael.
Section: Achievements
Passage: McCartney was inducted into the Rock and Roll Hall of Fame in 1988 as a member of the Beatles and again as a solo artist in 1999. In 1979, the Guinness Book of World Records recognised McCartney as the "most honored composer and performer in music", with 60 gold discs (43 with the Beatles, 17 with Wings) and, as a member of the Beatles, sales of over 100 million singles and 100 million albums, and as the "most successful song writer", he wrote jointly or solo 43 songs which sold one million or more records between 1962 and 1978. In 2009, Guinness World Records again recognised McCartney as the "most successful songwriter" having written or co-written 188 charted records in the United Kingdom, of which 91 reached the top 10 and 33 made it to number one. McCartney has written, or co-written 32 number-one singles on the Billboard Hot 100: twenty with the Beatles; seven solo or with Wings; one as a co-writer of "A World Without Love", a number-one single for Peter and Gordon; one as a co-writer on Elton John's cover of "Lucy in the Sky with Diamonds"; one as a co-writer on Stars on 45's "Medley"; one as a co-writer with Michael Jackson on "Say Say Say"; and one as writer on "Ebony and Ivory" performed with Stevie Wonder. As of 2009, he has 15.5 million RIAA certified units in the United States as a solo artist plus another 10 million with Wings. Credited with more number ones in the UK than any other artist, McCartney has participated in twenty-four chart topping singles: seventeen with the Beatles, one solo, and one each with Wings, Stevie Wonder, Ferry Aid, Band Aid, Band Aid 20 and "The Christians et al." He is the only artist to reach the UK number one as a soloist ("Pipes of Peace"), duo ("Ebony and Ivory" with Wonder), trio ("Mull of Kintyre", Wings), quartet ("She Loves You", the Beatles), quintet ("Get Back", the Beatles with Billy Preston) and as part of a musical ensemble for charity (Ferry Aid). "Yesterday" is one of the most covered songs in history with more than 2,200 recorded versions, and according to the BBC, "the track is the only one by a UK writer to have been aired more than seven million times on American TV and radio and is third in the all-time list ... [and] is the most played song by a British writer [last] century in the US". His 1968 Beatles composition "Hey Jude" achieved the highest sales in the UK that year and topped the US charts for nine weeks, which is longer than any other Beatles single. It was also the longest single released by the band and, at seven minutes eleven seconds, was at that time the longest number one. "Hey Jude" is the best-selling Beatles single, achieving sales of over five million copies soon after its release. In July 2005, McCartney's performance of "Sgt. Pepper's Lonely Hearts Club Band" with U2 at Live 8 became the fastest-released single in history. Available within forty-five minutes of its recording, hours later it had achieved number one on the UK Official Download Chart.
Question: What is one of his achievements?
Answer: In 1979, the Guinness Book of World Records recognised McCartney as the "most honored composer and performer in music",
Question: was he ever honored for his song writing?
Answer: Beatles, sales of over 100 million singles and 100 million albums, and as the "most successful song writer
Question: was any of his achievements for anything other than music?
Answer: CANNOTANSWER
Question: what was one of his best selling singles?
Answer: duo ("Ebony and Ivory" with Wonder),
Question: did the song chart?
Answer: achieved the highest sales in the UK that year and topped the US charts for nine weeks,
Question: how many copies did it sell?
Answer: 100 million singles and 100 million albums,
Question: what did the song chart? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: The Drew Carey Show
Background: The Drew Carey Show is an American sitcom that aired on ABC from 1995 to 2004, and was set in Cleveland, Ohio, and revolved around the retail office and home life of "everyman" Drew Carey, a fictionalized version of the actor. The show was created by Carey, who had both stand-up comedy and writing experience, and Bruce Helford, who was once a writer for Roseanne. It was the first television show to have an episode simulcast on the Internet. Produced by Mohawk Productions in association with Warner Bros. Television, it debuted on September 13, 1995, and ranked among the Top 30 programs for four seasons before sliding in popularity.
Section: Premise
Passage: Drew Carey is a fictionalized version of himself, a self-proclaimed "everyman". Drew Carey (the actor) has been quoted as saying his character is what the actor would have been if he had not become an actor. He has a "gang" of friends who embark with him on his everyday trials and tribulations. Drew's friends include erudite but unambitious Lewis (Ryan Stiles), excitable dimwitted Oswald (Diedrich Bader) and his friend (later on-off girlfriend) Kate (Christa Miller). In the final two seasons, Kate gets married and moves to Guam, in the same two-part episode that introduces and develops Drew's relationship with Kellie (Cynthia Watros), which carries on over the final two seasons. For its first seven seasons, Drew's workplace is the office of fictional Cleveland department store Winfred-Louder, where he has worked for years and still works as Assistant Director of Personnel. One of his coworkers is Mimi Bobeck (Kathy Kinney), a large woman with a clownish wardrobe, a lot of make-up (including her trademark bright blue eye shadow), and a foul mutual dislike for Drew. The two eventually become closer (although still maintaining a less heated rivalry), primarily because Mimi fell in love with and married Drew's cross-dressing heterosexual brother Steve (John Carroll Lynch), a frequently recurring character. In the first season they work for the unseen Mr. Bell (Kevin Pollak), only seen in the season one finale, to which he is greeted with applause; in later seasons, their boss and sometimes-co-worker is Nigel Wick (Craig Ferguson), an eccentric, sadistic and unlucky Englishman. In the final two seasons, they work for peaceful, hippie-like Evan (Kyle Howard) and the much more professional Scott (Jonathan Mangum), tech-smart but naive twenty-somethings who own the Neverending Store, an online retailer with offices in the same location. In addition to his day job, Drew, along with Oswald, Lewis, and Kate (replaced from around Season 5 onwards by Mimi), runs a small business out of his garage, selling Buzz Beer, a caffeinated alcoholic drink. It becomes popular in the region and is sold at the group's hangout, The Warsaw Tavern.
Question: What was the premise of the show
Answer: In the first season they work for the unseen Mr. Bell (Kevin Pollak), only seen in the season one finale, to which he is greeted with applause;
Question: Who did they replace? | [
"Mimi),"
] |
Title: Anna Nicole Smith
Background: Smith was born Vickie Lynn Hogan in 1967 in Houston, Texas, and raised in Mexia, Texas. She was the daughter of Donald Eugene Hogan (1947-2009) and Virgie Mae Arthur (nee Tabers; b. 1951), who married on February 22, 1967 and divorced on November 4, 1969. She had five half siblings: Donna Hogan, David Tacker Jr., Donnie Hogan, Amy Hogan, and Donald Hart. Smith was raised by her mother and aunt.
Section: As a spokeswoman
Passage: In an interview on Late Night with Conan O'Brien, Smith was asked what her "Playmate diet" consisted of. She instantly replied, "fried chicken". In October 2003, she became a spokeswoman for TrimSpa, which allegedly helped her lose a reported 69 pounds (31 kg). TrimSpa diet product company and Smith were sued in a class action lawsuit alleging their marketing of a weight loss pill was false or misleading. In November 2004, she appeared at the American Music Awards to introduce Kanye West and attracted attention because of her slurred speech and behavior. During her live appearance, she threw her arms up and exclaimed, "Like my body?" Smith murmured other comments and alluded to TrimSpa. The incident became comic material for presenters throughout the rest of the program. Her appearance was featured in the media the following day. Tabloids speculated that Smith was under the influence of pills or a controlled substance. Her representatives explained that she was in pain due to a series of grueling workouts. In March 2005, at the first MTV Australia Video Music Awards in Sydney's Luna Park, she spoofed Janet Jackson's wardrobe malfunction by pulling down her dress to reveal both breasts, each covered with the MTV logo. Smith was also featured in advertisements for the animal rights group PETA. Spoofing Marilyn Monroe's "Diamonds Are a Girl's Best Friend" segment in Gentlemen Prefer Blondes, a 2004 ad states "Gentlemen prefer fur-free blondes." Due to her support of the anti-fur movement, in particular her criticism of Canadian seal hunting, PETA began a petition in memory of Smith to the Canadian Prime Minister Stephen Harper to end the annual tradition. In another ad the following year, Smith posed with her dogs in a campaign against Iams dog food for their alleged cruelty to animals, as well as the manufacturer Procter & Gamble, and sister company Eukanuba.
Question: Did she have a spokeswomen?
Answer: ". In October 2003, she became a spokeswoman for TrimSpa,
Question: what type of work did she do?
Answer: which allegedly helped her lose a reported 69 pounds (31 kg). TrimSpa diet product company and Smith were sued in a class action
Question: Why was she sued?
Answer: their marketing of a weight loss pill was false or misleading.
Question: How much was awarded by the lawsuit?
Answer: CANNOTANSWER
Question: What did she do next?
Answer: In November 2004, she appeared at the American Music Awards to introduce Kanye West and attracted attention
Question: What did she do after that? | [
"In March 2005, at the first MTV Australia Video Music Awards in Sydney's Luna Park, she spoofed Janet Jackson's wardrobe malfunction"
] |
Title: Anna Nicole Smith
Background: Smith was born Vickie Lynn Hogan in 1967 in Houston, Texas, and raised in Mexia, Texas. She was the daughter of Donald Eugene Hogan (1947-2009) and Virgie Mae Arthur (nee Tabers; b. 1951), who married on February 22, 1967 and divorced on November 4, 1969. She had five half siblings: Donna Hogan, David Tacker Jr., Donnie Hogan, Amy Hogan, and Donald Hart. Smith was raised by her mother and aunt.
Section: Modeling
Passage: Smith appeared on the cover of the March 1992 issue of Playboy magazine, with her name given as Vickie Smith. She later appeared as the Playboy Playmate of the Month in a pictorial shot by Stephen Wayda for the May 1992 issue. Smith then secured a contract to replace supermodel Claudia Schiffer in a Guess jeans ad campaign featuring a series of sultry black-and-white photographs. During the Guess campaign Smith changed her name to Anna Nicole Smith. Guess photographers noticed Smith bore a striking resemblance to bombshell Jayne Mansfield and showcased her in several Mansfield-inspired photo sessions. In 1993 before Christmas, she modeled for the Swedish clothing company H&M. This led to her being pictured on large billboards in Sweden and Norway. In addition to Playboy, Smith appeared on the cover of German Marie Claire magazine, photographed by Peter Lindbergh A photograph of Smith was used by New York magazine on the cover of its August 22, 1994, issue titled White Trash Nation. In the photo, she appears squatting in a short skirt with cowboy boots as she eats chips. In October 1994, her lawyer, T. Patrick Freydl, initiated a $5 million lawsuit against the magazine, claiming that Smith did not authorize the use of her photo; the suit also alleged that the article damaged her reputation. Her lawyer stated Smith was under the impression that she was being photographed to embody the "all-American look." Editor Kurt Andersen said that the photo was one of dozens taken for the cover, further stating "I guess they just found the picture we chose unflattering." The lawsuit was reported to be settled.
Question: What is relevant about Nicole's modeling career?
Answer: Smith appeared on the cover of the March 1992 issue of Playboy magazine, with her name given as Vickie Smith.
Question: Did this make her famous?
Answer: She later appeared as the Playboy Playmate of the Month in a pictorial shot by Stephen Wayda for the May 1992 issue.
Question: In what other issues of playboy did she appear?
Answer: Smith then secured a contract to replace supermodel Claudia Schiffer in a Guess jeans ad campaign featuring a series of sultry black-and-white photographs.
Question: What was one of the highest points of her modeling career?
Answer: Guess photographers noticed Smith bore a striking resemblance to bombshell Jayne Mansfield and showcased her
Question: What happened after they showcased her?
Answer: showcased her in several Mansfield-inspired photo sessions.
Question: What other companies did she model for? | [
"This led to her being pictured on large billboards in Sweden and Norway. In addition to Playboy,"
] |
Title: Rascal Flatts
Background: Rascal Flatts is an American country band formed in Columbus, Ohio in 1999. It is composed of Gary LeVox, his second cousin Jay DeMarcus and Joe Don Rooney. DeMarcus is also a brother-in-law of country music singer James Otto, and formerly one-half of the Christian music duo East to West. They are best known for performing a cover of Tom Cochrane's "Life Is a Highway".
Section: 2008-2010: Greatest Hits Volume 1 and Unstoppable
Passage: Rascal Flatts released their first greatest hits CD, Greatest Hits Volume 1, on October 28, 2008. The album contains 13 of their biggest songs, starting with "Prayin' for Daylight" and going through "Life Is a Highway". The limited edition of the album contains a second disc with three Christmas songs: "White Christmas", "Jingle Bell Rock", and "I'll Be Home for Christmas". A year later in October 2009, they released a second edition of their greatest hits collection, this time with a second disc containing live performances of "Take Me There", "Summer Nights", "Me & My Gang", and "Winner at a Losing Game". Rascal Flatts released the first single, "Here Comes Goodbye", from their album Unstoppable to radio on January 20, 2009, and the album was released on April 7. "Here Comes Goodbye" became the group's tenth No. 1 hit. The song was co-written by American Idol season six finalist Chris Sligh. The second single, "Summer Nights", co-written by Gary LeVox, was released in early May 2009, debuted at No. 57 and topped out at No. 2 on the country charts. The group performed "Summer Nights" at the CMT Music Awards, Oprah's Kickoff Party, and the finale of America's Got Talent. The third single off the album, "Why", peaked at No. 18 on the country charts. Rascal Flatts performed "Why" on The Tonight Show with Conan O'Brien. The band released their fourth single, "Unstoppable", in January 2010. A special release version of their album Unstoppable is available at JCPenney stores nationwide. It features a special release song entitled "American Living" only available on the albums sold at JCPenney stores. JCPenney is an official sponsor of Rascal Flatts' Unstoppable American Living Tour in a two-year partnership and $1 of every CD sold at JCPenney will be donated to the JCPenney Afterschool Fund. On July 16, 2009, as part of the JCPenney American Living Tour, Rascal Flatts made history as the first country music group to play Chicago's Wrigley Field. The trio was joined by fellow artists Vince Gill and Darius Rucker for a near-sellout crowd.
Question: How popular was the greatest hits volume 1 and unstoppable?
Answer: Rascal Flatts released their first greatest hits CD, Greatest Hits Volume 1, on October 28, 2008. The album contains 13 of their biggest songs, starting with "Prayin' for Daylight"
Question: How many albums did they sell? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Rascal Flatts
Background: Rascal Flatts is an American country band formed in Columbus, Ohio in 1999. It is composed of Gary LeVox, his second cousin Jay DeMarcus and Joe Don Rooney. DeMarcus is also a brother-in-law of country music singer James Otto, and formerly one-half of the Christian music duo East to West. They are best known for performing a cover of Tom Cochrane's "Life Is a Highway".
Section: 2005-2007: Me and My Gang and Still Feels Good
Passage: Rascal Flatts's thirteenth chart entry, "What Hurts the Most", was released in December 2005. This song, which had previously been recorded by Mark Wills in 2003, was the first single from their fourth album, 2006's Me and My Gang. For this album, the band worked with producer Dann Huff. They switched producers to create a more band-oriented album. "What Hurts the Most" was a crossover hit, reaching No. 1 at both country and adult contemporary, as well as top 10 on the Hot 100 chart. After it, the album's title track charted in the top ten, and both "My Wish" and "Stand" hit No. 1. Also in 2006, the group charted in the top 10 of the Hot 100 with a cover of Tom Cochrane's "Life Is a Highway", which they recorded for the Pixar film Cars. Although "Life Is a Highway" was not released to country radio, several country stations began playing the song, causing it to chart within the top 20 of Hot Country Songs. Me and My Gang had the highest US debut of 2006, with 722,000 units in April. The album spent 15 weeks at No. 1 on the Billboard Country Chart and was the second-best selling album of 2006 (behind High School Musical) with sales totaling 3.5 million by year's end. The album's success led the band to take the spot of top-selling artist for all genres of music, which had not been accomplished in 15 years by a country group. Carrie Underwood and Rascal Flatts performed together at the 2007 Grammy Awards ceremony. Later the same year, the group released the single "Take Me There", a song which Kenny Chesney co-wrote and had initially planned to record himself. It became a number-one country hit in September and was the first single from their album Still Feels Good. It was followed by "Winner at a Losing Game", the first single which the band wrote itself. Both it and its followup "Every Day" peaked at No. 2 on the country chart. The fourth single from Still Feels Good, "Bob That Head", became the band's first single to miss the top ten at country radio. The album's fifth and final single, "Here", was released in August 2008 and became their ninth Number One hit on the chart week of January 3, 2009.
Question: What is Me and my Gang
Answer: Me and My Gang had the highest US debut of 2006, with 722,000 units in April.
Question: When was it released
Answer: 2006
Question: Did it hit any top charts
Answer: The album spent 15 weeks at No. 1 on the Billboard Country Chart
Question: did it win awards
Answer: CANNOTANSWER
Question: When did that one release | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: George Martin
Background: Sir George Henry Martin (3 January 1926 - 8 March 2016) was an English record producer, arranger, composer, conductor, audio engineer, and musician. He was referred to as the "Fifth Beatle", including by Paul McCartney, in reference to his extensive involvement on each of the Beatles' original albums. Martin produced 30 number-one hit singles in the United Kingdom and 23 number-one hits in the United States. Martin produced comedy and novelty records in the early 1950s, working with Peter Sellers, Spike Milligan, and Bernard Cribbins, among others.
Section: Early years
Passage: Martin was born in Highbury, London. When he was six, Martin's family acquired a piano that sparked his interest in music. At eight years of age, Martin persuaded his parents, Henry and Betha Beatrice (nee Simpson) Martin, that he should take piano lessons, but those ended after only eight lessons because of a disagreement between his mother and the teacher. As a child, he attended several schools, including a "convent school in Holloway", St Joseph's School (Highgate), and at St Ignatius' College (Stamford Hill), where he had won a scholarship. When WWII broke out, and St. Ignatius College students were evacuated to Welwyn Garden City, his family left London, and he was enrolled at Bromley Grammar School. I remember well the very first time I heard a symphony orchestra. I was just in my teens when Sir Adrian Boult brought the BBC Symphony Orchestra to my school for a public concert. It was absolutely magical. Hearing such glorious sounds I found it difficult to connect them with ninety men and women blowing into brass and wooden instruments or scraping away at strings with horsehair bows. Despite Martin's continued interest in music, and "fantasies about being the next Rachmaninov", he did not initially choose music as a career. He worked briefly as a quantity surveyor, and later for the War Office as a Temporary Clerk (Grade Three), which meant filing paperwork and making tea. In 1943, when he was 17, he joined the Fleet Air Arm of the Royal Navy and became an aerial observer and a commissioned officer. The war ended before Martin was involved in any combat, and he left the service in 1947. Encouraged by Sidney Harrison (a member of the Committee for the Promotion of New Music) Martin used his veteran's grant to attend the Guildhall School of Music and Drama from 1947 to 1950, where he studied piano and oboe, and was interested in the music of Rachmaninoff and Ravel, as well as Cole Porter. Martin's oboe teacher was Margaret Eliot (the mother of Jane Asher, who would later become involved with Paul McCartney). After that, Martin explained that he had just picked it up by himself. On 3 January 1948 - while still at the Academy - Martin married Sheena Chisholm, with whom he would have two children, Alexis and Gregory Paul Martin. He later married Judy Lockhart-Smith on 24 June 1966, and they also had two children, Lucie and Giles Martin.
Question: Where was Martin born?
Answer: Martin was born in Highbury, London.
Question: When did he get into music?
Answer: When he was six, Martin's family acquired a piano that sparked his interest in music.
Question: What other music education did he have early on?
Answer: he should take piano lessons, but those ended after only eight lessons because of a disagreement between his mother and the teacher.
Question: Where did he go to school?
Answer: As a child, he attended several schools, including a "convent school in Holloway", St Joseph's School (Highgate), and at St Ignatius' College (Stamford Hill), where he had won a scholarship.
Question: Did he do anything else notable in his early years? | [
"In 1943, when he was 17, he joined the Fleet Air Arm of the Royal Navy and became an aerial observer and a commissioned officer."
] |
Title: José Martí
Background: Jose Julian Marti Perez (January 28, 1853 - May 19, 1895) was a Cuban National Hero and an important figure in Latin American literature. During his life, he worked as a poet, essayist, journalist, translator, professor, and publisher. He was very politically active, and is considered an important revolutionary philosopher and political theorist. Through his writings and political activity, he became a symbol of Cuba's bid for independence against Spain in the 19th century, and is referred to as the "Apostle of Cuban Independence."
Section: Legacy
Passage: Marti's dedication to the cause of Cuban independence and his passionate belief in democracy and justice has made him a hero for all Cubans, a symbol of unity, the "Apostle", a great leader. His ultimate goal of building a democratic, just, and stable republic in Cuba and his obsession with the practical execution of this goal led him to become the most charismatic leader of the 1895 colonial revolution. His work with the Cuban emigre community, enlisting the support of Cuban workers and socialist leaders to form the Cuban Revolutionary Party, put into motion the Cuban war of independence. His foresight into the future, shown in his warnings against American political interests for Cuba, was confirmed by the swift occupation of Cuba by the United States following the Spanish-American War. His belief in the inseparability of Cuban and Latin American sovereignty and the expression thereof in his writings have contributed to the shape of the modern Latin American Identity. His works are a cornerstone of Latin American and political literature and his prolific contributions to the fields of journalism, poetry, and prose are highly acclaimed. Marti's writings on the concepts of Cuban nationalism fuelled the 1895 revolution and have continued to inform conflicting visions of the Cuban nation. The Cuban nation-state under Fidel Castro consistently claimed Marti as a crucial inspiration for its Communist revolutionary government. During Castro's regime, the politics and death of Marti were used to justify certain actions of the Cuban state. The Cuban government claimed that Marti had supported a single party system, creating a precedent for an all-powerful communist government. Castro used this explanation throughout the late 20th century to deter Cuban citizens from demanding a multiparty system. The vast amount of writing that Marti produced in his lifetime makes it difficult to determine his exact political ideology, but his major goal was the liberation of Cuba from Spain and the establishment of a democratic republican government. Despite Marti never having supported communism or single party systems, Cuban leaders repeatedly claimed that Marti's Partido Revolucionario Cubano was a "forerunner of the Communist Party". Marti's nuanced, often ambivalent positions on the most important issues of his day have led Marxist interpreters to see a class conflict between the proletariat and the bourgeoisie as the main theme of his works, while others, namely the Cuban diasporic communities in Miami and elsewhere have identified a liberal-capitalist emphasis. These Cuban exiles still honor Marti as a figure of hope for the Cuban nation in exile and condemn Castro's regime for manipulating his works and creating a "Castroite Marti" to justify its "intolerance and abridgments of human rights". His writings thus remain a key ideological weapon in the battle over the fate of the Cuban nation. One further example of his legacy is that his name has been chosen for several institutions or NGOs from various countries, such as Romania, where a public school from Bucharest and the Romanian-Cuban Friendship Association from Targoviste are both named "Jose Marti". A gigantic statue was unveiled on his 123rd birth anniversary and President Raul Castro was present at the ceremony.
Question: what was his legacy?
Answer: his passionate belief in democracy and justice has made him a hero for all Cubans, a symbol of unity, the "Apostle", a great leader.
Question: what did he do for cubans?
Answer: Fidel Castro consistently claimed Marti as a crucial inspiration for its Communist revolutionary government.
Question: who did he work with? | [
"Fidel Castro"
] |
Title: Arthur Irwin
Background: Arthur Irwin was born in 1858 in Toronto, Ontario, to an Irish blacksmith and a Canadian mother. As a child, he moved with his family to Boston and attended school there. He played local amateur baseball from 1873 until he was recruited by the Worcester Ruby Legs of the National Association in 1879. In late 1879, manager Frank Bancroft took Irwin and most of the other Worcester players on a baseball tour which included visits to New Orleans and Cuba.
Section: Playing days
Passage: Irwin's major league career began when the Ruby Legs moved into the National League (NL) in 1880. He led the league in assists in his rookie season, and remained with the team through 1882, when it folded due to poor attendance. Irwin next spent three seasons with the Providence Grays, and was captain and starting shortstop of the 1884 Providence team that became world champions. The 1884 Grays featured star pitchers Charles Radbourn and Charlie Sweeney; the two hurlers did not get along well, and Sweeney left the team in the middle of the season. The club folded after a fourth-place finish in 1885. Irwin moved on to the newly formed Philadelphia Quakers in 1886. Tragedy struck the Philadelphia squad in 1888 when pitcher Charlie Ferguson developed typhoid fever, dying at Irwin's home. During the 1889 season, Irwin went to the Washington Nationals for his first opportunity as player-manager, although the team folded at the end of the season. He next played for the Boston Reds in the Players' League in 1890. That same year, Irwin coached the baseball team at Dartmouth College. While Irwin served as a player-manager for Boston in 1890, he was able to focus on the managerial role for the team in 1891. That year the team signed his brother, John Irwin, on May 21. Newspapers brought accusations of nepotism and criticized John's mediocre play. John Irwin was released by Boston on July 16, and his major league playing career was over by the next month. Although Irwin's regular playing career ended after the 1890 season, he appeared in six games while managing the Boston team after it moved to the American Association in 1891. He also played in one game while managing the 1894 Philadelphia Phillies. A left-handed hitter, Irwin finished his playing career with 1,015 games played and batted .241 in 4,190 plate appearances. He tallied 396 runs batted in and 552 runs scored. Stolen bases were not awarded until 1886, but Irwin tallied 93 stolen bases in his last 532 games. He recorded an .878 career fielding percentage, committing 647 errors in 5,317 fielding chances. Irwin played 947 games at shortstop and 56 games at third base. He also appeared at second base, pitcher and catcher.
Question: What is the first team that Arthur Irwin played for?
Answer: Irwin's major league career began when the Ruby Legs moved into the National League (NL) in 1880.
Question: What position did he play?
Answer: Irwin next spent three seasons with the Providence Grays, and was captain and starting shortstop of the 1884 Providence team
Question: What team did he join after the Providence Grays?
Answer: Irwin moved on to the newly formed Philadelphia Quakers in 1886.
Question: What position did he play with the Nationals? | [
"player-manager, although the team folded at the end of the season."
] |
Title: George Martin
Background: Sir George Henry Martin (3 January 1926 - 8 March 2016) was an English record producer, arranger, composer, conductor, audio engineer, and musician. He was referred to as the "Fifth Beatle", including by Paul McCartney, in reference to his extensive involvement on each of the Beatles' original albums. Martin produced 30 number-one hit singles in the United Kingdom and 23 number-one hits in the United States. Martin produced comedy and novelty records in the early 1950s, working with Peter Sellers, Spike Milligan, and Bernard Cribbins, among others.
Section: Parlophone
Passage: Following his graduation, he worked for the BBC's classical music department, then joined EMI in 1950 as an assistant to Oscar Preuss, the head of EMI's Parlophone Records from 1950 to 1955. Although having been regarded by EMI as a vital German imprint in the past, it was then not taken seriously and only used for EMI's insignificant acts. After taking over Parlophone, as head of artists and repertoire, when Preuss retired in 1955, Martin recorded classical and Baroque music, original cast recordings, and regional music from around Britain and Ireland. Martin also produced numerous comedy and novelty records. His first hit for Parlophone was the "Mock Mozart" single by Peter Ustinov with Antony Hopkins - a record reluctantly released in 1952 by EMI, only after Preuss insisted they give his young assistant, Martin, a chance. Later that decade Martin worked with Peter Sellers on two very popular comedy LPs. One was released on 10 format and called The Best Of Sellers, the second was released in 1957, being called Songs for Swinging Sellers (a spoof on Frank Sinatra's LP Songs for Swingin' Lovers!). As he had worked with Sellers, he also came to know Spike Milligan, with whom he became a firm friend, and best man at Milligan's second marriage: "I loved The Goon Show, and issued an album of it on my label Parlophone, which is how I got to know Spike." The album was Bridge on the River Wye. It was a spoof of the film The Bridge on the River Kwai, being based on the 1957 Goon Show episode "An African Incident." It was intended to have the same name as the film, but shortly before its release, the film company threatened legal action if the name was used. Martin edited out the 'K' every time the word Kwai was spoken, with Bridge on the River Wye being the result. The River Wye is a river that runs through England and Wales. The album featured Milligan, Sellers, Jonathan Miller, and Peter Cook, playing various characters. Other comedians Martin worked with included Bernard Cribbins, Charlie Drake, Terry Scott, Bruce Forsyth, Michael Bentine, Dudley Moore, Flanders and Swann, Lance Percival, Joan Sims, Bill Oddie, and The Alberts. Martin worked with both Jim Dale and the Vipers Skiffle Group, with whom he had a number of hits. In early 1962, under the pseudonym "Ray Cathode," Martin released an early electronic dance single, "Time Beat" - recorded at the BBC Radiophonic Workshop. As Martin wanted to add rock and roll to Parlophone's repertoire, he struggled to find a "fireproof" hit-making pop artist or group. As a producer, Martin recorded the two-man show featuring Michael Flanders and Donald Swann, At the Drop of a Hat, which sold steadily for twenty-five years, although Martin's breakthrough as a producer came with the Beyond the Fringe show cast album, which starred Peter Cook, Dudley Moore, Alan Bennett, and Jonathan Miller, and he would also produce the accompanying soundtrack album for David Frost's satirical BBC TV show That Was the Week That Was in 1963. Martin's work transformed the profile of Parlophone from a "sad little company" to a very profitable business.
Question: What is Parlophone in relation to George Martin?
Answer: joined EMI in 1950 as an assistant to Oscar Preuss, the head of EMI's Parlophone Records
Question: Did he work with any famous artists during this period?
Answer: As he had worked with Sellers, he also came to know Spike Milligan,
Question: Did he produce any albums during this period?
Answer: Martin's breakthrough as a producer came with the Beyond the Fringe show cast album,
Question: What band created the Beyond the Fringe album?
Answer: which starred Peter Cook, Dudley Moore, Alan Bennett, and Jonathan Miller,
Question: Was he ever promoted from assistant to another position within the record label? | [
"As a producer, Martin recorded the two-man show featuring Michael Flanders and Donald Swann,"
] |
Title: Petra (band)
Background: Petra is a music group regarded as a pioneer of the Christian rock and contemporary Christian music genres. Formed in 1972, the band took its name from the Greek word for "rock". Though it disbanded formally in 2006, incarnations have played reunion shows in the years since and released an album in November 2010. In 2013, it reformed with a new drummer, Cristian Borneo, and recorded a new song titled "Holy is Your Name", before going back on tour.
Section: Come and Join Us (1977)
Passage: In 1976, Glover had resigned from the band. He was replaced by a string of drummers which included a childhood friend of Hough, Bob Rickman, and Glover's cousin, Mark Richards. However, by the time their record deal for the second album went through, Richards had already left, and Petra decided to hire Glover as a studio musician. By Hartman's admission, his vocal style did not match well with the band's genre, and Petra brought in a number of guest vocalists for the second record, among them former e vocalist Greg X. Volz (that band's name being a lower-case abbreviation of "Emmanuel"). Volz took the lead vocals on two songs and backed up several others. Among Volz's songs was a cover of the Argent anthem "God Gave Rock and Roll to You," which Myrrh had hoped to release as a radio single to the secular market. The song was immediately controversial - and revolutionary. "It was the boldest statement anyone in Christian music had made until that time," said Ambassador Artist Agency president Wes Yoder. "This was a radical notion, especially in the minds of the leaders of conservative churches." Other guest singers featured in the album were Steve Camp, Karen Morrison, and Austin Roberts. The recording process also was marked by disputes: the label refused Hartman's request to name the album God Gave Rock and Roll to You while a bluesy, crowd-favorite track written by Hartman about rejecting the pre-Christian self, "Killing My Old Man," was deemed too controversial and cut from the album (the song would later appear on the album Never Say Die). With a harder-edged sound reminiscent of Led Zeppelin and Deep Purple, Come and Join Us was released in 1977. It failed to sell well, however, and Myrrh dropped Petra from its label.
Question: what was the 3rd hottest song on christian rock in 1982?
Answer: CANNOTANSWER
Question: what did ccm magazine say about the album?
Answer: Come and Join Us was released in 1977. It failed to sell well, however, and Myrrh dropped Petra from its label.
Question: did For Annie gain any popularity? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Petra (band)
Background: Petra is a music group regarded as a pioneer of the Christian rock and contemporary Christian music genres. Formed in 1972, the band took its name from the Greek word for "rock". Though it disbanded formally in 2006, incarnations have played reunion shows in the years since and released an album in November 2010. In 2013, it reformed with a new drummer, Cristian Borneo, and recorded a new song titled "Holy is Your Name", before going back on tour.
Section: Never Say Die (1981)
Passage: The four band members and studio drummer Keith Edwards recorded Never Say Die and released it in 1981, with the first single a song originally written and performed by Volz's old band. "The Coloring Song" was Petra's big break, rocketing to the top of three Christian radio charts (rock, adult contemporary, inspirational) and reaching the top five of a fourth (southern gospel). Other songs - including the haunting "For Annie," the rocking "Chameleon" and the controversial "Killing My Old Man" - became audience favorites. Sporting a heavier, more polished sound in the vein of Foreigner, Styx or Kansas, Never Say Die became the breakthrough album for which the band and its label had hoped, receiving rave reviews. CCM Magazine compared the band's new sound to Boston's, praising the album's lyrical and musical content and calling Never Say Die "by far their finest to date." Ultimately, "The Coloring Song" became the third-hottest song on Christian radio in 1982 and the 14th-highest-ranked single of the decade on the Christian adult contemporary charts. It stayed on the radio charts an astounding 14 months, while "For Annie" reached the top five on Christian radio in 24 markets. As important as the success on radio was the band's ability to tour nationally - the costs of which had been formidable in previous years. Unable to raise enough money for nationwide tours in support of its previous albums, Petra received another break when the band Servant invited it to open on its 1981-82 tour. Under Hollingsworth's tutelage, the band refined its live performances, its members dressing in camouflage to emphasize the spiritual warfare theme recalled by Never Say Die's artwork, which featured an ocean war setting with an electric guitar doubling as an aircraft carrier. The tour turned Never Say Die into a commercial hit. In December 1981, it became the first Petra album to crack the Billboard Top 40 Inspirational LPs chart, debuting at No. 27, peaking at No. 7 in April 1982, and lasting on the chart through February 1983, more than 60 weeks after its debut.
Question: Is "Never Say Die" the name of a Petra album?
Answer: Keith Edwards recorded Never Say Die and released it in 1981,
Question: Did Petra tour in 1981? | [
"Petra received another break when the band Servant invited it to open on its 1981-82 tour."
] |
Title: Mike Stock (musician)
Background: Michael Stock (born 3 December 1951) is an English songwriter, record producer and musician, best known for being a member of the songwriting and production team Stock Aitken and Waterman that achieved success in the 1980s and 1990s. He has written or produced numerous worldwide hits including 18 No. 1 records in America and the UK, and over a hundred top-40 hits. Stock is one of the most successful songwriters of all time as recognised by the Guinness Book of Records. As part of Stock Aitken and Waterman, he is acknowledged as the most successful producer-songwriter in British chart history and holds the record for the most No. 1 records with different acts, with 11.
Section: Biography
Passage: Stock was born in Margate, Kent, England in 1951 and grew up in Swanley, Kent. He attended White Oak primary school and Swanley comprehensive school. At Swanley school he was involved in several school variety productions. He was self-taught in playing the piano and guitar and began writing songs at the age of seven. Inspired by The Beatles he soon became fixated with pop music and put together his first band at age 13, playing bass guitar and singing. Fascinated by the popular songwriting styles of Rodgers and Hammerstein, and writers such as Irving Berlin and the energy and freshness of The Beatles, he established a deep love of pop music. Stock signed a publishing contract when he was nineteen after earning a reputation as a budding songwriter, although no one had suggested a full-time career in the music world was a possibility. In 1970 Stock earned a placement at the University of Hull to study Drama and Theology and formed a band with a fellow student, the later acclaimed Oscar-winning director, Anthony Minghella. Whilst at Hull, Stock met his wife Bobbie and left university when she graduated to concentrate his efforts in making it in music. In 1975 they married and soon after, sold their house in Bury, Lancashire to move back south Stock played his first paid, solo gig at Aveley Working Men's Club in Essex in 1976, earning twenty five pounds. By the late 1970s Stock, now living in Blackheath, South London, was performing up and down the country. Performing solo, in a duo or with bands Mirage and Nightwork, Stock gained a good reputation for his live performances and was regularly booked for venues like the Hilton Hotel, Grosvenor House and the Dorchester in Mayfair. Throughout 1979 to 1981 Stock was gigging every night of the week in various bands embracing pop, dance, old standards, rock or funk. Stock's band had gone through several guitar players before he was alerted to Matt Aitken; a guitarist who had been spotted by another member of his band working on a cruise ship. Stock contacted Aitken to offer him a role in the band. Playing on cruise ships and in various bands of his own, Aitken was an accomplished guitarist whose style could adapt to any type of music. In 1982 Stock moved to Abbey Wood, South London where, along with Matt Aitken he acquired a recording desk and tape machine and formed his first record label. During the break of one of Mirage's sets on New Year's Eve 1983, Stock informed the band he would be leaving and was going into the studio to pursue his career as a songwriter and producer. Matt Aitken agreed to join him and from January 1984 onwards the pair worked exclusively in recording studios.
Question: Where did Mike Stock grow up?
Answer: Stock was born in Margate, Kent, England in 1951 and grew up in Swanley, Kent.
Question: Where did he go to school?
Answer: He attended White Oak primary school and Swanley comprehensive school.
Question: What did he do after attending Swanley?
Answer: he soon became fixated with pop music and put together his first band at age 13,
Question: What was his first band called?
Answer: CANNOTANSWER
Question: Did he play any instruments?
Answer: playing bass guitar and singing.
Question: Did he earn a degree? | [
"Stock met his wife Bobbie and left university when she graduated to concentrate his efforts in making it in music."
] |
Title: Mike Stock (musician)
Background: Michael Stock (born 3 December 1951) is an English songwriter, record producer and musician, best known for being a member of the songwriting and production team Stock Aitken and Waterman that achieved success in the 1980s and 1990s. He has written or produced numerous worldwide hits including 18 No. 1 records in America and the UK, and over a hundred top-40 hits. Stock is one of the most successful songwriters of all time as recognised by the Guinness Book of Records. As part of Stock Aitken and Waterman, he is acknowledged as the most successful producer-songwriter in British chart history and holds the record for the most No. 1 records with different acts, with 11.
Section: Post SAW
Passage: In 1993 Stock formed 'Love This Records', and built a brand new multimillion-pound recording studio in London. The first record released with 'Love This Records' was a dance cover of the track Total Eclipse of the Heart. It was a worldwide hit for Nicki French, reaching No. 2 in America and No. 1 in seven countries selling over 2 million copies. In 1994 Simon Cowell asked Stock to produce the record for the popular kid's TV show 'Mighty Morphin Power Rangers' which was a top 5 hit in the UK. Cowell had worked with Stock on previous occasions with artists such as Sinitta, for whom Stock wrote and produced various hits like Toy Boy in 1987. Stock again collaborated with Cowell in 1993 on the World Wrestling Federation (WWF) album Wrestlemania which spawned the No. 4 hit 'Slam Jam'. In 1994 Stock produced several artists for Simon Cowell including Kym Mazelle, Jocelyn Brown and Robson and Jerome. Their cover of Unchained Melody produced by Stock and Aitken became the highest selling non-charity single of the decade, remaining at No. 1 for 7 weeks in 1995 selling 2.5 million copies. Stock produced a further two No. 1 singles with Robson and Jerome and two No. 1 albums. After several years producing hits for Stock's own label 'Love This Records' and with Simon Cowell for BMG/RCA, the structural integrity of Stock's studio became compromised by the tunnelling of the Jubilee Line extension, and the damage forced Stock to pursue legal action against London Underground. As a result, Stock was forced to pull out of a joint deal with Cowell and BMG to produce several artists including the band Westlife in 1996. In 1998 Stock and Aitken teamed up with Steve Crosby who had created the group Steps, to form the band Scooch. Their first single 'When My Baby' reached No. 29 and their follow up, 'More Than I Needed To Know', was a top 5 hit in the UK in 2000 and went to No. 1 in Japan. Scooch's album 'Four Sure' spawned two more top 20 singles. Stock also scored a top 20 with 'Airhead' by girl band Girls@Play, with EastEnders' star Rita Simons that toured with Steps. In 2003 Stock formed the label Better the Devil Records and had a huge hit with the Fast Food Song selling 200,000 CD singles. Stock wrote and produced two further singles for the Fast Food Rockers including the top 10 'Smile Please'.
Question: What did Mike Stock do post SAW?
Answer: In 1993 Stock formed 'Love This Records', and built a brand new multimillion-pound recording studio in London.
Question: How did Love This Records do on the music charts? | [
"It was a worldwide hit for Nicki French, reaching No. 2 in America and No. 1 in seven countries selling over 2 million copies."
] |
Title: Sarah Vaughan
Background: Vaughan's father, Asbury "Jake" Vaughan, was a carpenter by trade and played guitar and piano. Her mother, Ada Vaughan, was a laundress and sang in the church choir. Jake and Ada Vaughan had migrated to Newark, New Jersey from Virginia during the First World War. Sarah was their only biological child, although in the 1960s they adopted Donna, the child of a woman who traveled on the road with Sarah Vaughan.
Section: 1954-59: Mercury years
Passage: In 1953, Treadwell negotiated a unique contract for Vaughan with Mercury Records. She would record commercial material for the Mercury label and more jazz-oriented material for its subsidiary EmArcy. Vaughan was paired with producer Bob Shad and their excellent working relationship yielded strong commercial and artistic success. Her debut Mercury recording session took place in February 1954 and she stayed with the label through 1959. After a stint at Roulette Records (1960 to 1963), Vaughan returned to Mercury from 1964 to 1967. Vaughan's commercial success at Mercury began with the 1954 hit, "Make Yourself Comfortable", recorded in the fall of 1954, and continued with a succession of hits, including: "How Important Can It Be" (with Count Basie), "Whatever Lola Wants", "The Banana Boat Song", "You Ought to Have A Wife" and "Misty". Her commercial success peaked in 1959 with "Broken Hearted Melody", a song she considered to be "corny", but, nonetheless, became her first gold record, and a regular part of her concert repertoire for years to come. Vaughan was reunited with Billy Eckstine for a series of duet recordings in 1957 that yielded the hit "Passing Strangers". Vaughan's commercial recordings were handled by a number of different arrangers and conductors, primarily Hugo Peretti and Hal Mooney. The jazz "track" of her recording career proceeded apace, backed either by her working trio or various combinations of stellar jazz players. One of her own favorite albums was a 1954 sextet date that included Clifford Brown. In the latter half of the 1950s she followed a schedule of almost non-stop touring, with many famous jazz musicians. She was featured at the first Newport Jazz Festival in the summer of 1954 and starred in subsequent editions of that festival at Newport and in New York City for the remainder of her life. In the fall of 1954, she performed at Carnegie Hall with the Count Basie Orchestra on a bill that also included Billie Holiday, Charlie Parker, Lester Young and the Modern Jazz Quartet. That fall, she again toured Europe successfully before embarking on a "Big Show" U.S. tour, a grueling succession of start-studded one-nighters that included Count Basie, George Shearing, Erroll Garner and Jimmy Rushing. At the 1955 New York Jazz Festival on Randalls Island, Vaughan shared the bill with the Dave Brubeck quartet, Horace Silver, Jimmy Smith, and the Johnny Richards Orchestra. Although the professional relationship between Vaughan and Treadwell was quite successful through the 1950s, their personal relationship finally reached a breaking point and she filed for a divorce in 1958. Vaughan had entirely delegated financial matters to Treadwell, and despite significant income figures reported through the 1950s, at the settlement Treadwell said that only $16,000 remained. The couple evenly divided the amount and their personal assets, terminating their business relationship.
Question: when or what era was Vaughn popular ?
Answer: In 1953, Treadwell negotiated a unique contract for Vaughan with Mercury Records.
Question: what did she and her partner do as more funds were available? | [
"Her debut Mercury recording session took place in February 1954 and she stayed with the label through 1959."
] |
Title: Sarah Vaughan
Background: Vaughan's father, Asbury "Jake" Vaughan, was a carpenter by trade and played guitar and piano. Her mother, Ada Vaughan, was a laundress and sang in the church choir. Jake and Ada Vaughan had migrated to Newark, New Jersey from Virginia during the First World War. Sarah was their only biological child, although in the 1960s they adopted Donna, the child of a woman who traveled on the road with Sarah Vaughan.
Section: 1948-53: Stardom and the Columbia years
Passage: The musicians' union ban pushed Musicraft to the brink of bankruptcy, and Vaughan used the missed royalty payments as an opportunity to sign with the larger Columbia record label. Following the settling of the legal issues, her chart successes continued with the charting of "Black Coffee" in the summer of 1949. During her tenure at Columbia through 1953, Vaughan was steered almost exclusively to commercial pop ballads, a number of which had chart success: "That Lucky Old Sun", "Make Believe (You Are Glad When You're Sorry)", "I'm Crazy to Love You", "Our Very Own", "I Love the Guy", "Thinking of You" (with pianist Bud Powell), "I Cried for You", "These Things I Offer You", "Vanity", "I Ran All the Way Home", "Saint or Sinner", "My Tormented Heart", and "Time", among others. Vaughan achieved substantial critical acclaim. She won Esquire magazine's New Star Award for 1947 as well as awards from Down Beat magazine continually from 1947-1952, and from Metronome magazine from 1948-1953. A handful of critics disliked her singing for its being "over-stylized", reflecting the heated controversies of the time over the new musical trends of the late '40s. However, the critical reception of the young singer was generally positive. Recording and critical success led to numerous performing opportunities, with Vaughan packing clubs around the country almost continuously throughout the years of the late 1940s and early 1950s. In the summer of 1949, Vaughan made her first appearance with a symphony orchestra in a benefit for the Philadelphia Orchestra entitled "100 Men and a Girl." Around this time, Chicago disk jockey Dave Garroway coined a second nickname for her--"The Divine One"--that would follow her throughout her career. One of her early television appearances was on DuMont's variety show Stars on Parade (1953-54), in which she sang "My Funny Valentine" and "Linger Awhile". In 1949, with their finances improving, Vaughan and Treadwell purchased a three-story house on 21 Avon Avenue in Newark, occupying the top floor during their increasingly rare off-hours at home and relocating Vaughan's parents to the lower two floors. However, business pressures and personality conflicts led to a cooling in Treadwell and Vaughan's relationship. Treadwell hired a road manager to handle Vaughan's touring needs, and opened a management office in Manhattan so he could work with clients in addition to Vaughan. Vaughan's relationship with Columbia Records also soured as she became dissatisfied with the commercial material she was required to record and the lackluster financial success of her records. A set of small group sides recorded in 1950 with Miles Davis and Bennie Green are among the best of her career, but they were atypical of her Columbia output.
Question: What happened in 1948?
Answer: Vaughan packing clubs around the country almost continuously throughout the years of the late 1940s and
Question: What songs did she release when she was with Columbia? | [
"\"That Lucky Old Sun\", \"Make Believe (You Are Glad When You're Sorry)\", \"I'm Crazy to Love You\", \"Our Very Own\", \"I Love the Guy\", \"Thinking of You\" ("
] |
Title: Paul Heyman
Background: Paul Heyman was born on September 11, 1965 in Westchester County, New York, to Richard S. Heyman (died June 25, 2013), a prominent personal injury attorney, and Sulamita Heyman (died February 27, 2009). His family was Jewish, and his mother was a Holocaust survivor. By age 11, he was running a mail order business selling celebrity and sports memorabilia from his home. While still a teenager, he fast-talked his way backstage at a World Wide Wrestling Federation event at Madison Square Garden as a photojournalist.
Section: Early career (1987-1988)
Passage: Heyman decided he wanted to work in professional wrestling when he saw Vince McMahon interviewing Superstar Billy Graham. He began as a photographer when he was 13 and bought his own photo lab to take photos of pro wrestlers in New York. He published his own newsletter, The Wrestling Times Magazine, and wrote for third-party wrestling publications such as Pro Wrestling Illustrated. At the age of 14, he called Capitol Wrestling Corporation, the parent company of the World Wide Wrestling Federation, and obtained a backstage pass for Madison Square Garden, his first official work in pro wrestling. Heyman met Dusty Rhodes at a Jim Crockett Promotions taping, when he entered a production meeting. In 1985, Heyman was hired by New York Studio 54 as photographer. The same year, he became producer of Studio 54 and hosted the first Wrestle Party 85 show. He called Jim Crockett, who sent Ric Flair, Dusty Rhodes and Magnum TA. The show featured Bam Bam Bigelow's debut and an award to Flair. At the urging of Bigelow, Heyman made his managerial debut on January 2, 1987, initially appearing on the Northeast independent circuit before moving to a more high-profile stint with Championship Wrestling from Florida in February 1987. There, he joined forces with Kevin Sullivan and Oliver Humperdink, and acquired the name Paul E. Dangerously because of his resemblance to Michael Keaton's character in Johnny Dangerously. After CWF was absorbed by Jim Crockett Promotions, Bigelow brought him to Memphis and the Continental Wrestling Association to manage Tommy Rich and Austin Idol in a heated feud with Jerry Lawler, a war which later carried over to the American Wrestling Association (AWA), with the Original Midnight Express (Dennis Condrey and Randy Rose) taking over for Idol and the face-turned Rich. The Paul E. Dangerously gimmick was an extension of Heyman's own personality: a brash New Yorker with a yuppie attitude, often seen holding a mobile phone, which was occasionally used as a "foreign object" (according to Heyman, he decided to use the mobile phone as a weapon when he watched Gordon Gekko in Wall Street). After departing the AWA, Heyman went to the Alabama-based Continental Wrestling Federation. Heyman joined with Eddie Gilbert's Hot Stuff Inc. stable. Behind the scenes, Gilbert was the head booker of the promotion, and Heyman became his assistant. Heyman was also the head booker for Windy City Wrestling in Chicago and started developing a reputation as being an innovative television writer and producer.
Question: what happened in 1987?
Answer: At the urging of Bigelow, Heyman made his managerial debut on January 2, 1987, initially appearing on the Northeast independent circuit
Question: what happened with the high profile stint? | [
"There, he joined forces with Kevin Sullivan and Oliver Humperdink, and acquired the name Paul E. Dangerously because of his resemblance to Michael Keaton's character in Johnny Dangerously."
] |
Title: Paul Heyman
Background: Paul Heyman was born on September 11, 1965 in Westchester County, New York, to Richard S. Heyman (died June 25, 2013), a prominent personal injury attorney, and Sulamita Heyman (died February 27, 2009). His family was Jewish, and his mother was a Holocaust survivor. By age 11, he was running a mail order business selling celebrity and sports memorabilia from his home. While still a teenager, he fast-talked his way backstage at a World Wide Wrestling Federation event at Madison Square Garden as a photojournalist.
Section: NWA Eastern/Extreme Championship Wrestling (1993-2001)
Passage: After departing WCW, Heyman attempted to start a new promotion in Texas with Jim Crockett, Jr.. Disagreement arose, however, as Crockett wanted to build a traditional wrestling brand, while Heyman believed traditional wrestling was antiquated and a new take on the genre was needed. At this time, Eddie Gilbert was a booker for a Philadelphia-based promotion, National Wrestling Alliance (NWA)'s Eastern Championship Wrestling, which he did under the ownership of a local pawn shop owner named Tod Gordon. Heyman came in to help Gilbert teach the younger wrestlers how to perform on interviews, but Gilbert's erratic behavior became too much for Gordon, who had a major falling out with Gilbert right before the "Ultra Clash" event on September 18, 1993. From that point forward, Heyman was in charge of the creative direction of the company. As Paul E. Dangerously, he managed a few wrestlers, including Sabu and 911. A year later, the company was the flagship promotion of the struggling NWA. A tournament was scheduled to be held in August 1994 for the NWA World Heavyweight Championship, at an ECW-hosted event mostly featuring ECW wrestlers. The proposed outcome was the current ECW champion Shane Douglas becoming champion, but Heyman conspired with Douglas and Gordon without the knowledge of NWA president Dennis Coralluzzo to have Douglas (and by extension, ECW itself) publicly denounce the NWA and its "tradition" after winning the tournament. In his post-match speech, Douglas aggressively assaulted the title's lineage, throwing the belt itself down, proclaiming the NWA a "dead organization" and declaring his ECW title a world-level championship. The plan for this shoot screwjob was known only to those three. That same week, Heyman and Tod Gordon rechristened the promotion, eliminating the regional branding "Eastern" and declaring the promotion Extreme Championship Wrestling. They broke the company away from the NWA, and ECW became its own entity. Heyman encouraged wrestlers to express their true feelings about the WWF, the NWA, and WCW. Heyman bought out Gordon and became sole owner of ECW. During his time in ECW, Heyman found an ally in Vince McMahon's WWF. McMahon had sent some WWF wrestlers to ECW (under WWF payroll) to develop them and was interested in some ECW wrestlers, such as Terry Gordy and 2 Cold Scorpio. McMahon paid Heyman $1,000 per week to rent Scorpio. In the final days of ECW, Heyman did not appear on the show and was replaced as the leader of the backstage and creative by ECW wrestler Tommy Dreamer. ECW entered into bankruptcy in 2001 (just weeks after WCW was sold to WWF for $2,000,000, after AOL Time Warner wrote off over $100 million in debt), with the company $7,000,000 in arrears, with over $3,000,000 owed to the company by InDemand pay per view.
Question: What happened in 1993?
Answer: Gilbert's erratic behavior became too much for Gordon, who had a major falling out with Gilbert right before the "Ultra Clash" event on September 18, 1993.
Question: Who is Gilbert?
Answer: At this time, Eddie Gilbert was a booker for a Philadelphia-based promotion, National Wrestling Alliance (NWA)'s Eastern Championship Wrestling,
Question: Who was Gordon?
Answer: which he did under the ownership of a local pawn shop owner named Tod Gordon.
Question: What happened at the Ultra Clash event?
Answer: From that point forward, Heyman was in charge of the creative direction of the company. As Paul E. Dangerously, he managed a few wrestlers, including Sabu and 911.
Question: What was his involvement in NWA Eastern? | [
"A tournament was scheduled to be held in August 1994 for the NWA World Heavyweight Championship, at an ECW-hosted event mostly featuring ECW wrestlers."
] |
Title: Arthur Irwin
Background: Arthur Irwin was born in 1858 in Toronto, Ontario, to an Irish blacksmith and a Canadian mother. As a child, he moved with his family to Boston and attended school there. He played local amateur baseball from 1873 until he was recruited by the Worcester Ruby Legs of the National Association in 1879. In late 1879, manager Frank Bancroft took Irwin and most of the other Worcester players on a baseball tour which included visits to New Orleans and Cuba.
Section: Early non-playing roles
Passage: Irwin coached at the University of Pennsylvania between 1893 and 1895, and managed the Philadelphia major league club during those last two seasons. In 1894, he angered Penn supporters when a talented first baseman named Goeckle nearly signed with Irwin's major league team just prior to a series of collegiate championship games. Nonetheless, by 1895, Irwin's coaching role at Penn included the selection of players and other duties that traditionally fell to the team captain. Irwin left Philadelphia in 1896 to manage the New York Giants. Relieved of his duties after one season in New York, he was subsequently recruited to manage in Milwaukee. However, he returned to coach the minor league team in his native Toronto instead. Irwin coached Toronto during 1897 and 1898. He faced arrest on a libel charge in 1898, which stemmed from comments made by Irwin about the actions of the Philadelphia ownership during his time there. Though Irwin turned himself in, it appears that he was never arrested. In 1898, Irwin traded some of his best players to the Washington major league team. The moves were seen as particularly suspect when Irwin was named the Washington manager shortly thereafter. After 1899, Irwin did not return to the major leagues as a coach. He returned for a subsequent term as Penn's coach in 1900, but he left in 1902. In August 1902, Irwin was signed as an NL umpire for the remainder of that season. Irwin, who had previously only filled in for one three-day umpiring stretch in 1881, umpired his first NL game on August 7, 1902. His last umpiring appearance came with the end of the 1902 season on October 3. In fifty games as an umpire, Irwin ejected nine players, including future Hall of Fame inductees Roger Bresnahan and Fred Clarke. Irwin, who had retained partial ownership of the Toronto club, then returned to manage that team for a couple of seasons. By 1906, Irwin was manager of the Altoona Mountaineers in the Tri-State League. In July 1907, Irwin resigned as manager of the Mountaineers after fans became disgruntled. Even after entering baseball scouting, Irwin briefly managed the 1908 Washington club in the short-lived Union Professional League. The league was plagued by financial problems--including the inability to pay players at times--and it folded less than two months after play began. He was rehired to the Penn coaching staff in 1908.
Question: What did he do before he played?
Answer: CANNOTANSWER
Question: What did he do early on?
Answer: Irwin coached at the University of Pennsylvania between 1893 and 1895,
Question: Did he attend college?
Answer: CANNOTANSWER
Question: How was his time at the UofP?
Answer: In 1894, he angered Penn supporters
Question: What was the outcome? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Premiata Forneria Marconi
Background: Premiata Forneria Marconi (PFM) (translation: Award-winning Marconi Bakery) is an Italian progressive rock band. PFM were the first Italian group to have success abroad, entering both the British and American charts. Between 1973 and 1977 they released five albums with English lyrics. They also had several successful European and American tours, playing at the popular Reading Festival in England and on a very popular national television program in the United States.
Section: 1975-1978
Passage: The lack of a strong lead vocalist had always been considered PFM's biggest liability so, for this reason, they enrolled Bernardo Lanzetti, who was previously with the group Acqua Fragile. While a college student, Lanzetti had lived in Austin, Texas for a few years. But most importantly he had a powerful and distinctive voice and could speak fluent English. The first release by the six-piece band was Chocolate Kings in 1975. Featuring a harder rock sound, it had modest success at home but was their least popular album in Italy so far. The same album was released with different cover art by Manticore in the UK and by Asylum Records in the US. The controversial US/UK cover showed a chocolate bar in a partially peeled Stars and Stripes wrapper on the front, along with the crumpled and discarded wrapper on the back. PFM appeared on the BBC television show The Old Grey Whistle Test in 1976 performing the title track to the album. The album reached the UK top 20 but was less successful internationally. Mauro Pagani left the group following Chocolate Kings to pursue a solo career. Lanzetti also appeared on Jet Lag (1977), an album highly influenced by the Jazz-fusion movement, which was recorded in Los Angeles. This was their last album with English lyrics and the last album released in the U.S., also on Asylum. Violinist Gregory Bloch, previously with the group It's a Beautiful Day, replaced Mauro Pagani and helped the band acquire notoriety in the US before leaving to join the Saturday Night Live Band in 1979. For Passpartu (1978) PFM added two new percussion players and shifted stylistic direction once again. The album contains seven songs in Italian and one instrumental, characterized by an international pop music style; an early example of what today is known as 'Worldbeat'. The album contains mostly acoustic guitar and draws from Italian folk and Latin music as well as Jazz-Pop styles, somewhat like Steely Dan. This was the last album to feature Lanzetti, who then left to pursue a solo career.
Question: What happened between 1975-1978?
Answer: The first release by the six-piece band was Chocolate Kings in 1975.
Question: Was the first release successful?
Answer: modest success at home but was their least popular album in Italy so far.
Question: Did they work on a new album following that?
Answer: Jet Lag (1977), an album highly influenced by the Jazz-fusion movement, which was recorded in Los Angeles.
Question: How did the album Jet Lag turn out?
Answer: This was their last album with English lyrics and the last album released in the U.S.,
Question: Did adding the new players help them? | [
"This was the last album to feature Lanzetti, who then left to pursue a solo career."
] |
Title: Premiata Forneria Marconi
Background: Premiata Forneria Marconi (PFM) (translation: Award-winning Marconi Bakery) is an Italian progressive rock band. PFM were the first Italian group to have success abroad, entering both the British and American charts. Between 1973 and 1977 they released five albums with English lyrics. They also had several successful European and American tours, playing at the popular Reading Festival in England and on a very popular national television program in the United States.
Section: 1966-1970
Passage: The original core members of PFM were Franco Mussida (guitars, vocals), Flavio Premoli (keyboards), Luciano Dovesi (bass), who preceded Giorgio Piazza (bass), and Franz Di Cioccio (drums, vocals). They came together in the mid 1960s while playing together as backup musicians for many different Italian pop, rock and folk singers such as Lucio Battisti, Mina, Adriano Celentano and Fabrizio De Andre. They appeared on many recordings for other artists during this period and quickly established themselves as top players on the Italian scene before forming the group 'I quelli' (English translation 'Them', or 'Those Guys') in 1968. I quelli released one album and some successful Italian singles. Premiata Forneria Marconi was officially formed in Milan in 1970 when the members of I quelli met Mauro Pagani from the group Dalton. Pagani helped the group expand their sound to include violin and flute. By this time they were already highly experienced musicians who were easily able to play the kind of complex progressive heavy rock played by the leading English and American groups. Their early live performances included songs by groups such as King Crimson and Jethro Tull. Other early influences included Chicago, Ekseption, and The Flock. They had a long name, as Italian progressive bands tended to have back then (Banco del Mutuo Soccorso, Raccomandata con Ricevuta di Ritorno, etc.), and so were usually referred to as 'La Premiata', and later 'PFM'. After rejecting Isotta Fraschini (an Italian car maker) the group finally settled on Pagani's suggestion, 'Forneria Marconi' (meaning 'Marconi Bakery'), borrowed from the sign of a shop in the small town of Chiari, near Brescia. However, record producer and friend Alessandro Colombini suggested the name was not strong enough, so the title 'Premiata' (award-winning) was added. Some objected that 'Premiata Forneria Marconi' was too long a name, but the group's philosophy stated that the more difficult to remember a band's name, the more difficult to forget it.
Question: What happened in 1966?
Answer: They came together in the mid 1960s while playing together as backup musicians for many different Italian pop, rock and folk singers
Question: What happened after they got together?
Answer: They appeared on many recordings for other artists during this period and quickly established themselves as top players on the Italian scene before forming the group 'I quelli
Question: Is there anything else interesting? | [
"Premiata Forneria Marconi was officially formed in Milan in 1970 when the members of I quelli met Mauro Pagani from the group Dalton."
] |
Title: P. G. Wodehouse
Background: Sir Pelham Grenville Wodehouse (; 15 October 1881 - 14 February 1975) was an English author and one of the most widely read humorists of the 20th century. Born in Guildford, the son of a British magistrate based in Hong Kong, Wodehouse spent happy teenage years at Dulwich College, to which he remained devoted all his life. After leaving school, he was employed by a bank but disliked the work and turned to writing in his spare time.
Section: Broadway: 1915-19
Passage: A third milestone in Wodehouse's life came towards the end of 1915: his old songwriting partner Jerome Kern introduced him to the writer Guy Bolton, who became Wodehouse's closest friend and a regular collaborator. Bolton and Kern had a musical, Very Good Eddie, running at the Princess Theatre in New York. The show was successful, but they thought the song lyrics weak and invited Wodehouse to join them on its successor. This was Miss Springtime (1916), which ran for 227 performances--a good run by the standards of the day. The team produced several more successes, including Leave It to Jane (1917), Oh, Boy! (1917-18) and Oh, Lady! Lady!! (1918), and Wodehouse and Bolton wrote a few more shows with other composers. In these musicals Wodehouse's lyrics won high praise from critics as well as fellow lyricists such as Ira Gershwin. Unlike his original model, Gilbert, Wodehouse preferred the music to be written first, fitting his words into the melodies. Donaldson suggests that this is the reason why his lyrics have largely been overlooked in recent years: they fit the music perfectly, but do not stand on their own in verse form as Gilbert's do. Nonetheless, Donaldson adds, the book and lyrics for the Princess Theatre shows made the collaborators an enormous fortune and played an important part in the development of the American musical. In the Grove Dictionary of American Music Larry Stempel writes, "By presenting naturalistic stories and characters and attempting to integrate the songs and lyrics into the action of the libretto, these works brought a new level of intimacy, cohesion, and sophistication to American musical comedy." The theatre writer Gerald Bordman calls Wodehouse "the most observant, literate, and witty lyricist of his day". The composer Richard Rodgers wrote, "Before Larry Hart, only P.G. Wodehouse had made any real assault on the intelligence of the song-listening public." In the years after the war, Wodehouse steadily increased his sales, polished his existing characters and introduced new ones. Bertie and Jeeves, Lord Emsworth and his circle, and Ukridge appeared in novels and short stories; Psmith made his fourth and last appearance; two new characters were the Oldest Member, narrating his series of golfing stories, and Mr Mulliner, telling his particularly tall tales to fellow patrons of the bar at the Angler's Rest. Various other young men-about-town appeared in short stories about members of the Drones Club. The Wodehouses returned to England, where they had a house in London for some years, but Wodehouse continued to cross the Atlantic frequently, spending substantial periods in New York. He continued to work in the theatre. During the 1920s he collaborated on nine musical comedies produced on Broadway or in the West End, including the long-running Sally (1920, New York), The Cabaret Girl (1922, London) and Rosalie (1928, New York). He also wrote non-musical plays, including The Play's the Thing (1926), adapted from Ferenc Molnar, and A Damsel in Distress (1928), a dramatisation of his 1919 novel. Though never a naturally gregarious man, Wodehouse was more sociable in the 1920s than at other periods. Donaldson lists among those with whom he was on friendly terms writers including A.A. Milne, Ian Hay, Frederick Lonsdale and E. Phillips Oppenheim, and stage performers including George Grossmith, Jr., Heather Thatcher and Dorothy Dickson.
Question: What was done on Broadway in 1915?
Answer: Bolton and Kern had a musical, Very Good Eddie, running at the Princess Theatre in New York.
Question: Did he join? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: P. G. Wodehouse
Background: Sir Pelham Grenville Wodehouse (; 15 October 1881 - 14 February 1975) was an English author and one of the most widely read humorists of the 20th century. Born in Guildford, the son of a British magistrate based in Hong Kong, Wodehouse spent happy teenage years at Dulwich College, to which he remained devoted all his life. After leaving school, he was employed by a bank but disliked the work and turned to writing in his spare time.
Section: Hollywood: 1929-31
Passage: There had been films of Wodehouse stories since 1915, when A Gentleman of Leisure was based on his 1910 novel of the same name. Further screen adaptations of his books were made between then and 1927, but it was not until 1929 that Wodehouse went to Hollywood where Bolton was working as a highly paid writer for Metro-Goldwyn-Mayer (MGM). Ethel was taken with both the financial and social aspects of Hollywood life, and she negotiated a contract with MGM on her husband's behalf under which he would be paid $2,000 a week. This large salary was particularly welcome because the couple had lost considerable sums in the Wall Street Crash of 1929. The contract started in May 1930, but the studio found little for Wodehouse to do, and he had spare time to write a novel and nine short stories. He commented, "It's odd how soon one comes to look on every minute as wasted that is given to earning one's salary." Even when the studio found a project for him to work on, the interventions of committees and constant rewriting by numerous contract authors meant that his ideas were rarely used. In a 2005 study of Wodehouse in Hollywood, Brian Taves writes that Those Three French Girls (1930) was "as close to a success as Wodehouse was to have at MGM. His only other credits were minimal, and the other projects he worked on were not produced." Wodehouse's contract ended after a year and was not renewed. At MGM's request, he gave an interview to The Los Angeles Times. Wodehouse was described by Herbert Warren Wind as "politically naive [and] fundamentally unworldly," and he caused a sensation by saying publicly what he had already told his friends privately about Hollywood's inefficiency, arbitrary decision-making, and waste of expensive talent. The interview was reprinted in The New York Times, and there was much editorial comment about the state of the film industry. Many writers have considered that the interview precipitated a radical overhaul of the studio system, but Taves believes it to have been "a storm in a teacup", and Donaldson comments that, in the straitened post-crash era, the reforms would have been inevitable. Wind's view of Wodehouse's naivete is not universally held. Some biographers suggest that his unworldliness was only part of a complex character, and that in some respects he was highly astute. He was unsparing of the studio owners in his early-1930s short stories set in Hollywood, which contain what Taves considers Wodehouse's sharpest and most biting satire.
Question: What happened in 1929?
Answer: Wodehouse went to Hollywood
Question: What did he do in Hollywood?
Answer: writes
Question: What was something he wrote?
Answer: Those Three French Girls (1930)
Question: What happened in 1930? | [
"he had spare time to write a novel and nine short stories."
] |
Title: Crowded House
Background: Crowded House are a rock band formed in Melbourne, Australia, in 1985. The founding members were New Zealander Neil Finn (vocalist, guitarist, primary songwriter) and Australians Paul Hester (drums) and Nick Seymour (bass). Later band members included Neil Finn's brother, Tim Finn, and Americans Mark Hart and Matt Sherrod. Originally active from 1985 to 1996, the band had consistent commercial and critical success in Australia and New Zealand and international chart success in two phases, beginning with their self-titled debut album, which reached number twelve on the US Album Chart in 1987 and provided the Top Ten hits
Section: Saying farewell (1994-1996)
Passage: Crowded House were midway through a US tour when Paul Hester quit the band on 15 April 1994. He flew home to Melbourne to await the birth of his first child and indicated that he required more time with his family. Wally Ingram, drummer for support act Sheryl Crow, temporarily filled in until a replacement, Peter Jones (ex-Harem Scarem, Vince Jones, Kate Ceberano's Septet) was found. After the tour, the Finn Brothers released their album Finn in November 1995. In June 1996, at a press conference to announce the release of their greatest hits album Recurring Dream, Neil revealed that Crowded House were to disband. The June 1996 concerts in Europe and Canada were to be their final performances. Recurring Dream contained four songs from each of the band's studio albums, along with three new songs. The album debuted at number one in Australia, New Zealand and the UK in July 1996. Early copies included a bonus CD of live material. The album's three new songs, which were released as singles, were "Instinct", "Not the Girl You Think You Are" and "Everything Is Good for You", which featured backing vocals from Pearl Jam's Eddie Vedder. Paul Hester returned to the band to play drums on the three new tracks. Worried that their goodbye had been too low-key and had disregarded their home fans, the band performed the Farewell to the World concert on the steps of the Sydney Opera House on 24 November 1996, which raised funds for the Sydney Children's Hospital. The concert featured the line-up of Neil Finn, Nick Seymour, Mark Hart and Paul Hester. Tim Finn and Peter Jones both made guest appearances. Support bands on the day were Custard, Powderfinger and You Am I. The concert had one of the highest live audiences in Australian history with the crowd being estimated at between 120,000 and 250,000 people. Farewell to the World was released on VHS in December 1996. In 2007, a double CD and a DVD were issued as to commemorate the concert's tenth anniversary. The DVD featured newly recorded audio commentary by Finn, Hart and Seymour and other new bonus material.
Question: What was saying farewell about?
Answer: the band performed the Farewell to the World concert
Question: What year was this concert? | [
"1996,"
] |
Title: Crowded House
Background: Crowded House are a rock band formed in Melbourne, Australia, in 1985. The founding members were New Zealander Neil Finn (vocalist, guitarist, primary songwriter) and Australians Paul Hester (drums) and Nick Seymour (bass). Later band members included Neil Finn's brother, Tim Finn, and Americans Mark Hart and Matt Sherrod. Originally active from 1985 to 1996, the band had consistent commercial and critical success in Australia and New Zealand and international chart success in two phases, beginning with their self-titled debut album, which reached number twelve on the US Album Chart in 1987 and provided the Top Ten hits
Section: Reunion and Time on Earth (2006-2009)
Passage: In 2006 Neil Finn asked Nick Seymour to play bass on his third solo album. Seymour agreed and the two joined up with producer and multi-instrumentalist Ethan Johns to begin recording. As the recording sessions progressed it was decided that the album would be issued under the Crowded House band name, rather than as a Neil Finn solo album. In January 2007, the group publicly announced their reformation and on 23 February, after 20 days of auditions, former Beck drummer Matt Sherrod joined Finn, Seymour and Mark Hart to complete the new line up. As Sherrod and Hart had not participated in the initial sessions, four new tracks were recorded with producer Steve Lillywhite including the album's first single "Don't Stop Now". On 17 March 2007 the band played a live show at their rehearsal studio in front of around fifty fans, friends and family. The performance was streamed live as a webcast. The two-and-a-half-hour set included some new tracks, including "Silent House" co-written by Finn with the Dixie Chicks. A concert onboard The Thekla, moored in Bristol, followed on 19 March. Crowded House played at the Marquee Theatre in Tempe, Arizona on 26 April as a warm-up for their appearance at the Coachella Festival on 29 April in Indio, California. They also played at the Australian Live Earth concert in Sydney on 7 July. The next day, Finn and Seymour were interviewed on Rove Live and the band, with Hart and Sherrod, performed "Don't Stop Now" to promote the new album, which was titled Time on Earth. The single was a minor hit in Australia and the UK. The album was released worldwide in June and July. It topped the album chart in New Zealand and made number 2 in Australia and number 3 in the UK. On 6 December 2008 Crowded House played the Homebake festival in Sydney, with warm up gigs at small venues in Hobart, Melbourne and Sydney. For these shows the band were augmented by multi-instrumentalist Don McGlashan and Neil's younger son, Elroy Finn, on guitar. On 14 March 2009 the band joined Neil's older son, Liam Finn, on stage for three songs at the Sound Relief concert in Melbourne.
Question: What was the reunion?
Answer: In 2006 Neil Finn asked Nick Seymour to play bass on his third solo album. Seymour agreed and the two joined up
Question: Did they have anybody else with them?
Answer: the two joined up with producer and multi-instrumentalist Ethan Johns to begin recording.
Question: Why did they call themselves Crowded House?
Answer: As the recording sessions progressed it was decided that the album would be issued under the Crowded House band name, rather than as a Neil Finn solo album.
Question: What else happened in 2006?
Answer: CANNOTANSWER
Question: Did they release any albums?
Answer: Finn and Seymour were interviewed on Rove Live and the band, with Hart and Sherrod, performed "Don't Stop Now" to promote the new album, which was titled Time on Earth.
Question: What singles did they have on the album?
Answer: Don't Stop Now
Question: Did any of the singles or albums make it top on the charts?
Answer: single was a minor hit in Australia and the UK. The album was released worldwide in June and July. It topped the album chart in New Zealand
Question: Did they have any more members join them? | [
"For these shows the band were augmented by multi-instrumentalist Don McGlashan and Neil's younger son, Elroy Finn, on guitar."
] |
Title: Manowar
Background: Manowar is an American heavy metal band from Auburn, New York. Formed in 1980, the group is known for lyrics based on fantasy (particularly sword and sorcery) and mythology (particularly Norse mythology and Greco-Roman mythology). The band is also known for a loud and bombastic sound. In an interview for MTV in February 2007, bassist Joey DeMaio lamented that "these days, there's a real lack of big, epic metal that is drenched with crushing guitars and choirs and orchestras...
Section: Into Glory Ride (1983-1988)
Passage: By 1983, the band left Liberty Records and struck a deal with Megaforce Records in the US and Music for Nations in Europe--signing the contract in their own blood. The signing was a cover story in the 1983 July-August issue No. 47 of Kerrang!. When Manowar returned home, they immediately went into a recording studio to produce what, in the intentions of the group, would have been a simple EP, but came out instead, due to the quantity and quality of the tracks made in that period, as the band's second album, Into Glory Ride. An EP was actually published in 1983 with the title Defender containing, as its main track, the eponymous song, which included more work by Orson Welles. The atmosphere of the album evoked classical heroic fantasy and mythology, and served as a predecessor to Viking metal. It contained several innovative features, both in style and sound, and led to a huge increase in the number of fans of the group, particularly in the United Kingdom, where the band planned a long tour that was ultimately canceled. The song "Defender" was later re-recorded and included in the Fighting the World album of 1987. To apologize for the failure of their UK tour, Manowar decided to dedicate their next album to the United Kingdom. The album, Hail to England, was recorded and mixed in just six days and was released in early 1984. Its promotional tour, "Spectacle of Might", had a large number of dates in England. The tour saw Manowar initially as support band for Mercyful Fate, but soon the group led by DeMaio was put in the headline slot. Manowar soon returned to work in the recording studio. After leaving Music for Nations, the quartet released Sign of the Hammer ten months after their previous album. The new record presented stark changes in rhythm, with very technical tracks characterized by a slow pace, like the epic "Mountains", and quick ones, as the eponymous "Sign of the Hammer". Its success enabled band to embark on a two-year world tour, after which they took 1986 off. Following further disagreements with their new label, the group changed record label to Atlantic Records in 1987. Via Atlantic, they released Fighting the World, which enjoyed more extensive distribution and increased the band's prominence in the international heavy metal scene. Album art was designed by Ken Kelly.
Question: did they release any music during this time?
Answer: the band's second album, Into Glory Ride.
Question: did they record anything else?
Answer: An EP was actually published in 1983 with the title Defender
Question: was it successful?
Answer: To apologize for the failure of their UK tour, Manowar decided to dedicate their next album to the United Kingdom.
Question: why was their tour a failure?
Answer: where the band planned a long tour that was ultimately canceled.
Question: did they go on other tours?
Answer: Its promotional tour, "Spectacle of Might", had a large number of dates in England.
Question: Did they lose any band members during this time?
Answer: Following further disagreements with their new label, the group changed record label
Question: did they make any albums with that label? | [
"Via Atlantic, they released Fighting the World,"
] |
Title: Manowar
Background: Manowar is an American heavy metal band from Auburn, New York. Formed in 1980, the group is known for lyrics based on fantasy (particularly sword and sorcery) and mythology (particularly Norse mythology and Greco-Roman mythology). The band is also known for a loud and bombastic sound. In an interview for MTV in February 2007, bassist Joey DeMaio lamented that "these days, there's a real lack of big, epic metal that is drenched with crushing guitars and choirs and orchestras...
Section: 2010-2013
Passage: On June 1, 2010, Classic Rock magazine published an interview with drummer Scott Columbus who said he had not worked with the band since April 2008 and had left the band. No official statement from Manowar has been made as yet and their website still includes Columbus on the promotional pictures and current lineup. He also said that statements made in the past, regarding his break in 1990 and 2008 because of an illness and a personal tragedy, were largely untrue and were made without his agreement. Later that year, on October 15, 2010, Joey DeMaio announced on Facebook that Hamzik was officially a member of Manowar again after a 26-year absence. Scott Columbus died less than a year later on April 4, 2011, aged 54. His cause of death is still uncertain. Manowar's subsequent release was a re-recording of their 1982 debut album, Battle Hymns. This album was released on November 26, 2010, with the narration of Sir Christopher Lee and formally entitled Battle Hymns MMXI. A special edition of the album featuring 4 live tracks from the first leg of the Battle Hymns Tour was released on July 26, 2011. On July 21, 2011 the band played a UK tour for the first time in 16 years in November and played Battle Hymns in its entirety. Manowar's new studio album, The Lord of Steel, was released worldwide on June 16, 2012 exclusively on iTunes and on the band's own online store. The album sees a reversion from the symphonic elements present on the Gods of War album back to a more straightforward, heavy metal sound. The song 'El Gringo' from the album has also been featured as a part of the soundtrack to the film El Gringo. After the Lord of Steel tour was over in 2013, Manowar released a live EP, titled The Lord of Steel Live, which included six live tracks recorded during the tour.
Question: What were they working on in 2010?
Answer: a re-recording of their 1982 debut album, Battle Hymns. This album was released on November 26, 2010,
Question: Did the album lead to any singles?
Answer: A special edition of the album featuring 4 live tracks from the first leg of the Battle Hymns Tour was released on July 26, 2011.
Question: Did they go on tour at all during this time?
Answer: On July 21, 2011 the band played a UK tour for the first time in 16 years in
Question: Who was in the band at this time?
Answer: Later that year, on October 15, 2010, Joey DeMaio announced on Facebook that Hamzik was officially a member of Manowar again
Question: What had caused him to leave the band in the first place?
Answer: No official statement from Manowar has been made as yet
Question: Was the album a success? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Santana (band)
Background: Santana is a Latin music and rock band formed in San Francisco, California in 1966 by Mexican-American guitarist Carlos Santana. The band came to public attention with their performance of "Soul Sacrifice" at Woodstock in 1969. This exposure helped propel their first album, also named Santana, into a hit, followed in the next two years by Abraxas and Santana III. Lineup changes were common.
Section: 1973-1979: Experimentation and consolidation
Passage: 13 months after Caravanserai, Santana released Welcome. Welcome was the first of four consecutive albums to achieve gold certification, as opposed to the previous four, which all at least reached platinum status. The album peaked at number 25 on the Billboard 200, the lowest of the band's career so far. The next few albums contained a more experimental style than their previous work, beginning with Borboletta, which fared arguably worse than its predecessor, despite climbing five spots on the US charts. The group's 1976 release, Amigos, was far more successful. Reaching number 10 on the US charts, and also hitting the top 10 in France, Australia, New Zealand, Austria and The Netherlands, it was a form of return to the success of their early albums. Festival, somewhat contradicted that new-found success, but was a short blip before another successful album, Moonflower, released in 1977. The album was possibly the most successful since Santana III, achieving 2x platinum in the US, and being the first album since 1974's Borboletta, to break the top 10 in the UK. It was characterized by a stylistic shift for the band, as it contained heavier influences from the more conventional sound of the group's early work, while still maintaining the experimental sound of their last few albums. Their next two releases, Inner Secrets and Marathon, released in 1978 and '79, respectively, were a further musical shift for the band, moving away from the Latin-fused rock music that had characterized their work in the late 1960s and the majority of the '70s, to move towards a more album-oriented, conventional rock sound. These albums, however, fared poorly commercially, although both achieved gold status in the US.
Question: Did they release new music?
Answer: 13 months after Caravanserai, Santana released Welcome.
Question: Was Welcome an album?
Answer: Welcome was the first of four consecutive albums to achieve gold certification,
Question: How did the album do on the charts?
Answer: The album peaked at number 25 on the Billboard 200,
Question: What happened with the next album?
Answer: The group's 1976 release, Amigos, was far more successful.
Question: What did they release next? | [
"Moonflower, released in 1977."
] |
Title: Santana (band)
Background: Santana is a Latin music and rock band formed in San Francisco, California in 1966 by Mexican-American guitarist Carlos Santana. The band came to public attention with their performance of "Soul Sacrifice" at Woodstock in 1969. This exposure helped propel their first album, also named Santana, into a hit, followed in the next two years by Abraxas and Santana III. Lineup changes were common.
Section: 2002-2012: Dealing with new-found success
Passage: The follow-up to Supernatural came three years later and was highly anticipated by international media and fans alike. On October 22, 2002, Shaman was released worldwide. Although it initially sold briskly (298,973 copies in the US in its first week) and debuted at number 1 on the Billboard 200, the album's appeal quickly wore off and it soon slid down the charts. Despite this, it went on to sell 2x platinum in the US, and achieved platinum status in several other countries including Australia. The first single released from the album, "The Game of Love", which featured vocals from Michelle Branch, debuted at number 5 on the Hot 100. The album's next four singles failed to chart in most countries, but the final single, "Why Don't You & I", featuring the vocals of Alex Band, reached number 8 on the Hot 100. Musically, the album was a return to a more conventional sound for the group, with a mainly Latin rock-based sound. With their renewed appeal worn off, another three-year wait saw the release of 2005's All That I Am. The album debuted at number 2 on the Billboard 200 but fared worse internationally, and quickly lost appeal. The album, a continuation of the Latin-rock influenced sound of Shaman, achieved gold certification in the US. A five-year break from recording saw the release of another studio album, 2010's Guitar Heaven. Musically it was a drastic change for the band, with a far heavier sound at its core and strong heavy metal influences. It debuted at number 5 on the Billboard 200 but marked another decline for the band, failing to achieve gold status. In 2012 the group released Shape Shifter, which returned to the conventional Latin rock sound and was completely album-oriented, as no singles were released from it. It debuted at number 16 on the Billboard 200.
Question: Was a new album released in 2002?
Answer: On October 22, 2002, Shaman was released worldwide. Although it initially sold briskly (298,973 copies in the US in its first week)
Question: How many copies did Shaman sell in total?
Answer: 298,973 copies in the US in its first week) and debuted at number 1 on the Billboard 200, the album's appeal quickly wore off
Question: What was the next album released by Santana?
Answer: The first single released from the album, "The Game of Love", which featured vocals from Michelle Branch, debuted at number 5 on the Hot 100.
Question: Which album was "The Game of Love" on?
Answer: Shaman
Question: Was there an album released after Shaman?
Answer: With their renewed appeal worn off, another three-year wait saw the release of 2005's All That I Am.
Question: How did All That I Am do on the music charts?
Answer: The album debuted at number 2 on the Billboard 200 but fared worse internationally, and quickly lost appeal.
Question: Were there any hit singles on "All That I Am"?
Answer: The album, a continuation of the Latin-rock influenced sound of Shaman, achieved gold certification in the US.
Question: Which album was released after "All That I Am"?
Answer: A five-year break from recording saw the release of another studio album, 2010's Guitar Heaven. Musically it was a drastic change for the band,
Question: Were there any successful singles on this album? | [
"In 2012 the group released Shape Shifter,"
] |
Title: L. Frank Baum
Background: Lyman Frank Baum (May 15, 1856 - May 6, 1919), better known as L. Frank Baum, was an American author chiefly famous for his children's books, particularly The Wonderful Wizard of Oz and its sequels. He wrote a total of 14 novels in the Oz series, plus 41 other novels, 83 short stories, over 200 poems, and at least 42 scripts. He made numerous attempts to bring his works to the stage and the nascent medium of film; the 1939 adaptation of the first Oz book would become a landmark of 20th century cinema. His works anticipated such century-later commonplaces as television, augmented reality, laptop computers (The Master Key), wireless telephones (Tik-Tok of Oz), women in high-risk and action-heavy occupations (Mary Louise in the Country), police corruption and false evidence (Phoebe Daring), and the ubiquity of advertising on clothing (Aunt Jane's Nieces at Work).
Section: Childhood and early life
Passage: Baum was born in Chittenango, New York in 1856 into a devout Methodist family. He had German, Scots-Irish, and English ancestry, and was the seventh of nine children of Cynthia Ann (nee Stanton) and Benjamin Ward Baum, only five of whom survived into adulthood. "Lyman" was the name of his father's brother, but he always disliked it and preferred his middle name "Frank". His father succeeded in many businesses, including barrel-making, oil drilling in Pennsylvania, and real estate. Baum grew up on his parents' expansive estate called Rose Lawn, which he fondly recalled as a sort of paradise. Rose Lawn was located in Mattydale, New York. Frank was a sickly, dreamy child, tutored at home with his siblings. From the age of 12, he spent two miserable years at Peekskill Military Academy but, after being severely disciplined for daydreaming, he had a possibly psychogenic heart attack and was allowed to return home. Baum started writing early in life, possibly prompted by his father buying him a cheap printing press. He had always been close to his younger brother Henry (Harry) Clay Baum, who helped in the production of The Rose Lawn Home Journal. The brothers published several issues of the journal, including advertisements from local businesses, which they would give to family and friends for free. By the age of 17, Baum established a second amateur journal called The Stamp Collector, printed an 11-page pamphlet called Baum's Complete Stamp Dealers' Directory, and started a stamp dealership with friends. At 20, Baum took on the national craze of breeding fancy poultry. He specialized in raising the Hamburg. In March 1880, he established a monthly trade journal, The Poultry Record, and in 1886, when Baum was 30 years old, his first book was published: The Book of the Hamburgs: A Brief Treatise upon the Mating, Rearing, and Management of the Different Varieties of Hamburgs. Baum had a flair for being the spotlight of fun in the household, including during times of financial difficulties. His selling of fireworks made the Fourth of July memorable. His skyrockets, Roman candles, and fireworks filled the sky, while many people around the neighborhood would gather in front of the house to watch the displays. Christmas was even more festive. Baum dressed as Santa Claus for the family. His father would place the Christmas tree behind a curtain in the front parlor so that Baum could talk to everyone while he decorated the tree without people managing to see him. He maintained this tradition all his life.
Question: what did frank do in his early life?
Answer: Baum grew up on his parents' expansive estate called Rose Lawn, which he fondly recalled as a sort of paradise.
Question: was it successful? | [
"In March 1880, he established a monthly trade journal, The Poultry Record,"
] |
Title: L. Frank Baum
Background: Lyman Frank Baum (May 15, 1856 - May 6, 1919), better known as L. Frank Baum, was an American author chiefly famous for his children's books, particularly The Wonderful Wizard of Oz and its sequels. He wrote a total of 14 novels in the Oz series, plus 41 other novels, 83 short stories, over 200 poems, and at least 42 scripts. He made numerous attempts to bring his works to the stage and the nascent medium of film; the 1939 adaptation of the first Oz book would become a landmark of 20th century cinema. His works anticipated such century-later commonplaces as television, augmented reality, laptop computers (The Master Key), wireless telephones (Tik-Tok of Oz), women in high-risk and action-heavy occupations (Mary Louise in the Country), police corruption and false evidence (Phoebe Daring), and the ubiquity of advertising on clothing (Aunt Jane's Nieces at Work).
Section: Theater
Passage: Baum embarked on his lifetime infatuation--and wavering financial success--with the theater. A local theatrical company duped him into replenishing their stock of costumes on the promise of leading roles coming his way. Disillusioned, Baum left the theater -- temporarily -- and went to work as a clerk in his brother-in-law's dry goods company in Syracuse. This experience may have influenced his story "The Suicide of Kiaros", first published in the literary journal The White Elephant. A fellow clerk one day was found locked in a store room dead, probably from suicide. Baum could never stay away long from the stage. He performed in plays under the stage names of Louis F. Baum and George Brooks. In 1880, his father built him a theater in Richburg, New York, and Baum set about writing plays and gathering a company to act in them. The Maid of Arran proved a modest success, a melodrama with songs based on William Black's novel A Princess of Thule. Baum wrote the play and composed songs for it (making it a prototypical musical, as its songs relate to the narrative), and acted in the leading role. His aunt Katharine Gray played his character's aunt. She was the founder of Syracuse Oratory School, and Baum advertised his services in her catalog to teach theater, including stage business, play writing, directing, translating (French, German, and Italian), revision, and operettas. On November 9, 1882, Baum married Maud Gage, a daughter of Matilda Joslyn Gage, a famous women's suffrage and feminist activist. While Baum was touring with The Maid of Arran, the theater in Richburg caught fire during a production of Baum's ironically titled parlor drama Matches, destroying the theater as well as the only known copies of many of Baum's scripts, including Matches, as well as costumes.
Question: What was L. Frank Baum's introduction to theatre?
Answer: A local theatrical company duped him into replenishing their stock of costumes
Question: What was his first leading role? | [
"A Princess of Thule."
] |
Title: Kevin Garnett
Background: Kevin Maurice Garnett (born May 19, 1976) is an American former professional basketball player who played for 21 seasons in the National Basketball Association (NBA). He played the power forward and center positions. In high school, Garnett was a 1995 McDonald's All-American at Farragut Career Academy and won a national player of the year award. He entered the 1995 NBA draft, where he was selected with the fifth overall pick by the Minnesota Timberwolves and became the first NBA player drafted directly out of high school in 20 years.
Section: Return to Minnesota (2015-2016)
Passage: On February 19, 2015, Garnett agreed to waive his no-trade clause in order to be traded back to Minnesota in exchange for Thaddeus Young. Six days later, he made his return for the Timberwolves against the Washington Wizards at the Target Center, recording five points on 2-of-7 shooting with eight rebounds and two blocks in 19 minutes in his first game for Minnesota since 2007. He appeared in just five games for the Timberwolves in 2014-15, before sitting out the team's final 21 games of the season due to a nagging knee injury. On July 11, 2015, Garnett re-signed with the Timberwolves to a two-year deal. On November 15, 2015, Garnett became the fifth player in NBA history to play at least 50,000 minutes. He joined Kareem Abdul-Jabbar, Karl Malone, Jason Kidd and Elvin Hayes. Garnett played a season-high 23:54 against the Memphis Grizzlies, recording eight points, five rebounds and four assists. On November 23, he had a season-best game with 8 points and 10 rebounds in a 100-95 win over the Philadelphia 76ers. On December 1, he recorded four points and eight rebounds in 20 minutes against the Orlando Magic, surpassing Jason Kidd (50,110) for third on the NBA's career minutes list. Four days later, in a loss to the Portland Trail Blazers, he became the 15th player in NBA history to surpass 26,000 career points. On December 11, 2015, Garnett passed Karl Malone as the NBA's all-time leader in defensive rebounds during Minnesota's 111-108 overtime loss to the Denver Nuggets. He finished the game with four defensive boards to give him 11,409 for his career, three ahead of Malone. Garnett appeared in 38 of the team's first 45 games of the season before missing the entire second half of the season with a right knee injury, the same knee that kept him out of 25 games in 2008-09 when he was playing for Boston, as well as much of his post-trade time in Minnesota during the 2014-15 season. On September 23, 2016, Garnett announced his retirement after 21 seasons in the NBA. While Garnett did express interest in playing for one more season with the Timberwolves, primarily with the goal in helping the team make it to the playoffs again with its promising young players and new head coach, he also told the team's owner that he wasn't sure that his knees would hold up for one more season.
Question: When did Kevin Garnett return to Minnesota?
Answer: On February 19, 2015, Garnett agreed to waive his no-trade clause in order to be traded back to Minnesota in exchange for Thaddeus Young.
Question: Are there any other interesting aspects about this article?
Answer: He appeared in just five games for the Timberwolves in 2014-15, before sitting out the team's final 21 games of the season due to a nagging knee injury.
Question: Did his knee injury ever heal?
Answer: On July 11, 2015, Garnett re-signed with the Timberwolves to a two-year deal.
Question: Did he win any awards? | [
"Garnett became the fifth player in NBA history to play at least 50,000 minutes."
] |
Title: Kevin Garnett
Background: Kevin Maurice Garnett (born May 19, 1976) is an American former professional basketball player who played for 21 seasons in the National Basketball Association (NBA). He played the power forward and center positions. In high school, Garnett was a 1995 McDonald's All-American at Farragut Career Academy and won a national player of the year award. He entered the 1995 NBA draft, where he was selected with the fifth overall pick by the Minnesota Timberwolves and became the first NBA player drafted directly out of high school in 20 years.
Section: Brooklyn Nets (2013-2015)
Passage: On June 28, 2013, the day of the NBA draft, the Boston Celtics and the Brooklyn Nets reached a deal to trade Garnett, Paul Pierce and Jason Terry for future first-round picks in the 2014, 2016, and 2018 drafts, as well as Kris Humphries, Gerald Wallace, Kris Joseph, MarShon Brooks and Keith Bogans. The deal was finally completed on July 12, with Brooklyn also receiving D. J. White. Garnett chose to wear number 2 to honor his former Minnesota Timberwolves teammate Malik Sealy. On December 13, 2013, Garnett surpassed 14,000 career rebounds, becoming only the tenth player in NBA history to do so. In reaching the milestone, Garnett also joined Kareem Abdul-Jabbar and Karl Malone as the only players to reach 25,000 points, 14,000 rebounds and 5,000 assists. He reached the milestone in the third quarter of a 103-99 road loss to the Detroit Pistons. The Nets cherished Garnett's leadership and passion. Despite boasting a starting line-up of Deron Williams, Joe Johnson, Brook Lopez, Paul Pierce, and Garnett, the Nets were unable to advance past the second round of the playoffs, while Garnett finished his 19th NBA season with career low averages of 6.5 points and 6.6 rebounds per game. On November 1, 2014, Garnett had arguably his best game for the Nets as he recorded 18 points and 14 rebounds in 35 minutes of action in the Nets' 102-90 win over the Detroit Pistons. Six days later, he recorded five rebounds in a 110-99 win over the New York Knicks and by doing so, passed Walt Bellamy for ninth place on the all-time rebounding list.
Question: What happened in 2013?
Answer: On June 28, 2013, the day of the NBA draft, the Boston Celtics and the Brooklyn Nets reached a deal to trade Garnett,
Question: where did garnett end up?
Answer: Nets
Question: did he set any records?
Answer: recorded 18 points and 14 rebounds in 35 minutes
Question: did he have any memorable moments with the nets?
Answer: Six days later, he recorded five rebounds in a 110-99 win over the New York Knicks
Question: when did he leave the nets?
Answer: CANNOTANSWER
Question: was he honored in any way? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: REO Speedwagon
Background: REO Speedwagon (originally styled as R.E.O. Speedwagon) is an American rock band from Champaign, Illinois. Formed in 1967, the band cultivated a following during the 1970s and achieved significant commercial success throughout the 1980s. Hi Infidelity (1980) contained four US Top 40 hits and is the group's best-selling album, with over ten million copies sold. Over the course of its career, the band has sold more than 40 million records and has charted thirteen Top 40 hits, including the number ones "
Section: Changes in the 90s
Passage: By the late 1980s, the band's popularity was starting to decline. Alan Gratzer left in September 1988 after he decided to retire from music to open a restaurant. In early 1989, Gary Richrath quit after tensions between him and Kevin Cronin boiled over. Cronin had been playing in The Strolling Dudes, a jazz ensemble that included jazz trumpet player Rick Braun (who had co-written the abovementioned "Here With Me" with Cronin), Miles Joseph on lead guitar and Graham Lear on drums. Lear had already been invited to join REO in September 1988 as Gratzer's successor and Joseph was brought in as a temporary stand-in for Richrath. Back up singers Carla Day and Melanie Jackson were also added. This lineup did only one show, on January 7, 1989 in Vina del Mar, Chile, where it won the award for best group at the city's annual International Song Festival. After that, Miles Joseph and the back up singers were dropped in favor of former Ted Nugent guitarist Dave Amato (who was brought aboard in May 1989) and keyboardist/songwriter/producer Jesse Harms. The 1990 release The Earth, a Small Man, His Dog and a Chicken, with Bryan Hitt (formerly of Wang Chung) on drums, was a commercial disappointment. The album produced only one, and - to date - the band's last Billboard Hot 100 single, "Love Is a Rock," which peaked at #65. Harms, disenchanted by the album's failure, left the group in early 1991. Shortly after his departure, Richrath assembled former members of the Midwestern band Vancouver to form a namesake band, Richrath. After touring for several years, the Richrath band released Only the Strong Survive in 1992 on the GNP Crescendo label. Richrath (the band) continued to perform for several years before disbanding in the late 1990s. In September 1998, Gary Richrath briefly joined REO onstage at the County Fair in Los Angeles to play on band's encore song, "157 Riverside Avenue". He then joined REO once again in Los Angeles in May 2000 for the same encore but no serious plans for a reunion ever materialized. Having lost their recording contract with Epic, REO Speedwagon ended up releasing Building the Bridge (1996) on the Priority/Rhythm Safari label. When that label went bankrupt, the album was released on Castle Records, which also experienced financial troubles. REO Speedwagon ultimately self-financed this effort, which failed to chart. The title track did make R&R's AC Top 30 chart.
Question: Were changes made to the members of the band?
Answer: Alan Gratzer left in September 1988 after he decided to retire from music to open a restaurant.
Question: Did changes to the overall sound follow?
Answer: Back up singers Carla Day and Melanie Jackson were also added.
Question: What did critics think about that album? | [
"was a commercial disappointment."
] |
Title: REO Speedwagon
Background: REO Speedwagon (originally styled as R.E.O. Speedwagon) is an American rock band from Champaign, Illinois. Formed in 1967, the band cultivated a following during the 1970s and achieved significant commercial success throughout the 1980s. Hi Infidelity (1980) contained four US Top 40 hits and is the group's best-selling album, with over ten million copies sold. Over the course of its career, the band has sold more than 40 million records and has charted thirteen Top 40 hits, including the number ones "
Section: Mainstream success
Passage: The stage was now set for the height of the band's popularity. On November 21, 1980, REO Speedwagon released Hi Infidelity, which represented a change in sound, going from hard rock to more pop-oriented material. Hi Infidelity spawned four hit singles written by Richrath and Cronin, including the chart-topping "Keep On Loving You" (Cronin), plus "Take It on the Run" (#5) (Richrath), "In Your Letter" (#20) (Richrath), and "Don't Let Him Go" (#24) (Cronin), and remained on the charts for 65 weeks, 32 of which were spent in the top ten, including 15 weeks atop the Billboard 200. Hi Infidelity sold over 10 million copies and set the bar for rock bands across the country. The band's follow-up album, Good Trouble, was released in 1982. Although it was not as successful as its predecessor, the album performed moderately well commercially, featuring the hit singles "Keep the Fire Burnin'" (U.S. #7), "Sweet Time" (U.S. #26) and the Album Rock chart hit "The Key." The band came storming back two years later with Wheels Are Turnin', an album that included the #1 hit single "Can't Fight This Feeling" plus three more hits: "I Do' Wanna Know" (U.S. #29), "One Lonely Night" (U.S. #19), and "Live Every Moment" (U.S. #34). REO Speedwagon toured the US in 1985, including a sold-out concert in Madison, Wisconsin in May. On July 13, on the way to a show in Milwaukee, the band made a stop in Philadelphia to play at the US leg of Live Aid, which broke a record for number of viewers. They performed "Can't Fight This Feeling" and "Roll With the Changes," which featured members of the Beach Boys, the band members' families, and Paul Shaffer on stage for backing vocals. 1987's Life as We Know It saw a decline in sales, but still managed to provide the band with the top-20 hits "That Ain't Love" (U.S. #16) and "In My Dreams" (U.S. #19). The Hits (1988) is a compilation album from REO Speedwagon. It contains new tracks "Here With Me" and "I Don't Want to Lose You." "Here with Me" cracked the top 20 on the Billboard Hot 100 and the top ten on the Adult Contemporary chart. They were the last songs recorded with Gary Richrath and Alan Gratzer
Question: What was REO's biggest selling hit?
Answer: the #1 hit single "Can't Fight This Feeling"
Question: How many records did it sell?
Answer: CANNOTANSWER
Question: What was the number one single from that album? | [
"#1 hit single \"Can't Fight This Feeling\""
] |
Title: Def Leppard
Background: Def Leppard are an English rock band formed in 1977 in Sheffield as part of the new wave of British heavy metal movement. Since 1992, the band has consisted of Joe Elliott (lead vocals), Rick Savage (bass, backing vocals), Rick Allen (drums, backing vocals), Phil Collen (lead and rhythm guitar, backing vocals), and Vivian Campbell (rhythm and lead guitar, backing vocals). This is the band's longest lasting line-up. The band's strongest commercial success came between the early 1980s and the early 1990s.
Section: Early years (1977-1979)
Passage: Rick Savage, Tony Kenning, and Pete Willis, all students at Tapton School in Sheffield, South Yorkshire, formed a band called Atomic Mass in 1977. The band originally consisted of Willis on guitar, Savage on bass (after originally playing guitar), and Kenning on drums. Only 18 at the time, Joe Elliott tried out for the band as a guitarist following a chance meeting with Willis after missing a bus, in November 1977. During his audition it was decided that he was better suited to be the lead singer. Their first ever gig was in the dining hall in A Block in Westfield School in Mosborough, Sheffield. The band adopted a name proposed by Elliott, "Deaf Leopard", which was originally a band name he thought up while writing reviews for imaginary rock bands in his English class (and in at least partial reference to Led Zeppelin). At Kenning's suggestion, the spelling was slightly modified in order to make the name seem less like that of a punk band. In January 1978, Steve Clark joined the band. According to Elliott, he successfully auditioned for the band by playing Lynyrd Skynyrd's "Free Bird" in its entirety. In November, just prior to recording sessions for what would be a three-song release known as The Def Leppard E.P., Kenning abruptly left the band; he would later form the band Cairo. He was replaced for those sessions by Frank Noon. By the end of the month, Rick Allen, then only 15 years old, had joined the band as its full-time drummer. Sales of the EP soared after the track "Getcha Rocks Off" was given extensive airtime by renowned BBC Radio 1 DJ John Peel, considered at the time to be a champion of punk rock and new wave music. Throughout 1979, the band developed a loyal following among British hard rock and heavy metal fans and were considered among the leaders of the new wave of British heavy metal movement. Their growing popularity led to a record deal with the major label Phonogram/Vertigo (Mercury Records in the US). Def Leppard's original management, MSB, a local duo consisting of Pete Martin and Frank Stuart-Brown, were fired after Martin and Joe Elliott got into a fistfight over an incident on the road. The band approached Peter Mensch of Leber-Krebs management, who had booked them on a tour of the UK supporting AC/DC. Mensch, who admitted that he had had his eye on the band, became their manager.
Question: Where did the band members first meet?
Answer: Rick Savage, Tony Kenning, and Pete Willis, all students at Tapton School in Sheffield, South Yorkshire,
Question: Where they all interested in music early on?
Answer: formed a band called Atomic Mass in 1977.
Question: How long did that band last?
Answer: CANNOTANSWER
Question: Why did the orginal band break up? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Def Leppard
Background: Def Leppard are an English rock band formed in 1977 in Sheffield as part of the new wave of British heavy metal movement. Since 1992, the band has consisted of Joe Elliott (lead vocals), Rick Savage (bass, backing vocals), Rick Allen (drums, backing vocals), Phil Collen (lead and rhythm guitar, backing vocals), and Vivian Campbell (rhythm and lead guitar, backing vocals). This is the band's longest lasting line-up. The band's strongest commercial success came between the early 1980s and the early 1990s.
Section: 2000-2007
Passage: On 5 September 2000, Def Leppard were inducted into the Rock Walk of Fame on Hollywood's Sunset Boulevard by their friend Brian May of Queen. In 2001, VH1 produced and aired Hysteria - The Def Leppard Story, a biopic that included Anthony Michael Hall as Mutt Lange and Amber Valletta as Lorelei Shellist (Steve Clark's girlfriend). The docudrama covered the band's history between 1977 through 1986, recounting the trials and triumphs of Rick Allen and Steve Clark. 18 July broadcast still produced some of the channel's highest-ever ratings and is available on DVD. Def Leppard's tenth album, X, saw the band's musical direction moving more towards pop and further away from the band's hard rock roots. X quickly disappeared from the charts, ultimately becoming the band's least successful release. However, the accompanying tour played to the band's strongest audiences since Adrenalize. An expanded and updated best-of collection, Best Of, was released internationally in October 2004. The North America-only version, Rock of Ages - The Definitive Collection, was released the following May. Def Leppard participated at the Live 8 show in Philadelphia and toured in the summer with Bryan Adams. In 2005, the band left their longtime management team, Q-Prime, and signed with HK Management. On 23 May 2006, Def Leppard released an all-covers album titled Yeah!. The disc pays homage to classic rock songs of their childhood, originally recorded by Blondie, The Kinks, Sweet, ELO, and Badfinger among others. It debuted at No. 16 in the US, their tenth consecutive Top 20 album. The band, along with Queen, Kiss, and Judas Priest, were the inaugural inductees of VH1 Rock Honors on 31 May 2006. During the show, The All-American Rejects paid homage to the band with a cover of "Photograph". Soon afterwards, they embarked on a US tour with Journey. That October, Hysteria was re-released in a two-disc deluxe edition format, which combined the original remastered album with b-sides, remixes, and bonus tracks from single releases. Def Leppard began their "Downstage Thrust Tour", on 27 June, which took them across the US and into Canada. Support bands were Foreigner and Styx.
Question: What happened with Def Leppard in the early 2000's?
Answer: On 5 September 2000, Def Leppard were inducted into the Rock Walk of Fame on Hollywood's Sunset Boulevard by their friend Brian May of Queen.
Question: Did they win any other awards?
Answer: The band, along with Queen, Kiss, and Judas Priest, were the inaugural inductees of VH1 Rock Honors on 31 May 2006.
Question: Did they band tour during these years? | [
"Def Leppard began their \"Downstage Thrust Tour\", on 27 June, which took them across the US and into Canada."
] |
Title: Cardiff RFC
Background: Cardiff Rugby Football Club (Welsh: Clwb Rygbi Caerdydd) is a rugby union football club based in Cardiff, the capital city of Wales. The club was founded in 1876 and played their first few matches at Sophia Gardens, but soon relocated to Cardiff Arms Park where they have been based ever since. They built a reputation as one of the great clubs in world rugby largely through a series of wins against international touring sides.
Section: League rugby
Passage: In 1990, the unofficial Welsh championship was replaced by a league structure involving promotion and relegation. Cardiff competed in top flight but could only manage a fourth-place finish in 1990-91, and exited the Cup at the quarter-final stage. The season did involve some highlights however, such as beating league runners-up and Cup champions Llanelli 43-0 at the Arms Park and beating league champions Neath 18-4 away in the last game of the season. 1991-92 was possibly the club's worst-ever season, beset with disagreements between coach Alan Phillips and manager John Scott. Cardiff crashed out of the Cup before the quarter-final stage and lost at home to Maesteg and Newbridge in the league. Their final league finish was ninth, which would have led to their relegation but the WRU decided mid-season to switch to a 12-team Premiership, therefore saving Cardiff and Maesteg from relegation. Both Scott and Phillips resigned following the season. Australian Alex Evans took over at Cardiff as coach for the 1992-93 season, bringing in former Arms Park legend Terry Holmes and famous ex-Pontypool front-row member Charlie Faulkner as assistants, and helped a turnaround in the club's fortunes, winning their first seven matches of the season and 20 of their first 22 to top the league in the new year. This run came to an end on 23 January; they were knocked out of the Schweppes Cup by St Peter's, who were fourth from bottom of Division Four. The Blue and Blacks only lost four league games all season though, but were unlucky to be competing against Llanelli in the league, who won the double and were considered the best club team in the UK after beating Australia 13-9. In 1993-94 they slid back to fourth in the league but won the SWALEC Cup (renamed from Schweppes Cup for sponsorship reasons) by beating Llanelli, who'd won the tournament for the last three years running. The score in the final was 15-8, with tries from Mike Rayer and club captain centre Mike Hall and kicks from fly-half Adrian Davies. In 1994-95 Cardiff won the final league title of the amateur era in Wales, as well as reaching the semi-finals of the Cup before going down 16-9 to Swansea.
Question: Was there Rugby involved?
Answer: In 1990, the unofficial Welsh championship was replaced by a league structure involving promotion and relegation.
Question: Was there League Rugby?
Answer: In 1993-94 they slid back to fourth in the league
Question: Did they win any games?
Answer: The season did involve some highlights however, such as beating league runners-up and Cup champions Llanelli 43-0
Question: Wow, was there any losing games?
Answer: 1991-92 was possibly the club's worst-ever season, beset with disagreements between coach Alan Phillips and manager John Scott.
Question: Did the coach get fired?
Answer: Both Scott and Phillips resigned following the season.
Question: Are there any other interesting aspects about this article?
Answer: Australian Alex Evans took over at Cardiff as coach for the 1992-93 season, bringing in former Arms Park legend Terry Holmes
Question: What was the outcome of that season? | [
"This run came to an end on 23 January; they were knocked out of the Schweppes Cup by St Peter's,"
] |
Title: Pierre Bourdieu
Background: Pierre Felix Bourdieu (French: [buRdjo]; 1 August 1930 - 23 January 2002) was a French sociologist, anthropologist, philosopher, and public intellectual. Bourdieu's work was primarily concerned with the dynamics of power in society, and especially the diverse and subtle ways in which power is transferred and social order maintained within and across generations. In conscious opposition to the idealist tradition of much of Western philosophy, his work often emphasized the corporeal nature of social life and stressed the role of practice and embodiment in social dynamics.
Section: Reflexivity
Passage: Bourdieu insists on the importance of a reflexive sociology in which sociologists must at all times conduct their research with conscious attention to the effects of their own position, their own set of internalized structures, and how these are likely to distort or prejudice their objectivity. The sociologist, according to Bourdieu, must engage in a "sociology of sociology" so as not to unwittingly attribute to the object of observation the characteristics of the subject. She/he ought to conduct their research with one eye continually reflecting back upon their own habitus, their dispositions learned through long social and institutional training. It is only by maintaining such a continual vigilance that the sociologists can spot themselves in the act of importing their own biases into their work. Reflexivity is, therefore, a kind of additional stage in the scientific epistemology. It is not enough for the scientist to go through the usual stages (research, hypothesis, falsification, experiment, repetition, peer review, etc.); Bourdieu recommends also that the scientist purge their work of the prejudices likely to derive from their social position. In a good illustration of the process, Bourdieu chastises academics (including himself) for judging their students' work against a rigidly scholastic linguistic register, favouring students whose writing appears 'polished', marking down those guilty of 'vulgarity'. Without a reflexive analysis of the snobbery being deployed under the cover of those subjective terms, the academic will unconsciously reproduce a degree of class prejudice, promoting the student with high linguistic capital and holding back the student who lacks it -- not because of the objective quality of the work but simply because of the register in which it is written. Reflexivity should enable the academic to be conscious of their prejudices, e.g. for apparently sophisticated writing, and impel them to take steps to correct for this bias. Bourdieu also describes how the "scholastic point of view" unconsciously alters how scientists approach their objects of study. Because of the systematicity of their training and their mode of analysis, they tend to exaggerate the systematicity of the things they study. This inclines them to see agents following clear rules where in fact they use less determinate strategies; it makes it hard to theorise the 'fuzzy' logic of the social world, its practical and therefore mutable nature, poorly described by words like 'system', 'structure' and 'logic' which imply mechanisms, rigidity and omnipresence. The scholar can too easily find themselves mistaking "the things of logic for the logic of things" -- a phrase of Marx's which Bourdieu is fond of quoting. Again, reflexivity is recommended as the key to discovering and correcting for such errors which would otherwise remain unseen, mistakes produced by an over-application of the virtues that produced also the truths within which the errors are embedded.
Question: What is reflexivity?
Answer: a kind of additional stage in the scientific epistemology. It is not enough for the scientist to go through the usual stages
Question: Was reflexivity accepted by his peers? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Pierre Bourdieu
Background: Pierre Felix Bourdieu (French: [buRdjo]; 1 August 1930 - 23 January 2002) was a French sociologist, anthropologist, philosopher, and public intellectual. Bourdieu's work was primarily concerned with the dynamics of power in society, and especially the diverse and subtle ways in which power is transferred and social order maintained within and across generations. In conscious opposition to the idealist tradition of much of Western philosophy, his work often emphasized the corporeal nature of social life and stressed the role of practice and embodiment in social dynamics.
Section: Legacy
Passage: Bourdieu "was, for many, the leading intellectual of present-day France... a thinker in the same rank as Foucault, Barthes and Lacan". His works have been translated into two dozen languages and have affected the whole gamut of disciplines in the social sciences and the humanities. They have also been used in pedagogy. Several works of his are considered classics, not only in sociology, but also in anthropology, education, and cultural studies. Distinction: A Social Critique of the Judgement of Taste (La Distinction) was named as one of the 20th century's ten most important works of sociology by the International Sociological Association. The Rules of Art has significantly affected sociology, history, literature and aesthetics. In France, Bourdieu was seen not as an ivory tower academic or "cloistered don" but as a passionate activist for those he believed to be subordinated by society. In 2001, a documentary film about Bourdieu - Sociology is a Martial Art - "became an unexpected hit in Paris. Its very title stressed how much of a politically engaged intellectual Bourdieu was, taking on the mantle of Emile Zola and Jean-Paul Sartre in French public life and slugging it out with politicians because he thought that was what people like him should do." For Bourdieu, sociology was a combative effort, exposing the un-thought structures beneath the physical (somatic) and thought practices of social agents. He saw sociology as a means of confronting symbolic violence and exposing those unseen areas where one could be free. Bourdieu's work continues to be influential. His work is widely cited, and many sociologists and other social scientists work explicitly in a Bourdieusian framework. One example is Loic Wacquant, who persistently applies the Bourdieusian theoretical and methodological principles to subjects such as boxing, employing what Bourdieu termed participant objectivation (objectivation participante), or what Wacquant calls "carnal sociology." In addition to publishing a book on Bourdieu's lasting influence, novelist Edouard Louis uses the legacy of Pierre Bourdieu as a literary device. Bourdieu also played a crucial role in the popularisation of correspondence analysis and particularly multiple correspondence analysis. Bourdieu held that these geometric techniques of data analysis are, like his sociology, inherently relational. "I use Correspondence Analysis very much, because I think that it is essentially a relational procedure whose philosophy fully expresses what in my view constitutes social reality. It is a procedure that 'thinks' in relations, as I try to do it with the concept of field," Bourdieu said, in the preface to The Craft of Sociology.
Question: What is his legacy?
Answer: Bourdieu "was, for many, the leading intellectual of present-day France... a thinker in the same rank as Foucault, Barthes and Lacan".
Question: Are there any other interesting aspects about this article?
Answer: His works have been translated into two dozen languages and have affected the whole gamut of disciplines in the social sciences and the humanities.
Question: When was it published? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Theodore Roosevelt
Background: Theodore Roosevelt Jr. ( ROH-z@-velt; October 27, 1858 - January 6, 1919) was an American statesman and writer who served as the 26th President of the United States from 1901 to 1909. He also served as the 25th Vice President of the United States from March to September 1901 and as the 33rd Governor of New York from 1899 to 1900. As a leader of the Republican Party during this time, he became a driving force for the Progressive Era in the United States in the early 20th century. His face is depicted on Mount Rushmore, alongside those of George Washington, Thomas Jefferson, and Abraham Lincoln.
Section: Early life and family
Passage: Theodore Roosevelt Jr. was born on October 27, 1858, at East 20th Street in New York City. He was the second of four children born to socialite Martha Stewart "Mittie" Bulloch and businessman and philanthropist Theodore Roosevelt Sr. He had an older sister, Anna (nicknamed "Bamie"), a younger brother, Elliott, and a younger sister, Corinne. Elliott was later the father of First Lady Anna Eleanor Roosevelt, the wife of Theodore's distant cousin, President Franklin Delano Roosevelt. His paternal grandfather was of Dutch descent; his other ancestry included primarily Scottish and Scots-Irish, English and smaller amounts of German, Welsh, and French. Theodore Sr. was the fifth son of businessman Cornelius Van Schaack "C.V.S." Roosevelt and Margaret Barnhill. Theodore's fourth cousin, James Roosevelt I, who was also a businessman, was the father of President Franklin Delano Roosevelt. Mittie was the younger daughter of Major James Stephens Bulloch and Martha P. "Patsy" Stewart. Through the Van Schaacks, Roosevelt was a descendant of the Schuyler family. Roosevelt's youth was largely shaped by his poor health and debilitating asthma. He repeatedly experienced sudden nighttime asthma attacks that caused the experience of being smothered to death, which terrified both Theodore and his parents. Doctors had no cure. Nevertheless, he was energetic and mischievously inquisitive. His lifelong interest in zoology began at age seven when he saw a dead seal at a local market; after obtaining the seal's head, Roosevelt and two cousins formed what they called the "Roosevelt Museum of Natural History". Having learned the rudiments of taxidermy, he filled his makeshift museum with animals that he killed or caught; he then studied the animals and prepared them for display. At age nine, he recorded his observation of insects in a paper entitled "The Natural History of Insects". Roosevelt's father significantly influenced him. His father was a prominent leader in New York's cultural affairs; he helped to found the Metropolitan Museum of Art, and had been especially active in mobilizing support for the Union during the Civil War, even though his in-laws included Confederate leaders. Roosevelt said, "My father, Theodore Roosevelt, was the best man I ever knew. He combined strength and courage with gentleness, tenderness, and great unselfishness. He would not tolerate in us children selfishness or cruelty, idleness, cowardice, or untruthfulness." Family trips abroad, including tours of Europe in 1869 and 1870, and Egypt in 1872, shaped his cosmopolitan perspective. Hiking with his family in the Alps in 1869, Roosevelt found that he could keep pace with his father. He had discovered the significant benefits of physical exertion to minimize his asthma and bolster his spirits. Roosevelt began a heavy regime of exercise. After being manhandled by two older boys on a camping trip, he found a boxing coach to teach him to fight and strengthen his body.
Question: Where did he grow up?
Answer: East 20th Street in New York City.
Question: Did he have siblings?
Answer: He was the second of four children born to socialite Martha Stewart "Mittie" Bulloch and businessman and philanthropist Theodore Roosevelt Sr.
Question: Did he grow up in an apartment?
Answer: CANNOTANSWER
Question: Did he have pets?
Answer: His lifelong interest in zoology began at age seven when he saw a dead seal at a local market;
Question: What sort of activities did he do as a child?
Answer: Roosevelt and two cousins formed what they called the "Roosevelt Museum of Natural History".
Question: What sort of collection did the museum have?
Answer: Having learned the rudiments of taxidermy, he filled his makeshift museum with animals that he killed or caught;
Question: Are there any other interesting aspects about this article?
Answer: Roosevelt's father significantly influenced him.
Question: What else did he learn about as a child? | [
"Roosevelt's youth was largely shaped by his poor health and debilitating asthma."
] |
Title: Theodore Roosevelt
Background: Theodore Roosevelt Jr. ( ROH-z@-velt; October 27, 1858 - January 6, 1919) was an American statesman and writer who served as the 26th President of the United States from 1901 to 1909. He also served as the 25th Vice President of the United States from March to September 1901 and as the 33rd Governor of New York from 1899 to 1900. As a leader of the Republican Party during this time, he became a driving force for the Progressive Era in the United States in the early 20th century. His face is depicted on Mount Rushmore, alongside those of George Washington, Thomas Jefferson, and Abraham Lincoln.
Section: Education
Passage: Roosevelt was mostly home schooled by tutors and his parents. Biographer H. W. Brands argued that "The most obvious drawback to his home schooling was uneven coverage of the various areas of human knowledge". He was solid in geography and bright in history, biology, French, and German; however, he struggled in mathematics and the classical languages. When he entered Harvard College on September 27, 1876; his father advised: "Take care of your morals first, your health next, and finally your studies." His father's sudden death on February 9, 1878, devastated Roosevelt, but he eventually recovered and doubled his activities. He did well in science, philosophy, and rhetoric courses but continued to struggle in Latin and Greek. He studied biology intently and was already an accomplished naturalist and a published ornithologist; he read prodigiously with an almost photographic memory. While at Harvard, Roosevelt participated in rowing and boxing; he was once runner-up in a Harvard boxing tournament. Roosevelt was a member of the Alpha Delta Phi literary society, the Delta Kappa Epsilon fraternity, and the prestigious Porcellian Club; he was also an editor of The Harvard Advocate. In 1880, Roosevelt graduated Phi Beta Kappa (22nd of 177) from Harvard with an A.B. magna cum laude. Biographer Henry Pringle states: Roosevelt, attempting to analyze his college career and weigh the benefits he had received, felt that he had obtained little from Harvard. He had been depressed by the formalistic treatment of many subjects, by the rigidity, the attention to minutiae that were important in themselves, but which somehow were never linked up with the whole. After his father's death, Roosevelt had inherited $125,000, enough to live comfortably for the rest of his life. Roosevelt gave up his earlier plan of studying natural science and instead decided to attend Columbia Law School, moving back into his family's home in New York City. Roosevelt was an able law student, but he often found law to be irrational; he spent much of his time writing a book on the War of 1812. Determined to enter politics, Roosevelt began attending meetings at Morton Hall, the 59th Street headquarters of New York's 21st District Republican Association. Though Roosevelt's father had been a prominent member of the Republican Party, the younger Roosevelt made an unorthodox career choice for someone of his class, as most of Roosevelt's peers refrained from becoming too closely involved in politics. Nonetheless, Roosevelt found allies in the local Republican Party, and he defeated an incumbent Republican state assemblyman closely tied to the political machine of Senator Roscoe Conkling. After his election victory, Roosevelt decided to drop out of law school, later saying, "I intended to be one of the governing class."
Question: Where did Roosevelt go to high school?
Answer: Roosevelt was mostly home schooled by tutors and his parents.
Question: Did Roosevelt attend college?
Answer: When he entered Harvard College on September 27, 1876; his father advised: "Take care of your morals first, your health next, and finally your studies."
Question: What did he study in college?
Answer: He studied biology intently and was already an accomplished naturalist and a published ornithologist;
Question: Did he graduate with any honors or special recognitions?
Answer: In 1880, Roosevelt graduated Phi Beta Kappa (22nd of 177) from Harvard with an A.B. magna cum laude.
Question: What type of law did he study? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Pankaj Advani
Background: Pankaj Advani was born on 24 July 1985 in Pune, India. Advani spent his initial years in Kuwait before moving to Bangalore, India. He received his education at the Frank Anthony Public School, Bangalore and completed his bachelor's degree in Commerce from Sri Bhagawan Mahaveer Jain College. He received training in snooker from former national Snooker champion Arvind Savur.
Section: Billiards career
Passage: Advani made his international competitive debut at the Asian Billiards Championship 2002, held at Bangalore, in which he finished as a finalist. After an amateur World Snooker Champion title win in 2003, he won the IBSF World Billiards Championship in 2005 at Qawra, Malta, where he became the first to achieve a "grand double" by winning both the time and point formats, a feat he repeated at the 2008 event in Bangalore. He is the only Indian to have won the amateur world title in both snooker and billiards. He is also the youngest person to have won all these world titles in English billiards, for a record 8 times. Advani also remains the only person to have won all five national, regional, and world billiards tournaments in a single season, a feat he achieved by winning the Indian Junior National Championship and Senior National Championship, the Asian Billiards Championship, and both the World Billiards Championship (point format) and World Billiards Championship (time format). Advani won the WPBSA billiards title, at Leeds in 2009, against the defending champion Mike Russell; Advani won 2030-1253, after gaining an 800-plus lead at his opening break. He became the first person in the world to win the trio of the WPBSA World Billiards Champion pro title (which he has held twice, in 2009 & 2012), and the IBSF World Billiards Champion amateur title, as well as the IBSM World Snooker Champion amateur title. In April 2012, Advani won the Asian Billiards Championship in Goa, India to become the first player to win 5 Asian Billiards Champion titles. This takes his total tally of international majors to 17 - 8 Worlds, 5 Asian Billiards, 2 Asian Games Golds, 1 Australian Open and 1 Asian Team. It was announced in May that Advani had accepted the Indian wildcard place on the main snooker tour for the 2012/2013 season. In October 2012, in Leeds, England, Advani won his seventh (counting professional and amateur) World Billiards Championship title, eighth world title overall, beating defending and nine-time WPBSA World Billiards Champion Mike Russell again, in the timed division final (Advani did not make it to the points division final).
Question: when did they start playing billiards?
Answer: Advani made his international competitive debut at the Asian Billiards Championship 2002, held at Bangalore, in which he finished as a finalist.
Question: did he win any other championships
Answer: After an amateur World Snooker Champion title win in 2003, he won the IBSF World Billiards Championship in 2005 at Qawra, Malta,
Question: how old was he then?
Answer: He is also the youngest person to have won all these world titles in English billiards, for a record 8 times.
Question: does he still play? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Vladimir Kozlov
Background: Oleg Aleksandrovich Prudius (Russian: Oleg Aleksandrovich Prudius; Ukrainian: Oleg Oleksandrovich Prudius, Oleh Oleksandrovych Prudius; born April 27, 1979) better known by his ring name Vladimir Kozlov, is a Ukrainian-American producer and retired professional wrestler. He is best known for his time in WWE, where he won the WWE Tag Team Championship once with Santino Marella. He is trained in freestyle wrestling, rugby, football, sambo, kickboxing, judo, jujutsu, Brazilian jiu-jitsu and mixed martial arts. Prudius has also worked as a stage and screen actor, notably having a small role in Spike Lee's 25th Hour., and a walk-on role in the second season of the HBO series The Wire.
Section: Pursuit of the WWE Championship (2008-2009)
Passage: On the April 4, 2008 episode of SmackDown, Kozlov made his official WWE debut as a villain, with the unique quirk of having no entrance music and no Titantron video - his "entrance" consisted of complete darkness except for a solitary spotlight following him to the ring. He defeated Matt Bentley in his first match, and over the following weeks, Kozlov would go on to easily win several matches, first against local talent and then established names including Colin Delaney, Funaki, Nunzio, Shannon Moore, Jimmy Wang Yang, Jamie Noble, and Domino. On the July 11 episode of SmackDown, Kozlov debuted an entrance theme and Titantron video as he defeated Stevie Richards. In the following weeks, as Kozlov continued to easily win matches, he began demanding "better competition". On the September 12 episode of SmackDown, he started to seek that competition, attacking Jeff Hardy. Over the following weeks, Kozlov would continue attacking both Hardy and the WWE Champion Triple H, eventually starting a loose feud between the three of them over the WWE Championship. On the November 7 episode of SmackDown, Kozlov earned a match against Triple H for the WWE title at Survivor Series after defeating The Undertaker by disqualification after he was attacked by Jeff Hardy. The match was originally intended to include Kozlov, Jeff Hardy, and Triple H, although Hardy was removed due to a storyline injury. The result of this was the addition of Edge to the match while it was in progress, and ultimately Edge would go on to pin Triple H and win the title. Continuing his pursuit of the WWE Championship, Kozlov competed in and was unsuccessful in winning a Beat the Clock Challenge match against ECW Champion Matt Hardy for another title shot. This led to the two meeting at Armageddon, where Kozlov gained his first pay-per-view win by defeating Hardy in a non-title match. Kozlov competed in the 2009 Royal Rumble match, entering as the sixth participant, but was eliminated by Triple H after eliminating The Great Khali, Carlito, and Montel Vontavious Porter. He then qualified to be part of the No Way Out Elimination Chamber match, where he was pinned for the first time after receiving a Last Ride from The Undertaker, though he still remained unpinned in one-on-one competition. Kozlov's undefeated streak in televised singles competition ended on the March 2, 2009 episode of Raw, in which he was defeated by Shawn Michaels; this match was for the opportunity to face The Undertaker at WrestleMania XXV. His first televised singles loss on SmackDown came against The Undertaker himself on March 13.
Question: how did he go about to pursue the WWE Championship?
Answer: Kozlov competed in and was unsuccessful in winning a Beat the Clock Challenge match
Question: Did he ever make it to the championship? | [
"but was eliminated by Triple H"
] |
Title: Vladimir Kozlov
Background: Oleg Aleksandrovich Prudius (Russian: Oleg Aleksandrovich Prudius; Ukrainian: Oleg Oleksandrovich Prudius, Oleh Oleksandrovych Prudius; born April 27, 1979) better known by his ring name Vladimir Kozlov, is a Ukrainian-American producer and retired professional wrestler. He is best known for his time in WWE, where he won the WWE Tag Team Championship once with Santino Marella. He is trained in freestyle wrestling, rugby, football, sambo, kickboxing, judo, jujutsu, Brazilian jiu-jitsu and mixed martial arts. Prudius has also worked as a stage and screen actor, notably having a small role in Spike Lee's 25th Hour., and a walk-on role in the second season of the HBO series The Wire.
Section: The Ruthless Roundtable (2009-2010)
Passage: On April 13, 2009, Kozlov was drafted to the ECW brand as part of the 2009 WWE draft, as ECW's only pick of the night. Shortly after the draft, his character was tweaked to further highlight the training he received within the Russian military. He won his first match on the brand when he easily defeated a local competitor. On the June 30 episode of ECW on Syfy, he teamed with William Regal to defeat Christian and Tommy Dreamer. His first defeat in singles competition on ECW came on the July 9 episode of ECW, where he lost a #1 contenders match to Christian for Tommy Dreamer's ECW Championship at Night of Champions. On July 21, Kozlov began an angle with Ezekiel Jackson in which, week after week, after one of them had easily defeated a local competitor, the other would come out and execute their finishing move on the fallen opponent in a game of one-upmanship. On the August 18 episode of ECW, Jackson was set to team with ECW Champion Christian against the team of Kozlov and number-one contender William Regal. Jackson turned on Christian, forming an alliance with Regal and Kozlov. Kozlov and Jackson aided Regal in his feud with Christian over the ECW Championship, but Regal was unable to capture the title. On the December 15 episode of ECW, Kozlov came out with Regal to face Jackson in an ECW Homecoming battle royal qualifying match. During the match, Regal turned on Kozlov by pulling his feet while at ringside, which ultimately cost him the match. After the match, Kozlov attempted to attack Regal, but Jackson jumped him from behind and both proceeded to attack Kozlov. This split Kozlov from the Ruthless Roundtable, making him a face character.
Question: On what show did Kozlov make his WWE debut?
Answer: On the June 30 episode of ECW on Syfy,
Question: Who did Kozlov defeat in his first match?
Answer: a local competitor.
Question: On what date did Kozlov's undeafeated streak end?
Answer: On July 21, Kozlov began an angle with Ezekiel Jackson in which, week after week, after one of them had easily defeated a local competitor,
Question: Who did he lose to during the 2009 Royal Rumble Match? | [
"he lost a #1 contenders match to Christian for Tommy Dreamer's ECW Championship at Night of Champions."
] |
Title: John Frusciante
Background: John Anthony Frusciante ( ( listen); born March 5, 1970) is an American guitarist, singer, producer and composer. He is best known as the former guitarist of the rock band Red Hot Chili Peppers, from 1988 until 1992, and again from 1998 until 2009. He recorded five studio albums with them. Frusciante has an active solo career, having released eleven solo albums and five EPs; his recordings include elements ranging from experimental rock and ambient music to new wave and electronica.
Section: Collaborations with Omar Rodriguez-Lopez and induction into the Rock and Roll Hall of Fame
Passage: Frusciante continued to collaborate with his friend Omar Rodriguez-Lopez. Along with providing guitar work to The Mars Volta's studio albums, The Bedlam In Goliath and Octahedron, and Rodriguez-Lopez's solo albums Se Dice Bisonte, No Bufalo and Calibration (Is Pushing Luck and Key Too Far), he functioned as executive producer for Rodriguez-Lopez's directorial film debut, The Sentimental Engine Slayer. The film debuted at the Rotterdam Film Festival in February 2010. Along with work on the film, Frusciante and Rodriguez-Lopez have released two collaborative records in May 2010. The first is the album Omar Rodriguez-Lopez & John Frusciante, an album with just the two of them, the other a quartet record, Sepulcros de Miel, consisting of Rodriguez-Lopez, Frusciante, Juan Alderete and Marcel Rodriguez-Lopez. Frusciante also contributed music to the documentary film, Little Joe, based upon Joe Dallesandro. In 2009, Frusciante appeared in the documentary, "The Heart is a Drum Machine." His full-length, forty-five-minute interview is available in the special features of the DVD release. On December 7, 2011, the Red Hot Chili Peppers were named 2012 inductees for the Rock And Roll Hall Of Fame. In an interview that same day, Anthony Kiedis talked about Frusciante and if he would attend the ceremony. Kiedis stated, "It would be a guess on my behalf on whether or not he'll come. I can't imagine that he would, but it's a 'you never know' kind of thing. I haven't talked to him in quite a while. I don't know where he's at these days. He'll obviously be more than welcome, and embraced if he does. If he doesn't, that's cool too." Flea also spoke about Frusciante by saying "He left us so many great gifts. He's a phenomenal musician and songwriter who gave so much to our band. All the feelings I have for him not being in the band any more... He really took us to a higher level." Frusciante eventually declined to be present for the Red Hot Chili Peppers' induction into the Rock and Roll Hall of Fame in April.
Question: What collaborations were there?
Answer: Frusciante continued to collaborate with his friend Omar Rodriguez-Lopez. Along with providing guitar work to The Mars Volta's studio albums,
Question: What albums was he working on?
Answer: Rodriguez-Lopez's solo albums Se Dice Bisonte, No Bufalo and Calibration (Is Pushing Luck and Key Too Far
Question: Was he a part of the documentary? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: The Incredible String Band
Background: The Incredible String Band (sometimes abbreviated as ISB) were a psychedelic folk band formed by Clive Palmer, Robin Williamson and Mike Heron in Scotland in 1966. The band built a considerable following, especially in the British counterculture, notably with their albums The 5000 Spirits or the Layers of the Onion, The Hangman's Beautiful Daughter, and Wee Tam and the Big Huge. They became pioneers in psychedelic folk and, through integrating a wide variety of traditional music forms and instruments, in the development of world music. Following Palmer's early departure, Williamson and Heron performed as a duo, later augmented by other musicians.
Section: Diminishing returns: 1971-74
Passage: After that the group lasted another four years, although there was a gradual decline in their status and commercial success after 1970. Joe Boyd, whose skillful handling of the band had contributed much to their international success, stopped managing them and returned to the US. The group left Elektra Records and signed with Island, for whom they recorded five albums. The first was a soundtrack to the "Be Glad..." film, and this was followed by the eclectic Liquid Acrobat as Regards the Air, regarded as their best album for some time. The band continued to tour and record. Rose Simpson left in 1971 and was replaced by Malcolm Le Maistre, formerly of the Stone Monkey troupe. Mike Heron took time out to record a well-received solo album, Smiling Men with Bad Reputations, which, in contrast to the ISB's self-contained productions, featured a host of session guests, among them Pete Townshend, Ronnie Lane, Keith Moon, John Cale and Richard Thompson. The following year, Licorice left, and was replaced by Gerard Dott, an Edinburgh jazz musician and friend of both Heron and Williamson who had contributed to Smiling Men. Williamson also recorded a solo album, Myrrh, which featured some of his most extraordinary vocal performances. The group's changing lineup, adding Stan Schnier (aka "Stan Lee") on bass, Jack Ingram on drums, and Graham Forbes on electric guitar reflected moves toward a more conventional amplified rock group. Their final albums for Island were received disappointingly, and the label dropped them in 1974. By then, disagreements between Williamson and Heron about musical policy had become irreconcilable, and they split up in October 1974.
Question: what happened in 1971?
Answer: Rose Simpson left in 1971 and was replaced by Malcolm Le Maistre,
Question: did they release any albums?
Answer: "Be Glad..."
Question: what else happened between 1971 and 1974?
Answer: Mike Heron took time out to record a well-received solo album,
Question: did he leave the group?
Answer: Heron
Question: when did the group finally diminish? | [
"By then, disagreements between Williamson and Heron about musical policy had become irreconcilable, and they split up in October 1974."
] |
Title: The Incredible String Band
Background: The Incredible String Band (sometimes abbreviated as ISB) were a psychedelic folk band formed by Clive Palmer, Robin Williamson and Mike Heron in Scotland in 1966. The band built a considerable following, especially in the British counterculture, notably with their albums The 5000 Spirits or the Layers of the Onion, The Hangman's Beautiful Daughter, and Wee Tam and the Big Huge. They became pioneers in psychedelic folk and, through integrating a wide variety of traditional music forms and instruments, in the development of world music. Following Palmer's early departure, Williamson and Heron performed as a duo, later augmented by other musicians.
Section: The Hangman's Beautiful Daughter and Wee Tam and the Big Huge: 1968
Passage: 1968 was the band's annus mirabilis with the release of their two most-celebrated albums, The Hangman's Beautiful Daughter and the double LP Wee Tam and the Big Huge (issued as two separate albums in the US). Hangman's reached the top 5 in the UK album charts soon after its release in March 1968 and was nominated for a Grammy in the US. Robert Plant of Led Zeppelin said his group found their way by playing Hangman's and following the instructions. A departure from the band's previous albums, the set relied heavily on a more layered production, with imaginative use of the then new multitrack recording techniques. The album featured a series of vividly dreamlike Williamson songs, such as "The Minotaur's Song", a surreal music-hall parody told from the point of view of the mythical beast, and its centrepiece was Heron's "A Very Cellular Song", a 13-minute reflection on life, love and amoebas, its complex structure incorporating a Bahamian spiritual ("I Bid You Goodnight"). Williamson and Heron in this album had added their girlfriends, Licorice McKechnie and Rose Simpson, to the band to contribute additional vocals and various instruments, including organ, guitar and percussion. Despite their initially rudimentary skills, Simpson swiftly became a proficient bass guitarist, and some of McKechnie's songs were recorded by the band. By early 1968 the group were capable of filling major venues in the UK. They left behind their folk club origins and embarked on a nationwide tour incorporating a critically acclaimed appearance at the London Royal Festival Hall. Later in the year they performed at the Royal Albert Hall, at open-air festivals, and at prestigious rock venues, such as the Fillmore auditoriums in San Francisco and New York. After their appearance at the Fillmore East in New York they were introduced to the practice of Scientology by David Simons (aka "Rex Rakish" and "Bruno Wolfe", once of Jim Kweskin's Jug Band). Joe Boyd, in his book White Bicycles: Making Music in the 1960s and elsewhere, described how he was inadvertently responsible for their "conversion" when he introduced the band to Simons, who, having become a Scientologist, persuaded them to enrol in his absence. The band's support for Scientology over the next few years was controversial among some fans and seemed to coincide with what many saw as the beginning of a decline in the quality of their work. In an interview with Oz magazine in 1969 the band spoke enthusiastically of their involvement with it, although the question of its effect on their later albums has provoked much discussion ever since. Their November 1968 album Wee Tam and the Big Huge, recorded before the US trip, was musically less experimental and lush than Hangman's but conceptually even more avant-garde, a full-on engagement with the themes of mythology, religion, awareness and identity. Williamson's otherworldly songs and vision dominate the album, though Heron's more grounded tracks are also among his very best, and the contrast between the two perspectives gives the record its uniquely dynamic interplay between a sensual experience of life and a quest for metaphysical meaning. The record was released as a double album and also simultaneously as two separate LPs, a strategy which lessened its impact on the charts.
Question: Did the band have success?
Answer: 1968 was the band's annus mirabilis with the release of their two most-celebrated albums,
Question: What albums did they release?
Answer: The Hangman's Beautiful Daughter and the double LP Wee Tam and the Big Huge
Question: What was the bands biggest hit?
Answer: Hangman's reached the top 5 in the UK album charts
Question: Did they top the single's chart?
Answer: CANNOTANSWER
Question: Did the band tour in 1968?
Answer: CANNOTANSWER
Question: What else happened with the band?
Answer: They left behind their folk club origins and embarked on a nationwide tour incorporating a critically acclaimed appearance
Question: Where was the critically acclaimed appearance?
Answer: London Royal Festival Hall.
Question: Was the nationwide tour in the UK?
Answer: in the UK.
Question: Did they reach the charts in the US? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Curtis Mayfield
Background: Curtis Mayfield was born on June 3, 1942 in Chicago, Illinois, the son of Marion Washington and Kenneth Mayfield, one of five children. Mayfield's father left the family when Curtis was five; his mother (and maternal grandmother) moved the family into several Chicago public housing projects before settling in Cabrini-Green during his teen years. Mayfield attended Wells Community Academy High School before dropping out his sophomore year. His mother taught him piano and, along with his grandmother, encouraged him to enjoy gospel music.
Section: The Impressions
Passage: Mayfield's career began in 1956 when he joined the Roosters with Arthur and Richard Brooks and Jerry Butler. Two years later the Roosters, now including Sam Gooden, became the Impressions. The band had two hit singles with Butler, "For Your Precious Love" and "Come Back My Love", then Butler left. Mayfield temporarily went with him, co-writing and performing on Butler's next hit, "He Will Break Your Heart", before returning to the Impressions with the group signing for ABC Records and working with the label's Chicago-based producer/A&R manager, Johnny Pate. Butler was replaced by Fred Cash, a returning original Roosters member, and Mayfield became lead singer, frequently composing for the band, starting with "Gypsy Woman", a Top 20 Pop hit. Their hit "Amen" (Top 10), an updated version of an old gospel tune, was included in the soundtrack of the 1963 United Artists film Lilies of the Field, which starred Sidney Poitier. The Impressions reached the height of their popularity in the mid-to-late-'60s with a string of Mayfield compositions that included "Keep On Pushing," "People Get Ready", "It's All Right" (Top 10), the up-tempo "Talking about My Baby"(Top 20) and "Woman's Got Soul". He formed his own label, Curtom Records in Chicago in 1968 and the Impressions joined him to continue their run of hits including "Fool For You," "This is My Country", "Choice Of Colors" and "Check Out Your Mind." Mayfield had written much of the soundtrack of the Civil Rights Movement in the early 1960s, but by the end of the decade, he was a pioneering voice in the black pride movement along with James Brown and Sly Stone. Mayfield's "We're a Winner" was their last major hit for ABC. A Number 1 soul hit which also reached the Billboard pop Top 20, it became an anthem of the black power and black pride movements when it was released in late 1967, much as his earlier "Keep on Pushing" (whose title is quoted in the lyrics of "We're a Winner" and also in "Move On Up") had been an anthem for Martin Luther King, Jr. and the Civil Rights Movement. Mayfield was a prolific songwriter in Chicago even outside his work for the Impressions, writing and producing scores of hits for many other artists. He also owned the Mayfield and Windy C labels which were distributed by Cameo-Parkway, and was a partner in the Curtom (first independent, then distributed by Buddah then Warner Bros and finally RSO) and Thomas labels (first independent, then distributed by Atlantic, then independent again and finally Buddah). Among Mayfield's greatest songwriting successes were three hits that he wrote for Jerry Butler on Vee Jay ("He Will Break Your Heart", "Find Another Girl" and "I'm A-Tellin' You"). His harmony vocals are very prominent. He also had great success writing and arranging Jan Bradley's "Mama Didn't Lie". Starting in 1963, he was heavily involved in writing and arranging for OKeh Records (with Carl Davis producing), which included hits by Major Lance, Walter Jackson, Billy Butler and the Artistics. This arrangement ran through 1965.
Question: what was the impressions?
Answer: the Roosters, now including Sam Gooden, became the Impressions.
Question: who were the members?
Answer: Arthur and Richard Brooks and Jerry Butler.
Question: what music did they record?
Answer: CANNOTANSWER
Question: any other music?
Answer: Jerry Butler on Vee Jay ("He Will Break Your Heart", "Find Another Girl" and "I'm A-Tellin' You").
Question: what was the number 1 hit? | [
"\"We're a Winner\" was their last major hit for ABC."
] |
Title: Archie Manning
Background: Born in Drew, Mississippi, Manning was the son of Jane Elizabeth (nee Nelson) and Elisha Archibald Manning Jr. He grew up heavily involved in football, basketball, baseball, and track. His father, known as "Buddy", was interested in Archie's sports activities, but the nature of his job left him little if any time for attending games. Instead, Archie III drew his inspiration from a local high school sports star, James Hobson.
Section: Post-NFL career
Passage: Manning continues to make his home in New Orleans, though he also owns a condo in Oxford, Mississippi, to which he relocated following Hurricane Katrina. He has served as an analyst with the Saints' radio and television broadcasts, and has worked as a commentator for CBS Sports' college football broadcasts. Archie has also appeared as a commercial spokesman for products in Southeast Louisiana, where he remains popular with many fans. Working with his three sons, Cooper, Peyton, and Eli, Archie hosts the Manning Passing Academy each summer. This camp brings together young players from grades 8-12 who work with high school coaches and college players. In 2007, Manning was awarded the Silver Buffalo Award by the Boy Scouts of America. The Silver Buffalo is the highest award given for service to Youth on a national basis. In 2007, Manning was hired as spokesman for a United Parcel Service contest to promote its "Delivery Intercept" service. He appeared in an advertising campaign for the UPS Delivery Intercept Challenge Video Contest, which solicited amateur videos of football interceptions from high school and youth games. Among the prizes were a tailgate party with Manning as well as Manning-autographed footballs. In October 2013, Manning was selected to be one of the 13 inaugural members of The College Football Playoff, Playoff, Postseason, Selection Committee. He is one of three appointees who are members of the College Football Hall of Fame. In 2014, due to health reasons, he stepped down from College Football Playoff Committee. He currently owns a football-themed restaurant he named Manning's.
Question: What did he do after his time with the NFL?
Answer: He has served as an analyst with the Saints' radio and television broadcasts,
Question: Did he do any other broadcasts? | [
"Archie has also appeared as a commercial spokesman for products in Southeast Louisiana, where he remains popular with many fans."
] |
Title: Synthesizer
Background: A synthesizer (often abbreviated as synth, also spelled synthesiser) is an electronic musical instrument that generates electric signals that are converted to sound through instrument amplifiers and loudspeakers or headphones. Synthesizers may either imitate traditional musical instruments like piano, Hammond organ, flute, vocals; natural sounds like ocean waves, etc.; or generate novel electronic timbres. They are often played with a musical keyboard, but they can be controlled via a variety of other input devices, including music sequencers, instrument controllers, fingerboards, guitar synthesizers, wind controllers, and electronic drums. Synthesizers without built-in controllers are often called sound modules, and are controlled via USB, MIDI or CV/gate using a controller device, often a MIDI keyboard or other controller.
Section: Fingerboard controller
Passage: A ribbon controller or other violin-like user interface may be used to control synthesizer parameters. The idea dates to Leon Theremin's 1922 first concept and his 1932 Fingerboard Theremin and Keyboard Theremin, Maurice Martenot's 1928 Ondes Martenot (sliding a metal ring), Friedrich Trautwein's 1929 Trautonium (finger pressure), and was also later utilized by Robert Moog. The ribbon controller has no moving parts. Instead, a finger pressed down and moved along it creates an electrical contact at some point along a pair of thin, flexible longitudinal strips whose electric potential varies from one end to the other. Older fingerboards used a long wire pressed to a resistive plate. A ribbon controller is similar to a touchpad, but a ribbon controller only registers linear motion. Although it may be used to operate any parameter that is affected by control voltages, a ribbon controller is most commonly associated with pitch bending. Fingerboard-controlled instruments include the Trautonium (1929), Hellertion (1929) and Heliophon (1936), Electro-Theremin (Tannerin, late 1950s), Persephone (2004), and the Swarmatron (2004). A ribbon controller is used as an additional controller in the Yamaha CS-80 and CS-60, the Korg Prophecy and Korg Trinity series, the Kurzweil synthesizers, Moog synthesizers, and others. Rock musician Keith Emerson used it with the Moog modular synthesizer from 1970 onward. In the late 1980s, keyboards in the synth lab at Berklee College of Music were equipped with membrane thin ribbon style controllers that output MIDI. They functioned as MIDI managers, with their programming language printed on their surface, and as expression/performance tools. Designed by Jeff Tripp of Perfect Fretworks Co., they were known as Tripp Strips. Such ribbon controllers can serve as a main MIDI controller instead of a keyboard, as with the Continuum instrument.
Question: What is a fingerboard controller?
Answer: A ribbon controller or other violin-like user interface may be used to control synthesizer parameters.
Question: When was the fingerboard controller developed?
Answer: Leon Theremin's 1922 first concept and his 1932 Fingerboard Theremin and Keyboard Theremin,
Question: Are they used a lot in the music industry?
Answer: Rock musician Keith Emerson used it with the Moog modular synthesizer from 1970 onward.
Question: Are there any other interesting aspects about this article?
Answer: Fingerboard-controlled instruments include the Trautonium (1929), Hellertion (1929) and Heliophon (1936), Electro-Theremin (Tannerin, late 1950s), Persephone (2004), and the Swarmatron (2004).
Question: Which fingerboard controlled instrument is the most popular? | [
"Yamaha CS-80 and CS-60, the Korg Prophecy and Korg Trinity series, the Kurzweil synthesizers, Moog synthesizers,"
] |
Title: Synthesizer
Background: A synthesizer (often abbreviated as synth, also spelled synthesiser) is an electronic musical instrument that generates electric signals that are converted to sound through instrument amplifiers and loudspeakers or headphones. Synthesizers may either imitate traditional musical instruments like piano, Hammond organ, flute, vocals; natural sounds like ocean waves, etc.; or generate novel electronic timbres. They are often played with a musical keyboard, but they can be controlled via a variety of other input devices, including music sequencers, instrument controllers, fingerboards, guitar synthesizers, wind controllers, and electronic drums. Synthesizers without built-in controllers are often called sound modules, and are controlled via USB, MIDI or CV/gate using a controller device, often a MIDI keyboard or other controller.
Section: Impact on popular music
Passage: In the 1970s, electronic music composers such as Jean Michel Jarre, Vangelis and Isao Tomita, released successful synthesizer-led instrumental albums. Over time, this helped influence the emergence of synthpop, a subgenre of new wave, from the late 1970s to the early 1980s. The work of German krautrock bands such as Kraftwerk and Tangerine Dream, British acts such as John Foxx, Gary Numan and David Bowie, African-American acts such as George Clinton and Zapp, and Japanese electronic acts such as Yellow Magic Orchestra and Kitaro, were influential in the development of the genre. Gary Numan's 1979 hits "Are 'Friends' Electric?" and "Cars" made heavy use of synthesizers. OMD's "Enola Gay" (1980) used distinctive electronic percussion and a synthesized melody. Soft Cell used a synthesized melody on their 1981 hit "Tainted Love". Nick Rhodes, keyboardist of Duran Duran, used various synthesizers including the Roland Jupiter-4 and Jupiter-8. Chart hits include Depeche Mode's "Just Can't Get Enough" (1981), The Human League's "Don't You Want Me" and Giorgio Moroder's Take My Breath Away (1986) for Berlin. Other notable synthpop groups included New Order, Visage, Japan, Men Without Hats, Ultravox, Spandau Ballet, Culture Club, Eurythmics, Yazoo, Thompson Twins, A Flock of Seagulls, Heaven 17, Erasure, Soft Cell, Pet Shop Boys, Bronski Beat, Kajagoogoo, ABC, Naked Eyes, Devo, and the early work of Tears for Fears and Talk Talk. Giorgio Moroder, Brian Eno, Phil Collins, Howard Jones, Stevie Wonder, Peter Gabriel, Thomas Dolby, Kate Bush, Enya, Mike Oldfield, Donal Lunny, Frank Zappa and Todd Rundgren all made use of synthesizers. The synthesizer became one of the most important instruments in the music industry.
Question: What is the synthesizer?
Answer: The synthesizer became one of the most important instruments in the music industry.
Question: What styles of music is it used for?
Answer: this helped influence the emergence of synthpop, a subgenre of new wave,
Question: Any notable artist use them?
Answer: Gary Numan and David Bowie, African-American acts such as George Clinton and Zapp,
Question: Is there a model that is most popular? | [
"Duran Duran, used various synthesizers including the Roland Jupiter-4 and Jupiter-8."
] |
Title: Clare Fischer
Background: Douglas Clare Fischer (October 22, 1928 - January 26, 2012) was an American keyboardist, composer, arranger, and bandleader. After graduating from Michigan State University (from which, five decades later, he would receive an honorary doctorate), he became the pianist and arranger for the vocal group the Hi-Lo's in the late 1950s. Fischer went on to work with Donald Byrd and Dizzy Gillespie, and became known for his Latin and bossa nova recordings in the 1960s. He composed the Latin jazz standard "Morning", and the jazz standard "Pensativa".
Section: Initial employment
Passage: Fischer next lived in Detroit, Michigan, whereupon, after first hearing the vocal quartet The Hi-Lo's in a live performance, he promptly offered his services. Over the next five years, Fischer recorded several albums with the group, serving as pianist and, on occasion, arranger. In addition, he contributed several vocal arrangements, making his debut in that capacity; it was these arrangements that Herbie Hancock would later point to as a major influence: [T]hat's when I really learned some much farther-out voicings - like the harmonies I used on Speak Like a Child - just being able to do that. I really got that from Clare Fischer's arrangements for the Hi-Lo's. Clare Fischer was a major influence on my harmonic concept... I heard some of his last records, and he was still doing amazing harmonic stuff. And, of course, he was a wonderful pianist, too. But it was those vocal harmonies that were the first thing I heard. I was in awe of him. When Fischer moved to Hollywood in 1958, he went to East L.A. to play and learn more about Latin-Jazz. He started in a charanga group with Modesto Duran as leader and played with many different groups. On November 2, 1959, he made a particularly fruitful connection within this genre when he appeared with the Hi-lo's at the First Annual Los Angeles Jazz Festival on the same bill with the already popular Latin jazz group led by vibraphonist Cal Tjader. Both his playing and arranging made an immediate impression on Tjader, who went on to employ Fischer in both capacities on several recordings over the next three years; the two would reunite in the mid-seventies, leading eventually to the formation of Fischer's own Latin jazz unit, Salsa Picante. In 1961, Fischer became interested in Brazilian music through the recordings of Elizete Cardoso and Joao Gilberto. This discovery, coupled with his introduction to the music of Mexican composer Mario Ruiz Armengol, led to Fischer's subsequent collaboration with Cal Tjader, a 1962 LP devoted jointly to Armengol's music and that of assorted contemporary Brazilian composers. Over the following year, Fischer collaborated on two Bossa Nova-themed LPs with saxophonist Bud Shank, and arranged another for pianist George Shearing. While with The Hi-Lo's, Fischer arranged a record by trumpeter Donald Byrd, which, by virtue of Fischer's use of strings and harps, imbued well-known standards with an unaccustomed, melancholic quality. Although it would be twenty-five years before the album was finally released, September Afternoon paid immediate dividends when Byrd played a copy for Dizzy Gillespie. In turn, Gillespie hired Fischer to write arrangements for a small ensemble featuring brass and woodwinds for his own album, A Portrait of Duke Ellington, which was well received. In 1960 albums for vibraphonist Cal Tjader and pianist George Shearing followed, as did an eight-year career of writing music for commercials, as well as the signing of Fischer's first record contract.
Question: What was her first job?
Answer: The Hi-Lo's
Question: Did she have any other roles? | [
"In addition, he contributed several vocal arrangements, making his debut in that capacity;"
] |
Title: Clare Fischer
Background: Douglas Clare Fischer (October 22, 1928 - January 26, 2012) was an American keyboardist, composer, arranger, and bandleader. After graduating from Michigan State University (from which, five decades later, he would receive an honorary doctorate), he became the pianist and arranger for the vocal group the Hi-Lo's in the late 1950s. Fischer went on to work with Donald Byrd and Dizzy Gillespie, and became known for his Latin and bossa nova recordings in the 1960s. He composed the Latin jazz standard "Morning", and the jazz standard "Pensativa".
Section: Salsa Picante years
Passage: In 1975, after ten years of studiowork and artistically successful yet obscure solo records, Fischer found a new direction. Just like Hancock and Chick Corea he was a pioneer on the electric keyboard, and in that capacity he joined vibraphonist Cal Tjader's group. The reunion with Tjader gave a new impulse to Fischer's love of Latin-American music. He started his own group with Latino musicians, "Salsa Picante", which showed great eclecticism in musical styles. Later he expanded to include four vocalists billed separately as "2 + 2". The album 2+2 won a Grammy in 1981. After that he recorded And Sometimes Voices and Free Fall with the vocal group. Free Fall was nominated in three categories for the Grammy Awards and won under the category of "Best Jazz Album By A Vocal Duo Or Group". Crazy Bird was with the instrumental group and Alone Together, a solo piano album recorded on a Hamburg Steinway. It was recorded for Hans Georg Brunner-Schwer and the German company MPS Records. In the seventies, Fischer began doing orchestral sweeteners for R&B groups. His nephew, Andre Fischer, was the drummer of the band Rufus, featuring Chaka Khan. "Apparently the arrangements I made for their early records were appreciated, for in the following years I was hired almost exclusively by black artists." Among the artists Fischer worked for are The Jacksons, Earl Klugh, Switch, Debarge, Shotgun (a late 70s offshoot of 24-Carat Black) and Atlantic Starr. His walls are now covered with gold and platinum records from these recordings, Grammy Award Nominations, and several NARAS MVP Awards, culminating in an MVP-emeritus in 1985. Once his fame as an arranger was established, Fischer also worked with pop musicians like Paul McCartney, Prince, Celine Dion and Robert Palmer. "I am surprised that my arrangements are now considered one of the prerequisites for a hit album. People feel that they make a song sound almost classical." Classical concert artist Richard Stoltzman commissioned him in 1983 to write a symphonic work using Duke Ellington and Billy Strayhorn themes. The result, "The Duke, Swee'pea and Me", an eleven and a half minute orchestral work, was performed with a symphony orchestra and Stoltzman on clarinet all around the world.
Question: What was his life like during the Salsa Picante years?
Answer: The album 2+2 won a Grammy in 1981.
Question: Did he have any other hits?
Answer: After that he recorded And Sometimes Voices and Free Fall with the vocal group.
Question: What years did the Salsa Picante years fall into?
Answer: CANNOTANSWER
Question: What work did he do with them? | [
"song"
] |
Title: Legion (Marvel Comics)
Background: Legion (David Charles Haller) is a fictional superhero appearing in American comic books published by Marvel Comics. He is the mutant son of Professor Charles Xavier and Gabrielle Haller. Legion takes the role of an antihero who has a severe mental illness including a form of dissociative identity disorder, in which each of his alternate personas controls one of his many superpowers. The television series Legion premiered on FX network in 2017.
Section: Fictional character biography
Passage: Charles Xavier met Gabrielle Haller while he was working in an Israeli psychiatric facility where she was one of his patients. Xavier was secretly using his psychic powers to ease the pain of Holocaust survivors institutionalized there. The two had an affair that resulted in the birth of their son David. Xavier was initially unaware of this, as Gabrielle never told him she was pregnant. When he was very young, David was among the victims of a terrorist attack, in which he was the only survivor. The trauma of the situation caused David to manifest his mutant powers, incinerating the minds of the terrorists. In the process, he absorbed the mind of the terrorist leader, Jemail Karami, into his own. Being linked to so many others at their time of death, he was rendered catatonic, and remained in the care of Moira MacTaggert at the Muir Island mutant research facility. The trauma caused David's personality to splinter, with each of the personalities controlling a different aspect of his psionic power. Karami struggled for years to separate his consciousness from David's. Using David's telepathic abilities, he reintegrated the multiple personalities into David's core personality. Some of the personalities resisted Karami, and two proved to be formidable opponents: Jack Wayne, a swaggering adventurer, who commands David's telekinetic power, and Cyndi, a temperamental, rebellious girl who controls David's pyrokinetic power. Wayne intended to destroy Karami's consciousness to preserve his own independent existence within David's mind. Neither personality succeeds, and Karami, Wayne, and Cyndi continue as David's dominant personalities. During his time at Muir Island, David emerged from his catatonia. Soon after, David was possessed by the Shadow King, who used his powers to psychically increase the amount of hatred in the world and feed on the malignant energy. During this time, the Shadow King, as David, killed the mutant Destiny. The X-Men and X-Factor fought the Shadow King, and as a result, David was left in a coma.
Question: Where was Legion born?
Answer: The two had an affair that resulted in the birth of their son David.
Question: Who had the affair?
Answer: Charles Xavier met Gabrielle Haller
Question: Did his parents survive? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: The Funk Brothers
Background: The Funk Brothers were a group of Detroit-based session musicians who performed the backing to most Motown recordings from 1959 until the company moved to Los Angeles in 1972. They are considered one of the most successful groups of studio musicians in music history. The Funk Brothers played on Motown hits such as "My Girl", "I Heard It Through the Grapevine",
Section: Later years
Passage: In February 2004, surviving members of the Funk Brothers were presented the Grammy Legend Award at the 46th Annual Grammy Awards at the Staples Center in L.A. In March 2006, some remaining Funk Brothers were invited to perform on Philadelphia writer-producer-singer Phil Hurtt's recording session at Studio A, Dearborn Heights, Detroit, where they contributed their performances to "The Soulful Tale of Two Cities" project. The double-album sleeve notes read: "Motown's legendary Funk Brothers and members of Philadelphia's world renowned MFSB take you 'back in the day' with an album filled with classic Philly and Motown hits." Bob Babbitt, Joe Hunter, Uriel Jones, and Eddie Willis performed alongside other notable Detroit session musicians, like Ray Monette, Robert Jones, Spider Webb, and Treaty Womack. The musicians played on the Philly hits, giving their unique Detroit interpretations of the songs under the leadership of Phil Hurtt, Bobby Eli, Clay McMurray and Lamont Dozier. Many other ex-Motown and Detroit artists performed vocals on the session, including the Velvelettes, Carolyn Crawford, Lamont Dozier, Bobby Taylor, Kim Weston, Freda Payne, and George Clinton. In 2008 Uriel Jones, Ray Monette, Dennis Coffey, Robert Jones and Bob Babbitt accompanied other notable Detroit session musicians, including Larry Fratangelo, Dennis Sheridan, Edward Gooch, John Trudell, saxophonist George Benson, Mark Burger, David Jennings, Spider Webb, and Rob Pipho, on the Carl Dixon Bandtraxs project, which featured a Dennis Coffey-Carl Dixon production of four new songs. Vocal performances by Spyder Turner, Pree and Gayle Butts provided lead and backing for the session. The session was arranged by ex-Motown arranger David J. Van De Pitte. The session was also at Studio A, Dearborn Heights, Detroit, and was the dream of a 19-year-old Dixon, back in 1974, to pay homage to musicians, particularly the Funk Brothers, producers and those who influenced him with their music. It took Dixon almost 33 years to find the musicians and meet some of them on the web site soulfuldetroit.com. It was via this web site that he and Dennis Coffey hooked up and then eventually collaborated to make the session work. In 2008 surviving members recorded Live in Orlando, an album and video. In 2010, surviving members of the Funk Brothers accompanied Phil Collins on his Motown covers album, Going Back, and appear in the live Going Back concert DVD.
Question: did he work in his later years?
Answer: In March 2006, some remaining Funk Brothers were invited to perform on Philadelphia writer-producer-singer Phil Hurtt's recording session at Studio A,
Question: what album did they make?
Answer: where they contributed their performances to "The Soulful Tale of Two Cities" project.
Question: did he collaborate with anyone? | [
"\" Bob Babbitt, Joe Hunter, Uriel Jones, and Eddie Willis performed alongside other notable Detroit session musicians, like Ray Monette, Robert Jones, Spider Webb, and Treaty Womack."
] |
Title: Fear Factory
Background: Fear Factory is an American heavy metal band that was formed in 1989. Throughout the band's career, they have released nine full-length albums and have evolved through a succession of styles, including nu metal, death metal, groove metal, and thrash metal. Fear Factory was enormously influential on the heavy metal scene in the mid-to-late 1990s. Fear Factory went on hold in March 2002 following some internal disputes, but re-formed a year later without founding member Dino Cazares, adding bassist Byron Stroud, and previous bassist Christian Olde Wolbers as guitarist.
Section: Concrete (1991)
Passage: In 1991, Fear Factory recorded a series of cuts for their debut album with the then-little-known producer Ross Robinson in Blackie Lawless' studio. The band's members were unhappy with the terms of their recording contract and caused a delay with the album's release. The band retained the rights to the songs, many of which they re-recorded in 1992 with a different producer, Colin Richardson, for inclusion on their debut release Soul of a New Machine. Meanwhile, Ross Robinson obtained the rights to the recording, which he used to promote himself as a producer. The album was officially released in 2002 by Roadrunner Records under the title Concrete after the band's breakup. The release was controversial because the album was issued because of the band's outstanding contractual obligation and without the approval of every band member. Fan opinion has been divided as to whether Ross Robinson's production properly captured the intricacies of the band's sound. The released album favored a straight-up approach and Robinson's distinct drum sound. Concrete has become an important album for fans of the early Fear Factory sound; it can be seen as a bridge between the band's sound on their demo recordings and their debut release, Soul of a New Machine, and a blueprint for later songs and B-sides. Based on the Concrete recording, Max Cavalera recommended Fear Factory to the then-death-metal-focused Roadrunner Records label, which offered the band a recording contract. While the band signed the contract, it has since become controversial because of Roadrunner's treatment of the band during the events surrounding its 2002 breakup. This was reflected in the first album Archetype (2004), which was released following the band's re-formation. The opening song with lyrics by Burton C. Bell, "Slave Labor", was direct about the band's feelings on the matter. After working with numerous bassists, Andrew Shives was hired as a live bassist prior to the release of Soul of a New Machine.
Question: When was Concrete released?
Answer: In 1991,
Question: What was the first single off the album?
Answer: Slave Labor",
Question: Was there a lawsuit? | [
"Fan opinion has been divided as to whether Ross Robinson's production properly captured the intricacies of the band's sound."
] |
Title: Kim Jae-joong
Background: Kim was born Han Jae-joon (hanjaejun; Han Zai Jun ) in Gongju, Chungcheongnam-do, South Korea. His real birthday, as revealed by his biological mother, was on 4 February, instead of 26 January. At a young age, he was given up for adoption by his biological mother to the Kim family, and his name was changed to Kim Jae-joong. When Kim was fifteen, he moved to Seoul by himself in order to take part in the auditions held by SM Entertainment.
Section: Solo album releases
Passage: On 17 January 2013, Kim released his first solo EP titled I/MINE, a rock-themed album which Kim penned all the lyrics to. The album debuted at the top of both the Hanteo and Gaon weekly charts in Korea. It was also met with resounding success throughout Asia, topping Taiwan's Five Music's Korean and Japanese music chart, Japan's Shinseido weekly chart and Yin Yue Tai's V chart for K-pop. It also topped the iTunes rock charts in nine countries. Additionally, the pre-released single "One Kiss" and lead single "Mine" topped both domestic charts and foreign charts, including a German Asian music chart. On 26 and 27 January, Kim held two days of special concerts at the KINTEX Ilsan to celebrate the launch of the album, as well as his birthday. Kim then released a repackaged version of his album, titled Y which consists of contains two additional tracks: "Only Love" and "Kiss B" . The album was met with success and sold 50,000 copies upon release. His first full-length solo album, WWW was released on 29 October 2013. A single titled "Sunny Day" was released ahead of the album and topped the iTunes EP chart in Japan. A repackaged version of the album, WWW: Remove Makeup was subsequently released in January 2014 and included the title track "Heaven", a pop ballad with label-mate Gummy. To promote his first album, Kim embarked on his first Asia tour which traveled to regional countries like Japan, Taiwan and China. His second solo album, No.X was released on 12 February 2016. It topped iTunes charts of 39 countries around the world upon its release, and was named the most popular K-pop album in China for 2016.
Question: When did Kim Jae-joong make a solo album?
Answer: 17 January 2013,
Question: How successful was Kim Jae-joong?
Answer: was named the most popular K-pop album
Question: Which album was most popular?
Answer: album, No.X
Question: Has Kim Jae-joong ever sang with a group?
Answer: CANNOTANSWER
Question: When were his solo albums released?
Answer: 2013.
Question: Does Kim Jae-joong have a family? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Kim Jae-joong
Background: Kim was born Han Jae-joon (hanjaejun; Han Zai Jun ) in Gongju, Chungcheongnam-do, South Korea. His real birthday, as revealed by his biological mother, was on 4 February, instead of 26 January. At a young age, he was given up for adoption by his biological mother to the Kim family, and his name was changed to Kim Jae-joong. When Kim was fifteen, he moved to Seoul by himself in order to take part in the auditions held by SM Entertainment.
Section: Soundtracks and collaborations
Passage: Apart from TVXQ and JYJ, Kim has worked on solo activities as a singer. He sang "Insa" (insa lit. Greeting) for the soundtrack of A Millionaire's First Love. Kim collaborated with label-mates The Grace for the Japanese version of their song "Just for One Day", which was featured on their fifth Japanese single and their debut album, Graceful 4. Kim also sang the solo track "Maze" for the fifth and final single of the Trick Project, "Keyword/Maze". Jaejoong wrote and composed "Wasurenaide" (Wang renaide, lit. Don't Forget) which was included on Tohoshinki's twenty-fifth single "Bolero/Kiss the Baby Sky/Wasurenaide." The song was also on their fourth Japanese album The Secret Code, along with the songs "9095" and "9096" which were also composed by Kim. The song, "Wang renaide" was used in an television advertisement for cosmetics in Japan. On 30 September 2009, Kim and bandmate Yoochun released a self-composed single "Colors (Melody and Harmony)/Shelter." The A-side track, Colors (Melody and Harmony), was used as the image song for Hello Kitty's thirty-fifth anniversary. Jaejoong and Yoochun also participated in m-flo's album m-flo TRIBUTE -maison de m-flo, singing the track "Been So Long". Kim sang "Love" for the soundtrack of the film Heaven's Postman in which he starred as the male lead. He also sang "Found You" and "For you It's Separation, For me It's Waiting" for the soundtrack of the television drama Sungkyunkwan Scandal, "I'll Protect You" for Protect the Boss, and "Living Like A Dream" for Dr. Jin. "Living Like a Dream" was awarded the Best Hallyu Drama OST at the Seoul International Drama Awards.
Question: What is a soundtrack he sung on?
Answer: Kim sang "Love" for the soundtrack of the film Heaven's Postman in which he starred as the male lead.
Question: what is the name of the song?
Answer: He also sang "Found You" and "For you It's Separation, For me It's Waiting"
Question: What was the nameof a movie he had songs on? | [
"Heaven's Postman"
] |
Title: Julianne Hough
Background: Hough was born in Orem, Utah, the youngest of five children in a Latter-day Saints (Mormon) family. Her parents are Marianne and Bruce Hough; her father was twice chairman of the Utah Republican Party. Her brother, Derek Hough, is also a professional dancer. She also has three older sisters: Sharee, Marabeth and Katherine.
Section: Dancing
Passage: Hough was one of the Million Dollar Dancers in the 2006 ABC game show called Show Me the Money. She won season four of the U.S. edition of Dancing with the Stars with her partner Olympic gold medal-winning speed skater Apolo Ohno, making Hough the youngest professional dancer to win on the program. On November 27, 2007, Hough and her partner, three-time Indianapolis 500 champion Helio Castroneves, became the winners of season five. Hough returned for season six with radio host/comedian Adam Carolla, but they were eliminated in week four. In July 2008, Hough was nominated at the 60th Primetime Emmy Awards in the category of "Outstanding Choreography" for her Mambo "Para Los Rumberos" (performed with partner Helio Castroneves) on Dancing with the Stars. On August 25, 2008, the cast of season seven was announced, and Hough was partnered with Hannah Montana actor Cody Linley. She felt abdominal pains during their jitterbug performance on October 27, 2008 and was immediately rushed to a hospital following the encore performance. She subsequently had surgery to have her appendix removed, causing her to miss several performances; Edyta Sliwinska stood in for her. Hough returned to the show, although the pair was ultimately eliminated in the Semifinals Competition. She appeared on the November 12 results show dancing the jive to "Great Balls of Fire" with her brother for the "Design-A-Dance" contest. On November 20, 2008, Hough told Ryan Seacrest on his radio show she would not be returning to Dancing with the Stars, for the foreseeable future, in order to further her music career. However, she did return for season eight, partnering with boyfriend at the time, country singer Chuck Wicks. They were voted off in week eight of the competition and came in sixth place. On October 11, 2011, Hough returned to Dancing with the Stars and danced with her Footloose co-star Kenny Wormald twice, as well as her brother. She returned again on May 15, 2012 in a dance performance to promote her film Rock of Ages. On October 7, 2013, she was guest judge in place of Len Goodman, which was the first time a former pro dancer came back to judge. In September 2014, she returned as the show's permanent fourth judge.
Question: When did she start dancing?
Answer: Hough was one of the Million Dollar Dancers in the 2006 ABC game show called Show Me the Money.
Question: Is that how she got her start?
Answer: CANNOTANSWER
Question: Has she won any awards?
Answer: She won season four of the U.S. edition of Dancing with the Stars with her partner Olympic gold medal-winning speed skater Apolo Ohno,
Question: Did she release any albums? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Julianne Hough
Background: Hough was born in Orem, Utah, the youngest of five children in a Latter-day Saints (Mormon) family. Her parents are Marianne and Bruce Hough; her father was twice chairman of the Utah Republican Party. Her brother, Derek Hough, is also a professional dancer. She also has three older sisters: Sharee, Marabeth and Katherine.
Section: Move Live On Tour
Passage: On March 18, 2014, Hough and her brother Derek announced a summer tour of over 40 cities across the U.S. and Canada, called "Move Live on Tour", which would include dancing and singing from both of them, and the appearance of a group of dancers employed by the Houghs who earned their jobs through auditions. They embarked on the sold out tour on May 25, 2014 in Park City, Kansas and ended it in Los Angeles on July 26, 2014. Due to the success of ticket sales and several sold out venues before the tour had officially kicked off, several more shows were added to the tour schedule, which also sold out. For the tour choreography, the Hough siblings collaborated with Nappytabs. Following the success of the 2014 tour and high demand, the Houghs announced the return of "Move Live on Tour" in the summer of 2015. Spanning from June 12, 2015 to August 8, 2015, the sold out tour visited over 40 cities throughout the U.S. and Canada, and visited larger venues than in the previous year. Tabitha and Napoleon D'umo "Nappytabs" returned as collaborating choreographers alongside the Hough siblings. Auditions were also held to recruit a new group of dancers to join the Houghs, although some back-up dancers from the previous year returned. On July 9, 2016, the Houghs held a free fitness pop-up event called 'Move Interactive' in Los Angeles, which they announced would be the first of many. The event started off in Sherman Oaks with a workout session at Pulse Fitness Studios led by celebrity personal trainer and owner, Mark Harari. The participants then took part in a two-mile run along Ventura Blvd, before finishing off with a dance-fitness class at JustDance Los Angeles. According to Hough, the motivation behind the event was to "bring health, love, community and human interaction into our everyday lives." The following week, on July 14, the Hough's held a second free Move Interactive event in Fryman Canyon, LA, which included a hike and team building exercises. On December 14, 2016, they announced, via social media, that they would be going on a new tour, MOVE BEYOND Live on Tour, in 2017.
Question: What was the Move On Live tour?
Answer: Move Live on Tour", which would include dancing and singing from both of them, and the appearance of a group of dancers
Question: What countries or cities did the Move Live on Tour perform?
Answer: They embarked on the sold out tour on May 25, 2014 in Park City, Kansas and ended it in Los Angeles on July 26, 2014.
Question: What kind of music did Julianne Hough dance to in her tour? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: George Foreman
Background: George Edward Foreman (born January 10, 1949) is an American former professional boxer who competed from 1969 to 1977, and from 1987 to 1997. Nicknamed "Big George", he is a two-time world heavyweight champion and an Olympic gold medalist. Outside the sport he is an ordained minister, author, and entrepreneur. After a troubled childhood Foreman took up amateur boxing and won a gold medal in the heavyweight division at the 1968 Summer Olympics.
Section: Sunshine Showdown: Foreman vs. Frazier
Passage: In 1972, still undefeated and with an impressive knockout record, Foreman was set to challenge undefeated and Undisputed World Heavyweight Champion Joe Frazier. Despite boycotting a title elimination caused by the vacancy resulting from the championship being stripped from Muhammad Ali, Frazier had won the title from Jimmy Ellis and defended his title four times since, including a 15-round unanimous decision over the previously unbeaten Ali in 1971 after Ali had beaten Oscar Bonavena and Jerry Quarry. Despite Foreman's superior size and reach, he was not expected to beat Frazier and was a 3:1 underdog going into the fight. The Sunshine Showdown took place on January 22, 1973, in Kingston, Jamaica, with Foreman dominating the fight to win the championship by technical knockout. In ABC's re-broadcast, Howard Cosell made the memorable call, "Down goes Frazier! Down goes Frazier! Down goes Frazier!" Before the fight Frazier was 29-0 (25 KO) and Foreman was 37-0 (34 KO). Frazier was knocked down six times by Foreman within two rounds (the three-knockdown rule was not in effect for this bout). After the second knockdown, Frazier's balance and mobility were impaired to the extent that he was unable to evade Foreman's combinations. Frazier managed to get to his feet for all six knockdowns, but referee Arthur Mercante eventually called an end to the one-sided bout. Foreman was sometimes characterized by the media as an aloof and antisocial champion. According to them, he always seemed to wear a sneer and was not often available to the press. Foreman later attributed his demeanor during this time as an emulation of Sonny Liston, for whom he had been an occasional sparring partner. Foreman defended his title successfully twice during his initial reign as champion. His first defense, in Tokyo, pitted him against Puerto Rican Heavyweight Champion Jose Roman. Roman was not regarded as a top contender, and it took Foreman only 2 minutes to end the fight, one of the fastest knockouts in a Heavyweight Championship bout.
Question: when was th match between frazier
Answer: In 1972, still undefeated and with an impressive knockout record, Foreman was set to challenge undefeated and Undisputed World Heavyweight Champion Joe Frazier.
Question: what was peoples reaction to the maatch | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Pete Wentz
Background: Wentz was born Peter Lewis Kingston Wentz III, in Wilmette, Illinois, an affluent suburb of Chicago. He is the son of Dale (nee Lewis), a high school admissions counselor, and Pete Wentz II, an attorney. He is of English and German descent on his father's side and Afro-Jamaican on his mother's side. He has a younger sister, Hillary, and a younger brother, Andrew.
Section: Personal life
Passage: Wentz has bipolar disorder, and has taken medication for it since he was eighteen. In February 2005, Wentz attempted suicide by taking an overdose of the anxiety medication Ativan, and as a result, spent a week in the hospital. Commenting on the event to a magazine, he said: The suicide attempt was put into song form, "7 Minutes in Heaven (Atavan Halen)" and released on their album, From Under The Cork Tree. After this event, Wentz moved back in with his parents. Wentz later spoke of his suicide attempt to the support site Halfofus.com and cites Jeff Buckley's version of the Leonard Cohen classic "Hallelujah" as a song that saved his life. In 2006, Wentz started dating singer Ashlee Simpson. In April 2008, Simpson and Wentz confirmed their engagement, and were married on May 17, 2008, at Simpson's parents' residence in Encino, California, with her father officiating the ceremony. Two weeks later, she confirmed her pregnancy. Her surname changed from Simpson to Wentz and she was briefly known professionally as Ashlee Simpson-Wentz. Simpson gave birth to their son on November 20, 2008. On February 8, 2011, Simpson filed for divorce, citing "irreconcilable differences". She asked for joint custody and primary physical custody of their son with visitation for Wentz, along with spousal support. However, a later report said that Simpson believed the couple simply "married too young", with the source stating that, "It was honestly a classic case of marrying young, having a kid young and growing apart over the years". Wentz reportedly did not want the divorce. Their divorce was finalized on November 22, 2011. On February 17, 2014, Wentz and his current girlfriend Meagan Camper announced that the couple were expecting their first child together and Wentz's second. Their son was born on August 21, 2014. On January 2, 2018 Wentz posted to his Instagram that he and Camper were expecting their second child together and Wentz's third, a girl.
Question: What was an early goal
Answer: suicide
Question: What was a problem
Answer: bipolar
Question: What did he do for this
Answer: taken medication for it since he was eighteen.
Question: What happened | [
"suicide by taking an overdose of the anxiety medication"
] |
Title: Pete Wentz
Background: Wentz was born Peter Lewis Kingston Wentz III, in Wilmette, Illinois, an affluent suburb of Chicago. He is the son of Dale (nee Lewis), a high school admissions counselor, and Pete Wentz II, an attorney. He is of English and German descent on his father's side and Afro-Jamaican on his mother's side. He has a younger sister, Hillary, and a younger brother, Andrew.
Section: Writing
Passage: Wentz has written a book entitled The Boy With the Thorn in His Side, a story based on nightmares he had as a child. The title is a reference to a track on The Smiths' album The Queen Is Dead. Wentz explained that writing books serves as another mode of self-expression other than songwriting: "My inspiration and my ideas don't begin and end at the beginning and the ending of a song. It is too limiting." It was reported that he was to publish another book, entitled Rainy Day Kids, but years went by without any word on the book's progress, and Wentz even expressed on his Twitter account that he didn't think it would ever come to fruition. However, in February 2012, he posted a photo on his personal blog of what appeared to be a rough draft of the book's manuscript, explaining that he was currently in the process of editing Rainy Day Kids and that it would be 40-50 pages longer than he originally expected. On December 13, 2012, Wentz revealed the cover for the book, now titled Gray, on his personal blog. The book, which was written with MTV News writer and former FNMTV co-host James Montgomery, was released on February 26, 2013. In June 2009, it was announced that Wentz was working on a five-issue comic book mini-series called Fall Out Toy Works, to be published by Image Comics. The idea was conceived by Wentz and designer Darren Romanelli. The plot is loosely based on the Fall Out Boy song "Tiffany Blews" and focuses on "a mysterious toymaker, a cyborg gal named Tiffany and a kid in a bear suit that looks lifted from the cover of Fall Out Boy's Folie a Deux." With writing by Brett Lewis, and art by Sam Basri, the first issue was released on September 2, 2009.
Question: what was his first goal
Answer: written a book entitled
Question: What was it called
Answer: The Boy With the Thorn in His Side,
Question: What was this about
Answer: nightmares
Question: Who's nightmares
Answer: had as a child.
Question: What was the refrence too | [
"The title is a reference to a track on The Smiths' album The Queen Is Dead."
] |
Title: Marion Davies
Background: Davies was born Marion Cecilia Elizabeth Brooklyn Douras on January 3, 1897, in Brooklyn, the youngest of five children born to Bernard J. Douras (1857-1935), a lawyer and judge in New York City; and Rose Reilly (1867-1928). Her father performed the civil marriage of Gloria Gould Bishop. She had three older sisters, Ethel, Rose, and Reine. An older brother, Charles, drowned at the age of 15 in 1906.
Section: Patricia Lake
Passage: Since the early 1920s, there has been speculation that Davies and Hearst had a child together some time between 1920 and 1923. The child was rumored to be Patricia Lake (nee Van Cleve), who was publicly identified as Davies' niece. On October 3, 1993, Lake died of complications from lung cancer in Indian Wells, California. Ten hours before her death, Lake requested that her son publicly announce that she was not Davies' niece but Davies' biological daughter, whom she had conceived with Hearst. Lake had never commented on her alleged paternity in public, even after Hearst's and Davies' deaths, but did tell her grown children and friends. Lake's claim was published in her death notice, which was published in newspapers. Lake told her friends and family that Davies became pregnant by Hearst in the early 1920s. As the child was conceived during Hearst's extra-marital affair with Davies and out of wedlock, Hearst sent Davies to Europe to have the child in secret to avoid a public scandal. Hearst later joined Davies in Europe. Lake claimed she was born in a Catholic hospital outside of Paris between 1920 and 1923 (she was unsure of the precise date). Lake was then given to Davies' sister Rose, whose own child had died in infancy, and passed off as Rose and her husband George Van Cleve's daughter. Lake stated that Hearst paid for her schooling and both Davies and Hearst spent considerable time with her. Davies reportedly told Lake of her true parentage when she was 11 years old. Lake said Hearst confirmed that he was her father on her wedding day at age 17 where both Davies and Hearst gave her away. Neither Davies nor Hearst ever publicly addressed the rumors during their lives. Upon news of the story, a spokesman for Hearst Castle only commented that, "It's a very old rumor and a rumor is all it ever was."
Question: what is patricia lake
Answer: there has been speculation that Davies and Hearst had a child together some time between 1920 and 1923. The child was rumored to be Patricia Lake
Question: Where was she bon
Answer: CANNOTANSWER
Question: did she attend any college | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Marion Davies
Background: Davies was born Marion Cecilia Elizabeth Brooklyn Douras on January 3, 1897, in Brooklyn, the youngest of five children born to Bernard J. Douras (1857-1935), a lawyer and judge in New York City; and Rose Reilly (1867-1928). Her father performed the civil marriage of Gloria Gould Bishop. She had three older sisters, Ethel, Rose, and Reine. An older brother, Charles, drowned at the age of 15 in 1906.
Section: Relationship with William Randolph Hearst
Passage: Publishing mogul William Randolph Hearst and Davies lived as a couple for decades but were never married, as Hearst's wife refused to give him a divorce. At one point, he reportedly came close to marrying Davies, but decided his wife's settlement demands were too high. Hearst was extremely jealous and possessive of her, even though he was married throughout their relationship. Lita Grey, the second wife of Charlie Chaplin, wrote four decades later that Davies confided with her about the relationship with Hearst. Grey quoted Davies saying: God, I'd give everything I have to marry that silly old man. Not for the money and security--he's given me more than I'll ever need. Not because he's such cozy company, either. Most times, when he starts jawing, he bores me stiff. And certainly not because he's so wonderful behind the barn. Why, I could find a million better lays any Wednesday. No, you know what he gives me, sugar? He gives me the feeling I'm worth something to him. A whole lot of what we have, or don't have, I don't like. He's got a wife who'll never give him a divorce. She knows about me, but it's still understood that when she decides to go to the ranch for a week or a weekend, I've got to vamoose. And he snores, and he can be petty, and has sons about as old as me. But he's kind and he's good to me, and I'd never walk out on him. By the late 1930s, Hearst was suffering financial reversals. After selling many of the contents of St Donat's Castle, Davies sold her jewelry, stocks and bonds and wrote a check for $1 million to Hearst to save him from bankruptcy. Davies had developed a drinking problem over the course of many years, but her alcoholism grew worse in the latter 1930's and the 1940's, as she and Hearst lived an increasingly isolated life. The two spent most of the Second World War at Hearst's Northern California estate of Wyntoon, until returning to San Simeon in 1945. Hearst died on August 14, 1951. In his will, Hearst provided handsomely for Davies, leaving her 170,000 shares of Hearst Corporation stock, in addition to 30,000 he had established for her in a trust fund in 1950. This gave her a controlling interest in the company for a short-time, until she chose to relinquish the stock voluntarily to the corporation on October 30th 1951. She retained her original 30,000 shares and an advisory role with the corporation.
Question: Who is William Randolph Hearst?
Answer: Publishing mogul William Randolph Hearst and Davies lived as a couple for decades but were never married,
Question: Are there any other interesting aspects about this article? | [
"Hearst died on August 14, 1951."
] |
Title: Herb Jeffries
Background: Herb Jeffries (born Umberto Alexander Valentino; September 24, 1913 - May 25, 2014) was an African-American actor of film and television and popular music and jazz singer-songwriter, known of his baritone voice. He was of African descent and Hollywood's first singing black cowboy. In the 1940s and 1950s Jeffries recorded for a number of labels, including RCA Victor, Exclusive, Coral, Decca, Bethlehem, Columbia, Mercury and Trend. His album Jamaica, recorded by RKO, is a concept album of self-composed calypso songs.
Section: Film career
Passage: Touring the Deep South with Hines, Jeffries was struck by the realities of segregation, as the Orchestra's playing was restricted to tobacco warehouses and black-only movie theatres. Watching young boys fill theatres to watch the latest western, Jeffries resolved to create a cowboy hero geared specifically for such an audience. A self-confessed western buff who had grown up watching the silent escapades of Tom Mix and Jack Holt, in the 1930s Jeffries set out to produce a low-budget western with an all-black cast. Though the silent era had seen a number of films starring only black actors, they had all but disappeared with the economic downturn and the arrival of the talkies, which proved too expensive for many of the "white independents" funding such projects. Jeffries's ambition was to produce sound cinema's "first all-Negro musical western". To fund his project, Jeffries approached a veteran B-movie producer named Jed Buell. Jeffries, having obtained finances, wrote his own songs for the film and hired Spencer Williams to appear with him. When Buell wanted to know of a likely candidate for the lead role, Jeffries nominated himself. Having grown up partly on his grandfather's farm, he had all the requisite horse-riding and roping skills, beside a fine singing voice, but Buell expressed concerns; Jeffries, whose mother was of Irish descent, was "not black enough". Eventually they went ahead, using make-up to darken the leading man's skin tone. Jeffries made his debut as a crooning cowboy with Harlem on the Prairie, which was considered the first black western following the inauguration of the talkies and the first sound Western with an all-black cast. The movie was shot in 1937 over five days at N.B. Murray's Dude Ranch in Apple Valley, California, with Jeffries performing all his own stunts. Though critical reception was mixed, the film received a write-up in Time magazine and grossed $50,000 in its first 12 months. Playing a singing cowboy in low-budget films, Jeffries became known as the "Bronze Buckaroo" by his fans. In a time of American racial segregation, such "race movies" played mostly in theaters catering to African-American audiences. The films include Harlem on the Prairie, The Bronze Buckaroo, Harlem Rides the Range and Two-Gun Man from Harlem. Jeffries went on to star in another three musical westerns over the next two years. Jeffries starred as a singing cowboy, in several all-black Western films, in which he sang his own western compositions. In those films, Jeffries starred as cowboy Bob Blake, sang and performed his own stunts. Bob Blake was the good guy, with a thin mustache, who wore a white Stetson and rode a white horse named Stardusk. Jeffries went on to make other films, starring in the title film role of Calypso Joe co-starring Angie Dickinson in Calypso Joe (1957). In 1968, Jeffries appeared in the long-running western TV series The Virginian playing a gunslinger who intimidated the town. In the 1970s he appeared on episodes of I Dream of Jeannie and Hawaii Five-0. He later directed and produced Mundo depravados, a cult film starring his wife, Tempest Storm.
Question: when did his film career begin
Answer: Holt, in the 1930s Jeffries set out to produce a low-budget western with an all-black cast.
Question: was it well received? | [
"Though critical reception was mixed, the film received a write-up in Time magazine and grossed $50,000 in its first 12 months."
] |
Title: Herb Jeffries
Background: Herb Jeffries (born Umberto Alexander Valentino; September 24, 1913 - May 25, 2014) was an African-American actor of film and television and popular music and jazz singer-songwriter, known of his baritone voice. He was of African descent and Hollywood's first singing black cowboy. In the 1940s and 1950s Jeffries recorded for a number of labels, including RCA Victor, Exclusive, Coral, Decca, Bethlehem, Columbia, Mercury and Trend. His album Jamaica, recorded by RKO, is a concept album of self-composed calypso songs.
Section: Music career
Passage: From Detroit, at the urging of Louis Armstrong, Jeffries moved to Chicago where he performed in various clubs. One of his first gigs was in a club allegedly owned by Al Capone. Jeffries began his career working with Erskine Tate and his Vendome Orchestra. Tate signed the 19-year-old Jeffries to a contract with his Orchestra at the Savoy Ballroom in Chicago. His break came during the 1933 Chicago World's Fair A Century of Progress International Exposition singing with the Earl Hines Orchestra on Hines' national broadcasts live from the Grand Terrace Cafe. His first recordings were with Hines in 1934, including "Just to be in Carolina". By 1940, he was singing with the Duke Ellington Orchestra and then recorded with him from 1940 to 1942. His 1940 recording of "Flamingo" with Ellington, released in 1941, sold more than 14 million copies in its day. His name had been Herbert Jeffrey, but the credits on the record mistakenly called him Jeffries, so he renamed himself to match the typo. "Flamingo" was later covered by a white singer, the popular vocalist Tony Martin. During his time with the Duke Ellington Orchestra as a lead vocalist, Jeffries proved his talent as a mature singer, demonstrating his wide vocal range in such songs as "I Don't Know What Kind of Blues I've Got," "The Brownskin Gal," and "Jump for Joy" (all 1941). The 1944 single "My Little Brown Book" by Ellington and his Famous Orchestra, on which Jeffries provided vocals, reached No. 4 on Billboard R&B chart. Later on, Jeffries was replaced in the Ellington's band by Al Hibbler. In his teens, Jeffries had developed a fine voice, initially singing in higher registers. He started out his singing career as a lyrical tenor, but, on the advice of Duke Ellington's longtime music arranger, Billy Strayhorn, he lowered his range to mimic the vocal stylings of crooner Bing Crosby. Jeffries became a "silken, lusty baritone," according to music critic Jonny Whiteside. In 1945, Jeffries had a hit on the Billboard R&B chart with "Left A Good Deal In Mobile" (No. 2), on which he was accompanied by pianist Joe Liggins and his band Honeydrippers. Then, he moved to Europe and performed there for many years, including at nightclubs he owned. He was back in America by the 1950s, recording jazz records again, including 1957 collection of ballads, Say It Isn't So. In 1995, at age 81, he recorded The Bronze Buckaroo (Rides Again), a Nashville album of songs on the Warner Western label.
Question: When did his music career begin?
Answer: Tate signed the 19-year-old Jeffries to a contract with his Orchestra at the Savoy Ballroom in Chicago.
Question: Did he play any instruments? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Irving Thalberg
Background: Irving Grant Thalberg (May 30, 1899 - September 14, 1936) was an American film producer during the early years of motion pictures. He was called "The Boy Wonder" for his youth and ability to select scripts, choose actors, gather production staff, and make profitable films, including Grand Hotel, China Seas, Camille, Mutiny on the Bounty, and The Good Earth. His films carved out an international market, "projecting a seductive image of American life brimming with vitality and rooted in democracy and personal freedom," states biographer Roland Flamini.
Section: Metro-Goldwyn-Mayer (MGM)
Passage: Cecil B. DeMille was the first who wanted to hire him, telling his partner, Jesse Lasky, "The boy is a genius. I can see it. I know it." Lasky opposed the hire, stating, "Geniuses we have all we need." Thalberg then received an offer from Hal Roach, but the offer was withdrawn because Thalberg lacked experience with slapstick comedy films. In late 1922, Thalberg was introduced to Louis B. Mayer, president of a small, but dynamic and fast-growing studio. At that first meeting, Thalberg "made a deep, immediate impression on Mayer," writes Flamini. After Thalberg had left, Mayer said to studio attorney Edwin Loeb: "Tell him if he comes to work for me, I'll look after him as though he were my son." Although their personalities were in many ways opposite, Mayer being more outspoken and nearly twice the younger man's age, Thalberg was hired as vice president in charge of production at Louis B. Mayer Productions. Years later, Mayer's daughter, Irene Mayer Selznick, recalled that "it was hard to believe anyone that boyish could be so important." According to Flamini, Thalberg was hired because, although Mayer was an astute businessman, "what he lacked was Thalberg's almost unerring ability to combine quality with commercial success, to bring artistic aspiration in line with the demands of the box office." Mayer's company subsequently merged with two others to become Metro-Goldwyn-Mayer (MGM), with the 24-year-old Thalberg made part-owner and accorded the same position as vice president in charge of production. Three years after the merger, MGM became the most successful studio in Hollywood. During his twelve years at MGM, Thalberg supervised the production of over four hundred films. Although Thalberg and his colleagues at MGM knew he was "doomed" to not live much past age 30 due to heart disease, he loved producing films. He continued developing innovative ideas and overseeing most of MGM's pictures. Under Thalberg's management, MGM released over 40% more films yearly than Warner Brothers, and more than double Paramount's releases. From 1924 until 1936, when Thalberg died at age 37, "almost every film bore Thalberg's imprint," notes Mark Vieira.
Question: When did Thalberg start working with MGM?
Answer: Mayer's company subsequently merged with two others to become Metro-Goldwyn-Mayer (MGM), with the 24-year-old Thalberg made part-owner
Question: What films were produced under the new company?
Answer: Thalberg supervised the production of over four hundred films.
Question: Any particularly notable films?
Answer: CANNOTANSWER
Question: What made Lasky change his mind? | [
"\" Lasky opposed the hire, stating, \"Geniuses we have all we need.\""
] |
Title: Irving Thalberg
Background: Irving Grant Thalberg (May 30, 1899 - September 14, 1936) was an American film producer during the early years of motion pictures. He was called "The Boy Wonder" for his youth and ability to select scripts, choose actors, gather production staff, and make profitable films, including Grand Hotel, China Seas, Camille, Mutiny on the Bounty, and The Good Earth. His films carved out an international market, "projecting a seductive image of American life brimming with vitality and rooted in democracy and personal freedom," states biographer Roland Flamini.
Section: Taking risks with new subjects and stars
Passage: In 1929, MGM released fifty films, and all but five showed a profit. Of those that failed, Hallelujah in 1929 was also a gamble by Thalberg. When King Vidor, the film's producer and director, proposed the idea to Thalberg of a major film cast, for the first time, exclusively with African Americans, he told Thalberg directly, "I doubt that it will make a dollar at the box office." Thalberg replied, "Don't worry about that. I've told you that MGM can afford an occasional experiment." By the early 1930s, a number of stars began failing at the box office, partly due to the Great Depression that was now undermining the economy, along with the public's ability to spend on entertainment. Thalberg began using two stars in a film, rather than one, as had been the tradition at all the studios, such as pairing Greta Garbo with John Gilbert, Clark Gable with Jean Harlow, and William Powell with Myrna Loy. After experimenting with a few such films, including Mata Hari in 1931, which were profitable, he decided on a multi-star production of another Broadway play, Grand Hotel, later that same year. It had five major stars, including Garbo, Joan Crawford, John Barrymore, Lionel Barrymore, and Wallace Beery. "Before Thalberg," writes Vieira, "there was no Grand Hotel in the American consciousness." The film won the Oscar for Best Picture in 1932. Thalberg went against consensus and took another risk with The Great Ziegfeld (1936), costarring Luise Rainer. Although Louis B. Mayer did not want her in the role, which he felt was too minor for a new star, Thalberg felt that "only she could play the part", notes biographer Charles Higham. Shortly after shooting began in late 1935, doubts of Rainer's acting ability emerged in the press. However, despite her limited appearances in the film, Rainer "so impressed audiences with one highly emotional scene" that she won the Academy Award for Best Actress. After her winning role in The Great Ziegfeld, Thalberg wanted her to play a role that was the opposite of her previous character, for The Good Earth (1937). For the part as a Chinese peasant, she was required to act totally subservient to her husband, being perpetually huddled in submission, and barely spoke a word of dialogue during the entire film. Rainer recalls that Mayer did not approve of the film being produced or her part in it: "He was horrified at Irving Thalberg's insistence for me to play O-lan, the poor uncomely little Chinese peasant." However, she again won the Oscar for Best Actress, becoming the first actress to win two consecutive Oscars, a feat not matched until Katharine Hepburn's two Oscar wins thirty years later.
Question: What kind of risks did he take?
Answer: Hallelujah in 1929 was also a gamble by Thalberg.
Question: Did it turn out to be successful?
Answer: failed,
Question: Did he take any risks that were successful?
Answer: Thalberg went against consensus and took another risk with The Great Ziegfeld (1936), costarring Luise Rainer.
Question: Did any of his films win awards?
Answer: Rainer "so impressed audiences with one highly emotional scene" that she won the Academy Award for Best Actress.
Question: Did she play in any other of his movies?
Answer: After her winning role in The Great Ziegfeld, Thalberg wanted her to play a role that was the opposite of her previous character, for The Good Earth
Question: Are there any other noteworthy stars he worked with?
Answer: including Garbo, Joan Crawford, John Barrymore, Lionel Barrymore, and Wallace Beery. "
Question: Was Grand Hotel successful? | [
"The film won the Oscar for Best Picture in 1932."
] |
Title: Guillermo Barros Schelotto
Background: Guillermo Barros Schelotto (Spanish pronunciation: [gi'yermo 'baros eske'loto]; Italian: [ske'lotto] born 4 May 1973) is an Argentine former football forward, and the current manager of Boca Juniors. Barros Schelotto played 16 years of his professional career in the Argentine Primera Division (6 with Gimnasia y Esgrima La Plata and 10 with Boca Juniors). With these two teams, he won a total 17 official titles (one with Gimnasia and 16 with Boca). In 2007, Barros Schelotto left Boca Juniors for Columbus Crew in the Major League Soccer, therefore having his first experience outside his native country.
Section: Argentina
Passage: Born with a twin brother, Gustavo, Barros Schelotto was hence nicknamed El Mellizo ("the twin"). He started playing professionally at the end of 1991 with his hometown team Gimnasia y Esgrima de La Plata, where he scored 45 goals in 181 matches in five seasons and in 1993 won the AFA Centenario Cup. On 14 September 1997 he transferred to Primera Division Argentina powerhouse Boca Juniors, for whom he played for almost 10 years. He was considered an idol by Boca fans and in his later years at the club showed his experience whenever he stepped on the pitch. Barros Schelotto remains one of Boca's top scorers in international matches with 25 goals, just one goal behind former teammate Martin Palermo. In 1996, he was offered to play for River Plate, but after club icon Enzo Francescoli was not happy with the potential signing, the deal collapsed. In mid-1997, Boca Juniors showed interest for him and his brother Gustavo. It was like that that Barros Schelotto twins arrived to Boca teaming up to a former rival: Martin Palermo, Gimnasia's archrival Estudiantes de La Plata former player. The three of them were repeatedly recommended to Boca by Diego Maradona, who was playing his last season for the Buenos Aires team, retiring on October the same year. Once in Boca, he made his debut as a substitute for Claudio Caniggia, scoring on 14 September 1997 against Newell's Old Boys in a 2-1 victory. With Carlos Bianchi as Boca Juniors' coach, Barros Schelotto got his traditional 7 shirt and kept it until 2006-07 season. He and former rival Martin Palermo became a successful attacking duo, who highly contributed in the 1998-99 title-winning season. He missed the 2001 and 2003 clubs international achievements due to injuries. In 2003, he was a key piece in the winning Copa Libertadores side, with his peak performance at the Round of 16 match against Brazilian team Paysandu, where he scored a hat-trick and assisted Marcelo Delgado's goal. In the second half of 2003 he again suffered from injuries and could only play for 46 minutes in the Copa Intercontinental winning match against AC Milan, when he replaced Carlos Tevez. With Alfio Basile as Boca coach, his participation in the first team was gradually lowering. He even was out of some first team matches and had to play for the second team to maintain his performance level. He scored 87 goals in 302 games for Boca Juniors.
Question: when did he start playing soccer in argentina?
Answer: He started playing professionally at the end of 1991
Question: what team was he playing for?
Answer: team Gimnasia y Esgrima de La Plata,
Question: did he play for another team? | [
"he was offered to play for River Plate,"
] |
Title: Guillermo Barros Schelotto
Background: Guillermo Barros Schelotto (Spanish pronunciation: [gi'yermo 'baros eske'loto]; Italian: [ske'lotto] born 4 May 1973) is an Argentine former football forward, and the current manager of Boca Juniors. Barros Schelotto played 16 years of his professional career in the Argentine Primera Division (6 with Gimnasia y Esgrima La Plata and 10 with Boca Juniors). With these two teams, he won a total 17 official titles (one with Gimnasia and 16 with Boca). In 2007, Barros Schelotto left Boca Juniors for Columbus Crew in the Major League Soccer, therefore having his first experience outside his native country.
Section: United States
Passage: Close to the end of his contract with Boca in 2007, it was rumored that he would leave the club to join a team where he would get more playing time. On 19 April 2007 he announced he would sign a two-year contract with Major League Soccer's Columbus Crew. Barros Schelotto made his debut in the United States on 5 May, as a 75th-minute replacement, as the Crew lost the match against Kansas City Wizards 1-0. On 12 May 2007 he made his home debut in a game against Chivas USA. The game was tied 1-1, and Schelotto had the assist for the Crew goal. Barros Schelotto quickly became a team leader and fan favorite in Columbus, helping to turn their season around. In the 2007 season he led the team with 11 assists, also adding 5 goals, in 22 games. Barros Schelotto had a strong MLS season in 2008, being chosen Player of the week four times, Player of the month once, and recording 19 assists and 7 goals during the regular season. He was awarded the Major League Soccer MVP on 20 November 2008. Barros Schelotto capped off his 2008 MLS campaign with an MVP performance in the 2008 MLS Cup which Columbus won 3-1 against New York Red Bulls at the Home Depot Center on 23 November 2008, behind Barros Schelotto's 3 assists. For his performance in the 2008 MLS season in which he displayed his leadership, vision, passing, scoring and positioning; Barros Schelotto was named Sports Illustrated Latino's Sportsman of the Year He became the Crew's first ever Designated Player on 2 December 2008. On 16 November 2010, Barros Schelotto's option was not picked up by the team, along with several other veterans of the club, effectively ending his career in Columbus. Barros Schelotto elected to participate in the 2010 MLS Re-Entry Draft and became a free agent in Major League Soccer when he was not selected in the Re-Entry draft.
Question: When did Guillermo move to United States?
Answer: 19 April 2007
Question: What did he do in United States when he got there?
Answer: sign a two-year contract with Major League Soccer's Columbus Crew.
Question: What team he played?
Answer: Columbus Crew.
Question: What kind of sports he played
Answer: Soccer
Question: Are there any other awards he received? | [
"was named Sports Illustrated Latino's Sportsman of the Year"
] |
Title: Emmeline Pankhurst
Background: Emmeline Pankhurst (nee Goulden; 15 July 1858 - 14 June 1928) was a British political activist and leader of the British suffragette movement who helped women win the right to vote. In 1999 Time named Pankhurst as one of the 100 Most Important People of the 20th Century, stating "she shaped an idea of women for our time; she shook society into a new pattern from which there could be no going back". She was widely criticised for her militant tactics, and historians disagree about their effectiveness, but her work is recognised as a crucial element in achieving women's suffrage in the United Kingdom. Born in Moss Side, Manchester, to politically active parents, Pankhurst was introduced at the age of 14 to the women's suffrage movement.
Section: Childhood
Passage: The Gouldens included their children in social activism. As part of the movement to end slavery in the US, Robert Goulden welcomed American abolitionist Henry Ward Beecher when he visited Manchester. Sophia Goulden used the novel Uncle Tom's Cabin - written by Beecher's sister Harriet Beecher Stowe - as a regular source of bedtime stories for their sons and daughters. In her 1914 autobiography My Own Story, Pankhurst recalls visiting a bazaar at a young age to collect money for newly freed slaves in the United States. Emmeline began to read books when she was very young - according to one source, at the age of three. She read the Odyssey at the age of nine and enjoyed the works of John Bunyan, especially his 1678 story The Pilgrim's Progress. Another of her favourite books was Thomas Carlyle's three-volume treatise The French Revolution: A History; she later said the work "remained all my life a source of inspiration." Despite her avid consumption of books, however, Emmeline was not given the educational advantages enjoyed by her brothers. Their parents believed that the girls needed most to learn the art of "making home attractive" and other skills desired by potential husbands. The Gouldens deliberated carefully about future plans for their sons' education, but they expected their daughters to marry young and avoid paid work. Although they supported women's suffrage and the general advancement of women in society, the Gouldens believed their daughters incapable of the goals of their male peers. Feigning sleep one evening as her father came into her bedroom, Emmeline heard him pause and say to himself: "What a pity she wasn't born a lad." It was through her parents' interest in women's suffrage that Emmeline Goulden was first introduced to the subject. Her mother received and read the Women's Suffrage Journal, and Goulden grew fond of its editor, Lydia Becker. At the age of 14, she returned home from school one day to find her mother on her way to a public meeting about women's voting rights. After learning that Becker would be speaking, she insisted on attending. Goulden was enthralled by Becker's address and wrote later: "I left the meeting a conscious and confirmed suffragist." A year later she arrived in Paris to attend the Ecole Normale de Neuilly. The school provided its female pupils with classes in chemistry and bookkeeping, in addition to traditionally feminine arts such as embroidery. Her roommate was Noemie, the daughter of Henri Rochefort, who had been imprisoned in New Caledonia for his support of the Paris Commune. The girls shared tales of their parents' political exploits, and remained good friends for years. Emmeline Goulden was so fond of Noemie and the school that after graduating she returned with her sister Mary as a parlour boarder. Noemie had married a Swiss painter and quickly found a suitable French husband for her English friend. When Robert Goulden refused to provide a dowry for his daughter, the man withdrew his offer of marriage and Emmeline Goulden returned, miserable, to Manchester.
Question: what was her childhood like?
Answer: Sophia Goulden used the novel Uncle Tom's Cabin - written by Beecher's sister Harriet Beecher Stowe - as a regular source of bedtime stories for their sons and daughters.
Question: Are there any other interesting aspects about this article? | [
"Emmeline began to read books when she was very young - according to one source, at the age of three."
] |
Title: Carousel (musical)
Background: Carousel is the second musical by the team of Richard Rodgers (music) and Oscar Hammerstein II (book and lyrics). The 1945 work was adapted from Ferenc Molnar's 1909 play Liliom, transplanting its Budapest setting to the Maine coastline. The story revolves around carousel barker Billy Bigelow, whose romance with millworker Julie Jordan comes at the price of both their jobs. He participates in a robbery to provide for Julie and their unborn child; after it goes tragically wrong, he is given a chance to make things right.
Section: Musical treatment
Passage: The cast album of the 1945 Broadway production was issued on 78s, and the score was significantly cut--as was the 1950 London cast recording. Theatre historian John Kenrick notes of the 1945 recording that a number of songs had to be abridged to fit the 78 format, but that there is a small part of "Soliloquy" found on no other recording, as Rodgers cut it from the score immediately after the studio recording was made. A number of songs were cut for the 1956 film, but two of the deleted numbers had been recorded and were ultimately retained on the soundtrack album. The expanded CD version of the soundtrack, issued in 2001, contains all of the singing recorded for the film, including the cut portions, and nearly all of the dance music. The recording of the 1965 Lincoln Center revival featured Raitt reprising the role of Billy. Studio recordings of Carousel's songs were released in 1956 (with Robert Merrill as Billy, Patrice Munsel as Julie, and Florence Henderson as Carrie), 1962 and 1987. The 1987 version featured a mix of opera and musical stars, including Samuel Ramey, Barbara Cook and Sarah Brightman. Kenrick recommends the 1962 studio recording for its outstanding cast, including Alfred Drake, Roberta Peters, Claramae Turner, Lee Venora, and Norman Treigle. Both the London (1993) and New York (1994) cast albums of the Hytner production contain portions of dialogue that, according to Hischak, speak to the power of Michael Hayden's portrayal of Billy. Kenrick judges the 1994 recording the best all-around performance of Carousel on disc, despite uneven singing by Hayden, due to Sally Murphy's Julie and the strong supporting cast (calling Audra McDonald the best Carrie he has heard). The Stratford Festival issued a recording in 2015.
Question: What was the music like attributed to the musical?
Answer: The 1987 version featured a mix of opera and musical stars,
Question: Which stars were involved?
Answer: The recording of the 1965 Lincoln Center revival featured Raitt reprising the role of Billy.
Question: Which other stars were featured?
Answer: The 1987 version featured a mix of opera and musical stars, including Samuel Ramey, Barbara Cook and Sarah Brightman.
Question: Any other versions after this one?
Answer: Kenrick judges the 1994 recording the best all-around performance of Carousel on disc,
Question: what are some songs from the musical?
Answer: there is a small part of "Soliloquy" found on no other recording,
Question: Are there any other interesting aspects about this article?
Answer: The cast album of the 1945 Broadway production was issued on 78s, and the score was significantly cut--as was the 1950 London cast recording.
Question: Who else contributed over the years for the musical? | [
"due to Sally Murphy's Julie and the strong supporting cast (calling Audra McDonald the best Carrie he has heard)."
] |
Title: Carousel (musical)
Background: Carousel is the second musical by the team of Richard Rodgers (music) and Oscar Hammerstein II (book and lyrics). The 1945 work was adapted from Ferenc Molnar's 1909 play Liliom, transplanting its Budapest setting to the Maine coastline. The story revolves around carousel barker Billy Bigelow, whose romance with millworker Julie Jordan comes at the price of both their jobs. He participates in a robbery to provide for Julie and their unborn child; after it goes tragically wrong, he is given a chance to make things right.
Section: Film, television and concert versions
Passage: A film version of the musical was made in 1956, starring Gordon MacRae and Shirley Jones. It follows the musical's story fairly closely, although a prologue, set in the Starkeeper's heaven, was added. The film was released only a few months after the release of the film version of Oklahoma!. It garnered some good reviews, and the soundtrack recording was a best seller. As the same stars appeared in both pictures, however, the two films were often compared, generally to the disadvantage of Carousel. Thomas Hischak, in The Rodgers and Hammerstein Encyclopedia, later wondered "if the smaller number of Carousel stage revivals is the product of this often-lumbering [film] musical". There was also an abridged (100 minute) 1967 network television version that starred Robert Goulet, with choreography by Edward Villella. The New York Philharmonic presented a staged concert version of the musical from February 28 to March 2, 2013, at Avery Fisher Hall. Kelli O'Hara played Julie, with Nathan Gunn as Billy, Stephanie Blythe as Nettie, Jessie Mueller as Carrie, Jason Danieley as Enoch, Shuler Hensley as Jigger, John Cullum as the Starkeeper, and Kate Burton as Mrs. Mullin. Tiler Peck danced the role of Louise to choreography by Warren Carlyle. The production was directed by John Rando. Charles Isherwood of The New York Times wrote, "this is as gorgeously sung a production of this sublime 1945 Broadway musical as you are ever likely to hear." It was broadcast as part of the PBS Live from Lincoln Center series, premiering on April 26, 2013.
Question: Did Carousel get made into a tv version
Answer: There was also an abridged (100 minute) 1967 network television version that starred Robert Goulet, with choreography by Edward Villella.
Question: Were there any additional film versions made after the originla?
Answer: A film version of the musical was made in 1956, starring Gordon MacRae and Shirley Jones.
Question: Was the music made into a concert?
Answer: The New York Philharmonic presented a staged concert version of the musical from February 28 to March 2, 2013, at Avery Fisher Hall.
Question: Was the music ever put on a cd?
Answer: CANNOTANSWER
Question: Who sang in the concert version?
Answer: Kelli O'Hara played Julie, with Nathan Gunn as Billy, Stephanie Blythe as Nettie, Jessie Mueller as Carrie, Jason Danieley as Enoch, Shuler Hensley as Jigger,
Question: Was there more than one concert version? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Ban Ki-moon
Background: Ban Ki-moon (; Hangul: bangimun; Hanja: Pan Ji Wen ; Korean pronunciation: [pan.gi.mun]; born 13 June 1944) is a South Korean diplomat who was the eighth Secretary-General of the United Nations from January 2007 to December 2016. Before becoming Secretary-General, Ban was a career diplomat in South Korea's Ministry of Foreign Affairs and in the United Nations. He entered diplomatic service the year he graduated from university, accepting his first post in New Delhi, India.
Section: Early life and education
Passage: Ban was born on 13 June 1944 in the small farming village of Haengchi, Wonnam Township (-myeon), in Eumseong County, North Chungcheong Province in Korea. His family then moved to the nearby town of Chungju, where he grew up. During Ban's childhood, his father had a warehouse business, but the warehouse went bankrupt and the family lost its middle-class standard of living. When Ban was six, his family fled to a remote mountainside for much of the Korean War. After the war ended, his family returned to Chungju. Ban has said that, during this time, he met American soldiers. In secondary school (Chungju High School), Ban became a star student, particularly in his studies of the English language. In 1962, Ban won an essay contest sponsored by the Red Cross and earned a trip to the United States where he lived in San Francisco with a host family for several months. As part of the trip, Ban met U.S. President John F. Kennedy. When a journalist at the meeting asked Ban what he wanted to be when he grew up, he said, "I want to become a diplomat." He received a bachelor's degree in international relations from Seoul National University in 1970, and earned a Master of Public Administration from the John F. Kennedy School of Government at Harvard University in 1985. At Harvard, he studied under Joseph Nye, who remarked that Ban had "a rare combination of analytic clarity, humility and perseverance". Ban was awarded the degree of Doctor of Laws (Honoris Causa) by the University of Malta on 22 April 2009. He further received an honorary degree of Doctor of Laws from the University of Washington in October 2009, an honorary degree of Doctor of Law from the University of Cambridge in February 2016, and an Honorary Doctor of Humane Letters Degree from Loyola Marymount University in April 2016. On 30 August 2016, he was conferred the Honorary Doctor of Letters by National University of Singapore for his lifetime of service to humanity. In addition to his native Korean, Ban speaks English and French. According to a retired UN official, "one of Ban's biggest handicaps was his lack of fluency in English, which made it difficult for him to win over audiences in the US and elsewhere." There have also been questions, however, regarding the extent of his knowledge of French, one of the two working languages of the United Nations Secretariat.
Question: where did ban go to school?
Answer: He received a bachelor's degree in international relations from Seoul National University in 1970,
Question: What was his family life like? | [
"When Ban was six, his family fled to a remote mountainside for much of the Korean War."
] |
Title: Ban Ki-moon
Background: Ban Ki-moon (; Hangul: bangimun; Hanja: Pan Ji Wen ; Korean pronunciation: [pan.gi.mun]; born 13 June 1944) is a South Korean diplomat who was the eighth Secretary-General of the United Nations from January 2007 to December 2016. Before becoming Secretary-General, Ban was a career diplomat in South Korea's Ministry of Foreign Affairs and in the United Nations. He entered diplomatic service the year he graduated from university, accepting his first post in New Delhi, India.
Section: Diplomatic career
Passage: After graduating from university, Ban received the top score on Korea's foreign service exam. He joined the Ministry of Foreign Affairs in May 1970 and worked his way up the career ladder during the years of the Yusin Constitution. Ban's first overseas posting was to New Delhi, India, where he served as vice consul and impressed many of his superiors in the foreign ministry with his competence. Ban reportedly accepted a posting to India rather than the United States, because in India he would be able to save more money to send to his family. In 1974 he received his first posting to the United Nations, as First Secretary of the South Permanent Observer Mission (South Korea became a full UN member-state on 17 September 1991). After Park Chung-hee's 1979 assassination, Ban assumed the post of Director of the United Nations Division. In 1980 Ban became director of the United Nations' International Organizations and Treaties Bureau, headquartered in Seoul. He has been posted twice to the South Korean embassy in Washington, D.C. Between these two assignments he served as Director-General for American Affairs in 1990-92. In 1992, he became Vice Chairman of the South-North Joint Nuclear Control Commission, following the adoption by South and North Korea of the Joint Declaration of the Denuclearization of the Korean Peninsula. From 1993 to 1994 Ban was Korea's deputy ambassador to the United States. He was promoted to the position of Deputy Minister for Policy Planning and International Organizations in 1995 and then appointed National Security Advisor to the President in 1996. Ban's lengthy career overseas has been credited with helping him avoid South Korea's unforgiving political environment. Ban was appointed Ambassador to Austria and Slovenia in 1998, and a year later he was also elected as Chairman of the Preparatory Commission for the Comprehensive Nuclear-Test-Ban Treaty Organization (CTBTO PrepCom). During the negotiations, in what Ban considers the biggest blunder of his career, he included in a public letter a positive statement about the Anti-Ballistic Missile Treaty in 2001, not long after the United States had decided to abandon the treaty. To avoid anger from the United States, Ban was fired by President Kim Dae-jung, who also issued a public apology for Ban's statement. Ban was unemployed for the only time in his career and was expecting to receive an assignment to work in a remote and unimportant embassy. In 2001, during the 56th Session of the United Nations General Assembly, South Korea held the rotating presidency, and to Ban's surprise, he was selected to be the chief of staff to general assembly president Han Seung-soo. In 2003, incoming president Roh Moo-hyun selected Ban as one of his foreign policy advisors.
Question: How did his diplomat career start?
Answer: He joined the Ministry of Foreign Affairs
Question: What year did that happen?
Answer: in May 1970
Question: What was his position in the ministry?
Answer: CANNOTANSWER
Question: What did he do after that?
Answer: Ban's first overseas posting was to New Delhi, India,
Question: When did he leave INdia? | [
"In 1974"
] |
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