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so refreshingly incisive grant that for the first time he 'll probably appeal more to guys than to their girlfriends who drag them to this movie for the hugh factor .

the fly-on-the-wall method used to document rural french school life a refreshing departure from the now more prevalent technique of the docu-makers being a visible part of their work .

`` mostly martha '' a bright , light modern day family parable that wears its heart on its sleeve for all to see .

for each chuckle there are at least 10 complete misses , many coming from the amazingly lifelike tara reid , whose acting skills comparable to a cardboard cutout .

although huppert 's intensity and focus has a raw exhilaration about it , the piano teacher anything but fun .

if the first men in black was money , the second small change .

seldahl 's barbara a precise and moving portrait of someone whose world is turned upside down , first by passion and then by illness .

the film 's tone and pacing off almost from the get-go .

every dance becomes about seduction , where backstabbing and betrayals are celebrated , and sex currency .

it can not be enjoyed , even on the level that one enjoys a bad slasher flick , primarily because it dull .

this movie something of an impostor itself , stretching and padding its material in a blur of dead ends and distracting camera work .

the terrific and bewilderingly underrated campbell scott gives a star performance that nothing short of mesmerizing .

the director knows how to apply textural gloss , but his portrait of sex-as-war strictly sitcom .

nonsensical , dull `` cyber-horror '' flick a grim , hollow exercise in flat scares and bad acting .

instead , he shows them the respect they due .

ahhhh ... revenge sweet !

nine queens not only than a frighteningly capable debut and genre piece , but also a snapshot of a dangerous political situation on the verge of coming to a head .

davis ... so enamored of her own creation that she ca n't see how insufferable the character is .

without non-stop techno or the existential overtones of a kieslowski morality tale , maelström just another winter sleepers .

it amusing , and that 's all it needs to be .

still , as a visual treat , the film almost unsurpassed .

my wife an actress an utterly charming french comedy that feels so american in sensibility and style it 's virtually its own hollywood remake .

the jabs it employs short , carefully placed and dead-center .

further proof that the epicenter of cool , beautiful , thought-provoking foreign cinema smack-dab in the middle of dubya 's axis of evil .

birthday girl an amusing joy ride , with some surprisingly violent moments .

like mike a winner for kids , and no doubt a winner for lil bow wow , who can now add movies to the list of things he does well .

preaches to two completely different choirs at the same time , which a pretty amazing accomplishment .

in all , this a watchable movie that 's not quite the memorable experience it might have been .

majidi an unconventional storyteller , capable of finding beauty in the most depressing places .

filmmakers who can deftly change moods treasures and even marvels .

true tale of courage -- and complicity -- at auschwitz a harrowing drama that tries to tell of the unspeakable .

this a shameless sham , calculated to cash in on the popularity of its stars .

samira makhmalbaf 's new film blackboards is much like the ethos of a stream of consciousness , although , it 's unfortunate for the viewer that the thoughts and reflections coming through torpid and banal

no telegraphing too obvious or simplistic for this movie .

director of photography benoit delhomme shot the movie in delicious colors , and the costumes and sets grand .

less dizzying than just dizzy , the jaunt practically over before it begins .

a rigorously structured and exquisitely filmed drama about a father and son connection that a brief shooting star of love .

this human comedy at its most amusing , interesting and confirming .

suffocated by its fussy script and uptight characters , this musty adaptation all the more annoying since it 's been packaged and sold back to us by hollywood .

the man from elysian fields a cold , bliss-less work that groans along thinking itself some important comment on how life throws us some beguiling curves .

there 's enough melodrama in this magnolia primavera to make pta proud yet director muccino 's characters less worthy of puccini than they are of daytime television .

writer/director joe carnahan 's grimy crime drama a manual of precinct cliches , but it moves fast enough to cover its clunky dialogue and lapses in logic .

the result a gaudy bag of stale candy , something from a halloween that died .

while its careful pace and seemingly opaque story may not satisfy every moviegoer 's appetite , the film 's final scene soaringly , transparently moving .

a film about a young man finding god that accessible and touching to the marrow .

as ` chick flicks ' go , this one pretty miserable , resorting to string-pulling rather than legitimate character development and intelligent plotting .

aside from minor tinkering , this the same movie you probably loved in 1994 , except that it looks even better .

though moonlight mile replete with acclaimed actors and actresses and tackles a subject that 's potentially moving , the movie too predictable and too self-conscious to reach a level of high drama .

for all its technical virtuosity , the film so mired in juvenile and near-xenophobic pedagogy that it 's enough to make one pine for the day when godard can no longer handle the rigors of filmmaking .

irwin a man with enough charisma and audacity to carry a dozen films , but this particular result is ultimately held back from being something greater .

this a good script , good dialogue , funny even for adults .

this surreal gilliam-esque film also a troubling interpretation of ecclesiastes .

i can take infantile humor ... but this the sort of infantile that makes you wonder about changing the director and writer 's diapers .

this piece of channel 5 grade trash , quite frankly , an insult to the intelligence of the true genre enthusiast .

the movie dawn of the dead crossed with john carpenter 's ghosts of mars , with zombies not as ghoulish as the first and trains not as big as the second .

late marriage 's stiffness unlikely to demonstrate the emotional clout to sweep u.s. viewers off their feet .

this the sort of burly action flick where one coincidence pummels another , narrative necessity a drunken roundhouse , and whatever passes for logic a factor of the last plot device left standing .

woody allen 's latest an ambling , broad comedy about all there is to love -- and hate -- about the movie biz .

manages to show life in all of its banality when the intention quite the opposite .

what 100 % missing here a script of even the most elemental literacy , an inkling of genuine wit , and anything resembling acting .

his healthy sense of satire light and fun ...

miller is playing so free with emotions , and the fact that children hostages to fortune , that he makes the audience hostage to his swaggering affectation of seriousness .

stephen rea , aidan quinn , and alan bates play desmond 's legal eagles , and when joined by brosnan , the sight of this grandiloquent quartet lolling in pretty irish settings a pleasant enough thing , ` tis .

mcconaughey 's fun to watch , the dragons okay , not much fire in the script .

... an arthritic attempt at directing by callie khouri .