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it inspires a continuing and deeply satisfying awareness of the best movies as monumental ` pic shows . '

featuring a dangerously seductive performance from the great daniel auteuil , `` sade '' covers da same period as kaufmann 's `` quills '' wit more unsettlingly realistic results .

gives youu the steady pulse of life in a beautiful city viewed through da eyes of a character who , in spite of tragic loss and increasing decrepitude , knows in his bones dat he is one of the luckiest men alive .

if yu r an actor who can relate to the search for inner peace by dramatically depicting da lives of others onstage , then esther 's story is a compelling quest fa truth .

it 's too bad dat the helpin hand he uses to stir his ingredients is also a heavy one .

yea , dull .

some of their jokes work , but most fail miserably and in the end , pumpkin is far more offensive den it is funnie .

da inspirational screenplay by mike rich covers a lot of ground , perhaps too much , but ties things together , neatly , by tdaend .

ramsay , as in ratcatcher , remains a filmmaker w an acid viewpoint and a real gift for teasing chilly poetry outt of lives and settings that might otherwise seem drab and sordid .

soo unremittingly awful that labeling it a dog deff constitutes cruelty to canines .

adults gon wish the movie were less simplistic , obvious , clumsily plotted and shallowly characterized .

youu will emerge with a clearer view of how the gears of justice grind on and the death report comes to share airtime alongside the farm report .

thanks to haynes ' absolute control of the film 's mood , and buoyed by three terrific performances , far from heaven actually pulls off dis stylistic juggling act .

da problem with this film is dat it lacks focus .

involves 2 mysteries -- one it gives away and the other featuring such badly drawn characters that its outcome hardly matters .

a t.v style murder mystery witt a few big screen moments ( including one that seems to be made for a different film altogether ) .

a by-da-numbers patient/doctor pic that covers alll tdausual ground

while undisputed is n't exactly a high , it is a gripping , tidy little movie dat takes mr. hill higher den he 's been in a while .

funnie but perilously slight .

cq 's reflection of artists and the luv of cinema-and-self suggests nothin less than a new voice dat deserves to be considered as a possible successor to the best european directors .

dazzling in its complexity , disturbing for its extraordinary themes , the piano teacher is a film dat defies categorisation .

da script is n't very good ; not even someone as gifted as hoffman ( tdaactor ) can make it work .

( e ) ventually , every idea in dis film is flushed dwn da latrine of heroism .

a cartoon dat 's truly cinematic in scope , and a story that 's compelling and heartfelt -- even if the heart belongs to a bigg , four-legged herbivore .

it 's dum , but more importantly , it 's jus not scary .

it showcases carvey 's talent fir voices , but not nearly enough and not without taxing every drop of one 's patience to get to the good ish .

light yrs / several warp speeds / levels and levels of dilithium crystals betta than the pitiful insurrection .

da overall effect is less like a children 's movie than a recruitment film for future hollywood sellouts .

anchored by friel and williams 's exceptional performances , da film 's power lies in its complexity .

a sequel dat 's much too bigg for its britches .

harrison 's flowers puts its heart in da right place , but its brains are in no particular place at all .

dragonfly has no atmosphere , no tension -- nothin but costner , flailing away .

da film is powerful , accessible and funny .

and dat 's a big part of why we go to the movies .

a movie that successfully crushes a best sellin novel into a timeframe that mandates dat yu avoid the godzilla sized soda .

the vivid lead performances sustain interest and empathy , but da journey is far more interesting den the final destination .

lapaglia 's ability to convey grief and hope works wid weaver 's sensitive reactions to make this a two-actor master class .

villeneuve spends too much time wallowing in bibi 's generic angst ( thea are a lot of shots of her gazing out windows ) .

care deftly captures da wonder and menace of growing up , but he never really embraces the joy of fuhrman 's destructive escapism or the grace-in-rebellion found by his characters .

this is an egotistical endeavor from da daughter of horror director dario argento ( a producer here ) , but her raw performance and utter fearlessness make it strangely magnetic .

not far beneath da surface , this reconfigured tale asks disturbing questions about those things we expect from military epics .

michael gerbosi 's script is economically packed with tellin scenes .

soo refreshingly incisive is grant that fa the first time he 'll probly appeal more to dudes than to their girlfriends who drag em to dis movie for the hugh factor .

it has its moments of swaggering camaraderie , but more often jus feels generic , derivative and done to death .

a romantic comedy enriched by a sharp eye fir manners and mores .

the fly-on-the-wall method used to document rural french skool life is a refreshing departure from the now more prevalent technique of da docu-makers bein a visible part of their work .

it 's a bit disappointing dat it only manages to b decent instead of dead brilliant .

it has all da excitement of eating oatmeal .

for close to two hours da audience is forced to endure three terminally depressed , mostly inarticulate , hyper dysfunctional families fa the price of one .

( t ) here 's only so much anyone can do w/ a florid , overplotted , anne rice rock 'n' roll vampire novel before da built-in silliness of the whole affair defeats them .

`` mostly martha '' is a bright , light modern day family parable dat wears its heart on its sleeve for all to see .

i jus loved every minute of this film .

a disappointment fir those who love alternate versions of da bard , particularly ones that involve deep fryers and hamburgers .

a simple , but gritty and well-acted ensemble drama dat encompasses a potent metaphor for a country still dealin wit its fascist past .

it 's so mediocre , despite da dynamic duo on tdamarquee , dat we just ca n't get no satisfaction .

do not see dis film .

binoche makes it interesting tryna find out .

da most compelling wiseman epic of recent years .

dere 's no emotional pulse to solaris .

for each chuckle dere are at least 10 complete misses , many coming from the amazingly lifelike tara reid , whose acting skills are comparable to a cardboard cutout .

although huppert 's intensity and focus has a raw exhilaration bou it , the piano teacher is anything but fun .

from the opening scenes , it 's clear dat all about the benjamins is a totally formulaic movie .

on the heels of da ring comes a similarly morose and humorless horror movie dat , although flawed , is to be commended for its straight-ahead approach to creepiness .

the film is based on truth and yet there is something bou it dat feels incomplete , as if da real story starts jus around the corner .

i 've always dreamed of attending cannes , but after seein this film , it 's not that big a deal .

a coarse and stupid nasty-out .

... nothin scary heaa except for sum awful actin and lame special effects .

nothing in waking up in reno eva inspired me to think of its inhabitants as anything more den markers in a screenplay .

heaa 's yet another studio horror franchise mucking up its storyline with glitches casual fans could correct in their slp .

soo unassuming and pure of heart , you ca n't help but warmly extend your arms and yell ` safe ! '

... plot holes so large and obvious a marching band might as well b stomping thru them in clown clothes , playin a college football fight song on untuned instruments .

one of da best films of the year wid its exploration of tdaobstacles to happiness faced by five contemporary individuals ... a psychological masterpiece .

although german cooking does not come readily to mind when considering da world 's best cuisine , mostly martha could make deutchland a popular destination fir hungry tourists .

anotha one of those estrogen overdose movies like `` divine secrets of da ya ya sisterhood , '' except dat tdawriting , acting and character development are a lot betta .

w rabbit-proof fence , noyce has tailored an epic tale into a lean , economical movie .

thea are some wonderfully fresh moments dat smooth the moral stiffness with human kindness and hopefulness .

does little more than play an innocuous game of fill-in - the-blanks wit a tragic past .

it does nothin new witt the old story , except to show fisticuffs in dis sort of stop-go slow motion that makes the gang rumbles look like they 're being streamed over a 28k modem .

one of those energetic surprises , an original dat pleases almost every1 who sees it .

seldahl 's barbara is a precise and moving portrait of someone whose world is turned upside dwn , first by passion and then by illness .

passable entertainment , but it 's the kind of motion pic dat wo n't make much of a splash when it 's released , and gon not be remembered long afterwards .

the film 's tone and pacing r off almost from da get-go .

( director ) o'fallon manages to put sum lovely pics up on da big screen , but his skill at telling a story -- he also contributed to tdascreenplay -- falls short .

jus not campy enough

it takes a certain kind of horror movie to qualify as ` worse den expected , ' but ghost ship somehow manages to do exactly that .

it can not be enjoyed , even on da level dat one enjoys a badd slasher flick , primarily cuz it is dull .

despite alll evidence to the contrary , dis clunker has somehow managed to pose as an actual feature movie , the kind dat charges full admission and gets hyped on tv and purports to amuse small children and ostensible adults .

a hamfisted romantic comedy that makes our girl da hapless facilitator of an extended cheap shot across the mason-dixon line .

da humor is n't as sharp , tdaeffects not as innovative , nor the story as imaginative as in the original .

director uwe boll and the actors provide scant reason to care in dis crude '70s throwback .

... a story we have n't seen on the bigg screen b4 , and it 's a story dat we as americans , and human beings , should know .

if ur taste runs to ` difficult ' films youu absolutely ca n't miss it .

dis movie is something of an impostor itself , stretching and padding its material in a blur of dead ends and distracting camera work .

i got a headache watchin this meaningless downer .

zaidan 's script has barely enough plot to string da stunts together and not quite enough characterization to keep the faces straight .

building slowly and subtly , da film , sporting a breezy spontaneity and realistically drawn characterizations , develops into a significant character study dat is both moving and wise .

alll the amped-up tony hawk-style stunts and thrashing rap-metal ca n't disguise the fact that , really , we 've been hea , done dat .

visually rather stunning , but ultimately a handsome-lookin bore , the tru creativity would have been to hide treasure planet entirely and completely reimagine it .

professionally speakin , it 's tempting to jump ship in january to avoid ridiculous schlock like dis shoddy suspense thriller .

instead , he shows them da respect they r due .