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https://towerbluesband.com/about | 2024-04-20T20:39:26 | s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296817674.12/warc/CC-MAIN-20240420184033-20240420214033-00054.warc.gz | 0.937686 | 226 | CC-MAIN-2024-18 | webtext-fineweb__CC-MAIN-2024-18__0__101805408 | en | Tower Blues Band showcases a variety of genres clashed into one live performance for your listening pleasure! They’re a fun, local band that has played hundreds of live performances covering classics that captivate and engage the audience. They’ve comfortably entertained in many venues ranging from bars, wineries, breweries to large festivals as their loyal fanbase continues to grow along with their ever-growing setlist. This band can rage a late night show or captivate an intimate listening-room crowd!
Come out with family, friends and followers and enjoy Tower Blues Band’s rendition of great classics! Be sure to check out their gig schedule for the next live show near you.
Formed in 2013
Classic Rock, R&B, Jazz, Blues and Country
Northern Virginia – each band member made NOVA home through military service
Dave M (Guitar / Vocals)
Lou S (Drums)
Herman G (Bass / Vocals) | music_and_dance |
http://icusfq.ec.chinesecio.com/zh-hans/node/616 | 2018-06-20T15:10:16 | s3://commoncrawl/crawl-data/CC-MAIN-2018-26/segments/1529267863650.42/warc/CC-MAIN-20180620143814-20180620163814-00202.warc.gz | 0.965789 | 528 | CC-MAIN-2018-26 | webtext-fineweb__CC-MAIN-2018-26__0__78784907 | en | The Moon Festival, which is the second most important event in the Chinese lunar calendar, fell on September 27 this year. In order to promote Chinese culture and celebrate this great festival, the Confucius Institute of Alfred University invited the famous Tianhan Traditional Chinese Orchestra from Hunan province and arranged a series of activities on traditional Chinese music.
On September 22, the director and conductor of the Tianhan Traditional Chinese Orchestra, Mr. Yulin Liu, gave an exciting lecture on traditional Chinese music in the Miller Performing Art Center with his five excellent musicians. These five musicians were Dizi (Chinese flute) player Miss Yi, Erhu (Chinese fiddle) player Miss Yan, Pipa (Chinese lute) player Miss Liu, Yangqin (Chinese dulcimer) player Miss Yi, and professional dance teacher and Peking Opera singer Mrs. Sun.
In the lecture, Mr. Liu gave a brief introduction to the history of traditional Chinese music and its development nowadays. After that, he presented the five typical traditional Chinese musical instruments. His audience, students from the art class, learned the structure of the five instruments, their timbre, characteristics, and other professional knowledge from the lecture. They also noted the similarities and differences between Eastern and Western music. Then the Tianhan Traditional Orchestra brought several famous solos and ensembles to the audience, which won the warm applause of students.
The lecture on that day not only brought beautiful music to students, but also provided a chance for the musicians and students to exchange their opinions about music.
On September 24, Tianhan Traditional Chinese Orchestra arrived at North Syracuse. They gave two marvelous performances for the teachers and students at Gillette Road and Roxboro Road Middle Schools. The varied programs, which included the famous traditional pieces “Strolling in Suzhou”, “Grapes Harvest”, and “Moon over the Peaceful Lake in autumn”, Peking Opera, and an introduction to Chinese musical instruments, amazed the audience, which responded with lots of applause. More than 400 students enjoyed the demonstrations. One student told his teacher after the performance, “I feel so calm when I hear the ‘Moon over the Peaceful Lake’.” The performance on that day was a big success, and many students asked for the musicians’ autographs afterward.
In these two demonstrations, students enjoyed traditional Chinese music, played the traditional Chinese musical instruments themselves, and gained some interesting knowledge about those instruments. All of these inspired them to learn more about China, and they all had a nice time. | music_and_dance |
http://www.andykern.com/ | 2018-01-20T13:06:01 | s3://commoncrawl/crawl-data/CC-MAIN-2018-05/segments/1516084889617.56/warc/CC-MAIN-20180120122736-20180120142736-00604.warc.gz | 0.958621 | 100 | CC-MAIN-2018-05 | webtext-fineweb__CC-MAIN-2018-05__0__62105923 | en | Andy attended SAE in Nashville after doing live sound and multimedia work in San Antonio during college. He has worked with many diverse artists and producers in his 15 years in Nashville. He has been nominated for, and won, a regional Emmy for his live broadcast and post production work for Music City Roots, Scenic City Roots, Rock My Soul, & Bluegrass Underground all airing on PBS locally and nationwide. Check your local listings for air times.
Phone: (615) 498-8944 | music_and_dance |
http://www.capitoltheatretamworth.com.au/events/350/Carter_&_Carter_-_Country_Gospel_Show/ | 2017-08-20T09:53:53 | s3://commoncrawl/crawl-data/CC-MAIN-2017-34/segments/1502886106367.1/warc/CC-MAIN-20170820092918-20170820112918-00453.warc.gz | 0.913191 | 292 | CC-MAIN-2017-34 | webtext-fineweb__CC-MAIN-2017-34__0__114048810 | en | Presented By Crestway Music
Each year there are more guests, more surprises and the choir of young Academy Country Music Graduates continues to grow and take part in even more of the show.
Carter & Carter will be singing songs from their award winning Gospel Albums including classic gospel songs that the crowds have come to know and love including What A Wonderful World, Turn Your Radio On, How Great Thou Art, This Little Light Of Mine, Put A Little Love In Your Heart, mixed in with Carter & Carter’s original songs like God Didn’t Make Mistakes, He’s Got The Whole World In His Hands, Lead Me Home, Good News, Raise Your Voice to name a few.
This year Carter & Carter are joined two by crowd favourite Multi- Golden Guitar Winner Brendon Walmsley, and chart toppers Billy Bridge and Rebecca Lee Nye. Plus a choir of young Country Music Academy graduates will be performing throughout the show with a few of the graduates teaming up with Carter & Carter for some exciting collaborations. And of course there is always the ever popular finale with everyone onstage - a spectacular and moving finish that will be a highlight of your festival.
This show is always a popular fixture on the Tamworth Festival calendar so book early to ensure you don’t miss out.
Come along, bring your family, friends and your voice for an incredible afternoon of singing and celebrating Country Gospel Music. | music_and_dance |
https://bigsummit.biz/rick-barker/ | 2022-12-08T17:29:02 | s3://commoncrawl/crawl-data/CC-MAIN-2022-49/segments/1669446711344.13/warc/CC-MAIN-20221208150643-20221208180643-00649.warc.gz | 0.965879 | 207 | CC-MAIN-2022-49 | webtext-fineweb__CC-MAIN-2022-49__0__296320513 | en | With over 25 years experience in the music industry, Rick Barker is looked upon as one of the industry’s best marketers and artist developers, having spent three years managing the day-to-day operations of superstar Taylor Swift.
Barker’s impact on music extends to the industry’s record labels. He was the first record promoter hired by Big Machine’s Scott Borchetta, where he had a role in the label’s first Number One record with singer-songwriter Jack Ingram. Barker later went on to found his own marketing and consulting firm, at which his first client was Sony Music Nashville.
He is also the mastermind behind the Music Industry Blueprint, a development service now teaching artists from around the world everything they need to know about the complicated music business. His marketing strategies have since been featured in a number of publications, including Billboard Magazine, Success Magazine and Pollstar.
Rick also co-authored The $150,000 Music Degree and launched SocialMediaForMusic.com | music_and_dance |
https://fhs-music-boosters.ticketleap.com/holiday-festival-of-the-arts-2017/details | 2020-06-01T13:54:01 | s3://commoncrawl/crawl-data/CC-MAIN-2020-24/segments/1590347417746.33/warc/CC-MAIN-20200601113849-20200601143849-00281.warc.gz | 0.905388 | 135 | CC-MAIN-2020-24 | webtext-fineweb__CC-MAIN-2020-24__0__41725326 | en | You do not want to miss our 5th annual Holiday Festival of the Arts! Get into the spirit of the season with an evening of Music and Art featuring Local Artist and Folsom High School's award winning musicians: (Click on the group to see performances from previous years.)
- Jazz Band I
- Jazz Choir I
- Chamber Orchestra
- Trombone Choir
- Ballet - Hawkins
- Live Art - Watch murals come alive during the show
- Several local artists.
PREMIUM & GENERAL SEATING AVAILABLE
Premium seating reserved for the first few rows.
General Seating - First come first serve. | music_and_dance |
https://doylestownhistorical.org/hammerstein-oscar/ | 2023-09-30T00:22:03 | s3://commoncrawl/crawl-data/CC-MAIN-2023-40/segments/1695233510529.8/warc/CC-MAIN-20230929222230-20230930012230-00246.warc.gz | 0.972448 | 156 | CC-MAIN-2023-40 | webtext-fineweb__CC-MAIN-2023-40__0__271868282 | en | American songwriter, theatrical producer, and theatre director of musicals for almost 40 years.
He won eight Tony Awards and two Academy Awards for Best Original Song. Many of his songs are standard repertoire for vocalists and jazz musicians. He co-wrote 850 songs.
Hammerstein collaborated with numerous composers, such as Jerome Kern, with whom he wrote Show Boat, Vincent Youmans, Rudolf Friml, Richard A. Whiting, and Sigmund Romberg, but he is best known for his collaborations with Richard Rodgers, as the duo Rodgers and Hammerstein, whose collaborations include Oklahoma!, Carousel, South Pacific, The King and I, and The Sound of Music.
(July 12, 1895 – August 23, 1960) | music_and_dance |
http://rocknrollweekend.com/HP%20Pick-ups%20and%20Controls.htm | 2018-08-19T09:16:37 | s3://commoncrawl/crawl-data/CC-MAIN-2018-34/segments/1534221215075.58/warc/CC-MAIN-20180819090604-20180819110604-00555.warc.gz | 0.901074 | 740 | CC-MAIN-2018-34 | webtext-fineweb__CC-MAIN-2018-34__0__53264746 | en | Features: Custom Back (Bridge)
HP-B -- A completely balanced coil configuration produces great harmonics and a high output with just the right blend of sustain and distortion. You get the best of both worlds: from sweet warm tones to raw rock 'n' roll sustain. (Hand wound in Meridian MS)
Available in zebra (cream & black)
Recommended for Bridge position.
Resonant Peak: 5.5khz
Hum Canceling: Yes
Bridge: Super harmonics, with high output that doesn't sound hard or dark
Features: Custom Front (Neck)
HP-F -- This pickup is for players who need an accurate, clear tone for fast runs. The brighter sound has slightly less output and is a good match with HP-B (Bridge)
Available in zebra (cream & black) (Hand wound in Meridian MS)
Recommended for Neck position.
D.C. Resistance: 7.72k
Resonant Peak: 8.0khz
Hum Canceling: Yes
Neck: Ultra clean and clear for articulating runs
HP Special Wiring description:
The NEW HP Special comes stock with Push-Pull pots for coil tapping capabilities. This feature makes the HP Special completely versatile giving the player a multitude of tones to choose from humbucking rock-n-jazz tones to single-coil blues-n-country tones all in one instrument.
· Master Volume knob Push-Pull Bridge pick-up
· Master Tone knob Push-Pull Neck pick-up
The difference between low, medium and high
There are a couple of differences. Low output pickups drive the front end of your amp less and tend to produce a more bluesy or more vintage distortion. They have a very open feel to their tone. High output pickups drive your amp harder and can sound more compressed with a tighter feel. Also, higher output pickups with the same magnet type tend to sound darker because the resonant frequency of a larger coil is lower than that of a smaller coil. Medium output pick-ups tend to fall somewhere in between depending on their magnet and wire type.
HP pick-up height:
A good starting point for the distance from the bridge pickup to the strings is 3/32 of an inch. The neck pickup can be set to provide a good output balance when compared to the bridge or to produce a particular tone when used together with the bridge. If a pickup is too close to the strings the tone tends to get muddy and lack clarity, and if placed too far away the tone will be thin and lacking in character. All pickups have a "sweet spot" where its tone will be optimal for a given guitar and pickup combination.
Coil splitting refers to the ability to disable one coil in a humbucker-type pickup. This offers the player the option of getting a single coil-type tone from a humbucker-loaded guitar. Many pickups have three- or four-conductor wiring that allows for one coil to be disabled by shorting one coil to either ground or hot. All Custom Shop HP pick-ups come stock with four-conductor wiring
Push pull pots are potentiometers with switches installed on the bottom to the pot chassis. The stem of the pot can be pulled to activate the switch. The most common varieties are SPST on/off and DPDT on/on. Push pull pots are very useful for adding coil splits and series/parallel wiring to humbucker loaded guitars without altering the look of the guitar. They have numerous other uses as well and can be used any time additional switching is required. | music_and_dance |
http://www.fuegobeats.com/submit/ | 2017-07-22T18:39:32 | s3://commoncrawl/crawl-data/CC-MAIN-2017-30/segments/1500549424090.53/warc/CC-MAIN-20170722182647-20170722202647-00210.warc.gz | 0.908096 | 254 | CC-MAIN-2017-30 | webtext-fineweb__CC-MAIN-2017-30__0__236212468 | en | Fuego Beats Radio wants to help aspiring and established artists/bands promote their music. Submit HOT music and we will play it on the show for the world to hear. The Fuego Beats Radio crew is passionate about great music and wants to give artists the unbiased opportunity to be heard.
*DISCLAIMER* All submissions must be mp3 format with a bit rate of 128kb/s or higher. All metadata must be filled out within your file or the song will not be accepted. Additionally your email should include pictures, websites and a bio or press release. We feature only good music and aim to be the first to air new singles, so make sure to send them to us.
Please submit all music submissions to [email protected], with the title in this format, “Your Name – Your Song Title – Music Submission”.
Please Include in the email, Artist/Band Name, Your Location, Song Name, Song Title, Album Name, Social Media Info & Short Bio. Please Attach the song with album or single cover.
All submissions that ignore this format will not be considered. If your song is selected to be placed in our rotation, we will contact you and let you know. | music_and_dance |
https://www.asiartisans.org/content/3-newsflashes/asia-news/264-2017-northeast-guitar-expo.html | 2018-11-13T00:06:02 | s3://commoncrawl/crawl-data/CC-MAIN-2018-47/segments/1542039741176.4/warc/CC-MAIN-20181113000225-20181113022225-00414.warc.gz | 0.934553 | 128 | CC-MAIN-2018-47 | webtext-fineweb__CC-MAIN-2018-47__0__187041769 | en | The largest guitar show in the Northeast!
On October 15, 2017, the Northeast Guitar Expo will again bring our regional guitar community together for a great day to see amazing new and vintage instruments. All types of guitars, basses, electrics, acoustics, and related musical products will be on display. This event is a unique opportunity to meet many great master luthiers and to see, play, and purchase fine handmade instruments directly from the builder. Or maybe find that elusive vintage guitar… Visit their website for details.
Oakdale Theatre and Convention Center
95 S. Turnpike Road, Wallingford, CT | music_and_dance |
http://www.anthonysabilities.com/blog/2012/03/11/nalani-sarina-music-from-the-soul/ | 2013-05-24T18:29:05 | s3://commoncrawl/crawl-data/CC-MAIN-2013-20/segments/1368704943681/warc/CC-MAIN-20130516114903-00036-ip-10-60-113-184.ec2.internal.warc.gz | 0.926964 | 326 | CC-MAIN-2013-20 | webtext-fineweb__CC-MAIN-2013-20__0__159441350 | en | They sang my blog’s theme song and have a ton of talent…
I am proud to introduce my friends, Nalani & Sarina!
They are two beautiful, talented, and hardworking twin sisters from New Jersey who are about to make a significant impression in the music industry.
Only at the age of 18, Nalani & Sarina have composed and arranged their own material, are investing in voice lessons with Greg Drew (Hayley Williams, Lenny Kravitz, Avril Lavigne), and paid for their record all from their classical piano teaching earnings while managing their daily work load as honor students.
Although Nalani & Sarina’s music falls under the likes of Sarah Bareilles, Colbie Caillat, and other pop artists, their musical inspiration comes from a deeper place. Drawing from the influences of Bob Dylan, Leonard Cohen, and The Beatles, Nalani & Sarina want to convey essential meaning to their captivating songs and wish to develop their sound to become an icon and not just the favorite flavor of the week.
Nalani & Sarina’s personalities, their work ethic, passion and dedication will indisputably bring a refreshing and inspiring feeling to all who will be a part of their dream.
Enjoy the inspiring song, “Start All Over”, by Nalani & Sarina, below…
Check out more of Nalani & Sarina below:
Are You a Fan? Then Follow Nalani & Sarina On:
Please comment below if you enjoyed this inspirational song! :) | music_and_dance |
https://technuevo.com/dusty-hill-net-worth-uncovering-the-bass-legends-fortune/ | 2023-09-26T03:51:48 | s3://commoncrawl/crawl-data/CC-MAIN-2023-40/segments/1695233510130.53/warc/CC-MAIN-20230926011608-20230926041608-00380.warc.gz | 0.979037 | 1,201 | CC-MAIN-2023-40 | webtext-fineweb__CC-MAIN-2023-40__0__156733518 | en | Dusty Hill, the legendary bass player of ZZ Top, earned a massive fortune throughout his music career that spanned five decades. With numerous hit songs and albums to his name, Dusty Hill’s net worth at the time of his death was a matter of fascination for fans and industry experts. In this blog post, we’ll uncover the financial details of Dusty Hill’s career and explore the components that contributed to his impressive net worth.
Early Life and Career Beginnings
Dusty Hill was born on May 19, 1949, in Dallas, Texas. His musical journey began at an early age when he and his younger brother Rocky Hill joined a popular band called The Warlocks. Later, Dusty joined the psychedelic group The Moving Sidewalks and toured extensively across the country. He then formed a band with fellow guitarist Billy Gibbons, which eventually was named ZZ Top. In the early days of his career, Dusty played bass and sang backing vocals for the band.
ZZ Top’s Success and Wealth
In 1970, ZZ Top released their debut album “ZZ Top’s First Album,” which received positive reviews from fans and critics alike. The band’s breakthrough came in 1973 with their album “Tres Hombres,” which spawned the hits “La Grange” and “Jesus Just Left Chicago.” Their subsequent albums such as “Fandango!,” “Tejas,” and “Deguello” kept the momentum going with hits like “Tush,” “Cheap Sunglasses,” and “Gimme All Your Lovin’.”
The success of ZZ Top brought in a massive influx of wealth for Dusty Hill. Throughout his career, he toured the world, sold millions of records, and amassed a sizable fortune from album sales, merchandise sales, and royalties.
Solo Projects and Collaborations
Apart from ZZ Top, Dusty Hill contributed to various solo projects and collaborations with other artists. He recorded two solo albums, “Dusty Hill’s Blues” and “Side Tracked,” which showcased his skills as a lead vocalist and songwriter. He also played bass on successful tracks such as “Don’t Look Back” by Boston and “Sharp Dressed Man” by Nickelback.
Endorsement Deals and Merchandise Sales
Dusty Hill’s partnership with Gibson Guitars and Orange Amplifiers was well-known in the music industry. He also collaborated with several merchandise brands, including Hot Wheels and Rock and Roll Hall of Fame. The sales generated from his signature musical instruments and merchandise contributed to his net worth.
Real Estate and Investments
Dusty Hill invested his wealth in various real estate and business ventures. In 2020, he listed his California home for sale for $6.5 million, which was featured in Architectural Digest. In addition, he invested in a local bar and restaurant chain and several other real estate properties.
Legal Disputes and Settlements
Like many other musicians, Dusty Hill faced legal challenges throughout his career. In 1984, he and ZZ Top producer Bill Ham were sued by the band’s original drummer. They were found guilty of breach of contract and had to pay damages of $630,000.
Charitable Contributions and Philanthropy
Dusty Hill was known for his generosity towards various charitable causes. He and ZZ Top contributed to organizations such as St. Jude Children’s Research Hospital, MusiCares, and Little Kids Rock. In addition, Dusty performed at benefit concerts and held auctions of his personal items to raise funds for charity.
Legacy and Tribute
Dusty Hill left behind a rich legacy as a musician and bass player. His contribution to ZZ Top’s success and influence on the music industry were recognized by several music legends such as Billy Joel and Slash. The band’s tribute to Dusty Hill after his passing was a testament to his irreplaceable role in ZZ Top’s sound and success.
In conclusion, Dusty Hill’s net worth was estimated to be $60 million at the time of his death. His success with ZZ Top, solo projects, and collaborations contributed to his wealth, along with endorsement deals and real estate investments. Despite facing legal disputes throughout his career, Dusty’s philanthropy and charitable contributions made him a beloved figure in the music industry.
Q1. What was Dusty Hill’s estimated net worth?
A1. Dusty Hill’s estimated net worth was $60 million at the time of his death.
Q2. What were some of ZZ Top’s hit songs?
A2. Some of ZZ Top’s hit songs include “La Grange,” “Tush,” “Gimme All Your Lovin’,” and “Sharp Dressed Man.”
Q3. Did Dusty Hill have any solo projects?
A3. Yes, Dusty Hill released two solo albums, “Dusty Hill’s Blues” and “Side Tracked.”
Q4. What was Dusty Hill’s involvement in philanthropy?
A4. Dusty Hill and ZZ Top contributed to organizations such as St. Jude Children’s Research Hospital, MusiCares, and Little Kids Rock.
Q5. What was the value of Dusty Hill’s California home?
A5. Dusty Hill’s California home was listed for sale for $6.5 million in 2020. | music_and_dance |
http://specificallyunspecific.blogspot.com/2005/05/music-festival-this-summer.html | 2018-07-15T19:27:08 | s3://commoncrawl/crawl-data/CC-MAIN-2018-30/segments/1531676588961.14/warc/CC-MAIN-20180715183800-20180715203800-00410.warc.gz | 0.93188 | 101 | CC-MAIN-2018-30 | webtext-fineweb__CC-MAIN-2018-30__0__138024608 | en | Tuesday, May 24, 2005
Music Festival this summer
This is an early notice of a very cool event happening this summer in Grand Rapids, Michigan. Irish music band Craic Wisely and the African drum group Red Frog Drum and Dance Ensemble will headline a concert on August 18, 2005. The show takes place at Studio 28 on the southwest side of Grand Rapids. Founders Brewery is the sponsor, so there promises to be good food and good drinks. Watch for more details as they become available. | music_and_dance |
http://www.magrath.co.uk/litigationspy-articles-list/the-intellectual-property-enterprise-court | 2018-10-17T14:51:38 | s3://commoncrawl/crawl-data/CC-MAIN-2018-43/segments/1539583511175.9/warc/CC-MAIN-20181017132258-20181017153758-00159.warc.gz | 0.970316 | 222 | CC-MAIN-2018-43 | webtext-fineweb__CC-MAIN-2018-43__0__139088605 | en | The Ukulele Orchestra of Great Britain was recently left feeling high strung in the Intellectual Property Enterprise Court after judge Richard Hacon refused to dance to its tune and grant injunctive relief against the United Kingdom Ukulele Orchestra.
The Ukulele Orchestra of Great Britain applied for an injunction against the United Kingdom Ukulele Orchestra to prevent the use of its name after the latter announced a tour of the UK due to start in Lincoln on 15 October of this year. The Ukulele Orchestra of Great Britain which has been performing for at least 25 years claimed that its reputation could be unfairly tarnished by it being confused with the German based United Kingdom Ukulele Orchestra.
The United Kingdom Ukulele Orchestra pluckily defending against the injunction argued that any injunction would force them to cancel their forthcoming tour costing them tens of thousands of pounds. The argument struck a chord with Judge Richard Hacon and he refused to grant the injunction. He said that the Ukulele Orchestra of Great Britain should have acted sooner and that the United Kingdom Ukulele Orchestra had been performing for some years now. | music_and_dance |
https://crowdfund.coloradocollege.edu/project/9562 | 2021-01-24T09:25:58 | s3://commoncrawl/crawl-data/CC-MAIN-2021-04/segments/1610703547475.44/warc/CC-MAIN-20210124075754-20210124105754-00019.warc.gz | 0.937981 | 146 | CC-MAIN-2021-04 | webtext-fineweb__CC-MAIN-2021-04__0__48286534 | en | The B-Side Collective was founded in 2016 in response to the music scene at Colorado College. Recognizing the many ways in which the music scene can be limiting and the ways in which privilege can dominate a musical space, the group formed to offer an inclusive community for women, gender non-conforming, and queer/LGBTQIA+ students. The B-Side Collective offers the CC community a space for gathering, creating music and art, performing, and community-building. The collective provides instruments, equipment, and practice rooms as well as a performance venue for Colorado College artists, expanding accessibility and inclusivity in the music environment on campus.
Choose a giving level
Your gift will help supply sheet music for students. | music_and_dance |
http://lifetea.org/Kid%20Rock%20Tabs%202021 | 2021-05-09T12:48:57 | s3://commoncrawl/crawl-data/CC-MAIN-2021-21/segments/1620243988986.98/warc/CC-MAIN-20210509122756-20210509152756-00215.warc.gz | 0.713845 | 1,614 | CC-MAIN-2021-21 | webtext-fineweb__CC-MAIN-2021-21__0__105485446 | en | Kid Rock tabs, chords, guitar, bass, ukulele chords, power tabs and guitar pro tabs including so hott, times like these, when it rains, prodigal son, roll on. 13.05.2002 · Kid Rock - "Picture" feat. Sheryl Crow [Kid Rock] G Livin' my life in a slow hell C Different girl every night at the hotel D C G I aint seen the sun shine in 3 damn days G Been fuelin' up. BORN FREE TAB by Kid Rock @ Ultimate-Guitar.Com. 23.12.2008 · "Roll On" [Intro] B Gm F E Mmmm I love it when you play it like that Come on. Play [Verse 1] B F Sittin' here alone I'm lookin' back on where I've roamed CmCm7 E And laughing how I. ROLL ON TAB by Kid Rock @ Ultimate-Guitar.Com.
All Summer Long by Kid Rock tab with free online tab player. One accurate version. Recommended by The Wall Street Journal. Kid Rock all, Official, Chords, Tabs, Pro, Power, Bass Tabs, Drum Tabs, Video, Ukulele Chords tabs including when it rains, times like these, only god knows why, born. Kid Rock - 41 guitar tabs Add new tab Related for Kid Rock. Kihn Greg tabs Killing Heidi tabs Killing Joke tabs Khaled tabs Keziah Jones tabs Key Francis tabs Home / K / Kid Rock tabs. Kid Rock tabs view allAll Summer Long tab. 30. All Summer Long chords. 6. Kid Rock Tabs arranged alphabetically. New and popular versions of Kid Rock easy to print and share. Picture by Kid Rock text guitar tab. One accurate version. Recommended by The Wall Street Journal.
09.10.2018 · 50 videos Play all Mix - Kid Rock Cowboy GUITAR TAB YouTube; Kid Rock Rare Radio Interview with Bobby Bones - Duration: 8:55. Bobby Bones Show 281,598 views. 8:55. TOP 20. Bawitdaba ver 2 bass tabs; About Kid Rock. Robert James Ritchie born January 17, 1971, known by his stage name Kid Rock, is an American singer-songwriter and rapper with five Grammy Award nominations. Kid Rock is known for music that incorporates elements of hip hop, rap metal, blues-rock, hard rock, southern rock, funk and country music. Kid Rock - All summer long sweet home alabama mashup. chords All summer long sweet home alabama mashup ver. 1. Kid Rock - All summer longsweet home alabamacountry grammar mash-up. Kid Rock guitar tabs. ULTIMATE TABS has guitar tabs, ukulele tabs, guitar chords, bass, keyboards, drums, flute and many songs from Kid Rock. Chords for Kid Rock - Picture. I was off to d C rink you a D way [Both] I G thought about you for a long time C C an't seem to get you off my mind I D can't nderstand why we're living C life this G way I found your E picture today I swear I'll c G hange my ways I just c D alled to say I wan C t you to come back G home I f E ound your picture.
At E- you will learn how to play Kid Rock's songs easily and improve your skills on your favorite instrument as well. Daily, we added a hundreds of new songs with chords and tabs, just for you;. If you still haven't found what you're looking for, please send to us. Bass tablature for First Kiss by Kid Rock. Rated 5.0 out of 5 by 1 user. Submitted by Twiggybass on January 28, 2016. Kids Wanna Rock by Bryan Adams tab with free online tab player. One accurate version. Recommended by The Wall Street Journal.
Kid Rock Different Versions Chords, Tab, Tabs. Key Variations. Play Advices. Chords Diagrams. Guitar Tabs Universe. 08.03.2014 · Sorry can't write tabs atm but you can under ultimate guitaror guitar. But here is an observation to where the guitar chords go: SOLO INCLUDED Enjoy the tabular and. All Summer Long Chords by Kid Rock. Learn to play guitar by chord / tabs using chord diagrams, transpose the key, watch video lessons and much more.
04.01.2009 · Free printable and easy tab for song by Kid Rock - All Summer Long. Tab ratings, diagrams and lyrics. Sometimes it just takes a slight stylistic adjustment: before 1998, Kid Rock was just another unsuccessful hip hop artist striving to exist. With his fourth album, Devil Without A Cause, he switched to rap metal and instantly became a million-selling superstar.
02.11.2017 · 50 videos Play all Mix - Kid Rock - Sugar Pie Honey Bunch Audio YouTube FIRESTONE band be my babe tonight - Duration: 3:17. Pauline Clarke 2,580,621 views. Bass tablature for All Summer Long ver 2 by Kid Rock. Rated 5.0 out of 5 by 1 user. Submitted by Twiggybass on June 6, 2017. Bawitdaba by Kid Rock Tab Different Versions Chords, Tab, Tabs. Key Variations. Play Advices. Chords Diagrams. Guitar Tabs Universe. 75 free, accurate Kid Rock guitar, bass, and drum tabs at tTabs.
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https://thealways.band/testimonials/ | 2024-04-14T04:38:34 | s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296816864.66/warc/CC-MAIN-20240414033458-20240414063458-00667.warc.gz | 0.982929 | 2,256 | CC-MAIN-2024-18 | webtext-fineweb__CC-MAIN-2024-18__0__77537072 | en | what they say
No need to take our word for it! Check out what past clients had to say about The Always.
Thank you to Joe and the band for making our evening so special! Honestly couldn’t have wished for a better wedding band! Forever grateful!
Dan – Wedding
Just watching back our wedding video and we cannot thank the The Always enough for making our evening a night to remember. From start to finish the dance floor was full! The flexibility in their setup was a big selling point for us and they fully met the brief. Their communication was excellent throughout – could not recommend these guys enough!
Stacey – Wedding
I could not recommend The Always enough, we were so lucky they were available at short notice for our wedding. From the start their communication was excellent and they can be flexible in their set up to meet your requirements. On the night they had everybody up dancing from the first song right through to the last! Thanks for a great night guys!
Stacey – Wedding
We booked The Always for our wedding in June 2022. The band were amazing! All our guests loved the music. When we contacted Joe he responded quickly and was very happy to cater to our requests for music.
Rebecca – Wedding
The Always played at our wedding and we absolutely loved them as did all our guests. Me and my now husband were amazed when they said they could play every single song in our long and specific list of requests! I can’t imagine our wedding without them, they were so fun. They even let me and my maid of honour sing the last song.
Sasha – Wedding
Hired for our wedding. Great communication, flexible with set lists and all ages enjoyed the music! Really pleased 😀
Mia D – Wedding
I just wanted to thank you again for being so amazing at our wedding (11/09/21). Not only were your sets incredible but you were so patient with a few of our guests, who by the time you arrived had definitely had one too many!
We have had such great feedback from our guests and most are saying you guys were the best band they have ever had at an event! 😊 We wanted a full dance floor and that’s exactly what we got, all credit to you.
Hannah – Wedding
We needed a pro band for a hotel event for our end of year ball. We booked The Always as a 4-piece with keys and they were outstanding and so understanding of our timings (things did overrun quite a bit). Thank you so much and hopefully will see you next year!
Cian – Corporate Event
We booked The Always for our wedding in Devon and just wow. We booked the full 5 piece band with keys, and it was so good. Having the upright bass was a real awesome part of the aesthetics. Also a huge thank you for performing our first dance live, it was quite an obscure song so it is hugely appreciated! I would recommend anyone thinking of booking The Always , don’t think. Just do it!
Tom & Ellie – Wedding
I booked the trio The Always for my partner’s 30th birthday. These guys seriously know how to get he party started!! My partner is a huge Killers fan, and the band obliged with playing around 4 of the Killers songs!
Will – 30th Party
How do you book a band for your wedding when you have different tastes in music from your partner? The bands repertoire was very interesting, there was something we could both agree on and a lot we thought our guests would enjoy.
A week before our wedding we heard from the band. Joe was brilliant, we gave them a list of their repertoire that we liked, also a list (rather large) of music we’d like them to play as part of the disco. They also did requests on the night. The last comment we made with Joe was “You boys know what you are doing, do your best.”
Joe and the lads did not let us down, they were absolutely superb. We can’t thank them enough for how amazing they made our wedding reception. Everyone was up and dancing.
Chatting with our guests the next morning, everyone thought they were perfect & would highly recommend. If we had any regrets, it was that the night had to finish. We would definitely book them again. We booked the band based on their reviews and thank you to everyone who left them a review because the band are outstanding, and we highly recommend them to anyone. An invite to see them again wouldn’t go amiss. Thank you again Joe & crew.
James & Lauren – Wedding
Joe!! You guys were honestly amazing! We had so many comments about how good the band was. I think one of our guests has even booked you for their wedding next year? If so, we will see you there on the dancefloor! Thank you so much!
Francis – Wedding
We booked The Always for a midweek beach wedding with a small guest list. We were worried that a band was a little too much, but as soon as the band started, all those worries were put aside. They even managed to do some requests some of our guests had! Highly recommended!
Leona – Wedding
Wow! We cannot recommend The Always higher! We wanted a festival style wedding with a Mumford style band. We were so glad we found The Always, and even happier when they were available! They were so good, I don’t think we stopped dancing all night! Thank you so much guys!
Amy & Nathan – Wedding
Just wanted to say a huge thank you for playing for our wedding last month. If anyone asks for a band recommendation, I will send them to you!
James – Wedding
Joe! Thank you so much for everything you guys did! Not only did we have the nightmare of having to move the date three times, but you were so accommodating the entire process, and the evening was so good. You guys really were perfect!
Holly – Wedding
A small thank you from us for making our special day so memorable. Joe – we really appreciate all the effort checking what we wanted for a cracking acoustic set. People didn’t stop talking about the energy you all had throughout the evening. Thanks for the memories!
Leigh & Jill – Wedding
The Always played at my son’s wedding on 6th October. They were brilliant! They made the evening wonderful for the bride & groom and all the guests. The set was perfect, with something for everyone. We loved it.
Teresa – Wedding
We booked the band for our wedding reception in September this year, they were awesome, everyone loved them (young and old!)! We wanted to avoid the usual cheesy wedding band/DJ and wanted more of a rock/ indie vibe as well as something that would keep everyone entertained and they exceeded expectations! Really good mix of music, would definitely recommend!
Sophie – Wedding
The band played at our wedding last week and were just amazing! Really made our night with our favourite songs. Very helpful & friendly, adjusted the set to suit our mad evening. Highly recommended and sounded incredible! Can’t thank them enough.
James – Wedding
Joe & the band performed at the village’s summer regatta event, probably over 500 people there and everybody was dancing. We decided to go for the PA upgrade with engineer option, and I am very glad we did as the band sounded superb!
Tom – Summer Regata
To say they where awesome is an understatement. From the time they started to the final songs. They kept the party going, with an amazing range of music and created a party atmosphere which made our special day even more memorable. We also decided to have Joe to perform the acoustic set at the ceremony and he definitely didn’t disappoint. He is an incredible guitarist and singer. Thank you guys you are awesome.
Helen – Wedding
The Always played at my daughter’s wedding on Saturday…the dancefloor was never empty! A great range of music which everyone really enjoyed. Many thanks to Joe for going out of his way to fit in our booking. It was a great evening – we would highly recommend. Thank you so much to Joe for your set at the drinks reception, he definitely didn’t disappoint.
Lisa – Wedding
Thank you so much for playing at our wedding you were bloody amazing! Everyone loved you and are still talking about it now! We will definitely be booking you again! Thank you so much love Mr & Mrs Scott
Hannah – Wedding
The band played at our wedding at the Deer Park. They listened to our requests from their playlist and their covers were awesome! We didn’t want the band to stop! Highly recommend this band for weddings/events.
Beverley – Wedding
Just got back from a long honeymoon so late with the review! What a great night! Everyone said how good you all were, and I know my best friend’s daughter is going to book you for her wedding next year, so will see you again. You kept everyone on the dancefloor, thanks again for making our day so special. We highly recommend these guys.
Karen – Wedding
Hi Joe, Sorry for the late message, Lauren & I will get round to writing you guys a review, but are away at the minute. Just wanted to send a quick message thanking you guys for our wedding set. You guys were amazing and everyone loved you guys. And we have a lot of critics when it comes to music so well done absolutely spot on. Thank you again, you guys really put the icing on the cake for our wedding.
James – Wedding
The band played for my sister Dawn and John’s wedding last night and they were fantastic and amazing. Fabulous voice and the music was just brilliant. They made the night. Thanks Joe and team. You are legends. X
Rachel – Wedding
The band played for us at our party at Oake Manor Club near Taunton. They helped to make the night a success and all our guests commented on how good they were.
Helene – Wedding
The band played at our wedding 3 weeks ago and were absolutely brilliant! Thank you guys for a great night, we totally danced our socks off. We can highly recommend this band for a party or a wedding where you all want to really let your hair down.
Kate – Wedding
Having seen The Always at a previous wedding, we decided to book them for ours because they are just that good! Highly, highly recommend to anyone in the South West wanting a wedding band. True professionals!
Joe – Wedding
“Joe!! You guys were honestly amazing! We had so many comments about how good the band was. I think one of our guests has even booked you for their wedding next year? If so, we will see you there on the dancefloor! Thank you so much!” | music_and_dance |
https://glanville-hicks.info/2020/07/19/works-for-flute-by-bate-and-pgh/ | 2023-12-10T05:49:14 | s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679101195.85/warc/CC-MAIN-20231210025335-20231210055335-00705.warc.gz | 0.986716 | 355 | CC-MAIN-2023-50 | webtext-fineweb__CC-MAIN-2023-50__0__17599380 | en | On 24 February 1937, having recently arrived in Paris, PGH noted in her diary that she had written the first movement of a flute concerto. Stanley Bate was also in Paris and this was the year he composed a flute sonata, recorded the following year for the Oiseau-Lyre label by Marcel Moyse (flute) and his son Louis (piano) so perhaps both composers were inspired by the playing of Moyse, then a professor at the Conservatoire and a friend of Nadia Boulanger. Although PGH’s concerto must have been completed—in 1943 she offered the score to the ABC in Australia—it has since been lost. Louise Dyer (of Editions de l’Oiseau-Lyre) was prepared to offer Bate a recording contract for whatever he wrote but found him difficult to work with. The flute sonata was reviewed in Music & Letters by E.R. (Edmund Rubbra?), who described it as “well-oiled music that, once it gets started, is able to go on its own momentum ad infinitum”. He also made the usual complaint about Bate’s immaturity, adding, “We shall know the stature of this young composer only when he has ceeased to gather hints on note-manipulation from a certain widely-influential Parisian school”. The flute sonata has recently been recorded by James Dutton with Oliver Davies for Willowhayne Records. It is a delightful work, typically French in its lightheartedness and typically a product of the Boulangerie in its whimsical meanderings with spicy modernist inflections. | music_and_dance |
https://eduardoraon.com/od-kovaca-do-knapa-from-blacksmith-to-miner-2018 | 2023-10-04T17:04:59 | s3://commoncrawl/crawl-data/CC-MAIN-2023-40/segments/1695233511386.54/warc/CC-MAIN-20231004152134-20231004182134-00363.warc.gz | 0.862521 | 715 | CC-MAIN-2023-40 | webtext-fineweb__CC-MAIN-2023-40__0__102139360 | en | From Blacksmith to Miner (50', Slovenija 2018)
sound film screening accompanied by live music performance
Bridko Bebič Travelling Cinema artistic team, lead by musician Bratko Bibič, has made an audiovisual artistic piece based on selected movie scenes taken from five contemporary dance movies made by Iztok Kovač, Sašo Podgoršek and EN-KNAP Production between 1995 and 2014 (in Slovenian, “kovač” means “blacksmith” and “knap” means “miner”, hence the title From Blacksmith to Miner). Fifty minutes long kaleidoscope of moving images, selected, edited and recomposed together with corresponding original soundscapes is accompanied by a live vocal-instrumental concert by Bibič on accordion & piano, Eduardo Raon on harp & electronics, and Vid Drašler on drums & percussion.
“From Blacksmith to Miner” is an audiovisual artistic work based on selected movie scenes taken from five contemporary dance movies made by Iztok Kovač, Sašo Podgoršek and EN-KNAP Production between 1995 and 2014. It features six sequences/movements: “Game, System, Coincidence”, “Tunnel”, “Balladur”, “Ensembles and Labyrinths”, “From Shower to Dust”, “Happylogue”. After the opening of the film with the reflection on the art of music improvisation and principles of walking, the journey continues through various situations and actions of dancers building up the rules of their doing, walking, waiting, making sounds and music, meeting and dancing on the cliffs, in abandoned industrial interiors and undergrounds of mines where they face and interact with the past and present miner’s work and culture.
Bridbo Bebič Traveling Cinema artistic team:
Bratko Bibič – idea, concept, selection and creative re-editing & re-composition of audio-visual material, composer, arranger, improvisation, accordion, piano, voices, production
Eduardo Raon –creative audio-visual editing, (sequences Baladur), composer, arranger, improvisation, harp, electric sound systems, technical production
Vid Drašler - composer, arranger, improvisation, percussion, sound and noise producing implements, voice.
t: +386 (0) 40 454 575
Zavod EN-KNAP Ljubljana
t: +386 (0) 1 620 87 84
f: +386 (0) 1 620 87 82
f: +386 (0) 1 620 87 82
This project has been co-produced by Zavod Alcedo and EN-KNAP Productions with the support of Slovenian Cinematheque and SCCA – Center for contemporary art (Slovenia). The premiere took place at Slovenian Cinematheque within the EN-KNAP anniversary week (25 years of EN-KNAP Productions and 10 years of EnKnapGroup). | music_and_dance |
https://bobdenson.com/lessons | 2024-04-15T06:13:14 | s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296816942.33/warc/CC-MAIN-20240415045222-20240415075222-00245.warc.gz | 0.907064 | 157 | CC-MAIN-2024-18 | webtext-fineweb__CC-MAIN-2024-18__0__13863288 | en | Welcome to BD Music Lessons!
Click below to schedule your FREE 15 minute consultation and your first online lesson on Zoom. Have an entire curriculum tailored and customized to YOUR exact goals by a public school music teacher with over 20 years experience! Here, we charge the USA national average for private lessons, $70 per hour/$40 per half hour, in exchange for instruction that is well above average. Lessons available from age 10 and up!!
Over 22 years experience teaching private lessons
Over 12 years experience in public schools
Full-time Public School Teacher as Guitar Program Instructor at a High School
Public School Music Teacher at Pre-K, Elementary, Middle, and High School levels.
Bachelor in Music Education
K-12 Public School Music Teacher Certification | music_and_dance |
https://studiodeals.nl/product/avid-mbox-studio/ | 2023-02-07T18:32:16 | s3://commoncrawl/crawl-data/CC-MAIN-2023-06/segments/1674764500628.77/warc/CC-MAIN-20230207170138-20230207200138-00035.warc.gz | 0.765587 | 909 | CC-MAIN-2023-06 | webtext-fineweb__CC-MAIN-2023-06__0__78065573 | en | Avid MBOX Studio
Avid MBOX Studio, USB-C 2.0 Audio Interface, Integrated high-impedance re-amping output with ground lift for flexible guitar recording, Two-channel effect loop with switchable output impedance, Additional Bluetooth stereo input and output, With max. resolution 24 bit / 192 kHz and up to 21 inputs and 22 outputs, 4 High-quality combined preamps for microphone and instrument signals with variable input impedance, Switchable +48 V phantom power, -10 dB pad, phase inversion and high-pass filter, Complete monitor control with 2 stereo monitor paths, 2 individually adjustable stereo headphone outputs and source selection as well as integrated talkback microphone, 2 Large rotary controls with push-button function for gain and volume as well as push-buttons for basic channel and monitoring functions provide instant access to all important parameters, DSP-based monitor mixer with switchable soft limiter and parametric, 4-Band channel EQ per input, plus reverb and delay, 4 Buttons and 2 footswitch connections for user-definable functions, plus start button for Mbox Control application, Ergonomic metal desktop enclosure with Kensington security lock, MIDI input and output: 5-pin DIN connector, 2 Footswitches / foot pedal inputs: 6.3 mm TRS jack, Dimensions (W x D x H): 288 x 225.3 x 105.2 mm, Weight: 2.8 kg@+*Analogue inputs:*@+@+, 4x Combo input (XLR / 6.3 mm jack balanced), 4x Line / Fx return input (6.3 mm jack balanced), Max. input level: 14 dBu, gain range: 60 dB, dynamic range: 112 dB (Mic / Line), 108 dB (Instr), THD+N: 0.001 % (Mic / Line), 0.004 % (Instr),, ON mic input: -129 dB (A-weighted), frequency response: 20 Hz to 20 kHz, ± 0.125 dB@+*Analogue outputs:*@+@+, 4x Monitor output (6.3 mm jack balanced), 2x Line / FX send output (6.3 mm jack balanced), Max. output level: 19 dBu, dynamic range: 110 dB (monitor / line), 103 dB (Hi-Z), THD+N: 0.0012 % (monitor), 0.002 % (line, Hi-Z), frequency response: 20 Hz to 20 kHz, ± 0.125 dB (line, monitor), ± 0.3 dB (Hi-Z), 2 Headphone outputs: 6.3 mm jack stereo, Dynamic range: 102 dB, frequency response: 20 Hz to 20 kHz, ± 0.2 dB, output power: 120 mW > 32 Ohm@+*Digital inputs:*@+@+, Optical input (8 channels ADAT or 2 channels S/PDIF), Coaxial S/PDIF output, Bluetooth with forwarding to MBox Control@+*Digital outputs:*@+@+, Optical output (8 channels ADAT or 2 channels S/PDIF), Coaxial S/PDIF input, Bluetooth@+*Scope of delivery:*@+@+, MBOX Studio USB interface, USB-C cable, USB-C socket to USB-A plug adapter, Power adapter 12 V DC, Registration card, Pro Tools Studio Annual Subscription (one-year licence), Sibelius Artist Annual Subscription (one-year licence), Ignition Pack 3, MBOX Control application, Printed, multilingual Quick Start Guide@+@+*Important note:* You can test the product without product registration for a period of 30 days without any restrictions. For this purpose, please download a 30-day test version of the required software: https://my.avid.com/get/pro-tools-ultimate-trial. If you register the product provided for the product after delivery and before expiry of the revocation period, you have no right of revocation (cf. also § 3.3. of our GTC). Furthermore, you are not entitled to a money-back guarantee for the 16 days remaining after the expiry of the withdrawal period, provided that you do the product registration intended for the product within the money-back period (see also § 4.5. of our GTC). | music_and_dance |
http://www.swisspiano.org/neukom.html | 2020-01-21T11:57:12 | s3://commoncrawl/crawl-data/CC-MAIN-2020-05/segments/1579250603761.28/warc/CC-MAIN-20200121103642-20200121132642-00465.warc.gz | 0.942232 | 158 | CC-MAIN-2020-05 | webtext-fineweb__CC-MAIN-2020-05__0__114169975 | en | Born in 1956, Martin Neukom studied musicology, mathematics, and psychology at the University of Zurich, as well as music theory at the Musikhochschule Zürich and choral conducting at the Kantorenschule Zürich. He works as a teacher of music theory and as a composer. He is engaged in sound synthesis and composition with computers. He was commissioned by the HMT (Hochschule Musik und Theater Zürich) to write the book, Signale, Systeme und Klangsynthese - Grundlagen der Computermusik, which was accepted as his doctoral thesis by the University of Zurich. He is head of the Computer Music department at the Institute for Computer Music and Sound Technology (ICST). | music_and_dance |
http://www.smartartssolutions.com/online.html | 2019-08-24T03:24:17 | s3://commoncrawl/crawl-data/CC-MAIN-2019-35/segments/1566027319470.94/warc/CC-MAIN-20190824020840-20190824042840-00179.warc.gz | 0.833512 | 133 | CC-MAIN-2019-35 | webtext-fineweb__CC-MAIN-2019-35__0__144818185 | en | Home | About Us | Clients | Online | Contact Us
Whether it be music, dance, opera or visual arts, with over twenty years experience in promoting arts and entertainment, Smart Arts Solutions will ensure your event targets the right interest group either via print or online listings.
© Smart Arts Solutions
020 7233 6753 | 07779 907 417
Concert News Online provides information about performing arts throughout the UK including music, opera, dance, theatre and visual arts events with direct links to relevant booking sites and venues.
The Concert News Online home page is updated weekly with featured articles Concert News Online believes are the most newsworthy and relevant. | music_and_dance |
https://www.jenksdanceacademy.com/molly/ | 2021-01-18T06:30:03 | s3://commoncrawl/crawl-data/CC-MAIN-2021-04/segments/1610703514423.60/warc/CC-MAIN-20210118061434-20210118091434-00423.warc.gz | 0.987478 | 268 | CC-MAIN-2021-04 | webtext-fineweb__CC-MAIN-2021-04__0__241052702 | en | Molly has only been in Oklahoma for 2 years, but has loved calling this state her home, after previously living in Pennsylvania and Texas. She began taking dance when she was 7, and quickly fell in love. After changing studios in middle school, she began to take more & more classes to broaden her training. She began teaching dance in high school, and has been teaching ever since. She has taught a variety of classes at several studios over the course of her moving around, but feels like she has finally found her “home” since finding JDA. You won’t find her just in the dance classes though, Molly also is the instructor for two different fitness classes that JDA offers. She found her passion for teaching fitness when she took a class in Texas with a friend, and realized how similar to dance group fitness really was! She teaches PiYO (a pilates yoga fusion) and CiZE (cardio dance classes).
“We have had a wonderful experience in this dance school and this is my daughter’s first time in dance and it has truly been amazing! I think you have a tremendous school!”
“We have been at a few different studios in the Tulsa area and I have to say this is the best experience we’ve had!” | music_and_dance |
https://www.thestudy.qc.ca/archive-news/details/~board/news-archive/post/celebrating-as-a-community-2021 | 2022-12-06T11:22:36 | s3://commoncrawl/crawl-data/CC-MAIN-2022-49/segments/1669446711077.50/warc/CC-MAIN-20221206092907-20221206122907-00442.warc.gz | 0.951004 | 253 | CC-MAIN-2022-49 | webtext-fineweb__CC-MAIN-2022-49__0__262246509 | en | On December 16th, The Study community enjoyed the premiere of our annual Holiday Concert, a festive showcase filled with delightful musical performances by students from Kindergarten to grade 11.
After a warm introduction by Head of School Kim McInnes, Arts Captains Juliana Lieberman & Elaine Wang (both '22) presented a skit featuring Ms. Bosnakyan as "The Grinch Who Stole Music." After a hilarious appearance from the Grinch, every grade presented their songs and slowly but surely, the Grinch learned to love music!
Students in Kindergarten to Grade 2 performed songs about music, celebrating the fact that this year, they are able to sing with their classes once more. Grades 3 to 5 performed songs about joy. The evening also included fantastic performances from Grades 6 to 9, as well as the Junior and Senior Concert Bands, the Senior Choir and Trillium Orchestra.
Thank you to our talented and dedicated music teachers Ms Tamburro and Ms Papamihelakis for their hard work putting together this concert. Thank you to the SPA for the festive decorations, and to Live City for editing the concert video. And of course, thank you to all Study students for your enthusiastic participation! | music_and_dance |
http://thestandbystudios.com/ | 2017-04-27T12:57:03 | s3://commoncrawl/crawl-data/CC-MAIN-2017-17/segments/1492917122167.63/warc/CC-MAIN-20170423031202-00256-ip-10-145-167-34.ec2.internal.warc.gz | 0.949386 | 174 | CC-MAIN-2017-17 | webtext-fineweb__CC-MAIN-2017-17__0__132527157 | en | Standby Studios provides multiple services for all your recording needs. We are a nationally accredited, full production facility with a history of excellence in recording on the local and national level. We specialize in:
Standby Studios has one of the most talented staffs on the market today. Headed by musician and master engineer Don DiBiase, Standby Studios is operated by musicians for musicians.
Standby Studios not only features the best technical excellence, but an environment designed to be comfortable and, therefore, creative and productive. We ave a very comfortable, laid back studio atmosphere. Our sound room is professionally designed to capture the optimum sound responses. We also feature state-of-the-art equipment to ensure the best sound recording experience you can capture. In short, our environment is the best in the industry for creating the brilliant recording you are striving to capture. | music_and_dance |
http://iranchannel.org/archives/327 | 2013-06-20T09:52:26 | s3://commoncrawl/crawl-data/CC-MAIN-2013-20/segments/1368711240143/warc/CC-MAIN-20130516133400-00099-ip-10-60-113-184.ec2.internal.warc.gz | 0.970447 | 257 | CC-MAIN-2013-20 | webtext-fineweb__CC-MAIN-2013-20__0__208033336 | en | “JTM partnered with musical group Op-Critical and Persian musician and poet Shamim Azade in the video/song ‘Flowers For Your Guns,’ a song that reaches out to the Iranian police and soldiers to stop the violence against their own people,” the project says.
“We also have a current campaign called the ‘Free Iran Campaign’ where we post music videos from many Iranians and/or Persian musicians who have wrote songs in support of freedom in Iran. We hope to continues this and many other campaigns, using our website, Twitter, and our videos on our YouTube Channel, to continue this work to help bring about peaceful change in Iran,” according to the group.
Some of the Iranian bands play in the United States, with the duo Kiosk playing at the US Capitol (pictured).
“The musicians and artists from Iran are speaking the voices of the people despite attacks and imprisonment of them by the authorities. We want to make sure that these voices are heard loud and clear, far and wide. Therefore, we are launching our new Protest Music From Iran Campaign asking Iranian musicians of all genres to send us videos and MP3s of their protest songs to [email protected].” | music_and_dance |
https://toniosagan.com/rise-this-song-is-sick-premiere/ | 2024-03-03T05:30:43 | s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947476205.65/warc/CC-MAIN-20240303043351-20240303073351-00064.warc.gz | 0.944989 | 122 | CC-MAIN-2024-10 | webtext-fineweb__CC-MAIN-2024-10__0__64730096 | en | “Rise”, featuring Moon Hooch, premiered today on ThisSongIsSick.com and is the newest single off of the upcoming album In The Garden by Tonio Sagan.
Moon Hooch comprises of Michael Wilbur and Wenzel McGowan on saxophone and James Muschler on drums. The trio have collaborated with Tonio in the past; Wilbur is also featured on the track “The Future”, which released in March. Both tracks are available for streaming on all major platforms.
In The Garden is slated for a Summer 2019 release. Stay tuned! | music_and_dance |
http://www.ewestminster.org/category/microphones/ | 2017-02-27T22:38:31 | s3://commoncrawl/crawl-data/CC-MAIN-2017-09/segments/1487501173866.98/warc/CC-MAIN-20170219104613-00102-ip-10-171-10-108.ec2.internal.warc.gz | 0.955868 | 640 | CC-MAIN-2017-09 | webtext-fineweb__CC-MAIN-2017-09__0__265233720 | en | For a newbie, it is difficult to navigate the world of sound without losing track somewhere along the line. It takes a lot of trying and testing to get the combination of sound, vibrations, and acoustics right before being able to put a recording out. If there is even one thing off the mark, then, the entire process of recording a vocal/instrument goes to waste. There are so many nuances that a bad microphone could do more harm than good.
When buying a microphone for vocal recording, resort to expert reviews. This is the best way to ensure that your vocals are as stand out as someone else’s. (Experts agree) best microphone for vocals is one that is able to best capture your sound. Each person’s voice is distinctive and has its own vibrations, in order for these acoustics to be best captured and recorded, the equipment must be right. This is where expert opinions come into play. It is best if you ensure that you know exactly why you need the mic for – male or female voices, the kind of register those voices are singing in, do you need it to record instrumentals as well? – once that is clear then the choices are filtered immediately.
Take, for instance, the Sennheiser e935 – even though this is not a studio mic, this is one that is best suited for a live show. The mic is a dynamic cardioid mic offering a smooth and natural sound. The transient response ensures that not a single sound is missed out and everything sung reaches the throng of screaming fans out there! The mic is made entirely of metal, so this is one for the road – it’s tough and can handle any amount of roughhousing. It doesn’t have a very high sensitivity to impact so even if you’re holding the mic while executing a big dance move, nothing will happen. Pick the SEnnheiser e935 if you have a tour coming up!
Another mic worth looking out for is the Audio Technica AT2020. This is a well-made mic that gives good sound despite the fact that it doesn’t adapt any of the features which are considered standard specs. The Audio Technica at2020 best review!! is this – this mic delivers superb sound and very professional sounds in any home studio environment. Anything more would be overselling the product.
Another great recording mic is the Blue Yeti microphone. The mic has extra recording modes in-built which means more options and a more full-range of sound. As a USB microphone it packs quite a lot of features which means it is perfect for artistes on the go. This can only mean good things for those who want to invest in this mic. Experts call it “sonically flexible” since it has many recording modes and delivers very good sounds on all modes. These multi-recording modes ensure that all nuances are captured effectively.
What’s important when using a microphone is the sound. Nothing else matters. It’s important to note all the features and also analyse your requirements before spending money hiring or buying a microphone. | music_and_dance |
https://polazen.com/kiefer-sutherland-country-music-man/ | 2024-03-04T09:34:44 | s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947476432.11/warc/CC-MAIN-20240304065639-20240304095639-00119.warc.gz | 0.98771 | 223 | CC-MAIN-2024-10 | webtext-fineweb__CC-MAIN-2024-10__0__100646159 | en | After Tennessee we drove into North Carolina and stayed in Asheville — a vibrant, hispter, farm-to-table, organic, liberal and beautiful city surrounded by gorgeous nature I fell in love with. If I ever have a chance (and this is me calling out to the universe) I would move there in a heartbeat. We heard about the “Orange Peel”, a famous music venue that has hosted amazing artists and was named one of the top 5 music venues in America.
As luck would have it, the musician playing on the only night we could go was Kiefer Sutherland who, turns out, is now a musician playing country music and kicked off his first tour a week before. He was so humble and thankful and vulnerable that I almost don’t mind that his music, in my opinion, was not that memorable. It’s very brave to come out after years of speaking other people’s scripted texts and sing his own. I will say that he owned the stage like a master and his crazy strong presence is undeniable. Plus, he wore a cowboy hat. | music_and_dance |
https://www.frank-andersen.com/eva-kloborg.aspx | 2024-04-23T06:48:25 | s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296818468.34/warc/CC-MAIN-20240423064231-20240423094231-00639.warc.gz | 0.930577 | 563 | CC-MAIN-2024-18 | webtext-fineweb__CC-MAIN-2024-18__0__77269462 | en | - Principal Character Dancer
- Ballet Master and Bournonville Teacher
- Knight of the 1st Degree of the Danish Dannebrog Order
Please see pictures below
Eva Kloborg is educated at the Ballet School of the Royal Theatre. Eva Kloborg became an apprentice in 1964 and in 1966 a dancer of the Royal Danish Ballet, where she was appointed Character Dancer in 1992.
In 2016 she celebrated her 50th Anniversary as a dancer with the Royal Danish Ballet. Today she is a Principal Character Artist with the Royal Danish Ballet.
Performances at the Royal Danish Theatre
Eva Kloborg has danced a large number of roles with the Royal Danish Ballet since her debut as Calliope in Apollon Musagetes in 1966. Among others Chopiniana, Opus 1, Aureole, Moors Pavane, Andrea and Louise in The King’s Volunteers on Amager, Elisa and Victorine The Conservatory, Pas de Deux from Flowerfestival in Genzano, Teresina in Napoli, Effy in La Sylphide and Lady Capulet in Romeo and Juliet.
As a character dancer she has also performed:
Madge and Anna in La Sylphide,The Queen in Swan Lake, The Queen and Carabosse in Sleeping Beauty, The Stepmother in Cinderella, Madame Larina in Onegin, Mrs. Christine and Muri in A Folktale, Veronica in Napoli, The Pianist in The Lesson, Bertha in Giselle.
Teaching and directing
From 1995 - 1999 she was Ballet Mistress and teacher for the Royal Swedish Ballet. From 1990 - 2008 she was a full time Ballet Mistress and a teacher at the Royal Danish Ballet School as well as the Royal Danish Ballet in the Bournonville repertoire.
She has also been teaching the Bournonville Classes as guest teacher with Alicia Alonso and the National Ballet of Cuba, at the Stanislawskij Theatre Ballet in Moscow, at the Vietnam National Ballet in Hanoi.
Beside of that she is a permanent Guestteacher with the INOUE Ballet in Tokyo, with the National Ballet of China in Beijing and with Nina Ananiashvili and the State Ballet of Georgia in Tbilisi.
She is also co-producing August Bournonvilles ballets around the world with Frank Andersen. Cities include Florence, Havana, Tallinn, Beijing, Tokyo, Prague, Shenyang, Moscow, Ljubljana, Portland, Hanoi, Havana, Stockholm, Wellington, Helsinki, Tbilisi, Montevideo, Vancouver and Lisbon. | music_and_dance |
http://greatamericansongbook.weebly.com/ | 2017-02-19T11:43:01 | s3://commoncrawl/crawl-data/CC-MAIN-2017-09/segments/1487501169769.33/warc/CC-MAIN-20170219104609-00364-ip-10-171-10-108.ec2.internal.warc.gz | 0.902552 | 211 | CC-MAIN-2017-09 | webtext-fineweb__CC-MAIN-2017-09__0__51444068 | en | Great American Songbook showcases the very best of popular song from Stephen Foster to the end of the 1950s. It includes recordings which range from the 1920s to the 21st century. The great singers like Frank Sinatra,Ella Fitzgerald,Bing Crosby,Al Jolson,Judy Garland,Tony Bennett,Fred Astaire,Perry Como,Sarah Vaughan,Doris Day,Peggy Lee,Nat King Cole,Barbra Streisand and big bands performing timeless standards by Irving Berlin,Cole Porter,George and Ira Gershwin,Jerome Kern,Richard Rodgers,Lorenz Hart,Oscar Hammerstein,Harold Arlen,Johnny Mercer,Gus Kahn,Vincent Youmans and many others. It also includes the very best of Hollywood and Broadway from the golden age of Tin Pan Alley including original cast recordings from the 20s to the 50s. New interpretations of standards aren't forgotten so you'll also hear the likes of Rod Stewart, Michael Buble and Harry Connick Jnr. | music_and_dance |
https://www.localpassportfamily.com/2020/05/tips-for-preparing-kids-to-play-an-instrument-violin-for-kids.html | 2023-12-06T14:31:39 | s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100599.20/warc/CC-MAIN-20231206130723-20231206160723-00464.warc.gz | 0.949976 | 1,919 | CC-MAIN-2023-50 | webtext-fineweb__CC-MAIN-2023-50__0__275779616 | en | Are you considering the violin for kids but are unsure of what to do before starting? Here are 10 tips from a seasoned violinist and teacher to help prepare your young child to play an instrument before they even start lessons.
As a violin teacher, friends and family often ask me what the best age is to start violin for kids. The truth is, there’s no one perfect answer, but there are a few criteria I use when evaluating whether a child is ready.
When I Started Playing and Teaching the Violin
I personally started playing the violin when I was 5 years old. While my uncle plays Indian-style violin, neither of my parents are instrumentalists, nor did they know anything about childhood violin-playing. So while they encouraged daily practice, the burden of that practice and figuring out how and what to do fell largely on me.
I began teaching students when I was in my late teens, after I was sufficiently accomplished as a player myself that I felt “legit” enough to train someone else. In truth, an excellent instrumentalist isn’t necessarily an excellent teacher, and vice versa. Still, that was the point at which I felt comfortable teaching violin for kids. I had also done a decent amount of babysitting and such by that point, so I felt comfortable around children in general.
Some are Prepared to Play the Violin for Kids
Over that time, I’ve noticed some children are ready to dive and and start learning right away. Others struggle to get started, and it can be a frustrating few months of acclimating to daily practice and other musicianship skills.
I’ve found that doing certain things before starting to actually play the instrument can be really helpful as kids prepare to play. These are all things parents can do with even very young children for months or even years before they start their instrument that will make the transition smooth and fun.
Tips for Starting to Play Any Instruments for Kids
After nearly 20 years of playing, here are some tips for preparing for the violin for kids. While my experience is as a violin teacher, almost all of these tips apply to children considering any instrument. They’re also great general skills for families who just want their kids to appreciate music!
I hope these tips are helpful to your families!
This post about the violin for kids contains affiliate links, but all opinions are 100% my own. That means I earn a small commission if you purchase through my link, but doesn’t change your price.
10 Tips for Preparing Kids to Play an Instrument:
Tips for Violin for Kids
Include Music in Your Daily Lives
Long before a child begins playing an instrument, music should be a familiar and enjoyable activity. When it comes to violin for kids (especially young children), it’s very common for teachers to use either a Suzuki method or modified Suzuki method. That means they’ll rely heavily on ear training and playing based on listening (instead of reading music at the beginning).
Because of this, it’s especially helpful if your child is familiar with basic concepts of pitch (how high or low a note is) and rhythm (beat). This can be as simple as singing nursery rhymes together, or even just listening to songs you like on the radio.
Play Music YOU Enjoy
On that note, children don’t necessarily need to listen to kid songs. The best music to play for them is music YOU enjoy, because that means it will happen more regularly. It also means it will feel more enjoyable to you, and your children will sense that.
The worst thing is feeling like you MUST play certain children’s nursery songs and feeling bored by them. Chances are, your children will catch onto that. Most all music has both pitch and rhythm, so don’t worry so much about the genre.
Let Them Encounter Instruments
Many orchestras do things like “instrument petting zoos,” where kids can go and hear a little concert, then go and touch and feel the instruments. It’s a great way to encourage interest and exploration.
If you’re committed to the violin for kids, I highly recommend getting an inexpensive student violin (these are the student violins my children use in the beginning) even before you start lessons so your child can learn to gently touch it and look at it. It’s very motivating to see an actual, real-life instrument!
Does this seem like an odd tip? Many children’s books incorporate rhymes and meter, which is great for establishing beat and pattern in young minds. Even the ones that don’t have rhyming passage often still have a melodic flow to them. Plus, when you read aloud, you can add in emotion and intonation. Your children will pick up on those cues, and will be prepared to hear differences in pitch.
Also, books are great for connection and also for increasing attention span gradually. More on that below!
Here are some of our favorite books about the world, as well as some of our favorite children’s books about art!
Be Active with Rhythm
Young children often learn best when using their gross motor skills. They need to run and flip and jump and hop. Why not incorporate rhythm into that? Count while doing hopscotch or jump rope, or make up rhymes to go along with rhythms. DANCE. Allow them to move to music!
Practice Following Directions and Doing Hard Things
The violin for kids is a fairly exact discipline. Especially in the beginning, there isn’t tons of latitude for how to hold the instrument or what to start playing. They’ll gain more flexibility as they develop the skills to exercise it, but the beginning months tend to be fairly regimented.
Because of that, I always recommend that children are able to follow simple two-to-three-step directions prior to starting a string instrument. It will be a lot less frustrating for both the child and the parent helping with practice if your child already has built the capacity to follow through on directions.
On that note, following directions can sometimes be hard for young children. That’s okay. Keep trying. Allow them the chance to work at harder things. Give them the chance to PRACTICE a skill. Learning music is hard, and practice is a difficult part of that. It’s sometimes frustrating! Allowing them to develop grit and persistence before starting music lessons will help them persevere through those challenges.
When children have already had experience with practice (even if it’s just practicing listening to a book, or practicing singing the ABCs), they get familiar and comfortable with that daily ritual.
Let Kids Make Noise
I know, it’s so annoying. But all those super annoying noisy toys? Can actually be really helpful. I don’t mean the even-more-annoying battery-operated things. I mean things like maracas, egg shakers, xylophones, or even a metal bowl and spoon to use as a drum. Allowing kids to see cause and effect in noisemaking is a vital pre-music skill in preparing for violin for kids.
Develop Attention Span
Contrary to what some teachers say, I do NOT believe a child needs to be ready to sit still for 30 minutes before starting an instrument. Young kids shouldn’t really have a full 30-minute lesson that involves complete focus, anyway.
They should, however, be ready to listen and stay focused for at least 5-10 minutes.Longer attention spans will come with practice, but it’s useful to have a baseline when starting out. Think of it as whether your child can sit through a medium-length picture book or two without getting distracted.
Here are some really fun fiction picture book titles!
Work on Fine Motor Skills
While kids don’t need to have perfect fine motor skills before starting string instruments for kids (that will develop with practice), again, it’s useful to have some control before starting.
For instance, while your child doesn’t need to know how to write every letter of the alphabet, consider practicing holding a pencil properly or cutting with scissors. Try to work on skills with both hands, as each will be involved when playing the violin for kids.
Here are some great fine motor skills activities!
Learn to Love Music
More important than anything else, help your child learn to love music. Have dance parties. Play a variety of music and help them discern what they like (and then have fun blasting it in the car). Watch Youtube videos of various performers. Keep it enjoyable, and they’ll feel enthusiastic about the process once you do start.
Do you have questions? What tips do you have for helping prepare kids to play the violin?
IF YOU LIKED THIS POST ABOUT THE VIOLIN FOR KIDS, YOU MIGHT LIKE THESE POSTS TOO:
- 26 Books to Prepare for a Trip to San Francisco
- 20 Best Educational Activity Books for Kids
- 12 Amazing Fiction Travel Books for Kids
DON’T NEED THESE TIPS FOR PREPARING KIDS TO PLAY AN INSTRUMENT QUITE YET? PIN THIS POST FOR LATER! | music_and_dance |
http://torontopolice.on.ca/newsreleases/38240 | 2017-07-23T14:36:53 | s3://commoncrawl/crawl-data/CC-MAIN-2017-30/segments/1500549424564.72/warc/CC-MAIN-20170723142634-20170723162634-00235.warc.gz | 0.924536 | 254 | CC-MAIN-2017-30 | webtext-fineweb__CC-MAIN-2017-30__0__39052918 | en | Thursday, July 13, 2017, 11 a.m.,
Headquarters, 40 College Street,
TPS hosts Bahamas National Children's Choir
Broadcast time: 04:59
Thursday, July 13, 2017
Divisional Policing Support Unit
The Toronto Police Service will be hosting the Bahamas National Children's Choir.
The choir, consisting of 33 children, ranging from seven to 16, will be performing throughout Canada.
On Thursday, July 13, 2017, at 11 a.m., in front of headquarters, 40 College Street, they will perform. It is a pleasure for the Toronto Police Service to host this event for the City of Toronto.
The purpose of the choir is to enable children to identify with their culture, cultivate their talents and provide opportunities for their individual development.
The Bahamas National Children's Choir has represented the Bahamas at numerous festivals and international choral competitions .
The Bahamas National Children's Choir continues to mould young lives by instilling positive values, excellence in choral artistry and the promotion of Bahamian culture.
For more news, visit TPSnews.ca.
Constable Caroline de Kloet, Corporate Communications, for Constable Isabelle Cotton, Divisional Policing Support Unit | music_and_dance |
https://storyarchaeology.com/a-conversation-with-professor-benjamin-dwyer/ | 2024-02-24T07:03:43 | s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947474523.8/warc/CC-MAIN-20240224044749-20240224074749-00895.warc.gz | 0.921588 | 173 | CC-MAIN-2024-10 | webtext-fineweb__CC-MAIN-2024-10__0__104224956 | en | Join Chris as she shares a conversation with Professor Benjamin Dwyer. Ben is a prolific Irish performer and composer as well as an educator. He is currently Professor of Music at Middlesex University. SacrumProfanum is Ben’s thought provoking musical exploration of the enigmatic Sheela-na-gigs as watchers and witnesses of a thousand years of Irish history.
Opening music for this episode: Lamentum from SacrumProfanum by kind permision of Benjamin Dwyer. Late medieval harp played by Siobhán Armstrong
External Links for this episode
Listen to SacrumProfanum
Ben’s paper: Sheela-na-gigs and an ‘Aesthetics of Damage’
Local Links for this episode
Chris’ ramble 4: Walking with Sheela-na-gigs | music_and_dance |
https://www.clinganguitars.com/en-us/products/clingan-moderne-dark-pelham-blue | 2023-10-02T17:57:50 | s3://commoncrawl/crawl-data/CC-MAIN-2023-40/segments/1695233511002.91/warc/CC-MAIN-20231002164819-20231002194819-00877.warc.gz | 0.864256 | 558 | CC-MAIN-2023-40 | webtext-fineweb__CC-MAIN-2023-40__0__143602643 | en | Elevate your musical journey with the hand-crafted Clingan Moderne, an exquisite blend of timeless design, unparalleled craftsmanship, and sonic brilliance.
A re-imagining of the mythical creation from the late-50’s as if they continued into the 60’s. The combination of lightweight mahogany, a ’59 spec neck, open book headstock, and a Pelham Blue finish set this Moderne apart from any other Moderne created.
Carved in our Collingwood workshop from a one-piece Honduran mahogany body, the guitar promises a warm, balanced tone with remarkable sustain. Paired with a Honduran mahogany neck, rosewood fretboard, and an ebony headstock plate, you're guaranteed a playing experience that feels as luxurious as it looks.
This Clingan Moderne guitar is a testament to the passion and dedication of its craftsmen. From the selection of premium woods to the winding of the pickups, no detail is overlooked.
Step into a world of musical elegance, where every strum, every note, and every chord resonates with emotion and precision. The Clingan Moderne in Pelham Blue is more than just an instrument; it's a timeless piece of art.
Finish: Nitrocellulose Dark Pelham Blue
Body Material: One-piece Mahogany
Neck Material: Mahogany
Neck Profile: C shape
Neck Thickness: 1st - .87”(22.2mm) & 12th - .97”(25.2mm)
Fingerboard Radius: 12.00"
Nut Width: 1-11/16” (42.5mm)
Scale Length: 24 9/16”
Neck Details: One-piece mahogany neck with a rosewood fingerboard and clay dot inlays. Dunlop 6105 Fretwire
Electronics: Clingan PAF spec humbuckers, CTS pots and Switchcraft switch and jack, Vintage .022 capacitor, VOL/VOL/TONE configuration.
Pickup Measurements: Bridge: 8.79kΩ Neck: 8.41kΩ
Hardware: Gotoh tuners, bone nut, Gotoh bridge and tail-piece.
Weight: 3.25kg (7 lbs 2 oz)
Case Details: Rectangle Hard Case with custom foam insert
Any questions, don't hesitate to ask
Located at Clingan Guitar Tone, 34 Sackville Street, Collingwood, Australia. Available for viewing and playing anytime. We ship all around the world, so feel free to ask for an accurate shipping quote. | music_and_dance |
https://www.sewainternational.org.au/nepal-earthquake-page/ | 2022-12-02T04:13:21 | s3://commoncrawl/crawl-data/CC-MAIN-2022-49/segments/1669446710890.97/warc/CC-MAIN-20221202014312-20221202044312-00487.warc.gz | 0.958564 | 188 | CC-MAIN-2022-49 | webtext-fineweb__CC-MAIN-2022-49__0__208250948 | en | Cultural Evening to fund Nepal Earthquake Relief Operations
Cultural Event to support donations for Nepal Earthquake
Raised $40,000+ Funds for the relief of the victims of the devastation
Sewa International team members of Sydney and Brisbane organised a cultural evening event to collect funds for the Nepal Flood victims aid in Blacktown as well as in Indooroopilly.
The event was welcomed and supported by the local residents and was a grand success program. This demonstrated the concern for the wellbeing of people across borders, and the eagerness to support a noble cause.
In order to support this noble cause, many local artists performed various dance compositions as well as sing karaoke songs. Local artists came forward and created amazing artworks live on stage which was auctioned where the proceeds were donated for the cause.
Thank you all, for participating in this event and making it a grand success! | music_and_dance |
https://maranathachristian.ca/mca-community/music/ | 2020-06-02T00:07:24 | s3://commoncrawl/crawl-data/CC-MAIN-2020-24/segments/1590347419639.53/warc/CC-MAIN-20200601211310-20200602001310-00391.warc.gz | 0.964158 | 112 | CC-MAIN-2020-24 | webtext-fineweb__CC-MAIN-2020-24__0__193938110 | en | Music At Maranatha
Yes, Maranatha has a fantastic Music program! Students begin their formal music education in Grade one. Every student in Grades one through eight takes Music as part of their curriculum. In high school, students have the option to take concert band from Grades nine through twelve. There is also an extracurricular high school choir. A new grade 11 Music course offered this year focuses on Performance and Production, using various instruments and voices. Students have regular opportunities to learn about leading worship in high school chapel and other venues. | music_and_dance |
https://ctn.frompagalworlddnssec.pw/music-theory-exercises-pdf.html | 2021-10-17T19:00:48 | s3://commoncrawl/crawl-data/CC-MAIN-2021-43/segments/1634323585181.6/warc/CC-MAIN-20211017175237-20211017205237-00635.warc.gz | 0.892922 | 2,871 | CC-MAIN-2021-43 | webtext-fineweb__CC-MAIN-2021-43__0__290057144 | en | The definitive handbook for the effective use of theory worksheets—with engaging companion activities and over 50 free printables that make learning theory fun. Scroll down to read the Ultimate Guide. Apply the active learning ideas. Double the effectiveness of each printable by utilizing the fun companion activities described below. The ability to quickly identify notes is critical for playing music and is a foundational skill for all future music theory studies.
But learning the note names can take a long time—students are essentially learning a new language. In each lesson, dedicate time for learning note names and consider sending home assignments. This increases their satisfaction with your instruction and boosts their confidence.Miroir activation code hack
Read on for fun free music theory printables and ideas for applied learning activities that teach note identification. Spot the Note is a favorite printable because there are a ton of activities you can do with just this one sheet. Here are three fun ideas to get the cogs turning in your creative teacher brain! The first activity is to simply print it out and have your students write the name of each note inside the colored circle. Use the printable to play a game. Call out a note name and ask your students to place a candy over the correct note.
At the end of the game, students get to eat all the candies. This game works well both as a group game or in a private lesson. You can also use this printout to give kids extra practice with the stem rules. Hand them the worksheet and ask them to add stems to all the notes.
Turn it into a fun manipulative exercise by giving your students yarn or pretzel sticks that they can use to add the stems. Group classes optimize your studio and give your students a fun and motivating learning environment. Click here to sign up for my newsletter and get your 2 free group lesson games. I designed Bubble Notes with new beginners in mind. This worksheet only has treble notes middle C through G and the top notes of the bass staffwhich are typically the first notes a beginner pianist learns in her method books.
Remember that it is important to give your music students many frequent opportunities to practice note names. Practice note identification at every lesson with new beginners. If you have any students who are far along, but seem to struggle with some notes, I encourage you to pause and make time for reviewing note names.Welcome to free printable music theory worksheets for music students.Philips piic ix issues
Music theory is the study of the language and notation of music. It is important for music students to study music theory because it identifies the composer's techniques in structure, rhythm, harmony, texture, and many other elements of music.
It allows one to become a more well-rounded and comprehensive musician. Over time, we hope to add worksheets that teach music concepts, music speed tests, and homework assignments for music students. These worksheets can be used in private music lessons, classrooms, group lessons, or for self-learners. The handouts can also be used to reiterate music theory concepts learned during lessons, assigned as homework, or serve as practice tests when preparing for state music exams.
You will need Adobe Reader to view these files. Download Adobe Reader. Worksheets Self-Study Worksheets Page 1. Self-Study Worksheets Page 2. Self-Study Worksheets Page 3. Worksheets for the Young Child.
Music Theory Worksheets PDF
Music Speed Tests. Business Forms. Music Books. Main Navigation Bar. Want Updates? Subscribe to our mailing list. Visit More. More Theory Worksheets. Interval Speed Test. Note Speed Test A - Note Speed Test B - Print them out and get studying instantly. Our music theory practice worksheets go in depth into every topic that you need to know about for the ABRSM music theory syllabus. Each graded pack takes you through hundreds of example test questions so that you, your child or students can practice all the ideas and techniques needed for that grade.
We currently have five general exercises packs covering the ABRSM syllabus for grades 1, 2, 3, 4 and 5 starting with the very basics of grade one with worksheets on note naming, key signatures and basic rhythms all the way to grade five with irregular time signatures, the tenor clef and transposing melodies.
No need to purchase the answers separately. Just print out or open up the answer sheets on a phone or tablet and see how we would have answered the questions. Our lower grade worksheets tend to be used in kindergarten and elementary schools and higher grades tend to be used in middle and high schools too. Our worksheets have been download by thousands of students, parents and teachers in over 60 countries all over the world. All of our theory practice worksheets are available instantly on purchase.LISZT EXERCISE (1/2): "Scales in Chords" Tutorial
If you have any further questions about any of resources feel free to get in touch. Perfect for beginners, kids and those just starting out with learning about theory.
Read more about our grade 1 worksheets pack. You have over exercises to complete plus all the model answers are included.Vagaro integrations
Read more about our grade 2 pdf worksheets. Read more about our grade 3 theory worksheets pack. Read more about our grade 4 pack of worksheets. Read more about our grade 5 music worksheets. Read more about our theory worksheets bundle. For more information head over to their website. Who Made These Exercise Packs? Ginger - Teacher, India. Dan has done a great job breaking the graded syllabi down into concepts and creating worksheets to help master those concepts.This site is written by.
Victoria Williams. Learn more Join over 19, others and become a member of MyMusicTheory. See all Video Courses.
Get some help! Name these chords using the Roman numeral plus a letter to show the inversion. The first one has been done as an example. Write one note between the given notes, to complete the following chords. Video Courses by MyMusicTheory. Grade 6 Course. Introduction to Harmony A2. Triads and Chords A2.Suriye arap porno
Triads and Chords Exercises A3. Inversions A3. Inversions Exercises A4. Chord Progressions A4. Chord Progressions Exercises A5.
Melodic Decoration A5. Melodic Decoration Exercises A6. Harmonizing a Melody I A7. Harmonising a Melody Exercises A8. Figured Bass an Introduction A8.Home Copyright Contact. Recorder Songs. A set of 12 worksheets. Students learn to trace, copy, colour and draw symbols, notes and rests commonly used in music.
Practice in copying them onto their positions on the staff is provided in large, medium and smaller sizes. A set of 12 worksheets identical to those in the set above but using the words 'whole note' 'half note' 'quarter note' etc.
Teaches students to identify and draw notes in their proper positions on the staff and to learn their names and values by means of crossword puzzle, maze, tracing and other varied and interesting activities. Contains wordsearches, crosswords, quizzes, tracing, copying and other activities to teach students to identify and draw clefs, notes, rests and other music symbols in common use.
Contains puzzles, matching games, crosswords, word transfers and hidden stories to help teach students to identify the notes on the treble and bass staves. Students can trace, copy, colour in and fill in missing notes and letter names to teach just five notes up and five notes down from middle C. Suitable for younger keyboard students. A set of 10 worksheets. Students can add bar lines, trace, copy, colour in and fill in missing notes and rests to learn the shapes and values of crotchets, minims and semibreves and their rests.
For young music students. A collection of activities including matching games, crosswords, word transfers and hidden stories to help teach all the notes on the treble stave. A collection of fun activities including matching games, crosswords, word transfers and hidden stories to help teach the names of notes using the alto or C clef.
A collection of fun activities including matching games, crosswords, word transfers and hidden stories to help teach the names of notes using the bass clef. A set of 24 worksheets. Activities include quizzes, wordsearches, crossword puzzles, jumbled letters and more to help students learn about the instruments of the orchestra. A set of 8 worksheets.
Recorder Fingering Worksheets A set of twelve worksheets of varying levels of difficulty to help students understand basic recorder fingering. A set of 5 worksheets, A4 size, containing basic information about the treble clef, bass clef, alto clef, tenor clef and neutral percussion clef. Click here for the same set on Letter Size. Stories, comprehension exercises, 'true or false' exercises, time-line and other activities to teach about the lives and works of JS Bach, George Handel and Henry Purcell.
Various activities to help reinforce the learning of basic time signatures.You'll see a staff with notes sliding from right to left. Wait until each note "hops" into place on the left, then identify that note by clicking the correct button at the bottom.
If you get it right, the note will disappear and you can get ready for the next note.O level islamiat notes life in makkah
If you were wrong the drill will "shake", and you can try again if you're quick. In this exercise, you will see a rhythm on the staff. Click the drum pad or press the spacebar on your keyboard to tap out the rhythm along with the metronome. Clef: Treble Key Signature Identification In this exercise, you'll see a staff with a key signature on it. Identify the name of the key signature.
Clef: Grand staff Guitar Frets Identify the notes on the staff by clicking the proper fret on the guitar fretboard pictured on the screen.
Note: Music for the guitar is written one octave higher than pitch actually played because the guitar is a transposing instrument. These exercises will improve your musical ability by developing a more intuitive understanding of what you hear.
These exercises will improve your understanding of music concepts and your speed at interpreting from the staff. Toggle navigation. Home Practice Exercises. In this exercise, you'll see a staff with a note on it. Identify the note by clicking the correct button at the bottom. Grand staff Treble Bass Alto viola. Soprano Mezzo-Soprano Tenor. Interval Building. In this exercise, you'll see a staff with one note and the name of an interval. Add in the second note to make the interval by clicking on the note button, then clicking on the staff.
Treble Bass Alto viola.Our exercises are provided online for free. If they help you, please purchase our apps to support the site. Tenuto for iOS Enhanced offline versions of our exercises and calculators.
Grade 3 Music Theory Worksheets
Learn more Buy. Note Identification Identify the displayed note.
Key Signature Identification Identify the displayed key signature. Interval Identification Identify the displayed interval. Scale Identification Identify the displayed scale.
Chord Identification Identify the displayed chord. Note Construction Construct the requested note. Key Signature Construction Construct the requested key signature. Interval Construction Construct the requested interval.
Scale Construction Construct the requested scale. Chord Construction Construct the requested chord. Keyboard Note Identification Identify the highlighted piano key. Keyboard Reverse Identification Identify the note by pressing a piano key.
Keyboard Interval Identification Identify the interval of the highlighted piano keys. Keyboard Scale Identification Identify the scale of the highlighted piano keys. Keyboard Chord Identification Identify the chord of the highlighted piano keys. Fretboard Note Identification Identify the note of the marked fretboard position. Fretboard Interval Identification Identify the interval of the marked fretboard positions. Fretboard Scale Identification Identify the scale of the marked fretboard positions.
Fretboard Chord Identification Identify the chord of the marked fretboard positions. Keyboard Ear Training Listen and press the piano key of the played note. Note Ear Training Listen and identify the played note. Interval Ear Training Listen and identify the played interval. Scale Ear Training Listen and identify the played scale. Chord Ear Training Listen and identify the played chord. Exercise Customizer Create a permanent link to a customized exercise. Code Checker Validate an exercise verification code.
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http://1674685.gzldl.com/666.html | 2021-11-30T20:27:53 | s3://commoncrawl/crawl-data/CC-MAIN-2021-49/segments/1637964359073.63/warc/CC-MAIN-20211130201935-20211130231935-00044.warc.gz | 0.935091 | 291 | CC-MAIN-2021-49 | webtext-fineweb__CC-MAIN-2021-49__0__136565171 | en | Welcome to Ponce De Leon Music Center where we are "Everything in Music." We carry a full line of musical instruments from guitars to drums to PA equipment to band instruments and have instruments suitable for beginners all the way up to professionals at the most affordable price. We also offer repairs on all instruments on-site, and offer in-house instruction from professional, local musicians. Check out our Event page for any upcoming performance opportunities and local happenings throughout our community.
Ponce De Leon Music Center is a family owned and operated business, serving the metro Atlanta area for over 50 years. For over four generations, Ponce De Leon Music Center has carried a unique history, first inside the perimeter, now in Cumming. Learn more about the Ponce De Leon history here. We take tremendous pride in our store and our reputation for customer service. Our employees are not only owners of our business, most are professional musicians as well and commited to music education in our community.
Come by and ask us how we can help with Instrument Rentals, Repairs, Lessons, and so much more! We hope you experience the personalized attention and total dedication to customer service that you'll get at Ponce De Leon Music Center.
Stop by our store or call us at 770-889-7616 for more information.
Mon-Thurs: 10-8 | Fri: 10-6 | Sat: 10-5 | Closed Sunday | music_and_dance |
https://www.matthewandersontenor.com/about | 2024-04-24T05:38:50 | s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296819067.85/warc/CC-MAIN-20240424045636-20240424075636-00432.warc.gz | 0.906573 | 608 | CC-MAIN-2024-18 | webtext-fineweb__CC-MAIN-2024-18__0__80886448 | en | "A voice of exceptional dramatic flair and
The Cleveland Plain Dealer
An accomplished interpreter of the music of Bach, Mr. Anderson sings regularly as a soloist in Boston’s renowned Emmanuel Music Bach Cantata Series. He has been a featured soloist at the Aldeburgh, Carmel Bach, and Baldwin Wallace Bach Festivals. He has received particular acclaim for his portrayals of the Evangelists in Bach’s Passions, which he has performed throughout North America. Mr. Anderson is a prizewinner in the American Bach Society and Oratorio Society of New York Solo Competitions.
Recent performances from Mr. Anderson’s varied repertoire include the Boston premiere of Galina Grigorjeva’s On Leaving with the Boston Symphony, Handel’s Acis and Galatea (Damon) with the Mark Morris Dance Group; Scarlatti’s La Caduta de’ Decemviri with ACRONYM at the Isabella Stewart Gardner Museum; Bach’s Coffee Cantata with Boston Baroque; Mozart’s Requiem with the National Chorale at Avery Fisher Hall; Stravinsky’s Renard at Tanglewood and the Mostly Mozart Festival with the Mark Morris Dance Group; Handel’s Messiah with the Masterwork Chorus at Carnegie Hall; John Harbison’s Winter’s Tale with the Boston Modern Orchestra Project; and Britten’s Les Illuminations with The Orchestra of Indian Hill.
He has sung with conductors Masaaki Suzuki, Nicholas McGegan, Paul Goodwin, Harry Christophers, Martin Pearlman, John Harbison, Craig Smith, Julian Wachner, and Laurence Cummings and appeared as soloist with ensembles such as the Handel and Haydn Society, Boston Baroque, the Buffalo Philharmonic Orchestra, Cantata Singers, and the Handel Choir of Baltimore.
Also recognized as a gifted performer of the American songbook, Mr. Anderson recently joined Keith Lockhart and the Boston Pops for their Bernstein Centennial Tribute at Boston Symphony Hall. In previous seasons, he has appeared with the Pops in Carousel (as Mr. Snow) and in celebrations of the music of Richard Rodgers and Cole Porter.
Mr. Anderson studied Classics at Harvard and voice at the New England Conservatory. He spent two seasons as a vocal fellow at the Tanglewood Music Center and was a Lorraine Hunt Lieberson Fellow with Emmanuel Music. He also trained in the James Collier Apprentice Artist Program at Des Moines Metro Opera, the Britten-Pears Young Artist Programme, and the Cincinnati Opera Resident Ensemble. Mr. Anderson is a Kansas native and lives in Boston with his husband John and daughter Nora.
Tenor Matthew Anderson is a versatile and compelling performer of opera, oratorio, and musical theater. | music_and_dance |
https://japannews.yomiuri.co.jp/culture/manga-anime/20221212-75859/ | 2023-12-09T15:51:43 | s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100912.91/warc/CC-MAIN-20231209134916-20231209164916-00061.warc.gz | 0.954626 | 1,347 | CC-MAIN-2023-50 | webtext-fineweb__CC-MAIN-2023-50__0__217652572 | en | - MANGA & ANIME
Fellow singers support ‘Aniki’ Mizuki so show goes on
18:22 JST, December 12, 2022
Singer Ichiro Mizuki, known as the “king of anime songs,” said, “I will never retire in my lifetime,” at the concert he gave just 9 days before he died. Mishio Suzuki, the emcee of the concert, describes his passion in her latest column.
A concert titled “Mizuki Ichiro and Horie Mitsuko Futari no Anison #19” was held at the Yomiuri Otemachi Hall on Nov. 27, and I had the pleasure of moderating.
It’s a popular show that the veteran anime song singers have been doing since 2003. In past shows, Mizuki and Horie chatted, requested the other sing their rare songs, and “swapped” singing each other’s songs. Mizuki and Horie are the show’s executive producers, too, and the appeal of the show is that they carefully discuss the songs they will perform.
It’s a show about the two of them, as the title suggests, but Mizuki was at that time undergoing treatment for lung cancer and was unable to perform as he would like. For this reason, this year’s show also included three fellow singers to support him.
The show started with wheelchair-bound Mizuki and Horie reminiscing about their debuts. Looking nervous, middle-career anison (anime song) singer Takayoshi Tanimoto stood next to Mizuki and sang Mizuki’s debut song “Kimi ni Sasageru Boku no Uta” (My song dedicated to you) and his anison debut, “Genshi Shonen Ryu ga Yuku,” (Cave boy Ryu goes). The latter is the theme song of TV anime “Genshi Shonen Ryu” (“Ryu, The Cave Boy”), which aired more than 50 years ago.
Mizuki hummed along with Tanimoto before giving him a thumbs-up. Tanimoto’s show of relief drew warm applause from the audience.
Meanwhile, Horie sang “Juni-sai no Shinwa” (Mythology of a 12-year-old), which Mizuki had taught her how to sing. She also sang her own song “Ran no Uta” (The song of Ran), the closing theme of “Ryu, The Cave Boy.”
Mizuki and Horie were the singers for the opening and closing songs of the same anime. Reminiscing about working together for so long across their careers, Horie shared a story about Mizuki, who is affectionally called Aniki (Big bro) by fans and colleagues.
“At the time of recording ‘The Cave Boy’ songs, my session went smoothly, but his took so long, and Aniki still holds a grudge about this,” Horie said, as Mizuki smiled wryly.
Next, singer Hideaki Takatori came on stage to sing Mizuki’s signature song “Mazinger Z” among other tunes. Takatori, dressed in a suit, was also nervous, prompting Horie to ask, “Are you here for a wedding or something?”
Takatori said that some of anison of the Showa era (1926-1989) are difficult to sing, even though they are shorter than modern ones and may appear easy. “Aniki is amazing,” he added.
In the second half, veteran Akira Kushida took the stage and sang two ballads: “Lupin Sansei Ai no Tema” (Love theme from Lupin the Third) and “Yusha no Ken o Teni” (Brave sword in hand). He sang at the request of Mizuki who said, “I’d love to ask Kushida to sing a ballad.” Mizuki looked very happy when Kushida sang them powerfully.
Horie also sang her big hits such as the theme song from the anime “Hana no Ko Lunlun” (Lulu, the Flower Angel) and “Voltes V no Uta” (Voltes V song).
She said the show was “just like anison.” What she meant was the show exemplified the world of anison, which is about “bonding with friends,” “joining forces and moving forward” and “never giving up in hard times.”
I agree. This anison-like concert was not pulled off by the performers onstage, but also by the audience who supported Mizuki and the other singers with big, warm applause. The performers and the audience were able to share a warm and relaxing time together, despite the unconventional show.
The entire cast sang the opening song of the anime “Babil II” together to close the concert.
After the song, Mizuki said, “I will never retire in my lifetime,” and Mizuki and Horie sent the appreciative audience home by saying “I love you all!” with his signature pose depicting “Z” from Mazinger Z.
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http://jahc.org/music-fly | 2014-09-23T02:16:15 | s3://commoncrawl/crawl-data/CC-MAIN-2014-41/segments/1410657137906.42/warc/CC-MAIN-20140914011217-00341-ip-10-234-18-248.ec2.internal.warc.gz | 0.859997 | 458 | CC-MAIN-2014-41 | webtext-fineweb__CC-MAIN-2014-41__0__10298824 | en | Music on the Fly
Live Music Series at the Juneau International Airport
Sundays from 7 pm - 8 pm in the Baggage Claim area.
Mission and purpose for the project:
• To uplift and soothe travelers as they begin or end their journeys through the Juneau Airport.
• To encourage local residents to visit and enjoy the airport and its amenities as a destination in and of itself.
• To give local entertainers performance opportunities.
• To set the tone for Juneau as Alaska’s Creative Capital.
Musicians and performers who are interested in performing can SIGN UP HERE.
May 25 Julianna Bibb - original guitar, vocal & harmonica
June 1 Five o'Clock Charly - original hippy folk
June 8 Kristin Garot - violin
June 15 Musical Moments - classical flute & guitar
June 22 PFLAG Juneau Pride Chorus - women's choral music
June 29 Daughters of the New Moon - Middle Eastern Dance
July 6 Jason Caputo - folk/blues
July 13 Travis Croteau - instrumental guitar
July 20 Cindee Brown-Mills - piano
July 27 Juneau Cello Choir - cellos!
August 3 Flutatious Duet - classical flute duet
Aug 10 Juneau Jambusters - ukuleles
Aug 17 John Schumann - horn pop/classical
Aug 24 Juneau String Ensemble
Aug 31 Juneau Symphony's Capital City Quartet
Sep 7 Mark Heard
Sep 14 Juneau Wind Ensemble Players
Sep 21 Bryan Graceland
Sep 28 Jacque Farnsworth
Music on the Fly is going to happen month to month, first Sunday of the month
Oct 5 5 o'clock Charly
Nov 2 Taky Gaels
Dec 7 North Star Music Academy
Tip the performers with a donation!
And here's how they do it at other airports -
A program of the Juneau Arts & Humanities Council and the Juneau International Airport with support from:
350 Whittier St. Suite 101
Juneau, AK 99801
Phone: 907 586-ARTS (2787)
Fax: 907 586-2148 | music_and_dance |
https://www.carenwestpr.com/red-bull-culture-clash-returns/ | 2024-02-24T12:50:01 | s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947474533.12/warc/CC-MAIN-20240224112548-20240224142548-00312.warc.gz | 0.923809 | 953 | CC-MAIN-2024-10 | webtext-fineweb__CC-MAIN-2024-10__0__8895986 | en | Red Bull Culture Clash, the groundbreaking live music experience featuring four opposing crews across four stages, is thrilled to announce its return to Atlanta this November todeliver the nightlife event of the year. Set to unfold at the Gateway Center Arena on Saturday, November 4, tickets are now on sale for this spectacle that pays homage to the city’s unique tapestry of culture, color, and sound.
For one night only, four dynamic crews representing Atlanta’s hottest parties – Rum Punch Brunch, Perreo404, Bamba Tuesdays, and Mashup Sessions – will bring their fiercest competition and freshest sounds in Dancehall, Reggaeton, Amapiano, and Hip Hop to one stage. In a four-round battle, they’ll bring booming soundscapes, unreleased tracks, intense rivalry, and a thrilling lineup of special guests and surprises, all aimed at winning the crowd’s hearts and outshining their opponents. Only one winner can be crowned Red Bull Culture Clash champion and earn bragging rights as the best party crew in the A.
Additional details, including more lineup announcements, will be revealed in the coming weeks. Red Bull Culture Clash Atlanta | Crews
● Rum Punch Brunch: Coined as Atlanta’s most celebrated brunch, RPB started it all back in 2016, and has become a must-attend event for those looking for exotic eats, big beats, the best rum punch, and the coolest vibe. The crew will be joined onstage by featured DJs Tony Matterhorn and Willy Chin.
● Mashup Sessions: The open-format experience for Music Lovers, where music is remixed, flipped, and reconstructed. Delivering music that feeds the soul, Mashup Sessions is all about good drinks, good people, better vibes. The crew will be joined onstage by DJs Unruely and The Canterbury Tales.
● Bamba Tuesdays: One of the nation’s premier Amapiano events, as well as an Atlanta cultural institution, Bamba Tuesdays seamlessly blends Amapiano, Afro House, Gqom, Afro Tech, and Afro Beat. The crew will be joined onstage by DJs Kash, DangerVybz, and Polish.
● Perreo404: An all-inclusive community uplifting the Latin culture through nostalgia and sounds, featuring Reggaeton, Perreo, Latin House, and more. Que viva el perreo! The crew will be joined onstage by DJ EU and Nino Augustine.
Red Bull Culture Clash previously came to Atlanta in 2017 and 2018 and, perhaps boding well for Rum Punch Brunch, Dancehall crews won both prior years. Crew Unruly with DJs ZJ Liquid, Chromatic, Jazzy T and Jabba won in 2017, while Jamaica reggae and dancehall artist Kranium and crew Frequent Fliers took the title in 2018.“Super excited to be a part of Red Bull Culture Clash this year because I’ve been a team member a few years back with Mike WiLL (Made-It) and the Eardrummers. Now it’s time to lead the charge for my own team,” said DJ Kash of Bamba Tuesdays. “Red Bull Culture Clash is like a legit gladiator battle for DJs, producers and whatever you do creatively in the music. For me, this is super important because this lets you know where you stand as far as how to rock a crowd.”
The two prior Red Bull Culture Clashes in Atlanta also saw guest appearances from Ludacris, Mavado, Rae Sremmurd, Rico Nasty and Waka Flocka Flame, among others.
“Red Bull Culture Clash is an important event in Atlanta because it highlights all the people that are doing movements in the city of Atlanta – that are really putting on for the culture of the city and showcasing all the vibes and sounds of our cultures,” said DJ EU, who won Red Bull 3Style in Atlanta in 2013. “Red Bull Culture Clash takes me back to my Red Bull 3Style battling days, but this time it’s not one person – it’s the crew and I could not be happier to be repping the Latinos in Atlanta with my Perreo404 crew.”
In 2022, Red Bull Culture Clash made a triumphant return to the U.S., selling out venues in NYC and LA. For more information on Red Bull Culture Clash and to purchase tickets for Red Bull Culture Clash Atlanta, visit redbull.com/cultureclash. | music_and_dance |
https://www.stoodiou.com/shani-talmor | 2021-12-05T02:36:12 | s3://commoncrawl/crawl-data/CC-MAIN-2021-49/segments/1637964363134.25/warc/CC-MAIN-20211205005314-20211205035314-00544.warc.gz | 0.956752 | 450 | CC-MAIN-2021-49 | webtext-fineweb__CC-MAIN-2021-49__0__6643325 | en | Salsa / Pachanga
Shani started her way in the dance world in the age of 7 dancing jazz and ballet at "Dance Alma & Arnon" studios in Israel directed by Alma Frankfurt and Arnon Zucker. She later became a part of the Israeli Salsa Academy "Latino Del Mundo" Directed by Lior Petel and Ronen "Paco" Biran.
In 2004, Shani has been offered by the world-renowned salsa dance company
"Imperio Azteca" directed by Johnny Vazquez and Ramon Morales to move to Spain and became Johnny's permanent dance partner and the group's principal female dancer.
In 2005, the group shifted its functions and activities to Italy.
She performed most successfully with Johnny in numerous International and national salsa congresses, festivals and Latin associations throughout Europe for 3 years.
In 2007, Shani moved to NYC and became Ismael Otero, the director of "Caribbean Soul Dance Co." dance partner.
In addition, Shani has been requested by choreographer, Sekou McMiller, to join his Latin Jazz project “Proyecto Descarga” and became his principle dance partner.
In 2008, Shani founded and is the director of an All females ladies styling performance team “Shani’s Girls” which is performing most successfully in Latin events over the USA.
Shani later partnered with "The mambo king", Eddie Torres, successfully for 3.5 years to many salsa congresses and Latin events around the world.
In 2014, Shani moved to LA and singed with the talent agency "MSA" and in 2016 became a proud member of the Actor's Equity Association.
In addition, Shani performed with Pitbull, Marc Anthony, T-Pain and Ne-Yo, KatDeluna, Jennifer Lopez and Madonna!
Shani made her Broadway debut and became an ensemble dancer on the Broadway show "ON YOUR FEET" the life story of Gloria and Emilio Estefan.
Shani recently filmed the Warner brothers movie "In The Heights" - Lin Manuel Miranda. | music_and_dance |
https://www.azluau.com/about-us.html | 2023-06-10T17:51:39 | s3://commoncrawl/crawl-data/CC-MAIN-2023-23/segments/1685224657735.85/warc/CC-MAIN-20230610164417-20230610194417-00444.warc.gz | 0.944268 | 716 | CC-MAIN-2023-23 | webtext-fineweb__CC-MAIN-2023-23__0__166202791 | en | Nā Leo Kūpono Productions humbly began with kanaka maoli, Rudy Dolfo. Rudy was born and raised on the island of O'ahu, Hawai'i. Rudy had been playing music in Waikiki professionally for over 30 years before he made the move to Arizona in 2007. Rudy now leads his very talented musicians in Arizona. He himself plays guitar, bass, ‘ukulele, percussion and keyboards.
His daughter, Nālani Kaho’onei, was also born and raised on O'ahu. She began her Hula training as a child in Kailua, HI with Kumu Hula Alice Puluelo Naipo Park. Nālani, too, performed at professional shows in Waikiki. She moved to Arizona in 2006 and soon began teaching. She has nearly 30 years of Polynesian dance experience. She is the Creative Director of Nā Leo Kūpono Productions and her student group, Hālau Ho'okahi I Ka Hula. Nālani choreographs the lively dances and designs exquisite coordinating costumes. She is an international-award-winning dancer and recently took first place in her division at the 2021 ‘Ori ‘Ori Tātou E Competition. Her full bio can be found here: https://www.hulainarizona.com/bio.html
In addition to Nālani’s award, the group has won many other awards, including:
🥇1st Place 6-12 Tamaroa ‘Ōte’a Solo - Heiva I San Francisco 2021
🥉 3rd Place 10-13 Tamaroa ‘Ōte’a Solo - Hura Tahiti 2021
🥇 1st Place 13-18 Advanced Taure’a ‘Ōte’a Solo - Heiva I San Francisco 2022
🥇1st Place 6-10 Tamaroa ‘Ōte’a Solo - ‘Ori ‘Ori Tātou E 2021
🥇 1st Place 6-12 Advanced Tamaroa ‘Ōte’a Solo - Heiva I San Francisco 2022
🥇 1st Place 19-24 General Tāne ‘Ōte’a Solo - Heiva I San Francisco 2022
🥇 1st Place Group ‘Aparima
Heiva I San Francisco 2022
(Additional Award: 🏆 Editor’s Cinematic Choice)
Nā Leo Kūpono Productions performs at professional events all over the valley, from weddings and birthdays to corporate events and grand openings. Nā Leo Kūpono also performs at various Festivals, especially with Hālau Ho'okahi I Ka Hula. The most popular Festival in the valley is the Arizona Aloha Festival at Tempe Town Lake. The groups have performed at this Festival every year since 2009 and look forward to performing again in the future. Here is the Festival website if you would like more information: http://www.azalohafest.org
Our goal, at Nā Leo Kūpono Productions, is to allow others the opportunity to further appreciate the traditions of our Polynesian ancestors. We aim to perpetuate the Polynesian cultures authentically and professionally. We strive to share our love and Aloha with all. | music_and_dance |
https://www.expatinfodesk.com/moscow/communication/radio/ | 2023-06-04T01:43:48 | s3://commoncrawl/crawl-data/CC-MAIN-2023-23/segments/1685224649348.41/warc/CC-MAIN-20230603233121-20230604023121-00694.warc.gz | 0.907199 | 569 | CC-MAIN-2023-23 | webtext-fineweb__CC-MAIN-2023-23__0__230011651 | en | There are hundreds of radio stations in Moscow, including many music stations. Most of them play a heavy proportion of Russian hits, but you can find a good range of different music styles. There are no English-language radio stations broadcasting in Moscow, although you can find BBC Worldservice and other stations live on the Internet.
The following is a selection of popular Moscow radio stations to help you find your music for the road:
- 70.19 RM – Ultra: Modern rock ranging from Linkin Park to Rammstein.
- 88.3 FM – Retro Hits: A collection of golden oldies from the United States, Europe, and the Soviet Union.
- 89.1 FM – Radio Jazz: Jazz hits all day long.
- 90.8 FM – Relax: Easy listening from singers like Enya, Sting, and George Michael.
- 91.2 FM – Echo of Moscow: A news station (in Russian) that was originally founded during the Soviet Union. Attempts to shut it down in the 90s failed, and it’s now a reliable source of news to many. For the non-Russian speaking expatriate, it’s a good way to expose yourself to a constant immersion environment and hopefully pick up a few words!
- 95.2 FM – Rok na Radio: Classic rock hits from AC/DC to Iron Maiden and Metallica.
- 96.8 FM – Detskoe radio: Songs and entertainment (in Russian) for children.
- 100.9 FM – Radio Classic: Classic music by Andrea Bocelli, Yanni, Jens Gad, and more.
- 103.1 FM – Chanson: Refuses to play silly pop songs and dance music, and focuses on ballads across the genres of rock, folk, and jazz to find songs with meaningful lyrics.
- 103.4 FM – Radio Mayak: One of the oldest remaining stations, Mayak has roots in the Soviet Union and continues to be popular for its 5-minute news (in Russian) every half-hour, entertaining hosts (in Russian), and broad range of music selections.
- 103.7 FM – Maximum: Moscow’s biggest Top 20 hits radio station.
- 104.2 FM – NRJ (Energy): Top hits of energy-inspiring music from around the world.
- 105.7 FM – Russkoe radio: One of the most popular stations among people over age 30, this station plays Russian music only – generally pop songs.
- 106.2 FM – Europa Plus: A range of hit music including American, European, and Russian top hits. Everything from Beyonce to Lily Allen to Gorod 312.
- 106.8 FM: The hottest Russian and Western dance hits. | music_and_dance |
https://irepnaija234.com.ng/davido-breaks-several-african-records-on-apple-music/ | 2023-12-10T16:23:27 | s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679102612.80/warc/CC-MAIN-20231210155147-20231210185147-00270.warc.gz | 0.94203 | 321 | CC-MAIN-2023-50 | webtext-fineweb__CC-MAIN-2023-50__0__157214886 | en | The heavyweight Afrobeats is moving at a legendary pace with his new album ‘Timeless,’ shattering records upon records in the first week of Release.
Nigerian Afrobeats superstar, David Adeleke, popularly known as Davido, has broken multiple records on Apple Music.
The DMW frontline act released his highly anticipated studio album titled ‘Timeless’, on March 31st with guest appearances from the likes of Skepta, Angelique Kidjo, Asake, Musa Keys, Focalistic, FAVE, The Cavemen, Dexta Daps, & others, and he is already shattering records with the 17-track body of work.
In an update of event, Apple Music has revealed that Davido broke the first day streaming record for an African album as well as the simultaneous entry for NO. 1.
See more records that was broken by Davido below:
Davido’s ‘Timeless’ has broken the record for the biggest African album in Apple Music history by first-day streams worldwide.
He also broke the record for the most simultaneous African songs on Apple Music’s Global Daily Top 100, with nine.
‘Timeless’ reached Number Two on Apple Music’s US Albums chart, a new record for an African album
The album also broke the record for the African album with the most simultaneous Number One entries on Apple Music’s albums chart
The post Davido breaks Several African Records On Apple Music appeared first on NotjustOk. | music_and_dance |
http://sikhsangat.com/index.php?/tags/bhai%20kultar%20singh/ | 2018-03-20T00:21:15 | s3://commoncrawl/crawl-data/CC-MAIN-2018-13/segments/1521257647244.44/warc/CC-MAIN-20180319234034-20180320014034-00521.warc.gz | 0.939987 | 317 | CC-MAIN-2018-13 | webtext-fineweb__CC-MAIN-2018-13__0__217822100 | en | Search the Community
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singhbj singh posted a topic in GURBANI | SCRIPTURES | REHAT | HISTORYThere is a big difference between a musical performance and kirtan. A performance is to display how good you are at something. In kirtan you don't have to prove anything, you have to get connected. That is the puropose of kirtan; to get connected yourself, and to help others get connected as well. In a musical performance the main focus is on the notes and rhythm. In kirtan the focus is on the Shabad. The Shabad is transmitted through the kirtan. Music is the presenting tool. It is the plate that you use to serve up the Shabad. The proper way to do kirtan is to please the Guru, don't please the audience. If you please the Guru and the audience is connected to the Guru then they will be pleased. If you are trying to please the audience, you might cross the line where your Guru will get unhappy with you. Kirtan is the original form of Bani. Bani was first sung and written later on. Source - http://www.sikhnet.com/videos/difference-between-music-and-kirtan?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+SikhnetNews+(SikhNet+News) | music_and_dance |
http://www.lapsteelin.com/category/fresh-baked-thoughts/ | 2018-09-24T19:18:41 | s3://commoncrawl/crawl-data/CC-MAIN-2018-39/segments/1537267160641.81/warc/CC-MAIN-20180924185233-20180924205633-00194.warc.gz | 0.977768 | 8,818 | CC-MAIN-2018-39 | webtext-fineweb__CC-MAIN-2018-39__0__129674189 | en | I just bought an EHX 95000 multitrack looper a few weeks ago, and while I don’t utilize a lot of its functions, I just love that it’s like a multitrack recorder that is always on if I come up with a good idea or want to practice over certain changes or grooves. I typically play bass lines with the side of my pinky, so that’s where this came from. It’s got a nice growl to it. Tone is in the pinky indeed!
If you play C6 tuning with an E first string, you know how difficult it can be to play harmony in 3rds on strings 1 and 2 (E and C). This is especially true if you play a longer scale neck, like I do.
The reverse slants required to achieve a minor third interval can be daunting, cumbersome, not easily pitched, and have a distinct whine or ‘meow’, which is in essence almost like a sitar effect where a longer than necessary part of the bar is making contact with a string.
In the short video, you can hear the effectiveness of subtle string pulling to make a more seamless transition than with reverse slants on the adjacent strings 1 and 2 (E and C). This is a trick I use to get a pedal steel-esque sound sometimes when I need to. A volume pedal comes in really handy, too.
This type of exercise needs to be learned in every key using every scale. That seems like a big demand, but it really isn’t if you dedicate a few minutes per day to doing it. It becomes second nature in time.
I don’t want to get too deep into explaining the process, but do your best to make every pull sound in tune and learn to feel the difference in string tension as you move further up the neck.
This tab for the top 2 strings in C6 tuning for an F Major scale, which is what I used in the video. The ‘p’ next to a number indicates a 1/2 step pull.
Originally Posted on April 15, 2011 by Mike Neer
C6 is the perfect tuning for breadboarding, no doubt about it. For those of you who don’t know the term “breadboarding,” it has to do with electronic circuits and how experimenters will use a breadboard as a construction base to create prototypes of circuits. Simply moving wires and jumpers around with solderless connections makes the experimentation much easier. In a past life I spent a lot of time with electronics….
For purposes of this discussion, I will be referring to this version of C6, from low to hi: G A C E G A C E. If you are looking to step outside of the box a bit and play some things that are a bit out of the ordinary for steel guitar, tweaking the C6 can play an important role in helping you achieve the chord qualities you are looking for. The most obvious tweak would be tuning the lowest C (in my tuning, string 6) to C#. This gives you the C6/A7 tuning which, in my opinion is necessary for playing Jazz and even any kind of chord solo work. The importance of the dominant chord in that tuning can’t be stressed enough. Also, contained within the span of strings 4, 5 and 6 is a diminished triad. Crucial.
Another common tweak is to tune string 7 (A) up to Bb for a C13. This eliminates the root for our minor chords, which I feel is pretty important note to have for playing Jazz standards and even some Rock tunes. There are some arrangements I play, though, that are based around this tuning, particularly Mercy, Mercy, Mercy and Yellow Roses.
What if we tweak both the C string and the A string up a half step? I got this little tuning from Billy Hew Len (although he did it with the A6 tuning) and I quickly recognized it as a tuning used by the great Joaquin Murphey. Joaquin used a C6 tuning with a high G string later on, and he would also raise his C and A strings 1/2 step. A good example of this sound can be found on Spade Cooley‘s Dance-A-Rama record. You can hear an example of this tuning (my version with a high E) on this recording of Coconut Grove. It makes use of a lot of altered dominant chords.
There are other places we can tweak the tuning, too: my favorite is to re-tune string 8. I have several variations on it and all of them give me different results. The most common for me is to tune string 8 to F, especially for playing chord melodies. I approach it a little like John Scofield does when he is playing solo–he stabs at individual chord tones just to establish the harmony in the listener’s ears while he plays a melody or improvises on top of it. Sometimes that chord tone will only last for an eighth note. String 8 also serves me well for playing more modern Jazz, such as Herbie Hancock and Eddie Harris, by tuning it down to D. There I have what we call slash chords (a triad over a different bass note), particularly the 11th chord flavor, ie. C/D (C triad over D bass note). A great, nebulous sound.
There are other very useful ways of changing the value of a C6 tuning by changing 1 or 2 strings. For those of you familiar with Speedy West, he occasionally used a tuning (although on a pedal steel) which was called F#9. Essentially what it is is an E6 tuning (low to hi B C# E G# B C# E G#), with the B strings tuned down to A#. If you look at the C6 tuning that I use (with the E string on top), it is the same structure as the E6 tuning down a major third. So, in this case we simply lower our G to F# and voila!: we have D9 tuning.
I am currently beginning another book–this time on creating block chord arrangements or chord melodies. I will be using my C6 tuning for the basis of the entire book, but I will also be sharing some of my secret tweaks. I am really looking forward to the challenge of teaching this!
In the meantime, I hope you continue to explore and have fun and always remember that lurking somewhere inside of you is you! Let’s give him every opportunity to find his voice on the steel guitar. Always play with the curiosity of a child.
All for now.
It has been quite some time since I’ve posted any new ideas or content on this blog. I have been meaning to do more, but music has been the sole outlet of my creativity and spare time in the last year or more, which is a good thing! But I’ve got so many things on my mind I want to write about. First of all, thank you for making Steelonious such a success! If you haven’t heard it yet, check it out. The CD has been so well received and there is a lot of steel guitar on it.
With this posting, I wanted to share a little something from Steelonious, which I released in 2016. In case you’re not familiar with it, it was a program of Thelonious Monk melodies arranged as Instrumental/Pop/Jazz tunes in varying contexts, all reflecting the steel guitar–its history and its possibilities. Basically, I connected the dots of things I love. In this particular arrangement, I used techniques I learned from studying the playing of Sol Hoopii and also a lot of 60s pedal steel guitar. The choice of groove reflects my passion for New Orleans music, and I borrowed some chord changes from a Bruce Hornsby/Christian McBride/Jack DeJohnette version of this tune that kills me. The original song form is a 12 Bar Blues, which on occasion is how we perform it. But what I really wanted was to get some of that funky country type picking in this tune, especially the solo. I’ve always been a fan of the music of Little Feat and maybe that is reflected here.
One of the things I discovered about Sol Hoopii’s playing years ago was his use of open strings as passing tones. Sometimes they are chromatic, sometimes just scale tones, but they lend a rhythmic articulation in times when the line really begs for it. Dobro players are no doubt aware of this technique. But I’ve found that one the most difficult aspects of playing steel guitar is to play chromatic lines that are more than just two or three notes–the articulation really tends to be a crap shoot and sometimes you need it to be clean and popping. So, I’ve adapted this technique into my playing and this arrangement of Straight, No Chaser is one of my most successful uses of it.
I changed the key of the tune from Bb to A to accommodate the idea, then I just worked on it and worked on it until it developed into something cohesive and right. It is really not difficult to play, but takes a lot of practice to play it consistently. There is a lot of pick blocking going on, which I just tend to do unconsciously now. The tuning here is C6 and 6 string C6 will work just fine, as you really only use strings 2 through 5 (C-E).
Here is a little video which demonstrates how I believe Sol Hoopii played this tune, specifically on his earlier acoustic recordings in the A Major tuning.
One of the devices that Sol used most frequently is open strings–in this case, in bars 3 and 4 of the head, Sol utilizes a slide to G# on string 4, followed by open string 3 (A), for a nice bluesy lick. Have a look for yourself.
It is often a topic of conversation among newer players of the difficulties in getting used to wearing fingerpicks. For some players, it is nearly impossible to get comfortable with these new appendages. For me, it was a little different.
When I started becoming serious about playing, I was playing a National tricone. It was a matter of necessity for me to use picks, and because I was playing in an acoustic group with the instruments mic’d, I preferred a stiffer pick (.025 mm). When I switched over to playing electric steel, I no longer felt comfortable with that heavy gauge pick, and experimented with the lighter .013, .015 and .018 gauges. The .013 appealed to me, so I shaped the picks to follow the natural shape of my finger tips. This resulted in some very nice tone–very rich. The problem, I discovered much later, was that in order for me to pick the strings, I needed to get my fingers down deeper to the strings. This hindered my ability to play fast, clean lines, and my fingers would mistakenly hit the wrong strings often. I couldn’t live with this, because regardless of how hard I worked at it, I couldn’t overcome the sloppiness.
Recently, in continuing my lifelong quest of improving my picking hand, I have discovered some things that have proven significant towards this end. I have begun using slightly heavier picks (.018) and I have shaped them so that they extend approximately 1/4″ from the tips of my fingers, and this extension is decidedly straighter than the previous “curled with the finger” shape.
What this has allowed me to do is to execute rolls and other intricate picking patterns with greater ease, and to allow me to use a technique of locking my hands in a way that everything above the metacarpal bones is firmly locked in place, allowing greater control of the fingers. This is something that I have experimented with and concluded that it really does work.
There is no one way to wear picks, but it is advisable to always consider where you are in your playing path and how simple changes in things like picks can have a significant impact on your playing and sound. I will admit, I thought my tone suffered a bit when I made the change, but I have learned to compensate by using thicker gauge picks and by picking with a little more velocity.
There are some things about playing steel guitar that, unless you have the privilege of being near seasoned players and getting their insights, you are on your own to discover. For me, it always seemed as if achieving great right hand technique was an uphill battle. The inconsistency is frustrating and, while continual practice will yield positive results, I always seemed to hit a wall. In trying to create longer lines, I realized that I would need to refine my technique and, surprisingly, one of the greatest sources for inspiration appeared in a piano book. I will make no bones about saying that I think of my steel as a “lap piano” at times–this term is attributed to George Van Eps–and I want my passages to have the same clarity, lightness and dexterity as a pianist. George Kochevitsky’s book, The Art of Piano Playing, just really opened my mind to taking control of the situation. As he illustrates, for a century or more after the arrival of the piano forte, players still did not have the technique necessary to get the most from it–they were still relying on the finger technique from the days of harpsichord.
I have to say, I do enjoy playing without picks, but I can’t execute much of what I play without them. I will also add that I have ordered a set of Alaska Piks and I’m looking forward to giving those a try. Will report back on that….
While cleaning out my studio/library, I came across these cool chord charts that were published back in the 1940s. A friend of mine had given me these photocopies years ago, and I thought I would share them with the world before they are lost forever.
These charts can be very useful for each of these tunings, which are F#9, C# Minor, E7 and B11. The charts cover chords created with a straight bar, as well as with slants and in combination with open strings. Very good tools to get you inside the tunings. Once you are in, you will discover you own chords.
The first chord folio is for F#9 tuning (used by Dick McIntire and Bernie Kaai, who lent his name and image to this booklet). F#9 tuning is essentially C# Minor tuning, but with strings 5 and 6 tuned differently (E C# G# E A# F#, from treble to bass).
(Click on each image to enlarge).
The next set of chord charts comes from an unknown source, but note that each page has the Fator’s name on it–Fator is a name affiliated with Dickerson steel guitars, as the owner of the company was Gaston Fator.
Note that the C# Minor tuning actually resembles E13–essentially, the E7 tuning with the second string raised to C#. The C# Minor tuning (Sol Hoopii) is spelled: E C# G# E B E
I hope you find these charts useful.
Spending time lately investigating and memorizing the myriad slants available in C6-based tunings, especially C13, and I stumbled upon this beautiful piece of musical geometry.
There are many other hidden secrets in this tuning and I aim to find and use all of them!
Back in the late 1980s, I was lucky enough to have a guitar lesson with Mike Stern. I would also see him play fairly regularly and have a talk over a cup of coffee (Sheridan Square Diner (r.i.p.) ). Mike recommended a book to me by a guitarist whose name I had only seen in Guitar Player magazine, but had never heard. The book was called the George Van Eps Method for Guitar and it was published way back in the 1930s. I bought the book and did the first few pages of exercises. In reading George’s words in the forward, I understood that the book was not only a way of learning triad shapes in all inversions on all string sets, but also as a way of developing an independence in the digits to enable single note playing over sustained chords. This was a hallmark of George’s style, which was developed as a young tenor banjo player (his father, Fred, was one of the instrument’s great virtuosos).
I revisited the Van Eps method pretty heavily around 2000, as I was playing a lot of acoustic archtop guitar. Now I had heard George and was profoundly inspired by his playing. I can hear where Mike Stern utilizes some of the concepts he learned from the book, particularly when he is playing a pedal note and moving the chords around underneath. Anyway, years later it occurred to me that working through inversions of the triads in a Van Eps-ian manner might be a fruitful exercise. I continue to utilize it daily.
If you have a lap steel tuned to C6, you can find the triads within. This would also work for any other tuning, as well. You will have to make your own adjustments to the tab that I’ve laid out. I highly recommend mastering exercises #1 and 2 in every key before moving on to the triad inversions. There are other techniques involved in the inversions that will need to be addressed.
This page of exercises was written quickly by hand while the idea was fresh. Please pardon the sloppiness of it.
Here is a quick video demonstration of the concept. Note that I do not lift the bar off the strings, but simply block, using either method (palm or pick). Pick blocking is particularly useful in arpeggiating the triads. Practice these slowly and cleanly.
I’ve also created a little clip showing how to utilized the triads on strings 1-3 in A6 tuning. This works so well that I’m almost tempted to switch to A6!
Henry Bogdan is one of the few players of the modern era who has embraced the National Tricone resonator as his main instrument. His playing with The Moonlighters was particularly influential (especially to myself) in the resurgence of traditional string bands featuring ukulele and steel guitar, and with the Moonlighters he recorded several CDs. He also performed and recorded with Hazmat Modine, a unique NYC band led by the eclectic and multi-talented Wade Schuman. However, Henry is best known for his career as bassist for the band Helmet, an influential alternative metal band, all through the 1990s. These days, Henry resides in the Portland area, where he has been involved with a band called The Midnight Serenaders, continuing the marriage of his Hawaiian stylings with their Jazz Age swing.
Henry told me that after all these years of playing his Tricone, he was putting it away to pursue his latest passion, the Puerto Rican Tres, which is a stringed instrument with 9 strings in 3 courses. So, if you are in the Portland area, don’t miss the opportunity to see Henry perform with his Tricone while you can.
Mike: I’ve noticed the phenomenon of musicians who’d previously played Rock music and Punk gravitating toward Roots music.
Henry: Yeah, it’s really true. I kind of saw it as somewhat of a synchronicity to the end of…for me it was the end of Punk. It was the end of the road. I didn’t see that there was any other direction to go.
M: I figured that people who are playing “cutting edge” stuff already, they’re really at the precipice and you have to wonder “where do you go from there?” It must be exhausting to be at that point and constantly be trying to move forward all the time. At some point, it almost seems inevitable that people are going to begin to look backward….
H: Yeah, to get more substance. It just gets sort of totally diluted and you’re not doing anything if you’re trying to be modern and unique and not sound or play like anyone else before you. I always felt the idea was to be unique and not do anything traditional. For Helmet, it just seemed like it was the end of the road and it was up to the next generation to combine their influences and do something new.
Most of my friends continued on with Rock, but I did know a lot of people who were just putting down their instruments and not playing at all. That’s when I met Bliss (Blood) with the Moonlighters and I knew what I wanted to do was create kind of a traditional Hawaiian-sounding band. I didn’t see myself as a “jazzer” and she was coming from a Rock state of mind and not from going to Jazz school or that sort of thing.
M: So, what was your introduction to Hawaiian music?
H: I would say first off that I’ve always been interested in steel guitar, from my mid-teens hearing it in Rock bands like Neil Young, the Eagles—a lot of stuff like that was popular here in Portland and on the west coast. The first time I got to see one up close was actually when this Gospel/Southern-Rock band played at my high school. There was a guy playing a Sho-Bud and I just totally flipped and I went up and I talked to him for a while after the gig. It just seemed like such a cool instrument—very magical looking.
M: Did he show you how it worked or explain it to you?
H: I can’t remember, but he probably said that there’s pedals and knee levers and all these kinds of gadgets. It was pedal steel that I heard first. Then a few years later I got pretty devoted to Punk and Underground music and I thought steel would be a good instrument to mess around with in that format. So, first I bought a lap steel at a pawn shop—Dickerson, pearloid model that I wish I still had—but I couldn’t get anything out of it because I didn’t know any tunings. It just sounded like Blues guitar kind of stuff.
M: I think we all kind of go through that same experience. You were a bass player at the time?
H: No, I didn’t even touch the bass until a good 10 years later, but I’d always played guitar. From age 10 I took guitar lessons—I took 5 years of Classical guitar lessons all through high school. I pretty much knew I wanted to play music, ideally, in a professional setting.
So, I couldn’t get anything out of my lap steel, and then I bought a single neck pedal steel. Still I didn’t know the tunings—it was probably an E9 guitar. I borrowed a Sneaky Pete Kleinow book from the library here that had some tunings and basic technique, but it just wasn’t working. I couldn’t figure it out, but I played it in a band on a couple of songs, just getting sound effects, like picking behind the bar. I wasn’t really interested in any hardcore Country music until a few years later.
Anyway, so I put the pedal steel in storage and moved to New York. Subsequently the steel was stolen. I ended up not doing anything in New York for about 5 years, just trying to break into the Underground scene until I answered an ad in the Village Voice for this band that needed a bass player (Helmet). I happened to have a bass, so I thought, “What the hell? Everyone played guitar—I might as well try to break in as a bassist.” I really enjoyed the bass, certainly in that context.
It was right around the middle of the Helmet career, probably early ‘90s, that I got more interested in traditional Country and Western Swing music. I’ve always had one foot in the Country door, in some sense, but I was getting into more traditional stuff like Buck Owens, George Jones, Ernest Tubb…basically as a diversion to what I was doing in Rock—you know, super-macho, tough guy, tattoos. It was kind of stupid at a certain point and what I liked about Country music was that it wasn’t so concerned with being modern or cutting edge. It just had a certain relaxed soul to it and it was good-natured.
M: Yeah, and it’s also a humble—even if it’s not completely sincere in its humility it still has that humbleness to it.
H: I agree and I certainly appreciated that coming from a super Agro world of Rock which I didn’t always identify with. It was fun playing the music, because it was very physical, kind of like sports.
I saw Junior Brown’s first gig in New York at the Lone Star and he totally blew me away.
M: I think I was at that show, too.
H: It was just phenomenal. He was the first guy I’d ever seen play lap steel and he had “that sound” which turned out to be the 6th chord. So, I pulled the lap steel from under my bed and looked in the Village Voice the next day and found this guy David Hamburger. Have you had any contact with him?
M: No, although I’d certainly heard his name and I had some friends who played in a band with him, but I heard he moved down to Austin.
H: Yeah. I started taking some lessons with him and he set me up with G6 tuning and he was also the one—at the time I was mostly interested in Honky Tonk and Western Swing—but he said, “If you really want to devote yourself to lap steel, you should check out Hawaiian music.” Like most people, I never thought of Hawaiian music at all—I thought it was all just like Don Ho. So, I just bought some CDs and at the time I was buying everything that I could that had any kind of non-pedal steel on it. I called up Scotty’s Music and got Jerry Byrd’s “Steel Guitar Hawaiian Style” and the 2 Sol Hoopii CDs, but it was the Jerry Byrd that was the life-changer for me.
M: I was kind of like you in that I probably bought 30-40 CDs and LPs a month from the age of 18 to 30—that’s all I did, was buy music. It was like I was always searching for something that I knew was out there, but I didn’t know exactly what it was. I could feel when I was getting closer and closer to it, though. I probably bought most of the same CDs as you—the Sol Hoopii, etc. I had that long before I really got interested in playing.
When I finally got interested in playing, there were almost no resources, except for the occasional book, which didn’t tell the whole story. I can tell you one thing, though—I knew right away that it was some serious shit! It became apparent in the beginning that it was serious and I don’t think I had what it took at the time to devote myself to it.
H: I would agree that it is some serious shit! For me, it was like when I first was discovering Punk and Underground: there was this whole world of great players and great tunes and great singers and it was deep. It had a lot of substance. I would also have to point out that it had a lot more steel guitar than the Country stuff. Even still to this day I want to hear Joaquin Murphey playing through the entire song—I don’t want to hear just one little break. You know, that’s what kind of the drag of that music and what’s so great about the Hawaiian music. It’s there behind the vocals, there during the solo, intros and outros.
M: There is a real art to the backing in Hawaiian music and also they’re playing in a smaller group.
H: Yeah, I would love to hear Joaquin in a smaller band. I would say that from the beginning it was the electric steel, Jerry Byrd in particular, and a year later I got more interested in the acoustic stuff. I listened to that Jerry Byrd CD over and over when I was still in Helmet, and I would take my lap steel on tour and just mess with it on the bus. I got Jerry’s book (Instruction Course For Steel Guitar) and was messing with tunings just trying to play something that sounded like music.
M: Did you get through the whole book?
H: Oh my God, no. I would say I didn’t even scratch the surface. I bought all the books that there were, but I’m not a book guy. I totally just play by ear. I don’t even know what chord I’m on or necessarily what key I’m in unless it’s written next to the song title on the set list. [laughs] I’ve always thought of it as, “Where’s my I? I is on the 3rd fret, there’s my IV and V” and I have my little boxes—my riff boxes—and I have my little gimmicks, my octaves and playing thirds and whatnot. I totally play by ear and at this point it’s a huge drawback. I wish I could go back and start over from scratch by learning scales and sharps and flats….
M: Do you know any of this with regards to the guitar?
H: No, I don’t at all. I mean I had theory back in high school when I was studying Classical guitar but Classical guitar is very impractical to playing Pop music. You don’t learn how to read chord charts—it was kind of a mistake. I wish I was more interested in Jazz at the time—it would have been much more practical, even in the Rock world.
M: I have to say, I’ve enjoyed your playing on the Moonlighters recordings and I would say they inspired me. When I bought my Tricone, I said to my wife, “OK, honey, I promise I’m going to go out and find a gig” and it just so happens that I found the only gig in existence. So I want to thank you for that. [laughs]
H: No problem and thanks for saying that. It was a lot of fun working on that stuff. Bliss turned me on to more of the Jazz side of things and I was probably the Hawaiian side of things.
M: Let’s face it, how many other bands were out there playing that kind of music?
H: Well, there a band called the Do Hos…they kind of disappeared. But, yeah, there really weren’t any people doing that and that was kind of fortunate for us–certainly fortunate for me. [laughs]
M: A good thing about the band was that there was original music. I’ve always felt that Bliss is an excellent lyricist.
H: Oh, yeah, she’s a great lyric writer.
M: I always thought the band had a solid foundation in the traditional sounds and, yet, it was always reaching forward….
H: Maybe some of our other influences sometimes can’t help but come out. Bliss really was the one into doing original music and it was a good thing for the band and probably opened some doors that we probably wouldn’t have had if we were just aping the old shit, which I probably would have been fine with also.
M: You were involved with some other projects while you were in New York, too….
H: Oh yeah, when the Moonlighters started I was also playing with Howard Fishman. We started playing in the subways in Brooklyn. And I was playing weekly with Greg Garing and his Alphabet City Opry. That was actually the first situation where I was playing steel guitar—slightly pre-Moonlighters. That was a weekly gig for about a year. I quit to rehearse and work on tunes, instead of just playing tunes that I’d never heard before. It was fun playing with Greg, but he would just say, “This is in C, follow me.”
M: I have to admit, that’s what I live for. You did some stuff with Wade Schuman and Hazmat Modine, too….
H: I did some gigs with them and recorded some songs on their first CD.
At this time I was planning on moving to Hawaii…I was hoping to get some lessons with Jerry Byrd. That was sort of my dream at the time but once I got to Portland I had read that Jerry was sick and had stopped playing and I ended up getting some gigs with The Yes Yes Boys in Seattle and I would take the train up to Seattle a few times a month for about 3 or 4 months. Del Rey is truly amazing–a great player. I think a few months later Jerry died. He was most of the reason I was headed to Hawaii—even though I probably wouldn’t have hooked with him, I could have taken some lessons with Alan Akaka or John Ely. I didn’t really have any work skills once I left New York and the thought of working at Hertz Rental Car for minimum wage, trying to afford a studio apartment in Honolulu….
Someone on the Steel Guitar Forum posted a link to this great solo by Buddy Emmons on John Hartford’s “Gentle On My Mind.” I’d never heard it before, but it knocked me out, so I sat down with it and transcribed it before bed. Took me an hour or so–it’s mostly just eighth notes, which makes it a little easier.
Anyway, it is a C6 pedal steel performance, but I transcribed it for C6 with a re-entrant D 1st string, which is what I believe is Buddy’s tuning, so it is D E C A G E C A F C (high to low). There is nothing played below the 8th string and I couldn’t detect any pedals, although they may be there, I just don’t know what they do. The few notes on the 1st string could easily be moved to the E string, so if you are playing C6 (E high) you can pull it off (a little harder, though).
Here is the solo:
And here is the transcription:
Here are a few tips for those who are learning to play the steel guitar. Some of them may seem obvious; some of them not so much.
1. Don’t be discouraged by the difficulty of getting your chord grips together (meaning your picking hand).
Do practice your grips, even in a non-musical fashion. For instance, practice grabbing a chord shape and then moving it from one string set to another, like this:
Things like this take time to master, but the more you practice, the easier it will become. Spend 5 to 10 minutes/day just on grips, not worrying that it doesn’t sound musical.
2. Don’t slide into everything (glissando).
Do use glissando sparingly, selecting the right time for maximum effect. Do practice moving the bar vertically along the neck using a staccato approach in order to gain more control of your sound. To do this, you will need to incorporate pick blocking. Also, the bar doesn’t leave the strings with this approach–it is completely reliant on your right hand.
3. Don’t get stuck in root, or straight bar positions (i.e., for playing in C major, sticking to the 12th fret).
Do find other positions or zones or pockets to play in. For example, you can get a C major sound (minus the root) by playing in G position (7th fret, C6 tuning). This serves as CMaj9. For playing singles notes, we can easily find our way through the C major scale in 7th position:
Do learn how to play a scale in every position, meaning beginning with any scale tone anywhere on the neck. Here’s another very useful example:
Do practice this in every key (including natural, harmonic and melodic minor) beginning on any note of the scale. Yes, I know it is a lot of work, but in order to gain freedom on the instrument, particularly from clichés, this is the kind of work that needs to be done. Spend 1/2 hour/day on this for several months until you are confident you can break it out easily and without hesitation.
4. Don’t forget that there are many ways to achieve something that doesn’t look feasible at first glance.
Do remember to investigate all options by thinking about slants (no matter how extreme they may seem) and behind the string bar string pulls. Here is an example of a I – IV – V progression with voice leading (note the tuning is C6/A7):
Notice how you can play 2 different inversions of the I-IV-V progression and keep the chords in a relatively small fretboard range.
5. Don’t let vibrato be an afterthought.
Do learn to be conscious of your use (or non-use) of vibrato, making conscious decisions on how you want it to enhance your phrase ahead of time. Don’t wait until the last moment to throw a quick shake on a note–it tends to sound feeble and nervous. Be confident and strong in your playing! Commit….
6. Don’t underestimate the value of major and minor triads. They have many more uses than just the obvious.
Do learn as many inversions of your major and minor triads as you can possibly find, everywhere on the neck. The major and minor triads can serve as altered dominant chords as well as extended harmonies of major and minor chords. Sometimes we overlook the simplicity of a simple triad while searching for something bigger, such as G13b9; if you are knowledgeable in harmony and music theory, it should be easy for you to spell this chord out:
G B D F Ab E (we skip the 11th degree, C). Looking at these 6 notes, what triads do we find? Obviously G, but what else? There is a B diminished triad, as well as D diminished. But we also have an E major triad. The E maj triad provides the M3, b9 and 13 of our chord. Perfect choice for G13b9. Need something for an A7 chord functioning as a V7 or VI7 in a turnaround? Try a Bbmin triad (Bb Db F) instead. Those notes spell b9, M3 and #5, a nice altered dominant sound. See what I’m getting at?…which leads me to….
7. Don’t shy away from learning basic music theory and harmony: they are your friends.
Do get acquainted with them because they open up doors and make it much easier for you to make music that’s outside of the box. It is always good to have choices.
8. Don’t use your wrist to make slants!
Do try to get used to guiding the bar with your fingers. Do make sure you are using the right bar. There have been endless discussions about whether a Stevens bar or Bullet bar or any other number of bars is right–I won’t go there. I will say that whatever bar you choose, make sure it is the right length and make sure you learn to manipulate it with your fingers, not your wrist.
9. Don’t let your playing sound monotone.
Do open it up and use your picking hand and bar to convey expression. Sometimes a nice strum of a chord with your thumb, or a wide bar shiver (ala Curly Chalker) can keep your playing from sounding monotonous and lifeless. Jerry Byrd was called the Master of Touch and Tone for good reason: he was always conscious of his expression and you could really get a feeling from his playing the way that you could from a singer or violinist. Harmonics are another great way to make it work.
10. Don’t get hung up by bad picking habits.
Do focus on making your digits work as a unit. There is quite a bit of work involved in getting a strong right picking hand. There are definitely picking patterns which you can work with on a daily basis to get your right hand under control. Joe Wright has a video called “Secrets Of The Wright Hand” which may help you to improve your picking technique. The video has no musical content, but Joe works you through a number of picking moves.
11. Don’t pick too hard. “What is too hard?”, you ask. Well, it’s when your strings are flapping out of control, sharp in pitch, and your fingerpicks are getting tangled up in the strings. Relax!
Do play in a relaxed, controlled manner. There is a lot to be said for a picker who has great chops, whether or not he/she decides to put them on display. The one thing every great picker has is poise and control. Comes with practice, nothing more. For those of us coming from a resonator background, this can be quite a revelation. The picking styles are quite different for both instruments (and so is the bar technique for that matter). Many people believe that the players who can really play both resonator and electric steel extremely well are rare birds. They’re probably right!
Hope this gives you something to think about. Time to run! | music_and_dance |
http://www.michaelnicholsmusic.com/ | 2015-07-01T19:10:09 | s3://commoncrawl/crawl-data/CC-MAIN-2015-27/segments/1435375095184.64/warc/CC-MAIN-20150627031815-00074-ip-10-179-60-89.ec2.internal.warc.gz | 0.951974 | 112 | CC-MAIN-2015-27 | webtext-fineweb__CC-MAIN-2015-27__0__13329209 | en | New video for "Angels", from the new CD, "Tides".
Newly released CD, "Tides"!
Now available for purchase from iTunes or at any of his shows.
More original music by Michael Nichols …
Download or order a CD from iTunes, Amazon or CDBaby. CD’s or download cards are also available for purchase at any one of Michael’s shows. Click on the Calendar link to see his full schedule. Quality Michael Nichols merchandise and ringtones are also available for purchase from his official store. | music_and_dance |
https://www.dunstan.school.nz/news/big-sing-dunstanza | 2023-06-01T05:31:51 | s3://commoncrawl/crawl-data/CC-MAIN-2023-23/segments/1685224647614.56/warc/CC-MAIN-20230601042457-20230601072457-00618.warc.gz | 0.988374 | 291 | CC-MAIN-2023-23 | webtext-fineweb__CC-MAIN-2023-23__0__134366031 | en | It has been a battle to establish a choir this year. Initially the students were not even allowed to sing or rehearse indoors. Eventually they were allowed to sing, but under the veranda outside the Performing Arts Block, at times singing in the cold weather. However, with the determination of the choir directors, Bronwyn Barnes, Nick Meissel and Liz Conway, they were able to push on with rehearsals and got the choir, consisting of 35 students (numbers are usually around 60-70), to a level where they could perform at the Big Sing. A huge thanks to the choir directors for giving up their time to get the students to the competition, and to the students who turned up every week for rehearsal during such difficult times.
Dunstanza opened the competition with the premiere performance of Whisper a composition written especially for the choir by one of the directors, Liz Conway. The choir competition was scaled back this year being held at Knox Church; it is normally held in the Dunedin Town Hall. There were 13 choirs from 12 schools, each singing two songs.
Although the choir did not come away with any awards, the students did themselves proud, looked very sharp in their red vests and sang beautifully. The students were a credit to the school and an absolute pleasure to take away.
Well done Dunstanza! | music_and_dance |
https://lykenspa.com/events/2021-lykens-summer-concerts-in-the-park-june/ | 2022-01-27T22:35:45 | s3://commoncrawl/crawl-data/CC-MAIN-2022-05/segments/1642320305317.17/warc/CC-MAIN-20220127223432-20220128013432-00356.warc.gz | 0.801829 | 126 | CC-MAIN-2022-05 | webtext-fineweb__CC-MAIN-2022-05__0__41537000 | en | Pre-Season Series Event
New Orleans Style Brass Band component of the Air National Guard Band of the Northeast based at Fort Indiantown Gap. They perform Dixieland style music, popular music, and patriotic selections.
Food Available 6:00 Pm Burgers, Hot Dogs, Drinks & Baked Goods
Entertainment starts at 7:00 Pm
Remember to bring your lawn chair
In the event of Rain, the concert will be moved inside to Wiconisco Fire Co., Arch Street
Follow us on Facebook at Friends of Lykens Page for more information | music_and_dance |
https://apksclub.com/spotify-downloader-apk/ | 2021-12-09T01:26:39 | s3://commoncrawl/crawl-data/CC-MAIN-2021-49/segments/1637964363641.20/warc/CC-MAIN-20211209000407-20211209030407-00377.warc.gz | 0.921852 | 374 | CC-MAIN-2021-49 | webtext-fineweb__CC-MAIN-2021-49__0__166431273 | en | Spotify Downloader APK Unlimited Songs
Download and install the latest version of Spotify Downloader APK and download unlimited free songs from Spotify App without any restrictions.
Other recommended apps
Introduction to Spotify Downloader
Do you want to get music to relieve your mental stress and get a fresh mind? So, if you like music, we are here with an amazing platform known as Spotify Downloader Apk. It is the latest developed application which allows downloading playlists from Spotify and listening to music offline. You can use this app on your Android smartphone or tablet.
If you are a music lover, you know the best music platforms and media out there. There are many amazing platforms and industries that provide the best entertainment for consumers. There are paid and free platforms to entertain users. You’ve probably heard about Spotify.
It is one of the best audio streaming platforms offering users the best collection of music and rhythms out there. This is a Swedish platform by a Swedish company for people. It has a large collection of audio recordings for users to enjoy.
There are online platforms and applications out there that allow users to easily stream music online. But the problem is for people who want to have fun with internet connection or just want to have an offline collection. So, we are here with this app for these fans.
Main features of the app
- Free to download and use
- Find your favorite Spotify collection
- Simple search system
- Download playlists fast
- Unlimited downloads
- User ID Requires access
- No ads available
- No unnecessary options
- Simple and user-friendly interface
Spotify Downloader Apk is the best way to download and enjoy your favorite music collection offline. You can do the best exercises and enjoy them with this app. Keep visiting our website for more great apps. | music_and_dance |
http://winterparade.nl/english-3/english/ | 2018-09-22T05:02:31 | s3://commoncrawl/crawl-data/CC-MAIN-2018-39/segments/1537267158045.57/warc/CC-MAIN-20180922044853-20180922065253-00546.warc.gz | 0.914766 | 132 | CC-MAIN-2018-39 | webtext-fineweb__CC-MAIN-2018-39__0__135494886 | en | Is it theatre? Is it delicious food? It’s both at the Winterparade
The Winterparade offers theatre, music, dance and delicious cuisine at a 120-metre-long table! The table is used as a stage for a diverse programme with actors, dancers, musicians and more, while guests are treated to a delicious meal.
The delicious multi-course dinner will be catered by De Nieuwe Garde. Chefs, waiters and waitresses will be climbing the tables and making unexpected appearances along with the hospitable Candy Girls.
The dinner will be interspersed with a program full of surprising performances. | music_and_dance |
https://www.madisonavestudios.com/about | 2024-04-19T01:43:18 | s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296817253.5/warc/CC-MAIN-20240419013002-20240419043002-00488.warc.gz | 0.981426 | 451 | CC-MAIN-2024-18 | webtext-fineweb__CC-MAIN-2024-18__0__72165379 | en | Music is Our Life
To put it simply, we love music. Our life revolves around it. When we started the studio, we really just wanted to make high-quality recordings of our own music. It's more than our hobby, it's our passion. If you are passionate about your music and looking for a studio that’s comfortable, convenient, and has great equipment then look no further than Madison Ave Recording Studios. Whatever your musical style may be, our professional recording studio will help make your sound come to life.
Dedicated and Passionate
Our professional team does everything to make sure that each project is an enjoyable experience for our clients. The team here at Madison Ave Recording Studios is keen on giving our guests the best, most exciting and efficient experience possible. Our staff is dedicated to providing the best quality services for every one of our clients’ projects.
Owner, Recording Engineer
Steve has had a love of music for most of his life starting formal music lessons at age 9. While primarily a guitar player, he also plays bass, keyboards and drums. Over the years, Steve has been involved in playing in several bands as well as playing on many church worship teams. He is currently a guitar player in the band Messy Truth (facebook.com/messytruth) and plays guitar and mixes sound at his church (encounterchurchpa.com). Steve is the main recording engineer for Madison Ave Studios and saying that he is a bit of a tech geek would be an understatement.
Michele is known by all who know her as an extremely gifted vocalist, however, she is also accomplished on keyboard and guitar. She has been the lead vocalist in several bands and has sang on the worship teams at several churches. Michele is currently the lead singer for the band Messy Truth (facebook.com/messytruth) and is the worship leader at her church (encounterchurchpa.com). Michele can work as the recording engineer, however, her true talent in the studio is as a producer helping to shape the song into the best it can be.
Contact our staff with any questions. | music_and_dance |
http://www.liqaardvarks.com/program/ | 2020-07-08T13:18:56 | s3://commoncrawl/crawl-data/CC-MAIN-2020-29/segments/1593655897027.14/warc/CC-MAIN-20200708124912-20200708154912-00590.warc.gz | 0.943591 | 546 | CC-MAIN-2020-29 | webtext-fineweb__CC-MAIN-2020-29__0__222585798 | en | What, exactly, do you ask is Music For Aardvarks?
Music for Aardvarks is not your run of the mill children’s music class, it’s a program for toddlers, kids and their grownups to come “rock out” and have some fun. It’s a foot stomping, jingle shaking, drum drumming hullabaloo both kids and parents will love!
Each class combines song, dance and rhythm in an interactive musical experience for all ages. The songs of Brooklyn musician and founder David Weinstone (a featured performer on Nick Jr) are told from a point of view that children immediately understand and respond to. Where big can be small and small can be big, kids just see things a bit differently and Music for Aardvarks is tuned right in.
Check us out on Pix 11 News!:
Our informal, spirited classes are geared toward toddlers and children 4 months to 4 years old and incorporate singing, dancing, musical storytelling, instrumental jam sessions and more. Song, dance and rhythm combine for a rockin’ good time.
The New York Times described David Weinstone’s songs as “The exception to the norm”. In a world where most children’s songs are about things like farm animals and locomotives that everyone has heard before Music for Aardvarks classes are more like parties.
“It’s no exaggeration to say that Weinstone has changed the musical geography of kids music. As creator of the MFA classes that take place all over the country, his music has gotten thousands of tiny toes tapping.” – Time Out NY Kids
The Music for Aardvarks program was created in 1997 in Brooklyn, NY by rock musician, composer and father of three, David Weinstone. Music for Aardvarks is distinct from other children’s music programs in that all classes are based around Mr. Weinstone’s original songs, rhythms, and chants. With influences of rock, blues, ballads, folk, jazz and pop, Aardvark songs uniquely reflect and celebrate the lives of children growing up today. The music is innovative, intelligent, and irresistibly appealing to both kids and their parents.
At Long Island & Queens Music For Aardvarks we have been serving up our own unique version of this musical experience since 2009. During that time we have grown to numerous locations across western Long Island and are excited about continuing our journey into Queens. We also hold several special musical events throughout the year. Check out our classes page and you’re sure to find something fun going on in your neighborhood. | music_and_dance |
https://www.newtownhighschool.org/apps/pages/index.jsp?uREC_ID=1135392&type=d&pREC_ID=2250989 | 2022-09-25T08:44:22 | s3://commoncrawl/crawl-data/CC-MAIN-2022-40/segments/1664030334515.14/warc/CC-MAIN-20220925070216-20220925100216-00437.warc.gz | 0.880553 | 214 | CC-MAIN-2022-40 | webtext-fineweb__CC-MAIN-2022-40__0__230539355 | en | Welcome to the Music Department page!
We teach 3 courses in our program which are:
- Core Music
Basic knowledge of the fundamentals of music and music notation. Students learn the basic elements of pitch, rhythm, notation, scale structure, tonality, intervals, chords, melody, harmony, musical terminology, and score reading. Students apply these concepts to writing and analyzing simple musical examples.
Learn the fundamental skills of guitar playing, including simple cording, basic strumming beginning note reading and music theory.
The main objective of this course is to create an enhanced appreciation for music through playing the guitar. Students will learn how to read music notation, chord symbols, and tablature.
Learn the fundamentals of singing techniques and musicianship, utilizing music theory and performance skills through a wide variety of traditional and contemporary music.
Enjoy the opportunity to perform in public.
👇 Learn more about our music program through the slides below 👇 | music_and_dance |
http://xrumxrum.com/activities/eminence-dance-studio/ | 2017-07-24T06:53:41 | s3://commoncrawl/crawl-data/CC-MAIN-2017-30/segments/1500549424756.92/warc/CC-MAIN-20170724062304-20170724082304-00053.warc.gz | 0.869158 | 117 | CC-MAIN-2017-30 | webtext-fineweb__CC-MAIN-2017-30__0__186836517 | en | Activities Category: Dance
“Eminence Dance Studio” is offering dance classes for children in Reisterstown (Baltimore County, MD), Gaithersburg and Potomac (Montgomery County, MD) and Reston (Northern Virginia).
We teach many styles of dance in several programs.
Our goals are threefold:
To give the community an opportunity to experience the incredible joy of dance
To provide a well-balanced curriculum which incorporates all dance forms
To emphasize the importance of a strong, healthy technique and to educate children in the art of dance | music_and_dance |
https://elizabethannedesigns.com/2008/06/10/branding-your-wedding-hear/ | 2022-09-30T09:03:33 | s3://commoncrawl/crawl-data/CC-MAIN-2022-40/segments/1664030335448.34/warc/CC-MAIN-20220930082656-20220930112656-00747.warc.gz | 0.948676 | 446 | CC-MAIN-2022-40 | webtext-fineweb__CC-MAIN-2022-40__0__281072366 | en | Continuing with the branding series….
There are a few things I would change about our wedding, but the music is the one detail the husband and I planned out meticulously. While our guests were being seated, the sun streamed through the chapel windows. A close friend sang and plucked his guitar. After our grandmothers and mothers were seated, my brother sang Your Love is Extravagant while our friend sang harmony. My maids and I walked down the aisle to Divine Romance. The simple purity of the guitar with their voices was amazing, and exactly what we wanted. During the reception we had a bluegrass trio play. We love music, and we wanted our wedding to reflect our tastes. We definitely didn’t want a DJ playing anything remotely close to Flo Rida (no matter how addictive it is). Why? Because it didn’t fit with the overall brand of the wedding. We had a simple, sweet ceremony and a barn reception. A DJ didn’t seem to fit with the overall picture.
Brides sometimes forget how important the music is. Too often they leave it up to the DJ to play the party music. So how do you help the music reinforce the brand?
Do you want your wedding to be a celebration? Pick fun upbeat music, a la Love Actually. Do you want your ceremony to feel as dramatic as November Rain? Use piano with the strings! Do you want an old Hollywood feel? Go heavy on the strings and horns. Do you want sweet melancholy? Pick a pure clean voice with a string guitar.
So what music would I pick for our classic wedding? I think something similar to the Hope Floats soundtrack (a favorite of both E and I). Keep the Trisha Yearwood and Sheryl Crow for the ceremony. Play Lyle Lovett, Gillian Welch, Jonell Moser and Deana Carter during the cocktail and dinner hours. Pump up the Rolling Stones, Garth Brooks, The Mavericks, Whiskeytown and Bryan Adams for the dancing. All pure Americana. | music_and_dance |
https://www.mircic91.com/marshall-kilburn-2-bluetooth-speaker-review/ | 2023-12-07T21:00:50 | s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100686.78/warc/CC-MAIN-20231207185656-20231207215656-00386.warc.gz | 0.920733 | 578 | CC-MAIN-2023-50 | webtext-fineweb__CC-MAIN-2023-50__0__270955205 | en | In this article, I give you my quick review of the Marshall Kilburn 2 portable Bluetooth speaker with included specs.
Marshall amplifiers are for decades one of the most recognizable symbols of rock music and something that adorns the concert stages of the world’s most famous musicians.
Well-known Marshall brand style
Company Marshall has decided to offer the distinctive sound and legendary design of its amplifiers in the form of a portable Bluetooth speaker – by the name of Kilburn II.
The multi-directional sound of this speaker will simply get you into the music, whether you listen to it indoors or out. In other words, Marshall Kilburn 2 directs sound in multiple directions, reproducing deep bass and crystal clear treble, which makes the overall sound image uncharacteristically wide and rich in the arrangement of these dimensions.
Battery and charging
Although Marshall Kilburn 2 weighs only 2.5 kg and falls into the category of compact speakers, it houses a very powerful battery that, when fully charged, provides more than 20 hours of music enjoyment.
In addition to high capacity, there is also fast battery charging technology, so just 20 minutes of charging will be enough for 3 hours of music listening.
In addition to impressing you with the quality and volume, Marshall Kilburn 2 Bluetooth speaker will give your living or workspace an added charm, thanks to its legendary and authentic look.
Design and features
The distinctive mesh and the Marshall logo on the front, the tolex skin, and unique potentiometers make the Kilburn speaker irresistibly reminiscent of a true Marshall guitar amplifier.
The high-quality workmanship and reinforcement on the corners will make this fantastic device long-lasting.
And there’s the IPX2 certification that guarantees splash resistance with less water.
Thanks to its compact dimensions and the grip associated with the guitar strap, you can easily carry Marshall Kilburn II anywhere and enjoy the high-quality 36W sound provided by a fully digital amplifier.
The potentiometers on the upper side allow you to easily control the volume as well as adjust the treble and bass intensity to your taste.
The Kilburn 2 speaker uses Bluetooth 5.0 wireless connectivity, which, in combination with the aptX audio codec, delivers higher sound quality when playing music from your mobile devices, up to 10 meters away.
Up to two audio sources can be connected to the speaker at the same time via Bluetooth, and there is a traditional 3.5mm audio jack to which you can connect an MP3 player, a CD player, an FM receiver, and the like.
Marshall Kilburn 2 on the Market
The Marshall Kilburn 2 Bluetooth portable speaker is on the market in many retail places. The one that I refer to in this article I link to here:
Feel free to share this post. | music_and_dance |
https://dripivplus.com/the-top-5-recording-studio-equipment-pieces-that-every-artist-needs/ | 2023-12-03T23:56:45 | s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100518.73/warc/CC-MAIN-20231203225036-20231204015036-00682.warc.gz | 0.927332 | 622 | CC-MAIN-2023-50 | webtext-fineweb__CC-MAIN-2023-50__0__167865450 | en | Dreams of becoming a musical artist are beginning to look more practical than ever.
With the music industry thriving, and the ability to have live instruments at your fingertips, there are plenty of reasons to start building your own home recording studio.
Although there are tons of great options for recording software and instruments, paying for these items and setting up your studio from home is not cheap! If you’re looking for music production tools, you can click here for more information.
If you are ready to start your home music recordings with the best bang for your buck, here are the five recording studio equipment pieces to focus on for a great studio sound!
1. A Laptop With Software and Storage Space
The right computer will set you up for success. Within your budget, look for the best computer possible to conduct all your mixing.
Although producer confidential services don’t offer computers, you can make up for what you spend on your laptop using these services to produce.
2. Audio Plugin Software and Producer Confidential Sounds
The audio software you use, and the backup storage drive you purchase are critical to saving everything you create.
You will need enough room to make your music, which is why it’s best to buy an additional storage drive. You can find deals on these tools with producer confidential options to save money.
If you choose to go with producer confidential services, test how the drums sound using your audio software. You want everything to sound as smooth as possible.
If your digital instruments are sounding muddy, you might want to go with a different one. The quality of your sound will make or break your production.
3. Digital Audio Workstation
Once you’ve established the software and storage situation that is best for you, grab a Digital Audio Workstation (DAW).
With this software, you can manage your audio recordings and edit all from your computer. It will be impossible to develop song creations without software or producer confidential services.
You can integrate producer confidential options to keep the costs down for your workstation.
4. A DAW-Compatible Audio Interface
The next thing you want to think about is the audio interface you buy. This device allows all of your mics and instruments to connect to your computer.
This will enable you to bring audio from your instruments into the computer for editing. Whatever audio interface you choose to purchase, make sure that it is compatible with the DAW that you purchase.
5 A Digital Mixer
For a more hands-on approach to music editing, you should also purchase a digital mixer. Digital mixers are editing devices that allow you to make changes to your audio without using your DAW directly.
You can work with many different recordings at once with a digital mixer. This makes music production more productive and easier to conduct.
Get Your Gear Now And Make Your Music
Above are the five most essential music tools needed to create high-quality sounding music from home. Use cost-saving strategies, find compatible equipment, and get your music out there! | music_and_dance |
https://news.nwcu.edu/dates-set-spring-desserts-moses-story/ | 2020-05-29T07:22:42 | s3://commoncrawl/crawl-data/CC-MAIN-2020-24/segments/1590347402457.55/warc/CC-MAIN-20200529054758-20200529084758-00020.warc.gz | 0.940457 | 345 | CC-MAIN-2020-24 | webtext-fineweb__CC-MAIN-2020-24__0__195665890 | en | Tickets go on sale Wed., March 1, 2017, for Spring Desserts: A Moses Story, produced by the Northwest Christian University Music Department. Performances are Sat., April 8, 2017, at 7 p.m. and Sun., April 9, 2017, at 3 p.m. in the Morse Event Center on campus.
“Spring Desserts: A Moses Story” is based on the New York City Triangle Shirtwaist Factory fire in in the early 20th Century and features music from the film The Prince of Egypt. NCU students and faculty have developed an original script and music arrangement to tell this amazing story of deliverance, redemption and hope.
“When so many are disheartened by unrest in our world, there is no better time for A Moses Story,” said Karen De Young, Program Director of NCU Music Department.
“Our original script and music arrangement story has been a challenging and rewarding experience for our many talented students as they strive to deliver a polished performance with meaning deeper than the music and words.”
Tickets are $10 for adults, and $5 for students. Beginning March 1, 2017, tickets can be purchased at www.nwcu.edu/springdesserts.
Proceeds from the annual Spring Desserts performance weekend goes to support the NCU Music program, including funding for tours, recording equipment, and state of the art equipment.
For more information, contact the NCU Music Department at [email protected] or call 541-349-7400.
*Note to parents: This performance contains some heavy themes and content that may not be suitable for younger children. | music_and_dance |
https://www.thejenkinsbrothers.org/about | 2021-07-31T08:25:44 | s3://commoncrawl/crawl-data/CC-MAIN-2021-31/segments/1627046154085.58/warc/CC-MAIN-20210731074335-20210731104335-00595.warc.gz | 0.976451 | 198 | CC-MAIN-2021-31 | webtext-fineweb__CC-MAIN-2021-31__0__107636716 | en | About The Jenkins Brothers
Earl and Carl, endearingly known as The Jenkins Brothers have always been musically gifted. From a young age, they were singing and performing in front of large audiences. This dynamic duo are five time Gospel Academy Award winners, McDonald's Gospelfest first place winners and finalists on the hit TV show, “Big Break,” hosted by the legendary Natalie Cole. They have also co-produced and hosted the prestigious McDonald's Gospelfest for eight years since its inception. Additionally, they appeared on both the “Lou Rawls” and “Jerry Lewis” Telethon of Stars.
Throughout the course of their musical career, The Jenkins Brothers have won over the hearts of music lovers from all walks of life; performing at a variety of venues, making different public appearances, all serving the community. Learn more by exploring the site, and feel free to get in touch with any of your comments and questions. | music_and_dance |
https://malamamasquerade.bpt.me/ | 2019-11-19T15:25:53 | s3://commoncrawl/crawl-data/CC-MAIN-2019-47/segments/1573496670156.86/warc/CC-MAIN-20191119144618-20191119172618-00368.warc.gz | 0.829694 | 256 | CC-MAIN-2019-47 | webtext-fineweb__CC-MAIN-2019-47__0__71399941 | en | Krewphoria Events Proudly Presents:
18+ to dance | 21+ to drink
Krewphoria Events is about bringing people together and giving back to the community. Help kick off the first Krewphoria Event here in Hawaii by supporting one of Hawaii's non-profit organizations on Oahu! All proceeds made from this event will benefit the Hawaiian Humane Society.
Malama means to take care of, protect, maintain, or preserve.
Arrive at this party with a mask and your most colorful wear to support several Hawaii local DJs and help save the environment too!
**Festival wear is also encouraged!
The Malama Masquerade will be located at Boda Cafe
1227 Hopaka St, Honolulu, HI 96814
Kandi, gloves, hoops, poi, orbitals, etc. are ENCOURAGED!
Alcohol, Drugs, Outside Food/Drinks, Large Backpacks, Weapons, Violence, Bad Vibes
Boda Cafe (View)
1227 Hopaka St
HONOLULU, HI 96816
|Minimum Age: 18|
|Kid Friendly: No|
|Dog Friendly: No|
|Wheelchair Accessible: Yes!| | music_and_dance |
https://www.kingsway.eriding.net/Music/ | 2024-04-14T06:47:42 | s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296816875.61/warc/CC-MAIN-20240414064633-20240414094633-00876.warc.gz | 0.947282 | 596 | CC-MAIN-2024-18 | webtext-fineweb__CC-MAIN-2024-18__0__10800981 | en | At Kingsway Primary school the intention is that children gain a firm understanding of what music is through listening, singing, playing, evaluating, analysing, and composing across a wide variety of styles, traditions, and musical genres. Our objective at Kingsway Primary is to develop a curiosity for the subject, as well as an understanding and acceptance of the validity and importance of all types of music, and an unbiased respect for the role that music may wish to be expressed in any person’s life. We are committed to ensuring children understand the value and importance of music in the wider community, and are able to use their musical skills, knowledge, and experiences to involve themselves in music, in a variety of different contexts.
At Kingsway Primary School the music curriculum aims to:
- To provide all children with an education in music that is stimulating, enriching and inspiring through curricular and extra-curricular learning.
- To encourage confidence in all the children through their involvement in music thus promoting individuals interest, self –reliance and motivation.
- To develop an understanding and appreciation of different types of music and increase their ability to make judgments of musical quality.
The national curriculum for music aims to ensure that all pupils:
- perform, listen to, review and evaluate music across a range of historical periods, genres, styles and traditions, including the works of the great composers and musicians
- learn to sing and to use their voices, to create and compose music on their own and with others, have the opportunity to learn a musical instrument, use technology appropriately and have the opportunity to progress to the next level of musical excellence
- understand and explore how music is created, produced and communicated, including through the interrelated dimensions: pitch, duration, dynamics, tempo, timbre, texture, structure and appropriate musical notations
Every Child, Every Chance, Every Day.
At Kingsway Primary school we use the Charanga schemes of work to teach discrete music lessons. The music curriculum ensures students sing, listen, play, perform and evaluate. This is embedded in the classroom activities as well as the weekly singing assemblies, various concerts and performances, and the learning of instruments. In the classroom students learn how to play an instrument, from a range of instrument groups. Specifically, Years 1 and 2 learn to play the ocarina, Years 3 and 4 learn to play the glockenspiels and Years 5 and 6 learn to play the ukulele. In doing so they understand the different principle of each method of creating notes, as well as how to read basic music notation. They also learn how to compose focussing on different dimensions of music, which in turn feeds their understanding when listening, playing, or analysing music. Composing or performing using body percussion and vocal sounds is also part of the curriculum, which develops the understanding of musical elements without the added complexity of an instrument. | music_and_dance |
https://porchlightplus.com/the-band/ | 2024-03-02T02:48:06 | s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947475727.3/warc/CC-MAIN-20240302020802-20240302050802-00706.warc.gz | 0.952941 | 357 | CC-MAIN-2024-10 | webtext-fineweb__CC-MAIN-2024-10__0__120671749 | en | Introducing The Band...
Guitar & Vocals
Frank loves 70's stars such as Paul Simon, Carole King and Elton John. He sings, writes songs and plays guitar, piano and drums.
Frank started playing music at age four when he began banging on pots and pans in his mom's kitchen! Soon after that he learned the words to 'Twist and Shout', and a lifetime love affair with music was born.
He has been heard recently with the bands Flashback Four and Acoustic Audacity. Hear Frank's solo work at LifeStoriesCD.Com
Violin & Vocals
Better late than never - the key phrase to describe the musician getting back in the fun of things after a time of being away. So much to catch up on! Dee has a variety of musical interests. In the album cabinet one might find Johnny Cash, Joan Baez, Kingston Trio, the eight track collection holds Beatles, and CD's range from bluegrass/country to Progressive Rock. Nothing is out of bounds! A collection of instruments also fits the bill for any mood. The music room currently displays a banjo, harmonica, keyboard, guitar, mandolin, and a works-in-progress broken cello. However, violin is what she started with and has decided to settle down with.
How does one go from King Crimson and Jimi Hendrix to Carole King and Bobby Gentry?
Charley can be counted on to bring a variety of eclectic tastes and genres to the group. Either grounding the band with a simple bass line or creating a bass solo for improv, he always holds down the bottom.
Porchlight Plus is available for your event, dinner, restaurant, bar or party. | music_and_dance |
http://floscampi.org/ | 2017-04-30T08:48:49 | s3://commoncrawl/crawl-data/CC-MAIN-2017-17/segments/1492917124478.77/warc/CC-MAIN-20170423031204-00298-ip-10-145-167-34.ec2.internal.warc.gz | 0.853241 | 444 | CC-MAIN-2017-17 | webtext-fineweb__CC-MAIN-2017-17__0__308195609 | en | Welcome to Flos Campi's official website! Stay tuned for updates, media, and more.
Our 2015 season, The Deer, the Desire, the Springs:
Sicut cervus in the Renaissance,
will feature polyphony by Goudimel, Palestrina, Tallis, Vivanco, Layolle, and more, all touching in some way the beautiful "As the deer longs" text from the Song of Songs. Two performances, May 4 & 5, 2015. See below for details.
Our 2014 season, Singet dem Herrn,
was an examination of the Thomaskantor
between 1600-1750, featuring the music of J. S. Bach and his predecessors at St. Thomas Church in Leipzig. We combined with the newly-formed Baroque ensemble La Monarca in two of Bach's motets as well as music by Schein, Kuhnau, Schelle, and even François Couperin. Be sure to visit our Media
page for videos from the performances. This season also featured a performance with the Choir of St. John's Episcopal Cathedral, Los Angeles, in a lecture-concert in conjunction with the Getty Museum's exhibit "Canterbury and St Albans: Treasures from Church and Cloister". In addition to our season performances, we combined with USC Early Music performers in an Early Music Showcase at St. John's Cathedral.
THE DEER, THE DESIRE, THE SPRINGS: SICUT CERVUS IN THE RENAISSANCE
UPDATE: ONE PERFORMANCE ONLY!
Tuesday, May 5, 2015, 7:30pm
St. John's Episcopal Cathedral
514 W Adams Blvd. (corner of Adams & Flower), Los Angeles
Admission to concerts is free; a free-will offering may be collected by the host church.
Feel free to contact us at [email protected] for more information.
Follow us on Facebook and find our event pages:
We're also on Instagram (@floscampi) and YouTube (www.youtube.com/user/FlosCampiEME | music_and_dance |
https://lifeasangie.wordpress.com/2016/11/29/music-%F0%9F%8E%B6/ | 2018-03-22T21:40:26 | s3://commoncrawl/crawl-data/CC-MAIN-2018-13/segments/1521257648003.58/warc/CC-MAIN-20180322205902-20180322225902-00401.warc.gz | 0.97 | 401 | CC-MAIN-2018-13 | webtext-fineweb__CC-MAIN-2018-13__0__158239063 | en | My music taste varies so much. I can go from loving really hip catchy pop songs to some really intense raps. And lately I’ve felt that my music taste as varied and changed into loving a more relaxed, soft, dark and eerie music genre. I feel I can contribute this alteration to the recent changes in my life.
I’ve been so into Lana Del Rey, her songs just seem to click with me in such a way that I didn’t know it was possible. She sings about love and death, and surprisingly it resignates really well with me. It transports me to a place where I get to really think about myself and my life.
I usually listen to music on Pandora, so my Lana Del Rey Music Station has also broaden my spectrum of similar music to hers. I find myself listening to The Neighborhood, The Artic Monkeys, Radiohead, The XX, The Killers, you name it. It’s not like I haven’t heard of these groups before, but back in high school I didn’t really care for songs unless they were chart toppers and got my body moving.
Music for me now is about reminiscing about life and the obstacles I’ve overcame and have yet to get over. Music is to make me feel my realest feelings and not be afraid of them. Many people say that Lana’s music is very sad, and that it brings their mood down, well I say that at least it makes you feel something instead of listening to pointless sound.
Don’t get me wrong, I still enjoy good music chart toppers, but I don’t seem to gravitate to those as often as before. Though I’m only 21, I feel as if her lyrics speak directly to my soul, and I want to thank Lana Del Rey even thought this will never reach her.
I love you Lana Del Rey❤️✨ | music_and_dance |
http://www.musicexpress.com.au/mexpress/shuresm58.html | 2014-04-23T19:55:38 | s3://commoncrawl/crawl-data/CC-MAIN-2014-15/segments/1398223203422.8/warc/CC-MAIN-20140423032003-00594-ip-10-147-4-33.ec2.internal.warc.gz | 0.870331 | 169 | CC-MAIN-2014-15 | webtext-fineweb__CC-MAIN-2014-15__0__174795756 | en | Shure SM58 Microphone (Stage Mic)
The Shure SM58 unidirectional (cardioid) dynamic vocal microphone is designed for professional vocal use in live performance, sound reinforcement and studio recording. It has a tailored vocal response for a sound which is a world standard for singing or speech. A highly effective, built-in spherical filter minimizes wind and breath "pop" noise.
Frequency Response 50 to 15,000 Hz
Polar Pattern Unidirectional (cardioid), rotationally symmetrical about microphone axis, uniform with frequency
Sensitivity (at 1,000 Hz Open Circuit Voltage) -54.5 dBV/Pa (1.85 mV) 1 Pa = 94 dB SPL
Connector Three-pin professional audio connector (male XLR type)
Net Weight 298 grams | music_and_dance |
http://benjaminsolomon.com/bio.html | 2022-08-10T13:43:57 | s3://commoncrawl/crawl-data/CC-MAIN-2022-33/segments/1659882571190.0/warc/CC-MAIN-20220810131127-20220810161127-00321.warc.gz | 0.96206 | 270 | CC-MAIN-2022-33 | webtext-fineweb__CC-MAIN-2022-33__0__199123963 | en | My name is Benjamin Solomon. I am 35 years old and live in San Antonio, Texas. I am a musician/singer/sound engineer. For the last 8 years, I have played drums live for several groups and have two CDs with my name in the credits.
I can do :
- Drums (17 years) (trained in drum corps)
- Keys/Piaino (25 years)
- Some guitar (in my own tunings!)
- Some bass guitar
- Vocals (all my life)
- Sound recording/engineering (8 years)
My favorite styles of music include:
- Hard Rock
- Eurodance (some)
- 80's Pop
- Early 90's Rock
- Classic 70's Rock
- Christian/Praise and Worship
- Anything clever that has no real genre
I also have several technical gifts I can offer to enhance the presentation of music. I can create data-driven web sites (I am a database programmer in real life), as well as graphics manipulation (Photoshop).
I was in middle/high school band for 7 years, and then played independently for awhile, now I play as the drummer of several worship groups 4 times per week. | music_and_dance |
https://www.nigelsphotoblog.co.uk/2019/12/encounter-with-scottish-pipe-band.html | 2022-05-17T08:26:02 | s3://commoncrawl/crawl-data/CC-MAIN-2022-21/segments/1652662517018.29/warc/CC-MAIN-20220517063528-20220517093528-00035.warc.gz | 0.921949 | 161 | CC-MAIN-2022-21 | webtext-fineweb__CC-MAIN-2022-21__0__230068380 | en | Encounter with Scottish Pipe Band during tour of Scotland
This evening, I am posting information on Strathendrick Pipe Band Association which I encountered by chance performing in the Square at Drymen on the eastern side of Loch Lomond in central Scotland. The band is based in Strathblane, about twelve miles north of Glasgow.
In the course of a Scotland tour it is not unusual to connect with a local pipe band performing in public.
Strathendrick Pipe Band is primarily a teaching band for pipes and drums with intention of progressing through the Royal Scottish Pipe Band Association grades.
Tartan is the Ancient Maclean of Duart (Isle of Mull) and the band is under Pipemajorship of Colin Johnston.
Video clip of the band performing at Drymen. | music_and_dance |
https://www.yannes-bellydance.com/biography | 2020-11-27T07:47:43 | s3://commoncrawl/crawl-data/CC-MAIN-2020-50/segments/1606141191511.46/warc/CC-MAIN-20201127073750-20201127103750-00148.warc.gz | 0.95077 | 305 | CC-MAIN-2020-50 | webtext-fineweb__CC-MAIN-2020-50__0__193511680 | en | Professional Belly Dance Instructor, Choreographer and Dancer
French AAA level Belly Dance Coach
Asian Belly Dance Association Registered Member
Founder and Chairman of Hong Kong International Yannes Belly Dance Arts
Yannes has many years of experience in belly dance teaching and performing in Hong Kong. She was mentored by the first male belly dancer in China, Guo Wei, who has been highly recognized among Belly Dance communities all over the world and is still very active in the market. She has also studied with many of the world class belly dance teachers such as Ansuya,Sabrina Fox, Sonia, Leyla, Subaha, Saida, Shahdana, Dariya Mitskevich , Gina Chen, Margarita Savchenko, Aida Bogomolova, Kathleen Derout, Kadia etc., representing a variety of styles including classical and modern Egyptian, Argentine, Turkish, Russian and Ukrainian styles.
She established her own dance troupe “Hong Kong International Yannes Belly Dance Arts” in the year of 2013 and has her own dance studio since 2014. Her interesting yet systematic coaching method not only focuses on basic belly dance techniques but also on body rhyming and sensation.
Yannes current offers regular small group classes, private group, individual training for both adults and kids of all ages. She occasionally organizes belly dance workshops with other organizations and performs with her dance troupe in charitable and commercial events as well as private parties. | music_and_dance |
https://fm876.com.au/new-wave/ | 2024-04-20T07:50:11 | s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296817491.77/warc/CC-MAIN-20240420060257-20240420090257-00609.warc.gz | 0.922728 | 221 | CC-MAIN-2024-18 | webtext-fineweb__CC-MAIN-2024-18__0__64335439 | en | 70’s and 80’s
SUNDAY AND MONDAY 7 PM to 10PM
In the late ‘70’s with the demise of ‘punk’ came the birth of New Wave and Post-Punk. Categorically there was no specific form of music, but rather made up of various styles born from the DYI attitude that punk embodied. The late 70’s through the late 80’s was strong visually through fashion, and here we embrace the best sounds of that period.
This program captures all of the varied musical sub-genres from the late 70’s to the late 80’s. From the Post-Punk of Joy Division to the New Romantic of Duran Duran & Spandau Ballet to the Gothic of The Cure & Siouxsie Sioux to the synthpop of Human League & Depeche Mode and the electronica of Kraftwerk & Cabaret Voltaire and so much more. Even though it is the past there’s always something new to hear here. | music_and_dance |
https://lewis789.saphireprimarycare.com/archives/15 | 2021-06-21T06:47:24 | s3://commoncrawl/crawl-data/CC-MAIN-2021-25/segments/1623488268274.66/warc/CC-MAIN-20210621055537-20210621085537-00177.warc.gz | 0.970486 | 1,036 | CC-MAIN-2021-25 | webtext-fineweb__CC-MAIN-2021-25__0__117561444 | en | What are a Lectric Tobacconist and How Do I Know What Guitar or Singing Instrument I Need?
Unfortunately, as I am sure you are already aware, the L lectric Tobacconist (also known as a librettist, whatever you prefer) is an exceptionally important aspect of many compositional techniques. In particular, I find that their use is so critical when working in chamber ensembles, and particularly when working with ensembles composed of different instruments, or choirs, which must coordinate properly. That is not to say that they are only used in chamber music; quite the contrary, in fact, I would say that in my professional experience, they are absolutely indispensable! They are, however, an incredibly time consuming and labor intensive career, which is something that I hope to shed some light on here through some of my anecdotes.
Let me commence by suggesting what it is of which I mean by an ‘unprepared’ or ‘ill-equipped’ musician or ensemble when referring to a artist or ensemble that requires a little little of mentoring from the qualified Tobacconist. What I am talking regarding listed below are musicians or ensembles that carry out not yet fully understand what exactly their particular instrument consists of, or an awareness associated with the dynamics that make up that instrument. For instance , if you were asked to set up a piano for a cello player, you more than likely know the correct keys to play the piano – mainly because you don’t know what the cello actually will! Similarly, a desperado (band, not an orchestra), or any kind of other kind of outfit, are much more prone to have a slower or perhaps a meditative strategy to playing compared to they are the rock band – because their audio composition is reduced, also because their harmonic framework requires a new slower pace to resonate the various information in their music structure. This is usually why a tobacconist must be a vital part of any music group or ensemble, his or her contributions are absolutely essential in order in order to fully realize the particular overall song or instrumental’s concept. Right now, this doesn’t suggest that a strap should only make use of a Tobacconist as a guide for the arrangements of their own songs – significantly from it!
First, when it comes to business days, it is important for a band to keep regular, business-like hours. It’s throughout these business days and nights that many groups and ensembles can take advantage associated with the many advantages that can come from getting a qualified plus experienced Tobacconist on hand to help using the mastering or even arrangement of music for that day’s performance. It is vital that a band/ensemble seeks out a great experienced, reliable, trustworthy, and well-trained Tobacconist for this cause… since they will become able to help their musicians attain the ideal timing in addition to the exact assemblage that are needed for their performance at the time in time. Most importantly, it is necessary with regard to these musicians to possess a steady hand. In the world of music, timing is everything… and the many skilled and knowledgeable Tobacconists know how to master the technique of placing notes plus chords on the appropriate note, within the appropriate octave, in the proper pitch, in the correct rhythm, plus in the precise time signature.
When a musician or an outfit makes requests of any qualified Tobacconist, or maybe requests a sample of his or her work, it is usually wise to look at samples of the work in question. (The absolute most gifted musicians/ensembles often do not have to show their function until they usually are being asked to do so. ) It is extremely unfortunate each time a musician tries to location an order, just to later find away the piece regarding music is just not appropriate for them as a result of one of several factors. It can be a little bit complicated and difficult for a music Disposable Vape group to try and determine if typically the piece of music will work properly plus if they have the right musical notes/chords in the correct octave, etc., in addition to if there will be a new pronounced timing difference between the artists playing. Thus, it is always a good training to view samples associated with work offered by qualified professionals and/or request some time alone with the music performer in question to determine out the issue.
Associated with course, sometimes the situation arises once the Tobacconist simply misdiagnoses a patient. Or perhaps when he/she is usually just as being a small lazy. At the same time, sometimes a customer has a special request, which requires an performer to come in order to the customer’s location in order in order to make an example regarding the requested item. Regardless, most musicians/ensembles are more than willing to solve any potential problem that the customer may experience of a Tobacconist without needing to hold up the process for long periods of time. This specific is always the good idea! | music_and_dance |
http://sowhatdikhrap.blogspot.com/2009/02/jaylib-live-henry-fonda-theater-040404.html | 2018-06-21T04:14:10 | s3://commoncrawl/crawl-data/CC-MAIN-2018-26/segments/1529267864022.18/warc/CC-MAIN-20180621040124-20180621060124-00477.warc.gz | 0.979417 | 138 | CC-MAIN-2018-26 | webtext-fineweb__CC-MAIN-2018-26__0__63912976 | en | Dilla, Madlib, J.Rocc first show, joined by Common
Jaylib Live @ Henry Fonda Theater 04/04/04
This was recorded at the Henry Fonda Theater, April 4, 2004, on the first night of the Madvillain/Jaylib tour for Madvillainy. Madlib & J. Rocc had performed Jaylib songs live, but this was the first show with J. Dilla, who had just moved to Los Angeles and joined the tour without being announced on the flyers. Another unannounced guest late into the set was Common. The voices you hear are B+ & Melo-D, who recorded this set. | music_and_dance |
https://loaded-spoon.com/news/the-loaded-spoon-may-nightlife-brunch-djs/ | 2023-11-29T12:22:21 | s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100081.47/warc/CC-MAIN-20231129105306-20231129135306-00245.warc.gz | 0.851975 | 258 | CC-MAIN-2023-50 | webtext-fineweb__CC-MAIN-2023-50__0__288569297 | en | Freehold, NJ >> May 8, 2023
Upcoming Nightlife Entertainment Schedule
Join us every Friday and Saturday at 9 PM to experience the best DJ entertainment and upscale night out.
Our menu has everything you need to keep the party going from the delicious, handcrafted cocktails to tasty snacks and sweets. Bottle service menu is also available upon request.
- Friday, 5/12 – DJ James Strzz
- Saturday, 5/13 – DJ Licious
- Friday, 5/19 – DJ Frankie Sauce
- Saturday, 5/20 – DJ Joe Ferdico
- Friday, 5/26 – DJ Dan Emerson
- Saturday, 5/27 – DJ Jaymie Perez
Brunch Entertainment Schedule
Sundays at 12 PM
- Sunday, 5/14 – DJ Sal Domingo
- Sunday, 5/21 – DJ Licious
- Sunday, 5/28 – DJ Cory Minto
See full entertainment schedule HERE.
About The Loaded Spoon
The Loaded Spoon is a new dining experience located at 108 Schanck Rd in Freehold, NJ. Sign up for updates and offers here.
For more information now, including photos and interviews, contact Kim Simon at 732-577-8200, ext. 244. | music_and_dance |
https://pinetoplakesideaz.gov/Calendar.aspx?EID=1127&month=5&year=2022&day=14&calType=0 | 2023-05-28T22:33:39 | s3://commoncrawl/crawl-data/CC-MAIN-2023-23/segments/1685224644571.22/warc/CC-MAIN-20230528214404-20230529004404-00675.warc.gz | 0.870751 | 114 | CC-MAIN-2023-23 | webtext-fineweb__CC-MAIN-2023-23__0__87394654 | en | June 24, 2022
Gates open at 5pm. Concert starts at 6pm. Balloon glow starts about 8pm.
Mountain Meadow Recreation Complex
1101 S. Woodland Road
Pinetop, AZ 85929
White Mountains Balloon Festival Kick-Off Concert
Friday, June 24, 2022
Let's get this festival started the right way... with awesome music! Join us on June 24, 2022 for our Kick-Off Concert with Duane Moore & Mogollon. | music_and_dance |
https://www.powerliving.com.hk/product/107228 | 2024-03-04T08:18:32 | s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947476432.11/warc/CC-MAIN-20240304065639-20240304095639-00676.warc.gz | 0.895548 | 391 | CC-MAIN-2024-10 | webtext-fineweb__CC-MAIN-2024-10__0__72115748 | en | What is Chromecast Audio?
Chromecast Audio is a small media streaming device that plugs into the AUX input of your speaker, making your speaker Wi-Fi enabled.
Once set up, simply use your iPhone®, iPad®, Android phone or tablet, Mac or Windows laptop, or Chromebook to stream your favorite tunes to the best speakers in the house.
Easily stream music to your speakers
Tap the Cast button from top mobile music apps to hear your music instantly on the speakers. Then control the speakers right from your phone-- search, play, pause, queue songs and turn up the volume-- anywhere in the house.
Listen to your favorites, anytimeFIND APPS
Enjoy over 30 million songs from music services like Pandora, Google Play Music, Spotify, and iHeartRadio. We're constantly adding new apps, so there's no end to the music, radio stations and podcasts you can enjoy.
- Enjoy higher quality sound
Listen to your favorite artists the way they were meant to be heard. Chromecast Audio supports lossless high resolution audio, which is even better than CD quality sound. And your music streams from the cloud so you get continuous high-quality sound—even when you leave the room.
- Play music everywhere with Multi-room
Multi-room lets you group Chromecast Audio devices together so you can listen to the same song on multiple speakers.
Jam out to your music without interruption
Streaming won’t drain your battery or get in the way of other activities. Answer a call, surf the web, even leave the room—all without interrupting the tunes.
Plus, mirror any audio from your Android phone or your laptop
For apps that are not yet Cast-enabled or music stored on your device, you can mirror audio from your Android phone or tablet to the speaker. Or, use your laptop to mirror music and audio streaming websites from the Chrome browser. | music_and_dance |
http://www.jazzcarsoncity.com/ | 2014-04-19T22:11:26 | s3://commoncrawl/crawl-data/CC-MAIN-2014-15/segments/1397609537754.12/warc/CC-MAIN-20140416005217-00100-ip-10-147-4-33.ec2.internal.warc.gz | 0.874195 | 300 | CC-MAIN-2014-15 | webtext-fineweb__CC-MAIN-2014-15__0__78705596 | en | WHEN: Main Events - August 2-18, 2013
Saturday, August 3, Roy Rogers & the Delta Rhythm Kings
Speak Easy Dance Party at the Brewery Arts Center Ballroom 8-10pm.
WHAT: The summer sizzles! Mile High Jazz Band Assoc., Carson City, local businesses, and jazz lovers proudly
continue the annual August jazz festival started in 2004.
WHERE: Multiple Venues! Outstanding regional jazz artists will play for you at Third Street, the Farmers Market, Comma Courtyard, Comma Coffee, Plan: B, the Brewery Arts Center, the Legislative Plaza, and more.
WHO: More than 100 musicians in over 35 bands! Performers may include Reno Jazz Orchestra, Mile High Jazz Band, New World Jazz Project, Colin Ross, Ken Davidson Trio, Jazz Guys, Two Plus Quintet, Rosebud's Dance Band, Blue Jasmine,and many more!
COST: Did we say FREE? MOST EVENTS ARE FREE!
HOW: How can we present such an exciting festival with most events free?
By harnessing the energy and resources of our great community! Sponsors include Nevada Arts Council, Carson City, For the Love of Jazz, Lake Tahoe Media Group, and private donors. You can help, too! Contact Us if you want to see about being a sponsor.
INFO: To learn more, volunteer, or be a sponsor, call 775-883-4154 | music_and_dance |
https://www.garzablancaresort.com/blog/news/live-music-experience-puerto-vallartas-garza-blanca-resort-spa/ | 2023-05-28T22:37:02 | s3://commoncrawl/crawl-data/CC-MAIN-2023-23/segments/1685224644571.22/warc/CC-MAIN-20230528214404-20230529004404-00601.warc.gz | 0.943724 | 451 | CC-MAIN-2023-23 | webtext-fineweb__CC-MAIN-2023-23__0__292277663 | en | Puerto Vallarta’s Garza Blanca Resort & Spa is pleased to announce that it has launched a regular Live Music Experience program for guests to enjoy each and every day. We are excited to welcome four expert musicians from Cuba to play a range of live music including compositions for saxophone, flute, trumpet and violin.
Live Music to Inspire the Soul
The new program of live music hosted by Garza Blanca Resort & Spa is intended to entertain hotel guests at key locations throughout the resort. You can now enjoy the uplifting music of these solo artists by the pools, in the restaurants and on the beach at various times of the day according to a weekly schedule. Four talented musicians from Cuba will offer performances, playing a range of different musical compositions to enhance your experience of the areas.
Cuban born musicians, Kátherin González Álvarez, Kenia Marquez Landa, Claudia Madera Neyra and Jorge Luis Escalona Reyna have selected a program of inspiring music that complements the venues and adds a special touch to your experience. Just imagine being serenaded on the beach by the flute or violin; watching the sun set to a trumpet medley or a violin lullaby; dining to the sound of the saxophone or flute; or lounging by the pool as the sounds of live music wash over you. No two days will be the same and each of the chosen venues will surprise you with a different instrumental accompaniment depending on the mood of the day.
The Live Music Experience is set to awaken the senses with solo performances at key moments throughout your day; however, on occasion, the four musicians may come together to perform a rehearsed concert or jamming session, which will be advertised in the resort’s activities program. Likewise, the musicians will be available for special events such as weddings and other celebrations. You might decide to accompany a romantic dinner with a special request or host a small gathering in your suite, hiring one or all of the musicians to play for you. What is for sure is that live music is firmly on the menu at Garza Blanca Resort & Spa. | music_and_dance |
https://www.novustory.co.uk/studio | 2022-08-14T00:07:31 | s3://commoncrawl/crawl-data/CC-MAIN-2022-33/segments/1659882571989.67/warc/CC-MAIN-20220813232744-20220814022744-00493.warc.gz | 0.97067 | 425 | CC-MAIN-2022-33 | webtext-fineweb__CC-MAIN-2022-33__0__117795220 | en | Esche Haus Recording Studio Blackburn
When the band aren't rocking out on stage or writing tunes, they can be found working at the recording studio they built in Blackburn - Esche Haus Audio.
The studio started with Imogen & James recording bands in a shed behind James' parents house in Tottington, before moving to Blackburn in 2018. During lockdown, years of hard work honing their crafts, collecting gear, scouring Facebook marketplace for free/cheap items, up-cycling unwanted furniture and hoarding studio equipment paid off, as they finally had the time to build their own purpose built space, right in the town centre.
The studio operates as a recording studio and creative hub. It is not a place where artists arrive, record, pay and leave. It is a facility by which artists can be mentored and have the opportunity to not only record and produce their music, but have their music videos shot and their photographs taken too.
The band use the studio as a way to provide artists with the space they wish they had when they were starting out. A hub where they can go, learn, write, record and get a taste of what it feels like to work full time in the music industry.
With Imogen managing the studio, James recording and producing artists and Ben & Blenk recording session bass/guitar for Esche Haus artists, the band are all able to use the studio to work together, collaborating on other musicians projects alongside being in a rock band - Novustory.
The studio and band working as a unit have enabled them to work with everyone from emerging artists to global brands. Over the past 4 years they have recorded audiobooks for the likes of comedian Tez Ilyas (Mock The Week/Man Like Mobeen - Netflix) and Davinia Taylor (Hollyoaks). They have also had the opportunity to record audio for GLAMOUR es, Jagermeister, Virgin Radio, ITV & United Utilities and their work has been featured on primetime BBC news, Kerrang! & BT TV. | music_and_dance |
http://www.malmoopera.se/in-english | 2015-10-10T14:22:14 | s3://commoncrawl/crawl-data/CC-MAIN-2015-40/segments/1443737956371.97/warc/CC-MAIN-20151001221916-00192-ip-10-137-6-227.ec2.internal.warc.gz | 0.95336 | 672 | CC-MAIN-2015-40 | webtext-fineweb__CC-MAIN-2015-40__0__112122553 | en | For our english-speaking friends
Malmö Opera is the opera house of Southern Sweden. It is situated in the centre of the Oresund Region, geographical and economic region comprising Southern Sweden and Eastern Denmark. It is one of the most dynamic Regions in Europe where one can expect to find a solid, stimulating and high quality cultural life.
The summer of 2015 we arrange two guided tours in English, July 22:nd and 24:th. Book here!
Malmö Opera presents the whole range of music theatre with main emphasis on opera and musical. Distinguishing for Malmö Opera is opera of the highest international standards. We perform the great opera classics and musicals and contemporary musical drama as well as we endeavour to pursue freshly written Swedish operas and musicals. Gala Nights and orchestra and chamber concerts are also arranged and guest performances of contemporay dance and classical ballet are invited.
Operaverkstan – department for children and young adults - focus on producing high quality performances for children aged 3-19 with priority on contemporary compositions and subjects. Operaverkstan also introduces the classic opera work for its audience and sometimes the participation of children in the productions. Educational work along side with the productions, Operaverkstan also runs seminars, opera lessons, workshops and teacher training.
Malmö Opera also tour the South of Sweden with productions, opera as well as musicals and concerts, suitable for the small and medium stages in the province.
Malmö Opera is a municipal theatre subsidized by the County of Scania, the City of Malmoe and the Swedish State.
Malmö Opera has one of the largest auditoriums found in the Nordic countries. The auditorium holds an audience of 1511. The stage itself is one of the largest in Europe. The stage-ramp can be heightened and lowered and may either be utilised as an orchestra pit, as part of the auditorium or as an integral part of the main stage.
The auditorium can be reduced in area by means of movable walls. The main stage is 25 metres in depth and 25 metres in height. The stage has an area of 600 square metres. The theatre has changed with the times through the years in step with the advancements made in modern technique. For example, new grid, sound and acoustic equipment as well as new lighting equipment has been installed.
The renowned architect, Sigurd Lewerentz, together with his colleagues Erik Lallerstedt and David Heldén created one of the masterpieces of functionalist architecture. The foyer is considered of particular beauty, with its open surfaces and beautiful marble staircases and it is adorned with a number of works of art by artists such as Carl Milles and Isaac Grünewald. The building is an example of functionalism in the finest sense of the word and was registered with the National Trust in connection with the theatre’s 50th jubilee in 1994.
The Opera house is serviced with a restaurant, Malmö Opera Grill in an annexe, and has bars in the foyer. You can choose from a range of casual and fine dining, a three-course dinner, a quick meal before or after the show or indulging at an interval.
For tickets please call +46 40 20 85 00 | music_and_dance |
http://lasvegascomedyshow.com/list/whitney-houston-hologram-will-headline-las-vegas-residency-show-1390 | 2022-01-19T02:27:17 | s3://commoncrawl/crawl-data/CC-MAIN-2022-05/segments/1642320301217.83/warc/CC-MAIN-20220119003144-20220119033144-00504.warc.gz | 0.935843 | 332 | CC-MAIN-2022-05 | webtext-fineweb__CC-MAIN-2022-05__0__206186067 | en | The future is here, and it looks like Whitey Houston.
According to the late singer's estate, a Whitney Houston hologram will headline a Las Vegas Strip residency this fall. The singer passed away in 2012 at the age of 48. “While Whitney’s no longer with us, her voice and legacy will live on with us forever," said Pat Houston, the estate's executor.
"An Evening With Whitney: The Whitney Houston Hologram Concert" is set to debut at Harrah's Las Vegas on Oct. 26. The groundbreaking show uses a live four-piece band and backup dancers to support Whitney's hologram image.
Now, there are people who are skeeved out with the idea of using technology to represent the dead, but Whitney's estate managers insist that the world-famous icon would have LOVED the show.
“In 2011, Whitney and I discussed her idea of an intimate, unplugged concert tour. It was a project we called ‘Whitney Unplugged’ or ‘An Evening with Whitney,'” executor Pat Houston said.
“‘An Evening with Whitney’ is another chance for us to relive and celebrate the talent that we were so lucky to receive for more than three decades and we’re excited to bring this cutting-edge musical experience to the fans who supported the pop culture phenomenon that was Whitney Houston, because they deserve nothing less.”
Tickets for “An Evening With Whitney: The Whitney Houston Hologram Concert” go on sale on July 23 at 10 am. Buy them here | music_and_dance |
http://lighttideproductions.com/ | 2023-06-02T14:49:32 | s3://commoncrawl/crawl-data/CC-MAIN-2023-23/segments/1685224648695.4/warc/CC-MAIN-20230602140602-20230602170602-00221.warc.gz | 0.885171 | 237 | CC-MAIN-2023-23 | webtext-fineweb__CC-MAIN-2023-23__0__76514751 | en | Light Tide Productions Oy Ltd is an indie label providing music expertise across a wide range of creative services to bands and solo artists in Finland.
From music licensing to publishing, music placements in films, ads and video games, live shows and digital distribution, Light Tide is your “One-Stop” label.
Established in 2015, the company is the product of founder and CEO, Henri and Johanna Aalto’s 30 years of experience in the music industry.
Home to guitar virtuoso Henri Aalto and The Henri Aalto Band (H.A.B), Light Tide Productions Oy Ltd represents original music in a variety of genres such as
Rock, Blues, Jazz and World Music, while constantly seeking to broaden its roster. As a family oriented business, Light Tide Productions Oy Ltd works closely with
artists and fulfills their needs in a timely and flexible manner, and has procured Henri Aalto’s endorsement with Taisto Guitars.
When Music is a Passion, we represent.
Phone: +358 400 909 333 | music_and_dance |
https://www.tribunnetwork.net/songen-launches-2-0-ai-powered-royalty-free-ios-music-generator-app/.html | 2023-01-29T10:07:12 | s3://commoncrawl/crawl-data/CC-MAIN-2023-06/segments/1674764499710.49/warc/CC-MAIN-20230129080341-20230129110341-00377.warc.gz | 0.887378 | 684 | CC-MAIN-2023-06 | webtext-fineweb__CC-MAIN-2023-06__0__95341850 | en | HELSINKI, Feb. 24, 2022 /PRNewswire/ — Vibin Oy, a music app firm, broadcasts the launch of two.0 model of their cellular app Songen, accessible for iOS. Made for music producers, artists, content material creators and music lovers. The app presents a novel means of making music by producing distinctive royalty-free loops and songs.
With only a faucet of a button, Songen generates new tunes on the go. It is primarily based on AI-powered algorithms and does not use any pre-made content material. The app options an ever-increasing variety of curated music genres reflecting present Billboard music. The app exports audio and midi recordsdata in a number of codecs, protecting all wants of music producers, who can concentrate on sound design and re-voicing the midi notes to focus on their signature sound.
Trusted by music producers worldwide, Songen has drawn an viewers of customers throughout 100 nations. The app is beneath steady growth, preserving it up-to-date with trending music genres and kinds with common updates. It is free to obtain, providing a premium subscription.
The brand new model of Songen brings collectively the important music generator options for skilled music producers. Introducing SharePlay help, the customers can create music collectively throughout a FaceTime name in a synced app session. Face-to-face interplay takes the music manufacturing to a complete new stage by bringing two human musicians along with an AI-musician. Immediately experiencing the feelings to get suggestions of track concepts really has the potential.
The app has been intensively developed along with the music producer group. “Just about each developed function has been requested by a beat maker or artist. We’re fortunate to have top-tier music influencers giving us confidence that we’re on the appropriate path. We wish to supply a device that’s related now and sooner or later, too”, says the workforce.
Songen app options:
- Generate distinctive and royalty-free music Combine genres
- Customise tracks with numerous parameters
- Change instrumentation
- Save tracks to playlists
- Track Mode generates full songs with preparations
- Combine and grasp music
- Export in audio and MIDI to complete the track in your DAW
- Create music collectively in a synced session with Shareplay help
For extra info, go to www.songen.app.
About Vibin Oy,
Vibin Oy is a cellular app firm primarily based in Helsinki, Finland and was based in 2019.
Emblem – https://mma.prnewswire.com/media/1751721/Songen_Logo.jpg
Photograph – https://mma.prnewswire.com/media/1751722/Songen.jpg
View unique content material to obtain multimedia:https://www.prnewswire.com/news-releases/songen-launches-2-0–ai-powered-royalty-free-ios-music-generator-app-301488613.html
SOURCE Vibin Oy | music_and_dance |
https://helicoptergoeskaboomandpersonmask.bandcamp.com/releases | 2017-08-20T19:00:22 | s3://commoncrawl/crawl-data/CC-MAIN-2017-34/segments/1502886106984.52/warc/CC-MAIN-20170820185216-20170820205216-00350.warc.gz | 0.844218 | 129 | CC-MAIN-2017-34 | webtext-fineweb__CC-MAIN-2017-34__0__14223382 | en | released July 10, 2015
Ray Marte at Westfall Studios in Farmingdale, NY.
Album Cover Model
Horns on track 2 by Rick Katterman
Clarinet on track 2 by Jason Briggs
Drums on tracks 1, 5, and 11 by Johnny Hoblin
Bass on tracks 5, 10, and 11 by Joel Pixley-Fink
Recorded from November 2014 to April 2015 in Lindenhurst, East Meadow, North Amityville, West Islip, North Bellmore, and Massapequa, NY.
Thanks to everyone involved and everyone who listens.
all rights reserved | music_and_dance |
https://www.totpi.com/2015/06/18/ultra-orthodox-woman-performs-incognito-on-the-x-factor/ | 2024-04-13T00:05:41 | s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296816465.91/warc/CC-MAIN-20240412225756-20240413015756-00490.warc.gz | 0.991974 | 277 | CC-MAIN-2024-18 | webtext-fineweb__CC-MAIN-2024-18__0__43454932 | en | Contestants usually perform on singing contest shows like the “X Factor” seeking fame – in hopes that one day, the world will know their name. But a contestant featured on the premiere show of the new season of the show wanted precisely the opposite – total anonymity.
The singer did not give her name, and performed wearing a wig and dark glasses, for fear of negative repercussions from within her ultra-Orthodox community, where performing in front of audiences which include men – and on television – is frowned upon.
The anonymous singer said she had dreamed of performing since she was a young girl, but had never dared to do so, and that this time, she was so nervous that she almost didn’t come to the audition.
Afterwards she said “I thought I was going to pass out on stage, I was crying” but that she was thrilled to have realized her dream. She also brought tears to the eyes of the celebrity host of the Israeli X Factor Bar Refaeli and the judges who praised her performance of the song “Read All About It” – and sent her through to the next round of competition on the show.
She said that planned to continue on and that she “hoped the audience would understand and accept” the fact that she was singing incognito – at least for now. | music_and_dance |
https://thestandard.press/2022/02/15/kc-to-host-winter-concert-on-march-3/ | 2023-06-06T07:11:28 | s3://commoncrawl/crawl-data/CC-MAIN-2023-23/segments/1685224652235.2/warc/CC-MAIN-20230606045924-20230606075924-00058.warc.gz | 0.899736 | 677 | CC-MAIN-2023-23 | webtext-fineweb__CC-MAIN-2023-23__0__259720054 | en | The Kaskaskia College Choral Program is proud to announce its Winter Choir Concert in conjunction with the 2022 High School Honor Choir on Thursday, March 3, at 7:00 p.m. in the Kaskaskia College Jane Knight Auditorium.
Featured ensembles will be the Kaskaskia College Concert Choir, Community Chorale, and High School Honor Choir under the direction of Professor Lynda Marshall.
This is the Fifth Annual Kaskaskia College Honor Choir Festival, with eight participating high schools and 80 singers selected for the choir. The high school students will be rehearsing with Professor Marshall during the day and joining the college choirs to present the concert in the evening. Area participating high schools include Breese Central, Centralia, Christ Our Rock, Ramsey, Salem, Sandoval, South Central, and Vandalia.
The concert seeks to dispel the myths and stereotypes surrounding opera as so many people think of opera as being elitist or stuffy! This concert will feature a variety of music by opera composers and opera and operetta choruses. Community Chorale’s repertoire includes “Bell Chorus” from Leoncavallo’s Pagliacci, “Belle nuit, ô nuit d’mour” from Offenbach’s Les contes d’Hoffmann, and “Pilgrims’ Chorus” from Wagner’s Tannhäuser. The Concert Choir will be
performing “Neighbors’ Chorus” from Offenbach’s La jolie Parfumeuse, “Soldiers’ Chorus” from Verdi’s Il trovatore, and “Witches’ Chorus” from Verdi’s Macbeth.
Additionally, vocal performance majors Chloe Beal and Madelyn Owens will present “Sous le dome épais” from Delibes’ Lakme. Professor Lynda Marshall and Kaskaskia College alum, Morgan Isaiah, will present Rossini’s “Duetto buffo di due gatti.”
The concert will conclude with the High School Honor Choir presenting the famous “Anvil Chorus” from Verdi’s Il trovatore and joining forces with the college choirs to present “Va pensiero” from Verdi’s Nabucco, and “Finale” from Gilbert & Sullivan’s The Gondoliers.
KC Professor Lynda Marshall says, “I am so excited to host our first high school music festival since the pandemic began! The KC District has so many talented singers, and I look forward to having memorable musical experiences with them. This is a wonderful opportunity for students from smaller music programs to come together and perform with a large choral ensemble.”
The concert is free and open to the public. All concertgoers must complete the college’s COVID-19 Screener found at www.kaskaskia.edu and wear a mask while on campus.
— Submitted by Kaskaskia College | music_and_dance |
https://terrabox.wordpress.com/2010/09/10/asian-beat-2010-contempo-teachers-concert/ | 2018-06-18T02:07:30 | s3://commoncrawl/crawl-data/CC-MAIN-2018-26/segments/1529267859923.59/warc/CC-MAIN-20180618012148-20180618032148-00425.warc.gz | 0.963343 | 243 | CC-MAIN-2018-26 | webtext-fineweb__CC-MAIN-2018-26__0__90676022 | en | The airs of Dhoby Ghaut were filled with lights and sounds from the nearby Plaza Singapura mall. And underneath a huge white tentage, several bands went up the stage to fight and prove they should be the deserving ones to win the Asian Beat 2010 competition, before moving on to the Grand Finals.
Rosli was there with other fellow Contempo Music School teachers and Yamaha endorsees to judge the competition on a humid Saturday night on 4 September 2010. But the weekend wasn’t just about the competition and the bands.
Contempo Music School (Plaza Singapura) teachers came together for a first ever Contempo Teachers’ Concert the following day, much to the delight of their students, family and friends who went down to support them. And Rosli was there to perform with his fellow teachers too.
Scroll down to view some of the pictures taken during the Asian Beat competition and the Teachers’ Concert.
With fellow judge Indra Ismail
Deep in concentration for the judging
The panel of judges
Some of the teachers from Contempo Music School (Plaza Singapura)
Playing with fellow teachers
Rosli with the Yamaha SG guitar | music_and_dance |
https://www.ctchopinfoundation.com/ | 2023-03-26T22:19:57 | s3://commoncrawl/crawl-data/CC-MAIN-2023-14/segments/1679296946535.82/warc/CC-MAIN-20230326204136-20230326234136-00006.warc.gz | 0.947094 | 129 | CC-MAIN-2023-14 | webtext-fineweb__CC-MAIN-2023-14__0__217167443 | en | top of page
Connecticut Chopin Foundation, Inc.
The Connecticut Chopin Foundation was founded to promote the music of Fryderyk Chopin and expand the opportunity for young world-wide talented musicians to compete and perform at an international level.
The Connecticut Chopin Foundation was founded in 2012 as a non-profit organization and presently owns the 501 c3 tax deductible status. Our primary mission is to promote the music of Frederick Chopin and attract worldwide young musicians to expand their careers by providing them with an opportunity to compete and perform at a higher standard of international competition. Providing them with engagement and performance opportunities.
bottom of page | music_and_dance |
https://www.iamchrisferrara.com/ | 2023-12-11T15:13:18 | s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679515260.97/warc/CC-MAIN-20231211143258-20231211173258-00516.warc.gz | 0.948424 | 218 | CC-MAIN-2023-50 | webtext-fineweb__CC-MAIN-2023-50__0__214581078 | en | Born and raised in the small town of Sharon, MA,CHRIS FERRARA is a combination of city boy swagger and country boy soul. He relocated to Music City in 2013 with just a suitcase and a guitar, and he has been making a name for himself ever since. His music draws from an eclectic mix of influences - from Muscle Shoals to Motown and every stop in between - to bring a style that is as familiar as it is new.
A true entertainer known for his soulful voice and high energy performances, Ferrara and his band, THE COMMON GOOD, currently hold a weekly residency at THE TWELVE THIRTY CLUB in Nashville. Over the last four years, he has held multi-year residencies at other top venues on Nashville’s famed Broadway strip (The Stage & Dierks Bentley’s Whiskey Row). He has also been flown all over the world to perform for corporate clients and charity events (Capitol One, Miller Lite, Athlete’s First, Kids Cancer Alliance, & more). | music_and_dance |
https://somethinjumpinrabbits.com/dj-snake-drops-explosive-new-house-track-nightbird-edm-com/ | 2022-12-06T21:13:39 | s3://commoncrawl/crawl-data/CC-MAIN-2022-49/segments/1669446711114.3/warc/CC-MAIN-20221206192947-20221206222947-00167.warc.gz | 0.927406 | 355 | CC-MAIN-2022-49 | webtext-fineweb__CC-MAIN-2022-49__0__181708037 | en | DJ Snake Drops Explosive New House Track, “Nightbird” – EDM.com
DJ Snake continues down the rabbit hole of house music with his brand new track, “Nightbird.”
After a summer of madness, including a career-defining performance at the famous Parc des Princes stadium, the French superstar is back with the new banger, an explosive record.
“Nightbird” comes together with a deep bass line and dark, hypnotic vocals. Snake eventually leads the arrangement into a languorous build before it turns into a drop with frenetic synths and an electrifying house beat. He also released a trippy visualizer to go along with the new track full of pulsating green and black hues.
Scroll to continue
With the new single, Snake continues his exploration of house music. The electronic music superstar has regularly collaborated with fellow Frenchman Malaa, appearing on his gritty house track “Deep” from his scintillating debut album.
Snake is currently on tour through the end of 2022. He will end the year with performances at MDLBEAST’s SOUNDSTORM in early December before a set at Insomniac’s alien-themed festival Countdown NYE, which also features Zedd, deadmau5 , Madeon, ZHU and more .
FOLLOW DJ SNAKE: | music_and_dance |
https://www.brez.co.uk/archived/fabriclive-97-old/ | 2023-11-29T02:57:18 | s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100047.66/warc/CC-MAIN-20231129010302-20231129040302-00699.warc.gz | 0.921379 | 106 | CC-MAIN-2023-50 | webtext-fineweb__CC-MAIN-2023-50__0__76638432 | en | FABRICLIVE was the iconic mix-tape series from fabric London that ran for 100 releases between 2001 – 2008.
The albums in this series generally feature music in the UK bass, drum & bass, grime, and hip hop genres and reflect the music typically showcased at the nightclub’s Friday night events.
Brez created promo visuals for FABRICLIVE 97 (March 2018), headlined by Holy Goof.
Label – Fabric London
Artist – Holy Goof
Motion – Brez | music_and_dance |
https://health-am.com/doc_WW1lblJaMFY3ZGU4UGh3a2lXOUpqZz09 | 2023-11-28T17:21:57 | s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679099892.46/warc/CC-MAIN-20231128151412-20231128181412-00183.warc.gz | 0.938173 | 426 | CC-MAIN-2023-50 | webtext-fineweb__CC-MAIN-2023-50__0__225761800 | en | The article discusses the song "Everybody Wants To Get To Heaven" by Ed Bruce. The song talks about how everyone desires to go to heaven and how people often search for ways to achieve salvation. It emphasizes that no matter who you are or what you do in life, everyone shares the same desire to reach heaven.
The lyrics of the song convey the universal longing for salvation. It portrays how people from all walks of life, whether they are rich or poor, good or bad, young or old, dream of going to heaven. The song acknowledges that everyone has their own flaws and imperfections, but deep down, everyone wants to be saved and find eternal peace.
The article explains that the song highlights the common belief that heaven is a perfect place where all worries and troubles cease to exist. It acknowledges that life on earth is filled with challenges and hardships, and people often find solace in the idea of a heavenly paradise where they can find eternal happiness. It reflects the human desire to escape the trials of life and find ultimate bliss in the afterlife.
Furthermore, the article discusses the profound message behind the song. It suggests that the desire to reach heaven perhaps stems from the innate human need for redemption. People seek forgiveness for their mistakes and hope to find salvation from their transgressions. The song acknowledges that nobody is perfect, but it also emphasizes that everyone can strive for redemption and ultimately achieve heavenly salvation.
The article also delves into the musical aspect of the song. It mentions that Ed Bruce's heartfelt rendition effectively captures the emotions and sentiments expressed in the lyrics. The song is performed with a country music style, which adds a touch of simplicity and authenticity to the overall composition.
In conclusion, the article summarizes that the song "Everybody Wants To Get To Heaven" by Ed Bruce explores the universal longing for salvation. It acknowledges that no matter who we are or what we do, deep down, everyone desires to reach heaven and find eternal peace. The song carries a profound message about redemption and forgiveness, emphasizing that although we may have flaws, we can still strive for salvation and ultimately achieve heavenly bliss. | music_and_dance |
http://www.modernjamming.com/note/darlene-zschech-revealing-jesus-album-review | 2018-02-24T06:18:59 | s3://commoncrawl/crawl-data/CC-MAIN-2018-09/segments/1518891815435.68/warc/CC-MAIN-20180224053236-20180224073236-00339.warc.gz | 0.967418 | 1,432 | CC-MAIN-2018-09 | webtext-fineweb__CC-MAIN-2018-09__0__9875293 | en | We both love Hillsong’s songwriting so much. And since one of their ex-front woman created her first live album, we think it’s obvious for us to review her latest album. Yes, it’s Darlene Zschech with her first and latest live album, Revealing Jesus. Even though she had released some solo projects previously such as “Kiss of Heaven”, “Extravagant Worship”, “Change Your World”, “Simply Darlene”, and “You Are Love”, Revealing Jesus is the first live performance that ever been recorded by Darlene.
Revealing Jesus was released at March 19th, 2013 worldwide and recorded live at the Church of the Highlands in Birmingham, Alabama, on September 28 and 29 of last year. Produced by Grammy Award Winning producer Israel Houghton, Darlene was accompanied by New Breed and some famous song writers, Dove Award 2013 Winner Kari Jobe and Michael W. Smith.
This album contains 12 tracks, including 4 praise songs and 8 worship for the rest of the album. Here is the track list:
- God Is Here (P)
- Best For Me (P)
- All That We Are (P)
- In Jesus’ Name (P)
- Your Presence Is Heaven (W) - Our Cover
- Victor's Crown (W)
- Yours Forever (W)
- Magnificent (W)
- My Jesus I Love Thee (I Love You Jesus) (W)
- Your Name/Cry Of The Broken (W)
- I Am Yours (W)
- Jesus At The Center (W)
It is an Album with a Storyline
One of the reason why I like Hillsong's song in Darlene era is because the unity, when they play a song. It's like a unison of a team that worshiping God, in a way that even their music style is simple, I can still feel a complicated reason behind their style. In this Revealing Jesus album, I can feel the same unison and complicated style. The same reason why I like Hillsong, I find it here; especially all of the Worship songs.
Started with a praise song, this album pumps us a bit with an "angelic" style string opening that then used again later in their worship songs. Their four first praise songs, connect the album name as Jesus's revealer with a music that welcoming God to a place; you can imagine it like when somebody famous come to your town.
Their fifth song Your Presence is Heaven is a cover song from this album producer, Israel Houghton. When Israel open this song with his voice, I was hoping that I might be listening to Darlene's gospel style. Well, I was hoping too much, as it obviously turns out, Israel's voice doesn't match well with Darlene's music style; however I still love this song and you can listen to our cover here. Darlene also put a re-imagined hymn song called My Jesus I Love Thee. Although the arrangement itself is simple, but it's a declaration that we love our God, and still it's a great song.
The rest of this album is filled with worship songs. But I can assure you that with a great songwriter such as Michael W. Smith, Israel Houghton, and Kari Jobe involved, you won't be disappointed even a bit. If their praise songs is a welcome act, the worship song is truly a worship song. It is as if you meet Jesus in front of you, what will you say can be found in all their worship songs.
As I heard this album from the beginning to the end, this album has a storyline. Started with God is Here, Zchech gave the message of this whole album and led the audience to be prepared to worship God even more, open their heart to see Jesus is being revealed. Followed with another three praises songs that declares Jesus is the one to whom we give our life to. Besides storyline, this album has a clear similarity on every song, they are all addressing Jesus in all the songs lyrics. We can consider this as an important point about this album, because not all Christian songs put Jesus name on the lyrics, and replaced it with another designation like God, Lord, or Yahweh.
The rest of the album is filled with worship songs, which make this album very suitable for our devotional moment. Some of the songs are already familiar, such as Your Presence Is Heaven from Israel Houghton album Jesus at the Center , Magnificent from Hillsong album Blessed, and Jesus at the Center from Israel Houghton album Decade. Those songs are already my favorite worship songs, even I like the versions on this album better than the original. To hear my favorite Houghton songs are being sung by Zschech is almost a dream come true for me. I am so blessed with her voice singing those songs.
A biggest surprise for me is when I heard Zschech was singing duet with Houghton. Their harmonizing voice in Magnificent is mind-blowing. Houghton was singing on the back with Zchech for the entire live recording, but his name wasn't mentioned on the front album cover. If we only listen to the CD without watching the live recording, we'll never know that Houghton was there until they sang the duet. I'm very appreciating the modesty of those great singer such as Israel Houghton, Michael W. Smith and Kari Jobe for not being displayed in the front cover.
Songs we recommend for you
Abraham’s Recommendation Song
I love the praise songs. All of them, I highly recommend you to listen to all this songs. As for the ballad, I really like Victor’s Crown.
Natasha’s Recommendation Song
There are some of my favorite original song of this album, such as All That We Are and In Jesus Name. Yes, those are praise songs. From the rest of worship songs, I thought I have to agree with Abraham that Victor's Crown is one of the best worship song in this album, besides the previous well-known songs.
Another great work by Darlene Zschech. Overall, this album has a deep meaning on both music and lyric; both of them is connected with each other really well, it really brings out the true meaning of this album, to reveal Jesus in front of all the world and give us chance to worship Him. A great album.
This album is a masterpiece. Although there is nothing spectacular about the music arrangement, the songs are the biggest blessing for all the listeners. Every song has been put in such a meaningful way and being addressed to the One and Only Savior Jesus Christ. Jesus be revealed! | music_and_dance |
https://carolinabelles.net/tap-dance/ | 2024-04-18T17:21:07 | s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296817222.1/warc/CC-MAIN-20240418160034-20240418190034-00694.warc.gz | 0.922486 | 4,105 | CC-MAIN-2024-18 | webtext-fineweb__CC-MAIN-2024-18__0__15207759 | en | Tap Dance: The Rhythmic Artistry of Performing Arts
Tap dance, a rhythmic form of performing arts, has captivated audiences for decades with its unique blend of movement and music. It is an artistry that combines intricate footwork, syncopated rhythms, and expressive body movements to create a visually stunning experience. One can imagine being transported to the bustling streets of Harlem in the 1930s, where tap dancers like Bill “Bojangles” Robinson showcased their skill and creativity on stage. This article delves into the rich history and technical aspects of tap dance, exploring how it has evolved over time while maintaining its status as a timeless form of artistic expression.
Originating from African American percussive dances during the era of slavery, tap dance gained popularity in vaudeville shows and musical productions throughout the early 20th century. The artform reached new heights when legends such as Fred Astaire and Gene Kelly brought it to Hollywood films, mesmerizing audiences worldwide. Today, tap dance continues to evolve through various styles including classical Broadway style, rhythm tap, and hip-hop fusion. Its incorporation of elements from different cultures demonstrates its ability to adapt and remain relevant in contemporary society.
This article will delve into the technicalities behind this rhythmic artistry by examining fundamental steps such as shuffles and flaps, as well as more complex combinations like wings and time steps. Tap dance is characterized by the creation of percussive sounds through the striking of metal taps on the dancer’s shoes against the floor. These sounds are produced by using different parts of the foot, such as the toe, ball, or heel, to create distinct rhythms and tones.
Shuffles are a basic step in tap dance that involve alternating movements between the balls of both feet. By shifting weight from one foot to the other while brushing or scraping the floor with the ball of each foot, dancers can create a rhythmic pattern. Flaps, on the other hand, consist of a brush followed by a tap with the same foot. This combination produces a sharper sound compared to shuffles.
Wings are an intermediate-level step where dancers execute rapid movements involving alternating brushes and taps with both feet while keeping their heels together. This creates a fluttering effect similar to that of bird wings, hence its name. Wings require precise timing and coordination to achieve smooth and seamless execution.
Time steps are more complex sequences that incorporate various fundamental steps into a cohesive routine. They often serve as transitional movements within tap dance choreography. Time steps can be performed at different speeds and include elements such as shuffles, flaps, digs (a sharp downward movement), and scuffs (a quick scrape against the floor).
Throughout history, tap dance has been influenced by different cultures and styles. For example, rhythm tap focuses heavily on musicality and improvisation, allowing dancers to create intricate rhythms while interpreting music with their feet. In contrast, classical Broadway style emphasizes clear and precise movements executed in sync with traditional show tunes.
In recent years, tap dance has also merged with hip-hop culture, resulting in innovative fusions known as “hoofing” or “street tap.” These styles combine elements of both disciplines while incorporating freestyle movements and urban aesthetics.
Tap dance remains a powerful form of artistic expression, transcending time and cultural boundaries. Its evolution over the years showcases its adaptability and ability to incorporate diverse influences while maintaining its core essence. Whether it’s through the nostalgic charm of vintage tap routines or the vibrant energy of modern interpretations, this rhythmic art form continues to captivate audiences with its blend of athleticism, creativity, and sheer joy.
History of Tap Dance
Tap dance is a rhythmic and energetic form of performing arts that has captivated audiences for generations. Originating in the United States during the mid-19th century, tap dance combines elements of African tribal dances, Irish step dancing, and English clog dancing to create a unique art form characterized by intricate footwork and syncopated rhythms.
One example of the rich history of tap dance can be seen in the iconic performer Bill “Bojangles” Robinson. Born into poverty in Richmond, Virginia in 1878, Robinson rose to fame as one of the most influential tap dancers of his time. His innovative style incorporated lightning-fast footwork with smooth upper body movements, creating a seamless blend of athleticism and grace. Through his performances on stage and screen, Robinson not only entertained audiences but also broke racial barriers in the entertainment industry.
The evolution of tap dance can be traced through several key developments over its history:
- The merging of African and European dance traditions: Tap dance originated from a fusion of African tribal dances brought to America by enslaved Africans and various European folk dances such as Irish jigs and Scottish reels.
- Vaudeville era: In the late 19th century, tap dance gained popularity as an integral part of vaudeville shows. Performers like Fred Astaire and Ginger Rogers showcased their exceptional skills on stages across America.
- Golden age of Hollywood: During the early 20th century, tap dance reached new heights with films featuring legendary performers such as Gene Kelly, Shirley Temple, and Eleanor Powell. These movies introduced tap dance to a wider audience than ever before.
- Contemporary influences: Today, tap continues to evolve with influences from other forms of dance such as hip-hop and jazz. Modern-day artists like Savion Glover have pushed boundaries by incorporating improvisation techniques into their routines.
To appreciate the impact and significance of tap dance throughout history is to witness its emotional power firsthand. Imagine being transported back in time to a vibrant vaudeville theater, where the stage is illuminated with dazzling footwork and infectious rhythms. The energy and passion exuded by tap dancers evoke feelings of joy, excitement, and awe.
- Amazement at the virtuosity of tap dance performers.
- Appreciation for the cultural fusion that led to the creation of this art form.
- Nostalgia for the golden age of Hollywood and its iconic tap dancing stars.
- Inspiration to explore and appreciate diverse forms of artistic expression.
|Broke racial barriers in entertainment industry
|Known as “The King of Tap”; influenced future artists
|Popularized tap dance through film
|Known for his elegant style and smooth movements
|Innovated improvisation techniques
|Won Tony Awards for his choreography
|Showcased athleticism and precision
|Regarded as one of the greatest female tap dancers
Tap dance’s rich history sets the stage for exploring various techniques and styles employed by its practitioners. From traditional Broadway-style routines to more contemporary interpretations, each approach contributes to the ever-evolving tapestry of this rhythmic artistry.
Techniques and Styles of Tap Dance
Tap dance is a captivating art form that combines rhythm, movement, and expression. In the previous section, we explored the rich history of tap dance, tracing its origins back to African tribal dances and European clog dancing. Now, let us delve into the techniques and styles that make up this rhythmic artistry.
One example of a technique used in tap dance is called “shuffles.” Shuffles involve creating rapid sounds by striking the ball or heel of the foot against the floor. By varying the speed and intensity of these shuffles, dancers can effectively communicate different rhythms and emotions. For instance, imagine a dancer performing an intricate series of shuffles with lightning-fast precision during a high-energy routine – it would undoubtedly captivate and exhilarate the audience.
To fully appreciate tap dance as an art form, one must understand some key elements that contribute to its emotional impact on both performers and spectators:
- Rhythm: Tap dance relies heavily on maintaining a precise sense of rhythm throughout each performance. The syncopated beats created by tapping shoes against the floor create an infectious energy that resonates with audiences.
- Musicality: Tap dancers are often referred to as musicians using their feet. They interpret music through their movements, transforming melodies and rhythms into visual expressions.
- Improvisation: A hallmark of tap dance is improvisation – spontaneous creation within set structures. Dancers listen attentively to live music or recorded tracks and respond intuitively with improvised steps and rhythms.
- Artistic Expression: Through precise footwork combined with fluid upper body movements, tap dancers convey various emotions ranging from joyous exuberance to poignant reflection.
Let’s now take a closer look at how these elements come together by examining the following table showcasing different techniques commonly found in tap dance routines:
|Rapidly alternating leg flaps while in mid-air
|Elicits a sense of lightness and freedom
|Complex sequences of steps performed in syncopated time
|Evokes a feeling of energy and precision
|Emphasizes smooth, soft movements with minimal sound
|Conveys elegance and grace
|Rapid turns executed while maintaining rhythmic beats
|Creates an exhilarating sensation of momentum
By exploring these techniques and their emotional impact, we gain a deeper appreciation for the artistry behind tap dance. The combination of rhythm, musicality, improvisation, and artistic expression allows dancers to communicate with audiences on both a physical and emotional level.
As we transition into the next section about famous tap dancers, let us continue our journey through the world of tap dance by delving into the lives and legacies of these remarkable performers. Through their contributions, they have elevated tap dance to new heights and left an indelible mark on this captivating art form.
Famous Tap Dancers
Transitioning seamlessly from the previous section on “Techniques and Styles of Tap Dance,” we now delve into the realm of famous tap dancers. One such notable figure is Gene Kelly, whose impeccable technique and charismatic performances captivated audiences during the Golden Age of Hollywood. His iconic role in the 1952 film “Singin’ in the Rain” showcased his mastery of both acting and tap dancing, leaving an indelible mark on popular culture.
Tap dance has given rise to numerous talented individuals who have left their unique imprint on this rhythmic art form. From Fred Astaire’s elegance and grace to Savion Glover’s innovative style, each dancer brings a distinct personality to their performances. Aspiring artists can draw inspiration from these legends as they embark on their own journey within the world of tap dance.
To better understand the impact of famous tap dancers, let us explore four key aspects that contribute to their success:
- Mastery of technique: These renowned performers exhibit exceptional control over their movements, executing intricate footwork with precision.
- Musicality: A deep understanding and appreciation for music allow them to synchronize their steps flawlessly with rhythm and melody.
- Creativity: Famous tap dancers possess a remarkable ability to invent new steps and combinations, pushing boundaries while staying true to the essence of traditional tap dance.
- Stage presence: Charismatic personalities shine through onstage as these artists engage audiences with their infectious energy and undeniable talent.
In addition to these qualities, it is essential to recognize how influential tap dancers have contributed not only to performing arts but also impacted society at large. Their dedication serves as an inspiration for aspiring dancers worldwide, fostering a community built upon mutual admiration and respect.
As we transition smoothly into our next section exploring “Tap Dance Costumes and Attire,” we will uncover how dressing plays a crucial role in enhancing the visual appeal and storytelling aspect of this captivating art form.
Tap Dance Costumes and Attire
Transitioning from the previous section on famous tap dancers, we now delve into the world of tap dance costumes and attire. Just as each dancer brings their unique style to the art form, the costumes they wear enhance their performances, adding visual appeal and complementing their rhythmic movements.
Imagine a scenario where a tap dancer takes center stage wearing a vibrant costume adorned with sequins and feathers. As soon as the music starts, their tapping feet create an electrifying rhythm that resonates with the audience. The combination of skillful footwork and eye-catching attire captivates viewers, immersing them in an experience filled with energy and excitement.
Tap dance costumes are designed to showcase both individuality and tradition. They often feature elements such as fitted bodices, flared skirts, or pants that allow for freedom of movement while emphasizing intricate footwork. To further understand the significance of these costumes, let’s explore some key aspects:
- Color: Vibrant colors like reds, blues, or golds can evoke feelings of passion, joy, or grandeur.
- Fabric: Shimmering materials like satin or sequined fabrics catch the light and add sparkle to every step.
- Accessories: Feathers, gloves, hats, or bow ties can elevate the overall look by adding flair and elegance.
- Shoes: Tap shoes play a crucial role not only in producing sounds but also in completing the overall aesthetic appeal.
To illustrate this further:
|Patent leather tap shoes
The careful selection of these costume elements helps convey emotions and enhances storytelling through movement during a tap dance performance. It allows dancers to fully express themselves artistically while engaging the audience on a visual level.
Tap dance costumes and attire play an integral role in showcasing the artistry of tap dancers. The combination of colors, fabrics, accessories, and shoes creates a visually captivating experience for both performers and viewers alike. As we continue our exploration of tap dance’s influence in popular culture, we delve deeper into its significance beyond the stage.
Tap Dance in Popular Culture
Tap dance has made a significant impact on popular culture, influencing various forms of entertainment and leaving an indelible mark on the performing arts scene. One notable example that exemplifies tap dance’s influence is the iconic 1989 film “Tap,” starring Gregory Hines and Sammy Davis Jr. This captivating movie showcases the artistry and intricacy of tap dancing, highlighting its ability to captivate audiences with its rhythmic movements and powerful performances.
Tap dance’s widespread popularity can be attributed to several factors. First and foremost, its infectious energy and syncopated beats have made it a staple in musical theater productions worldwide. Whether it is a lively Broadway show or a local community production, incorporating tap dance routines adds an element of excitement and dynamism to the performance, engaging the audience both visually and audibly.
Furthermore, tap dance has found its place in music videos as well. Renowned performers like Fred Astaire, Ginger Rogers, Savion Glover, and Beyoncé have all incorporated tap dance into their music videos, showcasing the versatility of this art form across different genres. By seamlessly blending tap dance with contemporary music styles such as pop, hip-hop, or even rock, these artists introduce tap dancing to new generations who might not have been exposed to it otherwise.
- Tap dancers often serve as cultural ambassadors for their respective countries.
- The distinct sound produced by tapping shoes creates an auditory experience unlike any other.
- Tap dance competitions attract participants from around the world who showcase their skills and push boundaries.
- Tap dancing continues to inspire budding choreographers to experiment with innovative moves and fusion styles.
Additionally, let us explore how tap dance influences popular culture through this table:
|Impact of Tap Dance on Popular Culture
|Incorporation of tap dance in music videos
|Iconic movies showcasing tap dancing as an art form
|Inspiring new choreographic creations
|Influence on attire and accessories, such as tapping shoes
As we delve into the influence of tap dance on popular culture, it becomes evident that this rhythmic art form has transcended its traditional boundaries. From captivating audiences with live performances to leaving a lasting imprint in films, music videos, and even fashion trends, tap dance continues to be celebrated for its artistic expression and ability to enthrall people from all walks of life.
Transitioning seamlessly into the subsequent section about the benefits of learning tap dance, individuals can discover how embracing this art form can enhance their lives both physically and creatively.
Benefits of Learning Tap Dance
Tap Dance: The Rhythmic Artistry of Performing Arts
Having explored the influence of tap dance in popular culture, we now turn our attention to the numerous benefits that learning this rhythmic art form can offer. From physical fitness and coordination to artistic expression and cultural appreciation, tap dance provides a rich experience for both performers and enthusiasts alike.
Engaging in tap dance offers individuals a wide range of advantages that extend beyond simply mastering choreography. Let us consider one hypothetical example: Sarah, a 30-year-old professional working long hours at an office job. Seeking an outlet for her creativity and stress relief, she decides to take up tap dance classes as a hobby.
Firstly, tap dance promotes physical well-being through its vigorous nature. As Sarah immerses herself in routines involving intricate footwork and swift movements, she experiences improved cardiovascular endurance, muscle strength, and flexibility. Additionally, the repetitive tapping motions increase bone density, reducing the risk of osteoporosis later in life.
Secondly, learning tap dance fosters enhanced coordination and mental agility. Through practice sessions focused on precise timing and syncopation with music beats, Sarah’s brain develops increased neural connections between auditory processing centers and motor regions. This heightened cognitive function not only improves her ability to follow complex rhythms but also transfers into other areas of her life such as problem-solving skills or multitasking abilities at work.
Thirdly, tap dance serves as a creative outlet where performers can express themselves artistically. Utilizing their bodies as instruments to create percussive sounds allows dancers like Sarah to explore individuality within set choreographies. This freedom encourages self-expression while simultaneously honing their musicality by interpreting various genres of music through taps.
Lastly, engaging with tap dance exposes individuals to diverse cultural influences embedded within this art form’s history. By delving into the roots of tap dance, practitioners gain a deeper appreciation for the African and Irish traditions that contributed to its development. This cultural awareness fosters empathy and understanding, promoting inclusivity both within the tap dance community and beyond.
To summarize, tap dance offers numerous benefits to those who embrace it as an art form. Through physical fitness improvements, enhanced coordination and mental agility, creative expression, and cultural appreciation, individuals like Sarah can find fulfillment in their journey of learning and practicing this rhythmic artistry.
- Increased confidence through mastering complex routines
- Sense of belonging within the tap dance community
- Indulgence in creativity and artistic exploration
- Joy derived from connecting rhythmically with music
Tap dance not only provides physical fitness benefits but also improves cognitive abilities while fostering self-expression and cultural appreciation. By embracing this rhythmic art form, individuals like Sarah can experience personal growth, emotional satisfaction, and a sense of connection within themselves and their communities. So why wait? Lace up your taps now and embark on an extraordinary journey into the world of tap dance! | music_and_dance |
https://troyreviews.neocities.org/donda.html | 2022-06-30T21:39:38 | s3://commoncrawl/crawl-data/CC-MAIN-2022-27/segments/1656103915196.47/warc/CC-MAIN-20220630213820-20220701003820-00188.warc.gz | 0.985164 | 376 | CC-MAIN-2022-27 | webtext-fineweb__CC-MAIN-2022-27__0__132842612 | en | After a year of anticipation and build-up, Kanye West's album "DONDA" is finally out! This is one of the most hyped albums of all time, which set an expectation that was impossible to meet, and while this album wasn't without flaws, it is really a great project. Songs like 'Come to Life' and 'Believe What I Say' are some of Kanye's best, showing that there's still gas in Kanye's tank after decades of creating music. This album explores Kanye's spirituality and christianity, kinda like his last album Jesus is King. However, DONDA feels much more personal and real. Jesus is King felt almost performative, like Kanye's spiritual transition was an act, and it just didn't sound like a Kanye project. DONDA also talks about Kanye's relationship with his mother on songs like 'Donda' and 'Jesus Lord'. I expected more about Kanye's mother considering the name of the album, but I guess Kanye's spirituality is connected to his relationship with his mother. The song 'Lord I Need You' talks about Kanye's now ex-wife Kim Kardashian and it's a great track. DONDA is a great album from Kanye, but it's not flawless. Songs like 'Remote Control', 'Ok Ok', and especially 'Tell The Vision' are straight up skips in my opinion. I also feel like the Drake beef may have made this album slightly worse, because Kanyemay have felt rushed to release before Drake. Not to mention 'Life of the Party' with Andre 3000 which was kept from being on DONDA because of Kanye's Drake diss on the song. It would've been one of Kanye's best if it had actually released. Overall, DONDA is a great album from Kanye and if for some reason you haven't checked it out, it's worth it. | music_and_dance |
https://www.madelynbrene.com/trapopera | 2024-03-02T13:28:01 | s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947475825.14/warc/CC-MAIN-20240302120344-20240302150344-00409.warc.gz | 0.945799 | 176 | CC-MAIN-2024-10 | webtext-fineweb__CC-MAIN-2024-10__0__83080029 | en | Introducing "The Reimagined Artistic Progressive Opera" also known as "T.R.A.P. OPERA", an innovative new wave of music that is taking the world by storm. Our music is elegant yet edgy, which we consider to be perfect for the modern ear. "T.R.A.P. OPERA" has been described as a rare blend of classical opera infused with elements of R&B, Jazz, Hip-Hop and World Music, making it a unique genre and movement that is sure to captivate you. Created by Madelyn Brené, the "T.R.A.P. OPERA" movement has spearheaded a new standard for music with contemporary storytelling and groundbreaking ideals that break down barriers and challenges expectations. Listen to the compositions below and experience the bold, edgy and intriguing new sound for yourself! | music_and_dance |
http://downbeatdojo.com/who-we-are/ | 2019-02-20T06:26:36 | s3://commoncrawl/crawl-data/CC-MAIN-2019-09/segments/1550247494449.56/warc/CC-MAIN-20190220044622-20190220070622-00200.warc.gz | 0.949009 | 471 | CC-MAIN-2019-09 | webtext-fineweb__CC-MAIN-2019-09__0__176109567 | en | Adam Houghton //
Adam brings 15 years of electronic music production experience and an immensely positive attitude to his teaching. His discography stretches back to 1999 encompassing full length albums, vinyl singles, remixes, and digital releases. Adam will get you writing, finishing, and releasing tracks faster than you ever thought possible. His teaching philosophy revolves around highly efficient concrete tools and techniques honed by writing hundreds of songs across diverse genres.
Andrew Luck //
Andrew’s unique outlook is informed by 15 years experience on stage as a performer and behind the scenes as a Label Owner, Event Promoter, and DJ Product Specialist for a major music technology brand. He has traveled the country playing shows and teaching music technology skills, all while creating an ever-expanding catalog of original music releases and remixes. Andrew’s excitement for music is infectious. He has an amazing ability to encourage, inspire and discover.
Noah Chartier //
Noah Chartier aka Knowa Lusion is a Bay Area turntablist/producer and co-owner of the record label Street Ritual. He is considered one of the founders of Glitch Hop and an influential innovator in American bass music culture. Knowa began his professional career over a decade ago, producing and recording for Hip Hop artists, original music and DJing at events from New York to Miami. Noah leads workshops on DJing and teaches private classes.
Ben Obee //
Ben is a multi-instrumentalist composer and performer who has been involved with music for over 20 years. Studying formally at the Berklee College of Music in Boston he honed his chops on jazz and classical theory, composition, and orchestration. His biggest takeaway from formal education was ear training.
Ben has toured the the UK and US and performed at numerous festivals (SXSW, Sasquatch, Bumbershoot, Folklife, Makemusic Pasadena & more) radio performances and TV spots.
Jack Birnie //
Jack Birnie is an enthusiastic producer and controllerist based out of Seattle, Washington. His musical background includes 7 years of classical and jazz composition before making his way into the realm of electronic music. Jack is interested in pushing the boundaries of what is possible with music and technology. He emphasizes understanding the fundamentals of music, electronic and otherwise. | music_and_dance |
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