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http://library.nevada.edu/arch/aia/awa2008/b08018.html
| 2014-10-22T15:19:37 |
s3://commoncrawl/crawl-data/CC-MAIN-2014-42/segments/1413507447421.45/warc/CC-MAIN-20141017005727-00191-ip-10-16-133-185.ec2.internal.warc.gz
| 0.950236 | 667 |
CC-MAIN-2014-42
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webtext-fineweb__CC-MAIN-2014-42__0__30330606
|
en
|
| Architecture Studies Library
Entry number: B08018
Statement of Design Approach:
Principally funded by private donations, the length of time from design inception to construction completion was extended over a number of years. Coupled with the long and beloved history of the school, the design process morphed into an extended collaborative effort including not only the administration and faculty, but also alumni and major donors. Furthermore, the design process continued during construction, making continuity in the overall design imperative. The new campus has reinvigorated the students and faculty, with the architecture reinforcing progressive education coupled with traditional religious teachings.
Ultimately the decision was made to acquire a thirty five acre parcel and build a new facility that could adequately meet the needs of students for decades to come. This new location provides ample area for athletic facilities, while permitting a comfortable educational environment for a maximum of 1,200 students. The new site includes a football stadium, baseball and softball fields, a soccer field with track facilities, tennis courts, and several large parking areas.
A unique, multi-function chapel is the religious center of the school. Subdivided by a movable partition, the space can function as a two hundred seat chapel and a fully functional classroom, or be opened up to a full three hundred seats allowing one class of students to attend mass at one time. Two main event venues, the gymnasium and a theater, are accessed from a large, central lobby. The theater includes 350 seats and a full height flyhouse while the gymnasium contains approximately 1,700 seats.
Strategically located in the center of the complex are the Library and Commons, the two centers of the daily lives of the students. As the intellectual center for the students, the library houses both traditional and technologically advanced media to broaden the educational experience. The Commons, where students gather for meals and to socialize, includes a demountable stage and sound system for school dances and other social activities.
Daylighting the interior of the school was of particular importance, not only to improve the performance of the students but also to reduce the energy consumption of artificial lighting. Clerestory windows bath all interior circulation spaces in natural light with wide roof overhangs shading the windows. The infusion of daylight continues in the classrooms, where indirect light fixtures augment the daylight thereby creating comfortable and uniform lighting levels while saving energy.
A state of the art mechanical control system strictly regulates building systems throughout the school day and year to reduce wasted energy and to focus central plan capacities in appropriate areas. To further reduce equipment loads and energy use, all rooftop equipment was placed within the building structure to reduce heat loads on the equipment.
Sustainable materials were incorporated in the project with an additional focus on durability. Most notable was the selection of linoleum for all high traffic areas including the student corridors and Main Lobby for ease of maintenance and durability. Another material extensively used in the campus is synthetic turf which significantly reduces water consumption.
Material in ASL Library: Form Core Boards, Project Description Form, Exteriors Photos, Location Map, Site Plan, Floor Plan, and Interior Photos
These images are low-resolution reproductions of the images provided for the AIA Nevada Design Awards. All materials should be considered copyrighted and may not be reproduced or used without permission.
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design
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http://www.galleryvault.org/EAGAN.html
| 2019-02-22T04:28:23 |
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| 0.957629 | 418 |
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|
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I was only eight years old, during the Bicentennial year, when I came across an old, faded clapboard shed just south of Waitsfield village in Central Vermont. Centered in that room on the dirt floor was a small glass-melting furnace, roaring brilliantly orange. It was incredibly hot. It hurt to look directly into the flame but that’s what I did, fascinated by the power and majesty of glass. This was the domain of two local glassblowers, and their world of manipulating glass, one of the oldest and most basic craft materials.
And now, thirty-two years later, I am also manipulating glass to manifest my creative vision. With only a few basic elements, silica sand, soda ash, and limestone, I use intense heat to melt a clear base glass, which I then weave into a tapestry of art and objects from the simplest vase to the most complex sculpture.
Much of my work is an exploration of possibilities using intricate traditional Italian cane, in the Murano tradition. During a visit to my studio you might see my team at work producing these remarkable glass rods. Using a wide array of ancient techniques I blend clear base glass with colored glass from Germany and New Zealand, drawing and twisting large masses of glass into rods up to 50 feet long and sometimes no thicker than a familiar yellow pencil.
Making my own cane allows me the latitude to carry a creative concept from the very first hint of an idea to its full fruition. This cane, when broken into shorter lengths, informs the final design of much of my glasswork, both functional wares and sculpture.
I invite you to visit my glass studio in Central Vermont. I blow glass seasonally from May through October and then November through February. My studio has become a destination for people traveling the northeast. People tell me they learn a lot while visiting my studio. Describing the process as it unfolds brings the outsider closer to the actual experience of glass working. I love demonstrating glassblowing in the presence of visitors. Come and visit!
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design
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http://monasterosantarosa.com/sea-view-deluxe-suites/
| 2018-01-22T21:35:49 |
s3://commoncrawl/crawl-data/CC-MAIN-2018-05/segments/1516084891543.65/warc/CC-MAIN-20180122213051-20180122233051-00361.warc.gz
| 0.917193 | 211 |
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Sea View Deluxe Suites
The Sea View Deluxe Suites overlook glorious views of Amalfi or the gardens, reaching to the Gulf of Salerno. These debonair suites are custom furnished with antiques and decorated in a sophisticated palate of blues, taupe, and dark wood.
All of the Sea View Deluxe Suites feature a refined bedroom, living room and large bathroom. These suites offer extra closet space in the built-in headboard designed with additional storage space flanking both sides of the bed. Blending classic charm with modern conveniences, these suites have king-size beds swathed in fine Italian sheets and windows overlooking the sea.
Extraordinary bathrooms with custom-made dark wood vanities and Jerusalem stone feature tubs that overlook the sea, and each is stocked with the spa’s signature Santa Maria Novella pomegranate bath salts. Relax with your favorite book at the built-in window seat that overlooks the water, and glance out at the many boats that dart by throughout the day.
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design
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https://glutenfreelifetweaks.com/2020/12/24/how-to-make-a-gluten-free-gingerbread-lantern/
| 2023-06-08T02:22:10 |
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| 0.941704 | 2,315 |
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I wanted to have a go of making something from gluten-free gingerbread dough for Christmas to bring a bit of Christmas cheer. Having experience of gingerbread houses collapsing I thought a lantern we used to make in my childhood would be safer for it doesn’t have the weight of the roof to withstand.
I am quite pleased that I got a finished lantern and it’s still in one piece as I’m writing this so I want to share how I made this if you want to make one yourself. Even if you don’t make this for Christmas day, you can make one during the winter holidays if you find more time on your hands. Decorating gingerbread is so much fun!
Making the gingerbread dough
I used the easy Nordic-style gluten-free gingerbread dough I posted a little while back to make the lantern. The syrup gingerbread is quite sturdy when you bake it for longer so I knew I’d have a good chance to succeed. When making the dough to build something from you need the dough to be quite firm so that it doesn’t spread much when baking. The amount of flour you use depends a lot on the gf flour mix you are using but I’d add 11-12dl of flour with 2tbsp of psyllium husk powder mixed in to start with.
After the dough has rested the minimum 3 hours in the fridge, see if you can roll the dough without it sticking much and if you can easily cut shapes from it and lift them to a tray. If the dough feels soft and unmanageable, knead a few tbsp of flour in at a time to see when the dough firms up so that it’s easy to handle. Leave a slight softness, for you add more flour when rolling the dough out, and too much flour starts to make the dough crack when rolling and baking.
I made the lantern a very basic shape, since I wasn’t really sure how the gf dough would bake and how sturdy it would really be. I drew a shape on baking parchment where there’s a semicircle on a 10cm X 10cm square. I used a large glass tankard to help me draw the semicircle. I found this size of a lantern small enough to hold together on my own and it was large enough to safely hold a tea light without it getting too close to the edges, but if you use battery tea lights instead of real ones, they are safer and you can make smaller lanterns that are even easier to hold together when assembling.
Do bare in mind that if you use cookie cutters to make the windows on the lantern that there’s at least a 15-20mm edge left to the sides, then the biscuit should stay sturdy enough to handle and won’t break so easily during the build.
Rolling, cutting and baking
When rolling your dough, use a generous dusting of gf flour on your worktop and on top of the dough. If you have a large spatula, it will help moving the base to a baking tray.
First make your base plate. The lantern is 10cm x 10 cm so check that it fits on your base and that you have a dish or tray where the base plate fits. If you end up having a base that doesn’t fit on a tray or a plate, of course you can cut out a piece from a cardboard box and cover that in tin foil to make a display tray for your creation.
Roll the base around 8-10mm thick, you want it to be quite sturdy. Roll the dough as evenly as possible to help an uniform bake and give a nice flat surface for your piece. If you want, you can cut the base out or leave unfinished more rustic edges. Using a spatula, lift to a baking tray lined with non-stick parchment paper.
When baking the base use 200C/185C (fan assisted oven). The baking time depends a lot on the size and thickness of the base, mine took 25minutes. I started from 15min and added 5min, then 2-3min at a time until I got a no ice dark bake that felt rather solid but didn’t burn from the edges. The gingerbread solidifies as it cools, so don’t wait it to feel totally hard, dark brown colour without catching the edges is what you want.
Roll out more dough to cut out the pieces for the lantern. Ideally you want to roll out enough dough to cut all the pieces from the same sheet so that they are of uniform thickness and quality. If you can’t get all the pieces from the one sheet, just roll out more and preferably measure that you have the same 5mm thickness in all the pieces.
Place the pattern on the rolled dough and cut pieces out with a sharp knife. Preferably prepare spares in case something brakes or burns… I made everything double just in case and then I could choose the best pieces.
When you have cut the pieces, move them to a baking tray lined with non-stick baking paper using a spatula. Cut out the windows when on the tray, I found this easier than to move a piece with a hole in. You can use cookie cutters or cut out the shape you want. Just make sure to leave an edge of 1.5-2.0cm so that the pieces are sturdy enough to assemble.
Any excess dough left you can roll out and cut out gingerbread shapes and bake a couple of trays of gingerbread so nothing is wasted.
When baking the lantern pieces again go for a nice rather dark brown bake so that the gingerbread is quite hard when it cools down so that you can build with it. Mine took around 12min but keep checking every few minutes.
When the pieces are done, let them cool down properly until decorating the pieces or assembling.
Decorating and assembly
I like to decorate the sides of the lantern first before assembling because I feel it’s easier to decorate pieces that lay flat. You do need to wait until the icing has fully set before assembly and be mindful that you don’t damage the decorations when assembling
I like to use royal icing for decorating for it sets quicker than icing made with icing sugar and water. You also tend to get better control of the thickness of the icing. Royal icing is egg whites and icing sugar whisked together. I used one egg white which I whisked lightly with a fork and then kept adding tablespoonfuls of icing sugar until I got quite a thick icing that would be ok to pipe and wasn’t runny. If you are worried about food safety of raw egg, use pasteurised egg white which should be quite readily available in supermarkets.
If you want to use shop bought icing, do checked that they are ok for coeliacs so do not contain wheat, barley, rye, oats of have a ‘may contain’ statement to any of them or ‘cereals’ containing gluten’. I had a look in my local supermarket, and from their designer icings the white one was ok and all the coloured ones had wheat in. For a coeliac even a trace amount can trigger the auto-immune response and damage the lining in the small intestine undoing up to 6 months worth of healing, as that’s considered the minimum time the lining takes to heal, so it’s better to be safe than sorry.
With the decoration, you can go as minimal or as elaborate you like. If you want to use sprinkles and other decorations such as sweets, again make sure they are ok for coeliacs to use as that’s the tightest standard for gluten-free. Finding suitable decorations can be tricky sometimes at least in the UK, but the selection in supermarkets is improving. I found the golden stars and snow flakes from Sainsbury’s to be ok as well as the shimmering decorative sugars. From sweets Skittles and Haribo are typically ok, of course just to be safe, always check everything in case there’s been changes to ingredients or processing.
When your decorations are done and the icing set, you can assemble the lantern. I used the royal icing for this. You could use melted sugar to which you dip the edges and then join together. It would be the quickest one to set and a really solid way of fastening the pieces, but I find the hot sugar a bit too tricky to work with so I prefer to work with royal icing, even if it means staying still for a longer time holding the pieces together until they’ve set.
To assemble, pipe icing along all the straight edges of the lantern pieces and then join them together carefully one by one holding them together with your hands. Having someone help you with this makes things a lot easier but it can also be done as a one person job. You might want to put an audio book on or have a video to watch while you hold the pieces and wait for the icing to set for this might take nearly ten minutes. Or you can take it as a meditative practice and do breathing exercises while you wait…
When you are confident that the pieces are holding together, you can let go and let the icing dry out for 10-15min. After this you can tidy the lantern up and pipe icing on the corners and bottom of lantern to fill any gaps and make it more attractive. You can add again any gf decorations to get the finish you want. Making squiggles on the base with the icing and adding sweets or sprinkles is a good tactic that doesn’t require a steady hand but you can
Now your lantern is done! Wait for the icing to dry out before moving to a display tray. You can place a battery operated tea light inside to make it more festive. If you choose to use a real tea light, place it on a hard non-flammable surface underneath as per candle manufacturers instructions, I used a soy sauce dish. Also make sure the candle doesn’t get so close to the sides that they could start to burn. Stick to fire safety guidance and never leave a lit candle unattended, also keep away from children and pets. With an edible table decoration, children and animals might need to be kept an eye on even without a candle, to be fair.
When you make a lantern of your own or do a bake with my recipes, do let me know by commenting here and letting me know where I can see a picture or tag me on Instagram (@gf_lifetweaks). You can also come and share your creations on my Facebook (@gflifetweaks) by leaving a comment or sending a DM. I’d love to see how you get on and how you are finding the recipes. Hope you have a fun time making these, have a happy festive season!
2 thoughts on “How to make a gluten-free gingerbread lantern”
Kiitos! (Thanks, I think it’s quite cute, too)
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design
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http://www.fuelbrandnetwork.com/2010/10/19/fuel-your-product-design-launches-with-dave-vogler-as-editor/comment-page-1/
| 2016-08-25T02:38:39 |
s3://commoncrawl/crawl-data/CC-MAIN-2016-36/segments/1471982292734.19/warc/CC-MAIN-20160823195812-00271-ip-10-153-172-175.ec2.internal.warc.gz
| 0.947176 | 307 |
CC-MAIN-2016-36
|
webtext-fineweb__CC-MAIN-2016-36__0__31079140
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en
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The Fuel Brand Network is pleased to announce the launch of Fuel Your Product Design!
The site focuses on industrial design and product development, and the long road that designers walk to bring ideas into reality, from napkin sketch to store shelf. Fuel Your Product Design has articles and interviews to fuel creation, to inspire design and to give readers the tools, advice and drive to bring these designs to life.
Fuel Your Product Design covers a broad range of categories, from toys to trains, from automobiles to architecture, from electronics to education. In all of these areas, there are similar stories. Of inspiration and of ideas being born. Stories of people taking risks. Stories of designing and developing, of investment of time, money, and resources. Stories of passion and belief. And stories of, at the end of it all, a finished product.
These stories are there to be told, and Fuel Your Product Design tell them, to inspire even more stories of of taking an idea and making something amazing from it.
It all happens under the direction of designer Dave Vogler, who joins the Fuel team as its newest editor. Dave has over ten years experience as a product design consultant, working both freelance and for Sparkhouse, a collective of independent creative web professionals producing web solutions.
Dave lives for design and is passionate about creating beautiful, user-friendly websites, especially for small businesses and startups. His expertise and enthusiasm ensures Fuel Your Product Design launches with a bang, and is as awesome as the other sites in our network!
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design
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https://www.studioz-design.com/about
| 2023-11-28T13:46:55 |
s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679099514.72/warc/CC-MAIN-20231128115347-20231128145347-00147.warc.gz
| 0.961173 | 430 |
CC-MAIN-2023-50
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webtext-fineweb__CC-MAIN-2023-50__0__7488476
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en
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WE ARE A DESIGN/BUILD COMPANY
As much as we enjoy to build custom spaces, designing them is our love and priority. We just happen to be excellent builders but our background and education is in architecture. And our goal is to bring good design to the everyday and fix bad design where we encounter it. So often residential buildings are put together by people who do not necessarily know design and appreciate the value good design can accomplish. No matter what your project requires, be sure to hire someone with an architecture background because you may not know what you are missing.
The process of design and building is an intimate experience between you and your architect and builder. At a design/build firm this relationship is simplified so that the process can be seamless and less costly. There are a number of benefits for hiring a design/build firm over an architect and builder, most paramount is designing within your budget. Since we build, we know the costs associated with different designs and can work within your budget to make the most from what you hope to achieve.
At Studio Z Design & Construction, we believe our relationship with our client is paramount to creating a successful design as well as ensuring a harmonious building project. By providing both design and building services under a single roof we streamline the process. As a design+build company, we are intimate with each phase–from sketching out initial design concepts, finalizing architectural drawings, obtaining permits, to framing and trimming out rooms. In this manner, we can closely monitor and address all of our clients' needs and concerns. In building our clients their dream homes, we design within our clients' goals (not ours)–that is their aesthetic tastes, their budgets, and their schedules.
To learn more about our design projects be sure to see our NEWS page
Tom, owner and lead designer, brings a unique combination of skills and experience to Studio Z Design. With a Ph.D. and M.A. in history specializing in California architecture and aesthetics from the University of Southern California and years of building and design experience, Tom provides an insightful vision into your remodeling project.
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design
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https://www.vsu.by/en/news/4362-vsu-by-luchshij-sajt-vysshego-uchebnogo-zavedeniya-2.html
| 2020-10-19T15:42:20 |
s3://commoncrawl/crawl-data/CC-MAIN-2020-45/segments/1603107863364.0/warc/CC-MAIN-20201019145901-20201019175901-00388.warc.gz
| 0.932657 | 188 |
CC-MAIN-2020-45
|
webtext-fineweb__CC-MAIN-2020-45__0__69128076
|
en
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Website of VSU was awarded the 1st degree diploma in the category “The best website of a higher educational establishment” at the 18th International Specialized Exhibition “Education and Career” in Minsk.
University information resources were evaluated according to the following criteria: site content (volume and attractiveness of information, focus on the target user, consistency and literacy of the presentation of the material, etc.), website design (convenience of structure and navigation elements, quality, functionality, etc.), feedback with the target audience of the site, indexing in search systems and traffic.
The purpose of the competition is to improve the informational segment of the international educational Internet space, increase the reputation and prestige of the official sites of educational establishments.
The competition was organized by Education Committee of the Minsk city Executive Committee, “Minsk city Institute for the Development of Education”, exhibition company "Expoforum".
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design
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https://www.yessneaker.com/air-jordan-4-retro-midnight-navy-dh6927-140
| 2024-03-02T05:42:54 |
s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947475757.50/warc/CC-MAIN-20240302052634-20240302082634-00733.warc.gz
| 0.836097 | 143 |
CC-MAIN-2024-10
|
webtext-fineweb__CC-MAIN-2024-10__0__118890463
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en
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Indulge in the timeless elegance of the Air Jordan 4 Retro 'Midnight Navy.' This iconic sneaker showcases a sophisticated colorway that exudes a sense of refined style. The Air Jordan 4 Retro 'Midnight Navy' features a combination of deep navy blue, crisp white, and touches of metallic silver, creating a visually captivating design. Drawing inspiration from the brand's rich history, this sneaker pays tribute to its legacy while offering exceptional performance. With its signature Air cushioning and supportive midsole, it ensures optimal comfort and cushioning with every step. Step into the Air Jordan 4 Retro 'Midnight Navy' and elevate your fashion game with a shoe that effortlessly blends classic design and modern appeal.
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design
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https://fosteringfamiliestoday.com/fostering-families-today-feature/rainy-days-and-lazy-mornings/
| 2024-02-28T02:24:05 |
s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947474690.22/warc/CC-MAIN-20240228012542-20240228042542-00513.warc.gz
| 0.966101 | 1,038 |
CC-MAIN-2024-10
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webtext-fineweb__CC-MAIN-2024-10__0__149961648
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en
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by Jena Hengstler
Summertime is the ideal time to get outdoors for days filled with adventure, picnics, sunshine, summer sports and all things vitamin D and fresh air. However, an occasional rainy day may have the family stuck indoors.
While everyone can appreciate a lazy morning and the crisp smell of a rainy day, most parents know it won’t take long before boredom sets in. These days are perfect for longer, more involved activities with endless layers that take planning, preparation and can be played for hours. Translation: let the kids take over the house for the sake of meaningful play and imagination.
Build a Rube Goldberg Machine
When I think of a Rube Goldberg, also known as a chain reaction machine, I instantly think of the opening scene of Back to the Future. It’s essentially a carefully planned out sequence of events engineered to perform a simple task. A quick YouTube search offers countless examples, specifically those designed by kids. Some are simple, such as a row of cascading dominoes, while others can last for several minutes.
The beauty of these types of machines is that the activity encompases multiple science and engineering skills disguised as creative fun, utilizing levers, pulleys, energetic force, timing, gravity and physics.
A rainy day is the ideal time to launch this idea. Spark your child’s interest with a few videos and let them take it from there. Encourage the addition of more levels to their machine or even try to make it go through more than one room of the house. This activity is perfect for all ages, teamwork, ingenuity and trial and error. Many small adjustments are usually needed to make it all work just right.
You could even play the supporting role of videographer.
Creating and Running a Town
The depth of this project can go as far as you’re willing to help with or encourage. The idea is for the kids to turn various rooms of the house into different stores.
The kitchen can be a restaurant – complete with a menu, hostess stand, cash register and the prep and service of real food items – thought up, prepared by and served by the kids. A neatly set up table for guests makes the restaurant complete.
One bedroom can be a gift shop. The child in charge of that “store” can display several unique items for sale, marked with a price and offer customers shopping baskets or bags for their purchases. When the customer has picked out their items, the “cashier”can total the cost and learn to calculate sales tax. They can practice counting back change and even make their own credit card machine to use. Perhaps even offer to gift wrap the customer’s purchases.
Turn the living room into a library. The children could organize a selection of books alphabetically by author – ready for check out. Visitors to the library can select their books and use their library card (created by the librarian). After checking out their books, library patrons receive a sticky note with a due date on them. Maybe the librarian could even suggest certain books, based on their interests, or offer “story hour” at certain times, where they dress up as a certain character and do a read aloud.
Additional rooms could become a clothing store, sports store, movie theater, post office, bank or whatever the kids can think up. Each one complete with everything to make the play seem as realistic as possible.
Who doesn’t love a good carnival? When suggesting this idea to your children, be prepared for a squealing response.
This is the perfect opportunity to let your child’s imagination run wild. They can take inspiration from standard carnival games, such as throwing a ping pong ball into cups of water or invent their own. Maybe indoor bowling, knocking down stacked blocks with a foam ball, paper airplane building, bobbing for apples, pin the tail on the donkey or even face painting.
They can make tickets, decide how much each game will cost and make signs accordingly. They can set up their stations, decorate and even find prizes to give away. Top it off with a popcorn and lemonade station, add some cheery music and you’ll have a fun event right in your own home.
Any of these ideas can turn a rainy day into lasting memories. It will be time well spent, imagination will come to life and learning opportunities are woven throughout.
Jena Hengstler is an elementary teacher. She always knew she wanted to work in education and has had a 15 year career charged with just as much learning as teaching. Her teaching journey has been filled with successes, trials, love, heartbreak, celebration and humility – all for the love of children. Jena calls the beautiful state of Wyoming her home. She loves doing life with her husband, Larry and her son, Hudson. When she isn’t at school, she enjoys reading, writing, drinking coffee that is still hot, watching sports, being outside and will always make time to watch the sunset.
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design
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https://coloradodailynews.xyz/2023/02/19/adding-value-and-comfort-to-your-home-with-remodeling-company-orange
| 2023-10-01T21:37:58 |
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| 0.908092 | 807 |
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Adding Value and Comfort to Your Home with Remodeling Company Orange
Dreamworks Design Center is here to give your home the makeover of your dream! Our whole house renovations add value and comfort to your home in Orange, CA. As a leading local Remodeling Company in Orange, we are proud to offer the best professional design, installation, and repair services in Orange, CA, providing the highest quality artistry on every project. On every job, our team works hard to create unique, stunning results that bring customers’ dreams to life while ensuring smooth and efficient workflow.
Transforming Living Spaces: How Remodeling Company Orange Can Help
Our team of passionate industry professionals has many years of experience transforming living spaces in Orange, CA. Whether you’re looking to update a single room or implement a whole house renovation, our team has the skills and expertise to bring your design ideas to life.
The most successful renovations consider your visions and dreams. Our Remodeling Company, Orange, can work closely with you to create a remodeling plan that fits your lifestyle, space, and budget. Our team is proud to prioritize customer satisfaction; getting to know each customer and their distinct needs allow us to ensure the remodel suits their requirements. That's why we take the time to understand our customers and create Remodeling Orange that best reflect their hopes. We then bring these insights to our initial design consultations and throughout the construction process, ensuring that our customers always get the perfect finished product.
At Dreamworks Design Center, we specialize in a wide range of home remodeling services, from custom kitchen renovations to whole house remodels. We pride ourselves in the remodeling process. We take the extra steps to ensure the job is correct every time. Your satisfaction is our top priority! We also understand how to create functional and beautiful spaces and provide the perfect balance of form and function for each project.
The Secret to Creating a Home You Love with Remodeling from Remodeling Company Orange
For many homeowners, Remodeling Orange is an exciting and rewarding experience. It is a chance to give your living space a makeover and a great way to add value to your home. At Dreamworks Design Center, we understand how important it is to create a home you love. Our team uses the latest technologies and tools to make that dream reality.
We understand that remodeling your home is an investment, and we strive to provide our customers with the highest quality finished product every time. Our team of experienced professionals at our Remodeling Company Orange knows which services can help you create your ideal home, whether you need a complete remodel or just a few more minor updates. We use the most up-to-date materials, technologies, and tools available on the market, and our team never skips any steps or makes shortcuts.
When creating the perfect home, there is no “one-size-fits-all” solution. At Dreamworks Design Center, we take the time to truly understand your style, vision, and goals for your home and then create a detailed plan to meet all your expectations. Our team also has a wealth of knowledge about the remodeling industry, and we can provide insight and guidance to help you make the right decisions and stay on budget.
Dreamworks Design Center is a leading local remodeling company in Orange, CA, dedicated to helping customers get the home of their dreams. With several years of experience and a team of passionate industry professionals, our Remodeling Company, Orange, offers professional design, installation, and repair services to help you transform your living space with style and efficiency. From more minor updates to full-scale structures, we take the necessary steps to ensure that our customers get the perfect finished product every time.
Dreamworks Design Center
415 W Taft Ave Suite C, Orange, CA 92865
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design
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https://www.lifealchemia.eu/en/start-up-the-pilot-plant-at-the-drinking-water-treatment-plant-in-viimsi-estonia/
| 2023-11-30T11:14:42 |
s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100184.3/warc/CC-MAIN-20231130094531-20231130124531-00780.warc.gz
| 0.947961 | 143 |
CC-MAIN-2023-50
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webtext-fineweb__CC-MAIN-2023-50__0__313112317
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en
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Last October, the Estonian pilot plant (Demo) was started at the Viimsi Water Treatment Plant, thus initiating the tasks of validation and operation of the pilot plant.
The technological scheme consisted of aeration column, the Hydrous Manganese Oxide oxidation tank, and filtration columns that may be packed with different filtration materials. The efficiency of the filter materials as sand and zeolite, is studied in the project.
The pilot plant is designed in order to remove Ra-226, Ra-228 and the other water constituents under the regulation concurrently presented in the water. The pilot plant will be operating in the Viimsi Water Treatment Plant during the next two years.
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design
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http://mattzappile.com/
| 2018-08-15T22:39:57 |
s3://commoncrawl/crawl-data/CC-MAIN-2018-34/segments/1534221210362.19/warc/CC-MAIN-20180815220136-20180816000136-00582.warc.gz
| 0.964537 | 697 |
CC-MAIN-2018-34
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webtext-fineweb__CC-MAIN-2018-34__0__111563804
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en
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Welcome to a showcase of my work.
Be it commercials, PSAs, web videos, political ads, museum programs, or event videos, I find the best way to present story and information in an engaging way. My focus on storytelling leads me to be the creative director on many projects and continues to grow my abilities well beyond the lens to include conceptualization and execution of immersive multi-channel campaigns.
USPS wanted customers to use the newly redesigned version of their premiere online shipping tool, Click-N-Ship®. The ad agency team and I collaborated on a creative concept that focused on the simplicity of the shipping tool. The result was "Flip Steps".
I wanted to create a seamless visual transition entirely in-camera, so we built a huge flipping table with set dressing attached to each of the four sides. It was a challenging dance of coordination that relied heavily on my directing and producing skills. In the end, simplicity was achieved through well-planned complexity.
Flip Steps: Photo Gallery
Creating immersive experiences inspires visitors' thoughts and leads them to make connections that they never knew existed. "Systems At Work" engages visitors in an epic presentation of a subject that, at first, might seem mundane to many. The goal was to create a fun, exciting, and stylized adventure through the tech-savvy process of getting mail where it needs to go.
I developed the creative concept then produced and directed the project. The centerpiece of the exhibit is the resulting film presentation projected on a massive 270º cylindrical screen.
The USPS sales team needed engaging materials to sell their services to a variety of industries. I developed three short films that are told from the perspective of these industries and suggest how mail can work for them within a modern context.
These short films are presented at USPS trade show booths on massive screens. We also developed an accompanying tablet app that the sales team uses to engage potential customers one-on-one after the main presentation. Example mail pieces were also created as collateral materials for customers to take back to decision-makers at their respective businesses.
I managed all creative aspects of the film production, app development, and print design. It is a unique, cohesive package that continues to help USPS drive sales.
It all started with dogs chasing (and biting) mail carriers. The shocking reality was that thousands of carriers are injured by this kind of incident every year. At the same time, there were plenty of other safety related incidents that needed attention as well. USPS asked me to design a campaign surrounding keeping their employees and the public safe. After reviewing mountains of actual incident reports, I devised a simple, clear, and shocking creative approach to presenting the danger in certain situations and tips to prevent potential incidents.
This was the first time I got to work with dogs and a stunt team. We hired dogs that worked on shows like "House of Cards" and many others. Our stunt team was one of the best on the east coast. I learned so much on this production. The biggest reward was knowing that the result of my work would help prevent people getting hurt.
Motion graphics effectively illustrate intangible ideas, visualize data, and make connections for viewers. My approach to motion design stems from my perspective as a filmmaker. I frequently use sweeping 3D camera movements and kinetic animation of graphic elements.I like to make use of practically filmed and scanned elements to add realism, texture, and depth to my designs.
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design
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https://ibenic.com/how-to-create-wordpress-custom-menu-walker-nav-menu-class/
| 2023-06-03T02:12:30 |
s3://commoncrawl/crawl-data/CC-MAIN-2023-23/segments/1685224648911.0/warc/CC-MAIN-20230603000901-20230603030901-00342.warc.gz
| 0.867222 | 1,818 |
CC-MAIN-2023-23
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webtext-fineweb__CC-MAIN-2023-23__0__226934445
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en
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Many WordPress themes require some specific elements in the menu items. A simple example is the Bootstrap 3 menu with specific dropdown elements. In this tutorial we will learn how to build your own WordPress custom menu with a Walker_Nav_Menu class.
Why Would You want a Custom Menu?
If you are a theme builder or you are even creating a custom solution, you would need a WordPress custom menu in several situations. Here are some of them:
- Show different menu items to visitors and logged-in users
- Add other elements requested in the navigation by frameworks (Bootstrap, Foundation, …)
- Include different information based on menu types (categories, pages, posts, tag, BuddyPress page, …)
These are only some of possible scenarios you could create your own WordPress custom menu walker.
Our WordPress Custom Menu
In this tutorial we will create a simple custom menu. Our menu will include the description of links and we will not create a link (
a element) if there is no link to it. We will then create a
We will do that using the theme Twenty Sixteen for styling purposes so that you can also try the code and the styling much easier. That is, if you are using the latest WordPress version.
We could use the
Walker class that is being used for many items inside WordPress, but we would need to set some other parameters. By extending
Walker_Nav_Menu all the default parameters are set from the beginning.
Base of our Custom Walker
This is just to start our walker. You can add this inside the
functions.php file in the folder
We are adding this before changing the theme’s header so that we do not get an error.
Changing the Twenty Sixteen Menu
To change the menu and add our own custom walker, open <code>header.php</code> and change this small part:
That’s it! We have added our walker and we can now start creating our own Custom WordPress Menu.
WordPress Custom Menu Item
The item is displayed by the static method
start_el. This method accepts few parameters, some of them are self-explanatory, but two of them are hard to work with if we don’t know what they contain.
The two of them are
$output is a variable passed by reference. This means that it does not have to be returned. Everything that happens in this method to that variable will be available in the next iteration also.
$item is an object that represents the an item of the menu. This is an example of a custom link:
Please take some time to read those values and understand them. Have some fun, change the menu items information and see what will change in there. For example, the
title is the value that you will type in the Navigation label input.
To make the Description label visible, you must scroll to the top and click on the Screen options. Once there, you need to check the Description to make it visible.
$args contains every information we pass into the function
wp_nav_menu. This can be used to enter some information from the arguments into our WordPress custom menu.
Some of the information inside the
$item object will be used in our custom menu. Let’s prepare them:
The variables that we will use here are actually
Creating the Menu Item
We are now prepared to create our menu item. Use this code for that:
We will first create our
li element with all the classes we have received from WordPress. This is done by using the PHP function
After that, we are checking if there is a permalink. If the permalink only contains # then we are not considering it a link. For that case we will create a
span element instead of
Once that is done, our output will get also the
title of our item.
We are then checking if there is a description. If the variable
$description is not empty and we are on the first level (
$depth==0), we will add the description to the output.
At the end of our item, we are again having the same check for the permalink, but not for opening our element. We are doing it for closing the element.
Adding the Styles
Since we are working with the Twenty Sixteen theme, I have also created some styles for our non-link elements and for the description. Add this:
With that styles I have now this:
Want to learn more advanced topics? Check out my course by clicking on the image below.
Creating WordPress custom menu can be a daunting task if you are not aware of all the information that is available to you. There are menu walkers out there, probably for any framework you work with. The most important part I wanted for you to take from this tutorial is that you can control every part of each menu item.
This really can come in handy when working on some custom solutions or very specific themes.
Have you worked with some custom menus? Did you build your own menu walker or used one? Please do share that in the comments below:)
Become a Sponsor
Thank you for the tutorial. Is there a way to customize only those menus in a sidebar of a specific ID? I want to create a walker that only applies to Navigation Menu widgets in a specific sidebar.
Hi Red, you can use the filter ‘widget_nav_menu_args’ inside that widget to check on the sidebar probably. This filter can be found inside
wp-includes/widgets/class-wp-nav-menu-widget.php. The variable
$argsshould contain every information about the sidebar. After that, you can easily change the
$nav_menu_argsparam to add your own Navigation Walker 🙂
Thank you for your time. $args does not store which sidebar a widget is stored in. $params lists sidebars, but I haven’t been smart enough to find a way to use them together. I need something like, “if this widget is in that sidebar, then use this walker, else use the default”
Here is information about $args where someone is trying to do something similar. I tried using a walker except on certain menu_id, but menu_id always comes up blank when following the directions here.
It would be easier to change the default walker and then just use custom walkers in the registered areas. If I change the default using the code below, then my registered areas menus ignore their custom walkers and use the default one instead.
So i’ve been trying to create custom menu markup for my theme but the more i try the more i get frustrated! Pls anybody willing to help me?
This is the markup i want printed out;
Anyway way i can do that? Thanks in advance!
I think I don’t understand the question. Can you use the menu Label field?
thanks for the info
how would this apply to a child theme structure?
The same way. If you’re doing a custom menu in your child theme, you could pass the walker directly into that function.
Thanks for this solution. But When I made custom navwalker as you did, I faced a problem that only one item is shown in menu. Can you help me for this?
Thanks for the tutorial. I have your tutorial up and running on my development server and all looks good. But would there be any chance the author could extend this tutorial here by showing how we could modify a nested list that is within an li element? for example, from within the walker go ahead and add an custom class to the sub list, or wrap that sub list in a div element.
It worked for me, thank you! (I’m developing a theme with Bulma.io)
Thanks for your very detailed post. I looked for something like that for months. I’ll check your blog to find more sweets like that one 🙂
Very useful tutorial. I’ve made a menu with images after reading this article.
Thank you for this!!!!!
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design
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https://www.brotherandgent.com/post/tipsforsuitwearers
| 2022-07-04T02:40:47 |
s3://commoncrawl/crawl-data/CC-MAIN-2022-27/segments/1656104293758.72/warc/CC-MAIN-20220704015700-20220704045700-00318.warc.gz
| 0.933397 | 313 |
CC-MAIN-2022-27
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webtext-fineweb__CC-MAIN-2022-27__0__91922032
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en
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10 Tips for Suit Wearers
Here's a few quick tips and reminders on how to look your best when getting suited and booted this weekend!
10 TIPS TO TAKE NOTE OF:
Tip 1) The tip of your tie should always meet your belt line, or hang just above it.
Tip 2) Your belt should be the same (or almost the same) colour as your shoes.
Tip 3) Make sure your tie and pocket square are different.
Tip 4) Don't go sockless! Just wear socks.
Tip 5) Tie bars are made to be worn between the 3rd and 4th button hole on your shirt and should never be wider than the tie you are wearing.
Tip 6) Try and match (as best you can) the width of your tie to the width of the lapel on your jacket.
Tip 7) Shirt sleeve cuffs should be exposed past your jacket sleeve about half an inch, around the same amount that your collar should be visible above the back of your jacket.
Tip 8) Make sure your socks are long enough to cover your leg if you cross your legs when sitting down (nobody wants to see your hairy calf).
Tip 9) As a rule of thumb its usually best to opt for a tie that is darker than your shirt.
Tip 10) Avoid over-accessorising. If you're already wearing a pocket square and a tie bar, maybe reconsider the lapel pin.
Have an awesome weekend!
Thanks for reading.
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design
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https://qztelectronic.com/product/e27-screw-in-light-bulb-warm-white-ampton-edison-screw-led-bulbs-60w-equivalent-8w-800lm-gls-clear-filament-lamp-energy-saving-vintage-es-lightbulb-pack-of-6-energy-class-a/
| 2022-12-02T19:31:05 |
s3://commoncrawl/crawl-data/CC-MAIN-2022-49/segments/1669446710916.40/warc/CC-MAIN-20221202183117-20221202213117-00510.warc.gz
| 0.864641 | 657 |
CC-MAIN-2022-49
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webtext-fineweb__CC-MAIN-2022-49__0__196909579
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en
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E27 Screw in Light Bulb Warm White, AMPTON Edison Screw LED Bulbs 60w Equivalent, 8W 800lm, GLS Clear Filament Lamp, Energy Saving Vintage ES Lightbulb, Pack of 6 [Energy Class A+]
- Cut Your Energy Bills – Great replacement for 60w incandescent bulb with only 8W 800lm large e27 led bulbs screw, you will get the brightness just right, but saving 90% on your electricity bill
- Vintage Warm White – With 2700K and high color rendering (CRI>80), vintage led filament bulb deliver pleasing bright warm glow, crisp color, no strobe, great for showing off on a hanging pendant or as part of as exposed sconce
- Long Service Life – With a life of 25,000 hours, the screw in light bulbs will last over 20 years (based on 3 hours of use each day), you won’t need to constantly change your led bulbs anymore
- Enhance Any Home – Classic clear glass bulb designed with 360° stereo illumination that replicated the beautiful sparkling light of traditional es e27 screw bulb; creating a special ambiance and feel in your home lighting system
- Easy Replacement – In the standard bulb shape with e27 edison screw base, install it easily without any other tools. They are ideal for ceiling light, pendant fixture, desk lamp, floor lamp, bedside table lamp
AMPTON 8W 800lm Non-Dimmable E27 Screw LED Bulb Perfectly Combine Aesthetic With Modern Technology
Built with clear glass cover, and special shape filaments, AMPTON vintage bulbs give off an old-fashioned warm glow, to complement your ceiling light or chandelier in the room.
Classic glass LED bulbs, familiar shapes you know and love. You will like the comfortable atmosphere these lights create.
Soft on Eyes
Use the best material and scheme to make our vintage large screw led bulb, it could eliminate eyes exhaustion caused by the conventional light bulbs very well, no flicker or strobe, effectively protecting your family’s eyesight.
Light Up Your Life
The edison screw filament bulb give off cosy and comfortable lighting in all directions, which can light up every corner, and make your home a lifeful place.
Highly decorative and stylish for all kinds of decorations such as wall sconces, table lamp, night light, restaurant, cafe, hotels and anywhere you want a soft warm glow. The best decor for your style and shine your mood, romantic.
High Color Rendering Index
These vintage edison bulb e27 is CRI>80, means colors remain true and natural all the time. You could see the colors and details in the way they are supposed to be seen, providing you with better visual enjoyment and absolutely more happier life.
Extremely Long Life
Unlike other incandescent only 1000 hours, our retro es e27 gls bulb have 25000 hours after strictly product and inspection, save large dollars on your electricity bill per year.
Package is nice looking color box, with shatterproof material, all light bulbs screw will come in perfect condition.
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design
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https://www.marina-apartments.de/en/apartments
| 2019-02-22T07:53:33 |
s3://commoncrawl/crawl-data/CC-MAIN-2019-09/segments/1550247514804.76/warc/CC-MAIN-20190222074154-20190222100154-00478.warc.gz
| 0.953851 | 632 |
CC-MAIN-2019-09
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webtext-fineweb__CC-MAIN-2019-09__0__223243240
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en
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The Regensburg Marina Apartments are characterised by the use of high-quality building materials. The entire external façade consists of red brick, recalling the industrial buildings of the old harbour grounds.
The red-brick feature is also reflected in the apartments, all stairwells and corridors are elegantly finished with natural stone.
The apartments in the Regensburg Marina Apartments are furnished and equipped in such a manner that you can use your living room as effectively as possible. The most up-to-date storage systems provide a lot of space during the day, even in smaller apartment, and can be used optimally. Our two-room apartments also contain these systems, with integrated fold-out beds that have been designed specifically for these apartments. With two bathrooms in these apartments, both you and your guests can enjoy comfort and privacy. Fold-out desks and dining tables also allow you to design your living space just as you like.
The execution of the apartments is impressive, with the use of floor-to-ceiling windows that have been made as large as possible in order to capture as much daylight as possible. All bathrooms have a whirlpool tub. Air conditioning in all apartments on the 4th floor, electronic access and locking systems for apartments, the basement, underground car park and main entrance, and a light switch that can be programmed by smartphone create a comfortable and modern living environment.
All apartments have a fully-equipped kitchen with high-quality electrical devices, a washing machine and dryer as standard, as well as a flatscreen TV and fast Wi-Fi, free of charge.
The Marina Apartments primarily have 1- and 2-room apartments. Large 3-room apartments with a glorious view round off the portfolio. All apartments have patios and/or balconies. Above all the direct view of the Danube and – from the upper floors – of Regensburg Old Town make the Marina Apartments very special. Basement sections and underground parking spaces can also be rented in addition.
Typical floor plans
Viewing of the Apartments in Regensburg
Since September 2018 the first two sample apartments are finished and ready for viewing. Be inspired by our modern, bright and comfortable equipped Studio- and 2-Room Apartments. You can arrange a viewing of the sample flats under the number: +49 176 47313701.
In order to have in advance a good overview, we prepared a nice image galery and 360 degrees tour of the flats. Here you can see the apartments online.
Equipment and furnishing
- ✔ High-quality fitted kitchen with induction hob, oven, microwave, dishwasher, refrigerator, freezer, extractor hood, coffee machine, kettle
- ✔ Crockery, cutlery and glasses
- ✔ Ceiling-high fitted cupboards in the bedroom and hallway
- ✔ Large flat-screen TV in the living room and bedroom
- ✔ Washing machine, dryer, illuminated cosmetic mirror and hairdryer in the bathroom
- ✔ Fast Wi-Fi in all rooms, free of charge
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design
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https://watertownct.org/_T8_R205.php
| 2023-09-21T08:02:37 |
s3://commoncrawl/crawl-data/CC-MAIN-2023-40/segments/1695233505362.29/warc/CC-MAIN-20230921073711-20230921103711-00618.warc.gz
| 0.945514 | 400 |
CC-MAIN-2023-40
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en
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For Immediate Release
On behalf of Eversource Energy
The Watertown Department of Public Works would like to advise residents of the following: There will be a single lane closure on Sunnyside Avenue from Franklin Avenue to Edgewood Road during the installation of a concrete encased electrical duct bank.
This project sponsored by Eversource Energy as part of their grid upgrades. The project involves the elimination of existing Watertown 25R Substation located near 64 Echo Lake Rd. This substation is comprised of 50+ year old equipment and operates at 4.8kV Delta. Due to the age of the infrastructure and the obsolescence of 4.8kV Delta systems, this substation i9s being retired. In order to retire this substation the creation of a new circuit out of Shaw’s Hill 24H Substation is required. The proposed new circuit will need to be installed through 2,500 ft. of existing manhole duct infrastructure along Sunnyside to Edgewood Rd., at which point it will exit the underground and rise overhead. In addition, this design also calls for the installation of one new manhole duct being installed at the intersection of Sunnyside Ave. and Edgewood Rd.
Upon completion, this project will greatly improve service reliability for customers in the area. The anticipated work will eliminate 50+ year old equipment, update outdated system voltages to company standard, and create new automatic circuit ties that will assist in providing alternate source for over 6,029 customers during potential contingencies.
The contractor completing the work is Stone Construction Co. Inc. of Southbury. Sunnyside Avenue is expected to have single lane closure for 10 weeks. The project is anticipated to commence on September 11th. Upon completion of the duct bank all lanes will be restored for use. We thank you for your patience during this period of work and appreciate your consideration as this impacts travel and public transportation routes.
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design
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http://knitbabysocks.com/2013/03/baby-sock-knitting-tools-clover-chibi-metal-straight-darning-needles-review/
| 2022-10-07T14:56:29 |
s3://commoncrawl/crawl-data/CC-MAIN-2022-40/segments/1664030338213.55/warc/CC-MAIN-20221007143842-20221007173842-00509.warc.gz
| 0.92087 | 258 |
CC-MAIN-2022-40
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webtext-fineweb__CC-MAIN-2022-40__0__107932608
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en
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I have been using Clover Chibi Metal Darning Needles for the past five years or more. These Japan-made tools have been valuable in my knitting projects especially in making baby socks!
In the photo above, I am showing the straight darning needles. The curved darning needles (comes in a yellow case) are just as good and are great to use as well.
1. They are inexpensive.
2. The needles last for a long period of time.
3. The darning needles are sturdy and pleasant to use.
4. Clover designed a clear tube so that you can easily see what tools you have.
5. The container is easy to open.
6. The needles are blunt enough that they don’t hurt your hand when binding off socks, hats, fingerless gloves, or any knitting project where you’re sewing seams together as well.
7. The cap is easy to twist off.
8. The design of the darning needle container is knitter-friendly with soft edges and sides so that it doesn’t snag your yarn.
9. The needle set comes in three sizes and widths for various yarn weights and sizes.
Happy Baby Sock Knitting!
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design
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https://five9s.substack.com/p/digging-into-iac-parameters
| 2024-04-15T04:55:53 |
s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296816942.33/warc/CC-MAIN-20240415045222-20240415075222-00504.warc.gz
| 0.925445 | 1,488 |
CC-MAIN-2024-18
|
webtext-fineweb__CC-MAIN-2024-18__0__179509571
|
en
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Digging into IAC parameters
You probably already know the two key aspects of IAC: (1) imperative vs declarative code and (2) immutable vs mutable infrastructure. Let's dig right into them.
I am aiming to give you a high-level refresher on these two aspects of IAC with the help of quoted experts.
You may get a new perspective for explaining to new engineers and leadership why you have architected your IAC files the way you have. After all, many of us still have to defend our choices well after making them. So let’s begin:
Imperative vs declarative configuration
The early days of IaC meant telling the computer exactly what you wanted it to do. In terms of infrastructure provisioning, the IaC provisioning tool followed imperative (also known as procedural) **instructions. In this paradigm, the engineer specifies the exact steps.
The system does not deviate from the instructions even if they are inefficient. For example, imperative code may execute from a command-line interface with a Bash script. It would then drive a step-by-step configuration of the infrastructure.
Its simplicity makes workflow audits easier, but imperative code doesn’t scale well because the results will vary depending on what’s going on in the infrastructure at the time. The code is not designed to be reusable.
If you run an imperative script multiple times, you may begin to notice variability in the infrastructure that is provisioned. This is especially the case if an error occurs somewhere along the execution process of the script. (Sai Vennam, Developer Advocate at IBM, 2019)
Declarative instructions, on the other hand, give consistent results as the code is about the end result. In your code file, you define the pattern required then leave it to the tool to work out how to achieve it. The system then works continuously until it reaches that state.
Declarative instructions are the better preferred way for IaC provisioning, to create and change infrastructure configurations. However, they may not be adequate for more complex infrastructure needs where the path needs to be as clear as the destination.
In high CPU workload situations, declarative code has the advantage. According to Martin Kleppman, author of Designing Data-Intensive Applications, declarative languages are better suited for parallel execution. He wrote that recent advances in CPU performance have been due to adding more cores and not through higher clock speeds than before”.
Imperative code is very hard to parallelize across multiple cores and multiple machines, because it specifies instructions that must be performed in a particular order. Declarative languages have a better chance of getting faster in parallel execution because they specify only the pattern of the results, not the algorithm that is used to determine the results. — Martin Kleppman
In some situations, using tools that allow for both imperative and declarative instructions may be wise. Most of the earlier tools that were originally imperative only now work in both imperative and declarative modes.
Mutable vs immutable infrastructure
A mutable approach to infrastructure is where you can change the state of the infrastructure to another. An immutable approach to infrastructure is when you don’t change the infrastructure to another form. Instead, you create new infrastructure and retire the old infrastructure.
There is a benefit to this non-changeability, which we will get to in a moment. But first, let’s go through an example, which is an abridged version of Armon Dadgar’s explanation of mutable vs immutable infrastructure.
Say you have a server version 1 running Apache and your team decides to switch to NGINX for version 2. In a mutable environment, you’re essentially upgrading the existing infrastructure. You’d run the IaC config tool (e.g. Ansible) to the Apache server to execute the change to NGINX.
There is a benefit to this:
We already have this existing server. Maybe we have data that we've written locally and that our web server is consuming. When we update in place [with mutable configuration], we don't have to worry about moving the data around to other machines, creating a new machine, all of the infrastructures already exists. All we're gonna do is perform this upgrade. — Armon Dadgar, CTO at Hashicorp
The issue with this is that things in the real world can go wrong, especially during an upgrade procedure. Mutable infrastructure faces the risk of messy version control, as we’ll now explore by continuing on with the Apache → NGINX example.
Let’s say we run this code to install NGINX: apt-get install NGINX
but then the APT repo isn’t responsive, or the network is lagging excessively, or a myriad of other things. The risk is that NGINX might not get installed properly or at all. So the provisioning tool has executed the version change, but it’s not what we expected.
This creates three inter-related issues:
You haven’t necessarily achieved the goal state of Version 2 having NGINX for the webserver
It’s difficult to test half-successful upgrades because there may be variability in performance
Upgrades done at scale means varying degrees of change depending on the real-world issue with the network, repo etc
In a large scale web server change configuration, you may end up with:
most servers having NGINX installed and running 😄
some servers with no NGINX installed 😔 and
a few servers with NGINX installed but no webserver running 😕
An immutable approach does away with the risk of half-upgraded virtual or physical servers. You would follow this process for the Apache → NGINX example:
Keep running Apache server while you complete steps 2 to 4
Spool up a new virtual machine
Install and configure NGINX webserver on that
Test that all parameters are performant
Retire the Apache server
It may seem a lot more work than simply upgrading the existing Apache server to NGINX, but may save on the above risk of varying NGINX installs.
Coburn Watson is head of infrastructure & SRE at Pinterest. His take on the issue might sum up the whole argument for moving away from mutable infrastructure. In the 2018 book, Seeking SRE, he wrote:
"I think we’ve all worked at companies where we upgrade something [mutable], and it turns out it was bad and we spend the night firefighting it because we’re trying to get the site back up because the patch didn’t work. [Now] when we go to put new code into production, we never upgrade anything, we just push a new version alongside the current code base.”
Note that immutable infrastructure works best if the various application components run on separate servers. In particular, store data on another server. So when you run a create-retire routine like above, you don’t risk precious user data in the process.
I hope you found this breakdown useful.
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design
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https://acvexport.com/bios.html
| 2021-12-07T08:48:12 |
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THOMAS SUNDBERG - CEO
Thomas has been intimately involved in the new product development and limited production (niche) segment of the automotive industry for over 35 years. This last decade he has been focused on Ford low volume production programs.
Throughout his career Thomas has forged strategic alliances with numerous automotive designers, including renowned aftermarket designer and TV celebrity Chip Foose. He has also formed intricate relationships with Year 1, Wheel 2 Wheel, CDC, etc. to design, engineer and manufacture perfect recreations of 1969 Mustang’s, 1969 Camaro’s, 1955 & ‘57 Chevrolet convertibles. He has also designed and supplied product to the Limousine Industry and worked with the most exotic motorcycle builders in the country.
Thomas worked for Lear Corporation ($18 billion annual Tier 1 supplier) prior to his work with the limited production automotive market.
There, he setup a limited production low volume manufacturing division (with responsibilities throughout Europe and all of North America). In the early 1990’s he designed, engineered and production launched the very first automotive application of the flip down LCD monitor (8” screen TV) for General Motors, which launched in the Oldsmobile Silhouette Mini Van and previewed at the Detroit International Auto Show in 1997.
Thomas is located in the Michigan ACVExport offices and can be reached by calling +1.248.459.3401, or by email at [email protected]
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design
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https://designcantina.com/branding-and-design/
| 2023-12-10T16:50:14 |
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Every element of branding and design contributes to the customer experience and creates an emotional connection. Good design is also good for business. In fact, companies that value design tend to outperform in terms of both revenues and returns to shareholders, according to the McKinsey & Company Design Index.
Brand Identity and Logo Design
Brand identity is more than just logo design – it’s an ongoing process of building your brand and creating a consistent brand voice in everything your company does. For a deeper dive into our brand identity development process, read our blog post Brand Identity: Love at First Sight.
Graphic Design and Infographics
Every piece of graphic design we create – whether a website, a billboard, or a restaurant menu design – is a concept come to life. Formal design elements such as color, typography, composition, and imagery carry meaning and tell a story. Infographics are an excellent way to help your audience better understand complex material such as a customer journey map or instructions.
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design
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https://www.fantasiando.net/start-your-programming-journey-with-basic-html-and-css/
| 2022-12-07T22:25:17 |
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Learn how to use the latest versions of HTML and CSS to create sleek, professional websites from scratch.
Since the dawn of the Internet, basic HTML has been a prerequisite for anyone trying to build a web page. Even if you don’t work in a technical role, having an understanding of HTML can help you better contribute to websites, format content, and more.
Because it’s so ubiquitous in content management services (CMS) and modern web development, learning HTML is a great idea for everyone. Luckily, it’s easy to do with some of our best courses from TechRepublic Academy.
HTML and CSS for beginners
You won’t find many courses more economical than this one. For just $10 (reg. $549), you’ll get five hours of training in HTML5 and CSS3. You’ll learn how to properly format your code, use HTML5 to embed audio and video into web pages, complete lab exercises to practice your skills, and more.
Create your first website with HTML & CSS Flexbox Bundle
Improve your HTML and CSS knowledge with this four-course package for just $15 ($800 reg.). You’ll take a crash course in web design before diving into CSS Flexbox, a tool that simplifies complex web design. From there, you’ll learn how to build responsive websites for every platform using the tools you’ve practiced.
HTML and CSS: learn how to create elegant websites
Build your first website in just three and a half hours. This course will take you from beginner to intermediate with HTML and CSS for just $18 (reg. $99). You’ll learn how to add graphics and images, create more engaging web designs, and even start creating responsive web pages.
Build professional websites with HTML5 and CSS3 from scratch
Designed for beginning web developers, this 7-hour course will teach you HTML5 and CSS3, two of the easiest and most productive web coding languages. You’ll train through hands-on exercises while building your own website from scratch for just $49 (regular price $192).
Pricing and availability are subject to change.
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design
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https://ravenvampir7.wixsite.com/mgag/liz-watkin
| 2024-04-13T06:03:29 |
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Liz has a BA(Hons) in Contemporary Fine Art and a Post Graduate Certificate in Contemporary Fine Art.
Her work ranges from collage, mixed media, assemblage and abstract painting to recent experiments with monotype printing. Using layers to build meaning, colour and texture, Liz enjoys the freedom to work with the materials that most fully express her ideas, often developing those into a series that fully explores the narrative.
Liz has always loved found objects and fragments that are worn and weathered. These show signs of their past lives, make us wonder about their history, stir memories and feelings, and blend the passage of time, reality and imagination. This has parallels with the Japanese idea of Wabi Sabi, finding beauty in imperfection.
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design
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https://anishkaanand95.wixsite.com/mysite/single-post/2018/03/04/Spring-High-Street-Wishlist
| 2020-01-29T03:20:15 |
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Now that the snow has finally melted here in the UK, I have decided it is time to bring out the spring wardrobe in the hope for some sun and warm weather!
I have been browsing the shops to find my favourite Spring pieces that are currently taking over the high street.
Last year was all about the statement tops, pairing simple jeans with the most amazing shirts and blouses. Whether it was the ruffle trend, stripes, pleats and lace, your top was doing all the talking. While this is still a key wardrobe piece this year, I believe that printed and modern length dresses are making the exact same impact.
As you can see below, these dresses range from midi to maxi length and all are bold in their own way. I feel that this is a great way to wear dresses even when it isn’t the warmest weather. Layering these pieces with jackets or even a light jumper will keep it practical but stylish at the same time. Leopard print was all over the catwalks and street style looks during last week's fashion week, wearing this print as a dress is a really easy way to incorporate it into your wardrobe.
Abstract Print Dress £49.99
Maxi Striped Dress £25.99
Leopard Print Dress £19.99
Wide Red Maxi Dress £39.99
Midi Striped Multi Coloured Dress £17.99
Probably my most favourite pieces in my wardrobe throughout the year are shirts. The items I have chosen below are amazing! The contrast stitching, collar shapes, stripes, colours, bow, sleeve and button details excites me so much! Shirts are so easy to wear but make a look so put together due to the sharpness of the cut and the smart feel. As you know from my previous blog posts I love to layer shirts under my knitwear, the white round collar shirt below would look so cute under any jumper!
Linen Contrast Button Shirt £39.99
Blue Elastic Sleeve Shirt £25.99
Bow Collar Shirt £49.99
Round Collar White Shirt £29.99
Contrast Stitch Blue Shirt £39.99
Sheer Stripe Shirt £25.99
I thought I was done with wearing knitwear until I saw Zara’s current collection! The colours are so cool and literally what I look for in my wardrobe! Even though the weather is getting warmer, these jumpers can be worn with simply jeans and youre good to go. Ill let the jumpers do the talking…
Open Textured Jumper £39.99
Multicolour Stripe Jumper £39.99
Jacquard Pink Jumper £39.99
Multicolour Embroidered Jumper £89.99
I wish I could have everything from this wishlist, hopefully I'll get my hands on some pieces soon!! Now that spring is approaching I am excited to experiment with more colour and styles!
What are your current high street faves?
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https://sz.biblaridion-online.net/4800-frank-lloyd-wright.html
| 2022-01-27T10:48:58 |
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Without formal training in architecture, Frank Lloyd Wright nevertheless established himself as the most influential American architect of the 20th century. At an early stage in his career, he adopted the concept that "form follows function," which led him to design some of the most innovative designs for structures that ranged from modest homes to the Guggenheim Museum in New York City.Wright's parents were William Cary Wright and Anna Lloyd Jones Wright, who traced their ancestry to Wales. His first commissioned work was the Hillside Home School, which was built for Wright’s aunts in 1888 near Spring Green, Wisconsin.After about a year, Wright obtained a better job as a draftsman for Adler and Sullivan, a prominent Chicago architectural firm then at the forefront of architectural design. Wright would later refer to Louis Sullivan as his Lieber Meister, which means "beloved master,” and acknowledge Sullivan alone as an influence on his work.In 1889, Wright married Catherine Lee Clark Tobin — the first of three wives — with whom he had six children. With $5,000 borrowed from Sullivan, he purchased a lot in Oak Park, in an affluent suburb west of downtown Chicago, and built his first home.Wright stayed with Adler and Sullivan until 1893, when his growing number of independent commissions convinced his employers that he was "moonlighting" and terminated him, based on company policy. Wright rebounded by opening his own firm, first operating from the Adler and Sullivan-designed Schiller Building, then the Steinway Building, and finally in 1898, a studio at his home in Oak Park.Forty-nine buildings were constructed from Wright's designs during his first eight years as an independent architect. During that time, he began to develop what is known as the Prairie Style of architecture, named after a house he designed for a Ladies Home Journal article in 1901. His architectural designs are often associated with the Arts and Crafts Movement.Wright did not limit himself to architecture. Regarding architectural interiors, he said that the "reality of a building is not the container but the space within." Such was the impact of Wright's designs that furniture makers even today are producing items based on them.In 1909, Wright left his wife and traveled to Germany with Margaret “Mamah” Cheney, the wife of a neighbor and client. He named the house "Taliesin," which means "shining brow" in Welsh.Wright divided his time between his Chicago office and Taliesin until August 15, 1914, when his chef became deranged, set fire to Taliesin, and murdered Cheney, two of her children, and two other people. He completed the Midway Garden commission in Chicago and launched into the rebuilding of Taliesin.Following the tragedy at Taliesin, Wright received a letter of condolence from a sculptress named Miriam Noel. Free at last after more than a decade of separation, he married mentally disturbed Noel in November 1923, but they separated in March 1924 and divorced in 1928.While still married to Noel, Wright had encountered a young Yugoslav, Olga Milanoff Hinzenberg, who was 33 years his junior, married but separated, and the mother of a young daughter Svetlana. About three years later, the couple was officially married.With the coming of the Great Depression, architectural commissions became scarce. The result was Wright's residential masterpiece, Fallingwater, the house built over a waterfall.In 1929, Wright spent time in Arizona working on projects. Wright and his fellowship were now able to alternate between Arizona and Wisconsin, depending on the season.Age had no evident effect on Wright's productivity. Following World War II, he received commissions for 270 houses, as well as the Guggenheim Museum in New York City and the Marin County Civic Center in San Raphael, California. His body was interred at Taliesin, near Unity Chapel, which is considered to be his first building.Frank Lloyd Wright redefined architecture and hastened the end of the Art Nouveau period. Form and function should be one, joined in a spiritual union.”
Plan ahead for your visit: Hydrate! Wear sunscreen. Bring a hat and/or umbrella for shade. Dress for hot weather.
If you can’t visit us in the the near future, you can still support our mission today. Below are three ways you can support the Frank Lloyd Wright Foundation.
Become a Member | Donate Now | Shop the Frank Lloyd Wright Store
The Whirling Arrow
News and updates from the Frank Lloyd Wright Foundation
History of Taliesin
For information about Frank Lloyd Wright, please visit our sister organization, The Frank Lloyd Wright Foundation.
The large Welsh family of farmers, teachers and ministers that settled part of the Wisconsin River valley near Spring Green in the middle of the nineteenth century included a young woman named Anna Lloyd Jones. This teacher, caught the eye of William Carey Wright, a preacher and musician. William soon won her affections and they married. On June 8, 1867 in Richland Center, a small town 20 miles west of Spring Green, Anna gave birth to a son named Frank Lloyd Wright.
Wright spent many summers in his teen years on the farm his uncle James worked in the valley. Wright considered the valley to be his home … much more so than the house in Madison, Wisconsin, where he spent the rest of the year. During his summers in the valley, he learned to pay particular attention to the patterns and rhythms of nature. The lessons he gleaned from nature would find their way into his later work again and again.
1886 UNITY CHAPEL
Unity Chapel is a shingle-style chapel designed by architect Joseph Lyman Silsbee of Chicago, IL. Wright’s uncle and Unitarian minister, Jenkin Lloyd Jones commissioned the chapel and Frank Lloyd Wright designed the interior at the age of 18. This makes Unity Chapel Wright’s earliest work. A family cemetery outside includes the grave sites of the Lloyd Jones family, including Wright’s original plot. Unity Chapel today remains operated by the Lloyd Jones family. The exterior is open to the public, and tours of the interiors are available by request.
1897 ROMEO AND JULIET WINDMILL
Romeo and Juliet Windmill was commissioned by Wright’s aunts to pump water for their co-educational boarding school, and Wright offered them a striking observatory tower of wood. The design features two intersecting towers, with Romeo as a triangular storm prow, supported by the octagonal Juliet. The aerodynamic structure allows storm winds to pass around the structure without causing harm. In 1992 Taliesin Preservation fully restored the windmill as its first project on the Taliesin estate, in partnership with the Frank Lloyd Wright Foundation.
Wright designed Tan-y-Deri as a residence for his sister, Jane Porter, and her family. The Porters worked for the Hillside Home School, just downhill. Welsh for “under the oaks,” Tan-y-Deri sits on a hill adjacent to Taliesin and next to the Romeo and Juliet Windmill. The design was based on “A Fireproof House for $5000” by Wright featured in the Ladies Home Journal article. Tan-y-Deri underwent a comprehensive interior and exterior restoration completed in 2017.
Wright’s home, studio, and garden sanctuary was a laboratory for architecture and design. In its three iterations, Taliesin embodies Wright’s ideas of organic architecture, expanded and refined from his earlier Prairie School works. From the courtyards and gardens to the Living Room, Loggia, and Birdwalk, Taliesin offers a commanding view of the valley, settled by Wright’s Welsh ancestors. Using natural local limestone and Wisconsin River sand, Taliesin stands as “shining brow” on Wright’s favorite boyhood hill.
1911 TALIESIN I
Wright moved to this valley two years after leaving his 20-year-architect practice in Oak Park, IL. He wanted to live, work, and farm in the valley with his companion, Mamah Borthwick. He later wrote,
“This hill on which Taliesin now stands as “brow” was one of my favorite places when I was a boy, for pasque flowers grew there in March sun while snow still streaked the hillsides.…”
In 1914, arson destroyed the living quarters of Taliesin – one-third of the house – and seven were murdered.
1914 TALIESIN II
Wright immediately declared that he would rebuild the destroyed portion of Taliesin. In his autobiography, Wright later wrote: “Taliesin should live to show something more for its mortal sacrifice than a charred and terrible ruin on a lonely hillside in the beloved Valley.” In Taliesin II, he added a stone-floored room called The Loggia from which he could see the family chapel.
1925 TALIESIN III
In April 1925, an electrical fire in Wright’s bedroom destroyed Taliesin’s living quarters again. Wright — by then with the future Mrs. Wright (Olgivanna) — wrote, “Taliesin lived wherever I stood! A figure crept forward from out the shadows to say this to me. And I believed what Olgivanna said.” As he wrote,
[T]aught by the building of Taliesin I and II, I made forty sheets of pencil studies for the building of Taliesin III…. Taliesin’s radiant brow … should come forth and shine again with a serenity unknown before.
1932 TALIESIN FELLOWSHIP
The Great Depression saw few commissions come Wright’s way. Never idle, however, Wright turned to writing, producing An Autobiography and The Disappearing City, both of which continue to influence generations of architects. During this time, Wright received numerous letters from individuals interested in studying with him.
In 1932, Frank and Olgivanna Lloyd Wright founded the Taliesin Fellowship, a community that provided architectural training with a holistic, “learn by doing” approach that stressed appreciation of all the arts, and which often allowed students to design and work on structures on the Taliesin property. The community survives today as the Frank Lloyd Wright School of Architecture whose members, both faculty, and apprentices, are still known informally as the Taliesin Fellowship and who reside at Taliesin during the summer months.
Hillside Home School, the building Wright designed in 1902 for his aunts’ boarding school in the valley, became the Fellowship’s central campus. With the inspiration and help of a young and eager group of apprentices, Wright remodeled and expanded the school, adding a 5,000-square-foot drafting studio, converting the gymnasium into a theater and adding housing for the new apprentices.
1952 MIDWAY BARN
Midway Barn is located between Taliesin and Hillside School. Stepping down the hill, it served as the center of agriculture for the estate beginning in the 1940s. Midway grew as operations expanded through the decades with the spired Milking Tower is Wright’s “ode to the Guernsey teat.”
1955 HILLSIDE STUDIO & THEATER
The complex of buildings at Hillside includes spaces from across Wright’s career as a designer: the “abstract forest” drafting studio (1939), the Hillside Assembly Hall (1903), the Hillside Theater (1955), and the Fellowship dining hall (1955). Hillside is home to the School of Architecture at Taliesin, and students in residence here from mid-May through mid-October may be seen at work in the studio. The Assembly Hall is an example of Wright’s strides to “destroy the box” of traditional architectural design. The Hillside Theater includes a theater curtain, that was adapted from a Wright-designed geometric abstraction of the Taliesin landscape.
1967 THE FRANK LLOYD WRIGHT VISITOR CENTER
Wright designed the Riverview Terrace as a “gateway to Taliesin” that would house a restaurant, as well as offices and meeting space for the architects at Taliesin. Construction began under Wright’s supervision and stalled upon Wright’s death in 1959. In 1967 the Riverview Terrace opened as The Spring Green restaurant as part of an investment in developing an arts community in Spring Green along the Wisconsin River. Taliesin Preservation purchased the building in 1993 and adapted it to serve as the Frank Lloyd Wright Visitor Center.
1990 TALIESIN PRESERVATION
A non-profit organization founded upon the recommendation of a Blue Ribbon Commission authorized by Governor Tommy Thompson in 1988, Taliesin Preservation restores and preserves Frank Lloyd Wright’s home, Taliesin, and the additional Wright-designed buildings on the 800 acre Taliesin estate. The work includes physical preservation, repair, and restoration of furniture and materials, updating HVAC systems while returning the buildings and estate to the last decade of Wright’s life.
Photo Credit: The Chicago History Museum, ICHi89169, Raymond W. Trowbridge, photographer.
An American architect, designer, writer, and educator, Frank Lloyd Wright promoted organic architecture, which was best exemplified in his most famous work—Fallingwater. During his seventy-year career, Wright designed over 1,100 buildings (seeing over 500 of them realized), authored twenty books and numerous articles, and was a popular lecturer in the United States and in Europe until his death. Already renowned during his lifetime, Wright is now considered the “greatest American architect of all time."
Frank Lloyd Wright (1867-1959)
Frank Lincoln Wright was born in Richland Center, Wisconsin, on June 8, 1867, to William Carey Wright, an itinerant music teacher, composer, and Baptist minister, and Anna Lloyd Jones Wright, a school teacher. Following his parents’ divorce in 1885, Frank changed his middle name to Lloyd to honor his mother’s family.
Though his ambitious and strong-minded mother decorated the walls of his nursery with pictures of European cathedrals, it was not man-made beauty that initially captivated Wright. Growing up in rural Wisconsin on a plot of land originally settled by his mother’s Welsh ancestors, Wright spent his days surrounded by—and indeed a part of—the changing natural landscape. A patchwork of open fields, lush green valleys and rock-edged streams fed by the Wisconsin River all proved influential in the formation of his later organic design philosophy.
Wright’s family lived on a farm and, as a boy, his experiences taking care of animals and harvesting a life out of the earth made an indelible impression on him that influenced him consciously and, even more importantly, unconsciously, throughout his life. During his youth, he spent many hours purposefully observing the subtle behavior of sunlight, the shifting shadows of dusk and the changing of the seasons. Enthralled, he later sought out great thinkers whose beliefs affirmed and ultimately refined his, such as Thoreau, Emerson and Whitman.
Wright’s reverence for the natural world became the cornerstone of his pioneering theories of “organic architecture” and would shape, define and enhance every project he approached for the rest of his life. Generations would hail Frank Lloyd Wright as a genius…one of the greatest architects who ever lived. But like the sunny fields where he played as a child, his life would also have its shadows.
It has been noted that Wright’s career ran concurrently with the birth and evolution of modern architecture. He began his career in 1887 in Chicago, first in the office of Joseph Lyman Silsbee and then at the firm of Adler & Sullivan, under the supervision of the famed architect Louis Sullivan.
When it was discovered he was soliciting his own commissions, he then set up a private practice in his Oak Park home, adding a drafting studio and visitor reception room in 1895. There he perfected his signature Prairie Style, emphasizing open spaces and shallow, sloping rooflines. The Prairie Style, especially houses like that for Frederick C. Robie, was extremely influential in the Midwest especially, and is considered a milestone in the history of modern architecture.
In the early decades of the twentieth century, Frank Lloyd Wright’s productivity was matched in intensity by the public’s fascination with his personal life. A high-profile affair with a client, the resulting well-publicized separation from his wife, and a year-long sojourn through Europe culminated in his return to the United States in 1911 and his purchase of a plot of ancestral land in Wisconsin, where he would build his renowned retreat and studio, Taliesin.
The valley surrounding Taliesin was originally settled by Wright’s maternal family, the Lloyd Joneses, during the Civil War. Welsh immigrants, Wright’s maternal grandfather and uncle were Unitarian ministers, and his two aunts had founded the Hillside Home School, a co-educational boarding school. The Lloyd Jones family, their ideas, religion, and ideals, greatly influenced the young Wright, who chose the Welsh word Taliesin, meaning “shining brow” for his sanctuary positioned on the “brow” of a favored hill.
Subsequent sensational events at Taliesin included the murder of seven people, including Wright’s mistress at the time, by arson in 1914. Coinciding with the collapse of his second marriage in the 1920s, a second devastating fire at Taliesin in 1925, and the onset of the Great Depression, Wright’s career faced a loss of commissions. What was designed as a refuge from public scrutiny soon flourished to become an experimental architectural apprenticeship program as Taliesin slowly grew to encompass the former Hillside Home School buildings when Wright formed the Taliesin Fellowship with his third wife, Olgivanna, in 1932.
Wright used the Fellowship as a way to explore and enact his ideas of organic architecture. Taliesin was riddled with misfortunes, but it was also there that the genesis of Fallingwater took shape. With its extraordinary Wisconsin landscape and romantic relationship with nature, Taliesin signaled a maturity that would fully blossom—only a few years later—among the rhododendron in rural southwestern Pennsylvania.
In 1934, having just returned to the United States from a long stay in Europe, Edgar Kaufmann jr. was introduced to the unique concepts of Frank Lloyd Wright quite by chance. A friend had suggested he read An Autobiography, Wright’s 1932 accounting of his life in which the 65-year-old architect opined on his upbringing, his buildings, and the somewhat radical ideas that led to his reputation as a colorful genius and innovator of the “organic” approach to modern architectural design and construction. Instantly captivated by Wright’s belief that art has a humane and noble task to serve man in harmony with his natural surroundings, the Kaufmann felt the architect’s words “flowed into my mind like the first trickle of irrigation in a desert land.” He visited Wright at Taliesin in September 1934, and by October had taken his place among the apprentices there.
Though he had no plans to become an architect, the young Kaufmann also began to enthusiastically discuss Wright’s ideas with his parents. Following a visit to Taliesin in 1934, Edgar Kaufmann, Sr., began a casual correspondence with the architect regarding several potential civic projects in Pittsburgh. Kaufmann quickly recognized their mutual passion for new ideas, aesthetic beauty and the relationship between man and the natural world and Wright found a patron that would change the course of his life, his career and, indeed, modern architecture itself.
Frank Lloyd Wright and Cloquet: A historic connection
Frank Lloyd Wright, born June 1867, spent over 70 years designing nationally recognized structures that have continued to impact architecture. He spent his life traveling the world — learning, teaching and designing.
So, what led the celebrated architect to select Cloquet as the home for not one, but two of his designs? The answer is simpler than people might think, and it all started with two college students.
In the early 1950s, Cloquet resident and business owner Ray Lindholm was seeking his ideal home somewhere in the local area. Lindholm founded Lindholm Oil Company in 1939 and set his eyes on a new goal of constructing a home for himself and his wife, Emmy.
It was then that his college-aged daughter, Joyce Mckinney, and her husband, Daryl Mckinney, encouraged him to hire Wright for the project. They had admired Wright’s work while studying at the University of Minnesota and thought he would be a good fit.
The family soon traveled to Wright’s home in Spring Green, Wisconsin, and commissioned his help.
Joyce Mckinney told the Pine Journal in a 2008 interview that Wright was willing to design the house plan immediately.
“He was very accessible, and I don’t think terribly busy either,” she said.
Wright often took on smaller-scale projects and designed over 400 homes in the U.S. during his life.
“Regard it just as desirable to build a chicken-house as to build a cathedral,” he once told studying architects.
Upon its completion in 1952, the Lindholm House spread approximately 2,300 square feet in what was once a heavily wooded area of Cloquet.
The house dawned the name Mäntylä — Finnish for “house among the pines” — and remained in Cloquet until 2016, when it was donated by then-owners Peter and Julene Mckinney to the Usonian Preservation in Acme, Pennsylvania.
But, the relationship did not end with the completion of the house. While Ray Lindholm was dreaming of a home, Wright was dreaming of a service station.
Wright had been working on designs for service stations since the 1920s and believed they were a crucial piece in his utopia urban plan known as “Broadacre City.”
“The roadside service station may be, in embryo, the future city distribution center,” Wright wrote in his biography.
Unfortunately, none of his designs for the stations had come to fruition, and Wright was nearing the end of his career.
So, when he learned the Lindholm family owned an oil company, he jumped at the opportunity to see one of his station designs come to life.
“Basically, Wright convinced my grandfather to let him do the project,” Lindholm's grandson Mike Mckinney told the Pine Journal in 2009.
Wright based the design on some of his previous plans, with some minor modifications made in light of local fire codes.
He wanted it to be a step up from other service stations, and equipped it with a 32-foot copper canopy and a lounge for guests to wait while their vehicles were repaired.
It cost around $75,000 to design and build, as compared to the usual $25,000, but Joyce Mckinney told the Duluth News Tribune that her father didn’t flinch at the price.
In the end, the design was unique and attention-grabbing, but not practical, according to former manager Donald Lynch.
“It’s unfortunate that Frank Lloyd Wright didn’t know anything about service stations when he designed it,” Lynch told the Duluth News Tribune in 1982, citing a cramped sales office and inaccessible bathrooms.
Wright designed both the Lindholm house and service station without ever visiting the area. He used topographic maps to chart out his plans, and sent his apprentice Robert Pond to oversee the service station's construction.
Even though Wright never stepped foot in Cloquet, it appears the Lindholm and Mckinney families had ongoing communication with the architect.
In addition to visiting his Wisconsin home, the family also traveled to Arizona to see Wright, who designed a second home for the family, but it was never constructed.
While many described Wright as an egomaniac, Joyce Mckinney told the Duluth News Tribune that he was “sweet." The family kept a photograph of Wright taken by Daryl Mckinney, in which he is pictured holding his glasses in one hand, looking to the side.
Joyce Mckinney told the News Tribune that Wright hated the photograph and had torn up the original, saying that it made him look old. Fortunately, she had made another copy, which the family still has today.
The R.W. Lindholm Station held its grand opening in 1958. Wright died five months later, having completed his final career goal.
While it is no longer owned by the original family, the station has come to be known as the Frank Lloyd Wright Gas Station and was registered through the National Register of Historical Places in 1985.
In 2008, then-mayor Bruce Ahlgren declared Aug. 7 as Frank Lloyd Wright Day in Cloquet.
The Triumph of Frank Lloyd Wright
Frank Lloyd Wright's most iconic building was also one of his last. The reinforced-concrete spiral known as the Solomon R. Guggenheim Museum opened in New York City 50 years ago, on October 21, 1959 six months before, Wright died at the age of 92. He had devoted 16 years to the project, facing down opposition from a budget-conscious client, building-code sticklers and, most significantly, artists who doubted that paintings could be displayed properly on a slanting spiral ramp. "No, it is not to subjugate the paintings to the building that I conceived this plan," Wright wrote to Harry Guggenheim, a Thoroughbred horse breeder and founder of Newsday who, as the benefactor's nephew, took over the project after Solomon's death. "On the contrary, it was to make the building and the painting a beautiful symphony such as never existed in the world of Art before."
From This Story
Video: Constructing the Guggenheim
The grandiloquent tone and unwavering self-assurance are as much Wright trademarks as the building's unbroken and open space. Time has indeed shown the Guggenheim's tilted walls and continuous ramp to be an awkward place to hang paintings, yet the years have also confirmed that in designing a building that bestowed brand-name recognition on a museum, Wright was prophetic. Four decades later, Frank Gehry's Guggenheim Bilbao—the curvaceous, titanium-clad affiliated museum in northern Spain—would launch a wave of cutting-edge architectural schemes for art institutions across the globe. But Wright was there first. A retrospective exhibition at the original Guggenheim (until August 23) reveals how often Wright pioneered trends that other architects would later embrace. Passive solar heating, open-plan offices, multi-storied hotel atriums—all are now common, but at the time Wright designed them they were revolutionary.
When Solomon Guggenheim, the heir to a mining fortune, and his art adviser, Hilla Rebay, decided to construct a museum for abstract painting (which they called "non-objective art"), Wright was a natural choice as architect. In Rebay's words, the two were seeking "a temple of spirit, a monument" and Wright, through his long career, was a builder of temples and monuments. These included actual places of worship, such as Unity Temple (1905-8) for a Unitarian congregation in Oak Park, Illinois, one of the early masterpieces that proclaimed Wright's genius, and Beth Sholom Synagogue (1953-59) in Elkins Park, Pennsylvania, which, like the Guggenheim, he supervised at the end of his life. But in everything he undertook, the goal of enhancing and elevating the human experience was always on Wright's mind. In his religious buildings, he used many of the same devices—bold geometric forms, uninterrupted public spaces and oblique-angled seating—as in his secular ones. The large communal room with overhead lighting that is the centerpiece of Unity Temple was an idea he had introduced in the Larkin Company Administration Building (1902-6), a mail-order house in Buffalo, New York. And before it reappeared in Beth Sholom, what he called "reflex-angle seating"—in which the audience fanned out at 30-degree angles around a projecting stage—was an organizing principle in his theater plans, starting in the early 1930s. To Wright's way of thinking, any building, if properly designed, could be a temple.
In his unshakable optimism, messianic zeal and pragmatic resilience, Wright was quintessentially American. A central theme that pervades his architecture is a recurrent question in American culture: How do you balance the need for individual privacy with the attraction of community activity? Everyone craves periods of solitude, but in Wright's view, a human being develops fully only as a social creature. In that context, angled seating allowed audience members to concentrate on the stage and simultaneously function as part of the larger group. Similarly, a Wright house contained, along with private bedrooms and baths, an emphasis on unbroken communal spaces—a living room that flowed into a kitchen, for example—unknown in domestic residences when he began his practice in the Victorian era. As early as 1903, given the opportunity to lay out a neighborhood (in Oak Park, which was never built), Wright proposed a "quadruple block plan" that placed an identical brick house on each corner of a block he shielded the inhabitants from the public street with a low wall and oriented them inward toward connected gardens that encouraged exchanges with their neighbors. Good architecture, Wright wrote in a 1908 essay, should promote the democratic ideal of "the highest possible expression of the individual as a unit not inconsistent with a harmonious whole."
That vision animates the Guggenheim Museum. In the course of descending the building's spiral ramp, a visitor can focus on works of art without losing awareness of other museumgoers above and below. To that bifocal consciousness, the Guggenheim adds a novel element: a sense of passing time. "The strange thing about the ramp—I always feel I am in a space-time continuum, because I see where I've been and where I'm going," says Bruce Brooks Pfeiffer, director of the Frank Lloyd Wright Archives in Scottsdale, Arizona. As Wright approached the end of his life, that perception of continuity—recalling where he had been while advancing into the future—must have appealed to him. And, looking back, he would have seen telling examples in his personal history of the tension between the individual and the community, between private desires and social expectations.
Wright's father, William, was a restless, chronically dissatisfied Protestant minister and organist who moved the family, which included Wright's two younger sisters, from town to town until he obtained a divorce in 1885 and took off for good. Wright, who was 17 at the time, never saw his father again. His mother's family, the combative Lloyd Joneses, were Welsh immigrants who became prominent citizens of an agricultural valley near the village of Hillside, Wisconsin. Wright himself might have written the family motto: "Truth Against the World." Encouraged by his maternal relatives, Wright showed an early aptitude for architecture he made his initial forays into building design by working on a chapel, a school and two houses in Hillside, before apprenticing in Chicago with the celebrated architect Louis H. Sullivan. Sullivan's specialty was office buildings, including classic skyscrapers, such as the Carson Pirie Scott & Company building, which were transforming the Chicago skyline.
But Wright devoted himself primarily to private residences, developing what he called "Prairie Style" houses, mostly in Oak Park, the Chicago suburb in which he established his own home. Low-slung, earth-hugging buildings with strong horizontal lines and open circulation through the public rooms, they were stripped clean of unnecessary decoration and used machine-made components. The Prairie Style revolutionized home design by responding to the domestic needs and tastes of modern families. Wright had firsthand knowledge of their requirements: in 1889, at 21, he had married Catherine Lee Tobin, 18, the daughter of a Chicago businessman, and, in short order, fathered six children.
Like his own father, however, Wright exhibited a deep ambivalence toward family life. "I hated the sound of the word papa," he wrote in his 1932 autobiography. Dissatisfaction with domesticity predisposed him toward a similarly discontented Oak Park neighbor: Mamah Cheney, a client's wife, whose career as head librarian in Port Huron, Michigan, had been thwarted by marriage and who found the duties of wife and mother a poor substitute. The Wrights and Cheneys socialized as a foursome, until, as Wright later described it, "the thing happened that has happened to men and women since time began—the inevitable." In June 1909, Mamah Cheney told her husband that she was leaving him she joined Wright in Germany, where he was preparing a book on his work. The scandal titillated newspapers—the Chicago Tribune quoted Catherine as saying she had been the victim of a "vampire" seductress. Wright was painfully conflicted about walking out on his wife and children. He attempted a reconciliation with Catherine in 1910, but then resolved to live with Cheney, whose own work—a translation of the writings of Swedish feminist Ellen Key—provided intellectual support for this convention-defying step. Leaving the Oak Park gossipmongers behind, the couple retreated to the Wisconsin valley of the Lloyd Joneses to start anew.
Just below the crest of a hill in Spring Green, Wright designed a secluded house he called "Taliesin," or "shining brow," after a Welsh bard of that name. A rambling dwelling made of local limestone, Taliesin was the culmination of the Prairie Style, a big house with long roofs extending over the walls. By all accounts, Wright and Cheney lived there happily for three years, slowly winning over neighbors who had been prejudiced by the publicity that preceded them—until Taliesin became the setting for the greatest tragedy of the architect's long and eventful life. On August 15, 1914, while Wright was in Chicago on business, a deranged young cook locked the dining room and set it ablaze, standing with a hatchet at the only exit to bar all inside from leaving. Cheney and her two visiting children were among the seven who died. On the anguished journey to Wisconsin, a devastated Wright and his son John shared a train car with Cheney's former husband. Wright immediately vowed to rebuild the house, which was mostly in ruins. But he never fully recovered emotionally. "Something in him died with her, something loveable and gentle," his son later wrote in a memoir. (In April 1925, as the result of defective wiring, the second Taliesin also suffered a calamitous fire it would be replaced by a third.)
Wright's domestic life took another turn when a condolence letter from a wealthy divorcée, the determinedly artistic Miriam Noel, led to a meeting and—less than six months after Cheney's death—to an invitation for Noel to come live with Wright at Taliesin. With her financial help, he reconstructed the damaged house. But Taliesin II did not become the sanctuary he sought. Wright was a theatrical personality, with a penchant for flowing hair, Norfolk jackets and low-hanging neckties. Yet even by his standards, the needy Noel was flamboyantly attention-seeking. Jealous of his devotion to Cheney's memory, she staged noisy altercations, leading to an angry separation only nine months after they met. Although the split appeared to be final, in November 1922, Wright obtained a divorce from Catherine and married Noel a year later. But wedlock only exacerbated their problems. Five months after the wedding, Noel left him, opening an exchange of ugly accusations and countercharges in a divorce proceeding that would drag on for years.
During this tempestuous period, Wright had worked on just a few major projects: the Imperial Hotel in Tokyo, the Midway Gardens pleasure park in Chicago, and Taliesin. All three were expansions and refinements of work he had done previously rather than new directions. From 1915 to 1925, Wright executed only 29 commissions, a drastic drop-off from the output of his youth when, between 1901 and 1909, he built 90 of 135 commissions. In 1932, in their influential Museum of Modern Art exhibition on the "International Style" in architecture, Philip Johnson and Henry-Russell Hitchcock listed Wright among the "older generation" of architects. Indeed, by this time Wright had been a force in American architecture for more than three decades and was devoting most of his time to giving lectures and publishing essays it was easy to believe that his best years were behind him. But in fact, many of his most heralded works were still to come.
On November 30, 1924, attending a ballet in Chicago, Wright had noticed a young woman seated next to him. "I secretly observed her aristocratic bearing, no hat, her dark hair parted in the middle and smoothed over her ears, a light small shawl over her shoulders, little or no makeup, very simply dressed," he wrote in his autobiography. Wright "instantly liked her looks." For her part, 26-year-old Olgivanna Lazovich Hinzenberg, a Montenegrin educated in Russia, had come to Chicago to try to salvage her marriage to a Russian architect, with whom she had had a daughter, Svetlana. Even before taking her seat, she would recall in an unpublished memoir, she had noticed "a strikingly handsome, noble head with a crown of wavy grey hair." Upon discovering that the ticket she had purchased at the last minute seated her next to this poetic-looking man, her "heart beat fast." During the performance, he turned to her and said, "Don't you think that these dancers and the dances are dead?" She nodded in agreement. "And he smiled, looking at me with unconcealed admiration," she recalled. "I knew then that this was to be." In February 1925, Hinzenberg moved into Taliesin II, where they both waited for their divorces to become final. On the very night in 1925 that Taliesin II burned, she told him that she was pregnant with their child, a daughter they would name Iovanna. They wed on August 25, 1928, and lived together for the rest of Wright's life. The rebuilt Taliesin III would be home to Svetlana and Iovanna—and, in a broader sense, to a community of students and young architects that, beginning in 1932, the Wrights invited to come live and work with them as the Taliesin Fellowship. After Wright suffered a spell of pneumonia in 1936, the community expanded to a wintertime settlement he designed in Scottsdale, Arizona, on the outskirts of Phoenix. He dubbed it Taliesin West.
In the last quarter-century of his life, Wright pushed his ideas as far as he could. The cantilevering that he had employed for the exaggeratedly horizontal roofs of the Prairie Style houses assumed a new grandeur in Fallingwater (1934-37), the country house for Pittsburgh department-store owner Edgar Kaufmann Sr., which Wright composed of broad planes of concrete terraces and flat roofs, and—in a stroke of panache—he perched over a waterfall in western Pennsylvania. (Like many Wright buildings, Fallingwater has better stood the test of time aesthetically than physically. It required an $11.5 million renovation, completed in 2003, to correct its sagging cantilevers, leaking roofs and terraces, and interior mildew infestation.) While designing Fallingwater, Wright also transformed the skylit open clerical space of the early Larkin Building into the Great Workroom of the Johnson Wax Company Administration Building (1936) in Racine, Wisconsin, with its graceful columns that, modeled on lily pads, spread to support disks with overhead skylights of Pyrex glass tubing.
Wright's ambition to elevate American society through architecture grew exponentially from the quadruple block plan in Oak Park to the scheme for Broadacre City—a proposal in the 1930s for a sprawling, low-rise development that would roll out a patchwork of houses, farms and businesses, connected by highways and monorails, across the American landscape. His desire to provide affordable, individualized homes that met the needs of middle-class Americans found its ultimate expression in the "Usonian" houses he introduced in 1937 and continued to develop afterward: customizable homes that were positioned on their sites to capture winter sun for passive solar heating and outfitted with eaves to provide summer shade constructed with glass, brick and wood that made surface decoration such as paint or wallpaper superfluous lit by clerestory windows beneath the roofline and by built-in electric fixtures shielded from the street to afford privacy and supplemented with an open carport, in deference to the means of transportation that could ultimately decentralize cities. "I don't build a house without predicting the end of the present social order," Wright said in 1938. "Every building is a missionary."
His use of "missionary" was revealing. Wright said that his architecture always aimed to serve the client's needs. But he relied on his own assessment of those needs. Speaking of residential clients, he once said, "It's their duty to understand, to appreciate, and conform insofar as possible to the idea of the house." Toward the end of his life, he constructed his second and last skyscraper, the 19-story H. C. Price Company Office Tower (1952-56) in Bartlesville, Oklahoma. After it was completed, Wright appeared with his client at a convocation in town. "A person in the audience asked the question, ‘What's your first prerequisite?'" archivist Pfeiffer recalled. "Mr. Wright said, ‘Well, to fulfill a client's wishes.' To which Price said, ‘I wanted a three-story building.' Mr. Wright said, ‘You didn't know what you wanted.'"
In developing the Guggenheim Museum, Wright exercised his usual latitude in interpreting the client's wishes as well as his equally typical flair for high-flown comparisons. He described the form he came up with as an "inverted ziggurat," which nicely linked it to the temples in the Mesopotamian Cradle of Civilization. In fact, the Guggenheim traced its immediate lineage to an unbuilt Wright project that the architect based on the typology of a parking garage—a spiral ramp he designed in 1924 for the mountaintop Gordon Strong Automobile Objective and Planetarium. Wright envisioned visitors driving their cars up an exterior ramp and handing them over to valets for conveyance to the bottom. They could then walk down a pedestrian ramp, admiring the landscape before reaching the planetarium at ground level. "I have found it hard to look a snail in the face since I stole the idea of his house—from his back," Wright wrote to Strong, after the Chicago businessman expressed dissatisfaction with the plans. "The spiral is so natural and organic a form for whatever would ascend that I did not see why it should not be played upon and made equally available for descent at one and the same time." Yet Wright also admitted admiration for the industrial designs of Albert Kahn—a Detroit-based architect whose reinforced-concrete, ramped parking garages foreshadowed both the Strong Automobile Objective and the Guggenheim.
In the long negotiations over costs and safety-code stipulations that protracted the construction of the museum, Wright was forced to compromise. "Architecture, may it please the court, is the welding of imagination and common sense into a restraint upon specialists, codes and fools," he wrote in a draft cover letter for an application to the Board of Standards and Appeals. (At the urging of Harry Guggenheim, he omitted the word "fools.") One sacrificed feature was an unconventional glass elevator that would have whisked visitors to the summit, from which they would then descend on foot. Instead, the museum has had to get by with a prosaic elevator far too small to cope with the attending crowds as a result, most visitors survey an exhibition while ascending the ramp. Curators typically arrange their shows with that in mind. "You cannot get enough people into that tiny elevator," says David van der Leer, an assistant curator of architecture and design, who worked on the Wright exhibition. "The building is so much more heavily trafficked these days that you would need an elevator in the central void to do that."
Installation of the Wright retrospective brought into high relief the discrepancies between the building's symbolic power and its functional capabilities. For instance, to display Wright's drawings—an unparalleled assortment, which for conservation reasons will not be on view again for at least a decade—the curators placed a mesh fabric "shower cap" on the overhead dome to weaken the light, which otherwise would cause the colors on the paper drawings to fade. "On the one hand, you want to display the building as well as possible, and on the other, you need to show the drawings," van der Leer explains.
The Guggenheim emerged last year from a $28 million, four-year restoration, during which cracks and water damage in the concrete were patched, and the peeling exterior paint (10 to 12 layers' worth) was removed and replaced. Wright buildings are notorious for their maintenance difficulties. During Wright's lifetime, the problems were aggravated by the architect's expressed indifference. One famous story recounts an outraged phone call made by Herbert Johnson, an important Wright client, to report that at a dinner party in his new house, water from a leaky roof was dripping on his head. Wright suggested he move his chair.
Still, when you consider that in many projects the architect designed every element, down to the furniture and light fixtures, his bloopers are understandable. Proudly describing the Larkin Building, Wright said, many years after it opened, "I was a real Leonardo da Vinci when I built that building, everything in it was my invention." Because he was constantly pushing the latest technologies to their utmost, Wright probably resigned himself to the inevitable shortfalls that accompany experimentation. "Wright remained throughout his life the romantic he had been since childhood," historian William Cronon wrote in 1994. "As such, he brought a romantic's vision and a romantic's scale of values to the practical challenges of his life." If the architect seemed not to take the glitches in his built projects too seriously, it may be that his mind was elsewhere. "Every time I go into that building, it is such an uplifting of the human spirit," says Pfeiffer, who probably is the best living guide to Wright's thinking about the Guggenheim. The museum is often said by architectural critics to constitute the apotheosis of Wright's lifelong desire to make space fluid and continuous. But it represents something else as well. By inverting the ziggurat so that the top keeps getting wider, Wright said he was inventing a form of "pure optimism." Even in his 90s, he kept his mind open to expanding possibilities.
Arthur Lubow wrote about the 17th-century Italian sculptor Gian Lorenzo Bernini in the October 2008 issue.
Prairie School Architecture
A year later, Wright began an apprenticeship with the Chicago architectural firm of Adler and Sullivan, working directly under Louis Sullivan, the great American architect best known as "the father of skyscrapers." Sullivan, who rejected ornate European styles in favor of a cleaner aesthetic summed up by his maxim "form follows function," had a profound influence on Wright, who would eventually carry Sullivan&aposs dream of defining a uniquely American style of architecture to completion. Wright worked for Sullivan until 1893 when he breached their contract by accepting private commissions to design homes and the two parted ways.
In 1889, a year after he began working for Louis Sullivan, the 22-year-old Wright married a 19-year-old woman named Catherine Tobin, and they eventually had six children together. Their home in the Oak Park suburb of Chicago, now known as the Frank Lloyd Wright home and studio, is considered his first architectural masterpiece. It was there that Wright established his own architectural practice upon leaving Adler and Sullivan in 1893. That same year, he designed the Winslow House in River Forest, which with its horizontal emphasis and expansive, open interior spaces is the first example of Wright&aposs revolutionary style, later dubbed "organic architecture."
Over the next several years, Wright designed a series of residences and public buildings that became known as the leading examples of the "Prairie School" of architecture. These were single-story homes with low, pitched roofs and long rows of casement windows, employing only locally available materials and wood that was always unstained and unpainted, emphasizing its natural beauty. Wright&aposs most celebrated "Prairie School" buildings include the Robie House in Chicago and the Unity Temple in Oak Park. While such works made Wright a celebrity and his work became the subject of much acclaim in Europe, he remained relatively unknown outside of architectural circles in the United States.
Frank Lloyd Wright - History
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Commissioned in 1916 and completed in 1918, Frank Lloyd Wright's Allen House is named after its first owners, newspaper publisher Henry Allen and his wife, Elsie. It was the last of the architect's famous prairie houses, which emphasized horizontal lines, earth tones and a continuous blending of interiors with exteriors.
Architectural writers who have visited the house believe its living room is "one of the great rooms of the 20th century". The home features more than 30 pieces of Wright-designed furniture, all of its original art glass and several new-for-their-time innovations, such as wall-hung water closets and an attached garage. Restored back to 1918, the house exemplifies Frank Lloyd Wright's philosophy of living in harmony with nature. The house was pivotal in the movement to the Usonian designs of 1935. Interior furnishings manufactured by Niedecken Walbridge represent the last of twelve collaborations. The Allen House is considered by many visitors "the house of choice to live in!"
Visit the site that USA Today considers one of the "10 great Frank Lloyd Wright home tours" in the nation. The Allen House is located in the historic College Hill neighborhood, 255 N. Roosevelt, Wichita, KS.
Frank Lloyd Wright - History
|Frank Lloyd Wright|
|The Seth Peterson Cottage|
|Early Years and the Future|
|Frank Lloyd Wright|
At the time Seth Peterson approached Wright to design the Cottage, the architect was nearing ninety years old, in the seventh decade of the most creative and innovative architectural practice in American history.
Frank Lloyd Wright is a native son of Wisconsin. Born in Richland Center on June 8, 1867, he always regarded Wisconsin as his home. After early years in Madison and Spring Green, he ventured to Chicago in 1887, where he developed his revolutionary ideas and created a thriving practice in the prosperous suburb of Oak Park. In 1911, he returned to Wisconsin, taking a farm near Spring Green and turning it into a laboratory where he developed and built his ideas for more than fifty years.
These ideas and ideals spread from the Midwest throughout the United States, then worldwide, and have entered the very fabric of our American culture.
In the late 1950’s, Wright was the center of an astonishingly successful architectural practice, and was involved in such major projects as the Guggenheim Museum in New York City, the Marin County Civic Center near San Francisco, and the Annunciation Greek Orthodox Church near Milwaukee. In addition, he was designing many private homes.
The 1958 Seth Peterson Cottage is Wright’s last Wisconsin building. Wright died in April, 1959, before Cottage construction was completed.
After a tour in the Army, Peterson returned to his hometown and took a job as one of state government’s first computer operators. He retained his dream of working with Wright, though, and on several occasions he asked the master to design a home for him. Wright refused because of the press of other work, but eventually Peterson sent Wright a retainer, which Wright promptly spent. So he was finally obligated to design Peterson’s dream house.
Peterson had purchased a piece of property on quiet Mirror Lake, near Wisconsin Dells, and it was for this dramatic wooded site that he asked Wright to design a small house just big enough for Peterson and his intended bride.
Inside the cottage, the soaring roof is offset by the lower stonewalled enclosure of the east side, a cozy retreat centered on the fireplace. In the bedroom a ribbon of narrow windows just beneath the roof provides a wash of light offering shelter and privacy.
Only one element of applied decoration marks this elegant and simple cottage: a frieze of stylized pine trees cut from plywood and set into a narrow row of windows above the main living room windows.
Rehabilitation of the Seth Peterson Cottage took more than three years. The Seth Peterson Cottage Conservancy hired architect John Eifler, who was experienced in restoring Wright buildings, to direct the project.
When rehabilitation work began in 1989, the boarded-up building was in total disrepair. Water damage had destroyed the flat roof over the bedroom as well as part of the sloped living room roof. The heating, electrical and plumbing systems were completely deteriorated. Kitchen, bedroom and bathroom cabinets and fixtures were either missing or too badly damaged to salvage and windows and door frames were in disrepair. Much of the glass was broken or missing. The sandstone walls and flagstone floor were the only portions of the building still in good condition. Volunteers removed and sanded salvageable woodwork. Wisconsin Conservation Corps crews removed and numbered each floor flagstone, following a detailed floor diagram. Crews also removed the old hot air heating ducts, the furnace and the concrete slab under the flagstone floor.
Rehabilitation continued with replacement of the roof, installation of new electrical and plumbing systems, and a new well and septic system. Woodwork was refinished or replaced, new custom-made windows were installed, and the flagstone floor was re-laid over the new concrete slab in which the pipes for the hot water radiant heating system are embedded. Wright’s original design called for this type of heating system, but was not installed for cost reasons as part of the original construction.
Kitchen, bedroom and bathroom cabinets and shelves were rebuilt using the ruined units as models, and the furniture Wright designed for the house was finally built. To fully furnish the cottage for rental purposes, John Eifler designed additional furniture pieces to complement Wright’s design.
The past twenty years have also seen significant improvements made to the Cottage and environs. Architect John Eifler designed a complementary storage shed, and board member Paul Wagner designed a shed to store all the firewood culled from Mirror Lake State Park. To enable guests to take full advantage of Mirror Lake, a dock was built and a canoe was donated.
Other improvements included the attractive red entrance gate designed by Bill Martinelli, new outdoor lighting, and extensive landscaping. In 2005 air conditioning was installed for the comfort of our rental guests. In 2006 a mini rehab was completed with the furniture being repaired and refinished, all upholstery replaced, interior and exterior woodwork refinished, and repairs to the radiant floor. In 2008 the cedar shingles and the fire brick in the fireplace were replaced. In 2009 a high efficiency, on demand boiler was installed and in 2011 the cedar shingles on the shed were replaced and a new cooktop installed in the Cottage.
In the past two decades, the Cottage has received more than 10,000 overnight guests from most states and many foreign countries. Our monthly tours now attract more than a thousand visitors a year. The Cottage is kept in the public eye through many feature articles, including those that have appeared in Architectural Digest, The New York Times, and the Chicago Tribune.
Ancestry [ edit | edit source ]
Frank Lloyd Wright was born Frank Lincoln Wright in the farming town of Richland Center, Wisconsin, United States, in 1867. His father, William Cary Wright (1825–1904), ΐ] was an orator, music teacher, occasional lawyer, and itinerant minister. Wright's mother, Anna Lloyd Jones (1838/39 – 1923), met William Cary Wright while working as a county school teacher when William was the superintendent of schools for Richland County.
Originally from Massachusetts, William Wright had been a Baptist minister, but he later joined his wife's family in the Unitarian faith. Anna was a member of the well-known Lloyd Jones family who had emigrated from Wales to Spring Green, Wisconsin. One of Anna's brothers was Jenkin Lloyd Jones, an important figure in the spread of the Unitarian faith in the Midwest. Both of Wright's parents were strong-willed individuals with artistic interests that they passed on to him.
Childhood [ edit | edit source ]
According to Wright's autobiography, his mother declared when she was expecting that her first child would grow up to build beautiful buildings. She decorated his nursery with engravings of English cathedrals torn from a periodical to encourage the infant's ambition. In 1870, the family moved to Weymouth, Massachusetts, where William ministered to a small congregation.
In 1876, Anna visited the Centennial Exhibition in Philadelphia, where she saw an exhibit of educational blocks created by Friedrich Wilhelm August Fröbel. The blocks, known as Froebel Gifts, were the foundation of his innovative kindergarten curriculum. Anna, a trained teacher, was excited by the program and bought a set with which young Wright spent much time playing. The blocks in the set were geometrically shaped and could be assembled in various combinations to form three-dimensional compositions. In his autobiography, Wright described the influence of these exercises on his approach to design: "For several years, I sat at the little kindergarten table-top… and played… with the cube, the sphere and the triangle—these smooth wooden maple blocks… All are in my fingers to this day… " Α] Many of Wright's buildings are notable for their geometrical clarity.
The Wright family struggled financially in Weymouth and returned to Spring Green, where the supportive Lloyd Jones clan could help William find employment. They settled in Madison, where William taught music lessons and served as the secretary to the newly formed Unitarian society. Although William was a distant parent, he shared his love of music, especially the works of Johann Sebastian Bach, with his children.
Soon after Wright turned 14, his parents separated. Anna had been unhappy for some time with William's inability to provide for his family and asked him to leave. The divorce was finalized in 1885 after William sued Anna for lack of physical affection. William left Wisconsin after the divorce, and Wright claimed he never saw his father again. Β] At this time he changed his middle name from Lincoln to Lloyd in honor of his mother's family, the Lloyd Joneses.
Education (1885–1887) [ edit | edit source ]
Wright attended Madison High School, it is unknown if he graduated. Γ] In 1886 he was admitted to the University of Wisconsin–Madison as a special student. While there, Wright joined Phi Delta Theta fraternity, Δ] took classes part-time for two semesters, and worked with Allan D. Conover, a professor of civil engineering. Ε] Wright left the school without taking a degree, although he was granted an honorary doctorate of fine arts from the university in 1955. Ζ]
Frank Lloyd Wright’s 1930 Code L-29 Cabriolet was on display at the Hagen History Center until October.
Frank Lloyd Wright’s 1930 Code L-29 Cabriolet is now in Erie after traveling hundreds of miles from Auburn, Indiana.
The 17-foot-long car weighed 4,000 pounds, and orange was Wright’s favorite color.
This will be part of Wright’s exhibition at the Erie County Historical Society-Hagen Historical Center, called Frank Lloyd Wright’s San Francisco Office.
The secretary-general says he wants the car to be attractive to many.
“People who come here to see it probably haven’t seen such a car before,” said George Deutsch, secretary general of the Erie County Historical Society in Hagen. History Center.
The car will be in Erie until early October when it will be shipped to the Frank Lloyd Wright Conservation Conference in Buffalo.
Frank Lloyd Wright’s 1930 Code L-29 Cabriolet was on display at the Hagen History Center until October.
Source link Frank Lloyd Wright’s 1930 Code L-29 Cabriolet was on display at the Hagen History Center until October.
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On Monday night at Prudential Center, in front of 4,000 fans, the New Jersey Devils unveiled “The Salute,” a statue of legendary goaltender Martin Brodeur that will be displayed at the arena. The statue was revealed on the eve of Brodeur’s No. 30 jersey retirement ceremony, which will take place before the Devils-Oilers game on Tuesday. Brodeur was joined by sons Anthony, Jeremy and Maxime.
The 900-pound bronze statue was created by renowned sculpture and artist Jon Krawczyk, who worked with Brodeur on the design. Krawczyk, a Boonton Township, N.J. native and lifelong Devils fan, who also created the hockey statue on Championship Plaza outside of Prudential Center, personally drove “The Salute” from his Malibu, Cali. studio to the arena late last week.
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design
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https://www.anviplasturgie.fr/en/research-and-development/our-simulation-tools/
| 2023-03-30T23:32:59 |
s3://commoncrawl/crawl-data/CC-MAIN-2023-14/segments/1679296949506.62/warc/CC-MAIN-20230330225648-20230331015648-00519.warc.gz
| 0.844735 | 714 |
CC-MAIN-2023-14
|
webtext-fineweb__CC-MAIN-2023-14__0__185533115
|
en
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You want to start a new design project and are looking for efficiency and guarantees ?
In order to accelerate the Time To Market, Anvi plasturgie uses simulation for 100% of its projects. By this way of proceeding, Anvi commits itself on production costs and minimizes the risks of error in the design of products and tools.
Benefits of simulation :
- Minimize the risk of errors during design
- Avoid additional tooling costs
- Reduce Time To Market
Anvi plasturgie's simulation tools
Each process has its tools, each project has its needs !
100% of the plastic injection projects
100 % of the blowing projects
Mechanical simulation : for all processes
Mechanical simulation is used to verify the mechanical strength of parts prior to manufacturing.
RDM studies are useful to ensure:
- That the strength is in accordance with the specifications
- That the parts do not deform during stacking (storage and transport)
- The choice of material
Simulation of the deformation of a part subjected to a linear static force:
- Examples: Stacking of parts, validation of wall thickness
Tool: SolidWorks® CAD
On request, Anvi Plasturgie can use dynamic simulation to :
- Check the resistance of a part subjected to a shock or a fall
- Study the deformation of a tank containing a liquid
- Test the operation of a clip, etc.
Rheological simulation in plastic injection
Rheological simulation tools are used to study the flow of plastic material in the mold.
These powerful tools allow to push far the simulation:
- Analysis of the deformations linked to the different types of shrinkage
- Simulation of fiber orientation during injection
- Correlation with RDM studies to optimize injection
This simulation allows to validate the position of the injection point and to minimize the air inclusions in order to :
- Reduce recollection type defects
- Avoid flux traces
This simulation allows to validate the mould thermal by simulating several injection cycles to :
- visualize the hot spots
- verify that the cooling channels that ensure the thermal regulation of the regulation of the mold are well dimensioned.
This simulation allows to anticipate the deformations caused by differences in thickness and cooling of the part.
The way molten plastic flows through a mold can have a significant impact on the quality of a part.
Simulation of the injection flow helps determine the optimal location of injection points and reduce molding defects.
Simulation of material stretching during blowing
Thanks to the stretch simulation tools, it is possible to anticipate precisely the under thickness areas.
Our simulation tool allows to optimize both the tooling and the blowing process by displaying on a 3D map the evolution of temperature, thickness and stretching constraints throughout the part processing cycle.
Tool : Accuform B-SIM
Help with technology selection
Simulation allows us to optimize the industrialization with each of the 3 technologies we offer.
Learn more about the plastics industry
Interested in our expertise in plastic materials ?
SITE INJECTION & DÉVELOPPEMENT
38, route de Louhans
71 370 St Germain du Plain
+33 (0)3 85 42 12 00
20 Route de Bourg
+33 (0)4 74 30 62 66
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design
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http://www.hillcliffmarqueesbelper.co.uk/wedding/
| 2019-05-25T16:04:03 |
s3://commoncrawl/crawl-data/CC-MAIN-2019-22/segments/1558232258120.87/warc/CC-MAIN-20190525144906-20190525170906-00260.warc.gz
| 0.974955 | 349 |
CC-MAIN-2019-22
|
webtext-fineweb__CC-MAIN-2019-22__0__59635855
|
en
|
All of our marquees have the option to include dance floors, bars, buffets and catering staff and all the tables and chairs you could possibly need to make sure your wedding goes as smoothly as possible with minimal stress for you and your partner. And for that personal touch, every marquee you hire will be decorated and designed around you by our professional and friendly team who will put in every effort to ensure your special day is truly special.
We have a range of different marquees to cater for your event.
Below are a few examples of accessories we offer
Our marquees can be pitched anywhere they fit, on any terrain giving you maximum freedom over where you want to host your event. You have the entire Midlands to choose from!
Find more detail on our locations page.
Many thanks to you, and your team for providing a first class service and helping us deliver a successful promotion week.I have absolutely no doubt we will be returning our custom in the future for similar events."
"Thank you and your team very much indeed for your wonderful work. Rory's party went like a dream and I have you, Bill, to thank for that. Without you being so focused and proactive, I would have struggled to have thought about what was required with sufficient time to make it happen."
"Thank you for the marquee, everything went very well and we had a great time."
"Thank you and all your team for an excellent job. The marquee was much admired and people loved the long table look with extra spaces."
"Thank you very much for your expertise in putting up the marquee for our wedding it really did look great. We had such a lovely day and the setting and marquee really contributed to make that happen."
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design
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https://www.miteff-enterprises.com/items/nic-707-blank-sketchbook-series
| 2024-04-21T10:32:29 |
s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296817765.59/warc/CC-MAIN-20240421101951-20240421131951-00208.warc.gz
| 0.952493 | 294 |
CC-MAIN-2024-18
|
webtext-fineweb__CC-MAIN-2024-18__0__123686664
|
en
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Nic 707 Blank Sketchbook Series
Nic 707 Black Sketchbook Series
A SERIES OF ELEGANT AND HANDSOME PAPERBACK SKETCHBOOKS
Inspired by Nic 707 and his InstaFame Phantom Art movement, this sketchbook series are the perfect companion size to capture big ideas, terrific designs, and fresh masterpieces in pencil, pen, ink, and fine line markers. Their beautiful covers make this sketchbook a great gift for any artist or writer.
• 130 white pages
• Dimensions: 7 x 10 in.
• Glossy cover
• Perfect for writing, drawing, sketching, note-taking, etc.
ABOUT THE COVERS
These sketchbooks are adorned by rare and -- until recently – uncirculated abstract paintings by legendary New York graffiti artist Fernando Miteff, famously known as Nic 707. Until his passing in 2020, he created hundreds of his own works for the InstaFame Phantom Art movement as well as hundreds more in collaboration with dozens of famed and up-and-coming artists from many genres. These pieces were displayed for over a ten-year period throughout the New York City transit system. While Nic 707 created hundreds of abstracts that were used in celebrated collaborative works, only eleven of these abstracts are known to remain in their original form. Of these eleven, seven have been chosen to appear as sketchbook covers in this series.
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design
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https://upperclassfashion.co.uk/blogs/news/the-evolution-of-mens-biker-jackets-from-rebellion-to-fashion-staple
| 2024-04-15T03:39:41 |
s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296816939.51/warc/CC-MAIN-20240415014252-20240415044252-00545.warc.gz
| 0.935881 | 1,408 |
CC-MAIN-2024-18
|
webtext-fineweb__CC-MAIN-2024-18__0__54122727
|
en
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In the realm of men's fashion, few garments hold the iconic status and timeless appeal of the biker jacket. From its humble beginnings as a symbol of rebellion to its current status as a fashion staple, the journey of the men's biker jacket is a fascinating tale of evolution and cultural significance. In this blog post, we'll delve into the rich history and transformation of men's biker jackets, exploring how they transitioned from symbols of rebellion to esteemed pieces of upper-class fashion in the UK.
The Birth of Rebellion:
The story of the men's biker jacket begins in the post-war era of the 1950s, where it emerged as a symbol of rebellion and non-conformity. Originally worn by motorcycle gangs and rebellious youth, the biker jacket became synonymous with a rugged, anti-establishment ethos. Its rugged leather construction and distinctive details, such as asymmetrical zippers and stud embellishments, embodied the spirit of rebellion that defined the era. As the jacket gained popularity among subcultures, its association with rebellion became solidified, creating a lasting image of defiance and independence.
Iconic Styles Through the Decades:
As the decades passed, the men's biker jacket evolved to reflect the changing tastes and attitudes of society. In the 1960s, it found its way into mainstream fashion thanks to style icons like Marlon Brando and James Dean, who immortalized the biker jacket in films like "The Wild One" and "Rebel Without a Cause." By the 1970s and 1980s, the biker jacket had become a symbol of edgy cool, worn by rock stars and fashion rebels alike. Each decade brought new interpretations of the biker jacket, from sleek and minimalist designs to bold and embellished styles, reflecting the evolving fashion landscape and cultural influences of the time.
Adaptation into Mainstream Fashion:
The 1990s marked a turning point for the men's biker jacket, as it transitioned from a symbol of rebellion to a coveted fashion item. Luxury fashion houses began incorporating biker jacket elements into their collections, elevating the garment from its subcultural roots to the heights of high fashion. Today, the men's biker jacket is a ubiquitous presence on catwalks and red carpets, coveted by fashion enthusiasts and celebrities alike. With its timeless appeal and versatile styling options, the biker jacket has cemented its status as a fashion staple in the UK and beyond, transcending its subcultural origins to become a symbol of sophistication and style.
Symbolism and Cultural Significance:
Beyond its aesthetic appeal, the men's biker jacket carries deep symbolic meaning. It represents a spirit of freedom, individuality, and self-expression – qualities that have resonated with generations of wearers. In the UK, the biker jacket is not just a piece of clothing; it's a cultural artefact that speaks to the rebellious spirit and independent streak of the British people. As a symbol of rebellion, the biker jacket embodies the ethos of the counterculture movements of the 20th century, representing a rejection of societal norms and a celebration of individualism. In today's fashion landscape, the biker jacket continues to carry these symbolic associations, serving as a reminder of the power of self-expression and the enduring allure of rebellion.
Materials and Construction:
At the heart of the men's biker jacket is its construction and materials. Traditionally crafted from premium quality leather, the biker jacket is built to last, with sturdy stitching, durable hardware, and rugged details that withstand the test of time. In the UK, where craftsmanship and quality are prized, the men's leather biker jacket is a testament to British ingenuity and craftsmanship. From the finest Italian leather to locally sourced hides, the materials used in biker jacket construction are carefully selected for their durability, comfort, and aesthetic appeal. With meticulous attention to detail and expert craftsmanship, each biker jacket is a work of art, designed to stand the test of time and become a cherished wardrobe staple for generations to come.
Modern Interpretations and Trends:
In the modern era, the men's biker jacket continues to evolve, with designers putting their own unique spin on this classic garment. From sleek, minimalist designs to bold, statement-making styles, there's a biker jacket for every taste and aesthetic. In the UK, where upper-class fashion meets street style cool, the men's biker jacket remains a versatile wardrobe staple that effortlessly transitions from day to night. With its timeless appeal and versatile styling options, the biker jacket continues to inspire fashion enthusiasts and designers alike, proving that rebellion never goes out of style.
The Versatility of Biker Jackets:
One of the key reasons for the enduring popularity of the men's biker jacket is its versatility. Whether dressed up with tailored trousers and a crisp shirt or dressed down with jeans and a t-shirt, the biker jacket adds an instant touch of rugged sophistication to any ensemble. In the UK, where fashion is all about blending classic elegance with contemporary edge, the biker jacket is the ultimate statement piece. With its ability to effortlessly elevate any outfit, the biker jacket has become a go-to wardrobe staple for men of all ages and style sensibilities. From the streets of London to the runways of Paris, the biker jacket is a symbol of timeless style and effortless cool, proving that rebellion never goes out of fashion.
Celebrities and Style Icons:
From rock legends like David Bowie and Mick Jagger to modern-day style icons like David Beckham and Harry Styles, celebrities have long been fans of the men's biker jacket. Their influence has helped to cement the garment's status as a must-have item in the wardrobes of fashion-forward men across the UK. Whether worn on stage, on the red carpet, or on the streets of London, the biker jacket exudes an aura of effortless cool and rebellious charm that resonates with celebrities and style icons alike. With its timeless appeal and iconic status, the men's biker jacket continues to capture the imagination of fashion enthusiasts around the world, proving that rebellion never goes out of style.
In conclusion, the evolution of the men's biker jacket from rebellion to fashion staple is a testament to its enduring appeal and cultural significance. From its humble beginnings in the post-war era to its current status as a coveted fashion item, the biker jacket has transcended its subcultural roots to become a symbol of style, sophistication, and individuality in the UK and beyond. As we look to the future, one thing is clear: the men's biker jacket will continue to inspire and captivate fashion enthusiasts for generations to come. With its timeless appeal and versatile styling options, the biker jacket remains a wardrobe staple for men of all ages and style sensibilities, proving that rebellion never goes out of fashion.
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design
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https://www.compare.se/en/nyhet/ratt-information-pa-ratt-plats-med-originell-design-kunskapsstod-for-vardgivare/
| 2023-01-30T04:12:31 |
s3://commoncrawl/crawl-data/CC-MAIN-2023-06/segments/1674764499801.40/warc/CC-MAIN-20230130034805-20230130064805-00081.warc.gz
| 0.965673 | 1,049 |
CC-MAIN-2023-06
|
webtext-fineweb__CC-MAIN-2023-06__0__983527
|
en
|
Since the turn of the year exists Knowledge support for caregivers, a site with well-thought-out navigation and an original design with that little something extra.
The website is aimed at healthcare professionals in the Stockholm region and will help them in meeting patients. Here are the collective treatment guidelines that the healthcare staff must work according to and which must contribute to good and equal care and the best possible knowledge in the meeting with the patients.
- Now we have a website that is organic and will be filled continuously with new information. It is structured, simple and looks nice. We also think it differs from the more traditional medical website, says Carina Ekner, editor at the Knowledge Management and Support unit, Region Stockholm.
Visualization to find the right information
The biggest challenge was managing and structuring the large amount of information. The new site now has 27 entrances to different medical information areas and each area covers a different amount of information in turn. To make it easy and intuitive for visitors to quickly find the right area, our designer created an illustration for each area.
Illustrations for different care areas
- In addition to the illustrations clearly showing which area of care it is about, they also need to make the website more human and warm. Since the website is information heavy with clinical medical content, we tried to balance it with a more soft and organic design language. The result was a website that really stands out, says Marko Tosic, designer.
In the work to produce which illustration was suitable for each area, some discussions and brainstorming between Marko and Carina were required.
Healthcare lifestyle icon
- We discussed, for example, how best to visualize the area called Lifestyle. I had an idea for a hamburger that would show bad eating habits. Carina was more into something about a bicycle, because lifestyle habits are not only about what you put into yourself, but also about being active and living healthily. It became a cyclist, but with a slightly rounder belly than it originally had. Such details are important and we had good discussions about each illustration before we were completely satisfied, says Marko.
Visual elements to lighten up the complicated content
Despite the site's heavy content, the visual expression has succeeded in de-dramatizing and making the visitor smile a little. One of the more important illustrations is the three people in the top image on the home page. Since the website's target group is all professions within the healthcare professions, the word diversity made its mark on the illustration.
Humor can also make a website more human and warm. That's what Marko and Carina thought when they produced illustrations for the 404 page and a page showing that the content is under construction.
- With stylish, well-balanced typography, our very own icons and illustrations and the twinkle in the eye, our hope is that the healthcare staff will benefit greatly from and feel really good inside the site, says Carina.
- I want to give praise to Carina and her colleagues for excellent collaboration and for daring to pursue the idea with the illustrations. It could have been a typical, boring website with lots of information and nothing more. But they saw the value of the investment with the illustrations and it turned out to be a great website, says Marko.
The navigation was a clever challenge, also technically
Building a design-wise attractive site and at the same time including all text content and creating a clear structure was also technically a tricky challenge.
- It was a challenge to build a navigation for such a large information structure with different areas. Initially, it was clever to have an overview and we had to adapt and explore along the way, says Fredrik Stodne, project manager and Sitevision manager at Soleil.
- Technically, we have created good solutions for both navigation and menu management. Their own icons really stand out and there we have also created good solutions with simple navigation. Both they and we are a little extra proud of that, says Fredrik.
The need for knowledge support with digitized material gathered in one place has been long-awaited among healthcare professionals.
- The new website is accessible and mobile friendly. There is also an available information search that is adapted based on subject area, says Karin Eklöf Lignell, editor and colleague with Carina at the same unit.
The site has also been prepared to automatically receive and share information at national, regional and local levels.
Looking forward to further development
The collaboration has worked really well and there is still a lot to work on, the search function for example. But the basic needs are in place and now after the launch they will continue to work on tagging content.
- We have had a good collaboration with Soleil. They have been accommodating, quick and understood what we mean by all questions, say Carina and Karin.
- As a supplier of websites, we are extra proud to be able to launch a website that is not only graphically attractive, but also built with the target group's needs and the site's important purposes in focus, concludes Fredrik.
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design
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https://histocenter.co.th/products/eppendorf-combitips-advanced-positive-displacement-pipette-tips/
| 2024-02-28T07:00:40 |
s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947474697.2/warc/CC-MAIN-20240228044414-20240228074414-00387.warc.gz
| 0.890638 | 267 |
CC-MAIN-2024-10
|
webtext-fineweb__CC-MAIN-2024-10__0__130593628
|
en
|
Your tip of choice when working with Multipette® multi-dispenser pipettes from Eppendorf
Thanks to their revolutionary design, Combitips advanced dispenser tips provide you with many benefits for work in a modern laboratory. With an integrated piston, they function according to the positive displacement principle and ensure that the correct volume of liquid is dispensed regardless of the physical properties of the liquid you work with (e.g., viscosity, volatility, density, temperature). You can therefore achieve high-precision dispensing, independent of the flow characteristics of the liquid, and safely work with radioactive or toxic materials due to the hermetically sealed piston that prevents aerosol contamination.
Eppendorf pioneered the Multipette/Combitips multi-dispenser system in 1978 and improved it several times since. It was the very first pipetting system allowing users to fill the tip once and dispense multiple times. The concept remains a driver for efficient liquid handling and a staple in many labs working with plates or series of tubes.
How can you recognize an original Combitip from Eppendorf?
Unmistakeably Eppendorf: All original Combitips advanced feature a “ring” of drop-shaped relief elements on the edge of the tip crown.
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design
|
https://www.oneqode.com/network/
| 2024-02-27T10:51:16 |
s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947474674.35/warc/CC-MAIN-20240227085429-20240227115429-00027.warc.gz
| 0.880473 | 697 |
CC-MAIN-2024-10
|
webtext-fineweb__CC-MAIN-2024-10__0__4757283
|
en
|
The network purpose-built for real-time
Our carrier network spans 3 continents, reaching people throughout Asia-Pacific.
Designed for spectacular real-time experiences, this is where milliseconds matter.
Reach people across
With a game-changing Guam (APAC Central) facility at the core, and a presence in Asia-Pacific’s major population centres, you’ll reach hundreds of millions of people across the region with ultra low-latency connectivity.See all locations
Your traffic. Delivered faster.
We carry your data over the most direct path, connecting to last-mile ISPs as close to end-users as possible.
Most providers use ‘least-cost routing’, sending traffic where it’s cheapest, but not fastest.
You won’t even experience the savings — it’s their margin.
Instead, we use shortest path routing, which sends traffic via the most direct path to the user.
This maximises performance, eliminating hops and lag.
Engineered for speed.
Cutting-edge network architecture
From the switches we use to the cables we operate, every part of our network eliminates lag.
Our network is powered by Arista switches — the fastest in the world. We’ve fine-tuned them to further improve performance.
We use the shortest submarine cable routes across Asia-Pacific, giving your traffic access to the lowest latency fibre optic assets in the region.
We use premium IP Transit as a path of last resort to ensure we achieve low latency to locations where we don’t have direct connectivity.
Direct last-mile links
We have private fast lanes to the major last-mile ISPs in Asia. This superior interconnection improves fault-tolerance and user experience.
Premium DDoS protection.
Uninterrupted, network-wide DDoS protection
By neutralising attacks at the edge, we keep users online without compromising on latency, cost, or performance.
Block attacks at the edge
Each entrance to our network is lined with always on, high throughput DDoS mitigation appliances.
Malicious traffic is scrubbed and filtered in real time, keeping the network free of disruption.
Zero impact, zero cost
Users won’t notice attacks, because our architecture keeps them shielded by design.
This is included as standard at no cost to OneQode customers, so you won’t experience DDoS bill shock.
How other networks deploy DDoS protection:
Most networks don’t have always-on network-wide protection and respond to attacks in one of two ways:
❌ Blackhole routing
Dropping all traffic (however legitimate) during an attack. All users lose connectivity.
❌ Scrubbing facility redirection
Diverting all traffic to separate scrubbing locations, negatively impacting latency and experience.
These methods are cheaper to deploy, but users suffer — and you’ll get angry tweets.
The real kicker? You’ll often have to pay per megabyte whenever you get attacked. Seriously.
optimize user routes
Having specific users with latency issues? We can fine-tune that, too.
As a carrier, we can apply custom traffic management policies at the network level in real-time.
This prompts the users network to direct data via a specific route, optimising the journey for latency.
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design
|
https://bluebirddaygear.com/
| 2023-11-28T08:37:35 |
s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679099281.67/warc/CC-MAIN-20231128083443-20231128113443-00368.warc.gz
| 0.927476 | 149 |
CC-MAIN-2023-50
|
webtext-fineweb__CC-MAIN-2023-50__0__191916086
|
en
|
Made To Last
- Our Handmade Telemark Products Are Created With You In Mind
Bluebird Day Gear is a small company that designs and makes high quality telemark ski equipment in Salt Lake City, Utah. We're a true homegrown business with a focus on design and a deep love of all things snow.
Stick with us as we work to make each piece of your rig tougher and easier to use so you can spend more of your day skiing.
Have a beef with a piece of gear you'd like us to fix? Have a great idea for something new?
- If you manage to break them, we will replace them
- Bluebird Day Gear is a small company that designs and makes high quality Telemark equipment
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design
|
https://www.eizo.ro/flexscan/ev2460-bk/
| 2023-03-28T14:04:50 |
s3://commoncrawl/crawl-data/CC-MAIN-2023-14/segments/1679296948867.32/warc/CC-MAIN-20230328135732-20230328165732-00411.warc.gz
| 0.92279 | 2,176 |
CC-MAIN-2023-14
|
webtext-fineweb__CC-MAIN-2023-14__0__218613028
|
en
|
The monitor’s appearance can be the key to creating a pleasant working atmosphere. Whether you are at home or in the office, the monitor’s virtually frameless design and ergonomic functionality allows it to fit naturally into your workplace environment. The housing is available in both an elegant black and in white, with matching white cables.
FlexScan office monitors are an attractive addition to any office. Their sleek, compact design is elegant and the ideal size. The virtually frameless models are the perfect choice for multi-screen solutions and also look great as a stand-alone monitor, all while offering maximum usability.
Electrostatic switches are integrated into the front of the EV2460-BK instead of mechanical buttons. This ensures ease of use while also giving the monitor an extremely elegant look. The speakers and all the controls are also built into the bezel, pointing forward in the direction of the user. They are fully integrated into the monitor’s flat, nearly frameless design to offer an excellent user experience.
There are many things that go into creating a high-precision/high-contrast, bright and crisp screen. We constantly develop our monitor technology, use only high-end materials and carefully calibrate every single monitor during production. As a result of these efforts, you can always rely on excellent image reproduction.
The monitor is capable of all three key elements of excellent image quality: excellent resolution of 1920 x 1080 (Full HD) pixels, maximum contrast of 1000:1, and stable brightness of up to 250 cd/m². That means you will experience razor-sharp text contours, brilliant graphics, and clear images. Thanks to the high-quality IPS panels with LED backlight, contrasts and colours remain stable from every viewing angle.
An image can only be perfect if the colours are, too. This is why EIZO monitors have a 10-bit look-up table at a minimum, which allows the colour information to be assigned much more precisely than with conventional 8-bit LUTs. The finest colour gradations ensure that gradients are always perfectly displayed, while also offering customised adjustment options. For example, you can adjust the white balance from 4000 K to 10000 K in 500-K intervals.
FlexScan monitors ensure computer workstations are more ergonomic. In addition to alleviating eye and back strain, the monitors also meet the user’s unique requirements. This is because we don’t believe that you should have to adjust to your workstation – your workstation should adapt to your needs.
At day, at night, bright, dark: No matter when and how you work, the Auto EcoView function continuously measures changes of the ambient light and optimises the monitor with ideal brightness values automatically by using a sensor. The benefits: Annoying glare is reduced, your eyes will not get tired as quickly. A special two-point control takes into account the brightest and darkest environment over the course of the day with the respectively desired screen brightness. Another advantage: Thanks to the automatic brightness adjustment, you will save up to 50% of your electricity costs in comparison to a monitor that is permanently operated at maximum brightness.
Of course, you can also continue to configure the monitor manually. EcoView Index is used for orientation on how environmentally friendly and economical your settings are.
To help protect your eyes, EIZO has developed a hybrid technology to control the backlight. This combines the benefits of the otherwise standard PWM (pulse width modulation) and DC (direct current) control. The PWM control uses much higher frequencies than standard PWM methods. The result: a flicker-free viewing experience while maintaining picture quality and colour stability. In addition, compared to pure DC control, you can adjust the brightness to less than 1% of the maximum value in darkly lit rooms. The benefit: Your screen remains free from glare even under these conditions.
The flicker-free and low blue light content of the EIZO FlexScan monitors is certified by TÜV Rheinland. Learn more about why eyes get tired when working at the computer.
The EV2460-BK offers a perfect, non-glare surface. By minimising glare by diffusing the reflected light, the EV2460-BK effectively protects your eyes from straining. This keeps your eyes from getting as tired and allows you to sit comfortably in front of the monitor, without having to sit in a forced position to prevent glare.
Ergonomic and stable: the adjustable stand has ergonomics in focus. You can turn, swivel, and tilt the monitor in the way that is most comfortable for your back, neck and sitting posture. It can be continuously adjusted in height and lowered almost to the table or the base of the stand. This allows you to position the top row of the picture ergonomically below eye level.
Variety of ports
More flexibility thanks to a variety of connections. Whether you are talking about a docking functionality, a multi-screen solution or connecting an external device, we provide a wide range of ports that allow you to easily integrate your EIZO office monitors into a broad range of office environments and workflows.
One monitor, many ports
It doesn’t get simpler than this: Most end devices, such as PCs, laptops and cameras, can be connected directly to the monitor, thanks to its wide range of signal interfaces. The screen also features four USB type A 3.1 ports. This allows different devices such as mice, keyboards and headsets to be connected. This makes your everyday work easier and guarantees a tidy desk.
Software and ease of use
Impressive features mean greater comfort. Our intelligent software solutions and intuitive controls enable you to easily manage your settings as well as operate and deploy the display as a single-screen or multi-monitor solution at work each day.
Pre-set colour modes optimise the viewing of images, texts or films. Because it makes a difference whether you are watching a film, editing a picture, surfing the net, or writing texts. At the touch of a button, you set the respective pre-set for brightness, gamma correction and colour temperature. For example, the Paper mode simulates the pleasant contrast of printed paper, which is easy on the eyes when reading and prevents fatigue.
In addition to the on-screen menu, you can conveniently control the EV2460-BK by using the Screen InStyle software on a Windows PC. The configuration options include colour reproduction, energy saving options, and ergonomic functions. In multi-screen systems, the settings can be applied synchronously to all connected screens with Screen InStyle.
Learn more about Screen InStyle here.
System administrators can centrally manage and control monitors connected in the network with Screen InStyle installed using the Screen InStyle Server application. This optimises power consumption and simplifies asset management of the monitors.
Learn more about Screen InStyle Server here.
EIZO considers longevity, sustainability and environmental friendliness to be main components of product quality. That’s why EIZO’s EcoView monitors feature intelligent energy saving features, are produced in accordance with international environmental regulations and reduce resource consumption thanks to the long service life they offer.
Save electricity without compromising quality: The EcoView Optimizer reduces the background lighting fully automatically for dark images. This reduces electricity consumption by up to 30%. At the same time, the signal is amplified and the colour tone values adjusted. The result: You will enjoy the image quality you are used to but consume less power.
The monitors have an integrated mechanical power switch, which is extremely practical and energy-saving: If you switch off the monitor using the power switch, the device will stop consuming any power at all. Moreover, it consumes a maximum of 0,5 watt in standby mode.
Socially responsible production
The EV2460-BK is produced in a socially responsible way. It is free of child labour and forced labour. Suppliers along the supply chain have been carefully selected and they have also committed themselves to produce in a socially responsible way. This applies in particular to conflict minerals. We present a detailed report about our social responsibility annually and voluntarily.
Learn more about responsible corporate behaviour at EIZO here.
Environmentally and climate friendly
Each EV2460-BK is manufactured in our own factory, which implements an environmental management system in accordance with ISO 14001. This includes measures to reduce waste, wastewater and emissions, resource and energy consumption, as well as to encourage environmentally conscious behaviour among employees. We publicly report on these measures on an annual basis.
Sustainable and durable
The EV2460-BK is designed for a long service life that takes into account the entire lifecycle and impact on the environment. It is generally well above the five-year guarantee. Spare parts are available up to five years after the end of production. The monitor’s long service life and the ability to repair it save resources and the climate. When designing the EV2460-BK we paid attention to reducing resource consumption by using high-quality components and materials and being meticulous in production. The packaging of the EV2460-BK consists of cardboard box made of 85% recycled paper, while the transport padding is even 100% recycled material.
A natural beauty
Reducing the use of volatile organic compounds (VOCs) found in material production, such as some paints, is a global concern.
EIZO uses its expertise cultivated from extensive years of research to manufacture its monitor cabinets with a smooth, uniform colour and texture without using paint.
Compliance with standards and guidelines
The monitor is certified according to important and all-encompassing sustainability standards such as TCO Certified Generation 9, EPEAT and ENERGY STAR®. The EV2460-BK is a safe investment, when taking into account issues such as ESG (Environmental, social and corporate governance) or SDG (Sustainable Development Goals) from the United Nations and following the necessary guidelines.
Five-year hassle-free guarantee. As a result of constant research, further development and painstaking quality control, EIZO is able to offer a five-year guarantee for all FlexScan models. For you, this means the highest possible investment security and a low TCO (total cost of ownership).
Is there something else you need? You can find the accompanying accessories for the EV2460-BK here.
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design
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https://www.fsyphysicalfitness.com/vinyl-dumbbell-product/
| 2023-12-06T23:14:27 |
s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100626.1/warc/CC-MAIN-20231206230347-20231207020347-00449.warc.gz
| 0.908176 | 512 |
CC-MAIN-2023-50
|
webtext-fineweb__CC-MAIN-2023-50__0__112638431
|
en
|
colour can OEM 6kg women Yoga Dip Bone dumbbells
Vinyl dumbbells have cast iron and vinyl coatings and come in many different colors. Vinyl coating feels comfortable and helps protect floors and equipment. In addition, they have comfortable grips for easy operation and cleaning. In addition, the shape design of 12 sides has anti rolling function. In addition, they are very beautiful and brightly colored, with incremental weights ranging from 1 pound to 15 pounds. Therefore, they are ideal for a variety of individual and group exercises, such as jogging and vigorous walking, aerobic exercise, and even yoga routines. They are ideal for adjusting and sculpting the arms, shoulders and back.
1) Type: Vinyl dumbbell
2) The anti slip vinyl coating surface is easy to grasp and clean;
3) The solid cast iron core structure will not break or bend after repeated use;
4) The bright and color coordinated weight increment allows you to grasp the appropriate dumbbell for the exercise you choose;
5) 12 sides for easy stacking and storage;
6) Reduce noise;
7) Especially comfortable grip;
8) The weight name is permanently printed on both ends, so sweat and cleaning will not wear them;
9) Different weights allow you to change the intensity of your exercise;
10) They are perfect for shaping and shaping your arms, shoulders and back.
Note: Vinyl dumbbells may not be suitable for traditional dumbbell stands.
Differences between neoprene and vinyl dumbbells
Vinyl and neoprene dumbbells are commonly used in aerobic classes. They are usually provided in 1 pound increments, up to 10 pounds. Most neoprene or vinyl dumbbells weigh no more than 15 pounds. Vinyl or neoprene coatings are brightly colored, making these dumbbells more beautiful than standard dumbbells. The coating provides a protective barrier so that vinyl and neoprene dumbbells do not damage the wood floor of the aerobic studio.
Neoprene dumbbells have a soft, smooth coating and matte effect. Although the material is smooth, it is not greasy and easy to grasp; On the other hand, vinyl dumbbells have a soft, smooth coating and smooth surface. Vinyl is very smooth and will be very smooth if wet. But if kept dry, it will have almost viscous properties, making the dumbbell easy to grasp. Vinyl covers on dumbbells are more likely to crack and crack than neoprene covers.
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design
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https://www.aceironworks.com/
| 2024-04-14T21:03:13 |
s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296816893.9/warc/CC-MAIN-20240414192536-20240414222536-00198.warc.gz
| 0.968797 | 1,053 |
CC-MAIN-2024-18
|
webtext-fineweb__CC-MAIN-2024-18__0__48037954
|
en
|
Ace Iron Works has custom fabricated ornamental iron work in Washington State since 1992.
Projects include iron railings, iron fencing, steel trellises, walkway gates, driveway gates, security doors, burglar bars, fire escape restorations and much more!
We cater to architects, home builders, homeowners, general contractors, property management companies, landscape contractors, cities, municipalities and the government.
Our company –– which is bonded, licensed, certified and insured (contractor # ACEMOWC014O) in Washington State –– has extensive working knowledge of city commercial and residential building codes. And rest assured Ace Iron Works gets your project done correctly the first time.
Ace Iron Works also has experience in existing home remodeling and additions. Plus, we partner with developers and building contractors while working to blueprint specs or complete custom designs. From functional residential railing systems to elegant, decorative estate designs, everyone is treated with the same respect. Our passion is iron work. There's no oddball questions or designs, and no job is too small. Whatever your ideas or needs, we aim to please!
Jim Athan is the BEST! I needed an iron gate before my puppy arrived. He made it happen and it, and the matching handrails, are gorgeous. He is a consummate professional and his work and installation is flawless. You truly get what you pay for. Yes, you can price check and I’m sure you’ll find someone cheaper. But you WON’T find someone better. His work is pure gold. I was DELIGHTED to give him this review. I rarely do this, but I really want others to know how talented and professional he is.
Very happy with the custom corten steel planter boxes Jim and his team created for my kitchen garden this spring. Jim came up with a sturdy design that fit my needs exactly, and was easy to work with throughout the process. The boxes are beautiful, and my first season’s harvest was a success! Thanks Jim!
I have worked with Ace Iron Works for two projects, so far, and both times have been successes. The attractive-looking and solid railings and handrails have made my properties safer and a little more elegant, and for that I am grateful. I highly recommend.
We love our new railing, it’s a piece of art. We had our upstairs pony walls removed and installed the RIB031 interior Bannister. It’s a wavy iron design that looks incredible. The railing was built and installed on time. His team also followed up to do a paint touch up when I asked. Jim and his team are very friendly and did a great job! I highly recommend using ace iron works when looking for railing.
Ace Iron Works did an amazing job on installing our railings for our front steps. Their team was friendly, efficient, work was meticulous and they were done with the railings in no time! We love our new railings! They are perfect! Thanks Ace Iron Works! We strongly recommend their services, give them a call!
My name is James Athan, owner of Ace Iron Works. My friends call me "The Greek". I have been a Seattle native since 1965. My roots are Greek, and I grew up in the restaurant business with my family. Ever since I was a kid, my father tried to encourage me into the restaurant business.
I realized at a young age, that was not what I wanted having watched my father work 7 days most weeks and long hours.
From a young age, I loved building and creating things.
In 1992, my best friend (Clint) gave me the idea to start an ornamental iron shop, and the rest is history!
The iron works business enabled me to build and create long-lasting beauty and value.
Jim and his daughter, Celine.
Jim, age 4, with his grandfather, Demetris
In 1995/1998 and 2001, we were hand-picked to fabricate interior iron railings for the Street of Dreams. In 2010, my business was chosen to build the Iron Fence at the Pacific Science Center at the front of the Space Needle. Also, in 2018, we were hand-picked to build the iron fencing around the two Koi ponds at Seattle Historical Volunteer Park.
Throughout the years, we have had the privilege of creating and building thousands of iron projects for residential and commercial customers, and met tons of great people from all walks of life.
My father taught me at a young age that life is what you make, and the customer is always right (even when they're not) LOL!
Ace Iron Works is my passion, and one of the best feelings in life is to know you worked hard for what you have been given and to make people happy.
For any reason at all, call me directly at (206) 679-3678 or text anytime, 7 days a week!
Best, James "The Greek" Athan
Jim's pride and joy; his daughter, Celine, in Athens, Greece.
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design
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http://www.venturarack.com.au/seat-bags.html
| 2019-07-24T03:18:30 |
s3://commoncrawl/crawl-data/CC-MAIN-2019-30/segments/1563195530250.98/warc/CC-MAIN-20190724020454-20190724042454-00212.warc.gz
| 0.939885 | 228 |
CC-MAIN-2019-30
|
webtext-fineweb__CC-MAIN-2019-30__0__46754625
|
en
|
Ventura have lightweight seat bags for your motorcycle. These bags do not need any ironwork, bracketry or racks for mounting, they simply attach to your seat. Great for sports bikes carrying small amounts of luggage, in a convenient and easy to use design that will not detract from the look of your bike.
The design features a soft panel that attaches to the seat and is securely located by straps underneath so that it cannot be easily nicked. The seat bag itself simply clicks to the panel by way of heavy duty, quick release clips. Because the seat bags use only the seat for mounting, there should be no threat to your paint work.
SETI-MOTO Part No. SB1411
IMOLA Part No. SB0622
Due to the generic design, these bags can be fitted to virtually any bike.
Please note that pricing is indicative only and applies only to local Australian purchases. Prices are subject to change without notice.
SETI-MOTO: #SB1411 AU$99.00 RRP
IMOLA: #SB0622 AU$119.00 RRP
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design
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http://www.ipne.org/IPNE_New_logo
| 2019-08-20T13:31:14 |
s3://commoncrawl/crawl-data/CC-MAIN-2019-35/segments/1566027315329.55/warc/CC-MAIN-20190820113425-20190820135425-00008.warc.gz
| 0.950232 | 230 |
CC-MAIN-2019-35
|
webtext-fineweb__CC-MAIN-2019-35__0__150196707
|
en
|
Use the IPNE Logo on Your Site!
We strongly encourage members to add the IPNE logo to their own websites. It's a great way to show the world that you are a member of our professional trade group, dedicated to the highest levels of achievement as a book publisher.At left is a version of the logo, perfect for most Web sites. To place on your site, make a copy of it. With most browsers, you can do that by right-clicking on the logo and saving it on your computer, in whatever file you use for photos and illustrations for your Web site. You can either use the complete logo as shown, or crop to include the top block and name in the blue background.
Then, when you add it to your site, include a link to IPNE's home page. You will want to do it in a way that will open a separate window, so that people will not be leaving your page.
IPNE's logo is based on the design of the banner we use at trade shows, and crafted into logo form by Kitty Werner of RSB Press in Waitsfield, Vermont.
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design
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https://www.taropak.pl/en/visitors/important-information/take-part-in-the-taropak-fair-2022/
| 2022-09-30T15:49:29 |
s3://commoncrawl/crawl-data/CC-MAIN-2022-40/segments/1664030335491.4/warc/CC-MAIN-20220930145518-20220930175518-00021.warc.gz
| 0.941486 | 363 |
CC-MAIN-2022-40
|
webtext-fineweb__CC-MAIN-2022-40__0__23562298
|
en
|
Taropak is one of the largest trade fairs during which the latest technological solutions of the packaging industry are presented.
This year’s edition of the Taropak Fair is an event focusing on the growing role of automation and robotics in production processes. Important elements that will appear during the meeting include technologies related to packaging production and labelling, as well as storage and comprehensive co-packing. Particular emphasis will also be placed once again on the development of the e-commerce industry and the role of eco-packaging as a challenge for the future.
Events accompanying the TAROPAK 2022 Fair
Taropak Design conference
During the second edition of Taropak Design, incl. we will present the latest trends in raw materials for the production of packaging, we will consider together what the sale of designer packaging should look like, we will tell you what storytelling in the packaging is or we will reveal what unboxing is. Invited experts will take part in a debate on the future of the packaging industry and directions of its development. See this year's edition: LINK.
This year's Taropak Fair will be complemented by the third edition of the E-commerce Conference, which is an ideal opportunity to meet experts in the field of e-commerce, e-commerce packaging, logistics and warehousing, as well as marketing and sales issues. See what last year's edition looked like: LINK.
TAROPAK is a place to present trends and solutions of the future that affect the shape of the packaging and logistics industry. See how the Taropak Fair looked in 2019!
As part of the ticket to the TAROPAK Fair you will be able to
visit the exhibition free of charge POLAGRA Fair.
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design
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http://www.thehungryhutch.com/how-to-make-a-lattice-pie-crust/
| 2018-01-17T09:03:34 |
s3://commoncrawl/crawl-data/CC-MAIN-2018-05/segments/1516084886860.29/warc/CC-MAIN-20180117082758-20180117102758-00348.warc.gz
| 0.906775 | 571 |
CC-MAIN-2018-05
|
webtext-fineweb__CC-MAIN-2018-05__0__211897242
|
en
|
Here are step-by-step photos and instructions for how to weave a lattice crust for a pie. I made a diagonal pattern with random-sized strips, but you can use these same instruction to adapt for a more traditional lattice pie crust. I used my flaky pie crust recipe with butter and shortening to make the pie dough. Double the recipe and divide into two. Use the first half as the base for your pie filling and be sure to leave some overhang. Use the second half to make the lattice top for the pie crust.
Step 1: Roll out the pie crust to about 1/8-inch thick and cut into strips. I used a ruler to get a straight edge and a pizza cutter dipped in flour to cut the lattice strips. I opted for random sizes, but you can make them even for a more uniform looking lattice top.
Step 2: Starting in the middle, lay one strip across the pie filling and cross the other over top. You can either place the second strip perpendicular to the first to create right angles, or you can go diagonally as shown in the picture below. If using different sizes of strips to weave your lattice, it makes it easier to work with if you use wider strips in the middle because they are sturdier.
Step 3: Lift up the bottom strip up to lay another dough strip underneath, and then bring that first strip back down over top of the one that you just placed.
Step 4: Continue lifting up alternating strips and placing others to weave the lattice. It is up to you to decide how much space to leave between the lattice strips. Note that a tightly weaved lattice will require more pie dough.
Step 5: More weaving… A properly chilled dough will help with keeping the lattice strips intact.
Step 6: Continue placing strips of lattice until you reach the edges of the pie.
Step 7: Now it’s time for crimping. To make the pattern seen below, cut the excess dough, leaving a 1/2-inch overhang. Press along the edges to seal, fold it over onto itself to form a rim, and make the wavy edges with your fingers. Alternatively—and much more simply—trim the excess dough along the edge of the pie plate and press with a fork to seal.
Step 8: Mix 1 egg yolk with 1 tablespoon milk and brush over the top of the pie. This will help it achieve a nice golden color. For an extra flaky crust, refrigerate the pie as you preheat the oven. Bake at 450˚F for 20 minutes; reduce the temperature to 375˚F and bake until golden (and the filling is bubbling, if filled with fruit), about 40 minutes more.
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design
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https://kitchens.racooksrenovations.com/
| 2023-03-31T12:28:04 |
s3://commoncrawl/crawl-data/CC-MAIN-2023-14/segments/1679296949642.35/warc/CC-MAIN-20230331113819-20230331143819-00777.warc.gz
| 0.919884 | 528 |
CC-MAIN-2023-14
|
webtext-fineweb__CC-MAIN-2023-14__0__134112775
|
en
|
Do you enjoy being in your kitchen? We believe that you should. The kitchen really is the heart of any home. It’s the place where families and friends gather, and where memories are made. An ideal kitchen complements the style of your home as well as adds to its simplicity and function.
Over time, life changes and it’s often necessary to update your living space accordingly. The team at RA Cooks Renovations is here to help. Not only do we promise to give you a kitchen you’ll love….our professional installation process also ensures that your remodeling project will be easy, convenient, and affordable.
Kitchen Remodeling Company
Award-Winning Kitchen Remodeling & Design
For over a decade, we’ve helped residents in and around Dayton, OH design and construct their dream kitchen. As trusted local remodeling contractors, our skill and commitment are top in our industry.
Our manufacturer-certified installation experts set the standard for kitchen remodeling. In both 2019 and 2021, RA Cooks received the Contractor of the Year award from the National Association of the Remodeling Industry (NARI).
General contractor services include:
Kitchen Remodeling Services
Something as simple as a glass mosaic backsplash alters the entire energy of your home’s center. Beautiful granite or marble countertops will transform a useful work space into a stunning focal point.
From start to finish, our talented team can transform your outdated kitchen and make your dream kitchen a reality. An optimal kitchen design and remodel will accommodate your lifestyle.
An effective kitchen remodel will add to the beauty of a home and make life easier. Let us help you transform your kitchen to meet the needs of you and your family.
From start to finish RA Cooks Renovations provides professional assistance with design, creating, and remodeling your current kitchen. Whether your family is growing in size, your lifestyle is changing, or your personal taste is evolving, we’ll give you a kitchen that works for you now and into the future.
Kitchen Remodel Contractors Near Me
RA Cooks Renovations
If you’ve been considering a new kitchen but you’re worried about the hassle of a remodeling project or the price tag, let us put your mind at ease! When you schedule a design consultation, we’ll discuss every aspect of your project, including design and budgeting. Learn how we’ll apply our unique process to your kitchen remodeling project.
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design
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https://www.dalitopia.com/en/work/
| 2023-03-30T20:10:53 |
s3://commoncrawl/crawl-data/CC-MAIN-2023-14/segments/1679296949387.98/warc/CC-MAIN-20230330194843-20230330224843-00264.warc.gz
| 0.985943 | 253 |
CC-MAIN-2023-14
|
webtext-fineweb__CC-MAIN-2023-14__0__251560349
|
en
|
“We have been working with Dalitopia for over six months now and they are extremely professional and talented. It is a pleasure to be their client!”
Dalitopia incorporated the fundamental pillars of our company into the website development. I also had a chance to confirm the professionalism of Dalitopia’s team in the creation of our branding imagery.
My web site looks incredible, and has functions and features I did not even anticipate. Danielle at Dalitopia was not just incredibly competent and professional and creative, she was patient with my questions and concerns and responsive to everything.
The website design far exceeded my expectations. I am not a “technical” person and was concerned by all I would need to learn. Dalitopia made it easy for me and provided solid direction for me at each step of the way.
I enjoyed working with Danielle, as her ideas were helpful and she was eager to go the extra mile to make it the best possible. I would highly recommend working with Dalitopia Media, as I hope to do again as well!
It was a pleasure to work with Gustavo. Everything went very smooth and the client was happy. Looking forward to the next project we can do together.
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design
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http://www.livevivere.com/top-10-closet-organizer-ideas/
| 2018-10-18T04:04:27 |
s3://commoncrawl/crawl-data/CC-MAIN-2018-43/segments/1539583511642.47/warc/CC-MAIN-20181018022028-20181018043528-00015.warc.gz
| 0.932003 | 741 |
CC-MAIN-2018-43
|
webtext-fineweb__CC-MAIN-2018-43__0__215014085
|
en
|
Top 10 Closet Organizer Ideas
Closets are essential for anyone looking to save space or keep home organization in check. However, depending on the size of your space, you might be looking for some great ways to organize closet space for maximum efficiency. Following are some useful tips and simple closet ideas you can use to keep your space in top shape and organized:
- Keep the items you use the most often at eye level, items that are used less often down below, and those you use least of all up high in storage bins. This will not only help you retrieve things easily and quickly more often, but will also prevent unnecessary messes when doing so.
- Don’t assume you can only stick with hangers for items in your closet; use boxes for odds and ends, hangers for dresses, suits, and blouses/dress shirts, and then drawers or bins for folded items. This will enable you to use as much space as possible.
- Shoes don’t have to take up all the room on your floors and shelves in your closet; use cubbies, boxes, tiered shelves, and hanging organizers to keep them organized. You can stack dozens of pairs in a space that would normally only hold a few pairs.
- Use stackable laundry baskets for easy storage, easy access, and easy sorting. If you keep dirty laundry in them, you’ll also be able to use them to carry your loads to the washing machine easily.
- Open up more space in your closet by using other spaces more efficiently; for example, you can store out-of- season clothes under the bed in drawers or in special low-profile storage containers. You can use suitcases in other areas of the house to store seldom-used linens, sweaters, and blankets.
- You might want to consider a rolling cart that has coordinated boxes that can be rolled in and out of the closet for you to easily find things. You can use it for clothing, office supplies, and more.
- Use shoe boxes to store and organize things like undergarments, socks, and other smaller items. It will not only free up precious dresser drawer room, but will also keep your closets organized and useful.
- Turn your hangers backwards, and when you wear the item on the hanger, turn it forwards again. After 12 months, any hangers that are still backwards can be your signal to donate those clothes and free up more closet space.
- If you have a lovely (and large) collection of scarves, you can tie all of them around a hanger. With t-shirts and other items, roll them instead of folding them. You can keep the rolled-up items in drawers, suitcases, bins, and cubbies. When items are rolled instead of folded, they don’t take up as much space, and are easier to distinguish from others.
- Use holiday ornament storage boxes as organizers for socks and underwear. The room you’ll save will allow you to fit more items in your closet without falling prey to disorganized, ugly clutter.
Being creative and letting go of items you no longer use are the two most important and most effective ways to keep your closet space organized and of the most use to you. Don’t hang on to anything you don’t regularly wear, and be sure to put out-of- season items out of sight to free up more space for the in-season items. Use vertical space whenever possible, and you’ll have a fantastic closet space you’ll love!
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design
|
https://accessoriesinc.com/product/hd-grille-guard/
| 2023-01-27T05:24:49 |
s3://commoncrawl/crawl-data/CC-MAIN-2023-06/segments/1674764494936.89/warc/CC-MAIN-20230127033656-20230127063656-00525.warc.gz
| 0.872032 | 191 |
CC-MAIN-2023-06
|
webtext-fineweb__CC-MAIN-2023-06__0__45959571
|
en
|
The HD Grille Guards are designed with heavy-duty use in mind and engineered to provide the maximum front end coverage for the headlight and grille areas of your truck. Every HD Grille Guard is designed specifically for each vehicle model, contouring to the lines of the vehicle while providing an easy, no-drilling required, bolt-on installation.
- Built from heavy-duty, thick-wall, mild steel tubing for extra protection
- Laser-cut steel center section for added radiator and grille protection
- E-Coated before the black powder-coating is applied for maximum protection against rust and corrosion for years of service.
Laser-cut steel center section for added radiator and grille protection.
3-Year Limited Warranty
TrailFX Black Powder-Coated Steel Step Bar carry a 3-Year Limited Warranty to the original owner. Warranty covers finish defects from normal use.
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design
|
https://missmariedresses.wordpress.com/
| 2020-11-24T04:28:49 |
s3://commoncrawl/crawl-data/CC-MAIN-2020-50/segments/1606141171077.4/warc/CC-MAIN-20201124025131-20201124055131-00234.warc.gz
| 0.955428 | 2,260 |
CC-MAIN-2020-50
|
webtext-fineweb__CC-MAIN-2020-50__0__68373943
|
en
|
The Purple Paisley Pepper Dress (3 Ps!) was a custom order for a little 2 year old. I was asked to also make a matching sash and I think the end result was truly gorgeous. The Pepper dress is vintage inspired featuring a beautiful ruffled neck, bell sleeves and a full skirt that is perfect for twirling.
The dress closes easily with front snaps and has a lined bodice. I also trimmed it with a narrow cotton lace and included extra bands of fabric in the hem so that the dress can be easily lengthened.
Haven Dress is a simple sundress that is easy and comfortable to wear. It’s a flowy dress that is great for hot weather but can easily be layered over a t-shirt for cooler weather. It features a gathered elastic bodice with tie straps at the shoulder. Double ruffles at the hem finish off the dress nicely. The dress will also work as a tunic or a top as your little girl grows. This is a very cute and versatile dress!
When I made this dress, my husband wasn’t convinced that the colours worked. But deep down in my heart I knew it was a stunning dress and it would look awesome when worn (don’t we all have garments like that?) – True enough Miss Kallie brought this dress to life. Look at her having fun in my Pepper Dress! Continue reading Pepper Dress→
Suri is wearing my Penelope Pillow Case dress. This is a cute twist on the popular pillowcase dress. The Penelope version features two layers. Top layer opens in the front showcasing a second layer underneath. Both layers have ruffles along the bottom hems. The strap goes through the front and back and ties in the front centre at the opening of the top layer.
I’ve been following @thespectaclednewt_on_etsy for a little while and I absolutely love their typewriters (photos of typewriters are theirs, not mine!). When I saw these fabrics, I couldn’t wait to make something special. Isn’t my Peplum top adorable?
I made this dress for little Zoey in my favourite print ever. I thought she looked gorgeous! The Geranium dress is so sweet and simple. It features a cut out neckline, button closure in the back, small cap sleeves and a binding hem. The dress is comfortable to wear, easy to layer and suitable for all seasons.
This is beautiful Kyleigh in my Anya dress. The Anya features double flutter sleeves and a contrasting waist tie. A lovely button closes the back. The dress has lots of room to grow and can easily transition into a tunic or top.
I was asked to make a set for a little girl who was due in May 2015 and her elder brother who was 8 years old at that time. The customer wanted something over the top and fun, so I came up with this set. She was overjoyed and absolutely loved the colours. I wanted the brother’s tie matching, but not too girly so I worked on a patchwork effect for the tip of the tie. I think the set turned out very well – what do you think?
When I came across this incredible fabric, I knew I wanted to make something quite chic, but still cheeky. This dress style is perfect with it’s modest front and cheeky back. The full skirt reinforces the retro vibe and it’s beautifully finished with a crochet binded edge.
This is the gorgeous Ava having fun in my Ramona Dress. Ramona Dress is a cheeky little number. It is a fully lined, halter neck, double skirt with 2 rows of ruffles at the hem in contrasting colours of hot pink and grey polka dots. There is elastic in the back to hold the dress up comfortably.
The dress is entirely top stitched, with a double row of top stitching at the ruffle hems. The bodice is lined in the contrast grey material. The neck straps have plenty of length, so there is room to grow. The dress can also be worn as a tunic over leggings.
I love this particular shade of Tiffany blue. I think it’s absolutely gorgeous on little girls so I decided to pair it with this sweet yellow rose print fabric. The sweet and simple Nadia dress is fully lined trendy square neck bodice and dainty flutter sleeves is a must have crowd pleaser. With no elastic or ties, the Nadia dress is the perfect fit for any picky little one. Straps close on the back with snaps for easy wearing.
I was asked to come up with a really simple elegant dress for a baby girl. The customer didn’t want prints or ruffles. I thought this linen-look fabric in soft yellow and grey would look great and she loved it! The Hattie is a simple baby dress with a fitted bodice. The dress has elastic gathers in the back. The Hattie can be layered over a t-shirt or worn as a top over some leggings.
This Hattie was made out of a linen-lookalike 100% cotton fabric. Linen-lookalike fabrics are high quality, comfortable and much easier to maintain than regular linen. The dress is finished off with a simple lace detail at the hemline.
This fabric is on of my most favourite prints. I can’t seem to get enough of it! The Itty Bitty Baby dress slips on over the legs and ties at the shoulders for easy wearing. This dress is made out of organic cotton fabric and lined with soft mul mul cotton.
I was asked to make a simple peasant style dress for a newborn baby girl. I named this dress after her. The Maisie Dress is a sweet vintage-inspired peasant style baby dress. It features elastic around the neckline to form soft gathers. The dress also has puffed sleeves, rose & bow detail on neckline and an embroidered lace hem. The inside of the dress is finished beautifully – bodice seams are enclosed in an old fashioned French seam to ensure that they do not irritate baby’s skin.
The sleeves are made of a single layer of mul mul cotton. The dress section is made out of two layers of mul mul cotton for extra warmth. Mul mul is finely woven cotton that is very soft and lightweight, making it perfect for babies.
Care instructions: Gentle cold handwash and line dry.
I absolutely love this colour combination. I spent ages looking for the perfect fabric to pair with the yellow for the sleeves and accents. I think the result was gorgeous! This Bay Dress is an elegant sundress in a beautiful buttery yellow with lilac and mint accents, making it an ideal Easter dress. The dress features flutter sleeves, lace hem, a drop waist, lined bodice and a lovely swoop wrap-back with 6 snap buttons. It is a timeless style that is comfortable and easy to wear. My little model looks stunning in this doesn’t she?
I had a length of beautiful lace that I was desperate to use and show off, so I thought I’d make a simple summer dress. This Splendor Dress is a sweet vintage-inspired peasant style baby dress. It features elastic around the front and back neckline to form soft gathers. The dress also has shoulder yokes with mini ruffles and is finished off with 2 rows of lace on the hem.
I loved this rose print and wanted to make something utterly sweet and girly with it. This Amanda Dress is a classic, timeless dress. It has a fully lined bodice with snap buttons on the back. The dress also features puffy sleeves, a circular full skirt (which would also look great over a petticoat/underskirt) and a sash. The skirt is finished with a contrast binding hem.
This cheeky little girl is Ella. She’s having fun in my Spring dress. It’s super comfortable and features a high waist and full twirly skirt. The straps tie at the neck and there are waist ties to adjust sizing easily. Shirred elastic back gives a snug fit without being too tight.
This gorgeous little girl is Kallie and she loves my Ayda dress because it’s so ‘Spiny’ – bless her! My Ayda dress features a V back and is extremely versatile. The pictured version has flutter sleeves, but the dress can also be made sleeveless. There is a modest back option that covers more skin (great for older girls who would like to hide bra straps). You can also choose to add lace details in the back.
I have made a couple of Lulu dresses and it is the cutest party dress. This Lulu has a skirt that is perfect for twirling. The dress features ruched sleeves, a sweetheart neckline and a ruffle trimmed wrap style skirt. The elasticized gathered back ensures a comfortable fit. A grosgrain ribbon sash finishes the look nicely. It can be made with a single skirt or a double skirt for more fullness- like this one.
This dress was truly a labour of love, but I absolutely adore how it turned out! The Lilly dress is the perfect for all your parties! It’s an absolute show stopping princess dress with a lovely full twirly skirt.
This dress features a lapel style neckline, a pieced circle skirt and a sash with elastic in the back that will help it stay in place comfortably. This dress is also available in a simpler version with a plain skirt.
Rayann retro style dress features a lined bodice that is easy to wear (no zips or buttons!) and super comfortable. The dress also feature a unique sash that cinches at the waist with snaps for easy wearing. Rayann dress can be worn as a summer dress or over a t-shirt and leggings in cooler weather.
Ella Dress is a fun little dress with a sweetheart neckline, full skirt and wide contrasting hem. The dress also has a elastic waist at the back for a comfortable fit. There is a big sash that ties at the back, making this a very versatile dress. Sash can be tied either parallel at the back or in a cross (like I have done in the pictures).
It is easy to wear and extremely comfortable. The dress has plenty of room to grow and can also be worn as a tunic over leggings and a jumper for colder weather.
This gorgeous girl is Jerusha and she is wearing my vintage inspired Georgia Tea dress which features a crochet edge lined bodice bib, flutter sleeves, pointed collars and a double layered skirt for extra fullness. The waist sash gathers at the sides and finishes off the dress beautifully. Button snaps in the back make it a really easy dress to wear.
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design
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http://www.cooperandhunter.sk/-technology-multi-split-air-conditioners
| 2024-02-25T10:39:29 |
s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947474595.59/warc/CC-MAIN-20240225103506-20240225133506-00131.warc.gz
| 0.920463 | 442 |
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webtext-fineweb__CC-MAIN-2024-10__0__12825902
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en
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C&H +Multi systems, with inverter technology, are some of today's most advanced ductless split heat pumps. Providing both cooling and heating comfort, in as many as five separate zones, they are the perfect solution for many residential and light commercial applications. +Multi systems reduce energy waste, maximize efficiency and achieve up to 22 SEER, with our G10 inverter driven compressors. Best of all, the ultimate in reliable room comfort is generated with Eco-friendly R410A refrigerant
C&H introduces project layout by simultaneously powering up to five indoor units with one outdoor unit. For even greater mix and match your choice of Wall Mount, Ceiling Cassette, Concealed Duct, Universal Floor/Ceiling and Mini Floor Console indoor units to create your unique +Multi heating and cooling system.
C&H +Multi systems are highly zoning heat pumps that will keep operating costs under control, year round. No need for a bulky addon coil or expensive-to-operate electric heat. Our variable speed heat pumps, powered by the G10 inverter, provide the same heating capacity as electric heat, while using as little as 1/3 the electricity. With +Multi ductless systems, there are no losses due to leaky ductwork.
+Multi systems eliminate irritating temperature swings, by continuously monitoring comfort levels and adjusting compressor speed and refrigerant according to the cooling and heating needs of each room. Additionally, you can create your own personal-comfortzone, by activating the I-Feel function on the remote control. With I-Feel activated, +Multi systems will sense temperatures surrounding the remote control, and adjust compressor speed and air to maintain the comfort level of your personal space.
Durability & Longevity
All duct free +Multi units are made from heavy gauge rolled steel and covered with a durable powder coat paint C&H’s enhanced Gold-Fin coating provides condenser coil protection in corrosive environments, while improving hydrophilic properties and and our multi-point self-diagnostics continuously monitor critical system parameters to prevent catastrophic failures. These, along with many other, design considerations will extend the life of your +Multi system.
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design
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https://www.grulergardens.com/product-page/dried-flower-ornament-glass
| 2024-02-26T11:28:25 |
s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947474659.73/warc/CC-MAIN-20240226094435-20240226124435-00536.warc.gz
| 0.927918 | 106 |
CC-MAIN-2024-10
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en
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The beauty of a Michigan summer is captured in this ornament filled with dried flowers from our gardens. Delicate flowers, leaves, and seed heads are protected inside the ornament and can hang on your Christmas tree or anywhere in your home throughout the seasons. The ornament is made of clear plastic. Measures 4" across. Each ornament is assembled by hand and no two are the same, so allow for some variation. Choice of either round ball or flattened disk shape. Boxed for easy gift giving.
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design
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http://markpadgettweddingdesign.com/tag/stylized-shoot/
| 2017-04-26T19:32:21 |
s3://commoncrawl/crawl-data/CC-MAIN-2017-17/segments/1492917121644.94/warc/CC-MAIN-20170423031201-00548-ip-10-145-167-34.ec2.internal.warc.gz
| 0.942956 | 836 |
CC-MAIN-2017-17
|
webtext-fineweb__CC-MAIN-2017-17__0__4918314
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en
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Love the History and Vintage look of your reception site but want to make it modern?
Transform it with the right design and the perfect team.
What a pleasure and honor to design a look for the beautiful and Historic Ballroom at the Paso Robles Inn in old town Paso Robles. The Inn has served visitors for more than a century. In 1940 a fire leveled the Hotel but left the majority of the grand dining room in tact. The Hotel was rebuilt the following year and then in 1999 the dining room was lovingly restored to its 1930’s grandeur and renamed the Grand Ballroom, complete with the high wood-beamed ceilings and the original hardwood floor.
The start of my design concept was the gorgeous wood that encircles the room and extends to the ceiling. The wood is very dark and the walls are white which can break up a space and make it seem smaller. I had Zack Hubbard and Ryan Reyes of Kramer Entertainment and Lighting accent and brighten the wood then deepen the hue of the walls and ceiling. This brought them closer together in tone and unified the Grand feel.
Then I worked from the ground up. How many ballrooms do you know of that are built completely of original hardwood? The gold tones of the floor inspired the “butter” linen on the guest tables. I knew that would bring the floor up into the overall design. Now I wanted to make it modern. Grey is a popular wedding color currently and I thought it really gave it a sophisticated urban feel and loved the combination of the warm tablecloth and cool “silver” napkin.
Corinne Smith of panacea event floral design wowed me with her brushed steel vases and “garden feel with contemporary elements” centerpieces! They truly brought the entire design to life. One of the saddest things I see in many weddings is that you have gorgeous centerpieces and linens but can’t see them due to poor lighting. Zack and Ryan used spotlights for each table and centered it on the centerpiece. This not only highlights the most important décor element at a reception it makes each table glow and provides soft ambient light for your guests.
From there, I added gray and silver votives and my current favorite floral media: succulents! The flower-like heads of these incredibly versatile and eco-friendly plants added texture but kept it clean and fresh. Check back to this blog for a more of my love affair with succulents!
I found some cool yellow and grey note cards on sale and printed up a wedding menu and tucked it into a square pocket-fold in the napkin. Menus can be an affordable way to add fun and color to your table design and I think guests appreciate a peek of what’s to come.
Now, you can come up with a gorgeous design with all these elements but if its not captured by the right photographer it only becomes a dim memory. Jake Odening with Mike Larson Photography Inc. expressed the whole design in these images with a careful eye and awesome talent.
You don’t always have to go big to freshen up a space. The Paso Robles Ballroom has a lovely front Parlor for your guests to gather for cocktails with a beautiful bar. I used a fun welcome sign and asked Corinne to add simple floral elements to the old room key and mail slots frame. I had Zack add two up lights to brighten the back wall then updated the bar with a modern piece of fabric. Add Corinne’s fabulous flower features and you have a fun a fresh place for guests to get the party started!
Again, it was an honor to work with Jan Lynch and the staff at The Paso Robles Inn. The ballroom is a testament to craftsmanship and is truly a beautiful example of a Phoenix Rising.
Next time you are thinking of renting a facility that is authentic and has history but you are concerned it will come across as old fashioned, just find the right wedding team and you can have it all. Vintage-Modern is a spectacular combination!
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design
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https://www.creatingevents.com.au/uncategorized/crafting-the-perfect-billboard-for-your-brand
| 2024-04-16T11:09:41 |
s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296817081.52/warc/CC-MAIN-20240416093441-20240416123441-00756.warc.gz
| 0.863293 | 337 |
CC-MAIN-2024-18
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webtext-fineweb__CC-MAIN-2024-18__0__109946741
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en
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Crafting Captivating Billboards: The Art of Less for More Impact
In the ever-evolving landscape of advertising, where seconds matter, mastering billboard signage design is an art form with the potential to captivate, convey, and convert. The first rule in this visual symphony is simplicity. A succinct message, focused on a single idea or call-to-action, demands attention in a world saturated with stimuli. Typography plays a crucial role – bold, legible fonts create a visual rhythm, ensuring that your message is not just seen but remembered.
The canvas of a billboard thrives on the dance of contrast and color. High contrast between text and background, coupled with carefully chosen colors, elevates visibility and brand vibrancy. Visuals are the silent storytellers. Opt for high-quality, relevant imagery that complements your message, turning a fleeting glance into a lasting connection. Whitespace is the unsung hero, offering breathing room amidst information overload. It transforms your billboard into a visual oasis, ensuring each element shines without crowding.
Location matters, and billboards are dynamic storytellers influenced by their surroundings. Tailor your design to the traffic speed, viewing distance, and ambient environment for maximum impact. Consistency in branding is the glue that unites your message with brand identity. From legible contact information to compelling calls to action, every element should guide the viewer seamlessly into engagement. Mastering the art of billboard design is a balance of creativity, strategy, and precision. Embrace simplicity, wield contrast, and let your billboard be a visual masterpiece that not only captures attention but also leaves an indelible mark.
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design
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http://gabbymalpas.com/shop/stationery/fine-art-greeting-card-gabby-malpas-camelias-butterfly/
| 2017-08-17T07:37:24 |
s3://commoncrawl/crawl-data/CC-MAIN-2017-34/segments/1502886102993.24/warc/CC-MAIN-20170817073135-20170817093135-00371.warc.gz
| 0.930831 | 150 |
CC-MAIN-2017-34
|
webtext-fineweb__CC-MAIN-2017-34__0__85735563
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en
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Fine art greeting card by Gabby Malpas: ‘Camelias and butterfly’
Printed on 250 GSM cardstock with a matt finish, these C6 size (approx: 15.2cm x 11cm), greeting cards are blank inside for your own message.
Each card carries the painting title, medium and a little story about the artist printed on the back in a discreet grey tone.
Gabby Malpas fine art cards are printed and packaged in Australia. A recycled, brown envelope is included, chosen for its colour (I’m a fan of brown paper packages), and the fact that no bleaching is required during manufacturing: it’s got to be better for the environment – right?
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design
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https://hndautomotiveparts.com/en-us/collections/switches/products/mercedes-benz-window-switch-brown-color-1698206710
| 2024-02-22T21:01:02 |
s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947473824.45/warc/CC-MAIN-20240222193722-20240222223722-00894.warc.gz
| 0.801082 | 164 |
CC-MAIN-2024-10
|
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en
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Replacement Number : 16982067109174.
Upgrade your Mercedes Benz with the Autostar Germany WINDOW SWITCH in a stylish brown color (Part Number: 1698206710). Engineered for precision and durability, this switch ensures seamless control over your vehicle's windows. Crafted to match the elegance of Mercedes Benz interiors, the brown color adds a touch of sophistication. Autostar Germany prioritizes quality, delivering a reliable and long-lasting solution for your car. Elevate your driving experience with this genuine replacement part, designed for a perfect fit and easy installation. Trust Autostar Germany for superior automotive components, combining aesthetics and functionality. Enhance your Mercedes Benz today with the Autostar Germany WINDOW SWITCH – a blend of precision, style, and performance.
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design
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https://ohiocycles.com/product/phantom-santa-fe-copy/
| 2021-10-24T22:50:34 |
s3://commoncrawl/crawl-data/CC-MAIN-2021-43/segments/1634323587606.8/warc/CC-MAIN-20211024204628-20211024234628-00428.warc.gz
| 0.828276 | 292 |
CC-MAIN-2021-43
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webtext-fineweb__CC-MAIN-2021-43__0__108888320
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en
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The Santa Fe Classic is a beautifully designed electric bike where practicality meets fun. Each Santa Fe Classic is hand built and comes with a One-Year Warranty.
This electric bike is built with same great design as the Vision and Phantom ‘R’ and comes equipped with a rust-free aluminum hydro-formed frame and a double steel springer front fork, 9 levels of pedal assist, a 500-Watt center drive motor, Samsung 48-Volt 11.6-Amp battery, thumb throttle, 3 gear rear hub, large headlamp for better illumination, plus a rear fender rack and double fiberglass bags – one for the battery and the other for storage.
The chassis rests on 50mm aluminum rims with 26 x 2.3 inch balloon tires for a more comfortable ride. The Santa Fe Classic is capable speeds ranging from 0-25 MPH. Available in black gloss color only.
Rust-Free Aluminum Hydro-Form Frame
Double Steel Springer Front Fork
26″ x 2.35″ Phantom Bike Balloon Tires, Front and Rear
Super-Wide Phantom Bikes 50mm Aluminum Rims
Heavy Duty 12-Gauge Stainless Steel Spokes
Rear Bags for Storage
Dual Front and Rear Brakes
500W Center Drive Electric Motor
Samsung 48V/11.6A Battery
3 Gears with 9 Levels of Pedal Assist
40/50-Mile Effective Range
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design
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http://gadgetscentral.co.uk/item/324-best-looking-smartwatches-for-the-fashion-conscious
| 2019-01-22T19:48:18 |
s3://commoncrawl/crawl-data/CC-MAIN-2019-04/segments/1547583867214.54/warc/CC-MAIN-20190122182019-20190122204019-00461.warc.gz
| 0.945121 | 951 |
CC-MAIN-2019-04
|
webtext-fineweb__CC-MAIN-2019-04__0__215293731
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en
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For many people, watches are jewellery. They can't just be good, they have to look good too. Some certainly hit the spot, some don't. While style is totally subjective, it's fair to say that there's a line between a beautifully fashion-forward smartwatch and something that looks cheap and nasty.
Withings Steel HR
If you're looking for a classic, sleek, minimal, beautifully designed smartwatch, then the Withings Steel HR will take some beating.
Steel HR has been designed to include a screen that shows you all the information you want at a glance, but with no compromise on style. The subtle but easy-to-read digital screen displays heart rate, number of steps, distance, calories burned, set alarm time, and smartphone alerts — all housed within a minimalist watch case.
With the Steel HR, you get a battery that lasts for up to 25 days, water restistant for up to 50 metres which features a heart rate tracker and sleep monitor. The great thing about this particular smartwatch is that your wrist will never look better, because the Withings' timeless design balances technology and everyday wearability flawlessly. The Withings Steel HR are available in 40mm black, 36mm black, or 36mm white.
Samsung Gear 2 by de GRISOGONO
If you are a big fan glamour and sparkle, and if you're looking for a truly high-quality smartwatch, then the Samsung Gear 2 by de GRISOGONO is the choice for you.
Two iconic brands unite to create the most glamourous smartwatch. de GRISOGONO's vision and boldness meet Samsung's technological expertise. A high-tech object transformed into a glamourous accessory. Style and technology blended perfectly.
Claiming to symbolise the best of the fashion world and the tech world, the Samsung Gear 2 by de GRISOGONO looks like a bedazzled piece of high-priced arm candy. Set with rose gold and white and black diamonds, and designed by world-class designer Fawaz Gruosi, this smartwatch embodies decadence and pure fashion.
Not only does it function as a reliable smartwatch, but it also comes dripping in gold – and if you don't like it in black, you can always also choose white.
A word of caution to iPhone users: not all the watch's features will work on iOS and you'll be limited in terms of the app downloads.
White Ceramic Apple Watch Series 2
Nothing can really beat the beautiful, simple design of an Apple Watch, except for one thing: the White Ceramic Apple Watch Series 2.
Designed to be water resistant for up to 50 metres, not only is this smartwatch element-proof, but it's also very chic and stylish.
In 2016, minimal, clean, white cases were all the rage for iPhone and MacBook covers, and now it's clear that this trend has continued into wearables.
You can pick your White Ceramic Apple Watch Series 2 in two different sizes, and after you put it on, not only will you be monitoring your heartrate, be able to use voice commands, and get up to 18 hours of battery life, but you'll also be able to feel like you're wearing a fashion-forward piece of smartwatch style and technology.
You know how less is more? Minimalist is stylish, keep it simple. Well we're going to have to backtrack a bit because while the Fitbit Alta is a minimal, sleek little smartwatch, but it's not the best looking wearable.
But the Fitbit Alta effortlessly tracks your steps, distance, active minutes, and calories burned throughout the day. This futuristic-looking smartwatch tries too hard to look minimalistic, sleek, and fashionable, and because of that it does falls short. It almost reminds me of a rubber band that you get when you go into an amusement park, which is not the best way to feel about a smartwatch.
While Fitbit arguably makes some of the best wearables and smartwatches around, and while the Fitbit Alta is still a fantastic device to track your sleep and monitor your fitness progress, the design on this one falls short, it just not have the look or feel of it's competitors.
Overall the White ceramic Apple Watch Series is the best choice for all round looks and capability, for a cool, stylish smartwatch then the Withings Steel HR is the one for you. But if you want to go for all out looks and glamour then it has to be the Samsung Gear 2 by de GRISOGONO.
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design
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https://arapahoranch.org/tom-lucas-brings-art-of-horn-spoon-making-to-arapaho-ranch-field-station/
| 2023-12-01T02:39:21 |
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| 0.967691 | 737 |
CC-MAIN-2023-50
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en
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This past summer, artist Tom Lucas taught two horn-spoon-making workshops at the Arapaho Ranch Field Station.
Known as the “Tomahawk Tom” in the Mountain Man arena, Tom has mastered the art of replicating Indian artifacts. Through his workshops, Tom led participants through traditional methods of making a cow horn or bison horn spoon.
What makes horn a unique material to work with?
Horn is sometimes referred to as “18th century plastic.”
The part we see of an animal’s horn—which, unlike antlers, does not shed—is a layer of keratinized epidermis (keratin); the same material as fingernails, hooves, and hair.
To use horn as a medium, the keratin sleeve is taken from the skull, cut along the inside curve, then heated to 400°F with water, oil, or direct heat.
(Tom shared that he’s even put horns into the hot mineral pools near Thermopolis overnight and been able to bend them any way he’d like the next day!)
Wyoming Indian High School students learn the art of horn-spoon-making
Much like their ancestors have for thousands of years, workshop attendees from Wyoming Indian High School began their horn-spoon-making journey by choosing a horn that spoke to them.
Next, students applied heat and used hand-picked rocks to wedge their horn into the desired shape. They then drenched both horn and rock in water, assessed the shape that resulted, and continued these steps until the desired shape of both the spoon bowl and curve of the handle was attained.
One fat, stubby horn became a spoon with a bear head; a long, straight horn transformed into an Eagle head. Some completed spoons were beaded on the flat part of the handle; others would later be wrapped with a bit of smoked buckskin around the handle, then topped with a beaded geometric Arapaho symbol.
Keeping traditions alive
During the workshops, Tom provided a selection of homemade scrapers for students to use in smoothing their horns to a mirror finish, as well as for removing material to thin the walls of their horns and make them easier to bend.
In the process, one student’s horn formed a crack that didn’t become evident until much scraping had already been done. A teacher from the high school announced that the crack actually made it the best spoon; it’d be the one used to snag the meat from the soup!
Workshops like these keep traditional ways of making alive, immersing youth in their culture and connecting them to their ancestors—which is important for understanding their identity.
Summer 2024 workshops in the works
Tom plans to return to the Field Station this summer to present two more horn spoon workshops, as well as deliver a week-long painting workshop.
In addition to Tom’s workshops, summer 2024 is already bright with opportunities to come learn with us!
Be sure to sign up for email updates (the form is at the bottom of the page) and get the first chance to register for:
- A blacksmithing series that starts with the basics and ends with making a drift and a hot cut
- A tong workshop to make tongs; a tool no blacksmith can have too many of!
- A botanicals workshop, in which you’ll learn to shape plant forms for iron ornaments
What events are coming up next?
Take a look at our events calendar to find out!
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design
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https://cornwallestates.co.uk/2863-2/
| 2022-01-17T16:37:13 |
s3://commoncrawl/crawl-data/CC-MAIN-2022-05/segments/1642320300574.19/warc/CC-MAIN-20220117151834-20220117181834-00263.warc.gz
| 0.948402 | 498 |
CC-MAIN-2022-05
|
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|
en
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NEW TO MARKET
Skylarks, Treburrick, Near Porthcothan Bay
Beautiful, detached, newly constructed property situated near Porthcothan Bay, enjoying panoramic views over the fields to the sea.
Skylarks is a spectacular new build property, thoughtfully designed and constructed to a high standard which will not fail to impress. Enjoying panoramic views across open countryside to the sea, Skylarks offers not only an outstanding property but an amazing outlook.
The property is spacious throughout with top quality finishes including stylish porcelain tiled floor throughout the ground floor with underfloor heating, oak stair case and flooring through the first floor, slate window sills, high specification kitchen with quartz worktop and marble tiling, and contemporary bathroom suites.
The ground floor comprises a wonderful kitchen and dining room with bi-fold doors out to the garden where you can look out to the sea, there is a separate sitting room with a second set of bi-fold doors opening out onto the same patio area, creating a fantastic flow through the living areas and really bringing the outdoors in. Also on this level, there is a fifth bedroom, equally suitable as a study or snug room, and a downstairs cloakroom.
To the first floor, the master bedroom at the rear of the property has a very stylish en-suite wet room, and also benefits from patio doors to the balcony where you can really appreciate the view. The balcony is shared with the second bedroom so guests can also wake up and see the sea. There are two further double bedrooms to the front of the house which overlook open countryside. The family bathroom is fitted with a contemporary suite including chrome fixings and neutral tiling.
Outside, there are enclosed gardens to the rear of the house which include areas of lawn and patio. The patio adjoining the living areas is raised slightly to meet the level of the house and there is a second patio area sheltered in the corner of the garden. There is a gravel driveway which leads down the side of the house to the parking and turning area, together providing parking for several cars.
The property is situated on a quiet country lane within reach of Porthcothan Bay, approximately a 15 minute walk to the beach, a wonderful combination of peace by the coast. Viewing is strongly recommended to appreciate the amazing views and superb build quality of this beautiful home near the sea.
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design
|
https://www.keurig.ca/accessories/14oz-faceted-travel-mug-red/p/keurig-faceted-travel-mug-red
| 2019-09-21T01:41:09 |
s3://commoncrawl/crawl-data/CC-MAIN-2019-39/segments/1568514574159.19/warc/CC-MAIN-20190921001810-20190921023810-00489.warc.gz
| 0.852453 | 272 |
CC-MAIN-2019-39
|
webtext-fineweb__CC-MAIN-2019-39__0__43812704
|
en
|
The ultimate mug for convenience and style, the Keurig® 14oz. Faceted Travel Mug is built with the durability to handle your day-to-day and the unique design to make a statement with every sip. Available in Red, this vibrant mug looks great and fits perfectly under all Keurig® reservoir coffee makers. And at under $20, it makes the perfect gift for anyone looking to stand out in the coffee crowd.
- Unique, geometric shape designed exclusively for Keurig®
- 14oz. capacity (with room for milk or cream)
- Vacuum sealed, double-walled stainless steel construction
- Air tight, flip top lid
- Dishwasher safe lid; Hand wash only body
Compatibility: Fits under all Keurig® reservoir coffee makers. Does not fit under the Keurig® K15 coffee maker.
From Keurig® My K-Cup® reusable coffee filters to Carousels, from drinkware to cleaning products, Keurig® carries all the essentials for your coffee brewing aspirations.FIND ACCESSORIES FOR YOU BREWER
Get 15% off list price on pods for all future Auto-Delivery orders.
Once you have Auto-Delivery set up, change or cancel it anytime in My Account.Learn more about Auto-Delivery
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design
|
https://travellingout.ca/new-inclusive-collection-at-penticton-visitor-centre/
| 2024-04-21T04:31:47 |
s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296817729.0/warc/CC-MAIN-20240421040323-20240421070323-00760.warc.gz
| 0.893669 | 371 |
CC-MAIN-2024-18
|
webtext-fineweb__CC-MAIN-2024-18__0__102939594
|
en
|
We’re thrilled to unveil an array of new items featuring Penticton themes at the Penticton Visitor Centre. Dive into a refreshed collection of stickers, Pride Month specialties, and an enriched selection of local jewelry pieces during your next visit. We crafted these designs with your inspirations in mind!
Freshly Designed Stickers and Pins
Joining our exclusive Okanagan wine and Penticton beer apparel collection, we have introduced stickers and pins crafted from the ideas of both locals and tourists. These new additions perfectly complement our established range of Penticton-themed hats, hoodies, tees, and insulated containers for wine or coffee.
In honor of Pride Month, we’ve collaborated with SOS Pride, our community’s pride organization, to showcase pride pins designed by them. Moreover, we’ve rolled out Penticton-specific pride stickers to voice our support.
Jewelry That Resonates
We’ve not only expanded our BeadTrails memory bracelet selection but have also incorporated the Jewels of Hope range. This unique collection comprises bracelets crafted by the resilient women of Okanagan, with proceeds aiding the outreach and support programs for the disadvantaged women in the community.
Come explore the collection either online or directly at the Penticton Visitor Information Centre situated at 888 Westminster Avenue W. A curated selection is also up for grabs at the Visitor Centre near The Peach by Okanagan Lake.
Discover more exclusive pieces on shop.visitpenticton.com, where you might stumble upon your next must-have Penticton-inspired apparel.
Don’t forget to showcase your finds online and at our store with #VisitPenticton and by mentioning @VisitPenticton.
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design
|
https://learn.fologram.com/hc/en-us/articles/360015763433-Fologram-Demo-Models
| 2020-01-29T13:02:43 |
s3://commoncrawl/crawl-data/CC-MAIN-2020-05/segments/1579251796127.92/warc/CC-MAIN-20200129102701-20200129132701-00000.warc.gz
| 0.894265 | 133 |
CC-MAIN-2020-05
|
webtext-fineweb__CC-MAIN-2020-05__0__50563383
|
en
|
The attached files contain Rhino 5 models of a textured brick wall, motorbike and large scale building. Unzip the models (and the folder containing textures) to a folder on your local machine then follow these steps to view them in AR with Rhino and Fologram:
- Launch Rhino 5 or 6
- Go to File -> Import
- Select the .3dm demo model to import and click Import.
- Launch Fologram and connect your device to view the model.
Note: These models are all at 1:1 scale - you may want to set a scale factor for your AR experience in Fologram before viewing the models.
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design
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https://www.spiderbasic.com/documentation/gadget/splittergadget.html
| 2023-06-11T01:20:04 |
s3://commoncrawl/crawl-data/CC-MAIN-2023-23/segments/1685224646652.16/warc/CC-MAIN-20230610233020-20230611023020-00338.warc.gz
| 0.702169 | 959 |
CC-MAIN-2023-23
|
webtext-fineweb__CC-MAIN-2023-23__0__126623029
|
en
|
Result = SplitterGadget(#Gadget, x, y, Width, Height, #Gadget1, #Gadget2 [, Flags])Description
Creates a Splitter gadget in the current GadgetList. This gadget allows two child gadgets to be resized by the user with a separator bar.
#Gadget A number to identify the new gadget. #PB_Any can be used to auto-generate this number. x, y, Width, Height The position and dimensions of the new gadget. #Gadget1, #Gadget2 The gadgets to be placed in the splitter. Flags (optional) Flags to modify the gadget behavior. It can be a combination of the following values:#PB_Splitter_Vertical : The gadget is split vertically (instead of horizontally which is the default). #PB_Splitter_Separator : A 3D-looking separator is drawn in the splitter. #PB_Splitter_FirstFixed : When the splitter gadget is resized, the first gadget will keep its size #PB_Splitter_SecondFixed : When the splitter gadget is resized, the second gadget will keep its size
Returns nonzero on success and zero on failure. If #PB_Any was used as the #Gadget parameter then the return-value is the auto-generated gadget number on success.
A 'mini help' can be added to this gadget using GadgetToolTip().
The following functions can be used to act on a SplitterGadget:
GetGadgetState(): Get the current splitter position, in pixels.
SetGadgetState(): Change the current splitter position, in pixels.
GetGadgetAttribute(): With one of the following attribute:#PB_Splitter_FirstMinimumSize : Gets the minimum size (in pixels) than the first gadget can have. #PB_Splitter_SecondMinimumSize: Gets the minimum size (in pixels) than the second gadget can have. #PB_Splitter_FirstGadget : Gets the gadget number of the first gadget. #PB_Splitter_SecondGadget : Gets the gadget number of the second gadget.SetGadgetAttribute(): With one of the following attribute:#PB_Splitter_FirstMinimumSize : Sets the minimum size (in pixels) than the first gadget can have. #PB_Splitter_SecondMinimumSize: Sets the minimum size (in pixels) than the second gadget can have. #PB_Splitter_FirstGadget : Replaces the first gadget with a new one. #PB_Splitter_SecondGadget : Replaces the second gadget with a new one.Note: When replacing a gadget with SetGadgetAttribute(), the old gadget will not be automatically freed. It will instead be put back on the parent window of the Splitter. This allows to switch gadgets between splitters without the need to recreate any of them. If the old gadget should be freed, its number can first be retrieved with GetGadgetAttribute(), and the gadget freed with FreeGadget() after it has been replaced. Note that a gadget cannot be in two splitters at once. So to move a gadget from one splitter to another, it first needs to be replaced in the first splitter so it is on the main window and then it can be put into the second splitter.
Enumeration #Button1 #Button2 #Splitter EndEnumeration If OpenWindow(0, 0, 0, 230, 180, "SplitterGadget", #PB_Window_SystemMenu | #PB_Window_ScreenCentered) ButtonGadget(#Button1, 0, 0, 0, 0, "Button 1") ; No need to specify size or coordinates ButtonGadget(#Button2, 0, 0, 0, 0, "Button 2") ; as they will be sized automatically SplitterGadget(#Splitter, 5, 5, 220, 120, #Button1, #Button2, #PB_Splitter_Separator) TextGadget(3, 10, 135, 210, 40, "Above GUI part shows two automatically resizing buttons inside the 220x120 SplitterGadget area.",#PB_Text_Center ) EndIf
GetGadgetState(), SetGadgetState(), GetGadgetAttribute(), SetGadgetAttribute()
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design
|
https://stellarlifestyle.com.sg/stellar-lifestyle-vizzio-forms-strategic-partnership
| 2023-12-01T14:07:02 |
s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100287.49/warc/CC-MAIN-20231201120231-20231201150231-00345.warc.gz
| 0.891537 | 816 |
CC-MAIN-2023-50
|
webtext-fineweb__CC-MAIN-2023-50__0__270179526
|
en
|
Stellar Lifestyle and VIZZIO Technologies announced their strategic collaboration to jointly develop interactive real-time 3D digital twin solutions for Stellar Lifestyle’s retail and property businesses, and to develop future applications and features leveraging on VIZZIO’s city-scale 3D modelling and visualisation platform.
- The memorandum of understanding (MOU) will pave the way for the development of new business cases and solutions using VIZZIO’s digital twin technologies. As part of Stellar Lifestyle’s move towards digitalisation and automation, the partnership will leverage on expertise of both parties, and facilitate the development of innovative solutions for an expansive 3D virtual world.
- “Stellar Lifestyle is on a transformational journey to enhance our commuters’ experience and help our retailers become more competitive in the current climate. This partnership with VIZZIO accelerates that transformation by extending our physical retail and advertising spaces to virtual spaces, shopping, indoor wayfinding, gamification and more. Commuters can plan their travel route more efficiently with clearer information on services and shops enroute to their destination; potential tenants can also attend virtual viewings to shortlist preferred retail units prior to a physical visit. At Stellar Lifestyle, we are creating vibrant stations to better serve our commuters, while progressing with Singapore as a smart nation.” said Mr Tony Heng, President of Stellar Lifestyle.
- “Our world is transforming and rapidly becoming digital. With Stellar Lifestyle, we are ‘building and connecting’ the real world without being ‘super weird’. We are fusing the physical and virtual and creating Photoreal 3D reality without cumbersome headsets. Increasingly, organisations are making high-level business decisions that require deep digital knowledge, relevant data, and tech insights. To keep up with a continuously transforming landscape, we help businesses shift their focus towards generating exceptional value for their customers. We think the future of the internet is 3D. It’s an immersive, interactive, infinitely large world map, and community-oriented. It’s an online, massive, and explorable world. As the next era of the internet, this enterprise metaverse is projected to deliver a digital environment more reminiscent of real life, “cloning” and “mapping” the streets, the indoors and outdoors of the train stations and malls and adding real time 3D content into the digital twin, providing a powerful virtual platform for businesses and retail commerce.” said Dr Jon Lee, CEO/Founder of VIZZIO Technologies Pte Ltd.
About Stellar Lifestyle
Stellar Lifestyle, a business arm of SMRT Corporation Limited, has expertise in property and retail management, media, and digital advertising solutions. We create vibrant transit destinations and lifestyle experiences to make our everyday touchpoints better. Our growing portfolio includes mall management and outdoor media & digital engagement platforms. We are also the largest managing agent of retail and advertising spaces in Singapore’s rail network.
About VIZZIO Technologies
VIZZIO is a leading 3D EARTH & SPACE TECHNOLOGY Company based in Singapore, with clients regionally and globally. VIZZIO has mapped 89 3D earth cities, covering more than 29.4 million square kilometres of land area. We aim to build the world’s largest 3D capture and virtualization ecosystem for objects, space, and cities.
VIZZIO’s planetary-scale “3D-Mapping” ability turns current satellite, aerial and geospatial data into a semantic, machine-readable database and photorealistic synthetic 3D WGS84 georeferenced environments for simulation, visualization, and wider industrial and enterprise applications. Our deep learning algorithms pre-process satellite imagery and other geospatial data sources and create 3D models out of flat satellite images, combining real-time ray-tracing and advanced graphics rendering engine to create a photorealistic 3-D world.
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design
|
http://freemancreations.com/
| 2018-12-16T19:15:24 |
s3://commoncrawl/crawl-data/CC-MAIN-2018-51/segments/1544376827992.73/warc/CC-MAIN-20181216191351-20181216213351-00165.warc.gz
| 0.97001 | 352 |
CC-MAIN-2018-51
|
webtext-fineweb__CC-MAIN-2018-51__0__184497294
|
en
|
Christian Freeman Perdue is an artist and a Knoxville native who received her Bachelor of Fine Arts degree from the University of Tennessee. Christian began her career over 20 years ago working with the Parade of Homes and Symphony Show Houses.
Having completed countless residential and commercial design projects, she can work on a scale and within budget. Her work is her passion, and she uses that drive towards transforming homes and businesses into functional as well as aesthetically beautiful spaces.
Whether Christian is doing a faux treatment, painting a custom mural, furniture aging & distressing, choosing the right color for your walls, or just helping you select flooring, tile, fabrics, and furniture, she can bring continuity to your environment making the process simple, enjoyable and one of a kind!
Michael Hinton is a visual artist and art teacher who works with Christian Freeman and possesses a wide range of experience making and teaching art. He holds a professional teaching license as a visual art specialist, as well as a Bachelor of Fine Arts in studio art and a Master’s degree in art education from the University of Tennessee. Michael is passionate about teaching art. He approaches it as an avenue to creative self-actualization and personal discovery. By immersing his students in art making that is self-expressive, lyrical, and satisfying they learn to value the process of making art as much as the art itself. He has taught K-12 visual art and art history for over 15 years, mostly in middle Tennessee public schools, and then more recently at Hiwassee College with the Upward Bound program. He instills in his students a sense of wonder and excitement about art history and art appreciation, while prompting and nurturing their creative spirit throughout their art-making experience.
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design
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https://symcare.com.au/our-homes/
| 2024-03-05T02:05:59 |
s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947476592.66/warc/CC-MAIN-20240304232829-20240305022829-00876.warc.gz
| 0.909006 | 715 |
CC-MAIN-2024-10
|
webtext-fineweb__CC-MAIN-2024-10__0__74518281
|
en
|
We take pride in providing exceptional accommodation for individuals with disabilities. Our homes are meticulously designed and thoughtfully crafted to offer comfort, functionality, and a touch of luxury. From the initial planning stage to the final touches, our journey is driven by a commitment to enhancing the lives of our participants. Collaborating with industry professionals across the building and community care sectors, our skilled and passionate staff bring their expertise to create spaces that are both functional and welcoming. With over 20 years of experience in the industry, we strive to provide a secure and comfortable place that individuals can proudly call their home.
Our journey began as we recognized the urgent need for quality accommodations catering to individuals with disabilities. We embraced the opportunity to contribute to the community and make a lasting impact. Our vision has always been to become a leading NDIS provider, advocating for individuals with disabilities who are often overlooked and subjected to mistreatment. Starting at a state-wide level and expanding nationwide, we are dedicated to instigating positive change and shaping a more inclusive and compassionate society.
Our homes boast an array of outstanding features designed to provide comfort, functionality, and a touch of luxury. We believe in creating spaces that prioritize the well-being and convenience of our participants. Here are some of the exceptional features you can expect in our homes:
– 3000mm ceiling height for an open and spacious ambiance.
– 20mm stone benchtops throughout, offering durability and style.
– Sectional adjustable bench to the kitchen benchtop for customized usage.
– Soft-closing cabinetry for convenience.
– Finger pull profile on all cabinetry, adding a sleek and modern touch.
– Induction cooktop, oven, rangehood, and dishwasher for a well-equipped kitchen.
– 20mm stone benchtop in applicable areas, such as the laundry.
– Toilets and fixtures in every bathroom for convenience.
– Flush tiled shower bases with strip drain finish, combining functionality and style.
– Front entry door with lockable vandal-proof handles for enhanced security.
– Security door to the front entry for added protection.
– Panel lift door to the garage with remote controls, offering convenience.
– Solid core doors throughout the home for durability.
– Vinyl sliding doors in built-in robes for easy access.
– Peephole in the front entry door for added safety.
– Holland block-out blinds and aluminum flyscreens for privacy, ventilation, and insect protection.
– Hybrid flooring throughout, except for wet areas, for a modern and low-maintenance look.
– Porcelain tiles in wet areas, chosen at the builder’s discretion.
– LED downlights and sensor lights in bathrooms for energy efficiency and convenience.
– Split system cooling in each room and living area for optimal comfort.
– Backup battery pack in case of power outages.
– Intercoms between rooms for easy communication.
– Security cameras and alarm system with sensor points for enhanced safety.
– NBN ready connection for seamless internet access.
– Sensor lights around the dwelling for added security.
– Brick infill above windows and garage door, designed specifically for each home.
– Letterbox, clothesline, and full front and rear landscaping for a beautiful outdoor space.
We take pride in these features and believe they contribute to creating exceptional accommodations that prioritize the needs and well-being of individuals with disabilities. Join us on this journey as we create inclusive spaces designed to nurture and support.
|
design
|
https://www.elithegoat.com/product-page/mother-s-day-roses-and-stars
| 2021-06-19T22:30:02 |
s3://commoncrawl/crawl-data/CC-MAIN-2021-25/segments/1623487649731.59/warc/CC-MAIN-20210619203250-20210619233250-00228.warc.gz
| 0.881886 | 121 |
CC-MAIN-2021-25
|
webtext-fineweb__CC-MAIN-2021-25__0__21197275
|
en
|
Mother's Day Roses and Stars
A pretty Mother's Day card with roses and stars.
The original design is a hand-drawn illustration, which is then digitally embellished.
148mm x 148mm square card
Premium, FSC certified, uncoated board
Supplied with a recycled kraft envelope
Designed and printed in the UK
Posted in recyclable, sustainable, rigid packaging
10p from the sale of this card will be donated to charity.
We can post the card direct to the recipient with a personal handwritten message – please select this option if required.
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design
|
https://blog.flatrocktech.com/2011/01/31/quality-cleaning-supplies-goes-e-commerce/
| 2021-05-12T05:07:55 |
s3://commoncrawl/crawl-data/CC-MAIN-2021-21/segments/1620243991252.15/warc/CC-MAIN-20210512035557-20210512065557-00023.warc.gz
| 0.948983 | 383 |
CC-MAIN-2021-21
|
webtext-fineweb__CC-MAIN-2021-21__0__56121361
|
en
|
About Quality Cleaning Supplies and R & R Distribution
Quality Cleaning Supplies is the online branding of the successful Berkshire based Cleaning Supplies Company, R and R Distribution.
R & R Distribution Ltd. has been involved in the supply of quality cleaning products and equipment for over 20 years.
R & R Distribution Limited chose Quality Cleaning Supplies as their brand for the website catalogue of their products. Flat Rock conceived and designed the brand as part of the overall CMS website project. The objective of the website was to generate traffic, creating significant interest for the Quality Cleaning Supplies products.
The CMS website was created with the view of eventually evolving into an online shopping website. The next step in the overall marketing strategy of the company was to upgrade the website into an e-commerce web application.
About the E-commerce Project
When the website catalogue garnered the expected great interest, R & R Distribution Limited asked Flat Rock to scale up their website into an e-commerce site. The project involved an implantation and migration of the Quality Cleaning Supplies.co.uk website into an e-commerce application as well as some design modification of the logo and website images.
About the Technical Solution Technology
The e-commerce solution is based on the Interspire Shopping Cart, utilizing open source technologies, PHP, MySQL. The e-commerce website is hosted and managed by Flat Rock Technology.
About Flat Rock
Flat Rock has specialized in e-commerce website development for a long time and has perfected its practice in developing companies’ web e-commerce presence. Amongst the e-commerce websites we have developed are www.padani.co.uk, www.giellygreen.co.uk, www.ijewel.co.uk, www.citytelecom.co.uk, www.cledeschamps.co.uk.
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design
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http://rousseausfinefurniture.blogspot.com/2013/06/wallpaper-is-back.html
| 2019-04-20T08:11:28 |
s3://commoncrawl/crawl-data/CC-MAIN-2019-18/segments/1555578529472.24/warc/CC-MAIN-20190420080927-20190420102927-00165.warc.gz
| 0.948768 | 194 |
CC-MAIN-2019-18
|
webtext-fineweb__CC-MAIN-2019-18__0__55607115
|
en
|
When you think of wallpaper, do you envision your grandmother's kitchen walls in pastel floral print? Today's wallpaper is not your grandmother's paper! It has been revolutionized and comes in a huge variety of cool modern prints and textures, giving the old-school material a modern freshness. It is no longer a nightmare to apply or remove either. Strippable paper is easy to remove, while pre-pasted paper is a breeze to apply.
Wallpapering has become one of the hottest trends, as great patterns and colours are available to punch up the decor in your home. Papering just one wall or a ceiling or a small room is what many designers are suggesting. It's a good way to ease your way back into the fun world of wallpaper.
Scroll down to get inspired and to see a sampling of the Clarke & Clarke papers. And stop in to see our extensive wallpaper library during our WALLPAPER SALE.
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design
|
http://issoantea.com/mebutsugire-part-2-kinran/
| 2020-05-30T12:27:59 |
s3://commoncrawl/crawl-data/CC-MAIN-2020-24/segments/1590347409171.27/warc/CC-MAIN-20200530102741-20200530132741-00288.warc.gz
| 0.956111 | 740 |
CC-MAIN-2020-24
|
webtext-fineweb__CC-MAIN-2020-24__0__155351256
|
en
|
Kinran (gold brocade) is considered the most gorgeous of the meibutsu-gire. The first syllable of the word, kin, means “gold”. the second, ran, refers to cloth that was attached to the hem of a Buddhist cloak to strengthen it. Kinran has a ground wave of twill and weft patterns woven with either gold thread or threadlike strips of gilded paper. Kinran was first made in China (known as Zhijin) during the Song Dynasty. It came to Japan through Sino- Japanese trade at the end of the Fujiwara and Kamakura periods, in form of ceremonial robes for Zen monks. Kinran began to be made in Japan during the Momoyama period.
Below are some of the more well know kinran fabrics and patterns:
The name of this fabric comes from a Noh play called Futari Shizuka. It is said that Ashikaga Yoshimasa shogun (1436-1490) performed this particular play wearing a costume made of Futari Shizuka Kinran fabric. Late Sung period – early Ming period.
Daito kinran has a design of auspicious clouds. Daito kinran is popularly believed to be the fabric used in the surplice of Daito Kokushi, the founder of Daitokuji (temple) in Kyoto, Sung period
Osaka kinran is named after the shifuku used with the Osaka Marutsubo chaire, from the Ming period.
Wakuda kinran has a design of waterfowl in a lotus pond. Named for the owner of the fabric, from the Ming dynasty.
Shippo Setsugeka Kinran is a design of interlocking rings, with snowflakes, moon and flowers, favored by the Urasenke14th Generation Grand Tea Master Tantansai.
Hariya Kinran was named after the shifuku used with the Hariya Katatsuki chaire owned by Hariya Soshum. Also called fish scale pattern.
Itoya is a design of jeweled wheels on a basket weave background. It is often woven as a futusu, or double weave fabric where the opposite colors appear on the reverse side. Where blue appears on one side of the cloth, yellow shows on the other and between them a pocket is created. Futsu weave is named for “breeze funnel” and derives from the empty space between the two faces of the fabric. If this were woven with gold thread it is “Itoya futsu kinran.” The fabric name comes from the cloth owned by Itoya Ryotei, who lived in Kyoto in the 16th century. This fabric was made into a shifuku for the chaire named “Sogo nasu.” This fabric was first made in China, probably, Ming dinasty around 1573-1619.
The previous five fabrics are variations of a cute rabbit standing on its hind legs looking back at some blossoming trees. The last one is named Suminokura kinran for the wealthy Kyoto merchant Suminokura Ryoi, who was particularly fond of that kind of design, the difference is that the pattern is bigger than Hanausagi Kinran.
There are many other famously named kinran fabrics, but you can begin to recognize these fabrics in your study when the guests ask about shifuku kereji.
*Fabric photos courtesy of Kitamura Tokusai Fukusaten Co., Ltd., Kyoto, Japan.via the now closed website Tea Hyakka..
|
design
|
https://www.landscapepoint.com/tips-reducing-commercial-landscaping-costs/
| 2023-11-29T15:30:08 |
s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100112.41/warc/CC-MAIN-20231129141108-20231129171108-00704.warc.gz
| 0.957051 | 352 |
CC-MAIN-2023-50
|
webtext-fineweb__CC-MAIN-2023-50__0__233621015
|
en
|
One of the last places you may think to turn for support in the reduction of commercial landscaping costs is to the landscaping company. However, top commercial landscape service companies understand the value in assisting their customers and providing top quality installation and maintenance services.
Commercial landscapers need to be aware at the start of the project as to the budget. This is not only for the installation of the plants and sod but also for the ongoing maintenance budget as well. With this information, the horticulturists and designers on the project can select trees, sod type, and plants for the property that are going to provide the desired aesthetics as well as meet requirements for year-round care.
Depending on the plants selected and the particular growing season, maintenance schedules will vary. This is also dependent on the weather and seasonal growth patterns in a given geographic area.
To help to decrease the short and long-term commercial landscaping costs, look to native plants and grasses and hardy perennials. This will limit the amount of maintenance required throughout the year as well as the costs of annual flowering plants for gardens.
Fertilization and Irrigation
While initially, irrigation is a cost, it will help in promoting healthy growth throughout the growing season. With minimal moisture requirements met for plants and grass, there is less stress and less plant and grass loss, even in the driest of summers.
Fertilization is also a critical consideration. By choosing the correct application of fertilizer and mulch, commercial landscaping costs can be kept low without any unnecessary costs. Look for companies that are focused on best management practices for fertilization as well as pest and weed control as this not only promotes healthy gardens but also helps the environment as well.
|
design
|
https://www.digitalphotosoncanvas.com/framed-canvas-photos.html
| 2024-02-24T09:19:00 |
s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947474526.76/warc/CC-MAIN-20240224080616-20240224110616-00426.warc.gz
| 0.89069 | 184 |
CC-MAIN-2024-10
|
webtext-fineweb__CC-MAIN-2024-10__0__17296079
|
en
|
Having your canvas framed is a great alternative to the traditional wrapped canvas print. We offer seven standard high quality, wood frames which will surely compliment your canvas image and add to your interior décor. Framing combines the traditional look of a classically framed piece of art with the look, feel and texture of a canvas print.
When you select the framing option we will mount your canvas print to a hard piece of Masonite. The canvas will be varnished with our standard print varnish before framing. Once your frame is complete we will finish the back with hanging wire and rubber bumpers. Your framed canvas print will arrive at your door step ready to hang and enjoy.
If you are looking for a particular type and style of frame, other than our standard selections, please contact us for additional help. We specialize in custom orders and have hundreds of other options that might be perfect for your specific application.
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design
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https://www.bike2workconsultants.com/folding-commuter-bike/
| 2023-10-01T16:03:26 |
s3://commoncrawl/crawl-data/CC-MAIN-2023-40/segments/1695233510903.85/warc/CC-MAIN-20231001141548-20231001171548-00120.warc.gz
| 0.91227 | 1,148 |
CC-MAIN-2023-40
|
webtext-fineweb__CC-MAIN-2023-40__0__326744695
|
en
|
Are you tired of getting stuck in traffic during your daily commute? Does the thought of lugging around a heavy, traditional bicycle dampen your enthusiasm for cycling? Well, it’s time to embrace the freedom of folding bikes! In this article, we will explore how folding commuter bikes have revolutionized urban commuting, making it more convenient and enjoyable than ever. Say goodbye to traffic jams and embrace the efficiency of a compact and foldable two-wheeler!
The Rise of Folding Bikes
Folding bikes have witnessed a remarkable surge in popularity over recent years. The innovative design and practicality of these bikes have attracted a growing community of bike commuters. With major advancements in engineering and manufacturing, folding bikes now offer a reliable, durable, and stylish solution for city dwellers. The ability to fold and unfold a bike in seconds makes them an ideal choice for urban commuters seeking flexibility in their daily travels.
Advantages of Folding Commuter Bikes
1. Compact Design for Easy Storage
One of the primary advantages of a folding commuter bike is its compact design. When folded, these bikes take up significantly less space than traditional bicycles, making them easy to store in small apartments, offices, or even under a desk. No more worrying about finding a safe parking spot; just fold and carry your bike with you wherever you go.
2. Portability and Multimodal Commuting
Imagine hopping off a bus or train and swiftly unfolding your bike to continue the journey seamlessly. Folding commuter bikes enable multimodal commuting, allowing you to combine cycling with other forms of public transportation effortlessly. Embrace the convenience of a folding bike, as it lets you cover more ground without breaking a sweat.
3. Quality and Performance
Some commuters may question the performance of folding bikes compared to standard bicycles. However, modern folding bikes are built with high-quality materials and advanced engineering, ensuring excellent performance on various terrains. From sturdy frames to responsive brakes, folding bikes are designed to deliver a smooth and enjoyable ride.
4. Riding Comfort and Ergonomics
Contrary to popular belief, folding bikes are not just for short distances. Many models offer adjustable seat heights and handlebar positions to ensure a comfortable riding experience for riders of all sizes. So whether you have a short hop or a longer commute, a folding bike will provide the comfort you need.
5. Environmentally Friendly Commuting
Are you passionate about reducing your carbon footprint? Folding bikes offer an eco-friendly alternative to cars and motorcycles, emitting zero emissions during use. By choosing a folding commuter bike, you contribute to a greener environment while enjoying the health benefits of cycling.
Choosing the Right Folding Commuter Bike
Selecting the perfect folding bike for your needs requires consideration of various factors. Here are some key points to keep in mind:
- Intended Use: Determine whether you need a folding bike for daily commuting, leisure rides, or off-road adventures.
- Folding Mechanism: Test the folding and unfolding process to ensure it’s smooth and efficient.
- Size and Weight: Consider the size and weight of the folded bike for easy portability.
- Gearing Options: Choose a bike with gear options suitable for your typical riding terrain.
- Brakes: Opt for reliable brakes, such as disc brakes, for enhanced safety.
- Durability: Check the build quality and materials to ensure the bike can withstand daily use.
Maintaining Your Folding Bike
To keep your folding bike in top-notch condition, follow these maintenance tips:
- Regular Cleaning: Clean your bike regularly to remove dirt and debris.
- Tire Maintenance: Check tire pressure and tread regularly and replace worn-out tires promptly.
- Lubrication: Keep moving parts well-lubricated for smooth operation.
- Brake Check: Regularly inspect and adjust the brakes to ensure efficient braking.
- Safety Checks: Routinely examine the frame, handlebars, and other components for signs of wear or damage.
A Folding Bike: The Perfect Urban Commuting Solution
In conclusion, folding commuter bikes have transformed the way we approach urban commuting. With their compact design, portability, and eco-friendly nature, folding bikes offer an unparalleled commuting experience. Whether you’re navigating bustling city streets or exploring new neighborhoods, a folding bike is the ideal companion for your daily adventures. Embrace the convenience, versatility, and joy of owning a folding commuter bike – your ticket to a stress-free and efficient urban commute.
Can I use a folding bike for long-distance rides?
Absolutely! Many folding bikes are designed for long-distance rides, offering comfort and performance similar to traditional bikes.
Are folding bikes suitable for taller riders?
Yes, most folding bikes come with adjustable seats and handlebars, accommodating riders of various heights.
Can I take my folding bike on public transportation?
Yes, folding bikes are permitted on most public transportation systems, making your commute even more convenient.
How durable are folding bikes?
Modern folding bikes are built with high-quality materials, ensuring durability and reliability for regular use.
Are folding bikes easy to fold and unfold?
Yes, folding bikes are designed for quick and easy folding/unfolding, taking only a few seconds to complete the process.
Now that you’re well-informed about the incredible benefits of folding commuter bikes, it’s time to embark on your biking journey. Embrace the fold and discover a new level of convenience and freedom with your very own folding bike! Happy commuting!
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design
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https://www.koufopantelis.gr/featured-projects/ammoudares-e.
| 2024-04-12T18:12:39 |
s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296816045.47/warc/CC-MAIN-20240412163227-20240412193227-00563.warc.gz
| 0.977235 | 337 |
CC-MAIN-2024-18
|
webtext-fineweb__CC-MAIN-2024-18__0__89112466
|
en
|
Private Residence in Paros
Paros Island, Greece
This vacation house is a part of a residence complex of 5 houses. Each house is different, and has been designed according to each client’s style and needs. Although since they are still a part of a complex of houses, as well as located in the island of paros which has its own limitations and demands (following the architectural style of the island), we have kept some similarities and common elements, in order to have an harmony and balance in the totality of the houses.This specific project is built on top of a small hill a few meters away from the sea. The 5 houses share one common really long swimming pool, which is divided in 5 , giving them each their privacy. Actually the interesting element of this project is that each house feels as if it's the only one in the plot. Meaning that they have been designed in a way that each one’s privacy is on the maximum level, almost not being able to feel the existence of the rest. Every swimming pool has a rock garden on its connecting side with the rest of the pool, making the limit disappear. The entrance to the pool is created by a beach-like feeling, making it smooth and adding some coziness to the yard.This particular house is for a family of 4, has 3 double bed bedrooms with ensuite bathrooms. They also have a beach volleyball court right beside their house.
Yeorgia Aslanidou, https://www.yeoryiaaslanidou.com/
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design
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http://rococoresale.com/
| 2019-11-12T21:44:41 |
s3://commoncrawl/crawl-data/CC-MAIN-2019-47/segments/1573496665767.51/warc/CC-MAIN-20191112202920-20191112230920-00092.warc.gz
| 0.934998 | 134 |
CC-MAIN-2019-47
|
webtext-fineweb__CC-MAIN-2019-47__0__200096460
|
en
|
Rococo is a locally owned and operated unique resale clothing boutique that offers a variety of high end apparel at reasonable prices. We carry designer handbags, jewelry, shoes & clothing for juniors & ladies. You can find us in uptown Pensacola near the entrance of the Cordova Mall in between Pier 1 and Tijuana Flats. Rococo is fashion within reach!
What we are currently consigning
We are currently accepting lightweight fall items. We always accept year round items like high design wear, flats, designer handbags, lightweight cardigans, perfume, etc. For more information about consigning with us please check our customer information page.
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design
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http://careers.umich.edu/job_detail/140694/senior_electrical_commissioning_engineer
| 2017-06-29T08:51:51 |
s3://commoncrawl/crawl-data/CC-MAIN-2017-26/segments/1498128323895.99/warc/CC-MAIN-20170629084615-20170629104615-00713.warc.gz
| 0.879748 | 708 |
CC-MAIN-2017-26
|
webtext-fineweb__CC-MAIN-2017-26__0__151999469
|
en
|
How to Apply
Applicants must include a cover letter, attached as the first page of the resume, explaining how his/her academic and work experiences qualify for the responsibilities of this position.
The University of Michigan Architecture, Engineering, and Construction Department is seeking a Senior Electrical Commissioning Engineer to perform both design-phase and construction-phase building commissioning activities. This is an exciting opportunity to apply electrical engineering skills to both the design and construction environment. The selected candidate will have the following major responsibilities:
Guide electrical design teams on major building projects to assure owner's requirements are met:
- Coordinate with owner's representatives, architects, electrical engineers, code officials and other stake-holders to assure development of Owner's Project Requirements and Basis of Design documents.
- Lead design meetings. Clarify University design, cost, schedule and quality requirements. Assure adherence with University sustainability, energy conservation and LEED certification initiatives.
- Evaluate construction documents for completeness, correctness, compliance with the design intent, constructability, operability, maintainability, and conformance with applicable codes, standards and University guidelines.
- Evaluate project studies and calculations on lighting, power, equipment sizing, energy efficiency, and other electrical matters.
- Evaluate project budgets and propose value engineering ideas. Review contractor bids, submittals, and test reports for compliance with the design and budget.
Serve as the Commissioning Authority and lead the construction-phase commissioning activities on projects.
- Review shop drawings for compliance with project specifications and University guidelines.
- Create the commissioning plan and pre-start, start-up, and functional test procedures.
- Conduct commissioning meetings, publish minutes and facilitate completion of commissioning action items.
- Witness and document pre-starts, start-ups and functional testing of building electrical distribution systems and equipment, including substations, generators, lighting controls and auxiliary systems.
- Investigate problems and identify construction deficiencies. Participate in resolutions to electrical design, construction, and commissioning issues.
Evaluate new building electrical systems, products and construction methods for incorporation into University design guidelines and specifications.
Perform field surveys of existing electrical systems. Provide recommendations for system improvements.
- Bachelor of Science degree in Electrical Engineering or a related field.
- Five years of progressively responsible technical experience in the design and construction of building lighting, power, telecommunications, fire alarm, and other electrical systems.
- Demonstrated aptitude for working with electrical and mechanical systems and equipment.
- Knowledge of the Michigan Building and Electrical Codes, and related industry standards.
- Knowledge of architectural/engineering firm design practices and building construction management.
- Willingness to work in both an office and construction site environment.
- Significant experience creating documents using Microsoft Word or similar software. Experience with Microsoft Excel and other engineering software related to electrical or mechanical design and commissioning.
- Familiarity with the building commissioning process.
- Registration as a Professional Engineer.
- Experience in the leadership of design and construction personnel.
- Experience on large capital projects for classroom, laboratory, housing, and assembly occupancies.
**This is a three year term-limited position with a high potential for renewal or conversion into a regular full-time position, depending upon the needs of the department and availability of funding.**
U-M EEO/AA Statement
The University of Michigan is an equal opportunity/affirmative action employer.
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design
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https://frugthavenfarm.com/were-getting-close/
| 2023-12-09T18:39:34 |
s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100942.92/warc/CC-MAIN-20231209170619-20231209200619-00586.warc.gz
| 0.968516 | 497 |
CC-MAIN-2023-50
|
webtext-fineweb__CC-MAIN-2023-50__0__211345336
|
en
|
What a year it has been. 2020 has been remarkable. Out of all the chaos one thing stands out as a blessing. During this time Mike & I were able to settle in to our space at the farm. We were able to reevaluate our goals and dreams for the property. Without a deadline for finishing the Kaffebar we were able to hang out in there, considering how the space would be used and thinking about how we could make it authentically ours. We walked through the building (15,000 square feet!) thinking about where you would park, how you would enter, how you would shop, what you’d want to shop for and how our tavern would accomplish our goal of being a gathering space while remaining simple, cozy and welcoming.
I think we’ve got it now. But I’m sure it will still evolve along the way.
The QUESTION everyone is asking now is when will the coffee shop open? Well, we haven’t set a date. That’s on purpose. We want it to be ready and it’s 2020 so who knows what detours are yet to be revealed. I can tell you that mid-July looks promising. If you’ve driven by lately you’ve seen that our parking lot is getting a much needed refurbishment. We’re creating a purposeful traffic flow, convenient parking spaces and green areas with sidewalks. When this is done I think we’ll be ready to swing wide our doors for you. We can’t wait. But we also are going to wait until you can drive in, walk through the doors and enjoy your time in the Kaffebar without dust or cement trucks or any other inconveniences.
What’s on the horizon for us? Oh! Our ideas are big. We’ll be creating event spaces that are thoughtfully designed and that utilize our grain bins, barns and lawns to their full potential. Weddings, markets, Christmas trees, ice skating, shopping… It can be overwhelming but holy moly it’s going to be fun. I think you’re going to like it. Know that we are taking it slow, designing everything on purpose. Creating spaces that beg you to kick off your shoes, relax, breathe deep and remember that the best things in life are friends, family and creating memories that will become your story.
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design
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http://www.guitarinteractivemagazine.com/review/hughes-kettner-tm-18-amp-h-k-book/
| 2023-09-26T11:26:06 |
s3://commoncrawl/crawl-data/CC-MAIN-2023-40/segments/1695233510208.72/warc/CC-MAIN-20230926111439-20230926141439-00390.warc.gz
| 0.954246 | 1,253 |
CC-MAIN-2023-40
|
webtext-fineweb__CC-MAIN-2023-40__0__63176200
|
en
|
Hughes & Kettner is celebrating its 30th anniversary this year with special editions of its much-admired Tubemeister range. That, and the fact that we have noted Hughes & Kettner user Tommy Thayer interviewed in this issue, seemed like good reasons to take a look at one of its best-sellers in its anniversary form. The amp we chose was the Tubemeister 18 Anniversary head and the man we chose to review it? The one and only Tom Quayle.
To celebrate its 30th year of operation Hughes & Kettner has released an anniversary edition of its Tubemeister range of amplifiers. The essential design remains the same but the EL84 output tubes have been replaced with NOS (new old stock) Soviet, military grade EL84’s that are older than the company itself. There’s a lot of snake oil and mystique surrounding NOS tubes but there is no doubt that they were built to last for applications in military and aviation industries where reliability is paramount and to a level of quality not necessarily reached by modern manufacturers. H&K claims that this translates into higher clean headroom, more punch for overdriven tones and a more output than the standard EL84 variants. We were keen to put this to the test with Tubemeister 18 head we were sent for review.
The Tubemeister 18 is a small footprint, two-channel lunchbox style head that is designed for maximum tone and versatility in an easily transportable package. The unit is housed in a black metal chassis with a glass-effect front exposing the internal circuitry and tubes, resulting in a cool and modern looking amp. On display are a pair on 12ax7 preamp tubes and the aforementioned NOS EL84 power tubes, offering up to 18 Watts of output via the 16 and 8 Ohm speaker outs, with a built in power attenuator offering operation at 5, 1 and even silent operation. While operating silently, the amp can be used for recording with no speaker attached thanks to the included ‘Redbox’ speaker emulated DI, complete with a high quality XLR output for professional connectivity in the studio. The ‘Redbox’ has been an industry standard for years now and places the DI after the power amp but before the attenuation, giving the most authentic tone and feel for recording. A serial effects loop is also included along with H&K’s ‘tube safety control’ for automatic tube biasing, better longevity and testing functions for the power tubes.
The front panel of the TM18 is laid out very logically with a shared three-band EQ, master and gain controls for both channels and lead boost and channel select push switches. The controls are small but solid feeling and easily accessible with the lead boost and channel select functions controllable via any two-way footswitch (not included with the amp). Although the channels share the same three-band Bass, Mid and Treble controls H&K has really thought about this often limiting design feature by re-voicing the EQ filtering circuit for each channel, giving the optimum tone shaping for clean and driven sounds.
The TM18 is a very well-constructed and light weight head with an included soft carry case that will make transporting the unit a dream for those used to large, unwieldy amps. It’s also a good looking little head with a quick flick of the power switch producing a lovely blue glow permeating the front panel for an awesome look on stage or in the studio. The metal chassis protects the tubes well and H&K has included solid metal handles on either side that further strengthen the design and make stowing the amp in its gig bag easy and swift.
Plugged into our studio 4x12 the sound from the TM18 is surprisingly huge considering the amp's diminutive form. The clean channel has plenty of headroom and chime and can be pushed into a satisfyingly squishy crunch tone when the gain and master are pushed to their upper settings. At lower volume settings the sound remains tight and focussed with a harder feel that is great for clean single note lines and arpeggiated chords, especially when combined with some effects in the loop. The three band EQ offers a very musical range of tone shaping options even at the most extreme settings making it pretty hard to find a bad tone on either channel. Switching to the drive channel gives a range of tones from light crunch with the gain and master set low to huge amounts of modern scooped gain with the lead boost engaged.
With the attenuation set to 5W or 1W it becomes easy to achieve compressed Rock and lead tones with plenty of lovely power tube saturation at a sensible volume. Switching to 18W mode allows for tight rhythm tones that have as much pre-amp gain as you like but remain firm and responsive for palm muted power chords or down tuned madness. Even though 18W sounds like a low output, this is a loud amp at full tilt and will happily drive anything from a small 1x12 to a huge 4x12 set-up if required.
It’s hard to state exactly what the NOS EL84s are doing to the tone here without a direct comparison to the original but what we can say without a doubt is that they sound great and should provide you with the most reliable power tubes out there.
For a small, low wattage head the TM18 was already a big success for Hughes & Kettner, with a 36w version also available for those looking for more power. The addition of NOS EL84’s may or may not make a big difference to the sound of the amp depending on your perception of tone and what you prefer, but they will certainly give you extra longevity and should last for the lifetime of the amp. The price difference between the original and the anniversary model is not bank breaking by any means so we suggest trying both out if you can and seeing which one works for you - the bottom line is that the TM18 is a superbly built and sounding small amp that offers two channels of great tone coupled with silent recording in a brilliantly portable design.
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design
|
https://chantellewedding.com/stay-on-trend-the-best-wedding-dresses-from-chantelle-in-egypt/
| 2024-02-27T04:38:14 |
s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947474670.19/warc/CC-MAIN-20240227021813-20240227051813-00744.warc.gz
| 0.909543 | 415 |
CC-MAIN-2024-10
|
webtext-fineweb__CC-MAIN-2024-10__0__4912683
|
en
|
Planning your dream wedding is an exciting journey, and finding the perfect wedding dress is one of the most important aspects. At Chantelle, we understand that every bride wants to feel beautiful and unique on her big day. That’s why we offer a wide selection of wedding dresses from the best well-known designers in the world.
Our collection includes stunning designs from Pronovias, SanPatrick, Allure Bridal, La sposa, Mori Lee, David Tutera, and many more. Whether you’re looking for a classic ballgown, a sleek mermaid silhouette, or a romantic lace dress, we have the perfect gown to suit your style.
One of the latest trends in wedding dresses is the boho-chic look. Bohemian-inspired dresses are all about free-spirited elegance and effortless beauty. These dresses feature delicate lace, flowing fabrics, and whimsical details. They are perfect for outdoor and destination weddings.
If you’re a bride who loves vintage glamour, our collection also includes stunning retro-inspired dresses. These dresses are designed to flatter your figure and add a touch of old-world charm to your wedding day. From tea-length dresses to glamorous beaded gowns, we have a wide range of options to choose from.
For the modern bride who wants to make a statement, our collection features bold and unique designs. From daring low backs to intricate beading and modern silhouettes, these dresses are perfect for the fashion-forward bride.
At Chantelle, we believe that every bride deserves to feel confident and beautiful on her wedding day. That’s why our team of experienced consultants is here to help you find the perfect dress. We’ll guide you through the process, offering expert advice and personalized recommendations.
So, if you’re getting married in Egypt and looking for the best wedding dresses, look no further than Chantelle. Visit our store today and let us help you find the dress of your dreams.
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design
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http://bhlc.services/get-in-touch/accessibility/
| 2018-04-26T13:12:46 |
s3://commoncrawl/crawl-data/CC-MAIN-2018-17/segments/1524125948214.37/warc/CC-MAIN-20180426125104-20180426145104-00561.warc.gz
| 0.953916 | 204 |
CC-MAIN-2018-17
|
webtext-fineweb__CC-MAIN-2018-17__0__95626778
|
en
|
We have tried to make this website user-friendly and easy to navigate. On the left of each page you will find two tabs which you can click to change the appearance of the website if you need to. The top tab will increase contrast:
The bottom tab will increase the font size :
Here at BHLC, we pride ourselves on being inclusive and welcoming to all members of our community. Brunswick Hub is a Registered Safe Place, and you can expect to be treated with kindness and respect, free from judgement or stigma.
The Centre is easily accessible by public transport, but if you are driving here there is free on-street parking and reserved parking for blue-badge holders. If you are cycling here, you can secure your bike to the stands in the car park.
Brunswick Hub has level access throughout, and powered main doors, as well as accessible toilets and non-slip flooring. A wheelchair is available inside the building for the use of clients who may need it.
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design
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https://blog.decentral.ca/decentral-appoints-gamification-pioneer-yu-kai-chou-as-chief-experience-officer-visionary-to-lead-gamification-of-jaxx-liberty-platform/
| 2024-04-21T11:27:01 |
s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296817765.59/warc/CC-MAIN-20240421101951-20240421131951-00104.warc.gz
| 0.949706 | 611 |
CC-MAIN-2024-18
|
webtext-fineweb__CC-MAIN-2024-18__0__126943935
|
en
|
Decentral Inc., Canada’s leading blockchain company and the creator of the multi-platform, multi-currency digital wallet Jaxx, has announced world-renowned gamification pioneer Yu-kai Chou has joined its executive team as Chief Experience Officer (CXO).
Named the “Gamification Guru of the Year” in 2014, 2015, and 2017 by the World Gamification Congress and the Gamification Europe Conference, Chou will spearhead the company’s gamification efforts within Jaxx Liberty, the newly unveiled single, gamified interface for everyone to experience the blockchain ecosystem and the upcoming update to Decentral’s multi-cryptocurrency digital wallet and flagship product.
With an extensive background as a consultant to the world’s leading brands, including Google, LEGO, eBay, Huawei, and Volkswagen/Porsche, Chou is globally acknowledged for his unique insights into gamification and behavioral design.
Anthony Di Iorio, Co-founder of Ethereum and CEO and founder of Decentral said: “Chou’s hire marks an important point in the company’s history. We want to make the experience of interacting with our products as easy and as fun as possible for both our new and experienced users. The digital asset and cryptocurrency space is very complex and our goal is to make it more intuitive and simple but sophisticated. I believe Yu-kai is a valuable piece for solving that puzzle. I’ve studied his work for years and it’s a major development to bring him on.”
Chou said: “My focus is on amping up the game-like elements in Jaxx and making the user experience more fun and exciting. Based on my research and insight, we will be unveiling a wallet that delivers the best user experience on top of the best technology — combined in a blockchain interface that is intuitive enough to appeal to seasoned cryptocurrency enthusiasts and beginners alike.”
Chou is the author of Actionable Gamification, a critically acclaimed book on the new era of gamification and human-focused design. He developed the ‘Octalysis Framework,’ which is a renowned approach to behavioural design. This method is being used by corporate entities around the world — such as, Accenture, Fidelity and Hewlett-Packard — to increase participation and engagement of their respective work forces. Chou is a Founding Partner with the Octalysis Group, whose work has, by their own estimates, influenced more than a billion users globally. As a public speaker, Chou has spoken at Austin’s SxSW and for TEDx at Lausanne, where he delivered a popular speech on how gamification can improve the lives of everyday people.
“Blockchain will lay the foundation for the technology of the future. I’m excited to join the ambitious Decentral team and help the company maximize delight when people interact with anything related to the blockchain or cryptocurrencies,” concluded Chou.
|
design
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https://acozyliving.com/2019/09/21/my-klevercase-kindle-cover/
| 2020-01-22T13:17:40 |
s3://commoncrawl/crawl-data/CC-MAIN-2020-05/segments/1579250607118.51/warc/CC-MAIN-20200122131612-20200122160612-00447.warc.gz
| 0.967744 | 571 |
CC-MAIN-2020-05
|
webtext-fineweb__CC-MAIN-2020-05__0__131265443
|
en
|
About three months ago, I made the decision to buy myself an e-reader. It took me a lot of consideration to make this step, doubting if I would make a lot of use of this way of reading. I decided to go for it and my Kindle Paperwhite arrived a week later. Since one of the reasons for buying an e-reader was to read when I’m away from home, I felt like I needed a good and protective cover for it.
I’ve seen the cases from Klevercase around on instagram and youtube and decided to check them out. The cases are absolutely beautiful and my decision to buy one was not difficult. The case costs around €28. There are cheaper cases out on the internet, but for a handmade case with these amazing designs it’s a good price and you don’t find those a lot online.
The designs are the main reason I bought this case. There is a big collection of different sorts of designs to choose from. Every design looks like a real book, which makes them so great. You can choose from classic book cover designs, custom book cases and Harry Potter themed cases. I bought the Book of Spells -Gryffindor themed case. It’s a red case that resembles a book of spells. The inside is decorated with scribbles from Hogwarts students and there is a library list of people who borrowed the book. I absolutely love it. Click here for my Klevercase.
Having this case for a couple of months now, I’m ecstatic about the state of the cover. There is no wear and tear happening, just a little mark in the inside were it has rubbed a bit against one of the inside holders one time. Also, the edges might wear a little over time, which I haven’t experienced yet. Overall, I’m surprised. The quality is high and it does what it promises – protecting my e-reader.
You can choose the kind of case that fits your e-reader. The site gives clear instructions on the type of case (size and attachment methode) you need for your e-reader. You can get a case with elastics to hold your e-reader, or a sticky patch that holds your e-reader in place. I went for the elastic, as that was recommended for my Kindle Paperwhite. The elastics work great and have been holding my e-reader in place. There has been no wear and tear in the holders, imagining that the elastics might stretch out after some time. The stitching is also done very well and it all feels sturdy.
I will definitely buy one of their cases again when this one is worn out. It’s a real eye-catcher for your e-reader.
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design
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http://ssbventures.com/architecture/
| 2024-02-29T06:29:43 |
s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947474784.33/warc/CC-MAIN-20240229035411-20240229065411-00005.warc.gz
| 0.853195 | 364 |
CC-MAIN-2024-10
|
webtext-fineweb__CC-MAIN-2024-10__0__161848776
|
en
|
Elevate Your Spaces: Architectural Services by SS Buildtech Ventures Pvt Ltd
Are you searching for visionary architectural services to bring your design dreams to life? Look no further than SS Buildtech Ventures Pvt Ltd.
Crafting Inspirational Spaces
At SS Buildtech Ventures Pvt Ltd, we specialize in creating architectural masterpieces that inspire, innovate, and endure. With a passionate team of architects and designers, we strive to transform your vision into reality while exceeding your expectations.
Comprehensive Architectural Services
1. Conceptualization and Design
Our expert architects work closely with clients to understand their vision, goals, and aspirations. Through collaborative brainstorming sessions, we conceptualize innovative design solutions that reflect your unique style and preferences.
2. Sustainable Design Practices
We are committed to environmental sustainability and incorporate green design principles into our architectural projects. From energy-efficient building materials to passive design strategies, we prioritize sustainability to minimize environmental impact and promote a healthier planet.
3. Interior Architecture
Our expertise extends beyond the exterior facade to create harmonious and functional interior spaces. Whether it’s residential, commercial, or institutional projects, we focus on optimizing spatial layouts, maximizing natural light, and enhancing user experience through thoughtful interior architecture.
4. Project Management
From project inception to completion, our dedicated project management team ensures seamless execution and timely delivery. With meticulous planning, proactive communication, and attention to detail, we oversee every aspect of the project to ensure it meets quality standards and exceeds client expectations.
Partner with Us Today
If you’re seeking visionary architectural services that combine creativity, functionality, and sustainability, SS Buildtech Ventures Pvt Ltd is your trusted partner. Contact us today to discuss your architectural needs and let us embark on a journey to elevate your spaces.
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design
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https://phoenixrange.ca/shop/radi-r0014-radian-talon-ar15-sr25-ambidextrous-safety-17125
| 2024-04-22T00:42:33 |
s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296818067.32/warc/CC-MAIN-20240421225303-20240422015303-00144.warc.gz
| 0.923536 | 318 |
CC-MAIN-2024-18
|
webtext-fineweb__CC-MAIN-2024-18__0__112948402
|
en
|
Radian Talon AR15/SR25 Ambidextrous Safety
This Radian Weapons Talon ambidextrous safety selector kit comes with 4 levers, so you can choose which combination is right for you. Each selector lever is installed by a machined dovetail interface with a spring-loaded stud eliminating the need for screws and making it quick and easy to swap between levers. The center hardened steel shaft can be rotated 180° to change between a standard 90° throw or a 45° short throw. It also has a black Nitride finish making it extremely smooth to operate. The levers are machined from billet aluminum and feature a hard coat anodized finish and are compatible with Mil-Spec lower receivers. This ambi safety selector set from Radian Weapons is an easy way to upgrade the ergonomics of your AR-15. Features: Includes short, medium, medium taper, and long levers Levers machined from billet aluminum with Mil-Spec anodized finish Center shaft machined from hardened steel with black Nitride finish Choose between 45° and 90° throw Compatible with Mil-Spec receivers Designed and Manufactured in the U.S.A. Radian Weapons design and manufacture the most innovative, professional-grade firearms and components for the American consumer. They do so by implementing extremely high-quality standards so that every part that leaves the factory floor will function as intended without fail. Radian Weapons stands by their products and guarantees that customers can expect precision quality and consistent accuracy with their products.
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design
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https://www.gareth.uk/2013/07/11/the-halo-framework-as2/
| 2023-12-07T04:07:03 |
s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100632.0/warc/CC-MAIN-20231207022257-20231207052257-00220.warc.gz
| 0.975103 | 281 |
CC-MAIN-2023-50
|
webtext-fineweb__CC-MAIN-2023-50__0__182312451
|
en
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Before work on the BBC Events application could begin, a framework was required that would provide the team with a foundation on which to build a robust, memory-efficient app that could be re-skinned for future events.
I completed the majority of the work in an intensive 3 days which allowed the rest of the team to begin work on the app itself. Embellishments were applied over the remainder of the week.
The core framework is designed around the BBC’s One Service UI which is a drive to use a consistent UX across all current and future products.
It allows for efficient use of specialised components which are created and destroyed at runtime based on what the application requires to render each feed. Components are owned by sections, sections are owned by scenes and a component can both be shared across- or destroyed between- sections as required for maximum efficiency.
The components themselves are based on an MVC pattern and are encapsulated by a component class and interface through which they communicate with the main application. This design enforces a consistent approach to developing additional components – as well as application structure as a whole – and means it will be straightforward to add new components to the framework in the future.
Halo allowed us to create the Events app in record time – less than 4 months from start to finish which is approximately 30% less time than was spent on the Sports app last year.
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design
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https://glaass.net/how-perfectionists-design/
| 2024-02-24T22:25:22 |
s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947474569.64/warc/CC-MAIN-20240224212113-20240225002113-00112.warc.gz
| 0.945908 | 744 |
CC-MAIN-2024-10
|
webtext-fineweb__CC-MAIN-2024-10__0__77079502
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en
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When we founded Glaass we challenged ourselves to design construction software the way it should have been – functional, accountable, fast and exceptionally easy to use. We want users to love the Glaass experience whereby our products integrally lead project teams to success. When we began designing Glaass some 18 months ago, we stepped back and asked ourselves why? What has driven us to create software systems? We came up with two simple answers:
Products, services and/or systems don’t exist to address the problems and inefficiencies encountered within the construction industry, and;
The products, services and/or systems that do exist within the industry are ineffective, unaccountable, immobile, disconnected and we are completely and utterly dissatisfied with them!
Finding the problem is the easy part, envisaging and designing a solution is undoubtedly tougher. Building a cross platform, multi-tier, industry specific software suite that is interconnected and easy to use isn’t as simple as you might think. As Tony Fadell (Nest Labs CEO) said, “the key to design is noticing” which is fortunately second nature to most self-confessed perfectionists like me!
Therefore, we have two design criteria’s:
To create exceptional products that haven’t previously existed, and;
To create products that exponentially improve upon what currently exists
Our design process always begins with analysing the current systems used within the industry. Regardless of how impractical and inefficient these systems may be, it’s imperative to understand what characteristics users are drawn to. Next, we decipher every flaw and inability within the application; often a cumbersome task. We strip each feature back to remove anything that is unnecessary, identify areas that can be made leaner and reduce time between functions.
Building products that haven’t existed is substantially more difficult. An in depth user experience is essential to ensure that what is being designed is practical and more so functional to the end user. There are features in Glaass that have undergone months of deliberation because we simply aren’t satisfied with anything less than perfection. We aren’t motivated by products that are mediocre, or even good. We work to make every feature, no matter how insignificant, great. This is why we only release products that truly enrich and empower teams to succeed.
We aren’t motivated by products that are mediocre, or even good. We work to make every feature, no matter how insignificant, great.
We build our prototypes through a series staggered releases, which typically includes anywhere from eight to twelve new features. Everything we’ve learnt, studied and devised is made into a working prototype. The next step is the most confronting part of design, critiquing our own work. We don’t always get it right the first time, but we continue iterating our design until we do.
Not satisfied with our own evaluation, we employ a diverse range of people from within and outside the industry to experiment with our product. We ask them to perform a function, without explaining how. We judge the effectiveness of our product based on the time taken to perform the function and the number of incorrect actions made to get there. Our goal is to create software that requires no training to use, and analysing how these people use our product without guidance provides the most honest feedback.
We love design at Glaass, it’s an integral component to everything we do, and the cornerstone to delivering a unique user experience. We are currently working hard on our sixth release, adding and optimising our feature set to bring you, the future of construction.
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design
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https://shop.rebag.com/products/handbags-gucci-bamboo-shopper-tote-flora-knight-canvas-medium192066
| 2019-09-21T05:08:00 |
s3://commoncrawl/crawl-data/CC-MAIN-2019-39/segments/1568514574265.76/warc/CC-MAIN-20190921043014-20190921065014-00512.warc.gz
| 0.80459 | 263 |
CC-MAIN-2019-39
|
webtext-fineweb__CC-MAIN-2019-39__0__93808911
|
en
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This authentic Gucci Bamboo Shopper Tote Flora Knight Canvas Medium presented in the brand's 2014-2015 Collection mixes classic Gucci styling with dark spirited styling. Crafted from black canvas with a beautiful floral motif, this simple yet stylish tote features Gucci's signature sturdy bamboo handles, black leather trims, protective base studs, and gold-tone hardware accents. Its magnetic tab closure opens to a beige canvas-lined interior with zip middle compartment and side wall zip and slip pockets perfect for daily essentials. Its detachable leather strap allows this bag to be worn longer on the body for added versatility. Authenticity code reads: 323660 520981, B01785280. **Note: Shoe photographed is used as a sizing reference, and does not come with the bag. These are professional pictures of the actual bag offered by Rebag.
Estimated Retail: $1,850
Condition: Great. No visible signs of wear.
Accessories: Dust bag, care booklet and detachable strap.
Measurements: Handle Drop 4", Height 8", Width 13", Depth 5.5", Strap Drop 18.5-20"
Model: Bamboo Shopper Tote Flora Knight Canvas Medium
Item Number: 5255/01
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design
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http://ct-redmondwa.com/technology-sector/
| 2021-09-24T17:57:20 |
s3://commoncrawl/crawl-data/CC-MAIN-2021-39/segments/1631780057564.48/warc/CC-MAIN-20210924171348-20210924201348-00348.warc.gz
| 0.94334 | 490 |
CC-MAIN-2021-39
|
webtext-fineweb__CC-MAIN-2021-39__0__13946431
|
en
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Property Management Sector
Growing the brand value of your commercial property is the most important outcome of a successful property management business. Part of growing brand value of the property comes from strong visual communication elements and having a well-designed signage strategy on property facilities. They enhance the property value and the experience of going to and doing business on the property and with tenants on the property. They help enhance discoverability, wayfinding, and navigation to businesses on your property. They also help enhance safety and well-being for customers visiting tenants on your property. When tenants are successful, property managers are successful.
Touch below for signage solutions ideal for Retail businesses:
Exterior building signs are your tenants’ first handshake with customers gives your property well-branded atmosphere. They come in various designs and construction methods like channel letters, cabinet signs, neon signs or even a hybrid construction of them. Due to its high visibility and durability, they can help enhance your tenants’ brand and image in the best possible way while conforming to property guidelines
As you know, American Disabilities Act (ADA) is a federal law requiring certain signages for publicly accessible locations like offices, schools, medical centers, and transportation centers. ADA signs are designed to make sure everyone – tenants or visitors - despite any kind of disability or impairment, to navigate through your office or building. It is essential to incorporate these signs, not only to pass occupational inspection but also to ensure safety and well-being of all employees, patrons, and guests.
Window frosting is perfect for interior windows and glass doors, allowing you to design a
workspace that is private without feeling closed off. You can create privacy without diminishing
natural light. While protecting privacy, it is also a great option added sophistication and appeal.
You can even personalize images or text by creating a die-cut design.
Directory and wayfinding signs help people get to where they need to be quickly and safely. They make it easy for customers, visitors and even employees find locations throughout buildings, business parks, and malls. Custom-made directional and wayfinding signages are not only functional but also promotes property brand image and enhances consistency for the property
Wall graphics and murals are great solutions to brand blank walls located in common areas. They can be used as canvases for thoughtful messaging and unique imagery for tenants and visitors to enjoy. They can promote property brand that enhances brand value and recall.
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design
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http://www.liveryfsg.org.uk/staticc/chairman.html
| 2019-06-25T20:35:03 |
s3://commoncrawl/crawl-data/CC-MAIN-2019-26/segments/1560627999946.25/warc/CC-MAIN-20190625192953-20190625214953-00042.warc.gz
| 0.954288 | 193 |
CC-MAIN-2019-26
|
webtext-fineweb__CC-MAIN-2019-26__0__6985031
|
en
|
The Chairman’s Badge
The photograph [above] shows the Chairman’s badge for the Financial Services Group of Livery Companies (“FSG”). The badge was generously presented to the FSG on 14 October 2014 by Jeremy Goford, Actuary and founder Convenor of the FSG, established 23 May 2006.
The 24ct gold plated sterling silver badge was designed by Jeremy Goford, Karen Richardson, the current Chairman, and Ian Richardson, the first Secretary to the Group, with Grant Macdonald, Silversmiths and crafted by that firm. The centrepiece of the badge is the hand painted enamel shield of the City of London and it is surrounded by hand painted enamel shields of each of the Livery Companies that are represented on the FSG. The black ribbon that supports the badge carries a lozenge containing the City sword and mace and the words “FSG”.
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design
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https://www.exilepro.com/product/hybrid-armor-iphone-case/
| 2021-05-09T04:19:56 |
s3://commoncrawl/crawl-data/CC-MAIN-2021-21/segments/1620243988955.89/warc/CC-MAIN-20210509032519-20210509062519-00447.warc.gz
| 0.851129 | 217 |
CC-MAIN-2021-21
|
webtext-fineweb__CC-MAIN-2021-21__0__46881155
|
en
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Provides heavy-duty, military-standard protection at all angles. Combines a wraparound bumper made of shock-absorbing TPU and a clear back made of scratch-resistant PC, for fortified protection against scratches, drops, and other kinds of wear-and-tear.
Built-In Screen Protector:
Comes with a highly responsive built-in PET screen protector that fits perfectly with the iPhone’s screen, for truly 360-degree protection against scratches and cracks.
Tailor-made for the iPhone, with precise cutouts for all buttons and ports and raised edges that help protect the screen and camera from scratches. An ergonomic TPU frame with textured sides provides a secure, comfortable grip.
Supports Wireless Charging:
The specially-designed PC backplate allows you to charge your iPhone 11 wirelessly without having to remove the case.
Compatibility & Removal Instructions:
Designed specifically for the iPhone 11. To remove the case, pry the case off the frame starting at the bottom-right corner.
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design
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https://houstontexasseo.com/how-to-seo-tips-homepage-design/
| 2024-02-29T07:24:53 |
s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947474795.48/warc/CC-MAIN-20240229071243-20240229101243-00164.warc.gz
| 0.936149 | 699 |
CC-MAIN-2024-10
|
webtext-fineweb__CC-MAIN-2024-10__0__140760176
|
en
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Does Your Homepage Design Look Like a Poster!
Does your homepage design look like a poster for your business? More graphic design than substance? We can help! IX Brand SEO Services Company is a search engine optimization and online reputation management consulting company based in Sugar Land, TX, on the outskirts of Houston. We help small businesses get better Google rankings, develop great online customer reviews, and drive more customer traffic through the Web. Call 281-343-3284 for more information or use the Contact form to send an email.
I’ve talked with several potential clients this week about creating a blog and about website design in general, and I’m hearing a common misconception about homepage design. Many people see the homepage as something like a poster, which is on display on the Web. The poster doesn’t have much text because people aren’t inclined to read much text. A poster also relies on lots of images to make a visual impact with the viewer. A poster doesn’t have to be discovered by a search engine though, and a poster doesn’t need to appear high in search engine rankings. Your website homepage design, looking like a poster, won’t be search engine optimized!
My example of a poster is an announcement of the SPOT Trot this weekend, benefiting homeless pets in Wharton County through the Stray Pet Outreach Team (SPOT). This is a very worthy cause well worth supporting!
This is an effective poster, but it’s also an example of a bad website design. With very little text, the poster doesn’t give the search engines much to work with. If the search engines don’t have much to use in evaluating your website, it’s not likely that your website will do well in search engine results. If you don’t do well in search results, it’s not likely that your website will attract many visitors to admire your graphics and images or read your text.
I see so many websites that are designed to match a marketing poster or print media theme and these sites are frequently the ones that perform most poorly in search results. In other words, some of the best looking websites will perform poorly because of poor SEO, and very few Internet visitors will have the opportunity to admire the great graphic designs on those sites.
Some other business owners will tell me that they want to have a great looking homepage with very little text and lots of images and then put the text on the other pages of the website. I have to tell these folks that they can’t require Google to direct Internet visitors to the homepage. Google and the other search engines will send Internet searchers to the most relevant pages on the Web, even if those pages are not the homepage. If your homepage is bare of text and your other website pages are full of keyword rich text, then very few people will ever see your homepage.
So when you’re working with your web developer to design your homepage and your website, focus a little less on the graphics and a little more on the keyword rich text and your website will look great and do well in search results too. If you have a question about search engine optimization (SEO) related to your website, please give me a call at 281-343-3284 or send me an email using the contact form.
What’s your idea of a great homepage design?
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design
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https://www.myrealmark.com/austinmenudesign
| 2023-12-08T03:40:16 |
s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100710.22/warc/CC-MAIN-20231208013411-20231208043411-00841.warc.gz
| 0.935912 | 508 |
CC-MAIN-2023-50
|
webtext-fineweb__CC-MAIN-2023-50__0__133830242
|
en
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At Austin Menu Design we are the team that designs your restaurant's menu and branding. We work with you to create a cohesive, creative look for all of these elements from start to finish!
Digital Menu Design
The design of your menu can make or break the success rate for customers. Austin Menu Design is here to give you an unbeatable experience with their high-quality photography and attention to detail that will leave you even more satisfied than before!
Social media has become one of the most powerful tools for businesses in recent years. It provides a way to reach out to potential customers and build relationships with them. However, managing a social media presence can be time-consuming and challenging. That's where Austin Menu Design comes in. We can help you take control of your social media presence and use it to bring in new clients. Our services include creating and managing content for platforms like TikTok, Facebook, and Instagram. We can also help you with marketing and branding strategies. So if you're looking for a way to take your business to the next level, contact Austin Menu Design today. We'll be happy to help you get started. Thanks!
Austin Menu Design has the expertise to print your menu in any size, shape, or form - from a simple and easy-to-eat off of our Touchless Barcode Menus all the way up through large wall-mounted ones that require assistance for maneuvering during service time because there is no need whatsoever when it comes down picking out what you want!
Professional Menu Photos
With our extensive experience, we will take professional photos for your menu that are sure to turn heads.
Need help making your restaurant the trendy spot where people come not only for the food but the ambiance? Our creative minds can make sure you have a place that is social media-worthy!
CAN YOU IMAGINE IT? FILL IN THE BLANK
Make your restaurant stand out with a custom menu and branding! Austin Menu Design offers expert services to take care of every aspect from taking pictures, to designing the layout for your website or print ads. With digital marketing methods like social media posting, we can help increase brand awareness in this competitive industry so that people know what great food is waiting on their plate when they walk through those doors at (Your Restaurant Name)!
Meet The Team
Sheira is the CEO of Austin Menu Design she directs all design and marketing strategies for each project.
Valeria is our content creator. She focuses on creating content personalized to each brand.
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design
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https://www.pwlk.net/blog/more-attempts-at-drawing/
| 2021-05-09T01:00:44 |
s3://commoncrawl/crawl-data/CC-MAIN-2021-21/segments/1620243988953.13/warc/CC-MAIN-20210509002206-20210509032206-00034.warc.gz
| 0.974576 | 350 |
CC-MAIN-2021-21
|
webtext-fineweb__CC-MAIN-2021-21__0__221977822
|
en
|
I really do enjoy drawing! I think it is lots of fun to start with a blank slate and completely make something out of it.
It doesn’t really matter to me whether it is completely unique or not. But if it is my creation, it will have my own mark to it.
This is actually, probably, why I like to write code. It is a creative outlet that I can bring something into existence that wasn’t anywhere but in my brain, before.
So here is a share of a few recent drawings. All three were done with the Paper app on my iPad.
The above was a not-unique-to-me design that I liked and wanted to try my hand at the cool shadow shading that was done. You can view the drawing I mirrored, here. Also, I found the idea drawing on Paper’s tumblr feed.
I really did enjoy working with a non-white background and wanted to make another attempt at the cool shading. Above is the result. Yes I know the land masses aren’t perfect … but it’s my drawing … feel free to do your own and leave a link to it in the comments!
More playing with the cross between different colors. Please refer to the above notes on the earth’s land masses if you don’t like how the colors align with the sun … ;-)
And that is it for now! Hope you enjoyed. As with other drawings that I want to share, you can view my gallery, here! My real goal is to be able to draw comic strips. I don’t know why … but that’s what I want to be able to do.
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design
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https://handsofpeace.org/hands-of-peace-participants-paint-murals-at-the-carlsbad-new-village-arts/
| 2024-04-20T06:19:24 |
s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296817491.77/warc/CC-MAIN-20240420060257-20240420090257-00279.warc.gz
| 0.949902 | 610 |
CC-MAIN-2024-18
|
webtext-fineweb__CC-MAIN-2024-18__0__101336754
|
en
|
By: Jake Arft-Guatelli, Carlsbad, San Diego – July 26, 2019
Artists and participants alike bustled about Carlsbad New Village Arts as this year’s mural painting session formally began. The murals provide a permanent creative medium in which participants express themselves individually and as a group. This program is funded in part by the City of Carlsbad’s Cultural Arts Office, and it offers a unique and unifying extension of dialogue that unveils participants’ visions through artwork.
The participants created four murals. They previously designed the sketches themselves, then professional artists translated the sketches onto full canvases. Participants painted their murals with the instruction of the same artists, beautifully filling in their careful designs with vibrant colors.
Designs varied greatly, though they were all influenced by undertones of inclusivity and peace. Alex, an American XL, was inspired by “the border orientation. In our trip to the border, I thought a lot about physical and emotional walls between people.” Alex’s mural features a wall inscribed with various negative words, including “injustice” and “violence”, shattered by a dove-shaped hole revealing sunset. Another mural displayed a pair of olive trees growing toward one another, meeting, and taking the shape of a peace sign, surrounded by vivid red tones and free-flying birds. The third mural showcased the world as the iris of a tearstruck eye, the eyebrow filled with symbols of diversity, religion, and peace. Below the eye a lyric of the Hands of Peace song drifted, reading, “Together we can fill the world with hope”. The fourth mural depicted a figure, shackled to the ground by negative terms, including “bigotry” and “hatred”, striving to reach towards a rainbow of “compassion”, “freedom”, and “peace”. Lour, a Palestinian citizen of Israel XL, who worked on the last mural said that “creating artwork and working on it together as a group made me realize that lines are not important, neither in the painting nor in the conflict”.
Participants carefully add detail and apply the finishing touches to their beautiful mural, a pair of trees growing towards one another and forming a peace sign, rather than meeting and resorting to conflict over mutual space.
Participants detail the dove-shaped opening in a wall of hatred, revealing a gorgeous peaceful sunset.
Participants create the image of a shadowed, shackled figure reaching to the heavens via rainbow. “The fact we as global citizens get the opportunity to express ourselves through all the mediums Hands of Peace provides is beautiful,” said Chloe, an American Hand.
Jake Arft-Guatelli was a Hand in 2017 and an XL in 2018, both times in San Diego. He attends Pacific Ridge School as a senior this fall.
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design
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https://shop.mahker.com/product/mahker-m57-snorkel-adapter/
| 2024-02-22T18:26:21 |
s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947473824.13/warc/CC-MAIN-20240222161802-20240222191802-00852.warc.gz
| 0.883608 | 167 |
CC-MAIN-2024-10
|
webtext-fineweb__CC-MAIN-2024-10__0__69886975
|
en
|
Upgrade your M57 with our Poly Carbon Fiber Polycarbonate, a direct replacement that seamlessly enhances both style and performance. Crafted with precision, these components offer a sleek and modern look while maintaining the quality and fit you expect for your M57 engine.
Made from high-quality polycarbonate, these replacements not only deliver aesthetically but also provide durability to withstand the demands of the road. Experience a seamless fit, easy installation, and an instant transformation of your BMW’s appearance with our Poly Carbon Fiber Polycarbonate.
Revitalise your ride with a touch of sophistication and modernity. The Mahker M57 Snorkel adapter adds a dynamic edge that is sure to turn heads on the road. Upgrade with confidence – choose our Poly Carbon Fiber Polycarbonate for a sleek, high-performance enhancement.
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design
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http://korea-dpr.co/emblem.html
| 2017-03-23T23:55:46 |
s3://commoncrawl/crawl-data/CC-MAIN-2017-13/segments/1490218187227.84/warc/CC-MAIN-20170322212947-00130-ip-10-233-31-227.ec2.internal.warc.gz
| 0.891812 | 253 |
CC-MAIN-2017-13
|
webtext-fineweb__CC-MAIN-2017-13__0__138491824
|
en
|
The national Flag of the Democratic People's Republic of Korea consists of a central red panel, bordered both above and below by a narrow white stripe and a broad blue stripe. The central red panel bears a five-pointed red star within a white circle near the flagpole. The red star symbolizes the glorious revolutionary traditions inherited by the Republic. The red panel symbolizes the noble patriotic spirit of the revolutionary forerunners and the fighting spirit of the Korean people. The narrow white stripes represent the homogeneous Korean nation with a long history and resplendent culture. The broad blue stripes symbolize the desire to fight for the victory of the ideals of independence, peace and friendship in unity with the progressive peoples of the world. The ratio of the flag's width to its length is 1:2.
The national emblem of the Democratic People's Republic of Korea has the design of a grand hydroelectric power station, symbolizing an independent modern industry and the working class, the leading class, under Mt. Paektu, the sacred mountain of the revolution, and the beaming light of a five-pointed red star, with ears of rice forming an oval frame, bound with a red ribbon bearing the inscription "The Democratic People's Republic of Korea".
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design
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https://www.kid-max.com/when-colors-come-alive-designing-with-colorful-desks-for-kids/
| 2024-04-25T00:52:44 |
s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296820065.92/warc/CC-MAIN-20240425000826-20240425030826-00153.warc.gz
| 0.93092 | 1,077 |
CC-MAIN-2024-18
|
webtext-fineweb__CC-MAIN-2024-18__0__141896165
|
en
|
Children's desks are no longer just functional furniture for studying. With the evolution of interior design, these desks now play a crucial role in creating a stimulating and inspiring space for the younger generation. The use of bright and vibrant colors in the design of these desks can have a significant impact on children's well-being and creativity.
Making Learning Fun with Colorful Desks
Children's desks play a crucial role in creating a stimulating learning environment. By incorporating vibrant colors and playful designs, these desks can transform a dull study area into an engaging space that ignites a child's imagination. The use of colorful desks not only enhances the aesthetic appeal of the room but also promotes a positive and enjoyable learning experience.
One of the key benefits of colorful desks is their ability to make learning fun. Children are naturally drawn to bright colors, and incorporating these hues into their study area can motivate them to spend more time engaged in educational activities. By associating learning with excitement and playfulness, colorful desks can help foster a lifelong love for learning in children.
Beyond Just Colors: Multi-functional Desks for Kids
Colorful desks for kids go beyond just aesthetics. They are designed to serve multiple functions to meet the diverse needs of children. These desks often come with additional features such as built-in storage compartments, ergonomic designs, adjustable heights, and interactive elements.
By providing various functionalities, multi-functional desks ensure that children have a dedicated space to work on their assignments, store their books and supplies, and engage in creative activities. This not only promotes organization and productivity but also encourages independent learning and responsibility.
Color Themes That Spark Creativity
The choice of color themes for kids' desks can have a profound impact on their creativity and imagination. Different colors evoke different emotions and stimulate specific areas of the brain. For example, vibrant shades of yellow and orange are known to enhance creativity and inspire innovative thinking. On the other hand, calming hues of blue and green promote focus and concentration.
By strategically incorporating different color themes into the design of desks, parents and educators can create an environment that sparks creativity and encourages children to explore their imagination. Whether it's a desk with a rainbow color scheme or one inspired by their favorite superheroes, the right color theme can enhance a child's learning experience.
Creating a Focused Study Area with Colorful Desks
Colorful desks not only add vibrancy to a child's room but also help create a focused study area. The presence of bold and bright colors in the immediate surroundings can enhance cognitive processes and improve concentration levels.
Additionally, colorful desks can be paired with complementary accessories such as playful quilts, inspiring wall art, and comfortable seating options to create a visually appealing and distraction-free environment. This dedicated study area acts as a sanctuary where children can concentrate on their tasks, free from external disturbances.
Transforming Children's Rooms with Vibrant Furniture
Colorful desks are not the only furniture pieces that can bring a room to life. By incorporating vibrant furniture items such as chairs, bookshelves, and storage units, parents can create a cohesive and stimulating environment for their children.
The use of vibrant furniture pieces not only adds visual interest but also stimulates the senses and promotes a sense of joy and playfulness. Whether it's a whimsical chair in the shape of an animal or a bookshelf with colorful compartments, each furniture item can contribute to a child's overall well-being and foster a positive attitude towards their personal space.
The Psychological Impact of Colors in Children's Development
Color Psychology: How it Affects Learning
Colors have a profound impact on children's learning and cognitive development. Each color stimulates different areas of the brain and elicits specific emotions. For example, warm colors like red and orange are known to increase energy levels and stimulate creativity, while cool colors such as blue and green promote calmness and focus.
By understanding the psychological effects of different colors, parents and educators can strategically incorporate them into the design of children's study areas to enhance learning outcomes. Creating a balanced and harmonious color palette can contribute to a positive and conducive learning environment.
Fostering Creativity with Colorful Furniture
Colorful furniture plays a vital role in stimulating children's creativity and imagination. The use of bold and vibrant colors can spark the imagination, encourage innovative thinking, and inspire artistic expression.
Whether it's a desk painted in bright shades or a chair with a playful pattern, colorful furniture items can serve as a canvas for self-expression and ignite a child's creative potential. By surrounding children with visually stimulating furniture, parents can foster a sense of curiosity and encourage them to explore their artistic abilities.
Impact of Colors on Children's Mood and Behavior
Colors have a significant impact on children's mood and behavior. Bright and vibrant colors have been found to enhance positive emotions, increase energy levels, and promote a sense of happiness. On the other hand, muted and calming colors can induce a sense of relaxation and tranquility.
By carefully selecting colors for children's furniture and study areas, parents can create an environment that supports their child's emotional well-being. For example, using calming colors in a child's bedroom can promote a peaceful sleep environment, while energetic colors in a playroom can encourage active play and social interaction.
|
design
|
https://lerneroffice.com/properties/17/2000-tower-oaks-boulevard
| 2022-06-27T17:03:48 |
s3://commoncrawl/crawl-data/CC-MAIN-2022-27/segments/1656103337962.22/warc/CC-MAIN-20220627164834-20220627194834-00643.warc.gz
| 0.932606 | 972 |
CC-MAIN-2022-27
|
webtext-fineweb__CC-MAIN-2022-27__0__9760746
|
en
|
2000 Tower Oaks Boulevard was the first Platinum office building in Mid-Atlantic region, incorporating the most comprehensive state-of-the-art design strategies for newly constructed buildings.
ENERGY STAR certified buildings save energy, save money, and help protect the environment by generating fewer greenhouse gas emissions than typical buildings. To be certified as ENERGY STAR, a building must meet strict energy performance standards set by EPA.
The building provides increased ventilation, pulling fresh air into the building and carefully filtering internal spaces, thereby greatly improving indoor air quality.
The building systems are capable of providing a complete building air change every 51 minutes and the air is filtered 4 times before reaching Tenants, controlling odors and contaminants. The use of CO2 monitoring, humidification controls, air flow monitoring and the use of low-emitting materials in the building construction and in Tenant construction ensure a healthier work environment than non-LEED buildings.
A significant reduction in CO2 emissions compared to non-LEED® office buildings through the use of energy and water efficient equipment in the central plant. This reduces the strain on Earth's most precious resource, water.
100% of the energy consumed comes from renewable energy sources providing the highest environmental benefit.
Storm-water is collected in detention ponds that have been specifically designed to filter the water as it drains in preparation for the next storm event. The retained water is used for irrigation.
Mature tree-lined roadways, pedestrian friendly walkways and a preserved natural habitat maximizes open space and creates a scenic environment for tenants and visitors to enjoy.
As a model of green entrepreneurship and as an agent of change, building management collects and disposes of recyclables such as paper, plastic, glass, aluminum and other materials. such as paper, plastic, glass, aluminum and other materials such as batteries, electronics and light bulbs. Over 85% of the buildings construction waste was recycled.
Over 22% of the building materials were made from post-industrial recycled content, helping to reduce environmental and social impacts.
Tenants are encouraged to design interiors to provide access to daylight and views. The floors can be designed to allow for up to 90% of occupants to have views to the outside. Optimizing the amount of natural daylight in the workspace improves working conditions, boosts employee wellness, satisfaction and morale.
A highly efficient curtain wall system with low-e glass keeps the building cool in the summer and warm in the winter. Improving temperature and humidity control provides a comfortable working environment.
The underground parking and highly reflective and emissive cool-roof system are designed to minimize the building's contribution to heat-island effect and relieve the cooling energy load during hot summer months.
The building is designed to use 28% less energy than a typical office building with the use of high performance glass, energy efficient lighting, occupancy sensors and free cooling systems. A computerized Energy Management System allows for monitoring and control of energy use.
Water use is 41% lower than typical office buildings with the use of efficient fixtures in the core and amenity spaces. The use of water-efficient, native and adapted plants reduces the demand for water needed for growth, ensures reliable water sources and creates aesthetically appealing grounds for Tenants Condensate water from air conditioning systems is used to water the grass eliminating the need to use potable water for irrigation.
2000 Tower Oaks Boulevard has access to public transportation including Metro and numerous bus lines.
Alternative Transportation is provided by access to on-site secure bicycle storage and shower and locker facilities. Preferred parking spaces are provided for fuel-efficient vehicles and conveniently located charging stations for electric vehicles.
Ride On bus service available to nearby Metro stations and other points of interest such as Rockville Town Square, Park Potomac, and a myriad of shops and restaurants along Rockville Pike.
Three nearby Metro Stations (Rockville, White Flint, and Twinbrook), with Rockville 2.4 miles away. Nearby to Amtrak and MARC train stations.
Rockville was recognized as a Bicycle Friendly Community at the Bronze level by the League of American Bicyclists. There are 21 Capital Bike Share stations nearby with the closest one just 1.5 miles away. The building is adjacent to the 10.63 mile Rockville Millennium Trail. Learn more.
Designated carpool spaces in the parking garage serve to encourage employees to commute sustainably. Ample spaces for hybrid and low emmision vehicles exist as well.
Minutes from Rockville Pike restaurants and shops. Direct access to I-270 and 40 minutes from Downtown D.C. Within 15 minutes of 495-Capital Beltway.
30 minutes to Ronald Reagan Washington National Airport and 40 minutes to Baltimore/Washington International Thurgood Marshall Airport.
|
design
|
https://www.fyi-center.com/en/overview.html
| 2024-04-20T11:17:52 |
s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296817576.41/warc/CC-MAIN-20240420091126-20240420121126-00095.warc.gz
| 0.93387 | 175 |
CC-MAIN-2024-18
|
webtext-fineweb__CC-MAIN-2024-18__0__90600324
|
en
|
In the heart of Bangkok, the FYI Center stands out as a modern workspace that truly lives up to its name - 'For Your Inspiration'. It is perfectly positioned in the city's business hub and offers easy access to all essential services and amenities.
With two buildings, the FYI Center provides a vast office space, a hotel with 239 rooms, and shops and restaurants. Everything you need is right here whether you're working, visiting, or just passing by. The open design of the ground floor creates a welcoming atmosphere, making it a great spot for everyone to gather, work, or relax.
More than just an office building, the FYI Center is a place where creativity thrives. With open spaces, fresh air, and a design that encourages collaboration, it's a space for everyone to find inspiration. Come and experience it for yourself!
|
design
|
https://www.goldenwestflyin.org/clothing-staples-every-woman-should-own/
| 2024-04-25T00:46:58 |
s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296820065.92/warc/CC-MAIN-20240425000826-20240425030826-00042.warc.gz
| 0.951541 | 1,992 |
CC-MAIN-2024-18
|
webtext-fineweb__CC-MAIN-2024-18__0__59014813
|
en
|
Every woman needs the right type of clothing staples to keep her looking fresh and on-trend. These include white tees and button-down shirts. Black trousers and knee-length skirts. You can also include denim shorts and black jeans in your wardrobe.
White button-down shirt
One of the most iconic pieces in a woman’s wardrobe is the white button-down shirt. Not only is it a great statement piece, it can be worn in a variety of ways. It’s also a staple that will never go out of style.
However, not all white button-downs are created equal. While the best may well be the newest, there are plenty that are outdated and ill-fitting. As such, finding the right one can be tricky.
Here are some of the best. If you’re looking to invest in a timeless piece, look no further than the classic J.Jill white button-down. The cotton blend is a medium weight and perfect for any season. This shirt has a small collar, back seams for waist shaping and is a feminine fit.
For a more upscale take on the white shirt, look no further than the Icon Shirt by Ann Mashburn. Made with Italian poplin and slim cut, this shirt is a great way to elevate your look.
While most of us are accustomed to seeing the white button-down in the office, this style can be worn just about anywhere. You can style it as a dress or pair it with jeans and sneakers.
If you’re looking to buy a new button-down, consider purchasing a silk or linen-cotton blend. These fabrics have some stretch, but can be a little wrinkly. They’re not as structured as cotton, so they can be a bit pricey.
When it comes to white button-downs, you’ll want to avoid the oversized varieties. A good hemline should be about hip-level. Also, try to purchase a gauzy cotton option instead of a synthetic fabric. That said, you’ll still need to iron it.
The black pant is a staple of the modern woman’s wardrobe. Whether you’re looking for a casual evening attire, a work-appropriate pair of trousers or a smart yet comfortable option for travel, the black pant is a must have. Thankfully, they aren’t limited to the workplace, as they’re just as at home in the gym as they are at an office meeting.
The best part is the number of outfits that you can put together from a single pair of trousers. These pants aren’t limited to the office, either, as you can wear them on a date, for a night on the town or even in the car.
In the quest to find the perfect pair of black pants, it’s important to choose wisely. A good rule of thumb is to opt for a pair that aren’t too tight at the waist. This allows you to add a little flare without sacrificing your shape.
A well made pair of pants is an investment that will pay off in spades. If you’re shopping on a budget, you can opt for one of the many budget friendly brands. One that will be sure to tick all your boxes is Frankie Shop. You can choose from a variety of styles including wide legs, cropped, skinny and more. For the fashion forward among you, you can also check out Express, which has an extensive range of women’s black trousers.
If you’re looking for something a little more blinged out, you can opt for the black leather pant. This is not only a staple of Parisian chic, but it’s a must have for anyone who wants to look their best. They can be worn with a shirt and tie for a smart, chic outfit or with sneakers for a laid back, cool vibe.
When shopping for a new white T-shirt, there are a few things to keep in mind. First, it should be breathable. Cotton is a great choice, as it is easily washable and biodegradable. Also, the material should not cause skin allergies.
Aside from that, it should be lightweight. This is especially important if you plan to wear the tee at the gym or workout.
In addition, the material should be thick enough to provide structure and comfort. Ideally, the material should also be thin enough to let the wearer layer it. An important skill you must have is to know how to measure bust so that you can buy well-fitting bras, especially since these can be easily noticeable underneath a white tee.
Another consideration is the cut. White tees come in a variety of cuts and styles, so it is important to find a style that suits your body. For example, you may prefer a looser fit or a flattering high-neck.
If you are looking for a casual piece, a classic Hanes tee is a good choice. It is easy to throw on and has a timeless look.
You can also choose a thinner cotton-jersey T-shirt. These can be found at any price point.
If you are looking for something that is a bit more interesting, consider adding a scarf to the mix. This can be tied around the neck for a French-inspired look or added to the tee for a fun pattern or texture.
Lastly, it’s important to take care of the tee after you buy it. Over time, grime and perspiration will build up, and you’ll want to be able to wash it.
If you are concerned about pit stains, you can try a stain remover, such as a half-cup of baking soda, hydrogen peroxide, or water. However, if you want to avoid this, washing the shirt after every use should be enough.
Denim shorts are a summer staple and can be worn with everything. They are also a great alternative to jeans. They are versatile and look great with sandals and wedges.
Denim shorts come in various colours and washes. They are also available in different shapes and lengths. Some are high-waisted and some are wide-leg. If you are looking for a comfortable pair of denim shorts, make sure they aren’t too tight.
For a summery, retro look, opt for a distressed pair of mid-rise shorts. This is a look that will never go out of style. To complete the look, pair it with a ruffled, puffy peasant blouse.
High-waisted denim shorts are perfect for women with a petite waist. Their length can help elongate your legs. You can dress them up with a black blazer and a pair of black heels, or dress them down with a graphic tee and chunky booties.
These shorts can also be used as a cover-up if you are taking a bath in the pool. Just be careful not to get too wet.
A ruffled, peasant blouse pairs well with distressed denim shorts. Another way to achieve this look is with a corset top.
The ideal shorts are lightweight, but durable enough to be washed. Try to find a pair that doesn’t bleed.
Denim shorts are also a great wardrobe staple during the winter. If you aren’t sure what type to purchase, stick with neutral colours. This allows you to easily mix and match your clothing.
Regardless of what you choose, make sure you don’t have too many pairs in your closet. Having too many shorts can be uncomfortable. Choose a pair that is dark enough to wear during the day and light enough to wear at night.
Knee-length skirts are an excellent wardrobe staple for any woman. These skirts come in many different styles, and can be easily dressed up or down. They can also be paired with a variety of tops, blazers, and accessories. Whether you are wearing a knee-length skirt to work or out to dinner, you can be sure to look your best.
Knee-length skirts can be worn in any season. For colder weather, you can pair the skirt with tights or leg warmers. If it is warmer, you can wear a dress or t-shirt. However, when the temperatures drop, you can switch to a slouchy cardigan or a wool coat.
When shopping for knee-length skirts, you need to make sure you find a style that is flattering to your body type. It’s best to avoid any styles that are too tight at the waist. This will give you a more polished look. You can opt for a high-waist to get a more feminine look. A high-waist looks better with a fitted shirt tucked in.
Moreover, you can choose from various colors and patterns. These skirts are easy to style and will pair well with a wide variety of footwear.
For a fun and unique look, you can try a ruffle peplum skirt. This skirt is made from stretchy fabric and features a ruffle along the hem. Try this skirt with a graphic tee for a cool look.
Another popular style is a mini skirt. Miniskirts were introduced in the 60s and hit the scene in swinging London. Since then, designers like Andre Courreges and Mary Quant have reimagined the miniskirt.
Pencil skirts are a favorite for office wear. Pencil skirts are designed to sit close to the body, so they flatter all the right places. The flattering fit makes them the perfect choice for any occasion.
|
design
|
http://www.brickfields.org.uk/text/victorian-homes.html
| 2018-06-24T12:47:53 |
s3://commoncrawl/crawl-data/CC-MAIN-2018-26/segments/1529267866937.79/warc/CC-MAIN-20180624121927-20180624141927-00146.warc.gz
| 0.986541 | 1,124 |
CC-MAIN-2018-26
|
webtext-fineweb__CC-MAIN-2018-26__0__160556612
|
en
|
Much of Hackney's housing is Victorian middle class housing. This fact is reflected in the design. There is a lot of variety in the external decoration of Victorian suburban homes. This was a way for the middle classes to set themselves apart as a class and to show their wealth and status. All sorts of styles were used, from Gothic to Queen Anne, to classical and Arts and Crafts, often mixed together.
The home was also a place where the family could communicate their social status by the order of their domestic arrangements and their distance from the working class, including their servants. This had a high impact on the design of the middle class Victorian house, as there had to be separate entrances for staff and even different stairwells as servants were placed away from the family. Even the outside of the house was used to communicate the status of the family, for example the use of bay windows in Victorian middle class terraced housing distinguishes it from the flat fronts of working class terraces. This fashion was possible because of the abolition of the window tax in 1851 and the invention of sheet glass.
For the middle class, morality and religion were very important and the home was seen as a place for moral refuge and the teaching of Christian values. Within the home this is reflected in the strict segregation of the sexes, boys from girls. The general move to a segregated society where women did not work also made the home very important to women; it was their world.
Privacy was another middleclass concern. If a house could not be separated from its neighbours and the road then blinds, shutters or lace curtains were used to distance the outside world. A frequent compromise, when a detached house was not possible, was a pair of semi-detached houses built to look like one house like the villas on Queensbridge Road. Towards the end of the Victorian period rooms were less closed off and became lighter and more cheerful as the Victorians became aware of the benefits of fresh air and sunshine.
There are few examples of working class housing left in Hackney as most was replaced by council housing and the ones that do exist represent the upper end of the range. Beck Road is a very attractive working class Victorian terrace. In the latter part of the Victorian era, with the emergence of trams and the workingman’s train the move to the suburbs also became possible for the regularly employed better off working class. Working class suburban homes were designed with room for a lodger as the extra income was vital for a working class family. The interiors would of course have had no servants quarters and much less of the clutter of a middle class home as the families would have much fewer possessions.
Poorer families would have lived in large, old houses occupied by a number of families, or back to back houses. Frequently housing for the poorest in society was shoddily built on bad foundations. Six thousand people in Hackney Wick in 1879 were reported to be housed in slums on top of a rubbish pit.
The issue of slums became of great importance to the Victorians. This was the era of the social reformers who felt they had a duty to help the poor. For many of the religious middle classes the overcrowded conditions of the poor, where people of all ages and sexes shared together, were immoral also. There were other more cynical reasons for reform too. People were fearful of a working class revolution and were worried about the threat to people’s health caused by poor sanitation and water supplies. Ill health amongst the working classes had an effect on national productivity and pushed up poor law costs as family breadwinners died. Plus there was the threat to the health of everyone caused by epidemics such as cholera and typhus.
The emergence of charities and trusts who sought to provide housing for the poor, such as the Peabody Trust in 1862 and the Guinness Trust in 1890, failed to meet the needs of the most desperate in society. The homes they built were sometimes quite radical in design, for example with toilets and a constant water supply and often in blocks of flats. The quality of their house building put it out of the reach financially of all but the upper working classes.
Various acts of parliament outlined government recommendations regarding building and density but without a house building programme they were meaningless. The medical officer for Hackney, responding to the 1866 Sanitary Act, claimed that if he were to carry out the overcrowding clauses he would force 10,000 people out on the street.
The situation was worse in Hackney as building costs rose very fast in the last twenty years of the century whereas they fell nationally. Lack of building led to higher rents and over crowding. Rents in Hackney between 1894-1901 rose by a third, four times the rate for housing in London overall. Ironically, London suburban rents were around half of those in central London but the poorest sections of society who did not have regular incomes were forced to live where the work was. Shoreditch was a particularly overcrowded area, its population quadrupled in the first half of the century. It had traditionally been an industrious area, situated as it is just outside the city, but the building of the Regents canal allowed the transport of goods and materials so made the area even more attractive to businesses and their workers.
For a detailed look at the social make up of Hackney in Victorian times have a look at Charles Booth's poverty maps by clicking here. This will take you to the London School of Economics Charles Booth Online Archive.
|
design
|
https://eastendexplorer.com/boat
| 2023-12-09T20:42:31 |
s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100972.58/warc/CC-MAIN-20231209202131-20231209232131-00339.warc.gz
| 0.969256 | 160 |
CC-MAIN-2023-50
|
webtext-fineweb__CC-MAIN-2023-50__0__254431803
|
en
|
East End Explorer
Custom build by Henricksen Boats this 33' tour boat is ready to explore all the bays have to offer. At 33' this boat can float in 6" of water, allowing us to get back into some of the most pristine parts of the Peconic Estuary as well as sandbars of Shinnecock bay. Rest assured that with a boat of this size everyone will feel very comfortable and stable while we are underway. USCG inspected to carry 24 passengers and powered by 2 outboard engines to ensure we get where we need to go and back safely and effectively. Perimeter seating around the front deck and tall railing keep everyone safe onboard during our voyage. Enclosed in the pilot house is a marine head(toilet) for those kinds of emergencies.
|
design
|
https://www.smudgemakeupartistry.com/aboutme
| 2024-04-15T16:26:12 |
s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296817002.2/warc/CC-MAIN-20240415142720-20240415172720-00322.warc.gz
| 0.966619 | 296 |
CC-MAIN-2024-18
|
webtext-fineweb__CC-MAIN-2024-18__0__87377842
|
en
|
In 2007, Jaime moved to Hong Kong and left a successful career in the fashion industry behind her. Graduating university in 2000 with a degree in Fashion Design and Fine Arts, Jaime honed her craft in courses and internships in the U.S., London and Paris. Later designing and styling for a number of well known American brands in New York City, Jaime then took a position as a Creative Director and Trend Researcher. Here she had the opportunity to go beyond clothing design and construction, working with different labels and helping them develop fabric, color and trend direction for their lines.
Her affection for art and design wasn’t always confined to fashion. Jaime has forever loved make-up and beauty, and considers make-up artistry to be a natural extension of her already successful career in design. She studied with accomplished make-up artist Mai Lee and Beauty Base London, a BABTAC accredited academy specializing in fashion photographic make-up. Now, Jaime is growing her make-up career under the moniker Smudge Make-up Artistry. Jaime offers her extensive understanding of color concepts and design aesthetics to her clients, which has only made her a better make-up artist. She understands the face and about making a women look beautiful. Her services include make-up application for fashion, editorial, events, stage, bridal, portrait, boudoir photography and styling. Jaime lives in Happy Valley with her husband and two children.
|
design
|
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